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New Orleans Auction galleries

FALL ONLINE-ONLY AUCTION Thursday, November 8, 2018


HOW TO BID - The sale is listed exclusively on www.LiveAuctioneers.com - Follow the link on our homepage to register and leave absentee bids - Please note that telephone and in-person bidding is not available for this sale - All bids must be placed through LiveAuctioneers

HAVE QUESTIONS OR NEED ASSISTANCE WITH REGISTRATION/BIDDING? Contact us at: 504-566-1849 or info@neworleansauction.com

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | Main: 504.566.1849 | Fax: 504.566.1851 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium


1 Two New Orleans Jazz and Heritage Festival Posters Maria Laredo (American/New Orleans, b. 1948), 1976, pencil-signed, inscribed “1st Edition” and numbered “275/1000” lower margin; and James Michalopoulos (American/ New Orleans, b. 1951), 2001, pencil signed and numbered “341/3000” lower margin. Unframed. sheet 35 in. x 23 in. and 37-7/8 in. x 23-7/8 in. $300-$500

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2 Michael Ledet (American/Louisiana, b. 1941) “Proto Toufanic No. 1”

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acrylic on canvas signed and dated “’70” mid-right, titled on “The Glade Gallery, New Orleans” label en verso Provenance: Private collection, New Orleans, Louisiana; The Glade Gallery, New Orleans, Louisiana. Presented in a thin gallery frame. 16” x 16” $300-$500

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3 Chestee Harrington (American/Louisiana, b. 1941) “Cabin in the Bayou” oil and mixed media on carved wood signed lower left. Framed. 4” x 9”, framed 11” x 16” $600-$900

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5 Keith Ingermann (American/Florida, 1929-2012) “Lions Resting,” 1969 oil on board signed and dated upper right. Framed with artist and title plaque. 10-3/4 in. x 13 in., framed 17 in. x 19-1/2 in. $300-$500

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4 Will Hinds (American/Louisiana, 1936-2014) “Lemon Peeler” oil on canvas board signed lower left, titled en verso. Framed. 11-3/4” x 15”, framed 14-3/4” x 17-3/4” $700-$1,000

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7 one of three

6 Gayle Reynolds (American/Texas, Contemporary) “Victorian Rooftops, Galveston” watercolor on paper signed along right edge, verso with “The Water’s Edge Studio and Gallery, Galveston, TX” label Glazed, matted and framed. sight 5-1/2” x 15-1/2” $50-$100

7 two of three

7 Joe Wilhelm (American/Louisiana, 1923-2003) “S.S. Homeric” “S.S. Zacapa” “U.S.S. Denver” three oils on board each signed lower right. Framed alike. each sight 4-3/4” x 6-3/4”, framed 12-3/4” x 14-3/4” $800-$1,200

7 three of three

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10 Opera-Length Pearl Necklace 14k yellow gold, the hand-knotted necklace composed of cream-white pearls measuring approximately 7.5 mm in diameter, finished with a yellow gold clasp. l. 31”, total weight 54.0 grams $150-$300

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8 Mignon Faget Brooch sterling silver, the brooch in the form of a leaf, stamped “Mignon Faget, Sterling”. l. 2-3/4”, total weight 19.1 grams $20-$40 9 Fleur-de-Lis Pendant Necklace sterling silver, the necklace composed of white potato pearls with a fleur-de-lis pendant. necklace l. 16”, pendant l. 1”, total weight 31.1 grams

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$50-$100

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11 Diamond Bracelet sterling silver, the heavy link bracelet mounted on the center links with rose-cut diamonds weighing approximately 3.00 carats in total. l. 7-3/4”, total weight 60.6 grams $500-$800 9

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12 Two Diamond and Sapphire Bracelets gold vermeil, the hinged bracelets mounted with square-cut treated sapphires weighing approximately 7.04 carats in total, accented by round-cut diamonds weighing approximately 1.60 carats in total. inside circumference 6-3/4”, total weight 21.0 grams $1,000-$1,500

13 Diamond Starburst Brooch 14k yellow gold, the brooch mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total, approximate color D-E and clarity VS1SI1. dia. 1-1/2”, total weight 11.3 grams $200-$400

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14 Diamond Snowflake Pendant on Chain sterling silver, the pendant mounted with a round brilliant-cut diamond weighing approximately 0.04 carats, l. 1”, suspended from a 16” silver chain. total weight 2.9 grams $50-$75

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15 Two Diamond and Rock Crystal Bangle Bracelets gold vermeil, the hinged bracelets mounted with oval-cut rock crystal stones weighing approximately 23.68 carats in total, accented by rose-cut diamonds weighing approximately 1.20 carats in total. inside circumference 6-5/8”, total weight 33.0 grams $1,000-$1,500

16 Gold Knot Brooch 14k yellow gold, the brooch in the form of a large knot. dia. 1-7/8”, total weight 19.0 grams $400-$700 15

17 Gold Neckwire with Pendant on Chain the neckwire, 14k yellow gold, inside circumference 15”, and the long chain, 18k yellow gold, l. 24”, with a cross pendant, l. 3/4”. total weight 15.0 grams $300-$500

18 Gold Fish Ring 14k yellow gold, the ring mounted with a round cabochon-cut moonstone weighing approximately 0.30 carats, the eyes on each fish mounted with a round cabochon-cut emerald weighing approximately .04 carats in total. size 5, total weight 9.3 grams $250-$400

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19 Four-Piece Gold Lot including a gold-filled watch fob, l. 21”, and a goldfilled chain with three charms, 12k-18k yellow gold, l. 30”. total weight 71.1 grams

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$100-$200

20 Half Ounce Credit Suisse Pendant 24k yellow gold, the pendant stamped “Credit Suisse, Half Ounce, Fine Gold, 999.9, Essayeur, Fondeur, 017825”. l. 1-3/8”, total weight 14.7 grams $400-$700

21 Fourteen-Karat Yellow Gold Cufflinks the rectangular cufflinks with a rippled surface design h. 3/4”, 16.2 grams total weight

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$300-$500

22 Gold Dog Tag on Chain 14k yellow gold, the dog tag on a rope chain. necklace l. 22”, dog tag l. 2”, total weight 20.0 grams $300-$500

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23 Sterling Silver Chain, Pendant and Bracelet the bear pendant marked “Irv Paul, Sterling Silver”, size 3” x 3”, suspended from a large 18.0mm rope chain, l. 20”, and the cuff bracelet stamped “sterling”, inside circumference 6-1/4”. total weight 314.0 grams $300-$500

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24 Granulated Ear Clips 14k yellow gold, the ear clips with a “hedgehog” finish.q l. 7/8”, total weight 16.1 grams $400-$700 25 Jade Macrame Necklace the macrame necklace with woven jade beads and a carved jade pendant. l. 16”, pendant dia. 2”, total weight 117.5 grams

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$400-$700 26 Angel Skin Coral Necklace the hand-knotted necklace composed of 6.4mm angel skin coral beads. l. 28”, total weight 31.9 grams $50-$100

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27 Two-Piece Ruby and Diamond Jewelry Set gold vermeil, the earrings and pendant mounted with oval- and round-cut treated rubies weighing approximately 4.00 carats in total, accented by sliced and rose-cut diamonds weighing approximately 7.50 carats in total. pendant size 2-1/2” x 2-3/8”, earrings l. 1-1/2” $1,200-$1,800

28 Ruby and Diamond Earrings gold vermeil, the earrings mounted with oval cabochon-cut treated rubies weighing approximately 11.4 carats in total, accented with sliced and rose-cut diamonds weighing approximately 1.97 carats in total. l. 1-1/2”, total weight 15.0 grams

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$300-$500

29 Ruby and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut treated ruby weighing approximately 3.81 carats, framed by a border of round brilliant-cut diamonds weighing approximately 0.25 carats in total. size 7, total weight 4.0 grams $1,200-$1,800

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30 Phil Vanderlei (American, Contemporary) “Mother and Calf” “Calf” pair of patinated bronzes former with cast signature and numbered “35/100” at base, latter with cast signature and numbered “3/150” along edge, each on a green marble plinth. former overall h. 13”, w. 17”, d. 13-1/4”, latter overall h. 10-1/2”, w. 9-1/2”, d. 8-1/4” $300-$500 31 Decorative Contemporary Mirror the frame encrusted with various seashells. h. 31”, w. 41-3/4” $300-$500 32 Pair of Contemporary Upholstered and Ebonized Chairs

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each with an upholstered back wrapping at the hips, trimmed in chromed tacks and raised on ebonized tapering legs. h. 33-1/2” $150-$300 33 J. H. Stermer (American, 20th Century) “The Oil Tanker” oil on canvas signed lower right. Framed. 25” x 36” $400-$700

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34 Contemporary Cherry Dining Table

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in the Biedermeier style, the circular table opening to support leaves, with central leg supports, raised on tapering legs on brass cup casters. h. 30”, dia. 52” $200-$400 35 Large Contemporary Faux Burlwood Swivel Chair with a scroll-, shell- and wreath-carved crest, the molded stiles extending forward to end in leaf carving. h. 49” $400-$700 36 P. Guillaud (French, 20th Century) “The Busy Village Square”

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oil on canvas signed lower right. Framed. 18” x 24”, framed 26-1/4” x 32-1/4” $700-$1,000 37 Contemporary Upholstered Sofa the tri-sected, rounded back joined by outscrolled arms to the cushioned seat, raised on foliate-carved cabriole legs to scrolled feet, with five large and two small throw pillows. h. 32”, w. 82”, d. 44” $200-$400

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38 Herbert Ryman (American, 1910-1989) “The Fire Escape” oil on canvas signed lower right. Framed. 16-1/8” x 20-1/8”, framed 25-1/2” x 29-1/4” $800-$1,200

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39 Samuel Klein (American, Second Quarter 20th Century) “Out of Work”, 1936 oil on board signed and dated lower right, titled en verso. Framed. 20” x 24” $300-$500

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40 Charles John Romans (American, 1893-1973) “Mending Nets” oil on canvas board signed lower right, signed, titled, inscribed “Cape May, N.J.”, and with “Old Bergen Art Guild, Bayonne, N.J.” and “Cape Ann Fine Arts” labels en verso. Framed. 18” x 23-3/4”, framed 23-1/4” x 29” $600-$900 40

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41 Danish Chrome and Blonde Rosewood Coffee Table designed by Arne Jacobsen, with a rectangular rosewood top mounted to a chrome frame, unsigned. h. 19”, w. 60”, d. 25-1/2” $500-$800

42 Open Lot

43 Aldo Luongo (Italian/Argentinian, b. 1941) “Young Lovers” serigraph pencil-signed lower right, numbered “289/350” lower left. Matted, glazed and framed. sight 35” x 46-1/2”

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$200-$400

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44 Vintage Ligne Roset Leather and Suede “Flou Flou” Sofa 1988, designed by Donato D’Urbino, with a zip-off white leather top cushion over taupe suede, two matching suede throw pillows included, unlabeled. h. 28”, w. 70”, d. 40” Provenance: Ligne Roset, Canal Place, New Orleans, Louisiana, 1988. $600-$900 45 Francisco ( Spanish, mid 20th c.)

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“Abstraction,” 1955 oil on canvas signed and dated lower left. Framed. 18-1/4 in. x 25 in., framed 31-1/2 in. x 24-1/2 in. $300-$500 46 Vintage Ligne Roset, France, Purple Leather BarrelBack Chair 1988, with removable headrest and zippered wraparound cushion, raised on ebonized conical feet, labeled: “Ligne Roset/Made in France”. h. with headrest 39”, h. without headrest 26-1/2” Provenance: Ligne Roset, Canal Place, New Orleans, Louisiana, 1988. $500-$800

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47 James Rosenquist (American, 1933-2017) “Rainbow”, 1972 color lithograph on paper pencil-signed, titled, dated and numbered “53/75” lower margin. Unframed. sheet 25” x 30-1/2” $500-$800 48 Deroy Sharp Deacon (American, Contemporary) “Hawk”, 1990

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patinated bronze cast signature, copyright marked, dated, titled, and numbered “5/36” at back h. 11-1/4”, w. 7-1/2”, d. 7”. $300-$500 49 Unusual Campaign-Style Glass-Top Cocktail Table 20th century, in the form of a vitrine, the glass top exposing the interior of a single drawer with flush brass handles, raised on straight square legs. h. 21-1/2”, w. 40”, d. 23-1/2” $500-$800 50 Salvador Dali (Spanish/French, 1904-1989) “Untitled (Floating Tigers and Gala Reclining” color lithograph on paper pencil-signed and “E.A.” lower margin. Unframed. sheet 29-1/2 in. x 21-1/2 in. $100-$200

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51 Henri Maik (French, 1922-1993) “Tiger” color lithograph pencil-signed and numbered “244/250” lower margin. Framed. sight 24-1/2in. x 18-1/2 in., framed 31-1/2 in. x 25-1/2in. $100-$200 52 Henri Maik (French, 1922-1993) “Ready for the Circus”

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needlework on linen embroidured signature and “Ateliers des Capucins, AMH Souny” lower right. Framed. sight 29-1/4 in. x 34-1/4 in., framed 32 in. x 36-3/4 in. $80-$120 53 Vintage Laverne International Leather, Chromed and Ebonized Steel “T-Chair” the model designed in 1952 by Katavolos, Littell and Kelly, the leather sling seat supported by a T-form tripodal base. h. 32” $500-$800 54 Randolph Brooks (American, mid 20th c.) “Still Life of Lemons and Bowl,” 1960

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oil on canvas signed and dated lower left. Framed. 9 in. x 18 in., framed 10 in. x 19 in. $200-$400

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55 Roark Gourley (American, b. 1949) “Bathroom Quake” mixed media construction signed lower right , numbered 46/395 lower left In shadowbox frame. Overall 22-5/8” x 34-1/2” $500-$800

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56 Edward Jagman (American, 1936-1990) “Mills Lake, Colorado,” 1981 watercolor signed and dated lower right. Framed. sight 29-1/2in. x 39-1/2 in,. framed 40-1/4 in. x 50-1/2 in. $100-$200

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57 Steve Watson (American/Contemporary) “Rural Landscape” oil on canvas signed lower right, a “Crutchfield’s Live Oak Gallery/Lafayette, Louisiana” label en verso. Framed. 14-1/4” x 18”, framed 18” x 22” $700-$1,000

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58 Philip Kran Paval (American/California, 1899-1971) “Torry [sic] Pines, Carmel, California” oil on canvas signed and titled en verso. Framed. 27-1/2” x 31-1/2”, framed 29-1/2” x 35-3/8” $600-$900 59 Jacques Petit (French, b. 1925) “Garden Scene” oil on canvas signed lower right Framed. 31” x 51”

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$500-$800 60 Decorative Painting of “Putti Frolicking in a Garden” oil on canvas, unsigned. Presented in a burlwood frame. 21-1/2” x 47-1/2”, framed 28” x 53-1/2” $400-$700 61 Lois Hogue Shaw (American, 1897-2001) “Garden Seat” oil on wood panel signed lower left, Framed. 12” x 18”

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$300-$500

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62 Alexander Weygers (American/California, 1901-1989) “Janus-Faced Feline” celadon granite patinated bronze incised signature, copyright marked and numbered “2/100” on edge of self-base, a “Kersting Galleries” label on bottom, now on a wooden plinth. overall h. 13”, w. 6-1/2”, d. 5” $200-$400 63 Alexander Weygers (American/California, 1901-1989) “The Family” celadon granite patinated bronze cast signature, incised signature, copyright marked and numbered “2/250” along back edge, a “Kersting Galleries” label at bottom. h. 10-1/2”, w. 3-1/2”, d. 4”

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64 Dixie Hampson Durham (American, 1913-2010)

$200-$400

“A Fork Under the Pillow to Cure Night Sweats”, 1977 oil on canvas signed and dated lower right, titled en verso. Framed. 24” x 20”, framed 31-1/4” x 27-1/4” $600-$900 65 Interesting Mid-Century Embossed Brass and MirroredTop Conference/Dining Table in the manner of Philip and Kelvin LaVerne, the elongated octagonal top with an embossed metal-clad surface and an inner border of inset mirrors, mounted to a pair of octagonal pedestals of similar clad form. h. 30”, w. 71”, l. 119” $800-$1,200

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66 Pair of Art Deco Fruitwood Bergeres 20th century, in the Biedermeier taste, each with a cushioned triangular back surmounted by an ebonized crest, joined by padded outswept arms to the cushioned seat, raised on splayed tapering square legs. h. 37” $600-$900

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67 Art Deco Walnut Burl and Marble-Top Buffet a Deux Corps early 20th century, the shaped crest above two cupboard doors inset with beveled glass panels and opening to a mirrored interior, the sides paneled en suite, joined by a beveled mirrored backpiece to a bowed marble top over an ormolu-mounted frieze, over two paneled cupboard doors, raised on tapering circular feet. h. 81”, w. 59”, d. 21” $500-$800

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68 Art Deco Burlwood, Brass and Mahogany Dining Table second quarter 19th century, the top with dramatic burled elm framed by satinwood, above a birdseyeveneered apron, raised on reeded columns joined to a burlwood base mounted with a brass foot rail. h. 30-1/4”, w. 51”, d. 39” $500-$800

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71 American Chippendale Cherry Slant-Lid Desk second half 18th century, the shell-carved lid opening to reveal a fitted interior, over a bank of four graduated drawers, raised on ball-and-claw feet. h. 41”, w. 34”, d. 20” $300-$500

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69 Maria Rosenberg (Canadian, b. 1969) “Floral Still Life in a Blue Vase” acrylic on canvas signed lower right and en verso. Framed. 48” x 36”

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$300-$500 72 Collage of Nine Examples of Historic Confederate Paper Currency

70 Maurice Lebel (Canadian, 1898-1963) “Winter Landscape with Creek”, 1943 oil on artist board signed and dated lower right. Framed. 14” x 18”, framed 20” x 24” $600-$900

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1862-1864, including five bills from the Confederate States of America and four from the State of Mississippi; together with a print of General Van Dorn centering the collage. Glazed and framed. overall framed 13-1/2” x 17-3/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $200-$400

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74 American Sheraton Figured Maple, Ash and Walnut D-End Dining Table early 19th century, each of the pair of ends with a maple top, joined by a like leaf, over a conforming crotch-walnut apron and raised on turned oak legs. h. 29-1/2”, w. 48”, ext. l. 92” $300-$500

75 American Sheraton Mahogany Pembroke Table first quarter 19th century, the single-board top flanked by like drop leaves with canted corners, the frieze fitted with a drawer, raised on reeded and turned legs on brass cup casters. h. 28-1/2”, w. 36”, d. 25”, ext. l. 45-3/4” $400-$700

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73 Early American Pine Step-back Pewter Cupboard early 19th century, in two parts, the upper section with open shelves and scalloped sides, the base fitted with three drawers above a pair of raised panel cabinet doors. h. 76”, w. 53”, d. 18”

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$300-$500

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76 Wm. Knabe & Co., Baltimore, Rosewood Grand Piano ca. 1875-1880, bearing the serial number 17270, with a rococo revival case and applied carvings, pierced and scroll-cut music stand and raised on large scrolled and carved legs. h. 39”, w. 57”, l. 74” $500-$800

77 Anglo-American School (19th Century) “Pendant Portraits of Husband and Wife”

77 one of two

77 two of two

pair of oils on wood panel unsigned. In matching frames. 14” x 11-3/4”, framed 19-1/2” x 17” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600-$900

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78 American Federal Cherry-Stained Poplar Corner Cabinet first quarter 19th century, in two parts, with a twelve-pane glazed door in the top and a pair of framed and paneled doors below. h. 84-1/2”, w. 42”, requires 28” corner $600-$900 78

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79 American Late Classical Mahogany Sofa late-19th century, the figured cyma-molded crest rail joined to scroll arms, over an ogee-molded apron and scroll feet, now in black upholstery. h. 36-1/2”, w. 81-1/2”, d. 35” $400-$700

80 American Late Classical Mahogany Drop-Leaf Breakfast Table 80

second quarter 19th century, the single-board top and leaves with rounded corners, supported by a large turned standard with four outstretched acanthus-carved legs ending in paw feet. h. 28”, w. 42”, d. 19”, ext. l. 46” $300-$500

81 American Late Victorian Figured Walnut Occasional Table ca. 1900, the shaped top supported by carved figures for the legs and joined by pierced stretchers. h. 30-1/2”, w. 30”, d. 30” $500-$800

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82 Two Tiffany Studios “Pine Needle” Desk Accessories first quarter 20th century, New York, including a giltbronze inkwell marked “Tiffany Studios, New York, 845”, h. 2-1/2”, w. 3”, d. 3”, and an unmarked rolling blotter, h. 2”, w. 5-3/4”, d. 2-3/4”, each set with caramel slag glass. $500-$800 83 American Classical Revival Mahogany Games Table late 19th century, the fold-over top on a vasiform foliatecarved pedestal, joined to a concave base, raised on carved paw feet. h. 30-1/2”, w. 36”, d. 18”, ext. l. 36” 82

$300-$500 84 American Classical Mahogany Game Table ca. 1825, New York, the D-form fold-over top over a conforming figured apron with a brass lower molding, on a vasiform leaf-carved pedestal, joined to legs with like carving and paw feet. h. 29-1/4”, w. 36-3/8”, d. 18-1/4”, ext. l. 36-1/2” $300-$500 85 Annie M. Snyder (American, 1852-1927) “Elizabethan Lovers” oil on canvas signed lower right. In an antique gilt frame with artist and title plaque. 17” x 13”, frame 24-1/4” x 20-1/4” $500-$800

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86 American Classical Mahogany Sideboard second quarter 19th century, with a pair of projecting molded drawers over a deep drawer flanked by bottle drawers, the lower recessed, paneled door with projecting paneled doors to each side, flanked by spiral-reeded columns and raised on turned feet, retaining a note, “side board once belonged to Judge Homer Casteel”. h. 44-3/4”, w. 52-1/4”, d. 23-3/8” $400-$700

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87 American Classical Mahogany Chest second quarter 19th century, New England, the top with a recessed band of three drawers on a case with a pair of projecting drawers, over three graduated drawers, flanked by spiral-reeded columns with foliate- and pineapple-carved capitals, on ring-turned legs, the drawers with period embossed brass pulls. h. 44-1/4”, w. 43-1/2”, d. 22” $300-$500

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88 American School (Second Quarter 19th Century) “Folk Art Portrait of a Gentleman and His Son” oil on canvas unsigned. Framed. 36” x 28-3/4” $500-$800

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89 Pair of American Renaissance Revival Walnut Hall Chairs third quarter 19th century, the backs with a carved crest over an upholstered cushion, the stiles and apron with burlwood panels, raised on trumpet legs. h. 50-1/2” $200-$400

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91 American Rococo Revival Walnut Center Table third quarter 19th century, the beveled tortoise-form marble top over a conforming apron centered by a cabochon-carved cartouche, on cabriole legs joined by a central tazza. h. 30”, w. 33-1/4”, d. 20-3/4” $300-$500 92 American Folk Art School (Mid-19th Century) 89

90 American Renaissance Revival Walnut Mirror third quarter 19th century, the cove-molded frame decorated with faux burl walnut. h. 40-3/4”, w. 35” $500-$800

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“Portrait of a Gentleman Holding a Drawing Compass” oil on canvas unsigned. In a period giltwood frame. 34” x 26-3/4”, framed 46” x 36” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700

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93 Pair of American Brass and Marble Girandoles mid-19th century, in the “Roman Centurion” pattern, hung with “colonial” prisms. h. 20-1/4”, w. 14-1/2”, d. 6” $150-$300 94 Pair of American Giltwood Cornices third quarter 19th century, the cove-molded cornices with arched center sections. h. 7-1/2”, w. 86”, d. 5-3/4” $300-$500 95

96 Biedermeier-Style Fruitwood Settee 20th century, the concave back with a long scrolled splat, open arms and saber-form legs. h. 32-1/4”, w. 39”, d. 19-1/2” $600-$900

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95 American Rococo Revival Walnut Center Table third quarter 19th century, the marble top of tortoise form, over a conforming floral-carved frieze, on cabriole legs joined by bowed stretchers centered by a floral-, scroll- and cabochon-carved cartouche. h. 29-1/4”, w. 39-1/2”, d. 27-1/2” $400-$700

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97 Four Cased Daguerreotype and One Ambrotype Photographs second half 19th century, including “Portrait of Standing Young Girl”, sixth plate daguerreotype; “Portrait of Young Girl in Black Lace Gloves”, sixth plate ambrotype; and two “Portraits of Young Men Seated”, ninth plate ambrotype; together with “Portrait of Woman in a Bonnet”, albumen print, “Brady’s National Photographic Portrait Galleries, New York and Washington, D.C.” printed en verso, 3” x 2-1/2”, unframed. Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500 98 American School (First Half 19th Century) Six Fine Hollow-Cut Silhouette Busts

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99 Collection of Five Portrait and Bust Miniatures first quarter 19th century, each unsigned, including “Pendant Profile Portraits of a Man and a Woman”, watercolors on card, sight 3-3/4” x 3”; “Gentleman Wearing a Black Stock and Coat”, watercolor, sight 3” x 2-1/2”; “French Dignitary in a Red Coat”, modeled cut-out and gouache, 5-1/4” x 4-7/8”; and a paste medallion bust of the English printer and bookseller Robert Foulis (1707-1776), after the original by James Tassie (1735-1799), sight dia. 2”. Framed 4” x 4” to 6-1/2” x 4-3/4”. All together in a glass and wood presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500

each paper cut-card over dark background including Charles Willson Peale, “Peale Museum” (1741-1827), “Man in a Top Hat”, over black card, and “Lady with Lace and Curls”, ca. 1790, over black silk, each embossed “Museum”, the second with card of authenticity attached to frame backing, sights 4-1/4” x 2-3/4” and 3-3/4” x 3”, respectively; Henry Williams (American, 1787-1830), “Pendant Pair of a Man and Woman”, each over black silk, each card embossed “Williams”, frame backing on gentleman with “Elizabeth L. Maurier Collection” label, each sight 4-3/8” x 3-1/4”; “Hannah Cope (1835-1917) of Montgomery, Pennsylvania”, over blue card with a gilt-brass surround stamped “Holmes, Booth and Haydens/ Patented Oct. 1855”, “E. Grosvenor Paine” label on frame backing; and “Gentleman”, over black card, unsigned, sight 4-5/8” x 3-1/2”. Each glazed and framed. framed 5-1/2” x 4-3/4” to 7-3/4” x 6-1/4” Provenance: Hannah Cope silhouette, Collection of Edward Grosvenor Paine (1911-1994), London, New York and New Orleans. All six silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi. Notes: The Peale Museum silhouettes were authenticated by Ernest Lee Parker (1885-1936), former Curator of Paintings, Pennsylvania Academy of Fine Arts, and the portrait of the woman is accompanied by two handwritten notes by Parker on a note card and on his business card. $400-$700

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100 Collection of Nine Books on Portrait Miniatures including Graham Reynolds, European Miniatures in the Metropolitan Museum of Art; Carrie R. Barratt and Lori Zabar, American Portrait Miniatures in the Metropolitan Museum of Art; and Julie Aronson and Marjorie E. Wieseman, Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum, to name a few. A complete list available on request. Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $150-$300

101 Group of Five Books on Portrait Silhouettes including Auguste Edouart, A Treatise on Silhouette Likenesses; Mrs. F. Nevill Jackson, Silhouettes: A History and Dictionary of Artists; Andrew Oliver, Auguste Edouart’s Silhouettes of Eminent Americans, 1839-1844; Emma Rutherford, Silhouette: The Art of the Shadow; and Alice van Leer Carrick, Shades of Our Ancestors. Complete references available on request.

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102 Augustus Day (American/Charleston, S.C., act. 1800-1845) Portrait Miniature and Two Portrait Bust Silhouettes including “Daniel Thomas”, pencil and watercolor on card, signed, sitter’s name inscribed en verso, sight 4-3/4” x 3-3/4”; “Dr. Thomas Yarrow (1780-1842) and His Wife Sarah “Lucy”? (1784-1840)”, 1822, paper cut-outs on card heightened with chalk, signed and dated, sitters identified on frame backing, sight 4-1/8” x 3”; together with “Bust Silhouette of a Gentleman”, unsigned, frame backing indistinctly inscribed “John Thorn... Ruth?”, paper cut-out and gouache on card, sight 4” x 3-1/2”. Each glazed and framed, the first Day in an eglomise frame and the Day pair in period wood frames. framed 7-3/4” x 6-1/8”, 5-1/8” x 4-1/8” and 6-1/4” x 5-5/8”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $150-$300

102

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103 Auguste Edouart (French, act. U.K., U.S., 1789-1861)

104 Auguste Edouart (French, act. U.K., U.S., 1789-1861)

Four American Portrait Bust Silhouettes

Three Portrait Silhouettes of a British Captain, Nobleman and Merchant”

each paper cut-out on card, some heightened with chalk including two ladies, one inscribed “’Tis Fanny” (probably Fanny Eckley of Boston) and two gentlemen, one localized “Boston”, the other with Edouart’s 1825-1826 trade label en verso, the first three signed and dated “1842” en recto below bust. The first glazed and framed alike, the fourth glazed in an oval surround with an ebonized frame. sights 3-1/2” x 2-1/2” to 4-5/8” x 3-5/8”, framed 6” x 4-7/8” to 6-1/2” x 5-1/2” Provenance: Peggy McClard American and Folk Art, Houston, Texas; Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Eckley portrait in Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 203 $300-$500

each paper cut-out on card including “Royal Navy Captain William Corles, Esq. (17881841)”, sight 12-5/8” x 6-1/4”; “Robert Gray, Esq. of Carntyne, Lanarkshire, Scotland (1756-1833)”, March 14, 1832, sight 10-3/4” x 5-3/4”; and “William Wyman, Carver and Gilder, Clare St., Bristol”, May 29, 1827, sight 10-5/8” x 7-1/4”. Each with keyhole-cut inscription en verso, the last two with Edouart stencils, the first and third with sitters’ names en recto. Each glazed in a period bird’s-eye-maple frame. framed 15-5/8” x 9-1/4”, 13-5/8” x 8-5/8” and 13-7/8” x 10-1/4”, respectively Provenance: Wyman silhouette- Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K.; Estate of Dr. Carroll Ball, Jackson, Mississippi; Peggy McClard American and Folk Art, Houston, Texas. All three silhouettes Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, pp. 66 (illustrated), 126, 137 and 239. $400-$700

103

104

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105

106

105 Auguste Edouart (French, act. U.K., U.S., 1789-1861)

106 Auguste Edouart (French, act. U.K., U.S., 1789-1861)

Four English Portrait Silhouettes

“Three New York Statesmen”

each paper cut-out on card each signed and dated including “Thomas Clarsly(?) of Edgbaston”, 1832, 9-1/2” x 7-1/4”; “Gentleman in a Top Hat with Cane”, 1827, sight 10” x 7”; “Reverend John F. Pilgrim of Cheltenhamshire and Barbados”, 1829, sitter identified en recto and in “keyhole cuts” en verso, glass backing with “Collection of Mrs. F. Nevill Jackson” stamp, sight 11” x 6-1/2”; “(Probably) Kinswoman of John Wiltshire of Shockerwick Hall, near Bath”, 1828, titled on frame backing, sight 10-3/4” x 7”. Each glazed and framed. framed 12-1/3” x 9-5/8” to 16-3/4” x 12-1/2”

paper cut-outs on card including “Ezra C. Benedict, Counsellor at Law New York/ Saratoga”, Aug. 20, 1842, 11-1/2” x 4-7/8; “John C. Devereux, 1st Mayor of Utica”, Aug. 21, 1840, 11-1/2” x 4-1/2”; “A. F. Collmare”, Saratoga/Boston, Aug. 16, 1844, 11-5/8” x 4-5/8”. All with keyhole-cut inscriptions of sitters’ names, dates and locales; all with “Arthur S. Vernay, New York” labels on glass backings. All three glazed and framed; two in period bird’s-eye maple frames. framed 14-1/8” x 7-1/2”, 14-1/4” x 7-1/4” and 12-5/8” x 5-3/4”, respectively

Provenance: Pilgrim and Wiltshire Kinswoman silhouettes, Peggy McClard American and Folk Art, Houston, Texas. All four silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi.

Provenance: Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K.; Arthur S. Vernay (1877-1960), New York, New York; Estate of Dr. Carroll Ball, Jackson, Mississippi.

Literature: Pilgrim silhouette, Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 159. $400-$700

Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, pp. 194, 262 and 199. $400-$700

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107 108

107 Auguste Edouart (French, act. U.K., U.S., 1789-1861) Portrait Silhouettes of Three Scholars paper cut-outs including two with mortarboards, the first holding one, the second wearing one, frame backing of first with “Wright Howes, Chicago, IL” label; and a gentleman with a book identified as “John Cockburn, Esq. (1784-1862), of Doune Terrace, Edinburgh”, the first two signed and dated 1828, the third with the sitter’s name and locale inscribed in a “keyhole” cut en verso. sights 10-1/2” x 6-1/2”, 10-1/2” x 5-1/2” and 10-1/2” x 6-7/8, respectively. Each glazed and framed. framed 13-1/4” x 9-1/4”, 14” x 9-1/2” and 12-1/2” x 8-3/4”, respectively Provenance: Scholar holding mortarboard, Wright Howes, Chicago, Illinois. Both scholars, Peggy McClard American and Folk Art, Houston, Texas. Cockburn silhouette, Collection of Mrs. F. Nevill Jackson (18611947), London, U.K.; Doyle, New York, May 1, 2007, lot 3172. All four, Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 125

108 Auguste Edouart (French, act. U.K., U.S., 1789-1861) Two Portrait Silhouettes each paper cut-out on card each signed, dated and localized including “M. Fabins Lea of Wavertree near Liverpool (b., 1801)”, May 9, 1837, sitter, location and date identified through “keyhole cut” en verso; “Reverend T. S. Turnbull (b. ca. 1798)”, Marseille 1832; together with a “Portrait Silhouette of L.... Lockesley, Esq.”, indistinctly inscribed in period handwritten label on frame backing. sights 11” x 6-1/4”, 11-3/4” x 6-1/8” and 10-7/8” x 7-1/2”; framed 13-3/8” x 8-1/2”, 14-1/2” x 9” and 14-3/4” x 11-1/2”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, pp. 147, 171 $400-$700

$400-$700 109 French School (Fourth Quarter 18th/First Quarter 19th Century) Two Memento Miniatures including “Portrait of Napoleon”, after Jacques-Louis David’s 1798 study, watercolor, monogrammed “MM” lower right, dia. 2-5/8”; and a mourning keepsake, eglomise with watercolor and elaborate hairwork, monogrammed “St. M” and “St. MP” on two of the gravestones, sight 3” x 2-1/2”. Each matted and glazed in similar wood frames. framed 5-1/4” x 5-2/4” and 5-3/4” x 5”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500 109

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110 Four European Miniatures including a late Georgian 10-karat gold navette-shaped betrothal brooch set with a painted grisaille of two maidens, two doves and a spaniel, glazed, l. 1-5/8”; a late Georgian rolled gold octagonal betrothal buckle (now mounted as a brooch) with a grisaille of a maiden weaving a floral bridal crown, glazed and surrounded by colorless paste gems, l. 1-3/8”; a Restauration circular guilloche brass box set with a stippled silk portrait of the children of King Louis XVI, Marie-Therese and the Dauphin, glazed, dia. 3”; and a 20th-century Continental painting of the Virgin in a .800 silver cannetille easel frame set with glass “turquoise” stones, h. 2-1/8”. Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600-$900

110

111 Continental/American School (Fourth Quarter 18th/First Half 19th Century) Five Folk Art Portraits each watercolor/gouache including John Austin (1757-1820), Silversmith of Philadelphia and Charleston”; “Woman with Pearls and White Lace Bonnet”, inscribed “Strobl” on frame backing; “Beauty with an OffShoulder Dress”, 1851, inscribed “Emanuele...” and dated on frame backing; “Lady in Profile”; and “Gentleman with Powdered Hair and a Blue Coat”, each unsigned. Each glazed and framed. sights 2” x 1-5/8” to 3-1/2” x 2-7/8”, framed 2-1/2” x 4” to 3-1/2” x 2-7/8”. All together in a wood and glass presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700

111

112 American/British School (First Half 19th Century)

Notes: According to silversmith directories and biographies, John Austin, born in England, was an apprentice in Hartford, Connecticut, ca. 1770, before opening his own shop in Philadelphia in 1802 that sold flatware, jewelry and creampots. In 1808-1809, he moved to Charleston, South Carolina, and established a well-recognized jewelry shop. Austin is buried in Trinity Methodist Church Yard in Charleston.

Three Portrait Bust Silhouettes each paper cut-out heightened with gold on card including two gentlemen, the gentleman with the sideburns inscribed “A. Bolton” on frame backing, and a lady, each unsigned. Each glazed and framed. sights 2-3/4” x 2-1/4” to 3-1/4” x 2-5/8”, framed 7” x 6” to 7-5/8” x 6-3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500 112

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113 William Hubard (British/act. Virginia, 1807-1862) “Young Girl Holding a Flower” paper cut-out and watercolor heightened with gold unsigned, paper embossed “Hubard Gallery, London”; together with Auguste Edouart (French, 1789-1861), “Two Sisters”, 1829, paper cut-out, signed, localized and dated lower margin. Each glazed and framed. sights 8-3/4” x 11-3/4” and 9” x 6-3/8”, framed 11-3/8” x 14-1/2” and 11-1/8” x 8-1/4”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

113

$400-$700 114 British School (Fourth Quarter 18th/First Quarter 19th Century) Four Fine Portrait Miniatures in Profile each watercolor and pencil accented with gum arabic on card including William Hamlet of Bath (1785-1816), “Deputy Naval Officer [at Calcutta] Matthew Louis, Esq. (b. ca. 1760)”, unsigned, sitter’s name and family inscribed en verso, sight 2-3/8” x 1-3/4”; Albin Burt (1784-1842), “Gentleman”, signed lower center, sight 4” x 3-3/8”; “Young Naval Officer”, ca. 1831, unsigned, frame backing with remnants of handwritten note dated “May 1831” and inscribed “F.M.”, sight 2-7/8” x 2-1/4”; and “Lady”, unsigned, 3” x 2-3/8”. Each glazed and framed, 5-1/8” x 4-1/4” to 7-1/4” x 6-1/4”. The first two together in a wood and glass presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

114

$500-$800 115 Louisa St. Leger Leighton (British, b. 1786) “The Leighton Children”, ca. 1830 each watercolor and pencil on card each signed en verso “Louisa Leighton” and inscribed with sitter’s monogram and date of birth, each with Bristol framer’s label on frame backing. Matted, glazed and framed alike. Each sight 4-3/8” x 3”, framed 8-1/2” x 6-5/8”. All four together in a glass and wood presentation case. Provenance: The Leighton Family; Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500

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116 British School (Fourth Quarter 19th/First Quarter 20th Century)

118 Victorian Mahogany Metamorphic Three-Tier Dumbwaiter

“Portrait Miniature of a Dandy in a Fur Stole”

third quarter 19th century, the graduated, telescoping, shaped top on a hexagonal column, supported by shaped legs. ext. h. 39-1/4”, w. 29-1/2”, d. 21-1/2”

watercolor on celluloid signed “Cosway” right edge. Glazed and mounted in a picture box frame. sight 3-1/4” x 2-1/4”, framed 7-1/4” x 6-3/8”

$300-$500

Provenance: Cowan’s Auctions, Cincinnati, Ohio, February 7, 2009, lot 570; Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700 117 Victorian Burl Walnut Occasional Table third quarter 19th century, the oval top above a conforming frieze fitted with a single drawer, raised on double columnar end supports joined by double stretchers to splayed foliatecarved legs to pad feet. h. 28-3/4”, w. 28-3/4”, d. 18-1/2” $300-$500

118

119 Victorian Brass Coal Hod third quarter 19th century, in the Rococo Revival style, with applied scrollwork, the crest with a shell, raised on cabriole legs, with a removable tole liner. h. 19-1/4”, w. 14”, d. 20”

116

$400-$700

117

119

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120 Victorian Exuberantly Carved Mahogany Tilt-Top Table second half 19th century, in the Chippendale taste, the single-board, scalloped and dished top on a foliate-carved tripodal base with cabriole legs. h. 29-3/4”, dia. 30” $300-$500

121 Four-Piece Collection of Imari Porcelain including a signed Derby cake or fruit basket, ca. 1806-1825, h. 4-1/4”, w. 11-1/4”, d. 9”, a campanaform urn with the 1820s mark, h. 7”, w. 5-1/2”, and a pair of English-style cachepots on gilt paw feet, h. 8”, dia. 6-1/4”. $400-$700

120

121

122 Copeland “Indian Tree” Pottery Partial Dinner Service pre-1891, English, including nine dinner plates, dia. 10”, eight salad/dessert plates, dia. 7-1/2”, a well-and-tree platter, w. 19”, d. 14-1/2”, a pair of covered vegetable dishes, h. 5-1/4”, w. 12-3/4”, d. 9”, and a slightly taller covered vegetable dish, h. 6-1/4”, w. 12-1/4”, d. 8”. $500-$800

122

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123 one of four

123 two of four

123 three of four 123 four of four

123 John Gould (British, 1804-1881) and H. C. Richter (British, 1821-1902) suite of four hand-colored ornithological lithographs, including “Calypte Annae”, “Spathura Melanthera”, “Gouldia Letitle” and “Thalurania Furcata”, published by C. Hullmandel and Walton. Each matted, glazed and framed alike. each sight 19” x 11-1/2”, framed 28” x 20” $300-$600

124 John Gould (British, 1804-1881) and H. C. Richter (British, 1821-1902) three hand-colored ornithological lithographs, including “Erythronota Sophiae”, “Calothorax Micrurus” and “Trogon Atricollis”, the first two printed by C. Hullmandel and Walton, 18491861, each sight 19” x 14”, the third printed by Hullmandel, 1832-1837, sight 18” x 13”. Each matted, glazed and framed. framed 26-1/4” to 27-1/4” x 20-1/2” to 20-1/4”

124 one of three

$300-$600

124 two of three

124 three of three

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125 Edwardian-Style Polychromed Satinwood Cabinet of demi-lune form, the top with leaf and vine painting along its perimeter, the case with a drawer over a pair of doors, each, together with the side panels, with painted wreaths. h. 34-1/2”, w. 38”, d. 20” $700-$1,000 126 Edwardian-Style Mahogany Lingerie Chest early 20th century, the serpentine front fitted with six drawers with brass bail handles. h. 47”, w. 24”, d. 18” $400-$700 127 Pair of Queen Anne-Style Mahogany Armchairs early 20th century, with curved backs and open arms with carved knuckle-scrolled hand grips, raised on slender cabriole legs. h. 34-1/2” $400-$700

126

128 Attributed to Joshua Cristall (British, 1767-1847) “A Couple and Their Dogs” oil on board laid down unsigned, a “C. E. Clifford, Artists’ Colourman, Piccadilly, London” label and handwritten labels identifying artist. In a period gilt frame. 8” x 5-1/2”, framed 12” x 9-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600-$900 127

125

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129

129 British School (19th Century) “Portrait of a Handsome Young Man” oil on wood panel unsigned, a “Wyatt, Carver and Gilder, Oxford” label en verso. Framed. 11-1/2” x 9-1/2”, framed 17” x 15” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600-$900

130

130 William IV-Style Bronze Mirror and Console 20th century, the console with a mahogany top, fluted column supports and a pierced and scrolled skirt, h. 33-3/4”, w. 38-3/4”, d. 12-1/2”, and the mirror with medallion-decorated corner blocks, the sides molded with pierced scrollwork and acanthus leaves, set with a beveled mirror plate, h. 40”, w. 22-3/4”. $300-$500

131 William IV-Style Leather and Mahogany Office Chair the barrel back extending to open arms on reeded baluster supports, above a circular seat and swivel mechanism on four legs. h. 34-1/2” $400-$700 131

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134

132 William IV Rosewood Sofa second quarter 19th century, of scroll-arm form, the back centered by a shell- and foliate-carved crest, the arm supports with foliate-carved roundels and leaf-carved panels, on reeded and turned legs with cup casters, now upholstered in tufted brown leather. h. 35-3/4”, w. 84”, d. 25-1/2” $400-$700 133 Mahogany-Veneered Tall Case Clock first quarter 19th century, probably Scottish, the case with scrollcarved brackets, the painted sheet-iron dial decorated with scenes of people in traditional Scottish costume. h. 83”, w. 21-1/4”, d. 9” $500-$800 134 Regency Mahogany Dining Table early 19th century, consisting of two D-ends and a central drop-leaf section, all with reeded edge and raised on ribbed tapering circular legs headed by a turned capital and ending in toupie feet. h. 29”, w. 41-1/2”, ext. l. 109” $400-$700

133

132

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135 Suite of Six Regency-Style Mahogany Side Chairs 20th century, each with a turned crest rail above stringinlaid and circular paneled splats, the padded seat raised on line-inlaid sabre legs. h. 32-1/2” $400-$700

136 Regency-Style Giltwood Recamier with a molded and shaped back rail joined to a high and low scroll arm, raised on saber legs, upholstered in floral brocade. h. 33-1/2”, w. 62-1/2”, d. 27”

136

$400-$700

137 Regency Giltwood Three-Part Overmantel Mirror first quarter 19th century, framed with spiral-turned columns, the upper tablet decorated with a central shell flanked by panels of delicate raised latticework, the top with a projecting cornice set with gilt spherules, the antique glass plate lined with ebonized reeded trim. h. 26”, w. 40” $400-$700

137

135

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138 British/American School (Late 18th/Early 19th Century) “Portrait of a Woman in a Bonnet” pastel unsigned. Framed. 13-1/2” x 11-1/2”, framed 17-1/2” x 14-3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700

138

139 Victorian Ebonized and Mother-of-Pearl-Inlaid PapierMache Armchair third quarter 19th century, of barrel-back form, with a central floral spray on the back, the slip seat in needlepoint and raised on cabriole legs with scrolled toes. h. 37”, w. 28”, d. 21” $300-$500

139

140 Victorian Papier-Mache Tray on a Custom Stand second quarter 19th century, the serpentine tray decorated with birds, roses, morning glories and delicate scrollwork on a russet ground, and raised on a conforming stand with likepainted scrollwork. h. 18-1/2”, dia. 30” $300-$500

140

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141

143

142 Decorative British Framed Canvas of “The Battle of Trafalgar”, 20th century, depicting the pivotal moment of The Napoleon Wars, when the vastly outnumbered British Navy led by Admiral Nelson defeats the French and Spanish fleets. Framed. 48” x 72”, framed 62-1/2” x 87”

141 Edward Baines (1774-1848), History of the Wars of the French Revolution London: Longman, Hurst, Rees, Orme and Brown, 1817; first edition, in two volumes (Volume I. fronts, title, preface 1-3, directions to binder, introduction 5-22, 23-539; Volume 2. frontis, title, 1-568, index 569-595), with 31 copperplate engravings (some lacking and some duplications); in full mottled brown calf, the flat spine with gilt Greek-key rule, lettering and decoration, the edges cut and speckled, with marbled endpapers. page 26.4 cm x 21.2 cm; overall 27.4 cm x 22.4 cm

$2,000-$4,000 143 After Vander Capella (British, act. Early 19th Century) “Boats in a Light Breeze” oil on canvas unsigned, a handwritten label with artist and title en verso. Framed. 14-1/4” x 17-1/2”, framed 16-1/2” x 20”

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $200-$400

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700

142

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144 Beken of Cowles Marine Photography (British, early/mid 20th c.) “Creole, 1939” silver gelatin print signed, titled and numbered “23887” lower margin. printed history of the yacht listing ownerships including Stavros Niarchos, Greek shipping magnate and Maurizio Gucci of fashion house en verso. Framed. sight 15-1/4 in. x 19-1/4 in., framed 22 in. x 26 in. $100-$200 145 Regency Mahogany Games Table first quarter 19th century, the rounded rectangular top hinged and opening to a gaming surface, above a conforming frieze, raised on ribbed tapering circular legs ending in tall bulbous feet. h. 29-1/2”, w. 36-1/4”, closed d. 18”

144

$300-$500 146 Late Regency Ebonized and Burl Wood Center Table mid-19th century, the banded and rectangular top with a burl panel, above a like-paneled frieze centered by a circular Jasperware classical medallion, raised on double-column fluted supports joined by a fluted and turned stretcher to splayed legs ending in foliate mounts on casters. h. 30-1/2”, w. 36”, d. 20” $800-$1,200 147 Regency-Style Brass-Inlaid Rosewood Sofa Table 20th century, the top with a brass-strung inlaid border and two drop leaves, one side fitted with two drawers and supported by a pair of turned standards mounted to a platform with downcurved legs. h. 27-1/2”, w. 35-1/2”, d. 25-1/2”, ext. w. 56”

145

$400-$700

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147

146


148 Regency-Style Ebonized Mahogany and Figured Elm Center Table the circular top on a hexagonal column joined to a concave base. h. 29-1/2”, dia. 48” $600-$900 149 Regency-Style Mahogany and Marble-Top Cabinet 20th century, the marble top with a concave center section, above a conforming case fitted with a brass-banded frieze over four cabinet doors, each inset with a fabric-backed, grilled panel, raised on a plinth base. h. 35”, w. 67-1/2”, d. 15-1/2”

148

$500-$800 150 Regency-Style Ebonized Wood and Silvered Bronze Double Music Stand first half 19th century, the column-form standard on a platform base with a molded, silvered bronze bezel, the stand on a telescopic support, fitted with four candle arms with silvered bronze candle cups. h. 49-1/2”, w. 27”, d. 19-1/4” $300-$500 151 Regency Penwork Work Box first quarter 19th century, English, the cover decorated with a group of muses, the sides with carefully detailed scrolling leaves flanking an eagle, set with a mother-of-pearl keyhole surround, the interior lined with marbleized paper. h. 5”, w. 12-1/2”, d. 11”

151

$500-$800 150

149

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152 Pair of British Honorary Badges including “Honi Soit Qui Mal T Pense”, the motto of the Order of the Garter, and “Nec Aspera Terrent”, a military motto used by various regiments, each of gold and silver bullion, silk, and foil threads, each mounted in a burgundy velvet and gilt shadowbox overall 7-3/4” x 7-3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $150-$300 153 Regency-Style Parcel-Gilt and Ebonized Shell-Form Stool the shaped swivel seat on a stand with a scalloped apron and cabriole legs. h. 27-3/4”

152

$300-$500

154

154 Pair of English Cast Stone Lions

153

first half 20th century, the lions sitting on their hind legs, their front paws draped over shields. h. 35”, w. 13”, d. 12-1/2” $300-$500 155 George III Mahogany Partner’s Desk early 20th century, the rectangular top with an inset leather writing surface, above a frieze fitted with three drawers to either side, raised on two pedestals, each fitted with three graduated drawers to one side and a paneled cupboard door to the other, raised on plinth bases. h. 31”, w. 69-1/2”, d. 46” $100-$200

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155


156 157

156 Coalbrookdale-Type “Four Seasons” Cast Iron Garden Bench ca. 1900, American or English, the four oval back panels illustrating garden deities, representing the seasons. h. 37-1/2”, w. 73”, d. 25” $500-$800 157 George III Mahogany Armchair in the Chippendale Taste probably Irish, the shaped crest rail over a pierced vasiform splat, the arms on turned supports, raised on cabriole legs with carved knees and pad feet. h. 37” $300-$500 158 Georgian-Style Mahogany Settee

158

19th century, probably Portuguese, the triple back featuring pierced and earred foliate-carved crests, above pierced and interlacing splats, joined by scrolling arms to the shaped and padded inset seat, raised on cabriole legs headed by shell carving and ending in balland-claw feet. h. 45”, w. 65-1/2”, d. 20-1/2” $400-$700 159 Assembled Suite of Ten George II-Style Mahogany Dining Chairs in the Queen Anne taste, comprised of a pair of open armchairs, each with an upholstered back and seat, open arms and cabriole legs, h. 30-1/4”, together with a suite of eight side chairs, each with a shaped top rail and splat, slip seat and cabriole legs ending in pad feet, h. 40-1/4”. $800-$1,200

159

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160 George III-Style Mahogany Secretary early 19th century and later, the molded cornice above two doors, each inset with a grille panel, the lower section fitted with a drop-front drawer opening to a variety of drawers and cubbyholes, faced as two long drawers, over two graduated long drawers, raised on splayed bracket feet. h. 84-1/4”, w. 40-1/2”, d. 20” $300-$500 161 J. Sandby (British, Late 19th/Early 20th Century) “Fisherman by the River” oil on canvas signed lower left. Framed and affixed with artist plaque. 14” x 20”, framed 19” x 25”

161

$300-$500

162

162 Sydney Herbert (British, 1854-1914) “Italian Landscape with Figures”, 1885 oil on canvas signed and dated lower right. Framed. 20” x 30”, framed 30” x 39-3/4” $500-$800

160

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163

165

163 James Topping (British/Illinois, 1879-1948) “Cabins in the Mountains” oil on canvas board signed lower left. Framed. 14” x 16”, framed 17-3/4” x 19-3/4” $400-$700 164 Pair of Cast Iron Andirons in the Rococo Taste fourth quarter 19th century, English, each with a shellmolded base supporting a swathed putto holding a cornucopia. h. 24”, w. 6-3/4”, d. 26” $500-$800

166

165 S. H. Hunter (British, 19th/20th Century) “By the Shore” oil on canvas signed lower right. Framed. 30-1/4” x 20”, framed 39-1/2” x 29-3/4” $700-$1,000 166 Edgar Longstaffe (British, 1849-1912) “Luminous Highland View with Sheep Grazing in the Foreground” oil on board monogrammed lower left. Matted, glazed and presented in a contemporary silver gilded frame. sight 5-3/4” x 12” $100-$200

164

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169 one of three

169 two of three

167

167 George II-Style Tilt-Top Table early 20th century, the dished circular top on a baluster-form tripodal base with cabriole legs and pad feet. h. 30-1/4”, dia. 26” $200-$400 169 three of three

168 Circle of Sir Godfrey Kneller (British, 1646-1723) “Portrait of a Lady in Blue” oil on canvas laid on board unsigned. Framed. 25-3/4” x 21”, framed 31-3/4” x 27-5/8” $400-$700 169 Suite of Three British Engravings of Biblical Scenes

168

52

fourth quarter 18th century, including “Abraham and Isaac”, “David and Abigail”, and “Jacob Wrestling with God”, two engraved by William Tringham (1749-ca. 1794), one by Bell, probably Andrew Bell (1726-1809) Glazed and framed alike. each sight 13-1/2” x 19-1/2”, framed 14-1/4” x 10-1/4” $500-$800


172

170

173

170 George III-Style Mahogany Bowfront Cabinet 19th century, the molded cornice with a drop pendant-carved frieze, above two long doors, each inset with two panels and opening to a shelved interior, raised on splayed bracket feet. h. 79”, w. 45-1/4”, d. 22-1/2” $400-$700

171 George III-Style Mahogany Bowfront Chest late 19th century, the case with three graduated beaded drawers, raised on flaring bracket feet. h. 35-1/2”, w. 37”, d. 16-1/2” $300-$500 172 George III Mahogany Bureau fourth quarter 18th century, the slant front opening to a storage well and a variety of drawers and cubbyholes, above two short drawers and two graduated long drawers, raised on waisted bun feet. h. 41”, w. 38-1/2”, d. 22” $300-$500 173 George III Mahogany Cellarette

171

fourth quarter 18th century and later, of octagonal form, the hinged lid opening to a void interior, the brass-bound case with carrying handles, raised on a stand of splayed square legs. h. 27-1/2”, dia. 20” $300-$500

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174 Victorian Mahogany Shaving Stand mid-19th century, the oval mirror in a wishbone frame, on an oval platform fitted with a single drawer, raised on a fluted column on a tripodal base. h. 63-1/2”, w. 15-1/2”, d. 12-3/4” $200-$400 175 George II-Style Carved and Silver-Leaf Ottoman the padded seat over a deeply relief-carved frame and raised on cabriole legs ending in ball-and-claw feet. h. 21”, w. 30”, d. 18” $400-$700 176 Chinoiserie Ebonized and Marble-Top Cabinet early 20th century, the breakfront rectangular marble top above a conforming case fitted with three cupboards, each with a decorative foliate polychrome border around a panel with figural accents in the chinoiserie manner, raised on square legs. h. 41-1/2”, w. 82-1/2”, d. 27” $700-$1,000

174 175

176

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177

178

177 Carl Hornung-Janson (Danish, 1882-1960) “Portrait of a Girl with Braids”, 1924 oil on canvas signed and dated lower right. Framed. 20-3/4” x 15-3/4”, framed 25-1/4” x 20-1/2” $600-$900 178 Pair of Danish Neoclassical-Style Faux Rosewood Fauteuils 20th century, each with a curved and rounded back joined by downswept on swan uprights to the padded seat, raised on paneled sabre legs with gilt accents. h. 39” $500-$800 179 Christian Molsted (Danish, 1862-1930)

179

“Sailor Blowing His Horn”, 1896 oil on canvas signed and dated lower left. Framed. 23-1/4” x 18-1/4”, framed 30” x 25” $600-$900 180 Christoffer Jennert (Danish, 1890-1949) “The Bustling Crowd”, 1929 oil on canvas signed and dated lower right. Framed. 27-1/2” x 30-3/4”, framed 31-3/4” x 34-1/2” $600-$900

180

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181 Danish Rosewood and Marble-Top Commode 18th century, the serpentine marble top above a conforming case fitted with three long drawers, all with gilt banding, raised above a pendant-shaped shellcarved apron on cabriole legs ending in scrolled toes. h. 32”, w. 50”, d. 24” $700-$1,000 182 Harry Kluge (Danish, 1879-1963) “The Bent Branch” oil on canvas signed and dated lower right. Framed. 14-1/2” x 16-3/4”, framed 18” x 20-1/4”

182

$600-$900 183 Hans Dall (Danish, 1862-1920) “Autumn Landscape” oil on canvas signed lower right. Framed. 10-1/2” x 15-1/2”, framed 14-1/4” x 19-1/2” $600-$900

183

181

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186 Spanish Colonial School (19th Century) “Virgin with Christ Child” oil on tin unsigned, Framed. 15-1/2” x 11-1/2” $300-$500

184 Vilhelm Victor Bille (Danish, 1864-1908)

184

“Ship at Sea” oil on canvas signed lower right. Framed. 16” x 21-1/2”, framed 21-3/4” x 27-3/4” $500-$800

186

187 After Bartolome Esteban Murillo (Spanish, 1617-1682) “The Divine Shepherd”, 1922 oil on linen painted by “Prof. Seith” of Copenhagen, inscribed and dated in Danish on stretcher. Framed. 15-7/8” x 13-1/2”, framed 20-3/4” x 18” $500-$800

185

185 Spanish Baroque Style Giltwood Mirror fourth quarter 19th century, with a flat scroll-carved gilt fillet against the beveled gilt plate, the angled frame carved with bold, pierced scrollwork. h. 44-3/4”, w. 38-1/2” $600-$900

187

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188

189 suite of three

188 Adrianus Petrus Nicolaas Vermunt (Dutch, 1907-1993) “The Village” oil on wood panel signed lower left. In a period gilt frame. 10-1/2” x 15”, framed 20-1/2” x 25” $400-$700 189 Suite of Three Hand-Colored Botanical Engravings

190

1745, from Phytanthoza Iconographia by Johann Wilhelm Weinmann (German, 1863-1741), a “Judy Cormier/New York” label en verso each. sight 15” x 8-1/2”, framed 23-1/2” x 18” $300-$500 190 Amusing Six-Piece Porcelain Frog Band third quarter 20th century, German, dressed in 18th-century-style wigs, marked “Porcelain Factory Muhlbach, Bruchmuhlbach”, ca. 1951-1970. h. 4-1/2” to 5-1/2”, w. 3”, d. 3” $400-$700 191 Henri Schafer (German/French, 1833-1916) “Utrecht, Holland” oil on canvas signed lower left ,and signed and titled en verso. Framed. 15” x 11”, frame 22-1/4 in. x 18 in. $200-$400

191

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192

192 Franz Paul Glass (German, 1886-1964)

193 Rosa Bruhl (German, 1869-1914)

“Familienkonzert”, 1941

“Young Maiden and Cupid with Musical Instruments”, 1895, after V. Lynais (French, 19th Century) “Young Maiden Adorned by Cupid and Putti”, 1895, after Franz Lefler (Austrian, 1831-1898)

oil on canvas signed and dated lower left, verso with German shipping label and English catalogue label. Framed. 43-1/4” x 59”, framed 53” x 68-1/2” $500-$800

pair of oils on canvas each signed, dated and inscribed lower right and left corners. Framed alike. 27-1/2” x 19-1/2”, framed 31-1/4” x 33” $600-$900

193 one of two

193 two of two

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194 J. M. Leitzmann (German, 19th Century) “On Their Way to Evening Church Service”, 1847 oil on canvas signed and dated lower right. Framed. 18” x 15-1/2”, framed 25” x 23” $500-$800 195 Contemporary Ebonized and Polychrome Corner Cabinet, in the Georgian Style the molded and domed cornice centered by a carved shell crest, above a glazed door, with a single paneled cupboard below featuring a figural Oriental landscape, raised on a plinth base, the whole with gilt and polychrome accents in the chinoiserie manner, h. 82-1/2”, w. 34-1/2”, d. 18-1/2”. 194

$150-$300 196 Pair of Bronze and Faux Tortoise Torcheres of neoclassical inspiration, each two-light torchere with a strapwork frame decorated with acanthus leaves, the double sockets concealed in a hemispherical faux tortoise shade. h. 72”, dia. 19” $400-$700

195

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198

197

197 Pair of Wrought Iron, Polychromed Stamped Metal and Marble-Top Console Tables

198 Ulisse Pagliari (Italian, b. 1932)

early 20th century, each decorated with grapes and leaves, and raised on scrolled legs. h. 34-1/2”, w. 38-1/2”, d. 16-1/2”

“The Apparition of Princess Brambilla,” 1982

$500-$800

terracotta bas relief with gray wash signed and dated lower right. Framed. 19-1/2 in. x 19-1/2 in., framed 21-1/4 in. x 21-1/2 in. $300-$500

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199 Italian Neoclassical-Style Parcel-Gilt Wrought-Metal and Faux Stone Cabinet the central projecting bowed top over a pair of doors, flanked by similar single door cupboards, raised on paw feet h. 38-3/4”, w. 76”, d. 19” $100-$200

199

200 After Leonardo da Vinci (Italian, 1452-1519) “St. John the Baptist” oil on canvas unsigned. Framed. 19” x 15”, framed 20” x 16” $400-$700 201 Italian Rococo-Style Parcel-Gilt and Creme-Peinte Sofa the scalloped crest rail extending to closed arms and a deep, concave seat rail, now upholstered in floral and foliate brocade on a gold ground. h. 44”, w. 79”, d. 35” $600-$900

200

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201


202 Italian School (Fourth Quarter 19th/First Quarter 20th Century) “Vendor on a Venetian Canal” oil on canvas signed and localized “T. Rivarola. Venezia.” lower left. Framed. 37-1/2” x 57-1/2”, framed 52-1/2” x 72” $600-$900

203 Two Bronze Table Lamps

202

including a Neo-Grec bronze banquet lamp, third quarter 19th century, now electrified, on a footed base decorated with molded anthemia and incising, the sides molded with classical figures from “Dance of the Hours”, and the handles molded with anthemia and scrollwork, h. 32-3/4”, dia. 6-3/4”, together with a French Portoro marble and bronze lamp, with a vasiform marble base decorated with molded bronze panels of cornucopia and laurel wreaths, h. 19-1/2”, dia. 5-1/2”. $400-$700

203

204 Continental School (Fourth Quarter 19th Century) “Harvesting in the Green-House Vineyard” oil on canvas monogrammed “JS” lower right, old partial label en verso stretcher. Framed. 24-1/4” x 14”, framed 32-1/4” x 23-1/4” $500-$800 204

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205 Empire Polychrome and Marble-Top Side Table early 19th century, the rectangular marble top above a conforming frieze with an ormolu guilloche mount, raised on ribbed scroll supports with ormolu capitals to a narrow plinth base. h. 36”, w. 43”, d. 18” $800-$1,200 206 Empire-Style Mahogany and Marble-Top Gueridon fourth quarter 19th century, the circular marble top above a conforming frieze, raised on tapering square supports headed by ebonized maiden’s-head capitals and ending in ebonized feet on a concave square base on casters. h. 30-1/2”, dia. 23-1/2” $300-$500 207 Empire-Style Parcel-Gilt Mahogany Armchair

208

fourth quarter 19th century, the padded back with a carved crest and the arm fronts with seated griffins, raised on bold, carved tapering square legs. h. 45”, w. 26”, d. 26” $600-$900 208 Continental School (20th Century) “Still Life with Fruit and Wine”, 1916 oil on burlap illegibly signed and dated lower right. Framed. 29” x 19”, framed 34-1/2” x 24-3/4” $700-$1,200

207

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205

206


211 Suite of Eight Empire-Style Gilt-Bronze-Mounted Mahogany Chairs each with foliate and ribbon mounts, full-figured Sphinxes at the hips, and parcel-gilt moldings. h. 35-3/4” $700-$1,000

209

209 Empire-Style Mahogany Planter 20th century, the open octagonal top above a conforming case with ormolu mounts, raised on eight columnar supports headed by ormolu capitals and joined by a spokeform standard and ending in turret feet. h. 32-1/2”, dia. 25-1/2” $300-$500 210 Empire-Style Ormolu-Mounted Mahogany and MarbleTop Stand the oval Brescia marble top over a conforming apron and raised on tapering columns with capitals modeled as busts of classical maidens, the concave base with a like marble panel, on ormolu paw feet. h. 46”, w. 15”, d. 11-1/2” $300-$500 210

211

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212 Continental School (19th Century) “The Wager” oil on wood panel unsigned. In an antique frame. 9” x 10-1/2”, framed 21” x 23” $300-$500 213 Three-Piece Gilt-Bronze, Metal and Porcelain Clock Set ca. 1900, in the rococo taste, the clock set with a central handpainted porcelain plaque, columns and finial, h. 21-3/4”, w. 12”, d. 6-1/2”, and the pair of matching five-light candelabra set with porcelain plaques, h. 20-1/4”, dia. 9”.

212

$500-$800

213

214 Continental School (19th Century)

214

“Rough Waters - Marooned Sailing Ship by Rocky Cliffs and Castle” oil on canvas unsigned. In a period frame. 17” x 21-1/2”, framed 24” x 27-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700 215 Continental Kingwood and Marble-Top Cabinet mid-19th century, the demi-lune marble top with a molded edge, above a conforming case fitted with a central cupboard door, banded, quarter-veneered and centered by an inlaid floral spray, flanked to either side by a banded cupboard door, raised on tapering square legs ending in brass caps. h. 38”, w. 32”, d. 19-1/2” $300-$500

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218 Renaissance Revival Bronze Encrier fourth quarter 19th century, the encrier with three inkpots, each with pierced decoration, flanked by molded chimeras, on scrolled feet. h. 8-1/4”, w. 15-1/2”, d. 6-3/4” $200-$400 216

216 Four Pieces of Continental Porcelain mid-19th century, including a signed Jacob Petit bulb pot with hand-painted floral panels on a mauve ground, h. 9-1/2”, dia. 8”, a pair of campana-form urns decorated with hand-painted port scenes, h. 8-3/4”, w. 6-1/4”, d. 6-1/4”, and a Paris bulb pot decorated with Christ on the cross, h. 5-1/4”, dia. 4-1/4”. 218

$400-$700 217 Renaissance-Style Mahogany Savonarola Chair each stile with an owl-carved finial, the back with a dragoncarved panel, above open arms and a curule-form base. h. 44” $400-$700

220 219

219 Large Meissen-Style Porcelain Figure ca. 1900, depicting a reclining child with flowered dress, the underside marked with blue crossed swords. h. 9-1/2”, w. 16”, d. 7” $600-$900 220 Restauration-Style Mahogany Center/Games Table the inset white marble top over an apron with a pair of drawers and a pair of slides, raised on fluted legs joined by concave stretchers and a circular shelf. h. 28-1/2”, dia. 35” Provenance: A New Orleans, Louisiana estate. $700-$1,000

217

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222 Continental Faience Charger in the 18th-century style, depicting a hunter, framed with a border of tulips, flowerheads and leaves. dia. 17” $50-$100 223 Three Porcelain Figures Representing “The Continents” third quarter 19th century, probably Samson, one figure with a lion representing Africa, one with a camel representing Asia, and one with a horse representing Europe, unmarked. h. 10-3/4”, w. 6-1/4”, d. 3-1/2” 221

$400-$700

221 Continental School (19th Century)

224 Near Pair of Napoleon III Fruitwood and Exotic Woods Cabinets

“Portrait of a Mother and Daughter in Pearl and Lace Collars”

late 19th century, each with a banded and circular top within a full pierced brass gallery, one with an elaborately inlaid Orientalist landscape, above a conforming case fitted with a single cupboard door, inlaid with a floral urn, with like-inlaid urns around the whole, joined to a likegalleried lower shelf with landscape inlay, by shaped supports terminating in sabots. h. 31”, dia. 14-1/2”

oil on canvas In a carved giltwood frame. 24-1/2” x 21-1/2”, framed 28” x 23” $600-$900

$700-$1,000

222

223

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225 Pair of Bohemian Vases in the Orientalist Taste mid-19th century, the lobed vases mounted on OttomanEmpire-style gilt-bronze bases, decorated with hand-painted panels of courting couples in landscapes on a celadon ground, with “Orientalist” shaped borders, bases drilled for lamps h. 18”, dia. 7” $400-$700

226

225

226 Napoleon III Ormolu-Mounted Walnut and Marble-Top Console Table late 19th century, the inset shaped rouge marble top over paneled aprons with ormolu mounts, raised on cabriole legs. h. 30”, w. 42”, d. 15”

227

$500-$800 227 Charming Group of Napoleonica including a Limoge gold-painted trinket dish with central “N” motif; a leather trinket box with watercolor miniature of Napoleon; and a gilt-brass bee motif medallion in a velvetlined shadowbox frame diam 4-3/4”, diam. 3-1/8”, and 12” x 9-3/4” respectively Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $200-$400 228 Napoleon III Mahogany Prie-Dieu third quarter 19th century, in the rococo taste, the padded arm rest over a pierced foliate-carved back, centered by a carved lamb, the cushion over a serpentine front and cabriole legs, retaining its antique needlepoint upholstery. h. 35-3/8”, w. 18”, d. 18-1/2” $200-$400 228

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229 Continental School (19th Century) “A Flock of Sheep” oil on canvas indistinctly signed “... Valmy?” lower right. In a period gilt frame. 20” x 30”, framed 32-1/2” x 42-1/2” $400-$700 230 Jacob Petit Porcelain Encrier mid-19th century, on a rococo base, modeled as a flower seller flanked by “wooden” flower tubs designed to hold ink and pounce pots, with two pen holders fitted into the front, signed “JP” in underglaze blue. h. 8-3/4”, w. 6-3/4”, d. 5-1/4”

229

$200-$400

231 230

231 Pair of Royal Dux Porcelain Figures of Peasants at the Well ca. 1919-1947, Czech, the male and female figures each decorated in a pink and brown palette, with a pink matte triangle marked “E”, an impressed “Made in Czechoslovakia”, a printed “Royal Dux Made in Czechoslovakia” and impressed numbers. h. 23”, w. 9”, d. 8-1/4” $300-$600 232 Unusual Continental Fruitwood Secretaire a Abattant 19th century, in the neoclassical taste, the slanted top hinged and opening to a storage interior, above a drop front opening to a variety of drawers and cubbyholes, over two long drawers, raised on tapering square legs, the whole accented with decorative inlays. h. 50-1/2”, w. 36-1/2”, d. 19-1/2” $400-$700 232

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234

235 Fruitwood and Burl Banquet Table ca. 1900, the ovoid table banded and with a gadrooncarved edge, raised on large cabriole legs headed by foliate shield carving and ending in ball-and-claw feet, with two 12” leaves and one 24” leaf. h. 31-1/2”, w. 47-1/2”, l. 94”, ext. l. 142” $1,200-$1,800 236 Baroque-Style Giltwood and Maple Cocktail Table 233

the inset beveled glass top in a serpentine frame, raised on cabriole legs joined by shaped stretchers. h. 20-1/2”, w. 46-1/2”, d. 46-1/2”

233 Neoclassically Inspired Mahogany and Glass Vitrine on Stand

$150-$300

the case with a glazed top and sides, fitted with a central shelf, raised on tapering fluted legs. h. 67”, w. 26”, d. 26” $200-$400 234 Two Edwardian Mahogany-Cased Bracket Clocks first quarter 20th century, each with a domed top, one signed “Mansell Lincoln” and the other with a four-train movement. h. 15-1/4”, w. 11”, d. 6” and h. 16”, w. 12”, d. 7” $300-$500 236

235

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237 Pair of Pietra Dura, Parcel-Gilt and Faux Tortoiseshell Side Tables of neoclassical inspiration, each with a circular top inlaid with stone veneers, supported by a dolphin-form gilt pedestal on scroll and paw feet, joined to a concave base. h. 28-1/2”, dia. 27-3/4” $500-$800 238 Continental Neoclassical Bas-Relief Stone Sculpture 237

20th century, modeled as a pair of putti playfully wrestling with a bowknot, against a draped background. h. 23-1/2”, w. 31-1/2”, d. 8” $100-$200 239 Continental Patinated Bronze Bas Relief Rondel of Apollo 1st Quarter 20th century, incised “48” at back, presented in a custom-made gold-painted frame overall diam. 8-3/8” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

238

$150-$300 240 Set of Five Black Metal Sconces in the Continental style, decorated with applied leaves and pierced heart finials. h. 33-1/2”, w. 24”, d. 15” $100-$150

239

240

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241 Large Anglo-Indian Brass and Ebonized Wood Cocktail Table second quarter 20th century, in the Regency taste, the lobed square top supported on four pairs of bamboo-turned legs capped by antiqued brass spheres and tied by a double “X”-form bamboo-turned stretcher. h. 17-1/2”, w. 34” $600-$900

242

241

242 Continental School (20th Century) “Indonesian Dancers” oil on canvas signed “Soereno” lower left. Framed. 12” x 22-1/4”, framed 16-3/4” x 26-3/4” $500-$800

243 French Provincial Painted Morbier Clock the grained pine case decorated with painted flowers, the works signed “Leroux, a la Guerche”, set into a pressed brass surround accented with enamel coloring, with a matching pendulum. h. 83-1/4”, w. 18-1/2”, d. 8-1/2” $600-$900

243

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244 French Provincial Polychrome Occasional Table 18th century and later, the dished and canted rectangular top above a scalloped frieze fitted with a single drawer, raised on cabriole legs ending in hoof feet. h. 29-1/2”, w. 25”, d. 20-1/2” $200-$400

244

245 Raoul Dufy (French, 1877-1953) “La Peche”, 1912 woodcut pencil-signed and dated lower right, titled in plate lower right. Matted, glazed and framed. sight 16-3/8” x 19-7/8”, framed 24-3/8” x 28-1/2” $400-$700 245

246 Louis XV Gilt-Bronze-Mounted Kingwood Bureau 18th century, the serpentine top with inset leather, over a conforming apron with a pair of shaped and banded drawers, raised on cabriole legs with bronze mounts above the knees and feet. h. 28”, w. 31”, d. 20” $500-$800

246

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247 Unusual Pair of Paris Porcelain Rhyton-Form Vases mid-19th century, French, on molded bases with Rococo Revival trim, the vases terminating in well-modeled, realistically painted eagle heads, with hand-painted floral bouquets on a salmon and celeste-blue ground. h. 13”, w. 10”, d. 6-1/4” $300-$500

248 Three Pairs of Paris Porcelain Rhyton-Form Garniture Vases

247

249 Pair of Louis XV-Style Fruitwood Canapes

mid-19th century, French, including a pair with green grounds, signed “MA” in underglaze blue, for Margaine, h. 10”, w. 8-1/2”, d. 5-1/2”, a pair with blue grounds decorated with hand-painted flowers, signed “Jacob Petit”, h. 9”, w. 7”, d. 4”, and a pair with aubergine grounds with hand-painted flowers and eagle-head terminals, h. 7-3/4”, w. 6”, d. 3-3/4”.

early 19th century, each with a padded double back within a molded frame, the cushioned seat raised on molded cabriole legs ending in scrolled toes, each branded “Allainges”. h. 28”, w. 40”, d. 20-1/2”

$400-$700

$300-$500

249

248

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251

250

250 Pair of Louis XV-Style Polychromed Fauteuils each with a floral- and foliate-carved crest and stiles, open arms, serpentine seat and cabriole legs. h. 37” $400-$700 251 French Empire Verde Antico Marble and Bronze Portico Clock first quarter 19th century, with engine-turned capitals and dial, and an elaborately molded pendulum, set with a silk-string suspension movement. h. 21-1/4”, w. 11-1/2”, d. 7-1/2” $500-$800

252

252 French Patinated Bronze of a Hunter ca. 1900, after Ernest Rancoulet (French, 1870-1915), cast signature along self-base. h. 19”, w. 7”, d. 7-1/2” $400-$700 253 Louis XV-Style Kingwood and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with three banded long drawers, all quarterveneered and with foliate and floral inlay, the sides veneered en suite, raised on splayed legs ending in sabots. h. 35”, w. 41-1/2”, d. 20” $500-$800

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253


254 Pair of Louis XV-Style Fruitwood Fauteuils each with a shell-carved crest, open arms with scroll ends, and cabriole legs with French toes, upholstered in gold and black striped fabric. h. 41” $200-$400 255 Odilon Redon (French, 1840-1916) “Frontispiece: Le Mouvement Idealiste en Peinture”

254

lithograph from book by Andre Mellerio, an “Allan Frumkin Gallery/ Chicago” label on backing. Matted, glazed and framed. sheet 5-1/2” x 7-7/8”, framed 11-1/4” x 13-1/4” $600-$900 256 Pair of Empire-Style Brass and Cut Crystal Lamps mid-20th century, French, the candelabra-style lamps with brass scroll- and leaf-molded bases set with cut crystal standards and four candle arms below two sockets. h. 39”, dia. 6-3/4” $300-$500 257 Louis XV/XVI-Style Fauteuil

255

late 19th century, the padded and domed back surmounted by a foliate shell crest, joined by downswept molded arms to the padded seat, raised above a shaped foliate shell-carved apron on cabriole legs ending in scrolled toes on pegs. h. 42-1/2” $400-$700

257 256

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259

258

258 French Patinated Bronze Tazza fourth quarter 19th century, on a sacred bull-form standard, the dish top incised with Egyptian figures around a molded Egyptian portrait roundel. h. 8-1/4”, dia. 12-1/4” $500-$800 259 Molded Bronze Tazza in the Renaissance Revival Taste fourth quarter 19th century, French, the top centered with a profile portrait of Leonardo da Vinci, set against a field of scrollwork, the tapered base decorated with cartouches and swags of fruit. h. 8-1/4”, dia. 13-1/4”

260

$400-$700 260 Pair of French Belle Epoque Bronze Candelabra fourth quarter 19th century, in the Louis XV taste, decorated with molded scroll- and rocaille work, and molded flowerheads. h. 12-3/4”, dia. 9-3/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $500-$800 261 Louis XVI-Style Fruitwood Dressing Table early 19th century, the rectangular top banded and hinged, opening to a mirrored marble-inset surface, above a conforming frieze fitted with three small drawers, raised on tapering circular legs ending in brass caps and casters. h. 30-1/2”, w. 34-1/2”, d. 21” $400-$700

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262 Pair of Louis XVI-Style Ormolu-Mounted Fruitwood Side Chairs 20th century, of generous proportions, with shaped backs and cabriole legs. h. 45” $300-$500 263 Jean Chaleye (French, 1878-1960) “Nude” oil on board signed lower right. Framed. 18-1/4” x 25-3/4”, framed 24-1/4” x 32” 262

$500-$800 264 Pair of French Gilt-Bronze Gas Sconces third quarter 19th century, the three-light single trumpetform sconces with standards molded with acanthus leaves and decorated with mounts, flanking cornucopia-form candle branches and Egypto-Revival gas keys, retaining an old surface and some parts of the original light fittings, not electrified. h. 17-1/4”, w. 9-1/2”, d. 5-1/2” $300-$500 265 Pair of Gilded Age Bronze and Marble Candelabra

263

fourth quarter 19th century, French, the four-light candelabra with urn-shaped marble standards decorated with bronze ram’s-head handles and swags of flowers, and supporting twig-molded candle branches decorated with leaves and set with flower-molded candle cups, raised on hoof feet, above ormolu-mounted circular marble bases. h. 19-1/2”, dia. 9-1/2” $400-$700

264 265

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266 Louis XVI-Style Parquetry-Inlaid and Marble-Top Side Table of small size, the ovoid brescia marble top within a brass gallery, over a parquetry-inlaid apron, raised on turned legs with brass cup feet. h. 19”, w. 18”, d. 12” $500-$800

266

267 Louis XVI-Style Mahogany and Marble-Top Commode late 19th century, the marble top within a brass gallery, the case with a pair of drawers and raised on tapering square legs. h. 34”, w. 28-1/4”, d. 11-3/4” $500-$800

267

268 Louis XVI-Style Oak and Marble-Top Side Table late 19th century, the rectilinear marble top over a conforming guilloche-carved frieze, the front with a drawer and a work slide on the side, raised on fluted legs. h. 28”, w. 22-1/4”, d. 17” $300-$500

268

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269 French Rococo Revival Paris Porcelain Clock Set mid-19th century, attributed to Jacob Petit, comprising a clock and a pair of vases, each with a celeste blue ground decorated with hand-painted flowers and raised gilt, the clock mounted with a silk-string suspension movement. clock h. 14-3/4”, w. 9”, d. 5”, vases h. 10-3/4”, w. 7-3/4”, d. 4” $600-$900

269

270 Four Pieces of Sevres-Inspired BronzeMounted Porcelain ca. 1900, each piece with a celeste blue ground, including an oval centerpiece handpainted with flowers, h. 9”, w. 11-1/4”, d. 6-1/2”, a pair of candelabra hand-painted with putti, h. 9”, w. 8-1/2”, d. 4”, and a covered urn handpainted with a courting couple on the obverse and a landscape on the reverse, h. 13”, dia. 4”. $400-$700 270

271 Louis XVI-Style Mahogany and Marble-Top Table 20th century, the rectangular top with turreted corners, above a conforming frieze fitted with a single central side drawer, raised on fluted tapering circular legs ending in brass caps. h. 30”, w. 50-1/2”, d. 24” $300-$500

271

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272 French Aesthetic Marble, Bronze and Porcelain Mantel Clock fourth quarter 19th century, the case decorated with porcelain panels and a dial painted with vases of laurel and berries, the dial signed “Elkington, London”, the case with patinated bronze trim, the works marked “AB” with a star for Achille Brocot. h. 16-1/4”, w. 11-3/4”, d. 6-3/4” $300-$500 273 London-Retailed French Bronze and Marble Mantel Clock

272

fourth quarter 19th century, the base trimmed with a molded bronze laurel wreath, the clock with a column-form case set with a dial marked by the London retailer, the works marked by Raingo Freres, Paris, the bold bronze “Warwick Vase” finial decorated with classical busts. h. 18-1/2”, w. 9”, d. 9” $400-$700 274 After Antoine-Louis Barye (French, 1795-1875) “Cheval Turc”, 20th century patinated bronze cast signature h. 7”, w. 7-1/8”, d. 2-3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600-$900 275 Pair of Louis XIV-Style Brass Andirons

273

274

828

ca. 1900, French, each on scrolled feet with a molded masque, the turned standard decorated with molded fleurs-de-lis and crowns. h. 27”, w. 14”, d. 21” $500-$800

275


276 Pair of Restauration Bronze Dore et Patine Candelabra second quarter 19th century, French, the bases decorated with mounts, the tapered column-form standards with laurel bases and Corinthian capitals, the classical upper portions set with molded candle branches. h. 20-1/2”, dia. 10-1/2” $400-$700

276

277 French School (First Quarter 20th Century) “Still Life with Seafood and Champagne” oil on canvas signed and dated lower right “E. Lachappelle 1906”, verso canvas with “A. Vittry Paris” stamp. Presented in a handsome oak frame. 31-3/4” x 25-1/2”, framed 39” x 45-3/8” $600-$900

277

278 French Iron and Stamped Metal Chandelier early 20th century, in the Louis XVI taste, the ten-light chandelier dressed with various fruit and faceted pendalogues. h. 36”, dia. 24” $600-$900

278

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279 French Molded Glass Chandelier 20th century, the six-light chandelier with a reeded vasiform standard hung with glass prism rings, and set with spiralreeded candle arms with prism rings and glass candle sockets, alternating with spiral-twist glass scrolls. h. 35”, dia. 33” $400-$700

279

280 Paul Seignon (French, 1820-1890) “Bringing in the Day’s Catch” oil on canvas signed lower right. Unframed. 27-1/2” x 38-1/2” $600-$900

280

281 French Gilt-Bronze, Mahogany and Glass-Top Occasional Table mid-20th century, the mahogany platform base supporting a gilt-bronze urn-form pedestal molded with putti and ram’shead handles, and fitted with a beveled edge glass top. h. 19-3/4”, dia. 23-3/4” $500-$800

281

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282 Pair of French Rococo-Style Bronze Candelabra ca. 1900, now mounted as lamps, the pierced bronze rocaille and scrollwork bases decorated with flowerheads, the scrolled candle arms set with matching candle cups and drip pans, the center candle cup now mounted with electrical fittings. h. 26-3/4”, dia. 15-3/4” $400-$700 283 Style of Pierre-Antoine Baudouin (French, 1723-1769)

282

“Toilette”, 19th century watercolor and gouache on paper pencil inscribed “in der Art der Galantine feure...Pierre Antoine Baudouin” en verso frame. Matted, glazed and framed. sight 9-1/4” x 7”, framed 13-1/4” x 10-7/8” $500-$800 284 French Giltwood Mirror in the Neoclassical Taste mid-20th century, with a ribbon-bound surround and a serpentine crest supporting giltwood swags. h. 65-1/2”, w. 29-1/2” $300-$500

283

284

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285 Louis-Philippe Bronze Dore et Patine Figural Clock second quarter 19th century, decorated with a figure of 17th-century French architect Louis Le Vau, leaning on a broken column, with a building plan unfurled, the Rococo Revival base decorated with a depiction of Versailles, a Le Vau commission, set with a silk-string suspension movement. h. 19”, w. 15”, d. 4-1/2” $500-$800 285

286 Louis-Philippe Mahogany and Marble-Top Chest second quarter 19th century, the marble top on a case with a cyma-molded drawer above a bank of three drawers and a slipper drawer below, the central drawers with cast brass bail pulls. h. 36-1/2”, w. 48”, d. 21-1/4” $400-$700

286

287 Handsome French Neo-Grec Chenets with Integral Fender third quarter 19th century, the chenets decorated with Ionic columns supporting kylixes and figures of Romulus and Remus, the fender with a pierced crest decorated with anthemia and scrollwork. h. 19-1/4”, w. 36-1/2”, d. 6” $400-$700

287

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289

288

290

293

292

291

288 Shiraz Carpet

291 Turkish Carpet

294 Tabriz Carpet

3’ 5” x 6’ 5”

9’ x 12’ 3”

5’ 1” x 8’ 7”

$300-$500

$500-$800

$300-$500

289 Peshawar Sultanabad Carpet

292 Agra Carpet

3’ 8” x 5’ 8”

9’ 11” x 12’ 11”

$400-$700

$400-$800

290 Agra Sultanabad Carpet

293 Mashad Carpet

8’ 10” x 12’ 1”

10’ 6” x 13’ 5”

$400-$800

$500-$800

294

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295 296

295 Chinese Jadeite Bowl with Hardwood Stand second half 20th century, having steep, slightly flared sides and a raised foot, the stone of translucent spinach tone with paler inclusions throughout, with a carved and pierced hardwood stand. h. on stand 4-3/4”, dia. 6-3/4” h. on stand 4-3/4”, dia. 7” $300-$500 296 Chinese Carved Jade Box

297

possibly Qing Dynasty (1644-1911), the mottled green and white jade box in the shape of a large peach set among branches, heavy with leaves and ripe fruit, the cover surmounted with a finial in the form of a bird carrying a peach in its beak. h. 4-1/2”, w. 5-1/8”, d. 5-1/2” Provenance: Private collection, San Antonio, Texas. $300-$500 297 Chinese Wucai Porcelain Jar second half 19th century, of globular form with everted lip, decorated to the exterior with a continuous design depicting children playing with kites and flags in a terraced garden, the base with a six-character Wanli mark within concentric bands in underglaze blue. h. 3”, dia. 3-1/4” $200-$400 298 Wang Mian (Chinese, late 20th c.) “Sampan Boats along the Canal,” 1987 color wood block print pencil-signed, dated and numbered “55/120” lower margin. artist label en verso. Framed. sight 17-1/4 in. x 15-3/4 in., framed 25-1/4 in. x 23-1/4 in. $100-$200

298

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299 Chinese-Style Teakwood Chow Table 20th century, the square top set within a thick outer frame, with simply pierced frieze and shaped skirt, raised on four legs, joined by hump stretchers and terminating in scroll feet. h. 18-1/2”, w. 36-1/2”, d. 36-1/2” 299

$100-$500

300 Two Chinese Hardwood and Marble-Top Stands early 20th century, including a rosewood example with a serpentine top and a floral-carved edge with an inset marble, raised on cabriole legs with carved fish and birds and joined by a medial shelf, h. 32”, w. 22”, d. 22”, along with a teakwood example of circular form with an inset marble top and carved legs, h. 18”, dia. 18-1/2”. $300-$600

300

301 Mizuno Crocodile and Suede Golf Bag 20th century, Japanese, composed of two-tone black and brown crocodile, with a tan suede cover trimmed with crocodile. h. 44-1/2”, w. 8-3/4”, d. 12-1/2” $1,000-$1,500

301

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302 Two Japanese Lacquered Wood and Bone Inlay Screen Panels first quarter 20th century, each with a large central panel depicting birds amid blossoming branches, framed by red borders with floral motifs, all within an outer frame with densely carved foliate designs. h. 74-1/2”, w. 33-3/4” $300-$500

302

303 Japanese Cloisonne Dish with Ormolu Mounts first half 20th century, of circular form, centered with a design of a peacock perched upon rockwork amid blossoming foliage, all within multiple floral borders, the reverse with bands of geometric floral designs, having ormolu mounts with a bamboo-style rim supporting three hanging loop handles, the whole raised on three elephant-head-form legs, the deep turquoise enamel base unmarked. h. 6”, dia. 15” $600-$900 303

304 Japanese Porcelain Bowl and Hardwood Stand mid-20th century, the deep bowl of circular, steep-sided form, decorated to the exterior with scenes of scholars and their students studying music, painting and scripts, the interior painted with scholarly figures standing in a garden setting, the base with a Fukagawa mark in underglaze blue. h. 6”, dia. 11-3/4” $400-$700

304

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305 Sadao Watanbe (Japanese, 1913-1996) “The Boat,” 1979 color wood block print pencil-signed, dated and numbered “6/80” lower margin. Unframed. sheet 28-1/4 in. x 23 in. $200-$400 306

305

306 Shen Min-Yi (Japanese, late 20th c.) “Docked Wasan Boats,” 1988 color wood block print pencil-signed, dated and numbered “20/150” lower margin artist label en verso. Framed. sight 17-1/4 in. x 24 in., framed 24-1/4 in. x 24-1/4 in. $100-$200

307 Indian School (Likely Fourth Quarter 19th/First Quarter 20th Century) green and gold ink on textured paper depicting a deity and attendants seated under canopies. framed h. 40-3/4”, w. 42”

307

$300-$500

308 Mughal School (19th Century) “Two Kama Sutra Scenes” watercolor miniatures each unsigned and unframed. 3-1/4” x 3-7/8” and 2-1/2” x 4-1/2” Provenance: Sold in these rooms, November 16, 2002, lot 442; Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500 308

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309 Pair of Bronze Lamps mid-20th century, in the form of Asian candlesticks, with leaf-form piercing, the bodies with panels of Asian textured modeling. h. 31”, dia. 5-1/2” $400-$700

309

310 Pair of Labeled Borghese Gilt-Plaster Phoenix Birds second quarter 20th century, Gaithersburg, Maryland, depicted as a true pair, the birds standing among lotus blossoms. h. 14”, w. 3”, d. 4-1/4” $100-$200 310

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311

311 Nine Queen Anne to George II Sterling and Britannia Silver Salt Cellars

312 Eight Georgian and Early Victorian Sterling Silver Salt Cellars

including: A pair of Queen Anne Britannia Silver Trencher Salts, hallmarked London, 1707-1708 and 1709-1710, by “Co”, circular with waisted base, with annular band, base and rim, monogrammed on the underside “DT”, h. 1-1/2”, dia. 2-7/8”; 4.78 total t. oz. A pair of Queen Anne Britannia Silver Trencher Salts, hallmarked London, 1713-1714, by Joseph Clare I (16861725; free 1712), circular decagonally paneled form, monogrammed “S/W*M”. h. 1-5/8”, dia. 2-7/8”; 3.99 total t. oz. George I Britannia Silver Trencher Salt, hallmarked London, 1718-1719, by James Roode (1685-1721; free 1710) of canted rectangular form with waisted sides. h. 1”, l. 2-3/4”, w. 2-1/4”; 1.44 t. oz. A pair of George II Sterling Silver Trencher Salts, hallmarked London, 1735-1736, by Edward Wood (ca. 1701-1751; free 1722), of traditional canted rectangular form with concave sides, h. 1-1/8”, l. 2-7/8”, w. 2-1/4”; 2.20 total t. oz. A pair of George II Sterling Silver Trencher Salts, hallmarked London, 1736-1737, probably James Stone (ca. 1701-after 1722; free 1722), canted rectangular and waisted paneled form, the interior gilt, monogrammed on the underside “M*M”, h 1-1/8”, l. 2-7/8”, w. 2-3/8”; 3.21 total t. oz. 15.62 total t. oz.

Including: A pair of George III Sterling Silver Salt Cellars, hallmarked London, 1777-1778, by Robert Hennell I (1741-1811; free 1763), oval form, the reticulated gallery with beaded rim and molded base, raised on four flat claw-and-ball feet and fitted with a conforming cobalt glass liner (one lacking), h. 2”, l. 3-1/4”, w. 2-1/2”; 2.92 total t. oz. (excluding liner) A pair of George III Sterling Silver Salt Cellars, London, 17861787, by Henry Chawner (1764-1851; free 1785), navette pedestal form, with upswept ends raised on a conforming pedestal foot, with beaded rim and base, engraved with a crest of a stock dove holding in its beak a branch fructed, h. 2-3/4”, l. 4-1/4”, w. 2-1/2”; 5.30 total t. oz. A set of Four Early Victorian Sterling Silver Salt Cellars; hallmarked London, 1838-1839, by Mary & Richard Sibley (fl. 1836-1838), retailed by Robert Makepeace & Co., cauldron form, with wavy gadrooned rim, the body elaborately decorated with engraved and flat-chased rococo shells and scrolls on imbricate and diapered grounds, raised on four shell-crested scroll-and-stepped-pad feet, the interiors gilt, engraved with the crest of Moses et al. (a cock regardant proper) and monogrammed “JM”, h. 2”, dia. 3-1/4”; 16.13 total t. oz. 24.35 total t. oz. (weighable silver) Literature: Arthur G. Grimwade, London Goldsmiths, 16971837: Their Marks and Lives, Third Edition (London: Faber & Faber, 1990), pp. 463, 543, 658 & 741.

Literature: Arthur G. Grimwade, London Goldsmiths, 16971837: Their Marks and Lives, Third Edition (London: Faber & Faber, 1990), pp. 40, 250, 465, 647, 671 & 709

Percy Hennell, Hennell Silver Salt Cellars, 1736 to 1876 (East Grubstead, Sussex: BLA Publishing & the author, 1986), p. 98, pl. 79A & B (illustrated).

$1,000-$1,500

$500-$800

312

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313

313 Four Pairs of Gorham Model #41 Sterling Silver Salt Cellars Introduced in 1859, Providence, Rhode Island, Including, Two Pairs of Gorham Coin Silver Salt Cellars, each of pedestal form, the hemispherical bowl with guilloche decoration and gilt interior, raised on a gadrooned foot, one pair with gilt bowl and engraved “Nellie”, the other pair with plain interior and monogrammed “AMcLF”, h. 1-3/4”, dia. 2-1/2”; 7.14 total t. oz. Pair of Cased Gorham Coin Silver Salt Cellars, each of pedestal form, the hemispherical bowl with guilloche decoration and gilt interior, raised on a gadrooned foot, together with a pair of Gorham “Josephine” salt spoons, all monogrammed “BBL”, cellars, h. 1-3/4”, dia. 2-1/2”; spoons, l. 3-5/8”; 3.52 total t. oz., presented in a waisted oval green velvet- and cream satin-lined fitted case, the interior lid with applied retailer’s stamp of James Conning (1813-1872), Mobile, Alabama, h. 2-1/4”, w. 8”, d. 3-1/8”. Pair of Gorham Coin Silver Salt Cellars, pedestal form, the hemispherical bowl decorated with repousse trailing grapevines centering a cartouche, with molded and beaded rim and ogee-domed pedestal foot, monogrammed “ECC”, h. 3-7/8”, dia. 2-1/2”; 2.95 total t. oz. 13.61 total t. oz. (weighable silver) $300-$500

94


314

314 Twelve American Coin and Sterling Silver Salt Cellars Including: An Assembled Set of Four Coin Silver Salt Cellars, ca. 1855, three by Gorham and one by Eoff & Shepard, for Ball, Black & Co., New York, New York, with hemispherical bowl with molded rim and raised on three stepped pad feet, two with gilt interior and engraved “Read”, h. 1-1/4”, dia. 2-3/4”; 8.96 total t. oz. A Near Pair of American Coin Silver Salt Cellars, third quarter 19th century, by George Sharp (1819-1904) for Bailey & Co., Philadelphia, Pennsylvania, pedestal form, oval with upswept ends and raised on a conforming foot, the interiors gilt, monogrammed “ESH”, h. 2-1/2”, l. 3-7/8”, w. 2-1/4”; 4.14 total t. oz. A Pair of Wood & Hughes Coin Silver Salt Cellars, third quarter 19th century, New York, New York, pedestal form, the saucer-shaped bowl with conical collar and vertically reeded band, with reeded triangular stirrup handles en suite, raised on a steep doubledomed pedestal, the interior gilt and fitted with a cobalt glass liner (one lacking), h. 2-1/4”, dia. 2-5/8”, 4.24 total t. oz. A Pair of American Sterling Silver Salt Cellars, fourth quarter 19th century, by Black, Starr & Frost, New York, New York, model #250, pedestal form, the octagonally paneled bowl with waisted and molded rim and gilt interior, raised on a conforming pedestal foot, h. 2-1/8”, dia. 3”; 4.61 total t. oz. A Pair of Durgin Sterling Silver Salt Cellars, first quarter 20th century, Concord, New Hampshire, model #206, oval trencher form, with molded basal edge, monogrammed “MGMacF”, h. 1”, l. 3-1/8”, w. 2-1/2”; 3.22 total t. oz. 25.17 total t. oz. (weighable silver)

Literature: Catherine B. Hollan, Philadelphia Silversmiths and Related Artisans to 1861 (McLean, VA: Hollan Press, 2013), pp. 9-10 & 182-183. Margaret K. Hofer et al., Stories in Sterling: Four Centuries of Silver in New York (New York: D. Giles, 2011), pp. 158 & 336 Dorothy T. Rainwater, Martin Fuller & Colette Fuller, Encyclopedia of American Silver Manufacturers, 5th ed. (Atglen, PA: Schiffer, 2004), pp. 31. Margaret K. Hofer et al., Stories in Sterling: Four Centuries of Silver in New York (New York: D. Giles, 2011), pp. 178-179 & 312. Charles S. Parsons, New Hampshire Silver (Exeter: Adams Brown, 1983), pp. 96-97. Notes: The Gorham examples matching the Eoff & Shepard piece have no model number, and are not illustrated in Tompkins’ catalogue. The Eoff & Shepard example, however, is clearly an original mate to one of the Gorham salts, and dates them with reasonable precision, suggesting that the design was one of Gorham’s earliest. $400-$700

95


315

315 Twelve Gorham Sterling Silver Salt Cellars Including Model #735, introduced in 1869, this example with date mark for 1875, pedestal form with conical sides and molded rim above a flat foot-ring, h. 7/8”, dia. 1-5/8”. Model #220, introduced in 1872, pedestal form with squared arched handles and beaded rim, two engraved “Stoughton & Lizzie / to / ‘Myla’”, h. 1-7/8”, dia. 2-3/8”, w. 3” Model #1115, introduced in and with date mark of 1872, bowl form, the everted and rolled rim with matte finish and decorated with pricked and bright-cut banding, h. 5/8”, dia. 1-3/4”. Model #1340, introduced in 1877, this example with date mark of 1878, pedestal form, the waisted thistle-form bowl with narrow beaded band and raised on an ogee-domed foot, monogrammed “S”, h. 1-5/8”, dia. 2-1/2”. Model #S1782, introduced ca. 1885, saucer form, with diamond-cut glass bowl and silver-gilt scalloped rim with beaded edge, h. 3/4”, dia. 3-5/8”. Model #A2148, introduced in 1901, pedestal form , the octagonally paneled bowl with molded rim and raised on a conforming pedestal foot, h. 1-1/2”, dia. 2”. Model #478A, with date mark of 1914, retailed by Spaulding & Co., Chicago, Illinois, pedestal form , the octagonally paneled bowl with molded rim and raised on a conforming domed foot, h. 1-5/8”, dia. 2-3/8”. Model #A8137, introduced ca. 1915, waisted bowl form with rolled rim and four ball feet, the interior gilt, h. 1-1/4”, dia. 2-1/4”.

96

Model #1112, introduced in 1949, pedestal form , the bulbous bowl with molded rim and ogee-domed foot-ring, h. 1-1/4”, dia. 2-3/8”. Model #36, introduced in 1942, this example with date mark for 1949, footed bowl form, the hemispherical bowl with everted gadrooned rim and raised on an ogee-domed foot-ring, h. 1-1/2”, dia. 2-3/4”. 12.35 total t. oz. (weighable silver) Literature: George and Carolyn Tompkins, The Handbook of Gorham Open Salt Dishes (Rockport, ME: Archimedes Press, 1987), p. 56, pl. 103; p. 66, pl. 159; p. 68, pl. 171; p. 99, pl. 354; p. 75, pl. 214; p. 82, pl. 256; p. 112, pl. 36.; p. 112, pl. 430. Notes: Model #478A and #A8137 are not listed in Tompkins’ Handbook, although the former has a bowl identical to that on 1917’s model #A5767 but variant foot; see Tompkins, p. 108, pl. 407. Tompkins notes that model #1112 was fitted with a cobalt liner and model #36 was fitted with a clear liner, both lacking in the present lot. $125-$250


316

316 Four Gorham Coin Silver Mugs

317 Three Gorham Coin Silver Mugs

second half 19th century, Providence, Rhode Island, including: Model 14, 1868, tapering cylindrical form with molded rim and base, with squared handle, decorated with engraved peaked banding, monogrammed “MEB”, h. 3-1/2”, dia. 3”, l. 4-3/8”; 4.12 t. oz. Model 285, 1869, cylindrical with flared base and beadmolded banding and rim, with squared handle, decorated with pricked and wrigglework arabesques, monogrammed “WPG” conjoined, h. 8-3/8”, dia. 2-7/8”, l. 4”; 3.44 t. oz. Model 3002, 1880, cylindrical with matte finish, molded rim and milled diaper band, with squared handle, inscribed “George Edwin Eversole / December 25th, 1884”, h. 2-5/8”, dia. 2-1/2”, l. 3-1/2”; 2.40 t. oz. Model 1505, 1884, cylindrical with matte finish, molded rim and reeded banding, with squared handle, the interior gilt, inscribed “Mary Lamar / from / Grandfather”, h. 3-1/8”, dia. 3-1/4”, l. 3-7/8”; 2.82 t. oz. 8.67 total t. oz.

third quarter 19th century, Providence, Rhode Island, including: Model 225, dated 1867, cylindrical with bead-molded rim and base, with squared handle and decorated with engraved palmette and wrigglework meander line banding, engraved “Charles Isaac Hills / from his grandmother / Eliza Hills / Dec. 25, 1867”, h. 3-1/4”, dia. 2-3/4”, l. 3-3/4”; 4.18 t. oz. Model 585, ovoid with tall squared handle, milled ovolo banding and inverted teardrop-banded foot ring, the interior gilt, monogrammed “SLJ”, conjoined, h. 4-1/4”, dia. 3-1/4”, l. 4-1/8”; 5.94 t. oz. Model 56, cylindrical with bead-molded rim and base and cavetto-canted square handle, decorated with a guilloche matting centering and engraved cartouche inscribed “Frederick Bacon”, h. 3-1/2”, dia. 3”, l. 4-1/4”; 3.85 t. oz. 13.97 total t. oz. $600-$900

$600-$900

317

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318

318 Two Gorham Sterling Silver Mugs first quarter 20th century, Providence, Rhode Island, including: Model A5875, waisted cylindrical form with reeded rim and base and acanthus-crested reeded double-scroll handle, the interior gilt, inscribed “Alden”, h. 3”, dia. 3”, l. 4-3/8”; 4.03 t. oz. Model A3449, waisted cylindrical form with beaded rim and rounded base, with arched handle, the interior gilt, monogrammed “EFW”, h. 3”, dia. 3-1/2”, l. 5”; 4.64 t. oz. 8.67 total t. oz.

319

$500-$800 319 Three Pieces of Tiffany and Gorham Children’s Sterling Silver late 19th/early 20th century, including a: Plate, Gorham Corp., Providence, Rhode Island, model 193, 1883, the rim decorated with a milled band of vignettes from nursery rhymes, dia. 7-1/8”, 5.95 t. oz. Porringer, Gorham Corp., Providence, Rhode Island, retailed by Bailey, Banks & Biddle, Philadelphia, Pennsylvania, model A8240, 1912, with molded foot ring and keyhole handle, decorated with a milled band of vignettes from nursery rhymes, engraved “Babette Julia Stamm / Aug. 15, 1914” and (on the underside) “From Dr. & Mrs. Ashton”, h. 2-1/2”, dia. 4-5/8”, l. 7-1/8”; 8.80 t. oz. Bowl, Tiffany & Co., New York, New York, model 20116, the pattern introduced in 1922, hemispherical with molded rim and foot ring, with two flat handles decorated with Old King Cole and his fiddlers, engraved “Mary Chappel”, h. 2-1/4”, dia. 4-5/8”, w. 7-1/4”; 9.74 t. oz. 24.49 total t. oz.

320 Three Sterling Silver Children’s Porringers late 19th and early 20th century, including: Reproduction of Jacob Hurd (1702/3-1758), Boston, in the colonial manner with bulbous bowl and keyhole, with imitation silver mark “I. Hurd”, h. 1-5/8”, dia. 5”, l. 7-3/8”; 7.30 t. oz. William B. Kerr & Co., Newark, New Jersey, retailed by Bailey, Banks & Biddle, Philadelphia, decorated with an acidengraved band of an animal circus, the handle with the fable of the hare and the crow, monogrammed “MHB”, h. 1-3/4”, dia. 4-1/2”, l. 6-3/8”; 5.81 t. oz. McChesney Co., Newark, New Jersey, decorated with acidengraved illustrations of Mother Goose and her nursery rhymes including “Old King Cole”, “Simple Simon”, “Little Tom Tucker” and “Buy a Fat Pig”, with openwork threaded handle, h. 1-7/8”, dia. 5-1/8”, l. 7-1/2”; 9.08 t. oz. 22.19 total t. oz. $600-$900

$700-$1,000

320

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321 Three Pieces of Gorham and Whiting Children’s Sterling Silver

321

late 19th and early 20th century. including a: Plate, Gorham Corp., Providence, Rhode Island, 1878, with milled palmette rim, the plateau with flat-chased Kate Greenaway-style scene of children playing in a walled garden, engraved (on the underside) “From her Grandparents / Guy Carlton and E.D. Dedyard” and monogrammed “CIM” conjoined, dia. 8”; 7.86 t. oz. Mug, Whiting Mfg. Co., Providence, Rhode Island, model 267, dated 1881, cylindrical with molded rim and molded handle, engraved with a boy, girl, bird and frog, all sitting in a tree singing, inscribed “Caroline Muller von ihrer Gath, Caroline Muller / geb. Heyer / Chicago 1881”, h. 3-1/4”, dia. 3”, l. 4-18”; 6.08 t. oz. Plate, Gorham Corp., Providence, Rhode Island, model A4480, 1908, with applied “whiplash” edge, the rim with applied figures of Old King Cole and his musicians, monogrammed “SHW”, dated (on the underside) “Dec. 25th, 1909”, dia. 8-1/4”, 9.24 t. oz. 23.18 total t. oz. $600-$900

322 Three Pieces of Children’s Sterling Silver

322

first quarter 20th century, including a: Mug, Redlich & Co., New York, New York, cylindrical with crested handle, decorated with an applied figure of a frog reading and lounging on a lily pad, h. 2-3/4”, dia. 2-7/8”, l. 3-3/4”, 3.50 t. oz. Bowl, Dominick & Haff, New York, New York, retailed by Bailey, Banks & Biddle, Philadelphia, Pennsylvania, inscribed with the nursery rhyme “Sing a Song of Sixpence” and acid-engraved illustration, monogrammed “MMcCF”, h. 2”, dia. 4-3/4”; 6.88 t. oz. Porringer, Gorham Corp., Providence, Rhode Island, model 256, straight-sided with molded rim and figural squirrel handle, h. 2-1/2”, dia. 4-1/4”, l. 5-3/8”; 5.37 t. oz. 15.75 total t. oz. $600-$900

323 Early Victorian Silverplate Meat Dome and Platter second quarter 19th century, retailed by William Burton & Co., London, oval with insulated well-and-tree platter and conforming quarter-lobed dome, with robust acanthus handles and feet overall, h. 14”, l. 24-1/2”, w. 17-1/2”. $500-$800 323

99


324 Gonzalo Contreras del Solar (Chilean/Contemporary) “Untitled” group of nine photographs each now mounted and matted. each sheet 17” x 16-3/4” $400-$700

325 Gonzalo Contreras del Solar (Chilean/Contemporary) “Untitled” group of eight photographs each mounted and matted. each sheet 17” x 16-3/4” $400-$700 324

325

100


326

326 Gonzalo Contreras del Solar (Chilean/Contemporary) “Untitled” group of eight photographs each now mounted and matted. each sheet 17” x 16-3/4” $400-$700 327 Carlos Jose Ledda (Argentinian, b. 1932) “The Colorful Duet” oil on canvas signed lower left. Framed. 17-5/8” x 14-3/4”, framed 20” x 17” $800-$1,200

327

101


328 Carlos Jose Ledda (Argentinian, b. 1932) “Adagio II”, 2004 oil on canvas signed and dated “MMIV” lower right. Framed. 12” x 9-1/2”, framed 15” x 12-1/2” $800-$1,200

328

329 Carlos Jose Ledda (Argentinian, b. 1932) “The Dance”, 2004 oil on canvas signed and dated “MMIV” lower left, a “Bryant Galleries/New Orleans” card en verso. Framed. 11-3/4” x 9-5/8”, framed 16-1/2” x 14-1/2” $800-$1,200

329

330 Carlos Jose Ledda (Argentinian, b. 1932) “El Portico”, 2004 oil on canvas signed and dated “MMIV” lower left. Framed. 15-3/4” x 12”, framed 20-3/4” x 16-11/16” $800-$1,200

330

102


331 Carlos Jose Ledda (Argentinian, b. 1932) “The Bubble”, 2004 oil on canvas signed and dated “MMIV” lower left, “Bryant Galleries/New Orleans” label en verso. Framed. 15-1/2” x 11-3/4”, framed 19-3/8” x 15-1/4” $800-$1,200

331

332 Carlos Jose Ledda (Argentinian, b. 1932) “El Vuelo”, 2004 oil on canvas signed and dated “MMIV” lower left, “Bryant Galleries/ New Orleans” label en verso. Framed. 12” x 19-1/2”, framed 15-1/2” x 23-3/16” $800-$1,200

332

333 Carlos Jose Ledda (Argentinian, b. 1932) “La Posta”, 2004 oil on canvas signed and dated “MMIV” lower left. Framed. 11-3/4” x 19-1/2”, framed 17” x 24-3/4” $800-$1,200

333

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Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17


(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17


(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17


(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17


New Orleans Auction galleries

333 St. Joseph Street • New Orleans, LA 70130 • (504) 566-1849 • Fax (504) 566-1851 Info@NewOrleansAuction.com • www.NewOrleansAuction.com

NEW ORLEANS AUCTION DOES NO SHIPPING OR PACKING Our clients have successfully used the following drayage companies: Company

Telephone

Fax

E-mail

Bayou Movers . . . . . . . . . . . . . . . 504-228-3827 . . . 504-324-9116 . . . . . . . . . . . bayoumoversla@gmail .com Craters & Freighters . . . . . . . 800-733-0310 . . . 504-733-3679 . . . . nola@cratersandfreighters .com Rancho Buck . . . . . . . . . . . . . . . 404-441-4994 . . . 404-524-9129 . . . . . . . . . . . . . info@rbshippingllc .com The Box . . . . . . . . . . . . . . . . . . . . . 504-568-0281 . . . ----------------- . . . . . . . . . . woodenbox@bellsouth .net N .O . Packaging & Shipping . . 504-885-4544 . . . 504-885-4457 . . . . . . . . . . info@nolapackandship .com Specialty Pack & Ship Co . . . . 504-304-3969 . . . 504-304-4640 . . . loufou@specialtypackandship .com Vintage Transport Svcs . . . . . 404-733-6200 . . . 404-733-6220 . . . . . . . . . info@vintagetransport .com Wintersteen Trucking . . . . . . 800-253-0617 . . . 785-543-6105 . . . wintersteentrucking@yahoo .com Pakmail . . . . . . . . . . . . . . . . . . . . . 800-230-5229 . . . 504-393-1232 . . . . . . . . . . . . . . .pakmail493@yahoo .com Kid Gloves . . . . . . . . . . . . . . . . . . 504-309-6894 . . . 504-309-6907 . . . . . . . . . . . . . . tanya@lakidgloves .com UPS Store #4134 . . . . . . . . . . . . . 504-866-8664 . . . 504-866-0570 . . . . . . . . . . store4134@theupsstore .com

rev 9/24/2018


Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Denise Haik Christa Ougel Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Photographer Graphic Designer Grace Connors Manager of Cakebread Auction

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark


Fall Online-Only Auction | November 8, 2018  

Paintings, Prints, Furniture, Lighting, Carpets & More

Fall Online-Only Auction | November 8, 2018  

Paintings, Prints, Furniture, Lighting, Carpets & More