Estates Auction: March 28-29, 2026

MARCH 28-29, 2026

Spring

REVELRY

“To find the universal elements enough; to find the air and the water exhilarating; to be refreshed by a morning walk or an evening saunter... to be thrilled by the stars at night; to be elated over a bird’s nest or a wildflower in spring — these are some of the rewards of the simple life.”

– John Burroughs

–

Novalis

Spring

REVELRY

ART DIRECTION / Jo Gremillion & Erica Westenberger PHOTOGRAPHER / Jacqueline Marque

DIRECTOR OF PHOTOGRAPHY / Sam Aguirre-Kelly LIGHTING TECHNICIAN / Brett Felty

OPERATIONS / Sean Ranson, Cedric Roberts, Furnell Augustin, Jr. FLORALS / The Secret Spot Flowers PRODUCTION ASSISTANT / Katalea Ford

ESTATES

AUCTION MARCH 28-29, 2026

EXHIBITION MARCH 16-27

Monday - Friday

9:00 a.m. - 5:00 p.m.

Evening Reception Thursday, March 26 5:00 p.m. - 7:00 p.m.

BIDDING

Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

LOT SCHEDULE Please note that times are approximate.

Saturday, March 28, 2026

Sunday, March 29, 2026

10:00 a.m CT

10:00 a.m CT

10:00

-

11:00

1

-

65

10:00

-

11:00

400

-

465

11:00

-

12:00

66

-

130

11:00

-

12:00

466

-

53 0

1:00

131

-

195

12:00

1:00

53 1

-

595

-

12:00

-

-

1:00

-

2:00

196

-

26 0

1:00

-

2:00

596

2:00

-

3:00

26 1

-

32 5

2:00

-

3:00

661

3:00

-

4:00

326

-

399

3:00

-

4:00

7 26

660 -

-

725 799

333 Saint Joseph Street, New Orleans, Louisiana 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com

Auction License LA AB-363 | Eichenwald #1922, Steinkamp #1265 25% Buyer’s Premium (No Discounts) | 30% for Purchases Made on LiveAuctioneers and Invaluable

from the President Welcome to

MARCH

A

s the revelry of Carnival subsides and the sounds of sirens and brass bands fade, New Orleans enters a quieter but equally alluring season. Beads still hanging from branches slowly begin to disappear as the first buds of spring emerge. Light lingers longer into the evening, as the city pauses for a moment before the next celebration.

While carnival in New Orleans is certainly a celebration, at its heart it is just as much about tradition — a reverence for the past carried forward through generations. The rituals, pageantry and symbols that fill the streets each year are rooted in stories passed down over time, connecting the present to the people and moments that came before.

Our March 28–29 Estates Auction, the first major sale of the year, reflects that same sense of continuity. The estates and collections presented here are deeply rooted in the lives of the individuals who assembled them — objects gathered over decades that carry with them the stories, traditions and passions of those who lived among them.

We are honored to offer The Deborah and Eli Tullis Collection, which reflects the enduring traditions that shaped their lives in New Orleans — paintings, furniture and porcelain collected over decades and connected to generations of family history, including a chalkboard from the New Orleans Cotton Exchange, a mantle and proclamation of Rex: King of Carnival, awarded to Garner H. Tullis in 1935, to fine English furniture and sterling silver.

The Estate of Timothy Scott Shafer reveals the vibrant spirit of a collector who delighted in living with the art he loved most. Among the highlights are two grand portraits that held a special place in his home, works he named and spoke to as though they were old companions (Lots 673 and 701). A longtime client and friend of the gallery, Tim loved diving into the history and provenance of the items he collected.

The lifetime collection of Clarence George “C.G.” Ochsner offers a glimpse into the eye of a talented interior designer whose path took him from Minnesota to Southern California, where he built a successful career and rubbed shoulders with Hollywood stars.

One particularly fascinating piece from his collection is a Screen Actors Guild autographed silverplate presentation box dedicated to actor Kenneth Thomson, who helped found the Guild with his wife Alden Gay, a close friend of Ochsner’s.

Finally, property from the Estate of Marie Bel Fay Evnochides reflects a life devoted to learning and creativity. Through her work as an educator and founder of The Fay School in Houston, Marie helped shape generations of students and left a lasting imprint on her community. The objects from her home reflect the same thoughtful curiosity and sense of purpose that defined her life. Her collection includes pieces passed down from her parents, as well as objects she acquired in her own travels and while decorating her home on Willowick Road in Houston.

We invite you to explore these stories in the pages that follow. The auction's two-week exhibition begins Monday, March 16, and continues Monday-Friday, from 9 a.m. to 5 p.m. We also invite you to join us for an Evening Preview Reception on Thursday, March 26, from 5 to 7 p.m. Whether visiting the gallery or participating online, we encourage you to reach out with any questions. From obtaining a shipping quote ahead of the auction to discussing an item with one of our specialists, we are always happy to help.

See you at the auction!

Taylor Eichenwald President

specialists

John C. Jones Vice President, Estates & Valuations john@neworleansauction.com

Michele M. Carolla Director of Fine Art michele@neworleansauction.com

Kim Lemon Director of Fine Jewelry; Deputy Director kim@neworleansauction.com

Greg S. Kowles Senior Specialist, Furniture & Clocks General Consignments greg@neworleansauction.com

Charles C. Cage Silver Specialist & Office Manager charles@neworleansauction.com

Ireys Bowman Senior Specialist, General Consignments ireys@neworleansauction.com

Sophie Curtis Associate Specialist, Fine Art sophie@neworleansauction.com

Alex Ebel Consignment Coordinator alex@neworleansauction.com

collections

The Estate of

MARIE BEL FAY

EVNOCHIDES Still Life Photography / Christa Ougel

LOT 538

Enduring

TRADITIONS

M

LOT 536

arie Bel Fay Evnochides was a beloved

From an early age, she pursued a wide range of interests–

Houston educator, artist and lifelong

from ceramics and photography to gardening and travel.

children’s advocate, who carried forward

A devoted and competitive sailor, Marie spent nearly

her family’s deep commitment to philanthropy,

every summer at the Texas Corinthian Yacht Club on

community and the arts.

Galveston Bay, co-founded in 1938 by her father, where she crewed for him in competitive racing until age

Born Jan. 2, 1941, to Carolyn Grant Fay, a native of

38, first in Corinthian class events and later in Soling

Galveston Island, and Ernest Bel Fay, originally of

competitions, then the largest Olympic sailing class.

New Orleans, Marie grew up in Houston on a lush property near Memorial Park that would later become

Marie’s lifelong passion for sailing was rooted in her father’s

the campus of The Fay School, which she founded

own. An avid sailor, Ernest departed for the Bermuda Race

and helped shape with her vision for thoughtful,

the day after his wedding, competing in the 635-nautical-

child-centered education.

mile offshore race from Newport, Rhode Island, to Bermuda, widely regarded as the oldest regularly scheduled ocean

Marie attended St. John’s School through sixth grade

race. Marie’s mother, Carolyn, followed him aboard the RMS

and then enrolled at The Kinkaid School, graduating

Queen of Bermuda. During World War II, Ernest served

in 1959 during the tenure of longtime headmaster

as a commander in the U.S. Navy. Together, Ernest and

John Cooper. She went on to study at Sarah Lawrence

Carolyn shared a life shaped by sailing, travel and adventure,

College in New York before earning her degree in

remaining devoted partners for 50 years until Ernest’s tragic

English from the University of Houston in 1965.

death during a sailboat race on Galveston Bay in 1986.

collections

The Fay House, now part of The Fay School campus

When The Kinkaid School ended its early childhood

on North Post Oak Lane, was designed in 1938

program, Marie recognized a growing need for pre-

by architect John F. Staub. Staub helped shape

school education in Houston. She established The

Houston’s residential landscape in the early 20th

Fay School on the family’s property, where she served

century, designing homes for prominent Houstonians,

as its founding Head of School. With the Fay House

including Jesse H. Jones (1929), Hugh Roy Cullen

as its original and defining centerpiece, the school

(1930), William Stamps Farish (1931) and Bayou Bend

grew outward across the property, while remaining

for Ima Hogg (1927).

grounded in the same values that shaped Marie’s own childhood—creating a place where children could

For the Fay family, the house was not simply a

feel safe, curious and inspired.

residence but a world in itself, which was shaped by music, books and the warmth of family. It was a place that was inseparable from the people and memories it held, and one that would later serve as the foundation for the school Marie founded.

While Marie’s interests were wide-ranging, her true passion was education, especially early childhood education. She began her teaching career at The Oaks School, and her devotion to children soon caught the attention of John Cooper, who called on her to establish and teach a pioneering program for threeyear-old children at Kinkaid. This initiative led to her appointment as Director of the Pre-School. Over her 25-year faculty tenure at The Kinkaid School, she became a steady, formative presence in the lives of young students and their families.

LOT 490

LOT 520

Marie taught in the classroom and helped shape the school’s philosophy, bringing her own distinct presence to generations of students. Even after retiring from day-to-day leadership, Marie remained dedicated to the institution as a member of the Board of Trustees until her death in 2025.

Marie’s home on Willowick Road in River Oaks was designed by architect Preston Bolton, a protégé of John Staub. Stanley Sadler, a prominent Houston interior designer for the “old guard,” advised and assisted her as she worked on the home’s interior design. Marie’s diverse collection of unique and interesting pieces included modern art, pottery, porcelain, fine carpets and English furniture, all reflecting her sophisticated taste and wide-ranging interests.

LOT 499

After 44 years dedicated to the education and care of young children, Marie extended her lifelong advocacy for excellence in teaching by founding the Marie Bel Fay Fund, which annually recognizes outstanding private school teachers with a cash award. A generous philanthropist, she supported numerous charities and served on multiple boards, including the Yellowstone Academy, The Kinkaid School and various family organizations, continuing a tradition of civic leadership long embodied by her family. She also served on the board of the C.G. Jung Educational Center, founded by her mother in 1958.

New Orleans Auction is honored to present property from the Estate of Marie Bel Fay Evnochides, reflecting a life devoted to learning and beauty, and the enduring traditions of home.

collections

The ESTATE of

LOT 217

TIMOTHY SCOTT

SHAFER

LOT 255

LOT 255

Written by / Valeria L. Palmertree

Still Life Photography / Christa Ougel

A LEGACY of LOVE

T

imothy Scott Shafer lived his life with an abundance of love–for family, friends, art, travels, collecting, parties, dining, history and

community. Gregarious, generous and galvanizing, he made a meaningful and lasting impact on his loved ones and on his community. A longtime friend of New Orleans Auction, Tim was also an avid collector, amassing items rich in both history and character. Much like in his personal and professional life, Tim committed wholeheartedly to the things he treasured most.

One of five children, Tim was born in Mt. Vernon, Ohio. His mother, Nancy, was the rock of the family, providing Tim and his siblings with a modest but enriching upbringing that inspired his professional pursuits. As a teenager, Tim would tell his mother about the houses he wanted to buy, not yet knowing the potential of his aspirations and the professional success to come.

“It’s hard to describe Tim in a few words.

He was caring, giving, intelligent… We were very lucky to have had his love.”

– Tom Wheeler After graduating from Mt. Vernon High School, Tim attended Bowling Green University, graduating with honors and a degree in Finance. He began his career in Columbus, rising through the ranks at Bank One and becoming one of the country’s top banking executives in his field until his retirement in 2015 at 54 years old. Not one to stand still for too long, Tim established a business partnership with Carriage Trade Realty in Columbus, where he held a second career until his death in June 2025.

Columbus became Tim’s city, and he generously invested in his community, helping rebuild the city’s storied Old Town East neighborhood. He owned seven houses in this area, choosing the largest of the properties as his home. “The bigger, the better,” he’d say. “More wall space for more paintings!”

LOT 701

collections “He was always genuinely concerned about others. He wanted everyone to feel welcome and have a good time. He loved making other people happy.”

– Tom Wheeler Tim felt most at home surrounded by his loved ones, which included his late mother and sister; four brothers; 17 nieces and nephews; 10 great-nieces and nephews; Tom Wheeler, his friend of more than four decades; and Jorge Perales, the love of his life and husband of 26 years.

Personable and outgoing, Tim never met a stranger, and he relished the opportunity to entertain. A lively and engaging host, he was well known for his gatherings and yearly neighborhood Halloween party.

He enjoyed pulling out all of the stops for a memorable feast, often dragging Tom and Jorge along with him.

On Easter 2025, the last holiday he spent with family, Tim joyfully played armchair host, providing detailed instructions to Tom and Jorge.

Tim’s home, too, reflected his effervescence with a “more is more” approach. He unapologetically surrounded himself with items that brought him LOT 673

joy (though from time to time, he did sometimes try to hide deliveries from Jorge). Having grown up with little and gone on to achieve financial success, he enthusiastically welcomed the opportunity to purchase what he wanted.

“Tim cherished being with his family.

When it came to his nieces and nephews, no one made them laugh harder. He taught them about life, about how to be a good human being. He was always there to mentor and support them. He inspired them immensely.”

– Jorge Perales

LOT 653

Tim enjoyed visiting historic mansions, shopping at auction houses and diving into the history and provenance of items that most spoke to him. On a business trip to Montreal, where he spent his downtime exploring antique shops, he acquired a junior sleigh bed, which cost him more to ship home than to buy–but he just had to have it!

LOT 654

He was especially fond of the Baroque and Victorian eras of art and preferred portraits over landscapes.

“Tim believed the larger the painting, the better,” Jorge shares. “That’s why he needed all of that wall space!” Two portraits in particular were among his favorite possessions, naming them and speaking with them as though they were as much part of his family as of the walls of his home.

New Orleans Auction is honored to offer both of these exceptional portraits in this sale;

a Circle

of Sir Peter Lely “Portrait of a Lady with King Charles Spaniel” (Lot 673) and an English School “Portrait of Mary of Modena, Queen Consort of England, Scotland and Ireland” (Lot 701), alongside an extensive selection of furniture, lighting and decorative arts.

Tim lived a full life, accomplishing more than he ever even dreamed up for himself, and getting to enjoy the life he built alongside family, friends and his beloved Jorge. Even amid his valiant battle with cancer, he maintained a positive and steadfast outlook. He leaves behind a legacy of generosity, professionalism and immeasurable love.

“Tim wanted to live with the objects he collected. He believed art and antique furniture were meant to be lived with, and that’s what he did. He was in love with these paintings.”

– Jorge Perales

collections

The Collection of

CLARENCE G.

OCHSNER Still Life Photography / Christa Ougel

C C

larence George “C.G.” Ochsner, Jr., was raised in Wabasha, Minnesota, the son of Dr. Clarence George “Oxy” Ochsner, a physician who helped establish the Wabasha Community Clinic, and Anita J. (Bouquet) Ochsner, a University of Minnesota graduate, devoted mother and active member of her community.

One of 10 children — eight boys and two girls — Ochsner grew up in a lively household. While his older brothers pursued athletics — football, basketball and baseball — he remained closer to home and shared many interests with his mother, including art and gardening. From an early age, he showed an innate eye for art and design, and an interest in how people and objects relate to one another within a space.

When his father suffered his first heart attack at age 47, he realized he would eventually need to slow down. He continued his medical practice in Wabasha for several more years before moving the family in 1961 to St. Paul, Minnesota, where he worked as a physician at the Veterans Administration. C.G. began his college studies at the University of Minnesota before convincing his father that he should complete his education at Woodbury College in Los Angeles, a school known for its programs in business and design. His parents soon followed, establishing themselves in Santa Barbara.

While attending Woodbury College, C.G. lived with a wealthy family in Los Angeles, assisting in the care and management of their home in exchange for his room and board. This early experience immersed him in a world of elegance and refinement.

LOT 262

collections

LOT 278

In Los Angeles, he began his professional career at Cannell & Chaffin, one of Southern California’s most established interior design firms at the time. Founded in 1917 by S. Bartley Cannell and George Chaffin, the firm evolved from a rare book and antiques business into a prominent design firm combining interior design services with the sale of furnishings, antiques and decorative objects. By the mid-20th century, Cannell & Chaffin operated multiple showrooms and employed a large staff of professional designers.

Cannell & Chaffin served an elite clientele that included Hollywood stars, socialites and prominent business leaders.

During his time at the firm, C.G. interacted with figures such as Lucille Ball, Jack Benny and Suzanne Pleshette. A 1976 advertisement from the firm featured a photograph of C.G. and identified him as one of its “40 outstanding interior designers,” reflecting his role within the firm’s growing design staff.

C.G. was also a member of the American Society of Interior Designers, a professional affiliation that underscored both his expertise and his commitment to the field. Over time, he gained the confidence and clientele to establish his own independent interior design practice in Southern California, a milestone that brought him both professional satisfaction and personal pride.

Among the people C.G. became close with during these years was Alden Gay, an actress and founding member of the Screen Actors Guild. Gay and her husband, actor Kenneth Thomson, hosted the March 1933 meeting in their Hollywood home, which led to the formation of the guild. C.G.’s collection includes a Screen Actors Guild autographed silverplate presentation box, given to Thomson in 1943 and engraved with the signatures of ninetythree guild members (Lot 278).

Over the course of his career, C.G. worked for a remarkable roster of clients. Among them were Walter and Carol Probst, for whom C.G. designed an extraordinary mountain residence near Lake Arrowhead — the most expensive home he ever completed.

LOT 225

Walter Probst served as president of Essex International during LOT 271

the company’s landmark 1974 acquisition by United Technologies. Other clients included Marilyn Tennity, daughter of George D. Smith, former CEO and chairman of United Parcel Service; and Verle Pozzo, whose husband, George D. Casey, was among the founders of the company. C.G. also worked with Joan Irvine Smith of the Irvine real estate family, whose philanthropy helped establish University of California, Irvine, as well as entrepreneur Mark Hughes, founder of Herbalife, for whom he worked on a custom-built yacht. He also designed a residence along the famed 17-Mile Drive near Carmel for Judy Carlsberg, whose real estate company was among the largest publicly held developers in Los Angeles during the 1980s.

C.G.'s discerning eye also extended to real estate. He lived in several homes during his time in Southern California, including one on Highland Avenue in Hancock Park, a historic and highly sought-after neighborhood in Los Angeles known for its grand homes and tree-lined streets. He later purchased a home in Montecito, the idyllic coastal community near Santa Barbara, which became his favorite residence and a source of some of his best memories.

The property included several buildings and served as a both home and gallery, providing a perfect backdrop for the collection of paintings, objects and furniture he had collected over the years. Like his mother, Ochsner enjoyed gardening and took particular pride in the roses and blue hydrangeas that flourished on the grounds.

Much like his professional work, collecting became both a passion and a way of connecting with people. C.G. loved cars and often discovered treasures in small shops and unexpected places along the way. He traveled frequently for clients, often driving long distances or flying on their private planes.

New Orleans Auction is pleased to present the lifetime collection of Clarence George “C.G.” Ochsner, Jr., which showcases his wide-ranging interests and brings together European furniture, Asian arts, paintings and decorative objects that reflect his sophisticated taste.

LOT 280

collections

New Orleans

ROYALTY Written by / Valeria L. Palmertree

Still Life Photography / Christa Ougel

The DEBORAH & ELI TULLISCollection

LOT 20

I

t is said that behind every great man is a great woman, and in the case of Deborah and Eli Tullis, the adage most certainly held true. Both brilliant and community-minded, the couple of 48 years regularly lent their time and talents to their beloved New Orleans, leaving behind a long-lasting legacy of generosity.

Described by her daughters, Ashbrooke Tullis and Rachael Gambel, as a “Southern feminist who was ahead of her time,” Deborah Beaird Tullis, a native of Shreveport, earned her degree in Economics from Smith College before relocating to New Orleans for a job with the Shell Oil Company. As a computer programmer, she became one of the first women at Shell to have a secretary.

At this time, Eli W. Tullis, 13 years her senior and a lifelong New Orleanian, was a broker at Tullis Craig and Company, his father’s cotton trading company, having graduated from the University of Virginia. An established presence on the floor of the New Orleans Cotton Exchange, which closed in 1964, he continued trading cotton on the New York Cotton Exchange for nearly two decades before transitioning to the New York Mercantile Exchange.

Deborah and Eli seemed destined to meet. Eli first called Deborah after being given her number by his niece and her friend, Deborah’s younger sister. While that call did not result in a date, they finally met in 1965 when Eli visited Shell’s offices for a meeting. Needless to say, Eli was enchanted, and Deborah was willing to take a chance on him.

The rest, as they say, is history.

collections

A House Becomes a Home

D

eborah and Eli married in 1966 in Shreveport and were committed to building their life together in The Crescent City. The first

house they purchased became their forever home.

The couple brought their daughters home to the yellow house on Chestnut Street, bringing together a blended family that included Eli’s four children from his first marriage. The house was also home to countless dogs, a cat or two, fish and gerbils to boot.

In fact, one of the family’s treasured dogs, Cobi, is depicted in a Newton Howard painting sold last month in New Orleans Auction’s Americana and Sporting Collectibles Auction.

The couple built a home centered on family and good company. Their frequent gatherings reflected the warmth, thoughtfulness and generosity for which they were known–as well as their penchant for good food and music, and their love of dancing.

Their home reflected their shared passion for art, furniture and travel. They were particularly fond of Italy, having honeymooned in Florence. Deborah was privileged to travel extensively with her family, taking a year off from college to travel across Europe and Asia with her parents and five siblings.

Deborah’s wanderlust was typically centered on culinary experiences, architecture and art museums.

Eli enjoyed places where he could golf or hunt. They particularly loved The Frick Collection in New York and traveling to London.

LOT 12

“This collection is a reflection of the home my parents built together. It’s made up of pieces they truly loved.”

– Ashbrooke Tullis Over the years, Deborah and Eli collected works of art, furnishings and decorative objects from around the world. Not ones to follow trends, they appreciated good craftsmanship, gravitating towards beautiful things made well. They both loved antique furniture in particular, with Eli possessing a special love of English furniture. With a more eclectic taste, Deborah enjoyed unique works of art and miniatures. Among the couple’s favorite artists was New Orleans-based landscape artist Newton Howard, a dear friend.

With an appreciation for artistry and history, Deborah and Eli immersed themselves in learning about the objects they loved. Both could expertly take apart a piece of furniture and point to the markings that distinguished fine pieces of furniture from simply good ones.

Deborah and Eli loved their home–their collection a reflection of the life they built together. They were meticulous about the items they enjoyed, spending decades searching for just the right piece to bring home.

Notably, they enjoyed decorating together, too. From his office at One Shell Square (now Hancock Whitney Center) to his home office, which he boldly painted Chinese red, Deborah and Eli enthusiastically collaborated on several projects. Their yellow living room hosted many gatherings, and Deborah’s garden was featured in several publications.

LOT 66 (DETAIL ABOVE)

collections

A Legacy of Generosity

K

nown for their unwavering loyalty and generosity, Deborah and Eli were steadfast in their support of organizations in New

Orleans and beyond, dedicating their gifts of both “time and treasure” to causes close to their hearts.

They were champions of education, having both benefited from dedicated teachers in their youth.

They believed that investing in education was the most effective way to impact the world. It was that conviction that led them to become founding benefactors of the Jefferson Scholars Program at the University of Virginia, Eli’s alma mater, where he and Deborah endowed two scholarships. Closer to home, Deborah was a committed volunteer at Metairie Park Country Day School and served on the Board of Trustees for the Louise S. McGehee School.

“I was taught that if you have time and treasure, you give both or one or the other.

You give back to your community, whatever and wherever that community is.”

– Ashbrooke Tullis

LOT 136

The couple was also deeply committed to supporting Tulane and Ochsner Medical Centers. Having grown up as a Type 1 diabetic at a time when the chronic illness was not commonly spoken about or understood, Deborah was an ardent supporter of medical advances and clinical trials in that space. She also served on the Board of Directors of the American Diabetes Association, which she proudly represented on a TODAY Show segment in the 1970s.

Deborah also volunteered her time to the local initiatives that would help grow and advance the City of New Orleans. She served as president of the Louisiana Nature and Science Center (now part of the Audubon Nature Institute) and was an active member of The Garden Study Club and the Junior League of New Orleans, for whose benefit she often hosted dinners and parties. She was also a docent for the New Orleans Museum of Art’s Treasures of Tutankhamun in the late 1970s. Together, the couple regularly hosted dinners and parties benefiting these organizations, including the University of Virginia.

Following

the

devastation

of

Hurricane

Katrina,

Deborah and Eli supported Habitat for Humanity’s Musicians’ Village. Former President Jimmy Carter was in attendance when the walls were raised on the home they donated. Having previously met Carter during his campaign, Eli remarked on the president’s carpentry skills with sincere admiration.

LOT 125

collections

GARNER TULLIS & BARBARA BOUDAN, KING & QUEEN OF CARNIVAL, 1935

“When I think of Eli, I think of tradition.

He valued history, he valued tradition…”

Keeping in line with storied New Orleans tradition,

– Dr. Stephen Hales, Rex’s Historian Emeritus

bono publico" reflects its tradition of service to the

Eli was a Lieutenant with the Rex organization, a carnival krewe founded in 1872 whose motto "pro community. His time in Rex began as a page to the 1941 King, Charles E. Fenner, and he spoke fondly and proudly of this period.

Eli’s father, Garner H. Tullis, was Rex: King of Carnival in 1935, an honor bestowed upon Eli in 1997. In 1988, his daughter Ashbrooke was named Queen of Carnival, 50 years after the crowning of Eli’s late sister, Malcolm McCullough Tullis.

“Dad talked about being a page in Rex– the wall-to-wall people pressed up to the mule-drawn floats. He felt like he could walk across the street on the crowns of the Stetson hats worn by the men in the crowd. There is something magical about those glittering floats moving through the city at the culmination of Carnival.”

– Rachael Gambel LOT 1

An Undying Partnership

O

ver their nearly 50-year marriage, Deborah and Eli forged a life rich in experiences and love. Through the ups and downs,

they remained rooted–always traveling, hosting, collecting, decorating and collaborating as equal partners. And when the music came on, they danced.

LOT 2

Deborah passed away in April 2015 and Eli in September 2025, a day shy of his 97th birthday. Their legacy of generosity and community service will be felt within New Orleans for generations to come.

New Orleans Auction is honored to offer The Deborah and Eli Tullis Collection, including art, furniture and decorative objects from their beloved Chestnut Street home.

LOT 118

1

SESSION SATURDAY, MARCH 28

1

1 Mantle and Proclamation of Rex, King of Carnival, 1935 for His Imperial Majesty Garner Hugh Tullis (1893-1966), the hand-crafted ceremonial mantle of wavy greenish gold luster organza on cream velveteen, decorated with gold sequined fleur-de-lys and trailing acanthus scrolls richly trimmed in rabbit-fur “ermine”, backed with white cotton percale, together with the Rex School of Design proclamation of Tullis as Rex 1935, calligraphy in black and gold ink and gouache, with the Arms of Rex mantled with masques, soldier and jester, and School of Design seal and ribbon, glazed and in a molded giltwood frame. mantle l. 192”, shoulder w. 18”, train w. 100”; proclamation sight 17-1/2” x 12-1/2”, overall 19” x 14” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

His Imperial Majesty Garner Hugh Tullis (1893-1966), King of Carnival, 1935

2

2 detail

2

2 Twelve New Orleans Sterling Silver Carnival Club Goblets 20th century, Coleman E. Adler, New Orleans, Louisiana, of traditional form, each engraved with Prince-of-Wales feathers and the motto “Mystic Club”. h. 6-3/8”, dia. 3-1/4”; 50.51 total t. oz. $2,500-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

3

3 American Sterling Silver Salver dated 1955, by Graff, Washbourne & Dunn, New York, New York, of “Chippendale” form, the underside with Golden Wedding Anniversary inscription. dia. 11-3/4”; 21.55 total t. oz. $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

4 American Sterling Silver Trumpet Vase first quarter 20th century, of inverted conical form, with molded rim and engraved with rococo scroll band and brightcut laurel cartouches, above an ogee-domed foot, engraved with a crest of a unicorn passant on a cap of maintenance above the motto “Fortitudine virtute et prudentia”. h. 18”, dia. 3-3/4”; weighted $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

4 detail

4

3

5

5 Pair of 19th-Century Tiffany & Co. Sterling Silver Platters the pattern introduced in 1865, by J. C. Moore & Son, New York, New York, each of oval form with milled ovolo rim, monogrammed “C” and engraved with the crest of Cushing of Hingham and Boston, Massachusetts.

16-1/8” x 12”; 66.71 total t. oz. $3,500-$5,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

6 Pair of Tiffany & Co. Sterling Silver Casters

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designed ca. 1873, this pair before 1891, each in the form of a rosewater sprinkler, with gauffered collar and waisted finial, decorated with repousse flowers and acanthus scrolls, monogrammed “LM”. h. 5-1/4”, dia. 2-3/4”; 7.09 total t. oz. $500-$800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

This pair shows all the characteristics of the Persian/Saracenic designs of James Horton Whitehouse (1833-1902) and Charles T. Grosjean (1841-1888) under the direction of Edward Chandler Moore (1827-1891) which were featured in 1876 Philadelphia and 1878 Paris Expositions.

6 detail

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7 Constantin Kluge (French, 1912-2003) “Village Square” oil on wood, four-paneled screen panels hinged together, signed on last panel lower right corner, with hardware for hanging. each panel 63” x 25-1/2”, overall width 102” $4,000-$7,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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8 Constantin Kluge (French, 1912-2003) “Notre Dame in Indian Summer” oil on canvas signed lower right, titled on stretcher en verso.

Framed.

32” x 51”, framed 40” x 60” $4,000-$7,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

9 George III Burl Walnut Secretary Bureau 18th century, in two parts, the upper case with a shaped and molded top with a central inset mirror, over a pair of beveled mirrored doors and candle slides below, the base with a slantlid writing surface, opening to a fitted interior, over a pair of side-by-side drawers and two long drawers below. h. 93”, w. 40”, d. 23” $2,000-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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10 Barr, Flight & Barr Porcelain Service ca. 1804-1813, the partial coffee and tea service decorated with polychrome shell-painted central panels on a gilt ground, with Greek-fret gilt borders, most pieces with the impressed crowned “BFB” mark, the service including: an open sugar bowl, h. 5”, w. 7-3/4”; a waste bowl, h. 3”, dia. 6-3/4”; a cream jug, h. 4-1/2”, w. 5-1/2”; six coffee cups, h. 2-1/4”; six teacups, h. 2-1/2”; and six saucers, dia. 5-1/2”.

(21 pieces total) $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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11 Barr, Flight & Barr Porcelain Cachepot ca. 1804-1813, the tapered one-piece container with molded rings on each side, and with a shell-decorated panel on a pale blue ground, the bottom with a hand-painted script mark. h. 5”, dia. 4-1/4” $600-$900 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

12 Set of Twelve Barr, Flight & Barr Worcester Plates ca. 1807-1813, the polychrome shell-painted plates on a gilt vermicelli ground, the backs with mauve printed marks including the Royal Warrant, in addition to the impressed “BFB” mark. dia. 8-1/4” $3,000-$5,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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13 Regency Mahogany Drop-Leaf Dumbwaiter 19th century, with two concentric tiers, each with reeded leading edges and drop leaves, mounted to turned standards, raised on three outstretched reeded legs. h. 37-1/2”, dia. 24” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

14 D.C. Smith (American, 20th Century) “Searching for Sign”, 1974 patinated bronze cast signature, dated, titled and numbered “1/25” along side of self-base, on a stone base. h. 14-1/2”, w. 15-1/2”, d. 8”

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$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

15 Pair of English Leather-Upholstered Library Chairs 19th century, the fruitwood chairs with arched and padded backs trimmed with brass tacks and closed arms, raised on tapered legs. h. 38-1/2”, seat h. 17”, w. 25”, d. 23” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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15

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16 American School (20th Century) “Portrait of Mr. Eli Tullis” oil on canvas Unsigned.

Framed.

80” x 60”, framed 86” x 66” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

17 English Mahogany Pembroke Table 19th century, the top and leaves with an ebony string-inlaid border, one end fitted with a drawer, raised on turned circular legs ending in brass cup casters. h. 28-1/2”, w. 19-1/2”, ext. w. 38-1/2”, d. 34” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

18 Japanese Imari Porcelain Charger ca. 1900, decorated with an orange and cobalt border and chrysanthemums, the central panel decorated with cranes and aquatic plants. dia. 14-1/2” 16

$700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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19 Regency Mahogany Breakfront Secretary 19th century, the upper case with four astragal-glazed doors over a conforming base, fitted with a central butler’s drawer over five drawers and flanked by cabinets on each side. h. 93”, w. 104”, d. 24” $1,800-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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20 Attributed to Charles Giroux (French/Louisiana, 1828-1885, act. LA 1868-1885) “Coterie d’Alligators, Bayou Teche”, ca. 1883 oil on canvas unsigned, with a “F.W. Devoe & Co.” canvas stamp en verso.

Framed.

20” x 30”, framed 25-1/4” x 35-1/2” $12,000-$18,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

The setting of the marshy wetlands and Spanish mossdraped cypress trees in the painting Coterie d’Alligators, Bayou Teche reflects the French-born artist Charles Giroux’s interest in the unique southern Louisiana landscape. Arriving in New Orleans after the Civil War, Giroux became a part of the local community of artists by joining the Southern Art Union and Artists’ Association of New Orleans and exhibiting at S.T. Blessing’s and Theodore Lilienthal’s galleries.

The pristine Bayou Teche of the late 19th century bustled with wildlife, including snakes, alligators, turtles, herons, and egrets, while its waters teemed with crawfish, bass, and catfish. On the left in the present lot, an adult alligator basking in the sunlight on the shore is accompanied by a large gang of alligators, with only their eyes and snouts breaching the surface of the water. Although little is known about Charles Giroux, it is evident that he spent time at Bayou Teche where he painted many scenes of life in the isolated wetland countryside.

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21 Antique Bidjar Carpet 10’ 9” x 14’ 8” $5,000-$8,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana; Purchased at Sotheby’s Parke-Bernet, Persian Rugs and Carpets Sale, October 13, 1979.

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22 Regency Mahogany Triple-Pedestal Dining Table

23 Suite of Twelve George III-Style Mahogany Dining Chairs

19th century, in three parts, the top with a reeded leading edge, mounted to turned standards with out-curved reeded legs. h. 28”, w. 60-1/2”, l. 114”

20th century, comprised of a pair of armchairs, h. 39”, seat h.

19”, w. 26”, d. 21”, and ten side chairs, h. 38”, seat h. 20”, w. 22”, d.

18”, each with a foliate-carved crest rail over a pierced splat, padded seat and raised on cabriole legs with acanthus-leaf knees and ending in ball-and-claw feet.

$1,000-$1,500 $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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24 After William Aiken Walker (American/Louisiana, 1839-1921) “The Levee, New Orleans”, 1884 lithograph on paper published by Currier and Ives, New York, New York.

Matted, glazed and framed. sight 21-1/2” x 30-1/4”, framed 32-3/4” x 41-1/2” $2,500-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

25 After Hyacinthe Laclotte (French, 1766-1829) 24

“Defeat of the British Army, New Orleans” lithograph on paper published by Case and Green, Lith., Hartford, Connecticut, n.d.

Matted, glazed and framed. sight 21-1/2” x 26-1/2”, framed 29-1/2” x 34-1/4” $2,500-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

26 Queen Anne Welsh Oak Server 18th century, the top with a molded edge and under molding, over a row of three drawers, raised on cabriole legs. h. 31-1/2”, w. 73”, d. 20” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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27 Chamberlain’s Worcester Partial Dessert Service ca. 1805-1810, the porcelain decorated en grisaille with buildings in landscapes and gilt trim, some pieces marked “No. 450” or “450”, the service including: a teapot, h. 5-3/4”, w. 10”; a sugar bowl, h. 5”, dia. 7-1/4”; two teapot stands, w. 7”, d. 5-3/4”; three dessert plates, dia. 8-1/2; two waste bowls, h. 3”, dia. 6-1/2”; six bute-form cups, h. 2-1/4”; and five saucers, dia. 5-1/4”.

(20 pieces total) $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

28 William IV Parcel-Gilt Mahogany Bibliotheque 19th century, the molded cornice over a pair of glazed doors with egg-and-dart gilded trim, raised on bracket feet. h. 91-1/2”, w. 39”, d. 15” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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29 Edward James Fraughton (American/Utah, 1939-2024)

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“Where the Trail Ends”, 1973 patinated bronze cast signature, dated, copyright-marked, numbered “16/30” and inscribed “Young-Cast” along back. h. 14”, w. 31”, d. 24-1/2” $4,000-$7,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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30 Regency Mahogany Drum Table early 19th century, the circular top with inset green leather, the apron fitted with alternating functioning and faux drawers, mounted to a turned standard with four downswept legs ending in brass caps with casters. h. 29-3/4”, dia. 47-1/2” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

31 Pair of Famille Verte Cache Fish Bowls on Stands 19th century, the hexagonal tapered and faceted bowls decorated with scroll-bordered panels of flowers and insects on a pale green ground scattered with flowers and fruit, framed with orange and green borders. h. 32”, dia. 11-1/2” $2,000-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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32 Yolande Ardissone (French, 1927-2024) “Village a Sainte-Barbe” oil on canvas signed lower left, titled on artist plaque and on stretcher en verso.

Framed.

26” x 36”, framed 33-1/2” x 44-1/4” $2,500-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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33 Yolande Ardissone (French, 1927-2024) “Saint Philibert” oil on canvas signed lower left, titled on artist plaque and on stretcher en verso.

Framed.

25-3/4” x 32”, framed 33-1/2” x 39-1/2” $2,500-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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34 Regency Brass-Inlaid Mahogany Butler’s Secretary 19th century, the upper case with an arched pediment and brass stringing, over a pair of astragal-glazed doors, the base with a drop-front butler’s drawer opening to a fitted interior, above a pair of cabinets. h. 95”, w. 45-1/2”, d. 21-1/2” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

35 William and Mary Oak Side Table 18th century, the molded rectangular top over a single drawer with brass pulls, raised on block-and-turned legs joined by a box stretcher. h. 26”, w. 32”, d. 21”

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$800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

36 Newton Reeve Howard (American/Louisiana, 1912-1984) “Camp at Little Temple”, 1973 oil on canvas signed and dated lower right, titled en verso.

Framed.

24” x 36”, framed 28” x 39-1/2” $2,500-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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37 Newton Reeve Howard (American/Louisiana, 1912-1984) “The Pond”, 1976 oil on canvas board signed and dated lower left, titled on stretcher en verso.

Framed.

14” x 18”, framed 22” x 26” $2,000-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

38 Newton Reeve Howard (American/Louisiana, 1912-1984)

37

“The Swamp”, 1972 oil on canvas board signed and dated lower left, titled en verso.

Framed.

24” x 36”, framed 29” x 41” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

39 William and Mary Oak Side Table 18th century, the rectangular overhanging top with a molded edge, above a single drawer dressed with brass tear-drop pulls, on block-and-turned legs joined by a box stretcher. h. 25-1/2”, w. 29”, d. 20” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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40 Pair of Patinated Bronze Sconces 20th century, the backplates in the form of ribbon-bound pierced fronds of oak leaves and acorns, and the three candle arms in the form of hunting horns, serving as the candle sockets. h. 37-1/2”, w. 17”, d. 9-3/4” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

41 Pair of Patinated Bronze Sconces 20th century, the backplates in the form of ribbon-bound pierced fronds of oak leaves and acorns, and the three candle arms in the form of hunting horns, serving as the candle sockets. h. 37-1/2”, w. 17”, d. 9-3/4”

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$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

42 Regency Mahogany Library Table 19th century, the oblong top with rounded ends and an insert leather writing surface, one side fitted with a pair of drawers, supported by two turned and reeded standards joined by a turned stretcher and out-curved legs ending in brass caps with casters. h. 29”, w. 62”, d. 33” $1,400-$1,800

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Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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43 Edward Broughton (American, 20th century) “Cowboy Roping a Longhorn from Horseback”, ca. 1972 patinated bronze cast signature and numbered 19/30” on self-base. h. 19”, w. 28”, d. 23” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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44 English Mahogany and Leather Pedestal Desk late 19th century, the top with an inset green leather writing blotter, and a central drawer below, flanked by a pedestal to each side with a bank of four drawers. h. 30”, w. 48”, d. 26” $1,000-$1,500 45 Pair of English Terrestrial and Celestial Globes ca. 1844-1876, London, the turned mahogany stands with bronze meridian hour bands, marked “Cruchley’s Late Cary’s New Celestial Globe” and “Terrestrial Globe”. h. 18”, dia. 16-3/4” $1,800-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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46 William and Mary Oak Chest of Drawers 18th century, the case with a molded top edge, the front fitted with a pair of side-by-side drawers over three graduated long drawers, each with brass teardrop pull, raised on turned ball feet. h. 35-1/2”, w. 37”, d. 22” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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47 Jose Bernabe “Petatillo” Terracotta Dinnerware Tonala, Mexico, decorated with birds on a carefully detailed fabric-like ground, the service including nine dinner plates, dia. 9-3/4”, and nine salad plates, dia. 7”, each signed “Jose Bernabe, Tonala, Jal, Mexico”.

48 Semi-Antique Persian Carpet 7’ 4” x 10’ 7” $1,200-$1,800

$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

22

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

49 Semi-Antique Shivan Runner 3’ 5” x 12’ 7” $700-$1,000 50 Pair of Barbedienne Bronze Lion Figures 19th century, after Antoine-Louis Barye, the lions on thin plinths, each with cast signature and inscribed “F. Barbedienne, Fondeur, Paris”. h. 5-1/2”, w. 9-3/4”, d. 2-1/2” and h. 5-3/4” w. 10-1/2”, d. 2-1/2”

50

$800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

51 Pair of Italian Silver Giltwood Altar Sticks 18th century, the tripartite stands composed of tapered ogeecarved stacked elements, on bases raised on scrolled feet. h. 33-1/4”, dia. 7” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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52 Large Empire Mahogany and Marble-Top Center Table 19th century, the circular Fior Di Bosco marble top on a frame with a straight frieze, supported by three tapered columns with bronze capitals to an in-curved triangular stretcher base. h. 30-1/2”, dia. 47” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

53 Vince Valdez (American, b. 1940) “Mountain Lion and Prey”

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patinated bronze faint cast signature, copyright-marked and numbered “5/20” along back of self-base, on an integral wooden base. h. 9-1/2”, w. 15”, d. 7” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

54 English Brass-Bound Mahogany Box on Stand 19th century, the top with an inset brass plaque inscribed “A.T.M. 13th Drn.”, the edges trimmed in brass and mounted to a stand with straight square legs joined by an H-form stretcher. h. 27”, w. 17”, d. 12” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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55 English Brass-Bound Burlwood Lap Desk on Stand 19th century, the box opening to reveal a drop-lid writing board and compartments for pens and inkwells, on a conforming stand, raised on Marlborough legs joined by an X-form stretcher. h. 26”, w. 20”, d. 10” $700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

56 Newton Reeve Howard (American/Louisiana, 1912-1984) “Jackson Square”, 1949 oil on canvas signed and dated lower left, titled en verso.

Framed.

11” x 14”, framed 19” x 21-1/2”

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$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

57 Newton Reeve Howard (American/Louisiana, 1912-1984) “Fishing Boat by Bayou Cabin”, 1980 oil on canvas signed and dated lower right.

Framed.

12” x 16”, framed 15-3/4” x 19-3/4” $3,000-$5,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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58 Restauration Mahogany Settee 19th century, the straight crest rail over a padded back and seat, with down-curved arms ending in out-curved legs. h. 38”, seat h. 17”, w. 47”, d. 22” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

59 French Belle Epoque Bouillotte Lamp 60 detail

late 19th century, in the Louis XV taste, set with an adjustable shade composed of a bronze frame set with a needlepoint panel of a basket of flowers rendered un petit point on a peach watered silk ground, the leaf-molded standard set with leafform candle arms terminating in gadrooned candle sockets and foliate drip pans, on a rocaille decorated circular base. h. 19”, w. 8-1/2”, d. 4-1/2” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

60 Louis XVI Kingwood-Inlaid and Marble-Top Commode 18th century, the conforming breche marble top over two long drawers dressed with elaborate brass hardware and marquetry block inlay, raised on tapered square legs. h. 34”, w. 38-1/2”, d. 32-1/2” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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61 French Belle Epoque Giltwood Mirror late 19th century, the pierced crest with a central cabochon framed with pierced foliage supporting swags of foliage hanging over the mirror plate, the ends set with urn-form flame finials, the surround with a Greek-key fret border at the top and the sides with overlapping leaves. h. 53-1/4”, w. 33-1/2” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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62 detail

62 Queen Anne Burl Walnut Secretary/Bureau 18th century, in two parts, the upper case with a pair of shaped beveled mirror doors above two pull-out candle slides, the base with a slant lid opening to a fitted interior, over four graduated long drawers, raised on turned bun feet. h. 82”, w. 40-1/2”, d. 22” $2,000-$4,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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63 Chinese Export Porcelain Bowl ca. 1785, the rim with a crested garland and iron-red and foliate swag border, centering a floral sprig, with the crest and arms of Whannel and opposing framed gilt initials “JB”. h. 5”, w. 9-3/4”, d. 9-3/4” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

A plate from this service was sold at Charlton Hall, “95th Anniversary Sale”, West Columbia, South Carolina, April 4, 2024, lot 344.

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Literature: David Howard, Chinese Armorial Porcelain (London: Faber, 1974), p. 696 David Howard, Chinese Armorial Porcelain, v. II (London: Heirloom & Howard, 2003), p. 504

64 Chinese Export Fish Bowl on Stand 19th century, in the famille rose palette, decorated with lotus blossoms, the sides painted with panels of raised polychrome flowers in baskets, on a cobalt and pale blue ground, raised on a pierced wooden stand. h. 28”, dia. 18-1/2” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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65 Pair of Chinese Export Porcelain Covered Garniture Vases ca. 1780, the ogee-form covers with polychrome foo dog knops, the bodies decorated with scroll-lined panels of mandarin decoration on an orange and gilt ground, the sides set with gilt dragon-form handles. h. 18-1/2”, w. 6-1/2”, d. 4” $1,800-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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66 detail

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66 English Hepplewhite Mahogany Demilune Console

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19th century, the marble top with various inset specimen marbles and painted decor, over a base with paint-decorated stringing and fans, raised on tapered square legs. h. 31”, w. 36-1/2”, d. 18” $1,400-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

67 Semi-Antique Mir Carpet 4’ 4” x 6’ $600-$900 68 Rare Palissy Glazed Pottery Bird post-1908, the exaggerated comical bird glazed in a vibrant green, marked “Palissy, England, 278”, originally part of A.E. Jones and Sons, Stoke-on-Trent. h. 12”, w. 6-3/4”, d. 5” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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69 Jacobean Oak Side Table 18th century, the rectangular molded top above a pair of framed and paneled drawers, dressed with brass bail handles with lion masques, raised on block-and-turned legs. h. 30-1/2”, w. 42”, d. 17” $1,000-$1,500 70 Rare Chamberlain’s Worcester Porcelain Hunt Bowl 1816-1840, the outside decorated with three polychromepainted views of a hunt, framed with raised grapes, against a green ground, the elaborately decorated interior with a center panel of grapes and lemons, and raised gilt scrollwork on the sides, with an armorial device, the base with the painted script mark for 155 New Bond Street, London, 1816-40. h. 6”, dia. 15”

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$1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

71 George III Mahogany Fold-Over Games Table ca. 1800, in the Hepplewhite taste, the demilune top opening to form a circular playing surface and supported by two swing legs, the front fitted with a single functioning drawer and flanked by a faux drawer to each side, raised on tapered square legs ending in spade feet. h. 29”, w. 36”, d. 18”, ext. d. 36” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

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72 S. Kirk & Son Silver Tea Set mid-19th century, Baltimore, Maryland, old Baltimore standard (.917) silver, including: a teapot, h. 11-1/4", l. 11"; a covered sugar bowl, h. 9-1/2", w. 8-3/4"; a cream jug, h. 9", dia. 4"; and a waste bowl, h. 5-1/4", dia. 6-1/4"; each richly decorated with repousse flowers on a matte ground and centering vignettes of rural architecture, with a shallow pedestal foot and crested handle(s), the insulated teapot handle detached but present, the teapot and sugar bowl with figural acanthus and grape cluster finials, respectively, each engraved "A.J. Watson".

78.83 total t. oz. $4,000-$7,000 Provenance: Andrew Jackson Watson (ca. 1808-bef. 1865) of Jefferson Co. Mississippi and later Tensas Pa., Louisiana; to his daughter Mellie Belmont Watson (Mrs. Hugh) Tullis (18631918); to her son Garner Hugh Tullis (1893-1966); to his son Eli Watson Tullis (1928-2025), all of New Orleans, Louisiana.

73 S. Kirk & Son Silver Water Set mid-19th century, Baltimore, Maryland, old Baltimore standard (.917) silver, including: a water pitcher, h. 10-3/4", l. 10"; and five goblets, h. 7", dia. 4"; each richly decorated with repousse flowers on a matte ground, the baluster-form pitcher with integral spout and ornate double-crested handle, the ovoid goblets with pedestal feet, each inscribed "A. J. Watson".

71.05 total t. oz. $3,500-$5,000 Provenance: Andrew Jackson Watson (ca. 1808-bef. 1865) of Jefferson Co. Mississippi and later Tensas Pa., Louisiana; to his daughter Mellie Belmont Watson (Mrs. Hugh) Tullis (18631918); to her son Garner Hugh Tullis (1893-1966); to his son Eli Watson Tullis (1928-2025), all of New Orleans, Louisiana.

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74 American Coin Silver Christening Cup 1856, by William Gale & Son, New York, New York, of cylindrical form with molded and beaded rim and base and squared handle, decorated with an ornate repousse floralmantled rococo scroll cartouche inscribed “Hugh Tullis / August 25th / 1857”. h. 3”, dia. 2-3/4”, l. 3-3/8”; 4.66 t. oz. $200-$400 74 detail

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75 Reed & Barton “Paul Revere” Sterling Silver Presentation Pitcher dated 1973, Taunton, Massachusetts, of bulbous cylindrical form with notched spout and arched handle, engraved with a presentation inscription from the Alumni Association of the University of Virginia to Eli W. Tullis ‘51 for his service as Association President. h. 6-1/4”, dia. 4-1/2”, l. 6-3/4”; 15.76 t. oz. $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

75

76 English Queen Anne Walnut Lowboy 18th century, the banded top over a row of three drawers and a scalloped apron, raised on cabriole legs ending in pad feet. h. 28”, w. 29-1/2”, d. 19-1/2” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

76

32

77 Queen Anne Oak Chest-on-Stand 18th century, the molded overhanging top above a pair of side-by-side drawers and three graduated long drawers below, the base with a single long drawer, raised on cabriole legs. h. 45-1/2”, w. 20”, d. 36” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

77

78

78 Baccarat “Maxim” Champagne Bucket

79 Partial Service of Baccarat Rabelais Crystal Stemware

20th century, the faceted crystal bucket set with silverplated handles, marked on both the handles and base. h. 9”, dia. 8”

ca. 1907-1973, the service including fourteen tall water goblets, h. 6-1/2”, dia. 3-1/2”, and thirteen water goblets, h. 6”, dia. 3”, each piece signed.

$1,500-$2,500

$800-$1,200

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

79

33

80 Thomas Webb “St. Andrews” Cut-Crystal Table Service post-1971, most pieces signed “Webb, England”, the service including: five water goblets, h. 6-1/2”; seven claret goblets, h. 5”; eleven port glasses, h. 4-1/4”; ten liquor cocktail glasses, h. 4-1/2”; twelve champagne coupes, h. 4-1/2”; three brandy snifters, h. 5”; two finger bowls, h. 5-1/2”, dia. 5”; four finger bowl stands, dia. 6”; twelve grapefruit dishes, h. 3-1/2”; nine sherry glasses, h. 4-3/4”; sixteen flat tumblers, h. 4-1/4”; four old-fashioned glasses, h. 3-1/4”; and nine nut dishes, dia. 3-1/4”.

(104 pieces total)

80 detail

$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

81 Collection of First Period Worcester Teawares

80

ca. 1750s, with “penciled” decoration, the collection including: a teapot with a workman’s mark, h. 4-1/4”, w. 6-1/4”; a covered sugar bowl with “Maid and Page” decoration on one side and the Arms of Wilson impaling Langton on the other, h. 3-3/4”, dia.

4-3/4”; a coffee cup with chinoiserie decoration, h. 2-1/4”; a tea bowl, h. 1-1/2”, dia. 3”, decorated with chinoiserie figures carrying an umbrella; a tea bowl in the “Boy on Buffalo” pattern, h. 1-1/2”, dia. 2-3/4”; and a saucer in the “Boy on Buffalo” pattern, dia. 5”.

(6 pieces total) $600-$900

81

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

82 Jacobean Oak Drop-Leaf Table 18th century, the oval plank top with two drop leaves, supported by swing-out barleytwist legs, joined by a box stretcher. h. 29”, w. 21-1/2”, d. 62”, ext. d. 65-1/2” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

82

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83

83 Historic New Orleans Cotton Exchange Chalkboard 20th century, the two-part chalkboard used to announce various cotton prices, highs and lows, and various exchanges, in molded mahogany frames. h. 76-1/4”, w. 78-1/2” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Floor of the New Orleans Cotton Exchange, 1924

35

84

84 “The Oldest Bale of American Grown Cotton” a sample of the cotton from a ca. 1863 antebellum bale surrounded by mimeographed documentation including a history of the bale by Pierce B. Dugan of the First National Bank of West Point, Mississippi, 1926 affidavit summaries of the John Peden and George Peden attesting to the sample’s origin, a 1940 affidavit of Alvin P. Goldman attesting that the bale had been in the possession of the Lesser Goldman Cotton Company of St. Louis, Missouri since 1904, and a 1954 Spinning Report on a sample from Acco Fiber and Spinning Laboratory, Houston, Texas, the sample presented on a black-painted wooden block, the documentation presented matted in ochre moire, with cavetto-molded slip, glazed and in a narrow wood frame, the reverse fixed with a letter from the Louisiana State University Agronomy Department, dated January 17, 1967, to Eli W. Tullis, which accompanied the documentation provided by the New Orleans Cotton Exchange’s donation of the bale to LSU. overall 25-1/4” x 32-1/4” $700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Reference: New Orleans City Archives and Special Collections, New Orleans Cotton Exchange Records (SC-157-MS), Subject File: “Oldest bale of cotton gown in America”, 2 folders 85 Pair of Tole Apothecary Jar Lamps 19th century and later, fitted with tole covers, the black glass apothecary jars now mounted as lamps, with 19th-century paper labels describing the contents, on both the front and back, now on giltwood bases and fitted with lampshades. h. 29”, dia. 16-1/2” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

36

85

86 English Quarter-Sawn Oak Trestle Table 19th century, the plank top with breadboard ends, mounted to a trestle-form base with sleigh feet, joined by a shelf-form stretcher. h. 31”, w. 35-1/2”, l. 68-1/2” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

87 English Armorial-Inlaid Walnut Gallery Tray early 20th century, inlaid with an armorial motto reading, “Nos Nostraque Deo”, meaning “We and Ours to God”, on a walnut-veneered ground, framed with box inlay, with raised sides and handles. h. 3”, w. 29-3/4”, d. 17-1/2”

86

$700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

88 Queen Anne Mahogany Box on Stand 18th century, the dovetailed box with brass handles and three hinged lids, opening to a segmented interior, on an associated stand, raised on Queen Anne legs ending in pad feet. h. 40”, w. 54”, d. 13” $1,000-$1,500

87

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

87 detail

88 detail

88

37

89

89 Windsor Yew Wood Armchair 18th/19th century, the curved crest rail supported by a central splat and four spindles to each side, with wrap-around arms and a single-board scooped seat, raised on turned legs. h. 46-1/2”, seat h. 18”, w. 23”, d. 20”

90

$700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

90 English Ash Windsor Armchair 18th century, the shaped crest rail supported by a central splat and three spindles to each side, with wrap-around arms and a single-board scooped seat, raised on Queen Anne legs joined by an H-form stretcher. h. 42-1/2”, seat h. 17-1/2”, w. 23”, d. 20” $700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

91 Unusual English Ash Windsor Armchair 18th century, the curved back crest supported by three shaped splats, with a single-board scooped seat, raised on Queen Anne legs. h. 41-1/2”, seat h. 16-1/2”, w. 24”, d. 18” $700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

38

91

92 Pair of English Elmwood Windsor Armchairs 19th century, each of bow-back form with a central scroll-cut splat and tapered spindles, scooped plank seat and turned legs. h. 43-1/2”, seat h. 18”, w. 21”, d. 19” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

93 French Provincial Fruitwood Refectory Table 19th century, the plank top with breadboard ends and a pull-out leaf at each end, raised on tapered square legs. h. 29”, w. 28”, l. 64”, ext. l. 123” $1,000-$1,500

92

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

94 Pair of Unusual Aesthetic Brass Andirons late 19th century, English or American, the stacked ball standards molded with aesthetic sunflowers, raised on scrolled feet. h. 20”, w. 11-1/2”, d. 10” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

94

93

39

95 Antique Tabriz Carpet 10’ 6” x 13’ 7” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

95

96 George III Mahogany Chest-on-Chest 18th century, the top with a molded overhanging cornice above a pair of side-by-side drawers and three graduated long drawers, the base fitted with three additional graduated long drawers, raised on bracket feet. h. 65-1/2”, w. 41”, d. 20” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

96

40

97 Large Chinese Rose Medallion Porcelain Pitcher fourth quarter 19th century, decorated with panels of mandarin figures alternating with panels of peonies and birds, on a gilt ground accented with scrollwork and peonies. h. 9-1/2”, w. 10”, d. 6-3/4” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

98 Large Chinese Export Porcelain Punch Bowl ca. 1780, decorated in the famille rose palette with two panels of hunters and packs of hounds, the interior bottoms with like decoration, on an orange and gilt ground. h. 6-1/4”, dia. 15-3/4”

97

$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

98

99 Chinese Export Vase in the Famille Rose Palette late 19th century, the hexagonal vase decorated with birds on flowering plum branches on one side and peonies on the other. h. 17-3/4”, dia. 9-1/4” 99

$800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

100 Pair of Nyonya Ware Porcelain Plates late 19th century, in the famille rose palette, decorated with phoenix birds and peonies, the pink borders decorated with lotus flowers, fish and shells, a seal mark on the rear. each dia. 8” $600-$900 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

100

41

101 Queen Anne Oak Lowboy 18th century, the molded top with in-cut corners, over a row of three drawers, with a scalloped apron below, raised on cabriole legs ending in pad feet. h. 29”, w. 36”, d. 22” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

102 English Queen Anne Mahogany Tilt-Top Tea Table 18th century, the circular top mounted to a turned standard and three outstretched legs. h. 25”, dia. 28” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

103 English Mahogany Butler’s Tray on Stand

101

19th century, the tray with a scalloped gallery and cut-out handles on all four sides, mounted to a George III-style stand with straight legs joined by an H-form stretcher. h. 21-1/2”, w. 30-1/2”, d. 21” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

103 102

42

104 Semi-Antique Isfahan Carpet 9’ 2” x 12’ 10” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

105 Pair of French Provincial Mahogany Ferneries 19th century, each with a metal liner, raised on tall, tapered square legs. h. 29”, w. 40”, d. 11” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

104

105

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106 Continental Walnut Work Table 19th century, the rectangular top over a single drawer with a brass shield-form key plate, raised on tapered square legs. h. 29”, w. 25”, d. 18-1/2” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

107 William and Mary Circassian Walnut Tall Chest 18th century, the molded top over a pair of side-by-side drawers, and five graduated long drawers below, each with banded inlay, raised on bun feet. h. 49”, w. 37”, d. 19” 106

$1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

108

108 Pair of English Worcester Porcelain Jugs ca. 1820s, each with a carefully painted panel, one with a bucolic scene and the other with a docking ship, the necks with gilt monograms, marked “Worcester” in rouge-de-fer. h. 5”, w. 5-1/2”, d. 4” $700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

107

109 Chamberlain’s Worcester Topographical Inkwell ca. 1816-1840, the porcelain fan-form inkwell decorated with a polychrome view of Worcester, and having a masquedecorated handle and ink pot cover, the top with beaded trim and gilt anthemia, signed with the red “Regent China” mark, as well as the location. h. 3-1/4”, w. 5”, d. 4-1/4” $700-$1,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

109

44

110 Antique Tabriz Pictorial Carpet 6’ 11” x 10’ 10” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

111 Semi-Antique Caucasian Runner 3’ 8” x 13’ 1” $1,000-$1,500 112 George III Chinoiserie-Decorated Bowfront Chest late 18th century, in the Hepplewhite taste, fitted with four graduated long drawers, each with traditional decor and engraved brasses, raised on splayed legs. h. 39-1/2”, w. 40”, d. 23” $1,400-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

110

111

112

45

113 Pair of Polychrome Porcelain Lamps of Asian inspiration, the vasiform lamps mounted with molded fruit handles, and decorated with scattered fruiting vines and butterflies, with wooden bases and caps, fitted with lampshades. h. 27”, dia. 16” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

114 George III Circassian Walnut Chest on Chest 18th century, the upper case with a dentillated overhanging cornice, above a row of three drawers and three graduated long drawers below, each banded with string inlay, the base with three additional long drawers, raised on bracket feet. h. 71-1/2”, w. 41-1/2”, d. 22”

113

$1,400-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

115 Small English Oak Bachelor’s Chest late 18th century, fitted with three graduated long drawers, each with rosewood stringing along the edges, raised on bracket feet. h. 33-1/2”, w. 33-1/2”, d. 18” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

115

46

114

116 Japanese Red Lacquer Jubako 19th/20th century, decorated with scattered and raised black, red and gilt maple leaves, the back of the cover decorated with mother-of-pearl deer on a black ground, the interior with a fitted, removable tray. h. 6-1/2”, w. 17”, d. 13” $800-$1,200 116

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

117 Gorham “Chantilly” Sterling Silver Flatware Set the pattern designed in 1895 by William Christmas Codman (1839-1923), Providence, Rhode Island, including eight tenpiece place settings (one piece lacking) with an additional thirty-nine place pieces and fourteen serving pieces, presented in a fitted, tarnish-resistant cloth-lined wood case with lift top and single drawer, 6” x 15-3/4” x 11-1/2”, sixteen pieces variously monogrammed.

(132 pieces total plus case) 101.64 total t. oz. (weighable silver) $5,000-$8,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

118 American Sterling Silver Tea Set

117

mid-20th century, by Whiting Mfg. Co., Providence, Rhode Island, in the Georgian taste, including: a teapot, h. 6-1/4”, l. 9-3/4”; a coffeepot, h. 5-1/4”, l. 10-1/2”; a cream jug, h. 3-1/2”, l. 6-3/4”; a covered sugar bowl, h. 4-1/2”, l. 7-3/4”; and a waste bowl, h. 3-1/4”, l. 5”; each with a bulbous cushion-section body decorated with gadroons, with acanthus-crested handles, spouts and lion’s paw feet.

90.77 total t. oz. $4,500-$7,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

117 detail

118

47

119

122

120 121

119 Gorham “Plymouth” Sterling Silver Tea Set after a 1911 flatware pattern designed by William Christmas Codman (1839-1923), including: a teapot, h. 9-1/2”, l. 10-1/2”; a covered sugar bowl, h. 6”, w. 8”; a cream jug, h. 6-1/4”, l. 5-3/4”; and a waste bowl, h. 4-1/4”, l. 6-1/2”.

52.41 total t. oz.

121 Eleven French Silverplate Game Skewers first quarter 20th century, each with a detailed figural animal finial: seven golden pheasants, three crabs, and a boar. l. 8-1/2” to 9-1/2”

$2,500-$4,000 $400-$700 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

120 Late Georgian Old Sheffield Plate Tea Set ca. 1800, including: a teapot, h. 10-1/2”, l. 11-1/4”; a creamer, h. 4-1/2”, l. 5-3/4”; and an open sugar bowl, h. 5”, w. 8-1/4”; the pot of oval section with bulbous body, pedestal foot and crested wood handle, the cream and sugar with rounded rectangular bodies with serpentine-canted corners and integral reeded strap handle(s), each engraved with a crest of a boar’s head erased in pale. $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

48

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

122 S. Kirk & Son “Four Seasons” Sterling Silver Bowl mid-20th century, numbered #116, of traditional “Paul Revere” form, hand-engraved with Chinese-style medallions of floral representations of the four seasons. h. 3-3/4”, dia. 9”; 23.49 t. oz. $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

123 Rare “L’urne Mysterieuse” Chinese Export Plate ca. 1800, decorated with an urn and willow trees, the profiles of Louis XVI and Marie Antoinette concealed in the urn’s support column. dia. 10” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

This is from a service commissioned by emigres fleeing France, who were loyal to the King and Queen. The design is based on an anonymous engraving smuggled to China to create the design with a monogram and cobalt and gilt borders.

123

Literature: Illustrated in Michael Beurdeley, Chinese Trade Porcelain, pp 67 and 107, as well as plate 14.

124 Pair of Chinese Export Porcelain Plates ca. 1750, decorated with the arms of McCrummin within a gilt spearhead border and within a band of scrolling gilt foliage. dia. 9” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Literature: David Howard, Chinese Armorial Porcelain (London: Faber, 1974), p. 418

124

125 Eleven Pieces of Chinese Porcelain Altar Fruit Qing Dynasty (1644-1912), the polychrome-painted collection including peaches, pomegranates and squash. h. 1-3/4” to 3-3/4”, l. 2-1/2” to 5” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

125

49

126

127

126 English Queen Anne Mahogany Tilt-Top Table 18th century, the circular top mounted to a turned and spiralcarved standard, with three outstretched legs ending in slipper toes. h. 25”, dia. 28-1/2” $800-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

127 Queen Ann Oak Mule Chest 18th century, in two parts, the upper section with a lift lid, the front framed with a pair of raised panels, set on a base with two side-by-side drawers over a single long drawer, with a scalloped base, raised on cabriole legs ending in pad feet. h. 40-1/2”, w. 44”, d. 23” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

128 Semi-Antique Tabriz Pictorial Carpet 4’ 8” x 7’ 5” $800-$1,200 128

50

129 Antique Mahal Carpet 3’ x 5’ 7” $600-$900 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

130 George III Mahogany Bowfront Chest late 18th century, in the Hepplewhite taste, the case fitted with three conforming graduated long drawers, raised on out-curved splayed legs. h. 34-1/2”, w. 38”, d. 22” $1,000-$1,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

129

131 Queen Anne Oak Sideboard 18th century, the plank top over a row of three side-by-side drawers, each dressed with brass hardware, over a scalloped skirt and raised on Queen Anne legs ending in pad feet. h. 32”, w. 77”, d. 21” $1,500-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

130

131

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132 Silverplate Southern Yacht Club Regatta Loving Cup dated 1925, Hartford Sterling Co., Philadelphia, Pennsylvania, of traditional form, with squared handles, waisted collar and pedestal foot, decorated with a milled band of seaside vignettes, engraved “76th / Annual Sail Regatta / S.Y.C. / May 2, 1925 / Class D. Gaff Rig”. h. 12-3/4”, dia. 6”, w. 11” $200-$400 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

The 76th inaugural regatta of the 1925 yachting season was held by the Southern Yacht Club on Lake Pontchartrain. The Class D race for gaff-rigged, twenty-one foot, race-about cabin sloops started at 3:10 p.m. and was won by the Mallegar, skippered by Percy Richardson and owned by Garner Hugh Tullis (father of Eli Tullis).

132

133 Silverplate Yachting Loving Cup dated 1931, Wilcox Silverplate Co., Meriden, Connecticut, of traditional form, with acanthus-crested arched handles, pedestal foot and cavetto collar with acid-engraved acanthus band, engraved “2nd Annual / St. Petersburg-Habana Race / 1931”. h. 15”, dia. 7-3/4”, w. 11” $200-$400 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

See also lots 134 & 135.

133

52

134 Silver Yachting Trophy Lamp dated 1932, by M. Espunes, Madrid, .913 silver, retailed at the Palais Royal, Mexico City, the urn-form body with paneled calyx and cap with arched reed-and acanthus handles, outlined in panels, one engraved with , “Regata St. Petersburg - La Habana, 1932”, the other “Trofeo General Gerardo Aachado”, flanking the enameled arms of Cuba, now mounted as a lamp on a wooden base with a shade and pyr finial. trophy h. 16-3/4”, w. 11-1/2”; base dia. 8-3/4”, overall h. (to finial) 32”, shade w. 18-3/4” $1,200-$1,800 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

The Annual St. Petersburg-Havana Regatta began on March 30, 1930. Among the fleet of eleven entries making the 284mile journey was Garner Hugh Tullis’ Windjammer. Built in 1924 by Morton Johnson, Tullis purchased the 58-foot schooner from Edward Crabbe of the Tom’s River Yacht Club in 1929, sailing the yacht from Norfolk, Virginia to New Orleans, with stops at St. Simons’ Island, Palm Beach and Miami (and an unexpected board-and-search by prohibition agents).

The Windjammer placed third over the line in the regatta but won first in its class. Garner competed in the next two annual events, coming in third in 1931 but winning both overall and in his class in 1932, for which the present lot was awarded. Tullis won a third time in 1948 with the Windjammer II (66’, built 1947 by the Burger Boat Company), and sailed in the final Regatta in 1959. He died aboard the Windjammer II off the coast of Apalachicola, Florida while sailing to St. Petersburg on February 18, 1966.

See also lots 133 & 135.

134

Ref: Flora K. Scheib, History of the Southern Yacht Club (Gretna, Louisiana: Pelican Publishing, 1986), pp. 198-299 passim

135 Spanish-Cuban Silver Covered Loving Cup dated 1933, M. Espunes, Madrid, for Le Palais Royal (Diego & Ramon Hernandez), Havana, of traditional form, with gadrooned calyx, arched handles, pedestal foot and domed lid, with laurel banding, inscribed “Trofeo Turismo / Donado Por La / Comision Nacional Para El Fomento / Del Turismo / La Habana D. C. Cuba / Regata St. Petersburg ñ La Habana / 1933”. h. 11”, dia. 5-1/2”, w. 8”; 18.36 t. oz. $900-$1,200 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

See also lots 133 & 134.

135

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136

136 Montague Dawson (British, 1890-1973) “A Steady Course” oil on canvas signed lower right, titled on old label en verso.

Framed.

20-1/2” x 30-1/2”, framed 27” x 36-1/2” $10,000-$15,000 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

54

137

138

137 Montague Dawson (British, 1890-1973)

138 Leslie Arthur Wilcox (British, 1904-1982)

“The Grand Harbor at Valletta”

“The U.S. Clipper Comet”, 1977

grisaille oil on board signed lower right, titled on old label en verso, old Christie’s stamp en verso.

Framed.

15” x 21”, framed 21” x 27”

oil on canvas signed lower right, dated and titled en verso canvas, with a label from “The Parker Gallery, London” affixed to verso.

Framed.

24” x 36”, framed 28-1/2” x 40-1/2”

$5,000-$8,000

$2,500-$4,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Provenance: The Parker Gallery, London, England.

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139 Attributed to Thomas Buttersworth, Sr. (British, 1768-1842) “Stormy Seas” oil on canvas unsigned, with artist plaque, a “The Parker Gallery, London” label en verso.

Framed.

25” x 30-1/4”, framed 29” x 33-3/4” $3,000-$5,000 Provenance: The Parker Gallery, London, England.

139

140 Attributed to Abraham Storck (Dutch, 1644-1708) “Pulling Into Port” oil on canvas unsigned, with artist plaque, a “The Parker Gallery, London” label en verso.

Framed.

28-1/4” x 24-1/8”, framed 35-1/2” x 31-1/2” $5,000-$8,000 Provenance: The Parker Gallery, London, England.

140

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141 Set of Four Italian Sterling Silver Candlestands third quarter 20th century, Palermo, each with a gadrooned vasiform nozzle above a pedestal foot en suite and square plinth, with a beaded candlesocket and raised on four winged lion’s paw feet. h. 3-3/4”, w. 2-3/4”; 20.16 total t.oz. $1,000-$1,500

141

142 Pair of Italian Sterling Silver Chocolate Pots contemporary, by Bicama, Cadoneghe, Italy, each in the late Settecento taste, with pear-shaped bodies, “duck’s”-beak spouts, hinged, domed lids with toupie finials, straight turned wood handes and raised on three crested scroll pad feet. h. 9-1/4”, w. 4-3/4”, l. 9-1/4”; 38.02 total t. oz. (including wood handles) $1,500-$2,500 143 Set of Eight Italian Sterling Silver Sauce Tureens contemporary, by Argenteria Brenta, Vigonza, Padua, each hand-crafted of bulbous oval serpentine form, with dolphin’s head scroll handles and palmettecrested pad feet, the fitted, domed lid with applied openwork acanthus scroll handle. h. 5-1/2”, l. 9-1/4”, w. 4-3/4”; 121.37 total t. oz.

142

$4,500-$7,000

143

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144

144 Grand Italian Sterling Silver-Gilt Epergne contemporary, by Antonio Braganti, Florence, with a rounded rectangular gadrooned center dish raised on four legs joined by a conforming stretcher and with four scrolling arms each suspending a detachable swing-handle basket, each corner, leg arm and basket decorated with a different applied motif oak, raspberry, grape and flowers - and each basket repousse decorated with the same motif. h. 14-1/4”, l. 30”, w. 25”; 197.67 t. oz. $8,000-$12,000 145 Set of Eight Italian Sterling Silver Service Plates contemporary, by Zaramella Argenti, Vigodarzere, Padua, each of serpentine-lobed circular form with gadrooned rim. dia. 11-3/4”; 155.22 total t. oz. $6,000-$9,000

145

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146

146 Set of Three Large Italian Silver Coquille Bowls

147 Set of Eight Italian Silver Coquille Bowls

contemporary, by Dario & Carlo Danilo, Vigodarzere, Padua, .800 silver, each of deep coquille form with rolled rim and raised on three cast and applied coquille feet. h. 4-1/2”, l. 9-1/4”, w. 8-1/2”; 22.36 total t. oz.

contemporary, by Dario & Carlo Danilo, Vigodarzere, Padua, .800 silver, each of deep coquille form with rolled rim and raised on three cast and applied coquille feet. h. 3”, l. 5-3/4”, w. 5-5/8”; 35.37 total t. oz.

$1,200-$1,800

$1,400-$1,800

147

147 detail

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148 Italian Doccia Porcelain Centerpiece 19th century, attributed to Ginori at Doccia, with a carefully modeled and realistically painted large upper shell, supported on a standard composed of red coral emanating from a lobed base, encrusted with porcelain shells, unmarked, the base with a possible museum accession number. h. 6-3/4”, w. 7”, d. 4-3/4” $2,000-$4,000 149 Royal Worcester Majolica Shell Centerpiece designed in 1868, decorated with a lizard atop a nautilus shell, supported on a coral- and shell-molded base, with an impressed mark on the bottom. h. 9”, w. 6-1/2”, d. 5”

148

$1,000-$1,500 An identical example was shown in Bard College Graduate Center’s exhibition, Majolica Mania, Transatlantic Pottery in England and The United States, 1850-1915.

150 Italian Neoclassical-Style Mixed Woods Inlaid Commode late 19th century, the banded top with a central foliate inlay, the front fitted with three long drawers, each banded and inlaid with cornucopia, ribbons, flowers and a portrait bust, raised on tapered square legs. h. 37”, w. 49”, d. 20” $1,400-$1,800

149

150 detail

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150

151 Antique Persian Lavar Kerman Carpet signed.

13’ 3” x 22’ 6” $6,000-$9,000

151

152 Antique Angora Oushak Carpet 12’ 10” x 15’ 1” $4,000-$7,000

152

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155

156

153 Rare Italian Siena Marble Pedestal 19th century, the ring-turned standard terminating in a covemolded top and base. h. 43-1/2”, dia. 11-1/4” $1,000-$1,500 154 Italian Onyx “Discobolus” ca. 1900, after the 1st century AD Roman sculpture (itself a copy of a lost 5th century BCE Greek work by Myron) now conserved by the Museo Nazionale Romano and displayed in the Palazzo Massimo. h. 17”, w. 9”, d. 5-1/2” $1,000-$1,500 155 Italian Patinated Bronze Grand Tour Figure of Hercules late 19th/early 20th century, figure strangling a snake, on a white and tan mottled marble base. h. 17-1/2”, w. 7-3/4”, d. 5-1/4” $1,000-$1,500 156 Italian Carved Alabaster Figure of “Wrestlers” after the 3rd century BCE marble sculpture by Lysippos now conserved at the Uffizi, Firenze. h. 17-1/4”, w. 20”, d. 9” $1,800-$2,500 153

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157

157 Suite of Four Italian Neoclassical Polychrome Chairs 18th century, each with an oval padded back, carved frame and slip seat, raised on tapered, spiral-carved legs. h. 38-1/2”, seat h. 18”, w. 19”, d. 18” $3,000-$5,000

158 Italian Neoclassical Polychrome Commode 158

early 20th century, the faux-marbre-painted top over a pair of long drawers, each with a central chinoiserie reserve and brass knobs, raised on tall, tapered square legs. h. 36-1/2”, w. 46-1/2”, d. 21-1/2” $1,500-$2,500

159 Italian Neoclassical Polychrome Commode early 20th century, the faux-marbre-painted top over a pair of long drawers, each with a central chinoiserie reserve and brass knobs, raised on tall, tapered square legs. h. 36-1/2”, w. 46-1/2”, d. 21-1/2” $1,500-$2,500

159

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161

160 French Painted Trumeau Mirror in the Empire Taste 20th century, the upper tablet decorated with carved musical trophies, supported by a bowknot, with an ogee leaf-carved surround, the mirror plate framed with a pulvinated molding carved with ribbon-bound laurel leaves. h. 82-1/2”, w. 43-1/2” $1,000-$1,500 161 Italian Polychrome and Parcel-Gilt Grotto-Style Stool the shaped top with a carved and gilt edge mounted to four stylized dolphin-form legs. h. 19”, w. 26”, d. 16”

160

$800-$1,200 162 Pair of Italian Parcel-Giltwood and Metal Sconces mid-20th century, the scrolled and pierced black metal backplates decorated with gilt-metal leaves, scrollwork and flower heads, set with parcel-giltwood turned candle sockets mounted on leaf-carved drip pans, electrified. h. 26-1/2”, w. 26-1/2”, d. 6” $800-$1,200

162

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163 Italian Neoclassical-Style Inlaid Commode late 19th century, the top with a multi-banded inlaid border and a central inlaid medallion, the front fitted with two long drawers with like inlay, raised on slender, tapered square legs. h. 36”, w. 46-1/2”, d. 22” $1,500-$2,500 164 Italian Carved Giltwood Mirror in the Rococo Taste late 18th century, the crest in the form of a winged putto head, flanked by carved and pierced scrollwork, the surround with carved guilloche set with flower heads, over pierced and carved scrollwork base trim. h. 17”, w. 13-1/4” 163

$1,000-$1,500 165 Italian Faience Chinoiserie Couple on Pedestals third quarter 20th century, both seated in traditional attire, the woman holding a fan and the man playing the paiban, on a fringed cushion with molded temple bells at each corner, each on an inverted, paneled pedestal. h. 75”, w. 20”, d. 20” $3,000-$5,000

164

165

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166 Italian Polychrome and Parcel-Gilt Wooden Bookshelf 20th century, in the Louis XVI taste, the top with a boldly carved molded edge over an arched opening, the interior fitted with adjustable shelves, raised on a faux marbre plinth base. h. 87”, w. 80”, d. 15” $1,400-$1,800

167 Pair of Large Creme-Peinte Fauteuils in the Louis XVI taste, each with a padded back and seat, guillochecarved frame and like-carved downswept arms, raised on bulbous spiral-turned legs, attributed to Dennis & Leen, Los Angeles, California. h. 43-1/2”, w. 29”, d. 30”, seat h. 18” $1,200-$1,800

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170

168 Pair of Pottery Ginger Jars of Chinese export inspiration, the necks with cobalt fret meanders, the shoulders with molded lugs and the bodies decorated with peonies and exotic birds, on carved wooden bases. h. 20-1/2”, dia. 9-3/4” $800-$1,200 169 Pair of Large Italian Giltwood and Gilt-Metal Sconces 20th century, the backplates carved with musical trophies and leaves, the lower portion with carved shells, set with leafornamented, scrolled candle arms terminating in leaf-carved giltwood candle sockets and matching drip pans, electrified. h. 41”, w. 12”, d. 10” $1,200-$1,800 170 Louis XVI-Style Polychrome and Caned Settee ca. 1900, the back with a floral-carved crest over a caned panel, the caned seat with a reversible loose cushion and four pillows, raised on fluted legs. h. 39”, w. 48”, d. 21” $700-$1,000 169

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171 Italian Gilded and Silvered Wooden Corona 19th century, the pierced crown-form corona with a silver-gilt frame accented with giltwood spheres, on a carved giltwood base, trimmed with copper-gilt fringed and draped trim. h. 21-1/2”, dia. 25” $1,200-$1,800 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

172 Italian Renaissance Carved Walnut Mirror

171

16th century, the carved and dentillated ogee-form cornice over a pair of pilasters flanking the opening, carved with gouge work and scrolled brackets on each side, the lower portion with a skirt carved with doves and a winged angel’s head framed with scrollwork. h. 23-1/2”, w. 20” $1,000-$1,500 173 Pair of Italian Carved Giltwood Sconces 20th century, fancifully carved with monkeys under palm trees, sitting atop the fan-carved backplates, set with pairs of leaf-carved candle arms terminating in turned candle sockets and foliate drip pans, the bottoms with swags and tassel-carved pendant finials. h. 26-1/2”, w. 11-1/2”

172

$1,000-$1,500 174 French-Style Polychrome Armoire 20th century, the case with carved grapevines and birds, fitted with a pair of doors with wire mesh panels. h. 90”, w. 58”, d. 23” $800-$1,200

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175

175 Suite of Eleven Louis XVI-Style Polychrome and Caned Armchairs 20th century, each with double-caned backs with plumecarved finials and a caned seat, raised on turned, carved and fluted legs. h. 41”, seat h. 18-1/2”, w. 24”, d. 21” $2,000-$4,000 176 Pair of Chinese Export Porcelain Cranes the celadon cranes with unglazed crests, their bodies molded with feathers, standing on brown-glazed plants. h. 16”, w. 6”, d. 5-3/4”

176

$700-$1,000 177 Pair of Chinese Famille Jaune Cachepots and Stands 18th/19th century, the lobed cachepots with rims decorated with a blue fret meander, the lobed sides decorated with an emblem of double happiness framed with scrollwork, with a Qianlong seal mark (1736-1795), on matching stands. h. 6-3/4”, w. 10-3/4”, d. 9” $1,200-$1,800

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180

179

181

178

178 Louis XVI-Style Mahogany and Caned Chaise Lounge

180 Italian Grotto-Style Silverplate Compote

early 20th century, one end in the form of a caned bergere, with a loose seat cushion, raised on fluted trumpet-form legs. h. 33”, w. 27-1/2”, l. 66”

20th century, the bowl a giant clam shell clad in silverplate, the interior natural, raised on a standard of four addorsed dolphins above a circular base. h. 10-1/2”, w. 11-7/8”, d. 7-1/4”

$800-$1,200 179 Louis XVI-Style Polychrome and Parcel-Gilt Window Bench 20th century, with arched and caned ends and seat, with a reversible loose cushion, raised on tall, turned and fluted legs. h. 26”, seat h. 21”, w. 36”, d. 16-1/2” $800-$1,200

$1,200-$1,800 181 Monumental Silverplate Altar Stick in the Baroque taste, the inverted pear-form candle holder molded with shells and scrollwork, the turned standard decorated with molded leaves, scroll and rocaille work, supported on a tripartite base with scrolled feet. h. 55-3/4”, dia. 14” $1,200-$1,800

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182 Giovanni Sceto (Italian, ca. 1869-1895) “Louis-Napoleon, Prince Imperial” carved Carrara marble the only child of Napoleon III as a young man, incised signature at back, on a black marble socle base. h. 24”, w. 17”, d. 10” $1,500-$2,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio..

183 Swedish Polychrome Four-Drawer Chest 18th century, in two parts, with four serpentine drawers fitted with ring pulls, raised on short cabriole legs. h. 47”, w. 48”, d. d. 23-1/2”

182

$1,500-$2,500 184 Pair of Chinese Export Bronze-Mounted Bowls 19th century, the covered porcelain bowls in the famille verte palette, decorated with gilt-trimmed orange and green peonies, now mounted as potpourri urns, with giltbronze cone-form knops and pierced borders, supported on monopodial legs with ram’s feet, terminating in winged putti heads, the whole resting on a serpentine bronze base. h. 13-1/4”, dia. 12-1/4” $2,500-$4,000 184

183

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185 Louis Philippe Mahogany and Marble-Top Commode 19th century, the conforming gray marble top over four long drawers, set into a plinth base with carved feet. h. 37”, w. 51”, d. 22-1/2” $1,200-$1,800 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

186 Restauration Bronze Dore et Patine Urn Lamps second quarter 19th century, the patinated bronze vasiform urns now mounted as lamps, set with reeded necks, pierced and molded handles, and acanthus leaves on the base, on reeded bronze patine bases with molded bronze dore bases, fitted with lampshades. h. 27-3/4”, w. 14”, d. 11-1/4”

186

$1,800-$2,500 187 Eight Renaissance Revival Oak Dining Chairs 19th century, probably French, the suite comprised of two armchairs, h. 53”, seat h. 20”, w. 25”, d. 20”, and six side chairs, h. 45-1/2”, seat h. 20”, w. 19”, d. 18”, each with a central carved grape cluster flanked by carved griffins, an oval padded back and spiral-twist supports, padded seat and block-and-turned legs joined by spiral-twist stretchers. $1,500-$2,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

185

187

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188 Jean-Jacques Henner (French, 1829-1905) “Young Woman in a Red Cloak” oil on canvas signed lower left center; verso affixed with two “Christie’s” labels and a “Bonhams” sticker.

Framed.

18-1/2” x 12-1/2”, framed 25” x 19” $5,000-$8,000 Provenance: Christie’s East, New York, 19th Century European Paintings, February 10, 1998, lot 56, illus. on pp. 77 of the catalog; Bonhams, Los Angeles, California, European Fine Living, November 8, 2022, lot 218.

189 Tuscan-Style Walnut Credenza 18th century, the conforming top with a molded edge and canted corners over a row of three drawers and a pair of framed and paneled cabinets below, raised on a scalloped base. h. 44-1/2”, w. 56”, d. 20”

188

$1,400-$1,800 190 French Pewter Vide Poche of “Les Lutteurs” early 20th century, after Gustave Michel (French, 1851-1924), the two wrestling men adjacent to a shell-molded bowl, marked “Siot Paris” for the foundry. h. 10-1/4”, w. 14-1/2”, d. 13-3/4” $2,000-$4,000 191 Louis Philippe Circassian Walnut and Marble-Top Commode 19th century, the marble top above a frieze with a long concealed drawer, over three additional long drawers, raised on bracket feet. h. 39-1/2”, w. 50”, d. 21-1/2”

189

$1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

190

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192 Pair of Giltwood Eagle Table Lamps mid-20th century and later, the eagles poised on rocky outcroppings, on acrylic bases. h. 24”, w. 11-1/4”, d. 5” $1,200-$1,800 193 Directoire Brass-Mounted Walnut Commode 18th/19th century, with three long drawers, the top drawer in the form of three faux sideby-side drawers, flanked by turned and fluted columns terminating into a tapered leg, the drawers trimmed with brass moldings. h. 33”, w. 47”, d. 20-1/2” $1,200-$1,800 194 French Empire Parcel-Gilt Mirror early 19th century, the upper tablet decorated with raised guilloche framed medallions, on a gray ground, the cove-molded mirror plate surround carved with lotus leaves and lined with beading. h. 64-1/2”, w. 48-1/2” $2,500-$4,000

194

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195 Pierre Le Faguays (French, 1892-1962) “Reclining Nude” oil on wood panel signed lower right, verso with a Classical drawing.

Framed.

13” x 16”, framed 18-1/2” x 21-3/4” $800-$1,200 196 Pair of French Napoleon III Giltwood Brackets third quarter 19th century, the lobed shelves supported by reeded and leaf-carved central corbels, flanked by pierced scrollwork and leaf carving, the lower finials carved with flower heads. h. 13-1/2”, w. 15-3/4”, d. 9”

195

$800-$1,200 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

197 Theodore Alexander Kingwood Bureau Plat the ormolu-mounted bureau having a top with a central inset leather blotter, the front fitted with three drawers, raised on cabriole legs. h. 30-1/2”, w. 65”, d. 33” $1,400-$1,800 196

197

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198

198 Jean-Jacques Henner (French, 1829-1905) “Reclining Nude Reading” oil on canvas signed illegibly lower right; a “P. Contet Paris” canvas stamp en verso. Verso affixed with provenance information, including a “Donrose Galleries” sticker and a “Julien’s Auctions” tag.

Framed.

13-1/4” x 18-1/4”, framed 20-1/2” x 25-1/2”

199

$3,000-$5,000 Provenance: Collection of Alexis-Hubert Rouart, Paris, France; Collection of H. Martin; Donrose Galleries, Chicago, Illinois; Property from the Playboy Archives, Los Angeles, California; Julien’s Auctions, Gardena, California, March 29, 2024, lot 15.

199 Pair of Monumental French Giltwood Altar Sticks early 19th century, the turned leaf-carved candle sockets mounted on fluted tole drip pans, supported on vasiform standards carved with acanthus leaves and bellflowers, on tripartite bases carved with swags of laurel leaves, the corners carved with medallions. h. 65-3/4”, dia. 14-1/2” $2,500-$4,000 200 Bold Baroque-Style Giltwood Chandelier 20th century, the leaf-carved and turned standard supporting a frame decorated with carved and pierced swagging, mounted with a circular body set with central flame finials and mounted with carved and scrolled candle arms supporting torch-form leaf-carved candle holders. h. 54”, dia. 55-3/4” $1,800-$2,500 200

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201 Louis XV-Style Giltwood Window Seat 19th century, the pierced and carved back with a central shell, joined by padded arms, on a scrolled base with a central stretcher. h. 25”, seat h. 16-1/2”, w. 32”, d. 17” $1,200-$1,800 202 Baroque Carved Giltwood Mirror 201

17th/18th century, Spanish or Italian, the surround boldly carved with leaves alternating with shells, a rustic carved beading lining the antique mirror plate. h. 49-1/4”, w. 34-1/2” $900-$1,200 203 Louis XV Painted and Parcel-Gilt Console Table 18th century, the shaped and conforming top above a pierced and carved apron with rocaille details, raised on tall cabriole legs. h. 33”, w. 53”, d. 20” $2,500-$4,000 Provenance: The Alfred Kennedy Mansion, Atlanta, Georgia.

202

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205

204 Baroque Painted Panel of Musical Putti 17th/18th century, figures set in a lush landscape setting. h. 10-3/4”, w. 32” $700-$1,000 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

205 Pair of French Gilt-Bronze and Crystal Candelabra early 20th century, in the Baroque taste, each with a spear-point finial over two graduated tiers of cut-glass swags and drops, the bottom tiers set with molded drip pans and candle sockets, hung with matching drops, the molded glass-clad standard supported on an acanthus-molded gilt-bronze base, electrified. h. 27”, dia. 13” $1,200-$1,800 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

206 Large French Giltwood Mirror ca. 1900, in the neoclassical taste, the serpentine crest with a central anthemion framed with trailing flowers, the giltwood ogee surround with an egg-and-dart outer edge, the liner with carved beading. h. 86”, w. 55-1/2” $1,500-$2,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana..

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207 French Belle Epoque Three-Panel Screen late 19th century, the giltwood frame with pierced bowknot crests atop the arched panels, the surrounds carved with ribbonbound reeds, the silk panels decorated with polychrome troubadours and courting couples in 18th-century costume, framed with delicate flowers and trophies. h. 71-1/2”, w. 77” $700-$1,000

207

208 Gilt-Metal and Giltwood Chandelier 20th century, the ten-light basket-form chandelier in the Italian neoclassical taste, with a gilt-metal corona hung with prisms, with strands of drops to the graduated ring-form body, set with scrolled candle branches on two levels, all set with giltwood candle holders with gilt-metal leaf-form surrounds, hung with swags of crystal drops. h. 60”, dia. 48” $2,000-$4,000

208

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209

209 Pair of French Gilt-Bronze Covered Urns

210

late 19th century, in the Belle Epoque taste, the ogee covers mounted with putti, supporting swags of flowers, the sides mounted with satyr heads and decorated with bas-relief Bacchanalian putti, with removable inserts. h. 16-1/2”, w. 8”, d. 5-1/2” $2,500-$4,000 210 Bruno Zach (Austrian, 1891-1935) “Modesty”, 1920s patinated bronze cast signature, mounted on a stepped green and brown mottled onyx base. h. 34-1/4”, w. 8”, d. 8” $10,000-$15,000 211 After Marius Francois Laugier (French, 1835-1899) “Les Lutteurs” bronze 19th century, on a rectangular bronze plinth. h. 36”, w. 14-1/2”, d. 8-1/4” $3,000-$5,000 211

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212 Dutch Rosewood and Mixed Woods Inlaid Cabinet 19th century, the arched top with a central carved cartouche over a pair of six-pane glazed doors, the base with a pair of framed and paneled doors, raised on bun feet, profusely inlaid throughout. h. 92”, w. 65”, d. 14” $1,200-$1,800 213 Dutch-Style Burl Walnut Bombe Slant-Lid Desk 20th century, the lid opening to a fitted interior with a central slide, over three conforming drawers, raised on ball-and-claw feet. h. 40-1/2”, w. 40”, d. 21” $1,000-$1,500 213

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216

214 French Fruitwood Fauteuil a la Reine ca. 1900, the arched back and seat upholstered in a needlework fabric with a parrot and flowers, trimmed with brass tacks, raised on cabriole legs ending in scrolled toes. h. 44”, seat h. 18”, w. 27”, d. 23” $800-$1,200 215 French Gilt-Bronze and Crystal Chandelier early 20th century, the acanthus-molded chain holder supporting a pierced crown-form standard, molded with acanthus leaves and cabochons, set with sprays of graduated ball-form crystal drops, concealing five sockets, a large pendant ball finial at the base. h. 24”, dia. 13” $1,500-$2,500 216 Pair of Louis XV-Style Mahogany and Marble-Top Side Tables 20th century, each with a kidney-shaped inset marble top set within a bronze drapery swag gallery, with a drawer below and conforming lower shelf of like design. h. 29”, w. 21”, d. 13” $1,000-$1,500

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214

217 After Raffaello Sanzio (Italian, 1483-1520) “Madonna della Sedia”, 19th century oil on canvas tondo unsigned.

In a period, ornate, Florentine-style, carved giltwood frame with pierced foliate outer band and inner molding with heavily carved shield and scrolling foliate patterns at corners.

29” x 29”, framed 53” x 47” $4,000-$7,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

217

218 After Simon Vouet (French, 1590-1649) “Time Defeated by Love, Beauty and Hope”, 19th century oil on canvas unsigned, after the 1627 painting now conserved at the Museo del Prado, Madrid.

Framed.

40” x 56-1/2”, framed 52” x 67” $3,000-$5,000

218

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219

219 Unusual Belgian Carved Wood Door of St. Sebastian early 19th century, with an arched top and molded frame, bas-relief-carved with St. Sebastian tied to a tree, the back unadorned, the iron thumb latch and slide bolt likely original. h. 73”, w. 35”, d. 3-1/4” $2,000-$4,000 220 French Polychrome Console Table and Mirror late 19th century, of Moorish influence, the mirror with a pierced fleur-de-lis crest and Moorish arches accented with scrollwork, h. 75-1/2”, w. 30”, over a gilt-decorated serpentine table with a painted top and matching skirt, the turned legs and scrolled stretcher set with a vasiform finial, h. 36-1/2”, w. 31-1/2”, d. 16-1/2”. $1,800-$2,500 220

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221 Pair of Parcel-Giltwood and Metal Sconces each having a turned wooden backplate carved with leaves and scrollwork, and set with a lower cone-form finial, decorated with an upper spray of giltwood tassels on metal arms, above three matching scrolled candle arms terminating in wooden candle sockets, set with gilt-metal leaves and giltwood tassels. h. 25”, w. 20-3/4”, d. 12-1/2” $1,000-$1,500 222 French Giltwood Cushion Mirror late 19th century, the pierced crest decorated with scroll-framed anthemia and trailing leaves, the outer surround with egg-and-dart carving, the raised cushion with foliate-carved giltwood dividers, the mirror plate lined with beading. h. 69-1/2”, w. 35”

221

$1,400-$1,800 Provenance: Private collection, New Orleans, Louisiana.

223 Louis Philippe Mahogany and Marble-Top Commode 19th century, the gray-and-white-veined marble top over an ogee-form drawer and three long drawers, an additional secret drawer in the base board. h. 37”, w. 51”, d. 22” $1,200-$1,800

223

222

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225

224 Fine Napoleon III Ebonized and Parcel-Gilt Wooden Pedestal late 19th century, the circular top with a carved and gilt outer molding over a bold fluted standard with a central inlaid band and laurel leaf swags. h. 39”, dia. 18” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

225 Pair of Bronze Dore et Patine Figural Torcheres 20th century, in the Louis XV taste, the five leaf-molded candle branches set into spiral-reeded gilt-bronze urns, held aloft by pairs of bronze patine cherubs, electrified. h. 59-3/4”, dia. 32” $9,000-$12,000

224

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226 French Belle Epoque Giltwood Barometer late 19th century, in the Louis XV taste, the thermometer mounted with a phoenix-form finial and pierced, scrolled rocaille work trim, the dial framed in carefully detailed giltwood scrollwork. h. 31-1/2”, w. 12” $1,400-$1,800

226

227

227 Pair of Parcel-Giltwood Brackets in the Neoclassical Taste the shelves with guilloche-carved giltwood borders above beaded edges, the tapered and fluted backplates with carved giltwood acanthus leaves, the lower edges with leaf-carved drops. h. 25-1/4”, w. 18-1/2”, d. 9” $2,000-$4,000

228 detail

228 French Gilt-Bronze and Crystal Cave a Liqueur late 19th century, the glass-mounted gilt-bronze case molded with scrollwork and cabochons, raised on scrolled feet, with a mirrored bottom, the gilt-bronze lift-out tray fitted with spacers for four decanters and six liqueur glasses, the glass engraved with Greek-key meanders. h. 12”, w. 14-1/4”, d. 11” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

228

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229 Continental School (18th Century) “Nature Morte: Dove” oil on canvas unsigned.

Framed.

36” x 23-1/2”, framed 40-1/2” x 28-1/2” $1,200-$1,800 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

230 French Belle Epoque Giltwood Mirror late 19th century, the serpentine crest carved with scrollwork, a crossed quiver and torch and laurel leaves, accented with carved flower heads, the ogee surround with egg-and-dart carving, the beveled mirror plate secured with a beaded liner. h. 51”, w. 36-1/2” $700-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

229

231 French Provincial Oak and Marble-Top Buffet 18th century, the conforming Rouge Royal marble top over a pair of framed and shaped raised panel doors, with a scalloped base apron and legs. h. 36-1/2”, w. 51”, d. 24” $1,200-$1,800

231

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230

232 Continental School (19th Century) “Pair of Still Lifes” two oils on canvas unsigned.

Framed alike. each 24” x 20”, framed 32” x 28” $1,800-$2,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

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233 French Provincial Walnut Dough Box on Stand 18th century, the tapered box with a scalloped top, opening to a void interior, and a highly carved front, mounted to a conforming base with carved stretchers and block-andturned legs ending in scrolled toes. h. 36-1/2”, w. 39”, d. 18” $1,500-$2,500 234 French Provincial Walnut Sideboard 18th century, in the Louis XV taste, the front with an open section and two drawers below, flanked by a cabinet to each side, raised on cabriole legs. h. 39-1/2”, w. 85”, d. 17” $1,000-$1,500 233

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235 French Provincial Walnut Panetiere 18th century, of traditional form, with a carved front and a top adorned with turned finials, the front with a single curved door flanked by turned spindles, raised on cabriole legs ending in scrolled toes. h. 33-1/2”, w. 31-1/2”, d. 13” $1,200-$1,800 236 French Provincial Fruitwood Armoire 18th century, the conforming removable arched cornice molding over a pair of shaped and raised paneled doors, raised on short cabriole legs ending in scrolled toes. h. 104”, w. 64”, d. 26” $1,000-$1,500 237 Louis Philippe Figured Mahogany and Marble-Top Commode 19th century, the gray marble top over an ogee-molded drawer and three long drawers below, the plinth base with an additional hidden drawer, raised on shaped feet. h. 38”, w. 51”, d. 23-1/2” $1,200-$1,800

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238 Pair of Bronze Dore et Patine Chenets fourth quarter 19th century, in the Louis XV taste, decorated with patinated bronze cherubs warming their hands over fire pots, the bodies with scrollwork and rocaille work, the ogee bases decorated with scrollwork and lattice-form panels. h. 18-1/2”, w. 13”, d. 5-1/4” $900-$1,200 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

239 Louis XV-Style Giltwood and Marble-Top Side Table

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19th century, the inset marble top over a frieze fitted with a single drawer, raised on slender cabriole legs ending in cloven hoof feet. h. 25-1/2”, w. 22-1/2”, d. 18” $2,000-$4,000 240 Bronze Figure of “Ariadne Riding a Panther” 20th century, in the neoclassical taste, variant of the sculpture

by Johann Heinrich von Dannecker (German, 1758-1841). h. 42-1/2”, w. 43-1/2”, d. 17-1/2” $2,000-$4,000 241 Pair of French Onyx and Gilt-Bronze Garniture Urns ca. 1900, the leaf-molded bronze caps over green and amber onyx vasiform urns, set with bronze masque-molded handles and leaf-molded fittings, on bronze bases. h. 16-3/4”, w. 9-1/4”, d. 6-1/4” $1,200-$1,800 239

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242 Large French Belle Epoque Giltwood Mirror late 19th century, of Louis XV inspiration, the serpentine crest with carved scrollwork framed with fronds of leaves, the corners accented with carved leaves and scrollwork, the molded surround with a beaded liner surrounding the beveled mirror plate. h. 78”, w. 42-1/2” $1,500-$2,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana..

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243 Large French Provincial Walnut Armoire 18th century, in the Louis XV taste, the removable arched and molded cornice over a shell-form cartouche, with a pair of framed and paneled doors, raised on short cabriole legs. h. 110”, w. 70”, d. 31” $2,500-$4,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana..

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244 French Patinated Bronze and Crystal Chandelier late 19th century, the corona composed of a spray of cutcrystal drops, over a molded glass-clad standard, set with scrolled candle arms on three levels, terminating in inverted bell-form candle cups and scalloped drip pans, the candles alternating with molded glass finials. h. 46”, dia. 28”

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$2,500-$4,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana..

245 French Provincial Pine Buffet 18th century, the framed flush-panel top over a pair of carved and paneled doors, raised on short cabriole legs ending in scrolled toes. h. 40-1/2”, w. 53”, d. 20” $1,000-$1,500 246 French Directoire Giltwood Barometer ca. 1800, the pierced crest decorated with a giltwood globe framed with pierced leaves and flowers, with bowknots on each side, the cove-molded giltwood surround framing the hand-painted dial, signed “Selon Toricelli”, the lower edge decorated with giltwood bellflowers. h. 33-3/4”, w. 19” $1,500-$2,500 246

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247 French Louis Philippe Giltwood Mirror 19th century, the molded surround with rounded corners, decorated with incised and tooled leafy fronds, the mirror plate secured with a beaded liner. h. 55-1/2”, w. 33”

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$1,200-$1,800 248 French Patinated Bronze and Marble Urn Lamps ca. 1890, the Borghese-style urns with an egg-and-dart rim, the bas-relief-molded sides with Bacchanalian figures, set with reeded bowls, on Siena marble plinths decorated with patinated bronze fittings, fitted with lampshades. h. 28”, dia. 14” $2,000-$4,000 249 Pair of Portuguese Carved Mahogany Side Chairs 19th century, with elaborate pierced and carved backs and slip seats, raised on cabriole legs ending in ball-andclaw feet. h. 43”, seat h. 19”, w. 22”, d. 21” $1,000-$1,500 249

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250 Bronze Patine Barbedienne Torchere of “Esclave Indien” ca. 1850, after the ca. 1850 bronze by Francois-ChristopheArmand Toussaint commissioned for the Palais de L’Elysee and exhibited at the Salon in 1850-1851 as no. 3599, stamped “A Toussaint 1850” on one edge of the base and “F. Barbedienne Fondeur” on another, electrified. h. 59-1/2”, w. 13”, d. 18” $3,000-$5,000 This model first appeared in the Barbedienne catalogue in 1855.

A life-sized model of this figure is one of two flanking the portico of Gallier Hall (Old City Hall), New Orleans, Louisiana.

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251 Napoleon III Boulle and Bronze-Mounted Cabinet fourth quarter 19th century, the top with a conforming faux-painted black slate, over a pierced and inset brass frieze, with a pair of oval paneled doors below. h. 43-1/2”, w. 49”, d. 16-1/2” $700-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio..

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252 Pair of French Bronze Patine Borghese Urn Lamps mid-19th century and later, with egg-and-dart rims, the sides decorated with bas-relief Bacchanalian figures, set with fluted handles, on rectangular bases decorated with laurelmolded medallions. h. 21”, w. 6-3/4”, d. 6-3/4” $1,500-$2,500 253 Italian Parcel-Gilt and Ebonized Grotto-Style Table late 19th century, the top in the form of a clam shell, mounted to a tree-form standard with a coiled dragon and supported by three shell-form legs. h. 33”, dia 19”

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$2,000-$4,000 254 French Napoleon III Inlaid Cave a Liqueur third quarter 19th century, the cover and facade inlaid with brass, mother-of-pearl and ebony medallions, on a burr walnut ground, framed in crossbanding and fitted with a liftout gilt-bronze and ebonized wood tray, set with four molded crystal decanters. h. 10-3/4”, w. 12-1/2”, d. 9-3/4” $1,000-$1,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana..

255 Pair of Napoleon III Bronze Dore et Patine Chenets third quarter 19th century, one decorated with a putto feeding grapes to a ram and the other with a ram waking a sleeping putto, against a vertical bronze dore tree stump entwined with grapes, the bases decorated with grapes and pierced ivy. h. 23”, w. 17” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

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256 Louis Philippe Figured Walnut and Marble-Top Commode

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19th century, the gray marble top over an ogee-molded drawer and three long drawers below, raised on shaped feet. h. 36-1/2”, w. 50-1/2”, d. 23-1/2” $1,200-$1,800 257 Louis XVI Giltwood Mirror late 18th century, the delicate pierced crest carved with crossed torch and quiver, framed with a wreath of flowers, set into a ground of acanthus-carved scrollwork and flower heads, the ogee-form surround carved with acanthus leaves, the sides with bunches of fruit secured with tassels, above leaf-carved Greek keys. h. 61”, w. 37-1/4” $2,500-$4,000 258 French Bronze and Crystal Chandelier second quarter 20th century, the pierced, scroll-molded and gilt-bronze basket-form chandelier hung with strands of crystal prisms, set with eight interior sockets and one socket at the bottom. h. 32”, dia. 16” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

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259 Pair of Louis XV-Style Diminutive Marble-Top Consoles 19th century, each with a conforming white marble top over a pierced and carved giltwood and polychrome frame, the aprons centered with a carved basket of flowers, raised on a single cabriole leg adorned with flowers and ending in scrolled toes. h. 31”, w. 13-1/2”, d. 12”

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$1,800-$2,500 260 Gilt-Bronze-Mounted Mahogany Jardiniere early 20th century, the Regency-style jardiniere with a circular bowl set with a copper insert, the outer frame with a giltbronze band, above a central pedestal and three shaped legs with ring handles, mounted to an in-curved triangular base. h. 36-1/2”, dia. 24” $1,200-$1,800 261 Empire-Style Mahogany and Parcel-Gilt Table 20th century, the circular top with a banded and gilt-molded edge, the apron rim with carved and gilt decor, mounted to a tapered triangular pedestal, to a conforming plinth base, and raised on carved bun feet. h. 31”, dia. 60” $2,000-$4,000 259

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262 George III Mahogany Wing Chair 18th century, of traditional form, raised on straight legs joined by box stretchers, covered in period Aubusson fabric with a parrot perched in a tree. h. 43-1/2”, seat h. 18”, d. 26”, w. 33” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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263 Flemish Needlepoint Tapestry 17th/18th century, the verdure tapestry decorated with a rich landscape of trees and plants, a clearing in the background with a church in the distance. h. 58”, w. 50” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

264 Collection of Three Vintage Wastebaskets 20th century, including two leather examples composed of a cylindrical basket and a triangular basket, covered in antique gilt-stamped leather rings, h. 5-1/4”, dia. 13-1/2” and h. 12-1/4”, w. 11”, d. 11”, and an oval tole example painted with gilt drapery, h. 13-1/2”, w. 16”, d. 8-1/2”. $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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265 Japanned Mirror in the George II Taste 20th century, with an arched top over a surround decorated with raised pagodas and flowers, accented with gilt leaves and bamboo, on a black ground. h. 54-1/2”, w. 24-1/2” $600-$900 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

266 Pair of Chinese Sancai-Glazed Guardian Lions 20th century, each foo-dog-form figure with one paw on the “flaming pearl of wisdom”, and sitting on a fringed “banner” atop an ogee-molded pedestal. h. 23”, w. 10-1/2”, d. 12-1/2” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

267 Regency-Style Mahogany Circular Dining Table 20th century, the top with a rosewood-banded border, mounted to a single turned pedestal with four reeded downswept legs ending in brass caps with casters. h. 29-1/2”, dia. 64” $1,500-$2,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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268 Twelve George III-Style Mahogany Dining Chairs early 20th century, comprised of four armchairs, h. 37-1/2”, seat h. 19”, w. 26”, d. 19”, and eight side chairs, h. 37”, seat h. 19”, w. 21-1/2”, d. 17-1/2”, each with a curved headrest and scrollcarved ears, a central pierced splat and slip seat, raised on Marlborough legs, pegged construction. $1,200-$1,800 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

269 English Mahogany Six-Tier Bookshelf 20th century, in the Directoire taste, the ends with X-form supports between each shelf, the base fitted with two drawers. h. 74”, w. 22”, d. 10-1/2” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

270 William IV Tea Caddy ca. 1830, the caddy with cut corners and segmented veneers, the cover with a brass knob, the facade with an oval plate-form monogram, the two-compartment foillined interior with covers. h. 6-3/4”, w. 5-1/4”, d. 3-1/4” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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271 English Scrubbed Pine Breakfront Secretary early 20th century, in the George III taste, the peaked pediment above a bold dentillated frieze, the upper case fitted with four glazed doors, the base with a central butler’s drawer and four cabinets below, the upper case illuminated. h. 103”, w. 80-1/2”, d. 17-1/2” $1,500-$2,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

272 George III-Style Parcel-Gilt Walnut Footstool 19th century, in the Chippendale taste, the inset needlework cushion raised on acanthus-carved cabriole legs ending in ball-and-claw feet. h. 20”, w. 25”, d. 19” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

273 Georgian-Style Walnut and Mahogany Pedestal Desk ca. 1900, the top with three segmented inset leather blotters, over a row of three drawers, set on a pair of pedestal banks, each with a single long drawer above a file drawer in the form of two faux drawers. h. 30”, w. 60-1/2”, d. 36-1/2” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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272 273

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274 French Belle Epoque Bronze Figural Lamp early 20th century, the bronze patine standard in the form of the Three Graces, supporting gilt candle sockets, on a circular bronze dore base with pierced basketweave borders and molded mounts, set with a tole shade. h. 28”, dia. 14-3/4” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

275 Japanned Mirror in the George II Taste 20th century, with an arched crest over a surround decorated with raised pagodas and flowers, accented with trailing gilt leaves, on a red ground. h. 54-1/2”, w. 24-1/2” $600-$900 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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276 Collection of Fourteen Rock Crystal Obelisks including one obelisk supported on spherules atop a rectangular base, one prism-form example and the others in the traditional form. h. 5” to 15”, w. 1-1/2” to 3-1/2”, d. 1-1/4” to 1-1/2”

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$1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

277 Collection of Thirteen Rock Crystal Spheres one supported on a tripartite bronze base with dragon-form legs and the others on cylindrical stands. h. 2-1/2” to 7-1/2”, dia. 1-1/2” to 4-1/4” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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278 Screen Actors Guild Autographed Silverplate Presentation Box dated 1943, rectangular with cedar-lined interior, the lid engraved with 93 autographs of Guild members, the rectangular handle with engraved presentation inscription: “Kenneth Thomson / Card No. 17 / 1933-1943 / With Appreciation / Screen Actors Guild”. h. 3-1/4”, w. 12-1/2”, d. 11” $1,200-$1,800 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

Detailed list of signatories available on request.

The Screen Actors Guild was formed in the living room of actors Kenneth Thomson (1899-1967) and his wife Alden Gay (1899-1979) during a March 1933 meeting with four others actors. Articles of incorporation were filed in June of that year, and on July 10, a group application was filed by seventeen charter members, including Thomson, who was given the final card number of the group – #17 – and elected its first secretary.

Thomson was the only SAG founder who was also a member of the Academy of Motion Picture Arts & Sciences, a “yellow” union founded by Louis B. Mayer and under the control of the Association of Motion Picture Producers.

Drastic salary cuts authorized by these organizations in response to Roosevelt’s “bank holiday” order prompted the founding of SAG. Further New Deal legislation under

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the umbrella of Roosevelt’s NRA (namely the Motion Picture Code of Fair Competition which, despite its name, placed significant control of labor disputes in the hands of producers and distributors) prompted an exodus of AMPAS members to the new SAG. This influx included some major stars: Robert Montgomery, Fredric March, James Cagney, Ann Harding, Groucho Marx, and Eddie Cantor (who became SAG’s second president), which empowered the fledgling union.

Kenneth Thomson continued to serve as union executive secretary during WWII (and also as chair of the Hollywood Victory Committee), finally resigning the post in late 1943.

It was doubtless on this occasion–and the union’s tenth anniversary–that he was presented this lot. The 93 transferengraved signatures of SAG members here include founders (Leon Waycoff, Lucile Webster Gleason, Charles Starrett, C. Aubrey Smith, Bradley Page, Richard W. Tucker, Willard Robertson, Ivan F. Simpson), former union presidents (Eddie Cantor, Robert Montgomery, Edward Arnold, James Cagney), luminaries (Edward G. Robinson, Cary Grant, Joan Crawford, Spencer Tracy, Humphrey Bogart, John Wayne, Olivia de Havilland, Frederic March, Gene Kelly, Groucho Marx, Mary Astor) and a veritable who’s-who of character actors (Boris Karloff, Gloria Stuart, Laraine Day, Carole Landis, Peter Lorre, Beulah Bondi, Chester Moritz, Dudley Digges, Alan Hale, Jean Muir, Frank Morgan, Adolphe Menjou, George Murphy, Louis Jean Heydt, Porter Hall, Elisabeth Risdon, Robert Strange, Roscoe Karns, Emma Dunn, Heather Angel).

Thomson’s last screen role was in 1937. He returned to serve SAG as its first Television Administrator in 1948, and resigned that position in 1955 to become executive secretary of the Composers and Lyricists Guild. He and his were awarded gold SAG life membership cards in 1958. He died in Hollywood on January 26, 1967.

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Publicity photo of Kenneth Thomson & Jetta Goudal in White Gold (1927)

Left: SAG officers, 1935, from The Screen Guilds’ Magazine, August 1935, p. 7

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279 detail

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279 Baccarat, Tallyrand and Webb Stemware Service 280 Pair of Directoire-Style Fruitwood Armchairs

post-1841, each signed, the service including: four Baccarat champagne coupes/sherbet glasses, h. 5”; six Baccarat old-fashioned tumblers, h. 4”; twelve Baccarat flat tumblers, h. 5”; together with six Tallyrand shot glasses, h. 2-1/4”; six Webb wine goblets, h. 4-1/4”; and four Webb Royal Yacht cordial glasses, h. 3-1/2”.

(38 pieces total)

19th century, each with a curved back with X-form splats and a slip seat covered in a flame stitch fabric, raised on tapered square legs with cockbeaded corner edges. h. 32-1/2”, seat h. 19”, w. 21”, d. 17-1/2” $700-$1,000

$700-$1,000

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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281 Pair of Glazed Pottery Horse Lamps 20th century, the horses mounted on stepped wooden bases, set with lamp fittings and shades. h. 25-1/2”, w. 16”, d. 9” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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282 Pair of Chinese-Style Porcelain Table Lamps 20th century, the black-glazed baluster vase lamps on turned wooden bases and fitted with lampshades. h. 33-1/2”, dia. 20” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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283 Atmos Polished Brass and Glass Clock mid-20th century, made by Jaeger-LeCoultre, designed to be primarily self winding, with a white enamel chapter ring and gilt-brass numerals. h. 8-3/4”, w. 7-1/4”, d. 5-1/2” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

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284 Sterling Silver and Bronze Kiddush Wine Fountain contemporary, the central silver cup with applied wavy banding, fitted to a circular plate en suite lifting to reveal the fountain with twelve spouts, below which, on a larger circular plate rest twelve smaller cups to receive equal amounts of wine, all decorated with applied bronze scrolls and raised on bronze ball feet. overall h. 8-3/4”, dia. 12-3/4”; 75.91 total t. oz. (including bronze mounts) $5,000-$8,000

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285 Sterling Silver Havdalah Spice Tower (Besamim) contemporary, the tower of hexagonal section with galleried levels, the fitted cap with flag, the whole raised above a pedestal foot and decorated with scrolled wirework. h. 7-3/4”, dia. 2-1/2”; 3.98 t. oz. $200-$400 286 Sterling Silver Seder Plate contemporary, probably by Hazorfim, Israel, embossed with labeled wells for the symbolic foods, the rim with fruits, flowers and phases (Pesach, matzah, etc.), all on a textured ground. dia. 12-5/8”; 12.10 t. oz. $800-$1,200 287 Sterling Silver Menorah contemporary, marked “Sharaley”, the stand embossed with acanthus scrolls, the backplate supported by flanking scrolls, fluted and embossed with acanthus fronds, arches, flowers and surmounted by a crown, fitted with eight thistle-form lamps. h. 10-1/2”, w. 10”, d. 3-1/2”; 27.94 t. oz.

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$1,400-$1,800

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288 Two Pieces of Small Silver Judaica

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contemporary, including: a small sterling silver menorah, Jerusalem, with filigree sockets and feet, l. 5-1/4”; and an .800 silver matzoh holder, Hazorfim, in the form of an openwork flower basket, h. 2-3/4”, w. 4-1/4”.

3.79 total t. oz. $200-$400 289 Two Sterling Silver Torah Pointers (Yad) contemporary, one of hexagonal section with grape-cluster banding, and one of circular section with Magen David banding, both retaining the chain. l. 10-1/2” and 8-1/2” (excluding chain); 2.74 total t. oz. $300-$500 290 Two Sterling Silver Filigree Dreidels contemporary, one of traditional form, Shoham Judaica, Jerusalem, h. 2”, w. 1-1/8”; and one of floral disc form with purple “jewel”, h. 2-1/2”, dia. 2-1/4”.

2.04 total t. oz. $200-$400

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291 English Sterling Silver Presentation Havdalah Spice Tower (Besamim) hallmarked London 1922-1923, by Rosenzweig, Taitelbaum & Co. (Jacob Rozenzweig), of traditional form, the filigree spice box with hinged door, dangling bells and displayed eagles at the corners, the tower with bell finial and flag, above a cavetto-knopped standard and domed base, inscribed on the base “To Grandparents / On the Anniversary of Your Golden Wedding / 1922” and on the flag “From Lilly, Rose and Jose”. h. 10”; w. 10-1/4”; 6.28 t. oz. $300-$500

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292 Modernist Sterling Silver Kiddush Cup contemporary, by Bier Judaica, Jerusalem, with ovoid standard and cylindrical cup and foot with hammered finish, the interior gilt. h. 7-1/4”, dia. 2-3/4”; 7.19 t. oz. $400-$700

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293 Chinese Export Famille Noir Fish Bowl on Stand 20th century, decorated with phoenix birds and various creatures on a black ground, the interior decorated with goldfish, raised on a tall carved and pierced wooden stand. h. 39”, dia. 18-1/2” $700-$1,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

294 Chinese Export Blue-and-White Moon Flask 20th century, in the Kiangxi taste, the neck with a fret meander, the central panels decorated with dragons on a ground of peonies, the sides with molded foo dog handles. h. 11-3/4”, w. 7-1/2”, d. 2-3/4” $1,000-$1,500 Provenance: The Estate of Mildred Ruth Mottahedeh, Manhattan, New York.

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295 Louis XVI-Style Fruitwood Porter’s Chair early 20th century, with a domed, hooded top and padded interior, carved frame with acanthine hand grips, and fitted with a loose seat cushion, raised on turned and fluted legs. h. 60”, seat h. 17”, w. 30”, d. 26” $1,200-$1,800

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296 Antique North West Persian Sultanabad Carpet 7’ 7” x 10’ 3” $2,000-$4,000 Provenance: Estate of a Colorado collector.

297 Antique Persian Mir-Saraband Runner 3’ 4” x 13’ $1,200-$1,800 Provenance: Estate of a Colorado collector.

298 Antique Persian Kurd-Hamadan Carpet 4’ 1” x 6’ 7” $1,000-$1,500 Provenance: Estate of a Colorado collector.

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299 Parcel-Giltwood Mirror in the Italian Baroque taste, the crest decorated with a satyr masque atop a frame with shells at each corner, the sides molded with scrollwork, the lower edge decorated with matching fans and shells. h. 47-3/4”, w. 32” $1,000-$1,500 300 Set of Six Painted Armchairs in the Regency Taste 20th century, the backs with rectangular tablets, decorated with gilt outlines, set with scrolled arms and sabre legs, with upholstered seats. h. 35”, w. 21”, d. 19-1/2” $1,200-$1,800 301 Chinese Ebonized Hardwood Scrolled Bench early 20th century, the seat board terminating into a rolled spiral at each end, forming the supports. h. 16”, w. 77-1/2”, d. 19-1/2”

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$1,000-$1,500

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302 Pair of Chinese Parcel-Gilt Hardwood Cabinets 19th century, of diminutive scale, each cabinet with a pair of glazed doors in the upper half with carved and gilt frames, the lower sections with three drawers over two drawers and raised paneled doors below, on carved bases with gilt dragons. h. 37”, w. 21”, d. 11” $900-$1,200

303 Chinese Carved and Painted Elmwood Chair 19th century, of unusual form, with a tall pierced and carved back and a central medallion with a grape cluster, the framed and paneled seat over a pair of drawers, the legs joined by a box stretcher. h. 58”, seat h. 20-1/2”, w. 29”, d. 18” $800-$1,200

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304 305

304 Chinese Bronze Archaistic Hu Vase Qing Dynasty (1644-1912), set with foo dog molded handles, the band at the neck inscribed with characters, molded with scrollwork and masques, on a wooden stand with both printed and impressed calligraphy. h. 21”, dia. 8-1/2” $1,000-$1,500 305 American Aesthetic Movement Faux Bamboo Side Table late 19th century, the square top with a turned and molded edge, and mounted to four turned legs, with a lower shelf and spindle gallery, raised on out-curved legs. h. 29”, w. 24-1/2”, d. 24-1/2” $700-$1,000 306 Japanese Mixed Metal Vase by Hori Joshin (Japanese, 1907-1993) decorated with a flower, a kingfisher and a bug, the flower with a molded stem, signed “Made by Joshin”. h. 14”, dia. 5-1/4” $1,200-$1,800

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307 Indian Patinated Bronze Recumbent Stag 20th century, with a dark brown patina, the stag with tooled fur and spots. h. 16”, w. 23”, d. 8” $1,500-$2,500 308 Bronze Lantern in the Spanish Revival Taste ca. 1900, the reeded ball finial over a faceted hexagonal lantern set with panels of pierced scrollwork, decorated with scrolled dividers with graduated ball finials. h. 43”, dia. 16” $1,500-$2,500 309 Early Anglo-Indian Hardwood Trunk 18th century, richly adorned with pierced and engraved brass strapwork and studs, the ends with bail handles and three side-byside drawers along the base. h. 24”, w. 52”, d. 25” $1,200-$1,800 308

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310 Antique Caucasian Kazak Carpet 4’ 8” x 8’ 4” $1,200-$1,800 311 Semi-Antique Persian Heriz Runner 2’ 6” x 8’ 6” $800-$1,200 312 Antique Caucasian Dagestan Carpet 3’ 8” x 6’ 5” $1,000-$1,500 Provenance: Estate of a Colorado collector.

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313 Chinese Painted and Carved Hardwood Sideboard 19th century, the framed case with a pair of recessed plank doors in the front and a carved surround, with paneled ends and raised on square, integral legs. h. 34”, w. 56”, d. 16-1/2” $1,200-$1,800

314 Pair of Chinese Elmwood Sculpted Armchairs attributed to Shao Fan (Chinese, b. 1964), the parcel-ebonized armchairs with tall backs with a single long panel, the framed seat with an inset cushion, the left and right chairs forming a settee when placed together. h. 70-1/2”, seat h. 21”, w. 21”, d. 19” $3,000-$5,000 Shao (also known as Yu Han) has been recognized as the first Chinese artist to exhibit in the Victoria and Albert Museum, London. His works include furniture, sculpture and paintings.

His furniture is inspired by ancient works with a modern social expression.

314

119

315 Unusual Chinese Cloisonne Figural Cart on Stand 20th century, with a brass interior, the body decorated with lotus blossoms on a turquoise ground, the brass-rimmed wheels with mauve trim, on a wooden display stand. h. 13-1/2”, w. 19-1/2”, d. 6” $1,000-$1,500

315

316 Pair of Chinese Cloisonne Camels decorated with polychrome scrollwork on a turquoise ground, the manes molded in brass, the tops with removable covers, on carved wooden bases. h. 18-1/2”, w. 10-3/4”, d. 6-1/2” $1,200-$1,800

316

317 Chinese Cloisonne Elephant-Form Candlestick 19th century, the metal elephant set with a cloisonné tripartite candle socket atop the enamel-decorated ceremonial saddle, hung with brass fringe and beading, the head with red enamel and brass decoration. h. 8-3/4”, w. 11-3/4”, d. 5-1/4” $800-$1,200

317

120

318 Pair of Chinese Cloisonne Cockerels 20th century, with red cloisonne combs and wattles, the predominantly turquoise cockerels with polychrome wings and tail feathers, the upper portion lifting off to reveal void interiors, the bases resting on molded brass feet. h. 10-3/4”, w. 6-1/4”, l. 9-1/4” $1,000-$1,500

318

319 Pair of Meiji Period Satsuma Pottery Vases ca. 1869-1912, decorated with polychrome samurai and bamboo on a dark brown ground, trimmed in raised gilt, the bases with rouge-de-fer character marks. h. 15”, dia. 6-3/4” $800-$1,200 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

319

320 Pair of Barbedienne Champleve Enamel Bottle Vases third quarter 19th century, decorated in the Islamic taste with lotus blossoms, leaves and scrollwork, with loop side handles and signed “F. Barbedienne”. h. 6-3/4”, dia. 3-1/4” $1,000-$1,500

320

121

321 Agra Serapi Runner 3’ 1” x 28’ 10” $2,000-$4,000 322 Semi-Antique Hamadan Runner 4’ 3” x 10’ 3” $1,500-$2,500

321 322

122

323

323 Italian Giltwood and Marble-Top Console Table 18th century, in the Louis XVI taste, the Siena marble top over a deeply fluted frieze with floral medallions, raised on turned and stop-fluted legs ending in toupie feet. h. 34”, w. 50”, d. 21-1/2” $1,500-$2,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

324 Pair of French Provincial-Style Fruitwood Fauteuils 20th century, each with an arched and padded back trimmed with a double row of brass tacks, with a scalloped seat frame and raised on cabriole legs ending in scrolled toes, covered in a tan linen fabric, each with a pillow. h. 41-1/2”, seat h. 18-1/2”, w. 26”, d. 24”

324

$800-$1,200 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

325 Louis XVI-Style Fruitwood and Leather Ottoman 20th century, the padded tan leather seat above a square framed base, raised on turned and fluted legs with bronze mounts and ending in toupie feet. h. 17-1/2”, w. 26”, d. 26” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

325

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326

326 Twelve Hand-Colored Lithographs of French Soldiers

327 Directoire Walnut Serpentine Commode

early 19th century, after images from 1795 by Hippolyte Lecomte (1781-1857), signed by lithographer FrancoisSeraphin Delpech (1778-1825), in contemporary giltwood frames. h. 14-1/4”, w. 10-1/4”

18th century, the top with a molded edge above a pair of conforming serpentine drawers, with an interlocking swirlcarved apron frieze, with stop-fluted corner posts and legs, raised on panel ends, pegged construction. h. 34”, w. 49-1/2”, d. 17”

$1,000-$1,500

$1,000-$1,500

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

327

124

328 Italian Polychrome Commode 20th century, in the provincial Louis XV taste, the spongepainted top with a molded edge over three graduated long drawers decorated with musical instruments, raised on tapered and out-curved legs. h. 35”, w. 45-1/2”, d. 21” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

329 Pair of Zinc Pineapple Finials the molded finials supported on turned socles. h. 13-1/2”, dia. 7-1/2” $500-$800

328

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

329

330 Good French Provincial Fruitwood Bonnetiere 18th century, with a shaped removable cornice over two paneled doors with wheat carvings, separated by a pair of side-by-side drawers, with a carved and scalloped apron, raised on short cabriole legs. h. 82”, w. 49”, d. 30” $1,200-$1,800 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

330

125

331

331 Petite French Provincial Fruitwood Side Table 18th century, the top with a framed gallery along three sides, one end fitted with a drawer, over shaped scalloped aprons and raised on slender cabriole legs ending in carved ebonized feet. h. 27-1/2”, w. 19”, d. 13” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

332

332 French Giltwood Mirror in the Louis XVI Taste late 19th century, the pierced crest with a basket of flowers framed with trailing laurel leaves, atop a fluted panel with Greek fret corners, the surround with beading securing the mirror plate, the base with cone-form finials on each corner. h. 56”, w. 30” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

333 Pair of Italian Parcel-Gilt and Painted Wooden Sconces mid-20th century, the backplates in the form of cornucopias of flowers, nestled into carved leaves, set with scrolled candle arms terminating in lotus-carved drip pans and candle sockets. h. 24-1/2”, w. 8-1/2”, d. 5” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

126

333

334 Directoire Walnut Commode ca. 1800, the framed flush-panel top with cookie corners, over three long drawers flanked by fluted corner columns, raised on turned legs. h. 31-1/2”, w. 50”, d. 22” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

334

335 Provincial Louis XV Walnut and Fruitwood Side Table 18th century, the top with a simple molded edge and rounded corners, over a single drawer, with scalloped aprons and raised on slender square and tapered cabriole legs. h. 28”, w. 37”, d. 25-1/2” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

335

336 French Regence Giltwood Mirror early 18th century, the tapered and pierced crest with a shellform finial, above a basket of flowers on a lattice-incised ground, accented with flower heads, the cushion-form surround with carved flowers in each corner, the flat areas incised with scrollwork, set with mirrored panels divided by giltwood flowers. h. 33”, w. 18” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

336

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338

337 French Toile de Jouy Four-Panel Screen 20th century, the cotton fabric printed with yellow chinoiserie patterns on an off-white ground, the screen with serpentine crests. h. 95-1/4”, w. 96” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

338 Pair of Italian Carved Giltwood Appliques late 19th century, carved with trailing fronds of laurel leaves terminating in carved berries.

8-3/4” x 49-1/4” $700-$1,000 337

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

339 Latin American Giltwood Sunburst Mirror 20th century, set with a circular flat mirror plate, the wide surround carved with flower heads and scrollwork, a variety of carved “rays” emanating from the surround. dia. 32” $700-$1,000 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

339

128

340 Italian Neoclassical Inlaid Walnut Commode 18th century, the gadroon-carved top with a thick line-inlaid border, over three long drawers, each with like inlay, raised on turned legs. h. 33-1/2”, w. 45”, d. 20-1/2” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

340

341 Unusual French Provincial Walnut Coffee Table 20th century, the shaped and dished top mounted to a conforming frame and raised on six cabriole legs. h. 22-1/2”, w. 48”, d. 24” $600-$900 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

341

342 Pair of Marble Obelisks in the neoclassical taste, the black marble obelisks with Siena marble trim and circular medallions inlaid into the bases. h. 13-1/2”, w. 2-1/2”, d. 2-1/2” $600-$900 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

342

129

343 French Provincial Fruitwood Bureau Plat 18th century, the top with a molded edge and line inlays, the front and sides each with pull-out work slides, fitted with five functioning drawers on one side and five faux drawers in the same configuration on the back side, raised on cabriole legs. h. 31-1/2”, w. 52”, ext. w. 70”, d. 27-1/2” $800-$1,200 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

343

344 French Provincial Walnut Commode 18th century, of serpentine form, the top with a molded edge and canted corners, over a pair of conforming long drawers with in-carved panels, the ends with raised panels, raised on cabriole legs ending in carved feet. h. 34-1/2”, w. 49”, d. 21-1/2” $1,000-$1,500 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

344

345 Giltwood Mirror in the Rustic Taste the frame with a pedimented crest and the sides molded in the “rustic” pattern with carved faux limbs, accented with carved flower heads. h. 55-1/4”, w. 31” $800-$1,200 Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

345

130

346 Pair of Antoine-Louis Barye Bronze Candelabra third quarter 19th century, the standard and branches cast in the form of a tree, with long-tailed displayed birds acting as finials, set with anthemion-molded candle sockets and circular drip pans, on foliate-molded bases inscribed “A. BARYE” and set into laurel-molded ogee surrounds supported on ivy-trimmed bird feet. h. 17”, w. 10-1/2”, d. 5-3/4” $2,500-$4,000

346

347 Regency-Style Ebonized and Parcel-Gilt Recamier 20th century, with a spiral-carved crest rail, the back with a downswept arm, padded back and seat, raised on turned and tapered legs. h. 34”, w. 16”, l. 43” $800-$1,200

347

348 Patinated Bronze and Marble-Top Side Table 20th century, possibly by Oscar Bach, the rectangular Portoro marble top set into a conforming frame with canted corners, supported by a spiral standard to a platform base with three stylized dolphins and seashells. h. 31”, w. 30”, d. 24-1/2” $1,500-$2,500 348

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349

349 Pair of Wrought-Iron and Brass Savonarola Chairs

350 Large Pine Farmhouse Table

early 20th century, each with cast-brass hand-grip finials and arm rests, fitted with loose cushions covered in a tiger stripe velvet. h. 35”, seat h. 22-1/2”, w. 29”, d. 22”

early 20th century, the plank top mounted to a framed rectangular base with four tapered square legs. h. 30-1/2”, d. 34”, l. 106” $1,400-$1,800

$2,000-$4,000

350

132

351 Pair of Swiss Carved Black Forest Trumpet Vases late 19th century, the carved linden wood bases decorated with pheasants and foliage on rocky outcroppings, each set with a panel-cut fluted glass vase. h. 29”, w. 10-1/2”, d. 7” $2,500-$4,000

352 Pair of Regency-Style Ebonized and Parcel-Gilt Armchairs 20th century, each with a padded back and seat, gilt ball finials, scrolled arms and out-curved legs, labeled “Formations, Los Angeles, California”. h. 39”, seat h. 18”, w. 20-3/4”, d. 24”

351

$1,000-$1,500

353 Continental Baroque Carved Oak Coffer 17th/18th century, the molded lid opening to a void interior, over a frame and paneled front, profusely carved, the ends mounted with ring-pull handles, raised on a bracket base. h. 29”, w. 56”, d. 25-1/2” $1,000-$1,500

352

353

133

354 Antique Northwest Persian Heriz Carpet 7’ 11” x 11’ 5” $3,000-$5,000 Provenance: Estate of a Colorado collector.

354

355 Antique Khotan Carpet 5’ 6” x 12’ 6” $7,000-$10,000

355

134

356 Continental Carved Oak Round-About Chair ca. 1900, the curved back with circular pierced and carved foliate medallions, the arm posts with carved bust finials, with a caned seat and raised on carved legs ending in paw feet. h. 38”, w. 32”, d. 26” $1,000-$1,500 357 Pair of Rosewood Elephant-Form Lamps 20th century, the trumpeting elephants supporting leafcarved torches in their trunks, mounted with sockets and fitted with lampshades. h. 38”, w. 21”, d. 7-3/4” $1,200-$1,800

356

357

358 Scrubbed Pine Double-Door Bibliotheque 19th century, the molded cornice above a straight frieze, the front with a pair of long doors, the upper half with wire mesh, the lower half with a raised panel, raised on molded block feet. h. 100-1/2”, w. 58”, d. 15” $1,400-$1,800

358

135

359 Octagonal Glass and Bamboo Table attributed to McGuire, San Francisco, the thick plate-glass top with a beveled edge, on an eightlegged bamboo base comprised of bamboo stalks strapped together and joined by stretchers. h. 29”, w. 74”, d. 74” $1,800-$2,500

359

360 Italian Bronze-Mounted Valuables Chest late 19th century, in the Baroque taste, the parquetry inlaid ebonized wood lift top opening to reveal a well, above a pair of short drawers and one long drawer, the upper top veneered and set with incised trim, divided by bronze masques, the drawers decorated to match, the sides set with bronze carrying handles and the whole resting on gilt-bronze paw feet. h. 15-1/2”, w. 19-1/2”, d. 12-1/4” $1,800-$2,500

360

361 Pair of Bronze and Marble-Top Sword Stands 20th century, each with a circular inset marble top mounted to three sword-form legs, crossed and bound together with bronze straps. h. 36-1/2”, dia. 10” $700-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

361

136

362 French Oak and Soft Maple Tilt-Top Wine Tasting Table 19th century, the circular top mounted to a trestle base with a swing-out support. h. 27-1/2”, dia. 41-1/2” $800-$1,200

362

363

363 Art Deco Bronze Table Lamp ca. 1920-1940, probably French, set with molded and frosted glass shades attributed to Donna Paris, the copper-washed bronze base with a lunette-form support molded with gazelles, on a hexagonal base. h. 12-3/4”, w. 16-1/2”, d. 51/4” $1,200-$1,800

364 Fine and Rare Carved Oak Steer Horn Chair early 20th century, the back in the form of a steer’s head with its horns curving around to form the arms, terminating in the clenched mouths of serpents, forming the arm posts, with a leather seat trimmed with brass tacks, and raised on carved steer’s legs ending in hoof feet. h. 34”, seat h. 17”, w. 26”, d. 29” $3,000-$5,000

364

137

365 Cleo Baldon for Terra Furniture Dining Table ca. 1960s, the circular wooden top with a brass inlay of a shrimp, over a hexagonal hourglass-form metal base with a wooden frame. h. 28”, dia. 54” $1,000-$1,500

365

366 Six Cleo Baldon for Terra Furniture Dining Chairs ca. 1960s, the chairs composed of iron and and stained wood, the upholstered backs and seats mounted with stained arms on iron X-form bases, resting on trestle-form feet. h. 31-1/4”, w. 24”, d. 19” $1,000-$1,500

366

367 Three Cleo Baldon for Terra Furniture Bar Stools ca. 1960s, composed of iron and stained wood, the upholstered backs and seats mounted with stained arms on X-form metal sides, resting on trestle-form bases. h. 41-1/2”, w. 22-1/4”, d. 23-1/2” $800-$1,200

367

138

368

368 Spanish-Style Wrought-Iron and Bronze Bench

369 Spanish-Style Fruitwood and Wrought-Iron Guardroom Table

ca. 1900, the ends with twisted bronze handgrips, over a padded seat, the legs joined by a scrolling stretcher. h. 30”, seat h. 19-1/2”, w. 53”, d. 16-1/2”

early 20th century, the thick plank top mounted to a splayed base, supported by wrought-iron stretchers. h. 29-1/2”, w. 74-1/2”, d. 31”

$700-$1,000 $1,000-$1,500

369

139

370 Antique Persian Bakhtiari Carpet 5’ 3” x 9’ 3” $1,000-$1,500 Provenance: Estate of a Colorado collector.

371 Semi-Antique Hamadan Runner 3’ 6” x 14’ 3” $700-$1,000

370

371

140

372 Wrought-Iron Chandelier in the Provincial Taste the center of the scrolled frame set with a flat cockerel surrounded by grapevines, set with six scrolled candle arms with circular drip pans and candle sockets, electrified. h. 33”, w. 30-1/2”, d. 17-1/4” $800-$1,200 373 Pair of Dore et Patine Cranes on Turtles 20th century, of Meiji inspiration, one with its neck raised and the other looking down, each standing on a dore turtle with patine legs, the figures personifying longevity. h. 48-1/2” to 56-1/2”, w. 18-1/2”, d. 12-1/2” $2,000-$4,000

372

374

374 Pair of Bronze Garden Urns in the Rococo Taste 20th century, after the originals designed by Duval for the Gardens of Versailles, the basket weave necks above inverted pear-form bodies hung with swags of flowers, with cherubs on each side resting on flaring leaves, above lion’s-head ring pulls, on tapered bases. h. 31-3/4”, w. 35”, d. 18” $2,000-$4,000

373

141

375 Pair of French Gilt-Bronze Fountainheads 19th century, the grotesque masques piped for water, after the fountainheads at the “Buffet d’Eau”, at the Grand Trianon in Versailles. h. 22”, w. 12” $2,000-$4,000

375

376 Pair of French Doors in the Gothic Taste 19th century, the arched top over carved mullions set with trefoils and Gothic arches, the lower sections with Gothic quatrefoils and pointed arch windows, over sections with inset raised Gothic panels, retaining an old gray-painted surface. h. 137”, w. 25-1/2” $2,000-$4,000

376

142

377

377 Cast-Iron Dining Set in the Molla Taste early 20th century, comprised of four balloon-back chairs, each decorated with a shepherd and sheep framed in pierced scrollwork, over a woven seat, h. 31”, w. 16-1/2”, d. 16”, and a glass-top dining table supported on four scrolled legs, h.

29-1/4”, w. 30-1/2”, l. 60-3/4”. $2,000-$4,000

377 detail

378 French Art Nouveau Bentwood and Wicker Settee ca. 1900, attributed to Clement Gelly & Cie, Fabricantes, 57 Rue Pierre Corneille, Lyon, of whimsical form with multicolored caning, raised on bentwood legs joined by X-form stretchers. h. 50”, seat h. 18”, w. 47”, d. 24” $2,500-$4,000

378

143

379

379 French Wrought-Iron and Copper Flower Cart early 20th century, the ornate cart with a zinc-lined tray top, with a hammered copper exterior, mounted to a scrolled iron base with two large wheels, one end fitted with a twisted iron handle. h. 36-1/2”, w. 30”, l. 54” $1,500-$2,500

380 Pair of French Cast-Iron Figural Garden Urns late 19th century, the reeded urns mounted on two sides with Bacchanalian putti holding kylixes, and ram’s heads on the other sides, with swags of fruit in between, resting on castiron pedestals decorated with medallions on panels. h. 46-1/2”, w. 32”, d. 21-3/4”

380

$1,200-$1,800 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

381 Pair of French Cast-Iron Figural Garden Urns late 19th century, the reeded urns mounted on two sides with Bacchanalian putti holding kylixes, and ram’s heads on the other sides, with swags of fruit in between, resting on castiron pedestals decorated with medallions on panels. h. 46-1/2”, w. 32”, d. 21-3/4” $1,500-$2,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

381

144

382 Large Terracotta Architectural Finial ca. 1900 in the Renaissance Revival taste, the upper portion with a ballform finial above molded flowers, separated by a border of beading, the lower portion designed to attach to the top of a roof. h. 41-1/2”, w. 14”, d. 15” $1,000-$1,500

382

383 French Terracotta of “L’Amour Blesse (The Wounded Cupid)” after the 1874 marble by Jean-Baptiste Carpeaux (French, 1827-1875), signed in script along proper left side of self-base, now on a Tuscan column-form pedestal. sculpture h. 28-3/4”, w. 9-1/2”, d. 19”, pedestal h. 36”, w. 17-1/2”, d. 17-1/2”

383 detail

383

$2,500-$4,000 Provenance: Private collection, Dallas, Texas.

The original marble model of this sculpture was exhibited at the Paris Salon of 1874 and is now conserved at the Musee des Beaux-Arts de Valenciennes, France.

384 Cast-Iron Bird Bath ca. 1900, the basin molded with leaves, supported on a tapered and fluted standard, over a base decorated with molded flowers and scrollwork, raised on a square plinth. h. 35”, dia. 24” $2,000-$4,000

384

145

385 Bronze Egret Fountain comprised of two egrets, both piped to spout water from their bills, the taller one on a driftwood stump, above an integral circular base modeled with plants. h. 75-3/4”, w. 24”, d. 21-1/2” $1,200-$1,800

386

386 Pair of American Labeled Cast-Iron Urns late 19th century, Philadelphia, the scroll-molded rims over fluted bodies, supported on vasiform standards decorated with fluting and molded lotus leaves, the bases labeled “J.C. Cassel, 702 Arch St., Philadelphia”. h. 36”, dia. 20-3/4” $1,500-$2,500 385

146

387

387 387

387 Suite of Brown Jordan Garden Furniture the brown-enameled metal suite with woven backs, arms and seats, comprised of a sofa, h. 31-1/2”, w. 50-1/2”, d. 32-1/2”, an armchair, h. 29-3/4”, w. 23”, d. 27-3/4”, and a labeled ottoman, h.

17-1/4”, w. 25-1/2”, all with loose cushions, together with a glasstop cocktail table, h. 16-1/2”, w. 38-1/2”, d. 20”. $800-$1,200

388 Cast-Iron and Wood Garden Bench the cast-iron ends comprised of intertwined serpents, set with a wooden slat seat and back. h. 32”, w. 48-1/2”, d. 20” $1,200-$1,800

388

147

389

389 Pair of Cast-Iron Garden Urns

390 Pair of Cast-Iron Garden Urns

fourth quarter 19th century, in the Renaissance Revival taste, the rocaille-molded rims over bodies decorated with inset panels of molded grapes, the handles decorated with scrollwork and masques, on fluted bases, over square plinths. h. 21-1/2”, w. 27”, d. 19”

late 19th century, mounted with scrolled handles, the rims molded with shells, over fluted bodies, resting on tapered and fluted bases molded with shells. h. 22”, w. 27”, d. 19-1/2” $1,200-$1,800

$1,200-$1,800

390

148

391 Monumental Cast-Stone Bust of Hercules 20th century, after the 2nd century CE sculpture found at the foot of Mount Vesuvius and now conserved at the British Museum, London, on an integral cast socle. h. 40”, w. 25-3/4”, d. 10” $1,000-$1,500

392 Pair of Bronze Garden Urns in the Neoclassical Taste 20th century, the rope-twist lip over a neck molded with a grid of lozenge-form medallions, the body with a border of acanthus leaves over vertical reeding, set with pierced and scrolled handles terminating in masques. h. 29-3/4”, w. 29” $1,500-$2,500

391

392

149

393 Pair of Patinated Metal Egrets of Japanese inspiration, one with its head up and the other with its head down. h. 34” to 39”, w. 17” to 21”, d. 7-1/2” to 13” $1,000-$1,500

394 Pair of Painted Metal Tree Tubs 21st century, in the neoclassical taste, the square planters with cone finials on each corner, and large wreath mounts on the sides, raised on bun feet. h. 22-1/2”, w. 16-1/2”, d. 16-1/2” $1,000-$1,500

393

394

150

395 Five Bronze Figures of Children at Play including two boys and three girls with their arms spread apart, playing and jumping, in the Jim Davidson style. h. 46” to 51”, w. 35” to 41”, d. 17” to 40” $3,000-$5,000

395

395 details

151

396

396 Suite of Nine Pressed Hydrangeas

397 Two Natural Clam Shells

2025, each initialed and dated lower right, in shades of blue.

Glazed and framed alike. each 17-1/2” x 13-1/2”

the polished shells with pale blush interiors and layered exteriors, the bottoms cut to sit flat. h. 4-1/2” to 6-3/4”, w. 15-1/2” to 16-1/4”, d. 8-3/4” to 9-3/4”

$1,200-$1,800

$1,000-$1,500

397

152

398

398 Large Bronze Alligator realistically modeled, its mouth open and menacing. h. 14”, l. 79” $6,000-$9,000

399 Pair of Glazed Terracotta Herons the green-glazed herons with cobalt beaks and legs, “walking” in aquatic grass. h. 23-1/2”, w. 8”, d. 24” $1,800-$2,500

398 detail

399

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SESSION SUNDAY, MARCH 29

400 Diamond Bangle Bracelet

402 Diamond Band

14k yellow gold, the bracelet mounted with emerald-cut diamonds weighing approximately 1.46 carats in total. inside circumference 6-1/2”, total weight 8.2 grams

18k yellow gold, the band mounted with baguette-cut diamonds weighing approximately 0.45 carats in total. size 7, total weight 2.2 grams

$3,500-$5,000

$900-$1,200

401 Pair of Diamond Earrings

403 Diamond Bangle Bracelet

14k yellow gold, the earrings mounted with emerald-cut diamonds weighing approximately 0.70 carats in total. l. 7/8”, total weight 3.7 grams

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total. inside circumference 6-3/4”, total weight 5.3 grams

$1,800-$2,500

$1,400-$1,800

156

400

401

402

403

157

404

405

406

158

407

404 Diamond Bangle Bracelet

406 Gold Chain-Link Necklace

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.49 carats in total. inside circumference 6-3/4”, total weight 5.9 grams

14k yellow gold, the necklace composed of polished paperclip links. l. 18”, total weight 8.0 grams

$1,400-$1,800

$1,500-$2,500

405 Diamond Bangle Bracelet

407 Gold Chain-Link Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. inside circumference 6-3/4”, total weight 6.2 grams

14k yellow gold, the bracelet composed of polished paper-clip links. l. 7-1/2”, total weight 3.6 grams

$1,400-$1,800

$1,000-$1,500

159

409

410

409 Diamond and Pearl Pendant Necklace 408

408 Audemars Piguet Diamond Watch 18k yellow gold, the manual-wind watch with a bezel set with round single-cut diamonds weighing approximately 0.20 carats in total, the back of the case stamped “Audemars Piguet Swiss 33700”, the clasp accented with a cabochon-cut emerald weighing approximately 0.10 carats. l. 6” to 6-1/4”, total weight 28.2 grams $1,000-$1,500

18k yellow gold/14k white gold, the necklace set with an 18k yellow gold scallop shell pendant mounted with a cultured pearl measuring 7.00mm in diameter, accented with single-cut and round brilliant-cut diamonds weighing approximately 0.51 carats in total, l. 1-3/4”, suspended from a 14k white gold chain, l. 18”. total weight 11.0 grams $1,400-$1,800 410 Stacking Diamond Bands 18k yellow/rose gold/sterling silver, the ring composed of five bands connected by gold rings, two polished and three mounted with round brilliant-cut diamonds weighing approximately 3.67 carats in total. size 7, total weight 24.7 grams $7,000-$10,000

160

411

412

411 Pair of Citrine and Garnet Ear Clips

412 Beautiful Diamond Tassel Earrings

18k yellow gold, the ear clips mounted with oval-cut and cushion-cut citrines weighing approximately 32.00 carats in total, accented by square-cut garnets weighing approximately 0.40 carats in total. l. 7/8”, total weight 16.6 grams

18k rose gold, the tassels composed of white rondel-cut diamonds with briolette-cut black diamonds on each end, suspended from tops mounted with rose-cut brown diamonds and round brilliant-cut white diamonds, accented by onyx, with an approximate total diamond weight of 69.50 carats. l. 3”, total weight 27.0 grams

$1,400-$1,800

$10,000-$15,000

161

413

413 Yellow and White Diamond Pendant Necklace 14k white gold, the fixed pendant mounted with a cushioncut yellow diamond surrounded by a border of round-cut yellow diamonds and round brilliant-cut white diamonds, with an approximate total weight of 0.70 carats. adjustable l. 16” to 18”, total weight 2.3 grams $1,500-$2,500 414 Yellow and White Diamond Ring 18k white gold, the ring mounted with a central cushion-cut yellow diamond surrounded by a border of round-cut yellow diamonds and further accented by round brilliant-cut white diamonds, with an approximate total weight of 1.60 carats. size 5-1/2, total weight 3.8 grams $3,500-$5,000

162

414

415

416

415 Yellow and White Diamond Bracelet

416 Pair of Yellow and White Diamond Earrings

14k white gold, the bracelet mounted with cushion-cut yellow diamonds, each surrounded by a border of round-cut yellow diamonds and round brilliant-cut white diamonds, separated by “flowers” mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 3.05 carats. l. 6-1/4”, total weight 10.5 grams

14k white gold, the earrings mounted with cushion-cut yellow diamonds, surrounded by a border of round brilliantcut yellow and white diamonds, with an approximate total diamond weight of 1.24 carats. l. 3/8”, total weight 2.2 grams $1,800-$2,500

$4,000-$7,000

163

417

417 Long Diamond Necklace 14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 12.00 carats in total. l. 36”, total weight 29.7 grams $10,000-$15,000

164

418

418 Graduated Diamond Necklace 14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 3.50 carats in total. l. 17”, total weight 9.3 grams $3,500-$5,000 419 Pair of Diamond Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.80 carats in total. l. 1”, total weight 8.1 grams $1,800-$2,500

419

165

420 Diamond Bracelet 18k white gold, the bracelet mounted with marquise-, baguette- and round brilliant-cut diamonds weighing approximately 10.50 carats in total. w. 3/4”, l. 7”, total weight 44.6 grams $12,000-$18,000 421 Diamond Pendant Necklace 18k white gold, the pendant mounted with round brilliantcut and pear-cut diamonds weighing approximately 1.08 carats in total, l. 1-1/2”, suspended from a 16” white gold chain. total weight 7.0 grams $1,400-$1,800

421

420

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422 Pair of Diamond Stud Earrings 14k white gold, the studs mounted with round brilliant-cut diamonds weighing approximately 3.04 carats in total. total weight 1.6 grams $7,000-$10,000 423 Sapphire and Diamond Ring 18k white gold, the ring mounted with baguette-cut sapphires weighing approximately 0.93 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.41 carats in total. size 6-1/4, total weight 5.9 grams

423

$3,500-$5,000

167

424 Pair of Sapphire and Diamond Earrings

426 Sapphire and Diamond Leaf Brooch

18k white gold, the earrings mounted with baguette-cut sapphires weighing approximately 1.58 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.54 carats in total. l. 9/16”, total weight 5.2 grams

platinum, the brooch mounted with baguette-cut sapphires weighing approximately 0.87 carats in total accented by single-cut diamonds weighing approximately 0.11 carats in total. l. 2-1/8”, total weight 6.9 grams

$4,000-$7,000

$2,500-$4,000

425 Diamond and Sapphire Brooch

427 Multi-Colored Sapphire and Diamond Bracelet

platinum, the brooch mounted with single-cut diamonds weighing approximately 0.80 carats in total, accented by square-cut sapphires weighing approximately 2.30 carats in total. size 3/4” x 2-1/2”, total weight 17.1 grams

14k yellow gold, the bracelet mounted with multi-colored oval-cut sapphires weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.80 carats in total. l. 7”, total weight 6.4 grams

$7,000-$10,000

$2,500-$4,000

168

424

426

425

427

169

428 Pair of Lapis Lazuli and Diamond Earrings

430 Pair of Opal and Diamond Earrings

18k yellow gold, the earrings mounted with long teardropshaped lapis lazuli, suspended from small hoop earrings mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 2-1/8”, total weight 9.8 grams

14k white gold, the earrings mounted with cabochon-cut oval opals weighing approximately 3.80 carats in total, accented by single-cut diamonds weighing approximately 1.36 carats in total. l. 1-1/2”, total weight 7.0 grams

$1,800-$2,500

$1,200-$1,800

429 Opal, Lapis Lazuli and Diamond Brooch

431 Opal, Diamond and Ruby Stick Pin

14k yellow gold/sterling silver, the brooch mounted with an opal cabochon weighing approximately 16.16 carats, accented by round brilliant-cut diamonds weighing approximately 1.78 carats in total and a carved lapis lazuli. size 1-3/8” x 1-5/8”, total weight 16.6 grams

14k yellow gold/sterling silver, the pin mounted with a pear-shaped opal cabochon weighing approximately 20.70 carats, accented by round brilliant-cut diamonds weighing approximately 1.26 carats in total and a pear-cut ruby weighing approximately 0.26 carats. size 3-1/2” x 1-1/8”, total weight 15.6 grams

$1,800-$2,500 $2,500-$4,000

170

429

430

428

431

171

432 Pair of Gem-Set Dangle Earrings

434 Paraiba Tourmaline and Diamond Ring

18k yellow gold, the earrings composed of carved flowers and leaves in various gemstones, including amethyst, citrine, topaz and tourmaline, accented by round-cut emeralds and rubies weighing approximately 0.51 carats in total and round brilliant-cut diamonds weighing approximately 1.38 carats in total. l. 2-3/4”, total weight 13.7 grams

14k white gold, the ring mounted with an oval-cut Paraiba tourmaline weighing approximately 4.47 carats, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 6-3/4, total weight 3.9 grams

$2,500-$4,000

435 Aquamarine, Diamond, Emerald and Onyx Ring

433 Aquamarine and Diamond Pendant Necklace 18k/14k white gold, the 18k white gold pendant mounted with an emerald-cut aquamarine weighing approximately 5.85 carats, accented on the top by round-cut aquamarines weighing approximately 0.30 carats in total and surrounded by a border of round brilliant-cut diamonds weighing approximately 0.30 carats in total, l. 1-1/8”, suspended from a 14k white gold chain, l. 18”. total weight 6.3 grams $2,500-$4,000

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$7,000-$10,000

14k yellow gold/sterling silver, the ring mounted with a central carved aquamarine weighing approximately 5.20 carats, accented by round brilliant-cut diamonds weighing approximately 0.80 carats in total and square-cut emeralds weighing approximately 2.15 carats in total, the outer band mounted with sections of black onyx. size 7, total weight 7.9 grams $1,400-$1,800

432 433

434

435

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436 Diamond, Emerald and Ruby Bird Brooch

438 Emerald, Ruby and Diamond Paisley Brooch

platinum, the brooch mounted with single-cut diamonds weighing approximately 3.95 carats in total, accented by square-cut emeralds weighing approximately 0.44 carats in total and a round-cut ruby weighing approximately 0.03 carats in total. size 1-1/8” x 2-1/2”, total weight 16.6 grams

platinum, the brooch mounted with round-cut emeralds weighing approximately 1.48 carats in total, round-cut rubies weighing approximately 1.39 carats in total and round brilliant-cut diamonds weighing approximately 1.68 carats in total. size 7/8” x 1-3/4”, total weight 16.9 grams

$6,000-$9,000

$7,000-$10,000

437 Pair of Emerald and Diamond Dangle Earrings

439 Diamond and Ruby Crown Brooch

14k white gold, the earrings mounted with pear-cut emeralds weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 1-3/8”, total weight 6.9 grams

14k yellow gold/sterling silver, the brooch mounted with round brilliant-cut diamonds weighing approximately 1.92 carats in total, accented by round-cut rubies weighing approximately 1.53 carats in total. size 1-1/8” x 2-1/4”, total weight 8.3 grams

$2,500-$4,000

$1,800-$2,500

174

436

437

438

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175

440

441

442

443

176

440 Ruby and Diamond Ring

442 Anglo-Swiss Ruby and Diamond Lapel Watch

platinum, the ring mounted with a long baguette-cut ruby weighing approximately 0.90 carats, accented by baguettecut and European-cut diamonds weighing approximately 1.22 carats in total. size 7, total weight 5.1 grams

late 19th century, 18k yellow gold, the watch face suspended and removing from the upper brooch, the whole mounted with mine-cut diamonds weighing approximately 0.81 carats in total and round-cut rubies weighing approximately 1.10 carats in total, accented by seed pearls, together with the original fitted box as retailed by James Savage, Kensington. size 1-3/4” x 2-1/2”, total weight 21.0 grams

$8,000-$12,000 441 Diamond and Ruby Ring platinum, the ring mounted with emerald-cut and round brilliant-cut diamonds weighing approximately 1.86 carats in total, accented by square-cut rubies weighing approximately 0.60 carats in total. size 7, total weight 9.1 grams $8,000-$12,000

$1,000-$1,500 443 Diamond and Ruby Deer Brooch/Pendant 12k rose gold, the brooch/pendant mounted with rose-cut diamonds weighing approximately 4.36 carats in total, accented by a round-cut ruby weighing approximately 0.03 carats. size 1-5/8” x 2-1/4”, total weight 24.1 grams $4,500-$7,000

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444

445

446

444 Diamond “Knot” Bangle Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.20 carats in total. inside circumference 6-3/4”, total weight 4.9 grams $1,400-$1,800 445 Diamond Snake Ring 18k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.31 carats in total. size 6-3/4, total weight 2.8 grams $1,200-$1,800

178

446 Flexible Diamond Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. adjustable inside circumference 6-3/4”-7-1/2”, total weight 11.8 grams $2,500-$4,000

447

447 Beautiful Diamond Necklace 14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 30.00 carats in total. l. 16”, total weight 33.9 grams $30,000-$50,000

179

448

449

450

451

180

448 Diamond Bangle Bracelet

450 Pair of Inside/Outside Diamond Hoop Earrings

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. inside circumference 6-1/2”, total weight 5.2 grams

14k yellow gold, the round hoop earrings mounted with round brilliant-cut diamonds weighing approximately 4.00 carats in total. l. 1-1/4”, total weight 7.2 grams

$1,800-$2,500 $3,500-$5,000 449 Three-Stone Diamond Ring 14k yellow gold, the ring mounted with three round brilliantcut diamonds weighing approximately 1.41 carats in total. size 7, total weight 5.6 grams

451 Flexible Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total. size 6-1/2 to 8-1/2, total weight 5.8 grams

$1,800-$2,500 $1,800-$2,500

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454

452 Emerald and Diamond Necklace 14k yellow gold, the necklace mounted with an emerald-cut emerald weighing approximately 0.95 carats, accented by round brilliant-cut diamonds weighing approximately 3.00 carats in total. l. 16”, total weight 7.4 grams $3,500-$5,000 453 Emerald and Diamond Bracelet 14k yellow gold, the bracelet mounted with square-cut emeralds weighing approximately 4.75 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 7”, total weight 9.3 grams $3,000-$5,000

182

454 Pair of Emerald and Diamond Earrings 14k yellow gold, the earrings mounted with emerald-cut emeralds weighing approximately 1.10 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.58 carats in total. l. 1/2”, total weight 3.2 grams $1,200-$1,800

455

456

455 Diamond and Emerald Bracelet

456 Emerald and Diamond Bracelet

14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.50 carats in total, accented by round-cut emeralds weighing approximately 0.50 carats in total. l. 7-1/8”, total weight 6.3 grams

14k yellow gold, the flexible bracelet mounted with pearcut emeralds weighing approximately 1.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. inside circumference 7”, total weight 9.1 grams

$3,500-$5,000

$2,500-$4,000

183

457 Tourmaline and Diamond Butterfly Brooch/Pendant 14k yellow gold/sterling silver, the brooch/pendant mounted with oval-cut and pear-cut tourmalines weighing approximately 6.97 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.66 carats in total. size 1-1/2” x 2”, total weight 15.1 grams $2,000-$4,000

457

458 Tsavorite Garnet, Diamond and Ruby Lizard Brooch 14k yellow gold/sterling silver, the brooch mounted with round-cut Tsavorite garnets weighing approximately 3.74 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total and marquisecut rubies weighing approximately 0.22 carats in total. size 1” x 2-5/8”, total weight 8.9 grams $1,800-$2,500 458

459 Diamond, Ruby and Emerald Dog Brooch 14k yellow gold/sterling silver, the brooch mounted with round brilliant-cut diamonds weighing approximately 1.49 carats in total, round-cut rubies and emeralds weighing approximately 0.71 carats in total and accented by black onyx. size 1” x 1-1/4”, total weight 13.2 grams $1,800-$2,500

459

184

460 Diamond and Pearl Panther Brooch

460

14k yellow gold/sterling silver, the brooch with a baroque pearl measuring approximately 11.50mm x 17.50mm, suspended from a panther mounted with round brilliant-cut diamonds weighing approximately 4.24 carats in total, and round-cut rubies weighing approximately 0.14 carats in total, accented by black enamel. size 1-3/4” x 2-1/8”, total weight 15.3 grams $2,000-$4,000 461 Tanzanite and Diamond Bunny Brooch/Pendant 14k yellow gold, sterling silver, the brooch mounted with a pear-cut tanzanite weighing approximately 12.50 carats, accented by round brilliant-cut diamonds weighing approximately 2.01 carats in total, accented by a round-cut emerald weighing approximately 0.02 carats. size 2” x 1-1/8”, total weight 14.8 grams $1,800-$2,500

461

462 Gem-Set Beetle Brooch/Pendant 14k yellow gold/sterling silver, the brooch/pendant mounted with round brilliant-cut diamonds weighing approximately 2.05 carats in total, accented by square-cut sapphires weighing approximately 3.52 carats in total, round-cut rubies weighing approximately 0.08 carats in total and an oval-cut emerald weighing approximately 0.48 carats. size 1-3/4” x 1-1/4”, total weight 11.4 grams $2,500-$4,000 463 Diamond and Ruby Beetle Brooch

462

14k yellow gold/sterling silver, the brooch mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.50 carats in total, accented by round-cut rubies weighing approximately 0.40 carats in total. size 3/4” x 1-1/4”, total weight 5.6 grams $1,500-$2,500

463

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464 Beautiful Diamond Bracelet platinum, the bracelet mounted with European-cut diamonds weighing approximately 8.36 carats in total. w. 5/8”, l. 6-1/2”, total weight 37.8 grams $12,000-$18,000 465 Pair of Diamond Earrings 18k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 3/4”, total weight 11.0 grams $3,500-$5,000 466 Beautiful Diamond Tennis Bracelet

465

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 17.65 carats in total. l. 7”, total weight 21.2 grams $18,000-$25,000

466

186

467

467 Diamond Pendant Necklace 18k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 0.92 carats in total. necklace l. 18”, drop l. 2-1/8”, total weight 6.3 grams $2,500-$4,000 468 Pair of Convertible Diamond Earrings 18k white gold, the earrings designed with removable “spike” dangles mounted with round brilliant-cut diamonds in the round, suspended from a pair of diamond hoop earrings mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 2.56 carats. l. 1-1/2”, total weight 11.2 grams $4,500-$7,000

468

187

469

469 Diamond Pendant Necklace

470 Diamond Chain-Link Bracelet

14k white gold, the necklace mounted with a fixed pendant set with pie-cut diamonds weighing approximately 0.75 carats in total. adjustable l. 16” to 18”, total weight 2.3 grams

18k white gold, the bracelet composed of polished gold anchor links, mounted with round brilliant-cut diamonds weighing approximately 1.70 carats in total. l. 6-1/2”, total weight 11.9 grams

$2,500-$4,000

$4,000-$7,000

470

188

471

471 Diamond Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 3.90 carats in total. l. 7”, total weight 9.5 grams $4,000-$7,000 472 Pair of Inside/Outside Diamond Huggies 14k white gold, the huggies mounted with round brilliant-cut diamonds weighing approximately 4.60 carats in total. l. 3/4”, total weight 6.5 grams $5,000-$8,000 473 Diamond Two-Tone Bracelet 14k white/yellow gold, the bracelet mounted with sections of round brilliant-cut diamonds weighing approximately 1.25 carats in total, alternating with sections of polished gold beading. l. 7”, total weight 5.8 grams

472

$2,000-$4,000

473

189

474

474 Diamond Necklace

475 Diamond Tennis Bracelet

14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 4.00 carats in total. l. 16”, total weight 13.5 grams

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 7.25 carats in total. l. 7”, total weight 11.9 grams

$3,500-$5,000

$6,000-$9,000

475

190

476

477

476 Pair of Diamond Huggies 14k yellow gold, the inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 5/8”, total weight 4.2 grams $1,800-$2,500 477 Diamond Bangle Bracelet 14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 0.60 carats in total. inside circumference 6-3/4”, total weight 4.6 grams $1,500-$2,500 478 Diamond Pendant Necklace 14k yellow gold, the fixed pendant mounted with a round brilliant-cut diamond weighing approximately 1.00 carat. adjustable l. 16” to 18”, total weight 1.9 grams

478

$2,000-$4,000 479 Diamond Bracelet 14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 0.75 carats in total. l. 6-3/4”, total weight 2.1 grams $1,500-$2,500

479

191

480 Removable Diamond Hoop Earrings 14k yellow gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.00 carat in total l. 3/4”, total weight 2.2 grams $1,500-$2,500

482

482 Diamond Necklace

480

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 1.25 carats in total. adjustable l. 16” to 18”, total weight 3.4 grams $2,500-$4,000

481 Diamond Band 18k yellow gold, the band mounted with European-cut diamonds weighing approximately 1.20 carats in total. size 7-1/4, total weight 3.5 grams $1,500-$2,500 481

192

483 Flexible Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total. size 6-3/4 to 7-1/2, total weight 3.5 grams $1,500-$2,500 484 Pair of Diamond Hoop Earrings 14k yellow gold, the inside/outside oval hoop earrings mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 1-1/8”, total weight 5.4 grams

483

$2,500-$4,000

484

193

485 Diamond and Cultured Pearl Necklace 18k yellow gold, the necklace composed of slightly graduated white pearls with a good luster, ranging in size from 15.00mm to 16.30mm, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.05 carats in total. l. 17”, total weight 131.8 grams $2,500-$4,000 486 Cultured Pearl Necklace 14k white gold, the necklace composed of white cultured pearls with a good luster, measuring approximately 10.40mm to 11.30mm, finished with a white gold ball clasp. l. 18”, total weight 68.3 grams $500-$800 487 Pair of Cultured Pearl and Diamond Earrings 18k yellow gold, the earrings mounted with gray cultured pearls measuring approximately 10.80mm to 11.70mm, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. l. 1-1/4”, total weight 13.7 grams

485

$2,500-$4,000

487

486

194

488

488 Long Strand of Cultured Pearls

489 Two Strands of Cultured Pearls

the white pearls with a good luster, ranging in size from 9.80mm to 10.20mm. l. 50”

the white pearls with a good luster, ranging in size from 10.50mm to 11.00mm. l. 33-1/2” and 35”

$1,200-$1,800

$1,800-$2,500 Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

489

195

490

490 Henriette Wyeth (American, 1907-1997) “Seashells and Flowers” oil on canvas signed lower left, several “Altermann & Morris Galleries, Dallas, Texas” and “Nedra Matteucci Galleries, Santa Fe, New Mexico” labels en verso.

Framed.

Together with a certificate of authenticity from Nedra Matteucci Galleries and the book The Artifice of Blue Light, 1994.

36” x 38”, framed 44” x 46-1/2” $8,000-$12,000 Provenance: Altermann & Morris Galleries, Dallas Texas; Nedra Matteucci Galleries, Santa Fe, New Mexico; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

196

“In still life I became obsessed by the shape or color of an object - a shell, flower, stone. They are simple, elemental - but very complex. The way in which one object relates to another becomes a drama. I paint the air that goes around it - the mystery, color. Anything can be interesting if you like it and study it. It’s a very personal thing.”

Henriette Wyeth The Artifice of Blue Light, 1994

491

491 Two New Guinea Carved Wood Canoe Elements Trobriand Islands, Papua, decorated with incised, low-relief scroll carving, including a lagim, a Massim canoe splash board with two scrolled sides, h. 27-1/4”, w. 20-1/2”, and a carving from the prow, h. 12-3/4”, w. 27-1/2”, above their functions, the objects provided spiritual protection to voyagers during ceremonial Kula exchanges. $700-$1,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

492

492 Brass-Bound Mahogany Campaign Butler’s Chest early 20th century, in two parts, the top drawer fitted with a desk, above a pair of side-by-side drawers, the lower case with two long drawers, raised on tapered legs. h. 37-1/2”, w. 36”, d. 19-1/2” $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

493 Semi-Antique Mahal Carpet 9’ 6” x 13’ $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

493

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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494

494 Suite of Eight Baker Mahogany Dining Chairs 20th century, #789 “Chippendale”, each with a shaped crest rail and central pierced “ribbon” splat, the seats upholstered in blue scored velvet, raised on straight chamfered legs joined by stretchers, each bearing a metal Baker Furniture tag. h. 37”, seat h. 18-1/2”, w. 21-1/2”, d. 21” $1,500-$2,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

This design, #789 “Chippendale”, was introduced by Baker Furniture in 1933 and remained in production for more than 60 years.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

495 Regency Mahogany and Leather Drum Table 19th century, the circular top with an inset leather surface, fitted with four drawers, mounted to a turned standard with four downswept legs ending in brass toes on casters. h. 29”, dia. 42” $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

198

495

496 Gorham Sterling Silver Demitasse Set 1911, Providence, Rhode Island, pattern A4167-A4768, including: a “Turkish”-style coffeepot, h. 9-3/4”, l. 6-1/4”; an open sugar bowl, h. 2-1/2”, w. 5-1/4”; and a cream jug, h. 4-1/4”, l. 4-1/2”; each with quarter-lobed body and richly decorated with embossed rococo scrolls and flowers, monogrammed “B”.

24.99 total t. oz. $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

496

497 Gorham “Chantilly” Sterling Silver Flatware Set the pattern designed in 1895 by William Christmas Codman (1839-1923), Providence, Rhode Island, including eight tenpiece place settings (four pieces lacking) with an additional forty-eight place pieces and seventeen serving/table pieces, presented in a fitted, tarnish-resistant cloth-lined wood case with lift top and single drawer, 6-1/4” x 14-3/4” x 11-1/4”, forty-five pieces variously monogrammed.

(141 pieces total plus case) 119.44 total t. oz. (weighable silver) $4,000-$7,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

497

498 S. Kirk & Son Sterling Silver Water Pitcher second quarter 20th century, Baltimore, Maryland, of ovoid form with stepped pedestal foot, arched handle and waisted collar with integral spout, decorated with narrow reeded banding, engraved on the body “Fay”. h. 12”, l. 8-1/4”, dia. 5-3/4”; 34.40 t. oz. $1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

498

199

499 Regency Mahogany Bibliotheque early 19th century, in two parts, the upper case with a pair of astragal-glazed doors flanked by fluted and stopreeded columns with Egyptian capitals below carved floral medallions, opening to four shelves, and a row of three drawers below, the lower portion with a framed and paneled door having a circular medallion, raised on a plinth base. h. 97-1/2”, w. 42”, d. 13” $2,500-$4,000 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

499

500 Antique Serapi Carpet 9’ 11” x 12’ 11” $2,000-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

500

200

501

501 Suite of Nine George III-Style Mahogany Dining Chairs

502 George III Mahogany Drop-Leaf Dining Table

20th century, comprised of a pair of armchairs, h. 38”, seat h.

20”, w. 22-1/2”, d. 22”, and five matching side chairs, h. 38”, seat h. 20”, w. 21-1/2”, each with a rolled back crest above a pierced splat, raised on cabriole front legs ending in ball-and-claw feet, together with two compatible side chairs, each with a yoke crest above a pierced splat, with chamfered front legs, all with slip seats in blue leather.

late 18th century, the broad single-board top and leaves mounted to a swing-leg base with eight Marlborough legs. h. 29-1/2”, w. 19”, ext. w. 53”, l. 87-1/2” $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

$1,400-$1,800

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

502

201

503

503 Herend “Rothschild Bird” Blue Border Tableware Hungarian, various dates, decorated with blue scale borders, the collection including: two dinner plates, dia. 10-1/4”; one charger, dia. 10-1/4”; twelve salad/dessert plates, dia. 7-1/2”; twelve bread-and-butter plates, dia. 6”; twelve demitasse cups and saucers, h. 2-1/4”, dia. 4-1/2”; two handled cake plates, w. 11-1/4”, d. 9-3/4”; one circular vegetable dish, h. 4”, dia. 7-1/2”; one oval vegetable dish, h. 2-1/4”, w. 10”, d. 8”; one gravy boat with integral stand, h. 4-1/4”, w. 9”; two coffeepots, h. 8-3/4” to 9-3/4”, w. 6-1/4” to 7-1/4”; one cream jug, h. 3-1/2”; one covered sugar bowl, h. 4”; and one dinner bell, h. 3”.

(61 pieces total)

504 English Mahogany Fold-Over Games Table ca. 1800, in the Hepplewhite taste, the rectangular fold-over top opening and supported by a swing leg, over a straight apron frieze with a molded lower edge, raised on tapered square legs. h. 29-1/2”, w. 34-1/2”, d. 16”, ext. d. 32” $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

$2,000-$4,000 Provenance: Estate of Carolyn G. Fay, Houston, Texas; By descent the Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

504

202

505 Chinese Bottle Vase Lamp late 19th century, the celadon ground decorated with blue-and-white figures of pilgrims in a landscape, on a wooden base and fitted with a lampshade. h. 29”, dia. 16-1/2” $700-$1,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

506 George III Mahogany Fold-Over Games Table 18th century, the top with a molded leading edge, opening and supported by a swing leg, raised on four Marlborough legs. h. 29”, w. 35”, d. 17-1/2”, ext. d. 17-1/2” $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

505

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

506

203

507 George III Mahogany Tilt-Top Tea Table 18th century, the single-board dished pie-crust top mounted to a turned and spiral-carved standard, raised on three outstretched legs with foliate-carved knees. h. 28”, dia. 29-1/2” $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

507

508 Pair of Japanese Imari Ginger Jars late 19th century, the lobed ginger jars decorated in orange and cobalt with Kakiemon flourishes, the covers with foo dog knops. h. 15”, dia. 6-3/4” $800-$1,200 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

508

204

509 Large George III Oak Mule Chest 18th century, the plank top with a molded under edge above a center bank of five drawers flanked by a bank of four drawers to each side, and dressed with brass batwing bail pulls, the front corners of the case with fluted quarter columns, raised on ogee bracket feet. h. 41-1/2”, w. 85”, d. 22-1/2” $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

510 Baroque-Style Ebonized Wood Mirror late 19th century, Dutch or Flemish, the mirror with reeded and crossetted corners, framing panels of walnut veneer, the interior with ebonized wave-edge molding. h. 51”, w. 37-1/2” $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

510

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

509

205

511 Chinese Export Blue-and-White Tureen and Platter late 18th century, the Qianlong period tureen decorated with houses in landscapes, the diapered borders accented with flower heads, set with a scrolled knop and boar’shead handles, h. 9”, w. 11-1/2”, d. 8-3/4”, and the deep platter decorated to match, w. 10-3/4”, l. 14-1/2”. $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

511

512 Queen Anne Mahogany Fold-Over Games Table 18th century, the demilune top opening to circular, and supported by a swing leg, the apron frieze with two drawers, raised on tapered circular legs ending in pad feet. h. 28-1/2”, w. 35”, d. 17”, ext. d. 35” $800-$1,200

18th century, the demilune top opening to circular and supported by a swing leg, with a straight frieze apron having a brass escutcheon fronting a game piece well, raised on tapered circular legs ending in pad feet. h. 28-1/2”, dia. 30” $800-$1,200

Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

512

206

513 Queen Anne Mahogany Fold-Over Games Table

Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

513

514 Japanese Imari Porcelain Lamp late 19th century, the Japanese Imari vase decorated with orange and cobalt chrysanthemums and clouds, now mounted as a lamp with a wooden cap and base, fitted with a lampshade. h. 30”, dia. 16-1/2” $700-$1,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

515 Pair of George III-Style Mahogany Wing Chairs late 19th century, of traditional form, each with a loose seat cushion, raised on Marlborough legs joined by an H-form stretcher, upholstered in Scalamandre coral linen velvet. h. 43”, seat h. 18”, w. 31”, d. 34” $1,200-$1,800 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

514

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

515

207

516 Monumental Regency Mahogany Secretary Breakfront 19th century, the upper section in three parts, each with open shelves trimmed with scalloped parcel-gilt leather, on a base with a drop-front butler’s drawer, opening to a fitted interior and flanked by a void drop front drawer to each side, with a pair of cabinets at both ends, the corner edges reeded and canted, raised on a molded plinth base. h. 104”, w. 124”, d. 21” $3,000-$5,000 Provenanced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

516

208

517

517 Antique Serapi Carpet 10’ 11” x 15’ 11” $5,000-$8,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

209

518

518 Royal Crown Derby “Red Aves” Dinner Service pre-1997, the service including: one soup tureen, h. 8”, dia. 9-1/4”; twelve dinner plates, dia. 10-3/4”; twelve soup plates, dia. 8-1/2”; eight salad plates, dia. 8-1/2”; twelve crescent salad plates, l. 8-3/4”; one octagonal salad bowl, h. 3-3/4”, dia. 9-1/2”; one oval vegetable dish, h. 2”, w. 9-1/2”; one oval platter, w. 10-3/4”, l. 13”; two candlesticks, h. 10-1/2”; two trembleuse cups with saucers, h. 4-1/2”, dia. 6”; two trembleuse saucers, dia. 6”; one breakfast cup with saucer, h. 3-1/4”, dia. 5-1/2”; one saucer, dia. 5”; eleven bread-and-butter plates, dia. 6-1/4”; twelve dessert dishes, dia. 6-1/2”; seventeen fruit/sauce dishes, dia. 5-1/4”; one coffeepot, h. 9-1/4”, w. 7”; one teapot, h. 4-3/4”, w. 7”; two cream jugs, h. 3” to 3-1/4”; one ginger jar, h. 4-1/4”, dia. 3-1/2”; twelve demitasse cups, h. 2-1/4”; ten saucers, dia. 4-3/4”; one Ginori cockerel-decorated muffineer, h. 5-3/4”, dia. 2-1/2”; and one gravy boat and stand, h. 4-3/4”, w. 7”.

(129 pieces total) $2,000-$4,000 Provenance: Estate of Carolyn G. Fay, Houston, Texas; By descent the Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund. `

210

518 detail

519

519 Royal Crown Derby “Red Aves” Dessert Ware pre-1997, the collection including: one coffeepot, h. 9-1/2”, w. 7-1/2”; one teapot, h. 7-1/4”, w. 10-1/2”; one covered sugar bowl, h. 5”, w. 6-3/4”; two cream jugs, h. 3” to 3-1/4”, w. 3” to 4-3/4”; one tea strainer with underplate, h. 1”, dia. 4”; one Tudor rose tray, dia. 4-1/2”; twelve “Sheffield” ruffled dessert plates, dia. 8-1/2”; twelve cups, h. 2-1/4”; ten saucers, dia. 5-1/2”; two open sugar bowls, h. 2-1/2”, dia. 5”; two octagonal bowls, h. 3-1/2”, dia. 8”; and one cigarette box, w. 4-1/2”, d. 3-3/4”.

(47 pieces total) $1,000-$1,500 Provenance: Estate of Carolyn G. Fay, Houston, Texas; By descent the Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

519 detail

519 detail

211

520

520 William Grosvenor Congdon (American, 1912-1998) “Piazza Venice 7”, 1951 oil and enamel on wood panel signed, dated, titled and with a “Betty Parsons Gallery, New York, New York” label en verso.

Framed.

Together with a copy of the 2012 exhibition catalogue.

35-1/4” x 45-1/4”, framed 42” x 52” $30,000-$50,000 Provenance: Betty Parsons Gallery, New York, New York; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Exhibited: The Fondazione Universita Ca’ Foscari Venezia, Italia, May 5th-July 8th, 2012.

Literature: Illustrated p. 81 in the exhibition catalogue.

212

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

“The orange moon that had risen above my fear-ridden vision of New York became the golden basilica of S. Marco to which I now had access... a haven into which I could enter. The basilica loomed larger and began to dominate.”

William Congdon congdonfoundation.com William Congdon's deeply personal series of Venetian paintings of San Marco–of which the work offered here is number 7–are stunning examples of the artist's idiosyncratic sculptural approach to painting. Eschewing the use of brushes, he employed various tools to form, shape, mold and scrape the paint to conform to his vision, resulting in highly textured, nearly topographical surfaces.

521 Unusual George III Oak Linen Press 18th century, one piece, with a dentillated cornice molding over a pair of framed and arched paneled doors, the base fitted with three graduated long drawers, raised on bracket feet. h. 78”, w. 40”, d. 19” $1,500-$2,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

522 English Oak Welsh Dresser Base 18th century, in the William and Mary taste, the top with a molded edge over four side-by-side drawers, separated by fluted plaques, with a scalloped apron, supported by five turned standards to a lower molded open shelf, raised on bracket feet. h. 32-1/2”, w. 83”, d. 17-1/2” $1,500-$2,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

521

522

213

523 Queen Anne-Style Walnut Wing Chair 19th century, of traditional form with a loose seat cushion and pillow, raised on cabriole legs with scroll-carved knees, covered in faux crewel linen fabric decorated with animals and flowering trees. h. 44”, seat h. 19”, w. 37”, d. 24” $800-$1,200 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

524 English Queen Anne-Style Oak Dining Table 20th century, the oval top with two drop leaves, the base with scalloped ends and supported by tapering round legs ending in pad feet. h. 29-1/2”, w. 22”, ext. w. 48”, l. 72” $1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

523

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

524

214

525 Pair of Chinese Lamps ca. 1900, comprised of a pair of similar blue-and-white Ching Dynasty porcelain vases, with salamander handles and character decoration, mounted as lamps with wooden caps and feet, and fitted with shades. h. 29-1/2”, dia. 18” $1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

526 Welsh Oak Dresser 18th century, the upper section with an overhanging cornice and blind scallops along the frieze, above three open plate shelves, the base with three side-by-side drawers, raised on straight square legs. h. 74-1/2”, w. 66”, d. 19” $1,000-$1,500 525

Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

526

215

527 Two English Brass-Bound Mahogany Peat Buckets 19th century, the large example converted from a plate bucket with the addition of a brass panel, both with a brass swing handle and hoops. h. 18-1/2” to 22” (with handles raised), dia. 13-3/4” to 14-1/2” $800-$1,200 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

528 William and Mary Walnut Stool 18th century, with a padded seat over block-and-turned legs joined by a like stretcher, the seat upholstered in Brunschwig & Fils “Meridian” grospoint fabric and trimmed with brass tacks. h. 16-1/2”, w. 24”, d. 24”

527

$800-$1,200 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

528

529 Antique Kazak Carpet 4’ 9” x 10’ $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

216

529

530 Pair of English Sterling Silver Candelabra hallmarked Birmingham,1959-1960, by Adie Brothers, in the George II taste, each with a baluster standard of canted square section above a conforming molded base, the cannon-form nozzle fitted with a detachable branch with a central standard flanked by scrolling arms, each with drippan and nozzle. h. 14-1/2”, w. 13-1/4”; weighted $1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

530

531 George III Mahogany Chest of Drawers 18th century, the front fitted with three side-by-side drawers over three graduated long drawers, raised on bracket feet. h. 38”, w. 46”, d. 21” $1,200-$1,800 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

531

532 Framed Spanish Colonial Religious Fragment ca. 1800, oil on linen affixed to wood panel, with a central image of Saint Joseph holding the infant Jesus, both with radiant halos, St. Joseph holding a lily, symbolizing purity and his spousal relationship with Mary, now float-mounted and framed.

22” x 17-1/2”, framed 30” x 25” $1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

532

217

533 George III Mahogany Bachelor’s Chest 18th century, the front fitted with a pull-out work slide, over four graduated long drawers, raised on bracket feet. h. 34-1/2”, w. 32”, d. 19-1/2” $1,000-$1,500 Provenance: Sourced by Stanley Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

534 Near Pair of Chinese Porcelain Baluster Vase Lamps 20th century, the blue-and-white lamps decorated with figures and deer in landscapes, on wooden bases and fitted with custom lampshades. h. 33-1/2”, dia. 18-3/4” $1,200-$1,800 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

533

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

535 KPM “Arkadia” Partial Dinner Service ca. 1938, German, designed by sculptor Sigmund Shutz (German, 1906-1998), the pieces with delicate biscuit roundels of classical decoration and animals, each piece with blue underglaze sceptre marks, the service including: ten dinner plates, dia. 10-1/2”; twelve salad/dessert plates, dia. 8-1/4”; six cream soup bowls and underplates, h. 2”, dia. 7”; ten tea cups, h. 2”; eleven saucers, dia. 6-3/4”; eight coffee cups, h. 2-1/4”; two demitasse cups, h. 2”; fourteen saucers, dia. 5-1/4”; two berry dishes, dia. 5-3/4”; one oval platter, w. 9-1/2”, l. 12”; one teapot, h. 5-3/4” w. 8-1/2”; one covered sugar bowl, h. 2-1/2”, dia. 3-1/2”; one cream jug, h. 2-3/4”, dia. 3-3/4”; and one hors d’ouvres plate with bamboo handles, h. 5-1/2”, dia.

8-1/4”.

(86 pieces total)

534

$1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

535

218

536

537 Set of Eleven Lalique Sailing Ship Plates

536 Frederick Judd Waugh (American, 1861-1940)

20th century, the molded and frosted crystal salad/dessert plates decorated with views of sailing ships including Christopher Columbus’s lead ship, the “Nina”, signed, one in the original box. dia. 8-1/2”

“Brine and Mist” oil on panel signed lower right and en verso, and titled on a “Grand Central Art Galleries, Inc.” label en verso.

Framed.

36” x 48”, framed 45-1/4” x 56”

$700-$1,000

$5,000-$8,000

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Provenance: Grand Central Art Galleries, Inc., New York, New York; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

537

219

538 Patinated Bronze and Crystal Chandelier 20th century, the twenty-four-light chandelier of Baroque inspiration, the scrolled bronze frame set with eight scrolled candle branches, each with three bronze sockets, on floriform drip pans, alternating with spear-point vertical prisms, and hung with swags of cut-crystal drops. h. 44”, dia. 44-1/2” $2,500-$4,000 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

538

539

539 Baccarat “Avignon” Crystal Stemware Service ca. 1955-1961, French, each piece signed, the service including: nine tall water goblets, h. 6-1/8”; two water goblets, h. 5-3/4”; four claret glasses, h. 5-1/4”; four sherry glasses, h. 4”; and four cordial glasses, h. 3”.

(23 pieces total) $800-$1,200 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

540 Giltwood Mirror in the Rococo Taste 19th century, the pierced serpentine crest decorated with scrollwork supporting carved rocaille work, the cove-molded surround accented with carved rocaille and scrollwork, the lower edge with a carved shell. h. 50”, w. 26” $1,000-$1,500 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

220

540

541 Antique Tabriz Carpet Signed.

9’ 10” x 13’ 9” $4,000-$7,000 Provenance: Estate of John Fishback Grant, Houston, Texas; by descent the Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

541

221

542 Set of Ten Rosenthal Porcelain Dinner Plates ca. 1916, Bavarian, the plates decorated with raised gilt on a midnight blue ground, the back with the Rosenthal SelbBavaria mark, and the retailer mark, Ovington Brothers, New York. dia. 10-1/2” $700-$1,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

542

543 Pair of Giltwood, Brass and Mirrored Sconces in the George II taste, the giltwood backplates carved with shells and trimmed with acanthus leaves, set with conforming beveled mirror plates, with brass scrolled candle arms. h. 18”, w. 5-3/4”, d. 6” $1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

543

544 Chinese Oxblood-Lacquered Trunk on Stand early 20th century, the top decorated with scenes of weavers, the front with a metal lock and hasp, on a later conforming stand with straight square legs. h. 22”, w. 27”, d. 18-1/2” $700-$1,000 Provenance: Sourced by Stanley J. Sadler, Houston, Texas; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

544

222

545 Two Carved and Painted “Half Hull” Ship Models each built in 1853, one example of the SW Cole & Sons “Vessel No. 3”, designed by Ford & Wiles, Hull, England, h. 10-3/4”, w. 50”, d. 5-1/2”, and the other example of “Ship No. 7”, designed by Naval Architect S.P. Coleman, Leith, Scotland, h. 11-1/2”, w. 45”, d. 4”, both previously included in the collection of yachtsman Ernest Bel Fay, Houston, Texas. $800-$1,200 Provenance: Collection of Ernest Bel Fay, Houston, Texas; by descent the Estate of Marie Bel Fay Evnochides, Houston, Texas.

545

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

546 Semi-Antique Serapi Carpet 7’ 6” x 13’ 1” $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

547 Pat Colville (American, b. 1931)

546

“Nine Figures in Red and Blue” oil on canvas board signed lower right.

Framed.

24” x 36”, framed 25” x 37” $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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548 Fine American Coin Silver Soup Service third quarter 19th century, by Francis W. Cooper (1815-1898), New York, New York, in the neoclassical taste, including: a covered tureen, h. 13-1/2”, w. 17”, d. 10-1/4”; and twelve soup plates, dia. 9-1/2”; each with milled laurel-and-bead banding, the tureen with opposing palmette-mounted addorsed acanthus handles, the domed lid with acanthus bud-mounted reeded ring handle opening to a gilt interior, all monogrammed “P”.

293.77 total t. oz. $20,000-$40,000

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549 Rare American Coin Silver Cheese Dish second quarter 19th century, by John Wolfe Forbes (17811864), New York, New York, of rounded rectangular form, the dish fixed to a conforming plate, the hinged lid domed and with vasiform finial. h. 3-1/4”, w. 10-1/4”, d. 8”; 31.76 t. oz.

549

$1,800-$2,500 550 Tiffany & Co. Sterling Silver Hot Milk Jug the pattern introduced in 1896, this example before 1902, the serpentine-lobed, pear-shaped body with waisted collar and beaded banding, with integral spout, hinged and domed lid, crested handle and four integral rocaille-scroll feet, monogrammed “RKP”. h. 8-3/4”, l. 6-1/4”, dia. 4”; 20.77 t. oz. $900-$1,200 551 Impressive Sterling Silver Wine Cistern mid-20th century, of lobed oval form, richly decorated with repousse and applied acanthus scrolls and flowers on a matte ground, the waisted rim with applied rocaille edge, with opposing acanthus scroll handles and raised on a conforming short pedestal foot decorated en suite. h. 12-1/4”, w. 14-1/2”, l. 22-1/4”, 140.50 t. oz.

550

$7,000-$10,000 552 Impressive American Sterling Silver Flower Bowl first quarter 20th century, by Redlich & Co., New York, New York, of lobed circular form, the deeply everted draping rim decorated with realistically detailed embossed and applied trailing roses on openwork trellised cartouches. h. 5”, dia. 18-1/2”; 90.31 t. oz. $8,000-$12,000

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553 Four Gorham Martele Silver Candlestands

554 Tiffany & Co. Sterling Silver Urn with Favrile Glass Finial

1930, Providence, Rhode Island, .9584 silver, each with a spiraled, serpentine-lobed, bulbous base with waisted nozzle and wide wavy lobed rim, with hammered finish, the rim with integral chased monogram “HSW”. h. 5-1/8”, dia. 4”; 44.91 total t. oz.

contemporary, of traditional form, the domed lid with spherical Favrile glass finial. h. 9-1/4”, dia. 5”; 22.10 t. oz. (including finial) $1,200-$1,800

$5,000-$7,000 Gorham records give extensive information on this set. They were made by craftsmen Wendell George Arnold (18781959) and Herbert Arthur Kaye (1911-1995), and completed on October 8, 1930. They were made to accompany a center bowl with brass flower screen, also by W. G. Arnold, completed on December 29, 1929 as a commission for H.W. Sackett. This was almost certainly Col. Henry Woodward Sackett (1953-1929) of Manhattan: a member of the bar for over 50 years, authority on libel laws and legal contributor to the New York Tribune.

Sackett died on December 9, 1929 at his Madison Avenue home shortly before these commissions were completed.

Reference: L. J. Pristo, Martele: Gorham’s Art Nouveau Silver (Phoenix: Heritage Antiques, 2002), pp. 353-354.

Photo Credit: Deceased Alumni files, #41-2-877. Division of Rare and Manuscript Collections, Cornell University Library.

554

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555 American Walnut and Burl Walnut Bookcase third quarter 19th century, the Renaissance Revival bookcase top with a broken pediment crest above a burled and paneled frieze, the case with a pair of long glazed doors mounted to a two-drawer base. h. 104”, w. 59-1/2”, d. 15” $800-$1,200 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

556 American School 19th Century “The Bridge”, 1858 oil on canvas initialed “A. D.”, dated and localized “New York” lower right.

Framed.

38-1/2” x 35”, framed 42” x 37-1/2” $1,000-$1,500

555

556

557 American Giltwood Overmantel Mirror late 19th century, in the Renaissance Revival taste, the sunflower and acanthus leaf-decorated top over an egg-anddart molded edge, supported on each side by Corinthian columns spiral-decorated with acanthus leaves. h. 67”, w. 63-1/2” $2,000-$4,000

557

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558 Belle Epoque Bronze Dore and Crystal Chandelier ca. 1900, French, the tripartite-molded vasiform standard supporting the globe-form body, with lattice piercing set with crystal “jewels” and lion’s-head masques, a single interior socket with three leaf-molded bronze arms terminating in frosted glass floriform shades. h. 34-1/4”, dia. 24” $1,200-$1,800

558

559 Vintage French Needlepoint Runner 8’ x 40’ $2,000-$4,000 Provenance: Estate of a Colorado collector.

559

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560

560 American Rococo Revival Laminated Rosewood Sofa

561 Pair of Rococo Revival Side Chairs

ca. 1850, attributed to John Henry Belter, New York, in the pattern referred to as “Henry Clay”, the center back and ends each with profusely carved floral crests, raised on cabriole legs. h. 44”, seat h. 16”, w. 80”, d. 32”

ca. 1850, the laminated rosewood chairs in the pattern referred to as “Henry Clay”, each with an elaborate floralcarved crest, raised on cabriole legs. h. 38-1/2”, seat h. 15-1/2”, w. 18”, d. 18” $500-$800

$1,200-$1,800 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

561

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562 Rare French Gilt-Bronze and Enameled Lantern early 20th century, the lantern with a gilt-bronze frame with a spray of wheat at the top and bronze leaves with enameled berries on the vine-molded frame, the hexagonal lantern set with frosted glass enameled with birds, set into green enameled arched lattice work. h. 48”, w. 21”, d. 7” $2,500-$4,000 563 Important American Gothic Revival Rosewood and Marble-Top Center Table mid-19th century, after a design by Alexander Jackson Davis, and probably made by Alexander Roux, New York, retaining its original hexagonal white marble top over a conforming apron with a ripple molding along the upper edge, and a Gothic-style scalloped lower edge and acorn pendants, supported by six cluster-column posts mounted to a platform base with three extended trefoil feet and molded tracery. h. 30-1/2”, w. 38” edge to edge, d. 43” point to point $15,000-$25,000

562

The design for this iconic table is attributed to the New York architect Alexander Jackson Davis (1803-1892), who is noted for designing the famous country villa Kenwood, located outside of Albany, New York, and built in 1842 for industrialist Joel Rathbone. An illustration of the drawing room at Kenwood is featured in Andrew Jackson Downing’s book, The Architecture of Country Houses, and shows an example of this Gothic table as its centerpiece.

The present table is part of an elite group of American Gothic Revival furniture, the most notable of which is a table that was purchased for the Davis-designed Gothic villa Belmead, in Powhatan County, Virginia, about 1845.

That table sold in these galleries in 2000 for a record $233,500.00, and is now in the collection of the Art Institute of Chicago. Other examples of this form are in the collections of the High Museum of Art, Atlanta, Georgia (The Virginia Carroll Crawford Collection), The Detroit Institute of Arts, The Virginia Museum of Fine Arts, and The Museum of Fine Arts, Boston.

Literature: An illustration of the drawing room at Kenwood is featured in Andrew Jackson Downing’s book, The Architecture of Country Houses, and shows an example of this Gothic table as its centerpiece.

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564 Pair of French Rococo-Style Giltwood Brackets mid-19th century, the rounded shelves with carved edges, supported by pierced backplates decorated with putti, suspended in scrollwork, accented with rocaille work and garlands of flower heads. h. 19”, w. 14-1/2”, d. 12-1/2” $1,400-$1,800 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

564

565 American Stenciled Mahogany and Marble-Top Table second quarter 19th century, New York, the circular Portoro marble top over a rim with gilt-stenciled fruit and leaves, mounted to a turned and acanthus-carved standard to a circular plinth with four outstretched animal-form legs ending in carved paw feet. h. 30”, dia. 36” $2,500-$4,000 566 Flemish Verdure Tapestry of a Bucolic Park Setting 18th century, depicting a wooded pastoral landscape with birds beside a stream and chateau in the distance, the scene framed within a narrow scrolling leaf and vine border. h. 131", w. 120" $1,000-$1,500 565

566

231

567 Patinated Bronze Figure of a Girl with Rabbits 20th/21st century, cast signature "Jim Davison" on the base. h. 37-1/2”, w. 16”, d. 24” $1,500-$2,500 568 Patinated Bronze Figure of a Girl with a Chicken 20th/21st century, the girl spreading chicken feed from her apron, with a hen and chicks eating at her feet, signed “Jim Davison” on the base. h. 37-1/2”, w. 17”, d. 22-1/2” $1,500-$2,500 569 Unusual Bronze and Glass Aesthetic Swivel Gas Sconce late 19th century, the molded patera-form backplate supporting a pierced arm decorated with a standing griffin, the period engraved crown-top shade decorated with Japonisme figures and bambooframed arches and spiral columns. h. 12”, w. 7-3/4”, d. 18”

567

$1,200-$1,800 570 English Ebonized Rococo Revival Firescreen mid-19th century, set with a rich needlepoint panel of Madame de Pompadour, the unusually large screen with a pierced crest carved with roses and scrollwork, and the ogee surround supported by carved Cupid’s bow-form side supports, on carved cabriole legs, set with a pierced and carved skirt. h. 74”, w. 42”, d. 25” $1,000-$1,500

568

569

570

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571 Important Monumental Carved Oak Tall Case Clock ca. 1900, the case attributed to the Tobey Furniture Co., Chicago, Illinois, the elaborate crest centered by a carved shield-form cartouche, flanked by winged griffins, the arched hood with carved figures of Father Time at the front corners, the mid-case with a central beveled glass door headed by a cherubic bust, the corner columns depicting female figures, the bombe base with a central relief-carved roundel of a Viking ship, the lower corners with dramatic seated griffins, with a triple-train nine-tube movement featuring Westminster Chimes and Chimes on Eight Bells, the face signed and retailed by Tiffany & Co., New York, the tubes marked “Walter H. Durfee, Providence, Rhode Island”. h. 112”, w. 26-1/2”, d. 17” $50,000-$80,000 Provenance: The Van Benthuysen-Elms Mansion, St. Charles Ave., New Orleans, Louisiana; Purchased by Mrs. Josephine Carra Grieshaber, New Orleans, September 22, 1943, for $550; By descent to the present owner.

Note: A copy of the receipt available to purchaser.

571

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572 French Bronze Neoclassical Figural Group 19th century, of a couple in neoclassical garb, reclining on pillows, now on a custom wooden base. h. 9-1/2”, w. 19-1/2”, d. 6-1/4” $800-$1,200 Provenance: The Estate of Danella and George Hero III.

572

573 American Late Classical Mahogany Worktable second quarter 19th century, New York, the table fitted with three graduated long drawers, the top drawer opening to a leather-covered writing slope, the case mounted to an acanthus-carved standard with four outstretched legs ending in carved paw feet. h. 31-1/2”, w. 23”, d. 18” $800-$1,200

573

574 French Belle Epoque Giltwood Mirror late 19th century, the pierced crest decorated with an anthemion framed with pierced scrollwork and accented with delicate flowers and trailing leaves, the ogee-form giltwood surround with pierced, scrolled corner ornaments. h. 85-1/2”, w. 52-1/2” $2,000-$4,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

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576

575

576 Seven-Piece Rococo Revival Laminated Rosewood Parlor Suite

575 Rococo Revival Brass Gasolier mid-19th century, the six-light gasolier decorated with pierced scrollwork, the body set with scrolled and pierced gas arms decorated with acanthus leaves and flowers, set with Cornelius-style gas keys and terminating in shade holders, set with fluted and ribbed gas shades, the arms alternating with tooled and applied acanthus leaves, the base with a tapered foliate finial. h. 35-1/4”, dia. 34”

third quarter 19th century, attributed to J. & J.W. Meeks, New York, in the pattern referred to as “Stanton Hall”, the suite comprised of a settee, h. 46”, seat h. 18”, w. 67”, d. 34”, a pair of armchairs, h. 43-1/2”, seat h. 18”, w. 26-1/2”, d. 25”, and four side chairs, h. 41”, seat h. 18”, w. 18”, d. 19”, each with floral-carved crest and pierced scrolling vinework. $3,000-$5,000

$1,200-$1,800 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

576

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577 French Belle Epoque Giltwood Mirror late 19th century, in the rococo taste, the oval mirror with a pierced crest decorated with a central shell framed in ivy, with trailing flowers on each side, the gadrooned surround with a beaded liner around the beveled mirror plate, the lower edge decorated with leaves and scrollwork. h. 43-1/2”, w. 28-1/2” $1,000-$1,500

578 Edwardian Mahogany Vitrine ca. 1900, the top with an elaborate pierced and carved back crest over an open shelf supported by carved brackets, the case fitted with three shaped shelves, raised on cabriole legs. h. 79”, w. 44”, d. 16” $700-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

577

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579 Walter Thornhill, London Billet-Doux Secretary 19th century, the case covered in red velvet, the drop lid fitted with oval shadow boxes of botanical specimens, opening to an interior with numerous letter-holder compartments, and flanked by fluted bronze columns, the top of each capital stamped “THORNHILL’S PATENT NO. 4586”. h. 51”, w. 24-1/2”, d. 20” $3,000-$5,000 Walter Thornhill assumed control of Thornhill & Co, a well-appointed firm of 18th-century Cutlers (established in 1734 by James Gibbes), in 1850-51. The subsequent year, Walter registered the business at its premises, 144 New Bond Street. Thornhill’s excelled in the manufacture of fancy goods, including writingcases and dressing-cases, beautifully crafted curios and games, which were well-received at the Great Exhibition of 1851 and throughout the second half of the 19th century. In 1875 the firm was known as Walter Thornhill & Co. and it continued to flourish. Reviews in the fashionable ladies periodical The Queen excitedly praised Thornhill’s 1877 catalogue for its “Novelties in Knick-knacks”.

579

580 Six American Sterling Silver Julep Cups second half 20th century, each of traditional form, with rolled rim and incised threaded banding at the rim and base, monogrammed “F”. h. 3-1/2”, dia. 3”; 21.00 total t. oz.

579 detail

$700-$1,000 581 Gorham Sterling Silver Dessert Bowl Holders and Underplates 1899, Providence, Rhode Island, including six bowl holders and eleven underplates, each decorated with rococo scrolls and monogrammed “A”, together with nine replacement glass bowls with gilt anneau d’or banding. holders h. 2-1/2”, dia. 4”; underplates dia. 6”, glass bowls h. 2-1/4”, dia. 4-3/8”; 49.28 total t. oz.

580

$1,500-$2,500

581

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582 Ten American Sterling Silver-Gilt Dessert Bowls first quarter 20th century, Mauser Mfg. Co., New York, New York, each hemispherical bowl with applied openwork floral banding, monogrammed on the interior bottom “AMM”, together with nine colorless glass replacement liners with gilt floral banding. bowls h. 2-1/2”, dia. 4-5/8”; liners h. 2”, dia. 4-5/8”; 42.12 total t. oz. $1,500-$2,500

582

583 Early American Walnut Tavern Table mid-18th century, Pennsylvania, the plank top over two side-by-side drawers, raised on Queen Anne legs ending in Spanish feet. h. 29”, w. 45-1/4”, d. 30-1/2” $800-$1,200

583

584

584 Cast-Metal Stag’s Head 20th century, the wall hanging set with glass eyes and accented with sponge painting. h. 17”, w. 21-1/2”, d. 16-1/2” $1,000-$1,500 585 Charles Matthew Crocker (American, 1877-1950) “Desert Gold” oil on canvas signed lower center and titled on artist plaque.

Framed.

32” x 28”, framed 36” x 32-1/2” $1,500-$2,500 585

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587

586 American Aesthetic Movement Rosewood Easel 19th century, in the manner of Herts Brothers or Charles Tisch, New York, the top with a gadrooned molding above an inlaid frieze of mixed metals and mother-of-pearl, with an adjustable support shelf and angle adjustment. h. 72”, w. 21-1/2”, d. 24” $800-$1,200 587 American Aesthetic Ebonized Wood Pedestal fourth quarter 19th century, the top with a molded edge and canted corners over a complex standard with fluted pilasters, turned supports and scrolled brackets. h. 39”, w. 19-1/2”, d. 19-1/2” $700-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

588 American Federal-Style Mahogany Four-Post Bed 20th century, the back pencil posts joined by a shaped plank headboard, the foot posts carved and reeded, the top fitted with a flat tester frame. h. 93”, inside w. 61”, l. 83”, outside w. 64”, l. 87” $800-$1,200

586

Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana..

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589 American Renaissance Revival Walnut and Marble-Top Sideboard third quarter 19th century, the upper section with a central mirror flanked by candle shelves, the base with a conforming white marble top above a pair of drawers and cabinets below. h. 100”, w. 74”, d. 25” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

590 Pair of French Barbotine Vases ca. 1900, the rectangular vases set with circular mounts, with pierced side handles set with foo dog heads, the facades decorated with delicately molded flowers, the sides with plum branches, the feet decorated to match the handles, with an impressed “L” mark. h. 24-1/4”, w. 7-1/2”, d. 8” 590

$1,200-$1,800

589

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591 Oushak Carpet 8’ 10” x 11’ 10” $3,000-$5,000 592 Turkish Angora Oushak Carpet 8’ 4” x 15’ 5” $1,500-$2,500 593 Impressive Paris Porcelain Madonna and Child mid-19th century, the seated Mary supporting the Christ Child who is standing on one leg on her lap, a putto dressed in a lion skin cloak by her side, on a blue-painted base with gold and white molded trim. h. 18-1/2”, w. 9”, d. 9” $1,000-$1,500 Provenance: The Estate of Danella and George Hero III.

591

593

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594 American Mahogany and Marble-Top Sideboard 19th century, attributed to the New Orleans warerooms of Prudent Mallard, the Rococo Revival sideboard with a conforming Portoro marble top over a pair of side-by-side drawers and three cabinets below, with richly carved applied ornamentation. h. 40-1/2”, w. 60-1/2”, d. 21-1/2” $700-$1,000 Provenance: Private collection, New Orleans, Louisiana.

595 Pair of French Paris Porcelain Urns ca. 1820-1840, the campana-form urns decorated on the obverse with polychrome panels of court figures in Renaissance dress and on the reverse with tooled panels of fruit and scrollwork, all on a gilt ground, the sides mounted with handles terminating in masques. h. 8-1/2”, dia. 6-1/4”

594

$700-$1,000

595

596 Napoleon III Rosewood and Parcel-Ebonized Armoire late 19th century, the arched top with a carved shell-form cartouche over a single shaped beveled mirrored door, flanked by turned and carved columns, the base fitted with a drawer. h. 100”, w. 50”, d. 23-1/2” $1,200-$1,800 Provenance: The Estate of Danella and George Hero III.

596

242

597 American Late Classical Mahogany Canopy Bed mid-19th century, attributed to C. Lee, Manchester, Massachusetts, the double ogee-molded canopy supported by large turned posts, with a paneled headboard centered by a carved cartouche, shaped rails and footboard. h. 112”, inside w. 61”, l. 79”, outside w. 76”, l. 90” $3,000-$5,000 Provenance: Private collection, New Orleans, Louisiana.

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597

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598

598 Collection of “Italian Landscapes” Paris Porcelain second quarter 19th century, the collection including: one soup tureen, h. 13-1/4”, w. 13-1/2”; two covered vegetable tureens, h. 6-3/4”, dia. 9”; one coffeepot, h. 11”, w. 7”; one cream jug, h. 7”, w. 5”; one cylindrical teapot, h. 8”, w. 7-1/2”; four graduated platters, w. 10-1/2” to 13”, l. 15-3/4” to 19-3/4”; eight cabinet plates, dia. 9”; four English-style cups, h. 2-1/2”; one teacup, h. 2-1/2”; four coffee saucers, dia. 5-1/2”; two tea saucers, dia. 5-1/4”; six butter pats, dia. 3-1/4”; one miniature teapot, h. 3-1/2”, w. 5”; one matching sugar bowl (no cover), h. 2”, dia. 2-3/4”; five miniature saucers, dia. 3-1/2”; one sauce tureen (no cover), h. 5”, w. 9-1/2”; and one sugar bowl (no cover), h. 4-1/2”, dia. 4-1/4”.

(44 pieces total) $1,000-$1,500 Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

599 Transitional American Late Classical Rosewood Armoire mid-19th century, attributed to the warerooms of Prudent Mallard, New Orleans, the top with an integral carved cornice over a single mirrored door, the base fitted with a drawer. h. 110”, w. 57”, d. 23” $2,000-$4,000 Provenance: The Estate of Danella and George Hero III.

599

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600 Philadelphia Four-Light Brass Chandelier mid-19th century, in the rococo revival taste, with a foliate-molded canopy and a rope-twist standard, emanating from a vasiform section mounted with molded and pierced leaves, the body with like decoration, set with scrolled and pierced gas arms decorated with pierced ferns and flowers, set with Cornelius-style gas keys and late19th-century scalloped glass shades etched with flowers. h. 32”, dia. 27-1/4” $800-$1,200 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

601 American Late Classical Mahogany Canopy Bed mid-19th century, attributed to C. Lee, Manchester, Massachusetts, the ogee-framed canopy supported by large turned posts, with a paneled headboard and a central carved cartouche. h. 109”, inside w. 61”, l. 79”, outside w. 68”, l. 86” $1,500-$2,500 Provenance: The Estate of Danella and George Hero III.

600

601

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602 Aesthetic Movement Giltwood and Silver-Gilt Overmantel Mirror late 19th century, the reeded silver-gilt surround with a rectangular giltwood central tablet decorated with flowers and scrollwork, the giltwood side and corner ornaments decorated with flowers, anthemia and scrollwork, set with a beveled mirror plate. h. 74”, w. 61” $1,200-$1,800 603 American Rococo Revival Oak Dining Table third quarter 19th century, possibly by Alexander Roux, New York, the circular top opening to accommodate 134” of leaves, the apron with fruit and grape carvings, raised on cabriole legs with fruit and nuts and joined to a large center pedestal by curved stretchers, together with four 16” leaves. h. 30”, dia. 54”, ext. l. 118” $1,200-$1,800 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

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603

604 Colonial Revival Mahogany Cheval Mirror ca. 1900, the arched mirror with a beveled mirror plate, with a spool beaded liner, the sides supports with flame finials atop the fluted upper portions, with spiral-reeded lower portions, raised on cabriole legs with a boldly turned caster stretcher. h. 73-1/2”, w. 33”, d. 26-1/2” $1,000-$1,500 604

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605 American Late Classical Cherrywood Cabinet second quarter 19th century, the upper case with a pair of glazed doors with brass and mahogany inlays, the protruding base set with three graduated long drawers flanked by scrolled pilasters terminating in scrolled feet. h. 57”, w. 43”, d. 20” $1,400-$1,800 606 Pair of Large French Bronze Urns in the Sevres Taste late 19th century, the urns richly decorated with tooled gilt and panels after Jean-Honore Fragonard, the “Oath of Love” on one and the “Fountain of Youth” on the other, the reverse decorated with landscapes, set with bronze laurel-molded side handles and foliate-molded bronze bases, with spurious Sevres marks. h. 45-1/2”, w. 17”, d. 14-1/2” $1,500-$2,500 Provenance: The Estate of Danella and George Hero III.

606

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607 American Renaissance Revival Burl Walnut Wooton Desk ca. 1875, considered a standard grade model, labeled “Manufactured by Wooton Desk Manf. Co., Indianapolis, Ind., W.S. Wooton’s Patent, Oct. 6, 1874”, with two large triple hinged banks, one fitted with cubbies and full complement of drawers, and opening to a leather-covered drop-lid writing surface, the interior fitted with cubbies and various drawers. h. 73”, w. 43”, d. 30” $5,000-$8,000

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608 American Transitional Rosewood Half-Tester Bed mid-19th century, attributed to the warerooms of Prudent Mallard, New Orleans, the Rococo Revival bed with a serpentine tester and conforming pierced and carved crest, supported by cluster-column posts with carved capitals, with a paneled headboard and carved rails. h. 131”, inside w. 62-1/2”, l. 82”, outside w. 72”, l. 91” $5,000-$8,000 Provenance: The Estate of Danella and George Hero III.

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609 American Late Classical Mahogany and Marble-Top Wig Dresser second half 19th century, the top with a carved crest above an ogee-molded cornice, and a Gothic tracery frieze, with a central tilting mirror supported by narrow wig cabinets to each side, the base with a central recessed white marble top over three drawers and a cabinet to each side. h. 96-1/2”, w. 48”, d. 20” $700-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

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610

610 Pair of Rococo Revival Laminated Rosewood Side Chairs mid-19th century, attributed to J. & J.W. Meeks, New York, each with a pierced and carved back, floral crest and scrolled details, centered with a cluster of hanging grapes. h. 37-1/2”, seat h. 18”, w. 16-1/2”, d. 18-1/2” $600-$900 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

611 Chippendale-Style Mahogany Bibliotheque ca. 1900, the molded and dentillated cornice over a pair of astragal-glazed doors, raised on ogee bracket feet. h. 73”, w. 58-1/2”, d. 19” $800-$1,200 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

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612 Bronze-Mounted Imari Porcelain Punch Bowl the cobalt and orange bowl decorated with peonies and lotus blossoms, with a pierced bronze rim, leaf-molded bronze handles and a rocaille-molded bronze base. h. 11”, w. 19-1/4”, d. 12-1/2” $700-$1,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

613 Byron Webb (British, fl. 1846-1866) “Scottish Highlands Hunter”

612

oil on canvas signed lower left.

Framed.

24” x 36”, framed 39” x 50-1/2” $1,000-$1,500

613

614 Unusual English Mahogany Stepback Linen Press 19th century, the top with a dentillated molding, over a pair of framed and paneled doors and two long drawers below, the base with three graduated long drawers, raised on splayed legs. h. 82-1/2”, w. 51”, d. 25” $1,200-$1,800

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615 English Glass and Bronze Five-Light Gasolier

616 Suite of Six Queen Anne-Style Ebonized Side Chairs

late 19th century, possibly by F. & C. Osler, Birmingham, England, the standard clad with cut glass, the reeded bronze body set with five glass arms ornamented with scrolled bronze mounts, terminating in burners set with period wheel-engraved gas shades, with a cut-glass pendant finial, electrified. h. 32-1/2”, dia. 38”

early 19th century, decorated with chinoiserie designs and delicate parcel-gilt tracery throughout, each with a yoke crest above a vasiform splat and padded drop-in seat, raised on cabriole legs joined by an H-form stretcher and ending in pad feet. h. 37-1/2”, w. 21-1/2”, d. 17” $1,200-$1,800

$1,000-$1,500 Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

616

252

617

617 Antique Khotan Carpet 5’ 8” x 11’ 5” $2,500-$4,000 618 Peshawar Sultanabad Carpet signed in border.

9’ x 12’ 4” $2,000-$4,000

618

253

619 George III Scottish Mahogany Tall Case Clock late 18th century, the hood with a broken-arch pediment and brass rosettes centered by a brass spire finial, with a shaped mid-section door flanked by reeded columns, raised on ogee bracket feet, set with a painted dial signed “R. H. Sagar, Blackburn”, with a time-and-strike movement and calendar dial. h. 88”, w. 24”, d. 9” $1,000-$1,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

620 Pair of Georgian Walnut and Parcel-Gilt Cabinets 19th century, in the William IV style, each with a pair of framed and paneled figured walnut doors over a long drawer, raised on a carved base with legs ending in carved paw feet. h. 43”, w. 29”, d. 16” $1,400-$1,800

619

620

621 Hand-Colored Map of Artesia 17th century or later, the woven paper decorated with a handsome shield-form cartouche with a pair of cherubs flanking a French coat of arms, signed by Dutch cartographer Johannes Janssonius, first published in the 17th century, in a contemporary giltwood frame. h. 19-3/4”, w. 22-1/2” $1,000-$1,500

621

254

622 Milners’ Fire Resisting Cast-Iron Safe on Stand late 19th century, the hinged box with a circular seal on the front reading “Milners’ 212 Patent, Fire-Resisting”, on a later iron stand. h. 22”, w. 20”, d. 14” $1,500-$2,500 623 Pair of Provincial Louis XV-Style Walnut Fauteuils 19th century, each with a shaped and molded back centered by a floral-carved cartouche, over a padded back, armrests and seat upholstered in a silk chinoiserie fabric, raised on cabriole legs ending in scrolled toes. h. 40”, seat h. 17”, w. 30”, d. 26” 622

$1,000-$1,500 Provenance: Private collection, New Orleans, Louisiana.

624 Charles-Philogene Tschaggeny (Belgian, 1815-1894) “Horses by the Stable”, 1872 oil on wood panel signed and dated lower right, a “Los Angeles Fine Art Gallery” label en verso.

Framed.

20-3/4” x 28-1/4”, framed 37” x 44” $1,200-$1,800 Provenance: Los Angeles Fine Art Gallery, Los Angeles, California; The Estate of Timothy Scott Shafer, Columbus, Ohio

624

623

255

625

625 Franz Roubal (Austrian, 1889-1967) “Horses Grazing”, 1936 oil on canvas signed and dated lower left.

Framed.

46” x 66”, framed 55” x 74-1/2” $1,800-$2,500 626 Ebonized and Gilt-Stenciled Serving Trolley 20th century, the tray with an inset beveled glass, and the ends mounted with brass handles, with a like tray below, supported by turned and fluted legs. h. 32”, w. 41”, d. 20”

626

$1,000-$1,500 627 Patinated Bronze and Iron Fire Tool Set and Fire Screen the bronze stand in the form of vine-wrapped branches, holding a poker, hearth brush and shovel, each with molded bronze standing bear handles, h. 28-1/2”, dia. 17”, together with a wrought-iron fire screen pierced with scrollwork and raised on penny feet, h. 35-1/2”, w. 38-1/2”, d. 8-1/2”. $1,000-$1,500

627

256

628 Scottish Oak and Brass-Mounted Jockey Scale ca. 1900, labeled “J. Gardner & Son, Edinburgh”, the top fitted with a brass balance scale and two hinged circular shelves, the base with a framed standing platform and brass bail handle. h. 50”, w. 15-1/2”, d. 19-1/2” $1,500-$2,500 629 English Oak and Leather-Covered Jockey Scale ca. 1900, of bench form with a red leather seat and brass mounts, with a balance scale to one side, on a carved frame, raise on turned and fluted legs. h. 29”, w. 36”, d. 19” $4,000-$7,000

628

630 Six German Porcelain Figures of Military Notables Set of Six German Porcelain Figures of Military Notables, 20th century, decorated with polychrome enamels, the figures identified on their bases, including two Garde Imperiales, Poniatowski, Davoust, Napoleon a Cherbourg, and Pully, marked on the side in underglaze blue, "Saxonian Porcelain Co." and "Made in Germany, Democratic Republic". h. 11-1/2" to 12-1/2", w. 8-1/4", d. 3-1/4" to 5" 1,500-2,500 629

Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

630

257

631 Edwardian Kingwood and Mixed Woods Writing Desk late 19th century, the top with an inlaid border and inset leather writing surface, the front with a pair of side-by-side drawers, raised on tapered square legs with bellflower inlay. h. 31”, w. 42”, d. 26” $1,000-$1,500

632 Three English Collages ca. 1900, mixed media including lithography and ribbon.

Matted, glazed and framed. each sight 17” x 27-1/2”, framed 21” x 31-1/2” 631

$1,500-$2,500

632

633 George III Mahogany Chest-on-Chest 18th century, in the manner of Thomas Chippendale, the slanted broken pediment with dentillated molding, the upper case fitted with a pair of side-by-side drawers over three graduated long drawers with a carved mid-molding, and blind fretwork along the chamfered edges, the base with three graduated long drawers, with a carved lower molding and bracket feet. h. 82”, w. 51”, d. 23” $1,200-$1,800 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

633

258

634 Edwardian Mahogany Jockey-Style Bench ca. 1900, the plank seat with a molded edge and turned hand grips at each end, raised on turned legs. h. 18”, seat h. 15-1/2”, w. 30-1/2”, d. 10” $800-$1,200

634

635 Brass Hall Lantern in the Neoclassical Taste second quarter 20th century, the circular brass frame set with glass panels and ornamented with swags of beading and acorn finials, set with a central spiral-molded standard, with four scrolled candle arms with foliate drip pans and molded candle sockets. h. 33”, dia. 17-1/2” $1,500-$2,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

635

636 Regency Brass-Mounted Mahogany Cellarette 19th century, the hinged and cove-molded top opening to a zinc-lined partitioned interior, the corners and ends with brass lion-and-ring masques, raised on carved paw feet. h. 23”, w. 29”, d. 22” $1,000-$1,500

636

259

637

638 Charles Boland (Belgian, 19th Century)

637 Red Leather Chesterfield Sofa of traditional form, with a diamond-tufted back and arms, the seat with two loose cushions, raised on short turned legs, labeled. h. 32”, seat h. 17”, w. 79”, d. 42” $1,200-$1,800

“Confrontation in the Garden” oil on canvas signed lower left and en verso.

Framed.

20” x 24”, framed 29” x 33” $3,000-$5,000

638

260

639 George III Mahogany Secretary Bureau 18th century, the top with a pair of astragal-glazed doors with string inlay, the base with a slant-lid writing surface opening to a fitted interior, above four graduated long drawers, raised on bracket feet. h. 92”, w. 49”, d. 21” $1,500-$2,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

640 Semi-Antique Kirman Carpet 10’ x 14’ 5” $1,200-$1,800 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

639

641

641 Group of Five German Porcelain Pugs 19th century, in the Meissen taste, the seated pugs molded with collars and decorated with gilt-trimmed bells and bluetrimmed ribbons, unmarked. h. 3” to 5”, w. 3-1/4” to 4-3/4”, d. 1-1/2” to 2-1/4” $1,200-$1,800

640

261

642 Edwardian Mahogany Collector’s Cabinet-on-Stand ca. 1900, in the Chinese Chippendale taste, the pair of figured mahogany doors with elaborate brass hinges and lock plate, opening to an interior fitted with twenty-one cubbies, mounted to a base with a pull-out work slide and raised on straight Marlborough legs. h. 55”, w. 34”, d. 16-1/2” $1,000-$1,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

643 Pair of Italian Silverplate and Glass Hurricane Lamps mid-20th century, Mika, each with a figural standard of a hare courant above a molded circular base and surmounted with glass hurricane shade, electrified and fitted with a faux candle. base h. 6-1/4” (10-1/2” to “candle”), dia. 6”, l. 9-1/2”; with shade, h.

15”, dia. 7-1/4” $1,500-$2,500

642

643

644 Pair of George III Sterling Silver Candlesticks hallmarked London, 1771-1773, by James Young, each with a cluster-column standard above a cavetto-domed square base and surmounted by an acanthus frond-cluster candlesocket with detachable bobeche, decorated with gadroon banding and palmettes. h. 13”, w. 5”; weighted $1,200-$1,800

644

262

645 Rare English Green-Stained Tea Caddy ca. 1800, decorated with molded silverplate trim and a shield-form monogram plaque, the foil-lined interior with a matching cover. h. 5”, dia. 4-1/4” $1,000-$1,500 646 William IV Tea Caddy ca. 1830, the commode front with segmented veneers, raised on bun feet, the foil-lined interior with a pair of covers. h. 5”, w. 8”, d. 5”

645

$800-$1,200

646

647 Fine Edwardian Mahogany Vitrine on Stand ca. 1900, in the Chinese taste, the pagoda-form top with a carved Chinese figure holding a fan, the front corners with guard birds, above a single conforming glazed door, mounted to a stand with four canted straight legs joined by an arched X-form stretcher. h. 86”, w. 32”, d. 14” $2,000-$4,000 648 English Mahogany Partners Desk ca. 1900, with an inset tooled leather writing surface, each side fitted with a drawer in the apron, raised on tapered square legs. h. 31”, w. 51”, d. 35” $800-$1,200

647

648

263

649 Patinated Brass Hall Lantern in the Louis XVI Taste the bell-form strapwork standard supporting the cylindrical lantern, the frame decorated with ribbon-bound reeding, the panels divided with reeded pilasters with ram’s-head capitals, supporting swags of laurel leaves, the scrolled candle arms surrounded by glass panels. h. 44”, dia. 22” $1,500-$2,500 650 Edwardian Ribbon Mahogany Rotary Bookshelf ca. 1900, with three circular tiers set on a turned central standard with a four-legged base, the panels with floralpainted reserves. h. 56”, dia. 18” $1,200-$1,800

649

651

651 Bronze Bust of Mephistopheles late 19th century, head tilted to one side, in a richly detailed costume, the socle inscribed “ah! ah! ah!”. h. 29-1/2”, w. 18-1/4”, d. 14” $3,000-$5,000

650

264

652 Pair of Chippendale-Style Leather-Covered Wing Chairs of traditional form with diamond tufting trimmed with brass tacks, raised on carved legs ending in ball-and-claw feet. h. 43”, seat h. 18-1/2”, w. 35”, d. 31” $1,000-$1,500 653 A. Claessens (Belgian, 19th Century) “Two Hunting Dogs in a Landscape” oil on canvas signed lower right, a “Los Angeles Fine Art Gallery” label en verso.

Framed.

31-1/2” x 39-1/2”, framed 40-1/2” x 47” $2,000-$4,000 652

Provenance: Los Angeles Fine Art Gallery, Los Angeles, California; The Estate of Timothy Scott Shafer, Columbus, Ohio.

653

653

265

654

654 A. Claessens (Belgian, 19th Century) “Three Hunting Dogs in a Landscape” oil on canvas signed lower right, a “Los Angeles Fine Art Gallery” label en verso.

Framed.

31-1/2” x 39-1/2”, framed 40-1/2” x 47” $2,000-$4,000 Provenance: Los Angeles Fine Art Gallery, Los Angeles, California; The Estate of Timothy Scott Shafer, Columbus, Ohio.

655 George III Figured Mahogany Chest-on-Chest 18th century, in two parts, the upper case with a pair of sideby-side drawers over three graduated long drawers and inlaid details, the case with chamfered corner edges, the lower case fitted with three graduated long drawers, raised on bracket feet. h. 77”, w. 44”, d. 24” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

655

266

656 Semi-Antique Sarouk Carpet 8’ 7” x 12’ 4” $1,200-$1,800 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

657 Semi-Antique Kajara Runner 3’ 7” x 14’ $800-$1,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

658 English Scrubbed Pine Drop-Front Desk 19th century, of traditional form with an overhanging cornice above a long drawer and drop lid below, with a fitted interior, the lower section with three graduated long drawers. h. 68”, w. 44”, d. 23” $1,000-$1,500

656

658 657

267

659 Alfred Verwee (Belgian, 1838-1895) “Grazing in the Field”, 1888 oil on canvas signed and dated lower left.

Framed.

28” x 22-1/2”, framed 32” x 27” $1,500-$2,500

660 William Watson (British, 19th Century) “Fresh Morning, Glen Goil, Argyleshire”, 1890 oil on canvas signed and dated lower right, signed and titled en verso.

Framed.

20” x 30”, framed 27-1/2” x 38” $4,000-$7,000 659

660

268

661 Joseph Dixon Clark (British, 1849-1944) “Highland Cattle”, 1884 oil on canvas signed and dated lower left.

Framed.

42-1/4” x 34”, framed 56” x 47” $1,000-$1,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

611

662

662 Pair of English Bronze Lamps ca. 1840 and later, the lamp standards with bronze dore vasiform capitals, on conforming tapered and faceted bases, decorated with applied panels of berries and leaves, fitted with lampshades. h. 39”, dia. 19-3/4” $700-$1,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

663 English Aesthetic Faux Bamboo and Pine Cabinet late 19th century, the top with a slanted pediment centered by a turned finial, the upper case with a pair of eglomise framed doors over an open section with a plate rail, the base with a pair of drawers over two paneled doors. h. 104-1/2”, w. 57”, d. 20” $2,000-$4,000

663

269

664 Pair of Terracotta Baskets of Fruit contemporary, with an abundance of carefully sculpted fruit, in tapered “wicker” baskets with ring-form handles. h. 24”, w. 13-1/4”, d. 10-1/2” $1,000-$1,500 665 Impressive George II-Style Mahogany Ottoman

664

19th century, of circular form with a padded seat over a gadroon-carved frame, with four cabriole legs, each with lion’s masques and ending in carved hairy paw feet. h. 19-1/2”, dia. 29” $1,200-$1,800 666 Pair of George III Mahogany Bachelor’s Chests ca. 1800, each bow-fronted chest with a pair of side-byside drawers over two long drawers, fitted with “batwing” brasses, and raised on a scalloped base with splayed legs. h. 36”, w. 32”, d. 17”

665

$1,200-$1,800 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

667 Pair of Stained Fruitwood Fauteuils a la Reine ca. 1900, in the Louis XIV taste, each upholstered in scenic tapestry and trimmed with spiked brass studs, raised on block-and-turned legs joined by like stretchers. h. 47”, seat h. 13-1/2”, w. 25-1/2”, d. 30” $1,500-$2,500

667

270

666

668 Giltwood Sunburst Mirror the convex mirror plate set into a leaf-molded liner, with “rays” emanating from the outside edge. dia. 38-1/2” $2,000-$4,000 669 Regency-Style Mahogany Dining Table 20th century, the rectangular top with yew wood banding and rounded corners, opening to receive one 20” leaf, supported by a pair of turned standards with acanthus leaf carvings and raised on three out-curved legs. h. 30”, w. 46”, l. 72”, ext. l. 92” $2,000-$4,000 668

Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

670 Regency Mahogany Breakfront 19th century, the conforming molded cornice over four astragalglazed doors in the upper case, with a protruding center section, the base with a pair of side-by-side drawers over two long drawers, flanked by cabinets to each side in the form of faux drawers, raised on a plinth base. h. 86-1/2”, w. 110”, d. 24” $2,500-$4,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

669

670

271

671

671 Royal Crown Derby “Imari” Dinner Service with various dates, the service including: six dinner plates, dia. 10-1/4”; thirty salad/dessert plates, dia. 7”; two luncheon plates, dia. 8-1/2”; sixteen bread-and-butter plates, three marked “Aynsley”, dia.

6-1/2”; twelve cups, h. 2-1/4”; thirteen saucers, dia. 5-1/2”; a square cake plate, w. 10-3/4”, d. 9-1/4”; two salt shakers, h. 3-1/2”; a boudoir clock, h. 4”, w. 5”; a serving tray with a pierced sterling rim, h. 1-1/4”, dia. 7”; and a Royal Crown Derby “Gilded Phoenix” collector’s box, h. 1”, dia.

2”.

(89 total pieces) $2,000-$4,000 672 Leather Camelback Sofa in the Chippendale Taste of traditional form, the seat with three reversible loose cushions, raised on short cabriole legs ending in hairy paw feet. h. 35”, w. 81”, d. 34”

671 detail

$1,000-$1,500

672

272

673 Circle of Sir Peter Lely (British/Dutch, 1618-1680) “Portrait of a Lady with a King Charles Spaniel, Probably Hortense Mancini, Duchesse of Mazarin” oil on canvas unsigned, later erroneous inscription “Lady Portman” upper left.

In an attractive, floral-carved, gessoed and giltwood frame.

49-1/2” x 41-1/2”, framed 57-1/2” x 49-1/2” $7,000-$10,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

673

674 Circle of Sir Peter Lely (British/Dutch, 1618-1680) “Portrait of Barbara Villiers, Countess of Castlemaine and Duchess of Cleveland” oil on canvas unsigned.

In an attractive, gessoed and giltwood frame.

50” x 40”, framed 59” x 49” $1,500-$2,500 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

674

273

675 Antique Northwest Persian Sultanabad Runner 3’ 3” x 11’ 8” $1,200-$1,800 Provenance: Estate of a Colorado collector.

676 George III Pine and Yew Wood Veneered Chest 18th century, with a banded top and drawers, the front with a pair of side-by-side drawers over three graduated long drawers, raised on a bracket-foot base. h. 39”, w. 37-1/2”, d. 20-1/2” $1,000-$1,500 677 Italian Gilt-Bronze Bouillotte Lamp 20th century, in the classical taste, the lamp with anthemionmolded sockets mounted on winged animal-form arms, supported on a leaf-molded standard atop a scroll-molded base, set with a green tole shade decorated with gilt anthemia. h. 29-1/4”, w. 14-1/2”, d. 10” $800-$1,200

675

676

274

677

679

678

678 George II-Style Mahogany and Marble-Top Server 20th century, in the manner of William Kent (1685-1748), the top with a later verdigris marble top over a protruding edge and egg-and-dart under-molding, fitted with one large drawer, the base with Greek-key borders and lower gadrooning, raised on carved legs ending in hairy paw feet. h. 38-1/2”, w. 52”, d. 27”

679 Alex de Andreis (Belgian, 1871-1929) “A Group of Cavaliers” oil on canvas signed lower right.

Framed.

25-1/2” x 32”, framed 35-1/2” x 42”

$1,500-$2,500 $2,500-$4,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

275

680 Unusually Delicate Regency Girandole Mirror ca. 1810, the top panel decorated with an ebonized lion’s head, a pierced anthemion on top, the coved surround set with spherules and lotus-carved giltwood candle arms, set with bronze candle sockets and cut-glass prism rings, the antique mirror plate held with a reeded and ebonized liner. h. 29-1/2”, w. 20-1/2”, d. 7-1/4” $1,500-$2,500

680

681 Large French Patinated Bronze “Discobolus” 19th century, after the 1st century AD Roman sculpture (itself a copy of a lost 5th century BCE Greek work by Myron) now conserved by the Museo Nazionale Romano and displayed in the Palazzo Massimo. h. 64”, w. 19-1/2”, d. 40” $5,000-$8,000

681

276

682 Fine Pair of Matthew Boulton Blue John Candle Vases ca. 1765-1770, Birmingham, England, Soho Manufactory, each with a Blue John (Derbyshire fluorspar) baluster-form body mounted in finely chased ormolu with a guilloche band at the rim, the shoulders applied with ramís head masques issuing ribbon-tied swags and twin handles, raised on a stepped square base with conforming mounts. h. 8-1/4”, dia. 3” $6,000-$9,000 683 Fine Russian Grachev Silver Gilt Dessert Service marked St. Petersburg, 1891, assay master Aleksandr Shevyakov, workmaster Cyrillic “AH”, 84 zolotnik (.875) silver, including twentyfour each dessert forks, l. 6-3/4”, dessert spoons, l. 7”, and dessert knives with silver “blunt”-shaped blades and filled handles, l. 8-1/2”, each with plain spatulate handle with applied armorial, presented in the original fitted blue-velvet-lined oak oak case with lift-out tray, the interior lid in cream satin embossed with the Grachev emblem, with brass handles and escutcheon, the latter engraved with the same armorial as on the service, that of Khruschev.

90.68 total t. oz. (knives excluded), case 4” x 17” x 11-1/4”

682

$6,000-$9,000 Provenance: Sotheby’s New York, Russian Works of Art, [ June 20, 1984, sale 5203, lot 131 (the original invoice accompanying the lot).]

The patriarch Ivan Ivanovich Khruschev left his native Poland for the Muscovite state in 7001 (1493) to serve Grand Duke Ivan Vasilyevich of All Russia and was ennobled in that year. The family estates were in Tula, and another grant was received in 7130 (1622). Russian nobility registers show at least 45 tenth-generation descendants born in the mid-19th century, so accurately tracing which member of the Khruschov family owned this handsome set is unlikely. (It is to be noted that the most famous bearer of this name - Premier Nikita Khruschev - was not a member of the noble family, born of peasant stock in Kalinovka, Kursk, very near the Ukraine border).

682 detail

683 detail

683

277

684

684 Christofle “Albi” Sterling Silver Flatware Set the pattern introduced in 1968, hallmarked Paris, 2003-2012, including six ten-piece place settings, with an additional six fish knives and a serving fork and spoon, no monograms, most still sealed in the original Christofle packaging.

(68 pieces total in 13 boxes) 123.81 total t. oz. (weighable silver) $6,000-$9,000 685 Circle of John Hoppner (British, 1758-1810) “Portrait of a Gentleman” oil on canvas unsigned.

Framed.

31” x 25”, framed 39-1/2” x 33-1/2” $2,000-$4,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

685

278

` 686 Late George II Carved Walnut and Parcel-Gilt Armchair 19th century, the shaped and padded back with an egg-anddart carved edge, the arms with scrolled handgrips, over a padded seat and raised on cabriole legs ending in carved paw feet. h. 41-1/2”, seat h. 19”, w. 31”, d. 24” $1,000-$1,500 687 Queen Anne Burl Walnut Secretary Bureau mid-18th century, in two parts, the upper case with a doubledome top and three turned finials over a pair of beveled mirror doors, opening to a fitted interior, the base with a drop-front writing surface, opening to an interior with various cubbies and drawers, over three graduated long drawers, raised on a bracket base. h. 90”, w. 35”, d. 21” $1,500-$2,500 686

687

687 detail

279

688 Fine Regency Brass-Inlaid Rosewood Sewing Table 19th century, the top with rounded corners and brass-inlaid border, above a single drawer and silk-covered bin below, raised on scrolled legs with brass details. h. 30”, w. 26”, d. 18” $1,000-$1,500 689 Suite of Eight George III-Style Mahogany Dining Chairs 20th century, the suite comprised of two armchairs, h. 42”, seat h. 20”, w. 28”, d. 20”, and six side chairs, h. 42”, seat h. 20”, w.

25”, d. 20”, each with a shell-carved crest rail and pierced and carved splat over a slip seat, raised on carved legs ending in ball-and-claw feet. $800-$1,200 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

688

689

280 8

690

690 Semi-Antique Tabriz Carpet 13’ x 21’ 3” $4,000-$7,000

281

691 Semi-Antique Tabriz Carpet 11’ 7” x 13’ $2,000-$4,000

692 Fine Edwardian Mahogany Sideboard ca. 1900, the bowfront top with a satinwood banded edge and a three-quarter brass gallery along the back and sides, the front fitted with three drawers and two cabinets, raised on tapered square legs. h. 49”, w. 66”, d. 25” $1,200-$1,800

691

692

282

693

694

693 Pair of George III-Style Leather Wing Chairs 20th century, in the traditional form, the backs and reversible seat cushions with buttons, trimmed with brass tacks and raised on mahogany short cabriole legs with shell-carved knees and ending in Spanish feet. h. 45”, seat h. 17-1/2”, w. 32”, d. 29” $1,800-$2,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

694 British School (ca. 1900)

695 detail

“The Royal Court Jester” oil on canvas indistinctly signed “Kinsing/Kinney?” en verso, a vintage “McClees Galleries, Philadelphia” label on frame backing.

Framed.

30” x 18”, framed 37-3/4” x 25-3/4” $1,000-$1,500 Provenance: McClees Galleries, Philadelphia, Pennsylvania.

695 English Carved Oak Slant-Front Desk 18th century, in the George III taste, the front with carved village scenes, opening to a fitted interior, above four graduated long drawers, raised on bracket feet. h. 42”, w. 40”, d. 19” $1,200-$1,800 695

283

696

696 Continental Beechwood Farm Table 19th century, the thick plank top over a pair of drawers and raised on tapered square legs. h. 30-1/2”, d. 21-1/2”, l. 68-1/2” $1,000-$1,500 697 Continental Oak Dining Table 19th century, in the Renaissance taste, the circular top with a gadrooned edge, opening to receive leaves (none present), mounted to a carved pedestal with four outstretched legs, each with a carved hunt figure. h. 28”, dia. 46”

697

$1,500-$2,500 698 Pair of English “Kaolin Ware” Pottery Garden Seats ca. 1838-1859, attributed to Thomas Dimmock, the “Chinese” pattern garden seats transfer-printed in flow blue, with willow-shaded pagodas and scattered flowers, on faceted and pierced barrel-form garden seats. h. 18-3/4”, dia. 9-3/4” $1,500-$2,500

698

284

699 English Scrubbed Pine Settee Bench 18th century, with a framed and paneled back, the plank seat with a slide opening to access the interior, the base fitted with a small door, raised on integral block legs. h. 49-1/2”, w. 54”, d. 16” $1,000-$1,500 700 Joseph-Desire Court (French, 1797-1865) “Femme Assise, en Robe Bordeaux”, 1842 oil on canvas signed and dated lower left.

In an exceptional period giltwood frame.

57” x 45”, framed 72” x 58” $3,000-$5,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

700

699

285

701

701 British School (Fourth Quarter 17th Century) “Portrait of Mary of Modena, Queen Consort of England, Scotland and Ireland” oil on canvas unsigned, with title plaque identifying sitter and attributing portrait to Lely.

Framed.

50” x 40”, framed 58” x 47” $4,000-$7,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

286

702

703

702 Three English Leather Buckets each decorated with the English coat of arms, the tallest example, 20th century, marked “Made in England”, the shorter example with a handle marked “No 75, BH & G. Ltd.”, 20th century, and the smaller leather-covered pewter example, late 18th/early 19th century. h. 12-1/2” to 20-1/4”, dia. 9” to 10-3/4” $1,000-$1,500 703 English Scrubbed Pine Chest of Drawers 18th century, in the George III style, with a pair of side-by-side drawers over three graduated long drawers, raised on bracket feet. h. 36”, w. 39”, d. 21” $1,000-$1,500 704 Semi-Antique Nain Carpet 10’ 6” x 14’ $4,000-$7,000

704

287

705 Leather-Upholstered Porter’s Chair 20th century, the domed top with a diamond-tufted interior trimmed with brass tacks, the base with a pair of cabinet doors, fitted with a loose cushion. h. 38-1/2”, seat h. 21”, w. 35”, d. 28” $1,500-$2,500 706 Regency Satinwood-Inlaid Cellarette 19th century, the banded top with a central inlaid medallion, with a leaf-carved gadrooned edge, the front with ribbon inlays and the sides with brass handles, raised on brass paw feet, the interior zinc-lined. h. 23”, w. 32”, d. 22” $1,000-$1,500

705 706

707 Nicola Victor Ziroli (Italian/Illinois, 1908-1970) “31st and Lake Park, South Side, Chicago” oil on canvas signed lower right, titled en verso.

Framed.

34” x 40”, framed 37-3/4” x 43-3/4” $1,500-$2,500

707

288

708 Angelo Brombo (Italian, 1893-1962) “Canale, Venezia” oil on wood panel signed lower left.

Framed.

15-3/4” x 11-3/4”, framed 19-3/4” x 15-3/4” $800-$1,200

708

709 Fine George III Mahogany Sideboard late 18th century, the shaped top with a rosewood-banded edge over a series of conforming cabinets and drawers, raised on string-inlaid tapered square legs ending in spade feet. h. 37-1/2”, w. 102”, d. 24-1/2” $3,000-$5,000 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

710 Carved and Pierced Chippendale Mirror 20th century, in the Chinese Chippendale taste, the pagoda crest hung with temple bells, the surround carved with scrollwork and rocaille work, with a rope-twist liner around the patinated mirror plate. h. 60”, w. 30-1/2” $1,200-$1,800 710

Provenance: Private collection, New Orleans, Louisiana.

709

289

712

711

713

711 Semi-Antique Heriz Carpet 3’ 2” x 10’ 10” $2,000-$4,000 712 Large Italian Wrought-Iron and Marble-Top Console Table

713 Pair of Art Deco-Style Leather Club Chairs

early 20th century, the thick conforming green Benou Breccia marble top on an iron base with two large scrolled bracketform legs. h. 36”, w. 73-1/2”, d. 24”

each with an arched back, over-stuffed arms and a loose seat cushion, the front dressed with brass tacks, labeled “Flamant Home Interiors” on a brass tag. h. 30”, seat h. 17”, w. 33”, d. 30”

$1,800-$2,500

$1,000-$1,500

290

714 Liviu Stoicoviciu (Romanian, b. 1942) “Untitled”, 2005 acrylic on canvas artist monogram lower right, pencil-signed and dated en verso.

Framed. sight 39-1/2” x 31-1/2”, framed 40” x 32” $1,000-$1,500 715 Vintage Zebra Hide 61” x 129” 714

$1,000-$1,500 716 Parcel-Gilt Dining Table in the Italian Neoclassical Taste the fruitwood top with a thumb-molded edge, over a fret-carved skirt decorated with gilt on a black ground, over tapered and fluted legs with acanthus leaf panels. h. 30”, w. 42-1/2”, l. 84” $1,400-$1,800

715

716

291

717 Richard A. Johnson (American/Louisiana, b. 1942) “Untitled”, 1984 acrylic and mixed media on canvas signed and dated en verso.

Framed.

71” x 59-1/2”, framed 73” x 61” $1,500-$2,500

717

718 Noel Rockmore (American/Louisiana, 1928-1995) “Bacchus”, 1987 pastel on paper signed and dated lower right.

Matted, glazed and framed.

38” x 26”, framed 43-1/2” x 31” $1,500-$2,500 In 1987, Noel Rockmore revisited his earlier “Mardi Gras Backstage” Series, this time for Bryant Galleries in New Orleans. The series was initially inspired by a visit to float designer Blaine Kern’s den. The Times-Picayune’s art critic Roger Green placed this series in art historical perspective: “[Rockmore] continues an important tradition in the history of modern art ñ the depiction of circuses and other forms of live, popular entertainment from behind the scenes. Rockmore’s new paintings do not portray human performers backstage.

Instead, his works depict the crowded interiors of Mardi Gras ‘dens’ - storehouses for the colossal figures and objects, called props, that are used to decorate the Carnival floats.”

718

292

719

719 Gustav Carroll Steel and Brass Cocktail Table 20th century, the flaring gallery top with horizontal rails connected with brass spheres, and handles on each side, on pylon-form legs connected with cross stretchers. h. 19-1/2”, w. 59”, d. 39” $1,000-$1,500

720 Peshawar Serapi Carpet 9’ 10” x 14’ 3” $2,500-$4,000

720

293

721

721 Ralph Lauren Leather Sofa

722 Parcel-Gilt Wrought-Iron and Marble-Top Console Table

of box form with rolled arms, accented with brass tacks, upholstered in Brompton saddle-colored leather, with its original reversible loose cushion in cloth upholstery, labeled. h. 35-1/2”, seat h. 21”, w. 85”, d. 37-1/2”

early 20th century, the Brown Viella marble top on an iron base with a scrolling floral frieze, raised on in-curved legs to a central stretcher with fleur-de-lis finial. h. 29-1/2”, w. 49”, d. 19”

$1,400-$1,800

$1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana.

Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

722

294

723 Heriz Runner 5’ 8” x 13’ 5” $800-$1,200 724 Turkish Oushak Carpet 9’ 11” x 13’ 10” $1,500-$2,500

724

723

295

725

725 Pair of Club Chairs and Ottomans 20th/21st century, the chairs with serpentine crests, rolled arms and tapered legs, upholstered in bold tiger print velvet, h. 37”, seat h. 15”, w. 40-1/2”, d. 29-1/2”, with matching rectangular ottomans, h. 14-1/2”, w. 28”, d. 20-1/2”. $1,500-$2,500 726 Pair of French Rock Crystal and Bronze Table Lamps first half 20th century, the vasiform rock crystal bases with bronze fittings decorated with bellflowers and scrolling vines, electrified and fitted with lampshades. h. 22”, dia. 15” $1,500-$2,500 726

727 Continental Wrought-Iron and Marble-Top Console Table ca. 1900, the Portoro marble top on a frame with a scrolled iron frieze, raised on a scrolled and foliate iron base. h. 33”, w. 51”, d. 20-1/2” $1,500-$2,500

727

296

728 French Mahogany Settee in the Restauration Taste second quarter 19th century, the bowfront settee with a rectangular back tablet, curved leaf-carved arms above fruit tablets bas-relief-carved with Grecian honeysuckles, on sabre legs, upholstered in exuberant hand-painted fabric with a pair of matching loose pillows. h. 37-3/4”, w. 68”, d. 21-1/2” $1,200-$1,800 Provenance: Fabric sourced by Mary Ferry Bigelow and Peyton Bruns, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

729 Mahogany and Parcel-Gilt Pier Mirror late 19th century, probably Central European, in the Empire taste, the pedimented crest with carved giltwood trim above a tablet with a lunette-form panel set with a bronze mount, the sides with pilasters decorated with giltwood capitals and bases. h. 55-1/4”, w. 26” $1,000-$1,500

729

728

297

730 Lynlie Carson (American, 20th Century) “Autumnal Landscape” oil on wood panel signed lower right.

Framed.

39” x 36-1/2”, framed 50-3/4” x 47” $1,000-$1,500 731 Jules Charles Boquet (French, 1840-1931) “Vallee du Bastan, Pyrenees” oil on canvas signed lower left, titled on artist plaque.

In a period coved, gessoed, and carved giltwood frame.

39” x 49”, framed 56” x 66” $2,000-$4,000 Provenance: Sold in these rooms, October 16, 2016, lot 1192; Private collection.

730

731

298

732 Edward R. Sitzman (American, 1874-1949) “Promenade”, 1908 oil on canvas signed and dated lower left.

Framed.

46-1/2” x 35-1/2”, framed 51-1/2” x 40-1/2” $3,000-$5,000 733 Pair of Steel and Marble Tables in the Gilbert Poillerat Manner 20th century, set with portoro marble tops over pierced oval legs, the upper portions with Greek-key terminals, divided by bronze balls, with bronze flame finials, on bronze tapered feet. h. 24-1/2”, dia. 28” $2,000-$4,000

732

733

299

734 Jules Pascin (French, 1885-1930) “Bacchus” graphite and ink on paper signed lower right.

Float-mounted, glazed and framed. sheet 5-1/4” x 8-1/4”, framed 12-1/2” x 14-1/2” $2,000-$4,000 735 Jules Pascin (French, 1885-1930) 734

“Trois Hommes en Charette” graphite on paper signed lower right.

Matted, glazed and framed. sight 7-7/8” x 10”, framed 10” x 12” $1,500-$2,500 736 Pair of Malachite and Gilt-Metal Side Tables 20th century, probably Italian, each with a circular tessellated malachite top raised on clustered tapering tubular legs ending in integral ball feet and joined by a tubular ring. h. 25-1/2”, dia. 25-1/2” $4,000-$7,000

735

736

300

738

737 Giltwood Sunburst Mirror likely Latin American, the circular mirror plate set into a molded giltwood surround, set with pairs of carved giltwood “rays”. dia. 39-3/4” $1,000-$1,500 738 Impressive Custom-Made Black-Lacquer Pedestal Dining Table

737

the expansive rectangular top with a gilded and molded edge set with a broad border and inner silver-leaf liner, raised on a pair of pedestals with down-curved legs ending in carved and gilded paw feet. h. 30-1/2”, w. 48”, l. 144” $2,500-$4,000 739 Pair of Malachite Table Lamps in the Russian taste, the vasiform lamps veneered in tessellated malachite, having ball-form malachite finials, mounted on polished brass bases, fitted with lampshades, adjustable height. h. 26-1/2”, dia. 13” $2,500-$4,000

739

301

740 Czech Glass Centerpiece Lamp second quarter 20th century, the lush arrangement of polychrome glass fruit lit from within, on an oval tole basket with brass rope-twist handles. h. 10”, w. 13”, d. 9-1/2” $1,500-$2,500

740

741 Wedgwood “Florentine Turquoise” Bone China Dinner Service 20th century, pattern W2714, the service including: seventeen dinner plates, dia. 10-3/4”; seventeen soup plates, dia. 8”; seventeen salad plates, dia. 8”; twenty-two cups, h. 2-1/4”; nine saucers, dia. 6”; one luncheon plate, dia. 9-1/2”; two graduated platters, w. 10-3/4” to 11-3/4”, l. 14-1/2” to 15-1/2”; three oval open vegetable dishes, h. 10”, dia. 7-1/2”; one vegetable dish with no cover, h. 3-1/4”, dia. 8-1/2”; one gravy boat with integral stand, h. 5-1/2”, w. 8”; one covered sugar bowl, h. 3-3/4”, dia. 4”; one open sugar bowl, h. 3”, dia. 4”; six dessert plates, dia. 6-3/4”; twelve bread-and-butter plates, dia. 6”; one cream jug, h. 2-1/2”, w. 5-1/2”; and one cream jug, h. 4-1/4”, w. 3-1/2”.

(112 pieces total) $1,200-$1,800

741 detail

741

302

742

743 Spanish Reales Sitios de Espana Dinner Service the service including: fifteen service plates, dia. 11”; sixteen soup plates, dia. 9”; sixteen salad/dessert plates, dia. 8-1/4”; nineteen cream soup bowls, h. 2-1/4”, dia. 4”; seventeen cream soup bowl stands, dia. 6-1/2”; eight teacups, h. 2-1/4”; eight saucers, dia. 5-3/4”; seven coffee cups, h. 2”; eight saucers, dia. 5”; one soup tureen, h. 9-1/2”, dia. 10-1/4”; two open circular bowls, h. 4-1/4”, dia. 9-1/2”; two gravy boats, h. 3-3/4”, w. 5-1/2”; six graduated platters, w. 6” to 9-3/4”, l. 8-3/4” to 14-1/4”; one teapot, h. 5-1/2”, w. 10”; one coffeepot, h. 9-3/4”, w. 10”; one sugar bowl, h. 5-1/2”, dia. 4”; and one cream jug, h. 3-1/2”, w. 5”.

(129 pieces total)

742 Hutschenreuther “Monarch” Porcelain Dinner Service ca. 1963-1989, the service including: twelve dinner plates, dia. 10-1/2”; twelve soup plates, dia. 8-1/4”; twelve salad plates, dia. 7-3/4”; twelve bread-and-butter plates, dia. 6”; twelve cups, h. 2”; and twelve saucers, dia. 6”.

(72 pieces total) $1,000-$1,500 Provenance: Private collection, New Orleans, Louisiana.

$1,000-$1,500

743

303

745 Roger Norman Medearis (American, 1920-2001) “Wild Strawberries by a Rail Fence”, 1966 acrylic on masonite signed lower left, and signed, titled, dated and localized en verso.

Unframed.

18” x 24” $4,000-$7,000 Born in Fayette, Missouri, Roger Medearis grew up among the rolling hills and lush beauty of the Midwestern landscape. At eighteen years old, he enrolled at the Kansas City Art Institute where he studied with Thomas Hart Benton, who was, at the time, at the forefront of the Regionalist art movement. For Medearis, this allowed him to paint what he knew: farmlands of Missouri, local flora and fauna of the Midwest, and meditations on the natural world. However, as World War II ended, so too did the heyday of Regionalist fine art, and Medearis quit painting to join the corporate world. As Abstract Expressionism came to dominate the market, Medearis became a leading salesman for Container Corp. of America.

744

744 French Patinated Bronze Chandelier mid-20th century, the body in the form of a wicker flower basket, set with bronze flowers and wheat, intermingled with leaf-molded and scrolled candle arms set with foliate drip pans. h. 21”, dia. 30” $1,200-$1,800 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

745

304

It wasn’t until the mid-1960s that he would begin to work again; encouraged by his wife, he produced a strong body of work reminiscent of his younger years, including paintings, drawings, prints, and bronzes. He worked intermittently until his death, achieving the success that had eluded him in the post-war years. Today, his work can be found in the National Museum of American Art in Washington, D.C., the Nelson-Atkins Museum in Kansas City, and in a number of prominent, private collections across the nation.

746 Andre Gisson (French/American, 1921-2003) “A Cloudy Summer’s Day” oil on canvas signed lower left.

Framed.

24” x 30”, framed 28” x 34” $1,000-$1,500 747 Venetian Mirror in the Baroque Taste the flower-engraved central rocaille crest flanked by leaves, the body with flower-engraved crossetted corners framing the oval center panel, the corners engraved with leaves and flowers, and the oval back cut with convex medallions. h. 46-1/2”, w. 27-1/4” $800-$1,200

746

748 Turkish Angora Oushak Carpet 10’ 1” x 14’ 3” $1,800-$2,500

747

748

305

749

749 Pair of Italian Venetian Mirrors mid-20th century, the pierced crests decorated with engraving over arched tops, and the blue-tinted surrounds engraved with sprays of flowers. h. 30”, w. 17-1/4” $1,200-$1,800

306

750

750 Oushak Carpet 9’ 9” x 13’ 7” $3,000-$5,000

307

751 Eugene Thurston (American/Texas, 1896-1993) “Desert Sunset” oil on canvas signed lower left.

Framed.

18” x 24”, framed 23” x 30-1/2” $800-$1,200

751

752 Kent R. Wallis (American, b. 1945) “Floral Blanket” oil on canvas signed lower left, titled on a “Meyer Gallery, Santa Fe, New Mexico” label en verso.

Framed.

20” x 24”, framed 28-1/4” x 32-1/4” $1,500-$2,500 Provenance: Meyer Gallery, Santa Fe, New Mexico; The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

752

753 Gilt-Bronze Mirror in the Neoclassical Taste 20th century, the oval cushion mirror with a surround outlined with gilt-bronze beading, with tessellated angled, mirrored portions decorated with pierced mounts of bowknots and foliate medallions. h. 41-1/4”, w. 29-1/2” $1,000-$1,500

753

308

754 Pair of Framed Red Wax Grand Tour Medallions second quarter 19th century, of famous classical figures, scenes or art, the edges in gilt paper “frames”, on a taupe ground and mounted in contemporary giltwood shadowbox frames. h. 12”, w. 12” $1,500-$2,500

754

755 Two Framed Collections of Grand Tour Seals second quarter 19th century, the seals with gilt paper “frames”, on a taupe ground, in octagonal giltwood shadowbox frames. h. 13-3/4”, w. 13-3/4” $1,500-$2,500

755

756 Pair of Framed White Plaster Grand Tour Medallions second quarter 19th century and later, of famous classical figures, scenes or art, the edges in gilt paper “frames”, on a taupe ground with period script embellishments, in contemporary giltwood shadowbox frames. h. 12-3/4”, w. 12-1/2” $1,500-$2,500

756

309

757

757 Louis XV-Style Stained Fruitwood Duchesse Brisee 20th century, the chair with a reversible back and seat cushions, and the ottoman with an attached cushion, raised on cabriole legs. overall h. 35”, seat h. 18”, w. 29”, l. 50” $800-$1,200

758 Pair of Porcelain Lamps of Chinese Inspiration 20th century, the vasiform lamps decorated with raised lily pads, passion flowers, lotus blossoms and hummingbirds, on molded wooden bases, fitted with lampshades. h. 26-3/4”, w. 17-1/2”, d. 14” $800-$1,200 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

758

310

759 Polychrome and Parcel-Gilt Mirror late 19th century, in the Art Nouveau taste, decorated with carved and painted chrysanthemums on a giltwood basketweave ground, with a ribbon-bound and reeded liner. h. 30-1/4”, w. 26-1/4” $2,000-$4,000

759

760 Peshawar Birds of Paradise Carpet 8’ x 10’ $2,000-$4,000

760

311

761 Large Murano Eight-Light Chandelier 20th century, Venetian, the blown-glass quilted standard with pink accents, set with four rope-twist arms, and quilted light holders, the arms intermingled with blown-glass polychrome daffodils and swirling leaves, each light holder with two sockets and spear-point spiral-reeded prisms. h. 40-1/2”, dia. 41-1/4” $5,000-$8,000

762 Coalport “Pageant” Partial Dinner Service ca. 1972-1983, the service comprised of twelve dinner plates, dia.

10-1/2”, eleven salad/dessert plates, dia. 8”, twelve bread-and-butter plates, dia. 6”, twelve cups and saucers, h. 2”, dia. 5-3/4”, twelve coupe/cereal bowls, h. 1-1/2”, dia. 6”, a footed centerpiece bowl, h.

5-1/2”, w. 11-3/4”, d. 7”, a covered vegetable dish, h. 5-1/4”, dia. 9-3/4”, three graduated serving dishes, w. 6-1/2” to 8-1/4”, l. 7-1/2”, to 9-1/2”, a comport, h. 5”, dia. 9-1/2”, a candlestick, h. 8-1/2”, w. 3-1/2”, a sandwich tray, w. 5-3/4”, l. 11-1/4”, six butter pats, w. 3”, l. 3”, a gravy boat and stand, h. 5”, w. 7-3/4”, d. 6”, a cachepot, h. 5-3/4”, dia. 7”, a covered jar, h. 9”, dia. 4-3/4”, a covered urn with handles, h. 7-1/2”, w. 6-1/4”, d. 5”, a covered sugar bowl, h. 5-3/4”, w. 6”, and a cream jug, h. 4”, w. 5-1/4”.

761

$800-$1,200 Provenance: Private collection, New Orleans, Louisiana.

762 detail

762

312

763

763 Partial Service of Lenox “Tuxedo” Crystal Stemware

764 Partial Service of Italian Gilt-Decorated Glass Stemware

with raised gilt rims, the service including: twelve water goblets, h. 7”; twelve wine goblets, h. 6”; and twelve champagne coupes/tall sherbets, h. 5-1/4”.

(36 pieces total)

20th century, all with gilt borders decorated with anthemia and scrollwork, accented with white enamel beading, the footed bowl the large centerpiece bowl further embellished with a mythological marine scene depicting tritons and putti amid sea creatures, the service including: ten water goblets, h. 7-1/2”; twelve wine goblets, h. 6-1/4”; eighteen martini/cocktail glasses, h. 5-3/4”; and a footed bowl, h. 7”, dia. 9-1/2”.

(41 pieces total)

$700-$1,000 Provenance: Private collection, New Orleans, Louisiana.

$1,400-$1,800

764

313

765

765 Baccarat “Party in a Box” 20th century, the box with a collection of drinks glasses, together with a book of vintage cocktails, the collection including: one “Vega” martini glass, h. 9”; one “Vega” champagne flute, h. 9”; one “Vega” highball glass, h. 5-3/4”; one “Chateau Baccarat” red wine glass, h. 8-1/4”; one “Chateau Baccarat” champagne flute, h. 9-1/2”; one “Harcourt-Versailles” red wine glass, h. 6-1/4”; one “Harcourt-Versailles” old-fashioned glass, h. 3-3/4”; and one “Harcourt-Versailles” double old-fashioned glass, h. 3-1/4”.

(8 pieces total)

765 detail

$1,000-$1,500

766 Pair of Gilt-Metal Seahorse Lamps the seahorses mounted on gilt-metal plinths, above rectangular acrylic bases. h. 24-1/4”, w. 8”, d. 5-1/2” $1,200-$1,800

766

314 8

767 Niek van der Plas (Dutch, b. 1954) “Beach Day” oil on wood panel signed lower right, incised signature en verso.

Framed.

22” x 36”, framed 28” x 42” $2,000-$4,000

767

768 Jacques Renard Lejeune (French, 1930-2003) “Jolie Femme sur la Terrasse” oil on canvas signed lower right.

Framed.

39-1/2” x 39-1/2”, framed 47” x 47” $1,500-$2,500

768

769 Niek van der Plas (Dutch, b. 1954) “Cafe de Flore” oil on wood panel signed lower right, incised signature en verso.

Framed.

22” x 24-1/2”, framed 28-1/2” x 31-1/4” $2,000-$4,000

769

315

770

771 Turkish Angora Oushak Carpet 770 Maison Bagues Gilt-Bronze and Plate-Glass Table the thick, rectangular plate-glass top with a slightly beveled edge and canted corners, set on a branch-form base with in-curved box stretchers and out-curved legs. h. 29”, w. 72”, d. 42”

9’ 1” x 12’ 1” $1,400-$1,800 772 Turkish Angora Oushak Carpet 9’ x 12’ 2”

$2,500-$4,000

$1,500-$2,500

771

316

772

773 Large Clam Shell on Custom Metal Stand early 20th century and later, the large fossilized shell with a calcified exterior, on an early 20th century painted wroughtmetal stand with scrolled supports, the front with scrollwork and rings, on cabriole legs. h. 36-1/2”, w. 36-1/2”, d. 23-1/2” $1,500-$2,500 774 “Peloponnesian” Terracotta Olive Jar the amphora-form olive jar decorated with distinctive turned horizontal ribbing. h. 32”, dia. 15” $1,500-$2,500 775 “Peloponnesian” Terracotta Olive Jar the amphora-form olive jar decorated with distinctive turned horizontal ribbing. h. 32”, dia. 15” 773

$1,500-$2,500

774

775

317

776

776 The Wind in the Willows Cast-Stone Garden Figures 20th century, the figures depicting Mr. Toad, Ratty, Badger and Mole, all dressed in amusing costumes. h. 28” to 36”, w. 10” to 12”, d. 8-1/2” to 10” $10,000-$15,000 Provenance: Purchased from Barbara Israel at the New York Botanical Garden Annual Show.

776 detail

318

776 detail

777

777 Pair of Cast-Iron Garden Urns

778 Brown Jordan “Venetian” Lounge Suite

19th century, the rims molded with flowers, the lower outside edges molded with grapes, on tapered bases, raised on square plinths. h. 14-1/2”, dia. 22”

20th century, the aluminum suite including four lounge chairs with pierced X-form backs, arms with scrolled ends and stretcher bases, fitted with loose cushions, h. 31-1/2”, w. 27-1/2”, d. 27-1/2”, and four matching ottomans with loose cushions, h.

18”, w. 24-1/2”, d. 24-1/2”.

$1,000-$1,500 $1,000-$1,500

778

319

779

779 Brown Jordan “Venetian” Pattern Dining Suite

780 Brown Jordan “Venetian” Sofa and Settee

20th century, the aluminum suite including a glass-top dining table with pierced skirts and legs with block feet and cross stretchers, h. 29”, w. 37-1/2”, l. 61-1/4”, a matching extension table, h. 29-1/4”, w. 27-1/2”, l. 37-1/2”, a pair of armchairs with pierced X-form backs, woven seats and scrolled arms, fitted with loose cushions, h. 35”, w. 20”, d.

19-1/2”, and six matching side chairs, h. 35”, w. 22-1/2”, d. 20-1/2”, some pieces labeled.

20th century, the aluminum sofa and settee with pierced X-form backs, woven seats and arms terminating in scrolled ends, raised on straight legs with block feet and cross stretchers, fitted with loose cushions, labeled. sofa h. 31-1/2”, w. 81”, d. 28”; settee h. 31-1/2”, w. 53-1/2”, d. 28” $1,000-$1,500

$1,000-$1,500

780

320

781

781 Suite of Four Brown Jordan “Venetian” Chaise Lounges

782 Set of Six Brown Jordan “Venetian” Bar Stools

20th century, the aluminum suite with woven seats and adjustable backs, the arms with scrollwork and the legs on block feet with cross stretchers, fitted with cushions, labeled. h. 20” to 39”, w. 26-1/2”, l. 79-1/2”

20th century, the aluminum black frames set with pierced X-form backs, over woven seats fitted with cushions, and raised on straight legs with stretchers, labeled. h. 45-1/2”, w. 17-1/4”, d. 16”

$1,000-$1,500

$1,000-$1,500

782

321

783

783 Pair of Cast-Iron Urns on Pedestals in the neoclassical taste, the campana-form urns decorated with molded scrollwork borders, set with handles terminating in lion’s-head masques, the pylonform pedestals set with scrollwork panels and ogeemolded bases. h. 42-1/2”, dia. 19” $1,000-$1,500 784 Patinated Bronze Satyr Masque late 19th/early 20th century, the Bacchanalian horned masque with elfin ears, signed indistinctly. h. 12”, w. 11-1/4”, d. 5-3/4” $800-$1,200 784

322

785

785 Large Pair of Neoclassical-Style Cast-Iron Garden Urns on Pedestals each in two parts, the campana-form urns with flared egg-and-dart rims, the bodies adorned with putti and swags, and the handles with leonine masques, the pedestals with putti, flora and a classical masque on each side. h. 89-3/4”, w. 25-1/2”, d. 25-1/2”, dia. 31” $3,000-$5,000 786 Pair of Cast-Iron Urns on Pedestals in the neoclassical taste, the campana-form urns decorated with molded scrollwork borders, set with handles terminating in lion’s-head masques, the pylonform pedestals set with scrollwork panels and ogeemolded bases. h. 42-1/2”, dia. 19” $1,000-$1,500

786

323

787 Unusual Adirondack Root Bench of naturalistic form, the intertwined root system forming the back and arms, with two loose seat cushions and bolsters. h. 39”, seat h. 21”, w. 62”, d. 26” $2,500-$4,000 Provenance: The Estate of Ilon Specht, The Dakota, Manhattan, New York.

788 Bronze Egret Fountain comprised of two egrets, both piped to spout water from their bills, the taller one on a driftwood stump, above an integral circular base modeled with plants. h. 75-3/4”, w. 24”, d. 21-1/2” $1,200-$1,800

787

789

789 Pair of Neoclassical Cast-Iron Fluted Urns 20th century, the tulip-form and fluted bodies raised on tapered bases with square plinths and molded paw feet. h. 24”, dia. 17” $1,000-$1,500

788

324

790 French Art Nouveau Lead Figural Fountain ca. 1900, in the form of a water nymph holding a shell in one hand, the adjacent finger piped for water, on a cove-molded socle decorated with a cornucopia of fruit. h. 44”, w. 13-3/4”, d. 12” $800-$1,200 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

791 Pair of Cast-Iron and Wood Garden Benches in the “Four Seasons” pattern, after Coalbrookdale, the backs composed of four scroll-trimmed panels personifying the seasons, with scrolled arms and wooden slatted seats, on sabre legs joined with cross stretchers. h. 34”, w. 66-3/4”, d. 26-3/4” $1,500-$2,500

790

791

325

792 Pair of Cast-Iron Garden Urns in the Neo-Grec Taste ca. 1900, the tapered urns decorated with applied sunflowers on a ground of bas-relief ivy vines, set with handles decorated with medallions and anthemia, the ogee bases molded with lotus leaves and beading. h. 27”, w. 16-1/2”, d. 11” $1,000-$1,500 Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

793 Cast-Stone Recumbent Stag ca. 1900, the painted stag on a rectangular plinth. h. 39”, w. 40”, d. 16-1/4”

792

$1,500-$2,500 794 Pair of French Bronze and Marble-Top Tables 20th century, in the empire taste, each with a circular top and a breche marble insert, mounted to a columnar standard with athenaeum decoration, raised on an in-curved triangular base with paw feet. h. 28-1/2”, dia. 18-1/2” $2,000-$4,000 795 French Art Deco Gilt-Brass Butterfly-Form Chandelier ca. 1930, with a flower-form canopy set with chains, supporting the realistically molded gilt-brass and bronze body, set with a pair of molded and frosted glass wings, each one concealing a pair of sockets. h. 24”, w. 23”, d. 12-1/2” 793

$1,500-$2,500

794

326

795

796 Patinated Bronze Fauteuil After Diego Giacometti 20th century, in the neoclassical taste, the back with a circular medallion over vertical supports, the curved arms terminating in molded lion’s heads, the straight legs terminating in dog’s-paw feet, mounted with back and seat cushions. h. 37”, w. 22-1/2”, d. 26-1/2” $1,000-$1,500

796

797 Rare Italian St. Cipollino Breccia Marble Pedestals 19th century, the standards composed of highly figured green and white St. Cipollino Breccia marble, on Carrara marble Doric bases. h. 43”, w. 13-1/4”, d. 13-1/4” $5,000-$8,000 Provenance: William Randolph Hurst, San Simeon, California.

798 Large-Scale Bronze Figure of a Crab

797

realistically modeled, with a green verdigris patina. h. 20”, w. 31-1/2”, d. 16” $1,000-$1,500 799 Painted Iron Alligator early 20th century, realistically modeled. h. 4-1/4”, w. 8”, l. 29” $1,000-$1,500

798

799

327

ARTIST INDEX (BY LOT NUMBER)

American School, (19th Century) American School, (20th Century)

556 16

Ardissone, Yolande (French, 1927-2024)

32,33

Boland, Charles (Belgian, 19th Century)

638

Boquet, Jules Charles (French, 1840-1931)

731

British School, (ca. 1900)

694

British School, (Fourth Quarter 17th Century)

701

Brombo, Angelo (Italian, 1893-1962)

708

Broughton, Edward (American, 20th century)

43

Buttersworth, Sr., Attributed to Thomas (British, 1768-1842)

139

Carson, Lynlie (American, 20th Century) Claessens, A. (Belgian, 19th Century)

730 653,654

Clark, Joseph Dixon (British, 1849-1944)

661

Colville, Pat (American, b. 1931)

547

Congdon, William Grosvenor (American, 1912-1998)

520

Continental School, (18th Century)

229

Continental School, (19th Century)

232

Court, Joseph-Desire (French, 1797-1865)

700

Crocker, Charles Matthew (American, 1877-1950)

585

Davidson, Jim (American, 1962-) Dawson, Montague (British, 1890-1973) de Andres, Alex (Belgian, 1871-1929) for Garner Hugh Tullis (1893-1966), Fraughton, Edward James (American/Utah, 1939-2024)

567 136,137 679 1 29

Giroux, Attributed to Charles (French/Louisiana, 1828-1885, act. LA 1868-1885)

20

Gisson, Andre (French/American, 1921-2003)

746

Henner, Jean-Jacques (French, 1829-1905) Hoppner, Circle of John (British, 1758-1810) Howard, Newton Reeve (American/Louisiana, 1912-1984)

188,198 685 36,37,38,56,57

Johnson, Richard A. (American/Louisiana, b. 1942)

717

Kluge, Constantin (French, 1912-2003)

7,8

Laclotte, After Hyacinthe (French, 1766-1829)

25

Laugier, After Marius FranÁois (French, 1835-1899)

211

Le Faguays, Pierre (French, 1892-1962)

195

Lejeune, Jacques Renard (French, 1930-2003)

768

Lely, Circle of Sir Peter (British/Dutch, 1618-1680) Medearis, Roger Norman (American, 1920-2001)

673,674 745

Pascin, Jules (French, 1885-1930)

734,735

Qing Dynasty (1644-1912),

125,304

Rockmore, Noel (American/Louisiana, 1928-1995)

718

Roubal, Franz (Austrian, 1889-1967)

625

Sanzio, After Raffaello (Italian, 1483-1520)

217

Sceto, Giovanni (Italian, ca. 1869-1895)

182

Sitzman, Edward R. (American, 1874-1949)

732

Smith, D.C. (American, 20th Century)

14

Stoicoviciu, Liviu (Romanian, b. 1942)

714

Storck, Attributed to Abraham (Dutch, 1644-1708)

140

Thurston, Eugene (American/Texas, 1896-1993)

751

Tschaggeny, Charles-Philogene (Belgian, 1815-1894)

624

Valdez, Vince (American, b. 1940)

53

van der Plas, Niek (Dutch, b. 1954)

767,769

Verwee, Alfred (Belgian, 1838-1895)

659

Vouet, After Simon (French, 1590-1649)

218

Walker, After William Aiken (American/Louisiana, 1839-1921)

24

Wallis, Kent R. (American, b. 1945)

752

Watson, William (British, 19th Century)

660

Waugh, Frederick Judd (American, 1861-1940)

536

Webb, Byron (British, fl. 1846-1866)

613

Wilcox, Leslie Arthur (British, 1904-1982)

138

Wyeth, Henriette (American, 1907-1997)

490

Zach, Bruno (Austrian, 1891-1935)

210

Ziroli, Nicola Victor (Italian/Illinois, 1908-1970)

707

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

ABSENTEE / TELEPHONE BID FORM Bidder (Please Print): ____________________________________________

Date: ____________________

Business Name (if applicable): _______________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _________________ Mailing Address: _____________________________________________________________________________ City: __________________________________________________ State: ________ ZIP: __________________ Telephones: Cell (_____)________________ Home (_____)_________________ Fax (____)______________ E-mail Address: ______________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue and online at neworleansauction.com. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

BID AMOUNT (NOT INCLUDING BUYER’S PREMIUM) OR TELEPHONE NUMBER TO CALL:

LOT #

$ $ $ $ $ $ $ $ $ All Major Credit Cards #: ______________________________________ CVV #: _________________

Expiration Date: _____________

Billing ZIP: __________________

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000. Please note that effective January 1, 2023, there is no longer a discount for payments made by cash, check or wire transfer. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ________________________________________________________________________ Please submit this form by 4:00pm CT two days prior to the first day of auction. Faxed forms can be sent to 504-566-1851 or scanned and emailed to info@neworleansauction.com.

PHONE: 504-566-1849

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FAX: 504-566-1851

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INFO@NEWORLEANSAUCTION.COM

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

ABSENTEE / TELEPHONE BID FORM (continued)

Bidder (Please Print): ____________________________________________

LOT #

Date: ____________________

BID AMOUNT (NOT INCLUDING BUYER’S PREMIUM) OR TELEPHONE NUMBER TO CALL:

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

Signature (Required): ________________________________________________________________________

PHONE: 504-566-1849

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FAX: 504-566-1851

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INFO@NEWORLEANSAUCTION.COM

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

LIST OF RECOMMENDED SHIPPERS New Orleans Auction does not provide packing or shipping services.

Our clients have successfully used the following drayage companies:

COMPANY

TELEPHONE

EMAIL

Pakmail

800-230-5229

quotes493@pakmail.com

Bayou Movers

504-228-3827

bayoumoversla@gmail.com

Craters & Freighters

504-733-6180

nola@craters.net

N.O. Packaging & Shipping

504-885-4544

info@nolapackandship.com

UPS Store #4134

504-866-8664

store4134@theupsstore.com

Auctions Plus Shipping Solutions

404-228-3771

quotes@apss.info

Pickup Appointments: Required for large furniture and difficult or fragile items (e.g., chandeliers).

Appointments must be scheduled at least 24 hours in advance. Please call 504-566-1849 to schedule pickups.

PICKUP HOURS: Monday through Friday 9:30AM – 4:30PM

Packing Materials: All items are released as-is. Please bring proper packing materials and/or sufficient help to ensure the safety of your items during transit.

PHONE: 504-566-1849

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FAX: 504-566-1851

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INFO@NEWORLEANSAUCTION.COM

Revised 12.01.2025

Meet Our Team CEO:

Susan D. Sarofim

PRESIDENT:

Taylor Eichenwald | taylor@neworleansauction.com

DIRECTOR EMERITUS:

Tessa Steinkamp

SPECIALISTS: VICE PRESIDENT

John C. Jones | john@neworleansauction.com

DIRECTOR OF FINE ART

Michele M. Carolla | michele@neworleansauction.com

ASSOCIATE SPECIALIST, FINE ART

Sophie Curtis | sophie@neworleansauction.com

SENIOR SPECIALIST: FURNITURE & CLOCKS

Greg S. Kowles | greg@neworleansauction.com

SENIOR SPECIALIST: GENERAL

Ireys Bowman | ireys@neworleansauction.com

DIRECTOR OF FINE JEWELRY

Kim Lemon | kim@neworleansauction.com

FINE SILVER

Charles C. Cage | charles@neworleansauction.com

CARPETS

Sean Ranson | sean@neworleansauction.com

CONSIGNMENT COORDINATOR

Alex Ebel | alex@neworleansauction.com

ADMINISTRATION: DIRECTOR OF CLIENT SERVICES

Sylvia Burn | sylvia@neworleansauction.com

CLIENT SERVICES ASSOCIATE

Audrey Dawson | audrey@neworleansauction.com

ADMINISTRATION

Denise Haik | denise@neworleansauction.com

OFFICE MANAGER

Charles C. Cage | charles@neworleansauction.com

RETAIL MANAGER

Owen Lemon | owen@neworleansauction.com

CREATIVE: LEAD PHOTOGRAPHER

Christa Ougel | christa@neworleansauction.com

DIGITAL IMAGING & PHOTOGRAPHY ASSISTANT

Chelsea Caldwell | chelsea@neworleansauction.com

ART DIRECTOR & VISUAL MANAGER

Erica Westenberger | erica@neworleansauction.com

ART DIRECTOR & PROJECT MANAGER

Jo Gremillion | jo@neworleansauction.com

OPERATIONS: DIRECTOR OF OPERATIONS

Sean Ranson

OPERATIONS ASSOCIATES

Cedric Roberts, Emmitt Kendrick, Jr., Gerald Hampton, Theadrow Mark, Furnell Augustin, Jr., Will Williams, Jr., Juanita Jones, Christian Hamilton, Brennan Moses, Vyron Thomas

DESIGNER:

Burke

CONSULTANTS: CATALOGUER ENGLISH & CONTINENTAL FURNITURE AMERICAN FURNITURE REGIONAL FINE ART ASIAN ARTS

John Thompkins Ellen McKenzie Thomas Halverson Claudia Kheel James Callahan