portfolio 2012-2019 Mengya Yang

CONTENTS

2011|Translucent Living Space House Design | 私宅 Studio Work

P1

2018|West Room Neo-Toilet Design | 公厕 Competition Work

P29

2012|Halves Garden Chinese Traditional Garden | 园林 Studio Work

P11

2018|Toy's Factory School Factory Renovation | 厂房改造 Competition Work

P33

2013|Prometheus Memorial Space Design | 纪念场所 Competition Work

P19

2013|Minimum Housing Residential Design | 极限住宅 Construction Practice

P36

2017|Foso de los Monos Zoo renovation Design | 兽舍改造 Competition Work

P25

Complementary Works | 其他 Publication & Ehxibition | 出版 & 展览 Practices | 实践

There is a solitude of space A solitude of sea A solitude of death, but these Society shall be Compared with that profounder site That polar privacy A soul admitted to itself -Finite infinity.

---Emily Dickinson

1

Translucent Living Space 半透明住宅 House Design Studio Work | 8 weeks Instructor: Lin Qin 覃琳 Spring 2012 Team work Collaborator: Ruichao Li 李睿超

We human beings are social animals. We need mutual communication and contact with each other. Simultaneously, we are natural animals with a primal reliance and a longing for nature. Thus we need a private space of our own with no disturbance from the outside world.

Houses are expected to be elastic between extraversion and introversion as well as privacy and openness. A weak link should be kept in terms of newly-established interpersonal relationship.

我们人类是社会动物，彼此之间需要相互沟通 和联系，享有一定程度的公共生活。与此同时， 人们的精神空间更多地向内寻找，面对赤裸的自 己，因此也需要不受外界干扰的私人空间。 “家”作为包容我们个体的容器在面对外向和内向， 隐私和公共的双重需求问题时被期望能够具有 一定弹性。在这个设计中我们借助材料和空间属 性的“半透明”，试图在看似对立的两者之间建立 一种暧昧的弱联系。

2

Fouzhou

Beijing

Gulangyu Shapowei

Xiamen

Southeastern China

Gulangyu

Taibei

Shapowei

Xiamen

Fujian Province

Xiamen Island

Siming District

Site Plan

Boundry between Community and Nature The project is a private residence located in Shapowei, an old port in Xiamen City. It resides between fishermen’s houses, facing the port and backed by the community. The first floor of the building severs as the passage to the outside, connecting the community and the port.

3

OBSERVATION: Human, nature, society private

In the society nowadays, the relationship between people is rather subtle and complex. We are constrained into small windows of the skyscrapers in the city. Fast-paced lifestyle and busy work bring us loneliness. What’s more, social networks gradually substitute our daily dialogs. In such an information explosion age ,face to face communication becomes a rarity.

On the other side, living in the high-density concrete forest, human beings still have the instinct to close to nature, yearning for sunlight, fresh air and plant etc. These bring the fundamental living problems in our daily life.

Interior Human being

Inner Heart

Secret

In between

Natural

Private

Exterior

Social

Public

CONCEPT: Translucent Living Space.

Public

A house should be a medium between the environment and the inner world, just like the clothes. Nowdays people want not only extensive communication but also more privavy and independence.To adapt to this kind of new relationship,the house should keep in soft-linkage with surrounding. It should be ambiguous like something between 0 and 1 in binary system.That is the translucent living space.

Private

Secret

Everyone has three lives: a public life, a private life and a secret life --Gabriel Garcia Marquez

CASES: Transparency in Houseing Development

1932 Dalsace house --Chareau&Bijvoet

Now Translucent House

1949 Glass house --Philip Johnson

2007 house N --Sou Fujimoto

1950 Farnsworth house --Mies van der Rohe

2005 Lotus House --Kengo Kuma

1984 Silver hut --Toyo Ito

1997 Wall-less house --Shigeru Ban

As time goes on, architects have been promoting the research on transparency of living houses. They have been doing research on the exploitation of transparent glass materials—visually transparent and the hidden wall—physically transparent.

It is an illustration of their ideal and aesthetical pursuit of transparency and purity.

the Transparency and Translucency of Housing

public

1:30 Model and Plan Layout 4

ILLUMINATION: Transparency

Inside vs. Outside

Material Transparency

Facade

Inside vs. Inside

Phenomenological Transparency

Space

New Living Mode In today’society, however, the traditional transparency cannot meet the needs of people for the variety, complication and ambiguity in today’s society and culture. Semi-transparent house is the resolution.

out

in

out

in

out

in

Visually Free Physically Free

in

in

traditional mode

out

?

in in

?

in

?

new mode

out

Sunlight Analysis Large depth makes the central area dark since only a narrow space can collect the sunlight from two vertical sides. The creative use of the semi-enclosed staircase and the atrium increases the lighting and improves the lighting condition of the indoor environment.

Formation The purpose of this design is to create a living space which is not tightly linked to but in proper connection with the outside world. The stilted first floor serves as the passageway from community to the port. The social activities happen in the way home. The semienclosed staircase is fixed on one end of the building.

The residents can enjoy sunshine and raindrops when they come from one room to another when passing through the staircase. The interior of the house is absorbing the lighting from the atrium with trees. The outside environment extends inward.

roof

volume 原始体量

passageway 塑造坡顶

创造底层通道

semi-enclosed space 创造模糊空间

atrium 打开光庭

floors 置入功能层

staircase 置入交通体

5

Translucent Staircase

Translucent Elevated Ground Floor

Narrow and dark passageway

Stainless mirror surface expand the space mentally

Set Stainless mirror surfaces on top and both sides of the passageway. The perceptive space will be expanded into infinity

The staircase is a kind of space between outdoor and indoor, which is translucent and ambiguous.The activities in this space is also variable and undefined.

People will be motivated to love nature and release themselves because of the place is not only closer to the sea,the plants,as well the community ,but also still feel like home.

B

A C

D

E F

The house resides between fishermen’s houses which are narrow and close tightly to each other, facing the port and backed by the community. On account of the situation, first floor of the house is opened to public use and serves as the passage , breaking the continous and impassable interface of street. Furthermore,some plants grow inward and some chairs are placed in the grassplot, providing a vest-pocket park for the community. Besides, the mirrors set at the two sides on the walls make the view broader and blur the boundary of internal and external space. It also will be a new sensory experience of transparency.

This design approach is a response of the relationship between the residents and the society, as well nature.

The View from the Passageway to the Dock

A- Yoga & Sports

B- Hang out

D- Pet's house

E- Water plants

C- Game

F- Bike parking lot

6

Facade Analysis

Function and Circulation Step 1 Folding Facade

16 Step 2 Make a Turn

17

13 14 12 15

Step 3 Make 2 Turns

10

11 6 8

Step 4 Make more Turns

4 7

9 5

3

0

2 1

9:00am Open

10:00pm Shut

During the day, when the facade is open, the staircase will turn into a outdoor space. When walking from a room to another, people has to enter this space, having access to sunshine and fresh air.

At night, when the folding facade is shut, it becames a screen.

People's shadow will be displayed however the privacy is guaranteed.

0.Passageway 1.Entrance 2.Bicycle parking lot 3.Vestibule 4.Bathroom 5.Kitchen 6.Dining room 7.Bar 8.Living room 9.Pet's house 10.Child's room 11.Study 12.Bedroom 13.Wardrobe 14.Bathroom 15.Greenhouse 16.Sun room 17.Balcony

7

Sectional Perspective View Sunny Room & Bath Room

Balcony

Flower Deck

Bedroom for Parents

Toilet

Study Bedroom for Kid

Living Room

Dining Room

Toilet

Kitchen

8

House function as the container of the social life. They are expected to be elastic between extraversion and introversion as well as privacy and openess. A weak-link should be kept in terms of newlyestablished interpersonal relationship. This house aims to be a wellinllustration of the relationship between the residents and the socialty and nature.

down

Fifth Floor up

up

down

Forth Floor

up

up

down

Sections A-A

Third Floor

up

down

Second Floor

Sections B-B

up

Sections C-C

0

2 1

4 3

unit: m 5

First Floor 9

dining room

sunny room & bedroom

study

10

PHOTO: Huanxiushanzhuang by Zhai qing

To organize sceneries as film To imitate nature as painting To contain tastes as flagon To indicate mental world as verse

11

12

Halves Garden 半园卜记 Traditional Chinese Garden Studio Work | 8 weeks Instructor: Xuan Guo 郭璇 Autumn 2012 Team work Collaborator: Xunxun Zhang 张恂恂

Chinese Traditional Conception of Nature

Traditional Chinese garden is the treasure in Chinese culture, which is quite different from modern design principles and techniques.

Based on the course of The History of Chinese and Foreign Landscape, the project steps further into the case study and literature review.

Then we assume one of Chinese ancient literati as the owner of the garden, combining with the results of the previous study, and design a private garden for him. This course is aimed to a better understanding of the methods of construction and the form of ancient architecture. 江南古典园林是中国传统文化的瑰宝，它与 现代主义在设计原则和工艺技术上截然不 同。本门课程以“中外景观史”课程为基础， 前期着重于案例研究和文献整理。课程后期 每组假设一位中国古代文人作为花园的主 人，结合之前的研究学习和对园主人生平和 作品的理解，为他设计一座私人花园。本课 程旨在更好地理解古代园林建筑的营造方法 和建筑形式。

In Chinese culture, man and nature is an harmonious organic whole. The awareness is widely reflected in the traditional Chinese landscape painting.Chinese garden construction mainly takes the artistic picturesque conception of Chinese landscape painting.

In this painting, village, pedestrians, buildings, bridges and boats are seemingly scattered throughout the picture, but link each other rearward, and constitute an implied narrative structure of the space and time.

In this structure, naturalness and mankind act intersubjectivity roles. Pedestrians hint the roads, buildings suggest the sight spots, the overlapped plants and rocks imply the distance and layers. Rocks, waters, buildings, plants and paths interweave, along with continuous human senses.

ROCK

WATER

BUILDING

PLANT

PEOPLE

PATH

Four Elements in Traditional Chinese Garden ROCK are viewed as the mountains in the nature, and also help to divide up the space and stop the line of sight.

WATER is used to imitate all natural form of water boby, it is also considered to signify the virtuous qualities of human behavior.

BUILDING are the main places which shelter for people's activities, also should be incorporated into the garden's scenery.

PLANTS decorate the garden with vivid colors, while bring in sounds through wind and rain. Some plants indicate certain human virtues.

13

move

step

change

view

1 more soil less rock 2 more rock less soil 3 rock at waterside 4 only sandy soil

Path, which is the crucial clue to connect all the elements, is often specially designed to guide the viewer’s sensory experience and to achieve a continuous entity. And with human activity, all elements are able to be organized in a more varied and subjective way.

These two factors redifine the original physical structure as a new narrative one.

ROCKY SETTING

︻守拙山房︼

︻梅竹居︼

︻藕花照水阁︼

1 stream like 2 waterfall like 3 lake like 4 deep pool like WATERSCAPE ARRANGING Bamboo&Plum Nursery Lotus Purple Wisteria

N ︻待鹤亭︼

Azaleas Jasmine Bergamot Evergreen Chrysanthemum Orchid PLANTS CONFIGURATION

SITE PLAN

︻燕去来兮馆︼

Background true nature optimism [essence] sightseeing, boating, poem, gardening, watching moon ︻沧浪亭︼

CLUES Chapters From A Floating Life

distress [reality]

Shen Fu & Chen Yun

CHARACTER

adrift, poor, dissociate, ailment, beveavement floating life

Chapters of A Floating Life（浮生六记）, Shen Fu

︻宾香阁︼

Concept “The chapters of a floating life” tells the life of Shen Fu and his wife Chen Yun, which is full of frustration. Mental happiness and realistic sorrow contrast distinctly, express both the romantic feeling and the tragedy hue.

According to the two basic emotional clues the design divides the garden into two parts, one for living and amusing, another for touring and thinking. This comparison will be integrated into the garden atmosphere, focusing on organizing the different viewer’s experiences. By reappearing the scenes of ancient life (garden,building,furniture) , the viewers may be able to travel through the time and to empathize with the owner.

14

【守拙山房】 study

︻守拙山房︼ ︻待鹤亭︼

︻燕去来兮馆︼

guest room

patio

︻沧浪亭︼

【玉鉴九华】

pavilion

stage

【卜筑】 study

【藕花照水】

︻宾香阁︼

【梯云室】

【宾香阁】

patio

bedroom

【兰影上墙】

【燕兮馆】 living room 【意外昧】 dining room

This part is for thinking and touring, which is apt to imply the owner's floating and bleak life. It is covered with evergreens and located on a rugged hilly area.Walking through the undulant and devious path, by the sounds of wind and water, pedestrians would be able to empathize with their undergoing and the sentiment.

Section A

Section B

【笥宝斋】 collection

B

B

B

︻梅竹居︼

B

pavilion

B

A

A

【萧爽楼】

A

︻藕花照水阁︼ 【落 花流水间】

circulation section line

【待鹤亭】 pavilion

A

This part is for living and amusing, which is inclined to suggest the romantic spirit and optimistic true nature of the owner.

A series of patios structure the main landscape of the part and connect those functional buildings as well. The part offers places of daily life in which the real interest exists. Along with the pathway, pedestrians could experience the joys and warm details of their life.

15

障景

Traditional Chinese garden is the treasure in Chinese culture, which is quite different from modern design principles and techniques. It is asymmetric, subjective, self-organizing and metaphorical.

Some classical methods are widely used in the construction of Chinese garden to organize the space and the scenery.

对景

Methods of Configuration

METHOD OF LANDSCAPE CREATION Oppositive Scenery Oppositive Scenery

Obstructive Scenery Obstructive Scenery

框景

Enframed Scenery Enframed Scenery

借景

Borrowed Scenery Borrowed Scenery

16

CLASSICAL PARADIGM

THE ORIGINAL PROJECT

ENTRANCE E

E

D

D

BC

C

A

A

E

E

B

B

A

D

D

C

C

B

A

①

A

A

B

C

D

B

E

C

D

E

A

B

A

C

D

B

E

C

D

E

CORRIDORS

E

E

A

B

A

C

②

F E D B C GD H F

G

D E C B

A

H

B

A

C

D

B

E F

C

C

B

A

D

D A

D

D

G

D

H

E F

E

G

H

D

C

E

B

D

A

D

C

B

A

COURTYARD

①Wangshiyuan, Suzhou ②Liuyuan, Suzhou ③Zhuozhengyuan, Suzhou

①Wangshiyuan, Suzhou ②Liuyuan, Suzhou ③Zhuozhengyuan, Suzhou

③

17

【纹头脊】 【挂落】 GUALUO

【日项桁】 RIXIANGHENG

【硬木桁】 YINGMUHENG

【草桁】 CAOHENG

WENTOUJI

500

CAOJIA

500

2400

【草架】

2700

9000

【月架】 YUEJIA

6400

3200

WUJI

2700

2400

【屋脊】

500

500

Unlike the western architectural systems, the Chinese ancient architecture has a system based primarily on timber-work. the structure of Chinese ancient architecture dose not only has a significance of construction, expressing subtly and wisely structural logic and ration, but also can be regarded as the beauty of architecture itself, combing with climate. There is a prototype in Chinese ancient architectural system which can be adapted to different activities with simple transformation. Its complex and subtleness also reflect the wisdom of the ancient craftsman.

XUANJIA

step4: laid roof boards and tiles

【吊脚花篮】 DIAOJIAOHUALAN

【轩架】

step3: laid rafters

【飞椽】 FEICHUAN

step2: connected with bars

LANGZHU

【翼角】 YIJIAO

step1: construct main frame

【廊柱】

front elevation

side elevation

sectional view of structure 18

Year after year, and age after age, Prometheus hung there. Now and then old Helios, the driver of the sun car, would look down upon him and smile; now and then flocks of birds would bring him messages from faroff lands; once the ocean nymphs came and sang wonderful songs in his hearing; and oftentimes men looked up to him with pitying eyes, and cried out against the tyrant who had placed him there.

--- Old Greek Stories

19

Prometheus 重生之桥 Memorial Space and Installation Design Competition Work | 4 weeks Instructor: Lin Qin 覃琳 Autumn 2013 Team work Collaborator: Yiling Li 李漪玲

20

famous historical ruins in the Three Gorges Area other historical ruins which are not well protected

Historical Ruins in the Three Gorges Area

21

Description

Site Condition

[Repetition of Suffering]

The site is Baidicheng( White Emperor City) which is located on the northern bank of the2000 Yangtze River in Chong2005 Qing.135m White Emperor City has175m a history of 108m 2010 2,000 years, it is one of famous historical heritages in the Three Gorges Area.

After the construction of the Three Gorges Dam, this city was flood and become a small island. Right now, all the memorial relics drowned deep in the water.

This calling for concerns on ruins caused by the Three Gorges was named after the Greek Myth. Prometheus is the god who sacrificed himself for human progress, so he had been punished. The important historical role and its profits bringing by the Three Gorges Dam could not be denied, however, in a way that cost huge sacrifices. With the villages and historical sites drowning in deep water, people seems to forget. But they should not.

Just like Prometheus has to suffer the pain dying day after day, these optical fiber tubes would be lighten up one by one when the sun rises, and fade away gradually when the sun goes down. It stimulates the process that the water level rose, engulfing all the houses in village.

2000 level:108m

2005 level:135m

2010 level:175m

Ideas Generation VILLAGE The original village texture was built along the typical contour in mountain area. The city downtown and historical protection area are linked by this village.

DROWNING With the rise of water level, the village was submerged and all its people were forced to move out. All the village relics are drown and disappeared forever.

REFLECTION The water serves as a large mirror. All the reflection of the village just make all the things like yesterday once more.

DISSOLVE The reflection was abstracted from 3 dimensions into horizon matrix. With the dissolved village forms, the reflection are not complete, it changes when the incident light changes.

[ 重复苦难 ] 普罗米修斯为了人类的进步而受到了日复一日的惩罚。 以此命名的纪念性设计则希望引发人们对于长江三峡 工程淹没区的关注。不可否认建设三峡大坝的重要意 义以及长远的利益考量，然而其背后所付出的巨大的 牺牲也不应该被遗忘 --- 随着水位上涨，无数的村庄 城镇和历史遗迹早已淹没在水底。 这项概念设计将早已消解沉没的白帝城村落重组并镜 像倒置于江面之下，如镜中的幽灵一般。漂浮的光导 纤维管每天随着日出和日落被一次次点亮又一点点熄 灭，重演被弃置的村落的毁灭受难和被遗忘的过程。 透明的下沉浮桥则连接起水位上涨后新形成的水岸和 离岛。

CONNECTION The new road follows the main road in the original village, it sinks and cut throw the village. Once again, the downtown and the island are connected.

22

the three gorges

corridor section SECTION 21 SECTION 20 SECTION 19 SECTION 18 SECTION 17 SECTION 16 SECTION 15 SECTION 14 SECTION 13 SECTION 12 SECTION 11

RISING

t2 FLOURISHING t3

S

Hundreds of years, the mean river level of the Yangtze River had remained relatively steady, while the population had been increasing gradually. However, the construction of three gorges dam upset the balance, in the ten year impoundment period millions of people were forced to migrate and resettle, 26 counties had been submerged and hundreds of heritages had gone. The design is aimed at freezing the suffering moment and replaying it.

t1

DARKING

W

SECTION 10 SECTION 9 SECTION 8 SECTION 7

N

E

SECTION 6 SECTION 5

WATER LEVEL

SECTION 4 SECTION 3 SECTION 2

POPULATION

SECTION 1 courtyards and open markets which people once congregated in

23

WORK WITH SUNLIGHT t2 t3

S

W N

t1

E

The optical fiber in this design would be carefully planted based on the different illuminated faces. With the different reflectivity on the top, the underwater brightness could be adjusted by the sunlight direction and intensity.

1 2 3

RISING

FLOURISHING

DAR

4

5 6

1 lighting mouth 2 helix fixed 3 PMMA 4 SOLF optical films 5 specular surface 6 leaden

24

7 April 1852 Went to the Zoo. I said to Him— Something about that Chimpanzee over there reminds me of you.

Mrs Darwin ---Carol Ann Duffy

25

Foso de los Monos 猴子之家 Zoo Renovation Design Competition Work | 2 weeksek Instructor: Concha Lapayese Luque Summer 2017 Solo work

This project focuses on rethinking the concepts of "tree" and "scale". By inhabiting in a "cubic tree" designed according the scale of monkeys, we try to encourage human users to adjust their bodies and move like animals. 该项目希望能够重新思考“树”和“尺度”的意义。 “猴子之家”的改建依据了原本猴子的身体尺度 和运动习惯，基于此所设计的“立方树”试图鼓 励后来的人类用户们调整自己的身体姿态主动 适应“非人”的尺度空间并学习像动物一样移动， 攀爬，坐卧，匍匐甚至感受和思考。

After 200 years of its establishment, the CASA DE FIERAS (the old zoo of Madrid) of Retiro Park was finally closed in 1972 due to the inability to accommodate so many animals and visitors. The moat of the monkeys of that time is preserved as a common memory, also like the Leonera which has been conserved and transformed into a public municipal library. The concrete pit, which has an octagonal shape, was designed according to the scale of the monkeys. Inside the pit there are two false trees to be inhabited by monkeys.

26

Cubic Tree

trunk | stairs

crown | room

branches | passageway

The relationship between seeing and being seen has never been so extreme as that of the zoo, which resides between visitors and animals. It's evident that these artificial constructions confront some basic problems of architecture, about inhabiting, looking and limiting. Similar to the word game of the calling CASA DE FIERAS, zoological architecture contains a radical contrast, not only between the domestic and the wild, but also between humanity and animality.

27

Section 28

Floating above the weeds Streaming into the woods Embracing the wild Towards the west

29

West Room 西间 Neo-Toilet Design Competition Work | 4 weeks Summer 2018 Team work Collaborator: Irene García Muñoz, Ziyang Zhang 张子炀

30

Description Wood construction + hidden in the landscape The rural public toilets are located between the tea field and the valley in the southwest corner of Chayuan Village. The building is constructed principally of wood, which is an easy-to-access and renewable material, so that the construction process will be fast and environmentally friendly. The architectural prototype of the building is born out of the traditional Chinese style of wood construction, combined with the contemporary wooden node approach. After the completion, the dark facade will look upon the village and the mountains, meanwhile the inside that has the original wooden color will be hidden in the streams, the forest and mist. The "spring" as a concept of the stone wash basin is not only a functional element, but also brings with it images of cleanness, fluidness, nourishing the land and offers value of landscape.

Eventually, it will sink into the stream not far away along the ditch. From nature, to nature.

总图 site plan

木构 + 隐映山水 乡村公厕选址位于茶园村西南隅的茶田与溪谷之间。建筑选用易取 材加工、可再生利用的木材作为主体材料，建造过程快速环保。建 筑的构造原型脱胎于传统的中式木营造方式，结合当代木构节点做 法。建成后的乡村公厕深色的外立面一侧与村庄、山体相对；原木 色的内侧与丛林溪流相映，隐匿于青山绿水与岚雾之中。“泉”作为石 质洗手池的概念，不仅是一个功能元素，同时带来清洁、流动、滋 养土地的意向和景观价值，并最终沿着沟渠汇入不远处的溪流。源 于自然，归于自然。 31

单元类型

unit type

结构体系

structure

楼面

floor

檩条

purlins

表皮

covering

32

All grown-ups were once children... but only few of them remember it.

--- Le Petit Prince For adults it is difficult to understand the child's imagination. The closest moment to approximate their world perhaps is in the dream, where the elephant could stand in your bedroom, meanwhile the elephant doesn’t get smaller, the bedroom neither becomes bigger and nobody doubts it.

33

Toy's Factory School 青少年玩具工厂 Factory Renovation Competition Work | 4 weeks Winter 2018 Team work Collaborator: Irene García Muñoz, Ziyang Zhang 张子炀

Description The chaos of the sense - not only of space but of scale - in some way, is closer to the essence of the nature.

Every object can be something else, and every place can be somewhere else. As Aldo Van Eyck said, a tree is a tree but it is also a huge leaf - a leaf is a leaf but also it is a tiny tree. Why can't a huge abandoned industrial site be a small game board panel?

We put some new toylike accessories in this game, where the runway track can be extended across the building, the train can be driven into the dining hall, and the people can walk upside down on the ceiling.

The new complex includes a youth research center, a library and archives, a traditional pottery workshop, educational facilities facing to students of all age and various playgrounds. Thus, the former production building of pottery now is inspiring imaginations and ideas.

总图 site plan

感官的混乱 - 不仅是空间的还有尺度的 - 在某种程度上更加接近自然的本质。在这个前提下，每个物体都可能看作是 另一个物体，每个场所也都能成为其他的场所。Aldo Van Eyck 曾说，一棵树不仅是一棵树它还是一片巨大的叶子， 一片叶子也不仅仅是一片叶子而是一棵迷你的树。那么为什么庞大的工业厂房遗址不能成为一块小小的游戏面板呢？ 我们在这个游戏面板中插入了若干不同的类玩具物体，在这里跑道延伸到整个建筑物内部，火车可以驶入餐厅，人们 可以“倒挂”在天花板上行走。 新的建筑综合体包括一个青年研究中心，图书馆，档案馆，一个记录着工厂生产历史的 陶艺工作坊，以及面向各个年龄段学生的游乐场和教育设施。 从前的陶器工厂如今正在激发全新的想象力和灵感。 34

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Minimum Housing

Process Design

极限住宅

Jun.2012---Nov.2012

Residential Design Construction practice Group work 2012.06 --- 2013.05 Instructor: Xu Qianli 徐千里 , Wang Zhaoxia 王朝霞 , Zong Dexin 宗德新 , Su Yunfeng 苏云锋 , Chen Jun 陈俊 Design & Construction: Yang Mengya 杨梦娅 , Zhang Ziyang 张子炀 , Wang Chenhan 王辰翰 , Li Ruichao 李睿超 , Gan Xinyue 甘欣悦 , Chen Yue 陈悦 , Yang Jian 杨健 , Yin Xiaoxiang 尹晓祥 , Wu lijun 伍利君 ,Zhang Xunxun 张恂恂 , Xiao Yunfen 肖 蕴峰 , Kou Zongjie 寇宗杰

Discussing Make Model Refining

Preparation Nov.2012---Dec.2012 Measuring Cutting Shaving

[Bedroom]

Assembling Dec.2012

Fixing Calibrating

Preassembly Jan.2013

[Bath Room] [Kitchen]

Revising Polishing

Formal Assembly Mar.2013

[Balcony]

[Living Room]

Scaffolding Building

Exhibition Mar.2013---May.2013

This project is aiming to explore the possibility to compress the living space to the limit on the premise of satisfying the basic needs of life and dignity of existence. 12 students put forward a set of 7Sqm flat model with multi-functions and adaptabilities.

Multiple functions can be achieved through moving different part of the furniture.

Presentation Interviewing 36

Section 1-1

Exhibition 1 outside view 2 kitchen 3 living room 4 bedrooom 5 study

[Dry] [Sleep]

[Cook]

[Dine]

3

[Pet]

Section 2-2 4

1

2

1

[Read]

[Laudry]

[Pet]

2

[Study]

[Storage]

[Closet]

[Bath]

[shoe]

5 PHOTO by Tian Qi

1

2

37

Mengya Yang | 杨梦娅 1990-11-06 mengya_yang@yahoo.com +34 688508433 2009-2014 Chongqing University | 重庆大学 Bachelor of Architecture | 建筑学学士 2015-2017 Universidad Politécnica de Madrid | 马德里理工大学 Máster en Proyectos Arquitectónicos Avanzados | 建筑学硕士

COMPLEMENTARY WORKS 2012 | Church Renovation Rebuilding and Expansion Instructor: Ke Chen Group work 8 weeks 重庆南川教堂更新改造 导师：陈科 三年级课程 八周

2013 | The North Gate High-rise Building Design Instructor: Zhongde Wang Group Work 8 weeks 高层建筑设计 导师：王中德 四年级课程 八周

2013 | Outlook Stadium Large-span Architecture Design Instructor: Lin Qin Group Work 8 weeks 大跨建筑设计 导师：覃琳 四年级课程 八周

2013 | Essen Plan R Urban Design Instructor: Ji Weng Group Work 8 weeks 城市设计 导师：翁季 四年级课程 八周

PUBLICATION & EXHIBITION 2016 | BARTLEBOOTH LA PRODUCCIÓN: CUATRO ESTRATEGIAS MENORES

Atlas (in)mortal Mengya Yang BARTLEBOOTH 独立建筑刊物 第四册 “不朽图集” 作者：杨梦娅

2018 | LA BIENNALE DI VENEZIA Becoming. Spanish Pavilion 16th Internacional Architecture Exhibition

Atlas de la casa de las fieras Mengya Yang 2018 威尼斯建筑双年展 西班牙馆 Becoming 主题系列展览 “野兽之家” 作者：杨梦娅

PRACTICES Runnymede College, Madrid 2016 Practice in Rojo / Fernández-Shaw arquitectos 马德里 Runnymede 学校 2016 实习

Rojo / Fernández-Shaw 事务所 Panda Chá，Barcelona 2017 completed work ICOstudio

巴塞罗那熊猫奶茶 2017 建成项目 一格工作室 Dong-House，Madrid 2018 completed work ICOstudio

董宅 2018 建成项目 一格工作室

2018 | YOUNG BIRDS Young Bird Plan 竞赛五周年定制刊 2013 Trophy Design Competition for Best Design Award The Force Mengya Yang Best Design Award 奖杯设计竞赛 " 原力 " 作者：杨梦娅

Piso M，Madrid 2018 completed work ICOstudio

M 住宅 2018 建成项目 一格工作室 38