May/June 2017 Encounter

DOWNTOWN · OLD MARKET · DUNDEE · BENSON · AKSARBEN · MIDTOWN

PITCH POET Showstopping Singer Jocelyn Muhammad SEVEN HEAVEN Spring/Summer Fashion Trends

ARTS/CULTURE VOL. 22 × MAY/JUN 2017

ISSUE 3

DAVE’S WORLD Koenig Captivates Audiences Around the Globe MR. & MRS. FINK The CLOSENESS is real

OLD MARKET • 11th & Harney

14

18 COMIC RELIEF Illustrator Tim Mayer Puts Soul to Paper

PITCH POET

Singer-SongwriterJocelyn Muhammad Charms Her Way to the Top

20 MR. & MRS. FINK The CLOSENESS Is Real

26 OMAHA TRASHION WEEK A Death-Spiral Odyssey Into Fashion Deep

32 REQUIRED LISTENING Vital Organs Explore Intimate and Mysterious Soundscapes

34 DREAM TEAM Photographers Strike a Positive Pose

06

36 JAVA JOURNEY What’s Going On in the Hoods

SEVEN HEAVEN

Spring/Summer Fashion Trends: The Seven Looks You Need to Know

40 DESTINATIONS What’s Going On in the Hoods

22

43 MAY/JUNE CALENDAR Art, Music, Theater, Performances, & More

DAVE’S WORLD

46 TRANSITORILY YOURS

Artist-Extraordinaire Dave Koenig Captivates Audiences Around the Globe

Getting The Get Down

ISSUE 3 | VOL. 22 | MAY/JUN 2017

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Seven eave

S P R I N G / S U M M E R 2 0 1 7 FA S H I O N T R E N D S : THE SEVEN LOOKS YOU NEED TO KNOW styling & Modeling by Tara Jean Nordbrosck photography by Justin Barnes Photo editing & Illustrations by Derek Joy intro by Eric Stoakes encounteromaha.com

Fashion blogger Hannah Almassi of whowhatwear.co.uk knows her stuff. She says spring/summer 2017's fashion trends have “anyone who is interested in superduper, spin-around-your-closet fashion excited.” Why? “Well, it's an inherently upbeat season,” Almassi says. “From the many no-holds-barred interpretations on the 1980s—think lamé, jumbo frills, shoulders, bling, and legs—to the most saturated color palette we've seen in a decade—fuschia, scarlet, heliotrope, hazmat, more fuschia—joy is oozing from every stitch and every seam. Even stripes and florals—two trusty pillars of the summer print lineup—are back with more bite, more verve and more tempting iterations to make you think again and look twice.”

International model Tara Jean Nordbrock agrees with Almassi’s fashion forecast.

Nordbrock put her own spin on seven of the blogger’s top spring/summer trends using fashions from Scout Dry Goods & Trade (5019 Underwood Ave.). “That fabulous ’80s spirit combined with this decade’s DIY culture provide inspiration for the latest trends,” Almassi says. “It’s a radical mix-up of unpredictable style.

You won’t be bored.”

1 Super Brights

5 Statement Stripes

This year’s runways featured lots of shocking shades. “The vibe is bright,” Almassi says. See page 7.

According to Almassi, most designers have embraced this graphic, blocky, mind-boggling stripe parade for spring/summer 2017. “It’s highly Instagrammable,” she says. “I do like this full-steam-ahead attitude.”

See page 11.

2 Mix and Match

“There's something inherently wearable about the new wave of eclecticism,” Almassi says. How to approach this with ease? “A strict color palette will help, but otherwise, just think about accessorising to the max.” See page 8.

3 ’80s Redux

Last year, Almassi predicted the '80s trend was no passing one, and the proof was all over the recent catwalks. “The essence of the new '80s redux really lies in after-dark wares,” the blogger says.

“When it comes to going out, there's much to play with—from silhouetteenhancing nipped waists fastened with giant belts to flirty hemlines balanced out by big shoulders.” See page 9.

4 Head-To-Toe Florals

Designers have gone full throttle on florals—but with a twist. “From double doses of Rococo-style jacquard florals with ruffles and raw hems to subdued, blousy '70s bouquets, there is nothing standard about these arrangements,” Almassi says, adding, “No ditsy prints here, thanks.” See page 10.

6 may/jun 2017

6 Post-Minimalism “Just don't call it minimalistic,” Almassi warns. “This brand of purism comes armed with subtle details to make even the simplest item seem like the most exciting thing you've ever seen.”

See page 12.

7 Playing Peekaboo See-through dresses are all the rage.

“Keep it casual by flinging a gossamerlight sheer slip-of-a-thing over jeans and a tee, or go the full nine yards and style out with a flash of giant knickers,” Almassi advises. See page 13.

ENCOUNTEROMAHA.COM 9

12 may/jun 2017

Pitch poet showstopping singer-songwriter

Jocelyn Muhammad charms her way to the top Story by Josefina Loza photography by Bill Sitzmann design by Derek Joy jocelynmusic.com

ENCOUNTEROMAHA.COM 15

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Muhammad's voice has a textured, lived-in quality S

he sets up on a bustling Old Market corner.

The footpaths jostle with tourists and locals doing their weekend shopping, dining, and sightseeing.

Jocelyn Muhammad pulls the acoustic guitar slung over her back then slowly strums a chord that rings throughout the heart of the old-timey business district.

She massages sweet melodies from her guitar, but it’s not until the baby-faced, curly-haired 19-year-old songstress adds her silvery vocals that passersby stop to admire her. No one could escape her charm.

“I want to feel the breeze through my hair, through my hair,” she sings. “I want to go somewhere. I want to be someone. I want to fall in love just like everybody else.”

Muhammad’s voice flows freely at her top notes, pleasantly vibrating eardrums. She’s a showstopper—and a guitar-wielding poet of sorts.

A young musician relatively new to Omaha’s music scene, Muhammad’s voice has a textured, lived-in quality. Perhaps that’s her appeal.

Caught off guard, spectators pause to hear her old-soul poetic lyrics and heart-on-her-sleeve folkie romantic songs, which are totally unexpected from such a young, jovial person.

Muhammad is a promising singer-songwriter who has already attracted an incredibly large social media following and the attention of the music industry.

A live, buzzworthy video snippet of her song “Just Like Everybody Else” recently went viral to the tune of almost 5 million plays on YouTube, even before the studio version was released in November. The 23-second clip, filmed on a few cellphone cameras, features Muhammad belting out the chorus of her song.

Taken aback, she was surprised her song reached people from as far away as Russia. It was a humbling experience, says the recent Millard South graduate. In fact, one fan wrote a song in honor of her.

Songwriting is such an intimate practice and the truest form of flattery, she says. “It’s the idea of singing a song that you wrote about someone.

The way they make you feel. And you get to put it to a melody and add words.”

Social-media savvy Muhammad stays connected with her fans through her music blog (jocelynmusic.com), YouTube, Snapchat, and Twitter.

She documents her musical journey, taking fans along the quirky moments in studio sessions to interviews with the media.

Aside from hearing her from-the-heart work on Old Market street corners, fans catch her at open mic nights around town. She sings a mix of original melodies and covers about love and loss, loneliness and desperation, and pleas to find her soul mate. Under her musical belt, per se, she’s performed at open mic sessions at the legendary Whisky a Go Go in L.A. and the Bluebird Cafe in Nashville. She plans to return to L.A. this summer to finish piecing together her first record.

Muhammad got her music start at age 14. Though she participated in school choir, her happenstance of guitar picking came later when she rescued a black Indiana acoustic guitar dubbed “Black Bastard” from the flames of a friend’s bonfire.

A few months later, she says she was introduced to Aly Peeler, who, at the time, was in charge of an open mic night for the then-Side Door lounge.

Soon after, she met her current manager, Jeff McClain of Midlands Music Group, who offered her a placement in the group’s free mentoring program for budding musicians.

Muhammad is grateful that she has Peeler and McClain as soundboards to help her polish her melodies and lyrics. Still honing her skills, she says she owes Peeler and McClain for helping develop her talent through many lessons and repetitive exercises, which prepared her to perform live.

“It’s just me.

It’s just me there, singing to you. There’s nothing else… no one else.

Just me and you. And, I’m singing.”

She took it home and cleaned it up. She studied her favorite British singer-songwriter Ed Sheeran’s likes and dislikes. His musical preferences and tendencies influenced her own.

“I’m not going to let a melody be just a melody,” she says.

“It has to be the right one. I’m practicing constantly…working to get better.”

When she’s performing on stage, Muhammad says, “It’s just me. It’s just me there, singing to you. There’s nothing else … no one else. Just me and you. And, I’m singing.”

Muhammad has been nominated three times for Omaha Entertainment and Arts Awards’ best singer-songwriter, but has yet to take home the hardware.

“I’m, like, the youngest artist there…so that’s really cool,” she says. “I’m still working on winning though. I’ll get there someday, but it’s cool just to be nominated.”

A friend taught her the fundamentals of guitar strumming—how to play a G on Cadd9 chord.

Two weeks later, she wrote her first song, “Burn It Down.”

She couldn’t bottle up her newfound love for songwriting and guitar playing. So, she packed up her guitar and headed for the Old Market.

ENCOUNTEROMAHA.COM 17

F

orget Batman and his gadgets, or Thor and his biceps. There's a new hero on the block—“Oldguy,” a spandex-sporting, crime-fighting senior citizen who seeks out injustice equipped with his “denture grapple.” While Oldguy may have the mighty ability to scale the First National Bank Tower, his illustrator is just another everyday citizen of Omaha. But that doesn't mean Tim Mayer isn't super, too.

I L L U S T R A T O R T I M M AY E R P U T S S O U L T O PA P E R Story By Sean Robinson photography by Bill Sitzmann design by Derek Joy Illustration by Tim mayer timmayer.wordpress.com

Armed with a unique skill and the ability to seamlessly adapt different drawing styles, artist Tim Mayer's “Batcave" is his drafting table. Whether he’s working on a comic book or the cover of a sci-fi novel, his illustrations pack a punch — all of them uniquely different in appearance, but always skillfully, thoughtfully, and imaginatively executed to meet a project's needs.

"I've been drawing since I could hold a spoon," Mayer says. "It was one of those things that just instantly clicked for me."

But as is the case with many freelance artists, the work didn't instantly come clicking in after he earned his bachelor's degree in studio art from the University of Nebraska-Omaha in 2008. While working a stint as a shoe salesman, he picked up a few smaller drawing gigs. That all changed after he began attending creative workshops at Legends Comics & Coffee (5207 Leavenworth St.). It was in the comic shop’s basement where he met Jeff Lawler, a local writer who pitched him the idea for his next big project.

Together, the two created The Anywhere Man, a comic about an ex-solider who, after a freak accident, has the power to instantly transport anywhere. Following Anywhere Man, Mayer illustrated two additional comic/short story hybrids — Oldguy and Prophetica, a digital comic that tells a fictional tale about prophecies, brutal ancient rituals, and the fate of civilization hanging on a thread.

"I struggle to see consistency in my work," Mayer admits. "I look at one thing I illustrated compared to another and I see a completely different side of me."

One constant for Mayer has been his involvement with the Ollie Webb Center Inc. (1941 S. 42nd St.).

Mayer became a mentor there five years ago and now leads art and drawing classes at the organization, which strives to enrich the lives of individuals with developmental disabilities through support, programs, and advocacy.

"I introduce students to a variety of visual storytelling methods," Mayer says. "Whether or not a student wants to pursue something in the creative field, I see a lot of potential in each of them."

Mayer and his work bring new meaning to the term “self-portrait.” From whimsical sketches of a doeeyed girl to haunting black-and-white skull designs, everything Mayer creates looks different on the surface, but always reflects the man behind the pen.

"My experiences and personality always show in my work," Mayer says. "If I look at something I created, I remember personally what was happening to me the moment it was drawn. It's my own public journal."

18 may/jun 2017

Mr. & Mrs. T

he evolution of CLOSENESS was quite literally a matter of the heart—not in a cheesy, romantic musing type of way, but the actual blood-pumping, life-sustaining muscular organ.

Husband-wife duo Orenda Fink (Azure Ray) and Todd Fink (The Faint) are the masterminds behind the electro-dream-pop project.

The couple say they always wanted to merge musical styles, but they could never quite find the time. Todd was touring in support of The Faint’s last album, Doom Abuse, and Orenda was involved in her solo work. As fate would have it, a frightening medical emergency involving Orenda’s heart temporarily brought everything to a screeching halt. In November 2015, she went under the knife to repair a birth defect that was originally misdiagnosed.

“I had it my whole life, but never knew how dangerous it was,” Orenda admits. “They couldn’t believe I was still alive [laughs]. With my condition, I had a bunch of extra electrical pathways on my heart that were not supposed to be there.

They had to get rid of them.”

Fink THE CLOSENESS IS REAL Story by Kyle Eustice photography by Bill Sitzmann design by Derek Joy facebook.com/closenessmusic

says with a hint of sarcasm. “It made us kind of realize how precious and fragile life is, I guess.”

Back at home, she sunk into a depression, which can be common for heart patients.

“When you are faced with your own mortality so intensely, you get depressed,” she says.

“We realized there was no better time to do this,” Todd adds. “If we were going to do it, we had to do it now. After her surgery, everything became more urgent.”

Still recuperating in sweatpants and socks, CLOSENESS took its initial steps and Orenda quickly found solace in making music with her husband.

Todd and Orenda have been a unit for more than 15 years, and it just so happens both are incredibly talented musicians in their own right.

It was because of this shared love and compassion for one another that Orenda finally took her arrhythmia seriously.

“We started the band almost immediately,” she says. “It was cathartic. Something about that experience [surgery] made me realize now there were no more excuses not to do it.”

“I’ve had episodes my whole life,” she says. “A couple of weeks before I was diagnosed, my heart went into an abnormal rhythm. Normally, it would kick back in, but this time it just stayed.

I was just so used to it that I was traveling, smoking cigarettes, hanging out with friends—but Todd was like, ‘Um, you need to go to the doctor immediately [laughs].’”

Orenda flew back to Omaha and went straight to the doctor. Two-and-a-half weeks later, the Georgia native was having heart surgery, which was the first time she’d ever had any kind of surgical procedure. What was supposed to be a three-hour event turned into 12 hours, but thankfully she pulled through.

“Your heart is such an immediate thing—it has to be going,” she

to drive around in our car. It’s not like working.

We don’t have to be away from each other to do what we’re doing. I am really looking forward to that aspect.”

While traveling with other people has its merits, it also has its challenges. Oftentimes, the vastly different personalities can throw a wrench in the process, but for the Finks, it makes more sense.

“We’ve been together for so long that our tastes have melded,” she says. “From what we like to do to where we like to eat—we just know each other.

That’s one of the hardest parts about being on the road with other people—always having to compromise. This seems like a dream scenario.”

Being a quintessential “rock-star couple,” however, didn’t always come easy. In the beginning, like all relationships, there were some hiccups, but it was nothing they couldn’t work through.

“He got in trouble in the beginning years,” she jokes. “Not like cheating or anything, but figuring out what a married man can do—like he couldn’t go skinnydipping with girls on tour anymore [laughs].”

“When you are faced with your own mortality so intensely, you get depressed.”

On March 10, CLOSENESS unveiled its debut EP, Personality Therapy, and had its album release party later that night at Omaha’s beloved hole-in-the wall O’Leaver’s, where Todd and Orenda played to a packed house. Naturally, the Omaha music community came out in droves to support one of their own. Shortly after, the duo hit the road for Austin’s annual South by Southwest (SXSW) music festival and continued their road trip to New York City, something they’ve wanted to do for years.

“We’re looking to tour as much as possible,” Todd explains. “It’s part of why we wanted to do a band with just the two of us—to be able to make kind of, like, a vacation out of it, where it’s just the two of us together, and we’re able

“I thought the ocean was huge [laughs],” he replies. “You don’t get a manual when you get married. You don’t know exactly where the line is.”

One big lesson they learned, however, is to not get caught up in the minutiae of everyday life.

“Pick your battles,” Orenda says.

“You have to keep the greatest good of the relationship as the highest priority. Everyone slips on that in any relationship. If you’re in a really intense working relationship together, you’re going to have friction. It’s figuring out how to deal with that friction. You want the outcome to be forgiveness and loving each other. If you slip up, remember that’s the ultimate goal.”

“Winning an argument really isn’t worth anything,” Todd adds. “The goal isn’t to win. It’s to get back to a place of love.”

ENCOUNTEROMAHA.COM 21

Daves World A R T I S T- E X T R A O R D I N A I R E D A V E K O E N I G C A P T I VAT E S A U D I E N C E S AROUND THE GLOBE Story by Jared Spence photography by Bill Sitzmann design by Derek Joy dkoenigart.com

22 may/jun 2017

P

rolific painter and tattooist Dave Koenig says people often ask him, “How do you develop a style?” or, more precisely, “How did you develop your style?”

For an artist who is known and recognized from Omaha all the way to Chaudes-Aigues, France, for his particular brushstroke and trail of ink, Koenig humbly says he doesn’t recognize a certain style in his work. He just sees himself as someone who draws “the same stuff everybody else draws.”

“I’m not the most technically refined tattooer, and I’m not the most technically refined artist. But I tend to try to pull a level of emotion, on a subconscious level, to every piece I draw,” Koenig says. “And I feel like that creates something different.”

His colleague of more than 10 years and co-worker at Tenth Sanctum Tattoo (1010 S. 10th St.), Tobias Caballero, says one element that contributes to Koenig’s style is his use of line. “If you look at his lines, you’ll be able to see Dave in it,” Caballero says. “It’s almost like watching Bruce Lee fight. You can tell that Bruce Lee has found the best of everything and combined it into his fighting. It’s the same way Dave has compiled this formula of how he creates art.”

Koenig says line work is a crucial component to some of his most requested work—like tattoos of his signature female figures. “The lines that you put on them—say it’s the hair, or where their eyes or mouth are—it has to be exact,” he says. “The line has to count. One slight off with one of those lines, it can completely change the emotion of the piece. I like to take the time to refine each of them.”

Before he began tattooing, or started taking his painting too seriously, Koenig says it was his graffiti-style art he was known for. It is, in fact, what got his foot in the door to begin apprenticing at his first tattoo shop 17 years ago.

“He learned really young in life that style is something he valued,” Caballero says. “It all started when he was doing his graffiti and he started integrating that into his tattoos, and that influenced his paintings, and then he just simply continued to refine it, and it turned into something only he can do now. It’s absolutely beautiful.”

Influenced by Japanese and American traditional tattooing styles, as well as a mix of art nouveau and art deco, Koenig has crafted a signature look that is not only recognizable but also heavily sought after.

Koenig’s tattoo regulars and hopefuls are so obsessed with his work that they will wait—often lengthy periods—to obtain their very own Dave Koenig masterpiece. His tattooing schedule, on average, is booked out at a staggering 18-24 months.

His artwork can be found screen-printed on shirts at Curbside Clothing (505 S. 11th St.), illustrated on the beer cans at Brickway Brewery & Distillery (1116 Jackson St.), hanging on the walls of bars and businesses, and covering the bodies of his devoted tattoo clients. It can also be found across Europe and South America, in tattoo magazines and books, and hanging on walls around small towns in France and Italy.

The charm of his personal brand of art has proven strong. In 2016, Koenig was asked to design the poster for the 2016 Chaudes-Aigues tattoo convention in France. For the poster, he created his own rendition of the town’s coat of arms. The Chaudes-Aigues family, whom the town is named after, was so seduced with his vision that they adopted his work to use as the new version of their family crest.

When Zac Triemert, owner of Brickway, decided to open the brewery in 2013, he says Koenig was the first person he thought of to incorporate into the business’ branding. He was hired to create the artwork for Brickway’s logo, signage, and the labels on their Bison Series beer.

“His work is iconic. You can’t see Dave’s work without knowing that is absolutely Dave Koenig’s work,” Triemert says. “And I love his style. It’s really fun, strong, and aggressive.”

Caballero dubs Koenig’s work as difficult to describe with mere words.

He says it has to be seen to be understood.

“He’s found the perfect combination of understanding technique as well as understanding how to be loose with his work—as well as understanding color theory,” Caballero says.

“He’s kind of created a perfect storm for himself where he doesn't wind up in a place where he’s repeating himself. He's always working toward becoming better, and he's managed something he's built into his own personal empire.”

Despite his ever-growing fan base and unending praise, Koenig never boasts about his success. The way he sees it, he's still “just some Omaha kid” and says he's “blessed and happy people like my work.”

Although humble about his impact on the art and tattoo scene, his talent and appeal are undeniable. He has managed to captivate audiences around the globe with his technical skill, knack for detail, and ability to evoke striking emotion.

Now that he has created his own strong sense of brand, Koenig says, it’s on to his next goal: How to help the world through his art?

“The whole point is ‘What's your legacy?’,” Koenig says. “I just draw pictures; how do you help everything as a whole through drawing pictures? It's the tracks we leave behind that people remember forever. You've got to make sure to leave some big tracks and make sure they’re walking in the right direction.”

ISSUE 3 | VOL. 22 | MAY/JUN 2017

DAVE KOENIG

VITAL ORGANS EXPLORE INTIMATE AND MYSTERIOUS SOUNDSCAPES Story by Kyle Eustice photography by Bill Sitzmann design by Derek Joy facebook.com/vitalorgansband For years, Chelsea Balzer and Matt Walker ran in the same circles, but somehow didn’t cross paths until Balzer joined the art performance group aetherplough in 2010 and was suddenly thrust into a musical relationship with Walker.

Their undeniable compatibility was too much to ignore, and the duo soon formed their own outfit—Vital Organs—a band that fosters Walker’s unquenchable thirst for bold melodies and cinematic qualities, but is danceable at the same time.

“Back in the day, I was exclusively into hard rock music,” Walker says. “In recent years, I had been dying to write something that made me want to dance.”

Balzer, on the other hand, gravitated toward country artists like Reba McEntire and early LeAnn Rimes because of her father, a loyal country music fan.

“I would perform for our neighbors and their friends, which I think helped me develop that frontwoman identity from early on,” Balzer says.

“But once I hit middle school, I was pretty into Alanis Morissette and Fiona Apple, and then soon after I got into stuff like Nine Inch Nails, P.J. Harvey, and The Cure. I've always loved vocalists who are brave and provocative—from Christina Aguilera to Zach de la Rocha.”

Fortunately, Vital Organs isn’t their first endeavor, as aetherplough thoroughly prepared them for what they would do in the future. The collective was built on collaborative creativity and taught them how to compromise.

“It always felt a little like we had no idea what we were doing at the beginning of a project,”

Walker says. “As more people threw in their ideas and questions, it would start to take on a life of its own, and suddenly you're rehearsing a full piece that you all helped bring into being.

It was magical.

“I would say our whole philosophy for creating and collaborating is informed by that experience,” he continues. “aetherplough taught us to say, ‘Yes,’ to go all in, to be flexible, and also to listen to each other in a different way. aetherplough really stretched me as an artist, and I'm so grateful to have been encouraged to play and explore in that community.”

“I personally feel that it taught me to think of all art and performance as ritual that has the power to change its players,” Balzer adds.

Officially established in 2015, Vital Organs dove right in and pulled from Omaha’s rich musical community, including Make Believe Recordings’ CEO/engineer Rick Carson. The Grammy Awardnominated producer worked on the group’s debut album, The Hysterical Hunger, a decision they didn’t hesitate to make once they fully realized Carson’s “rare combination of expertise, intuition, and top-notch gear.” The album itself gave Balzer and Walker opportunities to explore feminist ideals and the theme of honoring inner desires.

“We were both going through some real loss, and we needed to rediscover some kind of inner guidance toward true north,” Walker explains.

“For us, that feels like a hunger. We liked the idea of reclaiming the word ‘hysteria,’ which has previously been used as a weapon against women and as a form of gaslighting, but ultimately implies that emotion itself is untrustworthy

and that giving yourself over to an experience is dangerous and even insane. We feel that this message is really prevalent in society today and continues to cause harm. We wanted the album to be a way of proclaiming to ourselves and others that we are taking the leap and giving in to that hunger.”

Drawn to synthesizers and soaring melodies, Vital Organs is actively honing in on its distinctive sound. However, they’re admittedly still trying to figure out how to navigate the rough waters as an indie band.

“It's a lot of work and also a lot of headscratching,” Walker says. “We have been both discouraged and really honored by the process of getting our work ‘out there.’ Some aspects of it are much harder than we anticipated, and yet there are these people who seem to appear from thin air and develop this relationship with your music, and really want to help you succeed.

That has been a beautiful experience.”

Vital Organs plans on hitting the road this summer, despite Balzer being in grad school in Boston and Walker busy working at Omaha Children’s Museum. They managed to carve out a few weeks to play some new cities and share the bill with other bands.

“We know that the music will always mean something different to us than it means to others,” Walker says. “Every song reflects a time in our lives and a message we felt we needed to express.

At the same time, we hear the songs and sort of forget that we wrote them. There is a kind of energetic release that comes from finishing songs and letting them exist in the world. It feels simultaneously intimate and mysterious.”

ENCOUNTEROMAHA.COM 33

PHOTOGRAPHERS B E R N A R D O M O N T O YA & ERIC GUTIERREZ STRIKE A POSITIVE POSE Story by Tara Spencer photography by Bill Sitzmann design by Derek Joy facebook.com/EliteStudioPhotography

T

here’s a dazzling, eye-catching photo that adorns the bare-bones brick wall inside the photography studio at 1820 Vinton St.

A lovely girl sits in a deep-blue cloud of a dress, highlighted by silver accents. In the background, the grayish sky is streaked with pink-gold clouds.

It’s a striking image, and an excellent example of the kind of work one can expect from the gentlemen of Elite, a boutique photography studio based in the historic Vinton Street Business District in South Omaha.

Elite’s Bernardo Montoya and Eric Gutierrez are an impressive pair. Montoya is dressed impeccably in light, subdued colors and wearing a fedora, a signature look for him. Gutierrez, on the other hand, is wearing a simple black T-shirt with dark blue jeans and a rust-colored vest, his brown, gray-streaked hair pulled back from his face.

Despite their contrasting appearances, it’s clear these business partners have an inspiring, deep, mutual respect for one another.

34 may/jun 2017

The two met about six years ago at an Omaha Police Department holiday event Montoya organized. At the time, Gutierrez was working in construction, but had long been interested in taking pictures.

“Walls were demolished, the false ceiling was removed, original floors were salvaged, and a new bathroom was built,” he says. “Every day we want to continue making modifications.” He said their next project is the façade.

“Photography has been a hobby for—the last 20 years,” he says, somewhat questioningly, chuckling a little.

Renovations aside, the neighborhood itself seems like the perfect place for Elite Photography.

The developing business fits right in with the community’s burgeoning art scene, and they couldn’t be happier with their location. Montoya says it’s a great neighborhood with incredible potential that he believes the city plans on developing.

After discovering Gutierrez was an amateur photographer, Montoya asked if he would like to volunteer his services for some of the events Montoya put together. Eventually, they were getting asked to do so much side work, they decided they should try to really make a go of it and invest in themselves and their talent.

Initially, the two worked out of Gutierrez’s Elkhorn home, using his living room, dining room, and kitchen as studio space. But about two years ago, they started working on their brick-and-mortar studio on Vinton Street.

Montoya says when they moved into the space, it was in “awful” shape, so they immediately started renovating.

Gutierrez agrees: “I think that this street opens a door to, not just the Hispanic community, but to the community in general.”

“I never imagined the possibility of having a photography business like this, because I am a graphic designer,” Montoya said. He previously worked as a reporter in Mexico and in the U.S., taking pictures for articles and other projects as a part of his job. “But this was not my priority,” he says. “I discovered my passion for photography talking with Eric.”

Though Gutierrez had initially chosen a more cautious path, the passion had been there since he was young.

“At some point, when I was going to college, I told my mom that I wanted to be a photographer. She said, ‘No, don’t do that. Just do it as a hobby.’ And that was a mistake,” he says. “I always talk with parents about that. I tell them, you know, you’ve got to encourage your kids to do whatever they want.”

Fortunately, Gutierrez and Montoya have many opportunities to speak with and encourage parents, thanks to a partnership with Omaha Public Schools and the many high school senior and quinceañera photos they do.

Montoya says his inspiration and motivation comes from the looks on peoples’ faces when they first see how they look in their photos.

“We are talking about dreams, the dreams of the people,” he says. “When they talk to you and say, ‘I want to take a beautiful picture…I want to see a picture where I feel beautiful,’ it’s more

than taking a simple picture. It’s making a connection with a person—seeing what they want.”

Making those dreams come true is their goal.

Which makes perfect sense, since that’s what they seem to have done for each other, something that is very clear when they talk about their life’s work.

“I always say Bernardo was like an angel for me,” Gutierrez says, “because I didn’t know if I was going to do this for a living.”

But while they’ve been fortunate to find each other and develop a successful business, Montoya and Gutierrez have faced plenty of challenges, including Montoya’s recent diagnosis of a rare form of cancer—stage 2 soft tissue sarcoma.

“Now I can see life with a different color,” Montoya says. “Yes, I have cancer, but it’s like I have the flu. I’m OK right now. I don’t know what will happen with me tomorrow. But you never know what will happen tomorrow—or in a couple of weeks.”

Instead, he says he’s using the diagnosis as a reminder to enjoy life, and his family, friends, work, and the connections he makes with new people.

“I don’t want to think any bad things,” Montoya says. “I have a future, a plan. I know what I want. I have dreams and I am working toward my dreams.”

In his typical, always-moving-forward style, Montoya is not letting the disease slow him down.

ENCOUNTEROMAHA.COM 35

L

ike many who guzzle black gold, Sagar Gurung started downing coffee purely for utilitarian reasons.

The taste—he could have done without.

“I started for the caffeine,” Gurung says. “When I took that first sip, I said, ‘What the hell is this? It’s bitter.’ I would add a lot of sugar, milk, and cream to it.”

Gurung has come a long way in his java journey. He is the founder and part-owner of one of Omaha’s newest non-chain caffeine joints, Himalayan Java Coffee House. It launched in June 2016 at 329 S. 16th St., across from the Orpheum Theater on Harney Street.

Not that long ago, what Gurung knew about coffee didn’t amount to a hill of beans. He has worked as a business analyst (currently for Valmont Industries) after earning a degree in computer science from Bellevue University in 2004. Gurung was born in Chitwan, Nepal, but lived mostly in India until he moved to Omaha in the 10th grade to live with his older sister. He graduated from Omaha Gross High School.

He took regular trips back home to Nepal, and it was during one of those trips that he went from coffee novice to coffee aficionado. The spark was a visit to Himalayan Java Coffee, a franchise launched in 1999 by Gagan Pradhan and Anand Gurung in Nepal’s capital, Kathmandu.

Nepal is mostly a tea-loving country, but Pradhan and Anand Gurung were changing that with a concept utilizing small coffee farmers whose harvest had mostly been going outside the country. Nepalese farmers were more likely to grow millet or maize than they were coffee, which wasn’t introduced to the country until 1938 by a hermit who brought seeds from Myanmar (then Burma).

By the 1970s Nepalese farmers were beginning to pay attention to coffee as a serious cash crop. Today, it’s grown in nearly three dozen districts, thriving in one of the highest elevations in the world.

Pradhan and Anand Gurung, according to Sagar, “introduced coffee to Nepal,” showing countrymen how it should be planted, raised, roasted, brewed, and imbibed. Their efforts resonated—today, more than 20 Himalayan Java shops have been introduced in Nepal.

On Sagar’s first visit to Himalayan Java Coffee in Nepal, “I instantly loved everything they were doing,” he says. He began to lobby the duo to let him bring their brand and their coffee to his adopted homeland. He also proposed the idea to Nepalese friends who lived in Omaha, asking them to join as partners.

Finally, the founders relented. “I think they just wanted to make me stop bugging them.”

The Nepalese founders are more like “strategic partners” than they are franchisees, Sagar says, but the Omaha Himalayan Java buys all its coffee from its Nepalese counterpart.

“Coffee has a natural tendency to embody its environment.”

It’s a competitive market in Omaha, dominated by national and local chains.

Sagar says such competition only gave him more reason to launch Himalayan Java here.

And none of the others in Omaha can offer the distinct Arabica flavor available in his store.

“Coffee has a natural tendency to embody its environment,” Sagar says. “So the taste you get is very unique to the area you grow in.”

He appears to have picked an ideal location for the startup.

Customers come frequently from the Orpheum across the street, of course, but Himalayan Java also gets employees from nearby Union Pacific, First National, OPPD, other downtown businesses, students from Creighton and UNMC, and downtown denizens.

Himalayan Java offers a full complement of caffeinated beverages—espressos, cappuccinos, mochas, lattes, and more. The No. 1 seller, Sagar says, is the “Dark Roast 4.” The menu also includes sandwiches, soups, and salads.

Sagar says customer retention has been strong and that word-of-mouth marketing has helped Himalayan Java enjoy 15- to 20-percent growth month over month. Enough that he’s had at least preliminary discussions about expanding to a second store.

He’s also heard from enough customers that he plans to introduce some home-cooking with a menu that should include Nepalese goat and chicken curry; “thukpa,” an intensely flavored noodle soup; and “momos,” spicy Nepalese dumplings typically filled with marinated minced meat.

“I want to introduce Nepali items you can’t get anywhere else in town,” he says.

For now, though, he’s intent on making sure Himalayan Java makes a name for itself with its roasts — something customers should recognize just steps inside.

“We are a coffee house, and it is a beautiful thing to walk into a store and the aroma hits you,” he says.

It took him a while to get there, but he says the taste is even better.

“Now I like my coffee dark with no sugar, no milk or cream,” Sagar says. “I just love the way our coffee tastes.”

He’s hoping more and more Omahans will agree.

ENCOUNTEROMAHA.COM 37

• Live Local & National Music • Party Room Available • Beer Garden

Destinations 3530 Leavenworth St. Omaha, NE 68105 . 402.933.3927

by Anthony Flott design by Derek Joy

AKSARBEN VILLAGE

Old Market

Every spring, everyone in Aksarben Village gets a spring in their step. No wonder, given all the walks and runs that take place there in spring and summer. Beginning in May that includes the Aim for the Cure Melanoma Walk (May 6), Great Strides Cystic Fibrosis Walk (May 20), Glow ‘N Go 5K (June 2) and Relay for Life (July 15).

Walk—or run—to aksarbenvillage.com for details. Oh, and get ready for lots of fresh veggies. Aksarben hosts its first everySaturday Omaha Farmers Market of the season May 7.

Benson

1120 Jackson Street • 402.341.5827 6023 Maple Street • 402.551.4420 tedandwallys.com

10 Years In A Row

BENSON The second annual all-ages Memorial Day Massive music festival will be held May 27 outside The Waiting Room (6212 Maple St.) MDM showcases national acts specializing in danceable, electronic music, ranging from hip-hop to trap to “vomitstep,” an EDM subgenre created by Snails, the headliner of the event, which also features performances by Boombox Cartel, ARMNHMR, and PRXZM. The outdoor show will be followed by after-parties at The Waiting Room and Reverb Lounge (6121 Military Ave.). Space Jesus, a psychedelic hip-hop producer/performer out of Brooklyn, will be at The Waiting Room’s all-ages show. Reverb is 21 and over only.

The outdoor show is all-ages, unless you want to be a VIP, then you must be 21 to play. But no matter your age, you’d better bring your dancing shoes, because there’s no messing around here. These acts are here to make you move.

BLACKSTONE DISTRICT What’s new in Blackstone? What isn’t.

There are new hours at the Nite Owl, 3902 Farnam St. (5 p.m. to 2 a.m. MondayThursday; 3 p.m. to 2 a.m. Friday-Sunday ), a new tenant at 3906 Farnam St. (TSP Architects) and a new website for the district (blackstonedistrict.com).

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Thank you for voting us Best of Omaha for 12 straight years!

4 Locations 8906 Maple Street • (402) 393-7888 4102 N. 30th Street • (402) 455-0135 2717 Leavenworth Street • (402) 346-1040 301 Fort Crook Rd. N. (Bellevue) • (402) 293-1800

takeit2thehouse.com

2130-4502 Capital District EncounterAd.ai

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NODO

Four Old Market

This is Omaha, right? Yup. But soon, a taste of Lincoln is coming NoDo’s way. Lincoln-based Zipline Brewing Co. is expected to open a tap room where the Saddle Creek Shop once was, between Film Streams and Slowdown. And it will be bigger than either of the places they have down in Huskerville. Boo-yah.

OLD MARKET Unique décor, ornaments and collectibles for every season. oTannenbaum.com • 402-345-9627

Fresh chocolates and fudge made in our own kitchen.

OldMarketCandy.com • 402-344-8846

Travel essentials plus souvenirs and Nebraska-made gifts.

CAPITOL DISTRICT Shamrock Development is closer to making a reality of the Capitol District, an expanse stretching from the Riverfront west and northsouth from NoDo to Leavenworth. The space, anchored by the Omaha Marriott Downtown, will feature mixed-use buildings and lots of open space. It’s a concept similar to Lincoln’s Railyard—including, Shamrock hopes, opencarry alcohol wherever visitors go.

DUNDEE The future still looks bright for a public-private partnership that will bring the past back to Dundee—a $1.6 million project to restore the historic Sunken Gardens along Happy Hollow Boulevard. What is known to locals as “The Sunks” is envisioned to be a safe community green space with a formal garden in the center, a sledding zone, open sports field, and more.

Organizers say they’ve met all their quarterly fundraising goals. See drawings and more at omahasunkengardens.org.

OldMarketSundries.com • 402-345-7646

MIDTOWN CROSSING

Authentic Italian desserts, coffee, and FlavorBurst TMice cream.

DolciOldMarket.com • 402-345-8198

All located at 10th & Howard 40 may/jun 2017

Nature hates a void—and it didn’t go over so well in Midtown Crossing, either. Fortunately for Midtowners, the void left by the sudden closing of Brix didn’t take long to get filled.

Longtime Omaha restaurateur Ron Samuelson indicated the spot will be filled by Della Costa, a seafood-inspired Mediterranean concept featuring dishes from the coasts of Italy, France, Spain, Morocco, and Greece. “It opens up a whole new range of opportunity for oysters, clams, and whole-grilled fish,” Samuelson told midtowncrossing.com.

You know those little baby carrots don’t grow that way, right? Get the good stuff— and gobs of other fresh, locally grown produce — when the 23rd annual Omaha Farmers Market kicks off May 6. Hosted 8 a.m. to 12:30 p.m. every Saturday through Oct. 14, OFM includes baked goods, flowers, and more as nearly 100 vendors fill 11th Street from Jackson to Howard streets.

See the lineup at omahafarmersmarket.com/ old-market.

SOUTH OMAHA/ VINTON STREET Project Project might be a nonprofit, but in February it was all about the green stuff for the independent, DIY contemporary arts space in the historic Vinton Street Business District.

Green slime, that is. Project Project was host to Omaha Slime Fest, a fundraiser for Omaha Zine Fest. The former featured several unique competitions, the winners of which were dumped with buckets of slime a la Nickelodeon. Find out more about Project Project on Facebook or at projectprojectomaha.com.

NORTH OMAHA/ 24TH & LAKE DISTRICT Many of Nebraska’s best athletes began their dreams in and around “The Street of Dreams,” Omaha’s 24th and Lake Street area. Now, many of those famous athletes can be seen at the Omaha Rockets Kanteen Restaurant, named after a one-time Omaha baseball squad. The eatery (2401 Lizzie Robinson Ave.) pays homage to the Negro Leagues and is home to the Nebraska Black Sports Hall of Fame. Owner Donald Curry partnered with Black Hall cofounders Robert Faulkner and Ernest Britt so that the Kanteen now showcases memorabilia of Omaha greats like Bob Gibson and Marlin Briscoe alongside Satchel Paige and Josh Gibson.

S.G. Roi Tobacconist the “Cigar Shop” In the Old Market and Bellevue 503 S. 11th Street | Old Market 1021 Galvin Road South Suite B | Bellevue

sgroitobacconist.com

The Orig inal Old Market Irish Bar Nightly Specials Live Irish Music Weekends Open 12 p.m.

1205 Harney St. 342 -5887

dublinerpubomaha.com

Bringing Italy to Omaha Since 1919

HAVANA GARAGE CIGAR LOUNGE

Omaha’s Premier Cigar and Spirits Lounge 1008 Howard St. Old Market 402.614.3800

thehavanagarage.com

Take a Taste of Italy Home Today!

Tues-Thurs: 8:30am-8pm Friday: 8:30am-8:30pm Saturday: 7:30am-8pm Sunday: 7:30am-6pm

402.345.3438 621 Pacific St, Omaha NE orsibakery.com

ENCOUNTEROMAHA.COM 41

GOING GREEN Help Omaha Magazine Fight Deforestation

OMAHA MAGAZINE HAS JOINED AN INNOVATIVE PROGRAM TO COMBAT DEFORESTATION. AND WE NEED YOUR HELP. The initiative, called Print Relief, plants the number of trees equal to our printing needs by calculating the trees consumed by the printing of our magazine. They plant the number of trees equal to our tree usage in endangered forests around the world.

IN THE NEXT YEAR ALONE, THIS INTERNATIONAL PROGRAM WILL ALLOW US TO BE RESPONSIBLE FOR THE PLANTING OF ALMOST 1,500 SAPLINGS IN BIOMES AROUND THE GLOBE THAT HAVE BEEN RAVAGED BY DEFORESTATION. HERE’S WHERE YOU COME IN: We’d like readers to help us choose where our trees should go. We will create a survey on our Omaha Magazine Facebook page.

You can choose to help reforest Brazil, Mexico, Madagascar, the Dominican Republic, Burkina Faso, or Ethiopia.

We will determine the top votegetter and pass your wishes on to the folks at PrintReleaf. Then, together, we can help battle one of the greatest threats to the health of this planet.

Sunday • $3 Captain Morgan Drinks Monday • $6 PB&J’s (PBR and a shot of Jameson) Open Mic Night Tuesday • America’s Pub Quiz from 8-10pm $2 PBR’s All Night Wednesday • $1 Busch Light Bottles from 3pm-2am Thursday • $3 Aluminum Bottles /Bar Olympics Friday • $3 Wells $5 Bombs Saturday • $2 PBR’s $3 Shot Specials

Sign-Ups for Bar Olympics League are happening now!

See our Facebook page for more details!

Join Our Volleyball Leagues Now Facebook.com/maloneysirishpub | Twitter: @maloneysomaha

Zombie Glass • CBD Products • Water Pipes • Detox • Pipes • Kratom

Smoke Accessory Shop + Gallery All of our ART is Local 6001 Maple Street | 402•933•7888 Located in Benson Neighborhood

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RILEY BUILDING 10th & Douglas 402.346.9180 • pinnbank.com MEMBER FDIC

may/june calendar of Events

Sponsored by Pinnacle Bank POG32_OLDMARKET_DIRECTORY_AD.indd 1 Arts & Museum Exhibits History of Latinos in Omaha: 1890 through Present Through Aug. 31 at El Museo Latino, 4701 S. 25th St. Discover the history of Omaha’s Latino community, highlighted in this photography exhibit.

Admission: $5 adults, $4 for college students with ID, $3.50 students (K-12) and seniors (55+), free for children under 5 with adult admission. 402731-1137. elmuseolatino.org

KINETIC June 16-Oct. 14 at KANEKO, 1111 Jones St. KINETIC at KANEKO explores the art and science of movement, and the perception of motion.

This collaborative exhibition season will feature stunning visual art, interactive sculpture, and experiential learning opportunities developed to strengthen the understanding of kinetics in everyday life. Admission: free. 402-341-3800. thekaneko.org

Performing Arts

Jennifer Bockelman / Charley Friedman Exhibition May 5-June 23 at Fred Simon Gallery, 1004 Farnam St. Bockelman (of Seward, Nebraska) produces art that includes stitched works, drawings, impotent political gestures, and performances. Friedman (of Lincoln, Nebraska) produces work ranging from installations and sculptures to photography and drawings. Admission: free. 402-595-2122. artscouncil.nebraska.gov

Catherland Through May 14 at Shelterbelt Theatre, 3225 California St. A budding author and her husband head to Red Cloud, Nebraska, to begin a simpler life, but a slew of mysterious guests prove that there’s nothing simple about small-town living.

8 p.m. Thursday-Saturday; 6 p.m. Sunday. Tickets: $25 general admission; $20 students, seniors (65+), and TAG members. 402-341-2757. shelterbelt.org

European Galleries Reopening May 20 at Joslyn Art Museum, 2200 Dodge St. The five European galleries have undergone a three-month construction period. Updates include new paint, lighting, updated labels, and interpretive materials—such as three interactive iPad stations. Admission: free.

402-342-3300. joslyn.org

MOMIX Opus Cactus May 4 at Orpheum Theater, 409 S. 16th St. The internationally acclaimed dancer-illusionists troupe, directed by Moses Pendleton, presents a show for all ages. The troupe creates a visual journey into the hidden secrets of the Southwestern desert by bringing all of its creatures to life. 7:30 p.m. Tickets: $20-$45.

402-345-0606. ticketomaha.com

David Brooks: Continuous Service Altered Daily June 1-Aug. 26 at Bemis Center for Contemporary Arts, 724 S. 12th St. Brooks presents every single part of a used 1976 John Deere 3300 combine harvester laid out in varying degrees of disassembly. Admission: free. 402-341-7130. bemiscenter.org Bijoux Parisiens: French Jewelry from the Petit Palais, Paris June 4-Sept. 10 at Joslyn Art Museum, 2200 Dodge St. This exhibition portrays the intersection of French fashion, art, and history while touching on social and political concerns.

Nearly 70 works of jewelry and more than 100 original paintings, fashion prints, and photographs will be on display. Tickets: $10 adults. Free for children (17 and under), college students with ID, and Joslyn members. 402-342-3300. joslyn.org

Superior Donuts May 5-June 4 at Omaha Community Playhouse, 6915 Cass St. Taking place in the historic, diverse Uptown neighborhood of Chicago and written by Pulitzer and Tony Awardwinning playwright Tracy Letts, this provocative comedy explores the challenges of embracing the past and the redemptive power of friendship.

Times vary. Tickets: $36 adults, $22 students.

402-345-0606. ticketomaha.com Omaha Symphony—The Music of Star Wars May 6 at Holland Performing Arts Center, 1200 Douglas St. Music from all seven episodes of Star Wars will be featured, conducted by Ernest Richardson. 7:30 p.m. Tickets: $19-$89. 402-3450606. ticketomaha.com

Omaha Symphony—Songs of Rodgers and Hammerstein May 13-14 at Holland Performing Arts Center, 1200 Douglas St. Conducted by Ted Sperling, a Broadway cast and the Omaha Symphony perform favorites from The Sound of Music, The King and I, Oklahoma!, and South Pacific. 7:30 p.m. May 13; 2 p.m. May 14. Tickets: $19-$79.

402-345-0606. ticketomaha.com The Met: Live in HD: Der Rosenkavalier (R. Strauss) May 13 and 17 at Film Streams, 1340 Mike Fahey St. The Met’s final performance for this season features Renée Fleming as the Marschallin and Elīna Garanča as Octavian. 11:30 a.m. May 13; 6 p.m. May 17. Tickets: $10-$24. 402-933-0259. filmstreams.org All the King’s Women May 15-21 at Bellevue Little Theatre, 203 E. Mission Ave. Obsessed women who encounter Elvis Presley in everyday situations grant theatrical insight into the man rather than the rock 'n' roll superstar. Times vary. Tickets: $20 adults, $18 seniors (60+), $10 students.

402-291-1554. bellevuelittletheatre.com Something Rotten! May 16-21 at Orpheum Theater, 409 S. 16th St. Set in 1595, this comedy tells the tale of two brothers desperate to write the world’s very first musical. Times vary. Tickets: $35-$95. 402-345-0606. ticketomaha.com The Rebellion Ends: An Apollon Star Wars Story May 18-27 at The Apollon, 1801 Vinton St. With the rebels wiped out once and for all, Emperor Palpatine announces details for the largest mandatory celebration in history to mark the anniversary of the rise of the Galactic Empire. 7:30 p.m. Admission: $35 adults, $25 students and TAG members.

402-884-0135. apollonomaha.com Joey Alexander Trio May 19 at Holland Performing Arts Center, 1200 Douglas St. One of today’s most talked-about jazz artists, this 12-year-old Indonesian piano prodigy and 2016 Grammy-nominee performs classic songs and original compositions. 8 p.m. Tickets: $20-$35. 402-345-0606. ticketomaha.com Omaha Symphony–Mahler’s Ninth Symphony June 2-3 at the Holland Performing Arts Center, 1200 Douglas St. The symphony performs this rich, emotional orchestration for the first time in more than 20 years. 7:30 p.m. Tickets: $19$70. 402-345-0606. ticketomaha.com

Rent—20th Anniversary Tour June 3-4 at Orpheum Theater, 409 S. 16th St. The Pulitzer Prize and Tony Award-Winning musical from 1996 follows the lives of seven struggling artists trying to follow their dreams without selling out. Times vary.

Tickets: $40-$105. 402-345-0606. ticketomaha.com

12/2/16 12:39 P

Girls Like Us June 15-25 at Omaha Community Playhouse, 6915 Cass St. This show, based off the book by the same title, showcases the work of groundbreaking singer-songwriters Carole King, Carly Simon, and Joni Mitchell. 7:30 p.m.

Thursday-Saturday, 2 p.m. Sunday. Tickets: $40.

402-345-0606. ticketomaha.com Shakespeare On The Green: King Lear June 22-25 at Elmwood Park, 411-1/2 N. Elmwood Road. Pack a picnic and bring lawn chairs or blankets, as King Lear attempts to fight against impending mortality along with the inevitable loss of his kingdom and his crown. Times vary. Admission: free. nebraskashakespeare.com Shakespeare On The Green: The Merry Wives of Windsor June 29-July 1 at Elmwood Park, 411-1/2 N. Elmwood Road. Windsor is at a crossroads. All the elements that constitute the town—social strata, tradition, morality, religion, characters, the English language itself—are turned upside down. Don’t forget a picnic basket and seats. Times vary. Admission: free. nebraskashakespeare.com

Music Charly Bliss / See Through Dresses May 1 at Reverb Lounge, 6121 Military Ave. Brooklyn bubble-grunge four-piece Charly Bliss performs with Omaha’s See Through Dresses. 9 p.m. Tickets: $10. 402-884-5707. reverblounge.com Bastille May 2 at Orpheum Theater, 409 S. 16th St. The Grammy-nominated, British indie-pop band is bringing their “Wild, Wild World Tour 2017” to Omaha in support of their new album, Wild World.

7:30 p.m. Tickets: $35-$55. 402-345-0606. ticketomaha.com Say Anything / Bayside May 4 at The Slowdown, 729 N. 14th St. Say Anything has been making unclassifiable indie rock music since the members were around 14 years old. 7:30 p.m. Tickets: $20 advance, $24 day of show. 402-345-7569. theslowdown.com

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may/june calendar of Events Sponsored by Pinnacle Bank Chris Mann May 5 at the Holland Performing Arts Center, 1200 Douglas St. Known from his 2012 debut on The Voice, Mann sings music from the golden age of Broadway, The Great American Songbook, and more. 8 p.m. Tickets: $35. 402345-0606. ticketomaha.com The Return of Hairball May 5 at Ralston Arena, 7300 Q St. High energy and big hair come back to Ralston Arena for this “Bombastic Celebration of Arena Rock.” 8 p.m. Tickets: $23 advance or $33 day of show for general admission; $30 advance or $40 day of show for club seats. 402-934-9966. ralstonarena.com Acid Mothers Temple / Babylon May 5 at Reverb Lounge, 6121 Military Ave. A freak-out group for the 21st century, Acid Mothers Temple is a Japanese psychedelic rock band founded in 1995 and led by guitarist Kawabata Makoto. 9 p.m. Tickets: $12. 402-884-5707. reverblounge.com Lazerwolfe May 6 at Reverb Lounge, 6121 Military Ave. This cover band pays tribute to such artists as Dire Straits, Bruce Springsteen, Prince, Phish, The Beatles, Michael Jackson, The Band, Led Zeppelin, and more. 9 p.m. Tickets: $5.

402-884-5707. reverblounge.com Sam Outlaw with Michaela Anne May 6 at The Slowdown, 729 N. 14th St. An acclaimed, modern country musician from Los Angeles, singer-songwriter Outlaw refers to his style as “SoCal country.”

8 p.m. Tickets: $10 advance, $12 day of show.

402-345-7569. theslowdown.com McCarthy Trenching May 6 at Holland Performing Arts Center, 1200 Douglas St. An Omaha folk fixture and a staple of the city’s music community, Dan McCarthy has crafted five albums of easy acoustic melodies and lyrical craft. Teamed with bassist James Maakestad, the acoustic duo has made up McCarthy Trenching since 2010. 8 p.m.

Tickets: $15. 402-345-0606. ticketomaha.com The Brothers Comatose May 7 at The Slowdown, 729 N. 14th St. Brothers Ben and Alex Morrison front this string band that promises a high-energy show. The brothers, on guitar and banjo, respectively, are joined by Gio Benedetti on bass, Philip Brezina on fiddle, and Ryan Avellone on mandolin. 8 p.m. Tickets: $10 advance, $12 day of show. 402-345-7569. theslowdown.com Chance the Rapper May 10 at CenturyLink Center, 455 N. 10th St. Chance’s latest release, Coloring Book, was issued exclusively through Apple Music and was streamed 57.3 million times in its first week. He recently won three Grammys, including “Best New Artist” and “Best Rap Album.”

8 p.m. Tickets: $37.50-$77.50. 402-341-1500. chanceraps.com Tim Kasher with Allison Weiss May 12 at The Waiting Room Lounge, 6212 Maple St. Omaha’s own Kasher has pushed musical boundaries with his bands Cursive and The Good Life, as well as through his solo work. He has produced 17 albums and EPs over the course of 20 years. His third solo album, No Resolution, released March 3. 9 p.m.

Tickets: $12. 402-884-5353. waitingroomlounge.com

44 may/jun 2017

Elevate with DJs Ben Jones & Lowercase Trés May 12 at Reverb Lounge, 6121 Military Ave. Bringing underground house music to Omaha by DJs who know how to rave. 9 p.m. No cover. 402-884-5707. reverblounge.com Flogging Molly May 14 at Sokol Auditorium, 2234 S 13th St. Los Angeles-based Celtic punk band Flogging Molly comes to Omaha for one night only to promote their first record release in six years, Life is Good. 8 p.m. Tickets $33.

402-346-9802. sokolunderground.com Oddisee May 17 at The Slowdown, 729 N. 14th St. Oddisee is influenced by soul and rap. His “Beneath the Surface Tour 2017” will also feature Good Company and Olivier St. Louis. 8 p.m.

Tickets: $15 advance, $17 day of show. 402-3457569. theslowdown.com Hope Country / Will and Jane May 19 at Reverb Lounge, 6121 Military Ave. This folk singer/ songwriter features heartfelt songs about life.

9 p.m. Tickets: $8 advance, $10 day of show.

402-884-5707. reverblounge.com The Shins May 20 at Stir Concert Cove, 1 Harrah's Boulevard in Council Bluffs. This indie-rock band comes to Council Bluffs to promote their new album Heartworms. Their 2007 album Wincing the Night Away peaked at No. 2 on the Billboard 200 and earned the group a Grammy nomination. 8 p.m. Tickets: $37-$98. 800-745-3000. ticketmaster.com The Dear Hunter May 20 at The Slowdown, 729 N. 14th St. The Dear Hunter will be showcasing their most recent album Act V: Hymns With the Devil in Confessional. 8:30 p.m. Tickets: $20 advance, $23 day of show. 402-345-7569. theslowdown.com Benson Soul Society May 20 at Reverb Lounge, 6121 Military Ave. Once a month, Andrew Monson, Eric “EZ” Ziegler, and Roger Lewis bring their allvinyl soul dance party to Reverb. 9 p.m. No cover.

402-884-5707. reverblounge.com SoMo May 24 at Sokol Auditorium, 2234 S. 13th St. SoMo, made famous for his wildly popular YouTube covers gaining him instant success, is touring the U.S. for a second time. Doors at 7 p.m. Tickets: $22-$60. 402-346-9802. sokolunderground.com Robby Wicks Band / Time Giant May 26 at Reverb Lounge, 6121 Military Ave. Hailing from the Rocky Mountains, the Robby Wicks Band brings an array of talent, skill, and originality. 9 p.m. Tickets: $7. 402-884-5707. reverblounge.com Memorial Day Massive Block Party After Party May 27 at Reverb Lounge, 6121 Military Ave. After the outdoor concert concludes, Reverb will feature a dope local lineup of artists and the EZ B stage design. 11 p.m. No cover. 402-884-5707. reverblounge.com Centerpiece EP Release / Lonely Estates / Wingman June 3 at Reverb Lounge, 6121 Military Ave. Indie-rock band with Will Conner, Paul Knapp, Jay Nesmith, Dave McInnis, and Jon Ochsnder. 9 p.m. Tickets: $7. 402-884-5707. reverblounge.com

Norah Jones June 5 at Orpheum Theater, 409 S. 16th St. The nine-time Grammy-winner who has sold over 45 million albums worldwide will be supporting her newest album Not Too Late, on her “Day Breaks World Tour.” 8 p.m. Tickets: $57$73. 402-345-0606. ticketomaha.com Brandy Clark and Charlie Worsham June 18 at The Waiting Room, 6212 Maple St. Brandy Clark has received six Grammy nominations over the past four years for co-writing hits for Miranda Lambert and Kasey Musgraves. 8 p.m.

Tickets: $20 advance, $25 day of show. 402884-5353. waitingroomlounge.com Electric Six June 21 at Reverb Lounge, 6121 Military Ave. Rock music infused with elements of garage, disco, punk, new wave, and metal. 9 p.m.

Tickets: $15. 402-884-5707. reverblounge.com Blue October June 24 at The Waiting Room (outdoors), 6212 Maple St. Topping multiple charts and shattering many records is something Blue October is used to. With their eighth studio album, Home, now out, they plan to do it all over again.

7:30 p.m. Tickets: $35. 402-884-5353. waitingroomlounge.com

Misc.

Cinco de Mayo parade May 6 along 24th St. from D to L streets. This dazzling parade—one of the largest Cinco de Mayo celebrations in the Midwest—features floats, marching bands, and more.

Rain or shine. 9 a.m. Admission: free. info@ cincodemayoomaha.com Renaissance Festival of Nebraska May 6-7, 13-14 at Bellevue Berry & Pumpkin Ranch, 11001 S. 48th St. Step back in time to the days of knights in shining armor with full contact sword play and equestrian jousting, six unique performance locations, 100+ costumed characters, and free make-and-take crafts for kids. 11 a.m.-6 p.m. Admission: $13 adults, $8 children (12 and under).

402-331-5500. renfestnebraska.com Second Annual Food Truck Rodeo Spring Edition May 20 at Reverb Lounge, 6121 Military Ave. The Second Annual Omaha Food Truck Rodeo will be held all day Saturday, giving attendees the entire day to sample the fine foods from local food trucks. There will be 15-20 food trucks along with a DJ, beer garden, multiple outdoor bars and outdoor seating on Military Avenue in Benson. 11 a.m.-11 p.m. Free. 402-884-5707. reverblounge.com Vintage Market Days of Omaha May 12-14 at Chance Ridge Event Center, 506 Skyline Road. This upscale, vintage-inspired market hosts more than 100 vendors with original art, antiques, handmade treasures, jewelry, and clothing. The event also includes live music and food trucks. 10 a.m.-5 p.m.

Friday/Saturday, 10 a.m.-4 p.m. Sunday. Admission: $10 Friday (early buying event); $5 Saturday/ Sunday; free for children 12 and under. Tickets good for re-entry all weekend. 918-955-6215. omaha.vintagemarketdays.com An Evening with Dr. Neil deGrasse Tyson May 15 at Holland Performing Arts Center, 1200 Douglas St. During his lecture, the award-winning astrophysicist will answer questions from the audience and talk about topics in his new book, Astrophysics for People in a Hurry, which will also be given to each audience member. 7 p.m. Tickets: $65-$225. 402-345-0606. ticketomaha.com

Taste of Omaha June 2-4 at the Omaha riverfront. Omaha’s annual outdoor summer food event showcases outstanding restaurants, live entertainment, and family fun. Activities will take place daily at the Heartland of America Park, Lewis & Clark Landing, and River’s Edge Park. Times vary. Admission: free, but tickets must be purchased for food and carnival rides. 402-346-5412. showofficeonline.com Omaha’s Ninth Annual Largest Pizza Review June 6 at Reverb Lounge, 6121 Military Ave. Pizza will be available from around 15 different restaurants for pizza lovers to sample and vote for their favorites. Judging will be conducted by Food & Spirits Magazine’s panel of judges, also featuring live music. A portion of proceeds go to scholarships for culinary students at the Institute for the Culinary Arts at Metro Community College. 6:30 p.m. Tickets: $15. 402-884-5707. reverblounge.com Junkstock June 9-11 at Sycamore Farms, 1150 River Road Dr. This three-day festival features vintage finds, unique antiques, and artisan food and goods. Help celebrate the fifth year of Junkstock, featuring more than 150 vendors and 15 food trucks, along with a variety of bands playing on the Junkstock Stage throughout the weekend. 10 a.m.-6 p.m. Friday, 9 a.m.-6 p.m. Saturday, and 10 a.m.-5 p.m. Sunday. Admission: $8 online, $10 at the gate, $20 for weekend pass, free for children (12 and under). 402-765-8651. junkstock.com Omaha Summer Arts Festival June 9-11 along Farnam St. from 10th to 15th streets. The festival features 135 of the nation’s finest visual artists, a stage with continuous musical performances, a hands-on children’s fair, and a wide variety of food vendors. 11 a.m.-9 p.m. June 9 and 10, and 11a.m.-5 p.m. June 11. Admission: free. 402345-5401. summerarts.org Sand in the City June 9-11 at Baxter Arena, 2425 S. 67th St. On Friday, 12 corporate teams will compete to build extravagant sand sculptures.

On Saturday and Sunday, visitors can vote for their favorite sculpture, build their own sandcastle, play in the kids’ zone, and hear live entertainment. Proceeds benefit the Nebraska Children’s Home Society. 10 a.m.-4 p.m. June 9, 10 a.m.-8 p.m. June 10, and 11 a.m.- 5 p.m. June 11. Admission: free.

402-451-0787. sandinthecityomaha.com College World Series Opening Day June 16 at TD Ameritrade Park, 1200 Mike Fahey St. Before the series starts, come to the park for a day full of events, including team autograph sessions, practices, Olympic-style opening ceremonies, a concert, and fireworks. Times vary. Admission: free. 402-554-4422. cwsomaha.com College World Series June 17-27/28 at TD Ameritrade Park, 1200 Mike Fahey St. One of Omaha’s biggest traditions returns for the 67th time.

Baseball fans of all ages can enjoy Fan Fest, a NCAA-sanctioned festival that includes giveaways, interactive games, and special appearances.

Times and ticket prices vary. 402-554-4422. cwsomaha.com omahamagazine.com/calendar-of-events

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ENCOUNTEROMAHA.COM 45

Heard of these real-life nightclubs? Probably not. That’s because when we think of disco, we often think of Studio 54.

But the only reason why Studio 54 is relevant is because all the rich, famous, and mostly straight white folks went there. It’s the Paris Hilton of legendary nightclubs—famous for being famous.

The “real” happened at spots like Nicky Siano’s Gallery, as well as the aforementioned Paradise Garage and Loft.

From alterations, to sound systems, to the founding of the first record pool, to turning unknown records into mega hits in a time when DJs determined what was played on the radio (as opposed to vice versa today), the legacy of these venues created the blueprint for modern nightclubs.

Heavily frequented by the gay, black, and Latino populations, these spots were pioneers of inclusivity. This was a time when being gay meant you often had to project a false image to your family, co-workers, and community.

In episode 3 of The Get Down, there was the citywide blackout. That actually happened. It was in the steamy summer of 1977 during the time of serial killer Son of Sam, when Times Square was filled with prostitutes and drug dealers—when the city was in the midst of bankruptcy and at any time, dozens of buildings were burning in the Bronx.

TRANSITORILY YOURS: GETTING THE GET DOWN Column by brent crampton photography by amy lynn straub design & illustration by Derek Joy Since we all know millennials are prone to nostalgia and the whole “Netflix’n’chill” bit, I recently watched the series The Get Down.

In the Netflix production, a couple of kids work their way through the economically famished world of New York in the late ’70s and early ’80s.

Set amongst the cultural landscape that later was identified as the roots of hip-hop, the show is a brilliant representation of historical fiction.

But unless you have a deep understanding of what was going on in that time period, you may have only picked up on half of the storyline. The stones that were dropped in America’s cultural pond during this era are still rippling all around us today. So let’s dive deeper into a few things.

46 may/jun 2017

In the midst of this calamity, one night a flash of lighting caused all of NYC to erupt into darkness. Citizens switched on their reptilian brains and proceeded to vandalize and plunder.

Interestingly enough, this is the very situation hip-hop needed.

Why? Before the blackout, only a handful of hip-hop DJs­— such as Kool Herc, Grandmaster Flash, and Jazzy Jay—resided in the Bronx.

Mixers, turntables, and sound systems were cost-prohibitive. After the blackout, hundreds of new DJs and battle crews popped up across all five boroughs.

This unforeseen tipping point allowed hip-hop to spread throughout the city, and later to become a worldwide phenomenon.

Here’s another cue: In one episode, Jaden Smith’s character “Dizzee” discovered an underground disco club that was brimming with drag queens and Quaaludes.

TV critic Lisa Liebman speculated this scene was portraying David Mancuso’s The Loft and/ or Larry Levan’s Paradise Garage.

Could you imagine what it would feel like to hide your identity on a daily basis? Imagine what it would feel like to be an LGBTQ person walking into a club for the first time, seeing like-minded people dancing with wild abandon, and then suddenly realizing you weren’t alone, and you could, perhaps, for the first time in your life, freely express yourself.

For more than a decade, my studies of this time period have been a big source of inspiration for the work I’ve done as a DJ, promoter, and club owner. While this era was set amongst dire economic poverty, it was incredibly rich with cultural breakthroughs—disco, hip hop, emceeing, breakdancing, graffiti, street art, Basquiat, Keith Haring, CBGB, post-punk, and the postStonewall sexual liberation movement.

Depending on who you ask, NYC was either a complete shit hole, or it was a totally unique creative and cultural utopia yet to be matched.

When taking that dichotomy into consideration, a larger lesson comes into focus about the role of the human condition. Simply put, struggle breeds the need to find an outlet. When society presents us with a problem, we often turn to culture for the solution. Creativity becomes a form of adaptation and escapism from the bleakness. This process is a beautiful call-andresponse that pushes us beyond mediocrity, urging us to collectively create lasting legacies.

So now that we’ve re-contextualized a few things, I suggest you go even deeper and get on YouTube to watch VH1’s documentary NY77: The Coolest Year in Hell. Not only will it flip your perspective on life, but also give new dimension and relevance to The Get Down.

To share your life perspectives—or whatever— with Brent Crampton and Encounter, email millennials@omahapublications.com.

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