Omnex Newsletter: April 2022

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Our news, our views April 2022 CREDIT: NFT1, BFI Southbank

C O N TA C T U S

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0161 477 7633 available across the UK

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All of our support plans provide you with access to our online shopping portal for further discounts on Lamps and sundries.

It’s what we do Established in 1987, Omnex supplies, installs, services and maintains technologies to cinemas throughout the UK and Ireland. We work alongside leading equipment manufacturers, and our goal is to support exhibitors in making cinema the ultimate place to enjoy the movie experience.

Truly the one-stop business for any cinema auditorium related items.

Contents

Discover…

In the April 2022 issue Please help us support cinema colleagues in the Ukraine On p.41

06 09 10 12

In Aboyne, a major re-fit serves as a tribute to a gentleman of cinema How can you mitigate the supply chain crisis in technology globally?

We’ve got our eye on you in a good way: our NOC+ monitoring services Why your loudspeaker is black, and other critical audio design concerns

14 16 19 52

Audio design: how to achieve aural nirvana in your cinemas’ auditoria The Electric Cinema in Birmingham is all set to thrill the Midlands again Our supplier showcase gives you the lowdown on the latest technology Meet the Omnex team: seating, lamps or repairs, we’re all here for you

Get in touch with us at Omnex… +44 (0)161 477 7633

info@omnex.co.uk

Omnex is part of the MPS group.

omnex.co.uk

Editorial and visual design by 1803 Connect: e hello@1803.co.uk w 1803.co.uk

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Q2, 2022

03

Our view

We’re back…!

At the time of writing, “The Batman” is in Week 2 and its three-day weekend has just earned another £7.5m at the Box Office. In fact, the previous weekend has three titles that have achieved more than £20m to date and BTS “Permission to Dance” has just drawn $32.6m globally in one-night. So, it’s now Spring and with Easter half-term just around the corner… it’s great to see Box Office numbers continue to rise.

Are we being optimistic? Well why not!? We all learned from the pandemic and “The Guardian” once again tried its

Our customer focus should be on par with your own commitment best to bang the ‘cinema is dead’ drum.

Only problem? We’re not… As the UK has continued to beat the £1bn number year-on-year since 2011, we’ve certainly got a target to aim for.

We’ve all had time to take stock, to look at costs and to listen to your views and we’ve strengthened our businesses offering. With your customers being such a key part of the cinema-going journey, we propose that Omnex’s own support should be on a par with your own customer-focused commitment. I encourage you to read about our services that help make technology an enabler of a growing cinema sector.

Simon Tandy, MD, Omnex

04 Q2, 2022

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Cinema?

We live for it.

WE ARE FORTUNATE at Omnex to have all had a background in the cinema. Most of us were, at one point, projectionists and some of us are old-timers who can say they punched tickets before working on ‘sweets’. For us, sharing what we’re doing to support cinemas feels even more timely than before.

Here goes: lockdown showed us that whilst the expression ‘cash is king’ is true, it’s cashflow that drives the buoyancy of our businesses. On that, we extended our annual service plans to a lower-cost pay-monthly option. That is now a permanent feature of our business­— we’re really pleased to be able to support cinemas from as little as £59 per month.

With cost-savings in mind, we recently launched a new Shopping@ portal at omnex.co.uk/shop. It covers a full range of xenon lamps and filters, which can be paid for by credit card or simply added to your account. Either way, customers can purchase items at a better price any time of day or night.

TAKE A SEAT IN 2020, WE STARTED to share news that Omnex was providing test and inspection services for luxury recliners. This is a service we continue to provide across the UK and a number of European countries. It started as a testing and inspection service but has grown to a dedicated team of six seating technicians who also provide sales, installation and repair services. Do bear us in mind if your seating merits attention.

VPF… THERE’S LIFE BEYOND ARE WE STILL talking about it? Quite the opposite; with the VPF now behind us, there are a few things to bear in mind.

Clearly the VPF was a real positive in supporting the transition to digital. One of the upsides was the warranties on projectors.

We’re highly conscious that warranty programs deliver real peace of mind. We are now able to offer finance packages — where required — so that, when the time comes, you can purchase a projector with five years’ warranty and support. In a nutshell? Piece of mind from as little as £595 per month.

CREDIT: NFT1, BFI Southbank www.omnex.co.uk

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Q2, 2022

05

Omnex news

At Aboyne, a cinema re-fit that serves as a fitting tribute Pete Naples reports on a community cinema that’s a lasting testament to the much-loved cinema enthusiast, David Eastwood.

David expected the local council to go 50/50 on a projector.

They paid outright.

06 Q2, 2022

I’VE LOOKED AFTER THE cinema in

Creative Scotland for technical upgrades.

the Aboyne Community Centre for two

With help from Omnex’s Steve Case, we

decades. When I first visited, a venerable

put together an audio package to bring

old Westar 2001 fed by a Westrex 5035

Aboyne Cinema bang up to date.

tower delivered images to the screen.

Ah... Covid. The audio equipment

Sound was quite respectable given the

was ordered and delivered, but as the

venue’s part-time nature. The speakers

cinema is housed in a school, no work

and amps had been begged, borrowed

could take place. So it sat in a store room.

and acquired from closed venues.

David entered into discussions with the

Fast forward to the digital era. The

council about accessing the site, and

Westar was replaced with a Christie

when he did, he discovered that the IMB

Solaria One+. The Dolby CP55 was

in the projector had passed away. The

replaced with a Dolby CP750. Otherwise,

cinema group now had to find funding

little changed. Another decade passed,

to repair or replace the machine.

screenings were popular, and the sound

David’s sharp mind came into play.

system was showing signs of age. The

Armed with pricing and details from

technical supremo at Aboyne, David

Omnex, he met the council. The original

Eastwood, with his colleague Brian

projector had been bought by them but,

Forbes, replaced all the LF cones in the

the sound system belonged to the

surrounds with generic drivers. They

cinema’s volunteers. David expected the

were acutely aware the sound could be

council to go 50/50 on the replacement

better. So David leapt at funding from

projector’s costs, but to his delight they

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fitted because this is a multi-use theatre and they are moved as required.

It’s worth mentioning that the QSC DPA 4.2 amplifiers hold a loudspeaker database on board, so it’s vital to configure them appropriately. With that done and the CP950 configured using Dolby Atmos Designer software (so it knows amplifiers, speakers and room dimensions), the EQ required to tune the system was minimal. A Blustream matrix switcher allows easy selection of Blu-ray, satellite and PC sources, with a preview monitor connected so it’s not essential to have the projector on, or the screen down when tuning the satellite receiver.

A FEW DAYS BEFORE the re-opening, I received a call from Brian Forbes, with the terrible news that David had passed agreed to pay outright, on the grounds that they bought the original and their own CV19 rules had contributed to the failure through months of neglect. So we supplied a new Christie CP2310 RGBe, with IMB S3 and NAS. I headed to Aboyne and removed the old sound equipment and projector then collected my colleague Geoff from Aberdeen. The next day CineLogistics arrived with the new projector, and we swapped it on the pedestal. The Solaria One + and the CP2310 RGBe share a footprint so this was quite simple. We removed the old KEF surrounds, putting in the new QSC 8200. We added QSC 8200s to the rear wall, doubling the number of rear surrounds, and re-wired

away suddenly. Brian told me they were

Aboyne

planning to open as a tribute to David’s tireless efforts, so I made an emotional

Cinema is

visit to put finishing touches on the job.

now at a

The leading light in the technical side of Aboyne’s cinema and theatre shows,

standard

David was an educator all of his working life — a head teacher, lecturer and vice-

of which

chancellor at Aberdeen University. In

the late

retirement he still wrote regularly for

David

various education journals.

Eastwood

their dealings with him. It was a different

Colleagues at Omnex spoke fondly of experience for me to be in an auditorium

would

without the man who pulled the strings

have been

to make it happen, but ‘the show must

proud

Cinema re-opened on 4 March, showing

go on’ — as he’d have wanted. Aboyne

for 7.1. QSC SC2150s were assembled for

‘Encancto’, with Brian at the helm. The

the stage, QSC SB 7218 takes care of the

cinema is of a standard that Aboyne, the

lower frequencies. All the stage end

cinema team, and Omnex should all be

speakers have kick-grilles and castors

as proud of as David would have been.

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Q2, 2022

07

Omnex news

Delivering multi-use versatility in St Andrews Pete Naples heads north for the refit of a theatrical institution — the Byre, a cultural hub of renown in St Andrews.

THE BYRE THEATRE is a vibrant hub

The QSC processor selected sits in

of cultural activity in St Andrews and is a

the signal chain where the Soundweb

hosts no

focal point for the arts in North East Fife.

was — the QSC when in theatre mode is,

fewer than

Founded in 1933, the current building

to all intents and purposes, transparent.

opened in 2001. With one auditorium

Its multi-channel input is routed to the

800 events

and a studio space, the Byre Theatre

outputs

hosts no fewer than 800 events annually

equalization or delays on. This is easily

annually,

including film, theatre, dance, comedy

achievable on the QSC because it has

and music.

three equalization/gain/delay presets

The Byre

including

at

unity

gain,

with

no

The recent work Omnex undertook

available which can be assigned to any

film,

in both spaces included removing and

format in software. So, when a cinema

theatre,

decommissioning existing Soundweb

format is selected, the EQ and gain

DSP. These were 20 years old and

structure we would expect comes in.

dance and lectures

08 Q2, 2022

becoming increasingly temperamental.

Their functionality for a theatre like the

SCREENS AND B CHAIN equipment

Byre can now be provided by a modern

was all extant, as both theatres had

digital mixing desk.

already been equipped for 5.1. This is

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Playing supply chain dominoes globally OUR INDUSTRY PUNCHES way above

How

its weight culturally, but from a financial

do you

compared to others. Post-Covid and

overcome supply Main theatre kit Barco SP2K7 & Alchemy

Blustream MFP62 HDMI switcher/scaler QSC DPM300H Audio Processor

sanctions on China if it supports Putin —

delays?

Anyone looking to buy a car will have

The answer

first of its class in Scotland

war in Europe and the US threatening the effect on component supply chains

QSC DPM300H Audio Processor

Espedeo Supra 50000 & GDC IMS – the

with geopolitical tension rife — a tragic

chain

Blustream MFP62 HDMI switcher/scaler

Studio theatre kit

perspective, the sector is a minnow

is simple:

internationally has been extraordinary. seen what a shortage of microchips and shipping delays does to prices. And that’s before you fill the tank.

Industries bigger than ours pay over the odds to jump the queue to secure

think

parts; often the same components that

ahead

equipment. Freight prices have tripled,

live inside cinema sound and projection and

when

manufacturers

receive

components, they need assembly. All the back orders mean further delays. increasingly common in theatres where

And as the orders back up… new orders

sound designers often use the surrounds

come in. It’s quite the domino effect.

for effects such as weather during their

For the customers of Omnex and

performances.

businesses like ours, bluntly, this means

The new Blustream switchers now

some items that were on six-week lead

change seamlessly between Blu-ray,

times are now pushed as far out as a

Satellite and PC. Both spaces are used

30-week lead time.

by the University of St Andrews for

How can you overcome this? The

lectures, and film shows are frequently

answer is simple. Please think ahead. To

from Blu-ray, ProRes etc as well as DCP.

illustrate, here at Omnex, we have been

So it is vital that HDMI switching is

ordering surplus stock since November

simple and reliable. Both spaces can be

to support orders placed ‘today’.

controlled over WiFi from a laptop. The

Ideally, we ask you to discuss any

net result? A versatile multi-use space

plans you might have for hardware with

that is fit for the future! If you’re up in St

us as soon as you are thinking about

Andrews, the Byre will soon host its first

them — no matter how far-off those

film festival: www.saintfilm.org.uk

plans may seem.

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Q2, 2022

09

Monitoring services

Omnex NOC+ We’ve got our eyes on you... but in a good way!

Omnex’s NOC+ services help to keep your cinema systems online day and night. Darren Briggs illustrates the benefit of our brand of 24/7 surveillance.

AT OMNEX WE have a 24/7 monitoring

associated tools that alert us to a variety

Red notice? The

system, which forms the backbone of

of issues arising in any device connected

lamp on site has a

the NOC+ services that we deliver to our

to our NOC service — for example, a

run-time warning

customers. For added peace of mind,

degraded RAID or a fan failure.

our NOC+ services are backed up by our

To allow connection, we work with

engineers who are on call 8-10pm every

the cinema and update to a dedicated

day of the year, with the exception of

IP range assigned to your cinema to

Christmas Day.

benefit from this service. All existing

To provide an efficient service, we

customers are currently being added as

make use of a custom ticketing system.

we update out-of-the-box standard IP

This system allows us to manage and

schemes in use at cinemas.

communicate information to cinemas in a timely manner, and it also supplies

WE HAVE MULTIPLE staff each day

service reports which are emailed out to

providing the NOC service. They are all

cinemas after one of our visits has taken

contactable via our new phone system

place. This ensures your own information

which allows calls to be directed straight

is kept fully up to date.

to the engineers on duty.

Our systems also provide the ability

AT THE HEART OF the NOC+ services

for engineers to connect securely into

are the monitoring systems and the

the monitoring system and, therefore,

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they

can

cinema

support

remotely

any from

anywhere in the world.

SNMP? It’s a system lifeline

Existing customers will

SIMPLE NETWORK Management

already receive ticket alerts

Protocol (SNMP) is a protocol used

from our custom Cinema

primarily for the monitoring of network-

Ticketing System when any

connected devices — and it’s fairly

issues are raised either by the

fundamental to the way your cinema

cinema or through pro-active

systems operate, writes Omnex service

intervention from Omnex.

engineer John Caswell.

SNMP is the backbone of the

Embedded

into

most

modern

monitoring system (see the panel

network devices, such as your projector,

on

detailed

server, sound processor and router,

explanation). Every screen has, on

the

right

for

a

SNMP has been about in some form for

average, at least four devices to be

more than 30 years. And here’s why it’s

monitored. In turn, each device then

so important — SNMP allows for passive

reports multiple items (i.e. model,

monitoring and for networked devices

serial, software, firmware, lamp/laser, lens, fans, temperatures, interlocks, security, status and information).

OUR SYSTEMS monitor thousands of devices connected to hundreds of

SNMP actively flags your system errors — like a cry for help

screens internationally. On average, 30

actively to send out messages in case of

items are monitored per device. That

errors and failures, like a cry for help.

means tens of thousands of separate

We use SNMP for our Monitoring

items monitored, delivering resilience to

Server, which is a part of our Network

customers’ businesses. Data such as fan

Operations Centre (NOC). This allows us

speeds and temperature are logged to

to monitor your equipment for errors

provide a detailed equipment history,

and equipment failures (aspects such

while certain items automatically alert

as

us if an error demands an engineer be

temperatures etc), usually allowing us to

sent to investigate and resolve it. We can

pick up on any issues before they

identify lamps nearing end of life, fans

develop into drama. We’re also able to

running slowly, software which requires

monitor when you may need a new

upgrading and other items, all of which

lamp for your projector. Any supported

contribute to the integrity of our support.

cinemas to which we have a remote

To join the world of Omnex and gain

connection, can be on our Monitoring

peace of mind that your system is being

System. It’s a handy service that can

looked after, contact us to discuss the

prevent problems before they occur, so

various support offerings.

give us a call if you’d like to know more!

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fan

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and

hard

drive

health,

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Q2, 2022

11

Audio design

Why your loudspeakers are black… and other audio design considerations Omnex’s audio specialist Steve Case explores the details that make a professional grade cinema loudspeaker fit for purpose.

IN CINEMA, IMAGE is only half the

matt black to stop light reflecting off it.

picture. The audio plays an equal part in

Since cinema speakers don’t need to be

telling the story. A properly designed

portable, and height and width are not

system

industry

usually an issue, the low frequency

standards to reproduce as closely as

cabinets can be very large in cubic

possible what the filmmaker heard

volume compared to pro audio speakers.

when they mixed the master recordings.

This improves efficiency and extension

The screen channels are full range

at the very lowest frequencies, at the

will

comply

with

but, unlike many pro audio loudspeakers,

expense, however, of overall sensitivity.

they do not cross over to a subwoofer.

In terms of construction, cinema

The subwoofer in a cinema receives a

cabinets are often of MDF instead of

separate recorded track, and it’s not

more expensive plywood. Also, the mid-

normally used to reproduce very low

range and high-frequency horns and

frequency content from the Left, Centre

drivers of a screen channel are open at

and Right screen channels. However,

the rear, saving the cost of a full cabinet.

because of the need to play low frequencies, screen channel speakers

A KEY DIFFERENCE in configuration

wil normally use 15” subwoofers in their

for cinema loudspeakers is the need to

LF sections. This will depend on the size

have

of the auditorium. there may be multiple

intelligibility. To achieve this,

15” drivers to achieve the right response.

more screen speakers are

excellent

dialogue

now produced as a 3-way A TYPICAL CINEMA speaker isn’t

system which keeps most of

designed to be portable. It is only put

the dialogue in the mid-range

into position once, so they are without

driver between the crossover

handles and grilles and typically have

points of the HF horn and the

screw-type

connectors

LF driver. A typical 3-way

rather that a Speakon connector you

cinema speaker crosses over

find on a portable speaker system. We

around

normally paint a cinema specific speaker

meaning most of the vocal

12 Q2, 2022

barrier

strip

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300Hz

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and

2kHz

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range is reproduced by the large mid-

results in about 6dB greater SPL, without

range horn. This gives exceptional

using a larger amp. Very low frequencies

dialogue intelligibility, even in the back

produced by the sub-woofers have no

of the room. We optimise screen

problem

channels for typical auditoria, resulting

draping or masking below the screen.

going

right

through

any

in great sound, as well as ease of Modern

LET’S NOT FORGET the surrounds.

speakers may have custom voicing that

Modern surround speakers come in all

To take

achieve unmatched audio performance

shapes and sizes and colours. As these

with little additional EQ on site.

are the only speakers you may regularly

advantage

To take advantage of free acoustical

see, some consideration needs to be

power, we try to place subwoofers on

placed on what they look like and

the floor behind the screen and not on a

whether they support the surrounding

acoustical

platform with the screen loudspeakers.

architecture. You may not want a white

power, we

Floor-positioned

take

speaker on a black wall or vice versa.

advantage of “half-space” loading, which

With the range available, there is one out

try to place

increases output by about 3dB, with no

there to support your sound system. In

extra amplifier power. Even better if we

most modern cinemas there are four

subwoofers

place the subwoofers on the floor and

surround channels but many more

push them all the way back against the

working as arrays. This way you get the

solid wall behind the screen. That is

surround sound experience that keeps

called “quarter space” loading, and

the audience glued to their seats.

installation

of free

on the floor behind the screen

and

aiming.

sub-woofers

Audio design

Audio design: how to achieve aural nirvana Darren Briggs considers the marriage of sound waves, amps and volts that delivers the perfect experience in your cinema.

WHEN SPECIFYING A cinema sound

5volts at around 1amp. This will be

system, there is more to it than simply

dependent on the content screened. A

picking a loudspeaker and amplifier. The

speaker’s power rating is the first

size of the room directly relates to the

consideration when specifying a sound

volume of air within the auditorium that

system, closely followed by the correct

is required to be moved by the speaker

power amplifier to drive the speaker.

to create the sound. As sound is transferred by waves of air moving in the

THERE ARE VARIOUS tools to help

auditorium, it is the loudspeaker’s job to

specify loudspeakers and amplifiers,

move the air that vibrates your ear drum.

ensuring they are matched to avoid

An underpowered system won’t be

clipping, distortion and even damage —

able to push enough air to reach the

all whilst providing sufficient power for

required volume in the auditorium.

the high-quality audio produced by the

Hence you see some very large speakers

Digital Cinema system.

in big auditoriums and in the smaller

Once the system is specified, it still

auditoriums, less air by volume needs to

has to be configured correctly by the

to ensure

be moved, so use of smaller speakers is

engineer. Our job is to ensure the audio

that the

possible.

signal from the cinema processor is fed

In turn, the amplifier provides the

Our job is

correctly to the amplifier, maximising

audio

voltage to power the speaker. A 2,000W sub bass speaker when driven hard

If we overload an amplifier with too

signal

(2,000W peak power) can be sent

high a signal, this could cause distortion

around 125volts at 16amps (hence it will

and clipping. Too low a signal will result

need a larger specification speaker

in having to turn the amplifier gain up

cable!). If the amplifier cannot provide

increasing the chance of magnifying any

such power, the speaker will simply be

noise from the source — this can result in

too quiet. On the flip side, if the amplifier

a ‘hiss’ being heard. Not all amplifiers are

properly to

provides too high a voltage and current

of the same quality. Some may be

the amp

to an under-powered speaker, then the

inherently nosier or hissy than others, an

speaker will fail. A typical stage speaker

effect you will notice especially in under-

will be running from around 0.5volts to

powered systems.

from the processor is fed

14 Q2, 2022

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the limits of the line level signal.

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The gain structure is set in a specific way to maximise signal-to-noise ratios and to maximise equipment headroom.

Engineers deploy specialist calibrated test tools and audio setup programs.

These are used on the latest cinema processors to ensure sound is optimised for your auditorium. A crucial part of the setup, gain structure helps to maximise the perfect sound reproduction.

Digital soundtracks have a large dynamic range, so headroom is required in the signal path and equipment to allow reproduction of these large peaks in volume. We often find sites with older

Gain structure helps to maximise

Above, 7.1 EQ user interface; below,

the perfect

the EQ for the Dolby Atmos system

sound and is a crucial part of your setup

sound systems made for analogue film suffer without upgrades to cope with the larger dynamic range of digital — a serious consideration if you want to give your audience the best experience.

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Q2, 2022

15

The Electric, Birmingham

The Electric’s dreams… very much alive once more!

Omnex’s Nigel Priest has been hard at work supporting the renaissance of a Birmingham institution — The Electric Cinema STANDING PROUD at the foot of the entrance

to

Birmingham’s

Grand

Central Station, The Electric Cinema is

What a feeling it was to see customers using the building as it was intended.

watching cartoons here when he was a lad; it was just a single screen and trading then as ‘The Jacey’.

steeped with history and lays claim to

Opened as a silent film cinema,

be the oldest working cinema in the

accompanied by piano music, in the

United Kingdom. Established on the 27

1920s the Electric underwent its first

December

be

name change to ‘The Select’. In the

Birmingham’s first film theatre and the

1930s it was bought by Joseph Cohen.

building has survived many historic

Soon after the purchase, he closed the

events, including two World Wars.

cinema for a refit that saw a balcony

Formerly ‘The Tivoli’, ‘The Classic’, ‘The

added to the single screen. It reopened

Jacey’, ‘The Tatler News Theatre’ and

as ‘The Tatler News Theatre’ and, after

‘The Select’, most recently ‘The Electric

WWII, with attendances declining, it

Cinema’, it took a pandemic to shut the

changed focus to show cartoons, as ‘The

doors, temporarily, on this venerable

Jacey Cartoon Theatre’. This didn’t last

venue. My father-in-law remembers

and it became ‘The Jacey Film Theatre’,

1909,

it

was

to

showing arthouse and continental films until the 1960s when it turned to soft porn shows through into the 70’s.

Fortunately cinema saw a revival in the 80s and, under new ownership, it was split in to two screens. Now the ‘Tivoli’, it ran a mix of mainstream, arthouse and exploitation films. In 1993, the cinema changed hands again and was renamed ‘The Electric’. In 2003 after another closure, a local, Tom Lawes, reopened the cinema on 17 December 2004 after restoring the 1930s art deco design. The pandemic and the issue of a lease that was due to expire saw the cinema close in 2020, potentially forever.

16 Q2, 2022

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Above, the Screen 1 auditorium, the

before reopening, including installation

renewed Westrex projector with new

of new laser projectors and an upgrade

(old) lamphouse installed, vintage

to the old lamphouse on the 35mm

reels in the basement and (opposite)

projector for Screen 1.

the cinema’s history commemorated

What a fantastic feeling it was on opening night to see customers in

KEVIN MARKWICK OF the Picture

the foyer and in the screens

House Cinema, Uckfield, recognised the

enjoying the building as it was

opportunity this cinema represented

intended.

and made plans to take on The Electric

plenty of upgrades on the

and re-open its doors to the public in

cards to help improve the

January this year. The team faced an

experience

uphill battle. After being closed for

future is exciting for the

months, the building had degraded and

team and we wish them

was damp. The projectors no longer

the best. Hopefully The

worked and aesthetically there was

Electric Cinema will

work to do. They pulled it off and I was

entertain the city for

lucky to be involved in technical works

years to come.

www.omnex.co.uk

The

mne

Electric

further.

has

The

info@omnex.co.uk

Q2, 20221

17

C O N TA C T U S

mne

0161 477 7633 available across the UK

sales@omnex.co.uk www.omnex.co.uk

SHOPPING

AT OMNEX

INTRODUCING SHOPPING@OMNEX OUR NEW ONLINE PORTAL FOR A RANGE OF CINEMA SUNDIRES This year, we introduced our online portal, allowing for the simple & efficient purchase of online cinema sundries.

We host a range of xenon projector lamps and filters; broadening the range of parts available in the future.

As well as stocking OEM filters, we also stock our own range of best-value filters for all xenon projectors.

Did you know... we also offer further discount to those signed up to our service agreements.

It’s what we do Established in 1987, Omnex supplies, installs, services and maintains technologies to cinemas throughout the UK and Ireland. We work alongside leading equipment manufacturers, and our goal is to support exhibitors in making cinema the ultimate place to enjoy the movie experience.

Truly the one-stop business for any cinema auditorium related items.

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t h lig s t o r p s e i l 2 p 2 p 0 u 2 s l i x r Ap mne O n o AT OMNEX, WE try our hardest to

Today, Omnex dealerships cover

ensure that all of the products that we

all of the major cinema technology

supply, install and support are cost-

suppliers. From RGB laser, ATMOS

effective, reliable and fit for the rigour of

and media servers, to Laser Light

exhibition needs. Familiarity with the

Upgrades and retrofitting Series 1

equipment we supply is central to our

equipment, we work closely with all

business and, in the following pages, we

our suppliers to ensure that your on-

present leading technologies from a

screen

range of manufacturers with which we

possible. To learn more about any of

have strong working relationships.

our suppliers, do drop us a line!

experience

is

the

best

And many more…

AAM’s Producer

Producer: driving a new era of circuit management By building workflow efficiency, reducing operational costs, and improving customer engagement, Producer is set to revolutionise circuit management.

AFTER A TESTING period for the global cinema industry, we have entered a new era of theatre entertainment. An era which demands an unparalleled movie-going experience, where your schedules are maximised and customer service is unforgettable.

To help theatres continue their quest to recovery, Arts Alliance Media has introduced its all-new Producer Circuit Management System (CMS). For the tech-sceptics, this isn’t an ordinary

Producer from AAM is the yardstick for today’s modern circuit solutions

network-level TMS. It is the epitome

20 Q2, 2022

www.omnex.co.uk

of progressive circuit software — a fundamental requirement for modernday operations.

With new-found task automations and circuit-wide visibility, streamlining an entire network’s task load through a single dashboard is now no longer a pipedream, it’s a reality, and for cinemas the timing couldn’t be more welcome.

By removing mass task duplication and building workflow efficiency, site-level staff can focus on the priority at hand.

The experience of their audiences.

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Simplify pre-show scheduling FROM ONE CENTRAL LOCATION, Producer enables users to harness in-depth playlist segments and dynamic targeting tools, known as ‘splits’, to tailor specific pre-show content to features based on expected audience. From location and date, to show time and rating, pre-show marketing can be accurately and intricately distributed.

Control content with ease WITH ENHANCED VISIBILITY over each device, for every screen, at all sites, centrally managing content has never been more flexible. Now, users can search an entire circuit for specific content, identify which devices its stored on, check their usage status, and generate detailed reports for post-playback analysis.

Schedule playlists easily and efficiently USING A TRIED AND TESTED INTERFACE, users can create and schedule new autoplaylists which will automatically assign content based on your pre-defined parameters, before distributing them to your chosen theatres. And, with new macro functionality, you can further simplify playlist creation by allowing Producer to detect and insert specific auditorium commands, such as ‘Show Start’ and ‘House Lights Off’.

Prevent missed shows and lost opportunities WITH THE ALL-NEW, EASY-TO-VIEW TASKS FEED, users can gain real-time visibility over every site to prevent show-stopping issues and maintain smooth day-to-day circuit management. From highlighting missing keys and content, to identifying playlist and site issues, Producer’s advanced search filters and practical timeline view ensures simple, systematic circuit control.

www.omnex.co.uk

mne

info@omnex.co.uk

Q2, 2022

21

Christie technology

New year, new options, new accomplishments WITH CINEMAS AND tradeshows

Get your patrons off the couch and

designed to get patrons off the couch

lighting up once more, writes Christie

and into seats! Our line-up includes…

cinema sales manager Phil Lord, we

Magical 4K Real|Laser™ projection

present the perfect fit for your next

Economic RGBe illumination

project. From 6,000 to 60,000 lumens,

Tried and true Xenon light

2K or 4K resolution, Xenon or RGB

Incredibly immersive Vive Audio®

illumination, today’s exhibitors have

Top-notch Professional Services

more options than ever.

The staple Christie IP and technology

We know that flexibility and cost are

that outfits theatres globally continues

two key governing factors as you look

to provide a superior glow to the screen

seats with

into upgrades, so Christie set out to

and emotion to the audience. Join the

Christie

build products that accomplish just

future of cinema, with new light, new

that. Bring the best shared experience

sound, and new accomplishments.

to your theatres in 2022 with a full lineup

christiedigital.com/cinema

into your

What does the “e” stand for in RGBe? ADVANCED, YET AFFORDABLE RGB laser projection for screens up to 39ft wide, the CP2306-RGBe, CP2308-RGBe, and CP2310-RGBe are available now.

• Efficient power consumption • Economic sustainability • Essential for small screen cinemas • Effortless maintenance • Entirely sealed light source • Easy to use UX, operation, and setup • Enriched color and epic visuals • Enhanced wavelength diversity • Entertainment that is unmatched • Everything needed for small-screen cinema

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Low initial investment Low Total Cost of Ownership

2K RGB laser for small and mainstream cinema

Operational efficiency 50,000-hour lifetime

THE CINELIFE projector series that brought RGB pure laser

For more options, talk to your sales

illumination to mainstream auditoriums continues to redefine

representative about available financing.

the possibilities of affordable premium cinema.

christiedigital.com/cinelife-series/

The most advanced cinema projection Equipped with Real|Laser illumination technology and supported by the most advanced cinema electronics, the CineLife+™ series of projectors is a shining star in the cinema experience. Capable of 4K 120fps (including 3D per eye with Mystique™ Cinema), the fully DCI-compliant series features a 6,000:1 contrast ratio and reproduces 95% of the Rec. 2020 color gamut…The future of cinema is now. christiedigital.com/cinelife-plus-series/

CP2306-RGBe: 26ft max screen, 6,000 lumens, 690W

Get the support you need…

Right when you need it.

CP2308-RGBe: IMMEDIATE TECHNICAL SUPPORT… Linked to Omnex’s Out

32ft max screen, 8,000 lumens, 870W

of Hours NOC support, Christie provides immediate technical

CP2310-RGBe:

support through its Network Operations Center, proactive

39ft max screen,

preventative maintenance, or emergency on-site resolution,

10,000lumens, 1050W

christiedigital.com/services/professional-services/

www.omnex.co.uk

mne

info@omnex.co.uk

Q2, 20229

23

Trinnov audio

Part of the solution...

In locations like the BFI Southbank, the Dominion Edinburgh, the Aldeburgh Cinema and Woodbridge’s Riverside, Trinnov’s Ovation2 cinema processor delivers improved premium audio whether it be just a processor replacement or as part of a larger package upgrade.

ALDEBURGH CINEMA in Suffolk is one

Omnex replaced an aging system, with a

Trinnov’s

of a number of sites where the Omnex

Trinnov Ovation and QSC Speakers and

team has improved the premium sound

amplifiers. This combination has made

Ovation2

experience through the installation of

an enormous difference to the quality

the Trinnov Ovation2 cinema sound

and intelligibility of the audio in the

processor. A charitable enterprise that

room, often a concern in older sites and

the audio

has been at the heart of the community

in those that were not necessarily built

in a truly

for over 100 years, the Aldeburgh cinema

for the sole purpose of screening films.

has entertained audiences since the

According to Omnex’s Suffolk-based

silent era through to live transmissions

engineer, Tony Everett-Spearing, general

from the Metropolitan Opera and the

manager Michele Kench and the team

National Theatre. Clearly, sound quality

at the Aldeburgh Cinema were blown

matters now more than it ever has.

away with the improvements that the

elevates

diverse range of venues.

To ensure a loyal and discerning audience enjoy the best possible sound,

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installation has made to the experience within the auditorium.

info@omnex.co.uk

supplier

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What are they all hearing?

IMPROVED DIALOGUE QUALITY ­­— this is the most consistent comment that the Trinnov team hears IMPROVED SUBWOOFER AND BASS — our time alignment yields better performance A MORE IMMERSIVE EXPERIENCE — all speakers working together as the filmmaker intended OVERALL SYSTEM CLARITY — due to precise room measurement/calibration THE ALDEBURGH CINEMA

BFI SOUTHBANK

FOR A NUMBER OF years, the business strategy at Trinnov has been a relatively straightforward proposition — let people hear the product, and let them make their own decision, ideally in their own cinema which they know very well.

The success of these demonstrations tells its own tale and explains Trinnov’s growth from a company serving the French market back in 2015 to one that delivers to customers worldwide today.

THE DOMINION, EDINBURGH

THE RIVERSIDE, WOODBRIDGE

www.omnex.co.uk

mne

info@omnex.co.uk

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25

SEATING SOLUTION MANUFACTURERS FOR

CINEMAS EZCARAY SEATING was founded in 1955, specializing since then in the production of seating for the public sector, achieving excellent recognition for our designs and the quality of our seats.

Nowadays, we continue with our international expansion in a constantly changing environment, full of opportunities and challenges, with exports accounting for 70% of our revenue and references in more than 50 countries.

Cinemas are our main line of business; we offer a complete range of products in line with current trends. Whether it is a very large or small project, we have the capacity and commitment to always produce the highest quality and guarantee the best service. This includes the planning out of projects through our technical department, consultation from our experts on seating, the manufacturing and installation of the seats and, finally, follow-up once the project is completed to ensure customer satisfaction.

We manufacture everything entirely in our factory, located in Ezcaray, without outsourcing anything thanks to the various workshops on site. This ensures daily tracking of orders and the ability to customize product designs and create new models when needed.

Should you wish for more information, please feel free to access our website or social media accounts.

SPACES WITH A UNIQUE IDENTITY We offer bespoke solutions that fit the needs of each client, granting the space a touch of distinction and elegance.

AUDITORIOS

CTRA. SANTO DOMINGO, 49-51 26280 EZCARAY | LA RIOJA | SPAIN TEL. +34 941 354 054 | EZCARAY@EZCARAYSEATING.ES

WWW.EZCARAYSEATING.ES

1955 2021

66TH ANNIVERSARY

Supports 4K UHD video up to 40m

Extends HDMI 1080p up to a distance of 70m

Dolby technology

Another great line-up from the Dolby labs Dolby’s latest cinema-focused products offer the benefit of quality technology with a practical pathway for upgrades IT’S FAIR TO SAY that we’ve all grown

panel user interface, colour touchscreen,

up with Dolby, whether or not you really

and a web interface for enhanced access

realised it at the time. For many of us, its

and usability. Other features optimised

technologies revolutionised the worlds

for cinemas include internal loudspeaker

of film and sound recording. With over

crossover, a high-resolution multi-rate

50 years’ experience under its belt, Dolby

EQ, 16 channels of analogue output and

has two new products in its line-up that,

audio-over-Ethernet.

at Omnex, we see huge opportunity in.

Second in line (but not in place) is

The CP950A is the latest innovation

Dolby’s latest integrated media server.

in Dolby’s range of cinema sound

The IMS3000 combines imaging server

processors. It’s designed with greater

and audio processing in one unit. Like

capabilities than its predessor (CP750)

the new CP950A, it delivers superior

in a flexible, modular and cost-efficient

sound, as well as flexibility. We really rate

solution. The CP950A processor supports

the benefit of flexible storage options; so

Dolby 5.1 and 7.1 surround and includes

it’s great to see this option included. The

an expansion slot that gives the flexibility

IMS3000 lets operators start with 5.1 or

to upgrade to Dolby Atmos, an attractive

7.1 sound now, in the knowledge that

feature that offers a practical and cost-

future upgrades can be accommodated

effective route into ATMOS.

cost-effectively when you’re ready — yet

A brand-new feature set includes a

another great example of a manufacturer

built-in booth monitor, an intuitive front-

that strives to meet its customers’ needs.

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The CP950A can be upgraded to ATMOS, offering a practical route into immersive audio

Integrated innovations for a complete cinema solution

Introducing Dolby Cinema Processor CP950A Fully featured, fully immersive Dolby Atmos The Dolby Atmos Cinema Processor CP950A, the newest addition to Dolby’s market-leading line of cinema processors, is designed to deliver an exceptionally immersive Dolby Atmos experience in a flexible, modular, cost-efficient solution.

The Dolby Integrated Media Server IMS3000 With flexible storage options and robust feature set.

Dolby, and the double-D symbol are registered trademarks of Dolby Laboratories. © 2022 Dolby Laboratories, Inc. All rights reserved.

Barco laser

Introducing Barco’s latest Series 4 projector — laser for smaller screens Quiet, compact laser units — ideal for

Series 4 projectors from Barco have made a huge impact on the big screen — and now they’re doing it on smaller screens, too WHEN IT COMES TO laser projection, the Barco Series 4 from Cinionic is

operations, and

the advantages of a

laser-powered movie experience.

considered by many to be the leading

Barco’s latest Series 4 SP2K models

smaller

standard in cinema laser projection

outperform xenon projectors on all

available today — and with the Barco

levels, especially in terms of contrast

screens

Series 4 SP2K, cinemas now have the

and uniformity. In common with the

option to deliver the benefits of laser to

other Barco Series 4 projectors in the

their smaller screens, too.

line-up (below), they feature patented

and

Thanks to their reduced power

technology such as Barco AIM™ for

consumption, and the elimination of the

brighter, laser-sharp images that stay

visual

need for lamps, ease of maintenance,

consistent over time. With brightness

quality

and their simpler operations, cinemas

levels from 6,000 up to 15,000 lumens

benefit from significant cost-savings, a

and native 2K resolution, they allow you

reduced carbon footprint for greener

to treat your audiences to stunning

optimal

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image quality. The Barco Series 4 SP2K units are exceptionally quiet, with a noise output as low as 40dB, making boothless installations easy for small auditoriums. These compact and light projectors feature a smart design and an average operational lifetime of 40,000 hours.

Here at Omnex, last year we were proud to be able to install the very first SP2K-7s into Stowmarket’s refurbished Regal Cinema; and late last year into the three-screen refurbishment at Merlin Cinemas up in Thurso.

www.omnex.co.uk

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info@omnex.co.uk

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35

Osram xenon

OSRAM xenon: projection perfected The Xenon lamp traces its history back to the 1950s, but its future is as bright as ever, thanks to OSRAM’s optimisation FOR OVER 60 YEARS, OSRAM XBO

OSRAM QUALITY with a warranty that

discharge lamps have brought a light-

matters — that’s the promise from XBO

intensive film experience right up to the

genuine “Made in Germany” lamps. The

age of digital. Right now ‘disruption’ is

automated processing of high-quality

the watchword, whether due to Covid or

materials together with strict OSRAM

due to techological shifts — ­ the industry

quality controls ensures a consistent

is changing both due to events

and

high lamp standard. XBO lamps deliver

innovation. Cinema will thrive on change

what they promise and in addition to

today just as it did with the invention of

their high quality standards they also

the OSRAM XBO xenon lamp in 1954.

come with a warranty that is the best in

The XBO lamp rapidly superseded

the industry. There’s a really interesting

carbon arc lamps. Higher light intensity

video at www.osram.com/XBO which

of XBO lamps ensured they prevailed

gives an insight into the XBO production

and this holds true. Xenon lamps have

facility in Eichstätt and explains more

been further developed by OSRAM over

about the warranty — useful knowledge,

the decades, including a new lighting

from a specifier’s perspective.

process. In 1970, OSRAM designed solution increased on-screen brightness

History of XBO

by around 30%. The industry was duly

1954 Osram introduces XBO lamps

grateful — in 1983, OSRAM won an Oscar

1961 Osram introduces its XBO short

for the perfection of its XBO lamps.

arc 2,500W discharge lamps

lamps that operated horizontally. The

The year 2000 saw the advent of the

1983 Oscar® for OSRAM

brightest XBO lamp to date at 12,000

1998 XBO short arc lamps for video +

watts. OSRAM set the scene early on for

digital cinema projectors

digital projection and, since 2011, these

2000 The first XBO 12,000W lamps

have been in their second generation.

for 35mm projection introduced

Not only was OSRAM successful in

2006 XBO

lamps

for

almost

all

transferring the XBO portfolio to digital,

models of digital projector

it has continuously improved service life

2011 2nd gen XBO lamps for digital

via optimised product processes.

2014 60th birthday of XBO lamps

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Cinema will thrive on change today, just as it did when OSRAM unveiled XBO lamps in 1954.

XBO® cinema lamps The heart of the cinema lies within the projector.

High brightness and crisp images are what help to capture an audience. OSRAM XBO® cinema lamps rise to the challenge with a level of luminance that guarantees brilliant, high-resolution images. OSRAM, with its state-of-the-art automated processes and commitment to continuous improvements, meet the industry’s expectations for quality, operational cost-per-hour, and after-sales service.

–> ams-OSRAM.com

Sensing is life

Keeping you connected

RHM Telecom Providing connectivity and communications to UK cinemas.

RHM Telecom provide Internet connectivity into UK Cinemas in partnership with Motion Picture Solutions and Omnex. Our partners utilise our lines to deliver film, adverts & trailers via LANsat and to support cinemas with their NOC services.

Established in 1992, RHM are celebrating our 30th anniversary this year as one of the longest-standing independent telecommunications resellers.

We pride ourselves on an excellent helpdesk team who are at the heart of the business. We look to build long lasting relationships with our clients, and we act as an extension of your team.

If you are a small independent cinema or part of a multi-site chain, there’s a strong chance you have one of our internet connections already supporting your LANsat deliveries.

RHM would be delighted to help you with your own communications needs.

If you need help or advice in any of the following areas, please get in touch.

For a free consultation call us on 0800 041 041 or email at enquiries@rhmtelecom.com

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re o m ? w s o r e n i l k p o p t u t s n Wa ut our abo Get in touch:

T: +44 (0)161 477 7633 E: info@omnex.co.uk

Ukraine appeal

Supporting our cinema colleagues in the Ukraine The UKCA’s CEO Phil Clapp and the ECA’s MD Graine Clarke present the support UK cinemas can give to colleagues in Ukraine.

WE HAVE ALL WATCHED with a sense

Cinema

Association,

supported

by

of horror and helplessness the unfolding

colleagues at the digital creative studio

situation in Ukraine. Many will have

Powster, have set up a donation page

already donated to international relief

online under the banner of ‘Cinemas for

efforts co-ordinated by the Disasters

Ukraine’ (cinemasforukraine.com)

Emergency Committee, the Red Cross

With the advice of the national

and others, all doing vital work to help

Ukrainian

cinema

trade

body,

all

those affected by the conflict.

donations made will be directed to

UK cinemas are already playing their

the Fedir Shpyg Charitable Foundation,

part, with preview screenings of the

which has long-standing experience in

Swiss-Ukrainian film “Olga” planned

giving targeted charitable assistance.

across hundreds of cinemas in the

Beneficiaries will include those working

coming weeks to raise funds for the

in the Ukrainian cinema industry, their

Disasters Emergency Committee.

families and others affected by the

In addition, we wanted to provide an

conflict. This is an opportunity for all of

opportunity for those working in the

those working in the cinema sector to

wider cinema sector to help individuals

show their solidarity with colleagues in

and their families within our industry

Ukraine at a time of extraordinary need.

who are impacted. In discussion with

Thank you for any support you can

the Union of Cinemas of Ukraine, the

provide. Please visit cinemasforukraine.

Event Cinema Association and the UK

com to make a donation.

Head to cinemasforukraine.com www.omnex.co.uk

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At Omnex, we are glad to pledge support to this vital appeal.

Please do join us.

Simon Tandy, MD, Omnex

Q2, 2022

41

GDC technology

GDC: an ever-evolving cinema technology company Omnex caught up with Adam MacDonald, European Sales Manager for GDC Technology to find out more about its exciting new Supra-5000 laser phosphor projection technology.

GDC TECHNOLOGY, founded in 1999

The projector received the prestigious

and headquartered in Hong Kong, is a

2020 Red Dot Award in the category of

leading global digital cinema solutions

“TV and Home Entertainment”. In June, it

provider, ranked number two globally.

won the Projection Expo 2021 “Best of

Widely known in the cinema industry as

Show” award, selected by the editorial

a trustworthy manufacturer of media

staff of Projector Central. Most recently,

servers (with over 76,000 servers shipped

Supra-5000 was honoured with the

worldwide), the company develops,

Residential Systems “Best of Show” and

manufactures, and sells scalable cinema

twice “Best of Show” awards at last year’s

automation systems, cinema enterprise

CEDIA Expo 2021.

software (TMS, CMS and NOC), digital

“Despite

the

challenges

of

the

cinema servers, and recently made the

Pandemic, GDC launched our first DCI-

move into DCI-compliant digital cinema

compliant projector during 2020,” he

projection with the launch of its Espedeo

says, “The Espedeo Supra-5000 RGB Plus

Supra-5000 laser phosphor projector.

laser

phosphor

cinema

projector

Adam noted that since its launch,

(Supra-5000) is the first product to use

the Supra-5000 has received multiple

GDC’s All-in-One Board which integrates

awards for design and product features.

the media server, Integrated Cinema

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The new Supra-5000 projector won two “Best of Show” awards at CEDIA Expo 2021

supplier

showcase

Processor [ICP] and DMD (DLP chip) formatter board on a single board. This allows the projector to be more compact than others — indeed, the Supra-5000 is the smallest, lightest and quietest DCI laser projector in the cinema sector.

The All-in-One Board features nearzero maintenance electronics and SGS for 100,000 hours Mean Time Between Failures. We believe it is one of the most economical in terms of TCO — with max power usage of 750W — it packs a punch for a small form factor”.

Adam adds “It’s a massive step forwards for GDC to bring to the cinema market

this

exciting

and

ground-

breaking technology. The team in R&D has created a projector that is we think

installations. “There is also a standalone

of as

‘cinema-in-a-box’ which in most

3D polarized system (Espedeo PM-

circumstances can allow for a more cost-

2000B) as well as a VESA ceiling mount

effective option for exhibitors to deliver a

(Espedeo VM-1140) available allowing

true cinematic experience on a budget

the Supra-5000 to be hung directly in

– something really relevant right now in a

the auditorium, eliminating the required

post-Pandemic world where exhibitors

‘hush-box’

expect all the required features in a new

projectors, again lowering the TCO of the

laser projector, while they are keeping a

technology — and we even have a

close eye on the bottom line.”

magnetic base to allow a customised

for

Risk

Group

3

laser

“We have also added in-built Audio

design for the projector which could be

Processing technology to Supra-5000 to

a corporate logo or retain any colour /

playback DCP format movie titles in

design features of your room!”

5.1/7.1 uncompressed surround sound.

Finally, Adam noted the Supra-5000

This can be used directly with digital

offers 5,000 lumens suitable for screens

amplifiers; or analogue amplifiers with

up to six meters wide and features

an 8-channel Audio I/O box (AIB-2000)

patented ALPD 4.0 RGB Plus laser

interfacing with external equipment like

phosphor technology to deliver vibrant

analogue amplifiers, booth monitor,

colors in P3 color gamut achieving 98.5

microphone, and media players.”

percent of REC2020 color space. It is

The new Supra-5000 offers 5,000 lumens, suitable for cinema screens up to 6 metres

designed with CineCache™ 2TB in-built ADAM ALSO HIGHLIGHTS the further

solid-state storage and with a light

added benefits of the 5,000 lumen Risk

engine and lens offering IP5X level of

Group 2 system which is safe for use in

dustproof protection to maintain its

both commercial cinema and home

maximum brightness.

www.omnex.co.uk

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43

GDC technology

IN ADDITION TO the Supra-5000,

1130 designed to extend the life of

Adam noted that GDC launched several

Sony’s SRX-R320 4K projectors. The SR-

products at CinemaCon 2021, including

1000 with CineCache 2TB plus CA2.0’s

DTS:X immersive audio add-on feature

centralised playback server SCL Mk2

on their robust Standalone Integrated

stores up to 2.000 movies and can

Media Block™ SR-1000 (shown below).

implement automatic DCP ingest and

According to Adam, “Users of SR-1000

transfer to every SR-1000 IMB in a

now have the option to bring immersive

complex, reducing operating hours.

audio to their screens with an upgrade

The SR-1130 IMB is based on ultra-

to 16-channel DTS:X immersive sound.

reliable SR Series architecture featuring

Additionally, a new in-built 16-channel

near-zero maintenance electronics. The

cinema

made

SR-1130 gives SRX-R320 projectors a

available to replace an external cinema

new lease of life by providing all the

audio processor for the 16-channel

latest and advanced features of a cinema

DTS:X setup. Later in the year, the

media server available today. To replace

upgrade option will be enhanced to

the LMT-300, exhibitors can contact

allow the SR-1000 to have up to

Omnex for details on how to order the

24-channels of DTS:X audio solution.

IMB and adapter kit. “Best of all, the SR-

These powerful in-built DTS:X solutions

1130 is also compatible with all DLP

were showcased at CinemaCon. They

Cinema® projectors with a firmware

are a part of the process to roll out DTS:X

upgrade, making this an investment for

IAB on GDC’s mainstream IMB designed

tomorrow as well as today.” said Adam.

audio

processor

is

to support SMPTE’s immersive audio bitstream (IAB) standard ST 2098-2. In early 2022, an upgrade will be available to enable up to 24-channels of in-built DTS:X IAB solution on the SR-1000 IMB.” ADAM DESCRIBED two additional products showcased at CinemaCon: SR-1000 with CineCach 2TB storage combined with

the

company’s

award-winning

Cinema

Automation CA2.0 and SR-

44 Q2, 2022

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Powerful in-built solutions supporting DTS:X up to 24-channel audio were shown by GDC at CinemaCon

Event cinema

Ten years of the ECA....

It’s been a smash hit.

A decade has passed since the Event Cinema Association was formed… The ECA’s Grainne Clarke explores the boom years.

Known as

IN 10 YEARS since the Event Cinema

content” back then, industry interest

Association (ECA) was born, the event

soon galvanised. Evidently a vehicle to

cinema market has evolved beyond all

promote the sector was needed and in

recognition, not just in the content

2012 Melissa Cogavin formed the ECA at

presented, but how it is now delivered.

the perfect time. Event cinema was on

Event cinema has evolved beyond all

the cusp of its ‘big bang’ year: 2013.

“alternative”

recognition into one of the biggest

content at

growth areas of cinema programming.

BACK IN 2010, the Digital Funding

Its content attracts new audiences to

Partnership had struck a financing deal

the start,

enjoy a shared experience outside of the

which allowed sites to digitise affordably

traditional forms — whether it be opera,

over the next couple of years. Separately,

industry

ballet, music, theatre, animé or gaming.

LANsat started its major deployment in

Event cinema is often siloed from

the same year, installing professional-

wider industry conversations, when it

grade satellite receivers for free. This

soon

should instead be acknowledged as an

meant more and more cinemas were

began to

critical part of audience development,

able, technically, to access events. The

nevertheless it is good to celebrate and

result? From 2013 on, event cinema saw

reflect on how far we’ve come.

year-on-year growth, with market share

interest

galvanise

46 Q2, 2022

The UK is by far the most established

of box office sitting at around 3%. ‘One

market, with live broadcasted events

night only’ and encore event release

starting in 2007. Known as “alternative

models soon developed.

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A growth market: 10 years of UK & Ireland event cinema revenue

NETWORKING EVENTS co-ordinated by the ECA have been instrumental in helping to bring together the global community to share experiences and best practice and help promote content.

£60m

Nevertheless, despite a continuous rise in box office, growth of content and understanding, by 2018 the critics were

£40m

questioning whether event cinema was stagnating. These doubts were firmly dispelled as 2019 saw another boom.

When I took the role of Managing

£20m

Director at the ECA at the end of 2018, one key element of the mission was to 2021

2020

2019

2018

2017

2016

2015

Understanding the nuances of different

2014

consistency to the box office reporting.

2013

2012

share more insight and bring increased

territories has been a steep learning curve and generaing that consistency

opportunity for developing gaming.

has been a challenge. In the coming

Global success of “BTS Permission to

weeks, however, with the support of

Dance On Stage: Seoul - Live Viewing”

Comscore, we will launch the first-ever

(pictured) will not go unnoticed. Event

international market report on event

cinema at its best: a live, one night only

cinema. Covering box office and insights

primte time event that reached millions

from 15 global territories spanning

globally and is now the biggest event

2018-2021, this will be a huge milestone

cinema title ever. In the UK it played

for the ECA and the event cinema sector.

across 366 sites took just under £1m.

In 2020 we saw 23% of audiences

WE CAN SEE NEW emerging areas,

that attended event cinema content

extra elements for fans to experience,

were new to the cinema. Retention of

particularly within animé and K-pop

these audiences is something cinemas

titles. Premium large formats such as

need to capitalise on. We need to be

ScreenX and D-Box are showing new

conscious not to pigeon-hole audiences

ways to entice in younger audiences.

too much. They have broad interests.

Costs and internet connectivity may still be a barrier for some, but content

We need to acknowledge that and avoid marketing ‘like for like’ too much.

delivery through IP is showing promising

With a strong pipeline this year, we

signs of more opportunities. With more

look forward to bringing new events

control of quality and stability of delivery,

and

content can be streamed in 4K and with

partners, including our own Slate Day in

better sound. The integration of Zoom,

May followed by our annual Conference

YouTube and Twitch bring about great

in September.

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opportunities

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to

our

industry

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Q2, 2022

47

Laser projection

Bring on the lasers!

Laser projectors

As laser projection becomes a reality for a wider spectrum of cinemas, Omnex’s head of engineering Darren Briggs examines the key facts and figures you need to know if you’re in the market for an upgrade.

IN THE PAST FEW YEARS, laser light

cost-effective of routes into DCI Cinema

are now

projectors have started to become the

projection. From a technical perspective,

widely

norm. The current manufacturers now

standard* DCI content is presently

have a good range suitable for smaller

mastered for the DCI P3 colour space

available

screens as well as the initial ranges

which xenon projectors easily operate

made for the larger PLF screens.

in. This means the wider colour gamut

to suit all

Xenon machines are still available

in some laser units is not fully utilised for

£££ budgets

featuring the latest electronics. They

DCI projection — currently.

have a place, notably in post-production screening rooms or within part-time

ALTHOUGH ALL projectors require to

cinemas where xenon is still the most

be operated within a set temperature

ELECTRICITY COSTS Xenon Vs Laser

An increase of an average of 54% in 2022 is expected compared to 2021.

Laser vs Xenon power consumption

A smaller S2K Xenon projector consume approx. 2.5kW A comparable Laser based system only 0.9kW

From a unit price of an average 19p/

The scale remains similar all the way through model ranges

KWh to 27p/KWh. What does that

and is an average. The headline average is that a laser

mean to a projector’s running costs?

projector draws at least 50% less power.

2021

2022

How much will be switching from a small xenon-based

Xenon Projector

£1,995

£2,835

projector save per year?

£718

£1,020

Electricity cost Laser Projector

Electricity cost

Based on average 4,200hrs’ operation, electricity costs/year (11.5 hours/day)

48 Q2, 2022

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Lamp Costs

2022

(3000/Lamp)

Power

Running Costs

Xenon £595 usage

£2835

£3,430

Laser

£1020

£1,020

N/A

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Total

£2,410/year

KEY TERMS AND PRODUCTS AVAILABLE LASER PHOSPHOR LIGHT SOURCE - Use of a combination of Laser plus a Phosphor wheel (Which in turn generates a different colour) to generate a White Light source. Often just Blue or Red and Blue lasers are used. NEC use Blue laser and Red/Blue laser light sources in combination with the use of a phosphor wheel. The advantage of Phosphor is the near elimination of all visible Speckle. range, heat produced by laser projectors

RGB – Pure Red, Green and Blue lasers making up the

is greatly reduced compared to a xenon

White light source. Providing the widest range of colour

unit. This presents the opportunity of

reproduction and can produce very bright images for

removing the extract ducting fully and

larger screens.

simply cooling the room with A/C — another saving benefit. Each cinema is

RGB 6P – As per RGB but when using dual projectors,

unique and Omnex can advise on the

left and right with different wavelengths of the three

environment vs savings that can be

Primary colours. Using colour filtering glasses, 3D can be

made when upgrading to laser.

achieved without any further equipment (Dolby Cinema for example).

IN PRACTICAL TERMS, laser does generally improve contrast and long-

CHRISTIE’S RGBE - Pure Red, Green and Blue Laser

term stable 14fl brightness is a huge

with phosphor wheel to provide low to non-existent

benefit in comparison to a xenon**

speckle but at a lower cost to pure RGB for smaller

projector whose light output decreases

screens.

over its hours before being replaced.

Power consumption of laser light source

BARCO SMART LASER – The range of SP projectors use

projectors can be significantly lower

a varied combination of R/G/B lasers with a Phosphor

than that of xenon equivalents — and

wheel to produce the white light source. A great modular

this can make a material difference to

design which has greatly reduced the cost of Laser light

operating costs. Look out for the Lumens

source for the latest range of 2K and 4K projectors

Per Watt figures. With the vast range of laser light source projectors available to

SPECKLE – The name given to the visible interference

fit most budgets, in 2022, laser is

patter generated between the laser light reflected from

certainly here for the masses.

the screen surface and the laser light being projected to

*Dolby Cinema and IMAX laser both have

the screen causing the wavelengths to interact. Generally

bespoke DCPs created to use the wider

higher reflective screens cause more speckle. Speckle

colours available.

has been greatly reduced by both projector manufactures

**A xenon projector should not fall lower

and the latest generations of screen surfaces. Matt White

than DCI min. brightness if specified,

screens don’t suffer with speckle.

calibrated and maintained correctly.

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Q2, 2022

49

HDMI set-up

HDMI — making the right connection HDMI may be a simple enough cable, but it can be the cause of many frustrations. Kris Bell explains how to keep things well-connected WHEN LANSAT switched to IP delivery

cause issues, as many cinemas have

of live broadcasts last year, we found

multiple output devices like projectors

that a lot of cinemas changed their

and

event cinema set-up to accommodate

different capabilities. This is why we

new equipment. I’ve taken a number of

often recommend devices with EDID

Don’t

calls from cinemas looking for advice in

management.

setting up a reliable HDMI system that

It’s important to note that many IMBs

end up

does not end up with the user doing the

and projectors capable of presenting 4K

stressful unplug / replug / reboot dance

DCPs may not have 4K capabilities

every time you schedule a live event.

through the HDMI port. The Doremi IMB,

doing the un-plug, re-plug, re-boot dance

confidence

monitors

all

with

Every cinema is different, but here

for example, uses a HDMI v1.3 chipset

are things to consider when designing a

limiting the HDMI to 1080p although the

system that works for you.

internal playback server outputs 4K.

HDCP & EDID

CABLE

This is the digital handshake that occurs

The most important things you need to

between equipment. If you have a lot of

know are the resolution, Hz and speeds

items in the chain you are likely to have

that it can handle. A high-speed HDMI

had problems with this. HDCP ensures

cable will do fine in the majority of cases

that every device in your HDMI chain is secure. The two main versions are HDCP 1.4 and HDCP 2.2. HDCP 1.4 was

DID YOU KNOW?

designed for HD content, while HDCP

THE HDMI CHIPSET in an IMS3000

2.2 relates to 4K media. To view

uses Dolby’s own FPGA code and so is

content in 4K across devices, all

upgradeable with a software update

components

must

comply

— so the HDMI port will stay current.

with HDCP 2.2. EDID is the information provided by

SOME IMS’S also have the option to

a display (projector) to

change HDMI versions in the settings.

a

50 Q2, 2022

source,

We’ve had to do with older Icecrypt

outlining the capabilities

receivers that have been dusted off

of the output device. This can

and disliked the IMS’s newer HDMI 2.0.

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HDMI VERSIONS HAVING ALL your equipment on a similar HDMI version can help the reliability of the HDCP and EDID handshake. Each HDMI version differs in the way it handles picture and sound: HDMI 1.3: Up to 1080p at 60Hz HDMI 1.4: Up to 4K at 30Hz HDMI 2.0: Up to 4K at 60Hz HDMI 2.1: Up to 4K at 120Hz and 8K at 120Hz

— these are relatively inexpensive. If you plan to do 4K/60Hz then you need an

SPLITTER, SWITCH OR MATRIX?

Ultra-high-speed cable. For longer runs we recommend you send over HDBaseT.

THE HDMI SWITCH takes a single HDMI line and switches between two or more destinations, allowing multiple

HDBaseT

sources to be switched.

This technology allows us to send HDMI video up to 4K/60Hz plus audio over

THE HDMI SPLITTER takes a single HDMI line and divides

lengths up to 100m over a single CAT6A

it into two. For example, this enables a single source to drive

cable. These units often have PoE (power

a projector and monitor, however, it must be possible for

over Ethernet) capability so usually only

source and display both to be able to accommodate and

one unit needs to be powered.

adjust to the same resolution — normally the lowest common denominator for all the HDMI devices is the

AUDIO

resolution that you will actually get.

Some IMB/IMS will carry audio over their AES. However most only process L-PCM

THE HDMI MATRIX is effectively the combination of

audio. On many alternative sources, the

switch and splitter. It allows the connection of multiple

audio can be encoded differently (Dolby

HDMI devices to multiple displays. The technology within a

Digital / Dolby Digital Plus/ DTS etc)

matrix is a lot more manageable, so you can have a range of

which is why often the HDMI is looped

sources and displays at different resolutions and audio

through the cinema’s audio processor or

settings (EDIDs), built in HDBT and audio de-embedding.

the Bit-stream audio is de-embedded

Functionality is a great deal more straightforward, and

on a digital coax cable which is then sent

having everything in one system helps considerably with

to the audio processor.

compatibility issues.

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Q2, 2022

51

Seating support

The bottom line?

Omnex has all your seating needs covered Our sixstrong

CINEMA HASN’T SEEN much benefit out of the past two of restricted opening,

comply fully with health and safety.

Further

afield

the

team

have

but if there has been a silver lining to the

upgraded and installed recliner seats at

seating

dark clouds of site closures, it has been

UCI Berlin, Germany among other

team has

the chance for our six-strong dedicated

cinemas and we also have exciting

seating team to conduct safety checks,

installation projects in the pipeline this

new installations and software updates.

year in the UK, Europe and in Africa.

been hard at work in

They’ve been busy both in the UK and in Europe — amongst other work, the team

WHAT STARTED AS a testing and

the UK &

is fast-approaching Year 2 of a project

inspection service has grown into a

specifically at Odeon sites. In Year 1 they

specialised team of technicians who

Europe

reprogrammed and tested seating in

also provide sales, installation and repair

more than 40 Odeon cinemas, in the

services. So, if your cinema’s seating

process updating software on more

needs attention, drop us a line and we

than 20,000 recliner seats, ensuring they

would be happy to discuss your needs.

52 Q2, 2022

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SIMON TANDY Managing Director, London Simon started in cinema in 1995, working in indies and multiplexes, then launching the company responsible for LANsat.

DARREN BRIGGS Head of Engineering, York, Starting his cinema life in 1999 for City Screen, Darren was instrumental in training several hundred projectionists in the digital rollout nationwide.

NIGEL PRIEST Asst Engineering Manager, W. Midlands Nigel’s first role in cinema was as an usher at UCI, He joined AAM in 2006, helping to roll out digital projectors for the UKFC.

STEVE CASE Technical Sales Manager, London “30-years man ‘n boy” Steve has vast knowledge of mechanical and digital systems to support cinemas’ installations.

CHANTAL GUTHRIE: Head of Seating Chantal manages a team of six seating technicians, directing installations — as well as managing more than 44,000 seating checks across Europe.

GUY SELWAY: Warehouse Ops Facilitator After gaining experience at our sister company, MPS, in 2021 Guy joined Omnex to focus on managing contracts, customer relations and project delivery.

DANNY LOVERIDGE Warehouse Operations Supervisor Danny started at Arts Alliance Media in 2011 as a warehouse assistant and is now responsible for our Warehouse Ops Team.

RICHARD LYON Warehouse Operations Support Rich supports our warehouse operations and also provides vital support to our service engineers on bigger jobs.

TONY EVERETT-SPEARING: Service Engineer, Suffolk Based in Suffolk, Tony is an experienced Omnex engineer and considered our expert wireman — he creates order out of chaos in any installation.

PETE NAPLES: Senior Engineer, Scotland Based in Dunfermline, Pete has been a cinema engineer since 1998. He has also worked in television production and is a keen photographer.

DUNCAN SMITH: Service engineer, Forest of Dean Originally at Odeon in 1996, Duncan moved to NFT on the Southbank, later becoming an engineer for AAM in 2010.

KRIS BELL: Cinema Engineer, Sussex Before Omnex, Kris worked in technical theatre. Today, as many cinemas become more multifunctional, his advice on live sound and lighting is invaluable.

JOHN CASWELL: Service engineer, Liverpool John has been a field engineer for more than a decade — prior to that, he was the chief projectionist for FACT in his home town of Liverpool.

GEOFF NEWITT: Service engineer, Oxford Formerly head of tech ops at Picturehouse, Geoff has been working in projection rooms since his student days; joining Omnex in 2018.

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Q2, 2022

53

The last word

Creating the conditions for cinema to flourish The new normal is here… It’s time for cinema to sow the seeds for future success, as CTC president Richard Mitchell explains.

With new opportunity

A STRONG FINAL QUARTER of 2021

Ahead of Cinemacon 2022, CTC will

provided the proof that consumers had

partner with the UK Cinema Association

the confidence to get off their sofas and

once more to deliver our technology-

return to the movies. The buzz in the

focused

industry remains and the slate to 2023

conference. These form the bedrock of

has potential to deliver stepping stones

CTC’s One Community Day, with these

back to pre-pandemic box office levels.

sessions shared online with our global

sessions

at

its

upcoming

With such opportunity, it’s essential

membership. We have plans to restart

the industry shifts focus from survival to

training courses in-person and via a

horizon, it’s

growth. Now is the time to ensure we’ve

range of e-learning materials. And we’ll

essential

created the best movie-going conditions

continue to educate and inform through

to capitalise on opportunities. That won’t

white papers and a second series of tech

the industry

be easy. The pandemic created a skills

talks on topics such as customer data,

shortage, and the world is faced with

HFR and speckle over coming months —

shifts from

component and chip shortages and

not to mention our popular podcast.

on the

survival mode to growth.

54 Q2, 2022

ever-longer lead times. Meanwhile, the devastating political situation in Eastern Europe is a concern to all of us.

THROUGHOUT THE PANDEMIC, CTC kept our community together. With a

Despite such challenges, prepare we

new normal now here, we’re not taking a

must. At CTC we’re rolling-out our 2022

step back. In the weeks ahead we’ll close

programme to support nearly 750 global

off our free Community Membership

members to execute growth plans and

scheme to initiate a revolutionary new

ensure they provide the best experience

membership structure that allows the

possible. Our aim is to share knowledge

entire industry to benefit from CTC’s vast

and expertise on topics including cyber

knowledge and expertise whilst placing

security, optical hazard distances for

us on a better footing to provide more of

projection, 3D equipment spot checks

the tech content the industry needs.

and event cinema broadcast testing.

www.cinema-technology.com

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C O N TA C T U S

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0161 477 7633 available across the UK

sales@omnex.co.uk www.omnex.co.uk

SEATING

SERVICES

SIT BACK, RELAX, OMNEX PROVIDES SEATING SERVICES CONTACT THE TEAM AT OMNEX

In 2020 Omnex set up a brand new seating division, providing testing and inspection services of luxury recliner cinema seating.

At Omnex we have a dedicated team of seating technicians who specialise in the installation and repair of cinema seats.

Omnex helps cinemas with a range of seating, to suit a variety of budgets. With bespoke options for fabrication and control.

From traditional art-house and theatre seating, we also offer a range of luxury recliners from selected manufacturers.

It’s what we do Established in 1987, Omnex supplies, installs, services and maintains technologies to cinemas throughout the UK and Ireland. We work alongside leading equipment manufacturers, and our goal is to support exhibitors in making cinema the ultimate place to enjoy the movie experience.

Truly the one-stop business for any cinema auditorium related items.

C O N TA C T U S

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0161 477 7633 available across the UK

sales@omnex.co.uk www.omnex.co.uk

FINANCE

SOLUTIONS

IMAGINE A VPF, WHERE YOU’RE IN CONTROL WITH A RANGE OF FINANCE PACKAGES AVAILABLE A replacement projector installed and commissioned, with five years warranty and full Gold Support... all from Omnex from just £595* per month With a projector suitable for a 6m screen, a full five-year warranty and an inclusive service plan from just £595 per month, we believe the future is a lot more affordable.

With finance packages available to suit a range of screen sizes, we also have options to include full peace of mind - speak to our team for the most suitable equipment.

It’s what we do Established in 1987, Omnex supplies, installs, services and maintains technologies to cinemas throughout the UK and Ireland. We work alongside leading equipment manufacturers, and our goal is to support exhibitors in making cinema the ultimate place to enjoy the movie experience.

Truly the one-stop business for any cinema auditorium related items. *Terms & Conditions apply