narrative drawing of the horizon ritual is connection both rituals together and enable inhabitatthe passage is created. The passage has stairs people can view the enitre interior of the site, as both support and light fliters.
By Oluwatamilore Ayoade
The following Cabana system is designed to provide a customizable and luxurious relaxation experience. This is achieved through an innovative sliding system that offers versatility and effortless assembly. Customization options include adjustable seating, a multifunctional table, and a retractable canopy, ensuring comfort for individuals of all heights and sizes. The system is thoughtfully designed to provide shade and protection during sunny days while also offering convenient storage solutions for added practicality
As you see from the plan, the canopy is capable of covering both sides of the cabana, but can also slide both way. The canpoy would have a light fabric that is slightly transluent and allows some light. Similarly, the seats and tables are able to slide both ways. There is versitily to have people to seat on both sides and change the movement or interaction of the space.
Three different sliding components enable the system’s customization. Two seat back angles, 30° and 45°, are available through two distinct modules. The seat slider allows users to adjust the seat length in 6-inch increments by utilizing notches at the bottom of the rectangular module to “lock” their desired position. Sliding the seat back reveals an additional seating option with a 90° backrest for added comfort. Additionally, slats in the seats are designed to facilitate water drainage, ensuring a dry and comfortable experience for users.
the second exploration, I tested angles and mirror to see effect it would have on the environment.
the third exploration, I return to the original iteration discovering a joint system that connects the modules together,
Based on the three explorations, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.
take a pattern from the iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.
In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied material. Thus reodering, shifting, and adjusting modules to create a structure or pavillion best suit the area (Liberty State Park at the edge of Flag Plaza).
Elevation
exploration was performed of patterns in one
exploration, I and mirror to see would have on the
Modified module Joint
Axonometric | Measurement
With Violeta and Susanna
In Branch Brook Park, Newark, NJ, a 96-foot tree stands at the heart of *Ring Cycle*, an artist residence designed for painter Paris Souffrant. Located between Christopher Columbus Dr. and Branch Brook Park Dr., the tree’s serene canopy contrasts with the bustling surroundings.
The building’s circular design mirrors the tree’s organic flow, with staggered floors offering dynamic views and embodying the artistic process. Materials transition upward, creating cozier, private spaces at the top, where the artist ends her day. This residence merges art and nature, wrapping the tree in a harmonious blend of design and creativity.
PROGRAM DIAGRAM
SCALE : NTS
This was the tree that surrounded by the artist’s residence. Its presence is undeniable, towering at an impressive 96 feet. The group decided this would be the ideal location for their design, as the rest of the site was too noisy and overcrowded. This spot allows the gallery to stand out while remaining conveniently accessible to visitors.
PROGRAM DIAGRAM
Upon identifying the kitchen items in the painting, one can see a pot in the background, multiple bottles, a steamer, and a measuring cup. In the very back of the painting, there are two distinct background colors—blue and cream— implying a division between two elements: the internal (blue) and the external (cream). The external side is dynamic, characterized by simpler shapes, while the internal side remains stationary, featuring more complex forms that create voids within the composition.
I first identified the kitchen items in the painting. There is a pot in the background, multiple bottles, a steamer, and a measuring cup. In the very back of painting are two separate backgrounds, blue and cream color. This implied a division between two elements, which are internal (blue) and external (cream). The external side is dynamic with less complex shapes while the internal side is stationary with complex shapes that create voids within.
Cut Axonometric
Axonometric
