Issuu

OCTOBER 23-25, 2026

IN AUTUMN'S

LIGHT

IN AUTUMN'S

LIGHT

ART DIRECTION / Jo Gremillion & Erica Westenberger PHOTOGRAPHER / Jacqueline Marque GAFFER / Sam Aguirre-Kelly OPERATIONS / Cedric Roberts, Furnell Augustin Jr. SET CONSTRUCTION / Katalea Ford SCENIC PAINTER / Lexi Mancuso CUSTOM WOODWORK Josh Kleinpeter, Burnt Canoe Studios & Leonardo Leiva Rivera

ESTATES

AUCTION OCTOBER 23– 23–25, 2026

EXHIBITION HOURS

October 12–22 Monday – Friday 9:00 a.m. – 5:00 p.m.

SATURDAY EXHIBITION

Saturday, October 17 10:00 a.m. – 2:00 p.m.

EVENING PREVIEW

Thursday, October 22 5:00 p.m. – 7:00 p.m.

Bidding Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Lot Schedule Please note that times are approximate. FRIDAY, OCTOBER 23, 2026 11:00 a.m. CT

SATURDAY, OCTOBER 24, 2026 10:00 a.m. CT

SUNDAY, OCTOBER 25, 2026 10:00 a.m. CT

11:00 – 12:00

–

10:00 – 11:00

2 5 8 – 32 3

10:00 – 11:00

6 5 9 – 7 24

12:00 – 1:00

–

130

11:00 – 12:00

324 – 3 8 9

11:00 – 12:00

725 – 790

1:00 – 2:00

131

–

195

12:00 – 1:00

3 9 0 – 455

12:00

–

1:00

7 91 – 8 5 6

2:00 – 3:00

1 9 6 – 2 57

1:00 – 2:00

45 6 – 52 1

1:00

–

2:00

8 57 – 92 2

2:00 – 3:00

52 2 – 5 8 7

2:00

–

3:00

92 3

3:00 – 4:00

588 – 658

3:00

–

4:00

989 – 1064

333 Saint Joseph Street, New Orleans, LA 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com

Auction License LA AB-363 | Eichenwald #1922, Steinkamp #1265 25% Buyer’s Premium (No Discounts) | 30% for Purchases Made on LiveAuctioneers and Invaluable

– 988

Welcome to

OCTOBER There is something about autumn that feels both familiar and new. As the days of summer fade away and a festive few months begin, autumn ushers in a season of transition, reflection and anticipation. At the auction house, we experience a similar transition as objects pass from one collection to another, welcoming new chapters, each carrying a memory from the past. It is that same spirit that envelops our Oct. 23–25 Estates Auction, which kicks off a busy fall and winter season at New Orleans Auction. The expansive auction–featuring nearly 1,100 lots– takes place over three days. Friday explores form and function through modern and contemporary art and design. Saturday transitions from modern design to traditional English and European paintings, antique furniture, silver and decorative arts. As always, Sunday begins with a stunning selection of fine jewelry, including men’s timepieces, and concludes with American furniture and decorative arts. Leading the sale is a colorful and striking painting by Beatriz Milhazes, one of Brazil’s most celebrated living artists. Milhazes presented her f irst major museum exhibition in 2001 at Ikon Gallery in Birmingham, England, before it traveled to the Birmingham Museum of Art in Alabama. Much like her hometown of Rio de Janeiro, New Orleans is a culturally rich city with a vibrant arts community, and we are thrilled to offer her work here. The sale also features the Estate of James “Jim” Mounger, a beloved New Orleans real estate attorney and prolific art collector. Over several decades, Jim frequented galleries and assembled a collection of modern and contemporary paintings, prints and sculpture. His love of color, interesting forms and modern design extended to the furniture he selected for his Nashville Avenue home. I’d like to thank Tim Ratchford, Jim’s partner of more than 26 years, for entrusting us to present Jim’s story and collection. As our country celebrates its 250th anniversary, we are pleased to offer a wide-ranging selection of American furniture, fine art, silver and decorative arts celebrating American ingenuity and craftsmanship. From Federal and Late Classical to the Rococo Revival and Aesthetic Movement, the selection spans more than two centuries and features works by many of the great names in American cabinetmaking, including John Henry Belter, J. & J.W. Meeks, Alexander Roux, Herter Brothers and Thomas Brooks. American silver includes examples by Tiffany & Co., S. Kirk & Son, Gorham, Reed & Barton and other prominent makers.

Finally, we are honored to offer selections from the personal collection of Neal Alford, whose discerning eye and lifelong passion for art and antiques made him a formidable auctioneer and industry leader. As President and the longtime face of Neal Auction Company, Neal was a force in the auction world. Now retired, he is ready to part with pieces from his personal collection, acquired over decades in the auction business. While many of you may be surprised to see Neal’s name in the pages of our catalogue, the story is quite simple. Tessa Steinkamp, New Orleans Auction’s longtime Director of Auctions, began her career under Neal, whose mentorship and expertise immersed her in the auction business. When Tessa later joined New Orleans Auction, an existing rivalry between the two auction houses became fiercely competitive, though the relationship between Neal and Tessa remained grounded in mutual respect and a shared passion for the industry. In a full-circle moment, when the time came for Neal to downsize his collection, he reached out to Tessa. Years later, I had the privilege of learning the auction business under Tessa, much as she did under Neal. In many ways, I would not be here today without Neal’s influence, passed from one generation of auctioneers to the next. I am grateful to have learned from the best, and it is truly an honor to work alongside Neal and Tessa in offering pieces from his personal collection. Exhibition for the Oct. 23–25 Estates Auction begins Monday, Oct. 12, and continues through Thursday, Oct. 22. The gallery is open for viewing Monday–Friday, from 9 a.m. to 5 p.m., and Saturday, Oct. 17, from 10 a.m. to 2 p.m. I hope you will also join us for an Evening Preview on Thursday, Oct. 22, from 5–7 p.m.

See you at the auction!

Taylor Eichenwald President

PRESIDENT'S PICKS

Lot 227 Italian Piero Fornasetti Side Table

Lot 578 Fine Brussels Verdure Tapestry

Lot 14 Rare Pair of Napoleon III Specimen Marble Cabinets

Lot 576 After Pietro Tacca (Italian, 1577-1640) "Il Porcellino" Lot 716 Hans J. Wegner "Pappa Bear" Chair

Lot 1014 Charles Francois Daubigny (French, 1817-1878) "Landscape with Cottage", 1861

Lot 415 French Empire Mahogany and Marble-Top Commode

SPECIALISTS

Kim Lemon Director of Fine Jewelry kim@neworleansauction.com

Michele M. Carolla Director of Fine Art michele@neworleansauction.com

Greg S. Kowles Senior Specialist: Furniture & Clocks, General Consignments greg@neworleansauction.com

Ireys Bowman Senior Specialist General Consignments ireys@neworleansauction.com

Charles C. Cage Fine Silver Specialist Office Manager charles@neworleansauction.com

Sean Ranson Fine Carpet Specialist Director of Operations sean@neworleansauction.com

Sophie Curtis Senior Fine Art Specialist Modern & Contemporary sophie@neworleansauction.com

Alex Ebel Consignment Manager alex@neworleansauction.com

THE ESTATE OF

JAMES “JIM” MOUNGER

An Artful Legacy A beloved New Orleans real estate attorney, a steadfast community fixture and an extraordinary patron of the arts, James “Jim” Mounger was equally celebrated for his brilliant mind and generous spirit. Throughout his 82 years, Jim delighted in curiosity and connection. His lifelong collection, including more than 140 works of art, furniture and timepieces, reflects his profound reverence for beauty and creativity.

WRITTEN BY / Valeria L. Palmertree

PHOTO (RIGHT) / Jacqueline Marque

Barbara Corcoran & Jim Mounger

From Rayville to Nashville Avenue Jim was born Feb. 9, 1943, in Rayville, La., and adopted by Charles and Essie Mounger. A graduate of Rayville High School, he earned his undergraduate degree from Centenary College in 1965 while serving in the National Guard. Having earned a full academic scholarship, Jim attended law school at Southern Methodist University, where he was selected for law review, the school’s prestigious, student-run academic legal journal, and received his J.D. in 1968.

After practicing law in Rayville for a few years, Jim moved to New Orleans in the mid-1970s. Over the next five decades, he became one of the city’s most respected and cherished real estate attorneys. In 1987, he founded Granite Title Agency, building a loyal client base that included Liberty Bank, First American Title and real estate agencies across New Orleans, alongside his trusted business manager, Linda Palmisano, who worked beside him for more than 30 years.

Pictured Lots: (Above) Lot 347: Giacomo Costa (Italian b. 1970), "Orizzonte n. 19", 1999 (Previous) Lot 37: Mitchell Gaudet (American/Louisiana b. 1962), "Face"

Generations of agents, buyers and sellers speak fondly of Jim’s ability to blend professionalism and legal prowess with fairness and humor, making even the most routine real estate closing a memorable occasion. Jim was equally formidable in lending his time and talent to young professionals and colleagues as a tireless mentor and trusted advisor. Jim’s generosity spilled over onto his Uptown neighborhood, where he was known to neighbors as “The Mayor of Nashville Avenue.” Welcoming and warm, he had a gift for bringing people together– whether he was hosting a remarkable party, bringing strangers into his home to see a new piece of art, or inviting a neighbor over for a glass of wine. Jim was a steadfast community man, relishing conversation and the opportunity to connect with people. His annual Christmas party brought everyone together, enveloped in the warmth, revelry and hospitality that became hallmarks of his vibrant life. Tim Ratchford, his partner of more than 26 years, recalls Jim’s wonderful ability to make an ordinary encounter unforgettable. Spontaneous, mischievously funny, curious and gregarious, he had a gift for making anyone feel instantly at ease.

“Jim had a unique ability to connect with people wherever he went. His smile, those bright eyes, his charm—and, of course, that unmistakable laugh—could turn a stranger into a friend in a matter of minutes.” –Tim Ratchford

Pictured Lot: Lot 258: Allison Stewart (American/Louisiana b. 1941), "Charge", 1991 Lot 271: Sibylle Peretti (German b. 1964), "Untitled Teardrop", 2009

The Genesis of a Lifelong Passion Jim’s curiosity and penchant for connection also ignited his deep devotion to the arts. Upon completing his law degree at Southern Methodist University, Jim visited a gallery where the works of contemporary artist Ida Kohlmeyer were displayed. He shared with the gallery owner that, while he really wanted to acquire one of Kohlmeyer’s works, the ones he could afford had already been sold. Not to worry, the gallerist told him, she’d get the artist on the phone to see what could be done. In an unexpected and serendipitous unfolding of events, Jim found himself in Kohlmeyer’s studio in Old Metairie. A trusted connection blossomed. “The wonderful thing about collecting is that you develop friendships with the artists and get to know such interesting people,” he told Adore magazine in a December 2020 interview.

Jim's instinctive taste, keen eye and respect for artists’ time and vision became a cornerstone of his reputation in the art world. Over the next few decades, his art collection evolved into one of the region's most distinctive Louisiana-focused private art collections. Beyond art, Jim’s travels further refined his love of beautiful things. New York in particular was among his favorite places. Each holiday season, he’d make the rounds of the iconic Fifth Avenue shops, no matter the weather, before stopping by the rooftop bar at the Mandarin Oriental, where over the years– having never met a stranger–he became a celebrity in his own right.

Pictured Lots: Lot 266: Aaronel de Roy Gruber (American, 1918-2011), "Cube in Blues and Greens", 1970 Lot 301: Robert Gordy (American/Louisiana, 1933-1986), "Male Head", 1984 Lot 322: Margaret Evangeline (American/Louisiana, b. 1943), "Untitled", 2003

An Extraordinary Home for the Arts To house his rapidly growing art collection, Jim transformed his Uptown home, a double-galleried Greek Revival center hall cottage, into an extraordinary display of more than 100 works spanning diverse media, including paintings, sculptures, woodworks, kinetic figures, video installations and even a 400-lb. Dale Chihuly chandelier that required a structural engineer to fortify the ceiling.

Jim’s extraordinary art collection includes blownglass vessels by Gene Koss and Mitchell Gaudet, sculptures and assemblages by John T. Scott, Ida Kohlmeyer and Arthur Silverman, and paintings by Margaret Evangeline, James Flynn, Francis Xavier Pavy, Allison Stewart and George Bauer Dunbar.

The home became a stunning setting for one of the best collections of contemporary regional artists, including emerging Louisiana artists and pieces he picked up along the way from street artists or coffee shops, always led by what most resonated with him.

New Orleans Auction is honored to present The Estate of James “Jim” Mounger, a collection that reflects deep respect, genuine relationships and an enduring love of New Orleans and of Louisiana’s artists.

“This is his pride and joy. This is where he feels safe, complete. This is what makes sense to him. Many call Jim the patron saint of New Orleans artists.” –Tim Ratchford, The Times-Picayune, 2024

Lot 293 Robert Gordy (American/Louisiana, 1933-1986) "Male Head", 1985

MASTER OF THE

GAVEL

For more than four decades, Neal Alford worked as an auctioneer, appraiser and specialist in fine art and antiques. As Neal Auction Company’s longtime president and principal auctioneer, Alford developed a broad knowledge and a keen eye for American furniture and decorative arts. Alford’s career began in London in the early 1970s, where he learned the trade by handling and moving furniture, paintings and decorative arts, and first became interested in the buying and selling of art and antiques. Later that decade, he moved to New Orleans, where he co-founded Neal Auction Company with John R. Neal in 1983.

Selections from the

Collection of Neal Alford WRITTEN BY / Valeria L. Palmertree

PHOTO (LEFT) / Jacqueline Marque

When asked how he came to know so much about art and antiques, Alford provided a simple answer: “Looking, looking and looking.” As with many in the auction industry, much of his knowledge came from years of handling objects, closely studying them and comparing them. His experience made him a respected and trusted resource for collectors and institutions alike. Over the years, his expertise was sought by private collectors, museums, attorneys and financial institutions, including The Metropolitan Museum of Art, New Orleans Museum of Art, Louisiana State Museum, Gallier House, Hermann-Grima House and Tulane University. Alford was also a skilled dealmaker who understood both sides of the auction business: the consignor’s trust in an auctioneer’s presentation of an object or collection and the buyer’s discernment in deciding what an object or collection is worth to them. As Alford once observed, buyers and sellers may rarely meet directly, but “they meet all the time at auction.” His deep knowledge of antiques and his understanding of the people buying and selling them, paired with his instinct for how best to present and sell them, made Alford a formidable auctioneer. Over his many decades in the business, Alford also collected for himself. The furniture, paintings, silver and decorative arts he acquired provide a more personal view. After a lifetime spent handling the collection of others, his collection encompasses the items that caught his attention and earned a place in his own home.

Pictured Lots: Lot 931: Dutch Parquetry-Inlaid Tea Tray Lot 879: American Art Nouveau Sterling Silver Loving Cup

For Tessa Steinkamp and New Orleans Auction, Alford’s collection presents a full-circle moment. Steinkamp, who for many years led New Orleans Auction and remains an active part of the team, began her career with Alford at Neal Auction Company. His mentorship provided her with an early and thorough introduction to the auction business, setting the stage for her own success in the industry. When Steinkamp later joined New Orleans Auction, an existing rivalry between the two companies became f iercely competitive. Despite the competition, there was always an underlying mutual respect between them. Now retired and ready to downsize his collection, Alford reached out to Tessa and selected New Orleans Auction to handle its sale. After decades spent buying, selling and evaluating art and antiques, Alford knows the auction business from every angle, making New Orleans Auction a natural choice to entrust with his own collection. New Orleans Auction is honored to offer selections from Alford’s personal collection, reflecting his discerning eye and lifetime of experience in the auction business.

Pictured Lots: Lot 702: Four William Spratling (1900-1967) Sterling Silver Tumblers Lot 576: After Pietro Tacca (Italian, 1577-1640), "Il Porcellino"

SESSION FRIDAY, OCTOBER 23

1 Set of Five French “Rustic” Cast-Stone Garden Chairs

2 French “Rustic”-Molded Stone Faux-Bois Table

ca. 1970s-1980s, the chairs with integral butterfly backs and circular seats, on tapered faux bois molded bases with delineated stumps. h. 30”, w. 18”, d. 13-1/2”

second half 20th century, the top with bark-molded sides, on a “tree trunk” base with four limbs, all molded to resemble wood. h. 30-1/2”, w. 63”, d. 42”

$2,000-$4,000

$1,200-$1,800

3 Modern Silk and Wool Carpet 10’ x 14’ 4” $4,000-$7,000 4 Peter Clarke (South African, 1929-2014) “Bull Dog”, 2022 collage on paper signed and dated lower right. Matted, glazed and framed. sight 33-1/2” x 33-1/2”, framed 35” x 35” $800-$1,200 5 “Rustic” Faux Bois Molded Stone Garden Table ca. 1970s-1980s, the table with a terracotta-painted top with bark-molded edges, on a brown-painted and molded fauxbois cylindrical base. h. 31”, dia. 46” $1,200-$1,800

6 Otto Heino (American, 1915-2009) “Vase I”, 1999 “Vase II”, 1999 “Rattle”, 2000 three glazed stoneware vessels each with incised signature and date at bottom. vases each h. 5-1/2”, dia. 4-1/4”; rattle h. 2-1/2”, dia. 4-1/2” $800-$1,200

7 Otto Heino (American, 1915-2009) “Vase” “Vase with Handles” two glazed stoneware vessels each with incised signature at bottom. h. 6-3/4”, dia. 4-3/4”, and h. 6-1/4”, dia. 4”respectively $1,000-$1,500 7

8 Otto Heino (American, 1915-2009) “Low Bowl”, 1995 “Vase”, 1997 “Bud Vase”, 1995 three glazed ceramic vessels each with incised signature and date at bottom. h. 3”, dia. 4-1/2”, h. 6-3/4”, dia. 4-1/2”, h. 4”, dia. 3-1/2”, respectively $800-$1,200 8

9 Otto Heino (American, 1915-2009) “Vase”, 2001 “Bud Vase” two glazed ceramic vessels each with incised signature at bottom, former with date. h. 7-1/4”, dia. 4” and h. 3-1/2”, dia. 4”, respectively $700-$1,000 9

10 Designer Carpet 9’ 3” x 12’ 5” $3,000-$5,000

11 Pair of Large Mid-Century-Modern-Style Leather Club Chairs each with splayed out-curved arms and raised on shaped ebonized legs. h. 34”, w. 36”, d. 37”, seat h. 20” $1,000-$1,500

12 13

12 Ed Pribyl (American, Contemporary) “My Lovely Assistant” mixed media on hand carved wood unsigned. dia. 35-1/2”, d. 5” $2,000-$4,000

13 Large Cafe du Monde Beignet Mix Sculpture 20th century, mixed media, unsigned. h. 37”, w. 24”, d. 9” $1,000-$1,500 14 American School (Contemporary) “Untitled - Red Mesh” digital print on metal unsigned. Unframed. 36” x 30” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

15 Christian Boehmer (German, b. 1984) “Untitled”, 2019 colored pencils, spray paint, and acrylic on wood panel signed and dated along right side. Unframed. 12” x 15-3/4” x 1-1/4” $1,000-$1,500

16 Christian Boehmer (German, b. 1984) “Memento Mori”, 2018 colored pencils, spray paint, and acrylic on wood panel signed and dated lower right. Unframed. 19-3/4” x 15-7/8” x 1-1/4” $1,000-$1,500 16

17 Mario Villa (Nicaraguan/Louisiana, 1953-2021) “Pair of Figural Candlesticks” patinated metal each with incised signature, on integral thin black bases. h. 16-1/2” to h. 17-1/2”, w. 5-1/2”, d. 4-1/2” $400-$700 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

18 Reuben Nakian (American, 1897-1986) “Europa and the Bull with Cupid” patinated bronze copyright-marked, numbered “4/9” and with artist cypher at back. h. 17”, w. 21”, d. 6” $3,000-$5,000

19 Ed Prybil (American, Contemporary) “Raven” hand-carved, painted raven on vintage industrial foundry mold signed en verso. h. 21”, w. 10-1/2”, d. 6” $700-$1,000

20 Biedermeier-Style Console/Fireplace Surround constructed of antique elements, the narrow rectangular ebonized top above a paneled frieze, supported by two graduated columns to socle bases. h. 41-1/2”, w. 50”, d. 7-1/4” $700-$1,000 21 Biedermeier-Style Fruitwood and Marble-Top Occasional Table the rectangular marble top above an ogee-molded frieze, joined by four ring-turned supports to a rectangular base on bracket feet. h. 28-1/2”, w. 26”, d. 11” $600-$900 22 Pair of Biedermeier-Style Wooden Pedestals each with a square top supported by four graduated supports headed by modified Ionic capitals and ending in a plinth base. h. 36”, w. 15”, d. 15” $800-$1,200

23 After Marjorie Daingerfield (American, 1900-1977) “Dipping Her Toes” patinated bronze incised signature at back of self, with a “Kunst Foundry, NY” foundry mark, on a wooden base. overall h. 13-3/4”, dia. 10-1/2” $800-$1,200 24 Biedermeier Burlwood Pedestal

19th century, of cylindrical form, the standard raised on a conforming base. h. 28”, dia. 16” $500-$800 25 Pair of Biedermeier Fruitwood Side Chairs mid-19th century, each with an open heart-form back, the deep padded seats raised on tapered square legs. h. 34”, w. 18”, d. 16”, seat h. 18” $500-$800

26 Biedermeier-Style Fruitwood Pedestal early 20th century, the circular top with pierced veneers, above a like frieze joined by three shaped supports to the stepped circular base. h. 33”, dia. 15” $600-$900 27 Pair of Biedermeier Fruitwood Benches mid-19th century, each with a padded seat flanked to either side by a shaped crest, raised on splayed legs. h. 21-1/2”, w. 23”, d. 13-1/2” $800-$1,200

28 Biedermeier Ebonized and Mahogany Pier Mirror ca. 1830-1840, the Germanic mirror with a flaring cornice over a paneled upper tablet lined with ebonized trim and flanked by carved scrolls, the mirror flanked by ebonized Egyptianstyle columns, on a stepped base. h. 92”, w. 40”, d. 14” $1,000-$1,500

29 Pair of Biedermeier Inlaid Elmwood Chairs 19th century, each with a padded back and seat joined by large scrolled arms, each with inlaid circular rosettes, and raised on curved legs. h. 39”, w. 25-1/2”, d. 21-1/2”, seat h. 14-1/2”

$1,200-$1,800 30 French Art Moderne Oak Vitrine ca. 1930, in two sections, the upper portion with ebonized rounded corners, set with a glass door, opening to a velvetlined compartment fitted with glass shelves, over a matching lower section with lower doors concealing two rows of carefully constructed velvet-lined drawers, set with Art Deco rosewood panels. h. 85-1/2”, w. 39-3/4”, d. 24” $700-$1,000 31 French Art Moderne Oak Vitrine ca. 1930, in two sections, the upper portion with ebonized rounded corners, set with a glass door, opening to a velvetlined compartment fitted with glass shelves, over a matching lower section with lower doors concealing two rows of carefully constructed velvet-lined drawers, set with Art Deco rosewood panels. h. 85-1/2”, w. 39-3/4”, d. 24” $700-$1,000

32 American School (Contemporary) “Untitled” two digital prints on acrylic unsigned; with hardware for display. each h. 12”, w. 12”, d. 1/2” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 33 Johnathan Charles Carved Giltwood “Winged” Side Table

the circular glass top on a tripod-form giltwood base decorated with a central tapered standard set with three wings, all with carefully carved feathers. h. 26”, dia. 18” $700-$1,000 34 Murano Scavo Cast-Glass Hand unsigned. 2-1/2” x 5” x 12-1/2” $800-$1,200

35 Grace Hartigan (American, 1922-2008) “Untitled”, 1988 mixed media on corrugated cardboard signed and dated lower left. Float-mounted, glazed and framed. sheet 18-1/2” x 15”, framed 24-1/4” x 18-1/4” $4,000-$7,000 36 Larry Carnes (American, 1935-2025) “Untitled: Leviathan” glazed stoneware unsigned. From the “Whale” series. h. 9”, w. 24”, d. 9-1/2” $700-$1,000

37 Mitchell Gaudet (American/Louisiana, b. 1962)

“Face” molded glass unsigned. h. 10-1/4”, w. 6-7/8”, d. 4” $300-$500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 38 Mitchell Gaudet (American/Louisiana, b. 1962) “Mask” molded glass unsigned. h. 8-1/2”, w. 6-1/2”, d. 2-1/2” $300-$500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

39 Pair of Chinese Porcelain Bottle Vase Lamps the crackled lime-green-glazed lamps mounted on covemolded giltwood bases. h. 23-1/4”, dia. 8-3/4” $1,000-$1,500

40 Mitchell Gaudet (American/Louisiana, b. 1962) “Hand with Ruff”, 2017 molded glass incised signature and date at back. h. 11-1/2”, w. 7-1/2”, d. 1-1/2” $400-$700 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

41 Pair of Chinese Porcelain Ginger Jar Lamps the sky-blue ginger jars mounted on giltwood cove-molded bases. h. 16-1/4”, dia. 8” $1,000-$1,500

42 David Armentor (American/Louisiana, b. 1981) “Southern Minimalism” photographic Dibond print unsigned. Framed. 48” x 38-1/2”, framed 50” x 40” $800-$1,200

43 Pair of White Tree-Trunk-Inspired Candelabra contemporary, possibly resin over a wooden core, in the manner of Studio Fletta’s “Minute” candle holders. h. 17-3/4”, w. 13-1/2”, d. 13-1/2” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

44 Mid-Century Modern Cocktail Table the oblong table with a glass top and shelf below, in a chrome frame, supported on acrylic legs mounted with chrome fittings. h. 15”, w. 59-3/4”, d. 15-3/4” $900-$1,200 Provenance: Private collection, New Orleans, Louisiana.

45 Art Deco-Style Alabaster Dual Arm Table Lamp

46 Pair of Chrome and Fabric Armchairs

20th century, possibly Thomas Pheasant for Baker, the alabaster base on Art Deco-style brass feet, mounted with a pair of lights on brass supports, fitted with shades and matching finials. h. 14-3/4”, w. 46”, d. 7”

20th century, the “flat bar” style frame with open sides at back, the bottom with stretchers, upholstered in a nubby fabric with loose back and seat cushions. h. 26-1/2”, w. 33-1/2”, d. 33-1/2”, seat h. 17” $1,500-$2,500

$1,000-$1,500 Provenance: Jon Vaccari, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

47 French Pair of Pascal Mourgue Aluminum “Cinna” Lamps ca. 1990s, for Ligne Roset, marked “P. Mourgue” in raised script, the bottoms marked “Cinna, Made in France, Registered Design”, mounted with cast aluminum shades. h. 34-1/2”, dia. 12-3/4” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

48 Pair of Chinese Yuhuchunping Pottery Vase Lamps the mottled green-and-cream-glazed vases with lug handles, raised on giltwood bases. h. 19-1/2”, dia. 7-1/4” $1,000-$1,500

49 American School (20th Century) “Deluxe” oil and found objects on wood unsigned. In an integral frame. 15” x 22” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 49

50 "Ponti" Mirror by Michael Smith contemporary, the bronzed metal surround wrapped in hemstitched brown leather accented with molded brass knots. h. 78”, w. 50-3/4” $1,500-$2,500

51 Contemporary Acrylic and Glass Dining Table 20th century, the circular glass top on an incurvate acrylic pedestal base. h. 29”, dia. 53” $1,000-$1,500

52 detail 52

52 Suite of Six French Enameled Iron Armchairs in the manner of Mathieu Mategot (Hungarian-French, 19102001), with fan-form backs, arms and legs, set with blue-andwhite striped cushions. h. 35-1/4”, w. 25-1/2”, d. 16-1/2” $1,800-$2,500 53

53 French Baccarat Two-Part Crystal “Vecteur” Vase 20th century, the V-shaped cobalt crystal vase resting in a colorless rounded crystal base, signed “Baccarat”, in the original box. h. 10-1/2”, w. 8-3/4”, d. 2-1/2” $700-$1,000

54 Pair of Chinese Ginger Jar Lamps the purple and cobalt mottled glass jars mounted on giltwood bases. h. 18”, dia. 8-1/4”

$1,000-$1,500

55 Constantini Murano Blown-Glass Vase incised signature at bottom, body of iridescent black, with four clear to opaque swirls with bubble inclusions. h. 12”, dia. 12” $1,000-$1,500 55

56 Pair of Peter Maly “Parallel” Chests for Ligne Roset with recessed galleried tops, the drawers fronted with “corrugated” aluminum, having stitched leather and chrome tab pulls, raised on steel casters. h. 28”, w. 38-3/4”, d. 18” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 57 Suite of Six Walnut Dining Chairs 57

in the mid-century modern taste, after the Adrian Pearsall 1404-C side chair, the scooped backs with a pierced opening, on a walnut base with arched skirts and tapered legs, upholstered in Pierre Frey fabric. h. 30-3/4”, w. 20-1/2”, d. 15-1/4”, seat h. 18” $1,500-$2,500 58 White Acrylic Illusion Side Table unsigned, in the manner of John Brauer, presenting as a tablecloth-draped table. h. 21-1/4”, top dia. 19-1/2”, overall dia. 38-1/4” $500-$800 Provenance: Estate of James ‚"Jim" Mounger, New Orleans, Louisiana. 59 Contemporary Chrome Floor Lamp in the Holtkoetter Taste 20th/21st century, the half-round adjustable shade on a double swing arm, the standard mounted on a weighted circular base. h. 46”, w. 25”, d. 10-1/2” 58

$500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 59

60 Set of Eight Herman Miller Fiberglass Shell Chairs ca. 1960, the “Ochre Light” chairs designed by Ray and Charles Eames, with molded fiberglass seats over aluminum legs, with rubber shocks. h. 31”, w. 18-3/4”, d. 18-1/4” $600-$900

61 Contemporary Box-Form Ottoman upholstered in a blond fur hide, raised on an ebonized framed base ending in tapered square legs. h. 18”, w. 40”, d. 26-1/2” 61

$1,500-$2,500

62 Pair of Contemporary Leather and Steel Club Chairs in the Mid-Century Modern taste, each with a square tufted back and seat, slightly down-curved arms and raised on square, tubular steel legs. h. 28”, w. 28”, d. 33”, seat h. 17” $1,000-$1,500

63 Alex Podesta (American/Louisiana, b. 1973) “Double-Handed” wood and mixed media unsigned. l. 98”, d. 6” $1,000-$1,500

64 Alex Podesta (American/Louisiana, b. 1973) “Gesture Study (Cream)” wood and mixed media unsigned. From the “Gesture Study” series. h. 36”, d. 6-1/2” $700-$1,000 New Orleans artist Alex Podesta is known for his humorous, irreverent, and whimsical sculptures. Among his most recognizable sculptures were the five life-sized self-portraits of rabbits that were placed on the rooftop of a building overlooking O.C. Haley Boulevard. Born in North Carolina and raised in Virginia, Podesta studied art at Virginia Commonwealth University and earned a Master of Fine Art from the University of New Orleans. He is active in the local artist-collaborative gallery The Front on St. Claude Avenue. Podesta's series entitled “Gesture Study” consists of wall-mounted sculptures with defiantly raised middle fingers.

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65 Chad Voorhees “Ballerina” Corner Table ca. 1980s, North Carolina, the tiger maple table with a scalloped edge and a pair of slender “Ballerina” legs, standing en pointe in shoes with black ebony eyes. h. 37”, w. 12-1/2”, d. 12-1/2” $700-$1,000

66 Modern Circular Carpet dia. 8’

$2,000-$4,000 67 Knoll Executive Swivel Chair after a design by Eero Saarinen, the armchair upholstered in a gray fabric, mounted on a chrome and black swivel base, labeled on the bottom. adjustable h. 32-1/4”, w. 26-1/2”, d. 15-1/2” $800-$1,200 68 Modern Custom Sectional Sofa in two parts, forming an L-shaped seating arrangement, with four loose back cushions and a pair of bolsters, the seats tufted and raised on large, ebonized, tapered square legs. h. 31”, w. 113”, d. 78”, seat h. 17” $1,400-$1,800

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

69 Six Cattelan Italia “Coco” Counter Stools 1980s, Italy, the polished chrome frames with padded silvergray leather seats. h. 33-1/4”, w. 16”, d. 15”, seat h. 29-3/4” $1,000-$1,500 70 Brushed Nickel Kinetic Contemporary Floor Lamp the rounded light head on a flexible gooseneck arm, mounted on a standard to a circular base. h. 44-1/4”, w. 15”, d. 8” $500-$800

Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 71 Paul Jones FM 79 Steel and Glass Cocktail Table ca. 1971, the table composed of a single ribbon of steel set with a glass top. h. 15-3/4”, w. 42”, d. 41-3/4” $2,000-$4,000 Provenance: Private collection, New Orleans, Louisiana.

72 Three Acrylic Waterfall Side Tables comprising a small pair, h. 16”, w. 16”, d. 15", along with a larger example, h. 18”, w. 18”, d. 15”. $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana

73 Gae Aulenti “Tavolo con Ruote” Coffee Table

1980s, for Fontana Arte, Italy, the glass top with integrated metal and rubber wheels. h. 10”, w. 55”, d. 27-1/2” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

74 Leather Barcelona Lounge 20th century, after Mies van der Rohe’s original, the black leather bolster on a button-tufted black leather cushion, on an ebonized wood frame, raised on chrome legs. h. 15-1/4”, w. 37-3/4”, l. 76-3/4” 73

$1,000-$1,500

75 Silvered Wood and Leather Bench the frame with square legs and “H” stretcher topped with an anthracite pearlized leather cushion. h. 17-3/4”, w. 42”, d. 18” $500-$800 Provenance: Estate of James ‚ "Jim" Mounger, New Orleans, Louisiana. 76 American School (Contemporary) “Amorphous Figure” wood and mixed media sculpture unsigned, on an innate wooden plinth, now with a metal display base. h. 17”, w. 11”, d. 6”, base h. 4-7/8”

$600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 77 Lincoln Seitzman (American, 1923-2021) “Butterfly Vessel” painted and carved wood signed and numbered “151” at bottom. h. 12-1/2”, dia. 9-1/2” $1,000-$1,500 77

78 Sandy Chism (American/Louisiana, 1957-2013) “Untitled”, 1997 oil on canvas signed and dated lower right. Framed. 34” x 47”, framed 44” x 56” $1,200-$1,800 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

79 Simon of New Orleans (French/Louisiana, b. 1951) “Laissez Le Bon Temps Rouler”, 2001 mixed media on wood signed, dated, and titled at center. h. 114”, dia. 10” $1,000-$1,500

80 Art Deco-Style Karl Springer Extension Dining Table ca. 1990, the rectangular mahogany table with pull-out supports for an additional 20” leaf at each end, supported by a base with four curved standards mounted to a platform base. h. 29”, w. 48”, l. 98”, ext. l. 138” $3,000-$5,000 Provenance: Private collection, New Orleans, Louisiana.

81 Pair of French Bird’s-Eye Maple, Faux Bamboo and MarbleTop Semainiers 19th century, the cases and drawers trimmed in faux-bamboo moldings. h. 63-1/2”, w. 21”, d. 17” $3,000-$5,000 81

82 Two Similar French Brutalist Garden Drinks Tables 20th century, both with “rustic” cast-stone faux-bois tops mounted on black metal tripod bases with cross stretchers. h. 23-1/2”, dia. 14-3/4” and h. 26-3/4”, dia. 19-3/4” $1,000-$1,500

83 Two Similar French Brutalist Garden Drinks Tables 20th century, both with “rustic” cast-stone faux-bois tops mounted on black metal tripod bases with cross stretchers. h. 23-1/2”, dia. 14-3/4” and h. 26-3/4”, dia. 19-3/4”

$1,000-$1,500

84 Pair of Custom Barrel-Back Chairs 20th century, in the Schnadig Heritage taste, upholstered in fawn-colored silk, the barrel backs with channel tufting, raised on tapered legs. h. 34-1/2”, w. 23-1/2”, d. 22-3/4”, seat h. 17” $1,000-$1,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 83

85 Contemporary Pottery Table Lamp possibly Notary Lighting, the curved lamp with a matte glaze, fitted with a shade. h. 31”, dia. 26-1/2” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

86 Christian Duc Rug 6’ 5” x 10’ $1,000-$1,500 Provenance: By repute, belonged to the drummer from The Cars when he lived in Boston.

87 Pair of Poul Kjaerholm PK9 Dining Chairs

88 Italian Beechwood Palm Leaf Table

the Poul Kjaerholm (Denmark, 1929-1980) for Fritz Hansen chairs covered in brown leather and raised on down-curved chrome-plated steel legs, labeled. h. 31”, w. 22”, d. 15”, seat h. 17”

attributed to Maison Chelini, referred to as the “Chelini Firenze Margarite Table”, the circular plate-glass top set on a base with outstretched palm leaves from a reeded standard, to a carved circular footed base. h. 29-1/2”, dia. 65-1/2”

$3,000-$5,000 $1,500-$2,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

89 Italian Mid-Century Modern Gilt-Metal Sunburst Mirror ca. 1950, the mirror set with overlapping gilt-metal “rays” emanating from the circular mirror plate. dia. 46” $1,000-$1,500 Provenance: Soniat Antiques, New Orleans, Louisiana.

90 Sergio Bustamante Brass Koi

20th century, the sculpture composed of pieces of sheet brass, with black enamel eyes, signed “Sergio Bustamante” on the lower edge of the head. h. 11-3/4”, w. 26-1/2”, d. 5-1/2” $800-$1,200 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

91 Unusual Italian Trompe-l’oeil Olivewood Side Table 20th century, the rectangular top and aprons carved to simulate a tablecloth, raised on cabriole legs. h. 24”, w. 26”, d. 26” $1,000-$1,500

92 Knoll Studio “Washington Skeleton” Chair ca. 2013, designed by Sir David Adjaye, the copper on aluminum chair with a pierced geometric one-piece continuous back and seat, mounted on triangulated legs, signed “Knoll Studios 2013”, along with Adjaye’s initials. h. 32-1/4”, w. 17”, d. 21” $1,000-$1,500

93 Pencil Reed-Clad Etagere mid-20th century, in the style of Gabriella Crespi, having three tiers with inset glass shelves. h. 30-1/4”, w. 48”, d. 16” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

94 Pair of Italian Mid-Century Modern Olivewood Console Tables the demilune consoles with bookmatched olivewood veneers and mounted to black iron bases. h. 33-1/2”, w. 31”, d. 16” $1,200-$1,800 93

95 French Gilt-Metal and Glass Ibex Cocktail Table 20th century, after a design by Alain Chervet (French, b. 1944), the pair of ibex heads supporting an oval glass top. h. 17”, w. 48”, d. 32” $1,200-$1,800

96 Italian Mid-Century Olivewood Campaign-Style Tall Chest set with a pair of side-by-side drawers over six long drawers, each with an inset brass pull. h. 48-1/2”, w. 18”, d. 13” $1,000-$1,500

97 detail 97

97 French Art Deco Silver Tea Set first quarter 20th century, Paris, by Gustave Martin, first standard (.950) silver, including: a coffeepot, h. 8-1/4”, l. 7-1/4”; a teapot, h. 6”, l. 9-1/4”; a cream jug, h. 3-5/8”, l. 4-3/4”; and a covered sugar bowl, h. 4-1/2”, w. 5-3/4”; each with a fluted pear-shaped body with molded rim, the sugar bowl with out-scrolled silver handles, the rest with carved rosewood C-scroll handles, with ogee-domed lids with threaded tab finials. 61.12 total t. oz. (including wood handles).

$3,000-$5,000 98 Art Deco Silverplate Tray second quarter 20th century, of canted navette form, with molded rim, the canted ends with threaded stirrup-scroll handles. l. 22-1/2”, w. 13-1/4” $400-$700

99 Scandinavian Modern Sterling Silver Tray

99 detail

first quarter 20th century, by David Andersen, Oslo, Norway, of circular form with stirrup handles, the rim and handles with pierced wirework scrolls, decorated with brown and green enamel “jewels” and bezel-set red glass cabochons. dia. 14-3/4”, w. 18”; 39.16 t. oz. $2,000-$4,000

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100 Tiffany & Co. Sterling Silver Art Deco Bowl

101 Tiffany & Co. Sterling Silver Bowl

the pattern designed in 1939 by Charles Byron Blake (18801963) for Tiffany’s Exhibit at the 1939 World’s Fair, New York, New York, in the pattern commonly called “Deco Tomato” or “Pumpkin”, of hemispherical form with ring foot, the body decorated with five applied vertical bands of stylized fruits, monogrammed “LH”. h. 3-5/8”, dia. 9-3/8”; 26.49 t. oz.

the pattern introduced in 1906, New York, New York, of inverted bell form, the flared rim decagonally decorated with small lobes, with a short foot ring. h. 4-1/2”, dia. 9-1/8”; 32.32 t. oz. $1,400-$1,800

$1,200-$1,800

102 S. Kirk & Son Modernist Sterling Silver Bowl mid-20th century, Baltimore, Maryland, of hemispherical form with reeded foot ring. h. 4”, dia. 9-1/2”; 28.05 t. oz.

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$1,200-$1,800

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103 Randahl Shop Sterling Silver Waiter third quarter 20th century, Chicago, Illinois, retailed by Julius Goldstein & Co., Mobile, Alabama, of circular form with raised and lobed rim. dia. 11”; 17.95 t. oz. $800-$1,200

104 Oneida “Heiress” Sterling Silver Viande Flatware Set the pattern introduced in 1942, Sherrill, New York, including a dozen five-piece place settings (two knives lacking) with an additional dozen teaspoons and nine serving pieces, presented in a fitted, baize- and satin-lined wood case, 3-1/2” x 17” x 10-3/4”. (79 pieces plus case) 79.78 total t. oz. (weighable silver)

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$4,000-$7,000

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105 Pair of Mid-Century Modern Sterling Silver Candlestands

106 Wallace "Aegean Weave" Sterling Silver Flatware Set

second quarter 20th century, by J. Wagner & Sons, New York, New York, each in the form of a semi-circular frame of rectangular section, fitted with three inverted bell-form candlesockets raised on a central baluster flanked by scrolland-bead mantling. h. 3-3/4”, w. 9-3/4”, d. 4-7/8”; 22.13 total t. oz.

the pattern designed in 1970 by Charlotte-Linnea Schwarz Hallett (b. 1943), Wallace Silversmiths, Wallingford, Connecticut, including a dozen five-piece place settings with an additional teaspoon and nine serving pieces, presented in a fitted, plum tarnish-resistant baize-lined wood case with retailer’s stamp of Coleman E. Adler & Son, New Orleans, Louisiana, 3-1/4” x 16” x 11-1/4”. (70 pieces total plus case) 81.61 total t. oz. (weighable silver)

$1,000-$1,500

$3,000-$5,000 Provenance: Adler's, New Orleans, Louisiana; Private collection, New Orleans, Louisiana. Detailed list of pieces available on request.

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107 Pair of Brass-Mounted Iron Armchairs

108 Pair of Brass-Mounted Iron Armchairs

in the neoclassical taste, each with an X-form back panel centered by a circular brass rosette, the arm fronts with ram’s heads, over a slip seat and raised on slightly down-curved legs. h. 35-1/2”, w. 21”, d. 17”, seat h. 18-1/2”

$1,000-$1,500

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109 Interesting Iron and Brass Savonarola-Style Armchair

110 Pair of Steel and Brass Footstools

the frame with raised corner posts capped with circular brass finials and a banded, curved base ending in brass paw feet, fitted with a padded seat. h. 27”, w. 21”, d. 17”

in the mid-century taste, each with a padded square seat mounted to a steel rope-twist frame and raised on brass tassel-form feet. h. 12”, w. 19-1/2”, d. 19-1/2”

$1,000-$1,500

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111 Vintage Zebra Hide Rug

112 Set of Four Kartell “Misses Flower Power” Vases

the hide following the natural outline of the animal, with the tail and brown welting on the edges. 127” x 82”

Italian, the polycarbonate vases designed by Philippe Starck with Eugeni Quitllet, the monumental white vases signed along the edge of the foot. h. 65”, dia. 21”

$1,000-$1,500 $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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113 Set of Four Kartell “Misses Flower Power” Vases Italian, the polycarbonate vases designed by Philippe Starck with Eugeni Quitllet, the monumental white vases signed along the edge of the foot. each h. 65”, dia. 21” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

114 Louis XV-Style Blanc-Peinte Fauteuil with Faux Zebra Hide contemporary, the curving animal designs complimenting the lines of the chair design, the frame metal-labeled “PALECEK”. h. 39-3/4”, w. 24-1/2”, d. 25-1/2”, seat h. 19-3/4” $1,200-$1,800

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115 Contemporary Double-Patinated Bronze Figural Table the thick beveled plate-glass top over a base in the form of a nude woman in a hammock, signed “Leela Art Production” on the lower edge. h. 31”, w. 28-1/2”, l. 78” $3,000-$5,000 116 Continental Polychrome Cabinet on Later Stand 19th century, the cabinet with a cove-molded cornice over a pair of framed and glazed doors, opening to a pair of shelves, on a later iron stand. h. 82”, w. 51”, d. 16” $1,000-$1,500 117 Pair of Maison Jansen-Style Steel and Brass Stools each with out-curved arm rests, a loose seat cushion and downswept legs ending in brass hoof feet. h. 25”, w. 30”, d. 16”, seat h. 19” $1,000-$1,500 116

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118 Neoclassical-Style Polished Steel Bench 20th century, the bench with scrolled ends and an upholstered cushion, raised on tapered legs with brass-plated mounts. h. 20-1/2”, w. 24-3/4”, d. 14-1/4” $1,000-$1,500 119 Neoclassical-Style Iron, Brass and Marble-Top Side Table the circular white marble top set within the horns of three brass rams’ heads, with curved downswept legs and circular ring stretchers, dressed with brass acanthus leaves and strapwork, terminating in brass cloven-hoof feet. h. 24”, dia. 17”

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$800-$1,200 120 Bronze Lantern in the Manner of Giacometti 20th century, the polished bronze cap over the pagoda-form top, with a rope-twist verdigris frame accented with birds. h. 22”, dia. 14-1/2” $1,500-$2,500 121 Bronze Lantern in the Manner of Giacometti 20th century, the polished bronze cap over the pagoda-form top, with a rope-twist verdigris frame accented with birds. h. 22”, dia. 14-1/2” $1,500-$2,500 119

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122 Patinated Metal and Pottery Floor Lamp 20th century, the top with cattails set into leaves and scrolls, over the standard set with pottery palm tree trunk sections, on scrolled legs raised on brass “knotted” feet, fitted with a lampshade. h. 58”, dia. 15” $700-$1,000 123 French Art Nouveau Patinated Metal Figural Lamp early 20th century, set with a figure of “Reine de Pres”, after Auguste Moreau (French, 1834-1917), the maiden in a diaphanous gown, holding a bouquet of flowers, set with three vine-form tubular lamps, mounted with leaves and terminating in sockets mounted with opaline glass shades, the figure inscribed “Aug. Moreau”, with a brass tag on the base reading, “Reine de Pres, Aug. Moreau, Med lle dior”. h. 31”, w. 23-1/2”, d. 11” $800-$1,200 124 Art Nouveau Patinated Metal Table Elk Lamp the base decorated with one recumbent and one standing copper-washed metal elk, set with a pair of lamp branches, decorated with metal leaves and terminating in light sockets mounted with period gold iridescent glass shades, possibly Steuben Aurene. h. 30-1/2”, w. 30”, d. 6-3/4” $800-$1,200 122

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125 Art Nouveau Brass Table Lamp early 20th century, the delicate pierced brass scrollwork mounts on a half-dome base molded with pomegranates, on three scrolled feet, electrified and fitted with a lampshade. h. 28”, dia. 13-3/4” $700-$1,000 126 French Bronze and Opaline “Mistletoe” Pendant Light early 20th century, molded with bronze “twine” suspending “branches” of mistletoe, the leaves with remnants of green enamel, scattered with opaline glass berries, with a single light. h. 25”, dia. 10” $1,000-$1,500 127 Wilhelm Schaffert (German, 1895-1915)

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“Verteidigerin” patinated bronze cast signature along back of self-base and foundry mark along one side, on a shaped marble base. overall h. 24-1/2”, w. 5”, d. 3-1/4” $1,000-$1,500 128 Pair of Frankart Art Deco Bookends ca. 1920s, the patinated metal bookends of a nude ballerina stretching, seated on an Art Deco base, signed “Frankart Inc., Pat. Appld For”. h. 6-1/2”, w. 3-1/2”, d. 5”

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$700-$1,000

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129 Vintage Zebra Hide Rug the hide following the natural outline of the animal, with the tail and black welting on the edges. 108” x 67” $1,000-$1,500 130 Pair of Pineapple Lamps, Attributed to Stiffel 20th century, each with a chrome standard fitted into a chrome pineapple, mounted on a gray-painted obelisk-form base, raised on a paneled chrome base. h. 35-1/4”, dia. 13-3/4”

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$1,000-$1,500 131 Pair of Maison Jansen-Style Steel and Brass Tables each with two plate-glass tiers, the top corners finished with brass finials, the out-curved legs ending in cast-brass hoof feet. h. 28-1/2”, w. 22”, d. 17” $1,000-$1,500

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132 French Gilt-Bronze and Glass Tiered Side Table 20th century, in the Maison Jansen style, the shelves with serpentine ends, supported on leaf-molded gilt-bronze legs terminating in domed caps. h. 25”, w. 27”, d. 18-1/4” $800-$1,200 133 Pair of Directoire-Style Brass and Plate-Glass Side Tables in the manner of Maison Jansen, each with a rectangular plate-glass top, set on an X-form frame with hand grips holding the top, and ending in feet with sandals. h. 29-1/2”, w. 28”, d. 21” $1,200-$1,800 132

134 French Giltwood and Glass Side Table ca. 1970, in the Maison Jansen taste, the circular glass top with foliate medallions positioned over quiver-form giltwood legs, carved with acanthus leaves and a gadrooned capital. h. 15”, dia. 22” $1,200-$1,800 135 Mid-Century Modern Brass and Glass Drinks Trolley set with two tiers, each with a spindle and rail gallery, supported by reeded legs ending in casters. h. 32-1/2”, w. 33-1/2”, d. 19” 133

$800-$1,200

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136 Suite of Six Hollywood Regency Silver-Leaf Chairs

137 Michael Taylor “Venetian” Bench

the curved crest rails supported by down-curved arms, with carved swan’s heads at the upper corners, fitted with slip seats and raised on turned legs. h. 38”, w. 21”, d. 19”, seat h. 18”

1990s, the creme-peinte frame with incised details, the padded top upholstered in Schumacher “Gordian Knot” linen and cotton, the underside labeled “Michael Taylor/Designs Incorporated/San Francisco California”. h. 19-1/2”, w. 46”, d. 20”

$1,000-$1,500 $1,500-$2,500

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138 Pair of Brickel Associates for Ward Bennett Lounge Chairs the backs with channel tufting, covered in boucle chenille fabric. h. 30”, w. 30-3/4”, d. 30” $3,000-$5,000

139 Two Monumental Carved Pine Clusters of Mushrooms 20th century, unsigned. h. 132”, w. 23-1/2” (largest) $800-$1,200 Provenance: Heriard-Cimino Gallery, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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140 Formations Saber-Leg Ottoman the seat of natural woven seagrass around a rectangular frame with down-curved saber legs. h. 18-1/2”, w. 34”, d. 24” $1,000-$1,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

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141 Pair of Waterfall Occasional Stools/Benches contemporary, upholstered throughout in grass cloth. h. 19”, w. 17-1/2”, d. 17” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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142 Pair of Waterfall Occasional Stools/Benches contemporary, upholstered throughout in grass cloth. h. 19”, w. 18-1/2”, d. 17” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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143 Suite of Four “Cesca” Armchairs, after Marcel Brewer 20th century, the chromed cantilevered chairs set with ebonized and caned back and seat panels. h. 31-1/2”, w. 22-3/4”, d. 19”, seat h. 17-3/4” $1,200-$1,800 144 Air France Poster 20th century, lithograph in colors, after Jean Even (1910-1986), published by Affiches Gaillard, France. Glazed and framed. sight 39-7/8” x 25-1/4”, framed 42-1/2” x 28” $500-$800 145 Pair of Restoration Hardware “Hudson” Cocktail Tables 20th century, after a design by Anthony Cox, with shagreencovered tray tops supported by brass framed bases. h. 14”, w. 59”, d. 22-1/4” $1,000-$1,500 144

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146 Contemporary Glass-Top Table

147 Contemporary Custom Glass-Top and Acrylic Dining Table

20th century, the circular glass top supported on acrylic legs with scooped panels, on a brass-inlaid circular ebonized base. h. 29”, dia. 49-3/4”

20th century, the rectangular glass-top table over faceted acrylic legs, set with block top supports and matching feet. h. 30”, w. 36”, l. 108”

$1,000-$1,500

$1,500-$2,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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148 Three-Piece Art Deco “Cloud” Suite ca. 1930s, attributed to Harry & Lou Epstein, the suite including a gray leather and bleached walnut sofa, h. 34-3/4”, w. 64-1/4”, d. 39-1/4”, and a pair of matching chairs, h. 31-3/4”, w. 27-3/4”, d. 27-1/4”. $3,000-$5,000

149 “Volcano” Mirror, Attributed to Olivier De Schrijver 20th century, composed of conjoined asymmetrical polyhedral mirror plates. h. 48”, w. 37” $1,500-$2,500

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150 Jean-Michel Wilmotte “Attila” Cocktail Table ca. 1980s, the glass top over black metal cluster-column legs. h. 16-3/4”, w. 36”, d. 36” $1,500-$2,500

151 Pair of Art Deco Silvered Cast-Iron Side Tables each with a circular smoky-mirrored top, on tapered cast legs with grape and leaf motifs, joined by like stretchers centered by an acorn finial. h. 18-1/2”, dia. 21”

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$1,000-$1,500

152 Sky Jones (Michael Whipple) (American, b. 1947) “The Cross”, 1994 acrylic and lacquer signed and dated lower right, titled on a “Banker Art Museum” inventory label en verso. Float-mounted, glazed and framed. sheet 30” x 20”, framed 43-1/4” x 33-1/4” $1,000-$1,500 Provenance: Banker Art Museum and Drawing Club, Salt Lake City, Utah.

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153 Indigo Blue and Carmine Red Tribal Rug 20th century, possibly African, with “eye dazzler”-type red geometric decoration, stitched with white trim and fringed ends. 3’ 8” x 8’ 3” $700-$1,000

154 Pair of Knoll "Washington Skeleton" Chairs ca. 2013, designed by Sir David Adjaye, the aluminum chairs with a cantilevered geometric design. h. 32-1/5”, w. 17-1/4”, d. 20-1/4” $1,500-$2,500

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155 Custom David Mudge Metal and Glass Sofa Table

156 Custom David Mudge Metal and Glass Sofa Table

ca. 1992, New Orleans, Louisiana, set with a beveled smoked glass top over a postmodern table, composed of metal decorated with hammered dentil molding at the top, the tapered legs raised on ball feet, set with stretchers. h. 30-1/2”, w. 78-1/4”, d. 18-1/2”

$1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana.

156

157 Pair of Custom David Mudge Gueridons ca. 1992, New Orleans, Louisiana, the gueridons set with smoked beveled glass tops supported on scrolled legs, with a shelf below. h. 29”, dia. 24” $1,500-$2,500 Provenance: Private collection, New Orleans, Louisiana.

157

158 Custom David Mudge Patinated Metal Floor Lamp ca. 1992, New Orleans, Louisiana, the Art Nouveau-inspired lamp with a serpent wrapped around a standard in the form of a cluster of reeds, on a domed base decorated with overlapping lily pads, set with a frosted milk glass trumpetform shade, signed on the bottom “Mudge ‘92”. h. 75”, dia. 15-3/4” $1,000-$1,500 Provenance: Private collection, New Orleans, Louisiana.

159 Wrought-Iron, Brass and Plate-Glass Coffee Table in the neoclassical taste, the circular plate-glass top over a base with U-form supports and set with foliate panels, raised on down-curved legs ending in brass paw feet. h. 20”, dia. 36” $1,000-$1,500

158

159

160

161 Custom Designed Art Deco-Style Zebrawood and Shagreen Dining Table

160 Mid-Century Modern Polished Steel Bench the bench set with a brown-and-black velvet-covered box cushion, over square legs and a conforming skirt. h. 17-1/2”, w. 48-1/2”, d. 19-1/2”

20th century, considered the “Solstace Dining Table”, model JJTC 3015, the circular top with banded edge and a central inset dyed shagreen medallion, mounted to an incurved, shaped pedestal to a platform base, trimmed in matching shagreen, from the George Cameron Nash Collection by Mulholland, Houston and Dallas, Texas. h. 30”, dia. 70”

$900-$1,200 Provenance: Private collection, New Orleans, Louisiana.

$5,000-$8,000

161

162 Biedermeier-Style Fruitwood and Marble-Top Cabinet 20th century, the circular top with an inset marble surface, above a conforming fluted case fitted with a single door, raised on a paneled octagonal base. h. 28”, dia. 16” $700-$1,000

163 Highly Unusual Italian Art Deco Burl Wood Cabinet early 20th century, the upper case with a pair of glazed doors opening to a compartmented interior, the base with an open shelf above a pair of bookmatched veneered doors. h. 70”, w. 44-1/2”, d. 15” $1,500-$2,500

162

162 detail

163

164 Pair of Biedermeier Fruitwood Pedestals 19th century, each with a circular top supported by a turned and waisted standard with ebonized accents to a square base on bun feet. h. 49-1/2”, w. 13”, d. 13” $800-$1,200 165 Pair of Iron and Leather “Prata” Stools Restoration Hardware, of 17th-century Italian inspiration, the X-form ends joined by a leather seat and iron strap stretchers at the bottom. h. 23-1/2”, w. 32”, d. 19-1/2” $1,000-$1,500

164

165

166 “Dancing Ballerina” 20th century, mixed metals and found objects assemblage/ table, with electrical elements. h. 95”, w. 16”, d. 21” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

166

167

167 Jean-Michel Wilmotte Marble-Top “Attila” Cocktail Table ca. 1980s, the marble top over cluster-column black metal legs. h. 15”, w. 36”, d. 19” $1,200-$1,800 168 Mario Villa (Nicaraguan/Louisiana, 1953-2021) “Pair of Sconces”, 1990

168

copper, steel and brass the oval patinated steel backplates trimmed with brass and set with cylindrical bodies mounted with brass candle protectors, with tapered brass-trimmed copper shades, each signed and dated. h. 14”, w. 5-1/2”, d. 7-1/2” $800-$1,200 169 Pair of Iron, Brass and Plate-Glass Side Tables the glass tops set within brass scrollwork panels within an iron frame, and raised on straight, square legs joined by C-form stretchers. h. 24”, w. 19-1/2”, d. 20-1/2” $1,200-$1,800 169

170

170 Pair of Napoleon III-Style Steel Rope-Twist Armchairs

171 Large Faux-Ostrich Ottoman

the frames and legs simulating twisted rope, the seats with loose cushions, and the legs ending in a knot with tassel feet. h. 33”, w. 22-1/2”, d. 19”, seat h. 17”

the aubergine-colored ottoman with faceted corners, on matching conforming legs. h. 18-1/2”, w. 47”, d. 34-1/2”

$1,000-$1,500

$800-$1,200

171

172

172 Pair of Silver-Leaf and Mirrored Urn-Form Side Tables

173 Contemporary Wrought-Iron and Plate-Glass Coffee Table

of neoclassical inspiration, each with a circular inset smoky silvered mirror top mounted to a large carved wooden urnform standard to a square platform base, raised on ball feet. h. 29”, dia. 21”

set with a scrolled and foliate panel to an iron frame with four square, straight legs and a conforming plate-glass top. h. 18”, w. 66-1/2”, d. 42-1/2” $1,200-$1,800

$1,200-$1,800

173

174

174 Four McGuire “Bercut” Swivel Counter Stools the bamboo seat frames with buckled taupe leather backs and padded brown leather seats, raised on a flared patinated tubular iron base, the seat frame brass-labeled: “McGuire/San Francisco”. h. 36-1/4”, w. 24-1/2”, d. 24-1/2”, seat h. 25-3/4” $1,500-$2,500 175 Pair of Ron Jesse Table Lamps 20th century, in the Brutalist taste, with conical patinated metal shades and column-form standards, on cylindrical bases. h. 26-3/4”, dia. 7-1/4”

175

$1,000-$1,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 176 Joseph Victor Communal (French, 1876-1962) “Couche de Soleil Rouge” pastel on paper backed by canvas signed lower left. Glazed and framed. 20” x 24”, framed 29-1/2” x 33-1/2” $700-$1,000

176

177

177 Suite of Eight Post-Modern Wrought-Iron Dining Chairs the suite comprised of a pair of armchairs, h. 40-1/2”, w. 25”, d. 19”, and six side chairs, h. 40-1/2”, w. 17”, d. 17”, the playful “Memphis”-inspired design with an open body, the back and front legs in a wavy design, the back, seat and arms upholstered in zebra print fabric. $1,000-$1,500

178

178 Mid-Century Modern Bronze and Plate-Glass Center Table the thick circular plate-glass top set on a curved bronze base with three curved bronze legs, joined by a circular bronze ring stretcher. h. 30”, dia. 44” $1,800-$2,500 179 Pair of Steel, Iron and Marble-Top Pedestals 20th century, in the Maison Jansen taste, the circular white marble tops set into steel frames, mounted with cabriole legs set with ram’s-head crests, the knees with brass acanthus mounts, on hoof feet. h. 42-1/4”, dia. 14” 179

$1,000-$1,500

180 Biedermeier-Style Fruitwood Settee 20th century, the padded seat flanked to either side by outswept paneled ends, raised on cabriole legs joined by an X-form stretcher. h. 24”, w. 25”, d. 14” $800-$1,200 181 Giltwood and Silver-Gilt Sunburst Mirror with long giltwood “rays” alternating with shorter silver-gilt “rays”, the circular mirror plate with a rope-twist silver-gilt surround. dia. 30” $1,000-$1,500

180

182 Unusual Sunburst Mirror mid-20th century, the giltwood mirror set with a convex plate lined with beading, and set with carved “sun rays”. h. 18-3/4”, w. 35” $1,000-$1,500

181

182

183

183 Arturo Pani “Mayan” Onyx Coffee Table mid-20th century, the table designed by Arturo Pani (Mexican, 1915-1981) for Muller of Mexico, the brown onyx table with a carved Mayan calendar in the center, on a pyramid-form base with Mayan-inspired carvings, labeled at bottom of the top. h. 20”, w. 47-1/2”, d. 47-1/2” $1,000-$1,500

183 detail

184 Burnt Umber, Brown and Tan Tribal Rug possibly African, woven in geometric patterns, with tan fringe. 4’ 6” x 7’ 3” $500-$800

184

185

185 Pair of Donghia "Merbau" Rattan Club Chairs

186 Rose Tarlow Melrose House Paddington Sofa

designed by John Hutton (1947-2006), the frames constructed of mahogany with woven wicker backs, arms and skirts, each fitted with a loose seat cushion. h. 31”, w. 28”, d. 23”, seat h. 17”

the back with a pair of conforming pillows and loose seat cushions, raised on square, straight legs joined by stretchers. h. 36”, w. 72”, d. 36” $1,400-$1,800

$2,000-$4,000

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

186

187 Pair of Quartz Crystal Table Lamps the two-light lamps set with faceted quartz crystals, mounted on cove-molded giltwood bases. h. 30-1/2”, dia. 7-1/2” $1,800-$2,500 188 Rose Tarlow Melrose House "Branch" Side Table the circular light walnut top with gilt edge, above a naturalistically carved and gilt branch-form standard, raised on three splayed branch-form legs. h. 29”, dia. 24” $1,500-$2,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

187

188

189 Five-Piece Hartman “Skymate” Luggage Set mid-20th century, with mottled red and yellow sides with black leather trim, each piece with brass monogrammed tags, the smallest fitted as a train case. h. 6-1/2” to 11”, w. 9-1/2” to 20-1/4”, d. 15” to 29” $1,000-$1,500 189

190 Pair of Alfonso Marina Libourne Iron Chairs each with a down-curved back panel, caned back and seat, raised on slender, tapering iron legs. h. 34”, w. 25”, d. 21”, seat h. 16” $700-$1,000

191 Two Graduated Paul Frankl Low Tables

190

ca. 1940s, made by the Johnson Furniture Co., Michigan, the parchment-colored lacquered cork tops on tapered mahogany and brass legs. h. 16-1/4”, w. 24”, d. 12” to 18”, seat h. 21” $1,000-$1,500

192 Pair of John Saladino for Baker Leather Club Chairs ca. 1985, for Baker’s “Facade” Collection, the ruched chestnut leather seats and headrests with a loose pillow and enclosed in subtly pleated frames, labeled “Baker Furniture”. h. 30-3/4”, w. 33”, d. 29-1/2”, seat h. 20” $2,000-$4,000

191

192

193 Martin Spei (American, b. 1959) “Meteorite Man” cast iron unsigned. l. 25”, w. 9-1/2” $2,000-$4,000

194

194 Srdjan Loncar (Croatian/Louisiana, b. 1971) “Value”, 2008

193

mixed media assemblage from an unnumbered edition of 500. h. 17-1/2”, w. 18-1/8”, d. 16” $2,000-$4,000 Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

194 detail

195 Edward Wormley for Dunbar Woven Credenza ca. 1956, the mahogany cabinet with three drawers over three sliding doors, set with woven strips of rosewood, with brass rods, opening to reveal a shelved center flanked by three interior shelves on each side, raised on recessed legs, the original shipping label in the top drawer. h. 34-1/2”, w. 59-1/2”, d. 18-1/2”

194 detail

$2,000-$4,000

195

196 Danish Mid-Century Teak Side Table 1950s, model nr 510, by Tove and Edvard Kindt-Larsen for France & Son, Denmark, bearing the circular black and silver metal “Fd” label. h. 22”, w. 29”, d. 19” $500-$800

197 Milo Baughman for Thayer Coggin Lounge Chair and Ottoman ca. 1960s, the mid-century modern swivel lounge chair and matching ottoman upholstered in honey-colored velvet, with floral seat cushions, mounted on rosewood frames. chair h. 28-3/4”, w. 37-1/2”, d. 25”, ottoman h. 14”, w. 25-3/4”, d. 22”

196

$1,000-$1,500

198 Milo Baughman for Thayer Coggin Lounge Chair and Ottoman ca. 1960s, the mid-century modern swivel lounge chair and matching ottoman upholstered in honey-colored velvet, with floral seat cushions, mounted on rosewood frames. chair h. 28-3/4”, w. 37-1/2”, d. 25”, ottoman h. 14”, w. 25-3/4”, d. 22” $1,000-$1,500

197

198

199

199 Large French Art Deco Rosewood Cabinet ca. 1930, the center section with sliding glass doors opening to reveal shelves, flanked by ogee-molded rosewood doors, concealing shelves, the rounded corners with brass trim, raised on fluted, brass-trimmed feet, on a platform base. h. 47-1/2”, w. 67-3/4”, d. 16” $700-$1,000 200 Adrian Pearsall “Compass” Dining Table 20th century, the walnut and glass table with compass-form stretchers, supported on tapered legs. h. 29”, w. 40”, l. 79” $1,000-$1,500 201 Set of Four Mid-Century Oak “Compass” Dining/ Occasional Chairs 200

ca. 1950, designed by Allan Gould, now upholstered with deep blue and tan tiger-stripe velvet. h. 27”, w. 22”, d. 22”, seat h. 19” $1,000-$1,500

201

202 Italian Giltwood and Zebra Hide Side Table 19th century, the circular top covered in zebra fur and dressed with large brass tacks, mounted to a carved and gilded standard with foliate motifs. h. 30”, dia. 19” $1,000-$1,500 203 Contemporary Ottoman on an Ebonized Base the cylindrical ottoman upholstered in an abstract metallic fabric, in various shades of copper, silver and other colors. h. 10”, dia. 30-3/4” $800-$1,200 204 Jean-Marcel St. Jacques (American/Louisiana, Contemporary)

202

“Wooden Quilt”, 1981 found and salvaged painted wood hinged diptych signed and dated at back of each panel. each panel 66” x 42”, overall length 84” $2,500-$4,000 A descendant of local creoles of color, Jean-Michel St. Jacques’ work is influenced by generational family stories, traditions, and memories. In the aftermath of Hurricane Katrina, St. Jacques transformed the remnants of wooden debris scattered throughout New Orleans. Inspired by his great-grandmother's quilts, he started to assemble discarded pieces into patterns, creating his own wooden quilts. Like cloth quilts, his wooden quilts transform bits and scraps into works of art.

203

204

205 Jean-Marcel St. Jacques (American/Louisiana, Contemporary) “Wooden Quilt Mirror” found and salvaged painted wood with mirror 78-1/2” x 27-1/2” $1,500-$2,500

206 Pair of French Gilt-Metal and Plate-Glass Side Tables of modernist design, each of square tubular form and set with a plate-glass top. h. 19”, w. 19”, d. 14” $1,000-$1,500

205

206

207 Pair of Italian Giltwood Ladderback Chairs in the manner of Gio Ponti (1891-1979), each splayed back with five turned spindle slats over a padded seat, and raised on slightly out-curved legs joined by turned stretchers. h. 45”, w. 16-1/2”, d. 14”, seat h. 19” $1,000-$1,500

208 Set of Three Mid-Century Modern Brass and Glass Nesting Tables in the manner of Maison Jansen, each with a glass top set within a beaded brass frame, raised on reeded brass legs joined by stretchers. largest h. 20-1/2”, w. 23-1/2”, d. 14” $1,000-$1,500 207

208

209 Pair of Wrought-Iron Lightning Rods late 19th century, the spear-point tops on turned bases, raised on legs intended to fit on a roof peak, now on square metal bases. h. 88-3/4”, w. 10”, d. 10” $600-$900

209

210 Large Distressed Leather Cube-Form Ottoman upholstered in mottled tan leather and raised on molded triangular feet. h. 17-1/2”, 35-1/2”, d. 35-1/2” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

211 Large Driftwood Lamp mid-20th century, the base composed of intertwined driftwood with a white-washed finish, set with an oval textured shade. h. 39-3/4”, w. 24-1/2”, d. 15”

210

$1,000-$1,500

212 Contemporary Console in the Asian Taste wrapped in lacquered grasscloth, now topped with conforming smoked glass. h. 28-1/2”, w. 54-1/4”, d. 18-1/4” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

211

212

213

213 Joshua Chambers (American/Louisiana, Contemporary) “Untitled: Diver” acrylic on shaped wood panel unsigned. overall 42” x 36-1/2”

214

$800-$1,200 214 Roberto Cammozzo Murano “Aquarium” Bowl the blue bowl decorated with carefully executed fish and realistic bubbles “swimming” along the sides, with an engraved “Roberto Cammozzo” signature on the bottom. h. 6”, dia. 17” $800-$1,200 215 Stefano Toso (Italian, b. 1958) Murano Blown-Glass Sculpture twisted form sculpture with striations of teal, navy and leaf green, incised signature on self-base. h. 21”, w. 11”, d. 5” $700-$1,000 215

216 Joshua Chambers (American/Louisiana, Contemporary) “Just Give Me”, 2021 oil on wood panel signed, dated and titled en verso. Unframed. 45” x 34” x 2-3/4” $700-$1,000 217 Red Lion Table Company Double Chest of Drawers mid-20th century, the black- and slate-gray-painted chest with eight drawers set with opposing chromed-metal pulls forming four rectangular handles, on a molded base with short bracket feet, labeled on the interior of the upper drawer, with maker’s label inside upper drawer. h. 31”, w. 59”, d. 20” $800-$1,200

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218

218 Three Chromcraft Acrylic and Chrome Bar Stools ca. 1970s, each with a one-piece acrylic back and seat on a chrome base with square legs and a “T” back, the front rail with ring-turned decoration, mounted with an upholstered seat. h. 39-1/4”, seat h. 26-1/2”, w. 18”, d. 15-1/2” $1,000-$1,500 Provenance: Private collection, New Orleans, Louisiana. 219 Gilbert Rhode for Herman Miller 4140 Chest 20th century, the chest with gray leather-upholstered drawer fronts in a black case, on angled feet, labeled in the top drawer. h. 34-1/2”, w. 43-1/2”, d. 19” $1,000-$1,500

219

220 Custom Parsons Table by Urban, New York the linen-covered rectangular case fitted with a pull-out slide and lower shelf, raised on square legs, with maker’s plaque reading “Custom Designed & Built By / URBAN / 212-245-5011”. h. 28-1/2”, w. 24”, d. 20” $800-$1,200 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

220

221 Austin E. Cox (Austin Enterprises) for ALCOA, Chess Set with Chessboard 1962, silver and black-anodized chess pieces housed in a walnut and blue acrylic wall-display case and chess board, produced by the American Aluminum Company of America (ALCOA), stamped “1962 Austin Enterprises” on the underside of each piece. 30-1/2” x 6” x 2-1/4”; chessboard 19” x 19” $800-$1,200 Austin Cox’s chess sets were originally designed and produced as exclusive high-end corporate gifts for major ALCOA clients and stakeholders. 221

222 Lichtenberg Figure oil paint on aluminum, unsigned. Framed. 23” x 23”, framed 24-1/2” x 24-1/2” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. Lichtenberg figures are the radiating, branching patterns created by electrical discharges coursing over a surface. They are named after the German physicist Georg Christoph Lichtenberg who first discovered the phenomena in 1777.

222

223 Pair of Hivo Van Teal Table Lamps 1970s, the chrome core supporting signature stacked lucite elements, raised on a circular base centered with a push on/ off knob, both fitted with black lampshades. overall h. 29-1/4", dia. 16-1/4” $600-$900

223

224

224 Christian Liaigre for Holly Hunt Console Table 20th century, the inset parchment top on a black steel base, raised on delicate tapered legs. h. 31-1/2”, w. 41-1/2”, d. 12-1/4” $1,800-$2,500 225 Christian Liaigre for Holly Hunt “Pygmee” Side Table 1990s, ebonized mahogany and steel, the circular top raised on a faceted pedestal standard and square plinth base. h. 35-3/4”, dia. 13-3/4” $1,000-$1,500

225

226 Christian Liaigre for Holly Hunt “Nagato” Oak Side Table designed in 1986, solid oak with a burnt-black finish, carved from a single block with a square top above the faceted hourglass-form body. h. 17-1/4”, w. 12”, d. 11-3/4” $2,000-$4,000 226

227 Italian Piero Fornasetti Side Table ca. 1960s, the circular wooden top decorated with the face of Lina Cavalieri on a cream ground, the back labeled, on a black metal tripod base with brass hardware. h. 20-1/2”, dia. 23-1/2” $1,000-$1,500 228 Martin Spei (American, b. 1959) “Mote” patinated bronze incised initials and numbered “4/8” at back, on a carved and painted wood base. sculpture h. 7”, w. 3-1/4”, d. 3-1/2”; base h. 8-7/8”, w. 15-1/2”, d. 5” $800-$1,200

227

229 John Saladino for Dunbar Lounge Chair and Ottoman ca. 1982, the box-form chair with ruched arms and back, h. 28”, w. 37-1/4”, d. 27-1/2”, seat h. 14-1/2”, accompanied by a cylindrical matching ottoman, upholstered in velvet, h. 16-1/2”, w. 23”. $800-$1,200

228

229

230

230 Paul McCobb for Planner Group Credenza mid-20th century, the black-lacquered mid-century modern credenza with fabric-covered sliding doors, on black metal legs. h. 25-1/4”, w. 60”, d. 18-1/4” $1,500-$2,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 231 Tyler Hays for BDDW Chest of Drawers 20th century, the patinated bronze case set with four drawers, veneered with black laminate and mounted with bronze rodform handles, secured with leather straps, on low cylindrical legs. h. 48-1/4”, w. 35-1/4”, d. 18-1/4” $3,000-$5,000 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 232 Rectangular Ebonized Wood and Steel Low Table the black platform top raised on a textured silver and chromed steel base. h. 8-1/4”, w. 71, d. 22-3/4”

231

$500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

232

233 Palmer Hargrave “Colonial” Bridge Light contemporary, the matte black metal floor lamp with a matching shade and integral circular shelf, marked on the weighted base. h. 58”, w. 17”, d. 11-3/4” $1,000-$1,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 234 Martin Spei (American, b. 1959) “Arthur” mixed media signed along one side, with hooks for display. h. 25”, w. 15-1/2”, d. 5” $1,200-$1,800

233

235 Set of Four Ligne Roset “Jolie” Bar Stools the black-enameled frames set with black lacquer seats, on circular weighted bases, the foot rests clad in chrome. h. 41-1/4”, seat h. 32-1/2”, w. 14-3/4”, d. 16” $1,200-$1,800

234

235

236

236 B&B Italia 360 Degree Rotating Coffee Table

238 Pair of Russell Woodard Designed “Sculptura Bounce” Chairs

1990s, designed by Leo Aerts and Ingrid Wijnen, Belgium, with frosted glass and lacquered wood, the mechanism patinated steel. h. 19”, w. 59-1/2”, d. 24”-39”

in the mid-century modern taste, the mesh-covered onepiece backs, seats and arms on a cantilevered “bounce” base, with blue and green cushions. h. 31-3/4”, w. 32-1/2”, d. 29”

$700-$1,000 $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 237 Beatrice Wood (American, 1893-1998) “Folded Vase” volcano-glazed earthenware signed at bottom. h. 7-1/2”, w.10-1/2”, d. 5-1/4” $1,200-$1,800 237

238

239

239 Ligne Roset “Patchwork Configuration 14” Sofa Italian, the modular sofa converting to a queen-size bed, comprised of two bottom platforms, two upholstered cushions and three angled back rests. sofa h. 28”, seat h: 14”, w. 130”, d. 90”; bed h. 28”, w. 60”, l. 90” $2,000-$4,000

239 detail

240 Pair of Ferreol Babin Carved Wood Stools 2022, French, both signed, the black, No. 20 h. 16-1/2”, dia. 13-1/2”; the white, No. 25, h. 15-1/2”, dia. 13”. $1,000-$1,500

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241

241 Impressive Moroccan Teakwood and Bone-Inlaid Cabinet late 19th century, intricately inlaid throughout, with a pair of glazed doors in the center section with keyhole-shaped tops, flanked by open niches with mirror backs and like doors below. h. 75”, w. 63”, d. 17-1/2” $3,000-$5,000 242 French Aesthetic Bronze and Glass Hall Lantern late 19th century, the lantern suspended on rope-twist rodform “chains”, with a crenelated top, the ball-form lantern pierced with scrollwork and set with beveled colorless glass roundels and polychrome glass cabochons, with the original base for a font, now electrified. h. 39”, dia. 10-1/2” $1,500-$2,500

242

243

243 Pair of Continental Rosewood Fauteuils 19th century, each with a domed and pierced crest over a frieze with scrolling foliate brass inlays, the padded back joined by padded arms on lion-masque hand rests to the padded seat, raised on sabre legs ending in scrolled toes, the whole accented with delicate bone- and brass-inlaid patterns. h. 45”, w. 26-1/4”, d. 28” $2,500-$4,000 Provenance: Brownstone Gallery, Houston, Texas. 244 Pair of Pierced Bronze Chalices late 19th/early 20th century, of Renaissance inspiration, the bodies with shields framed with swags of flowers, supported by cherubs, set with leaf-molded scrolled handles, on ogeeform bases molded with acanthus leaves. h. 15-1/2”, w. 12-3/4”, d. 7-1/2”

244

$700-$1,000

245 Northern Thai Cast-Iron Head of Buddha in the Chiang Saen style, with a large lotus bud-shaped ushnisha on the top of his head. h. 13-3/4”, w. 6-1/4”, d. 6-1/2” $1,000-$1,500

246 Pair of Chinese Pottery Ginger Jar Lamps painted with brown plum branches on an off-white ground, on giltwood cove-molded bases. h. 21-1/4”, dia. 10-1/4” $1,000-$1,500 245

247 Pair of Diminutive Teakwood Campaign Chests 20th century, each with brass-mounted corners and inset pulls, with relief-carved banding and intricate brass inlay, fitted with three drawers each, raised on bracket feet. h. 22”, w. 18”, d. 18” $1,200-$1,800

246

247

248 Austrian Cold-Painted Vienna Bronze Lamp early 20th century, decorated with a pierced screen and column, shaded by a grass mat and Oriental carpet, over a courtesan and seated merchant with an open coffer and tambourine at their feet, signed “Titze” for Alphonse Titze. h. 16”, w. 7-1/2”, d. 6-1/4” $800-$1,200

249 Burmese Carved Teakwood Center Table 19th century, the circular top with a relief-carved edge and foliate- and pierced-carved aprons, mounted to a carved pedestal with serpents and birds, to a base of like form with stylized dragon feet. h. 29”, dia. 38” $1,200-$1,800

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249

249 detail

250

250 Suite of Four Rose Tarlow “Twig” Dining Chairs

251 Five-Piece Bamboo Dining Set

the metal chairs with a bronze finish, the frame molded as ribbon-bound twigs with pierced lattice seats and backs, mounted with leopard-printed fabric cushions. h. 40”, w. 25-1/2”, d. 24-3/4”, seat h. 20” (with cushion)

attributed to McGuire, comprised of a table with a plate-glass top, and four armchairs, all constructed with bamboo stalks and strapped together with rattan ties, the chairs padded with cushions. table h. 29”, w. 76”, d. 40”, chairs h. 31”, seat h. 18”, w. 22”, d. 22”

$1,200-$1,800

$1,000-$1,500

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252

252 Pair of Monumental Bronze Flamingos 20th century, realistically molded, the taller one standing with its mouth open, outfitted as a fountain, both on bases molded to resemble flat rocks. h. 85-3/4” to 92”, w. 30-1/2”, d. 44” to 45” $4,000-$7,000

253

253 Pair of Brown Jordan “S” Contoured Chaise Lounges

254 Pair of Brown Jordan “S” Contoured Chaise Lounges

the white aluminum frames after an original Walter Lamb design, upholstered in gray spangled yacht cord. h. 20”, w. 27-1/2”, l. 65-3/4”

the white aluminum lounges after an original Walter Lamb design, upholstered in gray spangled yacht cord. h. 20”, w. 27-1/2”, l. 65-3/4”

$1,000-$1,500

254

255

255 Set of Six Metal Klismos Chairs

256 Century Furniture “Andalusia” Sofa and Cocktail Table

after T.H. Robsjohn-Gibbings, the graphite chairs with paneled crests and splats, the “woven” seats with molded side studs, on paneled saber legs. h. 35-3/4”, w. 18-1/4”, d. 20-1/2”, seat h. 16-3/4”

designed by Richard Frinier, the sofa having a metal corrugated frame with turned finials at all corners, the back and sides set with black-piped white cotton cushions, the flaring corrugated legs set with cross stretchers, h. 32”, w. 74-3/4”, d. 35”, together with a matching marble-inset cocktail table, h. 17-1/4”, w. 42”, d. 30-1/2”.

$1,000-$1,500

256

257 Pair of Brown Jordan “French Quarter” Lounge Chairs 20th century, the white aluminum chairs with scrolled arms and pierced, scrolled skirts, raised on flaring legs and mounted with green cushions, h. 32”, w. 28”, d. 30-1/4”, together with a matching ottoman, h. 16”, w. 22-1/2”, d. 23-1/2”. $700-$1,000

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SESSION SATURDAY, OCTOBER 24

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258 Allison Stewart (American/Louisiana, b. 1941) “Charge”, 1991 oil on gallery-wrapped canvas triptych one signed and dated lower right, each signed, dated and titled en verso. each 72” x 48”, overall 72” x 144” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 259 John Tarrell Scott (American/Louisiana, 1940-2007) “Untitled”

259

painted metal kinetic wall sculpture h. 80”, w. 28”, d. 29” $7,000-$10,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 260 Campbell Cummings Hutchinson (American/Louisiana, 1936-2023) “Mountainous Landscape” oil on canvas unsigned. Unframed. 24” x 24” $1,200-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 260

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261 Pedro Friedeberg (Mexican, b. 1936) “Butterfly Chair” carved and painted giltwood with feet, signed at back of one wing. h. 7-1/2” w. 4-1/2”, d. 4” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 262 Francis Xavier Pavy (American/Louisiana, b. 1954) 261

“King’s Rest”, 2009 mixed media assemblage signed, dated and titled en verso. h. 37-1/2”, w. 38”, d. 7-1/4” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 263 Chintaly Square Motion Chrome and Glass Cocktail Table contemporary, model 8052-CT, with tempered glass shelves rotating out from chromed steel pillars. h. 16-1/2”, w. 31-1/2” closed, d. 31-1/2” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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264 Set of 4 CB2 Chiaro Chrome and Lucite Bar Stools 1980s, with polished chrome bases and conforming curved lucite seats. h. 39-1/4”, w. 15”, d. 18”, seat h. 28-3/4” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 265 Artemide Brushed Steel “Nestore Terra” Floor Lamp ca. 1980s, designed by Carlo Forcolini, the weighted arm with a conical shade, balanced on the cylindrical standard, labeled underneath the base. adjustable h. 103”, w. 68”, d. 14-3/4” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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266 Aaronel de Roy Gruber (American, 1918-2011) “Cube in Blues and Greens”, 1970 acrylic and plexiglass in two parts, incised signature, dated, copyright-marked and numbered “3/8” at one edge, base wired for electricity. overall h. 17-1/2”, w. 10-1/4”, d. 14” $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

266

267 James Flynn (American/Louisiana, Contemporary) “Eigen-Moon Study with Mounger Orange”, 2017 ultraviolet reactive acrylic on wood panel signed, titled, dated, inscribed, and dedicated “to Jim Mounger”, New Orleans art collector, en verso. From the “Eigenstate” series. Unframed. 36” x 36” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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268 James Flynn (American/Louisiana, Contemporary) “The Flowering of My Exultant Heart”, 2016 ultraviolet reactive acrylic on wood panel signed, titled, dated and inscribed en verso. Float-mounted and framed. 36” x 36”, framed 37-1/4” x 37-1/4” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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269 Pair of Custom Postmodern-Style Tall Tables 20th century, with pickled wood bases and frosted glass tops. h. 39”, w. 48”, d. 48” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 270 Jean-Pierre Cailleres Postmodern Glass Coffee Table ca. 1991, for Ligne Roset, France, the scored frosted glass top with a clear corner acid-etched “CAILLERES”, raised on silvered beechwood funnel legs. h. 10-1/2”, w. 34-1/2”, d. 34-1/2”

270

$1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 271 Sibylle Peretti (German, b. 1964) “Untitled Teardrop”, 2009 glass and mixed media incised initials and date at back. h. 14”, w. 7”, d. 6” $1,500-$2,500

271 detail

Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

271

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272 Allison Stewart (American/Louisiana, b. 1941) “Louisiana #2” mixed media encaustic on wood signed and titled en verso. Unframed. 8” x 8” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. In the present lot, Louisiana #2, Allison Stewart incorporates a 19th-century image of the French Quarter; the map identifies Hospital Street, which ran from the Mississippi River into the Treme. At the turn of the century, during the height of the so-called “Lost Cause” sentiment in the south, the street was renamed Governor Nicholls Street, to honor Francis Nicholls, the first Louisiana governor elected after Reconstruction.

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273 Chris Karnes (American, 1965-1998) “Awakening”, 1995 acrylic, 23k gold leaf, and aluminum leaf on paper titled and dated on artist’s label en verso. In an integral frame. 10” x 10” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 273

274 George Bauer Dunbar (American/Louisiana, 1927-2024) “Heart” gold leaf on black and red clay incised signature along bottom. 8-3/4” x 7-1/4” $2,500-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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275 Mitchell Gaudet (American/Louisiana, b. 1962) “Angel”, 2009 molded glass, steel and found objects wall assemblage 83” x 36” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 276 Pedro Friedeberg (Mexican, b. 1936) “Hand Chair” carved giltwood signed at bottom. h. 4-7/8”, w. 2”, d. 3-1/2” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

275 276

277 George Bauer Dunbar (American/Louisiana, 1927-2024) “Surge Series” gold leaf on clay unsigned; together with a signed copy of an exhibition catalogue published by Callan Contemporary, New Orleans. 5-1/2” x 9” x 1” $1,800-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 277

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278 George Bauer Dunbar (American/Louisiana, 1927-2024) “Deity” mauve, gray and black clay on board incised signature lower right. In an integral frame. 17-1/2” x 25-1/4” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 279 Saskia Ozols (American/Louisiana, Contemporary) “Breaking Free”, 2009

278

oil on linen unsigned; from the “Metamorphoses” series. Framed. 22” x 36”, framed 23-1/4” x 37” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. Breaking Free was part of a series of paintings entitled Metamorphoses which I exhibited in 2009. The work explored the process of change and the movement from one physical, psychological, or emotional state to another. – Saskia Ozols

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280 Antonio Citterio “Apta” Wood and Steel Coffee Table ca. 2000, for B&B Italia, with brushed steel frame and wenge top, now fitted with custom black glass. h. 14-1/4”, w. 49-1/4”, d. 49-1/4”; with glass: h. 14-1/2”, w. 49-1/2”, d. 49-1/2” $900-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

281 Seven-Piece Collection of African Iron Work including two Asen, portable staff-form altars hung with bells, from the Fon people of Benin, mounted on contemporary stands, h. 54-1/2”, dia. 9” and h. 51-1/2”, dia. 10”, four Topoke currency blades from the Congo, h. 58” to 71”, w. 8” to 15”, and a ceremonial oil lamp from Mali, h. 21-1/2”, w. 2-1/4”. $1,000-$1,500 Provenance: Estate of James ‚"Jim" Mounger, New Orleans, Louisiana.

281

282 Pair of Marc Brazier-Jones “Olympia” Candlesticks ca. 1990s, composed of glass, copper and patinated metal, each with a wreath of copper leaves set with graduated colorless, green, red and blue glass “jewels”, the colorless magnifying jewel installed to magnify the flame of a candle, set into the faceted and tapered torch-form standard. h. 28”, w. 43”, d. 5-1/2” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 282

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283 Neil Harshfield (American, b. 1962) “Untitled” group of seven iron and glass sculptures h. 22-1/2” to 34-1/4”, w. 4”, d. 4” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

284 Upholstered “Waterfall” Bench 283

1980s, in the style of Karl Springer, upholstered in a mushroom and tan checkerboard fabric. h. 17”, w. 45”, d. 16-1/2” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

285 Peter Maly Euro Queen-Size Platform Bed ca. 1998, for Ligne Roset, France, with pivoting side tables and movable head/back rests, labeled. h. 11-1/2”; inside: l. 79-1/2”, w. 63-1/2”; outside: l. 97”, w. 81” 284

$700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

285

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286 Ligne Roset Rattan Longue Chair 1980s, with a deep integral cushion and loose back cushion, raised on tapered brushed aluminum legs. h. 32-1/4”, w. 31”, d. 31-1/2”, seat h. 15-1/2” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 287 Flou Upholstered Queen-Size Platform Bed the contemporary off-white cotton-upholstered bed with a sleigh-form headboard, attached to an upholstered frame, raised on ogee wooden feet, labeled. h. 39”, inside w. 61-1/2”, l. 81-1/2”, outside w. 62”, l. 83-1/2” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

286

288 Allison Stewart (American/Louisiana, b. 1941) “Matrix (White)”, 1997 hydrastone sculpture on an integral thin metal base, unsigned. h. 31”, w. 7”, d. 7” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

288

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289 Vintage John Dickinson “African Table” ca. 1975, white-painted plaster. h. 26”, dia. 21-1/2” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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290 Pedro Friedeberg (Mexican, b. 1936) “Airplane” found objects with decoupage and gilt paint signed along right side. h. 8”, w. 16”, d. 21” $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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291 Mario Villa (Nicaraguan/Louisiana, 1953-2021) Circular Side Table mixed metal with a faux marbre top and three iron legs gathered with a brass cord and ending in brass discs, unsigned. h. 23”, dia. 21” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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292 Mitchell Gaudet (American/Louisiana, b. 1962) “Face” molded glass and found objects unsigned. h. 14-1/2”, w. 7”, d. 7-1/4” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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293 Robert Gordy (American/Louisiana, 1933-1986) “Male Head”, 1985 monotype on paper pencil-signed and dated lower right. Matted, glazed and framed. sight 25” x 19”, framed 40” x 22” $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. Robert Gordy was born on Jefferson Island, where his father worked as a manager at the local salt mines. The family moved to New Iberia in 1940, where Gordy met the colorful local character Weeks Hall. Under the mentorship and friendship of Hall, Gordy became increasingly interested in creating art. Gordy would go on to study with Hans Hoffman in Provincetown and earn a Bachelors and Master of Arts from Louisiana State University. He would achieve critical and national acclaim with a one-person show at the New Orleans Museum of Art and inclusion in the Whitney Museum of American Art, Biennial Exhibition of Contemporary American Art. Gordy contracted AIDS during the early years of the epidemic. He gave up his time-consuming, meticulously crafted paintings which he referred to as “Gordy’s” and turned to quicker and more spontaneous monotype prints. Filled with emotion, the autobiographical prints reflect his feelings as he dealt with his impending death. 293

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294 French Pair of Pascal Mourgue for Femorb “Silver Moon” Bar Stools 1980s, in anthracite-lacquered metal. h. 33”, w. 19”, d. 20-1/2”, seat h. 29-1/2” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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295 Postmodern “Arnold” Chair in the Memphis Style ca. 2000, for Amisco Industries, Canada, tubular steel and faux leather on ball casters. h. 32”, w. 24”, d. 18-3/4”, seat h. 17-1/2” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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296 Patinated Steel and Black Granite Console contemporary, in the Brutalist taste. h. 28-3/4”, w. 50-3/4”, d. 19-1/4” $1,200-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 296

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297 Roger Bruinekool (American, b. 1935) “Reflective Variations No. 37”, 1992 twelve oils on gallery-wrapped canvas each signed, dated, titled and with display instructions en verso. Unframed. each 30” x 30”, overall 120” x 120” $3,000-$5,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 298 Hunt Slonem (American/Louisiana, b. 1951) “Orange Rabbit”, 2016 oil on wood signed and dated en verso. In an antique frame. 10” x 8”, framed 19-1/2” x 17-1/2” $4,000-$7,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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299 Francis Xavier Pavy (American/Louisiana, b. 1954) “Live Oak”, 1990 painted metal construction on wood artist, title and date on “Simms Fine Art, New Orleans” label en verso. In an integral frame. 20-1/4” x 20-1/4” $1,500-$2,500 Provenance: Simms Fine Art, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

299

A lifelong resident of Lafayette, Louisiana, Francis X. Pavy’s artistic career included early exploration in ceramics, sculpture and stained glass. As a teenager, he studied with Elemore Morgan, Jr., who was then professor of art at the University of Louisiana, Lafayette. In the present lot, Live Oak, Pavy has created a three-dimensional painting with metal that reflects his Cajun heritage. His work is often based in southern narratives of music, cultural traditions and the natural environment of the bayou country.

300 Robert Warrens (American, b. 1933) “The Farm”

300

oil on masonite initialed “R.W.” lower left. Framed. 18” x 28”, framed 19” x 29” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

301 Robert Gordy (American/Louisiana, 1933-1986) “Male Head”, 1984 monotype on paper pencil-signed and dated lower right. Matted, glazed and framed. sight 23-1/2” x 16-1/2”, framed 40” x 22” $2,000-$4,000

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302 Ligne Roset “Nomade 2” Corner Sofa ca. 2000, France, in two sections, upholstered in ecru and charcoal fabric, both sections topped with a conforming tufted seat cushion, raised on molded circular feet, with assorted red, ecru and charcoal pillows, labeled: “Ligne Roset” at one corner. corner section, l. 65-1/2”, d. 34”; main section, l. 69”, d. 34”; seat h. 16-1/2” $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 303

303 Modern Italian Sling Lounge 1980s, probably B&B Italia, of generous proportions, clad in a ribbed red “sweater” cover over an ecru cover, the ends supported by brushed metal tubular bars. h. 37”, w. 31”, l. 66”, seat h. 13-1/2” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 304 Gene Koss (American/Louisiana, b. 1947) “Vase”, 1993 blown glass with red and white inclusions incised signature and dated along one side. h. 19-3/4”, dia. 14” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 304

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305 Tim Prentice (American, 1930-2025) “Narrow Banner” stainless steel, aluminum and lexan unsigned; together with a catalogue from Maxwell Davidson Gallery, New York. h. 31”, w. 9”, d. 16” $1,500-$2,500 Provenance: Maxwell Davidson Gallery, New York, New York; Estate of James “Jim” Mounger, New Orleans, Louisiana. “I am trying to concentrate on the movement, rather than the object. I take it as an article of faith that the air around us moves in ways which are organic, whimsical, and unpredictable. I therefore assume that if I were to abdicate the design to the wind, the work would take on these same qualities.”

305 detail

– Tim Prentice

306 Jeffrey Cook (American/Louisiana, b. 1961) “Voices”, 1994 wood, paper, paint and metal assemblage artist identified, titled and dated on “Galerie Simonne Stern, New Orleans” label en verso. Unframed. h. 13”, w. 11-1/2”, d. 2-7/8” $600-$900 Provenance: Galerie Simonne Stern, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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307 Linda Ridgway (American/Texas, b. 1947) “Vine Line”, 2000 “Dancer”, 2000 pair of soft ground etchings with relief roll each pencil signed and dated lower right and numbered “3/10” lower left. From the “Vine Line” series. Float-mounted, glazed and framed. each sheet 108” x 13-1/2”, framed 112” x 16-1/4” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 308 Custom Postmodern-Style Tall Table 20th century, with a pickled wood base and frosted glass top. h. 39”, w. 48”, d. 48” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 309 Two Christopher Maier Laminated Side Chairs 1980s, both examples laminated throughout. one example: h. 34-1/2”, w. 28”, d. 29”, seat h. 18-3/4”; the other: h. 40-1/4”, w. 21”, d. 24”, seat h. 18-1/4”

307

$1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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310 Gene Koss (American/Louisiana, b. 1947) “Lake Neshonoc - Maquette”, 2004 glass and stainless steel h. 32”, w. 23”, d. 23” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 311 Gene Koss (American/Louisiana, b. 1947) “Raindrop” cast glass lime green textured glass with stainless steel hardware for hanging. h. 25”, w. 2-1/2”, d. 2-1/2” $800-$1,200 Provenance: Sold in these rooms, July 19, 2020, lot 74; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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312 Ted Kincaid (American, Contemporary) “Untitled”, 2003 digital photograph in colors Glazed and framed. 49” x 95”, framed 50” x 96” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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313 Campbell Cummings Hutchinson (American/Louisiana, 1936-2023) “Pelican on the Lake” oil on masonite signed lower right. Unframed. 12” x 12” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 314 French Artelano Sofa and Ottoman

313

20th century, the sofa with flaring arms and back of equal height, upholstered in an olive-colored gabardine, on a brown oak base with stretchers, h. 34”, w. 86-1/2”, d. 28-3/4”, together with a matching ottoman, h. 16”, w. 27-3/4”, d. 27-3/4”. $1,200-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 315 Contemporary Credenza Attributed to Ligne Rose the walnut-veneered credenza with a central tier of drawers with telescopic pulls, flanked by a pair of aluminum-framed sliding doors, set with frosted glass. h. 30”, w. 82-1/2”, d. 17-3/4” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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316 Patricia Whitty Johnson (American/Louisiana, 1943-2008) “Spools” print and mixed media on paper signed lower right. Float-mounted, matted, glazed and framed. sheet 31-1/2” x 48”, framed 49” x 66-1/2” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 317 Mitchell Gaudet (American/Louisiana, b. 1962)

316

“Spiral” blown glass and iron torchere h. 35-1/4”, w. 5-1/2”, d. 7” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 318 Mitchell Gaudet (American/Louisiana, b. 1962) “Spiral” blown glass and iron torchere h. 35-1/4”, w. 5-1/2”, d. 7” $500-$800 317

Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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319 Amanda Talley (American/Louisiana, Contemporary) “Night Light” pair of oils on paper in wooden boxes unsigned, wired for electricity. each 20” x 9” x 6” $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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320 B&B Italia “Charles” Sectional Sofa after a design by Antonio Citterio, the L-shaped sofa with loose seat and back cushions, and sharply angled arms, resting on aluminum legs, upholstered in a nubby off-white fabric. h. 28-3/4”, w. 128-3/4”, d. 90-1/2” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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321 Christopher Maier Gold Leaf Cocktail Table of rectilinear form, the apron with a beaded lower edge, raised on segmented melon feet. h. 16”, w. 40”, d. 24” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 322 Margaret Evangeline (American/Louisiana, b. 1943) “Untitled”, 2003 mixed media on metal signed and dated en verso. Unframed. 32” x 32” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 322

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323 Mark Davis (American/Alabama, b. 1955) “Yellow”, 2001 oil on gallery-wrapped canvas signed and dated en verso. Unframed. 68” x 68” $1,500-$2,500 Provenance: Heriard-Cimino Gallery, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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324 Mark Davis (American/Alabama, b. 1955) “Orange”, 2002 oil on gallery-wrapped canvas signed and dated en verso. Unframed. 68” x 68” $1,500-$2,500 Provenance: Heriard-Cimino Gallery, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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325 Richard A. Johnson (American/Louisiana, b. 1942) "Study in Grays", 1995 acrylic on gallery-wrapped canvas initialed "R.A.J." lower right, signed, titled and dated and with a "Galerie Simonne Stern, New Orleans" label en verso. 83” x 66-1/2” $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

326 Steve Martin (American/Louisiana, b. 1956)

325

“Red” steel wire sculpture on enameled metal signed, titled and inscribed en verso. Unframed. 48” x 40” x 3-1/2” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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327 Pard Morrison (American, b. 1975) “Hybrid - #L32”, 2004 patinated aluminum each signed or initialed, numbered and dated en verso. overall 60” x 74” x 1” $1,200-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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328 Carlos de Villasante (American, b. 1971) “Profile East”, 2006 enamel on salvaged car hood signed, titled and dated en verso. Unframed. 48” x 57” $2,000-$4,000 Provenance: Heriard-Cimino Gallery, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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329 Jay Maggio (American/Louisiana, Contemporary) “Heatwave”, 2004 pair of acrylics on canvas one initialed lower left, and each signed, titled and dated en verso. Unframed. each 12” x 24” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

330 Jay Maggio (American/Louisiana, Contemporary) “Heatwave”, 2004 pair of acrylics on canvas each signed, titled and dated en verso. Unframed. each 12” x 24” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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331 Laura Soulliere Gates (American/Louisiana, Contemporary) “Nocturne, Avoyelles Parish”, 2018 oil on canvas signed lower right, and signed, titled and dated en verso. Framed. 15” x 30”, framed 16” x 31” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

331

332 Mitchell Gaudet (American/Louisiana, b. 1962) “Thetis”, 1998 cast glass with a metal presentation stand. sculpture h. 28-1/2”, w. 18-1/2”, d. 5”; stand h. 41”, w. 23-1/4”, d. 11-1/2” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 333 Timo Solin (Swedish/Finnish, b. 1947) “Woman with Red Hair”, 1989 painted sheet metal signed and dated at back. On a thin integral plexiglass base. h. 14-1/2”, w. 9”, d. 10” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

333 332

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334 Red Grooms (American, b. 1937) “Red’s Roxy - Tarzan” lithograph in colors on Rives BFK paper structure with handcranked mylar filmstrip of Tarzan pencil-signed and numbered “163/200” along front edge, co-published by the artist and Shark’s Lithography, Ltd., Boulder, Colorado, set within an acrylic shadowbox. h. 8-1/2”, w. 6-1/2”, d. 11-3/4” $1,500-$2,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

334

Red Grooms is an American artist known for transforming the energy, humor and visual chaos of modern city life into immersive works. His work is playful and exaggerated, but beneath its cartoonish surface is a focus on the habitation and performance of urban life. The present lot, Red’s Roxy - Tarzan, exemplifies Grooms’ approach, turning an ordinary commercial space into an exuberant, theatrical experience. This theatricality is central to his larger practice, touching on his fascination with constructed worlds, and our willingness to step inside of them. 335 Curtis Knapp (American/Louisiana, b. 1951) “Andy Warhol”, 1983 color-tinted photograph signed and numbered “1/20” in the lower margin; from the “Red” series. Glazed and framed. sight 29-1/2” x 23-1/2”, framed 31” x 25” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. A graduate of the Parsons School of Design, Curtis Knapp lived and worked in New York City in the 1970s and 1980s, shooting portraits of popular culture figures such as Madonna and Robert Downey, Jr. As a professional photographer, he worked on GQ, Esquire, and Andy Warhol’s Interview magazines. Knapp captured iconic images of Andy Warhol in his studio, “The Factory” at Union Square. The present lot became the basis of Knapp’s “Red” series, which mirrored Warhol’s pop aesthetic. He moved to the French Quarter in 2007, where he still lives and works.

335

336 Denise Marika (American, 1955-2018) “Untitled” glass and mixed media assemblage h. 30-1/2”, w. 24”, d. 7-1/2” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 336

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337 American School (Contemporary) “The Couple” lithograph on paper unsigned. Float-mounted, glazed and framed. sheet 44” x 43-3/4”, framed 48” x 47-3/4” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 338 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) “Two Ladies”

337

fabric, feather and trim soft sculpture unsigned, together on a Lucite base. overall 12” x 10-3/4” x 6” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 339 “Metra” Dining Table by Makio Hasuike contemporary, Italy, for Seccose, brushed aluminum and tempered glass, labeled. h. 29”, w. 35-1/2”, l. 78-1/2” $1,200-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

338

339

128

340 Philippe Starck Chrome “Dr. Sonderbar” Chair ca. 1983, by XO-France, with polished tubular frame and pierced seat. h. 25”, w. 25-1/2”, d. 18-3/4”, seat h. 15-3/4” $1,000-$1,500 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 341 Near Pair of Eileen Gray Chrome and Glass Side Tables ca. 1980, one example an adjustable Eileen Gray model E-1027, h. 26-1/2”, w. 20”, d. 20”, together with an Eileen Gray-style near match, h. 25-1/4”, w. 20”, d. 20”.

340

$1,400-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 342 Four Philippe Starck “La Marie” Acrylic Stacking Chairs ca. 1998, the rear seat labeled “La Marie by Starck for Kartell/ Made in Italy”. h. 33-1/4”, w. 15-1/4”, d. 20-3/4”, seat h. 19” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

341

342

129

343 Small Mirrored Three-Drawer Chest contemporary, raised on tapered, ebonized block feet, the drawers with cut-glass knobs. h. 27-3/4”, w. 30”, d. 19-1/2” $800-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 344 Tina Freeman (American/Louisiana, b. 1951) “Palazzo Albrizzi, Venice”, 1979 gelatin silver print signed, titled, dated and numbered “4/80” en verso. Matted, glazed and framed. sheet 10” x 8”, framed 19-1/4” x 14-1/4”

343

$500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 345 Stephanie Dinkins (American/New York, 20th Century) “Four Fluted Domes”, 1964 “Three Fluted Domes”, 1964 “Two Fluted Domes”, 1964 three gelatin silver prints each signed en verso, and each signed, titled and dated on “Simms Fine Art Gallery, New Orleans” labels en verso. 8” x 10”, 14” x 11” and 10” x 18”, framed 13” x 17”, 13” x 16-1/2” and 17” x 16-1/2”, respectively $700-$1,000 344

Provenance: Simms Fine Art Gallery, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana.

345

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346 Aimee Farnet Siegel (American/Louisiana, b. 1963) “Momentum 6”, 2016 mixed media on paper pencil signed, dated and titled lower right. In an integral acrylic frame. 42” x 40” $600-$900 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 346

347

348

347 Giacomo Costa (Italian, b. 1970) 349

“Orizzonte n. 19”, 1999 cibachrome photographic print under plexiglass and silicone signed, titled, dated, and numbered “2/3” on a “Galleria Photology” label en verso. Glazed and framed. sight 12-1/4” x 78”, framed 13” x 79” $3,000-$5,000 Provenance: Galleria Photology, Milan, Italy; Estate of James “Jim” Mounger, New Orleans, Louisiana. 348 Giacomo Costa (Italian, b. 1970) “Orizzonte n. 15”, 1999 cibachrome photographic print under plexiglass and silicone signed, titled, dated and numbered “1/3” on a “Galleria Photology” label en verso. Glazed and framed. sight 12-3/4” x 78-3/4”, framed 13” x 79”

349 Giacomo Costa (Italian, b. 1970) “Muraglia n. 2”, 1999 cibachrome photographic print under plexiglass and silicone signed, titled and dated on a “Galleria Photology” label en verso. Glazed and framed. sight 16-1/4” x 98-1/4”, framed 16-1/2” x 98-1/2” $4,000-$7,000 Provenance: Galleria Photology, Milan, Italy; Estate of James “Jim” Mounger, New Orleans, Louisiana.

$3,000-$5,000 Provenance: Galleria Photology, Milan, Italy; Estate of James “Jim” Mounger, New Orleans, Louisiana.

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350 Arthur Silverman (American, 1923-2018) “Untitled” painted metal unsigned, on an integral black base. h. 18”, w. 18”, d. 14” $1,200-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 351 Debbie Fleming Caffery (American/Louisiana, b. 1948)

350

“Papa: Sugar Harvesting”, 1987 gelatin silver print unsigned. From the “Sugar Harvesting” portfolio. Matted, glazed and framed. image 19” x 18-1/2”, framed 31” x 30” $500-$800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 352 Christopher Maier Silver-Leafed Console Table early 2000s, probably custom, with one end squared and the opposing end in waterfall profile. h. 27”, w. 60”, d. 14-1/4” $1,500-$2,500 351

Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

352

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353

353 Ted Calas (American, Contemporary)

354 Pair of Philippe Starck Lucite and Aluminum Swivel “ERO|S|” Chairs

“German Tea: Elspeth II”, 2001

2001, labeled on the upper leg “ERO|S| by Kartell, with Starck, Made in Italy”. h. 31-1/2”, w. 24-1/4”, d. 24”, seat h. 18”

oil on canvas signed lower left, and signed, dated and titled en verso. With a “Galerie Simonne Stern” label en verso. Framed. 16” x 72”, framed 17-1/4” x 73”

$700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

$1,000-$1,500 Provenance: Galerie Simonne Stern, New Orleans, Louisiana; Estate of James “Jim” Mounger, New Orleans, Louisiana

354

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355 Italian Large Square Low Table possibly B&B Italia, with a tubular aluminum frame topped with a white acrylic panel. h. 4”, w. 37”, d. 37” $700-$1,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 355

356 Chrome Boom Arm Floor Lamp in the Ralph Lauren Taste 20th century, the oval light head with a frosted glass panel, mounted on an adjustable boom arm supported on a circular, weighted base. h. 56”, adjustable w. 23-1/4”, d. 10-1/4” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

356

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357

357 Large Distressed Leather Cube-Form Ottoman

358 Large Distressed Leather Cube-Form Ottoman

upholstered in mottled tan leather and raised on molded triangular feet. h. 17-1/2”, 35-1/2”, d. 35-1/2”

$700-$1,000

Provenance: Estate of James ‚"Jim" Mounger, New Orleans, Louisiana.

358

135

359 Exceptional Regency Convex Mirror ca. 1825, English or American, the giltwood displayed eagle atop a rocky outcropping, flanked by a pair of scrolling acanthus leaves mounted with coiling serpents, the reeded, cove-molded surround carved with scrollwork and honeysuckle, each side with pairs of spiral-reeded giltwood candle branches set with cut-glass prisms rings and brass beehive-turned candle sockets, the base with carved acanthus leaves and a carved cone center finial, the antique mirror plate with a reeded and ebonized liner. h. 60”, w. 44” $5,000-$8,000

359

360 Fine Regency Parcel-Gilt Mahogany and Marble-Top Table 19th century, the circular table with a rare Medous Breccia marble top supported by a faceted standard to a base with three outstretched legs ending in giltwood paw feet. h. 29”, dia. 40” $2,000-$4,000

360

136

361 Fine Regency Mahogany and Specimen Marble Cabinet ca. 1815-1825, the rectangular top surrounded on three sides by a pierced brass gallery, above an ebonized gadrooned edge and frieze inset with various specimen marble panels and circular medallions, the side sections each inset with a large rectangular brecciated marble panel within a verde antico border, flanking the recessed paneled center, raised on gilt-bronze paw feet., the back bearing a label “Kentshire Galleries, united states silver co. 37 East 12th St. New York, N.Y.” h. 42-1/2”, w. 42”, d. 14” $2,500-$4,000

361

362 Tapestry of Christ and Saint Peter on the Sea of Galilee 17th/18th century, depicting Christ addressing the kneeling figure of St. Peter aboard a boat on the Sea of Galilee, after the miraculous catch described in Luke 5:1-11. 78” x 71-1/2” $3,000-$5,000

362

137

363 Jamb London “Batsford” Brass Dish Light contemporary, the cylindrical corona set with pierced brass chains, supporting the kylix-form bowl, set with molded brass handles serving as hooks, with three concealed sockets, with the original label. h. 40”, dia. 21” $1,200-$1,800 364 Pair of Handsome English Hurricane Lamps late 19th/early 20th century, in the Regency taste, the blown-glass shades with folded rims, on gilt-bronze sockets with Greek-key borders, supported on molded palmettes, on turned mahogany standards and bases. h. 19-1/2”, dia. 5-1/2” $1,000-$1,500 365 Pair of English Giltwood Eagles 19th century, each carefully carved giltwood eagle modeled perched on a limb, now mounted on custom acrylic bases. h. 15-3/4”, w. 9-1/2”, d. 6” 363

$1,000-$1,500 366 Regency Rosewood Teapoy 19th century, the coffer-form box opening to a fitted interior with a glass mixing bowl, mounted to a turned and carved standard to a shaped platform base with carved feet. h. 30-1/2”, w. 16”, d. 13” $1,000-$1,500

364

365 366

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367 detail

367

367 18th-Century Chinese Export Warming Plate the octagonal dish with swags of flowers framing the armorial, with the arms of Morgan impaling Wharton as borne by the Morgans of Llantarnam Abbey, Monmouthshire, Burnham Norton, Norfolk and Chalworth, Surrey. dia. 9-1/2”

368

$700-$1,000 Literature: See David Sanctuary Howard, Chinese Armorial Porcelain (London: Faber & Faber, 1974), p. 634. Howard notes that a 153-piece service was sold at Christie, Manson & Woods in October 1958. 368 Semi-Antique Farahan Sarouk Carpet 4’ x 6’ $600-$900 369 Cut-Glass and Bronze Hall Lantern late 19th century, the four-light lantern attributed to F. & C. Osler, Birmingham and London, with a cut-glass smoke bell above the rod-form chains, supporting the cylindrical cutglass shade, decorated with panels of diamond-point glass, the base with a bell-form cut-glass insert, and the shade with upper and lower registers of cut-glass drops. h. 32”, dia. 12-1/2” $1,000-$1,500

369

139

370 Pair of Regency-Style Polychrome Side Tables each with a rounded rectangular top above a conforming frieze with a gilt Greek-key band, raised on tall, slender, ringturned legs ending in brass caps and casters. h. 33-1/2”, w. 25”, d. 11” $1,500-$2,500 Provenance: Sotheby’s, New York, New York. 371 English Faux Rosewood and Parcel-Gilt Bookshelf 19th century, in the Regency taste, the scalloped case fitted with four open shelves, raised on tapered square legs. h. 45”, w. 25”, d. 11-1/2” $1,000-$1,500 Provenance: Sotheby’s, New York, New York. 371

370

140

372 372 detail

373

372 Suite of Six Regency Mahogany Chairs

373 Large Custom-Made Mahogany Circular Dining Table

19th century, the back with a turned and carved crest rail over a series of reeded spindles, the back posts of similar form, with padded leather seats trimmed with brass tacks, raised on reeded, tapered square legs. h. 34”, w. 19-1/2”, d. 18”, seat h. 18”

in the Regency taste, the figured top mounted to a single pedestal base with four turned standards, to a square platform and four out-curved legs. h. 29”, dia. 96” $5,000-$8,000

$1,000-$1,500

141

374

374 Coalport “Indian Tree Coral” Scalloped Dinner Service ca. 1972-1986, the bone china service including: twelve dinner plates, dia. 10-1/2”; twelve salad/dessert plates, dia. 8”; eleven bread-and-butter plates, dia. 5-3/4”; twelve cream soup bowls, h. 2”; thirteen cups, h. 3”; and thirteen saucers, dia. 5-1/2”. (73 pieces total) $1,000-$1,500

375

375 English Silverplate and Glass Epergne first quarter 20th century, the oval wirework frame reeded and with ram’s-masque crests, raised on four legs with ball feet joined by arched stretchers and fitted with scrolling arms supporting an oval receptacle, fitted with one large central and four smaller surrounding cut-glass bowls with scalloped rims. h. 10-1/2”, l. 22-3/4”, w. 17-1/4” $600-$900

376 Regency Rosewood Cylinder Desk 19th century, the upper section with a low three-quarter gallery over two open shelves, the mid-section with a cylinder roll opening to an interior fitted with nine satinwood drawers, and an adjustable writing slope, with line-inlaid detailing throughout, raised on tapered square legs. h. 62”, w. 36”, d. 21” $1,000-$1,500

376

142

377 Regency-Style Rosewood Window Seat 19th century, the long cushioned seat flanked by padded sides within a carved swan’s-neck frame, above a paneled patera-carved frieze, raised on splayed feet. h. 34”, w. 68”, d. 19-1/2” $1,500-$2,500 378 Charles Towne (British, 1763-1840) “Four Hunters in a Hilly Landscape” oil on canvas signed lower left, titled on an “Owen Edgar Gallery, London” label en verso. Framed. 33” x 46”, framed 38-1/2” x 51-1/2”

377

$8,000-$12,000 Provenance: Westrop Family, Long Melford, Suffolk, England; Arthur Ackermann and Sons, London, England; Private collection; Owen Edgar Gallery, London, England; Private collection.

378

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379

379 Custom-Made Mahogany and Satinwood Poker Table made by Manheim Antiques, New Orleans, the Regencystyle table with a seven-sided top, with an inset leather playing surface, recessed chip holders and pull-out cup holders, mounted to a triangular tapered pedestal and in-curved triangular platform, ending in cast-brass paw feet. h. 30”, w. 58”, d. 58” $3,000-$5,000

380

380 Regency Rosewood and Marble-Top Bookcase 19th century, the Siena marble top over a pair of framed doors, each fitted with faux-leather bindings and flanked by half columns and gilt capitals, raised on a plinth base. h. 36-1/2”, w. 41”, d. 15” $1,800-$2,500 381 William IV Brass-Mounted Mahogany Writing Slope 19th century, the adjustable top with double-sided writing slopes, mounted to a turned and reeded standard, to a shaped platform with turned feet. h. 30”, extended h. 40”, w. 31”, d. 20” $1,000-$1,500

381

144

382 Dutch School (ca. 1800) “Hunting Hounds” oil on canvas unsigned. Framed. 24” x 30”, framed 31” x 37” $1,500-$2,500 383 Collection of Three Wooden Architectural Models contemporary, the collection comprised of a spiral staircase, h. 19”, w. 11”, d. 13”, a Romanesque temple with Corinthian columns separated by arches, h. 11-1/4”, w. 9”, d. 5-1/2”, and a semi-circular open dome, supported by columns and arches, over a tripartite spiral staircase, h. 16”, w. 17-3/4”, d. 9-3/4”.

382

$1,000-$1,500 384 William IV Tea Caddy ca. 1830, the serpentine tea caddy veneered with highly figured segments, the interior with a later tole liner, on brass ball feet. h. 4-3/4”, w. 7-1/2”, d. 4-1/2” $1,000-$1,500 385 William IV Tea Caddy ca. 1830, the tea caddy veneered with segments, set with a pulvinated cover, the two-compartment interior set with a pair of matching covers, over remnants of a foil liner. h. 5”, w. 6-1/2”, d. 3-1/2”

383

$900-$1,200 386 English Jewelry Box 20th century, the edges trimmed in silvered metal, the hinged cover opening to reveal an interior lined with marbleized paper and velvet. h. 3”, w. 5-1/2”, d. 3-1/4” $1,000-$1,500

384

386

385

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387

388

387 Campaign-Style Mahogany Case on Stand 20th century, the box with a hinged lid and brass corner mounts, mounted to a custom stand, raised on Marlborough legs. h. 18”, w. 47”, d. 19-1/2” $800-$1,200 388 Pair of English Brass and Iron Coach-Style Lamps 20th century, with eagle finials atop two-tier standards, decorated with graduated circular pierced swag and tassel trim, over the hexagonal lanterns, inset with glass on tubular brass bases with scrolled cast-metal wall mounts. h. 25-1/2”, w. 7-1/2”, d. 10-1/4” $1,000-$1,500 389 Pair of Regency Mahogany Armchairs

389

19th century, the padded backs over upholstered down-curved arms terminating in gilt eagle’s heads, raised on slightly out-curved legs. h. 34-1/2”, w. 24”, d. 22”, seat h. 17” $1,200-$1,800 390 William IV Mahogany and Leather Writing Desk 19th century, possibly by Gillows of Lancaster and London, the top with a tooled inset leather writing surface, one side fitted with three drawers, the back side with like faux drawers, raised on large turned and reeded legs. h. 30”, w. 65”, d. 38” $1,200-$1,800

146

390

391

391 Johan Frederik Cornelis Scherrewitz (Dutch, 1868-1951)

392 Jules Jacques Veyrassat (French, 1828-1893)

“Along the Shore”

“Les Ramasseurs de Sable (The Sand Collectors)”, 1890

oil on canvas signed lower right and bearing artist plaque; a “Guarisco Gallery” label en verso. Framed. 39” x 48”, framed 46” x 54”

oil on canvas signed and dated lower left; an old “Sotheby’s France” and “Maison Pepin - Malherke, Paris” art supply label en verso with title. Framed. 35” x 57”, framed 51” x 72”

$5,000-$8,000 $5,000-$8,000 Provenance: Guarisco Gallery, Washington, D.C. Exhibited: Salon de la Societe des Artistes Francais de 1890.

392

147

393 “The Bollard” French Compendium Industrial Clock late 19th century, composed of gilt-bronze and nickel-plated brass, with a revolving lighthouse-form upper portion, the top with an upward facing compass, the sides mounted with two clocks, a Reaumur thermometer, and an aneroid barometer, on a base composed of nickel-plated brass and set with an anchor attached to a coiled brass “rope”, a life preserver and a chain, mounted on a black marble base. h. 19-1/2”, dia. 7” $5,000-$8,000 Provenance: Private collection, Pass Christian, Mississippi.

393 detail

394 Detailed Wood Model of the “Fragata Espanola, 1780”

393

20th century, the four-masted fragata with rigging and sails, set with three levels of gun ports, life boats, a figure head and anchor, on a giltwood base with brass identification tag. h. 26-3/4”, w. 39-3/4”, d. 6” $1,000-$1,500

394

395 Govert van Emmerik (Dutch, 1808-1882) “Ships in Stormy Seas” oil on canvas unsigned. Framed with artist plaque. 27” x 37-1/2”, framed 35” x 46” $2,500-$4,000

395

148

396 Industrial Bronze Lighthouse Lamp first half 20th century, probably French, the lantern at the top with arched windows lined with red acrylic, concealing the socket, the outside with a balustraded walk, above the tapered rusticated body, on molded stones. h. 19-3/4”, dia. 6-3/4” $800-$1,200

397 Louis Vuitton Damier Canvas “Malle Haute Pour Dames 110” Trunk ca. 1895, the tall rectangular trunk covered in Damier canvas and reinforced with wooden slats, leather bindings and metal mounts, the hinged lid opening to a quilted fabric-lined interior, retaining the Louis Vuitton paper label for “1 Rue Scribe, Paris and 454 Strand, London”, numbered 101658, the exterior with painted inscription "J.S. Taylor / N.Y.," a circular "T" device, a Claridge's travel label and other travel markings. w. 43-1/4”, h. 27-1/2”, d. 24”

396

$3,000-$5,000 The Malle Haute Pour Dames was developed by Louis Vuitton in the 19th century and remained a popular form into the early 20th century, offered in several standard sizes, including the present 110 model, which was one of the largest. The paper label indicates a date after 1893, as it records Louis Vuitton's "Hors Concours" distinction at the Chicago World's Columbian Exposition that year. The label, numbered 101658, falls between other numbered examples of comparable late 19th-century Damier trunks offered at auction, making its production date likely ca. 1895. 397

398 Vintage English Alligator Suitcase on Stand early 20th century, the brown alligator case with nickel-plated locks marked “English Lever” and “Nonfricol lock No 274678”, the interior lined with mauve watered silk, and stamped “CUTHBERTSON & HARPER. MAKERS, 10, GOVERNMENT PLACE, CALCUTTA.”, on a custom wooden stand, the top with an impressed monogram. h. 21-1/2”, w. 25-3/4”, d. 16-1/4” $1,000-$1,500

398

149

399

399 Semi-Antique Serapi Carpet 11’ 7” x 14’ 9” $3,000-$5,000

150

400 Tom Mostyn (British, 1864-1930) “Lakeside Terrace, Devon, England” oil on canvas signed lower right, and signed and localized “Devon, England” on stretcher bar en verso. Framed. 69-1/2” x 97”, framed 72” x 106” $10,000-$15,000

400

151

401 French Gilt-Bronze Hall Lantern second quarter 20th century, in the neoclassical taste, the bronze tapered standard set with three lights, supporting the bronze bell-form frame, the top molded with a Grecian wave pattern and the sides set with glass, the bottom with a coneform pendant finial. h. 30-3/4”, dia. 19” $1,200-$1,800 402 French Bronze and Marble Encrier ca. 1900, mounted with a patinated bronze bust of Napoleon on a plinth with a bronze eagle mount, flanked by a pair of gilt-bronze engine-turned ink pots, a pen rest in the front, on bronze bun feet. h. 12-1/2”, w. 14-3/4”, d. 7-1/2” $700-$1,000

401

403 Empire Ormolu-Mounted Mahogany Bureau Plat early 19th century, the rectangular top inset with a baize writing surface over a frieze with three drawers, each side with a writing slide, raised on baluster supports joined by shaped trestle stretchers. h. 30-1/2”, w. 52”, d. 27” $2,500-$4,000 Provenance: Sotheby’s, New York, “Fine French Furniture, Decorations, Ceramics and Carpets,” May 21, 1994. 402

403

152

404

404 Suite of Seven Mahogany Armchairs in the Restauration taste, custom made by Manheim Antiques, New Orleans, Louisiana, each with a padded red leather back and seat, trimmed with brass tacks and raised on down-curved legs. h. 37-1/2”, w. 24”, d. 22”, seat h. 18” $3,000-$5,000 405 Empire Mahogany and Marble-Top Gueridon 19th century, the circular marble top with inset banding and central stars, above a plain frieze, raised on three ormolumounted columnar supports joined by a tripartite concave base, the underside bearing the label “Marbles Objets d’art Ancien/ et moderne/ etablissments Cassard et Cie 6, rue Philippe Auguste Paris”. h. 27-1/2”, dia. 25” $1,000-$1,500 Provenance: Cassard et Cie, Paris, France. 405

153

406

406 Sarouk Runner 4’ 6” x 24’ 2” $1,500-$2,500 407 Unusual French Bronze and Crystal Basket Chandelier

407

early 20th century, the bronze corona in the form of fringed swagging, hung with strands of prisms leading down to the ringform body, pierced with ovals, set with prisms, supporting foliatemolded candle cups and drip pans, alternating with sprays of wheat, the bottom hung with strands of prisms and terminating in a spherical pendant finial. h. 40”, dia. 25-3/4” $2,000-$4,000 408 French Malachite-Inlaid Black Marble Calendar Clock late 19th century, the case decorated with malachite inlay, gilt incising and carved scrollwork, the clock dial with an exposed escapement and the calendar moonphase dial with designations for month, day and date. h. 18-1/4”, w. 13-3/4”, d. 6-1/4” $1,000-$1,500 Provenance: Collection of John J. Zulli, Jr., Lafayette, Louisiana. 408

154

409

409 detail

410

409 Rare French Empire Parcel-Gilt Mahogany and Marble-Top Pier Table early 19th century, the banded and inlaid marble top on a base with bronze mounts on the front frieze, with a mirrored back, and supported by a pair of seated winged sphinxes. h. 37-1/2”, w. 58”, d. 25-1/2” $3,000-$5,000 410 Pair of Empire Ormolu-Mounted Mahogany Fauteuils 19th century, each with a padded back and seat, trimmed with brass tacks, raised on turned legs. h. 34”, w. 24-1/2”, d. 21”, seat h. 17” $1,000-$1,500 411 Persian Carpet 4’ 4” x 6’ 10” $800-$1,200 411

155

412 French Brass and Crystal Chandelier late 19th century, the twelve-light chandelier with a spray of drops and swags of prisms at the top, over a standard clad with molded glass and an anthemion-molded spherical section, supporting scrolled leaf-molded candle branches terminating in molded crystal drip pans and brass candle sockets, all hung with swags of cut-glass prisms and cut-glass spear-point prisms, electrified. h. 38-1/2”, dia. 26-1/2” $2,500-$4,000 413 Pair of French Empire Circassian Walnut and Marble-Top Consoles 19th century, each table with a light gray marble top over a straight frieze and foliate bronze mounts, supported by a pair of turned standards to each side, mounted to an in-curved platform and raised on turned ebonized feet. h. 36”, w. 52”, d. 20” $2,500-$4,000 Provenance: Estate of Oleg Cassini, Oyster Bay, New York.

412

413 detail

413

156

414

414 Stanhope Alexander Forbes, R.A. (British, 1857-1947) “Contemplation” oil on canvas signed lower left. Framed. 31” x 38-1/2”, framed 42” x 49” $20,000-$40,000 Provenance: Sotheby’s, New York, “19th Century European Paintings, Drawings and Sculpture”, 22 February 1989, lot 202; Private collection, New Orleans, Louisiana.

157

416

415

415 French Empire Mahogany and Marble-Top Commode 19th century, the white marble top over three long drawers, flanked by figural pilasters with female bronze busts, raised on legs with carved paw feet. h. 38”, w. 48”, d. 21” $1,800-$2,500 416 French Bronze Patine and Marble Clock Garniture Set second quarter 19th century, the assembled Restauration garniture comprised of a clock with an urn-form finial, over a Siena marble body, set with a silk-string suspension movement, mounted with an engine-turned silvered dial, h. 17”, w. 7-1/4”, d. 4-1/4”, together with a pair of matching urns, h. 10”, w. 6-3/4”, d. 6”.

417

$800-$1,200 417 French Bronze and Marble Urn Lamp ca. 1830, the campana-form bronze patine urn with an egg-anddart rim, the reeded lower body accented with acanthus leaves, the fluted base mounted on a block of Siena marble with bronze patine trim, electrified and fitted with a lampshade. h. 29-1/2”, dia. 17-3/4” $700-$1,000 418 Empire Walnut Tray-Top Side Table 19th century, the top fitted with a flared tray-form gallery, the front and back sides both fitted with two drawers, raised on column-form legs with bronze capitals, to a platform base and raised on turned legs. h. 30”, w. 22-1/2”, d. 17” $1,000-$1,500

158

418

419 French Restauration Giltwood Overmantel Mirror early 19th century, the cove-molded surround decorated with medallions, anthemia and sprays of laurel leaves, the antique mirror plate secured with a delicate dents-deloup-carved liner. h. 57-1/2”, w. 33” $1,500-$2,500 420 Pair of French Restauration Mahogany Armchairs 19th century, each with an Ionic capital-form back splat and griffin arm supports, and a leather seat with brass tacking. h. 35”, w. 22”, d. 22”, seat h. 18” $1,000-$1,500 421 French Parcel-Gilt Fruitwood Side Table 19th century, in the Empire taste, the circular top with a gadroon-carved and gilded edge, supported by three tapered square legs to an in-curved triangular base, on flat block feet. h. 30”, dia. 19” $800-$1,200

419

420

421

159

422

422 French Black Marble Calendar Clock

423

late 19th century, the works signed by Vincenti et Cie, the enamel dial with an exposed escapement, the lower framed rectangular section with separate dials for weekday, date and month. h. 14-3/4”, w. 11”, d. 6-1/4” $800-$1,200 Provenance: Collection of John J. Zulli, Jr., Lafayette, Louisiana. 423 French Empire Polychrome Commode

424

19th century, the stepped top over an in-curved drawer and three straight long drawers below, flanked by ebonized pilasters with gilt Egyptian masques, raised on bracket feet. h. 39”, w. 49”, d. 25” $1,800-$2,500 424 Pair of Chinese Porcelain Bottle Vase Lamps the iridescent purple/cobalt bottle vases mounted on giltwood bases, electrified. h. 21”, dia. 8-1/4” $1,000-$1,500 425 Giltwood and Crystal Basket-Form Chandelier contemporary, the six-light chandelier with a guillochecarved giltwood top, center and base ring, hung with strands of cut-glass prisms. h. 54-3/4”, dia. 30” $1,200-$1,800

425

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426 Empire-Style Ormolu-Mounted Mahogany Jardiniere/Side Table early 20th century, the top with a pierced brass gallery, with a removable wood top opening to a metal-lined interior, raised on tapered square legs joined by two shelves. h. 29”, w. 18”, d. 18” $1,000-$1,500 427 Empire-Style Ormolu-Mounted Mahogany and Marble-Top Sideboard 20th century, the front with a row of three drawers over a pair of cabinets, centered with a circular bronze plaque with children playing music, opening to an interior fitted with six drawers, the whole dressed with ornate gilt-bronze mounts. h. 36-1/2”, w. 78”, d. 27”

426

$2,000-$4,000 428 Pair of French Neo-Grec Brass and Patinated Bronze Candelabra third quarter 19th century, the scrolled leaf-decorated arms supporting candle sockets and drip pans, the circular bases decorated with patinated bronze serpents attacking eagles. h. 17-1/4”, w. 9-1/2”, d. 5-1/4” $800-$1,200

428

427

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429 French Black Marble and Gilt-Bronze Neo-Grec Clock late 19th century, made by Auguste Lemaire and signed on both the works and the dial, the upper dial with an exposed escapement and the lower dial with a barometer, the sides mounted with bronze ring pulls decorated with anthemia. h. 16-1/2”, w. 13-1/2”, d. 6-1/2” $1,200-$1,800 Provenance: Collection of John J. Zulli, Jr., Lafayette, Louisiana.

429

430 Irenee Rochard (French, 1906-1984) “Two Deer” patinated metal incised signature at self-base, on an integral thin marble base. h. 12-1/2”, w. 21-3/4”, d. 4-3/4” $1,000-$1,500 430

431 Pair of Petite French Bronze and Tole Bouillotte Lamps late 19th/early 20th century, the two-light lamps with center spiral-reeded standards, hung with chains and mounted with scrolled arms, set with swag-molded candle sockets, on incurvate gilt-bronze bases and mounted with oval black tole shades painted with scrollwork. h. 20”, w. 12”, d. 9” $1,200-$1,800

431

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432 Louis XVI-Style Mahogany Commode early 20th century, the rectangular top banded and quarter-veneered with projecting corners within a three-quarter gallery, above a case fitted with three short drawers over two long drawers, all with decorative brass banding, raised on fluted, tapered square legs ending in brass caps. h. 35”, w. 43”, d. 19-1/2” $1,500-$2,500

432

433 Brass Eighteen-Light Chandelier 20th century, after the Andre-Charles Boulle design, the fluted urn-form upper standard mounted with scrolls terminating in Bacchanalian busts, the lower standard set with two tiers of leaf-molded and scrolled candle branches, set with fluted drip pans and candle sockets, with a coneform pendant finial at the base. h. 40”, dia. 44-3/4” $2,000-$4,000

433

434 Pair of Louis XVI-Style Giltwood Footstools early 20th century, each with a padded square seat over a molded frame, raised on turned, fluted and tapered circular legs joined by a stretcher. h. 19”, w. 16”, d. 16” $1,000-$1,500

434

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436 435

435 Pair of Louis XVI-Style Polychrome Bergeres 19th century, the carved frames covered in tiger print velvet upholstery, raised on turned and fluted legs. h. 32-1/2”, w. 27”, d. 19”, seat h. 19” $3,000-$5,000 436 Pair of French Bronze, Porcelain and Marble Potpourri Urns 19th century, in the Louis XVI taste, the pierced bronze covers with flame finials, set into cobalt porcelain bodies, supported on monopodial legs with Bacchanalian masques at the top and hoof feet at the base, resting on tripartite white marble plinths. h. 19-1/2”, dia. 10-1/2” $1,200-$1,800 437 French Louis XVI Giltwood Mirror late 18th century, the crest with a large urn of flowers, draped with carved swags and flanked by small baskets of flowers, the surround with carved corner medallions and carved husks, the skirt with a carved and pierced center finial flanked by scroll-carved drops, set with an antique mirror plate. h. 52”, w. 26-1/4” $1,500-$2,500 437

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438

438 Turkish Serapi Carpet 12’ 3” x 15’ 3” $2,000-$4,000

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439 Paul Charavel (French, 1877-1961) “Apres-midi au Bord de l’Eau”, 1909 oil on canvas signed and dated lower right. Framed. 67” x 104-1/2”, framed 73-1/2” x 111” $4,000-$7,000

439 detail

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441 440

440 Louis XVI Giltwood and Marble-Top Console Table 18th century, the gray marble top over a carved frieze with ribbon and laurel swags, raised on turned and fluted legs. h. 36”, w. 55”, d. 25” $2,000-$4,000 441 Pair of Handsome French Bronze Cassolettes ca. 1830, the bronze dore et patine cassolettes with cone-form knops on one side of the covers and reeded candle sockets on the other, on bronze bodies supported by gilt-bronze monopodial legs mounted with jasperware plaques of neoclassical figures, supported on double tripartite marble bases composed of black marble over Rouge Griotte marble. h. 9-1/2”, dia. 3-1/2” $700-$1,000 442 Baccarat Bronze and Crystal Chandelier early 20th century, the fifteen-light chandelier with a giltbronze basket-form frame set with a scroll-molded corona hung with swags of drops, the ring-form body set with tapered rope-twist supports, set with spear-point top finials and pairs of bronze candle sockets, all on signed Baccarat molded crystal prism rings, the base hung with strands of prisms and a spherical cut-glass ball pendant finial. h. 34-1/2”, dia. 28-1/2” $4,000-$7,000

442

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443 detail 443

443 Louis XVI-Style Fruitwood Side Table early 20th century, the rectangular parquetry-inlaid top with decorative banding, gilt-brass edging and projecting corners, above an inlaid frieze with gilt-brass mounts and fitted with a single side drawer, raised on tapered square legs ending in sabots. h. 27-1/2”, w. 28”, d. 18” $1,000-$1,500 444 Pair of French Ebonized and Ormolu-Mounted Side Tables 20th century, the tops trimmed with a bronze molding, each set with a single drawer, the legs joined by a medial shelf and ending in bronze sabots. h. 26-1/2”, w. 15”, d. 11-1/2” $1,000-$1,500 444

445 Pair of French Bronze Chenets in the Louis XVI Style third quarter 19th century, the main bodies with fire pots terminating in flame finials, draped with patinated bronze laurel swags, on square bases with bronze patine medallions, raised on paw feet, the connecting bases with ribbon-bound bronze patine swags, the log stops decorated to match, impressed “VB” on the rear. h. 12-3/4”, w. 12”, d. 4” $900-$1,200 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 445

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446 Louis XVI-Style Giltwood Settee 20th century, the carved frame with a padded seat and back covered in ultra suede, raised on turned and fluted legs. h. 44”, w. 63”, d. 23”, seat h. 17” $1,500-$2,500

446

447

448

447 Pair of French Gilt-Bronze Three-Light Candle Sconces

448 Louis XVI-Style Mahogany and Marble-Top Commode

first half 20th century, in the Louis XVI taste, the quiver-form backplates supported by pierced bowknots, mounted with scrolled candle branches set with candle sockets, molded with swagging and beaded drip pans. h. 18”, w. 10-1/4”, d. 6-1/4”

early 20th century, the rectangular breakfront marble top with rounded corners, above a conforming case fitted with three short drawers over two long tri-paneled drawers, raised on fluted, tapered circular legs ending in brass caps. h. 34”, w. 48”, d. 22”

$700-$1,000

$1,500-$2,500

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449 Pair of Louis XVI-Style Giltwood Fauteuils early 20th century, with padded backs and seats in carved giltwood frames, raised on turned and fluted legs, upholstered in Fortuny blush and silver silk. h. 39-3/4”, seat h. 16-3/4”,w. 25-1/2”, d. 25-1/2” $1,200-$1,800 Provenance: Sourced by Holden & Dupuy, New Orleans, Louisiana, from Ellouise Abbott, Houston, Texas; Private collection, New Orleans, Louisiana.

449

450 Pair of French Gilt-Bronze and Marble Cassolettes 20th century, the reversible urn covers with piercing and cone-form finials on one side and candle sockets on the other, the bodies molded with Bacchanalian putti, on rectangular red griotte marble bases with Medusa-head mounts. h. 11-1/4” to 12-1/2”, dia. 3-3/4” $700-$1,000

450

450 detail

451 French Bronze-Mounted Burlwood Dressing Table late 19th century, in the Louis XVI taste, in the manner of Paul Sormani (1817-1877), the shaped beveled mirror with a bronze ribbon crest, supported by scrolled bronze candle holders, the kidney-form base fitted with three drawers, raised on turned and fluted legs ending in bronze toupie feet. h. 53”, w. 38”, d. 23” $1,200-$1,800 451

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452 French Parcel-Gilt Trumeau Mirror mid-20th century, the upper tablet decorated with a roundel of a woman in neoclassical dress and her dog, on a green ground, framed with swags of flowers, over a giltwood surround carved with ribbon-bound reeding and beading, surrounding the beveled mirror plate. h. 68”, w. 37” $1,200-$1,800

452

453 Pair of Brunschwig & Fils Creme Peinte Slipper Chairs 20th century, in the Louis XVI style, each with an oval padded back and loose seat cushion, raised on turned and fluted legs. h. 33”, w. 19”, d. 14”, seat h. 16” $1,200-$1,800

453

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454 Turkish Angora Oushak Carpet 10’ 3” x 14’ 4” $2,500-$4,000

454

455 Turkish Angora Oushak Carpet 10’ x 14’ 2” $1,800-$2,500

455

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456 Peshawar Birds of Paradise Carpet 9’ x 12’ 1” $2,500-$4,000

456

457 Peshawar Birds of Paradise Carpet 8’ x 10’ $1,800-$2,500

457

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458 Diminutive Louis XVI-Style Polychrome and Marble-Top Console Table 19th century, the Violet Breccia marble top over a ribboncarved frieze, raised on turned and fluted legs. h. 33-1/2”, w. 28”, d. 15” $1,000-$1,500 459 French Neo-Grec Bronze-Mounted Marble Clock ca. 1860-1870, the clock mounted with a patinated bronze figure of a woman reading, an allegorical figure of literature, the clock works with a bronze stack of books and a wreath at the top, with inset bronze guilloche trim, on reeded bun feet. h. 12”, w. 15-1/4”, d. 6-1/4”

458

$1,000-$1,500 460 Pair of French Painted Fauteuils 20th century, in the neoclassical taste, each with a padded back set within a molded frame, carved arm fronts and a slip seat, raised on shaped and carved legs. h. 38”, w. 25-1/2”, d. 24”, seat h. 16” $1,000-$1,500

459

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461 Pair of French Empire Creme-Peinte Stools/Ottomans

462

19th century, each with a double padded cushion seat mounted to an ogee-molded frame, on scrolled legs joined by bobbinturned stretchers. h. 17”, w. 30”, d. 20” $1,000-$1,500 462 French Trumeau Mirror in the Neoclassical Taste first half 20th century, the parcel-gilt mirror with a circular oil-oncanvas painted top panel decorated with a grisaille nymph riding a dolphin, on a salmon ground, the side pilasters accented with pots of flowers and medallions, the mirror plate with a beaded liner. h. 58”, w. 37” $1,200-$1,800 463 French Gilt-Bronze and Crystal Chandelier early 20th century, possibly Baccarat, the sixteen-light chandelier with a scrolled bronze corona hung with swags of cut-glass drops, the molded glass-clad standard set with an umbrella-form crystal ring supporting strands of cut-glass prisms, the body with six inner lights set with shell-molded glass shades above the scrolled leaf-molded candle sockets, mounted with crystal drip pans and hung with swags of cut-glass prisms. h. 32”, dia. 28-1/2” $1,200-$1,800 463

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464 French Polychrome, Parcel-Gilt and Marble-Top Console Table early 20th century, in the Louis XVI taste, the red griotte marble top trimmed with a beaded Siena marble edge, the base with vertical groove-carved aprons, raised on tapered square legs. h. 36”, w. 55”, d. 28-1/2”

465

$1,500-$2,500 465 Large Pair of French Carved Wooden Urns late 19th/early 20th century, the ogee “covers” with carefully delineated flame finials, on laurel-carved rims, the fluted and stop-reeded bodies on conical bases. h. 51-3/4”, dia. 15-1/2” $1,500-$2,500 466 Louis XVI-Style Giltwood Bench 20th century, each end with an arched support with urn and foliate carving, over an upholstered seat, raised on turned legs adorned with fluting and swags. h. 30-1/2”, w. 42-1/2”, d. 17-3/4” $1,000-$1,500

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467 Louis XVI-Style Fruitwood Commode 20th century, the rectangular banded top above a conforming case fitted with three long drawers, all banded to simulate tri-paneling, raised on tapered square legs. h. 33-1/2”, w. 48”, d. 19-3/4” $1,500-$2,500 468 Pair of Louis XVI-Style Diminutive Fruitwood Cabinets 20th century, each with a rectangular dished top with decorative banding, above a conforming case fitted with a single drawer over a cupboard, both with decorative banding, joined to a lower shelf by tapered square legs terminating in brass caps. h. 29”, w. 18”, d. 13-1/2”

468

$1,200-$1,800 469 Pair of Louis XVI-Style Giltwood Stools 20th century, each with a padded seat over a molded frame and raised on turned, stop-fluted legs ending in toupie feet. h. 19”, w. 20-1/2”, d. 17” $1,000-$1,500

469

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470 French Parcel-Giltwood Overmantel Mirror 20th century, the entablature decorated with a masque of “Drama”, framed with swags of bellflowers, the giltwoodlined side panels decorated with ribbon-bound torches, helmets and various war trophies, the mirror plate secured with a palmette-carved giltwood liner. h. 75-1/4”, w. 51” $2,000-$4,000 471 Miniature Tall Chest in the Italian Neoclassical Taste early 20th century, the mahogany-veneered chest with a top accented with brass molding, over six graduated drawers flanked by columns with brass Corinthian capitals and brass bases, raised on tapered feet. h. 23-1/4”, w.16-1/2”, d. 10-1/2” $1,000-$1,500

470

472 Pair of Bronze Lion Garden Figures in the manner of Antonio Canova’s “Sleeping Lion”, the recumbent lions with crossed paws, and having a green patina. h. 10-1/2”, w. 12-1/2”, l. 45” $1,000-$1,500 471

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473 French Stone, Steel and Brass Garden Table early 20th century, the polished fossiliferous limestone top over a base composed of sides with steel supports emanating from wooden standards, mounted with scrolled feet and resting on brass spheres, supported by an X-form stretcher. h. 29”, w. 39-1/2”, d. 21-1/2” $1,200-$1,800 474

474 Pair of Iron Garden Sculptures 20th century, the scrolled tops over triangular tapered sides set with vertical rods. h. 90”, w. 19”, d. 19” $800-$1,200 475 Pair of Patinated Bronze Lion’s-Head Plaques 20th century, the lions with carefully molded heads and manes, with a green patina. h. 14”, w. 14-1/2”, d. 9-1/4” $1,500-$2,500

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476 Pair of Neoclassical-Style Iron Planters of box form, the upper corners with cast pineapple finials, each side mounted with a wreath, raised on ball feet. h. 23”, w. 16”, d. 16” $1,000-$1,500

476

477 Pair of Cast-Iron Garden Urns in the Neoclassical Taste contemporary, the fluted flaring bodies on conical bases, raised on paw feet. h. 23-1/4”, dia. 17” $1,000-$1,500

477

478 Pair of French Cast-Iron and Marble-Top Garden Tables 19th century and later, each with a rectangular white marble top on a trestle-form base with curule sides decorated with anthemia, on scrolled feet with center stretchers, the bases retaining old, worn silver paint, the marble tops of a later date. h. 27”, w. 29-1/2”, d. 17-1/4” $1,500-$2,500

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479 Biedermeier Fruitwood Window Seat early 19th century, the long seat hinged and opening to a storage interior, flanked to either end by an outswept end with ebonized lion’s masque, raised on sabre legs. h. 32”, w. 84”, d. 17” $2,000-$4,000 480 Pair of Biedermeier Fruitwood Commodes mid-19th century, each with a slightly bowed, stepped top above a conforming case fitted with a single cupboard door, raised on ebonized paw feet. h. 32”, w. 19”, d. 19” $800-$1,200

480

481 Biedermeier Fruitwood Commode 19th century, fitted with three long graduated drawers, each with inset diamond escutcheons and flanked by portrait-bust pilasters, raised on ebonized shaped legs. h. 30”, w. 30-1/2”, d. 17-1/2” $1,200-$1,800 481

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482 Biedermeier Fruitwood Mirror second quarter 19th century, the rectangular mirror with ebonized corners, now set with beveled glass. h. 26-1/4”, w. 17-1/4” $500-$800 483 Biedermeier-Style Fruitwood Secretaire a Abattant mid-19th century, the stepped top above a case fitted with a single drawer over a drop front with recessed panel, opening to a variety of drawers surrounding a cupboard door, with a pull-out leather-inset writing surface below, over three long drawers, the whole raised on block feet. h. 61”, w. 42”, d. 21” $2,000-$4,000

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484 Biedermeier Fruitwood Commode mid-19th century, the stepped rectangular top above a conforming case fitted with three long drawers, the top two with recessed panels, raised on block feet. h. 33”, w. 36-1/4”, d. 19-1/2” $1,000-$1,500 485 Biedermeier Fruitwood Tall Case Clock 19th century, the case with a circular face bezel over a tapered mid-section and plinth base resting on flat block feet, set with a time-and-strike movement. h. 82”, w. 19”, d. 10” $1,800-$2,500 484

486 Biedermeier Fruitwood Stool mid-19th century, of curule form, the cushioned seat supported by an X-form structure, joined by stretchers. h. 26”, w. 27”, d. 18” $700-$1,000

486

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487 Biedermeier Fruitwood Commode 19th century, the stepped rectangular top centered by a raised ovoid panel, above a case fitted with three long drawers, raised on tapered square legs. h. 37-1/2”, w. 43”, d. 19” $1,000-$1,500 488 Biedermeier Figured Birch Mirror ca. 1820, the pitch pediment crest over a tablet with an unusual inset panel, flanked by pilasters with ring-turned capitals. h. 53”, w. 26” $800-$1,000 489 Biedermeier Maple Commode

487

mid-19th century, the stepped rectangular top above a conforming case fitted with three long drawers flanked by columnar uprights, raised on paw feet. h. 36”, w. 42”, d. 21” $1,000-$1,500

489

488

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490 Biedermeier Fruitwood Center Table mid-19th century, the tilting circular top with finely figured sunburst veneers, raised on four columnar supports to a stepped circular base. h. 30”, dia. 47” $1,200-$1,800 491 Biedermeier Walnut Side Table mid-19th century, the bowed and shaped top above a conforming frieze, raised on four large columnar supports to a shaped base on teardrop feet. h. 33”, w. 36”, d. 14-1/2” 490

$500-$800 492 Biedermeier-Style Walnut Desk 19th century, the kidney-form top above a conforming case fitted with a single central drawer, raised on four columnar supports, over a shaped base, raised on toupie feet. h. 31”, w. 39”, d. 20-1/2” $500-$800 493 Biedermeier-Style Fruitwood Side Table 19th century, the circular tray-form top over a single drawer, mounted to a lyre-form standard, to a shaped platform base, raised on ball feet. h. 30”, dia. 19” $800-$1,200

491

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492

494 Impressive Biedermeier Walnut and ParcelGiltwood Mirror early 19th century, the cove-molded cornice decorated with giltwood leaves over the upper tablet decorated with applied giltwood carvings depicting rocaille and scrollwork, flanked by cornucopias of flowers, the sides set with pilasters with giltwood Egyptian capitals and the mirror plate with a cove-molded liner. h. 77”, w. 54” $2,000-$4,000 495 Biedermeier Mahogany Secretaire a Abbatant mid-19th century, the pyramidal crest above a bowed cupboard with a recessed panel, joined by gilt dolphin supports to a lower section fitted with a frieze drawer over a drop front, opening to a variety of drawers and cupboards, with three long drawers below, all raised on gilt paw feet. h. 82”, w. 42”, d. 20” $3,000-$5,000 494

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496

496 Pierre Bourgogne (French, 1838-1904) “Peonies in an Urn with Grapes and Peaches”, 1879 oil on shaped canvas signed and dated lower left. In a conforming frame. 76-1/2” x 49”, framed 86” x 58” $5,000-$8,000

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497 French Silver and Glass Claret Jug fourth quarter 19th century, by Alfred Hector for Leon Lapar, Paris, the colorless gourd-shaped glass body engraved with spiral lobes, the silver collar decorated with coquilles, bellflowers and roses on a diapered ground, the integral spout with hinged lid and coquille billet, joined by the acanthus-crested imbricate double C-scroll handle to the acanthus-crested gadrooned foot ring. h. 12”, dia. 4-3/4”, l. 6” $900-$1,200

497

498 German Silver and Glass Claret Jug first quarter 20th century, by M. H. Wilkens & Soehne, Bremen, retailed by Julius Herz, Wiesbaden, the pear-shaped colorless glass body cut and polished with spiral gadroons, the tall .800 silver collar with spiral fluting, with robust acanthus-crested scroll handle and “duck’s-beak” spout en suite, the hinged lid with seashell finial. h. 11”, dia. 5-1/2”, l. 6-1/4” $1,000-$1,500

498

499 Italian Silver Ewer third quarter 20th century, by Giuseppe Vitali, Florence, .800 silver, with ovoid body, tall waisted “helmet” collar, cast, arched rococo-scroll handle and pedestal foot, decorated with embossed gadroons and floral bouquet cartouches. h. 14-1/4”, l. 7”, dia. 5”; 23.08 t. oz. $1,000-$1,500

499

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500 Unusual Portuguese Silver-Mounted Rosewood Table Mirror first quarter 20th century, Porto, by Inocencio Recarel Leite de Andrade, second standard (.833) silver, the shield-shaped frame pierced and decorated with applied paterae and lion’s masques, with scroll-mantled morion crest, with apparent crossed lances forming the feet, fitted with a conforming beveled mirrored plate, the reverse with silver fittings and wirework easel stand. h. 16”, w. 19-1/2” $1,000-$1,500 501 German Silver Fruit Bowl first quarter 20th century, probably Georg Roth, Hanau, .800 silver, of shaped oval form, the side pierced with acanthus scrolls, anthemia and cornucopia, the plateau embossed with a vignette of cavorting Bacchic putti, raised on four acanthus-crested pad feet. h. 1-1/4”, l. 12”, w. 9-3/4”; 16.15 t. oz. 500

$700-$1,000 502 Silver Figure of a Horse 20th century, Continental, unmarked, the figure bridled and girded, with one foot raised, presented on a rocky foliate plinth base. h. 8-1/2”, l. 8-3/4”, w. 3-1/4”; 43.80 t. oz. $1,000-$1,500 Although this piece appears to be solid silver and not plated, it is neither marked nor tested and the silver quality/purity cannot be guaranteed. 503 German Silver Fruit Bowl first quarter 20th century, probably Hanau, .800 silver, of rounded navette form, decorated with openwork panels of trellised flowers with shaped and pierced rim, the center embossed with a large flower basket. h. 2-3/4”, l. 16”, w. 12-1/4”; 24.81 t. oz.

501

$1,000-$1,500

502 503

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504

504 Italian Polychrome, Parcel-Gilt and Marble-Top Console Table 18th century, in the Louis XVI taste, the front apron with a carved masque set within a floral spray, raised on turned and fluted legs. h. 31-1/2”, w. 48-1/2”, d. 24-1/2” $1,800-$2,500 505 Pair of Italian Gilt-Bronze Two-Light Sconces 20th century, in the Louis XVI taste, the pierced backplates set with anthemion finials and graduated, reeded ovals, the center with a mirror plate and the others with acanthus leaves, the twisted and reeded candle branches set with reeded candle sups in the form of trumpet flowers. h. 23”, w. 8-1/2”, d. 3-1/4”

506

$1,500-$2,500 506 Italian Carved Alabaster Amphora-Form Lamp ca. 1900, the carved removable cover over a body carved in basrelief with neoclassical figures, on integral Greek-key-carved feet, on a molded tripartite base, electrified. h. 20-1/4”, dia. 6-1/4” $1,000-$1,500 507 Italian Neoclassical Walnut-Inlaid and Marble-Top Side Cabinet 19th century, of demilune form, the front with an inlaid curved door centered by an oval reserve, the sides of like form, raised on tapered square legs ending in brass caps. h. 34”, w. 28”, d. 15-1/2” $1,500-$2,500

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508 Gilt-Bronze-Mounted Siena Marble Pedestal late 19th century, with a stepped top and base, the columnform standard set with a fluted bronze capital and an ogeemolded base. h. 43-1/2”, w. 11-3/4”, d. 11-3/4” $600-$900

509 Italian Polychrome, Parcel-Gilt and Marble-Top Center Table 18th century, in the Louis XVI taste, the inset white marble top over aprons with applied garland swags, raised on turned and fluted legs. h. 33-1/2”, w. 37-1/2”, d. 37-1/2”

508

$1,800-$2,500

510 Suite of Four Italian Neoclassical Polychrome Chairs 18th century, each with a carved back centered with an oval reserve and bellflower swags, with a caned seat and raised on turned legs with gilt fluting. h. 33”, w. 18”, d. 19”, seat h. 17” $1,200-$1,800

509

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511 Italian Giltwood Mirror in the Neoclassical Taste 20th century, the surround with corner medallions and lined with fluting, the beveled mirror plate secured with a beaded liner. h. 53-1/2”, w. 37-1/2” $1,000-$1,500

512 Italian Fruitwood and Exotic Woods Commode 19th century, the shaped and slightly bowed top banded and with parquetry patterns, surrounding a central inlaid landscape scene, above a conforming case fitted with two banded and parquetry-inlaid long drawers, raised on tapered square legs. h. 28-1/2”, w. 33”, d. 9” $2,000-$4,000

513 Pair of Italian Walnut and Marble-Top Diminutive Commodes

511

19th century, each with a slightly bowed rectangular marble top above a conforming case fitted with a single paneled door with ebonized banding, raised on tapered square legs ending in bulb feet. h. 32-1/2”, w. 20-1/2”, d. 13” $2,000-$4,000

512 detail

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514 Italian Gilt-Metal and Rock Crystal Chandelier mid-20th century, the eight-light chandelier with a gilt-metal frame lined with glass beading, set with candle branches and mounted with foliate matching sockets and drip pans, hung with rock crystal drops, accented with scattered mauve and amber glass fruit. h. 32”, dia. 25” $2,000-$4,000 515 Italian Polychrome Double Chair-Back Settee 18th century, in the neoclassical taste, the frame decorated with sprays of hand-painted flowers, the padded seat trimmed with brass tacks, raised on tapered square legs. h. 36”, w. 54”, d. 21”, seat h. 19” $1,200-$1,800 516 Italian Petite Polychrome Chest 19th century, in the neoclassical taste, the top and drawers with allegorical scenes, with chamfered front corners and raised on tapered square legs. h. 32”, w. 26-1/2”, d. 20-1/2” $1,500-$2,500 514

516

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517 Pair of Italian Gilt-Metal Sheaf-of-Wheat Two-Light Sconces mid-20th century, the ribbon-bound swirling wheat and leaves set with scrolled candle branches and matching foliate candle sockets and drip pans, electrified. h. 33”, w. 26-1/2”, d. 9” $1,200-$1,800 517

518 After Vincenzo Giacomelli (Italian, 1814-1890) “Shylock Giving Jessica the Keys” oil on canvas illegibly signed lower right. Framed. 28” x 21-1/2”, framed 38” x 31” $1,500-$2,500

518

519 Pair of Marble Urns in the Louis XV Taste early 20th century, the ogee-molded covers over the inverted pearform bodies, with reeded bases, on conical supports with faceted plinths. h. 19-1/4”, dia. 8-1/2” $1,500-$2,500 519

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520 Italian Neoclassical Inlaid Olivewood Console Table 18th century, the top with an inlaid mariner’s compass and banded outer edge, the aprons with like banding, raised on tapered square legs. h. 30”, w. 30”, d. 15” $1,200-$1,800

520 detail

521 19th-Century Italian Silver Flatware Service in Olivewood Knife Boxes second and third quarters 19th century, Rome, by various makers (see note), .800 and .889 standard, including a dozen each table forks, l. 8-1/8” and 7-7/8”, table spoons, l. 8-1/8”, table knives, l. 10-3/8” with steel blades, and teaspoons, l. 5-3/8” and 5-1/2” (one teaspoon lacking), with a pair of twopiece carving sets with steel blades/tines, l. 9-1/4” and 11-1/4”, in a plain spatulate pattern, the steel-fitted items with hollow handle of canted ovoid section and threaded heel, all monogrammed “LO”, presented in a pair of olivewood knife boxes of canted ovoid section with brass hinges, handles, lock and escutcheon, keys present, the slanted lid opening to a terracotta velvet-lined, gold ribbon-trimmed, fitted interior. (51 pieces plus two boxes) 69.02 total t. oz. (weighable silver) boxes: h. 15-1/4” (19-1/2” open), w. 11-1/4”, d. 8-7/8” (15” open)

520

$1,400-$1,800 The silver in these boxes constitute two separate but identical sets. (Each also seems to have spaces for the same now missing pieces: a ladle, two salt cellars and two salt spoons). One set is complete and bears no marks other than the purity stamp “800” and the maker’s mark “FT”. The lack of any official marks suggests that it dates from the transitional period after the 1870 Risorgimento but before the introduction of new silver marks in 1872. The maker “FT” is almost certainly Filippo Tofanelli, a master in 1838 and still working after 1872. The other set bears a wide assortment of marks and makers, with some bearing the old Roman marks used by the postNapoleonic Papal States from 1830 and others with the 1872 post-unification marks. Identifiable makers here include Filippo Grimaldi (fl. 1838-1848), Francesco Bencivenga (fl. 1806-1859), Alessandro De Strada (fl. 1834-1869) and Giovanni Crosati (fl. 1851-1868).

521

From this, we can create a conjectural history of the set, first assembled by various makers sometime in the 1840s, with additional pieces (perhaps replacing lost ones) added over the ensuing years. An identical set was made around 1870, when the pair of cases was made likely to house the sets. Finally, six replacement pieces were made after 1872 and bear the marks of the Kingdom of Italy used until the 1930s. Whatever the history, it is certainly a set that was well-tended and expanded by an attentive Roman owner (or owners) over the years. 521 detail

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522 Angelo Mambriani (Italian, 1877-1968) “Portrait of a Dark-Haired Woman” pastel on paper signed lower right. Glazed and framed. sight 12-1/2” x 8-7/8”, framed 15-1/2” x 11-7/8” $800-$1,200

523 Italian Olivewood Commode 20th century, of bombe form, with a shaped and molded top over three conforming long drawers, raised on cabriole legs. h. 34”, w. 48”, d. 19”

522

$1,000-$1,500

524 Pair of Italian Parcel-Gilt Walnut Stools 20th century, each with a padded circular seat covered in a velvet leopard print, over a molded frame, raised on straight square legs with beaded and gilt-highlighted edges. h. 17”, dia. 21-1/2” $1,000-$1,500 524

523

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527

525 Italian Grand Tour Patinated Bronze Figure of Caesar Augustus ca. 1900, the figure in a molded breastplate over a toga, a staff in one hand and a putto to one side, the base inscribed “Cesare Augusto”, on a marble base. h. 21”, w. 8-1/2”, d. 7” $1,200-$1,800 526 Suite of Six Italian Neoclassical-Style Pickled Pine Chairs 20th century, each with a shaped and carved back centered with carved drapery swags, and a padded seat, raised on cabriole legs ending in scrolled toes. h. 41”, w. 19”, d. 18”, seat h. 18-1/2” $1,500-$2,500

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527 Italian Painted and Marble-Top Table in the neoclassical taste, the circular white marble top set on a frame with carved garland swags around the frieze, raised on tapered square legs. h. 30”, dia. 55” $1,500-$2,500

528 Italian Painted, Parcel-Gilt and 1Marble-Top Commode 18th century, in the Louis XVI taste, the thick conforming white marble top over three side-byside drawers and a pair of long drawers below, flanked by fluted corner posts terminating in turned legs. h. 33-1/2”, w. 43-1/2”, d. 22” $2,000-$4,000 529 Pair of Italian Neoclassical Polychrome and Parcel-Gilt Side Chairs

528

18th century, the padded backs of shield form, raised on fluted, tapered square legs. h. 36”, w. 21”, d. 17”, seat h. 18” $1,000-$1,500 530 Set of Four Italian Marble Urns 19th century, in the neoclassical taste, the Mediciform urns with fluted bodies, raised on tapered bases with square plinths. h. 12-1/4”, dia. 9-1/4” $1,500-$2,500

529

530

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531 Italian Faux-Bois-Painted Chest 19th century, the top and drawer fronts grain-painted and framed with ebonized line borders, raised on tapered square legs. h. 35”, w. 45”, d. 23-1/2” $1,200-$1,800 532 Italian Grand Tour Bronze of “Venus de Milo” ca. 1900, the 2nd century BCE Hellenistic marble now conserved at the Louvre, Paris. h. 33”, w. 6-3/4”, d. 8-3/4” $1,200-$1,800 533 Italian Neoclassical Walnut, Olivewood and Marble-Top Side Table 18th century, the front fitted with an inlaid drawer over a pair of banded cabinet doors, the sides of like form, raised on tapered square legs. h. 32-1/2”, w. 20”, d. 13-1/2”

531

$1,200-$1,800 534 Italian Grand Tour Petite Bronze and Marble-Top Table ca. 1900, the circular verde antique marble top over a base modeled after an ancient brazier, with an anthemion-molded body supporting three monopodial legs with ram’s heads at the top, the legs decorated with fluting and molded grape leaves, raised on hoof feet, with a central pineapple finial. h. 24-1/2”, dia. 9-3/4” $1,000-$1,500

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535 Italian Walnut and Bronze Mirror in the Neoclassical Taste early 19th century and later, now with a pitch pediment over a walnut-veneered surround, flanked by tapered pilasters with Egyptian Revival patinated bronze busts. h. 32-1/4”, w. 15”

535

$700-$1,000 536 Italian Neoclassical Marble-Top Side Table 18th century, the gray marble top over a walnut case with two drawers, each centered with an oval reserve set with an inlaid urn, raised on tapered square legs. h. 34”, w. 25”, d. 17” $1,200-$1,800 537 Pair of Italian Gilt-Metal Sheaf-of-Wheat Sconces mid-20th century, each sconce decorated with a gilt-metal sheaf-of-wheat bound with gilt-metal “rope”, and set with a pair of scrolled candle branches terminating in foliate sockets mounted with electrified candles. h. 28”, w. 12”, d. 3-1/2” $1,200-$1,800

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538 Italian Tapestry of the “Charge to Peter” 18th century or later, depicting Christ handing Peter the keys to the Kingdom of Heaven, other apostles looking on. 79” x 104” $3,000-$5,000

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539

539 Pair of Italian Empire Mahogany and Parcel-Ebonized Vitrines early 19th century, each with a cabinet fitted with a pair of glazed doors supported by reclining sphinxes, on console-form bases with a single long drawer, ebonized columns and a shaped platform base, raised on turned legs. h. 59”, w. 43”, d. 21-1/2” $2,000-$4,000 540 Italian Neoclassical-Style Polychrome and Parcel-Gilt Side Table late 19th century, the carved banded circular top mounted to a fluted standard with gilt foliate-carved details, to a tripodal base with animal-form legs ending in hoof feet. h. 27”, dia. 20” $1,000-$1,500

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541

541 Pair of Gilt-Metal and Crystal Sconces second quarter 20th century, in the Swedish taste, the crest with a spray of drops, atop the acanthus-molded backplate, set with pairs of scrolled candle branches and medallions supporting swag-form prism rings hung with prisms. h. 27-1/2”, w. 15”, d. 5-3/4” $1,500-$2,500 542 Swedish Faux-Tortoiseshell-Grained Tall Case Clock 542

19th century, the circular bezel with parcelgilt highlights, the mid-section with a circular pendulum window, the base with a gilt garland swag, the dial signed “N. Ahlgren, Carlshamm”, set with a time-andstrike movement. h. 83”, w. 24”, d. 12-1/2” $1,800-$2,500 543 Pair of Russian Neoclassical BrassMounted Mahogany Side Tables 19th century, each with an oval top dressed with brass banding, with straight frieze aprons with like lower banding, raised on curved legs with inset brasswork, and joined by an in-curved shelf stretcher. h. 32-1/2”, w. 22”, d. 17” $1,500-$2,500

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544 Gustavian Polychrome Box Sofa

545 Suite of Six Swedish Polychrome Chairs

19th century, the arm fronts with Egyptian sphinx masques, the front apron with a fruit basket applique, raised on four carved legs ending in paw feet. h. 32-1/2”, w. 79”, d. 28-1/2”, seat h. 18”

20th century, each with a carved crest rail over three curved bar-form slats, with round padded seat and raised on tapered square cabriole legs. h. 35”, w. 18”, d. 20”, seat h. 20”

$1,500-$2,500

$1,400-$1,800

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547 546

547 Continental Neoclassical Fruitwood Cabinet 19th century, the rectangular top above a case fitted with two cupboard doors, opening to two small upper drawers and shelves, raised on tapered square legs. h. 38”, w. 48-1/2”, d. 16-1/2”

546 Neoclassical-Style Polychrome and Marble-Top Console Table

$1,200-$1,800

20th century, of diminutive proportions, the Violet Breccia marble top over a bellflower-decorated frieze, the downcurved legs with swan’s heads, conjoined in the middle and centered by an urn finial. h. 30”, w. 27-1/2”, d. 14-1/2”

548 Pair of Venetian Polychrome and Parcel-Gilt Consoles 19th century, each table with a shaped top and tassel-form apron, mounted to a stylized lyre-form base to a shaped plinth foot. h. 37”, w. 44”, d. 16”

$1,000-$1,500

$1,800-$2,500

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549 detail

549 Venetian Lacquered and Parcel-Gilt Secretary 18th century, the upper case with a pierced crest over a pair of shaped doors with bird and foliate designs, over a slantlid base and long drawer, raised on cabriole legs joined by a shaped stretcher, the gilt and painted surface of a later date. h. 83”, w. 48”, d. 24” $3,000-$5,000 550 Italian Painted and Parcel-Gilt Venetian Mirror early 20th century, the pierced outer surround composed of gilt-metal and carved wood gilt scrollwork, the segmented mirror engraved with dancers holding a garland of flowers. h. 52”, w. 35-1/2” $1,200-$1,800

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551 Pair of Italian Polychrome Bombe Commodes early 20th century, each with a shaped top above a stepped frieze and bombe case fitted with two short drawers over a single long drawer, raised on cabriole legs ending in scrolled toes, the whole with delicate chinoiserie accents. h. 37”, w. 52”, d. 20” $3,000-$5,000 Provenance: Historic Solana, Montecito, California. 552 Pair of Venetian Engraved Mirror Sconces early 20th century, the Baroque-style sconces with mirrored backplates engraved with a sunburst over baskets of flowers, lined with silver giltwood and set with pairs of silver gilt-metal scrolled candle arms, electrified. h. 26-1/4”, w. 10-1/4”, d. 5”

552

$600-$900 Provenance: Private collection, Pass Christian, Mississippi. 553 Venetian Polychrome Stool 19th century, the rectangular seat covered in a zebra-printed velvet and trimmed with brass tacks, over a scalloped seat frame with floral stenciling, raised on cabriole legs. h. 17”, w. 15-1/2”, d. 15-1/2” $800-$1,200 553

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554 Venetian Walnut Credenza early 19th century, the serpentine top over a conforming case with a pair of doors, raised on cabriole legs with trifid feet. h. 42”, w. 63”, d. 21-3/4” $2,000-$4,000 555 Pair of Venetian Giltwood Side Chairs 18th century, with carved frames, padded backs and slip seats, raised on cabriole legs ending in cloven hoof feet. h. 44-1/2”, w. 22”, d. 19”, seat h. 18-1/2” $1,000-$1,500 556 Italian Giltwood, Gilt Plaster and Metal Chandelier

554

20th century, the nine-light chandelier in the provincial Italian taste, with a faceted vasiform standard molded with leaves and set with a corona of giltwood tassels, and leafmolded candle branches, set with faceted candle supports on two tiers, accented with spiral-molded giltwood tassels. h. 48-1/4”, dia. 40” $3,000-$5,000 557 Italian Giltwood, Gilt-Plaster and Metal Chandelier 20th century, the nine-light chandelier in the provincial Italian taste, with a faceted vasiform standard molded with leaves and set with a corona of giltwood tassels, and leafmolded candle branches, set with faceted candle supports on two tiers, accented with spiral-molded giltwood tassels. h. 48-1/4”, dia. 40” 555

$3,000-$5,000

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558 Large Oak Refectory Table in the Baroque Taste late 19th century, the broad top with pull-out leaves at each end, each with breadboard ends, raised on large spiral-twist legs to an H-form stretcher. h. 29-1/2”, w. 40”, l. 80”, ext. l. 131” $1,200-$1,800 559 Semi-Antique Heriz Carpet 6’ 9” x 7’ 2” $1,000-$1,500

559

560 Italian Specimen Marble-Top Table ca. 1900, the circular top with a central inlaid sunburst surrounded by leaf and vine stone inlay, on a conforming three-sided base with scrollcarved brackets and leaf and floral swags. h. 26”, dia. 22-3/4” $800-$1,200

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561 Italian Polychrome and Faux-Marbre Wood Vitrine 18th century, the pierced and carved crest over a stepped cornice molding and a pair of glazed doors below, accented with inset faux breche marble panels, raised on bracket feet. h. 47”, w. 37”, d. 17” $1,400-$1,800 562 Bronze Figure of a Fallen Angel 20th century, the bearded figure with two sets of horns and dragon wings on his back, kneeling with clasped hands. h. 39”, w. 22”, d. 29” $3,000-$5,000 563 Bronze Urn in the Neoclassical Taste 20th century, the urn set with satyr-head handles terminating in ram’s horns, the body molded with acanthus leaves, on a conical base. h. 20-1/2”, dia. 15-1/2” $800-$1,200

561

564 Large Wrought-Iron Oval Planter 20th century, lined with a removable insert, the pierced and scroll-molded sides set with flowers alternating with buds, raised on scrolled feet. h. 17”, w. 49-1/2”, d. 38-1/2” $1,500-$2,500

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565 Italian Walnut Side Cabinet 18th century, in the Renaissance taste, the gadroon-carved top over a single drawer with a relief-carved front, above a framed and paneled door with a stylized urn carving, with a deeply carved and molded base, raised on scrolled feet. h. 35”, w. 26-1/2”, d. 17” $1,500-$2,500 566 Tapestry of the Apostle Paul Delivering His Sermon on the Areopagus 18th century, the citizens of Athens at his feet, a three-quarter floral vine border. 84” x 82” $3,000-$5,000 565

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567 Italian Carved Walnut Figural Library Table 19th century, in the Renaissance taste, the rectangular top with a gadroon-carved edge, mounted to pedestal ends, each with a carved figure, to a molded base joined by a like stretcher and raised on carved feet. h. 32”, w. 71”, d. 38” $1,000-$1,500 568 Italian Walnut Side Cabinet/Desk 18th century, the hinged top with a spoon-carved undermolding, opening to a fitted interior with two drawers and a paneled drop-front, over a pair of framed doors, raised on a bracket-foot base. h. 37”, w. 25-1/2”, d. 13-1/2” $1,000-$1,500

568

569

569 Pair of Carved Wood Lion-Form Lamps 20th century, the seated lions retaining scattered brown paint, mounted on ogee-molded giltwood bases. h. 23-1/4”, w. 8”, d. 13” $1,000-$1,500 570 Continental Oak Occasional Table 19th century, the rectangular top over an ogee-molded, fluted and foliate-carved frieze, raised on fluted end supports flanked by foliate and lion’s-masque uprights to a platform on scrolled toes. h. 26-1/2”, w. 29-1/2”, d. 19-1/2” $1,000-$1,500

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572

571 Carl Kauba (Austrian, 1863-1922) “The Wrestlers” patinated bronze 20th century, incised signature along one leg, after the 1st century BCE marble (itself a copy of the 3rd century BCE Greek bronze) now conserved at the Uffizi Gallery, Florence, stamped “copyright”. h. 9-1/4”, w. 8-1/4”, d. 7-3/4”

$2,000-$4,000 572 Italian Baroque Walnut and Mixed Woods Guard Room Table 18th century, with a geometric inlaid top, one side set with two drawers, with trestle-form scroll-cut ends joined by wroughtiron stretchers. h. 28-1/2”, w. 67”, d. 29” $1,500-$2,500

573

573 Pair of Italian Giltwood Sconces mid-20th century, the tall backplates carved with leaves, supported by carved bowknots with tassels, supporting scrolled arrow-form candle branches set with reeded drip pans and turned candle sockets, with unidentified labels on the backs. h. 36-1/4”, w. 14”, d. 10-3/4” $900-$1,200 574 Baroque Walnut Wine Cooler 18th century, possibly Dutch, the lead-lined cooler with ogee sides, raised on cabriole legs terminating in leaf-carved hoof feet. h. 18-1/4”, w. 16”, d. 16” $800-$1,200

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575

575 Parcel-Giltwood and Marble Console Bracket 19th century, the serpentine bracket carved with giltwood acanthus leaves on remnants of a white ground, mounted with a conforming verde antique marble top. h. 15-1/2”, w. 50-1/2”, d. 11-1/2” $1,500-$2,500 576 After Pietro Tacca (Italian, 1577-1640) “Il Porcellino” hand-chiseled serpentine marble 18th century, after the sculpture now conserved at the Museo Uffizi, Florence. h. 7-3/4”, w. 8”, d. 5” $1,000-$1,500 576

577 Continental Neoclassical Fruitwood Commode 18th century, the rectangular top above a case fitted with three long drawers, all with a central laurel wreath carving flanked by a raised panel, raised on fluted, tapered circular legs ending in toupie feet. h. 37”, w. 40-1/2”, d. 23” $1,800-$2,500

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578 Fine Brussels Verdure Tapestry 18th century, lush park setting with a stream and wild fowl, a chateau in the distance, allover dense floral border. 125-1/2” x 151-1/2” $7,000-$10,000 579 Pair of Monumental Italian Faience Covered Urns 20th/21st century, the domed covers molded with swags of flowers, over inverted pear-form bodies set with scrolled handles terminating in satyr masques, the facades with molded crests beneath lion’s heads, and molded swags supported by the lions and satyrs. h. 43-1/2”, dia. 23-1/2” $2,000-$4,000 579

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580 Italian Patinated Metal and Rock Crystal Chandelier 20th century, in the Mediterranean Revival taste, the nine-light chandelier with a foliate-molded corona over a carved frame and ring-form body, mounted with cylindrical candle holders alternating with flowers, the crenelated center tower with a single light, all hung with sprays of rock crystal drops emanating from glass foliate medallions. h. 34-1/2”, dia. 26-1/2” $1,800-$2,500 581 Suite of Six Iron and Leather Chairs in the Spanish taste, the leather backs and seats on wrought-iron frames with straight legs joined by curved stretchers. h. 43-1/2”, w. 20-1/2”, d. 17-1/2”, seat h. 17-1/2” $1,000-$1,500 582 Italian Neoclassical Inlaid Olivewood Chest of Drawers 19th century, of diminutive scale, with highly figured veneers and tulipwood corner edges, the front fitted with three long drawers, each with inlaid star motifs, the base with a scalloped front and splayed legs with brass sabots. h. 29”, w. 22-1/2”, d. 14” 580

$1,200-$1,800

582

581

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583 George M. F. X. Kelly (American, b. 1954) “Crucifix” patinated bronze with artist and memorial inscription at back. h. 23”, w. 15-1/4”, d. 4-1/2” $700-$1,000 Provenance: Private collection, Pass Christian, Mississippi. 584 Olivewood, Walnut and Parcel-Giltwood Reliquary Case 19th century, possibly Spanish, the domed top with a giltwood urn finial, accented with a gallery set with giltwood guilloche “rails” and giltwood finials, the arched inlaid front door and side windows flanked by olivewood Ionic columns with giltwood capitals and giltwood corbels, supported on an ogee-form parquetry-inlaid bracket, with leaf carving and a giltwood cone-form pendant finial. h. 46-3/4”, w. 17-3/4”, d. 17-1/4”

583

$1,000-$1,500

584

585 Spanish Secretary in the Style of Pierre Lottier 20th century, the shaped and molded domed cornice over two domed doors, opening to an interior fitted with various drawers and cubbyholes and a central cupboard, the lower section with a drop front opening to a like fitted interior with two short and three long drawers below, raised on bracket feet, the whole richly painted in scrolling foliate patterns, decorative banding and musical motifs. h. 95”, w. 43”, d. 21” $2,000-$4,000

585

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586 Pair of Labeled LX Rossi Side Chairs in the Portuguese taste, the backs and seats upholstered in patterned leather, the backs in moss basketweave and trimmed throughout with brass nails, labeled in leather underneath “Lx Rossi”. h. 45”, w. 22-1/2”, d. 25”, seat h. 20-1/2” $1,200-$1,800 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

586

587 Large Ebonized and Black-Lacquered Banquet Table attributed to Alfonso Marina, in the 18th-century Portuguese taste, the expansion top on a base with ring-turned legs and stretchers. h. 30”, w. 48”, l. 126” $1,200-$1,800 588 Stained Glass and Patinated Metal Lantern early 20th century, the cylindrical standard with leafdecorated arms supporting the cylindrical lantern, with a pierced laurel- and berry-ornamented upper body, with green and amber stained-glass sides, with blue bull’s eyes and vertical scrolled arms accented with flowers, with one interior socket. h. 47”, dia. 16” $1,500-$2,500 588

219

590 detail

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589 Carved and Pierced Hardwood Mirror in the Black Forest Taste 20th century, the pedimented crest over a “rustic” face carved to resemble a wooden trellis, supporting grapevines. h. 49”, w. 31-1/2” $1,000-$1,500 590 Unusual Black Forest Oak Cockfighting Chair 19th century, the branch-carved back with grapevines and leaves centered by a hound’s head in a roundel, the top with a hinged storage box, the seat covered in vintage needlework, raised on branch-form legs joined by like stretchers. h. 31-1/2”, w. 16”, d. 18”, seat h. 18” $1,200-$1,800 591 Swiss Black Forest Figural Carved Umbrella Stand late 19th century, carved as a standing bear, set with glass eyes, above a carved stump, a “rustic” carved umbrella holder at its waist, with a conforming zinc-lined drip pan below. h. 45-1/4”, w. 17-3/4”, d. 22-3/4” $2,500-$4,000

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593

592 Continental Antler Chandelier 20th century, the antlers mounted with black metal sockets and shade holders, set with glass chimneys. h. 17”, w. 28”, d. 25” $1,500-$2,500 593 Black Forest Bleached Linden Wood Console Table 19th century, the shaped top over a base with four legs with stag’s heads, the front apron with an additional stag head and foliate carvings, the legs ending in hoof feet and joined by a stretcher with a carved grouse. h. 29-1/2”, w. 50”, d. 24” $1,800-$2,500 594 Large Continental Carved Walnut Mirror 19th century, in the neoclassical taste, the surround carved with laurel leaves and berries bound with ribbons, and crossetted upper corners, the lower corners carved with scrollwork, surrounding a mirror plate with a beaded liner. h. 81-1/2”, w. 62-3/4” $1,500-$2,500

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595 Continental Oak Side Table 18th century, the rectangular top with crimped corners, above a fluted frieze fitted with a single drawer, raised on tapered square legs ending in block feet. h. 28-1/2”, w. 53”, d. 29-1/2” $1,000-$1,500 596 Italian Gilt-Metal and Crystal Chandelier

596

early 20th century, the twelve-light chandelier set with two tiers of scrolled arms ornamented with gilt-metal acanthus leaves and matching drip pans, hung with Baroque-style cut-glass prisms. h. 39-1/2”, dia. 22” $1,200-$1,800 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 597 Continental Polychrome Commode 19th century, the rectangular top with a molded edge, over a conforming case fitted with two short drawers over two long graduated drawers, all painted in intricate scrolling foliate patterns, raised on waisted turned feet. h. 33-1/2”, w. 34-1/2”, d. 17-1/2” $1,200-$1,800

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598 Unusual Brass Repousse Mirror late 19th century, possibly Dutch or Belgian, the ogeemolded frame with brass scrollwork and shells, accented with flowers, the mirror plate lined with bold beading. h. 38”, w. 33-1/2” $1,200-$1,800 599 Pair of Italian Giltwood Capital Lamps 17th/18th century, now converted to lamps, the carved composite column capitals with Ionic caps on Corinthian bodies, the tops with egg-and-dart trim, on acrylic bases. h. 21-1/4”, dia. 9-1/4” $1,200-$1,800 600 Dutch Burr Walnut Secretary/Bookcase 18th century, the complex shaped and arched top centered by a star-cut inset mirror, over a pair of mirrored doors and candle slides, above a slant lid opening to a fitted interior, over a bombe-form base fitted with drawers. h. 94”, w. 44”, d. 26” $3,000-$5,000

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601 Pair of Italian Walnut Footstools 19th century, each with a slip seat set within a molded frame, raised on cabriole legs joined by block-and-turned X-form stretchers. h. 16”, w. 18”, d. 18” $1,000-$1,500 602 Italian Walnut and Marble-Top Demilune Console Table early 20th century, of diminutive scale, the inset Portoro marble top over a base with a female figural front leg and curved rear legs joined by garland swags. h. 26”, w. 24”, d. 14”

601

$900-$1,200 603 Molded Brass Cushion Mirror of Baroque Inspiration late 19th century, Dutch or Flemish, the pedimented crest decorated with a basket of flowers against a ground of scrollwork and flowers, with shell-molded borders, the surround and trim decoration with scrollwork and medallions. h. 35-1/4”, w. 21-1/2” $700-$1,000 604 Continental Iron Bench in the Neoclassical Taste late 19th/early 20th century, the sides with scrolling swan’shead handles over anthemia framed with scrollwork, the cabriole legs terminating in paw feet, with an off-white “linen” upholstered seat. h. 29-1/2”, w. 21-1/2”, d. 18-1/4” 602

$1,000-$1,500

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603

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606

605 Continental Bronze-Mounted Walnut Side Cabinet 19th century, probably Dutch, the conforming shaped top over a single drawer and framed and paneled door below. h. 31”, w. 24”, d. 14-1/2” $800-$1,200 606 Continental Mahogany Coffer

607

18th century, the hinged rectangular lid with a molded edge and centered by a raised panel, opening to a trisected interior, the front centered by a shield-carved panel flanked to either side by tripartite panels, the whole raised on sphinx feet. h. 41”, w. 61”, d. 24” $1,000-$1,500 607 Pair of Italian Giltwood Urns late 19th/early 20th century, each turned and carved wooden urn with a reeded body and set with scrolled handles, above a tapered base. h. 14-3/4”, w. 19”, d. 15” $1,000-$1,500 608 Pair of Carved and Painted Ecclesiastical Figures late 19th/early 20th century, the carved and painted figures of a young Jesus, dressed in gowns, likely cloth impregnated with gesso, the true pair consists of one with a raised hand holding rosary beads, a tassel around his waist. h. 45-3/4”, w. 12-3/4”, d. 9” $1,200-$1,800 608

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609 Antique Serapi Carpet 10’ 11” x 15’ 11” $4,000-$7,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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610 Flemish-Style Walnut and Leather Settee

611 Flemish-Style Walnut and Leather Settee

the padded back and out-scrolled arms trimmed with brass tacks, with a loose seat cushion and raised on block-andturned legs joined by a carved and parcel-gilt stretcher. h. 42”, w. 57”, d. 27”, seat h. 21”

$1,500-$2,500

611

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612 Bronze and Marble Banquet Lamp late 19th century, English or Continental, set with a scrollpierced “tank” with anthemia-framed masques, on an Ionic column standard, the base lined with molded masques, on a black marble base, raised on ball feet, electrified. h. 43-1/2”, dia. 8” $1,000-$1,500 613 English Oak Lowboy 18th century, the top with a molded edge, over a single rosette-carved long drawer and two smaller drawers below, flanking a shaped kneehole opening, raised on Marlborough legs. h. 28-1/2”, w. 33”, d. 20”

612 detail 612

$1,000-$1,500 614 Suite of Eight English Oak Spindle-Back Chairs 18th century, each with a curved back rail over four turned spindles, and an inset plank seat, raised on Queen Anne-form legs joined by turned stretchers. h. 36”, w. 19”, d. 15”, seat h. 19” $1,500-$2,500

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615

616

615 English Oak Gateleg Table 18th century, the rectangular top above a frieze fitted with a single drawer and with two drop leaves to either end, raised on a gateleg support ending in block and ball feet. h. 30-1/2”, w. 15-1/2”, l. 18”, ext. l. 36” $1,000-$1,500 616 English Oak and Macassar Ebony Chest 18th century, in the Jacobean taste, in two parts, the upper case with a row of three drawers over a long drawer, and the lower case with two long drawers, raised on turned feet. h. 35”, w. 40”, d. 22-1/2” $1,500-$2,500 617 English Oak Writing Desk

617

19th century, in the Jacobean taste, the top with a carved edge over a branch- and leaf-carved drawer opening to an adjustable leather-covered writing slope, raised on bobbin-turned legs joined by like stretchers. h. 28”, w. 31”, d. 26” $1,000-$1,500 618 Pair of English Baroque-Style Giltwood Stools 19th century, each with a padded seat trimmed with brass tacks and raised on barley-twist legs joined by a like stretcher. h. 20”, w. 17”, d. 17” $1,000-$1,500 618

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619 Jacobean-Style Walnut Arm Chair 20th century, upholstered in taupe wool with tufted back and brass nail head trim throughout, with a paper Dennis & Leen fabric label underneath. h. 40-1/2”, w. 26”, d. 27”, seat h. 18-1/4” $800-$1,200 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 620 Swedish Polychrome Immigrant’s Trunk 18th century, the framed and paneled top and front with floralpainted scenes, retaining its original forged lock and key. h. 23”, w. 55”, d. 27” $1,000-$1,500 621 Scrubbed Pine Welsh Dresser/Work Table 619

19th century, the thick plank top over three deep side-by-side drawers, supported by block-and-turned legs to a raised platform base. h. 37”, w. 76”, d. 24” $800-$1,200

620

621

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622 Heriz Carpet 7’ 6” x 10’ 7” $1,000-$1,500 623 Peshawar Serapi Carpet 9’ 10” x 13’ 1” $2,000-$4,000 624 Peshawar Serapi Carpet signed in border. 9’ 1” x 12’ 3” $1,500-$2,500

622

623

624

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625 French Provincial Fruitwood and Burlwood Buffet 18th century, the rectangular top with canted corners, above a conforming case fitted with two drawers over two paneled cupboard doors, raised on scrolled toes, the whole accented with decorative banding. h. 38”, w. 53-1/2”, d. 24-1/2” $1,500-$2,500

625

626

626 Provincial Louis XV Fruitwood Occasional Table 18th century, the rectangular top with an inset leather surface over a raised edge with canted corners, above a scalloped apron fitted with an end drawer, raised on cabriole legs. h. 28-1/2”, w. 30”, d. 18” $800-$1,200 627 French Provincial Pickled Pine Armoire 19th century, the arched overhanging cornice molding over an in-carved frieze, a pair of shaped doors below, each with a wire mesh panel over a framed wood panel, raised on short integral legs ending in scrolled toes. h. 94-1/2”, w. 57”, d. 19” $1,000-$1,500

627

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628 Swedish Gustavian-Style Polychrome Bookcase Cabinet early 20th century, the shelved superstructure over a square top, the case fitted with a single drawer over a single paneled cupboard door, raised on bracket feet. h. 75”, w. 19”, d. 16-1/2” $900-$1,200 629 Pair of Chinese Porcelain Ginger Jar Lamps the celadon green jars mounted on cove-molded giltwood bases. h. 17-1/2”, dia. 8-3/4” $1,000-$1,500 630 French Provincial Fruitwood Armoire 18th century, the removable arched and molded cornice over a vine-inlaid frieze, above a pair of framed and paneled doors with long brass keyhole escutcheon plates, raised on short cabriole legs ending in scrolled toes. h. 90”, w. 54”, d. 23” $1,200-$1,800

628

629

630

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631 French Provincial Elmwood Buffet a Deux Corps 18th century, the upper case with open shelves and plate rails, over a base with a pair of drawers over two framed and paneled cabinet doors, with a scalloped and carved lower apron, raised on cabriole legs. h. 86”, w. 49”, d. 22” $1,000-$1,500 632 Continental Walnut Work Table 18th century, the plank top with breadboard ends, fitted with a drawer at each end, raised on block-and-turned legs joined by an H-form stretcher. h. 31”, w. 32”, l. 78-1/2” $1,000-$1,500

631

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633 detail

634

633 Rare French Wallpaper-Covered Work Box

634 Provincial Louis Philippe Fruitwood Buffet

ca. 1800, decorated with flowers, ribbons and guilloche trim, the cover with a removable lid, opening to reveal two interior compartments, a mirror, two bowfront covered compartments and two inkpot compartments, all covered in period paper. h. 7”, w. 12-1/2”, d. 9-3/4”

19th century, the banded rectangular top above a conforming case fitted with two drawers, faced as three, over three paneled cupboard doors, raised on block feet. h. 35-1/2”, w. 63”, d. 23-1/2” $1,500-$2,500

$800-$1,200

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635

635 Peshawar Sultanabad Carpet 13’ x 22’ 6” $2,500-$4,000

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636 French Pewter Lavabo and Stand early 19th century, the serpentine fountain with a molded dolphin knop marked by Nicolas-Joseph Schwaller, (17691840), Lyon, France, the oval basin with a molded edge and a splash back, setting into an oak stand with cabriole legs, the back now with a shell-carved and pierced walnut support for the fountain. h. 76-1/4”, w. 22-1/2”, d. 19-1/2” $1,500-$2,500

637 636

637 Provincial Louis XV Fruitwood Desk 18th century, the superstructure fitted with a tri-paneled lift top opening to a variety of cubbyholes, over an inset leather surface, over a frieze fitted with a small drawer to either end, raised on molded cabriole legs ending in hoof feet. h. 40-1/2”, w. 51”, d. 30” $1,200-$1,800 638 French Provincial Cherrywood Writing Table 18th century, the plank top over a single drawer and scalloped apron, the back and sides with foliate carvings, raised on slender cabriole legs. h. 30”, w. 42”, d. 29-1/2” $1,000-$1,500

638

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639 Continental Pine Breakfront Cabinet 19th century, the upper case with four glazed doors separated by spiral-twist columns, the stepped base with four similar framed and paneled doors, raised on bun feet. h. 116”, w. 102”, d. 25” $3,000-$5,000 640 Pair of French Walnut Window Seats 19th century, in the Louis XIV style, each with a padded rectangular seat and raised open side arms with acanthine-carved scrolled hand grips, on carved legs of like form, joined by a shaped stretcher. h. 24”, w. 18”, d. 23”, seat h. 16”

640

$1,200-$1,800

639

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641 Louis XIII Walnut Reclining Ratchet Armchair 18th century, the rectangular padded back joined to the downswept arms and fitted with wrought-iron adjustable ratchets, raised on block-and-turned legs joined by like stretchers. h. 47”, w. 27”, d. 34”, seat h. 17” $1,000-$1,500 642 French Provincial Walnut and Pine Wine-Tasting Table 19th century, set with a circular tilt top to a pair of trestle-form standards and a U-form swivel table support. h. 27”, dia. 39” $1,000-$1,500

641

642

643 French Provincial Walnut Wingback Settee 18th century, the high, shaped back with curved side wings, dressed with brass tacking, raised on curved legs ending in hoof feet and joined by curved stretchers. h. 42-1/2”, w. 54”, d. 32”, seat h. 17” $1,800-$2,500

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644

644 Large French Provincial Walnut Trestle Table 18th century, the two-board thick plank top mounted to a shaped trestle-form base, joined by a wedged stretcher. h. 30”, w. 103”, d. 33” $3,000-$5,000 645 Pair of Chinese Porcelain Rouleau Vase Lamps the celadon-glazed vases mounted on cove-molded giltwood bases. h. 19-1/2”, dia. 6-3/4” $1,000-$1,500 646 Provincial Louis XV Fruitwood Writing Table 18th century, the rectangular top with a molded edge, above a shaped frieze fitted with a central drawer to either side, over a pendant trefoil, raised on cabriole legs. h. 28-1/2”, w. 65-3/4”, d. 34” 645

$1,000-$1,500

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647 French Provincial Walnut Commode 18th century, of bombe form with three conforming long drawers, dressed with brass handles and escutcheons, raised on short cabriole legs ending in hoof feet. h. 34-1/2”, w. 49”, d. 25-1/2” $3,000-$5,000 648 Signed Provincial Louis XV Walnut Slipper Chair 18th century, the curved and molded back frame centered with a floral-carved cartouche, with a padded back and seat, raised on cabriole legs, branded “BERNHARD” under the seat frame. h. 31-1/2”, w. 21”, d. 20”, seat h. 15” $700-$1,000

648

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649

649 Antique Persian Lavar Kerman Carpet signed. 13’ 3” x 22’ 6” $3,000-$5,000

649 detail

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650 Provincial Louis XV-Style Fruitwood Occasional Table 19th century, the rectangular top above a frieze fitted with a single drawer, raised on molded cabriole legs ending in hoof feet. h. 26-1/2”, w. 32”, d. 20” $800-$1,200 651 Provincial Louis XV-Style Fruitwood Games Table 19th century, the square top with canted corners and an inset leather surface, above a frieze fitted with a small drawer to two sides, and pull-out corners with cup holders, raised above a scalloped apron on cabriole legs. h. 29”, w. 28-1/2”, d. 28-1/2” 650

$1,000-$1,500 652 French Provincial Brass-Mounted Fruitwood Armoire 18th century, the top with a double arched cornice over a pair of carved and paneled doors, raised on short cabriole legs. h. 96”, w. 57”, d. 24” $3,000-$5,000

651

651 detail

652

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654

653

653 Semi-Antique Malayer Runner 3’ 3” x 14’ 2” $1,000-$15,100 654 Antique Silk Tabriz Carpet 6’ 4” x 9’ 6” $1,500-$2,500 655 Semi-Antique Kerman Carpet Persian. 7’ 1” x 10’ 3” $2,000-$4,000

655

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656 Semi-Antique Serba Carpet 6’ 8” x 11’ 8” $1,500-$2,500 657 Semi-Antique Oushak Carpet 9’ x 11’ $3,000-$5,000 658 Semi-Antique Oushak Carpet 6’ 11” x 9’ 9” $2,000-$4,000

656

658

657

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SESSION SUNDAY, OCTOBER 25

659 Pair of Sapphire and Diamond Earrings 14k yellow gold, the earrings mounted with oval-cut sapphires weighing approximately 2.80 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 1.00 carat in total. l. 3/8”, total weight 2.8 grams $1,500-$2,500 660 Emerald and Sapphire Bracelet 14k yellow gold, the bracelet mounted with roundcut emeralds weighing approximately 4.00 carats in total, alternating with round-cut sapphires weighing approximately 4.00 carats in total. l. 7”, total weight 10.3 grams

659

$3,000-$5,000

660

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661 Art Deco-Style Diamond and Sapphire Ring 18k white gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 1.20 carats, accented by triangular-cut sapphires weighing approximately 0.05 carats in total. size 6-1/2, total weight 2.8 grams $1,500-$2,500 662 Tanzanite and Diamond Ring 18k yellow gold, the ring mounted with an oval-cut tanzanite weighing approximately 1.50 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 1.22 carats in total. size 5-3/4, total weight 6.3 grams

661

$1,400-$1,800

662

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663

663 Tanzanite and Diamond Caterpillar Brooch

664 Gem-Set Bug Brooch/Pendant

14k yellow gold/sterling silver, the brooch mounted with cabochon-cut tanzanites weighing approximately 47.65 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.88 carats in total. size 1-1/2” x 2-1/4”, total weight 18.5 grams

14k yellow gold/sterling silver, the brooch/pendant mounted with a sugarloaf-cut tanzanite weighing approximately 13.03 carats, accented by round brilliant-cut diamonds weighing approximately 2.34 carats in total, cabochon-cut emeralds weighing approximately 0.52 carats in total and round-cut rubies weighing approximately 0.09 carats in total. size 1-1/8” x 2-1/8”, total weight 9.7 grams

$2,500-$4,000

$3,000-$5,000

664

250

665

665 Turquoise and Diamond Crab Brooch/Pendant

666 Diamond, Sapphire and Topaz Brooch/Pendant

14k yellow gold/sterling silver, the brooch/pendant mounted with a cabochon-cut turquoise weighing approximately 7.50 carats, accented by round brilliant-cut diamonds weighing approximately 1.46 carats in total and round-cut emeralds weighing approximately 0.21 carats in total. size 1-1/8” x 1-5/8”, total weight 8.7 grams

14k yellow gold/sterling silver, the brooch/pendant mounted with a pumpkin-carved topaz weighing approximately 26.80 carats, accented by round brilliant-cut diamonds weighing approximately 3.41 carats in total and baguette-cut sapphires weighing approximately 4.01 carats in total. size 1-3/8” x 2-1/4”, total weight 15.7 grams

$1,500-$2,500

$3,000-$5,000

666

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667 Ruby and Diamond Brooch

669 Diamond and Coral Bird Brooch

14k yellow gold/sterling silver, the brooch mounted with square-cut rubies weighing approximately 8.33 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.31 carats in total. size 1-3/4” x 2”, total weight 15.7 grams

14k yellow gold/sterling silver, the brooch mounted with a coral cabochon weighing approximately 5.10 carats, accented by round brilliant-cut diamonds weighing approximately 3.04 carats in total and a ruby cabochon weighing approximately 0.05 carats. size 1-3/4” x 2-1/4”, total weight 9.2 grams

$3,000-$5,000 668 Emerald and Diamond Brooch/Pendant

$2,500-$4,000 670 Art Deco-Style Gem-Set Bird Brooch

14k yellow gold/sterling silver, in the Art Deco style, the brooch/pendant mounted with sugarloaf-cut emeralds weighing approximately 2.42 carats in total and round brilliant-cut diamonds weighing approximately 1.05 carats in total, accented by black enamel. size 1-1/8” x 2-1/4”, total weight 8.5 grams

14k yellow gold, the brooch mounted with cabochon-cut emeralds and rubies weighing approximately 4.80 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.14 carats in total. size 5/8” x 2-5/8”, total weight 7.7 grams

$2,500-$4,000

$3,500-$5,000

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669

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671

671 Emerald and Diamond Ring 18k white gold, the ring mounted with an oval-cut emerald weighing approximately 1.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 6-1/2, total weight 4.5 grams $3,000-$5,000

672 Beautiful Diamond and Emerald Brooch platinum, the brooch mounted with a central round brilliant-cut diamond weighing approximately 3.00 carats, approximate color L-M-N and approximate clarity VS1-VS2, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 2.45 carats in total and round-cut and pear-cut emeralds weighing approximately 0.60 carats in total. size 1” x 1-3/4”, total weight 14.1 grams $6,000-$9,000

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673

673 Emerald and Diamond Band 18k white gold, the band mounted with emerald-cut emeralds weighing approximately 1.44 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 6, total weight 3.3 grams $3,000-$5,000

674 Beautiful Diamond Ring platinum, the ring mounted with a central round brilliant-cut diamond weighing approximately 2.00 carats, approximate clarity VS1-VS2 and approximate color H-I-J, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total. size 5, total weight 8.6 grams

674

$4,500-$7,000

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675

675 Pearl and Diamond Cuff Bracelet 18k yellow gold, the spring tension bracelet mounted with white button pearls accented with round brilliant-cut diamonds weighing approximately 1.84 carats in total. inside circumference 6-1/4”, total weight 50.7 grams $2,500-$4,000

676 Pair of Pearl and Diamond Cluster Ear Clips 14k white gold, the ear clips mounted with white cultured pearls accented with round brilliant-cut and marquise-cut diamonds weighing approximately 2.10 carats in total. l. 1”, total weight 13.9 grams $2,000-$4,000

256

676

677 Cultured Pearl Necklace the necklace composed of very slightly graduated white cultured pearls measuring approximately 12.00mm to 14.20mm. l. 32” $1,500-$2,500

678 Two Cultured Pearl Necklaces each necklace composed of 10.70mm white cultured pearls with a good luster. l. 34” $1,800-$2,500 677

678

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679

679 Diamond and Ruby Panther Ring

679 detail

18k/14k yellow gold, the ring in the form of a panther grasping a ring in its mouth, mounted with round brilliantcut diamonds weighing approximately 1.30 carats in total, accented with round-cut rubies weighing approximately 0.15 carats in total. size 6, total weight 7.8 grams $3,000-$5,000 680 Diamond Eternity Band platinum, the band mounted with round brilliant-cut diamonds weighing approximately 5.28 carats in total. size 6, total weight 7.0 grams

680

$4,000-$7,000 681 Diamond Ring 18k white gold, the ring mounted with an emerald-cut and oval-cut diamond weighing approximately 1.20 carats in total. size 6, total weight 2.2 grams $3,000-$5,000

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682

682 Diamond and Cultured Pearl Necklace 14k yellow gold, the necklace composed of graduated white pearls measuring approximately 13.00mm to 15.20mm, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.10 carats in total. l. 18-1/2” $2,500-$4,000 683 Diamond Ring 14k rose gold, the ring mounted with three emerald-cut diamonds weighing approximately 1.00 carat in total, accented by round brilliant-cut diamonds weighing approximately 1.29 carats in total. size 4-3/4, total weight 10.9 grams

683

$1,800-$2,500

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684

684 Pearl and Diamond Cuff Bracelet 18k yellow gold, the spring tension bracelet mounted with white button pearls accented with round brilliantcut diamonds weighing approximately 1.84 carats in total. inside circumference 6-1/4”, total weight 50.7 grams $2,500-$4,000 685 Coral and Diamond Ring 18k yellow gold, the ring mounted with round brilliantcut diamonds weighing approximately 0.74 carats in total, accented by coral, stamped “Adler’s Made in France 18k”. size 5-3/4, total weight 14.2 grams $2,500-$4,000

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685

686

686 Diamond Necklace

687 Diamond Bracelet

14k yellow gold, the wavy necklace mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 16” to 18”, total weight 5.8 grams

14k yellow gold, the wavy bracelet mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 7-1/2”, total weight 5.5 grams

$2,500-$4,000

687

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688 Diamond Ring 14k yellow gold, the ring mounted with an emerald-cut and baguette-cut diamonds weighing approximately 1.60 carats in total. size 7, total weight 3.8 grams $3,000-$5,000

689 Diamond Bangle Bracelet

688

14k yellow gold, the hinged bracelet mounted with an emerald-cut and baguette-cut diamonds weighing approximately 1.90 carats in total. inside circumference 6-1/2”, total weight 8.5 grams $4,500-$7,000

689

690 Diamond Engagement Ring 18k yellow gold, the ring mounted with a round brilliant-cut diamond weighing approximately 1.00 carat, approximate color J-K-L and approximate clarity VS1-VS2. size 4-1/4, total weight 2.9 grams $1,000-$1,500

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691 Diamond Buckle Bracelet 14k yellow gold, the bracelet in the form of a buckle with a patterned, textured finish, mounted with single-cut diamonds weighing approximately 0.43 carats in total. inside circumference 6”, total weight 22.6 grams $1,400-$1,800 692 Diamond Bangle Bracelet 14k yellow gold, the hinged bracelet mounted with emeraldcut diamonds weighing approximately 2.20 carats in total. inside circumference 6-1/2”, total weight 9.6 grams $4,000-$7,000 691

693 Diamond Bangle Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total. inside circumference 6-3/8”, total weight 9.2 grams $1,500-$2,500

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694 Cartier Tank Americaine Wristwatch 18k yellow gold, the quartz watch with a white face and black Roman numerals, measuring 23.00mm x 41.00mm, with a brown Cartier alligator strap with an 18k yellow gold buckle. l. 7” to 8-1/2”, total weight 44.1 grams $2,000-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 695 Panerai Luminor Marina Wristwatch stainless steel, model OP6834, the watch with an automatic movement, water resistant to 300 meters, with a black enamel dial measuring 40.00mm in diameter, and a tan leather strap with a stainless steel Panerai buckle, together with the inside and outside boxes, and an extra black rubber strap. l. 7” to 9”, total weight 136.1 grams $2,500-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 696 Cartier Gold Panthere Wristwatch 694

18k yellow gold, model 1060, the wristwatch with a white dial and black Roman numerals, measuring 26.00mm x 38.00mm, with a brown crocodile Cartier strap, with an 18k yellow gold buckle. l. 6-1/2” to 8”, total weight 42.9 grams $2,500-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

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696

697 Panerai Luminor Marina Wristwatch stainless steel, model OP6763, the automatic wristwatch with a black dial, measuring 40.00mm, with a Panerai black leather band and stainless steel deployant clasp, together with the inside and outside boxes and an extra black rubber strap. inside circumference 7-1/2”, total weight 157.9 grams $2,500-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 698 Breitling Colt Quartz Wristwatch stainless steel, the wristwatch with a blue dial, measuring 38.00mm in diameter, with a blue leather Breitling strap, with a stainless steel deployant clasp. inside circumference 7”, total weight 70.2 grams

697 detail

$1,400-$1,800 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana. 699 Panerai Luminor Submersible Wristwatch stainless steel, model OP6780, the automatic wristwatch with a black dial, measuring 40.00mm, with a Panerai black rubber strap and Panerai stainless steel buckle, together with the inside and outside boxes and an extra canvas strap. l. 7” to 9”, total weight 182.9 grams $2,500-$4,000 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

697

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700 Mexican Modernist-Style Sterling Silver Pitcher third quarter 20th century, by Juventino Lopez Reyes (ca. 1915-1999), Mexico City, the ovoid body with waisted collar and integral slanted spout, with curved handle of half-circle section. h. 10-1/2”, dia. 4-3/4”, l. 7-1/4”; 24.64 t. oz. $1,000-$1,500 701 Mexican Sterling Silver Salad Serving Set third quarter 20th century, by Juventino Lopez Reyes (ca. 1915-1999), Mexico City, including a spoon and fork, each with a figural swan-neck handle. l. 10-1/2”; 13.56 total t. oz. $500-$800 702 Four William Spratling (1900-1967) Sterling Silver Tumblers

700

1956-1967, Taxco, each of plain, slightly tapering cylindrical form with rounded base, no monograms. h. 3-3/8”, dia. 3”; 23.02 total t. oz. $1,400-$1,800

701 detail

700 detail

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701 detail

703

703 Large Mexican Sterling Silver Serving Tray third quarter 20th century, maker I for Sanborn Hermanos, Mexico City, in the Spanish Colonial taste, of rounded oblong form, the rim decorated with repousse roses separated by lobes, with rose-mounted stirrup handles and raised on four rose-crested shell feet, with hammered finish. l. 26-1/2”, w. 18-3/4”; 121.21 t. oz. $5,000-$8,000 703 detail

703 detail

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704

704 Mexican Sterling Silver Tea Service mid-20th century, by Eddie’s, in the Spanish Colonial taste, including: a coffeepot, h. 9-3/4”, l. 10-1/2”; a teapot, h. 7-3/4”, l. 11-1/4”; a water pitcher, h. 12-1/2”, l. 7-3/4”; a covered sugar bowl, h. 6-1/2”, w. 7”; a cream jug, h. 6-1/2”, l. 5-1/8”; and a tray, l. 27-1/4”, w. 16-1/4”; the hollowware of lobed ovoid form with crested handles and applied scroll rims, the oval tray en suite with rose-crested stirrup handles. 230.26 total t. oz.

704 detail

$10,000-$15,000

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705 Mexican Sterling Silver Punch Set mid-20th century, including: a punch bowl, h. 10”, dia. 14-3/4”; twelve punch cups, h. 3”, dia. 3-1/4”; a punch ladle, l. 12-1/4”; and an oval tray, l. 23”, w. 17”; the punchbowl lobed, the cups hemispherical, with pedestal feet. 215.21 total t. oz. 705 detail

$10,000-$15,000

705

706 Large Mexican Sterling Silver Salad Serving Set third quarter 20th century, maker RR for Sanborn Hermanos, Mexico City, the reverse with incised and applied “Yaxche” (Mayan Tree of Life) decoration, including a fork and spoon. l. 10-5/8” and 11”; 17.96 total t. oz. $800-$1,200

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707 Mexican Sterling Silver Center Bowl third quarter 20th century, by Plateria Lilyan, Mexico City, of circular form, the deeply lobed rim with applied chased scroll rim. dia. 12”; 24.59 t. oz. $1,000-$1,500 708 Pair of Mexican Sterling Silver Candelabra

707

mid-20th century, in the Spanish Colonial taste, each with a baluster standard above a gadrooned domed base and flanked by scrolling arms, the baluster and arms terminating in a candle nozzle with gadrooned base and lobed rim, the lobes engraved with flowers and birds. h. 7-3/4”, w. 10-3/4”, base dia. 4”; 40.56 total t. oz. $1,800-$2,500 709 Mexican Sterling Silver Tea Set mid-20th century, including: a hot water kettle, h. 16”, l. 9-1/4”; a coffepot, h. 10-1/4”, l. 9-1/2”; a teapot, h. 9-3/4”, l. 10-1/4”; a cream jug, h. 6-1/4”, l. 5-3/4”; a covered sugar bowl, h. 7-1/4”, w. 4”; a waste bowl, h. 4”, dia. 4-1/2”; and a tray, l. 29”, w. 19”; the hollowware with serpentine-lobed bodies, applied gadrooned edging, S-scroll handles and domed lids with toupie finials, the tray en suite, with gadrooned stirrup handles. 335.87 total t. oz.

708

$15,000-$25,000

709 detail

709 detail 709

270

710

711 Leather and Chrome-Plated Steel “MR” Lounge Chair and Ottoman

710 Antonio Citterio for B&B Italia “Eileen” Dining Table designed in 2003, the rectangular veneered wood top with subtly rounded corners, raised on a chromed steel T-form base joined by a long stretcher. h. 29”, w. 40”, l. 93”

contemporary, after a Mies van der Rohe design, made by Palazzetti, the “S” curved, cantilevered lounge chair and matching ottoman upholstered in sectioned leather cushions, supported on leather straps. chair h. 36-1/2”, w. 23-1/2”, l. 45”; ottoman h. 17”, w. 23-1/4”, d. 23”

$2,500-$4,000

$1,500-$2,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

711

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712 Christian Astuguevieille “Boulan” Hemp-Rope Coffee Table after a 1997 design, the square wood frame wrapped in natural hemp rope, the inset glass top within an undulating surround, raised on four cabriole-form legs ending in curled feet. h. 14”, w. 35-1/2”, d. 35-1/2” $2,000-$4,000 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 712

713 Pair of Hans J. Wegner “Round Chairs” 1949, model JH501, the teak frames with woven cane seats and cane-wrapped back rests, the center stretcher branded “Johannes Hansen/Copenhagen/Denmark” and the logo. h. 30”, w. 25”, d. 20-3/4”, seat h. 17-1/2” $1,500-$2,500 714 Hans J. Wegner Sideboard CH-304 ca. 1953, in book-matched walnut veneer, with six drawers and sliding panels, the interior fitted for adjustable shelves and sliding gallery shelves, the crossed legs joined with iron stretchers, manufactured by Carl Hansen & Son, Copenhagen, Denmark. h. 49-3/4”, w. 66”, d. 17-1/2” $3,000-$5,000

713

714

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715 Walnut Executive Desk Attributed to Jens Risom mid-20th century, the deep desk with a central drawer flanked by tiers of three drawers on each side, with walnut L-shaped pulls, the rear with a recessed shelf. h. 29-3/4”, w. 60”, d. 30” $2,000-$4,000 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

716 Hans J. Wegner “Pappa Bear” Chair designed in 1951, Danish, model AP19, the walnut frame professionally reupholstered in period-style plaid wool, the frame branded “Made in Denmark/Designer:/Hans J. Wegner/A.P. Stolen, Copenhagen” along with a round metal “FURNITUREMAKERS/DANISH/CONTROL”” label. h. 38-1/2”, w. 35-1/2”, d. 35”, seat h. 14” $2,000-$4,000

716

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717 Japanese Meiji Period Bronze Rat Group ca. 1868-1912, an allegorical depiction of prosperity, the large rat dragging a bag of loot with two baby rats perched on top, an oval impressed mark at the bottom. h. 5-1/2”, w. 9”, d. 3-3/4” $1,000-$1,500

717

718 Pair of Japanese Meiji Bronze “10,000 Year Green” Vases pre-1889, in the Han Dynasty taste, the vases with basrelief decoration composed of various metals blended together, depicting vases, scholar’s objects and Buddhaform reliefs. h. 17-1/4”, dia. 8-3/4” $2,000-$4,000 Provenance: Exhibited at the Paris Exposition of 1889, and at the St. Louis World’s Fair, 1904.

718

719 Japanese Silver Coffee Pot early Showa period (second quarter 20th century), marked “JKS & Co / KS”, with jungin mark, of conical form, quarter sectioned with hyperbola, with applied fretwork mons of maru ni tsuta, the collar with fretwok band of scrolls and ivy leaves, with applied spout and arched handle of squared section, the hinged lid with thumb lever and octagonal toupie finial. h. 10”, w. 3-1/2”, l. 6”; 27.58 t. oz. $900-$1,200

719

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720 Pair of Japanese Bronze Buddhas the serene seated Amitabha buddhas with closed eyes. h. 10-1/4”, w. 8”, d. 5” $1,200-$1,800 721 Japanese Hardwood Shibayama Collector’s Cabinet early 20th century, the top with a pierce-carved lotus crest over a case fitted with sliding doors and drawers, on a carved base with in-curved legs. h. 65”, w. 47”, d. 14-1/2” $1,200-$1,800 720

722

722 Pair of Bronze Crane Garden Ornaments of Japanese inspiration, realistically modeled. h. 49-1/2” to 61-3/4”, w. 6-1/2” to 7”, d. 16” to 17-1/2” $1,000-$1,500 721

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723 Yamaha Ebonized Grand Piano and Bench ca. 1980, model C7, of traditional form, bearing the serial number 3070546. h. 40”, w. 62”, l. 88” $7,000-$10,000

723

276

724

724 Andy Warhol (American, 1928-1987) “Teddy Roosevelt (F & S II.373-376)”, 1986 screenprint in colors on Lenox Museum board pencil-signed and numbered “22/36” lower right, from the trial proof edition. Titled on a “Martin Lawrence Gallery” label en verso. From the “Cowboys and Indians” series. Float-mounted, glazed and framed. sheet 36” x 36”, framed 49” x 49” $35,000-$50,000 Provenance: Martin Lawrence Gallery, New Orleans, Louisiana; Private collection, Austin, Texas.

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725 Robert Rauschenberg (American, 1925-2008) "Viaduct", 1992 lithograph in colors pencil-signed lower left and numbered “18/54” and dated lower right. Float-mounted, glazed and framed. sheet 40” x 28”, framed 43” x 30-3/4” $3,000-$5,000

726 Kurt Vonnegut (American, 1922-2007) “Self-Portrait #1” lithograph in colors pencil-signed lower right and marked “A/P” lower left. Float-mounted, glazed and framed. sheet 30” x 22”, framed 37” x 29-1/2” $2,000-$4,000

725

726

278

727 Jim Dine (American, b. 1935) “I Love Public Television (for Channel 13)”, 1966 lithograph in colors signed and numbered “127/200” lower right. Matted, glazed and framed. sheet 27-1/2” x 21-1/2”, framed 34” x 27” $1,000-$1,500 Jim Dine created the lithograph I Love Public Television (for Channel 13) to publicize the 1966 auction of contemporary art at Parke Bernet meant to raise funds for the Channel 13 public television station. This print features five of Dine’s iconic hearts which illustrate his love and support of public television. 728 Lawrence Ferlinghetti (American, 1919-2021) “The Ceremony of Innocence...” oil on canvas signed and titled en verso. Framed. 50-1/4” x 36-1/4”, framed 52-1/2” x 38-1/2”

727

$2,000-$4,000

728

279

729 Ann Marie Auricchio (American/Louisiana, b. 1972) “Deep Passage”, 2022 acrylic on gallery-wrapped canvas signed, dated and titled en verso. Unframed. 48” x 80” $2,500-$4,000

730 Ann Marie Auricchio (American/Louisiana, b. 1972) “Animus”, 2019 acrylic on gallery-wrapped canvas signed, dated and titled en verso. From the “Nesting” series. Unframed. 62” x 74”

729

$1,500-$2,500

730

280

731 Francoise Gilot (French, 1921-2023) “Fillette Assise II”, 1953 pencil on paper pencil-signed lower right and dated lower left. Float-mounted, glazed and framed. sheet 30-1/2” x 22-1/2”, framed 44-1/4” x 36” $12,000-$18,000

731

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732 Beatriz Milhazes (Brazilian, b. 1960) “O Apolo”, 2002 acrylic on canvas signed, titled, dated, and with an “Edward Thorp Gallery, New York, New York” label en verso. Unframed. 102” x 20” Estimate upon request. Provenance: Edward Thorp Gallery, New York, New York. Among the most celebrated figures in contemporary Brazilian art, Beatriz Milhazes has developed a singular visual language distinguished by saturated color, arabesque curves, cascading ornamental patterns, and densely layered compositions. Her works occupy the dynamic spaces between order and chaos, structure and spontaneity, abstraction and decoration. These spaces are informed by place and memory; her visual vocabulary is inseparable from Rio de Janeiro, her hometown and where she lives and works today. Milhazes emerged as a leading figure of Brazil’s influential Geração 80, a new generation of artists who embraced the freedom of painterly expression. By synthesizing European Modernism and Brazilian Baroque traditions, popular culture, and textiles, Milhazes became one of the movement’s most compelling voices. These references, however, are not literal, but instead filtered through layers of memory, sensation, and abstraction, mirroring her innovative transfer technique; central to her practice, Milhazes calls it monotransfer. Paint is applied to plastic, glued face-down onto canvas, then carefully peeled away once dry, leaving behind a smooth, skin-like layer, and this decal technique can be applied again and again until the desired image appears. The repetitive and laborious method evokes printmaking as well as crafts like embroidery and sewing, reinforcing the works’ dialogue with the decorative. The present lot, O Apolo, exemplifies Milhazes’ ability to transform the visual culture of Brazil into a sophisticated language of abstraction. Its lively color palette, layered circles, arabesques, and floral motifs evoke and translate the excitement of Brazilian Carnival into an immersive experience. For New Orleans viewers, the work’s visual abundance may also recall the city’s spectacle of Mardi Gras, where color, movement, and decoration similarly become vehicles for collective expression and cultural identity. This connection to the American South has a particularly resonant history in Milhazes’ career; in 2001, her work was presented at Ikon Gallery in Birmingham, England, in an exhibition that subsequently traveled to the Birmingham Museum of Art in Birmingham, Alabama, bringing her distinctive vision of Brazilian contemporary art to audiences in the American South. The exhibition’s international trajectory spoke to the broader networks through which Milhazes’ work has circulated, connecting Rio de Janeiro to cultural communities far beyond Brazil. In this context, O Apolo emerges not as an isolated presence in the region, but as part of a longer history of engagement between Milhazes’ work and the American South. Rooted in the traditions of Rio de Janeiro yet shaped by an increasingly interconnected art world, the work resonates across these parallel histories of celebration, visual excess, and cultural exchange.

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732

733

733 Miriam “Mimi” Schapiro (Canadian/American, 1923-2015) “Toss Up”, 1977 mixed media on paper signed and dated lower right, titled and dated en verso. Matted and framed. sight 29-1/2” x 20-1/2”, framed 37” x 27-1/4” $1,500-$2,500 Proceeds from the sale of this lot will go to benefit the Bering Church, Houston, Texas. 734 Tony Mose (American, 1968-2020) “Untitled - Bust with Bird” oil on wood panel signed lower right. Unframed. 80-1/2” x 28”

734

$1,500-$2,500

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735 Tony Mose (American, 1968-2020) “Two Figures with Halos” oil on canvas unsigned. Framed. 48” x 36”, framed 49-3/4” x 37-1/2” $1,500-$2,500

735

736 David Harouni (Iranian/Louisiana, b. 1962) “Happy Anniversary”, 1997 oil on gallery-wrapped canvas signed lower right, and signed, dated and titled en verso. Unframed. 20” x 15-3/4” $2,500-$4,000

736

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737 David Harouni (Iranian/Louisiana, b. 1962) “Countryside” oil on canvas signed lower right. Unframed. 14” x 11” $800-$1,200

737

738 Walter Farndon (American, 1876-1964) “In From Fishing” oil on canvas signed lower right, titled on a “Monhegan Historical and Cultural Museum” label en verso. Framed. 35-1/4” x 25-1/4”, framed 42” x 32” $3,000-$5,000 Provenance: Collection of the George Schwartz Family, Maine; James D. Julia, Fairfield, Maine; Private collection. Exhibited: Monhegan Historical and Cultural Museum, Maine, Life on a Remote Fishing Island 1920-1950, July 1-September 30, 2007.

738

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739

739 Knute Heldner (Swedish/Louisiana, 1875/77-1952) “The Harbor, Paris” oil on canvas signed and localized “Paris” lower left. Framed. 21” x 25”, framed 24” x 28-1/2” $1,000-$1,500 740 Newton Reeve Howard (American/Louisiana, 1912-1984) "Belize", 1975 oil on canvas board signed and dated lower right. Framed. 12” x 16”, framed 16” x 20” $700-$1,000

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741

741 American Late Federal Mahogany Inlaid Chest of Drawers first quarter 19th century, New York, the top with a lineinlaid leading edge over a deep blanket drawer and three graduated long drawers, each with string-inlaid detailing, raised on splay legs with a scalloped apron. h. 45”, w. 45”, d. 21” $700-$1,000 742 Giltwood Tabernacle Mirror ca. 1930, New York, possibly Isaac Platt, in two parts, the corner blocks over side pilasters with reeded sections, lotus-leaf carvings and spiral-reeded accents. h. 52-3/4”, w. 26-1/2” $600-$900

742

287

743 C. Hoy (American, 20th Century) “Portrait of a Woman in a Yellow Kimono” oil on canvas signed upper right. Framed. 30” x 20”, framed 35” x 25” $1,500-$2,500 744 Pair of Colonial Revival Architectural Pediments late 19th century, found in Georgia, the pitch pediments with ogee-molded crests and dentilated trim, composed of white pine, using both round and cut nails. h. 18-1/2”, w. 75”, d. 7-3/4” $1,500-$2,500 745 Rare Pair of American Walnut Chests of Drawers 19th century, probably Virginia, Kentucky or Tennessee, each with four long drawers with inset diamond-shaped keyholes, flanked by vine-inlaid stiles and raised on turned legs. h. 41”, w. 40-3/4”, d. 19-1/4”

743

$3,000-$5,000

744

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746 Rare American Painted Carousel “Jumper” Horse early 20th century, likely carved by Charles Carmel (1865-1933), with a natural horse hair tail, the laminated body retaining an original or early painted surface, now on a contemporary metal stand. h. 61”, w. 53-1/2”, d. 16-1/2” $4,000-$7,000 Charles Carmel worked for other carousel carvers before opening his own studio in Brooklyn in 1905. This example displays his signature “batwing” saddle. The saddle and bridle treatments are seen on one of Carmel’s works in the Collection of the New England Carousel Museum, Bristol, Connecticut.

747 American Renaissance Revival Bronze-Mounted Rosewood Parlor Cabinet third quarter 19th century, New York, in the manner of Pottier & Stymus or Alexander Roux, the ebonized top trimmed with a cast-bronze molding, over a floralinlaid frieze, set with a paneled door and oval giltbronze plaque, flanked by in-curved sides, on a base with cast-bronze moldings and square pad feet. h. 43”, w. 69”, d. 18” $1,500-$2,500 746

747

289

748 American Brass and Crystal Six-Light Gasolier ca. 1880s, the standard with graduated tiers of spear-point prisms, supporting the frame with a central crown-form ring, set with scrolled arms set with cut-crystal spires and brass scrolls terminating in cut-glass medallions, the burners set with fluted and etched glass shades decorated with wreaths and flowers. h. 43”, dia. 30” $2,500-$4,000 749 Suite of Five Laminated-Walnut Dining Chairs third quarter 19th century, in the American Renaissance Revival taste, comprised of one armchair, h. 38-1/2”, w. 24”, d. 21”, seat h. 18”, and four side chairs, h. 37”, w. 18-1/2”, d. 19”, seat h. 18”, each with scroll-cut and carved back and padded seat, raised on cabriole legs. $1,000-$1,500

748

749

290

750 American Renaissance Revival Burl Walnut Wooton Desk ca. 1875, considered the extra grade model, the top with an elaborate three-quarter gallery over a pair of swinging banks, each set with three hinges, one side fitted with cubbies and the other with cubbies and shelves, the center with a drop-lid writing surface opening to a fitted interior. h. 77”, w. 46”, d. 33” $10,000-$15,000

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752

751 American Renaissance Revival Burl Walnut and MarbleTop Bed Set third quarter 19th century, comprised of a high-back bed with an elaborate carved crest over three framed highly figured burl walnut panels, h. 101”, inside w. 60-1/2”, l. 78”, outside w. 66”, l. 83”, with a matching drop-center marble-top dressing bureau, h. 97”, w. 60”, d. 23”.

752 Suite of Four American Classical Mahogany Chairs early 19th century, attributed to Richard Parkin, Philadelphia, each with a curved and in-carved crest rail, the lower backs with plume-carved supports over slip seats, raised on tapered, octagonal and faceted legs. h. 34”, w. 18”, d. 19”, seat h. 17-1/2” $1,500-$2,500

$4,000-$7,000 Provenance: New Orleans Auction Galleries, November, 2003, lot 1199; Private collection, Boston, Massachusetts.

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A closely related chair is illustrated in The Chipstone Foundation’s American Furniture, 2013, “A Shadow of Magnitude, The Furniture of Thomas Cook and Richard Parkin”, by Carswell Berlin, Fig. 41. That chair, which is labeled, is in the collection of The Landis Valley Museum, Lancaster, Pennsylvania.

753

754

753 American Classical Mahogany Sofa ca. 1810, Boston, the crest rail with four figured mahogany panels separated by reeded partitions, with a padded back and seat and scrolled and reeded arms, raised on out-curved reeded legs ending in bass caps. h. 36”, w. 69”, d. 24”, seat h. 17”

755 Federal-Style Giltwood Overmantel Mirror 19th century, the three-part mirror with a cornice mounted with gilt spheres, over three eglomise tablets decorated with a cottage in a landscape and female classical figures, framed with husks, the panels divided by reeded pilasters, resting on gilt-burnished blocks. h. 25-1/4”, w. 47-1/4”

$1,000-$1,500 754 American Gilt-Bronze and Glass Figural Argand Lamp second quarter 19th century, Boston, Massachusetts, the frosted and cut-glass shade over the argand tank with pierced and scrolled filigree trim, over a caryatid standard, on a base with lotus-molded trim, on a marble plinth, electrified. h. 31”, dia. 9-1/2”

$1,000-$1,500

755

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756 American Late Classical Mahogany and Marble-Top Pier Table second quarter 19th century, the conforming marble top over an ogee-form frame, supported by large scrolled legs to a platform base, raised on scrolled feet. h. 38-1/2”, w. 46”, d. 21” $1,000-$1,500 Provenance: Didier Antiques, New Orleans, Louisiana. 757 Suite of Ten American Late Classical Mahogany Chairs second quarter 19th century, commonly referred to as “gondola” chairs, derived from the ancient Greek klismos form, each with a curved back crest and vasiform splat, with down-curved side supports and slip seats, on out-curved legs. h. 33”, w. 18-1/2”, d. 18”, seat h. 18-1/2”

756

$1,200-$1,800

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758 Unusual American Late Classical Mahogany Tilt-Top Table second quarter 19th century, attributed to Joseph Meeks & Sons, New York, the circular top mounted to a triangular tapered standard to a shaped base with three outstretched legs ending in trefoil feet. h. 30”, dia. 41” $1,000-$1,500 759 New England Classical Giltwood Tabernacle Mirror ca. 1825, the cornice hung with acorn drops, over a tablet decorated with grapevines on a black ground, flanked by vasiform columns, with acanthus-carved capitals and bases. h. 38”, w. 26-1/2”, d. 6”

758

$700-$1,000

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760 Francis Augustus Silva (American, 1835-1886) “Autumn Afternoon on the New England Coast”, 1886 oil on canvas signed and dated lower right, and bearing an artist plaque with title; a “Guarisco Gallery” label en verso. Framed. 42” x 58”, framed 56” x 72” $60,000-$90,000 Provenance: Christie’s, New York, December 4, 1992, lot 228; Guarisco Gallery, Washington, D.C.

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Francis Augustus Silva made the American seashore his principal subject, bringing to the genre a distinctive sensitivity to atmosphere and light. In the present lot, “Autumn Afternoon on the New England Coast”, the central waves guide the eye toward a distant coastline, while a luminous sky dominates the composition. The distant sailboats add an understated sense of human presence to the scene, though the emphasis remains firmly on the interplay of sea, sky and light. The subtle variations of color, as well as Silva’s ability to convey spatial depth, exemplify the qualities associated with Luminism, particularly its interest in atmospheric clarity and the contemplative yet powerful experience of nature. However, Silva was not simply a Luminist painter; his work is equally rooted in the nineteenth-century American marine tradition. His careful observation of ships, surf, shoreline and weather gives the scene physicality, while his handling of light elevates the observed seascape into something more evocative. Here, the buoyant movement of the waves is held in balance by the stillness of the distant horizon, creating a characteristic tension between natural force and atmospheric serenity. It is this synthesis of marine observation and luminous poetic effect that distinguishes “Autumn Afternoon on the New England Coast” as one of Silva’s finest coastal paintings.

761 Petite American Rococo Revival Rosewood Cylinder Secretary third quarter 19th century, attributed to Thomas Brooks, Brooklyn, New York, with a pierced and carved three-quarter gallery over a pair of glazed doors, above a cylinder roll opening to a fitted interior, raised on slender cabriole legs. h. 65”, w. 30”, d. 18” $700-$1,000 762 Monumental American Walnut and Marble-Top Hall Tree third quarter 19th century, attributed to Thomas Brooks, Brooklyn, New York, the arched crest with burl walnut panels and dressed with carved drapery swags, with a central arched mirror in a frame with brass griffin-form hat hooks, the base with a conforming white marble top, umbrella holders, castiron drip pans and a central glove drawer. h. 117-1/2”, w. 55”, d. 19” $5,000-$8,000

761

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762

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763 American Patinated Metal and Brass Gasolier mid-19th century, Philadelphia, likely Archer, Warner, Miskey & Co., the spiral-reeded brass standard with rocaille-molded ornaments, accented with brass lion’s-head mounts, supporting molded brass arms mounted with patinated metal ram’s heads, and brass scrolls set with dragon’s heads, the burners mounted with fluted, ruffled and frosted glass shades. h. 27-1/2”, dia. 27” $2,000-$4,000

763

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764 American Rococo Revival Rosewood and Marble-Top Etagere third quarter 19th century, attributed to Thomas Brooks, Brooklyn, New York, the upper structure with a domed top, dressed with a pierced crest and finials, over shaped shelves and a mirrored back, the base with a conforming white marble top over a long drawer and framed mirrored cabinet doors below. h. 105”, w. 55”, d. 21” $1,500-$2,500

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764

765 Stieff “Rose” Sterling Silver Flatware Set the pattern introduced in 1900, Baltimore, Maryland, including a dozen eight-piece place settings, with an additional dozen teaspoons and twenty-two serving pieces, no monograms, presented in a fitted, Pacific cloth-lined wood case with lift top and single drawer, 6-1/4” x 14-3/4” x 11-1/4”. (130 pieces plus case) 162.18 total t. oz. (weighable silver) $7,000-$10,000 Provenance: Descended in the family of Ralph Straw Smith, Dallas, Pennsylvania. Detailed list of pieces available on request.

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766 Schofield “Baltimore Rose” Sterling Silver Flatware Set the pattern introduced in 1905, Baltimore, Maryland, including eight six-piece place settings (three pieces lacking) with an additional ten place pieces and ten serving pieces, no monograms, presented in a fitted, Pacific clothlined wood case with lift top and single drawer, 6” x 14-3/4” x 11-1/4”. (65 pieces plus case) 77.29 total t. oz. (weighable silver) $3,500-$5,000 Detailed list of pieces available on request. 767 Good Baltimore Sterling Silver Tea Set first quarter 20th century, by the Baltimore Silversmiths, Baltimore, Maryland, including: a coffeepot, h. 9”, l. 11”; a teapot, h. 8”, l. 10-3/4”; a covered sugar bowl, h. 6-1/2”, w. 8-1/2”; a cream jug, h. 7”, l. 6-3/4”; and a waste bowl, h. 5-3/4”, w. 5-3/4”; each decorated allover with repousse flowers in the Baltimore taste, with acanthus-crested handles and spouts en suite, with figural rose finials. 115.98 total t. oz.

766 766 detail

$3,000-$5,000 Provenance: Private collection, Pass Christian, Mississippi.

766 detail

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767

300

768

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768 Assorted Kirk “Repousse” Sterling Silver Tableware mid-20th century, Baltimore, Maryland, including six gumbo spoons, four bonbon spoons, three sugar shells, three grapefruit spoons, two lettuce forks, a wedding cake/bread knife, a small compote and nine other serving pieces, seven pieces monogrammed “FIPG”. (29 pieces total) 36.55 total t. oz. (weighable silver) $1,800-$2,500 Detailed list of pieces available on request. 769 S. Kirk & Son “Repousse” Sterling Silver Luncheon Set second half 20th century, Baltimore, Maryland, including eight four-piece place settings, no monograms. (32 pieces total) 29.48 total t. oz. (weighable silver) $1,400-$1,800

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769

Provenance: Descended in the family of Ralph Straw Smith, Dallas, Pennsylvania. Detailed list of pieces available on request. 769 detail

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A Legend of American Furniture

John Henry Belter John Henry Belter was born near Osnabrück, Germany, in 1804. He moved to New York City in 1833, and by 1844 city

directories listed him as a cabinetmaker with a shop on Chatham Street. Belter worked primarily in the Rococo Revival style and became one of New York’s leading furniture manufacturers.

Although Belter did not invent the process of laminating wood, he is best known for perfecting and employing this

construction technique. Thin layers of wood were glued together, shaped under heat and pressure, and then intricately

carved. This process enabled Belter to produce furniture that combined delicate, curving forms with exceptional strength and durability. Between 1847 and 1860, he received four U.S. patents for his designs and manufacturing methods.

Belter’s wood of choice was richly grained rosewood, much of which was imported from Brazil. His work is generally defined

by bold silhouettes, intricate pierced carving and naturalistic ornament featuring flowers, foliage, fruit, shells, birds and other motifs. So confident was Belter in the strength of his laminated construction that he is said to have proclaimed, “You can drop one of my chairs from a third-floor window, and it will not break!”

Some of Belter’s greatest works can be seen in major collections, including The Metropolitan Museum of Art in New York City; the Museum of Fine Arts, Houston; the Virginia Museum of Fine Arts in Richmond; and the White House in Washington, D.C.

770

770 Rare American Rococo Revival Laminated Rosewood Sofa mid-19th century, attributed to John Henry Belter, New York, in the “Milwaukee” pattern, sometimes referred to as “low profile cornucopia” pattern, the back crest rail heavily piercecarved with clusters of flowers, vines, grapes and conjoined S-scrolls with overflowing cornucopia, raised on cabriole legs ending in brass casters. h. 44”, w. 78”, d. 32”

Another sofa in this pattern is illustrated in The Furniture of John Henry Belter and The Rococo Revival, by Schwartz, Stanek and True, p. 61, which was from the renowned collection of Gloria and Richard Manney. The Manneys eventually loaned and gifted 71 high-end pieces of Belter furniture from their collection to three major institutions, including The Metropolitan Museum of Art, New York, New York; Winterthur Museum, Wilmington, Delaware; and the Art Institute of Chicago, Chicago, Illinois.

$5,000-$8,000

303

771 Unusual American Rococo Revival Laminated Rosewood Slipper Chair mid-19th century, attributed to John Henry Belter, New York, the pierced and carved back with oak leaf and grape motifs, with a fruit- and floral-carved crest and tufted seat, raised on cabriole legs. h. 37-1/2”, w. 18-1/2”, d. 19”, seat h. 15” $500-$800

771

772 American Rococo Revival Rosewood Work Table mid-19th century, possibly from the workshop of John Henry Belter, New York, the ogee-form hinged top opening to a fitted maple-lined interior and two drawers below, raised on floral-carved cabriole legs. h. 31-1/2”, w. 24”, d. 18-1/2” $700-$1,000

772

773 American Rococo Revival Laminated Rosewood Side Chair mid-19th century, attributed to John Henry Belter, New York, the pierced and carved clover-leaf-form back with oak leaf and acorn motifs, with a circular padded back and raised on cabriole legs. h. 39”, w. 19”, d. 22”, seat h. 17” $500-$800

773

304

774 Patinated Metal and Brass Gasolier mid-19th century, New York, attributed to Starr, Fellows & Co., the laurel-molded corona atop a spiral-reeded brass standard, the anthemion-molded and lobed body set with a pair of scroll-molded and pierced arms, the burners set with period glass shades etched with baskets of flowers. h. 31”, w. 31”, d. 7-1/4” $1,500-$2,500

775 Pair of American Rococo Revival Rosewood Work Tables mid-19th century, possibly by John Henry Belter, New York, each with a deeply molded ogee hinged top, opening to a maple-lined and fitted interior, with two drawers below, raised on cabriole legs. h. 32”, w. 21”, d. 16”

774

$700-$1,000 A related work table is illustrated in The Furniture of John Henry Belter and the Rococo Revival, by Schwartz, Stanek and True, page 83.

775

776 American Rococo Revival Laminated Rosewood Slipper Chair mid-19th century, attributed to John Henry Belter, New York, the pierced and carved back in an oak leaf motif, with a fruitand floral-carved crest and padded seat, raised on cabriole legs. h. 39-1/2”, w. 18”, d. 17”, seat h. 14-1/2” $500-$800

776

305

777 American Rococo Revival Laminated Rosewood Armchair mid-19th century, attributed to John Henry Belter, New York, in the pattern commonly referred to as the “Plain” pattern, with a smooth molded back frame and open arms, raised on cabriole legs. h. 44”, w. 24”, d. 26”, seat h. 17” $500-$800

777

778 Pair of American Rococo Revival Laminated Rosewood Side Chairs mid-19th century, attributed to John Henry Belter, New York, in the “Fountain Elms” pattern, each with an elaborate fruit and floral crest and pierced and carved sides, the round seats with bold fruit-carved aprons, raised on cabriole legs. h. 38”, w. 18”, d. 16”, seat h. 16”

778

$3,500-$5,000 Provenance: Formerly in the parlor of Dunleith Plantation, Natchez, Mississippi.

779 Pair of American Rococo Revival Laminated Rosewood Side Chairs mid-19th century, attributed to John Henry Belter, New York, in the “Fountain Elms” pattern, each with an elaborate fruit and floral pierced and carved back and padded back over a serpentine seat, raised on cabriole legs. h. 38”, w. 18”, d. 16”, seat h. 16” $3,000-$5,000 Provenance: Formerly in the parlor of Dunleith Plantation, Natchez, Mississippi.

779

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780 American Rococo Revival Laminated Rosewood Side Chair mid-19th century, attributed to John Henry Belter, New York, in the pattern referred to as “Fountain Elms”, the elaborate pierced and carved back with fruit and flowers, raised on cabriole legs. h. 38”, w. 19”, d. 18”, seat h. 17” $1,200-$1,800

781 Pair of American Rococo Revival Laminated Rosewood Slipper Chairs mid-19th century, attributed to John Henry Belter, New York, in the “Fountain Elms” pattern, each with an elaborate fruitand floral-pierced and carved back, padded seat and tufted back, and raised on cabriole legs with floral knees. h. 44”, w. 18-1/2”, d. 18”, seat h. 16” $1,500-$2,500

780

781

782 Rare Archer & Pancoast Neo-Grec Gasolier third quarter 19th century, New York, the cylindrical standard accented with brass trim and incised decoration, the arms set with classical maidens holding bronze spears, and set with star-impressed gas keys, one marked “Archer & Pancoast, Mfg. Co., Patented, Nov. 10, 1866”, the arms set with three period ruffled gas shades etched with ribbons and wreaths. h. 35”, dia. 25-1/2” $1,500-$2,500 782

307

The Legacy of “Rosalie” Rosalie is a grand, two-story brick mansion located above the Under-the-Hill landing in Natchez, Mississippi. Built for Peter and Eliza Little between 1820 and 1823, the house stands on a bluff overlooking the Mississippi River and is an outstanding example of Federal-era architecture. In 1820, Mr. Little, a successful lumber-mill owner and planter, purchased approximately 22 acres known as the “Old Fort” and named the estate “Rosalie,” after the French Colonial fort that had once occupied the site. Little also operated a steam-powered circular sawmill, and lumber from his mill is believed to have been used in the construction of the house. Following the Littles’ deaths, Rosalie was sold under the supervision of the court. In 1858, the house became the home of Andrew Wilson and his wife, Ann Eliza. Like the Littles, the Wilsons had no children of their own. They did, however, welcome Fannie and Rebecca McMurtry into their household and raised them as members of the family. Fannie became an accomplished artist. While attending school in New York, she studied with Asher B. Durand, one of the leading painters of the Hudson River School. Some of her paintings still hang on the walls of Rosalie. During this period, Mrs. Wilson decided to select new furnishings for the house. According to longstanding local tradition, she traveled to New York in 1858 and, with Fannie, selected an extensive rosewood parlor suite made by John Henry Belter. The furniture was reportedly purchased through the fashionable firm of A. T. Stewart and Company. Rosalie’s Belter suite consists of 22 pieces and is considered one of the finest surviving ensembles of his work. During the Civil War, when Rosalie served as headquarters for the U.S. Army, General Walter Q. Gresham ordered the furniture and other fragile possessions be secured and guarded in the attic. His actions helped preserve the house’s contents. Belter furniture has remained at Rosalie since its purchase in 1858. In fact, the suite became so well known that furniture bearing the same distinctive carving pattern came to be identified as the “Rosalie” pattern. New Orleans Auction is pleased to offer an exceptional selection of Belter’s “Rosalie” pattern furniture from a lifetime private collection.

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783

783 Pair of American Rococo Revival Laminated Rosewood Recamiers mid-19th century, attributed to John Henry Belter, New York, in the pattern known as “Rosalie”, each with fruit- and floralcarved crest and serpentine seat frame, raised on cabriole legs with floral-carved knees. h. 38”, w. 41”, d. 20”, seat h. 16” $3,000-$5,000

784 American Rococo Revival Laminated Rosewood Armchair mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, the back crest adorned with carved fruit, flowers and grapes, with open arms and raised on cabriole legs, covered in floral needlepoint. h. 43”, w. 24”, d. 22”, seat h. 17” $800-$1,200

784

309

785

785 detail

785 Rare American Rococo Revival Rosewood and MarbleTop Center Table mid-19th century, attributed to John Henry Belter, New York, referred to as a “Rosalie” center table, the tortoiseform white marble top over floral-carved aprons, raised on four out-curved legs with stylized dolphins, joined by pierced stretchers and centered by an elaborate floralbasket finial. h. 30”, w. 42”, d. 32” $10,000-$15,000 Provenance: Ex-collection of the late Donald and Gloria Hurst, Waterloo, Iowa.

786 Rare American Rococo Revival Rosewood and MarbleTop Etagere mid-19th century, attributed to John Henry Belter, New York, in a variation of the “Rosalie” pattern etagere, the top with an elaborate floral-carved and arched crest, over an arched mirror flanked by shaped shelves, the base with a serpentine marble top and carved feet. h. 89”, w. 60”, d. 15-1/2” $5,000-$8,000

786

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787 Pair of American Rococo Revival Laminated Rosewood Armchairs mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, each with a fruit- and floral-carved crest and open arms, and raised on cabriole legs with floralcarved knees. h. 43”, w. 24”, d. 24”, seat h. 17” $1,500-$2,500

788 American Rococo Revival Laminated Rosewood Armchair 787

mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, with a fruit- and floral-carved crest and open arms, raised on cabriole legs. h. 43”, w. 24”, d. 24”, seat h. 17” $800-$1,200

789 American Rococo Revival Laminated Rosewood Sofa mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, with fruit- and floral-carved crests, tufted back and carved seat rail, raised on cabriole legs. h. 42”, w. 80”, d. 29”, seat h. 17”

788

789

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790 American Rococo Revival Laminated Rosewood Armchair mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, the back crest adorned with carved fruit, flowers and grapes, with open arms and raised on cabriole legs. h. 43”, w. 24”, d. 22”, seat h. 16” $800-$1,200

791 Pair of American Rococo Revival Laminated Rosewood Side Chairs mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, each with a fruit- and floral-carved crest, and padded seat and back, raised on cabriole legs with floral knees. h. 38”, w. 19”, d. 19”, seat h. 16-1/2” 790

$700-$1,000

791

792 Patinated Metal and Bronze-Trimmed Gasolier ca. 1870s, New York, attributed to Starr, Fellows & Co., the anthemion-molded corona over a standard with a tapered lower section molded with masques of classical maids, above the Greek-key-molded body, set with arms molded with anthemia and honeysuckle, terminating in sockets set with cut and frosted glass shades. h. 43-1/2”, dia. 28” $3,000-$5,000 792

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793 Pair of American Rococo Revival Laminated Rosewood Armchairs mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, each with a fruit- and floral-carved crest and open arms, raised on cabriole legs with floral-carved knees. h. 44”, w. 25”, d. 24”, seat h. 17” $1,500-$2,500

794 Suite of Four American Rococo Revival Laminated Rosewood Side Chairs

793

mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, each with a fruit- and floral-carved crest and raised on cabriole legs with floral knees. h. 37”, w. 19”, d. 19”, seat h. 17” $800-$1,200

795 Suite of Four American Rococo Revival Laminated Rosewood Side Chairs mid-19th century, attributed to John Henry Belter, New York, in the “Rosalie” pattern, each with a fruit- and floral-carved crest and raised on cabriole legs with floral knees. h. 37”, w. 19”, d. 19”, seat h. 17” $1,000-$1,500

794

795

313

796 Rococo Revival Highly Carved Rosewood Firescreen 19th century, with a needlework scene of a royal chess game, set within an elaborate pierced and carved frame, set on a pole with a flower-basket finial, adjustable in height, mounted to a carved standard with three outstretched floralcarved legs. h. 80”, w. 29”, d. 28” $1,000-$1,500

797 Rare American Rococo Revival Rosewood Stool/Ottoman third quarter 19th century, the raised padded seat trimmed with a corded edge, over a carved frame, raised on cabriole legs ending in scrolled toes set with brass casters. h. 17”, w. 32”, d. 29” $1,200-$1,800

796

797

798 Rare American Rococo Revival Rosewood Side Chair mid-19th century, the crest with a portrait bust of a young boy set within opposing C-scrolls and foliate carving, the shoulders, lower back and front apron with large floral carvings, having a needlework padded back and seat, raised on cabriole legs. h. 41”, w. 18”, d. 21”, seat h. 17” $500-$800

798

314

799 Rare and Important American Rococo Revival Laminated Rosewood Etagere mid-19th century, attributed to J. & J.W. Meeks, New York, the upper section with a pierced and carved floral crest, over an arched niche with mirrored back, flanked by open shelves, each with pierced and carved aprons, the base with a conforming white marble top, over elaborate laminated rosewood aprons, with foliate carvings. h. 118”, w. 62”, d. 24”

This etagere belongs to an elite group of the larger form of etageres attributed to the Meeks firm. Only a handful are known to exist. Another example is illustrated in American Furniture of the 19th Century 1840-1800, by Eileen and Richard Dubrow, page 144.

$15,000-$25,000

799 detail

799

315

800 American Rococo Revival Burl Walnut Partner’s Desk third quarter 19th century, the top with shaped D-ends and fitted with a leather blotter, each side with five drawers and branch-carved pulls, raised on cabriole legs. h. 30”, w. 50”, d. 29” $700-$1,000

801 Impressive American Rococo Three-Piece Rosewood Bed Set

800

third quarter 19th century, labeled A.C. Richards, Cincinnati, Ohio, comprised of a triple-panel highback bed, h. 89”, inside w. 65”, l. 80”, outside w. 70”, l. 86”, a marble-top dresser with a mirror, h. 86”, w. 56-1/2”, d. 20”, and a marble-top washstand, h. 43”, w. 37”, d. 22”. $4,000-$7,000

802 Fine American Rococo Revival Rosewood and Marble-Top Dresser third quarter 19th century, New York, the brokenarch pediment centered by a fruit-carved cartouche, over an arched framed tilting mirror, the base with a conforming white marble top over four graduated drawers, each with a foliatecarved keyhole. h. 93”, w. 23”, d. 51” $1,000-$1,500

801

802

801

316

801

803 Pair of Haviland “Old Limoges” Porcelain Fan Vases ca. 1850, one vase decorated with a young woman holding a tambourine and the other decorated with a young woman in a Scottish costume, the vases trimmed with gilt leaves. h. 24-1/2”, w. 11-1/2”, d. 5-1/4” $1,500-$2,500 Literature: The blank is documented in the 1850 Haviland design book, no. 345, Carafe Rivoli. The book is in the collection of the Metropolitan Museum of Art, New York, New York.

803

804 American Rococo Revival Walnut Bed third quarter 19th century, Philadelphia, the headboard with a framed oval panel and pierced carved crest above, with a stylized bust of Shakespeare, shaped rails and joined to a curved footboard. h. 95”, inside w. 62”, l. 81”, outside w. 67”, l. 86” $1,200-$1,800

804

805 American Rococo Revival Rosewood and Marble-Top Table third quarter 19th century, the conforming marble top over a carved frame with raised panels and foliate details, supported by four turned standards to a base with outstretched legs ending in paw feet. h. 28-1/2”, w. 40”, d. 29” $1,500-$2,500

805

317

806 Pair of French Paris Porcelain Urns, Attributed to Darte ca. 1819, the obverse panels decorated with baskets of flowers and the reverse panels decorated with bouquets of flowers, each framed with tooled gilt surrounds, the handles accented with matte-gilt ram’s heads. h. 14”, w. 6-3/4”, d. 4-1/4” $1,000-$1,500 The handles are nearly identical to a Darte urn illustrated in Plinval Guillebon’s Porcelain de Paris, page 191. That urn is in the collection of The Musee National de Ceramique, in Sevres, France and was included in an 1819 exhibit at the museum. 807 Rare and Fine American Rococo Revival Rosewood Settee third quarter 19th century, New York, possibly by Alexander Roux or a cabinet maker of equal rank, the frame profusely carved with flowers and ribbons over a diamond-tufted back, with rolled handgrips and a carved front apron, raised on cabriole legs ending in casters. h. 43”, w. 70”, d. 30”, seat h. 16”

806

$2,500-$4,000 A similar rosewood sofa made by Alexander Roux is illustrated in an etching in Benjamin Silliman and Charles Goodrich, The World of Science, Art and Industry, (New York: G.P. Putnam & Co., 1854), p. 191, and also illustrated in The Furniture of John Henry Belter and the Rococo Revival, by Schwartz, Stanek and True, p. 31.

807

318

808 Highly Unusual American Rococo Revival Walnut Corner Etagere third quarter 19th century, attributed to Mitchell & Rammelsberg Furniture Co., Cincinnati, Ohio, the upper section with an elaborate pierced and scroll-carved back, set with three graduated shaped shelves, the base with a central front leg headed by a large cherub bust and fruit carvings. h. 87”, w. 38”, d. 29” $3,000-$5,000 809 American Rococo Revival Walnut Extension Dining Table third quarter 19th century, the circular top opening to receive 95 inches of leaves, of which there are three 16-inch leaves present, mounted to a turned standard with four outstretched carved legs. h. 32”, dia. 54”, ext. l. 102” with the three leaves $1,800-$2,500

808

809

809 detail

319

810 Cast-Iron Three-Tier Conservatory Stand 20th century, after a Coalbrookdale design, set with pierced circular flower pot stands supported on foliate-molded legs, on pierced and scrolled feet. h. 43”, dia. 28” $1,200-$1,800 811 Three-Piece Cast-Iron Garden Set ca. 1900, in the “Laurel” pattern, after a Coalbrookdale design, each piece with a curved back molded with laurel branches, set into an arched and scrolled pierced seat with griffinmolded arms and legs. chairs, h. 27-1/2”, w. 25-1/2”, d. 18”; bench, h. 28-1/2”, w. 42”, d. 18” $1,800-$2,500

810

811

320

812 Pair of Monumental Custom Iron Exterior Sconces 20th century, in the continental taste, the double leaf-molded backplates set with brackets ornamented with scrollwork, leaves and spiral molding, supporting lights set with glass globes and spiral-molded caps h. 64”, w. 9-1/2”, d. 34-1/4” $3,000-$5,000 813 Pair of Monumental Custom Iron Exterior Sconces 20th century, in the continental taste, the double leaf-molded backplates set with brackets ornamented with scrollwork, leaves and spiral molding, supporting lights set with glass globes and spiral-molded caps h. 38-1/2”, w. 9-1/2”, d. 31” $2,500-$4,000

812

813

814 Pair of Iron Two-Light Torcheres in the Manner of Samuel Yellin early 20th century, the torcheres with clover-form finials on the fluted candle stands, supported by sprays of clovers, the partially incised standards over spiral fluting, on tripod bases terminating in paw feet, electrified. h. 73”, w. 12”, d. 9-1/4” $1,000-$1,500

814

321

815

815 American Carved Oak Dining Set late 19th century, attributed to R.J. Horner, New York, the set including a round extension dining table, opening to receive five 12” leaves, h. 31”, dia. 60”, ext. l. 120”, six side chairs, h. 38-1/2”, seat h. 19”, w. 19”, d. 20”, two armchairs, h. 41-1/2”, seat h. 20”, w. 26”, d. 22”, a sideboard, h. 36-1/2”, w. 70”, d. 29”, and a server, h. 43-1/2”, w. 52”, d. 28”. $2,500-$4,000

815

322

816 American Carved Mahogany Partner’s Desk late 19th century, possibly by R.J. Horner, New York, the shaped top with a gadrooned edge, each side fitted with five drawers, raised on cabriole legs headed by carved female winged busts and ending in ball-and-claw feet. h. 30”, w. 56”, d. 35” $1,000-$1,500

816

817 American Carved Mahogany Figural Side Table late 19th century, attributed to R.J. Horner, New York, the circular top with a gadroon-carved edge over aprons in the form of table cloth swags and tassels, supported by a female figure kneeling on a pillow, to a circular plinth base and raised on carved paw feet. h. 35”, dia. 24” $3,000-$5,000

817

818 American Carved Mahogany Figural Side Table late 19th century, attributed to R.J. Horner, New York, the circular top with a gadroon-carved edge over aprons in the form of tablecloth swags and tassels, supported by a female figure kneeling on a pillow, to a circular plinth base and raised on carved paw feet. h. 35”, dia. 24” $3,000-$5,000

818

323

819 Mitchell, Vance & Co. Patinated Metal Newel Post Gas Light ca. 1876, New York, mounted with a frosted and etched glass shade in the Elizabethan taste, the patinated metal figure of a swashbuckling cavalier, his pike forming the lamp standard, on a circular base with fluted trim, unsigned. h. 34-1/2”, w. 9-1/2”, d. 6-1/4” $1,200-$1,800 An identical example to this lamp is illustrated in Mitchell & Vance’s 1876 catalogue.

820 American Carved Mahogany Partner’s Desk late 19th century, in the manner of R.J. Horner, New York, the serpentine top with a gadroon-carved edge, each side fitted with both faux and working drawers, with lion-carved corners and raised on cabriole legs ending in paw feet. h. 31”, w. 51”, d. 30” $800-$1,200

819

820

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821

821 Emil Eugen Holzhauer (Germany/American, 1887-1986) “Macon Street, Georgia” oil on masonite signed lower right, and signed and titled on a “Guarisco Gallery” label en verso. Framed. 18” x 28”, framed 22” x 32” $4,000-$7,000 Provenance: Guarisco Gallery, Washington, D.C.

325

822 Alberto Waingortin (Argentinian, 1900-1958) “Steel Mill Interior” oil on canvas signed lower right. Unframed. 19-3/4” x 16” $1,000-$1,500

823 Mildred Wohl (American, 1906-1977) “Untitled” oil on board signed en verso. Framed. 48” x 36”, framed 49” x 36-3/4” $2,000-$4,000 822

823

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824 Mildred Wohl (American, 1906-1977) “Little Ones” oil on masonite signed and titled en verso. Framed. 10” x 8”, framed 10-3/4” x 8-3/4” $700-$1,000

824

825 Mildred Wohl (American, 1906-1977) “Untitled” oil on board signed en verso. Framed. 22” x 18”, framed 22-3/4” x 18-3/4” $1,000-$1,800

825

327

826 Henri Cartier-Bresson (French, 1908-2004) “Portrait of Edmund Wilson” silver gelatin print signed lower right. Matted and framed. sight 15-1/2” x 10-1/2”, framed 25-1/4” x 20-1/4” $1,200-$1,800 Proceeds from the sale of this lot will go to benefit the Bering Church, Houston, Texas.

826

827 Herman Leonard (American, 1923-2010) “Dizzy Gillespie Birdland”, 1955 silver gelatin print signed lower right and titled, dated and numbered “9/50” lower left. Matted, glazed and framed. sight 17-1/2” x 15-1/2”, framed 29” x 25-3/4” $1,000-$1,500

827

328

828 Manuel Carrillo (Mexican, 1906-1989) “Untitled” gelatin silver print signed lower right, artist stamps, numbered “1165” and signed en verso. Matted, glazed and framed. sheet 10” x 8”, framed 12” x 10” $700-$1,000

828

829 Manuel Carrillo (Mexican, 1906-1989) “Untitled: Woman by Fountain”, 1986 gelatin silver print signed lower right, and numbered “1533”, inscribed, stamped and dated en verso. Matted, glazed and framed. sheet 10” x 8”, framed 12” x 10” $700-$1,000

829

329

830

830 George Frederick Castleden (British/Louisiana, 1861-1945) “The Old Slave Bell, Ormond Plantation, Destrehan, Louisiana”, 1935 oil on canvas signed and dated lower left, and signed, titled and inscribed en verso. Framed. 36” x 80”, framed 41-1/2” x 86” $7,000-$10,000 Provenance: Likely commissioned by D.H. Holmes Department Store, New Orleans, Louisiana.

British artist George Castleden settled in New Orleans by 1920, and immediately immersed himself in the talented bohemian community of artists, photographers, musicians and writers in what became known as the French Quarter Renaissance. He opened a studio at 622 St. Peter Street behind the Cabildo, where he maintained a daily rotating gallery in the historic courtyard. In the present lot, “The Old Slave Bell, Ormond Plantation”, Castleden focused on the Ormond Plantation House and property located in Destrehan, Louisiana. Built in the late 18th century in the French Colonial style, the house was inspired by the architecture of the West Indies. Two garconnieres were added sometime during the first quarter of the 19th century. The plantation initially grew indigo and then switched to the more lucrative cultivation of sugar cane. From 1934 to 1936, Frank Evans, owner of D. H. Holmes Department Store on Canal Street, commissioned Castleden to create a series of paintings and murals for display in the store, offices and boardroom. The paintings largely focused on plantations, bayous, and fishermen's cabins of south Louisiana. Painted in similar subjects and color scheme, “The Old Slave Bell, Ormond Plantation” was likely commissioned by D. H. Holmes.

330

831

831 Knute Heldner (Swedish/Louisiana, 1875/77-1952) “Louisiana Swamp” oil on canvas board signed lower right. Framed. 15-3/4” x 20”, framed 21-1/4” x 25-1/2” $1,000-$1,500

331

832 Rare Louisiana Creole-Style Inlaid Cherrywood Armoire early 19th century, the inlaid cove-molded cornice over a frieze outlined in barber-pole and acanthus-leaf inlay and centered with a later inlaid cipher, “WRS”, for Walter R. Stauffer, with a pair of flush-panel doors opening to an interior with a pair of long shelves above a belt of three drawers, and fitted with a rare lower long drawer, raised on slender cabriole legs. h. 84-3/4”, w. 52-1/2”, d. 20-1/2” $7,000-$10,000 Provenance: Walter Robinson Stauffer (1854–1932), New Orleans, Louisiana; Myrthe Celeste Stauffer Schwartz (1882–1962); Harry Preston Schwartz (1911–1982) and Eugenie Chavanne Schwartz (1917–2001), 730 Esplanade Avenue, New Orleans, Louisiana; thence by descent to Eugenie “Ersy” Schwartz (1951–2015). Literature: Jack D. Holden, H. Parrott Bacot, and Cybele T. Gontar, with Brian J. Costello and Francis J. Puig, Furnishing Louisiana: Creole and Acadian Furniture, 1735–1835 (New Orleans: The Historic New Orleans Collection, 2010), p. 175, fig. 65, illustrated. Dating to 1810–1830, this rare Creole-style flush-panel armoire is one of three closely related examples thought to be the work of a common cabinetmaker and referred to collectively as the “Acanthus Leaf” group. Illustrated in Furnishing Louisiana, the authors describe the armoire as “remarkably intact and sophisticated” and highlight its distinctive inlaid decoration, including the acanthus leaf on the false central stile and the “WRS” cipher of Walter Robinson Stauffer (1854–1932). The armoire predates Stauffer, indicating that the cipher was added later, likely replacing an earlier cipher to mark a change in ownership—a recognized, though uncommon, practice.

832

A prominent figure in New Orleans civic life, Stauffer served for fifty years on the governing board of Tulane University. In 1884, he married Elizabeth Myrthé Taylor (1854–1936), a granddaughter of President Zachary Taylor. Their eight children included Myrthe Celeste Stauffer Schwartz (1882–1962), through whom the armoire descended, and Anita Vincent Stauffer, who in 1907 married John Avery McIlhenny, son of Tabasco founder Edmund McIlhenny. Anita and John’s son, Walter Stauffer McIlhenny—named for his maternal grandfather, Walter Robinson Stauffer, whose initials appear on the armoire—later became president of the McIlhenny Company, producer of Tabasco sauce. The armoire descended from Myrthe to her son, Harry Preston Schwartz (1911–1982), and his wife, Eugenie Chavanne Schwartz (1917–2001), a noted advocate for the preservation of the Vieux Carré. The Schwartz-Gage Award was later named in recognition of Eugenie and her sister, Grace Chavanne Gage, and their contributions to historic preservation. The armoire subsequently passed to Harry and Eugenie’s daughter, Eugenie "Ersy" Schwartz (1951–2015), a celebrated New Orleans sculptor who taught for nearly two decades at Cooper Union in New York. 832 detail

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833

833 Louisiana Acadian Cypress Blanket Chest 19th century, the case of six-board construction, the boards joined by cut square nails, the top opening with a wooden hinge comprised of a full-width rod extending through the bottom, joined to the sides. h. 18-1/2”, w. 39”, d. 18” $800-$1,200

833 detail

834 Rare Acadian Stained Hardwood Ladderback Chair 19th century, the curved back slats joined by turned posts ending in acorn finials, with a splint seat and raised on turned legs joined by stretchers. h. 28”, w. 21-1/2”, d. 15”, seat h. 12-1/2” $500-$800

834

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835

835 John McCrady (American/Mississippi, 1911-1968) “Rural Symposium - Study”, 1964 ink on paper signed lower right. Matted and unframed. sheet 15-1/2” x 21-1/2”, matted 18” x 24” $2,500-$4,000 Provenance: Estate of John McCrady, New Orleans, Louisiana.

Saturdays on Oxford Square was a weekly ritual for the residents of Oxford and the surrounding rural community which is reflected in John McCrady's ironic title Rural Symposium. The setting on north side of Oxford Square at the intersection of North Lamar and Jackson Avenues. McCrady wrote: Saturday is a favorite day to gather and discuss many subjects and to collect opinions, I rejoice to know I have lived in such a wonderful time, when people and their neighbors had respect for each other and were not in a hurry and had time to stop and talk with one another. John McCrady

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836 John McCrady (American/Mississippi, 1911-1968)

837 John McCrady (American/Mississippi, 1911-1968)

“Preliminary Drawing for the Painting The Square”

“Golden Rule - Study”, 1964

pencil on paper unsigned. Unframed. sheet 17” x 24”

pencil on paper initialed lower right. Unframed. sheet 13-3/4” x 16-1/2”

$1,500-$2,500

$1,200-$1,500

Provenance: Estate of John McCrady, New Orleans, Louisiana.

Will Lewis St., proprietor of Neilson's Department Store and Chairman of Bank of Oxford, corresponded with John McCrady about commissioning a triptych mural for the bank's lobby. The idea of Oxford mural inspired McCrady, and he wrote to Lewis: "It should be Oxford the University, and, of course, the people. Here is an environment, unique in some ways, that I too feel very close to." Due to an unusually poor cotton crop, the bank was forced to delay the production of the mural. When their correspondence resumed, Lewis informed the artist that the bank's board preferred three separate paintings.

This preliminary sketch for John McCrady's The Golden Rule painting gives an insight into the artist's design process. In 1928, when John McCrady was a teenager, his family moved to Oxford where his father was the Dean of the Philosophy Department at the University of Mississippi. Despite moving on and eventually settling and opening an art school in New Orleans, Oxford maintained a strong hold on the artist. In the 1960s, McCrady created series of important paintings based on his youthful Oxford experiences.

The Square was the first of the three paintings McCrady completed for the bank. The painting was set in Oxford Square looking south of Blaylock's Drug Store and Bank of Oxford. McCrady represented the diversity of the local community gathered on the courthouse grounds, which included members of the African American community. On Saturdays, Mississippians would come into town to shop and catch up with the news of the day. The lively scene included two young girls' hand in hand and a bicyclist navigating his way through the crowds.

837

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838 John McCrady (American/Mississippi, 1911-1968) “The Steamboat Race Between the Robert E. Lee and Natchez”, 1945 lithograph initialed “J.McC” lower right in plate, pencil-signed lower margin. Matted and unframed. sheet 14” x 18-1/2”, matted 20” x 24” $1,000-$1,500 Provenance: Estate of John McCrady, New Orleans, Louisiana. On the morning of June 30, 1870 began the Great American Steamboat Race between two rival captains: T.P. Leathers of the Robert E. Lee and John W. Cannon of the Natchez. The race started from New Orleans and ended in St. Louis, and the excitement was palpable, with people assembling along the shores as the two steamboats raced up the Mississippi River. The national printing company Currier and Ives published a popular print of the steamboat race that same year. Seventy years later, John McCrady revisited the occasion with his own lithograph version of the steamboat race. Along the shore, was an African American family and their dogs enjoying the race.

838

839 Clarence John Laughlin (American/Louisiana, 1905-1985) “Elegy for the Old South (No. 6) : 1946”, 1962 silver gelatin print titled and dated lower left, and signed lower right. Float-mounted, glazed and framed. sight 10-3/4” x 13-1/4”, framed 16-1/4” x 18-1/4” $1,200-$1,800

839

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840 Clarence John Laughlin (American/Louisiana, 1905-1985) “From an Iron Inferno”, 1964 gelatin silver print signed lower right on matting, and titled and dated lower left on matting. Float-mounted, glazed and framed. sight 16-1/2” x 13-1/2”, framed 18-1/4” x 15” $700-$1,000

840

841 Clarence John Laughlin (American/Louisiana, 1905-1985) “The Improbable Dome (no.1)”, 1964 gelatin silver print laid down on cardstock pencil-signed lower right and titled and dated lower left. Unframed. sheet 17-1/8” x 15” $1,500-$2,500

841

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842 Gorham “Strasbourg” Sterling Silver Flatware Set the pattern designed in 1897 by William Christmas Codman (1839-1923), Providence, Rhode Island, including a dozen four-piece place settings (one dinner knife lacking) with an additional eleven place pieces, no monograms. (58 pieces total) 59.75 total t. oz. (weighable silver) $3,000-$5,000 843 Gorham “Strasbourg” Sterling Silver Flatware Set the pattern designed in 1897 by William Christmas Codman (1839-1923), Providence, Rhode Island, including a dozen fivepiece place settings, plus an additional fifty place pieces and seven serving pieces, no monograms. (117 pieces total) 121.75 total t. oz. (weighable silver) $6,000-$9,000 Detailed list of pieces available on request. 842

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844

844 detail

844 Gorham Sterling Silver Drinks Tray 1913, Providence, Rhode Island, special order #4052, of serpentine-sided oval form, with pierced wavy gallery below integral handles, the plateau engraved with rococo scrolls, with reeded rim and base, raised on four button feet. h. 4”, l. 22”, w. 11”; 68.91 t. oz. $3,000-$5,000

845

845 Gorham Sterling Silver Water Pitcher 1896, Providence, Rhode Island, of oval section, the baluster body gadrooned on the lower half, with waisted “helmet” collar, squared handle and molded base, monogrammed “EWP”. h. 8-3/4”, l. 7-3/4”, w. 4-1/2”; 21.69 t. oz. $1,000-$1,500

845 detail

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846 Gorham “Chantilly” Sterling Silver Flatware Set the pattern designed in 1895 by William Christmas Codman (18391923), Providence, Rhode Island, including a dozen five-piece place settings (seven pieces lacking), with an additional fifteen place pieces and seven serving pieces, no monograms. (75 pieces total) 69.97 total t. oz. (weighable silver)

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$3,000-$5,000 Detailed list of pieces available on request. 847 Fourteen Gorham “Chantilly” Sterling Silver Serving Pieces the pattern designed in 1895 by William Christmas Codman (1839-1923), Providence, Rhode Island, including five lettuce/ salad serving pieces, three olive/pickle serving pieces, two sugar serving pieces and four others, eight pieces variously monogrammed. 24.16 total t. oz.

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$1,000-$1,500

847 detail

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847

848

848 detail

848 Gorham “Plymouth” Sterling Silver Tea Set 1916, Providence, Rhode Island, including: a coffeepot, h. 8-3/4”, l. 11”; a teapot, h. 6-3/4”, l. 11-3/4”; and a covered sugar bowl, h. 6”, w. 8”; monogrammed “MDO”. 53.74 total t. oz.

849 detail

$2,500-$4,000

849 Large Gorham “Marie Antoinette” Sterling Silver Presentation Platter 1949, Providence, Rhode Island, circular with Louis XV-style border, the center with presentation inscription to Edmund Taylor (1895-1985) of Greenville, Mississippi, dated May 1, 1950, in thanks for his tenure as the first president of the Mississippi Economic Council. dia. 17”; 38.32 t. oz.

849

850 detail

$1,800-$2,500

850 Gorham Sterling Silver Platter 1947, Providence, Rhode Island, oval with gadrooned rim, monogrammed on the rim “RCW”. l. 18-1/2”, w. 13”; 36.43 t. oz. $1,500-$2,500

850

341

851 New Orleans Market Mahogany Double-Door Armoire third quarter 19th century, attributed to the warerooms of Prudent Mallard, the molded and beaded cornice over a pair of paneled doors, opening to reveal a medial belt with two drawers, the back of aromatic red cedar, a full-width drawer below, raised on distinctive Mallard scroll bracket feet. The case in rare shallow depth, similar to that of Mallard bookcases, in untouched original surface. h. 99-1/2”, w. 63”, d. 17-3/8” $1,800-$2,500 Similar armoires with a manufacturer’s bill of sale are in the collection of the Gallier House Museum, New Orleans, Louisiana. 852 American Rococo Revival Rosewood Half-Tester Bed mid-19th century, attributed to the Warerooms of Prudent Mallard, New Orleans, referred to as the “Lansdowne” form, as it relates to the half-tester bed at Lansdowne in Natchez, Mississippi, the large serpentine tester supported by clustercolumn posts and carved capitals, the headboard with a classic flower-basket crest, the footboard joined by heavily carved rails and the foot posts fitted with pull-up mosquito bars. h. 107”, inside w. 65”, l. 82”, outside w. 75”, l. 93” $5,000-$8,000

851

852

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853

853 Paul Ninas (American/Louisiana, 1903-1964) “Untitled” watercolor and ink on paper signed lower right. Glazed and framed. sight 11-7/8” x 19-1/2”, framed 19-1/2” x 26-1/2” $800-$1,200

854 Paul Ninas (American/Louisiana, 1903-1964) “Untitled” mixed media on paper signed lower right. Matted, glazed and framed. sight 22” x 12”, framed 28” x 19-1/4” $700-$1,000 854

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855 Noel Rockmore (American/Louisiana, 1928-1995) “Trombone Player”, 1963 oil on masonite signed, dated and localized “New York” upper left. Matted and framed. 16” x 9”, framed 19-1/4” x 12-1/4” $800-$1,200

856

856 Paul Ninas (American/Louisiana, 1903-1964) “Dwellings of the Muscatel Drinkers and the Long Dead” mixed media on paper signed lower right, titled on “Downtown Gallery, New Orleans” label en verso. Matted, glazed and framed. 23-3/4” x 18-3/4”, framed 32-1/4” x 27” $1,000-$1,500 Provenance: Downtown Gallery, New Orleans, Louisiana.

855

857 Paul Ninas (American/Louisiana, 1903-1964) “Banana Leaves” pencil on paper signed lower center, and localized “New Orleans, Louisiana” lower left. Matted, glazed and framed. sight 13-1/2” x 9-1/2”, framed 22-1/4” x 17-3/4” $1,200-$1,800

857

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858 Paul Ninas (American/Louisiana, 1903-1964) “Young Man, Dominica, Lesser Antilles” gelatin silver print later printing, verso with inventory label with photographer, title and dates. Matted, glazed and framed. sight 7-3/4” x 7-3/4”, framed 19” x 16” $800-$1,200 Provenance: Collection of the artist; Collection of John Clemmer, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana. After reading Lafcadio Hearn’s memoir “Two Years in the French West Indies”, Paul Ninas became intrigued by the Caribbean, and in 1930 he bought a coconut and lime plantation on the island of Dominica. Ninas enjoyed the simple, exotic, and romantic life of an island artist. Ninas intended to use his photographs as tools for these paintings and drawings, but he revealed a photographic eye as he captured the rainforests, people and way of life on the tropical island.

858

859 Michael P. Smith (American/Louisiana, 1937-2008) “Praying for the Sick”, 1973 gelatin silver print signed and dated lower right. Unframed. sheet 12-3/4” x 11” $600-$900 860 Theodore Fonville Winans (American, 1911-1992)

859

“St. Louis Cathedral and the Statue of Andrew Jackson, Jackson Square, French Quarter” gelatin silver print laid down on cardstock pencil-signed and dated 1938 lower center, titled en verso backing along with inventory label. Glazed and framed. sheet 15-3/4” x 20”, framed 18-1/2” x 22-3/4” $2,000-$4,000

860

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861

861 Robert M. Rucker (American/Louisiana, 1932-2001) “St. Louis Cathedral” “Royal Street” pair of watercolors on paper each signed lower right. Matted, glazed and framed. each sight 13-3/4” x 5”, framed 20” x 11-1/4” $800-$1,200 862 Wayman Elbridge Adams (American/Louisiana, 1883-1959) “Song Service” etching on paper pencil-signed lower right, titled lower center, and inscribed “12 prints” lower left. Matted, glazed and framed. sight 10-7/8” x 8”, framed 19-1/4” x 16” $500-$800

862

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863 American Gothic Revival Rosewood Music Cabinet 19th century, the upper corners with tapered spires and a pierced trefoil front crest, over three open shelves and an open cabinet below, fitted with scalloped partitions. h. 81”, w. 29”, d. 15” $800-$1,200

863

864 English Mahogany Fire Screen in the Gothic Revival Taste mid-19th century, the top of the frame with a pierced lunetteform finial flanked by square foliate medallions, over an upholstered panel flanked by pierced quatrefoils, supported by cluster-column sides set with vasiform finials, on cabriole legs with casters. h. 57”, w. 34-1/4”, d. 19-1/4” $700-$1,000

864

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865 Monumental Labeled Gothic Revival Bronze and Brass Candle Shade ca. 1840, the patinated bronze Gothic Revival base set with an adjustable telescopic brass tube with Gothic top fittings, supporting a gilt fan-form shade, labeled on the bottom by B. Davis. h. 41”, dia. 5-3/4” $700-$1,000

865

865 detail

866 American Gothic Revival Walnut Corner Etagere ca. 1850, the upper section with two graduated shaped shelves and elaborate scrolled and pierced carved back boards, the chamfered base with a single mirrored door and Gothic tracery, flanked by like-mirrored panels. h. 74”, w. 29”, d. 21” $1,200-$1,800 This etagere relates very closely to a group of documented examples, including one at the Museum of Fine Arts, Houston, Texas (acc. 52.134), one at the Brooklyn Museum (acc. 52.134), and a pair at the Detroit Institute of Arts (acc. 2002.1.1-2), and illustrated in Comstock, American Furniture, Seventeenth, Eighteenth and Nineteenth Century Styles, no. 618; Otto, American Furniture of the 19th Century, fig. 276; and Howe and Warren, The Gothic Revival Style in America, p. 50.

866

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867 Pierre Georges Tabouillet (French/Canadian, b. 1936) “La Chute Montmorency” oil on canvas signed lower right and titled en verso. Together with label and certificate from La Decouverte Galerie d’Art. Framed. 12” x 16”, framed 19-3/4” x 24” $1,000-$1,500 Provenance: La Decouverte Galerie d’Art, Quebec, Canada; Private collection, Louisiana.

867

868 Thomas A. de Decker (American, b. 1951) “Blue Pond”, 2023 oil on canvas board signed lower right, and signed, dated and titled en verso. Framed. sight 7” x 5”, framed 13-1/8” x 11-1/8” $700-$1,000

868

869 Stained-Glass Table Lamp with Dogwood Shade early 20th century, the “Dogwood” leaded stained-glass shade mounted on an antique metal base molded with leaves and scrollwork. h. 25”, dia. 20” $1,000-$1,500

869

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870 Thomas A. de Decker (American, b. 1951) “Pond - Waterlilies and Flowers”, 2024 oil on masonite signed lower right, and signed, dated and titled en verso. Framed. 14” x 11”, framed 20” x 17” $700-$1,000

871 Henry Martin Gasser (American, 1909-1981) “The Old Homestead” watercolor on paper signed lower right, a “Newcomb Art Gallery, Tulane University, New Orleans, Louisiana” exhibition label en verso. Matted, glazed and framed. sight 7-1/2” x 9-1/2”, framed 16” x 17” $3,000-$5,000 Exhibited: Newcomb Art Gallery, Tulane University, New Orleans, Louisiana, Drawn from New Orleans, April 24-June 30, 2007.

870

871

350

872 Leaded Glass and Bronze “Poppy” Table Lamp late 20th century, in the Tiffany & Co. taste, the “poppy” leaded, stained glass shade on a “twisted vine” standard, the shade marked with a metal tag reading “ART GLASS STUDIO”. h. 27”, dia. 20” $1,500-$2,500

873 George Loftus Noyes (Canadian/American, 1864-1954) “Autumnal Landscape” oil on canvas signed lower right. Framed. 25” x 30”, framed 31” x 35-1/2” $3,000-$5,000

872

873

351

874 Gazo Clock Company “Santa Maria” Oak Regulator Wall Clock ca. 1975, the case with a pair of winged cupid busts over the hood, the brass dial set with porcelain chapters, with a triple train movement, featuring time, strike and bar chimes, with engraved weights and pendulum. h. 85”, w. 25”, d. 18” $1,500-$2,500

874

875 American Arts-and-Crafts Brass Chandelier early 20th century, the ogee-molded tapered corona supporting the rectangular body, decorated with fleur-de-lis mounts, the faceted branches hung with square lights, mounted with gold iridescent carnival glass shades. h. 25”, dia. 25” $1,000-$1,500

875

352

876 Impressive Tiffany & Co. Silverplate Tray third quarter 19th century, by Adams & Shaw, Newark, New Jersey, for Tiffany & Co., New York, New York, of oval form, with milled leaf-and-dart rim, the plateau engraved with a wide rinceaux band with circular cartouches with a leaf-and-dart outer and inner banding, with gadroon-mounted stirrup handles with flower-head bosses, all raised on four scroll-mantled palmette feet, monogrammed “T”. l. 32”, w. 19-1/4” $500-$800

877 Tiffany & Co. Sterling Silver-Mounted Engraved Glass Vase

876

first quarter 20th century, New York, New York, the corset-shaped glass vase engraved with an oculus band, separating by an alternating tall and short flowering crocus, the silver collar embossed en suite. h. 9-3/4”, dia. 6-1/8” $1,000-$1,500 876 detail

876 detail

877

878 Theodore Starr Sterling Silver Tyg first quarter 20th century, New York, New York, the stylized campana-form body with flared rim and integral pedestal foot, with three arched handles joined at the rim and foot ring, no monograms or inscriptions. h. 6-1/2”, dia. 5-1/2”, w. 8-1/2”; 16.94 t. oz. $800-$1,200 878

878 detail

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879 American Art Nouveau Sterling Silver Loving Cup ca. 1900, by the Whiting Mfg. Co., Providence, Rhode Island, the pot-shaped bowl raised on a pedestal foot, the arched, whiplash-mounted handles joined to a reeded-blossom knop, no monograms or inscription. h. 9-1/4”, dia. 5-1/4”, w. 7-1/4”; 21.36 t. oz. $1,000-$1,500 880 American Sterling Silver Tyg first quarter 20th century, by the Whiting Mfg. Co., Providence, Rhode Island, the waisted body with molded rim and foot ring, with three sinuous, arched, floral acanthus-mounted handles, no monogram or inscription. h. 6-3/4", dia. 6-1/2", w. 8-3/4"; 25.86 t. oz. 1,200-1,800

879

880

880 detail

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880 detail

881 Elizabeth Goelet Rogers Palfrey (American/Louisiana, d. 1933, act. Newcomb College 1895-1900) “Newcomb College Book Plate: Ex Libris, Shanty Shane” block print on paper initialed “EGRP” lower right and titled lower center in plate. Matted, glazed and framed. sight 5-1/2” x 3-1/2”, framed 11-1/4” x 9-1/4” $600-$900

881

882 May Sydnor Morel (American/Lousiana, d. 1920, act. Newcomb College 1904-1916) “Newcomb College Book Plate: Ex Libris, Ellen Ray Cantzon” block print on paper signed in plate lower right and titled lower center in plate. Matted, glazed and framed. sheet 5” x 2-1/2”, framed 11-1/4” x 9-1/4” $600-$900

882

883 Jane E. Chauvin (American/Louisiana, act. Newcomb College 1906-1910) “Newcomb College Book Plate: In Memoriam Ralph Conover Many, Tulane”, 1904 block print on paper signed, titled and dated lower center in plate. Matted, glazed and framed. sheet 5-1/2” x 3-1/4”, framed 11-1/4” x 9-1/4” $600-$900

883

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884 American Aesthetic Movement Cabinet ca. 1875-1885, in the manner of Herter Brothers, the pedestal ends with beveled glass cupboard doors centered by a mirror over a pair of drawers with highly figured faces, and open shelves below, raised on brass feet, constructed of carefully selected figured yellow pine throughout. h. 44”, w. 68”, d. 15-1/4”

885

$800-$1,200 Provenance: Reputedly, the present cabinet was found in a New York City home. 885 Aesthetic Movement Brass Fire Fender late 19th century, American or English, the round upper rail set with three panels of well-delineated sunflowers and leaves, on a textured ground, with pierced side panels and corners with acorn-form finials, on an ogeemolded base. h. 10-1/4”, w. 58-1/4”, d. 14-3/4” $1,000-$1,500 886 American Aesthetic Ebonized Wooden Easel/ Portfolio Stand fourth quarter 19th century, the upper portion with a shallow shelf for art display, above a relief-carved dropfront portfolio cabinet for storage. h. 52”, w. 28”, d. 6”, open d. 30” $1,000-$1,500

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887 American Brass Electrolier ca. 1900, the four-light electrolier with a quiver-form body, with a pierced anthemion-molded border, and a spiral-reeded lower finial, the two upper gas lights and the down-turned electric lights with matching pierced trim, and anthemion-pierced gas keys. h. 36-1/2”, w. 19-1/2”, d. 7-1/2” $1,000-$1,500

887

888 Clarence Clark Rosenkranz (American, 1871-1959) “Trees”, 1923 oil on masonite signed and dated lower right. Framed. 15-3/4” x 19-3/4”, framed 19-3/4” x 23-3/4” $1,000-$1,500 888

889 Frank Gervasi (American, 1895-1986) “Davis Mountains” oil on canvas signed lower right. Framed. 25” x 30”, framed 32” x 37” $1,200-$1,800

889

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890 American Aesthetic Movement Walnut Parlor Cabinet third quarter 19th century, in the manner of Herter or Pottier & Stymus, New York, the tripartite stepped cabinet with a carved back crest, the center section with blue and white porcelain plaques, trimmed with ebonized moldings. h. 55-1/2”, w. 55”, d. 18-1/2” $2,500-$4,000 891 Pair of Aesthetic Movement Ebonized and Inlaid Side Chairs 19th century, probably English, the backs with a central splat and patera inlay, with padded seats and raised on turned legs. h. 33-1/2”, w. 17-1/2”, d. 16”, seat h. 18” $700-$1,000 892 Kimbel & Cabus Ebonized Aesthetic Movement Cabinet ca. 1875-1880, New York, in the Modern Gothic taste, the etagere’s case fitted with pottery plaques by W.B. Simpson & Sons, depicting the four seasons, the doors with decorative patinated brass hinges. h. 61-1/4”, w. 42-1/2”, d. 16”

890

$1,500-$2,500 A similar cabinet with different plaques is illustrated in a surviving catalog by the firm and is conserved in the Cooper Hewitt National Design Museum Library. Another example with a bird rather than four season plaques is in the collection of The Metropolitan Museum of Art, New York. Kimbel & Cabus were pioneers in introducing the Modern Gothic style to the American market. Their display pieces in this style, which were exhibited at the 1876 Philadelphia Centennial, were widely acclaimed.

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893 American Neo-Grec Marquetry-Inlaid Mirror ca. 1869-1873, attributed to Herter Brothers, New York, the cornice with an inlaid urn over a rectilinear arched mirror plate, the sides with banded inlay, the base with a shelf, now upholstered over the fragmentary original covering in period-appropriate jewel-toned silk and rayon velvet, and fitted with a drawer with banded inlay, supported by giltincised scrolled legs with paw feet, resting on a low base. h. 100-1/2”, w. 46”, d. 16” $2,500-$4,000 Similar banded marquetry to that on the uprights was also employed by Herter Brothers on a piece for Milton Lathan’s Thurlow Lodge in Menlo Park, California, ca. 1872-1873.

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893

894 American Renaissance Revival Burl Walnut and Ebonized Pedestal third quarter 19th century, the oval top with a stepped edge and mounted to a turned standard flanked by swag-carved buttresses to a large shaped base, detailed with gilt-incised linework. h. 34”, w. 22”, d. 16” $700-$1,000 894

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895 American Aesthetic Movement Mahogany Tall Case Clock fourth quarter 19th century, the face labeled “Bailey, Banks & Biddle Co., Philadelphia”, the tubes signed “Walter H. Durfee, Prov. R.I.”, the case likely by Daniel Pabst, Philadelphia, the triple train movement with nine tubes playing Westminster or Eight Bells, with time and strike and a rotating moon dial, the hood with a broken-arch pediment centered by a carved hourglass and flanked by opposing female winged busts, the mid-door with a beveled glass and shell-carved cartouche, the case with a tapered base on pad feet. h. 103”, w. 28”, d. 17” $4,000-$7,000 Provenance: Estate of Jo Ann Christopher, New Orleans. Louisiana.

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896 Manuel Carrillo (Mexican, 1906-1989) “Untitled” gelatin silver print signed lower right, and stamped and numbered “268” en verso. Matted, glazed and framed. sheet 10” x 8”, framed 12” x 10” $700-$1,000

896

897 Manuel Carrillo (Mexican, 1906-1989) “Untitled: Horses at Stream”, 1981 gelatin silver print signed lower right, and numbered “1748”, signed, inscribed, stamped and dated en verso. Matted, glazed and framed. sheet 10” x 8”, framed 12” x 10” $700-$1,000

897

898 Jerry N. Uelsmann (American, 1934-2022) “Untitled (House and Trees)” gelatin silver print unsigned, with a “Carol Robinson Gallery” label en verso. Matted, glazed and framed. sight 13” x 9-1/2”, framed 20-1/4” x 16-1/4” $700-$1,000 Provenance: Carol Robinson Gallery, New Orleans, Louisiana.

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899 American Sterling Silver Water Pitcher second quarter 20th century, by Weidlich Co., Bridgeport, Connecticut, the ovoid body with molded shoulder, waisted collar with integral spout, squared handle and ogee-domed pedestal foot, no monograms. h. 10-1/4”, dia. 5-3/4”, l. 8-1/2”; 22.1 t. oz. $900-$1,200

900 Four American Sterling Silver Julep Cups third quarter 20th century, no maker’s mark, each of traditional tapering cylindrical form with molded and beaded rim and base, no monograms. h. 3-1/4”, dia. 3”; 17.83 total t. oz.

899

$1,000-$1,500

901 Assorted Wallace “Grand Baroque” Sterling Silver Flatware the pattern designed in 1941 by William S. Warren (1888-1965), Wallingford, Connecticut, including twenty-six place pieces and three tablespoons, no monograms. (29 pieces total) 38.68 total t. oz. (weighable silver)

900

$1,400-$1,800

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901

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902

902 Set of Eight Wallace Sterling Silver Water Goblets mid-20th century, Wallingford, Connecticut, pattern 3322, each with an inverted bell-form body and waisted pedestal foot, no monograms. h. 6-1/4”, dia. 3-1/4”; 34.39 total t. oz. $1,500-$2,500 903 Kirk Stieff Sterling Silver Water Pitcher fourth quarter 20th century, Baltimore, Maryland, the baluster-form body with applied spout, crested S-scroll handle and molded foot ring, no monograms. h. 8-1/2”, dia. 5-1/4”, l. 9”; 21.65 t. oz. $900-$1,200

903

904 American Sterling Silver Entree Dish first quarter 20th century, by Frank M. Whiting, North Attleboro, Massachusetts, of shaped oval form with elaborate applied scroll rim, the fitted lid decorated en suite with ring handle, monogrammed, on the interior, “GSC”. h. 5”, l. 12-3/4”, w. 9”; 29.17 t. oz. $1,200-$1,800 903 detail

904 detail

904

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905 Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including eight four-piece place settings (two salad forks lacking) with an additional sixteen dinner knives and nine other place pieces, with seven serving pieces, no monograms. (62 pieces total) 56.90 total t. oz.

905 detail

$3,000-$5,000 Detailed list of pieces available on request. 906 Tuttle Silversmiths “George III” Sterling Silver Tea Set 1926-1928, Boston, Massachusetts, including: a coffeepot, h. 11-1/4”, l. 9-1/2”; a teapot, h. 9-1/4”, l. 11”; a covered sugar bowl, h. 6-1/2”, w. 7”; a cream jug, h. 5-3/4”, l. 5-3/4”; and a waste bowl, h. 4”, dia. 5”; the pear-shaped bodies with richly chased collars, spouts and lids, the pots with wooden handles (one a later replacement), monogrammed “FSE”. 112.04 total t. oz. (including handles) 906 detail

$5,000-$8,000

906

364

907 Emil Eugen Holzhauer (German/American, 1887-1986) “Downtown New York”, 1933 oil on canvas board signed and dated lower left, and signed, titled and with a “The Madison Gallery, Atlanta, Georgia” label en verso. Framed. sight 31-1/2” x 23-1/2”, framed 39” x 31” $2,500-$5,000 Provenance: The Madison Gallery, Atlanta, Georgia. In 1906, Emil Holzhauer emigrated from Germany to New York City where he worked, studied art, and lived until 1938. In the painting “Downtown New York”, the artist included the humorous detail of a sign above a building advertising “Paintings by Holzhauer.”

907

908 Grover Mouton (American/Lousiana, b. 1946) “The Bridge”, 1986 oil stick and pencil on paper pencil-signed and dated lower right. Glazed and framed. sheet 30” x 39-1/2”, framed 36-1/2” x 46” $700-$1,000 Provenance: Private collection, Pass Christian, Mississippi. Grover Mouton’s work reflects his background as both an artist and an architect. His artistic practice grew alongside his work in urban design, allowing him to use drawing not only as a means of representation but also as a way to explore how people experience place, capturing the relationship between people and their surroundings. Rather than presenting architecture as isolated structures, he incorporates movement, activity and energy into his compositions through the use of line and color. Ultimately, Mouton’s work demonstrates how art can transform the way viewers look at and make sense of the places they inhabit.

908

365

909 David Sinclair Nixon (American/Louisiana, 1904-1973) "Knife Sharpener, Aigle Morte, France", 1951 watercolor on board signed “David” lower mid right, and localized and dated lower right. Glazed and framed. 13” x 15-1/2”, framed 17-1/2” x 20-1/2” $900-$1,200 910 Alvyk Boyd Cruise (American/Louisiana, 1909-1988) “Blooms” watercolor on paper signed lower right. Glazed and framed. sight 15” x 12”, framed 24” x 20” $1,000-$1,500

909

910

366

911 Angela Gregory (American/Louisiana, 1903-1990) “Floral Rondel I”, 1936 “Floral Rondel II”, 1926 pair of watercolors and gouaches on paper each signed, dated and localized “Paris” lower right. Matted, glazed and framed alike. each 16” x 13”, framed 22” x 18-1/4” $1,200-$1,800

911

912 Robert Gordy (American/Louisiana, 1933-1986) “The Wall - Four Figures”, 1980 acrylic on canvas signed, dated and titled en verso stretcher. Framed. 46” x 70-1/2”, framed 47-1/2” x 72-3/4” $4,000-$7,000

912

367

913 Martin LaBorde (American/Louisiana, b. 1943) “Two Thought Izzy”, 1984 oil on canvas signed lower right, and signed, dated and titled en verso. Unframed. 48” x 36” $1,500-$2,500

913

914 Frank Fleming (American/Alabama, 1940-2018) “Ceremonial Sticks” five coiled telephone wire and bamboo sculptures four signed. from h. 55” to 69-1/2”, from dia. 1-1/2” to 2-3/4” $4,000-$7,000

914

368

915

915 John T. Scott (American/Louisiana, 1940-2007) “Untitled: Figure” oil on canvas signed lower right. Unframed. 24” x 18” $4,000-$7,000

916 Sister Gertrude Morgan (American/Louisiana, 1900-1980) “Devout Multitude” mixed media on paper signed lower right. Float-mounted, glazed and framed. sheet 8” x 8”, framed 11-1/2” x 8-1/2” $4,000-$7,000

916

369

917 George III Mahogany Butler’s Secretary/Bookcase 18th century, the top with a broken-arch fretwork crest over a pair of astragal-glazed doors, the base with a pull-out butler’s desk drawer opening to an interior fitted with drawers and cubbies, over three long graduated drawers, raised on bracket feet. h. 99”, w. 45-1/2”, d. 14” $1,500-$2,500

918 George III Mahogany Bachelor’s Chest 18th century, of traditional form, fitted with a pull-out work slide over four long graduated drawers, each dressed with period pierced brasses, raised on bracket feet. h. 31”, w. 32”, d. 18” $1,000-$1,500

917

918

919 Unusual Walnut and Needlework Tilt-Top Table 19th century, the large octagonal top set with a needlework panel and molded outer frame, mounted to a turned, fluted and carved standard, raised on three outstretched humanform shoed legs. h. 30-1/2”, w. 39”, d. 39” $1,200-$1,800

919

370

920

920 Suite of Twelve George III-Style Mahogany Dining Chairs each with a pierced and carved splat with swags and tassels at the top, and a slip seat, raised on cabriole legs with acanthine knees and ending in ball-andclaw feet. h. 41”, w. 24”, d. 22”, seat h. 21” $2,000-$4,000 921 English Burlwood and Penwork Kneehole Desk 18th century, the case set with inset satinwood panels profusely decorated with pen-and-ink line work, the lid with a leather blotter opening to a fitted interior, the base with two banks of drawers and a recessed central cabinet. h. 39”, w. 28”, d. 18”

921

$1,000-$1,500 922 Pair of Georgian-Style Leather Wing Chairs 20th century, of traditional form, with buttondressed backs and seat cushions, trimmed with brass tacks and raised on short cabriole legs with shellcarved knees, ending in Spanish-form feet. h. 45”, w. 32”, d. 29”, seat h. 17-1/2” $1,200-$1,800

922

371

923 Robert Cree Crawford (English, 1842-1924) “Three-Quarter Length Portrait of a Reverend”, 1909 oil on canvas initialed. Framed. 53-3/4” x 46-1/4”, framed 72” x 60” $1,500-$2,500

923

924 British School (19th Century) “Portrait of a Gentleman with Book and Spectacles” oil on canvas unsigned. Framed. 41” x 32”, framed 48-1/2” x 39-1/2” $1,500-$2,500 Provenance: Sold in these rooms April 20, 2013, lot 525; private collection, Ohio.

924

372

925 George III Mahogany Serpentine Chest of Drawers 18th century, the top with a molded edge over four graduated long drawers, the case with chamfered and fluted front corners, raised on ogee bracket feet. h. 35-1/2”, w. 41-1/2”, d. 21” $1,000-$1,500

925

926 English Chinoiserie-Decorated Writing Desk 19th century, in the Regency taste, the top set with a leather blotter, the aprons decorated with traditional chinoiserie themes, raised on slender cabriole legs. h. 30-1/2”, w. 45”, d. 24-1/2” $2,000-$4,000

926

927 Pair of English George III Japanned Hanging Cupboards fourth quarter 18th century, the tops mounted with serpentine splash boards and two graduated shelves, the barrel-form cupboards richly decorated with raised gilt chinoiserie, the doors mounted with pierced butterfly hinges, the Chinese red interiors with shelves, set with plate rails. h. 44-1/2”, w. 15”, d. 15” $1,200-$1,800

927

373

928 Pair of Queen Anne-Style Chinoiserie-Decorated Cabinets 19th century, each with a shaped top over a single bowfronted door and raised on cabriole legs ending in slipper feet. h. 31”, w. 31”, d. 17” $2,000-$4,000 929 Lodewijk Johannes Kleijn (Dutch, 1817-1897) “Midday in the Countryside” oil on panel signed lower left. Framed. 10” x 12”, framed 19-1/2” x 22”

928

$1,000-$1,500

929

930 Queen Anne-Style Burl Wood Secretary 18th century and later, the molded and double-domed cornice surmounted by carved finials, over two paneled doors, opening to an interior fitted with a central cupboard, surrounded by various drawers and cubbyholes, including two faux book bindings, removing to reveal storage compartments, the lower section fitted with a slant front opening to an inset leather writing surface and a central cupboard, surrounded by drawers and cubbyholes, over a single long drawer with a central kneehole cupboard below, flanked by three small drawers to either side, raised on bun feet. h. 99”, w. 44-1/4”, d. 22” $1,500-$2,500

930

374

931 Dutch Parquetry-Inlaid Tea Tray early 19th century, the oval tea tray inlaid with musical trophies, cherubs, scrollwork and baskets of flowers, the gallery sides inlaid with “striping”, set with period brass handles. h. 2”, w. 26-3/4”, d. 17” 931

$800-$1,200

932 Regency Mahogany Tilt-Top Breakfast Table early 19th century, the figured top with a reeded leading edge and mounted to a turned standard and four shaped and reeded down-curved legs ending in brass caps and casters. h. 28”, w. 52-1/2”, d. 50” $1,000-$1,500

932

933 Pair of George III-Style Mahogany and Leather Wing Chairs 20th century, of traditional form, with exaggerated flared wings, each with a loose seat cushion, raised on straight square legs with blind fret carving and joined by stretchers. h. 47”, w. 33”, d. 26”, seat h. 20” $2,000-$4,000 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

933

375

934

934 Wouter Verschuur (Dutch, 1841-1936) “Voedertijd (Feeding the Horses)” oil on beveled wood panel signed lower right. Framed. 13” x 19-3/4”, framed 18-3/4” x 25-1/4” $2,000-$4,000 935 Chinese Chippendale-Style Mahogany Games Table the rectangular top with an inset leather surface, hinged and opening to a like-inset surface, above a conforming frieze, raised on square legs, the whole richly carved in Chinese Chippendale patterns. h. 29”, w. 36-1/2”, d. 19” (closed)

935

$1,000-$1,500 936 English Mahogany Cellarette in the Chippendale Taste 18th century and later, composed of antique elements, the six-compartment cellarette with a molded handle and top trim, the bottle compartments with removable copper liners, raised on Marlborough legs with scrolled and pierced corner brackets, on period brass and leather casters. h. 19-1/4”, w. 20”, d. 13-3/4” $800-$1,200

936

376

937 George III Mahogany and Satinwood Inlaid Tilt-Top Tea Table 18th century, the circular top with a kingwood-banded edge and central inlaid patera with musical instruments, mounted to a turned and spiral-carved standard with three outstretched legs. h. 29”, dia. 29” $800-$1,200

937

938

938 Mabel H. Wigan (British, 19th/20th Century)

937 detail

“Portrait of a Young Boy”, 1908 oil on canvas signed and dated lower right. Framed. 19” x 14-1/2”, framed 23-3/4” x 19-1/2” $800-$1,200 939 Georgian Oak Chest 18th century, the rectangular top with a banded and molded edge, above a conforming case fitted with two short drawers over three long graduated drawers, all with herringbone banding, raised on shaped bracket feet. h. 37-1/2”, w. 39”, d. 22-1/2” $1,000-$1,500

939

377

940 George III Banded Mahogany Chest-on-Chest 18th century, the upper case with a dentillated overhanging molding, over a row of three side-by-side drawers and three long graduated drawers, each with brass batwing brasses and trimmed with satinwood banding, the base with three graduated long drawers of like form, raised on a bracket-foot base. h. 65-1/2”, w. 40-1/2”, d. 19-1/2” $1,200-$1,800

941 Pair of Anglo-Indian Teakwood Armchairs in the colonial taste, each with a curved crest rail over a reeded and X-form slat, and down-curved reeded armrests terminating in scrolled knuckles, raised on turned and fluted legs, each caned seat now fitted with a board and loose cushion. h. 34”, w. 22”, d. 20”, seat h. 20” $800-$1,200 Provenance: Estate of James “Jim” Mounger, New Orleans, Louisiana.

942 Indian Vizagapatam Horn-Veneered Work Box

940

mid-19th century, of sarcophagus form, veneered with horn, the top with a horn foliate finial, lifting to reveal a fitted interior with various compartments, trimmed with ebonized wood and raised on carved bun feet. h. 8-1/4”, w. 14-3/4”, d. 8-1/4” $1,500-$2,500

942 941

378

943 Anglo-Indian Vizagapatam Horn Writing Slope mid-19th century, the exterior veneered in horn on sandalwood, the interior trimmed with engraved horn and ebony, the back compartment with sandalwood panels, other compartments with original glass inkpots, and a pen holder, the writing surface lined with velvet and the wrist rest carved with end mounts. h. 5-1/4”, w. 15-1/2”, d. 11” $1,200-$1,800

943

944

944 Suite of Four Anglo-Indian Teakwood Chairs 19th century, each with a relief-carved back supported by back posts with serpents, the padded seat set within a gadroon-carved frame, raised on serpent-carved legs. h. 38”, w. 20”, d. 19”, seat h. 20” $1,000-$1,500

945 Pair of Anglo-Indian Bamboo Side Tables/Etageres early 20th century, each with a woven top over curved bamboo legs joined by like woven shelves with three-quarter galleries. h. 42-1/2”, w. 21”, d. 13” $1,000-$1,500 945

379

946 Anglo-Indian Bamboo Side Cabinet early 20th century, the upper section set with a rectangular mirror on the left and a framed and painted panel on the right, the base with a single drawer over a glazed door, all elements framed with bamboo stalks. h. 62”, w. 23”, d. 16-1/2” $1,000-$1,500

947 Pair of Victorian-Style Bamboo and Rattan Armchairs 20th century, the bamboo frames dressed with woven accents, with padded backs and loose seat cushions. h. 38”, w. 23”, d. 24”, seat h. 19” $1,200-$1,800

946

947

948 Victorian Rosewood Three-Tier Etagere 19th century, the open shelves supported by spiral-turned standards, the top corners dressed with turned finials, the base with a single drawer and raised on turned legs ending in brass casters. h. 45”, w. 19”, d. 16” $500-$800

948

380

949 Early Victorian Rosewood Side Table mid-19th century, the rounded rectangular top above a plain frieze with corner pendant finials, raised on double barley-twist end supports to platform bases, joined by a barley-twist stretcher and raised on toupie feet on casters. h. 28”, w. 39”, d. 20” $1,000-$1,500

949

950 Pair of William IV Mahogany Overstuffed Club Chairs 19th century, each with a diamond- and tubulartufted back, padded arms and seat, the skirt dressed with long twisted fringe, raised on turned legs. h. 39”, w. 36”, d. 35”, seat h. 17” $1,200-$1,800

950

951 William Widgery (British, 1822-1893) “Lydford Gorge, Devon, England” oil on canvas Framed. 72” x 52”, framed 78-1/2” x 58-1/4” $1,500-$2,500

951

381

952 Regency-Style Mahogany Center Table 19th century, the circular top raised on three shaped supports headed by carved lion’s masques and ending in scrolled toes, on a concave tripartite base. h. 30”, dia. 42” $2,000-$4,000 953 Stylish William IV Brass and Steel Wine Cooler ca. 1830, the steel basket-form upper section mounted with original brass foliate-molded ring pulls, with a brass liner, supported on steel acanthus-molded cabriole legs, raised on steel paw feet. h. 24-1/2”, dia. 13” $1,000-$1,500

952

954 Regency-Style Pollard Oak Dining Table 20th century, the highly figured circular top mounted to an in-curved tapered triangular standard, to a conforming triangular platform, raised on carved paw feet with brass casters. h. 30”, dia. 73” $1,500-$2,500

953

954

382

955 Peshawar Sultanabad Carpet 9’ 1” x 11’ 9” $1,500-$2,500

955

956

956 English Yew Wood Console Table 18th century, the rectangular top with a molded edge and raised on block-and-turned legs joined by stretchers, on ball feet. h. 31-1/2”, w. 26”, d. 14-1/2” $800-$1,200

957 Pair of William IV Mahogany Hall Chairs 19th century, each with a curved back rail with a central figured mahogany panel and painted stag, over a paneled back, with a painted shield-form crest, over a dished plank seat, raised on down-curved legs. h. 33”, w. 18”, d. 21”, seat h. 17” $1,000-$1,500 957

383

958 Pair of William IV Carved Mahogany Hall Chairs 19th century, each having a back with a stylized shield-form panel and eagle head at each corner, over a shaped plank seat, raised on down-curved legs. h. 35-1/2”, w. 17”, d. 17”, seat h. 17” $1,000-$1,500

958

959 William IV Mahogany and Marble-Top Server mid-19th century, the rounded rectangular marble top joined to three lower shelves by turned baluster-form supports, raised on a plinth base. h. 42-1/2”, w. 43-1/2”, d. 16-1/2” $1,000-$1,500

959

960 Pair of William IV Bronze and Marble Candelabra Lamps ca. 1930, each set with three electrified bronze patine candle sockets on leaf-molded branches, supported on Siena marble column-form standards set with patine Ionic capitals, on leaf-molded bronze bases raised on Siena marble tripartite plinths, mounted as lamps and fitted with small shades. h. 28-3/4”, dia. 9-1/2” $800-$1,200

384

960

961

961 William IV-Style Mahogany Partner’s Desk 20th century, the top with three inset green leather blotters, each side fitted with five drawers, each end with a pull-out writing slide, raised on turned and reeded legs. h. 30”, w. 56”, d. 31” $1,000-$1,500

962 William IV Mahogany Extension Dining Table

962

19th century, in the manner of Gillows of Lancaster and London, the top with rounded corners, opening to receive 66” inches of leaves, five leaves present, raised on turned and reeded legs ending in brass cup casters. h. 29”, w. 42”, l. 72”, ext. l. 138” $1,500-$2,500

963 William IV Mahogany Trolley 19th century, with two open shelves, each with threequarter galleries, supported by block-and-turned reeded supports, the lower section fitted with a pair of framed and paneled doors, raised on turned and lobed feet. h. 45”, w. 42”, d. 18” $700-$1,000

963

385

964 Semi-Antique Mahal Carpet 9’ 6” x 13’ $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

964

965 Regency Mahogany Tilt-Top Breakfast Table 19th century, the rectangular top with rounded corners and a molded edge, and mounted to a turned standard with four outstretched downcurved legs ending in brass caps and casters. h. 28-1/2”, w. 41”, l. 56-1/2” $1,000-$1,500

965

966 Pair of Italian Giltwood and Brass Sconces mid-20th century, in the Regency taste, each tasselform backplate mounted with a displayed eagle on an acanthus-carved base, and set with three scrolled candle arms mounted with brass candle sockets and drip pans, accented with metal scrolls set with giltwood medallions holding tassels on chains. h. 34-1/2”, w. 15”, d. 9” $1,500-$2,500 966

386

967 Pair of Regency-Style Rosewood Four-Tier Etageres 20th century, each with four open shelves, the top with a three-quarter gallery, each shelf supported by block-andturned corner posts, the base of each fitted with a drawer. h. 55-1/2”, w. 22”, d. 16” $1,200-$1,800

968 Pair of Regency-Style Ebonized and Caned Armchairs 20th century, each with downswept arms, and a caned seat, back and arms, fitted with a loose seat cushion and raised on out-curved legs. h. 40”, w. 27”, d. 24”, seat h. 19”

967

$1,000-$1,500

969 Highly Unusual Regency Satinwood and Floral-Painted Writing Desk 19th century, the top with a leather-covered writing slope over a pull-out checkerboard slide, raised on a pair of trestle-form ends joined by a turned stretcher. h. 28-1/2”, w. 55”, d. 24” $1,800-$2,500

968

969

387

970 Chinese Export Famille Rose Porcelain Bottle Vase Qing Dynasty (1644-1911), decorated with pheasants on branches, peonies and plums, on a turquoise ground, the base with a red Qianlong-style seal mark. h. 17-3/4”, dia. 8-1/2” $700-$1,000

970

971 Pair of Custom Overstuffed Club Chairs with tufted backs and out-rolled arms, and padded seats trimmed with tassels and long braided fringe. h. 38”, w. 35”, d. 35”, seat h. 18” $1,200-$1,800

971

972 Carved Mahogany Four-Post Canopy Bed, in the Manner of Robert Adam ca. 1790-1800, the carved and molded canopy with front and side arches, upholstered with Colefax and Fowler “Mayfield” chintz, supported by turned, reeded and carved posts. h. 109”, inside w. 63”, l. 77”, outside w. 72”, l. 86” $5,000-$8,000 Provenance: John D. Rockefeller to Mr. & Mrs. Douglas Chandor of White Shadows, Weatherford, Texas; thence to the present owner. The Rockefeller bed was acquired by the present owner at the estate sale of Mr. & Mrs. Douglas Chandor, after his death in 1953. Douglas Granvil Chandor (1897-1953), was an accomplished American portrait painter. His sitters included Winston Churchill, Franklin and Eleanor Roosevelt, Elizabeth II, and president Herbert Hoover. He also designed the Chandor Gardens in Weatherford, Texas, which are a recorded Texas Historic Landmark.

972

388

973 Pair of Regency Polychrome and Parcel-Gilt Armchairs 20th century, each with a classical carved back crest over a padded panel and seat, raised on carved and tapered square legs. h. 41-1/2”, w. 23-1/2”, d. 22”, seat h. 20” $1,200-$1,800

974 Pair of Painted Wood and Tole Urns early 20th century, in the Adam taste, the conical wooden covers accented with painted leaves over bodies with delicate painted filigree work framed with painted laurel leaves and faux fluting, on a teal ground, the wooden bases painted with branches of ivy. h. 36-1/2”, dia. 10-1/2”

973

$1,000-$1,500

975 Pair of Regency-Style Pickled Pine Bookcases each with a breakfront top above a dentillated cornice and carved frieze, with three banks of adjustable shelves below, the dividers with floral-swag carving, raised on a plinth base. h. 46-1/2”, w. 56”, d. 12” $1,500-$2,500

974

975

389

976 Boehm Bronze Pegasus on a Marble Base 20th century, the mythical winged horse on a rocky outcropping, with an incised signature, “Limited Edition, Boehm, England”, on a white- and pink-veined gray marble base. h. 23-1/4”, w. 14-1/4”, d. 17-3/4” $1,000-$1,500

976

977 Edwardian Japanned Shaving Mirror early 20th century, decorated with raised mandarin figures on a red ground, the unusually large mirror with a shaped crest over side pilasters framing the antique mirror plate, over a serpentine base mounted with a drawer, raised on short cabriole legs. h. 47-1/2”, w. 33”, d. 11” $1,400-$1,800

977

978 English Chinoiserie and Faux-Bamboo Writing Desk 19th century, the top with a three-quarter pierced brass gallery, over a pair of bow-fronted drawers, raised on faux-bamboo turned legs. h. 28-1/4”, w. 42”, d. 18” $1,000-$1,500

978

390

979 English Chinoiserie-Decorated Bookcase 19th century, the upper section with four open shelves, on a base with a pair of framed and paneled doors over a long drawer, the whole decorated with traditional chinoiserie scenes. h. 54”, w. 25-1/2”, d. 12” $1,000-$1,500 980 Edwardian Inlaid Satinwood Revolving Book Stand early 20th century, the lamp stand top above three graduated revolving circular bookcases, lined with velvet and accented with ebony inlay, supported on inlaid legs ending in brass paw feet on casters. h. 54-1/4”, dia. 18-1/2” $1,200-$1,800

979

980

981 Semi-Antique Heriz Carpet 8’ 4” x 11’ 2” $2,000-$4,000

981

391

982 Regency Mahogany Console Table 19th century, probably by Gillows of Lancaster and London, the top with an ogee-form under molding mounted to turned and reeded legs, joined by a lower shelf and raised on tapered, turned legs. h. 35”, w. 36”, d. 18” $1,200-$1,800

982

983

983 Regency Mahogany Bowfront Chest ca. 1800, the front with a pair of curved drawers over three long drawers, each match-veneered in figured mahogany, raised on bracket feet. h. 40-1/2”, w. 41”, d. 19” $1,000-$1,500

984 Regency Mahogany Linen Press 19th century, in two parts, the upper case with a pair of framed and paneled figured mahogany doors, the base fitted with a pair of side-by-side drawers over two long drawers, raised on bracket feet. h. 78-1/2”, w. 44”, d. 21” $1,000-$1,500

984

392

985 986

985 Regency Rosewood Side Table 19th century and later, the rounded rectangular top raised on ebonized end supports, joined by a parcel-gilt turned stretcher and ending in gilt scrolled carvings to runner feet. h. 30”, w. 54-1/2”, d. 21-1/2” $1,200-$1,800 986 Diminutive George III-Style Mahogany Bachelor’s Chest 20th century, the banded and line-inlaid top over a pair of side-by-side drawers and three long drawers, each with like banding, raised on a scalloped base with splayed legs. h. 29-1/2”, w. 24”, d. 15” $1,000-$1,500 987 Continental School (ca. 1900)

987

“Girl with Young Robin” oil on canvas unsigned, titled on handwritten label en verso. In an attractive oval-apertured frame. 18” x 15-1/4”, framed 24” x 20-3/4” $1,500-$2,500 988 Unusual French Plum Pudding Mahogany and Marble-Top Baker’s Table 19th century, the front fitted with a large pull-out work slide, over a pair of drawers and two cabinets below, raised on tapered square legs. h. 37”, w. 61”, d. 27” $1,200-$1,800

988

393

989 Transitional Louis XV/XVI-Style Giltwood Settee ca. 1900, the curved back centered by a ribbon- and foliatecarved crest, over a carved bowed seat rail, raised on tapered twist-reeded legs, the seat fitted with a loose cushion. h. 33-1/2”, w. 46”, d. 25” $1,000-$1,500 990 Pair of E.F. Caldwell-Attributed Bronze Sconces ca. 1920s, New York, the Art Deco sconces with mirrored backplates cut with sunbursts, in faceted surrounds molded with fleurs-de-lis and set with pairs of scrolled candle branches, set with turned candle sockets. h. 14-1/2”, w. 12”, d. 5-1/2” 989

$1,000-$1,500 991 Pair of E.F. Caldwell Gilt-Bronze Sconces early 20th century, in the Louis XV taste, the pierced bronze leaf-molded backplates set with three foliate-molded arms, the center arm supported by molded ribbons, with trumpetform leaf-molded drip pans, set with inverted bell-form candle sockets, the backs with an impressed lozenge with a “C” in the center. h. 25-1/2”, w. 13-1/2”, d. 9-1/2” $1,200-$1,800 992 Set of Twelve Gilt-Engraved Shrimp Cocktail/Dessert Goblets

990

early 20th century, the bold crystal stemmed dishes engraved with gilt grapevine borders and swags of leaves, together with ten cocktail sauce inserts. h. 7”, dia. 5-1/4” $700-$1,000 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana.

991

394

992

993 French Gilt-Metal and Glass Centerpiece ca. 1900, the upper pierced frame decorated with swags of laurel leaves hung from the reeded edge and set with ring pulls, now mounted with a Fostoria “American” pattern bowl, on a faceted crystal pedestal with gilt-metal trim, the base stamped “France”. h. 10”, dia. 11-1/2” $700-$1,000 994 Pair of French Parcel-Giltwood Wall Brackets 19th century, in the Louis XIV taste, the pulvinated shelf accented with carved acanthus leaves, the tapered body with large carved leaves supported on scrolls, the ogee-form bottom finials terminating in cones. h. 22-3/4”, w. 15-1/4”, d. 10-1/4”

993

$1,200-$1,800 995 French Bronze “Versailles”-Style Hall Lantern early 20th century, the nineteen-light lantern with a pierced fleur-de-lis cornice set with Baroque strapwork supporting the inverted bell-form lantern, set with panels of beveled glass, the bronze mounts with applied medallions, a large ring forming the lower pendant finial. h. 49”, dia. 20” $1,500-$2,500 996 Pair of French Giltwood Folding Stools

994

20th century, each with a padded seat cushion set on an X-form carved giltwood base. h. 24-1/2”, w. 26”, d. 16-1/2” $1,500-$2,500

996 995

395

997 French Carved Beechwood Sofa 19th century, the crest rail centered with a carved basket of flowers, over a padded back and arms, with a loose seat cushion, the front apron heavily carved with floral garlands. h. 43”, w. 81”, d. 34”, seat h. 24” $1,800-$2,500 998 Pair of Faux Marbre Chenets contemporary, in the Louis XV taste, composed of molded resin, decorated with Greek sphinxes, after a design by Nicolas Coustou. h. 19”, w. 13-1/4”, d. 7” 997

$700-$1,000 999 Turkish Angora Oushak Carpet 9’ x 12’ 2” $1,400-$1,800 1000 Turkish Angora Oushak Carpet 10’ 2” x 14’ 2” $1,800-$2,500

998

999

396

1000

1001 Louis XV Gilt-Bronze and Porcelain Mantel Clock ca. 1750, Paris, the gilt-bronze waisted case decorated with foliage, rocaille and C-scrolls, the pierced body backed with later red silk and later embellished with porcelain flowers on green tole stems, on four scroll feet, the enameled dial with Roman numerals and Arabic chapters, and a gilt fleur-de-lis between each hour, inscribed “GILLE L’AINE / A PARIS”. h. 20-1/2”, w. 16-1/4”, d. 5-1/2” $5,000-$8,000 Provenance: Partridge, London, England, 2003; The Collection of Adolphus Andress, Jr. and Emily Taylor Andrews, Christie’s, New York, New York, June 18, 2024; Private collection, Dallas, Texas. 1002 Italian Giltwood and Plate-Glass Coffee Table the faux-bois-carved oak leaf and acorn frame set with a thick, oval plate-glass top, raised on carved legs of like form. h. 20”, w. 52”, d. 27”

1001

$2,000-$4,000 1003 Petite French Gilt-Bronze Chandelier early 20th century, the vasiform gilt-bronze and molded crystal standard hung with mauve drops, supporting three leaf-molded branches terminating in flower-molded candle sockets and matching drip pans, hung with large rock crystal drops and smaller prisms. h. 20”, dia. 14” $800-$1,200

1002

1004 Louis XV-Style Polychrome Stool the shaped rectangular top with Aubusson floral upholstery, above a conforming frieze with foliate gilt accents, raised on cabriole legs ending in gilt scrolled toes. h. 17”, w. 24”, d. 18” $800-$1,200

1003

1004

397

1005

1005 Partial Service of Italian Gilt-Decorated Glass Stemware 20th century, all with gilt borders decorated with anthemia and scrollwork, accented with white enamel beading, the large centerpiece footed bowl further embellished with a mythological marine scene of tritons and putti amid sea creatures, the service including: ten water goblets, h. 7-1/2”; twelve wine goblets, h. 6-1/4”; eighteen martini/cocktail glasses, h. 5-3/4”; and a footed bowl, h. 7”, dia. 9-1/2”. (41 pieces total) $1,000-$1,500 1006 French Belle Epoque Bronze and Crystal Chandelier early 20th century, the seven-light chandelier with a pierced corona and matching chains supporting the tapered and pierced body, set with one concealed socket, and mounted with scrolled and pierced branches, set with foliate-molded drip pans and fluted candle sockets, hung with spherical and cylindrical crystal drops. h. 31”, dia. 15-1/4”

1006

$1,000-$1,500 1007 Pair of French Belle Epoque Gilt-Bronze Candelabra late 19th century, the seven-light candelabra with leafmolded candle bobeches and inverted bell-form candle sockets, on scrolled leaf-molded branches, on vasiform standards and bases with rocaille decoration. h. 24”, dia. 14” $1,200-$1,800

1007

398

1008 Pair of French Giltwood Fauteuils 19th century, each with a foliate-carved back, padded back, seat and elbow rests in a flame stitch fabric, raised on cabriole legs ending in scrolled toes. h. 40-1/2”, w. 27”, d. 22-1/2”, seat h. 16” $1,200-$1,800 Provenance: From the historic Woolworth Mansion, 4 East 80th Street, New York, New York. 1009 Pair of French Giltwood Fauteuils 19th century, each with a foliate-carved back, padded back, seat and elbow rests in a flame stitch fabric, raised on cabriole legs ending in scrolled toes. h. 40-1/2”, w. 27”, d. 22-1/2”, seat h. 16”

1008

$1,200-$1,800 Provenance: From the historic Woolworth Mansion, 4 East 80th Street, New York, New York. 1010 After Emile Louis Picault (French, 1833-1915) “Le Livre” patinated bronze ca. 1900, cast signature at corner of self-base, marked “Salon des B(eaux) Arts, 1896” along side. h. 27”, w. 14-1/2”, d. 10-1/2” $2,000-$4,000 1011 Pair of French Bronze and Rock Crystal Neoclassical Sconces

1009

second quarter 20th century, the quiver-form backplates supporting pierced bowknots, set with leaf-molded and reeded candle branches mounted with beaded drip pans and leaf-molded candle sockets, all hung with rock crystal drops. h. 19-1/4”, w. 13-1/4”, d. 4” $1,400-$1,800

1011

1010

399

1012 Gilt-Bronze Mirror in the French Rococo Taste mid-20th century, the crest with a swan’s-neck pediment framing a rococo finial, the inverted pear-shaped mirror lined with molded rocaille work and accented with scrollwork flower heads and lattice piercing, set with a beveled mirror plate, the back with an unidentified molded mark and “Registrado”. h. 37”, w. 23-1/4” $1,500-$2,500 1013 French Belle Epoque Gilt-Bronze and Crystal Chandelier ca. 1900, the three-light chandelier with a bronze standard wrapped with flowering vines, supporting an inverted pearform body cut with spiral fluting, ornamented with scrolled branches set with putto heads, hung with swags of roses. h. 38”, dia. 17” $2,500-$4,000 1014 Charles Francois Daubigny (French, 1817-1878)

1012

“Landscape with Cottage”, 1861 oil on wood panel signed and dated lower right, handwritten note with artist’s name, inventory stencil and two wax seals en verso. Framed. 9-3/4” x 13-1/8”, framed 19” x 22-3/4” $7,000-$10,000 1013

1014

400

1015 detail 1015 detail

1015

1015 Grand French Belle Epoque Silver Tea Service ca. 1900, by Edmond Tetard, Paris, first standard (.950) silver, including: a kettle-on-stand, h. 19” (21-1/2” with handle), l. 11-1/4”; a coffeepot, h. 11-1/4”, l. 8-3/8”; a teapot, h. 9”, l. 10”; a covered sugar bowl, h. 7-3/4”, w. 7-1/2”; and a cream jug, h. 6”, l. 4-1/2”; each with a squat body decorated with a wide band of rinceaux centering ribboned oval cartouches, with waisted and gadrooned collars, acanthus-mounted spouts and handles, with ram’s masques medallions and figural putto finials, monogrammed “LV” with a comital crown. 231.01 total t. oz.

1016

$10,000-$15,000 1016 Louis XV-Style Giltwood Stool early 20th century, now upholstered with a cushion on a carved frame, raised on cabriole legs with French toes. h. 23”, w. 41-1/2”, d. 19” $1,000-$1,500 1017 Pair of Louis XV-Style Polychrome and Parcel-Gilt Child’s Chairs 20th century, each with carved roses centered on the crest rail, over a padded back and seat, raised on cabriole legs. h. 31”, w. 16”, d. 15”, seat h. 15” $800-$1,200 1017

401

1018 French Belle Epoque Gilt-Bronze Chandelier early 20th century, the six-light chandelier with a leaf-pierced, reeded and fluted standard accented with bronze scrolls mounted with busts of classical maidens, above the scrolled, leaf-molded arms, set with lights mounted with frosted glass floriform shades, the bases of the arms emanating from satyr masques mounted on scrolls, with a cone-form pendant finial. h. 29-1/2”, dia. 23” $1,000-$1,500 1019 French Louis Philippe Giltwood Mirror mid-19th century, set with a crest decorated with a scroll- and rocaille-carved center ornament, flanked by sprays of flowers, the egg-and-dart-carved surround with rounded corners, set with a beaded liner. h. 47-3/4”, w. 30” $1,000-$1,500 1020 Pair of Brass-Mounted Opaline Lamps

1018

mid-20th century, attributed to Warren Kessler, New York, the vasiform glass lamps set with acanthus-molded, scrolled brass handles and engine-turned mounts, above lotus-leafmolded bases. h. 32”, dia. 8” $1,000-$1,500

1020

402

1019

1021

1021 French Giltwood and Marble-Top Console Table early 20th century, in the Louis XV taste, with a shaped Sarrancolin marble-inset top, the sides carved with sprays of flowers, raised on cabriole legs joined by a carved stretcher. h. 39”, w. 60”, d. 19” $1,200-$1,800 1022 Pair of French Giltwood Wing Chairs

1022

early 20th century, in the Louis XV taste, each with a carved and molded frame and reversible loose seat cushion, raised on cabriole legs. h. 43-1/2”, w. 31”, d. 29”, seat h. 20” $1,200-$1,800 1023 French Belle Epoque Gilt-Bronze Chandelier late 19th/early 20th century, the twelve-light chandelier with a domed corona set with swan-form hooks, mounted with pierced bronze chains, the body with a central bouquet of carefully detailed flowers and the bottom molded with a satyr, terminating in a pendant acorn finial. h. 36-1/2”, dia. 24” $2,000-$4,000

1023

403

1024

1024 Louis XV-Style Polychrome and Upholstered Bed early 20th century, of sleigh form, the headboard and footboard both with toile-covered panels, the frames with shell-carved details, joined by shaped rails. h. 33”, inside w. 55”, l. 75”, outside w. 59”, l. 81” $1,000-$1,500 1025 French Belle Epoque Parcel-Giltwood Four-Panel Screen late 19th century, the pierced ribbon-carved crests over top panels with oval oil-on-canvas paintings of court figures in the 18th-century taste, against a tan ground accented with carved and raised scrolled berries and leaves, the center panels set with silk and the bottoms with rectangular giltwood raised panels with corner rosettes. h. 70-1/2”, w. 68” $1,000-$1,500 1026 Louis XVI-Style Giltwood Three-Piece Salon Set ca. 1900, comprised of a caned settee with an oval, paneled back, floralcarved crest and raised on turned and carved legs, h. 45”, w. 50”, d. 23-1/2”, seat h. 15”, together with a pair of like wing chairs, h. 44”, w. 25”, d. 24”, seat h. 15”. $1,000-$1,500

1026

404

1025

1027 Two Carved Giltwood Urn Lamps 19th century, one example with a laurel-carved rim and displayed eagle handles, over acanthus leaves trimmed with reeding, h. 33-1/4”, dia. 10-1/4”, and the other Belle Epoque example carved with acanthus leaves, on an oblong fluted urn mounted with leaf-carved accents, supported on ribbonbound laurel leaves, h. 31-3/4”, w. 14-1/4”, d. 9-1/4”. $800-$1,200 1028 French Louis XV Parcel-Gilt Trumeau Mirror late 18th century, the upper tablet set with an oil-on-canvas painting of a courting couple, framed with giltwood scroll and rocaille work, on a pale green ground, over a mirror plate with giltwood trim, carved with a shell, flanked by sprays of flowers. h. 67-1/2”, w. 47”

1027

$1,500-$2,500 1029 French Gilt-Bronze Lantern in the Louis XV Taste early 20th century, of inverted pear form, molded with leaves accented with rocaille work, set with a three-light interior, the bottom with a scroll-molded pendant finial. h. 28-3/4”, dia. 17” $1,500-$2,500 1030 After Francois Rude (French, 1784-1855) “The Education of Achilles by the Centaur Chiron” patinated bronze after the 18th-century painting by Jean-Baptiste Regnault (1754-1829), now conserved at the Musee de Louvre. h. 17-1/2”, w. 17”, d. 8-1/2” $1,200-$1,800

1028

1030

405 1029

1031

1031 Louis XVI-Style Giltwood Chaise Lounge 19th century, the carved frame with one end designed as a bergere, fitted with a loose seat cushion, raised on turned and fluted legs. h. 38”, w. 27”, l. 72”, seat h. 18” $1,500-$2,500 Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana. 1032 Pair of French Marble and Bronze Candelabra Lamps ca. 1830, the four-light lamps with engine-turned bronze candle cups set on scrolled arms, mounted on columnform Siena marble standards with engine-turned capitals, terminating in scrolled, patinated bases mounted with eagle heads, on tripartite Siena marble plinths, fitted with lampshades. h. 30”, dia. 15-1/4”

1032

$800-$1,200 1033 Pair of French Silver-Leafed Wooden Stools early 20th century, in the Louis XV taste, each with a padded seat over a carved frame, raised on cabriole legs joined by an X-form stretcher. h. 18”, w. 18”, d. 18” $1,000-$1,500

1033

406

1034 French Gilt-Bronze and Crystal Chandelier early 20th century, the balloon-form bronze frame supported on a turned bronze standard, set with eight interior light sockets, one section clad with green opaline glass, the corona with sprays of star-form cut-glass medallions, supporting large cut-glass prisms. h. 28”, dia. 18” $2,500-$4,000

1034

1035 Louis XV-Style Polychrome Bench 19th century, the padded rectangular seat above a shaped apron centered by a gilt shell and foliate carving, raised on cabriole legs headed by shell carving, joined by an X-form stretcher and ending in foliatescrolled toes. h. 19”, w. 39-1/2”, d. 18” $1,000-$1,500 1035

1036 Louis XV-Style Ebonized Japanned Mechanical Writing Desk mid-20th century, the top with a pierced brass gallery over a row of four drawers with floral-painted scenes, the hinged lid opening to a mechanical slide-out interior, raised on cabriole legs. h. 42-1/2”, w. 21”, d. 31” $1,000-$1,500

1036

407

1037 Pair of Napoleon III Bronze Chenet Lamps third quarter 19th century and later, decorated with urn finials trimmed with fret-molded Greek keys and hung with swags, on curving bronze balustrades set with lion’s heads, now on ebonized bases and fitted with lampshades. h. 21-3/4”, w. 12-1/2”, d. 5” $800-$1,200

1037

1038 French Belle Epoque Giltwood Mirror late 19th century, the pierced crest decorated with a wreath and crossed torch and quiver, framed with sprays of laurel branches, the surround with cut corners, molded with ribbon-bound laurel leaves, and the beveled mirror plate secured with a beaded liner. h. 65-1/2”, w. 40” $1,500-$2,500 1039 Red-Lacquered Chinoiserie-Decorated Commode 19th century, of serpentine form with three long graduated drawers, each with traditional Chinese scenes and landscapes, raised on cabriole legs. h. 36”, w. 45-1/2”, d. 23” $2,000-$4,000

1038

1039

408

1040

1041 Suite of Eight French-Style Fruitwood Dining Chairs

1040 Georges Stein (French, 1870-1955)

in the Louis XV taste, comprised of a pair of armchairs, h. 46”, w. 25-1/2”, d. 18-1/2”, seat h. 19”, and six side chairs, h. 46”, w. 20”, d. 18-1/2”, seat h. 19”, each with a pierced and carved back and padded seat, raised on slender cabriole legs.

“City Street at Twillight” oil on canvas signed lower right, an “E. Thibault, Tours” supply label en verso along with a hand-drawn map identifying the location. Framed. 10-3/4” x 16-1/2”, framed 18-1/2” x 24”

$1,200-$1,800

$2,000-$4,000

1041

409

1043 1042

1042 Exceptional French Fin-de-Siecle Bronze, Glass and Fabric Billiard Table Light fourth quarter 19th century, fitted with seventeen lights, the acanthus-decorated, reeded, vasiform canopy supporting arms decorated with swags of flowers, joined with bronze drapery terminating in scrolled side arms, decorated with winged dragons, the scrolls supporting a pierced and lobed center frame, set with a cut-velvet and passementerie shade, concealing four lights and hung with fringe, the perimeter of the light set with scrolled, downturned bronze arms mounted with floriform frosted glass shades. h. 58”, w. 21-1/2”, l. 62” $3,000-$5,000 1043 French Louis XV Boiserie and Painted Panel third quarter 19th century, the provincial gray-painted boiserie section carved with scrollwork and set with an oil-oncanvas painted panel of a lake with boats, framed with a ruin and foliage. h. 49-1/2”, w. 43-1/2” $1,000-$1,500 1044 Antique Turkmen Carpet 6’ 6” x 13’ $1,000-$1,500 1044

410

1045 Semi-Antique Tabriz Carpet 13’ 4” x 15’ 4” $3,000-$5,000 1046 Biedermeier Fruitwood Side Table 19th century, the circular top with a line-inlaid border, the front apron fitted with a conforming drawer, raised on lyreform ends to a platform base, raised on turned and ebonized feet. h. 30”, dia. 19” $1,000-$1,500

1046

1047 Pair of Biedermeier-Style Fruitwood Occasional Tables 20th century, each with a dished oval top over a frieze fitted with a single drawer, joined to a lower smaller shelf and a concave base by shaped supports headed by swan’s-neck supports, the whole raised on peg feet. h. 24-1/2”, w. 16”, d. 11-1/2” $1,000-$1,500 1047

1045

411

1048 Biedermeier Burled Fruitwood Display Cabinet mid-19th century, the molded and stepped cornice with ebonized accents, above a case fitted with a single glazed door, with a mirrored interior, flanked by columnar uprights with ebonized foliate capitals, the lower section fitted with a single cupboard door, raised on toupie feet. h. 77”, w. 31”, d. 19” $1,200-$1,800 1049 Large Biedermeier Burr Walnut and Parcel-Giltwood Mirror early 19th century, the Baltic mirror lined with bold egg-anddart giltwood trim, the figured burr walnut surround with a serpentine carved giltwood liner. h. 66”, w. 52-1/4” $2,000-$4,000

1048

1049

1050 Biedermeier Fruitwood Occasional Table mid-19th century, the oval top with a raised edge, above a conforming paneled frieze, raised on slender sabre legs joined by an X-form stretcher. h. 29-1/4”, w. 26”, d. 19” $700-$1,000 1050

412

1051 Pair of Chinese Dragon-Carved Wooden Pedestals early 20th century, the rectangular pedestals with square tops, set with carved and pierced galleries, supported by the tails of the undulating dragons, their heads with open mouths, clutching pearls, resting on turtle-carved bases. h. 49-1/4”, w. 11”, d. 13” $1,800-$2,500

1051

1052

1052 Pair of Chinese Silver Vases late Qing/early Republic period (first quarter 20th century), retailed by Wu Heng, Tianjin, with artisan marks of Cheng, Wen and Liang, each of double gourd form and repousse decorated with a jialong among the moon and clouds, with waves below, all on a textured matte ground, with detachable opposing ringed lion’s-masque handles, applied shell and scroll rim and domed pedestal base. h. 10-3/4”, dia. 5”; 24.53 total t. oz. $900-$1,200 New Orleans Auction Galleries would like to thank Adrien von Ferscht for his assistance in the identification of this lot. 1053 Bronze Buddha Head on Wooden Pedestal Southeast Asia, the serene Buddha with a ushnisha on his head, and an embroidered cap, on a black wooden base, mounted on a pedestal. h. 38”, w. 14-1/4”, d. 14-1/4” $1,200-$1,800

1053

413

1054 Chinese Ebonized Hardwood Coffee Table 20th century, the framed flush-panel top over sides fitted with raised panels and a single working drawer, raised on square legs ending in scroll-carved toes. h. 20-1/2”, w. 35-1/2”, d. 35-1/2” $1,000-$1,500

1054

1055 Chinese Sancai-Glazed Amphora Lamp in the Tung taste, the handles molded as dragons, with applied medallions and Chinese wooden fittings, mounted with a lampshade. h. 33-1/4”, dia. 18-1/4” $800-$1,200

1055

1056 Newari Carved and Pierced Wooden Peacock Window 20th century, Nepal, the arched crest carved with a Buddha, flanked by attendants, the three-part window/screen with a peacock in a circular center panel, flanked by carved pilasters and pierced panels, the base with dragon-carved brackets. h. 49-3/4”, w. 61-3/4” $1,200-$1,800

1056

414

1057 Chinese Enamel-Decorated Patinated Bronze Vase late 19th century, the rouleau-form vase mounted with foo dog masques grasping rings on its shoulders, decorated with polychrome champleve enamel scrollwork on the neck and shoulders, and oblong panels on the body, with a wooden base. h. 32”, dia. 13-3/4” $800-$1,200

1058 Chinese Rosewood and Marble-Inset Bench early 20th century, the scrolled, carved back with three inset marble plaques, with a framed and paneled seat, raised on cabriole legs. h. 47”, w. 72”, d. 23”, seat h. 17-1/2” $1,000-$1,500

1057

1058

415

1060

1059

1059 Semi-Antique Mahal Carpet 12’ x 13’ $3,000-$5,000 1060 Antique Kurd Hamadan Carpet North West Persian, ca. 1925. 4’ 3” x 7’ $1,000-$1,500 1061 Antique Farahan Sarouk Carpet 9’ x 12’ $2,000-$4,000

1061

416

1062 Antique Serapi Carpet 9’ 3” x 12’ 9” $1,500-$2,500 1063 Antique Serapi Carpet North West Persian, ca. 1900-1910. 6’ 4” x 16’ $7,000-$10,000 1064 Antique Persian Serapi Carpet 10’ x 12’ 10” $3,000-$5,000

1062

1063

1064

417

ARTIST INDEX Adams, Wayman Elbridge (American/Louisiana, 1883-1959)

862

Harouni, David (Iranian/Louisiana, b. 1962)

American School, (20th Century)

Harshfield, Neil (American, b. 1962)

American School, (Contemporary)

14,32,76,337

Armentor, David (American/Louisiana, b. 1981)

736,737 283

Hartigan, Grace (American, 1922-2008)

Heino, Otto (American, 1915-2009)

6,7,8,9

Heldner, Knute (Swedish/Louisiana, 1875/77-1952)

739,831

Boehmer, Christian (German, b. 1984)

15,16

Holzhauer, Emil Eugen (German/American, 1887-1986)

821,907

Bourgogne, Pierre (French, 1838-1904)

496

Howard, Newton Reeve (American/Louisiana, 1912-1984)

British School, (19th Century)

924

Hoy, C. (American, 20th Century)

Bruinekool, Roger (American, b. 1935)

297

Hutchinson, Campbell Cummings (American/Louisiana, 1936-2023)

Caffery, Debbie Fleming (American/Louisiana, b. 1948)

352

manner of Gio Ponti (1891-1979)

Calas, Ted (American, Contemporary)

353

Johnson, Patricia Whitty (American/Louisiana, 1943-2008)

316

Carnes, Larry (American, 1935-2025)

Johnson, Richard A. (American/Louisiana, b. 1942)

325

Carrillo, Manuel (Mexican, 1906-1989)

828,829,896,897

Auricchio, Ann Marie (American/Louisiana, b. 1972)

729,730

740 743 260,313

207

Jones (Michael Whipple), Sky (American, b. 1947)

152

826

Karnes, Chris (American, 1965-1998)

273

Castleden, George Frederick (British/Louisiana, 1861-1945)

830

Kauba, Carl (Austrian, 1863-1922)

571

Chambers, Joshua (American/Louisiana, Contemporary)

213,216

Kelly, George M. F. X. (American, b. 1954)

583

Charavel, Paul (French, 1877-1961)

439

Kincaid, Ted (American, Contemporary)

312

Chauvin, Jane E. (American/Louisiana, act. Newcomb College 1906-1910)

883

Kleijn, Lodewijk Johannes (Dutch, 1817-1897)

929

Chism, Sandy (American/Louisiana, 1957-2013)

Knapp, Curtis (American/Louisiana, b. 1951)

335

Clarke, Peter (South African, 1929-2014)

Kohlmeyer, Ida Rittenberg (American/Louisiana, 1912-1997)

338

Cartier-Bresson, Henri (French, 1908-2004)

Communal, Joseph Victor (French, 1876-1962)

176

Koss, Gene (American/Louisiana, b. 1947)

Continental School, (ca. 1900)

987

LaBorde, Martin (American/Louisiana, b. 1943)

Cook, Jeffrey (American/Louisiana, b. 1961)

306

Laughlin, Clarence John (American/Louisiana, 1905-1985)

Costa, Giacomo (Italian, b. 1970)

347,348,349

304,310,311 913 839,840,841

Leonard, Herman (American, 1923-2010)

827

Crawford, Robert Cree (English, 1842-1924)

923

Loncar, Srdjan (Croatian/Louisiana, b. 1971)

Cruise, Alvyk Boyd (American/Louisiana, 1909-1988)

910

Maggio, Jay (American/Louisiana, Contemporary)

Mambriani, Angelo (Italian, 1877-1968)

522

1014

Marika, Denise (American, 1955-2018)

336

Daingerfield, After Marjorie (American, 1900-1977) Daubigny, Charles Francois (French, 1817-1878) Davis, Mark (American/Alabama, b. 1955)

323,324

Martin, Steve (American/Louisiana, b. 1956)

de Decker, Thomas A. (American, b. 1951)

868,870

McCrady, John (American/Mississippi, 1911-1968)

194 329,330

326 835,836,837,838

de Villasante, Carlos (American, b. 1971)

328

Milhazes, Beatriz (Brazilian, b. 1960)

732

John Hutton (1947-2006),

185

Morel, May Sydnor (American/Lousiana, d. 1920)

882

Dine, Jim (American, b. 1935)

727

Morgan, Sister Gertrude (American/Louisiana, 1900-1980)

916

Dinkins, Stephanie (American/New York, 20th Century)

345

Morrison, Pard (American, b. 1975)

327

Dunbar, George Bauer (American/Louisiana, 1927-2024)

274,277,278

Mose, Tony (American, 1968-2020)

734,735

Dutch School, (ca. 1800)

382

Mostyn, Tom (British, 1864-1930)

400

Evangeline, Margaret (American/Louisiana, b. 1943)

322

Mouton, Grover (American/Lousiana, b. 1946)

908

Farndon, Walter (American, 1876-1964)

738

Nakian, Reuben (American, 1897-1986)

Ferlinghetti, Lawrence (American, 1919-2021)

728

Ninas, Paul (American/Louisiana, 1903-1964)

Fleming, Frank (American/Alabama, 1940-2018)

18 853,854,856,857,858

914

Nixon, David Sinclair (American/Louisiana, 1904-1973)

909

Flynn, James (American/Louisiana, Contemporary)

267,268

Noyes, George Loftus (Canadian/American, 1864-1954)

873

Forbes, R.A., Stanhope Alexander (British, 1857-1947)

414

Ozols, Saskia (American/Louisiana, Contemporary)

279

William Spratling (1900-1967)

702

Pavy, Francis Xavier (American/Louisiana, b. 1954)

262,299

344

Freeman, Tina (American/Louisiana, b. 1951)

Peretti, Sibylle (German, b. 1964)

271

261,276,290

Picault, After Emile Louis (French, 1833-1915)

1010

Gasser, Henry Martin (American, 1909-1981)

871

Podesta, Alex (American/Louisiana, b. 1973)

63,64

Gates, Laura Soulliere (American/Louisiana, Contemporary)

331

Prentice, Tim (American, 1930-2025)

305

37,38,40,275,292,317,318,332

Pribyl, Ed (American, Contemporary)

12,19

Friedeberg, Pedro (Mexican, b. 1936)

Gaudet, Mitchell (American/Louisiana, b. 1962) Gervasi, Frank (American, 1895-1986)

889

Rauschenberg, Robert (American, 1925-2008)

725

Giacomelli, After Vincenzo (Italian, 1814-1890)

518

Ridgway, Linda (American/Texas, b. 1947)

307

731

Rochard, Irenee (French, 1906-1984)

430

Rockmore, Noel (American/Louisiana, 1928-1995)

855

Gilot, Francoise (French, 1921-2023) Gordy, Robert (American/Louisiana, 1933-1986)

293,301,912

Gregory, Angela (American/Louisiana, 1903-1990)

911

Rogers Palfrey, Elizabeth Goelet (American/Louisiana, d. 1933)

881

Grooms, Red (American, b. 1937)

334

Rosenkranz, Clarence Clark (American, 1871-1959)

888

Gruber, Aaronel de Roy (American, 1918-2011)

266

Rucker, Robert M. (American/Louisiana, 1932-2001)

861

Rude, After Francois (French, 1784-1855)

1030

Schaffert, Wilhelm (German, 1895-1915)

127

Schapiro, Miriam “Mimi” (Canadian/American, 1923-2015)

733

Scherrewitz, Johan Frederik Cornelis (Dutch, 1868-1951) Scott, John Tarrell (American/Louisiana, 1940-2007)

391 259,915

Seitzman, Lincoln (American, 1923-2021)

Siegel, Aimee Farnet (American/Louisiana, b. 1963)

346

Silva, Francis Augustus (American, 1835-1886)

760

Silverman, Arthur (American, 1923-2018)

350

Simon of New Orleans, (French/Louisiana, b. 1951)

Slonem, Hunt (American/Louisiana, b. 1951)

298

Smith, Michael P. (American/Louisiana, 1937-2008)

859

Solin, Timo (Swedish/Finnish, b. 1947) Spei, Martin (American, b. 1959) St. Jacques, Jean-Marcel (American/Louisiana, Contemporary) Stein, Georges (French, 1870-1955) Stewart, Allison (American/Louisiana, b. 1941)

333

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

193,228,234 204,205 1040 258,272,288

Tabouillet, Pierre Georges (French/Canadian, b. 1936)

867

Tacca, After Pietro (Italian, 1577-1640)

576

Talley, Amanda (American/Louisiana, Contemporary)

319

Towne, Charles (British, 1763-1840)

378

Uelsmann, Jerry N. (American, 1934-2022)

898

van Emmerik, Govert (Dutch, 1808-1882)

395

Verschuur, Wouter (Dutch, 1841-1936)

934

Veyrassat, Jules Jacques (French, 1828-1893)

392

Villa, Mario (Nicaraguan/Louisiana, 1953-2021)

17,168

Vonnegut, Kurt (American, 1922-2007)

New Orleans Auction does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

726

Waingortin, Alberto (Argentinian, 1900-1958)

822

Warhol, Andy (American, 1928-1987)

724

Warrens, Robert (American, b. 1933)

300

Widgery, William (British, 1822-1893)

951

Wigan, Mabel H. (British, 19th/20th Century)

938

Winans, Theodore Fonville (American, 1911-1992)

860

Wohl, Mildred (American, 1906-1977)

823,824,825

Wood, Beatrice (American, 1893-1998)

237

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

ABSENTEE / TELEPHONE BID FORM Bidder (Please Print): ____________________________________________

Date: ____________________

Business Name (if applicable): _______________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _________________ Mailing Address: _____________________________________________________________________________ City: __________________________________________________ State: ________ ZIP: __________________ Telephones: Cell (_____)________________ Home (_____)_________________ Fax (____)______________ E-mail Address: ______________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue and online at neworleansauction.com. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

BID AMOUNT (NOT INCLUDING BUYER’S PREMIUM) OR TELEPHONE NUMBER TO CALL:

LOT #

$ $ $ $ $ $ $ $ $ All Major Credit Cards #: ______________________________________ CVV #: _________________

Expiration Date: _____________

Billing ZIP: __________________

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000. Please note that effective January 1, 2023, there is no longer a discount for payments made by cash, check or wire transfer. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ________________________________________________________________________ Please submit this form by 4:00pm CT two days prior to the first day of auction. Faxed forms can be sent to 504-566-1851 or scanned and emailed to info@neworleansauction.com. PHONE: 504-566-1849

FAX: 504-566-1851

INFO@NEWORLEANSAUCTION.COM

MEET OUR TEAM

CEO:

Susan D. Sarofim

PRESIDENT:

Taylor Eichenwald | taylor@neworleansauction.com

DIRECTOR EMERITUS:

Tessa Steinkamp | tessa@neworleansauction.com

MANAGER OF EXECUTIVE OPERATIONS

Audrey Dawson | audrey@neworleansauction.com

DIRECTOR OF FINE JEWELRY

Kim Lemon | kim@neworleansauction.com

DIRECTOR OF FINE ART

Michele M. Carolla | michele@neworleansauction.com

SENIOR SPECIALIST: FURNITURE & CLOCKS

Greg S. Kowles | greg@neworleansauction.com

SENIOR SPECIALIST: GENERAL CONSIGNMENTS

Ireys Bowman | ireys@neworleansauction.com

SENIOR FINE ART SPECIALIST

Sophie Curtis | sophie@neworleansauction.com

FINE SILVER SPECIALIST; OFFICE MANAGER

Charles C. Cage | charles@neworleansauction.com

FINE CARPET SPECIALIST

Sean Ranson | sean@neworleansauction.com

CONSIGNMENT MANAGER

Alex Ebel | alex@neworleansauction.com

ADMINISTRATION

Denise Haik | denise@neworleansauction.com

CLIENT SERVICES ASSOCIATE

Owen Lemon | owen@neworleansauction.com

CREATIVE: LEAD PHOTOGRAPHER

Christa Ougel | christa@neworleansauction.com

DIGITAL IMAGING & PHOTOGRAPHY ASSISTANT

Chelsea Caldwell | chelsea@neworleansauction.com

ART DIRECTOR & VISUAL MANAGER

Erica Westenberger | erica@neworleansauction.com

ART DIRECTOR & PROJECT MANAGER

Jo Gremillion | jo@neworleansauction.com

OPERATIONS: DIRECTOR OF OPERATIONS

Sean Ranson

OPERATIONS ASSOCIATES

Juanita Jones, Cedric Roberts, Emmitt Kendrick, Jr., Gerald Hampton, Theadrow Mark, Furnell Augustin, Jr., Will Williams, Jr., Christian Hamilton, Brennan Moses, Vyron Thomas, Kyrin Colbert

DESIGNER:

Burke

CONSULTANTS: CATALOGUER ENGLISH & CONTINENTAL FURNITURE AMERICAN FURNITURE REGIONAL FINE ART ASIAN ARTS

John Thompkins Ellen McKenzie Thomas Halverson Claudia Kheel James Callahan

Estates Auction: October 23-25, 2026