Student Portfolio

RE NARRATIVE+ 3A PASSAGE: UENCE AND TEXTURES

a narrative drawing of the horizon ritual is on both rituals together and enable inhabitathe passage is created. The passage has stairs ople can view the enitre interior of the site, as both support and light fliters.

Portfolio NE

By Oluwatamilore Ayoade

SE

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Co-exist...........................................................................................................................4-11 Ordering system........................................................................................................12-15 Ring Cycle..................................................................................................................16-21 Bathhouse....................................................................................................................22-27

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Co-exist

with Jonathan Fenton, Laura Johnson, Isabella Camado, Jan Dabon, and Farah Moustafa

FAMILY OF COMPONENTS

The following Cabana system is designed to provide a customizable and luxurious relaxation experience. This is achieved through an innovative sliding system that offers versatility and effortless assembly. Customization options include adjustable seating, a multifunctional table, and a retractable canopy, ensuring comfort for individuals of all heights and sizes. The system is thoughtfully designed to provide shade and protection during sunny days while also offering convenient storage solutions for added practicality.

FRAME OVERHANG

SEATING

FAMILY OF COMPONENTS

4

JBLV

ARCH 296 | SP2025

B03_FINAL DESIGN B03 FINAL D

As you see from the plan, the canopy is capable of covering both sides of the cabana, but can also slide both way. The canpoy would have a light fabric that is slightly transluent and allows some light. Similarly, the seats and tables are able to slide both ways. There is versitily to have people to seat on both sides and change the movement or interaction of the space.

Plans

5 JBLV

ARCH 296 | SP2025

B03_FINAL DESIGN

Three different sliding components enable the system’s customization. Two seat back angles, 30° and 45°, are available through two distinct modules. The seat slider allows users to adjust the seat length in 6-inch increments by utilizing notches at the bottom of the rectangular module to “lock” their desired position. Sliding the seat back reveals an additional seating option with a 90° backrest for added comfort. Additionally, slats in the seats are designed to facilitate water drainage, ensuring a dry and comfortable experience for users.

6

7

Assembly

INSTALLATION

2.

1.

4.

5.

3.

6.

7.

8 INSTALLATION JBLV

ARCH 296 | SP2025

B03_FINAL DESIGN

Disassembly

9 SCALE: 1’ - 0” = 1/8”

JBLV

ARCH 296 | SP2025

B02_PRELIMINARY DESIGN

10

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Arch 196 | Spring 2024 Modified module Joint Prof. Deen

1' = 1/16"

Axonometric | Measurement

EX 2 | Ordering Systems10’ 1” EX 2 | Ordering Systems Oluwatamilore Ayoade

20’0”

2.90”

12’ 4”

In continuing the exploration from excerise 1, excerise 2

develops iterations from the more simplified or midied Arch 196 | SpringOluwatamilore 2024 Ayoade material.

Thus reodering, shifting, and adjusting modules In continuing the exploration from excerise 1, excerise 2 1 The initial exploration was performed to create a structure or pavillion best suit thefrom areathe (Liberty develops iterations more simplified or midied Prof.

Deen Arch 196 | Spring 2024 using the method of patterns in one 17’ 1”

he second exploration, I ed angles and mirror to see t effect it would have on the ronment.

In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied material. Thus reodering, shifting, and adjusting modules to create a structure or pavillion best suit the area (Liberty State Park at the edge of Flag Plaza).

5’ 9”

Modified Material

Material

Material

direction.

Site plan 1' = 1/16"

Modified Material

Modified module Joint State Park at the edge of Flag Plaza). material.

Thus reodering, shifting, and adjusting modules to create a structure or pavillion best suit the area (Liberty 1’ 4” State Park at the edge of Flag Plaza).

Prof. Deen

Exploded Axonometric 20’0”

Axonometric | Measurement

Modified module Joint

In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied Modified Material Modified module Joint material. Thus reodering, shifting, and adjusting modules On the second exploration, I to create a structure or pavillion best suit the area (Liberty 2 tested angles and mirror to see State Park at the edge of Flag Plaza). what effect it would have on the

The initial exploration was performed using the method of patterns in one direction.

1

1

5’ 9”

Exploded Axonometric Axonometric | Measurement 10’ 1”

20’0”

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

The initial exploration was performed 3 using the method of patterns in one direction.

1’ 4”

Floor plan

Based on the three explorations, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.

2

On the second exploration, I tested angles and mirror to see what effect it would have on the environment.

On the third exploration, I return to the original iteration Vegetation area after discovering a joint system that connects the 3 On the third exploration, I The initial exploration was performed modules together, Pavillion area return to the original iteration using the method of 20’0” patterns in one after discovering a joint direction. system that connects the modules together, 3

1

Elevation Scale: 1' = 1/5"

10’ 1”

20’0”

Exploded Axonometric

Exploded Axonometric

Pavillion area I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

Pavement area

Movement

Pavement design | Circulation

1’ 4”

Section

Vegetation area

2

6’0”

1’ 4”

Pavement area

3

Scale: 1' = 1/12"

Pavillion area

I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to On the third exploration,eachother.

I 6’0” return to the original iteration after discovering a joint system that connects the modules together,

Pavement area

Movement I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

Movement Based on the three explorations, I’d impliment elemst of angles, mirroring, and Elevation patterns to create the forth exploration.

Vegetation area Pavillion area I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the

Scale: 1' = 1/6"

Elevation Scale: 1' = 1/5"

Vegetation area Pavillion area

Exploded Axonometric

Pavement area Pavement design | Circulation Movement

Pavement design | Circulation Section

Floor plan

Scale: 1' = 1/6"

Section

Scale: 1' = 1/6"

Scale: 1' = 1/12"

Section

Scale: 1' = 1/5" Exploded Axonometric

Section

Pavement design | Circulation

4

Scale: 1' = 1/6" Floor plan

Based on the three explora4 5’ 9” tions, I’d impliment elemst ofMovement Pavement design | Circulation angles, mirroring, and patterns to create the forth Based on the three exploraAxonometric4 | Measurement On the second exploration, I exploration. tions, I’d impliment elemst of10’ 1” tested angles and mirror to see angles, mirroring, and what effect it would have on the patterns to create the forth environment.

Vegetation area exploration.

Pavillion area

Elevation Scale: 1' = 1/5"

Vegetation area

Pavement area

I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

ake a pattern from the iteration, duplicate it, and ust the position of the icate pattern next to hother.12

4

17’ 1”

4

Based on the three exploraAxonometric | Measurement tions, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.

2.90”

ed on the three exploras, I’d impliment elemst of es, mirroring, and erns to create the forth oration.

Pavement area

Scale: 1' = 1/12"

6’0”

5’ 9”

10’ 1”

Modified module Joint

Elevation Scale: 1' = 1/5"

6’0”

1’ 4” Site plan 1' = 1/16"

Axonometric | Measurement

On the second exploration, I tested angles and mirror to see

what plan effect it would have on the Site environment.

1' = 1/16"

12’ 4”

Modified Material 2

6’0”

Exploded Axonometric

5’ 9”

Material

Site plan 1' = 1/16"

20’0”

environment.

12’ 4”

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

3

Elevation Scale: 1' = 1/5"

17’ 1”

Material

Site plan 1' = 1/16"

1’ 4”

12’ 4”

discovering a joint em that connects the ules together,

The initial exploration was performed using the method of patterns in one direction.

1

2.90”

Oluwatamilore Ayoade Arch 196 | Spring 2024 Prof. Deen

Modified Material

10’ 1”

17’ 1”

EX 2 | Ordering Systems

On the second exploration, I tested angles and mirror to see what effect it would have on the Material environment.

17’ 1”

2

2.90”

12’ 4”

5’ 9”

2.90”

erise 2 died he third exploration, I modules n(Liberty to the original iteration

6’0”

Scale: 1' = 1/6"

Ordering Systems

Scale: 1' = 1/12"

In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied material. Thus reodering, shifting, and adjusting modules to create a structure or pavillion best suit the areaElevation (Liberty State Park at the edge of Flag Plaza).

Scale: 1' = 1/5"

13

14

Site plan 1' = 1/16"

al

17’ 1”

12’ 4”

2.90”

Modified module Joint

ation was performed of patterns in one

exploration, I nd mirror to see uld have on the

1’ 4”

5’ 9” Axonometric | Measurement

10’ 1”

15 Exploded Axonometric

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Ring Cycle

With Violeta and Susanna In Branch Brook Park, Newark, NJ, a 96-foot tree stands at the heart of *Ring Cycle*, an artist residence designed for painter Paris Souffrant. Located between Christopher Columbus Dr. and Branch Brook Park Dr., the tree’s serene canopy contrasts with the bustling surroundings.

The building’s circular design mirrors the tree’s organic flow, with staggered floors offering dynamic views and embodying the artistic process.

Materials transition upward, creating cozier, private spaces at the top, where the artist ends her day. This residence merges art and nature, wrapping the tree in a harmonious blend of design and creativity.

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7.

9. SF 142ENTRY SF ENTRY BALCONY 9. 142 BALCONY 8. 325 SF Living Room

OFFSET CIRCLE DIAGRAM & POPULATION

FIRST FLOOR PLAN SCALE : 1/8” = 1’ - 0” FIRST FLOOR PLAN FIRST FLOOR PLAN SCALE : 1/8” = 1’ - 0”

0 2: 1/8” 4 = 81’ - 0” SCALE 0 2

0 2 4 4 8

8

UP

16

0” 0” 25’25’-

1" 2

10 15'-

0” 251 ’-" 2 1" '-10 10 2 15 15'-

UP

UP

4.

23

KEY

2

2.

2.

2.

7'-0 14"

= Circle foundation

3.

1.

25'-5 41 "

3.

= Main entrance

25'-5 41 "

Section B

32'-3 12"

3.

2.

= Staircase

25'-5 41 "

2.

2.

1.

1.

1.

Section A

3 GATHERING SPACES

32'-3 12"

Section B Section B

1

32'-3 2"

1.

= INDOOR HIGH POPULATION

LEGEND 1.

GIFT STORE LEGEND LEGEND

Section A Section A

= Staircase

4.

4.

1ST FLOOR 1

= Main entrance

8.

= Walls

32'-3 12"

32'-3 2" 1

32'-3 2"

8.

= Circle foundation

1"

1.

3.

3.

8.

5. KEY

3.

and offset circle = Walls

'-

23

10. 10.

5.

5.= Tree

11 4

7'-0 14"

= Tree

1"

14

1 3'-

1"

7'-0 14"

52'-4"

10.

MATERIAL DIAGRAM

6.

6.

1ST FLOORand offset circle 4.

1ST FLOOR

14

'-1

52'-4" 52'-4"

9.

1ST FLOOR

4.

4.

7.

6.

SFBathroom Full Bathroom 7. 837.SF83Full 6. 220 SF Dinning Room 6. SF 220Dinning SF Dinning 6. 220 RoomRoom 5. 265 SF Kitchen 5. SF 265Kitchen SF Kitchen 5. 265

Section A Section A

9.

7.

8. SF 325Living SF Living 8. 325 RoomRoom 7. 83 SF Full Bathroom

Section A

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MATERIAL DIAGRAM

10. 175 SF Office OFFSET CIRCLE DIAGRAM & POPULATION 9. 142 SF ENTRY BALCONY

32 32

4. 32 SF Half Bathroom SF Bathroom Half Bathroom 4. 324.SF32Half 3. 1000 SF Gallery 3. 1000 SF Gallery 3. 1000 SF Gallery 2. 620 SF Outdoor Gallery 2. SF 620Outdoor SF Outdoor Gallery 2. 620 Gallery 1. 508 SF Gift Store 1. SF 508Gift SFStore Gift Store 1. 508

= INDOOR MEDIUM POPULATION

2.

GALLERY 1.STORE GIFT STORE 1. GIFT 3.

2. BATHROOM GALLERY 2. GALLERY 4.

OUTDOOR 3.

BATHROOMGALLERY 3. BATHROOM 4. OUTDOOR GALLERY 4. OUTDOOR GALLERY

= OUTDOOR MEDIUM POPULATION = BATHROOM

1ST FLOOR

TOTAL RESIDENTIAL SQ FT = 1,466 TOTAL RESIDENTIAL SQFT= = 1,466 TOTAL RESIDENTIAL SQSQ FT =FT1,466 TOTAL OUTDOOR 2,262 TOTAL OUTDOOR SQ FT= 2,262 TOTAL OUTDOOR SQ FT= 2,262

3 GATHERING SPACES = INDOOR HIGH POPULATION

TOTAL ARTIST STUDIO = 1,100 TOTAL ARTIST STUDIO = 1,100 TOTAL ARTIST STUDIO = 1,100 TOTAL GALLERY & STORE= 1,508 TOTAL GALLERY & STORE= 1,508 TOTAL GALLERY & STORE= 1,508

= INDOOR MEDIUM POPULATION

SECOND FLOOR PLAN = OUTDOOR MEDIUM POPULATION SECOND PLAN SCALE : 1/8” = 1’FLOOR - 0”PLAN SECOND FLOOR

SCALE = 1’ - 0” SCALE : 1/8”:=1/8” 1’ - 0” 0 2 4 8 16 0 2

0 2 4 4 8

8

= BATHROOM

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DIRECTION INTENT DIAGRAM DIRECTION INTENT DIAGRAM DIRECTION INTENT DIAGRAM

Section A Section A Section A 36

35'-4" 35'-4"

35'-4"

'-1 1 364 " '-1 1

36

'-1

4"

1

4"

DN DN

DN

2ND FLOOR

Section B Section B Section B

11.

11.

11.

= ACCESSIBLE WITH PERMISSION,

27’-

DN DN DN

5”

DN DN

7.

7.

5”

9.

10.

9.

9.

13'-0

7.

UP UP

UP

41

’-4

”

6.

38'-3 43 " 38'-3 43 " 3

38'-3 4 "

5.

10.

10.

14'-4 14"

12'-6"

12'-6"

= INDOOR LOW POPULATION

14'-4 14" 14'-4 14"

4 LIVING SPACES

1. Living Room 1. Dinning Living Room 2.

1. Living Room Room 2. Kitchen Dinning Room 3.

2. Dinning Room 3. Bathroom Kitchen LEGEND 4.

3. Kitchen

8.

8.

8.

6.

6.

13'-0 14" 13'-0 14"

1 4"

VARYING POPULATION

12'-6"

= OUTDOOR LOW POPULATION

LEGEND

= INDOOR HIGH POPULATION

4. KITCHEN Bathroom LEGEND 5.

4.

Bathroom 5. DINNING KITCHEN ROOM 6.

5. KITCHEN 6. BATHROOM DINNING 7.

6. DINNING ROOMROOM 7.

BATHROOM 7. BATHROOM 8. LIVING ROOM 8. LIVING 8. LIVING ROOMROOM 9. BALCONY (PRIVATE ENTRANCE) 9. BALCONY (PRIVATE ENTRANCE) 9. BALCONY (PRIVATE ENTRANCE) 10. OFFICE 10. OFFICE 10. 11.

OFFICE STUDIO 11.

STUDIO 11. 12.

STUDIO STUDIO CLOSET 12. STUDIO CLOSET 12. STUDIO CLOSET

4 41 1’-4” ’-4 ”

DN

27’5” 27’-

7'-0 1 " 7'-0 14" 4

12.

12.

7'-0 14"

12.

2 WORK SPACES

5.

5.

A 2ND FLOORSectionSection Section A A

= INDOOR MEDIUM POPULATION = BATHROOMRoof slants towards the tree in Roof slants towards the tree in closer proximity.

Roof slants towards the tree in closer proximity. closer proximity.

2 WORK SPACES

Changes size and shape Tall windows get closer together towards Changes size and shape Tall windows get closer together towards Changes farther size andway. shape the tree.

Tall windows get closer together towards farther way. the tree. farther way. the tree.

= ACCESSIBLE WITH PERMISSION,

VARYING POPULATION

THIRD FLOOR PLAN THIRD FLOOR PLAN = INDOOR LOW POPULATION THIRD SCALEFLOOR : 1/8” = 1’ PLAN - 0”

SECTIONBBWINDOW WINDOWDIAGRAM DIAGRAM SECTION SECTION BNTSWINDOW DIAGRAM SCALE::NTS SCALE

= 1’ - 0” SCALESCALE : 1/8”:=1/8” 1’ - 0” 8 8

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1616

EXTERIOR & INTERIOR VIEWS

SCALE : NTS

4 LIVING SPACES = OUTDOOR LOW POPULATION

Indoor Indoor Indoor Heat Heat Heat

16.

16.

Section SectionA A 16. POPULATION = INDOOR HIGH Section A

3RD FLOOR

= INDOOR MEDIUM POPULATION = BATHROOM ” '-6'-6” 6” 2323

23'-

DNDN

DN

DN

15.

DNDN

14.

15.

15.

14.

14.

13.

29'-9

1 2"

1 1" 29'-9 29'-9 2" 2

SectionA A SectionSection A

Summer Summer Summer HeatHeat Heat Visible Light

13.

13.

20'-0 1 " 20'-0 122"

0 02 24 4 4 8

20'-0 12"

0 2

Window Window Window slants towards slants towards the tree in slants towards the tree in tree incloser proximiTall windows get the closer closer proximiTall windows get closer together towardscloser the proximi- ty. ty.

Tall windows get closer together towards the ty. tree. the together towards tree. tree.

2 LIVING SPACES

1. oom 1. oom 2. Closet 2. Closet 3. Bathroom 3. Bathroom 4. Green Roof 4. Green Roof 5. Bedroom 5. Bedroom 6. Closet 6. Closet 7. Bathroom 7. Bathroom 8. Green Roof 8. Green Roof 9. Bedroom 9. Bedroom 10. Closet 10. Closet 11. Bathroom 11. Bathroom LEGEND 12. Green LEGEND 12. Green Roof Roof 13. BATHROOM 13. BATHROOM 14. CLOSET 14. CLOSET BEDROOM 15. 15.

BEDROOM 16. GREEN 16. GREEN ROOF ROOF

UV Light

Visible Visible LightLight

UV Light UV Light

= INDOOR LOW POPULATION

= BATHROOM

INTERIOR EXTERIOR INTERIOR EXTERIOR INTERIOR EXTERIOR

LOW-E-GLASS = =LOW LOW-E-GLASS LOWEMISSIVITY EMISSIVITY LOW-E-GLASS = LOW EMISSIVITY

Transparent window coating of of metallic layers.

Transparent window coating metallic oxide layers.

Transparent window coating of metallic oxideoxide layers.

Lets light through butbut deflects 78% ofrays UVUV rays Letsnatural natural light through deflects 78% of rays Lets natural light through but deflects 78% of UV that damage art.

Especially important thatcould could damage art.

Especially important in the that could damage art. Especially important in thein the gallery, and studio gallery, store, and studio gallery, store,store, and studio

EXTERIOR & INTERIOR VIEWS NORTH ELEVATION

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TREE PHOTOGRAPHS TREE PHOTOGRAPHS 5.

emonstrating the ving form wrap the tree

More finalized massing and layout with figured out dimensions. (centering around the tree)

LEGEND TREE TYPES

This was the tree that surrounded by the artist’s residence. Its presence is PROGRAM DIAGRAM SCALE : NTS towering at an impressive 96 feet. The group decided this would undeniable, be the ideal location for their design, as the rest of the site was too noisy and overcrowded. ThisPROGRAM spot allows the gallery to stand out while remaining conveDIAGRAM niently accessible to visitors.

PINE

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3RD FLOOR

DECIDOUS & CONIFERS

16.

CHERRY BLOSSOMS

SURROUNDINGS - LIGHTRAIL - BLOOMFIELD AVENUE STATION IS RIGHT

GG

PROGRAM DIAGRAM LEGEND TREE TYPES

fi om Bl o

N

SCALE : NTS

PROGRAM DIAGRAM

eld

PINE

e Av

3RD FLOOR

DECIDOUS & CONIFERS

16.

CHERRY BLOSSOMS

SURROUNDINGS - LIGHTRAIL - BLOOMFIELD AVENUE STATION IS RIGHT AT THE INTERSECTION BETWEEN BLOOMFIELD AVENUE AND CHRISTOPHER COLUMBUS DR. - WALKWAYS

P

P

GG

16. 1500 SF Green Roof 15. 233 SF Bedroom

- PARKLING LOT

14. 50 SF Closet

- ROADS

13. 83 SF Full Bathroom

15.

14.

13.

LAKE - BRANCH BROOK LAKE BBPH - BRANCH BROOK PARK HALL

2ND FLOOR

- VEGETATION

12.

-

BBPH

12. 100 SF Studio Storage

- SITE

D

11. 910 SF Studio

- DRIVEWAY

11.

10. 175 SF Office

9.

9. 142 SF ENTRY BALCONY

7.

8. 325 SF Living Room

8.

6. 220 SF Dinning Room 5.

5. 265 SF Kitchen 25’ -0”

1ST FLOOR

4.

3.

1"

14

'-1

23

4. 32 SF Half Bathroom 3. 1000 SF Gallery

25'-5 41 "

2.

1.

7'-0 14"

1

4.

10.

6.

7. 83 SF Full Bathroom

2. 620 SF Outdoor Gallery 1. 508 SF Gift Store

32'-3 12"

1.

Section B

LEGEND

1. GIFT STORE 2. GALLERY 3. BATHROOM 4. OUTDOOR GALLERY

21 TOTAL RESIDENTIAL SQ FT = 1,466 TOTAL OUTDOOR SQ FT= 2,262

TOTAL ARTIST STUDIO = 1,100 TOTAL GALLERY & STORE= 1,508

Bathhouse Upon identifying the kitchen items in the painting, one can see a pot in the background, multiple bottles, a steamer, and a measuring cup. In the very back of the painting, there are two distinct background colors—blue and cream— implying a division between two elements: the internal (blue) and the external (cream). The external side is dynamic, characterized by simpler shapes, while the internal side remains stationary, featuring more complex forms that create voids within the composition.

Still Life Filled With Space By Le Corbusier

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I first identified the kitchen items in the painting. There is a pot in the background, multiple bottles, a steamer, and a measuring cup. In the very back of painting are two separate backgrounds, blue and cream color. This implied a division between two elements, which are internal (blue) and external (cream). The external side is dynamic with less complex shapes while the internal side is stationary with complex shapes that create voids within.

Top View

Still Life Filled With Space By Le Corbusier

Path circulation 1 Path circulation 2 Path circulation 3 Water

Path circulation 1 Path circulation 2 Path circulation 3

Plan View

Water

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Cut Axonometric

Axonometric

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NE

SEyou Thank Oluofficialayoade@gmail.com 908-727-0339

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