OKIEMAMA // ISSUE2

ISSUE 2 MODERN LIFE ON THE PLAINS

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CONTRIBUTORS AIMEE TIETZE ADAMS E D I TO R I N C H I E F P H OTO G R A P H E R

CS ADAMS EXECUTIVE EDITOR ART DIRECTOR

MADELINE MCKEEVER Graphic DESIGN ASSOCIATE EDITOR

JARED HOOD DESIGN CONSULTING

Laney ELLISON copy editor

COURTNEY COMPTON STYLE EDITOR

AMY SCOTT FILM EDITOR

robin chase rachel odom K.P. O'NAN Aimee Rook carl Zoch WRITERS

jamie alsabrook robin chase lee davenport Joseph mills nathan presley shevaun williams Carl zoch PHOTOGRAPHERS

stephanie Smith SOCIAL MEDIA

LISA O"NAN PROOFING

AMY WILLS MUSIC EDITOR

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LETTER from the EDITOR

Proudly introducing Issue 2, our focus on highlighting the modern direction of architecture and the everyday rock stars who are blazing the progressive local trails.

The vision of the magazine was to shine light on the brilliant and awesome people here and far who were shaped by the Oklahoma constraints, have wholeheartedly followed their vision and contributed to modernizing our cultural lifestyle. People I’ve admired from different parts of my journey and wanted to share their stories in a special place. Those people are stylish personalities with an edge like Steph Smith, Animal Rights Heroes - Christy Counts and Bob Ingersoll, subject of award-winning film Project Nim. Lee and Emma Peoples, who have built a beautiful modern home, that diversifies our urban landscape. We took a style direction to the masculine side with Funnel Design Founder Bryan Ellison and add some more guy talk in The Creative Dude interviews. Jeremy Charles, Bryan Cooper, and Peter Bedgood, offer insight and advice I think is important for the culture to toss around...It is honest and well intending and I think we need more authentic voices making these important conversations. Happy to have the mad skills of adventure junkie Carl Zoch shed some light on the Wichitas beautifully and we also brought blogging to the here and now with a few of OKC’s Bloggers talking Alt Summit. Photographer Jamie Alsabrook shares her conceptually stunning “Losing Game” publicly while Oklahoma’s first Fashionista, Pioneer Stylist Nelle Jackson, is a timeless story of creating a company with an intention to serve others to make their lives more fabulous. As a supplement to the story on Nelle, I spent time with the Creative team at Miss Jacksons v o l .

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PHOTOGRAPHY: CARL ZOCH

and am proud to deliver a mini documentary inside, which gives some history on the store and the lengthy creative process behind the windows. We hoped to trigger some influence toward local brides looking into the Indie wedding side of things with our piece Urban Canvas. A great gamut of talent came together for this one, and I am proud to give it a place where it can be called for event inspiration or resource. To carry the thread of Animal Rights throughout, Entrepreneur and Model Rachel Odom shares her experience at Mission Wolf reserve in Colorado and recipes from Kitchen 324 and Vidya serve some consistency in linking the vegan vibe. When I was pondering how we could further the thread of humane awareness, Robin Chase excitedly offered, “Safari!” as a lead into what became a wildly entertaining photo travel adventure, which makes you want to jump in a jeep and drum solo Toto’s Serengeti serenade. We also dedicated a little visual emphasis to a song that offers a glimpse into the subject of “perspective”, with “Eyes of the World”. I had hoped by digesting these lyrics visually, we can share the power behind a collective positive perspective. This issue was a chance to show what OKIEMAMA is really about, the Renaissance mother who is proud of her culture for its talent, its shared word, and forward direction. Thank you to those brave and hand picked partners who believed in the vision and helped our wings take flight.

Welcome to our special place.

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CONTENT features

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THE PEOPLES HOME a family’s choice to build a modern dream home in OKC serves as a catalyst for progress

URBAN CANVAS designer wedding showcase breathes fresh indie vibe

NELLE the history and legacy of styling pioneer Miss Jackson

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STEPHANIE SAYS a look into a unique aesthetic perspective

TULSA DUDES a trio of conversations with Tulsa creatives

FUNNELSTYLE interview with design firm founder Bryan Ellison

CLOSET RAID enduring style from cool girl Stephanie Smith

art focus

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fashion

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profiles

LOSING GAME a conceptual editorial by photographer Jamie

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PROJECT BOB searching for the humane in primateology

CHRISTY COUNTS Oklahoma Humane Society founder shares her passions O K I E M A M A

sections ADVENTURE THE WICHITAS 6 HIT landscape a Portlander longs for

by Carl Zoch

DESIGN SPACES 12 SHAPING an introduction to the style of

MUSIC IN TOKYO 108 TUNE contributors audiolicious picks

SHORT FILM BEHIND WINDOWS 97 GIRLS the creative talent of Miss Jackson’s gives the back story on their conceptual approach to stunning Visual Merchandising.

architect Randy Floyd by KP Onan

SUMMIT 17 ALT 3 Oklahoma Bloggers make the trek to SLC to get an edge

TRAVEL

LIFESTYLE CONCIERGE

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DIRECTORY

WOLF 111 MISSION: a model educates on Colorado wolf sanctuary by Rachel Odom

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AFRICA stories from safari by globetrotter Robin Chase

TECHNOLOGY

67 INSTAGRAM mobile adventure junkie and photographer Carl Zock

YUM CITY

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H I T T H E WICHITAS MOUNTAINS WERE CALLING AND FOR US THERE WAS NO HESITATION STORY AND PHOTOGRAPHY BY CARL ZOCH

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here aren’t many other ways I’d choose to reign in the new year than with good friends, sun on my face and climbing on granite. The Wichita Mountains were calling and for us there was no hesitation.

Years ago I packed up my things and drove from Portland Oregon to Oklahoma City for school. I was psyched to explore and experience a place that was completely different than where I was from. As excited as I was for the new, I quickly found myself homesick for the outdoor lifestyle that was so easily obtainable where I grew up. I quickly began to search the college grounds for people who would surely point me in the right direction around here. Lucky for me it didn’t take long to get thrown in the back of a car and driven to what would become my home away from home.

The Wichita Mountain Wildlife Refuge sits in southwest Oklahoma and is nearly 60,000 acres of awesome. From Bison roaming the roads to canyons of many climbing routes, you can’t go wrong with the place. Not only has the Wichita Mountains become my favorite place in the state, but I’ve caught myself daydreaming about it while living back in the Pacific Northwest, where I’m surrounded by some of the most beautiful scenery I know. If you’ve been, you know.

The Wichitas are solid gold.

One early Friday morning we gravitated towards the refuge.

The day began early and we naturally kicked it off by inhaling some ridiculously massive breakfast burritos from Big Truck Taco. Eyelids heavy from the food, we threw back coffee from the thermos and drove west towards the Wichita Mountains. I remember the morning having one of the most killer sunrises I’ve ever seen in the state. Being a photographer, I cynically said to myself “someone should take a photo of that.” Instead of picking up my camera, I picked up the coffee. It was a solid choice as I don’t often

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take in moments like that without a camera in hand. Coffee was a good tradeoff.

We drove through the refuge and found ourselves climbing at Echo Dome for the day. With tons of options within the refuge, this seemed to be a solid choice. The wall is west facing so it’s shady in the morning and sees a good amount of sun during the day, making it the perfect winter wall for climbing. The routes are rated at 5.8 to 5.11d so there’s good climbing for everyone. We mainly climbed around on Worm Hole (5.8), Frosted Flakes (5.9) and Crack Pipe (5.9).

All of these are seen in the photographs.

That day we climbed, threw high fives and swung from ropes taking photos. The day was awesome, as were the many other days I was able to climb in January. While finding myself living in a different state and traveling around quite a bit, it’s no secret that the Wichitas will always be on my map as a place to land and call home.

With a good climbing community in addition to the convenience of Rock Town, you can climb as much as you want and are willing to. I often tell people about the scene in Oklahoma City and it catches everyone off-guard. From the outside looking in, the reality of climbing in this state comes with much surprise. Even to some that have lived here all their lives.

If climbing is something you find yourself wanting to do, give it a shot, do it. Let your hesitation die off quickly. I started climbing last year and have found the community to be warm and welcoming. If you don’t know where to start, hit up Rock Town. They’ll take care of you. Who knows, once you get dialed in, you might find yourself using a few more “sick days” throughout the year. My prediction is that you’ll do what you can to get a three-day weekend of life on the granite.

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“...it’s no secret that the Wichitas will always be on my map as a place to land and call home.”

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S HAPING S PAC E S A c o nv e r s at i o n o n S u sta i n a b l e M o d e r n i s m Written by K.P. O'Nan p h oto g r a p h y by j o s e p h m i l l s

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Looking around a burgeoning Oklahoma City these days, residents and visitors alike can witness a conspicuous and innovative resuscitation of a once run down, urban landscape. A rebirth of architectural Modernism is appearing on the plains. New modern structures are bursting forth all over Oklahoma City. Buildings like the new residential condominiums and apartments in Bricktown and Deep Deuce and the new riverfront Chesapeake boathouse complex have sprung up. New viaducts for traffic are being built with aesthetic modernity in mind like the new I-40 crosstown. Contemporary constructs such as Rees Plaza nestled on the shore of Lake Hefner and the omnipresent Devon Tower hovering over the prairie.

One of Oklahoma’s little known treasures watching this rebirth of sustainable Modernism is native Oklahoman Randy Floyd. She is most known for her Edgemere project and the renovation of the once crumbling west entrance of the Oklahoma Capitol. Her expertise goes back to 1985 when she started practicing architecture after graduating from OU. In 1999 she embraced the new millenium by founding her own firm.

Floyds expertness in Modernism was inspired by Frank Lloyd Wright, the monumental Louis Khan, the high tech Renzo Piano, and her contemporary Deborah Berke. Floyd says she became an advocate for historical preservation early in her career and laments the losses of such local examples of Modern architecture as the Center Theatre, the downtown YMCA, and the Mercury/Ford dealership at 5th and Walker. Floyd is glad “to see a growing local interest in non-traditional housing and furniture design, as well as a desire to experience urban living...” We can witness this urban renewal all over the heart of Oklahoma City as urban v o l .

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infill progresses and existing structures are repurposed. Floyd has been referred to as a pioneer in progressive architecture in Oklahoma. In her words “any architect building rigorously designed buildings in Oklahoma is a pioneer, and the client for such a building is as well.” Her impulse to add to the flowering of modernity in Oklahoma “derives from two spheres of interest: first the potential joy of space, form, color and light, and second, the rigor and discipline required to synthesize discrete parts into a coherent thing.” Her journey is ongoing as she continues to learn from each project.

As sustainable modern architecture has taken hold in the region, Floyd embraces more eco-friendly techniques and is at the vanguard of these trends in sustainability. Her strategies include “geothermal environmental systems, optimizing building orientation and shading, lighting control systems, high performing glazing, increasing R values using blown in, soy based insulation, instant water heaters, using reclaimed and sustainable materials and reducing overall building square footage by designing multi-use spaces.”

She finds being a forward thinking architect in Oklahoma challenging because of the difficulty in locating general contractors savvy enough to comprehend her goals. When asked to sum up modern architecture in three words Randy replied that “Modern architecture is so full of movement and isms that it can’t be characterized in three words.”

As the Oklahoma City landscape changes in the near future especially in the downtown and midtown areas and those areas south of I-40, visionaries such as Floyd will be shaping spaces with the unpretentious harmony of trim lines infused with simple colors painted with light. Floyd will be acting out this mission fulfilling her mantra by “creating architecture that respects its context and time.”

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Any architect building rigorously designed buildings in Oklahoma is a pioneer, and the client for such a building is as well.

RANDY FLOYD

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3 WAY Q + A on: ALT SUMMIT

Alt Summit is the ultimate convention for bloggers. They say it best on their site: “We’ve created a place where design and lifestyle bloggers in all their forms— foodies, photographers, travelers, fashionistas, interior designers, product placers, adventurers — come together, share ideas and connect with marketers.” Three Oklahoma City Bloggers, Rachel Shingleton, Erin Cooper, and Rachael Taylor attended winter conference in Salt Lake this year and we thought we would pick their brains on the experience.

How long have you been blogging?

Rachel S. Since the dawn of time. Well,

not really. It’s been about five years but that’s approximately 92.8 years in blog years. I’ve been a graphic designer for about 10 years now.

Erin C. I’ve been blogging in some version or another since 2002. In 2010, I started a blog.

Pippin & Pearl, associated with my little handmade shop, and it took off from there. Since I am a web designer by trade, the blog has served as a training ground for me – I try to use that medium to stay abreast of the best practices for the industry, but it’s also served as a creative outlet and a platform to share my design and artwork since 2011.

Rachael T. About 5 years v o l .

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What does blogging bring to your life?

Rachel S. Blogging for me has brought about the community that I was missing after graduating from art school.

I had genuinely found my “tribe”, if you will, in art school and when graduation came about, I felt deprived of the creative community that I had come to love. Relationships have been a huge part of blogging, both online and offline. Some of my best friends now are people I’ve met online. Funny how things can change - I don’t know that I would’ve admitted that five years ago. Back then, everyone was convinced that the person they were talking to online was a scary dude in a basement somewhere.

Erin C. Blogging is a window into the creative world. It really provides a place for me to share my thoughts and connect with fellow creatives, and the blogging community.

Rachael T. At the moment, I am not blogging nearly as

often as I should. It's certainly therapeutic for me when I do blog regularly. Finding the time to produce quality content is the hardest thing.

Going to Alt Summit this year was a must for you because...

Rachel S. I was a second-year attendee at Alt this year, and it was a total must-do for me in 2013 because that first-year experience really rocked my creative world. I felt empowered to go out and conquer all these creative things I had been dreaming about. I can honestly say that so many of the fantastic opportunities that happened for me in 2012 started back in January when I attended Alt. Plus, I’ve always been a big fan of education (I would totally be one of those professional students who just continues to go to college the rest of their life!), and that is what Alt is in a nutshell: educating yourself how to be the best at blogging.

Erin C. I wanted to meet some of my longtime clients in person, but also, everyone talks about what an amazing experience it is and I wanted to see it firsthand. I wanted to make connections and soak up all the information/education.

Rachael T. I wanted to meet the women who inspire me. I wanted to learn how to inspire others as well.

What did you find most beneficial in your AltSummit journey?

Rachel S. Knowing my brand identity and having a few goals in mind for what I wanted to get out of the experience.

Last year was all about getting my footing; this year was about building relationships and opportunities off of the foundation that was already laid over the past year.

Erin C. Definitely the connections. I made so many new friends, and was able to connect with clients & potential clients 18

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in a way that made it totally worthwhile. I also got a lot more out of the panels & keynotes than I anticipated. Everything is really well organized and I felt that they covered the bases for all bloggers & sponsors incredibly well.

Rachael T. Just a few days before Alt I learned that I would

be opening a brick and mortar store with a few friends here in Oklahoma City. Knowing that, I attended panels and groups to help guide me through that new experience.

Who were your top 3 people you wanted to see and their platforms/specialties?

Rachel S. I don’t know that there were any people specifically that I wanted to hear from, but there were so many people i wanted to reconnect with in person that I had met from last year. I was also excited to chitchat with a few of the bigger sponsors there, including Land of Nod, Serena & Lily, Better Homes & Gardens, etc.

Erin C. Stefan Sagmeister’s keynote speech was probably my most anticipated (and it really delivered. He was amazing!) as well as the panel with Jaime Derringer on Hiring Help.

I also heard last year that Jasmine Star had an amazing presentation, so I wanted to be sure to hear her speak on Personal Branding.

Rachael T. I didn't have a list of favorites or must sees. I

wanted to instead, focus on the panel itself. I wanted to learn about running a business. Several marketing and social media panels were on my list.

How did you prepare your fashion for a trip where SO MANY fashion bloggers would be? Any intimidation here?

Rachel S. I live for fashion. I can’t get enough of it. But my everyday lifestyle is such that I’m not walking around in a full skirt and heels at the grocery store (although I do relish any opportunity to wear heels!). So Alt is the perfect opportunity for this mom to dress up all day, every day. I also view personal appearance as a reflection of my brand. I love bright color, and I try to reflect that in my clothing. From a business perspective, when people see me at events like Alt, I want there to be a visual connection to my work: Oh, of course she’s wearing bright color & crazy patterns! She’s Pencil Shavings!

Erin C. I totally had a wardrobe panic the week before I left.

I think everyone feels pressure to put their best foot forward.

I actually borrowed some key pieces from my sweet sisterin-law, but the outfit that ended up getting the most attention was my CLUE party dress, a vintage find, that I almost talked myself out of wearing right before the trip. It was SO over the top, I was afraid people would think I was bananas – but the dress was the first thing people mentioned all night long. I guess the moral there is, you don’t need to stress too much.

Just be yourself – and find a good vintage showstopper! ;) v o l .

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PHOTOGRAPHY PROVIDED BY: Contributing Bloggers, Stefan Sagmeister, Alt Summit & Justin Hackworth 19

Rachael T. I'm never unsure by my clothing anymore. In

the last year I've learned more about my fashion sense than I ever intended. I started out as an eager fashion blogger (we prefer the term "style blogger") who had no idea what she was doing. A few years later and I listen more to my gut than the current trends. I dressed for professionalism but also added my own touch to each outfit, a little sexy and intriguing mixed with comfort and ease.

A Day in the life at AltSummit: Rachel S. Exhausting. A blitz of fashion, sequins, parties, amazing lunches, inspiring talks, and then late nights sitting in the lobby making big plans. Connecting.

Erin C.

8:30: AMAZING breakfast with roomies in the Grand America Garden Café 9–12: A flurry of panels, note taking, and handshaking Lunch: Sit with people that you don’t already know, become best friends over fabulous food, and inspiring keynote address 1–5: More panels, more photobooths, more sponsored lounging and chit chatting (and if you’re smart, head back to the room for a little rest & a quiet moment to recharge) 7– whenever you pour yourself into bed: Dress to the nines, attend parties, eat amazing food, get up close with all the amazing bloggers & speakers

Rachel R. We made sure to eat a delicious breakfast every morning in the cafe. After that, we split up and tried to sit

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front row at each panel. I missed a lot of the interactive things going in because I was focused on panels.

I found myself needing a nap each day at about 2 o'clock.

Sometimes I settled for coffee and downtime in the lounge with my friends instead.

What guiding words would you have for those considering the leap?

Rachel S. For the creative, it’s a must-do. Just do it. It’s the best money you’ll ever spend for your blogging career. It’s empowering and it will light your fire for the big things that are going to happen in your life creatively.

Erin C. If you’re going to spend the money on attending (and it can cost around $1500 total with ticket, plane fare, and hotel etc.) – be sure that you’re ready to take your entire creative life to the next level. Go with an open mind, and spend the money on getting amazing business cards.

People might not remember your pants or dress, but they will remember your card, so spend the money on a lasting impression. It can be overwhelming, so practice greeting strangers beforehand. I think I spent the first day being a little paralyzed with nerves, and I am an extrovert. Oh, and get roomies. Save money on hotel costs, and have an elbow to link when you head into a room full of strangers.

Rachael T. It's extremely overwhelming, as a first time

attendee, I was prepared for that, but there's really nothing you can do to overcome it. Show up, smile, shake a lot of hands and hand out a lot of cards and hang in for the ride.

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FUN INSPIRED ART OF TRAVEL

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VINTAGE dress HERBERT LEVINE boots

CLOSET RAID Hair and make up by Cindi Beeseley Finneran Photography by Aimee Tietze Adams

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we celebrate this shiny vibe with a black and gold highlighted vintage raid with a girl whose heart has a place for T-town. v o l .

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VINTAGE blouse RICH AND SKINNY jeans opposite page: ARK & CO dress SCHOTT leather jacket

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how would you describe your closet:

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TOMBOY CHIC BB DAKOTA jacket BOMBS AWAY tee FRYE boots opposite clockwise: SUE & LENNY dress CG SHOES boots VINTAGE dress Vintage by ENTOURAGE dress GRACIA jacket RICH AND SKINNY jeans

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tephanie Smith is a bonafide comedic one of a kind cool chick. A Tulsa gal who grew up down the street from Gary Busey’s family home, she was destined to blossom into a Funny Girl with a unique edge and perspective. I met Steph in the early 90’s in Tulsa, and knew from the minute I met her, she was something special. To this day, I place immense amounts of pressure on her when I introduce her as, “the funniest girl I have ever met.” From Tulsa to Norman to LA, back to Norman, 5 years at Burning Man, on set as a caterer in LA, experienced in Film and Video Production, to a now mother of two darling youngsters, this girl is a one stop shop for whitty content and one liners. Steph is a fabulous hostess with her fun parties that connect and introduce people from the colorful corners of her story. Meet our friend Funny Girl: Stephanie Smith.

How would you describe your closet?

Insane! A mix of vintage, sparkly, costumes that I wear as clothes. And of course, jeans.

What 3 items should every girl have in her closet? Black Jeans (black-grey + dark washed), a thin flowing vintage tunic, multiple boots

What changes would you like to see happen in a forward Oklahoma?

I would like for it be more liberal for sure, I would like for someone to put a mountain here...can somebody do that?

And a beautiful river that runs through the town.

How has motherhood changed you?

A word to describe your style: Tomboy-chic

Well, now I definitely need a tummy tuck. Thats the main thing. And It has definitely made me more compassionate.

How did being raised in Tulsa shape you?

What has motherhood taught you?

My childhood had a lot of freedom, and we ran around from sun up to sundown. Tulsa people have a bit more tough edge to them, I can tell a Tulsan when I meet them. Tulsa is embedded in my heart. The history, the feel, great memories, growing up there with Nitro, 323, Facades, Ziggys, and now the Blue Dome district is incredible and I migrate there when I am in town.

Differences that you have noticed between Tulsa and Norman communities:

I like life in Norman because it has a closer knit, small town vibe, and I know people so that’s fun, but that also can bite you in the ass. It can close in on you quick if you don’t get out a lot.

Your favorite stories about living in LA:

My favorite thing in LA is the Forest, so many great memories exploring the forest with my dog Lucy. And working in the industry in Craft service on production sets, I was able to go to places I would have never been able to go to since I was working behind the scenes. Also, every band that’s going somewhere will stop thru LA, which rocks. Once I worked a catering gig and Faye Dunaway threw a fit flailing her arms like windmills when someone tried to calm her down. There was no toilet paper there and she was really upset. I brought her a tissue, so that was definitely a LA story I won’t forget.

What do you miss about Los Angeles when you are back in OK? The mountains, and my friends. v o l .

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I already knew everything. Besides that-patience and your own needs don’t come first most of the time.

Betty White has always been a personal hero of yours, talk about her and this.

Her birthday is coming up (checks her calendar). Her birthday is January 17. I don’t remember a time in my life I haven’t loved her. I would love to meet her. She’s the one person I would love to meet. She’s hilarious, and she loves animals. Everybody loves her. I’ve never heard anybody say anything bad about her, and she’s had a long career, that’s saying something. Her devotion to her husband who is now deceased even after he passed away, was something I admired. Her love affair with him was really inspiring. I’ve read all her books.

Have you always had a special connection with animals?

Yes, however, I was very allergic to them when I was little. I couldn’t go on Girl Scout trips because horses were there and cats sent me to the ER with asthma attacks. And it killed me so I decided once, I had to build a tolerance, and it worked. Nature is my church and animals are a big part of that church.

A quote or song that inspires you:

There are a few. Do unto others. Be the change you want to see in the world. Try to be the best you can be and hopefully others will do the same.

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Nature is my church and animals are a big part of that church.

Right outside this lazy summer home You aint got time to call your soul a critic no. Right outside the lazy gate of winters summer home, Wondrin where the nut-thatch winters, Wings a mile long just carried the bird away. Wake up to find out that you are the eyes of the world, The heart has it’s beaches, it’s homeland and thoughts of it’s own. Wake now, discover that you are the song that the mornin brings, But the heart has it’s seasons, it’s evenins and songs of it’s own.-grateful dead

written and photographed by AIMEE TIETZE ADAMS photographed by LEE DAVENPORT 34

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esign is a consistent theme of conversation and livelihood when talking past, present, future with Lee and Emma Peoples. Both native Oklahomans, Lee from Oklahoma City, and Emma from Tulsa area, have witnessed a wide variety of architecture available statewide and abroad during their lifetime. It was a few years back when Lee was offered a job out of state; they pondered the idea of leaving. Emma and Lee decided being near family and raising their young daughter was important for them, and this progressive ideal led them to another: building their modern dream home in downtown Oklahoma City.

Emma and Lee’s decision to stay in Oklahoma, at the time, was not an easy one. Living in what Emma describes as a “faux” Tudor Style home in Deer Creek, became increasingly obvious to the couple: their home was not a workable fit for their evolving architectural aspirations. Rather than continue to live within the environmental constraints that were leading the couple to feel somewhat isolated, they decided it was time for a change. Around the same time, Lee had been offered a job in St. Louis, and the family was re-evaluating their options.

“When we were going through the decisionmaking process about leaving Oklahoma, we realized how hard it would be to leave our friends and family. We love so many people here, and we wanted to raise Amelia near her grandparents. After we made the decision to stay, we decided we wanted a home that met our needs and wants. We also wanted to be surrounded by people who shared a vision of making downtown Oklahoma City a more thriving area.”

Lee was raised in a modern home, which was built in the 1970’s around the Oklahoma City Golf and Country Club. Emma describes her husband’s former home as “The Peoples' house was really interesting: it had large floor-to-ceiling windows, lots of built-ins, tall ceilings, an open staircase, and inside planters. Lee’s father, Mr. Peoples, having gone through the process of building a modern home, was familiar with the entire process and would prove a valuable resource during our visionary planning.”

While preparing their family for a new lifestyle, Emma began clearing the Deer Creek home

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of all the heirloom pieces she felt would not work with their new desired aesthetic. She decided at that time to free herself from all the material obligatory attachments which were passed on or simply held space in another chapter of their lives. Upon selling the home, she says, “ Lee and I sold, gave away to friends, or donated everything we owned except for our clothes, artwork, and a few sentimental items. This was such a freeing process, and I learned I was not as affected in my attachments as I thought.” When the time came to sort through the objects or buy new fixtures, Emma says, “I had to answer this question: Do I love this ‘thing’ enough to put it into my dream home? If the answer was no, we didn't buy it.”

From ideation to making their dream home happen, a first was choosing an architect that was a fit for the family’s aesthetic. The Peoples favored interior and exterior design that was contemporary but not stark or cold. Whereas most may find challenge in securing a match in talent for the job, Emma and Lee say, “finding our architect was not difficult at all. We admired Randy Floyd's work for some time. v o l .

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Amelia was such a great Assistant. She was a natural at lending art direction to the shoot, knowing all the right the poses to strike and she EVEN pulled out her violin to play a focused heart full of May Song, by composer, Edward Elgar.

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She designed an amazing contemporary home in Edgemere Park we loved; the aesthetic struck the right balance between contemporary and warm. After realizing Randy had property for sale in the exact area we wanted to live, we met with her and really hit it off.�

Upon hiring Ms. Floyd to design the home, the couple began drawing up plans with their architect to bring life and shape to their ideal living space. In the beginning stages, the family compiled a file of photos showing design elements they liked and Randy provided some guidance to get them thinking about how they utilized the space in the current house. They went over the exact specialties they liked, and those that were not functionally ideal, and with a great deal of back and forth between the couple and their architect, they supplied Randy with a list of “musts� for the new space.

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On Modernism: It’s achieved through a careful blend of color, lighting, and a high level of detail in the interior and exterior finishes.� v o l .

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an outdoor living space and a pool were among the main features the couple knew they wanted. They offer the personal importance behind these elemental components which lent direction to the architect’s overall vision and plan for their layout.

“Randy did an excellent job of strategically placing windows so we catch different types of light throughout the day. She is also very talented at designing the lighting scheme for the house and her theory is that well lit spaces put people at ease. Every light is on a dimmer and most rooms have several groups of lights to create different moods; we don’t have a single lamp in the entire house. Growing up in the hot Oklahoma summers,

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On Sustainability In building our dream home, we integrated sustainability into our plan with high efficiency windows, solar shades, and appliances. We carefully designed the house to only include spaces that we would 2use frequently.

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“Sometimes people see a house solely as a financial investment, but it’s so much more.”

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neither of us had a pool as a child, and we knew it was something we both wanted. The pool is the focal point of our back deck. We wanted lots of outside living space, and we also wanted well constructed, modern, built-in furniture, which would provide our belongings with a special place out of the way.”

From the time of their first meeting with Ms. Floyd to their move-in date, it was a two and a half year process. Emma and Lee were immediately excited upon viewing the initial plans, as they saw the home was mindfully constructed with the design elements they had voiced in the collaborative stages.

There were only a few minor changes made from the foundation plans, and they couldn’t be happier with their choice to build, no matter how patient the endeavor required them to be. On their new home, Emma reaffirms the quote, “Everything worth having requires work.” She adds, “It was a long, and at times, difficult process but it was all worth it in the end. When we come home, we instantly feel calm. Sometimes we have to pinch ourselves because we still can’t believe that this is really our house.”

The Peoples decision to stay in Oklahoma and build on native lands is an affirmative testament to the trust they maintained in the local community. In pioneering the pursuit of their vision and supporting the dreams of an inspired architect, they have assisted in bringing awareness to the next wave of Modernism and its growing presence on the Plains.

Lee and Emma now describe their lifestyle as “functional, uncluttered, and chaos-free” and provide the following guidance to those who share a similar vision: “Talk to others who have recently gone through the process. Just know that no matter how difficult the process might be, at the end of it, you will have a home that has been designed specifically for your lifestyle.

Sometimes people see a house solely as a financial investment, but it’s so much more.” v o l .

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TULSA ART DUDES With social media bringing Oklahomans closer together as a creative culture, timing was of essence in introducing a few of Tulsa’s finest artful dudes: the Photographer, Art Director, and Actor share tips from their trails down the pursuit of passion. v o l .

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JEREMY CHARLES THE PHOTOGRAPHER

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Jeremy Charles brings a playful inquisitive tone to his work. An authentic storyteller by nature, he reflects an image of strength with a genuine fascination of everyday folk.

Jeremy shares how fatherhood has shifted his focus and offers some candid words on how some Okies need to “lighten up”.

Where are you from in Oklahoma, and how do you believe growing in that space shaped you personally?

I had a typical small town upbringing in the ranch lands of Oologah OK, but never felt like a country boy at heart. You could see the distant Tulsa skyline from my grandparents back yard – a view that always lingered in my mind.

Midwestern values of hard work, humility and generosity inform me everyday in my career.

At what age do you recall some milestones which affirmed your current career paths?

I clearly remember an evaluation written by a teacher in middle school “Unlike many artsy types, Jeremy takes responsibility for his ideas.”

When I was 21, a creative director took a chance and hired me as a graphic designer. Although I completely lacked training and skill, he saw potential. That opportunity has led directly to where I am today, so I try to pay it forward whenever I can.

After toying around with photography for a couple of years, a photographer friend lent me one of this studio strobes. A light bulb turned on in my mind that is still burning today. It cemented the idea that I could physically create the mood of a photograph.

You remain humble about your work and practice.

What are some other qualities that you believe make a great photographer?

I can never be satisfied. I hate everything I do almost immediately after finishing it, which I think is a creatively healthy mindset. This keeps me moving forward and pushing. Another important quality is self-motivation and a strong work ethic. It’s one thing to have an idea, it is another to act on it. I am results oriented - a doer at my core.

Words of advice to new/budding photographers alike?

There is so much advice to give, but three big things I stress are 1.) Shoot constantly and try everything to figure out what you are passionate about. 2.) Learn how to run a business.

3.) Set goals and a have clear plan to fulfill them.

Intention and authenticity – what guidance comes from the mention of these 2 terms?

Authenticity is a mantra for me. I try always to remain genuinely curious about the people and places in front of my lens and the ideas behind them. I create a lot of heroic looking images – which aren’t necessarily authentic looking – rather I approach the process with authentic fascination. v o l .

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You and Travis Hall produced the Black Mesa project.

Can you talk a little bit about what makes that project so special?

The Black Mesa project started on sort of a whim. Travis and I were simply curious and everything fell into place before our eyes. He and I have complementary interests and vision that works together well. How the project came about reinforces a lesson I’ve learned: if we let simple curiosity lead the way, it always takes us somewhere special.

How do you balance being a family man and full-time creative?

It was hard in the beginning. I’m an admitted workaholic and used to get out of balance and suffered from it. I had to learn to schedule time off specifically for family. I’ve also learned to ask for help and delegate responsibilities to my team, which was difficult at first. But now my team has become indispensable to our shared success. I am lucky that my wife Jenny understands how hard I must work to succeed and her support has been vital to it.

If you could speak to Oklahoma at large and have a word of candid advice, what would you offer?

I probably would say “lighten up.” Too many people in this region are easily offended and resist ideas that challenge their worldview. I am a bit of renegade, so it bothers me when people lack empathy for those who are different and create arbitrary limitations on themselves.

One word to define your fashion/style: Simple. I try to never wear logos or flashy colors.

Monochromatic Levis and plain v-neck tees are my uniform.

Favorite Photographer: It changes as I continue to grow creatively, but Chris Buck has been someone who continues to inspire me. He has a knack for quirky portraits that I greatly admire and aspire to equal. I also greatly admire Martin Schoeller.

Favorite Movie: Has to be The Big Lebowski. I’m a sucker for quotable offbeat movies Favorite Place to Eat in OK/Tulsa: Today, I’d say India Palace.

Favorite Quote: “Seize the day” – sums up my view on life.

Product you cannot live without: Zurick shoes. Shoes are my only fashion statement. Shoe Gypsy in Tulsa is my store.

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BRYAN COOPER THE ART DIRECTOR

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Creative Professionals usually lead a colorful lifestyle. Seasoned Art Director, Bryan Cooper offers how he dives into design like an explorer of the deep and offers guidance to fellow Okies in not taking too much into the realms of serious.

Where are you from in Oklahoma and how do you believe growing in that space shaped you personally?

I grew up in Broken Arrow, OK in a neighborhood that backed up to a small wooded area. I disappeared into this little biodome every chance I could get and searched through every nook and cranny. I think those days developed my sense of exploration allowing me to learn hands-on. That sense of exploration is still with me today whether it’s trying new foods, traveling, or just picking out the right font for an ad.

At what age looking back do you recall some milestones in memory which affirm your current career paths?

The first time my artwork got hung on the fridge I was hooked. I’ve always had a natural inclination to express myself visually. In first grade I remember drawing an alligator and giving it to one of my friends who then gave it to the teacher, saying he drew it. Even though my friend got the credit, I felt a sense of flattery that he would go to the trouble to call it his own. I feel the most important thing about art isn’t the credit, but whatever movement it creates in others.

What qualities make an awesome Art Director?

You’re always asking “What if” and exploring beyond the expected. A great art director treats design like a deep sea diving expedition in the sense that the deeper he/she goes into an idea, the better chance they have of discovering something that hasn’t been done before.

What artistic mediums do you work with on a consistent basis? Which inspire you more than others?

My favorite medium is clay. There’s something primal about working with clay that you can’t quite get with other mediums. I guess because there are no tools between you and the clay and it can get a little messy.

Favorite projects you have been a part of?

I was in charge of the 2012 Block Party for the Art Director’s Club of Tulsa where we gave out small wooden blocks to 150 artists. The artists had a couple of months to do v o l .

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whatever they wanted to the block and bring it back. We then had a silent auction party with those blocks and raised over $3,000 for art student scholarships. It’s humbling and amazing to see all the different things an artist can do with just a small piece of wood.

What does being an OKIE mean to you?

I used to think the term “OKIE” was tied to the connotation of “Hick” or “Cowboy”, but now I believe it to be a universal term for any Oklahoman with great character.

In a day and age where people are graduating college and claiming to be Creative Directors, do you have any advice or reassurance about the time invested.

Invest in your personality and social skills. Even if you’re an amazing artist, no one will want to work with you if you’re mean or egotistical. Be someone you’d love to work with on a daily basis.

If you could speak to Oklahoma at large and have a word of candid advice, what would you offer?

Be true to yourself but don’t take yourself too seriously. Learn not only to laugh at yourself, but laugh at yourself with others.

Favorite Artist: Mark Ryden Favorite Movie: Raising Arizona Favorite Place to Eat: Tulsa: Cafe Olé Product you cannot live without: My Moleskine journal. I have the innate need to write every day down for some reason. I guess it helps me keep tabs on life. I have every day of the last ten years written in 10 small journals. This little time machine allows me to go back anytime and see how I’ve changed or stayed the same.

Some philosophers say that the greatest feat of man is to know thyself. I’m still trying to “know thyself” but I think my journals are helping out.

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PETER BEDGOOD THE ACTOR

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Actor, Writer and Comedic Personality Peter Bedgood is a hybrid of angles leading to laughter. A one man variety show, Peter, is an example of how one outlet of creative expression leads to another and discusses a few challenges the Actor faces in Oklahoma.

Where are you from in Oklahoma and how you believe growing in that space shaped you personally?

II grew up in Broken Arrow, Oklahoma. Here I was given the space to think and the need to dream. One of the nicest things I can say about this state and I’m not being snarky when I say this, Oklahoma gave me the desire to leave.

Strange I know, but Tulsa makes a lot more sense when you come back to it. That’s not a bad thing. A lot of the places and characters I’ve come across here have been conjured up for roles or scripts.

At what age do you recall some milestones which affirm your current career paths?

My Drama teacher, Miss Queen, asked me to Emcee the school talent show in ninth grade. I was immediately hooked on making people laugh. When I was 24, I moved across the street from a comedy club. They had an open mic, so I decided to take a chance. I bombed but got enough positive reaction to get up and try again. Eventually I met the Director of a film shooting in town, Todd Edwards. He wanted some jokes and we ended up going to Sundance and turned out a dozen or so screenplays, some of which we sold to Studios over the next fourteen years of our writing partnership.

You have an impressive commercial acting reel including Toyota, Liberty Mutual, among others...whats the single most valuable piece of advice you learned from these experiences?

Always know your lines. As an actor you have so few responsibilities compared to the other folks on set. The first time you are surrounded by a room full of people wanting to get home waiting for you to say three sentences and you don’t know what you’re doing, it’s usually the last time.

You have worked the LA market with both acting and writing...how did this come about? Some of your favorite projects during this time?

I liked the challenge of working on TMNT (teenage mutant ninja turtles in laymen’s terms). Most of the animation had already been completed by the time we were brought in to work on it. So a lot of the writing we did was lip-synching...

Tetris with words. It was also amazing working with David Goyer, who wrote the Batman begins trilogy, he’s one of the most prolific people I’ve ever met. I really had the time of my life writing and acting in “Jeffie was here” with my co-writer Todd Edwards. It was an ultra low budget rom-com that only a handful of film festival goers have seen, yet was one of the most rewarding experiences in my life.

From experience, does most creative talent leave Oklahoma in pursuit of The Big Hollywood Dream?

There’s a lot of creative talent here. Does it leave? Usually.

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most actors I know in Oklahoma would settle for enough work to justify calling themselves actors. The Hollywood dream as far as I know is really nothing more than to have a career in the entertainment industry that affords one the ability to continue doing so. This is nearly impossible in Oklahoma. If you want to be in the film industry, you have to go to where the industry lives. Writers can write from anywhere, true, but once they’re writing is done they need someone with knowledge and experience in the film and tv industry to represent the work. When people say “It’s who you know” some interpret this to have some nepotistic meaning but it’s “who you know” more like the number of times Babe Ruth got up to bat being who he knew. It’s a numbers game. You need as many chances up to bat as you can possibly get to hit a home run.

You brought back the idea of Show and Tell when you returned to OK...i'd love to hear how this was inspired?

When I came back to Oklahoma three years ago I wanted to design a variety show experience that was modeled after vaudeville revues and shows from the golden age of Television like Jack Benny and Groucho Mark, with a little Hee Haw thrown in. I thought turning the spotlight on local characters with extraordinary talents and stories would be a sure way to never run out of material. I worked with THIS LAND PRESS on that and learned more than I ever intended. The live studio audience aspect combined with the multiple cameras and subsequent mountain of editing proved ambitious and costly in every aspect of my life.

If you could speak to Oklahoma at large and have a word of candid advice, what would you offer?

Learn to laugh at yourselves. The collective i.q. of the state would jump thirty percent if we could learn to take ourselves less seriously. It’s like we still aren’t convinced that we ever got statehood and so we tend to make a big show of sitting up straight in our seats when the teacher passes. Frederick Douglas said he never saw worse bragging than from slaves.

They put each other down and brag that their master has more money, another would say “at least my master doesn’t beat me” and so on. This is abstract but we are not slaves and there’s nothing wrong with being lost in Oklahoma, it’s a place like any other. In a tangible sense, I would say Oklahoma should work endlessly to connect the entire state with high speed trains. Wouldn’t that be nice? Oklahoma should struggle to tear down the privacy fences and start hoisting the lowest common denominators up onto the shoulders of giants because until the least of these has a clear picture of freedom and providence, we are all small cowering slaves.

Fave quote: I believe it was Ghandi who once said “careful, the floors wet.” Actually I think it would have to be either the sermon on the mount by Jesus or Walt Whitman’s “Why should I think it unlucky to die when I never thought it lucky to be born?”

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INDULGE RADIATE REVIVE THE DAY

LE VISAGE DAY SPA

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Portrait and Adventure Photographer CARL ZOCH enjoys life. His brand tagline is simply that, Enjoy Life, and this Dude believes in some serious authentic backing of such. He does his best to make every day an adventure, and his Instagram gallery holds some momentary gems of skate, surf and mountain that offer an organic view inside his journey. With the recent controversy over Instagram’s free ad sharing policy swelling up some revamps on the tech Founders end, Carl shares some valuable insight in seeing the social media portal as an unabashed opportunity to grow your best visually in the creative realms.

WHAT ARE YOUR GENERAL THOUGHTS ON INSTAGRAM AS THE LIFE PHOTO PORTAL? PROS? CONS? I love Instagram. I really don’t have any cons about it. I love the platform for many reasons, mainly because it allows people to explore their creativity in ways they otherwise wouldn’t. I’ve seen quite a few people and close friends become more open to exploring photography as a creative outlet, and I know that the iPhone and Instagram have played a specific role in that. It’s simple, always with you, and it gives you a voice.

ON A TYPICAL DAY, HOW MANY PHOTOS DO YOU TAKE WITH YOUR IPHONE? WHICH ONES MAKE YOU WANT TO SHARE THAT MOMENT IN TIME? It all depends on what I’m doing. If I’m outside doing something I love then between 5 and an unhealthy amount.

I tend to share the image that is most moving to myself–the image that best reflects my experience of the given moment.

HOW DO YOU KEEP THE CONSISTENCY OF YOUR IG GALLERY SO UNIQUE? ANY TIPS? I think social media platforms naturally expose the lifestyle of the user, specifically social media platforms that are image based. When one uses a platform over a period of time, you get a storyboard of who they are and what they’re about.

For me, life is pretty simple and most of it is spent being outside as much as possible. I think with that comes a natural consistency of what is seen on my Instagram feed.

Tips are hard to give mainly because the use of social media is completely relative to the user. Personally, I am making my living off of taking photos, so it’s important to tell a consistent story and to leave out as much ambiguity as possible. Show what you want to sell mentality. I think there are many “ways” to go about this and none of them are right or wrong. It’s totally to-each-their-own. This is just my approach and I like it. It’s simple.

WHAT ARE SOME OF YOUR FAVORITE PHOTO PROCESSING APPS FOR ACHIEVING YOUR DESIRED VIBE? I’ve used VSCO since the day it came out and haven’t touched anything else. It’s simple, easy and consistent.

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WHAT ARE SOME THINGS YOU WISH PEOPLE WOULD DO MORE OF OR LESS OF VIA THIS SHARING PORTAL? More of: I hope people lean into sharing what it is they want to share. I’ve known a handful of people who are hesitant to post something to Instagram because they are fearful of losing followers or are just lacking confidence in their photos.

To me that fear is very paralyzing and bums me out. I believe that photography and the way we see life should be shared.

So I guess I’d say “post it like you mean it” and figure out how to muffle out that inner paralyzing voice. Less of: I’d like to see less imitation and regurgitation. There’s only one of you, so lean into it!

WHAT DO YOU THINK OF INSTAGRAM AS A GATEWAY FOR ASPIRING PHOTOGRAPHERS? THE DISCUSSION COULD BE HAD THAT VIEWING SO MANY PEOPLES WORK CAN BECOME AN OBSTACLE TO REALLY SEEING OR FINDING AN AUTHENTIC VOICE. I love the idea that a social media platform can encourage people to pursue what they might not otherwise. In the case of Instagram, it has functioned as a gateway for quite a few people that I know. That kind of self-discovery and selfexploration to create something really excites me. Not only that, but I’ve seen the process breathe life into people. I don’t think that Instagram has made it all that much more difficult for one to find their voice as an artist/photographer. I’d argue that the biggest obstacle in pursuing one’s authentic voice is themselves. We’re surrounded by millions of outside influences and obstacles every day. You can simply add Instagram to the list. These obstacles will always exist and will do so in many forms. It’s about balance. It’s about appreciating the things you see and experience in life while at the same time being honest with yourself in what you want to create, and how you want to create it. It’s about organizing your life in such a way that you can slow down enough to not only hear yourself think but to feel. From there I believe one makes good headway in finding their voice. Which I believe to be an ongoing process. There is no arrival at finding your voice. It’s continual. Evolving .

HOW DOES IT FEEL TO GET 5OO LIKES ON AN IMAGE? Like 500 high fives!

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One street has it all.

true north living the makeup bar uptown kids on a whim modern furniture for home + office

spa facial + makeover services

designer styles for kids

entertaining essentials + JBrand jeans

www.visitwesternavenue.com facebook + twitter

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#FUNNELSTYLE Metro Native and Designer, Funnel Design Group Co-Founder Bryan Ellison’s livelihood relies on first impressions. For his clients and himself, a confident approach in style and personality impact perception, and Bryan has a higher awareness of how his personal fashion choices can open doors of trust to clients looking to gain a marketable edge.

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Where are you from?

Yukon, Oklahoma

What is your role at Funnel/Specific Skill sets?

I lead all interactive/motion projects - tv, app, and web. I work with clients on design strategy and ideas.

Has fashion always been important to you?

Feeling good and being aware of what I wear has always been important to me, but that's not always popular style. I like some trends and am always looking at them, but I don't adopt everything I see.

Do you shop pretty regularly or when traveling?

I do shop regularly and definitely when traveling. I have a practice of buying something and donating something. I'm in a continual cycle of purging and acquiring. I have some goto brands, but not necessarily favorite stores.

One word to describe your style vibe: I have two - Creative Professional You can get away with experimenting in our industry and there isn't a standard that is expected of you, which is nice.

If you were to influence other guys positively via carrying your own voice in style, what would you want to pass on?

Don't give up. I think everyone at a certain point in life either starts to 'not care', or is scared to try anything new. It's one thing if you feel good in the same clothes or style from college, but it's another if you are worried that trying something new labels you in some way. BTW - you're being labeled whether we like it or not so might as well enjoy the skin that covers your skin.

As a full time Designer, what does having a personal style in fashion mean to you?

Our industry is filled with trends, so we are always looking at them and assessing them - not just fashion. For me, it means staying in touch with the world and what's happening around me - again not just fashion. I think being aware of yourself and your environment is important. It's too easy to get caught up in the weeks rather than the minutes. Each one is an chance to live and enjoy. That goes for work, hobbies, health, clothes, etc.

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Shirt - Massimo Dutti Bow Tie - Penquin Jacket - Massimo Dutti Jeans - AG - Adriano Goldschmied Shoes - J Shoes Mug - Good Fucking Design Advice O K I E M A M A

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LAVENDER JUICE This hydrating juice is the perfect thirst quencher for any season. Paired with fresh lavender, a cooling herb, it helps hydrate and cool the body down after a long day in the sun. Fresh juice also provides your body with live enzymes and bioavailable nutrients that alkalize your system, boost digestion, improve energy levels.

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pears grapefruit, peeled stalks celery handfull fresh lavender

PREP

Remove the peel from the grapefruit and scrub the pear and celery to remove any dirt. Gently rinse the lavender in cool water, set aside. When you juice the lavender, wrap it around a piece of pear as you push it through your juicer. This will ensure the light herb gets pushed into the blades, yielding more liquid and infusing the juice with its aroma. Process the remaining ingredients through your juicer, then pour into a glass. Drink within 30 minutes, or seal in an airtight container and store in your refrigerator. Yields 24-32oz For more daily juicing recipes and holistic nutrition information, visit www.vidyacleanse.com or email claire@vidyacleanse.com for information on juice cleansing.

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YUM CITY

ROASTED BRUSSEL SPROUTS AS SEEN AT KITCHEN 324 makes 1 qt 1 lb 1 ea ½ cup 1 oz

fresh brussels sprouts red onion (sliced thin) toasted hazel nuts whole sage leaves

Trim the discolored ends off the brussels sprouts and slice lengthwise in half. Season with oil, salt and pepper. Place cut side down and bake at 350 for 10 minutes or golden brown. Add onions and sage on top and bake for another 5 minutes. Toss in bowl with hazel nuts. v o l .

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URBAN CANVAS

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orking with an intimate industrial space can be freeing experience for a small design team. Aiming to conceptualize more uniquely styled weddings and Indie-vibed events, a watercolor backdrop provided a layered yet airy aesthetic. Expanding on this theme, with a strong emphasis on color cohesion, and conceptual branding, the urban space transformed from a white canvas to a sophisticated showcase of some of Oklahoma’s most inspired wedding specialists.

ARTISTIC ELEMENTS The Artist mixed acrylic based washes which were layered on white, cotton fabric panels delicately to create a light and ambient color installation. Vellum paper dots also provided splashes of color against the concrete floor and stark white seating.

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DRESS To add a bit of couture individuality to the dress, Gibson Events reimagined another life for the Model’s own gown. Lindsay added a light grey tulle band, ruffled neckline detail and couture rose on the back of the dress to provide a whimsical edge to the finished design.

VENUE The intimate yet industrial layout of the Annex venue offers a white urban canvas backdrop from which future clients can execute a simple yet styleful strategy into smaller event gatherings. v o l .

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CEREMONY Ceremonies can take a free-spirited and more meaningful direction when incorporating readings from unconventional classics such as: “The Prophet” by Kahlil Gibran or more youthful selections from Shel Silverstein’s “A Light in the Attic”.

BEAUTY Erica of The Smith Shop styled an easy summer top knot for a playful twist. With a simple focus on makeup application, the model’s natural beauty was illuminated with a defined pink lip.

STYLING Ginger and David of Idea Collective produced dreamy vignettes staging the bar, while keeping things simple with fresh fruits and ginger. Dana Joy Scott of The Social Club pulled together a fun backdrop with a staple gun and metallic fringe, inspired by the one and only Confetti Systems.

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PAPER DESIGN Susan of Chirps and Cheers pulled inspirations from the concept color pallete, while adding a punch of lively water-based hues to the textured paper. To further personalize the event branding, the designers incorporated the couple’s first names with engaging type choices.

RENTALS The white ottoman seats, modern bistro tables and bar from Mood enlivened the atmosphere and offers guests a chance to move freely about the space.

DRINK David Kittredge manned the bar with precision, and crafted cocktails of bourbon and fruit reduction bitters to keep guests delightfully entertained. v o l .

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FLORAL Poppies and peonies were the natural choice for flowers to accompany the watercolor backdrop.

Nothing too fussy or heavy. Sweet pops of washed out color in simple, modern vases.

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Tips for keeping flower costs down...

Choose interesting vases and vessels that you want to keep and re-use in your home.

Single stem vases with a beautiful flower can be just as pretty as a mixed bouquet depending on the size of surface its being placed on.

Using a lot of the same flower allows the florist to get a better price and pass it on to you. v o l .

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TIPS TO ENLIGHTEN Hire a skilled Graphic Designer to pull together a cohesive branding, from invites to table cards for unmatched consistency.

Consider reimagining a gown of previous historic importance.

Invest in Designer and Styling vendors. A few hours of consulting can really transform a vision.

Keep it simple. Good food and well crafted cocktails will keep the conversation flowing.

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FARE

Abbey Road curated an assortment of light and heavy hor d'oeuvre offerings for the affair, lending a vibe of sophistication and decadence.

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basil crusted scallops

with citrus aioli and garnished with edible flowers 2.

cumin spiced carrot brochettes

white asparagus bundles

avocado, grape tomato and fresh corn dip

served with jicama, red bell strips and english cucumbers 5.

sushi terraine

layers of rice, crab, shrimp, cucumbers and seawood garnished with sprouts and toasted sesame seeds served with spicy mayo and wasabi 6.

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wrapped in prosciutto served in raspberry merlot sauce or hollandaise sauce

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seared salmon

served on purple mashed potatoes with a mushroom snow pea cream sauce and garnished with fried onions and micro greens

artfully presented vegetable skewers 3.

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buttered lettuce salad

blackberry champagne vinaigrette served in an in-house cracker cone with citrus aioli and garnished with edible flowers

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EVENT DESIGN + CONCIERGE: GIBSON EVENTS PHOTOGRAPHY: AIMEE TIETZE ADAMS VENUE: ANNEX BY STASH FLORAL: BIRDIE’S NEST CATERING: ABBEY ROAD RENTALS: MOOD PAPER DESIGN: CHIRPS + CHEERS STYLING: IDEA COLLECTIVE MURALS: C.S. ADAMS BEAUTY: THE SMITH SHOP ASSISTANCE: THE SOCIAL CLUB MODELS: GREER INEZ OWINGS HUSSERL

MICHAEL HUSSERL

DAVID KITTREDGE

MICAELA PROVENZANO

SAMI KROPP

KAYLA WILLIAMS

CHRISTOPHER HOOD

LOUISA ALFORD

ERICA SMITH

DANA SCOTT JOY

ANDY GIBSON

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Nelle A Stylist With a Vision

Nelle Shields Jackson was born July 13, 1872, in western Pennsylvania.

Born with an inherent sense of impeccable taste, she was called to Pittsburgh to pursue work as a personal shopper at the popular McCreery and Company Department Store in the early 1900s. During her years at McCreery, she brought an enthusiasm for all things fashionable, a creative skill as a milliner and a confidence to consistently meeting the needs of the patrons. Nelle’s ability to fit each customer’s needs with an intuitive desire to serve allowed her to build a devoted clientele at the department store. It was during these times she began to dream of a store of her own; however, she knew that vision could not take shape because the heavily industrialized Pittsburgh landscape did not provide opportunity. It is noted that upon a hot summer day in 1907, Nelle assisted

a pioneer Tulsan, Mrs. J.H. Evans, who was visiting Pittsburgh. Evans, impressed with Nelle’s stylish intuition, remarked, “You should come to Oklahoma.” Seeing the sun shine was a rarity in the smoggy skies of Pittsburgh, and Nelle responded, “Does the sun shine there?” Evans replied, “Not only does it shine all day long, you should see our glorious sunsets.” It was that introduction that planted a seed within Nelle, and a few months later, against many a friend’s wishes, she ventured to Tulsa with her dreams on board.

Nelle Meets Tulsa

1907 was a year of true progress, and all arrows were pointing up for Oklahoma to flourish as a statewide community. Tulsa quickly was becoming the oil capital of the world; Oklahoma had been granted statehood; and Nelle Shields Jackson had migrated with a mission that had been growing inside her for years. Following her inner compass, Nelle began working for the “thoroughly modern in all appointments” Beane-Vandever Dry Goods Company, which was created in 1904 when Tulsa had

The Vandevers a population of fewer than 4,000. By the time Nelle arrived, the population nearly had doubled, and a young, ambitious Tulsa was well on its way to metropolitan development. With the wildly contagious “oil fever” came new inhabitants, trades

“Miss Jackson’s shop exists for the sole purpose of making life more elegant, more enjoyable, and more relaxed for its patrons; and, in the world of real values, culture counts for more than a coin.” — Miss Jackson’s website and opportunities. Tulsa’s undeniable growth allowed Nelle to hold dear the possibility of having a store that would uphold her standards of excellence. After working at the Vandever company for a couple of years, she visited with her bosses there regarding her intention to build her dream store. The Vandever brothers both were helpful and encouraging to Nelle in her pursuit, and in 1910, she opened the first Miss Jackson’s, a small lingerie shop, which grew to a full-fledged millinery shop with gloves and jewelry. Nelle’s reputation for taste and experience spread quickly, and in 1916, Miss Jackson’s moved into the new Sinclair Building at Fifth and Main downtown, where Nelle was able to expand her product lines and mission.

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The new shop expanded from solely offering jewelry, hats, gloves and lingerie to offering everything Nelle loved. She carried clothing for all occasions — dresses, evening gowns, wraps for day or night, scarves, handbags, cosmetics and perfume, items suitable for wedding registries, as well as baby and children’s clothes. The patron came first and was made to feel welcome and at home in Nelle’s store. From the introduction of gift wrapping to the “presentation” rooms, Nelle had the best in mind for her clients. She had a gift for knowing exactly what they needed, even if she seemed a “tyrant” when making her point. As referenced by writer Kate Baeird Meyers, Nelle had insisted one of her clients take more clothing than proposed for a honeymoon in Hawaii. The adventurous newlyweds decided on a whim, while in Hawaii, to go to Japan and then to China.

Once there, the couple was kidnapped by Chinese bandits and O K I E M A M A

held for ransom. When the ransom was paid, the couple went to Peking, where they were entertained in royal fashion at the U.S. embassy. Mrs. Holleman, the client, later agreed that Nelle was definitely spot on in her wardrobe planning for the trip; more clothing was, in fact, needed.

A Cosmo Combo

In 1927, as Tulsa was taking a cosmopolitan shape, Waite Phillips, oil tycoon and prominent Tulsa businessman, had an idea to build a skyscraper downtown, which would be known as the Philtower Building. Phillips’ vision was to fill the 27-story building with only the best businesses and shops. He asked Nelle first to be his tenant, and she was the first to accept his offer. The opening of Miss Jackson’s on April 2, 1928, in the Philtower Building was an epic affair, “the likes of which Tulsa had never seen before,” quoted in Baeird Meyers brief biography. There were fifteen hundred guests in high fashion gowns and suiting, and Nelle had arranged for a New York City orchestra to play and for New York models to wear the latest designs while guests sipped on champagne and viewed art displayed around the store.

The Legacy

In the days when technology offered little advantage to widespread success, Nelle established a sophisticated world-renowned brand that spread from the heart of Tulsa.

Her brand was built on the solid foundations of integrity, relationships, positive self-image and experience. As the store grew and changed locations, the name Miss Jackson’s became synonymous with style and comfort. Her mission and ideals became evident in the store’s historic influential presence and left a mark of substance in a world of fashion that often is deemed shallow. Nelle’s commitment to standards of excellence, well-tailored fittings and creating a beautiful lifestyle served generations of families in Oklahoma and beyond with a higher message: “Culture counts for more than a coin.” When designing weddings, clients would advise Nelle of their limited budgets to which she would always v o l .

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say, “Whatever you have will be enough!” She transformed her clients’ limitations into blessed experiences, and many women remain proud of their Miss Jackson’s wedding because of her creative expertise and contribution.

True style begins with being brave, being yourself and using what you have. Nelle knew those fundamentals and built her legendary name around serving others with her gift for knowing what best suited their individuality. When she built her home in Tulsa after years of working there, she built a modest home, well designed of course but humble for what her image may have projected. Nelle’s approachable aesthetic remains present in her store at Utica Square. You can find pieces of her waiting to serve you in the salon, at the cosmetic counter, with each sales associate and her stunning creative team. It is an iconic place, one that brought fashion to the people of Tulsa and gave Oklahomans confidence to build a life well-styled. It’s a place where mothers and daughters can shop together for something unique for a life-changing occasion and then enjoy a pedicure on the third floor. We hold dear legacies like Nelle’s as they have proven that solid ideals and creating positive human experiences make life and passionate business most fulfilling pursuits.

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ate July 2012, while driving through Utica Square on a Sunday, I was captivated by the stunningly well-designed installations in the Miss Jackson’s store windows. The sheer magnitude of thought, placement and sourcing involved — not to mention the central focus appeared to be longlost heroine and personal leading lady of inspiration, aviator Amelia Earhart. Each window portrayed a captivating display v o l .

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imaginatively curated and layered from the overall theme of aviation, while broadening the scope to modern international fashionista with a backdrop of paper airplanes and rare vintage finds. July 24 is Amelia’s birthday, and as I was discovering the window series only a few days after, I knew I must confirm my suspicions behind the theme.... Was my dear heroine the central inspiration? I consider myself to be 97

somewhat abreast of the creative scene; with a foundryman and sculptor as my better half, I am aware of several creative processes. However, these windows were special, extremely so, and the manner by which they were planned and carefully constructed was something I felt compelled to experience and deliver to a wider audience. During a few days in late 2012, we shot Girls Behind Windows, a short film with the finest window dressers in the region to introduce our contemporary magazine experience.

Shortly following the Amelia discovery, I made contact with the Visual Director of the store, Stacy Suvino. It was clear from the beginning of the conversation that Stacy was a fire sign (a Leo, in fact, like Amelia), and it is likely we played Barbies together in a past life. From there, Stacy introduced me to Rachel Everett, Art Direction Coordinator, who, although she didn’t allow others to share in her creative Barbie realm; I would have tirelessly insisted I be an exception to the rule. Bottom line, these girls were “renaissance creative 20-somethings” and I felt like a longlost cousin. Stacy explained to me the concept behind my inquiring interest was titled “ A Sentimental Journey,” and the window series’ focus was not Earhart-inspired as my passion had initially perceived but more on aviation. From there, a romantic storyline involving love, military deployment and travel for the ad campaigns was produced in tandem with the windows’ “flying in fashion” art direction. While Rachel and Stacy were tying together loose ends with the window launch, they realized the installations were set to open the

week of Earhart’s birthday, which synergistically added meaning and a strength in the essence of Amelia to the overarching concept.

Having spent a few days with the girls, I learned their partnership is more like a kindred marriage of sorts. One’s weaknesses are another’s strengths, and the way they almost “Dropbox” to a shared brain source reveals the depths of their artistic connection, comparable to how they say twins sometimes share their own language. Rachel, from Locust Grove, Oklahoma, and an art history graduate of Wheaton College, brings a historic reference and talents of painting and construction as well as art direction and community relations skills. And Stacy, from Fayetteville, Ark., and a celebrated New York City Fashion Institute of Technology talent shares the “old-school way” she was taught to design the windows at iconic Bergdorf Goodman in New York City. Changing out the windows every three weeks is only a portion of their creative responsibilities.

Inspired by travel, editorials, photographer Tim Walker and trunk-show visits with world-renowned designers who visit the store, the girls carefully curate artful photo shoots and lookbooks for the store’s labels with up-and-coming Tulsa photographers. The ad campaigns are exquisitely executed.

From concept and styling to model selection, image processing, type and aesthetic, this small creative team is bursting at the seams and creating a timeless, yet modern image to support the iconic name and reputation that is Miss Jackson’s.

engage

I have a fabulous eye for uniqueness which I love and it appears your magazine is!

Welcome new kid on the block I wish you great success! Can’t wait to get my hands on 1 & 2. -Margaretta Mosshart Baez- / reader okieMAMA is one hot MILIF (Mom I Like to get Inspiration From.) The articles are fun, cultured, and relevant to the Okie that wanna be in the know. -Matt Goad- / artist

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My visits to the Utica store and creative collaborations with Stacy and Rachel have provided enormous insights beyond my original understanding of the store’s history. When researching the history of fashion in Oklahoma, all arrows point back to Nelle, the first fashionista, with her ability to give patrons lifestyle direction, especially the nouveau riche of the Tulsa oil capital days. Having paid her dues working with McCreery & Company and the historic Vandever’s Department Store, she went in pursuit of her dream with vision and integrity. As a pioneer stylist, styling meant something different to Nelle than to the thousands of girls now playing dress up in front of the computer. Nelle carved the way for many who share her passion for accentuating the mundane and making the world more beautiful, one stylish decision at a time.

Artful dressing and stylish adornment is a flourishing creative field. Styling and personal shopping are becoming further monetized and recognized in global blogging communities, within department store houses and by international brands, such as J.Crew, as well as other Boutique labels, which for years have offered the option to chat with a stylist online.

Nelle Jackson was a woman of modernity, a woman with one foot in her time and one in the future. A true visionary, her taste and talents put Tulsa on the international pulse of fashion and now amongst the talk of the region for her dynamic creative duo in Everett and Suvino.

Nelle touched numerous lives through her steadfast pursuit of excellence in service. She raised the bar in Tulsa society while still meeting every client where they were. Suvino reiterates Nelle’s unique place in Oklahoma history by adding, “Nelle was definitely an individual, a very ambitious one.

When she began Miss Jackson's, not many women at the time were doing things like that. She had a dream and she turned it into a reality — something I can definitely identify with.”

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Special thanks and credit to Kate Baeird Meyers for her mini-biographical piece provided by Miss Jackson’s. Without Kate’s wise insight to study Nelle and her pursuit, this article would not have been possible.

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STELLAR PHOTOGRAPHY: NATHAN PRESLEY ARTWORK OF NELLE BY: LEE ROY CHAPMAN

“THERE IS NO DOUBT IN MY MIND THAT THE SUCCESS OF MISS JACKSON’S AND THE FACT THAT IT IS STILL HERE GOES BACK TO HER AND HER ORIGINAL PRINCIPLES,” “IT WAS ALL HER VISION AND ABOUT US STAYING TRUE TO THAT VISION THAT KEPT THINGS GOING.” -FORMER MISS JACKSON’S OWNER WILLIAM (BILL) F. FISHER JR. v o l .

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P RO J E C T B O B

by Aimee Rook

He was the only one who cared. From the moment Nim walked Bob Ingersoll’s way, he thought “I like this guy. I’m with him,” I imagine. Something about the familiar look in his eye and the no-nonsense, no-BS Boston manner that established trust between these two. Such a decision would prove to save Nim’s life and the lives of many other chimpanzees in the United States. Sure, Ingersoll could see Nim was different from the others. Not just as a celebrity with a witty name, but Nim’s logic. He had these reasonable expectations and a social understanding clearly related to how he was raised, in the comfort of human homes and human indulgence. Nim now had the vocabulary in signlanguage and rapport to communicate, relate, and connect.

Through Nim’s story and our relationships with others, always with respect for their nature, we have a rare portal to see and understand ourselves and our responsibility to each other.

We have more in common with Nim and friends than many will ever understand. Bob cares about Nim and friends, but it’s the big picture. Are we brave or blind?

Norman-born and celebrated chimpanzee Nim Chimpsky has a deeply moving and colorful story involving OU and OU students from 1973 to the present. Project Nim was a scientific program to study communication abilities of chimpanzees raised in human families. Many chimps learned to sign or use American Sign Language, but few of the humans involved predicted or prepared for the sincere communication, intense bonding and emotional, often violent, consequences of the study. Normanites were intimately involved due to the “success” of OU Behavioral Psychology Professor William B. Lemmon’s chimp breeding practice. He kept them alive unusually well. But the ethics were askew.

The consent of the mother to use seven of her children for “research” was not sought. Consent obtained with a cattle prod is not consent. Similarly, intentional interference and self-serving manipulation with attachment is no simple procedure. It instigates the most common and destructive v o l .

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emotional disorder in all sentient beings: attachment disorder.

Maybe the events seemed harmless and with good intention or commendable cause in the moment. I have great respect for the major players, my peers. Peripherally, I’m involved. I didn’t do anything to stop it. I was a child, then a distracted young adult. I couldn’t see my part, or how I could help. Now my perspective has changed as I move to the other side of the sculpture. Emotional abuse is preventable and affects everyone. Is this a Mental Health practice you are willing to challenge? Good. Make eye contact.

Nim’s story is part of our Norman history and our collective humanity. It was concisely told in 2008 in Elizabeth Hess’ book “Nim Chimpsky: The Chimp Who Would Be Human.”

Many people in Norman who were involved in Nim’s story were interviewed for the book. They had exceptional relationships with Nim and many other chimpanzees, stories untold. Bob Ingersoll persisted to tell their story through his shop, Jungle Jim’s, on Campus Corner. He is a model of a local hero. He was pivotal in the legal and logistical rescue of Nim and a few friends. All the while, he and several others continued to work for hundreds of our chimps and find sanctuary for them. More than that, Bob sought, and continues to seek improved conditions. He persisted to be the one person who cared about Nim enough to minimize his suffering and end his solitary confinement. Thanks to Bob and friends, after many years of abandonment and neglect, Nim found some peace and companionship before he died at the young age of 26, half his expectancy.

I grew up in Norman. I recall Chimps in the park, in the grocery store, at the office, on a couch, in a diaper, in someone’s arms, with the same curiosity and confidence of a three-year-old man-child. My friend recalls painting their nails while she waited for her dad to get off work on North Base. Memories like this pop up in random conversation now and then. Chimps in Norman in the 70’s weren’t just 105

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part of the scene, or part of a wholesome bond between the OU Behavioral Psychology Department and community.

This chapter in our book goes south. The stealthy nature of emotional abuse is laced throughout society and it preys upon all creatures great and small. We consent to some of it, like classism and racism, internal and external. This is something citizens of minority in multiple social groups experience from the day we are born. Then we wake up one day and realize the exact nature of our experience and our part, as perpetrator, and victim, and resolve to change the things we can. We’ve been given a unique opportunity to heal and develop a deep emotional literacy through reflection and activism. There is a movement upon us, unique to Norman. No other community bears this challenge quite in this way. Sure, we do not possess it alone; it is also an opportunity for humanity to learn from the past and choose liberation for all. Idealistic? Probably, but idealistic doesn’t mean impossible. Will we rise to it? Or turn towards our collective beer?

This moment reignited when the thoughtful wife of movie producer Chinn in London read and was touched by Elizabeth’s book. Then their comrade, James Marsh, director of Academy Award-winning documentary “Man on Wire,” focused on Nim’s story for his next movie, for which he won Best Director of a Documentary when it was first screened at the Sundance Film Festival in January, 2011. Since then, the powerful story has been witnessed at numerous film festivals such as the True/False Film Festival in Columbia, Missouri; the Florida Independent Film Festival; the Sarasota Film Festival; the Boston Independent Film Festival; and the Miami International Film Festival, among many others. Project Nim earned more than 20 Best Documentary Awards in 106

2011-12. Project Nim, the movie, was released to theaters in July 2012 from HBO Documentaries/Roadside Attractions, and to HBO in early 2012. It was shortlisted for an Academy Award Nomination. It is now available on DVD. Bob’s current experiences with chimpanzee welfare are explored in the bonus track “Bob’s Journey.”

Since then, enthusiastic and passionate advocates in Norman have been working to bring Nim’s story home and raise awareness for everyone’s benefit, and also to pass the Great Ape Protection Act, and rally resources to provide sanctuary for the remaining 800+ chimps currently stuck in outdated, unnecessary research settings in the United States. All of which WILL require honesty, expression, and substantial action from those who care, especially those who understand from personal experience, understand not only how chimps feel, but also the preventable, emotional and financial cost with little meaningful gain from Chimp research.

Such emotional maturity and respect for chimp psychology is essential to the success of the mission of the Nim Chimpsky Trust. While renowned professors and substantial research merit our respect, the benefits of their studies simply do not outweigh the cost of their current best practice.

We are a mature community, capable of reflection and compassion for ourselves and others when faced with regret and suffering. While circumstances may seemingly have fallen apart, as the Norman connection seemed to disintegrate and compost into Norman’s foundation, Hess’ book and Project Nim have revitalized potential growth. We have a unique opportunity to create and improve how we choose to live.

Ideally, we will choose to live with emotional maturity and a deep respect for our interconnected web of life.

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EDITOR COLLECTIVE

TUNE IN TOKYO

I don’t know about you but Phosphorescent, Alabama Shakes, Edward Sharpe and the Zeros all hailing Mumford Style on the red dirt side of things.... How lucky are we? One of three festival stopovers. Good Karma Oklahoma! With that being said, our finely atuned Tune in Tokyo selections are the editorial and contributors picks for current interest and songs that have pulled us thru the past season. And from the sounds of things, it appears there is something for everyone. For myself hearing some vintage Petty fueled endurance to keep going when I thought perhaps I was a doner. and who better to deliver a dose of confidence than Gwen in her group’s latest, Push and Shove. Madeline added some edge with her across the pond addition of Charli XCX, Led Zeppelin while Laney excitedly chimed in some Kurt Vile, II The Nationals new album alongside The Shouting Matches. Style Editor Courtney threw in a little Sofia Coppolla soundtrack from The Bling Ring, while the Amys (Film Editor Amy Scott and Music Editor Amy Wills) hit the pulse wide and clear with Phosphorescent Muchacho unanimously alongside some Califone, Ben Howard, Dirty Three, and Emeli Sande’, while Social Contributor Steph adds in a little late summerlove revisit to Zeppelin.

Califone Stitches

Dirty Three Horse Stories

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Ben Howard Every Kingdom

Charli XCX True Romance

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Kurt Vile Wakin On A Pretty Daze

Phosphorescent Muchacho

The Bling Ring Soundtrack

Tom Petty & The Heartbreakers Anthology Through the Years

The Nationals Trouble Will Find Me

The Shouting Matches Grownass Man

No Doubt Push and Shove

Emeli Sande’ Our Version of Events

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Jo Meacham / Urban Kitchens Principal, Masters in Architecture & Historic Preservation

Meet Jo Meacham, kitchen designer of OKC’s fine Urban Residences & Historic Homes Uniquely qualified With her Masters in Architecture & Historic Preservation, from the University of Oklahoma, Jo Meacham is OKC’s kitchen designer specializing in masterful kitchens for our city’s fine urban residences and historic homes.

Architecturally appropriate Most importantly, Urban Kitchens are thoughtfully designed to embrace your home’s unique architecture, express your personality and enhance your lifestyle. urbankitchensok.com Call Jo for an appointment at the showroom or for a design consultation in your home. Jo Meacham, 405.702.7747 urban kitchens / 3515 N Classen Blvd. OKC, OK 73118

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In September 2012, model and entrepreneur Rachel Odom had an idea that would bring awareness to a cause and calling in the wild. After visiting Mission: Wolf, a refuge for wolves in the wild, for the first time in 2008, Rachel decided to return to the wolves and coordinate a fashion-forward shoot in the mountains of Colorado with her wolf friends and commercial photographer Shevaun Williams.

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Once you look a wolf in the eyes, you will never forget how it made you feel.

Wolves’ paw prints lead you along trails of discovery and insight.

To look in their eyes forever imprints your heart.

To hear their howl forever marks your soul.

To connect with them forever bonds your spirits.

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inding Mission: Wolf was a completely wonderful serendipitous event. My best girlfriend, Amanda Mathes, and I were camping and mountain climbing in the area.

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of town to return to Oklahoma, we wanted to fit in one last activity. After lunch, the friendly proprietor offered up a few suggestions, which we narrowed down to Mission: Wolf or Bishop Castle, but we did not have time to do both.

Amanda wanted to go to Bishop Castle, and I thought the wolves sounded interesting. Ultimately, the wolves won and we headed out on our last adventure before heading home.

Shortly after turning off the main highway, we discovered the remoteness of the sanctuary. There were no roads with signs, 113

only gravel stretches that ended at a farm or in the direction we hoped was Mission: Wolf.

Due to the unexpected remote nature, we got lost quite often, which added to the sense of adventure in our pursuit. We eventually arrived at Mission: Wolf and were greeted by one of the volunteers who lives at the sanctuary.

Amanda and I had no preconceived ideas about what to expect from wolves apart from the childhood stories and drawings of wolves howling at the moon. Our trip to Mission: Wolf and the education it provided would change our perceptions of wolves forever.

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ission: Wolf is a non-profit, educational wolf sanctuary located in the remote wet mountains of Southern Colorado. It is a peaceful sanctuary for captive wolves and wolf-dog crosses. All of the animals living at Mission: Wolf share a common trait: They were born in a cage. Most of the captive wolves born each year do not survive to see their first birthday, having been destroyed or neglected.

The M:W staff (made up of volunteers from around the world) teach people about the value of wild wolves, their natural characteristics and the dangers of trying to keep a wild animal as a pet. Mission: Wolf connects people with nature using hands-on experiential education.

By offering volunteer internships and national traveling education programs, M:W seeks to inspire people to become stewards of the earth. While providing a home for rescued wolves and horses, the nonprofit creates opportunities for human growth via community service outreach and personal interactions with animals. Mission: Wolf values education, sustainability and improving relationships between people, animals, and the world around them. Mission: Wolf operates on solar power and its staff builds with recycled materials — an inspirational model of green construction and sustainable living.

EDUCATION vs. EXTINCTION

The dramatic and diverse reactions that humans express in the presence of a live wolf include fear, intrigue, ignorance and arrogance.

The wolf is one of the most controversial species throughout human history. In an instant, the mind flashes from the scary images of wolves in children’s stories such as the Three Little Pigs and Little Red Riding Hood to honorable images of the wolf as the ancestor of our best friend, the dog, and the symbol for wildness. The unique connection a person has to nature is realized when a wolf takes time to greet him or her using wolf introductions: eye to eye.

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That first visit in the summer of 2008 ignited a passion and a desire to bring awareness.

My initial feeling was so profound and mind altering that I didn't know how to direct my excitement. I wanted to climb to the top of a mountain and sing the praises of all that I had learned to anyone and everyone. I wanted to share the respect, connection and admiration I felt with wolves and wanted others to be just as excited as I was. Ultimately, I wanted to stop the inhumane breeding of wolves and wolf-dogs for pets. A fire had been lit by M:W, but I didn't know at the time how I could contribute to this cause that had suddenly become a calling.

Over the next few years during my summer mountain climbing trips to Colorado, I would always stop by M:W for a visit. It wasn't until May 2012 I came up with an idea to use my talents to contribute to M:W. Because I model and have a degree in marketing, I came up with the idea of arranging a photo shoot at M:W. In my research I found that, other than the typical wolf-howling-at-the-moon pictures and drawings that you might find in a southwestern gas station, there were no images of a wolf in a fashion setting, I searched high and low on the Internet and found nothing of reference. Nothing by famous or even not-so-famous fashion photographers — absolutely nothing! That made the idea of a fashion shoot all the more exciting and interesting. I hoped an image of a wolf interacting with a model could create the buzz I was looking for. If we could find a way to create photos that got people’s attention and then harness that attention to promote the objectives of M:W, then I believed it would be a success. I have experience shooting with wild animals and I had spent time learning wolf behavior during my previous visits to M:W. I emailed Kent Weber, Founder and Executive Director, my idea and he welcomed us to the sanctuary to give it a try.

"Try" is the key word here. Regardless of how much you plan, the decision lies ultimately with the wolf. Wolves tend to be interested in people for maybe 30 seconds at best. They read people well, so the chance of getting that “perfect” shot is reduced. These are not trained wolves, and they cannot be told what to do. They will let you do whatever they feel like letting you do.

They might not be interested at all and ignore you altogether. There were so many variables — from the clothes we were wearing to the camera used and even whether the photographer was a man or woman. There was absolutely no way anyone could predict the behavior of the wolves.

That first short photo shoot went fantastic.

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marketing. Kent and Tracy Ane Brooks, CoFounder, were very happy with our first attempt and invited us back with even fewer restrictions, more time, privacy and access to more wolves (with their supervision, of course). While our first photos had accomplished what we set out to do, which was to create awareness, those photos were not without controversy.

Some people thought that wolves should be photographed and enjoyed in the wild, not promote human interaction, like we had in our shoot. They felt this was the complete opposite of M:W and other wolf conservationists’ work toward raising awareness. However, our photos had captured the attention of people who weren’t previously interested or involved in wolf conservation; therefore, it proved beneficial as it had expanded the audience for M:W. I felt incredibly honored and ecstatic about the opportunity to go back and shoot with the wolves again. The task was a little daunting because, for the next editorial, we really wanted to bring the best people. I wanted everything to be perfect and for the results to bring more attention to the heart of the sanctuary’s cause. I knew I needed an experienced photographer, and Shevaun Williams was my dream choice because of her talent, experience, professionalism, equipment and variety of work.

Shevaun, I knew, could pull this off! I worked with her on coming up with a concept for the editorial piece; we pulled wardrobe, packed our bags and headed off to Southern Colorado in September 2012. The days of shooting and spending time with Kent, Tracy, M:W volunteers and the wolves were magical. Getting up at 3 a.m. to do hair and makeup and climbing the mountain for an early-dawn shoot was a beautiful experience. Everyone involved put 110 percent into the project. The wolves served us with their tolerance, and we couldn’t have been happier with the outcome. Even the production time was fruitful as everyone on the production team left with the same emotions, education, appreciation and insight I took from my first journey there.

Upon visiting Mission: Wolf and learning about wolf-related causes in our country, I developed a deeper understanding and appreciation for the majestic animal. What I learned while touring the sanctuary all came together the instant I met a wolf face to face. I hope my experience has brought a greater awareness to this this cause, and I encourage the audience to educate themselves more via the resources Mission Wolf provides and if possible, find a way to support their mission to sustain the natural livelihood of the wolves. v o l .

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CHRISTY C OUN T S In July 1975, a spirit was born that would later provide shelter to more than 10,000 cats and dogs born on Oklahoma soil. That selfless mission was embedded in the soul of local dog whisperer Christy Counts. From birth, Christy felt a connection to those beings that by nature are unable to communicate on their own behalf. The calling has led her on a quest around the country and back to secure their rights to a better life.

I met Christy in college, and we both housed spirits of rebellion, like stallions in study for our true pursuit. She would without question take multiple dogs into her college townhouse and provide the abandoned animals with a loving guidance that would shift their lives to a direction of trust and ultimately shelter. By spending time training the dogs as they lived with her, she would later find a way to match them with new owners. Anyone who was around at this time was pulled into her cause and immediately learned from her compassion and instinct for simply “doing better” and taking care of those creatures without a space in society or, more importantly, a home. In following her cause, she was led outside the Great Plains to New York and Los Angeles. Working in the family trade of photography while on her walkabout, she remained v o l .

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connected to the contemporary schools of thought amongst respected animal rights communities. In volunteering her time and energy to her own cause of animal welfare in New York, she was introduced to the working model of a progressive urban Humane Society. One day, a revelation took hold.

Christy is a natural leader. Born to parents who were successful entrepreneurs in the photography industry, she remains inspired by their greatness and that of talented Dog Trainer, Barbara Woodhouse. Returning to Oklahoma City inspired to create and serve, Christy founded her own true calling in Oklahoma’s first humane society, Central Oklahoma Humane Society. Like many who are drawn outside of Oklahoma in a hunt for opportunity, she was guided back with a purpose: to build and save the lives of abandoned animals. The founding mission of OK Humane is “To end needless euthanasia in Oklahoma City,” and to date OK Humane has adopted more than 10,000 animals and has spayed/neutered more than 50,000 animals. The society also has raised the live release rate at the OKC shelter from 25 to 65 percent. Those are impressive statistics for such a young organization, and Christy’s newest projects involve pushing for more equine rescue work statewide.

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A mother, animal rights activist and organizational leader, Christy has a fuller plate than most. If you want to visit with her, get ready to walk and talk; she won’t stand still for long, as she’s always pushing forward. The afternoon we visited, she was receiving a leadership award and was laughing while candidly mentioning she had not yet prepared her acceptance speech. I reveled in the fact that she was rolling with it and enjoying each moment. She exuded a playful confidence which assured me she would later captivate her audience with her passionate radiance. Her work moves her and those around her, and as with most dreams of purpose, hers is larger than life and perhaps larger than the life that drives them. She juggles her days with grace and offers Zen advice for others on their own journey: “I try to stay in the moment, remain flexible and not be too hard on myself. I want my children to have a role model of someone following their dreams and passions and making an impact in the world. I think that is a gift to children.”

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When asked about her vision of Oklahoma City ten years into the future, she keeps on point in saying she believes it will be a “top tier city”, which is reiterated via Forbes and other publications recent predictions. As we watch the city come up around us with the new restaurants, retail shops and small businesses, it’s important to realize those who invested their purpose and leadership in the infrastructure of our community are what allows these visions of growth, energy and recognition to emerge.

Without a Humane Society, Oklahoma City would not be able to rise to the occasion with a clear conscience. Christy counts herself fortunate to “never work a day in her life” as she was able to navigate her north star to bring about immense change in restoring animal rights.

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LOSING game money • communication • pretending • honesty • self-confidence • distance • numbing a conceptual editorial by Jamie Allsabrook

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Love Is A Losing Game by Amy Winehouse For you I was a flame Love is a losing game Five story fire as you came Love is a losing game One I wish I never played Oh what a mess we made And now the final frame Love is a losing game Played out by the band Love is a losing hand More than I could stand Love is a losing hand Self professed... profound Till the chips were down ...know you’re a gambling man Love is a losing hand Though I battle blind Love is a fate resigned Memories mar my mind Love is a fate resigned Over futile odds And laughed at by the gods And now the final frame Love is a losing game

Losing Game is a conceptual series that explores a number of problems that contribute to the dissolution of a relationship. Shot largely in the personal home of Lortondale architect Donald Honn, it depicts a young couple living their lives together yet at the same time, apart. The images are visualizations of the many problems that keep them apart such as trust, money, drinking, and honesty. One problem appears in every photo–selfishness.

Male model: Kris Hamilton Female model: Leah Sostman Makeup: Julia Whiteley Wardrobe: Leah’s wardrobe provided by Cheap Thrills Vintage Hair: Shawna Burroughs Location credits: Steve Neely (Lortondale home) and Arnie’s Bar Assistants: Daniel Vincent and Joshua Gassman

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ishaps you may chance upon while on Safari.

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Ask me what my favorite travel experience has

been and I will respond without hesitation, "Going on Safari". I've been twice now: once in South Africa and once in Kenya. And if I can manage, I will do it again and again for there is nothing comparable to me than to see wildlife exposed in their natural habitat, free to roam, to hunt, to bathe, to roll about in the dirt and bask belly up in the sunshine. To clarify, I am not advocating a hunting safari. Sadly these do still exist, but most of the game reserves these days aim to protect the animals from hunters and poachers.

If you’ve never been on safari, here’s what you should expect: You will rise in the early morning (typically around 5 AM) to take your first drive of the day. This will last for several hours while the sun is not yet too hot. You will then return to the lodge for the majority of the afternoon. Eat a good lunch, take a nap, go for a swim or read a book. You can’t really go for a wander since you are surrounded by the wild bush, so activity is limited to what the lodge has to offer. You will then go out again in the late afternoon as the animals are rising from their mid-day slumber to forage for food, finally returning to the lodge at twilight for a feast, drinks and usually some sort of cultural act throughout dinner.

My first Safari adventure was with a group of my colleagues at STA Travel. We were flown out from Johannesburg to a private game reserve on the Western edge of Kruger National Park called Timbavati. I don’t think any of us had anticipated the sheer thrill that awaited us.

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e arrived in the afternoon with plenty of time to get settled at the lodge before the evening drive. The lodge itself, Simbavati (a Shangaan word meaning “the place where the lions come down from the stars�), was a delight in and of itself. The rooms were immaculate: the beds with crisp white linen dusted with flower petals, countered by rich warm hues of wood furniture, and an open air shower that was hidden from the views of fellow lodgers but looked out over the wild

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African bush spilling to the horizon.

You could watch herds of buffalo and elephants trampling along the edge of the river which bordered the lodge, while you lingered under the cooling spray of your bath.

We left the lodge in the late afternoon to begin our first drive. There were six of us in an open-air jeep, plus a driver and a tracker. We rolled out with keen anticipation and after about ten minutes of driving, we turned off-road into a

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clearing to behold a couple of towering elephants chomping the grass and gnawing away at the grove of Acacia trees. The driver turned off the engine and we simply sat and watched in awe as these massive herbivores noshed away on their afternoon snack. A visit to the zoo does not prepare you for the sensation of being a mere five feet away from these giants with no boundaries or cages to offer a sense of protection.

You’re simply there, in the wild, existing with them.

Timbavati is also home to a very rare species of white lions. There are only around 300 of these lions in existence and most of them can be found here.

After stumbling out of bed the following morning (5 AM is not easy on vacation), the first animals we chanced upon were a pride of lions: the cubs rollicking in the grass and playing a game of tag around a termite mound, completely unaware that we were there, watching and secretly yearning to tumble in the dew kissed grass with them.

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Our remaining time was a whirlwind of adventure and

camaraderie. We tracked the elusive leopard, spied on the evening rituals of a herd of rhino, tipped our hats to the amicably calm giraffes, and cried out “10 Points!” every time we saw an impala (a game our witty driver, Omega, had us play until we realized the impala were the “McDonald’s” of the bush…they were everywhere).

In the evening, we would sit around a bonfire enjoying a feast of traditional South African dishes accompanied by dry, robust wines from the Stellenbosch region near Cape Town, and swapped stories of our sensational encounters with the wildlife. Roaring with laughter, crooning Mancini’s “Baby Elephant Walk” and dancing madly to Toto’s “Africa”, our cheeks flushed from the good cheer, the beasts of the bush lived within us now.

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y second safari was in the Tsavo game park in Kenya.

This time around, however, I was on my own. Not only alone at the lodge, but I also had the safari jeep all to myself, with the exclusion of my driver. I didn’t specifically ask to be alone… it just happened that no one else booked the same safari guide for the same dates. Tsavo was starkly different from Timbavati. There was a drought in the region, so the landscape was much more barren and dry. But there were no lack of animals regardless and many different species of birds, monkeys and antelope than those in South Africa. While I missed the companionship and exchange of stories with my peers, going solo offered an unmistakable freedom. If I tired of watching the zebras dash out across the plains, I would simply ask the driver to carry on. I could move about in the jeep to find the best angle for capturing a photo of the spotted hyena. And most importantly, I could have a dance party. There were times when we would have to drive for thirty minutes or more to find animals (the drivers would communicate locations over walkietalkie) with nothing but shrubs, dirt and termite mounds as far as the eye could see. But I did not sit down. My driver would turn up the speakers, I would lay my camera back in its case, and dance around the jeep in a brazen impulse of glee.

His rather surprising choice in music was the likes of The Weather Girls, Ace of Base, Bobby Brown and Milli Vanilli.

Imagine it: There I am in Kenya, an Okie gal trailing after the swiftfooted cheetah, and my driver and I singing at the top of our lungs, “It’s Raining Men, Hallelujah!” Surreal.

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Evenings back at the lodge were spent reading my book (oddly, I brought the Complete Sherlock Holmes and could not quite bring myself to follow the characters through cold and rainy London in contrast to the sunny panorama around me), enjoying the traditional Swahili dishes and quaffing Tusker, the beer of Kenya, which is made from the ‘sausage tree’ (a tree that, as the name suggests, bears a long fruit resembling a sausage).

The early morning of my second day in Tsavo held a different challenge for me though. I had been instructed by the staff to not leave the window open in my room, as animals could potentially go inside. Unfortunately there was no ventilation either so I spent a restless night tossing under the sweltering, humid air. When I rose in the early dawn, I dashed to the window, flinging it open to inhale the fresh morning breeze.

And there I discovered a screen. I chided myself for not having noticed the screen the night before and ambled to the bathroom to wash my face. As I was brushing my teeth, I heard a startling noise come from the bedroom. With quiet trepidation, I peered around the bathroom door to find the granddaddy of all baboons standing at the foot of my bed and pawing his way through my backpack. He snatched my belongings, flinging them behind him in careless urgency, grunting, probing and trampling my clothes underfoot. I ran back into the bathroom, locked the door and pounded on the walls for help. By the time the staff arrived he was long gone and with him went my neck pillow, sunglasses, beef jerky and bubble gum. I could not help but burst out laughing to think of him returning to his bevy of cronies, smacking my gum and sporting my shades. You truly never know what adventurous mishaps you may chance upon while on Safari. v o l .

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here are many wildlife parks throughout Africa that have safari options available. If you’re keen to see the “Big 5” (Rhino’s, Elephants, Lions, Buffalo, & Leopards) your best bet will be at one of the following reserves (as well as the two mentioned above):

• Masai Mara National Reserve – Kenya • Krueger National Park – South Africa • Serengeti National Park – Tanzania • Chobe National Park – Botswana • Etosha National Park – Namibia • South Luangwa National Park – Zambia

Getting to Africa from the U.S. can be a bit tricky. If you’re flying to South Africa, your best option will be on S. African Airways who service non-stop flights from New York (JFK) & Atlanta to Johannesburg. They also have a direct flight (which means there’s a small fuel stop en route where you remain seated on the plane) from Washington DC (Dulles Airport) to Johannesburg. For Kenya, I flew Ethiopian Airways from Washington DC (Dulles) to Addis Ababa, then on to Mombasa. If you don’t mind a long layover in Europe (who would?), many airlines will route you through either Frankfurt, Amsterdam, London or Paris in both directions. Take advantage if you have the time to extend your layover on the return for a few days!

Whether on your own or not, if you can seize the opportunity, shed your stiff suit and tie for a wide brimmed hat and khaki shorts and heed the call of the wild. Going on Safari will nothing short but amaze you.

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LIFESTYLE CONCIERGE

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