OISTAT in 2020

OISTAT in 2020

International Organisation of Scenographers, Theatre Architects and Technicians

We still see light at the end of the tunnel.

Although the pandemic has brought challenges and uncertainties to the world, we will strive to constantly connect OISTAT people beyond borders.

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Year-End Report from President Dear OISTAT friends!

It is usually a pleasure to look back on a memorable year. This year however, this is not entirely the case. Memorable: for sure. If ever there was a year that turned out to be a gamechanger, then certainly 2020 is in the top of the list of memorable ones. But looking back with pleasure? Well, mixed feelings are probably the best way to put it.

Every beginning of a year we kick off with great expectations: hopefully good health, good fortune and some prosperity, and the wish that our plans will be realized and successful.

Very few people could see the worldwide COVID-19 pandemic coming and initially we all encountered it with disbelief. The pandemic has caused disappointment and grief and wiped out all initial plans and dreams. Was this year completely lost? For some plans, alas, that might be the case.

Just over a year ago, I was travelling for the last time: to Helsinki and Stockholm. Little did I know this was to be the last time for actually visiting an OISTAT meeting in person.

After years of travelling to OISTAT events all over the world, often once a month, all international meetings had to be cancelled, and as goes for most of us, my screen is now my window to the world. Through this virtual window however, I encountered an enormous display of resilience. It was heart-warming to see all kinds of initiatives and creativity popping up in order to connect.

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For sure, having to postpone World Stage Design to 2022 was a disappointment and it surely is asking a lot of from all the enthusiastic organizers to re-direct energy and re-schedule activities, and still keep the energy flowing. Same goes for having to reform SENA, Southern European & Northern African OISTAT Scenography and Theatre Technology Forum, into a digital version: not exactly what we intended. As was having to postpone the plans for the Conference by Candlelight in Sweden. And yet, 2020 has been a year of great OISTAT activity, I dare say: more than ever.

I skipped twelve already planned travels, but attended well over a hundred international meetings in return. That took some flexibility to integrate in my routines, but very quickly the advantages became evident. Practical ones: no loss of time because of travelling and everything that comes with it, far less trouble getting agendas online, a quicker response to discussions that were usually saved up for a meeting a couple of weeks ahead. But what came as a cherry on the pie, was that many new friends connected to OISTAT, as a result of the accessibility of the events: all of a sudden it became simple to just log in and join an OISTAT gathering. I’m impressed by all the initiatives that erupted right from the beginning of the pandemic. Amongst others: Education Week on Remote Teaching & Learning, a very interesting and well attended event, on exchanging ways of teaching in lockdown situations. Designers on Design, a weekly meeting with a renowned (lighting) designer, organized by the Lighting Design sub-commission. Friday drinks with the Sound Design sub-commission. Inspiring meetings from the Space Design sub-commission. In short: a lot of online open activities from every commission: meetings, presentations, knowledge exchanges.

SENA online forum turned out to be a well-attended success, with inspiring sessions and commission meetings. Multiple meetings and fruitful discussions with the Executive Committee and the Governing Board kept the leadership in shape. A novelty, tested by the Architecture commission: successful elections online.

Altogether almost too many activities to visit, and certainly too many to name them all in this report. My conclusion is: OISTAT is looking back on a year bubbling with activities, welcoming many new friends, which otherwise probably would not have been found.

Headquarters played an important role in engaging this new era, and certainly deserves a compliment for rapid adjustment to the situation, answering many questions and facilitating all those online activities.

Of course, OISTAT is one in the field of many who had to switch to a digital platform, and our partners in the theatre world also actively engaged in online meetings. I joined the online General Assembly of ITI, the UNESCO theatre organization, with which our bonds were refreshed and tightened. It was a pleasure to see all partner organizations! Also, I virtually attended several symposia in Taiwan, Hong Kong, Cyprus, Romania. I visited an African online congress, listening to stories from Kenya, Ghana, Botswana. I joined presentations and discussions organized by USITT, and visited the very interesting Tbilisi Biennale online. I talked to friends and partners, either by Zoom, chats or via social media. In short: so many inspiring encounters, so many new contacts … this year was not lost at all. It brought new chances and opportunities.

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As the pandemic still continues, we cannot wait for everything to pass and get on with our life the way it was before. And to my opinion, we shouldn’t. OISTAT’s mission lying ahead is to adjust the organization to this new perspective, and consolidate this new way of working. It wasn’t just the pandemic that urged us to reconsider. We have witnessed the rise of political issues all over the world that came with severe consequences. Animosity and polarisation are being fired up. We’ve seen the Black Lives Matter movement coming up, resulting in a worldwide challenge to look in the mirror and question ourselves: what do we stand for?

Although we are but theatre people, we have the task to stand up, in our own way. Let’s pledge ourselves to work harder to include all theatre friends, whoever and wherever, and to celebrate differences. After all, it is because of diversity in its broadest sense that OISTAT exists. Let’s stay together, supporting each other no matter what, and let art be the silent engine that heals; we have a heritage to defend. Let theatre be the source of inspiration and hope and the instrument to make the world a better place.

Like every year, I’d like to thank you, OISTAT friends, for your hard work, relentless optimism, and ongoing drive. Be careful, stay healthy, stay safe.

© Willem de Kam

December 2020

OISTAT Timeline 2020 January 6-11

Education Commission & Lighting Design Sub-Commission Meetings @ Helsinki, Finland & Stockholm, Sweden

January 11

Space Design Sub-Commission Meeting

January 30

Submissions to Scenofest and World Stage Design Exhibition Open

March 24

OISTAT Chat #1 “Theatre Culture and Cities”

April 9

Sound Design Happy Hour

April 19

Executive Committee Meeting

April 20

Executive Committee & Governing Board Meeting

April 25 – October 3

Designers on Design

April 26 & May 23

Sound Design Happy Hour

May 26 & 29

OISTAT Chat #2 & 3 Special Free Sessions: Discussions on “How Theatre Educators Cope with COVID-19”

June 7

Space Design Sub-Commission Meeting

June 10

SENA 2020/2022 Online Event #1 International Festivals in Quarantine

June 18

Executive Committee Meeting

June 19

Architecture Commission Meeting & Chair Election

June 28 – July 2

OISTAT Education Week on Remote Teaching & Learning

July 2

Executive Committee Meeting

July 9

Executive Committee & Governing Board Meeting

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July 11

Announcement of Postponement of World Stage Design

July 13

Costume Design Sub-Commission Meeting

July 16

Executive Committee Meeting

July 21 & 23

Wellbeing in Academia - for Students, Faculty, and Staff

September 29

Executive Committee & Governing Board Meeting

October 6

Space Design Sub-Commission Meeting

October 9-14

SENA 2020/2022 Online Forum

October 10

Technology Commission Meeting

October 11

Research Commission, Performance Design Commission & Sound Design Sub-Commission Meetings

October 12

Space Design Sub-Commission & Lighting Design Sub-Commission Meetings

October 12

Call for Candidates of President and Executive Committee Members

October 13

Costume Design Sub-Commission Meeting

October 25

Research Commission Meeting

October 26-28

Online International Scenography Symposium, Tbilisi Biennale of Stage Design 2020

December 5

Executive Committee & Governing Board Meeting

December 9

A Glass of Wine, or Cup of Tea, or Coffee with PDC/Costume!

Table of Contents OISTAT in 2020 Highlights p 11

Ongoing Projects p 13

OISTAT Publications p 21

OISTAT Channel p 22 9

OISTAT 2020 New Members p 23

Commissions & Meetings p 25

2020 Financial Report p 31

OISTAT Events and Meetings in 2021 p 33

OISTAT Membership List p 35

OISTAT in 2020 Highlights 2020 was full of challenges, but it also brought us opportunities. The global pandemic has reshaped the way we interact with the world . It sped up the digital transformation of OISTAT. More than 100 hours of OISTAT virtual events took place in 2020. OISTAT Chat, Education Week on Remote Teaching & Learning, SENA 2020/2022 Online Forum and Designers on Design were held for theatre makers around the world to exchange ideas and resolutions during the pandemic. Glass of Wine or Cup of Tea or Coffee and Sound Design Happy Hour were organized to open up dialogues within OISTAT community.

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Ongoing Projects

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World Stage Design

August 6-16, 2022 Calgary, Canada World Stage Design (WSD) is a quadrennial theatre design exhibition and competition for individual designers. Due to the COVID-19 pandemic, the next WSD has been postponed from August 5-15, 2021 to August 6-16, 2022. The deadline of submission to the exhibition had also been extended.

Deadline for submission Professional Designers: June 15, 2021 Emerging Designers: July 30, 2021

Call for WSD 2021 Exhibition Stay tuned for more information on

WSD website, Facebook and Instagram

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Scenofest

Scenofest is a festival celebrating theatre design which takes place every 4 years in conjunction with World Stage Design. Scenofest comprises a wide range of panels, performances, workshops and masterclasses. The themes of Scenofest 2022 are Indigenous Ways of Knowing, Ecoscenography and Multiple Realities. It is inspired by “Three Sister Mountains” in Alberta, Canada.

Submission deadline for Scenofest has been extended to June 1, 2021.

Call for Scenofest

Theatre Architecture Competition

Initiated by OISTAT Architecture commission, Theatre Architecture Competition (TAC) will have its 11th edition in 2022 with the site in Canada. TAC is an international idea competition aimed at students and emerging architects with the objective to encourage new ideas about theatre architecture and interdisciplinary cooperation. The call for submission will be released in 2021.

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Technical Invention Prize

Technical Invention Prize (TIP) is a global competition organized by OISTAT Technology commission. TIP awards technicians who come up with simple and smart solutions to the works in theatre or entertainment industry. The 3rd TIP will take place with WSD in Calgary, Canada in 2022.

Deadline for submission November 30, 2021

Call for Technical Invention Prize

SENA

Southern European & Northern African OISTAT Scenography and Theatre Technology Forum

June 10 | SENA 2020/2022 Online Event #1 International Festivals in Quarantine October 9-13 | SENA 2020/2022 Online Forum SENA celebrates the excellence of the contemporary design for performance from Southern Europe & Northern Africa. The event is organized by OISTAT Egypt, under the auspices of the Egyptian Ministry of Culture, and with the collaboration of OISTAT members.

1st SENA physical event has been postponed to 2022 due to the pandemic. SENA 2020/2022 Online Forum was held instead. Topics included theatre training, new theatre spaces, sound design and costume design practices, and the influences of designers’ homeland on their performance design in SENA area.

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OISTAT Chat

March 24 | OISTAT Chat #1 “Theatre Culture and Cities” May 26 & 29 | OISTAT Chat #2 & 3 Special Free Sessions: Discussions on “How Theatre Educators Cope with COVID-19” OISTAT Chat is a webinar on theatre trends and ideas. It provides platforms for OISTAT members and global theatre makers to exchange ideas and experiences. OISTAT Chat in the future will focus more on OISTAT projects and how OISTAT stimulates international collaborations.

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OISTAT Channel Find out more about OISTAT, OISTAT projects and online events you may have missed through OISTAT YouTube Channel .

What is OISTAT?

What is World Stage Design?

Wellbeing in Academia for Students, Faculty, and Staff

OISTAT 2020 New Members Individual Members

Antoaneta Tica (Romania) Carol Fisher (USA) Rachel Hemm (USA) Teresa Fok O'Dwyer (Hong Kong) William Kenyon (USA)

OISTAT Centres Associate Members Individual Members

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Commissions & Meetings Architecture Commission June 19 Online Meeting & Chair Election

Architecture commission elected new Chair Maaike Westinga (the Netherlands) and new Vice Chairs Torsten Nobling (Sweden), Jeong-Sik Yoo (South Korea) and Peter Ruthven Hall (UK) in the AC annual meeting online. A big thank you goes to Tim Foster (UK) for leading the commission in the previous 8 years. Tim stays in function of Vice Chair and will assist in the organization of the TAC.

Education Commission January 6 - 11

June 28 - July 2

Helsinki, Finland

OISTAT Education Week

& Stockholm, Sweden

on Remote Teaching & Learning

May 26 & May 29 OISTAT Chat #2 & 3 Special

July 21 & July 23

Free Sessions: Discussions on

Wellbeing in Academia - for

“How Theatre Educators Cope

Students, Faculty, and Staff

with COVID-19”

Education commission had its annual meeting in conjunction with Lighting Design subcommission during Lux Helsinki, a lighting design festival in Helsinki, Finland.

In 2020, Education commission together with OISTAT Headquarters held three online events to have discussions on coping strategies for theatre educators during the pandemic.

Research Commission October 11 Online Meeting @ SENA 2020/2022 Online Forum October 25 Online Meeting October 26-28 Online International Scenography Symposium of Tbilisi Biennale of Stage Design 2020

In 2020, the Research commission participated in the OISTAT Education Week on Remote Teaching & Learning with a panel and discussion on Research & Dramaturgy on July 2; also contributing a session on Alternative Theatre to the SENA 2020/2022 online forum with Guest Speaker Nora Amin (Egypt / Germany) on October 10, followed by an informal commission meeting on October 11.

During the Online International Scenography Symposium of the Tbilisi Biennale of Stage Design 2020 an RC meeting was held on October 25, led by commission Chair Kate Burnett (UK) and Vice-Chair Carl Walling (USA). The Symposium, on October 26, 27 and 28 was organized by YTA Union / Valerian Gunia Union of Young Theatre Artists, OISTAT Georgia Centre, and OISTAT Research commission. Presentations on the broad themes of artistic, pedagogic and research process in the Performing Arts were given. Final PDFs are available on the website .

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Technology Commission October 10 Online Meeting @ SENA 2020/2022 Online Forum

TC annual meeting was led by Chair Gabriele Högg (Germany) during SENA 2020/2022 online forum. TC members shared the process on International Standards Project, Online Learning Projects, guidelines of event safety during the pandemic and 2022 Technical Invention Prize.

Publication & Communication Commission

Publication & Communication commission is the facilitator of communication within the international network of OISTAT. PCC didn’t hold annual meeting in 2020. The information of future meetings and activities will be released on OISTAT website.

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Performance Design Commission October 11 Online Meeting @ SENA 2020/2022 Online Forum

PDC annual meeting took place during SENA 2020/2022 online forum. The meeting was led by PDC Chair Rob Eastman-Mullins (USA). PDC members discussed how to improve communication and collaboration within the commission and what their expectations of Performance Design commission are.

Costume Design Sub-Commission July 13 Online Meeting October 12 Online Roundtable @ SENA 2020/2022 Online Forum October 13 Online Meeting @ SENA 2020/2022 Online Forum December 9 A Glass of Wine, or Cup of Tea, or Coffee with PDC/Costume!

Costume Design annual meeting was originally scheduled to take place in Mexico City, Mexico from May 25-27 yet the physical meeting was cancelled due to the pandemic.

Costume Design sub-commission then had its annual meeting online in July and October, and had a catch-up session for sub-commission members at the end of 2020. Although we are passing through a very difficult moment in the world, we can say that the online meetings were a good conquer for our group. We succeed in having more members, from some countries that never had the opportunity to be with us before.

Lighting Design Sub-Commission January 6 - 11 Helsinki, Finland & Stockholm, Sweden April 25 - October 10 Designers on Design October 12 Online Meeting @ SENA 2020/2022 Online Forum

Lighting Design meeting was hosted by Suomen OISTAT-keskus, OISTAT Finnish Centre.

Attendees were invited to participate in a four-day tour with seminars and theatres visits in Helsinki and Stockholm.

Besides the physical meeting, Lighting Design Chair Dinesh Yadav (India) had initiated “Designers on Design,” online seminars for theatre designers sharing their works and practices.

Sound Design Sub-Commission April 9, April 26 and May 23 Sound Design Happy Hour October 10 Online Meeting @ SENA 2020/2022 Online Forum

Sound Design annual meeting took place virtually during SENA 2020/2022 online forum with discussions on Chair election in 2021, projects for World Stage Design 2022, Prague Quadrennial 2023 and virtual Sound Kitchen project. There were 3 additional Happy Hours sessions held in 2020 to connect worldwide sound designers.

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Space Design Sub-Commission January 11, June 7, October 6 Online Meetings October 11 Online Meeting @ SENA 2020/2022 Online Forum

Space Design had 4 virtual meetings in 2020, which were run by Co-Chairs Rob EastmanMullins (USA) and Fiona Watt (UK). Discussions mainly focused on the goals of virtual meetings, communications in the sub-commission and project ideas for World Stage Design 2022.

Executive Committee & Governing Board April 19, June 18, July 16 Executive Committee Online Meetings April 20, July 9, September 29, December 5 Executive Committee & Governing Board Online Meetings

ECGB members met more frequently in 2020 in adapting to the rapidly changing world.

The main focuses of the meetings were what steps OISTAT should take during the global pandemic. Cancellation decision of 2020 physical meetings and events was made in April. OISTAT main projects such as World Stage Design and SENA Forum have been postponed as well.

2020 Financial Report Total Expenditure: € 161,730 Total Income: € 164,117 Balance: € 2,387

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Expenditure (EURS) Organizational Costs € 113,535 Salary and Professional Fees Office Expenses General Operating Expenses Meeting Expenses

€ 76,677 € 32,738 € 3,785 € 335

Projects € 48,195 Digital Theatre Words App Taiwan Development Fund World Stage Design 2022 OISTAT New Website

€ 470 € 1,091 € 26,228 € 20,406

Total Expenditure € 161,730 Income (EURS)

Ministry of Culture Subsidy Membership Fees Interest

€ 152,778 € 11,300 € 39

Total Income

€ 164,117

OISTAT's expenses vary from year to year. There are years of projects where expenses are greater, and years where projects and expenses are less.

OISTAT Events and Meetings in 2021

February 20 March 8 March 25 March 27 June 4 June 23

October 8-13

TBC

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Space Design Meeting

Online

Costume Design Meeting

Online

Research Meeting & Works in Progress Session

Online

Theatre Design Salon

Online

Architecture Meeting

Online

Research Meeting

Online

Research Commission Symposium

Online

OISTAT World Congress

Online

President & Executive Committee Election Education Meeting & Chair Election Research Meeting Performance Design Meeting Costume Design Meeting Lighting Design Meeting Space Design Meeting & Chair Election Sound Design Meeting & Chair Election Scandlight

TBC

Lighting Design Meeting

TBC

Publication & Communication Meeting

TBC

Technology Meeting

TBC

OISTAT Membership List

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OISTAT Centres 1

Austria

OETHG | Österreichische Theatertechnische Gesellschaft

2

Belgium

STEPP | Steunpunt voor Productionele, Ontwerpende en Technische krachten van de brede culturele sector

3

Bulgaria

UBA | Bulgarian OISTAT Center

4

Canada

CITT/ICTS | Canadian Institute for Theatre Technology/l'Institut canadien des technologies scénographiques

5

China

CISD | Chinese Institute of Stage Design

6

Cyprus

CYCSTAT | Cyprus Centre of Scenographers, Theatre Architects and Technicians

7

Czech Republic

ČOSDAT | Česká organizace scénografů, divadelních architektů a techniků

8

Denmark

DS | Danske Scenografer

9

Egypt

ESTTC | Egyptian Scenographers & Theatre Technicians Centre

10 Finland

Suomen OISTAT-keskus

11 Georgia

YTA UNION | Valerian Gunia Union of Young Theatre Artists

12 Germany

DTHG | Deutsche Theatertechnische Gesellschaft

13 Hong Kong

HKATTS | Hong Kong Association of Theatre Technicians and Scenographers

14 Hungary

Hungarian OISTAT Center

15 Israel

The Society of Israeli Theatre Designers

16 Japan

OISTAT Japan Center

17 Norway

CREO | The Union for Arts and Culture

18 The Netherlands VPT | Vereniging voor Podiumtechnologie 19 The Philippines

PATDAT | Philippine Association of Theatre Designers and Technicians

20 Poland

Polish Centre of OISTAT

21 Portugal

APCEN | Associação Portuguesa de Cenografia

22 Russia

Russian OISTAT Centre

23 Serbia

SCEN | Centre for Scene Design, Architecture and Technology

24 Slovak Republic

PRO SCENA | SLOVENSKÁ SCÉNOGRAFICKÁ SPOLOČNOSŤ, občianske združenie profesionálnych scénografov a technikov

25 Spain

AOS | Association OISTAT Spain

26 Sweden

STTF | Svensk Teaterteknisk Förening

27 Taiwan

TATT | Taiwan Association of Theatre Technology

28 UK

ABTT | Association of British Theatre Technicians

29 UK

SBTD | The Society of British Theatre Designers

30 USA

USITT | United States Institute for Theatre Technology

Associate Members 1

Belgium

RITCS School of Arts (Erasmus Hogeschool Brussel)

2

Belgium

ShowTex

3

Belgium

theatrEurope vzw

4

Japan

UCPA | United Creators for the Performing Arts

5

The Netherlands HKU University of the Arts

6

The Philippines

De La Salle-College of Saint Benilde

7

Poland

The Academy of Fine Arts in Warsaw

8

Republic of

Theatre Safety Center in Korea Testing Laboratory

Korea 9

Russia

The A.A. Bakhrushin State Central Theatre Museum

10 Russia

Burakova Art Workshop, Ltd.

11 UK

Guildhall School of Music and Drama

12 UK

Association of Sound Designers

13 UK

Clark Door Limited

14 USA

Auburn University Department of Theatre

15 USA

Carnegie Mellon University, School of Drama

16 USA

Syracuse Scenery & Stage Lighting

37

Individual Members 1

Australia

Cornelis Casey Van Sebille

2

Australia

Richard Roberts

3

Australia

Madeline Taylor

34 Romania

Adrian Damian

4

Australia

Tessa Rixon

35 Romania

Adriana Raicu Petre

5

Bangladesh

Faiz Zahir

36 Romania

Antoaneta Tica

6

Brazil

Aby Cohen

37 Russia

Vladimir Avdeev

7

Brazil

Flor Dias

38 Singapore

Tommy Wong

8

Brazil

Izabel (Beli) Araújo

39 Slovenia

Iztok Hrga

9

Brazil

Renato Bolelli Rebouças

40 Spain

José Luis Ferrera Esteban

10 Brazil

Rosane Muniz

41 Taiwan

Duncan Chang

11 China

Xiaoxiao Wang

42 The

Louis Janssen

12 China

Xian Wu

13 China

Runshan Zhao

14 Cuba

José Antonio Prades Hung

15 France

Cyril Lamy

16 Georgia

Ketevan Shavgulidze

17 Germany

Gabriele Hoegg

18 Germany

Karin Winkelsesser (Honorary Member)

19 Greece

Evangelia (Lila) Karakosta

20 Greece 21 Hong Kong

Teresa Fok O'Dwyer

22 India

Dinesh Yadav

23 Ireland

Catherine O’Carroll

24 Ireland

Sabine Dargent

25 Italy

Federico Tesio

26 Italy

Umberto Di Nino

27 Japan

Kazue Hatano

28 Kuwait

Waleed Ameer

29 Kuwait

Khalifah Alhajri

30 Malaysia

Hafshizan Hashim

31 Nigeria

Femi Majekodunmi

32 Republic of

Jeong Sik Yoo

Korea

33 Republic of

Taesup Lee

Korea

Netherlands

(Honorary Member)

43 The Netherlands 44 The

Faust Peneyra

Philippines 45 The

Lex Marcos

Philippines 46 Trinidad &

Megan Gill

Tobago 47 Turkey

Canan Göknil Eryurt

48 UK

Paul David Brownbill

49 USA

Chrisi Karvonides

50 USA

Kevin Barton Held

51 USA

Michael Ramsaur

52 USA

Randy Earle

53 USA

Richard Bryant

54 USA

Carol Fischer

55 USA

Rachel Hemm

56 USA

William Kenyon

Join OISTAT

OISTAT currently has Centre Members, Associate Members, and Individual Members in more than 50 countries. Members come together to exchange ideas, encourage innovations and promote international collaborations through meetings, conferences or projects. Members are invited to participate in OISTAT international meetings, workshops, presentations and projects with a goal of sharing information, networking, collaborating and shaping the global theatre community.

For more information on becoming a member of OISTAT, please visit us at www.oistat.org or email us at headquarters@oistat.org .

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International Organisation of Scenographers, Theatre Architects and Technicians President | Bert Determann Executive Committee | Duncan Ei-Eu Chang, Hazem Shebl, Ivo Kersmaekers, Jan K. Rolník, Kevin Rigdon, Marina Raytchinova, Sean Crowley Governing Board | Dinesh Yadav, Fiona Watt, Gabriele Högg, Joe Pino, Kate Burnett, Maaike Westinga, Rob Eastman-Mullins, Rosane Muniz, Simona Rybáková, Sofia Pantouvaki, William Kenyon Executive Director | Wan-Jung Wei HQ Team Members | Chen-Shin Wang, Szu-Yun Yu, Wei-Ping Chen Editor | Wei-Ping Chen Graphic Design | Liwei Chang Photo Contributors | Anpis Wang, Filip Beranek, Flor Dias, Lin, Yu-Quan, Nick Treharne, Taiwan Association of Theatre Technology, Valeria Pacchiani, Wei-Ping Chen, William Kenyon OISTAT is supported by Ministry of Culture Taiwan

Published in April 2021 For enquiries or to get involved, please contact headquarters@oistat.org www.oistat.org or follow us on Facebook: OISTAT International