NUS PRESS NEW BOOKS JANUARY–JUNE 2022
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Visit nuspress.nus.edu.sg for our full catalogue Recent Awards for NUS Press Authors A.L. Becker Southeast Asian Literature in Translation Prize 2022 A New Sun Rises Over the Old Land: A Novel of Sihanouk’s Cambodia Suon Sorin, translated by Roger Nelson Best Non-Fiction Title, Singapore Book Awards 2021 lives & times of hrh Herman Ronald Hochstadt Specialist Publication Accolade, International Convention of Asia Scholars (ICAS) Book Prize 2021 One or Two Words: Language and Politics in the Toraja Highlands of Indonesia Aurora Donzelli Best Book in the Social Sciences, ICAS Book Prize 2021, Finalists Love, Money and Obligation: Transnational Marriage in a Northeastern Thai Village Patcharin Lapanun Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819–1942 Timothy P. Barnard Hughes Prize, British Society for the History of Science (BSHS) 2021, Finalist Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819–1942 Timothy P. Barnard Humanities Book Prize, European Association for Southeast Asian Studies (EuroSEAS) 2021, Finalists Wayang and Its Doubles: Javanese Puppet Theatre, Television and the Internet Jan Mrázek Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819–1942 Timothy P. Barnard NUS Singapore History Prize 2021, Finalists Home is Where We Are Wang Gungwu with Margaret Wang Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819–1942 Timothy P. Barnard Early Career Book Prize, Asian Studies Association of Australia (ASAA) 2020 Unmarked Graves: Death and Survival in the Anti-Communist Violence in East Java, Indonesia Vannessa Hearman Bruno Nettl Prize, Society for Ethnomusicology (SEM) 2020, Honorable Mention Tales of Southeast Asia’s Jazz Age: Filipinos, Indonesians and Popular Culture, 1920–1936 Peter Keppy Singapore Literature Prize 2020, Finalist Hard at Work: Life in Singapore Gerard Sasges and Ng Shi Wen
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Jiat-Hwee Chang and Justin Zhuang, photographs by Darren Soh
Everyday Modernism: Architecture and Society in Singapore Everyday Modernism is the first comprehensive documentation of Singapore’s modern built environment. Through a lens of social and architectural histories, the book uncovers the many untold stories of the Southeast Asian city-state’s modernization, from the rise of heroic skyscrapers, such as the Pearl Bank Apartments, to the spread of utilitarian typologies like the multistorey car park. It investigates how modernism, through both form and function, radically transformed Singapore and made its inhabitants into modern citizens. The book’s 33 essays are richly illustrated with some 200 archival images and drawings, as well as more than 100 contemporary photos by architectural photographer Darren Soh. By examining the evolution of the once exceptional into the typical and by learning how abstract spaces become lived places, the book traces how modernism has become part of everyday life in Singapore. Jiat-Hwee Chang is associate professor at the Department of Architecture, National University of Singapore. Justin Zhuang is a writer and researcher based in Singapore, and co-founder of writing studio In Plain Words. Darren Soh is an award-winning photographer and visual artist.
SUPPORTED BY THE NATIONAL HERITAGE BOARD August 2022 Paperback • US$52 / S$65 ISBN: 978-981-325-187-8 376pp / 275 x 175mm 96 colour images, 200 b/w images
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Kathryn Emerson
Innovation, Style and Spectacle in Wayang: Purbo Asmoro and the Evolution of an Indonesian Performing Art Wayang fascinates and endures thanks to the many ways it works as a medium—as bearer of Javanese culture and tradition, as key component of rites of passage, as a medium of ritual and spiritual practice, as public spectacle, and as entertainment of the broadest sort, performed live, broadcast or streamed. Over the last 40 years, the form has been subject to a great deal of experimentation and innovation within an ever-changing media landscape, shaped in the most recent years by the constraints of pandemic response. Author Kathryn Emerson outlines both the significant contributions by a number of key figures, and the societal or political influences propelling such innovations. She describes the deeper and more lasting changes in wayang, based on what the art form’s most accomplished practitioners have to say about it. The ultimate focus of the work is one pivotal figure, Purbo Asmoro of the Indonesian Institute of the Arts in Surakarta, who the author argues has taken the individual and singular innovations of the era and integrated them into a new system of performance practice, one which has shaped the key Surakarta school. The book is based on an unprecedented decadeslong participatory research project involving hundreds of interlocutors. Written in a lively style and beautifully illustrated, the book will be of considerable interest in Indonesian studies, to wayang connoisseurs, and to anyone seeking to learn about a dynamic, contemporary art form that finds its energy outside the structures of Western theatre and media. Kathryn Emerson has been studying Javanese language and wayang performance practice intensively since 2003. She has performed around the world with Javanese puppet master Purbo Asmoro.
September 2022 Paperback • US$34 / S$36 ISBN: 978-981-325-189-2 360pp / 229 x 152mm 58 b/w images, 26 tables
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Kevin Blackburn
The Comfort Women of Singapore in History and Memory The role of “comfort women” in the Japanese empire of the Second World War remains a topic of importance—and emotion—around the world. Most scholarship concentrates on Korean comfort women, with less on their counterparts in Japan, China, Taiwan and Southeast Asia. It is well-known that an elaborate series of comfort stations were organised by the Japanese administration across Singapore during the Occupation from 1942 to 1945. So why did no local former comfort women come forward and tell their stories when others across Asia began to do so publicly in the 1990s? To understand this silence, the book details the sex industry serving the Japanese military during the wartime occupation of Singapore: the comfort stations, managers, procuresses, girls and women who either volunteered or were forced into service and in many cases sexual slavery. The immediate post-war years, and efforts to repatriate or “reform” former comfort women fills in a key part of the history. The author then turns from history to the public presence of the comfort women in Singapore’s memory: newspapers, novels, plays, television, and touristic heritage sites, showing how comfort women became known in Singapore during the 1990s and 2000s. Blackburn brings great care, balance and sensitivity to a difficult subject. Kevin Blackburn is an associate professor in History at the National Institute of Education, Nanyang Technological University, Singapore. He has published a number of books including War Memory and the Making of Modern Malaysia and Singapore (NUS Press, 2012).
“… brings the Singapore story into the growing scholarly literature on the comfort women, making clear the commonalities and contrasts with the wartime experiences of comfort women from and in other parts of Asia.” – Carol Gluck, Columbia University
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September 2022 Paperback • US$32 / S$36 ISBN: 978-981-325-186-1 256pp / 229 x 152mm 9 maps, 9 b/w images
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John Ingleson
Workers and Democracy: The Indonesian Labour Movement, 1949–1957 A study of worker activism and labour unions in the eight years between the recognition of Indonesian sovereignty by the Netherlands at the end of 1949 and the nationalisation of Dutch assets in 1957, Workers and Democracy contributes to the ongoing re-evaluation of the era of liberal parliamentary democracy in Indonesia. The focus is on the agency of workers and the structures, strategies and industrial campaigns of unions in the context of intense ideological conflict, competing union federations, the opposition of employers to collective action and the efforts by the Indonesian state to manage industrial conflict. The imposition of martial law in March 1957 was the deathblow to parliamentary democracy and to the freedom of workers and unions to engage in collective action. It was not until Suharto’s “New Order” regime collapsed in 1998 that Indonesian workers regained the freedom of association and the right to engage in collective action. John Ingleson is an emeritus professor of history at the University of New South Wales who has written widely on 20th-century Indonesian history.
x THE AMERICAS
“Comprehensive and meticulously researched, this study of post-independence worker activism and labour unions sheds much-needed light on the vicissitudes and trajectory of Indonesian democracy.” – Takashi Shiraishi, author of The Phantom World of Digul: Policing as Politics in Colonial Indonesia, 1926–1941 (NUS Press, 2021)
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ASAA SOUTHEAST ASIA PUBLICATION SERIES March 2022 Paperback • US$36 / S$48 ISBN: 978-981-325-160-1 384pp / 229 x 152mm
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David Reeve
To Remain Myself: The History of Onghokham This is a particularly vivid biography of a remarkable individual, an Indonesian historian and public intellectual who was both a public figure and a multi-minority member, being Dutch educated, Indonesian Chinese, gay, alcoholic, irreligious and hedonist, in a conservative society. This biography breaks out of the Indonesian Chinese category; it is primarily an Indonesian story. In its early chapters, this book reveals much about the “sugar king“ Chinese aristocracy of Indonesia from the inside. In its later chapters, it examines the development of Indonesians writing their own post-colonial history, and the intellectual influences on this writing. Onghokham was a senior public intellectual with over 300 writings over 50 years, containing original insights into many varied Indonesian topics, including colonial history and its effects on modern politics and society; the Indonesian Chinese; “outsiders”—marginal people; the jago or brigand as people’s champion; sexuality in Indonesia past and present; food; the Oedipus complex; painting; traditional Javanese beliefs from the palace to the peasant. David Reeve is a retired teacher of Indonesian language and studies.
x THE AMERICAS
ASAA SOUTHEAST ASIA PUBLICATION SERIES
“Packed full of fascinating detail of Ong’s personal and public life—and what a life it was—this study of Ong and his ideas makes a giant contribution to the intellectual history of modern Indonesia.” – Tony Day, author of Liquid Iron
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June 2022 Paperback • US$34 / S$42 ISBN: 978-981-325-159-5 352pp / 229 x 152mm 45 b/w images, 2 figures, 1 table
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Holly High editor
Stone Masters: Power Encounters in Mainland Southeast Asia Stones and those who speak for and to them are an important focus of animist religious practice in Southeast Asia, sometimes integrated into world religions, and sometimes not. Recent study of animism sees animist ritual not as a metaphor for “a community” or commonly held values, but as a way of forming and maintaining relationships with occult presences understood to be very real. City pillars, statues, megaliths, termite mounds, mountains, rocks found in forests, stones that have been moved to shrines, all these make their appearance in this book, as do the territorial cults which can form around them. The contributors extend and deepen the recent exciting literature on animism to form a new analytical perspective on these cults across mainland Southeast Asia. This is not simply a collection of exemplary ethnographies, but a deeply comparative volume that develops its ideas through a meshwork of regional entanglements, parallels and differences, before entering into a dialogue with debates on power, mastery and the social theory of animism globally. As the ritual thanking of traditional guardians of a place is becoming more common in many societies, the lessons of the stone masters of mainland Southeast Asia make compelling reading, and open up new perspectives on religion, and ideas of territoriality and belonging. Holly High is an anthropologist and associate professor at Deakin University.
“A rare book: an organically integrated collection, with a strong theme.... It has a depth which anthropologists of other areas, working on analogous themes, can feed on.” – Luiz Costa, Federal University of Rio de Janeiro
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April 2022 Paperback • US$32 / S$38 ISBN: 978-981-325-170-0 344pp / 229 x 152mm 46 b/w images, 3 tables
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Elly Kent
Artists and the People: Ideologies of Art in Indonesia Exploring the work of established and emerging artists in Indonesia’s vibrant art world, this book examines why so many artists in the world’s largest archipelagic nation choose to work directly with people and in the studio. While the social dimension of Indonesian art makes it distinctive in the globalised world of contemporary art, Elly Kent explores this engagement in Indonesian terms. What are the historical, political and social conditions that lie beneath these polyvalent practices? How do formal and informal institutions, communities and artist-runinitiatives contribute to the practices and discourses behind socially-engaged art in Indonesia? What tensions arise when artists integrate communities, governments, politics, history and people into their practice? Drawing on interviews with artists, translations of archival material, visual analyses and participation in artists’ projects, this book presents a unique, interdisciplinary examination of ideologies of art in Indonesia. It portrays the ways art practice and theory are understood within Indonesia and inside Indonesianlanguage discourse. Indonesia’s artists have continued to explore, resist and draw on the methodologies and discourses of social responsibility and artistic honesty generated by Indonesian arts practitioners through their early 20th-century encounters with modernity and the founding of the nation state. This book brings contemporary practice into conversation with art history in Indonesia. Elly Kent is a visual artist, writer, translator, and researcher. She is also the editor of the New Mandala.
May 2022 Paperback • US$32 / S$38 ISBN: 978-981-325-163-2 280pp / 229 x 152mm 47 b/w images
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Marnie Feneley
Reconstructing God: Style, Hydraulics, Political Power and Angkor’s West Mebon Viṣṇu In December 1936, a villager was led by a dream to the ruins of the West Mebon shrine in Angkor where he found the remains of a bronze sculpture. This was the West Mebon Viṣṇu, the largest bronze remaining from pre-modern Southeast Asia, and a work of great artistic, historical and political significance. Prominently placed in an island-temple in the middle of the vast artificial reservoir, the West Mebon Viṣṇu sculpture was a key focus point of the Angkorian hydraulic network. Interpretations of the statue, its setting, date and role, have remained largely unchanged since the 1960s, until now. Integrating the latest archaeological and historical work on Angkor, extensive art historical analysis of the figure of Viṣṇu Anantaśāyin in Hindu-Buddhist art across the region, and a detailed digital reconstruction of the sculpture and its setting, Marnie Feneley brings new light to this important piece. This new understanding of the West Mebon Viṣṇu sculpture reorients our understanding of religious and political change in Angkor in the 12th century. The book will be of interest to art historians and curators, historians of Southeast Asia, and anyone with an interest in the art and history of Angkor. Marnie Feneley is a postdoctoral research fellow at the University of New South Wales School of Art and Design, Australia.
July 2022 Hardback • US$60 / S$72 ISBN: 978-981-325-053-6 256pp / 235 x 185mm 40 colour images, 80 b/w images
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Ashley Thompson editor
Early Theravadin Cambodia: Perspectives from Art and Archaeology One of the outstanding questions of Southeast Asian history is the nature and timing of major cultural and political shifts in the territory that was to become Cambodia, starting in the 13th century. What explains the shift in religious doctrine, different language uses (Pāli over Sanskrit, Khmer as a literary language), the radical transformation in architecture and sculptural production? How was the spread of Theravāda Buddhism related to regional political reconfigurations? What exactly was it we rather blindly label “Theravāda Buddhism”? And how is “Theravāda Buddhism” entangled with the identity shifts that over the next four hundred years gave rise to the Buddhist state now called Cambodia? Editor Ashley Thompson has brought together the foremost scholars of premodern Cambodian art and archaeology to reflect on the relevant material evidence to probe these questions—and to push them further in exploring larger issues of Buddhist history, regional exchange networks and ethno-political identities across mainland Southeast Asia. The book will be a crucial reference for historians of Southeast Asia, and its insights into religious change will make it important reading for scholars of broader Buddhist Studies. Fully illustrated, the book will appeal to those with a serious interest in the Buddhism and Buddhist art of mainland Southeast Asia. Ashley Thompson is the Hiram W. Woodward Chair in Southeast Asian Art, SOAS University of London. She is a specialist in Southeast Asian cultural histories, with particular expertise on Cambodia.
SERIES: ART & ARCHAEOLOGY OF SOUTHEAST ASIA: HINDU BUDDHISTTRADITIONS April 2022 Hardback • US$48 / S$56 ISBN: 978-981-325-149-6 320pp / 235 x 187mm 114 colour images, 19 b/w images
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Stephen Cairns and Devisari Tunas, editors
Future Cities Laboratory: Indicia 03 This third and final volume in the Indicia book series presents the results of the Future Cities Laboratory research programme in the form of “actions” for sustainable city-making. It complements the first and second volumes of the series that respectively documented the research challenges and approaches that prefigured these results. Read together, the three volumes chart the full arc and many productive eddies of the five-year programme and its mission to shape sustainable future cities. Research results are presented as condensed actions that take the form of general principles, recommendations, practical guidelines, and rules of thumb. The actions are neither technical standards nor prescriptive check-lists but invitations to explore, test and refine research insights within the context in which the reader lives, works and acts. The credibility, salience and legitimacy of each action is underpinned by scientific publications (journal articles, books and exhibitions) presented in extensive footnotes and suggestions for further reading. The Future Cities Laboratory was established by ETH-Zürich and Singapore’s National Research Foundation (NRF), and operates under the auspices of the Singapore-ETH Centre (SEC). Stephen Cairns is Director of the Future Cities Lab (FCL) Global and the UrbanRural Systems design research group. Devisari Tunas was the Research Scenario Coordinator for Archipelago Cities at the Future Cities Lab (FCL).
DISTRIBUTED FOR LARS MULLER PUBLISHERS AND THE FUTURE CITIES LABORATORY, SINGAPORE March 2022 Paperback • US$50 / S$60 ISBN: 978-3-03778-659-8 368pp / 241 x 171mm 200 images
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John Michael Elliott with Sim Tick Ngee
The Strange Start of Psychology at the National University of Singapore The psychology programme at the National University of Singapore (NUS) is today highly popular with students, while the general public in Singapore has begun to appreciate what psychology has to offer as a hub discipline that straddles many fields. Things, however, were not always as such, nor was the development of the programme smooth sailing. This book traces the journey of NUS Psychology—how it started in 1986 as a programme in the Department of Social Work (subsequently renamed as the Department of Social Work and Psychology) before becoming an independent Department of Psychology in 2005. Set within a historical context of prevailing sentiments and challenges of the times, this account of the journey illustrates how the start of NUS Psychology was in many ways a strange one. Golden nuggets of information and insights, as well as useful lessons that can be learned from this strange start, are provided by an author who walked this entire journey. John Michael Elliott joined NUS Psychology in 1986 as a Senior Teaching Fellow and retired in 2018 as an Associate Professor. He was awarded the Public Service Medal (PBM – Pingat Bakti Masyarakat) in 2007. Sim Tick Ngee was part of the pioneer cohort of psychology students in 1986. He joined the Department as a teaching assistant on graduation and remains with the Department to this day.
DISTRIBUTED FOR THE DEPARTMENT OF PSYCHOLOGY, NUS November 2021 Paperback • US$18 / S$24 ISBN: 978-981-181-450-1 136pp / 229 x 152mm 22 b/w images
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Shashi Jayakumar
A History of the People’s Action Party, 1985–2021 The People’s Action Party (or PAP) of Singapore is among the longest-ruling democratically-elected political parties in the world, in power continuously since Singapore gained self-rule in 1959. Such longevity is the hallmark of an institution that is itself dynamic and responsive. But remarkably, the story of the party as an institution has not received the sustained study it deserves, from historians or political scientists. This narrative history of the PAP follows the decisions made by party leaders as they have sought to respond to the changing demands and expectations of the Singapore electorate, over a 36-year period that saw Singapore enter the ranks of developed nations. It is fully up to date with the Party’s response to their loss of seats in the 2020 General Elections, and changes in party leadership succession announced in April 2021. Leadership renewal is one of four dimensions of change in the party that are the book’s focus: the others being the party’s communications methods and styles, the mechanisms developed for managing institutional change, and the evolution of economic and social policy. Drawing on internal party documents and multiple interviews with key leaders over a 10-year period, this work provides a detailed portrait of a robust political institution and establishes a distinctive new narrative of Singapore politics. Shashi Jayakumar is head of the Centre of Excellence for National Security at the S. Rajaratnam School of International Studies (RSIS), Nanyang Technological University (NTU), Singapore.
“Shashi Jayakumar has made an important contribution to our understanding of how the PAP keeps itself in the pole political position in Singapore…. A must-read for all interested in the politics of Singapore.” – Chan Heng Chee
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December 2021 Hardback • US$38 / S$46 ISBN: 978-981-325-128-1 800pp / 254 x 178mm
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Bertha Henson
Not for Circulation: The George E. Bogaars Story Do civil servants really make a difference? Can they shape history? When John Drysdale published one of the first books to put together the political history of independent Singapore, in 1985, George E. Bogaars wrote to his daughter with typical understatement, “I feature in it a bit.” Bogaars headed the Special Branch at the time of Operation Coldstore. He reported directly to pioneer leaders such as Lee Kuan Yew and Goh Keng Swee, before they became political icons. He started the Singapore Armed Forces from scratch, when he was Permanent Secretary of Interior and Defence (the precursor of Home Affairs and Defence ministries). He was the head of the Civil Service, involved in a dozen or so Government-linked companies attempting to shore up the country’s infrastructure and expand its business portfolio. He held the country’s purse strings when he moved into the Finance ministry before his retirement on 31 October 1981 at age 55. His impressive resume belies a colourful, flamboyant character with a wicked sense of humour. Written by journalist and blogger Bertha Henson, Not for Circulation tells the story of this Singapore original. Bertha Henson is a popular commentator on Singapore politics and journalism. She is the author of two books, Troublemaker and GE2020: Fair or Foul?, and regularly writes at her blog, Bertha Harian.
RIDGE BOOKS
“May this book start a national conversation for us to better acknowledge our unsung nationbuilding pioneers.” – Sean Lim, Rice Media
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October 2021 Paperback • US$18 / S$24 ISBN: 978-981-325-162-5 208pp / 229 x 152mm 15 b/w images
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Justin Thomas McDaniel
Wayward Distractions: Ornament, Emotion, Zombies and the Study of Buddhism in Thailand When more than 93 per cent of the citizens of one country profess a single religion, as Thais do Buddhism, and when that religion is deeply integrated into national institutions and ideologies, it becomes tempting to think of the religion as a textual, institutional, cultural and conceptual whole. But at the same time it is obvious that expressions of Buddhism in Thailand reflect anything but a single order: they are often gaudy, cacophonous, variegated, and jumbled: almost technicolor. Diversity and contradiction are everywhere. A more open engagement with Buddhism in Thailand will require a willingness to be distracted, to step away from received hierarchies and follow the intriguing detail in the ornate design, the odd textual reference, to prefer “thin description” over a search for meaning. Collected together for the first time, and set in place by a compelling introduction that argues for a strongly materialist approach, these essays cover subjects ranging from ornamental art to marriage and emotion, the role of Hinduism, neglected gender and ethnic diversity, Buddhist inflections in contemporary art practice, and the boundaries between the living, the dead and the undead. These writings will be of importance to students of Theravada and Thailand, of religion in Southeast Asia and more generally, of the materialist turn in studies of religion. Justin Thomas McDaniel is Edmund J. and Louise W. Kahn Endowed Professor of the Humanities at the University of Pennsylvania. His first book, Gathering Leaves and Lifting Words, won the Harry Benda Prize. His second book, The Lovelorn Ghost and the Magical Monk, won the Kahin Prize. x JAPAN
“Justin McDaniel lifts Buddhist Studies down from the high altar and plunges it into the messy business of humanity…. The book is both a manifesto for the study of experience and a vastly entertaining tour of Thailand’s extraordinary religious landscape.” – Chris Baker, historian
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KYOTO-CSEAS SERIES ON ASIAN STUDIES November 2021 Paperback • US$32 / S$36 ISBN: 978-981-325-150-2 292pp / 229 x 152mm 10 b/w images
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Goh Geok Yian & John N. Miksic editors
Southeast Asian Site Reports epress.nus.edu.sg/sitereports The Southeast Asian Site Reports series is intended to make archaeological data available for comparative study to all scholars who work on Southeast Asian archaeology, as well as the active community of students of archaeology and volunteers in the region. Aside from descriptions of the archaeological project, these reports generally include: • • • • •
research questions addressed by the project, and analysis of results site maps and stratigraphic drawings tables providing quantitative data and statistics on specific types of artifacts illustrations of the main types of artifacts discovered (photographs and drawings) laboratory analyses of mineral composition, identification of organic materials, the ancient environment, dating methods and results
This information is typically difficult to obtain for Southeast Asian sites, especially for the historical period. It is hoped that these efforts to develop an online publication template, and tools for the management of images and other data, will encourage more sharing of data across national boundaries. Reports available include: • • • • • • •
Colombo Court, Singapore – 2000 Singapore Cricket Club Excavation – 2003 Dieng Plateau, Java, Team Projek Dieng – 2010 Fort Canning Spice Garden, Singapore – 2010 The Lingga Wreck, Indonesian waters – 2017 Fort Canning, Singapore – 2018 Myanmar-Singapore Archaeological Training Project – 2013-2019
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Southeast of Now: Directions in Contemporary and Modern Art in Asia Established by a collective of scholars and curators with the aim of looking and listening closely to the discursive spaces of art in, from, and around the region we refer to as Southeast Asia, from an historical perspective. The journal presents a necessarily diverse range of perspectives not only on the contemporary and modern art of Southeast Asia, but indeed of the region itself: its borders, its identity, its efficacy, and its limitations as a geographical marker and a conceptual category. As such, the journal is defined by a commitment to the need for and importance of rigorous discussion, of the contemporary and modern art of the domain that lies south of China, east of India, and north of Australia. The journal publishes twice a year (March and October). This journal is open access thanks to the support of the Chen Chong Swee Asian Arts Programme at Yale-NUS College and the Foundation for Arts Initiatives, and can be accessed at https:// muse.jhu.edu/journal/716. Annual Subscription Rates Southeast Asia
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For editorial enquiries, contact the editors at southeastofnow@gmail.com For individual or institution subscription enquiries, email us at orders.nuspress@nus.edu.sg https://nuspress.nus.edu.sg/collections/southeastofnow
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China: An International Journal (CIJ) An internationally refereed journal published for the East Asian Institute, NUS in February, May, August and November by NUS Press. Based outside China, America and Europe, CIJ aims to present diverse international perceptions and frames of reference on contemporary China, including Hong Kong, Macau and Taiwan. The journal invites the submission of cuttingedge research articles, review articles and policy comments and research notes in the fields of politics, economics, society, geography, law, culture and international relations. The unique final section of this journal offers a chronology and listing of key documents pertaining to developments in relations between China and the 10 ASEAN member-states. CIJ is indexed and abstracted in Social Sciences Citation Index®, Journal Citation Reports/Social Sciences Edition, Current Contents®/Social and Behavioral Sciences, International Bibliography of Social Sciences, Bibliography of Asian Studies and Econlit. CIJ is also available online in Project Muse (an electronic database for journals in the humanities and social sciences). For more details, visit https://muse.jhu.edu or email muse@muse. jhu.edu. Annual Subscription Rates Singapore
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S$ 50
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Individual copies may be purchased through https://nuspress.nus.edu.sg For institution subscription enquiries, email us at orders.nuspress@nus.edu.sg For editorial enquiries, contact the editors at cij@nus.edu.sg https://nuspress.nus.edu.sg/collections/cij
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Information for Authors NUS Press (formerly Singapore University Press) originated as the publishing arm of the University of Malaya in Singapore, and between 1954 and 1971 published books under the University of Malaya Press imprint. The Singapore University Press imprint first appeared in 1971. In 2006 Singapore University Press was succeeded by a new NUS Press to reflect the name of its parent institution and to align the Press closer to the university’s overall branding. The Press publishes academic, scholarly and trade books of importance and relevance to Singapore and the region. While the Press has an extensive catalog that includes titles in the fields of medicine, mathematics, science and engineering, the Press is particularly interested in manuscripts that address these subjects: • • • • • • • • • • • • • •
Japan and Asia The Chinese overseas and the Chinese diaspora The Malay World Media, cinema and the visual arts Science, technology and society in Asia Transnational labour and population issues in Asia Popular culture in transnational perspectives Religion in Southeast Asia Ethnic relations The city, urbanism and the built form in Southeast Asia Violence, trauma and memory in Asia Cultural resources and heritage in Asia Public health, health policy and history of medicine The English language in Asia
All books are subject to peer review, and must be approved by the University Publishing Committee, drawn from the NUS faculty. Download our detailed author’s guidelines at https:// nuspress.nus.edu.sg/pages/prospective-authors
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Our home territory is Southeast Asia, and NUS Press works very closely with APD Singapore and APD Malaysia to distribute to libraries, institutions and to the bookstores in Singapore, Malaysia, Thailand, Indonesia and the other countries of Southeast Asia. We service the NUS campus bookshops directly, and conduct sales to students and staff from our office on the NUS campus. APD Singapore Pte Ltd 52, Genting Lane #06–05 Ruby Land Complex 1 Singapore 349560 T +65 6749 3551 F +65 6749 3552 E apdacad@apdsing.com.sg APD (Malaysia) 24–26, Jalan SS3/41 47300 Petaling Jaya Selangor Darul Ehsan Malaysia T +60 3 7877 6063 F +60 3 7877 3414 E customersvc@apdkl.com
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TAIWAN, CHINA (NON-EXCLUSIVE) AND SOUTH KOREA
The University of Chicago Press Chicago Distribution Center 11030 South Langley Chicago, IL 60628, USA T (US & Canada) +1-800-621-2736 T (rest of world) +1 (773) 702-7000 E custserv@press.uchicago.edu www.press.uchicago.edu UK, CONTINENTAL EUROPE, AFRICA & THE MIDDLE EAST, CENTRAL ASIA AND AUSTRALIA
Eurospan Group c/o Turpin Distribution Pegasus Drive, Stratton Business Park Biggleswade, Bedfordshire SG18 8TQ United Kingdom T +44 (0) 1767 604972 F +44 (0) 1767 601640 E eurospan@turpin-distribution.com www.eurospanbookstore.com For additional information, contact Eurospan Group 3 Henrietta Street London WC2E 8LU T +44 (0) 207 240 0856 F +44 (0) 207 379 0609 E info@eurospan.co.uk
B.K. Norton 5F, 60, Roosevelt Rd Section 4 Taipei 100, Taiwan F +886 2 6632 9772 E meihua@bookman.com.tw CHINA
Everest Intl Publishing Services 2-1-503 UHN Intl 2 Xi Ba He Dong Li Beijing 100028 China T +86 10 51301051 M 13683018054 F +86 10 51301052 E wzbooks@aol.com or wzbooks@163.com JAPAN
MHM Limited 1-1-13-4F, Kanda-Jimbocho Chiyoda-ku, Tokyo 101-0051 Japan T +81-3-3518-9181 F +81-3-3518-9523 E sales@mhmlimited.co.jp http://www.mhmlimited.co.jp AUSTRALIA / NEW ZEALAND
Asia Bookroom Unit 2, 1-3 Lawry Place Macquarie, ACT 2614 Australia T +61 (0)2 6251 5191 E books@AsiaBookroom.com http://www.asiabookroom.com/
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Abbreviations and Icons Singapore dollars US dollars
S$ US$
Available in Asia Available Worldwide Available Worldwide except Americas
x THE AMERICAS
NUS Press Pte Ltd (formerly Singapore University Press) AS3-01-02, 3 Arts Link National University of Singapore Singapore 117569 T +65 6776 1148 F +65 6774 0652 E nusbooks@nus.edu.sg https://nuspress.nus.edu.sg Twitter @NUS_Press Notes 1 S$ prices are applicable for purchases in Singapore only. 2 All prices and information in this catalogue are current at the time of printing (January 2022) and may be subject to change. 3 Potential authors are invited to download our author guidelines at https://nuspress.nus.edu.sg/pages/prospective-authors
Cover illustration: Onghokham at Tempo, 1980s (Source: Tempo, used with permission).
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NUS Press
National University of Singapore
NUS Press publishes books and journals with a regional focus on Asia and a disciplinary focus on the humanities and social sciences. As the university press of the National University of Singapore, NUS Press supports the university’s mission by publishing for Singaporean, Southeast Asian and global academic communities, for communities of practice and publics reading in English. Our books are available in more than 500 great bookshops around the world, and are held by top research and public libraries, in print and digital form. We love selling books in a competitive marketplace, but we are also active in developing Open Access models of scholarly communication. NUS Press dates itself back 68 years, to the activities of the Publishing Committee of the University of Malaya, beginning in 1954.
NUS Press Pte Ltd AS3-01-02, 3 Arts Link National University of Singapore Singapore 117569 T +65 6776 1148 F +65 6774 0652 E nusbooks@nus.edu.sg https://nuspress.nus.edu.sg
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