Issuu

JULY 25-26, 2026

Warmth of HERITAGE

“Summer afternoon, summer afternoon; to me those have always been the two most beautiful words in the English language.” — Henry James

Warmth of HERITAGE ART DIRECTION / Jo Gremillion & Erica Westenberger PHOTOGRAPHER / Jacqueline Marque GAFFER / Sam Aguirre-Kelly OPERATIONS / Cedric Roberts, Vyron Thomas SET CONSTRUCTION / Katalea Ford & Hill Landry

ESTATES

AUCTION JULY 25-26, 2026

EXHIBITION HOURS

July 13-24 Monday - Friday 9:00 a.m. - 5:00 p.m.

EVENING PREVIEW

Thursday, July 23 5:00 p.m. - 7:00 p.m.

Bidding Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Lot Schedule Please note that times are approximate. SATURDAY, JULY 25, 2026 10:00 a.m CT

SUNDAY, JULY 26, 2026 10:00 a.m CT

10:00 - 11:00

3 6 2 - 43 0

11:00 - 12:00

130

11:00 - 12:00

43 1 - 49 5

12:00 - 1:00

131

195

12:00 - 1:00

49 6 - 5 6 0

1:00 - 2:00

1 9 6 - 26 0

1:00

2:00

561 - 625

2:00 - 3:00

26 1 - 32 5

2:00 - 3:00

6 26 - 6 9 0

3:00 - 3:30

326 - 3 6 1

3 : 0 0 - 3 : 45

6 91 - 732

333 Saint Joseph Street, New Orleans, LA 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com

Auction License LA AB-363 | Eichenwald #1922, Steinkamp #1265 25% Buyer’s Premium (No Discounts) | 30% for Purchases Made on LiveAuctioneers and Invaluable

Welcome to JULY As summer settles upon us, longer days call on us to linger. Whether gathered around the table for a backyard barbecue, enjoying an afternoon at the beach, strolling a local farmers' market or simply relaxing on the porch as the sun sets, summer reminds us to appreciate simple pleasures and lasting traditions. At New Orleans Auction, summer has also become one of our busiest—and most rewarding—seasons. Year after year, our July Estates Auction delivers some of our most memorable moments. In recent years, that has included a rare table by François-Xavier Lalanne, which realized just shy of $1 million, and a Circle of Gérard portrait of Napoleon that soared to over $200,000. It's impossible to know which lots will become this year's headlines, but this catalogue certainly has some worthy contenders. Leading the two-day sale is a stunning Richard Clague painting of the shore of Lake Pontchartrain. One of Louisiana's most celebrated 19th-century landscape painters, Clague captured not only the beauty of the region but also its people and history. This exceptional work depicts members of the Choctaw community along the north shore of Lake Pontchartrain, making it an important historical document as well as a masterful example of the artist's work. We are also pleased to present fine art from the Estate of Patricia Brady. Throughout her distinguished career as a historian, author and advocate for Louisiana's cultural heritage, Brady developed a discerning appreciation for art that reflected the people and places she loved. Her collection includes works by Clarence John Laughlin, Will Henry Stevens and Elemore Morgan, Jr.

Day two of this sale opens with a stunning selection of fine jewelry from the Estate of Marie Bel Fay Evnochides, representing some of the most enduring names in 20th-century jewelry design. The collection includes celebrated designs by Jean Schlumberger and Elsa Peretti for Tiffany, alongside creations by David Webb and Cartier. This month, we also pay tribute to a dear friend of the auction whom we lost earlier this year. Louise Guidry was an elementary school teacher, art instructor, artist and beloved member of the Acadiana arts community. We deeply cherish our 14-year friendship with Louise and will miss her deeply. The July Estates Auction takes place July 25-26, beginning at 10 a.m. CT each day. Exhibition begins Monday, July 13, and continues through Friday, July 24. Escape the summer heat and join us for our Evening Preview on Thursday, July 23, from 5 to 7 p.m.

See you at the auction!

Taylor Eichenwald President

PRESIDENT'S PICKS

Lot 14 Rare Pair of Napoleon III Specimen Marble Cabinets

Lot 3 Italian Carved Marble Male Torso

Lot 94 Biedermeier Walnut Commode Lot 595 William Wegman (American, b. 1943) "Glamour Puss (Designer Dolce & Gabbana)", 1999

Lot 162 Norman Wilkinson (British, 1878-1971) "Pulling into Harbor"

Lot 418 Beautiful Emerald and Diamond Bracelet

Specialists

Kim Lemon Director of Fine Jewelry kim@neworleansauction.com

Michele M. Carolla Director of Fine Art michele@neworleansauction.com

Greg S. Kowles Senior Specialist: Furniture & Clocks, General Consignments greg@neworleansauction.com

Ireys Bowman Senior Specialist: General Consignments ireys@neworleansauction.com

Charles C. Cage Fine Silver Specialist; Office Manager charles@neworleansauction.com

Sean Ranson Fine Carpet Specialist; Director of Operations sean@neworleansauction.com

Sophie Curtis Senior Fine Art Specialist: Modern & Contemporary sophie@neworleansauction.com

Alex Ebel Consignment Coordinator alex@neworleansauction.com

FINE JEWELRY from the Estate of Marie Bel Fay Evnochides

Enduring Traditions New Orleans Auction first had the privilege of presenting The Estate of Marie Bel Fay Evnochides in our March Estates Auction. A beloved Houston educator, artist and lifelong advocate for children, Marie carried forward her family’s deep commitment to philanthropy, community and the arts. Through her work as an educator and founder of The Fay School, Marie helped shape generations of students and left a lasting imprint on her community. Multifaceted in every way, Marie was also a sailor, ceramicist, photographer and avid traveler with a keen eye for beauty. Her wide-ranging collection reflects the same thoughtful curiosity and sense of purpose that defined her life. Her jewelry collection features iconic designs by Jean Schlumberger, Paloma Picasso and Elsa Peretti for Tiffany & Co., David Webb and Cartier, and demonstrates the same discerning eye for craftsmanship, heritage and artistic expression evident throughout her life. Shaped by her affinity for the aesthetics of Ancient Greek and Byzantine art, the collection is defined by bold sculptural forms, intricate details and timeless elegance. Proceeds from the sale of Marie’s collection will benefit The Fay School in Houston, Texas, and the Marie Bel Fay Fund.

PHOTOGRAPHY BY CHRISTA OUGEL

PROPERTY FROM

The Estate of Patricia Brady

A Life in Letters A native of Brownsville, Texas, Patricia Brady was an accomplished historian, author and literary advocate whose work helped preserve and interpret the history and culture of Louisiana. A graduate of Newcomb College, where she earned a Phi Beta Kappa key, she received her doctorate in history from Tulane University and began her academic career teaching at Dillard University. In 1982, Brady joined The Historic New Orleans Collection as its first Director of Publications, a position she held for more than two decades. During her tenure, she helped establish the Historic New Orleans Collection Newsletter, now known as The Quarterly, and edited numerous significant publications on the history and culture of Louisiana and New Orleans. Her editorial work included such landmark volumes as Encyclopedia of New Orleans Artists, Haunter of Ruins: The Photographs of Clarence John Laughlin, and Nelly Custis Lewis' Housekeeping Book. She also contributed an essay to In Search of Julian Hudson: Free Artist of Color in Pre-Civil War New Orleans. Following her retirement from The Historic New Orleans Collection, Brady devoted herself to writing. Her acclaimed biographies, Martha Washington: An American Life and A Being So Gentle: The Frontier Love Story of Rachel and Andrew Jackson, demonstrated her ability to bring historical figures vividly to life. Throughout her career, she continued to contribute essays and scholarship to The Quarterly and other publications.

Lot 648 Clarence Millet (American/Louisiana, 1897-1959) "HermannGrima House (820 St. Louis Street, French Quarter)"

Beyond her scholarly achievements, Brady was a dedicated advocate for Louisiana's literary community. She served in numerous leadership roles with the Tennessee Williams & New Orleans Literary Festival and the New Orleans/Gulf South Booksellers Association. In the aftermath of Hurricane Katrina, when the future of the Tennessee Williams Festival was uncertain, Brady was instrumental in ensuring its continuation, helping preserve one of the city's most cherished cultural institutions. Her contributions were recognized with numerous honors, including a Mellon Fellowship from the Virginia Historical Society, election as a Fellow of the Louisiana Historical Society in 2000, and designation as the Louisiana Endowment for the Humanities' Humanist of the Year in 2012. Remembered by friends and colleagues for her intelligence, wit, graciousness and remarkable gift for conversation, Patricia Brady made lasting contributions to the cultural and intellectual life of New Orleans. New Orleans Auction is honored to present property from the Estate of Patricia Brady.

Lot 607 Newcomb College Pottery Vase, Anna Frances Simpson

SESSION SATURDAY, JULY 25

1 3

1 Italian Fruitwood Canape 18th century, the padded and domed back joined by outswept arms to the padded seat, raised on cabriole legs ending in scrolled toes, the back removing to form a window seat. h. 38”, w. 63-1/2”, d. 21-1/2” $1,200-$1,800 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 2 Unusual Italian Giltwood Cushion Mirror 19th century, the pierced “cushion” carved with swirling vines and flowers, with a laurel-carved inner surround and a scrollcarved liner securing the mirror plate. h. 46”, w. 33-1/4” $1,500-$2,500 3 Italian Carved Marble Male Torso 19th century, in the classical style, now on an iron and carved stone plinth. sculpture h. 27”, w. 10”, d. 6-1/2”, h. with base 37” $2,500-$4,000 2

4 French Belle Epoque Gilt-Bronze and Crystal Chandelier late 19th century, the eighteen-light chandelier with an acanthus-molded corona, set with graduated tiers of large cut-glass drops, supporting the frame, molded to resemble tasseled silk cords, supporting the scrolled branches, mounted with three tiers of swag-molded candle sockets hung with cut-glass drops and floriform cut-glass medallions, the center with an urn flame finial hung with rings. h. 46”, dia. 35” $3,000-$5,000

5 Oushak Carpet 12’ x 12’ $7,000-$10,000

6 Italian Specimen Marble and Composition Center Table 20th century, the circular top with inlaid specimen marble decor, mounted to a marble-clad standard with molded composition buttresses, to an incurved like base. h. 34”, dia. 45-1/2” $7,000-$10,000 7 Manner of Adriaen de Gryef (Dutch, 1670-1715) “Pair of Hunting Scenes” two oils on wood panel each unsigned. Framed alike. each 10-3/8” x 13-1/4”, framed 15-1/4” x 18” $2,000-$4,000 Provenance: Ramon de Portuondo Gallery, Madrid Antiques Fair, Madrid, Spain; Historic Solana, Montecito, California.

8 Venetian Carved, Painted and Parcel-Gilt Console Table

10 Pair of Crystal, Rock Crystal and Gilt-Metal Sconces

19th century, the shaped top simulating porphyry marble with a carved draping shawl, on a giltwood support with an additional carved shawl, to a shaped and molded base. h. 40”, w. 54”, d. 24”

ca. 1940s, in the Mason Bagues taste, the crystal and giltmetal urn-form backplates flanked with sprays of cut-crystal leaves, the scrolled candle arms set with faceted, trumpetform candle sockets lined with glass beading and hung with rock crystal drops, the bases hung with crystal flowers and rock crystal drops. h. 29-1/4”, w. 11-1/2”, d. 6”

$8,000-$12,000 Provenance: Anonymous sale, Christie's, London, March 22, 2001, lot 372; Christie's, New York, European Furniture, Sculpture and Works of Art, September 28, 2006, lot 36.

$3,000-$5,000

9 Engraved and Beveled Venetian Mirror early 20th century, the scrolled crest with a central panel engraved with a winged lion’s head, the outer surround decorated with diapered panels framed with sprays of scrollwork, the back-cut inner surround with running concave roundels, and the primary mirror plate divided into sections with glass. h. 90-1/2”, w. 47-3/4” $2,000-$4,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

11 Attributed to Nicolas Colombel (French, 1644-1717) “Rebecca at the Well” oil on canvas unsigned. Framed. 49-1/2” x 63”, framed 55” x 71” $10,000-$15,000 12 Mixed Marble Bust of Antoninus Pius 20th century, the Carrara marble head over a draped body carved from Portoro marble, on a gray-veined white marble socle. h. 17”, w. 8-1/2”, d. 5-3/4” $1,500-$2,500

13 Mixed Marble Bust of Marcus Aurelius 20th century, the Carrara marble head over a draped body carved from Portoro marble, on a gray-veined white marble socle. h. 17”, w. 8-1/2”, d. 5-3/4” $1,500-$2,500

14 Rare Pair of Napoleon III Specimen Marble Cabinets 19th century, each with a molded cornice over a coffered frieze with inset specimen marble, above a pair of glazed doors with like frames, and an additional pair of doors below. h. 79-1/2”, w. 43-1/4”, d. 18-3/4” $8,000-$12,000 15 Large Italian Grand Tour Bronze Figure of Diana 19th century, after the ca. 1st century BCE marble sculpture (itself a Roman copy of a Greek original) excavated at Pompeii and now conserved at the Museo Nazionale Archeologico di Napoli, the mythical goddess dressed in a diadem and flowing robes, on a Siena marble base. h. 24”, w. 9-1/4”, d. 7-1/2” $1,200-$1,800

16 Large Italian Pietra Dura Encrier late 19th century, the triangular-shaped encrier with scrolled sides and molded edges, inlaid with morning glories, pansies and dogwood, set with a large glass inkpot with a brass cover and a “cane”-cut glass base, with a carved pen holder near the front. h. 9”, w. 20”, d. 13-3/4” 16

$1,000-$1,500 17 Set of Four Italian Pietra Dura Plaques 20th century, inlaid with birds on branches, composed of various specimen hardstones on a black ground, in molded giltwood frames. h. 16-3/4”, w. 25-1/2” $2,500-$4,000 18 Italian Rococo Parcel-Gilt Settee third quarter 18th century, the serpentine crest carved with gilt rocaille and scrollwork against a white ground, the scrolled arms carved with cabochons and leaves, the triple skirts carved with pierced rocaille and scrollwork, on leaf- and scrollcarved cabriole legs. h. 43”, w. 77”, d. 23” $1,800-$2,500 17

19 Pair of Spanish Painted and Parcel-Gilt Wooden Wall Brackets 19th century, each with a white-painted and giltaccented flaring acanthus-leaf top over a fluted half-urn decorated with parcel-gilt leaves, one with a Spanish inscription on the back and dated 1861. h. 29-1/2”, w. 19”, d. 8” $2,000-$4,000

20 Pair of Italian Giltwood Benches 20th century, each with bird-form arms, with handle bars clenched in their beaks, a loose seat cushion and raised on bird-form legs joined by stretchers. h. 25-1/2”, w. 28”, d. 16-1/2” $1,000-$1,500 21 Italian Walnut Console Table 18th century, in the Baroque taste, the shaped top with a pair of stylized trestle-form legs joined by a like stretcher. h. 32-1/2”, w. 60”, d. 23” $1,800-$2,500 21

22 Achille-Augustin Calon (French, 1826-1904) “La Recolte” oil on canvas signed and dated lower left. Framed. 58” x 45-1/2”, framed 66” x 53” $1,500-$2,500 Provenance: Keil’s Antiques, Inc., New Orleans, Louisiana; The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

23 Achille-Augustin Calon (French, 1826-1904) “Les Dernieres Glanures”, 1853 oil on canvas signed and dated lower left. Framed. 58” x 45-1/2”, framed 66” x 53” $1,500-$2,500 Provenance: Keil’s Antiques, Inc., New Orleans, Louisiana; The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

24 Northwest Persian Serapi Carpet late 19th century. 12’ x 15’ $4,000-$7,000 Provenance: Descended through the family of Myrthé Celeste Stauffer Schwartz (1882–1962); from the family's residence at 730 Esplanade Avenue, New Orleans, Louisiana.

25 Continental Polychrome Wooden Side Table

26 Set of Four Italian Hand-Painted Panels

18th century, in the neoclassical taste, the rectangular fauxmarbre top above a foliate-patterned frieze, raised on sloping end supports, each headed by a lion’s masque grasping a ring, and with faux-marbre and foliate accents, ending in paw feet on blocks. h. 35”, w. 55-1/2”, d. 22-1/2”

19th century, in the rococo taste, the scroll-carved surround with a carved crest, the panels decorated with painted canopies supported on scrollwork, over Bacchanalian putti representing the four seasons, formerly mounted as a screen. h. 55”, w. 9-1/2” (each) $1,000-$1,500

$1,500-$2,500

27 Italian Exuberantly Decorated Giltwood Mirror late 18th century, Lucca, Italy, the crest with a basket of giltwood roses spilling out and trailing down both sides of the crest and down each side to the base, the basket resting on carved acanthus leaves flanked by winged angels and delicate scrollwork, all resting on the pulvinated surround with deep guilloche carving, the lower corners on Grecian sphinxes, resting on plinths, the center with a pierced shell. h. 71-1/4”, w. 46-1/2” $2,000-$4,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 28 Maitland-Smith Gilt-Metal and Mother-of-Pearl Caviar Stand 20th century, set with polished mother-of-pearl shells, the pierced stand molded with coral and scattered seashells, the bottom labeled. h. 13-3/4”, dia. 14” $1,000-$1,500

29 Italian Polychrome, Parcel-Gilt and Marble-Top Console Table 18th century, in the rococo taste, the conforming Alpha Escalettes marble top over a rocaille pierced and carved apron, raised on cabriole legs ending in hoof feet. h. 29”, w. 39-1/2”, d. 22” $1,800-$2,500

30 Pair of Unusual Italian Giltwood Venetian Mirrors late 19th century, each mirror in four segments, surrounded with giltwood scroll and rocaille work, accented with cabochons. h. 45”, w. 10” $1,200-$1,800 31 Stunning Venetian Polychrome and Parcel-Gilt Tall Case Clock 18th century, the hood with a shell-form cartouche and scrolling brackets and a figural finial of Father Time, the midcase with painted inset panels with musicians, set with a triple train movement, with time, strike and quarter chimes on eight concentric bells. h. 104”, w. 24”, d. 14” $5,000-$8,000

32 Italian Parcel-Gilt Reliquary Case ca. 1800, the faceted case with a molded giltwood cornice and giltwood arched trimmed openings, the corners decorated with bas-relief incised flowers and leaves on a dark green ground, the interior painted dark red. h. 35”, w. 22-1/4”, d. 15” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana. 33 Italian School (18th Century) “Lute Player” “Violinist” two oils on copper each unsigned. In gilt frames. each 10” x 7”, framed 17” x 10-1/4”

$1,000-$1,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 34 Pair of Venetian Polychrome and Parcel-Gilt Armchairs 18th century, the shield-form carved and molded back frames set with tapestry paneled backs and seats, and down-curved arms with scrolled handgrips, raised on cabriole legs. h. 48-1/2”, seat h. 20”, w. 31”, d. 28” $3,000-$5,000

35 Italian Giltwood Mirror fourth quarter 19th century, of unusual intricacy and scale, the crest with three-dimensional pierced, scrolling leaves decorated with beading in the center and accented with flowers, the beveled mirror plate set into a giltwood surround carved in a scale pattern, the lower portion with a central shell framing a flower head, flanked by leaves. h. 75-1/2”, w. 46-3/4” $3,000-$5,000 Provenance: Historic Solana, Montecito, California.

36 Pair of Italian Pottery Chargers in the Majolica Taste

late 19th century, with depressed center sections, one decorated with Neptune and the other with Poseidon, each with a cobalt border decorated with dragons, with handpainted unidentified marks. dia. 15-1/2” $1,000-$1,500 37 Italian School (18th Century) “Bacchanal with Putti and Figures in a Vineyard” oil on canvas unsigned. Framed. 32-1/4” x 37”, framed 37-3/4” x 42-1/2” $1,500-$2,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

38 Pair of Large Giltwood Altar Sticks fourth quarter 19th century, the altar sticks carved with laurel leaves, the turned and carved sockets supported on vasiform standards, over tripartite bases and raised on carved bun feet. h. 47-1/2”, dia. 11-3/4” $800-$1,200 39 Victorian White Onyx Adjustable Book Stand with sterling silver mounts hallmarked London, 1882-1883, by Charles Asprey & Son, the white onyx ends with hardstone appliques of roses and leaves, attached to silver mounts with adjustable wood slides above a beveled plinth base. h. 6-3/4”, w. 13-1/4” to 20”, d. 5-3/4” $1,000-$1,500

40 Italian Specimen Marble Coffee Table early 20th century, the rectangular top set with inlaid specimen marble squares, resting on a pair of carved Cararra marble standards. h. 17”, w. 38”, d. 19” $2,000-$4,000

41 Pair of Italian Neoclassical-Style Ebonized and Parcel-Gilt Side Chairs 20th century, each with a padded crest rail and seat and Greek-key-stenciled borders, raised on inverted U-form legs. h. 32”, seat h. 16”, w. 18”, d. 17” $2,000-$4,000

42 Louis XVI-Style Polychrome and Marble-Top Center Table 19th century, the rectangular marble top above a conforming apron with a pierced guilloche pattern, centered by a ribbonand torchere-carved panel, raised on tapered circular legs headed by foliate waisted capitals ending in foliate ball feet. h. 33”, w. 45”, d. 23” $2,000-$4,000

43 Pair of Monumental Ebonized and Gilt Wooden Pedestals each of columnar form with a circular top over a conforming circular fluted shaft, headed by a gilt scrolling foliate band and resting on a waisted circular base with decorative ormolu banding. h. 33”, dia. 19” $1,000-$1,500

44 French Bronze Chandelier in the Neoclassical Taste 20th century, the twelve-light chandelier with a fluted bronze corona set with pierced bowknots, supporting a frame decorated with bellflowers, the fluted conical body supporting two tiers of cornucopia-form fluted branches terminating with matching candle cups and hung with bronze laurel swags. h. 37-1/2”, dia. 27-1/2” $1,800-$2,500 45 French School (ca. 1800) “Tapisserie - Dessin” oil on canvas unsigned. Unframed. 94” x 121” $3,000-$5,000

46 Regence Giltwood and Marble-Top Side Table 18th century, the shaped rectangular marble top with a molded edge, above a conforming frieze centered by a pierced shell shield, raised on molded C-scroll legs entwined with a carved mythical winged creature, joined by a likecarved and pierced stretcher and ending in foliate toes. h. 33”, w. 51”, d. 24” $5,000-$8,000 47 Painted and Parcel-Gilt Trumeau Mirror mid-20th century, in the Louis XV taste, the giltwood cornice over an upper tablet painted with polychrome troubadours in 18th-century costume, in a scrolled giltwood surround, over an arched giltwood beveled mirror decorated with a rocaille crest framed with sprays of flowers. h. 87”, w. 45”

$1,500-$2,500

48 Set of Meissen Porcelain Allegorical Figures ca. 1824-1850, the figures depicting the four seasons, “spring” accompanied by a putto supporting a basket of flowers on his head, “summer” draped in grapevines, with a young satyr perched on a cask at his side, “autumn” with a putti carrying a sheaf of wheat, and “winter” with a putto chopping wood, each on a gilt-accented rococo base, with underglaze blue crossed sword marks, and various incised and impressed marks, after J.J. Kandler. h. 11” to 12”, w. 5-1/4”, d. 5-1/4” $1,000-$1,500 Provenance: Estate of James S. Mangum, Natchez, Mississippi.

49 Pair of Regence Giltwood Fauteuils 18th century, each with a domed and padded back joined by padded carved arms to the shaped seat, raised above a shell-carved apron on cabriole legs ending in scrolled toes. h. 37-1/2”, seat h. 13”, w. 32”, d. 29” $1,800-$2,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 49

50 Large Kerman Carpet 10’ x 13’ 6” $3,000-$5,000

51 French School (18th Century) “Portrait of a Young Nobleman” oil on canvas unsigned. A “Los Angeles Fine Art Gallery” label en verso. Framed. 29” x 24”, framed 36” x 30” $1,000-$1,500 Provenance: Los Angeles Fine Art Gallery, Los Angeles, California. 52 Pair of Regence-Style Mahogany and Marble-Top Cabinets 20th century, each with a shaped rectangular marble top above a conforming case fitted with two cupboard doors, each centered by an ormolu pastoral plaque, raised on ormolu legs ending in scrolled toes, the whole heavily accented with ormolu mounts and millwork. h. 33”, w. 50”, d. 22” $2,000-$4,000

53 Vintage Louis Vuitton Suitcase on Stand post-1954 and later, the printed tan leather suitcase trimmed in canvas, the top with vintage travel stickers from Japan and France, with signed brass hardware and leather handles, the interior with canvas straps, now fitted with a custom black-metal stand. h. 26-1/4”, w. 21-1/2”, d. 15-1/2” $2,000-$4,000 54 Pair of Patinated-Bronze Whippets first half 20th century, likely French, each standing, retaining a rich brown-patinated surface. h. 21” to 22-1/4”, w. 21-1/4” to 27-1/4”, d. 4-1/2” to 8-3/4” $1,500-$2,500

55 Louis XV Gilt-Bronze and Porcelain Mantel Clock ca. 1750, Paris, the gilt-bronze waisted case decorated with foliage, rocaille and C-scrolls, the pierced body backed with later red silk and later embellished with porcelain flowers on green tole stems, on four scroll feet, the enameled dial with Roman numerals and Arabic chapters, and a gilt fleur-de-lis between each hour, inscribed “GILLE L’AINE / A PARIS”. h. 20-1/2”, w. 16-1/4”, d. 5-1/2” $6,000-$9,000 Provenance: Partridge, London, England, 2003; The Collection of Adolphus Andress, Jr. and Emily Taylor Andrews, Christie’s, New York, New York, June 18, 2024; Private collection, Dallas, Texas. 56 French Kingwood, Inlaid and Ormolu-Mounted Bureau Plat 20th century, the top with a cast-bronze molded edge and inset with a leather writing surface, one side fitted with five drawers, each with marquetry inlay, the legs with large giltbronze mounts with female busts. h. 32”, w. 63-1/4”, d. 33-1/2” 55

$1,000-$1,500

57 Emile-Quentin Brin (French, 1863-1950) “Les Baigneuses” oil on canvas signed lower right, sale/inventory stencil and old label en verso with title and history. Framed. 59” x 43-1/2”, framed 71-1/4” x 56” $2,000-$4,000 Provenance: Abell Auction, Los Angeles, California, February 9, 2023, lot 50.

58 Grand Maison Odiot Belle Epoque Silver Gilt Plateau 1894-1906, Paris, Prevost, Reception & Cie (Maison Odiot), the first standard (.950) silver-gilt frame in the rococo taste, of shaped oval form, the robust molded frame decorated with shells and flowers on a gadrooned band, with rocaille bellflower feet and integral shell handles, fitted with a conforming mirrored plate, presented in a green baize-lined oak case, the lockplate stamped “Tiffany”. 42-3/4” x 25-3/4”; case 4-1/2” x 46” x 29-1/4” $15,000-$25,000 59 French Belle Epoque Silver and Cameo Glass Claret Jug ca. 1900, by Alexandre Vaguer (French, 1854-1937; active 18841920), Paris, the ovoid acid-etched and enameled cameo glass body decorated with grapevines with gilt accents, mounted in a first standard (.950) silver collar with rococo-scroll handle and hinged spout embossed with grapevines, raised on a silver pedestal foot en suite. h. 11-1/2”, l. 6-1/4”, dia. 4-1/2”

$1,000-$1,500 60 French Second Empire Silver Center Bowl third quarter 19th century, Paris, Auguste-Louis Fizaine (18271900, working 1858-1879), second standard (.800) silver, the circular bowl with applied molded rim quartered by rococo cartouches and grape clusters, the interior engraved with vines and floral-mantled oval cartouches, raised on an ogee-domed foot ring. h. 4-1/2”, dia. 16”; 36.85 t. oz. $1,500-$2,500 61 French Belle Epoque Silver and Glass Center Bowl

ca. 1900, Emile Langlois (1863-1941, working 1888-1924), Paris, of oval form, the first standard (.950) silver frame embossed with intricate ovolo banding between molded and beaded bands, fitted with a cobalt glass liner with everted and scalloped rim. h. 3-1/2”, l. 13”, w. 8” $1,000-$1,500 61

62 French Bronze and Crystal Cave a Liqueur late 19th century, the bronze frame molded as bamboo and set with beveled glass, the corners with mounts of bamboo leaves, the lift-out matching tray set with four cut-crystal liqueur decanters with matching stoppers and fourteen matching liqueur glasses. h. 11-3/4”, w. 14”, d. 12” $1,000-$1,500 63 Chinese Export Gilt-Bronze and Porcelain Gueridon 20th century, the top set with a circular porcelain panel in the famille rose palette, the beaded rim on a skirt set with patinated panels, supported by sabre legs terminating in eagle’s heads grasping rings, on hoof-form leaf-molded feet. h. 29”, dia. 22-1/2”

$5,000-$8,000 64 After Elisabeth Louise Vigee Le Brun (French, 1755-1842) “Self-Portrait of the Artist” oil on canvas 19th century, unsigned, after the 1790 portrait now conserved at the Uffizi, Firenze. Framed. 15-3/4” x 11-3/4”, framed 22-1/2” x 18-3/4” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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65 Louis Philippe Aubusson-Style Carpet 12’ x 18’ $1,800-$2,500

66 Pair of French Belle Epoque Gilt-Bronze and Marble Garniture Urns ca. 1900, with cone-form knops and rocaille-molded bronze necks, the marble bodies with mounts of torches framed with laurel wreaths, set with reeded handles on lion’s-head masques. h. 18-1/4”, w. 7-1/4”, d. 6-1/4” $1,000-$1,500 67 Marble Cylindrical Pedestal 20th century, the pedestal composed of mauve and gray mottled Breccia di Violetta marble. h. 35-1/2”, dia. 11” $1,200-$1,800 68 French Metal and Crystal Chandelier early 20th century, possibly Baccarat, the silvered metal frame accented with gilt-metal leaves, with a bunch of crystal grapes concealing a single center light, the scrolled frame hung with a profusion of large cut-glass drops, bellflowers and tear-drop crystals, the bottom with a cone-form pendant finial. h. 29”, dia. 21-1/2”

$2,000-$4,000

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69 Pair of Louis XV-Style Giltwood Wing Chairs 19th century, with padded backs, wings and reversible seat cushions, the seat frames with a central carved shell, raised on cabriole legs. h. 44”, seat h. 20”, w. 25-1/2”, d. 22” $2,000-$4,000 70 Pair of Louis XV-Style Diminutive Marble-Top Consoles 19th century, each with a conforming white marble top over a pierced and carved giltwood and polychrome frame, the aprons centered with a carved basket of flowers, raised on a single cabriole leg adorned with flowers and ending in scrolled toes. h. 31”, w. 13-1/2”, d. 12” $1,500-$2,500 71 French Belle Epoque Giltwood and Silk ThreePanel Screen ca. 1900, in the Louis XVI taste, the giltwood surround carved with ribbon-wrapped reeds, the arched top with a bowknot crest over an oval hand-painted rouge grisaille panel of Boucher-style cherubs, set into glass panels, the lower portion set with silk panels embroidered with bowknots supporting wreaths and swags of flowers, on a brass-colored silk ground. h. 71-1/4”, w. 66-3/4” $1,200-$1,800

72 Pair of French Bronze and Marble Candelabra Lamps late 19th century, the urn-form bodies molded with swags of leaves supporting scrolled and leaf-molded candle branches terminating in fluted, laurel-molded candle cups and beaded and fluted drip pans, on molded marble bases, fitted with lampshades. h. 19-1/2”, w. 11-1/2”, d. 4-1/4” $700-$1,000 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana. 73 Louis XV-Style Kingwood Desk

20th century, the shaped ovoid top with an inset gilt-tooled leather writing surface, within a brass edging, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 30”, w. 52”, d. 31” $1,000-$1,500 74 Louis XV-Style Giltwood and Marble-Top Console Table the conforming serpentine gray marble top over a rocaillecarved front apron, joined by floral-carved legs to a lower stretcher and centered by a like-carved cartouche. h. 38”, w. 40-1/2”, d. 18” $1,500-$2,500

75 Regence Walnut and Marble-Top Commode 18th century, the conforming Basque Breccia marble top over a case with rounded corners, the front fitted with three graduated block-front long drawers, raised on short cabriole legs. h. 33-1/2”, w. 52”, d. 22” $1,200-$1,800 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana.

76 French Louis Philippe Giltwood Mirror mid-19th century, the pierced crest decorated with a central shell flanked with sprays of leaves and flower heads, the pulvinated surround with roundel corners and decorated with incised running vines. h. 56-3/4”, w. 28-1/2” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana. 77 Regence-Style Giltwood Bench

20th century, the padded seat covered in Fortuny fabric, on a carved frame and raised on cabriole legs. h. 18”, w. 22”, d. 17” $1,000-$1,500 78 Set of Twelve Thai Benjarong-Style Dinner Plates 20th century, the outside borders decorated with cobalt and gilt on a sage green ground, and the inner border on a Chinese red ground, each marked “Royal Porcelain, Kingdom of Thailand, Hand-painted in Thailand”. dia. 10-3/4” $800-$1,200 78

79 Pair of French Bronze and Crystal Sconces mid-20th century, possibly Baccarat, the scrolled backplates set with flame finials and sprays of swags of crystal drops, the scrolled, leaf-molded candle branches set with molded crystal and bronze drip pans beneath cylindrical candle sockets, the arms hung with a profusion of swags of cutcrystal prisms and large cut-crystal drops. h. 30”, w. 15-1/2”, d. 10-1/2” $1,000-$1,500

80 Regence-Style Kingwood and Marble-Top Commode 19th century, the conforming marble top over a pair of marquetry-inlaid drawers, raised on cabriole legs, the case trimmed with gilt-bronze mounts. h. 34”, w. 43”, d. 20” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

81 Regence-Style Kingwood and Marble-Top Commode 19th century, the conforming marble top over a pair of marquetry-inlaid drawers, raised on cabriole legs, the case trimmed with gilt-bronze mounts. h. 34”, w. 47”, d. 19” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

82 French Louis Philippe Giltwood Rococo Revival Mirror mid-19th century, the scroll-molded and pierced crest accented with molded leaves, over a pulvinated surround with rounded corners, decorated with flower heads, the corners with prominent pierced scrollwork. h. 77”, w. 39” $1,200-$1,800 83 Chinese Export Porcelain Punch Bowl in the Famille Rose Palette Qianlong period, the exterior decorated with mandarin figures framed in gilt rococo surrounds, on an orange and gilt “X” ground, the interior with a border of gourd vines, the bottom with flowers. h. 5-3/4”, dia. 14” $1,200-$1,800 Provenance: Sotheby’s New York, January 20 - February 1, 2023, lot 336.

84 Pair of Louis XV-Style Polychrome Bergeres 20th century, each with a carved and molded frame and loose seat cushion, raised on short cabriole legs. h. 40”, seat h. 20”, w. 33”, d. 20” $1,200-$1,800

85 Louis XV-Style Kingwood Bureau Plat 19th century, the shaped top with an inset green leather writing surface, one side fitted with three drawers, the back side with the same configuration of faux drawers, raised on cabriole legs ending in bronze sabots. h. 30”, w. 55”, d. 29” $1,200-$1,800 86 Antique Khotan Carpet 5’ 2” x 8’ 9” $4,000-$7,000

87 Biedermeier Burl Elm Three-Drawer Chest 19th century, the top with a raised plinth over three graduated long drawers, raised on short carved and ebonized legs ending in scrolled toes. h. 36”, w. 37”, d. 18”

$1,200-$1,800 88 Unusual Biedermeier Inlaid Birch Mirror 19th century, German or Austrian, the serpentine crest inlaid with delicate leaf-accented scrollwork, the ogee surround with corners inlaid to match the crest, set with a beveled mirror plate. h. 69-1/2”, w. 43” $2,000-$4,000 89 Pair of Biedermeier Wooden Brackets 19th century, German or Austrian, the deep brackets laminated in birch veneers, with ogee trim around the shelves, the tapered bodies terminating in Gothic-style turned pendant finials. h. 16-1/2”, w. 13”, d. 12-1/4” $1,800-$2,500

90 Pair of Baltic Mahogany and Parcel-Gilt Side Chairs 19th century, in the neoclassical taste, each with a curved back rest and a central swan-and-lyre-carved splat, with a circular padded slip seat, raised on downcurved, tapered square legs. h. 34”, seat h. 19-1/2”, w. 20”, d. 17” $1,000-$1,500

91 Unusual Giltwood Pier Mirror early 20th century, the mirror with a pediment crest inset with a fluted patera, over an entablature decorated with a lozenge flanked by carved honeysuckle and fluted composite half columns on each side. h. 69-3/4”, w. 38-1/2” $2,000-$4,000

92 Italian School (Fourth Quarter 18th Century) “Pair of Panels with Depictions of Vesperus and Luciferus” oils on canvas unsigned. Framed alike with thin liners. each 58-1/4” x 47-1/4”, framed 58-3/4” x 47-3/4” $1,500-$2,500 Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma; Private collection, Houston, Texas. 93 Pair of Biedermeier Fruitwood Diminutive Cabinets mid-19th century, each with a rectangular top above a conforming case fitted with a drawer over a recessed cupboard, flanked to either side by an engaged pilaster headed by a gilt head and with gilt feet, raised on tapered square legs. h. 33-1/2”, w. 16”, d. 13-1/2” $1,500-$2,500 93

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94 Biedermeier Walnut Commode

95 Set of Twelve Royal Copenhagen Porcelain Fish Plates

mid-19th century, the rectangular top above a conforming case fitted with a frieze drawer, with an arched recessed panel, over two long recessed drawers, flanked to either side by a columnar upright with ebonized accents, raised on molded block feet. h. 36”, w. 48”, d. 24”

ca. 1956, decorated with various fish and shellfish, with Latin names painted on the backs, with molded and shaded blue fish-form borders, accented with gilt, the backs with Royal Copenhagen’s underglaze green mark for 1956, along with the blue wave mark and decorator’s marks. dia. 9”

$4,000-$7,000

$1,500-$2,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

96 Louis XVI-Style Polychrome and Marble-Top Console Table

97 Pair of Directoire Polychrome and Parcel-Gilt Settees

19th century, the D-form marble top with a projecting center section, above a conforming frieze centered by a guillochecarved panel, raised on stop-fluted, tapered circular legs headed by a foliate capital and ending in toupie feet. h. 35-1/2”, w. 97”, d. 23”

19th century, each with pierced and carved double chairback panels and a padded seat, raised on turned, stop-fluted legs. h. 35”, w. 44”, d. 20”, seat h. 18-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

$2,000-$4,000

Provenance: French Antique Shop, Inc., New Orleans, Louisiana.

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98 Italian Gilt-Bronze-Mounted Onyx Pedestal early 20th century, the gold-veined onyx pedestal with a square top supported on a column-form standard with an egg-and-dart gilt-bronze capital and a laurel-molded giltbronze base, the two-step plinth base with leaf-molded gilt-bronze trim. h. 38-1/2”, w. 13”, d. 13” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 99 Pair of French Bronze Dore et Patine Figural Lamps 20th century, each modeled with a patinated-bronze figure of “Victory” holding the lamp fittings, perched on a pineapple-form sphere above a rectangular base decorated with wreath mounts, fitted with lampshades. h. 34”, dia. 14-1/2” $1,200-$1,800 100 Trumeau Mirror in the Louis XVI Taste the gray-painted mirror with a molded cornice overhanging the upper tablet, decorated with a giltwood swag of roses, the mirror plate with a giltwood scrolled liner. h. 76-1/4”, w. 46-3/4” $1,000-$1,500

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101 Continental Bleached Wood and Marble-Top Side Table early 20th century, the rectangular marble top with a molded edge and projecting corners, above a conforming frieze featuring carved, interlacing circles, raised on paneled, tapered square legs headed by waisted capitals and ending in gadroon-carved feet. h. 36”, w. 70-1/2”, d. 33” $1,500-$2,500 101

102 Khotan Carpet 11’ 8” x 15’ $7,000-$10,000

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103 Arthur Vidal Diehl (British/Massachusetts, 1870-1929) “Gondolier, Venice”, 1906 oil on canvas signed and dated lower left. Framed. 14” x 26”, framed 17-1/2” x 30”

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$1,000-$1,500 Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi. 104 Italian Venetian Beveled and Engraved Glass Mirror mid-20th century, the crest engraved with flowers and vines, the crossetted surround notch-cut and engraved with running floral vines, set with an oval mirror plate, the corner reserves decorated with engraving and the base with swags of beveled glass. h. 50-3/4”, w. 30-1/2” $1,200-$1,800 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana. 105 Louis XVI-Style Polychrome Bergere 19th century, the padded and domed back within a guillochecarved frame, joined by closed acanthine-carved arms to the cushioned seat, raised on stop-fluted, tapered circular legs ending in toupie feet. h. 41-1/2”, seat h. 20”, w. 28”, d. 24” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana. 105

106 Swedish Polychrome Tall Case Clock 18th century, the headpiece with a circular dial and carved finial above, the lower case of hourglass form, with a timeand-strike movement signed “G. Westberg, Westeras”. h. 93”, w. 24”, d. 10” $800-$1,200 107 Murano Eighteen-Light Chandelier mid-20th century, Italian, the standard clad with blown glass and the bowl-form body set with blown-glass arms and drip pans on two levels, electrified and fitted with shades. h. 20-1/2”, dia. 33-1/2” $1,000-$1,500

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108 French Neoclassical Creme-Peinte Banquette 19th century, the cushioned seat flanked to either end by outswept sides with two lyre-form splats each, the whole raised above a molded frame on fluted and tapered circular legs ending in toupie feet. h. 31”, w. 80”, d. 31” $1,000-$1,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 109 Swedish Polychrome Side Table 19th century, the rectangular scalloped top set on a frame with a single drawer to the front, raised on slender, tapered cabriole legs. h. 29”, w. 32”, d. 20” $1,000-$1,500 109

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110 Pair of Louis XVI Polychrome Bergeres 18th century, each with a padded back and arms and reversible seat cushion, with carved and molded frames, raised on turned and fluted legs ending in toupie feet. h. 33”, seat h. 16”, w. 23”, d. 24” $1,500-$2,500 Provenance: Property from the historic Woolworth Mansion, 4 East 80th Street, New York, New York. 111 Swedish Gustavian-Style Polychrome Bookcase Cabinet early 20th century, the shelved superstructure over a square top, the case fitted with a single drawer over a single paneled cupboard door, raised on bracket feet. h. 75”, w. 19”, d. 16-1/2” $1,000-$1,500

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112 Provincial Polychrome Desk 20th century, the superstructure with two tiers of shelves above the rectangular top, over a frieze fitted with two end drawers, raised on tapered square legs. h. 48-1/4”, w. 51-1/2”, d. 25” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana.

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113 Pair of Carved Wooden Whippets 20th century, the white-washed wooden whippets carved with collars, seated on square plinths, with rope-twist edges. h. 33-1/4”, w. 9”, d. 14” $1,200-$1,800 114 Suite of Six French Polychrome and LeatherCovered Chairs 19th century, in the Directoire taste, the suite including two armchairs and four side chairs, each with a molded frame and raised on turned and fluted legs, covered in black leather and trimmed with brass tacks. h. 35-1/2”, seat h. 19”, w. 21”, d. 17” $2,000-$4,000 113

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115 Italian Giltwood Floor Lamp in the Baroque Taste early 20th century, in the form of an altar stick, with a fluted drip pan and reeded and fluted vasiform standard, the circular ogee-form base carved with overlapping leaves, fitted with a lampshade. h. 64”, dia. 15” $1,000-$1,500 116 French Neoclassical-Style Polychrome Daybed 20th century, with a matching footboard and headboard, each with a peaked crest over a framed and scenic painted panel, and stop-fluted posts with turned and carved finials. h. 46-1/2”, inside w. 40”, l. 70-1/2”, outside w. 44”, l. 75-1/2” $1,000-$1,500 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana.

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117 Ten Royal Copenhagen “Flora Danica” Salad Plates 1985-91 and one 1992-99, model 3573, depicting assorted botanicals, all fully signed. dia. 7-3/4”

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$2,500-$4,000 Provenance: Estate of Vance Boyd, Memphis, Tennessee. 118 Fourteen Royal Copenhagen “Flora Danica” Dinner Plates 1985-91 and earlier, model 3549 with one example model 624, depicting assorted botanicals, all fully marked. dia. 10” $4,000-$7,000 Provenance: Estate of Vance Boyd, Memphis, Tennessee. 119 Two Royal Copenhagen “Flora Danica” Porcelain Pickle Dishes 1954 and 1956, model 3543, one example depicting “Campanula rotundi folia L var. y”, the other “Ranunculus pygmaeus L.”, both fully marked. h. 1-1/2”, w. 3-7/8”, l. 7”

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120 Royal Copenhagen “Flora Danica” Porcelain Pierced Luncheon Plate 1969-74, model 3533, depicting “Alisma natans L.”, fully marked. dia. 9”

$700-$1,000

$400-$700

Provenance: Estate of Vance Boyd, Memphis, Tennessee.

121 Six Royal Copenhagen “Flora Danica” Flat Cup and Saucer Sets 1951-66 and 1985-91, cups model 3597, saucers model 3597 and two examples 073, the cups depicting assorted botanicals and presented in upcurved saucers. cup h. 2-3/4”, dia, 2-7/8”, w. 3-3/4”, saucer h.1”, dia. 5-3/8” $1,500-$2,500 Provenance: Estate of Vance Boyd, Memphis, Tennessee. 121

122 Four Royal Copenhagen “Flora Danica” Porcelain Chocolate Cup and Smooth Saucer Sets 1950s-60, the cups model 3513, depicting assorted botanicals together with smooth saucers having outward-flared sides, with three models 3512 having smooth edges and one 3513 with serrated edges, all pieces fully marked. cup h. 2-3/4”, dia. 2-7/8”, w. 3-1/2”, saucer h. 1”, dia. 5-3/8” $1,200-$1,800

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Provenance: Estate of Vance Boyd, Memphis, Tennessee.

123 Two Royal Copenhagen “Flora Danica” Triangular Custard Cup Sets 1962 and 1963, the covers and cups model 3575, the saucers model 3576, one cup depicting “Ranunculus nivalis L.”, the other “Diapensia lapponica”, all fully marked. cup with cover h. 2”, w. 2-1/2”, saucer h. 7/8”, w. 3-7/8” $700-$1,000 Provenance: Estate of Vance Boyd, Memphis, Tennessee.

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124 Scandinavian Polychrome Lift-Seat Bench 19th century, the shaped back rail and out-scrolled arm rests over a seat hinged and opening to a void interior, raised on straight square legs. h. 36-1/2”, seat h. 19-1/2”, w. 96”, d. 19” $1,400-$1,800 125 Group of Nine Mounted Botanicals of Hydrangeas 2026, in shades of cream, all initialed, dated and with artist stamp lower right. Glazed and framed. each 17-3/4” x 13-1/4” $1,200-$1,800

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126 Continental Carved and Bleached Oak Sideboard 19th century, in the Renaissance taste, the case set with a row of three drawers over three carved doors with hanging game, raised on a molded base with turned bun feet. h. 44-3/4”, w. 86-1/4”, d. 22-1/4” $1,500-$2,500 127 French Polychrome and Parcel-Gilt Wing Chair 18th century, in the Louis XV taste, the arm fronts with acanthine-carved details, the front apron with a central shell and foliate returns, raised on carved cabriole legs. h. 44”, seat h. 16”, w. 30”, d. 29-1/2” $1,500-$2,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

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128 Pair of Italian Painted Pricket Torcheres 20th century, the three-sided torcheres with giltwood tops set with central prickets, the supports with scrolled edges accented with gilt, the upper portions painted blue and the lower portions painted to resemble rouge marble. h. 61”, dia. 21-1/2” $1,500-$2,500 129 Bold Baroque-Style Giltwood Chandelier 20th century, the leaf-carved and turned standard supporting a frame decorated with carved and pierced swagging, mounted with a circular body set with central flame finials and mounted with carved and scrolled candle arms supporting torch-form leafcarved candle holders. h. 54”, dia. 55-3/4” 129

$1,000-$1,500 130 Pair of Italian Inlaid Olivewood and Marble-Top Side Tables early 20th century, of bombe form, with conforming marble tops, each with a single door opening to an interior fitted with shelves, raised on downswept legs ending in brass sabots. h. 32”, w. 20”, d. 16” $1,000-$1,500

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131 Pair of Continental Decorative Paintings of Bacchanalian Scenes oil on canvas, unsigned, in integral shaped giltwood frames. each overall 25-1/2” x 40-1/2” $1,200-$1,800 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 132 Pair of Tole and Iron Urns of Lilies first half 20th century, the white-enameled tole lilies with giltmetal leaves, set into cast-iron campana-form urns with eggand-dart rims and reeded bodies. h. 29-1/2”, dia. 10” $1,500-$2,500 132

133 American Decorative Painted Panels of Deer first half 20th century, ink and watercolor on cardboard laid down on wood panel, signed “Massey” lower right, three panels all set within an integral frame. 47-1/2” x 52” $1,000-$1,500 Provenance: The collection of Clarence G. Ochsner, Wabasha, Minnesota.

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134 Venetian Stenciled and Polychrome Four-Post Twin Bed 19th century, the molded canopy with stenciled decor along the underside, supported by four turned and carved posts, the rails with like decoration. h. 85”, inside w. 39”, l. 76”, outside w. 46-1/2”, l. 84-1/2” $1,000-$1,500 135 Pair of Italian Carved Marble Busts late 19th century, of a leering horned satyr and his female companion. h. 20” to 20-3/4”, w. 11-1/4” to 13-3/4”, d. 10” $3,000-$5,000 135

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136 Italian Neoclassical-Style Polychrome, Parcel-Gilt and MarbleTop Console Table 20th century, the Bilbao Conchiferous marble top over a groovecarved frieze and square foliate rosettes, raised on tapered square legs ending in foliate-carved feet. h. 36”, w. 54-1/2”, d. 21” $2,500-$4,000 137 Pair of Carved Wooden Figures of Nike and Demeter in the Neoclassical taste, figures white-washed, each raised on a cylindrical base. h. 59”, dia. 15” $2,500-$4,000 138 French Belle Epoque Bronze Chandelier late 19th century, the six-light chandelier with a fluted vasiform standard decorated with bellflowers and acanthus leaves, the guilloche-molded body set with leaf-molded arms, beaded drip pans and fluted candle cups, the bottom with a cone-form finial. h. 27-1/2”, dia. 26”

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$1,500-$2,500 139 Pair of Tiffany & Co. Marble and Bronze Garniture Urns early 20th century, the gilt-bronze and Montousse marble urns in the Belle Epoque taste, the marble bodies mounted with bronze laurel-molded rims, leaf-molded handles and swags of grapes, on leaf-molded bases and raised on marble plinths, the bases stamped “Tiffany & Co.”. h. 18-1/4”, w. 8-1/4”, d. 6-1/4” $1,500-$2,500 Provenance: Property from the Historic Woolworth Mansion, 4 East 80th Street, New York, New York. 139

140 Oushak Carpet 8’ x 10’ 6” $1,000-$1,500 141 Oushak Carpet 8’ 10” x 12’ 2” $1,200-$1,800 Provenance: Collection of Rosemary James, New Orleans, Louisiana. 142 Turkish Oushak Carpet 10’ 1’ x 13’ 6” $1,500-$2,500

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143 Pair of Patinated-Bronze Swan Figures the swans with a green-painted surface. h. 29” to 36-1/2”, w. 23”, d. 12” $800-$1,200 144 Pair of Cast-Iron Whippets fourth quarter 19th century, the recumbent figures with their tails curled up on their bodies. h. 17-1/4”, w. 9”, l. 38-3/4” $3,000-$5,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 145 Pair of Painted Plaster Lion’s-Head Plaques 20th century, the tan-painted open-mouthed lions framed with molded manes. h. 12-1/4”, w. 8-1/4”, d. 6-1/2”

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$1,200-$1,800 146 Carved Marble Figural Center Table in the classical taste, the thick white marble top carved with fluted edges inset with leaves, the two-sided supports carved with pairs of winged griffins, with monopodial feet, against stippled panels. h. 31-1/2”, w. 48”, d. 25-1/2” $1,500-$2,500

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147 Pair of Unusual French Cast-Iron Garden Urns fourth quarter 19th century, each with an oak-leaf-molded rim, over an inverted bell-form body molded with swirled fluting and set with handles with bold masque-molded bases, on conical bases, raised on cove-molded plinths. h. 26”, dia. 21” $2,500-$4,000 148 Lead Garden Urn with cover, after the 50 BCE carved marble Sosibios krater, the body with dancing maenads, the handles modeled as swans. h. 29-1/2”, dia. 11” $2,000-$4,000 149 Two Patinated-Bronze Figural Fountains contemporary, each in the form of a Bacchanalian faun, one blowing a flute, piped for water, and the other a ram’s horn, piped for water, draped in grapevines, each perched on a shell-form base. h. 53” to 55”, w. 22” to 28”, d. 15” to 19-1/2” $1,500-$2,500

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150 Eight Cast-Aluminum Chairs Attributed To Molla the neoclassical-style chairs with pierced backs decorated with a swag work border, over a lozenge framing a foliate medallion, the arms on dolphin-form supports framing pierced scrollwork seats, on molded and tapered legs. h. 30-1/2”, w. 21-1/2”, d. 20” $1,000-$1,500

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151 Two Molla Seahorse and Seashell Armchairs mid-20th century, the green-painted aluminum chairs called the “Breakers”, after being featured at the Breakers Hotel in Palm Beach, Florida. h. 32-1/2”, w. 21-1/2”, d. 23-1/2” $1,500-$2,500 152 Two Molla Seahorse and Seashell Armchairs mid-20th century, the green-painted aluminum chairs called the “Breakers”, after being featured at the Breakers Hotel in Palm Beach, Florida. h. 32-1/2”, w. 21-1/2”, d. 23-1/2”

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$1,500-$2,500 153 Pair of Painted Metal Tree Tubs the square tree tubs decorated with wreath mounts and raised on bun feet, with cone-form corner finials, the interiors with drainage holes. h. 22-1/2”, w. 16-1/2”, d. 16-1/2” $1,000-$1,500 153

154 British School (19th Century) “Portrait of a Gentleman” oil on canvas unsigned, an “E. Stacy Marks, Ltd.” label en verso. Framed. 36” x 28”, framed 41-3/4” x 33-3/4” $1,500-$2,400 Provenance: E. Stacy Marks, Ltd., Eastbourne, England. 155 Regency Amboyna Wood Cabinet 19th century, the upper section centered by a mirrored door and open shelves to each side, the top with pierced-brass galleries, the base with an open section in the middle and brass grillework doors to each side. h. 59”, w. 62”, d. 19” $1,000-$1,500 156 English Cut-Glass Chandelier 20th century, the five-light chandelier with an ogee-form cut-glass corona hung with swags of cut-glass drops, overhanging the vasiform cut-glass-clad standard set with five scrolled cut-glass arms terminating in cut-glass candle sockets and prism rings, hung with swags of drops. h. 43”, dia. 26-1/2”

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$2,500-$4,000

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157 English Regency Balloon-Form Bracket Clock early 19th century, the silvered dial signed by Charles Frodsham, London, in a flame mahogany case with a gilt ball finial, with brass side grilles, the whole resting on turned brass feet. h. 21-1/2”, w. 13-1/4”, d. 9” $1,000-$1,500 158 Regency Parcel-Gilt Rosewood Armchair 19th century, the back with a medial slat centered by a carved and gilt lion’s masque, the curved arm supports ending in carved lion’s paws, the seat with a leopardprinted fabric, raised on down-curved, spiral-carved legs. h. 34”, seat h. 18”, w. 22”, d. 18”

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$1,000-$1,500 159 Pair of William IV Tiffany & Co. Bronze Dore et Patine Candelabra ca. 1830, the bronze dore fluted candle cups on bronze patine acanthus-molded holders, supported on tapered standards, decorated with lotus leaves and matching tripartite bases, ornamented with pierced bronze dore scrollwork mounts, retailed by Tiffany & Co. and stamped on the base. h. 24”, dia. 6-1/2” $1,500-$2,500 160 William IV Mahogany Sideboard 19th century, the rectangular top above a conforming case fitted with a central cutlery drawer, flanked to one side by a deep drawer and to the other by a cupboard, all with decorative ebonized banding, raised on tapered square legs. h. 36-1/2”, w. 72”, d. 22-1/2” $1,500-$2,500

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Provenance: Royal Antiques, New Orleans, Louisiana.

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161 George III-Style Upholstered Mahogany Sofa 19th century, the padded rectangular back joined by downswept arms to the padded seat, raised on chamfered, tapered square legs joined by stretchers and ending in casters. h. 35”, w. 68”, d. 22” $800-$1,200 162 Norman Wilkinson (British, 1878-1971) “Pulling into Harbor” oil on canvas signed lower left, an old London canvas stamp en verso along with a “James Bourlet & Sons” drayage label. Framed. 18” x 24-1/2”, framed 24-3/4” x 31”

163 George III-Style Mahogany Sideboard early 20th century, the top with a shaped and bowed front, above a conforming case fitted with a central cutlery drawer, flanked to one side by drawers and to the other by a cupboard faced as two drawers, all banded, raised on tapered square legs ending in spade feet. h. 37-1/2”, w. 55”, d. 21-1/2” $1,200-$1,800

$3,000-$5,000

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164 John Boydell (1719-1804), ed. and William Shakespeare (1564-1616) The American Edition of Boydell’s Illustrations of the Dramatic Works of William Shakespeare New York: Shearjashub Spooner, 1852, elephant folio, three volumes, etchings throughout, three-quarter bound red morocco and red buckram boards, spine with gilt lettering and ruling. 28-1/4” x 23-1/4” $2,000-$4,000 165 Pair of George III-Style Leather Wing Chairs 20th century, of traditional form with diamond-tufted backs, arms and seats, raised on cabriole legs ending in ball-andclaw feet. h. 42”, seat h. 18”, w. 34”, d. 30” $1,500-$2,500 166 George III-Style Walnut Linen Press 19th century, the heavily molded cornice above a case fitted with two paneled doors, each with a panel of oyster veneers, the lower section fitted with two short drawers over two long graduated drawers, all veneered en suite, raised on bracket feet. h. 84”, w. 48-1/2”, d. 19-1/2” $1,000-$1,500 166

167 George III Mahogany-Veneered Mirror third quarter 18th century, the raised “Gothic” mirror surround set with a shallow beveled mirror plate, likely original, the base mounted with a pair of brass candle brackets. h. 37-3/4”, w. 19-3/4” $800-$1,200 168 Circle of Sir Peter Lely (British/Dutch, 1618-1680) “Portrait of a Lady with a King Charles Spaniel, Probably Hortense Mancini, Duchesse of Mazarin” oil on canvas unsigned, later erroneous inscription “Lady Portman” upper left. In an attractive, floral-carved, gessoed and giltwood frame. 49-1/2” x 41-1/2”, framed 57-1/2” x 49-1/2” 167

$5,000-$8,000 Provenance: The Estate of Timothy Scott Shafer, Columbus, Ohio.

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169 English Oak Highboy late 18th century, in the Georgian style, the molded rectangular cornice above a case fitted with three short drawers over three long graduated drawers, the lower section fitted with two narrow central drawers flanked to either side by a deep drawer, raised on cabriole legs ending in pointed toes. h. 66”, w. 39”, d. 21” 169

$1,200-$1,800

170 Antique Persian Tabriz Carpet 8’ x 11’ $2,000-$4,000 171 George III Mahogany Dining Table ca. 1800, of D-end form with tapered square legs and three 17” leaves. h. 30”, w. 45”, l. 43”, ext. l. 94” $1,400-$1,800 Provenance: Henry Stern, New Orleans, Louisiana.

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172 Suite of Ten George III-Style Mahogany Dining Chairs in the Chippendale manner, comprised of two armchairs and eight side chairs, each with a shaped foliate crest above a pierced and interlacing ribbon-carved splat, the padded seat raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet, upholstered in Scalamandre Tundra Flurry fabric. h. 40-1/2”, seat h. 19-1/2”, w. 28”, d. 19” $1,400-$1,800

173 Giltwood Three-Part Overmantel Mirror late 19th century, the cove-molded cornice set with spherules and supported on Corinthian side pilasters, the upper tablet decorated with Roman centurions in a chariot drawn by lions, with trumpeting angels announcing their arrival, set with beveled mirror plates. h. 36”, w. 59” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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174 George III Mahogany Linen Press

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ca. 1800, the molded and dentillated cornice above two banded doors, the lower section fitted with a central dropfront drawer opening to a leather-lined writing surface and a variety of drawers and cubbyholes flanked to one side by two small drawers and to the other by a small deep drawer, above two short drawers and two long graduated drawers, raised on bracket feet. h. 63-1/2”, w. 42”, d. 21-1/2” $1,500-$2,500 Provenance: Henry Stern Antiques, New Orleans, Louisiana. 175 Attributed to Joseph Highmore (British, 1692-1780) “Portrait of a Lady with White Lace Cuffs” oil on canvas unsigned. In an antique giltwood frame. 44-1/2” x 40”, framed 50-1/4” x 47-1/2” $2,000-$4,000 176 Persian Isfahan Carpet 10’ x 16’ 7” $2,000-$4,000

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177 Schonbek Molded Crystal Chandelier the seven-light chandelier with a glass-clad vasiform standard, hung with swags of cut-glass drops, set with scrolled glass candle arms terminating in molded candle cups and prism rings, the arms hung with cut-glass drops and swags of cut-glass prisms. h. 36”, dia. 25-1/2” $1,200-$1,800 178 George III-Style Red-Lacquered Chinoiserie Secretary Bookcase 19th century, the upper case with a broken-arch pediment over a pair of arched doors, the base with a slant lid opening to a fitted interior and three serpentine drawers below, raised on bracket feet. h. 87”, w. 36”, d. 20” $1,200-$1,800 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana. 179 English Mahogany China Shelf

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19th century, in the Chippendale taste, the shelf with “Gothic” pierced fret sides, set with two rows of drawers, with light wood inlaid trim, with molded shelf edges and drawer dividers. h. 49”, w. 39-1/2”, d. 8-3/4” $700-$1,000

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180 Mason’s Ironstone “Long-Tailed Pheasant” Tureen and Stand ca. 1813-1820, the polychrome clobbered and blue transfer-printed tureen with a cobalt knop and boar’shead handles, accented with gilt. h. 10-1/2”, w. 13-1/2”, d. 10-1/4” $1,000-$1,500 181 Pair of Mason’s Ironstone Sauce Tureens and Stands ca. 1813-1820, the covered sauce tureens and stands in the “Chinese Fence” pattern, each with a fruit- and flower-form knop and circular impressed knops. h. 8-1/4”, dia. 6” $800-$1,200

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182 Three-Piece English Mason’s Ironstone Garniture ca. 1813-1820, including a potpourri urn with molded handles and a knop, retaining the inner solid cover and outer pierced cover, and a pair of matching reeded vases, all decorated in gilt and white floral sprigging, with circular impressed marks. h. 7-1/4” to 8”, dia. 3-3/4” to 5” $800-$1,200 183 Three-Piece Mason’s Ironstone Garniture Set ca. 1813-1820, the set including three vases decorated with panels of peonies, on a cobalt ground decorated in scrollwork, with impressed marks. h. 5” to 5-3/4”, dia. 2-3/4” to 3” $700-$1,000

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184 Georgian-Style Chinoiserie Polychrome Bookcase 19th century, the molded cornice above a case fitted with three astragal-glazed doors over three paneled cupboard doors, raised on a plinth base, the whole richly decorated with gilt and polychrome accents in the chinoiserie style. h. 87”, w. 73-1/2”, d. 16-3/4” $4,000-$7,000

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185 George II Padouk Wood Silver Table mid-18th century, Irish, the rectangular tray-form top mounted to a frame with shaped aprons, raised on cabriole legs ending in carved paw feet. h. 28”, w. 30-1/2”, d. 21” $1,400-$1,800 Provenance: Henry Stern, New Orleans, Louisiana. 186 Two Pairs of English Sterling Silver Candlesticks including a William IV pair hallmarked Sheffield, 1838-1839, by Henry Wilkinson & Co., and an Edwardian pair, hallmarked Birmingham, 1901-1902, I.S. Greenberg & Co., all in the George II taste, with baluster standards, anthemion-cornered bases, cannon-form nozzles and detachable bobeches en suite, the former engraved on the base with a crest of a knight in armour. h. 9”, w. 4-1/4”; weighted $2,000-$4,000 187 George III Mahogany Chest-on-Chest fourth quarter 18th century, the molded and dentillated cornice with canted corners, above two short drawers over three long graduated drawers, the lower section also fitted with three long graduated drawers, raised on bracket feet. h. 75-1/2”, w. 43”, d. 21” $1,200-$1,800

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188 Georgian Chinoiserie Black-Lacquered Hanging Corner Cabinet 19th century, the bowed and molded cornice above a conforming case fitted with two doors, each with gilt designs in the chinoiserie style, to a molded base. h. 36”, w. 23”, d. 16” $800-$1,200 189 Pair of Chinoiserie Ebonized Occasional Tables each with a rounded rectangular top with gilt figural scene in the chinoiserie taste, above a frieze fitted with a single end drawer, raised on cabriole legs ending in sabots. h. 28-1/2”, w. 27-1/2”, d. 19” $1,800-$2,500

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190 Pair of Handsome Regency Bronze Dore et Patine and Marble Candlesticks first quarter 19th century, the candle sockets molded with tendrils of laurel leaves, on standards decorated with chain-hung arabesque scrollwork, mounted with medallions, atop bronze patine spaniels reclining on white marble bases decorated with winged masque ornaments, raised on turned brass feet. h. 10-1/2”, w. 4-1/2”, d. 3-1/4” $1,000-$1,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

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191 Chinese Export Lacquer Game Case 19th century, the gilt-decorated serpentine case raised on giltwood dragon-carved feet, the interior fitted with three compartments, one with individual lacquered gaming trays and the others with markers and a guide for a game called “Bezique”, also called Cavendish, published in London, 1869. h. 5-1/4”, w. 13”, d. 9-1/4” $700-$1,000

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Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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192 Pair of Regency Mahogany Armchairs 19th century, the figured and paneled back rest above a central pierced and reeded splat, having a padded seat, and down-curved and reeded arms, raised on turned and reeded legs. h. 34-1/2”, seat h. 19”, w. 21”, d. 17-1/2” $1,200-$1,800 193 Regency-Style Rosewood Breakfront 19th century, the molded cornice above four doors, each inset with a grilled panel, the lower section fitted with four paneled cupboard doors, the whole raised on a plinth base. h. 87”, w. 89-1/2”, d. 19”

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$1,000-$1,500 194 English Oak and Crystal Tantalus ca. 1900, the Arts-and-Crafts-style carrier with brass-plated fittings and locking top, set with three molded and cut-crystal decanters decorated with angled reeding, the bottoms polished and the stoppers cut with facets. h. 12-1/2”, w. 13-1/4”, d. 5-1/2” $800-$1,200 194

195 Regency Mahogany Tilt-Top Drum Table 19th century, the circular top with an inset leather surface, mounted to a turned standard with three down-curved and reeded legs ending in brass caps with casters. h. 28”, dia. 33” $800-$1,200 196 Two Pieces of Chinese Export Porcelain ca. 1780-1800, in the famille rose palette, including a circular dish and a charger, each decorated with monograms supported by bowknots and accented with festoons of pink and green flowers, the borders decorated to match. dia. 9-3/4” to 12-1/4” $1,000-$1,500 197 Regency-Style Mahogany Dining Table 195

20th century, the rectangular top with yew wood banding and rounded corners, opening to receive one 20” leaf, supported by a pair of turned standards with acanthus leaf carvings and raised on three out-curved legs. h. 30”, w. 46”, l. 72”, ext. l. 92” $1,500-$2,500 Provenance: The Estate of Mark William Woody, Baton Rouge, Louisiana.

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198 Unusual Regency Mahogany Corner Serving Table 19th century, the two curved shelves supported by turned brass posts, mounted to a turned mahogany standard with three down-curved legs ending in brass caps and casters. h. 31-1/2”, w. 40”, d. 28” $700-$1,000 199 Persian Heriz Carpet 9’ x 12’ 8” $1,200-$1,800 200 Persian Heriz Carpet 9’ x 11’ 6” $1,200-$1,800 198

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201 Figured Mahogany and Leather-Top Carlton House-Style Desk labeled Maitland-Smith, the stepped back with a bank fitted with a central cabinet and eighteen small drawers, and a pierced brass gallery above, with an inset leather writing surface and raised on tapered square legs. h. 26-1/2”, w. 45”, d. 28” $1,000-$1,500 202 Edwardian Maple and Mixed Woods Inlaid Occasional Table ca. 1900, the circular top with a multi-banded edge and inlaid with parquet blocks, raised on turned legs with a medial in-curved stretcher. h. 29”, dia. 30”

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$1,000-$1,500

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203 Edwardian Parcel-Gilt Mirror in the George II Taste ca. 1900, the broken pediment trimmed with giltwood eggand-dart molding, framing a giltwood basket-of-flowers finial, with crossetted upper corners and scrolled lower corners, richly ornamented with fret-enclosed flower heads, the lower corners with acanthus-carved drops. h. 74-1/2”, w. 52” $2,000-$4,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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204 British School (18th Century) “Pendant Portraits of Sisters” oils on canvas unsigned. Each with a “Los Angeles Fine Art Gallery” label en verso. Framed alike. each 31” x 24”, framed 36-1/2” x 31-1/2” $1,500-$4,000 Provenance: Los Angeles Fine Art Gallery, Los Angeles, California.

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205 Sheraton-Style Mahogany Lady’s Dressing Table late 19th century, by John Bagshaw & Sons, Liverpool, the paneled, rectangular top opening and fitted with hinged, beveled mirror panels, the case fitted with a swing-out, velvet-lined storage tray and a further swinging glass-inset work space to either side, the interior with a back section, elaborately fitted out for a variety of toiletry implements, the front half with a glass panel over a lace panel, hinged and opening to a removable velvet-lined jewelry tray and three concealed drawers, the front fitted with two small side drawers, the whole raised on square legs ending in brass spade feet on casters. h. 38”, w. 35”, d. 22-1/2” $1,200-$1,800 Provenance: The Regency Group, Ltd., Theta Antiques Show, Houston, Texas; Historic Solana, Montecito, California.

205 detail

206 Heriz Carpet 7’ 2” x 10’ 3” $2,000-$4,000 207 William and Mary Walnut Drop-Lid Secretary-on-Chest 18th century, the upper case with a large drop-front writing surface, opening to a fitted interior, over a chest with a pair of side-by-side drawers and two long drawers, raised on bun feet. h. 37-1/2”, w. 42”, d. 20-1/2” $2,000-$4,000 Provenance: Henry Stern, New Orleans, Louisiana. 208 William-and-Mary-Style Burl Walnut Chest of Drawers early 20th century, the banded top around a quartered bookmatched burl veneered panel, the front fitted with a pair of side-by-side drawers over three graduated long drawers, raised on turned bun feet. h. 38-1/2”, w. 35”, d. 17” $1,500-$2,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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209 Semi-Antique Tabriz Carpet 7’ 8” x 16’ 8” $3,000-$5,000 210 English Birch Campaign Chest 19th century, the front with three deep drawers, each fitted with inset brass handles. h. 47”, w. 36”, d. 15” $1,200-$1,800 Provenance: Nina Sloss Antiques, New Orleans, Louisiana. 211 British School (18th Century) “Portrait of a Gentleman”

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oil on canvas unsigned. Framed. 30” x 25”, framed 36-1/2” x 31” $1,200-$1,800

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212 William IV Two-Compartment Tea Caddy ca. 1830, the facade with a shield-form escutcheon, the cover with a plate for a monogram, opening to an interior with matching covers and remnants of foil lining, raised on bun feet. h. 5”, w. 7-1/2”, d. 4-1/2” $1,000-$1,500

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213 Small George III Tea Caddy ca. 1800, the caddy with a spherical knop, the facade with a monogrammed heart-shaped mount, the cover opening to reveal a back adorned with a lithograph of a Roman mosaic and a cover over remnants of foil lining. h. 4”, w. 3-3/4”, d. 3” $1,000-$1,500 214 Stained Green Tea Caddy ca. 1800, the petite caddy with an oval silvered monogrammed plate on the facade, the interior with a matching cover. h. 3-1/2”, w. 2-3/4”, d. 2-3/4” $1,000-$1,500 215 Seven Specimen Stone Spheres the highly figured spheres in various colors, together with a turned marble base. sphere dia. 3-1/2” to 5-1/4”, base h. 1-1/2”, dia. 5” $1,200-$1,800 216 Hardwood and Metal Birdcage 20th century, of Regency inspiration, the architectonic cage with a dome top, over a pair of double doors beneath cornices supported on columns, all on a matching base with columnform legs and cross stretchers with a center finial. h. 78-3/4”, w. 27”, d. 27” $700-$1,000 216

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217 Unusual Carved Golden Oak Library Steps ca. 1900, the stiles decorated with carved and applied scrollwork, the trestle-form base terminating in carved paws accented with acanthus leaves, raised on bun feet. h. 36”, w. 15”, d. 19” $800-$1,200 218 Regency-Style Mahogany Side Table early 20th century, the rectangular top with a bowed center section, above a conforming fluted frieze fitted with a single drawer, centered by a carved urn, raised on tapering, fluted, tapered square legs ending in spade feet. h. 35”, w. 66-1/2”, d. 23” $1,500-$2,500 Provenance: Jon Antiques, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

219 Pair of Leather Wing Chairs 20th century, in the George III taste, of traditional form, each chair with a diamond-tufted back and loose seat cushion, raised on Marlborough legs joined by stretchers. h. 41”, seat h. 18”, w. 31”, d. 22” $1,500-$2,500

220 Carved Oak Mirror in the Italian Neoclassical Taste the eagle-carved crest perched on a basket of fruit, framed by garlands of flowers accented with crossed garden trophies, the surround with carved corner medallions and bold bellflowers, the lower edge with a foliate-carved and pierced skirt. h. 57-1/4”, w. 25” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 221 Pair of Carved Mahogany Demilune Console Tables 20th century, in the Adam taste, each with a figured mahogany top and banded borders, the frieze with reeded details and a central palmette-carved panel, raised on turned legs joined by shaped stretchers. h. 33”, w. 53”, d. 18” $1,000-$1,500

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222 Pair of Neoclassical Carved Wooden Pedestals

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mid-20th century, the ebonized tops over columnform standards with parcel-gilt and ebonized Ionic capitals atop fluted mahogany stands, the bases with ebonized ogee molding between giltwood laurelcarved wreaths. h. 45-1/4”, w. 17-1/2”, d. 17-1/2” $1,000-$1,500 223 William IV Mahogany Tea Caddy ca. 1830, the caddy with incurvate sides set with mahogany ring pulls and a mother-of-pearl escutcheon, the hinged cover with a pulvinated panel, opening to reveal an interior with a period feather-cut crystal mixing bowl, flanked by mahogany tea boxes with hinged covers. h. 8-1/2”, w. 15-3/4”, d. 9-1/4” $1,000-$1,500 224 Victorian Mahogany Campaign Chest late 19th century, in two parts, the rectangular top above a conforming case fitted with two short drawers over three long drawers, all with tractional hardware and two brass handles to each side, raised on bracket feet. h. 39”, w. 35-3/4”, d. 16-1/2” $1,000-$1,500 224

225 Early Anglo-Indian Hardwood Trunk 18th century, richly adorned with pierced and engraved brass strapwork and studs, the ends with bail handles and three side-by-side drawers along the base. h. 24”, w. 52”, d. 25” $1,000-$1,500 226 Pair of Georgian-Style Mahogany Library Chairs 20th century, in the manner of William Kent, each with a carved frame, padded back and slip seat, carved dolphin hand grips and carved skirt with cabriole legs carved in the form of dolphins. h. 40”, seat h. 20”, w. 33”, d. 28” $1,200-$1,800 225

Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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227 Silk Tabriz Carpet 13’ 2” x 20’ 2” $20,000-$40,000

228 Regency Mahogany Linen Press 19th century, the molded cornice above a case fitted with two paneled doors, opening to pull-out shelves and two small lower drawers, the lower section fitted with four long drawers, raised on bracket feet. h. 83”, w. 48”, d. 22” $1,200-$1,800 229 English Oak Server 18th century, the rectangular top above a case fitted with three drawers over a scalloped apron, raised on cabriole legs ending in pad feet. h. 31”, w. 73”, d. 19” $1,000-$1,500

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230 Peshawar Sultanabad Carpet 9’ 3” x 12’ 2” $1,800-$2,500 231 Leather Chesterfield Sofa 20th century, of traditional “even-arm” form, with a diamond-tufted back, seat and arms, trimmed with brass tacks. h. 29”, w. 85”, d. 25” $1,200-$1,800

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232 Set of Four French Mahogany Nesting Tables early 20th century, each with a rectangular top with a molded edge, raised on slender turned legs ending in splayed feet, marked “Escalier de Cristal Paris”. the largest h. 30”, w. 20”, d. 13-3/4” $1,000-$1,500 Provenance: French Antique Shop, New Orleans, Louisiana. 233 George III-Style Leather Wing Chair 20th century, of traditional form, with a diamond-tufted back, wings, arms and seat, trimmed with brass tacks, raised on Marlborough legs joined by stretchers. h. 40-1/2”, seat h. 15”, w. 31”, d. 27” $1,000-$1,500

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234 George III Mahogany Butler’s Secretary Bookcase ca. 1800, the upper case with a pair of astragal-glazed doors over a protruding base with a butler’s desk drawer, opening to a fitted interior, over three reverse graduated long drawers, raised on bracket feet. h. 85-1/2”, w. 41”, d. 22-1/2” $1,800-$2,500

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235 George III Mahogany Chest early 19th century, the rectangular top with a molded edge, above a conforming case fitted with two short drawers over three long graduated drawers, raised on ogee-molded bracket feet. h. 39”, w. 49-1/2”, d. 22-1/2” $1,000-$1,500 236 Serapi Carpet 10’ 2” x 14’ 7” $6,000-$9,000 237 Brass and Glass Billiard Table Light the cylindrical standard decorated with applied scrollwork, supporting a light head on each end, each light head with two sockets, each light head with a brass “coolie” hat shade over opaline glass cone-form shades. h. 44”, w. 51-1/2”, d. 7-1/4” $1,000-$1,500

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238 Regency-Style Figured Mahogany Horseshoe Table 20th century, the circular top with segmented bookmatched veneers, and a central inlaid star, the outer perimeter with pull-out slides to receive five curved extension leaves, supported by four turned standards, mounted to a platform with four down-curved legs ending in brass caps and casters. h. 30”, dia. 63-1/2”, ext. dia. 87-1/2” $2,500-$4,000 239 George III-Style Mahogany and Leather Gainsborough Chair 20th century, upholstered in cream leather, the tall, padded shaped back joined by padded and richly carved inswept arms to the padded seat, raised on cabriole legs headed by elaborate floral shields and ending in hairy-paw feet. h. 43”, seat h. 18”, w. 30”, d. 29” $1,000-$1,500 239

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240 Pair of Large Gothic-Style Architectural Fragments early 20th century, the hexagonal tower-form fragments with pierced upper sections, with carved and pierced Gothic “windows”, the corners carved with Gothic spires, with an old, worn white surface. h. 66”, dia. 24-3/4” $2,000-$4,000 241 Turkish Angora Oushak Carpet 6’ x 9’ 3” $600-$900 242 Continental Polychrome Commode 19th century, in the rococo taste, the shaped, slightly bowed top above a conforming case fitted with three long drawers over a shaped deep apron, raised on cabriole legs ending in scrolled toes, the whole elaborately carved in scrolling foliate designs. h. 40”, w. 49-1/2”, d. 25” $1,000-$1,500

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243 Pair of Italian Polychrome Torchere Stands 20th century, in the rococo taste, each with a circular top mounted to heavily carved standard above three scrolling outstretched legs. h. 51-1/2”, dia. 18” $1,000-$1,500 244 Continental Pickled Oak Breakfront early 20th century, the large arched crest centered by a carved lion’s masque, over an arched opening and a pair of stained glass doors, the base with a pair of framed and paneled doors with carved plumes. h. 99”, w. 79”, d. 24” $2,500-$4,000 245 Continental Pickled Oak Breakfront early 20th century, the large arched crest centered by a carved lion’s masque, over an arched opening and a pair of stained glass doors, the base with a pair of framed and paneled doors with carved plumes. h. 99”, w. 79”, d. 24”

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$2,500-$4,000

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246 Turkish Angora Oushak Carpet 8’ 1” x 10’ $1,200-$1,800 247 Neoclassical-Style Iron and Marble-Top Pastry Table 19th century, the rectangular white marble top over a painted iron frame with X-form trestle-style ends, depicting swans and joined by a stretcher. h. 29”, w. 35”, d. 21-1/2” $1,500-$2,500 Provenance: Property from the historic Woolworth mansion, 4 East 80th Street, New York, New York.

248 Neoclassical-Style Iron and Marble-Top Pastry Table 19th century, the rectangular white marble top over a painted iron frame with X-form trestle-style ends, depicting swans and joined by a stretcher. h. 29”, w. 35”, d. 21-1/2” $1,500-$2,500 Provenance: Property from the historic Woolworth mansion, 4 East 80th Street, New York, New York.

249 Pair of Bronze Figural Planters contemporary, in the neoclassical taste, each circular planter mounted on the back of a putto standing astride a recumbent ram and grasping its horns. h. 48-1/2”, w. 15”, d. 18” $1,200-$1,800 250 Patinated-Bronze Figural Fountain 20th century, modeled as a seated putto playing with a porpoise balancing a ball on its nose, the putto’s raised arm and the porpoise’s mouth piped for water. h. 51-1/2”, w. 15-3/4”, d. 17-1/2” $1,500-$2,500 249

251 Patinated-Bronze Figure of a Satyr and Bacchante 20th century, the large figure of an embracing Bacchante and hoof-footed satyr. h. 54”, w. 39”, d. 14-1/2” $1,200-$1,800 252 French Iron, Cast-Bronze and Marble-Top Baker’s Table 19th century, the thick white marble top over Gothicstyle aprons, raised on a curved iron base mounted with circular bronze medallions. h. 30”, w. 39-1/2”, d. 22” $1,500-$2,500 Provenance: Property from the historic Woolworth mansion, 4 East 80th Street, New York, New York. 253 English Gothic Revival Terracotta Architectural Ornament late 19th century, with four spires set with oak-molded finials, the corners with Gothic trefoils, on a cove-molded base molded with flower heads. h. 29”, w. 25”, d. 19”

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$1,200-$1,800

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254 Pair of Continental Oak Benches 19th century, each with a rounded crest piece joined by turned end supports to the long slatted seat, raised on turned and block legs ending in runner feet, joined by a stretcher. h. 31-1/2”, w. 55”, d. 17” $1,000-$1,500 255 Provincial Louis XVI Walnut Wedding Armoire 18th century, Nimes, France, the large, molded, overhanging crown above a grapevine wreath centered by a pair of lovebirds and a nest of hatchlings, the front with a pair of framed and paneled doors, the lower apron pierced and carved. h. 107”, w. 69”, d. 28” $2,500-$4,000

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256 Giuseppe Giardiello (Italian, 1877-1920) “La Tarantella” oil on canvas signed lower left. Framed. 32” x 49”, framed 36-1/2” x 53” $3,000-$5,000 257 Pair of Provincial Louis XV-Style Fruitwood Corner Cabinets 19th century, each with a bowed, molded, slightly domed cornice above a conforming case fitted with two bi-paneled doors, the lower section fitted with two paneled cupboard doors, raised on scrolled toes. h. 81-1/2”, w. 38”, d. 23”

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$3,000-$5,000

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258 Louis XV-Style Fruitwood Bench 20th century, the padded and shaped rectangular seat above a conforming foliate shell-carved apron, raised on cabriole legs headed by foliate carving, joined by shaped stretchers and ending in foliate toes. h. 19”, w. 49”, d. 21” $1,000-$1,500 259 Italian Giltwood Mirror ca. 1800, the pierced crest decorated with a basket of flowers, accented with flower heads and rocaille work, on a latticeincised ground, with a foliate-bound and reeded surround, the lower corners with cone-form carved drops. h. 31-1/2”, w. 20-3/4” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana. 260 Louis XIII Walnut Armchair 17th/18th century, the sweeping down-curved arms with carved hand grips, the front apron with a relief-carved shell, raised on scrolled legs joined by like stretchers. h. 42”, seat h. 17”, w. 26”, d. 22” $1,000-$1,500

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261 Collection of Three Patinated-Bronze Chicken Sculptures the graduated chickens all realistically modeled. h. 7-3/4” to 14-1/4”, w. 6” to 18”, d. 3-1/4” to 5-1/4” $800-$1,200 262 Henry Schouten (Belgian, 1864-1927)

261

“Rooster and Hens in the Barnyard” oil on canvas signed lower right. Framed. 31” x 38”, framed 36-1/2” x 44” $3,000-$5,000 263 Set of Eleven French Limoges Porcelain Apothecary Jars 20th century, by Maison Warin, with two versions of the firm’s marks, decorated in the 19th century style with the Latin names of the drugs, over a kylix, flanked by palm trees coiled with serpents. h. 10-1/2”, dia. 4-1/2”

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$1,200-$1,800

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264 Swedish Painted Pine and Marble-Top Work Table 17th/18th century, possibly Swedish, the thick rouge marble top set on a base with straight frieze aprons and baluster-form turned legs, joined by a curved X-form stretcher, raised on bun feet. h. 32”, w. 56-1/2”, d. 32-1/2” $1,000-$1,500 Provenance: Ann Koerner Antiques, New Orleans, Louisiana. 265 After Georges Omerth (French, 1895-1925) “The Poacher”

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patinated metal 20th century, cast signature at base. h. 14-3/4”, w. 4-3/4”, d. 3-3/4” h. 14-3/4”, w. 4-3/4”, d. 3-3/4” $800-$1,200 266 Three Vintage Pressed Botanicals each pencil-titled and localized (in English) and indistinctly signed lower center. Each matted, glazed and framed alike. sight 23” x 15”, framed 30” x 22” $700-$1,000 265

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267 Large French Provincial Oak Breakfront 19th century, in two parts, the upper case with four doors, each with wire grillework, the base with four framed and raised paneled doors. h. 97”, w. 101”, d. 23” $1,500-$2,500 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana.

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269 Provincial Louis XV-Style Fruitwood Draw-Leaf Dining Table

268 Suite of Eight French Provincial Fruitwood Chairs 19th century, each with a carved back rest and central floralcarved splat, woven rush seat and tapered square legs joined by stretchers. h. 35”, seat h. 17-1/2”, w. 17-1/2”, d. 15”

19th century French carved parquet top draw leaf dining table top. Each end fitted with a draw leaf, raised on cabriole legs. h. 29-1/2”, w. 37”, l. 75”, ext. l. 119”

$1,000-$1,500

$1,200-$1,800

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272 French Hand-Painted Tole Jardiniere first quarter 19th century, decorated in the round with a bucolic genre scene, the flaring body raised on gilt pewter winged paw feet, on a faux-painted red griotte marble plinth, with a removable liner. h. 12”, w. 14”, d. 8-1/2” $800-$1,200 273 Provincial Cherry Hanging Shelf early 19th century, the molded cornice over three shelves, two of them with pierced grilles, with center piercings flanked by pierced palmettes, the shelves mortised through on the sides, pegged construction throughout. h. 46-1/4”, w. 54-1/2”, d. 11-1/2” $1,000-$1,500 Provenance: Estate of Jo Ann Christopher, New Orleans, Louisiana. 273

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270 Pair of Italian Brass-Plated Tole Sconces third quarter 20th century, the bold palm-leaf frames with scrolled candle arms terminating in scalloped candle sockets and leaf-molded drip pans. h. 26-1/2”, w. 28-1/2”, d. 10” $1,500-$2,500 271 French Wooden Vintner’s Sign 20th century, the sign hand painted with Chenin Blanc grapes from the Chateau d’Epire vineyard in Savennieres, France, the various wines made from the grapes painted to the left, in a matching frame. h. 30-3/4”, w. 38-3/4” $800-$1,200 271

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274 Polychrome Porcelain Duck-Form Tureen 20th century or earlier, the male mallard duck realistically painted with carefully articulated feathers, unmarked. h. 9-1/2”, w. 12-1/2”, d. 6-1/4” $700-$1,000 275 French Provincial Fruitwood Hutch 18th century, in two parts, the upper section with a carved and scalloped valance over three shelves with plate rails, the base with a pair of drawers over a pair of framed and paneled doors, with a like-scalloped and carved apron at the base. h. 87”, w. 55”, d. 19” 274

$1,400-$1,800 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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276 Viuva Lamego Partial Faience Dinner Service 20th century, Portuguese, decorated with cobalt and yellow birds and foliage, the service including: eleven dinner plates, dia. 9-3/4”; twelve salad/dessert plates, dia. 8-1/2”; six bread-and-butter plates, dia. 7-1/4”; one soup tureen, h. 9-1/2”, w. 10-1/4”; two chargers, dia. 12-1/2”; four candlesticks, h. 10”, dia. 6”; six bowls, h. 2-1/4”, dia. 7”; seven barrel-form mugs, h. 3-1/4”; eleven cylindrical mugs, h. 3”; three demitasse cups, h. 2-1/4”; four saucers, dia. 6”; six platters, w. 9-1/4” to 13-3/4”, l. 12-1/2” to 18-1/4”; two divided hors d’oeuvres plates, dia. 11-3/4”; three coasters, dia. 4”; one handled stand with oil and vinegar cruets and salt and pepper dishes, h. 9”, l. 8”; one covered sugar bowl, h. 4-1/4”, dia. 5”; two oval platters, w. 6-1/2”, l. 9-1/2”; one round bowl, h. 1-1/4”, dia. 4-3/4”; one coffeepot, h. 8”, w. 8-1/2”; one duck-form oil and vinegar cruet on stand, h. 4-1/4”, l. 7-1/4”; two covered serving bowls, h. 6-1/2”, dia. 11-1/4”; and two open serving bowls, h. 3”, dia. 9-3/4”. (89 pieces total)

276 detail

$1,200-$1,800 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 277 Framed Faience Wall Tiles mid-20th century, Portuguese, the tiles decorated with a reeded Baroque-style vase of tulips and roses, with a painted guilloche surround, in a pine frame. h. 41-1/2”, w. 24-1/2” $500-$800 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 277

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278 French Carved Walnut Pier Mirror ca. 1900, in the Louis XV taste, the mirror with an elaborate pierced and carved crest, mounted to a shaped base with a carved front and scrolled legs. h. 97”, w. 40”, d. 15” $1,200-$1,800 279 Large Regence-Style Walnut Armchair 19th century, with a tall arched and padded back and scrolled and carved arm supports, raised on carved cabriole legs joined by a swirling X-form stretcher. h. 49”, seat h. 17”, w. 29”, d. 23” $1,500-$2,500 280 After Clodion (French, 1738-1814) “Bacchanalia” patinated bronze cast signature along back of self-base, on a separate wood and bronze base. sculpture h. 17”, w. 8-1/2”, d. 8”, base h. 2-1/2”, w. 10-1/2”, d. 9” $1,200-$1,800

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281 Pair of French Bronze and Crystal Candelabra early 20th century, with graduated tiers of colorless and mauve drops forming the center finial, set with scrolled candle branches mounted with turned candle sockets on foliate prism rings, hung with aubergine drops, on fluted bronze bases. h. 17-1/2”, dia. 12-1/2”

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$800-$1,200

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282 Provincial Louis XV-Style Walnut Bibliotheque/Cabinet in two parts, the serpentine upper section with a molded cornice over a pair of doors fitted with wire mesh panels, the base with a pull-out work slide over a pair of paneled doors, bearing the label “Don Ruseau, Inc., New York City”. h. 90”, w. 55”, d 16” $1,400-$1,800 Provenance: Collection of Rosemary James, New Orleans, Louisiana. 283 Peshawar Sultanabad Carpet 9’ 3” x 11’ 6” $1,500-$2,500 284 Turkish Angora Oushak Carpet 10’ 4” x 13’ 9” $1,800-$2,500

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285 French Louis Philippe Giltwood Mirror mid-19th century, the mirror with rounded corners, over a molded, pulvinated surround decorated with incised vines and set with a beaded liner. h. 47”, w. 34” $1,200-$1,800 286 Pair of Italian Marble Pedestals early 20th century, the tops with thumb-molded edges, raised on boldly reeded standards, on rectangular bases. h. 41”, w. 11”, d. 11” $1,200-$1,800

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287 Empire Ormolu-Mounted Mahogany Day Bed 19th century, the front with a pair of turned columns at each end, with bronze collars, the crest rail with a large bronze rosette, the ends joined by large downswept rails. h. 44”, inside w. 36”, l. 74”, outside w. 41”, l. 80” $1,500-$2,500 Provenance: Sotheby’s, New York. 286

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288 French Gilt-Bronze and Tole Chandelier 20th century, the chandelier with a gilt-bronze corona trimmed with standing anthemia and cone finials, set with medallions supporting the molded bronze chains, the patinated-tole body with a tapered upper portion terminating in bronze dore flame finials with star mounts, suspended from molded bronze chains, the outer body set with molded cornucopia-form arms molded with laurel leaves and anthemia, set into mounts, the bottom with a giltbronze cone-form pendant finial set into circular mounts. h. 40”, dia. 27-1/2” $1,000-$1,500 289 French Gilt-Bronze and Tole Chandelier 20th century, the patinated-tole body with a tapered upper portion terminating in bronze dore flame finials with star mounts, suspended from molded bronze chains, the outer body set with molded cornucopia-form arms molded with laurel leaves and anthemia, set into mounts, the bottom with a gilt-bronze cone-form pendant finial set into circular mounts. h. 40”, dia. 27-1/2” $1,000-$1,500 290 Empire-Style Ormolu-Mounted Mahogany Armchair early 20th century, with a padded back, elbow rests and seat, the arms supported by cast-bronze winged lion/eagle supports, raised on tapered square legs ending in bronze ferrules. h. 40”, seat h. 19”, w. 24”, d. 21”

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$1,000-$1,500

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291 Italian Carved Marble Figure of Napoleon

291 detail

early 20th century, the large figure with his collar pulled up and holding his binoculars. h. 35-3/4”, w. 12”, d. 7-3/4” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 292 French Bronze Figure of Napoleon ca. 1900, the figure standing on a red Morocco-clad column, raised on a stepped base. h. 12”, w. 4-1/2”, d. 4-1/2” $800-$1,200 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 293 French Beaux-Arts Giltwood Mirror ca. 1930, the classically inspired giltwood mirror with a semicircular crest with a pierced bowknot and segmented mirror glass, the lower section with giltwood swags over the mirror plate, the surround carved with ribbon-wrapped reeds. h. 59-3/4”, w. 29-1/4” $1,200-$1,800 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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294 Twenty Moser “Splendid” Cut-Glass Goblets 19th century, Czechoslovakia, the cut-glass goblets with encrusted gilt borders, each signed “Moser”, the service including ten tall water goblets, h. 9-3/4”, and ten water goblets, h. 8-3/4”. $1,500-$2,500 295 Pair of Moser Cut-Crystal “Purity” Vases ca. 1920-1940, Czechoslovakia, the hexagonal heavy crystal vases ornamented with a raised gilt neoclassical border, the bottoms with an engraved “Moser” mark. h. 9-1/4”, dia. 4-1/2”

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$700-$1,000 296 Pair of Louis XVI-Style Polychrome and Parcel-Gilt Fauteuils 20th century, each with a carved frame and wreath-form crest, with reversible seat cushion and raised on turned, stop-fluted legs ending in toupie feet. h. 44”, seat h. 22”, w. 25”, d. 20” $1,500-$2,500 297 French Bronze Jewel Casket early 20th century, in the form of a commode on cabriole legs, the lift top decorated with a portrait of Marie Antoinette under glass, with a velvet-lined interior. h. 5-3/4”, w. 7-1/2”, d. 4” 295

$700-$1,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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298 Louis XV-Style Polychrome Stool the shaped rectangular top with Aubusson floral upholstery, above a conforming frieze with foliate gilt accents, raised on cabriole legs ending in gilt scrolled toes. h. 17”, w. 24”, d. 18” $1,000-$1,500 299 Bernard Blommers (Dutch, 1845-1914) “By the Shore” oil on canvas laid down on board signed lower right, “Harry Eichleay Art Co., Pittsburgh, Pennsylvania” and “Pittsburgh Art Co.” labels en verso, with several old handwritten inscriptions. Framed. 6-3/4” x 10-7/8”, framed 11-7/8” x 15-7/8”

298

$1,500-$2,500 Provenance: Harry Eichleay Art Co., Pittsburgh, Pennsylvania; Pittsburgh Art Co., Pittsburgh, Pennsylvania; Private collection. 300 Louis XV-Style Walnut Library Table early 20th century, the shaped top with a tooled and inset leather blotter, the aprons with foliate-and-shell-carved decor, raised on cabriole legs ending in scrolled toes, joined by elaborate stretchers centered by an urn-form finial. h. 30”, w. 70”, d. 38” $2,000-$4,000

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301 Louis XV-Style Polychrome Settee 19th century, the padded and shaped back domed and surmounted by a foliate crest, joined by padded downswept arms to the tri-cushioned seat, above a shaped floral-carved apron, raised on molded cabriole legs ending in foliate toes, together with a Scalamandre accent pillow. h. 38”, w. 74-1/2”, d. 31” $1,500-$2,500 302 Louis XIV-Style Giltwood and Marble-Top Console Table

302

19th century, the shaped and bowed marble top with a molded edge, above a conforming frieze centered by an elaborate scrolling foliate design, raised on cabriole legs headed by foliate carving, joined by a foliate-pierced stretcher and ending in foliate scrolled toes. h. 33”, w. 47”, d. 22-1/2” $1,000-$1,500 303 Pair of French Cut-Glass and Gilt-Bronze Table Lamps mid-20th century, in the Baccarat taste, the diamond-cut vasiform bodies on fluted leaf-molded cone-form mounts, raised on matching bases with bronze trim, now on acrylic plinths, fitted with lampshades. h. 38-1/4”, dia. 17-1/2” $1,800-$2,500

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304 Italian Polychrome Secretary in the Rococo Taste 19th century, the domed and molded cornice above two bi-paneled doors opening to a shelved interior, the lower section fitted with a slant front opening to a variety of drawers and cubbyholes, raised on cabriole legs ending in pointed toes. h. 83-1/2”, w. 50-1/2”, d. 25” $1,800-$2,500 305 Pair of French Belle Epoque Bronze and Crystal Sconces late 19th century, each having a scroll-framed backplate accented with flower heads and acanthus leaves, with a scrolled candle branch terminating in a trumpet-form central candle holder trimmed with roses, the base set with ram’s heads supporting scrolled candle arms terminating in molded bronze candle sockets and drip pans, hung with swags of cut-glass prisms and large cutglass drops, electrified. h. 31-3/4”, w. 12-3/4”, d. 15-3/4” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 306 Pair of French Painted and Marble-Top Side Tables ca. 1900, each with a conforming Yellow Jura Brocatelle marble top over a pair of serpentine-front drawers, raised on slender cabriole legs. h. 29-1/2”, w. 26”, d. 14” $1,000-$1,500 304

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307 Italian Gilt-Plaster Applique 20th century, modeled as a basket brimming with fruit and foliage, suspended from a “silk” cord. h. 22”, w. 15-1/2” $1,000-$1,500 308 Italian Carved and Polychrome Pedestal Table 19th century, in the rococo taste, the standard with foliatecarved details, mounted to a circular molded base. h. 28”, dia. 20” $1,000-$1,500

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309 Peshawar Sultanabad Carpet 9’ 7” x 13’ 2” $2,000-$4,000

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310 Silk Tabriz Carpet 9’ 5” x 13’ 8” $4,000-$7,000

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311 Pair of Neoclassical-Style Mahogany Pedestals each with a square top over a fluted swag-carved capital, above a tapered shaft to a molded square base. h. 48”, w. 14-1/2”, d. 15-1/2” $1,000-$1,500

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312 Set of Four French Gilt-Bronze Sconces early 20th century, the quiver-form backplates set with urnform finials, draped with laurel swags around the molded candles arms, set with leaf-molded drip pans and fluted and leaf-molded candle sockets. h. 15-3/4”, w. 10-3/4”, d. 7-3/4” $1,200-$1,800 313 Louis XVI-Style Mahogany Writing Table 20th century, the rectangular top with turreted corners and with an inset leather surface, above a conforming frieze fitted with three drawers, all paneled and with brass banding, raised on fluted, tapered circular legs ending in brass caps on casters. h. 31”, w. 39-1/2”, d. 23-1/2” $1,000-$1,500 313

314 Pair of Louis XVI-Style Fruitwood Fauteuils 19th century, each with a padded medallion back within a molded frame, joined by padded arms on fluted uprights to the padded seat, raised on fluted, tapered square legs. h. 38”, seat h. 17-3/4”, w. 23-1/2”, d. 21” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana.

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315 Louis XVI-Style Walnut and Ormolu-Mounted Breakfront 20th century, the upper case with a peaked central pediment and pineapple finials to each side, over a pair of glazed odors in the center and flanked by an additional wire-work paneled door to each side, the base fitted with five drawers and a pair of faux-drawer cabinets. h. 84”, w. 71-1/2”, d. 20-1/2” $1,500-$2,500 Provenance: Collection of Rosemary James, New Orleans, Louisiana.

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316 French Mahogany Dining Table 20th century, in the Directoire taste, the circular top with brass edging, above a conforming frieze, raised on fluted, tapered turned legs headed by a waisted capital and ending in brass caps, opening to receive two 27-1/2” leaves. h. 30”, dia. 63”, ext. l. 118” $1,000-$1,500 317 Pair of Louis XVI-Style Mahogany Games Tables each with a brass-bound demilune top, hinged and opening to a leather-inset surface, above a conforming paneled frieze with brass accents, raised on tapered circular legs ending in brass caps and peg feet. h. 31-1/2”, w. 42”, d. 20-1/2” (closed)

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$2,000-$4,000 318 Bronze Chandelier in the Grand Tour Taste 20th century, the chandelier with a pair of dolphins supporting the oil lamp-form body, with lions on two sides supporting the lights, and two sides with electrified satyr arms, the center with a crouching figure of “winter”. h. 19-1/2”, w. 19-1/2”, d. 20-1/2” $2,000-$4,000

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319 Suite of Eight Parcel-Gilt Mahogany Chairs 20th century, in the Empire taste, each with a curved back rest supported by central intertwined stylized bird heads, a padded seat and raised on downswept legs. h. 34”, seat h. 17-1/2”, w. 18”, d. 18” $2,000-$4,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 320 Pair of Neoclassical-Style Walnut Commodes each with a highly figured rectangular top above a conforming case fitted with a frieze drawer over two long drawers, flanked by engaged ebonized columns, all drawers with brass banding, raised on tapered square legs. h. 28-1/2”, w. 27-1/2”, d. 14”

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$2,500-$4,000 321 French Fruitwood Daybed 19th century, in the Directoire taste, with a matching headboard and footboard, raised on turned and fluted legs. h. 29”, w. 26-1/2”, l. 68” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana.

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322 Pair of Bronze-Mounted Metal Athenienne-Form Jardinieres 20th century, the shallow plant holders with removable liners, with Greek fret trim framing gilt-bronze mounts in the form of medallions and shells, on X-form bases mounted with medallions, raised on paw feet. h. 43-1/2”, dia. 18” $2,000-$4,000 323 Pair of Louis XVI-Style Creme-Peinte Fauteuils 19th century, each with a padded medallion back surmounted by a floral crest, joined by padded foliate-carved arms to the padded seat, raised on tapered circular legs ending in toupie feet. h. 40”, seat h. 18”, w. 23-1/2”, d. 20” $1,000-$1,500 324 Pair of Patinated-Metal and Crystal Sconces

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20th century, each scrolled glass-clad frame set with a cut-glass spear-point finial and scrolled glass-clad arms, mounted with molded drip pans and metal sockets, hung with cut-glass drops. h. 39”, w. 21”, d. 10-1/2” $1,800-$2,500 325 Continental Neoclassical Fruitwood and Marble-Top Commode 19th century, the rectangular marble top above a conforming case fitted with three long drawers, raised on tapered square legs. h. 36”, w. 37”, d. 20” $2,000-$4,000

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326 Petite French Walnut Settee 19th century, in the Louis XVI taste, the carved frame with a pair of roses centered along the back rail, the scrolled hand grips supported by stop-fluted posts, with a loose seat cushion and raised on turned, stopfluted legs. h. 32”, seat h. 20”, w. 40”, d. 19” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana. 327 Arthur Vidal Diehl (British/Massachusetts, 1870-1929) “Coastal Village”, 1924 326

oil on board signed and dated lower left, an old handwritten inscription en verso. Framed. 25-1/4” x 27-3/4”, framed 31-1/2” x 34” $1,500-$2,500 Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

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328 French Bouillotte-Style Brass Floor Lamp 20th century, in the neoclassical taste, the reeded and patinatedmetal standard set with cornucopia-form arms, with a black tole shade, on a circular base molded with laurel leaves and trimmed with patinated metal. adjustable h. 60”, dia. 11-1/2” $1,000-$1,500

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329 Diminutive Italian Olivewood and Inlaid Side Table 18th century, the top and drawer fronts with a central inlaid medallion, raised on tapered square legs. h. 33-1/2”, w. 21”, d. 15” $2,000-$4,000 330 After Eugene-Antoine Aizelin (French, 1821-1902) “Nymphe de Diane” silvered metal late 19th century, with the title impressed in the center bottom front, cast signature on side of selfbase. h. 30-3/4”, w. 10-3/4”, d. 6-1/2” $1,500-$2,500 331 Louis XVI-Style Polychrome Daybed 329

20th century, with a matching framed and paneled headboard and footboard, each with turned and carved finials above the posts. h. 51”, inside w. 48”, l. 71”, outside w. 52”, l. 76” $1,200-$1,800

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332 Pair of Louis XVI-Style Giltwood Wing Chairs early 20th century, the carved frames with a foliate-carved central crest, fitted with loose seat cushions and raised on turned and fluted legs ending in toupie feet. h. 40-1/2”, seat h. 18-1/2”, w. 27”, d. 22” $1,500-$2,500

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333 Louis XVI-Style Giltwood and Marble-Top Dressing Table ca. 1900, the oval giltwood beveled mirror with a pair of lovebirds in the crest, over an Alpha Escalettes marble top, the base with three drawers, raised on reeded and carved ribbonwrapped legs. h. 74”, w. 72”, d. 27-1/2” $1,200-$1,800 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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334 Louis XVI-Style Fruitwood Sofa

335 Louis XVI-Style Fruitwood Sofa

early 20th century, with a domed crest and rounded arms within a molded carved frame, the padded back and sides above the cushioned seat and fluted apron, raised on tapered circular legs ending in toupie feet. h. 36”, w. 70”, d. 28”

$1,200-$1,800

Provenance: Collection of Rosemary James, New Orleans, Louisiana.

335

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336 Large Louis Philippe Giltwood Mirror mid-19th century, the mirror with rounded corners and the pulvinated surround set with a beaded liner. h. 67-1/2”, w. 43-1/2” $1,500-$2,500 337 Pair of French Polychrome and Marble-Top Corner Console Tables 19th century, each fitted with a conforming white marble top over a bowed front with a single curved center leg and swags of garland, the carved elements with gilt highlights. h. 33”, w. 22”, d. 15” $1,000-$1,500 338 Neoclassical-Style Brass Chandlier ca. 1900, the quiver-form standard with a pierced rim and swags and bowknot mounts, the lower portion with a cone-form finial framed with a palmette, the scrolled arms decorated with delicate pierced anthemia, supporting sockets with fluted, period glass shades etched with flowers. h. 44-1/2”, dia. 23” $1,000-$1,500

336

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339 Pair of Louis XVI Polychrome Bergeres 18th century, each with an arched back, molded frame and scrolled hand grips, raised on turned and fluted legs. h. 36”, seat h. 16”, w. 26”, d. 19” $1,200-$1,800 340 French Fruitwood and Marble-Top Bouillotte Table early 20th century, the circular marble top with a pierced brass gallery, the aprons with two drawers and two candle slides, raised on turned and fluted legs ending in brass ferrules. h. 28”, dia. 25-1/2” $1,000-$1,500 341 Peshawar Serapi Carpet 8’ x 9’ 7” $1,200-$1,800

341

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342 Peshawar Serapi Carpet 10’ 1” x 13’ 7” $2,000-$4,000 343 French Giltwood Mirror of Louis XVI Inspiration ca. 1900, the foliate wreath crest bound with a bowknot and decorated with sprays of flowers on each side, the giltwood surround carved with a running ribbon-bound reed, set with a beaded liner. h. 57-3/4”, w. 34-3/4” $1,400-$1,800 Provenance: Private collection, New Orleans, Louisiana. 344 Continental Burlwood and Mahogany Cabinet 19th century, the rectangular top above a case fitted with an open shelf over a central cupboard door featuring an incised mirrored panel of a finely dressed woman, flanked to either side by a bank of two small drawers over three larger drawers, above a shaped apron, raised on cabriole legs ending in foliate scrolled feet. h. 63”, w. 38”, d. 17” $1,200-$1,800

342

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345

345 Pair of French Inlaid Side Tables

346

19th century, both with parquetry-inlaid tops, sides and drawers, and fitted with a pull-out work slide over two drawers, raised on down-curved legs. h. 27-1/2”, w. 12-1/2”, d. 10”

347 Moroccan Inlaid Coffee Table

$1,000-$1,500

20th century, of rectangular form, the surface profusely inlaid and clad with various star decoration, raised on cabriole legs. h. 21”, w. 45”, d. 25”

346 North African Ebonized Hardwood and Exotic Wood Occasional Table

$800-$1,200

early 20th century, the hexagonal top featuring elaborate banding and a central star inlay, joined by six paneled legs to a lower shelf, raised on paneled feet, the whole with elaborate, intricate geometric inlays. h. 28”, w. 23”, d. 23” $1,000-$1,500

347

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348 Persian Silver Vase first half 20th century, Jahrami assay office, .875 silver, the conical vase with gadroons, each decorated with engraved Persian floral designs, with applied rim and waisted foot above a decagonal plinth. h. 16-1/2”, dia. 5-3/4”; 46.65 t. oz. $3,000-$5,000 349 Syrian Inlaid and Mother-of-Pearl Side Table early 20th century, the framed octagonal top centered by an internal inlaid star, raised on a base with eight legs separated by Moorish arches. h. 26”, dia. 26” $1,000-$1,500 350 Syrian Teakwood and Bone-Inlaid Side Table

348 detail

20th century, the top with traditional inlaid Asian scenes, with pierced and carved aprons, raised on square splayed legs joined by a central shelf. h. 25”, w. 25”, d. 25” $1,200-$1,800 348

350

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349

351 Semi-Antique Tabriz Pictorial Carpet 9’ x 12’ $1,000-$1,500 Provenance: Parvizian and Sons, Washington, D.C. and Houston, Texas; Michael Dale Interiors, Houston, Texas.

351

352 Indian Bronze Kerala Uruli on Stand 20th century, the round tapered communal cooking pot with turned, reeded edges and molded handles, on a scrolled metal stand. h. 43”, dia. 37” $800-$1,200

352

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353 Pair of Patinated-Bronze Cranes Riding Turtles of Japanese inspiration, with a green patina. h. 51” to 58-1/4”, w. 17-3/4”, d. 12-3/4” $3,000-$5,000 354 Molded Stone and Patinated-Metal Bench 20th century, after the antique, the sarcophagusform bench with Ionic scrolled ends and reeded sides, bound with patinated metal, on a patinated-metal base. h. 19-3/4”, w. 27-3/4”, d. 16” $1,200-$1,800 355 Pair of Cast-Stone Garden Urns first half 20th century, the egg-and-dart rims over the flaring bodies, with reeded lower sections, on conical feet raised on stepped bases. h. 23”, dia. 21” $800-$1,200

353

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356 Four French Marble Mortars 19th century, the tapered mortars each with four lugs, retaining old patinated surfaces. h. 4-1/2” to 6-1/2”, dia. 8-1/2” to 11-3/4” $1,000-$1,500 357 Painted Terracotta Garden Urn and Pedestal ca. 1900, in two parts, the wide circular top mounted with a pair of leaf-molded bronze “handles”, on a cone-form base, the pylon-form pedestal decorated with raised panels, over stepped feet. h. 45”, dia. 30-3/4” $1,000-$1,500 358 Set of Three Terracotta Garden Urns late 19th century, the neoclassical-style low urns with rims molded with cabochons alternating with leaves, over pulvinated and reeded bodies, raised on conical fluted bases, inscribed with the maker. h. 18”, dia. 22-1/2” $1,000-$1,500

357

356

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359

359 Set of Six Metal Garden Armchairs

360 French Figural Bronze and Plate-Glass Dining Table

in the postmodern taste, the black metal chairs with woven seats and backs, on curule-form bases, fitted with cushions. h. 40-1/2”, seat. h. 18-1/2”, w. 19-3/4”, d. 22-1/2”

early 20th century, the large oval plate-glass top with a molded edge and supported by a pair of figural bronze pedestals, each with three putti supporting the top. h. 30”, w. 84-1/4”, d. 48”

$1,000-$1,500 $1,500-$2,500

360

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361 Patinated-Bronze Figural Fountain the fountain with a young woman, a seashell at her ear, perched on the edge of an urn, the inside of the urn with a water lily and a frog, the frog piped for water, molded with vines at the base, inscribed "Aug. Moreau". h. 42", w. 23", d. 19" $1,800-$2,500

361

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SESSION SUNDAY, JULY 26

362 Tiffany & Co. Starfish Brooch 18k yellow gold, the large brooch stamped “TIFFANY & CO 750”, together with a Tiffany & Co. blue pouch. dia. 2-1/2”, total weight 32.4 grams $1,800-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

363 Tiffany & Co. Shrimp Brooch 18k yellow gold/sterling silver, the brooch in the form of a shrimp with round-cut emerald eyes weighing approximately 0.05 carats in total, stamped “TIFFANY & CO.”, together with a Tiffany & Co. box. size 2” x 3-1/2”, total weight 26.8 grams 362

$1,800-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

363

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364 Cartier Zodiac Pendant on Chain the 18k yellow gold Cartier Capricorn pendant stamped “Cartier 18k Italy”, l. 2-1/2” (including bail), suspended from a 14k yellow gold 5.00mm rope chain, l. 30”. total weight 54.6 grams $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 365 Tiffany & Co. Gazelle Brooch 18k yellow gold, the brooch in the form a gazelle, stamped “TIFFANY & CO. 18K”, together with a Tiffany & Co. box. size 1-1/8” x 1-3/4”, total weight 18.9 grams $1,800-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

364

366 Tiffany & Co. Gold Bracelet 18k yellow gold, the bracelet composed of multiple strands of gold cable, stamped “TIFFANY & CO. 750 GERMANY”. inside circumference 6-1/2”, total weight 20.5 grams $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

365

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367 Tiffany & Co. Elsa Peretti Scarf Necklace 18k yellow gold, the necklace stamped “TIFFANY & CO. 18K PERETTI”, together with a Tiffany & Co. blue pouch. l. 36”, total weight 12.9 grams $2,000-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 368 Gold Wheat-Link Bracelet 18k yellow gold, the bracelet composed of polished gold links. l. 7”, total weight 19.9 grams $1,500-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 369 Gold Bracelet 14k yellow gold, the chain-link bracelet composed of polished gold links. l. 7”, total weight 22.5 grams $1,200-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 367

368

369

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370 Emerald-Cut Diamond Necklace 18k yellow gold, the necklace mounted with emerald-cut diamonds weighing approximately 6.00 carats in total. l. 16”, total weight 25.3 grams $12,000-$18,000

370

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371

371 Emerald-Cut Diamond Eternity Band

372 Diamond Stretch Bracelet

14k yellow gold, the band mounted with emerald-cut diamonds weighing approximately 2.75 carats in total. size 7, total weight 3.9 grams

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 3.25 carats in total. adjustable inside circumference 6-1/2” to 8”, total weight 15.4 grams

$3,000-$5,000 $3,000-$5,000

372

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373 Emerald and Diamond Necklace 14k yellow gold, the necklace mounted with roundcut emeralds weighing approximately 11.50 carats in total and round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 16”, total weight 21.0 grams $5,000-$8,000

373

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374 Three Emerald and Diamond Stackable Bands 14k yellow gold, the rings mounted with round-cut emeralds weighing approximately 1.05 carats in total and round brilliant-cut diamonds weighing approximately 1.20 carats in total. size 7, total weight 9.0 grams $3,000-$5,000 375 Tiffany & Co. Nephrite Bracelet 18k yellow gold, the bracelet composed of round 8.00mm nephrite beads alternating with gold accents, stamped “TIFFANY & CO. 18K”. l. 8”, total weight 50.7 grams

374

$1,000-$1,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

375

145

376 Pearl, Emerald and Diamond Moth Brooch 14k yellow gold/sterling silver, the brooch mounted with a white baroque pearl measuring approximately 13.00mm x 15.00mm, accented by a cushion-cut emerald weighing approximately 1.22 carats, round brilliant-cut diamonds weighing approximately 1.23 carats in total and round-cut rubies weighing approximately 0.06 carats in total. size 1-1/4” x 1-3/4”, total weight 12.1 grams $1,800-$2,500 376

377 Turquoise and Diamond Bird Brooch 14k yellow gold, the brooch mounted with a cabochon-cut turquoise weighing approximately 12.20 carats, accented with enamel and round brilliant-cut diamonds weighing approximately 0.60 carats in total and a round-cut ruby weighing approximately 0.02 carats. size 1-3/4” x 1-1/4”, total weight 8.1 grams $2,500-$4,000

377

378 Pearl and Diamond Turtle Brooch/Pendant 14k yellow gold/sterling silver, the brooch/pendant mounted with a baroque pearl accented with round brilliant-cut diamonds weighing approximately 1.69 carats in total and round-cut rubies weighing approximately 0.05 carats in total. size 1-3/8” x 1-3/4”, total weight 14.9 grams $1,800-$2,500

378

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379 Tanzanite, Diamond and Ruby Crab Brooch/Pendant 14k yellow gold/sterling silver, the brooch mounted with a sugarloaf tanzanite weighing approximately 15.02 carats, accented by round brilliant-cut diamonds weighing approximately 2.20 carats in total and round-cut rubies weighing approximately 0.08 carats in total. size 1-3/8” x 2-3/4”, total weight 12.9 grams $2,000-$4,000 379

380 Whimsical Pearl, Diamond and Ruby Snail Brooch 14k yellow gold/sterling silver, the brooch mounted with a white 13.80mm cultured pearl, accented by round brilliantcut diamonds weighing approximately 1.51 carats in total and a round-cut ruby weighing approximately 0.03 carats. size 7/8” x 1-3/4”, total weight 10.3 grams

380

$1,400-$1,800

381 Whimsical Emerald, Kyanite and Diamond Peacock Brooch 14k yellow gold/sterling silver, the brooch mounted with a cabochon-cut and round-cut emerald weighing approximately 7.21 carats in total, accented by oval-cut kyanites weighing approximately 6.40 carats in total and round brilliant-cut diamonds weighing approximately 1.07 carats in total. size 1-1/4” x 3”, total weight 12.8 grams $2,500-$4,000

381

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382

382 Stunning Diamond Ring 14k/18k white/yellow gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 4.90 carats, approximate color S-T and clarity VVS1-VVS2, accented by round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 5-3/4, total weight 13.4 grams $30,000-$50,000

382 detail

383 Yellow and White Diamond Band 18k white gold, the wide band mounted with two radiant-cut and one cushion-cut Fancy Light Yellow diamond, weighing approximately 1.45 carats in total, approximate clarity VS2SI1, accented by round brilliant-cut and princess-cut white diamonds weighing approximately 1.75 carats in total. size 6-1/4, total weight 12.0 grams $7,000-$10,000 383

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384 Diamond Ring

385 Pair of Diamond Studs

platinum, the ring mounted with a round brilliant-cut diamond weighing approximately 2.25 carats, approximate color I-J-K and clarity VS1-VS2. size 7-1/4, total weight 4.6 grams

14k white gold, the studs mounted with round brilliant-cut diamonds weighing approximately 3.04 carats in total. total weight 1.5 grams $7,000-$10,000

$5,000-$8,000

385

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386

386 Tiffany & Co. Diamond and Pearl Necklace and Brooch platinum, the necklace and brooch mounted with round brilliant-cut diamonds weighing approximately 0.95 carats in total, accented by white cultured pearls and round-cut sapphires weighing approximately 0.04 carats in total, stamped “1996 TIFFANY & CO. PT950”, together with a Tiffany & Co. blue pouch. necklace l. 18”, brooch size 1-1/8” x 1-1/4”, total weight 16.0 grams $3,000-$5,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

150

387 Edwardian Diamond Ring platinum, the ring mounted with European-cut diamonds weighing approximately 1.50 carats in total. size 5-1/2, total weight 2.9 grams $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 388 Diamond Bracelet 18k white gold, the bracelet composed of dangling, overlapping rings, one side mounted with round brilliant-cut diamonds weighing approximately 3.80 carats in total, and the other side polished. l. 7”, total weight 24.6 grams

387

$3,000-$5,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

388

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389 Tiffany & Co. Diamond Ginkgo Brooch 18k yellow gold/platinum, the brooch in the form of a ginkgo leaf, mounted with round brilliant-cut diamonds weighing approximately 0.16 carats in total, stamped “TIFFANY & CO.”, together with a Tiffany & Co. box. l. 1-3/4”, total weight 6.6 grams $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

389

390 Lady’s Patek Philippe Ellipse 4187/1 Watch 18k yellow gold, the quartz watch with a blue dial, serial number 2720133, with a gold interlocking link Patek Philippe bracelet, stamped “Patek Philippe Geneve Swiss 750”. l. 6-1/4” to 6-3/4”, total weight 55.5 grams $5,000-$8,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

390

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391

391 Greek Lapis Lazuli Choker 18k yellow gold, the hinged choker centered by a lapis lazuli bead. inside circumference 14-3/8”, total weight 38.2 grams $3,000-$5,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 392 Unusual Greek Sapphire Ring 18k yellow gold, the center of the ring of a wide grooved band, flanked on the top and bottom by a snake entwined with round-cut sapphires weighing approximately 0.80 carats in total. size 6, total weight 11.1 grams $900-$1,200 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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393 Unusual Lapis Lazuli Ring 18k yellow gold, the ring mounted with three 9.50mm lapis lazuli beads in a bold modern art mounting. size 6-1/2, total weight 26.8 grams $2,000-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund 393

394

394 Greek Lapis Lazuli Bangle Bracelet 18k yellow gold, the hinged bracelet centered by a round lapis lazuli bead. inside circumference 6-3/4”, total weight 20.6 grams $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 395 Ruby and Sapphire Ring 18k yellow gold, the filigree-designed ring mounted with round sapphire and ruby cabochons weighing approximately 0.40 carats in total. size 6, total weight 17.8 grams $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

395

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396 Tiffany & Co. Elsa Peretti Lapis Lazuli Choker 18k yellow gold, the gold choker with a loose lapis lazuli pendant ring, stamped “TIFFANY & CO 18K PERETTI”, with a Tiffany and Co. blue pouch. inside circumference 14”, total weight 192.9 grams

397 Pair of Tiffany & Co. Paloma Picasso Lapis and Diamond Earrings 18k yellow gold, the carved lapis lazuli earrings mounted with round brilliant-cut diamonds weighing approximately 0.14 carats in total, stamped “1984 T & Co. 18k Paloma Picasso”. dia. 5/8”, total weight 4.3 grams

$1,800-$2,500 $900-$1,200 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

156

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

398

398 Tiffany & Co. Sapphire Bangle Bracelet 18k yellow gold, the hinged bracelet mounted with round sapphire cabochons weighing approximately 2.00 carats in total, stamped “TIFFANY & CO.”. inside circumference 6-1/2”, total weight 23.4 garms $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

399

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 399 Pair of Sapphire and Diamond Earrings

400 Sapphire and Diamond Bracelet

14k yellow gold, the earrings mounted with oval-cut sapphires weighing approximately 2.00 carats in total, surrounded by round brilliant-cut diamonds weighing approximately 1.80 carats in total. l. 3/4”, total weight 7.6 grams

18k yellow gold, the bracelet mounted with round-cut sapphires weighing approximately 2.24 carats in total and round brilliant-cut diamonds weighing approximately 2.24 carats in total. l. 7”, total weight 19.3 grams

$4,000-$7,000

$2,500-$4,000

400

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401 Pair of Sapphire and Diamond Earrings 18k white gold, the earrings mounted with pear-cut sapphires weighing approximately 0.85 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.51 carats in total. l. 5/8”, total weight 3.0 grams $1,500-$2,500 402 Sapphire and Diamond Bracelet 14k white gold, the bracelet mounted with oval-cut sapphires weighing approximately 3.40 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.52 carats in total. l. 7”, total weight 6.8 grams

401

$2,500-$4,000

402

403 Sapphire and Diamond Ring 14k white gold, the ring mounted with oval-cut sapphires weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.15 carats in total. size 7, total weight 3.9 grams $1,800-$2,500

403

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404 Aquamarine and Diamond Ring 18k white gold, the ring mounted with an oval-cut aquamarine weighing approximately 1.78 carats, accented by round brilliant-cut diamonds weighing approximately 0.44 carats in total. size 7, total weight 3.5 grams $1,500-$2,500 405 Aquamarine and Diamond Bracelet 18k white gold, the bracelet mounted with pear-, marquiseand rectangular-cut aquamarines weighing approximately 7.38 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 6-1/2”, total weight 15.2 grams

404

$6,000-$9,000

405

406 Carved Aquamarine and Diamond Leaf Brooch 14k yellow gold/sterling silver, the brooch mounted with a freeform carved aquamarine weighing approximately 36.30 carats, accented by round brilliant-cut diamonds weighing approximately 1.50 carats in total. size 1-1/4” x 2-3/4”, total weight 14.6 grams $2,000-$4,000

406

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407 Ilias Lalaounis Gold Brooch 18k yellow gold, the braided brooch in a knot design, stamped “ilias LALAoUNIS 750”. size 5/8” x 2-5/8”, total weight 12.4 grams $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

408 Tiffany & Co. Buckle Bracelet 18k yellow gold, the bracelet with a buckle-style clasp, stamped “T & Co. 750”. l. 7-1/8”, total weight 26.3 grams $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 407

408

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409 Greek Gold Necklace 18k yellow gold, the necklace composed of a braided tube. l. 15-1/2”, total weight 89.5 grams $7,000-$10,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

409

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410

410 Chrysoprase Ring

411 Tiffany & Co. Schlumberger Ear Clips

18k yellow gold, the ring mounted with an 8.00mm round chrysoprase, in a twisted gold ring shank. size 6-1/4, total weight 13.6 grams

18k yellow gold, the rope-twist ear clips stamped “TIFFANY & CO. SCHLUMBERGER 18K”, together with a Tiffany & Co. box. l. 1-1/4”, total weight 17.8 grams

$1,000-$1,500

$1,800-$2,500

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

411

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412

412 Turquoise and Diamond Necklace 14k white gold, the necklace mounted with round-cut turquoise cabochons weighing approximately 9.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 16”, total weight 16.1 grams $4,500-$7,000 413 Turquoise and Diamond Bracelet 14k white gold, the bracelet mounted with round turquoise cabochons weighing approximately 3.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total. l. 7”, total weight 8.4 grams $3,000-$5,000

164

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414 Tiffany & Co. Turquoise and Gold Necklace 18k yellow gold, the necklace composed of twisted strands of turquoise and gold beads, stamped “TIFFANY”. l. 17”, total weight 38.8 grams $900-$1,200 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

414

165

415 Convertible Emerald and Diamond Tassel Necklace 18k white gold, the removable tassel pendant composed of multiple strands of emerald roundels and a pear-shaped emerald, accented by round brilliant-cut diamonds, l. 4-1/4”, suspended from a 30” white gold chain mounted with round-cut emeralds and round brilliant-cut diamonds, with an approximate total emerald weight of 89.56 carats and an approximate total diamond weight of 2.40 carats. total weight 30.8 grams $6,000-$9,000

415

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416

416 Pair of Emerald and Diamond Tassel Earrings 18k white gold, the earrings mounted with cabochon-, roundand roundel-cut emeralds weighing approximately 85.18 carats in total, accented by round brilliant-cut and rose-cut diamonds weighing approximately 2.63 carats in total. l. 3”, total weight 25.5 grams $7,000-$10,000

167

417 Beautiful Emerald and Diamond Ring 14k white gold, the ring mounted with a square-cut emerald weighing approximately 3.50 carats, flanked on either side by a trillion-cut diamond weighing approximately 3.00 carats in total, and accented on the shank by round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 4, total weight 11.6 grams $14,000-$18,000

418 Beautiful Emerald and Diamond Bracelet

417

14k white gold, the bracelet mounted with roundcut emeralds weighing approximately 6.10 carats in total and round brilliant-cut diamonds weighing approximately 6.50 carats in total. l. 7”, total weight 21.9 grams $12,000-$18,000

418

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419 Pair of Emerald and Diamond Earrings

420 Stunning Emerald and Diamond Ring

14k white gold, the earrings mounted with oval-cut emeralds weighing approximately 3.65 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 1/2”, total weight 3.6 grams

18k white gold, the ring mounted with a square-cut emerald weighing approximately 7.69 carats, accented by round brilliant-cut diamonds on the top, gallery, shank and underside of the ring, with an approximate total weight of 2.26 carats. size 7, total weight 9.9 grams

$1,800-$2,500 $7,000-$10,000

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421 Articulated Tsavorite Garnet and Diamond Brooch 14k yellow gold/sterling silver, the brooch mounted with dangling tsavorite garnet drops weighing approximately 21.63 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 4.05 carats in total. size 2-1/4” x 3-1/4”, total weight 20.3 grams $3,000-$5,000 422 Pair of Emerald and Diamond Earrings 14k white gold, the earrings mounted with emerald-cut emeralds weighing approximately 2.54 carats in total, accented by baguette-cut, shield-cut and half-moon-cut diamonds weighing approximately 2.60 carats in total. l. 1-3/8”, total weight 5.1 grams $7,000-$10,000 423 Pair of Emerald and Diamond Huggies 14k white gold, the huggies mounted with square-cut emeralds weighing approximately 0.90 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. l. 5/8”, total weight 4.4 grams 421

$1,800-$2,500

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424 Diamond Stretch Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 2.70 carats in total. adjustable inside circumference 6-1/2” to 8”, total weight 15.4 grams $3,000-$5,000 425 Pair of Diamond Dangle Earrings 18k white gold, the earrings mounted with oval-, emerald-, pear- and marquise-cut diamonds weighing approximately 1.70 carats in total. l. 2”, total weight 4.5 grams $3,000-$5,000 426 Diamond Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 2.25 carats in total. l. 7”, total weight 10.5 grams 425

$4,000-$7,000

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427 Opera Length Pearl Necklace the necklace composed of white cultured pearls with a good luster, measuring approximately 12.50mm to 13.00mm. l. 32”, total weight 165.9 grams $1,500-$2,500

428 Diamond and Pearl Necklace 14k yellow gold, the necklace composed of white cultured pearls with a very good luster, measuring approximately 13.30mm to 13.80mm, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.14 carats in total. l. 17”, total weight 99.4 grams $2,500-$4,000

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429 Diamond and Pearl Brooch 14k yellow gold/sterling silver, the brooch mounted with cream-colored cultured pearls measuring approximately 11.00mm in diameter, accented by round brilliant-cut diamonds weighing approximately 1.62 carats in total. size 1-1/4” x 2-1/8”, total weight 11.4 grams $1,800-$2,500 430 Tiffany & Co. Paloma Picasso Diamond Quartz Watch 18k white gold, the watch mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.40 carats in total, stamped on the back “Paloma Picasso for TIFFANY & Co.”, with a black lizard-skin strap, l. 6” to 7-1/4”, together with a Tiffany & Co. box. total weight 15.2 grams $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 430

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431 Tourmaline, Tanzanite and Diamond Flower Brooch 14k yellow gold/sterling silver, the brooch mounted with a pear-cut tourmaline weighing approximately 3.12 carats, and a pear-cut tanzanite weighing approximately 2.10 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 3.57 carats in total. size 1-3/4” x 2”, total weight 9.8 grams $2,500-$4,000 432 Tanzanite, Diamond and Ruby Brooch 14k yellow gold/sterling silver, the brooch mounted with a cabochon-cut tanzanite weighing approximately 5.77 carats, accented by round brilliant-cut diamonds weighing approximately 2.10 carats in total and square-cut rubies weighing approximately 3.31 carats in total. size 1” x 2”, total weight 14.0 grams

431

$2,500-$4,000

432

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433 Gem-Set Necklace 18k yellow gold, the necklace mounted with oval-cut citrines, garnets, amethysts and topaz weighing approximately 12.00 carats in total. l. 28”, total weight 17.6 grams $1,800-$2,500 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 434 Gem-Set Bracelet 18k yellow gold, the bracelet mounted with ovalcut garnets, tourmalines and topaz weighing approximately 3.00 carats in total. l. 7”, total weight 9.7 grams $700-$1,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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435 Gem-Set Bracelet 18k yellow gold, the octagonal-link gold bracelet mounted with a variety of emerald-cut stones, including two citrines, an amethyst, a peridot, a garnet, a morganite and a topaz, weighing approximately 32.50 carats in total. inside circumference 6-5/8”, total weight 33.1 grams $2,000-$4,000 436 Custom-Made Stick Pin Brooch 14k/10k yellow gold, the brooch composed of various stick pins mounted with seed pearls and assorted stones, including diamonds, citrines, a peridot, a ruby and an opal, weighing approximately 2.65 carats in total. size 2-1/8” x 2-5/8”, total weight 22.9 grams $1,400-$1,800

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437 “Magic Wand” Pendant Necklace the 18k yellow gold “magic wand” pendant mounted with a flat disc-shaped carnelian and a round brilliantcut diamond weighing approximately 0.08 carats, l. 4”, suspended from a 14k yellow gold 2.90mm rope chain, l. 26”. total weight 32.1 grams $1,200-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

437

438 Tiffany and Co. Coral and Diamond Ring 18k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.20 carats in total, accented by coral, stamped “TIFFANY”, with a blue Tiffany & Co. bag. size 6-1/2, total weight 8.4 $1,400-$1,800 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

438

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439 David Webb Enamel Frog Brooch 18k yellow gold, the brooch in the form of a frog with oval ruby cabochon eyes weighing approximately 0.20 carats in total, stamped “WEBB 18K”. size 1/2” x 1”, total weight 11.7 grams $2,000-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

439

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 440 David Webb Cuff Bracelet 18k yellow gold, the hinged bracelet stamped “WEBB 18K”. inside circumference 6”, total weight 39.6 grams $3,000-$5,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund.

440

441 David Webb Snake Ring 18k yellow gold, the ring in the form of a snake, the eyes mounted with oval ruby cabochons weighing approximately 0.15 carats in total, stamped “WEBB 18K”. size 6, total weight 15.8 grams $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 441

442 Zolotas Gold Bracelet 22k yellow gold, the hinged cuff bracelet terminating in two ram’s heads, stamped “ZOLOTAS”. inside circumference 7”, total weight 31.7 grams $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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443 Tiffany & Co. Gold Knot Necklace 18k yellow gold, the necklace composed of knotted links, stamped “TIFFANY & CO. 750”. l. 15”, total weight 51.1 grams $4,500-$7,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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444 Tiffany & Co. Schlumberger Diamond “X” Ring 18k yellow gold/platinum, the ring mounted with round brilliant-cut diamonds weighing approximately 0.56 carats in total, stamped “TIFFANY & CO. SCHLUMBERGER STUDIOS 750 PT950”, together with a Tiffany & Co. box. size 4-3/4, total weight 10.7 grams $2,500-$4,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund. 445 Tiffany & Co. Schlumberger Diamond “X” Ear Clips

444

18k yellow gold/platinum, the ear clips mounted with round brilliant-cut diamonds weighing approximately 0.66 carats in total, stamped “TIFFANY & CO. SCHLUMBERGER STUDIOS AU950 PT950”, together with a Tiffany & Co. box. l. 7/8”, total weight 17.1 grams $3,000-$5,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

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446 Pair of Diamond Earrings 14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 5/8”, total weight 2.3 grams $1,500-$2,500

446

447 Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. size 6, total weight 2.7 grams $1,500-$2,500 447

448 Pair of Diamond Hoop Earrings 18k yellow gold, the octagonal-shaped inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 1.53 carats in total. l. 1-1/4”, total weight 5.5 grams $1,800-$2,500

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449 Tiffany & Co. Schlumberger Diamond Ring 18k yellow gold, the ring in the form of a band of leaves, mounted with round brilliant-cut diamonds weighing approximately 1.36 carats in total, stamped “TIFFANY & CO. 18K SCHLUMBERGER”, together with a Tiffany & Co. blue pouch. size 7, total weight 9.7 grams $4,000-$7,000 Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas. Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

449

450

450 Diamond Bangle Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. inside circumference 6-1/2”, total weight 4.8 grams $1,500-$2,500 451 Tiffany & Co. Gold Ear Clips 18k yellow gold, the ear clips in the form of a cluster of leaves, stamped “TIFFANY & CO. ITALY 18K”. l. 7/8”, total weight 12.5 grams $1,400-$1,800

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452 Diamond Band 18k yellow gold, in the form of stacked bands, mounted with round brilliant-cut diamonds weighing approximately 0.90 carats in total. size 6-3/4, total weight 6.8 gams $1,000-$1,500 452

453

453 Two Diamond Bangle Bracelets 14k yellow gold, the bracelets mounted with round brilliantcut diamonds weighing approximately 0.80 carats in total. inside circumference 6-1/2”, total weight 9.0 grams $3,500-$5,000 454 Pair of Tiffany & Co. Diamond Huggies 18k yellow gold, the huggies mounted with round brilliantcut diamonds weighing approximately 0.32 carats in total, stamped “TIFFANY & CO. 950 PT950”, together with a blue Tiffany & Co. pouch. l. 3/4”, total weight 17.1 grams $1,500-$2,500

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455 Diamond Bangle Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.65 carats in total. inside circumference 6-3/4”, total weight 6.0 grams $2,000-$4,000 456 Adjustable Gold Snake Lariat Necklace 14k yellow gold, the 3.40mm chain finished with a gold tail and head, the hinged head opening to allow for adjustments in the length. l. 14” to 20”, total weight 15.0 grams $2,500-$4,000

456

457 Pair of French Sunflower Ear Clips 457

18k yellow gold, the flower-form ear clips with French hallmarks. l. 1-1/8”, total weight 15.6 grams $1,400-$1,800

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458 458 detail

458 Reed & Barton “French Renaissance” Sterling Silver Flatware Set designed in 1941 by George Logan Turner (1874-1951), Taunton, Massachusetts, including two dozen five-piece luncheon settings, with a dozen each dinner forks, dinner knives and butter spreaders (ten pieces lacking), with an additional twenty-nine place pieces and eight serving pieces, no monograms. (183 pieces total) 189.19 total t. oz. (weighable silver)

459 Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including eight four-piece place settings with an additional twenty-four place pieces, nineteen serving pieces and five baby/youth pieces, no monograms (except the youth pieces), presented in a fitted, Pacific cloth-lined drawer insert with zippered snap top, 3” x 17” x 13”. (80 pieces plus case) 83.70 total t. oz. (weighable silver) $3,500-$5,000

$7,000-$10,000 Detailed list of pieces available on request. Detailed list of pieces available on request.

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460 Reed & Barton “Burgundy” Sterling Silver Tea Set the pattern introduced in 1949, Taunton, Massachusetts, including: a coffeepot, h. 9”, l. 10-1/4”; a teapot, h. 6-1/2”, l. 10-1/2”; a covered sugar bowl, h. 5-3/4”, w. 8-1/2”; a cream jug, h. 5”, l. 5-3/4”; and a waste bowl, h. 3-1/4”, l. 5-1/4”. 103.69 total t. oz. $5,000-$8,000

460 detail

461 Reed & Barton “Francis I” Sterling Silver Sandwich Plate the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts. dia. 11-1/2”; 16.74 t. oz. $800-$1,000

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462 Gorham “Strasbourg” Sterling Silver Luncheon Set

463 Gorham Sterling Silver Bread Tray

designed in 1897 by William Christmas Codman (1839-1921), Providence, Rhode Island, including a dozen five-piece place settings (four pieces lacking) with an additional seventeen place pieces and twelve serving pieces, no monograms, presented in a fitted, Pacific cloth-lined drawer insert with zip/snap lid, 2-3/4” x 18-3/8” x 11”. (85 pieces plus case) 91.18 total t. oz. (weighable silver)

first quarter 20th century, Providence, Rhode Island, of oval form, the embossed openwork rim decorated with roses and whiplash lines, monogrammed “EAS”. l. 17”, w. 10-5/8”; 26.37 t. oz. $1,000-$1,500

$3,500-$5,000 Detailed list of pieces available on request.

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464 Gorham Sterling Silver Fruit Bowl 1892, Providence, Rhode Island, of elongated and rounded hexagonal form, the rim deeply everted and decorated with repousse floral bouquets and acanthus fronds, with applied shaped rocaille rim. l. 12-1/4”, w. 9”; 21.84 t. oz. $900-$1,200 465 Gorham “Buttercup” Sterling Silver Flatware Set the pattern introduced in 1899, Providence, Rhode Island, including a dozen seven-piece place settings (seven pieces lacking) with an additional dozen teaspoons, fourteen place pieces and thirty-two serving/specialty pieces, no monograms, presented in a fitted, Pacific cloth-lined wood case, 7-1/4” x 17-1/2” x 12”. (135 pieces plus case) 123.25 total t. oz. (weighable silver)

464

$5,000-$8,000 Detailed list of pieces available on request.

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466 Gorham Sterling Silver Tea Set 1888-1890, Providence, Rhode Island, including: a teapot, h. 5”, dia. 5”, l. 9”; a covered sugar bowl, h. 5-1/8”, dia. 4-1/2”, w. 7-1/2”; and a cream jug, h. 3-3/8”, dia. 4”, l. 6-1/4”; each with an oblate spherical body decorated with a gadrooned collar and shell-crested handle(s), the teapot with “gooseneck” spout, with spiral-gadrooned domed lids, monogrammed “P.A.”. 37.68 total t. oz. $1,800-$2,500 467 Gorham “Chantilly” Sterling Silver Luncheon Set the pattern designed in 1895 by William Christmas Codman (18391921), Providence, Rhode Island, including a dozen five-piece luncheon settings with eleven serving pieces, no monograms. (71pieces total) 70.8 total t. oz. (weighable silver) 466 details

$3,000-$5,000 Detailed list of pieces available on request.

467 467 detail

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468 Gorham “Chantilly-Duchess” Sterling Silver Vegetable Bowl 1957, Providence, Rhode Island, after an 1895 flatware design by William Christmas Codman (1839-1921), monogrammed “CPP”. dia. 10-1/2”; 13.95 t. oz.

469 Gorham “Chantilly” Sterling Silver Luncheon Set the pattern designed in 1895 by William Christmas Codman (1839-1921), Providence, Rhode Island, including eight sixpiece luncheon settings with an additional eight teaspoons and three serving pieces, no monograms. (59 pieces total) 52.31 total t. oz. (weighable silver)

$700-$1,000 $2,000-$4,000

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470 Gorham “Chantilly-Duchess” Sterling Silver Compote Providence, Rhode Island, after an 1895 flatware design by William Christmas Codman (1839-1921). h. 4-1/2”, dia. 10-1/2”; weighted $500-$800 471 Set of Eight Gorham Sterling Silver Water Goblets mid-20th century, Providence, Rhode Island, pattern 272, with bell-shaped body and trumpeting stem, monogrammed “MRB”. h. 6-1/2”, dia. 3-1/4”; 46.90 total t. oz. $2,000-$4,000 472 Set of Eight Gorham Sterling Silver Water Goblets

470

mid-20th century, Providence, Rhode Island, pattern 513, with long bell-shaped body and trumpeting stem, no monograms. h. 6-3/4”, dia. 3-1/2”; 47.24 total t. oz. $2,000-$4,000

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473 Tiffany & Co. Sterling Silver Salver the pattern introduced in 1893, this example first half 20th century, New York, New York, circular with molded rim, no monograms. dia. 13”; 30.42 t. oz. $1,400-$1,800 474 Tiffany & Co. Sterling Silver Demitasse Set the pattern introduced in 1915, this set dated 1925, New York, New York, including: a demitasse coffeepot, h. 8-3/4”, l. 6”; an open sugar bowl, h. 2”, w. 4-1/4”; a cream jug, h. 2”, l. 3-1/4”; and a circular tray, dia. 11”; the plain bodies with slightly waisted necks, all with applied emblem of the United States Military Academy (West Point) Class of 1925 and engraved “ERL - RET / August 15 / 1925”. 44.32 total t. oz.

473

$2,000-$4,000 475 Tiffany & Co. Sterling Silver Water Pitcher the pattern introduced in 1923, New York, New York, the ovoid body with waisted collar, short curved spout and angled handle, decorated with incised threading, monogrammed “HBR”. h. 7-1/4”, l. 7-3/4”, dia. 5-1/2”; 28.90 t. oz. $1,400-$1,800

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476 Tiffany & Co. Art Deco Sterling Silver Center Bowl the pattern introduced in 1925, New York, New York, the paneled bowl with molded rim and decorated with a band of acid-etched foliate panels, raised on a pedestal foot decorated en suite, the center of the bowl interior monogrammed “TH”, conjoined. h. 5-1/2”, dia. 10-1/4”; 26.27 t. oz. $1,200-$1,800 477 Set of Eight Cartier Sterling Silver Cordials late 20th century, New York, New York, each with a bucket-form bowl above a waisted stem with integral foot, together with the original red and gilt-stamped Cartier box (dividers lacking). h. 5”, dia. 2-3/8”; 30.20 total t. oz.; box 8-1/4” x 13-1/2” x 9-1/4”

476

$1,400-$1,800

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478 Early American Tiger Maple Tall Case Clock ca. 1800, Philadelphia, the hood with a swan’s-neck pediment set with inlaid roundels, the case with lamb’s-tongue chamfered corners, the thumb-molded door with a serpentine crest, raised on French feet, the moon phase dial set with a calendar and raised gilt corner spandrels. h. 86-1/2”, w. 20-1/2”, d. 11-1/2” $1,200-$1,800 479 American Classical Mahogany Window Seat first quarter 19th century, school of Duncan Phyfe, New York, with a padded seat and ends, the crest rails and front seat apron with carved and crossed flaming torches, raised on reeded klismos-form legs ending in brass toes with casters. h. 29”, w. 56”, d. 20” $3,000-$5,000 A near identical window seat sold in these rooms, October 15, 2023, lot 532.

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480 George Henry Clements (American/Louisiana, 1854-1935) “Bucking Horse” watercolor and ink pencil-signed lower left. Matted, glazed and framed. sight 8-1/2” x 7-1/4”, framed 16-1/2” x 15” $1,000-$1,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. When George Henry Clements’ father died in a hunting accident on his California ranch, his mother moved with her sons to New Orleans and reunited with her Toledano family. The Toledano family owned a plantation near Opelousas, and as a child, Clements became aware of inequalities of plantation life. He shared with his friend and writer, George W. Cable, an appreciation for Louisiana’s creole culture and an ardent opposition to the oppressive Jim Crow and segregation laws of the south. An acclaimed painter, Clement traveled widely and found the portability of the watercolor advantageous in capturing moments in time. 480

481 George Henry Clements (American/Louisiana, 1854-1935) “Street Vendors and Little Girl, Charleston” watercolor and graphite unsigned. Matted, glazed and framed. sight 7” x 10”, framed 14-1/2” x 17-1/2” $1,000-$1,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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482 Early American Mahogany Slant-lid Desk 18th century, New England, the highly figured single-board drop-front lid opening to a fitted interior with a row of small drawers over a row of cubbies, above four graduated long drawers, raised on bracket feet. h. 41”, w. 35-1/2”, d. 21” $800-$1,200

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483

483 Fine American Late Classical Mahogany Games Table second quarter 19th century, New York, the highly figured top with a banded edge opening to a scenic paper-lined interior, supported by a tapered cylindrical pedestal to a shaped plinth and turned legs. h. 30”, w. 37”, d. 18”, ext. l. 36” $1,200-$1,800

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484 Southern Mahogany and Leather Campeche Chair first half 20th century, of sling form with shaped arms supported by turned posts, raised on inverted U-form legs joined by turned stretchers. h. 39”, seat h. 15-1/52”, w. 28”, d. 36” $1,000-$1,500

484

485 Early Sheraton Inlaid Cherrywood Chest on Stand early 19th century, probably Southern, the case with an inlaid star on the top and sides, mounted to a conforming base fitted with a single drawer with an exuberant scalloped apron, raised on turned legs. h. 32-1/2”, w. 34”, d. 19” $1,500-$2,500

485

486 Late Federal Southern Inlaid Walnut Chest early 19th century, probably Norfolk, Virginia, the rectangular top with a beaded undermolding over four graduated long drawers with line-inlaid borders, the turned knobs with inlaid mariner’s compass stars, raised on beehive-turned legs. h. 45”, w. 42”, d. 20” $1,000-$1,500

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487 Rolland Harve Golden (American/Louisiana, 1931-2019) “A Walk in the French Quarter”, 1964 watercolor on paper signed and dated lower left. Matted, glazed and framed. sheet 22” x 30”, framed 29” x 37” $1,000-$1,500 Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

487

488 Mary Louise Jordan Liddell Hemenway (American/Louisiana, 1893-1970, act. Newcomb College, 1908-15, 1922-25) “Mission San Juan Capistrano” oil on canvas affixed to board signed lower left. Framed. 18” x 24”, framed 22” x 28” $2,500-$4,000

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489 Knute Heldner (Swedish/Louisiana, 1875/77-1952) “Southern Tranquility (Preservation Hall Courtyard)”, ca. 1940s oil on canvas signed lower left. Framed. 30” x 24”, framed 33-1/2” x 27-1/2” $3,000-$5,000

The building at 726 St. Peter Street has an interesting history. It was constructed in 1817 by the Guillot family after a tavern that once stood there had been burned to the ground in a fire. The house was purchased a year later by a free woman of color named Madame Agathe Fanchon. The distinctive architectural features of the building included a portecochere (carriage entrance) and a rear courtyard. By the 1940s, the French Quarter had enticed a bohemian group of writers, artists, photographers, and musicians, who were all attracted by the inexpensive rent, faded architecture, and colorful atmosphere. Knute Heldner became an active member of what is now referred to as the French Quarter Renaissance. Heldner became well acquainted with the building’s courtyard where the photographer Pops Whitesell maintained a studio home in the building. In the 1950s, Larry Borenstein opened his Associated Artists Gallery in the building which eventually was transformed into Preservation Hall by Allan and Sandra Jaffe. The Johnson Collection of Southern Art in Spartanburg, South Carolina has a similar painting by Heldner of 726 St. Peter Street courtyard.

200

490 Rolland Harve Golden (American/Louisiana, 1931-2019) “Docked Shrimp Boats”, 1961 watercolor on paper signed and dated lower left. Matted, glazed and framed. sight 20-1/2” x 28-1/2”, framed 28” x 37” $1,000-$1,500 Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

490

491 Knute Heldner (Swedish/Louisiana, 1875/77-1952) “The Bridge”, 1925 watercolor and pencil on paper pencil-signed and dated lower left. Matted, glazed and framed. 9” x 12”, framed 17-1/2” x 20-1/4” $800-$1,200 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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492 Rare Pair of Cornelius Cast-Metal Gas Sconces 19th century, Philadelphia, the adjustable swivel sconces molded with dolphins and winged serpents with eagle heads, the wall mounts fitted with Cornelius gas keys, unelectrified, set with period cut-glass shades. h. 8”, w. 9-3/4”, d. 4-1/4” $1,200-$1,800

493 American Rococo Revival Carved Oak Secretary third quarter 19th century, attributed to Mitchell and Rammelsberg, Cincinnati, Ohio, the upper case with a crest over a pair of doors with pierced and carved grillework panels, the lower case with a marble deck over a serpentine drawer, opening to a writing slide and two doors below. h. 98”, w. 45-1/2”, d. 21-1/2”

492

$2,500-$4,000

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494 Rare American Renaissance Revival Figured Walnut and Marble-Top Dresser third quarter 19th century, bearing the stenciled label of “John Meeks & Son / Manufacturers / 333 & 335 Fourth St. / New York”, the case with a conforming white marble top and fitted with three graduated long drawers, above a secret drawer concealed in the baseboard. h. 31”, w. 48”, d. 22” $1,000-$1,500 495 Chester Fields (American, b. 1945) “Attack”, 1980

495

patinated bronze the eagle with a silver-gilt neck and tail, patinated-bronze wings and black talons, supported on chrome waves, stamped signature, dated 1980, numbered "67/75" and with copyright mark along self-base, on a molded brown and white marble base. h. 36”, w. 39-1/2”, d. 20” $15,000-$25,000

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496 Extensive Italian Renaissance Revival Walnut Dining Room Suite late 19th century, in the manner of R.J. Horner, New York, comprised of a large sideboard, h. 97”, w. 72”, d. 26”, a server, h. 75”, w. 55”, d. 26”, a round extension dining table with one 20” leaf, h. 33”, dia. 55-1/2”, ext. l. 75-1/2” (extending to 148”), and twelve chairs, including two armchairs, h. 53”, seat h. 21”, w. 24”, d. 25”, and ten side chairs, h. 48”, seat h. 21”, w. 19”, d. 18”, the case pieces heavily carved with winged griffins, man-of-themountain figures and panels of frolicking putti. $5,000-$8,000 Provenance: Charles and Lydia Wagner, 4834 St. Charles Avenue, New Orleans, Louisiana, 1900-1947; Wiltz Wagner, 18 Rosa Park, New Orleans, Louisiana, 1947-2005; Wiltz Wagner, Jr., Fairhope, Alabama, 2005 to present. 496

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497 Patinated-Metal Gas Newel Post Lamp late 19th century, in the form of a dancing woman and a putto standing on bagpipes, with a period cut-glass shade, electrified and now on an ebonized base. h. 29”, w. 7-3/4”, d. 6-1/2” $1,000-$1,500 498 Silk Tabriz Carpet 6’ 9” x 8’ 11” $1,500-$2,500 Provenance: Parvizian and Sons, Washington, D.C. and Houston, Texas; Michael Dale Interiors, Houston, Texas. 499 Manner of Thomas Sully (American, 1783-1872) “Mother and Child” oil on canvas unsigned. Framed. 25” x 30”, framed 32-1/2” x 37-1/2” $3,000-$5,000

498 497

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500 Pair of American Sterling Silver Compotes second quarter 20th century, by Graff, Washbourne & Dunn, New York, New York, for J.E. Caldwell & Co., Philadelphia, Pennsylvania, each of shaped circular form with an everted pierced scrolling rim with applied rococo scroll edges, raised on a pedestal foot with edge en suite. h. 3-1/2”, dia. 8-1/2”; 26.66 total t. oz. $1,200-$1,800 501 Pair of American Sterling Silver Casters second quarter 20th century, Marshall Field & Co., Chicago, Illinois, each of baluster form, decorated with four embossed panels of rococo scrolls above a vignette of cavorting putti, with flattened spherical cap. h. 4-1/4”, dia. 2-1/2”; 8.85 total t. oz.

501

$400-$700 502 Pair of Marshall Field & Co. Sterling Silver Candlesticks second quarter 20th century, Chicago, Illinois, in the rococo taste, each with a baluster standard above a domed hexagonal foot and surmounted by a vasiform nozzle fitted with a detachable bobeche en suite with the base, the whole decorated with embossed rococo scrolls, cavorting putti, cherubs and flowers. h. 12-1/8”, dia. 5-1/2”; 39.10 total t. oz. $2,000-$4,000

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503 American Sterling Silver Vanity Mirror first quarter 20th century, Dominick & Haff, New York, New York, the rounded rectangular frame embossed with openwork flowers and birds among scrolls, with rococo scroll crest, fitted with a conforming beveled mirrored plate and conforming velvet-covered easel back, monogrammed “BF”. 21-3/4” x 13-1/4” $1,000-$1,500 504 American Sterling Silver Art Nouveau Vanity Mirror first quarter 20th century, Dominick & Haff, New York, New York, of sinuous-shaped rectangular form, embossed with poppies and whiplash lines, fitted with a mirrored plate and conforming velvet-covered easel back, monogrammed “CRS”. 18-1/2” x 13” $1,000-$1,500 503

504

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505 American Sterling Silver Vase early 20th century, Mauser Mfg. Co., New York, New York, the conical vase decorated with embossed openwork roses and rococo scrolls, with a gauffered rim and domed circular base, fitted with a silverplated copper insert, monogrammed “PWA”. h. 13-1/8”, dia. 5-7/8”; 12.06 t. oz. (excluding insert) $800-$1,200 505

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506 Large Sterling Silver Flower Bowl 1903-1905, Baltimore Silversmiths, Baltimore, Maryland, the circular bowl with deeply everted rim pierced and decorated with embossed and chased grapevines on a scroll ground, with applied edge and raised on a squat pedestal foot with repousse decoration en suite, monogrammed “EAS”, fitted with the original copper wire frog. h. 4-1/2”, dia. 15”; 45.35 t. oz. (excluding frog) $1,800-$2,500 507 Six S. Kirk & Son Sterling Silver Wine Bottle Coasters second quarter 20th century, Baltimore, Maryland, each circular coaster with everted rim decorated with repousse flowers. dia. 6-1/4”; 28.16 total t. oz. $1,200-$1,800 508 S. Kirk & Son Sterling Silver Platter first quarter 20th century, Baltimore, Maryland, of oval form with reeded rim, no monograms. l. 19”, w. 13-3/4”; 56.94 t. oz. $2,500-$4,000

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509 Colonial Williamsburg Reproduction Sterling Silver Compote mid-20th century, Stieff Co., Baltimore, Maryland, after the mid-18th-century original by Jacob Hurd (Boston, 1703-1758), circular with molded rim and flared pedestal base. h. 3-1/8”, dia. 8-1/2”; 13.16 t. oz.

509

$600-$900

510 Set of Eight Stieff Sterling Silver Beakers third quarter 20th century, Baltimore, Maryland, of plain tapering cylindrical form, monogrammed “K”, six engraved on the underside with Christmas presentation inscription dated 1960 to 1968. h. 5”, dia. 3”; 42.77 total t. oz.

510

$2,000-$4,000

511 American Sterling Silver Water Pitcher first quarter 20th century, Heer-Schofield Co., Baltimore, Maryland, the ovoid body with waisted collar spout, crested handle and raised on a molded foot ring, monogrammed “S”. h. 10”, l. 9-3/4”, dia. 6-1/4”; 28.19 t. oz. $1,200-$1,800

512 Set of Four Sterling Silver Mint Julep Cups

511

fourth quarter 20th century, retailed by W. Bell & Co., Rockville, Maryland, each of traditional tapering cylindrical form with reeded rim and base, no monograms. h. 3-3/4”, dia. 2-3/4”; 15.93 total t. oz. $800-$1,200

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513 Rare American Federal Mahogany Pembroke Table attributed to Levin Tarr, Baltimore, Maryland, ca. 1800, the oval drop-leaf table with double lines of inlay on the top, the edges with double scratch beading, the legs with crossbanded ovals over graduated bellflowers, terminating in spade feet cut from the whole, the leaves supported by oak fly rails attached to the yellow pine frame, the top attached with multiple small glue blocks, several lacking. h. 28-1/2”, w. 19-3/4”, ext. w. 43”, d. 33-1/2” $8,000-$12,000 A closely related table is in the collection of The Museum of Early Southern Decorative Arts, Winston-Salem, North Carolina. 514

514 John McCrady (American/Mississippi, 1911-1968) “Oxford Square: Court House and Silent Sentinel Sculpture” pencil on paper signed lower right. Unframed. sheet 13” x 18” $2,000-$4,000 Provenance: Estate of John McCrady, Louisiana; Downtown Gallery, Naomi Marshall, New Orleans, Louisiana.

“But above all, the courthouse: the center, the focus, the hub; sitting looming in the center of the county’s circumference like a single cloud in its ring of horizon, laying its vast shadow to the uttermost rim of horizon; musing, brooding, symbolic and ponderable, tall as cloud, solid as rock, dominating all: protector of the weak, judicate and curb of passions and lusts, repository and guardian of the aspirations and the hopes.” -William Faulkner In the chapter “The Courthouse” of his book Requiem for a Nun, Faulkner wrote: “The Lafayette County Courthouse on Oxford Square was burned to the ground during the Civil War by Union troops under the direction of General Andrew Jackson Smith. Rebuilt in 1872, the three-story story building, a mix of Greek Revival and Italianate styles, was designed by Spires Boling of the architectural firm of Willis, Sloan and Trigg.” Both William Faulkner and John McCrady were raised in Oxford and found inspiration in the city throughout their careers as they became leading figures in the mid-20th-century southern regionalism movement.

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515 John McCrady (American/Mississippi, 1911-1968) “Silent Sentinel: Confederate Soldier Sculpture at Parade Rest, Oxford Square” pencil on paper unsigned. Unframed. sheet 19-1/2” x 13-1/2” $1,200-$1,800 Provenance: Estate of John McCrady, Louisiana. In 1907, the Patriotic Daughters of Lafayette County erected the sculpture Silent Sentinel: Confederate Soldier at Parade Rest in front of Lafayette County Courthouse on Oxford Square. After the Civil War, similar sculptures of Confederate soldiers at “parade rest” with heads down, legs apart, and hands clasped together on a rifle became popular in the south, reproduced commercially and installed in various cities. The informal pose of the soldier represents readiness, introspectiveness, and mourning for fallen comrades. The Oxford Square statue was dedicated to the men of Lafayette County who fought in the Civil War.

515

In his books Requiem for a Nun and Sartoris, William Faulkner references the Oxford Courthouse and confederate soldier statue as remnants of the Lost Cause in his fictional setting of Yoknapatawpha County. John McCrady’s work is often self-referential to him personally and to his artistic process. Included in the drawing were images of the Oxford Courthouse, the devil tempting a young woman found in his Heaven Bound painting and print, and a simple rural church that he integrated into the painting To the Glory of God.

516 John McCrady (American/Mississippi, 1911-1968) “Leap Year”, ca. 1937 lithograph on paper pencil-signed, titled and numbered “ed. of 12”. Matted and unframed. image 8-1/2” x 12-1/2”, sheet 12” x 16” $1,000-$1,500 Provenance: Estate of John McCrady, Louisiana. The Irish folk custom of Leap Year permits women to propose marriage to men once every four years on February 29th. This topsy turvy notion where societal customs and norms are overturned was often presented in a humorous manner. John McCrady’s lithograph Leap Year was based on his 1937 painting and depicts a rural scene with African American women romantically coupling up with their selected man. On the left, two women with arms outstretched chase after the same man who nimbly escapes their clutches. His dogs run ahead as they watch the unusual scene. In the distance on the right, in both the painting and print, Oxford and the courthouse are visible on the distant hill.

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517 John McCrady (American/Mississippi, 1911-1968) “The Youngest Mississippi (Mississippi Family)”, 1946 lithograph on paper pencil-signed and titled lower margin. Unframed. image 9” x 13”, sheet 12-1/2” x 16” $1,000-$1,500 Provenance: Estate of John McCrady, Louisiana. Illustrated: Marshall, Keith, John McCrady, 1911-1968, New Orleans: New Orleans Museum of Art, 1975, no. 74, p. 110. When he signed and titled the lithograph, John McCrady used two titles; The Youngest Mississippi and Mississippi Family. In this print, McCrady celebrated the love, relationships, and the connection of a large southern family.

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518 Marie Atkinson Hull (American/Mississippi, 1890-1980) “Portrait of a Woman”, ca. 1920 woodblock on handmade paper pencil-signed and numbered “1/15” lower left. Matted, glazed and framed. sight 14-1/2” x 12”, framed 21” x 17” $1,200-$1,800 Throughout her career as an artist, Marie Hull continuously experimented and pushed the boundaries in terms of her handling of oil paintings, watercolors and prints. Hull felt color was integral to her work, preferring vibrant colors. In the woodcut of Portrait of a Woman, Hull took a modernist approach and employed her favorite color; she once claimed, “I like any color, as long as it is pink.” A print from this series is in the collection of the Mississippi Museum of Art, Jackson, which was a gift from her former student and fellow artist Andrew Bucci.

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519 Large Collection of Mary Kirk Kelly Ceramic Fruit 20th century, each piece signed “Mary Kirk Kelly” (American, 1918-2013), the collection including bananas, oranges, peaches, apples, strawberries, a fig and kumquats. l. 1-3/8” to 8-3/4”, d. 1-1/4” to 3” $1,400-$1,800

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520 Pair of Carved Wood Architectural Brackets third quarter 19th century, in the Neo-Grec taste, Charleston, South Carolina, each scrolled bracket carved with a masque of Diana. h. 18-1/2”, w. 12”, d. 9-1/2” $1,500-$2,500

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521 Clementine Hunter (American/Louisiana, 1886-1988)

522 Clementine Hunter (American/Louisiana, 1886-1988)

“Harvesting Gourds at the African House”

“Baptismal”

oil on board monogrammed mid right and newspaper articles about artist en verso. Framed. 16” x 24”, framed 20” x 28”

oil on board monogrammed lower right and titled and inscribed “to Laura and Abe with love, Cammie Henry, Melrose, Louisiana, March 1966; to Garrett, love Laura, 1974” en verso. Framed. 16-1/2” x 24”, framed 22” x 29-1/2”

$3,000-$5,000 $4,000-$7,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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523 Louisiana School (Mid/Late 20th Century) “Three-Panel Painted Altar of St. Louis Cathedral, New Orleans” oil and gilt on wood unsigned. closed 12” x 14”, opened 12” x 29” $800-$1,200 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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524 “Renaissance Scroll” Cast-Iron Garden Bench ca. 1900, the scrolled crest with a masque in the center, over scrolled arms and backs molded with intersecting ovals, the seat with pierced roundels, over leaf-molded cabriole legs. h. 32-3/4”, w. 44”, d. 16-3/4” $1,200-$1,800

525 Hinderer’s, New Orleans, Cast-Iron Bench late 19th century, the serpentine crest over a lattice-pierced back molded with swags of vines, set with scrolled arms and a grid-pierced seat with rococo trim, the trestle base molded with scrollwork, labeled on the rear edge of the seat, “Hinderer’s Iron Works, New Orleans, La.”. h. 33”, w. 40-1/2”, d. 20”

524

$1,200-$1,800

526 Pair of “Medallion” Pattern Cast-Iron Benches 20th century, after Coalbrookdale, each having a back with an oval plaque with Venus holding a bird, against a field of swirling vines, flowers and birds, with rope-twist trim, the slatted iron seat with brass presentation plaques, raised on hoof feet. h. 40-1/2”, w. 63-1/2”, d. 28” $1,800-$2,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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527 Set of Four Cast-Iron “Versailles” Pattern Chairs early 20th century, likely Atlanta Stove Works, the rococostyle chairs with balloon backs, pierced seats and molded cabriole legs, with an old dark green-painted surface. h. 31”, seat h. 14-1/2”, w. 15-3/4”, d. 15” $1,000-$1,500 528 Three-Piece Cast-Iron Garden Suite 20th century, including a pair of rococo-style armchairs with Gothic arched and pierced backs, scroll-pierced arms and seats, and raised on cabriole legs, h. 34-1/2”, w. 27”, d. 21”, and a table with a pierced circular top with egg-anddart trim, on a center pedestal mounted with pierced scrollwork accented with flower heads and terminating in dolphins, h. 29”, dia. 32-3/4”.

527

$1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 529 Pair of Cast-Iron Planters 19th century, the planters with serpentine edges and ogee sides molded with swags of roses, scrollwork and anthemia, raised on short cabriole feet. h 13-1/4”, w. 13-3/4”, d. 13-3/4”

528

$1,000-$1,500 530 Pair of Small Bronze Garden Urns 20th century, the egg-and-dart rims over the bodies molded with leaves and flowers, the scrolled handles molded with putti, on fluted, conical bases with rope-twist trim. h. 13”, w. 18”, d. 12-3/4”

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$1,000-$1,500 531 Cast-Iron “Rustic” Pattern Hitching Post late 19th century, in the form of a tapered stump with ivy growing around it, on a platform base, mounted with a ring. h. 46”, w. 12”, d. 12” $1,000-$1,500

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532 International “Minuet” Sterling Silver Flatware Set the pattern designed in 1925 by Harry Bowman O’Brien (1875-1950) and Alfred Grover Kintz (1885-1963), Meriden, Connecticut, including a dozen six-piece place settings, together with an additional dozen teaspoons, forty place pieces, thirteen serving pieces and three baby/youth pieces, no monograms, presented in a fitted, Pamilla cloth-lined, bookcloth-covered drawer insert with snap lid, 3-1/2” x 22-1/2” x 13”. (140 pieces plus case) 122.10 total t. oz. (weighable silver)

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$5,000-$8,000 Detailed list of pieces available on request.

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533 American Sterling Silver Tea Set mid-20th century, Dunkirk Silversmiths, Meriden, Connecticut, including: a coffeepot, h. 10”, l. 10”, dia. 5-1/4”; a teapot, h. 8-1/2”, l. 10-1/4”, dia. 5-3/4”; a covered sugar bowl, h. 7-1/4”, w. 6-3/4”, dia. 4-1/2”; a cream jug, h. 4-7/8”, l. 5-3/4”, dia. 4”; a waste bowl, h. 3-3/8”, dia. 4”; a tea tray, 21-3/4” x 13-1/8”; together with similar pieces, Mueck-Cary Co., New York, New York, including: an open sugar bowl, h. 4-1/4”, w. 5-3/4”, dia. 3-1/2”; and a cream jug, h. 4-3/8”, l. 5-1/2”, dia. 3-1/2”; with gadrooned ovoid bodies, crested handles, steeply domed gadrooned lids and pedestal feet, the tray with gadrooned rim and flat handles. 139.78 total t. oz.

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$6,000-$9,000

534 Set of Four American Sterling Silver Candlesticks 1940, Dominick & Haff, New York, New York, each with a fluted hexagonal standard above a domed foot and surmounted by a candle nozzle both en suite, with a detachable circular bobeche, all with beaded banding, monogrammed “A”. h. 9”, dia. 4-1/2”; weighted $600-$900

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535 Wallace “Grand Baroque” Sterling Silver Flatware Set the pattern designed in 1941 by William S. Warren (1888-1965), Wallingford, Connecticut, including a dozen six-piece place settings (three pieces lacking) with an additional teaspoon and six serving pieces, no monograms, presented in a handsome sarcophagus-form wood case with with lift top and single tray, 10-3/4” x 18-3/4” x 11-3/4”. (76 pieces total plus case) 84.34 total t. oz. (weighable silver)

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$3,500-$5,000 Detailed list of pieces available on request.

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536 American Sterling Silver “Revere” Bowl third quarter 20th century, Durham Silver Co., New York, New York, of traditional form, no monograms. h. 5”, dia. 9-1/2”; 25.06 t. oz. $1,000-$1,500 537 Four American Sterling Silver Vegetable Dishes mid-20th century, oval with molded rim, including one by International Sterling, 11-1/4” x 8-5/8”, one by Weidlich Bros., 10-1/4” x 8”, and a pair by Towle Silversmiths, 10-3/4” x 8-1/4”, no monograms. 43.42 total t. oz.

536

$1,800-$2,500

537

538 American Sterling Silver Fruit Bowl mid-20th century, Meriden Britannia Co., Meriden, Connecticut, of circular saucer form with molded rim and foot ring, monogrammed “EBM”. h. 3”, dia. 10”; 17.84 t. oz. $800-$1,200

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539 Wallace Sterling Silver Fruit Bowl mid-20th century, Wallingford, Connecticut, of shallow saucer form with inverted rolled rim and plain foot ring, no monograms. h. 2-1/2”, dia. 10-1/8”; 12.11 t. oz. $500-$800

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540 Mexican Sterling Silver Demitasse Set mid-20th century, maker MC for Sanborn Hermanos, Mexico City, including: a coffeepot, h. 7-3/4 “, l. 8”; an open sugar bowl, h. 3”, w. 4-1/2”; and a cream jug, h. 2-5/8”, l. 3-3/4”; each with a plain ovoid body and “blossom” handle(s), the coffeepot with cylindrical neck, “gooseneck” spout and domed lid with spherical finial. 38.60 total t. oz. $1,800-$2,500 Provenance: Private collection, New Orleans, Louisiana.

540

541 International "Royal Danish" Sterling Silver Flatware the pattern designed in 1939 by Alfred Grover Kintz (18851963), Meriden, Connecticut, including eight nine-piece place settings (one butter spreader lacking) and four place pieces, presented in a red velvet- and white satin-lined fitted wood case with lift top, 3-1/2” x 19-1/2” x 11-3/4”. (75 pieces plus case) 108.84 total t. oz. (weighable silver) $4,000-$7,000 Detailed list of pieces available on request.

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542 Wallace “Silver Swirl” Sterling Silver Flatware Set the pattern introduced in 1955, Wallingford, Connecticut, including a dozen seven-piece place settings, with an additional dozen teaspoons and four serving pieces, no monograms, presented in a fitted, Pacific cloth-lined wood case with lift top and single drawer, 8” x 16-1/2” x 14-1/4”. (100 pieces plus case) 82.71 total t. oz. (weighable silver) $3,000-$5,000 Detailed list of pieces available on request.

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543 Attributed to George David Coulon (French/Louisiana, 1822-1904) “Rocky Stream” oil on artist’s board unsigned, and partial “F.W. Devoe & Co. Academy Board, New York” label and authentication label from “W.E. Groves Gallery, New Orleans” en verso. Framed. 9” x 12-1/2”, framed 14” x 17” $800-$1,200 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 544 Alexander John Drysdale (American/Louisiana, 1870-1934) “Live Oaks” oil wash on board signed lower left. Glazed and framed. sight 9-1/2” x 19-1/2”, framed 12-1/2” x 22-1/2”

543

$3,000-$5,000

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545 Richard Clague (French/Louisiana, 1821-1873) “Choctaw Indians on Shore of Lake Pontchartrain” oil on canvas signed “R. Claque” lower left, with a New Orleans Museum of Art “Richard Clague: 1821-1873” exhibition label en verso. Framed. 14” x 20”, framed 20-3/4” x 26-3/4” $150,000-$300,000 Exhibition: “Richard Clague: 1821-1873”, New Orleans Museum of Art, 1974, and illustrated in the accompanying catalogue by Roulhac Toledano no. 50, p. 87.

Born in France and baptized at the St. Louis Cathedral in New Orleans, Richard Clague studied art in Europe, where he was introduced to the Barbizon landscape tradition. Breaking with the conservative principles of a romanticized landscape painting, the French artists of the Barbizon School embraced the natural landscape that they personally experienced. Painting en plein air Clague was adept at depicting the Louisiana bayous and capturing the atmospheric landscape. Clague was instrumental in training a younger generation of landscape painters including William Henry Buck and Marshall J. Smith, Jr., who often accompanied him on his painting expeditions to the north shore and west bank of Lake Pontchartrain. Migrating from Mississippi, Choctaw Indians moved to the north shore of Lake Pontchartrain where they established rural settlements amidst the piney woods and bayous of St. Tammany Parish. There, the Choctaw farmed, hunted, and became well known for their basketry. In the present lot Choctaw Indians on Shore of Lake Pontchartrain, Clague captured their daily life with the village and livestock grazing in the background, as well as a hunter, four women, and a child crossing a wooden bridge, with two goats drinking by the shore. The women are shown wearing traditional “pack baskets”, which were designed to comfortably and securely transport harvests, wood, and bulky items. Choctaw women primarily wove the split baskets that were used daily for the gathering, preparation, and storage of food, and sometimes sold at the French Market in New Orleans.

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546 Newton Reeve Howard (American/Louisiana, 1912-1984) “Belize” oil on canvas signed lower left. Framed. 16” x 20”, framed 19-1/8” x 23” $800-$1,200 The United Fruit Company and Port of New Orleans have been historically interconnected. New Orleans became the primary entry point for the company’s fruit trade from the Caribbean and Central America into the United States. In the early 1900s, the United Fruit Company expanded into then British Honduras (now Belize) in Central America with the importation of bananas. Newton Howard’s paintings reflect his appreciation for the natural beauty of Louisiana’s swamps and bayous, where he often traveled by pirogue to hunt and fish. Howard found the rustic coastal country of Belize intriguing and inspiring for a series of paintings.

546

547 Michael Low Crespo (American/Louisiana, 1947-2010) “Potted Fern” oil on paper initialed lower right. Glazed and framed. sight 29” x 23-1/4”, framed 30” x 24” $1,000-$1,500

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548 Allison Stewart (American/Louisiana, b. 1941) “Untitled”, 2001 oil on canvas signed lower center, and signed and dated en verso. Unframed. 40” x 40” $2,500-$4,000 549 Roland Roycraft (American/Michigan, 20th Century) “Begonias” watercolor on paper signed and dated lower right. Matted, glazed and framed. 14-1/2” x 20-3/4”, framed 24-1/4” x 30-1/4” $800-$1,200 Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

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Stephen Rascoe was a Texan through and through, born in Uvalde, raised in Corpus Christi and attended the University of Texas. After serving in the military during World War II and working as draftsman for the oil companies, he joined the faculty at the University of Texas, Arlington, where he taught for thirty years. A modernist artist who drew inspiration from the Texas landscapes, Rascoe was an active participant in the mid twentieth century Texas art community.

550 Stephen Thomas Rascoe (American/Texas, 1924-2008) “Hill Country” oil on masonite signed lower right. Framed. 32” x 24”, framed 38-1/2” x 30”

550

$2,000-$4,000

551 Stephen Thomas Rascoe (American/Texas, 1924-2008) “Untitled - Field” oil on masonite signed lower right. Framed. 42” x 48”, framed 50” x 55-1/2” $1,500-$2,500

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552

552 Tim Trapolin (American/Louisiana, b. 1945)

553 Henry Varnum Poor (American/California, 1887-1970)

“The Olive Grove - Les Beau, France”, 1991

“The Beach”, 1950

oil on canvas typewritten label with title en verso. Framed. 16” x 20”, framed 23-1/2” x 27-1/2”

pastel on paper signed “W.H. Poor” and dated lower right. Float-mounted, glazed and framed. image 8-1/2” x 12-1/2”, framed 12-1/2” x 16-1/2”

$800-$1,200

Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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554 Hans de Bruijn (Dutch, b. 1959) “Untitled”, 1998 oil on canvas signed and dated en verso. Unframed. 67” x 79” $2,500-$4,000 Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

554

555 Julia Jacquette (American, b. 1964) “Six Petit Fours”, 1994 enamel on wood panel signed, dated and titled en verso. A “Holly Solomon Gallery” label affixed to verso. Unframed. 10” x 13-1/2” x 1-1/4” $2,000-$4,000 Provenance: Holly Solomon Gallery, New York New York.

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556 Pair of Upholstered Club Chairs each with a loose back cushion and reversible seat cushion, raised on tapered square legs. h. 31”, seat h. 18”, w. 30”, d. 27” $1,000-$1,500 557 Peshawar Birds of Paradise Carpet 6’ 1” x 9’ $1,400-$1,800

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558 Fanciful Fragmentary Fish Sculpture composed of various 19th-century gilt shells, giltwood and painted scrollwork, bellflowers, swags and flower heads, on a giltwood acanthus-carved standard, mounted on a stone plinth. h. 21-1/2”, w. 34-3/4”, d. 7-1/2” $1,500-$2,500

559 Fanciful Fragmentary Sculpture of a Fish composed of various giltwood, silver-gilt and unpainted scrollwork, shells and other elements. h. 18-3/4”, w. 14-1/2”, d. 7” $1,000-$1,500

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560 Pair of Chinese Porcelain Lobed Vase Lamps decorated with plum blossoms and scrollwork, mounted on giltwood bases. h. 21-1/4”, dia. 9” $1,000-$1,500 561 Maison Jansen Gilt-Iron and Plate-Glass Coffee Table the plate-glass top set within a rectangular frame on petite tapered square legs, joined by like stretchers and ending in button feet. h. 17”, w. 40”, d. 20” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana; Sotheby’s, New York, 1993. 560

562 Pair of Gilt-Metal Topiary Urns mid-20th century, in the Hollywood Regency taste, with spherical topiaries standing on reeded campana-form urns. h. 43-1/2”, dia. 10” $1,500-$2,500

561

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563 Art Nouveau Brass Table Lamp early 20th century, the delicate pierced brass scrollwork mounts on a half-dome base molded with pomegranates, on three scrolled feet, electrified and fitted with a lampshade. h. 28”, dia. 13-3/4” $800-$1,200 564 Pair of Tall Pickled Pine Ladderback Chairs in the manner of Gio Ponti (Italian, 1891-1979), each with a splayed back and seven shaped and graduated slats, raised on slender cabriole legs. h. 51”, seat h. 18”, w. 17”, d. 16-1/2” $1,200-$1,800

563

564

565 Pair of Thai Devotees of Buddha on Stands 19th/20th century, depicting Sariputta and Moggallana, the gilt-metal kneeling figures with hands in the “Anjali Mudra” pose, h. 24-1/2”, w. 11-1/2”, d. 17”, on contemporary blackpainted pedestals, h. 34-1/2”, w. 16”, d. 18-1/2”. $3,000-$5,000 A related pair can be found in the collection of The Walters Art Museum, Baltimore, Maryland.

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566 George Bauer Dunbar (American/Louisiana, 1927-2024) “Ulysses” red clay on panel with some gold wash, incised signature lower right. h. 30”, w. 35, d. 8” $3,000-$5,000 Provenance: Galerie Simonne Stern, New Orleans, Louisiana, 1994; Private collection.

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567 Robert Gordy (American/Louisiana, 1933-1986) “Male Head”, 1984 monotype on paper from “The Faces” series, pencil-signed and dated lower right. Matted, glazed and framed. sight 22-1/2” x 19”, framed 33-1/8” x 29-1/8” $1,500-$2,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. Born in New Iberia, Louisiana, Robert Gordy received his initial art instruction as a teenager from Weeks Hall. After earning a Master of Fine Arts degree from Louisiana State University, Gordy traveled extensively before settling in New Orleans in 1964. During his lifetime he received national acclaim and exhibited at Whitney Biennial and PS1 in New York City. As Robert Gordy was confronting his diagnosis of AIDS in the mid-1980s, he moved away from his intricate labor-intensive paintings to monotype prints. His “The Faces” series monotypes proved to be a faster process that allowed him to express his emotions dealing with the deadly disease. The New Orleans Museum of Art organized a major retrospective of his work entitled "Robert Gordy: Outside the Mainstream"‚ which is on view until October 2026.

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568 Suite of Eight Creme-Peinte Chairs

569 Brown Jordan “Luna” Day Bed

in the Art Deco taste, by Baker Furniture, custom covered in faux ostrich leather and trimmed with brass tacks. h. 34-3/4”, seat h. 18”, w. 22-1/2”, d. 20”

20th century, designed by Michael Berman, the white metal day bed with rounded ends with circular pierced panels, on short sabre legs, with lime green and white cushions. h. 30-1/4”, w. 80”, d. 42-1/2”

$3,000-$5,000 $1,000-$1,500

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570 Pair of Signed Jansen, Louis XV-Style Side Chairs the polychrome chairs with carved and molded frames, padded backs and seats, and raised on cabriole legs. h. 38”, seat h. 18”, w. 21”, d. 20” $1,000-$1,500

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571 Pair of Signed Jansen, Louis XV-Style Side Chairs the polychrome chairs with carved and molded frames, padded backs and seats, and raised on cabriole legs. h. 38”, seat h. 18”, w. 21”, d. 20” $1,000-$1,500

571

572 Vintage Neoclassical-Style Gilt-Iron and Plate-Glass Coffee Table mid-20th century, the thick plate-glass top over a gilt-iron base with conjoined C-scrolls in the apron frieze, raised on triple square iron bar-form legs, joined by a box-form stretcher, with scrolled feet resting on balls. h. 21”, w. 28”, d. 28” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

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573 Pair of Italian Tole Pineapple Sconces third quarter 20th century, the bold pineapple backplates each set with three scrolled branches terminating in scalloped drip pans and cylindrical candle sockets, electrified. h. 22”, w. 15-1/2”, d. 8-3/4” $1,000-$1,500

574 Giltwood Sunburst Mirror

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of mid-century modern inspiration, the mirror plate set with a carved giltwood bezel, mounted with carved giltwood “rays”. dia. 40” $1,000-$1,500

575 Pair of Empire-Style Faux Bois and Parcel-Gilt Armchairs 19th century, with padded backs and seats, the arm fronts in the form of carved and gilt lion’s heads, raised on tapered square legs ending in paw feet. h. 36-1/2", seat h. 18”, w. 24”, d. 25” $1,800-$2,500

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576 Regency-Style Giltwood Faux-Bamboo Stool in the Brighton Pavilion taste, the padded square top raised on faux-bamboo legs joined by an X-form stretcher and ending in splayed feet. h. 16”, w. 15”, d. 15” $1,000-$1,500

577 Bamboo and Plate-Glass Dining Table 20th century, attributed to McGuire, the rectangular beveled plate-glass top over a base with clusters of bound bamboo stalks forming the legs, and joined by like bamboo stretchers. h. 28-1/2”, w. 82”, d. 42-1/2”

576

$1,500-$2,500

578 Pair of Regency-Style Ebonized Stools each with a padded square top, raised on circular ring-turned legs with gilt accents, joined by like stretchers and ending in casters, the tops upholstered in faux leopard fabric. h. 15”, w. 18”, d. 18” $1,000-$1,500

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579 Pair of Mottahedeh Porcelain Bird Lamps 20th century, the polychrome-decorated exotic birds on wooden bases with brass mounts, fitted with lampshades. h. 23-1/2”, w. 12-1/2”, d. 10-1/4” $1,000-$1,500

580 Pair of Chinese Elmwood Sculpted Armchairs attributed to Shao Fan (Chinese, b. 1964), the parcel-ebonized armchairs with tall backs with a single long panel, the framed seat with an inset cushion, the left and right chairs forming a settee when placed together. h. 70-1/2”, seat h. 21”, w. 21”, d. 19” $2,000-$4,000 Shao (also known as Yu Han) has been recognized as the first Chinese artist to exhibit in the Victoria and Albert Museum, London. His works include furniture, sculpture and paintings. His furniture is inspired by ancient works with a modern social expression.

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581 Danielle Frankenthal (American, Contemporary) “Untitled”, 2019 acrylic paint and oil stick on acrylic resin signed and dated en verso. h. 24”, w. 24”, d. 1-3/4” $1,000-$1,500 Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

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582 Danielle Frankenthal (American, Contemporary) “Untitled”, 2019 acrylic paint and oil stick on acrylic resin signed and dated en verso. h. 24”, w. 24”, d. 2” $1,000-$1,500 Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

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583 Eric Nash (American, b. 1963) “Cocktails” oil on canvas signed lower right. Framed. 30” x 40”, framed 31” x 41-1/2” $3,000-$5,000 The artist has confirmed this is a work completed ca. 2010.

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584 Mark Williams (American, b. 1950) “Suspect” oil on paper float-mounted, glazed and framed. 14” x 11”, framed 20-3/4” x 17” $800-$1,200 Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

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585 Alina Crasovschi Fenes (Romanian, b. 1978) “Bicicleta Sevita in Oglinda (Bicycle in the Mirror)” oil on canvas signed and titled en verso on stretcher bars. Framed. 39” x 31-1/2”, framed 40” x 32-1/2” $1,000-$1,500

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586 Luis Cruz Azaceta (Cuban/American, b. 1942) “God”, 1995 mixed media on paper signed lower right, a “George Adams Gallery” label with title and date affixed to verso. Float mounted, glazed and framed. sight 48” x 42”, framed 52-1/2” x 46-1/2” $6,000-$9,000 Provenance: George Adams Gallery, New York, New York; Private collection, New Orleans, Louisiana. The condition of being in exile is of being in two places simultaneously, physically in your place of exile, emotionally and spiritually in the place you left behind, your roots. This experience allowed me as an artist to address the condition of violence, racism, isolation, separation and oppression through my work. It gave me an eye to understanding that this experience goes beyond my personal journey to a perspective of a more global condition that many live within. Luis Cruz Azaceta Artist statement 586

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587 Giltwood Mirror in the Baroque Taste mid-20th century, the arched pediment set with a panel decorated in the chinoiserie taste, over a pulvinated giltwood surround, bas-relief-molded with cabochons, strapwork and acanthus leaves, set with a beveled mirror plate. h. 53”, w. 28” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana. 588 Pair of Painted Cast-Metal Foo Dogs 20th century, the guardian lions modeled seated, with a menacing expression. h. 24-1/2”, w. 8-3/4”, l. 20-1/2” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 589 William Acheff (American, b. 1947) “Santos and Taos Church”, 1988 oil on linen affixed to board signed and dated lower right, signed and dated en verso, together with a “Nedra Matteucci Galleries” certificate of authenticity. Framed. 11-1/2” x 8”, framed 15-1/2” x 12” $4,000-$7,000 Provenance: Nedra Metteucci Galleries, Santa Fe, New Mexico; Private collection.

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588 589

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590 Chinese Painted Terracotta Warrior Figure possibly Han Dynasty (206 BC-220 AD), the funerary “mud man” figure in a costume of the period, on an acrylic stand. h. 9-3/4”, w. 2-3/4”, d. 3” $800-$1,200 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 591 Chinese Painted Terracotta Horse possibly Tang Dynasty (618-907), the funerary figure retaining remnants of paint, poised on a rectangular plinth. h. 10-3/4”, w. 9-1/4”, d. 4” $1,200-$1,800 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 592 Chinese Painted Terracotta Camel

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possibly Tang Dynasty (618-907), the funerary figure on a carved plinth. h. 13-1/4”, w. 9-1/2”, d. 4” $1,200-$1,800 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 593 Chinese Painted Pottery Horse possibly Han Dynasty (206 BC-220 AD), the funerary figure with a mottled gray surface. h. 12-1/4”, w. 11-3/4”, d. 3-1/2” $1,200-$1,800 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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594 William Wegman (American, b. 1943) “Lion King (Designer Adrienne Landau)”, 1999 color Polaroid signed, titled and dated in lower margin, and exhibition labels from “New Work: William Wegman, Fashion Photographs”, Miami Art Museum (now Perez Art Museum Miami), part of traveling exhibition organized by Birmingham Museum of Art, 2000 en verso. Glazed and framed. sheet 30” x 22”, framed 36” x 27-1/2” $3,000-$5,000 Provenance: William Wegman; Unus Foundation, Birmingham, Alabama; Private collector, Birmingham, Alabama.

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Illustrated: Wegman, William and Ingrid Sischy, William Wegman, Fashion Photographs, Harry N. Abrams, Inc., New York, 1999. Exhibited: William Wegman: Fashion Photographs, Birmingham Museum of Art, Birmingham, Alabama, traveling exhibition, 1999-2000. “Fashion Photographs: William Wegman”, a traveling exhibition and accompanying catalogue, featured Wegman’s own Weimaraner dogs, Fay Ray and her puppies, dressed in clothes and accessories by famous designers. For each photograph, Wegman featured his dogs modeling luxury fashions with anthropomorphic styling. Wegman mused, “My Weimaraners are perfect fashion models. Their elegant forms are covered with gray, and gray, everyone knows, goes with anything.”

595 William Wegman (American, b. 1943) “Glamour Puss (Designer Dolce & Gabbana)”, 1999 color Polaroid signed, titled and dated in lower margin, and exhibition labels from “New Work: William Wegman-Fashion Photographs”, Miami Art Museum (now Perez Art Museum Miami), part of traveling exhibition organized by Birmingham Museum of Art, 2000 en verso. Glazed and framed. sheet 30” x 22”, framed 36” x 27-1/2” $3,000-$5,000 Provenance: William Wegman; Unus Foundation, Birmingham, Alabama; Private collector, Birmingham, Alabama. Illustrated: Wegman, William and Ingrid Sischy, William Wegman, Fashion Photographs, Harry N. Abrams, Inc., New York, 1999. Exhibited: William Wegman: Fashion Photographs, Birmingham Museum of Art, Birmingham, Alabama, traveling exhibition,1999-2000.

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596 William Wegman (American, b. 1943) “Spin Sisters”, 1999 color Polaroid signed, titled and dated in lower margin, and exhibition labels from “New Work: William Wegman, Fashion Photographs”, Miami Art Museum (now Perez Art Museum Miami), part of traveling exhibition organized by Birmingham Museum of Art, 2000 en verso. Glazed and framed. sheet 30” x 22”, framed 36” x 27-1/2” $3,000-$5,000 Provenance: William Wegman; Unus Foundation, Birmingham, Alabama; Private collector, Birmingham, Alabama. Illustrated: Wegman, William and Ingrid Sischy, William Wegman, Fashion Photographs, Harry N. Abrams, Inc., New York, 1999. Exhibited: William Wegman, Fashion Photographs, Birmingham Museum of Art, Birmingham, Alabama, traveling exhibition, 1999-2000.

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597 Randall Timmons (American/Louisiana, b. 1946) “Series III”, 1977 oil on canvas dated and titled along back edge. Unstretched and unframed. 50” x 47-1/2” $1,000-$1,500 598 Randall Timmons (American/Louisiana, b. 1946) “Untitled” oil on canvas unsigned. Unstretched and unframed. 53” x 48” $1,000-$1,500 597

598

599 Pair of Monumental Italian Tole Obelisks mid-20th century, painted to mimic brass-trimmed Portoro marble obelisks, the spires on spheres, mounted on plinths with cut corners. h. 83-3/4”, w. 16”, d. 16” $1,000-$1,500 599

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600 Turkish Angora Oushak Carpet 8’ x 10’ $1,200-$1,800

601 Heriz Carpet 8’ 10” x 11’ 11” $2,000-$4,000

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602 Pair of Silver-Gilt and Mirror Glass Lanterns contemporary, in the Niermann Weeks taste, each four-part silver-gilt frame with cross-hatched edges and inset mirror sides, the base with a turned pendant finial, set with four brass interior lights. h. 29”, dia. 21-1/2” $2,000-$4,000

603 Painted and Parcel-Gilt Mirror of Louis XIV Inspiration 20th century, the molded surround with an arched crest, painted blue/gray and white, accented with giltwood beading. h. 75”, w. 39-1/4” $1,400-$1,800

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604 Pair of Large Creme-Peinte Fauteuils in the Louis XVI taste, each with a padded back and seat, guilloche-carved frame and like-carved downswept arms, raised on bulbous spiral-turned legs, attributed to Dennis & Leen, Los Angeles, California. h. 43-1/2”, w. 29”, d. 30”, seat h. 18” $1,000-$1,500

605 George Frederick Castleden (British/New Orleans, 1861-1945) “French Quarter Courtyard” watercolor signed lower left. Matted, glazed and framed. sight 14” x 10”, framed 21” x 17”

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$1,000-$1,500

606 Ellsworth Woodward (American/Louisiana, 1861-1939) “Back Door, Woodward Home in Massachusetts” watercolor on paper pencil-signed lower right. Matted, glazed and framed. 17-1/2” x 11-1/2”, framed 24” x 18” $800-$1,200 606

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607 Newcomb College Pottery Vase, Anna Frances Simpson 1930, matte glaze, impressed “AFS”, “JM”, “NC”, “SN 28”, “49” and illegible pencil inscription, the deep blue body with voluptuous magnolia blossoms encircling the shoulder. h. 7”, dia. 9” $1,000-$1,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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608 Will Henry Stevens (American/Louisiana, 1881-1949) “Cabins by the Shore”, 1946 pastel on paper signed and dated lower left. Glazed and framed. sight 19-1/2” x 15-1/2”, framed 23” x 18-1/2” $3,000-$5,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. The modernist artist Will Henry Stevens was a Professor of Art at Newcomb College, Tulane University for over twenty-five years. Prior to coming down south, Stevens studied at the Cincinnati Art Academy and worked at Rockwood Pottery. From his father, he learned an understanding of chemistry, which gave the artist insight to create a new formulation for pastels. A highly respected artist in his lifetime, he maintained gallery representation in New York City and the Indiana Brown County Art Colony. Steven’s artwork represents his appreciation for nature in the tradition of writers Ralph Waldo Emerson and Walt Whitman. Upon his retirement in 1948, Stevens returned to Vevay, Indiana, and his position at Newcomb College was filled by New York City artist, Pat Trivigno. 608

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609 Sam Minot (American/New Orleans, b. 1962) “Rigolets”, 1992 oil on canvas signed lower right, and signed, titled and dated en verso. Unframed. 22” x 54” $1,500-$2,500 Self-taught artist Sam Minot visits New Orleans regularly and finds inspiration in the interaction of light with the Louisiana landscape. From a creative family, his sister Susan Minot is a well-known novelist and playwright. In Rigolets, Minot painted the bright sunlight reflecting in the bright blue water of the tidal strait.

610 Luis Graner y Arrufi (Spanish/New Orleans, 1863-1929) “Sailing Boat”, 1925 oil on artist board signed and dated lower left. Framed. 9” x 12”, framed 12-1/2” x 15-1/2” $2,500-$4,000 610

Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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611 Ann Ekstrom (American/Texas, b. 1953) “Fruit Study” oil on linen Framed. 10” x 10”, framed 15-3/4” x 15-3/4” $1,200-$1,800 Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

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612 Charles Albert Thysell (American, 1950-2020, act. New Orleans ca. mid-1990-2000s) “The Red Shawl”, 1995 oil on paper unsigned, and label with artist, title and date en verso. Float-mounted, glazed and framed. sheet 35” x 26-1/2”, framed 43-1/4” x 35” $800-$1,200 Provenance: Angela King Gallery, Royal Street, French Quarter; Estate of Patricia Brady, New Orleans, Louisiana. An independent spirit, Charlie Thysell was a musician, songwriter and artist who was born and raised in Minneapolis. In the 1980s, Thysell decided to devote his creative energy to painting. Californian Angela King had a deep appreciation for the south, and moved to New Orleans in 1977, and opened a craft and furniture gallery in the French Quarter. In 1993, King transitioned from crafts into representing prominent contemporary artists. At this time, Charlie Thysell met King and established a relationship with the Angela King Gallery, where he regularly exhibited.

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613 Nazar Yahya (Iraqi, b. 1963) “6,000 Years Old”, 2012 two mixed medias on gallery-wrapped canvas signed, dated and titled en verso of one. each 38” x 38” $2,000-$4,000 Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico. 614 Jonathan Sobol (American/Taos, New Mexico, b. 1952) “Siren in the Forest” oil on canvas signed lower left, and “Galerie Timothy Tew, Atlanta, Georgia” labels with artist and title en verso. Framed. 28” x 30”, framed 33-1/2” x 35-1/2”

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$1,500-$2,500 Provenance: Galerie Timothy Tew, Atlanta, Georgia. 615 Mark Williams (American, b. 1950) “Choice”, 2006 acrylic on gallery-wrapped canvas signed, dated and titled en verso. Verso affixed with a “Matthews Gallery” label. Unframed. 48” x 60” $2,000-$4,000 Provenance: Matthews Gallery, Santa Fe, New Mexico; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

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616 Yuko Nasaka (Japanese, b. 1938) “Work”, 1963 resin and lacquer on wood titled, dated, signed, and with an artist seal on inventory label en verso. In an integral wooden frame. sight 53” x 35”, framed 55” x 37-1/8” $40,000-$70,000 Possibly exhibited: Gutai Pinacotheca, Nakanoshima, Osaka, Japan, Yuko Nasaka Solo Exhibition, November 11-17, 1964.

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Yuko Nasaka was one of the few female members of the Gutai Art Association, joining the influential Japanese avant-garde group in 1963. Sharing the founder Jiro Yoshihara’s conviction that artists should resist tradition, Nasaka developed her artistic practice around the motif of the concentric circle. Created in 1963, the lot offered here, Work belongs to the formative period of her career, during which the circle became a defining element of her work. The present lot was likely exhibited in her landmark first solo exhibition at the Gutai Pinacotheca in November 1964, where Nasaka transformed the gallery into an immersive environment. The exhibition marked a pivotal moment in both her career and the history of Gutai, attracting the attention of prominent international visitors including Robert Rauschenberg and John Cage. Nasaka’s inventive process perfectly embodied Gutai’s embrace of experimentation and modern industrial materials. She coated square wooden panels with glue,

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plaster, clay, and resin cement before mounting them on a handmade rotating device resembling a hybrid of a pottery wheel and a turntable. As each panel spun, she carved concentric grooves into the surface with a palette knife before finishing the relief with vibrant layers of industrial resin and automotive lacquer, often applied using compressors and airbrushes. Though methodical in execution, each panel is unique in its color, texture, and depth, reflecting a careful balance between mechanical precision and the artist’s hand. The concentric circle became the defining motif of Nasaka’s oeuvre, serving as a symbol of endlessness, planetary forms, and infinite space. Through repetition and accumulation, she created dynamic reliefs that shift with light and perspective, producing the illusion of expanding, four-dimensional space. By combining innovative industrial materials with a deeply tactile process, Work exemplifies Nasaka’s important contributions to Gutai while reflecting her enduring exploration of abstraction, industrialization, and humanity.

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617 Robert Kipness (American, b. 1931) “Windswept”, 1976 lithograph pencil-signed lower right and numbered “156/250” lower left, printed by George Miller and Sons, New York, New York, a “Merrill Chase Galleries, Chicago” letter and certificate of authenticity en verso. Matted, glazed and framed. sight 14-1/2” x 10-1/4”, framed 23” x 20” $1,000-$1,500 Provenance: Merrill Chase Galleries, Chicago, Illinois.

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618 Tony Scherman (Canadian, 1950-2023) “About 1789” encaustic on paper signed and titled along left edge. Matted, glazed and framed. sheet 18” x 20”, framed 28” x 30” $6,000-$9,000

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619 Tony Scherman (Canadian, 1950-2023) “Wellington”, 1990 encaustic on paper signed, titled and dated along lower edge. Matted, glazed and framed. sheet 30” x 22”, framed 40-1/2” x 31” $7,000-$10,000

620 Leather Pig Footstool late 1950s or 1960s, attributed to Dimitri Omersa, characteristic of the earliest stool made for Liberty’s of London. h. 13-1/4”, w. 25-1/2”, d. 9”

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$1,000-$1,500

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621 Louis XVI-Style Fruitwood Porter’s Chair of traditional form, the paneled, padded and domed hood above a tufted, paneled back, joined by padded and caned sides to the cushioned seat, raised on fluted, tapered circular legs ending in toupie feet. h. 57”, w. 27”, d. 23” $1,000-$1,500 Provenance: Historic Solana, Montecito, California.

622 Niermann Weeks for Visual Comfort “Lyon” Chandelier the patinated-metal basket-form guilloche-molded frame with a leaf-molded corona, hung with strands of cut glass prisms, set with curved candle arms terminating in floriform drip pans. h. 36”, dia. 39” $1,000-$1,500

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623 Art Deco-Style Rosewood and Shagreen Dining Table

624 Pair of Vintage Leather Armchairs

20th century, the circular banded top with a central inset dyed shagreen medallion, mounted to an incurved, shaped pedestal to a platform base, trimmed in matching shagreen. h. 30”, dia. 70”

mid-20th century, upholstered in tan leather with brass nail heads, each chair with a barrel back and loose seat cushion, raised on short sabre legs. h. 41-3/4”, seat h. 20”, w. 29-1/2”, d. 26-3/4”

$5,000-$8,000

$1,000-$1,500

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625 Pair of French Giltwood Club Chairs 20th century, each chair with a padded back with gold piping and gilded arm fronts, raised on a giltwood frame with cabriole legs ending in scrolled toes. h. 29-1/2”, seat h. 16”, w. 29”, d. 21” $1,200-$1,800 626 Tony Scherman (Canadian, 1950-2023) “About 1789”, 1997 encaustic on paper signed and dated lower right and titled lower left. Matted, glazed and framed. sheet 28” x 22”, framed 39” x 31” $10,000-$15,000

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627 Interesting Art Deco Rosewood and Stingray Hide Writing Desk early 20th century, the top inset with segmented stingray hides, one side fitted with three drawers, raised on carved octagonal legs. h. 30-1/2”, w. 50-1/2”, d. 27” $1,500-$2,500

628 Pair of Dinanderie Brass and Enamel Table Lamps 627

fourth quarter 20th century, the bulbous terracotta and grayshaded enamel metal bases with brutalist brass mounts and handles. h. 23-1/2”, dia. 10” $1,200-$1,800

629 Pair of French Art Deco-Style Leather Club Chairs 20th century, each with a loose seat cushion, covered in brown leather with dark brown leather piping. h. 33”, seat h. 19”, w. 38”, d. 33” $1,200-$1,800

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630 Regency-Style Circular Dining Table 20th century, likely after a Rose Tarlow design, the top with satinwood fan-form veneers and mahogany crossbanding, over a satinwood skirt, on reeded sabre legs terminating in brass sabots, together with one matching 20” leaf. h. 28”, dia. 65-3/4”, ext. l. 85-3/4” $2,000-$4,000 631 Oushak Carpet 10’ x 13’ 8” $4,000-$7,000

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632 Clarence John Laughlin (American/Louisiana, 1905-1985) “The Iron Shell: Old LA State Capitol, 1949” gelatin silver print signed lower right, dated and titled lower left. Float-mounted, glazed and framed. sheet 11” x 13-3/4”, framed 16-1/4” x 20-1/8” $1,500-$2,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 633 Clarence John Laughlin (American/Louisiana, 1905-1985) “The Improbable Dome: 1964” gelatin silver print signed and dated lower margin. Matted, glazed and framed. image 20” x 16”, framed 28” x 22” $3,000-$5,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. 633

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634 Michael P. Smith (American/New Orleans, 1937-2008) “Professor Longhair at Tipitina’s”, 1995 gelatin silver print signed and dated lower right, titled lower left, numbered “1571/36” lower center. Matted, glazed and framed. sight 18” x 12-3/4”, framed 24” x 17-3/4” $600-$900 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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635 Michael P. Smith (American, 1937-2008) “Reverend Mother Lydia Gilford, Infant Jesus of Prague Spiritual Church: Spirit World, Pattern in the Expressive Folk Culture of Afro-American New Orleans “, 1974 gelatin silver print signed and dated lower right, titled lower left, numbered “224/11” lower center. Matted, glazed and framed. sight 15-1/2” x 15-1/2”, framed 21-3/4” x 20-3/4” $600-$900 Provenance: Estate of Patricia Brady, New Orleans, Louisiana. The documentary photographer Michael P. Smith organized the 1973 traveling exhibition, Spirit World: Pattern in the Expression Folk Culture of Afro-American New Orleans‚ to critical acclaim, and later published a catalogue and journal of the photographs. As a local, he saw the African American community as a rich cultural heritage that needed to be preserved and documented, and he was allowed access to witness and photograph the private religious ceremonies of the African American Spiritual Churches in New Orleans. 635

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636 Paul Ninas (American/Louisiana, 1903-1964) “Nude in Heels With Paul Ninas Louisiana Murals”, ca. 1940s gelatin silver print unsigned, verso with inventory label with photographer, title and dates. Matted, glazed and framed. sight 7-3/4” x 7-3/4”, framed 14-1/4” x 13-3/4” $800-$1,200 Provenance: Paul Ninas; John Clemmer, 1960s; Baton Rouge collector, 2000s. Known as the “Dean of Modern Art,” Paul Ninas was a leading figure in the bohemian community of artists, writers, musicians and photographers found in the French Quarter during the mid-20th century. Generally known as a painter, in the 1940s he began to experiment with photography. While serving in the U.S. Army, Ninas learned how to shoot aerial photographs and work in the darkroom. Upon returning home from World War II, Ninas actively immersed himself in the local New Orleans art community, creating and exhibiting his paintings, drawings and photographs. 636

637 Paul Ninas (American/Louisiana, 1903-1964) “Creole Beauty with Paul Ninas Louisiana Mural”, ca. 1940s gelatin silver print unsigned, verso with inventory label with photographer, title and dates. Float-mounted, glazed and framed. sheet 9-3/4” x 7-7/8”, framed 20” x 17-7/8” $800-$1,200 Provenance: Paul Ninas; John Clemmer, 1960s; Baton Rouge collector, 2000s.

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638 Mario Villa (Nicaraguan/Louisiana, 1953-2021) “Starburst Chair”, 1991 iron and mixed metals signed and dated along back seat edge. h. 34-1/2”, w. 21” $1,000-$1,500 Provenance: Sourced by Bremermann Designs, New Orleans, Louisiana.

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639 Grant Whatmough (Canadian, 1921-1999) “Concerto”, 1964 carved mahogany signed, dated and titled on label at bottom, on an integral black-painted wooden base. h. 20-1/2”, w. 10”, d. 9” $800-$1,200

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640 George Valentine Dureau (American/Louisiana, 1930-2014) “Raymond Maxwell Hall” lithograph on paper pencil-signed lower center, artist blind-stamp lower left, titled lower left and inscribed “workshop proof 1/4” lower right. Float-mounted, glazed and framed. sheet 30-1/4” x 22-1/2”, framed 33” x 25-1/2” $700-$1,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

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641 JoAnn Greenberg (American/Louisiana, 1928-2013) “Dancing Figures”, 1997/1998 glazed pottery incised signature and dated at bottom. h. 12-1/2”, dia. 6” $500-$800 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

641

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642 Frank Fleming (American/Alabama, 1940-2018) “Artichoke” patinated bronze incised signature on stalk. h. 2-7/8”, w. 4-3/4”, d. 2-1/2” $1,200-$1,800 643 Frank Fleming (American/Alabama, 1940-2018) “Fig” 642

patinated bronze incised signature along back. h. 4-3/4”, w. 2”, d. 2” $1,200-$1,800

643

644 Marie-Cecile Aptel (French, b. 1958) “Untitled: Abstraction” mixed media on paper signed lower left. Matted, glazed and framed. sheet 47” x 31”, framed 56” x 40-1/2” $2,000-$4,000

644

270

645

645 Agnes Bernice Martin (American/Canadian, 1912-2004) “Untitled” fifteen offset lithographs on vellum in a vellum protective envelope. each 10-7/8” x 10-7/8” $3,500-$5,000

646 Charles Whitfield Richards (American/Louisiana, 1906-1992) “Mississippi Levee” oil on canvas signed lower right. Framed. 12” x 16”, framed 16-1/2” x 21” $1,000-$1,500 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

646

271

647

647 Elemore Madison Morgan, Jr. (American/Louisiana, 1931-2008) “Untitled Landscape” oil on canvas board initialed lower right. 28-3/4” x 34-3/4” $10,000-$15,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

648 Clarence Millet (American/Louisiana, 1897-1959) “Hermann-Grima House (820 St. Louis Street, French Quarter)” oil on canvas board signed and titled en verso. Framed. 11” x 14”, framed 15-1/2” x 18-1/2” $5,000-$8,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

272

648

649

649 Pair of Mid-Century Modern Leather Lounge Chairs

650 Impressive Silver-Leaf and Amethyst-Top Coffee Table

second half 20th century, each with a slightly curved back and loose seat cushion, raised on ebonized wooden legs and back frame. h. 35-1/2”, seat h. 18”, w. 21”, d. 30”

mid-20th century, the framed top with a bookmatched amethyst quartz slab, raised on carved legs. h. 18”, w. 66-1/2”, d. 35” $10,000-$15,000

$1,000-$1,500 Provenance: Christie’s, New York, October 29, 1993, The Property of Garrick C. Stephenson, lot 235, by repute, King Farouk I of Egypt.

650

650 detail

273

651 Unusual Cast-Silver Footstool late 19th/early 20th century, in the neoclassical taste, covered in silk velvet, the skirt molded with flowers framed with ropetwist trim, the corner medallions decorated with lozenges set with flowers, raised on hairy paw feet. h. 9-1/4”, w. 13-1/2”, d. 12” $2,000-$4,000

652 Unique Bronze Stag and Plate-Glass Side Table

651

20th century, the circular plate-glass top with a beveled edge, over a base with three bronze leaping stags. h. 23-1/4”, dia. 25” $1,500-$2,500

653 Pair of Art Deco-Style Overstuffed Lounge Chairs the backs of tubular channel tufting, with out-curved arms and loose seat cushions. h. 34”, seat h. 17-1/2”, w. 33-1/2”, d. 29” $1,000-$1,500 652

653

274

654 Peshawar Birds of Paradise Carpet 6’ 3” x 9’ $1,400-$1,800

655 Alvyk Boyd Cruise (American/New Orleans, 1909-1988) “Day of the Dead” watercolor on paper signed lower left. Matted, glazed and framed. sight 19” x 14-1/2”, framed 28-1/4” x 22-1/4” $3,000-$5,000 Provenance: Estate of Patricia Brady, New Orleans, Louisiana.

654

655

275

656

656 Pair of Verdigris Patinated-Bronze Sloths the sloths with a green-patinated surface, poised for climbing. h. 21”, w. 15”, d. 16-1/2” and h. 21-1/2”, w. 20”, d. 22-3/4” $1,800-$2,500 657 Large Bronze Pelican-Form Fountain the green-patinated-bronze fountain with a pelican sitting on a dock pole, with a rope tied around it, its beak piped for water. h. 58-1/2”, w. 41”, d. 18” $5,000-$8,000 658 Brushed Steel Bench in the Neoclassical Taste the tripartite back set with X-form panels, with downswept arms and a thick loose seat cushion. h. 40”, seat h. 20”, w. 62”, d. 24” 657

$1,000-$1,500

658

276

659 Pair of Cast-Iron Garden Urns in the neoclassical taste, the tulip-form urns with conical bases, raised on paw feet. h. 19”, dia. 14” $1,000-$1,500 660 Pair of Cast-Iron Garden Urns

659

in the neoclassical taste, the tulip-form urns with conical bases, raised on paw feet. h. 19”, dia. 14” $1,000-$1,500

661 Pair of Cast-Iron Garden Urns in the neoclassical taste, the campana-form urns with eggand-dart rims and fluted bodies, on reeded bases, raised on fluted conical feet. h. 24”, dia. 19-1/2” 660

$1,000-$1,500

662 Pair of Black Iron Benches 20th century, of classical inspiration, with cylindrical stiles and front legs, set with double X-form backs, slatted seats and curved arms. h. 33-1/2”, w. 74-1/2”, d. 20” $1,200-$1,800

661

662

277

663 Monumental French Gothic Revival Oak Cabinet 19th century, the upper structure with arched spandrels, each with carved spires over cabinets with leaded glass doors to each side, the backs with linen-fold-carved panels, the center section with carved winged gargoyles at the upper corners, the base with seven cabinets, each with framed, pierced and carved grillework panels and ornate forged-iron locks, the back side bearing a label reading, “LeGarde Meuble Public, Bedel & Cie, 18 Rue St. Augustin, Avenue Victor Hugo 67, Rue de la Voute 14, 194 Rue Championnet, Rue Lecourbe 308”. h. 170”, w. 186”, d. 29” $10,000-$15,000 Provenance: A Coral Gables, Florida estate. 663 detail

663

278

664 Gilt-Brass Hall Lantern in the Gothic Taste second quarter 20th century, the hexagonal lantern with Gothic pierced panels at the top, decorated with fleurs-delis, and the base decorated with quatrefoils, set with frosted glass panels, with four internal light sockets. h. 46”, dia. 13-3/4” $1,000-$1,500 665 Continental School (19th Century) "Cavaliers on Horseback" oil on canvas unsigned. Framed. 55” x 40”, framed 66-1/2” x 53” $2,000-$4,000 666 Pair of Pierced Bronze Chalices late 19th/early 20th century, of Renaissance inspiration, the bodies with shields framed with swags of flowers, supported by cherubs, set with leaf-molded scrolled handles, on ogeeform bases molded with acanthus leaves. h. 15-1/2”, w. 12-3/4”, d. 7-1/2”

664

$1,000-$1,500

666

665

279

667

667 Dutch Mahogany and Marquetry Cabinet 19th century, the molded and domed cornice above two astragal-glazed doors, the sides en suite, the lower section of kettle form and fitted with three long graduated drawers, raised on scrolled feet, the whole elaborately inlaid in floral, foliate and avian patterns. h. 87”, w. 79”, d. 19-1/2” $2,000-$4,000 668 Max Gaisser (German, 1857-1922) “Cavalier in a Tavern” oil on panel signed lower right, verso with a framer’s label. In a period frame. 16” x 12-1/4”, framed 27-1/2” x 23-1/2” $1,500-$2,500

668

280

669 Centennial Oak Chest in the Pilgrim Taste late 19th/early 20th century, the drawers with applied ebonized half spindles, hexagonal panels and crossetted panels in the “Hadley” manner, raised on ball feet, with white pine secondary wood. h. 38-1/2”, w. 41-3/4”, d. 20-1/2” $1,200-$1,800

670 Stag-Carved Wooden and Patinated-Metal Chandelier 20th century, the thirteen-light chandelier with three carved deer heads forming the body, their antlers set with turned wooden candle supports, with one light in the center, the bottom with a carved wooden tassel. h. 61-1/2”, dia. 26-1/2” $2,000-$4,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

670

669

281

671 French Polychrome Console Table and Mirror late 19th century, of Moorish influence, the mirror with a pierced fleur-de-lis crest and Moorish arches accented with scrollwork, h. 75-1/2”, w. 30”, over a gilt-decorated serpentine table with a painted top and matching skirt, the turned legs and scrolled stretcher set with a vasiform finial, h. 36-1/2”, w. 31-1/2”, d. 16-1/2”. $1,500-$2,500

672 Pair of Louis XIV-Style Polychrome Benches 19th century, the shaped and padded rectangular seat above a conforming pierced foliate shell-carved frieze, raised on cabriole legs headed by foliate carving and ending in scrolled toes. h. 20”, w. 70”, d. 18” $2,000-$4,000

671

672

282

673

674 English Oak and Marble-Top Side Table

673 Patinated Bronze Fountain of “Capturing the Ceryneian Hind” 20th century, depicting Hercules’ third labor, the magical deer with golden horns and bronze hooves, the deer’s mouth piped for water. h. 25-3/4”, w. 28-3/4”, d. 11-1/2”

19th century, the rectangular marble top with a molded edge and slightly bowed front, above a deep frieze centered by shell and foliate carving, raised on cabriole legs headed by like carving and ending in foliate toes. h. 30”, w. 49”, d. 24”

$2,500-$4,000

$1,800-$2,500

674

283

675 Alabaster Pendant Light contemporary, the bowl-form light concealing four sockets, with an acanthus-carved center medallion and reeding, and a leaf-carved rim, suspended on cords from an alabaster canopy. h. 23”, dia. 18” $1,500-$2,500

675

676 Pair of Continental Oak Fauteuils 19th century, in the Renaissance taste, each with a padded back surmounted by lion-masque finials, joined by downswept arms on ram’s-head hand rests to the padded seat, raised on fluted, bulbous, tapered circular legs joined by an H-form stretcher and ending in block feet. h. 44”, w. 24”, d. 25” $1,000-$1,500 Provenance: Brownstone Gallery, Houston, Texas.

676

677 Pair of Continental Oak Armchairs 19th century, each with a padded, square back surmounted by lion-masque finials, joined by downswept and reeded arms on ram’s-head hand rests to the padded seat, raised on fluted, bulbous legs joined by stretchers and ending in block feet. h. 44”, w. 23-1/4”, d. 24” $1,000-$1,500 Provenance: Brownstone Gallery, Houston, Texas.

677

284

678 Carved Wood Stag’s Head 20th century, the blue/gray-painted stag with large antlers. h. 45”, w. 34-1/2”, d. 22” $1,000-$1,500 679 Interesting Black Forest Carved Oak Sideboard late 19th century, the upper structure with an open shelf, backed by a mirror above and carved panel below, the central shelf supported by carved brackets with a snake pursuing a frog, the base with three drawers over three doors, carved with hounds and hunt scenes flanking a polychrome scene. h. 67”, d. 63”, d. 23-1/2” $1,500-$2,500 Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 680 Black Forest Lindenwood Figural Umbrella Stand

678

late 19th century, modeled as a grinning bear with glass eyes and a carved collar, holding a brass umbrella rail and standing on a wood- and fern-carved base, set with an oval brass drip pan, raised on carved feet. h. 39”, w. 15-3/4”, d. 21” $2,500-$4,000

680

679

285

681

681 Antique Ushak Carpet ca. 1800, West Anatolian “star-varient”. 17’ x 17’ $30,000-$50,000 Provenance: The estate of an American merchant family, Istanbul, Turkey.

681 detail

286

682 Currey & Company “Elegance” Metal and Wood Chandelier the eight-light chandelier with a gilt-metal leaf-molded corona atop the patinated-metal bell-form frame, set with scrolled candle arms mounted with giltwood candle holders, the arms hung with swags of gilt-metal bellflowers and the base decorated with gilt-metal leaves. h. 33”, dia. 28-3/4” $1,000-$1,500

682

684 Pair of Tall Bronze Figural Vases each vase with scrolled handles mounted with flowers and a seated putto on the edge, the molded bases accented with beaded edges. h. 31”, dia. 11-1/2” $1,000-$1,500

683

683 Pair of Monumental Carved Wooden Figural Altar Sticks 20th century, the candle sockets supported by leaf-carved drip pans, one standard carved with a Bacchanalian satyr and the other with a Bacchante, on tapered bases in the form of inverted Ionic capitals, the corners carved with acanthus leaves and the bases carved with foliate wreaths and scrollwork, on scrolled feet. h. 74-1/4”, w. 25”, d. 25” $3,000-$5,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

684

287

685

685 Continental Carved Walnut Library Table 19th century, in the Renaissance taste, the long rectangular top with a carved edge and aprons, mounted to a trestle-form base with scrolled ends, with carved masques and swags of fruit, joined by a large stretcher. h. 31”, w. 86”, d. 39” $1,800-$2,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

686 Pair of Bronze Planters contemporary, the leaf-molded rims over the ovoid bodies, decorated with lion’s heads supporting swags of flowers, on fluted column-form bases molded with swags of flowers. h. 51”, dia. 12-1/2” $800-$1,200

686

288

687 Wrought-Iron and Stamped Metal Pendant Lantern early 20th century, in the Spanish Colonial taste, of hexagonal form, with a domed top and leaf-form brackets, the six sides set with hand-blown glass panels, the interior fitted with three light sockets. h. 28”, dia. 16” $1,000-$1,500 688 Continental Carved Walnut Breakfront 19th century, in the Renaissance taste, the top centered by a mythological horned figure above an arched alcove, flanked by a cabinet to each side, the base with a central door with a carved serpent, and additional drawers and doors to each side. h. 110”, w. 72”, d. 24” $1,000-$1,500 687

688 detail

688

289

689 Brass and Ebonized Wood Cushion Mirror fourth quarter 19th century, Dutch or Flemish, in the Baroque taste, the pedimented crest with pierced brass work of a pair of cherubs on a ground of scrolling leaves and flowers, the outer surround with black lacquer ripple molding, framing a pulvinated brass flower-decorated surround, the raised cushion with brass corners with baskets of flowers, the interior surround with like decoration and set with a beveled mirror plate. h. 59”, w. 31” $1,000-$1,500 Provenance: Historic Solana, Montecito, California.

689

690 Leather Wall Hanging the shield-form wall hanging decorated with a gilt embossed urn set with swirling leaves, the bottom with amber-colored acrylic ball “fringe”, on a bamboo-turned wooden hanging rod with fleur-de-lis finials. hanging h. 63-1/2”, w. 50”, rod l. 66” $1,000-$1,500

690

691 Pair of Italian Gilt-Metal Five-Light Sconces 20th century, the circular foliate backplates supporting scrolled candle arms set with scalloped drip pans and cylindrical candle sockets, the frames ornamented with scrollwork and flowers. h. 22”, w. 19-1/4”, d. 7” $1,200-$1,800 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

691

290

692

692 Suite of Twelve Carved Oak Dining Chairs

693 Continental Carved Oak Server

18th century, possibly Portuguese, each with a tall molded back frame and carved headrest, supported by a pierced splat, the seat covered in leather, raised on cabriole legs ending in hoof feet. h. 44-1/2”, seat h. 20”, w. 19”, d. 17”

19th century, in the Renaissance taste, the framed top with a gadroon-carved edge, over a pair of heavily carved drawers, each with feline-masque handles, over a medial shelf supported by spiral-twist posts. h. 37-1/2”, w. 48”, d. 23-1/4”

$1,800-$2,500

$800-$1,200

693

291

694 Continental Carved Oak Bookcase 19th century, in the Renaissance taste, profusely carved with a pair of arched and glazed doors, flanked by columns with allegorical scenes of figures and animals, the base fitted with a single long drawer. h. 97-1/2”, w. 51”, d. 19” $1,200-$1,800

694

695 Continental Carved Oak Bookcase 19th century, in the Renaissance taste, profusely carved with a pair of arched doors, flanked by columns with allegorical scenes of figures and animals, the base fitted with a single long drawer. h. 97-1/2”, w. 52-1/2”, d. 19” $1,200-$1,800

695

292

696 Patinated-Bronze Lantern of Mediterranean Inspiration with a fleurs-de-lis crest, the side divided into “panes” with square center medallions, the edges decorated with leaves and fleurs-de-lis, and the bottom with a foliate pendant finial. h. 45”, dia. 14-1/2” $2,000-$4,000

697 After Pierre-Jules Mene (French, 1810-1879) “Arab Falconer on Horseback” patinated bronze 20th century, cast signature on self-base, on a mottled green marble base. h. 26”, w. 24-1/4”, d. 11-1/4” $1,000-$1,500

696

697

293

698 Pair of Marble Pedestals contemporary, the highly figured rouge marble pedestals with cove-molded turned bases and capitals, cylindrical standards and square tops. h. 34”, w. 14”, d. 14” $1,000-$1,500

699 Napoleon III Ebonized Cabinet third quarter 19th century, the double burl-banded rectangular top above a case fitted with a frieze centered by a floral “Sevres”-style plaque over two glazed cupboard doors, the whole accented with ormolu mounts and millwork, raised on a plinth base. h. 39”, w. 41-1/4”, d. 13-1/4” $1,000-$1,500

698

699

294

700

700 Pair of Napoleon III Giltwood Fauteuils

701 Pair of Napoleon III Giltwood Fauteuils

19th century, in the Louis XVI taste, each with a domed and padded back within a molded, laurel-carved frame, joined by acanthine-carved, padded arms to the like seat, raised on foliate-carved, fluted and tapered circular legs headed by a ribbed capital and ending in toupie feet, each upholstered in 18th century Aubusson tapestry featuring frolicking cherubs and animal-filled landscapes. h. 44”, w. 29”, d. 24”

$2,000-$4,000

Provenance: Marshalls Gallery, Melrose Avenue, Los Angeles, California; Historic Solana, Montecito, California.

701

295

702 Impressive Pair of Napoleon III Satinwood and Ebonized Torchere Stands 19th century, each with a circular top supported by a central standard and three outside legs, mounted to a circular carved base. h. 52”, dia. 18” $1,200-$1,800 703 Napoleon III Figured Walnut and Parcel-Ebonized Cabinet 19th century, in two parts, the upper case with a pierced crest centered by a carved child’s bust and flanked by floral swags, above a single mirrored door, the base with a long drawer over a framed and paneled door. h. 97”, w. 54”, d. 22” $3,000-$5,000 704 French Bronze and Cut-Glass Chandelier early 20th century, the five-light chandelier with an Art Nouveau gilt-bronze frame, with scrolled arms set with sockets and frosted glass floriform shades, mounted to a guilloche pierced ring set with a frosted glass strawberry- and fan-cut shade. h. 27”, dia. 31”

702

$1,000-$1,500

704

296

703

705 Napoleon III Kingwood Corner Vitrine 19th century, the upper section with two graduated shelves dressed with gilt-bronze mounts, the base with a drawer over a serpentine glazed door, on a scalloped base. h. 80-1/2”, w. 28-1/2”, d. 20-1/4” $1,000-$1,500 706 After Jean-Louis Gregoire (French, 1840-1890) “Perseus and Andromeda” patinated bronze cast signature on rock under Perseus, the revolving figure on a Breccia Pontifica marble cove-molded base with bronze trim. h. 28-3/4”, dia. 13-3/4” $2,000-$4,000

706

707 French Louis Philippe Giltwood Mirror mid-19th century, the mirror frame with rounded upper corners, with a pale giltwood finish. h. 47-3/4”, d. 32-1/2” $1,200-$1,800

707

705

297

708

708 Four-Panel Leather Screen late 19th century, the embossed screen decorated in the chinoiserie taste with pagodas and mandarin figures strolling in gardens, on a tan ground with brown leather trim. overall h. 70”, w. 57” $1,000-$1,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama. 709 Baroque Chinoiserie Cabinet on Stand 18th century, the upper case with chased brass mounts and lock plate, with a pair of doors opening to a red-lacquered interior fitted with ten drawers, on an elaborate carved and gilded stand, the apron centered by a winged putto, the whole raised on cabriole legs. h. 57-1/2”, w. 34”, d. 19” $1,500-$2,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

709

298

710

710 Chinese Red-Lacquered Coffee Table

711 Seven-Piece Collection of Chinese Porcelain Altar Fruit

20th century, with traditional chinoiserie decoration, the top with canted corners and raised on conforming block legs. h. 19-3/4”, w. 48”, d. 30”

Qing Dynasty (1644-1796), the polychrome-painted collection including pomegranates, a peach and two melons. h. 2-1/2” to 5”, w. 2-1/4” to 3-1/4” $700-$1,000

$2,000-$4,000 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

711

299

712 Pair of Aesthetic-Style Gilt-Metal, Faux Bamboo and Marble-Top Side Tables 20th century, each with a circular marble top centered by a swirling pinwheel and mounted to a gilt-metal faux bamboo base. h. 24”, dia. 18” $1,200-$1,800

712

713 Pair of American Inlaid Bronze Foo Dogs second half 20th century, attributed to Karl Springer (German/American, 1931-1991), the menacing foo dogs mounted with quartz and decorated with crackled polychrome mirror glass mosaics, with incised hair and a patinated bronze finish. h. 32-1/2”, w. 12-1/2”, l. 27-3/4” $1,800-$2,500 Provenance: Historic Solana, Montecito, California.

713

714 Pair of Unusual Patinated-Bronze Vase Lamps 19th century, the patinated-bronze vases with inset panels decorated with applied dragons and clouds on a stippled ground, mounted with dragon-head handles, on pylon-form bases. h. 20-3/4”, w. 6-1/2”, d. 5” $1,000-$1,500

714

300

715 Egyptian Revival Polychrome Inlaid and Parcel-Gilt Throne Chair mid-20th century, after the throne chair discovered in King Tut’s tomb, the back depicting the boy king and his wife, raised on lion-form legs. h. 44”, seat h. 20-1/2”, w. 23-1/2”, d. 28-1/2” $1,500-$2,500

716 Patinated-Metal and Glass Hall Lantern the inverted bell-form blown bubble-glass shade suspended from the standard with reeded balls and fittings, with three interior lights, the base with a reeded ball pendant finial. h. 35”, dia. 16” 716

$1,000-$1,500

715

715 detail

301

717

717 English Oak Draper’s Table

718 Provincial Oak Center Table

early 20th century, the planked rectangular top above a conforming frieze fitted with two drawers to one side, joined by bobbin-turned legs to a lower shelf, raised on block-and-ball feet. h. 33-1/2”, w. 86-1/2”, d. 31-1/4”

19th century, the circular top with a molded edge, above a conforming plain frieze, raised on four bobbin-turned legs joined by a ring stretcher and ending in bun feet. h. 34”, dia. 49-1/2”

$1,200-$1,800

$1,000-$1,500

718

302

719

719 Henry Schouten (Belgian, 1864-1927) “The Heat of the Chase” oil on canvas signed lower right. Framed. 24” x 35-1/2”, framed 29” x 40” $2,500-$4,000 720 Oak Welsh Cupboard 18th century, in two parts, the upper structure with a pierced and scalloped valance over open shelves and a small cabinet at each side, the base with three drawers above a like-pierced and scalloped skirt, raised on cabriole legs ending in ball-and-claw feet. h. 78”, w. 60”, d. 19-1/2” $1,500-$2,500 Provenance: The Estate of Hamilton and Marjorie Perkins, Birmingham, Alabama.

720

303

721

722

721 Suite of Nine English Elmwood Windsor Chairs

722 English Oak Mule Chest

19th century, each of bowl-back form with a central pierced splat and three spindles to each side, with scooped seat and raised on turned legs joined by an H-form stretcher. h. 34-1/2”, seat h. 18-1/2”, w. 16-1/4”, d. 18” $1,000-$1,500

late 18th century, in the Georgian taste, the banded rectangular top hinged and opening to a storage interior, the front fitted with two faux drawers over two faux drawers, with three short drawers below, raised on ogee-molded bracket feet. h. 35”, w. 54”, d. 21-1/2”

Provenance: Royal Antiques, New Orleans, Louisiana.

$1,200-$1,800

304 8

723

724 English Oak Server

723 British School (ca. 1900)

19th century, the rectangular top above a conforming case fitted with three deep drawers over a shaped apron, raised on cabriole legs ending in spade feet. h. 33”, w. 81”, d. 18”

“Downstairs Drama” oil on canvas unsigned. Framed. 23” x 44”, framed 30-1/2” x 50-1/4”

$1,000-$1,500

724

305

725

725 Century Furniture “Andalusia” Lounge Suite

726 Eight Michael Taylor “Montecito” Metal Dining Chairs

designed by Richard Frinier (American, b. 1946), the suite including four lounge chairs with corrugated black metal frames and gondola-form backs with turned finials, mounted with black-piped white cotton cushions, h. 34-1/4”, w. 26-3/4”, d. 32-3/4”, together with a pair of marble-inset drinks tables, h. 20”, w. 24”, d. 24”.

the chairs with turned rear stiles supporting a curved back with vertical supports, the woven seats supported by scrolled arms set into the front legs with turned finials matching the base, fitted with seat cushions. h. 31”, seat h. 19”, w. 24”, d. 25” $1,000-$1,500

$1,000-$1,500

726

306

727

727 Four Brown Jordan “Florentine” Chaise Lounges

728 Michael Taylor “Montecito” Double Chaise Lounge

20th century, designed by Richard Frinier (American, b. 1946), the taupe metal set with woven backs and seats, scrolled arms and curule stretchers, the rear legs on casters. h. 42” (adjustable), w. 29”, l. 77”

the metallic metal frame with a woven adjustable back and seat, set on reeded and leaf-molded tapered legs, set with rear casters and fitted with cushions. h. 40” (adjustable), w. 65”, d. 88” $1,000-$1,500

$1,000-$1,500

728

307

729

729 Brown Jordan “Florentine” Dining Set

730 Brown Jordan “Florentine” Five-Piece Dining Suite

20th century, designed by Richard Frinier (American, b. 1946), the dark taupe metal set comprised of a glass-top circular dining table, h. 29-3/4”, dia. 61”, and six matching armchairs, with woven seats and backs, scrolled arms and curule stretchers, h. 36-3/4”, w. 23”, d. 21-1/2”, labeled.

the metal suite including a circular glass-top dining table, h. 29-3/4”, dia. 61”, and four matching armchairs, h. 36-3/4”, w. 23”, d. 21-1/2”. $1,000-$1,500

$1,000-$1,500

730

308

731

731 Eight-Piece Brown Jordan “Florentine” Suite

732 Set of Four Brown Jordan “Florentine” Bar Stools

20th century, designed by Richard Frinier (American, b. 1946), the dark taupe metal chairs with woven seats and backs, scrolled arms and curule bases, h. 32-1/2”, w. 24-1/4”, d. 22-3/4”, with four matching ottomans, h. 17-1/4”, w. 24-1/4”, d. 25”, all fitted with cushions.

20th century, the dark green metal stools with woven backs and seats, the legs with box stretchers, fitted with cushions. h. 45-1/4”, w. 17-1/4”, d. 18-1/4” $1,000-$1,500

$1,000-$1,500

732

309

ARTIST INDEX Acheff, William (American, b. 1947)

590

After Clodion (French, 1738-1814)

280

Aizelin, After Eugene-Antoine (French, 1821-1902)

330

Alexandre Vaguer (1854-1937; active 1884-1920),

Aptel, Marie-Cecile (French, b. 1958)

644

Azaceta, Luis Cruz (Cuban/American, b. 1942)

586

Blommers, Bernard (Dutch, 1845-1914)

299

Brin, Emile-Quentin (French, 1863-1950) British School, (18th Century)

57 204,211

British School, (19th Century)

154

British School, (ca. 1900)

723

Emile Langlois (1863-1941, working 1888-1924),

Calon, Achille-Augustin (French, 1826-1904)

22,23

Castleden, George Frederick (British/New Orleans, 1861-1945)

605

Clague, Richard (French/Lousiana, 1821-1873) Clements, George Henry (American/Louisiana, 1854-1935) Colombel, Attributed to Nicolas (French, 1644-1717)

545 480,481 11

Continental School, (19th Century)

665

Coulon, Attributed to George David (French/Louisiana, 1822-1904)

543

Crespo, Michael Low (American/Louisiana, 1947-2010)

547

Cruise, Alvyk Boyd (American/New Orleans, 1909-1988)

655

de Bruijn, Hans (Dutch, b. 1959)

554

de Gryef, Manner of Adriaen (Dutch, 1670-1715) Diehl, Arthur Vidal (British/Massachusetts, 1870-1929) Drysdale, Alexander John (American/Louisiana, 1870-1934)

7 103,327 544

Dunbar, George Bauer (American/Louisiana, 1927-2024)

566

Dureau, George Valentine (American/Louisiana, 1930-2014)

640

Ekstrom, Ann (American/Texas, b. 1953)

611

Fenes, Alina Crasovschi (Romanian, b. 1978)

585

Fields, Chester (American, b. 1945)

495

Fleming, Frank (American/Alabama, 1940-2018)

642,643

Frankenthal, Danielle (American, Contemporary)

581,582

French School, (18th Century)

French School, (ca. 1800)

Golden, Rolland Harve (American/Louisiana, 1931-2019)

487,490

Gordy, Robert (American/Louisiana, 1933-1986)

567

Graner y Arrufi, Luis (Spanish/New Orleans, 1863-1929)

610

Greenberg, JoAnn (American/Louisiana, 1928-2013)

641

Gregoire, After Jean-Louis (French, 1840-1890)

706

Heldner, Knute (Swedish/Louisiana, 1875/77-1952) Hemenway, Mary Louise Jordan Liddell (American/Louisiana, 1893-1970)

489,491 488

Highmore, Attributed to Joseph (British, 1692-1780)

175

Howard, Newton Reeve (American/Louisiana, 1912-1984)

546

Hull, Marie Atkinson (American/Mississippi, 1890-1980)

518

Hunter, Clementine (American/Louisiana, 1886-1988)

521,522

Italian School, (18th Century)

33,37

Italian School, (Fourth Quarter 18th Century)

Jacquette, Julia (American, b. 1964)

555

John Boydell (1719-1804),

164

Kipness, Robert (American, b. 1931) Laughlin, Clarence John (American/Louisiana, 1905-1985) Lely, Circle of Sir Peter (British/Dutch, 1618-1680) 168

617 632, 633

Louisiana School, (Mid/Late 20th Century)

523

Martin, Agnes Bernice (American/Canadian, 1912-2004)

645

McCrady, John (American/Mississippi, 1911-1968)

514,515,516,517

Mene, After Pierre-Jules (French, 1810-1879)

697

Millet, Clarence (American/Louisiana, 1897-1959)

648

Minot, Sam (American/New Orleans, b. 1962)

609

Morgan, Jr., Elemore Madison (American/Louisiana, 1931-2008)

647

Nasaka, Yuko (Japanese, b. 1938)

616

Nash, Eric (American, b. 1963)

583

Ninas, Paul (American/Louisiana, 1903-1964) Omerth, After Georges (French, 1895-1925) Poor, Henry Varnum (American/California, 1887-1970) Rascoe, Stephen Thomas (American/Texas, 1924-2008) Richards, Charles Whitfield (American/Louisiana, 1906-1992) Roycraft, Roland (American/Michigan, 20th Century) Scherman, Tony (Canadian, 1950-2023)

636,637 265

646 549 262,719 634, 635 634

Sobol, Jonathan (American/Taos, New Mexico, b. 1952)

613

Stevens, Will Henry (American/Louisiana, 1881-1949)

608

Stewart, Allison (American/Louisiana, b. 1941)

548

Sully, Manner of Thomas (American, 1783-1872)

499

Timmons, Randall (American/Louisiana, b. 1946) Trapolin, Tim (American/Louisiana, b. 1945)

552 64

Villa, Mario (Nicaraguan/Louisiana, 1953-2021)

638

Whatmough, Grant (Canadian, 1921-1999) Wilkinson, Norman (British, 1878-1971) Williams, Mark (American, b. 1950)

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

612 597,598

Vigee Le Brun, After Elisabeth Louise (French, 1755-1842) Wegman, William (American, b. 1943)

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

618,619,625

Smith, Michael P. (American/Louisiana, 1937-2008)

Thysell, Charles Albert (American, 1950-2020)

The Artist’s Name: In our qualified opinion, a work by the artist.

553 550, 551

Schouten, Henry (Belgian, 1864-1927) Smith, Michael P. (American/New Orleans, 1937-2008)

New Orleans Auction does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

594,595,596

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

639 162 584,615

Woodward, Ellsworth (American/Louisiana, 1861-1939)

606

Yahya, Nazar (Iraqi, b. 1963)

614

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

ABSENTEE / TELEPHONE BID FORM Bidder (Please Print): ____________________________________________

Date: ____________________

Business Name (if applicable): _______________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _________________ Mailing Address: _____________________________________________________________________________ City: __________________________________________________ State: ________ ZIP: __________________ Telephones: Cell (_____)________________ Home (_____)_________________ Fax (____)______________ E-mail Address: ______________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue and online at neworleansauction.com. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

BID AMOUNT (NOT INCLUDING BUYER’S PREMIUM) OR TELEPHONE NUMBER TO CALL:

LOT #

$ $ $ $ $ $ $ $ $ All Major Credit Cards #: ______________________________________ CVV #: _________________

Expiration Date: _____________

Billing ZIP: __________________

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000. Please note that effective January 1, 2023, there is no longer a discount for payments made by cash, check or wire transfer. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ________________________________________________________________________ Please submit this form by 4:00pm CT two days prior to the first day of auction. Faxed forms can be sent to 504-566-1851 or scanned and emailed to info@neworleansauction.com. PHONE: 504-566-1849

FAX: 504-566-1851

INFO@NEWORLEANSAUCTION.COM

MEET OUR TEAM CEO:

Susan D. Sarofim

PRESIDENT:

Taylor Eichenwald | taylor@neworleansauction.com

DIRECTOR EMERITUS:

Tessa Steinkamp | tessa@neworleansauction.com

MANAGER OF EXECUTIVE OPERATIONS

Audrey Dawson | audrey@neworleansauction.com

DIRECTOR OF FINE JEWELRY

Kim Lemon | kim@neworleansauction.com

DIRECTOR OF FINE ART

Michele M. Carolla | michele@neworleansauction.com

DIRECTOR OF BUSINESS DEVELOPMENT

Cass Roth-Retz | cass@neworleansauction.com

SENIOR SPECIALIST: FURNITURE & CLOCKS

Greg S. Kowles | greg@neworleansauction.com

SENIOR SPECIALIST: GENERAL CONSIGNMENTS

Ireys Bowman | ireys@neworleansauction.com

SENIOR FINE ART SPECIALIST

Sophie Curtis | sophie@neworleansauction.com

FINE SILVER SPECIALIST; OFFICE MANAGER

Charles C. Cage | charles@neworleansauction.com

FINE CARPET SPECIALIST

Sean Ranson | sean@neworleansauction.com

CONSIGNMENT COORDINATOR

Alex Ebel | alex@neworleansauction.com

ADMINISTRATION

Denise Haik | denise@neworleansauction.com

CLIENT SERVICES ASSOCIATE

Owen Lemon | owen@neworleansauction.com

CREATIVE: LEAD PHOTOGRAPHER

Christa Ougel | christa@neworleansauction.com

DIGITAL IMAGING & PHOTOGRAPHY ASSISTANT

Chelsea Caldwell | chelsea@neworleansauction.com

ART DIRECTOR & VISUAL MANAGER

Erica Westenberger | erica@neworleansauction.com

ART DIRECTOR & PROJECT MANAGER

Jo Gremillion | jo@neworleansauction.com

OPERATIONS: DIRECTOR OF OPERATIONS

Sean Ranson

OPERATIONS ASSOCIATES

Juanita Jones, Cedric Roberts, Emmitt Kendrick, Jr., Gerald Hampton, Theadrow Mark, Furnell Augustin, Jr., Will Williams, Jr., Christian Hamilton, Brennan Moses, Vyron Thomas

DESIGNER:

Burke

CONSULTANTS: CATALOGUER ENGLISH & CONTINENTAL FURNITURE AMERICAN FURNITURE REGIONAL FINE ART ASIAN ARTS

John Thompkins Ellen McKenzie Thomas Halverson Claudia Kheel James Callahan

Estates Auction: July 25-26, 2026