NOAG Interiors Auction: October 28, 2020

NOAG interiors

wednesday, november 4

NOAG interiors

wednesday, november 4 | 10AM CT

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Cover: Lot 457 | Back Cover: Lot 299 | Left: Lot 25

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Pictured: Lot 18

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1 Four Eighteenth-Century Italian Copperplate Engravings of Scenes from “Orlando Furioso” the epic poem by Ludovico Ariosto (Italian, 1474-1533), including Cantos I, II, X and XL, after Giovanni Battista Cipriani (Italian, 1727-1785) and engraved by Francesco Bartolozzi (Italian, 1727-1815).

Unframed. each sheet 6-3/4” x 4-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300

2 Composition Sculpture of a Water Carrier 20th century, in the classical manner, on a marble square columnar base. sculpture h. 40”, w. 15”, d. 9-1/2”, base h. 39-1/2”, overall h.

79-3/4” $500-$800

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3 Marble and Glass Table in the Neoclassical Taste the long rectangular beveled glass top raised on two marble supports in the form of addorsed griffins on a plinth base. h. 28-1/2”, w. 95”, d. 30” $2,000-$4,000

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4 Italian Grand Tour Patinated Bronze of the Dancing Faun first quarter 20th century, after the Roman sculpture (itself a copy of a 1st century BCE Greek work) excavated at Pompeii in 1830 at the House of the Faun and now conserved at the Museo Archeologico Nazionale, Naples. h. 15-1/2”, w. 6-1/2”, d. 5-1/4” $400-$700

5 Pair of Italian Aesthetic Bronze Candelabra third quarter 19th century, now mounted as lamps, on paw feet terminating in lion’s heads, the standards decorated with anthemia and classical heads, mounted with Dionysian figures between the candle arms. h. 40-1/2”, dia. 8” $300-$500

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6 Pair of Neoclassical-Style Brass and Crystal Lamps mid-20th century, with prism-hung standards and patinated metal bases, mounted with shades. h. 34”, dia. 16”

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$300-$500 7 Continental Metal and Glass Electrolier

8 Three Pairs of Gilt and “Stone” Composition “Borghese” Bookends

first quarter 20th century, with three upturned and three downturned arms, the standard and “gas” sockets decorated with molded leaves and hung with prisms, the arms and upper standard with wide turned elements, originally gas. h. 43”, dia. 17”

second quarter 20th century, Gaithersburg, Maryland, including four plumed helmets and a pair of pierced shells, all on faux stone bases, three labeled. h. 7-3/4” to 8”, w. 4” to 5-1/2”, d. 3” to 4-1/4” $600-$900

$200-$400

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9 Molded and Painted Composition Blackamoor Bracket 20th century, the figure supporting a fabric-draped shelf, made in the Philippines for Sterling Industries, Atlanta, Georgia. h. 11”, w. 10”, d. 5-3/4”

11 Anton Brioschi (Austrian, 1855-1920 )

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana.

“View of Lake Como with a Villa on the Hilltop”

$150-$300

oil on canvas signed lower right.

Framed.

27” x 47”, framed 33-1/2” x 52-3/4”

10 Italian Walnut and Fruitwood Center Table late 18th century, the banded and rounded rectangular top centered by decorative inlays, above a plain frieze, raised on cabriole legs headed by carved shells and ending in peg feet. h. 28”, w. 27”, d. 20”

Provenance: Private collection, Houston, Texas. $200-$400

$800-$1,200

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12 Dutch Neoclassical Lacquered Chinoiserie and Mixed Woods inlaid Semainier Chest early 19th century, the top with a raised inlaid gallery above five drawers, each with a chinoiserie-decorated center panel. h. 50-1/2”, w. 25”, d. 16” $600-$800

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13 Neoclassical Fruitwood and Ebonized Secretaire mid-19th century, the rectangular top with ebonized banding, above a single long drawer and a paneled drop front, stenciled with a neoclassical urn and rinceaux, opening to a long concealed drawer over three banks of three drawers, with two paneled cupboard doors below, each stenciled with a volute palmette, raised on block feet, the whole with ebonized accents. h. 49-1/2”, w. 43”, d. 20” $600-$900

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14 Suite of Four Neoclassical-Style Ebonized and Silver-Leafed Chairs 20th century, each with a drapery-form carved back crest supported by two curved back posts, with tufted mohair seats and raised on down-curved tapering square legs. h. 34”, w. 21-1/2”, d. 19” $600-$900

15 Continental Burl Elm Occasional Table the circular top double-banded and with a central inlaid circular pattern, above a frieze fitted with a single drawer, raised on a square standard to a circular plinth base. h. 29-1/4”, dia. 11-3/4”

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$200-$400

16 Biedermeier-Style Maple Side Table the circular figured top with inlaid banding along its edge and raised on tapering legs ending in brass caps. h. 28-1/4”, dia. 17” $300-$500

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17 Louis-Philippe Burl Elm and Marble-Top Bedside Cupboard ca. 1840, the top with an inset black and gray marble top over a single drawer and drop-down door, opening to a void cavity above four additional drawers, including a secret drawer concealed in the baseboard. h. 35”, w. 17”, d. 17-1/2” $500-$800 18 After Domenichino (Domenico Zampieri, Italian, 1581-1641) Four engravings by Johann Jakob Frey (Swiss, active in Rome 1681-1752) of the frescoed pendentives of the Cardinal Virtues, painted

by Domenichino in the church of San Carlo ai Catinari, Rome, 1627-1630, each inscribed in plate lower margin.

Each unframed. each sheet 25” x 20-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

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19 Pair of Handsome Italian Silvered Brass Oil Lamps mid-19th century, with swan-molded bases, the arms molded as elephant heads. h. 25”, dia. 10-1/2” $700-$1,000

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20 Suite of Three Italian Neoclassical-Style Cabinets comprised of a pair of nightstands, each with a frieze drawer over a pair of deeper drawers, and a commode with a bank of three drawers, all adorned with simulated marquetry and crossbanding, raised on tapering square legs. stands h. 27”, w. 20-1/2”, d. 14”; commode h. 34”, w. 44”, d.

20” $700-$1,000

21 Pair of Neoclassical-Style Mahogany Side Chairs 20th century, each with a caned back set in a frame with inlaid crossbanding and stringing, the seat cushion on a molded bowfront frame, raised on trumpet legs. h. 37-1/2”

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$300-$500

22 Bronze, Glass and Wood Table Lamp in the Neoclassical Taste second quarter 20th century, possibly French, the dolphinmounted standard set on a turned oak base and mounted with a cut glass shade. h. 35”, dia. 7-1/2” $400-$700

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23 Empire-Style Mahogany Center Table ca. 1900, the circular top supported by a pedestal modeled as a pair of dolphins with twining tails, joined to a circular platform base on bun feet. h. 28-1/4”, dia. 32” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $200-$400

24 Decorative Painting of a Fresco in an Architectural Setting oil on canvas. unsigned.

Framed.

39” x 39”, framed 45” x 45” 23

$700-$1,000

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25 Italian High-Glaze Terracotta Tile Wall 20th century, the roundel centers decorated with images of the constellations and depicting their polychrome zodiac symbols, on a ground of amber, decorated with scattered gilt stars, a compass star in the upper left, one tile reading “TANAGRA, ROMA”, 160 pieces plus additional tiles not pictured. overall h. 72”, w. 120” $1,800-$2,500

26 Neoclassically Inspired Bronze and Stone Occasional Table the oval stone top above a frieze molded as swags and tassels, the base adorned with putti. h. 28”, w. 28-1/2”, d. 21-1/4” $200-$400 26

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27 Continental School (Second/Third Quarter 20th Century) “Women on a Terrace” oil on wood panel unsigned.

Framed.

15-3/4” x 11-3/4”, framed 26-3/4” x 22-1/2” $125-$250

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28 Neoclassical-Style Gilt-Lacquered Cast Iron Looking Glass the beveled mirror plate in a pierced frame, each corner with an oval polychromed panel with floral and foliate decor, the crest with a like panel on foliate brackets with polychromed putti. h. 34-1/4”, w. 21-1/2”, d. 1” $400-$700

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29 Dutch School (Fourth Quarter 18th Century) “Butterfly Studies” group of six hand-colored engravings after Pierre Cramer, Amsterdam, 1779.

All matted, glazed and framed en suite. sight 12” x 8-1/2”, framed 19” x 15-3/4” $500-$800

30 Dutch Delft Dish fourth quarter 18th century, depicting a figure crossing a bridge between a windmill and a church, shaded with willow trees. dia. 12” $500-$800

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31 Continental Walnut and Fruitwood Side Table 19th century, the banded rectangular top with parquetry veneers, above a conforming frieze with chevron panels, raised on like-inlaid tapering square legs joined by a shaped X-form stretcher and ending in toupie feet. h. 29-1/2”, w. 46-1/2”, d. 25” $400-$700

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32 Dutch Inlaid Mahogany Wardrobe second quarter 19th century, the molded cornice above a finger-inlaid frieze, with two doors below, each quarter-veneered and centered by an inlaid patera, raised on block legs. h. 71”, w. 46-1/2”, d. 18” $500-$800

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33 Set of Four Baronial-Style Steel and Bronze Two-Light Sconces second quarter 20th century, in the manner of E. F Caldwell, New York. h. 16-1/2”, w. 13”, d. 5-3/4” $700-$1,000

34 Continental School (First Quarter 18th Century) “Portrait of a Lady Holding Flowers” oil on wood panel unsigned.

Framed.

18-1/2” x 14”, framed 21-3/4” x 17-1/4” Provenance: Probably Longue Vue House and Gardens, New Orleans, Louisiana.

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$600-$900

35 Follower of Jan Joseph Horemans I (Flemish, 1682-1759) “Tea Party Table Side with Manservant and Samovar” oil on linen unsigned, frame backing inscribed with artist’s name.

Framed.

18-3/4” x 23-1/4”, framed 25” x 30” $400-$700

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36 Flemish School (Mid-18th Century) “Fish Market” oil on linen unsigned.

Framed.

22-1/2” x 18-3/4”, framed 29” x 24-3/8” $600-$900

37 Pair of Baroque-Style Cast Bronze Sconces 20th century, the three-light sconces with masque-molded shield-form backplates. h. 13”, w. 15”, d. 12” $700-$1,000 38 Four Carved and Polychrome Wooden Winged Angel Heads 19th century, in the Renaissance style, now mounted on contemporary presentation stands. h. 14”, w. 16”, d. 4-1/2” $600-$900

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39 Pair of Molded Plaster Urns in the Baroque Taste fourth quarter 19th century, with fluted sides and flameform “covers”. h. 22”, w. 17-1/2”, d. 9” $400-$700

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40 Unusual Baroque-Style Parcel-Gilt Hanging Vessel 19th century, probably Italian, now mounted with lights on the interior, the conical-shaped vessel with beaded edge and carved flowerheads and acanthus leaves on a green-painted ground, hung with a pendant tassel. h. 31”, dia. 13” $500-$800

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41 Continental Carved Oak Bracket in the Renaissance Taste 19th century, decorated with a putto head framed with wings. h. 9-1/2”, w. 7-1/4”, d. 6” $200-$400

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42 Italian Composition Figure of Saint Margaret of Scotland ca. 1900, the canonized English princess and Scottish queen in medieval garb and pose, with a Bible in her hands. h. 22-1/2”, w. 5-1/2”, d. 4-1/4” $200-$400

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43 Mexican Carved Wood Panel 20th century, with Baroque-style strapwork carving in a painted cove-molded frame.

16-1/2” x 26” $300-$500

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44 Pair of Indian Carved Wooden Temple Capitals 19th century, of Doric influence with carved flowers. h. 10”, w. 12-1/2”, d. 12-1/2” $200-$400 44

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45 Adriaen van Ostade (Dutch, 1610-1685) “The Pater Familias” etching and engraving signed and dated “1648” in print.

Matted, glazed and framed. sight 5” x 4”, framed 17” x 13-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

Literature: Bartsch 33 Godefroy 33 $75-$125

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46 Neoclassical-Style Polychrome and Marble-Top Center Table the figured marble top with a molded edge, above a base with an apron with a beaded bottom edge, each corner with a carved ram’s head over a cabriole leg with a hoof foot. h. 27-1/2”, w. 31”, d. 31” $500-$800

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47 Continental Black Metal Chandelier second quarter 20th century, the scrolled frame decorated with leaves and vines, the candle sockets in the form of flowers, the whole hung with glass drops. h. 35”, dia. 25” $500-$800

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49 Carved Wood Figure of Saint Peter fourth quarter 18th century, possibly Italian, on a baroque base with scrolled corners, carved with winged angel heads, the saint standing and gazing heavenward, one arm raised. h. 30-1/2”, w. 11-1/2”, d. 8-1/2”

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48 Continental Hardwood Cabinet

$600-$900

20th century, in the Italian Renaissance taste, the single framed door with inset wrought iron grilles, the interior with a medial shelf, raised on a scalloped base. h. 55”, w. 19”, d. 13”

50 Italian Baroque-Style Painted Pediment

Provenance: From the French Quarter residence of Lenny Kravitz.

20th century, with a swan’s-neck pediment flanking a carved finial, with scrolled ends and carved scrollwork. h. 34”, w. 60”, d. 2-1/2”

$200-$400

$300-$500

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51 Italian Verdigris-Patinated Bronze Figural Group of the “Cavalli di San Marco” first quarter 20th century, also known as the “Triumphal Quadriga”, after the ca. 2nd/3rd century A.D. nearly life-size copper figures believed to have originally been a part of the Hippodrome of Constantine, now conserved in the interior of St. Mark’s Basilica, Venice (they had long been displayed prominently on the exterior loggia there), on a rectangular marble plinth. overall h. 6-1/2”, w. 12”, d. 6-1/2”

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$600-$900

52 Biedermeier Ebonized, Fruitwood and Marble-Top Pier Table second quarter 19th century, of demi-lune form, the inset marble top over a conforming frieze, raised on scroll legs joined to a half-round low shelf with star inlay, the back fitted with a looking glass. h. 29-1/2”, w. 31”, d. 13-1/2” $600-$900

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53 Louis-Philippe Walnut and Marble-Top Pier Table mid-19th century, the rectangular marble top with projecting paneled corners, above a conforming frieze fitted with a single paneled drawer, joined by a mirrored back and scrolling supports to a shaped stretcher shelf, raised on splayed paw feet. h. 35”, w. 42”, d. 20-1/2” $800-$1,200

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54 French Belle Epoque Marble and Gilt-Bronze Encrier fourth quarter 19th century, on bold paw feet, mounted with a single inkpot trimmed with engine-turned gilt bronze, flanked with finials, the front with an inset pen tray, the facade with a gilt-bronze mount. h. 8-1/4”, w. 17-1/2”, d. 10-1/2” $700-$1,000 54

55 Pair of Marble and Bronze Potpourri Urns fourth quarter 19th century, French, of cassolette form with green marble bodies and white marble bases with gilt-bronze fittings. h. 12”, dia. 6” $700-$1,000

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56 French School (First Quarter 19th Century) “Portrait of an Elderly Man” oil on canvas unsigned.

Period frame.

20-3/4” x 16-1/4”, framed 25-3/4” x 21-1/4” Provenance: Private collection, Houston, Texas. $200-$400

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57 Restauration Mahogany Armoire early 19th century, the molded cornice over a pair of paneled doors with mitered corners framed by a brass molding and flanked by tapering ebonized pilasters with cast figural capitals in the form of an allegorical maiden’s head and brass feet at their base, the interior fitted with four shelves. h. 82”, w. 56”, d. 22-1/2” $600-$900

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58 Empire Parcel-Gilt Mahogany Swivel Piano Chair second quarter 19th century, the curved back with fan veneers and string inlay, and down-curved supports joining the seat, and mounted to a turned and carved standard with three outstretched ormolu-mounted legs. h. 32”, dia. 14” $300-$500

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60 Empire-Style Ormolu-Mounted Mahogany Center Table 59

59 Pair of Louis-Philippe Bronze and Marble Candelabra second quarter 19th century, now mounted as lamps, with gilt- and patinated bronze fittings decorated with scrollwork, the base and standard inset with verde antique green marble with scrolled leaf-molded and patinated candle arms set with molded and gilded drip pans and patinated bronze cups, set with pleated shades. h. 43”, dia. 16” $700-$1,000

late 19th century, the circular top above a frieze with bronze mounts and supported by large scrolled legs ending in carved paw feet on a triangular platform base. h. 29-1/2”, dia. 38-1/2” $400-$700 61 Empire-Style Mahogany Settee 19th century, the padded back surmounted by an ormolumounted crest, joined by downswept sides to the padded seat, raised on sabre legs headed by foliate carving. h. 34”, w. 53”, d. 21” $250-$400

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62 Suite of Ten Restauration-Style Mahogany Dining Chairs side chairs, h. 33”, each with a scalloped scroll-carved crest rail, shaped stiles, bowed seat rail and scroll front legs with leaf carving at the knees and base. $400-$700

63 French Bronze-Mounted Mahogany Floor Lamp first quarter 20th century, with an urn-form socket support and a flame-form finial. h. 76”, dia. 20” $300-$500

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64 Directoire-Style Mahogany Writing Table early 19th century, the rectangular top inset with a trisected leather surface, the central section hinged and with an easeled back, above a conforming frieze fitted with two drawers, raised on tapering square legs ending in brass caps. h. 27-1/2”, w. 39-1/2”, d. 21” $200-$400

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65 Two Pairs of Similar French Restauration Candlesticks second quarter 19th century, including taller brass examples, h. 13”, dia. 4-1/2”, and shorter brass and metal examples, h.

10-3/4”, dia. 3-3/4”, all raised on paw-footed bases. $500-$800

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66 Pair of Restauration Patinated Bronze Lighting Devices on Marble Bases second quarter 19th century, each with a threaded finial and removable tank, with acanthus leaf details and raised on paw feet. overall h. 15”, dia. 9” $300-$500

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67 Empire-Style Ormolu-Mounted Mahogany Pier Table the rectilinear marble top over a conforming frieze with giltlacquered mounts, raised on columns with ormolu capitals and bases, the low shelf backed by a mirror plate. h. 36-1/2”, w. 45-1/2”, d. 21-1/2” $400-$700

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68 Louis-Philippe Mahogany and Marble-Top Center Table mid-19th century, the circular dished marble top above a conforming frieze, raised on a paneled bulbous standard to four molded legs to paw feet on casters. h. 28-1/2”, dia. 38-1/2” $400-$700

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69 Pair of Paris Porcelain Baluster Vases mid-19th century, French, hand-painted with imperial figures in gardens, now mounted on giltwood bases. h. 16-1/2”, dia. 6-1/2” $300-$500

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70 French Neo-Grec Gasolier third quarter 19th century, the four-light gasolier mounted with Chinese export Rose Medallion porcelain elements, the bronze standard decorated with carefully molded and detailed lotus leaves, open pierced scrollwork, and a cylinder of Rose Medallion porcelain molded with ring handles, the scrolled arms set with anthemia-molded elements, the lower finials likely gas keys, with Rose Medallion urns holding the burners, now electrified, and shade holders set with ruffled cranberry glass shades. h. 39”, dia. 31-1/2” $300-$500

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71 Pair of Chinese Small Famille Rose Porcelain Vases 20th century, each of baluster form, with raised foot and flared rim, decorated to the exterior with birds perched amid flowering plants and cherry blossoms between gilt borders, the reverse with a four-line inscription, the base with an apocryphal six-character Qianlong mark. h. 5-1/4” $300-$500 71

72 Set of Eleven Omeco Raised Gilt Service Plates second quarter 20th century, Czechoslovakian, with claret and cream borders, decorated with raised gilt scrollwork, marked “Omeco Czechoslovakia” on the back. dia. 10-3/4” $500-$800 72

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73 Louis-Philippe Brass and Ruby Glass Chandelier mid-19th century, with a lobed glass pan fitted with grapeembossed brass chains, candle arms and corona, fitted with decorative brass drops. h. 22”, dia. 18” $500-$800

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74 French Restauration Mahogany and Marble-Top Pier Table second quarter 19th century, the gray marble top over an ogee-form drawer, the base with scrolled supports and raised on animal paw feet. h. 35”, w. 40-1/2”, d. 19” $400-$700 74

75 French School (Second Half 18th Century) “Portrait of a Statesman” oil on canvas unsigned.

Framed.

28-3/4” x 22-7/8”, framed 36” x 31” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $400-$700

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76 French Provincial Walnut and Slate-Top Table/Desk mid-19th century, in the Directoire taste, the rectangular framed top with an inset slate work surface, one side fitted with a drawer, concealed in the apron frieze, raised on tapering square legs. h. 30”, w. 47”, d. 33-1/2” $500-$800 77 Collection of Twenty French Bat-Printed Creamware Plates first half 19th century, some by Montereau, others by Paillart et Hautin, including thirteen canary-bordered plates depicting notables, a “canary puzzle” plate, a canary topographical plate, and a pair of blue-printed plates depicting scenes from the play “L’Enfant Prodigue”, by Voltaire, and three black printed plates. dia. 8-1/2”

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78 French Bronze Electrolier first quarter 20th century, the oblong standard with reeding and set with three leaf-molded electric down lights hung with beaded prisms, and three gas sockets, decorated with ram’s heads and hung with swags of beaded prisms. h. 33-1/2”, dia. 21” $400-$700

Provenance: Estate of John Stockwell Samuels III, Galveston, Texas. $400-$700

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79 French Belle Epoque Bronze Chandelier first quarter 20th century, the six-light chandelier with an urn-form standard centered by reeded sprays of laurel leaves, with conforming scrolled arms, each set with two sockets and mounted with ruffled and engraved cut glass shades. h. 28-3/4”, dia. 19” $400-$700 80 French Brass Electrolier the twelve-light electrolier with a ball-shaped standard mounted with swags and scrolled gas arms, alternating with tulip-molded and pierced electric sockets, the bottom with a pierced, molded finial. h. 41”, dia. 32-1/2” $400-$700 81 French Brass Chandelier

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fourth quarter 19th century, with a drop center in the style of a masque light, the motif repeated on each of the four clusters of lights, the drip pans and sockets decorated with pierced scrollwork. h. 55”, dia. 36” $400-$700

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81

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82 Napoleon III Brass-Inlaid Ebonized Center Table third quarter 19th century, in the Louis XV taste, the tortoiseform top with inlaid brass marquetry, the conforming apron fitted with a single drawer, raised on cabriole legs with brass stringing and gilt-bronze mounts. h. 29-1/2”, w. 53”, d. 32” $500-$800

82

83 French Pierced Bronze Mantel Clock fourth quarter 19th century, in the Renaissance Revival taste, on paw feet, with crowned whippets supporting the dial, crowned with a masque, the sides with winged caryatids and set with an urn-form finial, both the porcelain characters on the dial and the works stamped by the retailer, J. E. Caldwell, Philadelphia. h. 26”, w. 17”, d. 9-1/2” $700-$1,000

83

84 Bronze Figural Group 20th century, after Etienne Henri Dumaige (French, 18301888), of two dancers, one holding aloft a tambourine, a "Dumaige" plaque on the base. h. 26”, w. 13-1/2”, d. 11-1/2” $250-$400 84

32

86 85

85 Art Nouveau-Style Engraved Mirror with the personification of spring carrying a bouquet of flowers, mounted in a bird’s-eye maple frame. h. 44-1/4”, w. 20-3/4” $150-$300 86 French Gilt-Bronze and Glass Pendant Hall Light second quarter 20th century, the rococo-style frame decorated with scrollwork and flowerheads and set with an iridescent gold art glass shade, drilled and electrified. h. 38-1/4”, dia. 8” $300-$500 87 Charles X-Style Brass-Mounted Mahogany and Marble Table

87

20th century, the octagonal figured marble top within a brass gallery, above a fluted column joined to a large top of like form, on a pedestal base with reeded brass panels and roundels. h. 29-3/4”, w. 36-1/2”, d. 36-1/2” $500-$800

33

89

88 Continental School (Mid-19th Century) “Young Girl with Basket of Cherries” oil on canvas unsigned, a French shipper’s label on frame backing.

Framed.

24-1/8” x 19-3/4”, framed 29” x 25” $500-$800

89 French Paris Porcelain Assembled Tea Set second quarter 19th century, the mazarine blue and gilt set with “HB” monograms, including a coffeepot, h. 7-1/2”, w. 9”, a teapot, h. 6”, w. 8-1/2”, a cream jug, h. 6-3/4”, w.

5-1/2”, a sugar bowl, h. 6-1/4”, w. 6”, a waste bowl, h. 4”, dia.

7-3/4”, eleven cups, h. 2-1/2”, eight saucers, dia. 5-1/2”, and seventeen complementary dessert plates, dia. 8”.

88

Provenance: Estate of Barbara and Ernest Henley, Houston, Texas. $300-$500

90 Louis-Philippe Rosewood, Burl Wood and Marble-Top Commode mid-19th century, the inset rounded rectangular top above a conforming case fitted with a bi-paneled drop-front secretary drawer, opening to an inset leather writing surface and four small drawers, over two paneled cupboard doors, raised above a shaped apron on scrolled feet. h. 39-1/2”, w. 51”, d. 21-1/2” $500-$800

90

34

92

91

91 Monumental Napoleon III Walnut and Marble Mirror

92 French Bronze Gasolier

third quarter 19th century, in the Aesthetic taste, the arched crest decorated with egg-and-dart carving, the sides with Corinthian pilasters mounted with marble plaques, the pilasters supported on bases carved with strapwork, anthemia and flowers, and accented with gilt incising and trim. h. 105-1/2”, w. 70”

fourth quarter 19th century, the twelve-light gasolier design of baroque inspiration, with a spiral-reeded standard, the leafdecorated arms supporting gas arms on two levels, with an incised acorn-form lower portion. h. 48”, dia. 26”

$400-$700

$300-$500

35

93 Beaux-Arts-Style Giltwood Looking Glass the beveled mirror of rectilinear form and set in a conforming frame adorned with egg-and-dart, reeded and leaf decor. h. 44”, w. 32-1/2” $200-$400

93

94 Bela von Spanyi (Hungarian, 1852-1914) “Cattle by a Lake”, 1890 oil on canvas signed, dated and localized “Munchen” lower right.

Period giltwood and gesso frame.

29-3/4” x 39-1/2”, framed 44” x 53-1/2” Provenance: Private collection, Houston, Texas. $700-$1,000

94

95 Continental School (19th Century) “Mountainous Landscape with a Mill” oil on canvas unsigned.

Period giltwood and gesso frame.

32” x 44-1/2”, framed 44-1/2” x 56” Provenance: Private collection, Houston, Texas. $500-$800

95

36

96

97 Two Mexican Retablos and a Continental Painting 20th century, including “I give thanks to the Virgin of San Juan of the Lake for saving me from dying when my horse was spook by a snake, threw me and dragged me until it stop”, 1904, 7” x 11”, and “Thanks for curing a young boy”, 1968, 8-3/4” x 11”, both unframed oils on metal, inscribed, signed and dated in Spanish in the lower margins; together with Continental School (19th Century), “Madonna and Child”, oil on canvas, unsigned, 10” x 7”, framed 12-1/2” x 9-1/2”.

96 Provincial Louis XIV-Style Oak and Pine Refectory Table ca. 1900, the fold-out leaves supported by pairs of wrought iron rods, the canted legs with wrought braces. h. 31-1/2”, w. 30-3/4”, l. 59”, ext. l. 117-1/2” $800-$1,200

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

97

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98 Provincial Louis XV-Style Oak Buffet a Deux Corps in two parts, the step-back serpentine upper section with a central door flanked by a pair of sliding doors, and with carved panels, on a base with a pair of drawers centered by a floral-carved basket, the shaped paneled doors with vine leaf and floral carving, with a carved apron and cabriole legs. h. 59-3/4”, w. 55”, d. 21-1/2” $1,500-$2,500

99 Louis XIV-Style Walnut Ottoman early 20th century, the cushioned top above an upholstered frame, the base with shaped, acanthuscarved legs joined by an H-form stretcher. h. 24”, w. 24”, d. 24” $400-$700

100 French Neoclassical-Style Walnut Armchair

98

first half 19th century, the back with a pierced and carved central splat, having a caned seat and raised on tapering square legs, with pegged construction throughout. h. 34”, w. 25”, d. 18” $400-$700

99 100

38

101 French School (Fourth Quarter 19th Century) “Reptiles and Amphibians” suite of five hand-colored lithographs of various sizes.

All handsomely matted, glazed and framed alike. sights 7” x 4-1/4” and 4-1/2” x 6-1/2”, framed 18” x 15” and 15” x 17” $500-$800

102 French Provincial Parquetry-Inlaid Walnut Dining Table in the 18th-century style, the framed top with a molded edge and pull-out leaves, over a carved and scalloped apron, raised on cabriole legs. h. 30”, w. 41”, l. 67-1/2”, ext. l. 109-1/2” $400-$700

101

102

39

103 Napoleon III Fruitwood Bergere Frame third quarter 19th century, the domed back surmounted by a ribbon and musical crest, joined by acanthine-carved arms to the seat, raised on spiral-fluted tapering circular legs ending in toupie feet. h. 44” Provenance: Private collection, Mobile, Alabama. $150-$300

104 Louis XV-Style Fruitwood Canape ca. 1900, of double chair-back form with floral-carved crests, raised on cabriole legs. h. 40”, w. 68”, d. 29” 103

$500-$800

104

40

105 Three Hand-Colored Copper Engravings of the Planets Personified and Ancient Kings

by Georg Balthasar Probst (German, 1673-1750) including “Jupiter”, “the Moon”, and “King Sesostris of Egypt”, published Cum Gratia et Privilegio Sac. Caes. Majestatis, Augsburg, ca. 1770.

Each unframed.

12-1/4” x 16-1/4” to 12-1/2” x 17” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

105

106 Rare Hand-Colored Mezzotint Engraving of “Hanswurst and Harlequin under the Sorcerer’s Spell”, from the intermezzo pantomime by Florian Reichssiegel, Der Schwatzer der Leichtglaubige.... no. 58, tab. 8, drawn by stage designer Mathias Siller, printed by Johann Philipp Haid, published Augsburg and Vienna, 1764.

Unframed. sheet 13” x 17-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

106

41

107 Pair of French Polychrome Side Chairs late 19th century, in the Louis XV taste, each with a shaped and carved back crest rail and shell-carved aprons, raised on cabriole legs joined by a swirling X-form stretcher. h. 37”, w. 20”, d. 18” $500-$800

107

108 Pair of French Polychrome Side Chairs late 19th century, in the Louis XV taste, each with a shaped and carved back crest rail and shell-carved aprons, raised on cabriole legs joined by a swirling X-form stretcher. h. 37”, w. 20”, d. 18” $500-$800 108

109 French Baccarat Loop Molded Crystal Dessert Stand ca. 1900, with three graduated plateaus and a posy holder on the top, the base with a molded “Baccarat” mark. h. 21-1/4”, dia. 9-3/4” $500-$800

109

42

110 Carved and Painted Mirror in the Rococo Taste 20th century, decorated with carved scrolls and flowerheads. h. 50”, w. 37-3/4” $200-$400

111 Louis XV-Style Painted Bergere 19th century, the molded back with a floral-carved crest, joined to scroll arms on shaped molded supports, a serpentine seat and cabriole legs. h. 37-3/4” $500-$800

112 John William Mogan (American, 20th Century) “Street Scene with Bridge and French Flags” oil on canvas signed lower left.

Framed.

20” x 24”, framed 28-1/2” x 32-1/4”

110

$800-$1,200

112

111

43

113 Louis XV-Style Giltwood Armchair the tub-back chair on a swivel base, in foliate-carved decor with a circular seat, conforming rails and cabriole legs. h. 34-3/4” $100-$200

113

114 Transitional Louis XV/XVI Kingwood and Marble-Top Petite Commode late 18th/early 19th century, the ovoid marble top within a three-quarter pierced brass gallery, above a conforming case fitted with three banded drawers, joined to a lower kidney-form shelf by cabriole supports ending in sabots. h. 28-1/4”, w. 18-1/2”, d. 14” 114

$400-$700

115 Louis XV-Style Fruitwood Occasional Table late 19th century, the banded and shaped quarter-veneered top centered by an inlaid floral spray, hinged and opening to a storage space, joined to a lower shelf by slender cabriole legs terminating in splayed feet. h. 27-1/2”, w. 19-1/2”, d. 12-3/4” $800-$1,200

115

44

116 Transitional Louis XV/XVI-Style Kingwood Occasional Table early 19th century, the circular banded and quarter-veneered top above a conforming frieze fitted with a single drawer, joined by square supports to a like lower shelf, raised on shaped legs ending in sabots. h. 29-1/4”, dia. 16-1/2” $700-$1,000

116

117 Louis XV-Style Parquetry-Veneered and Marble-Top Commode of bombe form, the serpentine Brescia marble top on a conforming case with a bank of three drawers, flanked by ormolu mounts extending down the shaped legs. h. 39-1/4”, w. 34-3/4”, d. 16-1/2” $300-$500

117

118 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped marble top above a conforming frieze centered by a pierced foliate shield amidst scrolling foliate patterns, and raised on C-scroll legs joined by a shaped stretcher and ending in foliate scrolled toes. h. 36”, w. 57”, d. 18” Provenance: Charlotte Nail Antiques, Houston, Texas; Private collection, Houston, Texas. $300-$500 118

45

119 Louis XV Polychrome Fauteuil 18th century, the frame with foliate-carved details, raised on cabriole legs, of pegged construction. h. 36”, w. 26”, d. 18” $500-$800

119

120 Pair of Louis XVI-Style Giltwood and Marble-Top Corner Consoles each with a serpentine variegated rouge and gray marble top over a conforming apron centered by shell, floral and foliate carving and raised on a cabriole leg. h. 37”, w. 33”, d. 18” $500-$800

120

121 French School (First Quarter 19th Century) “Portrait of a Gentleman in a Lace Cravat” oil on canvas unsigned.

Framed.

18-3/8” x 15-5/16”, framed 24-3/4” x 21-3/4” Provenance: Dixon & Dixon, New Orleans, Louisiana; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $300-$500 121

46

122 Louis XV-Style Giltwood and Slate-Top Console Table 20th century, of tall form, the shaped top on a pierced and carved frame centered with shell and laurel leaf swags, raised on cabriole legs joined by a cartouche-carved stretcher, presented in a dramatic gold-leaf surface. h. 39”, w. 38”, d. 20” $500-$800

122

123 Louis XV-Style Kingwood, Burlwood and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with two drawers, each inset with a burled panel, the sides en suite, raised on splayed legs ending in sabots. h. 28-1/2”, w. 33-1/4”, d. 17-1/4” 123

$800-$1,200

124 Opulent French Gilded Age Bronze Sconce fourth quarter 19th century, in the Louis XV taste, the backplate lushly molded with scrollwork, rocaille work and a ram’s head, the center with molded leaves and grapes, the scrolled arms set with rocaille-molded drip pans and matching candle cups, electrified. h. 21”, w. 17”, d. 16-1/2” $300-$500

124

47

126

125

125 French Baroque-Style Gilt-Bronze Chandelier early 20th century, the standard with a ball and fluted vasiform section mounted with winged angels, issuing eight arms with bellflower decor. h. 28”, dia. 33” $300-$500 126 Pair of Louis XV-Style Pierced Gilt-Bronze Chenets first quarter 20th century, French. h. 18”, w. 17”, d. 6” Provenance: Private collection, Houston, Texas.

127

$200-$400 127 Transitional Louis XV/XVI-Style Inlaid Mahogany and Marble-Top Stand ca. 1900, the figured marble top over a case with a pair of urninlaid doors, opening to reveal an interior with four line-inlaid and banded drawers in a parquetry frame, with a frieze drawer and shaped apron below, raised on cabriole legs. h. 22-1/2”, w. 18-1/2”, d. 14-1/2” $300-$500 128 Louis XV-Style Ebonized Writing Table ca. 1900, the inset tooled leather top over a frieze with a single drawer and scalloped apron, raised on cabriole legs with ormolu sabots. h. 28-1/2”, w. 33-1/2”, d. 18” $400-$700

48

128

129 French Gilt- and Patinated Bronze Figural Tazza first quarter 20th century, in the Neo-Grec taste, the circular dish embossed with scenes of classical figures, above a kneeling figural standard and a foliate base. h. 11”, dia. 17-1/2” $200-$400

129

130 Pair of French Gilt- and Patinated Bronze Chenets fourth quarter 19th century, in the Louis XV style, each autumnthemed chenet having pierced gilt scrollwork with grapes and a patinated putto, one holding grapes and the other threshes of wheat. h. 17”, w. 10”, d. 4” $600-$900

130

131 Louis XV-Style Parquetry-Inlaid and Kingwood Table ca. 1900, the patterned parquetry top of various specimen woods, over a concave frieze fitted with a pair of drawers, on cabriole legs with bronze sabots. h. 29-1/4”, w. 35”, d. 23-3/4” $300-$500

131

49

132 French School (21st Century) “Entering the Cathedral” oil on beveled wood panel unsigned.

Framed.

12” x 15-5/8”, framed 18-1/2” x 21-1/2” $150-$300

133 Suite of Four Louis XV-Style Giltwood Chairs late 19th century, each with a carved back, serpentine seat and raised on cabriole legs. h. 37”

132

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $250-$400

134 Louis XV-Style Inlaid Mahogany Bureau Plat with an inset tooled leather top over a frieze with a central drawer flanked by a pair of drawers, each with foliate inlay and ormolu mounts, raised on cabriole legs with shell and foliate mounts at their tops, the feet with ormolu sabots. h. 30”, w. 59”, d. 30-1/4” $500-$800 134

133

50

135

137

135 Pair of Louis XV-Style Gilt Bronze Sconces second half 20th century, French, each having a scrollwork backplate decorated with flowerheads and fitted with a trio of scrolled candle arms. h. 21”, w. 13”, d. 6-1/2”

137 Louis XV-Style Fruitwood Center Table

$200-$400

early 20th century, the banded, shaped square top with projecting corners, above a conforming frieze, raised on large cabriole legs ending in sabots. h. 32”, w. 51-1/2”, d. 51-1/2”

136 Louis XV-Style Walnut Dining Table early 20th century, the top with a molded edge and raised on foliate-carved scroll legs joined to a molded and carved serpentine stretcher, on bun feet. h. 30-1/4”, w. 63”, l. 65”

$500-$800

$400-$700

136

51

138

138 Louis XV-Style Stained Beechwood Sofa 20th century, the back with a pair of loose cushions and joined to closed arms on molded supports, above a serpentine seat rail and four front cabriole legs, the seat also with a loose cushion. h. 29-1/2”, w. 80-3/4”, d. 32” Provenance: Henry Stern Antiques, New Orleans, Louisiana. $600-$900

139 Henry Bonnefoy (French, 1839-1917) “Floral Still Life Within a Lush Landscape” oil on canvas signed lower right.

Framed.

36-1/2” x 47-1/2”, framed 46” x 54” $900-$1,200 139

52

140 Antoine Ferdinand Attendu (French, 1845-1908) “Still Life with Pewter Urn, Pears, Draperies and Butterfly” oil on canvas signed lower right.

Framed.

24-3/8” x 21-1/4”, framed 30-3/4” x 28” $800-$1,200

140

141 Louis XV-Style Kingwood and Marble-Top Commode 19th century, the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and quarter-veneered, the sides veneered en suite, raised on splayed legs ending in sabots. h. 33-1/2”, w. 46”, d. 19-1/2” $400-$700

141

142 Pair of French Gilt-Bronze and Porcelain Sconces 20th century, in the Louis XVI taste, each with a bowknot and tassels backplate, and decorated with a bleu-celeste-ground porcelain oval plaque with a couple in 18th-century costume, set with leaf-molded candle arms terminating in fluted drip pans and candle cups, with spurious Sevres marks on the back. h. 30-1/4”, w. 13-1/4”, d. 6-1/2” $800-$1,200 142

53

143 Diminutive French Gilt-Metal and Glass Chandelier second quarter 20th century, the four-light chandelier decorated with alternating turquoise and colorless glass beads and prisms, with beaded bulb covers. h. 17”, w. 17”, d. 17” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $150-$300

143

144 Pair of Louis XV-Style Mahogany and Marble-Top Commodes early 20th century, each with a shaped marble top above a conforming case fitted with a single cupboard door inset with a panel depicting a figural landscape, the sides paneled en suite, raised on cabriole legs ending in sabots. h. 31”, w. 28”, d. 14” $500-$800

145 Painted and Giltwood Trumeau Mirror ca. 1900, the top panel decorated with an oil-on-canvas painting of a village wedding scene, set into a Louis XIV-style giltwood surround with shell corners, trimmed with rocaille work, the mirror with like decoration. h. 87”, w. 38-1/2” $400-$700

145

54

144

146 Pair of Louis XVI-Style Polychrome Bergeres first quarter 20th century, French, each with a domed padded back, joined by padded arms to the cushioned seat, raised on fluted tapering circular legs headed by floral capitals and ending in toupie feet. h. 35” $500-$800

146

147 Louis XV-Style Giltwood and Marble-Top Console 19th century, the carved apron with a central shell and flanked by a bird to each side, raised on cabriole legs. h. 34-1/2”, w. 67”, d. 17” $300-$500

147

148 Gilt-Metal and Crystal Chandelier of Neoclassical Inspiration 20th century, the eighteen-light chandelier with scrolled arms and a molded glass-clad standard, decorated with medallions terminating in molded glass drip pans, the upper standard with a spray of prisms and strands of prisms hung from the standard to arms with swags of prisms hung below. h. 33-1/2”, dia. 33-1/2” $900-$1,200

148

55

149

152

149 Pair of Louis XV-Style Brass and Crystal Sconces

151 Louis XV-Style Polychrome Commode

20th century, each three-light sconce with a foliate backplate and hung with crystal drops on two levels. h. 11-3/4”, w. 11-1/2”, d. 8”

the serpentine faux marble top over a pair of conforming drawers, with serpentine sides and raised on cabriole legs, decorated throughout with painted flora and vines on a cream ground. h. 30-1/2”, w. 37”, d. 17-1/2”

$100-$200 150 Louis XV-Style Painted Fauteuil ca. 1900, the serpentine top rail having a shell- and foliatecarved crest, with open arms, serpentine front seat rail and cabriole legs. h. 38” $150-$300

152 Pair of Rococo Revival-Style Cast Brass Sconces 19th century, the scrolled arms decorated with cast leaves and cupids, and set with Neo-Grec-style engraved glass shades. h. 15-1/2”, w. 8”, d. 19” $400-$700

150

56

$500-$800

151

153

153 French Bronze and Crystal Chandelier second quarter 20th century, of neoclassical inspiration, the main basket-form body set with strings of glass drops, the laurel-molded central ring set with three scrolled arms set with leaf-molded bronze shade holders and floriform frosted glass shades. h. 26”, dia. 20” $400-$700

154 Louis XV-Style Giltwood Trumeau Mirror fourth quarter 19th century, the upper tapestry panel depicting a shepherd and shepherdess with their sheep and dog, the mirror trimmed with giltwood, scroll and rocaille work. h. 110”, w. 42” $600-$900

154

57

155

155 Machine-Woven Tapestry with figures in a lush park setting, a palmette and floral border. h. 51”, w. 79-1/2” $200-$400 156 Louis XV-Style Giltwood and Marble-Top Center Table the turtle-form top above a conforming foliate scroll-pierced frieze centered by a shell carving, raised on cabriole legs headed by a shell shield and ending in acanthine scrolled toes. h. 33-1/2”, w. 72”, d. 36”

157 Pair of Italian Neoclassical-Style Parcel-Gilt Alabaster Lamps 20th century, on similar gilt composition bases, the figures inspired by Josiah Wedgwood’s “Dancing Hours”. h. 20-1/2”, w. 7” to 8-1/4”, d. 7” to 8-1/4” $150-$300

$700-$1,000

156

58

157

158

158 Suite of Six Louis XVI-Style Parcel-Gilt and Silver-Leaf Side Chairs second quarter 20th century, each with a molded and carved frame, padded seat and back, and raised on fluted tapering square legs, of mortised and pegged construction. h. 35-1/2” Provenance: Private collection, Houston, Texas. $600-$900 159

159 Pair of Louis XIV-Style Cast Bronze Sconces 20th century, the three-light sconces decorated with molded scrollwork and flowers. h. 20-1/2”, w. 15-1/2”, d. 12” $200-$400

160 Edwardian Mahogany and Walnut Occasional Table ca. 1900, the circular top banded and quarter veneered, joined to a like lower shelf by string-inlaid cabriole supports. h. 29-1/4”, dia. 22” $300-$500

160

59

161

161 Louis XVI-Style Polychrome Window Seat 20th century, the long cushioned seat flanked to either end by padded outscrolled armrests, raised above a paneled frieze on tapering circular legs, the outer two spiral-fluted, with three removable back cushions. h. 25”, w. 105”, d. 29” $800-$1,200

162 French Belle Epoque Bronze and Marble Figural Clock fourth quarter 19th century, in the Louis XVI taste, the clockworks mounted in a bronze column section with an applied bowknot and garlands, and topped by a patinated bronze cherub, poised to shoot the arrow of love, on a bronzetrimmed white marble base. h. 14-3/4”, w. 6”, d. 4-3/4”

162

$600-$900

163 Pair of French Gilded Age Bronze and Marble Candelabra fourth quarter 19th century, the draped putto-form standards supporting scrolled candle branches terminating in patinated candle sockets set with gilt-bronze bobeches and drip pans, supported on fluted white marble bases with molded bronze feet. h. 23-1/4”, w. 13-1/4”, d. 10-1/2” $700-$1,000 163

60

165

164

164 Louis XVI-Style Marquetry-Inlaid Mahogany and MarbleTop Commode

165 Continental School (19th Century)

the verde marble top with molded edges and a projecting center, above a conforming case with a drawer over a pair of doors, adorned with marquetry and parquetry inlays, with ormolu mounts throughout, raised on trumpet legs. h. 40-1/4”, w. 55”, d. 20-3/4”

“Portrait of an Officer”

$500-$800

oil on canvas signed “Desire Lucas”.

Framed.

26” x 21-1/2”, framed 37” x 32-1/2” Provenance: Private collection, Houston, Texas. $300-$500

166 Napoleon III Burl and Fruitwood Bureau de Dame third quarter 19th century, the superstructure fitted with a central mirrored cupboard, flanked to either side by a lower bank of three small drawers, all surrounded by a partial pierced brass gallery, the shaped lower section centered by an inset leather surface and above a frieze fitted with a single drawer, raised on cabriole legs ending in sabots, the whole accented with delicate inlaid scrolling patterns and ormolu mounts. h. 47-1/2”, w. 44”, d. 26” $300-$500

166

61

167 Napoleon III Ebonized and Parquetry Bureau third quarter 19th century, the superstructure with a domed backpiece over two shelves and two small drawers, over a slant front opening to a baize-lined surface and drawers and cubbyholes, over a single drawer, raised on fluted tapering circular legs joined by a shaped H-form stretcher and ending in toupie feet. h. 55”, w. 29”, d. 19” $250-$400

168 Suite of Four Louis XVI Revival Parquetry and Ebonized Side Chairs 19th century, Continental, each with a shaped back with ebonized moldings framing contrasting veneers, the seat rails with parquetry veneers, raised on octagonal legs with raised veneer decor. h. 37-1/2” $500-$800 167

168

62

169 Louis XVI-Style Mahogany Server early 20th century, fitted with a single central drawer flanked by two faux end drawers, joined to two like-shaped open shelves by fluted bulbous uprights, raised on turned toupie feet. h. 38, w. 53-1/2”, d. 18” $200-$400

169

170 Handsome French Patinated Bronze and Marble Figural Mantel Clock fourth quarter 19th century, set with Japy Freres works. h. 15-1/2”, w. 18-1/2”, d. 6”

170

Provenance: Charlotte Nail Antiques, Houston, Texas; Private collection, Houston, Texas. $200-$400

171 French Petite Bronze and Crystal Chandelier second quarter 20th century, hung with mauve and colorless glass drops, and a pear-form pendant finial. h. 15”, dia. 11” $125-$300

171

63

172

172 Large Louis XVI-Style Polychrome and Parcel-Gilt Recamier 20th century, with a carved and fluted post at the head end, and raised on turned and fluted legs. h. 40”, w. 30”, l. 89” $500-$800

173 Napoleon III Ebonized and Boulle-Inlaid Center Table third quarter 19th century, the top with elaborate inlaid tortoise and Boullework, with a cast bronze molded edge and bronze mounts, one side fitted with a drawer and raised on cabriole legs. h. 30-1/2”, w. 53”, d. 30-1/2”

173

$300-$500

174 Napoleon III Ebonized and Boulle-Inlaid Center Table third quarter 19th century, the top with elaborate inlaid tortoise and Boullework, with a cast bronze molded edge and bronze mounts, one side fitted with a drawer and raised on cabriole legs. h. 30-1/2”, w. 53”, d. 30-1/2” $400-$700

174

64

177

175 Queen Anne Walnut-Veneered Mirror first quarter 18th century, with engraved glass. h. 48”, w. 18-1/2” $250-$400

175

176 Queen Anne-Style Mahogany Wing Chair 20th century, with rolled armrests, reversible cushion and raised on short Queen Anne-style legs. h. 51”, w. 33”, d. 31” $300-$500

177 Pair of Caldwell Patinated Bronze Sconces in the Baroque Taste first quarter 19th century, French, the cabochon-form backplates framed in bold scrollwork, issuing conforming arms set with acanthus leaves and shell-form bobeche, signed “Caldwell”. h. 16”, w. 13”, d. 8” $400-$700

176

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179

178

178 After William Hogarth (British, 1697-1764) “Taste in High Life” engraving on paper engraved by Samuel Phillips (British, act. 1797-1808) and commissioned from John Boydell for a posthumous edition of Hogarth’s work.

Matted, glazed and framed. sight 15-1/2” x 18-1/2”, frame 24” x 26-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

179 Pair of Georgian Mahogany Side Chairs 18th century, in the Queen Anne taste, each shaped back with a baluster-form splat, slip seat and cabriole front legs on pad feet. h. 37-3/4” $200-$400 180 George III Mahogany Dining Table 19th century, the D-end top raised on three pedestals, each with a turned columnar standard to three splayed cabriole legs ending in reeded feet on casters, with two 12” leaves. h. 29”, w. 44”, l. 74”, extended l. 98” $500-$800

180

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181 George III Mahogany Secretary late 18th century, the upper case with a dentillated pediment above a pair of raised panel blind doors, the slant lid opening to an elaborate fitted interior, and four graduated long drawers below. h. 84”, w. 39”, d. 23” $1,000-$1,500

181

182 Cut Glass Chandelier in the Anglo-Irish Taste 20th century, the scalloped prism-hung canopy overhanging the cut standard, set among three glass scrolls, the cut glass scrolled arms terminating in glass prism rings, the lower portion with a cut glass prism-hung canopy and pendant ball finial. h. 28”, dia. 24” $600-$900

182

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183 Adam-Style Giltwood Mirror 20th century, set with a beveled mirror plate, the crest with an urn of flowers flanked with flowerheads and leaves. h. 64-1/2”, w. 47-1/4” $400-$700

184 Suite of Seven Hepplewhite-Style Mahogany Dining Chairs late 19th century, comprised of one armchair and six side chairs, each with a shaped crest rail and “Prince of Wales”carved plume in the back, raised on tapering square Marlborough legs ending in spade feet. armchair h. 36”, w. 22”, d. 19”, side chair h. 38”, w. 21”, d. 18” $700-$1,000 183

184

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185

185 Adam-Style Carved Mahogany Demi-lune Console Table ca. 1900, with a two-board top above a carved frieze and raised on tall tapering square legs with carved bellflowers and ending in spade feet. h. 35”, w. 54”, d. 29” $600-$900

186 George III-Style Mahogany Secretary Bookcase

186

20th century, the upper case with a dentillated overhanging molding above a pair of glazed doors and a row of four side-by-side drawers, the slant lid opening to a fitted interior, with four long drawers below and raised on ogee bracket feet. h. 79”, w. 38”, d. 19” $400-$700

187 George III Mahogany Serving Table late 18th/early 19th century, probably Irish, of rectangular form, the top mounted to a straight apron with applied lower molding, raised on fluted tapering square legs ending in spade feet. h. 33”, w. 59”, d. 27” $400-$700

187

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188 Victorian Gothic Revival Oak Armchair in the manner of A. W. Pugin, the back with a molded top rail over a tripartite arch with carved tracery, joined to shaped arms, a plank seat and curule base. h. 38-1/2” $200-$400

189 Regency Mahogany Cabinet on Stand mid-19th century and later, the upper case in three sections with glazed doors and fitted with later plate glass shelves, mounted to an open base with turned legs. h. 83”, w. 99-1/2”, d. 19” $800-$1,200

188

189

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190

190 William IV-Style Mahogany Sideboard 20th century, the protruding center section with a row of four felt-lined flatware drawers above four cabinets, the central cabinets fitted with sliding shelves with back and side galleries. h. 35-1/2”, w. 90-1/2”, d. 22” Provenance: Manheim Galleries, New Orleans, Louisiana; Private collection, Houston, Texas. $600-$900

191 Regency Mahogany Sofa Table

191

19th century, the rectangular top with a molded edge and two rounded drop leaves, above a frieze fitted with two drawers, raised on end supports joined by a turned stretcher and ending in splayed, molded legs headed by foliate carving and ending in brass caps and casters. h. 29”, w. 36”, d. 29-1/2”, ext. w. 58” $500-$800

192 Pair of Regence-Style Gilt-Bronze Sconces second quarter 20th century, with inverted urn-form serpentine backplates, crowned with artichoke finials and hung with laurel swags, the scrolled candle arms molded with acanthus leaves, set with fluted drip pans. h. 15-1/2”, w. 18-1/2”, d. 7-1/4” $300-$500

192

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193 Two Pairs of J. & I. Cox-Retailed Argand Lamps second quarter 19th century, English, with “J. & I. Cox” labels on their burner tubes, mounted with frosted and cut glass shades, h. 17”, w.

10”, d. 5-1/2”, together with a pair of Colonial Revival Argand-style lamps, ca. 1900, originally hung with prisms, electrified, h. 14-1/2”, w. 8”, d.

10-1/2”.

193

$700-$1,000 194 Regency-Style Brass-Mounted Mahogany and Leather Center Table 20th century, labeled “Maitland Smith”, the circular top with inset tooled leather, the frieze with paterae-mounted panels and drawers faced in like leather decor, on a vasiform and scroll pedestal joined to a concave base with brass paw feet. h. 29-1/2”, dia. 40” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $250-$400 195 Pair of William IV Gilt- and Patinated Bronze and Glass Argand Lamps second quarter 19th century, English, set with reproduction frosted and engraved glass shades, electrified. h. 15-1/4”, w. 5-1/2”, d. 5” $400-$700 196 Regency Games Table and Lectern/Music Stand

194

both second quarter 19th century, the rosewood games table with an inlaid chessboard top folding over to reveal a baize-lined playing section with a frieze drawer and trestleform base, h. 29”, w. 20”, d. 14-3/4”, ext. l. 29-3/4”, and the mahogany lectern/music stand with an adjustable tilting top supported by a reeded column on a concave base, h. 31-3/4” to 44”, w. 23”, d. 21”. $700-$1,000

195

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196

197 Regency-Style Mahogany Sofa Table late 19th century, the banded rectangular top with a rounded drop leaf to either end, above a frieze fitted with two drawers to one side and two faux drawers to the other, raised on turned columnar supports joined by a turned and block stretcher and ending in splayed reeded legs to brass caps and casters. h. 27-1/2”, w. 45”, d. 30”, ext. w. 68”

197

$200-$400

198 Pair of Regency Gilt- and Patinated Bronze Candlesticks second quarter 19th century, now mounted as lamps, with urn and ball-form standards over tripartite paw feet mounted with anthemion, set with roses issuing crystal drops and prisms, electrified. h. 21”, dia. 4” $400-$700

198

199 Regency Mahogany Sofa Table 19th century, the rectangular top with a molded edge and two rounded drop leaves, above a frieze fitted with two drawers, raised on lyre-form end supports joined by a turned stretcher and ending in splayed, ribbed legs ending in brass caps and casters. h. 29”, w. 34-1/2”, d. 24-1/2”, ext. w. 54-1/2” $500-$800

199

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200 Early Victorian Circassian Walnut Lap Desk on Stand second quarter 19th century, the brass-bound desk with a lifttop exposing a tooled leather writing surface and fitted interior, on a later stained beechwood stand with tapering legs. h. 26-3/4”, w. 20”, d. 10-1/2”, ext. d. 20” Provenance: Blackamoor Antiques, New Orleans, Louisiana. $300-$500

200

201 Pair of Victorian Staffordshire Pottery Lions fourth quarter 19th century, the recumbent lions with polychrome decoration and set with glass eyes. h. 9-3/4”, w. 12”, d. 4-3/4” 201

$500-$800

202 Victorian Mahogany Tripod Table 19th century, in the George III taste, the tilting octagonal top with a full spindled gallery and raised on a spiral-fluted and foliate-carved standard to three splayed like-carved legs ending in ball-and-claw feet. h. 29”, dia. 30” $300-$500

202

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203 After Thomas Brooks (British, 1818-1891) Rescue on Rough Seas, “Departure” and “Return”, 1871 pair of engravings published by B. Brooks and Sons, London.

Each matted, glazed and framed. sight 21” x 36-1/2”, framed 34-3/4” x 50” Provenance: By repute, Estate of Fritz Bultman. $200-$400

204 Pair of Victorian Metal and Glass Carriage Lamps fourth quarter 19th century, electrified and now mounted on a single board, the lamps set with beveled glass panels. h. 31”, w. 23-1/2”, d. 11” $500-$800

205 Victorian Patinated Metal Figure of Two Elk fourth quarter 19th century, depicting a bull elk on a fallen log, a female nearby. h. 21-1/4”, w. 13-1/2”, d. 6-3/4”

203

$300-$500

205

204

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206 Victorian Papier-Mache Tilt-Top Table mid-19th century, the scalloped top with mother-of-pearl inlay, the center with an inlaid and painted nature morte scene, mounted to a turned standard and platform base. h. 27”, w. 25”, d. 21” Provenance: Private collection, Houston, Texas. $200-$400 207 Pair of Edwardian Polychromed Armchairs ca. 1900, in the Sheraton taste, each with a shaped, carved crest featuring three polychromed panels above three like-decorated vertical splats, joined to the caned seat by downswept arms and raised on tapering square legs with bellflower accents. h. 36”

208 Regency-Style Papier-Mache Tray on Stand the tray impressed “Warranted Mark Knowles & Son”, ovoid with a gilt-stenciled border, on a parcel-gilt and ebonized faux bamboo stand. h. 21-1/2”, w. 30-1/2”, d. 24” $500-$800 209 Victorian Embossed Brass, Stenciled and Slate-Top Side Table third quarter 19th century, the octagonal slate top with a floralpainted still life and set into a conforming frame and mounted to an embossed brass stand. h. 27”, w. 19-1/2”, d. 19-1/2” $150-$300

$500-$800

208

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209

210

210 Style of Charles Frederick Lowcock (British, 19th Century)

211

“Awaiting the Procession” 212

oil on board erroneously signed lower left.

Framed.

9” x 7”, framed 14-5/8” x 12-5/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 211 Middle Eastern Brass and Glass Mosque Light 19th century, with faceted sides set with blown glass inserts, the domed pierced brass top with typical finals. h. 14”, dia. 10” $200-$400 212 Pressed Brass “Jeweled” Hall Lantern first quarter 20th century. h. 28”, dia. 9-3/4” $300-$500 213 Moorish-Style Bronze, Brass and Glass Lantern second quarter 20th century, with turned bronze side standards set with half-moon finials, the pierced brass frame with Moorish arched sides set with textured amber glass, under a pierced onion dome top, the tapered base pierced with stars and decoration. h. 41”, w. 18”, d. 18”

213

Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500

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216

214 Open Lot 215 Edwardian Inlaid Mahogany and Mixed Woods Chest-onChest comprised of antique elements, with a molded cornice above an inlaid frieze, the upper case with two side-by-side drawers over three graduated long drawers, the base with three graduated long drawers, each with rosewood banding and brass pulls. h. 75-1/2”, w. 43”, d. 21” $800-$1,200

216 Pair of Victorian Brass and Glass Sconces 20th century, the two-light sconces with rope-twist arms and set with engraved glass shades. h. 9-1/2”, w. 32”, d. 12” $300-$500

215

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217

217 Partial Service of Royal Crown Derby “Bali” Dinnerware

218 Suite of Four Victorian-Style Bleached Mahogany Armchairs

English, 1967-1975, including twelve dinner plates, dia.

10-1/4”, twelve salad plates, dia. 8-1/4”, twelve coffee cups, h.

2-1/2”, dia. 3”, twelve saucers, dia. 4-1/2”, twelve cream soup bowls and underplates, h. 1-3/4”, dia. 6”, together with eleven Derby “Posies” demitasse cups and saucers, h. 2-1/2”, dia.

4-1/2”, one similar Crownford demitasse cup and saucer and four Theodore Haviland rose-decorated cups, h. 12-1/2”, dia.

3-3/4”.

in the Rococo Revival taste, each with a floral-, scroll- and leafcarved crest on a medallion back, open arms, serpentine front seat rail and cabriole legs. h. 42-1/4” $200-$400

$500-$800

218

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221

219

219 Victorian Mahogany Tripod Table late 19th century, the octagonal tilting top with a full pierced gallery, and raised on a fluted and spiral-ribbed standard to three splayed legs headed by foliate carving and ending in ball-and-claw feet. h. 28”, dia. 31-1/2” $500-$800 220 English Ceramic Phrenology Head with dark brown decoration, marked “E. F. Chapman”, London. h. 12”, w. 6”, d. 4” $300-$500 221 Victorian Eglomise Blown Glass Apothecary Jar mid-19th century, decorated with a pair of reverse-painted figures carrying a shield on a tan ground, with a pontil mark. h. 23-3/4”, dia. 11-3/4” $600-$900 222 British/American School (Fourth Quarter 19th/First Quarter 20th Century) “The Immigrants” oil on canvas unsigned.

Framed.

14” x 12”, framed 22” x 20” $200-$400

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224

223 223 Fine Edwardian Inlaid Two-Tier Stand

fourth quarter 19th century, composed of satinwood and various inlaid veneers, the upper ovoid bowl with parquetry inlay over an oval marble shelf with a brass gallery, on an inlaid tripodal base with brass beading and ormolu mounts. h. 32”, dia. 18” $600-$900 224 Pair of English Rococo Revival Lamp Standards now mounted as lamps, molded with anthuriums, insects and shells, on paw feet, with later but antique ball shades, electrified. h. 20”, dia. 7-1/2”

225 Two English Rococo Revival Mirror-Inset Bronze Girandoles second quarter 19th century, consisting of a six-light girandole, h. 19”, w. 26-1/2”, d. 4-1/2”, and a smaller fourlight example, h. 16”, w. 19-1/2”, d. 6”, both examples now electrified. $400-$700 226 Pair of Griffin-Molded Bronze Sconces mid-19th century, English or American, the gas arms mounted as sconces and set with ribbed, etched gas shades. h. 7-1/4”, w. 7-3/4”, d. 14-3/4” $700-$1,000

$400-$700

225

226

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227 Late Georgian Sterling Silver and Mother-of-Pearl Baby Rattle first quarter 19th century, probably Robert Nash, London, the baluster-form body with eight dangling bells and whistle finial, the teething handle carved of mother-of-pearl. l. 5-3/4”, w. 1-1/2”; 1.47 t. oz. (including mother-of-pearl handle) $500-$800 228 Set of Georgian Sterling Silver Pistol-Handled Knives mid-18th century, with shell-end pistol handles marked “JH”, including a dozen each dinner and dessert knives, with replacement sabre-shaped steel blades. [24 pieces] l. 10-3/8” and 8-3/8” $700-$1,000 229 Five George III Sterling Silver Serving Spoons and Ladles including: a Brandy Ladle, hallmarked London, 1762-1763, by John Muns, the bowl with everted side spout, the turned handle a later replacement, monogrammed “G/SS”, l. 12-3/4”; a Pair of “Old English” Tablespoons, hallmarked London, 1780-1781, by William Sumner & Richard Crossley, l. 8-1/4”; and a Pair of “Old English” Sauce Ladles, hallmarked London, 1792-1793, by Peter and Anne Bateman, monogrammed “JMP”, l. 6-3/4”.

8.46 total t. oz. (including wooden handle)

227

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $125-$250

228 229

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230 Twelve Irish Regency Sterling Silver “Fiddle Thread” Tablespoons hallmarked Dublin, 1818, by Samuel Neville, retailed by George & John Brown, doublestruck and double-threaded, with squared shoulders, engraved with a crest of a demi-lion rampant. l. 8-1/4”; 29.59 total t. oz. $500-$800

230

231 Late George III Sterling Silver Cake Basket hallmarked London, 1809-1810, by Rebecca Emes & Edward Barnard (fl. 1808-1829), of rounded rectangular form with upswept ends, gadrooned edge, shell-and-scroll corners, wide gadrooned band and acanthus-mounted reeded swing handle, the whole raised on a conforming waisted foot. h. 4-1/4” (10” with swing handle), l. 12-3/4”, w.

10”; 34.38 t. oz. $900-$1,200

231

232 Two Old Sheffield Meat Domes second quarter 19th century, the larger, unmarked, with wide annular band and addorsed reed-and-shell handle, h. 10-1/2”, l. 18-1/4”, w. 12-3/4”; the smaller by Walker, Knowles & Co., Sheffield, with narrow gadrooned band and addorsed acanthus handle, h. 8-1/2”, l. 13-1/2”, w. 10-1/2”, both with engraved armorial on rubbed-in plaque.

232

$500-$800

83

233 Four Victorian Elkington Silverplate Candlesticks 1854-1885, Birmingham, by Elkington & Co., each with a lobed baluster-form standard above a domed base and surmounted by a vasiform nozzle en suite, fitted with a detachable floriform bobeche. h. 10-3/4”, dia. 5” $600-$900

233

234 Two Victorian Silverplate Mechanical Branch-Frame Servers ca. 1900, Sheffield, including: a B. Worth Ltd. revolving butter dish, the lid with scrolled and bright-cut banding revolving to reveal a grille and later glass liner, h. 4-3/4”, w. 8-1/2”, d. 4-3/4”; and an unmarked revolving biscuit box, the lid halves decorated with engraved foliage and opening outwards by a pair of laurel ring handles, h. 9-3/4”, l. 9-1/4”, w. 10-1/4”. $500-$800

235 Victorian Sterling Silver and Silverplate Toast Racks

234

the sterling example hallmarked Sheffield, 1897-1898, by Atkin Brothers, of navette form with gadrooned rim, spade feet and seven arched dividers, h. 4-1/4”, l. 9-3/4”, w. 4”; the silverplate example Sheffield, ca. 1880, by Philip Ashberry & Sons, of rectangular form with molded rim, four palmette feet and five scroll-mounted dividers with central ring handle, h. 7”, w. 4-1/4”, l. 7-1/2”.

10.48 t. oz. (sterling example only) $500-$800

235

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236 Two Silverplate Fruit Bowls with Cranberry Glass Liners first half 20th century, including: one with a hemispherical bowl decorated with openwork scrolls and gallery, with domed foot ring and turned wood handles, h. 6”, dia. 9-1/4”, w. 11-3/4”; and one with a shallow bucket-form bowl decorated with a reticulated paneled gallery with fruit cartouches, with scrolling espagnolette handles and raised on a pedestal foot, h. 8-1/2”, dia. 8-1/4”, w. 12-1/2”.

236

$600-$900

237 Victorian Silverplate and Glass Biscuit Barrel and Claret Jug fourth quarter 19th century, English, the cut glass biscuit barrel with a griffin-form knop, h. 9”, w. 8-1/2”, and the claret jug engraved with ferns and flowers, h. 12-1/2”, dia. 5”. $500-$800

237

238 Cased Victorian Sterling Silver Butter Service

238

hallmarked London, 1866-1867, by Edward and John Barnard, including a circular dish on stand with annulated edge and addorsed scroll handles, fitted with a frosted glass liner, and a scimitar-bladed butter knife en suite with engraved blade, both pieces engraved with the badge of the Clan Rose and presented in an indigo satin- and velvetlined case, 9-3/4” x 9-3/4” dish dia. 6-3/4”, w. 8-3/4”; knife l. 8”; 12.09 total t. oz. (excluding glass liner) $700-$1,000

85

239 Victorian Sterling Silver and Glass Butter Dish hallmarked Sheffield, 1859-1860, by Henry Wilkinson & Co., the glass dish with a serpentine-lobed sterling silver underplate with molded rim and cavetto-domed lid with recumbent cow finial. h. 4-1/4”, dia. 6-1/2”; 6.89 t. oz. (sterling elements only) $500-$800 240 English Late Classical Silverplate Double-Arm Argand Lamp

239

mid-19th century, possibly Bright & Co., mounted with a tole fluid tank and later glass shades. h. 21”, w. 19-1/4”, d. 5-1/4” $300-$500 241 English Sterling Silver and Glass Cocktail Shaker hallmarked Birmingham, 1951-1952, by John Grinsell & Sons, the vasiform glass body decorated with a diamond-cut band and cross-cut diamond fans, with sterling silver baluster strainer collar and cap, monogrammed “JCB”. h. 10-1/4”, dia. 3-1/2”; 2.70 t. oz. (sterling elements only) $700-$1,000 242 Cased Set of Six Mappin & Webb Silverplate Wine Goblets 20th century, Sheffield, each with a bucket-form body and baluster stem above a domed circular foot, the interior gilt, presented in the original indigo and cream satin-lined case. each h. 4-1/2”, dia. 2-3/4”; case 3-1/2” x 11-3/4” x 13-1/2”

240

$500-$800

242

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241

243 Pair of Colonial Revival-Style Giltwood and Brass TwoLight Sconces mid-20th century, with polished brass arms. h. 13-3/4”, w. 18”, d. 4-1/4” $700-$1,000 243

244 American Colonial Mahogany Slant-Lid Desk 18th century, the top opening to reveal a segmented interior fitted with niches, shaped drawers and a work slide, the case with two-over-two drawers, all with molded edges, raised on bun feet. h. 41-1/4”, w. 38-1/4”, d. 22” $200-$400

245 American Federal Mahogany Drop-Leaf Table and Six Chairs the table, ca. 1825, with shaped leaves, one end fitted with a drawer, and raised on a platform base supported by hairy-paw legs, h. 28”, w. 24”, d. 35”, ext. w. 48”; and the chairs, late 19th century, in the manner of Duncan Phyfe, New York, each with a drapery swag-and-ribbon-carved crest rail, and raised on turned and reeded legs, h. 37”, w. 19”, d. 19”. $500-$800

244

245

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246 Eighteen Pieces of Georgia Coin Silver Flatware mid-19th century, including pieces by: Samuel Wilmot (1807-1894), Savannah, Georgia, twelve “King’s” place forks, monogrammed “AOJ”, l. 6-3/4”; Moses Eastman (1794-1850), Savannah, Georgia, “Fiddle Thread” sugar tongs with talon bowls, monogrammed “AOJ”, l. 6-1/8”, and “Downtipt Fiddle” place spoon, monogrammed “AOJ”, l. 6-3/4”; William Butler Johnston (1809-1887), Macon, Georgia, “Uptipt Fiddle” ladle, engraved “S.E. Jones”, l. 12-1/2”; and Humphrey P. Horton (1823-1865), Savannah, Georgia, “Fiddle Thread” sauce ladle, monogrammed “SEJ”, l. 6-3/4”, master butter knife, monogrammed “AOJ”, l. 7-1/2”, and salt spoon, monogrammed “AOJ” l.

3-1/4”.

31.73 total t. oz. $600-$900 247 After John James Audubon (American, 1785-1851) “Purple Martin”, pl. 45 chromolithograph from The Birds of America, Bien edition, 1860.

Matted, glazed and framed. sight 31” x 23”, framed 44” x 34” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein.

246

$300-$500 248 American Federal Cherrywood Box on Stand early 19th century, the chest with gently bowed sides, the top with inlaid stringing and opening to reveal an interior with a row of three mortised-in compartments on each end, raised on tapering and cuffed Hepplewhite legs, white pine secondary wood. h. 26-5/8”, w. 24-5/8”, d. 12-3/4” $700-$1,000

248

88

247

249 After John James Audubon (American, 1785-1851) “Bohemian Chatterer” color lithograph 20th century.

Matted, glazed and framed. sight 23” x 16-3/4”, framed 31” x 25” $1,200-$1,800

249

250 American Classical Mahogany and Marble-Top Pier Table second quarter 19th century, the rectilinear marble top with a molded edge, on a conforming frieze with a scrollcarved apron, raised on shaped columns flanked at the top by bellflower-carved pendants, with a concave low shelf and block feet. h. 36-3/4”, w. 48-1/2”, d. 24-1/2” 250

$400-$700

251 Three-Piece American Brass, Marble and Glass Girandole Set mid-19th century, probably Cornelius & Sons, Philadelphia, including a large three-light “Meg Merrilies” girandole, titled at lower center, h. 17-1/2”, w.

17-1/2”, d. 4”, and a pair of smaller, single-light “Rip Van Winkle” examples, h. 14-3/4”, w. 6”, d. 3-1/4”. $300-$500

251

89

252 American School (19th Century) “Portrait of a Mother and Child in Beribboned Bonnets” oil on canvas unsigned.

Framed.

30-1/2” x 25-1/4”, framed 36” x 28-3/4” $800-$1,200

252

253 American Classical Brass-Mounted Mahogany Drop-Leaf Table ca. 1825, New York, the top flanked by a pair of drop leaves over a frieze with brass ring pulls and a lower brass molding, raised on four turned and leaf-carved columns on a concave shelf, raised on foliate-carved legs ending in carved paw feet. h. 27-1/4”, w. 23-1/2”, d. 38-3/4”, ext. w. 48” 254

$200-$400

254 Pair of French Hand-Painted Porcelain Fan Vases mid-19th century, Paris or Limoges, decorated with jeune filles holding flowers, with cobalt ground trim. h. 13-1/2”, w. 11”, d. 5-1/2” $250-$400 253

90

255 American Classical Mahogany Game Table ca. 1825, New York, the fold-over top with canted corners, over a conforming frieze, raised on an acanthine-carved vasiform pedestal joined to shaped legs with like carving and ending in hairy-paw feet. h. 28”, w. 36”, d. 17-1/4”, ext. l. 35” $400-$700

255

256 American Late Classical Mahogany Four-Post Bed second quarter 19th century, with turned and acanthus-carved foot posts and smooth, turned head posts, the shaped headboard with a central urn-form finial. h. 95”, inside w. 54-1/2”, l. 61-1/2”, outside w. 77”, l. 80-1/2” $400-$700

256

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257

257 Two Pieces of American Late Classical Mahogany Furniture comprised of a work table and a center table, both second quarter 19th century, the work table with a pair of molded drawers supported by scroll legs joined to a low concave platform with paw feet, h. 29”, w. 21”, d. 16-3/4”, and the center table with a circular top on a tapering pedestal with scroll feet, h. 28”, dia. 36”.

258 American Late Classical Mahogany Sleigh Bed mid-19th century, with a scroll-form head- and footboard, each with a crotch-veneered top rail, the uprights with foliate carving, joined by shaped rails adorned with applied carving, crafted to accommodate a modern queen-size mattress. h. 42”, inside w. 62”, l. 81”, outside w. 64”, l. 96” $300-$500

$500-$800

258

92

259 New York-Retailed English Brass and Glass Double-Arm Argand Lamp second quarter 19th century, labeled “Imported by P. Morton & Co., New York”, mounted with Colonial Revival cut and frosted glass shades. h. 15-1/2”, w. 15-3/4”, d. 5” $300-$500

259

260 William IV Bronze and Glass Argand Lamp second quarter 19th century, with Bacchanalian decoration, the standard and tank decorated with masques and bunches of grapes, the standard raised on paw feet, the arms now set with frosted glass prism rings hung with prisms, and periodstyle shades. h. 23-1/2”, w. 18” $600-$900

260

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261 American Late Classical Mahogany Secretary Bookcase second quarter 19th century, probably New England, in two parts, the upper section with a projecting cornice over a pair of glazed doors with reeded mullions and a bank of drawers below, the base with a fold-out tooled leather writing surface over a molded projecting drawer and a pair of drawers below, flanked by figured columns. h. 81”, w. 44-1/8”, d. 20-1/4” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

261

262 American Late Classical Mahogany Dining Table late 19th century, the circular top on a columnar split pedestal opening to accommodate leaves, on a serpentine base with carved paw feet. h. 30-3/4”, dia. 55-1/2” $400-$700

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263 Two Pairs of Sterling Silver Candlesticks including: a pair by Sanborns, Mexico, with short knopped standard and cavetto-domed foot, h. 5-3/4”, dia. 3-3/4”, 22.12 total t. oz.; and a pair by the National Silver Company, New York, with a baluster standard and ogee-domed foot, h. 8-3/4”, dia. 4-1/4”, weighted.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

264 Six Sterling Silver Champagne/Sorbet Cups

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second quarter 20th century, by Samuel Kirk & Son, Inc., Baltimore, Maryland, each with a double ogee bowl above a tall pedestal stem, the interior gilt. h. 4-1/4”, dia. 2-3/4”; 15.17 total t. oz. $500-$800

265 Set of Twelve Sterling Silver Large Cordials second quarter 20th century, by the Manchester Silver Co., Providence, Rhode Island, each of inverted conical form above a circular foot, monogrammed “HSC”, one dated 1932 h. 3”, dia. 2-1/2”; 29.11 total t. oz. $700-$1,000 264

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268 Three Table Lamps fourth quarter 19th century and later, including a French figural lamp with a gilt-metal standard and art glass font, mounted with a quilted shade, electrified, h. 24-1/2”, dia. 4-1/2”, an English banquet lamp with an enameled glass font and an engraved shade, h. 28-1/2”, dia. 7”, and a neoclassical table lamp assembled from parts, h. 25-3/4”, dia. 10”. $700-$1,000

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266 American Sterling Silver Gilt Chalice dated 1943, by Phillip Marcus Kohl (1877-1959), Minneapolis, Minnesota, the bowl above a tapering octagonal standard with conforming knop and base, the latter with engraved laurel band centering a Canterbury cross set with an emeraldcut imitation aquamarine, the underside with presentation inscription “To Rev. Alberic Kullman S.O.Cist. Ordained June 6, 1943, loving remembrance from his father”. h. 7-1/2”, dia. 5-1/4”; 16.20 t. oz. (including interior elements; see Notes)

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Notes: The bowl, standard and base are sterling silver gilt, but the interior joining bolt fixed to the bowl and its retaining nut are gilt base metal. Alberic Carl Kullmann (1905-1973), later known as Carl J. Kullman, was born in New Jersey and studied at the Cistercian Monastery in Okauchee, Wisconsin; he was ordained at the St. John’s Abbey Church in Collegeville, Minnesota. He later served in Mississippi and San Diego, California, where he is buried. $500-$800

267 American Classical Mahogany Tilt-Top Center Table ca. 1825, Philadelphia, school of Quervelle, the top with figured sunburst mahogany veneers, extending to purpleheart lunettes and a rosewood band, raised on a vasiform pedestal with swags and joined to a concave base on paw feet with foliate-carved brackets. h. 29”, dia. 41-1/2”, h. with top lifted 53-1/4” Literature: A drawing of a similar table top from the sketch book of Anthony Quervelle is illustrated on page 107 of Boor, Philadelphia Empire Furniture. $500-$800

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269 “Roman Centurion” Astral Lamp, Attributed to Henry Hooper, Boston mid-19th century, mounted with a cut and frosted ball shade, electrified. h. 28-1/2”, dia. 8-1/4” $700-$1,000

270 Sinumbra-Style Bronze and Glass Table Lamp 19th century, with American and English elements, the leafmolded base set with a cut glass prism ring hung with spearpoint prisms and a Colonial Revival frosted glass lamp shade. h. 38-1/4”, dia. 12-1/4” $400-$700

271 American Late Classical Mahogany Sofa 269

19th century, the top rail with scroll- and rosette-carved ends over an upholstered cushion, the back joined to arms of baluster form with foliate-carved faces, raised on carved paw feet with cornucopia-carved brackets. h. 33-3/4”, w. 81”, d. 25” $500-$800

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272 American Neo-Grec Gilt-Bronze Gasolier third quarter 19th century, the fluted standard decorated with anthemia and medallions, and supporting curved, incised arms set with urn-form finials, the burner holder molded to resemble classical oil lamps, set with molded ruffled glass shades decorated with flowers and arabesque scrollwork. h. 36”, dia. 29” $250-$400

273 Pair of American Brass and Glass Gas-Type Sconces

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20th century, in the Aesthetic taste, mounted with engraved glass shades. h. 15-1/4”, d. 11-1/2” $300-$500

274 American Late Classical Mahogany Sleigh Bed mid-19th century, with a matching headboard and footboard and broad straight rails. h. 48”, inside w. 64-1/2”, l. 78”, outside w. 68”, l. 85” $250-$400

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275 American Brass and Glass Electrolier first quarter 20th century, the seven-light electrolier with a faceted standard supporting scrolled arms, three electric and three gas, over a faceted umbrella-form textured milk glass shade, the edges set with polychrome glass beading, with an electric socket in the center. h. 41”, dia. 20” $400-$700

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276 American Late Classical Mahogany Sofa mid-19th century, the molded top rail flanked by leaf-carved brackets, the S-curved arm supports in like carving, raised on foliate-carved scroll feet. h. 36-1/2”, w. 77”, d. 25” $500-$800 277 Weathered Marble Garden Figure of Diana late 19th century, the goddess of the hunt dressed in a toga, her bow to one side and a quiver on her back. h. 53-1/2”, w. 16”, d. 13” 277

$600-$900

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278 Christian Walter (American, 1872-1938) “Sylvan Landscape” oil on canvas signed lower left and en verso.

Framed.

12” x 18”, framed 16-1/4” x 22-3/8” $300-$500

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279 Albion Harris Bicknell (American, 1837-1915) “Sunset Landscape” oil on wood panel signed lower right.

Framed.

15” x 21”, framed 22” x 28-1/4” $700-$1,000

279

280 Four Pieces of Continental Art Glass late 19th and early 20th centuries, including two signed Galle cameo vases, h. 4-1/2” to 7”, dia. 2” to 3”, and two unsigned pieces, possibly Loetz: an Art Nouveau bronze-mounted glass two-handled compote, h. 6-1/4”, w. 10-1/2” d. 7-1/4”, and a green iridescent vase, h. 8”, dia. 4-3/4”. $700-$1,000

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281 Achille Perelli (Italian/New Orleans, 1822-1891) “Nature Morte - Mallard” watercolor on paper signed “A. Perelli N.O.” lower left.

Matted, glazed and framed. sight 23-3/4” x 17-3/4”, framed 33-3/4” x 27” $900-$1,200

282 Charles E. Duncan Rodick (American, 1874-aft. 1940) “Maine - Winter Trout Brook” oil on board signed lower right, titled and signed en verso.

Framed.

26” x 32”, framed 30-1/2” x 36” $600-$900 281

282

283 American Aesthetic Brass and Glass Gasolier fourth quarter 19th century, decorated with pierced aesthetic spandrels, electrified. h. 27”, w. 17-1/2”, d. 4-3/4” $300-$500 283

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284 American Victorian Bronze and Glass Hall Lantern fourth quarter 19th century, the polished bronze frame decorated with scrollwork and set with a swirled opalescent glass shade, now with three electric light sockets. h. 36”, dia. 6” $400-$700 285 Brass and Glass Pendant Hall Chandelier second quarter 20th century, the base molded and pierced in the rococo taste, set with a gold threaded art glass shade. h. 21-3/4”, w. 8-1/4”, d. 5-3/4” $300-$500

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286 Collection of Fukagawa for Tiffany & Co. “Red Dragon” Dinnerware Japanese, 20th/21st century, including twelve dinner plates, dia. 10-1/4”, twelve fruit/cereal bowls, dia. 7-1/4”, and a pair of open vegetable bowls, h. 2-1/2”, dia. 9-1/4”. $700-$1,000 287 Japanese Silver Tea Set

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late Meiji period, ca. 1920, with jungin mark, including: a teapot, h. 7-1/2”, l. 6”; a cream jug, h. 3”, l. 4-3/4”; and a covered sugar bowl, h. 3-1/4”, w. 5-1/4” (with handles), each with an octagonally paneled body decorated with engraved prunus trees and irises, with plain handles, the lids with fan and snake finials.

22.62 total t. oz. $600-$900

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287

288 Fifty-Piece Collection of Molded Crystal Stemware 20th century, including ten champagne flutes, h. 8-3/4”, ten water goblets, h. 7-3/4”, ten white wine goblets, h. 6-3/4”, ten red wine goblets, h. 6-1/2”, and ten cups, h. 4-1/2”. $250-$400 289 Set of French Shell-Molded Crystal

288 (partial)

ca. 1900, comprised of a compote with a molded putto standard and tree-of-life-style molding, the edges trimmed in gilt, h. 15”, w. 10-1/2”, d. 11”, and six shell-form dishes, w.

8-3/4”, d. 9”. $300-$500 290 Bohemian Opalescent Vaseline and Colorless Glass Epergne first quarter 20th century, now set with a pair of English fairy lamps, one marked “Clark’s Patent Cricklite Trademark”, mounted on a mirrored base. h. 12-1/2”, dia. 13-1/2” $300-$500 291 Bohemian “Peachblow” Art Glass Epergne ca. 1900, with trumpet vases alternating with flower baskets hanging from delicate scrolls. h. 24-3/4”, dia. 12-1/4” $300-$500

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292 Franco-Bohemian Gas Hall Lantern ca. 1850-1870, with a bell-form glass frame, set with frosted, quilted glass fittings and a smoke bell, a ruffled blown prismhung pan under the burner, fitted with an engraved shade. h. 34”, dia. 18” $400-$700 293 Three Aesthetic Movement French Longwy Pottery and Brass Banquet Lamps fourth quarter 19th century, English and American, each with similar pottery standards and hobnail or coinspot shades, electrified. h. 23-1/4” to 25-3/4”, dia. 8” $700-$1,000

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294 Suite of Six American Renaissance Revival Walnut Dining Chairs ca. 1865-1875, each with an upholstered seat and tufted scroll back, supported by shaped, carved and incised legs with burlwood panels. h. 34”, w. 24” $400-$700

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295 Continental Cut Glass Banquet Lamp fourth quarter 19th century, possibly Baccarat, mounted with a ball shade and a duplex burner. h. 41”, dia. 9” $700-$1,000 296 Monumental Cast Stone Fireplace Surround simulating Siena marble, the massive deck piece with a central shell flanked by flowers, birds, fruit and animals, and supported by two large standards also adorned with the same motifs and resting on a rectangular, thick cast stone slab. h. 67”, w. 87”, d. 20” $3,000-$5,000 297 Impressive Victorian Piano Lamp fourth quarter 19th century, with a gilt-brass Corinthian column standard, raised on paw feet, the copper-washed acanthus-molded font mounted with a frosted glass shade decorated with dragons. h. 67-1/2”, w. 13-3/4”, d. 6” $500-$800

297

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298 Francis Marion Tuttle (American, 1839-1910) “Trout Brook”, 1885, probably Wyoming County, Western New York oil on millboard signed lower left, signed, titled and dated en verso with “F. Devoe and Co., New York” supplier label.

Framed.

16-1/8” x 12”, framed 22” x 18” $500-$800 299 Kittinger Company Mahogany, Bronze, Wood and Paper Globe second quarter 20th century, Buffalo, New York, the terrestrial globe with a bronze meridian and mounted on a Federal-style mahogany base. h. 39-1/2”, dia. 19-1/2” $600-$900

298

299

300

300 Collection of Twenty Folk Art Canes and Walking Sticks l. 26” to 47” Provenance: From the collection of Ambassador Richard Carlson. $300-$500 301 Collection of Twelve Folk Art Carved Wooden Walking Sticks early to late 20th century. l. 28” to 58” Provenance: From the collection of Ambassador Richard Carlson. $600-$900

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302 Collection of Twelve Folk Art Carved Wooden Walking Sticks early to mid-20th century. l. 30” to 49” Provenance: From the collection of Ambassador Richard Carlson. $600-$900 303 Collection of Twenty-Two Canes, Walking Sticks and African Spears l. 28” to 73” 303

Provenance: From the collection of Ambassador Richard Carlson. $300-$500 304 Collection of Twenty-Three Folk Art Canes and Walking Sticks l. 25” to 52” Provenance: From the collection of Ambassador Richard Carlson. $300-$500 305 American Art Glass and Brass Hall Lantern ca. 1900, with a pale green iridescent shade molded with flowers, the brass fittings molded with pineapples and acanthus leaves, set with adjustable chains, originally with a kerosene font. h. 25-1/2”, dia. 8”

304

$200-$400

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306 G. Barns (American, 19th/20th Century) “Leap-Frog” oil on canvas signed lower right.

Period frame with artist and title stencil.

21” x 30”, framed 31” x 41” $700-$1,000

306

307 American Diorama of a Western Scene 20th century, mixed media, signed “Duke Hughes”, in a specially constructed glazed shadowbox. overall h. 20-1/2”, w. 24” $200-$400

307

308 Two “Old West” Bronzes late 20th century, including: “End of the Day”, after James Earle Fraser (American, 18761953), on a stone base, and “Bronco Buster”, after Frederic Sackrider Remington (American, 1861-1909), on a stone base with brass name plate and base marked “copyright Frederic Remington” overall h. 18-1/4”, w. 17”, d. 6” and overall h. 8”, w. 6-3/4”, d.

4-1/2” respectively Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

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309 American Brass and Crystal Aesthetic Movement Hall Light fourth quarter 19th century, hung with prisms and set with three sockets, electrified. h. 44”, w. 11-3/4”, d. 7” $300-$500

310 After Charles Marion Russell (American, 1864-1926) “Changing Outfit”, ca. 1982 patinated bronze cast signature on self-base, mounted on a shaped wood plinth with brass artist plaque with artist, title and date. h. 13-1/2” w. 33-1/2”, d. 9” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

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311 Semi-Antique Bidjar Carpet 3’ 6” x 8’ 9” $150-$300

312 Agra Serapi Carpet 9’ x 12’ $800-$1,200

313 Uzbek Kazak Runner 4’ 1” x 15’ 8” $600-$900

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313

314 Signed Semi-Antique Persian Isphahan Carpet 10’ x 13’ 4” $1,200-$1,800

315 Laristan Sultanabad Carpet 8’ 1” x 10’ $1,000-$1,500

316 Kashmir Fleur-de-Lis Carpet 9’ 1” x 11’ 9” $900-$1,200

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317 Agra Sultanabad Carpet 8’ 2” x 10’ $1,000-$1,500

318 Agra Heriz Carpet 8’ 10” x 11’ 7” $1,200-$1,800

319 Heriz Carpet 9’ 11” x 14’ 1” $700-$1,000

317

318

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320 Laristan Tabriz Carpet 8’ 1” x 10’ $1,200-$1,800

321 Flat-Weave Carpet 8’ 8” x 12’ 2” $700-$1,000

322 Turkish Angora Oushak Carpet 12’ x 14’ 8” $1,000-$1,500

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323 Group of Four Egyptian Tapestries first half 20th century, each on linen, depicting ancient Egyptian motifs, hand-crafted by villagers for the tourist trade.

74-1/2” x 26-3/4”, 53-1/2” x 19”, 53-1/2” x 18-3/4” and 34-1/4” x 27” Provenance: Doyle Auction, April 21, 2004, to the present owner.

Notes: These were among a group of Egyptian tapestries commissioned in 1920 by Evalyn Walsh McLean, then the owner of the Hope Diamond, for her Washington, D.C. residence. The tapestries reputedly then hung in the Indonesian consulate. $300-$500 324 Group of Six Egyptian Tapestries first half 20th century, each embroidered on linen, depicting classical Egyptian motifs, five panels measuring approximately 19-1/2” x 52”, and one panel measuring approximately 27-1/2” x 31-1/4”.

Provenance: Doyle Auction, April 21, 2004, to the present owner.

Notes: These were among a group of Egyptian tapestries commissioned in 1920 by Evalyn Walsh McLean, then the owner of the Hope Diamond, for her Washington, D.C. residence. The tapestries reputedly then hung in the Indonesian consulate.

323

$300-$500

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327 328

325 Unusual Pearl and Diamond Ring platinum, the baroque pearl in the form of a flower bud and measuring approximately 18.0 mm x 14.4 mm, “blooming” from the mounting, set with single-cut diamonds weighing approximately 0.25 carats in total. size 5-1/2, total weight 16.1 grams

327 Diamond Ring 18k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.37 carats in total. size 6-3/4, total weight 3.5 grams

$300-$500

328 Pair of Diamond Hoop Earrings sterling silver, the inside-out hoop earrings mounted with polki diamonds weighing approximately 1.00 carat in total. l. 1-1/8”, total weight 5.8 grams

326 Two-Strand Freshwater Pearl Necklace 10k yellow gold, the necklace composed of cream-colored 8.8 mm pearls with a good luster, finished with a clasp mounted with round-cut garnets weighing approximately 1.30 carats in total and accented by seed pearls. l. 29”, total weight 159.2 grams

$600-$900

$350-$500

$400-$700

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329 Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with baguette-cut diamonds weighing approximately 1.90 carats in total. inside circumference 7-1/2”, total weight 12.1 grams $350-$500 330 Polki Diamond Bracelet and Earrings sterling silver, the hinged bracelet and earrings mounted with polki diamonds weighing approximately 6.60 carats in total. earring l. 1/2”, bracelet circumference 7-1/4”, total weight 26.9 grams $600-$900 331 Pair of Diamond and Emerald Earrings sterling silver, the earrings mounted with pear-cut treated emeralds weighing approximately 0.80 carats in total, accented by baguette- and round-cut diamonds weighing approximately 1.90 carats in total. l. 1-3/8”, total weight 6.6 grams $350-$500 332 Two Pairs of Stud Earrings including a pair of 14k white gold earrings mounted with pearcut treated sapphires weighing approximately 0.57 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.18 carats in total, and a pair of 14k yellow gold earrings mounted with emerald-cut treated emeralds weighing approximately 0.45 carats in total, accented by round brilliantcut diamonds weighing approximately 0.25 carats in total. l.

5/16”, total weight 2.7 grams

333 Green Tourmaline and Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with various sizes of emerald-cut green tourmalines weighing approximately 36.90 carats in total, accented by round-cut diamonds weighing approximately 2.10 carats in total. w. 5/8”, inside circumference 7”, total weight 46.8 grams $500-$800 334 Green Tourmaline and Diamond Bracelet sterling silver/gold vermeil, the hinged bracelet mounted with baguette-cut green tourmalines weighing approximately 7.15 carats in total, and round-cut diamonds weighing approximately 1.81 carats in total. w. 3/8”, inside circumference 7”, total weight 27.5 grams $400-$700 335 Tsavorite Garnet, Ruby and Diamond Cuff Bracelet sterling silver, the bracelet mounted with oval-cut treated rubies weighing approximately 3.00 carats in total and oval-cut tsavorite garnets weighing approximately 6.00 carats in total, accented by round-cut diamonds weighing approximately 1.80 carats in total. w. 1”, inside circumference 6-3/4”, total weight 43.4 grams $450-$700

$450-$700

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336 Ruby and Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.03 carats in total and round-cut treated rubies weighing approximately 0.44 carats in total. size 4-1/2, total weight 2.1 grams

340 Two Diamond Bangle Bracelets sterling silver/vermeil, the two-tone hinged bracelets mounted with round-cut diamonds weighing approximately 4.40 carats in total. inside circumference 6-3/4” and 7”, total weight 37.5 grams

$250-$400

$500-$800

337 Ruby and Diamond Bracelet sterling silver, the flexible bracelet mounted with a row of polki diamonds weighing approximately 8.10 carats in total, flanked on either side by a row of oval-cut treated rubies weighing approximately 17.80 carats in total. w. 3/4”, l. 7-1/4”, total weight 68.8 grams

341 Diamond Bracelet gold vermeil, the hinged bracelet mounted with polki and round-cut diamonds weighing approximately 3.75 carats in total. w. 1”, inside circumference 7-3/4”, total weight 71.5 grams

$500-$800

$600-$900

338 Ruby and Diamond Bracelet 18k white gold, the bracelet mounted with an oval-cut treated ruby weighing approximately 0.50 carats, accented by round brilliant-cut diamonds weighing approximately 1.16 carats in total. l. 6-1/2”, total weight 23.6 grams

342 Diamond Engagement Ring 14k yellow gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.54 carats, approximate color E and clarity SI2, accented by baguette-cut diamonds weighing approximately 0.52 carats in total. size 6-1/2, total weight 4.0 grams

$700-$1,000

$800-$1,200

339 Two Imperial Topaz and Diamond Bracelets sterling silver/gold vermeil, the bracelets mounted with emerald-, pear-, marquise- and baguette-cut imperial topazes weighing approximately 21.50 carats in total, accented by round-cut diamonds weighing approximately 2.18 carats in total. inside circumference 7” and 7-1/8”, total weight 60.6 grams

343 Diamond Solitaire Ring 14k yellow gold, the ring mounted with a round brilliant-cut diamond weighing approximately 0.33 carats. size 4-3/4, total weight 1.6 grams

$700-$1,000

$250-$400 344 Blue Topaz Ring and Aquamarine Earrings 14k yellow gold, the ring mounted with an oval-cut blue topaz weighing approximately 11.31 carats, accented by round brilliant-cut diamonds weighing approximately 0.12 carats in total, size 6-1/2, and the earrings mounted with oval-cut aquamarines weighing approximately 2.84 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total, l. 3/4”. total weight 12.0 grams Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $700-$1,000

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339 344

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345 346

349 347

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350 351

345 Diamond Cufflinks 18k yellow gold, the openwork cufflinks mounted with singlecut diamonds weighing approximately 0.16 carats in total. size 11/16” x 13/16”, total weight 17.1 grams $600-$900 346 Three Gold Bangle Bracelets 14k yellow gold, the bracelets with a polished finish. inside circumference 7-3/4”, total weight 26.5 grams $800-$1,200 347 Opal and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut opal weighing approximately 3.25 carats, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total. size 6, total weight 3.7 grams $600-$900 348 Judith Leiber Tuck-Pleated Red Satin Clutch gold hardware, with removable toggle chain and crystal-set gold rose flip closure, the red satin-lined interior labeled “Judith Leiber/New York” above a zippered pocket, includes a matching coin purse, swing mirror with drawstring pouch, product registry card and dust bag. h. 5”, w. 8-1/4”, d. 2-1/4”, chain drop: 19-1/2” Provenance: Private collection Mobile, Alabama.

349 Black Onyx Bangle Bracelet 14k yellow gold, the squarish-shaped bracelet composed of black onyx and accented with a gold hinge and clasp. inside circumference 8”, total weight 33.8 grams Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $60-$90 350 Yves Saint Laurent Rive Gauche Chocolate Brown Leather “Easy” Bag brass hardware, the body with a large “Y” comprised of brass nail heads front and back, dual rolled handles, zippered closure and side studs allowing for an adjustable shape, the matching fabric-lined interior with a small slip pocket opposite a zippered pocket patch-labeled “Yves Saint Laurent/Rive Gauche”, resting on five domed feet. h. 11-1/2”, w. 16”, d. 6” $600-$900 351 Collar Necklace and Pendant sterling silver, the large pendant mounted with a glass cabochon and a faceted oval-cut smoky quartz weighing approximately 36.7 carats, l. 3”, suspended from a V-shaped silver collar necklace, l. 16”. total weight 76.7 grams Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $70-$100

$250-$400

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353 352

352 Two Pairs of Silver Ear Clips sterling silver, each of the large earrings with a clip back. l.

2-1/4” and 1-3/4”, total weight 84.4 grams Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $40-$70 353 Diamond Ring sterling silver, the wide ring mounted with single-cut diamonds weighing approximately 1.70 carats in total. size 8-1/2, total weight 7.9 grams $400-$700 354 Pair of Diamond Earrings sterling silver, the earrings mounted with pear-shaped rosecut brownish/gray diamonds weighing approximately 2.50 carats in total, accented by round-cut diamonds weighing approximately 1.18 carats in total. l. 1-5/8”, total weight 9.5 grams

354

$450-$700 355 Open Lot 356 Pair of Diamond, Emerald, Sapphire and Ruby Earrings sterling silver, the earrings mounted with oval cabochon-cut treated emeralds weighing approximately 1.80 carats in total, oval cabochon-cut treated sapphires weighing approximately 0.30 carats in total, and oval-cut treated rubies weighing approximately 0.16 carats in total, accented throughout with round brilliant-cut diamonds weighing approximately 1.35 carats in total. l. 2-1/4”, total weight 8.8 grams $700-$1,000

356

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358

357

360

359

357 Pair of Sapphire Tassel Earrings sterling silver, the tassels composed of silver chains, suspended from caps mounted with round-cut treated sapphires weighing approximately 3.80 carats in total. l.

3-1/2”, total weight 26.0 grams

359 Hermes Orange Togo Leather “Dogon” Wallet 2006, palladium hardware, with slip tab closure, flap cover and removable zippered and slotted pouch, the matching calfskinlined interior with various pockets and slots, presented in a Hermes box. h. 5”, w. 7-3/4”

$350-$500

$600-$900

358 Yurman-Style Cable Bracelet 14k yellow gold/sterling silver, the hinged cable bangle bracelet accented on the clasp and hinge with cabochon-cut black onyx and tourmaline. inside circumference 6-1/2”, total weight 53.8 grams

360 Saint Laurent Tobacco Leather and Springbok “Bellechasse” Bag

$400-$700

brass hardware, with springbok hide flap, engraved label side-push closure and removable buckled strap, the matching sueded interior with a forward pocket, the primary section with a slip pocket patch-labeled “Saint Laurent/Paris/Made in Italy”, includes the care leaflet, certificate of authenticity and labeled dust bag. h. 6”, w. 9-3/4”, d. 2-1/4”; strap drop: 20-1/2” $600-$900

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361 Two French Silver Beakers first quarter 19th century, first standard (.950) silver, of traditional form, including: a Directoire example, 1798-1803, by Jacques Louis Berger, Paris, with threaded rim and gadrooned foot, inscribed “M. Gellee”, h. 4”, dia. 3”; and an Empire example, 1803-1809, by Guillaume Jullien, Orleans, with pricked floral and scroll banding and leaf-and-dart foot, h.

3-3/4”, dia. 2-7/8”.

5.08 total t. oz. $500-$800

362

361

362 WMF Silverplate and Cut Glass Punch Bowl first quarter 20th century, Wurttemburg, Germany, the oblate spherical bowl cut in a diamond pattern and mounted in elaborate Renaissance Revival silverplate mounts with mascarons and scrolls, the domed lid with figural finial of an infant St. George, together with a later W. A. Rogers “Leonora” punch ladle. h. 14-1/4”, w. 4-1/4” h. 14-1/4”, dia. 10”, w. 14-1/4”; ladle l. 11” $800-$1,200 363 Continental Sterling Silver Wine Bottle Holder contemporary, in the Georgian taste, the base and collar with reticulated banding and joined by a crested and arched handle. h. 11-1/2”, dia. 4-3/8”, l. 7-1/4”; 12.44 t. oz.

363

$700-$1,000 364 Two Mario Buccellati Sterling Silver Bowls Milan, Italy, including: a third quarter 20th-century example, lobed and waisted, with openwork everted rim and hammered finish, h. 2”, dia. 4-1/2”; and a fourth quarter 20th-century example, in the form of a trompel’oeil canvas sack, h. 1-1/4”, l. 4-1/2”, w. 3”.

13.01 total t. oz. $600-$900

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364

365 Buccellati Sterling Silver Cruet Frame contemporary, manufactured by Fabbrica Argenteria Clementi, Bologna, for Gianmaria Buccellati, Milan, in the Empire taste, with demi-swan handles joined by a pair of leaf-and-dart receptacles with opposing stopper holders, fitted with a pair of plain hand-blown glass cruets with ovoid stoppers, presented in the original gray satin- and velvet-lined box, 8-1/4” x 10-3/4” x 6-3/4”. overall h. 8”, l. 8-1/2”, w. 4”; 15.36 t. oz. (frame only) $600-$900

366 Four Sterling Silver and Glass Swan Condiment Dishes 20th century, each with a glass body and sterling silver neck and wings, the openwork wings hinged and opening to reveal the dish of the body. h. 5”, l. 5-1/2”, w. 3-1/2” (5” open) $500-$800 365

367 Unusual Blown Crystal and Chrome-Plated Metal Wine Cooler 20th century, the scrolled chrome holder decorated with molded grapes. h. 8-3/4”, dia. 9-1/2”, overall w. with holder 20” $100-$200

367

366

125

368 Ferenc Paczka (Hungarian, 1856-1925) “Woman and Children Resting in a Park” oil on canvas signed lower left.

Framed.

41” x 44-1/2”, framed 45-5/8” x 54-1/4” $700-$1,000

369 Jameson Wells (American/New Mexico, Contemporary) “Composition #29”, 1989 oil and mixed media on paper laid down on wood panel signed, dated and with artist label en verso.

26” x 34”

368

Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $600-$900

369

370 Norman F. Goodwin (American/Virginia, act. Late 20th/Early 21st Century) “Adam’s Passion”, 1990 oil on canvas signed lower right, and titled and dated en verso.

Framed.

34” x 24”, framed 34-3/4” x 24-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

370

126

$150-$300

371 Felix Martin Furtwangler (German, b. 1954) “Untitled: Man” “Untitled” acrylic on paper and color woodblock former signed lower right, latter pencil-signed and numbered “15/20” lower margin.

Each matted, glazed and framed. former 8-3/4” x 6”, framed 19-1/4” x 15-1/4”; latter sight 7-1/2” x 19”, framed 16” x 27” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

372 Nissan Engel (Israeli/New York, 1931-2016) “Composition in Umber and Purple” mixed media collage signed lower left.

Glazed in a float-mount frame.

17-1/4” x 14”, framed 23-5/8” x 20-3/4”

371 (1 of 2)

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

373 Two Pieces of American Art Glass and Pottery

$30-$50

including a blue-, red- and green-glazed pottery vase, incised signature “Copeland” at bottom, and an orange glass oval plate. h. 8-1/2”, dia. 6-3/4” and 10-1/8” x 15-3/8”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $50-$100

373 372

127

374 “Missionary” Mary Proctor (American/Florida, b. 1960) “The Watermelon Pickers”, 2013 acrylic on wood panel signed and dated lower right, titled along upper edge, lengthy inscription en verso.

Unframed.

11-3/4” x 15-3/4” $500-$800

375 William Wegman (American, b. 1943) “Alphabet - Green”, 1993 “Alphabet - Blue”, 1993 silkscreen on custom colored wallpaper published by A/D Editions, New York, numbered “44/1500” and “30/1500”, respectively. each 13-1/2” x 360”

374

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300

375

128

376 Tom Marioni (American, b. 1937) “3rd Street”, 1995 photogravure with color aquatint on paper pencil-signed, dated and numbered “27/45” lower margin.

Glazed and framed.

16” x 20”, framed 20” x 24” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 377 Louise Guidry (American/Louisiana, b. 1930) “Rhythmic Repetition II” acrylic on gallery-wrapped canvas signed lower right.

48” x 36”

376

378 Lithographed Tin “Hercules” Toy Ferris Wheel

$700-$1,000

ca. 1930-1950, New York, now mounted as a lamp, made by the J. Chein Company, the wind-up toy featuring sideshow freaks on the lower side panels, mounted with a shade. h. 15-1/4”, w. 16-1/4”, d. 16-1/4” $300-$500

377

378

129

379 Maurice Roche (French, 1924-1997) and Nissan Engel (Israeli, b. 1931) Cristal, Paris: Robert et Lydie Dutrou, 1989, volume V of the “Terres Nouvelles” series, six etchings in color, each pencil-signed by Engel, this volume numbered 83 of an edition of 105, signed on colophon page.

10-1/2” x 8-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $60-$90

380 Charles William Shaw (American/Texas, 1941-2005)

379

“French Quarter Balconies” watercolor on paper signed lower left.

Matted, glazed and framed. sight 22-1/2” x 14-1/2”, framed 34-1/2” x 26” $1,000-$1,500

381

381 Lucien Genin (French, 1894-1958) “Rue Norvins”, 1922 watercolor and gouache signed, titled and dated lower right.

Glazed and framed.

14-3/4” x 12”, framed 21” x 18” Provenance: Frances Aronson Fine Art, Atlanta, Georgia.

380

130

$700-$1,000

382 Garth Swanson (American/Louisiana, Contemporary) “Harmony & Chestnut”, 2009 oil on canvas signed, titled and dated en verso.

Framed.

16” x 16”, framed 17-1/2” x 17-1/2” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $250-$400

383 Wayman Elbridge Adams (American/Louisiana, 1883-1959) “Sleeping Baby”

382

oil on canvas unsigned.

Framed.

24” x 18”, framed 27-1/2” x 21-1/2” $800-$1,200

384

384 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Untitled Figural Study”

383

oil on canvas signed lower left.

Unframed.

28” x 24” $1,000-$1,500

131

385 Jose Luis Cuevas (Mexican, 1934-2017) “Jack the Ripper”, 1968 lithograph on paper from the “Crimes of Cuevas” portfolio, pencil-signed and dated lower right, signed in reverse, titled and dated in plate upper right.

Float-mounted, glazed and framed. sheet 22” x 30”, framed 28” x 36” $400-$700

386 Giovanni Balderi (Italian, b. 1970)

385

“Untitled”, 2010 graphite and watercolor on Arches paper pencil-signed and dated lower right, signed, dated, dedicated and inscribed en verso.

Unframed. sheet 30-1/2” x 22-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

387 Giovanni Balderi (Italian, b. 1970) “Untitled”, 2010 graphite and watercolor on Arches paper pencil-signed and dated lower right, signed, dated, dedicated and inscribed en verso.

Unframed. sheet 30-1/4” x 22-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

132

386

387

388 Aaron Freedman (American, Contemporary) “Fallen Trees”, 2007 oil and acrylic on canvas signed and dated lower right, titled en verso.

Unframed.

30” x 24” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $250-$400

388

389 French School (20th Century) “Still Life with Apple, Oranges, Bananas and Grapes” oil on canvas unsigned.

Framed.

11” x 14”, framed 20-1/4” x 23-1/4” 389

Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $300-$500

390 Daniel Anton Buechner (American/Louisiana, 1856-1937) “Purple Grapes”, 1874 oil on cardboard signed upper right, and titled, signed and dated en verso.

Framed.

9” x 12”, framed 11” x 14” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $250-$400

390

133

391 Pierre Eugene Duteurtre (French, 1911-1989) “Two Girls” oil on canvas signed lower right, a “Frances Aronson Fine Art” label with artist and title en verso.

Framed.

18” x 22”, framed 22-1/4” x 26-1/4” Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $500-$800 391

392 Ira Moskowitz (Polish/New York, 1912-2001) “The Rooftop Garden”, 1966 oil on canvas signed and dated lower right.

Framed.

35-1/2” x 46”, framed 42” x 53” $1,000-$1,500

392

393 Louise Guidry (American/Louisiana, b. 1930) “Rhythmic Repetition in Blue” acrylic on gallery-wrapped canvas signed lower right.

36” x 36” $700-$1,000

134

393

394 Larry Rivers (American, 1923-2002) “Sky Music over Carnegie Hall”, 1990 color lithograph pencil-signed, numbered “2/60” and dated lower right.

Unframed. sheet 57” x 40-1/4” $600-$900

395 Zella Funck (American/Louisiana, 1917-2009) FourPanel Screen depicting a “Reclining Venus” on the obverse and a “Louisiana Garden” on the reverse, rendered in oil and pastel. h. 67”, each panel w. 24” $1,000-$1,500

394

395

135

396

396 Zella Funck (American/Louisiana, 1917-2009)

397

“They Always Cared for Sundays”, 1989 398 Manner of Frank Stella (American, b. 1936)

oil and pastel on canvas signed, titled and dated lower right.

Framed.

44” x 48”, framed 45” x 49”

“Untitled - Fragment”

$600-$900

mixed media on shaped canvas unsigned.

Mounted and framed.

397 Louise Guidry (American/Louisiana, b. 1930)

30” x 14”, framed 37” x 20-3/4”

“Mardi Gras 2020”

Provenance: Estate of Hurley Wayne Gray, Houston, Texas.

acrylic on gallery-wrapped canvas signed lower right.

43-1/4” x 36-1/4”

$300-$500

$1,400-$1,800

136

398

399

399 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) “Segment Series #9”, 1987 oil and mixed media on canvas signed, titled and dated on label en verso.

Framed.

11” x 6-1/2”, framed 17” x 11-1/2” $2,000-$4,000

137

400 David Lasher (American, Contemporary) “Untitled”, 1990 oil on canvas signed and dated lower right.

Unframed.

61” x 38-5/8” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $150-$300

401 Elizabeth Chandler (American, b. 1941) “Maya: Blue and Gray”, 1994 mixed media on canvas now backed with a wood panel support, signed and dated lower right, a “Gremillion/Houston, Texas” gallery label with title en verso.

Framed.

36” x 72”, framed 38” x 74” Provenance: Gremillion & Co. Fine Art, Inc., Houston, Texas; Private collection. $300-$500 400

401

138

402 Anne Harding (American, Contemporary) “Rain Dance” mixed media on paper signed lower left, titled on plaque.

Matted, glazed and framed. sight 20-3/4” x 20-3/4”, framed 28-1/2” x 28” $200-$400

403 George Rodrigue (American/Louisiana, 1944-2013) “International Child Art Foundation, 2003” offset lithograph pencil-signed lower left, numbered “24/500” lower right.

Unframed. sheet 31” x 23”

402

$600-$900

404

404 George Rodrigue (American/Louisiana, 1944-2013) “Our Love Blooms” silkscreen signed lower left, marked “artist proof” lower right.

Glazed and framed. sight 22-3/4” x 29-3/4”, framed 25” x 32” $1,200-$1,800 403

139

405 George Rodrigue (American/Louisiana, 1944-2013) “We Will Rise Again” offset lithograph signed in pencil lower right, printed title lower center.

Glazed and framed. sight 28” x 20”, framed 30-1/2” x 22-1/2” $1,000-$1,500 406 Jonathan Sharpe (American/New Orleans, act. Late 20th/Early 21st Century) group of four photographs, including “Twilight in the C.B.D.”, “In the Mist of Time, New Orleans, LA”, “Steamboat Creole Belle”, and “The Spires of St. Louis”; together with a poster of “The Spires of St. Louis, Mardi Gras Morning, French Quarter, 1995” each signed and three titled lower margins; the poster pencilsigned, numbered “45/100” and with printed title lower margin.

Each matted, glazed and framed. smallest 8-1/2” x 13”, framed 13-3/4" x 18-1/4"; largest 20-1/2” x 13-1/2”, framed 26” x 18-1/2” $400-$700

405

406

140

407

407 Manuel Carrillo (Mexican, 1906-1989) “Boy with Basket” “Elderly Woman with Shawl” pair of silver gelatin prints each signed in ink lower right, former pencil-numbered “268” en verso, latter with Carrillo stamp and numbered “1164” in two places.

Both matted and unframed. each 13-5/8” x 10-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700 408 Stephen Scott Young (American, b. 1957) “Vermont Junction” etching on paper pencil-signed lower right, marked “4 - Second State” lower left.

Unframed. sheet 12” x 13-3/4”

408

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

141

409

409 Hans Grohs (German, 1892-1981) Six “German and Norwegian Landscapes” two sepia ink, one sepia and graphite, two sepia and charcoal, and one ink and watercolor on paper each signed, a few dated and localized, the smaller sepia, two sepia and charcoal drawings, and ink and watercolor have embossed blind stamps with the artist’s name.

Five unframed and one matted, glazed and framed. sheet size 7” x 9-7/8” to 9-3/4” x 12-1/4”; framed piece 15-1/2” x 18-1/2” Provenance: The two sepia and charcoal landscape drawings, the Frauken Grohs Collinson Collection, Birmingham, Alabama; Collection of Mark M. Johnson, Montgomery, Alabama.

409

$150-$300 410 Louise de Gignilliet Rogers (American/Connecticut, 20th Century) “Shore Leave” graphite on paper signed lower right.

Matted and unframed. sheet 8” x 12” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $50-$100

142

410

411

411 Stephen Scott Young (American, b. 1957)

412 Robert Rivers (American/Florida, Contemporary)

“Exuma Regatta 1999”, 2002 “Rockland Harbor, Maine”, 2006

“Bass Rock” etching on paper pencil-signed lower right, titled and with inscription “For Mark” lower center, and marked “Artist Proof” lower left.

Unframed.

22-1/4” x 29-3/4”

pair of etchings on paper former pencil-signed lower right, titled lower center, and dated and inscribed “Proof G early state” lower left, latter pencilinitialed lower right, titled lower center and inscribed “3rd imp/1st state” and dated “Aug. 20, 06” along lower edge.

Both unframed. sheet 5-3/4” x 8” and 6-3/4” x 11-1/4”, respectively

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $50-$100

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

412

143

413 Stephen Scott Young (American, b. 1957) “Torso” “Madeleine II” two etchings on paper former pencil-signed lower right, titled lower left and marked “state 1 proof 2” along bottom, latter pencilsigned lower right, marked “2nd state/2nd proof” lower left, inscribed “Kochi paper” lower center.

Both unframed. sheets 11-1/8” x 9” and 11” x 8-1/8”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 414 Les Lawrence (American/Texas, b. 1940) “New Vision - Mona Lisa”

413

silkscreen and mixed media on clay from the sculptural “Teapot” series, impressed signature along front edge. h. 8-3/8”, w. 11”, d. 4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 415 Interesting Art Deco-Style Curved and Upholstered Bench with a tubular tucked back, curved seat, and raised on ebonized short tapered legs. h. 44”, w. 70”, d. 26” $75-$125

414

415

144

416

416 Modern Aluminum and Black Glass Coffee Table

417

the square glass top with rounded corners and supported by a black metal pedestal with four legs. h. 16”, w. 39-1/2”, d. 39-1/2” $400-$700 417 Venetian Black Glass Chandelier 21st century, the six-light chandelier with a baluster support and bellflower-form drops. h. 41”, dia. 27” $400-$700 418 Susan Holman (American/Louisiana, Contemporary) “Music: A Magic Carpet Ride” mixed media sculpture h. 66-1/4”, w. 39-1/4”, d. 56” $600-$900

418

145

419 Regency-Style Brass and Plate-Glass Desk/ Console 20th century, the rectangular plate-glass top resting on a five-legged base with tapered standards, each with a lion’s head at the top, with a ring pull in its mouth, and ending in paw feet, one side concave. h. 29”, w. 48”, d. 23” $700-$1,000

420 Pair of Eames Aluminum Gray Management Chairs after a design by Charles and Ray Eames for Herman Miller, each tilt and swivel armchair on a five-point metal base, one chair with a label with the Herman Miller and “Eames Office” logos, and dated 2011, the pattern introduced in 1958. h. 33”

419

$500-$800

421 Mid-Century Modern Maple and Ebonized Slat Bench after a design by George Nelson (1908-1986), the slats mortised and pegged into the frame, supported by a pair of ebonized trapezoidal bases, now with a plate glass top for use as a cocktail table. h. 14-3/4”, w. 72-1/2”, d. 19” $500-$800

420

421

146

422

422 Interesting Leather and Glass-Top Table with Four Chairs 20th century, the circular plate-glass top over a conforming leather-upholstered frame with four downswept steel legs joined by curved stretchers, h. 29”, dia. 40”, together with four leather-covered armchairs of matching form, h. 34”, w.

20-1/2”, d. 19”. $500-$800

423 Chromed Steel and Glass “Barcelona” Cocktail Table after a design by Ludwig Mies van der Rohe, first produced in 1929, the square glass top supported by chromed steel legs joined by an X-form support. h. 15-3/4”, w. 39-1/2”, d. 39-1/2”

423

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $300-$500

424 Mid-Century Modern Chrome and Plate-Glass Dining Table, Attributed to Romeo Rega with an inverted arched base and long tubular feet, and supports for the plate-glass top. h. 30”, w. 32”, l. 72” $600-$900 424

147

425 Contemporary Chrome and Acrylic Chandelier the six-light chandelier mounted with a floriform shade. h. 33”, dia. 25-1/2” $500-$800

425

426 Suite of Eight Contemporary Upholstered Dining Chairs each “Parson’s Chair” with an upholstered scroll back, cushioned seat and matching fabric skirt, upholstered in white brocade. h. 41-3/4” $500-$800

426

427 Modern Patinated Brass and Glass-Top Coffee Table second half 20th century, possibly by La Barge, the oval glass top on a frame with legs modeled as horse heads and resting on hoof feet, the legs joined by shaped stretchers. h. 17-1/4”, w. 55-1/8”, d. 23” $500-$800

427

148

428 Contemporary Argente and Plate Glass Table the circular plate glass top with a molded edge, on a tapering column, each side with four triangular panels joined by a base. h. 29”, w. 21-1/4”, d. 21-1/4”, dia. 51” $150-$300

429 Patinated Steel Looking Glass and Marble-Top Console

428

the mirror with a bisected plate beneath an arched radial crest, the console with a demi-lune marble top and raised on wrought legs with scroll ends. overall h. 114”, w. 35-1/4”, d. 16” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

430

430 Contemporary Patinated Iron and Glass Cocktail Table of Baroque inspiration, the serpentine glass top with a molded edge and raised on scrolled legs joined by an X-form stretcher. h. 23”, w. 51”, d. 36” $300-$500

429

149

431 Pair of Donghia “Grand Flute” Armchairs 1970s, the wood frames with an anthracite finish, the seats and backs upholstered in olive and gray Donghia fabric. h. 38” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500

432

433 French Brass-Mounted Wrought Iron Gueridon 20th century, in the neoclassical taste, the circular top with an inset plate-glass top, supported by three curved legs joined by a circular stretcher. h. 31”, dia. 32” 431

432 Art Deco Bronze and Glass Chandelier second quarter 20th century, probably French, the linear frame centered by an octagonal glass-lined body, the lower panel with cut flowers concealing two sockets, set with eight arms with frosted, flower-molded glass shades. h. 45”, w. 32-1/2”, d. 29-1/2”

$700-$1,000 434 Jack Charney (American/New Mexico, Contemporary “Tang Horse” crackle-glazed stoneware h. 36”, w. 20”, d. 9” Provenance: Estate of Hurley Wayne Gray, Houston, Texas.

$400-$700

$250-$400

150

433

434

435 Interesting Contemporary Chrome, Plate Glass and Tree-Bark-Clad Table/Desk the thick rectangular plate glass top over a chrome trestleform base, the ends framed with a tree-bark panel and joined by a large chrome stretcher. h. 29-1/2”, w. 42”, l. 72” $500-$800

435

436 American School (20th/21st Century) “Untitled” welded steel and wire sculpture in two parts, h. 104”, dia. 16-3/8” $500-$800

437 Twenty-Four-Piece Collection of Contemporary Mercury Glass including seventeen quiver-form fluted candlesticks, some on colorless glass and others on smoke-colored glass, h. 15-3/4” to 28”, dia. 3”, a pair of leaf-engraved vases, h.

10-1/2”, dia. 5”, and five fluted cylindrical vases, two with gilt-color mercury, the other three silver colored, h. 6”, dia.

4-3/4”. $600-$900

436

437

151

438 Stephen Scott Young (American, b. 1957) “Ballerina”, 2006 two etchings on paper one ink-signed lower right, marked “3-1st stage” lower left, and inscribed “3rd proof 1st stage Vorgath Ivory paper” along lower right margin, the other ink-initialed lower right, numbered “1-2” lower left, inscribed “1st proof 2nd state” and dated along lower edge.

Unframed.

13” x 10-1/8” and 14-1/8” x 11-1/2”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

438

439 Stephen Scott Young (American, b. 1957) “Ballerina I”, 2006 “Ballerina II” pair of etchings on paper former initialed lower right, marked “2-2” and with expository inscription “2nd proof/2nd state/26 May 06/with plate tone for blacks”, latter marked “proof 2 state 3” with notation “line in left leg”.

Both unframed. former sheet 10-1/4” x 10-1/2” and latter sheet 14” x 11” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 439

440 Stephen Scott Young (American, b. 1957) “Untitled” etching on paper unsigned.

Unframed. sheet 14” x 10-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300

152

440

441 Stephen Scott Young (American, b. 1957) “Stance II” etching on rice paper pencil-signed lower right, numbered “207” lower left and inscribed “2nd of 2 of the 7th State” along lower center.

Unframed. sheet 12-3/4” x 9-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300

442 Stephen Scott Young (American, b. 1957) 441

“Angel - Detail” three etchings on paper first inscribed “2nd stage” lower left and marked “2-3” lower center, second pencil-signed lower left, numbered “2-4” lower center, inscribed “2nd state” lower right, third pencil-signed lower right, marked “2-5” lower center, inscribed “1st state/1st proof” at left.

Unframed.

7-5/8” x 9-7/8”, 7-1/2” x 10-3/4” and 9” x 10”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $250-$400

442

443 Pair of Louis XVI-Style Polychrome and Parcel-Gilt Fauteuils each with a molded medallion back joined to open arms, molded seat rail and fluted legs, upholstered in printed linen. h. 40-1/4” $400-$700

443

153

444 Terracotta Plaque on a Contemporary Metal Stand 20th century, the plaque depicting a lion’s head grasping a ring, with scrollwork on the top and sides. h. 68-3/4”, w. 66-1/2”, d. 56” $600-$900 445 After Demetre Chiparus (Romanian/French, 1886-1947) “Egyptian Dancer” patinated bronze late 20th century, signed on base, on a rouge and black marble pedestal. h. 21-1/2”, w. 8-3/4”, d. 6” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000 446 Mario Korbel (Czech/American, 1882-1954) “Dancer” 444

patinated bronze second quarter 20th century, cast signature along back edge of self-base, Roman Bronze Works foundry inscription “RBC” and marked “1053” at back and side edges, now on a shaped black base, a “Conner-Rosenkranz, New York” gallery label at bottom. overall h. 5-3/8”, w. 2-1/2”, d. 1-3/4” Provenance: Conner-Rosenkranz, New York, New York; Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

154

445

446

448

448 Mario Korbel (Czech/American, 1882-1954) 447

“Kneeling Figure” patinated bronze second quarter 20th century, cast signature along front edge, a “Roman Bronze Corp. N.Y.” foundry inscription along back edge, a “Conner-Rosenkranz, New York” gallery label at bottom. h. 5-1/8”, w. 4”, d. 2-1/4”

447 After Kees Verkade (Dutch, b. 1941) “Mother and Child”

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

patinated bronze cast signature and dated “81” along back of self-base. h. 6-3/4”, w. 1-3/4”, d. 1-3/4”

$400-$700

Provenance: Estate of Louis Tenenbaum, Houston, Texas.

449 Pair of Emilia Castillo Hammered Copper Pots

$300-$500

contemporary, Taxco, Mexico, of shouldered round form, the collars with brass support rings. h. 15”, dia. 17” $400-$700

449

155

450

450 Charlotte Lewis (American/Louisiana, 1962-2011) “Untitled, Symbols” mixed media on canvas signed lower right.

Unframed.

12” x 24” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $200-$400 451 Joseph Henry Lonas (American/Virginia, 1925-2011)

451

“Untitled: Abstraction”, 1988 acrylic on paper signed and dated lower left.

Matted, glazed and framed.

4” x 6”, framed 9-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300 452 Pat Steir (American, b. 1940) “Time Line - In Time” drypoint in colors on paper pencil-signed, titled and ed. 81/102 lower margin.

Matted, glazed and framed.

18-1/2” x 18-1/2”, framed 28-1/2” x 29” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

156

452

453 Frank Gallo (American, 1933-2019) “A Strange Girl in My Bath”, 1976 lithograph with embossing pencil-signed and marked “A.P.” lower margin, “Merrill Chase Gallery, Chicago” labels en verso with artist, title and date.

Matted, glazed and framed. sight 33” x 23-1/2”, framed 39-3/4” x 29” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $30-$50

453

454 Sonja Blomdahl (American, b. 1952) “Incalmo Vase”, 2004 blown glass yellow and mint, signed and dated “2004” at bottom. h. 5-1/2”, w. 10-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800 454

455 David Bierk (Canadian, 1944-2002) Limited Edition Book, 2002 original oil on copper painting affixed to front cover from an edition of 100, this numbered “60”, dated and signed on title page, published by the Montgomery Museum of Art, Alabama; presented in a custom-made black laminate box frame. book 10-1/4” x 10-1/4”, overall 11-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800 455

157

456 David Bierk (Canadian, 1944-2002) Limited Edition Book, 2002 original oil on copper painting affixed to front cover from an edition of 100, this numbered “61”, dated and signed on title page, published by the Montgomery Museum of Art, Alabama; presented in a custom-made steel box frame. book 10-1/4” x 10-1/4”, overall 11-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

457 David de Villier (American, b. 1960) 456

“She Picked One Flower”, 2001 acrylic on wood panel signed lower left, signed, titled, dated, and marked “#510” en verso, a “Linda Hodges Gallery, Seattle, Washington” label en verso.

Framed.

6-3/4” x 8-3/4”, framed 11-3/4” x 13-1/2” Provenance: Linda Hodges Gallery, Seattle, Washington; Private collection. $500-$800

457

458 Takis Cotopouleas (Greek, 1919-2016) “Portrait of a Woman, Seated” oil on canvas signed lower left, signed and “Gallery James Bute Company, Houston, TX” label en verso.

Framed.

32” x 24”, framed 38-1/2” x 30” $300-$500

158

458

460 459

459 Stephen Scott Young (American, b. 1957) “Ballerina” etching on paper ink-signed lower right, marked “2-2” lower left and inscribed “2nd Proof 2nd State/Kochi White Japan” along bottom.

Unframed. image 4” x 4”, sheet 9-3/8” x 6-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $250-$400

460 Stephen Scott Young (American, b. 1957) “Torso”, 2007 etching pencil-signed, dated and marked “A.P.” lower center, and further signed and inscribed to the Johnsons (see provenance).

Matted and glazed in a float-mount frame.

8-5/8” x 6-1/4”, framed 17-3/4” x 14-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

461

461 Stephen Scott Young (American, b. 1957) “Angel, Exuma”, 1996 etching on paper pencil-signed lower right, titled lower center, dated and marked “AP” lower left.

Unframed. image 8-7/8” x 5-7/8”, sheet 11-3/8” x 10-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

159

462

462 Maximiliano Pruneda (American/New Mexico, b. 1948) “Moon Pool” acrylic, gold leaf and mixed media on masonite three-part construction, each within an integral wood support, signed, titled and with display instructions en verso. approximately 135” x 143” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $200-$400

463 Michael Richardson (American/Texas, Contemporary) “Wing Series II, #3” acrylic and sawdust on masonite mounted on wooden planks a “Watson/de Nagy & Co./Houston, Texas” label en verso with title, artist and medium.

10” x 45” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $150-$300 463

160

464 Luke Fontana (American/Louisiana, Contemporary) “St. Francisville Louisiana, 1973” silver gelatin print and enhanced gallery-wrapped giclee former signed and copyright-marked lower right, titled lower left, latter signed en verso.

Former matted, glazed and framed. former sight 9” x 13”, framed 15” x 19-1/2”, latter 20” x 30” $800-$1,200

464

465 Edith Maskey (American/Texas, 20th/21st Century) “Courtyard with a Fountain” watercolor on paper signed lower right.

Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41” Provenance: Private collection, Houston, Texas. $500-$800

465

161

466 Brian Taylor (American, Contemporary) “Window Heart - First Love”, 1988 mixed media sculpture signed, dated, titled, and copyright-marked en verso. h. 38”, w. 40”, d. 10” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500 467 Edith Maskey (American/Texas, 20th/21st Century) “Flower Market, Mexico” watercolor on paper signed lower left.

Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41” Provenance: Private collection, Houston, Texas. $500-$800 468 Edith Maskey (American/Texas, 20th/21st Century)

466

“Flower Market, Mexico” watercolor on paper signed lower right.

Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41” Provenance: Private collection, Houston, Texas. $500-$800

468

467

162

469

470

469 John Maskey (American/Texas, b. 1937)

470 Ginny Ruffner (American/Seattle, b. 1952)

“Courtyard”

“Flowering Tornado”, 2003

watercolor on paper signed lower left.

Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41”

metal and blown glass signed and dated on one hanging element. h. 9-3/4”, w. 13”, d. 10”

Provenance: Private collection, Houston, Texas.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$500-$800

$400-$700

471 Louise Guidry (American/Louisiana, b. 1930) “LHA” acrylic on mixed media on wood panel signed lower right.

18” x 18” $800-$1,200

471

163

472 French School (First Quarter 20th Century) “Spring Siesta” oil on canvas unsigned, “Douane, Paris” supplier stencil en verso.

Framed.

22-1/2” x 29”, framed 27” x 33-3/4” $300-$500

472

473 Georgette Meunier (Belgian, 1859-1951) “Floral Still Life” pastel on paper on canvas faintly signed upper right.

Framed.

25-1/2” x 33”, framed 29-1/4” x 37” $700-$1,000

473

474 Interesting Patinated Bronze “Rope & Tassel” Circular Occasional Table 20th century, in the form of knotted rope, the fret ending in a tassel, and with an inset plate glass top. h. 24”, dia. 24-1/2” $600-$900

474

164

475 Pair of Signed Brass and Cast Iron Floor Lamp Standards fourth quarter 19th century, Boston, now mounted as electric lamps, the painted brass-trimmed bases with scrolled feet, the brass extensions signed “R. Hollings & Co., Boston, USA”. h. 56”, w. 16-1/2” $300-$500

476 Contemporary Iron and Glass Cocktail Table of neoclassical inspiration, the rectilinear beveled glass top with canted corners, on a conforming painted iron base with cast iron rosettes at each corner, raised on shaped legs joined by a stretcher. h. 16-1/2”, w. 48”, d. 26” $150-$300

475

477 Partial Service of Crown-Engraved Carder/Steuben Crystal Tableware post-1933, Frederick Carder, Corning, New York, including fifteen red wine goblets, h. 6-3/4”, twenty champagne coupes, h. 5-3/4”, one water goblet, h. 8-1/4”, twelve finger bowls, h. 2”, dia. 4-3/4”, eight finger bowl stands, dia. 6”, sixteen dessert plates, dia. 7”, and eight salad plates, dia.

8-1/2”, some pieces marked with an engraved “S”.

Literature: Identical unengraved pieces are illustrated in Steuben Glass, An American Tradition in Crystal, by Mary Jean Madigan, p. 70. $500-$800

477 (partial)

476

165

478 Trio of Modern Brass and Glass Nesting Tables, After Milo Baughman each smoked glass top on a cantilevered brass frame. h. 16” to 22”, w. 20”, d. 19” $500-$800

478

479 August Lohr (German/American, 1843-1919) “Boats off Rocky Harbor”, 1909 watercolor signed, dated and indistinctly localized lower left.

Matted, glazed and framed. sight 12-3/4” x 19-3/4”, framed 19-1/4” x 26-1/4” $1,000-$1,500

479

480 Henry Gasser (American, 1909-1981) “Italian Market” watercolor on paper signed lower right.

Matted, glazed and framed. sight 14-1/2” x 22”, framed 23” x 30” $700-$1,000

480

166

481 E. Schwendtner (German, 1902-1948) “Russian Gathering at the Church” oil on panel signed lower right, a “Frances Aronson Fine Art” label with artist and title and “Kunsthandlung Schoninger, Munchen” label en verso.

Frame with artist plaque.

18-1/2” x 24-1/2”, framed 27” x 32-1/2” Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $500-$800 481

482 Attributed to Georges Rouault (French, 1871-1958) “Clown au Timbale”, from Cirque, ca. 1930 aquatint etching unsigned, titled on “La Boutie, New York” label on frame backing.

Matted, glazed and framed. sheet 12-1/4” x 8-3/8”, framed 20” x 16” Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $700-$1,000

482

483 Five-Piece Collection of American Art Pottery 20th century, some with inscriptions/markings at bottom, in black and earth tones, all glazed, of various sizes.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $50-$100

483

167

484 Stylish Brass-Bound and Wooden-Strapped Steamer Trunk of contemporary manufacture, adorned with decals of international destinations and carriers of the early 20th century. h. 18-3/4”, w. 31”, d. 20” $600-$900

484

485 Large Brass-Mounted Teakwood Trunk early 19th century, constructed of single plank boards and mounted with engraved brass trim, dovetailed corners and raised on turned feet. h. 31”, w. 55”, d. 24” $400-$700

485

486 Robert Moore (American/Idaho, b. 1957) “Big Wood River” oil on board signed lower right, signed, titled and copyright-marked en verso.

Framed.

15-3/4” x 20”, framed 24-1/2” x 28-1/2” $700-$1,000

486

168

487 Robert Moore (American/Idaho, b. 1957) “Out Fishing” oil on board signed lower left, signed, titled and copyright-marked en verso.

Framed.

9” x 12”, framed 17-1/2” x 20-1/4” $500-$800

487

488 Attributed to Friedrich Behrendt (German, 1863-1946) “Wooded Landscape”, 1894 oil on canvas signed “F.O. Behrendt” lower right.

Framed.

29-1/2” x 37-1/2”, framed 37” x 44-1/2” $1,000-$1,500

488

489 Dwight Williams (American, 1856-1932) “Grand Canyon”, ca. 1915 oil on canvas unsigned, a “Doyle” label on stretcher.

Framed.

22” x 36”, framed 30-1/4” x 42-1/4” Provenance: Doyle, New York, November 29, 2006, lot 2442. $800-$1,200 489

169

490 William Wegman (American, b. 1943) “Weenie-Time”, 1994 mixed media with collage and engraving pencil-signed and dated lower right, numbered “A.P. 2/10” lower left.

Float-mounted, glazed and framed.

16-1/4” x 14”, framed 25-1/8” x 23-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

491 Luke Fontana (American/Louisiana, Contemporary)

490

“Mahalia Jackson’s Funeral”, 2019 acrylic on gallery-wrapped canvas signed lower left, signed and dated en verso.

Unframed.

24” x 36” $500-$800

491

492 Louise Guidry (American/Louisiana, b. 1930) “Orange with Gold” acrylic on gallery-wrapped canvas signed lower right.

12” x 12” $150-$300

492

170

493 Guus Kemp (American/Texas, 1960-2015) “Purple Motions”, 2010 acrylic on canvas signed, titled and dated en verso.

Unframed.

48” x 24” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $250-$400

494 Calman Shemi (Argentinian, b. 1939) “Life in Nature” oil on canvas signed lower left, signed and titled en verso, a “Circle Fine Art” label en verso.

Unframed.

31” x 39”, framed 34-3/4” x 42-3/4” $400-$700

493

494

171

495

495 Elsa Baker (American/Louisiana, Contemporary)

496 Elsa Baker (American/Louisiana, Contemporary)

“Foodscape Series No. 5” “Foodscape Series No. 7”

“Foodscape Series No. 2” “Foodscape Series No. 6”

pair of oil crayons on paper each signed lower right.

Both matted, glazed and framed. each 13-3/4” x 10-3/4”, framed 21-3/8” x 18”

pair of oil crayons on paper each signed lower right.

Both matted, glazed and framed. former sight 10-5/8” x 13-7/8”, framed 18-1/2” x 21”; latter sight 13-3/4” x 10-3/4”, framed 21-3/8” x 18”

$200-$400

$200-$400

496

172

497

497 Elsa Baker (American/Louisiana, Contemporary) “Foodscape Series No. 3” “Foodscape Series No. 4” pair of oil crayons on paper each signed lower right.

Both matted, glazed and framed. former 10-3/4” x 13-3/4”, framed 18-1/2” x 21”; latter 14” x 10-3/4”, framed 21-3/8” x 18” $200-$400

498 Craig Lesser (American/Texas, 1955-1989) “Untitled”, 1988 oil on canvas signed and dated lower right.

Unframed.

37” x 46”

498

Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $700-$1,000

173

499

499 American School (20th/21st Century) “Yellow-Hatted Man”, 1987 painted steel sculpture marked “RW87” at base. h. 70-3/4”, w. 30”, d. 24-1/2” Provenance: Estate of Hurley Wayne Gray, Houston, Texas.

500

501 Michael Ledet (American/Louisiana, b. 1941) “Untitled: Abstraction”, 1969 acrylic on canvas signed and dated lower left.

Framed.

22” x 27”, framed 23” x 28” $600-$900

$300-$500 500 Michael Ledet (American/Louisiana, b. 1941) “Barads #3”, 1969 acrylic on canvas signed and dated “69” lower right, verso with “The Glade Gallery, New Orleans, LA” label.

Thin gallery frame.

46-1/4” x 28”, framed 47” x 28-3/4” Provenance: The Glade Gallery, New Orleans, Louisiana; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $500-$800

174

501

502 Zella Funck (American/Louisiana, 1917-2009) “Embracing Couple” watercolor on paper signed lower right.

Matted, glazed and framed. sight 23-1/2” x 17-1/2”, framed 34” x 29” $600-$900

503 Justin Forbes (American/Louisiana, 1967-2017) and Luke Fontana (American/Louisiana, Contemporary) “Kermit Ruffins” acrylic on canvas board and two gallery-wrapped enhanced giclees, former 2008, signed and dated “Justin Forbes” lower right, signed, dated and titled en verso, two latter 2018, each signed “Luke Fontana” and copyright-marked lower right, each dated and inscribed en verso.

Unframed. former 14” x 11”, latter each 24” x 18”

502

$600-$900

503

175

504 Nazca Fired, Painted and Glazed Terracotta Bowl ca. 200-500, Peru, depicting three spotted birds with red legs and beaks on a like-spotted charcoal ground, with red-painted interior, presented on a rubber ring for display. bowl h. 3-3/4”, dia. 5-5/8”, overall h. on band 4-1/2” Provenance: Collection of Jacqueline H. Howell, New Orleans, Louisiana. $500-$800

504

505 Polychromed and Fired Terracotta Gourd Vessel 900-1400, Peru, with a flared top spout, the red gourd top scored around the “stem” end, the body with a black-trimmed red and white vertically-striped band, the rounded base undecorated. h. 9-1/2”, dia. 6-1/4” Provenance: Collection of Jacqueline H. Howell, New Orleans, Louisiana. $400-$700

505

507 Two African Carved and Painted Wooden Figures depicting a female and male, on modern wooden bases. h. 11-1/2”, w. 2-1/2”, d. 2-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

506

506 Chancay Painted Clay Double-Bodied Vessel Early Post-Classic, 900-1200, Peru, black-painted white clay, the figure wearing a double-horned headdress standing atop one vessel body, the other vessel body with a vertical spout, the vessels raised on flared circular bases. h. 9-3/4” h. 9-3/4”, w. 7-1/4”, d. 2-3/8” Provenance: Collection of Jacqueline H. Howell, New Orleans, Louisiana. $500-$800

176

507

508 Carved Hardwood Panel of Pandawa “Bima” first quarter 20th century, Java, Indonesia, the rectangularform panel depicting the distinctive image of a standing Bima, with all his traditional attributes. h. 56-3/4”, w. 25” Provenance: Estate of John Stockwell Samuels III, Galveston, Texas. $300-$500 509 Two Chinese Porcelain Vases Republic period (1912-1949), each of baluster form with gilt rim, decorated to the body with figural scenes in the famille rose palette to the front, and poetic inscription to the reverse, one example with pierced “butterfly” handles below a fourcharacter inscription. the taller h. 17”, dia. 8” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500

508

509

510 Large Chinese Famille Rose Porcelain Bowl first half 19th century, the steep-sided bowl with broad, flared rim, decorated to the interior with alternating designs of courtly figures and auspicious symbols amid floral sprays, all within floral and gilt borders, the exterior with individual floral motifs. h. 5”, dia. 16-1/2” Provenance: Estate of Louis Tenenbaum, Houston, Texas. $500-$800

510

177

511 Chinese Export Porcelain Vase fourth quarter 19th century, now mounted as a lamp on a pierced black wooden base, the vase with elephant-head handles and decorated with well-painted flowers in the famille rose palette, mounted with a shade. h. 26-1/4”, dia. 14-1/2” $500-$800 512 Chinese Porcelain Vase 20th century, decorated to the exterior with scenes of ladies in a garden setting, the base with an apocryphal Qianlong mark. h. 19-1/4”, dia. 12” $125-$250

511

512

513 Chinese Carved and Polychromed Wood Figure of Guanyin 20th century, the figure modeled standing on a lotus base, holding a Ruyi scepter, in traditional robes and headpiece. h. 52”, w. 15-1/2”, d. 15” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500

178

513

514

516

515

514 Provincial Chinese-Style Elmwood Table probably first half 20th century, the broad rectangular top within a thick conforming frame, with simply carved frieze, raised on unusual shaped legs joined by plain double stretchers. h. 34”, w. 38”, l. 86-1/2” $500-$800

515 Pair of Provincial Chinese Yew Wood Yoke-Back Side Chairs 19th century, each with a standard curved yoke back above a shaped plain splat and round supports, the squared seat centered with a panel of woven split bamboo above squared legs with rounded outer edges, with a carved frontal apron and stretchers at the front and sides. h. 45” $500-$800 516 Chinese Stacking Wedding Basket and Valuables Box both 20th century, the wooden and cane basket with a pierced and carved handle, overall h. 19-1/2”, w. 14-1/2”, d. 9-1/2”, and the brass-mounted mahogany chest with a lift-off door concealing drawers and a cupboard mounted with engraved butterfly-form handles, overall h. 13”, w. 12”, d. 11-1/2”. $500-$800

179

517

517 Pair of Chinese Decorative Prints 20th century, of figures on horseback, each with several red stamps and signed “B. Chan” in plate Attractively matted, glazed and framed alike. each sight 25” x 18-1/2”, framed 35” x 28-1/2” $100-$200

518 Chinese Peach Bloom Porcelain Bottle Vase second half 19th century, the bell-form body extending into a narrow neck with slightly flared lip, with all-over peach bloom glaze, incorporating reds and greens, the base with an apocryphal six-character Kangxi mark. h. 6”, dia. 3-1/4” $1,000-$1,500

518

180

519 Pair of Patinated Bronze Foo Dogs late 19th century, the bodies with chased designs and encrusted with glass mosaic decor, with rock crystal eyes and breastplates. h. 33”, w. 11”, l. 26” $500-$800

520 Pair of Large Chinese Bronze Foo Dog Head Ring Pulls ca. 1900, the molded and engraved heads set with rings. h. 10”, w. 10”, d. 1-1/2”

520

$300-$500

521 Chinese Export Lacquered Box second quarter 19th century, decorated with gilt Mandarin scenes, raised on carved gilt feet. h. 5-1/4”, w. 7-1/2”, 4-3/4” $500-$800

521

519

181

522 Chinese Ebonized and Cloisonne-Mounted Coffee Table 20th century, the top with an incised and paintdecorated border along with a Greek-key-carved edge, inset with three large circular cloisonne discs, with scalloped aprons and cabriole legs, also with incised floral-carved details. h. 18-1/2”, w. 50”, d. 24” $500-$800 522

523 Pair of Chinese Famille Noir Porcelain Fishbowls with Hardwood Stands 20th century, decorated to the exterior with ducks amid blossoming lilies, the interior with fish swimming amid marine plants. h. 30” (including stands), dia. 21” $100-$200

523

524 Group of Three Chinese Hardwood Jardiniere Stands second half 19th century and later, each with a marble top and carved and pierced apron. h. 24-1/2”, dia. 15-1/2”, h. 24”, dia. 16” and h. 35-1/2”, dia. 19” $400-$700

524

182

525

525 Two Pairs of Asian Embroideries

526 Japanese Six-Panel Floor Screen

20th century, one pair with stylized dragons composed of dense French knots rendered in silk and cotton threads on a fabric foundation, outlined in couched thin gold filaments, and the other pair with flora and fauna in silk and cotton threads on a fabric foundation, employing a variety of stitches including satin, chain, French knots and leaf, all four with double applied geometric ribbon borders.

Glazed and framed alike. former sight 17-1/2” x 15-3/4”, framed 18-1/2” x 16-1/2”; latter sight 25-1/2” x 12-3/4”, framed 27” x 13-3/4”

20th century, paper on a wood and lacquer frame with silk mounts, the reverse covered with red paper, painted with a continuous scene of a festival day in a mountainous village beside a river. h. 67-1/2”, w. 145” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $250-$400

$500-$800

526

183

527

527 Japanese-Style Elmwood Three-Drawer Sideboard probably fourth quarter 19th century, the rectangular top over three short drawers with drop-loop handles, the apron carved with a scrolling floral design, the whole raised on four square legs terminating in neat scroll feet. h. 33-1/2”, w. 62”, d. 22” $500-$800

528

528 Japanese Lacquer-Framed Enamel Plaque 20th century, the circular dragon-decorated plaque set into a prunus-decorated lacquerware frame. d. 2-3/4”, dia. 20-1/2” $300-$500

529 Pair of Japanese Kutani Porcelain Vases Converted to Table Lamps first half 20th century, each vase of baluster form, decorated with panels depicting figural scenes, and peacocks in a garden setting. overall h. 28-1/2”, dia. 6” Provenance: Private collection, Houston, Texas.

529

184

$100-$200

530 Pair of Japanese Prints “Two Women” “Stormy Seas” Matted, glazed and framed alike. each sight 14” x 9-1/2”, framed 22” x 16-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

531 Large Pair of Japanese Bronze Urns on Hardwood Stands 20th century, each of baluster form with a trumpet neck, decorated to the exterior in high relief with dragons and birds, within geometric scroll borders, raised on fitted hardwood stands. urn h. 29-1/4”, w. 14”, stand h. 12-1/4”, w. 15-3/4”, overall h. 40-3/4” 531

$500-$800

530

185

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com