Estates Auction: December 5-6, 2020

New Orleans Auction galleries

Estates Auction: December 5-6, 2020

Estates Auction December 5-6, 2020

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Pictured Left: Lot 282 | Front Cover: Lot 372 | Back Cover: Lot 773 | Pictured Above: Lot 777

featured property: The Estate of Bonnie Bolding Swearingen Birmingham, Alabama The Collection of Dr. E. Ralph Lupin New Orleans, Louisiana The Estate of Theo B. Bean, Jr. Lafayette, Louisiana Property Descended in the Family of Rafael C. and Ethel Regan Goyeneche, Sr. Havana, Cuba; Mexico City, Mexic0; & New Orleans, Louisiana

Exhibition: November 23 - December 4, 2020 (By Appointment)

Monday - Friday, 9:00 a.m. - 5:00 p.m.

(Closed Thanksgiving Day and Friday, November 27) Saturday, November 28, 10:00 a.m. - 3:00 p.m.

lot schedule: Please note that times are approximate

Session I (Lots 1 - 625): Saturday, December 5, 2020 10:00 a.m. CST 10 : 0 0

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11:00

1

11:00

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12:00

10 1

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200

1:00

201

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300

12:00

-

-

10 0

1:00

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2:00

301

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400

2:00

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3:00

401

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500

3:00

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4:00

501

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600

4:00

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4:15

601

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625

Session II (Lots 626 - 1135): Sunday, December 6, 2020 10:00 a.m. CST 10 : 0 0

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11:00

626

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700

11:00

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12:00

701

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780

1:00

781

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880

12:00

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1:00

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2:00

881

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980

2:00

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3:00

981

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10 8 0

3:00

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3:45

10 8 1

Absentee

Live Online

bidding: Telephone

Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable Pictured: Lot 1081

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1135

Letter From the CEO Have you ever met one of those people who are, to apply an overused but apt phrase, larger than life? Their personas shine a bit brighter and bolder and their every move sparks fascination. Bonnie Swearingen, Chicago socialite and philanthropist, with her life of adventure, glamour and style, indisputably knew the art of creating a reputation that preceded her.

New Orleans Auction Galleries is honored to offer her estate, giving you a glimpse into this flamboyant, irrepressible society figure’s exuberant life in our holiday sale, Friday, Dec. 5 and Saturday, Dec. 6.

Bonnie and her husband John Swearingen, CEO of Standard Oil, were certainly one of the world’s most magnetic couples of their time, counting Anwar Sadat, Bob Hope, Kirk Douglas and the Reagans among their peers. (For more on Bonnie’s life, flip to the next page).

She was recognized for her sometimes indelicate and indiscriminate comments. (It is often repeated that during a news interview she said she makes her husband’s breakfast wearing nothing but emeralds.) However, it’s her backstory that really draws me to her.

One of seven preacher’s children from Alabama, she found her way out of poverty through a Miss Alabama scholarship.

From then on there was no stopping her. She went from a Hollywood actress to a Wall Street stockbroker, becoming one of the first women to earn a seat on the exchange.

furniture, carpets, fine arts and decorative objects, as well as correspondences with notable world leaders and U.S. presidents, including Richard Nixon, Lyndon B. Johnson, Ronald Reagan and Gerald Ford.

And if you are thinking of adding some gorgeous, sparkly items to your wish list, her estate also includes an important collection of fine jewelry, including a 31-carat Harry Winston diamond ring (lot 777), a sumptuous selection of vintage jewelry, one-of-a-kind David Webb pieces and more.

We are also honored to offer the estate of prominent New Orleans physician, philanthropist and noted collector, Dr. Ralph Lupin. I know from personal experience he curated with a meticulous eye.

Although his collection of English antique furniture, fine arts and decorative arts is outstanding, he is most notably known for his important collection of Jacob Petit porcelain.

We are offering several outstanding pieces of Jacob Petit, along with many items and art from his estate.

We are also pleased to offer property descended from the family of Rafael C. and Ethel Regan Goyeneche Sr. of Mexico City, Havana, and New Orleans, as well as antiques and fine art from the estate of Theo Bean.

To be sure, this auction, with more than 1,100 lots, is just in time for the holidays, offering exquisite craftsmanship, history and beauty from some truly outsized personalities.

My husband Fayez Sarofim knew Bonnie through John, to whom she was married from 1969 until John’s death in 2007.

In fact, she used to call Fayez for investment advice. I asked if Bonnie was all she was said to be, and with a smile, he called her “high-spirited.”

And from our NOAG family to yours, we wish you good tidings this season, as well as happiness, health and, perhaps a little large living of your own in the coming year!

I think you’ll find that spirit, glamour and love of beauty reflected in the more than 250 lots, including antiques,

Susan D.Sarofim CEO

''If a little girl from Alabama whose father was a minister can appear in public wearing beautiful jewels and gowns, it should be a symbol to everyone that they can do it too.''

Bonnie Swearingen

The New York Times, January 22, 1981

THE ESTATE OF

Bonnie Bolding Swearingen birmingham, alabama Bonnie Bolding Swearingen, former Alabama beauty queen, actress, stockbroker and a flamboyant staple of society pages for decades, unapologetically lived her life to the beat of her own drum. From hunting at the LBJ ranch with close friends Lady Bird and Lyndon B. Johnson, to jetting off on a whim with Imelda Marcos to dine with King Hassan II of Morocco and the Shah of Iran, Bonnie’s life reads like that of an American princess. Bonnie and her husband, John Swearingen, were fixtures on seemingly every major guest list for decades, including Ronald Reagan’s inauguration (she affectionately called him “Ronnie”) and a legendary Palm Desert dinner party in 1975 hosted by Walter Annenberg in honor of Richard Nixon (his first appearance since leaving office).

Anyone that’s met Bonnie, or was even in the same room as her, remembers her uniquely magnetic presence and imitable charm. She was never afraid to speak her mind—a quality that was admired by those close to her and frequently landed her name in newspapers and magazines, including People, Town & Country, The New York Times and Chicago Tribune.

Bonnie’s outspokenness fit perfectly with her husband John’s often-times provocative commentary during the oil crisis in the 1970s. While at the helm of Standard Oil, John Swearingen was one of the highest-profile and most powerful business leaders in America. Amidst the crisis, Swearingen also served as Chair of both the national Petroleum Council (1974-75) and American Petroleum Institute (1978-79), positioning him as the face of “Big Oil”. Swearingen was fiercely defensive of the oil industry and highly critical of Washington, especially President Carter.

In 1980, following years of her husband’s public defense of the oil industry and months before Carter’s defeat, Bonnie was interviewed by People Magazine at their Chicago residence and wittily remarked: “I just love oil. If it could be made into a perfume, I’d wear it.” The following year, Reagan eliminated price controls on oil and natural gas and production soared.

From an early age, Bonnie was destined for a life much bigger than her Joppa, Alabama home town. She entered the Miss Alabama contest four times, eventually achieving first runnerup. While her dream was to be Miss Alabama, she recognized that some things were just not meant to be. In her own words: “I learned then that it is not what you do that are successes, it’s the failures that make you what you are.”

The competition afforded her the opportunity to attend Birmingham’s Samford University (Howard College at the time) through a scholarship awarded to her as a contestant in the Miss Alabama competition. Her time at Samford nurtured her love for the spotlight through her participation in the school’s drama and cheerleading programs. She was also instrumental in fundraising for the school’s new campus during her time there, a skill that she carried with her for the rest of her life. The importance of her time at Samford was never lost on Bonnie; she generously donated to both the athletic program and the Samford University Arts Center, which was renamed Bonnie Bolding Swearingen Hall in 2007 in her honor. The fine arts facility includes Bolding Studio, an intimate performance and events space also named for her the year prior, as well as offices, rehearsal facilities and an art gallery. (continued on next page)

John Swearingen took the reigns as Chairman and CEO of Standard Oil of Indiana in 1960, a position he held for 23 years. Swearingen transformed a “second-rate” oil conglomerate with low reserves into one of the most successful oil companies of all time through aggressive exploration and lucrative offshore drilling ventures. His business savvy and hard work paid off; by 1980, Standard Oil’s stock was exceeded by only five other corporations. As one of the highest-paid and most respected executives in the country at the time, Swearingen was extremely influential in both business and politics.

His status and wealth afforded John and Bonnie an incredible life travelling the world together and rubbing shoulders with the upper echelons of international society.

However, Bonnie’s entry into the Chicago social scene was far from easy. Her wit and charm ultimately prevailed, and she became a beloved local celebrity and a favorite of Chicago’s social elite. Bonnie was an effective fundraiser for a myriad of causes in Chicago and throughout the country.

Bonnie was also known for her incredible jewelry collection and was frequently photographed wearing the finest pieces.

A memoriam in The Chicago Sun-Times noted that Bonnie was always “suntanned, smiling and sparkling with jewels.”

Bonnie & John Swearingen attending a dinner in honor of Lyndon B. Johnson at Arthur Krim Ranch, Stonewall, Texas

After graduating in 1955, she pursued another scholarship opportunity, this time at the Pasadena Playhouse in California, a prominent Los Angeles-area theatre frequented by scouts from all the major film studios. This launched a brief, but relatively successful acting career in the late 1950s that included an appearance with Charles Boyer in an Alcoa Hour drama on NBC-TV and roles in the TV series “Cheyenne” and “Have Gun-Will Travel.”

New Orleans Auction Galleries is honored to offer nearly 100 lots of fine jewelry from the Estate of Bonnie Bolding Swearingen, including an important 31-carat Harry Winston diamond ring, a stunning 28-carat sapphire and diamond ring, vintage pieces by David Webb, as well as many other unique jeweled creations. We are pleased to offer photographs (some signed) with several of the lots showing Bonnie Swearingen wearing pieces offered in this sale alongside notable world leaders and American presidents.

In addition to the collection of fine jewelry, Swearingen’s estate also includes paintings, antique furniture, carpets, decorative objects, handbags, couture and more.

In 1958, she married her first husband, John David Manley III of Corpus Christi. Only three years later, she had divorced Manley and remarried prominent Texas oilman Oscar Wyatt, Jr., but their marriage lasted only six weeks. While married to Manley and Wyatt, Bonnie learned about the oil industry and ended up with a portfolio of oil stocks. Twice-divorced and in her late 20s, Bonnie decided to “reinvent” herself by moving to New York to work as a stockbroker at Shearson, Hammill & Co. She considered buying a seat on the New York Stock Exchange, but once she discovered she would not be the first woman on the Exchange, she began to lose interest.

Bonnie met John Swearingen in 1968 at a stockbrokers’ meeting on Wall Street. Like so many others, John was enamored by this charismatic and intelligent young woman, but he was married at the time and Bonnie happened to be dating one of his good friends. Within a year of meeting one another though, John divorced his wife of 26 years and remarried Bonnie just three months later in May of 1969. She moved to Chicago to begin yet another new and exciting chapter in her life.

Bonnie Swearingen & President Lyndon B. Johnson

THE collection OF

Dr. E. Ralph Lupin new orleans, louisiana Dr. E. Ralph Lupin, esteemed New Orleans physician, philanthropist, collector, and beloved civic and cultural leader, left a lasting impact for generations to come through his immense generosity.

As an obstetrician-gynecologist for more than five decades, Lupin delivered thousands of babies and made many important contributions to the field of women’s health care. In 1958 at the beginning of his career, he served as the chief of the OBGYN Department at the 48th United States Air Force Hospital in Lakenheath, England. Upon his return to New Orleans, he became a partner/co-founder and group organizer of the Women’s Medical Center in Gretna and was instrumental in developing the group into one of the premier obstetrics and gynecology practices in the New Orleans region. He held a leadership position in the practice until 2010, when he founded the Lupin Women’s Health Practice.

In an interview with St. Charles Magazine, Lupin shared that, “Every time I see a new being come into this world, I feel that my mission in life is fulfilled. My mission in life is to make people happy, and I would have to say that everything I've done is with this mission in mind. Women's health care is my job, and I'll keep doing it until I die.”

Lupin and his brothers, Dr. Arnold Lupin and Dr. Sam Lupin, founded and successfully operated St. Charles General Hospital in New Orleans until its sale to Tenet Healthcare Corporation in 1985. With funds from the sale, the Lupin brothers formed the Lupin Foundation, a non-profit foundation that has helped many other non-profits, community service providers, churches and the needy with grants totaling $2 million a year for nearly 30 years.

An avid learner, Lupin obtained a Law Degree from Loyola Law School in 1988.

Lupin served as chair of the Vieux Carré Commission. He served on the Louisiana State Museum Board for nearly four decades and twice served as chair. He also served on the boards of the Louisiana Museum Foundation, the New Orleans Museum of Art, the Lupin Foundation, the New Orleans Center for Creative Arts (NOCCA), the New Orleans Symphony, Children’s Hospital of New Orleans, Jewish Family & Children’s Services, the local chapter of the American Red Cross, the University of New Orleans Foundation, the Audubon Institute, the National World War II Museum, the Upper Pontalba Commission (which he chaired), the Sophie Gumbel Guild, the New Orleans Opera Association, the New Orleans Ballet Association, the Jewish Foundation, Young Audiences, Bridge House and many others.

Even as he neared the end of his life, Lupin continued to look for ways to serve and to share. One of his last acts of charity was the Lupin Foundation’s decision to fund and underwrite the creation of the Holocaust Wing of the National World War II Museum.

Dr. Lupin also served as a General in the Air National Guard. He retired from military service at the age of 65, but he received his last mission in 2005 following Hurricane Katrina. Lupin, then 75 years Pictured Opposite Page: Lot 219

old, stayed in the city as many evacuated, He was reactivated and assigned to the Superdome and Smoothie King Center as the chief medical officer, helping to protect and treat those in need. He remained on duty for six months following the storm.

Aside from his public service and professional accomplishments, Lupin was an avid collector of fine art and antiques. His discerning eye and academic-like pursuit of the next great piece resulted in an impressive collection of English and French antique furniture, paintings and decorative arts. Lupin took particular joy in his collection of Imari and Jacob Petit porcelain. In an article in New Orleans Magazine, Lupin shared that, “It’s good to find something you are interested in and then allow yourself to become possessed.”

Lupin's time in England sparked an early interest in antiques. While discussing his passion for collecting, he told The Times-Picayune that, "In the 1950s, it was often cheaper to buy a real antique in England than it was to buy a reproduction in the U.S.," he said.

"Getting called up for military service in Britain turned out to be one of the luckiest things that ever happened to me."

Lupin shared this passion with his first wife, Freda, and the couple travelled to England and France in search of Imari and Old Paris porcelain, as well as mirrors, chandeliers, furniture and more to add to their collection. He recalled a trip where he came back with "three big shipping containers full of antiques–and a lifetime passion for finding more."

As a major supporters of the New Orleans Museum of Art, the Lupins bequeathed many important pieces of porcelain from their collection to the institution, which are displayed in the Lupin Galleries on the second floor of the museum alongside many other remarkable pieces.

New Orleans Auction Galleries is honored to offer many of the pieces that remained in his collection, as well as an impressive selection of English and French antique furniture, fine silver, lighting, carpets, paintings and more.

THE estate OF

Theo Bernard Bean, Jr. l a fay e t t e , l o u i s i a n a

Theo Bernard Bean, Jr., successful businessman, avid outdoorsman and professional race car driver, graduated from The Lovett School in Atlanta before charming his way into the University of Georgia in Athens. After graduating with a degree from the Terry College of Business, he worked for his family’s commercial printing business, W.R. Bean and Son. Bean then moved to Lafayette, Louisiana to establish Bean Energy and Bean Resources, two successful oil and gas exploration and production companies.

Royalty Owners Association (MIPRO), United States Oil and Gas Association (USOGA) and Louisiana Independent Oil and Gas Association (LIOGA).

Despite struggling with traditional academics, his innate business sense, entrepreneurial spirit and unrivaled work ethic enabled him to capitalize on even seemingly unpromising projects and investments early on. One of his first major successes was a dry hole drilling project that Bean redeveloped into a valuable underground natural gas storage facility. He remained involved with the family business, now a forestry management company.

Theo’s successes in business afforded him the opportunity to pursue other passions, including his love of exotic cars and racing, as well as collecting modern art and antiques.

Through his affiliations with Historic Sportscar Racing, Ltd., and the Sportscar Vintage Racing Association, he quickly developed a name for himself in the racing world and became known as a fierce competitor.

Bean served on the Louisiana Mineral Board, as well as Board of Directors for MidSouth Bank and Ascension Day School.

He was a member of Independent Petroleum Association of America (IPAA), Mississippi Independent Producers and Pictured Opposite Page: Lot 1098 (detail)

He was also a member of the Sea Island and Ocean Forest Clubs, Capital City Club, Oakbourne Country Club, Petroleum Club of Lafayette, and City Club at River Ranch. He supported numerous charities, and was a benefactor to Mayo Clinic, M.D. Anderson, Menninger's and Texas Children's Hospital.

New Orleans Auction Galleries is pleased to offer property from the Estate of Theo Bean, including works by Robert Rauschenberg, Robert Kuo and Pedro Friedeberg, as well as antique furniture, and a large collection of tortoiseshell tea caddies and decorative objects.

Ethel Regan Goyeneche

Rafael C. Goyeneche, Sr.

Goyeneche in his Mexico City Study. The Spanish coffer pictured bottom-right is offered in this sale (Lot 478)

p r o p e r t y d e s c e n d e d i n t h e f a m i ly o f

Rafael C. and Ethel Regan Goyeneche, Sr. M e x i c o C i t y, M e x i c o ; H a v a n a , C u b a ; a n d N e w O r l e a n s , l o u i s i a n a

Rafael C. Goyeneche, a prominent and prolific architect working mainly in Mexico City and Havana, was born in Mexico in 1877. He studied at the San Carlos Academy, the College of Mining and the National School of Fine Arts, where he received the titles of engineer and architect.

Goyeneche began his career with Purdy & Henderson Co., a major architecture and engineering firm, where his first projects included department stores and two prominent homes on Avenida Juarez. He designed most of the school buildings and many of the finest homes in Mexico City.

As a brilliant young architect, Goyeneche’s skills were highly sought after by Mexico City’s upper crust. Hugo Scherer, a German mining millionaire that came to Mexico in 1869, employed him in 1905 to build a spectacular “Alpine-inspired” country house in Mixcoac, and he was also tapped in 1907 by the Cusi Armella family to design and build a major residence—a project that took nine years to complete. One of Goyeneche’s most important projects was the SuberbieMendiola House designed for prominent couple Enriqueta and Don Emilio Suberbie.

Rafael married Ethel Regan Goyeneche, a New Orleans native.

She was the granddaughter of the late Otto M. Tennison, a Confederate soldier, and daughter of Walter Regan, the civil engineer who built the Central American railroad system. The couple travelled frequently between Mexico City, Havana and New Orleans.

Amidst the chaos and violence of the Mexican Revolution, Goyeneche and his wife, along with tens of thousands of others, emigrated to the United States in 1913. By 1916, he was working in Purdy & Henderson Co.’s New York office.

Purdy & Henderson was one of the first firms to establish a presence in Havana and offered expertise for the city’s local designers and architects, as well as assistance with importing the necessary building materials.

Goyeneche relocated to Havana and designed and supervised the development of important structures such as the Havana Yacht Club and the Gran Casino Nacional at Marianao. He selected sculptor Aldo Gamba to create an

impressive fountain depicting dancing figures in front of the casino. The building was later updated by another firm in 1928 (much of Goyeneche’s original design was preserved), but the structure was demolished in 1948 to make way for an expansion of the Country Club de La Habana. The young architect also traveled frequently between New Orleans, his wife’s birthplace, and Havana to source materials.

Following the Mexican Revolution (1910-1920), Mexico City was changing at a rapid pace. The soaring population and significant societal changes in the first half of the twentieth century necessitated a flurry of renovations and demolitions of aging palaces and other colonial structures to allow for verticalization and contemporary development. Additionally, the city’s streets, transportation and other urban elements were also updated.

In 1925, Goyeneche designed and oversaw an extensive decade-long renovation in Mexico City of a building located on the historic Zócalo, the city’s main square, to house the Hotel Majestic. The seven-story building’s façade was updated to the neocolonial/neoclassical style, which was in sync with a larger beautification effort focused on the city’s historic core. Goyeneche’s use of traditional materials and his meticulous attention to detail resulted in a final structure that perfectly complemented the existing buildings along the Zócalo, including the Palacio Nacional and the Ayuntamiento.

In 1926, he led a neo-baroque transformation of Havana’s San Felipe de Neri church to the headquarters of the Banco de Comercio. Other projects in Cuba included private residences in La Playa and El Vedado, many of which remain intact today.

He remarkably oversaw both the two overlapping Havana and Mexico City projects concurrently. After the 1934 riots in Havana, Goyeneche returned to Mexico to see through the Hotel Majestic project to completion. The hotel opened its doors in 1937.

New Orleans Auction Galleries is honored to offer fine art, antiques and silver descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., of Mexico City, Mexico; Havana, Cuba; and New Orleans.

Lot 491

Session I Saturday, December 5 Lots 1-625

1 George III-Style Walnut Chest the banded rectangular top above a conforming case fitted with three small drawers over three graduated long drawers, all with burled veneers, raised on bracket feet. h. 36-1/2”, w. 41”, d. 20-1/2” $1,000-$1,500

1

2 Pair of Chinese Famille Rose Porcelain Hat Stands 19th century, now mounted as lamps and attached to later wooden bases. vase h. 11-1/4”, dia. 4-1/2”, overall h. 18” $1,000-$1,500

2

3 Pair of George III-Style Mahogany Side Chairs 19th century, in the Chippendale taste, each with a carved crest rail over a pierced splat, raised on cabriole legs with leaf carving at the knees and ball-and-claw feet. h. 40-1/2” $2,000-$4,000

3

2

4 George III Mahogany Tall Case Clock ca. 1800, the hood with an arched molding, above a blind fretwork frieze, with stop-fluted columns, the brass face engraved “Ednd Adams”, with a time and strike movement and raised on bracket feet. h. 84”, w. 22”, d. 11” $1,500-$2,500

5 George III-Style Chinoiserie Bookcase 19th century, the ogee-molded cornice above six astragalglazed doors, the lower section fitted with six paneled cupboard doors, raised on a plinth base, the whole accented with faux tortoise and polychrome gesso designs in the chinoiserie taste. h. 93”, w. 89-1/2”, d. 16” $5,000-$8,000

4

5

3

6 Three-Piece Collection of Japanese Imari Porcelain ca. 1900, including a punch bowl with a scalloped rim, h.

5-1/2”, dia. 13-1/2”, a covered ginger jar decorated with birds in branches, h. 12-1/2”, dia. 5-1/2”, and a jardiniere with a ruffled rim and fan-form decoration, h. 9”, dia. 10-1/2”. $1,000-$1,500 7 George III Mahogany Chest 6

fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with a brushing slide over three graduated long drawers, raised on bracket feet. h. 35”, w. 40”, d. 20-1/2” $1,500-$2,500 8 Suite of Six George III Oak Dining Chairs ca. 1800, in the Chippendale taste, each having a back with an arched crest rail over a pierced splat, a wooden seat and Marlborough legs joined by low stretchers, of tenoned and pegged construction. h. 38-1/4” $1,000-$1,500 9 George III Mahogany Cellarette 19th century, the elongated octagonal open case brassbound and fitted with a removable metal liner, raised on chamfered square legs. h. 19-3/4”, w. 21-1/2”, d. 15-1/4”

7

$1,200-$1,800

8

4

9

12

11 George II Giltwood Mirror second quarter 18th century, with crossetted corners decorated with carved medallions, the outside surround carved with leaves, the interior surround carved with ribbonwrapped reeds, the field with a sanded finish, set with a later mirror plate. h. 49-1/4”, w. 35” $1,000-$1,500 12 Georgian-Style Patinated Copper Overdoor first quarter 20th century, in the form of an ogee-molded straight broken pediment with a central circular finial. h. 22”, w. 70”, d. 4” $1,000-$1,500

10

10 George III-Style Mahogany Pole Screen 19th century, the adjustable, rectangular screen inset with a needlepoint and petit point pastoral scene, raised on three splayed cabriole legs ending in pad feet. h. 60”, w. 20-1/4” $1,000-$1,500

11

5

13 Pair of Hand-Painted Porcelain Oval Dishes, Attributed to Derby third quarter 18th century, English, each example painted with exotic birds, the molded sides decorated with green-edged shells and stylized flowers, the bases marked “HH2” and “HH3” in underglaze black. h. 2-3/4”, w. 13”, d. 9-1/2” Provenance: Christie’s, New York, June 7, 2011, lot 530. $1,200-$1,800 14 Chinese Chippendale-Style Polychromed and ParcelGilt Cabinet-on-Stand

13

early 20th century, the Chinese fretwork-carved and pierced gallery crest over a case fitted with a pair of “pagoda” astragal-glazed doors, over a stand with a blind-fretwork-carved apron, raised on pierced and carved square legs. h. 80”, w. 61”, d. 17” $2,500-$4,000

14

6

15 Pair of George III-Style Polychromed Armchairs in the Chinese Chippendale taste, each with a carved top rail over a fretwork splat, open arms and lattice-carved legs and stretchers. h. 41-1/8” $1,500-$2,500

16 Pair of Contemporary Enameled Glass Table Lamps 20th century, the cylindrical standards enameled in the chinoiserie taste, mounted with acrylic bases and caps. h. 24”, dia. 6” $1,500-$2,500 15

16

17 George III Polychromed Chinoiserie Bookcase 19th century and later, the rectangular ogee-molded cornice above a conforming case fitted with two astragalglazed doors flanking a central glazed panel, the lower section fitted with a single long drawer faced as three drawers, over two paneled cupboard doors, raised on a plinth base, the whole accented with gilt and gesso designs in the chinoiserie taste. h. 85”, w. 59”, d. 18-1/4” $2,500-$4,000

17

7

18 Pair of George III Polychromed Side Chairs late 18th century, in the Adam taste, each with a beaded rectangular crest above an urn- and garland-carved splat, the padded seat raised on spiral-reeded tapering circular legs ending in toupie feet. h. 35-1/2” $1,000-$1,500 19 Pair of Chinese Blue and White Porcelain Garden Seats on Stands 20th century, of traditional form with images of women playing chess in a garden setting. seat h. 19”, dia. 14”, overall h. 29” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

18

$1,000-$1,500

20 19

20 George III-Style Mahogany Chest the serpentine top with a molded edge, above a conforming case fitted with four graduated long drawers, flanked to either side by a canted blind fret-carved upright, raised on shaped bracket feet. h. 40”, w. 41-1/2”, d. 21-1/2” $1,000-$1,500 21 George III Mahogany Kneehole Desk 19th century, the rectangular top with an inset leather writing surface, above a central recessed kneehole cupboard, flanked to either side by a bank of three graduated short drawers, raised on bracket feet. h. 30”, w. 48-1/2”, d. 23-1/2” $2,000-$4,000

88

21

22 Rare George III Burled Walnut Dwarf Long Case Clock early 19th century, the hood with a shaped top and inset medallion with floral-painted swags above an arched door, with a polished brass face, the single-weight movement with time only, the mid-case with chamfered corners and floralpainted decoration, raised on shaped bracket feet. h. 58-1/2”, w. 13”, d. 8-1/2” $1,500-$2,500

23 Group of Four American Federal Mahogany Chairs ca. 1790-1800, in the Hepplewhite taste, comprised of a side chair with a circular splat, with beaded edges and carved volutes, on supports extending from an inlaid fan, probably Rhode Island or Connecticut, h. 39-3/4”, two chairs with fancarved backs, probably Rhode Island or Connecticut, h.

36-3/4” and 38-1/2”, and a chair with a splat with carved Prince of Wales feathers, flanked by volutes, h. 39”. $1,000-$1,500 The last example is similar to a chair associated with the school of George Shipley, New York.

22

23

9

24 George III Mahogany Bookcase 19th century, the broken swan’s-neck pediment above an acanthine-carved central panel and bound laurel bands over a blind fret band, over two intricate astragal-glazed doors, the lower section fitted with two paneled cupboard doors, each with scrolling foliate shield carving, above an imbricatecarved apron on ogee-molded bracket feet. h. 105”, w. 54-1/2”, d. 19” $4,000-$7,000

25 George III Mahogany Silver Table 19th century, the shaped and dished rectangular top above a conforming frieze, raised on cluster-column legs ending in block feet. h. 27-1/2”, w. 33-1/2”, d. 23-1/4” $1,000-$1,500

24

25

26 George III Mahogany Bachelor’s Chest fourth quarter 18th century, the banded rectangular top with a molded edge, above a case fitted with a brushing slide over four graduated long drawers, raised on bracket feet. h. 33-1/2”, w. 33-1/2”, d. 18” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

26

10

27

27 Suite of Ten Georgian-Style Armchairs

29 George III Mahogany Hunt Board

in the Adam taste, each with a padded shield-form back surmounted by a wheat sheaf-carved crest, joined by padded arms to the like seat, raised on fluted tapering square legs ending in spade feet. h. 38”

late 18th century, the serpentine top with inlaid stringing, above a conforming frieze fitted with three faux drawers, raised on tapering square legs. h. 34-1/2”, w. 65-1/2”, d. 29” $1,000-$1,500

$3,000-$5,000

28 George III-Style Circassian Walnut and Banded Mahogany Triple-Pedestal Dining Table mid-20th century, the oval top in three sections and opening to accommodate an additional leaf between the sections, supported by turned pedestals with Queen Anne-style legs. h. 30”, w. 48”, l. 108”, ext. l. 150” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

29

28

11

30 George III-Style Mahogany Crest late 19th century, the rectangular top above a conforming case fitted with four graduated long drawers, with finely figured veneers, raised on bracket feet. h. 31-1/2”, w. 33-1/4”, d. 20-1/2” $1,500-$2,500

30

32 Jean Lefort (French, b. 1948) “St. Bernard Puppies” oil on canvas panel signed lower left.

Framed.

19-1/2” x 24”, framed 25” x 29” $1,200-$1,800 31

31 George III Walnut Bureau fourth quarter 18th century, the banded rectangular top above a like drop front opening to an inset leather writing surface and a variety of drawers and cubbyholes, over four graduated long drawers, all with decorative banding, raised on bracket feet. h. 42”, w. 36-1/4”, d. 21-1/2” Provenance: Bruce McCashin Collection. $1,000-$1,500

12

32

33 Henry Schouten (Belgian, 1864/7-1927) “Two Setters” oil on canvas signed lower right.

Framed.

26” x 18”, framed 33” x 25” $2,000-$4,000

34 George Armfield (British, 1808-1893) “After the Hunt” oil on canvas signed lower right.

Framed.

20” x 30”, framed 24” x 34” $2,000-$4,000

33

34

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35

35 Suite of Six English Elm Windsor Armchairs

36 Rare and Monumental George I Oak Refectory Table

19th century, each with a hoop back with a shaped and wheelcarved splat, extending to open arms, a saddle seat and turned legs joined by shaped stretchers. h. 39-1/2” to 40-1/4”

early 18th century, the thick rectangular plank top mounted to a conforming base with block-and-turned legs joined by stretchers. h. 32-1/2”, w. 47-1/2”, l. 173”

$1,500-$2,500

$8,000-$12,000

36

14

37 Two English Oak Bible Boxes 18th century, each of rectangular form with a hinged top and carved geometric decorations, raised on later stands with turned legs joined by H-form stretchers. larger h. 29-1/2”, w. 25-1/2”, d. 17”, smaller h. 29-1/2”, w.

28-1/2”, d. 16” $1,000-$1,500

37

38 William and Mary Walnut Wingback Sofa early 18th century, the padded back with four “camel humps” joined by downswept arms and raised on block-and-turned legs joined by like stretchers. h. 44-1/2”, w. 78”, d. 34” $1,200-$1,800

39 Chinese Ebonized Wood and Eglomise Lantern first quarter 20th century, framed with ebonized wood ornamented with pierced fretwork, dragon heads carved at the top of each corner, the large glass panels decorated with Chinese figures, the top panels with pomegranates and plum blossoms, the interior set with three sockets. h. 28”, dia. 24” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,000-$1,500

39

38

15

40 Pair of Queen Anne-Style Japanned and Giltwood Mirrors second quarter 20th century, each with a red Japanned surround decorated with gilt mandarin figures, birds and flowers, and lined with carved giltwood, the giltwood crest carved with eagle heads flanking a shell against a ground of flowerheads and scrollwork, each set with a two-part beveled mirror plate. h. 60”, w. 26” $4,000-$7,000

41 English Oak Welsh Dresser 19th century, the upper section with a canted and molded cornice, above two central open shelves, flanked to either side by a cabinet door, the conforming lower section fitted with two central drawers, flanked to either side by a paneled cupboard door, raised on turned circular legs joined by stretchers and ending in ball feet. h. 72”, w. 60-1/2”, d. 20” $1,000-$1,500 40

41

16

44 George III Oak Lowboy late 18th century, the rectangular top above a single long drawer over two short deep end drawers and central scrolls, raised on tapering circular legs ending in pad feet. h. 30”, w. 32”, d. 19-3/4” $1,000-$1,500

42

42 Pair of Leather Bergeres of Louis XIII Inspiration 20th century, each with an arched back, loose seat cushion and closed arms, raised on beechwood scroll legs joined by a carved fruit stretcher and bobbin-turned side stretchers. h. 45-1/2” $1,800-$2,500 43 English Oak Mule Chest early 19th century, the rectangular top bisected and opening to a storage interior, the front with four shaped panels over two drawers, raised on bracket feet. h. 37”, w. 56-1/2”, d. 22-1/4”

44

$1,000-$1,500

43

17

46 George III Banded Oak Lift-Lid Mule Chest late 18th century, the lift-lid opening to a void interior, the front with two rows of three faux drawers over one row of three working drawers, all with pierced batwing brasses, the corners of the case with turned quarter-columns and raised on ogee bracket feet. h. 35”, w. 61”, d. 21” $1,500-$2,500

47 William and Mary Walnut Day Bed early 18th century, the head end with a shaped crest above a padded panel and joined by block-and-turned posts, the seat raised on block-and-turned legs joined by stretchers, with a removable cushion, with hand-carved base and pegged construction throughout. h. 34”, w. 21”, l. 62” $1,500-$2,500 45

45 Queen Anne Elmwood Wing Chair 18th century, of generous proportions with a tall back, deep wings and out-scrolled arms. h. 48”, w. 39”, d. 29” $1,000-$1,500

46

47

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48 48

48 Two Uzbek Kazak Carpets 3’ 6” x 5’ 9” and 5’ 1” x 6’ 2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

49 Agra Serapi Carpet 11’ 9” x 15’ 3” $2,500-$4,000

49

19

50 Agra Sultanabad Carpet 9’ 2” x 11’ 8” $1,800-$2,500

51 Semi-Antique Persian Bidjar Carpet 4’ 10” x 11’ 8” $1,000-$1,500

52 Semi-Antique Shirvan Carpet 4’ 6” x 6’ 6” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

50

51

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52

53 Oushak Carpet 10’ x 14’ 5” $5,000-$7,000

54 Peshawar Sultanabad Carpet 13’ 9” x 15’ 9” $1,800-$2,500

53

54

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55 Laristan Karajeh Carpet 8’ x 10’ $1,200-$1,800

55

56 Signed Antique Persian Mahal Carpet 9’ x 11’ 5” $4,000-$7,000

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56

57 Signed Isfahan Silk and Wool Carpet 9’ 5” x 12’ 6” $7,000-$10,000

57

58 Signed Semi-Antique Mashad Carpet 11’ 7” x 13’ $1,200-$1,800

58

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59 Vernacular Cypress and Pine Folk Art Polychromed Storage Cabinet mid-19th century, with an overhanging cornice molding, the front fitted with two framed and paneled doors, each with applied leaf-carved motifs, raised on bracket feet, the exterior decorated in a lightly dappled or sponge-painted technique, with mortise and peg construction. h. 65-1/2”, w. 38-1/2”, d. 19” $1,000-$1,500

61 Jacob Petit Paris Porcelain Dejeuner Set second quarter 19th century, decorated with panels of melonground scrollwork alternating with flowers and richly gilded trim, with anthemion-molded knops, the set including a teapot, h. 6-1/2”, w. 8”, d. 5-1/4”, a sugar bowl, h. 5”, w. 5-1/4”, a cream jug, h. 3-1/2”, w. 6”, a pair of cups and saucers, h. 2-1/2”, dia.

5-3/4”, and a tray, w. 13-1/2”, d. 12”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

61

60

60 Southern School (Fourth Quarter 19th Century) “Portrait of a Woman Wearing Pearl Earrings, Jeweled Rings and a Gold Buckle” oil on canvas unsigned.

Period giltwood frame.

36” x 27-1/2”, framed 40” x 30” $1,500-$2,500

59

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62

62 Important Louisiana Faux Bois Cypress Armoire ca. 1815-1830, the projecting cove-molded cornice over a pair of tripartite doors, each section with raised diamond-point panels, over a scalloped apron, raised on cabriole front legs, each side with a pair of panels bisected by a rail, one drawer retaining its period embossed brass escutcheon, the interior fitted with a later medial belt of two drawers and shelves, and retaining an old surface. h. 85-1/4”, w. 65-3/8”, d. 32” Provenance: Descended in the Antoine Prudhomme family of Natchitoches, Louisiana, thence to the collection of Thomas Wells, where it has resided in the creole Buard-Wells House in the city of Natchitoches, thence to his heirs.

Literature: The present armoire is discussed on page 209 of Furnishing Louisiana: Creole and Acadian Furniture, 17351835 by Holden, Bacot, Gontar, et al. It is also illustrated on the back slip cover. According to the authors, it is one of two known faux bois armoires in the body of work. $10,000-$15,000

25

63 Paul Edouard Poincy (American/Louisiana, 1833-1909) “Portrait of Celeste Durel, the Artist’s Wife”, 1878 oil on canvas signed and dated “1878” lower right.

In the original, period frame.

24” x 19-1/8”, framed 31-1/2” x 25-1/2” Provenance: Descended in the family of the sitter to the present owner, Jacqueline H. Howell, New Orleans, Louisiana. $3,000-$5,000 Celeste Durel was the artist’s second wife and sister to his first wife.

64 Attributed to Thomas Le Clear (American, 1818-1882) “Portrait of Two Children”, ca. 1860 oil on linen monogrammed “TL” lower left, a “G. Rowney, London...” supplier’s stamp en verso.

Framed.

30” x 25”, framed 35” x 30”

63

65 Rare Brass-Inlaid Rosewood Game Case

$1,200-$1,800

ca. 1835, New York or British, the campaign-style brass-inlaid rosewood case opening to reveal a gilt-stamped red morocco leather rear cover panel signed “E. Wells Maker New York 1835”, fitted with a lift-out mahogany tray with compartments of poker chips and side compartments with various dominoes and dice of varying ages, together with a brass thumbscrew. h. 3-1/4”, w. 18-1/2”, d. 10-1/2” $1,500-$2,500

64

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65

66 Rare and Iconic Louisiana Mahogany Armoire in the Federal Manner ca. 1820-1835, the molded cornice over a pair of recessed paneled doors with fluted and stop-fluted false stile and pilasters, each return fitted with a side closet, the central doors opening to reveal a medial belt of three drawers over a rare set of graduated linen drawers, the drawers retaining their period silvered brass pulls and oval backplates, on reeded legs with brass paw casters. h. 96-3/4”, w. 69-1/4”, d. 24” $12,000-$18,000 The present armoire is illustrated in Holden, Bacot, Gontar, et al, “Furnishing Louisiana: Creole and Acadian Furniture, 17351835”, figure 51. It, together with the nearly identical Mercer family armoire, illustrated in figure 50, is the most refined and sophisticated of the group of Creole-style Federal armoires.

The use of stop-fluting, extensive reeding, including reeded pilasters, silvered Anglo-American bail pulls and the decision to graduate the linen drawers, suggests the maker was familiar with the sophisticated, high-style French presses being crafted by Lannuier and Phyfe in New York, as well as the finest Philadelphia shops. This armoire incorporates those elements, yet retains the distinct character of Louisiana Creole armoires. After the Mercer armoire was destroyed in the fire at Laura Plantation, where it was on exhibition, the surviving brass foot was obtained for this armoire.

66 detail

66

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67

67 Rare Jacob Petit Paris Porcelain Petit-Dejeuner Set a la Grecque

68 American Classical Mahogany Scroll-Arm Sofa first quarter 19th century, Boston, the rolled crest rail with four framed and inset figured mahogany panels, the arms gracefully scrolled and supported by a turned post, raised on carved legs ending in hairy paw feet, covered in a classical Greek-key striped fabric. h. 34”, w. 71”, d. 23”

mid-19th century, decorated with Attic-inspired figures and Greek-key borders, executed in various shades of terracotta and black, the set including a coffeepot, h. 3-1/4”, w. 5-3/4”, d. 4-1/2”, a cup and saucer, h. 3-1/4”, dia. 5-1/4”, a cream jug, h. 2”, w. 4-1/2”, d. 3-3/4”, a sugar bowl, h. 3”, w. 4-1/2”, d. 4”, and a tray, w. 11-1/2”, d. 11-1/2”, the cream jug and sugar bowl signed “J.P.” in underglaze blue.

$1,200-$1,800

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

68

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69

69 After Benjamin West, P.R.A. (American/London, 1738-1820) “The Death of General Wolfe”, ca. 1800 oil on canvas unsigned, after the 1770 painting depicting the moment of the British victory at the Battle of Quebec and the tragic mortal wounding of the man responsible for it, now conserved at the National Gallery of Canada, Ottawa.

Framed.

59” x 59”, framed 65” x 65” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $5,000-$8,000 70 Four Pieces of Eagle-Decorated Porcelain 20th century, in the Chinese export style, including a covered tureen, h. 10-1/2”, w. 11-1/2”, d. 8-1/4”, a tureen stand, h. 2-1/4”, w. 13”, d. 11”, and a pair of plates, dia.

9-1/4”.

70

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $1,000-$1,500

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71 American Classical Mahogany Double-Pedestal Dining Table first quarter 19th century, comprised of two dropleaf tables, each fitted with a drawer at each end, supported by a square molded standard mounted to a shaped platform base with four outstretched legs ending in cast brass paw feet. each h. 28-1/2”, d. 45”, l. 31” (with leaves down), overall ext. l. 106” $1,200-$1,800

72 American Federal Mahogany Cellarette in the Sheraton Taste

71

first quarter 19th century, probably Boston, the face and lifttop with line inlay, the top opening to reveal a divided interior, raised on reeded legs on brass cups, the bottom constructed of white pine. h. 27”, w. 18”, d. 17” $1,200-$1,800

72

73 American Late Classical Mahogany Secretary Bookcase second quarter 19th century, probably New York, the form typically associated with the manufacturing firm of Joseph Meeks & Sons, of diminutive proportions, the upper section with a projecting, flared cornice above an arched frieze and a pair of glazed doors, flanked by turned columns, the lower case with a fold-down writing surface above three long drawers, also flanked by columns and raised on turned legs. h. 83”, w. 41-1/2”, d. 22” Literature: A similar secretary is illustrated in the 1833 Broadside advertisement of Joseph Meeks & Sons, 43 & 45 Broad Street, New York, published by Endicott and Swett, New York, illustration #41. $1,000-$1,500

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74

74

74 James C. Platt (American, New York, 1818-1882) “Portrait of Rachel Ann Woertendyke (1835-1870)”, 1858 “Portrait of Margaret Woertendyke (1832-1884)”, 1858 pair of oils on canvas each signed and dated mid-left.

Each in a period frame.

30” x 25”, framed 43” x 35” and 30” x 25”, framed 40-1/2” x 35”, respectively Provenance: Cornelius R. Wortendyke and & wife, Ann Berdan Wortendyke; to their daughter Rachel A. Wortendyke (Mrs. James Anderson); to their son Cornelius Woertendyke Anderson; to his daughter Margaret Anderson (Mrs. Eugene Franklin Emmons) thence by descent in the family to the consignor $1,500-$2,500

James C. Platt was born on October 6, 1818, on Staten Island, New York, though nothing is known of his early life and education.

He may well be the James C. Platt whom ship manifests show visiting England in 1844, but he is most certainly the “J.C. Platt, pupil of Mr. Huntington, the celebrated painter of New York” who advertised the opening of his studio in the Franklin Building in the Brooklyn Evening Star of October 30, 1850. He was listed as an active member of the Brooklyn Art Untion Gallery from 1851 and as an exhibitor at the Brooklyn, New York and New York City National Academy of Design 1852-1856. He advertised his portraits in New York newspapers and art magazines thoughout the 1850s, moving his studio to 599 Broadway in New York by 1860. He had returned to Brooklyn by the 1870s, and his works became quite popular, with sales of his works at Cole & Murphy in December 1870, the Brooklyn Art Association in March 1872, and the Institute Studios in April 1873. A notice in the June 7, 1876 Brooklyn Union noted that Platt “is one of the oldest artists in the city, in point of long residence, as his studio at No. 394 State street near Bond. He has a number of paintings just completed, or on the easel, among them a number of panel pictures in oil and several water-color studies . . . An upright panel painting of the celebrated Delaware Water Gap in autumn shows a good deal of bright warm color in the landscape, which contrasts well with the blue of the sky, which is flecked with fleecy clouds. Among the water colors were . . two cabinet pictures [of] Catskill Creek and Kauterskill Cove.” It was doubtless, however, portraits such as the present lot for which he was most celebrated. His portrait of George Washington Dixon (1808-1861) is in the National Portrait Gallery. Platt died on Christmas Eve 1882, and is buried in GreenWood Cemetery in Brooklyn. The Woertendyke family Tiffany & Co. Sterling Silver Tea Set is offered in this sale, lot 945.

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75 American Rosewood Half-Tester Bed, Stamped “C Lee” third quarter 19th century, the serpentine tester supported by tapering octagonal posts, supporting a paneled headboard with a shell- and cabochon-carved crest, with shaped rails and octagonal foot posts, stamped “C Lee” in several places for the Manchester, Massachusetts, shop of Charles Lee, who specialized in beds for the southern market. h. 121”, inside w. 64”, l. 77”, outside w. 72”, l. 86” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $4,000-$7,000

75

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76 Pair of American Late Classical Mahogany Foot Stools second quarter 19th century, of serpentine form and raised on conforming bracket feet. h. 16”, w. 18”, d. 18” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 77 Jacob Petit Paris Porcelain Garniture Set

76

mid-19th century, in the Rococo Revival taste, comprised of three pierced trumpet vases, each with three side vases, decorated with encrusted flowers, on scrolled bases, signed “J.P.” in underglaze blue. h. 8-3/4” to 13-1/4”, w. 5-1/4” to 8-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 78 Six-Piece Collection of Miniature Jacob Petit Paris Porcelain Objects second quarter 19th century, including two similar pairs of rhyton vases with encrusted flower swagging, h. 4-1/2”, w. 4”, d. 2-1/4”, a cattail-molded vase, h. 5”, dia. 2-3/4”, and a basket molded by Jacob Petit and decorated by Feuillet (pre-1836), h. 3-3/4”, w. 3-1/2”, d. 2-3/4”, each piece signed “J.P.” in underglaze blue, the basket marked “Feuillet” in gilt.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

77

78

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79 Seven-Piece Collection of Jacob Petit Paris Porcelain mid-19th century, including a pair of scent bottles decorated with molded leaves and figures of Eros holding wine cups, h. 11-1/4”, w. 5-1/2”, a pair of scent bottles with figures in Tyrolean costume, their hats set with feather-form stoppers, h.

8”, w. 2-1/4”, a scent bottle depicting a Moor, h. 9”, w. 3-1/4”, and a pair of rectangular cachepots decorated with birds and flowers, h. 4”, w. 3-1/2”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

79

$1,000-$1,500 80 Three-Piece Collection of Jacob Petit Paris Porcelain mid-19th century, including a dolphin-molded vase, h. 13-1/2”, w. 8”, d. 6”, a lit du jour-form encrier, the cover concealing ink pots, on molded swan feet, h. 4-1/2”, w. 8”, d. 2-3/4”, and a potpourri basket, h. 5-1/2”, w. 5”, d. 2-3/4”, each piece signed “J.P.” in underglaze blue; together with a Dresden-style porcelain basket with spurious Meissen “Marcolini” marks, h.

10-1/2”, w. 13-1/2”, d. 6” (four total pieces).

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

80

$1,000-$1,500 81 Two Pairs of Jacob Petit Paris Porcelain Scent Bottles mid-19th century, in the Rococo Revival taste, one pair decorated with panels of flowers, the panels framed with gilt figures in Renaissance costume, and the other pair decorated with polychrome flowers on a white ground, with raised gilt decoration on a bleu celeste ground, each bottle signed “J.P.” in underglaze blue. h. 9-1/2” to 9-3/4”, dia. 4” to 5” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 82 Two Pairs of Jacob Petit Paris Porcelain Vases

81

second quarter 19th century, each pair depicting a girl and boy, respectively, with a market basket, the girls with aprons laden with flowers, all polychrome-decorated on rocaillemolded and pierced bases, each signed “J.P.” in underglaze blue. h. 8-1/2” to 9”, w. 5-1/2”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 82

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83

83 Six Rare Jacob Petit Paris Porcelain Miniature Figures mid-19th century, including one example depicting Rebecca at the well with a male figure, labeled “Rebecca” on its platform, figures of Robinson Crusoe and Friday, a Meissen-inspired harlequin figure, a “hunter” spill vase, and a gentleman in 18th-century costume, each signed “J.P.” in underglaze blue. h. 2” to 2-3/4”, w. 1” to 1-3/4”, d. 1” to 1-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 84 Pair of Jacob Petit Paris Porcelain Spill Vases second quarter 19th century, depicting Robinson Crusoe and Friday, Crusoe in a fur costume with a conical hat, carrying a rifle, and Friday in a feathered apron with a parrot on his shoulder, each with woven baskets on their backs, signed “J.P.” in underglaze blue. h. 11-1/4” to 11-1/2”, w. 4”, d. 4-1/2” to 4-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

84

$1,000-$1,500

85 Pair of Cast Stone Basket-Form Garden Urns each modeled as a woven handled basket with ribbon and floral garland trim. h. 32-1/4”, w. 31”, d. 22” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

85

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86 New England Hitchcock-Style Polychromed Bench second quarter 19th century, with a shaped back rail, spindleturned supports and downswept arms mounted to a wide plank seat, raised on turned legs joined by stretchers, the mustard-painted ground with black line stenciling. h. 34”, w. 71”, d. 23” Provenance: Mercer County, Kentucky. $1,000-$1,500 87 After John James Audubon (American, 1785-1851) “Bay-breasted Warbler”, no. 44, pl. LXIX hand-colored engraving with aquatint from The Birds of America (1826-1838), Robert Havell edition, with “J. Whatman/1829” watermark.

Matted, glazed and framed. plate 19-3/8” x 12-1/4”, framed 48-7/8” x 38-3/8” $1,000-$1,500 88 American Cast Iron and Copper Bird Bath 19th/20th century, the cast iron rope-twist and leaf-molded architectural vasiform standard with a flaring copper basin. h. 39”, dia. 23-1/2”

87

$1,000-$1,500

86 88

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90

89 Cast Iron and Bronze Horse-Head Armillary Sphere first quarter 20th century, with a revolving cast iron horse’s head, the revolving mechanism set with two bronze gears, on a turned standard with a round base, the top with a bronze finial. h. 45-3/4”, dia. 19” $1,000-$1,500 90 Large Pair of Carved Stone Sphinxes second half 20th century, each modeled as a female bust on a recumbent lion’s body. h. 34” to 36”, w. 18”, l. 44” to 48” $1,500-$2,500 91 Set of Four Cast Iron Planters in the Neoclassical Taste fourth quarter 19th century, possibly American, with beaded rims framed in scrollwork, the sides molded with continuous rows of lotus leaves. h. 19”, w. 17-1/2”, d. 17-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 89

91

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92

92 Victorian Suite of “Four Seasons” Cast Iron Garden Furniture late 19th/early 20th century, comprised of a pair of settees and two side chairs, each with a medallion back modeled to depict the labors of each season, the settees with wooden slat seats, the chairs with circular pierced cast iron seats. settee h. 35-1/2”, w. 38”, d. 21-1/2”, chair h. 38-1/4” Provenance: Descended in the family of Dr. Joseph Alfred Hale, Holly Springs, Mississippi. $1,000-$1,500 Furniture in this pattern was produced in England and the United States, notably in Coalbrookdale and by Morgan, Macaulay and Wade, Yorkshire. The present suite unlabeled.

93

93 Labeled Near Pair of Cast Iron Gothic Garden Benches late 19th/early 20th century, in the “Gothic Arch and Rose” pattern, one labeled “Mfg by the Kramer Bros Fdy Co, Dayton, O”. h. 36”, w. 45-1/4”, d. 18” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800 Garden furniture in this pattern graced the Rose Garden, White House, until a recent redecorating.

94 Pair of Bronze Garden Urns in the Neoclassical Taste 20th century, the campana-form urns decorated with classical figures in bas-relief, beneath bold egg-and-dart-molded rims, the lower sections with masques. h. 34-1/2”, dia. 24” $1,500-$2,500 94

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95

95 Collection of Six American Cast Iron Garden Urns fourth quarter 19th century, including two pairs of campanaform urns with egg-and-dart rims and reeded lower bodies, and a pair of low urns with scrolled and molded edges and fluted standards. h. 12” to 25”, dia. 14” to 17-3/4” $1,000-$1,500

96 American Rococo Revival Walnut Secretary Bookcase third quarter 19th century, probably Baltimore, the arched top with a pierced and carved floral crest flanked by turned and carved finials, above a Gothic-influenced frieze with molded and recessed quatrefoil cut-outs, the upper glazed doors with carved grillwork panels and gold moire curtains, the lower case with a white marble deck above a pull-out writing drawer and a pair of paneled doors below with ornately carved frames. h. 96”, w. 46”, d. 22-1/2” $1,000-$1,500

96

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97 Signed Cornelius & Baker Brass and Bronze Four-Arm Solar Chandelier ca. 1851-1861, Philadelphia, in the Rococo Revival style, the standard decorated with applied scrollwork, three of the solar tanks labeled “Cornelius & Baker, Patent April 1st, 1845, Philadelphia”, supported on pierced and scrolled arms decorated with flowerheads, set with frosted glass ball shades cut in a lattice pattern. h. 35”, dia. 40” $1,500-$2,500

98 Labeled “J. & J.W. Meeks” American Rococo Revival Walnut and Marble-Top Coffee Table third quarter 19th century, with a conforming white marble top, the table fitted with a drawer along one side and mounted to a trestle-form base joined by a carved stretcher, the interior of the drawer bearing the stenciled label, “J. & J.W. Meeks, Makers, No. 14 Vesey St., New York”, reduced in height from a center table. h. 22”, w. 58-1/2”, d. 23-1/2”

97

$1,000-$1,500

99 Pair of American Renaissance Revival Burled Walnut Armchairs third quarter 19th century, each with an anthemion-, foliateand volute-carved crest over a shaped back, joined to open arms with carved brackets, a serpentine seat and trumpet legs. h. 39”, w. 27”, d. 22” $1,000-$1,500 99

98

40

98 detail

100 American Renaissance Revival Brass Gasolier third quarter 19th century, the six-arm gasolier with Neo-Grec incised linework, each terminating in an Aladdin lamp below the shade holder, fitted with later blue opalescent glass “coin dot” crown-top shades, electrified. h. 43”, dia. 38” $1,200-$1,800

101 The Chronicles of America Series Allen Johnson, ed., New Haven: Yale University Press, 1919, the Abraham Lincoln Edition, incomplete in 29 volumes of 50, navy cloth boards and spines with gilt lettering and design.

8” x 5” Volumes missing: 4, 8,11,13-16, 19, 24, 28, 30, 33, 34, 37- 40, 42, 45, 48. $1,000-$1,500

100

101

102 Ornate Patinated Brass and Spelter Oil Banquet Lamp fourth quarter 19th century, the base with a pair of maidens, one on each side, and a winged putto bust in the central medallion on the front and back, the front also with winged cupids and raised on dolphin-form feet, fitted with a periodstyle floral-etched glass shade flashed in teal blue, now electrified. h. 31”, w. 12”, d. 9” $1,000-$1,500 102

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103

103 Thomas L. McKenney (American, 1785-1859) and James Hall (American, 1793-1868) History of the Indian Tribes of North America, Vol. I, Philadelphia: Edward C. Biddle, 1836, large folio edition, color lithographic plates mostly after Charles Bird King (American, 1785-1862), half brown leather with cloth boards and gilt fillet.

20” x 14-1/2” $6,000-$9,000 103 details

104 F. Felton (American, fl. 1880) “The Sentinel”, 1879 oil on canvas signed and dated lower right.

Giltwood frame.

29-1/4” x 23-1/4”, framed 35” x 29” $1,000-$1,500

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104

105 Marshall Joseph Smith, Jr. (American/Louisiana, 1854-1923) “St. Tammany Plantation” oil on canvas indistinctly monogrammed lower left, stretcher monogrammed “MJS, Jr.” and localized “St. Tammany”, canvas with “Frost & Adam” supplier’s label en verso.

Framed.

12” x 15-3/4”, framed 16-1/2” x 20-1/4” Provenance: Purchased New Orleans gallery, ca. 1960, thence by descent. $8,000-$12,000

105

Marshall Joseph Smith, Jr., one of the most talented 19th century landscape artists of southern Louisiana, trained under Adolphe Jacquet, then Richard Clague, Jr.- the city of New Orleans' foremost landscape painter. Smith, along with fellow pupil William H. Buck, accompanied Clague into the rural bayous, swamps and fields, often inaccessible by road, to record the landscape and daily life of tenant farmers and fishermen. Their broad expanses with low horizons, executed through plein-air lighting, and keen attention to detail, redefined French Barbizon painting in a distinct Southern American-style called the Bayou School. Following in the path of his mentor, Smith studied abroad, particularly in Clague's native France, returning to the United States in 1876 and to New Orleans in 1877/1878, just before Clague prematurely died. Upon his death, Smith inherited Clague's sketchbooks and his legacy- recreating and painting anew Clague's sketches from both draft and in situ, often frequenting his favorite locales in St. Tammany Parish along the banks of Lake Ponchartrain and the Tchefuncte River. Smith founded the Southern Art Union in 1880 and the Proteus Carnival Organization in 1882 to further advocate the landscape genre of the Bayou School. Marshall J. Smith, Jr.'s landscapes of daily life of innocuous flora and fauna, much like the sketch offered here are as rich in tradition as are the families and parades through which they have passed. This work, likely executed, on his return (given the Boston canvas supplier stamp) is an homage to the late Clague- in stagnant heat of the setting hours of daylight, a woman of color with a scarlet tignon, leads her cattle homeward toward a small cabin in a clearing of Live Oaks laden in moss. A diminutive scene on a diminutive scale aggrandized by the immense horizon and dominion of the land recalls so many other Smith shanties like "Uncle Toby's Cabin" that graced Griswold's show window in April of 1877: "The rude and rustic habitation [offset]….in the distance is an oak tree remarkable for the truthfulness of color and the and the river view is really striking as a study of perspective"- New Orleans Daily Democrat, 30 April 1877, p.8

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106

106 Thomas Doughty (American, 1793-1856) “Sketch of a Small Settlement Nestled in the Mountains” oil on canvas signed en verso, dated and further inscribed with provenance en verso.

Framed and with artist plaque.

12” x 16”, framed 20-1/4” x 24-1/4” Provenance: By repute, with the family after the death of the artist; Dr. Henry F. Quackenbos (1820-1888), New York, New York; J. Hedden. $5,000-$8,000

107 Alfred Thompson Bricher (American, 1837-1908) “Study, Probably Bishop’s Rock, Grand Manan Island” oil on canvas signed lower right, stretcher with “Marbella Gallery, New York” label, ca. 1970, with title and measurements.

Framed.

12-1/4” x 10”, framed 18-1/4” x 16-1/2” $8,000-$12,000 107

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108 William Woodward (American/Louisiana, 1859-1939) “London, Trafalgar Square”, 1908 oil on canvas backed by board signed, dated and localized lower right.

Glazed and in a period frame. sight 17” x 12-1/2”, framed 20” x 15-1/2” $4,000-$7,000

108

109 Attributed to Irving Ramsey Wiles (American, 1861-1948) “At the Piano” oil on canvas unsigned, a “Godel & Company/New York” and sales labels en verso.

Framed.

16” x 13-3/4”, framed 23-1/4” x 21” Provenance: Godel & Company, New York, New York; Private collection New York, New York; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 25, 2018, lot 148; Private collection, Birmingham, Alabama. $4,000-$7,000

109

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110 J. M. G. Anglade (American, 19th/20th Century) “The Woodland Home in Fall”, 1901 oil on canvas signed and dated lower right.

Framed.

24” x 29”, framed 35-1/2” x 40-1/2” Provenance: Christie’s New York, August 31, 2010, lot 60; Private collection. $1,800-$2,500 111 Carducius Plantagenet Ream (American, 1838-1917) “The First Cut” oil on canvas signed lower right, verso with “Richard York Gallery, New York, NY” label.

Framed.

16” x 20-1/4”, framed 23-1/2” x 28”

110

Provenance: Richard York Gallery, New York, New York. $1,500-$2,500

111

112 Continental Pottery and Bronze Jardiniere in the Renaissance Taste fourth quarter 19th century, the pottery planter molded with flowering vines and butterflies, decorated in brown and pink, with a molded bronze rim, the bronze stand supported on paw feet, decorated with female busts, the upper portion with masque-molded ring holders and hung with swagged chains. h. 35-1/4”, dia. 15-1/4” $2,000-$4,000

112

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113 Pair of American Neo-Grec Cast Iron Urns fourth quarter 19th century, in the Etruscan style, with vasiform bodies. h. 30-1/2”, w. 15-1/2”, d. 9-1/2” $1,000-$1,500

113

114 Frederick Judd Waugh (American/New Jersey, 1861-1940) “Study for Waves” oil on masonite signed lower right and en verso.

Framed.

12” x 16”, framed 15-1/4” x 19-3/4” Together with the retrospective book Frederick J. Waugh, American Marine Painter by George R. Havens. $1,000-$1,500 114

115 Jay Hall Connaway (American, 1893-1970) “Summer Haze at Whitehead, Monhegan Island, Maine” oil on canvas board signed, titled and inscribed en verso, a “Spanierman Gallery/New York, New York” and sales labels en verso.

Framed.

20” x 24”, framed 28-1/4” x 32” Provenance: Spanierman Gallery, New York, New York; Barridoff Galleries, South Portland, Maine, August 6, 2004, lot 123; Private collection; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 25, 2018, lot 168; Private collection, Birmingham, Alabama. $2,000-$4,000

115

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116

116 Edward Henry Potthast (American, 1857-1927) “Beach Scene: At the Water” oil on board signed lower right, an old exhibition label with title en verso.

Framed.

5-1/4” x 7”, framed 10-1/2” x 12-1/2” Provenance: Estate of Antoinette Goetz, Greenwich, Connecticut; Private collection, Connecticut; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 25, 2018, lot 36; Private collection, Birmingham, Alabama.

Together with a copy of the letter of authentication from Mary Leonhard Ran. To be included in her catalogue raisonne of the artist. $7,000-$10,000 117 Walter Koeniger (American, 1881-1943) “Winter Landscape” oil on canvas signed and dated “25” lower left.

Craftsman carved giltwood frame.

32” x 32”, framed 39-1/2” x 40” $3,000-$5,000

117

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118 Victorian Brass and Prism-Hung Chandelier ca. 1900, the four-light chandelier with a pierced brass ring supporting four scrolled arms ornamented with leaves and pierced anthemia, and hung with opalescent prisms and set with period swirled opalescent glass gas shades with crimped ruffled edges. h. 37-1/2”, dia. 45” $1,000-$1,500 119 Mira Floor Model Double-Comb Disc Music Box ca. 1900, the figured mahogany case with original decal decoration, the lower cabinets fitted with six scalloped partitions for disc storage and accompanied by nine 18-1/2” discs. h. 41-1/2”, w. 29”, d. 23-1/2” $3,000-$5,000 118

119

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120 John Cowan (American/Texas, 1920-2008) “Greenheads Galore” watercolor on paper signed lower left, titled en verso and with a “Meredith Long & Company/Houston, Texas” label en verso.

Matted, glazed and framed. sight 21-1/2” x 29-1/2”, framed 30-3/4” x 38-3/4” Provenance: Meredith Long & Company, Houston, Texas; private collection, Texas. $6,000-$9,000

120

121 Brett James Smith (American/Louisiana, b. 1958) “In the Clear - Whitehead Deer”, 1988 oil on canvas board signed, dated and copyright-marked lower right .

Framed.

20” x 30”, framed 26” x 36” $3,000-$5,000

121

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122 Brett James Smith (American/Louisiana, b. 1958) “Bad Timing”, 1988 oil on canvas board signed, dated and copyright-marked lower right.

Framed.

22” x 31-1/4”, framed 31-1/4” x 40” $3,000-$5,000

122

123 Olaf Wieghorst (American/California, 1899-1988) “Strays” oil on canvas signed lower left.

Framed.

16” x 20”, framed 26” x 30” $4,000-$7,000

123

124 Brett James Smith (American/Louisiana, b. 1958) “Biscuit Blind”, 1986 oil on masonite signed and dated lower left, titled on brass artist plaque.

Framed.

25-1/2” x 31”, framed 33-1/4” x 39-1/4” $4,000-$7,000

124

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125 Twelve Stuart and Hanoverian English Silver Mote Spoons late 17th- to mid-18th centuries, including two rattail examples, three shell-heel examples, two gilt examples, with four others, l. 5” to 6”; together with a larger spurious example converted from a Georgian tablespoon, l. 9”.

13 pieces total 4.53 total t. oz.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 126 Set of Twelve George II Sterling Silver Service Plates hallmarked London, 1741-1742, by George Wickes, each with a serpentine-lobed gadrooned edge, engraved on the rim with the drapery-mantled arms of Baronet Harpur of Calke Abbey, Derbyshire impaling Manners, Duke of Rutland. dia. 9-1/2"; 225.29 total t. oz.

125

$12,000-$18,000 The arms here are those of Sir Henry Harpur, 5th Baronet (1708-1748), the son of Sir John Harper, 4th Bt. and Catherine Crew, and his wife Lady Caroline Manners (d. 1769), the daughter of John Manners, 2nd Duke of Rutland and Lucy Sherard. The couple were married on October 2, 1734.

126 detail

126 detail

126

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127 Pair of George III Sterling Silver Candlesticks hallmarked London, 1762-1763, by “IH” (John Horsley?), each of knopped baluster form of squared section, quartered by scrolling fans and surmounted by a cannon-form nozzle fitted with a conforming detachable bobeche. h. 3-3/4”, w. 4-1/2”; 38.92 total t. oz. $2,000-$4,000

127

128

128 George III Sterling Silver Salver hallmarked London, 1765-1766, by “LH”, circular form with openwork bead-and-scroll border, raised on four shell-andscroll feet, the plateau engraved with a scrolling rococo cartouche. dia. 14-1/4”; 44.13 t. oz. $1,000-$1,500 129 George III Sterling Silver Salver

129

hallmarked London, 1772-1773, by Elizabeth Cooke, of circular form with applied serpentine-lobed, gadrooned rococo rim, raised on three claw-and-ball feet, engraved with the crest of a wolf statant and monogrammed “WMJC”. dia. 13-1/2”, 35.86 t. oz.

Provenance: General George Cadwalader (1806-1879) of Philadelphia, to the Mease Family of his wife, Mary Francis Butler Mease, thence by descent until purchased by the present owner at Northeast Auctions, November 17-18, 2012, lot 591. $2,000-$4,000

129 detail

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130 George III Sterling Silver Fruit Bowl hallmarked London, 1777-1778, by Wakelin & Taylor, of oval form, with shaped and applied rococo rim above reticulated sides with stars, imbrication and lattices, embossed with oval cartouches and swags and raised on four scroll-crested shell feet, monogrammed “LA” opposing “JPW”, the underside with later presentation inscription. h. 5”, l. 13”, w. 10-1/2”; 33.77 t. oz.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

130

$1,200-$1,800 131 Good Regency Sterling Silver Epergne hallmarked London, 1804, by Thomas Holland II, with a central fruit basket decorated with openwork acanthus fronds and grape clusters between gadrooned banding, raised of four Egyptian bust feet above a base decorated en suite and with four scrolling arms coiled with serpents, the heads supporting an openwork basket, the whole raised on four eagle’s head feet, the baskets fitted with glass bowls, the central fruit basket removable for use by itself. h. 13”, w. 17-1/2”, l. 19-1/4”; 96.88 t. oz. (excluding glass bowls) Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $4,000-$7,000

131 details

131

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Notes: Ian Pickford notes in his authoritative Silver Flatware: English, Irish and Scottish, 1660-1980 (Woodbridge, Suffolk: Antiques Collectors’ Club, 1983) that “this is a scarce variant of the Fiddle pattern dating from the early nineteenth century and made mostly in Scotland and Newcastle, although London examples will be found. The majority of items are single struck . . . although rare double struck examples can be found.” This set is both London-made and double struck (i.e., with the shell pattern on both the front and back of the handle), so it is all the more extraordinary that all of the forks, spoons and serving pieces have the same date and maker’s mark. Uniform sets such as this with no variant or added pieces are quite rare. The absence of knives is not unusual; the thin, stamped sheet silver handles of the time were filled with pitch or plaster and did not survive nearly as well over the decades as did the solid silver forks and spoons. Indeed, it was not uncommon for knives to be purchased separately from a skilled cutler with sturdier bone or wooden handles.

132 Rare Uniform Regency Sterling Silver “Fiddle and Shell” Flatware Set all pieces hallmarked London, 1819-1820, by William Eley and William Fearn, including a dozen five-piece place settings with an additional thirty place pieces and ten serving pieces, each engraved with the crest of a cubit arm holding in the hand an open book; together with two dozen each later (Sheffield, 1982-1983) dinner and luncheon knives.

100 pieces plus 48 later knives 225.33 total t. oz. (weighable silver) Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $3,000-$5,000

132

132 details

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133 Baroque Tortoiseshell Mirror fourth quarter 17th century, Dutch or Flemish, with ebonized wood trim, the elements probably reconfigured from a larger mirror or frame. h. 19-1/2”, w. 17” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 134 Unusual Tortoiseshell and Red Lacquer Box 19th century, probably Chinese, with a red lacquer interior, the inner box with tortoiseshell around the outside walls. h. 4”, dia. 9” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800

133

134

135 Unusual English Tortoiseshell Bombe-Form Tea Caddy second quarter 19th century, with a complex molded cover, the interior with two lidded compartments, raised on turned feet. h. 6-1/4”, w. 6-1/4”, d. 3-1/2”

135

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800 136 Regency Tortoiseshell Tea Caddy first quarter 19th century, of modified sarcophagus form, the interior fitted with a pair of lidded compartments, raised on brass ball feet. h. 6-1/4”, w. 7-1/4”, d. 4-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,500-$2,500 136

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137

138

137 William IV Tortoiseshell Tea Caddy second quarter 19th century, with an oxbow facade and cove-molded cover, the interior with two lidded compartments. h. 5-1/2”, w. 8”, d. 4-3/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,500-$2,500 138 Victorian Tortoiseshell Cribbage Board fourth quarter 19th century, with inset panels and mother-of-pearl trim, raised on bun feet. h. 3/4”, w. 9-1/4”, d. 2-1/4”

139

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 139 Edwardian Tortoiseshell Jewel Case first quarter 20th century, the rectangular box with a slightly domed cover, raised on bun feet, key to the lock in the interior. h. 2-1/4”, w. 7”, d. 4-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

140

140 English Tortoiseshell Jewel Case second quarter 19th century, with rounded sides and cover and a satin-lined interior, raised on turned feet. h. 2”, w. 7-1/2”, d. 6-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 141 Collection of Five English Tortoiseshell Objets de Vertu 19th/20th century, including a purse with an accordion-action watered silk-lined interior, w. 4-1/2”, overall d. 3”, two calling card cases with shell-form cartouches, w. 2” to 2-1/4”, l. 3” to 3-1/4”, an etui with a hinged cover, l. 5”, d. 2-1/2”, and an eyeglass case, l.

5-1/2”, d. 2-1/4”.

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

141

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142 Collection of Seven English Tortoiseshell Boxes 19th century, including three rectangular snuff boxes, a tinlined box, a plush-lined heart-shaped jewel case, a flat card case, and one with a slanted cover. h. 1/2” to 4”, w. 1-1/2” to 2-3/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

142

144 Monumental Regency Giltwood Mirror

143

first quarter 19th century, the sides with pairs of molded Corinthian columns terminating in blocks decorated with images of Psyche, supporting a bracketed top cornice set with an ogee crown molding above a classical verre eglomise tablet, possibly depicting Greek tragedian Aeschylus. h. 110”, w. 69” $1,500-$2,500

143 detail

143 Exceptional George III Green-Stained Tortoiseshell Tea Caddy ca. 1800, of octagonal form, with Sheffield plate fittings, the interior with a pair of lidded compartments, raised on brass ball feet. h. 5”, w. 7”, d. 4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $3,000-$5,000

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144

145

145

145 Three Grand Tour Diorama Pictures second quarter 19th century, painted cut-outs superimposed over engravings/lithographs and glass, the examples illustrating: an exhibition, h. 12-1/4", w.

16-1/2", d. 2-1/4"; a funeral procession, h. 8-1/2", w.

17-1/2", d. 2-1/4"; and a fire show, h. 10-1/2", w. 12", d.

2-1/4". All glazed and presented in framed shadowboxes.

Provenance: Bruce McCashin Collection. $1,000-$1,500

146 Pair of Regency-Style Glass and Brass Hall Lanterns 20th century, each bell-form lantern cut with stars and mounted with a three-light electrical fixture, suspended beneath a glass smoke bell. lantern h. 21�, dia. 9� $1,000-$1,500

146

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148 Good Regency Mahogany Tray first quarter 19th century, of oval form, the tray of exotic tigerstriped mahogany with intricate multi-layered banding and raised gallery, surrounding an inlaid oval panel depicting a patridge shooting scene with three hunters and two hounds, after George Morland (British, 1763-1804), each end with a brass handle, raised on a bench-made stand crafted by William Cook Antiques, UK, with tapering square legs ending in spade feet. h. 20”, w. 31”, d. 21-1/2” Provenance: Bruce McCashin Collection. $1,000-$1,500

147

148

149 Small and Unusual English Tortoiseshell Tea Caddy second quarter 19th century, of modified sarcophagus form, the interior with two lidded compartments, raised on bun feet. h. 3-3/4”, w. 5”, d. 3-1/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800

147 detail

147 Regency-Style Mahogany Metamorphic Library Chair late 20th century, with scrolled and reeded arms, sabre legs and caned seat, converting to a step ladder with inset leather treads. h. 35-1/2”, w. 21”, d. 25”, open d. 45” $1,000-$1,500 149

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150 Victorian Tortoiseshell Tea Caddy second quarter 19th century, in the Restauration taste, the interior fitted with two lidded compartments, raised on ball feet. h. 5”, w. 7-1/4”, d. 4-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,400-$1,800 151 Victorian Tortoiseshell Tea Caddy 150

second quarter 19th century, in the Restauration taste, the interior with two lidded compartments, raised on turned bun feet. h. 5-1/4”, w. 8”, d. 4-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800

152 Edwardian Tortoiseshell Jewel Case first quarter 20th century, the rectangular box with a slightly domed cover, raised on bun feet. h. 2”, w. 8-1/2”, d. 7-1/4” 151

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

153 Two English Tortoiseshell Serpentine-Front Jewelry Cases ca. 1900, the interiors lined with velvet, raised on turned bun feet. h. 1-1/2” to 1-3/4”, w. 5-1/2” to 5-3/4”, d. 2-3/4” to 3-3/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 152

153

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154 Handsome Victorian Tortoiseshell and Silverplate Sardine Server fourth quarter 19th century, with tortoiseshell sides, the silverplate cover with a molded turtle, the interior with a removable pottery liner and an oak base. h. 5-1/4”, w. 5-1/4”, d. 5” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800 155 Collection of Four Tortoiseshell Objets de Vertu 154

19th/20th century, including a desk letter case, probably English, h. 7”, w. 7”, d. 3”, a Chinese oval box carved with dragons, h. 1-1/4”, w. 3-1/2”, d. 2-1/2”, an eyeglass case with silverplated fittings and a hinged cover, l. 5”, w. 2”, d. 1”, and a jewelry box with silverplated fittings and cabriole legs, h. 2”, w. 4”, d. 2-1/2”.

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 156 Collection of Eight English Tortoiseshell Boxes 19th century, including a rare Gothic eyeglasses case, l. 5”, w. 5”, a double eyeglasses case, l. 5-1/2”, d. 3”, two boxes with bright-cut silver fittings, l. 2-1/4” to 3”, w. 1-1/4” to 2”, two rectangular boxes, w. 2” to 2-1/4”, d. 1-1/4”, a tortoiseshell and bone snuff box, w. 3”, d.

1-3/4”, and a rectangular velvet-lined box, w. 2”, d. 2”.

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

155

$1,000-$1,500 157 William IV Tortoiseshell Octagonal Tea Caddy second quarter 19th century, with ogee-molded sides, the interior with one lidded compartment, raised on bun feet. h. 3-1/2”, w. 4-1/2”, d. 3” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800 158 Two Similar English Inlaid Tortoiseshell Cases

156

ca. 1900, the larger example with a silverplate cartouche with initials, the interior with workbox fittings, the smaller one with a painted interior. h. 1-1/4” to 1-3/4”, w. 5” to 6-1/4”, d. 3-1/4” to 4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

158

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157

159 Late Regency Mahogany and Specimen Marble-Top Center Table second quarter 19th century, the circular top inset with various stones, above a conforming apron supported by a turned and carved vasiform column, with a shell- and scroll-carved tripodal base. h. 30”, dia. 35-1/2” $1,200-$1,800 160 Impressive Eagle-Mounted Giltwood Girandole Mirror third quarter 19th century, probably American, the crest with a displayed eagle on a rocky outcropping, flanked by acanthus leaves and flowerheads, the cove-molded surround set with spherules, and an ebonized liner around the mirror plate, the base with giltwood acanthus leaves. h. 49”, w. 32-1/2” $1,500-$2,500

160

161 William IV Mahogany Sideboard second quarter 19th century, the D-form central section fitted with a single cutlery drawer, supported by two pedestals, each with a stepped top over a deep drawer to one side and a cupboard to the other, each with a lower paneled cupboard, raised on sabre feet. h. 41-1/2”, w. 64-1/2”, d. 18” $1,500-$2,500

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161

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162 Regency-Style Mahogany Dining Table the banded and circular top centered by a light wood medallion and with starburst veneers, and raised on four turned columnar standards to a concave square base to four splayed legs ending in brass caps and casters. h. 30-1/2”, dia. 72” $1,000-$1,500 163 Two Similar Edwardian Tortoiseshell Jewelry Cases first quarter 20th century, each with concave sides and a slightly domed cover, the interiors lined with velvet, raised on turned feet. h. 1-1/2” to 1-3/4”, w. 5” to 6-1/2”, d. 3-3/4” to 4-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

162

164 Unusual William IV Tortoiseshell Tea Caddy second quarter 19th century, with an ogee-molded front and conforming cover, the interior with a double-lidded compartment, raised on turned bun feet. h. 3-1/4”, w. 5-1/2”, d. 3-1/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 165 Regency Tortoiseshell Tea Caddy

163

second quarter 19th century, with an oxbow-form facade, the cover with a silverplate cartouche engraved with initials, the interior set with a pair of lidded compartments, raised on bun feet. h. 5”, w. 6-3/4”, d. 4-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

164 165

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164 detail

165 detail

166

166 detail

167

167 details

166 William IV Tortoiseshell Tea Caddy

168 English Tortoiseshell Tea Caddy

second quarter 19th century, with an oxbow-shaped facade and cove-molded cover, the interior fitted with a pair of lidded compartments, raised on bun feet. h. 5-1/4”, w. 8”, d. 4-3/4”

second quarter 19th century, in the Restauration taste, the cover set with a silverplate cartouche, the interior divided in two, raised on turned bun feet. h. 4-3/4”, w. 6-3/4”, d. 4-1/4”

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

$1,500-$2,500

$1,000-$1,500

167 William IV Tortoiseshell Tea Caddy second quarter 19th century, set with a cove-molded hinged cover, concealing a two-compartment lidded interior, raised on brass ball feet. h. 5-3/4”, w. 7”, d. 4-1/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,400-$1,800

168

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169 William IV Tortoiseshell Serpentine-Front Tea Caddy second quarter 19th century, the interior with a pair of lidded compartments, raised on bun feet. h. 5-1/4”, w. 7-1/4”, d. 5” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,500-$2,500 170 Pair of Regency-Style Creme-Peinte Armchairs

169

each with a back-scrolled crest above a paneled shell- and foliate-applied back, joined by fluted downswept arms to the padded seat, raised on ring-turned tapering circular legs. h. 33” $1,500-$2,500 171 Pair of Regency-Style Creme-Peinte Armchairs

169 detail

each with a back-scrolled crest above a paneled shell- and foliate-applied back, joined by fluted downswept arms to the padded seat, raised on ring-turned tapering circular legs. h. 33” $1,500-$2,500

170

172

172 Pair of Italian Regency-Style Giltwood Sconces mid-20th century, on bowknot-carved backplates, decorated with eagles and carved crossed bows and arrows, set with scrolled arms supporting turned candle cups and drip pans, the bases carved with tassels. h. 36”, w. 14”, d. 10-1/2” $1,000-$1,500 171

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174 Louis Soonius (Dutch, 1883-1956) “Picking Posies” oil on canvas signed lower right.

Period giltwood frame.

22-1/2” x 30”, framed 33” x 40” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

174

173 Provincial Louis XV Fruitwood Settee late 18th century, the padded and domed back joined by padded, scrolling arms to the shaped and padded seat, raised on cabriole legs headed by foliate carving and ending in fluted toes, joined by molded H-form stretchers. h. 41”, w. 48-1/2”, d. 19” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

175

175 Henri Rovel (French, 1862-1926) “Village Scene” oil on canvas signed lower right, inscribed en verso stretcher “St. Leonard...”

Period giltwood frame.

11” x 17”, framed 18” x 23” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

173

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177 Pair of Louis XV-Style Painted and Parcel-Gilt Fauteuils ca. 1900, each with a molded back with a shaped cushion, extending to open arms with scroll ends on supports, a serpentine seat and cabriole legs. h. 36-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

178 Collection of Thirteen Herend Animal Figures 20th/21st century, Hungarian, including a parrot, rabbit, rooster, duck, giraffe, ram, bear cub, goose, pony, pheasant, two owls and a foo dog, each with various marks. h. 2” to 6”, w. 1” to 3”, d. 1” to 8-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

176

176 Provincial Louis XV-Style Fruitwood Armoire 19th century, the domed and molded cornice above a case fitted with a foliate basket-carved frieze, over two bi-paneled doors, raised on scrolled toes. h. 91”, w. 56”, d. 22-1/2”

177

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000

178

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179 Arthur Hayer (German, 1872-1931) “Two Cats Playing” oil on canvas signed lower left.

Framed.

19-1/4” x 27”, framed 25-1/4” x 33” $1,200-$1,800

180 Louis Eugene Lambert (French, 1825-1900)

179

“Playful Kittens” oil on canvas signed lower right, indistinctly inscribed en verso.

Giltwood frame.

13” x 18-1/4”, framed 24-3/8” x 28” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

180

181 Carlo Fachinetti (Italian, 1870-1951) “Mother and Child” oil on canvas signed lower right.

Giltwood frame.

27” x 19”, framed 37-1/2” x 29-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000

181

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182 French Gilt-Bronze Chandelier in the Neoclassical Taste fourth quarter 19th century, the eighteen-light chandelier with a vasiform standard terminating in a quiver of arrows, the acanthus leaf-molded arms alternating between one and two lights, set into masque-molded arm holders, with swirled and fluted candle cups and matching drip pans. h. 36-1/2”, dia. 36” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

182

184 Follower of Francesco Lazzaro Guardi (Italian, 1712-1793) “Venice, a View of the Grand Canal with San Simeone Piccolo” oil on canvas 18th century, unsigned, verso stretcher with various white chalk markings.

Framed.

16-1/4” x 13-1/4”, framed 20-1/2” x 17” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

183

183 Napoleon III Giltwood Mirror third quarter 19th century, in the rococo taste, the mirrored frame with giltwood ribbon-bound reeding, the crest with an urn of flowers draped with swags flanked by putti and trailing flowers, the corners mounted with carved giltwood leaves, the primary mirror plate with a beaded giltwood liner. h. 68”, w. 37” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800

184

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185 Henry Gerard (French, 1860-1925) “The Grand Canal, Venice” oil on canvas signed lower left.

Period giltwood frame affixed with artist plaque.

15” x 24”, framed 25” x 34” Provenance: Sarl MDRS Antiquites Michel Ruis, Marche Dauphine, Saint-Ouen, France; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 185

186 Luc Cossier dit Walles (French, b. 1946) “Rue des Saules, Montmartre, Paris” and “Pont Neuf, Paris” two oils on canvas each signed lower right and titled en verso, each with several “Callan Fine Art, New Orleans, LA” labels, former with “PM Rousseau, Paris” label.

Both attractively framed. each 13-1/4” x 16”, framed: former 18” x 21-3/4”, latter 20” x 23”

186

Provenance: Callan Fine Art, New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

186

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187 Pair of Jacob Petit Paris Porcelain Baluster Vases mid-19th century, now mounted as lamps, decorated with panels of Elizabethan strapwork alternating with flowers and arabesque scrollwork, on a bleu celeste ground, the bases marked “J.P.” in underglaze blue, now mounted on molded brass bases. h. 28-1/2”, dia. 6-1/4” Provenance: M.S. Rau Antiques, New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 187

188 Four Pieces of Jacob Petit Paris Porcelain mid-19th century, including a pair of flower-encrusted vases set with rope-twist handles, h. 8”, dia. 4”, and a pair of molded scent bottles decorated with molded figures of peasants alternating with hand-painted flowers, h. 10-1/2”, dia. 4-1/2”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 188

189 Pair of Large and Exceptional Jacob Petit Paris Porcelain Vases second quarter 19th century, the vases depicting Poseidon and Amphitrite, respectively, each figure seated on a polychrome dolphin and holding aloft a mazarine-ground trumpet vase molded with cattails and decorated with panels of hand-painted flowers, the mazarine-ground bases molded with seashells and coral, each signed “J.P.” in underglaze blue. h. 22”, w. 12”, d. 7-1/2” Provenance: M.S. Rau Antiques, New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $3,000-$5,000 189

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190 Four Pieces of Jacob Petit Paris Porcelain Objects mid-19th century, the collection including a female figure sweetmeat dish, h. 8”, w. 8”, d. 6”, a Zouave-molded candelabrum standard, h. 11-1/4”, w. 4-3/4”, d. 4-1/2”, a “boy” figural two-light candelabrum, h. 7-3/4”, w. 5”, d. 3-3/4”, and an oval card tray on a scrolled base, h. 4”, w. 5”, d. 4”, the sweetmeat dish and “boy” candelabrum signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

190

191 Two Jacob Petit Paris Porcelain Monkey-Molded Objects second quarter 19th century, inspired by Meissen monkey bands, including a pitcher modeled as a monkey in 18th-century costume, and a spill vase modeled as a monkey dressed as a bargeman, a bargeware teapot on one side, a baby monkey on the other, each signed “J.P.” in underglaze blue. h. 7” to 8-1/2”, w. 2-1/2” to 5-1/2”, d. 7” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

191

192 Rare Three-Piece Collection of Jacob Petit Paris Porcelain Figures second quarter 19th century, including a lidded caricature jug of a woman dressed in farthingale, h. 9-1/2”, w. 7”, a figure of a woman drowsing, h. 6-1/2”, w. 4-1/2”, both with a “J.P.” mark in underglaze blue and a Bristol-style mark, together with a scent bottle in the form of a woman in Renaissance costume, a bird perched on her finger, h. 9-1/2”, w. 5-3/4”, signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 192

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193 Contemporary Inlaid Mahogany and Brass-Mounted Vitrine the bowfronted vitrine with a pair of plate-glass curved doors, the frame inlaid in a braided pattern, with interior lights and four plate-glass shelves. h. 89”, w. 44”, d. 20” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 194 Contemporary Inlaid Mahogany and Brass-Mounted Vitrine the bowfronted vitrine with a pair of plate-glass curved doors, the frame inlaid in a braided pattern, with interior lights and four plate-glass shelves. h. 89”, w. 44”, d. 20” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 195 Remarkable Pair of Jacob Petit Paris Porcelain Schneeballen Ewers mid-19th century, the large ewers with gilt-molded handles and spouts, the schneeballen (snowball) bodies punctuated with bunches of encrusted flowers, the bases molded with giltframed “jewels”, each signed “J.P.” in underglaze blue. h. 16”, w. 6-3/4”, d. 6-1/4”

193

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,800-$2,500

195

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194

196 Two Jacob Petit Paris Porcelain Figural “Nodder” Groups mid-19th century, each group modeled as a wizard and his companion, all dressed in elaborate polychrome garb, the wizards with pointed hats and shoes, each signed “J.P.” in underglaze blue. h. 13” to 14-1/2”, w. 6-1/2” to 7”, d. 3” to 3-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

196

197 Pair of Jacob Petit Paris Porcelain Scent Bottles second quarter 19th century, each with a pierced gallery near the top and molded dolphin feet, the sides decorated with hand-painted polychrome floral panels, set with matching molded stoppers, each signed “J.P.” in underglaze blue. h. 9”, w. 4-1/2”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

198

199 Pair of Unusual Jacob Petit Paris Porcelain Vases mid-19th century, in the Renaissance taste, the biscuit bodies decorated with scrollwork and masques, and set with vinemolded handles with gilt grapes, the upper portions with like decoration, framing biscuit-molded masques, signed “J.P.” in underglaze blue. h. 11”, w. 6-1/2”, d. 4-1/2” 197

198 Impressive Jacob Petit Paris Porcelain Potpourri Vase

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

second quarter 19th century, gilded and hand-painted with panels of flowers, the domed cover pierced and mounted with a removable flame-molded cap, and supported on griffinheaded monopodia, signed “JP” in underglaze blue, h. 19”, dia. 9-1/2”, under a 19th-century glass dome with a later mahogany base, h. 23-1/2”, dia. 13”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $3,000-$5,000

199

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200 Three Pieces of Jacob Petit Paris Porcelain second quarter 19th century, including a rare hydra jug, based on ancient classical wine and water jugs, h. 9-1/4”, w. 7-1/2”, d. 6-1/4”, a “Drunken Silenus” jug, based on Minton jugs, h.

5-1/2”, w. 5-1/2”, d. 3-1/4”, and an unusual covered cup with a figural handle, h. 5”, w. 5-1/2”, d. 5”, each signed “J.P.” in underglaze blue; together with an unsigned Elizabethan Revival vase, h. 17-1/2”, dia. 4-1/2” (four total pieces).

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 201 Six Jacob Petit Paris Porcelain Sultan and Sultana Scent Bottles

200

mid-19th century, the collection including two pairs of bottles, a single Sultan bottle and a single Sultana bottle, each signed “J.P.” in underglaze blue; accompanied by an unmarked clock figure depicting a Sultan and a water carrier (seven total pieces). h. 4-1/4” to 11-1/2”, w. 3” to 8”, d. 2-3/4” to 5” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

201

202 Seven-Piece Collection of Jacob Petit Paris Porcelain Figures mid-19th century, including a pair of flasks in the form of seated Tyroleans, a pair of chinoiserie figures with spill vases, a pair of scent bottles depicting a standing Tyrolean couple, and a Staffordshire-style spill vase in the form of a peasant girl standing adjacent to a tree trunk, each piece marked “J.P.” in underglaze blue. h. 8” to 10-1/4”, w. 2-1/4”, to 15”, d. 2-1/4” to 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

202

203 Three Pieces of Jacob Petit Paris Porcelain mid-19th century, in the Rococo Revival taste, including an encrier decorated with figures of children playing with a bird, flanked by an ink pot and pounce pot, h. 9”, w. 9-1/2”, d. 6-3/4”, a bulb pot decorated with flowers and gilt rocaille work, h. 8”, dia. 6”, and an “English” teapot in the Rockingham style, h. 7-1/4”, w. 11”, d. 6-1/2”, each piece signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 203

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204 Contemporary Inlaid Mahogany and Brass-Mounted Vitrine the bowfronted vitrine with a pair of plate-glass curved doors, the frame inlaid in a braided pattern, with interior lights and four plate-glass shelves. h. 89”, w. 44”, d. 20” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 205 Exceptional Jacob Petit Paris Porcelain Scent Bottle mid-19th century, the bottle in the form of a crown, decorated with encrusted flowers alternating with molded “jewels” and set with a cruciform stopper, above a “cushion” decorated with corner tassels and encrusted flowers, the bottoms marked “J.P.” in underglaze blue. h. 9”, w. 6-3/4”, d. 6-3/4” Provenance: M.S. Rau Antiques, New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

204

206

206 Three-Piece Collection of Jacob Petit Paris Porcelain mid-19th century, each piece hand-painted on a green ground and decorated with raised gilt, including a pair of cornucopia vases decorated with flowers, h. 8-3/4”, w. 8”, d. 5-1/2”, and a spill vase molded with quivers of arrows flanking the vase, hand-painted with a cupid, the reverse with raised gilt, h.

5-1/2”, w. 4-3/4”, d. 2-1/4”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

205

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207 Nine-Piece Collection of Jacob Petit Paris Porcelain second quarter 19th century, including a pagoda-form scent bottle, h. 9-1/2”, w. 4”, d. 3-1/2”, two pairs of similar scent bottles, one with chinoiserie decoration and the other with flowers, h. 7-3/4”, dia. 3-1/4”, and a pair of “English” cups and saucers, h. 2-1/2”, dia. 5-3/4”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 207

208 Six-Piece Collection of Jacob Petit Paris Porcelain mid-19th century, including a ewer and bottle vase decorated with grapes and flowers, a flower-decorated vase, a chamberstick and a pair of small perfume bottles, one with a stopper, each piece signed “J.P.” in underglaze blue. h. 3-1/2” to 9-1/2”, w. 2-3/4” to 6”, d. 2-3/4” to 5” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

208

$1,000-$1,500

209 Three-Piece Collection of Jacob Petit Paris Porcelain Figures second quarter 19th century, including a pair of scent bottles in the form of children selling flowers, each holding a basket of encrusted blooms, and a spill vase depicting a woman selling pottery, a barrel to one side, all on molded and pierced bases, signed “J.P.” in underglaze blue. h. 8” to 8-1/4”, w. 4-1/2”, d. 4-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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209

210

210 Five-Piece Collection of Jacob Petit Paris Porcelain Rarities second quarter 19th century, including a baby in a cabbageform night light, h. 3-1/2”, dia. 4-1/4”, a Coalbrookdaleinspired card tray decorated with fruit, h. 4”, w. 8-1/2”, a Derby-inspired “satyr-head” cream jug, h. 4”, w. 2-1/2”, a pineapple-form scent bottle decorated with encrusted flowers, h. 8”, w. 4-1/2”, and a Venetian-inspired blackamoor supporting a double trumpet vase, h. 6-1/2”, w. 4”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 211 Contemporary Inlaid Mahogany and Brass-Mounted Vitrine

211

the bowfronted vitrine with a pair of plate-glass curved doors, the frame inlaid in a braided pattern, with interior lights and four plate-glass shelves. h. 89”, w. 44”, d. 20” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 212 Pair of Jacob Petit Paris Porcelain Figural Flasks second quarter 19th century, modeled as a seated couple in 18th-century costume, a female and male, respectively, the tops set with flower-molded stoppers, each signed “J.P.” in underglaze blue. h. 10-1/2”, w. 3-1/2”, d. 5-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Literature: A closely related pair of standing figures is illustrated in Porcelain of Paris by Plinval de Guillebon, p. 237. $1,000-$1,500

212

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213 Three-Piece Collection of Jacob Petit Paris Porcelain Vases mid-19th century, in the Rococo Revival taste, including an exuberant scroll-molded covered potpourri vase molded with grapes and decorated with encrusted flowers, h.

12-1/2”, w. 9”, d. 5”, and a pair of vases with pierced rims and bases, richly decorated with encrusted flowers, h.

9-3/4”, dia. 5”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

213

214 Three Pieces of Jacob Petit Paris Porcelain mid-19th century, including an encrier with flowers and birds, the top set with a pounce pot flanked by ink pots, all with matching covers, h. 4”, w. 14-3/4”, d. 7-1/2”, and a pair of Rococo Revival candlesticks decorated with raised gilt framing floral panels, h. 10”, dia. 5”, each piece signed “J.P.” in underglaze blue.

214

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

215 Three-Piece Collection of Jacob Petit Paris Porcelain second quarter 19th century, including a pair of bulb pots with pierced terracotta borders, decorated with hand-painted flowers, h. 7-3/4”, w. 4-1/2”, and an unusual lavender-ground vase decorated with a hand-painted scene of a boy reading to his dog on one side and a man and woman on the other, h. 6-3/4”, w. 4-3/4”, each piece signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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215

216 Six-Piece Collection of Jacob Petit Paris Porcelain second quarter 19th century, including a pair of rare spill vases with nautical scenes, one signed “J.P.” in underglaze blue, h. 5-1/2”, w. 4-3/4”, d. 2-1/2”, a rare covered trembleuse with flowers and decorated with raised gilt, the saucer with an “A.P.” monogram, signed “J.P.” in underglaze blue, h. 6-1/4”, dia. 7-1/2”, and a pair of miniature “jeweled” campana-form vases, attributed to Jacob Petit, unmarked, h. 8”, dia. 4”; together with a well-painted Paris portrait cup depicting a Renaissance noblewoman, h. 4-1/2”, dia. 3-1/2”, each signed”J.P.” in underglaze blue.

216

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

217 Two Pairs of Jacob Petit Paris Porcelain Scent Bottles mid-19th century, including a pair of ovoid footed bottles, one side decorated with a courting scene and the other with a bird and flowers, h. 7-3/4”, w. 4”, d. 2”, and a pair of figural bottles of a Scottish couple, h. 9”, w. 4”, d. 4-1/2”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 217

218 Three Jacob Petit Paris Porcelain Figures second quarter 19th century, including a large example with a pair of Renaissance musicians playing the lute and singing, h. 10-1/2”, w. 7-3/4”, d. 4-1/2”, and a pair of spill vases depicting peasants, h. 8-1/2”, w. 4” to 4-1/4”, d. 3” to 3-1/4”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 218

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219 Attributed to Jan van Huysum (Dutch, 1682-1749) “Floral Still Life with Butterflies and Bird’s Nest” oil on canvas signed “Jan Van Huysum/fecit” lower right.

Presented in a carved wood frame inlaid with mother-of-pearl.

35-3/4” x 24”, framed 41” x 29-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $50,000-$80,000

219

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220

220 Magnificent English Regency Bronze Chandelier

221 Rare English Regency Bronze Chandelier

second quarter 19th century, attributed to Thomas Messenger & Sons, Birmingham and London, the fifteen-light chandelier with graduated swags of flowers, masques and molded acanthus leaves supporting the body set with five three-light arms, dovetailed into the body, the arms molded with scrollwork and acanthus leaves supporting leaf-molded candle arms, set with tulip-form candle cups, the tapered lower portion of the body decorated with beading, scrolled shell mounts and a leaf-molded finial. h. 33”, dia. 39”

second quarter 19th century, in the manner of Thomas Messenger & Sons or a contemporary of equal rank, the fifteenlight chandelier with a standard decorated with Bacchanalian busts, pierced scrollwork and masques, supporting swags of flowers, the body decorated with masques alternating with acanthus leaf-molded and scrolled arms, each supporting leafmolded branches set with tulip-form candle cups, the bottom with bas-relief scrollwork and a lotus-molded finial. h. 39”, dia. 45” Provenance: Denton Antiques, London, UK; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Provenance: Denton Antiques, London, UK; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$5,000-$8,000

$5,000-$8,000

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222

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The presumed sitter of this portrait, Lady Elizabeth Harcourt, was the only daughter of Simon Harcourt, 1st Earl Harcourt and his first wife Rebecca Le Bas of Pipewell Abbey. Her father was a member of the Royal Court, having served as Lord of Bedchamber to George II, Ambassador Extraordinary to Mecklenburg-Strelitz, to facilitate the engagement of Princess Charlotte and George III, and Lord Chamberlain of Queen’s Household, among other numerous prestigious positions.

He was to end his career as the Lord Lieutenant of Ireland. As befitting her father’s position at court, Lady Elizabeth was one of only ten young ladies chosen to be a train bearer to Queen Charlotte at her wedding to George III in 1761. In 1763, Lady Elizabeth wed Sir William Lee, 4th Baronet Hartwell; of their three children, only two sons survived to adulthood.

222 Attributed to George Knapton (British, 1698-1778) “Portrait of a Lady in Saffron Silk, Possibly the Right Honourable Lady Elizabeth Harcourt, Later Lady Lee (17391811)” oil on canvas unsigned, a “James Bourlet & Sons, Ltd./Nassau Street” framer’s label and partial Gander & White/London” shipping label en verso, white chalk marked “786/Pendley/248” across top bar of stretcher, numbered “11” on center stretcher bar, and marked “345” verso canvas upper right.

In an attractive carved giltwood frame.

51-1/2” x 38-3/4”, framed 59-1/4” x 46-1/4” Literature: Edward William Harcourt, ed., The Harcourt Papers, Volume I(Oxford: James Parker & Co.), 1880, pp. 253-254.; Bruce Redford, Dilettanti: The Antic and Antique in EighteenthCentury England (Los Angeles: The J. Paul Getty Museum), 2008.; Captain W. H. Smyth, R.N., Aedes Hartwellianae, or Notices of the Manor and Mansion of Hartwell (London: John Bowyer Nichols and Son), 1851-1864, including illustrations

by Lady Lee.; The Peerage of England, Scotland and Ireland, Volume I (London: W. Owen), nd, p. 283.; Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, accessed pastellists.com $4,000-$7,000

The Harcourt family were patrons of the arts, and Lady Elizabeth and her brother received drawing lessons from Court painters; for several years they studied pastel under Sir George Knapton. She was considered an able and accomplished artist and her Portrait of George Bingham, 3rd Earl of Lucan as a Boy, sold at Christie’s London: the Althorp Attic Sale, July 8th, 2010, lot 456.

Sir George Knapton was a society painter closely associated with the Court of George III. He studied under Jonathan Richardson (1667-1745) and attended St. Martin’s Lane Academy (the precursor of the Royal Academy) before embarking on a seven-year Grand Tour in Italy. While in Rome, he made the acquaintance of several wealthy young Englishmen, all scions of the wealthiest and most privileged aristocratic families. Upon their return to England, these men formed the infamous Society Dilettanti, a club ostensibly for the admiration and promotion of the arts and architecture.

Knapton was one of the founding members and was made the official “limner” of the association. According to the Society’s decree of January 1740, “Every member of the Society do make a present of his Picture done by Mr. Geo. Knapton a Member to be hung up in the Room where the said Society meets”; should a member be negligent in this, a formidable fine would result. Knapton maintained this position until his resignation in 1763, completing over twenty portraits. Later “limners” included Sir Joshua Reynolds and Sir Thomas Lawrence.

The Society afforded Knapton contact with some of the most influential members of the Royal Court, and in 1750 he was tasked by the then Prince of Wales to catalogue and document the paintings in the royal residences, including those conserved at Kensington Palace and Windsor Castle. Knapton was later named Surveyor of the King’s Pictures, a tenure that lasted from 1765 until his death in 1778.

A portrait of Lady Elizabeth Harcourt attributed to George Knapton is in the collection of Sudbury Hall, Derbyshire. The resemblance of the Sudbury portrait and the one offered in this lot are striking; both sitters reveal a distinct physiognomy of high, prominent forehead, slender jawline, narrow shoulders and deeply sloping bosom.

The Harcourt Estate and Family Papers are conserved at the Bodleian Libraries Archive, University of Oxford and the Hartwell House Papers are held by the National Archives, Kew, Richmond.

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223 Suite of Eight George III Mahogany Dining Chairs in the Chippendale Taste

224 Fine English Regency Mahogany Extension Dining Table early 19th century, with a fold-over top that converts from a console table to a dining table and featuring a rare accordion expansion system to accommodate two 22” leaves and one 19” leaf. console: h. 29-1/2”, w. 48-1/2”, d. 22”; table: h. 28-1/2”, w.

48-1/2”, l. 44”, ext. l. 107”

comprising six 18th-century side chairs and a pair of 20th-century bench-made armchairs, each with a shaped foliate-carved crest rail above a pierced splat, a slip seat and straight legs, each front leg with shaped brackets, the legs joined by stretchers. h. 38-3/8”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$2,000-$4,000

$2,000-$4,000

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225 George III Mahogany Cellarette 19th century, of elongated octagonal form, the sides with inlaid ebonized banding, raised on ribbed tapering square legs ending in brass caps and casters. h. 21-3/4”, w. 24-1/2”, d. 16-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 226 George III Mahogany Sideboard fourth quarter 18th century, with a shaped and bowed top above a fitted central drawer, flanked to one side by a cupboard and to the other by a deep drawer, both faced as two drawers, raised on tapering square legs ending in spade feet. h. 39”, w. 75-1/2”, d. 26-1/4”

225

Provenance: M.S. Rau Antiques, New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 227 Royal Crown Derby “Old Imari” Partial Dinner Service 20th century, the service including twenty dinner plates, dia.

10-1/2”, eight crescent salad plates, w. 8-1/2”, d. 5-3/4”, four “Sheffield” dessert plates, dia. 8-1/2”, six flat cups and saucers, h. 2-3/4”, dia. 5-3/4”, a basket, h. 4-1/2”, w. 11”, a pair of miniature vases, h. 2-1/2”, dia. 1-3/4”, a pair of nut dishes, dia. 4-1/4”, a round tray, dia. 9”, three demitasse cups, h. 2-1/4”, a covered cigarette lighter, h. 3-1/4”, three ash trays, w. 3-1/2”, d. 3”, and a bread-and-butter plate, dia. 6”, each piece marked with various marks and years of production.

226

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800

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228 Regency Revival Giltwood Three-Part Overmantel Mirror ca. 1900, with reeded Ionic pilasters framing the panels, with a reeded and lotus leaf-carved cornice over a fret-carved Greek-key-decorated entablature. h. 38-1/2”, w. 73” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800 229 Pair of George III-Style Mahogany Gainsborough Chairs each with an upholstered back joined to open arms on shaped supports, and raised on square legs with molded and chamfered outer edges, joined by H-form stretchers, now upholstered in light brown and tan fleur-de-lis brocade. h. 38-1/2”

229

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,400-$1,800 230 Two Small English Tables 19th century, including a William IV rosewood example, with an octagonal top raised on a turned and lotus-patterned standard to three legs ending in scrolled toes, h. 29-1/4”, top dia. 16-1/4”, and a Victorian mahogany candle stand with a trefoil top above a conforming frieze fitted with one drawer, raised on a spiral-ribbed standard to a trefoil platform on three splayed legs, h. 26-1/2”, top dia. 9”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200

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231 British School (19th Century)

233 After Sir Joshua Reynolds, P.R.A. (British, 1723-1792)

“Loch Ness, Scotland” and “Wooded Interior with a Rushing Brook”

“The Age of Innocence”

two oils on canvas former affixed with a period label, hand-inscribed with the titled and location of the painting and attribution to Sidney Yates Johnson (fl. 1901-1910), latter signed lower right “E. Clark”.

Both in period giltwood frames. former: 10” x 14”, framed 18” x 22”, latter: 10” x 14”, framed 18-1/4” x 22-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200 232 Queen Anne Walnut Lowboy

oil on canvas 19th century, unsigned, artist and title stenciled on frame, after the ca. 1785 painting now conserved (but presently not on display) at Tate, London.

In an antique frame.

30” x 25”, framed 39-1/2” x 34-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000 This delightful character study of a young girl was instantly popular with British society, and numerous copies were created. It did not receive the name under which it is now so commonly referred until 1794, when an ambitious engraver thought a more poetic descriptor would appeal to the masses.

18th century, the banded rectangular top above a conforming frieze fitted with a single long drawer, raised on cabriole legs ending in spade feet. h. 27”, w. 29-1/2”, d. 19” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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234 Pair of Bohemian Cut and Engraved Colorless Glass Pokals 20th century, the cylindrical bodies decorated with panels depicting stags jumping over a fence, set on trumpet-form honeycomb-cut bases, the covers with graduated knops. h. 22-1/2”, dia. 5” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200

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235 George III Mahogany Chest fourth quarter 18th century, the serpentine top with a molded edge, above a conforming case fitted with three short drawers over three graduated long drawers, raised on bracket feet. h. 35”, w. 37-1/4”, d. 20-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 236 George III Mahogany and Brass Paddle Stick Barometer ca. 1800, signed “Carg, London” on the brass gauge plate, the mahogany edge molded. h. 38”, w. 4-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200 236

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237 George III Mahogany Kneehole Desk 18th century and later, the rectangular top banded and with a single drawer, over a recessed kneehole cupboard, flanked to either side by three short drawers, raised on bracket feet. h. 31”, w. 33”, d. 19” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

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238 George III Mahogany Highboy 18th century and later, the molded and dentillated cornice above a blind fret-carved frieze, over two short drawers and three graduated long drawers, the lower section fitted with two short central drawers, flanked to either side by two deep drawers, raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 69-1/4”, w. 43-1/2”, d. 20-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,500-$4,000

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239 British School (18th Century) “Portrait of a Young Girl in a Beflowered Bonnet and Holding a Posy of Pink Damask Roses, Against a Vast Wooded Landscape” oil on canvas unsigned, an old stencil “FG551” and a “James Bourlet & Sons, Ltd./Nassau Street” framing label en verso.

Framed.

44” x 35-1/2”, framed 52-1/4” x 42-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $5,000-$8,000 240 George III Mahogany Bureau fourth quarter 18th century, the narrow rectangular top above a slant front, opening to a variety of drawers and cubbyholes and a storage well, over two short drawers, raised on cabriole legs ending in pad feet. h. 35”, w. 30”, d. 19-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800 241 George III-Style Rosewood Stool the long, padded rectangular top raised on molded cabriole legs ending in scrolled toes. h. 19-1/2”, w. 54-1/2”, d. 23-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

239

$1,000-$1,500

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244 British School (18th Century) “Portrait of a Lady with Pearls” oil on canvas unsigned, old inventory labels en verso.

Framed.

30” x 25”, framed 37-1/2” x 31-1/2” $1,200-$1,800

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242 George III Mahogany Chest-on-Stand fourth quarter 18th century, the molded and dentillated crest with canted corners, above a case fitted with three short drawers over three graduated long drawers, the lower section fitted with three graduated long drawers, raised on tall bracket feet. h. 72”, w. 42”, d. 21-1/2”

244

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,500-$4,000 243 George III Mahogany Sofa early 19th century, in the Hepplewhite style, the domed and padded back joined by downswept arms to the tri-cushioned seat, raised on tapering square legs ending in casters. h. 39”, w. 79”, d. 25” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 243

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245 George III Mahogany Bachelor’s Chest fourth quarter 18th century, the rectangular top with a molded edge, above a conforming case fitted with a brushing slide over four graduated long drawers, raised on bracket feet. h. 32”, w. 31-1/2”, d. 19-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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246 George III Mahogany Bachelor’s Chest fourth quarter 18th century, the serpentine top with a molded edge, above a conforming case fitted with a baize-lined brushing slide over four graduated long drawers, raised on bracket feet. h. 37”, w. 36-1/2”, d. 22-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

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247 Attributed to John Opie (British, 1761-1807) “Portrait of a Lady, by Repute Mrs. John White” oil on canvas with “Arnold Wiggins & Sons/London” and “Scott & Fowler/ New York” labels and a handwritten expository note en verso.

Framed.

29-1/2” x 24-1/2”, framed 37-5/8” x 32-1/2” Provenance: Mr. George White, Esq., Ashley House, Epsom, Surrey, UK; Arnold Wiggins & Sons Ltd., London, UK; Scott & Fowler, New York, New York; Knoedler Galleries, New York, New York, ca. 1923; Bruce McCashin Collection. $3,000-$5,000

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248 British School (19th Century) “Portrait of Sir Walter Scott in His Study” oil on canvas unsigned.

Framed.

30” x 25”, framed 34-1/4” x 29-1/4” $5,000-$8,000 249 George III-Style Mahogany Writing Table 19th century, the rectangular top with an inset leather writing surface, above a conforming frieze fitted with three drawers to either side, raised on tapering square legs ending in spade feet. h. 30”, w. 55-1/2”, d. 37-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

249

$1,000-$1,500

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250 George III Burl Walnut Tall Case Clock fourth quarter 18th century, the hood with a blind fretwork frieze above an arched door, the brass face engraved “Robert Clarke, London”, the movement with a time, strike and calendar dial, raised on a molded plinth base. h. 87”, w. 20-1/2”, d. 10-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 251 George III Mahogany Bachelor’s Chest fourth quarter 18th century, the rectangular top with a molded edge, above a conforming case fitted with four graduated long drawers, raised on bracket feet. h. 32”, w. 30”, d. 17-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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252 William and Mary Walnut-Veneered Mirror fourth quarter 18th century, the bolection surround on an ebonized liner surrounding the mirror plate. h. 34-1/2”, w. 26” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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253 Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) “Naked Woman Seated on a Mound”, ca. 1631 etching on laid paper with crown and fleur-de-lis watermark KJG stamp (Lugt 1169bis) and inventory numbers en verso, print titled and identified on Vincent Price Collection labels on frame backing.

Matted, glazed and framed.

6-7/8” x 6-1/4”, framed 20-3/4” x 16” Provenance: Karl J. Gottstein, Vienna, before 1925; his sale, C. G. Boerner, Leipzig, 23-24 November 1925, no. 8?.; Vincent Price Collection, Sears & Roebuck; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Literature: Hollstein 198, II; B.B. 198, II; Hind 43, II/3. $1,500-$2,500 254 Continental School (17th/18th Century) “Four Old Master Works” on laid paper including an engraving of “Charon”, and three various chalk drawings by Ludovico Carracci (attributed), “The Reunion of Ulysses and Telemachus”, with collector’s stamps Domenico Vantini (Lugt. 797) and Giuseppi Vallardi (Lugt. 1223); French/ Fontainebleau School, “Venus and Amor”, with collector stamp Richard Cosway (Lugt. 629); and French School, “Study of a Male Nude”.

Each matted, glazed and framed.

11-1/8” x 8-3/4”, 7-1/2” x 9-5/8”, 3-3/8” x 3-3/8” and 23” x 17-1/2”, respectively framed 9-5/8” x 9-3/8” to 33-3/4” x 28-1/8” Provenance:Carracci (1764-1821); Giuseppi Vallardi (17841863); The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 254

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255 Continental School (18th/19th Century) Three Works of Art on Paper including “Child’s Head” and “Putto Holding a Book”, each graphite on laid paper heightened with chalk, the former unsigned, the latter indistinctly signed and marked lower margin “Custarini”(?) with collection stamp for Pierre Crozat (Lugt 474), and “Michael Davis, Richmond Surrey” shipper label on frame with “Hamilton House” listed as client; together with “Bacchic Infant”, sanguine conte on paper, unsigned and inscribed en verso [Collezione] “Maria Luisa Lilia Mendes di Bernasconi/1977”.

Each matted, glazed and framed.

7-3/4” x 6-1/2” to 15” x 10-1/4”, framed 14-1/4” x 13-3/4” to 21-1/4” x 26-5/8” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200 256 Italian School (18th Century) Three Old Master Drawings each pen and ink/ink wash on laid paper including a spolvero of “Minerva” (drawing pricked for tracing) attributed to Gennaro Landi, with name inscribed at bottom and Florentine collector’s stamp (Lugt 2099) at top; “Satyr Spying on Sleeping Venus and Cupid” and “Venus and Cupid with the Three Graces”, indistinctly signed lower left “An.... ...... ccio”.

Each matted, glazed and framed.

7-1/2” x 9-3/4” to 8” x 13”, framed 15-3/8” x 10-1/8” to 18-1/2” x 22-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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257 Attributed to Henri Fantin-Latour (French, 1836-1904) “Venus et l’Amour” sanguine chalk on laid paper monogrammed lower right, frame backing with “Grundy & Smith, Manchester” picture dealer’s label (1868-1912).

Matted, glazed and framed.

10-1/2” x 12-1/2”, framed 24-1/4” x 29-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 258 Upholstered Bed Headboard with Canopy and Dressings the wall-mount headboard in tufted brocade with a plaid border, the demi-lune wall-mount tester pleated and draped with hangings in like fabric, together with a matching bedspread and skirt, and a pair of bolster-form pillows. headboard h. 65-1/2”, w. 79”, canopy h. 70”, w. 48”, d. 36”, bedspread approx w. 107”, d. 92”, skirt d. 14”, pillows l. 39”, dia. 9”

257

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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259 Set of Curtain Panels and Tie-Backs comprised of four panels, together with six giltwood support brackets, three rods and a set of four tasseled tie-backs, the lined curtains in floral brocade on a gold ground, the braided tie-backs each with a pair of tassel ends, and the reeded rods configured for a bay window. curtains approximately h. 111”, w. 72”, h. 114”, w. 72”, h. 115”, w. 70-1/2”, h. 112”, w. 72”, rod l. 79”, 46-1/2” and 46-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 This is the same fabric as in the preceding lot.

260 Pair of Louis XV-Style Fruitwood Fauteuils 19th century, each with a padded and rounded square back surmounted by a shell and foliate crest, joined by padded arms to the like seat, raised on molded cabriole legs ending in peg feet. h. 39-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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261 Meissen-Style “Dresden” Porcelain Boudoir Mirror first quarter 19th century, German, the oval mirror decorated with encrusted flowers, the crest decorated with musical trophies and quivers of arrows, the sides with angels, and the lower portion with instruments, shells and open scrollwork, supported on an easel back. h. 16-3/4”, w. 11-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

262 Jacob Petit Paris Porcelain Figural Clock second quarter 19th century, the enameled biscuit figure depicting the muse of poetry, reclining on a pink-ground clock, hand-painted with figures of Eros and flowers, the dial and silk-string suspension Vincenti movement signed “Jacob Petit a Paris”. h. 13-3/4”, w. 15”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

261

$1,000-$1,500

262

263 Antoine Emile Plassan (French, 1817-1903) “Mother at Her Child’s Cradle” oil on panel signed lower right.

Giltwood frame.

12-1/2” x 9”, framed 18” x 15” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 263

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264 Oliver Rhys (British, fl. 1876-1893/95) “Contemplation”, 1895 oil on canvas signed and dated “95” lower right, verso with “Callan Fine Art, New Orleans, LA” gallery label.

Giltwood frame with artist and title plaque.

36” x 18”, framed 44-1/2” x 26-1/2” Provenance: Callan Fine Art, New Orleans, Louisiana. $4,000-$7,000

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265 Edwardian Satinwood Tub Chair ca. 1900, in the Regency taste, the domed back and downswept arms joined to the padded seat, raised on sabre legs, the whole elaborately decorated in various floral, foliate and neoclassical motifs. h. 35”

264

$1,000-$1,500 266 Pair of Rococo Revival Gilt-Bronze Gas Sconces mid-19th century, probably American, the gadrooned arms decorated with angels holding cymbals, the burners supported by griffins with pierced wings, mounted on foliateform backplates, the gas keys set behind the angels, with a gilt-lacquer surface, fitted with silk clamp-on shades, electrified. h. 9”, w. 4”, d. 13-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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267 French Belle Epoque Gilt-Bronze Chandelier fourth quarter 19th century, of Louis XVI inspiration, the twelvelight chandelier with spiral-reeded arms alternating in ram’s heads and classical masques, the arms set with leaf-molded scrolls and hung with delicate swags of flowers, with a quiverform leaf-molded standard set with a leaf-molded vasiform chain support. h. 26”, dia. 27” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 268 Empire-Style Mahogany Semainier late 19th century, the rectangular top above a case fitted with a frieze drawer over six long drawers, flanked to either side by rounded, engaged pilasters headed by ormolu capitals, raised on turret feet. h. 59-1/2”, w. 38-1/2”, d. 18-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

267

$1,200-$1,800

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269 Regency Walnut and Marble-Top Console Table early 19th century, the rectangular marble top above a frieze fitted with two drawers, raised on cabriole supports ending in paw feet, the whole with ormolu mounts. h. 33”, w. 35”, d. 9-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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270 French Restauration Bronze Dore et Patine Encrier second quarter 19th century, the base decorated with molded baskets of tendrils of leaves and flowerheads, and set with a pair of ink pots flanking a stamp box terminating in a lionmolded cover, the sides set with leaf-molded and scrolled handles. h. 5-1/2”, w. 12-3/4”, d. 6” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200

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271 French Giltwood Mirror of Baroque Inspiration fourth quarter 19th century, with faceted corners, the giltwood surround inset with beveled mirror plates, carved with flowerheads and “eggs”, the pierced crest with scrollframed anthemia and trailing morning glories, supporting a swag of roses, the corners with pierced scrolls accented with flowerheads. h. 51-1/2”, w. 39” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

272 Gilt-Brass Four-Light Gasolier mid-19th century, Philadelphia, Pennsylvania, attributed to Archer and Warner, the standard with an urn mounted with grapes and grape leaves, supporting a spiral-reeded rod, the four curved gas arms set with pierced grape and grape leaf mounts, set with frosted and cut Greek-key gas-style shades. h. 41”, dia. 31” $1,000-$1,500

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273 Pair of French Belle Epoque Bronze and Marble Candelabra fourth quarter 19th century, each standard modeled as a patinated bronze putto holding aloft gilt-bronze leaf-molded candle branches set with shell-molded candle sockets and matching bobeches, above a fluted white marble base hung with gilt-bronze floral swags. h. 23”, dia. 11” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800

274 Continental Neoclassical Mahogany Side Table early 19th century, the banded and quarter-veneered rectangular top above a conforming frieze fitted with a single shallow drawer over a pendant panel flanked by scrolls, raised on a paneled baluster-form standard to three splayed legs ending in scrolled toes. h. 30-1/2”, w. 30-1/2”, d. 22-1/2”

273

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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275 Pair of English Silverplate and Cut Glass Banquet Lamps fourth quarter 19th century, the silverplate Corinthian standard mounted with “Russian”-patterned cut glass fonts, set with signed “Hinks & Son Patent” duplex burners, now electrified and mounted with shades. h. 38”, dia. 16” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

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276

276 Extensive Royal Crown Derby “Traditional Imari” Partial Dinner Service pre-2014, English, the service including seventeen dinner plates, dia.

10-1/2”, twenty-three salad plates, dia. 8-1/2”, five fluted dessert/salad plates, dia. 8-1/4”, twelve cream soup bowls and underplates, h. 1-3/4”, dia. 6-1/4”, fourteen footed cups, h. 2-1/4”, thirteen saucers, dia. 5-3/4”, twelve flat demitasse cups and saucers, h. 2-3/4”, dia. 4-1/2”, five crescent salad plates, w. 8-3/4”, d. 5-1/4”, a round covered tureen and underplate, h. 9-1/2”, dia. 13-1/4”, a pair of candlesticks, h. 10-1/2”, two graduated oval platters, w. 15” to 16-3/4”, d. 12” to 14”, an oval covered vegetable dish, h. 5-1/2”, w. 11-1/2”, a teapot, h. 6-1/2”, w. 10”, an open sugar bowl, h. 2”, dia. 4”, a cream jug, h. 3-1/2”, w. 5-1/2”, ten fan trays, w. 5”, d. 3”, a pair of cigarette holders, h. 2-1/2”, four ashtrays, w. 3-3/4”, d. 3”, two oblong dishes, w. 4”, d. 3”, two sweetmeat dishes, dia. 5-1/2”, a crescent-shaped bone dish, w. 4-1/2”, d. 2”, a covered box, h. 1-1/2”, w.

4-1/2”, a square plate, w. 5-3/4”, d. 5-3/4”, and an odd saucer, dia. 6”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,000-$4,000

277

277 George III-Style Mahogany Tripod Table 19th century, the tilting, circular piecrust top raised on a spiralribbed columnar standard to three splayed legs headed by acanthine carving and ending in ball-and-claw feet. h. 30-1/2”, dia. 31-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800 278 Attributed to William Shayer, Sr. (British, 1787-1879) “New Forest, Hampshire” oil on canvas unsigned.

Framed.

28” x 36”, framed 33-1/4” x 41-1/8” 278

106

Provenance: Bruce McCashin Collection. $2,000-$4,000

279 Follower of Philips Wouwerman (Dutch, 1619-1668) “Hay Harvest” oil on canvas unsigned.

Giltwood frame.

10-3/4” x 14-1/8”, framed 18” x 22” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

279

280 Circle of Hendrick Mommers (Dutch, 1623-1693) “Cattle Herders and Washwomen Resting Beside Ruins” oil on linen unsigned, “H. Mommers” inscribed on stretcher, remnants of two old labels and “Michael Davis, Richmond, Surrey” shipper’s label on stretcher and frame backing.

Framed.

19-5/8” x 22-1/2”, framed 26-3/4” x 31” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000 280

281 Flemish School (17th Century) “The Temptation of St. Anthony” oil on canvas laid on wood panel unsigned.

Framed.

14” x 11-1/2”, framed 20” x 17-1/2” Provenance: MLD Antiquites, Marche Biron, SaintOuen, France; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000

281

107

282 Circle of Adriaen Thomasz Key (Dutch, act. 1544-1589) “Portrait of a Distinguished Gentleman” oil on canvas unsigned, a “New Orleans Museum of Art” exhibition label on frame backing, and remnants of an early 19th-century printed Dutch description on stretcher.

Framed.

44-1/2” x 38”, framed 59-1/2” x 56-1/4” Provenance: Collection of Bert Piso (1916-1981), New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Exhibited: New Orleans Museum of Art, November 14, 1971- January 9, 1972.

Notes: Piso, $6,000-$9,000

282

283 Dutch School (17th Century) “Portrait of a Woman with a Ruff” oil on wood panel inscribed “Aetatis 35 An’ 1637”.

Framed.

15” x 12”, framed 19-3/4” x 17” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

283

108

284 English Oak Gateleg Table late 18th century, the top with rounded ends and two ovoid drop leaves, raised on a gateleg support of turned and bulbous legs and box stretchers. h. 28-1/2”, w. 46-1/2”, d. 17”, ext. l. 52” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

284

285 George III Mahogany Bachelor’s Chest fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with a brushing slide and four graduated long drawers, raised on bracket feet. h. 32-1/2”, w. 31”, d. 18” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

285

286 After Guillaume Coustou, the Elder (French, 1677-1746) “Marly Horses” patinated bronze 20th century, after the ca. 1740 monumental sculptures commissioned by Louis XV to be placed in his Chateau Marly and now conserved at the Louvre, Paris, each with cast signature along edge of base, each with a thin velvet pad. each h. 15”, w. 11-1/2”, d. 5-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800

286

109

287 George III-Style Mahogany Partner’s Desk 19th century, the rectangular top with an inset leather surface, above a frieze fitted with three drawers to each side, raised on two pedestals, each fitted with three drawers to one side and two drawers to the other, raised on plinth bases on casters. h. 30”, w. 72”, d. 48” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000 288 Adolphe Baumann (German, 1825-1865) “Four Hounds by a Fire Pit” oil on canvas signed lower right, a partial Parisian framer/shipper label on frame backing.

Framed.

12-3/4” x 18-1/4”, framed 19-1/4” x 25”

289

$1,000-$1,500 289 Karl von Enhuber (German, 1811-1867) “Two Dachshunds”, 1855 oil on canvas signed and dated lower left.

Framed.

33-1/2” x 41”, framed 43-1/2” x 51” $1,800-$2,500

288

287

110

290 Victorian Rosewood Canterbury third quarter 19th century, fitted with three spindled compartments supported by scrolling pierced end supports, over a single drawer, raised on toupie feet ending in casters. h. 22-1/2”, w. 24”, d. 16” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200 291 Regency Rosewood Nesting Tables early 19th century, consisting of four graduated tables, each with a paneled, rectangular top, raised on ring-turned graduated legs joined by runner feet and ending in scrolled toes. the largest h. 29”, w. 21-1/4”, d. 15”

290

Provenance: Patrick Sandberg Antiques, London, UK; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

292

292 Miniature Regency-Style Mahogany Kidney-Shaped Desk 20th century, with a satinwood crossbanded top over flanking banks of drawers, finished in the round. h. 8-1/4”, w. 16”, d. 7-1/2”

291

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 293 Attributed to Frank Brangwyn, RA RWS RBA (British, 1867-1956) “North African Scene” oil on canvas unsigned, artist identified and work titled on “Fosse Gallery, John Lindsey Fine Art Ltd.” label on stretcher.

12-1/2” x 16-1/2”, framed 22-1/4” x 26-1/4” Provenance: R N Myers & Son Ltd., Endsleigh House, North Yorkshire, UK; Bruce McCashin Collection. $1,500-$2,500

293

111

294

294 George Siejka (Austrian, b. 1946) “Wivenhoe Park, Essex”, after John Constable (British, 17761837) oil on canvas signed and inscribed “after Constable” lower right.

Giltwood frame.

24” x 36”, framed 31-3/4” x 43-3/4” $2,500-$4,000 295 Regency-Style Mahogany and Brass-Mounted Butler’s Tray on Stand 20th century, the removable tray with a scroll-form gallery and leaf-carved inner corners, the stand with two fold-over leaves supported by screw-on legs with brass threaded fittings. h. 30-1/2”, w. 30-1/2”, d. 22-1/2”, ext. l. 89”

295

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200 296 Pair of English Cut Crystal Trumpet-Form Vases fourth quarter 19th century, each with a flared and scalloped rim, a faceted standard and a similar scalloped foot, the underfoot with a cut starburst. h. 14-1/2”, dia. 9-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $800-$1,200

112

296

297

297 Waterford “Sheila” Cut Crystal Partial Stemware Service ca. 1958-2017, English, the service including nine water goblets, h. 7”, nine claret wine glasses, h. 6-1/2”, nine champagne flutes, h. 7”, nine hock wine glasses, h. 7-1/2”, eleven sherry glasses, h. 5-1/2”, twelve port glasses, h. 4-1/2”, eleven cordial glasses, h. 4”, thirteen five-ounce flat tumblers, h. 3-1/2”, twelve liquor cocktail glasses, h. 4”, eight oldfashioned glasses, h. 3-1/2”, eight twelve-ounce flat tumblers, h. 5”, and twelve champagne/tall sherbet glasses, h. 4-1/2”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800 298 Regency Rosewood Credenza 19th century, the slightly domed superstructure with a paneled back and joined to the top by brass uprights, the lower section with a rectangular top over a tri-paneled frieze inset with pierced brass panels, above two paneled cupboard doors, raised on scrolled feet, the whole accented with inset brass panels and banding. h. 47-1/2”, w. 39-1/2”, d. 13-1/2” Provenance: Patrick Sandberg Antiques, London, UK; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

298

$1,500-$2,500

299 William IV Rosewood Cellarette second quarter 19th century, of sarcophagus form, the stepped top opening to a fabric-lined interior, the lower section fitted with a single drawer, the whole with elaborate scrolling foliate brass inlays. h. 17”, w. 23-1/2”, d. 15-3/4” $1,500-$2,500

299

113

300 Three Good William IV Old Sheffield Plate Armorial Trays second quarter 19th century, including: a circular example with rocaille rim and four feet, the plateau engraved with shells and lattice, dia. 19-1/2”; a circular example with rococo scroll and rose rim and four scrolling acanthus feet, the plateau engraved with rococo scrolls on a matte ground, dia. 20”; and a rectangular example with robust scroll rim and integral handles, with button feet, the plateau engraved with elaborate shells and scrolls, 33” x 19-1/4” each with a rubbed-in blank engraved with a well-engraved armorial.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800

300

300 detail

300 detail

300 detail

301 Three William IV Old Sheffield Plate Trays second quarter 19th century, including: an oval example with robust acanthus-scroll rim, handles and feet, the plateau engraved with a band of flowers and scrolls, 29-1/2” x 20-1/2”; a steeply-rounded rectangular example with flowerand-acanthus rim, gadrooned handles and haunched claw-and-ball feet, the plateau with a wide, flat-chased rococo band, 28” x 19”; and a rounded rectangular example with flower-andscroll rim and acanthus feet and handles, the plateau engraved with a wide band of flowers and scrolls, 31” x 19-1/4”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 301

114

302 Fine Victorian Neo-Gothic Sterling Silver Perfume Casket hallmarked London, 1858-1859, by Hunt & Roskell, the rectangular case decorated with elaborate arabesquemantled mascarons on the narrow sides and monogram “LJL” and opposing cartouches en suite on the long sides, with grape-cluster and beaded scroll-column corners, the lid paneled with arabesques and opening to the cream satinpadded top and indigo velvet-lined interior, fitted with four cut and engraved glass cologne bottles, decorated en suite with the case, each with 18 Kt. gold collar and cap with glass stopper, the caps and lid monogrammed “LJL”, the case cartouche engraved “13th / October / 1858”. case h. 6-1/2”, w. 8-3/4”, d. 7-3/4”; bottles h. 4-1/4”, w. 3”, d.

2-3/8”, silver 64.74 t. oz (including interior lining but excluding bottles); gold 1.38 t. oz./42.9 gr. (weighable gold) $9,000-$12,000

302

302 detail

302 detail

302 detail

303 Large Victorian Sterling Silver Goblet hallmarked London, 1876-1877, by Martin, Hall & Co., the ovoid body above a knopped standard and ogee-domed foot, decorated with engraved foliate banding centering oak leaf and fern cartouches, below a foliate lattice band, the pedestal with applied annulated banding. h. 12-3/4”, dia. 6-1/2”; 25.53 t. oz. $1,200-$1,800

303

115

304 William IV Old Sheffield Plate “Vintage” Fruit Stand and Tray second quarter 19th century, including: a fruit stand with knopped standard and openwork feet, fitted with a lobed diamond-cut glass bowl, h. 14-1/2”, dia. 10”; and a large tray with integral handles and engraved scrolling fruit plateau, 33-1/2” x 22” both decorated with applied grape clusters, leaves and vines.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 304

305 Victorian Silverplate and Glass Fruit Stand fourth quarter 19th century, in the form of realistic twining grapevines with leaves and grape clusters, on a circular base and fitted with a frosted and cut glass lobed bowl. h. 10-1/2”, dia. 10-1/2” $1,000-$1,500

305

306 Victorian Silverplate Candelabrum on Plateau third quarter 19th century, by Thomas Bradbury & Sons, Sheffield, the centerpiece in the form of a stag on a rocky crag beneath a palm tree, four scrolling branches of which end in candle nozzles, the whole on a circular rocky plateau en suite with mirrored plate. overall h. 26”, w. 18-3/4”, plateau dia. 16-1/2” $2,000-$4,000

306

116

307

307 details

307 Large George V Sterling Silver “Warwick”-Style Vase hallmarked London, 1911-1912, by West & Son, after the antique, with acanthus frond calyx, ovolo rim and twining grapevine handles leading to grape cluster mounts. h. 9-3/4”, dia. 13”, w. 17-1/4”; 149.91 t. oz. $2,500-$5,000 308

308 George V Britannia Standard Silver Inkstand hallmarked London, 1934-1935, by Crichton & Co., of rounded rectangular form, raised on four Spanish-scroll feet and fitted with ink and water wells flanking a central servant’s bell. h. 6”, w. 11-1/2”, d. 8”; 63.89 total t. oz. $1,200-$1,800

309 Large Edwardian Sterling Silver Tankard hallmarked London, 1909-1910, by the Goldsmiths & Silversmiths Co., Ltd., in the traditional late Stuart taste, with slightly tapering cylindrical body, hinged flat lid with scroll billet and “S”-scroll handle. h. 8-1/2”, l. 8-3/4”, dia. 6-1/4”; 45.87 t. oz. $1,000-$1,500 309

117

310 Michel Delacroix (French, b. 1933) “Promenade en Famille” oil on canvas signed lower left, signed, titled and localized “Paris” en verso canvas.

Framed.

13” x 19-1/2”, framed 16” x 12-1/2” Provenance: Private collection, Louisville, Kentucky; Art Gallery-Studio 53 Ltd., New York, New York. $2,000-$4,000 311 Michel Delacroix (French, b. 1933) 310

“Rue d’Assas” oil on canvas signed lower right, signed, titled and localized “Paris” en verso.

Framed.

18” x 14”, framed 23-3/4” x 19-3/4” Provenance: Private collection, Louisville, Kentucky; Art Gallery-Studio 53 Ltd., New York, New York. $3,000-$5,000

311

312 Michel Delacroix (French, b. 1933) “La Place de l’Opera” oil on canvas signed lower left, signed, titled and localized “Paris” en verso canvas.

Framed.

23-3/4” x 28-1/4”, framed 29” x 35” Provenance: Private collection, Louisville, Kentucky; Art Gallery-Studio 53 Ltd., New York, New York. $10,000-$15,000

312

118

313 Michel Delacroix (French, b. 1933) “Attelage a quatre aux Tuileries” oil on canvas signed lower left, signed, titled and localized “Paris” en verso canvas.

Framed.

24” x 30”, framed 28-1/4” x 34-1/2” Provenance: Private collection, Louisville, Kentucky; Art Gallery-Studio 53 Ltd., New York, New York. $10,000-$15,000 313

314 Michel Delacroix (French, b. 1933) “Quirassiers” oil on canvas signed lower left, signed, titled and localized “Paris” en verso canvas.

Framed.

25-1/2” x 21”, framed 30-1/2” x 25-3/4” Provenance: Private collection, Louisville, Kentucky; Art Gallery-Studio 53 Ltd., New York, New York. $8,000-$12,000

314

119

315

316

315 Louis XV Bleached Fruitwood Commode 18th century, the rectangular top with a shaped front, above a conforming case fitted with two tri-paneled drawers, raised on cabriole legs ending in peg feet. h. 33-1/2”, w. 44”, d. 24” $2,500-$4,000 316 Pair of Chinese Famille Rose Porcelain Moon Flask Vases 19th century, now mounted as lamps and affixed to later bases. vase h. 9”, w. 7”, overall h. 23”

317

$1,000-$1,500 317 Pair of Louis XV-Style Polychromed Fauteuils early 20th century, each with a foliate- and scroll-carved crest, open arms with like-carved ends, loose seat cushion, serpentine seat and cabriole legs, retaining the label of “Abco Fine Furniture on East 64th St., New York”. h. 42-1/2”, w. 28”, d. 24” $2,000-$4,000 318 Louis XV-Style Carved Carrara Marble Fireplace Surround fourth quarter 19th century, the shaped deck shelf with a molded edge, above a carved and paneled frieze with a central shell- and foliate-carved cartouche, mounted to carved side supports with shell and acanthine details and circular brass vents on the sides. h. 42”, w. 64”, d. 16-1/2” $2,000-$4,000 318

120

319 Louis XV-Style Gilded Beechwood Cartel Clock 20th century, lavishly carved with rocaille scrollwork and flowerheads, a pair of lovebirds carved above the dial, the lower portion with a putto against a carved shell, with a signed “FHS” (Hermle) German clock movement. h. 38”, w. 20”

320

$2,000-$4,000

320 Pair of Polished Bronze Sconces in the Louis XV Taste

319

20th century, the backplates decorated with harlequin figures carrying parasols, the scrolled candle arms molded with stippled leaves, electrified. h. 18-1/2”, w. 12”, d. 3-1/4” $1,000-$1,500

321

321 Louis XV-Style Oak Footstool ca. 1900, the padded and tufted seat covered in Fortuny fabric, the carved and paneled frame with a central carved cartouche and raised on cabriole legs with shell-carved knees and scrolled toes. h. 18”, w. 24”, d. 24” $1,000-$1,500

322 Ida Baumann (Swiss, 1864-1932) “Feeding the Rabbits” oil on canvas signed lower left, verso with “The Madison Gallery, Atlanta, Georgia” label.

Giltwood frame.

39-1/4” x 30”, framed 48” x 37” Provenance: Christie’s East, October 25, 2000, Lot 150. $5,000-$8,000

322

121

324

323 French Gilt-Bronze and Crystal Chandelier, Attributed to Baccarat second quarter 20th century, the eight-light chandelier with a standard clad in molded glass balusters, and three tiers with sprays of drops, alternating with colorless and smoke-colored prisms, set with scrolled bronze candle arms with molded sockets and floriform drip pans. h. 41”, dia. 24”

323

Provenance: Manheim Galleries, New Orleans, Louisiana; Private collection, Houston, Texas. $1,400-$1,800 324 Meissen “Gold Leaf”-Pattern Porcelain Partial Dinner Service 20th century, German, including eighteen dinner plates, dia. 10”, twelve soup plates, dia. 9-3/4”, twelve salad/cereal bowls, dia. 8”, four dessert plates, dia.

7-3/4”, two chargers, dia. 11”, a gravy boat, h. 6-1/2”, w. 9-1/2”, a coffeepot, h. 10-1/2”, w. 7-1/4”, a sugar bowl, h. 4-3/4”, w. 5-1/2”, a cream jug, h. 5-1/2”, dia.

4-1/2”, a footed cup and saucer, h. 2-1/2”, dia. 4-3/4”, a trumpet vase, h. 6-1/2”, dia. 5-1/2”, two graduated handled trays, w. 11-3/4” to 15-1/4”, d. 6” to 9”, and a round covered vegetable dish, h. 6-1/2”, dia. 10-1/2”, each piece marked with an underglaze blue crossed swords mark.

325

$2,000-$4,000 325 Pair of Louis XV-Style Creme-Peinte Stools each with a padded and shaped top above a conforming shell-carved apron, raised on cabriole legs headed by shield carving and ending in scrolled toes. h. 17-1/2”, w. 29”, d. 13-1/2” $1,000-$1,500 326 Pair of Louis XV-Style Polychromed Bergeres ca. 1900, each with a molded back extending to closed arms, a serpentine seat and cabriole legs, the seat fitted with a loose cushion with partial down or feather filling. h. 37-1/8” $2,000-$4,000

122

326

327

327 Thomas Benjamin Kennington (British, 1856-1916) “In Arcady” oil on board verso with “The Royal Institute of Oil Painters, Piccadilly, London” exhibition label and a “Robert Scott, Dundee, UK” label.

Glazed and framed.

7-1/2” x 5-1/2”, framed 16” x 14” Exhibited: The Royal Institute of Oil Painters, Piccadilly, London $1,000-$1,500 328 Louis XV-Style Bleached Wood Side Table 19th century, the shaped and bowed top with a molded edge, above a conforming frieze centered by a pierced shell carving, raised on foliate-carved cabriole legs ending in scrolled toes. h. 32”, w. 45”, d. 22” $1,500-$2,500

329

329 Cut and Molded Glass and Gilt-Metal Chandelier 20th century, in the French neoclassical taste, the molded glass standard supporting two tiers of glass-clad scrolled metal arms set with glass prism rings and hung with swags of glass drops, the top with a corona of scrolled glass arms hung with swags. h. 28”, dia. 32” $1,000-$1,500 330 French Gilt-Bronze Firescreen ca. 1900, in the Louis XV taste, the pierced bronze surround supported on scrolled feet and decorated with rocaille work, oak leaves and flowerheads, the center with musical trophies, supported on a bowknot, a swag of flowers at its base. h. 28-3/4”, w. 26-1/2”, d. 6” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

328

330

123

331 332

331 French Gilt-Bronze Firescreen ca. 1900, in the Louis XV taste, the scrolled and pierced surround decorated with rocaille work, flowerheads and pierced lattice, the top with a pierced grip, supported on pierced and scrolled feet, the center decorated with a mount symbolizing winter and a pair of Eros figures warming at a fire pot, one holding bellows to the flame. h. 28-1/4”, w. 25-3/4”, d. 7-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 332 French Gilt-Bronze and Tortoiseshell Clock ca. 1900, in the Louis XV style, the case covered in tortoiseshell and with molded gilt-bronze leaf trim, mounted with signed “Marti” works. h. 14-1/2”, w. 8-1/4”, d. 5” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

333

$1,500-$2,500 333 Louis XIV-Style Gilt-Bronze and Tortoiseshell Bracket Clock ca. 1900, the case frame veneered with tortoiseshell and decorated with gilt-bronze scrollwork and flowerheads, the brass dial set with an enamel chapter ring, the works signed by an unknown maker, “OC, France”, along with “Sonerie Progres, B & c S.G D.D”. h. 27”, w. 13-3/4”, d. 5-3/4” $1,500-$2,500 334 Regence-Style Kingwood and Marble-Top Bombe Commode late 20th century, the shaped breche marble top above a conforming case fitted with two side-by-side drawers over two long drawers, the corners with elaborate bronze mounts featuring female busts. h. 35”, w. 52-1/2”, d. 20”

334 8 124

$1,200-$1,800

335 Luis Alvarez Catala (Spanish, 1836-1901) “The Poetry Reading” oil on board signed lower left.

Framed.

14-1/2” x 19-1/2”, framed 28” x 33” $4,000-$7,000

336 Pair of Transitional Louis XV/XVI-Style Kingwood and Marble-Top Commodes each with a breakfront marble top above a conforming case fitted with an ormolu guilloche-applied frieze drawer over two long drawers, each with parquetry inlay and a central floral panel, raised on cabriole legs ending in sabots. h. 34”, w. 51”, d. 20”

335

Provenance: Private collection, Houston, Texas. $1,200-$1,800

337 Pair of French Marble and Polished Bronze Garniture Urns ca. 1900, with verde antique marble bodies and bases, mounted with mermaid-form bronze handles and laurel swags, the bases decorated with shell-form mounts framed with sprays of laurel leaves. h. 19-1/2”, w. 6”, d. 6” $800-$1,200 336

337

125

338 Pair of Transitional Louis XV/XVI-Style Kingwood Cabinets early 20th century, each with a Breche d’Alep marble top within a three-quarter pierced brass gallery, above a case fitted with a single drawer over two cupboard doors, with ribbed panels simulating tambour, raised on bracket feet. h. 33”, w. 24”, d. 14” $1,000-$1,500

338

339 Gaston Sebire (French, 1920-2001) “Le Matin a Oslo” oil on canvas signed lower right.

Framed.

29” x 39”, framed 36-1/4” x 47” $1,500-$2,500

339

340 Gail Sherman Corbett (American, 1871-1952) “Busy Paris Boulevard” oil on canvas signed lower left.

Framed.

24” x 36”, framed 29-3/4” x 42” $1,000-$1,500

340

126

341 342

344

343

341 Louis van der Pol (Dutch, 1896-1982) “The Young Seamstresses”

343 Rene Rambert (French, 1901-1991)

oil on canvas signed lower right.

Framed.

31-3/4” x 23-3/4”, framed 39” x 30”

“Paris Street Scene”

Provenance: Sold in these rooms, December 4, 2015, lot 258; Private collection.

oil on canvas signed lower right.

Framed.

24” x 31-1/2”, framed 32-3/4” x 40-3/4”

$1,800-$2,500

$1,000-$1,500

342 Louis van der Pol (Dutch, 1896-1982)

344 Paul Renard (French, 1941-1997)

“Tete a Tete”

“Promenade Au Bord de la Seine, Paris”

oil on canvas signed lower right.

Framed.

39-1/2” x 31-5/8”, framed 45-1/2” x 37-1/2”

gouache on paper signed lower left.

Linen-matted, glazed and framed. sight 10-1/2” x 18”, framed 19-1/2” x 26”

Provenance: Sold in these rooms, December 4, 2015, lot 259; Private collection.

$1,000-$1,500

$1,800-$2,500

127

345

347

345 Suite of Six Louis XVI-Style Creme-Peinte Side Chairs early 20th century, each with a padded ovoid back within a molded frame, the padded seat raised on stop-fluted tapering circular legs ending in toupie feet. h. 38-1/2” $1,500-$2,500 346 Pair of Louis XVI-Style Polychromed Armchairs each with a molded top rail, the stiles joined to open arms on fluted and stop-fluted supports, molded seat rail with floralcarved corner blocks, and raised on fluted and stop-fluted legs. h. 34-1/2”, w. 32-1/2”, d. 22”

346

$1,500-$2,500 347 Italian Silver-Gilt Carved Wood Plaque mid-20th century, of Louis XV inspiration, with a sunburst back carved with war trophies, including a plumed helmet, a suit of armor, flags and a cannon, the back branded and labeled “Made in Italy”. dia. 36-3/4” $1,000-$1,500 348 French Empire Painted and Parcel-Gilt Trumeau Mirror first quarter 19th century, the recessed upper tablet with a blue ground and decorated with swags of giltwood bowknots, flanked by satyrs in feathered giltwood skirts, supporting pots of flowers on their heads, on blue and gilt quiver-form bases. h. 69”, w. 45” $2,500-$4,000

128

348

349 Set of Seven Matching Neoclassical Toleware Objets Decoratifs first quarter 19th century, probably Dutch, decorated with peacocks and urns in landscapes, on a gilt-trimmed putty ground, the set including a kettle with a rattan-wrapped handle, on a pierced stand, h. 15”, w. 12-3/4”, a pewter tea urn with an interior strainer, on a tole stand, h. 16”, dia.

7-1/2”, a cake basket, h. 12”, w. 12-1/2”, a pair of oval trays, w. 14-1/4”, d. 11-1/2”, a box, h. 3”, w. 5-1/2”, and a bell with a wooden handle, h. 7-1/4”, d. 3-1/2”.

Provenance: Stephen-Douglas Antiques, Rockingham, Vermont.

349

$1,000-$1,500 350 Pair of Empire-Style Stained Hardwood Bergeres in the Egyptian Revival Taste each with a barrel-form back terminating in arms on supports carved with pharaonic heads, a guilloche-carved seat rail and turned lotus leaf-carved front legs. h. 32” $1,500-$2,500 351 Louis XVI Carved Pine Torchere ca. 1800, the leaf- and medallion-carved triangular base supporting the tapered and fluted standard, carved with beading and set into a leaf-carved ring, the urn-form reeded cup set with a metal-lined candle socket. h. 76”, dia. 15-1/2”

350

$1,000-$1,500 352 Italian Neoclassical Argente Settee late 18th century, the padded, flattened ovoid back within a foliate-carved frame, joined by molded arms with projecting squared hand rests to the padded seat, raised above a guilloche-carved apron on fluted tapering circular legs headed by a waisted capital and ending in ball feet. h. 39-1/2”, w. 71”, d. 25-1/2” $3,000-$5,000

352 351

129

353

354

353 Herend “Rothschild Bird” Porcelain Soup Tureen 357

20th/21st century, Hungarian, the tureen with a lemon knop and applied encrusted flowers, and painted birds and butterflies, with a post-1990 mark on the base. h. 9-3/4”, w. 10-1/2”, d. 10-1/2” $800-$1,200 354 Royal Copenhagen “Flora Danica” Porcelain Small Oval Tureen 1956, model 3582, the bowl depicting “Lysimachia nummularia L.”, the cover depicting “Potentilla verna L.”, both elements fully marked. h. 5-1/4”, w. 6-3/8”, d. 5-1/4” $1,000-$1,500 355 Pair of Louis XV-Style Fauteuils each with a molded top rail and stiles, open arms with scrolland leaf-carved ends, bowed seat and fluted legs. h. 36-3/4”

355

$1,500-$2,500 356 French Belle Epoque Gilt-Bronze Planchon Cartel Clock fourth quarter 19th century, in the Louis XV taste, with a sunburst surround, the dial with a crest decorated with ribbon-bound laurel leaves, and molded roses on the base, both the enamel dial and works signed “Planchon”. dia. 23-1/2” $2,000-$4,000 357 Louis XVI Polychromed and Marble-Top Side Table late 18th century, the demi-lune marble top with projecting corners, above a conforming foliate-pierced frieze centered by a ribband carving and with pendant laurel garlands, raised on stop-fluted tapering circular legs headed by waisted Ionic capitals, joined by an urn-centered stretcher and ending in foliate toupie feet. h. 36”, w. 38-1/2”, d. 19-1/2” $2,500-$4,000

130

356

358

358 Franco-Bohemian Cut, Frosted and Molded Glass Chandelier

359 360

first quarter 20th century, the standard clad with frosted glass, decorated with cut bull’s eyes and hung with spearpoint prisms, set with scrolled glass arms with matching glass scrolls. h. 41”, dia. 40” $1,200-$1,800 359 Louis XVI-Style Giltwood Bergere avec Oreilles 20th century, the padded back and shaped padded sides joined by foliate scrolling hand rests to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 42” $1,000-$1,500 360 Louis XV Giltwood Barometer third quarter 18th century, the giltwood body framed in carved rocaille and scrollwork against a body decorated with incised latticework, the lower portion with carved flowerheads, both the dial and temperature panel handpainted with pink and green roses. h. 36”, w. 10-3/4” $1,000-$1,500 361 Napoleon III Giltwood Cushion-Form Mantel Mirror third quarter 19th century, the removable crest with a gadroon-molded crown and a central urn with flame flanked by eagles, the mirror frame with a floral border and ornate molded corner ornaments. h. 80”, w. 49” $1,000-$1,500

361

131

362 Pair of Louis XVI Mahogany Fauteuils late 18th century, each with a beaded and molded top rail and stiles joined to open arms with like carving, a bowed seat rail and fluted and stop-fluted legs, now upholstered in tan suede. h. 36” $2,000-$4,000

362

363 Pair of Louis XVI Walnut Fauteuils late 18th century, each with a molded back with a ribbonand floral-carved crest, open arms with scroll ends, serpentine seat rail and tapering panel-carved legs adorned with bellflowers. h. 35-1/4” $1,500-$2,500 363

364 Pair of Louis XVI-Style Giltwood Fauteuils 20th century, with oval padded backs with floral-carved crests, acanthine-carved arm fronts and supports, and raised on turned and fluted legs. h. 40”, w. 26”, d. 21” $1,000-$1,500

364

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366

365 Unusual French Parcel-Giltwood Trumeau Mirror ca. 1900, in the neoclassical taste, the lower mirror with a serpentine crest and lined with gadrooning, the upper circular tablet framed with sprays of giltwood leaves, on a green-painted ground with a giltwood outer frame. h. 86”, w. 42-1/2” $2,500-$4,000 366 Suite of Ten Louis XVI-Style Polychromed Dining Chairs 19th century, each with a molded back framing an upholstered cushion, raised on fluted and stop-fluted tapering legs, beneath rosette-carved corner blocks, now in ivory velvet upholstery, the verso on the backs in striped silk. h. 38” $2,500-$4,000 367 Partial Service of St. Louis “Thistle” Pattern Stemware post-1913, French, the gilt-decorated molded crystal service comprised of eleven water goblets, h. 7-1/2”, and twelve burgundy glasses, h. 6-1/4”. $1,500-$2,500

365 367

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368 369

368 Regence-Style Ebonized and Parcel-Gilt Commode the serpentine top with a molded edge, over a conforming case fitted with three drawers, raised on block feet. h. 40”, w. 51-1/2”, d. 25” $1,000-$1,500 369 Suite of Eight Louis XVI-Style Chairs late 19th/early 20th century, comprised of four fauteuils and four side chairs, all polychromed and parcel-gilt and retaining antique Aubusson upholstery, each with a ribbon-carved crest and molded top rail and stiles, the arms with scroll ends, all with bowed seat rails and fluted trumpet legs. armchair h. 40-1/4”, side chair 38-1/2” $3,000-$5,000 370

370 Gilt-Bronze-Mounted Japanese Imari Porcelain Centerpiece Bowl ca. 1900, the peony-and-moth-decorated bowl set into a pierced bronze base modeled with seated putti supporting swags of flowers, the rim with a pierced rocaille-molded mount, set with scrolled handles decorated with flowerheads. h. 13-3/4”, w. 17-1/4”, d. 13” $1,000-$1,500 371 Louise Meyer (German, 1789-1861) “Still Life with Flowers”, 180_ oil on paper board on canvas signed and dated lower right.

Framed.

34” x 28-1/2”, framed 45-1/4” x 40” Provenance: Private Collection, Belgium $5,000-$8,000

134

371

372

372 Jacques Clement Wagrez (French, 1846/50-1908) “Exercise of Intellect”, 1902 oil on canvas signed lower left, verso with “Kurt E. Schon Ltd., New Orleans, LA” gallery label.

Giltwood frame with artist and title plaque.

48” x 44”, framed 58” x 53” Provenance: Christie’s, New York, New York, May, 1980, lot 69; Christie’s, Ibid., October 25, 1984, lot 89; Christie’s, Ibid., February 15, 1994, lot 42; Kurt E. Schon Ltd., New Orleans, Louisiana; Private collection. $30,000-$50,000 All that glitters in the works of Jacques Wagrez is indeed visual gold of Renaissance grandeur past. Wagrez, a native Frenchman, entered the Ecole des Beaux-Arts in 1868 and excelled in the classical/historical genre under the Academicians Isidore-Alexandre-Augustin Pils, Alexandre Cabanal and Henri Lemann, a pupil of Ingres.

He debuted at the Paris Salon of 1876 with a painting of "Eros", followed by numerous successive classical entries such as "Peace and War" "Education of Achilles" and "Perseus Conquering Medusa", until his maiden voyage to Italy in 1883. Wagrez was so captivated by the Italian Renaissance, particularly the Florentine and Venetian Schools, that it never left him. Wagrez's artistic raison d'etre in the years to follow was to capture the prevailing incantation of 16th century humanism that the divine was physically manifest in the beauty and symmetry of the earthly world, namely the individual- as God's greatest creation. The more opulent and beautiful the image, the closer to Godly perfection it could be. Silks, gold, and all the beautiful textiles and currencies that poured in from the Orient and the New World to the cosmopolitan ports of Venice, Genoa and Pisa, could indeed be a reflection and tribute of faith before the Protestant Reformation. Wagrez, with the virtuoso of King Midas, endeavors to capture the mysticism, abundance and intense color of Quattrocento Italian art in modern parlance and style that pays tribute to the Pre-Raphaelites in subject and execution and the linear and decorative "je ne sais quoi" splendor of Art Nouveau to come.

135

373 Charles Meer Webb (British, 1830-1895) “Tavern Game”, 1894 oil on linen signed and dated upper right.

Framed.

27-1/4” x 21-1/2”, framed 32” x 26-1-/2” $2,000-$4,000 374 Carl Ludwig Scheins (German, 1808-1879) “Goatherds by a Settlement in the Mountains” oil on canvas signed lower left.

Framed.

31-3/4” x 42”, framed 43-1/8” x 53-3/4”

373

$3,000-$5,000 375 Jozef Israels (Dutch, 1824-1911) “Interior Scene” oil on beveled wood panel signed lower right.

Framed.

9-3/4” x 12”, framed 16-1/2” x 19” $1,000-$1,500 376 Laurent Herman Redig (Dutch, 1822-1861) “Pulling the Nets” oil on wood panel signed lower left.

Framed.

17” x 25”, framed 21-1/4” x 30-3/4”

374

$1,000-$1,500

376

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375

379

378 Empire-Style Mahogany Sofa in the Egyptian Revival Taste first half 20th century, with gilt-bronze mounts, parcel-gilt and ebonizing, the upholstered back joined to open arms, the arm supports carved and depicting Bastet, the cat goddess, the seat rail with bronze mounts, raised on legs with paw feet. h. 41”, w. 91”, d. 30-1/2” h. 41”, w. 91”, d. 30-1/2”

377

377 Highly Unusual Empire Mahogany-Inlaid and OrmoluMounted Secretaire a Abattant on Stand

$1,200-$1,800 379 Pair of Restauration-Style Mahogany Fauteuils

second quarter 19th century, the top fitted with a timeand-strike clock, above a circular stepped plinth, the drop front opening to an elaborate fitted interior with secret compartments and a revolving recessed amphitheater, the whole supported by an acanthus-carved standard mounted to a molded platform base, raised on carved paw feet. h. 72”, w. 33-1/2”, d. 26”

ca. 1900, each with a carved concave top rail joined to beaded open arms terminating in leaf-carved scrolls, a bowed seat rail and scroll-carved legs. h. 37-1/2” $1,200-$1,800

$2,500-$4,000

378

137

380

380 Exceptional Louis-Philippe Rosewood, Paris Porcelain and Silverplate Tea Chest

381

mid-19th century, the folding rosewood chest inlaid with flowers, birds and rocaille ornament, opening to reveal a pair of Paris porcelain tea caddies flanking a matching mixing bowl, the sides with fitted spoon holders and hung with marked Christofle “a la Russe” silverplate teaspoons. h. 7-1/2”, w. 12-1/2”, d. 6-1/2” $1,000-$1,500 381 Louis-Philippe Mahogany and Marble-Top Commode mid-19th century, the rounded rectangular marble top above a conforming case fitted with an ogee-molded frieze drawer over three long drawers, all with finely figured flame veneers, raised on block feet. h. 37”, w. 51”, d. 24”

382

$1,500-$2,500 382 French Boullework Portfolio third quarter 19th century, decorated with engraved brass scrollwork inlaid onto a tortoiseshell ground, the interior lined with mazarine blue silk and set with blank pages. h. 11-3/4”, w. 9-1/4”, d. 1” $1,000-$1,500

383

383 French Boullework Writing Case third quarter 19th century, decorated with engraved brass scrollwork inlaid onto a field of tortoiseshell, the flat portion set with an ink pot and pen compartments, the writing slope lined with stamped velvet, the base ebonized. h. 4”, w. 13-1/2”, d. 10-1/2” $1,000-$1,500 384 Dutch Tortoiseshell Mirror in the Baroque Taste fourth quarter 19th century, with an ogee-molded surround and a pierced molded brass hanging plate. h. 15-1/2”, w. 11” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

138

384

385 Large Louis-Philippe Inlaid Mahogany Jewel Casket mid-19th century, the top inlaid with birds, one supporting a basket of flowers, and two birds perched on a branch, framed with kingwood and circassian walnut crossbanding, outlined in inlay, on ogee-molded feet, the interior lined with red silk. h. 7”, w. 16-3/4”, d. 13” $1,000-$1,500 385

386 Louis-Philippe Mahogany and Marble-Top Commode mid-19th century, the marble top with rounded corners, above a conforming case with a molded drawer over a bank of three drawers, all with finely cast escutcheons and pulls, raised on disc feet. h. 34-3/8”, w. 50-1/2”, d. 22-3/4” $1,200-$1,800 387 French Mahogany and Parcel-Gilt Mirror in the Empire Taste ca. 1900, the upper table decorated with medallions supporting swags of giltwood flowers, the sides with freestanding ebonized half-columns with giltwood Corinthian capitals, the base supported on ebonized paw feet grasping giltwood balls, with a pierced giltwood mount flanked by medallions. h. 48-1/2”, w. 29-1/2” $1,200-$1,800 388 Restauration Mahogany Settee

386

19th century, the back with a molded top rail, the closed arms with reeded scroll ends on carved supports, with bowed seat rail and shaped feet, fitted with a loose seat cushion. h. 38-1/4”, w. 56-1/2”, d. 25-1/2” $1,000-$1,500

387 388

139

389

389 Louis-Philippe Rosewood and Marble-Top Center Table mid-19th century, the circular top with an inlaid foliate garland band surrounding an inset pietra dura marble centered by a butterfly medallion, above a conforming frieze, raised on a paneled standard to three shaped and splayed legs ending in casters. h. 29”, dia. 37” $3,000-$5,000 390 Pair of Louis-Philippe Patinated Bronze Candlesticks mid-19th century, by bronzier Charles Stanislas Matifat, Paris, the pierced bases molded with salamanders, shells and insects, the pierced standards depicting pierced grapevines, and a canopy of leaves with a coiled serpent forming the candle cup, signed “Matifat” on the bottom. h. 10-3/4”, dia. 6”

391

391 Constant Aime-Marie Cap (Belgian, 1842-1915) “Jeune Femme Contemplant un Tableau”, 1872 oil on wood panel signed and dated lower right.

Framed.

18-1/4” x 13-1/2”, framed 22-1/2” x 18” $2,500-$4,000 392 Fine French Gilt-Bronze and Porcelain Repeater Carriage Clock

Matifat’s works were included in the 1851 Great Exhibition in London.

fourth quarter 19th century, with a double train movement and repeater function, the four sides and dome with finely beveled glass panels, the porcelain face with Arabic chapters and surrounded by a gilt-bronze filigree panel, each corner with a Corinthian column. h. 8”, w. 4”, d. 4”

$1,000-$1,500

$1,000-$1,500

390 392

140

393 French Neoclassical-Style Bronze and Glass Chandelier the eight-light chandelier with a bowl-form body set with cut and frosted glass inserts, and decorated with ribbon-bound swags of pierced flowers, and scrolls terminating in female busts supporting pairs of scrolled arms set with frosted floriform shades, supported on scrolled brackets with an interior spiral-molded standard set with one concealed socket. h. 33”, dia. 32” $1,000-$1,500 394 Napoleon III Ebonized, Boulle and MarbleTop Cabinet

393 394

third quarter 19th century, the rectangular white marble top with turreted corners, above a conforming case fitted with a single cupboard door, centered by an oval panel and raised on turret feet, the whole richly accented with boullework, ormolu mounts and millwork. h. 43”, w. 34-1/2”, d. 16” $1,000-$1,500 395 Pair of French Labeled Naturalistic Patinated Bronze Candelabra fourth quarter 19th century, one example depicting a mother bird feeding her nest of baby birds and the other a nest of baby birds being threatened by a rodent, each under candle cups molded as bellflowers, the bases decorated with ivy and supported by snails, labeled “Antony Bailly, Bronzes d’Art, Lyon, 55 Rue Centrate”. h. 20”, dia. 7” $1,000-$1,500 396 Pair of French “Nature Morte” Wall Plaques by Paul Comolera

395 397

fourth quarter 19th century, each depicting a hanging game bird on an oval walnut plaque, the plaques signed “P. Comolera” (French, 1818-1897), with molded and ebonized edges. h. 18-1/2”, w. 12” $1,000-$1,500 397 Napoleon III Bronze and Marble Boudoir Mirror third quarter 19th century, the oval mirror set into a flowermolded surround, supported by a figure of Eros perched on a lotus-molded base, atop a black marble plinth with molded bronze trim. h. 15-1/2”, w. 7-1/4”, d. 3-1/4” $1,000-$1,500

396

141

399 398

398 Napoleon III Fruitwood Writing Table late 19th century, the rectangular top with an inset leather surface, above a conforming frieze fitted with a single drawer, raised on bi-column paneled end supports, joined by a turned stretcher, to runner feet on casters. h. 28”, w. 42”, d. 24-1/2” $1,000-$1,500 399 Four French Gilt-Brass Objets Decoratifs 20th century, including a bronze-mounted cut crystal basket, possibly Baccarat, h. 9”, w. 9”, a pocket watch-style glass and giltbronze clock, h. 3”, dia. 9”, a gilt-brass lyre-form picture frame with an easel support, labeled “Jeaudonnec, Passage du Havre Paris”, h. 12-1/2”, w. 7”, and a gilt-brass machine-engraved jewel chest set with an enamel profile plaque in the Renaissance taste, with a silklined interior, h. 3-1/4”, w. 8-1/2”.

400

$1,000-$1,500 400 Rare Amboyna Wood and Gilt-Bronze Table-Form Jewel Casket ca. 1900, the amboyna-veneered top lifting to reveal the silk-lined casket, raised on Louis XVI-style gilt-bronze legs, joined by pierced cross stretchers with a covered cup finial with a hinged cover. h. 6”, w. 7-1/4”, d. 5” $1,200-$1,800 401 Pair of Empire-Style Silver and Glass Vases first quarter 20th century, by Weinranck & Schmidt, Hanau, Germany, each in the form of a neoclassical vase on plinth, the glass body with silver palm-frond calyx and laurel-swagged shoulder, the waisted collar with lobed banding and ram’s masque-mounted squared handles, the whole on a square plinth with laurel swags en suite. h. 12-3/4”, w. 4” $1,500-$2,500

142

401

403 402

402 Christofle Silverplate Champagne Server first quarter 20th century, Paris, the bucket-form body with crested handle and locking collar, decorated with flatchased grapevine banding, resting in a heavy tubular tilting frame with reeded decoration and raised on four spatulate feet. h. 12-3/4”, dia 7-3/4” $1,000-$1,500 403 French Belle Epoque Silver Tea Set 1892-1911, Paris, by Paul Canaux & Cie for Maison Leverrier, first standard (.950) silver, including: a teapot, h. 8-1/2”, l. 8-1/2”; a coffeepot, h. 9-1/2”, l. 7-3/4”; a cream jug, h. 4-3/4”, l. 4”; and a covered sugar bowl, h. 6-1/2”, w. 6-1/2” each of quarter-lobed inverted pear form on a conforming foot-ring, decorated with acanthus scrolls at the base and rim, with arched acanthus handles, reeded band collar and domed lids with reed-and-ribbon ring handles, each piece monogrammed “SCR”.

97.26 total t. oz.

404

$1,800-$2,500 404 Buccellati “Borgia” Sterling Silver Flatware Set contemporary, Illario Pradella for Mario Buccellati, Milan, Italy, including ten eleven-piece place settings (one dinner knife substituted with a luncheon knife) and six serving pieces.

116 pieces total

404 detail

Detailed list of pieces available on request. $7,000-$10,000

404 detail

143

405 German Silver and Glass Fruit Basket first quarter 20th century, .800 silver, the basket on a pedestal foot and decorated all over with openwork scrolling grapevines, with swing handle en suite, fitted with a conforming cobalt glass liner. h. 10-1/8” (17-1/2” with handle), l. 9-3/4”, w. 6-3/4”; 26.60 t. oz. (excluding liner) $1,200-$1,800

406 German Novelty “Fish” Sterling Silver Cocktail Shaker 406

contemporary, Ludwig Neresheimer Co., Hanau, in the form of the forepart realistically detailed fish leaping up to grab the fly fitted in its mouth as a faux spout, fitted with a chain, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 10-3/4”, dia. 4”, 24.53 t. oz. $3,500-$5,000

405

407 German Novelty “Dog” Sterling Silver Cocktail Shaker contemporary, Ludwig Neresheimer Co., Hanau, in the form of a realistically detailed begging German Spitz, its mouth a faux spout fitted with a chained “stopper” of a bone, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 9-1/4”, w. 5”, l. 4-3/4”; 40.55 t. oz. $4,000-$7,000

407

408 Large German Sterling Silver Cow Creamer contemporary, in the Georgian taste, the realistically-detailed cow’s mouth acting as the spout and its tail the handle, the back with hinged lid. h. 6-1/4”, l. 10-3/4”; 27.72 t. oz. $1,200-$1,800

408

144

409 French Provincial Stained Oak Buffet a Deux Corps 18th century, the upper case with a pair of carved and glazed doors, and raised on short cabriole legs, the base with a row of three drawers above three framed and paneled doors with carved details, and also raised on short cabriole legs. h. 97”, w. 80”, d. 23” $1,000-$1,500

409

410 Louis Robbe (Belgian, 1806-1887) “Landscape with a Shepherd and His Herd” oil on wood panel signed lower right.

Framed.

15” x 22”, framed 22-1/2” x 29” $1,500-$2,500 410

411 Henry Schouten (Belgian, 1864/7-1927) “Donkeys by the Seashore with Fishing Boats” oil on canvas signed lower right.

Framed.

31-3/4” x 47-3/4”, framed 37-1/2” x 53-1/2” $2,500-$4,000

411

145

412 French Provincial Fruitwood Farm Table 20th century, the molded rectangular top with incut corners and parquetry inlay, mounted to a frame with shaped and carved aprons and raised on carved legs. h. 31”, w. 35”, l. 86” $1,200-$1,800 413 Pair of Louis XIII-Style Fauteuils a la Reine

412

early 20th century, each having an upholstered back with an arched top rail, joined to open arms with scroll ends on baluster supports, the turned legs joined by like stretchers. h. 44-1/2” $1,000-$1,500 414 Provincial Transitional Louis XV/Louis XVI Stained Oak Bibliotheque 18th century, the projecting molded cornice with canted corners, above a scrolling tendril-carved frieze, over a case fitted with three grille-paneled doors, each over a drawer, with a serpentine carved apron, raised on cabriole legs. h. 89”, w. 104-1/2”, d. 24” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen.

413

$2,000-$4,000

414

146

415

415 Henry Schouten (Belgian, 1864/7-1927)

416

“Chickens Feeding by the Barn” oil on canvas signed lower left.

Framed.

15-3/4” x 22-3/4”, framed 24-1/2” x 32-1/4” $2,000-$4,000 416 Provincial Louis XV Walnut Panetiere 18th century, the carved and shaped crest flanked by turned finials, over a spindled case centered by a door accented by a stylized vaseof-wheat carving, over a carved apron, raised on cabriole legs ending in scroll toes. h. 32”, w. 32-1/4”, d. 16” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $1,000-$1,500 417 Sarreguemines Majolica Lavabo and Walnut Stand fourth quarter 19th century, French, the turtle-form fountain above a shell-form basin, its mouth mounted with a spout, the upper portion pierced to allow water to drip into the lower basin, impressed “Sarreguemines 913” and “Sarreguemines 914”, mounted on a carved walnut boiserie stand decorated with engineturned brass mounts. h. 90”, w. 12”, d. 25-1/2” $1,200-$1,800 418 Palissy-Style Pottery Vase second half 19th century, possibly Victor Barbizet or Thomas Victor Sergent, decorated with salamander handles, applied shells, moths, “rustic” trim and threedimensional flowers and leaves, the foot rim with an illegible inscription. h. 11-1/2”, dia. 5-1/4” $1,000-$1,500 418

417

147

419 421

421 Edmund de Pratere (Belgian, 1826-1888)

419 Hippolyte Camille Delpy (French, 1842-1910)

“Horse Cart” “Village au bord de la Riviere” oil on canvas signed lower left center, “Christie’s, New York”, labels en verso.

Framed.

14-1/8” x 20-1/8”, framed 19-5/8” x 25-1/2”

oil on canvas unsigned.

Framed.

28” x 21-1/2”, framed 36” x 30-1/4” $1,000-$1,500

$3,500-$5,000 420 Provincial Louis XV-Style Fruitwood Games Table 20th century, the square top with an inset leather surface, above a frieze fitted with a small central drawer to each side, raised on cabriole legs headed by foliate carving and ending in foliatecarved hoof feet. h. 26-1/4”, w. 31-1/2”, d. 31-1/2” $1,000-$1,500

422 Amedee Servin (French, 1829-1884) “Farm Scene” oil on canvas signed lower left, “Deforge & Carpentier” supplier stencil en verso, frame back with handwritten label.

Framed.

16-1/2” x 23-3/4”, framed 23-1/2” x 32” $1,800-$2,500

420

148

422

423 Andre Cortes (Belgian, b. 1866) “On the Road to the Market” oil on canvas signed lower left.

Framed.

21-1/2” x 25-1/2”, framed 31” x 35” $1,500-$2,500 424 French Provincial Polychromed Panetiere 19th century and later, the shaped crest above a foliate- and musical motif-carved frieze, the rectangular spindled case fitted with a single front door, raised above a floral basketcarved apron on scrolled toes. h. 33-1/2”, w. 37-1/2”, d. 17-1/4”

423

$1,000-$1,500 425 French Provincial Polychromed and Marble-Top Center Table early 20th century, the circular gray-veined white marble top above a conforming carved base with scalloped aprons and raised on cabriole legs. h. 27-1/2”, dia. 36-1/2” $1,000-$1,500 426 French Carved Oak Plaque Depicting a Monk fourth quarter 19th century, the monk wearing an emblem of Louis XIV, self framed with a cavetto surround, a leaf-carved keystone at the crest. h. 27”, w. 19-1/4” 424

$1,200-$1,800

425 426

149

428

427

427 Provincial Louis XV Oak and Polychromed Buffet 18th century, the rounded rectangular top with a molded edge, above a conforming case fitted with two drawers over two cupboard doors, each inset with a shaped panel, raised on ribbed, scrolled feet. h. 46”, w. 60”, d. 25-1/2” $1,800-$2,500 428 Provincial Louis XV-Style Bleached Oak Farmhouse Table early 20th century, the banded and shaped rectangular top with parquetry inlays, over a conforming shaped shell- and foliate-carved frieze, raised on cabriole legs ending in scrolled toes. h. 30”, w. 58-1/2”, d. 36”

429

$1,000-$1,500 429 Louis XIV-Style Fruitwood Settee early 20th century, the padded triple-domed back joined by padded downswept arms to the cushioned seat, raised above a shaped shell-carved apron on cabriole legs ending in scrolled toes. h. 37”, w. 78-1/2”, d. 34” $1,000-$1,500 430 Provincial Louis XV Fruitwood Buffet 18th century, the rounded rectangular top above a conforming case fitted with two shaped cupboard doors, each inset with a shaped panel flanking a stop-fluted center panel, raised above a shaped apron on scrolled toes. h. 36”, w. 55”, d. 22” $1,500-$2,500

150

430

431 432

431 Pair of Provincial Louis XV-Style Stools 20th century, each with a padded rectangular top above a shaped apron, and raised on cabriole legs ending in scrolled toes. h. 19”, w. 17”, d. 15” $1,000-$1,500 432 French Provincial-Style Walnut Farmhouse Table 20th century, the plank top with breadboard ends and mounted to a base with scalloped aprons and cabriole legs, with pegged construction throughout. h. 30-1/2”, w. 40”, l. 72”

433 Leon-Germain Pelouse (French, 1838-1891) “Ramasseuse de Fagots pres d’un Village” oil on canvas signed lower left, stretcher with stencil number and remnants of two wax seals.

Framed.

33” x 22”, framed 45” x 34” $2,000-$4,000 434 Andrew Melrose (American, 1836-1901) “Cattle Watering in a Wooded Landscape”

$1,000-$1,500 oil on canvas signed “Melrose” lower left.

Period giltwood frame.

12” x 9-1/4”, framed 19-1/4” x 16-1/4” $1,000-$1,500

433

434

151

435 436

435 Provincial Louis-Philippe Fruitwood Buffet early 19th century, the top with canted corners, above a conforming case with a pair of drawers, centered by a carved medallion, and a pair of shaped paneled doors below, the false stile affixed to a door, the ends with carved reeding, with a scalloped apron and cabriole legs. h. 37-1/2”, w. 54”, d. 26” $1,000-$1,500

436 Henry Schouten (Belgian, 1864/7-1927) “Two Ponies” oil on canvas signed lower right.

Framed.

24” x 36”, framed 30-1/2” x 42-1/2” $2,000-$4,000

437 Provincial Louis-Philippe Chestnut Buffet a Deux Corps mid-19th century, the heavily molded and rectangular cornice above two glazed doors, the lower section fitted with two drawers over two paneled cupboard doors, raised on molded, block feet. h. 101”, w. 63-1/2”, d. 24” $1,000-$1,500

437

152

438

438 Provincial Louis XV-Style Burl Elm and Fruitwood Farm Table the rectangular burl elmwood top mounted to a conforming frame and raised on shaped cabriole legs. h. 30-1/2”, w. 46”, l. 85” $1,800-$2,500

439 Henry Schouten (Belgian, 1864/7-1927) “Milking Time” 439

oil on canvas signed lower left.

Framed.

24” x 35”, framed 33-1/2” x 45” $2,000-$4,000

440 Henry Schouten (Belgian, 1864/7-1927) “Cattle Resting in the Field” oil on canvas signed lower left.

Framed.

24” x 36”, framed 33” x 45” $2,000-$4,000

440

153

441 Henry Schouten (Belgian, 1864/7-1927) “Donkey and Cattle in a Landscape” oil on canvas signed lower right.

Framed.

22” x 29-1/2”, framed 32” x 36-1/2” $2,000-$4,000

442 Provincial Louis XV Fruitwood Buffet 18th century, the top with rounded corners and breadboard ends, above two side-by-side carved drawers with inset panels and stars, the framed and paneled doors with scrolland shell-carved details, raised on short cabriole legs. h. 42-1/2”, w. 56”, d. 23”

441

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $1,000-$1,500

443 Provincial Louis XV-Style Oak Buffet 19th century and later, the rounded rectangular top above a conforming case fitted with a central cupboard door, flanked to either side by a drawer over a cupboard, raised on shaped toes. h. 37”, w. 72”, d. 22-1/2” $1,200-$1,800 442

443

154

444

445

447

446

444 Oushak Carpet

446 Antique Serapi Carpet

11’ 1” x 14’ 9”

11’ x 16’ 9”

$3,000-$5,000

$3,000-$5,000

445 Oushak Carpet

447 Antique Heriz Carpet

10’ 5” x 14’ 9”

9’ 6” x 13’ 1”

$1,400-$1,800

$2,000-$4,000

155

448

450

451

449

448 Antique Shirvan Carpet

450 Semi-Antique Oushak Carpet

4’ 8” x 6’ 11”

5’ 3” x 7’ 2”

$1,500-$2,500

$2,000-$4,000

449 Oushak Carpet

451 Tabriz Silk and Wool Carpet

10’ x 13’ 10”

signed Banam.

9’ 9” x 13’ 6”

$2,000-$4,000

156

$8,000-$12,000

453

452

455 454

452 Antique Tabriz Carpet

453 Isfahan Silk and Wool Carpet

454 Kharsson Carpet

455 Farahan Sarouk Carpet

9’ 6” x 11’ 4”

9’ 6” x 12’ 10”

10’ 4” x 13’ 5”

3’ 5” x 6’ 5”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$6,000-$9,000

$5,000-$8,000

$1,000-$1,500

$3,000-$5,000

157

456 Fine Persian Silk on Silk Carpet 13’ 1” x 20’ 1” $60,000-$80,000 The Sivas region is renowned for its finely woven silk carpets incorporating classical Persian motifs. The example offered here is indicative of the exceptional craftsmanship of their weavers; the sophisticated, complex color palette, the central medallion of lush, dense floral infill, central border of modified floral and foliate sprays, ecoincons of modified palmette motif.

456

456 detail

158

456 detail

456 detail

457

457 Semi-Antique Qum Carpet 4’ 7” x 7’ 7” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

458 Qum Silk Carpet 3’ 6” x 6’ 2”

458

459 Continental Mahogany Trestle Table early 19th century, the rectangular top with a molded edge, above a conforming ogee-molded and fluted frieze, raised on shaped foliate- and scroll-carved end supports joined by a shape like-carved stretcher and ending in paw feet. h. 32”, w. 78”, d. 32” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,200-$1,800

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

459

159

460 C. Pasetti (Italian, 19th/20th Century) “The Tavern Scene” oil on canvas signed lower left.

Elaborately carved giltwood exhibition frame affixed with artist plaque.

27” x 41-1/2”, framed 43-3/4” x 58” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $2,000-$4,000

460

461 C. Bellini (Italian, 19th/20th Century) “Fishing Boats Sailing out of the Harbor” oil on canvas signed lower right.

Period, elaborately carved giltwood frame.

20” x 39”, framed 34” x 54” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,000-$1,500 461

462 C. Bellini (Italian, 19th/20th Century) “Mediterranean Village with Fishing Boats” oil on canvas signed lower right.

Period, elaborately carved giltwood frame.

20” x 39”, framed 34” x 54” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,000-$1,500

462

160

463 Large French Rococo Revival Carved Rosewood and Marble-Top Console third quarter 19th century, the shaped white marble top above a conforming carved frieze with raised panels and a central cartouche with hanging grapes, raised on four floralcarved cabriole legs joined by stretchers and a large central pierced and carved stretcher in the front. h. 36”, w. 76”, d. 25-1/2” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

463

$2,000-$4,000

464 Dutch School (18th Century) “Still Life of Flowers in an Urn” oil on canvas laid on board unsigned.

Framed.

48” x 42-1/2”, framed 52-1/2” x 46-1/2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $3,000-$5,000

464

465 School of Gaspar van den Hoecke (Flemish, ca. 1585-1648) “Antiochus and Stratonice” oil on canvas unsigned, titled inscribed on stretcher.

Ebony and parcel-gilt frame.

17-3/4” x 21”, framed 26” x 29-1/4” This painting depicts the tale of “Antiochus and Stratonice” from Plutarch’s Lives (43:38), when the doctor Erasistratus uncovers the cause of Antiochusí illness. After it is discovered that he is dying of his love for his stepmother Queen Stratonice, his father King Seleucus gives Stratonice’s hand in marriage to Antiochus. $3,000-$5,000 465

161

466

468

468 Frans de Momper (Flemish, 1603-1660)

466 Circle of Jacob Toorenvliet (Dutch, 1635/40-1719)

“Coastal Scene with Swimmers and Fishermen” “Portrait of an Old Man Holding a Tankard” and “Portrait of an Old Woman with a Basket of Eggs” pair of oils on wood panel Presented in matching frames. each 6-3/4” x 5-3/8”, framed 11” x 9-3/4” $2,000-$4,000

oil on wood panel backed by cradled board signed lower left, remnants of an old handwritten label and “Galerie Dominion” label affixed to cradle board.

Framed.

30-1/4” x 44-1/8”, framed 39-1/8” x 54” Provenance: Christie’s, New York, New York, May 18, 1995, lot 24; Galerie Dominion, Montreal, Canada.

467 Continental Mahogany Library Table 19th century, the rectangular top with a dentillated edge, above a recessed frieze fitted with two carved front drawers, raised on shield-form end supports with foliate carving, joined by a shaped stretcher and ending in heavily carved paw feet. h. 31-1/2”, w. 72”, d. 34” $1,500-$2,500

$15,000-$25,000 469 Carved Mahogany Console/Library Table 20th century, in the Louis XVI taste, the rectangular top with molded edges and shaped ends, above a relief-carved frieze on all four aprons, raised on turned and carved legs. h. 30-1/2”, w. 88”, d. 22” $1,000-$1,500

467

162

469

470 After Giovanni Domenico Tiepolo (Italian, 1727-1804) “Allegory of Justice” fresco in the Colleoni Chapel, Bergamo, Italy, 1913 oil on academy board signed lower right “F. Mancini” for Francesco Mancini Ardizzone (1863-1948), dated, localized “Mexico” and dedicated to Rafael Goyeneche, verso with “F. W. Devoe & Co.” label.

Framed.

19” x 18”, framed 23” x 22” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

470 471

$1,000-$1,500 471 Leandro Izaguirre (Mexican, 1867-1941) “Study for Pope Leo XIII”, ca. 1903 oil on linen signed lower left, a “La Paleta, Jose M. Urquidi” supplier/framer label on frame backing.

Framed.

19-3/4” x 12-1/4”, framed 25-3/4” x 18-1/4” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,200-$1,800

472

472 Pair of Walnut Two-Drawer Side Tables in the Italian Renaissance Taste second half 20th century, each with an overhanging dentillated molding, above two figured walnut drawers with molded edges and a central panel, raised on scrolled and carved legs. h. 26-1/2”, w. 22”, d. 14” $1,000-$1,500 473 Pair of Italian Carved, Painted and Parcel-Gilt Architectural Fragments ca. 1700, each with a central projecting bracket decorated with a carved winged angel’s head flanked by square medallions, against red and green grounds, both the top and base with giltwood molding. h. 13-1/2”, w. 22”, d. 6” $1,500-$2,500

473

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476

474

474 Italian-Flemish School (Fourth Quarter 16th/First Quarter 17th Century) “Ecce Homo” oil on wood panel unsigned, various labels en verso including a mid-20th-century one titled and attributed to the Cologne School in German, and a late 19th-century “Kunstpalast, Dusseldorf” one.

39-3/8” x 31-7/8”, framed 48-5/8” x 39”

476 Circle of Marcello Venusti (Italian, 1512/1515-1579) “The Crucifixion” oil on wood panel with cradled board backing, after Michelangelo’s drawing for Vittoria Colonna, verso with various labels with numbers unsigned.

Framed.

17-1/4” x 10-7/8”, framed 22-3/4” x 17-1/2” $1,000-$1,500 477 Bold Giltwood Mirror in the Spanish Baroque Taste

$3,000-$5,000 475 Italian School (17th Century)

first quarter 20th century, decorated with double bands of deeply carved gilt scrollwork and leaves, the exterior with pierced acanthus leaves, the burnished scrollwork on a gilt ground. h. 50”, w. 43”

“St. Jerome in the Wilderness” oil on wood panel unsigned.

Framed.

22” x 17-3/4”, framed 29-1/4” x 25-3/8”

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,400-$1,800

$1,000-$1,500

475

164

477

478

Rafael Goyeneche in his Mexico City study

478 Spanish Oak and Walnut Coffer 17th/18th century and later, the hinged top centered by a carved scene of the Capitulation of Granada, flanked to either side by the coats of arms of the Catholic monarchs of Aragon and Castile, the front bi-paneled and with scenes of mass baptisms within a Gothic arch, each corner with a carved ecclesiastical figure within a Gothic niche, the sides fitted with an iron handle and Gothic patterns, the lower band with heraldic patterns, raised on scrolling acanthine feet. h. 29-1/2”, w. 46”, d. 24-1/2” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,200-$1,800

479 After Peter Paul Rubens (Flemish, 1577-1640) “Anne of Austria, Queen Consort of France”, 1635 oil on canvas monogrammed “PR” and dated 1635 lower left.

Later, Baroque-style carved wood frame.

47” x 36-3/4”, framed 58” x 48-1/2” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $2,500-$4,000

479

165

480 Spanish School (19th/20th Century) “Portrait of a Nobleman with a Coat of Arms” oil on canvas unsigned.

Carved wood frame.

43-1/2” x 34”, framed 50-1/2” x 40” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,000-$1,500

481 Spanish Walnut Vargueno 480

18th century and later, the molded cornice above a paneled frieze with projecting bust accents, above a heraldic-carved drop front, opening to an architecturally modeled center section with an arched drawer over a pull-out center section fronted by two gilt-topped columns, flanking an arched cupboard door, over a drawer, all flanked to either side by a bank of four drawer, each bi-paneled and with bone panels with various figural scenes, raised on a stand of fluted and spiral-fluted circular legs joined by runner feet. h. 62”, w. 46”, d. 20-1/4”

482 Baroque School (17th Century) “Female Saint Holding a Book, Possibly St. Catherine” gilt-bronze altarpiece fragment possibly from a Northern Italian altar, now mounted on a square black marble presentation base. sculpture h. 11”, w. 6-1/2”, d. 4”; base h. 3-1/8”

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

Provenance: Antichita Piselli Balzano, Florence, Italy; Bruce McCashin Collection.

$2,000-$4,000

$7,000-$10,000

481

166

481 detail

482

483 Gilt-Stamped Leather-Covered Jewel Chest mid-20th century, in the form of a miniature wardrobe, the drawers set with engraved scenes of Vienna, the interior drawer fronts covered in leather and lined with moire. h. 16”, w. 12-1/4”, d. 7-1/2” $1,000-$1,500 484 Pair of Black Forest Carved Oak Wall Brackets fourth quarter 19th century, decorated with partridges on rocky outcroppings against carved leaves supporting rounded shelves, the edges carved with stylized sunflowers on a stippled ground. h. 11-3/4”, w. 10”, d. 6-1/2”

483

$1,200-$1,800 485 Petite Continental Walnut Drop Leaf “Butterfly” Table mid-19th century, the oval top with a floral-pierced and carved border, and raised on slender turned legs joined by turned stretchers, the leaves supported by swing-out gate legs. h. 27”, w. 28”, d. 12”, ext. l. 38” $1,000-$1,500

484

486 Continental Carved Oak Fireplace Surround late 19th century, in two parts, the upper section with a projecting cornice over a pair of inset arched and carved panels, depicting flowers and vines, each flanked by figural pilasters over another pair of recessed panels, each with a leonine masque centered by a carved allegorical figure, resting on a base with a carved mantel over fluted pilasters, capped by foliatecarved brackets, the central figural element on the top possibly an associated antique carving incorporated into the design. h. 99”, w. 67”, d. 8-1/4” $2,000-$4,000

485 486

167

488 487

487 Follower of Bartolome Esteban Murillo (Spanish, 1617-1682)

490 Iron-Framed Lantern in the Spanish Colonial Taste

“Madonna and Child” oil on canvas unsigned.

Baroque-style giltwood frame.

22” x 16”, framed 27-1/2” x 23”

first quarter 20th century, with a 490 pierced central band decorated with hanging medallions, suspended on twisted rod-form chains on dragon-head hooks, the bottom with a cruciform finial, the top with a star-form canopy. h. 18-1/4”, dia. 51-1/4”

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

$1,200-$1,800

$1,000-$1,500

488 Jacobus Plasschaert (Belgian, ca. 1730-1765) “Tromp l’oeil with Prints and Documents”, 1741 oil on canvas signed and dated lower left.

Framed.

20-1/2” x 20-1/2”, framed 27-1/2” x 27-1/2” $5,000-$8,000 489 Italian Baroque Carved Walnut Lift-Seat Bench 18th century, the back with a carved crest featuring a central oval medallion and wreathcarved border, above a paneled backboard, the base with a hinged seat and raised on boldly carved legs. h. 57-1/2”, w. 81”, d. 17” $2,500-$4,000 489

168

491

491 After Bartolome Esteban Murillo (Spanish, 1617-1682) “The Little Fruit Seller”, 1675-1700 oil on canvas unsigned.

Presented in a period, elaborately carved giltwood frame decorated with faux marble specimen plaques; the top corners with candle shelves.

65-1/2” x 43-3/4”, framed 83-1/4” x 60-1/2” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $7,000-$10,000

169

492

493

492 Pair of Baroque-Style Patinated Bronze Sconces

494 Napoleon III Mahogany Display Shelf

20th century, modeled as cherubic figures above molded leaves and supporting rope-twist cornucopia-form candle standards set with leaf molded drip pans, electrified. h. 23-1/2”, w. 8”, d. 7-3/4”

third quarter 19th century, in the Rococo Revival taste, the foliate- and brass shell-molded crest flanked by like carving and cross-hatched panels, over a trio of serpentine shelves with molded edges and supported by foliate- and scrollcarved brackets, the scalloped apron with like carving, a brass mount and inlaid brass stringing. h. 47”, w. 73”, d. 11”

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

493 Near Pair of Spanish Walnut Armchairs 19th century, each with a stretched leather back joined by flat arms to the like seat, raised on square legs joined by a front stretcher. h. 42-1/2”

$1,000-$1,500

$1,200-$1,800

494

170

495 Alfredo Ramos Martinez (Mexican/American, 1871-1946) “Winter Park Scene with Two Figures on a Bench” and “Two Women on a Park Bench” former: pastel and watercolor on paper, latter: watercolor on paper each signed lower right.

Both matted, glazed and in period matching frames. sight: former 6” x 9-3/4”, latter 5” x 7-1/2”, framed: former 16” x 19”, latter 15” x 17” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $3,000-$5,000 496 Colonial Baroque Walnut Cabinet 18th century, the shaped and foliate-carved backpiece above a case fitted with two doors, each with eight diamond- and foliate-carved panels and hung with chased iron hinges, the sides also paneled, raised above a shaped apron on cabriole legs headed by shell carving and ending in ball-and-claw feet. h. 103”, w. 49”, d. 18-1/2”

495

Provenance: Private collection, New York; Christie’s, New York, Latin American Sale, November 21-22, 2000, lot 174. $1,800-$2,500 497 Continental Baroque Carved Walnut Plaque ca. 1700, with deeply carved scrollwork and leaves, the center with an inset stone lozenge. h. 29”, w. 19” $1,000-$1,500

496 497

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499 498

498 Iberian Polychromed Hanging Shelf late 18th century, the square superstructure above a bowed upper shelf and two lower shelves, the whole with shaped pendant designs and side scroll designs. h. 38”, w. 50”, d. 10” $1,000-$1,500 499 Pair of Black Forest Walnut Armchairs 19th century, each naturalistically modeled as branches, nuts and leaves, the back with an oval upholstered panel, joined to open arms and a bowed seat rail, now upholstered in mottled tan hide. h. 37” $3,000-$5,000 500 Napoleon III Giltwood Console and Mirror mid-19th century, in the Louis XVI taste, the mirror surmounted by a floral garland, the domed and beveled plate within a molded frame and with applied floral garlands and lower foliate scrolls, the console with an inset D-form marble top above a conforming frieze with a pendant scrolling foliate design, raised on circular foliate-modeled legs joined by an urn-centered stretcher and ending in toupie feet, bearing a paper label. h. 117”, w. 44-1/2”, d. 18” Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,500-$2,500

500

172

501

501 Louis XIV-Style Gilt-Bronze and Crystal Chandelier second quarter 20th century, the glass-clad standard within a bronze frame set with molded acanthus leaves supporting curved candle arms terminating in leafmolded candle cups, and two graduated sprays of drops forming the corona, all hung with large cut glass prisms. h. 46”, dia. 22”

502

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana. $1,500-$2,500 502 Large Gilt-Composition Mirror in the Italian Baroque Taste 20th century, the frame decorated with bold scrollwork and acanthus leaves, the crest with a masque framed in scrollwork, and the beveled mirror plate with a beaded surround. h. 80”, w. 47” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,500-$2,500 503 Nineteenth-Century Flemish Tapestry depicting a courting couple within a verdant park, a chateau in the distance, with an acanthine and floral posy border.

120” x 114” $1,800-$2,500 503

173

504

504 Continental Polychromed Center Table 505

19th century, in the Baroque taste, the circular top raised on a heavily modeled base to four upturned legs. h. 29-1/2”, dia. 52” $1,200-$1,800 505 Pair of Italian Baroque Carved Wood Altar Candlesticks fourth quarter 17th century, each polychrome-painted and parcelgilt stick depicting the angel Gabriel holding a cornucopia-shaped candle holder set with a leaf-carved socket, above a base with carved corners and flowerheads. h. 30-1/2”, w. 15-1/2”, d. 10-1/2” $3,000-$5,000 506 Italian Baroque Figure of Saint Michael first half 18th century, now mounted as a lamp, the carved and painted figure of the archangel mounted on a wooden base, fitted with a shade. figure h. 13”, w. 5-3/4”, d. 5-3/4”; overall h. 22-1/2”, w. 6-1/4”, d.

6-1/4”

506

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $500-$800 507 Pair of Italian Giltwood Finials 18th/19th century, the Baroque faceted bases on tapered feet and carved with bellflowers, and set with burnished giltwood flame finials. h. 24-1/2”, w. 6-1/2”, d. 4-1/2”

508

$1,200-$1,800 508 Two Continental Carved Wooden Gothic Finials second half 19th century, the larger giltwood example with engaged columns in the base, the spire with carved oak leaves, and the smaller example painted with remnants of parcel-gilding, the spire with attached ball decoration, each mounted on an acrylic base. h. 25-1/2” to 44”, w. 4-1/2” to 7”, d. 4-1/2” to 7” 507

$1,000-$1,500

174

509 Italian Polychromed and Faux Marbre Elmwood Altar/Console 17th century, of bombe form, with a raised and molded shelf across the back, the whole faux marbrepainted and raised on a molded plinth base. h. 41”, w. 66”, d. 23” Provenance: Crown & Colony Antiques, Fairhope, Alabama. $1,000-$1,500 510 Continental Painted Tole Model of a Renaissance Tower

509

ca. 1900, the seven-story tower modeled with a rusticated lower floor, molded pilasters and pierced arches, with a ball finial and flag on top, above a rounded rectangular base with a pierced surround, raised on a molded rocky outcropping base. h. 66-1/4”, w. 34”, d. 15-1/2” $1,500-$2,500 511 Italian Baroque Wood-Framed Terracotta Altarpiece ca. 1700, the rectangular terracotta panel with Mary and the Christ Child in bas-relief, the top with a projecting molded cornice over an entablature painted with a coat of arms, the sides and base also painted. h. 41-1/2”, w. 34-1/2” $3,000-$5,000 512 Pair of Enameled Metal and Frosted Glass Lanterns

510

second quarter 20th century, decorated with yellow and green enameled leaves and red enameled metal flowers, the panels set with frosted glass, each with three interior lights. h. 22”, dia. 9-3/4” $1,000-$1,500

512 511

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513 Italian School (18th Century) “Classical Capriccio of Shepherds and Their Flock” oil on wood panel unsigned.

In an antique cove-molded giltwood frame.

10-1/4” x 12-1/4”, framed 15” x 18-1/4” $1,000-$1,500 514 Jos Nauwens (Belgian, 1830-1886)

513

“Still Life of Fruit, Ewer and a Fan” oil on canvas signed and indistinctly dated lower left.

Framed and affixed with artist plaque.

24-1/4” x 19-1/4”, framed 33-1/2” x 28-1/2” $1,200-$1,800 515 Italian Walnut and Mahogany Library Table 20th century, the rectangular top with a molded edge, above a frieze fitted with three small paneled drawers, raised on squat urn-form end supports joined by a shelf stretcher and ending in up-scrolled runner feet. h. 31”, w. 60”, d. 27-1/2” 514

$1,000-$1,500 516 Italian Florentine Giltwood Mirror third quarter 20th century, in the rococo style, the giltwood surround with inset mirror panels, the serpentine crest carved with roses and leaves, and the sides with scrollwork and flowerheads, resting on carved scrollwork feet. h. 54”, w. 27-1/2” $1,000-$1,500

515 516

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517 Pair of Venetian Murano Gilt-Flecked Blown Glass Torcheres 20th century, the fluted standards composed of vasiform and spherical elements, and set with scrolled arms with inverted umbrella-form lights, with a crown of volutes hung with drops. h. 85-1/2”, dia. 24-1/2” $1,500-$2,500 517

518 Pair of Neoclassical-Style Polychromed and Marble-Top Console Tables each with an inlaid marble top over a dentillated frieze, supported by a column joined to a stepped base with foliate-carved molding. h. 37-1/2”, w. 37”, d. 16-1/2” $1,800-$2,500

519 Large Pickled Pine Farmhouse Table

519

in the Northern European taste, the rectangular top with three framed sections, each with inset parquet panels in a herringbone pattern, raised on large, square cut and molded standards joined by a flat plank stretcher. h. 30-1/2”, w. 96”, d. 42” $1,200-$1,800

520 Pair of Rare and Unusual Altar Sticks 19th century, probably Italian, the wooden pricket-form sticks with quiver-form standards and bas-relief-carved skulls over crossbones on the facade and crossbones on the other two sides, painted and raised on cloven feet, the prickets set into leaf-molded drip pans. h. 39”, dia. 14” $1,200-$1,800

520

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522

521 Provincial Polychromed Commode 19th century and later, the rectangular top with a molded edge, above a conforming case fitted with three long, deep drawers, raised on ball feet. h. 39”, w. 52”, d. 26-1/2” $1,000-$1,500 522 Pair of Baroque Carved, Painted and Parcel-Gilt Plaques 17th century, probably Italian, one depicting Mercury in his winged hat, against a carved surround decorated with dolphins in the upper portion and cockerels in the lower portion, and the other depicting a nymph carved with mythological birds in the upper portion and honeysuckle in the lower portion. h. 23-1/4”, w. 11-1/2”

523

$1,500-$2,500 523 Large Italian Polychromed, Parcel-Gilt and Marble-Top Table mid-20th century, the circular specimen marble top with segmented wedges, the center with three inset swans and the outer border in a grape-and-leaf motif, the base with a circular rim and bronze mounts, separated by four pairs of outside columns mounted to a shaped platform base with a central carved urn and four bracketform buttresses. h. 30”, dia. 69” $1,200-$1,800 524 Pair of Impressive French Copper and Wrought Iron Street Lights 19th century and later, each copper-capped, carriage-type lamp set with four interior lights, hanging inside an iron “C”, atop a standard set with iron scrollwork, on a platform base, now electrified. h. 118”, w. 30”, d. 30” $3,000-$5,000

178

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525 “Novi Belgii Novaeque Angliae nec non Partis Virginiae Tabula” early New England map after Nicolaes Visscher (Dutch, 1618-1709), color facsimile printed on wove paper, ca. 1900, watermarked “Van Gelder Zonen”.

Matted, glazed and framed. image 17-7/8” x 21-1/2”, framed 21-5/8” x 25-3/8” $2,000-$4,000 526 Regence-Style Polychromed Bombe Commode mid-20th century, the shaped, stepped top above a bombe case fitted with a single frieze drawer over three long drawers, raised on cabriole legs ending in scrolled acanthine feet, the whole with gilt and gesso accents in the chinoiserie taste. h. 32-1/4”, w. 46”, d. 21”

525

$1,200-$1,800 527 Pair of Italian Hand-Painted Pottery Lamps 20th century, each decorated with parrots on flowering branches, the handles molded with pomegranates, on Chinese-style giltwood bases. h. 32-3/4”, w. 6-1/2”, d. 6-1/2” $1,000-$1,500 528 Italian Giltwood, Metal and Crystal Chandelier 20th century, the six-light chandelier with a carved giltwood standard set with scrolled candle arms beneath two graduated sprays of crystal drops with accents of red, blue and green drops, the lower portion set with swags of drops and pressed metal medallions, set with polychrome prisms. h. 39-1/2”, dia. 34”

526

$1,200-$1,800

527 528

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530

529

529 Italian Polychromed Secretary 19th century, possibly Venetian, the molded double-domed cornice above an interesting open arrangement of shelves and brackets, the lower section fitted with a slant front opening to an arcaded interior, raised above a scalloped apron on cabriole legs, the whole with various foliate and figural polychromed accents. h. 94”, w. 43-1/2”, d. 18-1/2”

531

$1,500-$2,500 530 Pair of Venetian Polychromed Side Chairs

531 Pair of Small Italian Giltwood Mirrors in the Rococo Taste

18th century, each with a double-domed crest centered by a pierced shell over a scrolling open bi-paneled back, the padded seat raised above a shaped apron on cabriole legs joined by an H-form stretcher and ending in scrolled toes. h. 36”

fourth quarter 19th century, each having a surround decorated with carved leaves, a pierced crest with rocaille and scrollwork, and a base with a scroll-framed panel and a shell flanked by pierced leaf carvings. h. 27”, w. 15-1/4”

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

$1,000-$1,500

$1,000-$1,500

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532

533

532 Italian Polychromed Pine Commode early 20th century, the shaped and bowed top above a conforming case fitted with two deep long drawers, raised on cabriole legs headed by polychromed shell and foliate carving and ending in pad feet. h. 34”, w. 52-1/2”, d. 25” $2,000-$4,000 533 Large Pair of Carved, Patinated and Giltwood Sconces 20th century, in the Italian Baroque taste, each with three scrolled arms with foliate-carved details and carved tassels, and mounted to a Louis XVI-inspired standard with a carved flame finial, electrified and fitted with wax candle sleeves and clamp-on silk shades. h. 35”, w. 22”, d. 15” $1,000-$1,500 534 Italian Polychromed Secretary 20th century, possibly Venetian, the molded and doubledomed cornice above two doors, each inset with a pierced panel, the lower section fitted with a slant front opening to various drawers and cubbyholes, above a single faux marbre-fronted drawer, raised on molded cabriole legs. h. 80-1/2”, w. 32-1/2”, d. 19” $1,000-$1,500

534

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535 Suite of Six Polychromed Dining Chairs in the Dutch Rococo Taste each with a shell- and foliate-carved crest over a shaped splat, and a serpentine slip seat with like carving on the seat rail, raised on cabriole legs with shell-carved knees and ball-and-claw feet, joined by an H-form stretcher. h. 40-3/4” $1,500-$2,500

536 Pair of Italian Carved, Painted and ParcelGilt Torcheres 20th century, the twelve-light torcheres with tiers of candle holders supported on laurel leaves accented with flowerheads, above stepped and cove-molded bases, all decorated with green paint and trimmed in gilt. h. 75-1/2”, w. 23-1/2”, d. 10”

535

$2,500-$4,000

537 Italian Neoclassical Polychromed and Quartz-Top Console Table 19th century and later, the rectangular top with a molded edge and raised on a large heavily carved foliate-modeled base centered by a shell, above a stepped plinth base. h. 37-1/4”, w. 46-1/4”, d. 12-1/2” $2,000-$4,000

537

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540 538

538 Suite of Six Continental Fruitwood Side Chairs 540 Regency-Style Polychromed, Parcel-Gilt and Marble-Top Commode

ca. 1900, in the rococo taste, each with a shaped shellcentered crest over a pierced foliate-carved splat, the padded seat raised on cabriole legs ending in peg feet. h. 38-1/2”

early 20th century, the shaped Brocatelle Jaune du Jura marble top above a conforming bombe case fitted with three graduated drawers, each with floral-carved and gilded details, the sides with lattice-incised panels, the interior drawer bottoms fitted with removable moire-covered panels, raised on scroll-carved legs. h. 38”, w. 61”, d. 24”

$1,500-$2,500 539 Pair of Italian Silver-Gilt Mirrors fourth quarter 19th century, in the Northern Italian taste, the surrounds lined with carved rocaille work, the pierced frames carved with scrollwork and flowerheads, the crest with pierced anthemia, set with antique mirror glass. h. 55”, w. 30-1/2”

$1,500-$2,500

$1,500-$2,500

539

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541 Venetian Walnut Sofa in the Rococo Taste 19th century, with a camel-form back joined to closed scroll arms, serpentine front seat rail and cabriole legs, recently upholstered in Bergamo silk damask and fitted with a down seat cushion. h. 40-1/4”, w. 78”, d. 29” $1,000-$1,500 542 Suite of Four Neoclassical-Style Painted and Parcel-Gilt Side Chairs of Italian inspiration, each with a lyreform backsplat and circular upholstered seat, raised on shaped legs with paw feet, adorned with carved griffin heads throughout. h. 33-1/2”, w. 17”, d. 16”

541

$1,500-$2,500 543 Pair of Glass and Silverplate Cylindrical Table Lamps 20th century, the glass standards with neoclassical-style silverplate mounts, the central mount depicting a dancer with a tambourine, in an oval surround, an eagle at the top, framed with swagging, on square acrylic bases. h. 20-1/2”, w. 5”, d. 5” $1,000-$1,500 542

544 Rock Crystal Bowl on Stand 20th century, probably Brazilian, the well-figured clear rock crystal bowl supported on a Georgian-style silverplate dish cross. h. 5-1/2”, dia. 15” Provenance: “Addiction”, Mykonos, Greece; Bruce McCashin Collection. $5,000-$8,000

544

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545

545 Pair of Cast Iron Garden Armchairs early 20th century, in the neoclassical taste, each with a back with crossed arrows over a figure of Diana the Huntress with her dog, open arms, latticework seat and splayed legs. h. 34-1/4”

546

$2,000-$4,000 546 Italian Silvered and Patinated Metal Chandelier 20th century, the eight-light chandelier with a patinated metal frame set with curved candle branches decorated with silver-gilt leaves and sprays of glass flowers behind each light, hung with swags of glass beads and prisms. h. 43”, dia. 35” $1,000-$1,500 547 Neoclassical Creme-Peinte, Parcel-Gilt and MarbleTop Side Table

547

19th century, the rectangular marble top above a conforming frieze with a central urn carving and applied medallions to each side, raised on fluted tapering square legs headed by Ionic capitals and ending in lotus feet. h. 35”, w. 60-1/2”, d. 24-1/2” $2,500-$4,000 548 Pair of Neoclassical-Style Polychromed Stools each with a padded rectangular seat above a ribbed apron, and raised on a curule-form base ending in lotuscarved feet. h. 19-1/2”, w. 14-1/2”, d. 20-1/2” $1,000-$1,500 548

185

549 Italian “Art Deco/Greco” Alabaster Floor Lamp second quarter 19th century, of Pompeiian-inspired form, the alabaster with tan and gray marbling and geometricincised decoration, raised on a bronze foot plate. h. 60-3/4”, dia. 6-1/2” $1,500-$2,500

550 Pair of Italian Rococo Giltwood and Mirrored Sconces

550

fourth quarter 18th century, set with antique mirror plates, the pierced surrounds with rocaille work and flowerheads, the scrolled crests decorated to match, the gilt-metal threelight sconces set with giltwood leaves, “growing” out of giltwood flower mounts, mounted at the pierced bases. h. 26”, w. 16-1/2”, d. 7-3/4” $1,500-$2,500

551 Italian Neoclassical Creme-Peinte Settee early 19th century, the rectangular back with three interlacing splats, joined by downswept foliatecarved arms to the padded seat, raised on fluted tapering square legs ending in pad feet, the whole with gilt accents. h. 33”, w. 55-1/2”, d. 19-1/2”

549

552

$2,000-$4,000

552 Pair of Italian Silver Giltwood Lamps mid-20th century, in the neoclassical taste, the reeded urn-form lamps set with leaf-carved handles, above rectangular bases, mounted with shades. h. 30-1/4”, w. 10-1/2”, d. 7-1/4” $1,000-$1,500

551

186

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554

553 Contemporary Giltwood and Marble-Top Side Table of Louis XVI inspiration, the D-form marble top above a conforming dentillated frame with pendant swag garlands, raised on spiral-ribbed tapering circular legs ending in toupie feet. h. 34”, w. 38”, d. 16-3/4” $2,000-$4,000 554 Contemporary Giltwood and Marble-Top Side Table of Louis XVI inspiration, the D-form marble top above a conforming dentillated frame with pendant swag garlands, raised on spiral-ribbed tapering circular legs ending in toupie feet. h. 34”, w. 38”, d. 16-3/4” $2,000-$4,000 555 Pair of Italian Carved Giltwood Sconces

555

mid-20th century, in the neoclassical taste, the faceted mirror-inset backplates set with urn-form finials and drapes of bellflowers on each side, the pierced and scrolled candle arms supporting turned candle cups and drip pans, the bottoms with bellflower drops. h. 35”, w. 12-1/2”, d. 4-1/2” $1,000-$1,500 556 Sally Sirkin Lewis for J. Robert Scott Giltwood Bench in the neoclassical taste, the upholstered cushion over a paneled apron with a foliate-carved mount, raised on turned, reeded and fluted legs terminating in leaf carving over ball feet, retaining the maker’s label on the bottom. h. 22”, w. 42”, d. 17” 556

$1,000-$1,500

187

557

557 Italian Parcel-Giltwood and Metal Chandelier 20th century, in the neoclassical taste, the six-light chandelier with a turned and painted wooden standard, set with scrolled candle arms terminating in turned and painted candle sockets with gilt accents, the top with a metal corona supporting giltwood tassels. h. 28-3/4”, dia. 46” $1,500-$2,500 558 Continental Neoclassical Polychromed Sofa 19th century, of box form, the triangular back with a molded and guilloche-carved frame joined by paneled sides to the cushioned seat, raised above a guilloche-carved apron on fluted tapering circular legs ending in peg feet. h. 44”, w. 76”, d. 29-1/2”

558

$1,200-$1,800 559 Open 560 Pair of Exceptional Neoclassical-Style Carved Giltwood Plaques fourth quarter 19th century, Italian, carved with serpenthandled fluted ewers, supported on scrolled and carved brackets, the ewers carved with flowers, leaves and grapes in high relief, all in contrasting matte and burnished gilding. h. 23-1/4”, w. 20-1/2”, d. 4-3/4” $1,800-$2,500

188

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561 Italian Neoclassical Walnut Commode early 19th century, the stepped rectangular top above two small drawers and a tapering case fitted with two long drawers, raised on cabriole legs ending in foliate-carved toes. h. 32”, w. 36-1/2”, d. 18-1/2” $1,500-$2,500 562 Suite of Eleven NeoclassicalStyle Mahogany Dining Chairs

562

each having a back with a top rail with an ormolu mount centered by a bust of Mercury, a shaped splat, a bowed and caned seat rail, and raised on tapering turned legs. h. 38” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 563 Continental Giltwood and Gilt-Metal Chandelier 20th century, the twelve-light chandelier with a turned and carved body supported on a vasiform standard, set with gilt-metal scrolled candle arms accented with leaves and scrollwork, and terminating in turned and carved giltwood candle sockets and drip pans. h. 32-1/5”, dia. 34-1/2” $1,000-$1,500 564 Continental Giltwood and Gilt-Metal Chandelier

561

20th century, the twelve-light chandelier with a turned and carved body supported on a vasiform standard, set with gilt-metal scrolled candle arms accented with leaves and scrollwork, and terminating in turned and carved giltwood candle sockets and drip pans. h. 32-1/5”, dia. 34-1/2” $1,000-$1,500

563

564

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565 Pair of Neoclassical Polychromed and Faux Marbre Side Tables early 19th century, each with a rectangular faux marbre top above a molded and dentillated frieze, raised on fluted tapering square legs headed by ball capitals and ending in pad feet. h. 35-1/2”, w. 48-3/4”, d. 24” $2,000-$4,000 565

566 Pair of Handsome Italian Giltwood Oval Mirrors fourth quarter 19th century, the elaborate pierced crest with overhanging acanthus leaves and scrollwork, the mirror surround with fluted edges against a sanded field, the lower portion matching the crest. h. 39”, w. 23” $2,500-$4,000

567 Continental Walnut and Tortoise-Inlaid Occasional Table first quarter 20th century, the rounded rectangular top with a foliate-carved edge and starburst inlay of tortoise panels, joined by shaped and pierced foliate-carved supports to a lower shelf, raised on foliate scrolled toes. h. 24”, w. 35-1/2”, d. 24-1/2” $3,000-$5,000

566

567

190

567 detail

568 Italian Giltwood and Metal Chandelier in the Baroque Taste 20th century, the bold six-light chandelier with a turned and carved standard ornamented with leaves and shells, the leafcarved and scrolled candle arms set with molded metal drip pans and joined to the body with large “C” scrolls. h. 40”, dia. 35” $1,500-$2,500

568

569 Pair of Continental Polychromed Cabinets early 20th century, in the chinoiserie taste, each with a banded, shaped and bowed top with projecting canted corners, above a conforming case fitted with a single door, featuring a gilt and polychromed figural chinoiserie landscape scene, raised on block feet. h. 55-1/2”, w. 25-1/2”, d. 20-1/2” $2,000-$4,000

569

570 Chinoiserie-Decorated Demi-lune Cabinet 20th century, in the Louis XVI taste, the demi-lune top featuring a polychrome scene in the chinoiserie taste, above a conforming case fitted with a like-decorated cupboard door, raised on fluted tapering square legs. h. 36”, w. 42”, d. 21” $1,000-$1,500

570

191

571

572

571 Sechour Carpet

573 Persian Nain Carpet

4’ 5” x 11’

7’ 5” x 12’ 8”

$5,000-$8,000

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

572 Semi-Antique Mashad Carpet

573

$2,000-$4,000 9’ 11” x 13’ $1,200-$1,800

574 Persian Nain Carpet 6’ 2” x 9’ 3” $1,400-$1,800

574

192

577 575

576

575 Lilihan Carpet

578

577 Turkish Angora Oushak Carpet

6’ 8” x 9’ 10’ x 13’ 9” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

$1,200-$1,800 578 Agra Serapi Carpet

576 Sewan Kazak Carpet

9’ x 11’ 8”

3’ 10” x 6’ 5”

$1,800-$2,500

$1,000-$1,500

193

580

579

581

579 Turkish Angora Oushak Runner

580 Oushak Carpet

2’ 6” x 19’ 3”

8’ 10” x 11’ 9”

$1,000-$1,500

$2,000-$4,000

581 Uzbek Kazak Carpet 8’ 11” x 12’ 8” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

194

582 Pair of Creil & Montereau L.M. & Cie Aesthetic Pottery Vases pre-1871, each with a central panel with a bas-relief-molded nymph, a putto and a winged putto head, the sides with polychrome swan’s heads, and the bases decorated with black-ground polychrome scrollwork, resting on bronze stands with lion’s heads and feet, each impressed “L.M. & Cie” on the bottom. h. 14”, w. 6-1/4”, d. 6-1/2”

584 Pair of William IV Mahogany Hall Chairs second quarter 19th century, each with a molded and scrollcarved back with parcel-ebonized panels, wooden seat and turned legs. h. 33-1/2”, w. 15-1/8”, d. 16-3/4” $1,000-$1,200

$1,000-$1,500 583 Early Victorian Mahogany Firescreen third quarter 19th century, the shield-form screen surmounted by a pierced acanthine crest, featuring a needle and beadwork scene of Hermes holding a caduceus, within a lattice pattern, raised on a turned and bulbous standard to three splayed legs ending in scrolled toes. h. 56” $1,000-$1,500

582

584

583

195

586 Edwardian Mahogany Desk early 20th century, the rectangular top with concave corners and an inset leather oval panel, above a conforming case fitted with three frieze drawers, raised on two banks of drawers, one fitted with three drawers and the other with a deep file drawer over a drawer, all banded, the whole with banded and inlaid urn accents. h. 30”, w. 50”, d. 28” $1,800-$2,500 587 English Carved and Figured Elm Wood Back Bar

585

585 Heywood Hardy (British, 1843-1933) “The Saxons’ Tribute to King Edward”, 1872 oil on canvas signed and dated lower left.

Framed.

39-1/4” x 62-3/4”, framed 48-7/8” x 72-3/4”

fourth quarter 19th century, the upper section with an ornate crest and applied carvings, and an under shelf fitted with hangers for eighteen wine stems, the lower shelf with eleven hangers for twenty-two wine stems and having a beveled mirror back, the base with two side-by-side drawers above two central drawers and a cabinet to each side, the right cabinet fitted with a pull-out wine bottle drawer to house eight bottles, accompanied with eighteen Cristal D’Arques-Durand Antique clear knob stem water goblets, h. 8”, and twenty-two wine stems, h. 7-3/8”. h. 100”, w. 74”, d. 24-1/2” $1,500-$2,500

Exhibited: 1872 Royal Academy Exhibition, London, inventory #358.

Literature: Algernon Graves, The Royal Academy Exhibitions, Vol. III (London: Chiswick Press) 1905/6; London Society: An Illustrated Magazine of Light and Amusing Literature, Vol. XXI (London: W. Clowes & Sons) 1872, p. 279.

(Hardy)...will win further fame by his Saxon Wolf-Hunters returning with their tribute of wolves-heads. Mr. Heywood Hardy illustrates, on a canvas over five feet long, an incident common enough, doubtless in the days of King Edgar, who, bent on exterminating the beasts from these islands, demanded a yearly tribute of wolves-headsÖthe whole scene, vigorous in action, novel, and admirably painted, must make its mark.”

London Society 1872 $7,000-$10,000

586

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587

588

588 Extensive Experimental Partial Dinner Service Attributed to Royal Crown Derby 20th century, English, based on the “Old Imari” pattern without the terracotta and gilt accents, the service including twenty dinner plates, dia. 10-1/4”, twenty-four salad plates, dia. 8-1/2”, nine “Sheffield” fluted dessert plates, dia. 8-1/2”, twenty-two bread-andbutter plates, dia. 6-1/4”, eleven cream soups, h. 2-1/4”, dia. 5”, with one underplate, dia. 6-1/2”, twenty-five footed cups, h. 2-3/4”, and six saucers, dia. 5-3/4”, six flat cups, h. 2-3/4”, one breakfast cup, h. 3”, four demitasse cups, h. 2-1/4”, five lobed saucers, dia.

4-1/2”, two compotes, h. 4” to 5-1/2”, dia. 11-1/2”, two coffeepots, h. 9”, w. 9-3/4”, a pair of small cachepots, h. 5”, dia. 5-1/2”, a pair of platters, w. 14-3/4”, d. 15”, a pair of platters, w. 13-1/2”, d. 10-3/4”, an oval covered vegetable dish, h. 4-1/2”, w. 11-1/2”, an oval open vegetable dish, h. 2”, w. 10-1/4”, a pair of ewers, h. 10-1/4”, w.

4-1/2”, and four stacking dishes, w. 4”, d. 3-3/4”, together with a Royal Crown Derby Majesty Cobalt Blue oval covered vegetable dish, h. 4-1/2”, w. 11-1/2”, and ten bread-and-butter plates, dia.

6-1/4”, all unmarked.

589

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 589 Unusual Edwardian Rosewood, Walnut and Burl Elm Side Table ca. 1900, of diminutive proportions, the three-quarter gallery top with a banded burl elm border above an incurved drawer, over four conforming cabinet doors, raised on slender, tapered cabriole legs. h. 30”, w. 19”, d. 12-1/2” $1,000-$1,500 590 Edward Wormley for Dunbar Wing Chair mid-20th century, the shaped barrel back joined to closed arms, raised on tapering legs and retaining the label “Made by Dunbar, Berne, Indiana”. h. 44-1/4” $1,200-$1,800 590

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592

591 Fine Edwardian Rosewood and Inlaid Secretary Bookcase fourth quarter 19th century, the crest with a broken-arch pediment centered by a turned finial, above a pair of astragal-glazed doors, the base with a cylinder roll opening to a pull-out leather-inset writing surface and recessed drawers, with a kneehole opening below, flanked by a cabinet to each side. h. 91”, w. 42”, d. 20-1/2” $1,500-$2,500

592 Pair of Anglo-Colonial Padauk Wood Armchairs

591

19th century, in the Regency taste, each with a deeply leaf-carved crest rail over a pierced splat with like carving, molded arms with scroll ends, carved seat rail and lotus-carved legs, each with a caned seat. h. 33-1/2” $1,000-$1,500

593 Anglo-Indian Stained Teakwood Circular Side Table early 20th century, the top with a central relief-carved dancer flanked by elephants in a circus scene, the border and table edge relief-carved and supported by three elephant-trunk legs. h. 25”, dia. 23-1/2” $1,000-$1,500

593

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596 American Aesthetic Movement Faux Bamboo Dressing Table

594

594 Pair of Chinese Cloisonne Vases 20th century, decorated with carp swimming in a lotus pond, the lower turquoise ground border ornamented with yellow fretwork, the neck decorated with moths. h. 11-1/2”, dia. 4-1/2”

fourth quarter 19th century, the rectilinear mirror plate with rattan-style brackets, the birdseye maple dresser base with a pair of pedestals, each with three drawers flanking a kneehole opening with a single drawer. h. 68-1/2”, w. 55”, d. 21-1/2” $2,000-$4,000 597 Tall Pair of Asian Carved and Polychromed Hardwood Figures

$1,000-$1,500 595 Chinese Famille Rose Porcelain Bowl ca. 1800, the pink and white bowl with gilt lotus decoration. h. 5”, dia. 16”

early 20th century, each in a standing posture, dressed in a red robe and standing on a carved lotus leaf base. h. 74-1/2” to 75-1/2”, w. 20”, d. 15” $2,000-$4,000

$1,200-$1,800

596 597

199

598 Tall Pair of Japanese Carved and Polychromed Hardwood Figures 18th/19th century, each in a robe, the left hand extended and holding a pear, standing on a carved lotus-leaf plinth. h. 60”, w. 18”, d. 17-1/2” and h. 59”, w. 18”, w. 17” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $3,000-$5,000 599 Chinese Scroll Painting 20th century, with geese and autumn grasses, with its original box. image size 32-1/2” x 15”, overall size 62” x 19-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 600 Korean Scroll Painting

598

20th century, with a tiger and birds, a reproduction of a 19th-century folk painting, with its original box. image size 32-1/2” x 21”, overall size 54” x 25” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

599

$800-$1,200 601 Suite of Six Chinese Ebonized Wood and Marble Panels 20th century, the ebonized panels trimmed with Chinese fret gilt incising and set with various shaped marble panels painted with Chinese characters. each h. 39-1/4”, w. 8-1/2” $1,500-$2,500

600 601

200

602 603

602 Pair of Contemporary Iron Tables the rectangular tables with an inset glass top over a fragment of 18th-century chinoiserie wallpaper, raised on square legs joined by an X-form stretcher. h. 24”, w. 18-1/2”, d. 16” $1,000-$1,500

603 Impressive Japanese Patinated Bronze Vase probably late Meiji period (1868-1912), unmarked, the exuberantly scrolling handles hand-riveted to the body, on a modified lotus-form base. h. 24”, w. 17”, d. 17” This vase deftly merges the Japanese aesthetic with the stylistic elements of the emerging Art Nouveau movement.

604

$1,000-$1,500

604 Pair of Chinese Porcelain Covered Jars 20th century, the famille noir grounds with polychrome dragons and flowers, the bases marked. h. 18”, dia. 6-1/2” $1,000-$1,500

605 Inlaid Marble Table Top of octagonal form, intricately inlaid with malachite and various stones in floral and foliate patterns. dia. 32” $1,000-$1,500

605

201

606

606 Chinese Porcelain Lantern 607

20th century, with enameled decoration of dragons and flowers on a yellow ground. h. 12”, dia. 7” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 607 Chinese Porcelain Baluster Vase 19th century, now mounted as a lamp, with famille rose relief decoration of the hundred antiques, mounted to a lucite base. vase h. 18”, dia. 8”, overall h. 32”

608 Pair of Asian Carved and Painted Wooden Monkeys 20th century, probably Burmese, modeled walking on all fours, on wooden plinths. h. 11-1/2”, w. 4-1/2”, l. 20” $1,000-$1,500

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

608

202

609 Zebra Rug w. 73”, l. 122” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

609

610 Zebra Rug

610

w. 62”, l. 110” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500

203

611

612 613

611 Mashad Carpet

612 Kazak Carpet

613 Tabriz Pictorial Carpet

16’ 2” x 31’ 6”

6’ 1” x 9’ 1”

11’ 6” x 15’ 4”

$15,000-$25,000

$3,500-$5,000

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

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614

615

616

618 617

614 Shivan Carpet

616 Semi-Antique Heriz Runner

618 Semi-Antique Persian Kashan Carpet

2’ 9” x 12’ 6” 4’ 9” x 5’ 10” $1,000-$1,500 615 Turkish Angora Oushak Carpet

10’ 9” x 14’ 7” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$2,500-$4,000

$1,000-$1,500

10’ x 13’ 6”

617 Tabriz Silk and Wool Carpet

$1,200-$1,800

9’ 9” x 13’ 3” $7,000-$10,000

205

621

619

622

620

206

619 Turkish Oushak Carpet

621 Hereke Silk Carpet

11’ x 16’ 7”

8’ x 10’

$2,000-$4,000

$1,200-$1,800

620 Needlepoint Carpet

622 Heriz Carpet

9’ 1” x 16’ 3”

8’ 5” x 10’ 11”

$1,200-$1,800

$1,000-$1,500

623

624

623 Turkish Angora Oushak Carpet

625 Turkish Angora Oushak Runner

9’ 2” x 12’ 1” 2’ 5” x 19’ 6” $1,200-$1,800 $1,000-$1,500 625

624 Turkish Angora Oushak Carpet 9’ 3” x 11’ 10” $1,200-$1,800

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Session II Sunday, December 6 Lots 626-1135

628 626

626 Vintage Louis Vuitton Bisten 70 Hardsided Suitcase covered in monogrammed canvas with vachetta leather trim, handle, brass studs and hardware, interior with leather lining, cloth straps and Louis Vuitton label with serial number “905806”. h. 18-1/2”, w, 27-1/2”, d. 7” $1,800-$2,500 627 Vintage Louis Vuitton Monogram “Boite Chapeaux Ronde 50” 1989, brass hardware, the coated canvas exterior with vachetta leather trim, buckled carrying strap and luggage tag, linen-lined interior with a pleated rear pouch, patch-labeled “Louis Vuitton/Paris/Made in France”, resting on four domed brass feet.

Date Code: 8910 A2 h. 19”, w. 20-1/2”, d. 8”; strap drop: 3” $1,400-$1,800

628 Vintage Hermes Bi-Color Courchevel “Kelly” Retourne Bag 1993, gold hardware, with turn lock closure, the dark navy body trimmed with a rouge padded handle and front straps, the forward strap plate marked “Hermes Paris”, the reverse blind-stamped “13L” and circled “W”, the upper front edge gilt-stamped “Hermes/Paris/Made in France”, resting on four conical feet, the self-lined interior with long zippered pocket opposite two half-gusseted slip pockets, includes a labeled removable rouge cross-body strap, clochette with lock and keys and labeled dustbag. h. 9”, w. 12-3/4”, d. 5”; handle drop: 3”, strap drop to bag: 17-1/4” $8,000-$12,000 629 Vintage Hermes Burgundy Box Calf “Constance” Shoulder Bag 1978, enameled gold hardware, flap ending within an enameled “H”, the reverse with a slip pocket, the “H” crossbar with magnetic closure and fitted with an acrylic interior layer, marked “Hermes” along the lower gold edge, gilt-stamped “Hermes/Paris/Made in France” under the flap at the upper front edge, with a flat slide-through strap, the matching lambskin-lined interior with a half-gusseted zippered pocket opposite a slip pocket, one front corner stamped a circled “M”, includes a labeled dustbag. h. 7”, w. 9”, d. 2”; strap drop: 8” doubled, 14” extended $6,000-$9,000

627

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632 630

630 Vintage Chanel Hot Pink Raffia and Lambskin Shoulder Bag

632 Vintage Chanel White Caviar Leather Camera Bag

1989-91, gold hardware, the part-raffia and quilted lambskin body with flip-over tab and magnetic closure, trapunto CC centered underneath, “quilted” CC metal-ended lambskin tassel at one side, with dual leather-interwoven chains, the black lambskin-lined interior with a zippered pocket goldstamped “Chanel” and “Made in Italy” on the opposing side, includes the authenticity card and previous retail label. h. 7-1/4”, w. 9-1/2”, d. 3-1/2”; chain drop: 17”

1991-94, gold hardware, with concentric diamond quilting front and back, the sides and underneath chevron-quilted, the front centered with trapunto CC, the reverse with a slip pocket, the zippered closure with a chain-attached “quilted” CC metal cap with oversize caviar leather tassel, with leather-interwoven chain, the white lambskin-lined interior with a zippered pocket gold-stamped “Chanel” and opposing small patch pocket gold-stamped “Made in Italy” above it. h. 6-1/2”, w. 9”, d. 2-1/2”; chain drop: 20”

$1,400-$1,800

$1,800-$2,500

631 Chanel Camel Surpique “Boston” Tote 2002-03, aged silver hardware, the duffel-style kidskin body with black contrast stitching front and back, with dual straps, pochette with lock and keys, CC logo and dual zip-around closure with leather tabs impressed “Chanel”, the reverse with a full-width deep zippered pocket, the camel logo fabriclined interior with a slip pocket and opposing zippered pocket patch-labeled “Chanel/Made in Italy”, with a large zippered snap-in center pouch, resting on four domed feet, includes authenticity card. h. 10-1/2”, w 17-1/2”, d. 8”; strap drop: 7-1/2”

633 Dior Black Grained Calfskin Mini “Saddle Backpack” 2019, silver hardware, with a small zippered pocket beneath the lower saddle flap, the tab secured in a leather loop, the top flap secured with a silver-labeled industrial-style buckle, with cut-out handle, leather back straps and detachable leather strap, the black fabric-lined interior with one slip pocket. h. 9-1/2”, w. 7-1/2”, d. 4”; handle drop: 1-3/4”; adjustable strap drop: 10-1/2” to 18” $1,800-$2,500

$2,000-$4,000

631

633

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635

639

637

634

641

636 640

638

212

634 Long Diamond Necklace

638 Diamond Bracelet

sterling silver, the necklace mounted with slice-cut diamonds weighing approximately 38.00 carats in total. l. 36”, total weight 81.5 grams

14k white gold, the oval-shaped bracelet mounted with round brilliant-cut diamonds weighing approximately 0.76 carats in total. inside circumference 7-1/4”, total weight 5.7 grams

$1,800-$2,500

$1,200-$1,800

635 Diamond Cuff Bracelet

639 Pair of Diamond Dangle Earrings

sterling silver, the bracelet with gold-trimmed open shades scattered with slice-cut diamonds weighing approximately 5.00 carats in total. w. 1-3/8”, inside circumference 7”, total weight 41.0 grams

18k white gold, the earrings with dangles suspended from hoops and mounted with baguette- and round brilliant-cut diamonds weighing approximately 0.99 carats in total, approximate color E-G and clarity VVS1-VS1. l. 1”, total weight 4.0 grams

$1,000-$1,500 $1,500-$2,500 636 Diamond Cuff Bracelet

640 Diamond Band

sterling silver, the wavy bracelet with gold accents and mounted with slice-cut diamonds weighing approximately 0.90 carats in total. w. 1-1/4”, inside circumference 7”, total weight 34.7 grams

14k white gold, the crossover-style ring mounted with round brilliant-cut diamonds weighing approximately 1.56 carats in total. size 6-3/4, total weight 9.3 grams

$900-$1,200

$1,000-$1,500

637 Pair of Custom-Made Diamond and Enamel Earrings

641 Diamond Tennis Bracelet

14k white gold, the dangle earrings mounted with round brilliant-cut diamonds weighing approximately 1.26 carats in total, accented by black enamel. l. 2-3/8”, total weight 7.0 grams

14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 8.30 carats in total, approximate color H-I and clarity SI1-SI3. l. 6-1/2”, total weight 11.5 grams

$1,500-$2,500

$5,000-$8,000

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642 Spectacular Diamond Ring platinum, the ring mounted with a round brilliant-cut diamond weighing 8.91 carats, color K and clarity SI2, GIA report #6173455554, flanked on each side by a tapered baguettecut diamond weighing approximately 0.70 carats in total, approximate color F-G and clarity VVS1-VVS2. size 4-1/2, total weight 12.0 grams $75,000-$125,000 643 Diamond Ring platinum, the ring mounted with a central round brilliantcut diamond weighing 0.90 carats, color J and clarity SI1, accented by round brilliant-cut diamonds weighing approximately 0.70 carats in total. size 7-1/4, total weight 9.5 grams $4,000-$7,000 644 Diamond Ring platinum, the ring mounted with a central round brilliant-cut diamond weighing 0.90 carats, color I and clarity VS2, GIA report #1176801221, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 1.40 carats in total. size 6-3/4, total weight 11.7 grams $8,000-$12,000

645 Diamond Band 14k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 1.40 carats in total. size 7-1/2, total weight 6.1 grams $2,500-$4,000 646 Pair of Diamond Earrings 14k yellow gold, the square-shaped earrings mounted with round brilliant-cut diamonds weighing approximately 1.96 carats in total. l. 5/8�, total weight 5.9 grams $1,000-$1,500 647 Le Vian Diamond Band 18k white gold, the wide band ring mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.70 carats in total. size 8-1/2, total weight 11.2 grams $1,000-$1,500 648 Diamond Engagement Ring 18k white gold, the ring mounted with a central radiantcut diamond weighing 0.93 carats, color E and clarity SI3, EGL report #3407489742, accented by round brilliant-cut diamonds weighing approximately 0.32 carats in total. size 6-1/2, total weight 3.3 grams $3,000-$5,000

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645

646

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648

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652

649

656

653

655 654

651 650

657

658

8 216

654 Diamond Crossover Ring 649 Pair of Ruby and Diamond Earrings 18k white gold, the earrings mounted with oval-cut treated rubies weighing approximately 6.80 carats in total and round brilliant-cut diamonds weighing approximately 1.40 carats in total. l. 2”, total weight 8.7 grams $1,400-$1,800 650 Natural Ruby and Diamond Ring platinum, the ring mounted with an oval-cut ruby weighing 1.55 carats, GIA report #2205910363, accented by round brilliantcut diamonds weighing approximately 0.59 carats in total. size 7-1/4, total weight 9.0 grams $3,000-$5,000 651 Amethyst and Diamond Ring 18k yellow gold, the ring mounted with an oval-cut amethyst weighing approximately 5.62 carats, accented by round brilliant-cut diamonds weighing approximately 0.81 carats in total. size 6, total weight 10.3 grams $1,000-$1,500 652 Diamond Ring 18k rose/white gold, the ring mounted with princess-, baguette- and round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 6-1/2, total weight 3.5 grams $1,200-$1,800 653 Pair of Diamond Earrings 18k rose gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 0.72 carats in total. l. 1/2”, total weight 4.0 grams $1,500-$2,500

18k rose/white gold, the ring in the form of a leaf, mounted with pear-, marquise- and round brilliant-cut diamonds weighing approximately 1.03 carats in total, approximate color F-G and clarity VVS2-VS2. size 6-1/4, total weight 3.0 grams $1,200-$1,800 655 Pair of Yellow, Pink and White Diamond Earrings 14k rose/yellow/white gold, the earrings mounted with cushion-cut Fancy Yellow diamonds weighing approximately 1.03 carats in total, approximate clarity VS1-VS2, GIA report #1216087606, accented by round brilliant-cut white, yellow and light pink diamonds weighing approximately 1.43 carats in total. l. 2”, total weight 7.3 grams $3,500-$5,000 656 Beautiful Yellow and White Diamond Ring 18k white/yellow gold, the ring mounted with a radiant-cut Fancy Light Yellow diamond weighing 3.16 carats, clarity VS2, GIA report #5141518025, accented by white round brilliantcut diamonds weighing approximately 0.94 carats in total. size 5, total weight 6.1 grams $18,000-$25,000 657 Pair of Yellow and White Diamond Earrings 14k white gold, the earrings mounted with pear-cut faint yellow diamonds weighing approximately 0.56 carats in total, approximate color N-O and clarity VS1-SI1, suspended from round brilliant-cut white diamonds weighing approximately 0.65 carats in total, approximate color E-G and clarity VS2-SI2. l. 3/4”, total weight 3.0 grams $1,000-$1,500 658 Yellow and White Diamond Bangle Bracelet 18k white/yellow gold, the hinged bracelet mounted with fancy yellow pear- and oval-cut diamonds weighing approximately 5.45 carats in total, accented by white round brilliant-cut diamonds weighing approximately 0.89 carats in total. inside circumference 7”, total weight 23.9 grams $6,000-$9,000

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659 Long Gold and Diamond Necklace

662 Pair of Diamond Earrings

18k yellow gold, the large chain-link necklace accented on six links with round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 36”, total weight 24.1 grams

18k yellow gold, the earrings in the form of flowers and mounted with round brilliant-cut diamonds weighing approximately 0.69 carats in total. l. 1-1/4”, total weight 6.1 grams

$2,500-$4,000

$1,400-$1,800

660 Piaget Gold and Diamond Watch

663 Diamond Bracelet

18k yellow gold, the watch mounted on the band and dial with round-cut diamonds weighing approximately 1.80 carats in total, the watch with a quartz movement, the face marked “Piaget” and “quartz”, the back of the case stamped “8131C0705” and “405603”, the band stamped “P” and “52”. l.

6-1/2”, total weight 102.0 grams

14k yellow gold, the bracelet designed with “clovers” mounted with round brilliant-cut diamonds weighing approximately 0.44 carats in total. inside circumference 7”, total weight 6.2 grams

$7,000-$10,000 661 Gold Bracelet 18k yellow gold, the thick serpentine bracelet finished with an ornate hook clasp. l. 7”, total weight 14.3 grams

$1,200-$1,800 664 Pair of Convertible Diamond Earrings 14k yellow gold, the hoop earrings with a removable diamond dangle, both mounted with round brilliant-cut diamonds weighing approximately 0.59 carats in total. overall l. 1”, total weight 1.9 grams $1,000-$1,500

$1,400-$1,800

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660

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664

661

662

219

666 667

670

668

669

665

220

665 Diamond Tennis Necklace

668 Pair of Diamond Dangle Earrings

14k yellow gold, the flexible necklace mounted with round brilliant-cut diamonds weighing approximately 4.95 carats in total. l. 16”, total weight 14.1 grams

18k yellow gold, the earrings mounted with rose-cut diamonds weighing approximately 1.30 carats in total. l. 2”, total weight 1.7 grams

$3,500-$5,000

$1,000-$1,500

666 Diamond Necklace

669 Diamond Ring

18k yellow gold, the pendant mounted with white round brilliant-cut diamonds and faint yellow rose-cut diamonds weighing approximately 1.05 carats in total, the pendant affixed to an 18k yellow gold adjustable chain. adjustable l. 15” to 17”, total weight 3.2 grams

14k yellow gold, the ring designed with open bands mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. size 6-1/2, total weight 3.9 grams

$1,400-$1,800

670 Diamond Bangle Bracelet

667 Diamond Bracelet 14k yellow gold, the chain bracelet mounted with a pearshaped rose-cut diamond weighing approximately 0.45 carats. l. 7” to 8”, total weight 1.5 grams

$1,000-$1,500

14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 2.80 carats in total. inside circumference 7”, total weight 25.8 grams $1,500-$2,500

$1,000-$1,500

221

671 Beautiful Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut emerald weighing 10.03 carats, AGL report #1096884, accented by round brilliant-cut diamonds weighing approximately 1.03 carats in total. size 6-1/4, total weight 13.0 grams $12,000-$18,000 672 Pair of Emerald and Diamond Earrings platinum, the earrings mounted with emerald-cut treated emeralds weighing approximately 3.95 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.02 carats in total. l. 1-3/4”, total weight 11.0 grams $3,500-$5,000 673 Pair of Emerald and Diamond Earrings 14k yellow gold, the earrings mounted with emerald-cut treated emeralds weighing approximately 8.25 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.62 carats in total. l. 5/8”, total weight 4.7 grams $2,500-$4,000 674 Emerald and Diamond Ring platinum, the ring mounted with an emerald-cut treated emerald weighing approximately 0.99 carats, accented by round brilliant-cut diamonds weighing approximately 0.42 carats in total. size 6-3/4, total weight 4.1 grams $1,400-$1,800 675 Pair of Emerald and Diamond Earrings 14k white gold, the earrings mounted with emerald-cut treated emeralds weighing approximately 1.00 carat in total, accented by round brilliant-cut diamonds weighing approximately 0.25 carats in total, each with a chain dropping from the front and connecting to the post on the back of the earring. overall l. 1”, top l. 3/8”, total weight 2.1 grams $1,000-$1,500

222

676 Emerald and Diamond Necklace 14k yellow gold, the necklace mounted with oval-cut treated emeralds weighing approximately 18.42 carats in total, accented by round brilliant-cut diamonds weighing approximately 5.74 carats in total. l. 17”, total weight 29.3 grams $6,000-$9,000 677 Pair of Convertible Emerald and Diamond Earrings 14k yellow gold, the hoop earrings with a removable emerald and diamond dangle, mounted with a pear-cut treated emerald weighing approximately 0.78 carats in total, accented on the hoop and dangle with round brilliant-cut diamonds weighing approximately 0.30 carats in total. overall l. 7/8”, total weight 2.0 grams $1,000-$1,500 678 Emerald and Diamond Bracelet 14k yellow gold, the bracelet mounted with oval-cut treated emeralds weighing approximately 2.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.90 carats in total. l. 7”, total weight 14.4 grams $2,500-$4,000 679 Emerald and Diamond Ring 14k yellow gold, the ring mounted with a pear-cut treated emerald weighing approximately 15.35 carats, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total. size 6-1/2, total weight 7.5 grams $3,500-$5,000

678 671

674 672

673

675

677

679

676

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685

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680 detail

680 Sapphire and Diamond Tennis Necklace 14k white gold, the flexible necklace mounted with round-cut treated sapphires weighing approximately 2.90 carats in total and round brilliant-cut diamonds weighing approximately 2.60 carats in total. l. 16”, total weight 14.6 grams $3,000-$5,000 681 Pair of Sapphire and Diamond Earrings 18k white gold, the earrings mounted with oval-cut treated sapphires weighing approximately 12.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.94 carats in total. l. 1-3/4”, total weight 11.0 grams $1,800-$2,500 682 Sapphire and Diamond Ring 14k white gold, the ring mounted with a cushion-cut treated sapphire weighing approximately 8.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.21 carats in total. size 7-1/4, total weight 4.8 grams $1,000-$1,500 683 Sapphire and Diamond Necklace 14k white gold, the necklace mounted with oval-cut treated sapphires weighing approximately 27.84 carats in total, accented by round brilliant-cut diamonds weighing approximately 6.71 carats in total. l. 17”, total weight 28.1 grams

684 Sapphire and Diamond Ring and Earrings Suite 18k white gold, the ring and earrings mounted with oval- and pear-cut treated sapphires weighing approximately 1.10 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.54 carats in total. ring size 6-1/2, earring l. 3/8”, total weight 5.6 grams $1,500-$2,500 685 Sapphire and Diamond Ring 14k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 2.24 carats, accented by round brilliant-cut diamonds weighing approximately 0.54 carats in total. size 7, total weight 3.7 grams $1,200-$1,800 686 Diamond and Sapphire Pendant on Chain platinum, the pendant mounted with baguette- and round brilliant-cut diamonds weighing approximately 0.31 carats in total, accented by a half oval-cut treated sapphire weighing approximately 0.35 carats, l. 1/2”, suspended from a 16” platinum chain, stamped “Plat” and “Tacori”. total weight 5.4 grams $1,000-$1,500

$5,000-$8,000

225

687 Diamond and Sapphire Bracelet

690 Pair of Sapphire and Diamond Earrings

18k white gold, the bracelet mounted with oval-cut treated sapphires weighing approximately 4.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.30 carats in total. l. 7”, total weight 13.7 grams

18k yellow gold, the dangle earrings mounted with roundcut and pear-cut treated sapphires weighing approximately 13.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.85 carats in total. l. 2-5/8”, total weight 10.3 grams

$3,500-$5,000 $1,400-$1,800 688 Pair of Custom-Made Sapphire and Diamond Earrings 14k white gold, the earrings mounted with cabochon-cut treated sapphires weighing approximately 3.00 carats in total and round brilliant-cut diamonds weighing approximately 2.14 carats in total. l. 2-1/8”, total weight 10.3 grams $2,000-$4,000 689 Diamond and Sapphire Pendant with Chain platinum, the pendant mounted with a central round brilliantcut diamond weighing approximately 1.00 carat, approximate color I and clarity I2, surrounded by a halo of square-cut treated sapphires weighing approximately 1.12 carats in total, and an outer halo of round brilliant-cut diamonds weighing approximately 0.39 carats in total, l. 1”, suspended from an 18” platinum chain. total weight 8.5 grams $4,000-$7,000

226

691 Sapphire and Diamond Bracelet 14k yellow gold, the oval-shaped bracelet mounted with round-cut treated sapphires weighing approximately 0.20 carats in total and round brilliant-cut diamonds weighing approximately 1.40 carats in total. inside circumference 7”, total weight 7.7 grams $1,400-$1,800 692 Pair of Sapphire and Diamond Earrings 18k yellow gold, the dangle earrings mounted with oval-cut treated sapphires weighing approximately 5.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.35 carats in total. l. 1-5/8”, total weight 7.0 grams $1,400-$1,800

687

689

688

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693 695

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697

693 Golden South Sea Pearl Necklace 14k yellow gold, the necklace composed of graduated golden South Sea pearls ranging in size from approximately 9.00 mm to 12.00 mm, with an excellent luster, finished with a gold ball clasp. l. 18”, total weight 61.9 grams $1,200-$1,800 694 South Sea Pearl Necklace 14k yellow gold, the graduated necklace composed of white South Sea pearls with a good luster, ranging in size from 11.6 mm to 14.3 mm, and finished with a 14k yellow gold clasp. l.

17-1/2”, total weight 89.8 grams $1,400-$1,800 695

18k yellow gold, the watch with an automatic movement, #NO 764588”, the face with stick markers and marked “Patek Philippe Geneve”, model #2540, serial #699800, with a black leather strap. l. 9”, total weight 20.0 grams

696

18k yellow gold, the ring mounted with an oval cabochon-cut star ruby weighing approximately 13.87 carats, accented by round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 10-1/2, total weight 14.0 grams $2,000-$4,000 697 Watch the quartz quick-change date movement with an original factory mother-of-pearl dial with time zones for Paris, Tokyo, New York and Los Angeles, each crown operating each time zone separately, the case, dial, strap and adjustable deployant clasp all Jacob & Co. original, together with two additional straps with clasps and both inner and outer boxes, 47.00 mm diameter without crown. inside circumference 7-1/4”, total weight 132.5 grams $1,000-$1,500

$14,000-$18,000

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T H E E S TA T E O F

Bonnie Bolding Swearingen BIRMINGHAM, ALABAMA

230

698 Vintage Louis Vuitton Monogram “Boite Chapeaux Ronde 50” with canvas coated exterior, vachetta leather trim, buckled carrying strap and linen-lined interior with a pleated pouch and affixed Louis Vuitton label with serial number: “896891”, box set on brass feet. h. 14-1/2”, w. 16”, d. 7 Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

699 Four Pieces of Vintage Louis Vuitton Hard Sided Luggage including two suitcases with monogrammed canvas, vachetta leather trim and interiors fitted with cloth straps, brass studs and hardware, h. 18-1/2”, l. 27-1/2” and h.

10-1/4”, l. 20-1/4”; and two train/makeup cases, the tops and bottoms with monogrammed canvas juxtaposed by vachetta leather sides, trim and handles, the interiors fitted with vinyl pockets and bottle holders, h. 10” to 10-1/2”, l. 17” to 17-1/2”.

698

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $4,000-$7,000

699

231

700 Vintage Louis Vuitton Woman’s Golf Club Bag and Clubs monogrammed canvas with vachetta leather trim, strap, handle and three zippered pockets; together with 19 left-handed golf clubs of mixed sets, including Callaway S2, 3,5,6,7,10 (four with black head covers); Callaway, Big Bertha 10, S5 and L;Cobra 4,5,6,7,8,9, P; Tungsten 10.5; and two putters, one specialty with compass, measuring tape, horn and rabbit’s foot. golf bag h. 34”, w. 14”; clubs l. 65-66” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000

701 Five Pieces of Vintage Louis Vuitton Hand and “Weekend” Travel Bags with monogrammed canvas, including a bucket handbag with attached vachetta leather coin purse and bandoulier/shoulder strap, h. 14”, l. 10”; a “Sac Plat” with leather interior, pocket and straps, h. 15”, l. 14”; a “Keepall 45” with vachetta leather hand straps and trim, h. 10”, l. 18”; a “Keepall FC” with front satchel pocket with brass latch, vachetta leather trim, hand and bandoulier strap, h. 10”, l. 18”; and a toiletry pouch inset with three fold-out black leather zippered pockets, h. 5-1/2”, l. 8-1/2”.

700

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 701

702 Five Pieces of Vintage Louis Vuitton Luggage with monogrammed canvas, including a foldover suit carrier retailed by Neiman Marcus with two side pockets, vachetta handle trim, brass hardware and hangar, front leather latch monogrammed “BBS”, interior with LV USA manufacturer’s label; and four garment bags with vachetta leather trim, three with brass hangar, shoe pouch and bottom leather loop and snap, one is l. 70”, the other two l. 48”; fourth garment bag without hangar or shoe pouch, l. 48”. All five pieces w. 23-1/2”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

232

702

705

703

704

706

703 Black Onyx and Diamond Ring

705 Pair of Diamond and Onyx Ear Clips

18k yellow gold, the ring mounted with an oval cabochon-cut black onyx accented by round brilliant-cut diamonds weighing approximately 0.48 carats in total. size 6, total weight 26.2 grams

14k yellow gold, the ear clips mounted with cabochon-cut onyx weighing approximately 32.5 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.18 carats in total. l. 1-3/8”, total weight 30.3 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$1,200-$1,800

$1,200-$1,800

704 Diamond and Onyx Bracelet

706 Coral, Diamond and Onyx Brooch/Pendant

14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 3.12 carats in total, accented by black onyx. w. 7/8”, inside circumference 6-1/2”, total weight 61.8 grams

14k yellow gold, the coral carved in the form of a Buddha head, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total and black onyx, the back with a hook, allowing the brooch to be worn as a pendant. l.

3-1/4”, total weight 55.0 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800

233

707 Impressive Coral and Diamond Necklace 18k/14k yellow gold, the long necklace with a tassel pendant, composed of rope-twist gold links accented by carved salmon-colored coral beads and accented by round brilliant-cut diamonds weighing approximately 18.44 carats in total, approximate color E-F and clarity VVS2VS1. l. 28�, tassel l. 4�, total weight 366.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $6,000-$9,000

707

234

708 Pair of Coral and Diamond Ear Clips 18k yellow gold, the ear clips mounted with coral accents and round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 2-1/4�, total weight 35.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 709 Coral and Onyx Necklace 18k yellow gold, the necklace composed of carved coral and round salmon-colored coral beads, accented by onyx and gold spacers, finished with a gold clasp. l. 20�, total weight 149.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

708

$1,200-$1,800

709

235

710 Gold Fob Seal Necklace 18Kt gold, comprising three large and three small English Georgian fob seals and one filigree gilt-metal Middle Eastern seal, two large English examples set with carnelian intaglio armorials, the other with a red basalt crest and monogram, two small English examples with carnelian intaglio of a crane and a goat, the other with a citrine intaglio of a castle, the Middle Eastern example with Arabic inscription, all suspended from a contemporary flat hexagonal curb-link chain. l. 36”, total weight 169.4 grams (including the gilt-metal seal)

710

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $5,000-$8,000

711

711 Diamond, Gold and Fob Seal Necklace 18k yellow gold, composed of a heavy chain with three-stone stations of round brilliant-cut diamonds weighing approximately 5.04 carats in total, suspending a Georgian gold fob seal set with a carnelian intaglio armorial fob l. 1-1/4”, chain l. 37”, total weight 70.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

236

712 detail

712

712 Diamond, Gold and Rare Fob Seal Necklace 18k yellow gold, composed of a heavy chain with threestone stations of round brilliant-cut diamonds weighing approximately 2.58 carats in total, suspending a rare and unusual Georgian treble fob seal set with a carnelian intaglio armorial of Hagar, the fob split, hinged and opening to reveal two progressively smaller fobs, one set with a citrine intaglio of the Hagar crest and inital “H”, the smallest with a chalcedony intaglio of the Hagar crest. fob l. 1-7/8”, chain l. 27”, total weight 74.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

237

713 Diamond Coin Necklace 18k yellow/white gold, the necklace mounted with a five dollar coin pendant in the center, two 20 Kronen gold coins and four 1958 Iranian one Pahlavi gold coins, each coin framed and mounted with round brilliant-cut diamonds weighing approximately 5.04 carats in total. l. 31�, total weight 251.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $7,000-$10,000

238

713

714

714 Diamond Pendant Necklace 18k yellow gold, the pendant mounted with a coin decorated with a flying horse, in a frame accented with round brilliantcut diamonds weighing approximately 3.91 carats in total. l.

14-1/2�, total weight 114.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

239

715 Beautiful Convertible Diamond Necklace and Bracelet 18k yellow gold, the set designed to be worn separately or connected together to be worn as a longer necklace, with a chain link design mounted with round brilliant-cut diamonds weighing approximately 12.50 carats in total. necklace l.

17-1/2”, bracelet l. 7”, extended l. 25”, total weight 85.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000 716 Pair of Diamond Hoop Earrings 14k yellow gold, the inside-out earrings mounted with round brilliant-cut diamonds weighing approximately 3.80 carats, approximate color E-G and clarity VS1-VS2. l. 1-1/4”, total weight 9.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 717 Two Diamond Bangle Bracelets 18k yellow gold, the hinged bracelets mounted with round brilliant-cut diamonds weighing approximately 3.90 carats in total. inside circumference 6-1/2”, total weight 51.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000 718 Pair of Diamond Heart Ear Clips

715

18k yellow gold, possibly Bulgari, mounted with round brilliant-cut diamonds weighing approximately 1.08 carats in total, marked “Bulgari” and “France”. l. 5/8”, total weight 10.5 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 716

718

717

240

719 Diamond Brooch 18k yellow gold, the brooch in the form of a flower, with open metalwork throughout, accented by round brilliant-cut diamonds weighing 5.00 carats in total, approximate color D-E and clarity VVS2-VS1. l. 3”, total weight 42.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 720 Diamond Bee Pins and Ring 14k yellow gold, the two pins and ring mounted with round brilliant-cut diamonds weighing approximately 1.11 carats in total. ring size 6-1/4, pin l. 1”, total weight 22.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800 719

721 Large Diamond and Emerald Bee Pin 18k yellow gold/platinum, the pin mounted with round brilliantcut diamonds weighing approximately 6.39 carats in total, approximate color E-F and clarity VS1-VS2, accented on the eyes with round-cut treated emeralds weighing approximately 0.02 carats in total. l. 1-1/2”, total weight 13.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

720

721

722 Three Sapphire and Diamond Bee Pins 18k yellow gold, the pins mounted with round-cut treated sapphires weighing approximately 0.85 carats in total and round brilliant-cut diamonds weighing approximately 0.54 carats in total, one pin with round-cut treated rubies accenting the eyes and weighing approximately 0.01 carats in total. l.

5/8” to 7/8”, total weight 14.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

722

$1,000-$1,500

241

723 Beautiful Convertible Natural Sapphire and Diamond Ring/ Pendant 18k yellow gold, the ring mounted with an oval-cut natural sapphire weighing approximately 19.80 carats, surrounded by round brilliant-cut and baguette-cut diamonds weighing approximately 5.63 carats in total, approximate color D-E and clarity VVS2-VS1, the mounting designed to release from the ring and be worn as a pendant. ring size 5-1/2, pendant l.

1-1/4�, total weight 24.0 grams

723

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $20,000-$40,000

724 Beautiful Sapphire and Diamond Clips platinum, one clip mounted with a cushion-cut treated sapphire weighing approximately 20.00 carats and the other clip mounted with an oval-cut treated sapphire weighing approximately 20.00 carats, each surrounded by a double halo of round brilliant-cut diamonds weighing approximately 5.41 carats in total, approximate color E-F and clarity VVS2VS2, each with a small loop on one end, allowing them to be added to the base of an earring as a drop. l. 1�, total weight 23.0 grams

723 detail

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $20,000-$40,000

724

Bonnie Swearingen wearing Lots 724, 744 and 725 (Photo Taken in1985)

242

Bonnie Swearingen wearing the present ring while greeting NancyReagan,1980s An Original Copy of This Photograph Accompanies Lot 756

725 Stunning Sapphire and Diamond Convertible Ring platinum, the ring mounted with a cushion-cut treated sapphire weighing approximately 28.00 carats, surrounded by marquise-cut diamonds weighing approximately 5.50 carats in total, approximate color D-E and clarity VVS2-VS1, the ring designed to detach from the back of the mounting, to be worn as a pendant or a brooch (fittings included). size 5, pendant size 1-1/4� x 1-1/8�, total weight 37.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

725

$50,000-$80,000 This lot is accompanied by a photograph of Bonnie Swearingen wearing this ring greeting Nancy Reaga, dated October 30 198[?], with calligraphic inscription and signed "Nancy Reagan", 10" x 8"

725 detail

243

726 Diamond, Emerald, Sapphire and Ruby Necklace 18k yellow gold, the heavy chain mounted with cabochon-cut treated rubies weighing approximately 20.64 carats in total, cabochon-cut treated sapphires weighing approximately 10.44 carats in total and cabochon-cut treated emeralds weighing approximately 7.44 carats in total, all accented with round brilliant-cut diamonds weighing approximately 10.15 carats in total. l. 36�, total weight 192.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $6,000-$9,000

726

244

728

727 Ruby, Sapphire, Emerald and Diamond Ring 18k yellow gold, the ring mounted with a cabochon-cut ruby, sapphire and emerald weighing approximately 2.45 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.40 carats in total. size 6-1/2, total weight 22.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

727

$1,400-$1,800 728 Two Ruby, Emerald and Diamond Bracelets 18k yellow gold, the hinged bracelets mounted on the ends with cabochon-cut treated rubies and emeralds weighing approximately 10.04 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.08 carats in total. inside circumference 6”, total weight 97.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,500-$4,000 729 Ruby, Emerald, Diamond and Pearl “Lion Head” Pendant 14k yellow gold, the pendant in the form of a lion grasping a ring, mounted with a baroque South Sea pearl measuring approximately 18.0 mm x 15.0 mm, with a medium luster, accented with marquise-cut and round-cut treated rubies weighing approximately 4.76 carats in total, round brilliantcut and single-cut diamonds weighing approximately 0.60 carats in total and round-cut treated emeralds weighing approximately 0.70 carats in total. l. 3-1/2”, total weight 49.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

729

245

730 Pair of Ruby and Diamond Ear Clips 18k yellow gold, the ear clips mounted with cabochon-cut treated rubies weighing approximately 22.00 carats in total, surrounded by a halo of round brilliant-cut diamonds weighing approximately 3.00 carats in total, approximate color E-F and clarity VVS2-VS1. l. 7/8”, total weight 21.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

730

$4,500-$7,000

731 Ruby and Diamond Bracelet 18k yellow gold, the bracelet composed of hammered gold links mounted with cabochon-cut treated rubies weighing approximately 46.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 6.86 carats in total, approximate color E-F and clarity VVS2-VS1. l. 6-1/2”, total weight 89.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

731

$6,000-$9,000

732 Ruby and Diamond Ring 18k yellow gold, the ring mounted with an oval cabochoncut treated ruby weighing approximately 25.0 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 1.19 carats in total, approximate color F-G and clarity VS1-VS2. size 4-3/4, total weight 18.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

732 detail

732

$4,000-$7,000

733 Pair of Diamond and Ruby Coin Ear Clips 14k yellow gold, the coins surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.35 carats in total, accented on the bottom by an oval cabochon-cut treated ruby weighing approximately 0.50 carats in total. l. 1-1/8”, total weight 25.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800

246

733

734 Diamond, Ruby and Emerald “Panther” Bracelet/Brooch 18k yellow gold, the bracelet/brooch mounted with round brilliant-cut diamonds weighing approximately 3.15 carats in total, and round- and calibrated-cut treated rubies weighing approximately 3.82 carats in total, with green cabochoncut treated emeralds for the eyes weighing approximately 0.10 carats in total. brooch l. 7-1/2”, bracelet inside circumference 7-1/4”, total weight 52.0 grams

734

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

734 detail

$4,000-$7,000 735 Ruby and Diamond “Strawberry” Brooch 18k yellow gold, the brooch mounted with round-cut treated rubies weighing approximately 3.80 carats in total, accented by singlecut and round brilliant-cut diamonds weighing approximately 1.02 carats in total. l. 2-1/2”, total weight 34.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

735

736 Ruby, Diamond and South Sea Pearl “Starfish” Brooch/Pendant platinum/18k yellow gold, the brooch/pendant mounted with a central baroque South Sea pearl measuring approximately 19.50 mm x 15.00 mm, accented by cabochon-cut treated rubies weighing approximately 4.50 carats in total and round brilliant-cut diamonds weighing approximately 3.44 carats in total. l. 2-1/4”, total weight 45.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,000-$4,000

736

737 Convertible Ruby, Diamond and Pearl Jewelry Suite 18k yellow gold, the earrings and brooch/pendant mounted with square-cut treated rubies weighing approximately 10.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.27 carats in total, the brooch with a flip-up bail, allowing it to be worn as a pendant, the earrings and brooch with hidden back hooks, allowing them to be worn with South Sea pearl pendant drops measuring 12.50 mm to 16.00 mm. brooch/pendant l.

1”, with pearl drop l. 1-7/8”, earring l. 3/4”, with pearl drop l. 1-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

737

$3,000-$5,000

247

738

738 Sapphire, Ruby, Diamond and Baroque South Sea Pearl Brooch/Pendant 18k yellow gold, the custom-made brooch mounted with a cabochon-cut treated sapphire weighing approximately 11.87 carats, accented by oval-cut treated rubies weighing approximately 7.04 carats in total, round brilliant-cut diamonds weighing approximately 3.07 carats in total and baroque South Sea pearls with a high luster, measuring approximately 13.00 mm. l. 2-1/2”, total weight 45.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,000-$4,000 739 Gold, Pearl and Onyx Necklace

739

22k yellow gold, the necklace mounted with white baroque pearls measuring approximately 14.4 mm to 15.7 mm, separated by double onyx rings and accented by faux diamonds, finished with a toggle clasp. l. 26”, total weight 233.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 740 Pearl and Onyx Brooch/Pendant 22k yellow gold, the brooch/pendant mounted with South Sea pearls with a good luster, measuring approximately 13.1 mm to 15.3 mm, accented by black onyx and faux diamonds, stamped “A. CLUNN”. l. 2-3/8”, total weight 65.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

248

740

741 South Sea Pearl and Gold Necklace 22k yellow gold, the necklace composed of South Sea pearls with a good luster, measuring approximately 14.2 mm in diameter, accented with faux diamonds and finished with a toggle clasp mounted with cabochoncut tourmalines weighing approximately 0.20 carats in total, the necklace with a detachable pearl pendant and a hanging tag stamped “XXII” and “Nerso”. l. 20”, total weight 164.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $5,000-$8,000

742 South Sea Pearl Bracelet 22k yellow gold, the bracelet mounted with white South Sea baroque pearls with a high luster, measuring approximately 10.00 mm to 15.00 mm, accented by faux diamonds, finished with a toggle clasp with a hanging tag stamped “XXII” and “Nerso”. l. 8”, total weight 105.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

742

741

743 South Sea Pearl Necklace 18k yellow gold, the necklace composed of graduated white South Sea pearls measuring approximately 12.8 mm to 16.8 mm, with a very good luster, finished with an ornate gold hook and eye clasp accented with faux diamonds. l.

18”, total weight 154.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

743

249

744 Exceptional South Sea Pearl and Diamond Necklace 14k yellow gold, the necklace composed of graduated white South Sea pearls with a high luster, measuring 13.00 mm to 16.00 mm, finished with a ball clasp mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. l. 16-1/2”, total weight 118.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

745 South Sea Pearl and Diamond Ring 744

22k yellow gold, the ring mounted with a 19.0 mm South Sea pearl with a high luster, accented on the sides by round brilliant-cut diamonds weighing approximately 0.10 carats in total, stamped “Denise Roberge”. size 5-1/2, total weight 33.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800

745 detail

745

746 Pair of Mabe Pearl and Diamond Ear Clips 14k yellow gold, the ear clips mounted with a white mabe pearl measuring approximately 16.0 mm and accented by round brilliant-cut diamonds weighing approximately 1.08 carats in total. l. 1-1/8”, total weight 28.3 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

746

$1,200-$1,800

747 South Sea Pearl and Diamond Brooch/Pendant 18k yellow gold, the brooch/pendant mounted with white South Sea pearls with a good luster, measuring approximately 13.00 mm to 16.00 mm, accented by round brilliant-cut diamonds weighing approximately 1.98 carats in total. l. 2-1/2”, total weight 44.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

250

747

748 Pair of Tourmaline and South Sea Pearl Ear Clips 18k yellow gold, the earrings mounted with cabochon-cut light green tourmalines weighing approximately 10.48 carats in total and baroque white South Sea pearls with a medium luster, measuring approximately 15.00 mm, stamped “Denise Roberge”. l. 1-1/4”, total weight 32.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

748

$1,000-$1,500

749 Pair of Rubellite Tourmaline, Peridot and Diamond Ear Clips 18k yellow gold, the ear clips mounted with cabochon-cut rubellite tourmalines weighing approximately 15.32 carats in total, oval-cut peridots weighing approximately 8.96 carats in total, and accented on the sides by round brilliant-cut diamonds weighing approximately 1.03 carats in total. l.

1-1/4”, total weight 15.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

749

$1,000-$1,500

750 Diamond, Rubellite Tourmaline and Peridot Brooch 18k yellow gold, the brooch in the form of a rose, the “petals” mounted with special-cut rubellite tourmalines and the leaves with special-cut peridots, all accented by round brilliant-cut diamonds weighing approximately 3.91 carats in total. l. 3”, total weight 32.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 750

751 Tourmaline, Peridot and Diamond Ring 18k yellow gold, the large ring mounted with a cabochoncut pink tourmaline weighing approximately 17.59 carats, accented on the sides with square-cut peridots weighing approximately 2.40 carats in total and round brilliant-cut diamonds weighing approximately 1.22 carats in total, color faint light pink and clarity VS2-SI2, marked “18k Nerso”. size 7, total weight 31.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

751

$1,400-$1,800 751 detail

251

752 Jadeite, Coral and Carnelian Necklace 14k yellow gold, the necklace with a carved jadeite pendant suspended from a necklace with various carved figures, beads and discs in nephrite, jadeite, coral, carnelian and agate, and interspersed with gold Chinese characters. l. 36�, total weight 15.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

752

753 Four Jade and Jadeite Bracelets 14k yellow gold, including two hinged lavender jade bracelets and two jadeite bangle bracelets. inside circumference 7� to 7-1/4�, total weight 150.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

252

753

754 detail

754 Bulgari Aquamarine and Diamond Necklace 18k yellow gold, the necklace mounted with an emerald-cut aquamarine weighing approximately 141.00 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 3.32 carats in total, approximate color F-G and clarity VVS2-VS1, stamped “18k”, “Italy” and “BVLGARI”. l. 15-1/2”, total weight 159.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $9,000-$12,000

754

755 Pair of Aquamarine and Diamond Ear Clips 18k yellow gold, the ear clips mounted with emerald-cut aquamarines weighing approximately 21.53 carats in total, accented by round brilliant-cut diamonds weighing approximately 5.04 carats in total. l. 1”, total weight 32.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

755

253

756 Aquamarine, Pearl and Diamond Brooch and Earrings Suite 18k yellow gold, the brooch mounted with an oval cabochon-cut aquamarine weighing approximately 68.16 carats, accented by round brilliant-cut diamonds weighing approximately 0.78 carats in total, mabe pearls and South Sea pearls with a high luster, measuring 12.00 mm in diameter, stamped “D’Zeiner”, l.3-1/4”, and the matching earrings mounted with oval cabochon-cut aquamarines weighing approximately 18.97 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.86 carats in total and cultured pearls with a high luster, measuring 9.00 mm, l. 1-3/4”. total weight 158.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,500-$4,000 This lot is accompanied by a photograph of Bonnie Swearingen wearing the brooch of this suite with former Egyptian First Lady Jehan Sadat, 1990s, 6" x 4".

757 Aquamarine and Diamond Pendant on Leather Necklace 18k yellow gold, the removable pendant mounted with a pear cabochon-cut aquamarine weighing approximately 105.6 carats, accented on the top by a round brilliant-cut diamond weighing approximately 0.10 carats, l. 2-1/2”, suspended from a gold toggle attached to a three-strand black leather necklace, l. 16”. total weight 77.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800

757

756

Bonnie Swearingen wearing the brooch of this suite with former Egyptian First Lady Jehan Sadat, 1990s An Original Copy of This Photograph Accompanies Lot 756

254

759

758

758 Vintage Chanel Couture Boucle Tweed Suit

759 Vintage Chanel Couture Tweed Dress and Matching Jacket

1970s, size 2-4, powder blue and cream wool and cotton blend boucle in a windowpane check, the jacket with banded jewel neck, four button closure and two buttoned-flap faux breast pockets, the set-in sleeves ending in dual buttoned cuffs, the circular buttons white-edged gold basketweave, the front sides and outer arms with a narrow vertical tuck, the white silk-lined interior hem trimmed with a narrow chain and white lozenge-labeled “Chanel/Made in France”, together with a matching front-tucked skirt with zippered and dual hook back closure, fully lined in blue silk. jacket l. 25-1/2”, skirt l. 25”

1970s, size 2-4, wool, cotton and mohair blend vanilla and taupe diagonal plaid, the sleeveless dress with self-banded jewel neck and waist, rear zippered closure, the skirt with a flap covering a 12-1/2” long center front slit, the matching jacket with four gold button closure, self mandarin collar, self belt and vertical band-edged pockets, the set-in sleeves ending in selfbanded buttoned cuffs, the interior hem trimmed with a narrow chain, the ecru silk-lined interior of both pieces with intricate couture channeling, both pieces white lozenge-labeled “Chanel”, the jacket also labeled “Made in France”. dress l. 43-1/2”, jacket l. 24”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$1,000-$1,500

$1,200-$1,800

255

760 detail

760

Bonnie Swearingen Wearing the Present Suit and Blouse An Original Copy of This Photograph Accompanies Lot 760

760 Vintage Chanel Couture Plaid Tweed Suit 1970s, size 6-8, bold pink and moss green wool blend tweed plaid, the jacket lined and trimmed with pink crepe de chine, with spread collar, five button closure, four faux-buttoned flap pockets and inset sleeves ending in three faux-buttoned cuffs, with pierced gold CC chain buttons throughout, the pink silk-lined interior with couture channeling, trimmed with a narrow chain at the hem and white lozenge-labeled “Chanel” over a cloth tag numbered “40079”, together with a matching wrap-style skirt with a bow at the waist, a 14” off center front slit and back zippered and hook closure, fully lined, includes the matching pink crepe de chine long sleeve blouse, with band collar and self bow tie, the inset sleeves ending in cuffs with pierced gold CC chain cufflinks, the back with placket-covered ten button and snap closure. jacket l. 23-1/2”, skirt l. 25”, blouse l. 22” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 This lot is accompanied by a photograph of Bonnie Swearingen wearing the present suit, date unknown, 3.5" x 5".

761 Vintage Gold Fox Jacket 1970s, size 38, with bold notched collar, inset full sleeves, three hook closure and on-seam pockets, the taupe acetate-lined interior with a forward glove pocket and brick suede banding. l. 27-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

256

761

762 Vintage Valentino Boutique Faux Snakeskin Coat 1960s, size 12, the python-printed vinyl body with three hook closure, four patch pockets and inset sleeves, the collar, front and cuffs fur-trimmed, the taupe acetate-lined interior labeled “Valentino/Boutique/12”. l. 46-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 763 Vintage Georges Kaplan Sable Jacket 1960s, size 6, with broad shawl collar, one button closure and upswept open pockets, with raglan bracelet length bias bell sleeves, the chocolate lace-lined interior with a small forward glove pocket and labeled “Paris New York/Georges/Kaplan”. back l. 21” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 764 Vintage Ankle-Length Mink Coat 1980s, size 6-8, with small shawl collar, three hook closure, on-seam pockets and inset puffed full sleeves with selfbanded cuffs, the back with a martingale-style loose self belt, the chocolate brown silk-lined interior with a forward glove pocket and labeled “Alfonso Telese/Fur Creations”. l. 47-1/2”

762

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

763 764

257

765 Vintage Judith Leiber Crystal Minaudiere 1990s, gold hardware, the crystal body with reeded gold banding, rose quartz-inset push closure and drop-in chain, the gold kidskin-lined interior plaque-labeled “Judith Leiber”. h. 4”, w. 7-1/4”, d. 2”; chain drop: 19-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

765

766 Gold and Diamond Evening Bag 18k yellow gold, the woven bag highlighted with round brilliant-cut diamonds weighing approximately 3.32 carats in total, with a hinged flap and rope chain handle, stamped “750” and “Italy”. h. 4”, w. 7”, d. 2”, total weight 458.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $7,000-$10,000 This lot is accompanied by a photograph of Bonnie Swearingen carrying the bag, 1970s greeting Richard Nixon, at a White House Dinner, 9" x 7-3/8", mounted on board.

765 detail

766

Bonnie Swearingen greeting Richard Nixon while carrying the gold and diamond evening bag (Lot 766), 1970s An Original Copy of This Photograph Accompanies Lot 766

258

766 detail

767 Diamond Tennis Necklace 18k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 25.87 carats in total, approximate color H-I and clarity VS1-VS2. l. 18”, total weight 55.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $8,000-$12,000

767

768 David Webb Diamond Ear Clips 18k yellow gold, the ear clips mounted with round brilliant-cut diamonds weighing approximately 3.76 carats in total, stamped “DAVID WEBB 18K PLAT”. l. 1-3/8”, total weight 35.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $5,000-$8,000 768

259

769 David Webb Rock Crystal and Diamond “Lion” Brooch/Pendant 18k yellow gold/platinum, the brooch/pendant in the form of a crouching lion, the body mounted with a pear-shaped rock crystal and accented on the head with round brilliant-cut diamonds weighing approximately 0.15 carats in total, stamped “WEBB PLAT 18K”. l. 2-1/4”, total weight 47.5 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $4,000-$7,000

769

769 detail

770 Diamond Tennis Necklace 18k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 22.81 carats in total, approximate color H-I and clarity VS1-SI2. l. 16”, total weight 49.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $7,000-$10,000

770

260

771 Pair of Diamond Ear Clips platinum/18k yellow gold, the ear clips mounted with round brilliant-cut diamonds weighing approximately 12.64 carats in total, approximate color E-F and clarity VVS2-VS1. l. 2-1/4�, total weight 38.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $6,000-$9,000

771

772 Diamond Bangle Bracelet 18k yellow gold, the Cartier-style hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 2.50 carats in total. inside circumference 7�, total weight 56.5 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

772

261

262

773 Exceptional David Webb Convertible Green Fluorite and Diamond Necklace/Brooch 18k yellow gold/platinum, the gold with a hammered finish and mounted with carved fluorite weighing approximately 194.89 carats in total, accented throughout with round brilliantcut diamonds weighing approximately 8.68 carats in total, approximate color D-E and clarity VVS1-VVS2, the necklace with two detachable fluorite pendants and a diamond connector, the triangular-shaped fluorite center and the fluorite drop pendant designed to be detached, allowing each to be worn as a separate brooch, stamped “WEBB, 18K, PLAT”. l. 25”, triangleshaped brooch size 1-1/2” x 1-1/2”, pearshaped brooch size 2-1/8” x 1-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $18,000-$25,000

773

[Detail] An Original Copy of This Photograph Will Accompany This Lot

This lot is accompanied by a photograph of Bonnie Swearingen wearing this necklace at a black tie event for the Standard Oil Beautification Committee, Chicago, 1970s, with her husband John Swearingen, former First Lady Lady Bird Johnson, Chicago Mayor Richard J. Daley and his wife Eleanor "Sis" Daley, Margie Bolding and four other women, 8" x 10".

263

Bonnie Swearingen wearing the David Webb emerald and diamond bracelet/choker (Lot 774) with President Gerald Ford at an unidetified black tie event, 1970s An Original Copy of This Photograph Accompanies Lot 774

264

774

774 detail

774 Exceptional David Webb Emerald and Diamond Choker/Bracelet platinum, designed as a bracelet, with two slide-in sections, extending the length so it can be worn as a choker, mounted with cabochon-cut treated emeralds weighing approximately 100.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 62.00 carats in total, approximate color D-E and clarity VVS2-VS1, stamped “WEBB PLATINUM”. w. 1-1/4”, bracelet inside circumference 6-1/4”, choker inside circumference 12-3/4”, total weight 170.76 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $20,000-$40,000 This lot is accompanied by a photograph of Bonnie Swearingen photograph wearing the bracelet of this suite with President Gerald Ford at an unidetified black tie event, 1970s, 10" x 8", mounted on board.

265

775 Beautiful Emerald and Diamond Ring platinum, the ring mounted with an emerald-cut treated emerald weighing approximately 13.53 carats, accented on either side by a triangle-cut diamond weighing approximately 6.00 carats in total, approximate color J-K and clarity SI1. size 7, total weight 12.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

775

$15,000-$25,000

775 detail

776 Pair of Diamond and Emerald Convertible Earrings platinum, the top sections of the earrings each mounted with two natural pear-cut diamonds, one weighing approximately 1.50 carats and the other weighing approximately 1.00 carat, with an approximate total diamond weight for both earrings of 5.00 carats, approximate color D-E and clarity VS1-VS2, the top sections also mounted with a round-cut and pear-cut faux diamond, together with a pair of emerald and diamond pendants mounted with pear-cut treated emeralds weighing approximately 21.00 carats in total, accented by marquisecut diamonds weighing approximately 3.00 carats in total, approximate color J-I and clarity VS1-VS2, designed to suspend from the hidden hook on the backs of the top sections of the diamond earrings. dia. section l. 7/8�, overall l. 2-1/2�, total weight 27.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $15,000-$25,000

776

This lot is accompanied by a photograph of Bonnie Swearingen wearing these earrings with diamonds, her husband John Swearingen and President Ronald Reagan, December 31, 1983, at a New Year's Eve party at the home of Mr. & Mrs. Walter Annenberg, inscribed and signed "Dear Bonnie & John - As always a great pleasure / Warm Regards, Ron, 8" x 9-1/4"; and another photograph of her and Reagan at an unidentified black-tie event, with her wearing the earrings, 5" x 5-1/8"

776 detail

266

Top: Bonnie Swearingen wearing the emerald and diamond earrings (Lot 776), her husband John Swearingen and President Ronald Reagan, December 31, 1983, at a New Year's Eve party at the home of Mr. & Mrs. Walter Annenberg Bottom: A photograph of Bonnie Swearingen and Reagan at an unidentified black-tie event, with her wearing the emerald earrings Original Copies of Both Photographs Included with Lot 776

776

267

"People will stare, make it worth their while” –Harry Winston 777

777 Impressive Harry Winston Diamond Ring platinum, the ring mounted with an Asscher-cut diamond weighing 31.04 carats, color L and clarity SI2, GIA report # 1216281261, flanked to either side by a tapered baguette-cut diamond weighing approximately 2.20 carats in total, approximate color H and clarity VS1, stamped "WINSTON", "PLATINUM" and "31.05". size 5-1/2 Provenance: Harry Winston; likely purchased from Winston by Thomas Powell Fowler Milbank for his fiancee Loyce Stinson Hand Hawk Butler in 1972; acquired by Bonnie Swearingen from Loyce Stinson Milbank in a private sale in 1979; The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600,000-$900,000 This stunning ring was likely purchased from renowned diamond jeweler Harry Winston by Thomas Powell Fowler Milbank in 1972, at the time of his wedding to Loyce Stinson Hand Hawk Butler.

While it would be tantalizing to assume the ring was acquired as an engagement ring for his fiancee, it would be pure conjecture since no confirmatory documentation exists. It was the second marriage for Milbank, scion of the wealthy and socially prominent Milbank family of New York (he was the great-grandson of industrialist and philanthropist Jeremiah Milbank) and the fourth for the socialite Butler, of the famed and influential Stinson aviation family. Milbank had been divorced from his first wife for over twenty-five years, while Loyce Butler had recently seen the resolution of her very public and contentious divorce from the Broadway producer Michael Butler (the cheekily named “hippie producer” responsible for the rock musical Hair).

The couple was quietly wed in New York with only a few of their many friends and associates in attendance and honeymooned in Paris.

Alas, Loyce and Thomas’ marriage was not to prove a lasting one, and within several years the couple separated; their divorce had only just been finalized by the time of his sudden death at the age of 60 in 1974.

Records from the Swearingen Estate reveal that Bonnie purchased the ring privately from Loyce in 1979. This year coincides with the Swearingen's ten year wedding anniversary.

Bonnie & John Swearingen, 1980s

268

Loyce Milbank, original owner of the present ring (date of photograph unknown). Bonnie & John Swearingen privately purchased the ring directly from Loyce in 1979.

This lot is accompanied by two photographs of Bonnie Swearingen wearing this ring: one with her husband John Swearingen, 1980s (Left), 7" x 5", the other with President Ronald Reagan and Philippines President Ferdinand Marcos at the White House State Dinner for President and Mrs. Marcos, September 16, 1982, signed "To Bonnie Swearingen - With Every Good Wish & Best Regards, Ronald Reagan" also signed "F. Marcos", 10-1/8" x 8" Original Copies of Both Photographs (Pictured Left and Right) Are Included With This Lot.

777

269

778 Three-Stone Diamond Ring platinum, the ring mounted with an emerald-cut diamond weighing 9.74 carats, color J and clarity VVS2, GIA report #2211281591, flanked to either side by two radiant-cut faux diamonds. size 6 Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150,000-$300,000

778

779

779 Beautiful Diamond Bracelet platinum, the bracelet mounted with six large pear-cut diamonds weighing approximately 6.00 carats in total, and smaller pear-cut, baguette-cut and marquise-cut diamonds weighing approximately 24.34 carats in total, approximate color D-F and clarity VVS1-VVS2. l. 6-1/4�, total weight 58.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $18,000-$25,000 This lot is accompanied by a photograph of Bonnie Swearingen wearing this bracelet (Lot 779), 1970s, 9-1/2" x 5-1/2" (Pictured Left).

270

$6,000-$9,000

780

Bonnie Swearingen & Ronald Reagan, 1983 An Original Copy of This Photograph Accompanies Lot 780

780 Beautiful Diamond Brooch/Pendant platinum, the brooch/pendant mounted with pear-, baguetteand round brilliant-cut diamonds weighing approximately 15.72 carats in total, approximate color D-E and clarity VVS1VS2. l. 2�, total weight 26.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000 This lot is accompanied by a photograph of Bonnie Swearingen wearing this piece as a brooch with President Ronald Reagan, December 31, 1983, at a New Year's Eve party at the home of Mr. & Mrs. Walter Annenberg, 5" x 5-1/8" (Pictured Top Right).

781 Diamond Eternity Ring

781

platinum, the ring mounted with emerald-cut diamonds weighing approximately 7.00 carats in total, approximate color G-H and clarity VS1-SI2. size 5-3/4�, total weight 6.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

271

782 Diamond and Pearl Necklace platinum, the three-strand necklace composed of 9.00 mm cultured pearls with a high luster, accented with roundels mounted with round brilliant-cut diamonds weighing approximately 3.30 carats in total, and finished with a stunning clasp mounted with a central emerald-cut diamond weighing approximately 3.05 carats, approximate color H and clarity VVS1, accented by baguette-cut diamonds weighing approximately 4.23 carats in total, approximate color D-I and clarity VVS2-VS1. longest l. 22”, total weight 35.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $12,000-$18,000

782 detail

782

783 Pair of Beautiful Convertible Diamond and South Sea Pearl Earrings 14k white gold, the tops of the earrings mounted with round brilliant-cut diamonds weighing approximately 8.00 carats in total, approximate color F-G and clarity VVS2-VS1, and the bottoms of the earrings mounted with round brilliant-cut diamonds and marquise-cut diamonds weighing approximately 2.46 carats in total, approximate color F-G and clarity VS1-VS2, the bottom sections with a hook on the back allowing for the addition of the South Sea baroque pearl drop measuring approximately 15.0 mm. top l. 1”, pearl drop l.

3/4”, total weight 22.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $15,000-$25,000 783

272

784 Diamond and South Sea Pearl Brooch/Pendant 18k white gold, the brooch/pendant mounted with South Sea pearls with a high luster, measuring approximately 12.0 mm in diameter, suspended from a cluster mounted with marquisecut diamonds weighing approximately 7.02 carats in total, approximate color E-G and clarity VVS2-VS1. l. 2-3/4�, total weight 36.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,500-$5,000 785 Stunning Convertible Diamond, Pearl and Aquamarine Ring platinum, the large convertible ring with interchangeable center sections, including a pearl and diamond mount and an aquamarine mount, the ring base mounted with pear-, marquiseand round brilliant-cut diamonds weighing approximately 12.82 carats in total, approximate color E-G and clarity VVS2VS1, together with a pearl and diamond mount set with a South Sea pearl with a low luster, measuring approximately 16.00 mm, surrounded by round brilliant-cut diamonds weighing approximately 1.64 carats in total, approximate color E-G and clarity VVS2-VS2, and an aquamarine mount set with an aquamarine weighing approximately 25.50 carats. size 5-3/4, total weight 40.7 grams

784

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $7,000-$10,000

785 With Aquamarine Mount

785 With Pearl and Diamond Mount

785 detail

785 detail

273

786 With White South Sea Pearls

786 Pair of Bulgari Custom-Made Convertible Diamond and Pearl Ear Clips platinum/14k white gold, the interchangeable earring bases mounted with round brilliant-cut diamonds weighing approximately 9.10 carats in total, approximate color D-E and clarity VVS2-VS1, stamped “BVLGARI�, together with snap-in earring jackets mounted with round brilliant-cut diamonds weighing approximately 1.60 carats in total, approximate color G-H and clarity VS1-VS2, and a pair of snap-in white South Sea pearls with a high luster, measuring approximately 13.00 mm, and a pair of snap-in Tahitian pearls with a high luster, measuring approximately 11.70 mm. total weight 24.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $8,000-$12,000 This lot is accompanied by a photograph of Bonnie Swearingen wearing these earrings with the South Sea pearls, 1990s, 10" x 8" (Pictured Right).

274

786 With Tahitian Pearls

787 Stunning Pearl and Diamond Bracelet platinum, the bracelet mounted with white South Sea pearls with a high luster, measuring approximately 12.00 mm to 13.00 mm, set on a wide interlocking chain bracelet mounted with marquise-, baguette- and round brilliant-cut diamonds weighing approximately 22.95 carats in total, approximate color E-F and clarity VVS2-VS1. w. 7/8”, l. 6-1/2”, total weight 127.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $9,000-$12,000 788 South Sea Baroque Pearl and Diamond Brooch platinum, the brooch mounted with white South Sea baroque pearls with a good luster, measuring approximately 11.50 mm to 12.50 mm, accented by baguette-, triangle- and round single-cut diamonds weighing approximately 4.58 carats in total. l. 3”, total weight 34.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

788

$1,400-$1,800

787

275

790

789 Diamond Necklace

791 Pair of Diamond Ear Clips

18k yellow gold, the necklace composed of heart links, some accented with round brilliant-cut diamonds weighing approximately 3.42 carats in total. l. 16”, total weight 92.8 grams

18k yellow gold, the ear clips mounted with round brilliant-cut diamonds weighing approximately 1.34 carats in total. l. 1-1/4”, total weight 24.9 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,500-$4,000 790 David Yurman Diamond Jewelry Suite 18k yellow/white gold, the cable-designed “X” jewelry suite including a bracelet, clip earrings and ring, all mounted with round brilliant-cut diamonds weighing approximately 1.94 carats in total, stamped “Yurman”. bracelet inside circumference 6-1/8”, earring l. 1”, ring size 7-1/4 Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

276

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 792 Lady’s Audemars Piguet Wrist Watch 18k yellow gold, the manual wind watch with a white dial marked “Audemars Piguet”, the back of the case marked “Audemars Piguet Swiss 10858” and with an inscription “Bonnie, I Love You, John”, with a gold mesh band. l. 6-3/4”, total weight 25.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

789

791

792

277

793 detail

793 Lalaounis Diamond and Emerald “Snake” Necklace 18k yellow gold, the bolo-style necklace with an adjustable slide, mounted with round brilliant-cut diamonds weighing approximately 0.10 carats in total and round-cut treated emeralds weighing approximately 0.12 carats in total, stamped “Lalaounis”. longest l. 32”, snake head drop 1-3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $5,000-$8,000

793

278

794

794 Lalaounis Emerald, Diamond and Ruby “Snake” Bracelet 18k yellow gold, the hinged bracelet mounted with roundcut treated emeralds weighing approximately 2.50 carats in total, round brilliant-cut diamonds weighing approximately 0.24 carats in total, and round-cut treated rubies weighing approximately 0.02 carats in total, stamped “Lalaounis”. inside circumference 6-1/8”, total weight 81.3 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

794 detail

795

795 Flexible Enamel and Tourmaline “Snake” Bracelet 18k yellow gold, the coiled snake decorated with green enamel, the eyes accented with cabochon-cut tourmalines weighing approximately 0.10 carats in total. inside circumference 6-1/2”, total weight 82.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,500-$4,000

795 detail

279

796 Gold Chain 18k yellow gold, the graduated chain composed of interlocking, polished links, stamped “KREV” and “750”. l. 16”, w. 5/8”, total weight 55.3 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500 797 Queen Victoria Gold Coin Watch 18k yellow gold, the watch composed of Queen Victoria gold coins mounted in an 18k yellow gold frame, accenting the watch face, stamped “Tudor”. w. 1-3/8”, l. 8-1/2”, total weight 101.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,000-$4,000 798 Three Gold Bangle Bracelets

796

18k yellow gold, including two hinged square-shaped bracelets with rounded corners and a hinged square-shaped bracelet with nailhead accents. inside circumference 7-1/2” to 7-3/4”, total weight 42.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 799 Large Chain-Link Bracelet

797

18k yellow gold, the chunky bracelet composed of oval rings connected by textured scrolled joints. w. 1-1/2”, l. 7-1/4”, total weight 66.5 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500 798

799 detail 799

280

800 Gentleman’s Patek Philippe Gold Watch 18k yellow gold, the manual-wind watch with an eighteen-jewel movement, movement #1162127, the face marked “Patek Philippe Geneve”, Model #3550/1, serial #2678939, with an 18k gold mesh band stamped “Patek Philippe, Geneve, 750”. l. 7-1/2”, total weight 91.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $5,000-$8,000

800

801 Elizabeth Gage Zodiac Ring 18k yellow gold, the wide ring depicting the zodiac sign of Pisces, stamped “GAGE” and “750”. size 7, total weight 15.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

801

802 Wide Gold Bangle Bracelet

801 detail

18k yellow gold, the wide bracelet with a beaded edge and a raised center section. w. 1-1/2”, inside circumference 7-3/4”, total weight 66.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

803 Long Gold Necklace 802

18k yellow gold, the necklace composed of an interlocking chain flanked on the top and bottom by flat oval disks. l. 78”, total weight 121.3 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,000-$4,000

803

281

804 Three Diamond and Gold Items including a 14k yellow gold Dunhill lighter with a derrick mounted with round brilliant-cut diamonds weighing approximately 0.06 carats in total, monogrammed “JES”, l.

2-1/2”, an 18k yellow gold flying horse pin, the symbol of Mobil Oil, mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total, accented on the eyes with round-cut rubies weighing approximately 0.01 carats in total, marked “Nerso 18k”, l. 1-1/4”, and a 14k yellow gold flying horse pendant, the symbol for Mobil Oil, dia. 1-1/8”, suspended from a 26” 18k yellow gold box chain. total weight 126.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

804

$3,000-$5,000

805 Three Pieces of Monogrammed Jewelry including an 18k yellow gold “B” pendant, l. 1”, a 14k yellow gold bracelet with the initials “BS”, l. 7-1/2”, and a 14k yellow gold charm necklace with a pendant in the form of an “11” on one side, mounted with round brilliant-cut diamonds weighing approximately 0.10 carats in total, and the initials “BS” on the other side, l. 7/8”, suspended from a 14k yellow gold necklace, l. 28”. total weight 103.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,500-$4,000

805

806 Three Gold and Diamond Accessories including an 18k yellow gold enamel box mounted with round brilliant-cut diamonds weighing approximately 0.12 carats in total, w. 1-5/8”, l. 4”, a 14k yellow gold lorgnette, l. 5-1/2”, and a 14k yellow gold retractable swizzle stick pendant mounted on the ends with round brilliant-cut diamonds weighing approximately 0.35 carats in total, l. 3-1/2” to 5-1/4”. total weight 170.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,500-$5,000 806

282

807 Gold Necklace 18k yellow gold, the heavy herringbone chain with a textured finish and a hook for suspended pendants. l. 17”, total weight 54.5 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

807

808 Charm Bracelet 14k yellow gold, the 14k gold chain-link bracelet with various 10k and 14k yellow gold charms, including a spinning globe and an openwork sphere that opens to reveal picture holders in an accordion design. l. 7”, total weight 100.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

808

809 Three Pairs of Cufflinks 14k yellow gold, including a pair of Tiffany & Co. rectangular cufflinks mounted with a round-cut treated sapphire weighing approximately 0.20 carats in total, l. 5/8”, a pair of cufflinks with a horseshoe and horse, mounted with round brilliant-cut diamonds weighing approximately 0.04 carats in total, l. 5/8”, and a pair of five dollar coin cufflinks, dia. 3/4”. total weight 49.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

809

$1,200-$1,800

283

810 Vintage Gucci Taupe Crocodile Shoulder Bag 1969, gold hardware, the front flap with turn-lock closure, the matching 1” flat strap attached at both ends to a horse head-held ring, the taupe kidskin-lined dual section interior gilt-stamped “Made in Italy/by/Gucci”, above a halfgusseted zippered pocket with crest pendant tab, fronted with a slip pocket, the opposing side with two slip pockets, includes a matching foldover card holder and labeled dust bag. h. 8-1/2”, w. 10-3/4”, d. 2-1/4”; strap drop: 14”; card holder: w. 4-5/8”, d. 3” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 811 Vintage Gucci Bottle Green Crocodile Shoulder Bag

810

1969, gold hardware, with front flap and slip pocket on the reverse, the two-tone turn-lock closure with inset tiger’s eye ends, the chain with tiger’s eye beads and set as trim down both sides, the chocolate brown calfskin-lined interior gilt-stamped “Gucci/Brev. 660-15910-69” above a halfgusseted zippered pocket with crest pendent tab, fronted with a slip pocket, the opposing side with a slip pocket and lipstick pouch, includes a matching foldover card holder and labeled dust bag. bag h. 6-1/2”, w. 8-3/4”, d. 3” chain drop: 15-1/4”; card holder w. 4-3/4”, d. 2-3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 This lot is accompanied by a photograph of Bonnie Swearingen wearing this vintage Gucci bag.

Bonnie Swearingen wearing Lot 811, the vintage Gucci shoulder bag.

An Original Copy of This Photograph Accompanies Lot 811

811

284

812 Vintage Gucci Burgundy Crocodile Handbag 1969, gold hardware, bamboo handle, the front flap with bakelite and metal turn closure, the matching kidskin-lined interior gilt-stamped “Made in Italy/by/Gucci” above a halfgusseted zippered pocket with crest pendent tab, fronted with a slip pocket, the opposing side with two slip pockets, includes a snap coin purse, a card holder and a labeled dust bag. h. 6-1/4”, w. 9-1/4”, d. 2-3/4”; handle drop: 3-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Bonnie Swearingen wearing Lot 812, the vintage Gucci handbag.

An Original Copy of This Photograph Accompanies Lot 812

$1,200-$1,800 This lot is accompanied by a photograph of Bonnie Swearingen wearing this vintage Gucci bag.

813 Vintage Gucci Black Crocodile Handbag 1969, gold hardware, the top opening to a frame centered with gold clasp closure, both interior sides with a deep pocket, the black kidskin-lined center interior gilt-stamped “Made in Italy/ by/Gucci” above a slip pocket fronted by a snap flap pocket, the opposing side with three slip pockets, with sliding gold chain, includes a labeled dust bag. h. 7-1/2”, w. 9-3/4”, d. 3”; chain drop: 5-1/2” and 10” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

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814

815

814 Hermes, Paris, Pale Mocha Fringed Cashmere Throw

816 Six Sterling and Silverplate Photograph Frames

one corner tonal-embroidered “Hermes”, both ends with selffringe, labeled “Hermes-Paris” with logo and “Fabrique en Italie/100% Cachemire/Nettoyage a Sec”. l. 80” with fringe, w. 60”

with sterling pieces, including: a Saad of Egypt, Cairo, rectangular example with rococo engraved corners and wood easel back, 11-1/4” x 6-3/4”; a Carr’s of Sheffield, 1988, double example with a pair of elaborately gadrooned surrounds with cartouche crest and indigo velvet back, h. 10-1/8” w. 7-3/8” each, 16-1/4” overall; an Ari D. Norman, London, 1988, Belle Epoque-style rectangular example, with reed-and-ribbon edge and arched ribboned crest and indigo velvet easel back, 7-1/2” x 5-1/4”; and unmarked silverplate pieces: a broadly gadrooned rounded rectangular example with translucent brown lucite easel back, 13” x 10-1/2”; a shaped cenotaph example with rococo scroll border and oval vignette and indigo velvet easel back, h. 10-1/2” x 9-1/4”; and a shaped rectangular example with reeded edge and indigo velveteen easel back, h. 8-1/2” x 6-3/4”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 815 Three Hermes, Paris, Cashmere and Wool Fringed Throws tobacco, rouge and pistachio, both ends self-fringed, each with one corner tonal-embroidered “Hermes” and labeled “Hermes-Paris” with logo and 70% Cashmere/30% Wool/Made in Gt. Britain/dry clean only”. l. 72”, w. 54”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$800-$1,200

$800-$1,200

816

286

817 Four Cartier and Tiffany Sterling Silver Photograph Frames contemporary, including: a Cartier example with rounded and reeded frame set with lapis cabochons, with leather easel back, 7” x 5-1/2”, with the original Cartier box and felt pouch; a Cartier example with plain frame and faux bois lucite easel back, 8” x 6”; a larger Cartier example with plain frame and faux bois lucite easel back, 10-1/4” x 8-1/4”, engraved “Christmas 1991”; and a Tiffany example with plain frame and black lucite easel back, 7-1/2” x 5-1/2”.

14.40 total t. oz. (weighable silver)

817

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

818 Seven Sterling and Silverplate Photograph Frames

819

including sterling pieces: a Florence, Italy, rounded rectangular example with wood easel back, 11-1/4” x 9”; a Florence, Italy, rounded rectangular example with wood easel back, 8-3/4” x 6-3/4”; a Florence, Italy, gadrooned rectangular example with wood easel back, 8-1/4” x 6-1/4”; a Wallace rectangular example with beaded edging and black plastic easel back, 11” x 8-1/2”; and a Carr’s of Sheffield, 1998, rectangular example with molded edge and wood easel back, h. 7-3/4” x 5-3/4”; and silverplate pieces: a Gucci rectangular example banded with African porcupine quills and with wood easel back, 14-1/2” x 11-3/4”; and an unmarked plain rectangular example with indigo velvet easel back, 10-1/4” x 8-1/4”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

819 Italian “Jeweled” Sterling Silver and Gold Box and Photograph Frame second half 20th century, Bergamo, Bosisio Gioielleria, .800 silver and 18Kt gold in the Settecento taste, the frame of shaped cenotaph form with oval vignette and wooden easel back, the rectangular box with bone interior, each with a matte silver and translucent red and blue enamel ground decorated with applied elaborate gold and silver-gilt scrolls and banding, set with cabachon “jewels”. frame h. 7-3/4”, w. 5-3/4”; box 5-1/4” x 4-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

$800-$1,200

818

287

820 Two Middle Eastern Silver Presentation Boxes third quarter 20th century, including: an Iranian desk box, rectangular, hand-chased with arabesques and opening to a gilt interior with enameled logo and inscription “National Iranian Oil Company”, h. 1”, w. 7”, d.

3-1/2”; and an Egyptian cigarette box, rectangular, engraved with arabesques and opening to a cedar-lined interior, the underside engraved with presentation inscription dated 1967 from Hassan Amer, Chairman of the Egyptian General Petroleum Company to John E. Swearingen on the inauguration of the El Morgan Field, h. 2”, w. 7-3/4”, w. 4-1/4”.

30.92 total t. oz. (including cedar lining)

820

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900 821

822 Autographed Presidential and First Lady Photos and Memorabilia

821 Two Kentucky Sterling Silver Mint Julep Cups 1963-1968, by Mark J. Scearce, Shelbyville, Kentucky, of traditional slightly tapering cylindrical form with beaded and molded rims, each with the original card. h. 3-3/4”, dia. 3-1/8”; 9.35 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Marcus Johnson Scearce (1916-1993), founder of Mark J. Scearce Galleries (now Wakefield-Scearce Galleries) in Shelbyville, is perhaps the only remaining Kentucky maker of hand-crafted silver mint julep cups. After some prototypes in the 1940s, limited production began during the administration of Harry Truman, and since then every Scearce cup has been stamped with the initials of the sitting president at the time it was made. President Lyndon Johnson is known to have ordered 650 cups from Scearce for Christmas gifts one year (placing the order in October and giving Scearce the “Johnson treatment” to ensure their delivery by the holidays). Given the close friendship between LBJ and Bonnie Swearingen, it is likely that these were from that order and a gift from the President himself. $800-$1,200

288

822

including inscribed photographs of Lyndon B. and Lady Bird Johnson, signed “To Bonnie & John we expect you to pin us here, L.B.J”, framed 12-1/4 x 15-1/4”; Lady Bird Johnson (Aaron Shikler’s 1978 oil portait), signed “To Bonnie and John Swearingen who add sparkle and zest to my life Lady Bird Johnson”, framed, 14-3/4” x 11-3/4”; Richard and Pat Nixon, signed “To Bonnie and John Swearingen with appreciation with their friendship over the years, from Richard Nixon 1-20-80”, framed, 14-3/4” x 11-1/4”; Gerald and Betty Ford, signed “To our dear friend Bonnie, with our affection, Betty Ford Gerald R. Ford”, framed 11-3/4” x 9-3/4”; Ronald and Nancy Reagan, signed “To Bonnie and John with our love and best Wishes Nancy & Ron” framed 12-1/8” x 10-5/8”; together with a collection of Presidential memorabilia including blazer buttons, cufflinks and lighters.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$1,000 Detailed list of items available on request.

823

824 Lyndon and Lady Bird Johnson Letters and Memorabilia

823 Lyndon and Lady Bird Johnson Memorabilia

including a large scrapbook of Lyndon B. and Lady Bird Johnson letters, 1969-1988, most on LBJ personal or LBJ Ranch letterhead, typewritten and initialed/signed by hand, to Bonnie and John Swearingen, including thirty-one letters from Lyndon Johnson, all mounted, most with franked envelope, and seventy-seven from Lady Bird Johnson, eleven mounted, most with franked envelope, and approximately eighteen other pieces of ephemera; together with an autographed limited edition of Lyndon B. Johnson, The Vantage Point: Perspectives of the Presidency 1963-1969, an autographed photograph of Lyndon Johnson with John Swearingen, and two other commemorative books.

including several signed letters, notes, postcards and thank you cards from Lady Bird Johnson, formal and candid photographs of Lyndon and Lady Bird Johnson, two Mollie Parnis “Wildflowers of Texas Silk Scarves”, a handsome autographed photograph of Lyndon Johnson in a Stetson, an amusing autographed copy of Liz Carpenter’s memoir additionally signed by both Lyndon and Lady Bird Johnson each as “one of the characters”, a large collection of souvenirs including a bookmark of deerskin from the LBJ Ranch, a lighter, playing cards, penknife, pen, LBJ Ranch matchbooks and more.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Most poignant among these letters are a jovial one from President Johnson (“Santa Claus may have been tardy, but certainly never looked better! . . . Lady Bird and I are keeping our fingers crossed hoping you’ll both be able to come to Acapulco next month”) on January 18, 1973, four days before his death, and one from Lady Bird the following month where she has added a handwritten postscript to Bonnie Swearingen: “Do you remember when Lyndon said ‘I’m an old man but when I’m around you I feel like throwing away both my canes!’ Thank you for making him feel that way.”

$500-$1,000 Detailed list of items available on request.

$500-$1,000 Detailed list of items available on request.

824

289

825

826 Richard Nixon and Family Autographed Books and Memorabilia

825 Richard Nixon Letters and Memorabilia

including autographed first editions of Richard Nixon’s The Real War (New York: Warner, 1980) Leaders (New York: Warner, 1982) Real Peace: A Strategy for the West (New York: the author, 1983); and Seize the Moment: America’s Challenge in a One-Superpower World (New York: Simon & Schuster, 1992), with autographed copies of Julie Nixon Eisenhower’s Special People (New York: Simon & Schuster, 1977) enclosing a letter from Richard Nixon to Bonnie Swearingen, presenting the book to her “with a bit of parental prejudice”, “Dick Nixon”; and Pat Nixon: The Untold Story (New York: Simon & Schuster, 1986), Together with an unsigned copy of Richard Nixon’s Memoirs (New York: Grosset & Dunlap, 1978), a Frankie Welch (b.

1923) “Richard Nixon: Forward Together” silk scarf designed for Nixon’s 1972 Inaugural, and two framed photographs with Nixon signatures.

including a number of signed letters, thank you notes and cards, with photographs, programs from the funeral services of Richard and Pat Nixon, and more.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Among the more interesting letters here is one from December 29, 1992 where Nixon laments “this might have been a somewhat depressing Christmas because of the outcome of the election” (an allusion to Bill Clinton’s defeat of incumbent George H. W. Bush the previous month) but that Bonnie Swearingen’s gift of a “delicious ham made it a very special day”, and another from July of 1993, two weeks after the death of his wife: “For the past fifty-three years I have usually finished personal letters with the phrase ‘Pat joins me in expressing our appreciation’ . . . I can’t say that now in the physical sense, but there is no question that in spiritual sense she joins me in saying that to you today.” $500-$1,000

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Detailed list of items available on request.

$500-$1,000 Detailed list of items available on request.

290

826

827 Gerald and Betty Ford Letters and Memorabilia including several signed letters and cards from Gerald Ford, Ford family Christmas cards, photographs (some autographed) of Gerald and Betty Ford, a golf score card autographed by Gerald Ford and T. Boone Pickens, a 14 Kt. gold Bicentennial bracelet, and more.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

President Ford’s well-known fondness for golf is evident in these photographs; less well-known is his preference for red ink, which he uses in most of these letters. He also displays his cheeky sense of humor, formally addressing one letter - in both the typed address and greeting - to “Scarlett O’Swearingen”: his nickname for the the Alabama-born Bonnie Bolding Swearingen.

827

828 Jimmy and Rosalyn Carter Autographed Books and Memorabilia including autographed copies of Rosalyn Carter’s First Lady from Plains and Jimmy & Rosalyn Carter’s Everything to Gain: Making the Most of the Rest of Your Life, together with six letters from Jimmy Carter, five of them signed.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$1,000 Detailed list of items available on request.

$500-$1,000 Detailed list of items available on request.

828

291

829

830 George H. W. and Barbara Bush Letters and Memorabilia 829 Ronald Reagan Letters and Memorabilia

including several signed letters and notes from George H. W. and Barbara Bush, Bush family Christmas cards, an enameled Presidential seal stickpin, an autographed copy of Barbara Bush’s Memoir and more.

including signed letters and photographs from Ronald Reagan, souvenirs from Reagan’s 1981 inauguration including programs, tickets, maps, admittance cards and blazer buttons, photographs from the 1982 State Dinner for Ferdinand and Imelda Marcos, a program from the the Beverly Hills Hilton Salute to the Reagans on their return to California, and more.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

A number of these letters from George H. W. and Barbara Bush refer proudly to their sons. Barbara Bush says of the 1994 gubernatorial campaigns of George W. and Jeb Bush: “they can both win!”, and Bush, Sr. says of his son in September, 2000: “We, too, thought George did well on Oprah. Even the deadly polls are looking up.” Four days after George W. Bush was formally elected president by the Electoral College after one of the most contentious elections in modern times, Bush, Sr. wished the Swearingens “Happy holidays from the happiest, proudest father in the entire world”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$1,000 Detailed list of items available on request.

$500-$1,000 Detailed list of items available on request.

830 8 292

832

831 831 John E. and Bonnie B. Swearingen Letters, Memorabilia and Ephemera

including a scrapbook, 1976-2003, with signed letters and photos from Mary Martin, Gerald Ford and Imelda Marcos, invitations to the State Dinner for Anwar Sadat and a Neiman-Marcus Dinner for the Queen of Thailand (“It is suggested the one never mention ‘The King and I’”), holiday cards from Presidents Reagan and Ford, with many other various invitations, cards and remembrances; a bound volume of press clippings regarding John Swearingen, 1979-1980; an autographed photograph of Egyptian First Lady Jehan Sadat; letters, notes, cards and invitations from Bob and Dolores Hope, Frank and Barbara Sinatra, Phyllis Diller, Bill and Hillary Clinton, Ferdinand and Imelda Marcos, George Shultz, U.S. Treasurer Dorothy Andrews Elston and others, with photographs of notables Richard Nixon, George H. W. Bush, Cristina Ford, Pearl Bailey and other heads of state and celebrities, with gold coins and medals of the Shah of Iran and Marian Anderson and more.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Detailed list of items available on request. $500-$1,000 832 Two Tiffany & Co. Sterling Silver Presentation Cigar/Tobacco Canisters 1970s, both lined in Spanish cedar, including: a cubic example from Tiffany, Portugal, with flat-domed lid with ring handle, with presentation inscription to John E. Swearingen, Jr., from the Board of Directors of Standard Oil Company Indiana on his twenty-fifth anniversary of his directorship (1952-1977), h. 6-1/2”, w.

5”, d. 5”; and a cylindrical example from Tiffany, New York, with domed lid and large button handle, monogramed “JBS” for John and Bonnie Swearingen opposing the engraved inscription “With Best Wishes to John and Bonnie, Ardeshir Zahedi”, h. 7-3/4”, dia. 6”.

77.47 total t. oz. (including cedar linings) Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Ardeshir Zahedi served as Iranian Ambassador to the United States 1960-1962 and again 1973-1979, during which he became known for his extravagance and relationship with Elizabeth Taylor. He never returned to Iran after the revolution and is currently retired in Switzerland.

833

833 Six Sterling Silver Presentation Smoking Accessories including: a Tiffany & Co., New York, rectangular cigarette box, with cedar-lined interior, the lid fitted with an 18Kt gold bee which may be detached and worn as a brooch, and engraved “You win / Many happy returns of / May 18th, 1969 / Nancy and Jake Hamon / Happy Another 100”, h. 1”, w. 4-1/2”, w. 3-1/4”; a Gorham, Providence, Rhode Island, square cigarette box, with molded rim and cedar-lined interior, the lid engraved “Glen View Club / Classic Championship / 1958”, h. 1-3/4”, w.

3-7/4”, d. 3-3/4”; a Garrard & Co. Ltd., Birmingham, UK, rectangular cigarette box, hallmarked 1974 (the plaque London, 1976), the lid engraved with ducks in flight on a guilloche ground, with cedar-lined interior and presentation plaque “To Bonnie and John from Ruth and Jim Orthwein, December 25th, 1976”, h.

2-1/2”, w. 6-1/2”, d. 5-1/4”; a Poole Silver Co., Taunton, Massachusetts, rectangular humidor, with cedar-lined interior and Aztec clay strip, the lid engraved with presentation inscription to John E. Swearingen from the Executive Committee of the Automotive Safety Foundation, October 1964, with engraved signatures of the committee members, h. 3-1/4”, w. 10”, d. 6-3/4”; and a pair of Cartier, New York table lighters of octagonal section, monogrammed “BBS” for Bonnie Bolding Swearingen, h.

3-1/4”, w. 2-1/4”, d. 2”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000

$1,000-$1,500

293

835 Steuben Crystal, Silver-Gilt and Cultured Pearl “Mistletoe” Christmas Ornament 20th century, Corning, New York, with silver-gilt foliate and cultured pearl berries, signed “Steuben” in engraved script on the bottom. h. 5-1/4”, w. 4-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 836 Steuben Crystal and 18k Gold “Partridge in a Pear Tree” 20th century, Corning, New York, the crystal pear with a gold tree and bird, signed “Steuben” in engraved script on the bottom. h. 6-1/4”, w. 3-1/4”

835 834

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 837 Three Pieces of Steuben Crystal 20th century, Corning, New York, including the “Frog Prince” wearing an 18k yellow gold crown, designed by Lloyd Atkins, a smaller frog and a toadstool, each signed “Steuben” in engraved script. h. 3” to 6-3/4”, w. 3-1/4” to 5-1/2”, d. 3-3/4” to 5” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

836 838

$800-$1,200 838 Steuben Crystal and 18k Gold Trout and Fly 20th century, Corning, New York, designed by James Houston (Canadian/American, 1921-2005), the trout depicted leaping for the gold fly, signed “Steuben” in engraved script on the bottom. h. 8-3/4”, w. 6”, d. 2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 839 Four-Piece Collection of Steuben Crystal Creatures

837

20th century, Corning, New York, including a porpoise designed by Lloyd Atkins, unsigned, an alligator and a salmon designed by James Houston, and a tuna, the latter three signed “Steuben” in engraved script on the bases. h. 2-1/2” to 8”, w. 10-1/2” to 14-1/2”, d. 3-3/4” to 5-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

294

839

840 Three Steuben Crystal Bird Figures 20th century, Corning, New York, the collection including a seagull, h. 6-1/4”, w. 11”, a pheasant, h.

7”, w. 10-1/4”, and a duck, h. 8”, w. 6-1/4”, each piece signed “Steuben” in engraved script.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

840

$800-$1,200 841 Five-Piece Collection of Steuben Crystal Tableware 20th century, Corning, New York, including a pair of canape trays with scrolled handles, h. 4-1/2”, dia. 12-1/2”, a pair of footed bowls with notched bases, h. 7”, dia. 8-3/4”, and a low bowl with thumbprint-decorated base, h. 4-1/2”, dia. 13”, each signed on the bottom in engraved script.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

841

$800-$1,200 842 Steuben Crystal King and Queen Chess Pieces 20th century, Corning, New York, designed by Lloyd Atkins in 1973, each signed “Steuben” in engraved script on the bottom. h. 10-3/4”, dia. 3-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 843 Pair of Steuben Crystal “Double-Disk” Candlesticks 20th century, Corning, New York, with baluster-form standards and bell-form feet, signed “Steuben” in engraved script on the bottom. h. 15”, dia. 7”

842 843

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 844 Pair of Steuben Crystal “Double-Disk” Candlesticks 20th century, Corning, New York, with baluster-form standards and bell-form feet, signed “Steuben” in engraved script on the bottom. h. 15”, dia. 7” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

844

295

845 847

845 Ten-Piece Collection of Steuben Crystal Tableware 20th century, Corning, New York, including a pair of shellform pitchers, h. 6”, w. 6-1/2”, a “massive” ashtray designed

by George Thompson, h. 2-1/4”, dia. 8-1/2”, an oval bowl designed by George Thompson, h. 4”, w. 9-1/2”, four ashtrays with crimped handles designed by George Thompson, h.

1-1/2”, dia. 7”, and a pair of olive dishes designed by John Dreves, h. 3-3/4”, w. 6-1/2”.

847 French 18k Yellow Gold, Rock Crystal, Ruby and Emerald Frog Paperweight 20th century, in the style of Boucheron, set with ruby eyes, emerald lips and 18k yellow gold-clad feet, the bottom of one foot stamped “750”. h. 3-1/2”, w. 3-1/4”, d. 4-3/4”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$800-$1,200

$1,000-$1,500

846 Seven-Piece Collection of Steuben Crystal Tableware

848 Pair of French 18k Yellow Gold and Amethyst Bulldogs

20th century, Corning, New York, including two “Calyx” bowls, h. 4-1/2” to 5-1/4”, w. 10-1/2” to 11”, a pair of low bowls on scrolled feet, h. 4”, dia. 10-3/4”, a low bowl on scrolled feet, h. 2-3/4”, dia. 8”, and a pair of bowls with thumbprint base designs, h. 3”, dia. 7-3/4”.

20th century, in the Cartier manner, the seated bulldogs wearing 18k yellow gold collars with bells. h. 3-1/2”, w. 2”, d. 3-1-/4”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

$800-$1,200

848 846

296

849 Steinway & Sons Mahogany Baby Grand Piano and Bench ca. 1989, model S and bearing the serial number “515268”. piano h. 39”, w. 57”, l. 62” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

850 Antoine Poncet (French, b. 1928) “Ochicagogo” carved quartz amorphous sculpture unsigned, rotating on a black marble base, after the 1979 monumental bronze at the Musee de la sculpture en plein air, Jardin Tino Rossi, Paris. h. 12”, w. 10-1/2”, d. 6-1/2” 849

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 This sculpture was likely commissioned from the artist by the Swearingens; the couple had several small-scale versions of monumental public sculptures they admired (see the Bertoia sculpture offered lot 852). The Swearingens were close friends with the Canadian-born businessman Nathan Cummings. Cummings, the founder of Consolidated Foods (which included the ubiquitous Sara Lee line) was a renowned art collector and patron; one of his protegees was the artist of this work, Antoine Poncet. All frequently attended the same functions, including a 1970 Washington, D.C. art exhibition sponsored by Cummings, which was described in the Chicago Daily News on June 29, 1970.

850

851 Attributed to Antoine Poncet (French, b. 1928) “Sans Titre” carved marble amorphous sculpture unsigned, rotating on a black marble base. h. 13-1/2”, w. 8”, d. 8” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 851

297

852 Harry Bertoia (Italian/American, 1915-1978) “Sonambient”, 1975 sound sculpture of beryllium copper, brass and wood the thin, flexible rods set into a brass plate atop the carved wooden base in a manner to encourage movement and thus produce sound, presented on a black acrylic and lucite base. sculpture h. 37”, w. 8-3/4”, d. 8-3/4”; base h. 36”, w.

14”, d. 14” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

In 1960, inspired by the sounds various types and lengths of metal rods made when gently manipulated, the Italian-born sculptor and metal worker Harry Bertoia began his series of "tonal" or sound-producing sculptures. Ranging from miniscule to monumental, these Sonambient sculptures, as they soon became known, proved to be one of the artist's most enduring legacies. Experimenting with several metals, it was with the richly patinated beryllium copper that Bertoia found his preferred material, though he would frequently incorporate other metals to create a specific sound or resonance.

In 1975, Bertoia designed the large, multi-structured installation at Standard Oil Building Plaza in Chicago - now known as Aon Center. The then Chairman and Chief Executive of Standard Oil was John Swearingen and the Building and its accompanying Plaza was due entirely to his vision and determination; he believed that Standard Oil's headquarters should reflect its reputation as a leading American corporation. Swearingen was involved in every aspect of the construction, from choosing the site, vetting architectural firms and overseeing the blueprints. At its completion in 1974, it dominated the Chicago skyline as the tallest building. A small-scale model of the Standard Oil Building, the sculpture here was gifted to him by the artist. It is composed of long, thin beryllium copper rods set vertically within a brass plate, all atop a wooden base. When in motion, the rods produce a distinctive sound.

852 detail

This sculpture is from the Estate of Bonnie Swearingen; it had been especially bequeathed to her by her husband in his will. $15,000-$25,000

Photo of Sis Daley ( wife of Chicago mayor), Lady Bird Johnson & Bonnie Swearingen

298

Bonnie Swearingen

Bonnie and John Swearingen, Chicago Mayor Richard J. Daley, and Harry Bertoia

852

Bonnie Swearingen and Harry Bertoia

299

853

854

853 Victor Salmones (Mexican, 1937-1989)

854 Hunt Slonem (American, b. 1951)

“Bust of a Woman”

“For Bonnie”, 2004

patinated bronze cast signature, numbered “1/10”, and marked “Q-2” along back edge. h. 25”, w. 12”, d. 10”

oil on canvas signed, dated and with dedication en verso.

Framed.

33” x 24”, framed 37” x 29”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$800-$1,200

$2,000-$4,000

855 Victor Salmones (Mexican, 1937-1989) “Untitled” patinated bronze figure of a woman with outstretched arms, cast signature, numbered “V”, marked “E-44” and inscribed “PIA” along of edge of self-base, on a thin lucite base; together with an unmarked polished bronze variant of the above, on a black marble base. overall h. 14-1/2”, w. 16”, d. 5-1/4” and overall h. 11”, w.

13-3/4”, d. 3-3/4”, respectively Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

855

300

$800-$1,200

856 Chapman Kelley (American/Texas, b. 1932) “Picking Daisies” oil wash on canvas signed mid-left.

Thin gallery frame.

48” x 72”, framed 49” x 73” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

856

857 Chapman Kelley (American/Texas, b. 1932) “In the Field of Flowers” oil wash on canvas signed upper left.

Thin gallery frame.

41” x 40”, framed 42” x 41” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

857

858 Victor Salmones (Mexican, 1937-1989) “Stilts” patinated bronze cast signature and numbered “7/10” along proper right thigh, on an integral square lucite base. overall h. 29-3/4”, w. 8”, d. 8” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 858

301

859 Carved Mango Wood and Plate-Glass Figural Coffee Table mid-20th century, with an oval beveled glass top, the carved base in the form of a nude woman in the supine position, her head resting on a pillow. h. 19-1/2”, w. 69”, d. 28-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

859

860 Contemporary Upholstered Sofa in the Edwardian Taste with a tufted back wrapping around to closed arms, the tufted seat cushion with a concave front and fitted with a conforming skirt, upholstered in Brunschwig & Fils “Devon Woven Patchwork” in Oxford Blue. h. 36-1/2”, w. 87”, d. 36” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 860

861 Contemporary Upholstered Sofa in the Edwardian Taste with a tufted back wrapping around to closed arms, the tufted seat cushion with a concave front and fitted with a conforming skirt, upholstered in Brunschwig & Fils “Devon Woven Patchwork” in Oxford Blue. h. 36-1/2”, w. 87”, d. 36” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 861

302

862 Hunt Slonem (American, b. 1951) “Siddahs”, 2003 oil on canvas signed, titled and dated en verso.

Framed.

36” x 36”, framed 39” x 39” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $5,000-$8,000

862

863 Chapman Kelley (American/Texas, b. 1932) “Field of Flowers” oil wash on canvas signed mid-right.

Thin gallery frame.

42” x 42”, framed 43-1/4” x 43-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

863

303

864 Gustavo Novoa (Chilean/French, b. 1941) “Wildlife Group”, 1970 oil on board signed and dated lower left.

Framed, 37” x 57”, framed 40” x 60” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $2,000-$4,000

864

865 Hassan el Galoui (Moroccan/French, 1923-2018) “Cavalier”, “La Sortie du Pacha”, “Fantasia” and “Cavalier Bleu” three watercolors and gouaches on paper and a lithograph in colors each signed, the lithograph pencil-signed, dated “1984” and with dedication to “Bonnie” lower right, marked in pencil “E.A.” lower left.

Two examples unframed and two framed. watercolor and gouaches 8” x 10”, lithograph: sight 18” x 24”, framed 26” x 32-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

865

304

A figurative painter of Moroccan military horses and their riders, Hassan el Galoui was born to the last Pacha of Marrakesh, Thami el Galoui. He credited Winston Churchill for convincing his powerful father to allow him to pursue painting.

After a long career and successful exhibition history, spanning three continents, in early 2012, his paintings were exhibited along with the famous Prime Minister Churchill’s works of Marrakesh at Leighton House Museum in London.

868

867

866

866 Asian Lacquered and Mother-of-Pearl Stacking Cabinets on Stand mid-20th century, each case with brass corner mounts, butterfly hinges and lock plate, and profusely inlaid with mother-of-pearl panels. h. 51”, w. 30”, d. 16” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 867 Large Silvered Brass Figure of a Recumbent Stag 20th century, its head turned to one side, the saddle with geometric floral designs. h. 31”, w. 32”, d. 11” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

869

$800-$1,200 868 Carved Rosewood Buddha on Stand 19th century, the meditating figure seated with legs crossed, on a carved lotus-leaf plinth and resting on a later teakwood stand. figure h. 21-1/2”, w. 12-1/2”, d. 8”, base h. 14”, w. 15-1/2”, d.

10-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

869 Embroidery of Indigenous Motifs first or second quarter 20th century, cotton/silk and metallic threads on a dark fabric ground, with bands of animals, figures, boats and geometric designs.

Encased in acrylic.

46-1/2” x 44-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

305

871

870

870 Chinese Gilt-Thread-Embroidered Panel 20th century, embroidered with cranes and blue lotus blossoms on a field of scrollwork, in a gilt bamboo-turned frame. embroidery size 36” x 36”, framed 46-1/2” x 46-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 871 Pair of Chinese Parcel-Gilt and Ebonized Architectural Elements 19th century, each with three-dimensional carved battle scenes and panels of birds and foliage. h. 18”, w. 8-1/2”, d. 3” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 872 Group of Four Carved and Giltwood Asian Figures 20th century, each in traditional costume, inset with faux jewels and standing on a carved circular base mounted to a square ebonized stand. tallest h. 54-1/2”, w. 22”, d. 10”, shortest h. 46”, w. 17”, d. 9” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

306

872

873 Tall Pair of Gilt-Bronze Asian Figures 19th century, each dressed in traditional costume and standing on a square bronze plinth. h. 58-1/2”, w. 15”, d. 8-1/2” and h.

56-1/2”, w. 16-1/2”, d. 8-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

873

874 Three Chinese Lacquer and Brass Chests third quarter 20th century, decorated with polychrome Mandarin scenes, set with engraved brass latches, the interiors lined with Chinese paper. h. 23-1/2”, w. 37-3/4”, d. 21-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

874

875 Near Life-Size Carved Giltwood Reclining Asian Female Figure 20th century, dressed in traditional costume with inset faux jewels and resting on a rectangular ebonized base. h. 22”, w. 62”, d. 15” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 875

307

876 Chapman Kelley (American/Texas, b. 1932) “Nude with Blue Flowers” oil on canvas signed upper left.

Framed.

24” x 24”, framed 31” x 32” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 876

877 Chapman Kelley (American/Texas, b. 1932) “Day Lilies”, 1968 oil on canvas signed and dated mid-left, titled on “Atelier Chapman Kelley” card en verso.

Framed.

24” x 20”, framed 32” x 28-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

877

308

878 Collection of Five Carved Malachite Objects 20th century, including two vessels, h. 3-3/4”, w. 6-1/4”, d.

5-3/4” and h. 3-3/4”, w. 6”, d. 5”, two eggs and a lemon.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

878

879 Suite of Twelve George III-Style Mahogany Dining Chairs in the Chippendale taste, comprised of two armchairs and ten side chairs, each with a shell- and leaf-carved top rail over a pierced splat, fluted and stop-fluted stiles and cabriole legs on ball-and-claw feet, the slip seats upholstered in needlework. armchair h. 39-1/4”, side chair h.

38-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

879

880 Herend “Rothschild Bird” Porcelain Partial Dinner Service 20th century, Hungarian, the set including twenty dinner plates, dia. 11”, thirteen crescent salad plates, w. 7-1/2”, d.

5-1/2”, a pair of wine bottle coolers, h. 6-3/4”, dia. 6-3/4”, a fish platter, w. 24”, d. 9-1/4”, a soup tureen, h. 11-1/4”, w. 13-1/2”, a leaf dish, w. 5-1/4”, d. 4”, and a small coffeepot, h. 7-3/4”, w.

6-1/4”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

880

309

881

881 Extensive Partial Bayel “Palais with Gold Trim” Stemware Service third quarter 20th century, French, the service including twelve water goblets, h. 6-1/4”, fourteen wine goblets, h. 5-1/4”, twelve iced tea glasses, h. 7-1/2”, nine champagne flutes, h.

6-1/4”, twelve champagne coupes/tall sherbets, h. 5”, twelve cordial glasses, h. 4-1/4”, twelve highball glasses, h. 5”, twelve double old-fashioned glasses, h. 4”, eleven finger bowls, h.

2”, dia. 4-1/2”, with twelve underplates, dia. 6”, a decanter and stopper, h. 12-1/2”, dia. 5”, and a pitcher, h. 8-1/4”, w. 6”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 882 Interesting Mid-Century Modern Lucite Bar Cart

883 Three Three Mid-Century Lucite Ice Buckets two attributed to Alessandro Albrizzi, each with sliding, pivoting covers, the collection including a hexagonal example, h. 10-3/4”, dia. 12-1/4”, a cube-form example with a spherical interior, h.

7-1/2”, w. 7-1/2”, d. 7-1/2”, and a labeled "Grainware Carlisle" rectangular example with beveled corners, h. 9”, w. 6-1/4”, d.

6-1/4”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 884 Collection of Seven Steuben Crystal Vases

model 4093, polished and matte finished, with tubular lucite railings and a mirrored lucite shelf above a clear lucite lower shelf, fastened throughout with rattan wraps and raised on casters. h. 32”, w. 39”, d. 23”

20th/21st century, Corning, New York, including a vase from their “Ox Collection”, engraved with the Great Seal of the United States, a rose vase designed by George Thompson, a spiral vase designed by Donald Pollard, a whirlpool vase designed by Donald Pollard, a swirled vase engraved with initials and dated 1968, a vase with scrolled hands and an associated pierced cover, and a vase engraved with the Russian coat of arms. h. 6-1/2” to 14-1/4”, dia. 5” to 7”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$800-$1,200

$800-$1,200

883

882

884

310

885 Set of Fourteen Le Tallec Service Plates 20th century, the Tiffany & Co.-retailed plates decorated with a gilt and white hexagonal grid pattern, the backs with the “Le Tallec” blue script mark and “Tiffany & Co, Private Stock, Hand Painted, Made in France” in rouge-de-fer and “01/663” pattern number. dia. 10-3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 886 Pair of Regency Giltwood and Marble-Top Console Tables

885

19th century, each with an inset demi-lune marble top within a rope-carved border, raised on square supports headed by ram’s-head capitals, joined by a bowed stretcher and ending in splayed foliate legs ending in hoof feet. h. 32”, w. 18-1/2”, d. 9-1/2” $1,200-$1,800 887 Pair of French Cut Crystal and Gilt-Bronze Urns mid-20th century, in the Empire taste, the campana-form strawberry- and panel-cut urns, possibly Baccarat, fitted with gilt-bronze ram’s-head-molded handles and egg-and-dart rims, on fluted bronze bases supported on matching cut glass plinths with leaf-molded bronze trim, formerly mounted as lamps. h. 20-1/4”, w. 8”, d. 8-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

886

888 French Gilt-Bronze Encrier ca. 1900, in the Renaissance taste, the base raised on paw feet and set with two inkpots with hinged covers, the pierced backplate set with a pen holder beneath a satyr masque, the sides molded with dragons. h. 8”, w. 15-3/4”, d. 6-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

887 888

311

889

892

890

889 Exceptional French Empire Gilt-Bronze Clock first quarter 19th century, the clock supported by a pair of Eros figures, with a crest depicting a rose blooming with an emerging angel, with a rectangular tablet mounted with figures of Venus and Adonis, supported on swan-form feet, on a gilt-bronze plinth set on bun feet, mounted with a silk-string suspension movement. h. 21”, w. 15-1/2”, d. 6” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 890 French Belle Epoque Gilt-Bronze Mantel Clock fourth quarter 19th century, in the Louis XV taste, set with an enamel dial, the top with an urn-form finial, lion’s-head ring pulls on the sides, supported on leaf-molded scrolls against a pierced gridwork ground, set with signed “Vincenti et Cie” works. h. 16”, w. 6-1/2”, d. 5-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 891

891 George III-Style Giltwood Mirror

892 Queen Anne-Style Walnut Games Table

20th century, the oval mirror with a cove-molded surround trimmed with fluting, and set with a dramatic crest depicting a reeded urn of carved leaves supporting carved swags, scrolling and draping down the sides, the lower portion carved with crossed sheaves of wheat secured with a carved medallion. h. 49-1/2”, w. 22”

the square top with an inset leather surface with projecting dished corners, above a conforming frieze fitted with a single drawer, raised on tapering circular legs ending in pad feet. h. 30”, w. 34-1/2”, d. 34-1/2”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$800-$1,200

$1,000-$1,500

312

893 Pair of Chinese Famille Verte Porcelain Vases on Stands 20th century, the vases with floral decor and exotic birds, each with a Chinese teal-glazed porcelain garden seat as a stand. vase h. 24-1/2”, dia. 9”, stand h. 18”, dia. 11” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 894 Pair of Chinese Porcelain Vases 20th century, with applied dragons and figures in traditional costume. h. 18-1/2”, dia. 8” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 895 Queen Anne-Style Walnut Lowboy

893

19th century, the banded rectangular top above a conforming case fitted with a central drawer flanked to either side by a small deep drawer, raised on cabriole legs ending in pad feet. h. 27”, w. 30”, d. 19-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 896 Pair of Chinese Blue and White Porcelain Garden Seats on Stands 20th century, of traditional form with reserves of women in a lush garden setting. seat h. 18”, dia. 13”, overall h. 27”

895

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

894

896

313

897 Large Pair of Chinese Ming-Style Blue and White Porcelain Lidded Jars on Stands 20th century, each with a dragon motif and four tall loop handles. jar h. 35-1/2”, dia. 14”, overall h. 44” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 898 Pair of Chinese Blue and White Porcelain Ancestral Figures 20th century, the man seated in a dragon armchair and the woman seated in a rooster armchair. h. 15”, w. 9-1/2”, d. 5” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

897

$1,000-$1,500 899 Pair of Chinese Blue and White Porcelain Figures 20th century, each depicting an elder seated with legs crossed and cloaked in a robe. h. 16”, w. 9”, d. 7” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 900 Set of Four Chinese Blue and White Porcelain Pricket Candlesticks 20th century, each with an unusual lantern-style base. h. 9-1/2”, dia. 4”

898

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

900

314

899

902 901

901 Set of Twelve Chinese Blue and White Porcelain Zodiac Figures 20th century. h. 9” to 10-1/2”, w. 3-1/4”, d. 3” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 902 Pair of Large Chinese Blue and White Porcelain Chargers 20th century, decorated with portraits of Chen Shubao and Shen Wuhua, the borders decorated with cranes, gourds, vases of plum blossoms and various characters, with a Chinese fret-decorated rim, the bottom with character marks. dia. 24-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

903 Louis XVI-Style Mahogany Writing Desk early 20th century, the rectangular top with an inset leather writing surface and projecting corners within an ormolu band, above a conforming frieze fitted with three drawers, all with ormolu guilloche-patterned panels, raised on stop-fluted tapering circular legs ending in brass caps. h. 30”, w. 49-1/2”, d. 27-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 904 Vista Alegre “Via3” Partial Dinner Service 20th century, Portuguese, in the Empire taste, with a rustground border, the service including a soup tureen, h. 10-1/2”, w. 15-1/2”, d. 11-3/4”; and underplate, w. 16”, d. 12-1/2”; a platter, w. 16”, d. 12-1/2”; and twelve dinner plates, dia. 10”, each marked.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$800-$1,200

$800-$1,200

903

904

315

905 Royal Crown Derby “Red Aves” Partial Dinner Service pre-1997, English, the set including twentytwo dinner plates, dia. 10-3/4”, twenty rim soup bowls, dia. 8-1/2”, two salad plates, dia. 8-1/2”, two cake plates, dia. 9-3/4”, and four coupe cereal bowls, dia. 6-1/2”, each piece marked with various marks and dates.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 905

906 Louis XV-Style Giltwood Mirror first quarter 20th century, the oval mirror plate with a rope-twist surround, the pierced and scrolled frame decorated with leaves and acorns, the crest with a pair of scrolls, set with a pineapple finial on a leaf-carved support. h. 56”, w. 34” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 907 German Automaton Bird Box first half 20th century, the gilt-bronze box decorated with delicate scrollwork, the top with an oval hinged cover, opening to reveal a singing bird, the bottom marked “Made in Germany”, with a bird-shaped winding key. h. 1-3/4”, w. 4-1/4”, d. 2-3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 908 English Elizabethan Revival Zebrawood and Brass Tea Caddy mid-19th century, the rectangular caddy mounted with brass strapwork, the top with an engraved shield and banner, the interior set with two removable wooden tea canisters with domed zebrawood covers, set with shields with initials. h. 6”, w. 10”, d. 6”

906

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

907

316

908

909

909 Pair of French Sevres-Style Plates with Napoleonic Views ca. 1900, hand-painted with views identified on the back, “Leipzig” and “Passage de la Linz”, the cobalt borders decorated with raised gilt “N’s” and laurel wreaths, the backs with spurious “Impressed de Sevres” marks. dia. 9-1/4”

910

911 French Patinated Bronze and Siena Marble Figure of Napoleon

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

fourth quarter 19th century, probably after “Napoleon Crossing the Alps”, by Jacques-Louis David (French, 17481825), modeled with Napoleon astride his horse, on a Siena marble base with patinated bronze trim. h. 16”, w. 7-1/2”, d. 4”

$800-$1,200

$1,000-$1,500

910 French Patinated Bronze and Marble Figure of Napoleon

912 Pair of Marble Obelisks

fourth quarter 19th century, the figure standing on a plinth decorated with a Napoleonic eagle, on a cove-molded Siena marble base. h. 11-1/4”, w. 4-1/2”, d. 4-1/2”

20th century, the mottled rouge marble obelisks above rectangular plinths and stepped bases. h. 20”, w. 5”, d. 5”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

911

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

912

317

913

913 Collection of Seventeen Rosenthal Versace Harlequin Chargers

915 Three English Mahogany Tea Caddies

20th century, German, each in the original box, the collection including three “Les Tresors de la Mer”, two “Medusa”, three “Le Roi Soleil”, two “Le Jardin des Papillon”, one “Gold Ivy”, one “Christmastide 2000”, one “Barocco”, one “Le Roi Balthasar 1996”, one “Le Voyage de Marco Polo”, one “A World of Peace, 1999” and one “L’ange Gabriel 1995”. dia. 12-1/4”

19th century and later, including a dome-top example, crossbanded and set with pressed brass ring pulls, the interior with two removable inlaid mahogany caddies, flanking a round opening for a mixing bowl, h. 7”, w. 12”, d. 6-1/4”, a casketform example in the William IV style, h. 6”, w. 9-1/2”, d. 5”, and a rectangular example inlaid with a conch shell, the hinged cover concealing a single interior lidded compartment, h.

4-3/4”, w. 5-1/4”, d. 4-1/2”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$1,200-$1,800

$800-$1,200

914 Pair of Provincial Louis XV-Style Fruitwood Side Tables early 20th century, each with a shaped and banded top with rounded corners, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in pad feet. h. 32”, w. 46”, d. 22” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

915

$1,000-$1,500

914

318

916

916 Sanborns Sterling Silver Tea Set third quarter 20th century, Mexico City, Mexico, including: a teapot, h. 9-1/2”, l. 11-1/2”; a coffeepot, h. 9-1/2”, l. 8-3/4”; a kettle-on-stand, h. 13-1/2”, l. 11-1/4”; a covered sugar bowl, h. 6”, w. 6-1/2”; a cream jug, h. 6”, l. 5-1/2”; a waste bowl, h. 3-1/4”, dia. 4-3/4”; and a tray, 2-1/4” x 19-1/4”; of lobed ovoid form with reeded serpentine banding, domed lids with toupie finials and crested C-scroll handles, the oval tray lobed and banded en suite and raised on four feet.

325.41 total t. oz.

Provenance: Descended in the family of Rafael C. and Ethel Regan Goyeneche, Sr., Mexico City, Mexico; Havana, Cuba; and New Orleans, Louisiana.

916 detail

$4,000-$7,000

917 Spanish Silver Tureen mid-20th century, by Lopez of Madrid, first standard (.915) silver, of bulbous circular form, decorated with repousse floral swags with applied putti-crested acanthus feet and stirrup handles, the domed and waisted lid decorated en suite and with floriform finial. h. 8-3/4”, dia. 9-1/2”, w. 12”; 58.09 t. oz. $1,000-$1,500

917

319

918 Set of Twelve Mexican Sterling Silver Beakers third quarter 20th century, by Juventino Lopez Reyes, Mexico City, each of plain tapering cylindrical form. h. 4-3/4”, dia. 3”, 74.56 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 918

919 Two Pieces of South American Silver Tableware mid-20th century, including: a Colombian fruit bowl, .900 silver, circular with shaped repousse acanthus rim, “C”-scroll handles and button feet, h.

3-3/4”, dia. 11-1/2”; and a Peruvian platter, .925 silver, circular with “pie-crust” rim and hammered finish, dia. 16”.

71.43 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 920 Mexican Sterling Silver Tea Set third quarter 20th century, by S.P.U. De. O., the tray by S.Z.S., Mexico City, including: a teapot, h. 8-3/4”, l. 9-1/4”; a coffeepot, h. 10”, l. 8-1/2”; a covered sugar bowl, h. 5”, w. 5”; a cream jug, h. 3-3/4”, l. 4-3/4”; and a waste bowl, h. 2-1/4”, dia. 3-3/4”; each of lobed pear form with crested handle and openwork scroll foot-ring; and a tray 24-1/2” x 16-3/4”, with lobed rim and stirrup handles.

170.69 total t. oz.

919

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $3,000-$5,000

920

320

921

921 Pair of Italian Polychromed Commodes 20th century, in the rococo taste, each with a shaped top above a conforming bombe case fitted with two drawers, raised above a scalloped apron on cabriole legs ending in pad feet. h. 30-1/2”, w. 33-1/2”, d. 20”

923

923 Pair of Amusing Carved, Painted and Parcel-Gilt Whippets Mounted with Vases

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

20th century, the whippets seated on tasseled cushions and mounted with celadon green urns decorated with gilt reeding, above lotus-carved gilt sockets. h. 49-1/2”, w. 12-3/4”, d. 18”

922 Pair of Handsome Italian Giltwood Mirrors ca. 1900, in the Baroque taste, each with a rectangular mirror plate in an ogee surround, the airy pierced crest decorated with rocaille-carved scrollwork accented with flowerheads, the lower portion pierced and leaf-carved and centered with a single flowerhead. h. 54”, w. 46-1/4”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

922

321

924 Suite of Ten Louis XIII-Style Upholstered and Fruitwood-Stained Dining Chairs each tall back with an arched top rail, and raised on shaped legs joined by a serpentine H-form stretcher. h. 45-3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

924

925

925 Pair of Georg Jensen Sterling Silver Compotes Copenhagen, Denmark, designed in 1918 by Georg Jensen (1866-1935), pattern number 263A, each with a shallow bowl above hanging grape clusters, a spiral-twist stem and domed foot. h. 5”, dia. 5”; 16.86 total t. oz. $1,000-$1,500

926 Set of Eight Georg Jensen Sterling Silver Beakers

926

third quarter 20th century, Copenhagen, Denmark, pattern number 1200, each of slightly tapering cylindrical form. h. 5-1/4”, dia. 3”; 97.83 total t. oz. $2,000-$4,000

927 Rosenthal “Romanze” Sterling Silver Flatware Set the pattern designed in 1969 by Bjorn Wiinblad (1918-2006), Selb, Germany, including eleven five-piece place settings and an additional six place pieces and eight serving pieces, presented in a fitted, indigo satin-lined, cream faux alligator-covered case.

69 pieces (plus case) 93.35 total t. oz. (weighable silver) Detailed list of pieces available on request.

927

322

$1,400-$1,800 927 detail

928 Rare and Unusual Silverplate and Mahogany Cocktail Caddy second quarter 20th century, the canted rectangular base with an arched double-strap handle, the upper one lifting the four rings to release the four small cocktail shakers, each in the form of a milk can, the gilt cap with adjustable dial to identify the contents (Side Car, Old Fashioned, Alexander, Bronx, Clover Club, Cosmopolitan, Manhattan, Martini, Orange Blossom or Own Choice) and inverting for use as a cordial. shakers h. 6-1/2”, dia. 2-1/2”; overall h. 9-1/2”, w. 5-3/4” $1,500-$2,500 929 Judith Leiber Sterling Silver Butterfly Vase

928

made in Italy for Judith Leiber, New York, the tall pear-shaped vase with everted rim and set with three multicolor crystal butterflies in shades of blue and gold, the underside marked “Judith Leiber / 925 / Italy”. h. 14”, dia. 5”; 29.34 t. oz. $1,000-$1,500 930 Seven Cartier Sterling Silver Baskets

929 detail

fourth quarter 20th century, each of square form and made of woven strap silver, with strap handle, one gilt. h. 3-1/4”, l. 2-1/2”; 10.56 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 931 Silverplate Golf Bag Cocktail Shaker

929

second quarter 20th century, by the Derby Silverplate division of International Silver Co., Derby, Connecticut, designed by George Henry Berry (1867-1940), in the form of a realistically detailed golf bag. h. 13-1/2”, dia. 3-1/2” Literature: Stephen Visakay, Vintage Bar Ware (Paducah, Kentucky: Collector Books, 1997), pp. 40-41 (illustrated).

Simon Khachadourian, The Cocktail Shaker (London: Philip Wilson, 2000), pp. 31 & 34 (illustrated). $1,400-$1,800 931

930

930 detail

323

932 Twelve Silverplate Figural Cat Napkin Rings contemporary, cast and assembled from vintage elements, with floral, foliate, grapevine and spiral rings, with various cats (tabby, longhair, etc.), in a variety of playful poses with slide, sun hat, see-saw, ball of yarn, etc., some playing with other animals (squirrel, rabbit, birds, piglet and dachshund). l. 3” to 5” $1,200-$1,800 933 Twelve Silverplate Figural Dog Napkin Rings contemporary, cast and assembled from vintage elements, with floral, foliate, grapevine and spiral rings, with various dog breeds (Shih Tzu, bulldog, dachshund, spaniel, husky, etc.), including four carriage type with wheels, three articulated seesaw examples, others with slide, bench, pillow and water bowl.

2-3/4” to 4-1/2”

932

$1,200-$1,800

934 Twenty-Four Tiffany Sterling Silver Gilt Frog Salt and Pepper Shakers

933

hallmarked London, 1967-1971, four pairs with glass eyes and eight pairs with plain eyes. h. 2”, w. 1-3/4”; 85.52 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

934

324

935

937

936

935 Turkish Oushak Carpet

936 Agra Serapi Runner

937 Laristan Mahal Carpet

10’ x 14’

2’ 6” x 24’

9’ 9” x 13’ 9”

$1,000-$1,500

$1,000-$1,500

$1,000-$1,500

325

938

940

939

938 Agra Sultanabad Carpet

939 Semi-Antique Tabriz Carpet

940 Persian Nain Runner

10’ 1” x 13’ 10”

3’ 3” x 5’

2’ 10” x 12’ 1”

$2,000-$4,000

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$1,000-$1,500

$1,000-$1,500

326

942

941

943

941 Persian Carpet

942 Two Uzbek Kazak Carpets

943 Kazak Carpet

8’ 2” x 11’ 5”

3’ 9” x 5’ 11” and 3’ 11” x 6’

6’ 3” x 7’ 4”

$1,000-$1,500

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$4,500-$7,000

$1,000-$1,500

327

944 Philadelphia Coin Silver Coffeepot second quarter 19th century, by Robert & William Wilson, of paneled pearshaped form, with acanthus-crested and engraved “gooseneck” spout with arched handle en suite, the domed lid within milled leaf-and-dart banding and surmounted by a figural bird and flower finial, raised on four acanthus scroll feet, monogrammed “RMS”. h. 10-1/2”, l. 10-1/2”; 47.49 t. oz. $1,000-$1,500 945 Important 19th-Century Tiffany & Co. Sterling Silver Tea Set third quarter 19th century, by Grosjean & Woodward for Tiffany & Co., New York, New York, including: a coffeepot, h. 11-1/4”, l. 9-3/4”; a teapot, h. 9-3/4”, l. 9-1/4”; a covered sugar bowl, h. 8”, w. 7-1/2”; a cream jug, h. 7-1/4”, l. 5-1/2”; and a waste bowl, h. 4-3/4”, dia. 6”, each with a pear-shaped body decorated with textured wavy basket pattern, with shield-mounted oval cabochons, raised on a circular foot with rope-twist edge, the pots with gooseneck spout and arched handle en suite, the domed lids with coronal finials; together with an unmarked silverplate tray with gadrooned edge and handles, the plateau with wide engraved arabesque band, 30” x 20”, each piece monogrammed “CARW”.

128.12 total t. oz. (excluding silverplate tray)

944

Provenance: Cornelius R. Wortendyke and & wife, Ann Berdan Wortendyke; to their daughter Rachel A. Wortendyke (Mrs. James Anderson); to their son Cornelius Wortendyke Anderson; to his daughter Margaret Anderson (Mrs. Eugene Franklin Emmons) thence by descent in the family to the consignor $7,000-$10,000 This magnificent set was made around 1852 by John Hoit Woodward (1812-1891) & Charles Grosjean (ca. 18191865), who were among a handful of suppliers of fine silver to Tiffany & Co. before the Civil War. (One of these suppliers, John C. Moore would become the exclusive supplier around 1860 and go on to create Tiffany’s in-house manufactory.) Woodward was a native of Massachusetts and Grosjean of Bavaria, Germany, and their output was a successful blending of New England forms and exuberant German decoration.

945

The original owners of the set were Cornelius R. Wortendyke (1812-1877) and his wife Ann Berdan (1812-1879). Wortendyke was a wealthy ice merchant, and both he and his wife were scions of old Bergen county New Jersey families. The couple were married in the Greenwich Dutch Reformed Church in New York City on February 15, 1832. They had two daughters, Margaret Wortendyke (1832-1884) and Rachel A. Wortendyke (1835-1870), and divided their time between their houses in New York and Bergen county.

Given the date, it is likely that this set was a twentieth wedding anniversary commemorative piece for the family. A short time later, in 1858, Wortendyke commissioned portraits of the entire family from Brooklyn artist James C. Platt. Rachel Wortendyke married commission merchant James Anderson (ca. 1838-1903) on February 11, 1867, in Bergen county. Sadly, in the next decade she would lose her sister, father and mother and inherit all of the family property, including the tea set. It has descended among the family to the present.

328

945 detail

946

946 Bailey & Co. Coin Silver Tea Set third quarter 19th century, Philadelphia, Pennsylvania, including: two teapots, h. 11”, l. 10-1/2”; a coffeepot, h. 12-3/4”, l. 10-3/4”; a covered sugar bowl, h. 9”, w. 9”; a cream jug, h. 8”, l. 5-1/4”; and a waste bowl, h. 5-3/4”, dia. 6-1/8” each with an ovoid bowl decorated with repousse floral swags and milled Greek-key rim and beaded edges, with crested C-scroll handles, gooseneck spouts and vasiform finials.

150.79 total t. oz.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

947

$2,000-$4,000

947 Good American Sterling Silver Serving Platter first quarter 20th century, by Black, Starr and Frost, New York, New York, of oval form with milled beaded laurel rim and removable carved wood “well-and-tree” insert. l. 26”, w. 15”; 81.16 t. oz. (excluding insert) $1,800-$2,500

947 detail

948 Set of Twelve Sterling Silver Water Goblets mid-20th century, by International Silver Co., Meriden Connecticut, each with an ovoid body and molded rim, and raised on a pedestal foot. h. 6-1/8”, dia. 3-5/8”; 73.65 total t. oz. $1,200-$1,800

948

329

949 Dominick & Haff/Reed & Barton “Pointed Antique” Sterling Silver Tea Set

949

1936-1940, Taunton, Massachusetts, including: a teapot, h. 8”, l. 9-1/2”; a coffeepot, h. 9-1/2”, l. 9-3/4”; a covered sugar bowl, h. 6-1/4”, w. 6-1/2”; a cream jug, h. 5-1/4”, l. 5-1/4”; a waste bowl, h. 4-1/2”, dia. 4”; and a tray, 24-1/2” x 17” each piece monogrammed “BBS” for Bonnie Bolding Swearingen.

160.5 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

949 detail

$5,000-$8,000 950 Durgin “Fairfax” Sterling Silver Tea Set first quarter 20th century, Concord, New Hampshire, including: a coffeepot, h. 7”, l. 10-1/4”; a teapot, h. 4-1/2”, l. 10-3/4”; a covered sugar bowl, h. 4-1/4”, w. 7-3/4”; a creamer, h. 3-3/8”, l. 6-3/4”; and a waste bowl, h. 2-7/8”, w. 5-1/4”; each piece monogrammed “H”.

61.72 total t. oz. $1,200-$1,800

950

330

951

951 Large American Sterling Silver Dinner Service first quarter 20th century, by Barbour Silver Co., Meriden, Connecticut, comprising: twelve bread and butter plates, dia. 6-1/4”; twelve service plates, dia. 12”; three graduated oval serving platters, 10-1/4” x 14”, 16” x 12” and 13-1/2” x 17-3/4”; a sauceboat on stand, h. 4”, l. 8-1/4”; a covered entree dish, h. 5-1/8”, l. 10-1/2”, w. 8-1/2”; and a covered vegetable dish, h. 5”, l. 12-1/2”, w. 8-1/4” all decorated with richly engraved floral scrolls and monogrammed “DST”.

32 pieces total 381.72 total t. oz. $6,000-$9,000 952 Set of Six Gorham Sterling Silver Gilt Service Plates

952

first quarter 20th century, Providence, Rhode Island, each circular with serpentine-lobed rococo edge, the rim decorated with embossed cartouches and fruit joined by ribboned swags. dia. 10-1/2”; 119.66 total t. oz. $2,000-$4,000 953 American Sterling Silver Gilt Flower Bowl first quarter 20th century, by Black, Starr and Frost, New York, New York, the large circular bowl with deeply everted and shaped rim decorated with openwork floral rococo scrolls, raised on a shallow foot ring. h. 4-3/4”, dia. 14-1/4”; 83.77 t. oz.

953

$1,400-$1,800

331

954 Large Gorham Sterling Silver Trumpet Vase 1926, Providence, Rhode Island, decorated with a band of engraved floral swags above tall wrigglework gadroons, the pedestal foot en suite, h. 23-3/4”, dia. 8”; 66.10 t. oz. $1,800-$2,500 955 Towle Sterling Silver Tea Set first quarter 20th century, Newburyport, Massachusetts, including: a coffeepot, h. 9”, l. 9-1/2”; a teapot, h. 6-1/2”, l. 10-1/4”; a covered sugar bowl, h. 5-1/4”, w. 7-1/2”; and a cream jug, h. 5-1/2”, l. 4-3/4”; each of rounded square section with waisted collar, conforming domed lid with vasiform finial, and squared handle, monogrammed “G”, together with: a third quarter 19th century silverplate “Vintage” tray, with applied edge and flat-chased plateau, monogrammed “G”, 22-1/2” x 14-1/2”.

52.11 total t. oz. (excluding tray) $1,400-$1,800

956

954

956 American Sterling Silver Water Pitcher designed in 1909 by Charles Graff for Graff, Washbourne & Dunn, New York, New York, the serpentine-lobed, inverted pear-shaped body decorated with scroll-framed floral cartouches, the integral spout with applied rococo rim, the foot decorated with laurel swags and floral cartouches on openwork trellises, h. 11-1/4”, l. 10”, dia. 6-1/4”; 48.02 t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 955 detail

955

332

957 detail 957 detail

957

957 detail

957 Very Large Reed & Barton “Francis I� Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, comprising a dozen twelve-piece place settings and a further twenty-six-piece place settings, with an additional two hundred and twenty place pieces and twenty-four serving pieces, no monograms.

508 pieces total 655.42 total t. oz. (weighable silver) Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Detailed list of pieces available on request. $12,000-$18,000 957 detail

333

958 Set of Twelve Reed & Barton “Francis I” Sterling Silver Service Plates the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts. dia. 10-3/4”, 203.03 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $4,000-$7,000 959 Five Pieces of Reed & Barton “Francis I” Sterling Silver Hollowware

958

the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including: a pair of bread trays, l. 11-3/4”, w. 7-1/2”; a pair of medium compotes, h. 4-3/4”, dia. 8”; and an oval vegetable dish, h. 2-1/2”, l. 12-3/4”, w. 9-3/4”.

74.68 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 959

960 Wallace “Grand Baroque” Sterling Silver Tea Set the pattern designed in 1941 by William S. Warren (18881965), Wallingford, Connecticut, including: a teapot, h. 9-1/4”, l. 10-1/4”; a coffeepot, h. 11”, l. 9-3/4”; a covered sugar bowl, h. 8”, w. 6-1/2”; a cream jug, h. 6-1/8”, l. 5-1/2”; a waste bowl, h. 4-1/2”, dia. 4-3/4”; and a tray, 29-1/4” x 19-1/2”.

229.55 total t. oz.

961

$5,000-$8,000 961 Set of Six American Sterling Silver Mint Julep Cups second quarter 20th century, by the Manchester Silver Co., Providence, Rhode Island, of traditional form with reeded rim and foot. h. 3-3/4”, dia. 2-7/8”; 24.32 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

960

334

962 Reed & Barton “Burgundy” Sterling Silver Flatware Set the pattern introduced in 1949, Taunton, Massachusetts, comprising eight eight-piece place settings (three pieces lacking) with an additional twenty-one place pieces and seven serving pieces.

89 pieces total 105.4 total t. oz. (weighable silver) Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Detailed list of pieces available on request.

962

$1,400-$1,800

963 Reed & Barton “Georgian” Sterling Silver Tea Set 1935-1937, Taunton, Massachusetts, including a coffeepot, h. 11-1/2”, dia. 4-3/4”, a teapot, h. 9”, dia. 4-3/4”, a cream jug, h. 4-3/4”, dia. 3-1/4”, a covered sugar bowl, h. 6”, dia. 4-1/4”, and a waste bowl, h. 3-1/2”, dia. 4-1/4”, presented on an associated Reed & Barton silverplate tray, 30-1/4” x 19-1/4”, each piece monogrammed “LHL”; the hollowware additionally inscribed “Loving” and with presentation date “June 5 ‘37” on the underside.

110.79 total t. oz. $1,500-$2,500

962 detail

962 detail

963

335

964

964 Simon Gunning (American/Louisiana, b. 1956) “Esplanade Avenue”, 1990 oil on canvas signed lower right.

Thin, wood gallery frame.

54” x 78”, framed 55” x 79” Provenance: Private collection, Houston, Texas. $20,000-$40,000 965 Allison Stewart (American/Louisiana, b. 1941) “Lafitte”, 2010 oil on gallery-wrapped canvas signed, titled and dated en verso.

47-1/2” x 60” $3,000-$5,000 965

336

966 Donald Roller Wilson (American/Arkansas, b. 1938) “Leo”, July 31, 1974 oil on canvas signed, dated and titled lower left.

Framed.

20” x 20”, framed 28” x 28” Provenance: Private collection, Houston, Texas. $4,000-$7,000

966

967 Charles Henry Reinike (American/Louisiana, 1906-1983) “Two Nudes in a Garden” mixed media on board signed lower right.

Framed.

48” x 32”, framed 55” x 40” Provenance: Reinike Gallery, Inc., New Orleans, Louisiana. $1,000-$1,500

967

968 Charles Henry Reinike (American/Louisiana, 1906-1983) “Oil Rig” mixed media on board signed lower right.

Framed.

48” x 40”, framed 56” x 48” Provenance: Reinike Gallery, Inc., New Orleans, Louisiana. $1,000-$1,500

698

337

696

969 Allison Stewart (American/Louisiana, b. 1941) “Untitled Abstract”, ca. 1990 four mixed medias on handmade paper two examples signed in pencil “Stewart” lower right.

All float-mounted, glazed and in matching modern gilt frames.

14-3/4” x 15”, framed 19” x 19” $1,500-$2,500 970 William Tolliver (American/Mississippi, 1951-2000) “A Field Worker”, 1986 mixed media on paper signed and dated lower left.

Unframed.

30” x 22” $2,000-$4,000 970

338

972

971

971 Demond Matsuo (American/Louisiana, Contemporary) “Angel”, 2004 collage and mixed media on wood panel signed and dated lower right.

Unframed.

48” x 24” $1,000-$1,500 973

972 Saliha Staib (French/Louisiana, Contemporary)

973 Saliha Staib (French/Louisiana, Contemporary)

“Untitled - Figure”, 2006

“Untitled - Nude”

oil on masonite signed and dated lower right.

Framed.

24” x 24”, framed 27-3/4” x 27-3/4”

oil on masonite unsigned.

Framed.

32” x 23”, framed 36” x 27”

$1,000-$1,500

$1,000-$1,500

339

974 James Michalopoulos (American/Louisiana, b. 1951) “Lap Dance”, 2010 oil on canvas signed, dated and localized “New Orleans” en verso canvas, titled in ink on bottom stretcher.

Framed.

28” x 36”, framed 28-1/2” x 37-1/2” $2,000-$4,000

974

975 Rolland Harve Golden (American/Louisiana, 1931-2019) “L’Automne en Louisiana”, 2002 oil on canvas signed and dated lower right.

Framed.

30” x 24”, framed 34” x 28” Exhibited: Crescent Gallery, “November in Louisiana and France”, March 7-27, 2003.

Illustrated on the cover of the March/April 2003 issue of Gulf Coast Arts & Entertainment Review magazine. $1,000-$1,500

975

976 William Tolliver (American/Mississippi, 1951-2000) “Horses” oil on wood panel signed lower left.

Framed.

48-1/2” x 84”, framed 52” x 87-1/2” $2,500-$4,000

340

976

977 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Untitled Portrait in Profile”, 1985 oil and pastel on paper signed and dated “85” upper right.

Glazed and presented in a giltwood frame. sight 10” x 8-1/2”, framed 13-1/4” x 11-3/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 977

978 Margaret Evangeline (American/Louisiana/New York, b. 1943) “Persephone Series” oil on wood panel signed and titled en verso.

Unframed.

40” x 36” $3,000-$5,000

978

979 Doyle Gertjejansen (American/Louisiana, b. 1948) “Pandora”, 2006 acrylic on gallery-wrapped canvas adhered to board signed, dated, and titled en verso.

Unframed.

26” x 36” $1,500-$2,500

979

341

980 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) “Pillow with Hat” mixed media soft sculpture presented in a plexiglass display case. sculpture h. 12”, overall h. 13-3/4”, w. 10”, d. 10” Provenance: Matthew Clayton Brown, New Orleans, Louisiana; Private collection. $1,000-$1,500 981 Harold E. Carney (American/Louisiana, 1929-1985) “Landscape”, 1962 oil on canvas signed and dated lower right and en verso.

Framed.

36-1/2” x 39-1/2”, framed 37-1/2” x 40-1/2”

980

$1,000-$1,500

981

8 342

982 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Untitled” oil on canvas signed upper mid-right.

In a thin gallery frame.

35-1/8” x 35-1/8”, framed 35-3/4” x 35-3/4” $4,000-$7,000 983 Bill Wiman (American/Texas, b. 1940) “Artists Afterimage”, 1973 oil on canvas signed, dated and titled en verso.

Framed.

24” x 26”, framed 25-1/2” x 27-1/4” $1,500-$2,500 984 Clementine Hunter (American/Louisiana, 1886/87-1988) “Pecan Threshing”

982

oil on galvanized milk jug monogrammed. h. 8-1/2”, dia. 5-1/2” $1,800-$2,500

983

984

343

985 Suite of Four Hollywood Regency Gold-Leafed Steel Chairs 20th century, with tubular steel frames, each having an arched back with a central oval latticework panel and a round cushion seat covered in faux leopard velvet fabric. h. 44”, w. 17”, d. 17” $1,000-$1,500 986 Pair of French Giltwood, Gilt-Bronze and Mirror Glass Sconces second quarter 20th century, possibly Maison Jansen, of neoclassical inspiration, each three-light sconce with a mirrored quiver-form giltwood-framed backplate set with gilt-bronze scrolled candle branches terminating in turned candle cups and foliate drip pans. h. 21-1/4”, w. 10-1/2”, d. 6-1/2”

987

$1,000-$1,500 987 Zebra Rug w. 69”, l. 103” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 988 Zebra Rug w. 69”, l. 120” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

988

$1,000-$1,500

986

344

985

989 Pair of French Beaux-Arts Polished Bronze Hall Lanterns first quarter 20th century, each five-light cylindrical lantern framed with ribbon-bound reeded supports, the standard supported with scrollwork, with leaf-molded scrolled candle arms terminating in beaded candle cups and drip pans. h. 40”, dia. 15-3/4” $2,500-$4,000

989

990 French Neoclassical Giltwood Floor Lamp second quarter 20th century, with double sockets supported on an acanthus leaf-decorated urn, above a fluted standard, the base with beading, reeding and leaf molding, on a tripodal base with Greek fret-carved feet. h. 73-1/2”, dia. 15-1/2” $1,000-$1,500 991 Directoire-Style Gilt-Metal and Mirrored Glass Cocktail Table the rectangular mirrored top within an annulated border and raised on legs modeled as stylized cornstalks, joined by an X-form stretcher. h. 17-1/2”, w. 52”, d. 22” $1,000-$1,500 990

991

345

992 Contemporary Leather Sofa the back with a pair of loose cushions, the seat with a single cushion, the base with a matching skirt, in tan leather, by Lee Industries, North Carolina. h. 34-1/4”, w. 75-1/2”, d. 35-1/2” $1,200-$1,800

993 (Romain de Tirtoff) Erte (Russian/French, 1892-1990) “Scheherazade”, 1990 patinated and cold-painted bronze inscribed “SevenArts Ltd., London”, dated, numbered “81/500” along back edge of base, published by Dyanson Corporation, New York and with certificate by publisher. h. 19-1/2”, w. 14-1/2”, d. 7-1/2” $2,000-$4,000

993

993 detail

346

992

994

994 Contemporary Leopard-Patterned Upholstered Pouf

995 Pair of Egyptian Revival-Style Bleached Mahogany Side Chairs

the tufted circular top above a skirted base. h. 13-1/2”, dia. 37”

each with a beaded and paneled back and shaped legs on carved paw feet, upholstered in leopard-stained hide. h. 35-1/4”

$1,000-$1,500

$1,000-$1,500

995

347

996 996

996 Lewis Carroll (British, 1832-1898) and Salvador Dali (Spanish, 1904-1989) Alice’s Adventures in Wonderland, New York: Maecenas Press - Random House, 1969, limited edition portfolio with one color etching (facing frontispiece) and twelve color heliograves with woodcut remarque on wove Mandeure paper, signed by Dali on title page, this numbered 713 on colophon, in original linen-covered clamshell portfolio with toggle closures, leather spine with gilt lettering. $4,000-$7,000 996

997 Salvador Dali (Spanish, 1904-1989) “Helen of Troy” and “Return of Ulysses” two lithograph and etching prints from “Homage to Homer”, edition of 350, each pencilsigned lower right and numbered lower left.

Both float-mounted, glazed and framed. sheet 29-3/4” x 21-1/4”, framed 38” x 30” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

997

348

998 After Salvador Dali (Spanish, 1904-1989) “La Menorah de la Paix” silver-patinated bronze copyright-marked and inscribed “David Modai 1980” along back, unsigned, on a black hexagonal base. overall h. 20-1/4”, w. 11-1/2”, d. 6” $2,000-$4,000

998

999

999 Salvador Dali (Spanish, 1904-1989) “The Persistence of Memory”, 1974 from Changes in Great Masterpieces color lithograph published by Phyllis Lucas Gallery, New York, New York pencil-signed and numbered “135/350” under color print, inscribed “Peter Lucas and dated “8/9/96” en verso.

Matted, glazed and framed.

1000

24-1/2” x 27-1/2”, framed 33-1/2” x 36” $2,000-$4,000 1000 Salvador Dali (Spanish, 1904-1989) “Paris and Helen of Troy” and “Samson and Delilah” from the Famous Lovers Suite, 1972 two color etchings each edition of 1,000 printed by Ateliers Rigal and published

by Newman, each pencil-signed and numbered lower margin “702” and “414”, respectively.

Matted, glazed and framed alike.

16-1/2” x 14-1/4” and 14-1/4” x 16-1/2”, framed 25-3/4” x 18-1/4” and 23” x 21”, respectively $1,000-$1,500

1000

349

1001 Salvador Dali (Spanish, 1904-1989)

1001

1002

“La Femme dans le Cosmos” lithograph pencil-signed lower right, unnumbered edition.

Unframed. sheet 22-1/4” x 15-1/8” $1,000-$1,500 1002 Salvador Dali (Spanish, 1904-1989) “La Femme dans le Cosmos” lithograph in colors pencil-signed lower left, from an unnumbered edition.

Unframed. sheet 19-3/4” x 13” $1,200-$1,800 1003 Henri de Toulouse-Lautrec (French, 1864-1901) “Miss May Belfort”, 1895 lithograph on wove paper monogrammed in plate lower left, published by Librarie Grund, Paris and with publisher’s blindstamp “LG” lower left.

Unframed. sheet 20-1/2” x 14-1/4”, plate 13-1/2” x 10” $2,000-$4,000

350

1003

1004

1004 Fourteen French Color Lithographs from Les Maitres de l’Affiche 1898, published by L’Imprimerie Chaix, Paris, under the direction of Jules Cheret, including works by such artists as Georges Meunier, Jules Grun, Eugene Grasset, Rene Pean and Cheret himself among others, each sheet with publisher’s blind stamp lower right, together with title page from Summer No. 30. sheet 15-3/4” x 11-1/2” $1,000-$1,500 Les Maitres de l’Affiche was a monthly subscription series which lasted from December 1895 to December 1900. Each set consisted of four reduced size full-color lithographs of well-known posters produced on fine paper.

1005 Mary Cassatt (American, 1844-1926) “Mother and Child” etching and aquatint pencil-signed lower right.

Matted, glazed and framed. sight 10-3/4” x 9-3/4”, plate 10-1/2” x 8-3/4”, framed 20-1/2” x 18” Provenance: Private Collection, Birmingham, Alabama. $4,000-$7,000

1005

351

1006 Georges Rouault (French, 1871-1958) “Nu de Profil”, 1936 etching and aquatint in colors on wove Montval paper, from the series Les Fleurs du Mal (series delayed until ca. 1950), from the unmarked edition of 250, printed

by Lacouriere, Paris in 1936.

Matted, glazed and framed. sight 19-1/2” x 13-1/2”, plate 12-1/4” x 8-1/4”, framed 25” x 19-3/4” Provenance: Private Collection, Birmingham, Alabama. $1,500-$2,500 1007 John Singer Sargent (American, 1856-1925) “Fortress, Road and Rocks”, ca. 1905/6 watercolor, gouache and charcoal on paper laid down on board unsigned.

Matted, glazed and framed. sight 11-1/2” x 17”, framed 19-3/4” x 25-1/2” Provenance: The artist; thence by descent to the artist’s sisters Emily and Violet Sargent; Sir Alec Martin, London, England, gift from above ca. 1925; by descent to Mary Martin (Lady Flett); Private collection; Christie’s online sale May 2017, lot 133; Private collection, Birmingham, Alabama.

1006

$30,000-$50,000

352

1007

1008 Andree Ruellan (American, 1905-2006) “Four Men at a Charleston Dock” and “Study for ‘River Men’ Painting” two graphites on paper each signed lower right, latter localized “Savannah” lower right.

Both unframed. former: 9-1/8” x 12”, latter: 10” x 13” $1,000-$1,500 1009 Reginald Marsh (American, 1898-1954) “Girl on Carousel” watercolor and gouache on paper signed and initialed lower right with faint illegible inscription just below, a “Frank M. Rehn Galleries/New York” and other sales labels en verso backing.

Matted, glazed and framed. sheet 10” x 8-3/4”, framed 17-1/2” x 15-1/2” Provenance: Frank M. Rehn Galleries, New York, New York, 1973; Private collection; Sotheby’s New York, March 6, 2019, lot 34; Private collection, Birmingham, Alabama. $4,000-$7,000

1008

1009

353

1010 Hiroshi Yoshida (Japanese, 1876-1950) “The Summit of Mt. Fuji”, 1928 woodblock from “Ten Views of Fuji”, pencil-signed lower right, titled lower left, with inscription along left edge and a red seal at lower left.

Matted and unframed. sight 10-1/2” x 15-1/4” $2,000-$4,000

1010

1011 Heinrich Danioth (German, 1896-1953) “Mountainous Landscape” pastel on paper signed lower right.

Matted, glazed and framed.

14” x 18-3/8”, framed 26” x 31-3/4” $1,500-$2,500

1011

1012 After Joan Miro (Spanish, 1893-1983) “La Naissance du Jour”, 1957 color lithograph signed in plate and pencil-signed and inscribed “H.C.” (hors commerce) lower margin, published by Maeght, Paris.

Matted, glazed and framed.

15-1/2” x 22”, framed 29-3/4” x 35-3/4” Literature: Catalogue Raisonne - Maeght, 1710. $1,000-$1,500

354

1012

1013 George Rodrigue (American/Louisiana, 1944-2013) “George’s Sweet Inspirations, 2000” silkscreen in colors signed in gold pen lower left, numbered “64/150” lower right.

Unframed.

22” x 17-3/4” $1,000-$1,500

1013

1014 George Rodrigue (American/Louisiana, 1944-2013) “Midnight Surprise, 2000” silkscreen in colors signed in silver pen lower left, numbered “85/150” lower left.

Unframed.

22” x 17-3/4” $1,000-$1,500

1015

1015 Alice Neel (American, 1900-1984) “Jar from Samarkand”, 1982 lithograph in colors on Arches paper published by Eleanor Ettinger Inc., New York, pencil-signed and dated lower right, numbered “81/175” and with publisher’s blind stamp lower left.

Unframed. sheet 38” x 28” $1,000-$1,500

1014

355

1016 Henry Moore (English, 1898-1986) “Eight Reclining Figures”, 1958 lithograph in colors pencil-signed and dated lower left.

Matted and framed. sight 13-1/2” x 11-1/2”, framed 24” x 19-3/4” Provenance: Private Collection, Birmingham, Alabama. $1,500-$2,500

1017 Craig McPherson (American, b. 1948) 1016

“The Rear Window”, 1984 mezzotint pencil-signed lower right, titled lower center, and numbered “102/125” lower left.

Unframed. sheet 15” x 12”, image 9” x 6-3/4” $1,500-$2,500

1017

1018 Joseph Stella (American, 1877-1946) “Flowers” crayon and silverpoint on paper signed lower center.

Matted, glazed and framed. sight 26-1/2” x 22-1/4”, framed 32-3/4” x 28-1/2” Provenance: Richard York Gallery, New York, New York, 1990; Private collection; Sotheby’s New York, April 7, 2017, lot 9; Private collection, Birmingham, Alabama. $10,000-$15,000

356

1018

1019 Susan Hauptman (American, 1947-2015) “Self-Portrait” charcoal, pastel and mesh on paper pencil-inscribed under mask at lower left.

Float-mounted, glazed and framed.

16-1/2” x 16”, framed 20” x 19-1/4” $1,000-$1,500

1019

1021 John Hartman (Canadian, b. 1950) “Woodland Interior”, 1981 pastel on gray paper initialed “H” lower left, signed, titled, dated and “Gadatsy Gallery, Toronto” label with artist, title and date en verso.

Matted, glazed and framed.

31-1/4” x 22-1/2”, framed 37” x 29-1/4” Provenance: Gadatsy Gallery, Toronto, Canada; Private collection. $1,000-$1,500

1020

1020 Georg Baselitz (German, b. 1938) “Grunes Tuch”, 1990 color lithograph pencil-signed and dated lower right, numbered “46/60” lower left.

Unframed. sheet 60” x 40” $1,500-$2,500

1021

357

1022 John Hartman (Canadian, b. 1950) “The Miraculous Rain”, 1983 oil on rag board monogrammed “H”, titled and dated on frame backing and on “Gadatsy Gallery, Toronto” label.

Presented in an acrylic float-mount frame.

37-1/2” x 57-1/2”, framed 41-1/4” x 61-1/2” Provenance: Gadatsy Gallery, Toronto, Canada; Private collection. $4,000-$7,000

1022

1023 Pair of Carved Oak Half-Columns 20th century, with delicately carved Corinthian capitals above fluted standards. h. 86”, w. 6”, d. 3-1/4” $1,000-$1,500 1024 Unique Italian Polychromed, Parcel-Gilt and Marble-Top Table third quarter 20th century, the circular top with painted scenes depicting the continents in the center and the zodiac symbols around the border, above a carved base with three large classical dolphins resting on a triangular platform, signed by the artist, “G. Cavatorta” and “ROMA”. h. 31”, dia. 50” $2,000-$4,000

358

1023

1024

1025 Suite of Eight Neoclassical-Style Fruitwood Dining Chairs mid-20th century, comprised of two armchairs and six side chairs, each of gondola form, with a curved back and downswept arm supports, and a central pierced and carved splat, raised on sabre legs, the seats newly covered in raw woven silk. armchair h. 37”, w. 23”, d. 24”, side chair h. 37”, w. 21”, d. 24” $1,000-$1,500 1026 Pair of Venetian-Style Mirrored and Ebonized Wood Obelisks 20th century, in the manner of Serge Roche, each with a glass spherule finial and glass spherules mounted at the corners of the base, clad with smoked mirrors and the whole with beveled mirror glass trim. h. 31-1/2”, w. 9”, d. 9” $3,000-$5,000

1026

1027 Pair of Tribal Arts Splash Boards New Guinea, the carved and painted canoe splash boards presented on contemporary metal stands. h. 37-1/2” to 38-3/4”, w. 18” to 18-3/4”, d. 6” $1,000-$1,500 1028 Handsome Contemporary Shell-Encrusted Box 20th century, decorated with a variety of shells arranged in attractive patterns. h. 12”, w. 13-1/2”, d. 10-1/4” $1,000-$1,500

1027

1028 1025

359

1029 Neoclassical-Style Pine and Glass-Top Center Table the circular glass top with a molded edge and raised on a triple-dolphin support to a molded tripartite base. h. 31”, dia. 48” $1,500-$2,500

1029

1030 Pair of Bronze Cranes in the Japanese Taste 20th century, modeled standing on turtles, symbolizing “fabulous longevity” in both Chinese and Japanese art. h. 49” to 59”, w. 12”, d. 17-1/2” $1,500-$2,500 1031 Pair of Bronze Tree Tubs in the Chinese Taste 20th century, the faceted sides decorated with Mandarin scenes, framed by Chinese fretwork alternating with cartouches supported on bowknots. h. 24”, dia. 29” $2,500-$4,000 1030

1031

360

1032

1034

1032 Pair of Painted Metal Mirrors in the Rococo Taste 20th century, each rectangular mirror with a balustrade crest topped with onion domes. h. 49-1/2”, w. 22” $1,000-$1,500

1033 Pair of Contemporary Wrought Iron, Brass and Glass Etageres each with a brass finial supported by a wrought scrollwork pediment over five glazed shelves, on scroll feet. h. 76-3/4”, w. 48”, d. 24” $1,500-$2,500

1034 Unusual French Wrought Iron and Frosted Glass Conservatory Desk 19th century, the upper section with iron framework and fitted with frosted plate glass, and mounted to a scrolled ironwork base. h. 47”, w. 32-1/2”, d. 24” $1,000-$1,500

1033

361

1035

1035 Set of Four Classical Revival Cast Stone Garden Planters second quarter 20th century, the low, lobed planters on square bases. h. 14”, dia. 16” $1,000-$1,500 1036 Pair of Cast Stone Baskets of Fruit and Flowers

1036

second quarter 20th century, mounted on metal bases. h. 13”, dia. 13” $1,000-$1,500

1037

1037 Carved and Painted Wood “Basket of Fruit” Lamp 20th century, the lobed urn in the neoclassical taste, mounted on an acrylic base. h. 18-1/2”, dia. 10-1/4” $1,000-$1,500 1038 Handsome Suite of Nine Dried and Pressed Hydrangea Botanicals 20th century, all mounted, glazed and presented in polychrome and parcel-gilt frames. each 17-1/2” x 13-1/2” 1038

362

$1,200-$1,800

1041 Pair of Large Italian Parcel-Giltwood Mirrored Brackets fourth quarter 19th century, the serpentine shelves supported by enameled cattails and oval mirrored backplates with giltwood bamboo surrounds, the crests depicting giltwood birds perched in enameled plaster cattails. h. 32”, w. 14-1/2”, d. 7” $1,200-$1,800

1039

1039 Pair of Cast Stone and Patinated Metal Garden Ornaments 20th century, comprised of cast stone urn-form bases set with metal “trees”. h. 34-1/2”, dia. 10-3/4” $1,000-$1,500 1040 Pair of Regency-Style Faux Bamboo Armchairs each of barrel-back form, the back extending to closed arms, the bamboo-turned tapering front legs with rattan-style brackets. h. 32-3/8”

1041

$1,500-$2,500

1040

363

1042

1042 Pair of Contemporary Steel and Mirrored Glass Occasional Tables each with an inset circular mirrored top raised on a pipe standard to three splayed legs ending in gilt ball feet. h. 22-1/2”, dia. 16”

1043

$1,000-$1,500 1043 Pair of Fanciful Painted Wooden Bird Cages 20th century, of Regency inspiration, each with a turned stand on cabriole legs, the domed top set with wirework. h. 74”, w. 15-1/2”, d. 24” $1,200-$1,800 1044 Large French Beauchene-Mounted Disarticulated Spiny Lobster genus Panulirus, mounted with LED wires to illuminate the carapace and articulation, presented on a turned, black-painted rod in a glass vitrine, the mount-maker’s signature “Oilio” on the base. sight 29” x 18”; case 42-1/4” x 27-1/2” x 16” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $2,500-$4,000 The “Beauchene” mounting is named for French anatomist and surgeon Edme Francois Chauvot de Beauchene (17801830), who developed the disarticulated or “exploded” display of human skulls to facilitate the identification of the lines of suture and points of articulation. The laborious and expensive technique was used to create high-quality research specimens, and was later expanded to include skeletons of other animals.

The technique is particularly suited to crustaceans, as here, giving a fascinating look at the beautiful and intricate interlocking workings of the exoskeleton.

364

1044

1046

1045 Large French Beauchene-Mounted Disarticulated Brown Crab genus Cancer, mounted with copper wires, presented on a black-painted rod in a brass and glass vitrine, the mountmaker’s signature “Oiolo” on the base, with brass plaque “Platycarcinus pagurus / France”. crab sight 16” x 19”, case 22-3/4” x 24-1/2” 22-3/4” x 24-1/2” x 11-1/2” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $2,000-$4,000 Platycarcinus is an archaic variant of the more common Cancer to describe the genus of rock crabs.

1046 Suite of Ten Biedermeier-Style Ebonized and Parcel-Gilt Dining Chairs

1045

each with a crest rail with scroll ends over a wreath-carved splat, the arms with scroll ends, raised on saber legs capped by a giltwood spherule. h. 36” $4,000-$7,000 1047 Neoclassical Marble and Iron Center Table 20th century, the octagonal marble top with a central painted scene of a classical chariot, surrounded by scrolling foliate and oculus patterns, raised on a foliate, fluted columnar iron standard to an ebonized base. h. 30”, dia. 51” $1,500-$2,500 1047

365

1048 Art Nouveau Iron Window Seat 20th century, the long padded seat flanked to either end by floral- and foliate-modeled end supports joined by a like stretcher, raised on splayed legs ending in block feet. h. 21”, w. 47”, d. 18-1/2” $1,000-$1,500 1049 Pair of Continental Iron and Marble-Top Occasional Tables early 20th century, each with a banded, circular marble top raised on three scrolling supports with applied flowers, on a concave tripartite marble base. h. 25-1/2”, dia. 19”

1048

$2,000-$4,000 1050 Gilt-Bronze and Coromandel-Inset Coffee Table early 20th century, in the Louis XV taste, the inset top with Chinese figures parading on horses, the pierced base raised on cabriole legs. h. 16-1/2”, w. 32”, d. 23” $1,500-$2,500 1051 Pair of Contemporary Iron Side Tables each with a rectangular inset glass top over a pierced and carved floral- and foliate-patterned 18th-century architectural element, over a mirrored surface, raised on square legs joined by an X-form stretcher. h. 24-1/2”, w. 17”, d. 15-1/2” $1,000-$1,500 1049

1050 1051

366

1052

1052 Suite of Six Contemporary Ebonized Side Chairs in the Regency taste, each with a padded back with scrolling gilt side accents, the padded seat raised on sabre legs. h. 33” $2,500-$4,000

1053 Italian Neoclassical Ebonized, Parcel-Gilt and GlassTop Center Table the circular glass top supported on three ebonized and gilt dolphin supports to a molded tripartite base. h. 29-1/2”, dia. 65”

1053

Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,400-$1,800

1054 Wrought Iron and Oak Console Table the stained oak top with a molded edge, above a wrought iron base with a scrollwork and pendant frieze. h. 34”, w. 61-3/4”, d. 15-3/4” $1,000-$1,500 1054

367

1055 Abraham Munting (Dutch, 1626-1683) suite of six hand-colored botanical engravings from Naauwkeurige Beschryving des Aard Gewassen, Leyden and Utrecht, published 1696.

All attractively matted, glazed and presented in matching giltwood frames. sight 13-1/4” x 9”, framed 20” x 15-7/8” $1,500-$2,500

1056 Pair of Neoclassical-Style Painted Metal Floor Lamps mid-20th century, the tapered standards set with latticework panels terminating in molded lotus leaves, raised on triangular bases with paw feet. h. 60-1/2”, w. 17”, d. 17” $2,000-$4,000 1055

1057 Neoclassical-Style Composition and Glass-Top Center Table the circular glass top raised on a circular star-centered top, supported by four carved dolphins on a molded base. h. 30-1/2”, dia. 72” $1,000-$1,500

1056

368

1057

1058 Set of Four Painted Pine Mirrored Panels 19th century and later, the wooden surrounds with serpentine crests, joined with square pegs, and 19th-century architectural fragments. each h. 56-3/4”, w. 18-3/4” $2,000-$4,000

1059 Turkish Oushak Carpet 7’ 10” x 9’ 8” $1,000-$1,500

1059

1058

369

1060

1060 Collection of Nine Agate Slices each mounted and presented in a black and matte gold shadowbox frame. each 9-1/4” x 9-1/4” $1,000-$1,500

1061 Pedro Friedeberg (Mexican, b. 1936)

1061 detail

“Butterfly Bench” painted and gilded carved wood with a double butterfly seat, the legs terminating in human feet. h. 17-3/4”, w. 39”, d. 14-1/4” Provenance: Sold in these rooms October 12, 2013, lot 873; Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $4,000-$7,000

370

1061

1062

1062 Pedro Friedeberg (Mexican, b. 1936)

1063 Pedro Friedeberg (Mexican, b. 1936)

“Foot Stool”

“Sillas” “Alfabetos Secretos” “Homage to Jamnitzer”

carved and gilded wood the three-footed base supporting a double open palm seat, signed at bottom of one foot. h. 11-3/4”, w. 13-3/4”, d. 13-3/4”

three silkscreens in color each pencil-signed lower right, numbered “11/120”, “17/20” with blind stamp, and “P.A.” with blind stamp, respectively.

Matted, glazed and framed alike. sight 23” x 23”, framed 29” x 29”; 21-1/2” x 23-3/4”, framed 27-1/4” x 27-3/4”; 22-1/2” x 22-1/4”, framed 28” x 28”, respectively

Provenance: Collection of Mario Villa, New Orleans, Louisiana; sold in these rooms May 30, 2015, lot 655; Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $2,000-$4,000

$1,400-$1,800

1063

371

1064 Pedro Friedeberg (Mexican, b. 1936) “Unicornios” “Equinofebrifuga” two silkscreens in color each signed lower right, former numbered “P.A. IX/X” lower left, latter numbered “P.A. 7/18” and with partial title decal lower left.

Each matted, glazed and framed. former sight 23” x 23”, framed 29” x 29”; latter sight 22-1/4” x 22-1/4”, framed 28” x 28” $1,000-$1,500

1064

1065

1064

1065 Pedro Friedeberg (Mexican, b. 1936) “Herejia y Democracia” gouache on paper signed lower right, titled lower left and en verso.

Matted, glazed and framed. sight 19-1/4” x 16”, framed 29-1/4” x 25-1/4” $1,500-$2,500 1066 Steven Martin (American/Louisiana, b. 1956) “Flight” steel sculpture unsigned. h. 52”, w. 39”, d. 7” Provenance: Private Collection, Birmingham, Alabama.

372

1066

$1,000-$1,500

1067 Mario Villa (Nicaraguan/Louisiana, b. 1953) Patinated Metal Mirror 20th century, of classical inspiration, the frame designed with radiating rays, and a face medallion centered at the top. h. 63”, w. 51”, d. 4 $1,000-$1,500 1068 Pair of Mario Villa (Nicaraguan/Louisiana, b. 1953) Wrought Iron Side Chairs 1992, one signed and dated along back, now upholstered in urn-motif black fabric. h. 39” $1,000-$1,500 1069 Mario Villa (Nicaraguan/Louisiana, b. 1953) Patinated Metal and Brass “Palm” Floor Lamp 20th century, designed as four radiating palm fronds culminating in candle-form supports with light bulb sockets. h. 81”, dia. 24”

1067

$1,000-$1,500 1070 Pair of Mario Villa (Nicaraguan/Louisiana, b. 1953) Wrought Iron “Palm” Side Chairs 20th century, with incised signature and marked “970” at back edge of each seat, now upholstered in cream linen. h. 35-1/2” $1,000-$1,500

1068

1069

1070

373

1071 Mario Villa (Nicaraguan/Louisiana, b. 1953) Wrought Iron “Palm” Settee 20th century, now upholstered in cream fabric. h. 30”, w. 63-1/2”, d. 36” $1,000-$1,500

1072 Mario Villa (Nicaraguan/Louisiana, b. 1953) “Moon Shadow” oil on canvas signed lower right, titled en verso on hand-inscribed label.

Antique, carved and whitewashed frame.

18” x 14”, framed 24” x 20”

1071

$1,000-$1,500

1072

1073 Mario Villa (Nicaraguan/Louisiana, b. 1953) Patinated Metal Floor Lamp 20th century, in a leaf-and-vine pattern, fitted with a shade. h. 65-1/2” $1,000-$1,500

1073

374

1075 Mario Villa (Nicaraguan/Louisiana, b. 1953) Steel and Brass Three-Panel Screen 20th century, each panel with an abstracted figure above five faux marbre stoneware tiles. each panel h. 87”, w. 25, overall w. 75” $1,200-$1,800 1076 Mario Villa (Nicaraguan/Louisiana, b. 1953) VerdigrisPatinated Metal and Glass Coffee Table 20th century, the oval glass top supported by a base of two stylized figures with outstretched arms. base h. 30-1/2”, w. 36”, d. 22”; glass w. 60”, d. 30” $1,000-$1,500

1075

1074 Mario Villa (Nicaraguan/Louisiana, b. 1953) Steel and Brass Bed and Chair 20th century, of neoclassical inspiration, both with a twining vine motif. bed h. 44-1/2”, w. 84”, d. 61”, interior w. 66-1/2”, l. 81”; chair h.

35-1/2”

1076

$1,200-$1,800

1074

1074

375

1077

1077 Mario Villa (Nicaraguan/Louisiana, b. 1953) VerdigrisPatinated Metal and Glass Coffee Table 20th century, the oval glass top supported by a base of two stylized figures with outstretched arms. base h. 29-1/2”, w. 35”, d. 16-1/2”; glass w. 66-1/2”, d. 20-1/2” $1,000-$1,500 1078 Mario Villa (Nicaraguan/Louisiana, b. 1953) Steel and Brass Daybed 20th century, of classical inspiration, the steel base with decorative brass swags, each corner post a caryatid culminating in a candlecup. h. 46”, w. 83-1/2”, d. 47-1/2”; interior w. 39-1/2”, l. 78-1/2”

1078 detail

$1,500-$2,500

1078

376

1079

1079 Benito Cerna (Peruvian, b. 1960) “Il Figuras” oil on canvas signed lower right.

Framed.

50” x 43”, framed 57” x 49” $7,000-$10,000 1080 Vassilis Sperantsas (Greek, b. 1938) “Reflections” oil on canvas signed upper left, sales labels en verso.

Framed.

29” x 36”, framed 33” x 40-1/2” Provenance: Private collection, New Jersey; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 25, 2018, lot 95; Private collection, Birmingham, Alabama. $2,000-$4,000

1080

377

1081 Suzanne van Damme (Belgian, 1901-1986) “La Mere de Reves” oil and gold leaf on wood panel signed lower right.

Framed.

77” x 38-3/4”, framed 80-1/4” x 41” $10,000-$15,000 1082 Neoclassical-Style Iron and Brass-Mounted Bench 20th century, of sleigh form, the ends with swan heads and scrolled supports, with a strap metal seat and reversible cushion, raised on iron legs ending in brass ball-and-claw feet. h. 32”, w. 45”, d. 18-1/2” $1,200-$1,800

1081

1083

1083 Fine Contemporary Pair of Robert Kuo Cream Lacquer Geese the repousse bodies with exposed copper beaks and feet, on metal stands. overall h. 37, w. 24”, d. 15” Provenance: Purchased at McHugh Antiques, Aspen, Colorado, 2011; Estate of Theo B. Bean, Jr., Lafayette, Louisiana.

Literature: Together with correspondence from McHugh Antiques. $1,500-$2,500

378

1082

1084

1086

1084 Pair of Patinated Metal and Glass Vases of Neoclassical Inspiration 20th century, each Tuscan-style lyre-form vase with blown-in inserts, the sides with blown glass scrolls, the bases with glass medallions. h. 22”, w. 15”, d. 5-3/4” $1,000-$1,500

1085 Pair of Patinated Copper-Clad Architectural Plaques first quarter 20th century, in the Beaux-Arts taste, each with a recessed center panel decorated with bowknots trailing ribbons, the center with a beaded hemispherical bracket. h. 56”, w. 17” $2,000-$4,000

1086 Bronze “Sea Turtle” Fountain 20th century, the base molded with coral and seashells, the turtles “swimming”, suspended on three coral branches. h. 24”, w. 31-1/2”, d. 32” $1,500-$2,500

1085

379

1089 North Syrian Libation Bowl brown stone, 8th-7th century BCE, in the form of a cupping hand, displayed on a metal stand. bowl h. 1-3/4”, h. with stand 3”, l. 4-1/4” Provenance: Purchased at Royal-Athena Galleries, New York, New York, 1991; Private collection, New Orleans, Louisiana.

Literature: Accompanied by 1991 booklet of information and correspondence from Royal-Athena Galleries. $1,200-$1,800

1088

1087 Suite of Four Patinated Bronze and Lucite-Mounted Pool-Side Chairs 20th century, the backs with schools of fish, joined by curved arms, the seats with inset lucite and the front panels depicting mermaids. h. 36”, w. 24-1/2”, d. 16” 1089

$1,200-$1,800 1088 Warren Platner-Inspired Steel and Mahogany Circular Table second half 20th century, the solid mahogany top banded edge-segmented and dovetailed together, the underside chamfered and supported by a patinated steel wire base. h. 30-1/4”, dia. 60” Provenance: Sterling Provisions, New Orleans, Louisiana. $1,000-$1,500

1089 detail

1087

380

1090

1090 Very Rare Pair of Etruscan Bronze Votive Hands 680-670 BCE, Vulci, Italy, probably from a terracotta figure, displayed on metal stands. h. 8-5/8” to 9-1/4”, w. 3-1/2” to 3-3/4” Provenance: Purchased for $25,000 at Royal-Athena Galleries, New York, New York, 1991; Private collection, New Orleans, Louisiana.

Literature: Accompanied by a 1991 booklet of information, correspondence and sales receipt from Royal-Athena Galleries. $30,000-$50,000

1090 detail

381

1091 Pair of African Iron Currency Blades Lokele and Turumbu Peoples, Lomani and Lualaba Rivers, Democratic Republic of the Congo, on stone bases. h. 69” and 69-1/2”, w. 18”, d. 8” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800 1092 Pair of African Iron Currency Blades Lokele and Turumbu Peoples, Lomani and Lualaba Rivers, Democratic Republic of the Congo, on stone bases. h. 62” and 64-1/2”, w. 10-3/4”, d. 8” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,200-$1,800

1091

1093

1093 Edward Whiteman (American/Louisiana, b. 1938) “Untitled”, 1976 mixed media on reconstructed paper pencil-signed and dated lower left.

Float-mounted, glazed and framed. sheet 62” x 45”, framed 65” x 49” $1,000-$1,500

382

1092

1095

1094

1094 David Burliuk (Ukrainian/New York, 1882-1967) “Balancing Time” oil on canvas signed lower right, sale labels en verso.

Framed.

10” x 16”, framed 15-3/4” x 22” Provenance: Private collection, Connecticut; Shannon’s Fine Art Auctioneer’s, Milford, Connecticut, October 25, 2018, lot 86; Private collection, Birmingham, Alabama. $10,000-$15,000 1095 Daum Art Deco Emerald Green Glass Vase second quarter 20th century, French, acid-etched in Art Deco geometric patterns, signed “Daum Nancy France”, with the Cross of Lorraine in the engraved signature. h. 18-1/2”, dia. 8-3/4” $1,800-$2,500 1096 Contemporary Glass and Metal Pendant Chandelier 20th/21st century, set with five teardrop-form cased glass shades with polychrome exterior colors. h. 47”, dia. 20” $1,000-$1,500

1096

383

1098 Robert Rauschenberg (American, 1925-2008) “Publicon - Station IV”, 1978 mixed media construction signed, dated, titled and numbered “24/30” on label at back, published by Gemini G.E.L., Los Angeles, California. closed h. 28-1/2”, w. 36”, d. 13-1/4”; opened h. 57”, w. 60” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $7,000-$10,000

1097

1098

1097 detail

1097 Dale Chihuly (American, b. 1941) “Blanket Cylinder”, 2002 blown glass incised signature and dated at bottom, body of butter yellow to lavender to clear, with glass threads of burgundy, blue, white and green, lime green lip, interior of marbled burgundy and orange. h. 18-3/4”, widest dia. 12-1/4” Provenance: Private collection, Dallas, Texas; Dallas Auction Gallery, May 23, 2017, lot 74; Private collection, Birmingham, Alabama. $7,000-$10,000

384

1098 details

1100

1099

1099 Clemens Briels (Dutch, b. 1946) “A Jump for Joy”, 2002 acrylic on snowboard created for the 2002 Salt Lake City Winter Olympic Games, signed lower left, titled center.

57-1/2” x 11”

1100 Pair of Italian Murano Glass Hurricane Shades 20th century, now mounted as lamps, the striped shades in the style of Fulvio Bianconi, mounted with acrylic caps and bases. h. 30”, dia. 4-3/4” $1,000-$1,500

$2,000-$4,000

385

1101

1101 Large Mahogany Cylinder Roll Executive Desk late 20th century, the top with a three-quarter gallery over a reeded tambour roll, opening to a fitted interior with an inset leather blotter, the lower portion fitted with five drawers and raised on tapering square legs, the center drawer bearing the metal tag, “Smith & Watson, New York, Cabinetmakers & Chairmakers since 1907”. h. 47”, w. 72-1/2”, d. 31-1/2” $2,000-$4,000 1102

1102 Collection of Twelve Easton Press Leather-Bound, Signed, First Edition Books

1103 Suite of Four Ward Bennett Designs for Brickell Associates Swivel Chairs

1989-1993, including My Life in Three Acts, Helen Hays; The Downing Street Years, Margaret Thatcher; Fighting for Peace, Caspar W. Weinberger; Peril and Promise, John Chancellor; The Next Century, David Halberstam; Under God, Gary Wills; Red Victory, W. Bruce Lincoln; Life Sketches, John Hersey; Out There, Howard Bloom; Love and Marriage, Bill Cosby; The New Russians, Hedrick Smith; In the Company of Writers, Charles Scribner, Jr., leather boards of various colors, all with gilt lettering and design and with silk moire endpapers. from 8-1/2” x 6-1/2” to 9-1/2’’ x 6-1/2”

second half 20th century, each of barrel-back form with tufted back cushion and closed arms, on a tilt and swivel chromed steel base on casters, labeled “Ward Bennett Designs for Brickell Associates”, the casters marked “Shepherd Profile”. h. 33-1/2” Provenance: Sterling Provisions, New Orleans, Louisiana. $1,000-$1,500

$1,000-$1,500

386

1103

1104

1106

1104 Contemporary Bench-Made Mahogany Extension Dining Table

1106 Pair of French Lalique Molded and Frosted “Coquilles” Plafonnier Shades

the square top opening to accommodate one 20” leaf and two additional support legs. h. 30”, w. 70”, l. 70”, ext. l. 90”

first quarter 20th century, made for hanging lamps, each with four pre-drilled holders, with Lalique’s early “R. Lalique France” engraved block signature. dia. 11-3/4”

$1,500-$2,500

1105 Pair of Silver-Leaf Plaster Plaques in the Art Deco Style

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

20th century, each with a stylized bird on a molded geometric ground. h. 19-1/2”, w. 19”

$800-$1,200

$2,000-$4,000

1105

387

1107

1107 Set of Eight Lalique “Femmes Antiques” Flat Tumblers post-1978, French, composed of molded and frosted crystal, each signed “Lalique, France”. h. 4”, dia. 3-1/2” $1,000-$1,500

1108 Pair of Modern Leather and Chrome-Plated Steel Armchairs the upholstered back cushion joined to open arms extending to a cantilevered U-form base, upholstered in brown leather. h. 34-3/4”

1108

$1,200-$1,800

1109 Pair of Modern Leather and Chrome-Plated Steel Armchairs the upholstered back cushion joined to open arms extending to a cantilevered U-form base, upholstered in gray leather. h. 34-3/4” $1,200-$1,800

1109

388

1112 Constellation-Type “Sputnik” Chrome and Glass Chandelier set with chrome light heads interspersed with chrome rods, set with facted single crystals and chrome rods set with “bursts” of faceted crystals. h. 24”, dia. 38” $3,000-$5,000 1113 Pair of Italian Metal and Glass Table Lamps 20th/21st century, labeled “Veart, Scorze Venezia”, the glass shades with nickel fittings, on enameled bases. h. 12”, dia. 5-3/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,400-$1,800 1111

1110 Pair of Futuretro Column Vibonic Ryg Lamps ca. 2003, English, designed by Jamie Barrett, comprised of fluorescent and clear acrylic, stainless steel and aluminum, the column illuminated with a blacklight-blue (UV) light source. h. 53”, w. 15-3/4” Provenance: Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $2,500-$4,000 1111 Chrome and Acrylic “Sputnik”-Style Multi-Light Chandelier 20th century, with a chrome standard and spherical center, set with an explosion of light sockets on chrome tubes, intermingled with faceted acrylic spheres and glass flowers on a multitude of chrome wires.. h. 35-1/2”, dia. 15-1/2” $2,000-$4,000 1110

1112

1113

389

1114 French Art Deco-Style Ebony and Macassar Occasional Table the inset ebony top on a base with tapering flare legs, retaining the label “Todd Hase, New York City”. h. 29-1/4”, w. 20”, d. 9” $1,000-$1,500 1115 French Art Deco-Style Macassar Ebony Desk the figured top over a kneehole base with a central opening flanked by a pair of drawers, each drawer lined in segmented removable leather panels, raised on ebonized flare legs, the drawer pulls and leg caps chrome-plated. h. 29-1/2”, w. 71-1/4”, d. 31-1/2” $3,000-$5,000

1114

1116 Pair of Gilt-Bronze “Sunburst” Lamps 20th century, each lamp decorated with rays from a Louis XV-style sunburst, on acrylic bases. h. 24-1/4”, w. 7”, d. 5” $1,000-$1,500

1116

1115

390

1117 Turkish Carpet 10’ x 14’ 4” $2,000-$4,000

1117

1118 Pair of Contemporary Mango Wood Side Cabinets each with a projecting top over three drawers, a molded base and bun feet. h. 28”, w. 24-1/4”, d. 16-1/4” $1,000-$1,500

1118

1119 Pair of Contemporary Club Armchairs each with closed arms with scroll ends, a loose seat cushion and skirted base, labeled “Mangold & Mangold, San Antonio”. h. 37-1/2” $1,000-$1,500

1119

391

1120 Au Bon Marche Canvas, Wood and Vellum Traveling Trunk ca. 1900, Paris, with locks stamped “Au Bon Marche Paris” and vellum trim, the sides composed of canvascovered wood, with a dome top. h. 14-1/2”, w. 14-1/2”, d. 11” $1,000-$1,500

1121 Margaret Brassler Kane (American/Connecticut, 1909-2006) “The Swimmers”, 1945 patinated bronze lamp cast signature along side, wired for electricity, mounted with a shade. overall h. 35”, dia. 9” $1,000-$1,500

1120

1122 Ira Yeager (American, b. 1938) “Untitled”, 1979-80 wood and mixed media on gallery-wrapped canvas signed and dated lower right.

78” x 84” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $2,000-$4,000

1121

392

1122

1125 George Valentine Dureau (American/Louisiana, 1930-2014) “Cherub”, 1984 gilt-painted papier-mache figure inscribed and dated at back. h. 44”, w. 20”, d. 22” Provenance: Sold in these rooms October 10, 2014, lot 1305; Estate of Theo B. Bean, Jr., Lafayette, Louisiana. $1,000-$1,500 This figure was originally commissioned for the World’s Fair held in New Orleans in 1984. It was a part of the Wonderwall, the half-mile-long art-filled structure inspired by the architectural renderings of Giovanni Piranesi which ran the length of what is now Convention Center Boulevard.

1123 1125

1123 Sam Glankoff (American, 1894-1982) “#24”, 1977 casein and printer’s ink on paper signed and dated lower right, verso with “Graham Gallery, New York, N.Y.” label.

Float-mounted, under plexiglass and presented in a modern giltwood frame.

39-1/2” x 29”, framed 43” x 31-1/2” Provenance: Graham Gallery, New York, New York. $3,000-$5,000

1124 Zofia Szalowska (Polish/French, b. 1935) “Mischievous Putti” oil on canvas signed lower right and en verso stretcher.

In an antiqued mirrored frame.

32” x 31-1/2”, framed 37” x 37” $1,000-$1,500

1124

393

1126 1126

1126 Two Uzbek Kazak Carpets 3’ 4” x 5’ 8” and 4’ 9” x 6’ 2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500

1127 Semi-Antique Tabriz Carpet 5’ 1” x 8’ 7” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

394

1127

1128 Turkish Angora Oushak Runner 2’ 7” x 23’ 8” $700-$1,000 1129 Persian Nain Carpet 9’ 1” x 12’ 3” $2,500-$4,000 1130 Oushak Carpet 11’ 6” x 15’ 7” $3,000-$5,000

1129

1130

1128

395

1131

1132

1131 Turkish Angora Oushak Carpet 9’ x 11’ 9” $1,000-$1,500 1132 Antique Heriz Runner 2’ 9” x 10’ $1,000-$1,500 1133 Isfahan Silk and Wool Carpet 9’ 3” x 12’ $6,000-$9,000

396

1133

1134

1134 Tree of Life Carpet 4’ 4” x 6’ $1,200-$1,800

1135 Tabriz Silk Carpet 4’ 9” x 8’ 2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500

1135

397

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Taylor Eichenwald Assistant Director of Auctions

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Charles C. Cage Silver Specialist & Office Manager

Thomas Halverson American Furniture Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Kelly McMahon Client Services & Administrative Assistant

CONSULTANTS

Grace Connors Manager of Online Auctions

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Christa Ougel Graphic Designer

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark