BD Collection 2025 General Catalogue by norserepublics

Catalogue

INTRODUCTION DESIGNERS

CHAIRS AND STOOLS ARMCHAIRS AND SOFAS TABLES

We are an international design company run by a collective ownership —Apartamento Magazine, Bofill Taller de Arquitectura, Luna Paiva, Hernán Cortés and Igor Urdampilleta— all architects, publishers and designers. Along with one of the founders, Oscar Tusquets, this group fosters the same nonconformist spirit BD has had since its beginnings. Our independence as a company fuels our intentions and supports this purpose. We are now expanding our design dialogue to delve into diverse realms of creativity, in design and in everything we do.

BD has been around for over half a century. It was founded in a nightclub in 1972 by a bunch of young architects and designers from Barcelona. They broke into the design world with a new vision: to produce and market their designs, and the designs of their friends with complete creative freedom and design criteria. Beginning with the designs of contemporaries like Ettore Sottsass, Rennie Mackintosh and Álvaro Siza, BD provoked a curiosity about design. These early pieces helped bring international recognition to the country’s design scene, and many of them still exist today.

Pioneers of Spanish Design

From left to right, Cristian Cirici, Lluís Clotet, Oscar Tusquets and Pep Bonet, BD founders. Portrait taken by Colita in front of the

Since 1972, we have approached the design process through knowledge, proximity and intuition, responding to the future needs of the moment. Each stage of the process works towards consistently creating responsibly sourced products for people, the environment, and our territory. For over 50 years, we have collaborated with an extensive network of manufacturers, industrialists and artisans located less than 100km from our headquarters in Barcelona, Spain.

Our commitment to local manufacturing has a dual purpose: first, to reduce CO2 emissions from transporting materials in the production process; and second, to foster and support local craftsmanship and the industrial ecosystem, thus contributing to the preservation of our cultural heritage and local community. Furthermore, maintaining a close relationship with our suppliers enriches the value chain and traceability of our designs, allowing for greater environmental transparency.

At BD, we believe in responsible production that respects both the environment and the communities we serve. We value this intimate connection and its role in supporting the local ecosystem.

Made in Spain

ALESSANDRO MENDINI

Alessandro Mendini: a design maverick of the 20th century. Born in Milan in 1931, he was an architect, industrial designer, and editor. He’s the genius behind Swatch watches and Alessi’s glory days, and was one of the leaders of the Radical design movement, introducing colour and daring form into Italy in the 70s.

ALFREDO HÄBERLI

Alfredo Häberli dances between nostalgia and novelty. Born in Buenos Aires and based in Zürich, Häberli works along various fields of design with a blend of curiosity, innovation, and charisma. His collaborations and creations boldly fuse tradition and cutting-edge flair.

ÁLVARO SIZA

Álvaro Siza.The architect’s architect. His designs are bold and sleek. They have a strong and unified aesthetic that oozes elegance with a great technical coherence. Siza’s architecture is honest and efficient, and his creativity triggers moments of contemplation.

ANTOINE ET MANUEL

Antoine Audiau and Manuel Warosz work in tandem to create playful and vivid designs at Antoine et Manuel. The duo have worked in the fields of culture and fashion with clients including Yale University, Christian Lacroix, Sèvres, Galleries Lafayette and Coca-Cola. The cabinet they designed for BD was their first time entering the world of furniture design.

ARQUITECTURA-G

ARQUITECTURA-G is a Barcelonabased architectural practice founded in 2006 by Jonathan Arnabat, Jordi Ayala-Bril, Aitor Fuentes and Igor Urdampilleta while they were still students. Their work ranges from furniture design to private houses, retail architecture, multi-familly housing or public facilities. They have broad experience in the renovation of historical architecture, rennovations and new constructions. Their work has been internationally recognized, including the 2015 EU Emerging Architect Mies Van der Rohe Prize.

DOSHI LEVIEN

Doshi Levien began in 2000 in London. They create design objects and hybrid forms that balance technology, culture and quality craftsmanship. The two have unique signatures in their work, with their objects exploring visual culture within industrial and furniture design

EDUARD SAMSÓ

Forever associated with our iconic Mirallmer mirror, Eduard Samsó is both an interior and industrial designer.

Eduard Samsó was Born in Barcelona in 1956, and graduated from Barcelona’s Escuela Técnica Superior de Arquitectura in 1980. In 1983 he created Samsó + Associats and worked as an interior designer for decades. He became a trendsetter and leader in the interior design movement of Barcelona, creating the aesthetics of stores like Jean Pierre Bua and

Designers

bars like Nick Havanna. His design has been in BD’s catalogue for some time, especially his Mirallmer, which was designed as part of The Casa Barcelona series for the Barcelona Olympic Games in 1992.

ETTORE SOTTSASS

Ettore Sottsass was an architect and grandee of late-20th-century design. His work developed how we view design today. Sottsass notably founded the Memphis collective, creating beautiful glass and ceramic designs. He is known for his colourful and bold geometric forms, and also designed the Shiva vase in 1973, the emblem of BD and a symbol of his bright, playful and inspired attitude.

FÄRG & BLANCHE

Stockholm based design studio FÄRG & BLANCHE was founded in 2010 by the Swedish designer Fredrik Färg and designer Emma Marga Blanche, born in France. As a studio, they work across a wide variety of fields, collaborating with established furniture brands such as BD Barcelona Design, Gärsnäs, Rörstrand, Petite Friture and Design House Stockholm to name a few, as well as producing their own collections and limited art pieces for galleries. Known for their experimental stance, where each expression informs the other, they effortlessly move between the exclusive hand made one off and the industrially produced, without ever losing their distinctive touch

ISABEL GAMERO

Isabel Gamero is a designer who cocreated the Plec umbrella stand with Jordi Pérez for BD. They created a piece of simple, functional beauty in stainless steel.

JAIME HAYON

His work is a spectacle of whimsy and insight. Jaime Hayon’s creative talents know no bounds. Born in Madrid and internationally recognised, Hayon moved into design with a deep love for art, infusing vibrant colours, folkloric pieces and captivating charm into his pieces. He moves along materials, creating a visual language that is as captivating as it is accessible.

JORDI BADIA

A dentist by profession, doctor Jordi Badia became a designer when he collaborated with the industrial designer Otto Canalda on the radical Binaria stool.

Doctor Jordi Badía was born in Barcelona in 1959, studied and graduated cum laude from the University of Barcelona with a PhD in medicine. He also studied architecture at Barcelona’s Escuela Técnica Superior de Arquitectura and had persistent lumbago, which led him to collaborate with the designer Otto Canalda to design the Binaria stool. It had immediate success, was rewarded with a Silver Delta ADI-FAD award in 2005, and led to a disappearance of his lower back pain.

JORDI PÉREZ

Jordi Pérez is a designer who cocreated the Plec umbrella stand with Isabel Gamero for BD. They created a piece of simple, functional beauty in stainless steel.

Jordi Pérez was born in Barcelona in 1969, and studied at Barcelona’s Elisava School of Design & Engineering. He has won several design awards and collaborated with renowned design studios and manufacturing companies in Spain and Italy. Since 2002, he has formed part of the Roca Design Center and lectured at Elisava and the Centro Ricerche Domus Academy in Milan.

KLAS ERNFLO

Klas Ernflo is a Swedish artist known for his multidisciplinary approach to form and material, blending graphic design, illustration, and fine art. Spanning across a range of mediums, his work harnesses a playful abstractness and a continuous allusion to nature, combining minimalism with whimsical details to put a unique perspective on everyday objects.

KONSTANTIN GRCIC

The work of Konstantin Grcic is characterised by careful research and refined results, as well as a minimalist style with considered simplicity.

Grcic was born in 1965 and trained as a cabinet maker at the John Makepeace School for Craftsmen in Wood before studying design at the Royal College of Art in London.

He set up his office in Munich in 1991, now based in Berlin, operating among diverse fields, including exhibition and industrial design to architectural collaborations. He has worked with names like Aeance, Authentics, Cassina, ClassiCon, Flötotto, Flos, Galerie Kreo, Kettal, Laufen, Magis, Muji, Nespresso, Plank, Smart, Vitra and BD.

His meticulous attention to detail is shown in his designs: they have utilitarian elegance and sharp angular forms. His extensive research and use of technology have placed him in the permanent collections of numerous museums across the globe, and he has won numerous international awards for his beautifully functional designs.

LLUÍS CLOTET

Lluís Clotet was born in Barcelona in 1941, studied and later taught architecture at Barcelona’s Escuela Técnica Superior de Arquitectura, and founded Studio PER in 1964. Alongside architects Pep Bonet, Cristian Cirici and Oscar Tusquets, he worked on numerous projects for BD until 1983, authoring iconic and award-winning designs. In 1989 he founded Clotet, Paricio & Assoc. with Ignacio Paricio Ansúategui, and continues to design and teach today.

MULLER

Muller Van Severen was founded in 2011 by Belgian artist duo Fien Muller and Hannes Van Severen. They emphasise the natural beauty of materials through a balance of design and art, translating ideas into different concepts, mediums and scales.

OSCAR TUSQUETS

Oscar Tusquets describes himself as an architect by training, a designer by adaptation, a painter by vocation, and a writer through the desire to make friends. Born in Barcelona in 1941, Oscar Tusquets graduated as an architect in 1965 from Barcelona’s Escuela Técnica Superior de Arquitectura and was a member of Studi Per, together with Pep Bonet, Cristian Cirici, Lluís Clotet, and Mireia Riera. In 1972, they founded BD together, and Tusquets set about designing furniture and other objects, which would be recognised by the Spanish National Design Award.

A number of his pieces appear in renowned museum collections, such as the MoMA in New York and the Centre George Pompidou in Paris. He has also been honoured with the Medalla de Oro al Mérito en las Bellas Artes (Gold Medal for Merit in the Fine Arts), the insignia of Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of the Arts and Letters) and the Creu de Sant Jordi (Cross of Sant Jordi). Since the ‘90s, he has published books on a wide range of design-related topics.

OTTO CANALDA

Otto Canalda is a designer with a contemporary style and technical prowess.

Born in Barcelona in 1977, Otto Canalda graduated from Barcelona’s Elisava School of Design and later joined the product development team at BD. He works closely with our creative director, Ramon Úbeda, collaborating on some of our favorite projects, focusing on furniture design and lighting. He also collaborated with Dr Jordi Badia on the highly successful Binaria stool.

PEPE CORTÉS

Pepe Cortés has a unique design language that refines objects to their elemental level. He was involved in iconic interior design projects and co-founded the Open Design Group during the early 1970s. Cortés has won numerous awards and is the designer of the BD favourite, the Jamaica stool.

RAMÓN ÚBEDA

Ramon Úbeda is a Spanish architect, writer and designer, moving between diverse fields with great skill and creative prowess.

Ramón Úbeda was born in Jaén in 1962, trained as an architect, and is a writer, designer and editor. Editing publications such as De Diseño and Ardi and working with numerous others, Úbeda has a broad career informed by comprehensive experience in various fields. He began working with BD in 1997 as a graphic designer and, from 2001 to 2022,

was the creative director of furniture design. He has curated projects and exhibitions for Fundación Signes and FAD, collaborated with Camper and ArtQuitect, and also still operates as a designer, both graphic and industrial, creating furniture, household objects and lighting for companies like Rapsel, Metalarte, ABR and Mosaics Martí and BD.

RONAN BOUROULLEC

Born in rural Brittany in 1971, Ronan Bouroullec lives and works in Paris, France, and is a 21st-century design icon. He has produced exceptionally inviting and innovative designs since the 1990s and his creativity has earned him a global reputation, with his exquisite designs and art produced, exhibited, and appreciated across the globe.

SABINE MARCELIS

Sabine Marcelis is a New Zealandborn Dutch designer. She has worked in product, installation and spatial design since 2011, focusing on pure forms and their materiality. Her designs are meticulously refined and appreciated internationally, with commercial and fashion clients around the world. She makes experiences and forms with a sensorial quality.

SERBAN IONESCU

Serban Ionescu is a Romanian artist known for using bold colours and shifting organic forms to transform functional everyday objects into expressive artworks. His work spans across sculpture, painting, design, and architecture, weaving each practice into the other to challenge perceptions of space and utility.2.

STEPHEN BURKS

Stephen Burks blurs the line between industrial manufacturing and artisanal design. He uses authentic craft traditions and contemporary methods, producing products, furniture, lighting, and exhibitions for his studio, Man Made.

WILLO PERRON

Born in Montreal, Willo Perron has gained worldwide recognition for his work as a creative director and designer, specializing in audiovisual content, video production and design. He's known for creating solid concepts and unique realizations that catch the eye. After working at Apple, he founded his company, Willo Perron and Associates. His multidisciplinary studio, Perron-Roettinger, which he co-founded with Brian Roettinger, has worked for brands such as Adidas and Stussy, and their designs have been showcased at numerous international fairs. Perron's designs are recognized for their use of scale, simplicity of forms and the use of space, which plays a crucial role in shaping the final form of his designs.

XAVIER MAÑOSA

Xavier Mañosa is a Spanish ceramist and designer known for his innovative approach to merging modern industrial techniques with ancient artisanal traditions. His work reinterprets everyday objects through a contemporary and intriguing lens, finding inspiration in the creative process itself. Mañosa strives to find a balance between material, process, and function in each piece he creates.

Designers

Chairs and Stools

CHAIRS

STEDELIJK CHAIR

GAULINO STOOL

CHAIR B

JAMAICA STOOL

STEDELIJK CHAIR COLOUR GAULINO CHAIR

GAULINETTA

MINIVARIUS

BINARIA STOOL

SHOWTIME SIMPLEX

The The Stedelijk Chair is the first chair by Dutch designer Sabine Marcelis. Commissioned by the Stedelijk Museum Amsterdam, renowned for its design collection, the Stedelijk Chair has a strong character that exemplifies Sabine Marcelis’ design style.

Stedelijk chair

SABINE MARCELIS

STEDELIJK CHAIR

SABINE MARCELIS

STEDELIJK CHAIR

MATERIALS AND FINISHES

The whole chair is made of welded aluminium, brush finish with teflon and a varnished finish. Polypropylene glides included.

DESIGNER

MEASUREMENTS

SABINE MARCELIS

STEDELIJK CHAIR

The Sabine Marcelis’ first chair, originally designed in raw aluminum for the Stedelijk Museum, now comes in black brown, white, beige, and vermillion. With smooth lines, bold design, and vibrant character, it merges timeless aesthetics with sculptural presence. Lightweight, stackable, and fully aluminum with a powder-coated finish, the Stedelijk Chair Colour adapts effortlessly to private and public spaces, indoors and outdoors. Marcelis’ focus on pure form and materiality creates a versatile yet elegant piece, balancing sturdiness and sophistication.

Stedelijk chair colour

SABINE MARCELIS

MATERIALS AND FINISHES

The whole chair is made of welded aluminium, brush finish with teflon and a varnished finish. Polypropylene glides included. Microtextured paint finish also available in White, Beige, Vermillion and Black Brown colours.

BEIGE - RAL 1001

VERMILLION - RAL 2002

WHITE - RAL 9001 BLACK BROWN - RAL 8022

Originally designed in 1987, the Gaulino inevitably caught international attention. Now, an entire family is moulded from this model. It’s no surprise. It is an icon of the modern 20th century. A delectable wooden frame with leather stretched by hand into the contemporary. Inspired by Antonio Gaudi and Carlo Mollino, Tusquets’ seat spreads fluidly across its contoured wooden frame. The slender tapered legs reach out of the chair like a clawed hand. It was his first chair designed in wood. Made from ash and handupholstered in rich leather, the chair has an artisanal and aesthetic intensity while remaining light, practical, and stackable.

OSCAR TUSQUETS

Gaulino chair

MATERIALS AND FINISHES

Frame and backrest in solid ash wood. Natural varnished solid ash, ash stained black or coral red (RAL 3016) finishes.

Two different seat options:

Natural varnished ash plywood ash stained black plywood or coral red (RAL 3016) stained plywood finishes.

Plywood upholstered in leather with three finishes: natural, toasted and black.

Frame natural varnish.

Seat upholstered in natural hide.

Frame stained black.

Seat upholstered in black hide.

Frame coral red.

Seat upholstered in toasted hide.

DESIGNER

MEASUREMENTS

55 x 51 x 83 cm

21,6 x 20 x 32,6 in

OSCAR TUSUQETS

OSCAR TUSQUETS

GAULINO CHAIR

The Gaulinetta is an evolution of the Gaulino chair. In words of Oscar Tusquets «In homage to Enzo Mari, who called his chair Tonietta, a derivative of Thonet, I’ve called this chair Gaulinetta, after the Gaulino». Inspired by Antonio Gaudi and Carlo Mollino, Tusquets created 'Gaulino' in 1987. It was an industrially hand-crafted chair with a contoured wooden frame, slender tapering legs and smooth rich leather. The artisanal chair became a modern icon of 20th-century design. The Gaulinetta is an adaptation of this design, and was influenced by Enzo Mari and his Tonietta chair. The reduced armrests generate a sleek model for dining in smaller spaces, and can be tucked away following use. By creating a variation of the Thonet chair, Tusquets demonstrates how less can be more.

OSCAR TUSQUETS

Gaulinetta

MATERIALS AND FINISHES

Frame

OSCAR TUSUQETS

The Showtime Chair, known for its versatility and durability, has been part of countless residential, hospitality, and office projects over the years. Now, it debuts a refined look with fresh finishes. Three leg structures, high or low backrest, and a variety of wood finishes, it can be upholstered in BD’s fabrics or leathers, allowing for endless combinations and contrasts. Introduced as part of the Showtime Collection in 2017, the Showtime Chair remains light and relevant—an icon and a best-selling BD favorite.

JAIME HAYON

Showtime chair

MATERIAL AND FINISHES

SEAT: exterior in plywood, veneered in beech in natural color or dyed in different colors. Interior upholstered in BD cataloge fabrics and leather.

BACKREST: low or high backrest in plywood veneered in beech in natural color or dyed in different colors. 2 backrest opions: without upholstery or interior cushion.

UNION FITTINGS: zinc-plated steel.

DECORATIVE BUTTONS: steel powder coated tone on tone with the wood: Natural/RAL1001, Light brown/RAL101, Darkbrown/RAL8017, Black/RAL9005, Navy blue/RAL5008, Berry red/ RAL3009, Olive green/RAL6020

UPHOLSTERED COMPONENTS: (non-removable) polyether upholstered in BD cataloge fabrics and leather.

STRUCTURES:

SWIVEL BASE: in tubular iron and dyecast aluminum Swivel system with an iron roller bearing. Plastic glides included. Optional soft felt glides available.

SWIVEL BASE WITH CASTERS: in tubular iron and dyecast aluminum Swivel system with an iron roller bearing. 4 black casters included.

4 LEGS IRON: in tubular iron. Plastic glides included. Optional soft felt glides available. All structures available in 3 different colors: dark brown RAL8019, Bluish-grey RAL 5008 and Beige RAL1015.

MEASUREMENTS

JAIME HAYON

The Simplex Chair was developed after a design discussion at BD, where the need for a simple, affordable, versatile, and stackable chair was identified. After considering various renowned international designers, Oscar Tusquets, cofounder of BD, took on the challenge, resulting in this minimal and essential design.

Inspired by two iconic chairs—Enzo Mari’s Tonietta and Thonet’s classic circular chair, a staple in many architects’ studios—the Simplex Chair introduces the innovation of exceptional stackability, making it both practical and efficient. The design is also being adapted for outdoor use, further expanding its versatility.

Simplex

MATERIALS AND FINISHES

Seat made in beech plywood and stained in three colours: oyster white (RAL 1013), cement grey (RAL 7033) and black. Structure made of steel tubes powder-coated in satin finish, matching the wood color. The seat is attached to the metal frame using four plastic spacers, which also help protect the wooden seat during stacking.

Feet equipped with plastic glides.

Optionally, an extra backrest made of beech plywood stained with the same finish as the seat can be added.

The chairs are stackable even with the extra backrest (4 chairs maximum).

DESIGNER

MEASUREMENTS

52 x 46 x h. 73 cm

20.5 x 18,1 x h. 28,7 in

OSCAR TUSUQETS

The Chair B emphasises Konstantin Grcic’s versatile and angular design style. It has a timeless silhouette with a simple design that fits into every environment. Its curved backrest and range of upholstery options provide stability and a unique elegance. The chair is also stackable, a design feature emphasising Grcic’s attention to detail and functionality. It stays compact, sophisticated and aesthetic, maintaining its relevance since its conception.

Chair B

MATERIALS AND FINISHES

Lateral sides in veneered beech plywood. Veneered seat upper in ash and underside in beech plywood. Backrest in solid ash. Finish with natural ash varnish or dyed black. Lower support structure in steel tube and cast aluminium powder coated in black or white. Version available with upholstered seat in the different fabrics and leathers of BD.

MEASUREMENTS

56 x 48 x 77 cm

22 x 18,9 x 30,3 in

DESIGNER

KONSTANTIN GRCIC

In 2008 Oscar Tusquets reviewed his famous Varius chair design, and came up with this smaller and updated version presented in a painted Anodic Black. The seat is available in a black gas injected polypropylene.

Minivarius

BY OSCAR TUSQUETS

MATERIALS AND FINISHES

Single-shell seat in gas-injected polypropylene (PP) in RAL 9005 (black). Stackable.

OSCAR TUSUQETS MINIVARIUS

This stool is, alongside the entire collection, a testament to Oscar Tusquets’ creativity and the influence of Gaulino as a whole. Inspired by Antonio Gaudi and Carlo Mollino, Tusquets created 'Gaulino' in 1987. It was an industrially hand-crafted chair with a contoured wooden frame, slender tapering legs and smooth rich leather. The artisanal chair became a modern icon of 20th-century design. The stool has a concave seat, avoiding the sitter from slouching their back. Its legs are reminiscent of the Gaulino and its backless frame gives the stool a lightness in the home. It can be taken around, tucked under a table or fitted between furnishings. The seat is practical, referential and stylish. It’s the Gaulino again, just in a different light.

OSCAR TUSQUETS

Gaulino stool

DESIGNER

OSCAR TUSUQETS

Inviting curves and classic Spanish contemporary design. In production for over 25 years, the Jamaica stool remains as modern as ever. Initially designed for a nightclub by Barcelona interior designer Pepe Cortés in 1991, the Jamaica has a chromed steel structure with five legs and a swivel seat. Its materials and durability make the chair ideal for diverse settings. It can fit in a private home, hotel, bar, retail store or public space. Now available in black alongside the aluminium and wooden beech version, the seat has a simple structure and a series of finishes and adjustments that make the seat dynamic and practical in various settings.

Jamaica stool

BY PEPE CORTÉS

MATERIALS AND FINISHES

A steel chromed five legged stool. Swivel seat in a bright polished cast aluminium AG3 and anodised silver, or integrated with a solid varnished beech wooden seat. Available with wheels in a lower version.

All Black version (66cm and 77cm): anodic black steel structure and seat in stained beech wood or painted Anodic Black aluminium.

DESIGNER

PEPE CORTÉS

MEASUREMENTS

ALUMINIUM SEAT

JAMAICA STOOL PEPE CORTÉS

An iconic stool that works on an ergonomic level and aesthetic. How we sit has a major effect on our lives. Doctor Jordi Badia and industrial designer Otto Canalda created a stool that would follow medical principles, be appropriate for any seated activity, and stay stylish. The Binaria was developed to sit within laboratories, clinics, salons and offices. It has a rational design with an unobtrusive and dynamic style. The back automatically sits on its natural curves, reducing load, while the small and wide seat promotes hip articulation and optimal comfort, stability, and positioning for the core. Now, the chair comes in an updated colour palette, including bottle green. Improving the ergonomics of various professions. Its polyurethane and steel composition and patented seat shape allow for height adjustment to maintain mobility for all.

Binaria stool

OTTO CANALDA JORDI BADIA

MATERIALS AND FINISHES

Structure and lever are composed of steel painted with a matt polyester powder coat. Seat in injected polyurethane. Gas piston regulates height from 62-82 cm. Castors in nylon with a grey rubber cover for hard floors.

DESIGNER

MEASUREMENTS

OTTO CANALDA JORDI BADIA

WHITE RED BLACK GREEN

BINARIA STOOL

OTTO CANALDA AND JORDI BADIA

Armchairs and Sofas

LOUNGER

SAUSAGE

LOW LOUNGER GRASSO

DALILIPS MASHEB

PILLOW SOFA GAULINO EASY CHAIR

Jaime Hayon’s Lounger has a curved structure and incredible comfort. A sitter can simply sink into comfort and relax in grace. The elegant and comfortable components mix with the exposed structure of the seat. The visible grain and veneered wood highlight the unique subtleties of the Lounger. Its soft fabrics, supple leather and ottoman invite a moment to lay back and relax in the plush shell. Hayon plays with the modern classic of the Eames Lounge Chair, similarly dedicating his Lounger to the future with enduring, high-quality materials and an elegant form. The armchair has a spacious quality that matches its gorgeous materials, finishes and colours. Matching footstool available.

Lounger

MATERIALS AND FINISHES

Armchair seat and backrest in plywood and veneered in beech wood. Wooden structure finished in either varnished natural ash, ash-stained oak or ash stained black, or walnut nature effect. Base structure and footstool in cast aluminium with tubular painted steel legs and a powder coated finish.

DESIGNER

The armchair and footstool are available in monotone or a combination of colours, upholstered in a range of BD’s fabrics and leathers. MEASUREMENTS

JAIME HAYON

Jaime Hayon’s Low Lounger was developed in 2009. The Low Lounger wraps plush upholstery around a compact plywood shell. It embraces its environment on its four legs or swivels around its base. The structure is made of enduring materials that express Hayon’s attention to long-lasting, exceptional comfort within beautiful design.

Low Lounger

HAYON

JAIME

MATERIALS AND FINISHES

JAIME HAYON

The Grasso chair is no small piece. Broadening the limits of design, Stephen Burks and his passion for artisanal manufacturing created the swelling leather form and iron skeleton. Winning awards such as the 2020 ADI-FAD Gold Delta Award and the 2019 Interior NYC x DESIGN Award winner (for the best lounge seating category), the Grasso makes for a sensory experience that pushes comfort into the contemporary.

Grasso

MATERIALS AND FINISHES

Armchair and footstool in tubular steel structure powder-coated in polyester. Upholstered in various different leather and fabric.

DESIGNER

MEASUREMENTS Armchair

GRASSO STEPHEN BURKS

STEPEHN BURKS

The Gaulino Easy chair is a natural evolution of the iconic Gaulino Chair. Inspired by Antonio Gaudi and Carlo Mollino, Tusquets created 'Gaulino' in 1987. It was an industrially hand-crafted chair with a contoured wooden frame, slender tapering legs and smooth rich leather. The artisanal chair became a modern icon of 20thcentury design. The Gaulino easy is a little lower and wider, retaining the function of armchair and the lightness of a Gaulino. The lowered backrest and low, dropped seat provide an elegant yet relaxed position. It maintains the aesthetic held in the Gaulino chair by revealing its unique natural grain.

Gaulino Easy chair

MATERIALS AND FINISHES Frame

OSCAR TUSUQETS

Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa has been improved into a new playful and modular system for BD. The independent pillows are crisp and richly hued, perfect for puzzling together to create a fusion of comfortable seating arrangements. Edges curve smoothly and combine into an array of environments where style and grace meet a plush expression of form. One where cushions mix, match, adapt, and grow, wherever they are. The sofa is available in five fabric options—leather, velvet, canvas, cotton, and corduroy—and a wide range of colors.

Pillow sofa

MATERIALS AND FINISHES

Modular seating system. Detachable pillows with removable covers. Cushions in polyestser foam + polyester wadding upholstered in combinable colours. The sofa is available in five fabric options—leather, velvet, canvas, cotton, and corduroy. The latest addition is the black lacquer cotton by KASSL Editions. Soft or hard flooring glides included.

DESIGNER

MULLER VAN SEVEREN

The unique personality of the architectural office is held in a playful sofa with a striking visual presence. Arquitectura-G plays with the concept of solidity through extremely simple bodies. Its prismatic square and triangular cushions sit on prismatic blocks that rise above solid-turned aluminium legs. Available in three sizes, the Masheb works as an individual module or can intertwine with multiple elements to adapt to both casual situations and formal environments. It is a rectilinear system with the softness of Alcantara and the versatile and carefree pleasure of a refined geometry.

MATERIALS AND FINISHES

The structure is made of white painted steel. There is also a wooden structure made of pine and white laminated MDF. The legs are made of solid brushed aluminum with a wax finish. At the end of them there are adjustable feet made of rubber. The seats have different density polyester foams. The cushions have a MDF and steel base and differente desity polyester foams. Upholstered in Alcantara Pannel fabric. Also available in Combo (Fiberguard) and Lani (Vescom). The upholstery of the whole product is tight and not removable.

DESIGNER

MEASUREMENTS

ARQUITECTURA-G

The Dalilips was created by Salvador Dalí and Oscar Tusquets in 1972. And its sensual presence is constantly striking. Based on Dalí’s painting, The Mae West Room (1936) and the Mae West Lips sofa (1937), the 300 editions of the Dalilips (initially named the ‘Salivasofá’) were made for the Mae West Hall at the Theatre Museum in Figueres. Due to a lack of technology, the sofa was not commercially viable, but on the centenary of Dalí’s birth in 2004, the Dalilips was released in polyethylene, a high-quality material fit for indoor and outdoor settings. It has been industrially produced ever since. The Dalilips is real and surreal. Its shape, colour and lip lines emulate a giant mouth, and the moulded form is plush, comfortable and visually exciting.

SALVADOR DALÍ OSCAR TUSQUETS

Dalilips

MATERIALS AND FINISHES

Frame in FSC-natural ash with a natural varnish, lacquered open-pore black, or coral red (RAL 3016) finish. Seat upholstered in natural hide, toasted hide or black hide.

DESIGNER

SALVADOR DALÍ OSCAR TUSUQETS

Pantone 200C

The Sausage Sofa is BD’s latest addition by designer Willo Perron. First released in a limited edition in collaboration with Our Legacy Workshop, it now comes upholstered in two fabric types—velvet and canvas—and a wide range of colors. This excessive, sexy and bold sofa has been imagined as a playground area for children and adults.

Sausage sofa

MATERIALS AND FINISHES

The sofa is internally divided into 2M (20kg) cylindrical cushions made of Buata and joined together with zippers. Each inner cushion is individually vacuum packed in 60x60x90cm.

Upholstery options:

Marham Tempo (Velvet) in different colours. UV Pro Canvas (Outdoor Canvas) in different colours.

DESIGNER

WILLO PERRON

GAULINO TABLE EXPLORER

CARLINA TABLES

The ECLIPSO collection brings timelessness and functionality to everyday life. Created for dining, socializing, storage, and simple enjoying life, this versatile series includes dining, café, coffee, and side tables, chairs, and shelving—all available in various dimensions and both monochrome and mixed color combinations to suit contemporary needs. With rounded edges and simple forms, it’s comfy and beautiful to look at.

The earthy colour palette—brown, red, blue, beige, and green—strikes a perfect balance between retro and modern, allowing for endless combinations. The design prioritizes intelligence and efficiency, ensuring that each piece achieves the ideal balance of form, function, and durability. More than furniture, ECLIPSO collection transforms spaces into warm, and vibrant environments where design meets everyday life.

Eclipso coffee table

MATERIALS AND FINISHES

Top: 3 cm MDF veneered in HPL.

Edges and underside lacquered in satin finish.

Legs: Extruded recycled aluminum, powder-coated in glossy finish.

Glides/Leveling Feet: Satin-finished nylon, matching the color of the legs.

3 color options:

GREEN:

Top in green Comodoro. Edges and underside laquered RAL 6020 satin finish.

Legs powdercoated RAL 6020 glossy finish.

Glides: RAL 6020 satin finish.

OXIDE RED:

Top in maroon Rosso Jaipur. Edges and underside laquered RAL 3009 satin finish.

Legs powdercoated RAL 3009 glossy finish.

Glides: RAL 3009 satin finish.

BEIGE:

Top in Beige Sabbia. Edges and underside laquered RAL 1015 satin finish.

Legs powdercoated RAL 1015 glossy finish.

Glides: RAL 1015satin finish.

DESIGNER

MEASUREMENTS

JAIME HAYON

Eclipso side table

JAIME HAYON

MATERIALS AND FINISHES

Top: 3 cm MDF lacquered in satin finish.

Legs: Extruded recycled aluminum, powder-coated in glossy finish.

Base: 3 cm MDF lacquered in glossy finish.

DESIGNER

JAIME HAYON

Eclipso cafe table

JAIME HAYON

MATERIALS AND FINISHES

Top: 3 cm MDF lacquered in satin finish. Top veneered with FENIX.

Leg: HYDRO LOW CARBON Extruded recycled aluminum, powder-coated in glossy finish.

base: metal powdercoated in glossy finish.

6 nylon leveling feet underneath.

3 color options:

OPTION 1:

Top in FENIX Beige Luxor.

Edges and underside laquered RAL 6020 satin finish.

Leg powdercoated RAL 6020 glossy finish.

Base powdercoated RAL 5024 glossy finish.

OPTION 2:

Top in FENIX Beige Luxor.

Edges and underside laquered RAL 1015 satin finish.

Leg powdercoated RAL 1015 glossy finish.

Base powdercoated RAL 3009 glossy finish.

OPTION 3:

Top in FENIX Beige Luxor.

Edges and underside laquered RAL 3009 satin finish.

Leg powdercoated RAL 3009 glossy finish.

Base powdercoated RAL 3009 glossy finish.

DESIGNER

JAIME HAYON

Eclipso dining table

JAIME HAYON

MATERIALS AND FINISHES

Top: 3 cm MDF lacquered in satin finish. Top veneered with FENIX.

Leg: HYDRO LOW CARBON Extruded recycled aluminum, powder-coated in glossy finish.

Glides/Leveling Feet: Satin-finished nylon, matching the color of the legs.

3 color options for all the models:

GREEN:

Top in FENIX beige Luxor or green Comodoro. Edges and underside laquered RAL 6011 satin finish.

Legs powdercoated RAL 6020 glossy finish.

Glides RAL 6020 satin finish.

OXIDE RED:

Top in FENIX beige Luxor or maroon Rosso Jaipur. Edges and underside laquered RAL 2002 satin finish.

Legs powdercoated RAL 3009 glossy finish.

Glides RAL 3009 satin finish.

BEIGE:

Top in FENIX beige Luxor, maroon Rosso Jaipur or green Comodoro. Edges and underside laquered RAL 1001 satin finish.

Legs powdercoated RAL 1015 glossy finish.

Glides RAL 1015satin finish.

Base powdercoated RAL 3009 glossy finish.

DESIGNER

MEASUREMENTS

JAIME HAYON

The Explorer Side Tables call to satellites, jelly beans and the playful elegance of Jamie Hayon. Inspired by the Explorer space rocket, their space-age aesthetics and lively personality come out in the three side tables. Available in multi-coloured and monocoloured variations, the tables have an energy and a sculptural identity presented through their functional shape, welcoming colours, and a comfortable scale.

Explorer side table

JAIME HAYON

MATERIALS AND FINISHES

Body in fiberglass painted in different colors. Top in painted glass. Legs in painted solid wood. Counterweight inside the table in sealed sand bags.

DESIGNER

JAIME HAYON

A contemporary design from Ramón Úbeda & Otto Canalda. It is polished and striking while remaining stable, functional, and consistently appealing. Designed by Ramón Úbeda & Otto Canalda for BD, the pair transformed the concept of a side table into a contemporary piece that supports a room with a circular top and metallic body. Made from ultra-clear glass, the tempered, sleek table top rests on a mirrored Pyrex tube base. The cylinder allows the form to float. The mirrored finish seamlessly integrates with its surroundings, allowing the form to float comfortably in its environment. The table is available in two sizes and can hold up to 8 kg.

2001 side table

OTTO CANALDA RAMÓN ÚBEDA

MATERIALS AND FINISHES

Tops ultra-clear tempered glass with mirror finish.

Bases pyrex tubes with mirror finish.

DESIGNER

RAMÓN ÚBEDA OTTO CANALDA

The Monkey Side Table is an example of why Jaime Hayon is one of the most prominent Spanish designers in the world. He makes furniture fun. The Side Table is versatile, durable and playful. It is both a sculpture and a practical object, balancing a light-hearted sensibility with the solid utility of architectural concrete. Its top can hold up to 10kg and is apt for indoor and outdoor use. The humorous form is available in grey, white or black.

Monkey side table

JAIME HAYON

MATERIALS AND FINISHES

Side table made of one piece of architectural concrete in grey, black and white finish. Includes regulatory glides.

DESIGNER

MEASUREMENTS

JAIME HAYON

The Multileg Low Table is made in natural ash with a gloss lacquer topped with glass or with an open-pore painted finish. It is functional, unique and unmissable. Jaime Hayon brought the Multileg concept into the table with its customisable leg options balanced under round and rectangular top options. The geometric legs make a sculptural base system. One designed to be practical and amusing.

Multileg side table

JAIME HAYON

MATERIALS AND FINISHES

MDF base top and lacquered high-gloss, or veneered in varnished ash-dyed matte.

TOP in 10mm painted glass, veneered in varnished ash-dyed matte or in 20mm marble.

LEGS in turned solid alder lacquered in high gloss or veneered in ash-dyed, with M6 inserts for mounting. The legs incorporate a plastic adjusting plug with an M6 steel threaded stem.

There are three finishing options; glossy lacquer with glass top, glossy lacquer with marble or veneered staned ash-dyed without additional top.

DESIGNER

MEASUREMENTS ROUND

JAIME HAYON

Bordering the surreal behind the glass. The Carlinas tables create lines fit for a gallery and set for the table. Cheekily calling to Carlo Mollino’s influence on Oscar Tusquets, these tables were named Carlinas. The smoked glass tabletop exposes the supporting structures. Like Mollino’s nature-informed pieces, the Carlinas have twisting stretchers of wood. They triangulate on the side table and stabilise larger tables with a diagonal crossbar. The supports twist like entwined fingers, and legs come out of the table like bent knees.

Carlina tables

CARLINA TABLES OSCAR TUSQUETS

TABLES OSCAR TUSQUETS

MATERIALS AND FINISHES

DESIGNER

MEASUREMENTS

CARLINA

OSCAR TUSQUETS

The rounded and streamlined Explorer

Dining Tables shift modern matter into space. Designed in 2021 as a continuation of the playful Explorer collection, Jaime Hayon’s Explorer tables have a modern, near-organic appearance. The table comes in three tabletop sizes, hosting a variety of colour options and an aerodynamic and ‘winged’ steel top. The surface is extremely matte and durable with their Fenix laminate finish providing a comfortable and smooth surface. The Explorer’s top curves around the centre leg, creating a spacious environment to enjoy the table from every angle.

Explorer dining table

MATERIALS AND FINISHES

Interior painted steel structure. Central leg and base in fibreglass with a gloss (strengthened gel for durability) finish.

A MDF veneered table top in Fenix with a matte finish. The underside and the borders of the top are lacquered in a matte finish. Nylon leveling glides.

3 multicolour options for all models. Optional: table top available in Fenix Black

Multicolor Blue

- Laminated Fenix top: 725 Gris Perle

- Underside top: Ral 5008 Mate (Grey blue)

- Body: Ral 5008 Gloss (Grey blue)

- Base: Ral 1015 Gloss (Light Ivory)

Multicolor Beige

- Laminated Fenix top : 719 Beige

- Underside top: Ral 8017 Mate (Chocolate brown)

- Body: Ral 1001 Gloss (Beige)

- Base: Ral 8015 Gloss (Chestnut brown)

Multicolor Ivory

- Laminated Fenix top : 725 Gris Perle

- Underside top: Ral 5008 Mate (Grey blue)

- Body Ral 1015 Gloss (Light Ivory)

- Base: Ral 6009 Gloss (Fir green)

DESIGNER

MEASUREMENTS

JAIME HAYON

Oscar Tusquets decided to use some of the distinctive elements of the Gaulino chair in this elegant table, available in various sizes and finishes. Inspired by Antonio Gaudi and Carlo Mollino, Tusquets created 'Gaulino' in 1987. It was an industrially hand-crafted chair with a contoured wooden frame, slender tapering legs and smooth rich leather. The artisanal chair became a modern icon of 20th-century design. The table was designed in 2011 as a complement of the chair. The structure sits comfortably in space. With a visual lightness supported by the elegant top, the table is both eye-catching and beautifully functional.

Gaulino table

GAULINO TABLE OSCAR TUSQUETS

MATERIALS AND FINISHES

TOP in MDF veneered in ash with natural varnish or stained black finish, or veneered in varnished walnut nature effect. Underside and edges are lacquered according to top finish in natural ash, stained black, or stained walnut. LEGS in solid ash wood with three optional finishes: natural varnished, stained black or stained walnut.

DESIGNER

MEASUREMENTS

GAULINO

OSCAR TUSQUETS

Table B has a slim profile in extruded aluminium. It stretches from one to infinite meters above a variety of leg styles. It can be used indoors and outdoors, catering to individual requirements while remaining stylish and simple. Very Grcic. The award-winning Konstantin Grcic brought the extruded aluminium from the Hypostila system into a highly functional and distinctive table profile. Originally designed in 2005, his pared-down and simple aesthetic from Table B now includes six leg styles. The profile comes from Hydro’s 95% recycled aluminium. It can reach lengths from one up to five metres and has two widths and three finishes for the top. There is also a cable management kit available with a built-in electricity system that includes a power, data and VGA, and stereo socket. These tables are strong, waterproof and lightweight, and their minimalist appearance is highly balanced and well-designed. They showcase Grcic’s character and passion for saying more with less.

MATERIALS AND FINISHES ENVELOPES

Composite of extruded AL 6060 aluminum profiles. Union profile in extruded aluminum AL 6082. Steel connecting pieces with white zinc coating and stainless steel screws. LEGS

- Architectural concrete in gray color with steel concrete base fastening plate painted in epoxy polyester, silver color, for both interior and exterior use.

- Solid ash stained and varnished oak wood legs, for indoor use only.

- Rod legs in electro polished stainless steel, for both indoor and outdoor use.

- Cast iron legs, for both indoor and outdoor use.

DESIGNER

KONSTANTIN GRCIC

The Table B family grows with a new low table with rod legs, suitable for indoor and outdoor use.

Low

table B

MATERIALS AND FINISHES

The top is made of composite of extruded AL 6060 aluminum profiles. Union profile in extruded aluminum AL 6082. Steel connecting pieces with white zinc coating and stainless steel screws. There is the option of a completely open top, or one or both of the ends closed. Rod legs in electro polished stainless steel, for both indoor and outdoor use.

DESIGNER

MEASUREMENTS

KONSTANTIN GRCIC

Konstantin Grcic initiated BD’s recycled extrusions collection with the Table B in 2009. He was inspired by our classic profiles, such as the Hypostila shelf, in developing a tabletop made of 95% recycled extruded aluminum with a minimal profile that can reach infinite lengths: the Table B. From three different table openings and lengths to the ability to add accessories such as cable baskets, power sockets, trays, screens, desk lamps, and lighting, Grcic is determined to achieve more with less. This is evident in Workplace B and the unlimited configurations the system offers—the evolution of Table B.

More than just a workstation, it symbolizes BD’s commitment to sustainable, functional, and modular design—reaffirming Table B’s status as an icon and bestseller in our catalog for many years.

Workplace B

MATERIALS AND FINISHES

The table top is made of profiles from Hydro’s 95% recycled AL 6060 aluminium. Union profile in extruded aluminum AL 6082. Steel connecting pieces with white zinc coating and stainless steel screws. There is the option of having a Forbo furniture linoleum veneer coating top in the following colors: leather, conifer, charcoal, mauve and pebble. This cover is recycled and renewable. It can be a completely open top, or one or both of the ends closed. Rod legs in electro polished stainless steel, with Nylon disk end.

ACCESSORIES

Tray: Made of a dark grey resin/concrete composite.

Divider: The base is made of a dark grey resin/concrete composite, while the panel is crafted from PET composite felt. Available in the following colors: Anthracite, Marble, and Brown. Lamp: Base made of a dark grey resin/concrete composite. The exterior painted in black.

Uses a Phillips LED 120W G120 E27 2700K bulb.

Cable basket: Anodic black finish.

ELECTRIC CABLE MANAGMENT

- Movable conference socket strip: conference power strip support made of steel with powder coating in black. Includes 3x sockets and 1x USB A/C Charger or 4x sockets.

- Movable pix socket strip: pix power strip support made of steel with powder coating in black. Includes 2x sockets and 1x USB A/C Charger.

DESIGNER

- Step socket strip: step power strip with 3x sockets that can be connected to another one and have 6x sockets. MEASUREMENTS

KONSTANTIN GRCIC

Storage and Cabinets

HYPOSTILA SYSTEM CORNISA

ECLIPSO SHELVING MULTILEG CABINET BRIDGES CABINET

JAIME HAYON

Eclipso shelving system

MATERIALS AND FINISHES

Shelves: 3 cm MDF laquered in satin finish.

Legs and columns: HYDRO LOW CARBON Extruded recycled aluminum, powder-coated in satin finish. Glides/Leveling Feet: Satin-finished nylon, matching the color of the legs.

3 color options: GREEN:

Shelves: MDF laquered RAL 6020 satin finish.

Legs and columns: Extruded recycled aluminum, powder-coated RAL 6020 satin finish.

Glides/Leveling Feet: RAL 6020 Satin-finished nylon.

OXIDE RED:

Shelves: MDF laquered RAL 3009 satin finish.

Legs and columns: Extruded recycled aluminum, powder-coated RAL 3009 satin finish.

Glides/Leveling Feet: RAL 3009 Satin-finished nylon.

BEIGE:

Shelves: MDF laquered RAL 1015 satin finish.

Legs and columns: Extruded recycled aluminum, powder-coated RAL 1015 satin finish. Glides/Leveling Feet: RAL 1015 Satin-finished nylon.

DESIGNER

JAIME HAYON GREEN

The Multileg is more than modular. Designed in 2006, Jaime Hayon’s cabinet has simple lines and unique legs with a strong sculptural identity. It can be uniquely configured with twelve elaborate leg options, customisable finishes and colours, and a multitude of interior storage variations. The Multileg is disciplined and practical, and it is a storage system that embraces its many forms. Its new finish and colours stimulate feeling over unique and gestural legs. The Multileg collection is approachable and impressive, a perfect example of a Hayon. Its modularity couples with a simple design and a dozen leg options, accompanying a space with a creative flair and a selection of vibrant finishes. It’s a contemporary classic.

Multileg cabinet

MULTILEG CABINET

MATERIALS AND FINISHES

Containers, shelves and doors in different widths of MDF fibre boards, lacquered in gloss (with 1cm-thick glass top) or veneered in ash dyed matte (with veneered ash dyed matte top). Optional 20 mm marble top.

Interiors in matt lacquered or veneered in ash-dyed matte. Gloss lacquer body available in off-white, black, electric blue or dark blue. Open-pore body available in hazy blue, egg yolk, black, olive green and berry red. Legs in solid turned alder wood, lacquered in gloss or veneered in ash dyed matte, in the same colour as the whole piece.

DESIGNER

JAIME HAYON

The sinuous and elegant Explorer cabinet comes with space-age curves, functional storage and rich colours. Hayon wants furniture to fit in a home on a near-personal level. The smooth lines and playful colour are inspired by a conventional hot dog. This humour balances with the structure’s modularity, complimenting a room while remaining functional and visually unique. The Explorer cabinet is hand-finished with the same durable and elegant HIGH gloss lacquer used on pianos. The cabinet is detachable and can be easily transported, but its body stands out with an astral quality. It hovers over its wooden legs, simmering in colourful curves and a brilliant gloss. Its elegance is out of this world, nearly.

JAIME HAYON

Explorer cabinet

MATERIALS AND FINISHES

Cupboards, doors and drawers in MDF. Exterior lacquered in high gloss finish and interior lacquered in matte finish. Legs in solid alder wood lacquered in gloss finish. Horizontal shelves and vertical bracket supports in MDF with lacquered gloss finish. Interior drawer units in MDF with lacquered matte finish.

LACQUERS (Exterior / Interior)

MEASUREMENTS SMALL

DESIGNER

JAIME HAYON

Bridges is a collection of cabinets designed by Muller Van Severen. MVS developed the cabinets from their series of ‘Wave’ vases. The vase silhouettes were brought into handmade cabinets with unique cutout bases that transcend function. Their refined colours and glossy finishes emphasise structure, standing out with a sculptural beauty. Alone or as a whole, the Bridges cabinets create a colourful architecture that is vibrant and spacious and, of course, full of personality.

MULLER VAN SEVEREN

Bridges cabinet

BRIDGES CABINET MULLER VAN SEVEREN

MATERIALS AND FINISHES

Containers, shelves and doors are made of MDF and gloss lacquered in four different colors; NCS 3060-B90G (Green), NCS 3560-Y80R (Red), NCS 7020-R80B (Blue), NCS 8010-R10B (Aubergine). The interiors and back are always laquered in matt finish. If the back of the cabinet is desired in gloss finish, ask for the extra cost.

5mm glass top painted in the same color of the cabinet is optional. Back part of the cabinet painted in matte is optional. Regulation glides are included in order to fit the different floors. The doors have steel hiden hinges finished in titanium, installed with an automatic pulse opening spring system.

Coat bar for clothes is an extra accesory for the L version. HIGH GLOSS LACQUER

MEASUREMENTS

MULLER VAN SEVEREN

Designed by Antoine+Manuel, the Tout Va Bien cabinet is a textural masterpiece. Antoine Audiau and Manuel Warosz are Parisian graphic designers who developed the Tout Va Bien for BD for the 2009 Salone Del Mobile. It is both tactile experience and cabinet. It is covered by relief patterns from applied arts, hieroglyphic language, fantasy and optimism. The cabinet is modular and fits into various spaces in different configurations while sitting on four different leg styles. It is fantasy in furniture.

Tout va Bien

MATERIALS AND FINISHES

Modules and shelves in lacquered MDF. Available in greyish white RAL 9002 and graphite grey RAL 7024. Doors, flat top(s), sides and leg AM04 in injected integral polyurethane with plywood support. Solid alder wooden legs in a microtextured lacquered finish in the same colour as the piece.

COLOURS

DESIGNER

MEASUREMENTS

ANTOINE ET MANUEL

GREYISH WHITE (RAL 9002) GRAPHITE GREY (RAL 7024)

The Shanty cabinet was created by designers Nipa Doshi and Jonathan Levien. They were inspired by the corrugated iron and plastic improvised structures found in shanty towns worldwide. It its feet are in matte gold and the ridged façade of the cabinet is asymmetrical, with different colour options ranging between Shanty Summer and multicoloured and Shanty Winter and grey. The Small version comes with folding doors, while the Large version has folding doors and three drawers.

Shanty

DOSHI LEVIEN

Modules in MDF with lacquered matte finish. Modules fixed together by mechanical system. Doors in MDF with mechanised waveform frontals lacquered in matte finish. Top covered in painted 8mm glass. Octagonal legs in extruded aluminium anodised in gold. Structure in tubular steel painted in black or white satin polyester.

COLOURS

DESIGNER

MEASUREMENTS

Shanty Large Model B

DOSHI LEVIEN

WINTER SUMMER

Informed by his 1994 Columnata design, Oscar Tusquets brings us the Peristylo shelf. It is a simple shelving system ideal for book-lovers and anyone who enjoys such compositional and symbolic harmony.

‘Peristylo’ derives from the Greek Peristyle, a structure surrounded by columns. Tusquets created a structure both efficient and sculptural. These columns appear recurrently in Tusquets’ paintings and encase own home. The Peristylo is embedded both in the faraway past and in the designer’s personal history. And they return again in the Peristylo, encasing the horizontal planks and running upwards into Doric capitals. Available in four sizes, the shelf is modular and can be free-standing, wall-hung, or organised in various combinations. Dense columns can meet a stable baseboard and pass through shelves. Available in four sizes. The shelf is modular and can be free-standing, wall-hung, or organised in various combinations.

Peristylo

PERISTYLO

MATERIALS AND FINISHES

Shelving and base in solid ash wood and turned vertical supports in stained black wood.

DESIGNER

MEASUREMENTS

4 SHELVES

92 x 40 x 211 cm

36,2 x 15,7 x 83 in

3 SHELVES

92 x 40 x 176 cm

36,2 x 15,7 x 70 in

2 SHELVES

92 x 40 x 141 cm

36,2 x 15,7 x 55,5 in

1 SHELF

92 x 40 x 103 cm

36,2 x 15,7 x 40,6 in

OSCAR TUSQUETS

PERISTYLO

A minimal, modular profile supports significant weight with shelves reaching infinite lengths. A bestseller, a Hypostila. It was created in 1979 by Oscar Tusquets and Lluís Clotet with civil engineer Jesús Jiménez to support heavy loads with lightweight sections of extruded aluminium. Produced in Spain with 95% recycled aluminium by Hydro, the system has a timeless and strong frame, offering endless possibilities in endless environments. It is light, relevant and refined. An icon and a BD favourite.

Hypostila shelving system

MATERIALS AND FINISHES

Shelves and vertical post supports in extruded aluminium from Hydro brushed and anodised silver or black. Fixing metalwork in zinc-coated iron. Feet in matte cast aluminium anodised silver or black.

MEASUREMENTS

Length of vertical support: 400 cm as maximum. The shelves and vertical supports can be cut to measure according to the customer’s requirements.

OSCAR TUSQUETS LLUÍS CLOTET

Oscar Tusquets and Lluís Clotet created the Cornisa in 1979. It is one of their most versatile, timeless and simple designs. The thin cornice lines? They are referential, and keep the structure slick. The Cornisa was inspired by the 1973 Hialina shelf. It is witty and postmodern (much like Clotet and Tusquets), floating in space while referencing a classic concept: a cornice. The two designers created the shelf in 1970. Its functionality and simplicity maintain its relevance across different settings on an individual and ergonomic level. Available in a narrow and wide style, the shelf can reach lengths of up to two-and-ahalf metres.

Cornisa

MATERIALS AND FINISHES

Support stand and shelves in aluminum anodised in matte silver, black or painted white. Customised colour is powder coated according to RAL chart. Maximum length of one shelf is 2.5m.

DESIGNER

OSCAR TUSQUETS & LLUÍS CLOTET CORNISA

Black White Silver

Accessories and lighting

SHIVA VASE

3,4,5 MAILBOX

HAPPY SUSTO & YETI VASES

APARTAMENTO X BD

FLAMINGOLAMP

CASA DE FAMILIA

MONKEY COAT STAND PLEC

MIRROR

OLVIDADA LAMP

GARDENIAS VASES

The Shiva Vase is sculpture and vase. It is a symbol of Ettore Sottsass and an icon. Sottsass designed the Shiva Vase when travelling to Barcelona for love in 1973. He encountered many cultures, religious symbolism, and inspiration on his travels. The smooth, curving body references the Hindu god Shiva, who was often represented by a phallic ‘Lingam’ devotional sculpture. It has a clean symmetry with its bright colour playing across the form with a brilliant glaze. The Shiva vases are ‘small architectures... like little monuments’, creating energy wherever placed.

Shiva vase

MATERIALS AND FINISHES

DESIGNER

MEASUREMENTS 17 x 23 x 7 cm 7 x 9 x 3 in

Pink glazed ceramic.

ETTORE SOTTSASS

Josep Maria Jujol (1879/1949) is one of the greatest, yet least known, geniuses of Catalan architecture whose imagination and creativity are astonishing in each and every artistic discipline he embraced. He was an architect, a painter, a sculptor and a graphic artist to name only some of his talents, and he was Gaudí’s closest and keenest collaborator. After the time he spent with his maestro he experimented with all styles until he had established his own creative universe that was far removed from the conventionalism of his day. The Casa de Familia water decanter, designed in 1912 for the orphanage of the same name, is a simple and humble piece that magnificently demonstrates all his artistic ability. BD has faithfully reproduced it from the only image still in existence of the original model, the photo was clevery taken in front of two mirrors which clearly show the sculptural working to the full.

JOSEP MARIA JUJOL

Casa de Familia

MATERIALS AND FINISHES Bottle in white glazed ceramic with matte finish.

DESIGNER

MEASUREMENTS 14 x 14 x 28 cm 5,5 x 5,5 x 11 in

JOSEP MARIA JUJOL

CASA DE FAMILIA

JOSEP MARIA JUJOL

Hayon,

the Explorer Vases distil the thought-provoking Explorer collection. Jamie Hayon’s expressive creativity spreads a colourful roundness and rich sheen into a series of vases. They embody the Explorer collection and fit into their physical environment with Hayon’s whimsical attitude. The forms remain bold yet playful, incorporating his design style through three portable and polished designs.

«The shapely forms of the Explorer Collection pieces have been condensed into these vases. They are objects that are part of my cosmos, taken from my drawings. The materialisation of these requires great skill because of the apparent contradiction of joining a ceramic rounded piece to another rounded shape.» — Jaime Hayon.

Explorer vases

JAIME HAYON

MATERIALS AND FINISHES

Vases made of several pieces of glazed ceramic in different colours.

DESIGNER

JAIME HAYON

The Gardenias Vases form part of the Gardenias collection by Jaime Hayon. Designed in terracotta to complement the outdoor furniture collection, the vases are curvaceous with a subtle organic silhouette. Available in three styles, the vases resemble mudrock buildings and ancient desert homes. The terracotta is shaped by hand with a waterproof treatment, making the vases fully functional and versatile.

Gardenias vases

JAIME HAYON

MATERIALS AND FINISHES

Vases made of terracotta and waterproof treated.

DESIGNER

MEASUREMENTS

GARDENIAS VASES

HAYON

JAIME HAYON

A ceramic collection carrying Jaime Hayon’s unmistakable hallmark, including his humour. It’s called Happy Susto and is manufactured in two sizes and two different colours (white and blue). Happy Yeti is a new version of the Happy Susto vases.

“From when I was little, I always found the Yeti story funny - that snow monster that wants to frighten those that go to the north pole. Converted into a vase, you can put plants in the head so that it looks like it has hair and scares a little more. The little decorations, not only have a decorative purpose, but also can have artistic value and an emotional one where a sense of humour fits in.” — Jaime Hayon

Happy Susto Happy Yeti

GARDENIAS VASES

DESIGNER

MATERIALS AND FINISHES

Vase in glazed ceramic in white or blue with white or blue painted details. One side has the decoration and the other side does not.

MEASUREMENTS SMALL

HAYON

JAIME HAYON

HAPPY SUSTO

HAPPY YETI

Monkey coat stand

JAIME HAYON

MATERIALS AND FINISHES

Coat stand body in grey or black architectural concrete. Pole and banana in solid ash with an open-pore lacquer finish in grey or black. Includes regulatory glides.

DESIGNER

MEASUREMENTS

MONKEY

JAIME HAYON

by Isabel

Gamero & Jordi Pérez

for BD, The Plec umbrella stand is a piece of simple, functional beauty. The uniform silhouette and semi-matte polished stainless steel make for an elegant minimalism that is stable, refreshing and discreet. It can store large and small umbrellas with its two levels. The base is shaped at a 90-degree right angle, allowing it to sit comfortably in any corner, using its surroundings for a practical purpose.

ISABEL GAMERO JORDI PÉREZ

Designed

MATERIALS AND FINISHES Body in semi-matte polished stainless steel. Polyester foam on the inside base.

DESIGNER

MEASUREMENTS

ISABEL GAMERO JORDI PÉREZ

The 3-4-5 design grew from decades of design. Lluís Clotet and Oscar Tusquets developed the design from their A Sardinel mailbox, a piece made in 1975 at Studio Per. The mailbox had a tall, narrow frame to be fitted on a sardinel like a shelved book. It visually occupied less space and could be filled from the top. The current 3-4-5 is made of steel sheets painted in black with stainless steel doors and a white labelling window. It is available in blocks of three, four and five pigeonhole letterboxes. It is installed simply by placing the various blocks against the wall. 3-4-5 Mailbox

MATERIALS AND FINISHES

Body made of steel sheets with a black powder-coated finish (RAL 9005). Doors in polished stainless steel with a transparent acrylic window and white cardboard labelling card.

DESIGNER

MEASUREMENTS

OSCAR TUSQUETS LLUÍS CLOTET

The Wine Bottle ‘Buddy’ is a series of bottle stopper heads carved out of beech wood. Wonderfully practical and good-natured, these bottle stoppers challenge their own simplicity, offering a witty blend of artistry and charm. Meant to be bought together or separate, for your own home or as the perfect gift for your wine-loving friend, they transform your space with a synthesis of imagination and charismatic utility.

Wine Stopper 'Buddy'

KLAS ERNFLO

MATERIALS AND FINISHES

Natural color varnished beechwood with TPE wine stopper.

MEASUREMENTS

KLAS ERNFLO

HARRY TOM MADDY PAUL LISA

The Mutant Hook is a mischievous twist on the ordinariness and functionality of a conventional hook. Made from bent metal sheets, they are designed to evoke mutating shapes that are as unusual as they are gentle. By reinventing this unassuming object, The Mutant Hook blurs the lines between utility and abstraction, animating your space with a sculpture perfect for hanging anything, from your towels to your tote bags to your shape-shifting dreams.

Mutant Hook

SERBAN IONESCU

MATERIALS AND FINISHES

Powder coated steel sheet.

- Hook 1: Traffic Red (RAL 3020) glossy finish.

- Hook 2: Pure Orange (RAL 2004) glossy finish.

- Hook 3: Sky Blue (RAL 5015) glossy finish.

- Hook 4: Light Green (RAL 6027) glossy finish.

DESIGNER

SERBAN IONESCU

The Ceramic Bookstand is a functional sculpture made to belong in every room in the house. Made first with a clay stamp and then finished with unique glazing, the Ceramic Bookstand is transformed into a sculpture through its functional purpose of displaying a book. Striking a balance between its simple artistry and arresting presence in a room, it effortlessly attunes to the space it’s in.

XAVIER MAÑOSA

Ceramic bookstand

MATERIALS AND FINISHES

Beige effect glazed ceramic.

DESIGNER

MEASUREMENTS 19 x 12 x 12 cm 7.5 x 4.7 x 4.7 in

XAVIER MAÑOSA CERAMIC

XAVIER MAÑOSA

Jaime Hayon designed these two mirrors for BD. They represent two faces (King and Kong) and are available in two sizes. Gold and black geometric lines spread across the mirrors in symmetrical patterns. The silhouette of the mirrors is like that of a monkey’s face and can be placed alongside each other or individually.

King Kong mirror

JAIME HAYON

MEASUREMENTS

DESIGNER

Mirrors available in two sizes. Decorative patterns are applied in gold and black. Back covered with black safety vinyl.

JAIME HAYON

KING KONG

A versatile and playful mirror. One of BD’s most iconic and prevailing designs. The Mirallmar Mirror was launched at The Casa Barcelona during the Barcelona Olympic Games in 1992. The modular form runs along a zig-zagging spine that can be modelled in unique configurations. Seven squared mirrors can be placed across the spine in different combinations, and one of the mirrors is concave, adding an element of distorted deconstruction. “Intentionally, a part of this spine is left exposed to view in order to give a few clues as to the laws governing its construction.”

EDUARD SAMSÓ

Mirallmar mirror

MATERIALS AND FINISHES

Mirror display comprises 7 squared double-faced mirrors in different sizes with variable positions. All mirrors are flat except one concave mirror. Structure, nuts + bolts and discs in zinc-coated iron.

MEASUREMENTS 180 x 150 cm 70,9 x 59 in

MIRALLMAR

DESIGNER

EDUARD SAMSÓ

Designed by architect Alvaro Siza Vieira in 1972, the Flamingo lamp is part of design history. Its mobility and subtle structure beautifully fit into space with delicate and dynamic functionality.

Alvaro Siza Vieira is one of the most modern and influential Portuguese architects on the international scene. For decades, he has presented a simple, coherent and clear embrace of creativity and contemporary design.

The Flamingo Lamp follows this clarity and is a design reduced to its essentials. The halogen version was introduced in 1985 and continues to produce a balance of space and volume, sitting unimposingly regardless of the environment. Functional as always. Its coherent line and unembellished backbone produce a subtle curve and intimate light. It dispenses with ornaments. It is ungarnished and stripped-back, working coherently within any space.

Flamingo lamp

ÁLVARO SIZA

MATERIALS AND FINISHES

Chrome-plated steel structure can be dissasembled. Adjustable swivel wings (for light control) in matte chrome-plated steel, painted silver. LED bulb and switch included.

DESIGNER

MEASUREMENTS

FLAMINGO LAMP

ÁLVARO SIZA

Pepe Cortés has always been a part of BD’s family. He designed the concept of these lamps in 1976, but they were left in a drawer and forgotten (the translation of ‘olvidada’ in English). He later found the design, and BD started producing it in 1984. It has been in the collection ever since.

Available in two different configurations: pending with rigid tube or with black cable and a standing version.

Olvidada lamp

MATERIALS AND FINISHES

Standing and ceiling lamp with copper polished rigid tube finish and a chrome lamp holder. Pending lamp version (maximum length of 3m) with a rosette and a scotch-varnished polished brass finish, or with a rosette painted in anodic black and chrome-finished lamp holder. All lamps include Led 7W linestras.

DESIGNER

MEASUREMENTS

OLVIDADA LAMP PEPE CORTÉS

PEPE CORTÉS

Outdoor and Public seating

CATALANO PERFORANO

The Bench B is the ideal bench for indoor and outdoor use. Designed by Konstantin Grcic, it is a considered, sleek and functional system. The Bench B won the Silver Delta Award in 2013, and reaches up to 4.8 metres in length. Its cast aluminium structure sits effortlessly outdoors and comfortably indoors with a range of upholstery options. The Bench B is reminiscent of Mies van der Rohe’s 1929 Barcelona chair, originally made to seat the Spanish Royal Family. Made with extruded aluminium, it can be produced in various lengths. The aluminium slats curve into a comfortable backrest, and the cross-shaped legs ensure stability for the low seat.

Bench B

MATERIALS AND FINISHES

Bench slats made from extruded anodised aluminium. Legs and optional armrests in cast aluminium and painted in silver grey (RAL 9006). Optional non-removable upholstery for indoor and outdoor use in a range of BD fabrics and leathers. Bench can be made to any length from 1.2 meters to 4.8 meters.

DESIGNER

MEASUREMENTS

BENCH

KONSTANTIN GRCIC

BD expands its Aluminium collection with the addition of Workplace B and the Wing bench. Crafted from 95% recycled extruded aluminum profiles, the collection offers endless customization options, including various sizes, lengths, legs, seats, and accessories. The structures are complemented with marble, wood, or recycled rubber, ensuring a perfect balance of elegance, comfort, and durability. Designed for both public and domestic spaces, with models for indoor and outdoor use, Grcic brings his passion for technology and architecture to life, harmonizing materials into innovative, functional designs.

Wing bench

MATERIALS AND FINISHES

The top of the bench is made of composite of extruded AL 6060 aluminum profiles. Union profile in extruded aluminum AL 6082. Steel connecting pieces with white zinc coating and stainless steel screws.

There are two configurations, one side (50cm wide) or two sides (80cm wide). The profiles feature a scotch polish and silver anodized finish, suitable for both interior and exterior use.

DESIGNER

KONSTANTIN GRCIC

Alfredo Häberli’s bench sits inside and out, and can double as a table as much as an ergonomic and comfortable seating system. Inspired by the Catalano benches by Oscar Tusquets and Lluís Clotet, Alfredo Häberli designed the Swiss Benches Collection for BD. The El Poeta Bench has a light, fluid profile and textured body, and it became a bestseller, sitting comfortably in the public and domestic spheres. It can be placed back-to-back as a table, where one can sit outwards or inwards to write or eat with the support of the levelling backrest. The steel sheet is perforated and breathable, wrapping elegantly around tubular steel supports. Coated with cataphoresis, the bench is stable and corrosionresistant and was awarded the Gold Delta Award by ADI FAD in 2007.

ALFREDO HÄBERLI

El Poeta

MATERIALS AND FINISHES

DESIGNER

Bench in steel with steel tubular legs and perforated sheeting covered in cataphoresis and painted in polyester resin in a Corten colour or microtexturised Silver (RAL 9006). Bench must be fixed to the ground. MEASUREMENTS

EL POETA ALFREDO HÄBERLI

ALFREDO HÄBERLI

Since the beginning, The Catalano bench has been left unchanged. It has a lasting quality and an uninterrupted beauty. Antoni Gaudí developed a profile for his Güell Park benches in Barcelona. Lluís Clotet and Oscar Tusquets found that the benches’ ergonomics were unimprovable, so they adapted the design into the Catalano. It has been in our catalogue since 1973, and remains one of our most popular pieces.

Its one-metre length is light with a netted body that is almost translucent. This prevents rainwater collecting and keeps the structure cool in summer. It blends into its surroundings, can be assembled back-to-back, and has different leg options depending on its desired placement. While paying homage to Gaudí, the Catalano bench is effortlessly functional and beautifully dynamic.

OSCAR TUSQUETS LLUÍS CLOTET

Catalano

MATERIALS AND FINISHES

Seat with steel tubular chassis of Ø18 x 2mm, recovered with a deployé steel sheet. Seat in modules of 1m length. Legs in tubular steel Ø25 x 2mm.

DESIGNER

MEASUREMENTS

CATALANO

OSCAR TUSQUETS & LLUÍS CLOTET

The Perforano bench is the evolution of the Catalano, one of BD’s most successful and unchanged pieces.

The Perforano bench takes the Catalano profile adapted from Gaudí and replaces the expanded mesh ‘deployé’ with perforated sheet steel. Its modular form is 23 cm longer than the Catalano, and sits comfortably indoors and outdoors with a perforated skin that makes seat corrosionresistant. The Perforano is a sturdy and refined bench.

Combinations of any length can be assembled with the 123 cm bench, either in a single file or back-toback, using different leg options depending on their desired placement.

Perforano

MATERIALS AND FINISHES

Seat with steel tubular chassis of Ø18x2mm, recovered with a perforated steel sheet of 2mm thickness Steel tubular legs and perforated steel sheets for seating, covered in cataphoresis and painted with polyester resin in silver grey (RAL9006) microtexturized. Seat in modules of 1’23m length. Legs in hot-galvanized steel tubular in diferents diameters.

DESIGNER

OSCAR TUSQUETS & LLUÍS CLOTET

Art Editions

SHIVA VASE CAPSULE LIMITED EDITION BATON COLLECTION METTSASS TABLE ALBERTO

GAUDÍ DOOR KNOBS LEDA SCULPTURE ARMCHAIR LEDA SCULPTURE TABLE PORTLLIGAT

DALÍ LAMPS RINOCERONTICO INVISIBLE PERSONAGE XAI

CALVET HANGER CALVET MIRROR

CALVET

CALVET CHAIR

CALVET ARMCHAIR

TIGER ART GAULINO CRISTALLO

The chair is numbered and accompanied by a certificate signed by the director of the Gaudí Cathedra, certifying that it is a faithful and exact reproduction of the original designed by Antoni Gaudí. Equipped with quality and history, the Calvet armchair is not without style.

ANTONI GAUDÍ

Calvet armchair

MATERIALS AND FINISHES

DESIGNER

MEASUREMENTS 65 x 52 x 95 cm

x 22,4 x 37,4 in

CALVET ARMCHAIR ANTONI GAUDÍ

Varnished solid oak.

ANTONI GAUDÍ

Antoni Gaudí is globally admired beyond the realm of architecture, entering into pieces like the Calvet armchair. Designed in 1900-1901 for the Calvet House in Barcelona, the oak armchair is handcrafted the same way it was in Gaudi’s time. Five pieces are fitted together to form the thick neck, arched handles and heartshaped backrest of the carving body that explores Gaudi’s unique artistry and expressive force. The chair is numbered and accompanied by a certificate signed by the director of the Gaudí Cathedra, certifying that it is a faithful and exact reproduction of the original designed by Antoni Gaudí. Equipped with quality and history, the Calvet armchair is not without style.

Calvet chair

ANTONI GAUDÍ

The Casa Calvet in the Carrer Casp in Barcelona was the Catalan architect’s first housing project and it was awarded a prize by Barcelona city council for being the best building in 1900. Two years later, Gaudí designed the furniture, carved in oak, for the offices on the ground floor of the building.

MATERIALS AND FINISHES Varnished solid oak.

DESIGNER

MEASUREMENTS

x 54 x 94 cm

x 21,2 x 37 ”

CALVET CHAIR

GAUDÍ

ANTONI GAUDÍ

Gaudí’s Calvet Stool is beautifully designed with a unique form and presence. It was designed alongside a collection of furniture for the Calvet house. Rich contours and varnished grain swerve into a cornered backrest with minimal decorative elements allowing the quality of the materials to speak to their fullest.

The symmetrical structure sits on three legs and fits easily into a corner, while the dark mass of wood adds a natural lightness that demonstrates Gaudí’s bold, organic and eccentric style.

The stool is numbered and accompanied by a certificate signed by the director of the Gaudí Cathedra, certifying that it is a faithful and exact reproduction of the original designed by Antoni Gaudí.

ANTONI GAUDÍ

Calvet stool

MATERIALS AND FINISHES

DESIGNER

MEASUREMENTS

CALVET STOOL ANTONI GAUDÍ

Varnished solid oak.

ANTONI GAUDÍ

Board Room. It is hand-crafted and configured to fit two or three sitters, smoothly spreading an oak bench across four supporting and tapered legs. A fluid frame holds the backrest to the seat and curving into swirling armrests. Gaudí’s ornamental carvings horizontally spread three floral motifs. They create a symmetry, aligning the proportions of the bench and emphasising the lightness and slender dimensions of the bench.

Calvet bench

ANTONI GAUDÍ

MATERIALS AND FINISHES

DESIGNER

MEASUREMENTS

CALVET BENCH ANTONI GAUDÍ

Varnished solid oak.

ANTONI GAUDÍ

The Calvet hanger has an innovative functionality and is the smallest piece of furniture made by Gaudí. It curves between wooden elements with twisting, brassplated steel ribbons holding onto a rounded oak hanger. The ribbons grasp three elongated openings perfect for hanging an umbrella or hooked hangers. They stretch from the wall-fixed support to the rectangular body, reaching the protruding wooden hanger as it floats in mid-air. This illusion of lightness contrasts with the functionality of the hanger.

ANTONI GAUDÍ

Calvet hanger

MATERIALS AND FINISHES

Hanger in waxed natural solid oak. Fire-forged iron structure with a burnished copper (or bronze), and a transparent protective varnish finish.

DESIGNER

MEASUREMENTS

CALVET HANGER ANTONI GAUDÍ

ANTONI GAUDÍ

The Calvet mirror reflects more than time and place. In 1902, Antoni Gaudí balanced the modest facade of the Calvet House with this beautiful mirror. It achieves a personality of texture and fluid, swirling form. It does more than reflect: the frame is gilded with gold leaf and the mirror is hand-shaped to form an artisanal sculpture that attracts the eye and conveys Gaudí’s expansive creativity.

The mirror is numbered and accompanied by a certificate signed by the director of the Gaudí Cathedra, certifying that it is a faithful and exact reproduction of the original designed by Antoni Gaudí.

Calvet mirror

ANTONI GAUDÍ

MATERIALS AND FINISHES

Varnished solid oak or solid oak coated with fine golden brass sheets with gold leaf technique.

DESIGNER

MEASUREMENTS

CALVET MIRROR ANTONI GAUDÍ

ANTONI GAUDÍ

Designed for the 1906-built Casa Batlló dining room, the Batlló chair is a Gaudí with sweeping curves and surprising comfort.

Beyond its abstract appearance, Casa Batlló represents Saint George, the patron saint of Catalunya and his victory over the dragon. The bony chair complements the ridged roof and curving iron balconies of the building.

The Batlló chair is manufactured following the method and material originally used by Gaudí, preserving the functional and sculptural aspects of the original design. It has an outstretched backrest and curved seat that provides a high level of comfort.

The Batlló is an exact reproduction of the original designed by Antoni Gaudí, and is accompanied by a certificate signed by the director of the Gaudí Cathedra.

Batlló chair

ANTONI GAUDÍ

DESIGNER

MATERIALS AND FINISHES Varnished solid oak. MEASUREMENTS

GAUDÍ

ANTONI GAUDÍ

Aesthetic beauty fuelled by quality craftsmanship. As unique and modern as ever. The Batlló is a Gaudí. The Batlló bench was constructed in 1906 for the urban home Casa Batlló, one of the most famous of his buildings in Barcelona. It is divided by a centred armrest which angles the two seats outwards in different directions. The convex bench is made from hand-crafted oak, arranging armrests, seatbacks, legs and seats into an outstanding and unique frame. The Batlló is an exact reproduction of the original designed by Antoni Gaudí, and is accompanied by a certificate signed by the director of the Gaudí Cathedra.

Batlló bench

ANTONI GAUDÍ

MATERIALS AND FINISHES

DESIGNER

BATLLÓ BENCH

GAUDÍ

ANTONI GAUDÍ

Gaudí’s hand is the mould for a collection of metalwork fittings from the early 20th century.

Antoni Gaudí designed metalwork fittings for his various works of architecture. This collection of eight fittings are exact reproductions of pieces originally made for the Casa Milà, Calvet, and Batlló. Gaudí squeezed or pierced clay with his hands and fingers to create an impression of his hand which was then cast in brass with a polished finish. The handles conform to the grip of a human hand, forming a unique and ergonomic shape that appears to breathe in its brass body. The knobs, door handles and a peep-hole include the: Milá Nº1, Batlló Nº2, Milá Nº3, Milá Nº4, Batlló butterfly, Batlló butterfly-knob, Batlló door handle, and the Calvet peep-hole and Calver door handle. The solid brass pieces are engraved with Gaudí’s signature and were reproduced by BD in collaboration with the architect David Ferrer.

ANTONI GAUDÍ

Gaudí door knobs

MATERIALS AND FINISHES

Structures in solid cast brass with polished finish. Note: Polished brass darkens over time.

DESIGNER MEASUREMENTS

ANTONI GAUDÍ

The dense curved lines of Dalí’s LEDA armchair embrace the sitter in shining brass. Based on Salvador Dalí’s painting, Woman with a Head of Roses (1935), the LEDA was brought into the three-dimensional world. A brass body sculpts the sitter, and an arm stretches around, forming a backrest with a reaching a hand that clutches the armrest. Three slender legs taper down to shining high heels. Its expressive curves reproduce the creative energy of Dalí’s painting and mind. The LEDA chair is also available in a limitededition black patina without varnish.

SALVADOR DALÍ

Leda sculpture armchair

MATERIALS AND FINISHES

Armchair in polished varnished cast brass Black label Limited Edition of 105 pieces: structure in black patina cast brass without varnish.

DESIGNER

MEASUREMENTS

LEDA SCULPTURE ARMCHAIR SALVADOR DALÍ

SALVADOR DALÍ

A physical and raw experience of Dalí’s mind. The LEDA table combines a refined structure and Dalí’s fantastical creativity. The table enhances its surroundings and utterly unique. Inspired by Salvador Dalí’s painting “Femme à tête de roses" (1935)”, or Woman with a Head of Roses, the LEDA table brings his surrealist image to life. Its solid brushed and varnished brass top is sturdy, held by a grasping hand and knee support that leads to a heeled foot. The LEDA represents Dalí’s personality in its structure and surrealist mind. Note the marble ‘egg’ that rests on the table.

Leda sculpture table

MATERIALS AND FINISHES Top in brushed and varnished brass. Egg in Carrara marble. Legs in cast varnished brass. Black label Limited Edition of 105 pieces: Legs in black patina not varnished. Table top in brushed and varnished brass, black varnished patina. Nero Marquina marble egg on top.

SALVADOR DALÍ

Dalí’s creativity and fascination with the human body takes the form of a sunbed, intimately created and exquisitely designed. Dalí’s original Portlligat was made in 1962 from olive tree wood for him and his wife Gala’s home in Costa Brava, Spain. This reproduction is available in Iroko wood which is resistant to changes in heat and moisture content, and optional upholstery for outdoor use. It resembles a body: it has a head, torso, ribs, arms, hands, legs and feet. The visible grain and unified structure present a strong and meaningfully arranged, figurative piece.

Portillgat sunbed

MATERIALS AND FINISHES

Sunbed in solid Iroko wood with black polyamide wood.

Optional upholstered cushion suitable for outdoors.

Cushioning cover is removable and made from water-repellent foam

DESIGNER

MEASUREMENTS

SALVADOR DALÍ

The Bracelli Floor Lamp is both sculpture and contemporary design. Designed by Salvador Dalí, this handcrafted reproduction expresses how design can meet art, and form can find function.

The Muletas Lamp explores Dalí’s obsession with the uncanny, surprising and novel. Drawn by Dalí for Jean Michel Frank, Oscar Tusquets and Robert Descharnes brought the design to life. It branches upwards with a set of linking crutches bound like bones. Available in pale varnished lime wood or bleached, it has a powerful presence and illuminates behind the folds of its draped beige linen shade.

Furnishing and animating its surroundings, The Cajones Lamp expresses Dalí’s art with a unique, creative simplicity. The design of the Cajones Lamp was drawn by Dalí in 1937 for Jean Michel Frank. Oscar Tusquets and Robert Descharnes produced a handcarved piece with little drawers at the lamp’s base.

BD commemorated the 20th Anniversary of the death of Salvador Dalí with a limited-edition ‘black label’ series of his collection.

Bracelli, Muletas and Cajones

MATERIALS AND FINISHES

BRACELLI

Original: Structure in wooden board covered in fine gold leaf gilding and available in a darker veneer. Lampshade covered in ivory-coloured cotton and rayon fabric or a limited-edition option of black-stained cotton and rayon fabric.

Black label: Limited Edition of 105 pieces. Panel structure covered in darkened gold leaf. Lamp shade in black cotton and rayon.

MULETAS

Original: carved stand structure in bleached varnished lime-wood or limited edition option of black stained and varnished. Lampshade in beige linen or limited edition option of the same lining and covered in black transparent chiffon.

Black label: Limited Edition of 105 pieces. Carved stand structure in black stained and varnished. Lampshade covered in black transparent chiffon.

CAJONES

Original: Carved stand structure in bleached varnished lime-wood or limited edition option of black stained and varnished. Lampshade in beige linen or limited edition option of the same lining and covered in black transparent chiffon.

Black Label: Limited Edition of 105 pieces. Carved lime-wood structure stained in black or varnished. Black linen lamp shade.

MEASUREMENTS

DESIGNER

SALVADOR DALÍ Bracelli

Dalí translated his ideas into liveable designs such as the Rinoceróntico handle. Dalí collaborated with Jean Michel Frank on the Rinoceróntico. It has a polished and lacquered cast brass body that can be fitted to both sides of a door or used as a standalone piece. Its three components are fitted together for an ergonomic hold, and their forms resemble a Rhinoceros and Dalí’s characteristic crutch. It holds his symbolism, focus on artisanal craft, and a touch of wit, separating the boundary between aesthetics and function.

Rinoceróntico

MATERIALS AND FINISHES

Handle in three cast bronze pieces with a polished lacquered cast brass finish. Handle can be fitted to one or two sides of a door.

DESIGNER

MEASUREMENTS

SALVADOR DALÍ

The Invisible Personage armchair brings the dream world into the real world. The Invisible Personage design was developed Salvador Dalí’s painting, Singularities (1935) and was introduced by BD in 2016. The painting is a member of a series of works representing invisible characters whose silhouettes and moulds were left on furniture. The chair is artisanally made with a human cast sitting within a sheepskin frame, topped with a lamp above the headrest. The furry shell carves around the chair, and a handprint leans on the armrest. The armchair is a limited edition of 20 unique pieces.

Invisible Personage

MATERIALS AND FINISHES

Body in composite structure upholstered in natural sheepskin with Tibetan sheep shearling on the outside, and ram skin shearling for the tread. Lamp in polyamide gloss and lacquered with exterior in pearl and interior in gold colour.

Rechargeable LED light source with a durability of approximately 100 hours. LED Light: 500 lumens. Colour temperature: 3000K. Power: 4.8W.

SALVADOR DALÍ

The Xai table was inspired by Dalí’s painting, Interpretation Project for a StableLibrary (1942) and designed by Oscar Tusquets. The painting featured a young woman nestled among sheep, one of which serves as a nightstand with a drawer in its side. Tusquets and BD reproduced the sheep image into a limited-edition series of taxidermy lambs. Twenty white lambs (and one black lamb) were sourced by Parisian firm Deyrolle, who had worked with Dalí when he was alive. Instead of hooves, bronze is moulded into rococo-style feet. The circular wooden top and drawer opening from the side play between practicality and perception. The table has a beautiful simplicity that balances the body it holds.

MATERIALS AND FINISHES

Design inspired by Salvador Dalí's artwork, ‘Interpretation Project for a stable-library’ (1942). Limited Edition of 20 unique pieces in white and 1 in black. Made from stuffed lamb, elaborated with a technique by a taxidermist.

SALVADOR DALÍ

The Shiva vase was designed by Ettore Sottsass when he was travelling to Barcelona for love in 1971. It captures the essence and cultural vision of the bold and provocative Radical Design movement in Italy in the early 1970s. Capsule Global pays homage to the same boundarypushing and experimental movement, and collaborates with BD for a special edition of the Shiva. The clean symmetry and bright colour plays across the form with a brilliant glaze in Capsule Blue. The Capsule Global × BD Shiva vase is available as a limited edition of 999.

Shiva Vase Capsule Limited Edition

SALVADOR DALÍ

The Baton collection was designed by Ronan Bouroullec and is produced by BD. Its sublime simplicity carves around the shape of a cane. The Baton finds its place in a room as a screen divider, a candleholder, a vase, a valet stand, a side table or a mirror. It strikes a balance between a fluent, curving line and a slim and unimposing frame.

As a standalone or group, the Baton represents Bouroullec’s emphasis on refining function and form. The system changes interiors. It generates an intimate feeling in the home or a shared space, with an appealing design that is subtle and concise. A minimal frame with multiple uses.

Baton Collection

DESIGNER

RONAN BOUROULLEC

The Mettsass is a big, red moment in a room. Ettore Sottsass designed the table with a confident shape and bright colour. It is bold and powerful. It is constantly new. The Italian architect, industrial designer, innovator and artist Ettore Sottsass designed the Mettsass table for BD in 1972, nearly a decade before co-founding the Memphis movement, which shifted modern design forever. He was always one to experiment, and his preoccupation with nonconformity defined the architecture of the Mettsass with flat sheets of steel, a vibrant coat of red, and a cultivation of aesthetics and emotion. The colour and geometry are bold and conspicuous, far from the Bauhaus minimalism of the era. Reissued in 2012 and still in production today, the Mettsass remains functional but has a sensory dimension that is traditionally inaccessible. It works as a table and sits like a giant gem.

Metssass

MATERIALS AND FINISHES

Structure in flat steel sheets in red (RAL 3001) or black. Glass top painted in the same colour as the structure.

ETTORE SOTTSASS

A unique and alluring structure by Oscar Tusquets. Nearing the abstract, twisting in the flickering light. Tusquets has a passion for the figurative and subversive, seducing the eye with a candleholder inspired by Salvador Dali and Alberto Giacometti. Tusquets cast a melted wax candle in bronze and glazed the structure to replicate the original form. Ridges and bumps course under its bronze skin. The limited-edition, evocative form is available in two sizes, both grasping an escaping flame while mirroring the intensity and tears of the melting wax candle.

Alberto

MATERIALS AND FINISHES

ALBERTO OSCAR TUSQUETS

OSCAR TUSQUETS

This is a sculpture, cabinet and beautiful design from the great Alessandro Medini. Mendini was a radical designer who influenced architecture and design in Italy and on a global scale, bringing colour and exciting forms into buildings such as the Groninger Museum in The Netherlands and the iconic Proust armchair, which blended a baroque form with multicoloured hand-painted pointillist dots. BD was inspired by his concept of the “neoartesanado postindustrial” (new postindustrial crafted art) and worked alongside him in the 80s. His last design, the Cristallo, was for BD. The freestanding piece has a veneered sycamore wood finish in its interior, fitted with shelving in its compartments. The exterior has a glossy finish and is multicoloured, with a graphic print of a white trophy forming the facade of the piece. The form stretches from its sturdy base into two outstretched arms, rising like a trophy.

ALESSANDRO MENDINI

Cristallo

MATERIALS AND FINISHES

Cabinet made of MDF and lacquered in red, blue and green.

Interior veneered in sycamore wood with frontal finish stained in a dark colour, same as the base. Door exteriors veneered in sycamore with a white printed graphic. All wooden exterior sides are stained and have a glossy finish.

Limited edition of 99 pieces.

DESIGNER

MEASUREMENTS

CRISTALLO CUPBOARD

ALESSANDRO MENDINI

The Tiger Art Gaulino reimagines an icon from BD, the Gaulino. The limited edition Tiger Art Gaulino joins the Gaulino Easy structure with a hand-painted seat by Tusquets. It was created to celebrate BD’s 50th anniversary and the Year of the Tiger. The painting imagines a tiger with dark stripes covering the hand-upholstered leather. Tusquets painted 50 unique pieces for the Art Editions catalogue. The chair has a rich frame made of ash with an artisanal and aesthetic intensity.

Tiger Art Gaulino

MATERIALS AND FINISHES

Structure is built in FSC-certified natural ash with a coloured patina, dark stained and varnished. Seat upholstered in natural hide and hand painted.

DESIGNER

MEASUREMENTS

OSCAR TUSQUETS