JRB Variations

Page 1

Newman

JRB Variations piano

OK

FEEL

GOOD

MUSIC


In fourteen variations on a musical theater song by Broadway phenom Jason Robert Brown, "JRB"’s brilliant 11 o’clock number varies not only in typical concert variation manipulations, but also in harmonic language and musical styles—with a few variations designed as nods to the speci c compositional styles of close friends—or to unique characteristics of my very musical family. For JRB-fans like me, "It all fades away but you."

DURATION ca. 20’

FIRST PERFORMANCE March 1, 2022, Madsen Recital Hall, Provo, Utah Blair McMillen, piano

www.jonathannewman.com

OK

fi

ABOUT JRB Variations

FEEL

GOOD

MUSIC


for Blair McMillen

JRB Variations

THEME*

     

     

   

       

* "It All Fades Away" from The Bridges of Madison County © 2010 by Jason Robert Brown. Used by kind permission of Jason Robert Brown and Semolina Farfalle Music.



        



        



3

 

6

   

    

10

 

           

13

 

  

 

  

 

 

      

  



 

                              

 

   

           

             

       

corr. ed. 2022

          

         

                     

             

 

  

                                    

 

       

                                



                    legato                                 Rolling Folk Rock Feel ( = ca. 52)

JONATHAN NEWMAN

               

 

  

  

   

   

           

                 

© Copyright 2021 by Jonathan Newman, OK Feel Good Music (ASCAP) All rights reserved For all countries

  

 

       


2

 

 

VAR. 1

                                                                                                L'istesso tempo; Appassionato

16

con Ped.

        

19

 

  

              

               

                                  

                                          

21

23





  

 



    

                                        

    

           

                           loco   

                       

rit. 



                                                                                  

25

  

   

    

A tempo



Variation 1

   



                 


Variation 2

     

28

  

  

  

                            

   

3

                                                                                                                                     accel.

VAR. 2

                                                                            

31

Andante, owing ( = 76–80)

                                                 legatocon molto pedale

                     

34

 

    

                                    

cresc.                                                                 

                               

37

     

                             

         

         

steal time necessary for grace notes

                                                                      

39

         

       

 

                             


4

Variation 2

                                     

42

                               

                                                                                                                                                                    

45

49



     

                   

                       

                          

                                        

                                                                                

51

                         


 

Variation 3

                          

                                        

53

  

56

5

                                                                

ten.

                                             

a tempo

rallentando

    

 

                         

attacca

VAR. 3

60

With wild energy  = 116

 

                                    

                   

64

     

68

 

 

 

                  

    

  

                                   

                   

loco

   

     

 



                 

     

  

 



  


6

 

70

    

73

  

 



     

  



Variation 4

 

  

  





  

  

                

     

 

 

[3+3+2]

80

white note clusters

       

 

 = 116

  

 

 

[2+2+3]

 

        





 



  

 

(RH)              

 

 

                              

                                loco 

85

 



                                   (both voices)

for John Mackey

Brutal

   

 

   

 

                                    

VAR. 4





loco

 = 

 

76



 

    

 

              

 

 

 

        

 

 

          

    

 

 

[2+2+2+3]

        

 

        


Variation 4

 

91

 

                                         

                      

97

                           

101

            

105

  

    

         

108

                                          (w.n. cluster-3rds)                            

         

       

7

       

 

                

( )                                                       

   

                               loco                    



(w.n. cluster-3rds)

  

  

     repeat in any order                                    con molto Ped. legato


8

 

Variation 4

  

    

   

freely, not in strict tempo

111

                 

sim.

114

 





breve

                       

  

  

  



freely (an echo)







                                        

R.H.

                                                    

  

117

  

120

         

    

 

122

     

        

         

 



         

   

 

       

= 

                         

 


 

Variation 5

VAR. 5

for Amelia Newman

125         niente dim. al     

  

Satie-Andante ( = ca. 80)

  

      

    



141

   



147

   



153

  

 

    

  

 

  

 

poco rall.

 



  

  

 





 

 





  

  

Poco più mosso

 espr   

  



  

 



 

  

  

  



133

  

9

  

 

 

 



  

    

   

 

  

  

 

  

    

   

 

   

 



  

      

 

 

 

    

 

  

  

   

attacca


10

 

Variation 6

VAR. 6

                                                * * half-clear pedal just after each harmony/bar change Animato  = 132

159

162

       

 

164

 

        

             

     

        

    

       166          

   

168

      

     

      

1.

       

      

 

   

   

                                    

   

                                 

170

 

 

               2.


Variation 7

 

11

                                           

173

               

176

VAR. 7

 

=

   

      

for John Corigliano

L'istesso Tempo, with no meter ( = 132)

179

      





        

legato (16ths continue pulse of 8th-notes from previous Var.)

       sempre 

 

 molto Ped.

                  

180

181

freely, not in tempo

 espr. 

 

                                                        

   

  

  






12

Variation 7

                                                                                  

182

     

183



 

                 

       

Andante, Pastorale  = 100

 

184

      

188

 



   

 

=

 

 

   

    

                                        

 

               



 

    

 

(16ths in previous sextuplet pulse)                                        freely, as before         

Senza meter, as before

legato

 

                                                                                    

191

 

 

 



   


    

    

Tempo II ( = 100)

192

     

   

 

     

 

   

13

          

       

Senza meter

 

196



Variation 7

 

                            legato



    

 

 

   

            

                                                                 

197

Tempo II ( = 100)



                                                                                      

Vibrant, shimmering

199

           

202

  

  

 

 

   

 

        

  

  

     

attacca


VAR. 8

rubato    with                 

206

 

   

con Ped.

    

               

211

                       

216

    

Bill Evans Ballad-Tempo ( = 72–76)

 

 

          

 

   

     

               

         

  

   



Variation 8

 

       



14



         

   221                                                                     

      

                 

                  

     

                  

                   poco cresc.                       

                                    

          

  

   

   

   




  

        

231



  

  

      

 

           

235

 

                                

 

    

      

 

 

    

 

         

     

          

  

                              

      

a tempo

                



              

                  

             

              

Solo, freely

       

236

15



    

226



Variation 8

dim.

   

  

Più mosso, molto rall.



   

  

  

          

      

  

       



   

 

 


16

Variation 9

VAR. 9

241

for Steven Bryant

 

Largo, Spacious  = ca. 56 legato

      

 

  

[C.F.]

   



   



        

 

 



molto Ped.

246



    

           

      

251

 

    

 

   

   



254

    





  

 



  

 

             

        

   

    

     

 

 



 

   

           



 

 

 

 

   

   

    









     

 

 

   

    

   

 

 

 

    

    

 

  

 

            

 

     

 

               


  

Variation 10

VAR. 10

  

for Nadège Foofat

 

    

  

sempre

             

 –  

sempre

  

         

    

 

    

[259]

                                  

  

 

Bach-Adagio ( = ca. 72–76)

258

261

17

 

 

     



 

   

           sim.  –                

   

 sim.



  

   

 

 

   

  

  

   

       

                                                                                    


18

Variation 10

      

263

 

  

 

   

                                                                                  

 



[265]

                             

                 ()                

                                                   

268

  

   

  

                      

     

   

                          

 

                                                


Variation 10

   

  

[272]

                           

  

   

[274]

            

                ()                 

              

  276                             

 

19

   



 

                   

 

 

                

         

       

 

rallentando

 

 

LH

   

 

(RH)

 



 

  

attacca




20

 

 

Variation 11

VAR. 11

for Joel Puckett

 

 

Tenderly (a tempo)  = ca. 76

 

279

 

 *

  

282

 

  

285

 

  

289

 

 

  **



  





 



 

 





  

* pedal through each bar and occasionally over bars when there are lines to keep intact, but clear pedal or take half-pedals when the sound gets overly blurry. ** pp unless a note or phrase is otherwise indicated.

  

 





  



 

 

 

    





  

  

 

( = )

 

        

 

 



   

   

   



 

   

  

 



   

 



   

 



   

     



  

  



 

    

          

                     ***                         ***p unless a note or phrase is otherwise indicated

 

      =  294                                                                      -->            attacca     


Variation 12

 

  

VAR. 12

            ()          

299 L'istesso

          

Tempo, Manhattan Gates ( = 200)

        

              

302

 

21

          

                   

                        

cresc. poco a poco



              

        

                          

                                          

304

             307

              cresc.                     

    310 explosive                                                    

           

      313                                                     


22

  

 316                        319

     

         

                                          

   

327

    

          

   

         

          

                                                   attacca  = 

                          

VAR. 13 for Amanda Harberg ( = ) Vicious Blues  = 176

          

sparkling



          

                    

324

Variation 13

        333                           

                                

                          

            

           

 

      


 

Variation 13

                             ()

         

338

  



348

 

   

353

  



           

  

  

 

                     

357

                       

                                         

                                                                                     . s      (bl. key) s       gli    iss. l       legato g                                                     

           

343

23



        

 



LH

  ()

   



  

 

  



 



      



 

 

       

(LH)

 

 

    

  ()

    



    

      

  

   


24

Variation 13

  

         ()        

LH

358

           ()       

LH

359

        

         



361



    

 

          

    

      

      



        

 

    



 (LH)



           

               ()                    

      

                    

        

        cresc. poco a poco  





(LH)

LH

362

    

(LH)

  ()

    

     

LH

360

    

 ()

 

 

(LH)

   

 

       

    

 

    

                 

   

 

           

        

      cresc.

  

        

RH                          

 

                            

   


    

366

 

 

  

 



25

    

   

 

 

                                       

     370                              () ()                      

 376                      



                            

383

                cresc.         

389

 

                         

                

     



     

   

 

 

                            ()              

   

 

  

      

 

             

                      cresc.                  

           

     

          

ten.



      



Variation 13

 

   

   



                

ten.

   

   


26

Variation 14

VAR. 14—FINALE

 *  394      

for Jason Robert Brown

          

Allegro Maestoso

 

     

 = 126

LH

*

 

on theme

         

      RH

  

     RH

       



   

     

  





LH

  

   

with generous Ped.

 398                    

                  

401

405



 

     



 ( = )                                    

        

LH

                        

                  

                                                 

                          

                        

 LH                  RH   

                        

LH

 



LH

 

cresc.



  


Variation 14

  

409

 

27

                                                  LH                       

        

LH

 



 LH                   

 RH                                     RH LH

413

  

                         dim.                 

  

418

 

LH

   

LH

      



                   

              LH



        

    



 

               

 

  ( )  LH





    RH             

LH

422



)               (

  

        

       



 

                                           


28

Variation 14

   427                      

431



 

                       

                          

435

     

      

                

       

                                       

    

  

   

                                        RH

   

440

   

                

     

 

   



                               LH  sub.   

RH

                                                           

      RH             LH



               




Variation 14

            444                                                     

448



 

         

                                

               

A tempo ( = 126)                                     452                                                        

         

                              sub.                                 

457

    

 

molto rit.

      

 

   

      

  

  

   LH                                      cresc.   RH      LH

Più mosso 

molto accel.

29

                           

       

6/30/21 | Winchester, Virginia


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