
2 minute read
MIDORI SERENADE - BRECKENRIDGE PROGRAM NOTES AND COMPOSER FEATURE
A stellar program with one of the world’s great violin stars awaits you! The dark side of love comes to the forefront as Medea’s Dance of Vengeance vividly depicts the twisted fury of love discarded. Derived from his ballet score for Martha Graham, Samuel Barber based the work on the classic Greek tale of Medea exacting bitter revenge. Skillfully set, Barber’s music evokes Medea’s intense rage at her betrayal and cold calculation as she strikes the heart of her cruel husband. The telling of such a dismal tale never had more exquisite music.
Michael Stern and the NRO welcome Midori to the stage for Leonard Bernstein’s singular Serenade (After Plato’s Symposium). Composed for and premiered by the eminent violinist Isaac Stern, Serenade represents the intersection of Bernstein’s deep literary interests and musical impulses. Inspired by Plato’s Symposium, an exploration of the nature and purpose of love, Bernstein crafted his concerto with great care and, much like the Greek dialog of its origin, a generous degree of wit. A tremendously thoughtful violinist, Midori will bring her great talent to bear on this mid-century masterpiece.
Puerto Rican composer Iván Enrique Rodríguez describes his orchestral fantasy Luminis as “the encirclement of light by darkness.” Rodríguez provides an engaging musical prism to consider the tension inherent to that duality.
Also inspired by ancient Greek myth, Ravel’s Daphnis et Chloë Suite No. 2 is drawn from the ballet score that brought him worldwide fame. This portrayal of the story is a kaleidoscope of shimmering orchestral colors and hypnotic rhythms. The travails and triumph of love are finely wrought in sensuous music, and the tale ends happily, with the two young lovers united in pastoral bliss.
© Eric T. Williams
IN RECOGNITION AND GRATITUDE OF THIS EVENING’S UNDERWRITERS:
SEASON UNDERWRITERS
Julianna Wiegand Burger
Barbara and Jim Calvin
Barbara Strauss and Paul Finkel
Robert Follett
Riverwalk Center, Breckenridge
Saturday, July 22 at 6:00 PM
Michael Stern, conductor
Midori, violin
ON THE PROGRAM
Samuel Barber (1910-1981)
Medea's Dance of Vengeance
Leonard Bernstein (1918-1990)
Serenade (after Plato’s Symposium)
Midori, violin
I. Phaedrus: Pausanias
II. Aristophanes
III. Eryximachus, the doctor
IV. Agathon
V. Socrates: Alcibiades
-INTERMISSION-
Iván Enrique Rodríguez (b. 1990)
Luminis
Maurice Ravel (1875-1937)
Daphnis et Chloé, Suite No. 2
Robin Hadley
Kathie and Michael Massey*
Anne Mills
Pam and Sonny Wiegand
SERIES UNDERWRITERS
Mark Addison
Anonymous
Robert and Cynthia Benson
Libby Bortz
Ann Brewster
M.A. Deen
Annette and Ken Hallock
Jane King
Bonnie Kirschenbaum
Patrice and Ron Lara
Helen Lemay
Anne Mead
Samuel L. Bufford and Julia Metzger
Michael Molloy
Jana Edwards and Rick Poppe
Juliet Whitcomb and Elliot Schrage
Alan and Kathy Sonnanstine
Karen and James Warrick
Pam Piper Yeung and Dr. Kai Yiu Yeung
CONCERT UNDERWRITERS
Shari and Chris Dorton
Joanne Masica
*Deceased
Composer Feature
Iván Enrique Rodríguez
Described by San Francisco Classical Voice, Boston Classical Review, and New York Concert Review as fiery, gripping, lyrical, eloquent, with a strong feeling for musical drama, and a gifted colorist with an abundance of emotional energy and the means to communicate it, Puerto Rican composer Iván Enrique Rodríguez (b.1990) music has been performed in Puerto Rico, the United States, and throughout North/South America and Europe.
Iván won 2015’s American Composers Orchestra EarShot Program, with maestro Rossen Milanov and Columbus Symphony giving the U.S. premiere of his piece Luminis, also receiving the Audience Choice award. Rodríguez received the 2019’s prestigious ASCAP Leonard Bernstein Award and ASCAP Morton Gould Young Composer Awards’ honorable mention.

He holds a Bachelor of Music degree from the Conservatorio de Música de Puerto Rico, and a Master of Music degree from The Juilliard School. Iván is currently pursuing his Doctor in Musical Arts degree in Juilliard’s prestigious C.V. Starr doctoral program, where he has been the recipient of the Gretchaninoff Memorial Prize, the Bernard Jaffe Scholarship and Commission, the James D. Rosenthal and Marvin Y. Schofer Scholarship, the King Doctoral Scholarship and, the C.V. Starr Doctoral Fellowship.
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