Page 1

Newman

PI‘ILANI AND KO‘OLAU an imagined ballet

wind orchestra

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Jonathan Newman PI‘ILANI AND KO‘OLAU an imagined ballet Commissioned by the Florida State University College of Music in recognition of the College Band Directors National Association presidencies held by Manley Whitcomb, James Croft, Patrick Dunnigan, and Richard Clary, with generous financial support from alumna Florence Helen Ashby.

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PI‘ILANI AND KO‘OLAU scenario for an imagined ballet by Gary Winter Kaua‘i, Hawai‘i. 1890. Scene 1. Pi‘ilani’s ‘Auamakua 1. 2. 3. 4. 5. 6. 7.

Pi‘ilani awakens from a nightmare: an owl (pueo) being shot by careless hunters. Pi‘ilani hears the cry of the pueo, leaves her hut and walks into the forest. A shadow of a giant pueo leads her deeper into the forest. She finds the pueo lying on the ground, its wing clipped by a hunter’s buckshot. Pi‘ilani wraps the bird in a kapa blanket (traditional kapa cloth was made form pounded bark), and carries her into the forest to heal. The moon god Hina comes out-her moonbeams begin to heal the pueo. Hina tells Pi‘ilani that the pueo is Pi‘ilani’s ‘aumakua, or family guardian. Hina tells her that by rescuing the pueo she will survive a terrible ordeal to come. Scene 2. Jack London and Louis Stolz Arrive in Hawaiʻi.

1. 2. 3. 4. 5. 6.

Jack London sails from San Francisco to Hawai‘i on the back of a turtle. He wears a white suit and carries his typewriter. Louis Stolz, (a white man), is a puppet. He rides in on the back of a shark. Stolz waves to London and fires his rifle in the air as he passes him by. The turtle lets London off on Kaua‘i. London is met by Pele the fire goddess, who escorts him to her volcano. Once inside the volcano London sets up his typewriter so he can write the story of Pi‘ilani and Ko‘olau while watching events unfold on a wall of flames. Scene 3. Paniolo

1. 2. 3. 4. 5. 6.

Ko‘olau and other paniolo (cowboys) on Vladimir Knudsen’s Waimea Valley ranch. Ko‘olau holds a steer down with one arm and brands him with his free hand. The shy Pi‘ilani, who has come to the ranch to buy milk, watches Ko‘olau from behind a fence. Knowing the beautiful Pi‘ilani is watching him, Ko‘olau breaks a wild horse, one of the hardest things a paniolo can do. Afterwards, Ko‘olau takes out his guitar and plays a sweet love song. Unable to resist, Pi‘ilani comes out of her hiding place and goes to Ko‘olau. Ko‘olau and Pi‘ilani go into the forest and make love all night long under Hina’s moonlight. Scene 4. Ko‘olau and Pi‘ilani’s Wedding

1. 2. 3. 4. 5.

A luau with hula dancing and lots of traditional food and music. Outside, a commotion. An old beggar woman has been trampled by a herd of wild pigs. Ko‘olau rushes outside with his rifle to shoot the pigs. When they are dead or gone he goes to help the woman. When he cleans off her wounds, Ko‘olau sees that the beggar has leprosy. Pi‘ilani, who has been watching from the lanai (porch), screams for Ko‘olau to stay away from the beggar. Ko‘olau tells Pi‘ilani that he is too healthy to catch leprosy. He puts the woman on his horse and takes her to the hospital, where she dies. Scene 5. Affliction

1. 2. 3. 4. 5. 6.

Louis Stolz, now Sheriff Stolz, rides in on a toy horse. He is followed by a small army of puppet soldiers on toy horses. Stolz and his men do the Manifest Destiny Hula. Stolz visits Ko‘olau and Pi‘ilani in their home. Ko‘olau is wary because he knows Stolz wants Ko‘olau to help him round up lepers to be taken to the leper colony on Moloka‘i. Stolz gives Ko‘olau a warrant ordering him to see the doctor in town to determine if he has leprosy. As he is leaving, Stolz points to Ko‘olau’s rashes. Ko‘olau goes to the doctor and learns he has leprosy. Ko‘olau and Pi‘ilani and their son Kaleimanu go to the forest to hide. Scene 6. Refugees

1. 2. 3. 4. 5. 6.

Sheriff Stolz tracks Ko‘olau in the forest and tells him to give himself up so he can be taken to the leper colony. He will be separated from his family Ko‘olau shoots Stolz and many of his men. Ko‘olau and his family run deeper into the forest to hide. Once in the forest Ko‘olau and his family are met by refugee lepers like themselves. The lepers show them where to get fresh water and gobi fish. The once despised lepers are now their friends. Ko‘olau and his family live off the land, in hiding, for two years. Scene 7. Death in the forest

1. 2. 3. 4. 5.

Kaleimanu and Ko‘olau die of leprosy. Pi‘ilani buries her husband and son. Pi‘ilani is alone for the first time in her life. Pi‘ilani mourns her husband and son. Pi‘ilani gets lost in the forest. She is terrified. Scene 8. Flight and Return

1. 2. 3. 4. 5. 6.

A pueo lands in the forest. It is Pi‘ilani’s `aumakua that she rescued earlier. Pi‘ilani gets on the pueo’s back. The pueo flies out of the forest. While in the air, Pi‘ilani sees the grandeur of the natural beauty that is Hawai`i: sandalwood trees, birds, koa trees, pigs, ocean, waterfalls, pali (cliffs). Pi‘ilani is comforted and humbled, knowing that nature has remained constant amidst the hardships she has endured. Nature is sublime and bigger than any of us. She begins to see her place in the world, as being part of nature. London packs up his typewriter and walk out of the volcano.

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about PI‘ILANI AND KO‘OLAU The time is 1890. Ko‘olau prides himself on being one of the most talented and hard-working paniolo (cowboys) on the Hawai‘ian island of Kaua‘i. Life is good for Ko‘olau, his wife Pi‘ilani and their son Kaleimanu, until Ko‘olau contracts leprosy (Hansen’s disease)*. At the time if a native (kanaka), was diagnosed with leprosy, he or she was deported to the leper colony in the Kalaupapa valley on Moloka‘i, where living conditions were notoriously harsh. When Sheriff Stolz tells Ko‘olau he must go to the colony, but that his family is not allowed to go with him (as was the law at the time), Ko‘olau refuses to go. When the sheriff and his deputies come to take him by force, Ko‘olau, an expert marksman and situated strategically on the cliffs, kills the sheriff and two of his men in self-defense. Fleeing from the law, Ko‘olau, Pi‘ilani and their son take refuge in the forest in Kaua‘i’s rugged Kalalau Valley, living off the land and with help from friends, for three years. During that time Kaleimanu dies of leprosy, and a year later Pi‘ilani must bury her husband after he succumbs to the disease. Pi‘ilani survives her ordeal, leaves the forest and returns home (the mayor and new sheriff interviewed her but did not arrest her). In 1906 journalist Kahina Sheldon recorded her story. It was translated in 1987 by Francis N. Frazier. *Leprosy, which most likely was transmitted from rats aboard a ship, was called mai pake (the Chinese disease), as it was erroneously believed the Chinese workers brought it over. Plantation workers came from China, Japan, Philippines, Portugal, America and other parts of the world.

—Gary Winter

INSTRUMENTATION Flute 1 Flute 2 / Piccolo Flute 3 Oboe 1 Oboe 2 Oboe 3 / Cor Anglais Clarinet 1 in B-flat Clarinet 2 in B-flat Clarinet 3 in B-flat Bass Clarinet in B-flat Bassoon 1 Bassoon 2 Bassoon 3 /Contrabassoon Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 4 Trumpets in B-flat / Conchs 4 Horns in F 2 Trombones Bass Trombone Euphonium Tuba Contrabass Harp Piano Ukulele Timpani / Typewriter Percussion Player 1 Crotales Ride Cymbal Sizzle Cymbal Suspended Cymbal Glockenspiel (shared with Perc. 2) Tuned Gongs (D4-F4-G4-Bb4-C5)

Player 3 Medium Tam-Tam Large Tam-Tam Chinese Tam-Tam Whip Crotales (shared with Perc. 1) Log Drum (shared with Perc. 6)

Player 5 Marimba (5-octave)

Player 2 China Cymbal Suspended (or Crash) Cymbal Snare Drum Tom Toms Glockenspiel Tuned Gongs (shared with Perc. 1)

Player 4 Vibraphone Bamboo Wind Chimes Wood Block Temple Blocks

Player 6 Maracas Wood Rattle Log Drum Bass Drum Triangle Conga

DURATION ca. 45'


FIRST PERFORMANCE September 27, 2019 The Florida State University Wind Orchestra Richard Clary, conductor Ruby Diamond Concert Hall, Tallahassee, Florida

www.jonathannewman.com

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MUSIC


transposed score

Commissioned by the Florida State University College of Music for Rick

PIʻILANI AND KOʻOLAU an imagined ballet Scenario by GARY WINTER

JONATHAN NEWMAN

Scene 1. Pi‘ilani’s ‘Auamakua With restrained energy ( = 120)

ca. 15"

With restrained energy ( = 120)

ca. 15"

With restrained energy ( = 120)

ca. 15"

Flutes 1-3

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet

Bassoon 1-2

Bassoon 3 / Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

Trumpet 1-4

Horn 1-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

Contrabass

Harp

Piano

x Ukulele

Timpani

Cymbals Crotales Glockenspiel Tuned Gongs

Ride cymbal - triangle beater

Sizzle

repeat ad lib., vary duration of dotted quarter

triangle beater China cymbal Susp (or crash) cymbal (tri.btr) Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs

repeat ad lib., vary duration of dotted quarters

triangle beater Large T-T scrape Crotales/Whip/Log-Drum M. T-T Medium-High Tam-tam Low Tam-tam L. T-T Chinese Tam-tamCh. T-T

(Tri.btr.)

Wood / Temple Blocks Bamboo Wind Chimes Vibraphone Marimba

Maraca / Wood Rattle Log-Drum / Bass Drum Triangle / Conga

1st Ed. 1/20

Copyright © 2019 by Jonathan Newman, OK Feel Good Music (ASCAP) For all countries All rights reserved

repeat ad lib., vary duration of dotted half


2

1. Pi‘ilani’s ‘Auamakua

4

ca. 15"

Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

ca. 15" Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

ca. 15" Timp.

Siz./Ride Susp./Piatti (tri.btr.) repeat, ad lib. Cyms SD/Toms scrapes

(still with Tri. btr.) M.Tam. L.Tam. Ch.Tam.

W.Bl. yarn mallets freely T. Bl.

W. Bl.

T. Bl. B.Chim.

W. Bl.

Mar. Maraca - freely - enter after WBl. Log Drum (one hand) Mrca. W.Rat. L.Dr.

Wood rattle

in initial tempo

repeat, ad lib.


1. Pi‘ilani’s ‘Auamakua

5

ca. 15"

Fl.

Ob.

C.A.

1.2. stagger breathing Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

ca. 15" Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

ca. 15" Timp.

(tri. btr.)

(strike)

repeat, vary durations of dotted quarters ad lib.

Siz./Ride Susp./Piatti scrape

Cyms SD/Toms repeat, vary start and duration of Ch.T-T gure M.Tam. L.Tam. Ch.Tam.

B.Chim.

Mar.

repeat, ad lib. Gradually decrease length of maraca and rattle shakes Mrca. W.Rat. L.Dr.

3


4

1. Pi‘ilani’s ‘Auamakua 1 a3, freely, out of tempo, not together, stagger entrances

6

ca. 15"

Fl.

[

Ob.

C.A. a3 Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

ca. 15"

1

ca. 15"

1

Tpt.

1-3 Hn. 4

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

strike rims of Timps with drumsticks (approx. pitch areas)

repeat ad lib., vary durations, get increasingly active

Timp. drum sticks, out of tempo Siz./Ride Susp./Piatti scrape

drum sticks, out of tempo Susp., yarn

Cyms SD/Toms drum sticks, out of tempo M.Tam. L.Tam. Ch.Tam.

B.Chim.

Mar. (Mrca.) Mrca. W.Rat. L.Dr.


5

1. Pi‘ilani’s ‘Auamakua

(if poss.)

10 Fl.

]

Ob.

C.A. +2.

3. Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

1-3 Hn. 4

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

"hand-drum" on timp edge (with Log Drum player)

in tempo

Timp.

(strike)

as before, repeat, vary longer durations ad lib.

Siz./Ride Susp./Piatti

as before, repeat, vary longer durations ad lib. Cyms SD/Toms repeat ad lib., vary longer durations M.Tam. L.Tam. Ch.Tam.

out of tempo approx. durations B.Chim.

Chim.

W. Bl.

[

Mar.

L.Dr. (with Timp.) Mrca. W.Rat. L.Dr.

in tempo with maraca in one hand

T. Bl.

sim.


6

1. Pi‘ilani’s ‘Auamakua 2 a3 as before, stagger entrances

19 Fl.

[ a2

Ob.

C.A. +1. Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

1.2. 3.4.

2

Tpt.

1-3 Hn. 4

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

cluster

2

timp mallet

hard mallets

Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

IN TEMPO

B.Chim. T. Bl.

W. Bl.

yarn mallets as before, out of tempo approx. durations

B.Chim. T. Bl.

sim.

IN TEMPO

W. Bl. T. Bl.

]

Mar. out of tempo alternate L.Dr., Rattle, Maraca Mrca. W.Rat. L.Dr.

[

IN TEMPO

]


7

1. Pi‘ilani’s ‘Auamakua

29 Picc. (if poss.)

1.3.

]

Fl.

Ob.

C.A. 1.2. Cl.

B. Cl.

+2.

a2

1. Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt. 1.2 3.4. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

repeat, ad lib 8th-notes, stay in tempo Timp.

drum sticks, IN TEMPO

Ride-dome

repeat ad lib., alter longer durations but stay in tempo

Siz./Ride Susp./Piatti drum sticks, IN TEMPO repeat ad lib., alter longer durations but stay in tempo Cyms SD/Toms hard Tam mallets - IN TEMPO M.Tam. L.Tam. Ch.Tam.

repeat ad lib., alter longer durations but stay in tempo T. Bl.

Mar. repeat ad lib., alter durations but stay in tempo Mrca. W.Rat. L.Dr.

repeat ad lib., alter longer durations but stay in tempo


8

1. Pi‘ilani’s ‘Auamakua PI‘ILANI awakens from a nightmare:

34 Picc.

Fl.

1. Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

gliss.

E♭

Hp

Pno

end wherever in the pattern Timp.

end wherever in the pattern Siz./Ride Susp./Piatti

Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

To B.Chim. T. Bl.

Mar. end wherever in the pattern Mrca. W.Rat. L.Dr.

Mrca.

To B.D.


9

1. Pi‘ilani’s ‘Auamakua

39

3 Meno mosso, Andante ( = 80)

an owl (pueo) being shot by careless hunters.

PI‘ILANI hears the cry of the pueo, leaves her hut, and walks into the forest.

to Flute

Picc.

1. Solo Fl.

Ob.

C.A. Solo Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

3 Meno mosso, Andante ( = 80) Tpt.

Hn.

gliss.

con sord. Tbn.

gliss.

con sord.

gliss.

B. Tbn

Euph.

Tba.

Cb.

Hp

F♯

F♮

Pno

Dmin

C6

Dmin

C6

Dmin

C6

Dmin

C6

Uke.

3 Meno mosso, Andante ( = 80) Timp. Susp.-yarn

Ride - yarn

Siz./Ride Susp./Piatti SD rim-shot

China, drum sticks

To Tun. Gng.

Cyms SD/Toms bowed M.Tam. L.Tam. Ch.Tam.

Whip Wh.

B.Chim.

To Vib.

B.Chim. (Mar. covers Whip if nec.) Mar.

B.D. B.D.

To Rattle

Wood Rattle


10

1. Pi‘ilani’s ‘Auamakua Più mosso ( = 88) 2. solo

49 1-2 Fl. 3

Solo Ob.

C.A.

1 Cl.

2.

3.

2-3

B. Cl.

Bsn. 1-2

Bsn. 3 S. solo S. Sax

A. Sax

T. Sax

B. Sax

Più mosso ( = 88) con sord. Tpt. 1.2. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

E♮ G♮

Pno

Dmin Uke.

Più mosso ( = 88) Timp. Ride edge drum stick Siz./Ride Susp./Piatti

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

To Tri. Tri.

To Crot.


11

1. Pi‘ilani’s ‘Auamakua 4 A shadow of a giant pueo leads her deeper into the forest.

=

( = 66)

=

( = 66)

=

( = 66)

59 1-2 Fl. 3 1. Ob.

C.A.

1 Cl. 2-3

B. Cl.

1 Bsn. 1-2 2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

4 Tpt. 3. Solo Hn. (con sord.) 2. Tbn.

(con sord.) B. Tbn

Euph.

Tba.

Cb.

E♭

Hp

Pno

4 Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib. Vib.

Mar.

Tri.


12

1. Pi‘ilani’s ‘Auamakua She nds the pueo lying on the ground, its wing clipped by a hunter's buckshot.

68

poco rit.

1 Fl. 2-3

Ob.

C.A. 2. solo Cl.

B. Cl.

1 Bsn. 1-2

2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

poco rit. Tpt. 1. Solo Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

E♮

Pno

poco rit. Timp.

Crot.

Tun. Gng. Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


13

1. Pi‘ilani’s ‘Auamakua PI‘ILANI wraps the bird in a traditional kapa blanket (made from pounded bark)

5 Quietly singing ( = 160) 76

3+2

2+3

3+2

1 Fl. 2-3

Ob.

C.A. solo

+2.

Cl. espr. poco

poco

B. Cl.

1 Bsn. 1-2 2

To Cbsn Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

5 Quietly singing ( = 160) 3+2

2+3

3+2

2+3

3+2

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

5 Quietly singing ( = 160)

3+2 Timp.

Crot. Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

poco


14

1. Pi‘ilani’s ‘Auamakua

6

and carries her into the forest to heal.

1.2.

89 1-2 Fl. 3

Ob.

C.A.

1-2 Cl. 3

B. Cl.

+2.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

6 Tpt. 1.2. Hn. con sord. Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Harp on the oor

Hp

B♮

Pno

6 Timp.

Crot.

To Susp. Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


1. Pi‘ilani’s ‘Auamakua 1. 2.3.

99 Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib. sim.

Mar.

Tri.

15


16

1. Pi‘ilani’s ‘Auamakua

107 Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

senza sord. B. Tbn

Euph.

Tba.

arco Cb.

Hp

Pno

Timp.

Ride - scraped To Crot. Crot.

Susp.

To Tun. Gng.

Cyms SD/Toms scrape M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri. Tri.


1. Pi‘ilani’s ‘Auamakua 7 The moon god HINA comes out.

115 1-2

Fl.

3

1 Ob. 2

C.A. a low rumble -- rhythmic precision is not crucial

1-2 Cl. 3

B. Cl.

a low rumble -- rhythmic precision is not crucial Bsn. 1-2 cresc.

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

7 Tpt. 1.2. 3.4. Hn.

senza sord. Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

7 Timp.

Crot.

Tun. Gng. yarn mallet Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

17


18

1. Pi‘ilani’s ‘Auamakua Her moonbeams begin to heal the pueo.

Poco più mosso 119 1-2 2. to Picc. Fl.

3

1 Ob. 2

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Poco più mosso

senza sord. 1-2 Tpt. 3-4

a4 Hn. ben

Tbn.

B. Tbn

Euph.

Tba.

Cb.

ord.

. gliss

Hp

F♮ C♮

Pno

Poco più mosso Timp.

Crot. Crot.

Susp. (yarn) To Glock. Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


19

1. Pi‘ilani’s ‘Auamakua

a tempo

124 Picc.

1.3. Fl.

1 Ob.

2

C.A.

1.-2. 1-2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

a tempo Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

a tempo Timp.

Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


20

1. Pi‘ilani’s ‘Auamakua 8 130

Picc.

1.3.

Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

8 1.2./3./4. Tpt. a4 Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

8 Timp.

Crot.

Glock. Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


21

1. Pi‘ilani’s ‘Auamakua 136 HINA tells PI‘ILANI that the pueo is PI‘ILANI's ‘aumakua, or family guardian. HINA tells her that by rescuing the pueo she will survive a terrible ordeal to come. to Fl. Picc.

Fl.

Ob.

C.A.

1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

(

Timp.

Crot.

To Cyms Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

)


22

1. Pi‘ilani’s ‘Auamakua 1. 2.3.

9

142 Fl.

1.

Ob.

C.A.

1 Cl. 2-3

B. Cl. 1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

9 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

s. glis

Hp

gli ss.

Pno

9 Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


23

1. Pi‘ilani’s ‘Auamakua Moderate groove ( = 116)

attacca

Moderate groove ( = 116)

attacca

Moderate groove ( = 116)

attacca

148 Fl.

Ob. solo C.A. 1. Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

F♮

Pno

Timp.

To Ride, Sizzle Ride - tri. btr.

Sizzle

Crot.

Cyms China - triangle beater Susp (or crash) Cyms SD/Toms Large T-Tam-scrape triangle beater tri. btr. M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


24

Scene 2. Jack London and Louis Stolz Arrive in Hawai‘i JACK LONDON sails from San Francisco to Hawai‘i on the back of a turtle.

(Moderate groove) Flutes 1-3 (

)

(

)

(

)

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet (

)

2. (dovetailed)

1.

1.

Bassoon 1-2

Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

(Moderate groove) Trumpet 1-4

Horn 1-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

pizz.

Contrabass

(Moderate groove)

Harp

Piano

Typewriter

(Ride) Cymbals Crotales Glockenspiel Tuned Gongs

To Crot.

SD - brushes Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs

(China)

(

swish-slap

)

drum stick

To Wh.

Medium-High Tam-tam Low Tam-tam Chinese Tam-tam

Vibraphone

Marimba (

Triangle

)

2.

1.


25

2. Jack London and Louis Stolz Arrive in Hawai‘i

9

1.2.

He wears a white suit and carries his typewriter.

10

Fl.

Ob.

C.A.

Cl.

B. Cl.

2.

1.

2.

1.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

10 Tpt.

1.2./3.4. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Typewriter Tpwr.

10 Crot.

Cyms SD/Toms

Wh.

Vib.

Mar.

Tri.


26

2. Jack London and Louis Stolz Arrive in Hawai‘i

11

19 Fl.

Ob.

C.A.

1. Cl.

B. Cl.

2.

1.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

11 1.2./3./4. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Tpwr.

11 Crot.

Cyms SD/Toms

Wh.

Vib.

Mar.

Tri.


27

2. Jack London and Louis Stolz Arrive in Hawai‘i

27 Fl.

a2 Ob.

C.A.

1 Cl. 2-3

B. Cl.

2.

1.

2.

2.

1.

Bsn. 1-2 dim.

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb. dim.

Hp

F♯

Pno

To Timp. Tpwr.

Crot. Crot.

Cyms SD/Toms

Wh.

Vib.

Mar.

To B.D. Tri.


28

2. Jack London and Louis Stolz Arrive in Hawai‘i 12

1. solo, out of tempo

36 LOUIS STOLZ (a white man) is a puppet

[

1

]

3. solo, out of tempo Fl.

[

3

]

Ob.

C.A.

1 Cl. 2-3

B. Cl. 1.

1.

2.

2.

Bsn. 1-2

Cbsn

solo, out of tempo

[

S. Sax

A. Sax

T. Sax

B. Sax

12 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

12 Timp.

Crot.

Cyms SD/Toms

Wh.

Vib.

Mar.

B.D.

(in tempo)

]


29

2. Jack London and Louis Stolz Arrive in Hawai‘i He rides in on the back of a shark.

43 Picc. 1.3.

Fl. a2 Ob.

C.A.

1 Cl. 2-3

B. Cl.

1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax 1./2./3.4. a4 Tpt. a4 Hn. 1. Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

E♭ F♮ G♭

E♮

Pno

Timp. Timp.

Crot. Susp.

Cyms SD/Toms

Wh.

Vib.

Mar.

B.D.


30

2. Jack London and Louis Stolz Arrive in Hawai‘i

50

13

Picc. a2

Fl.

Ob.

C.A. opt. 8va 1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

13 Tpt.

Hn.

Tbn.

B. Tbn (  )

Euph.

Tba.

Cb.

ss. gli

glis s.

ss. gli

glis s.

Hp

E♮ G♮ A♮

E♭ A♭

Pno

13 Timp.

Crot.

To Glock.

Glock.

B.D.

Tri.

Glock.

Wh.

Vib.

Mar.

B.D.

B.D.


2. Jack London and Louis Stolz Arrive in Hawai‘i

55 Picc. a2

Fl.

Ob.

C.A. opt. 8va 1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

ss. gli

glis s.

ss. gli

glis s.

Hp

Pno

To Tpwr. Timp.

Crot.

To Susp. Glock.

Wh.

Vib.

Mar.

Tri. B.D.

31


32

2. Jack London and Louis Stolz Arrive in Hawai‘i STOLZ waves to LONDON and res his ri e in the air as he passes him by.

14 61 Picc.

Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

14

freely, out of tempo

[

1

2

]

[

]

Tpt.

freely, out of tempo

[

3

] freely, out of tempo

[

4

]

a4 bells up Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

F♯

F♮ A♭

A♮

Pno

Tpwr.

14

To Siz./Ride Susp./Piatti

Crot. rim-shot

Susp. Cyms SD/Toms

Wh.

Wh.

Vib.

Mar.

Tri. Tri.

B.D.


33

2. Jack London and Louis Stolz Arrive in Hawai‘i 15 67

Picc to Fl. 2

1.3.

3 to A.Fl.

Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

1.

2.

1.

2.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

15 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

pizz.

Cb.

15

Hp

Pno

Tpwr.

Ride scrape with brush handle Siz./Ride Susp./Piatti SD-brushes Cyms SD/Toms

To T-Tams M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.

1.


34

2. Jack London and Louis Stolz Arrive in Hawai‘i

75

LONDON is met by PELE the re goddess, who escorts him to her volcano.

The turtle lets LONDON off on Kaua'i.

Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

2.

1.

2.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

legato

Tpwr.

Susp.-scrape Siz./Ride Susp./Piatti

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.

To Crot.

1.


2. Jack London and Louis Stolz Arrive in Hawai‘i

84 Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl. 1. 2. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

gliss.

Hp

gliss.

Pno

Tpwr.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.

35


36

2. Jack London and Louis Stolz Arrive in Hawai‘i 16 Senza tempo 90

Fl.

A. Fl.

1. freely Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

To Bsn. 3 Bsn. 3 S. solo, freely

S. Sax

A. Sax

T. Sax

B. Sax

16 Senza tempo Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

gliss.

Hp

bisbigliando

Pno

Tpwr.

16 Senza tempo Crot.

Cyms SD/Toms

Tam-Tam scrape M.Tam. L.Tam. Ch.Tam.

Vib. whispering tremolo, at random Mar.

B.D.


37

2. Jack London and Louis Stolz Arrive in Hawai‘i = A tempo - L'istesso tempo = 58

17

1.

92 Fl.

solo A. Fl.

Ob.

C.A. 1. Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax sotto voce

T. Sax

B. Sax

=

17

A tempo - L'istesso tempo = 58 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

legato

Pno

Tpwr.

=

17

A tempo - L'istesso tempo = 58 Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

bowed (mallets) Vib.

Mar.

B.D.


38

2. Jack London and Louis Stolz Arrive in Hawai‘i

100 1

Fl.

2

A. Fl.

1. Ob.

C.A.

1. Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt. 1.2. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Tpwr.

Crot. Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar. big uffy mallet B.D.

Tri.

To Siz./Ride Susp./Piatti


watching events unfold on a wall of ames.

39

2. Jack London and Louis Stolz Arrive in Hawai‘i Once inside the volcano LONDON sets up his typewriter so he can write the story of PI‘ILANI and KO‘OLAU while watching events unfold on a wall of ames.

105

1 Fl. 2 solo Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

1. con sord. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

gliss.

Hp gliss.

G♮

Pno

Tpwr. Tpwr.

Siz./Ride Susp./Piatti

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


40

2. Jack London and Louis Stolz Arrive in Hawai‘i 18 109 1

Fl.

2

A. Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

18 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

18 . gliss

Hp

E♮ B♮

Pno

Tpwr.

Cym. scrapes Susp. Ride Siz./Ride Susp./Piatti

Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

Sz.

To Crot.


41

2. Jack London and Louis Stolz Arrive in Hawai‘i

113 1 espr.

Fl. 2

A. Fl. Solo Ob. espr.

C.A.

1

Cl.

2 espr.

3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

con sord. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Tpwr.

To Siz./Ride Susp./Piatti Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


42

2. Jack London and Louis Stolz Arrive in Hawai‘i = 19

118 Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

a2 1

Bsn. 1-2

2

Bsn. 3 Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

= senza sord.

19 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

= 19

Hp gliss.

E♭ B♭

legato

Pno

Tpwr.

Siz./Ride Susp./Piatti Siz./Ride Susp./Piatti SD-brushes (4) Cyms SD/Toms scrape M.Tam. L.Tam. Ch.Tam.

bowed Vib.

Mar.

Tri.


43

2. Jack London and Louis Stolz Arrive in Hawai‘i 123

Tempo Primo Fl.

Ob. solo C.A.

Cl.

B. Cl.

1 Bsn. 1-2 2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tempo Primo Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

(pizz) Cb.

Tempo Primo

Hp

B♮ B♭

Pno

Tpwr.

Siz./Ride Susp./Piatti swish

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

mallets

Vib.

Mar.

Tri.

swirl


44

Scene 3. Paniolo KO‘OLAU and other paniolo (cowbows) on a Waimea Valley ranch.

Galloping ( = 116) Piccolo

1.3. Flutes 1-3

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet

Bassoon 1-2

To Cbsn Bassoon 3 / Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

Galloping ( = 116) Trumpet 1-4 1.2. 3.4. a4 Horn 1-4

a2 Trombone 1-2

Bass Trombone

Euphonium

Tuba

arco Contrabass

Harp

Piano

Galloping ( = 116) Timpani

Cymbals Crotales Glockenspiel Tuned Gongs Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs

S.D.--rim-shot

Whip Whip

Vibraphone

Marimba

Bass Drum


45

3. Paniolo

7 Fl.

Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Cbsn Cbsn

S. Sax

A. Sax

T. Sax cresc.

B. Sax cresc.

Tpt.

Hn. cresc.

Tbn. cresc.

B. Tbn

Euph.

Tba.

Cb. cresc.

Hp

Pno

Timp.

susp. Siz./Ride Susp./Piatti

Cyms SD/Toms

Wh.

Vib.

Mar.

B.D.


46

3. Paniolo 20 14

Picc.

a2 Fl. a2 Ob.

C.A.

1 Cl. 2-3

B. Cl. cresc.

Bsn. 1-2 cresc.

Cbsn cresc.

S. Sax

A. Sax

T. Sax cresc.

B. Sax cresc.

20 Tpt. 4.

+3.

Hn. cresc.

Tbn. cresc.

B. Tbn cresc.

Euph. cresc.

Tba. cresc.

Cb. cresc.

Dâ™®

Hp

Pno

cresc.

20 Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms

Wh.

Vib.

hard mallets Mar. cresc.

B.D.


47

3. Paniolo

19 Picc.

Fl.

Ob.

C.A.

1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt. +1.2.

a4

Hn. poco

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

D♭

D♮ C♯

G♯

Pno

Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms

Wh.

Vib.

Mar.

B.D.


48

3. Paniolo 21 23

Picc. a2 Fl.

Ob.

C.A.

gliss.

1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

quasi gl. S. Sax

quasi gl. A. Sax

quasi gl. T. Sax

quasi gl. B. Sax

21 1

2 Tpt. 3

4 (1.) Hn. 1. Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

Pno

21 Timp. Piatti Siz./Ride Susp./Piatti Cyms SD/Toms Wh.

To T. Bl. Vib.

Mar.

Tri. To Tri. Tri.

To B.D.

T. Bl.


49

3. Paniolo

31 Picc.

Fl.

Ob.

C.A.

1 2.3.

Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

1

Tpt.

2

3.4. 3-4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

gliss.

Pno

Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms

Wh.

To Vib. Vib.

Mar.

B.D.


50

3. Paniolo

22

35 Picc. a2 Fl. a2 Ob.

C.A.

1 Cl.

3. 2-3

B. Cl. a2 Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

22 Tpt. a4 1 Hn. a4 2

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

Pno

22 Timp.

Susp.

To Crot.

Siz./Ride Susp./Piatti

To Glock. Cyms SD/Toms

Wh.

Vib.

Mar.

B.D. To Tri. B.D.


51

3. Paniolo

40 Fl.

a2 Ob.

C.A.

+2

+1.

Cl. cresc.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Glock.

Wh.

Vib.

Mar.

Tri.


52

3. Paniolo KO‘OLAU holds a steer down with one arm and brands him with his free hand.

44 Picc.

1 Fl.

3

Ob.

C.A.

Cl.

B. Cl. cresc.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

a4 Tpt. a4 1-2 Hn. 3-4

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

gliss.

gl is s.

gliss.

F♮ G♯

Hp

F♯ G♮ C♯

Pno

Timp.

Crot. Crot.

Glock.

To Cyms SD/Toms

Glock.

To T-Tams Wh.

T. Bl. T. Bl.

Mar.

Tri.

To Vib.


53

3. Paniolo The shy PI‘ILANI, who has come to the ranch to buy milk, watches KO‘OLAU from behind a fence.

23 Half-Tempo, Slowly ( = 58)

49

accel.

Picc.

1 Fl. 3

1 Ob. 2

C.A.

1. Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

23

Half-Tempo, Slowly ( = 58)

accel.

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

pizz.

pizz.

Cb.

gliss.

Hp gliss. gliss.

gliss.

Pno

23

Half-Tempo, Slowly ( = 58)

Timp.

To Siz./Ride Susp./Piatti Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D. Tri. Tri.

accel.


54

3. Paniolo A tempo, Con moto = 116

24

55 1 Fl. 3

1 Ob. 2

C.A. +3. 1

Cl. 3.

+2.

2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

A tempo, Con moto = 116

24

trumpets out of tempo, not together con sord.

[

1

con sord.

[

2

con sord.

Tpt.

[

3

con sord.

[

4 a4 Hn.

a2 Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

A tempo, Con moto = 116

24 Timp.

Siz./Ride Susp./Piatti Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

Vib. Vib.

Mar.

B.D.

To T. Bl.


55

3. Paniolo Knowing the beautiful PI‘ILANI is watching him, KO‘OLAU breaks a wild horse, one of the hardest things a paniolo can do.

61 Picc.

1. 3. Fl.

a2 Ob.

C.A.

1 Cl. 2-3

B. Cl.

a2 Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax senza sord.

]

1

senza sord. 2

]

3

]

4

]

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco

pizz.

Cb.

gliss.

Hp

Pno

Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

T. Bl. T. Bl.

Mar.

B.D.


56

3. Paniolo

25 65 Fl. a2 Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax cresc. poco a poco

T. Sax cresc. poco a poco

B. Sax

25 1

2 senza sord.

Tpt. 3

senza sord. 4 a2 Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

25 Timp.

Siz./Ride Susp./Piatti brushes Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

T. Bl.

Mar.

B.D.


3. Paniolo

70 Picc.

1 Fl. 3

Ob.

C.A.

1

Cl.

2

più

3 più

B. Cl.

Bsn. 1-2

Cbsn

S. Sax cresc. poco a poco

A. Sax

T. Sax

B. Sax cresc.

1-2 Tpt. 3-4

a4 Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Siz./Ride Susp./Piatti (4) Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

(4) T. Bl.

Mar.

To Tri. B.D.

57


58

3. Paniolo

26

74 Picc.

1

Fl. to A. Fl. 3

1 Ob. 2

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

26 Tpt.

1.2. 3. 4.

Hn.

Tbn.

B. Tbn

Euph.

Tba. arco Cb.

. gliss s. glis

Hp

gliss .

gliss.

white note gl. . gliss s. glis

Pno

gliss .

gliss.

26 Timp.

Siz./Ride Susp./Piatti

To Crot.

Siz./Ride Susp./Piatti

To Glock.

Glock.

To Tun. Gng.

Glock. M.Tam. L.Tam. Ch.Tam.

W. Bl. To W. Bl. W. Bl.

Mar.

Tri. Tri.


3. Paniolo

78 Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

W. Bl.

Mar.

Tri.

59


60

3. Paniolo

83

Afterwards, KO‘OLAU takes out his guitar and plays a sweet love song.

27 Andante = 72

Fl. solo A. Fl. espr.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

27 Andante = 72 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Dmin

C6

Dmin

C6

Dmin

Uke.

27 Andante = 72 continue in previous tempo, dim al niente (4) Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

To Vib. continue in previous tempo, dim al niente

(4)

W. Bl. very soft yarn mal. Mar.

Tri.

C6

Dmin

C6


61

3. Paniolo

28

91 Fl.

A. Fl.

Ob.

C.A. 2. Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

28 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

B maj7

C6

B maj7

C6

Dmin

Uke.

28 Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

Amin

Dmin

Amin


62

3. Paniolo

1.

99 Fl.

espr.

A. Fl.

Ob.

C.A.

1 Cl. 2-3

B. Cl. 1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

Pno

B maj7 Uke.

Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

C6

Csus4

C7

F

Fmaj7

G

G13

Fmaj7

(passing B)


63

3. Paniolo

29

107 Fl.

A. Fl. 1. Ob. espr

C.A.

1 Cl.

espr

2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

29 Tpt. 1.2./3.4. Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb. L.H. pizz.

Hp

Pno

B

C6

B maj7

A7sus4

A7

Dmin

Uke.

29 Timp.

Crot.

Tun. Gng.

T-Tams M.Tam. L.Tam. Ch.Tam.

Vib. Vib.

Mar.

Tri.

C6

Dmin

C6


64

3. Paniolo

1.

115 Fl.

Ob.

C.A.

1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax Solo con sord. Tpt.

Hn. senza sord.

Tbn.

senza sord. B. Tbn

senza sord. Euph.

Tba.

Cb.

Hp

Pno

B maj7

C6

B maj7

C6

Dmin

Amin

Uke.

Timp.

Crot.

Tun. Gng. Tun. Gongs Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

To Cyms SD/Toms

Dmin

Amin


65

3. Paniolo 30

Unable to resist, PI‘ILANI comes out of her hiding place and goes to KO‘OLAU.

123 1 Fl. 2

A. Fl.

a2 Ob.

C.A.

1

Cl.

2

3

B. Cl.

a2 Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

senza sord.

30 1-2 Tpt.

senza sord.

3-4

1-2 Hn. 3-4

Tbn.

B. Tbn

Euph.

Tba.

gl is s.

Cb.

Hp

B♮

Pno

B maj7

C6

Csus4 C7

F

Uke.

30 Timp.

Crot.

Susp. Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

To Glock.

Fmaj7

G

G13


66

3. Paniolo

ten. 129 1 Fl.

2

A. Fl.

1 Ob. 2

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

ten. 1-2 Tpt. 3-4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

B♮ B♭

Pno

Fmaj7

(passing B)

B

C6

Gmin7

Emin7( 5)

Uke.

ten. Timp.

Crot.

China Glock. Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

To China Cym.

China


67

3. Paniolo 31

rall.

accel. 1.

134 1 Fl. 2

A. Fl. espr.

1.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

rall.

accel.

31

1.2.

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Dmin

C6

Dmin

C6

Dmin

C6

B maj7

C

Uke.

31

rall.

Timp.

Crot.

Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

bowed Vib.

Mar.

Tri.

accel.


68

KO‘OLAU and PI‘ILANI go into the forest and make love all night long under Hina's moonlight.

3. Paniolo

Più mosso ( = ca. 76) 142 Fl. espr.

Ob.

C.A. 1. Cl.

B. Cl.

a2 Bsn. 1-2

Cbsn

S. Sax espr.

A. Sax

T. Sax

B. Sax

Più mosso ( = ca. 76) Tpt.

1. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

B♭

Hp

Pno

F Uke.

Più mosso ( = ca. 76) Timp.

Crot.

Cyms SD/Toms strike M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


3. Paniolo

32

148 Fl.

Ob.

C.A.

Cl.

B. Cl.

1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

32 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Bâ™®

Hp

Pno

32 Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

mallets Vib.

Mar.

Tri.

69


70

3. Paniolo

153 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


71

Scene 4. Ko‘olau and Pi‘ilani’s Wedding ca 10"

ca. 10"

8-10"

Flutes 1-3

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet

Bassoon 1-2

Bassoon 3 / Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

ca. 10"

ca 10"

repeat ad lib., not together

8-10"

1 Any size in the lower part of the 4th octave repeat ad lib., not together 2 Conchs repeat ad lib., not together 3

repeat ad lib., not together 4

Horn 1-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

Contrabass

Harp

Piano

G7sus4

Ukulele

ca 10"

ca. 10"

8-10"

Timpani Gongs

quickly, in any order, without regular rhythm

Tuned Gongs (shared with Perc. 2) Tom-Toms, yarn mallets Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs Crotales (shared with Perc. 1)

Vibraphone

Marimba Conga, drumsticks Conga


72

4. Ko‘olau and Pi‘ilani’s Wedding A luau with hula dancing and lots of traditional food and music.

With celebratory abandon ( = 126)

ca 12"

6 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

With celebratory abandon ( = 126)

ca 12" 1

2 Cnch. 3

4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Dmin Uke.

With celebratory abandon ( = 126)

ca 12" repeat, ad lib., in tempo Timp.

Tun. Gng. repeat, ad lib., in tempo Cyms SD/Toms

Crot.

Vib.

Mar. hands Cga.

repeat, ad lib., in tempo


73

4. Ko‘olau and Pi‘ilani’s Wedding

9

33

a3

Fl.

Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

33 Cnch.

a4 Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

C♯

Pno

33 Timp.

Tun. Gng.

Cyms SD/Toms

Crot.

Vib.

Mar.

Cga.

C♮ D♭


74

4. Ko‘olau and Pi‘ilani’s Wedding

17 Fl.

Ob.

C.A. repeat ad lib., out of tempo, not together

[

1

Cl.

] [

2

repeat ad lib., out of tempo, not together

[

3

]

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

a4 repeat ad lib., out of tempo, not together Cnch.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

cluster Timp.

Tun. Gng.

Cyms SD/Toms

Crot.

Vib.

Mar.

Cga.


75

4. Ko‘olau and Pi‘ilani’s Wedding Outside, a commotion.

34

(breve)

out of tempo, not together

22 1

An old beggar woman has been trampled by a herd of wild pigs.

]

[ out of tempo, not together

Fl.

2

]

[ out of tempo, not together

3

]

[

Ob.

C.A.

1 repeat ad lib., out of tempo, not together Cl.

]

2

3

B. Cl.

Bsn. 1-2

Bsn. 3

34

(breve)

S. Sax

A. Sax

T. Sax

B. Sax

34

(breve)

not together, as before

Cnch.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

(cluster)

34

(breve)

Timp.

Tun. Gng.

Cyms SD/Toms

Crot.

Vib.

Mar.

B.D. Cga.


76

4. Ko‘olau and Pi‘ilani’s Wedding 35

KO‘OLAU rushes outside with his ri e to shoot the pigs.

(slightly longer)

28 1

Fl.

2

3

Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Bsn. 3

(slightly longer)

35

(slightly longer)

35

S. Sax

A. Sax

T. Sax

B. Sax

not together, as before

To Tpt.

Cnch.

harmonic gl. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

repeat ad lib., out of tempo

D♮

Pno

repeat ad lib., out of tempo

(slightly longer)

35

repeat in tempo as before, ad lib.

Timp.

To Glock. Tun. Gng. drumsticks

repeat in tempo as before, ad lib.

Cyms SD/Toms Crot.

To Wh. Crot.

Vib.

Mar.

Cga. B.D.

repeat in tempo as before, ad lib.


4. Ko‘olau and Pi‘ilani’s Wedding

35 Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Glock. Glock.

Cyms SD/Toms

Wh.

Vib.

Mar.

Cga.

77


78

4. Ko‘olau and Pi‘ilani’s Wedding 36

When they are dead or gone he goes to help the woman.

40 Fl.

Ob.

C.A.

repeat ad lib., out of tempo, not together Cl.

repeat ad lib., out of tempo, not together B. Cl.

Bsn. 1-2

Bsn. 3

36 S. Sax

A. Sax

T. Sax

B. Sax

36 a4 con sord.

Tpt. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

36 Timp.

To Tun. Gng. Glock. SD brush plus drumstick (rim-shots) Cyms SD/Toms

Wh. Wh.

T. Bl. T. Bl.

Mar.

B.D. B.D.

To Cga.


79

4. Ko‘olau and Pi‘ilani’s Wedding When he cleans off her wounds, KO‘OLAU sees that the beggar has leprosy.

37

46

1.2.

Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

37 S. Sax

A. Sax

T. Sax

B. Sax

37 Tpt.

Hn. con sord.

Tbn.

con sord. B. Tbn

Euph.

Tba. pizz.

Cb.

F♮

Hp

Pno

37 Timp.

Tun. Gng.

Cyms SD/Toms

Wh.

To Vib. Vib.

Mar.

Cga.

Vib.

To T. Bl.


80

4. Ko‘olau and Pi‘ilani’s Wedding PI‘ILANI, who has been watching from the lanai (porch), screams for KO‘OLAU to stay away from the beggar.

52 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

1-2 Hn. 3-4

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Tun. Gng.

Cyms SD/Toms

Wh.

T. Bl.

Mar.

Cga.


81

4. Ko‘olau and Pi‘ilani’s Wedding 38

KO‘OLAU tells PI‘ILANI that he is too healthy to catch leprosy.

freely, out of tempo, not together

57

[

Fl.

Ob.

[

]

1

[

]

2

[

]

3

[

C.A.

Cl.

]

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax repeat out of tempo, not together

[

A. Sax

]

T. Sax

B. Sax senza sord.

38 1

senza sord. 2 senza sord.

Tpt. 3

senza sord. 4

1-2 Hn. 3-4 senza sord. Tbn.

senza sord. B. Tbn

Euph.

Tba.

arco Cb.

Hp

Pno

cluster

38 Timp.

Tun. Gng. Toms Cyms SD/Toms Wh.

T. Bl.

Mar.

Cga. Cga.


82

4. Ko‘olau and Pi‘ilani’s Wedding He puts the woman on his horse and takes her to the hospital, where she dies.

39

63 Fl.

]

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Bsn. 3

39 S. Sax

A. Sax

T. Sax

B. Sax

39

(1.) Tpt.

solo Hn.

con sord.

Tbn.

con sord. B. Tbn

Euph.

Tba.

Cb.

(4)

Hp

Pno

39 Timp.

Tun. Gng.

as before

Tun. Gng. SD - brushes Cyms SD/Toms

Wh.

T. Bl. T. Bl.

Mar.

Cga.

To Vib.


83

4. Ko‘olau and Pi‘ilani’s Wedding

69 Fl.

1. Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

(8)

Hp

Pno

Timp.

Tun. Gng.

Cyms SD/Toms dim.

Wh.

Vib. freely, out of tempo Vib.

Mar.

Cga.

[


84

4. Ko‘olau and Pi‘ilani’s Wedding freely, out of tempo, stagger entrances

40 75 Fl.

[ freely, out of tempo

[

1

Ob.

] freely, out of tempo

[

2

C.A. freely, out of tempo, stagger entrances

1-2

[ freely, out of tempo, stagger entrances

Cl.

[

3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

40 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

freely, out of tempo (12)

[ Hp

freely, out of tempo

[ Pno

40 Timp.

Tun. Gng.

Cyms SD/Toms

Wh.

Vib.

Mar.

Cga.


85

4. Ko‘olau and Pi‘ilani’s Wedding

81 Fl.

1 Ob. 2

] freely, out of tempo

C.A.

[

Cl. freely, out of tempo

B. Cl.

[ a2

Bsn. 1-2

Bsn. 3 freely, out of tempo, stagger entrances

S. Sax

[ freely, out of tempo, stagger entrances

A. Sax

[

T. Sax

[

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Uke.

Timp.

Tun. Gng.

Cyms SD/Toms

Wh.

Vib.

Mar.

Cga.


86

4. Ko‘olau and Pi‘ilani’s Wedding

87 Fl.

]

Ob.

C.A.

] choose a pitch to hold at end of descent

Cl.

]

B. Cl.

] 1.

Bsn. 1-2

Bsn. 3

S. Sax

]

A. Sax

]

T. Sax

]

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

]

Pno

] Uke.

Timp.

Tun. Gng. swirl/swish Cyms SD/Toms

Wh.

Vib.

Mar.

Cga.

]


87

Scene 5. Af iction Louis Stolz, now SHERIFF STOLZ, rides in on a toy horse.

March = 104

1.3.

March = 104

2.-4.

Flutes 1-3

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet

Bassoon 1-2

Bassoon 3 / Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

con sord.

Trumpet 1-4

Horn 1-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

Contrabass

Harp

Piano

March = 104 Timpani

Piatti

Cymbals Crotales Glockenspiel Tuned Gongs Cymbals Snare Drum / Tom-Toms Glockenspiel Tuned Gongs Whip

Temple Blocks

Marimba

Bass Drum

S.D.


88

5. Af iction

He is followed by a small army of puppet soldiers on toy horses.

10

1.3.

41

a2

Fl.

Ob.

C.A.

a3 Cl.

B. Cl.

a2 Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

41 1. solo senza sord.

con sord. f.t.

2.-4.

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

Pno

41

secco

Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms

Wh.

(4) T. Bl.

Mar.

B.D.


89

5. Af iction

20 Picc.

Fl. a2 Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

senza sord. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms

Wh.

Vib. (8)

(12)

T. Bl. hard mallets -quasi xylo

Mar.

Tri. B.D.


90

5. Af iction

42

28 Picc.

1.3. Fl. cresc.

a2 Ob. cresc.

C.A. cresc.

1. Cl. cresc.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax cresc.

A. Sax cresc.

T. Sax cresc.

B. Sax

42 con sord. 2.-4.

1. senza sord.

2. senza sord.

Tpt. cresc.

a4 Hn.

cresc.

Tbn. cresc.

B. Tbn

Euph. cresc.

Tba. cresc.

Cb. cresc.

Hp

Pno

42 secco Timp. cresc.

Siz./Ride Susp./Piatti Sz.

cresc.

Cyms SD/Toms cresc.

Whip

To L.Dr.

Wh.

T. Bl. T. Bl. cresc.

Mar.

B.D. B.D. cresc.

3. senza sord.


91

5. Af iction

43 Faster, Hula Blues = ca. 116

38 Picc.

Fl.

Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

43 Faster, Hula Blues = ca. 116

4. senza sord. Tpt.

Hn.

a2 Tbn.

B. Tbn

Euph.

Tba.

gl is s.

Cb.

Hp

Bâ™­

Pno

43 Faster, Hula Blues = ca. 116 ad lib. Timp.

Crot.

To Crot.

To Glock.

Siz./Ride Susp./Piatti Toms (drum sticks) Cyms SD/Toms

L.Dr. Con. 1 Con. 2

(4) T. Bl.

Mar.

To Cga. B.D.

Cga.

ad lib.


92

5. Af iction

45

STOLZ and his men do The Manifest Destiny Hula

Picc.

Fl.

Ob.

C.A. a3

1. 2.3.

Cl.

B. Cl.

a2 Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

a4 Tpt. a4 Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

(4) Timp.

Glock.

(4) Cyms SD/Toms (4) Con. 1 Con. 2

T. Bl.

Mar.

Cga.


93

5. Af iction

48 Picc.

Fl.

Ob.

C.A. 1.2.

+3.

Cl. cresc. (

)

B. Cl.

Bsn. 1-2

To Cbsn Bsn. 3

S. Sax cresc.

A. Sax cresc.

T. Sax cresc.

B. Sax cresc.

Tpt.

Hn.

Tbn.

B. Tbn

Euph. cresc. poco a poco

Tba. cresc. poco a poco

Cb. cresc. poco a poco

Hp

Pno

ad lib. (4) Timp.

Glock.

(8) Cyms SD/Toms (8) Con. 1 Con. 2

T. Bl.

Mar.

Cga.


94

5. Af iction 44 53

Picc. a2

Fl.

Ob.

C.A. opt. 8va 1 Cl. 2-3

B. Cl. ( 

)

( 

)

( 

)

( 

)

Bsn. 1-2

Cbsn Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

44 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

ss. gli

glis s.

ss. gli

gli ss.

Hp

Pno

44 Timp.

Glock.

To Crot.

Glock.

Cyms SD/Toms

Con. 1 Con. 2

T. Bl.

Mar. ( 

Cga.

)


95

5. Af iction

58 Picc. a2

Fl.

Ob.

C.A. opt. 8va 1 Cl. 2-3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

s. glis

glis s.

s. glis

gli ss.

Hp

Pno

Timp.

Crot.

(4) Cyms SD/Toms (4) Con. 1 Con. 2

T. Bl.

Mar.

(4) Cga.


96

5. Af iction

to Fl.

63 Picc.

Fl.

Ob.

C.A.

1 Cl. 2-3

B. Cl. ( 

)

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

1

2 Tpt. 3

4 a4 bells up, open Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

F♯

Hp

Pno

Timp.

Crot. Crot. Susp. (8) Cyms SD/Toms (8) Con. 1 Con. 2

T. Bl.

Mar. (8) Cga.


97

5. Af iction

45 Tempo Primo = 104

=

68 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

To Bsn. 3 Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

45 Tempo Primo = 104

1. solo

f.t.

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

45 Tempo Primo = 104 Timp.

To Piatti

Piatti

To Crot.

Siz./Ride Susp./Piatti

(4) Cyms SD/Toms

To T-Tams M.Tam. L.Tam. Ch.Tam.

To Vib. T. Bl.

Mar.

B.D. To B.D. B.D.


98

5. Af iction 46

KO‘OLAU is wary because he knows STOLZ wants KO‘OLAU to help him round up lepers to be taken to the leper colony on Moloka‘i. 1. solo

STOLZ visits KO‘OLAU and PI‘ILANI in their home.

80 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

46 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

F♮

Pno

Uke.

46 Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib. Vib.

Mar.

B.D.

F♯ G♭ C♯


99

5. Af iction STOLZ gives KO‘OLAU a warrant ordering him to see the doctor in town to determine if he has leprosy.

47

a2

89 Fl.

1.

2.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. Bsn. Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

47 Tpt. 1. solo Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

B7 Uke.

47 Timp.

Crot.

Cyms SD/Toms

T-Tams M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.


100

5. Af iction As he is leaving, STOLZ points to KO‘OLAU's rashes.

Più Mosso ( = ca. 88)

98 Fl.

Ob. espr

C.A. espr

Cl.

B. Cl.

1. Bsn. 1-2 espr

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Più Mosso ( = ca. 88) con sord.

Tpt.

1.-3. Hn. con sord.

Tbn. senza sord. B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

C

(4)

Uke.

Più Mosso ( = ca. 88)

Timp.

bowed Crot. Crot. Crot.

Cyms SD/Toms scraped small tam strike - Tam mallet M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

To Mrca. W.Rat. B.D.


101

5. Af iction

48

KO‘OLAU goes to the doctor and learns he has leprosy.

109 1 Fl. 2

1. 1 Ob. 2

C.A.

Cl.

B. Cl.

1. Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

48

(sord.)

Tpt. 1. senza sord.

3.4.

Hn. (sord.)

Tbn.

(open) B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

(8) Uke.

48 Timp.

Crot.

Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

To B.Chim. Vib.

Mar.

Mrca. Mrca. W.Rat. L.Dr.

W. Rattle


102

5. Af iction 118

49

A little slower ( = 80) 1 Fl. 2

1 Ob. 2

C.A.

Cl.

B. Cl. 1. Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

49

A little slower ( = 80) Tpt.

Hn. con sord. Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

Pno

49

A little slower ( = 80) Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Chim. B.Chim.

Mar.

Mrca. W.Rat. L.Dr.

[

W. Bl.

T. Bl.

B.Chim.

]

To Vib.


5. Af iction KO‘OLAU and PI‘ILANI and their son KALEIMANU go to the forest to hide.

124 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Mrca. W.Rat. L.Dr.

1 2.3.

103


104

5. Af iction

130 Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

a2 Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Mrca. W.Rat. L.Dr.


105

5. Af iction

136 Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

Pno

Timp.

Crot.

Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Mrca. W.Rat. L.Dr.


106

5. Af iction Senza Tempo, 20-30" 142 a3, stagger entrances, not together (if poss.)

Fl.

[

]

Ob.

C.A.

Cl.

opt. 8vb B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Senza Tempo, 20-30" Tpt.

Hn.

Tbn.

senza sord. B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Senza Tempo, 20-30" Timp.

Crot.

Cyms SD/Toms bowed M.Tam. L.Tam. Ch.Tam.

W. Bl.

W. Bl. yarn-approx. durations

T. Bl.

sim.

B.Chim.

(quasi 1st mvt tempo)

repeat ad lib., alter longer durations

To W. Bl. W. Bl.

T. Bl.

dim. poco a poco al niente

Mar.

alternate L.Dr., Rattle, Maraca

repeat, ad lib. durations

Mrca. W.Rat. L.Dr. dim. poco a poco al niente


107

Scene 6. Refugees SHERIFF STOLZ tracks KO‘OLAU in the forest

With urgency ( = 116) Flutes 1-3

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet

1. Bassoon 1-2

Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

With urgency ( = 116) Trumpet 1-4

Horn 1-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

Contrabass

Harp

Piano

muted with palm

With urgency ( = 116) Timpani

Crotales

Glockenspiel

Medium-High Tam-tam Low Tam-tam Chinese Tam-tam

Vibraphone

Marimba

Bass Drum


108

6. Refugees

50

11 Fl.

Ob.

C.A. 1. Cl.

B. Cl.

1 Bsn. 1-2 2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

50 a4 con sord. Tpt. 1.2/ 3.4. con sord. Hn. 1. senza sord. Tbn.

con sord. B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

50 Timp.

Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.


109

6. Refugees 1. 2.3.

22 Fl. a2 Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Cbsn

S. S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn. 1. con sord. Tbn. senza sord. B. Tbn

Euph.

Tba.

pizz.

Cb.

Hp

A♮ C♯ ord.

Pno

Timp.

Crot. Glock Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.


110

6. Refugees 51

and tells him to give himself up, so he can be taken to the leper colony. He will be separated from his family.

31 Fl.

Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

51 Tpt. 1.2./3./4. senza sord. Hn.

con sord. Tbn.

senza sord. B. Tbn

Euph.

Tba.

(pizz.) Cb.

Hp

Bâ™®

Pno

51 Timp.

Crot. Crot.

To Toms Glock.

M.Tam. L.Tam. Ch.Tam.

To W. Bl. Vib.

Mar.

B.D.


111

6. Refugees

52

1.

40 Fl.

Ob.

C.A.

Cl.

B. Cl.

a2 Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

52

(con sord.) Tpt.

Hn.

Tbn.

gliss.

B. Tbn

Euph.

Tba.

pizz.

arco

Cb.

Hp

Pno

52 Timp.

Crot.

Toms Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

W. Bl.

To Vib.

W. Bl.

Mar.

Tri. B.D.


112

6. Refugees

47 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt. 1.2./3.4. Hn.

senza sord. Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

Pno

Timp.

Crot.

Crash Cyms SD/Toms M. Tam M.Tam. L.Tam. Ch.Tam.

Vib. Vib.

Mar.

B.D. To B.D. B.D.


113

6. Refugees KO‘OLAU shoots STOLZ and many of his men.

53

57 Fl.

a2 Ob.

C.A.

Cl.

B. Cl. ( 

)

( 

)

( 

)

( 

)

( 

)

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

53

senza sord. Tpt.

a2 Hn. ( 

)

( 

)

( 

)

( 

)

( 

)

( 

)

( 

)

( 

)

( 

)

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

D♮ B♭

Pno

53 Timp.

Crot. +S.D.

Susp. Cyms SD/Toms

Wh. M.Tam. L.Tam. Ch.Tam.

To Wh.

W. Bl. To W. Bl. Vib.

Mar.

B.D. ( 

)


114

6. Refugees

rall.

64 Fl.

Ob.

To Ob. 3 C.A.

Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

rall. Tpt.

3.4 Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

E♮ A♮

Pno

cluster

A7sus4 Uke.

rall. Timp.

bowed Crot.

To Tun. Gng. Cyms SD/Toms

To T-Tams

Ch. T-T bowed

Wh.

To T. Bl.

T. Bl.

T. Bl.

Mar.

To Tri. B.D.


115

6. Refugees KO‘OLAU and his family run deeper in to the forest to hide.

54 74

Meno mosso, smoothly = 66

1-2 Fl. 3 1. Ob. espr.

Ob. 3

1 Cl. 2-3

B. Cl.

Bsn. 1-2

To Bsn. 3 Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

54 Meno mosso, smoothly = 66 Tpt.

1-2 Hn. 3-4

Tbn.

B. Tbn

Euph. espr.

Tba.

Cb.

Hp

Pno

54 Meno mosso, smoothly = 66 Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

To Vib. T. Bl.

Mar.

Tri.

Vib.


116

6. Refugees Once in the forest KO‘OLAU and his family are met by refugee lepers, like themselves.

55

84 1-2 Fl. 3

2. Ob.

Ob. 3

1 Cl. 2-3

B. Cl. espr.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax 1. solo senza sord.

55

Tpt. espr.

1-2 espr.

Hn. 3-4

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

G♮

Pno

con Ped.

55 Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


117

6. Refugees

93 Fl.

Ob.

Ob. 3 Ob. 3

1 Cl. 2-3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax solo A. Sax

T. Sax

B. Sax

Tpt. 1. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

bowed Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


118

6. Refugees

101 Fl.

Ob.

Ob. 3

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3 Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

3.4. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


119

6. Refugees

56

The lepers show them where to get fresh water and gobi sh.

106 Fl.

Ob.

Ob. 3

Cl.

B. Cl.

legato

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

56 1.2. con sord. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

Hp

E♭ A♭

Pno

56 Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


120

6. Refugees

114 Fl. espr.

Ob.

Ob. 3

1. Cl.

B. Cl.

2. legato Bsn. 1-2

legato Bsn. 3

S. Sax sotto voce

A. Sax sotto voce

T. Sax sotto voce

B. Sax

Tpt.

1.-3. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


121

6. Refugees

57

The once despised lepers are now their friends.

123 Fl. 1.2.

Ob. espr.

Ob. 3

1 Cl. 2-3

legato B. Cl. 1. Bsn. 1-2

Bsn. 3

S. Sax espr.

A. Sax espr.

T. Sax

B. Sax

57 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

57 Timp.

Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


122

6. Refugees KO‘OLAU and his family live off the land, in hiding, for two years...

133

58 Fl.

2. Ob.

Ob. 3

Cl.

poco

B. Cl.

2. Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

58

1-3. con sord.

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

E♮ A♮

Pno

58 Timp.

(strike) Crot.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri. Tri.


123

6. Refugees rallentando 144 1.

2.

1.

Fl. 2.

3. 1. Ob. espr.

Ob. 3

1 Cl. 2

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

rallentando

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

l.v.

Hp

l.v.

Pno

rallentando

Timp.

Crot.

Tun. Gng. l.v. Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

l.v. Vib.

Mar.

Tri.


124

Scene 7. Death in the Forest PI‘ILANI buries her husband and son.

KO‘OLAU and Kaleimanu die of leprosy.

Senza Tempo, 10" ca. 20"

ca. 15"

Placid, calm ( = 58)

Flutes 1-3

Oboes 1-2

Cor Anglais / Oboe 3

Clarinets 1-3

Bass Clarinet

Bassoon 1-2

Bassoon 3 / Contrabassoon

Senza Tempo, 10" Soprano Saxophone sotto voce

Alto Saxophone sotto voce

Tenor Saxophone sotto voce

Baritone Saxophone sotto voce

Senza Tempo, 10" ca. 20"

ca. 15"

Placid, calm ( = 58)

Trumpet 1-4 1. Horn 1-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

Contrabass

Harp

G♭

G♯

Piano

Senza Tempo, 10" ca. 20"

ca. 15"

Placid, calm ( = 58)

Timpani

Gongs (2 players)

repeat in any order, ad lib. rhythm

Tuned Gongs (shared with Perc. 2) Gongs (2 players) - repeat, ad lib. durations Tuned Gongs

Medium-High Tam-tam Low Tam-tam Chinese Tam-tam

Vibraphone

soft mallets

Marimba

Bass Drum


125

7. Death in the Forest

7 Fl.

1. Ob.

C.A.

Cl.

B. Cl.

2. Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Uke.

Timp.

Tun. Gng.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.

1.


126

7. Death in the Forest 59 14

Fl.

Ob.

C.A.

1. solo Cl. legato B. Cl.

legato Bsn. 1-2

legato Bsn. 3

59 S. Sax

A. Sax

T. Sax

B. Sax

59

1. solo

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

legato

Pno

59

very soft mallets

Timp.

as before, repeat at lib. Tun. Gng. as before, repeat at lib., vary durations Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.


127

7. Death in the Forest

20 Fl.

1. Ob.

C.A.

1.2. Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

con sord. 1.2. Tpt. con sord. Hn. con sord.

Tbn.

con sord. B. Tbn

Euph.

Tba.

Cb.

Hp

A♮ D♮

Pno

Timp.

Tun. Gng.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.


128

7. Death in the Forest PI‘ILANI is alone for the rst time in her life.

27

Senza tempo

60

freely

1 cresc.

freely Fl.

repeat, freely

2 cresc.

freely

(freely)

[

3

cresc.

a2

(freely)

[

Ob.

cresc.

C.A. a3, freely, not together, stagger entrances

[

Cl.

cresc.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax freely, not together

[

T. Sax

B. Sax

Senza tempo

60

Tpt.

Hn. senza sord. freely, not together

[

Tbn. freely, not together

[

B. Tbn

freely, not together

[

Euph.

Tba.

Cb. repeat ad lib., freely, in any order

Hp

cresc.

E♮ A♭

Pno

Senza tempo

60

Timp.

as before, in any order Tun. Gng.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D.


129

7. Death in the Forest PI‘ILANI mourns her husband and son.

Singing, plaintively = 80 repeat G's ad lib. repeat ad lib., in any order

31 1

Fl.

2 repeat G's ad lib.

]

3

repeat G's ad lib.

]

Ob. freely C.A.

[

] cresc.

repeat G's ad lib.

]

Cl. freely, not together B. Cl.

[

] cresc.

freely, not together Bsn. 1-2

[

] cresc.

freely, not together Bsn. 3

[

] cresc.

Singing, plaintively = 80 freely

[

S. Sax

A. Sax

repeat G's ad lib.

]

[

]

repeat G's ad lib.

] ]

T. Sax

B. Sax

[

Singing, plaintively = 80 freely, not together senza sord.

[

1-2

]

freely, not together

Tpt.

senza sord.

[

3-4

]

senza sord., freely, not together 1-2

[

] cresc.

Hn.

senza sord., freely, not together 3-4

[

] ] ] ]

Tbn.

B. Tbn

Euph.

Tba.

[

]

freely, not together

repeat G's ad lib.

repeat ad lib. Cb.

slow arp.

repeat G's ad lib.

Hp repeat ad lib.

Pno

high voicing Uke. cresc.

Singing, plaintively = 80 Timp. repeat G's ad lib. Tun. Gng.

l.v.

To Susp.

Susp.

To Glock.

Tun. Gng. (Large T-T) M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

To Rattle B.D.


130

7. Death in the Forest

37

poco rall.

Meno mosso = 72

allargando

poco rall.

Meno mosso = 72

allargando

poco rall.

Meno mosso = 72

allargando

61

Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

61 S. Sax

A. Sax

T. Sax

B. Sax

61 1-2 Tpt. 3-4

Hn.

a2 Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

61 Timp.

Tun. Gng.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Mrca. W.Rat. L.Dr.

poco rall.

Meno mosso = 72

allargando


131

7. Death in the Forest Meno Mosso (ca. T. primo)

Love-Song Tempo ( = 72)

PI‘ILANI gets lost in the forest.

1.

62 Piu mosso ( = 58)

a3

43 Fl.

Ob.

C.A.

1 Cl. 2 legato B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

Meno Mosso (ca. T. primo)

62 Piu mosso ( = 58)

Love-Song Tempo ( = 72) con sord.

1-2 Tpt.

dim.

con sord. 3-4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

legato

Dmin

C6

Dmin

C6

Uke.

Meno Mosso (ca. T. primo)

Love-Song Tempo ( = 72)

Glock.

To Tun. Gng.

62 Piu mosso ( = 58)

Timp.

Tun. Gng.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

B.Chim. B.Chim.

Mar.

Wood Rattle Mrca. W.Rat. L.Dr.


132

7. Death in the Forest = 51

1.2.

Fl. 1. Ob.

C.A. 1.2. Cl.

B. Cl.

1. Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

= 1. solo

con sord.

Tpt.

1.2. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Uke.

=

Timp.

Tun. Gng.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib. Vib.

Mar.

Mrca. W.Rat. L.Dr.


133

7. Death in the Forest

59

63

She is terri ed.

Fl.

Ob.

C.A.

1-2 Cl. 3

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax sotto voce

A. Sax sotto voce

T. Sax sotto voce

B. Sax sotto voce

63 Tpt. 1. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

E♭

Pno

63 Timp.

Tun. Gng.

Tun. Gng.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Mrca. W.Rat. L.Dr.

E♮ A♭ D♯

E♭ D♭ B♮

G♭

G♮ A♮ B♭

G♯ B♮


134

7. Death in the Forest

66

ca. 15"

1.2.

Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Bsn. 3

S. Sax

A. Sax

T. Sax

B. Sax

ca. 15" Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

ca. 15" Timp.

repeat ad lib., vary durations Tun. Gng. dim. al niente

Tun. Gng.

repeat ad lib., vary durations

Tun. Gng. dim. al niente M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Mrca. W.Rat. L.Dr.


135

Scene 8. Flight and Return A pueo lands in the forest. It is PI‘ILANI's 'aumakua that she rescued earlier.

ca. 5"

Senza tempo, ca. 8"

solo, freely, but with motion

CONDUCTOR: move relatively quickly from bar to bar, cueing 3-5" after each event

1. 2./3.

Flutes 1-3

solo, freely, col ute Oboes 1-2

Cor Anglais / Oboe 3 quickly, not together

nish previous pattern before beginning next

Clarinets 1-3

Bass Clarinet

Bassoon 1-2

Contrabassoon

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

Senza tempo, ca. 8"

ca. 5"

con sord. Trumpet 1-4

Horn 1-4 1.

Trombone 1-2

Bass Trombone

Euphonium

Tuba

Contrabass

Harp

Piano

Senza tempo, ca. 8"

ca. 5"

Timpani

Crotales

Glockenspiel

Medium-High Tam-tam Low Tam-tam Chinese Tam-tam

bowed

To B.Chim. Vibraphone

Marimba

To Mrca. W.Rat. L.Dr. Triangle


136

8. Flight and Return PI‘ILANI gets on the pueo's back.

Briskly ( = 92)

poco rit 3.

6

+1.2.

Fl. 1. Ob.

C.A.

1

Cl.

2

3

B. Cl.

1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Briskly ( = 92)

poco rit 1.

2.-4. (sord.) Tpt.

1.2. Hn.

Tbn.

B. Tbn

Euph.

Tba. arco Cb.

Hp

G♮ A♮

A♭

Pno

Briskly ( = 92)

poco rit

Timp. bowed Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

B.Chim. move hand thru chime

Vib.

bowed

B.Chim.

Mar.

Mrca. W.Rat. L.Dr. Mrca. W.Rat. L.Dr.


137

8. Flight and Return 64 Singing = 160 13

The pueo ies out of the forest.

2+3

3+2

Fl.

a2 Ob. espr.

C.A. espr.

Cl.

B. Cl. 1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

64 Singing = 160 3+2

2+3

Tpt.

1. Hn. espr.

Tbn.

B. Tbn

Euph.

Tba.

pizz. Cb.

Hp

E♮ A♮

B♮

B♭

Pno

64 Singing = 160 3+2

2+3

Timp.

Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

(bowed) Vib.

Mar.

To Tri. Tri.


138

8. Flight and Return

3+2

19 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

3+2 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco

pizz.

Cb.

Hp

gl iss .

B♮

B♭

Pno

3+2 Timp.

mallets Crot.

To Susp. Glock.

M.Tam. L.Tam. Ch.Tam.

mallets Vib.

glis s.

Mar.

Tri.


139

8. Flight and Return

24 Fl.

Ob.

C.A.

1 2 Cl. 3

B. Cl.

+2. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt. 1.2. Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

ss. gli

Hp

B♮

B♭

B♮

Pno

Timp.

Crot.

Susp. Susp. Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


140

8. Flight and Return 65

While in the air, PI‘ILANI sees the grandeur of the natural beauty that is Hawai‘i:

30 Fl.

Ob.

C.A.

1 2 Cl. 3

B. Cl.

a2 Bsn. 1-2 cresc. poco a poco

Cbsn cresc. poco a poco

S. Sax

A. Sax

T. Sax

B. Sax

65

con sord.

Tpt. 1.2./3.4. Hn.

Tbn. cresc. poco a poco

B. Tbn cresc. poco a poco

Euph.

Tba. cresc. poco a poco

Cb.

gliss .

cresc. poco a poco

Hp

Pno

65 Timp.

Crot.

To Glock. Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri. Tri.


8. Flight and Return sandalwood trees, birds, koa trees, pigs, ocean, waterfalls, and pali (cliffs).

36 Fl.

Ob.

C.A.

1 2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Glock. Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

141


142

8. Flight and Return

40 1 3 Fl.

2

a2 Ob.

C.A.

1 2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

senza sord. Tpt. cresc.

senza sord. Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

Timp.

Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

s. glis


8. Flight and Return 66

PI‘ILANI is comforted and humbled, knowing that nature has remained constant amidst the hardships she has endured. Nature is sublime and bigger than any of us. 1.3.

44 1 3 Fl.

to Picc. 2 a2

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

66 Tpt.

1.2./3.4. Hn. ben

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

F♮

Pno

66 Timp.

Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

C♮

143


144

8. Flight and Return 67

She begins to see her place in the world, as being part of nature.

50 Picc.

1.3. Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

1.2. senza sord.

67

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Pno

67 Timp.

Crot.

Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


145

8. Flight and Return 68 Poco meno mosso

poco rit 56 Picc.

( 

Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

a2 Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

poco rit

68 Poco meno mosso

1 2 Tpt. 3 4 a4

3.4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

B♭

gl.

s. is gl

Pno

Timp.

poco rit

68 Poco meno mosso

Crot.

Sus.-yarn Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.

To Glock.

)


146

8. Flight and Return

60 Picc.

Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

1 2 Tpt. 3 4 3.4/1.2

1.2.3.4.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

Hp

Bâ™®

Pno

Timp.

Crot.

Glock. Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

Tri.


147

8. Flight and Return

69 L'istesso tempo to Fl.

64 Picc.

Fl.

Ob.

C.A.

1

Cl.

2

3

B. Cl.

1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

69 L'istesso tempo

to Conchs 1 2 Tpt. 3 4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

. gliss

glis s.

Hp

loco

Pno

Uke.

69 L'istesso tempo Timp.

To Siz./Ride Susp./Piatti Crot.

China To China Glock.

M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

B.D. To B.D. Tri.


148

8. Flight and Return

Sub. = 58

68 Fl.

Ob.

C.A. (1.2.) Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Sub. = 58 not together, as before 1 2

[

]

3 4

[

]

Cnch.

solo Hn.

Tbn.

B. Tbn

Euph.

Tba. III gliss.

Cb.

gliss.

Hp gliss.

Pno

Uke.

Sub. = 58 To Tpwr. Timp.

Siz./Ride Susp./Piatti

Cyms SD/Toms Ch. T-T bowed M.Tam. L.Tam. Ch.Tam.

Vib.

Mar.

To Mrca. Mrca. W.Rat. L.Dr.

To Crot.


149

8. Flight and Return

74

Sc. 2 Tempo ( = 116)

JACK LONDON packs up his typewriter and walks out of the volcano.

Fl.

Ob.

C.A.

Cl.

B. Cl.

2. (dovetailed)

1.

2.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Sc. 2 Tempo ( = 116) 1 2 Cnch. 3 4

Hn.

Tbn.

B. Tbn

Euph.

Tba.

pizz.

Cb.

Sc. 2 Tempo ( = 116)

Hp

legato

Pno

Tpwr. Tpwr.

Cyms Susp. Ride

Sz.

Siz./Ride Susp./Piatti SD-brushes Cyms SD/Toms

Crot. bowed

Med Tam To T-Tams

Crot.

bowed

To B.Chim. Vib.

Mar.

Mrca. Mrca. W.Rat. L.Dr.

Tri.

To Mrca. W.Rat. L.Dr.

scrape


150

8. Flight and Return

81 Fl.

Ob.

C.A.

1 2 Cl.

3

B. Cl.

1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

To Tpt. Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

gliss.

Hp

gliss.

(4)

Pno

Tpwr.

(scrapes) Siz./Ride Susp./Piatti (4) Cyms SD/Toms

M.Tam. L.Tam. Ch.Tam.

B.Chim.

Mar.

Mrca. W.Rat. L.Dr.


151

8. Flight and Return

86 1-2

Fl.

3

Ob.

C.A.

1 2 Cl. 3

B. Cl.

2. Bsn. 1-2 1.

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

gl. gliss.

s. is gl

s. glis

Hp

. iss gl

Pno

Tpwr. (scrapes) Siz./Ride Susp./Piatti

Cyms SD/Toms M.Tam. L.Tam. Ch.Tam.

B.Chim.

Mar.

Mrca. W.Rat. L.Dr.

Ride-sticks


152

8. Flight and Return 70 90 1-2

Fl. 3

Ob.

C.A.

1 2 Cl. 3

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

70 Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

arco Cb.

70

Hp

gliss .

bisbigliano

(4)

Pno (4)

D Uke.

To Timp. Tpwr.

Siz./Ride Susp./Piatti

Cyms SD/Toms mallet handle M.Tam. L.Tam. Ch.Tam.

B.Chim. Out of time, in Sc. 1 tempo, repeat ad lib. T. Bl. W. Bl. B.Chim.

Mar.

Mrca. W.Rat. L.Dr.

Out of tempo alternate L.Dr., Rattle, Maraca

[

]


153

8. Flight and Return Molto meno mosso ( = ca. 96) 97 Fl.

Ob.

C.A.

Cl.

B. Cl.

Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

Molto meno mosso ( = ca. 96) Tpt. Tpt. warmly

1.2/3.4. Hn. warmly

Tbn. warmly

B. Tbn warmly

Euph.

Tba.

Cb.

Hp

(4)

Pno (4)

D

(high voicing)

Uke.

Timp.

Molto meno mosso ( = ca. 96)

Timp.

Out of time, in Sc. 1 tempo, repeat ad lib. drum sticks

(strike)

Siz./Ride Susp./Piatti Out of time, in Sc. 1 tempo, repeat ad lib. Chin./Ride

Susp.

Cyms SD/Toms scrapes

Out of time, in Sc. 1 tempo, repeat ad lib. M.Tam. L.Tam. Ch.Tam.

B.Chim. T. Bl.

Mar.

Tri. Mrca. W.Rat. L.Dr.

To Vib.

Tam mallet


154

8. Flight and Return 71 Senza Tempo, ca 15" out of tempo, freely, not together, in any order, ad lib. durations

103

[

Fl.

]

Ob.

C.A.

Cl.

B. Cl.

1. Bsn. 1-2

Cbsn

S. Sax

A. Sax

T. Sax

B. Sax

71

Senza Tempo, ca 15"

Tpt.

Hn.

Tbn.

B. Tbn

Euph.

Tba.

Cb.

out of tempo, freely, in any order, ad lib. durations

[

l.v.

] Gâ™®

Hp

out of tempo, in any order, ad lib.

[

]

Pno

71

Senza Tempo, ca 15"

Timp.

To Tun. Gng.

repeat ad lib., vary durations, as before

[

Tun. Gng.

To Tun. Gng.

] repeat ad lib., vary durations, as before

[

Tun. Gng.

l.v.

l.v.

]

Crot., bowed M.Tam. L.Tam. Ch.Tam.

Vib., bowed

Vib.

Mar.

Tri.

END OF BALLET

Profile for Jonathan Newman, composer

Pi‘ilani and Ko‘olau  

An imagined ballet for wind orchestra, full score. Scenario by Gary Winter. World Premiere September 27, 2019, The Florida State Wind Orches...

Pi‘ilani and Ko‘olau  

An imagined ballet for wind orchestra, full score. Scenario by Gary Winter. World Premiere September 27, 2019, The Florida State Wind Orches...