BSAR: Studio Design IIIA Portfolio

NUR IRDINA LEE CHUN LING || 183020634 || SEPT/OCT 2019 SEMESTER

ARCH 3150 1

STUDIO DESIGN IIIA PORTFOLIO

TABLE OF CONTENT 1. SITE ANALYSIS •

SITE ANAYLSIS

•

TOWNSCAPE APPRAISAL

•

UBBL

2. PROJECT 1: URBAN DESIGN PLACEMAKING •

PROJECT BRIEF

•

PRECEDENT STUDY

•

PRESENTATION BOARDS

3. PROJECT 2: SEREMBAN COMMUNITY MARKET HALL •

PROJECT BRIEF

•

CONCEPTUAL STUDY

•

SITE PLAN

•

FLOOR PLANS

•

SECTIONS

•

ELEVATIONS

•

3D PERSPECTIVES

•

SECTIONAL DETAIL

•

SPECIAL DETAIL

•

BUILDING SERVICES

•

SUSTAINABLE DESIGN ELEMENTS

•

PRESENTATION BOARDS

•

MODEL

2 - 12

13 - 32

33 - 63

2

SITE ANALYSIS MUKIM RASAH, SEREMBAN TOWN

3

SITE ANALYSIS LOCATION PLAN

SITE SECTION

SITE ELEVATION SITE PLAN

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

4

SITE ANALYSIS PLANNING ENQUIRY

ARCHITECTURAL PATTERN – Shophouse Style

Besides the unique design of the five-foot walkway in front of any typical Chinese Shophouse, the general characteristics include: - Facing a street - Narrow and long, sectioned by air well - Consists of an open courtyard in the center of the building - Low rise, two to three storeys, more modern styles may go up to four storeys.

- Contains a single party wall separating shophouses on either side, where they are built in a row, next to one another along a street, with no gaps or spaces in between.

ARCHITECTURAL PATTERN – Shophouse Characteristics

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

5

SITE ANALYSIS HISTORICAL FEATURES – Past Site Uses

HISTORICAL FEATURES – Neighbouring Past Site Uses

Noise Reading

ARCHITECTURAL PATTERN – Shophouse Characteristics CLIMATIC - Sun and Wind

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

6

SITE ANALYSIS MAN MADE FEATURES – Circulation & Accessibility

Surface Drainage Pattern & Sewerage

Fire Hydrant Distribution

CULTURAL & COMMUNITY BACKGROUND

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

7

TOWNSCAPE APPRIASAL HISTORY TIMELINE

PATH

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

8

TOWNSCAPE APPRIASAL

LANDMARKS

NODES

DISTRICT

SKYLINE

URBAN FORM

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

9

TOWNSCAPE APPRIASAL JALAN YAM TUAN (PROFILE AND SETTING)

ENTRANCE INDICATOR

URBAN FORM STRUCTURING & CHARACTER (RIGHT/LEFT) [left]

FIGURE GROUND • The building that enclose the main road are form into a linear pattern • Form is relatively rectangular in shape, especially the buildings closer to the purposed site [shop lot houses] . And evolves shape down road.

• Having connected buildings and single standing buildings creates a unique but still uniform pattern • Gradual change from linear to point typology.

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

10

TOWNSCAPE APPRIASAL

JALAN TUNGKU HASSAN (PROFILE AND SETTING)

Jalan tungku hassan is flat and linear

URBAN FORM

LANDSCAPE CHARACTER (RIGHT/LEFT)

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

11

TOWNSCAPE APPRIASAL JALAN DATO’ ABDUL RAHMAN (PROFILE AND SETTING)

URBAN FORM

JALAN LEFTENAN ADNAN (PROFILE AND SETTING)

URBAN FORM

LANDSCAPE CHARACTER LANDSCAPE CHARACTER

SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

12

UBBL

STAIRCASES

FIRE HYDRANT SITE ANALYSIS: MUKIM RASAH, SEREMBAN TOWN

13

PROJECT 1:

URBAN DESIGN PLACEMAKING

14

PROJECT BRIEF TASK Students are required to transform physical environment for some

In group of 10, students are to undertake the following tasks:

areas in the town center and to improve the walkability in Seremban.

1.

Study one or more of urban placemaking project development in the local or foreign country.

The main activities would be to provide spaces for the public. The proposed site is located in Mukim Rasah district area which is one of the busiest places in Seremban Town. Many people in the community

2.

The studies should cover, but not limited to, the following aspects:

use the laneways and create a network pattern themselves.

•

Design concept

Laneways and back lanes are smaller scale connections within the

•

Design strategies responding to the site issues

street network and are able to offer shorter and more attractive

•

Placemaking unique features –street furniture, floor water fountain, green park etc.

pedestrian routes through large city area. However, these laneways have been regarded and functions as service road for waste collection, loading and unloading activities and also act as escape

3.

guide you during your design exercise at later stage.

road during emergencies of fire.

Students are required to propose a design of urban strip at the back-

The studies should not just highlight the obvious features but should also be able to

4.

The purpose of the study is to help you at later stage, create a theme or design

lane or front area of the shop-office/ shophouses, in order to improve

concept for the whole development Project 1 and Project 2 (P1-Placemaking

the existing infrastructure and facilities which has been deteriorated in

Seremban Town and P2-Public Market Hall).

condition. The design will include canopy, wall art, seating area, sculpture, floor water fountain etc. Urban Placemaking (Project 1) must be integrated as part of Project 2.

5.

Information collected from the case study will be used as the design tools for your Project 1.

PROJECT 1: URBAN DESIGN PLACEMAKING

15

PROJECT 1: URBAN DESIGN PLACEMAKING

PRECEDENT STUDY

PROJECT 1: URBAN DESIGN PLACEMAKING

16

PRECEDENT STUDY Afghan Bazaar Cultural Precinct By HASSELL / MELBOURNE, AUSTRALIA The HASSELL design for the precinct has

Thomas Street has been reconfigured to

created

create

an

streetscape

emblematic

that

is

urban

integrated

and

more

community.

gathering The

and

space

roadways

have

the been

responsive to the diverse cultures of the

narrowed

local, and broader, Afghan community. It

establish new infrastructure for festivals and

has delivered a distinct visual character

events,

that engages and enlivens the street,

Improved lighting, new trees, overhead

encouraging community gathering.

power-line removal and better links to

such

footpaths

for

as

Nowruz

widened (New

to

Year).

neighboring precincts and transport will also The Afghan Bazaar project recognizes the

contribute to the activation of the precinct.

role that cultural and artistic expression plays in defining the visual identity and livability of a community, said Chilton. “It celebrates the street as an important space,

not

just

for

movement

and

commercial exchange, but also for the social and cultural encounters that are so important to daily life.”

An integrated artwork called ‘Lamp’ by The extraordinary tiling of Mazar-e-Sharif

Afghan-Australian

(Blue Mosque) was a major inspiration for

provides a captivating centrepiece by day

the design. A contemporary interpretation

and night. Lamp has two parts, says Akram.

forms the basis of the design approach

“The base represents the fuel source –

that HASSELL called ‘the geometry of

human

gathering’. Intricately detailed paving on

experience. It also symbolises holy places,

both sides of the street introduce colour,

histories and memories of Afghan Australian

texture and pattern to define the primary

people.

meeting

symbolising creation as a result of human

places.

The

abstracted

artist,

energy,

The

top

Aslam

knowledge

is

a

filigreed

Akram,

and

shade

the

energy, as well as friendship and respect

arrangement and form of the streetscape

between communities, and within cultures

elements, increasing in intensity at the

in multicultural Australia,” he said.

geometries

expand

to

generate

focal areas of the precinct.

PROJECT 1: URBAN DESIGN PLACEMAKING

17

PRECEDENT STUDY DT Plateau by 4of7 + Institute of Transportation CIP/ BELGRADE, SERBIA The plateau is established to house a monument to Dimitrije Tucovic, an important figure in the Serbian socialist movement at the turn of the twentieth century, and to become a new public space in the city of Belgrade. It is designed as a sidewalk extension and a space capable to host events such as flower market, second-hand books sails or accommodate street food stands.

The plateau sits between the National Bank of Serbia building and a busy traffic roundabout at Slavija Square in Belgrade. Such ‘hard edges’, impermeable to pedestrian traffic, make this site highly visible but isolated segment of the urban fabric. As a result, of both the built context and traffic regime, the site has become an island sitting on one of the busiest traffic routes in the inner city.

The architectural intervention focused on creating an accessible place, open and inviting to public. We aimed to find a spatial solution for indeterminate scenarios of use, presuming that events currently unfolding in nearby public spaces could spill over to this one. The design is driven by the premise that flower market, second hand books stalls or street food stands could be introduced here.

Crude Concrete The design intent was to create a new topography and an inwardoriented open space. In an amphitheater-like setting, the monument is positioned at the central and lower datum of the new terrain, so that movement across the plateau provides different views of it. The new topography consists of a series of platforms with differing inclinations of the floor surface. Zones with a slope, ranging from 2 to 8% inclination, define circulation routes while flat patches land themselves to seating areas. Risers, occurring between flat and sloping facets of the surface are used to direct movement and to create seating places.

PROJECT 1: URBAN DESIGN PLACEMAKING

18

PRECEDENT STUDY Superkilen by Topotek 1 + BIG Architects + Superflex/ COPENHAGEN, DENMARK Superkilen is a half a mile long urban space wedging through one of the most ethnically diverse and socially challenged neighborhoods in Denmark. It has one overarching idea that it is conceived as a giant exhibition of urban best practice – a sort of collection of global found objects that come from 60 different nationalities

of

the

people

inhabiting

the

area

surrounding it.

As an extension of the sports and cultural activities at the Norrebrohall, the Red Square is conceived as an urban extension of the internal life of the hall. A range of recreational offers and the large central square allows the local residents to meet each other through physical activity and games. The colored surface is integrated both in terms of colors and material with the Nørrebrohall and its new main entrance, where the surface merges inside and outside in the new foyer.

Three zones, three colors – one neighborhood The conceptual starting point is a division of Superkilen into three zones and colors – green, black and red. The different surfaces and colors are integrated to form new, dynamic surroundings for the everyday objects.

The desire for more nature is met through a significant increase of vegetation and plants throughout the whole neighborhood arranged as small islands of diverse tree sorts, blossom periods, colors - and origin matching the one of surrounding everyday objects.

To create better and more transparent infrastructure throughout the neighborhood, the current bike paths will be reorganized, new connections linking to the neighborhoods

Facades are incorporated visually in the project by following the color of the surface conceptually folding upwards and hereby creating a three-dimensional experience. By the large facade towards Norrebrogade is an elevated open space, which almost like a tribune enables the visitors to enjoy the afternoon sun with a view.

In addition to the cultural and sportsfacilities, the Red Square creates the setting for an urban marketplace which attracts visitors every weekend from Copenhagen and the suburbs.

• The red square is defined by a street in each end and building and fences along the sides. The edge is moving in and out - and we

Traffic connections

surrounding

MARKET/CULTURE/SPORT – THE RED SQUARE

are

created,

with

emphasis on the connection to Mimersgade, where citizens have expressed desire for a bus passage. This transition concerns the whole traffic in the area at outer Norrebro and is a part of a greater infrastructure plan. Alternatives to the bus passage include signals, an extended middle lane or speed bumps.

have tied the area together by connecting the surrounding given lines and edges in the big red pattern. A big red carped stretched out between all sides of the square.

• Fitness area, Thai boxing, playground (slide from Chernobyl, Iraqi swings, Indian climbing playground), Sound system from Jamaica, a stencil of Salvador Allende, plenty of benches (from Brazil, classic UK cast Iron litter bins, Iran and Switzerland), bike stands and a parking area • Only red trees except the existing ones.

• Basket ball next to parking.

PROJECT 1: URBAN DESIGN PLACEMAKING

19

PRECEDENT STUDY SPORT/PLAY – THE GREEN PARK

URBAN LIVING ROOM – THE BLACK SQUARE Mimers Plads is the heart of the Superkilen Masterplan. This is where the locals meet around the Moroccan fountain, the Turkish bench, under the Japanese cherry-trees as the extension of the area’s patio. In weekdays, permanent tables, benches and grill facilities serve as an urban living room for backgammon, chess players etc. The bike traffic is moved to the East side of the Square by partly solving the

problem

of

height

differences

towards

Midgaardsgade and enable a bike ramp between Hotherplads and the intersecting bike path connection.

Towards North is a hill facing south with a view to the square and its activity.

• The square can be spotted by the big, dentist neon sign from Doha, Qatar.

• Brazilian bar chairs under the Chinese palm trees, Japanese octopus playground next to the long row of Bulgarian picnic tables and Argentinean BBQ’s, Belgian benches around the cherry trees, UV (black light) light highlighting all white from the American shower lamp, Norwegian bike rack with a bike pump, Liberian cedar trees.

• To protect from the street ending at the north east corner of the square and to meet the wishes from the neighbors, we have folded up a corner of the square creating a covered space.

• Unlike the pattern on the red square, the white lines on Mimers Plads are all moving in straight lines from north to south, curving around the different furniture to avoid touching it. Here the pattern is highlighting the furniture

Bauman once said that “sport is one of the few institutions in society, where people can still agree on the rules”. No matter where you’re from, what you believe in and which language you speak, you can always play football together. This is why a number of sports facilities are moved to the Green Park, including the existing hockey field with an integrated basketball court as it will create a natural gathering spot for local young people from Mjolnerpark and the adjacent school.

The activities of the Green Park with its soft hills and surfaces appeals to children, young people and families. A green landscape and a playground where families with children can meet for picnics, sunbathing and breaks in the grass, but also hockey tournaments, badminton games and workout between the hills.

• The neighbors asked for more green so we ended up making the green park completely green – not only keeping and exaggerating the curvy landscape, but also painting all bike- and pedestrian paths green.

• From Tagensvej at the very north, the park is welcoming with a big rotating neon sign from USA, a big Italian chandelier and a black Osborne Bull from Costa del Sol (a wish from a Danish couple living in the area!).

• Armenian picnic tables next to Mjølnerparken with South African BBQ’s, a volcano shapes sports arena for basket ball and football, a line dance pavilion from Texas, muscle beach from LA with a high swing from Kabul, Spanish ping pong tables and a pavilion for the kids to hang out in.

instead of just being a caped under it.

PROJECT 1: URBAN DESIGN PLACEMAKING

20

PROJECT 1: URBAN DESIGN PLACEMAKING

PLACEMAKING 1

PROJECT 1: URBAN DESIGN PLACEMAKING

21

22

23

24

25

26

PROJECT 1: URBAN DESIGN PLACEMAKING

PLACEMAKING 2

PROJECT 1: URBAN DESIGN PLACEMAKING

27

28

29

30

31

32

33

PROJECT 2:

SEREMBAN COMMUNITY MARKET HALL

34

PROJECT BRIEF TASK Students are required to design a public market hall building within an urban park environment. The main activities would be to provide and serve the community with the activities provided.

Students are required to provide full design proposals incorporating findings from precedent study and site analysis. The design of site planning which integrates with the urban park should merge harmoniously with the context and provide interesting spatial experience for the users through sensitive and thoughtful architectural intervention.

The public market hall will be from 2-4 storey height. The design should take into consideration on many aspects of urban site issues including, site area constraint, social interaction, mobility, security etc. Site Planning and design should integrate the urban park from Project 1 and the proposed building as one development. The building will include the following areas: Spatial Requirement: 1. Entrance Lobby 2. Drop off area 3. Market Hall (market stall arrangement) 4. Exhibition area 5. Retail space 6. Market’s administrative office (staff’s room, discussion room, staff lounge, washrooms, etc.)

7. Public Washroom(s) 8. Prayer Room(s) 9. Utility 10. Restaurant 11. Circulation, vertical & horizontal

General Requirements 1. Building height will be a 2-4 storey building. Maximum 4 storey.

2. The Project must consider a column free space for an event.

Configuration of Long span structure must be considered at the beginning of design stage.

3. Vehicle drop-off and open parking/sub-basement parking shall be considered in this project.

4. Access for disabled people should be made at least to the common public facilities - washroom and eating area.

5. The project must take into consideration of the surrounding urban context.

6. The project must be predominantly ventilated by PASSIVE / NATURAL ventilation; and minimal mechanical ventilation/Air conditioning.

7. Take into consideration of Renewable Energy for Sustainable Design (Concept proposal can be made with diagrams); Rainwater Harvesting System, Solar Panel to generate electricity etc.

8. Urban Design Placemaking (Project 1) must be integrated as part of Project 2

TOTAL (max) BUILT-UP AREA: 1500 m² (+20m2)

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

35

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

PRECEDENT STUDY/ CASE STUDY •

LOCAL

•

INTERNATIONAL

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

36

37

38

39

CONCEPTUAL STUDY The proposed market hall is to be designed and constructed in

The site itself is surrounded by old shop lots which is located

Mukim Rasah, Seremban Town. The site is strategically located at

within the heart of Seremban Old Town in Mukim Rasah,

the heart of Seremban ‘Old Town’, directly across Haji Shariff

Seremban Town near Haji Shariff Cendol. It’s residents are

Cendol which is recognized by the locals as a place marker. The

mostly consist of Chinese and Indians who are elderly and

site is a rectangular shape that’s 4207sqm area. The site has two

adults. The culture is split with different districts and different

districts nearby as context which is China Town and Little India,

night markets for them.

both which is located on either end of our site.

The idea is to connect both the existing facilities as well as The Seremban Market Hall is envisioned to accommodate the

adding new elements into the site “to connect both old and

demands of the community for both young and old to build a

new” in the terms if architecture design and material and

commercial building fully equipped with a wet and dry market,

culture as well as to promote more interaction with the youth

retail lots, a multi-purpose event space as well as an area for

who left the town and improve the surrounding with

administration purposes which is easily accessible within the

implementing greenery Into the site.

town center.

SITE ANALYSIS

TARGETED USERS

Elderly Young adult

Family

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

40

SITE PLAN

SITE PLAN SCALE 1:500 PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

41

FLOOR PLANS

GROUND FLOOR PLAN SCALE 1:200 PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

42

FLOOR PLANS FIRST FLOOR PLAN SCALE 1:200

ROOF PLAN SCALE 1:200

SUBBASEMENT PLAN SCALE 1:200

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

43

SECTIONS

SECTION A-A SCALE 1:200

SECTION B-B SCALE 1:200 PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

44

ELEVATIONS

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

45

3D PERSPECTIVES

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

46

SECTIONAL DETAIL

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

47

BUILDING SERVICES AND SUSTAINABLE DESIGN ELEMENTS

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

48

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

PRESENTATION BOARDS •

CONCEPTUAL DESIGN

•

SCHEMATIC DESIGN

•

DESIGN DEVELOPMENT

•

FINAL PRESENTATION BOARD

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

MODEL

PROJECT 2: SEREMBAN COMMUNITY MARKET HALL

64