
Newman
PI‘ILANI AND KO‘OLAU an imagined ballet
wind orchestra
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Jonathan Newman
PI‘ILANI AND KO‘OLAU an imagined ballet Commissioned by the Florida State University College of Music in recognition of the College Band Directors National Association presidencies held by Manley Whitcomb, James Croft, Patrick Dunnigan, and Richard Clary, with generous financial support from alumna Florence Helen Ashby.
Copyright © 2019 by Jonathan Newman Published by OK Feel Good Music (ASCAP) All rights reserved For all countries Second edition, 2024
performance materials available for hire from OK Feel Good Music www.jonathannewman.com
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PI‘ILANI AND KO‘OLAU scenario for an imagined ballet by Gary Winter Kaua‘i, Hawai‘i. 1890. Scene 1. Pi‘ilani’s ‘Auamakua 1. 2. 3. 4. 5. 6. 7.
Pi‘ilani awakens from a nightmare: an owl (pueo) being shot by careless hunters. Pi‘ilani hears the cry of the pueo, leaves her hut and walks into the forest. A shadow of a giant pueo leads her deeper into the forest. She finds the pueo lying on the ground, its wing clipped by a hunter’s buckshot. Pi‘ilani wraps the bird in a kapa blanket (traditional kapa cloth was made from pounded bark), and carries her into the forest to heal. The moon god Hina comes out—her moonbeams begin to heal the pueo. Hina tells Pi‘ilani that the pueo is Pi‘ilani’s ‘aumakua, or family guardian. Hina tells her that by rescuing the pueo she will survive a terrible ordeal to come. Scene 2. Jack London and Louis Stolz Arrive in Hawaiʻi.
1. 2. 3. 4. 5. 6.
Jack London sails from San Francisco to Hawai‘i on the back of a turtle. He wears a white suit and carries his typewriter. Louis Stolz (a white man) is a puppet. He rides in on the back of a shark. Stolz waves to London and fires his rifle in the air as he passes him by. The turtle lets London off on Kaua‘i. London is met by Pele the fire goddess, who escorts him to her volcano. Once inside the volcano London sets up his typewriter so he can write the story of Pi‘ilani and Ko‘olau while watching events unfold on a wall of flames. Scene 3. Paniolo
1. 2. 3. 4. 5. 6.
Ko‘olau and other paniolo (cowboys) on Vladimir Knudsen’s Waimea Valley ranch. Ko‘olau holds a steer down with one arm and brands him with his free hand. The shy Pi‘ilani, who has come to the ranch to buy milk, watches Ko‘olau from behind a fence. Knowing the beautiful Pi‘ilani is watching him, Ko‘olau breaks a wild horse, one of the hardest things a paniolo can do. Afterwards, Ko‘olau takes out his guitar and plays a sweet love song. Unable to resist, Pi‘ilani comes out of her hiding place and goes to Ko‘olau. Ko‘olau and Pi‘ilani go into the forest and make love all night long under Hina’s moonlight. Scene 4. Ko‘olau and Pi‘ilani’s Wedding
1. 2. 3. 4. 5.
A luau with hula dancing and lots of traditional food and music. Outside, a commotion. An old beggar woman has been trampled by a herd of wild pigs. Ko‘olau rushes outside with his rifle to shoot the pigs. When they are dead or gone he goes to help the woman. When he cleans off her wounds, Ko‘olau sees that the beggar has leprosy. Pi‘ilani, who has been watching from the lanai (porch), screams for Ko‘olau to stay away from the beggar. Ko‘olau tells Pi‘ilani that he is too healthy to catch leprosy. He puts the woman on his horse and takes her to the hospital, where she dies. Scene 5. Affliction
1. 2. 3. 4. 5. 6.
Louis Stolz, now Sheriff Stolz, rides in on a toy horse. He is followed by a small army of puppet soldiers on toy horses. Stolz and his men do the Manifest Destiny Hula. Stolz visits Ko‘olau and Pi‘ilani in their home. Ko‘olau is wary because he knows Stolz wants Ko‘olau to help him round up lepers to be taken to the leper colony on Moloka‘i. Stolz gives Ko‘olau a warrant ordering him to see the doctor in town to determine if he has leprosy. As he is leaving, Stolz points to Ko‘olau’s rashes. Ko‘olau goes to the doctor and learns he has leprosy. Ko‘olau and Pi‘ilani and their son Kaleimanu go to the forest to hide. Scene 6. Refugees
1. 2. 3. 4. 5. 6.
Sheriff Stolz tracks Ko‘olau in the forest and tells him to give himself up so he can be taken to the leper colony. He will be separated from his family. Ko‘olau shoots Stolz and many of his men. Ko‘olau and his family run deeper into the forest to hide. Once in the forest Ko‘olau and his family are met by refugee lepers like themselves. The lepers show them where to get fresh water and gobi fish. The once despised lepers are now their friends. Ko‘olau and his family live off the land, in hiding, for two years. Scene 7. Death in the forest
1. 2. 3. 4. 5.
Kaleimanu and Ko‘olau die of leprosy. Pi‘ilani buries her husband and son. Pi‘ilani is alone for the first time in her life. Pi‘ilani mourns her husband and son. Pi‘ilani gets lost in the forest. She is terrified. Scene 8. Flight and Return
1. 2. 3. 4. 5. 6.
A pueo lands in the forest. It is Pi‘ilani’s `aumakua that she rescued earlier. Pi‘ilani gets on the pueo’s back. The pueo flies out of the forest. While in the air, Pi‘ilani sees the grandeur of the natural beauty that is Hawai`i: sandalwood trees, birds, koa trees, pigs, ocean, waterfalls, pali (cliffs). Pi‘ilani is comforted and humbled, knowing that nature has remained constant amidst the hardships she has endured. Nature is sublime and bigger than any of us. She begins to see her place in the world, as being part of nature. London packs up his typewriter and walk out of the volcano.
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about PI‘ILANI AND KO‘OLAU The time is 1890. Ko‘olau prides himself on being one of the most talented and hard-working paniolo (cowboys) on the Hawai‘ian island of Kaua‘i. Life is good for Ko‘olau, his wife Pi‘ilani, and their son Kaleimanu, until Ko‘olau contracts leprosy (Hansen’s disease)*. At the time if a native (kanaka), was diagnosed with leprosy, he or she was deported to the leper colony in the Kalaupapa valley on Moloka‘i, where living conditions were notoriously harsh. When Sheriff Stolz tells Ko‘olau he must go to the colony, but that his family is not allowed to go with him (as was the law at the time), Ko‘olau refuses to go. When the sheriff and his deputies come to take him by force, Ko‘olau, an expert marksman and situated strategically on the cliffs, kills the sheriff and two of his men in self-defense. Fleeing from the law, Ko‘olau, Pi‘ilani and their son take refuge in the forest in Kaua‘i’s rugged Kalalau Valley, living off the land and with help from friends, for three years. During that time Kaleimanu dies of leprosy, and a year later Pi‘ilani must bury her husband after he succumbs to the disease. Pi‘ilani survives her ordeal, leaves the forest, and returns home (the mayor and new sheriff interviewed her but did not arrest her). In 1906 journalist Kahina Sheldon recorded her story. It was translated in 1987 by Francis N. Frazier. *Leprosy, which most likely was transmitted from rats aboard a ship, was called mai pake (the Chinese disease), as it was erroneously believed the Chinese workers brought it over. Plantation workers came from China, Japan, Philippines, Portugal, America, and other parts of the world.
—Gary Winter
INSTRUMENTATION Flute 1 Flute 2/Piccolo Flute 3/Alto Flute Oboe 1 Oboe 2 Oboe 3/Cor Anglais Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Bassoon 3/Contrabassoon Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 4 Trumpets in Bb/Conchs 4 Horns in F 2 Trombones Bass Trombone Euphonium Tuba Contrabass Harp Piano Ukulele Timpani/Typewriter Percussion Player 1 Crotales Ride Cymbal Sizzle Cymbal Suspended Cymbal Glockenspiel (shared with Perc. 2) Tuned Gongs (D4-F4-G4-Bb4-C5)
Player 3 Medium Tam-Tam Large Tam-Tam Chinese Tam-Tam Whip Crotales (shared with Perc. 1) Log Drum (shared with Perc. 6)
Player 5 Marimba (5-octave) (covers Whip at Reh. 3)
Player 2 China Cymbal Suspended (or Crash) Cymbal Snare Drum 3 Tom Toms (H/M/L) Glockenspiel Tuned Gongs (shared with Perc. 1)
Player 4 Vibraphone Bamboo Wind Chimes Wood Block Temple Blocks
Player 6 Maracas Wood Rattle Log Drum Bass Drum Triangle Conga
DURATION ca. 45'
PERFORMANCE NOTES • Project the scenario using presentation or supertitle software in real-time during performance. The scenario may also be reproduced for inclusion in printed programs. • In Senza tempo bars, large arrows indicate suggested conductor cues. • The ukulele must be amplified. The typewriter can be amplified, or may be played as samples on a laptop or controller. • Scenes 1-2 must be attacca. Let the end of Scene 6 ring fully, but begin Scene 7 without a break in sound. Otherwise, time between scenes is at the conductor's discretion.
FIRST PERFORMANCE September 27, 2019 The Florida State University Wind Orchestra Richard Clary, conductor Ruby Diamond Concert Hall, Tallahassee, Florida
www.jonathannewman.com
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transposed score
Commissioned by the Florida State University College of Music for Rick
PIʻILANI AND KOʻOLAU an imagined ballet Scenario by GARY WINTER
JONATHAN NEWMAN
Scene 1. Pi‘ilani’s ‘Auamakua
Flutes 1-3 (Piccolo / Alto Flute)
With restrained energy ( = 120) ca. 15"
Oboes 1-2
Cor Anglais / Oboe 3
Clarinets 1-3
Bass Clarinet
Bassoon 1-2
Bassoon 3 / Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet 1-4 (Conchs)
With restrained energy ( = 120) ca. 15"
x
Trombone 1-2
Bass Trombone
Euphonium
Contrabass
Harp
Piano
Ukulele
Timpani & Typewriter PERCUSSION 1 Cymbals / Crotales Glockenspiel Tuned Gongs
With restrained energy ( = 120) ca. 15"
Ride cymbal - triangle beater triangle beater China cymbal
PERCUSSION 2 Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs
Horn 1-4
Tuba
Large T-T scrape triangle beater
Sizzle
repeat ad lib., vary duration of dotted quarter
Susp (or crash) cymbal (tri.btr)
PERCUSSION 4 Wood / Temple Blocks Bamboo Wind Chimes Vibraphone
PERCUSSION 5 Marimba
PERCUSSION 6 Maraca / Wood Rattle Log-Drum / Bass Drum Triangle / Conga
2nd Ed. 1/24
(T-Tams, Tri.btr.)
Copyright © 2019 by Jonathan Newman, OK Feel Good Music (ASCAP) For all countries All rights reserved
repeat ad lib., vary duration of dotted quarters
M. T-T Medium-High Tam-tam Low Tam-tam L. T-T Chinese Tam-tamCh. T-T Crotales / Whip / Log-Drum
PERCUSSION 3
repeat ad lib., vary duration of dotted half
2
1. Pi‘ilani’s ‘Auamakua
Fl.
4 ca. 15"
Ob.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
T. Sax
Tpt.
ca. 15"
Hn.
Tba.
Cb.
ca. 15"
Bsn. 1-2
B. Sax
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
scrapes
(tri.btr.) Cyms SD/Toms
repeat, ad lib.
(still with Tri. btr.)
M.Tam. L.Tam. Ch.Tam.
W.Bl. yarn mallets freely T. Bl. W. Bl.
Mar.
Mrca. W.Rat. L.Dr.
Wood
Maraca - freely - enter after WBl.
rattle
T. Bl.
W. Bl.
Log Drum (one hand)
in initial tempo
B.Chim.
ad lib. repeat,
3
1. Pi‘ilani’s ‘Auamakua
Fl.
5
Ob.
C.A.
ca. 15"
1.2. stagger breathing Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
T. Sax
Bsn. 1-2
B. Sax
Tpt.
Hn.
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
ca. 15"
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Mar.
Mrca. W.Rat. L.Dr.
(strike)
scrape
(tri. btr.)
Cyms SD/Toms
ca. 15"
repeat, vary durations of dotted quarters ad lib.
repeat, vary start and duration of Ch.T-T gure
repeat, ad lib. Gradually decrease length of maraca and rattle shakes
4
1. Pi‘ilani’s ‘Auamakua 1
Fl.
6
Ob.
C.A.
ca. 15"
B. Cl.
a3, freely, out of tempo, not together, stagger entrances
[
a3 Cl.
()
Bsn. 3
S. Sax
A. Sax
T. Sax
Bsn. 1-2
Tpt.
B. Sax
ca. 15"
4
Tba.
Cb.
Siz./Ride Susp./Piatti
ca. 15"
strike rims of Timps with drumsticks (approx. pitch areas)
repeat ad lib., vary durations, get increasingly active
Euph.
Timp.
B. Tbn.
Pno.
1
Tbn.
Hp.
1-3 Hn.
1
drum sticks, out of tempo
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Mar.
Mrca. W.Rat. L.Dr.
drum sticks, out of tempo
scrape
drum sticks, out of tempo
Susp., yarn
(Mrca.)
5
1. Pi‘ilani’s ‘Auamakua
(if poss.)
10
Fl.
Ob.
C.A.
Bsn. 3
Cl.
]
+2.
3.
S. Sax
A. Sax
T. Sax
B. Cl.
Bsn. 1-2
B. Sax
Tpt.
1-3
Hn.
4
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Mar.
Mrca. W.Rat. L.Dr.
(strike)
"hand-drum" on timp edge (with Log Drum player) in tempo
as before, repeat, vary longer durations ad lib.
as before, repeat, vary longer durations ad lib.
repeat ad lib., vary longer durations
L.Dr. (with Timp.)
out of tempo approx. durations
Chim.
[
T. Bl.
W. Bl.
in tempo with maraca in one hand
sim.
6
1. Pi‘ilani’s ‘Auamakua 2 a3 as before, stagger entrances
19
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
Fl.
Ob.
Bsn. 1-2
B. Sax
+1.
1-3
4
Tba.
Cb.
M.Tam. L.Tam. Ch.Tam.
T. Bl.
Mar.
Mrca. W.Rat. L.Dr.
1.2. 3.4.
timp mallet
IN TEMPO B.Chim.
]
T. Bl.
out of tempo alternate L.Dr., Rattle, Maraca
[
B.Chim. IN TEMPO
sim.
hard mallets
yarn mallets as before, out of tempo approx. durations
cluster
W. Bl.
()
2
2
Euph.
Cyms SD/Toms
B. Tbn.
Siz./Ride Susp./Piatti
Tbn.
Timp.
Pno.
Hp.
Hn.
Tpt.
[
a2
T. Sax
A. Sax
W. Bl.
T. Bl.
IN TEMPO
]
7
1. Pi‘ilani’s ‘Auamakua
29
Picc.
] (if poss.)
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
T. Sax
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Timp.
Siz./Ride Susp./Piatti
Hn.
Pno.
2. to Picc.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
T. Bl.
Mar.
+2.
a2
1.2 3.4.
hard Tam mallets - IN TEMPO
Ride-dome
repeat ad lib., alter longer durations but stay in tempo
repeat, ad lib 8th-notes, stay in tempo
repeat ad lib., alter longer durations but stay in tempo
repeat ad lib., alter durations but stay in tempo
repeat ad lib., alter longer durations but stay in tempo
repeat ad lib., alter longer durations but stay in tempo
1.3.
1.2.
drum sticks, IN TEMPO
drum sticks, IN TEMPO
Mrca. W.Rat. L.Dr.
A. Sax
Hp.
Tpt.
1.
S. Sax
B. Sax
8
1. Pi‘ilani’s ‘Auamakua
Picc.
34
Fl.
PI‘ILANI awakens from a nightmare:
1.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
T. Sax
Bsn. 1-2
B. Sax
Tpt.
Hn.
Pno.
Timp.
Siz./Ride Susp./Piatti
E♭
M.Tam. L.Tam. Ch.Tam.
T. Bl.
Mar.
end wherever in the pattern
end wherever in the pattern
To B.Chim.
Mrca.
end wherever in the pattern
gliss.
Cyms SD/Toms
Mrca. W.Rat. L.Dr.
Euph.
Hp.
B. Tbn.
Cb.
Tbn.
Tba.
Ob.
To B.D.
9
1. Pi‘ilani’s ‘Auamakua
39
Picc.
Ob.
C.A.
Cl.
S. Sax
A. Sax
T. Sax
Tpt.
Bsn. 1-2
B. Sax
B. Cl.
Bsn. 3
Hn.
Fl.
an owl (pueo) being shot by careless hunters.
3 Meno mosso, Andante ( = 80) to Flute
Tba.
Cb.
B. Tbn.
Euph.
Hp.
Pno.
Uke.
Timp.
Siz./Ride Susp./Piatti
F♯
F♮
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Susp.-yarn
bowed
B.D.
Solo
con sord.
con sord.
gliss.
gliss.
Dmin
Ride - yarn
Dmin
C6
Dmin
To Tun. Gng.
To Rattle
C6
C6
gliss.
C6
Whip (cover for Player 3)
To Vib.
B.Chim.
SD
rim-shot
3 Meno mosso, Andante ( = 80)
Dmin
Cyms SD/Toms
B.D.
China, drum sticks
Mar.
1. Solo
3 Meno mosso, Andante ( = 80)
Tbn.
PI‘ILANI hears the cry of the pueo, leaves her hut, and walks into the forest.
Wood Rattle
10
1. Pi‘ilani’s ‘Auamakua
49
1-2 Fl. 3
Ob.
C.A.
1 Cl.
2-3
Uke.
Timp.
Siz./Ride Susp./Piatti
2.
E♮ G♮
con sord.
Dmin
To Crot.
Ride edge drum stick
Più mosso ( = 88)
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
To Tri.
Mar.
Tri.
Più mosso ( = 88)
1.2.
3.
solo
2. solo
Solo
Più mosso ( = 88)
Euph.
Pno.
B. Tbn.
Hp.
Tbn.
Cb.
Hn.
Tba.
T. Sax
Tpt.
A. Sax
B. Sax
Bsn. 1-2
S. Sax
B. Cl.
Bsn. 3
11
1. Pi‘ilani’s ‘Auamakua
4
A shadow of a giant pueo leads her deeper into the forest.
59
1-2
3
Ob.
C.A.
1 Cl.
2-3
A. Sax
T. Sax
Hn.
(con sord.)
3. Solo
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
( = 66)
=
E♭
=
( = 66)
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Vib.
Crot.
4
2.
(con sord.)
1.
Tpt.
4
( = 66)
S. Sax
B. Sax
2
Bsn. 1-2
1
B. Cl.
Bsn. 3
=
1.
Fl.
12
1. Pi‘ilani’s ‘Auamakua
68
1
Ob.
C.A.
Fl. 2-3
Cl.
B. Cl.
1 Bsn. 1-2
S. Sax
A. Sax
Tba.
T. Sax
B. Sax
Tpt.
Hn.
Bsn. 3
(1.)
2
She nds the pueo lying on the ground, its wing clipped by a hunter's buckshot.
2. solo
rit. poco
pocorit.
1. Solo
Cb.
Hp.
Euph.
E♮
B. Tbn.
Tbn.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Pno.
Timp.
Crot.
Mar.
Tri.
pocorit.
Tun. Gng.
13
1. Pi‘ilani’s ‘Auamakua PI‘ILANI wraps the bird in a traditional kapa blanket (made from pounded bark)
Quietly singing ( = 160) 5
76
1
3+2
Fl. 2-3
Ob.
C.A.
Cl.
B. Cl.
solo espr.
To Cbsn.
Bsn. 3
S. Sax
A. Sax
1 Bsn. 1-2 2
B. Sax
poco
+2.
poco
3+2
2+3
2+3
3+2
2+3+2
Crot.
5
Quietly singing ( = 160)
2+3+2
arco
M.Tam. L.Tam. Ch.Tam.
Tri.
poco
Tun. Gng.
Mar.
Vib.
2+3+2
3+2
Crot.
Euph.
Timp.
B. Tbn.
Pno.
Tbn.
Hp.
Quietly singing ( = 160)
Hn.
Cb.
3+2
3+2
Tba.
5
Tpt.
2+3
T. Sax
14
1. Pi‘ilani’s ‘Auamakua
89
1-2 Fl. 3
Ob.
C.A.
1
1.2.
2-3
B. Cl.
Cbsn.
1.2.
6
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
con sord.
pizz.
Harp on the oor
B♮
6
To Susp.
Tri.
Mar.
Vib.
Euph.
Crot.
B. Tbn.
Timp.
Tbn.
Pno.
Hn.
Hp.
T. Sax
Cb.
and carries her into the forest to heal.
A. Sax
Tba.
6
Tpt.
S. Sax
B. Sax
+2.
Bsn. 1-2
Cl. 2.
CUE: Marimba
15
1. Pi‘ilani’s ‘Auamakua 1. 2.3.
99
Fl.
Ob.
C.A.
1-2
3
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
Tpt.
Hn.
Tbn.
Cl.
B. Sax
Cbsn.
Tba.
Cb.
Hp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Timp.
Pno.
Euph.
B. Tbn.
sim.
16
1. Pi‘ilani’s ‘Auamakua 107
Fl.
Ob.
C.A.
1-2 Cl.
3
B. Cl.
Bsn. 1-2 Cbsn. S. Sax
A. Sax
T. Sax
B. Sax
Hn.
Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
arco
Susp. scrape
Vib.
Mar.
Tri.
senza sord.
B. Tbn.
Tpt.
Ride - scraped
To Crot.
To Tun. Gng.
Tri.
17
1. Pi‘ilani’s ‘Auamakua 7
1-2
115
The moon god HINA comes out.
Fl.
3
1
2
Ob.
C.A.
3
Cl.
S. Sax
A. Sax
T. Sax
Bsn. 1-2
Cbsn.
B. Sax
Tpt.
7
Tbn.
Tba.
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
7
Tun. Gng. yarn mallet
senza sord.
Timp.
1.2. 3.4.
Euph.
B. Tbn.
Pno.
Hp.
Hn.
Cb.
cresc. a low rumble -- rhythmic precision is not crucial
B. Cl.
a low rumble -- rhythmic precision is not crucial
1-2
18
1. Pi‘ilani’s ‘Auamakua Her moonbeams begin to heal the pueo.
Poco più mosso
119 1-2 Fl.
3
1
2
Ob.
Euph.
Tba.
Cb.
ord.
Hp.
Pno.
. gliss
F♮ C♮
Timp. Crot. Susp. (yarn) Cyms SD/Toms M.Tam. L.Tam.
Mar.
Tri.
To Glock.
Crot.
Poco più mosso
Ch.Tam.
Vib.
Tbn.
B. Tbn.
2. to Picc.
C.A. 1-2 Cl. 3 B. Cl. Bsn. 1-2 Cbsn. S. Sax A. Sax T. Sax B. Sax Poco più mosso senza sord. 1-2 Tpt. 3-4 a4 Hn. ben
19
1. Pi‘ilani’s ‘Auamakua
124
Picc.
1.3.
1
Ob.
2
C.A.
1-2 Cl. 3
Bsn. 1-2
S. Sax
A. Sax
T. Sax
Tpt.
B. Tbn.
Cb.
a tempo
Crot.
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Timp.
a tempo
Tba.
Euph.
Tbn.
Pno.
a2
Hn.
Hp.
Cbsn.
B. Sax
a tempo
B. Cl.
Fl.
20
1. Pi‘ilani’s ‘Auamakua
8
130
Picc.
1.3.
Fl.
Ob.
C.A.
1-2 Cl.
3
B. Cl.
Bsn. 1-2
S. Sax
T. Sax
Cbsn.
A. Sax
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
8
Glock.
Crot.
1.2./3./4. a4 Hn. Tbn. B. Tbn. Euph. Tba. Cb. Hp. Pno.
Tpt.
Timp.
8
B. Sax
21
1. Pi‘ilani’s ‘Auamakua
HINA tells PI‘ILANI that the pueo is PI‘ILANI's ‘aumakua, or family guardian. HINA tells her that by rescuing the pueo she will survive a terrible ordeal to come.
136
to Fl.
Picc.
Fl.
Ob.
C.A.
1 Cl. 2-3
B. Cl.
Bsn. 1-2
Cbsn.
A. Sax T. Sax S. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Crot.
M.Tam. L.Tam. Ch.Tam.
Tri.
Mar.
Glock.
Vib.
Timp.
To Cyms.
)
(
22
1. Pi‘ilani’s ‘Auamakua
142
Fl.
Ob.
C.A.
1
2-3
9
Cbsn.
S. Sax
A. Sax
T. Sax
Bsn. 1-2
B. Cl.
Tpt.
Hn.
Tba.
Cb.
B. Sax
Crot.
Euph.
Timp.
B. Tbn.
Pno.
Tbn.
Hp.
1.
1.
Cl.
1. 2.3.
s. glis
gli ss.
9
9
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
23
1. Pi‘ilani’s ‘Auamakua
148
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Moderate groove ( = 116)
solo
1.
attacca
Cbsn.
S. Sax
A. Sax
T. Sax
Tpt.
Hn.
Moderate groove ( = 116)
Tba.
Cb.
B. Sax
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Crot.
Cyms SD/Toms
attacca
F♮
Moderate groove ( = 116) To Ride, Sizzle
Ride - tri. btr.
Cyms China - triangle beater
attacca
Susp (or crash)
Large T-Tam-scrape triangle beater
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Sizzle
tri. btr.
24
Scene 2. Jack London and Louis Stolz Arrive in Hawai‘i JACK LONDON sails from San Francisco to Hawai‘i on the back of a turtle.
Flutes 1-3
(Moder. groove as before) ( = 116) ()
Oboes 1-2
()
Cor Anglais / Oboe 3
()
Clarinets 1-3
()
Bass Clarinet
Bassoon 1-2
Contrabassoon
Soprano Saxophone
2. (dovetailed)
1.
1.
1.
2.
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet 1-4
Piano
Typewriter
PERCUSSION 1 Cymbals / Crotales Glockenspiel Tuned Gongs PERCUSSION 2 Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs PERCUSSION 3
pizz.
(Moder. groove as before) ( = 116)
To Crot.
(Ride)
SD - brushes
(China)
)
(
swish-slap
PERCUSSION 4 Vibraphone
To Wh.
()
drum stick
PERCUSSION 6 Triangle
Medium-High Tam-tam Low Tam-tam Chinese Tam-tam
PERCUSSION 5 Marimba
Euphonium
Harp
Bass Trombone
Contrabass
Trombone 1-2
Tuba
(Moder. groove as before) ( = 116)
Horn 1-4
25
2. Jack London and Louis Stolz Arrive in Hawai‘i
10 9
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
1.2.
He wears a white suit and carries his typewriter.
2.
1.
2.
1.
S. Sax
Tpt.
B. Tbn.
Euph.
Cb.
Hp.
Pno.
Tpwr.
Crot.
1.2./3.4.
Typewriter
10
Wh.
Tri.
Mar.
Cyms SD/Toms
Vib.
Tbn.
10
Hn.
Tba.
T. Sax
B. Sax
Cbsn.
A. Sax
26
2. Jack London and Louis Stolz Arrive in Hawai‘i
Ob.
C.A.
19
Fl.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
B. Sax
Tpt.
Tba.
Cb.
Hp.
Pno.
Tpwr.
Cyms SD/Toms
Wh.
Vib.
Mar.
Tri.
11
Crot.
1.
1.2./3./4.
2.
11
Euph.
B. Tbn.
Tbn.
Hn.
T. Sax
A. Sax
1.
11
27
2. Jack London and Louis Stolz Arrive in Hawai‘i
Fl.
27
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
2.
S. Sax
A. Sax
Tpwr.
Crot.
2.
1.
( )
Crot.
F♯
2.
To Timp.
Wh.
Tri.
Mar.
Cyms SD/Toms
Vib.
Euph.
Pno.
B. Tbn.
Hp.
Tbn.
Cb.
Hn.
Tba.
1.
Tpt.
B. Sax
Cbsn.
T. Sax
a2
1. 2.3.
To B.D.
28
2. Jack London and Louis Stolz Arrive in Hawai‘i
12
Ob.
C.A.
1
1 Cl. 2-3
B. Cl.
3. solo, out of tempo
Fl. 3
1.
1. solo, out of tempo
36 LOUIS STOLZ (a white man) is a puppet
[
[
]
2.
1.
Cbsn.
S. Sax
Bsn. 1-2
solo, out of tempo
[
A. Sax
T. Sax
B. Sax
12
]
2.
(in tempo)
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Crot.
Cyms SD/Toms
Vib.
Mar.
B.D.
Wh.
12
]
29
2. Jack London and Louis Stolz Arrive in Hawai‘i
43
Picc.
Fl.
a2
Ob.
C.A.
1
Cl. 2-3
Hn.
B. Tbn.
Euph.
1.
Cyms SD/Toms
Wh.
Mar.
B.D.
Timp.
Vib.
E♮
Susp.
Crot.
Timp.
E♭ F♮ G♭
a4
arco
a4
Tbn.
Pno.
1.3.
Hp.
Tpt.
Cb.
1.
T. Sax
Tba.
A. Sax
B. Sax
Bsn. 1-2
S. Sax
B. Cl.
Cbsn.
He rides in on the back of a shark.
1./2./3.4.
30
2. Jack London and Louis Stolz Arrive in Hawai‘i
13
a2 Fl. Ob. C.A. opt. 8va 1 Cl. 2-3 B. Cl. Bsn. 1-2 Cbsn. S. Sax A. Sax T. Sax B. Sax 13 Tpt. Hn. Tbn. B. Tbn. ( ) Euph. 50
Picc.
Tba.
Cb.
Hp.
Pno.
Timp.
Crot.
E♭ A♭
13
To Glock.
ss. gli
glis s.
glis s.
ss. gli
Wh.
B.D.
Glock.
Mar.
E♮ G♮ A♮
Vib.
B.D.
Tri.
Glock.
B.D.
31
2. Jack London and Louis Stolz Arrive in Hawai‘i
55
Picc.
Fl.
Ob.
C.A.
1
Cl. 2-3
B. Cl.
Cbsn.
S. Sax
A. Sax
T. Sax
Bsn. 1-2
B. Sax
Tpt.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Glock.
Wh.
Vib.
Mar.
B.D.
1.3. 2.4.
ss. gli
gli ss.
ss. gli
glis s.
Tri.
To Tpwr.
To Susp.
(loco)
to Tpwr.
( )
poco
poco
Crot.
Timp.
Pno.
Tbn.
Hn.
a2
opt. 8va
32
2. Jack London and Louis Stolz Arrive in Hawai‘i
14
61
Picc.
Fl.
Ob.
C.A.
Cl.
3
B. Cl.
A. Sax
B. Sax
1
14
2
[
3
4
Tpt.
Pno.
Tpwr.
Crot.
Cyms SD/Toms
[
freely, out of tempo
]
]
]
To Ride
A♮
SD rim-shot
Wh.
CUE: Triangle
Tri.
Susp.
F♮ A♭
]
F♯
[
freely, out of tempo
14
[
freely, out of tempo
a4 bells up
STOLZ waves to LONDON and res his ri e in the air as he passes him by.
Hn. Tbn. B. Tbn. Euph. Tba. Cb.
Hp.
T. Sax
S. Sax
Tri.
Cbsn.
Mar.
Bsn. 1-2
Vib.
1-2
Wh.
B.D.
33
2. Jack London and Louis Stolz Arrive in Hawai‘i
15
Ob.
C.A.
1-2
3
67
Fl.
Picc to Fl. 2
1.3.
3 to A.Fl.
Cl.
B. Cl.
1.
Bsn. 1-2
Cbsn.
2.
1.
2.
1.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
15
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
pizz.
Cb.
Hp.
Pno.
Tpwr.
15
Ride - scrape with brush handle
SD-brushes
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Siz./Ride Susp./Piatti
To T-Tams
B.D.
34
2. Jack London and Louis Stolz Arrive in Hawai‘i LONDON is met by PELE the re goddess, who escorts him to her volcano.
The turtle lets LONDON off on Kaua'i.
Fl.
Ob.
C.A.
1-2
3
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
75
Tpt.
Hn.
Cl.
B. Sax
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
2.
2. 1.
1.
legato
Susp.-scrape
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Pno.
Tpwr.
Siz./Ride Susp./Piatti
B.D.
Hp.
To Crot.
35
2. Jack London and Louis Stolz Arrive in Hawai‘i
Fl.
84
Ob.
C.A.
B. Cl.
Bsn. 1-2
Cbsn.
1-2 Cl. 3
1.
2.
A. Sax
T. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
B.D.
gliss.
gliss.
Tpwr.
S. Sax
B. Sax
36
2. Jack London and Louis Stolz Arrive in Hawai‘i
Fl.
90
A. Fl.
Ob.
C.A.
1-2 Cl.
3
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
Euph.
Hp.
Pno.
Tpwr.
Crot.
1. freely
Vib.
16 Senza tempo
whispering tremolo, at random
Tam-tam
M.Tam. L.Tam. Ch.Tam.
bisbigliando
16 Senza tempo
gliss.
B.D.
Cyms SD/Toms
Mar.
solo, freely
B. Tbn.
Tbn.
Cb.
Hn.
Tba.
To Bsn. 3
T. Sax
Tpt.
A. Sax
B. Sax
16 Senza tempo
37
2. Jack London and Louis Stolz Arrive in Hawai‘i
A tempo - L'istesso tempo = 58 1.
92
A. Fl.
Ob.
C.A.
Fl.
17
=
Bsn. 3
S. Sax
A. Sax
B. Cl.
Bsn. 1-2
T. Sax
B. Sax
Tpt.
sotto voce
A tempo - L'istesso tempo = 58
1.
solo
Cl.
17
=
Tba.
Cb.
Hn.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Tpwr.
Crot.
legato
A tempo - L'istesso tempo = 58
17
=
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
bowed
Vib.
Mar.
B.D.
(mallets)
38
2. Jack London and Louis Stolz Arrive in Hawai‘i
100 1
Fl.
A. Fl.
2
1.
1.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Tpwr.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Crot.
big uffy mallet (B.D.)
B.D.
1.2.
Tri.
To Cyms.
39
2. Jack London and Louis Stolz Arrive in Hawai‘i
Fl.
105 1
Once inside the volcano LONDON sets up his typewriter so he can write the story of PI‘ILANI and KO‘OLAU while watching events unfold on a wall of ames.
C.A.
Cl.
B. Cl.
2
Ob.
Bsn. 3
S. Sax
A. Sax
Bsn. 1-2
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
1. con sord.
Tba.
Cb.
arco III
Hp.
Pno.
Tpwr.
Siz./Ride Susp./Piatti
gliss.
gliss.
gliss.
G♮
Tpwr.
Euph.
Solo
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
40
2. Jack London and Louis Stolz Arrive in Hawai‘i 18 1
Fl.
2
A. Fl.
Ob.
C.A.
Cl.
109
3
A. Sax
T. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Cb.
Hp.
Pno.
Tpwr.
Siz./Ride Susp./Piatti
18
E♮ B♮
Cym. scrapes Susp.
Ride
Sz.
To Crot.
. gliss
Euph.
Tba.
18
B. Sax
2
Tri.
S. Sax
Mar.
Bsn. 3
Vib.
Bsn. 1-2
M.Tam. L.Tam. Ch.Tam.
1
B. Cl.
Cyms SD/Toms
41
2. Jack London and Louis Stolz Arrive in Hawai‘i
113 1 Fl.
2
A. Fl.
Ob.
C.A.
Cl.
1
2
3
A. Sax
T. Sax
B. Sax
Tpt.
Tpwr.
Solo
espr.
con sord.
espr.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
To Cyms.
Crot.
Tri.
Euph.
Pno.
B. Tbn.
Hp.
Tbn.
Cb.
Hn.
Tba.
Bsn. 1-2
S. Sax
espr.
B. Cl.
Bsn. 3
42
2. Jack London and Louis Stolz Arrive in Hawai‘i
Fl.
118
Ob.
C.A.
Cl.
19
2
3
1
2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
19
Euph.
a2
=
senza sord.
B. Tbn.
Cb.
Tbn.
Tba.
a2
Hn.
Bsn. 3
Bsn. 1-2
1
B. Cl.
=
pizz.
=
Hp.
Pno.
Tpwr.
E♭ B♭
Susp.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
SD-brushes
bowed
legato
Tri.
gliss.
Siz./Ride Susp./Piatti
19
(4)
scrape
Ride
43
2. Jack London and Louis Stolz Arrive in Hawai‘i Primo Tempo 123 Fl.
Ob.
Cl.
B. Cl.
Bsn. 1-2
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Siz./Ride Susp./Piatti
Primo Tempo
swirl
swish
(pizz)
Tri.
M.Tam. L.Tam. Ch.Tam.
Mar.
Vib.
Cyms SD/Toms
mallets
B♭
solo
B♮
Tpwr.
Euph.
Pno.
B. Tbn.
Hp.
Tempo Primo
Tbn.
Cb.
Hn.
Tba.
C.A.
Bsn. 3
44
Piccolo
Flutes 1-3
Oboes 1-2
Cor Anglais / Oboe 3
Clarinets 1-3
Bass Clarinet
Bassoon 1-2
Bassoon 3 / Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet 1-4
Horn 1-4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Contrabass
Harp
Piano
Timpani PERCUSSION 1 Cymbals / Crotales Glockenspiel Tuned Gongs PERCUSSION 2 Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs PERCUSSION 3 Whip PERCUSSION 4 Vibraphone PERCUSSION 5 Marimba PERCUSSION 6 Bass Drum
Galloping ( = 116)
1.3.
Scene 3. Paniolo
KO‘OLAU and other paniolo (cowbows) on a Waimea Valley ranch.
To Cbsn.
a2
Galloping ( = 116) 1.2. 3.4. arco
Galloping ( = 116)
a4
Whip
S.D.--rim-shot
45
3. Paniolo
Fl.
7
Ob.
C.A.
Cl.
a2
B. Cl.
Bsn. 1-2
Cbsn.
Cbsn.
S. Sax
A. Sax
T. Sax
cresc.
B. Sax
cresc.
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Timp.
cresc.
Cyms SD/Toms
Wh.
Vib.
Mar.
B.D.
Siz./Ride Susp./Piatti
cresc. cresc.
Cb.
Pno.
Tba.
Hp.
Susp.
46
3. Paniolo 20
Picc.
14 a2
Fl.
a2
Ob.
C.A. 1 Cl. 2-3 B. Cl. Bsn. 1-2 Cbsn. S. Sax A. Sax T. Sax B. Sax Tpt.
Tbn.
B. Tbn.
Euph.
Cb.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Hn.
Tba.
20
Wh.
Vib.
cresc. cresc. cresc.
cresc. cresc. cresc. cresc. cresc. cresc.
D♮
cresc.
+3.
cresc. cresc.
hard mallets
20
B.D.
4.
Cyms SD/Toms
Mar.
cresc.
47
3. Paniolo
19
Picc.
Fl.
Ob.
C.A.
1 Cl.
2-3
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Wh.
Vib.
+1.2.
pizz.
D♮ C♯
G♯
poco
a4
B.D.
D♭
Cyms SD/Toms
Mar.
48
3. Paniolo
21
23
Picc.
Fl.
Ob.
C.A.
gliss.
1 Cl. 2-3
quasi gl. quasi gl. quasi gl. quasi gl.
S. Sax
A. Sax
T. Sax
B. Sax
21
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
1.
arco
To T. Bl.
Vib.
Mar.
Tri.
To B.D.
Wh.
To Tri.
(a4)
21
( )
Cyms SD/Toms
Tri.
Euph.
B. Tbn.
Cb.
Tbn.
Tba.
a2
2 Tpt. 3 4 (1.) Hn. 1
a2
Bsn. 1-2
Cbsn.
B. Cl.
Piatti
T. Bl.
49
3. Paniolo
31
Picc.
Fl.
Ob.
C.A.
Cl.
Bsn. 1-2
Cbsn.
S. Sax
T. Sax
B. Sax
1
Tpt.
3-4
Hn.
Tbn.
Pno.
Timp.
Siz./Ride Susp./Piatti
To Vib.
Vib.
Mar.
Wh.
Cyms SD/Toms
B.D.
Euph.
Hp.
B. Tbn.
Cb.
2
Tba.
2.3.
A. Sax
B. Cl.
2-3
( )
1
gliss.
50
3. Paniolo
35
Picc.
Fl.
Ob.
C.A.
a2 a2
a2
1-2 Cl.
3
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
Tpt.
Hn. 3 4
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Wh.
Vib.
Susp.
To Glock.
3.
22
a4
To Crot.
B.D.
a4
pizz.
a2
22
Cyms SD/Toms
B.D.
Tba.
1 2
Cb.
B. Sax
B. Cl.
Mar.
22
To Tri.
51
3. Paniolo
40
Ob.
C.A.
Fl.
2.+3.
+1.
Bsn. 1-2
A. Sax
T. Sax
Hn.
Tbn. B. Tbn. Euph. Tba. Cb.
Crot.
Glock.
Wh.
Vib.
Mar.
Timp.
Tri.
Pno.
cresc.
cresc.
Hp.
S. Sax
Tpt.
cresc.
B. Cl.
B. Sax
a2
Cl.
Cbsn.
52
3. Paniolo KO‘OLAU holds a steer down with one arm and brands him with his free hand.
44
1
3
Picc.
Fl.
Ob.
C.A.
cresc. Bsn. 1-2 Cbsn. B. Cl.
S. Sax
A. Sax
B. Tbn.
Euph.
Crot.
Glock.
Wh.
T. Bl.
T. Bl.
a4
a4
gliss.
gl is s.
gliss.
F♯ G♮ C♯
Glock. To SD To T-Tams To Vib. ( ) Crot.
F♮ G♯
( ) ( )
Tri.
arco
Tbn.
Mar.
3-4
Timp.
Hn.
Pno.
1-2
Hp.
B. Sax
Cb.
T. Sax
Tba.
Cl.
Tpt.
53
3. Paniolo
23 49
Picc.
1 Fl.
3
1
2
Ob.
C.A.
Cl.
B. Cl.
B. Sax
Tpt.
23
Pno.
Timp.
gliss.
gliss.
gliss.
pizz.
23
(pizz.)
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
To Susp.
B.D.
accel.
Half-Tempo, Slowly ( = 58)
Tri.
accel.
Half-Tempo, Slowly ( = 58)
gliss .
1.
Euph.
Hp.
B. Tbn.
Cb.
Tbn.
Hn.
Tba.
Half-Tempo, Slowly ( = 58)
Bsn. 1-2 Cbsn. S. Sax A. Sax T. Sax
The shy PI‘ILANI, who has come to the ranch to buy milk, watches KO‘OLAU from behind a fence.
accel.
54
55
1 Fl. 3
1
2
Ob.
C.A.
1
+3.
2-3
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
1
Tpt. 3
4
+2.
A tempo, Con moto 24= 116
2
3.
B. Sax
24
3. Paniolo
A tempo, Con moto = 116
a4
trumpets out of tempo, not together con sord.
[
con sord.
[
[ con sord.
con sord.
[
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Vib.
Mar.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
B.D.
A tempo, Con moto 24= 116
a2
To T. Bl.
55
3. Paniolo Knowing the beautiful PI‘ILANI is watching him, KO‘OLAU breaks a wild horse, one of the hardest things a paniolo can do.
61
Picc.
]
1. 3. Fl. a2 Ob. C.A. 1 Cl. 2-3 B. Cl. a2 Bsn. 1-2 () Cbsn. S. Sax A. Sax T. Sax B. Sax senza sord. 1 ] senza sord. 2 ] Tpt. 3 ]
4
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
arco
T. Bl.
SD
M.Tam. L.Tam. Ch.Tam.
B.D.
)
(
Cyms SD/Toms
Mar.
gliss.
T. Bl.
pizz.
56
3. Paniolo
65
Fl.
Ob.
C.A.
Cl.
1
2
3
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
1
Tpt.
3
Pno.
Timp.
senza sord.
senza sord.
25
cresc. poco a poco
cresc. poco a poco
a2
M.Tam. L.Tam. Ch.Tam.
T. Bl.
brushes
25
Cyms SD/Toms
B.D.
Mar.
a2
Siz./Ride Susp./Piatti
Euph.
Hp.
B. Tbn.
Cb.
Tbn.
Tba.
Hn.
4
2
B. Sax
25
57
3. Paniolo
70
Picc.
1
Fl. 3
Ob.
C.A.
1
Cl.
3
B. Cl.
Bsn. 1-2
Tbn.
B. Tbn.
Euph.
Tba.
Hn.
Siz./Ride Susp./Piatti
più
a4
M.Tam. L.Tam. Ch.Tam.
(4)
T. Bl.
Mar.
B.D.
To Tri.
(4)
più
Cyms SD/Toms
cresc.
più
cresc.
3-4
Timp.
Tpt.
Pno.
Hp.
1-2
cresc. poco a poco
T. Sax
Cb.
A. Sax
B. Sax
S. Sax
2
Cbsn.
() ()
più
26
58 74
Picc.
1
Fl.
3
1
2
3
Ob. 2
C.A.
1
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
A. Sax
T. Sax
S. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
1.2. 3. 4.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
M.Tam. L.Tam. Ch.Tam.
Tri.
Susp.
. gliss
. gliss
To Crot.
Tri.
Glock.
gliss.
to A. Fl.
gliss.
gliss.
gliss.
s. glis
white note gl.
s. glis
To W. Bl.
26
26
Mar.
W. Bl.
arco
To Glock. Glock.
3. Paniolo
To Tun. Gng.
W. Bl.
59
3. Paniolo
Fl.
78
Ob.
C.A.
1
Cl.
2
3
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
Tpt.
Hn.
T. Sax
B. Sax
Tbn.
B. Tbn.
Cb.
Hp.
Pno.
Timp.
Euph.
Tba.
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
W. Bl.
Mar.
Tri.
60
3. Paniolo
Fl.
A. Fl.
83
27 Andante = 72
Afterwards, KO‘OLAU takes out his guitar and plays a sweet love song.
Ob.
espr.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
solo
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Uke.
27 Andante = 72
Dmin
(4)
C6
Dmin
C6
Dmin
C6
Dmin
C6
27 Andante = 72
Timp.
continue in previous tempo, dim al niente
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
(4)
W. Bl.
To Vib. continue in previous tempo, dim al niente
very soft yarn mal.
Mar.
Tri.
61
3. Paniolo
Fl.
91
A. Fl.
Ob.
C.A.
28
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
2.
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Uke.
B maj7
B maj7
C6
C6
Dmin
Timp.
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
28
Amin
28
Dmin
Amin
62
3. Paniolo
99
Fl.
1.
Ob.
C.A.
2-3
Cl.
A. Fl.
1
espr.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Cl.
1.
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
pizz.
Timp.
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Uke.
Tri.
B maj7
C6
Csus4
C7
F
Fmaj7
G
G13
Fmaj7
(passing B)
63
3. Paniolo
29
Fl.
107
A. Fl.
Ob.
C.A.
espr
1
2-3
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
A. Sax
T. Sax
Hp.
Pno.
Uke.
1.
espr
29
1.2./3.4.
arco
L.H. pizz.
B
B maj7
C6
A7sus4
A7
Timp.
Crot.
Tun. Gng.
Dmin
C6
29
Dmin
Vib.
Mar.
Tri.
Vib.
C6
Tam-Tam M.Tam. L.Tam. Ch.Tam.
64
3. Paniolo
Fl.
115
Ob.
C.A.
1 Cl.
2-3
1.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Tbn.
Hn.
B. Tbn.
senza sord.
senza sord.
Euph.
Tba.
Cb.
Pno.
Uke.
B maj7
B maj7
C6
C6
Hp.
senza sord.
Solo con sord.
Dmin
Amin
Dmin
Crot.
Tun. Gng. Gongs
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
To Susp.
Amin
Timp.
65
3. Paniolo 30
Fl.
123 1
2
A. Fl.
Ob.
Unable to resist, PI‘ILANI comes out of her hiding place and goes to KO‘OLAU.
a2
C.A. 1 () Cl. 2 3 B. Cl. a2 Bsn. 1-2 Cbsn. S. Sax A. Sax T. Sax B. Sax senza sord. 30 1-2 Tpt. senza sord. 3-4 1-2 Hn. 3-4 Tbn. B. Tbn. Euph. Tba. Cb. B♮ Hp. Pno.
B maj7
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Timp.
Crot.
Vib.
Mar. Tri.
C6
Csus4 C7
F
G13
To Glock.
G
30
Susp.
Fmaj7
gl iss .
Uke.
66
3. Paniolo
129
1 Fl.
2
1
2
Ob.
C.A.
2
3
B. Cl.
Bsn. 1-2
S. Sax A. Sax
T. Sax
1-2
B. Sax
3-4
Hn.
Pno.
Uke.
Timp.
Crot.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Fmaj7
B♮
. gliss
C♯
C6
B
(passing B)
ten.
B♭
Glock. Glock.
Gmin7
Emin7(5)
ten.
China
To China Cym.
Euph.
B. Tbn.
Hp.
Tbn.
Cb.
Tpt.
Tba.
ten.
1
Cbsn.
A. Fl.
Cl.
China
gli ss.
67
3. Paniolo 31
1 Fl. 2 A. Fl.
Ob.
espr.
C.A.
134
1
Cl.
2
3
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
rall.
accel.
1.
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
rall.
31
accel. 1.2.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Uke.
Timp.
Dmin
31
C6
Dmin
C6
Dmin
B maj7
C6
rall.
C
accel.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
bowed
68
3. Paniolo KO‘OLAU and PI‘ILANI go into the forest and make love all night long under Hina's moonlight.
Più mosso ( = ca. 76)
Fl.
142
Ob.
C.A.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
1.
Cb.
Hp.
Pno.
Uke.
F
C♮ B♭
1.
Tba.
Hn.
Euph.
Tpt.
B. Tbn.
Più mosso ( = ca. 76)
Tbn.
a2
espr.
T. Sax
B. Sax
espr.
Cl.
Timp.
Più mosso ( = ca. 76)
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
strike
Mar.
Tri.
69
3. Paniolo
32 148
Fl.
Ob.
C.A.
Cl.
B. Cl.
1.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Tba.
Cb.
32
Hn.
Tbn.
B. Tbn.
Euph.
Hp.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Timp.
Crot.
Vib.
Mar.
Tri.
32
B♮
Pno.
CUE: Marimba
mallets
70
3. Paniolo
Fl.
153
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Cyms SD/Toms
Crot.
71
Scene 4. Ko‘olau and Pi‘ilani’s Wedding
Flutes 1-3
Oboes 1-2
Cor Anglais / Oboe 3
Clarinets 1-3
Bass Clarinet
Bassoon 1-2
Bassoon 3 / Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
1
ca 10"
ca 10"
3
4
repeat ad lib., not together
repeat ad lib., not together
repeat ad lib., not together
ca 10"
Gongs
PERCUSSION 2 Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs
PERCUSSION 3 Crotales (shared with Perc. 1)
PERCUSSION 4 Vibraphone
PERCUSSION 5 Marimba
Horn 1-4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Contrabass
Harp
Piano
Ukulele
Timpani
PERCUSSION 1 Tuned Gongs (shared with Perc. 2)
PERCUSSION 6 Conga
ca. 10"
8-10"
quickly, in any order, without regular rhythm
Tom-Toms, yarn mallets
G7sus4
Conga, drumsticks
8-10"
repeat ad lib., not together
Conchs
8-10"
ca. 10"
Any size conch in the lower part of the 4th octave
2
ca. 10"
72
4. Ko‘olau and Pi‘ilani’s Wedding
With celebratory abandon ( = 126) ca 12"
A luau with hula dancing and lots of traditional food and music.
6
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
1
3
4
Cnch.
Tbn.
B. Tbn.
Euph.
Pno.
Uke.
Dmin
With celebratory abandon ( = 126)
Tun. Gng. Timp.
Cyms SD/Toms
Crot.
Vib.
Mar.
Cga.
Hn.
Hp.
With celebratory abandon ( = 126) ca 12"
Cb.
2
Tba.
ca 12"
8 repeat, ad lib., in tempo
hands
( )
repeat, ad lib., in tempo
repeat, ad lib., in tempo
73
4. Ko‘olau and Pi‘ilani’s Wedding
33 9
Fl.
Ob.
C.A.
a3
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
a2
S. Sax
A. Sax
T. Sax
B. Sax
33
Tba.
Cb.
Cnch.
Hn.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
C♯
33
Tun. Gng.
Cyms SD/Toms
Vib.
Mar.
C♮ D♭
Cga.
Crot.
a4
74
4. Ko‘olau and Pi‘ilani’s Wedding
Fl.
17
Ob.
C.A.
Bsn. 3
S. Sax
A. Sax
T. Sax
1
Cl.
2
3
B. Cl.
Bsn. 1-2
B. Sax
Cnch.
Hn.
repeat ad lib., out of tempo, not together
Tba.
Cb.
]
Pno.
repeat ad lib., out of tempo, not together
cluster
Tun. Gng.
Cyms SD/Toms
Timp.
Crot.
Vib.
Mar.
Cga.
]
[
Hp.
Euph.
B. Tbn.
a4 repeat ad lib., out of tempo, not together
Tbn.
[
[
75
4. Ko‘olau and Pi‘ilani’s Wedding
22
1
out of tempo, not together
[
An old beggar woman has been trampled by a herd of wild pigs.
Outside, a commotion.
34
(breve)
]
Fl. 2 [ ] out of tempo, not together 3 [ ] Ob. C.A. 1 cresc. repeat ad lib., out of tempo, not together Cl. 2 ] cresc. 3 cresc. B. Cl. Bsn. 1-2 Bsn. 3 (breve) 34 S. Sax A. Sax T. Sax B. Sax 34 not together, as before (breve) Cnch. Hn. Tbn. B. Tbn. Euph. Tba. Cb. Hp. out of tempo, not together
Pno.
Timp.
34
Tun. Gng.
Cyms SD/Toms
Crot.
Vib.
Mar.
Cga.
(breve)
B.D.
(cluster)
76
4. Ko‘olau and Pi‘ilani’s Wedding
(slightly longer) 28 1 Fl. 2 3 Ob. C.A.
(slightly longer)
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
harmonic gl.
not together, as before
Cnch.
Hn.
Tbn.
Tba.
Cb.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Tun. Gng.
Crot.
Vib.
Cyms SD/Toms
Mar.
B.D.
35
to Tpt.
repeat ad lib., out of tempo
D♮
repeat in tempo as before, ad lib.
(slightly longer)
repeat ad lib., out of tempo
35
To Glock.
a2
KO‘OLAU rushes outside with his ri e to shoot the pigs.
35 (slightly longer)
35
drumsticks repeat in tempo as before, ad lib. ( ) Crot. To Wh. Cga. repeat in tempo as before, ad lib. ( )
77
4. Ko‘olau and Pi‘ilani’s Wedding
Ob.
C.A.
2
3
35
Fl.
1
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
Tba.
Cb.
Euph.
Hp.
Pno.
Timp.
Glock.
Cyms SD/Toms
Wh.
Vib.
Mar.
Cga.
Glock.
B. Tbn.
78
4. Ko‘olau and Pi‘ilani’s Wedding 36
Fl.
Ob.
C.A.
40
Cl.
B. Cl.
S. Sax
A. Sax
Tpt.
36
( ) ( )
T. Sax
B. Sax
Bsn. 1-2
Bsn. 3
36
repeat ad lib., out of tempo, not together
a4 con sord.
36
Cyms SD/Toms
Wh.
( ) Wh. ( )
T. Bl.
To Tun. Gng.
SD brush plus drumstick (rim-shots)
T. Bl.
B.D.
Mar.
Cb.
Glock.
Timp.
Tba.
Pno.
repeat ad lib., out of tempo, not together
Hp.
( )
Euph.
B. Tbn.
Tbn.
Hn.
When they are dead or gone he goes to help the woman.
( ) B.D. ( )
To Cga.
79
4. Ko‘olau and Pi‘ilani’s Wedding
46
Fl.
Ob.
C.A.
Cl.
T. Sax
1.2.
37
37
Tbn.
B. Tbn.
Euph.
37
Hn.
Pno.
Hp.
A. Sax
Cb.
Tba.
Tpt.
B. Sax
Bsn. 1-2
S. Sax
B. Cl.
Bsn. 3
When he cleans off her wounds, KO‘OLAU sees that the beggar has leprosy.
con sord. con sord.
pizz.
37
F♮
Tun. Gng.
Cyms SD/Toms
Wh.
Timp.
To Vib. Vib.
Mar.
Cga.
Vib.
To T. Bl.
80
4. Ko‘olau and Pi‘ilani’s Wedding PI‘ILANI, who has been watching from the lanai (porch), screams for KO‘OLAU to stay away from the beggar.
Fl.
52
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
1-2
3-4
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Tba.
Cb.
Hp.
Tun. Gng.
Cyms SD/Toms
Wh.
T. Bl.
Euph.
Pno.
Timp.
Mar.
Cga.
81
4. Ko‘olau and Pi‘ilani’s Wedding 38
KO‘OLAU tells PI‘ILANI that he
is too healthy to catch leprosy. 57 Fl. [ Ob. repeat ad lib., out of tempo, not together C.A. ] [ as before 1 ] [ as before ] Cl. 2 [ as before 3 [ ] B. Cl. Bsn. 1-2 Bsn. 3 S. Sax repeat out of tempo, not together A. Sax ] [ T. Sax freely, out of tempo, not together
1
2
3
4
B. Sax
Tpt.
1-2 Hn.
3-4
Tba.
Cb.
Euph.
Hp.
Pno.
Tun. Gng.
Cyms SD/Toms
Wh.
T. Bl.
Mar.
Cga.
senza sord.
arco
sord. senza
senza sord. senza sord.
senza sord.
Toms
Cga.
38
senza sord.
cluster
Timp.
B. Tbn.
38
Tbn.
82
4. Ko‘olau and Pi‘ilani’s Wedding
39
] 63
Fl.
Ob.
He puts the woman on his horse and takes her to the hospital, where she dies.
1
2
3
Bsn. 3
S. Sax
A. Sax
T. Sax
C.A.
Cl.
B. Cl.
Bsn. 1-2
B. Sax
Tpt.
(1.)
Hn.
Tbn.
Tba.
Cb.
Hp.
Pno.
Timp.
Tun. Gng.
Wh.
Mar.
Cga.
(4)
39
T. Bl.
T. Bl.
con sord.
SD - brushes
Cyms SD/Toms
con sord.
Euph.
solo
39
B. Tbn.
39
Tun. Gng.
as before
To Vib.
83
4. Ko‘olau and Pi‘ilani’s Wedding
69
Ob.
C.A.
Fl.
1-2 Cl.
3
1.
B. Cl.
Bsn. 3
S. Sax
Bsn. 1-2
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tba.
Cb.
(8)
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Tun. Gng.
Cyms SD/Toms
dim.
Vib.
Mar.
Wh.
Cga.
Vib. freely, out of tempo
[
84
4. Ko‘olau and Pi‘ilani’s Wedding freely, out of tempo, stagger entrances
40
75
Fl.
freely, out of tempo
1
[
Ob.
[
C.A.
1-2
[
B. Cl.
Bsn. 1-2
[
freely, out of tempo, stagger entrances
]
freely, out of tempo, stagger entrances
Cl. 3
freely, out of tempo
2
[
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
40
freely, out of tempo
Hp.
Pno.
Timp.
(12)
[
freely, out of tempo
[
40
Tun. Gng.
Cyms SD/Toms
Wh.
Vib.
Mar.
Cga.
85
4. Ko‘olau and Pi‘ilani’s Wedding
81
Fl.
1
2
C.A.
Cl.
B. Cl.
Bsn. 1-2
freely, out of tempo
]
Ob.
freely, out of tempo
[
Bsn. 3
S. Sax
A. Sax
T. Sax
Tpt.
Hn.
[
a2
freely, out of tempo, stagger entrances
[
freely, out of tempo, stagger entrances
[
[
Tba.
Cb.
B. Sax
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Uke.
Timp.
Wh.
Vib.
Mar.
Cga.
Cyms SD/Toms
Tun. Gng.
86
4. Ko‘olau and Pi‘ilani’s Wedding
Fl.
87
Ob.
]
C.A.
]
choose a pitch to hold at end of descent
Cl.
B. Cl.
]
]
Bsn. 3
S. Sax
]
A. Sax
]
T. Sax
Bsn. 1-2
1.
]
Tpt.
Hn.
B. Sax
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Uke.
]
Tun. Gng.
Cyms SD/Toms
Wh.
Vib.
Mar.
Cga.
]
Timp.
swirl/swish
]
87
Scene 5. Af iction
March = 104
Louis Stolz, now SHERIFF STOLZ, rides in on a toy horse.
Flutes 1-3
1.3.
Cor Anglais / Oboe 3
Clarinets 1-3
Bass Clarinet
Bassoon 3 / Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Oboes 1-2
Bassoon 1-2
Baritone Saxophone
Trumpet 1-4
March = 104
Horn 1-4
Trombone 1-2
Bass Trombone
Euphonium
con sord.
2.-4.
Tuba
Contrabass
Harp
Piano
Timpani
PERCUSSION 1 Cymbals / Crotales Glockenspiel Tuned Gongs PERCUSSION 2 Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs
Piatti
S.D.
= 104 March
PERCUSSION 3 Whip
PERCUSSION 4 Temple Blocks
PERCUSSION 5 Marimba
PERCUSSION 6 Bass Drum
88
5. Af iction
41
10
Fl.
1.3.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
T. Sax
Bsn. 1-2
B. Sax
41
1. solo senza sord.
Tpt.
Hn.
Tbn.
B. Tbn.
Tba.
Cb.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
He is followed by a small army of puppet soldiers on toy horses.
a2
a3
a2
41
Cyms SD/Toms
Wh.
T. Bl.
Mar.
B.D.
con sord. 2.-4.
f.t.
arco
Euph.
secco
(4)
89
5. Af iction
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
a2
Bsn. 3
S. Sax
A. Sax
Tpt.
Hn.
T. Sax
B. Sax
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Cyms SD/Toms
Wh.
T. Bl.
B.D.
(8)
senza sord.
hard mallets -quasi xylo
Mar.
Picc.
20
(12)
Vib.
Tri.
90
5. Af iction
Picc.
Fl.
Ob.
C.A.
28 1.3.
42
cresc.
cresc. cresc.
1.
cresc. a2
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Cyms SD/Toms
Wh.
T. Bl.
B.D.
B.D.
42
Sz.
cresc.
cresc.
cresc.
cresc.
senza sord. +2.
+3. senza sord.
cresc.
cresc.
cresc.
cresc. cresc.
1.
42
secco
Whip
T. Bl.
Mar.
senza sord. a4 2.-4.
con sord.
Euph.
Cb.
B. Tbn.
Tba.
cresc.
cresc.
cresc.
To L.Dr.
cresc.
cresc.
91
5. Af iction
38
Cl.
B. Cl.
Fl.
Ob.
C.A.
Bsn. 1-2
Bsn. 3
S. Sax
B. Sax
T. Sax
A. Sax
Hn.
Tbn.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
a2
Con. 1 Con. 2
T. Bl.
B♭
To Crot.
(4)
43 Faster, Hula Blues = ca. 116
Crot.
43 Faster, Hula Blues = ca. 116 ad lib.
To Glock.
a2
43 Faster, Hula Blues = ca. 116
To Cga.
B.D.
Cyms SD/Toms
Mar.
Euph.
Cb.
B. Tbn.
Tba.
+4. senza sord.
Tpt.
gl is s.
Picc.
Toms (drum sticks)
L.Dr.
ad lib.
Cga.
92
Picc.
5. Af iction
45
Fl.
Ob.
C.A.
B. Cl.
a3
Cl.
STOLZ and his men do The Manifest Destiny Hula
a2
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
1. 2.3.
a4
loco
Glock.
(4)
Cyms SD/Toms
(4)
Con. 1 Con. 2
T. Bl.
Mar.
(4)
Cga.
Timp.
Hn.
Cb.
a4
Tba.
93
5. Af iction
Picc.
48
Fl.
Ob.
Cl.
B. Cl.
C.A.
Bsn. 1-2
S. Sax
A. Sax
T. Sax
Tpt.
Hn.
Hp.
cresc.
Tbn. B. Tbn. Euph. Tba. Cb.
cresc. poco a poco
Glock.
Cyms SD/Toms
Con. 1 Con. 2
cresc.
ad lib.
(8)
(8)
T. Bl.
Mar.
(4)
Cga.
Timp.
loco
cresc. poco a poco
Pno.
cresc. poco a poco
cresc. cresc. cresc. cresc.
+3. ()
1.2.
To Cbsn.
Bsn. 3
B. Sax
94
5. Af iction
44
53
Ob.
C.A.
1
2-3
Picc.
Fl.
Cl.
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
44
Tpt.
Tbn. B. Tbn. Euph. Tba. Cb. Hn.
Hp.
Pno.
Timp.
Glock.
Cyms SD/Toms
Con. 1 Con. 2
T. Bl.
( )
ss. gli
To Crot.
gli ss.
Glock.
glis s.
( )
ss. gli
44
( )
Cga.
Mar.
Cbsn.
a2
Bsn. 1-2
opt. 8va
B. Cl.
( ) ( )
95
5. Af iction
58
Picc.
Fl.
Ob.
C.A.
a2
opt. 8va
1 Cl.
B. Cl.
Cbsn.
S. Sax
Bsn. 1-2
Tpt.
B. Tbn.
Hp.
Crot.
Cyms SD/Toms
Con. 1 Con. 2
T. Bl.
Mar.
Cga.
1.3. 2.4.
glis s.
s. glis
(4)
(4)
(4)
gli ss.
s. glis
poco
Timp.
poco
Pno.
Euph.
Cb.
Tbn.
Hn.
Tba.
T. Sax
B. Sax
A. Sax
2-3
96
5. Af iction
63
Picc.
Fl.
Ob.
C.A.
1
2-3
Cl.
loco
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
2 Tpt.
Hn.
Tbn.
B. Tbn.
Hp.
Pno.
Timp.
Cyms SD/Toms
Con. 1 Con. 2
T. Bl.
Mar.
to Fl.
F♯
(8)
(8)
Susp.
(8)
Crot.
Crot.
bells up, open a4
Euph.
Cb.
4
Tba.
3
1
Bsn. 1-2
Cga.
B. Cl.
97
5. Af iction
45 Tempo Primo = 104 68
Fl.
=
Ob.
C.A.
Cl.
B. Cl.
To Bsn. 3
Bsn. 3
S. Sax
A. Sax
T. Sax
1. solo
Bsn. 1-2
B. Sax
Tpt.
45 Tempo Primo = 104
Hn.
Tbn.
B. Tbn.
=
f.t.
Tba.
Cb.
=
Piatti
To Crot.
(4)
Euph.
Hp.
Pno.
Timp.
Siz./Ride Susp./Piatti
Cyms SD/Toms
= 104 45 Tempo Primo
To Piatti
To T-Tams
M.Tam. L.Tam. Ch.Tam.
T. Bl.
Mar.
B.D.
To B.D.
To Vib.
B.D.
98
5. Af iction
46
80
Fl.
Ob.
C.A.
Cl.
B. Cl.
A. Sax
Tpt.
S. Sax
B. Sax
Bsn. 3
T. Sax
1. solo
STOLZ visits KO‘OLAU and PI‘ILANI in their home.
Bsn. 1-2
KO‘OLAU is wary because he knows STOLZ wants KO‘OLAU to help him round up lepers to be taken to the leper colony on Moloka‘i.
46
Tba.
Cb.
Hn.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Uke.
Timp.
Crot.
F♮
F♯ G♭ C♯
46
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib. Vib.
Mar.
B.D.
99
5. Af iction STOLZ gives KO‘OLAU a warrant ordering him to see the doctor in town to determine if he has leprosy.
C.A.
Cl.
B. Cl.
89
Fl.
Ob.
Bsn. 1-2
1.
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Uke.
B7
1. solo
47
Timp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
47
T-Tam
Mar.
B.D.
Bsn.
2.
Cb.
Pno.
47
(a2)
Tba.
Hp.
1.3.
100
5. Af iction As he is leaving, STOLZ points to KO‘OLAU's rashes.
Fl.
98
C.A.
Cl.
B. Cl.
Bsn. 3
1. espr.
Pno.
Uke.
Timp.
Cyms SD/Toms
scraped small tam
M.Tam. L.Tam. Ch.Tam.
C
Crot. Crot. bowed
Più Mosso ( = ca. 88)
B.D.
1.-3. con sord. senza sord.
Mar.
Più Mosso ( = ca. 88)
Crot.
Vib.
con sord.
Hn.
Hp.
Cb.
Tba.
Tpt.
Euph.
B. Tbn.
T. Sax
A. Sax
Tbn.
S. Sax
B. Sax
espr. espr.
Ob.
Bsn. 1-2
Più Mosso ( = ca. 88)
(4)
To Mrca. W.Rat.
strike - Tam mallet
101
5. Af iction
48 KO‘OLAU goes to the doctor and learns he has leprosy.
Fl.
109 1 2
1 Ob. 2
C.A.
Cl.
Bsn. 1-2 Bsn. 3 S. Sax A. Sax
T. Sax
Tpt.
Uke.
Timp.
48
1. senza sord.
(open)
(8)
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mrca.
W. Rattle
3.4.
48
(sord.)
(sord.)
1.
1.
Mrca. W.Rat. L.Dr.
Crot.
Mar.
Euph.
Pno.
B. Tbn.
Hp.
Tbn.
Cb.
Hn.
Tba.
B. Cl.
B. Sax
To B.Chim.
102
5. Af iction
A little slower ( = 80) 118
1
49
2
1
2
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Pno.
Timp.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Mar.
Mrca. W.Rat. L.Dr.
[
B.Chim.
pizz.
T. Bl.
Crot.
Out of tempo, approx. durations, as before Chim. W. Bl.
49
con sord.
49
A little slower ( = 80)
1.
Euph.
Hp.
B. Tbn.
Cb.
A little slower ( = 80)
Tbn.
Hn.
Tba.
(in tempo) B.Chim.
]
to Vib.
103
5. Af iction KO‘OLAU and PI‘ILANI and their son KALEIMANU go to the forest to hide.
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
T. Sax
Bsn. 1-2
124 1 2.3.
Tpt.
Hn.
Tbn.
Tba.
Cb.
Euph.
Hp.
Pno.
Timp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
B. Tbn.
B. Sax
104
5. Af iction
130
Fl.
Ob.
C.A.
1-2
3
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
a2
Tpt.
Hn.
Tbn.
Tba.
Cb.
Euph.
Hp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Pno.
Timp.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
B. Tbn.
B. Sax
105
5. Af iction
136
Fl.
Ob.
C.A.
1-2
3
Cl.
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
Tpt.
Hn.
Tbn.
Tba.
Cb.
Euph.
Hp.
Pno.
)
arco
(
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
Timp.
B. Tbn.
B. Sax
106
5. Af iction Senza Tempo, 20-30"
a3, stagger entrances, not together
142 Fl.
[
Ob.
C.A.
Cl.
Tba.
Cb.
Hp.
Pno.
Timp.
(if poss.)
]
Tbn.
Euph.
Hn.
B. Tbn.
A. Sax
Tpt.
poco a poco slow down trills
Bsn. 1-2 Bsn. 3
B. Sax
opt. 8vb
T. Sax
B. Cl.
S. Sax
Senza Tempo, 20-30"
senza sord.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
W. Bl.
Senza Tempo, 20-30"
bowed
To W. Bl.
Mar.
Mrca. W.Rat. L.Dr.
W. Bl. yarn-approx. durations
T. Bl.
sim.
alternate L.Dr., Rattle, Maraca
B.Chim.
W. Bl. (quasi 1st mvt tempo)
T. Bl.
repeat ad lib., alter longer durations
dim. poco a poco al niente
repeat, ad lib. durations
dim. poco a poco al niente
107
Scene 6. Refugees
With urgency ( = 116)
SHERIFF STOLZ tracks KO‘OLAU in the forest
Flutes 1-3
Oboes 1-2
Cor Anglais / Oboe 3
Clarinets 1-3
Bass Clarinet
Bassoon 1-2
Contrabassoon
Soprano Saxophone
1.
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet 1-4
With urgency ( = 116)
Tuba
Contrabass
Horn 1-4
Trombone 1-2
Bass Trombone
Euphonium
Harp
Piano
Timpani
muted with palm
With urgency ( = 116)
Medium-High Tam-tam Low Tam-tam Chinese Tam-tam
PERCUSSION 4 Vibraphone
PERCUSSION 5 Marimba
PERCUSSION 6 Bass Drum
PERCUSSION 1 Crotales
PERCUSSION 2 Glockenspiel PERCUSSION 3
108
6. Refugees
Fl.
11
Ob.
C.A.
Cl.
B. Cl.
1 Bsn. 1-2
2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
1.
50
Tpt.
Hn.
Tbn.
50
1.
con sord.
senza sord.
a4 con sord.
50
1.2/ con sord. 3.4.
Crot.
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
B.D.
109
6. Refugees
Fl.
22
Ob.
C.A.
Cl.
1. 2.3.
a2
S. Sax
A. Sax
T. Sax
Tpt.
Hn.
Tbn.
Cb.
Pno.
ord.
1. con sord.
M.Tam. L.Tam. Ch.Tam.
Vib.
B.D.
CUE: Mar. plays here
A♮ C♯
Glock
B.D.
Mar.
Glock.
Crot.
Timp.
pizz.
Tba.
Hp.
senza sord.
Euph.
1.2. 3.
B. Tbn.
1. 2.3.
B. Sax
Cbsn.
Bsn. 1-2
a2
B. Cl.
110
6. Refugees
51 31
Fl.
and tells him to give himself up, so he can be taken to the leper colony. He will be separated from his family.
Ob.
C.A.
Cl.
B. Cl.
a2
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
51
Hn.
con sord.
Tbn.
Tba.
Cb.
Timp.
senza sord.
51
Vib.
To W. Bl.
To Toms
(pizz.)
B♮
1.2./3./4. senza sord.
M.Tam. L.Tam. Ch.Tam.
B.D.
Crot. Crot. Glock.
Mar.
Euph.
Pno.
B. Tbn.
Hp.
111
6. Refugees
40
Ob.
C.A.
Cl.
B. Cl.
Fl.
Bsn. 1-2
Cbsn.
1.
52
a2
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
arco
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
W. Bl.
Timp.
Mar.
B.D.
gliss.
pizz.
52
(con sord.)
Pno.
Hn.
52
Toms
To Vib.
W. Bl.
Tri.
112
6. Refugees
Fl.
47
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
B. Tbn.
Euph.
senza sord.
Tbn.
Tba.
Cb.
Crash
Hp.
Pno.
Timp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
B.D.
To B.D.
B.D. Vib.
1.2./3.4.
arco
Tam M.
113
6. Refugees
53
( ) ( )
KO‘OLAU shoots STOLZ and many of his men.
Fl.
57
Ob.
C.A.
B. Cl. Bsn. 1-2 Cbsn. S. Sax A. Sax T. Sax B. Sax
Hn.
Tbn.
Euph.
Cb.
Hp.
Pno.
Timp.
Crot.
) (
53
To Wh.
Susp.
53
M.Tam. L.Tam. Ch.Tam.
B.D.
Mar.
Cyms SD/Toms
Vib.
senza sord.
B. Tbn.
Tba.
Cl.
Tpt.
To W. Bl.
( ) a2 ( ) ( ) ( )
( )
( ) Wh. ( )
( )
) ( ) (
( ) ( ) a2
) ( ) ( ) ( ) ( ) (
pizz.
(
)
D♮ B♭
( )
( )
( )
W. Bl.
+S.D.
( )
( ) ( ) ( ) ( )
( )
114
6. Refugees
rall.
To Ob. 3
64
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
Hp.
Pno.
Uke.
Timp.
Crot.
rall.
To Tun. Gng.
To T-Tams
Ch. T-T bowed
Cyms SD/Toms
Wh.
T. Bl.
B.D.
To T. Bl.
Mar.
Euph.
Cb.
rall.
B. Tbn.
Tba.
A7sus4
3.4
arco
E♮ A♮
bowed
cluster
To Tri.
T. Bl.
115
6. Refugees 54 KO‘OLAU and his family run deeper in to the forest to hide. Meno mosso, smoothly = 66 74
1-2
Fl. 3
Ob. 1-2
Ob. 3
1 Cl.
B. Cl.
Bsn. 1-2
Cbsn.
2-3
A. Sax
B. Sax
Tpt.
1-2 Hn.
3-4
Tba.
Cb.
Hp.
Pno.
Timp.
M.Tam. L.Tam. Ch.Tam.
54 Meno mosso, smoothly = 66
espr.
Tun. Gng.
Tri.
Mar.
Crot.
T. Bl.
Euph.
B. Tbn.
Tbn.
54 Meno mosso, smoothly = 66
To Bsn. 3
S. Sax
T. Sax
1.
espr.
To Vib.
Vib.
116
6. Refugees
55
Once in the forest KO‘OLAU and his family are met by refugee lepers, like themselves.
1-2 Fl.
84
Ob. 1-2
Ob. 3
Cl.
S. Sax
A. Sax
B. Sax
Bsn. 3
T. Sax
Bsn. 1-2
B. Cl.
2-3
1
3
espr. 1-2 espr.
Hn.
3-4
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
G♮
55
pizz.
55
con Ped.
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Tri.
Mar.
Timp.
1. solo senza sord.
Tpt.
2.
espr.
117
6. Refugees
Fl.
93
Ob. 1-2
Ob. 3
1 Cl.
2-3
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
Oboe 3
Ob. 3
A. Sax
T. Sax
B. Sax
Tpt.
1.
Hn.
Tbn.
B. Tbn.
Tba.
Cb.
Euph.
Hp.
Pno.
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
bowed
Tri.
Mar.
Timp.
solo
118
6. Refugees
Fl.
101
Ob. 1-2
Ob. 3
Cl.
B. Cl.
Bsn. 1-2
S. Sax
A. Sax
Bsn. 3
Bsn. 3
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
T. Sax
B. Sax
Tpt.
Hp.
Pno.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Tri.
Crot.
Mar.
Vib.
Timp.
3.4.
119
6. Refugees
Fl.
106
Ob. 1-2
Ob. 3
Cl.
B. Cl.
Bsn. 1-2
The lepers show them where to get fresh water and gobi sh.
56
legato
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
1.2. con sord.
Tba.
Cb.
Euph.
Hp.
Pno.
B. Tbn.
56
Tbn.
E♭ A♭
arco
solo
56
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Timp.
Mar.
Tri.
120
6. Refugees
Fl.
114
Ob. 1-2
Ob. 3
Cl.
B. Cl.
Bsn. 1-2
Tba.
Cb.
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
sotto voce sotto voce
sotto voce
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Timp.
Tri.
1.-3.
B. Sax
A. Sax
S. Sax
T. Sax
1.
legato
espr.
2. legato
Bsn. 3
123
Ob. 1-2
Ob. 3
Fl.
1 Cl. 2-3
B. Cl.
Bsn. 1-2
57
espr.
S. Sax
espr.
T. Sax
Tpt.
Hn.
B. Sax
B. Tbn.
Tba.
Cb.
Euph.
Pno.
espr.
57
57
Crot.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Timp.
Mar.
Tri.
Tbn.
Hp.
1. legato
Bsn. 3
A. Sax
1.2.
The once despised lepers are now their friends.
121
6. Refugees
122
6. Refugees
133
Fl.
Ob. 1-2
Ob. 3
Cl.
B. Cl.
Bsn. 1-2
2.
58
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
58
1-3. con sord.
58
(strike)
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
CUE: Crot. play here
Tri.
E♮ A♮
Crot.
2.
Timp.
Cb.
Pno.
Tba.
Hp.
poco
KO‘OLAU and his family live off the land, in hiding, for two years...
123
6. Refugees
144 1.
Fl.
Ob. 1-2
Ob. 3
1
Cl.
2.
Bsn. 3
2-3
3.
2.
1.
2. 1. solo espr.
Let ending vibrate fully, but begin Scene 7 with no break in sound.
S. Sax
A. Sax
B. Cl.
Bsn. 1-2
T. Sax
B. Sax
rallentando
Tpt.
Hn.
rallentando
Tba.
Cb.
l.v.
l.v.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Timp.
Crot.
Vib.
Mar.
Tri.
rallentando
Tun. Gng.
l.v.
l.v.
124
Scene 7. Death in the Forest
Senza Tempo, 10" ca. 20"
Placid, calm ( = 58)
PI‘ILANI buries her husband and son.
KO‘OLAU and Kaleimanu die of leprosy.
Flutes 1-3
ca. 15"
Oboes 1-2
Cor Anglais / Oboe 3
Clarinets 1-3
Alto Saxophone
Tenor Saxophone
Bass Clarinet
Bassoon 1-2
Bassoon 3 / Contrabassoon
10" ca. 20" Senza Tempo,
Soprano Saxophone
Baritone Saxophone
ca. 15"
Tuba
Contrabass
Trumpet 1-4
Horn 1-4
Trombone 1-2
Bass Trombone
Euphonium
Harp
Timpani
PERCUSSION 1 Tuned Gongs (shared with Perc. 2)
PERCUSSION 3 Medium-High Tam-tam Low Tam-tam Chinese Tam-tam
PERCUSSION 4 Vibraphone
PERCUSSION 5 Marimba
PERCUSSION 6 Bass Drum
Placid, calm ( = 58) sotto voce sotto voce
Placid, calm ( = 58)
ca. 20"
1.
Gongs (2 players) - repeat, ad lib. durations
Placid, calm ( = 58)
G♯
repeat in any order, ad lib. rhythm
ca. 15"
sotto voce sotto voce
Gongs (2 players)
Senza Tempo, 10"
Gongs PERCUSSION 2 Tuned Gongs
G♭
Piano
ca. 15"
Senza Tempo, 10" ca. 20"
soft mallets
125
7. Death in the Forest
Fl.
7
Ob.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
T. Sax
Bsn. 1-2
B. Sax
Hn.
2.
Tpt.
1.
Tba.
Cb.
Hp.
Pno.
Uke.
Tun. Gng.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
B.D.
Mar.
Timp.
Vib.
Euph.
B. Tbn.
Tbn.
1.
126
7. Death in the Forest 59
Fl.
14
Ob.
C.A.
Cl.
B. Cl.
S. Sax
59
A. Sax
T. Sax
Bsn. 1-2
Bsn. 3
B. Sax
Tpt.
Hn.
59
Tba.
Cb.
legato legato
legato
Tun. Gng.
B.D.
Euph.
Mar.
B. Tbn.
Vib.
Tbn.
M.Tam. L.Tam. Ch.Tam.
1. solo
1. solo
Tun. Gng.
Timp.
Pno.
Hp.
59
as before, repeat at lib.
as before, repeat at lib., vary durations
legato
very soft mallets
127
7. Death in the Forest
Fl.
Ob.
20 1.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
Bsn. 1-2
Tbn.
Hn.
con sord.
T. Sax
Tpt.
A. Sax
B. Sax
1.2.
con sord.
con sord.
Tba.
Cb.
Tun. Gng.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Euph.
Hp.
Pno.
Timp.
Vib.
Mar.
B.D.
con sord. 1.2.
B. Tbn.
A♮ D♮
128
7. Death in the Forest
Senza tempo
PI‘ILANI is alone for the rst time in her life.
27
1
Fl.
2
freely
3
Ob.
C.A.
Bsn. 1-2
B. Cl.
freely
freely
cresc.
cresc.
[
freely, not together (3rd cue)
(2nd cue) freely, not together
[
(2nd cue)
[
Senza tempo
60
cresc.
as before, in any order
repeat ad lib., freely, in any order
E♮ A♭
(3rd cue) freely, not together
(3rd cue) senza sord., freely, not together
[
[
60
Senza tempo
[
B.D.
cresc.
(3rd cue) (freely)
a3, freely, not together, stagger entrances
repeat, freely
Hn.
Mar.
[
Tpt.
Vib.
M.Tam. L.Tam. Ch.Tam.
Tun. Gng.
(3rd cue)
(3rd cue) a2 (freely)
Tun. Gng.
Timp.
Pno.
Hp.
Cb.
Tba.
A. Sax
Euph.
B. Tbn.
S. Sax
Tbn.
60
cresc.
B. Sax
Bsn. 3
T. Sax
cresc.
Cl.
28
129
7. Death in the Forest plaintively = 80 Singing,
PI‘ILANI mourns her husband and son.
3
Ob.
Cl.
freely, not together
[ cresc. freely, not together
B. Cl.
[
Bsn. 1-2
Bsn. 3
S. Sax
cresc. freely, not together [ cresc.
T. Sax
B. Sax
[
1-2
Tpt.
3-4
Hn. 3-4
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Uke.
]
]
]
repeat ad lib.
repeat G's ad lib.
l.v.
To Susp.
not a roll, one mallet
high voicing Fm
Singing, plaintively = 80
Susp.
(Large T-T)
slow arp.
repeat G's ad lib.
Vib.
]
]
repeat ad lib.
cresc.
Singing, plaintively = 80
] ]
] ] ] repeat G's ad lib.
] ]
repeat G's ad lib.
plaintively = 80 Singing,
repeat G's ad lib.
]
senza sord., freely, not together
]
]
]
repeat G's ad lib.
freely, not together senza sord.
senza sord. freely, not together
B.D.
[
M.Tam. L.Tam. Ch.Tam.
Mar.
repeat G's ad lib.
[
]
Timp.
Tun. Gng.
Tun. Gng.
[ freely, not together
[
[ cresc. senza sord., freely, not together [ cresc.
1-2
]
repeat G's ad lib.
freely
[ cresc.
A. Sax
]
freely
[ cresc.
C.A.
2
Fl.
repeat ad lib., in any order
repeat G's ad lib.
30 1
To Glock.
To Rattle
7. Death in the Forest
Ob.
C.A.
Cl.
B. Cl.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt. 3-4
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
61
Hn.
Cb.
1-2
Tba.
Bsn. 1-2
Bsn. 3
poco rall. Meno mosso = 72 allargando
a2
61
Meno mosso = 72 allargando
cresc.
Meno mosso = 72 allargando poco rall.
poco rall.
61
36
Fl.
61
130
poco rall. Meno mosso = 72 allargando
Tun. Gng.
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
131
7. Death in the Forest
Meno Mosso (ca. T. primo) Love-Song Tempo ( = 72)
62 Piu ( = 58) mosso
PI‘ILANI gets lost in the forest.
a3
1.
Ob.
C.A.
1
2-3 B. Cl. Bsn. 1-2 Bsn. 3 S. Sax A. Sax T. Sax B. Sax
Cl.
1-2
3-4 Hn. Tbn. B. Tbn. Euph. Tba. Cb. Hp. Pno. Uke.
Tun. Gng.
Dmin
C6
Glock.
legato
62 Piu ( = 58) mosso
con sord.
Dmin
To Tun. Gng.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
Wood Rattle
To Vib.
B.Chim.
M.Tam. L.Tam. Ch.Tam.
62
Glock.
legato
C6
con sord.
mosso ( = 58) Piu
Meno Mosso (ca. T. primo) Love-Song Tempo ( = 72)
Meno Mosso (ca. T. primo) Love-Song Tempo ( = 72)
Tpt.
Timp.
42
Fl.
132
7. Death in the Forest
Ob.
C.A.
50
Fl.
Cl.
B. Cl.
Bsn. 3
S. Sax
A. Sax
Bsn. 1-2
Uke.
Timp.
1.
1.2.
Euph.
Pno.
B. Tbn.
Hp.
1.
1. solo con sord.
1.2.
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Mar.
Mrca. W.Rat. L.Dr.
Vib.
=
Tun. Gng.
Vib.
=
=
Tbn.
Cb.
Hn.
Tba.
Tpt.
1.2.
T. Sax
B. Sax
133
7. Death in the Forest
63 58
Fl.
Ob.
C.A.
Cl. 3
B. Cl.
Bsn. 1-2
Bsn. 3
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
sotto voce sotto voce sotto voce sotto voce
63
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
1-2
She is terri ed.
1.
E♭
63
E♮ A♭ D♯
E♭ D♭ B♮
G♭
G♮ A♮ B♭
G♯ B♮
Tun. Gng.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
Tun. Gng.
134
Fl.
7. Death in the Forest
65 1.2.
ca. 15"
Ob.
C.A.
Cl.
B. Cl.
Bsn. 3
S. Sax
Bsn. 1-2
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
ca. 15"
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Timp.
Tun. Gng.
ca. 15"
repeat ad lib., vary durations
dim. al niente
Tun. Gng.
Tun. Gng.
repeat ad lib., vary durations
dim. al niente
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Mrca. W.Rat. L.Dr.
135
Scene 8. Flight and Return A pueo lands in the forest. It is PI‘ILANI's 'aumakua that she rescued earlier.
Flutes 1-3
Oboes 1-2
Cor Anglais / Oboe 3
Senza tempo, ca. 8"
quickly, not together Clarinets 1-3
Bass Clarinet
ca. 5"
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
solo, freely, col ute
Tuba
Contrabass
Euphonium
Harp
Piano
Timpani
PERCUSSION 1 Crotales
Senza tempo, ca. 8"
Crot.
PERCUSSION 3 Medium-High Tam-tam Low Tam-tam Chinese Tam-tam
Glock.
PERCUSSION 2 Glockenspiel
ca. 5"
bowed PERCUSSION 4 Vibraphone
PERCUSSION 5 Marimba
PERCUSSION 6 Triangle
1.
ca. 5"
Bass Trombone
Trombone 1-2
Horn 1-4
1. 2./3.
nish previous pattern before beginning next
con sord.
Trumpet 1-4
Senza tempo, ca. 8"
Baritone Saxophone
Bassoon 1-2
solo, freely, but with motion CONDUCTOR: move relatively quickly from bar to bar, cueing 3-5" after each event
To B.Chim.
To Wood Rattle
136
8. Flight and Return
Briskly ( = 92)
6
Fl.
Ob.
1
2
3
B. Cl.
Bsn. 1-2
Cbsn.
B. Sax
Briskly ( = 92)
Hn.
Tbn.
Hp.
Pno.
Timp.
Crot.
Glock.
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Mar.
Mrca. W.Rat. L.Dr.
1.
Briskly ( =92)
poco rit 1.
poco rit
V.S.
move hand thru chime
B.Chim.
Vib.
A♭
G♮ A♮
1.2.
arco
Euph.
Cb.
B. Tbn.
Tba.
2.-4. (sord.)
Tpt.
+1.2.
A. Sax
3.
poco rit
S. Sax
T. Sax
1.
C.A.
Cl.
PI‘ILANI gets on the pueo's back.
W.Rat.
bowed
bowed
137
8. Flight and Return
64 Singing = 160 The pueo ies out of the forest.
Fl.
C.A.
Cl.
B. Cl.
Ob.
S. Sax
A. Sax
espr.
()
Tpt.
Hn.
Pno.
Timp.
Crot.
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
2+3
Euph.
Hp.
B. Tbn.
Cb.
espr.
1.
Tbn.
Tba.
3+2
64 Singing = 160
espr.
Cbsn.
B. Sax
T. Sax
a2
1. Bsn. 1-2
2+3
3+2
13
pizz.
E♮ A♮
B♮
To Tri.
B♭
2+3
(bowed)
64 Singing = 160
3+2
138
8. Flight and Return
3+2
19
Fl.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
B. Sax
Tpt.
Hn.
3+2
T. Sax
Tba.
Cb.
Tbn.
B. Tbn.
Euph.
Hp.
Pno.
Crot.
Vib.
Mar.
Tri.
mallets
gliss .
B♭
To Susp.
M.Tam.
M.Tam. L.Tam. Ch.Tam.
gli ss.
mallets
pizz.
arco
3+2
Timp.
Glock.
B♮
139
8. Flight and Return
2+3+2
24
Fl.
Ob.
C.A.
1 2
3
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
2+3+2
Tba.
Cb.
Hp.
Pno.
Timp.
Crot.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Mar.
Tri.
B♭
2+3+2
B♮
Vib.
Euph.
B. Tbn.
Tbn.
1.2.
+2.
ss. gli
Susp. Susp.
arco
B♮
140
8. Flight and Return 65 While in the air, PI‘ILANI sees the grandeur of the natural beauty that is Hawai‘i:
30
Fl.
Ob.
C.A.
1 2 Cl. 3
B. Cl.
a2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Mar.
cresc. poco a poco
cresc. poco a poco
con sord.
cresc. poco a poco
cresc. poco a poco
To Glock.
cresc. poco a poco
Tri.
Tri.
65
Ch.Tam.
Vib.
Timp. Crot. Cyms SD/Toms M.Tam. L.Tam.
cresc. poco a poco
1.2./3.4.
Hn.
65
gliss .
Bsn. 1-2
141
8. Flight and Return sandalwood trees, birds, koa trees, pigs, ocean, waterfalls, and pali (cliffs).
Fl.
36
Ob.
1 2 Cl. 3
Cbsn.
Tba.
Cb.
Hp.
Pno.
Timp.
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Crot.
S. Sax A. Sax T. Sax B. Sax Tpt. Hn.
Euph.
Bsn. 1-2
B. Tbn.
Tbn.
B. Cl.
C.A.
Glock.
142
8. Flight and Return
40 Fl. 2 Ob. 1 3
C.A.
1 2 Cl.
3
B. Tbn.
Cb.
Hp.
Pno.
Timp.
Crot.
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
Euph.
Tba.
senza sord.
cresc.
s. glis
senza sord.
a2
A. Sax T. Sax B. Sax Tpt. Hn. Tbn.
S. Sax
Bsn. 1-2
Cbsn.
B. Cl.
143
8. Flight and Return PI‘ILANI is comforted and humbled, knowing that nature has
66 remained constant amidst the hardships she has endured.
44 Fl. 2 Ob. C.A.
1 3
1
Cl.
2
3
B. Cl.
Cbsn. S. Sax A. Sax T. Sax B. Sax
Bsn. 1-2
to Picc.
ben Tbn. B. Tbn. Euph. Tba. Cb.
1.2./3.4.
Hn.
Hp.
Pno.
Timp.
Crot.
M.Tam. L.Tam. Ch.Tam.
Vib.
C♮
66
Tri.
Glock.
Mar.
F♮
66
Tpt.
a2
1.3.
144
8. Flight and Return
50
Picc.
Fl.
Ob.
C.A.
Cl.
2
3
Cbsn.
S. Sax
Timp.
67
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Tri.
Crot.
Mar.
67
1.2. senza sord.
Hn.
Pno.
Hp.
Tpt.
Cb.
T. Sax
Tba.
Euph.
B. Tbn.
Tbn.
A. Sax
B. Sax
1.3.
Bsn. 1-2
B. Cl.
1
Nature is sublime and bigger than any of us. She begins to see her place in the world, as being part of nature.
67
poco rit
Fl.
Ob.
3
B. Cl.
Bsn. 1-2
S. Sax
A. Sax
T. Sax
poco rit
3 4
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Timp.
Crot.
B♭
Glock.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
(
V.S.
68 Poco meno mosso
Sus.-yarn
gl.
3.4
)
Tri.
a2
68 Poco meno mosso
poco rit
a4
Hn.
Tpt.
Cbsn.
1 2
2
B. Sax
1
gl is s.
C.A.
Cl.
68 Poco meno mosso
56
Picc.
145
8. Flight and Return
To Glock.
146
8. Flight and Return
60
Picc.
Fl.
Ob.
1
3
B. Cl.
Bsn. 1-2
S. Sax
A. Sax
Tba.
B♮
1.2.3.4.
Glock.
M.Tam. L.Tam. Ch.Tam.
Tri.
Euph.
Mar.
B. Tbn.
Vib.
Tbn.
Crot.
Hn.
Timp.
3.4/1.2
Pno.
Tpt. 3 4
Hp.
1 2
Cb.
T. Sax
B. Sax
2
Cbsn.
C.A.
Cl.
Glock.
8. Flight and Return
Picc.
64
Fl.
Ob.
C.A.
2
3
B. Cl.
Bsn. 1-2
Cbsn. S. Sax A. Sax
B. Sax
Tbn.
B. Tbn.
Tba.
Pno.
Uke.
Timp.
Crot.
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
Tri.
1.
To B.D.
più
69 L'istesso tempo
. gliss
glis s.
69 L'istesso tempo
China
( ) To China
loco
Glock.
to Fl.
to Conchs
Euph.
Hp.
Cb.
Hn.
3 4
1 2
T. Sax
Tpt.
1
Cl.
147 69 L'istesso tempo
B.D.
To Cyms.
148
8. Flight and Return
Fl.
68
Ob.
C.A.
Sub. = 58
(1.2.) Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
B. Sax
1 2
Cnch. 3 4
solo
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Uke.
Timp.
Siz./Ride Susp./Piatti
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
Vib.
Mar.
[
]
[
]
not together, as before
Sub. = 58
III
gliss.
gliss.
gliss.
Sub. = 58
To Tpwr.
To Mrca.
Mrca. W.Rat. L.Dr.
Ch. T-T bowed
To Crot.
149
8. Flight and Return
Sc. 2 Tempo ( = 116) 74
Fl.
JACK LONDON packs up his typewriter and walks out of the volcano.
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
S. Sax
A. Sax
T. Sax
1 2
Cnch.
3 4
Tpwr.
Siz./Ride Susp./Piatti
Cyms SD/Toms
Crot.
Vib.
Mar.
pizz.
Sc. 2 Tempo ( = 116)
Tpwr.
Susp.
Cym. scrapes
legato
Mrca.
Mrca. W.Rat. L.Dr.
Euph.
Pno.
B. Tbn.
Hp.
2.
Tbn.
Cb.
1.
Hn.
Tba.
Sc. 2 Tempo ( = 116)
2. (dovetailed)
B. Sax
SD-brushes
bowed Crot.
Sz. Ride
To T-Tams
Med Tam scrape
To B.Chim.
To Mrca. W.Rat. L.Dr.
bowed
Tri.
150
8. Flight and Return
Fl.
81
Ob.
C.A.
1 2
3
B. Cl.
Bsn. 1-2
Cl.
1.
A. Sax
T. Sax
Cbsn.
S. Sax
B. Sax
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Hp.
Pno.
Tpwr.
Siz./Ride Susp./Piatti
(4)
(scrapes)
gliss.
gliss.
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Mrca. W.Rat. L.Dr.
(4)
Mar.
Tpt.
To Tpt.
151
8. Flight and Return
Ob.
C.A.
86
1-2
Fl.
3
1 2
3
Cl.
Bsn. 1-2
Cbsn.
B. Cl.
2. 1.
S. Sax
A. Sax
T. Sax
B. Sax
Tpt.
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
Tpwr.
Siz./Ride Susp./Piatti
. iss gl
Pno.
s. is gl
Hp.
s. glis
M.Tam. L.Tam. Ch.Tam.
B.Chim.
Mrca. W.Rat. L.Dr.
Ride-sticks
gliss.
Cyms SD/Toms
Mar.
gl.
(scrapes)
152
8. Flight and Return 70 1-2
90
Fl.
3
1 2
3
Cl.
Cbsn.
S. Sax
B. Sax
Hn.
Tbn.
B. Tbn.
Euph.
Tba.
Cb.
70
Pno.
Uke.
Tpwr.
Siz./Ride Susp./Piatti
M.Tam. L.Tam. Ch.Tam.
D
(4)
To Timp.
[
Out of tempo alternate L.Dr., Rattle, Maraca
(4)
bisbigliano
mallet handle, one hand, not a roll
B.Chim. Out of time, in Sc. 1 tempo, repeat ad lib. T. Bl. W. Bl.
arco
gliss .
Mrca. W.Rat. L.Dr.
Cyms SD/Toms
Mar.
swirl
B.Chim.
70
Hp.
Tpt.
T. Sax
A. Sax
Bsn. 1-2
B. Cl.
C.A.
Ob.
]
153
8. Flight and Return
Fl.
97
Ob.
C.A.
Cl.
B. Cl.
Bsn. 1-2
Cbsn.
Molto meno mosso ( = ca. 96)
Tpt.
Hn.
S. Sax
A. Sax
Tbn.
B. Tbn.
Tba.
Hp.
Pno.
Uke.
Timp.
Siz./Ride Susp./Piatti
Molto meno mosso ( = ca. 96)
Euph.
Cb.
T. Sax
B. Sax
warmly warmly
(4)
(4)
(high voicing)
(strike)
Out of time, in Sc. 1 tempo, repeat ad lib. Chin./Ride
Cyms SD/Toms
M.Tam. L.Tam. Ch.Tam.
T. Bl.
Mar.
Mrca. W.Rat. L.Dr.
scrapes Out of time, in Sc. 1 tempo, repeat ad lib. To Vib.
Tri.
B.Chim.
Out of time, in Sc. 1 tempo, repeat ad lib. drum sticks
Molto meno mosso ( = ca. 96)
D
Timp.
warmly 1.2/3.4. warmly
Tpt.
Susp.
Tam mallet, as before
154
8. Flight and Return
Senza Tempo, ca 15"
71
Fl.
103
stagger entrances, out of tempo, freely, not together, in any order, ad lib. durations
Ob.
C.A.
[
]
B. Cl.
Bsn. 1-2
A. Sax
T. Sax
Cbsn.
S. Sax
B. Sax
Hn.
Tbn.
B. Tbn.
Cb.
Hp.
Pno.
Timp.
[
]
Vib.
Vib., bowed
[
[ Crot., bowed
]
l.v.
SenzaTempo, ca 15"
l.v.
l.v.
repeat ad lib., vary durations, as before
repeat ad lib., vary durations, as before
]
]
71
out of tempo, in any order, ad lib.
Tri.
M.Tam. L.Tam. Ch.Tam.
Mar.
G♮
SenzaTempo, ca 15"
To Tun. Gng.
[
out of tempo, freely, in any order, ad lib. durations
To Tun. Gng.
1.
Tun. Gng. Tun. Gng.
Euph.
Tba.
71
Tpt.
Cl.
END OF BALLET

Koʻolau seated on rock, Piʻilani and son Kaleimanu in pool of Makemake Falls.
Koʻolau and Piʻilani with their son, Kaleimanu, and Koʻolau’s mother, Kukui Kaleimanu.
Place where Deputy Sheriff Louis Stolz was killed, Kalalau Valley, Kauai.
Piʻilani Kaluaikoʻolau in 1906.
Firing Squad Company F of the National Guard of Hawaii, Kalalau Valley, Kauai. At the grave of three members killed during the hunt for Koʻolau.
all photos sourced from the Hawaii State Archives
OK
FEEL
GOOD
MUSIC