FURRER Beat - Studie

Page 1

für Klavier

An

si c

ht se xe m

2011

pl

Studie

ar

Beat Furrer

Bärenreiter Kassel · Basel · London · New York · Praha BA 9355


ar pl ht se xe m si c An

Aufführungsdauer / Duration: ca. 7 Minuten

© 2011 by Bärenreiter Verlag AG Basel Alle Rechte vorbehalten / All rights reserved / Printed in Germany Vervielfältigungen jeglicher Art sind gesetzlich verboten. Any unauthorized reproduction is prohibited by law. ISMN 979-0-006-49889-5


Composition commissioned by the Ferruccio Busoni International Piano Competition Foundation – financial support by the Ernst von Siemens Music Foundation. A Nicolas Hodges project.

Studie für Klavier

= 56 – 60 3

Beat Furrer (2011)

3 3

7

8ba

7

7

cresc. poco a poco 5

7

7

7

(cresc.)

7

7

ht se xe m

pl

3

ar

7

8ba

8ba

cresc. poco a poco

9

7

7

7

9:8

(cresc.)

An

si c

13

9:8

(cresc.)

9:8

17

5

5

9:8

9:8

9:8

9:8

BA 9355

9:8

9:8

9:8

9:8

5

5

9:8

cresc. poco a poco

9:8

5

(cresc.)

9:8

cresc. poco a poco

9:8

9:8

5 5 © 2011 by Bärenreiter Verlag Basel


2 5 5

21

5

5

5

5

8ba

11:8

11:8

11:8

11:8 11:8

ar

cresc. poco a poco

11:8

11:8

11:8

5

11:8

ht se xe m

pl

24

3

3

11:8

(cresc.) 27

11:8

3

(cresc.)

3

cresc. poco a poco

3

11:8

3

3

3

3

3

An

si c

29

7

cresc. poco a poco

3

7

3

7

7

3

3

31

(cresc.)

7

7

7

7

7

7

7


3 7

33

7

7

7

7 7

7

7

7

7

7

(cresc.)

ht se xe m

pl

35

ar

cresc. poco a poco

4:3

37

5 6

*)

6

4:3

An

41

si c

5:7

6 5:3

4:3

5:7

7

45

3 5:3

5

6

*) Use the pedal very careful so that the different articulations are clear.

5

4:3


4 7:6

49

3 3

6

5 7

3

ar

7:6

pl

cantabile 4:5

53

7:6

ht se xe m

5

6

5

4:5

5

5

cantabile

7:6

4:5

8va

8va

57

3

6

si c

5

6

An

5

7

3

8ba

4:5

5

sprechend 5:4

8va

61

6 5

5

6


5

sprechend 5:4

8va

64

6

8ba

ar

7

sprechend 5:4

8va

5

pl

66

sprechend

ht se xe m

3

8va

5:4

68

5

7

sprechend

si c

An

8:7

8va

5:4

70

5:3

9:5

8:5

5:4 8va

5

72

3

5


6

cantabile

8va

74

5

7:4

cantabile

7

5:3

8:7

5

ar

7:4 8va

8va

pl

77

7:6

ht se xe m

9:5

7:6

8:5

8va

80

cantabile

cantabile 5

7:4

9:5

7:4

83

8va

7:6

si c

8va

5

An

9:7

7:6

12:14

8va

8va

5

5:3 3:2

86

5 3

9:5

5:3

8ba 3:2

5 5

3


7

8va

cantabile

8va

9:7

8va

5

89

3

9:7

9:7

5

cantabile

3

sim.

8va

8va

5:3 3:2

92

ar

12:14

5

pl

3

ht se xe m

5

9:10

8ba

5:3

3:2

sim.

8va

5:3

3

5

8va

8va

9:7

5

95

3

8va

5:3

5

9:7

3

sim.

8va

si c

8va

5

13:8

5

An

98

8va

13:8 9:10

5

8va

8va

5:3

4

8va

5

8va

9:8

101

8va

8va

5:3

9:8

4 5


8

8va

8va

9:7

6:5 8va

8va

13:8

105

9:8

8va

6:5

13:8

9:8 9:7

8va

4:3

ar

8va

6:5

8va

6

3

109

pl

5

ht se xe m

8va

6

4:3

8va

6:5

9:7

8ba

8va

6

7:6

113

5

3

4:7

8va

6:7

9:7

6

7:6

8va

8va

7:6

3

5

si c

117

An

6

7:5

3

8ba

5

7:6

8va

5:3

121

4:7

6 7:6 6:7

5:3

8ba

7:5

5:3


9

leggero / non legato *) 5:4 7:4

125

7:6

8ba

8ba

5:3

pl

ar

7:4

5:4

5:4 8va

sim.

5:3

ht se xe m

129

5:4

si c An 5:4

5:4

8ba

7:4

7:4

5:3

133

8ba

5:4

8ba

5:4

136

*) Do not lengthen the rests: phrase across them as indicated (as if the motion were uninterrupted).

5:4

*)


10

5:4 5:4 5:4

legato sempre

ht se xe m

pl

145

ar

139

153

8va

An

si c

160

8va

8va

167

(

)

8va


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