Estates Auction: October 23-24, 2021 by New Orleans Auction Galleries

New Orleans Auction galleries

Estates Auction: October 23-24, 2021

ESTATES AUCTION

October 23-24, 2021

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium Cover: Lot 659 | Pictured Left: Lot 806

Featured: The Collection of Allain Bush New Orleans, Louisiana A Private Collection The Woodlands, Texas A Private Collection Galveston, Texas The Collection of Sue and Andy Schwartz Houston, Texas The Collection of Ruth and Michael Burke Covington, Louisiana Estate of Julia Hamilton Baton Rouge, Louisiana

Exhibition: October 11 - 22, 2021 Monday - Friday | 9:00 a.m. - 5:00 p.m. Saturday, October 16 | 10:00 a.m. - 3:00 p.m.

bidding: Telephone

Absentee

Live Online

Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable. Please note that there will be no in-person bidding for this auction.

lot schedule:

Please note that times are approximate Session I (Lots 1 - 410): Saturday, October 23, 2021 10:00 a.m. CDT

10:00

11:00

12:00

160

1:00

161

24 0

12:00

1:00

2:00

241

320

2:00

3:00

32 1

400

3:00

3:15

4 01

41 0

Session II (Lots 411 - 833): Sunday, October 24, 2021 10:00 a.m. CDT

10:00

11:00

41 1

500

11:00

12:00

5 01

580

1:00

581

660

12:00

1:00

2:00

661

74 0

2:00

3:00

741

8 33

Pictured Right: Lot 7 (detail)

An Inspiring Week of Design Texas Design Week Dallas - September 20-24, 2021

Photography by Jonathan Zizzo 1. Christopher Rothko and Scotti Sitz

6. Martyn Lawrence Bullard

2. Christopher Rothko

7. Michael S. Smith and Hannah Cecil Gurney

3. Catherine Anspon, Taylor Eichenwald and Holly Moore

8. Brian Bolke and Faisal Halum

4. Samantha Falkner and Taylor Eichenwald

9. Eduardo Natal, Becca Cason Thrash, Ken Fulk and Ceron

5. Martyn Lawrence Bullard and Billy Fong

10. Doniphan Moore and Tanner Moussa

10.

A Letter From the

Assistant Director As a lead sponsor of the recent Texas Design Week in Dallas, New Orleans Auction Galleries had the honor of hosting Christopher Rothko, son of American abstract painter Mark Rothko (1903-1970), at the iconic Rosewood Mansion on Turtle Creek for a talk and book signing ahead of the 50th anniversary of Houston’s Rothko Chapel. As you flip through the Oct. 23-24 Estates Auction With my own recent experience at the Rothko Chapel f resh

catalogue, I hope you will look at the items, even those

on my mind, I was especially excited for the evening, which

outside your comfort zone, with a different eye. I guarantee

was included in TXDW’s weeklong series of events. I visited

you will find an appreciation for something new amid the

the chapel in late August for the first time in more than a

more than 800 lots of antiques, art, jewelry and so much

decade while in Houston after evacuating for Hurricane Ida.

more that fill these pages.

While I was fortunate to be in a familiar city surrounded by close friends, nothing can quite prepare you for the feeling

Included, you will find items f rom the collection of New

of being displaced from your home and routine.

Orleans antique dealer and collector Allain Bush – I invite you to read more about her on the following pages (spoiler:

On a day when I was feeling overwhelmed by the uncertainty

Lenny Kravitz refers to her as “The Bomb”). Like Rothko,

of the days ahead, I visited the chapel seeking a quiet,

Allain embraced the power of design for its ability to unite

meditative break. As the late-afternoon light illuminated the

and create dialogue. For decades, her shop, Bush Antiques,

space, the seemingly simple, monolithic panels presented

was a “must-see” destination for locals and visitors from

a commanding, consuming presence, and I couldn’t help

around the world. Her magnetic personality was as much a

but notice the different ways people responded. Some

draw as the ever-changing array of unique pieces that she

meditated, while others stared and studied. No one spoke,

selected and arranged in the shop.

yet it was a collective experience. I hope this auction brings you the perfect piece with which The chapel exemplifies the power of design to inspire

to create your own special design-inspired connections.

connections. Upon commission in 1964, Rothko was given complete creative control—from the architecture and lighting to the installation of the canvases —creating a space that allows for a shared yet highly personal

Taylor Eichenwald

experience.

Assistant Director

While this all may seem a bit esoteric, the same concept

P.S. Our gallery will be open for exhibition Monday, Oct. 11,

can be applied to far less abstract examples. A beautiful tea

through Friday, Oct. 22. Of course, if you are unable to visit

service, such as Lot 504 (pg. 189); a larger-than-life tapestry,

us in person, we are happy to arrange a virtual viewing or

such as Lot 7 (pg. 4); or a pair of cozy, overstuffed club chairs,

provide you with extra photos. And remember, you are also

such as Lot 545 (pg. 204), can all forge a link among us.

welcome to bid online, by absentee or phone!

Allain Bush

A New Orleans Antique Dealer and Collector with an Eye for the Unique and Unusual

Born and raised in New Orleans, Allain Bush’s love for collecting began at a young age. Allain shares, “I would go out on our gravel road and search for fossils for hours and never tire.” Her love of the “hunt” is something that served Allain well in her decades at the helm of Bush Antiques, a unique shop that melded the distinct style of its owner with New Orleans and European flair.

In 1969, Margie Bush, Allain’s mother, opened Bush Antiques on upper Magazine Street. While now a thriving commercial corridor, at the time it was a far cry from the endless blocks of stylish interior design studios, antique shops, clothing boutiques and cafes that now line the street.

Allain travelled and explored a variety of different jobs after completing college, but ultimately joined her mother in the antique business in 1979. Allain and Margie purchased a two-story building in the heart of the historic “Magazine Row”, a two-block area known for its many art and antique shops. Almost immediately after partnering with her mother, Allain began taking buying trips to France and Belgium to expand the shop’s offerings and client base.

▶

"If you love the idiosyncrasy of New Orleans, this is the store for you. It's sometimes elegant, sometimes decadent, and it has a sense of humor. The most alluring aspect of Bush Antiques is the sense that a surprise waits around every corner." - Magazine Antiques

"As you enter Bush Antiques, you may be tempted to genuflect." - Art & Antiques

Bush Antiques became known nationally for its sumptuous

Visitors from around the world, including countless

selection of antique furniture, mirrors, religious art, ironworks,

celebrities, made sure to stop by Bush Antiques while in

lamps, chandeliers, textiles, decorative accessories and

New Orleans. The shop even made an appearance in the

more. Allain transformed the shop into a unique and

first season of Treme, a popular HBO series, as the location

eclectic mix of fine and decorative pieces picked for their

for Davis Rogan’s mother’s antique shop.

originality or beauty and reflecting her own taste for the slightly imperfect.

Allain, her home and shop were featured and mentioned in numerous books, newspapers and magazines over the

In 1989, Allain purchased the adjacent building and

years, including Veranda, Southern Accents, The New York

opened “Beds Au Reve”, a division specializing in antique

Times, The Washington Post and Magazine Antiques.

beds. A variety of 18th-, 19th- and 20th-century beds were incorporated into the showroom, allowing for

USA Today described Bush Antiques as “a charming trove

twelve rooms and a lush courtyard of must-see vignettes

of secret places and hidden parts […] artfully laid out so you

designed to highlight each item. The success of the shop

want all of it”. Lenny Kravitz adoringly referred to Allain as

was just as much about Allain’s eye for selecting pieces

“The Bomb” in a 2002 Vogue interview with Julia Reed – a

as her ability to style them.

testament to her magnetic personality and one-of-a-kind shop. Following Allain’s retirement in 2012, Bush Antiques

Above: The iconic storefront of Bush Antiques on Magazine Street; Right: A vignette at Bush Antiques

closed its doors and a new chapter began.

▶

A consummate collector herself, Allain’s Garden District carriage house is unsurprisingly filled with a sophisticated mix of European and English antiques along with nods to her family’s Louisiana roots. Built in 1880, the structure once served as the stables for a grand Victorian house, but was later converted to a stand-alone residence. Now distinctly decorated in her own style, the seemingly quaint yellow house is also where Allain spent her childhood. She returned to the house in 1998 after her parents passed away and renovated the interior to fit her eclectic collection of religious artifacts, architectural elements, antique furniture and fine art.

"It was that thing of hunting and finding something that is the right thing. It's stuff that just hits you in the heart." -Allain Bush

While it took some time for her husband, Gordon, to fall in love with antiques, the thrill of searching for and finding new pieces around the world for their own collection and for the shop became a shared passion. When the two met, Gordon was more drawn to the clean lines of Italian modernism, but his time with Allain and a couple of her close collector friends put him on a path to an appreciation for antiques.

As Allain puts it, “I think the more Gordon was exposed to the amazing warmth of those antiques the more he started to come over to our side.”

As with all lifelong collectors, Allain continues to add to and edit her ever-growing collection. New Orleans Auction Galleries is pleased to offer an impressive mix of European and Southern antiques, paintings and decorative objects from the collection of Allain Bush, including pieces from her mother’s estate.

■

This Page: Allain and her husband, Gordon Magonet; Allain with a new discovery while on a buying trip in France; Allain waving from the storefront of Bush Antiques. Right: A vignette at Bush Antiques

Property From

A Private Collection The Woodlands, Texas

Session I Saturday, October 23 Lots 1-410 PICTURED: LOT 70

1 Rose Tarlow for Melrose House Parcel-Gilt Mahogany Console Table with a rectilinear faux marble top over a fluted apron, raised on shaped legs with scroll- and volute-carved tops and molded edges, joined by serpentine stretchers centered by a finial with metal tag reading: “Rose Tarlow - Melrose House / Los Angeles, CA”. h. 33”, w. 54”, d. 26” $1,200-$1,800

2 Rose Tarlow for Melrose House Parcel-Gilt Mahogany Console Table with a rectilinear faux marble top over a fluted apron, raised on shaped legs with scroll- and volute-carved tops and molded edges, joined by serpentine stretchers centered by a finial with metal tag reading: “Rose Tarlow - Melrose House / Los Angeles, CA”. h. 33”, w. 54”, d. 26” $1,200-$1,800

3 Pair of Baroque-Style Oak Armchairs late 19th/early 20th century, each with an arched shell-carved crest over a foliate-, bellflower- and scroll-carved back with cane panels, the open arms on scroll supports, with caned seat and turned legs joined by serpentine stretchers. h. 51-1/4”

$1,000-$1,500

3 4 Italian Walnut Cabinet 18th century, the dentillated overhanging cornice above a concealed frieze drawer and two paneled cupboard doors, flanked to either side by a caryatid and turned columnar upright, the lower section fitted with three short frieze drawers over two cupboards, flanked to either side by an acanthine panel and ringed columnar upright, raised on paw feet. h. 58”, w. 38-1/2”, d. 16” $1,500-$2,500

5 detail 5 Continental Carved Wood Figure of St. Andrew the Apostle first quarter 20th century, now presented on a wooden base. sculpture h. 72”, w. 22”, d. 17”, base h. 34”, w. 28-1/2”, d. 28-1/2”, overall h. 106” $1,200-$1,800

6 Italian Polychromed and Parcel-Gilt Architectural Niche 18th century, with a dentillated overhanging cornice above a foliate-carved f rieze, over an arched opening and a half-round shelf below, and flanked by Corinthian columns. h. 74”, w. 38”, d. 10” Provenance: Doyle, New York, May 19, 2004, lot 6286. $1,000-$1,500

7 details 7 Exceptional Flemish Hand-Woven Tapestry 17th century, of King Herod Agrippa II, his sister Queen Julia Berenice of Chalcis and Cilicia, and Roman General Titus Vespasianus (later Emperor), figures set within Herod’s opulent throne room in the Palace of Caesarea Maritima in Judea, now backed in cream fabric. 112” x 199-1/2” Provenance: By repute Oak Knoll Park, St. Louis, Missouri; private collection, Houston, Texas. $50,000-$100,000

This opulent tapestry depicts the main figures of the Flavian/ Herodian political alliance of the 1st century which was crucial to the Roman victory in the Jewish War and resulted in the siege, eventual fall and ultimate destruction of the Temple of Jerusalem. Rendered in rich colors of reds, blues and greens, the scene revels in the lavish trappings of wealth and power - the heavily carved Solomonic columns with cherub reliefs and acanthine elements, the magnificent tapestry of flora and fauna motifs which acts as a canopy and f rames the f igures, and the sumptuous, embroidered fabrics.

7 details

8 Baroque Painted Wood Carving of Souls in Purgatory 17th century, Northern European, the carved plaque depicting souls longing to escape heavenward, framed with carved and pierced scrollwork, with polychrome decoration, on a contemporary metal stand. h. 29”, w. 32”, d. 9” $1,000-$1,500

9 Flemish-Style Oak Bench 20th century, the padded rectangular seat within a foliatecarved banding, raised on shaped bellflower-carved legs joined by pierced foliate-carved stretchers and ending in squat block feet. h. 19”, w. 50-1/2”, d. 18-1/2” $1,000-$1,500

10 Mottled Silver- and Gold-Leaf Carved Mirror 20th century, in the Italian Baroque taste, the bold, carved and pierced scrollwork surround having a crest with an overhanging leaf-form finial, the mirror plate framed with ribbon-bound laurel leaves. h. 38”, w. 31” $1,200-$1,800

10 6

11 Italian Faux Bois Cabinet the shaped rectangular top above a conforming case fitted with a deep, plain frieze over two central cupboard doors, raised on a molded base. h. 48”, w. 66”, d. 23” $1,500-$2,500

12 After Xavier Sigalon (French, 1787-1837) “La Jeune Courtisane” oil on canvas 19th century, illegibly signed and inscribed "Sigalon" lower right, after the 1821 painting now conserved at the Musee du Louvre, Paris, a "Kurt E. Schon, Ltd. /New Orleans" gallery label and auction stencils en verso. Framed. 47-1/2” x 61-1/4”, framed 53-1/2” x 67”

Provenance: Kurt E. Schon, Ltd., New Orleans, Louisiana; Private collection. $3,000-$5,000

12 7

13 Spanish-Style Oak and Walnut Low Table 20th century, the narrow rectangular top above two paneled frieze drawers, raised on shaped end supports joined by an iron stretcher. h. 24”, w. 54-1/2”, d. 16” $1,200-$1,800 14 Italian Walnut Cabinet late 19th century, the long rectangular top with a molded edge, above a conforming case fitted with three drawers over three cabinet doors, raised on hairy paw feet, the whole elaborately carved in fruit, foliate and scrolling patterns. h. 45”, w. 98”, d. 25”

$1,200-$1,800

15 Pair of Metal and Acrylic Table Lamps decorated with patinated metal crowned rampant lions, supported on acrylic bases. h. 22”, w. 8”, d. 5-1/2” $1,000-$1,500 16 Continental Carved Oak and Pine Storage Trunk

late 18th/early 19th century, the f ront and sides relief carved and the ends with ornate forged handles, the interior with a lidded till and elaborate iron hinges, the lot intact with a working key, raised on turned bun feet. h. 20-1/2”, w. 35-1/2”, d. 19” $1,000-$1,500

17 Continental Leather-Covered Oak Chest ca. 1700, decorated with steel nailheads in the form of sunflowers, the cover with a border of lozenges, set with a steel lock, the cover with a cotter-pin handle, retaining remnants of sheepskin parchment hinges secured with rosehead brads. h. 8”, w. 16”, d. 11-1/2” $1,000-$1,500

18 Spanish Fruitwood and Oak Side Table late 17th century, the overhanging rectangular top above three frieze drawers, all fronted by molded star-patterned panels, raised on lyre-form end supports to scrolled feet. h. 29”, w. 59”, d. 25-1/2” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,800-$2,500

19 detail 19 Monumental Carved Walnut Overmantel Mirror ca. 1900, the circular beveled mirror plate set into a carved and pierced surround with grapes and grape leaves, the crest decorated with three putti supporting swags of flowers. h. 84-1/2”, w. 74” $2,500-$4,000

19 9

20 Pair of Italian Carved Walnut Plaques ca. 1900, in the Baroque taste, each carved with a putto on acanthus and supporting a reeded urn of fruit, framed with delicate scrolled carving. h. 50-1/4”, w. 16” $1,000-$1,500 21 Italian Fruitwood Armchair 19th century, the rounded crest and downswept arms above a pierced baluster-form splat, all inlaid with scrolling foliate and mythological bone patterns, the padded seat raised on cabriole legs joined by an H-form stretcher. h. 35” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 22 Three Portuguese Palissy Ware Plaques late 19th/early 20th century, each polychromeglazed plaque decorated with a lobster and various shellfish, the larger plaque, dia. 13”, and unmarked smaller plaque, dia. 9”, late 19th century, the other example marked “Roque, Gaeiras Obidos” and “Portugal”, dia. 9”, ca. 1914-1929, each with rear aperture for hanging. $1,200-$1,800

23 Iberian Mahogany and Fruitwood Center Table 19th century, the double-banded rectangular top with an intricately inlaid panel of scrolling foliate designs surrounding a panel of a stylized mythical beast, above a single frieze drawer, the drawer and sides with like-inlaid decoration, raised on turned beehive legs joined by an H-form barley-twist stretcher and ending in ball feet. h. 30-1/2”, w. 41-1/2”, d. 24” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,400-$1,800 24 After Domenico Ghirlandaio (Florentine, 1448-1494) “Presentation of the Virgin to the Temple”, 19th century oil on canvas Framed. 18-1/4” x 38-3/4”, framed 24” x 44-1/2” $1,000-$1,500

25 Unusual Continental Carved Giltwood Sunburst Plaque third quarter 20th century, decorated with winged angel heads on a wreath of silver-gilt-carved clouds, the rays emanating from a central medallion. h. 38”, w. 30” $1,000-$1,500 26 French Carved and Polychromed Wood Sculpture of the Virgin and Child ca. 1800, with pierced metal crowns and remnants of linen gowns, the delicately carved figure of the Virgin set atop a blue spherical base with crescent moon, one foot crushing a serpent, the Christ Child supported on her left arm. h. 49”, w. 16-1/2”, d. 18-1/2” Provenance: Collection of Allain Bush, New Orleans, Louisiana.

$1,500-$2,500 27 Continental Carved Giltwood Navette-Form Corona third quarter 19th century, with Dutch regal inscriptions painted around the inside edge, the outside with sun rays alternating with stars. h. 86-1/2”, w. 45-1/2” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,200-$1,800

26 12

28 Pair of Italian Carved, Gessoed and Polychromed Wood Figures of Angels 19th century, each with a shield in one hand and the other upraised. tallest h. 45”, w. 22”, d. 13” $2,000-$4,000

29 Pair of Italian Carved and Polychromed Figures on Faux Marbre Pedestals early 20th century, each figure holding a torchere standard and mounted to a turned wooden faux marbre column. h. 70”, w. 20”, d. 13-1/2” $2,500-$4,000

29 detail 29 13

30 Italian Carved Wooden Mirror in the Baroque Taste fourth quarter 19th century, the surround with flowerheads, the crest carved with a putto supporting fringed drapes, falling down each side and carved with knots, the lower corners with putti supporting the corners, framing pierced, stippled scrollwork. h. 55”, w. 38-1/2” $2,000-$4,000 31 Rococo Carved Walnut Crest fourth quarter 18th century, probably Italian, carved with a pair of putti supporting a central heraldic crest, framed with pierced tendrils of flowers, resting on carved scrollwork. h. 15-1/4”, w. 36-1/2” $1,000-$1,500 32 Unusual Italian Carved Walnut Plaque with Mirror Insert third quarter 19th century, the rounded form central mirror carried by a pair of angels, framed with delicate arabesquecarved scrollwork, oak leaves and flowers. h. 15-1/2”, w. 90” $1,000-$1,500

32 14

33 Continental Giltwood Sunburst Mirror 20th century, the convex mirror plate set into a flower-carved surround with sun rays. dia. 25-1/2” $1,000-$1,500 34 Continental Fruitwood and Leather Armchair 19th century, the square padded leather back surmounted by double-scrolled gilt corner finials, joined by flat arms to the padded leather seat, above double-turned stretchers, raised on block and turned legs to ball feet, the back and seat embellished with brass nailhead trim. h. 53” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500

35 Pair of Italian Carved and Parcel-Gilt Wooden Wall Plaques fourth quarter 20th century, decorated with crossed arrows, crossed battle flags and laurel branches, supported on carved ribbons and bowknots. h. 41-1/4”, w. 7-1/2” $1,000-$1,500

36 Continental Walnut and Fruitwood Center Table 20th century, the banded rectangular top inlaid with elaborate scrolling patterns, and raised on lyre-form end supports joined by a shaped stretcher and ending in scrolled toes. h. 31”, w. 71”, d. 31-1/2” $1,500-$2,500

37 Italian Oak and Fruitwood Commode 18th century, the rectangular top above a case fitted with a frieze drawer faced with applied scrolls, over three recessed paneled drawers flanked by turned columns, above a molded plinth base on bracket feet. h. 34-1/2”, w. 32-1/4”, d. 14-1/2” $1,000-$1,500

38 Petite Italian Walnut Cupboard 18th century, the rectangular top above a paneled frieze drawer flanked to either side by an acanthinefronted secret small drawer, over a single paneled cupboard door flanked by foliate-carved uprights, raised on projecting paw feet. h. 32-1/4”, w. 28”, d. 13-1/2” $1,200-$1,800

39 39 Suite of Four Gilt-Metal and Glass Sconces 20th century, the backplates decorated with metal leaves and set with scrolled arms with leaf-form sockets, mounted with curved glass shades set into metal frames, set with flowers and leaves. h. 19”, w. 15-1/4”, d. 9” $1,000-$1,500 40 Pair of Gilt-Metal and Glass Chandeliers in the Continental taste, each six-light chandelier with a metal frame set with scrolled candle branches decorated with gilt-metal leaves, and a circular bubble-glass shade divided into panels with arched crests decorated with metal flowers and leaves. h. 21”, dia. 17-1/2”

$1,000-$1,500 41 Pair of Gilt-Metal and Glass Chandeliers in the Continental taste, each six-light chandelier with a metal frame set with scrolled candle branches decorated with gilt-metal leaves, and having a circular bubble-glass shade divided into panels with arched crests, decorated with metal flowers and leaves. h. 21”, dia. 17-1/2”

$1,200-$1,800 42 Pair of Gilt-Metal and Glass Chandeliers in the Continental taste, each four-light chandelier with a metal frame set with scrolled candle arms with metal leaves, and a circular bubble-glass shade with arched panels decorated with metal leaves and flowers. h. 20”, dia. 12” $1,200-$1,800

43 Pair of Gilt-Metal and Glass Chandeliers in the Continental taste, each four-light chandelier with a metal frame set with scrolled candle arms decorated with gilt-metal leaves, and a circular bubble-glass shade with arched panels within a conforming frame decorated with metal leaves and flowers. h. 20”, dia. 12” $1,000-$1,500 44 Gothic Revival Painted Iron Altar on Stand first quarter 20th century, probably French, with a “shingled” roof decorated with pierced trefoils and a cross, and scroll-decorated spires on the corners and rooftop, the interior with a mirrored back, the matching stand with a trefoil-pierced skirt and spire-form drops. h. 69-1/2”, w. 23-1/2”, d. 9”

$1,000-$1,500 45 Pair of Terracotta Lions with a Faux Marbre Finish poised roaring and seated on boars, each on a plinth. h. 32-1/2”, w. 10-1/2”, d. 15” $2,000-$4,000

44 18

46 Cast Stone Figural Garden Bench modeled as a pair of winged sphinxes, joined by a weathered oak plank seat and back. h. 36”, w. 82”, d. 31” $2,500-$4,000 47 Pair of Carved and Painted Wooden Urn-Form Lamps in the neoclassical taste, the bodies decorated with swagging over long leaf carving, the inverted necks with design to match, on molded, square bases. h. 26-1/2”, dia. 8” $1,000-$1,500

48 Spanish Colonial Bulto of “Las Tres Marias” at the Crucif ixion f irst quarter 19th century, mixed media including polychromed carved wood, metal and fabric, the three f igures removable, on an integral conforming wooden base. h. 25”, w. 18”, d. 13” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

49 Pair of Borghese Silver-Gilt Lamps second quarter 20th century, Gaithersburg, Maryland, in the style of Italian rococo finials, on square bases, labeled on the bottom. h. 26-1/2”, w. 11-1/2”, d. 6-1/2” $1,000-$1,500

50 Pair of Italian Carved Giltwood Sconces in the Baroque Taste

second half 20th century, the fluted vasiform backplates decorated with carved scrollwork and bellflower lower finials, and set with scrolled candle arms decorated with giltwood leaves terminating in giltwood candle cups and drip pans. h. 34-3/4”, w. 22”, d. 8-3/4” $1,000-$1,500

51 Giltwood Mirror in the Spanish Baroque Taste 20th century, the cove-molded surround with black-painted decoration in the corners, the mirror plate lined with carved cabochons, the outer edge with carved swags. h. 52-1/2”, w. 41-1/2” $1,000-$1,500

52 Spanish-Style Oak and Fruitwood Guard Room Table the banded rectangular top with an inlaid diamond pattern, and raised on canted lyre-form supports joined by scrolling iron stretchers and ending in shaped toes. h. 28-1/2”, w. 57”, d. 24” $1,200-$1,800

53 Italian/Continental School (Second Half 18th Century) “The Expulsion of Hagar” “The Sale of Joseph” two oils on canvas each unsigned. Framed alike. each 23-1/4” x 18-3/8”, framed 27-3/4” x 23” Provenance: Private collection, Galveston, Texas. $1,500-$2,500

54 detail 54 Italo-Flemish School (Fourth Quarter 16th/First Quarter 17th Century) “Christ in the House of Mary and Martha” oil on copper unsigned. Presented in a custom-made Heydenryk frame. 13-3/4” x 10-1/2”, framed 19-1/2” x 16-1/4” Provenance: Private collection, Italy; Sotheby, Parke-Bernet Galleries, New York, New York, September 29, 1972, lot 7; Collection of Sue and Andy Schwartz, Houston, Texas. $2,500-$4,000 Christ in the House of Martha and Mary refers to a scene from the life of Jesus recorded in Luke 10:41-42, and it was a favorite theme portrayed numerous times in 16th-century Flemish and Dutch painting. According to scripture, Martha complained to Christ, her guest, that her sister Mary is so consumed by listening to his teachings that she has neglected to help her with dinner in the kitchen and is a poor hostess. Christ responds that it is acceptable as the spiritual need supersedes that of a bountiful feast. In the absence of religious iconography following the Protestant Reformation, Northern European artists turned to personal explorations of faith culled from direct readings of the newly translated German bible. Instead of saints and reliquaries, they explored landscapes and genre scenes, particularly vanitas still-lifes and domestic interiors. The still-life was par excellence the ultimate metaphor for the transience of life: ripe fruit and flowers, a skull, an hourglass, a butterfly or sly mouse, are all visual reminders of death - “finis gloriae mundi” (end of world glories) written throughout Ecclesiastes where the faithful are warned to not falsely store up treasures in coffers, as they too will decay, but to do so instead in the faith of everlasting life in the Kingdom of Heaven.

The story of Christ in the House of Martha and Mary depicted here in this painting represents another parable of Christian faith rich in visual resonance as the kitchen is a tour-de-force of material bounty. The f ine and realistic detail of the cabbage leaves, the down feathers of the bird, hung carcass, and ref ractive detail of the hourglass and all the copper pots and pewter plates lined along the walls is distinctly Flemish, even the architecture of the small town in the background, and recalls the works of Joachim Beuckelaer and Pieter Aertsen. Yet, the dynamism of the figures correctly rendered through perspective with a central vanishing point and rich modeling of robes recalls the works of Italian art - the draftsmanship characteristic of the Florentine School, the facial, portrait-like detail and saturation of the color is Venetian School and redolent of the religious buffet scenes of Tintoretto. In typical Dutch/Flemish depictions of Christ in the House of Martha and Mary, the secular and spiritual space are separate and asymmetrical with the abundance of the vanitas piled in the foreground and devoid of pictorial depth. The illusion of depth is thus created by a diminutive Christ, not likely more than 3-1/2 apples tall, crowded into a small niche with leaded windows or upturned floor tiles - a convention drawn from the reverse perspective of 14th-century Late Gothic and Byzantine traditions. Here the styles of both Northern and Italian Renaissance/ early Baroque traditions are seamlessly blended into a unique work born of cross-cultural influence courtly at the dawn of 17th-century Enlightenment.

55 Follow of Peter Paul Rubens (Flemish, 1577-1640) “The Assumption of the Virgin”, late 17th century oil on copper laid down on masonite unsigned. Presented in a custom-made Heydenryk frame. 14-1/2” x 10-1/2”, framed 22-3/4” x 19” Provenance: Private collection, Vienna, Austria; Sotheby, Parke-Bernet Galleries, New York, New York, September 29, 1972, lot 13; Collection of Sue and Andy Schwartz, Houston, Texas. $2,000-$4,000

56 Follower of Jacopo da Ponte Bassano (Italian, 1510/15-1592) “Holy Family/Adoration”, 17th century oil on copper laid down on wood panel with cradle board support unsigned, cradle backing with a red wax seal of Erle-DraxSawbridge family crest, and a “James Bourlet & Sons, Ltd” framers/packers label, ca. 1911-1930. Framed. 12-1/4” x 9”, framed 19-3/8” x 16-1/4”

Provenance: Probably John Rushout Northwick, 2nd Baron, his sale, Phillips, Cheltenham, England, July 26-August 30, 1859; John Samuel Wanley Sawbridge Erle-Drax, M.P. (18001887), Charborough, Dorset, England; thence by descent; Private collection, Vienna, Austria; Sotheby, Parke-Bernet Galleries, New York, New York, September 29, 1972, lot 9; Collection of Sue and Andy Schwartz, Houston, Texas. $1,500-$2,500

57 After Raphael (Raffaello Sanzio, Italian, 1483-1520)

“Christ Falling on the Way to Calvary (1514-1516)”, ca. 1700 oil on canvas unsigned. Unframed. 15-1/4” x 11-3/4” $1,500-$2,500

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59 58 Italian School (Second/Third Quarter 17th Century) “The Sacrifice of Isaac” oil on linen unsigned, titled in English and French on stretcher, Spanish newsprint on frame backing. Framed. 19” x 26-1/8”, framed 23-1/4” x 30” $1,000-$1,500 59 Follower of Bartolome Esteban Murillo (Spanish, 1617-1682) “Infant St. John the Baptist with Lamb” oil on canvas unsigned. Framed. 14-3/8” x 11-5/8”, framed 22” x 19” $1,200-$1,800 60 Giltwood Mirror in the Italian Baroque Taste 20th century, the bold surround carved with pierced scrollwork, the crest with an overhanging leaf finial, the lower edge with a scroll-framed shell. h. 29”, w. 22-3/4” $1,000-$1,500

61 Italian Walnut Settee 19th century, probably Venetian, the padded and domed back joined by exaggerated outswept arms to the cushioned seat, raised on molded cabriole legs ending in outscrolled toes. h. 40”, w. 91”, d. 24” $1,000-$1,500

62 Continental Polychromed Demi-lune Cabinet 19th century and later, in the neoclassical taste, the demi-lune top centered by a classical medallion, above a conforming case fitted with four central drawers flanked to either side by a rounded cupboard, all with decorative scrolling patterns, raised on tapering square legs. h. 33”, w. 54”, d. 26”

$1,000-$1,500

63 Italian Carved Giltwood Dolphins second quarter 19th century, modeled with their tails intertwined, each tail balancing a faux marbre spherule. h. 13-3/4”, w. 24”, d. 5-1/2” $1,000-$1,500

64 Italian Giltwood Grotto-Style Piano Stool the foliate-modeled and shaped seat centered by a carved leonine cartouche, the front end curving to carved volutes, on an extending and rotating iron shaft joined to a dolphincarved pedestal. h. 21-1/2” to 27”, w. 19”, d. 14” $1,500-$2,500 65 Diminutive Italian Giltwood Looking Glass 19th century, the upper crest fitted with a circular mirror and carved lion’s masque above and below, the lower shield-form mirror flanked by female figures and foliate carvings, and an additional lion’s masque below. h. 31”, w. 22” $1,000-$1,500

66 Large Pair of Italian Giltwood Appliques 20th century, each with a triple tiered fruit basket, drapery swags and suspended by carved roping. h. 40”, w. 13” $1,000-$1,500 67 Continental Machine-Made Verdure Tapestry of a Chateau 20th century, set within a lush park setting with lake and blooming trees. Framed. 58-1/2” x 73-1/2”, framed 63-1/2” x 80”

$1,200-$1,800

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68 detail

68 Unusual Pair of Italian Giltwood and Marble-Top Demilune Console Tables 19th century, each with a heavily carved standard with “acorn and leaf ” and various other foliate and floral motifs. h. 38”, w. 27”, d. 15” $1,000-$1,500 69 Pair of Travertine and Polished Bronze Pedestals in the neoclassical taste, the reeded standards fitted with Corinthian columns and square tops, the two-part bases with bronze star mounts and molded bronze trim. h. 42”, w. 10-3/4”, d. 10-3/4” $1,000-$1,500

70 Enrico Fanfani (Italian, 1824-1885) “A Sacrificial Offering to the Goddess Vesta” oil on canvas signed lower left. In an opulent and impressive gessoed and carved giltwood pierced frame with exuberant foliate motif. 33” x 23-1/2”, framed 56” x 44” Provenance: Private collection, Galveston, Texas. $3,000-$5,000

The virgin Vesta was the goddess of hearth and home and as such was considered one of the guardians of Rome. Her festival was one of the most crucial rituals in the pagan calendar and the only one in which women took an active role and were the main participants. Fanfani has here employed a color palette of burnished browns, golds, creams and peach tones, creating a subdued atmosphere of intense personal contemplation. He has chosen the praefatio, or purification, portion of the ritual, the moment when communion with the deity has commenced. The young officiant sits quietly beside the bronze thymiaterion, gazing into the smoke produced by the eagle-sided incense burner.

71 Italian Silver-Leaf, Polychromed and Onyx-Top Table early 20th century, the long oval top with a conforming inset onyx slab, above a base with two pedestals, each carved with a pair of garbed male figures modeled supporting the top. h. 30”, w. 82”, d. 42” $4,000-$7,000

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72 Rare, Monumental Italian Baroque Faux Marbre and Silver-Gilt Mirror fourth quarter 18th century, with a reverse serpentine crest, with broad plains of rosso antico faux marbre, trimmed in silver gilt, on a painted base and set with an antique mirror plate. h. 110”, w. 85” $1,500-$2,500

73 Painted and Parcel-Gilt Wood and Metal Chandelier in the Italian Baroque taste, the turned and carved standard set with scrolled metal arms on two levels, each set with turned wooden candle cups and hung with giltwood tassels, the top with a spray of giltwood tassels. h. 34”, dia. 28-1/2” $1,000-$1,500

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74 Painted Trumeau Mirror Set with Patinated Metal Sconces second quarter 20th century, with an oil-on-canvas painting of an Italian village, the painted rococo-style wooden f rame with serpentine crests on the upper and side panels, carved with flowers and set with scrolled patinated metal two-light sconces. h. 77”, w. 37” $1,200-$1,800 75 Figural Carved and Upholstered Headboard composed of antique elements, the tufted and padded upholstered panel flanked by antique carved figural elements, probably Italian, depicting a winged bust, scrolls and fruit, crafted to be used with a contemporary king-size mattress. h. 73”, w. 81”, d. 7” $1,000-$1,500

76 Pair of Painted Wooden Cornices first quarter 20th century, with molded ornament in the rococo taste, decorated with acanthus leaves and scrollwork, framed with upper and lower molding. h. 15”, w. 66”, d. 8” $1,000-$1,500

77 Continental Polychromed Armoire 19th century and later, the molded cornice above a case f itted with two doors, raised on shaped feet, the whole with polychromed designs in the neoclassical taste. h. 75-1/2”, w. 50”, d. 23” $1,500-$2,500

78 Four Verdigris-Patinated Bronze Garden Figures of the Four Seasons 20th century, each classically draped maiden holding various flora or fruit indicative of her specific season, each on a matching cove-molded circular base. h. 66-1/2”, dia. 22-1/2” $2,500-$4,000 79 Pair of Cast Stone Coral- and Shell-Filled Footed Garden Urns late 19th century, the surfaces softly weathered, each with a rimmed edge, lobed body, ring-turned and molded foot, and presented on a plinth base, both now filled with an array of corals and shells. h. 16-1/2”, dia. 16-1/2”

Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500 80 Pair of Terracotta Covered Garden Urns 20th century, in the rococo taste, the inverted pear-form bodies decorated with molded scrollwork and reeded bases, and set with lion’s-head handles, the reeded covers with molded cone-form knops. h. 36”, dia. 27” $1,000-$1,500

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81 Italian Polychromed Serpentine-Form Credenza the top with a molded overhanging edge, the front fitted with two conforming doors, raised on a molded base and supported by scrolled feet. h. 40”, w. 67”, d. 24” $1,000-$1,500 82 Venetian Painted and Parcel-Gilt Mirror ca. 1900, in the rococo taste, with a gilt-edged pierced crest ornamented with scrollwork, rocaille carving and flowerheads, the remainder of the surround carved to match, against a painted field with hand-painted flowers on a white ground. h. 50-1/2”, w. 27” $1,000-$1,500

83 Unusual Continental Baroque ParcelGilt and Polychromed Plaque fourth quarter 18th century, depicting a parcel-gilt vase supporting a rising sun, with angels floating in the sky above, set in a giltwood f rame with cut corners. h. 57”, w. 82” $1,200-$1,800

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84 Continental Onyx, Ormolu and Cloisonne Pedestal Table late 19th century, the canted square top with a cloisonne edge, and raised on a columnar standard with ormolu and cloisonne capitals, to a stepped socle base to paw feet. h. 34”, w. 16”, d. 16” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 85 Pair of Venetian Painted and Parcel-Gilt Overmantel Mirrors fourth quarter 19th century, with integral china brackets at the top, center and on each side, with rocaille and scrolled carvings, with pierced giltwood edges, on a celadon ground. h. 21”, w. 45”

Provenance: Private collection, Galveston, Texas. $1,200-$1,800 86 Carved and Painted Bracket of a Bound Satyr 17th century and later, probably Italian, possibly depicting the myth of Apollo and Marsyas, the figures against a ground of scrollwork, with a masque of Beelzebub at the base, now with a 19th-century shelf. h. 16-1/2”, w. 18”, d. 7-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500

87 Italian Carved Giltwood Mirror on Painted Panel second half 20th century, in the Venetian rococo taste, carved with pierced rocaille and scrollwork, mounted on an aquapainted panel with a giltwood surround. h. 58”, w. 32” $1,000-$1,500

88 Italian Rococo-Style Polychromed and Faux-Marbre Console Table

20th century, the shaped top above a conforming pierced shell frieze, raised on molded scrolling legs joined by a like stretcher and ending in scrolling toes on toupie feet. h. 34”, w. 56”, d. 21” $1,500-$2,500 89 Continental Polychrome Cabinet 19th century and later, the rectangular top above a case fitted with a single paneled cupboard door with a central landscape medallion amidst scrolling patterns, raised on block feet. h. 40-1/2”, w. 36”, d. 17” Provenance: Tara Shaw, New Orleans, Louisiana; Collection of Allain Bush, New Orleans, Louisiana. $1,200-$1,800

90 A. Costa (Italian, 19th Century) “Coastal Mediterranean Landscape” oil on canvas signed lower right. Framed. 13” x 19”, framed 21” x 27” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

91 Venetian Rococo-Style Polychromed Desk and Side Chair the desk with a serpentine top over a conforming case with a kneehole opening, and a center drawer flanked by a bank of three drawers, raised on cabriole legs, h. 30”, w. 43”, d. 29-1/2”, and the chair with a shaped back, needlework seat and cabriole legs joined by serpentine stretchers, h. 39-1/2”, both adorned with polychrome decoration depicting flowers, arabesques and genre scenes. $1,000-$1,500 92 Arthur Vidal Diehl (American/Massachusetts, 1870-1929) “Venice Port” oil on board signed lower left. Framed. 32” x 20”, framed 38” x 26” $1,500-$2,500

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93 93 Continental Door with Painted Decoration ca. 1800 and later, painted with a faux rococo boiserie panel framing a Tuscan landscape and buildings, with a period wrought iron thumb latch. h. 84”, w. 31-1/2” $1,500-$2,500 94 Assembled Pair of Large French Terracotta Anduze Pots

95 95 Italian Giltwood Mirror of Rococo Inspiration

19th/20th century, each with green and amber “stripes” of glaze on a light ground, decorated with swags and roundels with heraldic shields, the earlier example with reeding and the later example with incised concentric rings, with drainage holes in the bottoms. h. 32”, dia. 19-1/2”

mid-19th century, the surround with mirror plate inserts, the arched crest decorated with a basket of flowers f ramed with scrollwork, grapes on each side, the reeded surround ornamented with scroll- and rocaille-carved corners. h. 41-1/2”, w. 25”

Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana.

Provenance: Estate of Julia Hamilton, Baton Rouge, Louisiana.

$1,000-$1,500

$1,200-$1,800

96 Contemporary Giltwood and Marble-Top Side Table of Louis XVI inspiration, the D-form marble top above a conforming dentillated frame with pendant swag garlands, raised on spiralribbed tapering circular legs ending in toupie feet. h. 34”, w. 38”, d. 16-3/4” $1,500-$2,500 97 Directoire-Style Creme-Peinte and ParcelGilt Settee

late 19th century, the padded, slightly domed back within a scroll-carved frame, joined by padded outscrolled arms to the cushioned seat, raised above a like-carved frieze on paneled, tapering square legs. h. 33”, w. 88”, d. 31” $1,000-$1,500 98 Pair of Contemporary Painted and ParcelGilt Mirrors 20th century, the creme-peint rectangular backs fitted with baroque-style mirrors outlined with gilt scrollwork. h. 57”, w. 31” $1,000-$1,500

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99 Highly Unusual Italian Parcel-Gilt Branch-Carved Marble-Top Console and Mirror 19th century, the mirror f rame carved in the naturalistic form of branches and leaves, over a marble-top console of similar design, the surface retaining traces of its gesso wash and gilding. h. 92”, w. 39”, d. 17” $1,800-$2,500 100 Venetian Hand-Carved Figure of a Female Blackamoor on Pedestal fourth quarter 19th century, the figure dressed in a feathered skirt with one arm raised, poised atop a rocky outcropping, retaining traces of gilt and paint, above a faceted base with molded trim. h. 48-1/2”, dia. 8-1/4” $1,000-$1,500

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99 101 Contemporary Neoclassical-Style Composition and Marble-Top Console Table the demi-lune marble top raised on a base in the form of a large, fluted campana-form urn to a socle base. h. 30”, w. 48”, d. 20” $1,000-$1,500

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102 Painted Wooden Mirror of Tuscan Inspiration stenciled with blue-gray anthemia and scrolled flourishes on a white ground, the surround with a cove molding, the mirror plate with scattered patination. h. 86-3/4”, w. 38-1/2” $1,000-$1,500 103 Continental Polychromed Chest 19th century and later, the rectangular top with a molded edge and raised above a conforming case fitted with three long drawers, raised on block feet, the whole with polychromed accents in the neoclassical taste. h. 31”, w. 39”, d. 21” $1,000-$1,500

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104 Neoclassical Polychromed Settee 20th century, the back and sides with a padded crest over a spindled gallery, the cushioned seat raised above a carved and paneled apron, on tapering circular legs headed by foliate capitals. h. 34”, w. 69”, d. 25” $1,000-$1,500

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105 Pair of Italian Palladio Parcel Silver-Gilt Carved Wood Sconces third quarter 20th century, the carved and pierced quiver-form backplates terminating in sunburst crests, set with scrolled metal candle branches and silver-gilt candle sockets, the backs stamped “Palladio, Made in Italy”. h. 26-3/4”, w. 9”, d. 4” $1,200-$1,800 106 Pair of Baroque-Style Iron Torcheres the 17th-century style strapwork candle holders with pierced surrounds decorated with leaves, the twisted standards supported on tripod bases. h. 61-1/4”, dia. 18-1/2” Provenance: Selected for the interior of a Pacific Palisades, California villa decorated by Richard Brayton of BraytonHughes Design Studios, San Francisco, California.

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Literature: One illustrated in situ: “A California Villa”, Architectural Digest, July 1999, p. 78. $1,000-$1,500 This pair of baroque-style torcheres was selected by interior designer Richard Brayton, co-founder of BraytonHughes Design Studios in San Francisco, for the interior of an impressive Italian villa-style Pacific Palisades residence decorated with antique and modern pieces to achieve a rustic Italian theme. The home was featured four times in Architectural Digest, but most notably on the cover of the July 1999 issue. 107 Bronze-Patinated Cast Iron Lion Garden Figure the recumbent lion with a flowing mane, on a plinth base. h. 19-1/2”, w. 36-1/2”, d. 13” $1,000-$1,500

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108 Neoclassical-Style Polychromed Demi-lune Side Table the demi-lune top with a large Prince of Wales feather design, above a conforming frieze, raised on bulbous turned and tapering circular legs ending in tall toupie feet. h. 31”, w. 43”, d. 22” $1,000-$1,500

108 109 Continental Polychromed Cabinet 18th century, the rectangular overhanging top above a pair of plank doors mounted with hand-forged butterfly hinges, raised on bracket feet. h. 40”, w. 60”, d. 23-1/2” $1,000-$1,500 110 Italian Venetian-Style Polychromed Window Seat the long upholstered seat flanked to either end by exaggerated outswept padded arms, raised on cabriole legs ending in scrolled toes. h. 26”, w. 67”, d. 16” $1,000-$1,500

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111 Italian Polychromed Cabinet 19th century and later, the rectangular faux marbre top with canted corners, above a conforming case fitted with a single drawer over two paneled cupboard doors, raised on shaped bracket feet, the whole with delicate polychrome accents in the neoclassical taste. h. 45”, w. 41”, d. 21” $1,200-$1,800 112 Scandinavian Neoclassical Pickled Pine Settee 19th century, the rectangular back centered by a raised triangular crest with a sunburst carving, and joined by paneled sides to the cushioned seat, the front with a pull-out storage/trundle compartment, raised on tapering circular legs with lotus capitals and ball feet. h. 48”, w. 73”, d. 24” $1,000-$1,500

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113 Custom Fruitwood Farmhouse Table the rectangular top raised on shaped end supports joined by a stretcher. h. 30”, w. 96”, d. 39-1/2” Provenance: Selected for a Malibu, California interior designed by Nate Berkus. $1,000-$1,500 114 Two Continental Terracotta Olive Jars 19th/20th century, of traditional amphora form, with rolled rims, the interiors and rims glazed. h. 31-1/2” and 41”, dia. 17” and 20”

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$1,000-$1,500 115 Near Pair of Continental Terracotta Olive Jars 19th/20th century, of traditional amphora form, with rolled rims, the interiors and rims glazed. h. 31-1/2” and 32”, dia. 18” $1,000-$1,500

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116 Giltwood and Painted Metal Chandelier in the Italian provincial taste, the turned wood standard joined to six scrolled arms adorned with molded leaves, ending in turned wood candle cups, the corona decorated with giltwood tassels. h. 38”, dia. 58” $1,000-$1,500

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117 Large Painted Wood, Metal and Parcel-Gilt Chandelier in the Italian provincial taste, the two tier, twelve-light chandelier with a segmented standard supporting scrolling arms mounted with leaves and ending with turned wooden candle cups, the corona decorated with giltwood tassels. h. 49”, dia. 64” $1,200-$1,800

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118 Painted and Parcel-Gilt Wood and Metal Chandelier in the Italian provincial taste, the six-light chandelier with a turned standard ornamented with parcel-gilt reeded elements, and set with scrolled candle branches decorated with metal leaves and terminating in turned wooden candle cups, the top with a spray of giltwood tassels. h. 39”, dia. 34” $1,000-$1,500

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119 119 Pair of Painted Architectural Panels 20th century, the raised cut-corner central panels painted en grisaille with landscapes framed in scrollwork, with upper and lower wooden trim. each h. 43-1/2”, w. 63-1/2” $1,000-$1,500 120 Italian Rococo-Style Polychromed and Marble-Top Center Table 20th century, the rectangular marble top with a molded edge, above a conforming frieze centered by a portrait medallion flanked by foliate scrolls to either side and a carved shell shield to either end, raised on cabriole legs headed by masque carving, joined by a shaped stretcher and ending in hairy paw feet. h. 28”, w. 39-1/2”, d. 20”

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Provenance: Private collection, Galveston, Texas. $1,500-$2,500 121 Pair of Venetian Carved and Silver-Gilt Wooden Sconces second quarter 20th century, in the rococo taste, the three-light sconces with oblong backplates with serpentine crests, decorated with carved shells and scrollwork, supporting scrolled, leaf-carved candle arms set with turned wood candle cups, electrified. h. 17-1/2”, w. 27-1/2”, d. 8-3/4” $1,000-$1,500

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122 Italian Exuberantly Carved and Polychromed KingSize Headboard 20th century, with a large central shell cartouche over an open-arched pediment, the lower headboard with a conforming arched cornice, accompanied by a composition semicircular corona and draperies. headboard h. 80”, w. 105” $1,200-$1,800 123 Pair of Neoclassical-Style Painted Metal Floor Lamps mid-20th century, the tapered standards set with latticework panels terminating in molded lotus leaves, raised on triangular bases with paw feet. h. 60-1/2”, w. 17”, d. 17” $1,000-$1,500

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124 Pair of Italian Parcel-Gilt Wood and Metal Torcheres third quarter 20th century, of Baroque inspiration, the painted, fluted vasiform standards with scroll-carved giltwood trim, with turned candle cups and metal scalloped drip pans, raised on metal cabriole legs decorated with giltmetal leaves. h. 61-1/2”, dia. 21” $1,000-$1,500 125 Parcel-Giltwood and Metal Chandelier in the Italian provincial taste, the six-light chandelier with a turned and reeded standard with giltwood accents, the top with a spray of giltwood tassels, with scrolled candle arms set with metal leaves and turned wooden candle sockets. h. 39-1/2”, dia. 41-3/4” $2,000-$4,000 126 Parcel-Giltwood and Metal Chandelier in the Italian provincial taste, the turned and painted standard with reeded giltwood accents, and hung with six scrolled metal arms decorated with leaves and set with turned wooden candle sockets, the upper portion with a spray of giltwood tassels. h. 38”, dia. 41” $2,000-$4,000

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127 Venetian Polychromed and Parcel-Gilt Headboard in the 18th-century rococo taste, with a shell- and foliate-carved crest over flora, scrolls, volutes and arabesques. h. 43-1/2”, w. 80”, d. 22” $2,000-$4,000

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129 128 Continental Provincial Polychromed Linen Cupboard 19th century, the molded and domed cornice above a case fitted with two doors, each inset with nine diamond-carved panels, the lower section consisting of two short drawers over a single long drawer, raised on ogee bracket feet. h. 93”, w. 67”, d. 21” $1,500-$2,500 129 Carved and Painted Wood Shell 17th century, the architectural fragment of a deeply carved shell, retaining an early painted surface. h. 12”, w. 25”, d. 8-1/2” Provenance: Chapelle de l’Athenee Royal, Tournai, Belgium; Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500 One of several carved wood elements removed from the church interior during an early 1980s modernization.

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130 Large Pair of Neoclassical-Style Cast-Iron Garden Urns of campana form, each with an egg-and-dart rim over a body with molded classical figures, above a shaped base. h. 46”, dia. 31” $1,000-$1,500

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131 Pair of Polychromed Cast Iron Campana-Form Garden Urns of generous size, each with an egg-and-dart rim over a body with a frieze of classical figures, lionmasque handles and a ribbed lower body above a plinth base. h. 39”, dia. 28” $1,200-$1,800

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132 Plaster Figure of the Nike of Samothrace ca. 1900, inscribed “P.P. Caproni & Bro. /Plastic Arts/Boston, USA” on brass label at back, after the ca. 2nd century BCE sculpture excavated in 1863 and now conserved at the Musee du Louvre, Paris. h. 35”, w. 13”, d. 10” $1,200-$1,800

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133 Pair of Painted Wooden Mirrors in the Palladian Taste ca. 1800, probably composed of architectural elements, with arched, dentillated cornices over conforming mirror plates framed with Ionic pilasters. h. 37-1/2”, w. 35-1/2” $1,000-$1,500

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134 Pair of French Parcel-Giltwood, Glass and Gilt-Metal Candelabra third quarter 20th century, of neoclassical inspiration, the painted and parcel-gilt urn-form standards set with scrolled candle branches decorated with glass beading and terminating in giltwood sockets with gilt-metal drip pans, arranged around a central standard set with spire-form glass finials and sprays of drops, the arms hung with swags of prisms, marked “Made in France” on the bottom. h. 32-1/2”, dia. 13” $1,000-$1,500

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135 Large Italian Giltwood and Marble-Top Dining Table ca. 1900, of rectangular form, the marble top with shaped corners, the giltwood base with carved scroll-form legs. h. 32”, w. 35”, l. 81” $1,500-$2,500

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136 Pair of Unusual Carved and Parcel-Gilt Mirrored Sconces 20th century, in the Italian rococo taste, in the form of barometers, each with rocaille- and scroll-carved giltwood edges against a green-painted ground, set with beveled, oxidized mirror plates, the circular mirror divided into sections and set with three patinated metal scrolled candle branches. h. 43-1/2”, w. 15” $1,500-$2,500 137 Italian Rococo Carved Giltwood Mirror third quarter 18th century, the rectangular mirror plate with an ogee-carved surround, the mirror-inset crest decorated with rocaille and scrollwork, the sides ornamented with pierced, carved rocaille and scrollwork. h. 37-3/4”, w. 27” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500 138 Pair of Italian Giltwood Mirrors in the Rococo Taste second half 19th century, the surround with bold carved foliage, the crest with overhanging leaves, each mirror set with a pair of scrolled candle branches terminating in leafmolded candle cups and matching drip pans. h. 35-1/4”, w. 27”

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$1,500-$2,500

139 Italian Fruitwood Commode late 18th century, the slightly bowed top above a conforming case fitted with two long drawers over a shaped and pierced foliate-carved apron, raised on molded cabriole legs. h. 33”, w. 44-1/2”, d. 25-1/2” $1,200-$1,800 140 Large Exuberantly Carved Pine Pedestal of Bacchus 20th century, probably Italian, the god of wine and harvest seated upon a square pillar richly decorated with grape and foliate motifs. h. 74”, w. 26”, d. 26”

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Provenance: Private collection, Galveston, Texas. $1,000-$1,500 141 Venetian-Style Stained Hardwood Blackamoor Table 20th century, the top carved in shallow relief with a curtain-form apron, supported by a carved kneeling figure, the underside of the top affixed with a metal label, “From the Collection of Loyd-Paxton, Dallas, Texas”. h. 37-1/4”, w. 29”, d. 22-1/4” $1,200-$1,800 142 Italian Neoclassical Fruitwood Commode early 19th century, the rectangular top with canted corners above a conforming case fitted with three long paneled drawers, raised on shaped toes. h. 32”, w. 49-1/2”, d. 23” $1,200-$1,800

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143 Italian Rococo-Style Olive Wood Desk the serpentine top over a conforming case of kneehole form, the center drawer flanked by banks of two shaped drawers, raised on cabriole legs. h. 31-1/2”, w. 53”, d. 27” $1,000-$1,500 144 French Giltwood Sunburst Mirror second quarter 20th century, of Louis XV inspiration, the carved wooden “rays” emanating from the central “sun” framed with beading and a cove molding. dia. 25” $1,000-$1,500

145 Italian Neoclassical Walnut, Fruitwood and Marble-Top Commode early 19th century, the rectangular marble top above a case fitted with three long drawers, the bottom two centered by an inlaid classical f igural medallion, raised on tapering square legs. h. 34-1/2”, w. 47”, d. 21-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,400-$1,800 146 Pair of French Patinated Metal Allegorical Figures Mounted as Lamps third quarter 19th century, one f igure holding a bird, allegorical of music, and the other holding a book, allegorical of poetry, on covemolded bases, with shades. h. 38”, dia. 18” $1,000-$1,500

147 Pair of Contemporary Oak and Fruitwood End Tables each with a banded square top with parquetry inlay, above a conforming frieze fitted with a single drawer, raised on ribbed tapering circular legs ending in toupie feet. h. 28-1/2”, w. 26”, d. 26” $1,000-$1,500

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148 Continental Neoclassical Onyx and Gilt-Metal Occasional Table the rectangular top with a molded edge, above a conforming frieze with applied scrolling foliate patterns, raised on tapering circular onyx legs joined by a scrolling urn-centered stretcher and ending in toupie feet. h. 31”, w. 25-1/2”, d. 16” $1,500-$2,500

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149 Partial Gilt-Decorated Crystal Tableware Service first quarter 20th century, comprised of fifteen champagne coupes, h. 4-3/4”, fourteen pilsner glasses, h. 6-1/4”, twelve hock glasses, h. 5-1/2”, fifteen cordial glasses, h. 4-3/4”, thirteen sherry glasses, h. 4”, fourteen liqueur glasses, h. 3-1/2”, twelve wine goblets with chartreuse bowls, h. 5-1/2”, six matching stands, dia. 7-1/4”, a pitcher, h. 9-1/2”, dia. 5-1/4”, two handled wine carafes, h. 11” and 11-1/4”, dia. 4-1/4” and 4-3/4”, a green bud vase, h. 4-1/4”, and a pair of place card holders, h. 3-3/4”. $1,200-$1,800

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150 Suite of Nine Botanicals of Pressed Hydrangeas 2021, each initialed “SW” and dated lower right, various shades of cream, blue, pink and green. All glazed and framed alike. each framed 17-1/4” x 13-1/4” $1,200-$1,800 151 Pair of Rococo Revival Cast Iron Urns on Faux Terracotta Pedestals fourth quarter 19th century and later, the inverted pear-form urns with molded shells and scrollwork, the pierced handles decorated with rocaille and scrolls, now on 20th-century faux terracotta painted pedestals with ogee molding. h. 74”, w. 29”, d. 17” $1,000-$1,500 152 Pair of Italian Parcel-Giltwood and Gilt-Metal Sconces second half 20th century, the tapered backplates carved with acanthus leaves and decorated with painted stars on a black ground, the crests decorated with boldly carved baskets of fruit, each set with two pairs of leaf-molded gilt-metal candle arms. h. 42”, w. 7”, d. 6-1/2” $1,000-$1,500

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153 Monumental Continental Mahogany and Portor MarbleTop Console Table late 19th century, the thick, rectangular marble top with a molded edge, above a frieze centered by a Bacchic masque issuing grapevine garlands, raised on large cabriole legs headed by acanthine carving and ending in hairy paw feet. h. 37”, w. 77”, d. 32” Provenance: Private collection, Galveston, Texas. $2,500-$4,000

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154 Attributed to Charles-Francois Grenier, dit Lacroix de Marseille (French, ca. 1700-1782) “Pecheurs dans des Rochers pres d’ un Petit Port” oil on canvas partially signed/inscribed “Lac...” lower right and identified in old French script on stretcher. Framed. 19” x 23-1/4”, framed 22-3/4” x 26-7/8” Provenance: Private collection, by descent. $6,000-$9,000

Charles Francois Grenier de Lacroix, also known as Lacroix de Marseille, was a prolific 18th-century landscape/seascape painter, who specialized in capriccio scenes, characterized by fantasy landscapes and seaports with Roman ruins, fishing boats and staffage. Little is known of his early years. Born in Marseille, Lacroix is believed to have apprenticed with Claude Joseph Vernet, traveling in Rome with him in 1750, and 1751 where he gained international recognition after he copied four of Vernet’s paintings for Sir Matthew Fetherstonhaugh, 1st Baronet, with near identical bravura as Vernet - the hand reportedly indistinguishable aside f rom the signature. After Vernet was summoned back to France in 1753 by Louis XV for a royal commission, Lacroix remained in Rome for nearly a quarter of a century, creating a lucrative career in capriccio scenes for wealthy patrons that further aggrandized the Grand Tour, working under the name Della Croce and Lacroix de Marseille. The work offered here exhibits many of the key characteristics associated with Lacroix’s mature oeuvre, notably the rocky bluffs with natural or carved arches offset by low horizons and wide expansive skies, deep ultramarine blue and green reflective seas seamlessly integrated with diminutive maritime trade in warm colors of ochre and brown. The work is vaguely reminiscent of French and Italian Mediterranean harbors, yet idealized and intimate. As Vernet notoriously stated about his seascapes and the genre he imparted to his followers and pupils: “Others may know better how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture.”

155 Belgian/Dutch School (Fourth Quarter 19th Century) “Fire on the Canal, Possibly Bruges or Ghent” oil on canvas unsigned. Framed. 22” x 32”, framed 28-1/2” x 38-1/2” $1,500-$2,500

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156 Biedermeier-Style Bronze-Mounted Mahogany Mirror first quarter 20th century, the upper tablet decorated with a crotch mahogany lozenge set with a pierced and molded gilt-bronze mount in a panel lined with giltwood beading, the beveled mirror plate lined with matching giltwood beading, the mahogany surround with ebonized corner blocks. h. 59-3/4”, w. 36” $1,000-$1,500 157 Pair of Italian Empire-Style Giltwood Mirrors mid-20th century, the large lyre-form mirrors decorated with eagle-headed terminals flanking a flower-carved finial, with stars on the cross bar, the lower portion carved with acanthus leaves and ebonized lion-head masques, the mirror plates with giltwood “strings”. h. 52-1/2”, w. 27” $2,000-$4,000

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158 Pair of Cast Bronze Lions 20th century, each recumbent figure with a flowing mane, the heads and haunches oriented in opposing directions, on a plinth base. h. 22-1/2”, w. 42-1/2”, d. 18-1/2” $1,800-$2,500 159 Italian Neoclassical Walnut Mechanical Cylinder Desk

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18th century, the top with a row of three side-by-side drawers, the center drawer with a drop front opening to a compartmented interior for use as a lap desk, above a cylinder roll and pull-out writing deck, the base with two long drawers, the f ramed and paneled construction with carved moldings and beaded trim, the writing desk and cylinder with a unique locking system. h. 52”, w. 53”, d. 27” $1,000-$1,500 160 Collection of Three Miniature Hardwood Chests 19th/20th century, the collection including a fruitwood Biedermeierstyle chest set with ebonized pilasters with brass f inials, h. 13-3/4”, w. 17-1/2”, d. 8-3/4”, a walnut blanket chest in the American Chippendale style, h. 7-1/2”, w. 16-1/4”, d. 7-1/2”, and an American poplar and pine chest, h. 15-1/4”, w. 16-1/4”, d. 9”.

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$1,000-$1,500 161 Italian-Style Fruitwood Cabinet the heavily molded cornice above three open fabric-lined shelves and two short drawers, the lower section fitted with two paneled cupboard doors, raised on block feet. h. 88”, w. 50”, d. 19” $1,000-$1,500

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162 Gilt-Bronze Chandelier in the Neoclassical Taste second half 20th century, the turned standard decorated with trumpeting putti, the scrolled arms with seated putti, the corona decorated with anthemia. h. 34-3/4”, dia. 31-1/2” $1,200-$1,800 163 Interesting Oak and Gilt-Metal Jardiniere early 20th century, probably French, with inner oak liner, cast metal rope-twist borders, and Gothic-form leafage, fleurs-de-lis and quatrefoil pierced panels, raised on paw feet. h. 12”, w. 23-1/2”, d. 10” $1,000-$1,500 164 Attributed to Taddeo Zuccaro (Italian 1529-1566) “The Nurture of Bacchus” pen and ink on laid paper, laid down on paperboard attribution inscribed in ink in border, further inscribed en verso with provenance and inventory number pertaining to the collection of “Sir Anthony Westcomb”, frame backing with “Christie’s” label. Matted, glazed and framed. drawing 8-7/8” x 11-1/4”, mat 11-1/4” x 14-7/8”, framed 16-1/2” x 19-1/2”

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Provenance: By repute, Collection of Sir Anthony Westcomb, Liverpool, England. $3,000-$5,000

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165 Italian Walnut and Fruitwood Commode late 18th century, the banded and shaped rectangular top centered by a panel scene of classical characters, flanked to either side by winged female warriors, above a conforming case fitted with two short drawers over two long drawers, all with foliate scrolling and mythical inlaid creatures, raised on cabriole legs ending in scrolled toes. h. 56”, w. 36”, d. 23” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,500-$2,500

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166 Pair of Neoclassical-Style Mahogany Settees

167 Pair of Continental Fruitwood Commodes

each with a carved double-back with urn splats, joined by outscrolled arms to the padded seat, raised on square legs ending in splayed feet. h. 34”, w. 54”, d. 19”

each with a rectangular top above a bombe case fitted with two long drawers and a scalloped apron, raised on cabriole legs. h. 32”, w. 45”, d. 19-1/2”

$1,000-$1,500

$1,200-$1,800

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168 Pair of French Bronze Dore et Patine Three-Light Sconces first quarter 20th century, in the neoclassical taste, the facades decorated with pierced and patinated bronze mounts depicting Poseidon and his attendants, supported on scrolled backplates, the bulbs fitted with beaded glass shades. h. 12-1/2”, w. 9”, d. 6-1/4” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500 169 Continental Patinated Bronze Eagle

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20th century, foundry mark along back of self-base, on a black marble columnar pedestal. eagle h. 32”, w. 12”, d. 13”; pedestal h. 38-1/2” $1,000-$1,500 170 Anglo-Indian Ebony and Mahogany Cabinet 19th century, the top edged with ebony cove molding, over a pair of paneled doors, to the base fitted with a pair of drawers, raised on turned legs. h. 38-1/2”, w. 30”, d. 16” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500

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171 Biedermeier Burl Maple Cheval Mirror mid-19th century, the beveled rectangular plate within a shaped frame with inlaid string accents, supported by shaped uprights joined by a pierced stretcher and ending in runner feet to casters. h. 73”, w. 43” $1,000-$1,500 172 Suite of Eight German Stained Lindenwood Carved and Inlaid Dining Chairs late 19th century, each with a pierced floral branch- and leaf-carved back, enclosing a central figural inlaid plaque depicting game or figures, suspended by a frame in floral and leaf inlay, with upholstered seat and cabriole legs. h. 42-3/4” $2,500-$4,000

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173 Jos van Bree (Belgian, 1784-1859) “Masterpiece Beheld Before the Sitters” oil on wood panel signed lower right, titled “Atelier du peintre” on early 20th-century label en verso. Framed. 22-1/4” x 30-1/4”, framed 33” x 36” $2,000-$4,000

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174 Dutch Oak Bombe Commode 20th century, the shaped rectangular top above a bombe case fitted with four graduated long drawers, raised on large hairy paw feet. h. 33”, w. 39”, d. 22” Provenance: Private collection, Galveston, Texas. $1,200-$1,800

175 175 Austrio/German School (Fourth Quarter 19th Century) “At the Barber’s” oil on canvas inscribed lower right “H. Austria Munchen”. Giltwood f rame. 24-3/4” x 20”, f ramed 35” x 30” $1,000-$1,500

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176 Turkish Angora Oushak Carpet 10’ 2” x 13’ 9” $1,500-$2,500 177 Turkish Angora Oushak Carpet 7’ 9” x 10’ 1” $1,000-$1,500 178 Nain Carpet 7’ 4” x 10’ $1,000-$1,500

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179 Laristan Sultanabad Carpet 9’ 1” x 12’ 2” $1,000-$1,500 180 Turkish Angora Oushak Carpet 10’ 1” x 13’ 10” $1,500-$2,500 181 Turkish Angora Oushak Carpet 8’ 3” x 9’ 8” $1,000-$1,500

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182 Heriz Carpet 11’ x 12’ 9” $1,200-$1,800 183 Turkish Angora Oushak Runner 2’ 8” x 23’ 7” $1,000-$1,500

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184 Charles Emile Jacque (French, 1813-1894) “Moutons et Poules” oil on canvas signed lower left. Framed. 18-3/8” x 15”, framed 30” x 27-1/8” $2,000-$4,000

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185 David Bates (British, 1840-1921) “Evening - Ambleside”, 1904 oil on canvas signed and dated lower right, signed, dated and titled en verso. Framed. 14” x 20-3/4”, framed 19” x 26” $1,000-$1,500

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186 Francois van Severdonck (Belgian, 1809-1889) “Sheep and Lamb Near a Duck Pond”, 1868 oil on wood panel signed and dated lower center, further inscribed en verso. Framed. 6-3/4” x 9-1/4”, framed 12” x 14-1/2” $1,000-$1,500

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187 Jan van Ravenswaay (Dutch, 1789-1869) “Farm Scene with Cattle and Sheep”, 1826 oil on canvas signed and dated lower left. Framed. 21-1/2” x 28”, framed 28” x 34” $2,500-$4,000 188 Henry Schouten (Belgian, 1864/7-1927) “Plowing the Fields”

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oil on canvas signed lower left. Framed. 35-1/2” x 53-1/4”, framed 41” x 59” $2,500-$4,000 189 George W. King (American, 1836-1930) “Tete a Tete” oil on canvas signed lower left. Framed. 18” x 22”, framed 30-1/2” x 34” $1,200-$1,800

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190 Jean Baptiste Daveloos (Belgian, 1807-1886) “Shepherds on a Country Road” oil on canvas signed lower center. Framed. 19-3/4” x 29”, framed 25-3/4” x 35-1/4” $1,500-$2,500

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191 Johannes Hubertus Leonardus de Haas (Austrian/Dutch, 1832-1908) “Bull and Cows in a Landscape” oil on canvas signed lower right. Framed. 16” x 23”, framed 23” x 30” $2,000-$4,000

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192 Joseph van Severdonck (Belgian, 1819-1905) “Ploughing the Field” oil on canvas signed lower right. Framed. 28-1/2” x 36”, framed 34-7/8” x 42-1/4” $2,500-$4,000

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193 Jean-Louis van Kuyck (Belgian, 1821-1871) “Crossing the Creek” oil on canvas signed lower right. Framed. 21-1/2” x 28”, framed 25” x 31” $2,500-$4,000

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194 Emile van Damme-Sylva (Belgium, 1853-1935) “Cattle in a Pasture” oil on canvas signed lower right. Framed. 29-3/4” x 45”, framed 35” x 51” $2,500-$4,000

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195 Robert C. Kluth (American, 1854-1921) “Mountainous Landscape with Sheep” oil on canvas signed lower left. Framed. 26-1/2” x 39-3/4”, framed 33” x 46-1/2” $2,500-$4,000

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196 French Provincial Fruitwood Armoire 18th century, with a molded wraparound cornice above a pair of framed and paneled doors, raised on short cabriole legs. h. 98”, w. 65”, d. 26” $1,000-$1,500 197 French Provincial Fruitwood Wing Chair 19th century, the carved and molded frame with floral and vine carvings, having open arms and raised on short cabriole legs. h. 40”, w. 33”, d. 32” $1,200-$1,800 198 Louis XV Miniature Fruitwood Buffet fourth quarter 18th century, with two paneled drawers over a pair of doors with triple-arch panels, the base with short cabriole legs flanking a shaped skirt with incised beading. h. 15”, w. 15-3/4”, d. 9-1/4” Provenance: Braderie de Lille, Lille, France; Collection of Allain Bush, New Orleans, Louisiana. $800-$1,200 199 Cast and Wrought Iron and Marble-Top Baker’s Table the rectangular marble top above a cast iron apron with foliate pendants, and raised on wrought iron tubular legs joined by a like stretcher with spherical brass finials. h. 30-1/4”, w. 48-1/4”, d. 27”

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$2,000-$4,000

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200 French Provincial Oak Cabinet 19th century, the molded and domed cornice with projecting canted corners and centered by a face-carved shield, over two astragal glazed doors, the conforming lower section fitted with two drawers over two cupboard doors, each inset with a shield-carved panel, raised on block feet. h. 107”, w. 66”, d. 22-1/2” $1,500-$2,500 201 Pair of Regence-Style Fruitwood Fauteuils 19th century, each with a slightly domed and padded back, joined by outscrolled arms to the padded seat, raised on cabriole legs joined by an X-form stretcher and ending in scrolled toes. h. 43” Provenance: Selected for the interior of a Pacific Palisades, California villa decorated by Richard Brayton of BraytonHughes Design Studios, San Francisco, California. Literature: One illustrated in situ: “A California Villa”, Architectural Digest, July 1999, p. 78. $1,500-$2,500 This handsome pair of fauteuils was selected by interior designer Richard Brayton, co-founder of BraytonHughes Design Studios in San Francisco, for the interior of an impressive Italian villa-style Pacific Palisades residence decorated with antique and modern pieces to achieve a rustic Italian theme. The home was featured four times in Architectural Digest, but most notably on the cover of the July 1999 issue.

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202 Provincial Louis XV-Style Fruitwood Desk mid-19th century, the long rectangular top above a frieze fitted with a drawer, flanking the kneehole, raised on cabriole legs. h. 28”, w. 75-1/2”, d. 32-1/2” $1,000-$1,500

202 203 French Provincial Fruitwood Buffet a Deux Corps late 19th century, the carved rounded rectangular cornice above a foliate-carved frieze and two doors, each inset with a grilled panel, the lower section fitted with a pull-out slide over two cupboard doors, each inset with a shaped panel and with incised foliate accents, above a shaped apron, raised on scrolled feet. h. 88”, w. 59”, d. 24” $1,000-$1,500 204 Unusual Continental Black Forest Carved Mirror fourth quarter 19th century, robustly carved with scrollwork and decorated with a battle scene, gladiators, cranes and putti and centaurs carrying nymphs in the lower corners. h. 47-1/2”, w. 38” $1,000-$1,500

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205 Continental Carved Oak Hatchment Panel ca. 1900, probably Dutch or Belgian, with two wellhatched escutcheons in courtoisie, the baron quartered, with griffin supporters, a crest of a fleur-de-lis volant de l’antique and motto “Honor et Fidelitas”, h. 47”, w. 46-1/2” $1,000-$1,500 206 French Provincial Oak Armoire 19th century, the domed foliate crest above a floral garland-carved frieze centered by an elaborate cornucopia carving, over two long tri-paneled doors with central musical motif, raised above a shaped apron on cabriole feet ending in scrolled toes. h. 102”, w. 64”, d. 21” Provenance: Private collection, Galveston, Texas. $1,400-$1,800 207 Provincial Louis XV-Style Fruitwood Settee 20th century, the tall, padded slightly domed back joined to the padded seat by shaped foliate-carved arms, raised above a foliate shell-carved frieze on cabriole legs ending in scrolled toes, upholstered in floral-patterned needlework. h. 48”, w. 61”, d. 26” $1,200-$1,800

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208 French Wrought Iron and Marble-Top Conservatory Table late 19th century, the large white marble slab mounted to a scrolled wrought iron base of trestle form. h. 33”, w. 79”, d. 37” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,200-$1,800

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209 209 Robert Chailloux (French, 1913-2006) “Still Life of Pottery Jug, Glass Bowl and Eggs” oil on masonite signed lower left. Framed. 10” x 13-3/4”, framed 18” x 21” $1,000-$1,500 210 French Provincial Polychromed Buffet a Deux Corps 19th century and later, the rounded rectangular molded cornice above a foliate-carved frieze over two bi-paneled tall doors, the compartmented lower section fitted with a pull-out slide over two paneled cupboard doors, over a shaped shell-carved apron, raised on cabriole feet. h. 92”, w. 55”, d. 25-1/2” $1,500-$2,500

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211 French Provincial Oak and Marble-Top Buffet 19th century and later, the thick marble top with molded corners, above a conforming case fitted with a central carved floral basket flanked by short drawers, over two cupboard doors, each inset with a shaped panel, raised on shaped feet. h. 40”, w. 51-1/2”, d. 21” $1,500-$2,500 212 French Wrought Iron and Marble-Top Conservatory Table late 19th century, the rectangular white marble top mounted to a wrought iron base with stylized X-form ends joined by shaped iron stretchers. h. 32”, w. 68”, d. 22” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500 213 French Provincial Polychromed Armoire 19th century and later, the molded and domed cornice above a star-carved frieze, with two long doors below, each inset with an upper grilled panel and a lower shaped, floral-carved panel, raised above a shaped apron on scrolled toes. h. 91-1/2”, w. 56”, d. 21-1/2” $1,500-$2,500

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214 French Carved and Polychromed Headboard 20th century, in the Louis XV taste, of trumeau form with a distressed mirror plate above an arched, padded panel and flanked by columns with foliate-carved vines terminating in carved pineapple finials. h. 104”, w. 68” $1,200-$1,800 215 Provincial Louis XV-Style Oak Draw-End Table early 20th century, the shaped rectangular top banded and with parquetry veneers, with a draw-end to either side, raised on cabriole legs headed by acanthine carving and ending scrolled toes. h. 29”, w. 37”, l. 59”, ext. l. 99” $1,200-$1,800

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216 Turkish Angora Oushak Carpet 10’ 2” x 13’ 3” $1,500-$2,500 217 Heriz Carpet 9’ x 12’ $1,000-$1,500 218 Antique Persian Heriz Carpet 7’ x 10’ 3” $1,000-$1,500

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219 Turkish Oushak Carpet 9’ x 12’ 5” $1,800-$2,500

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220 Antique Tabriz Carpet 10’ 7” x 13’ 4” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $3,000-$5,000

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221 Heriz Carpet 11’ 7” x 15’ 7” $3,000-$5,000 222 Semi-Antique Mahal Carpet 10’ 2” x 13’ 6” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,500-$2,500

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223 Louis XIV-Style Giltwood Fauteuil late 19th century, the padded, slightly domed back joined by downswept acanthine-carved arms to the padded seat, raised on paneled block and foliate-carved legs joined by a shaped H-form stretcher and ending in scrolled feet. h. 43” Provenance: Tara Shaw, New Orleans, Louisiana; Collection of Allain Bush, New Orleans, Louisiana. $1,200-$1,800 224 Regence-Style Fruitwood Commode 19th century, the rectangular top with a shaped front, above a slightly bombe case fitted with two long drawers, each with carved foliate accents, above a pierced shaped apron, raised on cabriole legs ending in scrolled toes. h. 38”, w. 48”, d. 26” $1,400-$1,800 225 Follower of Jean-Baptiste-Simeon Chardin (French, 1699-1779) “The Awaiting Maiden with Love Letter”

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oil on linen unsigned. Matted and framed. 31-3/4” x 26-1/2”, framed 35-1/4” x 30” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500

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226 French Giltwood Chandelier in the Louis XV Taste second quarter 20th century, the four-light chandelier with a tapered standard decorated with greenpainted fluting and gilt swagging, supporting scrolled candle branches carved with acanthus leaves, and foliate candle cups and matching drip pans, set with a reeded pendant finial. h. 26”, dia. 21” $1,000-$1,500

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227 Pair of Regence-Style Fruitwood Fauteuils late 20th century, each with a shaped and padded back surmounted by a foliate crest, joined by outscrolling padded arms to the cushioned seat, raised above a shaped foliate apron on cabriole legs headed by a foliate shield and ending in scrolled toes. h. 41” $1,000-$1,500

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228 Jean P. Platteel (Belgian, 19th Century) “Vegetable Vendors at Market” oil on panel signed lower right. Framed. 17-1/4” x 12-1/4”, f ramed 27” x 22-1/8” $2,000-$4,000

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229 229 Wilhelm Velten (German/Russian, 1847-1929) “The Hunter’s Halt” oil on board signed lower right. Glazed and framed. sight 6-1/2” x 9-1/2”, framed 15-1/4” x 18-3/4” $1,000-$1,500 230 Large French Carved Walnut Trumeau Mirror second quarter 20th century, the upper tablet set with a tapestry of figures in 18th-century costume in a landscape, the panels lined with carved surrounds decorated with scrollwork and rocaille work and punctuated with flowerheads. h. 97-1/2”, w. 56”

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$1,000-$1,500

231 Suite of Twelve Mahogany-Stained and Upholstered Dining Chairs in the Louis XV style, each with a tall arched, upholstered back joined to a carved seat rail, with a serpentine f ront rail and cabriole legs joined by molded X-form stretchers. h. 45” $2,500-$4,000

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232 Regence-Style Fruitwood Commode late 18th century, the rectangular top with a shaped f ront, above a conforming case fitted with three long drawers, raised on cabriole feet. h. 33”, w. 44-1/2”, d. 24” $1,200-$1,800 233 French Giltwood Mirror in the Rococo Taste fourth quarter 19th century, the beveled mirror plate set into a cove-molded surround, the pierced crest decorated with scrollwork and rocaille work, accented with flowerheads, the corners with rocaille piercing, the lower edge decorated to match. h. 60”, w. 44” $1,200-$1,800

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234 Pair of Regence-Style Beechwood Fauteuils a la Reine late 19th century, of generous proportions, the relief-carved f rame with a central shell in the crest rail, raised on cabriole legs ending in scrolled toes, covered in champagne treillagepatterned silk. h. 48”, w. 33”, d. 30” $2,000-$4,000

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235 Louis XIV-Style Bronze Chandelier second quarter 20th century, the eight-light chandelier with an urn-form standard mounted with scrollwork terminating in Bacchanalian busts, set with scrolled candle branches supported by masques and set with turned candle cups and beaded drip pans. h. 30-1/2”, dia. 33-3/4” $2,000-$4,000

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237 Louis XIV-Style Polychromed and Parcel-Gilt Settee late 19th century, the padded rectangular back joined by molded scrolling arms to the padded seat, raised on paneled tapering square legs joined by a shaped X-form stretcher and ending in ribbed block feet. h. 46”, w. 47”, d. 21” $1,000-$1,500

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236 Pair of Two-Panel Fabric-Covered Wooden Screens ca. 1900, with Gothic arched crests on each panel, three of the upper panels painted with figures in 18th-century costume, one with religious figures, the lower panels decorated with pots of flowers in the Italian Renaissance style. h. 67”, w. 96” $2,000-$4,000

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238 Impressive Four-Panel Screen with Eglomise Panels mid-20th century, each whitepainted frame set with four mirrored eglomise panels painted with various birds, butterflies and flowers within scrollwork, the back covered in polychromed tooled leather. h. 99-3/4”, w. 108”

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Provenance: Private collection, Galveston, Texas. $1,400-$1,800

238 back

239 Pair of Louis XV-Style Fruitwood Fauteuils 20th century, each with a padded square back surmounted by a foliate crest, joined by outscrolled arms to the padded seat, raised above a shell-carved apron on cabriole legs joined by an X-form stretcher and ending in scrolled hoof feet. h. 40” $1,000-$1,500 240 French Louis XV-Style Silver-Gilt Overmantel Mirror 20th century, the surround with mirror glass inserts and carved with scrollwork and rocaille work accented with carved leaves, the crest with a delicately carved and scrolled finial with latticework decoration. h. 67”, w. 53-1/2” Provenance: Private collection, Galveston, Texas. $1,200-$1,800

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241 Monumental Polychromed, Gessoed and Carved Wood Birdcage 20th century, in the form of a French Renaissance chateau, painted to resemble stone, the square end blocks supported on turned wooden stands, supporting the central portion decorated with a pair of turrets, the top set with elaborate dormer windows, all windows inset with metal grates. h. 93”, w. 69”, d. 23” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 242 French Cast Iron Covered Garden Urn

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fourth quarter 19th century, with unusual puttiform handles, f ramed with swags of fruit, the sides with Psyche-form mounts and flowers, the cover with scrollwork and a cone-form knop. h. 36”, w. 23”, d. 14” $1,000-$1,500 243 Pair of Patinated Bronze Garden Urns 20th century, in the rococo taste, with a green-patinated finish, each set with a pair of bold cherub-form handles, the urns decorated with shells framed with scrollwork, the upper portions with reeded rims over necks with grape cluster design, the leaf bases set with hoof feet. h. 38-1/2”, w. 35-1/2”, d. 16” $2,500-$4,000

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244 French Patinated Bronze of Cupid second quarter 19th century, the beautifully detailed figure seated with his torch cast aside, raised on a Siena marble plinth. h. 22-1/2”, w. 11”, d. 6-1/4” $1,000-$1,500

245 Pair of Bronze Dore et Patine Figural Candelabra third quarter 19th century, French, in the rococo taste, the ten-light candelabra with bronze patine standards of Cupid and Psyche with butterfly wings, supporting leafmolded bronze dore candle branches set with matching candle cups and drip pans, the bases decorated with basrelief scrollwork and pierced scrolled supports. h. 31”, w. 17-1/2”, d. 10-1/2”

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Provenance: Private collection, Galveston, Texas. $1,500-$2,500

246 Rare French Bronze Dore et Patine Surtout de Table first quarter 20th century, in the rococo taste, the surround molded with pierced scrollwork and rocaille work, accented with chased details, and decorated with patinated bronze putti with spears and hunting dogs pursuing stags and wild boar. h. 10-3/4”, w. 61”, d. 33-1/2” Provenance: Private collection, Galveston, Texas. $18,000-$25,000

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247 Louis XV-Style Gilded Beechwood Cartel Clock 20th century, lavishly carved with rocaille scrollwork and flowerheads, a pair of lovebirds carved above the dial, the lower portion with a putto against a carved shell, with a signed “FHS” (Hermle) German clock movement. h. 38”, w. 20” $1,000-$1,500 248 Exceptional French Baroque Architectural Carving fourth quarter 17th century, with a central raised medallion crowned with a putto head, framed with deeply carved scrollwork, with putti supporting leaves, on paw feet. h. 38-1/2”, w. 54-1/2” Provenance: Chapelle de l’Athenee Royal, Tournai, Belgium; Collection of Allain Bush, New Orleans, Louisiana. One of several carved wood elements removed from the church interior during an early 1980s modernization. $2,000-$4,000 249 Painted and Parcel-Gilt Mirror second quarter 20th century, the white-painted ogee surround with a giltwood edge and applied, carved scrollwork and flowerheads covering the edges of the mirror plate. h. 67”, w. 42” $1,500-$2,500

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250 Louis XV-Style Inlaid and OrmoluMounted Bureau/Center Table executed in mahogany and various woods, the serpentine top with floral and parquetry inlay, with a cast ormolu edge, over a conforming serpentine and scalloped apron fitted with a frieze drawer, sliding open to reveal inlaid hinged lidded, damask-lined compartments, raised on cabriole legs with bronze mounts. h. 30-1/2”, w. 40”, d. 26-1/2” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 251 Pair of Regence Fruitwood Fauteuils

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early 19th century, each with a tall, padded domed back, joined by padded foliatecarved arms to the padded seat, raised on cabriole legs headed by shell carving, joined by an X-form stretcher and ending in foliate-scrolled toes, pegged construction. h. 43” $1,200-$1,800 252 Italian Rococo-Style Painted, Giltwood and Marble-Top Console Table the inset shaped marble top within a molded edge, above a conforming pierced scrolling foliate-patterned frieze, raised on shaped legs joined by a stretcher and ending in foliatescrolled toes. h. 36-1/2”, w. 60”, d. 18-1/2” $1,200-$1,800

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253 Pair of Large, Handsome Carved Giltwood Mirrors 20th century, in the Louis XIV style, the arched crests decorated with carved shells and flowerheads, scrollwork, rocaille work and latticed panels, with mirror-inset surrounds framed with giltwood flowerheads and beading, the lower corners with leaf-carved scrolls. h. 61”, w. 44-3/4” $1,000-$1,500 254 Fine French Bronze Chandelier in the Louis XIV Taste 20th century, having twenty-four arms, each fitted with a candelabrum socket, and an additional twelve inner lights, each arm with tiers of cascading prisms. h. 47”, dia. 32” $3,000-$5,000

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255 Pair of French Baroque-Style Polished Bronze and Crystal Candelabra second quarter 20th century, now electrified, each having a vasiform standard with an engraved base and supporting two graduated tiers of scrolled candle branches, hung with sprays of cut glass drops and terminating in a cut glass f inial. h. 37”, dia. 16” $1,000-$1,500

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256 Louis XV-Style Mahogany and Parcel-Gilt Vitrine early 20th century, of serpentine form with an arched top and shell-carved crest, the lower panels with applied giltwood carvings, raised on cabriole legs. h. 81”, w. 32”, d. 17” $1,000-$1,500 257 Louis XVI-Style Marquetry-Inlaid Center Table late 19th/early 20th century, of Napoleon III form, the top of various mixed woods centered by trophy inlay, the perimeter with gilt-bronze molding, on an apron with burlwood panels and bronze trophy mounts, raised on fluted trumpet legs joined by shaped stretchers with a vasiform finial. h. 29”, w. 52”, d. 28-1/4” $1,500-$2,500

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258 Exceptional Pair of French Gilt-Bronze and Breche Sanguine Marble Covered Urns fourth quarter 19th century, in the Louis XV taste, the inverted pear-form urns mounted with lush bronze swags of fruit supported by Triton-form handles, the urns with gadrooned bronze mounts, the covers with bronze pomegranate-form knops. h. 32-1/2”, w. 26”, d. 15-1/2” Provenance: Private collection, Galveston, Texas. $2,000-$4,000

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259 Pair of Louis-Philippe Cut Glass, Gilt-Bronze and Marble Candelabra second quarter 19th century, now mounted as lamps, the cut glass vasiform standards with pierced, scrolled handles and candle branches, set with floriform sockets and leaves and tulips, with shades, raised on marble bases and marblebased platforms. h. 37-1/4”, w. 18-1/4”, d. 12-1/4” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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260 Pair of Baccarat Gilt-Bronze and Cut Crystal Urns third quarter 20th century, in the neoclassical taste, set with panel-cut crystal vasiform bodies with an etched Baccarat “decanter” mark on the bases, mounted with scrolled bronze and beaded handles and neck trim, raised on footed bronze bases. h. 15-1/4”, w. 7-3/4”, d. 5” Provenance: Private collection, Galveston, Texas. $1,200-$1,800

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261 Louis XV-Style Ebonized Writing Desk 19th century, the rounded rectangular top with an inset leather writing surface, above a conforming frieze f itted with two small end drawers, raised on cabriole legs headed by gilt shells and ending in scrolled toes. h. 30”, w. 51”, d. 27-1/2” $1,500-$2,500 262 Austrian School (Fourth Quarter 19th Century) “Courtship at Mother’s Behest - Perhaps Empress Maria Theresa and Her Son Leopold II to Maria Luisa”, 1873 oil on linen signed “W. Kelle/r” or “W. Kehle” and dated lower right. Framed. 14-1/2” x 12-1/8”, framed 24” x 22” $1,800-$2,500

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263 French Patinated Bronze and Crystal Chandelier second quarter 20th century, the thirty-two-light chandelier in the Louis XIV style, the bronze frame set with twelve branches, each with two tiers of candles, alternating with arms hung with cut glass drops, the interior with eight lights, the frame hung with multiple sprays of cut drops and a lower spherical drop. h. 45”, dia. 26” $1,200-$1,800

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264 Suite of Four Louis XVI-Style Polychromed Chairs each with a tall back with brass pineapple finials over fluted stiles centered by an upholstered panel, with round upholstered seat and fluted legs. h. 43-1/2” $1,000-$1,500 265 Louis XVI-Style Creme-Peinte and Parcel-Gilt Tester Bed late 19th/early 20th century, the bowed tester supported by scroll and columnar posts on guilloche-carved and fluted head and footboards with upholstered panels, both finished and upholstered on the front and back, together with a pair of matching bolsters and bed hanging. h. 103”, inside w. 43”, l. 76”, outside w. 47”, l. 79” $3,000-$5,000

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266 Louis XV-Style Carved and Painted Mirror 20th century, the crest decorated with a basket of flowers supported by bowknots and laurel swags, the serpentine crest carved with acanthus leaves, the lower edge trimmed with scrollwork. h. 63-1/4”, w. 36-1/4” $1,000-$1,500

267 267 Pair of French Polychromed Corner Planters early 20th century, in the Louis XV taste, with elaborate foliate- and shell-carved aprons continuing to tall cabriole legs, each fitted with a metal liner. h. 38”, w. 30”, d. 18” $1,000-$1,500

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268 Louis XIV-Style Polychromed and Marble-Top Side Table 20th century, the bowed marble top with projecting canted corners, above a conforming shaped foliate-carved f rieze, raised on molded cabriole legs headed by a foliate shield capital and ending in scrolled toes. h. 33”, w. 47”, d. 24” $1,200-$1,800

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269 E. Battiglia (Italian/19th Century) “Primavera” carved marble two jubilant putti with flowers, incised signature and inscribed “Firenze” along back edge. h. 33”, w. 16”, d. 10” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 270 Pair of French Belle Epoque Gilt-Bronze, Crystal and Onyx Vases ca. 1900, each with a gilt-bronze putto supporting a flower-engraved crystal trumpet vase, and mounted on a turned and tapered onyx base. h. 17-3/4”, w. 5-1/4”, d. 4”

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$1,000-$1,500 271 French Fin-de-Siecle Gilt-Bronze and Marble Urn fourth quarter 19th century, the gilt-bronze urn mounted with Bacchanalian horned satyr’s heads, raised on hoof feet and fitted with a cover of acanthine design, the cove-molded white marble base decorated with beaded trim and a pierced bronze mount. h. 15”, w. 6-3/4”, d. 6” $1,000-$1,500

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272 Pair of Louis XV-Style Polychromed Bergeres 20th century, each with a low padded back and sides surmounted by a floral crest, the cushioned seat above a floral-carved apron, raised on molded cabriole legs ending in scrolled toes. h. 33” $1,200-$1,800

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273 Set of Six Porcelain Oyster Plates early 20th century, probably German, gilt-decorated with a foliate border and impression stamped on the back “2212”. w. 9”, d. 9” $1,000-$1,500 274 Set of Nine Theodore Haviland Limoges Oyster Plates 20th century, all with floral design and gilt decoration, with underglaze mark on bottom. dia. 8-1/2” $1,000-$1,500 275 Transitional Louis XV/XVI-Style Kingwood Occasional Table early 20th century, the oval marble top with a three-quarter pierced brass gallery, above a conforming case fitted with three small drawers, joined to a lower banded quarterveneered kidney-form shelf by cabriole supports ending in sabots. h. 25”, w. 18-1/2”, d. 13-1/2”

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$800-$1,200

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276 Louis XVI-Style Kingwood Lady’s Desk early 20th century, the brass-bound rectangular top with an inset leather writing surface, above a conforming frieze fitted with a long drawer to one side and a short deeper drawer to the other, each with delicate inlaid vessels, raised on tapering square legs ending in toupie feet. h. 29-1/2”, w. 31-1/2”, d. 20” $1,500-$2,500

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277 French Pierced Bronze Encrier in the Louis XVI Taste ca. 1900, set with a pair of gadrooned inverted pear-form covered inkpots, the stand decorated with pierced scrollwork and rocaille work, latticed panels and a molded dragon finial, raised on paw feet. h. 6-1/4”, w. 14”, d. 7-3/4” $1,000-$1,500

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278 Pair of French Bronze Sconces second quarter 20th century, of Louis XVI inspiration, the ribbon-bound tassel backplates decorated with pierced bellflower garlands, and set with leaf-molded scrolled candle arms decorated with medallions and leaf-molded candlecups with matching drip pans. h. 27-1/2”, w. 16-1/4”, d. 10-1/4” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500

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279 279 Italian Polychromed and Parcel-Gilt Wood Settee late 19th century, the padded camel back surmounted by a floral crest and joined by outswept padded arms to the cushioned seat, raised on molded cabriole legs headed by foliate carving and ending in scrolled toes. h. 38”, w. 77”, d. 27” Provenance: Collection of Margie Bush, New Orleans, Louisiana; by descent to her daughter, Allain Bush, New Orleans, Louisiana. $1,200-$1,800

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280 Louis XV-Style Kingwood Drop-Leaf Occasional Table ca. 1900, the banded turtle-form top with a molded edge, elaborate veneers and inlaid foliate designs, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 28-1/2”, w. 26-1/2”, d. 24”, ext. l. 47” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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281 Herend Partial Dinner Service in the “HER10” Pattern third quarter 20th century, Hungarian, including twentyfour dinner plates, dia. 10”, twelve soup plates, dia. 9-1/4”, twelve salad plates, dia. 8”, twelve footed cups, h. 3”, and twelve saucers, dia. 6”, eight demitasse cups, h. 2-1/2”, twelve matching saucers, dia. 4-1/2”, a covered tureen with a lemon finial, h. 9-1/2”, w. 10-1/2”, d. 8-1/2”, and a matching underplate, dia. 13”, two graduated oval platters, l. 14-1/4” to 15-3/4”, d. 10-3/4” to 11-3/4”, a chop plate, dia. 11-1/2”, an oval dish, l. 10-1/2”, d. 8”, a round dish, dia. 9-3/4”, a triangular dish, l. 10”, d. 10”, and a pair of double salt cellars, h. 2”, w. 4”. $1,200-$1,800 282 French Belle Epoque Parcel-Gilt Trumeau Mirror fourth quarter 19th century, in the Louis XV style, the mirror panel with a serpentine crest framed with a giltwood surround, the crest with scrollwork, rocaille work and flowerheads, the corners with winged angels, the upper tablet decorated with a painting of figures being serenaded by troubadours in a pastoral setting, the giltwood surround with a pierced scrollwork crest. h. 90-3/4”, w. 55-1/2” $1,500-$2,500

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283 French Gilt-Bronze and Cut Crystal Centerpiece Bowl third quarter 19th century, in the rococo taste, the oval panelcut crystal bowl set with pierced and scrolled bronze handles and rim, and raised on a pierced rocaille-ornamented base mounted with allegorical figures of spring and autumn. h. 16-1/2”, w. 15”, d. 10-3/4” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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284 Louis XV-Style Mahogany Vitrine Table early 20th century, the shaped rectangular top with an inset glass panel surrounded by a floral-inlaid band, hinged and opening to a velvet-lined interior, the sides also glazed, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 29”, w. 30”, d. 22” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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285 Pair of French Gilt and Faux Stone Composition Urns in the Louis XV taste, the lobed inverted pear-form bodies set with scrolled rocaille handles and gadrooned covers, and resting on paw feet above “stone” plinths with reeded ribbon-bound trim. h. 31”, dia. 12” $1,200-$1,800

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286 Transitional Louis XV/XVI-Style Mahogany Semainier early 20th century, the shaped marble top above a conforming case fitted with seven drawers, all banded and quarter-veneered, raised on cabriole feet to sabots, the whole accented with ormolu mounts and millwork. h. 51”, w. 22”, d. 15-1/2” Provenance: Private collection, Galveston, Texas. $1,200-$1,800 287 Transitional Louis XV/XVI-Style Kingwood and Marble-Top Semainier early 20th century, the shaped marble top with projecting canted corners, above a conforming case fitted with seven drawers, all with parquetry veneers, raised on shaped feet to sabots. h. 58”, w. 33-1/2”, d. 18” Provenance: Private collection, Galveston, Texas. $1,400-$1,800

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288 288 Japonisme Onyx, Crystal and Bronze Dore et Argente Centre du Table fourth quarter 19th century, attributed to G. Viot et Cie, Paris, after a design by Eugene Cornu (1827-1899), the wheelengraved glass bowl supported on an onyx base, resting on cast bronze peacocks, raised on a pierced bronze and onyx base. h. 17”, dia. 15-1/2” $1,000-$1,500

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289 Pair of Chinoiserie-Decorated Side Tables early 20th century, in the Louis XV taste, of kidney form, each with a pair of drawers and raised on slender cabriole legs. h. 23-1/2”, w. 18-1/2”, d. 11” $1,000-$1,500 290 Pair of Louis XVI-Style Painted and LeatherUpholstered Fauteuils early 20th century, after Jean-Baptiste-Claude Sene, the molded top rail joined to like stiles extending to open arms and terminating in scroll ends, raised on fluted and stop-fluted legs, now upholstered in deep olive leather edged with brass tacks. h. 35-1/4”

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$1,200-$1,800

291 Louis XVI-Style Fruitwood Writing Desk 20th century, the rectangular top with an inset leather writing surface and carved edges, above a conforming frieze with carved sides, the front centered by a carved musical trophee, and a drawer to each end, raised on fluted tapering circular legs joined by a shaped stretcher and ending in toupie feet. h. 29”, w. 47-1/2”, d. 25-1/2” $1,200-$1,800

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292 Louis XVI-Style Mahogany and Fruitwood Dressing Table ca. 1900, the banded top with D-ends and centered by an inlaid foliate medallion, hinged and opening to a mirrored interior fitted with faux marbre compartments, the conforming frieze fitted with a pull-out drawer, to reveal further compartments, raised on fluted tapering circular legs joined by a shaped stretcher and ending in peg feet. h. 28-1/2”, w. 25-1/2”, d. 14” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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293 Louis XVI Gilt-Bronze and Marble “Pendule Portique” fourth quarter 18th century, the white marble base supporting white marble columns flanked by bronze colonettes supporting the clock, the clock decorated with a pierced bronze apron with a jasperware medallion and set with a silk string suspension movement, the dial signed “a Paris”, the top set with a white marble urn finial on a black marble base. h. 19-1/2”, w. 12-1/2”, d. 3-3/4” $1,000-$1,500

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294 Louis XVI-Style Giltwood, Creme-Peinte and Marble-Top Console Table the demi-lune marble top above a conforming masque- and ribbon-carved frieze, raised on ribbed tapering circular legs headed by Ionic capitals, joined by a floral basket stretcher and ending in toupie feet. h. 35”, w. 60”, d. 19-1/2” $2,500-$4,000 295 Near Pair of Louis XVI-Style Polychromed and Parcel-Gilt Fauteuils

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ca. 1900, each with a balloon back with molded edge and centered by a carved roundel, open arms on shaped supports, serpentine seat and fluted trumpet legs. h. 36-1/2” $1,500-$2,500 296 Suite of Six Louis XV-Style Polychromed Dining Chairs consisting of two armchairs and four side chairs, each with a padded oval back above a like seat, over a guilloche-carved apron, raised on molded tapering square legs ending in spade feet. h. 38” $1,500-$2,500

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297 Louis XVI-Style Painted, Parcel-Gilt and Cane Bedstead the headboard with an arched foliate-carved crest over a caned panel, supported by fluted and stop-fluted posts with pineapple finials, joined by fluted rails to a wrap footboard in like decor, manufactured to accommodate a contemporary king-size mattress. h. 65-1/2”, inside w. 79”, l. 82-1/2”, outside w. 84-1/2”, l. 91” $1,500-$2,500

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298 Antoine Blanchard (French, 1910-1988) “Louvre, Passerelle des Arts” oil on canvas signed lower right, signed, titled and localized en verso. Framed. 13” x 18”, framed 26-1/2” x 30” Provenance: Leopold F. Landsberger, Inc., New York, New York, 1981; Evelyn Wilson Interiors, Houston, Texas. Literature: This work is included in the Antoine Blanchard Catalogue Raisonne, compiled by Rehs Galleries, New York, New York as entry #LVQLE1318.000, and can be accessed digitally: antoineblanchard.org Accompanied by a letter of authenticity from Rehs Galleries, and by an earlier certificate of authenticity from Leopold F. Landsberger, Inc. $6,000-$9,000

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299 Antoine Blanchard (French, 1910-1988) “Notre Dame, Quai Saint-Michel” oil on canvas signed lower left, signed and localized en verso. Framed. 13” x 18”, f ramed 14-1/2” x 20-1/4” Provenance: Leopold F. Landsberger, Inc., New York, New York, 1979; Evelyn Wilson Interiors, Houston, Texas. Literature: This work is included in the Antoine Blanchard Catalogue Raisonne, compiled by Rehs Galleries, New York, New York as entry #NDQSM1318.0013, and can be accessed digitally: antoineblanchard.org Accompanied by a letter of authenticity from Rehs Galleries, and by an earlier certificate of authenticity f rom Leopold F. Landsberger, Inc. $6,000-$9,000

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300 Pair of Italian Silver-Leaf and Marble-Top Console Tables 20th century, each with a conforming white marble top and an additional conforming black marble top, the aprons with shell and floral carvings, raised on cabriole legs ending in scrolled toes. h. 36”, w. 63”, d. 30” $1,200-$1,800 301 Molded Glass Chandelier in the French Neoclassical Taste 20th century, the twenty-four-light chandelier with a glassclad standard hung with strings of glass prisms, two tiers of scrolled glass candle arms set with glass prism rings, supporting swags of glass drops hung with prisms, the upper portion with double coronas of glass scrolls hung with drops. h. 84”, dia. 38” Provenance: The Anne Rice/Nicolas Cage Garden District Mansion, New Orleans, Louisiana. $2,000-$4,000

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302 Pair of Louis XVI-Style Fruitwood Fauteuils early 20th century, each with a padded medallion back surmounted by a foliate ribbon crest, joined by padded scrolling arms to the like seat, raised on fluted tapering circular legs ending in toupie feet, each with a conforming pillow. h. 38” $1,000-$1,500 303 Pair of French Sevres-Style Gilt-Bronze and Porcelain Covered Vases fourth quarter 19th century, decorated with handpainted scenes in the style of David Teniers (Flemish, 1610-1690), the reverse with floral reserves, trimmed in gilt on a cobalt ground, raised on bronze bases, the covers set with bronze cone-form finials, the neck interiors with spurious Sevres marks. h. 20-1/2”, dia. 6-1/4”

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Provenance: Private collection, Galveston, Texas. $1,400-$1,800 304 French Bronze-Mounted Porcelain Box fourth quarter 19th century, in the Sevres taste, the cover decorated with a hand-painted panel of the goddess Veritas, attended by an angel, on a cobalt ground and signed “A. Collot”, the sides with gilt decoration, the bottom with spurious Sevres marks. h. 5”, w. 12”, d. 8-1/2” Provenance: Private collection, Galveston, Texas. $800-$1,200 305 Handsome French Gilt-Bronze-Mounted Porcelain Covered Urn fourth quarter 19th century, in the Sevres taste, the urn with a cobalt ground and decorated with a panel of a jeune fille in 18th-century costume, signed “G. Rochette”, the reverse panel decorated with musical trophies, set with a bronze cover with a cone-form knop and a bronze laurel-molded base, the base with a label from a Buenos Aires retailer. h. 21”, dia. 7”

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Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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306 French Giltwood and Polychromed Mirror 19th century, with a ribbon-form crest featuring a central oval frame with an inset lithograph of a courting couple, set above a rectangular framed mirror. h. 43”, w. 27” $1,200-$1,800 307 Louis Marin Bonnet (French, 1736-1793) “Tete de Jeune Fille...” after Francois Boucher, ca. 1769 color engraving in crayon manner unsigned, “Thomas Agnew and Sons, London” label on frame backing. Matted, glazed and framed. sight 10” x 7-1/2”, framed 18-3/8” x 13-7/8” Provenance: Thomas Agnew & Sons, London, England; Private collection. Literature: Herold, 19 I/IV $1,000-$1,500 308 French Parcel-Gilt Trumeau Mirror in the Neoclassical Taste

306

second quarter 20th century, with an oval framed painting on linen of a shepherd and shepherdess, surmounted by a gilt bowknot and supported by a fluted giltwood panel trimmed with scrollwork, all on a white ground. h. 63-1/2”, w. 40” $1,500-$2,500

307 308 116

309 French Fin-de-Siecle Giltwood, Glass and Fabric Dressing Screen fourth quarter 19th century, in the Louis XV taste, comprised of four panels, each with a rococo-carved surround accented with carved flowerheads and a basket-of-fruit crest, and having four glass panels over a fabric panel with a serpentine crest. h. 69-1/2”, w. 82” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 310 Set of Sixteen Bavarian Hutschenreuther GiltEmbossed Porcelain Service Plates early 20th century, with underglaze markings on the bottom, retailed by Ovington’s, New York, Chicago. dia. 10-3/4”

310

$1,200-$1,800

309

117

311

311 Louis XIV-Style Kingwood and Marble-Top Cabinet

312 French Kingwood and Marble-Top Cabinet

early 20th century, the marble top with turreted corners, above a conforming case fitted with three drawers over two cupboard doors centered by a classical ormolu medallion, and opening to an interior fitted with drawers, raised on large toupie feet, the whole richly ornamented with ormolu mounts. h. 38”, w. 70”, d. 26-1/2”

early 20th century, the shaped rectangular marble top above a conforming case f itted with a single drawer over a single cupboard door with parquetry veneers and centered by a circular ormolu classical medallion, flanked to either side by rounded parquetry panels, raised on tapering circular legs ending in sabots, the whole richly accented with ormolu mounts and millwork. h. 41”, w. 65”, d. 24-1/2”

$3,000-$5,000

$2,000-$4,000

312

118

313 Johannes Wouterus van Trirum (Dutch, 1924-2011) “Cats at Play” oil on canvas signed lower right. Framed. 19-5/8” x 16”, framed 27-1/4” x 23-1/4” $2,000-$4,000 314 Max Albert Carlier (Belgian, 1872-1938) “Mother Cat and Kittens Playing”, ca. 1935 oil on canvas signed lower left, a “Campo & Campo” seal on stretcher, dated on brass artist plaque on frame. Framed. 31-1/2” x 24”, framed 39-1/4” x 31-1/2” $6,000-$9,000

313

315 Italian Giltwood Mirror 20th century, the crest with a pair of lovebirds perched amongst olive branches, set above a rectangular f ramed mirror, presented in a highly gilded and burnished surface. h. 57”, w. 30” $1,800-$2,500

314

315 119

316 French Gilt-Bronze and Porcelain Chandelier second quarter 19th century, the chandelier in the form of a pierced basket set with a porcelain parrot and four downturned arms mingled with porcelain flowers on bronze stems with enamel leaves, the rope-form standard supported on a pierced ribbon-form canopy. h. 56-1/2”, dia. 21” $1,200-$1,800 317 Louis XVI-Style Fruitwood Bergere 20th century, the rectangular back with canted corners and within a molded frame, joined by padded arms to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37” $1,000-$1,500 318 Louis XVI-Style Mahogany Triple-Top Games Table

316 detail

20th century, the demi-lune top brass-banded and opening to a larger surface, further opening to a gilt-tooled leatherinset surface, above a conforming paneled frieze, raised on fluted tapering circular legs ending in brass caps on casters. h. 30-1/2”, w. 43”, d. 21-1/2” (closed) $1,500-$2,500

316

318

120

317

319 French Giltwood Mirror in the Louis XVI Taste 20th century, with a mirror inset surround lined with gadrooning on the outer edge and beading on the inner edge, the crest with a pierced wreath of laurel leaves, a swag of flowers hung in the front of the mirror, the lower sides with carved scrollwork, set with a beveled mirror plate. h. 63-1/2”, w. 36-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500

319

320 Pair of Continental Aubusson Tapestry Panels fourth quarter 19th century, hand-woven, arabesque and floral posy design, now backed in cream fabric. each 98” x 48” $1,200-$1,800

320 121

321 Max Albert Carlier (Belgian, 1872-1938) “Nature Morte” oil on canvas signed lower left. Framed. 35-1/2” x 24”, framed 47” x 36” $3,000-$5,000 322 Max Albert Carlier (Belgian, 1872-1938) “Nature Morte” oil on canvas signed lower right. Framed. 35-1/2” x 24”, framed 47” x 36” $3,000-$5,000 323 Manner of Francois Joseph Huygens (Belgian, 1820-1908) “Still Life of Flowers, Grapes and a Peach”, 19th century oil on wood panel signed illegibly lower right. Framed. 19” x 14”, framed 24-1/2” x 19-1/2”

321

$2,000-$4,000

323

122

322

324 Henry Schouten (Belgian, 1864/7-1927) “Chrysanthemums” oil on canvas signed lower left with pseudonym “Jos Klaas”. Framed. 32” x 39”, framed 43” x 51” $3,000-$5,000

324

325 Raoul Maucherat de Longpre (French, 1843/59-1911) “Spring Bouquet” gouache on paper signed lower right. Matted, glazed and f ramed. sight 23” x 19”, f ramed 27-1/2” x 23-1/2” $1,500-$2,500

325

123

326 326 Two Large Painted Canvas Panels in the Rococo Taste first quarter 20th century, with upper borders of floral swagging and vertical painted panels with shells supporting swags of flowers on each side, with central floral drops, the lower portion decorated to match. h. 118-1/4”, w. 31” and h. 118-1/4”, w. 37” $1,800-$2,500

124

327 Louis XV-Style Polychromed and Parcel-Gilt Window Bench early 20th century, the padded seat covered in Fortuny fabric, the frame with scalloped and carved aprons, raised on cabriole legs with shell-carved knees and ending in scrolled toes. h. 21”, w. 60”, d. 16” $1,000-$1,500 328 Louis XV-Style Polychromed, Parcel-Gilt and Marble-Top Center Table early 20th century, of rectangular form, having scalloped aprons with a central shell-form cartouche flanked by panels of cross-hatching, raised on cabriole legs ending in scrolled toes. h. 27-1/2”, w. 42-1/2”, d. 21” $1,000-$1,500 329 French Trumeau-Style Carved and Parcel-Gilt Wood Panel first quarter 19th century and later, the upper panel decorated with carved lovebirds with a bowknot crest, the lower panel decorated with giltwood musical trophies suspended on a bowknot. h. 96”, w. 45-1/2” $1,500-$2,500

329

328

327 125

330 French Painted and Parcel-Gilt Plaque in the Neoclassical Taste first quarter 20th century, decorated with a giltwood depiction of a basket of flowers, framed with sprays of laurel on an olive ground, set with inner and outer giltwood molding on a gray ground. h. 36”, w. 72” $1,000-$1,500

330

331 331 Pair of Louis XV-Style Polychromed Side Chairs late 19th century, each with a padded and rounded back surmounted by a shell crest, the padded seat raised on cabriole legs joined by an H-form stretcher and ending in scrolled toes. h. 36-1/2” $1,000-$1,500 332 French Louis-Philippe Painted Mirror in the Rococo Taste third quarter 19th century, with an egg-and-dart surround and a beaded liner, the arched crest with a shell framed in scrollwork and sprays of pierced flowers, acanthine design at the upper and lower corners. h. 61”, w. 42” $1,000-$1,500

332 126

333 Pair of Louis XV-Style Polychromed Fauteuils each with a padded square back surmounted by a foliate crest, joined by padded scrolling arms to the cushioned seat, raised on cabriole legs joined by an X-form stretcher and ending in scrolled toes. h. 37” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500

333

334 Painted and Parcel-Gilt Trumeau Mirror f irst quarter 20th century, in the French neoclassical taste, the upper panel decorated with giltwood swags of flowers supported on bowknots and issuing musical trophies, the giltwood-f ramed mirror set between Ionic pilasters decorated with carved giltwood vases. h. 72”, w. 51-1/2” $1,000-$1,500

334 127

335 Louis XVI-Style Polychromed Cabinet in two parts, the molded cornice over a frieze with medallion swags and classical figures, over a pair of mullioned glazed doors, the lower section with fluting over a pair of doors with the brass maker’s mark “William Switzer”, and a paper tag reading “Made in Spain”. h. 94-1/2”, w. 43-1/2”, d. 17” $1,500-$2,500

335

336 French Louis XV-Style Parcel-Gilt Trumeau Mirror fourth quarter 19th century, each panel with scroll-carved surrounds accented with flowerheads, the lower panel set with a beveled mirror and the upper panel with an oil-on-canvas painting of a group playing blind man’s bluff in a pastoral setting. h. 72-1/2”, w. 37-1/4” $1,200-$1,800

336

128

337 Pair of Directoire-Style Polychromed Side Chairs 19th century, each with a scrolled-back paneled crest above an ovoid splat centered by an urn, the padded seat raised on fluted tapering circular legs ending in toupie feet. h. 32-1/2” $1,000-$1,500

337

338 Pair of French Neoclassical Doors f irst quarter 19th century, each door with upper and lower recessed cut-corner panels, with later en grisaille paintings of urns of flowers f ramed with arabesque scrollwork. h. 93” and 96”, w. 27” and 28” $1,500-$2,500

338 129

339 Pair of Monumental Painted Canvas Panels first quarter 20th century, painted in various shades of green to resemble French Empire boiserie, with mock molding and anthemia framed with floral garlands, the oval central panels decorated with landscapes painted in various shades of mauve. h. 148”, w. 65” $1,200-$1,800

339

340 Pair of Louis XVI-Style Polychromed Bergeres 20th century, each with a padded square back, joined by padded arms and a fluted upright to the cushioned seat, raised on fluted tapering circular legs ending in toupie feet. h. 36” $2,000-$4,000

340

130

341

341 Four-Piece Collection of Canadian Atelier Bernard Aptware Pottery 20th century, the 18th-century-style pottery decorated with blue marbleizing, signed “Bernard Atelier Apt” on the bottom, the collection comprised of a covered milk jug and sugar basin, each with grapevine knop, h. 8-1/4” to 8-1/2”, dia. 4-1/4” to 5”, a square dish, w. 9”, d. 9”, and an octagonal dish, dia. 9-1/2”.

Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500 342 Directoire Giltwood Mirror ca. 1800, with serpentine sides, the crest decorated with a pierced anthemion, the surround decorated with carved anthemia, scrollwork, rocaille work and flowerheads on a stippled ground, set with an antique mirror plate. h. 37-3/4”, w. 29-1/2”

342

Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500 343 Pair of French Empire Carved Giltwood Eagles first quarter 19th century, each eagle perched on a carved fleur-de-lis. h. 16”, w. 12”, d. 4-1/2” $1,000-$1,500

343

131

344 Handsome French Restauration Bronze Dore Clock Case second quarter 19th century, modeled with Athena carrying a shield decorated with the masque of Medusa, standing on a chariot with a lion, the base decorated with classical mounts, the legs formed as bundles of ribbon-bound reeds, lacking a movement. h. 17-3/4”, w. 19-1/4”, d. 4-3/4” $1,200-$1,800

344

345

345 Directoire Giltwood Trumeau Mirror fourth quarter 18th century, with scrolled, carved corners and beaded liners, the upper tablet decorated with a polychrome oil on the original linen canvas of the Myth of Diana and Endymion. h. 64-3/4”, w. 35-1/2” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500 346 Empire-Style Mahogany and Marble-Top Gueridon 20th century, the circular marble top banded and with an intricate specimen marble of floriform pattern, raised on cabriole legs headed by foliate gilt mounts, joined by a smaller like-patterned shelf and ending in gilt hairy paw feet. h. 26”, dia. 25” $1,000-$1,500

346 132

347 Empire-Style Mahogany and Marble-Top Gueridon 20th century, the circular marble top banded and with an intricate specimen marble of floriform pattern, raised on cabriole legs headed by foliate gilt mounts, joined by a smaller like-patterned shelf and ending in gilt hairy paw feet. h. 30”, dia. 31” $1,000-$1,500

348 Pair of Restauration-Style Fruitwood Fauteuils

348

20th century, each with a scrolled crest above a padded back, joined by downswept arms to the padded seat, raised on tapering circular legs ending in gilt lotus-carved feet. h. 35” $1,000-$1,500

349 349 Pair of French Sevres-Style Bronze-Mounted Vases ca. 1900, in the neoclassical taste, the amphora-form vases set with bronze handles supporting laurel swags, with bronze neck trim and raised on bronze bases decorated with molded egg-and-dart decoration, the rectangular feet set with pierced medallions. h. 27-1/4”, dia. 8-1/4” Provenance: Private collection, Galveston, Texas. $1,500-$2,500

347 133

351 350 Empire-Style Mahogany and Marble-Top Occasional Table the circular marble top within a swag-molded ormolu band, above a conforming ormolu-mounted frieze, raised on scalloped legs headed by ram’s-head capitals, joined by a concave tripartite stretcher and ending in gilt hoof feet. h. 30”, dia. 31” $1,000-$1,500 351 Suite of Four Restauration-Style Mahogany Fauteuils late 19th/early 20th century, each with a lotus-carved crest rail over an upholstered cushion, the open arms extending to curved and reeded supports, bowed seat rail and shaped legs with carved knees, upholstered in teal and bronze brocade. h. 37”

350

Provenance: Fireside Antiques, Baton Rouge, Louisiana. $1,000-$1,500 352 French Neoclassical Gilt-Bronze Figural Clock second quarter 19th century, the silk-string suspension works set with an enamel dial marked “Ed. O. Dubois, a Mons”, with a figure of an angel sitting on the case, a shield decorated with a lion to one side, a lyre in the front, the base with handsome pierced mounts of lovebirds f ramed by pierced anthemia. h. 14”, w. 10-1/4”, d. 3-1/2”

352

Provenance: Antiques Lefebvre, Lille, France; Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500 353 Empire-Style Mahogany Stool 20th century, the padded square top above an ormolu-mounted frieze, raised on shaped legs headed by ormolu winged eagle capitals and ending in paw feet. h. 18-1/2”, w. 19-1/2”, d. 19-1/2” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

134

353

354 354 Empire-Style Gilt-Bronze and Marble-Top Occasional Table the inset circular marble top within a gadrooned edge and raised on three caryatid supports joined by bellflower garlands surrounding a central standard and ending in scrolling feet on paws. h. 30”, dia. 27-1/2”

355

$1,800-$2,500 355 Pair of Neoclassical Giltwood Torchere Jardinieres early 20th century, each having a circular top with an inset metal liner, above a graduated fluted frieze, raised on three supports in the form of winged maidens, joined by a central torchere standard and ending in hoof feet, above a concave tripartite molded base. h. 46-1/2”, dia. 13” Provenance: Private collection, Galveston, Texas. $1,200-$1,800

356

356 Pair of French Pierced Bronze WreathForm Sconces third quarter 20th century, with ribbonbound acanthus leaves and set with triple candle sockets, hung with double registers of cut glass prisms; candles not included. h. 11”, w. 9”, d. 5” $1,000-$1,500 357 Near Pair of Napoleon III Silver-Gilt and Giltwood Mirrors third quarter 19th century, with rounded corners, the silver-gilt portion framed with a giltwood outer edge and beaded liner, decorated with incised and burnished latticework on a matte silvergilt ground. h. 41-1/2”, w. 30-1/2” and h. 41-1/2”, w. 29-1/2” $1,000-$1,500

357

135

358 Empire-Style Gilt-Brass and Marble-Top Gueridon 20th century, the circular marble top with a molded edge and raised on three guilloche-molded supports headed by ram’s heads, joined by a tripartite stretcher and ending in foliate hoof feet. h. 31”, dia. 32” $1,200-$1,800 359 Empire-Style Polychromed and Marble-Top Occasional Table the inset circular marble top above a conforming foliate- and patera-carved frieze, raised on three shaped legs joined by bellflowers swags and ending in paw feet on a concave tripartite base. h. 29”, dia. 29-1/2”

358

$1,200-$1,800 360 Empire-Style Ebonized and Parcel-Gilt Window Seat of curule form, the padded seat flanked to either side by a padded armrest with corner gilt ringed lion masques, raised on splayed legs ending in gilt paw feet. h. 28”, w. 34-1/2”, d. 24-1/2” $1,000-$1,500 361 Empire-Style Giltwood and Marble-Top Gueridon the circular marble top within a laurel leaf-carved edge and raised above a circular pierced frame on three concave fluted legs, headed by lion’s-head capitals, joined by a circular stretcher and ending in Greek Key-carved hoof feet. h. 30”, dia. 31” $1,200-$1,800

359

360 361

136

364

362 362 Empire-Style Giltwood and Marble-Top Gueridon

364 Pair of French Carved Giltwood Sconces

the circular marble top within a laurel leaf-carved edge and raised above a circular pierced frame on three concave fluted legs headed by lion’s-head capitals, joined by a circular stretcher and ending in Greek Key-carved hoof feet. h. 30”, dia. 31”

third quarter 20th century, of French Empire inspiration, the lion’s masque-carved backplates set with shell-carved finials, the bottoms with acanthus leaves and cone-form finials, set with cornucopia-carved metal and wood branches, supporting giltwood fluted and reeded candle cups, each with a gilt-metal spray of cut glass drops. h. 27-3/4”, w. 20-1/2”, d. 13-1/4”

$1,200-$1,800

363 Bronze and Tole Chandelier of French Inspiration

365 Empire-Style Faux Bois Center Table

mid-20th century, set with a black tole shade with bronze wreath-form mounts, the bronze vasiform standard set with bronze bellflower arms and set with candle cups of acanthine design, matching drip pans. h. 28-1/2”, dia. 25”

early 20th century, the rectangular top with canted corners and a decorative gilt border, above a like-decorated conforming f rieze, raised on tapering square legs headed by gilt masques and ending in gilt paw feet. h. 30-1/4”, w. 36”, d. 26”

$1,500-$2,500

$1,000-$1,500

365 363 137

366

366 Pair of French Rouge Griotte Marble and Brass Tazzas

367

fourth quarter 19th century, the urn-form red griotte marble garnitures on rectangular bases set with brass-trimmed panels, resting on low brass feet. h. 12”, dia. 8-1/2” $1,000-$1,500

367 Pair of French Bronze Dore et Patine and Marble Candelabra fourth quarter 19th century, now mounted as table lamps, attributed to Ferdinand Barbedienne, the amphora-form standards molded with neoclassical designs, and raised on monopodia supports on red griotte marble bases, the scrolled candle branches set with delicately molded sockets, arranged around central crane-form finials. h. 32”, dia. 12” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

368 Louis-Philippe Rosewood Vitrine fourth quarter 19th century, the molded overhanging cornice with a spool-turned quarter-round trim, above a single glazed door opening to a satinwood interior fitted with shelves, the outside front corners of the case with turned and carved ornamentation, the base with a single drawer. h. 84”, w. 43”, d. 19” Provenance: Antiques Lefebvre, Lille, France; Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500

368 138

369 After Emile Henri LaPorte (French, 1841-1919) “Actaeon”, 20th century patinated bronze cast signature along back of self-base, titled across front edge, on a carved marble columnar plinth. sculpture h. 33”, overall h. 67”, w. 17”, d. 17” $1,000-$1,500

370 French Gilded Age Bronze Chandelier ca. 1900, the five-light chandelier with an urnform standard decorated with bowknot mounts, and having scrolled downlights alternating with molded masques, supported on scrolls, the upper section decorated with pierced scrolls, set with frosted tulip-form shades. h. 31”, dia. 19”

370

$1,000-$1,500

371 French Bronze Haut-Relief Plaque of Dancing Putti 19th century, the three cavorting figures with ribbons and various musical instruments, now on a black metal display stand. plaque 13” x 14-5/8”, overall 14-1/2” x 14-7/8” $1,000-$1,500

371 369

372 Napoleon III Fruitwood and Ebonized Occasional Table Jardiniere third quarter 19th century, the oval top with a full gallery surrounding a removable panel and fitted with a metal liner, bordered with inlaid floral and foliate bands, above a conforming like-inlaid frieze, joined by ebonized cabriole legs ending in peg feet. h. 32”, w. 21”, d. 15” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

372 139

373 Twelve Bavarian Hutschenreuther Black Knight El Dorado Dinner Plates ca. 1925-1941, decorated with encrusted gilt and central medallions on a marbleized green ground, each with the “Black Knight” mark and a gilder’s mark. dia. 10-3/4” Provenance: Collection of Sue and Andy Schwartz, Houston, Texas. $1,000-$1,500 374 French Bronze Chandelier in the Rococo Taste first quarter 20th century, the four-light chandelier with a bronze frame decorated with pierced scrollwork and molded leaves, and set with three downlights and one central light, each with a frosted glass tulip-form shade, with a pierced bronze canopy. h. 38-1/2”, dia. 21”

373

$1,000-$1,500 375 Napoleon III Giltwood Mirror third quarter 19th century, with a serpentine crest, cabochondecorated surround and beaded liner. h. 61-1/2”, w. 43”

374

Provenance: Rothschild’s Antiques, New Orleans, Louisiana. $1,000-$1,500 376 Copper, Leather and Walnut Jewel Casket second quarter 20th century, of baroque inspiration, the exterior clad in gilt-stamped leather, the front doors with elaborate baroque-style copper mounts accented with green and red enamel, the serpentine top with a copper carrying handle, the base with a drawer, the interior fitted with drawers. h. 12-1/2”, w. 13-1/2”, d. 7” $1,000-$1,500

376 375 8 140

377 Unusual Mahogany and Parcel-Gilt Artist’s Exhibition Easel 20th century, of Louis XV inspiration, the crest with a shellcarved cartouche above a pair of graduated adjustable shelves, each with an elaborate pierced and carved back panel and designed to exhibit multiple paintings. h. 86”, w. 38” $1,000-$1,500

377

378 Unusual French Belle Epoque Giltwood Mirror fourth quarter 19th century, the bamboo-turned surround secured with rope-carved corners, and having a pierced crest composed of a wreath of roses, supporting swags of roses, the mirror plate with a superimposed oval decorated with carved flowers. h. 48”, w. 39-1/4” $1,400-$1,800

378

141

379 Pair of French Neo-Grec Bronze and Marble Candelabra third quarter 19th century, now electrified, the eight-light candelabra decorated with standing bronze figures of Aphrodite and Venus Genetrix, respectively, standing on black marble plinths raised on pierced bronze bases with paw feet, the black marble standards supporting scrolled bronze candle arms and central finials depicting cranes. h. 34”, w. 12-3/4”, d. 11” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

380 Napoleon III Mahogany, Satinwood and Parcel-Gilt Occasional Table

379

ca. 1900, the banded rectangular top with D-ends and a foliate ormolu edge, above a conforming frieze fitted with two drawers, raised on four columnar supports joined by an interlacing stretcher to splayed legs and ending in gilt foliate scrolled toes on casters, the whole elaborately accented with ormolu mounts and millwork, bearing a brass plaque retail label reading “From the Collection / of / Loyd-Paxton / Dallas, Texas”. h. 28”, w. 42”, d. 21-1/2” Provenance: Private collection, Galveston, Texas. $1,500-$2,500

380

381 After Emile-Andre Boisseau (French, 1842-1923) “Ense et Aratro (Sword and Plow)”, ca. 1900 patinated bronze cast signature and foundry mark along side of self-base. h. 16”, w. 9-1/2”, d. 6” $1,000-$1,500 Ense et Aratro was the motto of the distinguished French military tactician Thomas Robert Bugeaud, the GovernorGeneral of Algeria and eventual Marshal of France.

381

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382

383

383 Pair of Bronze-Mounted Marble Pedestals

384

the tops on supports mounted with bronze medallions, above pylon-form standards with bronze swags, and raised on bases with bronze trim. h. 41”, w. 11”, d. 11” $1,000-$1,500

382 Pair of French Belle Epoque Gilt-Metal and Marble Lamps

384 French Classical Revival Bronze and Glass Chandelier

ca. 1900, the urn-form lamps molded with musical trophies and laurel swags, the upper portions set with Art Nouveau jeunes filles, supported on carved mauve and gray marble bases, with shades. h. 33-3/4”, dia. 17”

f irst quarter 20th century, the six-light chandelier with a molded glass lower globe secured in an acanthus-molded bronze ring set with molded and scrolled branches terminating in flame-form frosted shades, the bronze standard with a single downlight. h. 27”, dia. 28”

$1,000-$1,500

143

387 385 Exceptional Napoleon III Giltwood Mirror in the Rococo Taste third quarter 19th century, the serpentine crest decorated with a central shell supporting a seated putto, framed in pierced scrollwork and flowerheads, the lower corners with scrollwork set with dolphin heads, set with a beveled mirror plate. h. 99-1/2”, w. 59” $2,500-$4,000 386 French Provincial Fruitwood Upholstered Daybed 19th century, with matching headboard and footboard, the carved and molded frame padded and with brass-tacktrimmed edge. h. 34”, w. 36”, l. 79” Provenance: Private collection, Galveston, Texas. $1,200-$1,800 387 French Cast Iron, Brass and Marble-Top Baker’s Table late 19th century, the white marble top over a Gothic-style apron with trefoil pendants and supported by scrolled legs. h. 30”, w. 42”, d. 24” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500

386

144

385

388 Louis Welden Hawkins (British/French, 1849-1910) “Breton Woman in the Field” oil on canvas signed lower left. Framed. 11-3/8” x 14-1/2”, framed 14-1/4” x 17-1/4” $1,500-$2,500

388

389 Sir Alfred East, R.A., R.B.A. (British, 1849-1913) “The Faggot-Gatherers” oil on canvas signed lower left, titled on old catalogue listings en verso. Framed. 20” x 30”, framed 24-1/2” x 35” Provenance: By repute, Henry Spencer and Sons, Retford, 1966; Private collection. $2,000-$4,000

389

390 Frederick W. Watts (British, 1800-1870) “Bridge with Cows by a Stream” oil on canvas unsigned. Framed. 18” x 24”, framed 23-1/2” x 29-1/4” $1,000-$1,500

390

145

391 detail 391 Good William IV Sterling Silver Armorial Presentation Salver

391

hallmarked London, 1830-1831, by Edward Barnard & Sons, of circular form with elaborate rococo scroll rim crested with floral bouquets, raised on four robust rocaille feet, the plateau with flat-chased band en suite centering the engraved arms of Joseph Everett (1793-1865) of Heytesbury and Upton Lovell, co. Wiltshire.; inscribed on the underside “Given / in remembrance of / William Everett Waldron / 1833”. dia. 20”; 108.29 t. oz. Provenance: Estate of John A. Saur, Sugar Land, Texas. $2,000-$4,000 Joseph Everett, a banker, and William Everett Waldron (ca. 1770-1833) were both from prominent and closely associated families of clothiers in Trowbridge, Wiltshire.

392 Large Victorian Sterling Silver Goblet hallmarked London, 1895-1896, by Walter & John Barnard, retailed by Curtis & Horspool, Leicester, the ovoid bowl decorated with repousse flowers and scrolls on an imbricate ground, with opposing rococo cartouches, above a knopped trumpeted stem and foot. h. 13-1/4”, dia. 6-1/8”; 23.16 t. oz.

392

$1,000-$1,500

393 Victorian Silver Plate Epergne third quarter 19th century, comprising a circular base with rocaille banding and acanthus bud finial, joined to four scrolling legs with eagle’s-head and wing crests and lion’s paw feet below a circular gadrooned receptacle and supporting four acanthus-decorated scrolling arms terminating in smaller receptacles en suite, fitted with one large and four small glass bowls of later date. overall h. 13-1/4”, w. 25”, d. 19” $1,000-$1,500

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394 Pair of English Sterling Silver Sconces hallmarked 1909-1910 by Edward Barnard & Sons and 1936-1937 by Wakely & Wheeler and “E&D”, in the Spanish Colonial taste, the backplate decorated with robust acanthus scrolls and fruit, with central oval cartouche and crested by a fruit basket flanked by putti, with a pair of scrolling arms en suite, each terminating in a campana-form nozzle with drip pan, electrified (wires cut) and fitted with faux candles. h. 14-1/4”, w. 9-1/2”, d. 6-1/2”; 158.06 total t. oz. (including electrical fittings) Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana.

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$2,500-$4,000

395 Impressive English Silverplate Roast Beef Trolley second half 20th century, by Israel Freeman & Son, Ltd., Sheff ield, comprised of a large dome which rotates to reveal an integral well-and-tree carving station and three reservoirs for condiments, one covered, the whole above a hot-water reservoir, f itted to a “turtleback”-shaped stand with opposing handles, raised on four leonine caryatids, one crested with a retractable plate stand and all joined by a deep conforming stretcher housing a plate warmer accessed by doors, all above a conforming plinth raised on sturdy locking wheels, the dome engraved with a decorative armorial. h. 46”, w. 35-3/4”, d. 22-3/4” Provenance: Private collection, Galveston, Texas. $4,000-$7,000

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396 German .800 Silver Footed Platter first quarter 20th century, by J. D. Schleissner Sohne, Hanau, of oval form with shaped rococo scroll edge and embossed with floral rim, raised on four rococo feet en suite. h. 2”, l. 19-1/4”, w. 15-1/2”; 49.89 t. oz. $1,400-$1,800

397 Large American Silverplate Mirrored Plateau contemporary, in the manner of Paulding Farnham (18591927), in three sections and of rounded rectangular form, with a large openwork gallery of ornate foliate scrolls above a leafand-berry milled band and raised on acanthus-crested lion’s paw feet, each section fitted with a conforming mirrored plate. overall 4-1/4” x 18-1/2”

396

$1,200-$1,800

398 Impressive Pair of Austrian Silverplate and Glass Pastry Stands first quarter 20th century, by J. L. Herrmann, Vienna, each comprising three graduated circular glass plates joined by gadroon-calyx baluster standards, above a large waisted base with applied scroll-mantled cartouche and raised above three swan-form feet, surmounted by a palmette collar fitted with a floriform glass vase. h. 34-1/2”, dia. 15-1/2” $1,000-$1,500

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399 Leon Richet (French, 1847-1907) “Paysage au Crepuscule au Fleuve” oil on canvas signed lower left. Framed. 21-1/4” x 31-1/4”, framed 29” x 39” Provenance: Skinner, Boston, Massachusetts, September 7, 2007, lot 337; Private collection; Sotheby’s, New York, New York, October 22, 2019, lot 124. $2,000-$4,000

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400 Henri-Joseph Harpignies (French, 1819-1916) “Arbres Pres d’une Riviere” oil on canvas signed lower left. Framed. 25-1/2” x 31-1/2”, framed 37” x 43” $6,000-$9,000

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401 Eduard Boehm (Austrian, 1830-1890) “Deer and Stag in a Wooded Landscape” oil on canvas signed lower center. Framed. 27” x 22”, framed 33” x 28” $2,000-$4,000 402 Follower of Theodore Rousseau (French, 1812-1867) “En Bord d’Etang avec Pecheurs” oil on canvas unsigned. Framed. 16-1/8” x 10-5/8”, framed 23” x 17-5/8” $1,000-$1,500 403 Jules Dupre (French, 1811-1889) “Paysage a la Mare”

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oil on canvas partially signed lower left. Framed. 10” x 17”, framed 18” x 22” $1,200-$1,800

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404 Turkish Angora Oushak Carpet 10’ x 13’ 7” $1,500-$2,500

405 Turkish Oushak Carpet 8’ x 9’ 8” $1,000-$1,500

406 Semi-Antique Oushak Carpet 10’ 2” x 13’ 7” $3,000-$5,000

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407 Turkish Angora Oushak Carpet 9’ x 11’ 7” $1,200-$1,800

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408 Semi-Antique Oushak Carpet 5’ 3” x 7’ 2” $1,200-$1,800

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409 Peshawar Serapi Carpet 9’ 8” x 14’ $2,500-$4,000

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410 Nain Carpet 7’ x 10’ $1,000-$1,500

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Session II Sunday, October 24 Lots 411 - 833 PICTURED: LOT 725

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411 Two Convertible Gold Bracelets 14k yellow gold, the two snake chain bracelets designed to be worn alone or connected together to be worn as a choker. bracelet l. 7-1/2”, choker l. 15”, total weight 24.1 grams $1,000-$1,500 412 Lady’s Audemars Piguet Wristwatch 18k yellow gold, the mechanical-wind watch with an off-white dial marked “Audemars Piguet Geneve” and “Swiss”, the case measuring 23.0 mm and stamped “28203”, with a mesh gold band and the original box. inside circumference 6-3/4”, total weight 41.1 grams $2,000-$4,000 413 Charm Bracelet the 14k yellow gold chain-link bracelet adorned with a variety of 10/14/18K yellow gold charms. l. 7”, total weight 31.3 grams Provenance: Estate of Carol A. Straus, Houston, Texas. $1,000-$1,500

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414 Diamond Charm Necklace 18k yellow gold, the necklace with various charms mounted with round brilliant-cut diamonds weighing approximately 0.84 carats in total. l. 16”, total weight 13.0 grams $4,500-$7,000 415 Pair of Diamond Dangle Earrings 18k yellow gold, the earrings mounted with round brilliantcut and baguette-cut diamonds weighing approximately 3.21 carats in total. l. 1-1/2”, total weight 6.3 grams $6,000-$9,000

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416 Unusual Expandable Diamond Ring/Bracelet 18k rose gold, the ring designed to expand to a bangle bracelet and mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. ring w. 3/4”, ring size 6+, adjustable bracelet up to 8-1/4” in diameter, total weight 18.1 grams

418 Pair of Diamond Hoop Earrings 14k yellow gold, the inside-outside earrings mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total. l. 1-1/8”, total weight 4.8 grams $1,200-$1,800

$7,000-$10,000

417 Diamond Tennis Necklace 14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 12.00 carats in total. l. 16”, total weight 18.6 grams $7,000-$10,000

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419 Diamond Tennis Bracelet 14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 6.70 carats in total. l. 7”, total weight 9.8 grams $3,500-$5,000

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420 Citrine and Diamond Pendant Necklace 14k yellow gold, the necklace with a fixed pendant, mounted with an oval-cut citrine weighing approximately 21.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total. l. 18-1/2”, total weight 26.6 grams

423 Diamond “Leaf” Necklace 18k yellow gold, the necklace with polished gold leaf charms alternating with diamond-mounted leaf charms, with an approximate total diamond weight of 0.97 carats. l. 15” to 17”, total weight 9.5 grams $4,000-$7,000

$1,000-$1,500 421 Rose-Cut Diamond Bangle Bracelet 14k yellow gold, the hinged bracelet mounted with a central rose-cut diamond weighing approximately 2.25 carats, accented on either side by smaller rose-cut diamonds weighing approximately 0.15 carats in total. inside circumference 6-3/4”, total weight 18.7 grams $1,500-$2,500 422 Gold and Enamel Fringe Bracelet 10k yellow gold, the bracelet with an ornate buckle accented with black enamel flowers. adjustable circumference 6” to 8-5/8”, w. 3/4”, total weight 44.3 grams

424 Diamond “Butterfly” Necklace 18k yellow gold, the necklace with a butterfly charm mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.00 carat in total. l. 16”, total weight 5.6 grams $2,500-$4,000 425 Topaz Ring 14k yellow gold, the ring mounted with a cushion-cut blue topaz weighing approximately 25.00 carats. size 3-1/2, total weight 10.9 grams $1,000-$1,500

$1,000-$1,500

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426 Two Turquoise Brooches 14k yellow gold, one brooch in the form of a whale, accented with a pear-shaped cabochon-cut treated sapphire weighing approximately 0.60 carats, and the other in the form of a snail, both mounted with round cabochon-cut turquoise weighing approximately 3.32 carats in total. whale size 2-1/2” x 1-1/2”, snail size 1-3/4” x 1-1/8”, total weight 23.6 grams

428 Turquoise, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with an oval cabochon-cut turquoise weighing approximately 10.14 carats, surrounded by two rows of single-cut diamonds weighing approximately 0.72 carats in total and with an outer border of black onyx. size 6-3/4, total weight 7.0 grams $1,000-$1,500

$1,000-$1,500 427 Turquoise and Diamond Ring and Earrings 14k yellow gold, the ring and earrings mounted with cabochon-cut turquoise weighing approximately 2.38 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.32 carats in total. ring size 6-3/4, earring l. 1”, total weight 4.2 grams

429 Pair of Turquoise, Opal, Diamond and Onyx Earrings 14k yellow gold/sterling silver, the earrings mounted with round cabochon-cut turquoise weighing approximately 6.08 carats in total, and round cabochon-cut opals weighing approximately 1.44 carats in total, accented with single-cut diamonds weighing approximately 0.82 carats in total, all bordered with black onyx. l. 1-3/8”, total weight 9.6 grams

$1,000-$1,500

$1,200-$1,800

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430 Opal, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with a pear-shaped cabochon-cut opal weighing approximately 9.89 carats, surrounded by a border of single-cut diamonds weighing approximately 0.57 carats in total, accented by black onyx. size 6-3/4, total weight 6.5 grams

432 Black Opal and Diamond Necklace 14k yellow gold, the necklace set with a fixed pendant, mounted with an opal doublet weighing approximately 2.67 carats, accented by round brilliant-cut diamonds weighing approximately 0.28 carats in total. l. 16-1/2” to 18-1/2”, total weight 3.5 grams

$1,000-$1,500

431 Opal and Diamond Ring 14k yellow gold, the ring mounted with an opal doublet weighing approximately 2.09 carats, accented by round brilliant-cut diamonds weighing approximately 0.23 carats in total. size 7, total weight 3.2 grams

433 Pair of Black Opal and Diamond Earrings 14k yellow gold, the earrings mounted with oval black opal doublets weighing approximately 3.19 carats in total, each surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.28 carats in total. l. 1/4”, total weight 4.2 grams

$1,000-$1,500 $1,200-$1,800

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434 Diamond Necklace 14k white gold, the necklace with a line pendant drop, mounted with round brilliant-cut diamonds weighing approximately 4.00 carats in total. l. 16”, drop l. 3”, total weight 19.1 grams $3,500-$5,000 435 Pair of Diamond Stud Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.05 carats in total. total weight 1.0 grams $1,400-$1,800 436 Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 5.50 carats in total. l. 7”, total weight 8.6 grams

437 Two Diamond Bands 14k white gold, the bands mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 6-3/4, total weight 3.9 grams $1,400-$1,800 438 Diamond Dangle Necklace 14k white gold, the necklace mounted with round brilliantcut diamond dangle pendants weighing approximately 1.00 carat in total. l. 16” to 18”, total weight 2.0 grams $1,000-$1,500

$3,000-$5,000

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439 Diamond Tennis Necklace 14k white gold, the necklace mounted with graduated round brilliant-cut diamonds weighing approximately 6.50 carats in total. l. 16”, total weight 17.2 grams

442 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 3/4”, total weight 3.9 grams

$4,500-$7,000

$1,500-$2,500

440 Diamond Bracelet platinum, the bracelet composed of plaques mounted with round brilliant-cut diamonds weighing approximately 8.32 carats in total, approximate color F-G-H and clarity VVS2-VS2. w. 9/16”, l. 8”, total weight 84.3 grams

443 Diamond Ring 14k white gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 6-3/4, total weight 5.3 grams $1,500-$2,500

$15,000-$25,000 441 Diamond Band 18k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 4.21 carats in total. size 6-1/2, total weight 12.8 grams

444 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.65 carats in total. l. 5/8”, total weight 2.6 grams $1,000-$1,500

$6,000-$9,000

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445 Diamond and Moonstone Necklace sterling silver, the necklace composed of links shaped as “flowers”, the centers mounted with cabochon-cut round moonstones weighing approximately 12.65 carats in total, and the “petals” mounted with slice-cut diamonds weighing approximately 20.12 carats in total. l. 17”-18”, total weight 20.0 grams $1,000-$1,500

446 Two Diamond Bar Pins platinum, the larger pin mounted with a center mine-cut diamond weighing approximately 0.33 carats, accented by European-cut diamonds weighing approximately 0.68 carats in total, l. 3”, and the smaller pin mounted with Europeancut diamonds weighing approximately 0.35 carats in total, l. 2-1/2”. total weight 15.0 grams $1,200-$1,800 447 Three-Stone Diamond Ring platinum, the ring mounted with a central European-cut diamond weighing approximately 0.70 carats, flanked on either side by a mine-cut diamond weighing approximately 0.50 carats in total. size 6-1/4, total weight 3.6 grams $1,400-$1,800

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448 Tanzanite, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with a pear-cut tanzanite weighing approximately 6.84 carats, surrounded by two rows of single-cut diamonds weighing approximately 0.55 carats in total, accented by black onyx. size 7, total weight 5.8 grams $1,000-$1,500 449 Tanzanite and Diamond Ring 18k white gold, the ring mounted with an oval-cut tanzanite weighing approximately 1.80 carats, accented by round brilliant-cut diamonds weighing approximately 0.86 carats in total. size 6-3/4, total weight 5.6 grams $2,000-$4,000 450 Sapphire and Diamond Ring 18k white gold, the ring mounted with cushion-cut treated sapphires weighing approximately 4.90 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total. size 6-1/2, total weight 8.8 grams $2,500-$4,000 451 Pair of Sapphire and Diamond Earrings 18k white gold, the earrings mounted with oval-cut treated sapphires weighing approximately 6.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.50 carats in total. l. 1-1/2”, total weight 9.8 grams $1,800-$2,500 452 Untreated Sapphire and Diamond Ring platinum, the ring mounted with a cushion-cut natural sapphire weighing 5.13 carats, GIA report #5192432736, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.07 carats in total. size 7, total weight 11.2 grams $7,000-$10,000 453 Sapphire and Diamond Necklace 14k white gold, the necklace mounted with oval-cut treated sapphires weighing approximately 29.56 carats in total, accented by round brilliant-cut diamonds weighing approximately 5.40 carats in total. l. 16-3/4”, total weight 28.3 grams $5,000-$8,000

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454 Sapphire and Diamond Bracelet 14k white gold, the bracelet mounted with oval-cut treated sapphires weighing approximately 8.86 carats in total, accented by round brilliant-cut diamonds weighing approximately 4.26 carats in total. l. 7”, total weight 12.5 grams $3,000-$5,000 455 Diamond and Sapphire Ring platinum, the ring mounted with a central princess-cut diamond weighing approximately 0.50 carats, approximate color H and clarity SI2, surrounded by a halo of square-cut treated sapphires weighing approximately 0.95 carats in total, and further accented by round brilliant-cut diamonds weighing approximately 0.19 carats in total. size 7-1/4, total weight 4.5 grams $2,500-$4,000 456 Sapphire and Diamond Ring 14k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 1.37 carats, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 0.28 carats in total. size 7, total weight 3.6 grams $1,000-$1,500 457 Two Sapphire Bands 14k white gold, the bands mounted with emerald-cut treated sapphires weighing approximately 4.60 carats in total. sizes 7 and 8, total weight 9.3 grams $1,000-$1,500 458 Sapphire, Emerald and Diamond Between-the-Finger Ring 18k white gold, the ring mounted with a cushion-cut treated emerald weighing approximately 0.55 carats and a cushion-cut treated sapphire weighing approximately 1.02 carats, accented by round brilliant-cut diamonds weighing approximately 0.47 carats in total. size 6-1/2, total weight 3.0 grams $1,200-$1,800

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459 Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 1.50 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.62 carats in total. size 6-1/2, total weight 4.4 grams $1,800-$2,500 460 Pair of Emerald and Diamond Earrings 18k white gold, the earrings mounted with an emeraldcut treated emerald weighing approximately 1.90 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.68 carats in total. l. 11/16”, total weight 3.9 grams $1,800-$2,500 461 Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 1.00 carat, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 0.44 carats in total. size 6, total weight 3.1 grams $1,500-$2,500 462 Emerald and Diamond Necklace 14k yellow gold, the necklace mounted with an emeraldcut treated emerald weighing approximately 1.70 carats, accented by round brilliant-cut diamonds weighing approximately 7.40 carats in total. l. 16” to 18”, total weight 12.5 grams

463 Pair of Emerald and Diamond Earrings 14k yellow gold, the earrings mounted with emerald-cut treated emeralds weighing approximately 4.10 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.58 carats in total. l. 1/2”, total weight 4.4 grams $1,500-$2,500 464 Emerald and Diamond Ring 18k yellow gold, the ring mounted with an oval-cut treated emerald weighing approximately 1.87 carats, accented by round brilliant-cut diamonds weighing approximately 0.86 carats in total. size 7, total weight 5.7 grams $2,500-$4,000 465 Emerald and Diamond Ring 18k white gold, the ring mounted with oval-cut treated emeralds weighing approximately 2.69 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.05 carats in total. size 7, total weight 6.3 grams $2,500-$4,000

$3,500-$5,000

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466 Double-Strand South Sea Pearl Necklace 14k yellow gold, the two-strand necklace composed of graduated South Sea pearls ranging in size from 12.4 mm to 14.5 mm and with a good luster, finished with a yellow gold clasp. l. 17” to 18-1/2”, total weight 198.0 grams

468 Graduated South Sea Pearl Necklace 18k yellow gold, the necklace composed of graduated white South Sea pearls ranging in size f rom 12.9 mm to 15.9 mm, with a good luster, f inished with an 18k yellow gold clasp mounted with round-cut treated emeralds weighing approximately 0.95 carats in total and round brilliant-cut diamonds weighing approximately 0.82 carats in total. l. 17”, total weight 113.2 grams

$1,800-$2,500

467 South Sea Pearl Necklace 14k yellow gold, the necklace composed of graduated white South Sea pearls measuring 12.3 mm to 15.5 mm, with a good luster and finished with a yellow gold ball clasp. l. 17-1/2”, total weight 104.9 grams

469 South Sea Pearl, Sapphire and Diamond Ring 14k white gold, the ring mounted with a 14.00 mm white South Sea pearl with a very good luster, accented on the sides with round-cut treated sapphires weighing approximately 4.52 carats in total and round brilliant-cut diamonds weighing approximately 0.88 carats in total. size 9-1/2, total weight 13.9 grams

$1,000-$1,500

$3,500-$5,000

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470 Multi-Colored Sapphire and Diamond Bracelet 14k yellow gold, the bracelet mounted with oval-cut treated pink, yellow, orange, blue and green sapphires weighing approximately 19.13 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.65 carats in total. w. 1/2”, l. 7-1/4”, total weight 23.8 grams $5,000-$8,000

473 Amethyst and Sapphire Ring 14k yellow gold, the ring mounted with an emerald-cut amethyst weighing approximately 17.50 carats, accented by round-cut treated sapphires weighing approximately 0.20 carats in total. size 6, total weight 18.2 grams $1,000-$1,500

471 Two Multi-Colored Sapphire Bands 14k yellow gold, the bands mounted with round-cut treated blue, green, yellow, orange and pink sapphires weighing approximately 4.60 carats in total. size 7-1/2, total weight 5.4 grams

474 Untreated Sapphire and Diamond Ring platinum, the ring mounted with an oval-cut natural purplish-pink sapphire weighing 1.09 carats, GIA report #6214210382, accented by round brilliant-cut diamonds weighing approximately 0.58 carats in total. size 6-3/4, total weight 8.8 grams

$1,000-$1,500

$2,500-$4,000

472 Sapphire and Diamond Ring 18k yellow gold, the ring mounted with emerald-cut treated yellow, green, pink and purple sapphires weighing approximately 4.56 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.22 carats in total. size 7-1/4, total weight 10.6 grams

475 Diamond and Ruby Ring 14k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total, accented with round-cut and marquise-cut treated rubies weighing approximately 1.00 carat in total. size 6-1/2, total weight 10.3 grams

$3,000-$5,000

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476 Untreated Ruby and Diamond Ring 18k yellow gold, the ring mounted with an oval cut natural ruby weighing 2.41 carats, GIA report #1216553950, accented by round brilliant-cut diamonds weighing approximately 1.01 carats in total. size 7, total weight 5.0 grams

479 Tourmaline and Diamond Bracelet gold vermeil/sterling silver, the flexible bracelet with a foliage design and mounted with cabochon-cut and carved tourmalines in various colors, weighing approximately 32.50 carats in total, accented by rose-cut diamonds weighing approximately 1.40 carats in total. w. 1-1/8”, l. 7-1/8”, total weight 46.6 grams

$3,000-$5,000

$1,000-$1,500

477 Pair of Ruby and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with faceted treated rubies weighing approximately 7.77 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.49 carats in total. l. 1”, total weight 4.1 grams

480 Watermelon Tourmaline and Diamond Pendant Necklace 14k yellow gold, the f ixed pendant mounted with a slicecut watermelon tourmaline weighing approximately 2.83 carats, accented by round brilliant-cut diamonds weighing approximately 0.18 carats in total. adjustable l. 16-1/2” to 18-1/2”, total weight 3.0 grams

$1,200-$1,800 478 Ruby and Diamond Ring 14k yellow gold, the ring mounted with baguette-cut treated rubies weighing approximately 0.64 carats in total, accented by rose-cut diamonds weighing approximately 0.53 carats in total. size 5-1/2, total weight 8.6 grams $1,000-$1,500

$1,000-$1,500 481 Pair of Diamond, Ruby and Emerald Earrings 18k yellow gold, the clip-back earrings mounted with round brilliant-cut diamonds weighing approximately 1.24 carats in total, accented by round-cut treated rubies and emeralds weighing approximately 0.80 carats in total. l. 7/8”, total weight 15.6 grams $1,000-$1,500

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482 Diamond Chain Link Necklace 14k yellow gold, the necklace composed of long links of polished gold, accented with links mounted with round brilliant-cut diamonds weighing approximately 3.15 carats in total. l. 18”, total weight 9.8 grams $3,500-$5,000 483 Diamond Chain-Link Bracelet 18k yellow gold, the bracelet composed of interlocking chain links mounted with round brilliant-cut diamonds weighing approximately 2.53 carats in total. l. 7”, total weight 12.5 grams $4,500-$7,000 484 Diamond Bar Necklace 14k yellow gold, the necklace mounted with a flexible bar of round brilliant-cut diamonds weighing approximately 0.60 carats in total. l. 17”, total weight 3.7 grams $1,200-$1,800 485 Large Herringbone Necklace 14k yellow gold, the long necklace composed of a 7.6 mm polished herringbone chain. l. 30”, total weight 78.5 grams $2,000-$4,000 486 Diamond Bangle Bracelet 14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.50 carats in total. inside circumference 6-1/2”, total weight 6.5 grams $1,400-$1,800

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487 Convertible Diamond Hoop Earrings 14k yellow gold, the dangle hoop earrings mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total, designed with a removable dangle, to be worn as hoop earrings. hoop dia. 1/2”, hoop with dangle l. 1”, total weight 2.3 grams $1,000-$1,500 488 Diamond Bird Pendant Necklace 14k yellow gold, the pendant in the form of a bird perched on a swing, the bird mounted with single-cut diamonds weighing approximately 0.50 carats in total, l. 1-1/2”, suspended f rom a 19” gold chain. total weight 8.7 grams $1,000-$1,500 489 Pair of Diamond Earrings 14k white/yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.60 carats in total. l. 1-7/8”, total weight 9.7 grams $1,200-$1,800 490 Diamond Pendant with Chain platinum/18k yellow gold, the pendant mounted with a round brilliant-cut diamond weighing 1.50 carats, color I and clarity VS2, l. 7/8”, suspended f rom a 16” platinum snake chain. total weight 15.5 grams $2,500-$4,000

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491 Gold Chain Necklace 14k yellow gold, the necklace composed of interlocking chain links, the outer borders with a texture and the inside border with a polished finish. l. 15-1/2”, total weight 55.1 grams $1,500-$2,500 492 Gold Bracelet with Charm 14k yellow gold, the charm with a cornucopia mounted with round-cut treated sapphires and rubies weighing approximately 0.58 carats in total and a square-cut treated emerald weighing approximately 0.10 carats, accented with 2.0 mm to 3.0 mm pearls, l. 1-7/8”, suspended from a bracelet composed of double interlocking links, l. 7-1/2”. total weight 43.6 grams $1,200-$1,800 493 Charm Bracelet 14k/10k yellow gold, the bracelet with 14k gold charms including a bale of hay, an airplane, a desk, a bell, a cactus, a pair of ballet slippers, a dancing couple, a movable Jackin-the-box charm and an Irish Setter charm, and with 10k gold charms including a cowboy hat and a Christmas tree decorated with round-cut rubies and emeralds. l. 7”, total weight 56.6 grams

494 Ten Dollar Gold Coin Pendant with Chain the ten dollar gold coin pendant in a 14k yellow gold frame, l. 1-3/4”, suspended from a 14k yellow gold rope chain, l. 24”. total weight 29.4 grams $1,200-$1,800 495 Heavy Gold Bracelet 14k yellow gold, the bracelet composed of interlocking chain links. l. 7-1/2”, total weight 64.5 grams $1,800-$2,500 496 Ten Dollar Liberty Gold Coin Pendant on Wire Necklace the 22k yellow gold Liberty coin dated 1905, f ramed by a 14k yellow gold border, l. 2”, suspended f rom a 14k yellow gold wire necklace, l. 20”. total weight 43.6 grams $1,500-$2,500

$1,500-$2,500

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497 Corum 1903 Twenty Dollar Gold Coin Quartz Watch 22k/18k yellow gold, the 22k yellow gold coin stamped “Corum” on the face, in an 18k yellow gold 35.00 mm frame, finished with a leather band with a gold-tone buckle. l. 5-3/4” to 7”, total weight 44.2 grams $1,800-$2,500 498 Longines Diamond Watch 14k white gold, the watch case mounted with single-cut diamonds weighing approximately 0.16 carats in total, the outside back of the case etched with the number “72525”, the inside of the case stamped “LONGINES-WITTNAUER WATCH CO. INC. NEW YORK 14K 368046 168”, the movement stamped “LXW LONGINES WATCH CO. SWISS SEVENTEEN 17 JEWELS UNADJUSTED 969707”, with a black grosgrain and leather band. l. 6” to 7-3/4”, total weight 27.7 grams $1,000-$1,500

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499 Gentleman’s Longines Chronograph Wristwatch stainless steel, the mechanical-wind watch with a 37.0 mm case, the inside of the case back stamped “LONGINES ACIER INOX 6234 3 1B”, the dial with blue-trimmed hands, possibly older and ref inished, the movement stamped LONGINES 18 JEWELS” and “30 CH 10603389”, with a navy blue suede band. l. 6-3/4” to 8-1/4”, total weight 46.1 grams $1,800-$2,500

497

498

499

185

Indian Silver of the Raj

Indian silverwork was known in antiquity and its style was dictated through the centuries by the demands and needs of its consumers: primarily, as elsewhere, the wealthy, the aristocracy and houses of worship. This led to many wares unique to the Indian subcontinent and Southeast Asia: rosewater sprinklers, betel boxes and cutters, fly whisks, various sacred and ritual vessels, etc. With the creation of the East India Company 1600, these forms became known in England through brisk and profitable trade. By economic and military force, the Company became the de facto ruler India in the 18th century and, after an unsuccessful rebellion against them in 1857, the British Raj was established in 1858, with India becoming the “crown jewel” in the Empire. Throughout the Raj (1858-1947), Indian craftsmen adopted western styles to meet the demands of an ever-increasing British presence: goblets, teapots, sugar bowls, milk jugs. While the forms were taken from the West, the designs were drawn from native flora (the chinar leaves of the plane tree, coriander leaves, acacia flowers) and fauna (elephants, cobra, buffalo). The execution of these designs, as well as the use of specific motifs ,were regionally distinctive. Silver from Kashmir, for instance, often replicated the buta motifs of their famous pashmina scarves (known in the west as “Paisley” after the Scottish town that reproduced the textiles). Calcutta silver was known by its charming rural scenes, and Kutch silver was distinguished by its intricate floral scrolls, often with discreetly hidden native fauna. By the late 19th century, however, the most popular style was the swami style of Madras as exemplified by P. Orr & Sons and featuring richly embossed figures of Hindu deities. Indian silver of the period is of widely varying finesses, as the strict sterling silver standard attested by hallmarking in the U.K. was never imposed and the raw material was taken from many different sources, including rupee coins, old and scrap silver, and bullion imported from China, Africa and the Arabian coast. Additionally, tin, not copper, was the preferred alloy, producing a distinctive grey-white color.

186

Indian craftsmen and design were showcased in International Exhibitions and Royal events during the Raj, such as the visit of the Prince of Wales in 1875-76 and the Durbars of 1877, 1903 and 1911. These displays, however, were carefully curated to British taste by Imperial “commissionwallahs”. In the 20th century, with the emergence of modern styles and (not coincidentally) the Indian independence movement, craftsmen revived and popularized the traditional forms. This collection represents an eclectic assemblage Indian silver of the Raj, with f ine examples of various regional styles and others showing the Indian influence into Southeast Asia and China. New Orleans Auction Galleries is pleased to offer this rare and unusual collection.

Further Reading: Vidya Dehejia, Delight in Design: Indian Silver for the Raj (Ahmedabad, India: Mappin Pub., 2008) Wynyard R. T. Wilkinson, Indian Silver 1858-1947 (London: the author, 1999) S.K. Pathak, Indian Silver (New Delhi: Roli Press, 2008) David C. Owens, Burmese Silver Art (Singapore: Marshall Cavendish Editions, 2020) Paul Bromberg, Thai Silver and Nielloware (Bangkok: River Books, 2019)

500 Indian Silver Teapot Kutch, fourth quarter 19th century, the pear-shaped body richly decorated with a dense foliate scroll pattern with pheasants hiding throughout, with lobed calyx, “gooseneck” spout, pierced foliate foot-ring and cast scrolling handle, the domed lid lobed and decorated en suite and with figural coiled cobra finial, the interior gilt. h. 8”, l. 6-3/4”, dia. 4”; 18.25 t. oz. $1,000-$1,500

501 Two Indian Silver Goblets Kutch, ca. 1900, each of inverted bell form above a knopped standard and domed foot, richly decorated with embossed floral scrolls below an acanthus band, the smaller with acanthus calyx, plain standard and decorated large knop and foot, the larger with decorated standard, small knop and foot. the smaller h. 5-1/8”, dia. 2-3/4”; the larger h. 5-1/2”, dia. 2-5/8”; 10.79 total t. oz.

500 detail

$1,200-$1,800

501

500

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502 detail 502

502 Indian Presentation Silver Kashkul-Form Bowl Kashmir, first half 20th century, of traditional navette form, the body decorated with scrolling coriander and chinar leaves, the ends with ringed handles from cobra’s heads whose bodies meander downwards into the coridander, the side rims decorated with pierced and tapering rosette scrolls, engraved on a cartouche on the body with date “8/10-7-’57” and on the edge of the foot “Jawaharlal Nehru”. h. 5-1/4”, l. 10”, w. 6”; 12.65 t. oz. $1,500-$2,500 This handsome piece is in the traditional form of a kashkul: a begging bowl carried by wandering dervishes. The rings on the end recall where a strap was attached to the more modest pottery, brass or sea-coconut originals, permitting them to be carried over the shoulder. Wealthy aristocrats and merchants later adopted the form in finer materials, which became very popular as presentation items. The inscribed date and name here suggest it was a gift presented by India’s first Prime Minister Jawaharlal Nehru, who attended the British Commonwealth Prime Ministers Conference in London on July 8-10, 1957. He was at the time at the height of his popularity, having recently been sworn in to his second ministry after a sweeping victory in the 1957 Indian General Election (the second after independence from Britain).

502 detail

503 Indian Silver Hot Milk Jug Kashmir, third quarter 19th century, of tapering cylindrical form and richly decorated with deeply incised paisley and coriander pattern, with cast and applied scrolling serpentine handle and deep fluted spout and domed lid decorated en suite, the lid with toupie finial. h. 5-3/4”, l. 6-1/4”, dia. 3-1/4”; 14.50 t. oz. $1,000-$1,500

503 188

504

504 Indian Silver Tea Set

505 Two Indian Silver Mugs

Kashmir, ca. 1900, including: a teapot, h. 8-3/4”, l. 9”; a hot water pot, h. 10-1/4”, l. 7-3/4”; an open sugar bowl, h. 4-3/4”, w. 5-1/2”; and a cream jug, h. 5-1/2”, l. 4-1/4”; each with a pear-shaped body decorated at the neck and base with a band of chased scrolls centering chinar leaves on a coriander ground, the pots with “gooseneck” spouts and hinged double-domed lids, all with crested scroll handles, all with chased bands en suite. 74.76 total t. oz.

Calcutta, fourth quarter 19th century, both embossed with rural scenes of villagers engaged in daily activities amid their abodes and surrounds, the larger ovoid with crested handle, molded rim and ogee-domed foot-ring, the smaller of slightly tapering barrel form, with “bamboo” handle and plain rim and lower acanthus band, both centering a void cartouche. the larger h. 5-1/2”, dia. 3-3/4”; the smaller h. 3-1/4”, dia. 2-1/2”; 16.36 total t. oz. $1,200-$1,800

$3,000-$5,000

505

189

506 506 Good Indian Silver Tea Set Madras, fourth quarter 19th century, in the “Swami” style, including: a teapot, h. 6-3/4”, l. 9-1/2”; an open sugar bowl, h. 4”, w. 6-3/4”; and a cream jug, h. 3-1/4”, l. 4-1/2”; each decorated with a full repousse band of lobed medallions each with a different Hindu deity and vahana, on a matte ground and separated by flowers and foliate bands, with elephant-head spout and handles, the lid with figural finial of Indra on his mount Airavata. 32.36 total t. oz. $2,500-$4,000

506 detail

506 detail 190

506 detail

507 detail

507

507 Thai Silver Presentation Bowl ca. 1900, of hemispherical form, richly decorated with embossed thepanom figures in flaming cartouches on a scrolling floral and foliate ground, raised on a domed foot decorated en suite and with a pair of realistically detailed elephant-head handles, the central cartouche with oval medallion monogrammed “IFS”, conjoined, presented on an ebonized wood stand with silver nameplate engraved with five signatures. bowl h. 5-1/4”, dia. 7-1/4”, w. 9-1/4”, stand h. 2-3/4”, dia. 5-3/4”; 16.49 t. oz. (bowl only) $1,500-$2,500

507 detail 191

508

508 detail

508 Myanmar Silver Thabeik (Offering Bowl)

509 Chinese Export Silver Tea Set

Lower Burma, ca. 1900, of traditional form, decorated with embossed lobed cartouches containing the signs of the zodiac on a leafy ground, below a beaded band and floral scrolling rim, the underside with engraved circular maker’s mark of tri-lobed floral sprig. h. 6”, dia. 11-1/4”; 28.90 t. oz.

ca. 1900, by Tuck Chong, Shanghai, including: a teapot, h. 6-1/4”, l. 9-3/4”; a covered sugar bowl, h. 4-1/2”, w. 7”; and a cream jug, h. 3-1/2”, l. 6”; each of oval form and decorated with a wide band of bamboo on a matte ground between cavetto collar and base, with squared handles and spout, the pot and sugar bowl with matte-domed lids with acanthus bud f inials, each piece monogrammed in a circular cartouche on the body “AM”, conjoined. 32.80 total t. oz.

$1,800-$2,500 The appearance of the Naga instead of the dragon of the Chinese zodiac indicates the Buddhist cycle used in Southeast Asia. Myanmar did not observe this cycle after the Pagan period which ended in the 13th century, so its appearance here suggests a cultural association with neighboring Thailand along the lower Myanmar peninsula or nearby Cambodia or Malaysia.

$1,500-$2,500

509

192

511 510

510 Large Japanese Bronze Figure of a Dancing Geisha 20th century, her hands raised above her head, dressed in an ivy-patterned kimono with an obi tied in the f ront. h. 51-1/2”, w. 24”, d. 16-1/2” $1,000-$1,500 511 Jie-Wei Zhou (Chinese, b. 1962) “The Musician” oil on canvas signed and inscribed lower right. Framed. 40” x 30”, framed 50-3/4” x 40-3/4” $4,000-$7,000 512 Chinese Red-Lacquered Cabinet 20th century, of rectangular form, fitted with two doors opening to shelves and two drawers, above a deep relief-carved apron, the whole with elaborately rendered gilt accents of various Asian motifs and figures, raised on block feet. h. 76-1/4”, w. 50-1/2”, d. 22-1/2” $2,500-$4,000

512 193

513 Chinese Red-Lacquered Cabinet 20th century, of rectangular form, fitted with two doors opening to shelves and two drawers, above a deep relief-carved apron, the whole with elaborately rendered gilt accents of various Asian motifs and figures, raised on block feet. h. 76-1/4”, w. 50-1/2”, d. 22-1/2” $2,500-$4,000 514 Chinese Kang Xi Sang de Boeuf Vase early 18th century, of traditional form with an unglazed base, on a carved wooden stand. h. 14-1/4”, dia. 7-3/4” $1,000-$1,500 515 Three Pieces of Glazed Porcelain 9th-17th century, Song or Ming Dynasty, including a water jug with carved prunus branches near the hands, a bottle vase and a water pot with scallop trim. h. 8” to 12-1/4”, dia. 5” to 6” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500 516 Two Chinese Crackle-Glazed Vases 18th/19th century, including a square example with low-relief decoration and a pale gray glaze, and another example with a relief-molded lobed body and a pale tan glaze. h. 5” and 5-1/2”, w. 2-1/2” and 3-1/4”, d. 2-1/2” and 3-1/4”

513

$1,000-$1,500

516

514

515 194

517 Chinese Ming Celadon Porcelain Dish ca. 1368-1644, with a barbed rim, the interior with lotus flowers and leaves. dia. 10-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500

517

518 Two Chinese Censers 19th century, including a bronze example with flattened sides, raised on short feet, the base with a character mark, and a celadon example with a low-relief body on cabriole legs, each with a pierced and carved wooden cover with carved stone knop. h. 5-1/2” and 6-1/4”, dia. 5” and 6” $1,200-$1,800

518

519 Tang Dynasty Polychrome Earthenware Caparisoned Horse with Rider 618-907 AD, unglazed, the robed rider seated on a molded saddle atop a broad saddlecloth, the f inely modeled, expressive horse with hogged mane and docked-wrapped tail, retains the painted bridle along with chest and crupper straps strung with pendants, possibly conch shells, presented on a self plinth base. Includes the 1985 thermoluminescence test results and a copy of the Manheim Galleries invoice. h. 12-1/2”, w. 11-3/4”, d. 4-1/2” Provenance: Purchased in June of 1985 at Manheim Galleries, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,500-$2,500 Daybreak Nuclear and Medical Systems, Inc., in Guilford, Connecticut, performed the thermoluminescence tests in April of 1985. Those results were declared consistent with the suggested date per the document bearing the laboratory seal and signature of V. J. Bortolot.

519

195

521

520

520 Polynesian-Style Hardwood and Woven Grass Cabinet

521 Monumental Pair of Asian Carved and Polychromed Hardwood Figures

fitted with two tri-paneled doors over three short drawers, all with woven grass panels, the frame simulating bamboo, raised on circular legs. h. 85”, w. 51-1/2”, d. 28”

early 20th century, each dressed in a red robe and standing on a carved lotus leaf base, hands in prayer and supplication. h. 74-1/2” to 75-1/2”, w. 20”, d. 15”

$1,200-$1,800

196

522

522 Suite of Eight Polychromed Faux Bamboo Chairs consisting of two armchairs and six side chairs, each with a pierced fret-patterned back above the cushioned seat, raised on turned legs joined by an H-form stretcher. h. 38” $1,500-$2,500

523 Painted “Coral” and Shell Chandelier 20th century, of Tony Duquette inspiration, the metal f rame modeled to resemble coral, the sides set with shell roundels, the interior set with six light sockets. h. 20-1/2”, w. 33-1/2”, d. 22”

523

$1,200-$1,800

524 Painted “Coral” and Shell Chandelier 20th century, of Tony Duquette inspiration, the metal f rame modeled to resemble coral, the sides set with shell roundels, the interior set with six light sockets. h. 20-1/2”, w. 33-1/2”, d. 22” $1,200-$1,800

524

197

525 Modern Design Carpet 8’ 10” x 11’ 9” $1,500-$2,500

526 Karl Albert Buehr (French/American, 1866-1952) “The Picnic” oil on canvas signed lower left. Glazed and framed. sight 20” x 23”, framed 26” x 29-1/2” $1,000-$1,500

527 French School (Fourth Quarter 19th/First Quarter 20th Century) “Vue a la Baie avec des Roches” oil on linen signed “P. Daillion” lower right, remnants of a Lyon exhibition label on stretcher. Framed. 21-1/4” x 25-3/4”, framed 27” x 31-1/8” $1,000-$1,500

525

526

198

527

529 Albert Lebourg (French, 1849-1928)

528 528 Grange Peint a L’Eau Small Chest of Neoclassical Inspiration

530

“Bord de Seine a La Bouille”

20th century, Symphorien Sur Coise, France, with natural woodtrimmed aqua surfaces, and having a rounded rectangular top over a bank of three bisected and paneled drawers flanked by fluted and stop-fluted stiles, raised on turned feet, labeled “Grange” and bearing a paper label referencing model number and date. h. 31-1/2”, w. 32-3/4”, d. 19-3/4”

oil on canvas signed and localized lower left, with a partial label en verso. Framed. 18-1/8” x 33-1/2”, f ramed 25-1/2” x 41-3/4” Provenance: Private collection, Texas. $12,000-$18,000

Provenance: Selected for the interior of a Pacific Palisades, California villa decorated by Richard Brayton of BraytonHughes Design Studios, San Francisco, California.

530 Paul Desire Trouillebert (French, 1829-1900)

$1,000-$1,500 This stylish chest was selected by interior designer Richard Brayton, co-founder of BraytonHughes Design Studios in San Francisco, for the interior of an impressive Italian villa-style Pacific Palisades residence decorated with antique and modern pieces to achieve a rustic Italian theme. The home was featured four times in Architectural Digest, but most notably on the cover of the July 1999 issue.

“Vue de Riviere pres de Moret-sur-Loing” oil on canvas signed lower right, artist label with address on stretcher. Framed. 15” x 24-1/8”, framed 19-1/2” x 28” $4,000-$7,000

529 199

531

531 Suite of Twelve Brown Jordan Venetian-Pattern Armchairs of Directoire inspiration, each aluminum chair in verdigris polychrome, the back modeled with an “X” and joined to open arms with scroll ends, the shaped lattice seat joined by an X-form stretcher, fitted with removable seat cushions, each chair with a maker’s label. h. 35-1/2” $1,000-$1,500

532 Contemporary Copper and Glass Console Table and Mirror 20th century, the lunette-form glass-top console table with a twig-molded copper frame decorated with an egret standing among plants, h. 36”, w. 40”, d. 16”, and the oval mirror with a twig-molded surround decorated with vines and leaves, h. 45”, w. 21-1/2”. $1,000-$1,500

533 Bronze Crane 20th century, in the Japanese style, standing figure with its head raised and mouth open. h. 69-3/4”, w. 23”, d. 21” $1,000-$1,500

200

533

532

535 534 534 Two Patinated Bronze Figures of Egrets 20th century, in the Japanese style, one looking down and the other looking skyward. h. 34-1/2”, w. 9-3/4”, d. 10-1/4” and h. 45”, w. 10”, d. 11-1/2” $1,000-$1,500 535 Pair of Continental Verdigris-Patinated Bronze Recumbent Stags 20th century. each h. 20-1/2”, w. 18”, d. 6” $1,000-$1,500 536 Modern Lucite and Glass Dining Suite comprised of a double-pedestal table and six chairs, the table with a rectilinear glass top with a beveled edge, supported by pedestals formed by three curved polycarbonate legs joined at their center, h. 28-3/4”, w. 72”, d. 38”, and each chair with a tall polycarbonate back with a beveled edge, extending to the floor, upholstered seat cushion and shaped legs, h. 42”.

536

$2,000-$4,000

536

201

537 Suite of Four Contemporary Tubular Brushed Metal and Etched Glass Barstool Chairs each with a thick plate glass seat and back panel with various deeply etched scenes, monogrammed and dated 2001 on the seats. h. 46-1/4” $1,200-$1,800

537

538 (Romain de Tirtoff) Erte (Russian/French, 1892-1990) “Je L’Aime”, 1988 patinated and cold-painted bronze cast signature, dated, numbered “208/500”, copyright-marked, and inscribed “Seven Arts Ltd., London” along back edge of integral base. h. 18-1/2”, w. 7-1/4”, d. 6-1/2” Provenance: Dyansen Gallery, New Orleans, Louisiana; Private collection. $1,500-$2,500 Together with a Certificate of Authenticity from Dyansen Gallery.

539 (Romain de Tirtoff) Erte (Russian/French, 1892-1990)

538

“Daydreams”, 1989 patinated and cold-painted bronze with 23-karat gold leaf cast signature and numbered “275/375” at end of divan, dated, copyright-marked and inscribed “Chalk and Vermillion and SevenArts” along back edge of self-base h. 14”, w. 18”, d. 6” Provenance: Dyansen Gallery, New Orleans, Louisiana; Private collection. $2,000-$4,000 Together with a Certificate of Authenticity from Dyansen Gallery.

539

202

540 Nine-Piece Mid-Century Garden Suite third quarter 20th century, probably by Molla Inc., comprised of a table and eight chairs, in cast aluminum and glass, each chair with a concave top rail over a foliate-carved back, pierced scroll seat and cabriole legs, h. 30”, and the table with a glass top on a double pedestal base, h. 29”, w. 43-1/2”, l. 81-1/2”. $1,200-$1,800 Similar chairs were placed by designer Billy Haines in the home of Betsy Bloomingdale, sold at Christie’s sale 15374, lots 196 and 197. Haines was noted for Hollywood Regency design.

540

541 Jean Lambert-Rucki (Polish/France, 1888-1967) “Blessing Christ” patinated bronze cast signature along back edge of robe, on a wooden plinth. overall h. 17-3/4”, w. 4-1/4”, d. 4”

540

$1,200-$1,800

542 Jean Lambert-Rucki (Polish/France, 1888-1967) “Saint Jean l’Evangeliste” patinated bronze cast signature along back edge of robe, on a wooden plinth. overall h. 16-3/4”, w. 4-3/8”, d. 4-3/8” $1,200-$1,800

543 Jean Lambert-Rucki (Polish/France, 1888-1967) “Saint Paul” patinated bronze cast signature along back edge of robe, on a wooden plinth. overall h. 17-1/2”, w. 4”, d. 4”

542

$1,000-$1,500

541

543 203

544

544 French Art Deco-Style Rosewood and Faux Rosewood Credenza

545 Pair of Art Deco Leather Club Chairs early 20th century, probably French, each with a shaped and padded back, large over-stuffed arms and loose cushion seat. h. 30”, w. 34”, d. 36”

ca. 1940, in the manner of Jacques Adnet, the conforming shaped top over a central bank of five drawers fitted with scrolled brass handles and flanked by slightly curved doors to each side, retaining its original key. h. 36”, w. 68”, d. 17”

$1,200-$1,800

$1,000-$1,500

545

204

547 546 Giltwood and Mirrored Four-Panel Screen 20th century, of Louis XVI inspiration, the giltwood beaded surround set with divided mirror plates, set with brass molded medallions. h. 88”, w. 80” $1,500-$2,500

547 Art Deco Bronze and Marble-Top Console early 20th century, the rectangular white marble top on a base with a central panel depicting putti and urns, flanked by figural winged caryatids in the Egyptianesque taste, formerly an architectural element removed from a New Orleans building during renovation. h. 38”, w. 30”, d. 11”

546

Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,500-$2,500

548 Classical Revival Opaline Glass Hall Lantern second quarter 20th century, the four-light lantern with classical dancers and trimmed with anthemia, supported on pierced bronze chains. h. 27”, dia. 11-1/2” $1,000-$1,500

548

205

549 Large Italian Giltwood Sunburst Mirror 20th century, of circular form with a central mirror plate, the outer frame with graduated giltwood radiant beams. dia. 52” $1,500-$2,500

549

550 Pair of Contemporary Chrome, Maple, Cane and Glass Etageres each with five shelves supported by tubular chromed columns, the shelves with wooden f rames supporting glass over woven cane. h. 72-1/4”, w. 22-1/2”, d. 14” $1,000-$1,500

550 206

551

551 Pair of Ralph Lauren Leather Club Chairs

552 Pair of Ralph Lauren Leather Club Chairs

each contemporary armchair of generous proportions, with a back joined to closed arms, fitted with a loose feather-f illed seat cushion, and resting on squat wooden block feet, each labeled “Ralph Lauren”. h. 33”

each contemporary armchair of generous proportions, with a back joined to closed arms, f itted with a loose feather-filled seat cushion, and resting on squat wooden block feet, each labeled “Ralph Lauren”. h. 33”

$1,200-$1,800

552

207

553 George Rodrigue (American/Louisiana, 1944-2013) “Girl Sitting”, 1977 oil on canvas signed mid-left. Framed. 28” x 24”, framed 33” x 29” Provenance: Purchased from the artist in 1977 by present consignor’s aunt; Private collection, Houston, Texas. $8,000-$12,000

554 Continental Fruitwood and Embossed Metal Chest the rectangular top embossed with a central urn amidst scrolling foliage patterns, above a conforming case fitted with two small drawers, over three graduated long drawers, all inset with embossed panels, raised on bun feet. h. 35”, w. 33-1/4”, d. 19”

553

$1,000-$1,500

555 Large Holly Hunt Formations “Augusta” Ottoman of William-and-Mary inspiration, the upholstered cushion supported by baluster-form ebonized columns joined by segmented, molded stretchers on pad feet, upholstered in Old World Weavers Paso Horsehair with Rose Tarlow for Melrose House ribbon trim. h. 21-3/4”, w. 48”, d. 48” Provenance: Selected for a Malibu, California interior designed by Nate Berkus.

554

$1,400-$1,800

555 208

556 556 Mahogany and “Williamsburg Blue” Leather-Upholstered Chesterfield Sofa the tufted, padded and rounded back and sides above a like seat, raised on bun feet, with brass tack accents. h. 27”, w. 80”, d. 35” Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,000-$1,500 557 Myron Lechay (Russian/New York/Louisiana, 1898-1972) “St. Louis Cemetery, New Orleans” oil on canvas signed and titled en verso, “Spanierman Gallery, LLC/New York” and “Rago Auction” labels en verso. Framed. 20” x 30”, framed 28-1/4” x 38-1/4”

557

Provenance: Spanierman Gallery, New York, New York through Rago Arts and Auction, Lambertville, New Jersey, April 29, 2021, lot 556; Private collection, New Orleans, Louisiana. $1,000-$1,500 558 Jennings Woodrow Sturgeon (American, 1918-1966) “Reclining Nude”, 1963 oil on canvas signed, dated and localized “Manila” lower right. Framed. 25” x 40”, framed 30-1/4” x 45-1/4” $1,500-$2,500

558

209

561

559

559 Ramon Parmenter (American, b. 1954)

561 Contemporary Ebonized and Parcel-Gilt Occasional Table

“Elation”, 2000 patinated and cold-painted bronze cast signature, dated, numbered “6/94”, and copyrightmarked along back. h. 13-1/4”, w. 16”, d. 6” $1,200-$1,800 560 Contemporary Ebonized and Parcel-Gilt Occasional Table in the Empire taste, the rectangular top above a conforming paneled frieze with pendant gilt swags to all sides, raised on paneled tapering square legs ending in turned spade feet. h. 31-1/4”, w. 32”, d. 24”

in the Empire taste, the rectangular top above a conforming paneled frieze with pendant gilt swags to all sides, raised on paneled tapering square legs ending in turned spade feet. h. 31-1/4”, w. 32”, d. 24” $1,200-$1,800 562 French Patinated Bronze Palm Frond Chandelier second quarter 20th century, in the style of Maison Bagues, the f ive-light chandelier with arched f ronds hung with prisms, the standard modeled to resemble a loop of f ringed fabric. h. 21-1/2”, dia. 21-1/2” $1,000-$1,500

$1,200-$1,800

560

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564 563

563 Giltwood and Mirror Glass Three-Panel Screen

564 Pair of Gilt-Metal and Fabric Torcheres

20th century, of Louis XVI inspiration, the beaded surround with notched corners and set with mirror glass panels, decorated with molded brass corner medallions. overall h. 77”, w. 62”

in the French taste, the reverse pylon-form standards decorated with gilt-metal leaves and supported on matching square bases, set with flaring fabric shades. h. 72-1/5”, w. 19-1/2”, d. 19-1/2”

$1,200-$1,800

$1,000-$1,500

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565 Turkish Angora Oushak Carpet 8’ x 9’ 8” $1,000-$1,500

566 Carved and Painted Mirror in the Moroccan Taste 20th century, with a molded surround framing carved scrollwork and leaf design, the mirror plate with a beaded liner. h. 48-1/2”, w. 60-1/2” $1,000-$1,500

567 Pair of Wood, Brass and Acrylic Lamps 20th century, the acrylic bases set with brass standards supporting acanthus leaf-carved elements. h. 25-1/2”, w. 8”, d. 5-1/2” $1,000-$1,500

565

567 566

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568 568 Sir Frank William Brangwyn, R.A. (British, 1867-1956) “Portrait of a Moroccan Elder” gouache and oil on paper signed en verso. Framed. sight 24” x 18”, f ramed 31-1/2” x 25-1/2” Provenance: Goya Subastas, Madrid, Spain, April 27, 2015, lot 134. $1,000-$1,500

569 Georges Gaste (French, 1869-1910) “Portrait d’un Bedouin” oil on wood panel verso inscribed with artist name and affixed with remnants of labels. Presented in a giltwood Orientalist frame. 14” x 9”, framed 20” x 15-1/2”

570 570 Dudley Hardy (British, 1865-1922) “The Nomad” watercolor on paper signed lower right. Matted, glazed and f ramed. sight 13-1/2” x 19-1/2”, f ramed 23-1/2” x 29-1/2”

Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana.

Provenance: Private collection, Galveston, Texas.

$1,200-$1,800

$1,000-$1,500

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571

571 Carved and Polychromed Teakwood Bench/Day Bed

572 After Albert Kindler (German, 1833-1876)

of generous proportions, the back with a pierced foliate-, scroll- and floral-carved panel, on a base with throughtennoned legs and fitted with a conforming custom cushion designed by Nate Berkus, upholstered in “Samar Bittersweet” fabric by Jim Thompson . h. 33-1/4”, w. 101”, d. 34”

“Spanish Dancer” oil on canvas signed illegibly and inscribed lower right “apres Kindler”. Framed. 40” x 60”, f ramed 56” x 74”

Provenance: Selected for a Malibu, California interior designed by Nate Berkus.

$1,200-$1,800

$1,000-$1,500

572

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573 Silver-Gilt Ottoman in the Egyptian Taste modeled as Bastet, or a cat, supporting a tiger-print cushion adorned with a tassel at each corner, and raised on feline legs with paw feet. h. 27-1/2”, w. 35-1/4”, d. 26”

575

$1,000-$1,500 574 Suite of Six Contemporary Parcel-Gilt, Argente and Mirrored Glass Dining Chairs

575 Contemporary White Cowhide Club Armchair with a concave back and closed arms, f itted with loose seat and back cushions and trimmed with silvered tacks, labeled “Lee Earth-Friendly Upholstery” and “Made in the U.S.A.”. h. 31-1/2”, w. 28-1/2”, d. 31-3/4”

of neoclassical inspiration, comprised of a pair of armchairs and four side chairs, labeled “John Richard Vietnam”, each with an oval mirrored back joined to rails with mirrored panels, upholstered seat and tapering legs fitted with mirrored glass panels. h. 40-1/2”

$1,000-$1,500

$2,500-$4,000

574

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576

576 Pierre Bordenave (French, 1900-1970) “Voiliers au Port, Peut-etre St. Tropez” oil on canvas signed lower right. Framed. 21-5/8” x 31-7/8”, framed 25-3/4” x 36-1/2” $1,000-$1,500

578 Contemporary Silver Metal-Clad Cabinet the case with a pair of doors, each with mullion-work panels, opening to expose a well beneath a pair of drawers, the sides in similar decor to the doors. h. 35-1/4”, w. 46-1/2”, d. 19-1/2” $1,200-$1,800

577 Italian Polychromed and Faux Marbre Table early 20th century, the rectangular top with a faux marbre surface and a Greek-key-painted apron, mounted to a pair of trestle-form columnar-painted standards. h. 31”, w. 93”, d. 35” $1,200-$1,800

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579 Contemporary Argente and Mirrored-Top Circular Dining Table the mirrored top over a conforming apron with mirrored panels and raised on a vasiform pedestal base, labeled “John Richard Fine Furniture” and “Made in Vietnam”. h. 33”, dia. 65-1/2” $1,500-$2,500

580 Gail Sherman Corbett (American, 1871-1952) “La Promenade”

580

oil on canvas signed lower right. Framed. 20” x 24”, framed 23” x 27” $1,200-$1,800

581 Mykola Vasyl Krychevsky (Ukrainian/France, 1898-1961) “St. Germain des Pres”, 1956 watercolor on paper signed, dated and titled lower right. Matted, glazed and framed. sight 14-1/2” x 11-1/4”, framed 27-1/2” x 24” $1,000-$1,500

581

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582 Victor Gilbert (French, 1847-1935) “Flower Sellers Before the Conciergerie, Paris” gouache on paper signed lower left. Matted, glazed and framed. sight 11” x 15”, framed 28-3/4” x 32” Provenance: Christie’s London, South Kensington, England, March 14, 2007, lot 47. $5,000-$8,000

583 French School (Second Quarter 20th Century) “Ballet Studio”, 1945

582

pair of oils on board each signed “Jean Vouet” and dated. Each glazed and presented in matching frames. each 8” x 10”, framed 11” x 13” Provenance: Collection of Allain Bush, New Orleans, Louisiana. $1,000-$1,500

584 Edward Loevy (Polish, 1857-1910) “Harvest Reprieve” oil on artist board signed lower right. Framed. 18-3/8” x 15-7/8”, framed 21-3/8” x 19” $1,000-$1,500

584

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585 Turkish Angora Oushak Carpet 11’ 9” x 15’ $2,500-$4,000 586 Turkish Angora Oushak Runner 2’ 6” x 25’ 9” $1,000-$1,500 587 Agra Serapi Carpet 7’ 10” x 9’ 10” $1,000-$1,500

587

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588 Antique Oushak Carpet 12’ 2” x 17’ Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $3,000-$5,000

588

589 Turkish Oushak Carpet 9’ x 11’ 9” $1,000-$1,500

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590 Antique Sarouk Carpet 4’ 3” x 6’ 4” Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,000-$1,500

590

591 Semi-Antique Shirvan Carpet 5’ 3” x 9’ Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,400-$1,800

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592 Pair of English Oak Stools 19th century and later, each with a padded rectangular top raised on barley-twist and block legs joined by a like stretcher and ending in ball feet. h. 18-1/2”, w. 19-1/2”, d. 14” $1,000-$1,500

593 Set of Four English Silverplate Sconces in the Baroque Taste on shield-form backplates with heraldic decoration of the royal coat of arms of England, with rococo-molded trim, the scrolled candle branches set with faceted candle cups and matching drip pans. h. 12-1/2”, w. 15”, d. 10”

593

$1,000-$1,500

594 William-and-Mary-Style Oyster Veneer Chest attributed to H. L. Holland, executed in yew wood and walnut, the case with line incising and figured veneers, with a pair of drawers over a pair of graduated drawers, raised on bun feet. h. 28”, w. 28”, d. 20-1/4” $1,000-$1,500 The Holland pieces are reputedly bench-made by artisanal shops in England.

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595 British Berlin Woolwork Embroidery of a Medieval Lady 19th century, tent and cross-stitches rendered in wool, cotton and silk threads, the richly garbed figure set within an arched border. Framed. sight 53-1/2” x 26-1/2”, framed 62” x 34” $1,000-$1,500

596 Suite of Ten Irish Georgian-Style Mahogany Dining Chairs early 20th century, consisting of two armchairs and eight side chairs, all with a shaped foliate-carved crest above a balusterform splat, the period floral and foliate needlework seats raised on cabriole legs headed by a foliate shield and ending in ball-and-claw feet. h. 42-1/2” Provenance: Private collection, Galveston, Texas. $1,500-$2,500

595

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597 597 English Oak Dresser Base 18th century and later, the rectangular top above a case fitted with three banded drawers, raised on cabriole legs ending in pad feet. h. 31”, w. 73”, d. 20” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500 598 English Oak Armoire early 20th century, the overhanging molded cornice above a single paneled door with a relief-carved upper panel, trimmed with applied moldings and turned ornaments, the interior fitted with coat hooks, a mirror and cane holder. h. 79-1/2”, w. 33-1/2”, d. 19” Provenance: Private collection, Galveston, Texas. $1,200-$1,800 599 Collection of Five Pieces of Leedsware Creamware first quarter 20th century, impressed “Leedsware Classical Creamware England”, the collection including a large reticulated covered bowl, h. 10”, dia. 8-1/2”, a pair of open baskets, h. 3-1/4”, w. 7-1/2”, d. 6”, and a pair of unmarked sweetmeat baskets, h. 2-1/4”, w. 3-1/4”, d. 2-3/4”. Provenance: Private collection, Galveston, Texas. $1,000-$1,500

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600 English Oak Welsh Dresser late 18th century, the molded and paneled cornice above three open shelves, the lower section fitted with three paneled drawers, raised on barley-twist legs joined by a box stretcher and ending in block feet. h. 82”, w. 65”, d. 17” $1,400-$1,800 601 Assembled Pair of Polychrome Tole, Wood and PapierMache Figures second quarter 19th century, English or Continental, including a tole clockmaker carrying a wag-on-the-wall clock and pendulum, and a papier-mache and wood seller spill vase figure carrying a tole basket. h. 14-1/2” and 15”, w. 4-3/4” and 7”, d. 3” and 4-3/4”

601

$1,200-$1,800

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602 Suite of Six Queen Anne-Style Ebonized Side Chairs early 19th century, the domed crest above a vasiform splat featuring chinoiserie designs, above the padded seat, raised on cabriole legs joined by an H-form stretcher and ending in pad feet. h. 38” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500 603 English Oak Cabinet 19th century, in the Georgian taste, the rectangular top above a conforming case fitted with two banded drawers and two paneled cupboard doors, flanked to either side by engaged fluted uprights, raised on bracket feet. h. 33”, w. 43-1/2”, d. 17”

602

$1,200-$1,800 604 VIctorian Mahogany Pedestal Desk mid-19th century, in the Georgian taste, the rectangular top with an inset leather writing surface, above three frieze drawers, raised on two pedestals, each fitted with three short drawers to one side and paneled on the other, on plinth bases. h. 30”, w. 46-1/2”, d. 22-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500 605 Pair of George III-Style Green Leather Wing Chairs 20th century, of traditional form, each with a split cushion back, loose seat cushion and raised on Marlborough legs. h. 42”, w. 33”, d. 30”

605

$1,200-$1,800

604 603

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606 Thomas Clement Thompson, R.H.A. (British, 1778-1857) “Portrait of William Grant, Esq. of Carrs Bank” oil on canvas unsigned, titled on letter in sitter’s hand, an old handwritten label en verso frame with artist and sitter, an “Agnew & Zanetti/Manufacturers/ Manchester” label en verso frame, inventory label reading “Owner/Sir P. Grant Lawson/June 2, 1930” en verso. In an impressive period or earlier giltwood and gesso frame with later black paint. 51-7/8” x 40-1/2”, framed 69-1/2” x 58” Provenance: With sitter; Sir Peter Grant Lawson, 2nd Baronet of Knavesmire Lodge; thence by descent; private collection. $1,000-$1,500

The sitter of this portrait, Sir William Grant, was the last male heir of the mercantile Grant brothers of Manchester, England. The family was of Scottish Highland origin and relocated to England in the 1780s after several disastrous fires decimated the family farmland. Sir William was the son of John Grant of Nuttall Hall, and the nephew of Daniel and William Grant, who were famously memorialized as the charitable “Cheeryble Brothers” in Charles Dickens’ Nicholas Nickleby. The family was known for their business acumen and philanthropic spirit, members having served as justices, religious leaders, and founders of various institutes and foundations. This portrait descended in the family of William’s sister Isabella, first to his nephew Sir John Grant Lawson, the 1st Baronet of Knavesmire Lodge, and then to his great-nephew Sir Peter Grant Lawson, the 2nd Baronet, whose name appears on an inventory label en verso this painting. The nomenclature and design of the “Agnew & Zanetti” label on the f rame was only employed by the f irm during the years of 1828-1837, thus dating the frame to that short period. References: Prentice, Archibald. Historical Sketches and Personal Recollections of Manchester. Manchester: J. T. Parles, 1851.; Elliot, Rev. W. Hume. The Story of the Cheeryble Grants. Manchester: Sherkatt and Hughes, 1906.

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607 Pair of Stained Pine, Brass-Plated Metal and Marble Floor Lamps of Georgian inspiration, on baluster-turned, brass-plated bases raised on cabriole legs, with mottled brown marble tops beneath the turned metal lamp standards, mounted with shades. h. 58”, dia. 20” $1,000-$1,500

608 Thirty-Seven Fine Brown Leather Bindings John Dryden, Works, Edinburgh: A. Constable & Co., 1821, second edition, complete in 18 volumes; John Gifford, Life of Pitt, London: T. Cadell & W. Davies, 1809, complete in six volumes (vol. 1 front board lacking; vol. 6 front board detached); William H. Prescott, Works, Philadelphia: J. B. Lippincott, n.d. [1896?], 8 volumes [of 15?]; Thomas Macaulay, History of England, London: Longman, Green etc., 1861, complete in five volumes. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana.

607

Detailed binding descriptions available on request. $1,000-$1,500

609 George III-Style Mahogany and Leather Gainsborough Chair 20th century, upholstered in cream leather, the tall, padded shaped back joined by padded and richly carved inswept arms to the padded seat, raised on cabriole legs headed by elaborate floral shields and ending in hairy paw feet. h. 43” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,200-$1,800

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610 Suite of Six George II-Style Mahogany Dining Chairs early 20th century, each with a tall upholstered back and like seat and, raised on cabriole front legs with pad feet. h. 39-3/4” $1,000-$1,500

611 George III Oak Tall Case Clock late 18th century, the hood with a broken-arch pediment and carved rosettes, full fluted columns with brass capitals flanking the door, the brass face engraved “Alex MichelGorbals Glasgow”, with a time and strike movement with calendar dial and rotating moon dial. h. 93”, w. 23”, d. 11”

612

$1,200-$1,800

612 Large Pair of Japanese Imari Porcelain Temple Jars fourth quarter 19th century, with reeded bodies and matching domed covers, painted with cobalt-trimmed panels and a profusion of gilt-accented orange and cobalt peonies and crysanthemums, the covers with foo dog knops. h. 39-1/2”, dia. 16-1/2” Provenance: Private collection, Galveston, Texas. $1,500-$2,500

610

611

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613 George III Walnut Chest 18th century, the banded rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, all banded, raised on bracket feet. h. 37”, w. 38-1/2”, d. 21-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500

613

614 George III Walnut Chest-on-Chest 18th century, the molded cornice with canted corners, above a conforming case f itted with three short drawers over three graduated long drawers, the lower section f itted with three graduated long drawers, all banded, raised on bracket feet. h. 71”, w. 40”, d. 20-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,200-$1,800

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615 615 Suite of Fourteen George III-Style Mahogany Dining Chairs ca. 1900, consisting of two armchairs and twelve side chairs, each with a shaped crest rail and pierced center splat, acanthine-carved details and raised on cabriole legs ending in ball-and-claw feet, the slip seats covered in silk damask. armchairs h. 37-1/2”, w. 25”, d. 21”; side chairs h. 37”, w. 23”, d. 20”

616 George III-Style Mahogany Tester Bed the molded tester f rame supported by reeded, ricecarved, fluted and stop-fluted posts capped by carved f inials, the posts supporting a shaped and f igured headboard with cross-banded perimeter and supported by Chinese Chippendale f ret-carved legs, manufactured to accommodate a contemporary queen-size mattress. h. 84”, inside w. 62-1/4”, l. 82”, outside w. 67-1/4”, l. 87-1/4”

$4,000-$7,000 $1,000-$1,500

616

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617 English Mahogany Wake Table 20th century, the narrow rectangular top with two rounded drop leaves, raised on square legs. h. 28-1/2”, w. 18”, l. 46”, ext. l. 63” $1,000-$1,500

617 618 Pair of George II-Style Mahogany Stools each with an oval seat cushion, reputedly upholstered in Versace neoclassical brocade, raised on cabriole legs with pad feet. h. 19-1/2”, w. 22”, d. 18” $1,000-$1,500

619 George III Mahogany Secretary Bookcase ca. 1800 and later, in two parts, the bench-made upper section with a molded cornice over a pair of mullioned doors in a diamond pattern, above a base with a line-inlaid and figured fold-out drawer opening to form a writing surface and revealing a segmented interior, over a bank of three drawers, raised on bracket feet. h. 95-1/2”, w. 49-1/2”, d. 20-1/4” $1,000-$1,500

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621

620 Pair of Chinese Export Porcelain Vases Mounted as Lamps 20th century, the vases decorated in the famille verte palette with mandarin figures in a garden, with carved wooden caps and bases, mounted with shades, electrified but not drilled, the cords enameled. overall h. 37-1/2”, dia. 20-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana. $1,000-$1,500

621 George III-Style Mahogany Bowfront Butler’s Chest in the Hepplewhite taste, the upper drawer folding down to create a tooled leather writing surface, fronting a concave gallery of niches and drawers, over a bank of four drawers with beaded perimeter molding, scalloped apron and bracket feet. h. 36-1/2”, w. 42-1/4”, d. 20-1/2” $1,000-$1,500

622 Edwardian Inlaid Mahogany Tall Case Clock late 19th century, the hood with a broken-arch pediment centered by a turned finial and full columns flanking the door, the mid-case door with an inlaid central fan, the time and strike movement with rotating moon dial and engraved “Made in Germany”. h. 101”, w. 19”, d. 12” $1,000-$1,500

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623 623 Collection of Eleven Easton Press Leather-Bound Books 1963-1998, several signed, including Gone with the Wind, The Greatest Generation, Not That You Asked, the poems of Shelley, Eliot, Dickinson, Tennyson, Shakespeare, Coleridge and Wordsworth, leather boards of various colors, all with gilt lettering and design and with silk moire endpapers. 6-1/2” x 4-1/2” to 11” x 7-3/4” $1,000-$1,500

624 George III-Style Mahogany and Leather-Upholstered Wing Chair

624

20th century, the tall, padded back and shaped sides to outscrolled arms above the padded seat, raised on cabriole legs headed by scroll carving and ending in pad feet, the whole with brass tack accents. h. 42-1/2” Provenance: Private collection, Galveston, Texas. $1,400-$1,800

625 Gerrit Jan Schouten (Belgian, 1815-1878) “Boar Hunt” oil on canvas signed lower left. Framed. 40” x 59”, framed 52” x 70-1/2” $2,500-$4,000

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626

626 Suite of Ten George III-Style Mahogany Dining Chairs

627 Queen Anne-Style Feathered Walnut Sideboard

consisting of two armchairs and eight side chairs, each with an elaborate pierced and carved backsplat, and raised on acanthus-carved cabriole legs ending in ball-and-claw feet. armchair h. 43”, w. 25”, d. 22”; side chair h. 42”, w. 24”, d. 20”

ca. 1900, the shaped top with a banded edge, over a conforming case f itted with a row of drawers above a centered bank of drawers and flanked by a cabinet to each side, raised on cabriole legs. h. 38”, w. 73”, d. 23”

$1,500-$2,500 $1,000-$1,500

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628 Mahogany and “Saddle” Leather-Upholstered Chesterfield Sofa the box-form tufted, padded back and sides above the like seat, raised on chamfered square legs joined by stretchers, with brass tack accents. h. 29”, w. 76”, d. 31” $1,200-$1,800

629 George III Mahogany Bachelor’s Chest fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with a brushing slide over three graduated long drawers, raised on bracket feet. h. 29”, w. 27-1/2”, d. 18-1/2”

629

$1,000-$1,500

630 Pair of Japanese Arita Bottle Vases first quarter 20th century, now mounted as lamps, with polychrome spherical decoration on a delicate faux bois ground, on carved wooden bases and fitted with custom shades. h. 26”, w. 12-1/4”, d. 12-1/4” Provenance: Collection of Sue and Andy Schwartz, Houston, Texas. $1,000-$1,500

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631 Pair of Irish Georgian-Style Mahogany Armchairs 20th century, each with a padded domed back joined by carved outswept arms ending in lion’s-head handrests to the padded seat, raised on cabriole legs headed by lion’s masques and ending in hairy paw feet. h. 44” Provenance: Private collection, Galveston, Texas. $1,200-$1,800

631

632 George III Mahogany Secretary Bookcase fourth quarter 18th century, the molded, dentillated and broken triangular pediment above two astragal-glazed doors, the lower section with a slant-f ront opening to an inset leather surface and a variety of drawers and cubbyholes around a central cupboard, over four graduated long drawers, raised on bracket feet. h. 85”, w. 42”, d. 22” $2,000-$4,000

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633

634 Chinese Export Rose Canton “Gu” Vase 633 George III-Style Mahogany Sofa 20th century, the padded camel back joined by padded outscrolled arms to the cushioned seat, raised on cabriole legs headed by acanthine carving and ending in foliatecarved feet. h. 27”, w. 84”, d. 34” Provenance: Private collection, Galveston, Texas.

fourth quarter 19th century, decorated in the traditional rose and green palette, the base divided into panels with mandarin scenes and panels decorated with peonies and ho-ho birds. h. 15-1/4”, dia. 9-1/2” $1,000-$1,500 635 William IV-Style Mahogany Coffee Table the inset tooled leather top in a molded f rame, the f rieze f itted with a drawer on each end, with scroll-carved brackets and fluted trumpet legs on brass casters. h. 21”, w. 57-1/4”, d. 37”

$1,200-$1,800

$1,000-$1,500

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636 Pair of Chippendale-Style Leather Wing Chairs with Ottoman each of conventional form in oxblood leather upholstery, with tufted backs, closed arms on supports and seat rails edged with brass tacks, and cabriole legs, the ottoman of similar form. chairs h. 40-3/4”, ottoman h. 12”, w. 23-1/2”, d. 19-1/2” $1,000-$1,500

637 Edwardian-Style Leather Chesterfield Sofa

636

of traditional form in tufted oxblood leather, with closed scroll arms and bun feet, the arm supports and seat rail adorned with brass tacks. h. 28”, w. 75”, d. 33-1/2” $1,000-$1,500

638 Edwardian Mahogany Games Table early 20th century, in the Georgian taste, the shaped and rounded top hinged and opening to gaming piece wells and a baize-lined interior, raised on cabriole legs headed by masque carving and ending in ball-and-claw feet. h. 29”, w. 31”, d. 15-1/2” (closed)

638

638 detail

$1,200-$1,800

637

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639 Pierre Petit-Gerard (French, 1852-1933) “French Soldiers on Horseback” oil on board signed lower right. Framed. 9-1/2” x 12-3/4”, framed 15” x 17-3/4” $1,000-$1,500

639

640 Henry Louis Dupray (French, 1841-1909) “French Soldier with His Horse” oil on canvas signed lower right. Framed. 19-5/8” x 13”, framed 23” x 16-3/4” $1,000-$1,500

640

641 Ernest Crofts (British, 1847-1911) “At Waterloo” oil on canvas signed lower left, verso aff ixed with artist’s biography. Framed. 13” x 18”, f ramed 19-1/2” x 24” $2,500-$4,000

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642 642 Suite of Four George II-Style Mahogany and Leather Armchairs

643 Pair of George III-Style Mahogany Chests each with a serpentine top over a conforming case with four f igured and line-strung graduated drawers, raised on shaped bracket feet. h. 37-1/2”, w. 38”, d. 19-1/2”

each with a high upholstered back with a shaped top rail, joined to molded open arms, bowed seat rail and cabriole legs, adorned with brass tacks. h. 43”

$1,000-$1,500 $1,000-$1,500

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644 Late George III Inlaid Mahogany Bowfront Chest ca. 1800, the top with a banded and line-inlaid perimeter, over a geometrically inlaid frieze, above a bank of three drawers with beaded perimeters, raised on flare legs, the stiles with urn and line inlay. h. 35”, w. 36”, d. 20-1/4” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,200-$1,800

645 Suite of Eight George III-Style Mahogany Dining Chairs late 19th/early 20th century, in the Chippendale taste, comprised of a pair of armchairs and six side chairs, each with a foliate-carved top rail over a ribbon-carved splat, with padded slip seat and raised on cabriole legs terminating in ball-and-claw feet. armchair h. 41”, sidechairs h. 39-1/2”

644

$1,800-$2,500

646 George III Mahogany Kneehole Desk fourth quarter 18th century, the rounded rectangular top with crimped corners, above a case fitted with a drop-front drawer, opening to an inset leather surface and a variety of drawers and cubbyholes, over a central recessed kneehole cupboard flanked to either side by a bank of three graduated short drawers, raised on bracket feet. h. 31-1/2”, w. 34-1/2”, d. 20” $1,500-$2,500

646

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647 George III-Style Mahogany Armchair 20th century, the domed crest above an elaborately interlacing ribbon-carved splat, joined by padded acanthine-carved arms to the padded seat, raised on cabriole legs ending in foliate toes. h. 41-1/2” Provenance: Private collection, Galveston, Texas. $1,200-$1,800 648 George III-Style Mahogany Secretary Bookcase late 19th century, the molded rectangular cornice above two astragal-glazed doors, the lower section with a slant-f ront opening to a variety of drawers and cubbyholes over three graduated long drawers, raised on bracket feet. h. 84”, w. 36”, d. 20-1/2”

649

$1,000-$1,500 649 H. V. S. Seymour (American/New York, 19th Century) “Early Morning Sunrise, The Meet of the Rutland Hounds”, 1878 oil on canvas signed, dated, titled and further inscribed en verso canvas. Framed. 20” x 28”, framed 25-1/2” x 34” $1,000-$1,500

647

648

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650 George III-Style Mahogany and Leather-Upholstered Wing Chair 20th century, the padded top, shaped sides and outscrolled arms all tufted, above the like-padded seat, raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 48-1/2” $1,500-$2,500 651 Henry Schouten (Belgian, 1864/7-1927) “On the Scent” oil on canvas signed lower right. Framed. 35-1/2” x 28”, framed 46” x 39-1/2” $2,000-$4,000 652 Charles Olivier de Penne (French, 1831-1897)

650

“Ready for the Hunt” oil on wood panel signed lower right. Framed. 8-1/2” x 10-5/8”, framed 16-1/4” x 19” $1,000-$1,500

652

651 244

653 Jacques Cartier (French, 1907-2001) “The Pointers on Point” oil on canvas signed lower right. Framed. 18” x 24”, framed 21-3/8” x 27-1/4” $2,500-$4,000

653

654 Four Regency-Inspired Hardwood Covered Boxes the contemporary f ruit-form boxes comprised of three graduated apples and a pear, executed in various hardwoods. h. 4” to 6-1/4”, dia. 2-1/2” to 4-1/4” $1,000-$1,500

654

655 Pair of Laminated Mahogany Knife Urns 20th century, the oeuf-form urns supported on turned bases and set with turned knobs, the interiors with pierced fittings. h. 21-1/4”, dia. 8-3/4” $1,000-$1,500

655

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656

657 Baker Hepplewhite Mahogany Banquet Table

656 Suite of Twelve George III-Style Polychromed Dining Chairs

with a metal “Baker” tag and the branded number “7838CARBLK10”, the table of oval form and raised on tapering square legs ending in brass caps, and extending to accommodate three skirted leaves. h. 29-1/8”, w. 49”, l. 85-1/4”, ext. l. 154-1/4”

consisting of one armchair and eleven side chairs, each with a carved crest above a pierced wheat-sheaf splat, the padded seat raised on chamfered tapering square legs. h. 42”

Provenance: Estate of Julia Hamilton, Baton Rouge, Louisiana.

$2,500-$4,000

$1,000-$1,500

657

246

658 Pair of Edwardian Mahogany and Fruitwood Cabinets early 20th century, in the neoclassical style, each with a rectangular top with intricate banding and canted projecting corners, above a conforming case f itted with a single long drawer over two banded cupboard doors, each inset with a panel depicting a polychromed classical maiden, raised on tapering square legs ending in ormolu ball feet, the drawers stamped “Maple & Co. Ltd.”. h. 38”, w. 37”, d. 19” Provenance: Private collection, Galveston, Texas. $3,000-$5,000

658

658 details 247

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249

659

659 Arnold George Mountfort (British/California, 1873-1942) “Portrait of Three Edwardian Beauties”, 1911 oil on canvas signed and dated lower left, a “Christopher Wood/London” gallery label en verso. Framed. 66” x 102-1/2”, framed 70” x 105” Provenance: Christopher Wood Gallery, London, England; Private collection, Galveston, Texas. Exhibited: Ye Ladye Bountifulle: Women and Children in Victorian Art, Christopher Wood Gallery, London, England, November 7-30, 1984. Literature: Illustrated p. 24 of exhibition catalogue. $60,000-$90,000

250

At f irst glance, this appears no more than a carefully composed society portrait of three Edwardian stunners, each richly attired in sumptuous silks, chiffons and laces, set within a suitably luxurious interior. Closer examination, however, reveals it is a subtle visual cautionary tale of respectability and expectation versus self-indulgence and individuality. The Edwardian era (roughly corresponding with the American Gilded Age), inevitably inspired and influenced by its namesake Edward VII, was a time of prosperity, extravagance and a gentle loosening of the more rigid moral strictures for which the Victorian period had so long been maligned. British arts and culture were flourishing, and the sciences - through exploration and invention - were making strides at an almost incomprehensible pace. Portraiture at this time reflected both pride in the country’s accomplishments and its reputation by emphasizing the “here and now” with contemporary settings and accoutrements. No longer was there the emphasis on the classical, historical, or mythological that permeated earler periods.

The portrait offered here is of an intimate, familial gathering as evidenced by the women’s relaxed, casual poses and the absence of the de rigueur evening gloves. The young woman in the embroidered mint-green gown is the epitome of the “English Rose”, the clear-eyed beauty of ivory complexion and rosy cheeks - indeed, she has a pale pink bloom nestled in her neckline. Set towards the left of the painting, she is clearly the main subject of the composition, with the light projecting directly towards her. Behind her in partial shadow is the more somberly but no less opulently attired young matron, the ideal of English womanhood and the presumed girlhood aspiration. The third woman, with her cosmetically enhanced cheeks and lips and hennaed hair, serves as her foil; clad in a light orange gown, she leans provocatively into the back of the sofa. One dress strap has slipped dangerously low exposing her shoulder in a manner verging on indecency and just shy of vulgarity; there is more than the hint of the stage. The color of her dress itself is an interesting choice. The acclaimed Victorian and Edwardian fashion scholar C. Willett Cunnington once stated that orange, admittedly never a particularly popular color for gowns, suggested “a degree of animal passion which the pure should not possess.” Physically situated between the two older women, the young central f igure is at a precipice - a decisive moment which will determine the trajectory of her life - respectability and expectation or adventure and independence. Perhaps her choice has already been made - with a direct gaze and thoughtful expression, she is leaning towards the respectable maiden, with a pillow-draped couch’s distance between herself and the woman on the left.

251

660

660 Alfred Emile Leopold Stevens (Belgian/French, 1823-1906) “Jeune Femme au Bouquet de Fleurs” oil on canvas signed upper left. Framed. 29-1/2” x 22”, framed 38-1/2” x 30” $10,000-$15,000

252

661 661 Cesare Augusto Detti (Italian, 1847-1914) “The Flower Gatherers” oil on canvas signed lower left. In an ornate gessoed and giltwood f rame. 54” x 34”, framed 74” x 51” $30,000-$50,000

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663

662 Set of Twelve Crown Staffordshire Dinner Plates ca. 1911-1930, decorated with central panels of floral bouquets framed with raised gilt and green scrollwork borders, each plate marked. dia. 10-1/4” $1,000-$1,500

663 George III-Style Banded Mahogany Double-Pedestal Banquet Table labeled “Leighton Hall Furniture”, the banded top with shaped in-cut corners and mounted to a pair of pedestals, each with a turned and carved standard and legs ending in ball-and-claw feet, and opening to receive three 20” leaves. h. 30”, w. 46”, l. 74”, ext. l. 134”

662

$1,500-$2,500

664 Suite of Eight George IIIStyle Mahogany Dining Chairs ca. 1900, bearing a metal tag under the front seat rail “S&H JEWELL, 29, 30 & 31 LITTLE QUEEN ST, HOLBORN, W.C.”, consisting of two armchairs and six side chairs, each with a pierced and carved backsplat, green leather seat and raised on cabriole legs with acanthus-carved knees. armchair h. 40”, w. 24”, d. 20”; side chair h. 39”, w. 23”, d. 20” $1,500-$2,500

664

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665 George III Mahogany Lolling Chair late 18th century, the upholstered back with an arched top rail, joined to shaped, open arms dovetailed to curved supports, raised on beaded Marlborough legs. h. 43-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,000-$1,500

666 Pair of Opposing Carved Giltwood Mirrors 20th century, in the Chippendale taste, the asymmetrical rococo mirrors carved with scrollwork surrounds and accented with pierced flowerheads and rocaille work, the primary mirror panels decorated with impish figures seated on rocky outcroppings, the crests with carved ho-ho birds. h. 76-1/2”, w. 33”

665

Provenance: Private collection, Galveston, Texas. $4,000-$7,000

666

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667 Chinese Export Rose Medallion Porcelain Palace Vase 20th century, decorated with mandarin scenes, vases and panels of peonies, butterflies and ho-ho birds, with gilt-fret trim, set with gilt foo dog handles and gilt salamanders on the corners. h. 37”, dia. 13-1/2” $1,000-$1,500

667

668 Pair of Giltwood Armchairs of Adam inspiration, each with an ovoid back centered by a pierced scrolling foliate splat, joined by outscrolled arms to the padded seat, raised on paneled tapering square legs ending in block feet. h. 40” $1,500-$2,500

668

669 Empire Mahogany and Marble-Top Cabinet 19th century, in the Egyptian taste the rectangular marble top above a case f itted with a single faux drawer over two cupboard doors, each with a fabric panel and flanked to either side by an ebonized caryatid upright, raised on beehive-turned feet to casters. h. 39”, w. 44”, d. 14” $1,200-$1,800

669

256

670 Pair of Regency-Style Parcel-Gilt Mahogany Armchairs in the manner of George Smith, each of barrel-back form, the back extending to closed arms terminating in carved lion’s heads in Smith’s style, the seat rail with lotus carving, raised on shaped legs terminating in double-knuckled paw feet. h. 34-1/2” $1,000-$1,500

670

671 Pair of Eagle-Decorated Giltwood and Ebonized Convex Mirrors mid-20th century, the cove-molded circular surrounds set with ebonized spherules and displayed eagle crests, flanked by dolphins, the lower portions with pierced and carved ebonized scrolled aprons. h. 35”, w. 22-3/4” $1,500-$2,500

671 672 Victorian Gilt and Mother-of-Pearl-Inlaid Papier-Mache Lap Desk fourth quarter 19th century, the floraldecorated fold-open lid opening to a felt-lined writing surface with gilt Greekkey border, the back lid opening to a f itted interior with inkwell, pen tray and compartments. h. 5-1/2”, w. 20”, d. 16” $1,000-$1,500

672

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673

673 Pair of Regency-Style Ebonized and Parcel-Gilt Armchairs 20th century, each with a carved crest with foliate patterns, above a pierced splat, joined by downswept scrolling arms to the carved seat, raised on ring-turned circular legs ending in splayed feet. h. 33-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana.

674 Pair of Anglo-Colonial parcel gilt and tropical hardwood library armchairs in the Regency taste, 20th century, each with a reeded backscrolled crest, above a ball f rieze and caned back, joined by scrolling padded and caned arms to the like seat, raised on fluted sabre legs ending in brass caps and casters. h. 36-1/2” $1,000-$1,500

$1,000-$1,500

674

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675

675 William IV Mahogany Cellarette

676

second quarter 19th century, the stepped rectangular top with a gadrooned edge and central foliate carving, and opening to a fitted interior, the case with paneled and angled sides, above a gadroon-carved base on bun feet. h. 22-1/2”, w. 40-1/2”, d. 22-1/2” Provenance: Private collection, Galveston, Texas.

677 Suite of Four Edwardian Mahogany Side Chairs

$1,000-$1,500

early 20th century, in the Adam taste, each with a shield-form back centered by an inlaid patera ovoid panel, surmounted by carved swags and bows, the padded seat raised on chamfered tapering square legs ending in paw feet. h. 38-1/2”

676 Regency-Style Mahogany Horseshoe Dining Table by EJ Victor and so labeled, the flame-veneered circular top centered by a star and with circular extension leaves supported by slide-out battens, raised on four columnar supports joined by a ring stretcher with four splayed legs to brass caps and casters; after a table design patented in 1835 by Robert Jupe. h. 29”, dia. 84”

$2,500-$4,000

677 259

678 Edwardian-Style Mahogany Sideboard 20th century, the rectangular top with a banded and shaped front and inlaid shell accents, above a conforming case fitted with a central cutlery drawer flanked to either side by a deep drawer, and with delicate inlaid scrolling-foliate accents, raised on tapering square legs ending in spade feet. h. 37”, w. 68”, d. 31” $1,500-$2,500

678

679 Set of Twelve Mintons Raised Gilt Dinner Plates ca. 1917, the plates with a raised gilt edge and gilt swagging on a pink border, each with Mintons mark and the impressed “1917” date stamp. dia. 10-1/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

679

680 Set of Twelve Royal Worcester Dinner Plates ca. 1950, decorated with gilt scrollwork on a putty ground, each with Royal Worcester’s black mark and a gilder’s mark. dia. 10-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

680 260

682 681 Adam-Style Giltwood Mirror the rectangular surround decorated with lotus leaves and square medallions, supporting a reeded urn final set with flowers and sprigs of wheat, framed with arabesque gilt wirework scrolls and carved laurel leaves and berries. h. 63”, w. 39” $1,000-$1,500

682 Pair of Regency-Style Inlaid Mahogany Bed Steps early 20th century, the treads with inset tooled leather and supported by full reeded columns, the top section with a pair of doors with brass grillwork, raised on bracket feet. h. 27”, w. 19”, d. 25”

681

$1,000-$1,500

683 Suite of Six Regency Brass-Inlaid Dining Chairs ca. 1825, each faux rosewood mahogany chair with a twist reeded top rail over a splat with an inlaid die-cut brass roundel, slip seat and saber legs. h. 33-3/4” $1,500-$2,500

683 261

684 Charles Burton Barber (British, 1845-1894) “Playing Mother” oil on canvas signed lower left. Framed. 12” x 10”, framed 22” x 20-1/4” $5,000-$8,000

684

685 Attributed to Ida Baumann (Swiss, 1864-1932) “Her New Pet” oil on canvas unsigned, typewritten biography and several old labels en verso, artist plaque at f ront. Framed. 40” x 27-3/4”, f ramed 45-3/4” x 33-1/4” $1,000-$1,500

685 262

686

686 Victorian Mahogany Server

687 Suite of Six Regency Faux Rosewood Side Chairs

third quarter 19th century, the rectangular top with a paneled superstructure, above a portrait shield-carved frieze, joined by large lion-form uprights to the plinth shelf base. h. 40”, w. 84”, d. 31”

second quarter 19th century, each with a curved and carved back rail and central pierced splat, an upholstered slip seat, and raised on turned and reeded legs. h. 32”, w. 18”, d. 18”

$1,200-$1,800

$1,000-$1,500

687 263

688

689 688 George III-Style Mahogany Dining Table

690 William IV Mahogany Server

mid-20th century, the rounded rectangular top triplebanded and raised on three pedestals, each with an acanthine-carved baluster standard to four splayed and ribbed legs ending in brass paws on casters, with one 24-inch leaf present. h. 29”, w. 54”, l. 129”, ext. l. 153”

second quarter 19th century, f itted with two large galleried shelves, joined by uprights headed by scrolled capitals, joined by a turned stretcher and ending in turned feet. h. 37”, w. 36”, d. 24” $1,000-$1,500

Provenance: Private collection, Galveston, Texas. $2,000-$4,000 689 Royal Albert “Royalty” Pattern Partial Dinner Service ca. 1950-1959, including thirteen dinner plates, dia. 10-1/4”, thirteen salad plates, dia. 8-1/4”, twelve bread-and-butter plates, dia. 6-1/4”, thirteen cream soup bowls and stands, h. 3”, dia. 6-1/4”, thirteen footed cups, h. 3-1/2”, and thirteen saucers, dia. 5-1/2”, a pair of salt-and-pepper shakers, h. 3-1/2”, and one dessert plate, dia. 7-1/4”, together with a Royal Albert “Derby” oval dish, l. 6”, d. 4-3/4”, and a Royal Albert “Bristol” chocolate cup, h. 2-3/4”, w. 4-1/2”, each piece marked, and one signed by the decorator. $1,000-$1,500

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691

691 Pair of Regency-Style Parcel-Gilt Armchairs After Thomas Hope each with pineapple finials on reeded stiles and arms, the arms terminating in carved dog’s heads, on reeded balusterform supports with like front legs. With a brass label “Smith and Watson, New York” h. 42”

693

Literature: The design illustrated in Hope’s 1807 Household Furniture and Interior Decoration, pl. XXII nos. 5 and 6. $1,000-$1,500 692 Regency-Style Brass-Mounted Mahogany Etagere attributed to Theodore Alexander, with a pair of shelves edged in brass molding and backed by wire mesh over mirror plates, on a base with a like top over a pair of drawers, on square legs joined by a low shelf and mirrored wire mesh back, one drawer interior with a metal plaque reading “Admiralty Collection”, inspired by the second Earl Spencer. h. 73”, w. 46”, d. 19-1/4” $1,500-$2,500 693 Collection of Three English Boxes second quarter 19th century, the collection including an Edwardian mahogany fitted desk case labeled “The Ceres, Reminder, Rd No 298330, 10 John St., Adelphi, W.C.”, h. 10”, w. 11-1/4”, d. 7-1/2”, a William IV parquetry tea caddy, the interior with an opening for a mixing bowl, h. 7”, w. 12”, d. 6-1/4”, and a Tunbridge ware box painted with a shore scene, flowers and birds, and inlaid Tunbridge trim, h. 7”, w. 11”, d. 3”. $1,000-$1,500

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694 Edwardian-Style Mahogany Occasional Table the octagonal top with parquetry veneers, hinged and opening to a lift-out compartmented tray and a polychrome heraldic shield, raised on a turned baluster-form standard to four splayed legs ending in spade feet. h. 28-1/2”, w. 18-1/4”, d. 14” $1,000-$1,500 695 Pair of Victorian Leather and Mahogany Armchairs late 19th/early 20th century, each with a tufted back joined to closed cylindrical armrests on shaped supports, with a tufted seat cushion and turned front legs on casters. h. 38”, w. 38”, d. 39” Provenance: Reputedly purchased from Harrods, London in the 1970s. $1,500-$2,500

694

696 Oscar Wilde, Writings New York: Gabriel Wells, 1925, the “Large Paper” edition, numbered 48 of 575, 10 volumes (of 12; vols. 7 & 8 lacking), in full red morocco, the boards with elaborate gilt scrolls, fillet and dentelle, the spines with raised bands and gilt lettering and decoration, the top edges cut and gilt, with plain endpapers, the inside boards with bookplate of Frank Clark Dougherty, 8-7/8” x 6-1/8” [10].

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

696

695 266

697 Edmund Spenser, The Faerie Queen, Ruskin House Edition London: George Allen, Ruskin House, 1894, complete in six volumes edited by Thomas J. Wise, illustrations by Walter Crane, in a very handsome binding, full black morocco with rich gilt scrolling borders and dentelle, the spines with raised bands and gilt decoration and lettering, the top edges cut and gilt, with silk register ribbon and moire endpapers, the inside boards with red morocco panels within wide black morocco borders, with rich dentelle and double fillets with scrolling corners centering a stylized red and green Tudor rose, the inside front board with bookplate of Frank Clark Dougherty, 11” x 9” [6].

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

697

698 Regency Brass-Inlaid Faux Rosewood Secretary Bookcase 19th century, in two parts, the cornice with a die-cut brass panel over a molded and beaded f rieze, over a pair of glazed doors with horizontal mullions, the base with a fold-out drawer opening to reveal a tooled leather writing surface, open shelves and drawers with satinwood faces, and a pair of paneled doors below, decorated throughout with inlaid brass stringing and die-cut ornament. h. 95-1/4”, w. 47”, d. 22” $1,500-$2,500

698 267

699

699 Fine English Mahogany Banquet Table

700 Suite of Eight Regency Mahogany Chairs

second half 19th century, the oval top opening in the center to receive five skirted leaves, having a scroll-carved leading edge and raised on tapering square legs with carved bellflowers and ending in block feet, utilizing the “Joseph Fitter, Patentee, Britannia Works, Cheapside, Birmingham” expanding screw mechanism for extending the table. h. 31-1/2”, w. 48”, l. 77”, ext. l. 188”

early 19th century, consisting of two armchairs and six side chairs, each with an X-form backsplat and arms with reeded details, raised on turned legs, the seats covered in brown leather. armchairs h. 32-1/2”, w. 22”, d. 19”; side chairs h. 32-1/2”, w. 20”, d. 19” Provenance: Collection of Margie Bush, New Orleans, Louisiana; by descent to her daughter, Allain Bush, New Orleans, Louisiana.

$2,500-$4,000

$1,400-$1,800

700

8 268

701

701 Pair of Chinese Export Kang Xi Ginger Jars ca. 1662-1722, in the famille verte palette, the covered balusterform jars decorated with orange peonies and orange and green ho-ho birds on a ground of green scrollwork, the covers decorated to match, the bottoms with concentric underglaze blue rings. h. 17-1/4”, dia. 8-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Julia Hamilton, Baton Rouge, Louisiana. $1,400-$1,800

702 Edwardian Polychromed and Parcel-Gilt Etagere early 20th century, of chinoiserie inspiration, the galleried top above three graduated canted shelves of pagoda form, with mirrored backs, the conforming lower section fitted with a single drawer over a stretcher shelf, raised on tapering square legs ending in spade feet. h. 80”, w. 39-1/2”, d. 14” $1,500-$2,500

702 269

703 Pair of Victorian-Style Fruitwood and Leather Library Chairs each with a tapering padded and tufted back above the tufted seat, raised on cabriole legs headed by a shell carving and ending in pad feet. h. 42-1/2” $2,000-$4,000 704 Addison & Steele, The Spectator London: F. J. Quinby & Co., 1901, “Edition de Magnifique”, number 1 of 10, complete in eight volumes, in full red morocco, the boards with gilt rinceau panel and fillet dentelle, the spines with raised bands and gilt decoration and lettering, the top edges cut and gilt, with silk register ribbon and moire endpapers, the inside boards with wide morocco borders with gilt fillet and corner decoration, gilt binder’s stamp “Lalauze” at lower edge, the inside front board with bookplate of Frank Clark Dougherty, 8-1/4” x 5-3/4” [8].

703

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500 705 Twenty-Five Fine Red Leather Bindings W. H. Maxwell, Life of Wellington London: Alfred E. Baily, 1839-184, complete in 3 volumes; James E. Doyle, Chronicle of England: B.C. 55-A.D. 1485, London: Longman, Green etc., 1862; Horatio Walpole and Thomas Park, Royal and Noble Authors, complete in five volumes; John Doran, Works Boston: Francis A. Nicholls, n.d. [1911], the “Magnifique” lettered edition “A” of 26, 16 volumes (of 28). Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. Detailed binding descriptions available on request.

704

$1,000-$1,500

705 270

706

706 William H. Prescott, Works Philadelphia: J. B. Lippincott, n.d. [1904], the “Montezuma” edition, numbered 859/1000, complete in 22 volumes, in full black leather, the boards with elaborate gilt scroll banding, fillet and dentelle, the spines with raised bands and gilt lettering and decoration, the top edges cut and gilt, with plain endpapers, the inside boards with bookplate of Frank Clark Dougherty, 8-3/4” x 5-1/4” [22]. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500 707 Louis Henry Charles Moeller (American, 1855-1930)

707

“Gentleman in his Study” oil on canvas signed lower right. Giltwood frame with artist plaque. 7” x 5”, framed 14-1/2” x 12-1/2” $1,000-$1,500 708 Victorian Fruitwood Mahogany Canterbury Table third quarter 19th century, the rectangular top with D-ends, banded and centered by an inlaid panel, joined by turned supports to a canterbury base, fitted with three slotted compartments, faced with pierced, scrolling panels and above a single drawer, raised on toupie feet to casters. h. 34”, w. 28”, d. 17” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

708

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710

709 Good S. Kirk & Son Baltimore Standard Silver Bowl

710 S. Kirk & Son Sterling Silver Candlesticks and Bowl

fourth quarter 19th century, Baltimore, Maryland, of bulbous circular form, decorated with repousse vignettes of village scenes separated by ornate flowers and scrolls, with a gadrooned rim and raised on four acanthus-mounted scroll feet. h. 4-3/4”, dia. 9”; 29.07 t. oz.

second quarter 20th century, Baltimore, Maryland, including a set of four baluster-form candlesticks with detachable bobeches, decorated all over with repousse flowers in the Baltimore taste; together with an oval vegetable bowl decorated en suite. candlesticks h. 10”, dia. 4-3/4”, weighted; bowl l. 11-3/4”, w. 8-1/4”, 17.95 t. oz.

Provenance: Estate of Julia Hamilton, Baton Rouge, Louisiana.

$1,000-$1,500 Baltimore remains the only U.S. city to have enforced silver assay and hallmarking as was common in Europe. For a brief period between 1814 and 1830, all silver sold in Baltimore had to be 11 oz. pure: i.e., every troy pound (12 oz.) of alloyed silver had to contains 11 oz. of silver and 1 oz. of base metal (91.7%). This was higher than the 10 oz. 14 dwt. standard (89.2%) of U.S. coins, and Baltimore silversmiths balked at these regulations which effectively imposed upon them the additional cost of alloying silver to this standard while silversmiths in the rest of the country simply used coin stock (hence “coin silver”.) The law was soon repealed, but some Baltimore silversmiths, notably Samuel Kirk and Andrew Warner, continued to use the higher Baltimore standard as a prestige measure, even paradoxically long after the yet higher sterling silver (92.5%) standard became the industry standard after the Civil War.

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$1,400-$1,800 711 American Sterling Silver Tea Tray ca. 1900, by Peter L. Krider, Philadelphia, Pennsylvania, of oval form, the rim decorated with repousse grape leaves and clusters, with applied vine edge and opposing “vintage” handles, the plateau monogrammed “AFL”. 28-3/4” x 18-1/4”; 143.56 t. oz. Provenance: Estate of Julia Hamilton, Baton Rouge, Louisiana. $2,500-$4,000

712 Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, comprising a dozen six-piece place settings (four pieces lacking) with eight additional place pieces and seven serving pieces, no monograms. 83 pieces total 103.1 total t. oz. (weighable silver) Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,800-$2,500

713 Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, comprising a dozen eleven-piece place settings with seventeen additional place pieces and thirtytwo serving pieces, no monograms. 181 pieces total 204.34 total t. oz. (weighable silver) Provenance: Collection of Sue and Andy Schwartz, Houston, Texas.

712 detail

$3,000-$5,000

713 detail 273

714

714 Eight Reed & Barton “Francis I” Sterling Silver Bread and Butter Plates the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, no monograms. dia. 7”; 50.82 total t. oz. Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,000-$1,500 715 Gorham “Chantilly” Sterling Silver Flatware the pattern designed in 1895 by William Christmas Codman (1839-1923), Providence, Rhode Island, including a dozen nine-piece place settings (twelve pieces lacking), with an additional two place pieces, three serving pieces, and a Web/ Weidlich “Ancestry” salad serving set, most monogrammed “S”. 101 pieces + salad set 84.58 total t. oz. (weighable silver) Provenance: Estate of John A. Saur, Sugar Land, Texas.

715 detail

$1,800-$2,500

716 Tiffany & Co. Sterling Silver “Clover” Fruit Bowl the pattern introduced in 1898, New York City, New York, of circular form with realistically detailed applied openwork “clover” rim, monogrammed “WS”. h. 3”, dia. 10-1/4”; 16.80 t. oz. Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,000-$1,500

716

274

717

717 Large Silverplate Revolving Supper Service

718 Gorham “Strasbourg” Sterling Silver Tea Set

fourth quarter 20th century, by Israel Freeman & Son, London, in the Regency taste, circular, fitted with a central covered tureen with ladle and surrounded by four covered vegetable dishes, a pair of casters and a pair of salt cellars, all with gadrooned decoration, the whole above a revolving hot water reservoir. overall h. 18-1/2”, dia. 29”, w. (with handles) 35-1/2”

1960, Providence, Rhode Island, including: a coffeepot, h. 9-1/2”, l. 8-1/2”; a teapot, h. 8”, l. 8-1/2”; a covered sugar bowl, h. 5-1/4”, w. 5-3/4”; a cream jug, h. 4-1/2”, l. 4-1/2”; and a waste bowl, h. 3-1/2”, dia. 4”. 74.68 total t. oz.

$1,000-$1,500

$1,800-$2,500

718

275

719 719 Seventeen Sterling Silver Water Goblets mid-20th century, fifteen by Wallace Silversmiths, Wallingford, Connecticut, patterns #16 (nine) and #122 (six), and two by M. Fred Hirsch, Jersey City, New Jersey, pattern #25, each with an inverted bell-form bowl, and trumpeting stem to an ogee-domed foot (the Hirsch examples with plain trumpeting foot), no monograms. h. 6-3/4”, dia. 3-1/2”; 76.08 total t. oz. Provenance: Collection of Sue and Andy Schwartz, Houston, Texas. $1,400-$1,800 720 Pair of Silverplate “Twist-a-Mixer” Cocktail Shakers second quarter 20th century, by the Forbes Silver Co., Meriden, Connecticut, each of baluster form with waisted foot and spout, shallow domed caps and fixed semicircular handle. h. 14”, dia. 4-1/2” $1,000-$1,500 721 Eight Gorham Sterling Silver Water Goblets mid-20th century, Providence, Rhode Island, pattern #272, each with an inverted bell-form bowl and waisted, trumpeting stem, no monograms. h. 6-1/2”, dia. 3-3/8”; 48.29 total t. oz.

720

$1,000-$1,500

721 276

722 detail

722 Frank W. Smith “Federal Cotillion” Sterling Silver Flatware

723 Gorham “Plymouth” Sterling Silver Tea Set

the pattern designed in 1901 by Frank Wyman Smith (18481904), Gardner, Massachusetts, including eight eleven-piece place settings, with an additional thirty-two place pieces and eleven serving pieces, no monograms. 131 pieces total 141.92 total t. oz. (weighable silver)

1967, Providence, Rhode Island, including: a teapot, h. 7”, l. 11-3/4”; a coffeepot, h. 9”, l. 11”; a covered sugar bowl, h. 5-3/5”, w. 8-1/4”; a cream jug, h. 6-1/2”, l. 5-3/4”; and a waste bowl, h. 4-1/2”, l. 6-1/2”; all monogrammed “B”, together with a complimentary silverplate tray with reeded rim and integral handles, monogrammed “CWB”, 25-1/4” x 18-1/4”. 82.91 total t. oz. (excluding tray)

Provenance: Collection of Sue and Andy Schwartz, Houston, Texas. $1,500-$2,500

$1,500-$2,500

723 277

724 Joseph Henderson (Scottish, 1832-1908) “Wind in the South”, 1877 oil on canvas signed and dated lower left. Framed. 24” x 38”, f ramed 32” x 44” $3,000-$5,000

724

725 Lev Feliksovich Lagorio (Russian, 1826/27-1905) “Fishing Boats Near a Fortress Along the Crimean Peninsula” oil on linen signed lower left, a Clars Auction label attached to stretcher. Framed. 11-1/2” x 22-1/2”, framed 15-1/2” x 26” Provenance: Clars Auction Gallery, Oakland, California, September 8, 2016, lot 6193. $8,000-$12,000

725

278

726 726 Auguste Henri Musin (Belgian, 1852-1923) “Visserboten te Zeeland” oil on canvas unsigned, verso with a certificate of authenticity issued by Bart Wouters Kunsthandel, Bredabaan, Belgium. Framed. 27” x 48”, framed 34” x 55-1/2” $3,000-$5,000

727 Josef Feid (Austrian, 1806-1870) ‘Winter Landscape” oil on canvas signed lower left, titled and inscribed with artist name en verso stretcher. Framed. 9” x 12-3/4”, framed 18” x 21-1/2”

727

Provenance: Private collection, Galveston, Texas. $1,000-$1,500

728 Carl Ludwig Scheins (German, 1808-1879) “Goatherds by a Settlement in the Mountains” oil on canvas signed lower left. Framed. 31-3/4” x 42”, framed 43-1/8” x 53-3/4” $1,800-$2,500

728

279

729 Turkish Oushak Carpet 9’ x 12’ 3” $1,200-$1,800

730 Agra Oushak Carpet 11’ 11” x 14’ 7” $1,200-$1,800

729

280

730

731

731 Turkish Angora Oushak Carpet 9’ 6” x 13’ 10” $2,000-$4,000

732 Turkish Angora Oushak Runner 2’ 8” x 24’ $1,000-$1,500

732

281

733 Semi-Antique Oushak Carpet 9’ 9” x 14’ 6” $3,000-$5,000

734 Tribal Hatchli Shirvan Carpet 6’ 4” x 10’ $1,000-$1,500

733

734

735 Hereke Silk Carpet 4’ x 6’ 5” $1,000-$1,500

282

735

736 738 American Late Classical Mahogany and Parcel-Gilt Pier Table 19th century, in the manner of Anthony Ouervelle, Philadelphia, with a highly carved backsplash centered by a fruit basket, the f ront with a conforming deep serpentine drawer, raised on carved cabriole legs ending in gilded paw feet, mounted to a scalloped shelf, the back panel fitted with a mirror. h. 45”, w. 61”, d. 24” $1,500-$2,500

737

The carved f ront legs on the present lot are reminiscent of those on a group of pier tables by Anthony Quervelle that were commissioned for the White House by Andrew Jackson. Other similar examples are discussed and illustrated in Philadelphia Empire Furniture by Allison Boor.

736 Set of Twelve Bavarian Black Knight Gold-Encrusted Dinner Plates ca. 1925-1941, probably pattern BLK83, with cobalt borders and floral reserves, each marked “Black Knight, Decorated in U.S.A.”. dia. 11” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500 737 New Orleans Market Mahogany Tester Bed third quarter 19th century, the cyma- and cove-molded tester with pleated sunburst upholstery, on octagonal posts supporting a paneled headboard with an arched top rail. h. 103”, inside w. 55”, l. 75”, outside w. 69”, l. 87” $1,200-$1,800

738

283

739 Andrew LaMar Hopkins (American/New Orleans, b. 1977)

740 Andrew LaMar Hopkins (American/New Orleans, b. 1977)

“Edmond Dede in Creole New Orleans”, 2017

“Creole Gumbo”, 2017

acrylic on canvas panel signed and dated lower right, signed, titled and dated en verso. Framed. 9” x 12”, framed 13” x 16”

acrylic on canvas panel signed and dated lower right, signed, titled and dated en verso. Framed. 14” x 11”, f ramed 16-3/4” x 13-1/2”

Literature: Elizabeth Pochoda, “A Painter Resurrects Louisiana’s Vanished Creole Culture”, New York Times, January 16, 2020.

$6,000-$9,000

$1,500-$2,500 A self-taught artist, Andrew Hopkins has recently garnered considerable national appreciation for his carefully composed idiosyncratic depictions of 19th-century life, specifically celebrations of Creole culture in all its complexity, including explorations of les gens de couleur libres (free people of color) and emigres (often to France). Inspired by his love of history, both regional and personal, Hopkin’s clever (re)interpretations of New Orleans life has earned him a following amongst art collectors, antiquarians and historians. Concentrating on a community forgotten and infrequently portrayed, Hopkins fills his paintings with characters who too often have been relegated to the historical sidelines. The main figure of the painting offered here, the Creole musician and composer Edmond Dede, was a member of the les gens de couleur libres community. Born into a prominent black Creole family, Dede studied in Paris, eventually settling in France into an emigre community of like-minded New Orleanians of similar racial and social background: he would only return to his native city for a series of concerts. Here Hopkins portrays him as a young man seated at his piano, accompanying a beautiful Creole woman whose hair is hidden under the elaborate wrappings of a bright green tignon, the distinctive head covering mandatory for free women. This is a striking visual reference to the sumptuary laws which were implemented in New Orleans in the late 18th century as a means to exert control over mixed race Creoles. This work was illustrated in the recent New York Times review “A Painter Resurrects Louisiana’s Vanished Creole Culture” of the artist’s exhibition.

739

Hopkins has purposely chosen an interesting stylistic approach to his painting: applying swathes of bright, jewel-toned colors to his canvases with little shading, he creates intentionally flat compositions, reminiscent of early 19th-century folk art and more than suggestive of stage settings. Each detail - from the architecture to the clothing - is painstakingly researched and meticulously delineated. It is not surprising to discover that Hopkins began as an antiquarian, owning a shop in New Orleans, before embarking on an artistic career. The National Gallery, Washington, D.C. recently acquired one of his paintings for their permanent collection. $6,000-$9,000

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740

741 W. W. Kimball Co. Mahogany Baby Grand Piano and Bench second quarter 20th century, the piano legs with lyreform ormolu mounts. piano h. 38-1/2”, w. 55”, l. 66” $1,000-$1,500

742 Impressive Soule College New Orleans Spencerian Calligraphic Drawing of a Recumbent Stag 19th century, inscribed “Soule SCC” lower left. Matted, glazed and framed. 28-1/2” x 48-1/2”, framed 41-1/2” x 61-1/2” Provenance: Soule Community College, New Orleans, Louisiana; Private collection; Collection of Allain Bush, New Orleans, Louisiana. $1,200-$1,800

741

742

285

743 Rare American Large Labeled Tabernacle Mirror first quarter 19th century, Boston, with an “Edward Lothrop” label on the rear of the tablet, the grape-decorated tablet beneath a cove-molded cornice hung with acorn-form drops, the baluster-form side columns decorated with palmettes, with ring-turned bases. The paper label stating “Looking Glasses E Lothrop Gilder No 28 Court St...Boston” the mirror retaining an antique surface h. 45-3/4”, w. 29” $1,200-$1,800

743

744 Pair of French Molded Crystal Candelabra second half 20th century, in the Baccarat taste, the faceted and turned standards set with scrolled candle arms with vasiform candle cups supporting prism rings hung with cut glass prisms, the cups fitted with removable cut glass spire-form f inials. h. 25”, w. 13-1/2”, d. 4-1/2” $1,000-$1,500

744

286

745

745 American Late Classical Mahogany Dining Table second quarter 19th century, Philadelphia, possibly f rom the workshop of Anthony Ouervelle, consisting of a pair of tables, each with a curved and carved apron, turned standard with two rings of gadrooning, and a platform base supported by carved paw feet. each h. 29-1/2”, w. 50”, d. 25” $1,000-$1,500

745 detail

287

746

746 After Joseph B. Smith (American, 1798-1876) “Clipper Ship ‘Great Republic’” oil on canvas third quarter 19th century, illegibly signed and dated lower right, after the original 1853 painting, widely reproduced as lithographs from 1853-1863 published by Currier & Ives. Framed. 29” x 40”, framed 33” x 44” $2,000-$4,000

288

747

747 Early American Cherrywood Inlaid Tall Chest ca. 1800, in the Hepplewhite taste, the top with an overhanging molded cornice above a row of three side-byside drawers and four graduated long drawers below, each drawer with an oval string-inlaid panel and brass “batwing” hardware, raised on splayed legs. h. 56-1/2”, w. 45”, d. 22”

749

$1,000-$1,500 748 American Federal Mahogany Game Table Boston, school of John and Thomas Seymour, circa 1800, the semi-ovolu top hinged and opening to a gaming surface, above a conforming frieze centered by a satinwood ovoid panel, raised on tapering square legs with banded cuffs. h. 30”, w. 36”, d. 17” (closed) $1,000-$1,500 749 American Federal Mahogany Secretary Bookcase first quarter 19th century, the upper section with a shaped and inlaid gallery crest topped with three brass finials, above a pair of glazed doors and a pair of cabinet doors opening to a fitted interior, the base with a fold-open writing surface above three long drawers, raised on tapered legs. h. 83”, w. 40”, d. 22”

748

$1,000-$1,500

289

750 Attributed to Jose Francisco Xavier de Salazar y Mendoza (Spanish, 1750-1802) “Portrait of Jose Antonio de Hoa (Spanish/Louisiana, b. 1752)”, ca. 1795 oil on canvas unsigned, sitter and lender (Le Blanc) identified on remnant of early 20th-century label on stretcher, various other names and numbers faintly inscribed on stretchers. Framed. 36” x 28”, framed 43” x 34-1/2” Provenance: Descended in the family of the sitter to his son, Juan Manuel de Hoa (1773/75-1821); his son, Pierre “Pedro” Silverion de Hoa (1802-1866); his daughter, Eulalie de Hoa Le Blanc (1839-1915); her daughters, Emilie de Hoa Le Blanc (1870-1941) and Marie de Hoa Le Blanc (1878-1954); [Probably] Succession of Marie de Hoa Le Blanc [Public auction], Ben P. Matthews Auctioneer, New Orleans, Louisiana, July 27-28, 1954; Private collection, New Orleans, Louisiana; Sold in these rooms, September 26, 1999, lot 1045; Private collection, Louisiana. Exhibited: 1903- Colonial Exhibit of the Louisiana Historical Society and Loan Exhibit of Members and Friends, New Orleans, December 20, 1803, no. 384. 1920-1925, and 1932, lent/exhibited, Louisiana State Museum, registered in Biennial Reports. 1953- Louisiana Purchase, An Exhibition Prepared by Louisiana State Museum in Co-operation with the Louisiana Landmarks Society [in] the Cabildo, New Orleans, p. 39.

750

$15,000-$25,000 This fine portrait of Jose Antonio de Hoa, the Administrator of the Spanish Royal Custom House of Louisiana and Florida, painted in New Orleans ca. 1793-1795, exemplifies the New World, and bears close stylistic similarities to Salazar’s portrait of Governor Sebastian Calvo de la Puerta, Marquis de Caso Calvo, under whom de Hoa served. In a broader context, this portrait presents not only an indelible window into the “Louisiana Territory” under three Sovereign nations, but also a portrait of a man whose grandchildren would become founding families of New Orleans- the de Hoas, Jourdains, De La Rondes and Le Blancs. The colony of Louisiana entered Spanish rule in 1763 following the treaty of Paris effectively ending the French and Indian War. King Carlos III bolstered military presence through a series of Bourbon Reforms that fortified the strategic port of New Orleans from British North America thus safe guarding Spain’s Mexican mines that extended into Texas. Through the Reforms, large subsidies were dispersed by accomplished administrators and officials like de Hoa and Governor Bernardo de Galvez under whom he first served. A native of Santander Spain, de Hoa was married in 1774 to Antonia de Cacho, and his first son Juan Manuel de Hoa y Cacho, who later followed in his career path as a financial controller, was born within the year. By the early 1780s, de Hoa had been deployed to New Orleans and quickly rose to the appointment of “General Administrator of the Royal Revenues”, a title he held until 1789 when he was promoted to “Administrator of the Spanish Royal Customs House”a position he appears to have maintained through the embattled governorships of de Casa-Calvo and De Salcedo

290

over increasing navigational conflicts with American settlers on the Mississippi River amidst pressure from Napoleon to cede Louisiana back to French control. Within a year of the Louisiana Purchase, De Hoa departs for Havana, Cuba and sells three properties he owned on St. Louis Street. Correspondence with De Hoa and his children in New Orleans persists through 1812. Following the death of his son Manuel de Hoa and his wife Rosalie Jourdain, the portrait descended to Pierre de Hoa and his wife Emilie De la Ronde, then to their daughter Eulalie de Hoa-Le Blanc, and her daughters Emilie and Marie. The Le Blancs exhibited the portrait of de Hoa several times over the course of 50 years, as well as the portrait of their mother/grandmother Emilie de la Ronde de Hoa attributed to Francois Bernard, and a portrait of their mother-in-law/ grandmother Eliza Moussier Le Blanc by Jacues Amans. The Le Blanc sisters were pivotal f igures in the art community of New Orleans at the turn of the century and throughout the f irst few decades of the 20th century. Both were graduates of Newcomb College and accomplished “art craftsmen” of the pottery trade, who continued their post-graduate studies as instructors. They were active members of several arts societies, including the Colonial Dames, The Arts and Crafts Clubs, and Louisiana Colonials. Marie, the more prolific of the two, received numerous honors and scholarships to study in Chicago, Boston and Paris, before settling back in New Orleans as a drawing instructor for New Orleans Public School. Upon Marie’s death in 1954, her Estate was sold at public auction. Ben Matthews auctioneer advertised it as the sale of “One of Louisiana’s Families Outstanding in Art” with the “f inest portraits by eminent artists”

291

292

751 Attributed to William Edward West (American, 1788-1857) “Portrait of Stephen ‘Don Esteban’ Minor (1760-1815)”, ca. 1809 oil on canvas unsigned. Framed. 35” x 27”, f ramed 42-1/2” x 34-1/2” Provenance: With the sitter and his wife, Katherine Linot Minor (1770-1844); to their son, William John Minor (18081869); to his son, William Robert Minor (1834-1913); to his daughter, Charlotte Duncan Minor Payne; thence by descent to her daughter; sold in these rooms, December 5, 2009, lot 806; Private collection, Louisiana. Literature: Illustrated, Louisiana Portraits, The National Society of the Colonial Dames of America, 1975, p. 187. $25,000-$40,000

751

Stephen Minor was born in Greene County, Pennsylvania, on February 8, 1760, and first ventured to New Orleans in 1779. He joined the Spanish army and participated in a military expedition against Fort Charlotte, located near Mobile in British West Florida. Arriving in the Natchez District in the early 1780s, Minor received a commission as a captain in the Spanish army, and served as adjutant at Fort Panmure, Natchez. During this time, Minor assisted the Spanish governor Manuel Gayoso de Lemos in various administrative duties. He also served as liaison between Spanish officials and Anglo-American settlers and Natchez Indians. In that capacity, he came to be referred to as “Don Esteban.” After Gayoso was appointed governor of Louisiana, Minor briefly served as acting governor until the Spanish evacuated Natchez in 1798, following the creation of

the Mississippi Territory by the United States Congress. From Governor Gayoso, Minor purchased Concord in Natchez, the only Spanish colonial-style manse in Natchez, a three-story structure with galleries on each side. Under Gayoso’s, and Minor’s administrations, Concord served as the governmental and cultural hub of the territory. Minor’s second wife, Katherine, was reputedly known as “Yellow Duchess” reflecting her fondness for things golden. Among Minor’s holdings were plantations in Adams county, Mississippi producing tobacco, indigo and ultimately cotton, and about 40,000 acres east of the Pearl River in Louisiana. Minor died in Natchez in 1815, and his spouse followed him in death in 1844. Concord fell into disrepair, and burned in 1901. The grounds of Concord are now the part of Natchez referred to as “Minorville”.

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752 Kohlmaier & Kohlmaier, New Orleans, BenchMade George III-Style Mahogany Tester Bed the molded and veneered cornice supported by reed-, rice- and foliate-carved posts, supporting a shaped single-board headboard, crafted to accommodate a contemporary king-size mattress. h. 109”, inside w. 79”, l. 81”, outside w. 83”, l. 88” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $2,500-$4,000 A museum exhibition of the work of New Orleans cabinetmakers Rupert Kohlmaier Senior and Junior called “A Century on Harmony Street, The Kohlmaier Cabinetmakers of New Orleans”, will open November 4 at the Cabildo, Louisiana State Museum.

752

753 Early American Cherrywood Chest on Stand 18th century, New England, with a central fan-carved drawer flanked by two drawers to each side and above four graduated long drawers, resting on a base with shaped legs. h. 44”, w. 35”, d. 18” $1,200-$1,800

753

294

756 Early American Cherrywood Bonnet-Top Highboy 18th century, with a broken-arch pediment and three turned f inials, above a central shell-carved drawer and flanked by a small drawer to each side above three graduated long drawers, the base with a single long drawer over three side-by-side drawers, the skirt with a carved shell, raised on cabriole legs ending in ball-and-claw feet. h. 79”, w. 38”, d. 22” $1,200-$1,800

754

754 American Sheraton Cherrywood and Feathered Satinwood Inlaid Games Table first quarter 19th century, the shaped folded-over top with a reeded leading edge, over a veneered paneled frieze, raised on turned and reeded legs. h. 29-1/2”, w. 35-1/2”, d. 17-1/4” (closed) $1,000-$1,500

755 American Federal-Style Mahogany Triple-Section Banquet Table early 20th century, comprised of a central drop-leaf table and a “D”-end section on each end, the ends also functioning as console tables, raised on turned and reeded legs. “D”-ends h. 30”, w. 52”, d. 22-1/2”, drop-leaf section h. 30”, l. 73-1/2”, d. 52”, overall h. 30”, l. 118-1/2”, d. 52” $1,200-$1,800

756

755 295

757 Early American Cherrywood Highboy in the Queen Anne Taste 18th century, with a molded overhanging cornice above five graduated long drawers, the base with a single long drawer above three side-by-side drawers, a shaped skirt with acornform drop finials, and raised on cabriole legs. h. 76-1/2”, w. 41”, d. 20” Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,000-$1,500

758 Early American Cherry/Applewood Four-Drawer Chest ca. 1800, in the Hepplewhite taste, the top with a molded overhanging edge, above four graduated long drawers, raised on splayed bracket feet. h. 36”, w. 42-1/2”, d. 24” $1,000-$1,500

757

758

759 American Federal Mahogany Swing-Leg Game Table ca. 1800, the fold-over top above a single long drawer and raised on tapering square legs. h. 29-1/2”, w. 36”, d. 17-1/2” (closed) $1,000-$1,500

759

296

760 Early American Cherry Tall Chest late 18th century, New England, with an in-curved overhanging cornice molding with a reeded edge, above a row of three side-by-side drawers over five graduated long drawers, raised on splayed legs. h. 66”, w. 42-1/2”, d. 22-1/2” $1,000-$1,500

761 Cast Iron “Rustic” Pattern Garden Bench late 19th/early 20th century, molded as oak leaves, branches, tendrils and acorns, with open arms, turning branch seat and like stretchers. h. 32”, w. 48-1/4”, d. 19” $3,000-$5,000 This pattern was introduced in the UK by the mid-19th century and commonly produced by American foundries through the 19th century.

762 Cast Iron “Rustic” Pattern Garden Bench late 19th/early 20th century, molded as oak leaves, branches, tendrils and acorns, with open arms, turning branch seat and like stretchers. h. 32”, w. 48-1/4”, d. 19”

760

$3,000-$5,000 This pattern was introduced in the UK by the mid-19th century and commonly produced by American foundries through the 19th century.

761

762

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763 Pair of Cast Iron “Rustic” Pattern Armchairs late 19th/early 20th century, modeled as joined oak leaves, acorns, tendrils and branches, also referred to as “Twig” pattern. h. 30” $1,000-$1,500

763

764 French Life-Sized Carved Wood Head of a Stag with Natural Antlers f irst half 20th century, the densely and delicately carved surface delineating the various textures of flesh, fur and bone, with hardware for mounting. h. 24”, w. 29”, d. 35” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500 The stag is indicative of strength and endurance and, over the centuries, has come to be symbolic of traits as wideranging - and seemingly incompatible - as virility, spiritual enlightenment and grace.

764

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765 Creole Cherrywood High-Post Bed in the Federal Manner second quarter 19th century, the robustly turned and segmented posts supporting a paneled headboard with a rolled back crest, the posts joined by cherry rails. h. 95”, inside w. 51”, l. 72”, outside w. 62”, l. 78” Provenance: Collection of Allain Bush, New Orleans, Louisiana. Literature: Similar bedsteads employing slightly later “rolling pin” headboards are illustrated in Holden, Bacot & Gontar, Furnishing Louisiana: Creole and Acadian Furniture, 1735-1835, figs. 10, 11 & 13, pp. 384 & 386. The rolled back crest of the present example is incorporated in figs. 8 & 9 ibid. $2,000-$4,000

765

766 Southern Pine Farmhouse Table early 20th century, in the Sheraton taste, the plank top with breadboard ends and shaped corners, raised on turned legs. h. 30”, w. 36”, l. 85” $1,000-$1,500

766

299

767 American Poplar Sugar Chest first quarter 19th century, probably Southern, in the Sheraton taste, the lift lid with an applied molded edge and opening to a void interior, having framed and paneled ends and front, with a long drawer at the bottom, raised on integral turned legs, pegged throughout, retaining its original red wash surface. h. 28-1/2”, w. 37”, d. 18” $1,500-$2,500 768 American Renaissance Revival Giltwood Overmantel Mirror third quarter 19th century, with a crest and projecting corner blocks decorated with carved anthemia, the sides with scrolls supported by lion’s heads, with rounded corners with sprays of flowers, the lower portion decorated to match. h. 76”, w. 51-1/4”

767

$1,400-$1,800

769

769 American Aesthetic Movement Brass Four-Arm Gasolier fourth quarter 19th century, with pierced branch-and-leaf decor, f itted with period etched glass shades with deeply etched branch-and-leaf design, not electrif ied. h. to top of canopy 39”, h. including extension pipe 49”, dia. 31”

768

300

$1,000-$1,500

770 Monumental Emile Galle “Egyptian Lotus” Art Glass Vase 1895-1900, translucent and polished overall, with a carved ruby-red design on a greenish-tan ground, the cut vertical signature within the lower leaves. Included is a copy of Jules S. Traub, The Glass of Desire Christian</P> (Chicago: Art Glass Exchange, 1978). h. 22-1/2”, top dia. 5”, base dia. 5-1/4” Provenance: Estate of glass collector Floyd Vincent, Lake Charles, Louisiana; thence to the consignor. $1,200-$1,800

770 770 detail 772 Pair of Monumental English Tiffany-Retailed Bronze Andirons ca. 1900, in the Baronial taste, the tapered standards decorated with cabochons f ramed with scrollwork, and set with patinated bronze Ionic capitals and spherical finials, the scrolled feet decorated with patinated bronze shields, the billet bar covers stamped “Tiffany & Co.” and numbered “587”. h. 35-1/2”, w. 14”, d. 27-1/2” $1,200-$1,800

771

771 Carved and Pierced Painted Mirror 20th century, of rococo inspiration, with scroll- and rocaillecarved corners, the surround with pierced gridwork, flowerheads and carved fans framed with scrollwork. h. 60”, w. 48” $1,000-$1,500

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773

773 Large and Impressive Mayer & Co. Leaded Stained Glass Window fourth quarter 19th century, the central theme of a winged angel playing a lyre, the border with “jewels” and leaf motifs, labeled in the glass, “Mayer & Co. Munich, New York”. h. 89”, w. 102” Provenance: The Anne Rice/Nicolas Cage Garden District Mansion, New Orleans, Louisiana. $4,000-$7,000

774 Aesthetic Movement Bronze, Brass and Onyx Etagere late 19th/early 20th century, probably French, the shaped shelves supported by onyx columns, the corners with brass and onyx ball spires, on a base with foliate-modeled C-branch legs joined by a low shelf. h. 63-1/8”, w. 33-1/2”, d. 11-1/2” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

302

774

775 Set of Twelve Waterford Clarendon Cut Glass Wine Hock Glasses 20th century, comprised of four ruby-plated glasses, four cobalt-plated glasses and four emerald-plated glasses, each piece marked “Waterford” on the base. h. 8”, dia. 3” $1,000-$1,500 776 Set of Fourteen Brilliant-Style Polychrome-Plated Champagne Coupes second half 20th century, comprised of three with amethystplated bowls, three with emerald-plated bowls, three with cranberry-plated bowls, three with cobalt-plated bowls and two with azure-plated bowls. h. 7-1/4”, dia. 4”

775

$1,000-$1,500 777 American Aesthetic Movement Brass and Spelter Gas Hall Light fourth quarter 19th century, with cast incised ornamentation and fitted with a period etched crown top gas shade with cobalt edge and cobalt smoke bell, electrified. h. 55”, dia. 14” $1,000-$1,500

776

778

778 Aesthetic Movement Giltwood, Faux Bamboo and Leather Stool late 19th century, probably French, the supple blue leather cushion on a frame with drop faux bamboo aprons and shaped legs joined by a finial-mounted H-form stretcher. h. 17-1/2”, w. 20-1/4”, d. 19-1/4” $1,000-$1,500

777

303

779 Rare, Large French Aesthetic Pottery Jardiniere by Eugene-Victor Collinot pre-1882, decorated with raised prunus, peonies, dragonflies and various other flora and fauna on a cobalt ground, mounted with turquoise lion-masque handles, the center underneath with black-painted “E. C.” and “3595” and impressed “E. C.”, “Toujours” within a crescent moon and a starburst. h. 15-3/4”, w. 26”, dia. 24-3/4” $2,000-$4,000

779

780 French Bronze-Mounted Barbotine Majolica Jardiniere ca. 1900, Chinoiserie-style with blue mottled ground and encrusted flowers, mounted with pierced lotus-form rims and dragon-form handles, raised on molded cabriole legs; includes a removable metal liner. h. 21-3/4”, w. 25”, d. 15” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

780

781 Limbert Arts and Crafts Oak Double Oval Center Table, Model 155 ca. 1905, the ovoid top raised on flaring legs joined by a medial shelf of like form, with rectilinear cut-out panels in the lower supports, branded “Limberts / Arts Crafts / Furniture / Grand Rapids and Holland”. h. 29-3/8”, w. 47-3/4”, d. 35-1/4” $2,500-$4,000

781 304

782

782 Ralph Albert Blakelock (American, 1847-1919) "Deepening Shadows" NBI-221.1 oil on canvas unsigned, titled and dated on a Vose Galleries label on stretcher, additional labels from U.C. Santa Barbara, and a C.A.A. 1943.40 inventory number. Presented in a custom-made Carrig-Rohane frame, dated 1921 and inscribed "19M21/Carrig Rohane Shop Inc. /R. Cevijose/Boston". 16” x 22”, framed 25” x 30-3/4” Provenance: Vose Galleries, Boston, Massachusetts; Cranbook Academy of Art, Galleries, Bloomfield, Michigan; Sotheby's Parke-Bernet, New York, New York, May 3, 1972, lot 135; Collection of Sue and Andy Schwartz, Houston, Texas. Exhibited: U.C. Santa Barbara, Art Gallery, The Enigma of Ralph A. Blakelock, 1847-1919, Jan. 7-Feb. 2, 1969, no. 67, illustrated in catalogue, p. 28. Literature: Registered as number 221.1, category 2 in the Blakelock Archive, Universtiy of Nebraska

Born in the mid-19th century into a well-to-do New York family, Ralph Albert Blakelock came of age at the height of American Expansionism, better known by the doctrine of "Manifest Destiny" with Sitting Bull and Custer's Last Stand its apogee. Like all young men of the period, Blakelock was captivated by the unchartered American West, by Cowboys, Indians and new Frontiers f rom Yellowstone to the austere Falls of Niagara and New York to the immense forests celebrated throughout the works of the Hudson River School. Blakelock, however, was unique. While most fellow artists created outward expressions of these epic influences, Blakelock, a largely self-taught artist, internalized them. The influence of luminism and the romantic sublime espoused by the Hudson River School is evident, as is the French Barbizon School's use of reverse lighting and plein air composition, yet the result is a highly individualized approach to lighting that borders on the spiritual. A Blakelock landscape is, thus, quite like no other. Like the work offered here, the scene is often nebulous; the locale seldom known; the hills, the trees appear as massive, looming silhouettes against glowing sunsets or moonlit scapes. The experience is ethereal and resonates with all the senses. The surface textures radiate through layers that Blakelock has scored, re-worked and scraped back, creating the effect of a solar eclipse or the scorched ground of an Indian encampment.

$10,000-$15,000

305

783

784 Pair of Herter Brothers Aesthetic Movement Parcel-Gilt and Ebonized Oak Bookcases fourth quarter 19th century, each with a pair of doors with a central beveled glass panel and a pair of smaller like panels above and below, flanked by reeded pilasters with Ionic capitals, raised on flare block feet, the backs bearing the branded label “HERTER BROS”. h. 44-1/8”, w. 42-1/8”, d. 17-1/2”

783 Rare Egyptian Revival Oak Fireplace Surround second half 19th century, the covered rectilinear top over an asp-, feather- and cabochon-carved center, raised on flare legs, each with incise-carved figures. h. 47-3/4”, w. 77-1/2”, d. 14”, firebox opening h. 33-1/4”, w. 44”

$2,000-$4,000 The brass lock escutcheons on the present pieces are like those employed by the New York f irm of Herter Brothers. A similar escutcheon is illustrated in the Hardware appendix of Howe, Frelinghuysen and Voorsanger, Herter Brothers: Furniture and Interiors for a Gilded Age, page 224, cat. no. 34.

$2,500-$4,000

306

784

785 Pair of Large Neoclassical-Style Bronze and Marble Figural Pedestals 20th century, each with a marble top on an Ionic capital held aloft by a gowned classical maiden, on a base adorned with floral swags, the feet with masques. h. 65”, w. 17”, d. 17” $5,000-$7,000

785

786 American Renaissance Revival Giltwood Pier Mirror and Stand third quarter 19th century, the mirror crest with a masque of Athena flanked by projecting corner blocks with anthemion crests, the f rieze below decorated with medallions, the blocks supported by corbels carved with anthemia, the mirror on a marble-top stand resting on tapered legs flanking the skirt, decorated with a masque of Athena. h. 91”, w. 33”, d. 14” $1,000-$1,500

786 307

787 American Renaissance Revival Inlaid Walnut Center Table ca. 1865, in the manner of Gustave Herter, the inlaid top incorporating anthemion, parquetry, flora and a Greekkey border, the projecting octagonal corners over a conforming burlwood apron with central incised panels and lambrequins, on segmented octagonal legs with burled panels and scroll tops. h. 31”, w. 47”, d. 31” $2,000-$4,000 788 New Orleans Market Rococo Revival Mahogany HalfTester Bed third quarter 19th century, school of Francois Seignouret and/or Prudent Mallard, the serpentine tester with a floral basket crest, raised on tapering octagonal posts supporting a beaded and paneled headboard with like crest, joined to turned footposts with beaded and scalloped rails with foliatecarved bracket returns. h. 114”, inside w. 62”, l. 84”, outside w. 73”, l. 96”

787

$5,000-$8,000

788

308

789

789 American Rococo Revival Laminated Rosewood Sofa

790 American Carved Oak Partners Desk

third quarter 19th century, in the manner of John Henry Belter, New York, the elaborate crest rail pierced and carved with conjoined scrolls, cornucopia and foliate motifs, the tall center crest with a cluster of various flowers. h. 51”, w. 87-1/2”, d. 33”

fourth quarter 19th century, in the Neo-Renaissance taste, the rectangular top with a carved and molded edge, above a case f itted with two side-by-side drawers and a pair of drawers flanking the kneehole, raised on cabriole legs ending in carved paw feet. h. 30-1/2”, w. 60”, d. 36”

$1,500-$2,500 $1,500-$2,500 This settee relates closely to the “Bird” pattern parlor furniture which examples can be found at Bayou Bend and The Smithsonian Institute. It is constructed of several layers of thin laminations, much like that as seen on Belter’s parlor furniture.

790 309

791 French Bronze Chandelier in the Rococo Taste second quarter 20th century, the twelve-light chandelier with a standard of acanthine design, set with standing putti and scrolled candle branches, fitted with six flameform frosted glass shades, alternating with leaf-molded downlights, and a lower acorn-form finial. h. 22”, dia. 25-1/2” $1,000-$1,500 792 French Carved Walnut Pier Mirror in the Louis XVI Style second quarter 20th century, the arched crest carved with cherubs and pierced wreaths of roses trimmed with bowknots, the frame edged with flowerheads, the lower sides with scrollwork, set with a beveled mirror plate. h. 82-1/2”, w. 41” $1,000-$1,500

791

793 Italian Carved Marble Sculpture of a Young Boy Playing Bocce ca. 1900. h. 34”, w. 13”, d. 14” Provenance: Private collection, Galveston, Texas. $1,000-$1,500

792 310

793

796 Set of Eight Mintons Porcelain Gilt-Embossed Dinner Plates early 20th century, underglaze mark, retailed by Tiffany & Co., New York. dia. 10-1/2” $1,000-$1,500 797 Limoges Partial Dinner Service

794

ca. 1900, with gilt scroll-molded rims and raised gilt flowers, most pieces with center medallions, blanks made by Coiffe et Cie, decoration by Elite Works and retailed by Higgins & Seiter, New York, the service including twenty-one dinner plates, dia. 9-3/4”, twelve soup plates, dia. 9”, twenty-four luncheon/salad plates, dia. 8-3/4”, eleven dessert plates, dia. 7-1/2”, twelve bread-and-butter plates, dia. 6-1/2”, twenty custard dishes, dia. 5-1/2”, fifteen cups, h. 2-1/2”, and twentythree saucers, dia. 5-1/2”, three oval vegetable dishes, h. 5-1/2”, w. 10-1/2”, d. 8-3/4”, a pair of sauce tureens with integral stands, one missing its cover, h. 3-1/4” to 5-1/2”, dia. 8”, a pair of oval covered vegetable dishes, h. 6”, w. 11-1/4”, d. 7”, a soup tureen missing its cover, h. 5-1/2”, w. 12-3/4”, d. 8-1/2”, a celery dish, l. 9”, w. 4-1/2”, and a handled relish dish, h. 3-1/4”, w. 7-1/2”, d. 4-1/2”.

795

$1,000-$1,500

794 Italian Carved Alabaster Sculpture of a Maiden by a Gate ca. 1900. h. 31”, w. 15”, d. 9” Provenance: Private collection, Galveston, Texas. $1,000-$1,500 795 E. Battiglia (Italian/19th Century) “The Fruit Seller” carved marble incised signature along back edge. h. 29”, w. 12”, d. 8” Provenance: Private collection, Galveston, Texas.

796

$1,000-$1,500

797 311

798 Napoleon III Giltwood Mirror fourth quarter 19th century, with a shell-form cartouche and rope-twist border, the frame with foliate decor and shellform corners. h. 76”, w. 33” $1,400-$1,800

799 Pair of Salterini “Della Robbia” Pattern Lounge Chairs third quarter 19th century, each bronze-finished wrought iron chair with a leaf-and-vine crest, over a canted back joined to exaggerated shaped arms in like decor, raised on large wheels on one end and flare legs on the other, the back adjustable. h. 40”, w. 33-3/4”, d. 64-1/2” to 88” $1,200-$1,800

798

799

312

800

800 Pair of Unusual Aesthetic Cast Iron Garden Urns fourth quarter 19th century, decorated with anthemia and raised flowers, framed with sprays of wheat, the upper portion with a molded border. h. 26”, dia. 14” $1,000-$1,500 801 French Bronze Figural Fountain first quarter 20th century, modeled as a winged putto holding aloft a monumental trumpet flower, in the manner of Auguste Moreau (1834-1917), with a cast signature along the base. h. 50-1/2”, w. 24”, d. 24” $1,400-$1,800

801

802 Victorian-Style Cast Iron Garden Bench in the “Peacock” Pattern after a 19th-century Coalbrookdale casting, the pierced back and sides with leaves, scrollwork and exotic patterns, above a slatwork/grid-pattern seat, raised on splay legs with hoof feet. h. 37”, w. 46”, d. 22-3/4” $1,000-$1,500

313

803 Newcomb College Art Pottery Matte Glaze Vase in “Moon and Moss” Decor potted by Kenneth Eugene Smith, at Newcomb from 18291945, the base with shape number “40”, “NC” impressed mark and the potter mark. h. 3-1/2” $1,000-$1,500

803

804 Two Newcomb College Art Pottery Vases both by Sadie Irvine; the f irst, high-glaze, 1909, decorated with sprouting spring buds in blue, green and white underglaze; the second, matte-glaze, 1932, decorated with stylized wild rice in blue, green and white underglaze, bottom with original Newcomb sales label. Each vase base marked with Newcomb cipher, decorator’s mark, the f irst vase with Joseph Meyer’s potter’s mark, reg. no. “CY86” and shape no. “318”; the second vase with Kenneth Smith’s potter’s mark and reg. no. “UB34”. h. 6-7/8”, dia. 3” and h. 3”, w. 4”, respectively Provenance: Collection of Allain Bush, New Orleans, Louisiana.

804

$1,000-$1,500

805 Newcomb College Art Pottery Matte Glaze Vase in “Moon and Moss” Decor ca. 1932, the base with an impressed “NC” and date marks. h. 5” $1,000-$1,500

805

314

806

806 William Posey Silva (American/Tennessee, 1859-1948) “In the Garden of Louisiana” oil on canvas signed lower left, also signed, titled and inscribed on stretcher. Framed. 20” x 24”, framed 23-1/2” x 27-1/4” Provenance: Estate of John A. Saur, Sugar Land, Texas. $4,000-$7,000

315

807 Robert Rucker (American/Louisiana, 1932-2001) “Live Oak on the Bayou” oil on canvas signed lower right. Framed. 20” x 24”, framed 23” x 27” $1,500-$2,500

807

808 Robert Rucker (American/Louisiana, 1932-2001) “Cabin on the Bayou” oil on canvas signed lower right. Framed. 18” x 24”, f ramed 24” x 29” $2,000-$4,000

808

316

809 Clarence Millet (American/Louisiana, 1897-1959) “Cloud Shadows on the Mississippi” oil on canvas signed lower left, signed and titled en verso. Framed. 28” x 38”, framed 33” x 42” $8,000-$12,000

809

810 Clarence Millet (American/Louisiana, 1897-1959) “Nocturnal Scene” oil on canvas panel signed lower right, verso stenciled “Canvas Panel Gimbel’s Art Supply Department”. Framed. 12” x 16”, framed 19” x 23” $2,000-$4,000

810

317

811 Victorian Cast Iron Garden Urn late 19th/early 20th century, of large size, the rim with floral medallions, raised on a beaded and foliate-cast octagonal pedestal with a flared base. h. 35-1/4”, dia. 41” $1,200-$1,800

811 812 Pair of Victorian Cast Iron Garden Urns late 19th century, each of tazza form with an eggand-dart rim and lobed body, on a flaring, fluted base. h. 20-1/2”, dia. 28-1/2” $1,000-$1,500

812

813 Large Pair of Neoclassical-Style Cast Iron Garden Urns on Pedestals each in two parts, the campana-form urns with flared egg-and-dart rims, the bodies adorned with putti and swags, and the handles with leonine masques, the pedestals with putti, flora and a classical masque on each side. h. 89-3/4”, w. 25-1/2”, d. 25-1/2”, dia. 31” $3,000-$5,000

318

813

814 Pair of Cast Iron and Copper Street Lights

fourth quarter 19th century, the cast iron standards with foliate vines wrapping around the upper section, the base with an armorial-style plaque, crown and foliate wreath, the copper lanterns with glass windows. h. 133”, dia. 16” $1,500-$2,500

815

815 Victorian Cast Iron Figural Garden Fountain late 19th/early 20th century, with three tiers, the tazza-form bowls on fluted baluster supports, the base modeled with swans. h. 95”, dia. 41” $1,500-$2,500

814 319

816 After Frederic Sackrider Remington (American, 1861-1909) “Bronco Buster” patinated bronze 20th century, cast signature along back of self-base, on a marble base. overall h. 23”, w. 15”, d. 9” $1,000-$1,500

816

817 Joe Ruiz Grandee (American/Texas, b. 1929) “The Maverick”, 1973 oil on canvas signed, dated and copyright-marked lower left. Framed. 30” x 24”, framed 39” x 33-1/2” $2,000-$4,000

817 320

818 Melvin Charles Warren (American/Texas, 1920-1995) “West Texas Blizzard”, 1967 oil on canvas signed and dated lower right, signed, dated titled and localized “Ft. Worth” en verso. Framed. 24” x 30”, f ramed 34” x 40” $15,000-$25,000

818

819 Bruce K. Lawes (Canadian, b. 1962) “Pickett’s Charge, Guns of Thunder”, 2016 oil on canvas backed by wood panel signed lower right. Framed. 22-3/8” x 33-1/4”, framed 32-1/2” x 42-1/4” Provenance: Coeur d’Alene, Reno, Nevada, July 23, 2016, lot 52. Literature: Public Opinion (Chambersburg, Pennsylvania) July 5, 2014: 1-2, A4. $7,000-$10,000

In 2013, the Gettysburg Anniversary Committee commissioned Bruce Lawes to execute historically accurate scenes of the battles of Gettysburg for its 150th year commemoration. Pickett’s Charge, the last battle of Gettysburg, was painted from copious studies and photographs of on-site re-enactments, that were fact-checked by historian J. David Petruzzi. This work, a vignette of the larger work, painted in 2014, “When Boys Become Men, Pickett’s Charge” focuses on one young infantryman, who pauses from manning the cannon to reflect upon the purpose of the war: ‘one nation indivisible’ - symbolized by the American flag waving in the midday light.

819

321

820 After John James Audubon (American, 1785-1851) “Baltimore Oriole: Icterus Baltimore” color chromolithograph no. 14-4, pl. 217, from The Birds of America, Bien edition, 1860. Matted, glazed and framed. sheet 38” x 26”, framed 43-1/2” x 34-3/4” $1,200-$1,800

820

821 821 George L. Viavant (American/Louisiana, 1872-1925) “Nature Morte”, 1912 watercolor on paper signed, dated and localized “N.O.” lower left. Matted, glazed and framed. sight 18-1/2” x 7-1/2”, framed 25-1/2” x 14-1/2” $2,000-$4,000

822 Large American Painted Wood Pier Mirror fourth quarter 19th century, composed of architectural elements, the green-painted surround coved and reeded. h. 82-1/4”, w. 49” $1,200-$1,800

322

822

823

823 Near Pair of Gothic Revival Cast Iron Garden Benches after a 19th-century French design, the backs modeled as quatrefoils amidst arches, with an open honeycomb seat and an apron with a Gothic meander border. h. 34”, w. 54-3/4”, d. 20-3/4” and h. 33-1/2”, w. 54-1/4”, d. 20-1/2” $1,200-$1,800

824 French Bronze Garden Urn first quarter 20th century, the basket-form body supported by three winged sphinxes, all atop a putti- and swagdecorated footed base, a cast signature along edge. h. 28”, dia. 19-1/2” $1,000-$1,500

824

825 Pair of William IV Cast Iron Fountainheads second quarter 19th century, in the neoclassical taste, each with a lion’s masque pierced with a water aperture, and surmounted by a tall, reeded urn-form finial. h. 47”, w. 12-1/2”, d. 6-1/4” Provenance: Removed from the Cabildo, New Orleans, Louisiana, in the 1960s during a renovation; Collection of Allain Bush, New Orleans, Louisiana. $1,200-$1,800

825 323

826 Pair of Large Polychrome Majolica Vases fourth quarter 19th century, decorated with figures of blackamoors, the male and female figures carrying market baskets, used as spill vases, the upper portions with amaryllis, the bases with impressed numbers. h. 29”, w. 9-1/2”, d. 9” $2,000-$4,000

827 Turkish Angora Oushak Carpet 7’ 8” x 9’ 10” $1,000-$1,500

826

827 324

828 Semi-Antique Kerman Carpet 4’ 6” x 7’ 1” $1,000-$1,500

828

829 Agra Heriz Carpet 10’ x 14’ $1,000-$1,500V

829 325

830 Semi-Antique Tabriz Carpet 9’ x 12’ $1,200-$1,800

830

831 Agra Heriz Carpet 9’ x 12’ $1,000-$1,500

831 326

832 Semi-Antique Isfahan Carpet 5’ 5” x 8’ 9” $1,500-$2,500

832

833 Turkish Angora Oushak Runner 2’ 8” x 26’ $1,000-$1,500

833

327

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Jelena Restovic James Director of Fine Art

Michele Carolla Fine Art Specialist

Tessa Steinkamp Director of Auctions

lreys Bowman General Consignments

Charles C. Cage Silver Specialist & Office Manager

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265

Taylor Eichenwald, #1922

Michael DeGeorge, #177 4

CONSULTANTS

Taylor Eichenwald Assistant Director of Auctions

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Thomas Halverson American Furniture Specialist

Grace Connors Manager of Online Auctions

Sarah Agnew Client Services & Administrative Assistant

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Christa Ougel Photographer & Graphic Designer Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts I Sean Ranson

Bennie Amos I Emmitt Kendrick, Jr. Gerald Hampton I Juanita Bazile Sol Carter I Theadrow Mark