Estates Auction: May 16-17, 2026 by New Orleans Auction Galleries

MAY 16-17, 2026

Living ANTHOLOGY

ART DIRECTION / Jo Gremillion & Erica Westenberger

PHOTOGRAPHER / Jacqueline Marque

GAFFER / Sam Aguirre-Kelly

OPERATIONS / Cedric Roberts and Furnell Augustin, Jr.

SET CONSTRUCTION / Katalea Ford & Caroline Russell

Wallpaper generously provided by our friends at SCHUMACHER

ESTATES AUCTION

EXHIBITION HOURS SATURDAY EXHIBITION

EVENING PREVIEW May 11-15 Monday - Friday 9 a.m. - 5 p.m. Thursday, May 14 5 p.m. - 7 p.m. Saturday, May 9 10 a.m. - 2 p.m.

Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Please note that times are approximate.

Welcome to MAY

“Time present and time past are both perhaps present in time future, and time future contained in time past.”

– T.S. Eliot

In the months leading up to an auction, as a sale takes form, patterns naturally begin to appear — connections across periods, materials and collections that allow us to see things in a different light. Some of that is shaped by the nature of an auction, and at times by the lens of the collector. Suddenly, objects that would not typically be seen alongside one another reveal relationships that might otherwise have gone unnoticed.

Our May 16–17 Estates Auction offers a broad selection spanning time and place, opening with the estate of Louisiana architect A. Hays Town, including furniture, objects and paintings from his Baton Rouge home. Hays Town designed and built structures that feel as though they have always been there. His work reflects a deep understanding of the past, not as something to replicate, but as something to build from.

We extend a special thanks to Philip Gould, whose work is featured in The Louisiana Houses of A. Hays Town, for the opportunity to include his photographs in this catalogue.

In much the same way as objects change hands, their stories become intertwined, often taking on new meaning or purpose. This sale is filled with objects that reflect the tastes and interests of their time, yet continue to resonate today.

Nineteenth-century Grand Tour bronzes harkened back to the great works of the Greeks and Romans, reduced in scale as souvenirs, and Egyptian Revival furniture, shaped by the discovery of Tutankhamun's tomb in 1922, reflect the same impulse to expand upon history.

The sale features a replica of King Tutankhamun’s throne, crafted in Cairo in 1929 by Elias Hatoun using traditional techniques (Lot 670).

Royal Copenhagen’s Flora Danica dinnerware, based on a design created for royal use, remains among the most desirable and refined patterns today. The auction includes a rare round ice dome (Lot 511), an intricately detailed form within the pattern, now appreciated more as a decorative and collectible object than a functional one.

On the facing page, I have selected a handful of my favorite pieces, which reflect the range of the sale and reveal unexpected similarities across time and place, in color, pattern and form.

The exhibition opens Saturday, May 9, from 10 a.m. to 2 p.m., and continues Monday through Friday, May 11–15, from 9 a.m. to 5 p.m. daily, with an evening preview on Thursday, May 14, from 5 to 7 p.m. The auction begins at 10 a.m. each day, Saturday and Sunday, May 16–17.

Whether visiting the gallery or participating online, we encourage you to reach out with any questions. From obtaining a shipping quote ahead of the auction to discussing an item with one of our specialists, we are always happy to help.

See you at the auction!

Taylor Eichenwald President

PRESIDENT'S Picks

Lot 609

Southern School (Mid-20th Century) "Buddy's Barber Shop"

Lot 575

Rene Charles Bellanger (French, 1895-1964) "Capucines"

Lot 86

Venetian Polychrome Commode

Lot 325

Fourteen Baccarat "Harcourt Versailles"

Rhine Wine Goblets

Lot 511

Royal Copenhagen "Flora Danica"

Round Ice Dome and Stand

Lot 519

Fine Pair of French Belle Epoque

Silver-Gilt Wine Coolers

A Lasting LEGACY collections

A. HAYS TOWN The Estate of Baton Rouge, Louisiana

More than an architect, A. Hays Town (1903-2005) transformed the culture of the Gulf South into a tangible and enduring style. His distinctive work shaped and defined Louisiana’s residential architectural identity in the mid- to late 20th century.

Town was born in Crowley, La., to Joshua Hays and Mary Laboye Town. Artistically inclined, he was introduced to architecture by his father, who deemed the artform more practical than traditional art forms, such as painting or poetry. Eager and steadfast, Hays Town had already designed a remodeling plan for the family home by age 14.

He began his formal education in engineering at Southwestern Louisiana Institute (now University of Louisiana Lafayette) before transferring to Tulane University, where he demonstrated his academic prowess and earned his Bachelor of Science in Architecture.

Written by / Valeria L. Palmertree Photography / Philip Gould

Proportions, Past and Present

Hays Town began his professional journey at Jackson, Mississippi’s N.W. Overstreet. His prodigious work ultimately earned him partnership in the firm and the opportunity to lead its government and commercial projects. His pioneering use of reinforced concrete earned him numerous accolades and awards, gaining him national recognition, most notably in Life magazine (1940), which featured his design for Bailey Junior High School.

In what turned out to be a pivotal moment in his aesthetic development, Hays Town was selected to lead WPA’s Historic American Building Survey (HABS) of the State of Mississippi. This project entailed taking precise measurements of Mississippi’s antebellum homes, a practice that sharpened his keen sense of the role proportion and symmetry play in architectural design and piqued his interest in incorporating aged materials in modern construction–elements that would become the hallmarks of his later residential work.

“Through his own works and the works of architects inspired by him and his success, Hays Town has had a dramatic impact on the landscape, the face of Louisiana.”

– Robert H. Hodges, Former President of the Foundation for Historical Louisiana

Louisiana Everlasting

A proud Louisianian, Hays Town returned to the state in 1939, establishing his own firm in Baton Rouge, where his independent practice remained largely focused on commercial and governmental projects. By the 1960s, however, having grown tired of the industry's demands and at an age when most would be planning for retirement, Hays Town shifted his practice to be exclusively residential. Described as courtly and gregarious, Hays Town often selected his projects based on the affinity he felt with the clients.

Hays Town felt a profound responsibility for educating his clients on the fundamental components of a south Louisiana residence, informed by both climate and cultural heritage, including Spanish, Acadian and Creole traditions.

Hays Town Houses

Hays Town’s deliberate hands-on approach was somewhat legendary. He was deeply involved in the selection of interior materials, colors and furnishings. Notably, he scoured demolition sites for old brick, heavy timbers and discarded items from warehouses and rice mills. At a time when these were considered junk, Hays Town saw in them possibility–an innovative experimentation in “benign neglect,” the studied decay that incorporates the natural effects of aging, such as mold, algae and weathered textures into the materials themselves.

Often described as a collage of the region’s diverse history, Hays Town houses are most often characterized by interior courtyards and fountains; raised front porches and exterior staircases; and French doors and full-length shutters.

It was Hays Town’s own Baton Rouge residence that served as a showroom and testing ground for his works’ characteristic themes. A physical embodiment of his architectural principles, the home was built using salvaged building materials and integrates exterior living spaces with lushly landscaped grounds. The home’s distinctive color palettes, custom detailing, eclectic furnishings and collection of antiques further exemplify Hays Town’s style.

“Hays Town’s houses stand as embodiments of enlightenment and sophistication. Like jazz and jambalaya, Hays Town’s houses contribute to the sui generis nature of Louisiana life. And for that, to him, we should all be grateful.”

–Cyril

E. Vetter, Author, The Louisiana Houses of A. Hays Town

Inimitable Mastery

Hays Town remained in business well into his 90s. His legacy of more than 1,000 residential designs served as a catalyst for a renewed admiration of the region’s historical architecture. Equally important, his work demonstrated that classic architectural models could be successfully evolved to meet modern lifestyles. Today, Hays Town houses remain masterful models of residential design.

New Orleans Auction is honored to present the Estate of A. Hays Town, which includes furniture, decorative objects, paintings and carpets from his iconic Baton Rouge home. Most notably, the sale features a Richard Clague painting of St. Tammany Parish that was exhibited in the artist’s 1974 retrospective at New Orleans Museum of Art.

SESSION1

SATURDAY, MAY 16

Pair of Framed Oil-on-Canvas Panels

late 19th century, the polychrome panels of a shepherd, shepherdess and their flock, in romantic landscapes with castles and mountains in the background, in painted frames, likely original. h. 15”, w. 38-1/4”

$1,000-$1,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Chinese Longquan-Style Vase Lamp

19th century or earlier, with an unglazed foot and upper rim, with wooden fittings and mounted with a lampshade.

h. 12-1/2”, w. 15-1/2”, d. 11-1/2”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

3 English Oak Long Work Table

18th century, in the Jacobean taste, the long plank top over a series of drawers, raised on block-and-turned legs joined by stretchers. h. 32”, w. 66”, d. 26”

$1,500-$2,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

4 Southern School (20th Century)

"Bayou at Sunrise"

mixed media and giclee on canvas unsigned. Framed.

14” x 22”, framed 24-1/2” x 32-1/2”

$1,000-$1,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

5 Semi-Antique Heriz Carpet

9’ 5” x 11’ 11”

$2,000-$4,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

6 English Oak Spindle-Back Armchair

early 19th century, having a back with three rows of turned spindles, shaped armrests and a woven rush seat, raised on bold Queen Anne-form legs joined by stretchers.

h. 43”, seat h. 16-1/2”, w. 24-1/2”, d. 20”

$700-$1,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Joel Haywood Tatum (American/Maryland, Act. Mid-19th Century)

"Portrait of a Young Lady in a Lace Collar", 1841

oil on canvas facsimile signature, dated, and a “Taylor Clark, Baton Rouge” label en verso. Framed.

30” x 24”, framed 34” x 28”

$1,000-$1,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

8 American School (19th Century)

"Portrait of a Lady Clutching Spectacles and a Letter" oil on wood panel unsigned. Framed.

34” x 24-1/2”, framed 43” x 34”

$2,000-$4,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

9 Queen Anne Mahogany Tilt-Top Tea Table

18th century, the circular top mounted to a birdcage swivel and tilting aparatus, on a turned standard with three Queen Anneform legs.

h. 30”, dia. 34”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Latin American Santos Figure of Mary and the Christ Child

18th century, retaining much of the original polychrome-painted surface, with a flat back, now on a circular metal base. h. 23”, dia. 9-1/4”

$600-$900

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

English Oak Farmhouse Table

18th century, in the Jacobean taste, the plank top with breadboard ends and mounted to a base with block-andturned legs joined by an H-form stretcher. h. 29-1/2”, w. 29-1/2”, l. 76”

$1,400-$1,800

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Chinese Export Armorial Plate

ca. 1775, Chien Lung period, decorated with the arms of Rode quartering Matthias, with a basketweave border. dia. 9-1/2”

$800-$1,200

An identical plate from this service is illustrated and described in David Sanctuary Howard Chinese Armorial Porcelain (London: Faber & Faber, 1974), p. 596, center.

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

13 Porcelain Vase Lamp

19th century and later, with ring handles, the sides carved with fans of leaves, with gilt-metal fittings, mounted with a lampshade. h. 22-3/4”, w. 16-1/4”, d. 10”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

14 Continental School (19th Century)

“The Wise Virgin” oil on wooden panel unsigned. Framed.

30-1/2” x 25”, framed 45” x 40”

$2,000-$4,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

15 George III Mahogany Lolling Chair

18th century, with a padded back, seat and arms in a crewelwork fabric, trimmed with brass tacks, curved arm posts with carved front and raised on Marlborough legs ending in brass casters. h. 37-1/4”, seat h. 16-1/2”, w. 28-1/2”, d. 27”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

16 American School (19th Century)

“Afternoon Promenade” oil on board unsigned. Framed.

8-1/2” x 6”, framed 10-1/4” x 8”

$600-$900

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

English Oak and Walnut Side Table

18th century, the circular top over a single drawer, raised on four tapered square legs. h. 28”, dia. 24-1/2”

$700-$1,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Attributed to Sir Henry Raeburn (British/Scottish, 1756-1823)

“Portrait of John Campbell, Esquire” oil on canvas

unsigned, a “Newhouse Galleries, New York” and old label with artist and sitter en verso. Framed.

30” x 25”, framed 37” x 32”

$5,000-$8,000

Provenance: Newhouse Galleries, New York, New York; The Estate of A. Hays Town, Baton Rouge, Louisiana.

English Chippendale Mahogany Corner Cabinet

18th century, the overhanging molded cornice and dentil details over an arched opening centered by a carved keystone, fitted with a pair of conforming raised paneled doors, opening to three butterfly-shaped shelves, with a blind fretwork frieze below and a pair of raised paneled doors in the base.

h. 90”, w. 42”, d. 20”

$1,500-$2,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Two Latin American Santos Figures

including a bearded figure of St. Paul the Apostle, dressed in flowing robes, 18th century, and the figure of St. Anthony of Padua, 19th century.

h. 14-3/4”, w. 7-1/2”, d. 4” and h. 13-3/4”, w. 4-1/2”, d. 3”, respectively

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Early English Oak Farmhouse Table

18th century, in the Jacobean taste, the rectangular top with an applied molded edge over a single long drawer, raised on block-and-turned legs joined by a box stretcher, ending in turned bun feet.

h. 31-1/2”, w. 60”, d. 36”

$1,000-$1,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Pair of Framed French Architectural Engravings

third quarter 18th century, from “Architecture” by Denis Diderot and Jean le Rond d’Alembert, one with various orders of columns and the other with various doorways, in contemporary giltwood frames. h. 18-3/4”, w. 13-1/4”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Gorham “Puritan Chased” Sterling Silver Tea Set

1955, Providence, Rhode Island, including: a coffeepot, h. 10-1/2”, l. 10-1/4”; a teapot, h. 8-3/4”, l. 10-1/4”; a covered sugar bowl, h. 6-1/4”, w. 6-1/2”; a cream jug, h. 5”, l. 5-1/8”; and a waste bowl, h. 4”, dia. 4-1/4”; together with a Late Old Sheffield Plate Tea Tray, second quarter 19th century, by James Dixon & Sons, Sheffield, of shaped oval form, with robust acanthus scroll rim and handles, 28-1/2” x 19-3/4”.

66.56 total t. oz. (excluding tray)

$3,000-$5,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Napoleon III Walnut and Rosewood Cave a Liqueur

third quarter 19th century, the case inlaid with a brass and mother-of-pearl cartouche, on a field of burr walnut with rosewood crossbanding, the serpentine facade opening to reveal a lift-out rosewood tray with gilt-bronze fittings for four decanters and sixteen glasses, now with three decanters and fifteen glasses. h. 10-1/2”, w. 12-3/4”, d. 9-3/4”

$1,000-$1,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Manner of Jan van Goyen (Dutch, 1596-1656)

“Ship at Sea”

oil on wood panel, unsigned old label with artist name en verso. Framed with artist plaque. 10” x 13”, framed 15” x 18-1/4”

$10,000-$15,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

26 English Mahogany Four-Part Dining Table

19th century and later, in the George III style, comprised of two central drop-leaf tables and a pair of demilune tables, each raised on tapered square Marlborough legs ending in brass caps and casters.

h. 30-1/2”, w. 40”, l. 94”, ext. l. 141”

$1,400-$1,800

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Pierre Edouard Frere (French, 1819-1886)

“Portrait of a Young Lady”, 1865 oil on canvas signed and dated lower right. Framed.

18” x 15”, framed 22” x 19”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Persian Safavid Ginger Jar Lamp

possibly 17th or 18th century, the pottery lamp with free-hand cobalt decoration, on an ebonized base, fitted with a lampshade. h. 25-1/4”, dia. 17”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Bald Cypress and Red Pine Tea Table

19th century, based on Virginia/North Carolina 18th-century examples, with straight Queen Annestyle cypress legs and top, the skirts and drawers composed of European pine. h. 39-1/2”, w. 31-3/4”, d. 19-1/2”

$1,200-$1,800

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Richard Clague (American/Louisiana, 1821-1873)

“Cattle Along the Bayou, St. Tammany Parish” oil on canvas initialed “R.C.” lower right. In a period frame.

14” x 20”, framed 18-1/2” x 25”

$80,000-$120,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Exhibited: New Orleans Museum of Art, New Orleans, Louisiana, Richard Clague, 1821-1873, 1974, illus. in exhibition catalogue with essay by Roulhac Toledana, no. 93, pp. 45 and 93.

In the late nineteenth century, St. Tammany Parish was a remote, pastoral area bordered by Lake Pontchartrain and surrounded by the waterways of Bogue Chitto River, Abita River, Bayou Castine, and Honey Island Swamp. Because of frequent outbreaks of yellow fever in New Orleans, St. Tammany Parish became a designated haven, and the waters were said to have medicinal properties. Accessible primarily by boat, Richard Clague ventured to the north shore, often with a group of students, to paint the distinctive landscape. Regarded as the “father of Louisiana landscape tradition”, Clague favored the French Barbizon landscape tradition of painting en plein air and experiencing nature directly.

In the present lot, a small herd of cattle are featured, grazing amongst the Spanish moss-draped live oak trees. Along the bayou shore, figures, including a man on horseback, gather beside a small rural cabin. The tranquil, pastoral life depicted embodies both the restorative allure of St. Tammany Parish, as well as Clague’s enduring commitment to Louisiana landscape.

Southern Cypress Pantry Cupboard

19th century, the top with a molded cornice above a pair of framed and raised paneled doors. h. 89”, w. 59-1/2”, d. 20-1/2”

$1,200-$1,800

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Manner of Pellegrino Tibaldi (Italian, 1527-1596)

“The Sibyl”, 17th Century

figural drawing ink and wash on paper, handwritten label en verso. Matted, glazed and framed. sight 8-1/8” x 8-1/2”, framed 12-1/8” x 13-3/4”

$600-$900

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Primitive Cypress Farmhouse Table

19th century, the two-board plank top mounted to a base with a straight frieze and large, tapered square legs. h. 30”, w. 40”, l. 72”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

34 A. Newman (American, 20th Century)

“Louisiana Swamp” oil on canvas signed lower left. Framed.

16” x 20”, 19-1/2” x 23-1/4”

$1,200-$1,800

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

35 Primitive Weathered Cypress Bench

18th/19th century, with a plank back and seat, the back and leg posts with through mortises. h. 35”, seat h. 20-1/2”, w. 77”, d. 17”

$800-$1,200

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

36 Robert Perkins (American/Louisiana, act. Late 20th Century)

“Mr. George Butler, at City Barbershop, Lafayette, La.”, 1986 oil on canvas signed, titled and dated en verso. Framed.

30” x 24”, framed 36” x 30”

$1,500-$2,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Unique Primitive Hewn Trough-Form Coffee Table

19th century, the wooden single-board top hollowed out to form a trough, mounted to square, splayed legs. h. 19-1/2”, w. 63”, d. 22-1/2”

$700-$1,000

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Manner of Thomas Gainsborough (English, 1727-1788)

"Leading the Horse to Water" oil on panel unsigned. Framed.

34-1/4” x 28”, framed 44” x 37”

$1,500-$2,500

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

Exceptional Italian Baroque Parquetry and GiltwoodMounted Commode

ca. 1700, Rome or Venice, each drawer fitted with a finely carved giltwood pull in the form of an expressive commedia dellíarte head, the canted front corners with giltwood grotesque masques. h. 39”, w. 60”, d. 28”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Wilhelm Julius August Nabert (German, 1830-1904)

"Fishing by the Shore"

oil on canvas signed lower right and on label en verso. Framed.

29-1/2” x 39”, framed 38” x 48”

$2,000-$4,000

Carved Wooden Bust of a Man

19th century, sensitively rendered with a wistful expression, retaining a rich surface patina. h. 18-3/4”, w. 9-3/4”, d. 9”

$800-$1,200

Carved Wooden Bust of King Solomon

19th century, depicted in an embroidered cap with a flowing beard, his cloak pinned at one corner.

h. 15”, w. 8-1/4”, d. 4”

$800-$1,200

43 Continental School (19th Century)

“The Eager Nestlings” oil on canvas unsigned. Framed.

25-1/2” x 29-3/4”, framed 31” x 36”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Austrian Art Nouveau Bronze, Brass and Glass Lamp

early 20th century, in the form of an arched tree trunk, supporting a brass leaf-molded shade set with opalescent glass jewels, hanging over a displayed eagle perched on the base.

h. 20-1/2”, w. 17”, d. 9”

$1,000-$1,500

German Baroque Inlaid Wood Portable Desk

late 17th century, the sloped top inlaid with crossetted panels accented with vermiculated inlay, edged in rocaille carving, the complex interior with rare “root and stump” veneers in the Wurzelholz tradition.

h. 12-1/2”, w. 26-3/4”, d. 26-3/4”

$1,500-$2,500

Pair of Italian Patinated Bronze Figural Floor Lamps

late 19th century, each standard with a leaf-molded trim above a fringed velvet-covered shaft, the lower portion richly decorated with caryatids and putto on a vasiform turning, decorated with acanthus leaves, fluting and molded cabochons, and resting on feet in the form of winged harpies riding mythological creatures, fitted with double light sockets.

h. 71-1/2”, dia. 18-1/2”

$5,000-$8,000

Italian School (20th Century)

“Capri”

oil on canvas illegibly signed lower left, illegibly signed and titled “Capri” en verso. Framed.

6” x 8”, framed 9" x 11-1/2"

$800-$1,200

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

Italian Giltwood and Marble-Top Console Table

18th century, the bowed and shaped Medous Breccia marble top with a molded edge, above a conforming frieze with a central pendant pierced foliate design, raised on molded, scrolling legs joined by a foliate-carved stretcher and ending in scrolled toes.

h. 35”, w. 48”, d. 24”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Patinated Bronze Grand Tour Lamps

19th century, the turned lamps hung from standards in the form of oak saplings, with birds on branches, the pierced bases with frog-form feet alternating with anthemia. h. 14”, w. 7”, d. 5-1/2”

$800-$1,200

Carved and Ebonized Wooden Folk Art Cooler

19th century, the body wrapped with carved branches, roots, oak leaves, acorns, shells and various folk art elements, the interior with a shell-form metal liner.

h. 19-1/2”, w. 22”, d. 18”

$3,000-$5,000

Italian Grand Tour Bronze Double Oil Lamp

late 19th century, mounted with a figure of the Drunken Silenus, the handle molded with pierced acanthus leaves, on a conical base.

h. 9-3/4”, w. 11-3/4”, d. 5-1/2”

$800-$1,200

Italian Patinated Bronze Grand Tour Figure

late 19th century, depicting Ludovisi Ares, the Roman god of war, seated and holding a sword, the baby Eros at his feet, on a cove-molded black marble base.

h. 9”, w. 3-3/4”, d. 6”

$800-$1,200

53 Persian Carpet

12’ x 22’ 11”

$3,000-$5,000

54 Continental School (19th Century)

“The Queen's Court” oil on canvas unsigned. Framed.

25-1/2” x 32”, framed 33” x 39”

$1,000-$1,500

Pair of Italian Venetian Carved Corbels

19th century, the corbels carved with winged angel heads framed with gilt acanthus leaves, on a dark green ground. h. 19”, w. 8-1/2”, d. 9”

$1,000-$1,500

Pair of Italian Venetian Carved Wooden Figural Corbels

19th century, the angled corbels carved with winged angel heads framed with gilt acanthus leaves, on a dark green ground.

h. 19”, w. 8-1/2”, d. 9”

$1,000-$1,500

Italian Polychrome and Parcel-Gilt Vitrine

19th century, with a central cartouche flanked by plumes at each corner of the top, with a central glazed door and windows on each side, the silk-lined interior with two shaped shelves, set on a conforming base with cabriole legs. h. 96”, w. 35”, d. 15”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

58 Italian School (19th Century)

two gouaches on paper after ancient Roman frescos from Pompeii and Herculaneum. Matted, glazed and framed. sight 16” x 12”, framed 24-1/4” x 20-1/4”

$1,500-$2,500

Large, Rare Italian Neoclassical Giltwood and Painted Pier Mirror

fourth quarter 18th century, possibly Florence, with a brazier-form finial with carved “smoke”, atop a pierced giltwood tablet carved with Greek-key fret and medallions, overlaid with swags of laurel leaves, the upper sides decorated to match, the lower portion with pierced ribbon-bound laurel fronds, over matching feet on each side, the antique mirror plate with a carved beaded liner. h. 90-1/4”, w. 37-3/4”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Italian Marble Statue of the “Venus de Medici”

19th century, in a traditional “pudica” pose, with attendants at her side. h. 37”, w. 8-1/2”, d. 10”

$3,000-$5,000

Tall Pair of Myran Allan Italian Giltwood and Iron Sconces Florence, Italy, with decoratively distressed gold leaf surfaces throughout, the two arms fitted for electrification. h. 44”, w. 15-1/2”, d. 5-3/4”

$1,000-$1,500

Italian Carved Walnut and Marble-Top Commode

18th century, the conforming rouge du Maine marble top over three carved bowfront drawers, the case with in-curved corners and a thin molded base. h. 31”, w. 45”, d. 21-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

After Louis Pisani (Italian, 19th Century)

“Jeodora la Frascatana” oil on canvas unsigned, inscribed en verso, “Jeodora la Frascatana - a custom of the Frascati a copy made from a modern original by Louis Pisani”, “L. Pisani and Co’s Picture Gallery Borgagnissanti H 3433 Florence”. Framed.

37” x 29”, framed 47” x 37”

$1,000-$1,500

Continental School (19th Century)

“Moses and the Pharoh’s Daughter”, 1892 oil on canvas partially legible signature (di Loren) and dated lower right. Framed.

79” x 55”, framed 92î x 69î

$4,000-$7,000

Provenance: Sold in these rooms, April 19, 2013, lot 437.

Cesare Dell’Acqua (Italian, 1821-1905)

“Portrait of (Possibly) Princess Alice of the United Kingdom”, 1865 oil on canvas signed and dated center left. Framed.

36” x 28”, framed 49-1/4” x 40”

$2,000-$4,000

Large Italian Giltwood and Gilt-Metal Sconce

19th century, in the neoclassical taste, the gilt-metal frame with six arms set with tole drip pans and turned candle sockets, mounted with bold giltwood leaf carving, and trailing spherules below. h. 23-1/2”, w. 35-1/2”, d. 9-1/2”

$1,400-$1,800

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

Italian Pressed Brass and Giltwood Plaque

19th century, the baroque-style pressed brass plaque depicting John the Baptist baptizing Jesus, in a pierced frame decorated with scrollwork and an angel’s-head crest. h. 17”, w. 13”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Diminutive Venetian Polychrome and Parcel-Gilt Commode

18th century, of slightly bow-fronted form with canted corners and reeded carved trim, the drawer fronts with carved details, raised on cabriole legs. h. 29-1/2”, w. 28”, d. 16-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Giltwood Urn Lamps

19th century and later, the Baroque-style tapered hexagonal urns with inset panels, mounted with scrolled handles accented with carved leaves and blossoms, on cove-molded bases, fitted with lampshades. h. 35-3/4”, w. 19-1/4”, d. 12”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Peshawar Serapi Carpet

signed in border.

10’ x 14’ 4”

$2,500-$4,000

Italian Rococo Polychrome Armchair

18th century, the rocaille-style carved frame with scrolled hand grips, raised on cabriole legs, covered in Fortuny fabric. h. 39-1/2”, seat h. 16”, w. 27-1/2”, d. 24”

$1,000-$1,500

Italian Parcel-Gilt Wooden Reliquary Bust

18th century, dressed in a breast plate, his shoulders with lion’s heads, the cove-carved base with a putti masque, and the painted and parcel-gilt opening in the rear with remnants of silver-gilt. h. 21”, w. 17-1/2”, d. 6-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Olivewood Commodes

20th century, of bombe form, each with two long drawers and raised on cabriole legs.

h. 28-1/2”, w. 23-1/2”, d. 13-1/2”

$1,800-$2,500

Pair of Spanish Carved and Polychrome Wooden Plaques

18th/19th century, each depicting a bishop or pope wearing a mitre and carrying a crozier, on one plaque he carries a Bible and the other plaque he carries a shield, framed with carved laurel leaves, each inscribed on the back in period Spanish script.

h. 27-3/4”, w. 21”

$2,000-$4,000

German “Capodimonte”-Style Porcelain Covered Urn

early 20th century, decorated with busts of Hercules and the lion alternating with oval panels of Hercules’ myths, accented with polychrome flowers and gilt scrollwork, with an underglaze blue Ernst Sohne mark.

h. 15-3/4”, dia. 6-1/2”

Italian Neoclassical Polychrome Commode

18th century, the faux-marbre-painted top over two long drawers, each decorated with floral sprays, raised on tapered square legs.

h. 33-1/2”, w. 31”, d. 18”

$1,400-$1,800

$1,000-$1,500 76

Italian Venetian Cut and Engraved MIrror

20th century, of Baroque inspiration, the scrolled crest engraved with flower heads, over a cushion-form hexagonal surround engraved with flowers and scrollwork, framing the oval beveled mirror plate.

h. 48”, w. 29”

$900-$1,200

Decorative Painted Panel of Cynisca of Sparta

contemporary, the oil on canvas panel unsigned and framed.

30” x 42”, framed 33-3/4” x 46”

$2,000-$4,000

Regence Walnut Commode

18th century, of bombe form with a conforming top with a molded edge, over two carved long drawers dressed with brass hardware, over scalloped aprons and raised on cabriole legs ending in scrolled toes. h. 32-1/25”, w. 42”, d. 26”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Semi-Antique Mahal Carpet

8’ x 9’ 9”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Three Italian Marble Holy Water Fonts

late 19th century, in the Romanesque taste, composed of mixed red griotte and Cornish serpentine marble, the octagonal fonts on columnar standards, raised on stepped bases.

h. 6” to 7-1/2”, dia. 4-1/4” to 5”

$800-$1,200

Two Italian Grand Tour Bronze Encriers

late 19th century, after Renaissance ink pots, the triangular example with grotesque masques at each corner, raised on paw feet, the skirts molded with anthemia, h. 4-1/4”, w. 5-1/4”, d. 5-1/4”, and the circular example with angels on each corner, riding dolphin heads, h. 3”, dia. 5”.

$1,000-$1,500

Pair of Italian Silvered Giltwood Candlestick Lamps

19th century, the Baroque-style candlesticks with fluted drip pans and vasiform standards carved with bold scrollwork and bellflowers, on square bases, fitted with lampshades. h. 23-1/2”, w. 9-1/2”, d. 5”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Rosso Levanto Marble Spheres on Stands

19th century, the white-veined reddish-purple marble spheres on 19th-century turned pewter stands, on black marble bases. h. 8”, dia. 4-1/4”

$700-$1,000

Italian Bronze and Marble Figure of Silenus Wrestling the Serpent

19th century, the Bacchanalian figure supporting a circular anthemion-trimmed frame set with a marble sphere, after the 1st century BCE bronze standard discovered in 1864 in the ruins of Pompeii and now conserved at the Museo Archeologico Nazionale, Naples. h. 25”, dia. 10”

$800-$1,200

Venetian Polychrome Commode

18th century, of serpentine form, decorated with floral sprays and chinoiserie motifs, the two long drawers with ropecarved edges, raised on cabriole legs ending in scrolled toes. h. 33”, w. 44”, d. 24”

$8,000-$12,000

Italian Giltwood Mirror in the Baroque Taste

contemporary, the pierced crest with rocaille-trimmed scrollwork, the mirror-inset inner surround decorated with carved overlapping leaves, and the base with flaring rocaillecarved side scrolls, labeled by Silvano Grifoni. h. 63-1/2”, w. 32-1/2”

$1,000-$1,500

Pair of Italian Giltwood Brackets

19th century, in the Baroque style, the faceted shelves decorated with faux marbre with silver gilt edges, supported on bold leaf-carved scrollwork and rocaille work, accented with flower heads.

h. 17-1/4”, w. 19-1/2”, d. 9-1/2”

$1,500-$2,500

Agra Serapi Runner

2’ 7” x 20’

$600-$900

Amusing “Devil Chasing Cat” Bronze Desk Set

early 20th century, the set comprised of a pair of candlesticks with a “rustic” base, h. 9”, dia. 4”, a pen tray with a “rustic” trough, h. 3-1/2”, l. 10-3/4”, and a cask-form inkwell, opening to reveal the inkpot, h. 5”, w. 4”, d. 3-3/4”.

$1,200-$1,800

Italian Bronze and Marble Figure of Creugas

late 19th century, the ancient Grecian boxer after an Antonio Canova original, the base stamped “...nelli, Roma”, and “Damusseno”, on a red griotte marble base trimmed in black. h. 17-3/4”, w. 9-1/4”, d. 5-1/4”

$1,000-$1,500

Two Grand Tour Patinated Bronze Busts

the larger example of Lucius Verus, Emperor of Rome, on a red griotte marble plinth, late 19th century, h. 9-3/4”, w. 3-3/4”, d. 3”, and the smaller example of Jupiter Talleyrand, early 20th century, stamped “F. Barbedienne Fondeur”, h. 6-1/4”, w. 2-1/2”, d. 2-3/4”.

$800-$1,200

Continental School (18th Century)

“Capriccio with Ancient Ruins” oil on canvas unsigned. In a later ornate frame. sight 54” x 48”, framed 85” x 63-1/2”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

German Patinated Bronze “Gladiator”

early 20th century, after Rudolf Marcuse (1878-1940), the nude athlete lunging with a sword, on an oval base inscribed “Rudolf Marcuse”. h. 15-1/2”, w. 20-1/2”, d. 5-1/4”

$800-$1,200

Italian Bronze Bacchanalian Satyr Lamp

early 20th century, the satyr with grapes in his hair, his outstretched arms supporting electrified candles, kneeling on an amphora.

h. 23”, w. 21”, d. 9-1/2”

$2,000-$4,000

Pair of Italian Crystal Spheres on Grand Tour Bronze Stands

late 19th century, the stands after the antique, supported on monopodial legs with leopard’s heads supporting the spheres, terminating in paw feet on tripod bases.

h. 10-3/4”, dia. 6”

$700-$1,000

Pair of Italian Giltwood and Gilt-Metal Candelabra

19th century, the upper portion set with gilt-metal flowers and four pricket-form candle holders, mounted on wellcarved giltwood vases, with fluted, leaf-carved bodies set with pierced handles.

h. 23-3/4”, w. 18”, d. 4-1/2”

$1,200-$1,800

Italian Polychrome and Faux Marbre Console Table

18th century, the shaped faux Siena marble top mounted to a tri-legged base with scalloped aprons and cabriole legs. h. 30-1/2”, w. 37”, d. 19”

$400-$700

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

99 Continental School (ca. 1800)

“Bucolic Landscape with Shepherdesses and Their Flocks” oil on canvas unsigned. Framed.

18-7/8” x 24-1/2”, framed 23-1/2” x 29”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

100

George Cole (British, 1810-1883)

“Cows by the River Bank” oil on canvas unsigned, an M. Newman Ltd., London, label en verso.

Framed with artist plaque.

30” x 50-1/4”, framed 36-1/4” x 56-1/4”

$1,800-$2,500

Provenance: M. Newman, Ltd., London, England.

101

Attributed to Charles Paul Gruppe (American, 1860-1940)

"Going to Pasture"

oil on canvas Illegibly signed lower left. Framed.

18” x 24”, framed 28-1/2” x 34”

$2,500-$4,000

102

Large Italian Giltwood Mirror in the Baroque Taste

19th century, the cove-molded frame with a gadrooned edge and carved shells, set with an antique mirror plate lined with carved fruit, the corners with acanthus leaves. h. 59”, w. 43”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

103

Pair of Painted Canvas Panels

late 19th/early 20th century, the circular panels with lower drop panels, painted en grisaille with architectural follies in a landscape, against a scroll-framed taupe ground. h. 37-1/2”, dia. 31”

$3,000-$5,000

104

Pair of Venetian Giltwood Armchairs

18th century, with carved frames and scrolled hand grips, with padded backs and slip seats, raised on cabriole legs ending in cloven hoof feet. h. 45”, seat h. 18-1/2”, w. 25-1/2”, d. 20”

$2,000-$4,000

105

Pair of Venetian Giltwood Armchairs

18th century, with carved frames and scrolled hand grips, with padded backs and slip seats, raised on cabriole legs ending in cloven hoof feet. h. 45”, seat h. 18-1/2”, w. 25-1/2”, d. 20”

$2,000-$4,000

106

Pair of Venetian Giltwood Side Chairs

18th century, with carved frames, padded backs and slip seats, raised on cabriole legs ending in cloven hoof feet. h. 44-1/2”, seat h. 18-1/2”, w. 22”, d. 19”

$1,200-$1,800

107

Italian Giltwood Mirror in the Baroque Taste

$1,000-$1,500

108

Italian Polychrome Buffet

18th century, the top with a molded edge, over a single long drawer and a pair of framed and paneled doors below, raised on integral cabriole legs joined by a scalloped apron. h. 41-1/2”, w. 46-1/2”, d. 23-1/2”

$1,400-$1,800

Provenance: The Uptowner Inc., New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

109

fourth quarter 19th century, the boldly carved sconces with shield-form backplates carved with scrollwork and leaves on an olive green ground, set with scrolled candle arms decorated to match, the leaf-carved drip pans set with metal candle cups, electrified. h. 17”, w. 11-1/2”, d. 14”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Carved Giltwood Sconces

110

Italian Grand Tour Bronze Figure of Dionysus

late 19th century, after an original found in Pompeii, the nude athletic god of wine and fertility, with drapery on one shoulder and wearing sandals, signed “Chiurazzi Naples” on the base.

h. 24-1/2”, w. 9-3/4”

$1,200-$1,800

111

Italian Grand Tour Bronze and Marble-Top Stand

19th century, the Brescia marble top with a reeded edge, over a bronze standard molded with the goddess Nike, with Jupiter’s weapons, on a rectangular plinth, raised on paw feet. h. 33”, w. 15”, d. 18-1/4”

$1,800-$2,500

112

Pair of Italian Patinated Bronze Townley Vases

third quarter 19th century, after the Roman original excavated in 1773, the urns decorated with a bas-relief Bacchanalian procession, mounted on black marble bases.

h. 9-3/4”, w. 5-1/4”, d. 4-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

$1,200-$1,800

$700-$1,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

113

Russian Carpet

5’ 8” x 10’ 6”

114

Semi-Antique Hamadan Carpet

4’ 3” x 7’ 9”

Italian Marble Grand Tour Oil Lamp

late 19th century, the carved Giallo Antico marble lamp with a carved ram’s-head handle, mounted on a red marble base with black marble trim.

h. 5-1/2”, w. 4-1/2”, d. 2”

$800-$1,200

116

Pair of Italian Silver Giltwood and Metal Processional Pole Lanterns

19th century, in the Baroque style, the triangular silver giltwood lanterns with pierced tops composed of scrollwork and flower heads, the corners with bunches of grapes, scrollwork and carved leaves, the openings framed with cove molding and the interiors with metal candle sockets, mounted on standards with Baroque-carved midmoldings, set into tripod scrolled metal bases. h. 102-1/2”, dia. 16”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

117

Italian Baroque Giltwood Side Table

17th/18th century, the rectangular top with a fabric surface, brass tack accents and a molded edge, raised on scrolling supports headed by bird capitals, joined by an X-form stretcher and ending in paw feet. h. 30-1/2”, w. 39”, d. 24”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

118

Pair of Italian Giltwood Sconces in the Baroque Taste

19th century, the brightly gilded sconces with backplates decorated with scroll-carved and large shells supporting the scrolled candle cups, carved with leaves and scrollwork, terminating in flat candle holders. h. 22-1/2”, w. 6-1/2”, d. 16-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

119

Two Russian Gilt-Bronze Bears on Malachite Bases

early 20th century, one with two wrestling bears and the other with a mama bear and her cub, each on a hewn malachite base. h. 5” to 5-3/4”, w. 7-1/4” to 8”, d. 4”, to 4-1/4”

$1,500-$2,500

120

Italian Painted Lacca Povera Fall-Front Secretary Desk

18th century, the top, sides and front with scenic panels against a coral-red-painted ground, the lid opening to a fitted interior, raised on slender cabriole legs. h. 38-1/2”, w. 38”, d. 21-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

121

Italian Giltwood Mirror in the Baroque Taste

late 19th century, the pierced giltwood surround decorated with bold, swirling leaves, the central finial formed by an overhanging leaf, the beveled mirror plate set into a scroll-carved liner. h. 63”, w. 45-1/4”

$3,000-$5,000

122

Pair of Italian Carved Giltwood Candelabra

18th century, the carved and pierced giltwood candelabra with lotus-carved candle holders, set with prickets, supported on lotus-carved vasiform standards decorated with carved scrollwork, hung with swags of fruit and flowers, on leaf-carved bases mounted on rectangular plinths. h. 33-1/4”, w. 17-1/2”, d. 4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

123

Viennese Enameled Metal Figure of a Moor on Horseback

early 20th century, Vienna, the Moor in desert garb, a drum across his saddle, playing a flute to a monkey, on a jugendstil-style base, signed illegibly on the base. h. 24”, w. 19”, d. 6-3/4”

$2,000-$4,000

124

Manner of Philipp Peter Roos (Rosa da Tivoli) (German, 1657-1706)

“Herdsman with Goats, Sheep and Cow” oil on canvas unsigned. Framed.

29” x 38”, framed 39-1/2” x 48-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

125

Pair of Bronze and Marble Equestrian Figures

late 19th century, the two patinated bronze horses mounted on Siena marble plinths. h. 9” to 10-1/2”, w. 8-1/2”, d. 3-1/2”

$1,000-$1,500

126 Italian Neoclassical Inlaid Commode

18th century, the top, sides and drawer fronts profusely inlaid, the drawers fitted with brass pulls, raised on tapered legs. h. 35”, w. 47”, d. 23”

$2,500-$4,000 124

127 Large Pair of Italian Giltwood Altar Sticks

ca. 1800, the tole candle sockets set into fluted tole drip pans, on vasiform acanthus-carved standards, resting on tripartite bases carved with swags of laurel leaves, on Greek-key-form feet.

h. 44-1/2”, dia. 10”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

20th century, the young deer standing on rectangular plinths.

h. 21”, w. 16”, d. 5-1/4”

$1,000-$1,500

128

Pair of Italian Patinated Bronze Fawns

127

129

Wallace “Grand Baroque” Sterling Silver Flatware Set

the pattern designed in 1941 by William S. Warren (1888-1965), Wallingford, Connecticut, including a dozen six-piece place settings (four each cocktail forks and cream soup spoons lacking), with an additional seven place pieces and eleven serving pieces, no monograms, presented in a fitted, blue baize-lined wood case with carved “basketweave” lid and single drawer, 5-1/2” x 13-3/4” x 11”.

(82 pieces total plus case)

116.93 total t. oz. (weighable silver)

$6,000-$9,000

130 Set of Towle “Old Colonial” Sterling Silver Flatware

the pattern designed in 1895 by Lucien Durkee Cole (1849-1926), Newburyport, Massachusetts, including twenty fourpiece place settings, with an additional twenty-one place pieces and twenty-six serving pieces, presented in a fitted, tarnishresistant cloth-lined wood case, 3-1/4” x 14-3/4” x 10-3/4”.

(127 pieces plus case)

128.77 total t. oz. (weighable silver)

$5,000-$8,000

Reed & Barton “Star” Sterling Silver Flatware Set

the pattern designed in 1960 by John Axel Prip (1922-2009), Taunton, Massachusetts, including a dozen nine-piece place settings (one salad fork lacking) with an additional dozen teaspoons and eighteen serving pieces, no monograms. (137 pieces total)

120.96 total t. oz. (weighable silver)

$7,000-$10,000

132

American Sterling Silver Footed Fruit Bowl

first quarter 20th century, by Davis & Galt for J.E. Caldwell & Co., Philadelphia, Pennsylvania, the hemispherical bowl with shaped and elaborately molded rim above engraved laurel banding and circular cartouches, above a molded foot ring en suite.

h. 4-1/4”, dia. 9-1/4”; 22.93 t. oz.

$1,000-$1,500

Three Kentucky Sterling Silver Julep Cups

American, 1970s, each of traditional tapering cylindrical form with molded rim and base, including two by Merkley Kendrick, Louisville, the undersides with engraved triple crown winner inscriptions “Secretariat ‘73” and “Affirmed ‘78”, h. 3-1/2”, dia. 3”, and one by Miller & Woodward, Lexington, the underside engraved “T.B.K. 1978”, h. 3-3/4”, dia. 2-7/8”. 14.20 total t. oz.

$1,000-$1,500

133

Six Pieces of American Colonial Revival Sterling Silver Tableware

first half 20th century, including: a pair of Graff, Washbourne & Dunn “Jefferson” cups, h. 2-1/4”, dia. 2-1/4”; a small International “Revere” bowl, h. 3”, dia. 5”, monogrammed “BCW”; a Tiffany & Co. cream jug, h. 3-5/8”, and open sugar bowl, dia. 3-1/2”, monogrammed “L”; and a small Manchester “Revere” bowl, h. 2-1/2”, dia. 5-1/4”. 24.72 total t. oz.

$1,500-$2,500

135

Towle “Old Master” Sterling Silver Flatware Set

the pattern designed in 1942 by Harold E. Nock (1875-1952), Newburyport, Massachusetts, including a dozen nine-piece place settings, with an additional ten place pieces and thirteen serving pieces, no monograms, presented in a Wells Furniture Co. wood, gray baize-lined silver chest with lift top, four drawers and brass fittings, 17-1/4” x 14-3/4” x 12-1/2”.

(131 pieces plus case) 114.07 total t. oz. (weighable silver)

$2,500-$4,000

Detailed list of pieces available on request.

136

American Sterling Silver Fruit Bowl

second quarter 20th century, by Whiting Mfg. Co., Providence, Rhode Island, the gadrooned bowl with wavy rim, monogrammed “FB”. h. 3”, dia. 9-1/4”; 11.19 t. oz.

$600-$900

137

American Sterling Silver Waiter

second quarter 20th century, unmarked, circular with elaborate cast openwork rococo scroll rim, monogrammed “RWG”.

dia. 9-1/4”; 11.70 t. oz.

$700-$1,000

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

138

South American Silver Bowl

20th century, .900 silver, in the colonial taste, the hemispherical bowl with molded and scalloped rim decorated with repousse floral bouquets separated by diapered cartouches, with a plain circular foot ring. h. 4”, dia. 7-1/4”; 10.10 t. oz.

$500-$800

Set of Twelve Sterling Silver Service Plates

20th century, probably Central American, marked “RPK”, in the Spanish Colonial taste, circular with shaped and molded rim, retailed by Fortunoff, New York, New York, and presented in their original felt bags.

dia. 12”; 256.11 total t. oz.

$12,000-$18,000

140

Partial Service of Waterford Cut-Crystal Stem/Barware

ca. 1971-2017, the extensive service in the “Curraghmore” pattern, including; seventeen water goblets, h. 7-1/2”; thirty-four claret goblets, h. 7”; eleven cordial glasses, h. 4-3/4”; fourteen old-fashioned glasses, h. 3-1/2”; seven 10-ounce tumblers, h. 4-1/4” to 4-1/2”; three 5-ounce flat tumblers, h. 3-1/2”; eight champagne coupes/sherbets, h. 5-1/4”; eighteen sherry glasses, h. 6-1/2”; five hock wine glasses, h. 7-1/2”; and fourteen white wine glasses, h. 6-3/8”

(131 pieces total)

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

141

English Carved Oak Phoenix Bird

19th century, the displayed bird with carefully delineated feathers, retaining an old surface, now with a metal mounting bracket.

h. 9-3/4”, w. 13-1/2”, l. 21”

$1,000-$1,500

142

Pair of Marble Urns and and Faux-Marbre Urns on Pedestals

19th century, the campana-form “Vert d’Irlande” urns mounted on faux marbre wooden pedestals painted to mimic “Flowered Lunel” marble, with molded trim. h. 61”, dia. 18”

$2,000-$4,000

Provenance: From the furnishings of Dog Hill, the 1846 North Salem, New York, mansion built by Lewis Titus.

143

Late Regency Rosewood Library Table

19th century, the top with highly figured rosewood veneers, one side fitted with a pair of drawers, supported by two turned standards with carved, outstretched legs.

h. 29”, w. 48”, d. 25-1/2”

$1,200-$1,800

Provenance: Keil’s Antiques, Inc., New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

144

William IV Brass-Inlaid Rosewood Dressing Case

second quarter 19th century, the rosewood case inlaid with brass marquetry, the sides set with brass campaign handles, the cylinder lock signed “T Carman, 114 Newgate St”, the interior lined with green crushed velvet, retaining the original cut-glass bottles with silverplate fittings, including an unusual locking inkpot. h. 6-3/4”, w. 12”, d. 8-3/4

$1,000-$1,500

145

Regency-Style Mahogany Three-Tier Server

20th century, the top shelf with a three-quarter brass gallery, over two additional shelves, each with scalloped galleries on all sides, raised on a pair of down-curved legs at each end. h. 40-1/2”, w. 38”, d. 21”

$1,000-$1,500

7” x 9’ 8”

$1,000-$1,500

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

146

Antique Serapi Carpet

147

4’ 8” x 13’ 7”

$1,500-$2,500

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

148

7’ 7” x 11’ 11”

$2,000-$4,000

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

Caucasian Kazak Runner

Antique Persian Serapi Carpet

149 Persian Serapi Carpet

9’ 1” x 11’ 6”

$3,000-$5,000

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

150 Collection of Six Italian Specimen Marble Rulers

19th/20th century, each with various specimen marble striations.

l. 7-3/4” to 14-1/8”

$700-$1,000

151 Group of Six Italian Grand Tour Specimen Marble Sticks and Rulers

19th and 20th century, consisting of four rulers in various specimen marble striations and two sticks with specimen marble ends.

l. 7-1/2” to 11-7/8”

$800-$1,200

152

Manner of Charles Vernet (French, 1758-1836)

“Ships in Choppy Waters, Harbor Scene, Boulogne" oil on canvas title and artist on old label en verso. Framed.

20-1/2” x 30”, framed 26” x 36”

$1,000-$1,500

153

Antonio Coppola (Italian, 1839-1916)

“Veduta della baie di Pozzuoli”, 1862 gouache on paper signed lower left, titled and dated lower center. Framed.

sight 22-3/4” x 38-1/2”, framed 28-1/4” x 44”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

154

English Victorian “Banjo” Barometer

mid-19th century, the mahogany-veneered case with a Gothic-arch crest, the throat with a thermometer and a bull’s-eye mirror in an ebonized surround, the silvered dial above a silvered level, marked “Warranted Correct”. h. 36-1/2”, w. 9-1/2”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

155

Queen Anne Oak Tilt-Top Tea Table

18th century, the circular top mounted to a turned standard, with three down-curved legs ending in slipper feet. h. 26”, dia. 32”

$700-$1,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

156

Edwardian Carved Mahogany Bench

ca. 1900, with downswept arms, padded elbow rests and scrolled handgrips, with a loose seat cushion and raised on turned and reeded legs. h. 33”, seat h. 16”, w. 44-1/2”, d. 27”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

157

Pair of Carved and Painted Pine Fragments

18th/19th century, carved with scrollwork trimmed with acanthus leaves, on a lattice-carved ground, with trailing flower heads on each end.

h. 9-1/2”, w. 50-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

158

English Oak, Mahogany and Pine Cricket Table

18th century, the circular mahogany top set over scalloped pine aprons and raised on chamfered oak legs. h. 26-1/2”, dia. 21”

$700-$1,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

159

Gilt- and Patinated-Bronze Figure of a Cockerel and Hen

20th century, after “Milo” (Miguel Fernando Lopez, Portuguese, b. 1955), cast in detail, on a gray and mauve mottled marble base.

h. 19”, w. 11”, d. 8-1/4”

$1,500-$2,500

160

English Victorian Stenciled Tilt-Top Side Table

19th century, the circular top painted with a cupid with a bow and arrows, amidst a floral garden with birds, mounted to a triangular tapered standard and an in-curved triangular base, raised on turned legs.

h. 27-1/2”, dia. 20”

$1,000-$1,500

161 Collection of Six German Porcelain Pugs

late 19th century, each seated pug with a molded ribbon-form collar set with bells, unmarked.

h. 3-3/4” to 5”, w. 3-3/4” to 5”, d. 1-3/4” to 2-1/2”

$1,200-$1,800

162

Pair of Restoration Hardware Leather Wing Chairs

of traditional form, each with a loose cushion, raised on tapered square legs ending in brass ferrules and casters, with Restoration Hardware labels under the seats. h. 47”, seat h. 21”, w. 31-1/2”, d. 32”

$1,000-$1,500

63 British School (19th Century)

“Portrait of a Gentleman” oil on canvas unsigned. Framed.

36” x 28”, framed 45” x 38”

$1,500-$2,500

164

Semi-Antique Sarouk Carpet

9’ 5” x 12’ 10”

$2,000-$4,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

165 Italian Inlaid Lombardy Casket

19th century, the walnut casket inlaid with bone and various hardwoods, the domed top inlaid with marquetry scrollwork accented with bone and the body and sides inlaid with hunting scenes, the edges trimmed with carved fluting, the whole resting on angled paw feet.

h. 15-1/2”, w. 19-1/4”, d. 13”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

166

Swiss Black Forest Painted Wood and Horn Stag’s Head

late 19th century, set with natural horns, the carved and painted stag set into a gilt-edged carved cartouche, the center with a painted shield, basrelief-carved with Croix de Saint-Hubert, patron saint of hunters, framed with carved and painted oak leaves and acorns on one side and pine boughs and pinecones on the other, with a brass hanging bracket engraved “K. Schmidt”, likely the first owner.

h. 36”, w. 20-1/2”, d. 16-1/2”

$2,500-$4,000

167 Two English Faux Leather Bindings Waste Baskets

early 20th century, one of hexagonal form with a tole liner, h. 11”, w. 13”, d. 10”, and the other of triangular form with a wooden liner, h. 13-1/2”, w. 10-1/2”, d. 10-1/2”.

$800-$1,200

168

English Mahogany Stepback Cupboard

19th century, in two parts, the upper case with a pair of ninepane glazed doors, the base with two framed and paneled doors, raised on bracket feet. h. 82”, w. 56-1/2”, d. 12”

$1,000-$1,500

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

169

Royal Crown Derby “Derby Border” Bone China Dessert Service

20th century, the service including: eighteen dessert plates, dia. 8-1/2”; eighteen cups and saucers, h. 3”, dia. 6”; one waste bowl, h. 3”, dia. 5-3/4”; one cream jug, h. 4”, w. 5-1/2”; and one sugar bowl, h. 4”, w. 5-3/4”. (57 pieces total)

$800-$1,200

170

Metal Chandelier in the Mediterranean Revival Taste

20th century, the ten-light chandelier with a scrolled frame ornamented with rope-twist trim and applied leaves, the scrolled arms set with foliate drip pans and electrified candles.

h. 35”, dia. 35”

$1,000-$1,500

171

English Mahogany and Rosewood Collector’s Cabinet

ca. 1900, in the chinoiserie taste, the front with a pair of framed and paneled doors, each set with three inlaid and carved scenic panels of traditional Asian scenes, the interior fitted with eighteen galleried drawers.

h. 38-1/2”, w. 38-1/2”, d. 17”

$2,000-$4,000

20th century, each painted with a bouquet of polychrome flowers in a wicker basket, supported on green scrollwork, framed with mint-green and carmine scrollwork, the edges trimmed with floral swags.

h. 63”, w. 35-1/4”

$1,000-$1,500

172

Pair of Decorative Canvas Wall Panels

173

French Tole Argand-Style Chandelier

early 20th century, the three-light chandelier with a central faceted red tole “tank” decorated with gilt wreaths and supporting three tole arms, set with electrified candles and matching tole shades.

h. 31-1/2”, dia. 28”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

174

English Mahogany Butler’s Tray on Stand

18th century, in the George III taste, the removable gallery tray with cut-out hand grips on the sides and back, set on a conforming stand, raised on Marlborough legs. h. 22”, w. 28”, d. 19”

$1,000-$1,500

175

Large Chinoiserie-Decorated Wall Clock

19th century, fitted with a circular clock face signed “F.F. HILL SHACKLEFORD”, the case with traditional chinoiserie scenes against a red ground. h. 78”, w. 23-1/2”, d. 9-1/2”

$2,000-$4,000

Antique Persian Hamadan Carpet

4’ 6” x 8’ 6”

$700-$1,000

Provenance: Estate of a Colorado collector.

177

Antique Persian Kurd Hamadan Carpet

4’ 1” x 6’ 2”

$1,000-$1,500

Provenance: Estate of a Colorado collector.

178

Antique Persian Bakhtiari Carpet

5’ 1” x 7’ 10”

$800-$1,200

Provenance: Estate of a Colorado collector.

179

Four Black-Lacquered Chinoiserie Nesting Tables

20th century, the tops each depicting traditional scenes, raised on trestle-form bases with curved stretchers. largest h. 28”, w. 19-1/2”, d. 12”

$1,000-$1,500

180

Aesthetic Red-Lacquered Faux Bamboo Side Table

ca. 1900, the octagonal top trimmed in faux bamboo, with intricate turned and paneled aprons, raised on faux bamboo legs joined by an X-form stretcher centered by a turned finial. h. 28-1/2”, dia. 24”

$1,200-$1,800

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

181

English Papier-Mache Dressing Case

mid-19th century, with a blocked front and rear and serpentine sides, inlaid with mother-of-pearl shields and scrollwork, trimmed in gilt scrollwork, the interior lined with red velvet and set with original covers, and manicure tools with carved mother-of-pearl handles. h. 7-3/4”, w. 12”, d. 9-1/2”

$1,000-$1,500

182

Pair of Chinese Kangxi Blue-and-White Porcelain Chargers

ca. 1662-1722, with shaped rims and borders decorated with peonies and scrollwork, the center panels decorated with a bird under chrysanthemums, the backs with pictorial marks. dia. 14-3/4”

$2,000-$4,000

183

Rare Pair of George II Mahogany Library Armchairs

18th century, in the manner of Paul Saunders or Giles Grendey, each with a padded back and seat, open arms, fully carved with downswept arm supports, seat frame and cabriole legs.

h. 41-1/2”, w. 31”, d. 31”, seat h. 17”

$4,000-$7,000

184

British School (18th Century)

“Portrait of a Lady” oil on canvas tondo unsigned. Framed.

29” x 24”, framed 37” x 32”

$1,200-$1,800

185

William IV Mahogany Cheval Mirror

19th century, the tilting mirror with rounded upper corners, set between a pair of turned and carved standards to a shaped platform base with carved outstretched legs. h. 65”, w. 39”, d. 24”

$600-$900

186

Cut-Glass and Bronze Hall Lantern

late 19th century, the four-light lantern attributed to F. & C. Osler, Birmingham and London, with a cut-glass smoke bell above the rod-form chains, supporting the cylindrical cutglass shade, decorated with panels of diamond-point glass, the base with a bell-form cut-glass insert, and the shade with upper and lower registers of cut-glass drops. h. 32”, dia. 12-1/2”

$1,500-$2,500

187

Queen Anne Circassian Walnut Lowboy

18th century, the banded top with a molded edge and in-cut corners, fitted with three drawers around an arched kneehole opening, raised on Queen Anne legs ending in slipper feet. h. 28-3/4”, w. 32”, d. 19-1/4”

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

188

Large English Gothic Revival Bronze Table Lamp

19th century and later, the bronze lamp standard with a leafmolded Gothic capital atop a tapered column molded with Gothic tracery, the base with flying buttress-form feet, on a stepped base, now with a black enamel plinth, fitted with a lampshade. h. 36”, dia. 16-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

189

English Papier-Mache Tray

mid-19th century, the oval tray with a rolled edge and painted with a lush floral center panel, framed with gilt scrollwork, the border painted with white and gilt bellflowers and leaves. w. 24-3/4”, l. 30-3/4”

$700-$1,000

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh. 186 187

190

George III-Style Mahogany and Inlaid Sideboard

ca. 1900, the shaped top over a central bank of two drawers, flanked by a bowfronted cabinet to each side, raised on tapered square legs ending in spade feet. h. 39-1/2”, w. 66”, d. 21”

$1,500-$2,500

191

Antler Chandelier in the Black Forest Tradition

20th century, composed of naturally shed antlers, the standard and branches set with six patinated metal candle holders, set with electrified candles. h. 24-1/2”, dia. 30-1/4”

$1,200-$1,800

192 Agra Carpet

10’ 8” x 17’ 1”

$3,000-$5,000 192

193

Pair of Hepplewhite Mahogany and Satinwood Serving Cabinets

19th century, each with a square double-banded top above a conforming case, one fitted with a drawer over a cupboard, opening to a cellarette drawer, the other fitted with a single cupboard door, opening to a fitted interior with two slatted shelves, each with a bi-paneled front and raised on a plinth base.

h. 40”, w. 21”, d. 21”

$2,000-$4,000

194

George III-Style Burl Walnut Chest of Drawers

20th century, the banded inlaid top above a pair of side-by-side drawers and three graduated long drawers below, raised on bracket feet.

h. 40-1/2”, w. 45”, d. 21”

$1,200-$1,800

195

Pair of Faux Marbre and Gilt-Bronze Lamps

20th century, the column-form standards composed of molded pewter, painted to mimick gilt-bronze on Siena marble, with Egyptian capitals and standing on leaf-molded paw feet, raised on tripartite bases, fitted with lampshades. h. 20-3/4”, dia. 8”

$800-$1,200

196

William IV Pollard Oak Sideboard

19th century, with an expansive framed mirror along the back, over a highly figured top with a bold molded edge, raised on large cabriole legs with shieldcarved knees and ending in scrolled toes. h. 68-1/2”, w. 98”, d. 25-1/2”

$2,000-$4,000

197

Pair of Sarreguemines Majolica ShellForm Vases

19th century, the shells with blue-glazed interiors, molded with aquatic plants and supported by intertwined dolphins on circular bases, one vase marked “Majolica, Sarreguemines, 949, E” and the other stamped “Majolica 876”. h. 14-1/2” and 14-3/4”, dia. 5-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

198

Regency-Style Mahogany Pedestal Dining Table

20th century, the top with a rosewood- and satinwoodbanded border, mounted to a pair of pedestals with carved and reeded down-curved legs, ending in brass paw feet and casters, opening to receive three 20” leaves.

h. 29-1/2”, w. 46”, l. 68”, ext. l. 128”

$1,500-$2,500

199

Victorian Elkington Neoclassical Silverplate and Glass Tiered Sweetmeat Stand

fourth quarter 19th century, Birmingham, England, fitted with three graduated colorless pressed glass plates, each on an openwork Vitruvian scroll-banded frame and between addorsed urn-form standards, all surmounted by a Maenad, the whole above a base of three sphinxes on a molded triad plinth base and lotus feet. h. 26”, dia. 10-3/4”

$2,000-$4,000

200

Victorian Elkington Neoclassical Silverplate Plateau

fourth quarter 19th century, Birmingham, England, of circular form, the molded base decorated with applied Vitruvian scrolls and rosettes, with molded edges and button feet, fitted with a conforming mirrored glass plate.

h. 3-1/2”, dia. 11-1/4”

$1,000-$1,500

201

Regency Sterling Silver Entree Dish

hallmarked London, 1816-1817, by William Eaton, of rounded rectangular form, gadrooned rim quartered by acanthusmantled coquilles, with ring handle en suite, engraved with the crest and gartered motto of Acland. h. 5-3/4”, l. 13-1/4”, w. 10”; 66.07 t. oz.

$3,500-$5,000

202

French Empire Silver Drageoir

1803-1809, Paris, by Gabriel Jacques Andre Bompart (17701846), first standard (.950) silver, of campana form, the openwork body decorated with plaques of Diana and Juno separated by anthemion, with anthemion banding above and ovolo banding below, with swan-form handles above a pedestal foot with leaf-and-dart banding above an openwork plinth base with mascarons and cornucopia, all above winged lion’s paw feet, the fitted and domed lid with swan finial, the glass liner lacking.

h. 9”, w. 6-1/4”; 26.10 t. oz.

$1,000-$1,500

203

Set of French “Double Filet” Silver Flatware

all Paris, first standard (.950) silver, including: a Second Empire set, ca. 1850, by Francois Laslier, with six each tablespoons, l. 8-3/8”, place spoons, l. 7-1/4”, place forks, l. 8”, teaspoons, l. 6”, tea forks, l. 7”, all monogrammed “T”; together with:

a Restauration set, ca. 1820, by Pierre Philippe Rousseau (one fork by Charles Joachim Benjamen Dallemagne), including eight place forks, l. 8-1/8”, and two tablespoons, l. 8-3/8”, no monograms.

(40 pieces total)

87.76 total t. oz.

$4,000-$7,000

202

204

F. W. Smith “Fiddle Thread” Sterling Silver Luncheon Set

the pattern introduced in 1902, Gardner, Massachusetts, including a half-dozen seven-piece place settings, with an additional five place pieces and three serving pieces, no monograms, together with three 19th-century American coin silver serving pieces, these three variously monogrammed. (53 pieces total)

52.27 total t. oz.

$5,000-$8,000

205

German Jugendstil Silver Flatware Set

ca. 1900, model 2900, by Franz Bahner, Dusseldorf, .800 silver, including a dozen five-piece place settings (no place/tea spoons; one fork lacking) and four serving pieces, monogrammed “B”, together with six Bremer Silberwarenfabrik teaspoons, all presented in a black faux morocco-covered wood case with fitted crimson felt interior, 4-1/2” x 20-3/4” x 14-1/2”.

74.42 total t. oz. (weighable silver)

$3,500-$5,000

206

Royal Crown Derby “Kings” Pattern Porcelain Service

ca. 1877-1893, the service including: eleven dinner plates, dia. 10-1/2”; twelve soup plates, dia. 10-1/4”; twelve bread-and-butter plates, dia. 7”; twelve luncheon plates, dia. 9”; one soup tureen, h. 10”, w. 12-1/4”; two graduated oval platters, w. 14-3/4” to 18”, l. 17-1/4” to 21-1/2”; two oval covered vegetable dishes, h. 5-1/4”, w. 11-1/4”; and one sauce tureen and stand, h. 7”, w. 9”. (54 pieces total)

$1,200-$1,800

207

Mahogany and Polychrome Breakfront

20th century, of classical inspiration, in two parts, the upper case with a pair of protruding glazed doors in the center, flanked by an additional door to each side, the interior lighted, the base with a central pull-out writing slide with a tooled leather blotter, and a drawer to each side, all with hand-painted Greek-key designs, above four cabinets, each with handpainted classical motifs.

h. 78-1/2”, w. 69”, d. 18”

$800-$1,200

208

Twelve George III-Style Mahogany Dining Chairs

early 20th century, comprised of two armchairs and ten side chairs, with eaglecarved back crests and shaped splats over slip seats, raised on cabriole legs ending in ball-and-claw feet.

h. 39-1/4”, seat h. 18”, w. 21”, d. 19-1/2”

$2,000-$4,000

209 Semi-Antique Kashan Carpet

10’ x 13’ 4”

210 Silk Soumak Carpet

6’ 6” x 9’ 8”

$1,000-$1,500

211

Regency-Style Mahogany and Rosewood-Banded Dining Table

the circular top with a gadrooned edge, rosewood banding and satinwood stringing, with highly figured segmented mahogany veneers, mounted to a base with six turned columns to a circular stretcher and six outstretched legs ending in ball-and-claw feet. h. 30”, dia. 82”

$2,000-$4,000

212

Regency Mahogany Sideboard

ca. 1800, the conforming shaped top over a central drawer with an inlaid oval panel and flanked by an additional drawer to each side, and a curved drawer at each end, raised on tapered square legs ending in spade feet. h. 37”, w. 86”, d. 21-1/2”

$2,000-$4,000

213

Regency Mahogany Wine Cooler

19th century, with a molded upper lip, the ends with brass lion’s-head ring pulls, raised on brass paw feet, retaining its removable metal liner. h. 17”, w. 18”, d. 14”

$1,200-$1,800

214

Spode “Fitzhugh” Red Porcelain Dinner Service

ca. 1900 and later, the service including: eight dinner plates, dia. 10-1/4”; eight salad plates, dia. 8”; eight cream soup bowls and stands, h. 1-3/4”, dia. 7”; eight cups and saucers, h. 2-1/2”, dia. 5-3/4”; four demitasse cups and saucers, h. 2-1/2”, dia. 5”; eight bread-and-butter plates, dia. 6”; one salad/punch bowl, h. 4-1/2”, dia. 10”; and one mustard pot, h. 3-1/4”, dia. 3”. (66 pieces total)

$1,000-$1,500

215

Carolean-Style Walnut Armchair

ca. 1900, the tall, padded back covered in period needlepoint, and the seat covered in like needlepoint, raised on eaglecarved legs joined by a pierced and carved front stretcher. h. 48”, w. 27”, d. 23”, seat h. 18”

$1,000-$1,500

216

English Carved Deal Trumeau Mirror

19th century, the edges with egg-and-dart carving, the surround with carved and applied eagles, scrollwork, rocaille work and leaves accented with flower heads, the oil-on-canvas painting depicting an Elizabethan manor house in a park. h. 44-1/2”, w. 45-1/4”

$1,800-$2,500

217

George III Chinoiserie Tall Case Clock

18th century, the face signed “John Burges, Boston”, with a time-and-strike movement, along with a calendar dial, the case decorated in traditional chinoiserie scenes, raised on a bracket-foot base. h. 84-1/2”, w. 18-1/2”, d. 9”

$1,500-$2,500

218

George III Mahogany Drop-Leaf Pembroke Table

18th century, the broad top with short drop leaves, fitted with a single drawer at one end, raised on Marlborough legs with brass casters. h. 29”, w. 24”, ext. w. 45”, d. 36-1/2”

$1,000-$1,500

219

Pair of Pietra Dura Marble Obelisks

contemporary, inlaid with various specimen marbles on a black ground, on square bases with projecting trim. h. 13”, w. 4”, d. 4”

$1,200-$1,800

220

Watercolor and Gouache of Classical Medallions

19th century, of Italian terracotta, green marble and white marble identified medallions, on a faux marbre architectural ground, in a contemporary black frame. h. 25”, w. 28”

$1,000-$1,500

221

English Chinoiserie and Parcel-Gilt Etagere

19th century, each shelf with floral chinoiserie decor, supported by turned and carved mahogany posts. h. 38”, w. 24”, d. 16-1/2”

$1,800-$2,500

222

Unusual Black Forest Lindenwood Decanter Stand

late 19th century, Swiss, the decanter in the form of a rustic carved house with a carrying handle on top, over a matching carved stand with a center decanter and seven glasses. h. 13-1/2”, dia. 6”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

223

Queen Anne Mahogany Tilt-Top Tea Table

18th century, the circular top mounted to a turned standard with three outstretched legs. h. 28”, dia. 27-1/2”

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

224

Pair of French Empire-Style Tole Table Lamps

ca. 1900, the column-form standards painted with black genre scenes on a yellow ground, on square bronze-trimmed bases decorated with landscapes, over anthemion-decorated plinths.

h. 26-1/2”, w. 11-3/4”, d. 7-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

225 William and Mary Burlwood Chest of Drawers

18th century, the banded top with string-inlaid details, the front fitted with a pair of side-by-side drawers over three graduated long drawers, raised on turned bun feet. h. 34-1/4”, w. 39”, d. 23-3/4”

$2,000-$4,000

226 English Leather-Covered Trunk

19th century, of Chesterfield form, the diamond-tufted lift lid mounted to a molded base with in-curved sides, trimmed with brass tacking. h. 19”, w. 45”, d. 24”

$1,200-$1,800

227

English Jacobean Oak Ratchet Wing Chair

18th century, the framed back, seat and wings covered in tan leather, a mechanical iron ratchet system under the arms, allowing adjustment to the tilt of the back, on block-andturned legs joined by an H-form stretcher. h. 55”, seat h. 16”, w. 29”, d. 30”

$2,000-$4,000

228

Regency Mahogany Spider-Leg DropLeaf Table

19th century, the single-board top and leaves with rounded corners and mounted to a swing-leg base with turned stretchers. h. 27-3/4”, w. 31-1/2”, d. 14-1/2”, ext. d. 39-1/2”

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

229

Antique Sultanabad Carpet

ca. 1880, West Persia. 13’ x 17’ 2”

$4,000-$7,000

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008.

230

Pair of Oak Barley-Twist Stools

early 20th century, in the William and Mary style, the padded seat with large brass tacks, raised on spiral-twist block-and-turned legs joined by like stretchers.

h. 19-1/2”, w. 18”, d. 18”

$1,200-$1,800

231

Embossed and Painted Leather Screen

late 19th century, Italian or Spanish, decorated with gilt vases and panels of flowers on a celadon ground, against a field of gilt scrollwork, flower heads and bowknots.

h. 80”, w. 92”

$2,500-$4,000

232

Early American Cherrywood Lowboy

18th century, in the Chippendale taste, the molded top with in-carved corners, over a single long drawer and three sideby-side drawers, the central drawer with fan carving, raised on cabriole legs ending in ball-and-claw feet.

h. 31”, w. 36”, d. 20”

$1,000-$1,500

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

233

Georgian Walnut and Leather-Covered Cockfighting Chair

circa 1900, upholstered in Hermes leather and trimmed with brass tacks, the back fitted with a hinged writing slope and elbow rests, raised on cabriole legs joined by block-andturned stretchers.

h. 36”, w. 30”, d. 23”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

$5,000-$8,000

234

Agra Carpet

12’ x 15’ 3”

235

Queen Anne-Style Mahogany “Butler’s Tray” Coffee Table

19th century and later, the top with hinged sides, mounted to a conforming base, raised on Queen Anne-form straight legs. h. 15”, w. 42”, d. 30”

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

236

Three Italian Leather Waste Baskets/Umbrella Stands

20th century, the collection including a cylindrical brown leather handled umbrella stand gilt-stamped with an armorial device, h. 13-1/2”, dia. 7-1/2”, an oval brown leather waste basket gilt-stamped with a vase of flowers and birds, with brass ring pulls on the sides, h. 11-1/2”, w. 10-1/2”, d. 6-1/2”, and an oval red Moroccan example with a gilt-stamped armorial device and side ring pulls, marked “Italy”, h. 7-3/4”, w. 7-3/4”, d. 5-1/4”.

$800-$1,200

237

Two Vintage Leather-Binding-Covered Waste Baskets

first half 20th century, likely English, each lined with antique leather book spines, the triangular example with armorial crests, and stamped on the sides, h. 13-1/2”, w. 11-3/4”, d. 11-3/4”, and the faceted example with a tole interior, h. 11”, w. 11”, d. 8-1/2”.

$800-$1,200

238

Pair of Hepplewhite-Style Mahogany Armchairs

20th century, of shield-back form with a pierced splat and wheat carving, raised on tapered square legs joined by H-form stretchers. h. 38”, seat h. 18”, w. 22-1/2”, d. 20”

$800-$1,200

Antique Southeast Persian Afshar Carpet

5’ 3” x 7’

$1,000-$1,500

Provenance: Estate of a Colorado collector.

240

Antique Northwest Persian Sultanabad Carpet

8’ 5” x 11’ 6”

$3,000-$5,000

Provenance: Estate of a Colorado collector.

241

Antique Persian Heriz Carpet

4’ 6” x 6’ 3”

$800-$1,200

Provenance: Estate of a Colorado collector.

242

English Inlaid Mahogany Butler’s Campaign Chest

19th century, the top with a banded border and string inlay, over a butler’s drawer, opening to a fitted desk interior, above three long drawers, the corners with inset brass mounts. h. 46”, w. 44-1/2”, d. 21-1/2”

$1,000-$1,500

243

Brass-Mounted Metal Strong Box

19th century, English or Continental, the box opening with a clever series of secret manipulations to the decorative elements, outlined with brass and brass studs, the facade with a pierced brass panel and the sides with rococo-style handles.

h. 10-1/2”, w. 12”, d. 7-1/2”

$1,500-$2,500

244

Italian Baroque Carved and Inlaid Wooden Coffer

17th century, probably Florence, the facade with marquetry inlay and the corners carved with putti masques and leaves, the sides with cotter pin carrying handles over the lower section with carved gadrooning, raised on carved giltwood feet.

h. 15”, w. 22-1/4”, d. 10-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

245

Rare Georgian Cut-Steel Decorated Box

ca. 1800, the burl-veneered pylon-form box decorated with a steel handle in an oval of steel studs, and scalloped borders of steel studs.

h. 4-3/4”, w. 13”, d. 8-1/2”

$800-$1,200

246

Unusual Inlaid Teak, Brass and Enamel Game Box

early 20th century, the teak body set with square brass medallions with enamel decoration in the center, against a field of inlaid silvered scrollwork, the fitted interior with carved card cases inlaid with card suits, now with wooden game pieces, stone tablets, two styluses and three holders for chips, inlaid with enamel card suits.

h. 4-3/4”, w. 13”, d. 8-3/4”

$800-$1,200

247

Pair of Black Forest Carved Walnut “Nature Morte” Plaques

19th century, probably Swiss, carved with stags, wineskins, game pouches and powder horns on stippled grounds, framed with scrolled and carved borders.

h. 19-3/4”, w. 14-1/2”, d. 2-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

248

Twelve-Piece Collection of Copper Cookware

late 19th/early 20th century, French or English, the collection including six sauce pans with iron handles, h. 2” to 4”, dia. 9” to 15-1/2”, the largest one stamped “HBI”, four sauce pans, h. 4-3/4” to 9-1/4”, dia. 9-1/2” to 14-3/4”, the largest one stamped “LE” and “30”, and two Dutch ovens, one with an iron swing handle and a stainlesslined example, h. 6” to 8-3/4”, dia. 10-3/4” to 12”.

$1,000-$1,500

Provenance: Lucullus, New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

249 Continental Walnut and Faux Books Credenza

20th century, the rectangular molded top above a pair of pull-out work slides, with two cabinet doors disguised as volumes of leather-bound books below. h. 36”, w. 53”, d. 16”

$1,800-$2,500

250

Pair of Faux Stone Obelisks in the Neoclassical Taste

contemporary, with classic upper portions mounted on rectangular bases with ogee trim, set with faux Valencia marble with black trim. h. 16”, w. 2-3/4”, d. 2-3/4”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

251 Cold-Painted Bronze Cockerel

ca. 1900, likely Viennese, the large cast-bronze cockerel with realistic polychrome enamel. h. 20-1/4”, w. 6”, l. 16”

$1,500-$2,500

252 Embossed and Painted Leather Screen

the 17th-/18th-century Baroque leather embossed with scrollwork, flowers and pomegranates, decorated with gilt and various colors, applied and nailed in sections to a late19th-century canvas frame. h. 75”, w. 110”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

253 Pair of English Regency Rosewood Window Benches

19th century, each with chair-back ends, shaped and carved crest rails and slats and a padded seat with brass tacks. h. 34”, seat h. 18”, w. 45”, d. 18”

$2,000-$4,000

254 English Walnut Vitrine on Chest

18th century and later, the later upper case with a double arched top over a pair of conforming glazed doors, set on a base fitted with a pair of side-by-side drawers over three graduated long drawers, each with banded borders, raised on bun feet. h. 93-1/2”, w. 52”, d. 19”

$1,400-$1,800

255

Royal Crown Derby “Derby Border” Bone China Service

20th century, the service including: twelve dinner plates, dia. 10-1/2”; twelve salad plates, dia. 8-1/2”; twelve bread-and-butter plates, dia. 6-1/4”; eight cream soup bowls, h. 2”; with eight cream soup bowl stands, dia. 6”; twelve cups, h. 2-1/2”; twelve saucers, dia. 5-3/4”; two platters, w. 10-3/4”, l. 13-1/2”; one oval open vegetable dish, w. 7-3/4”, l. 10”; one cream jug, h. 3-1/2”, w. 4-3/4”; and one covered sugar bowl, h. 3-3/4”, w. 5-3/4”. (81 pieces total)

$1,400-$1,800

256

Royal Crown Derby “Old Imari” Bone Dinner Service

20th century, the service including: eight dinner plates, dia. 10-3/4”; eight salad plates, dia. 8-1/2”; eight bread-and-butter plates, dia. 6-1/4”; eight cups and saucers, h. 2-1/2”, dia. 6”; one oval platter, w. 10-1/2”, l. 13-1/2”; one oval open vegetable dish, w. 8”, l. 10-1/4”; one cream jug, h. 3-3/4”, w. 6”; and one covered sugar bowl, h. 3-3/4”, w. 6”. (44 pieces total)

$1,000-$1,500

257

Set of Twelve Royal Crown Derby “Chatsworth” Dessert Plates late 19th century, in the Imari palette, each piece signed on the rear. dia. 8-3/4”

$600-$900

258

Regency Mahogany Tilt-Top Breakfast Table

19th century, the oval top with a molded edge, mounted to a turned standard with three down-curved carved legs ending in brass caps and casters.

h. 27-1/2”, w. 47-1/2”, l. 69-1/2”

$1,000-$1,500

259

Meticulously Detailed Model of the H.M.S. Bounty

20th century, Louisiana, crafted of wood with metal and fabric details, the complex rigging with a cannon and lanterns, the hull with painted details and carved and painted figure head, labeled “H.M.S. Bounty, Hand Crafted by Edward De La Cruz, P.O. Empire LA.”.

h. 42-1/2”, w. 49-1/2”, d. 11-1/2”

$2,000-$4,000

260 Shivan Carpet

3’ 2” x 5’

$700-$1,000

261

Tabriz Tree of Life Carpet

4’ 5” x 8’ 3”

$1,000-$1,500

262 Caucasian Carpet

4’ x 5’ 5”

$600-$900

263

Pair of Italian Walnut Finial Lamps

18th century and later, the lamps with leaf-carved upper portions and egg-and-dart lower portions, on tapered bases, now with later plinths, fitted with lampshades. h. 24-1/2”, w. 11-1/2”, d. 6-1/4”

$1,000-$1,500

264

George III Quarter-Sawn Oak Slant-Front Desk

late 18th century, the fold-down writing lid opening to a fitted interior, above four graduated long drawers, each with brass “batwing” pulls, raised on bracket feet. h. 42-3/4”, w. 39-1/2”, d. 20-1/4”

$1,000-$1,500

265

Antique Persian Khamseh Carpet

11’ 2” x 17’ 5”

$3,000-$5,000 265

266

Semi-Antique Kashan Carpet

9’

$1,000-$1,500

267

Antique Persian Lavar Kerman Carpet

$4,000-$7,000

x 11’

21’ 1” x 10’ 10”

268

Impressive Pair of Italian Solomonic Pilasters

17th century, the Baroque wooden pilasters with gilded Corinthian capitals over painted rope-twist columns, decorated with carved grapes, vines and leaves, on later backplates.

h. 106”, w. 15-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

269

Ko-Imari Bronze-Mounted Bowl

19th century, Franco-Chinese, the bowl with a gilt-bronze rim of molded leaves and birds, set with pierced scrolled handles decorated with flower heads, the bowl decorated with mandarin figures, mountains and bamboo, heavily accented with gilt, set into a ribbon-bound, laurel-molded bezel on a base decorated with ribbon-bound bunches of grapes, on scrolled feet.

h. 14”, w. 20”, d. 15-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

270

Pair of Gilt-Brass Duck-Form Flower Holders

mid-20th century, the ducks with glass eyes and molded feathers, their hinged wings opening to reveal removable flower frogs.

h. 10-1/4”, w. 8-3/4”, d. 3-1/2”

$1,000-$1,500

271

Chinese Export Porcelain Armorial Soup Plate

ca. 1775, Chien Lung period, decorated with the arms of Laurie impaling Holme quartering Beaufoy and Lamb, with a gilt lancet border. dia. 9”

$700-$1,000

David Sanctuary Howard, Chinese Armorial Porcelain (London: Faber & Faber, 1974), p. 523. Howard attributes the service commission to Henry Laurie, captain of the Surat Castle in the East India Company.

272

Aesthetic Mahogany and Gilt-Bamboo Hanging Shelf

ca. 1900, fitted with three shelves and dressed with gilded bamboo brackets and accents. h. 36”, w. 24”, d. 8”

$1,200-$1,800

273

French Belle Epoque Bronze and Porcelain Encrier

late 19th century, the Louis XV-style bronze encrier mounted with a Chinese export “Three Wise Monkeys” figure, trimmed with molded porcelain flowers on gilt-brass stems. h. 7”, w. 7-1/4”, d. 4-1/2”

$700-$1,000

274

Chinese Rosewood and Marble-Top Garden Seat

early 20th century, the circular top with an inset rouge marble, over a barrel-form, root-carved base. h. 20-1/2”, top dia. 14”

$800-$1,200

275

Chinoiserie-Decorated Writing Desk

late 19th/early 20th century, with a decorated top and central drawer, the front with additional carved drawers and raised on carved cabriole legs.

h. 30”, w. 45-1/2”, d. 22”

$1,200-$1,800

276

Pair of French Bronze Dore et Patine Aesthetic Sconces

ca. 1870-1890, after a Japonisme design attributed to Edouard Lievre (French, 18291886), the cloud-molded candle sockets on leaf-molded drip pans, the arms supported by bronze “branches” clutched in the mouth of dragon-form backplates.

h. 20-1/2”, w. 12-3/4”, d. 9”

$3,000-$5,000

Provenance: Christie’s, London, The Collector: Silver, 19th Century Furniture, Sculpture & Works of Art, November 2017.

The spirited dragon motif seen here, with creature clutching foliate branches, closely parallels Edouard Lièvre's designs from the mid-1870s.

277

Chinese Carved Rosewood Etagere

19th century, profusely carved with vines and floral motifs, with various tiers of shelves, raised on carved legs with scrolled toes.

h. 67”, w. 48”, d. 14”

$1,200-$1,800

278

Pair of Chinese Carved Yellow Peking Glass Bowls

late 19th/early 20th century, carved with prunus, lotus blossoms and peonies, on carved wooden stands. h. 4-3/4”, dia. 7-1/2”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

279

Pair of Chinese Bronze Dragons

19th century, the menacing dragons with their mouths open and tongues out, with molded heads, claws and tails, their scales incised.

h. 12-1/2”, w. 25”, d. 8-1/4”

$1,000-$1,500

280

French “Susse Freres” Bronze Censer

late 19th century, in the Japonisme taste, the bamboopierced cover over a bamboo-form body and handles, supported on bamboo-form legs rising from “smoke”, the rim impressed “Susse Freres”, the bottom with a molded seal mark.

h. 16”, w. 8-1/4”, d. 6-3/4”

$1,500-$2,500

281 Japanese Meiji Carved Hardwood Armchair

ca. 1900, the back carved in the form of a crouching man, the shaped seat raised on elephant-form legs with a curtainand tassel-carved apron.

h. 37”, seat h. 18-1/2”, w. 27”, d. 23”

$1,500-$2,500

282

Indian Marble Figure of a Hindu Goddess

19th century or earlier, the standing figure retaining remnants of original paint, likely depicting Jain Yakshini, now on a contemporary wooden base.

h. 18-1/2”, w. 7”, d. 4-3/4”

$1,200-$1,800

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

283

Biedermeier Burlwood and Marble-Top Secretaire a Abattant

19th century, the marble top over a long drawer, above a drop-front writing lid opening to a fitted interior, with a pair of cabinets below, raised on turned feet. h. 58”, w. 38”, d. 18-1/2”

$1,200-$1,800

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

284 Dutch School (19th Century)

“Still Life with Tulips” oil on canvas unsigned. Framed.

31-1/4” x 25-1/2”, framed 35” x 29”

$1,500-$2,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

285 Louis Philippe Burl Elm and Marble-Top Commode

19th century, the conforming Black Izeste Conchiferous marble top over four long drawers, dressed with gilt-bronze pulls, and an additional drawer concealed in the base, raised on turned feet. h. 39”, w. 51”, d. 25”

$1,400-$1,800

Provenance: The Estate of Marian Cordill & Florence

Cordell-Reeh.

286

Pair of Pickled Fruitwood and Leather Child’s Chairs

early 20th century, each leather-covered chair with groovecarved frames and floral crest rails, raised on cabriole legs with floral-carved knees. h. 32”, seat h. 14-1/2”, w. 14-1/2”, d. 14”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

287

Petit Patinated Metal and Crystal Chandelier

early 20th century, the five-light chandelier with a vasiform pierced standard hung with a spray of cut-glass drops at the top, the curved arms set with foliate drip pans and hung with cut-glass drops accented with mauve drops. h. 20”, dia. 15-1/2”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

288 Dutch Mixed Woods Inlaid Secretaire a Abattant

18th century, the front with a long drawer set over a fall-front inlaid writing lid, opening to a fitted interior, above a pair of like-inlaid doors below, raised on banded, tapered square legs.

h. 56-1/2”, w. 33-1/2”, d. 16”

$1,200-$1,800

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

289

French Marble and Gilt-Bronze Clock

late 19th century, in the Louis XVI taste, the marble urn-form finial draped with bronze swagging, the body with an enamel dial, accented with bronze corner medallions, the sides with leafmolded bronze corbels, on a conforming white marble base, raised on turned feet.

h. 13”, w. 9-1/4”, d. 3-1/4”

$700-$1,000

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

290

Louis XV-Style Giltwood and Marble-Top Table

19th century, the Incarnat Turquin marble top over a base with lattice- and floral-carved aprons, each side fitted with a drawer, raised on cabriole legs ending in cast bronze hoof feet. h. 27-1/2”, w. 32-1/2”, d. 32-1/2”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

291

German Biscuit Figure of Musical Cherubs late 19th century, the cherubs singing and playing musical instruments, set into a molded bronze base, with an unidentified blue mark. h. 11”, dia. 5-1/2”

$800-$1,200

The Estate of Marian Cordill & Florence Cordell-Reeh.

292

French Kingwood-Inlaid Center Table

early 20th century, in the Napoleon III taste, the shaped top with floral inlays and bronze trim, raised on cabriole legs with bronze mounts.

h. 29-1/2”, w. 31”, d. 20-1/2”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

293

French Kingwood and Marble-Top Semainier

early 20th century, in the Louis XV taste, with a conforming marble top, the front fitted with seven graduated drawers with bronze keyholes, raised on short cabriole legs. h. 56-1/2”, w. 31”, d. 15”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

294

Small French Bronze and Glass Chandelier

early 20th century, in the Baroque taste, the six-light chandelier with a bronze frame hung with strands of glass beading and set with candle branches terminating in molded glass prism rings, suspended from a corona with sprays of glass drops. h. 16-1/4”, dia. 29-1/4”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

295

Pair of French “Samson” Armorial Urns

mid 20th century, the covered urns decorated with the Arms of Farquharson of Invercauld, trimmed with raised white accents and flowers in the famille rose palette, with faux Chinese marks. h. 14-1/2”, dia. 4”

$1,000-$1,500

The Estate of Marian Cordill & Florence Cordell-Reeh

296

Directoire-Style Fruitwood Bergere

19th century, the padded back and arms trimmed with brass tacks, with a reversible loose cushion, raised on turned legs and covered in Scalamandre silk fabric. h. 35”, seat h. 19”, w. 26”, d. 24”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

297

Vernon Francis Duckett (American, 1911-2013)

“The Family Home, France”, 1941

watercolor on paper signed and dated lower right. Matted, glazed and framed. 14” x 21-3/4”, framed 22” x 29-1/2”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence Cordell-

Reeh.

298

Vernon Francis Duckett (American, 1911-2013)

"Family Home, France", 1939 watercolor on paper signed and dated lower right. Matted, glazed and framed. 14” x 21-3/4”, framed 22” x 29-1/2”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

299

Continental Walnut Double-Door Armoire

18th century, with a removable cornice molding over a pair of framed and raised paneled doors, raised on block feet.

h. 76-1/2”, w. 50”, d. 23”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

300

French Majolica Asparagus Serving Set

late 19th century, likely Longchamp, the rounded holder molded with asparagus resting on green and amber molded leaves, on asparagus-molded legs, on a matching undertray, the base with a freehand-painted “34”. h. 4-3/4”, w. 10-1/4”, l. 13”

$800-$1,200

The

Estate of Marian Cordill & Florence Cordell-Reeh

301

Diminutive Chinoiserie-Decorated Coffee Table

20th century, the rectangular top with a painted Asian scene against a celadon ground, raised on tapered cabriole legs. h. 17”, w. 26-1/2”, d. 18”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

302

French Provincial Walnut Commode

18th century, of serpentine form, with a pair of side-by-side drawers over two long drawers, with a carved and scalloped apron, raised on short cabriole legs ending in scrolled toes. h. 35-1/2”, w. 50-1/2”, d. 23”

$1,200-$1,800

Provenance: The Estate of Marian Cordill & Florence

Reeh.

Cordell-

303

Small French Bronze and Molded and Cut-Glass Chandelier

early 20th century, with six scrolled bronze arms over an additional six arms, the central column of molded vasiform glass sleeves dressed with cut-glass pendalogues and chains. h. 24”, dia. 24”

$800-$1,200

304

Empire Polychrome Bergere

19th century, with a padded back, arms and loose seat cushion, the arms supported by turned posts, raised on turned legs, covered in a Fortuny fabric. h. 37-1/4”, seat h. 17”, w. 24-1/2”, d. 21-1/2”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

305 French Inlaid Kingwood and Marble-Top Gentleman’s Chifferobe

early 20th century, the conforming Rance marble top over a pair of floral-inlaid doors, raised on cabriole legs with bronze mounts. h. 58-1/2”, w. 41-1/2”, d. 11”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

306

Louis XVI Kingwood and Marble-Top Commode

18th century, the conforming Beyrede Sarrancolin marble top over two inlaid long drawers, raised on slender cabriole legs ending in brass sabots.

h. 34-1/2”, w. 37-1/2”, d. 18”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

307 French

Directoire Marble Portico Clock

ca. 1800, with a bronze-mounted urn finial atop the clock, the dial signed “Drouot a Paris”, flanked by bronze-framed jasper plaques, likely Sevres, mounted on marble pilasters on bronze paw feet, flanking black marble plinths, all mounted on a white marble base.

h. 20-1/2”, w. 14”, d. 4”

$1,200-$1,800

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

308

Two Sevres-Style Bronze-Mounted Porcelain Boxes

ca. 1900, likely Limoges, each decorated with a panel of courting couples in 18th-century costume, on raised gilttrimmed cobalt grounds, the oval example with a spurious Sevres mark and the other example with a spurious crossed arrows mark.

h. 4”, w. 8-1/4”, d. 6-1/2” and h. 4-1/2”, w. 9”, d. 7”

$1,000-$1,500

The Estate of Marian Cordill & Florence Cordell-Reeh

309

Louis XV Kingwood and Marble-Top Commode

18th century and later, the conforming rouge marble top over a single inlaid drawer with a scalloped lower edge, raised on cabriole legs ending in brass sabots. h. 32”, w. 40”, d. 16”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

310

Napoleon III Kingwood-Inlaid and Marble-Top Parlor Cabinet

19th century, of serpentine form with a floral-inlaid door, castbronze trim and ormolu mounts, raised on short splayed legs with bronze mounts. h. 39-1/2”, w. 35”, d. 17”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

311

Delft Pottery Basin in the 18th-Century Taste

late 19th century, the faceted basin molded with masques at each end, the reeded basket decorated with blue and orange scrollwork and flowers, the interior with a basket of flowers, the base with a spurious De Griek Scheft, belonging to Adrianus Kocs. h. 6-3/4”, w. 15-1/2”, d. 9”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

312

Raynaud “Impressions” Porcelain Dinner Service

20th century, Limoges, the service including: twenty luncheon plates, dia. 9-3/4”; twenty-three salad/dessert plates, dia. 8-3/4”; sixteen bread-and-butter plates, dia. 7-1/2”; sixteen bowls, dia. 7-3/4”; four gratin dishes, w. 5”, l. 9-1/4”; two circular trays, dia. 12-3/4”; eighteen cream soup bowls and stands, h. 2-1/4”, dia. 7”; twelve cups, h. 2-3/4”; eleven matching saucers, dia. 7”; eleven demitasse cups, h. 2-1/2”; twelve matching saucers, dia. 4-3/4”; one dinner plate, dia. 10-3/4”; one chop plate, dia. 11-1/2”; one circular serving bowl, dia. 11-1/2”; one oval platter, w. 12”, l. 16-1/4”; two sandwich trays, w. 6”, l. 15-3/4”; and one gravy boat with integral stand, h. 2-1/2”, dia. 7-1/2”.

(170 pieces total)

$1,500-$2,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

313

Louis XV Kingwood and Circassian-Walnut-Inlaid Poudreuse

18th century, the top with three lift lids opening to various compartments and mirrors, with a pull-out leather-covered work slide and small drawers below, raised on cabriole legs. h. 29”, w. 34”, d. 18”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

314

Pair of French Gilt-Bronze Candelabra

late 19th century, in the Louis XVI taste, the urn-form finials on column-form standards, draped in bronze swagging, the scrolled candle branches terminating in leaf-molded candle cups and beaded drip pans, the pierced bases raised on bun feet.

h. 11-1/4”, w. 8-1/4”, d. 3-1/2”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

315

Belle Epoque Painted Terracotta Figure of Venus

fourth quarter 19th century, in the manner of Clodion, the figure partially draped, a water jug at her feet, on a beaded oval conforming base.

h. 14-3/4”, w. 9-3/4”, d. 5-3/4”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

316

French Parquetry-Inlaid Kingwood Flatware Table

19th century, the sliding top with a central inlaid scenic panel with parquet ends and border, over a like-inlaid drawer with a removable tray for flatware storage, raised on cabriole legs ending in brass sabots.

h. 28-1/2”, w. 31”, d. 17”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

317

Pair of Napoleon III Inlaid Rosewood Corner Cabinets

19th century, the bowfront-form cabinets with banded and string-inlaid tops, over an inlaid frieze and curved door below, each with an oval panel inlaid with musical instruments and sheet music.

h. 36”, w. 26”, d. 17-1/2”

$1,200-$1,800

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

318

Pair of Louis XVI-Style Polychrome Fauteuils

20th century, each with an oval padded back and loose seat cushion, raised on tapered square legs, covered in a Scalamandre floral fabric. h. 40”, seat h. 18”, w. 23-1/2”, d. 22”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

319

French Mahogany and Marble-Top Credenza

20th century, in the manner of Maison Jansen, the white marble top over a pair of drawers, separated by inset brass plaques, and a pair of cabinets below, raised on turned and fluted legs. h. 38-1/2”, w. 52-1/2”, d. 18-1/2”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

320

Extensive Baccarat “Michelangelo” Crystal Service

ca. 1927-1970, engraved with delicate scrollwork and swagging, most pieces signed, the service including: twenty-two water glasses, h. 4”; nine vin blanc glasses, h. 3-1/2”; thirty-eight juice glasses, h. 4”; thirty-nine vin rouge glasses, h. 3”; forty-two claret glasses, h. 3-1/4”; thirty-one cordial glasses, h. 2-1/4”; twenty-two champagne coupes/sherbet glasses, h. 2”; three barrel-form tumblers, h. 4”; twenty-one finger bowls, dia. 4-3/4”; twelve finger bowl stands, dia. 6-3/4”; two cocktail shakers with silverplate tops, h. 10-1/4”; four flask-form cognac decanters, h. 10-1/2”, w. 5-1/2”; one additional stopper, h. 2-1/2”; two ewers, h. 8-1/2”, w. 3-3/4”; a single ewer, h. 9-1/4”, w. 4”; two footed bowls, h. 3-3/4”, dia. 10-/4”; two flask-form decanters, h. 8-1/4”, w. 4”; two graduated flasks, h. 5-1/4” to 6”, w. 3” to 3-1/2”; one covered box, h. 2”, dia. 3-1/2”; and one salt dish, dia. 2-3/4”. (257 pieces total)

$4,000-$7,000

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

321

Pair of Baccarat “L’enfants” Candelabra

early 20th century, the molded and parcel-frosted crystal candelabra with central cut-spire finials set between reeded bell-form candle cups, mounted on matching prism rings and supported on frosted glass arms, resting on “enfant” figural stands on matching fluted bases. h. 24-1/2”, w. 9-3/4”, d. 5”

$1,500-$2,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

322

St. Louis “STL 20” Pattern Cut-Crystal Service

20th century, Belgian, the tableware service including: twenty-one water goblets, h. 6-1/2”; nineteen sherry glasses, h. 4-1/2”; twenty-five white wine glasses, h. 5”; fifteen champagne coupes, h. 4-1/4”; and five decanters, h. 11” to 11-1/2”, dia. 4-1/2” to 5-1/4”.

(85 pieces total)

$2,000-$4,000

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

323 Rare Baccarat “Athenienne Gondole Allangee” Crystal Service

post-1916, French, decorated with raised gilt and needle engraved with scrolling acanthus leaves, the service including: fourteen water goblets, h. 5-3/4”; thirteen champagne flutes, h. 6-1/4”; eight vin blanc goblets, h. 4-3/4”; sixteen sherry glasses, h. 4-1/2”; fifteen liqueur glasses, h. 3”; three champagne coupes, h. 4-1/4”; four cordial glasses, h. 3”; eight highball glasses, h. 5-1/4”; four tumblers, h. 3-3/4”; five claret glasses, h. 4-1/2”; five sherbet/fruit glasses, h. 3”; thirteen cocktail glasses, h. 4”; one port glass, h. 4”; two decanters, h. 12-1/2”, dia. 5-1/4”; one covered butter/cheese dish, h. 6”, dia. 7”; three finger bowls, dia. 5”; seven dessert bowls, dia. 4-3/4”; and eleven stands for bowls, dia. 6-1/2”. (133 pieces total)

$1,000-$1,500

The Estate of Marian Cordill & Florence Cordell-Reeh

324

Set of Ten Baccarat Highball Glasses

post-1936, in an unidentified pattern of engraved birds and scrollwork over cut panels, each signed on the bottom. h. 5-3/4”, dia. 3-1/4”

$600-$900

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

325

Fourteen Baccarat “Harcourt Versailles” Rhine Wine Goblets

20th/21st century, the chartreuse goblets cut and plated, marked on the bottom. h. 7-1/2”

$1,000-$1,500

The Estate of Marian Cordill & Florence Cordell-Reeh

326

Twelve Baccarat Green “Michaelangelo” Claret Glasses

ca. 1927-1970, the green bodies engraved with scrollwork and swagging, on a colorless base, unsigned. h. 3-1/2”

$700-$1,000

The Estate of Marian Cordill & Florence Cordell-Reeh

327

Pair of Chinese Bronze-Mounted Porcelain Beaker Vases

Kang Xi period (1662-1722), the famille verte vases now bronze-mounted and converted to cachepots with guillochemolded fittings and removable liners, divided into three sections, the top section decorated with grazing deer, and the bottom sections decorated with carefully executed birds and butterflies perched on branches. h. 15-3/4”, dia. 7”

$1,500-$2,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

328

Chinese Export Charger in the Famille Verte Palette

19th century, decorated with a bold, carefully detailed swirling dragon, the back with an apocryphal Qianlong mark, with a wooden stand. dia. 15-3/4”

$700-$1,000

The Estate of Marian Cordill & Florence Cordell-Reeh

327

329

Pair of Chinese Sancai-Glazed Equestrian Roof Tiles

19th century or earlier, with Sancai and turquoise glazes, the robed male figures riding horses, on rounded bases to fit on a roof ridgeline, on custom wooden stands. h. 16-1/2”, w. 12-3/4”, d. 4-3/4”

$1,000-$1,500

The Estate of Marian Cordill & Florence Cordell-Reeh

330

French Japanned Two-Drawer Stand

mid-20th century, the stand with a tray top, over two drawers, decorated with willow trees, pagodas and birds on a black ground, on cabriole legs fitted with bronze sabots. h. 27-1/2”, w. 20”, d. 14-1/4”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

331

Chinese Sang-de-Boeuf Porcelain Bottle Vase

19th century, with a globular body and tall neck, on a pierced and ebonized wooden base. h. 9-1/2”, dia. 3-1/2”

$600-$900

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

332

Chinese Sang-de-Boeuf Porcelain Bottle Vase

19th century, the vase with a globular body and tall neck, on a pierced wooden base. h. 10-1/2”, dia. 4”

$800-$1,200

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

333

Chinese Cloisonne Enamel Censer

19th century, with flaring handles, the rectangular censer decorated with delicate flowers and scrollwork on a stippled ground, raised on vasiform legs.

h. 13-1/2”, w. 13”, d. 5-3/4”

$800-$1,200

334

Chinese Pottery Tomb Guardian Figure

possibly Tang Dynasty (618-907 AD), with remnants of paint, commonly referred to as a Mingqi, the hands poised to hold a weapon, on a custom wooden stand.

h. 14-3/4”, w. 7-1/2”, d. 4”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence CordellReeh.

335

Pair of Chinese Blanc-de-Chine Porcelain Phoenix Birds

late 19th/early 20th century, the carefully modeled crested birds with flowing tail feathers and detailed feathers and feet, standing on pierced bases decorated with molded lotus flowers, on carved wooden stands. h. 17-3/4”, w. 4-1/4”, d. 4”

$1,000-$1,500

The Estate of Marian Cordill & Florence Cordell-Reeh

336

French Silver, Enamel and Glass Dresser Set

first quarter 20th century, by Victor Lauer, fl. 1902-1937, Paris, including: two cosmetic jars, h.1-3/4 and 2-3/4”; two cologne bottles, w. 1-3/4” and 2-1/2”; a toothbrush bottle, h. 6-5/8”; a hairbrush, l. 7-3/4”; a clothes brush, l. 7”; and an oval easel mirror, 8” x 5-5/8”; each with first standard (.950) silver fittings decorated with blue guilloche and white opaque enamel.

$600-$900

337

Vernis Martin-Style Jewelry Box Stand

early 20th century, the heart-form box with a hinged top, with a painted scene of a lady playing a mandolin in a lush garden, opening to a fitted interior, the underside of the lid with a mirror, above a spring-loaded heart-shaped drawer. h. 29”, w. 14-1/2”, d. 16”

$1,200-$1,800

338

Diminutive Napoleon III Satinwood Parlor Cabinet

late 19th century, the banded inlaid top over a like frieze, centered by a carved rosette, above a framed panel with a painted maiden against a blue ground, raised on short, tapered square legs. h. 36-1/2”, w. 26-1/2”, d. 19”

$900-$1,200

336 337

Turkish Angora Oushak Carpet

8’ x 10’

$1,200-$1,800

340

Turkish Angora Oushak Carpet

8’ 10” x 12’ 2”

$1,400-$1,800

341

French Giltwood Headboard and Corona

19th century, in the Louis XV taste, with a circular wallmounted corona and draperies, above a padded headboard with a carved plume cartouche, together with four pillows and matching comforter. curtain with corona h.128” w. 78”, inside curtain h. 91” w. 105”

$1,000-$1,500

342

Turkish Angora Oushak Carpet

8’ x 10’ 1”

$1,200-$1,800

343

Turkish Angora Oushak Carpet

9’ x 12’ 2”

$1,500-$2,500

344

French Giltwood Daybed

19th century, in the Louis XV taste, with a padded headboard and footboard, raised on floral-carved cabriole legs.

h. 48”, inside w. 49”, l. 82”, outside w. 53”, l. 87”

$1,200-$1,800

345

French Painted Trumeau Pier Mirror

early 20th century, the white-painted mirror with paneled stiles, decorated with an oval oil-on-canvas depiction of a shepherd and shepherdess in 18th-century costume, framed in ribbon-bound reeds, the corners accented with scroll-carved flourishes, set with a beveled mirror plate.

h. 111-1/2”, w. 46-1/2”

$1,000-$1,500

346

Pair of Directoire Walnut Fauteuils

18th century, each with an oval padded back, the curved and groove-carved arm supports terminating in wheat-carved motifs, raised on turned and fluted legs. h. 37”, seat h. 17”, w. 24”, d. 21”

$1,000-$1,500

Provenance: The Estate of Danella and George Hero III.

347

Directoire Inlaid Fruitwood Daybed

18th century, with a matching paneled headboard and footboard, each end with a peaked crest, turned posts and urn-form finials at each corner. h. 41”, inside w. 34”, l. 78”, outside w. 38”, l. 82-1/2”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

348

French Bronze Argand-Style Chandelier

ca. 1900, the rod-form chains supporting the body with serpent-form hooks, the arms with anthemia mounts and the body with Egyptian masques, set with frosted glass flameform shades.

h. 19”, dia. 28”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

349

Empire Figured Mahogany Four-Drawer Chest

19th century, the top with quartered bookmatched veneers above a protruding long drawer and three recessed long drawers below, flanked by ebonized columns with brass capitals.

h. 34-1/4”, w. 38”, d. 21-3/4”

$1,500-$2,500

350

Empire Mahogany and Gilt-Bronze Shaving Mirror

early 19th century and later, the giltwood crest decorated with a lyre and laurel swags, the mahogany face with gilt-bronze mounts, above ebonized column-form standards supporting the mirror, the base decorated with bronze medallions, on cabriole legs.

h. 36-1/4”, w. 19-1/4”, d. 14-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

351

Pair of Paris Porcelain-Style Fruit Cooler Lamps

19th century and later, the urn-form bodies set with handles molded with allegorical depictions of winter, the lower bodies decorated with tooled gilt leaves, on square bases.

h. 19”, w. 10-1/2”, d. 6-3/4”

$800-$1,200

352

French Giltwood Mirror in the Regency Taste

20th century, the mirror-backed pierced pediment decorated with a masque and a pair of dolphins accented with scrollwork and flower heads, the surround inset with mirrors and carved with scrollwork, the corners decorated with large scrolls and rose-carved swagging, the base with a carved shell.

h. 59-1/2”, w. 32-1/2”

$1,500-$2,500

353

Important French Limoges Painted Enamel Triptych

early 17th century, Limoges enamel over copper panels, depicting scenes of the Baptism of Christ, St. John preaching, and the decollation of St. John, with God the Father and two angels in the top panels, in a molded giltwood frame. 19-1/2” x 24-3/4”

$7,000-$10,000

Provenance: The Collection of Mr. and Mrs. Thomas Jefferson Penn, Reidsville, North Carolina.

354

French Provincial Fruitwood Armoire

18th century, the arched top with a molded, removable cornice, over a pair of conforming framed and burlwood paneled doors. h. 92”, w. 62”, d. 26-1/2”

$2,000-$4,000

355

Pair of Louis XV Giltwood Bergeres

18th century, the carved frames with floral crests, padded backs and reversible seat cushions, raised on cabriole legs with foliate-carved ankles. h. 38-1/2”, seat h. 18”, w. 28”, d. 24”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

356

Pair of Handsome Baroque Giltwood Girandole Mirrors

18th century, the oval surrounds carved with strapwork, set with bold, pierced scrollwork accented with carved leaves, set with scrolled giltwood candle branches terminating in tole crown-form drip pans and candle sockets, set with antique mirror plates. h. 35-1/2”, w. 26-1/2”, d. 9-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

357

French Mahogany and Gilt-Bronze Side Table

19th century, the circular white marble top set within a molded bronze rim, mounted to turned bronze standards onto an open triangular platform, raised on tapered legs ending in bronze paw feet.

h. 30”, dia. 15”

$1,000-$1,500

358

Fruitwood Dining Table in the Directoire Taste

early 20th century, the top with brass-banded trim and raised above a deep frieze on tapered square legs ending in brass caps, the circular top opening to accommodate one 28” leaf. h. 30”, w. 63”, l. 66”, ext. l. 94”

$1,500-$2,500

359 Swedish Gustavian Polychrome Armchair

18th century, in the neoclassical taste, the padded back with a stepped crest rail, over a padded slip seat and raised on turned and fluted legs ending in toupie feet. h. 39”, seat h. 18”, w. 23-1/2”, d. 20”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

360 French School (20th Century)

"Hay Stacks", 1914

oil on canvas illegibly signed and dated lower right. Framed.

16” x 24”, 18-1/2” x 26-1/2”

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

361

Pair of Belle Epoque Gilt-Bronze and Marble Six-Light Candelabra

late 19th century, the central standards terminating in delicate bunches of berries, set among two levels of candle branches, the upper level set with inverted bell-form candle cups and the lower level terminating in flower-molded candle cups, the urn-form white marble bases decorated with circular pierced mounts of trailing flowers and leaves, on fluted bases raised on bun-form gilt-bronze feet, electrified. h. 30-3/4”, dia. 10-1/2”

$2,500-$4,000

362

Louis XVI Fruitwood and Marble-Top Side Table

18th century, the demilune marble top above a conforming pierced frieze featuring palmetto and bead designs, raised on stop-fluted, tapered circular legs headed by foliate capitals and ending in foliate feet.

h. 34-1/2”, w. 44”, d. 23-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

363

Pair of French Giltwood and Crystal Sconces

19th century, in the rococo taste, the giltwood backplates in the form of sash-bound overlapping leaves, set with three scrolled gilt-metal candle arms, with turned sockets and drip pans, hung with crystal drops. h. 37”, w. 13”, d. 8-1/4”

$1,200-$1,800

364

Pair of French Giltwood and Crystal Sconces

$1,200-$1,800

365

French Giltwood and Marble-Top Center Table

19th century, the inset circular marble top within a molded edge, above a conforming floral- and guilloche-carved frieze, raised on cabriole legs headed by acanthine carving and ending in scrolled toes. h. 30”, dia. 32”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

366

Napoleon III Giltwood Settee

late 19th century, the rope- and tassel-carved frame with an intricate knot-carved cartouche, with a padded back and seat, raised on like-carved legs. h. 43”, w. 59”, d. 28”

$2,000-$4,000

367

Unusual French Beechwood and Marble-Top Console Table

18th century, the conforming Villefranche de Conflent marble top over a pierced wheat- and shellcarved frame, the cabriole legs joined by a stretcher with a carved cockerel. h. 35”, w. 49”, d. 18-1/2”

$1,800-$2,500

368

Grand Tour Marble Bust of “Young Octavian”

19th century, after the original in the Vatican. h. 15-3/4”, w. 8”, d. 6-1/4”

$1,200-$1,800

369

Continental Giltwood Reliquary

19th century, now mounted with a mirror glass in a delicate pierced surround decorated with ribbons and scrollwork, accented with flowers and trailing leaves on the sides, resting on an ogee rocaille-carved base.

h. 26-1/2”, w. 15-3/4”, d. 3-1/4”

$1,000-$1,500

370

Pair of French Giltwood and Marble-Top Side Tables

20th century, in the Louis XV taste, each with an inset marble top over a single drawer and marble-lined cabinet below, raised on cabriole legs.

h. 32”, w. 17-1/2”, d. 16”

$1,500-$2,500

371

Regence Giltwood Wing Chair

18th century, with open arms and acanthine-carved hand grips, with shell- and foliate-carved aprons, raised on cabriole legs.

h. 42-1/2”, seat h. 17”, w. 27-1/2”, d. 24”

$1,500-$2,500

372

French Parcel-Giltwood Overmantel Mirror

20th century, in the Directoire taste, the entablature decorated with a masque of “Drama”, framed with swags of bellflowers, the giltwood-lined side panels decorated with ribbon-bound torches, helmets and various war trophies, the mirror plate secured with a palmette-carved giltwood liner. h. 75-1/4”, w. 51”

$3,000-$5,000

373

French Bronze and Crystal Chandelier

20th century, the six-light chandelier with a corona comprised of a cut-glass cup secured in a bronze ring, supporting bronze chains to the engine-turned bronze body, with a bell-form cut-glass center and six scrolled bronze leafmolded arms, set with cut-glass drip pans and turned candle cups.

h. 34”, dia. 12-3/4”

$1,200-$1,800

374

Louis XV-Style Creme-Peinte and Marble-Top Console Table

early 20th century, with a conforming Breche d’Aleps marble top over a pierced and carved front apron with a large shell cartouche, with cabriole legs joined by a scroll-carved stretcher, centered by a shell and floral cartouche.

h. 37”, w. 68”, d. 26”

$2,500-$4,000

375

Group of Three Restauration “Jeweled” Gilt-Brass Monocular Spyglasses

ca. 1815-1830, including:

seven section, set with bands of dark blue glass jewels, dia. 1”, d. 1-1/2”, extended l. 3”;

four section, with applied gilt-brass floral banding set with and banded by rows of red glass jewels, dia. 1-1/2, d. 1-3/4”, extended l. 3-3/4”; and

seven section, with applied floral swags set with green glass jewels within bands of pink glass jewels, dia. 1-5/8”, d. 1-1/4”, extended l. 3-3/4”

$1,000-$1,500

376

Group of Four Restauration Gilt-Brass Monocular Spyglasses

ca. 1815-1830, including: unmarked, nine section, the brass body engraved with acanthus scrolls and stars, dia. 1-3/4”, d. 1-1/8”, extended l. 4”; unmarked, eight section, the brass body etched and oxidized with a stag hunt scene, dia. 1-5/8”, d. 1-1/8”, extended l. 3-1/2”; Francois Antoine Jecker (1765-1834), Paris, five section, with tan snakeskin body, dia. 1-1/2”, d. 1”, extended l. 3”; and unmarked, two section, the bell-form body with marbled leather, with milled gilt-brass banding, dia. 1-3/8”, l. 2”, extended l. 2-3/4”.

$1,200-$1,800

377

Group of Three Restauration Gilt-Brass Monocular Spyglasses

ca. 1815-1830, each with mottled body and milled gilt-metal banding, including: Charles Pierre Gonichon (1781-1867), Paris, six section, dia. 1-1/2”, d. 1-1/4”, extended l. 3-1/4”; Gaspard Derepas (ca. 1785-1831), Paris, six section, dia. 1-1/2”, d. 1-1/4”, extended l. 3-1/2”; and unmarked, four section, dia. 1-1/4”, d. 1-3/8”, extended l. 3”.

$1,500-$2,500

378

French Ormolu-Mounted Mahogany Writing Desk

20th century, the top with an inset black leather blotter, the edge trimmed with a brass molding, one side fitted with a central drawer and three drawers in each bank, raised on tapered legs.

h. 31”, w. 72”, d. 35”

$1,500-$2,500

379

French Restauration Bronze Figural Mantel Clock

ca. 1825, the clock mounted with a patinated bronze figure of a Roman Emperor seated on a gilt-bronze case decorated with acanthus leaves and anthemia, raised on scrolled feet. h. 22”, w. 17”, d. 6-1/2”

$1,200-$1,500

380

Continental Empire-Form Chandelier

the six-light chandelier with a gilt-metal frame, the leafmolded corona hung with swags of prisms, over a ring-form body set with six candle branches mounted with pierced drip pans, and hung with strands of cut-glass prisms. h. 36”, dia. 23”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

381

Bronze-Mounted Mahogany and Marble-Top Center Table

19th century, in the Empire taste, the inset circular Gris SainteAnne Belge marble top over a straight frieze with ormolu mounts, supported by three turned columns with bronze collars, mounted to a curved triangular platform base. h. 30”, dia. 30”

$1,000-$1,500

382

Pair of Louis XV Polychrome Fauteuils

18th century, each with an oval padded back and groovecarved arm supports, raised on cabriole legs. h. 34-1/2”, seat h. 17”, w. 23”, d. 19”

$2,000-$4,000

383

Louis XVI-Style Kingwood Vitrine Table

early 20th century, the rounded rectangular top within an annulated ormolu band and inset with a glazed panel, hinged and opening to a velvet-lined interior, above a conforming frieze with applied scrolling foliate ormolu panels, raised on paneled tapering circular legs ending in lotus-form caps.

h. 32-1/2”, w. 38-1/2”, d. 23”

$800-$1,200

384

French Marble and Gilt-Bronze Figural Mantel Clock

19th century, set with a silk-string suspension movement signed by Honore Pons (French, 1773-1851), decorated with a figure of a bathing Venus holding a drape, an amphora of water spilling at her feet, over a Siena marble body set with gilt-bronze mounts and trim. h. 20”, w. 10-1/2”, d. 5-1/2”

$1,000-$1,500

385 Hollywood Regency Kidney Desk

20th century, designed by Ann Getty and Associates, the parcel-gilt and amboyna wood desk with a shaped top with a pierced brass gallery and inset leather writing surface, above a frieze fitted with two drawers, raised on stylized giltwood palm tree standards with outstretched legs. h. 28”, w. 54”, d. 24”

$2,500-$4,000

Provenance: The collection of Ann and Gordon Getty.

386

French Bronze-Mounted Boulle Work Mantel Clock

19th century, in the Louis XIV taste, the top decorated with turned spires and a pierced gallery, the tortoiseshell ground of the case inlaid with engraved brass scrollwork, the corners with figural bronze mounts, the engraved bronze dial with an enamel chapter ring and set with a “sunburst” pundulum, behind a bronze door, raised on bronze reeded toupie feet. h. 19-1/2”, w. 10-1/2”, d. 4-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

387 detail

387 Napoleon III Boulle and Brass-Inlaid Center Table

19th century, the top with a cast-bronze molded edge and profusely inlaid, one apron fitted with a drawer and centered by a cast-bronze portrait, raised on cabriole legs headed by female bronze busts. h. 31”, w. 53”, d. 32”

$1,200-$1,800

388

Napoleon III Bronze-Mounted Boulle Jewel Casket

third quarter 19th century, in the Louis XV style, the tortoiseshell-veneered casket decorated with engraved brass marquetry depicting birds, moths, flowers and squirrels, trimmed with bronze scroll and rocaille corner mounts, the facade with a satyr-masque mount, raised on scrolled feet, the interior retaining an old velvet lining. h. 13”, w. 21”, d. 14”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

389

French Gilt-Bronze and Marble Torchere Stand

ca. 1900, the body decorated with guilloche mounts and set with monopodial legs with rams’ heads at the top, terminating in leaf-molded hoof feet, the center with a bold quiver of arrows, on a tripartite base, raised on toupie feet. h. 56-3/4”, dia. 14”

$3,000-$5,000

390

Grand Tour Bronze Dore et Patine Lamp-Form Candlestick

late 19th century, decorated with a gilt-bronze angel draped over the bronze oil-lamp-form body, molded with anthemia, the spout set with a gilt candle socket. h. 6”, w. 6-1/2”, d. 3-1/2”

$600-$900

391

Napoleon III Bronze and Marble Figure of Father Time

third quarter 19th century, French, the father of time figure with wings, carrying his scythe, on a Red Griotte marble base.

h. 12-1/4”, w. 8”, d. 4-1/2”

$800-$1,200

392

French Bronze and Marble Figure of a Satyress and Child

fourth quarter 19th century, after Jean Michel Clodion (French, 1738-1814), the Bacchanalian group of the mother feeding grapes to her child, on a red griotte marble base trimmed with gilt-bronze beading.

h. 10-1/4”, w. 6”, d. 6”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 389

393

French Kingwood and Parquetry-Inlaid Lady’s Desk

early 20th century, the interior with a central roll-up tambour slide, flanked by two drawers, with a pull-out writing deck with inset leather blotter, raised on tapered square legs.

h. 39-1/2”, w. 32-1/2”, d. 18”

$1,000-$1,500

394

French Bronze-Mounted Kingwood Bureau Plat

late 19th century, with an inset tooled leather top, each end with a pull-out leather-covered work slide, one side fitted with drawers, raised on tapered square legs. h. 29-1/2”, w. 57”, d. 30”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

393

394

395

Pair of Empire Polychrome and Parcel-Gilt Bergeres

19th century, each with a curved back, the frame with carved details, loose seat cushion and raised on downswept legs. h. 34-1/4”, seat h. 19-1/2”, w. 24-1/2”, d. 20”

$1,500-$2,500

396

French Kingwood-Inlaid, Ormolu-Mounted and MarbleTop Coffee Table

in the Napoleon III taste, the inset oval Violet Brocatelle marble top with a banded edge, set within a bronze rim and mounted with handles at each end, raised on downswept legs with ram’s-head mounts, ending in bronze sabots. h. 22-1/2”, w. 31”, d. 20”

$1,000-$1,500

SESSION2

SUNDAY, MAY 17

18k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 8.60 carats in total.

l. 17-1/2”, total weight 50.7 grams

$9,000-$12,000

397

Diamond Necklace

397

398

Diamond Band

14k yellow gold, the band mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 8, total weight 8.5 grams

$3,000-$5,00

399 Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.15 carats in total. inside circumference 6-3/4”, total weight 7.5 grams

$2,500-$4,000

400

Pair of Diamond Huggies

14k yellow gold, the inside/outside huggies mounted with round brilliant-cut diamonds weighing approximately 5.00 carats in total.

l. 3/4”, total weight 8.1 grams

$5,000-$8,000

Wide

401

14k yellow gold, the bezel-set necklace mounted with marquise-, oval-, pear-, and emerald-cut diamonds weighing approximately 7.85 carats in total. l. 16-1/2”, total weight 23.1 grams

$12,000-$18,000

402

14k yellow gold, the band mounted with oval-, emerald-, marquise- and round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 6-3/4, total weight 2.9 grams

$1,800-$2,500

Diamond Necklace

Diamond Band

403

14k yellow gold, the necklace with a fixed bar pendant mounted with baguette-cut diamonds weighing approximately 0.54 carats in total. l. 17”, total weight 4.8 grams

$2,000-$4,000

404

Carved Beryl and Diamond Ring

14k yellow gold, the ring mounted with three carved beryl stones weighing approximately 13.40 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.60 carats in total. size 7, total weight 6.5 grams

$3,000-$5,000

Diamond Bar Necklace

405

Elegant Diamond Stretch Bracelet

14k yellow gold, the bracelet mounted with sections of round brilliant-cut diamonds weighing approximately 1.50 carats in total, alternating with sections of polished gold bars. inside circumference 6-1/4” to 7-1/2”, total weight 30.0 grams

$7,000-$10,000

406

Four Yellow and White Diamond Stack Rings

14k white gold, the rings mounted with emerald-, heart-, pear- and square-cut yellow diamonds, accented by round brilliant-cut white diamonds, with an approximate total diamond weight of 1.70 carats.

size 7, total weight 8.4 grams

$3,500-$4,000

407

Pair of Diamond Oval Hoop Earrings

14k yellow gold, the inside/outside hoops mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 1-1/2”, total weight 5.7 grams

$1,500-$2,500

408

Articulated Diamond, Emerald and Enamel Earrings

18k yellow gold, the earrings with articulated bars suspended from the open octagonal top, mounted with round brilliantcut diamonds weighing approximately 0.73 carats in total, accented by round-cut emeralds weighing approximately 0.14 carats in total and black enamel.

l. 2-1/2”, total weight 18.5 grams

$3,500-$5,000

409

La Triomphe Coral, Onyx and Diamond Ring

18k yellow gold, the ring mounted with a center section of round brilliant-cut diamonds weighing approximately 0.89 carats in total, accented by coral and onyx.

size 5, total weight 20.6 grams

$4,000-$7,000

410

Pair of Diamond and Onyx Ear Clips

18k yellow gold, the ear clips mounted in the center with a cabochon-cut onyx, accented with round brilliant-cut diamonds weighing approximately 1.82 carats in total, and carved onyx bottoms.

l. 1-1/4”, total weight 29.7 grams

$1,800-$2,500

411

Pair of Emerald, Diamond and Onyx Earrings

14k yellow gold/sterling silver, the black onyx earrings mounted with carved emeralds weighing approximately 8.48 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.51 carats in total.

l. 1-1/8”, total weight 16.6 grams

$1,500-$2,500

412

Beautiful Emerald, Sapphire and Diamond Bracelet

14k yellow gold, the bracelet mounted with square-, pear- and emerald-cut emeralds weighing approximately 7.13 carats in total, and cushion- and pear-cut sapphires weighing approximately 9.99 carats in total, accented by round brilliantcut diamonds weighing approximately 1.54 carats in total.

l. 6-3/4”, total weight 13.9 grams

$9,000-$12,000

413

Beautiful Emerald, Diamond and Sapphire Ring

14k yellow gold, the ring mounted with an elongated emerald weighing approximately 11.52 carats, accented on each side by round brilliant-cut diamonds weighing approximately 0.50 carats in total and sapphire roundels weighing approximately 2.08 carats in total.

size 5-3/4, total weight 8.5 grams

$6,000-$9,000

414

Emerald and Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with emerald-cut emeralds weighing approximately 1.25 carats in total and emerald-cut diamonds weighing approximately .70 carats in total.

inside circumference 6-3/4”, total weight 9.0 grams

$2,500-$4,000

415

Tanzanite, Emerald and Diamond Ring

14k yellow gold/sterling silver, the ring mounted with a sugarloaf-cut tanzanite weighing approximately 9.08 carats, surrounded by a border of round-cut diamonds weighing approximately 0.51 carats in total and an outer border of square-cut emeralds weighing approximately 2.85 carats in total.

size 6-3/4, total weight 6.9 grams

$1,500-$2,500

416

Pair of Emerald and Diamond Earrings

14k yellow gold, the earrings mounted with oval-cut emeralds weighing approximately 2.65 carats in total, accented by baguette- and round brilliant-cut diamonds weighing approximately 0.90 carats in total. l. 1/2”, total weight 3.3 grams

$1,800-$2,500

417

14k yellow gold, the necklace mounted with oval-cut emeralds weighing approximately 15.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 10.25 carats in total. l. 32”, total weight 38.6 grams

$12,000-$18,000

Long Emerald and Diamond Necklace

418

Pair of Ruby, Diamond and Enamel Earrings

18k white gold, the earrings mounted with sugarloafcut rubies weighing approximately 6.25 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.15 carats in total.

l. 1/2”, total weight 5.6 grams

$2,500-$4,000

419

Tourmaline and Diamond Ring

14k white gold, the ring mounted with an oval-cut tourmaline weighing approximately 5.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total.

size 7, total weight 5.5 grams

$1,800-$2,500

420

Pair of Ruby and Diamond Earrings

14k white gold, the earrings mounted with cushioncut rubies weighing approximately 2.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total.

l. 1”, total weight 3.1 grams

$1,200-$1,800

421

Ruby and Diamond Ring

18k yellow gold, the ring invisible-set with square-cut rubies weighing approximately 4.45 carats in total, and princessand marquise-cut diamonds weighing approximately 0.30 carats in total.

size 7, total weight 5.5 grams

$6,000-$9,000

422

Ruby and Diamond Bracelet

14k yellow gold, the bracelet mounted with emeraldcut rubies weighing approximately 5.80 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.05 carats in total. l. 7-1/4”, total weight 13.6 grams

$3,000-$5,000

423

Diamond, Ruby and Onyx Ring

platinum, the ring mounted with a central round brilliantcut diamond weighing approximately 0.78 carats, the top and sides with calibrated-cut rubies weighing approximately 0.90 carats in total and smaller round brilliant-cut diamonds weighing approximately 0.15 carats in total, accented throughout with faceted onyx. size 6, total weight 6.0 grams

$3,500-$5,000

Diamond and Ruby Ring

platinum, the ring mounted with square- and round-brilliantcut diamonds weighing approximately 0.73 carats in total, accented by rectangular-cut rubies weighing approximately 0.20 carats in total.

size 7, total weight 3.8 grams

$2,500-$4,000

425

Pair of Diamond and Ruby Earrings

platinum, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.02 carats in total, accented by square-cut rubies weighing approximately 0.52 carats in total.

l. 1/2”, total weight 5.8 grams

$3,500-$5,000

14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 20.00 carats in total.

l. 16”, total weight 22.6 grams

$20,000-$40,000

426

Beautiful Diamond Necklace

427

Stunning Diamond Ring

platinum, the ring mounted with a central marquise-cut diamond weighing 7.05 carats, color M and clarity I2, GIA report number 6183078002, flanked on either side by a trilliant-cut diamond weighing approximately 3.30 carats in total, approximate color L-M and clarity I1, accented by round brilliant-cut diamonds weighing approximately 1.40 carats in total, approximate color H-I-J and clarity VS2-SI1. size 7, total weight 14.8 grams

$35,000-$50,000

428

Emerald-Cut Diamond Bracelet

18k white gold, the bracelet mounted with emerald-cut diamonds weighing approximately 8.65 carats in total. l. 7”, total weight 13.8 grams

$15,000-$25,000

429

Emerald-Cut Diamond Eternity Band

18k white gold, the band mounted with emerald-cut diamonds weighing approximately 4.75 carats in total. size 7, total weight 3.9 grams

$7,000-$10,000

430

Art Deco-Style Gem-Set Bird Brooch

14k yellow gold, the brooch mounted with a carved ruby “wing” weighing approximately 4.50 carats, and an emeraldcut emerald weighing approximately 1.37 carats, accented by square-cut sapphires weighing approximately 0.47 carats in total, round brilliant-cut diamonds weighing approximately 1.10 carats in total and black enamel.

size 1-1/2” x 1/2”, total weight 7.2 grams

$3,500-$5,000

431

Emerald, Ruby and Diamond Bird Brooch

14k yellow gold, the brooch mounted with a pear-shaped cabochon-cut emerald weighing approximately 3.29 carats, a round-cut ruby weighing approximately 0.29 carats and round brilliant-cut diamonds weighing approximately 0.26 carats in total.

size 5/8” x 1-3/8”, total weight 2.9 grams

$1,800-$2,500

432

18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.65 carats in total and square-cut emeralds weighing approximately 0.33 carats in total.

l. 7/8”, total weight 3.3 grams

$3,000-$5,000 430

Pair of Diamond and Emerald Key Earrings

433

Adjustable Diamond Snake Necklace

14k white gold, the snake head and tail mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total, the eyes accented with round-cut sapphires weighing approximately 0.03 carats in total, the mouth opening to allow the chain to be adjusted. adjustable l. 15” to 21”, total weight 9.2 grams

$3,500-$5,000

434 Pair of Black and White Diamond Earrings

18k white gold, the earrings mounted with round-cut black diamonds, inset with a round brilliant-cut white diamond and surrounded by a fluted border of round brilliant-cut diamonds, with an approximate total diamond weight of 3.60 carats.

dia. 3/8”, total weight 4.1 grams

$2,500-$4,000

435

Black and White Diamond Ring

18k white gold, the ring mounted with a round-cut black diamond inset with a round brilliant-cut white diamond, the whole with a halo of round brilliant-cut white diamonds, with a total approximate diamond weight of 3.44 carats. size 7, total weight 4.6 grams

$2,500-$4,000

436

Articulated Diamond Zipper Earrings

18k white gold, the articulated zipper pull and base mounted with round brilliant-cut white and black diamonds weighing approximately 1.00 carat in total. l. 7/8”, total weight 5.9 grams

$1,800-$2,500

437

14k white gold, the necklace mounted with a European-cut diamond pendant weighing approximately 1.30 carats.

l. 18”, total weight 2.3 grams

$2,000-$4,000

438

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 5.50 carats in total. inside circumference 6-3/4”, total weight 12.1 grams

$7,000-$10,000

Diamond Solitaire Pendant Necklace

Diamond Bangle Bracelet

439

14k white gold, the inside/outside huggies mounted with round brilliant-cut diamonds weighing approximately 5.00 carats in total.

l. 3/4”, total weight 8.2 grams

$5,000-$8,000

440 Diamond Bracelet

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 4.00 carats in total.

l. 7”, total weight 11.9 grams

$4,500-$7,000

Pair of Diamond Huggies

441

14k white gold, the necklace mounted with graduated round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 17”, total weight 6.0 grams

$2,500-$4,000

442

14k white gold, the bracelet mounted with emerald-cut diamonds weighing approximately 1.50 carats in total. inside circumference 6-1/2”, total weight 8.5 grams

$3,500-$5,000

Diamond Necklace

Diamond Bangle Bracelet

443

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with oval-cut diamonds weighing approximately 2.01 carats in total. total weight 1.4 grams

$4,000-$7,000

444 Diamond Bracelet

18k white gold, the bracelet mounted with marquise-cut diamonds weighing approximately 4.25 carats in total. l. 7”, total weight 12.8 grams

$7,000-$10,000

14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 9.00 carats in total.

l. 17”, total weight 15.4 grams

$7,000-$10,000

445 Diamond Necklace

446

Diamond Bar Necklace

14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 1.00 carat in total. l. 17”, total weight 3.8 grams

$1,800-$2,500

447

Diamond Eternity Band

14k yellow gold, the band mounted with round brilliant-cut diamonds weighing approximately 4.25 carats in total. size 6, total weight 3.3 grams

$4,000-$7,000

448

Pair of Diamond Stud Earrings

14k yellow gold, the bezel-set earrings mounted with round brilliant-cut diamonds weighing approximately 3.05 carats in total.

dia. 3/8”, total weight 3.1 grams

$8,000-$12,000

14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 4.50 carats in total. adjustable l. 15”-16”-17”, total weight 13.2 grams

$5,000-$8,000

449

Diamond Necklace

449

450

Diamond Cross Pendant on Chain

18k yellow gold, the pendant mounted with round brilliantcut diamonds weighing approximately 1.80 carats in total, l. 1-3/8”, suspended from an 18” yellow gold chain. total weight 3.6 grams

$1,800-$2,500

451

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.55 carats in total. inside circumference 6-1/2”, total weight 7.6 grams

$2,000-$4,000

452

Pair of Amethyst, Diamond and Ruby Earrings

14k rose gold, the earrings mounted with elongated cushioncut amethysts weighing approximately 9.68 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.29 carats in total, baguette-cut rubies weighing approximately 0.31 carats in total and baguette-cut white sapphires weighing approximately 1.70 carats in total. l. 1-3/8”, total weight 6.7 grams

$2,500-$4,000

453

Amethyst and Diamond Ring

14k rose gold, the ring mounted with an amethyst weighing approximately 13.26 carats, accented by round brilliant-cut diamonds weighing approximately 1.26 carats in total. size 7, total weight 8.1 grams

$2,500-$4,000

454

Pair of Gem-Set Ear Clips

18k yellow gold, the ear clips mounted with round brilliantcut diamonds weighing approximately 0.80 carats in total, accented by marquise-cut emeralds weighing approximately 0.20 carats in total, and pear-cut rubies weighing approximately 0.48 carats in total. l. 5/8”, total weight 12.7 grams

$1,000-$1,500

455 Gem-Set Butterfly Ring

14k yellow gold, the ring mounted with a pear-cut aquamarine weighing approximately 0.56 carats, a pear-cut tourmaline weighing approximately 3.32 carats, a round-cut pink sapphire weighing approximately 0.16 carats, and round brilliant-cut diamonds weighing approximately 0.28 carats in total.

size 7, total weight 5.0 grams

$2,000-$4,000

452

453

454

455

456

Topaz, Tsavorite Garnet and Diamond Earrings

14k white gold, each earring mounted with a cushion-cut London Blue topaz, with an approximate total weight of 7.35 carats, accented by round-cut tsavorite garnets weighing approximately 0.33 carats in total and round brilliant-cut diamonds weighing 0.40 carats in total. l. 7/8”, total weight 6.2 grams

$2,000-$4,000

457

Gem-Set Butterfly Brooch/Pendant

14k yellow gold/sterling silver, the brooch/pendant mounted with turquoise cabochons weighing approximately 5.60 carats in total, round-cut diamonds weighing approximately 2.13 carats in total, an oval-cut emerald weighing approximately 0.45 carats and round-cut rubies weighing approximately 0.10 carats in total.

size 1-1/8” x 2-3/8”, total weight 11.9 grams

$1,500-$2,500

458

Pink Opal, Diamond and Ruby Bug Brooch/Pendant

14k yellow gold/sterling silver, the brooch/pendant mounted with pink opal “wings”, accented by round-cut diamonds weighing approximately 2.40 carats in total, round-cut rubies weighing approximately 0.15 carats in total and black enamel. size 2” x 1-3/4”, total weight 16.7 grams

$1,800-$2,500

459

Sapphire and Diamond Necklace

14k white gold, the necklace mounted with oval-cut sapphires weighing approximately 23.20 carats in total, accented by baguette-cut diamonds weighing approximately 3.00 carats in total.

l. 16-1/2”, total weight 20.8 grams

$8,000-$12,000

460

Diamond and Sapphire Ring

platinum, the ring mounted with a central round brilliant-cut diamond weighing approximately .075 carats, accented by smaller round single-cut diamonds weighing approximately 0.39 carats in total and square-cut sapphires weighing approximately 0.20 carats in total.

size 6-1/4, total weight 6.2 grams

$3,000-$5,000 461

Carved Aquamarine, Sapphire and Diamond Ring

14k yellow gold/sterling silver, the ring mounted with a central carved aquamarine weighing approximately 16.60 carats, surrounded by a border of round-cut diamonds weighing approximately 0.67 carats in total and a border of square-cut sapphires weighing approximately 3.74 carats in total, the whole in a black onyx frame.

size 7, total weight 13.7 grams

$1,500-$2,500

461

462

Sapphire Bracelet

14k yellow gold, the bezel-set bracelet mounted with roundcut sapphires weighing approximately 5.20 carats in total.

l. 7”, total weight 7.5 grams

$2,500-$4,000

463

Pair of Sapphire and Diamond Earrings

14k yellow gold, the earrings mounted with oval-cut sapphires weighing approximately 2.60 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.65 carats in total.

l. 1/2”, total weight 3.8 grams

$2,500-$4,000

462

463

464

Sapphire and Diamond Ring

18k yellow gold, the center of the ring invisible-set with square-cut sapphires weighing approximately 2.19 carats in total, flanked on either side by a section of round brilliant-cut diamonds weighing approximately 2.10 carats in total. size 6-1/2, total weight 16.9 grams

$4,500-$7,000

465

Pair of Sapphire and Diamond Ear Clips

18k yellow gold, the earrings mounted with pear-cut sapphires weighing approximately 2.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.20 carats in total. l. 7/8”, total weight 10.4 grams

$4,000-$7,000

464

466

platinum, the necklace mounted with gold, gray, rose and white cultured pearls with a good luster, separated by platinum twisted bars mounted with round brilliant-cut diamonds weighing approximately 1.44 carats in total.

l. 16”, total weight 61.4 grams

$7,000-$10,000

Pearl and Diamond Necklace

466

467

Strand of Cultured Pearls

the necklace composed of white pearls with a good luster, ranging in size from 10.50mm to 11.00mm.

l. 34”

$1,000-$1,500

468

of French Bronze Dore et Patine Candelabra

19th century, the center candle sockets with removable flame finials, the leaf-molded and scrolled candle arms set with medallions and lotus-molded candle cups with matching drip pans, supported on column-form reeded standards, the base with dore acanthus-leaf mounts. h. 30-1/2”, dia. 12-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

469

Jules Pascin (Bulgarian/American, 1885-1930)

“Le Deux Cowboys”, ca. 1916

pencil on paper signed lower right. Matted, glazed and framed. sight 8-1/2” x 6-1/2”, framed 14-1/2” x 12-1/2”

$1,200-$1,800

Pair

468

469

470 Jules Pascin (Bulgarian/American, 1885-1930)

“Soiree”

etching on paper pencil-signed lower right. Matted, glazed and framed. sight 14-3/4” x 10-3/4”, framed 25” x 20-3/4”

$1,200-$1,800

471

Attributed to Jean-Jacques Henner (French, 1829-1905)

“The Distraught Woman (Weeping Magdalene)”

oil on canvas signed upper right. Framed.

14” x 10-3/4”, framed 20-1/2” x 17-1/2”

$2,000-$4,000

470

472 detail

472

Charles X Giltwood and Marble-Top Center Table

19th century, the circular marble top above a conforming foliate-carved frieze, joined to a lower concave tripartite stretcher by three shaped supports headed by satyr masques and ending in hoof feet. h. 28”, dia. 39”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

473 Large French Giltwood Mirror in the Neo-Grec Taste

fourth quarter 19th century, the crest with a central plaque decorated with the goddess “Flora”, framed in giltwood roping, the ogee surround with molded acanthus leaves lined with beading. h. 61-1/2”, w. 47-1/4”

$1,000-$1,500

474

Bronze Figure of “LeFascinateur”

early 20th century, after Eugene Marioton (1857-1933), depicting a snake charmer, inscribed “Fascinator” on the front of the plinth and “E Marioton” on the side.

h. 20-1/2”, w. 9-1/4”, d. 10”

$800-$1,200

475

Four Grand Tour Patinated Bronze Figures

19th century, including a tall example of a young faun playing a flute, on a Siena marble base, a bust of Bacchus on a column, mounted on a Siena marble base, the “Dancing Faun”, after the original found in Pompeii, and Pan playing his pipes, on a circular base.

h. 5-1/2” to 8”, w. 2” to 3”, d. 2” to 3”

$800-$1,200

476

French Patinated Bronze Figural Cigar Lighter

third quarter 19th century, after a design by Maison Alphonse Giroux et Cie, the central molded lighter handle supported by a pair of gargoyles holding matching holders, on a circular molded base.

h. 12-1/2”, w. 9-3/4”, d. 7-1/2”

$800-$1,200

474

477

French Empire Oak and Bronze-Mounted Chest of Drawers

19th century, the protruding top drawer over three graduated long drawers, flanked by full columns with bronze capitals and rings.

h. 36-1/2”, w. 46”, d. 21-1/2”

$1,000-$1,500

478

French School (19th Century)

“Sisterly Devotion”

oil on canvas signed “MATHIEU” lower left. Framed.

29” x 25”, framed 36” x 32”

$1,500-$2,500

477

478

479

“Neapolitan Fishing Boy Dancing the Tarantella”

late 19th century, after Francisque-Joseph Duret (French, 1804-1865), the patinated bronze youth on a circular base marked by Parisian fondeur, Delafontaine.

h. 17-1/4”, w. 7-1/2”, d. 5”

$1,000-$1,500

480

Neapolitan Patinated Bronze Grand Tour Figure

ca. 1895, cast and labeled by Sabatino de Angelis, after the undated sculpture discovered in 1754 at the Villa dei Papiri at Herculaneum and now conserved at the Museo Nazionale, Naples.

h. 14”, w. 9-3/4”, d. 4-1/2”

$1,000-$1,500

481

Italian Grand Tour Bronze Chandelier

19th century, the top with a fluted urn-form oil filler, hung from chains, over a body set with three arms alternating with molded masques and decorated with laurel swags.

h. 17-3/4”, dia. 14-1/2”

$800-$1,200

482

French Regence Giltwood Mirror

early 18th century, the pierced crest carved with flower heads and sea serpents on a lattice-incised ground, the surround inset with mirror plate panels carved with shells and scrollwork on a matching ground. h. 24”, w. 14”

$1,000-$1,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

483 Louis XV Provincial Walnut Buffet

18h century, Burgundy, the shaped and bowed top with a molded edge, above a conforming case fitted with two central cabinets flanked to either side by an additional cabinet, all with shaped panels, raised on scrolled toes. h. 35”, w. 71”, d. 25”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

482

483

484

Large French Neo-Grec Cast-Iron Urn

19th century, the bowl with three cast ram’s-head masques joined by garland swags and mounted to a trifid base with circular stretchers, on bird-form feet. h. 43”, bowl dia. 18”

$2,500-$4,000

485

Napoleon III Rosewood and Marble-Top Table

19th century, the square Breche de Medous dished marble top with carved corners, over carved aprons and cabriole legs joined by an X-form stretcher with a center finial. h. 28-1/2”, w. 50-1/2”, d. 50-1/2”

$1,500-$2,500

484

485

486

Louis XV Fauteuil a la Reine

18th century, the creme-peinte and parcel-gilt fauteuil with an arched back covered in scenic needlepoint, foliate-carved arms, like covered seat, and raised on carved cabriole legs ending in scrolled toes. h. 43”, seat h. 16”, w. 28”, d. 24”

$3,000-$5,000

487

Victor Demongin (French, b. 1873)

“Kittens”

oil on canvas signed lower left. Framed.

21-1/4” x 25-3/4”, framed 29-1/4” x 34-1/4”

$2,500-$4,000

Provenance: Hindman, Chicago, Illinois, January 22, 2012, lot 220.

488

Impressive French Louis XV Giltwood Mirror

third quarter 18th century, the pierced and arched crest with a central shell flanked by pierced flower heads, decorated with crossed torches and a lyre, the surround decorated with carved rocaille and scrollwork, the mirror plate lined with beading.

h. 50”, w. 28”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Napoleon III Terracotta Bust of Anne d’Arpajon, Comtesse de Noailles

19th century, after Guillaume Coustou the Younger (French, 1716-1777), her head canted to one side, draped in a wrap, on a socle base, inscribed “Coustou” on the back.

h. 23”, w. 22”, d. 9”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

489

488

489

490

Directoire

Walnut Settee

ca. 1800, the framed back with arrow-form splats, the open arms with scrolled handgrips, fitted with a slip seat and raised on tapered square legs.

h. 35-1/2”, seat h. 18”, w. 56”, d. 28”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

491

Large French Provincial Burlwood Armoire

18th century, the large removable molded cornice above a pair of framed and paneled doors, with a scalloped base and raised on cabriole legs.

h. 97-1/2”, w. 69”, d. 23”

$2,000-$4,000

491

492

Provincial Louis XV-Style Fruitwood Etagere

20th century, the top shelf with a three-quarter scalloped gallery, over three additional open shelves, each supported by turned standards, the base with a scalloped apron, raised on short cabriole legs.

h. 39”, w. 18”, d. 15”

$600-$900

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

493

Pair of Bronze Pricket Sticks in the Neo-Grec Taste

fourth quarter 19th century, the turned altar sticks with tapered, ring-turned standards, the bell-form bases basrelief-molded with anthemia.

h. 20-1/2”, dia. 6-1/4”

$800-$1,200

494

Provincial Louis XV Walnut Commode

18th century, the molded plank top with breadboard ends, over three side-by-side drawers and a pair of long drawers below, each side with in-carved panels, raised on short cabriole legs.

h. 38-1/2”, w. 53”, d. 24”

$1,200-$1,800

Provenance: The Estate of A. Hays Town, Baton Rouge, Louisiana.

492

493

494

495

Impressive French Provincial Walnut Armoire

18th century, the arched top with a complex molded and removable cornice, over a carved frieze centered by a large shell cartouche, above a pair of framed and paneled doors, each with shell-carved cartouches, raised on turned bun feet. h. 112”, w. 77”, d. 32”

$2,500-$4,000

496

Pair of French Bronze-Mounted Marble Urn-Form Lamps

early 20th century, the black marble urns set with leafmolded handles crowned with busts, the fronts with bronze fittings hung with floral and fruit swags, and the lower portions set into bronze bases on black marble plinths, fitted with lampshades.

h. 30-1/2”, w. 16-1/2”, d. 16-1/2”

$1,000-$1,500

496

497

Empire-Style Mahogany and Bronze-Mounted Side Chair

20th century, the padded back trimmed with bronze mounts, the front legs with bronze griffin-form mounts. h. 37-1/2”, seat h. 18”, w. 21”, d. 19”

$1,200-$1,800

Provenance: Keil’s Antiques, New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

497 detail

498

Charles XV Elmwood Bureau Plat

19th century, the top with an inset leather writing surface, the front fitted with a row of three drawers, raised on tapered square legs ending in brass caps. h. 29-1/2”, w. 59”, d. 33”

$1,200-$1,800

Provenance: Balzac Antiques, New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

499

French Art Deco Lacquered Mahogany and BrassMounted Armoire

second quarter 20th century, the molded overhanging cornice above a pair of brass-framed beveled mirrored doors, flanked by turned columns and raised on short splayed legs. h. 67”, w. 54”, d. 19”

$1,200-$1,800

500

French Two-Piece Bronze and Lacquerware Surtout de Table

second quarter 20th century, the Japanned tops decorated with phoenix birds and butterflies around flowering branches, with a pierced bronze arcaded gallery, supported on bronze tapered, quiver-form legs. h. 16-1/2”, w. 18-1/4”, l. 24-1/4”

$1,800-$2,500

501

early 19th century, the hood with a peaked crest and full columns with brass capitals, the mid-case of like form with a viewing window for the pendulum, the base with a framed oval panel and scalloped pilasters, with a time-and-strike movement, the porcelain dial signed “Jean Paturel aine a ‘Rive de Gier”.

h. 103-1/2”, w. 23”, d. 13-1/2”

$1,000-$1,500

502

19th century, the fold-open top supported by an accordionstyle expandable base, dressed with numerous gilt-bronze mounts and raised on turned and fluted legs, the underside stamped “HENRY DASSON”. h. 30-1/2”, w. 33-1/2”, d. 17”, ext. d. 34”

$2,000-$4,000

French Empire Walnut Tall Case Clock

Henry Dasson Louis XVI-Style Mahogany and OrmoluMounted Games Table

503

French Ormolu-Mounted Mahogany Bureau Plat

20th century, the top with an inset black leather writing surface and cast-bronze molded edge, one side fitted with three drawers, raised on tapered square legs with bronze mounts.

h. 31”, w. 72”, d. 36”

$1,000-$1,500

504

Fine Regence Giltwood Mirror

first quarter 18th century, the pierced crest decorated with a pair of putti astride phoenix birds, supporting a basket of flowers, the ogee surround decorated with anthemia and swags of flowers, set with an antique mirror plate.

h. 57-1/2”, w. 40-1/2”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

505

Louis XV Giltwood and Marble-Top Console Table

18th century, the conforming Sarrancolin marble top over a pierced and floral-carved frame centered by a shell cartouche, raised on a pair of down-curved legs to a blockform plinth.

h. 35”, w. 47-1/2”, d. 19-1/2”

$2,000-$4,000

506

Pair of French Gilt-Bronze Figural Chenets

late 19th century, in the Neo-Grec taste, decorated with Greek sphinxes on bases molded with anthemia, the corners set with acanthus-molded and scrolled feet. h. 14-1/2”, w. 11”, d. 7-3/4”

$1,200-$1,800

507

Gilt-Bronze, Crystal and Rock Crystal Centerpiece

of Louis XVI inspiration, the oval bowl designed with quiverform legs and an engine-turned bronze frame set with cutglass panels, filled with rock crystal eggs and prisms atop a bed of crystal beads. h. 5-1/2”, w. 8”, d. 6”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

508

Pair of French Gilt-Bronze and Cut-Crystal Centerpiece Bowls

20th century, possibly Baccarat, the flaring diamond-cut bowls set with engine-turned bronze rims, mounted on giltbronze bases with legs set with lion’s heads and terminating in paw feet, the X-form stretchers with center medallions. h. 8-1/4”, dia. 7-1/2”

$1,000-$1,500

509

Belle Epoque Gilt-Bronze Centerpiece and Plateau

late 19th century, the oval centerpiece with scrolled and pierced handles, the sides pierced with flowers and scrollwork, on leaf-molded and scrolled feet, set with a removable liner, on a mirrored plateau with leaf-molded feet, the surround molded with laurel leaves, on an oak superstructure fitted with casters. h. 8-1/4”, w. 28”, d. 17-1/4”

$2,000-$4,000

506

507

508

509

510

Rare French Paris Porcelain Gilt-Bronze-Mounted Portico Clock

19th century, the case decorated with floral panels on a skyblue ground, the works set with an engine-turned dial and a matching porcelain inset pendulum, the faceted columns with lotus-molded bronze capitals, raised on paw feet. h. 18-1/2”, w. 10”, d. 5-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

511

Royal Copenhagen “Flora Danica” Round Ice Dome and Stand

1969-74, model 3538, the pierced dome topped with a fuchsia tulip, the parcel-gilt sides with four oval botanical panels depicting “Coptis trifolia Salisb.”, “Epilobium alpinum L.”, “Primula norvegica Retz.” and “Campanula uniflora L.” and resting on a fitted stand, both fully marked. overall h. 11”, dia. 12-1/2”

$7,000-$10,000

512

Royal Copenhagen “Flora Danica” Covered Vegetable Tureen

1965, model 3568, depicting “Astragatus alpinus L.”, the bowl and cover fully marked. h. 6-3/4”, dia. 9-1/4”

$1,500-$2,500

513

Pair of Royal Copenhagen “Flora Danica” Circular Trays

1953 and 1960, model 3566, the earlier example depicting “Helianthemum vulgare L.”, the later example depicting “Lathyrus pratensis L.”. dia. 9-3/4”

$700-$1,000

514

Royal Copenhagen “Flora Danica” Salt Cellar

1965, model 3557, depicting “Scilla bifolia Oed.”, fully marked. h. 1-5/8”, w. 4-1/4”, d. 3-3/8”

$500-$800

515

Twelve Royal Copenhagen “Flora Danica” Flat Cup and Saucer Sets

1942-1963, model 3597, the cups depicting assorted botanicals and presented on upcurved saucers.

Cups: h. 2-3/4”, dia. 2-7/8”, overall w. 3-3/4”; Saucers: h. 1”, dia. 5-3/8”

$2,000-$4,000

516

Twelve Royal Copenhagen “Flora Danica” Chocolate Cup and Smooth Saucer Sets

1969-74, model 3513, the cups depicting assorted botanicals, the saucers with outward-flared sides, all pieces fully marked.

Cup: h. 2-3/4”, dia. 2-3/4”, w. 3-1/2”; Saucer: h. 1-1/8”, dia. 5-5/8”

$2,000-$4,000

517

Late Victorian Sterling Silver Gilt Monteith

hallmarked London, 1897-1898, by Carrington & Co. (John Bodman Carrington), of traditional deep bowl form, with molded rim and addorsed dolphin stirrup-ringed lion’s-masque handles, the rim fitted with a detachable Monteith collar with molded deep scallops and scrollcrested ornaments, the whole raised on a large molded foot ring. h. 9-3/8” (7” with collar detached), dia. 12-1/2”; 77.09 t. oz.

$5,000-$8,000

518

Fine Paul Storr Sterling Silver-Gilt Hot Water Urn

hallmarked London, 1830-1831, retailed by Storr & Mortimer, the lobed melon-form body with scrolling arched handles decorated with leaf-and-dart flanked laurel facing, with acanthus-mounted reeded tap with anthemion-crested scroll key and lion’s-masque spout, the collar with engraved anthemion and applied beaded and leaf-and-dart banding, the tall cavetto-domed lid fluted and with toupee finial lifting for ventilation, the whole raised on three realistically detailed, anthemion-gartered haunched lion’s paw feet above a cavettocanted triangular plinth base centering a bowl-form burner, complete with the original billet chamber and cap, engraved on the body with the arms and the lid with the crest of LevesonGower quartering Gresham. h. 16”, w. 12-1/4”, d. 14-1/2”; 142.97 t. oz.

$12,000-$18,000

The arms here are those of William Leveson-Gower (1806-1860) of Titsey, Surrey, son of William Leveson-Gower (1779-1851) and Katherine Maria Gresham (1770-1808). 518 518

519

Fine Pair of French Belle Epoque Silver-Gilt Wine Coolers

ca. 1910, by Tetard Freres, Paris, retailed by Boucheron, Radius & Co. of London, with London import marks for 1910-1911, first standard (.950) silver-gilt, each of urn form, the paneled body, the panel with leaf-and-cart calyx and applied grapevine swags with ringed ram’s masque handles, with paneled collar and foot with reed-and-grape leaf and leaf-and-dart banding, respectively, each fitted with the original first standard (.950) silver-gilt liner.

h. 9-3/4”, dia. 7-1/2”, w. 9”; 190.12 total t. oz.

$12,000-$18,000

520

Gorham Sterling Silver-Gilt Ciborium

dated 1922, Providence, Rhode Island, model 2145, the bowl with Gothic-style calyx above a standard en suite with hexafoil knop set with cabochon garnets above a cavetto-domed and fluted foot with pierced banding, the fitted, domed lid with cross fleury finial, inscribed, on the underside, “In Loving Memory of Margaret E. Hartery O’Reilly, Mother Mary Aquins, Mother who died June 9, 1922”.

h. 13-1/4”, bowl dia. 4-3/4”, base dia. 6-1/2”; 30.67 total t. oz.

$1,500-$2,500

Margaret E. Hartery O’Reilly (1844-1922) was the daughter of Nicholas Hartery and Francesca Theotmia da Costa and the wife of Robert Louis O’Reilly of Pennsylvania. The couple had at least nine children, one of whom ñ Mary Margaret O’Reilly (1881-1967) ñ took the veil as Mother Mary Aquins, SHCJ and presented this ciborium in honor of her mother. An example of this model is illustrated on page 36 of the 1916 Gorham Company Ecclesiastical Department catalogue.

521

French Painted and Parcel-Gilt Trumeau Mirror

19th century, the upper panels decorated with scrollwork framing a cabochon, outlined with a giltwood rope-twist ornament, the ogee surround with corners decorated with roses and trailing flowers, with an outside gadrooned edge. h. 71-3/4”, w. 32-1/4”

$1,500-$2,500

522

Pair of Giltwood Brackets in the Neoclassical Taste

20th century, the serpentine shelves on scrolled, acanthuscarved backplates, accented with swags of roses. h. 18-3/4”, w. 22-1/2”, d. 12”

$1,200-$1,800

521

522

523

Directoire Polychrome Daybed

ca. 1800, with a matching padded headboard and footboard, each with a peaked crest and turned posts, with custom upholstery and a pair of bolsters. h. 39”, inside w. 28”, l. 75”, outside w. 32”, l. 79”

$1,500-$2,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

524

Pair of French Aubusson Tapestry Panels

19th century, each decorated with a low urn with eagle-head handles, holding a profusion of flowers, with an interior border of overlapping leaves and an exterior border of scrollwork on a black ground.

h. 41-3/4”, w. 58-1/2”

$3,000-$5,000

525

French Tole Balloon-Form Chandelier

mid-20th century, of Empire inspiration, the green-painted balloon-form upper portion set with three lights, above a lower basket supported on chains, each with scalloped tole trim.

h. 38”, dia. 14-1/2”

$1,200-$1,800

526

Regence Walnut Commode

18th century, of serpentine form with three carved and conforming long drawers, dressed with brass pulls and keyholes, the paneled sides set within a molded frame, raised on short cabriole legs ending in scrolled toes.

h. 36-3/4”, w. 49-1/2”, d. 24-1/2”

$3,000-$5,000

527

Signed French Terracotta Putto

19th century, the seated putto nestled into a bunch of cattails, pouring water from an amphora, the back inscribed “J. Vilney”.

h. 15”, w. 17-1/4”, d. 9-1/4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

526

527

525

528

Napoleon III Terracotta Figural Group

19th century, in the manner of Francois Boucher (French, 1703-1770), featuring a reclining putto gathering cockerels and a standing putto feeding them from a basket, supported on a giltwood cove-molded base. h. 26-1/2”, w. 17-1/2”, d. 12-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

529

Attributed to John Wesley Jarvis (British, 1780-1839, act. New Orleans 1821-1834)

"Portrait of a Handsome Louisiana Gentleman" oil on canvas

unsigned, a “W.E. Seebold Art Dealer, New Orleans” label en verso. Framed.

29” x 24”, framed 35” x 29”

$4,000-$7,000

Provenance: W.E. Seebold, New Orleans, Louisiana; Collection of W.E. Groves, New Orleans, Louisiana.

Illustrated: Wiesendanger, Martin and Margaret, 19th Century Louisiana Painters and Paintings from the Collection of W.E.Groves, New Orleans: W.E. Groves Gallery, 1971, p. 115. 529

530

American Aesthetic Movement Ebonized and Inlaid Center Table

third quarter 19th century, the top with a central inlaid panel with birds and floral urns, the outer edge with floral inlaid banding, raised on gilt-incised legs joined by a curved stretcher, centered by a turned finial. h. 30”, w. 44-1/2”, d. 29”

$2,000-$4,000

531

French Aesthetic Movement Mother-of-Pearl Mirror

ca. 1880, the ebonized cherry mirror with a pagoda-form crest, set with a rosewood-veneered panel decorated with plum branches composed of gilt composition and motherof-pearl, flanked by pierced Asian brackets, atop a larger rosewood panel with like decoration. h. 74-1/4”, w. 48”

$1,000-$1,500

530 detail

532

Walter Fredrick Seely (American, 1886-1959)

“Autumnal Landscape” oil on canvas signed lower left. Framed.

32” x 40”, framed 40-1/2” x 48-1/4”

$1,200-$1,800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

533

19th century, the highly figured circular top with a straight frieze apron mounted to a shaped, tapered pedestal and circular platform, raised on carved paw feet. h. 31-3/4”, dia. 51-1/4”

$1,500-$2,500

Fine William IV Rosewood Tilt-Top Breakfast Table

533 detail

532

533

534

Six-Piece Turkish-Style Parlor Suite

late 19th century, each piece covered in crimson velvet and dressed with tassels and long twisted fringe, the suite including a pair of armchairs, h. 38”, seat h. 14-1/2”, w. 34”, d. 38”, a pair of side chairs, h. 38”, seat h. 17”, w. 23”, d. 24”, a chaise longue, h. 34”, seat h. 17”, w. 28”, l. 70”, and an ottoman, h. 16-1/2”, w. 22-1/2”, d. 22-1/2”.

$2,000-$4,000

535

American Late Classical Mahogany and Marble-Top Mixing Table

19th century, the white marble top set over an ogee-form drawer, with a cabinet below, raised on an ogee-molded base with scrolled legs. h. 42”, w. 38”, d. 20-1/2”

$1,000-$1,500

534

535

536

Louis XVI-Style Aubusson Carpet

10’ x 14’ 3”

$1,000-$1,500

537

Pair of Giltwood Cushion Mirrors

20th century, the octagonal mirrors with pierced crests decorated with rocaille and scrollwork, the egg-anddart surrounds with pierced and scrolled accents, the “cushion” section with carved medallions, surrounding the primary beveled mirror plate. h. 61”, w. 44”

$2,000-$4,000

536

537

538

Attributed to William Stanley Haseltine (American, 1835-1900)

"Off the Coast"

oil on canvas allegedly signed under stretcher, titled en verso. Framed.

10” x 17”, 16” x 24”

$1,000-$1,500

539

Carl Oscar Borg (Swedish/American, 1879-1947)

“Canyon de Chelly, Arizona”

oil on board signed lower right. Framed.

17” x 19”, framed 23” x 27”

$1,500-$2,500

538

539

540

American Neo-Renaissance Carved Cherry Side Table

19th century, attributed to Gottlieb Vollmer, Philadelphia, the rectangular top with a molded and carved edge, supported by two turned and carved standards to a trestle-form base with griffin-form legs, joined by a shaped and carved stretcher with a central urn. h. 30-1/2”, w. 30”, d. 20”

$1,500-$2,500

541

late 19th century, in the Baroque taste, the bold mirrors outlined with scrolled, overhanging leaves and set with antique mirror plates.

h. 18-1/2”, w. 12-1/2”

$1,000-$1,500

Provenance: The Estate of Marian Cordill & Florence Cordell-Reeh.

Pair of Small Italian Giltwood Mirrors

542

American Neo-Renaissance Mahogany Bookcase/Vitrine

fourth quarter 19th century, attributed to R. J. Horner, New York, the front with a heavily carved frieze above a pair of doors flanked by figural “twisted tail mermaids” to each side, the shelves with grooved plate holders. h. 64-1/2”, w. 54-1/2”, d. 16-1/2”

$1,500-$2,500

543

Pair of Sevres-Style Bronze-Mounted Porcelain Urns

late 19th century, Limoges, the urns with gilt-bronze knops, handles and bases, decorated on the obverse with panels of courting couples in 18th-century costume, and on the reverse with landscapes, trimmed in raised gilt, on a cobalt blue ground, the covers with spurious Sevres marks. h. 25-3/4”, w. 9”, d. 6-1/2”

$1,000-$1,500

Provenance: The Estate of Danella and George Hero III.

542

543

544

Rare New York Classical Cuban Mahogany Armoire

ca. 1800-1820, with a removable molded cornice with cookie corners, above a pair of framed and paneled doors, separated by a brass mullion strip and flanked by turned and stop-fluted corner posts, raised on integral turned legs ending in brass ball feet, the interior with a medial belt of drawers and an additional long shelf above and below, retaining its original brass and wrought-iron locking system.

h. 90-1/2”, w. 61”, d. 25-1/2”

$3,000-$5,000

A very similar armoire bearing the label of Michael Allison, New York, May 1817, sold at Brunk Auctions, May 28, 2025, lot 39.

545

Flemish Tapestry Panel

17th century, the hand-woven panel of a hunt scene with a columned pavilion in the middle distance, within a wide border of classical figures, fruit, and ornamental motifs.

104” x 58”

$2,000-$4,000

Provenance: Vojtech Blau, Inc., New York, New York; Private collection, Houston, Texas.

544

545

546

Pair of Neo-Gothic Stenciled Boudoir Chairs

19th century, each with a padded downswept back and carved frame, with scalloped, carved and stenciled apron and legs.

h. 32”, seat h. 16”, w. 30-1/4”, d. 20-1/2”

$2,500-$4,000

547

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Live Oak, Louisiana Bayou”

oil wash on board signed lower left. Matted, glazed and framed. sight 14-1/4” x 19-1/2”, framed 17-1/2” x 22-1/2”

$1,500-$2,500

548

Louis Philippe Mahogany and Marble-Top Center Table

19th century, the circular Yellow Lamartine marble top over an inlaid frieze with applied dolphin-form carvings and ripple molding along the lower edge, supported by a turned and carved standard with four outstretched legs with stylized birds.

h. 29-1/2”, dia. 40-1/2”

$1,000-$1,500

546

547

548

549

Pair of Giltwood and Ebonized Wall Brackets

early 20th century, set with ebonized shelves edged in giltwood foliage, the backplates decorated with giltwood curving ferns, with hollyhocks on the front.

h. 11”, w. 10-1/2”, d. 8-1/2”

$1,000-$1,500

550

Rare Pair of American Walnut Chests of Drawers

19th century, probably Virginia, Kentucky or Tennessee, each with four long drawers with inset diamond-shaped keyholes, flanked by vine-inlaid stiles and raised on turned legs.

h. 41”, w. 40-3/4”, d. 19-1/4”

$4,000-$7,000

551

Giltwood Bullseye Mirror in the Italian Baroque Taste

late 19th/early 20th century, the surround decorated with pierced and scrolled giltwood, the coved liner set with an antique mirror plate. dia. 27-1/2”

$1,200-$1,800

552

Aesthetic Brass and Mixed Metal Gasolier

late 19th century, the vasiform tapered standard supported on a molded brass rod, set with four pierced arms with incised decoration and palmette-form gas keys, set with 19th-century ruffled and engraved glass shades, electrified. h. 44”, dia. 30-1/4”

$1,200-$1,800

553

Pair of Aesthetic Marble-Top Side Tables

ca. 1900, the bird’s-eye maple and faux bamboo side tables with inset dished marble tops over a bank of four drawers. h. 28”, w. 17-1/4”, d. 17-1/4”

$2,500-$4,000

552

552 detail

554

After John James Audubon (American, 1785-1851)

“Canada Warbler”

hand-colored engraving and aquatint on wove paper engraved, printed and coloured by Robert Havell (British, 1793-1878), with watermark.

Matted, glazed and framed.

sight 27” x 18-1/2”, framed 46” x 35”

$1,000-$1,500

555

After John James Audubon (American, 1785-1851)

"Bachman's Finch"

hand-colored engraving and aquatint on wove paper engraved, printed and coloured by Robert Havell (British, 1793-1878) with watermark along right side.

Matted, glazed and framed. sight 27” x 18-1/2”, framed 46” x 35”

$1,000-$1,500

554

556

French Belle Epoque Giltwood Mirror

late 19th century, in the neoclassical taste, the arched crest decorated with a pair of love birds atop a crossed quiver of arrows and a torch, the surround carved with laurel lotus leaves, the mirror plate secured with a beaded liner. h. 77”, w. 40-1/2”

$1,500-$2,500

557

Pair of Neo-Gothic Stenciled Chairs

19th century, the backs with padded elbow rests mounted to the turned back posts, with shaped and padded seats, trimmed with brass tacks, raised on turned legs ending in casters.

h. 30”, seat h. 18”, w. 19”, d. 20”

$1,800-$2,500

556 557

558

French Paris Porcelain Holy Water Font

mid-19th century, in the manner of Jacob Petit, the polychrome font depicting Jesus, wearing a crown of thorns and carrying a cross, leaning on a shell-form font, raised on a Rococo Revival-style base. h. 10-1/4”, w. 9-1/4”, d. 6-1/2”

$700-$1,000

Provenance: The Estate of Danella and George Hero III.

559

Pair of Paris Porcelain Urns

second quarter 19th century, the Medici-form urns decorated with panels of figures in Renaissance costume on the obverse and Italian scenes on the reverse, set with scrolled handles with masque-molded mounts, the unusual bases decorated with Italian harbor scenes. h. 19-1/2”, w. 8-3/4”, d. 5-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

559

558

560

Three-Piece American Rococo Revival Mahogany Bed Set

mid-19th century, attributed to the warerooms of Prudent Mallard, New Orleans, consisting of a bedstead with tall headboard posts joined by an arched headboard, h. 84”, inside w. 62”, l. 76”, outside w. 70”, l. 84”, a marble-top dresser with a tilting mirror, h. 87”, w. 45”, d. 22”, and a double-door armoire, h. 102”, w. 66-1/2”, d. 23-1/2”.

$1,800-$2,500

Provenance: Descended through the family of Jules Mazerat and Bertha Nautre, New Orleans, to the present owner. Jules Mazerat was elected as a member of the New Orleans Cotton Exchange in 1871. He served as chairman of the finance committee and member of the board of directors for eleven years. He also served as director of the Bank of New Orleans from 1904-1915.

561

Rococo Revival Mahogany Dressing Table

mid-19th century, possibly Austrian, made for the American market, the oval tilting mirror with a pierced and carved crest, mounted to a serpentine box with three drawers, the base with a single conforming drawer and raised on tall cabriole legs. h. 60-1/2”, w. 37”, d. 20”

$700-$1,000

Provenance: The Estate of Danella and George Hero III.

562

Pair of Cornelius & Co. Bronze and Glass Solar Lamps

mid-19th century, Philadelphia, set with frosted and cut-glass vasiform shades, the tanks with labels and an 1843 patent date, on tapered tripartite bases molded with scrollwork, acanthus leaves and shells, electrified. h. 23-1/4”, dia. 8”

$1,500-$2,500

563

Egyptian Revival Mahogany Dining Table

late 19th century, the circular top with six additional leaves of various widths, with a foliate-carved apron, mounted to a split pedestal with winged sphinxes at each corner. h. 30”, dia. 61”, ext. l. 139”

$1,500-$2,500

562

564

“Goddess of Justice” Bronze Figure

20th century, after Alois Mayer (German, 1855-1936), the blindfolded justice holding a sword in one hand and scales in the other, inscribed “A. Mayer” on the marble base and with a brass tag identifying the sculptor. h. 23”, w. 10-1/2”, d. 6”

$1,000-$1,500

American Cast-Spelter Gas Newel Post Lamp

late 19th century, possibly Mitchell & Vance Co., New York, the figure of Robert I, set with a period cut- and frosted-glass shade, the figure dressed in armor and a cape, on a covemolded and fluted base, now electrified. h. 45”, w. 11-3/4”, d. 8”

$1,500-$2,500

564

565

566

Regina Oak Automatic Changer Music Box

ca. 1900, made by the Regina Music Box Co., Rahway, New Jersey, this quarter-sawn oak model referred to as the “Dragon Front” music box, playing 27-inch diameter discs, comes with winding crank and twenty-four discs, holds twelve discs in the carriage. h. 67-1/2”, w. 37-1/2”, d. 24”

$5,000-$8,000

567

Near Pair of Chinese Export Garden Seats

20th century, the blue-and-white seats framed with peonies, the sides decorated with pierced “coins”, tree peonies and birds, and the tops with pierced “coins”. h. 18-1/2”, dia. 11-1/2”

$1,000-$1,500

568

Canton Fruit Basket and Underplate

ca. 1840, the Chinese export basket and underplate decorated with pagodas and willow trees. h. 4-3/4”, w. 10-3/4”, d. 9-1/2”

$800-$1,200

569

Ormolu-Mounted Chinese Export “Crucifixion” Jar the porcelain ca. 1695, with later Regence period gilt-bronze lion’s-head ring pulls and base, each side decorated with Christ on the cross, framed by swirling lotus blossoms, the base with an artemisia leaf mark. h. 8”, dia. 6-1/2”

$10,000-$15,000

567

568

569

570

Chinese Export Chinoiserie Lacquered and Bamboo Demilune Console Table

20th century, the top decorated with a gilt mandarin scene on a black ground, the cane-wrapped bamboo base with a pierced skirt with a center medallion, with a glass top. h. 33-1/2”, w. 40”, d. 19-1/2”

$800-$1,200

Provenance: Yau Arts, Hollywood Boulevard, Hong Kong; Historic Solana, Montecito, California.

571

Carved Wooden Seated Buddha

possibly Southeast Asian, seated with crossed legs and dressed in a robe with carved trim, decorated with faux jewels. h. 42-1/2”, w. 38”, d. 22”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

572

Chinese Rosewood Handkerchief Games Table

early 20th century, the top with four hinged lids, each carved with dragons in the clouds, opening to a felt-lined interior, the four apron friezes each fitted with a drawer, the legs carved with mythological figures. h. 32”, w. 23”, d. 23”, ext. w. 32”, ext. d. 32”

$1,000-$1,500

573

Pair of Porcelain Goose-Form Tureens

20th century, in the Chinese export taste, the molded and polychrome-painted tureens with armorial decoration on the covers.

h. 15-1/2”, w. 9”, l. 13”

$1,500-$2,500

574

Italian Carved and Painted Wooden Floor Lamp

early 20th century, the altar stick-form standard with a tapered and fluted upper portion and an egg-and-dart and acanthus-carved lower portion, on a leaf- and shell-carved tripartite base, fitted with a lampshade.

h. 68-1/4”, dia. 22-1/2”

$800-$1,200

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

575

Rene Charles Bellanger (French, 1895-1964)

“Capucines”

oil on canvas

signed lower right, a Wally Findley label en verso. Framed.

10-1/2” x 8-3/4”, framed 18” x 16”

$1,000-$1,500

Provenance: Wally Findley Galleries, New York, New York; The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

576

Near Pair of Marine Blue Strie Velvet Club Chairs

of generous proportions, both with loose back and seat cushions trimmed with chenille rope, the skirts with a matching chenille rope fringe, the larger example with a shaped back and broad flat arm rests, h. 34-1/2”, w. 34-1/2”, d. 38”; the smaller example with a flat back and rolled arm rests, h. 30-1/2”, w. 34-1/2”, d. 38”.

$1,500-$2,500

577

Pair of Chinese Export Porcelain Ginger Jar Lamps

decorated with mandarin figures in boats on a turquoise ground, on giltwood bases. h. 23-3/4”, dia. 8-1/2”

$1,000-$1,500

576

577

575

578

Neoclassical-Style Steel and Bronze Coffee Table

in the manner of Maison Jansen, the framed top with an inset plate glass, raised on finely reeded cylindrical bronze legs, joined by an X-form stretcher. h. 17”, w. 45-1/2”, d. 30-1/2”

$1,500-$2,500

579

Pair of Neoclassical-Style Marble-Top Side Tables

in the manner of Maison Jansen, each with a rectangular white marble top set on a polished steel curule-form base mounted with brass ram’s heads, ending in brass hoof feet. h. 20-1/4”, w. 24-1/2”, d. 20-1/4”

$1,800-$2,500

580

Pair of English Baroque-Style Silverplate Sconces

20th century, the backplates molded with British royal arms and trimmed in scrollwork, each set with a trio of faceted and scrolled candle branches, set with matching candle cups, electrified. h. 12”, w. 16”, d. 9”

$800-$1,200

581

Semi-Antique Silk and Wool Isfahan Carpet signed.

10’ 1” x 13’ 7”

$2,000-$4,000

582

Pair of Cloisonné Elephant Candle Holders

20th century, the ceremonial elephants with cloisonne decoration and scrollwork, mounted with vases decorated with scrollwork and flowers, on a turquoise ground. h. 11-1/4”, w. 9”, d. 4”

$700-$1,000

581

582

583

Pair of Cloisonne Horses with Wood Bases

20th century, the horses with cloisonne decoration and brass manes, on a turquoise ground, the saddles attached separately, on custom carved bases.

h. 14”, w. 14”, d. 4-1/2”

$800-$1,200

584

Pair of Chinese Cloisonne Horses

20th century, each horse with a separate saddle and a brass mane and ears, decorated with red, blue and green scrollwork on a turquoise ground.

h. 9-1/4”, w. 8-3/4”, d. 3-1/2”

$700-$1,000

585

Large Paint-Decorated Walnut Center/Dining Table

20th century, in the Italian rococo taste, the walnut top with a thumb-molded edge, over a base with bold rocaille-carved cabriole legs and a serpentine shell-carved skirt, set with rocaille-carved cross stretchers. h. 31”, w. 44-3/4”, l. 67”

$1,000-$1,500

583

584 585

586

Semi-Antique Sultanabad Carpet

9’ 5” x 12’ 3”

$1,200-$1,800

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

587

Italian Gilt-Metal and Crystal Chandelier

early 20th century, the twelve-light chandelier set with two tiers of scrolled arms ornamented with gilt-metal acanthus leaves and matching drip pans, hung with Baroque-style cutglass prisms. h. 39-1/2”, dia. 22”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

586

587

588

Pair of Labeled Lx Rossi Side Chairs

in the Portuguese taste, the backs and seats upholstered in patterned leather, the backs in moss basketweave and trimmed throughout with brass nails, labeled in leather underneath “Lx Rossi”. h. 45”, seat h. 20-1/2”, w. 22-1/2”, d. 25”

$1,800-$2,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

589

Regency-Style Mahogany Dining Table

20th century, the circular top opening to receive three 24” skirted leaves, with a straight apron and raised on tapered square legs. h. 30”, dia. 57”, ext. l. 129”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

588

589

589 detail

590

French Directoire Giltwood Pier Mirror

ca. 1800, the surround with an applied egg-and-dart molding, the two-piece mirror plate secured with a beaded liner. h. 83”, w. 42”

$2,000-$4,000

Provenance: Balzac Antiques, New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

591

Louis XVI-Style Gilt-Metal and Glass Side Table

20th century, in the P.E. Guerin, New York, taste, the glass top supported by a gilt-metal band and secured at each corner with a fluted, tapered leg topped with an acanthus applique above a rosette-mounted block issuing a floral swag, with an X-form stretcher centered by a molded disc. h. 26-1/2”, w. 33-1/2”, d. 24”

$1,200-$1,800

592

Pair of Art Deco Glass Exotic Bird Sculptures

second quarter 20th century, the metal-framed bodies set with colorless glass beads and red glass eyes, with freestanding beaded glass tails and lonzenge-form beveled glass bases. h. 17-1/2”, w. 9-3/4”, d. 3”

$800-$1,200

590

591 592

593 Suite of Eight Swedish Gustavian Leather-Upholstered Chairs

19th century, the polychrome wooden chairs with curved back rests, the outer edges with bellflower carvings, and a leather-covered central panel trimmed with brass tacks, with leather-covered seats raised on turned and fluted legs. h. 33-1/2”, seat h. 17-1/2”, w. 19”, d. 18”

$2,000-$4,000

Provenance: Ann Koerner Antiques, New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

594 Rose Tarlow Bleached Mahogany Dining Table

1990s, the self-banded starburst top with a reeded edge, simple apron and a single matching leaf, raised on incurved reeded legs, labeled “Rose Tarlow/Melrose House”. h. 29”, dia. 60”, extended l. 80”

$2,000-$4,000

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

Literature: Rose Tarlow Melrose House Catalogue, Los Angeles, 2020, p. 13.

595

Lunette-Form Painted Panel

20th century, the paint-on-canvas en grisalle panel with a central finial and leafy scrollwork, on a fiberboard backing. h. 27-1/2”, w. 46-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

596

Pair of Continental Carved Beechwood Figural Pedestals

late 19th century, each depicting Atlas hunched over and holding a hexagonal shelf above his head. h. 34”, dia. 17”

$5,000-$8,000

597

Pair of Chinese Pottery Vase Lamps

decorated with fruiting trees in dark brown, on an off-white ground, on giltwood bases.

h. 19”, dia. 8-1/4”

$1,000-$1,500

598

Pair of Chinese Pottery Vase Lamps

decorated with plum branches on an off-white ground, the bottoms with concentric rings, on giltwood bases.

h. 23-1/2”, dia. 8”

$1,000-$1,500

599

Hollywood Regency Lucite and Brass Sofa

the bold lucite frame joined by lucite rods headed with brass discs and a brass embellishment centered below the seat, the upswept arms topped with giltwood pinecone finials, upholstered in jaguar print fabric.

h. 31-1/2”, seat h. 17”, w. 75”, d. 26-1/2”

$1,000-$1,500

600

20th century, probably Balinese, each carved, painted and parcel-gilt lion balancing a lotus flower on its heads, with papier-mache eyes, standing on a mound of carved clouds above an octagonal base. h. 35-1/2”, dia. 17-1/2”

$6,000-$9,000

Provenance: From the collection of Hugh Heffner.

Pair of Carved Wooden Guardian “Shishi” Lions

601

Semi-Antique Heriz Carpet

$1,200-$1,800

602

Mid-Century Modern Walnut Coffee Table the free-form base supporting a triangular-form glass top. h. 15”, dia. 35”

$1,000-$1,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

8’ 3” x 11’ 3”

20th century, the Macassar ebony chair with a padded back and seat, with continuous rolled arms forming the rear legs. h. 35”, seat h. 17”, w. 27-1/2”, d. 38”

$1,000-$1,500

20th century, the Macassar ebony chair with a padded back and seat, with continuous rolled arms forming the rear legs. h. 35”, seat h. 17”, w. 27-1/2”, d. 38”

$1,000-$1,500

603

French Art Deco Leather Club Chair

604

French Art Deco Leather Club Chair

603

605

Newton Reeve Howard (American/Louisiana, 1912-1984)

“Louisiana Marsh”, 1976 oil on canvas board signed and dated lower left. Framed.

10-3/4” x 13-7/8”, framed 14-3/4” x 17-1/2”

$1,200-$1,800

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

606

Newton Reeve Howard (American/Louisiana, 1912-1984)

“Rice Birds”, 1977 oil on canvas signed and dated lower left, titled en verso. Framed.

15-1/4” x 30”, framed 22” x 37-1/4”

$2,000-$4,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

607

Newton Howard (American/Louisiana, 1912-1984)

"Barges", 1977

oil on canvas board signed and dated lower left, titled en verso. Framed.

12” x 24”, 19-1/2” x 31-1/2”

$1,000-$1,500

608

Rolland Harve Golden (American/Louisiana, 1931-2019)

“French Quarter Windows”, 1965

watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 21-1/2î x 29-1/2î, framed 27-1/2î x 35-1/2î

$1,000-$1,500

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

609

Southern School (Mid-20th Century)

“Buddy’s Barber Shop”

oil on canvas unframed.

25” x 24”

$1,500-$2,500

The cornetist Buddy Bolden and his band were known for their loud sound and improvisational skills and credited with having originated what came to be known as jazz music. Known to be a dapper dresser and ladiesí man, part of the lore of Buddy Bolden was that he operated a barber shop. The persistent legend was likely based on him being a frequent customer of his bandmate Charlie Galloway's barber shop on First Street in New Orleans.

610

Sister Gertrude Morgan (Alabama/Louisiana, 1900-1980)

“Are you Preparing for New Jerusalem”

acrylic, ink and graphite on paper signed “Sister Gertrude Morgan, Everlasting Gospel Teacher”, titled and inscribed en verso. Matted, glazed and framed. sight 13” x 16”, framed 21-3/4” x 23-1/2”

$8,000-$12,000 610

611

William Posey Silva (American, 1859-1948)

“Mississippi Steamboat” oil on canvas signed lower left, titled en verso. Framed.

8-1/4” x 11-1/4”, framed 17-1/4” x 21-1/4”

$1,000-$1,500

612

Ollie Brice Steele Burden (American/Louisiana, 1900-1995)

"Blue Bayou" oil on canvas signed lower left. Framed.

15-1/2” x 19-1/2” framed 19” x 23”

$2,000-$4,000

611

613

Newton Reeve Howard (American/Louisiana, 1912-1984)

“In the Rigolettes [sic]”, 1977

oil on canvas signed and dated lower left, titled en verso. Framed.

15” x 30”, framed 19” x 34”

$2,000-$4,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

614

Newton Reeve Howard (American/Louisiana, 1912-1984)

“Bayou”, 1975

oil on canvas board signed and dated lower left. Framed.

10-3/4” x 14”, framed 14-1/2” x 17-1/2”

$2,000-$4,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

614

613

615

Maison Bagues Gilt-Bronze and Plate-Glass Table

20th century, the thick circular glass top set on a conforming branch-form base with out-curved legs joined by an X-form stretcher.

h. 28-1/2”, dia. 48”

$2,000-$4,000

616

French Bronze Two-Arm Chandelier

late 19th century, in the neoclassical taste, the lotus-molded canopy set with twisted reeded rods, supporting leaf-molded arms set with matching oil font holders, formerly for kerosene, now fitted with electric sockets. h. 24”, w. 25-1/2”, d. 5”

$1,000-$1,500

617

6’ x 9’ 1”

$1,500-$2,500

Peshawar Birds of Paradise Carpet

618

Pair of Rose Tarlow, Melrose House, “Edwin” Lounge Chairs

model #3005, with curved profiles and generous proportions, having tall, canted backs above deep seats flanked by tightly rolled arms, upholstered in Rose Tarlow ginger “Oxford Stripe”.

h. 39”, seat h. 15”, w. 32”, d. 37” and 22-1/2”

$1,500-$2,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

Literature: Rose Tarlow Melrose House Catalogue, Los Angeles, 2020, p. 64.

619

Patinated Bronze and Marble-Top Side Table

20th century, in the neoclassical style, the circular Maurin green marble top set on a three-legged bronze base, each leg with a lion’s masque and joined by a circular ring stretcher. h. 33”, dia. 18-1/4”

$1,200-$1,800

620 Swedish Painted Pine Writing Desk

18th century, the back with a removable shelf section centered by a document door, above a hinged panel, the base with a shallow slant lid set between scalloped sides, raised on cabriole legs. h. 56-1/2”, w. 44-1/2”, d. 33”

$1,800-$2,500

Provenance: Ann Koerner Antiques, New Orleans, Louisiana, Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

618

621

Pair of Mario Villa Iron and Brass Twin Beds

with brass ball-form finials, the headboard and footboard with X-form designs, accented with oval acanthus-molded medallions.

h. 57”, w. 39”, l. 78”

$2,000-$4,000

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

622

Swedish Gustavian Polychrome Slant-Lid Writing Desk

18th century, with a framed and raised paneled slant lid opening to a fitted interior, above three long drawers with carved elongated diamond panels, raised on tapered legs. h. 46-1/2”, w. 48”, d. 23”

$1,400-$1,800

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

623

Italian Baroque-Style Glass and Metal Chandelier

19th century, the six-light chandelier with a scrolled corona over a standard clad in molded glass, set with scrolled candle branches on two levels, with hexagonal drip pans and candle sockets, the lower level with branches alternating with molded glass finials, hung with cut-glass prisms. h. 36”, dia. 20-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

624

Pair of Brunschwig & Fils Overstuffed Lounge Chairs

with rolled back rests and loose seat cushions, trimmed with twisted fringe along the bottom. h. 34”, seat h. 19”, w. 32”, d. 35”

$1,500-$2,500

623

625

Neoclassical-Style Bleached Fruitwood and Black Marble

Top Side Table

late 19th century, the rectangular faux marble top with projecting canted corners, above a conforming fluted frieze, raised on large, fluted and tapered square legs ending in block feet.

h. 33”, w. 65”, d. 31”

$1,500-$2,500

626

Pair of Metal and Brass Stools, After Jean Royere

contemporary, in the postmodern taste, the large stools with tapered legs and skirts, pierced and set with brass spherules, mounted with box cushions.

h. 20”, w. 24”, d. 15-1/2”

$1,500-$2,500

627

English Terracotta Bust of Shakespeare

late 19th century, the classic view of the bard on a terracotta column-form pedestal in the aesthetic taste, molded with bas-relief sprays of prunus. h. 57”, dia. 20-1/2”

$800-$1,200

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

626

628

Set of Three Graduated Brass and Marble Obelisks

contemporary, the brass-clad obelisks decorated with molded vases of foliage, on brown and white marble bases.

h. 14-1/4” to 26-1/2”, w. 4” to 6-1/2”, d. 4” to 6-1/2”

$900-$1,200

629

Art Deco Cast-Iron Archer

ca. 1920-1940, the archer with his bow aimed heavenward, a sheep at his feet. h. 32-1/2”, w. 18”, d. 19”

$1,400-$1,800

630

Jacobean-Style Walnut Arm Chair

20th century, upholstered in taupe wool with tufted back and brass nail head trim throughout, with a paper Dennis & Leen fabric label underneath. h. 40-1/2”, seat h. 18-1/4”, w. 26”, d. 27”

$1,000-$1,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

628

629

631

Pair of Wrought-Iron Console Tables

early 20th century, in the Arts-and-Crafts taste, possibly circle of Samuel Yellin, with inset glass tops, on scrolled supports with a molded medallion at the top of the standard, supporting the scrolled iron legs, terminating in distinctive webbed feet.

h. 31”, w. 34-1/2”, d. 17-1/4”

$2,000-$4,000

632

Pair of Ebonized and Parcel-Gilt Savanarola Benches

the sides joined by turned and reeded armrests, with a loose cushion upholstered in tiger-striped fabric, the legs ending in carved paw feet.

h. 26”, seat h. 20”, w. 30-1/2”, d. 21-1/2”

$2,000-$4,000

631

634

French Louis Philippe Gilt-Bronze Clock

mid-19th century, the time-only clock mounted with a fisherman, his rod in one hand and his creel in the other, atop a pierced gilt-bronze Rococo Revival clock, with an original glass dome on an ebonized base. h. 15-1/2”, w. 11-1/2”, d. 7”

$800-$1,200

Provenance: The Estate of Danella and George Hero III.

635

633

Pair of American Cast-Iron Garden Urns late 19th century, possibly Fiske, with anthemia-molded rims and fluted bodies, over conical bases on square plinths.

h. 12”, dia. 21”

$1,000-$1,500

634

635

Pair of Napoleon III Figural Chenets Mounted as Lamps

third quarter 19th century and later, decorated with figures of Vulcan and Venus, on scrolled and pierced feet accented with acanthus leaves and fruit, on rectangular bases, fitted with lampshades. h. 37-1/4”, w. 16-1/2”, d. 14”

$1,000-$1,500

633

636

Chinoiserie and Black-Lacquered Queen-Size Bed

with an arched and domed canopy, supported by turned and fluted posts, joined by an arched headboard. h. 104”, inside w. 60”, l. 81”, outside w. 74”, l. 95”

$3,000-$5,000

637

Pair of Art Deco-Style Leather-Upholstered Tub Chairs

with high-gloss mahogany frames upholstered in ivory leather, each with matching loose seat and back cushions, paper-labeled “Councill”. h. 29”, seat h. 29”, w. 29”, d. 32”

$1,000-$1,500

638

Urban White Ming-Style Coffee Table

wrapped in white-lacquered heavy linen. h. 18”, w. 48”, d. 24”

$1,200-$1,800

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

636

637

638

Monumental Pair of J. Antony Redmile “Neptune” Busts

fourth quarter 20th century, topped with brass jardinieres, over ebonized fiberglass busts ornamented with quartz crystals forming the hair and upper body, on black socles with custom-made brass and metal stands of inverted pylon form, set with brass roped swagging and X-form stretchers set with oval medallions.

h. 84-1/4”, w. 28”, d. 20”

$10,000-$15,000

639

639 detail

639

640

Directoire-Style Argente Metal and Marble-Top Center

20th century, the inset circular marble top raised on four supports, each headed by a gilt ram’s head, joined by a ring stretcher and ending in gilt hoof feet.

h. 28”, dia. 36”

$1,000-$1,500

641

Suite of Eight Ebonized Klismos-Form Chairs

contemporary, each with a curved back rest supported by in-curved back posts, with a padded seat and raised on downswept legs.

h. 30-3/4”, seat h. 18”, w. 20-1/2”, d. 20”

$2,500-$4,000

642

Pair of Silvered Metal Sconces in the Adam Taste

early 20th century, English or American, each backplate in the form of a reeded urn with a flame finial, and set with a pair of scrolled candle branches terminating in vasiform sockets with faux candles and reeded drip pans, electrified. h. 16”, w. 9”, d. 4-1/4”

$800-$1,200

643

Biedermeier Maple and Line-Inlaid Desk

19th century, the oval top mounted to a pair of tapered cylindrical standards and circular bases, joined by a leathercovered foot rest, one side fitted with a drawer.

h. 31”, w. 63”, d. 25”

$2,500-$4,000

644

Pair of Biedermeier Fruitwood Side Cabinets

19th century, each with an overhanging top trimmed with an ebonized molding, above a single drawer and cabinet below, raised on tapered square legs.

h. 36”, w. 15”, d. 14”

$2,000-$4,000

645

Suite of Six Biedermeier Elmwood Chairs

19th century, each with a paneled crest rail over a carved splat with pineapple and swags, with padded seat and raised on down-curved, tapered square legs. h. 34-1/2”, seat h. 19-1/2”, w. 18-1/2”, d. 16”

$1,500-$2,500

643

644

647

Neoclassical Amboyna Wood Commode

19th century, in the Biedermeier taste, the top with an ebonized leading edge, over a pair of long drawers, each with inlaid oval reserves, brass handles and key plates, raised on cabriole legs. h. 33”, w. 49”, d. 23”

$2,000-$4,000

648

Mid-Century Modern Amboyna Burl Dining Table

the circular top with an ebonized lower band around the apron, raised on a square column pedestal with ebonized corner details and mounted to a circular plinth base with an ebonized band, the top opening to reveal a self-storing leaf.

h. 30”, dia. 46-1/2”, ext. l. 66-1/2”

$1,500-$2,500

646

Pair of Biedermeier-Style Fruitwood and Ebonized Side Tables

20th century, of urn form with a circular inset gray marble top, each cabinet with a single curved door and mounted to a faceted standard and circular plinth base. h. 34”, dia. 17”

$2,500-$4,000

646

648

648 detail

647

649

Pair of “Beaufort” Library Chairs

contemporary, attributed to Hickory Chair, the Regency-style double-caned chairs with ebonized frames with bamboo carving and raised on sabre legs, fitted with cushions. h. 39-3/4”, w. 27”, d. 28-1/4”

$1,000-$1,500

650

Pair of Cast-Iron Garden Urns

late 19th century, possibly Fiske, the anthemion-molded rims over fluted bodies, on fluted and tapered bases. h. 19”, dia. 21”

$1,000-$1,500

649

651

Patinated Bronze Jardiniere in the Neoclassical Taste

20th century, the vasiform body molded with acanthus leaves, supported on a tripartite base with scrolled acanthusmolded legs, on a conforming plinth. h. 38”, dia. 23”

$1,000-$1,500

652

Pair of Patinated Bronze Garden Figures

decorated with Bacchanalian figures supporting cornucopias of fruit and flowers. h. 42”, w. 8-3/4”, d. 12”

$2,000-$4,000

651

653

$1,200-$1,800

$1,500-$2,500

Turkish Angora Oushak Carpet

9’ x 12’

653

654

Turkish Angora Oushak Carpet

9’ 2” x 12’ 3”

655 Oushak Runner

5’ x 12’ 3”

$2,000-$4,000

656

Suite of Six French Enameled Iron Armchairs

in the manner of Mathieu Mategot (Hungarian-French, 19102001), with fan-form backs, arms and legs, set with blue-andwhite striped cushions. h. 35-1/4”, w. 25-1/2”, d. 16-1/2”

$2,500-$4,000

658

Wrought-Steel and Glass Oval Drinks Table

20th cenury, in the manner of Gilbert Poillerat, the inset glass top with a gallery of wrought-twist steel set between four balltopped twist legs, the top edged with scalloped trim and the curved ends in a scrolling design, the lower shelf inset with glass, raised on tapered feet. h. 23-1/2”, w. 31-1/2”, d. 17-3/4”

$2,000-$4,000

659

Pair of Ebonized Hardwood Stools

20th century, each with a padded seat trimmed with brass tacks, and raised on stylized animal-form legs. h. 22”, w. 20”, d. 20”

$1,500-$2,500

657

French Gilt-Bronze and Engraved Glass Hall Lantern

20th century, on scrolled, arched supports, the cylindrical lantern framed with a pierced upper border accented with leaf-molded crests, the corners with leaf-molded finials, set with glass engraved with foliate sprays, with a cone-form pendant finial.

h. 36”, dia. 16”

$1,400-$1,800

658

660

Italian Baroque-Style Giltwood Chandelier

20th century, the eight-light chandelier with a shell-carved standard, over an inverted lower portion set with large carved scrolls, the body set with bold, leaf-carved scrolled arms set with reeded candle cups and matching drip pans, over a lower tapered section. h. 32”, dia. 34”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

661

Pair of Italian Carved Wooden Pilasters

19th century, the stained tapered pilasters with Corinthian capitals and inset with panels carved with meandering grapevines, on cove-molded bases. h. 91”, w. 15”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

662

Art Deco “Jester and Mouse” Bronze Sculpture

ca. 1920-1940, after Johann Wolfgang Elischer (Austrian, 18911966), with a rich patinated brown surface, on a verde antique marble base with a cast signature, “Elischer”. h. 11”, w. 7”, d. 4-1/2”

$800-$1,200

661

662

663

McGuire-Baker Caned Sofa and Chair

contemporary, from Barbara Barry designs, the sofa and chair with caned backs, each with cane-wrapped legs and cushioned seat, the sofa with four loose throw pillows, labeled. sofa h. 37”, w. 62-1/2”, d. 27-1/2”; chair h. 34”, w. 24-1/2”, d. 22-1/2”

$1,000-$1,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

664

20th century, after the antique, the well-cast bronze on a contemporary enameled metal stand. h. 18-1/2”, w. 8”, d. 8”

$1,200-$1,800

665

Pair of Visual Comfort “Artemis” Lamps

contemporary, the urn-form colorless glass lamps designed by Robert Abbey, fitted with drum-form shades. h. 25-1/2”, dia. 15-1/2”

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Patinated Bronze Head of Zeus

663

666

Egyptian Revival Parcel-Gilt Hardwood Stool

1st half 20th century, the plank seat mounted to a pair of jackal-form supports, with gilt heads, curled tails and gilt paw feet.

h. 24”, seat h. 20”, w. 29”, d. 18”

$2,500-$4,000 667

Egyptian Revival Teakwood and Inlaid Bench

1st half 20th century, the back crest featuring a pair of opposing birds representing Nekhbet, the ancient goddess of Egypt, the lower back with a row of inlaid splats, with downcurved arms on lion supports, raised on lion-form legs, with a woven seat and loose cushion. h. 36”, seat h. 16”, w. 52”, d. 24”

$8,000-$12,000

668

Egyptian Revival Teakwood and Inlaid Armchairs

1st half 20th century, each with a bird-form crest representing Nekhbet, the ancient goddess of Egypt, over a framed back with a row of inlaid splats, with down-curved arms on lion supports, raised on lion-form legs, each with a loose cushion. h. 36”, seat h. 16”, w. 22-1/2”, d. 21”

$10,000-$15,000

669

Egyptian Revival Teakwood and Inlaid Side Chairs

1st half 20th century, the backs with a bird-carved crest representing Nekhbet, the ancient goddess of Egypt, the lower back with a row of inlaid splats, with a woven seat and loose cushion, the legs ending in carved paw feet. h. 34”, seat h. 18”, w. 17-1/2”, d. 18-1/2”

$7,000-$10,000

670

Spectacular Egyptian Revival Carved Teakwood Throne Chair

ca. 1929, a faithful replica of King Tutankhamun’s throne chair, one of two commissioned by American businessman Thomas Jefferson Penn and rendered by Elias Hatoun, Cairo, Egypt, with an inset back and arms, a parquetry seat and lion-form legs, the back side set with a series of stylized cobras. h. 41”, seat h. 20-1/2”, w. 23”, d. 26”

$25,000-$40,000

Provenance: Thomas Jefferson Penn, Chinqua Penn Plantation, Reidsville, North Carolina.

In recognition of the anniversary of the discovery of Tutankhamun’s tomb. The mate to this chair was installed at the Harvard Museum of the Ancient Near East in 2022.

673

Egyptian Revival Stained Beechwood Stool

1st half 20th century, the inlaid and polychromed stool in the form of a stylized peacock, the bird’s head mounted at one end to a circular padded seat and supported by carved bird’s legs and downward pointing wings. h. 25-1/2”, w. 26”, d. 15”

$2,000-$4,000

671

Egyptian Revival Turned Maple and Bentwood Thebes Stool

early 20th century, English, the square in-curved slat seat raised on bobbin-turned legs and joined by turned stretchers. h. 14-1/2”, w. 17”, d. 17”

$800-$1,200

This stool was designed by Leonard Wyburn, who was the director of furnishings at Liberty’s Furnishing and Decoration Studio. The firm of Liberty & Co. was granted a patent for the design of this stool in 1884. It is believed that it was manufactured by either B. North & Sons or William Birch Ltd. of High Wycombe, both of Buckinghamshire. A very similar stool with a leather-covered seat is in the collection of the Victoria and Albert Museum, British Galleries, Room 122.

672

Pair of Egyptian Revival Peacock-Form Chairs

1st half 20th century, the stained beechwood and inlaid chairs with backs and arms carved in the form of tail feathers and wings, each with a round padded seat, with two bird-form rear legs and the front leg in the form of a stylized bird’s head. h. 31”, seat h. 18-1/2”, dia. 20”

$2,500-$4,000

671

673 672

674

Egyptian Revival Ebonized and Inlaid Feline Stool

1st half 20th century, the cat dressed with an inlaid necklace, the padded seat covered with an appliqued fabric. h. 26”, seat h. 17”, w. 14-3/4”, l. 29”

$2,000-$4,000

675

Egyptian Revival Silver Bowl

early 20th century, Colonial Burmese, the body richly decorated with a wide repousse band of Egyptian figures and cartouches between acanthus-and-dart banding, the conical collar with domed lid decorated en suite with figural pharaonic finial. h. 13-1/2”, dia. 13-1/2”; 132.64 total t. oz.

$5,000-$8,000

674

676

Suite of Twelve Queen Anne-Style Dining Chairs

20th century, the padded backs with cut-through hand grips and scalloped seat frames, raised on Queen Anne-form legs. h. 38”, seat h. 19”, w. 25-1/2”, d. 22”

$3,000-$5,000

677

French Stripped Beechwood Center Table

early 19th century, in the Directoire taste, the rectangular overhanging top above fruit- and ribbon-carved friezes, raised on large tapered square legs. h. 35”, w. 53-1/2”, d. 24-1/2”

$2,000-$4,000

678

Unusual French Bronze and Crystal Chandelier

20th century, the thirteen-light chandelier with a heavy bronze basket-form frame ornamented at the top with sprays of amber and colorless glass beading, hung with spear-point prisms, the frame set with strands of cut-glass prisms and the center set with six pairs of cut-glass arms mounted with turned bronze candle cups and molded crystal drip pans, the interior with a single socket concealed with sprays of amber and colorless glass beading. h. 40”, dia. 36”

$2,000-$4,000

676

679

Pair of African Bleached Hardwood Side Tables

20th century, each with an oval top and carved skeletal figures at each end, the sides with pierced scroll-cut panels and joined by a lower shelf. h. 24-3/4”, w. 26”, d. 16-1/4” and h. 26-1/4”, w. 27”, d. 15-1/4”

$1,500-$2,500

680

Anglo-Indian Carved Rosewood Console Table

19th century, with a pierced and carved foliate backsplash, the top with an egg-and-dart gadrooned edge, supported by heavily carved side brackets. h. 41-1/2”, w. 48”, d. 25”

$2,000-$4,000

679

681

Modern Moroccan Carpet

9’ 10” x 14’ 3”

$4,000-$7,000

682

Pair of Carved Wooden Elephant-Form Brackets

20th century, the bowfront reeded shelves on the backs of carved standing elephants. h. 9-3/4”, w. 9-1/4”, d. 10”

$1,000-$1,500

683

Limed Oak Dog Bed in the Baroque Taste

20th century and later, the tester with a drawn fabric “sky”, and four turned finials, the foot with spiral-turned posts and the head with square posts flanking a pedimented headboard, the foot with bun feet. h. 39”, w. 19-3/4”, d. 31”

$1,500-$2,500

682

683

681

684

Pair of Gilt-Metal and Crystal Sconces

early 20th century, the leaf-molded gilt-metal backplates set with scrolled sprays of drops, above carved arms lined with glass beading, set with leaf-molded drip pans and candle cups, hung with swags of prisms and cut-glass drops. h. 26-1/2”, w. 18-3/4”, d. 11-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

685

Continental Giltwood and Upholstered Bench

late 20th century, the padded seat joined by carved eagleform legs at each end, terminating in carved ball-and-talon feet.

h. 27”, w. 77”, d. 30”

$1,500-$2,500

686

Pair of Neoclassical-Style Carved, Painted and Parcel-Gilt Candelabra

late 19th / early 20th century, on tripartite bases carved with anthemia, decorated with angels standing on one foot, supporting candle branches with leaves and grapes, and terminating in wooden fluted candle sockets and drip pans. h. 41-3/4”, w. 24”, d. 14”

$2,000-$4,000

686

684

687

Four Cast Stone “Les Quatre Saisons” Figures

early 20th century, the figures in 18th-century costume, each holding an object personifying the season. h. 29” to 30”, w. 9-1/2”, d. 9-1/2”

$2,500-$4,000

688

Collection of Sant’ Anna Faience Tiles

18th century, Lisbon, Portugal, the collection including 205 tiles decorated with blue and yellow vines and green leaves, each tile stamped “Sant’ Anna”, Lisbon, Portugal”. each 5-1/2” x 5-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

687

688

689

French Terracotta Bust of Raphael

late 19th century, the artist as a young man, in Renaissance dress, on a separate socle. h. 14-3/4”, w. 22”, d. 9-3/4”

$500-$800

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

690

Pair of French Terracotta Lions by Mandeville & Combeleran

ca. 1880-1905, the lions in a heraldic sejant stance with paws resting on shields molded with aesthetic sunflowers, on oval bases impressed “Mandeville & Combeleran Fab. et Produits Ceramique, Castelnaudary (Aude)”.

Mandeville Pottery, located in Castelnaudary (Aude), France was among the most sought-after makers of its time. “Mandeville & Combeleran” (1880-1905), was followed by “Mandeville-Bernier” from 1905 until the firm’s closure in 1935. h. 36”, w. 15”, d. 24”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

691

French Enameled Bronze and Metal Pendant Light

second quarter 20th century, the upper portion composed of pierced and enameled metal oak leaves and acorns, and the lower portion with a yellow art glass ball-form shade framed with enameled bronze mistletoe and berries. h. 21”, dia. 12”

$1,000-$1,500

689

691

690

692

Three Cast-Stone Toadstools

each painted, the tallest with polka dots. h. 14” to 21”, dia. 18-1/2” to 19-1/2”

$1,500-$2,500

693

Three Cast-Stone Toadstools

20th century, each painted, two with polka dots. h. 14” to 19”, dia. 16” to 19”

$1,500-$2,500

694

Group of Four Molded Zinc ToadstoolForm Garden Seats

early 20th century, Philadelphia, realistically molded, the bottom with a molded signature, “D.U. Hofmann, Phila. Pa., Pat. Pend.”. h. 18-3/4”, dia. 13-1/2”

$2,000-$4,000

692

693

694

695

Pair of Metal Tree Tubs in the Neoclassical Taste

contemporary, with cone-form finials, the sides with wreathform mounts, on bun feet, the bottoms with drainage holes. h. 22-1/2”, w. 16-1/2”, d. 16-1/2”

$1,000-$1,500

696

Large Bronze Alligator

contemporary, realistically modeled, with a green-patinated surface. h. 13”, w. 30-1/2”, l. 89”

$4,000-$7,000

697

Terracotta Olive Jar in the Spanish Taste

contemporary, the turned lip over a tapered body decorated with concentric ring turning.

h. 30-1/2”, dia. 16-1/2”

$800-$1,200

698

Large Terracotta Olive Jar in the Spanish Taste

20th century, the tapered amphora-form jar set with lug handles and decorated with ring turning alternating with incised scrolling and leaves.

h. 40”, dia. 22”

$1,000-$1,500

699

Italian Pietra Dura Specimen Marble Table

20th century, the top with a central floral panel on a tessellated black marble ground, framed in scrollwork, all against scrollwork and foliate inlay on a white ground with Siena marble crossbanding, resting on an urn-form ogee-molded base inlaid to match.

h. 30-1/2”, w. 53-1/4”, d. 30-1/2”

$1,500-$2,500

698

697

701

700

Continental Baroque Carved Oak Panel

17th century, the top decorated with carved fluting over a bas-relief-carved court figure, framed with carved arches supported by pilasters, the sides and center trimmed in carved guilloche.

h. 53-1/2”, w. 69-1/4”

$1,500-$2,500

Three Hermes “Equestrian Strap” Bar Stools

20th century, after a design by French architect Jacques Adnet (1900-1984), the leather-covered metal stools inspired by horse tacks, with fan-form backs, exposed “stitching” and “buckles” and cabriole legs.

h. 44-1/4”, w. 22”, d. 21”

$1,000-$1,500

702

Texas Longhorn Armchair

20th century, composed of multiple pairs of horns, the tips finished as carved acorns, with a padded seat covered in rose velvet.

h. 37”, seat h. 17”, w. 32”, d. 22”

$3,000-$5,000

703

Cast-Iron Garden Stag in the Victorian Taste

20th century, realistically molded, its head turned to one side, on a raised oval plinth.

h. 58”, w. 40”, d. 16-3/4”

$1,500-$2,500

704

Iron and Copper Balance Scales

19th century, probably English, the spear-point finial above a pierced balance frame, in a vasiform standard with an octagonal base, hung with copper bowls, now on a painted cast-stone plinth molded with wreaths.

h. 66-3/4”, w. 32-3/4”, d. 12”

$1,000-$1,500

Four Iron and Leather Dining Chairs, After Ilana Goor

20th century, each having a top with a rolled crest over a padded leather back and matching seat with whip-stitched edges.

h. 41”, w. 17-1/4”, d. 20”

$1,000-$1,500

Large French Iron and Marble-Top Baker’s Table 20th century, the top with scroll and leaf aprons, mounted to a tubular scrolled base. h. 31-1/4”, w. 56-3/4”, d. 26”

$2,000-$4,000

705

706

707

Pair of Hollywood Regency Leopard Print Club Chairs upholstered in leopard print fabric and resting on ball casters. h. 35-1/4”, seat h. 18-1/2”, w. 25”, d. 28”

$1,000-$1,500

708

Pair of Gothic Revival Cast Stone Garden Urns

19th century, the faceted bowls molded with quatrefoils, on tapered bases. h. 23-1/2”, dia. 13-1/2”

$800-$1,200

709

Monumental Bronze Figural Fountain

20th century, of Japanese inspiration, the fountain with two cranes poised on a large piece of driftwood, decorated with cattails with a green patina, the cranes and driftwood piped for water. h. 84”, w. 40-3/4”, d. 24”

$5,000-$8,000

707

710

Pair of Marble Pedestals

20th century, the white-veined marble pedestals with square top plinths over Doric standards, on turned capitals and bases.

h. 36-1/2”, w. 14”, d. 14”

$1,000-$1,500

711

Cast-Aluminum Three-Tier Fountain

in the manner of J.W. Fiske, New York, the circular base supporting a standard with three egrets and three graduated bowls above, the top with a cast water spout.

h. 79”, dia. 33”

$1,000-$1,500

712

Rococo-Style Iron and Marble-Top Conservatory Table

20th century, the rounded, rectangular top above an elaborately scrolling and pierced frieze, raised on cabriole legs joined by an X-form stretcher and ending in scrolled toes.

h. 32”, w. 46”, d. 29”

$1,000-$1,500

712

713

Set of Four Wrought-Iron Garden Armchairs

20th century, the tablet backs pierced with scrollwork, above woven metal seats set with scrolled arms, over straight legs with curule stretchers, fitted with cushions.

h. 30”, w. 22”, d. 18”

$1,000-$1,500

714

Monumental Bronze Fountain in the Beaux-Arts Taste

20th century, the upper portion in the form of a domed summer house, with four putti along the edges of the tile roof, each supported on a dolphin, piped for water, supported on caryatids alternating with floral swags, the whole resting on an acanthus-molded base set with lion’s heads, on a grape-molded column surrounded by musical muses, over a stepped, conforming base.

h. 82-1/2”, dia. 57”

$3,000-$5,000

713

714

715

Pair of Belle Epoque Patinated Copper Brackets

the scrolled brackets retaining a rich green patina and decorated with applied pierced strapwork and rectangular medallions, on contemporary acrylic and metal stands.

h. 19-1/2”, w. 10”, d. 13”

$1,200-$1,800

Provenance: By repute, from the New York City street lights.

716

After Frederick William MacMonnies (American, 1863-1937)

"Pan of Rohallion"

lead garden fountain. late 19th/early 20th century, the god of rustic music standing on a spherule, clad in a wrap and sandals, playing his two pipes which are piped for water, the spherule mounted with four frogs also piped for water, atop a hexagonal base.

h. 47-1/4”, dia. 11”

$2,000-$4,000

717

Pair of Cast-Iron Neoclassical Urns

20th century, the tulip-form and fluted bodies raised on tapered bases with square plinths and molded paw feet. h. 24”, dia. 17”

$1,000-$1,500

715

716

717

718

Set of Four Russell Woodard “Delphi” Chaise Lounges

20th century, the lounges composed of cast aluminum, with rolled arms, faceted legs and slatted seats, fitted with cushions. h. 35”, w. 29”, l. 67-1/2”

$1,000-$1,500

719

Pair of Russell Woodard “Delphi” Lounge Chairs and Ottomans

20th century, the cast aluminum set with X-form pierced backs, curved arms and faceted legs, fitted with cushions. chair h. 34”, seat h. 18”, w. 27”, d. 28-1/2”; ottoman h. 18”, w. 26”, d. 26”

$1,000-$1,500

720

Pair of Painted Cast-Iron Garden Urns on Pedestals

late 19th century, possibly Kramer Bros., Dayton, Ohio, with egg-and-dart rims on fluted bases, mounted with scrolled handles, the pylon-form bases decorated with panels of scrollwork and flowers. h. 45-1/2”, w. 44-3/4”, d. 28-3/4”

$3,000-$5,000

721

Patinated Metal Dining Table, After Ilana Goor

late 20th century, the circular glass top on an hourglassform tripod base, with rings hanging around the top, the legs “wrapped” with metal faux cane. h. 29-1/2”, dia. 42”

$1,200-$1,800

722

Pair of Carved Marble Lions

19th century, now with a white-wash pickled surface, the lions modeled with their heads canted in opposite directions, seated on integral plinths. h. 14-1/2”, w. 6”, d. 7-1/4”

$1,000-$1,500

724

Italian Patinated Bronze Figure of a Satyr

20th century, the satyr playing panpipes, on an ogeemolded base inscribed “Theos”. h. 26-1/2”, w. 9-1/2”, d. 8-1/4”

$1,500-$2,500

723

LaBarge Patinated Bronze and Glass Console Table

20th century, the beveled glass top on scrolled bronze supports, on a base decorated with a pair of cranes, a lily pad with a frog, and turtles. h. 30”, w. 41-1/2”

$1,000-$1,500

725

Pair of Metal Campana-Form Garden Urns

contemporary, in the neoclassical taste, with fluted bodies on reeded lower portions, raised on tapered and fluted bases. h. 24”, dia. 18-1/2”

$1,000-$1,500

726

Patinated Bronze Fountain

20th century, the fountain molded to resemble a vasiform basket decorated with swags of fruit and flowers and a child, with two children perched on the rim, one ladling water into the other’s hand.

h. 48”, dia. 33”

$1,500-$2,500

727

$1,200-$1,800 726

Pair of Cast-Iron “Medici” Garden Urns

19th century, with egg-and-dart rims, the sides decorated with bas-relief classical figures and set with leaf-molded handles, on tapered, fluted bases, raised on square plinths. h. 19-1/2”, dia. 14-3/4”

728

Restoration Hardware “Klismos” Lounge Set

20th/21st century, the cast-aluminum set including a pair of sofas with curved and paneled crests, on saber legs and mounted with white cushions with gray piping, h. 34-3/4”, w. 31-3/4”, l. 73-1/4”, and a matching cocktail table, h. 14”, w. 53-3/4”, d. 32”.

$1,200-$1,800

729

Pair of Restoration Hardware “Klismos” Chaise Lounges

contemporary, the cast-aluminum lounges with curved and paneled crests, slatted seats and paneled saber legs. h. 37-1/2”, w. 52-1/4”, l. 65-1/4”

$1,000-$1,500

730

Restoration Hardware “Klismos” Garden Dining Set

contemporary, the cast-aluminum set including a table with a thumb-molded top and paneled sabre legs, h. 30”, w. 73”, d. 38”, and six matching chairs with paneled tablet backs, slatted seats and paneled saber legs, h. 34-1/4”, seat h. 17”, w. 19-1/2”, d. 9”.

$1,200-$1,800

New Orleans Auction does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

ARTIST INDEX

American School, (19th Century) 8,16

Audubon, After John James (American, 1785-1851) 554,555

Bellanger, Rene Charles (French, 1895-1964) 575

Borg, Carl Oscar (Swedish/American, 1879-1947)

British School, (18th Century)

British School, (19th Century)

Burden, Ollie Brice Steele (American/Louisiana, 1900-1995)

Clague, Richard (American/Louisiana, 1821-1873)

Cole, George (British, 1810-1883)

Continental School, (18th Century)

Continental School, (19th Century)

Continental School, (ca. 1800)

Coppola, Antonio (Italian, 1839-1916)

Dell’Acqua, Cesare (Italian, 1821-1905)

Demongin, Victor (French, b. 1873)

Drysdale, Alexander John (American/Louisiana, 1870-1934)

Duckett, Vernon Francis (American, 1911-2013)

Pierre Edouard (French, 1819-1886)

Manner of Jan van (Dutch, 1596-1656)

(American, 1860-1940)

Henner, Attributed to Jean-Jacques (French, 1829-1905)

Howard, Newton Reeve (American/Louisiana, 1912-1984) 605,606,607,613,614 Italian School, (19th Century)

Italian School, (20th Century)

Jarvis, Attributed to John Wesley (British, 1780-1839, act. New Orleans 1821-183

Kang Xi period (1662-1722),

Sister Gertrude (Alabama/Louisiana, 1900-1980)

Nabert, Wilhelm Julius August (German, 1830-1904)

Newman, A. (American, 20th Century)

Jules (Bulgarian/American, 1885-1930)

(American/Louisiana, act. Late 20th Century)

After Louis (Italian, 19th Century)

Tang Dynasty (618-907 AD),

Attributed to Sir Henry (British/Scottish, 1756-1823)

Roos (Rosa da Tivoli), Manner of Philipp Peter (German, 1657-1706)

William Posey (American, 1859-1948)

School, (20th Century)

School, (Mid-20th Century)

Tatum, Joel Haywood (American/Maryland, Act. Mid-19th Century)

Tibaldi, Manner of Pellegrino (Italian, 1527-1596)

Vernet, Manner of Charles (French, 1758-1836)

Conditions of Sale:

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction

(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.

(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;

• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;

• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);

• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;

• “ Buyer’s Premium” is defined in Section 4 below;

• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;

• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;

• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;

• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;

• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;

• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;

• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.

(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.

(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”

(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.

(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.

(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.

(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).

(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

(c). Catalogue and other descriptions.

(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.

(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.

(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.

(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;

(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;

(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;

(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and

(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction

(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:

(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;

(ii) NOAG may require the production of bank or other financial references or any other additional information;

(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment

(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and

(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).

(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.

(c). Absentee bids / Telephone bids.

(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).

(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.

(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.

(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction

(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:

(i) the Hammer Price; and

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.

(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.

(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.

(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.

(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):

(i) to charge outstanding amounts to the Buyer’s credit card;

(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);

(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;

(v) to cancel the sale;

(vi) to resell the property publicly or privately on such terms as we shall think fit;

(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;

(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;

(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;

(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;

(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.

(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright

The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection

In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

ABSENTEE / TELEPHONE BID FORM

Bidder (Please Print): ____________________________________________ Date: ____________________

Business Name (if applicable): _______________________________________________________________

Dealer Resale # (Dealers must also sign official State of Louisiana document): _________________

Mailing Address: _____________________________________________________________________________

City: __________________________________________________ State: ________ ZIP: __________________

Telephones: Cell (_____)________________ Home (_____)_________________ Fax (____)______________

E-mail Address: ______________________________________________________________________________

Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue and online at neworleansauction.com. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

LOT #

BID AMOUNT (NOT INCLUDING BUYER’S PREMIUM) OR TELEPHONE NUMBER TO CALL:

All Major Credit Cards #: ______________________________________

CVV #: _________________

Billing ZIP: __________________

Expiration Date: _____________

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000. Please note that effective January 1, 2023, there is no longer a discount for payments made by cash, check or wire transfer. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ________________________________________________________________________

Please submit this form by 4:00pm CT two days prior to the first day of auction. Faxed forms can be sent to 504-566-1851 or scanned and emailed to info@neworleansauction.com.

PHONE: 504-566-1849 | FAX: 504-566-1851 | INFO@NEWORLEANSAUCTION.COM

Meet Our Team

CEO:

PRESIDENT:

DIRECTOR EMERITUS:

VICE PRESIDENT

DIRECTOR OF FINE ART

ASSOCIATE SPECIALIST, FINE ART

SENIOR SPECIALIST: FURNITURE & CLOCKS

GENERAL SPECIALIST / CONSIGNMENTS

DIRECTOR OF FINE JEWELRY

FINE SILVER CARPETS

CONSIGNMENT COORDINATOR

BUSINESS DEVELOPMENT

ADMINISTRATION

OFFICE MANAGER

CLIENT SERVICES

RETAIL MANAGER

CREATIVE:

LEAD PHOTOGRAPHER

DIGITAL IMAGING & PHOTOGRAPHY ASSISTANT

ART DIRECTOR & VISUAL MANAGER

ART DIRECTOR & PROJECT MANAGER

OPERATIONS:

DIRECTOR OF OPERATIONS

OPERATIONS ASSOCIATES

DESIGNER:

CONSULTANTS:

CATALOGUER

ENGLISH & CONTINENTAL FURNITURE

AMERICAN FURNITURE

REGIONAL FINE ART

ASIAN ARTS

Susan D. Sarofim

Taylor Eichenwald | taylor@neworleansauction.com

Tessa Steinkamp

John C. Jones | john@neworleansauction.com

Michele M. Carolla | michele@neworleansauction.com

Sophie Curtis | sophie@neworleansauction.com

Greg S. Kowles | greg@neworleansauction.com

Ireys Bowman | ireys@neworleansauction.com

Kim Lemon | kim@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Sean Ranson | sean@neworleansauction.com

Alex Ebel | alex@neworleansauction.com

Cass Roth-Retz | cass@neworleansauction.com

Denise Haik | denise@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Audrey Dawson | audrey@neworleansauction.com

Owen Lemon | owen@neworleansauction.com

Christa Ougel | christa@neworleansauction.com

Chelsea Caldwell | chelsea@neworleansauction.com

Erica Westenberger | erica@neworleansauction.com

Jo Gremillion | jo@neworleansauction.com

Sean Ranson

Cedric Roberts, Emmitt Kendrick, Jr., Gerald Hampton, Theadrow Mark, Furnell Augustin, Jr., Will Williams, Jr., Juanita Jones, Christian Hamilton, Brennan Moses, Vyron Thomas

Burke

John Thompkins

Ellen McKenzie

Thomas Halverson

Claudia Kheel

James Callahan