August 24-26 Cakebread Decorative Arts & Design

cakebread decorative arts & design FINE ART AUCTION

2017 AugustAPRIL 24-26, 22, 2018

AUCTION: AUGUST 24-26, 2018 EXHIBITION August 13-24, 2018 O p e n M o n d a y - F r i d a y, 9 a . m . - 5 p . m .

O p e n S a t u r d a y, A u g u s t 1 8 , 1 0 a . m . - 4 p . m .

C l o s e d S u n d a y, A u g u s t 1 9

EVENING RECEPTION T h u r s d a y, A u g u s t 2 3 , 5 - 7 p . m .

LOT SCHEDULE Session I

Session II

Session III

L ots 1 - 375

Lots 3 7 6 - 9 1 7

Lots 918 - 1340

F r id ay, A ug ust 24, 2018

12: 00 -

1: 00

1

1: 00

-

2: 00

101

2: 00

-

3: 00

3: 00

-

3: 45

-

S atur d a y , A u g u s t 2 5 , 2 0 1 8

100

1 0 :0 0 - 11:00

376

-

475

-

200

1 1 :0 0 - 12:00

476

-

575

201

-

300

1 2 :0 0 -

1:00

576

-

675

301

-

375

1 :0 0

-

2:00

676

-

775

2 :0 0

-

3:00

776

-

875

3 :0 0

-

3:30

876

-

917

S u n d a y , A u g u s t 2 6 , 2018 10:00 - 11:00

91 8

-

999

11:00 - 12:00

10 00 - 1099

12:00 -

1:00

11 00 - 1199

1:00

-

2:00

12 00 - 1299

2:00

-

2:45

13 00 - 1340

REQUESTS Condition reports are posted daily as requested on our website and on our partner bidding sites, LiveAuctioneers and Invaluable. If you would like to request extra photos or a detailed report be emailed to you directly, you can contact us at info@neworleansauction.com, or click "INQUIRY" on the lot detail page, fill out the necessary fields and click "SEND INQUIRY". We will respond to requests on a first come, first served basis.

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Cover: Lot 258 | Left: Lot 330 (Detail, One of Nine)

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | 504-566-1849 | fax: 504-566-1851 | info@neworleansauction.com LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium (3% Discount For Prompt Payments Made By Cash or Check)

LETTER FROM THE PRESIDENT

Some of the best moments in life are when we are challenged to fill in the blanks. Like a novel ending that leaves you hanging, or a television show with a finale so jarring and abrupt, you must lean on its limited clues and your imagination to draw your own conclusion (the ending of “The Sopranos,” anyone?).

The austere art of silhouettes tasks us in much the same way. In 2-D form, we aren’t given a whole lot to work with, really. Often there is no background, and the subject, although painstakingly and intricately cut, is only a suggestion in the form of a single-colored piece of paper. And yet, somehow, it is enough for us to quickly create a story in our minds.

The August Cakebread Decorative Arts & Design auction will offer a continuation of the estate of Dr. Carroll Ball, of Jackson, Mississippi. Dr. Ball’s extensive lifetime collection, which generated much excitement with its first phase during our July auction, notably includes many beautiful, collectable silhouettes. They are simple and stark studies, each offering infinite interpretations for the viewer.

Other items from the Ball estate, including portraits, miniatures, classical American furniture and decorative arts, will be available, along with part two of a private collection from Florida, which also began in our July sale, as well as decorative art, furniture and more from Gloria Crest in Englewood, New Jersey, which began in our May Estates Auction.

Our three-day sale, August 24-26, will offer more than 1,300 unique and intriguing lots. We will kick off the event with a festive preview reception on Thursday, August 23, from 5 to 7 p.m. We encourage you to visit NOAG for exhibition viewing on the third-floor gallery, open weekdays beginning Monday, August 13.

Can’t make it to the gallery? Browse and bid now at www.neworleansauction.com

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Ashton Thomas President, New Orleans Auction Galleries

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JANUARY CAKEBREAD AUCTION evening reception highlights

2 Right: Lot 325 (Detail, One of Two)

1. Micah Toups & Ahslee Rivalto 2. Joey Davis & Diana Eustice 3. Ashley & Rob Congemi 4. David McPherson & Seth Angelico 5. Burke, Susan Sarofim, Sandy Barrett, Bryan Huffman, Jane Scott Hodges & Philip Hodges

Lot 909

SESSION I: LOTS 1-375

1 Louis XV-Style Fruitwood Games Table late 19th century, the square top with an inset gilt-tooled leather surface, above a conforming frieze with a small drawer to each side, raised on cabriole legs headed by ormolu mounts and ending in gilt foliate sabots, stamped “Sormani” on the back. h. 28‑1/2”, w. 34”, d. 34” $500‑$800 2 Regence-Style Fruitwood Fauteuil

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ca. 1900, the molded and foliate-carved open arms on shaped supports, with serpentine seat rail and cabriole legs joined by molded stretchers, upholstered in floral needlepoint. h. 34” $300‑$500 3 French Provincial Painted Morbier Clock the grained pine case decorated with painted flowers, the works signed “Leroux, a la Guerche”, set into a pressed brass surround accented with enamel coloring, with a matching pendulum. h. 83‑1/4”, w. 18‑1/2”, d. 8‑1/2” $600‑$900 4 Provincial Polychromed Armoire the heavily molded cornice above a case fitted with two doors, each inset with three panels and opening to a shelved interior, the molded base raised on large bun feet, the painted finish distressed. overall h. 78‑1/2”, w. 56”, d. 23” $2,500‑$4,000

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5 French Banner “Les Chantoux de Biane” 1907, painted canvas, advertisement for the Joyeux Bourguignons choral group, mounted for hanging 88” x 47” $500‑$800 Illustrated Online 6 Continental Pine Storage Cabinet late 19th century, the interior fitted with racks of appropriate size for storing wine or champagne, the molded cornice over a pair of doors with glazed panels, with bisected wood panels below. h. 84”, w. 43”, d. 18” $500‑$800

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7 Louis-Philippe Fruitwood Armoire late 19th century, with a pair of framed and paneled doors opening to an interior fitted with two long shelves. h. 82‑3/4”, w. 51‑1/2”, d. 21‑1/2” 9

$500‑$800 8 Rock Maple Butcher’s Block early 20th century, the thick solid maple top supported by four block-and-turned legs, one side mounted with a cutlery rack. h. 33”, w. 30‑1/2”, d. 30‑1/2” $500‑$800 9 Copper Sauce Pans on Rack

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20th century, French or English, each pan with a steel handle, the pans stamped “10, 12, 14, 16, 20, 22, and 24”, with a pine and brass rack. pots h. 4” to 10‑1/4”, dia. 4” to 9‑1/2”, rack h. 6”, w. 75”, d. 4 $600‑$900 10 Copper Lavabo and Cherry Stand ca. 1800 and later, French, the dovetailed copper cistern decorated with birds on a tree, h. 19‑1/2”, w. 14‑3/4”, d. 9”, the copper basin below, h. 9”, w. 18‑1/4”, d. 16‑1/4”, both on a cherry stand, h. 78”, w. 22”, d. 14‑3/4”. $600‑$900

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11 Victorian-Style Wrought Iron and Brass Baker’s Rack of slatted construction, the scrolling cornice above three D-form shelves, separated by scrolling supports with brass accents, raised on tubular legs, the whole with decorative brass edging. h. 86”, w. 60”, d. 18” $500‑$800 12 Pair of Louis XV-Style Fruitwood Fauteuils mid-19th century, each with a shaped and padded back within a molded frame surmounted by a floral crest, joined by padded arms to the like seat, raised on molded cabriole legs ending in scrolled toes on pegs, the whole upholstered in figural- and floral-patterned needlework. h. 39” $400‑$700 7

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13 Provincial Louis XV-Style Fruitwood Farmhouse Table the rectangular top above a serpentine frieze, raised on cabriole legs. h. 30‑1/2”, w. 38”, l. 84” $800‑$1,200

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14 Provincial Louis XV-Style Oak Buffet the serpentine top above a case with a pair of drawers, over a pair of paneled doors with carved fronts, a scalloped apron and cabriole legs. h. 38”, w. 51”, d. 17‑3/4” $700‑$1,000 15 Napoleon III-Style Brass and Wrought Iron Baker’s Rack the rack with three graduated glass shelves with brass ends. h. 85”, w. 41‑1/2”, d. 19”

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$600‑$900 16 Napoleon III-Style Brass, Marble and Cast and Wrought Iron Baker’s Table the rectangular white marble top over an apron with shell, leaf and scroll castings, the tubular legs joined with brass fittings. h. 28‑3/4”, w. 46”, d. 26” $600‑$900 17 Provincial Louis XV-Style Oak Vaisselier

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ca. 1900, in two parts, the upper section with a bonnet top, the frieze with a carved floral basket flanked by leaves and three shelves with scalloped aprons, the base with a pair of drawers over a pair of doors, raised on cabriole legs. h. 90”, w. 54‑1/2”, d. 20‑1/2” 15

$800‑$1,200 18 Louis XV/XVI-Style Fauteuil late 19th century, the padded and domed back surmounted by a foliate shell crest, joined by downswept molded arms to the padded seat, raised above a shaped foliate shell-carved apron on cabriole legs ending in scrolled toes on pegs. h. 42‑1/2” $500‑$800

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19 Pair of Louis XV-Style Fruitwood Bergeres 20th century, each with a domed and padded back joined to the cushioned seat by downswept padded arms, raised on molded cabriole legs ending in scrolled toes. h. 36” $500‑$800 20 Provincial Louis XV Oak Buffet

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19th century, the case with a central bank of narrow drawers flanked by paneled doors, the doors opening to reveal an interior with a bank of four drawers, with a scalloped apron and cabriole legs. h. 37”, w. 66”, d. 22” $700‑$1,000 21 Pair of Louis XV-Style Fruitwood Canapes early 19th century, each with a padded double back within a molded frame, the cushioned seat raised on molded cabriole legs ending in scrolled toes, each branded “Allainges”. h. 28”, w. 40”, d. 20‑1/2”

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$500‑$800 22 Provincial Louis XV-Style Fruitwood Bureau 19th century, the rectangular top above a slant front opening to a variety of drawers flanking a central bowed cupboard, above a shaped shell-centered frieze, raised on cabriole legs. h. 42”, w. 35”, d. 22” $500‑$800 23 Pair of Louis XV-Style Fruitwood Bergeres

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20th century, with floral-carved crests and raised on cabriole legs. h. 39” $500‑$800 24 French Provincial Fruitwood Vitrine mid-19th century, the molded and rounded cornice above a conforming case fitted with two doors, each with an upper glazed and grilled panel and a lower shaped panel, raised on cabriole feet ending in pointed toes. h. 89”, w. 55”, d. 19” $800‑$1,200 23 24

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25 Pair of Provincial Louis XV-Style Beechwood Wing Chairs each with a molded crest rail, stile and wings extending to closed arms with scroll ends, serpentine seat rail and cabriole legs. h. 41‑1/2” $500‑$800

26 Provincial French Polychrome and Parcel-Gilt Trumeau Mirror

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19th century, the narrow molded top with a broad blue-painted surround, the segmented mirror in two parts, with a giltwood liner. h. 59”, w. 40” $800‑$1,200

27 Provincial Louis XV Polychrome Buffet late 18th century and later, the rounded rectangular top with a molded edge, above a conforming case fitted with three short drawers over two cupboard doors, each inset with a shaped panel, raised on shaped toes, the back with a paper label reading “Madame Graizely, 7 Boulevard Bourceron a Argenteuil Seine et Vise”. h. 40”, w. 58”, d. 24‑1/2”

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$700‑$1,000

28 Pair of Louis XIV-Style Painted Wooden Candlesticks 20th century, Continental, now mounted as lamps, with three-sided bases supported on paw feet, the standards decorated with carved leaves and scrollwork. h. 35‑1/2”, w. 9”, d. 9” $400‑$700

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29 French Marble-Clad and Marble-Top Work Cabinet 20th century, with three pull-out cutting boards, each above a drawer and cabinet door below, the surface veneered in 5/8” thick Carrara marble. h. 36”, w. 79”, d. 22” $500‑$800

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30 Suite of Fifteen Hand-Colored Copperplate Engravings from Curtis’s Botanical Magazine various images, published by William Curtis, Botanic Garden, Lambeth Marsh, 1787‑1830.

Handsomely matted, glazed and framed alike. each sight 8” x 4‑1/2”, framed 12‑1/4” x 9‑3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,200‑$1,800 31 Dr. Robert John Thornton (British, 1768‑1837)

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Group of Four Hand-Colored Engravings from The Temple of Flora (1799‑1812) including “The Indian Reed”, “The Quadrangular Passion Flower”, “Curious American Bog Plants” and “American Cowslip”.

All matted, glazed and framed alike. each sight 11‑3/4” x 8‑1/2”, framed 19‑3/4” x 16” $600‑$900 32 Suite of Three Hand-Colored Botanical Engravings 1745, from Phytanthoza Iconographia by Johann Wilhelm Weinmann (German, 1863‑1741), a “Judy Cormier/New York” label en verso each. sight 15" x 8-1/2", framed 23-1/2" x 18"

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$500‑$800 33 Edouard Travies (French, 1809‑1865)

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“Souvenirs de Chasse: Le Lievre and Two Trophees d’Oiseau, Musee du Chasseur” three hand-colored lithographs each pencil-signed lower right or left.

Glazed and in matching frames. sight 21” x 15”, framed 31” x 23‑3/4” $1,000‑$1,500 33

34 Suite of Four Natural History Prints of Elephants and Lions 20th century, copies after Karl Joseph Brodtmann (Swiss, 1787‑1862).

Glazed and framed alike. each sight 13‑1/2” x 16‑3/4”, framed 19” x 22‑1/2” $600‑$900

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35 Cornelis van Leemputten (Belgian/Dutch, 1841‑1902) “Poultry in the Yard” pair of oils on panel each signed and dated: lower left “1864”, lower right “1862”.

Presented in matching contemporary frames.

8‑1/2” x 12” and 8‑3/4” x 11‑3/4”, each framed 16‑1/4” x 19‑3/8” $800‑$1,200 36 Henry Schouten (Belgian, 1864/67‑1927)

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“Horses in a Barn” oil on canvas signed lower left.

Framed.

24” x 16”, framed 33‑3/4” x 25‑3/4” $1,000‑$1,500 37 Giuseppe Guzzardi (Italian, 1845‑1914) “Grotta del Vino”, 1899 oil on canvas signed, dated and inscribed en verso.

Presented in a modern giltwood frame.

16‑1/4” x 19‑3/4”, framed 21‑1/2” x 25‑1/2”

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$800‑$1,200 38 Continental School (19th Century) “A Flock of Sheep” oil on canvas indistinctly signed “... Valmy?” lower right.

In a period gilt frame.

20” x 30”, framed 32‑1/2” x 42‑1/2” $500‑$800 39 George Riecke (American/New Orleans, 1848‑1930)

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“The Shepherd and His Flock of Sheep” oil on canvas signed lower right, a “James E. Hanna, Dealer of Works of Art and Manufacturer of Picture Frames, Detroit, MI” label en verso.

Presented in a carved giltwood frame.

20‑1/4” x 30”, framed 31” x 41‑1/4” $800‑$1,200

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40 Continental School (20th Century) “Shepherd and His Flock of Sheep in the Mountain Valley” oil on canvas unsigned.

Framed.

37‑3/4” x 52”, framed 51” x 64” $600‑$900 41 Lucien Tourte (French 19th/20th Century) 40

“Boeufs au Labour”, 1906 oil on canvas signed and dated lower right.

In a giltwood frame.

38” x 76‑1/4”, framed 52‑1/2” x 90‑1/2” $600‑$900 Illustrated Online 42 James Topping (British/Illinois, 1879‑1948) “Cabins in the Mountains”

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oil on canvas board signed lower left.

Framed.

14” x 16”, framed 17‑3/4” x 19‑3/4” $500‑$800 43 Continental School (Mid-20th Century) “Horses Pulling a Cart” oil on canvas signed “J. Schmieul” lower right.

Framed.

20” x 30‑1/4”, framed 24‑3/4” x 35”

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$500‑$800 44 Henry Schouten (Belgian, 1864/67‑1927) “Herding the Cattle” oil on panel signed lower left.

Framed.

19‑3/4” x 28‑3/4”, framed 32” x 40” $2,000‑$4,000

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45 British School (Late 19th Century) “The Carriage” oil on wood panel illegibly signed lower right.

Framed.

5” x 10‑3/8”, framed 10” x 16‑1/4”

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$1,000‑$1,500 46 Johanna Grell (Austrian, 1850‑1934) “The Fox Hunt” oil on canvas signed lower right.

Framed.

16” x 23‑1/4”, framed 25‑1/4” x 32” 46

$800‑$1,200 47 Continental School (18th Century) “The Hunt” oil on canvas unsigned.

Framed.

26‑1/2” x 33”, framed 34‑1/2” x 40‑1/2” $800‑$1,200 48 Manner of Albertus Verhoesen (Dutch, 1806‑1881)

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“Pheasant, Peacock, Pelican and Fowl in an Italianate Setting” oil on canvas a “Winsor and Newton” canvas stamp en verso.

Framed.

40‑1/4” x 50”, framed 51” x 60‑1/2” $800‑$1,200 49 Collection of Nine Books on Portrait Miniatures including Graham Reynolds, European Miniatures in the Metropolitan Museum of Art; Carrie R. Barratt and Lori Zabar, American Portrait Miniatures in the Metropolitan Museum of Art; and Julie Aronson and Marjorie E. Wieseman, Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum, to name a few. A complete list available on request.

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300‑$500

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52 French School (First Quarter 19th Century) Two Portrait Miniatures

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50 Attributed to George Englehart (British, 1752‑1829) “Portrait Miniature of a British Officer”, ca. 1780 watercolor, unsigned together with R. C. Woolnough (British, active 1801‑1805), “Portrait Miniature of a Young Man”, 1802, watercolor, signed and dated on frame backing.

Both glazed in brass oval frames. overall sight 3‑7/8” x 2‑3/8” and 2‑7/8” x 2‑3/8”, respectively

each watercolor and gouache including (attr.) Jean-Baptiste Isabey (1767‑1855), “Gentleman in Red Waistcoat and White Stock”, 1818, signed and dated right edge; and (Attr.) Louis Marie Autissier (1772‑1830), “Dark-Haired Gentleman in White Waistcoat and Stock”, unsigned, taped pencil inscription with artist’s name en verso.

Each glazed, the first in a brass frame; the second in a rolled gold-plated frame. overall 3‑3/8” x 2‑3/4” and 3‑3/8” x 2‑3/4”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 53 British School (Fourth Quarter 18th/First Quarter 19th Century)

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

Three Good Portrait Miniatures of Gentlemen

$500‑$800

each watercolor and gouache each unsigned, the first a grisaille profile; the second in a blue coat with a white necktie; the third in a black coat with a white stock.

The first two glazed in rolled gold plated frames, the third glazed in a brass frame. overall dia. 2‑3/4”, 2‑7/8” x 2‑3/8” and 3‑1/4” x 2‑5/8”, respectively

51 British School (Fourth Quarter 18th/First Quarter 19th Century) Three Fine Portrait Miniature Lockets of Gentlemen each watercolor and gouache en recto and plaited hair reserve en verso each unsigned, the first in a royal blue coat, accompanied by a leather bi-fold case, the second in a navy coat, verso monogrammed and containing miniature pearls in a motherof-pearl surround, and the third in a gray coat, verso with cobalt glass surround.

All three glazed in rolled gold plated frames. overall sight 3” to 3‑1/2” x 2‑1/4” to 3”

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

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54 British/French School (Fourth Quarter 18th/First Quarter 19th Century) Two Portrait Miniatures of Noblemen each watercolor including the “Honorable Colonel Richard Hare, Viscount of Ennismore” and a “Member of the de Chambray family of Normandy”.

The first glazed in a 15k gold oval pendant engraved with Ennismore’s name; the second glazed in a rolled gold-plated oval frame, the backing illegibly inscribed in period script “W....

Chaguin [sp?] de Chambray/borne 1761 to sest(?).” overall (with loop) 3” x 2” and 2‑7/8” x 2”, respectively

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 55 Attributed to Jacques-Joseph de Gault (French, ca. 1738‑1812) “Double-Sided Portrait Miniature of a French Republican Dignitary, Probably Jean-Etienne Championnet (1762‑1800), the Reverse with Cupid and Psyche in Blue Grisaille”

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watercolor and gouache unsigned, the miniature in a French 18k gold pendant inset with a split pearl surround, loop of pendant with Paris gold marks, 1794‑1798.

Mounted in a presentation box frame. medallion dia. 3”, box 13‑1/4” x 13‑1/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600‑$900 56 British School (First Quarter 19th Century) Two Portrait Miniatures each watercolor and gouache including “Lad in an Olive Jacket and Waistcoat”, unsigned, sight 4‑1/2” x 3‑1/2”; and “Lady in a Tulle Lace Collar and Hat”, unsigned, 2‑3/4” x 2‑1/4”.

Each glazed and framed, 7‑1/2” x 6‑1/2” and 5‑1/8” x 4‑1/2”, respectively.

Miniatures together in a wood and glass presentation case, 12” x 18”.

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

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57 British School (Fourth Quarter 18th/First Quarter 19th Century) Three Fine Portraits each watercolor and gouache including (Attr.) Thomas Richmond (British, 1771‑1837), “Welsh Gentleman in a Double-Breasted Coat”, “Lady in a Dress with a Tartan Bodice” and “Lady with a Black Ribboned Necklace”.

Each glazed and framed.

Sights 2‑78/” x 2‑1/4”, 3‑5/8” x 3” and 2‑1/8” x 1‑3/4”, respectively.

Framed 5‑1/4” x 4‑3/8”, 6‑1/4” x 5‑1/2” and 4‑1/2” x 3‑5/8” All three together in a wood and glass presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

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58 British School (19th/First Quarter 20th Century) Four Portrait Miniatures each watercolor including “King George III”, after William Beechey, R.A., sight 2‑1/4” x 1‑3/4”; “King George IV”, after Joshua Reynolds, R.A., inscribed “Reynolds” right edge, 3‑3/8” x 2‑3/8”; “Maria Fitzherbert, Mistress to George IV”, after Richard Cosway, R.A., indistinctly monogrammed right edge, sight 2‑1/2” x 1‑3/4”; and Emma Eleonora Kendrick (1788ñ1871), “Portrait of a Countess”, 1810, signed, dated and indistinctly titled en verso, sight 3‑3/8” x 2‑1/2”. framed 5” x 5” to 8‑1/2” x 7‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000‑$1,500 59 British School (Fourth Quarter 19th/First Quarter 20th Century) “Portrait Miniature of a Dandy in a Fur Stole” 61

watercolor on celluloid signed “Cosway” right edge.

Glazed and mounted in a picture box frame. sight 3‑1/4” x 2‑1/4”, framed 7‑1/4” x 6‑3/8” Provenance: Cowan’s Auctions, Cincinnati, Ohio, February 7, 2009, lot 570; Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 60 American School (First Half 19th Century) “Portrait Miniatures of a Gentleman and a Lady” each watercolor and gouache each unsigned, the portrait of the gentleman attributed to William I. Brown (American, act. Boston, 1839‑1851).

Each glazed, matted and framed. sight 3‑1/8” x 2‑1/2” and 3‑1/4” x 2‑1/2”, framed 4‑3/4” x 4‑1/8” and 5” x 4‑1/4”, respectively Provenance: Portrait of the Gentleman, Birch Hill Antiques, Huntsville, Alabama.

Both, Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

61 Continental/English School (First Quarter 20th Century) Four Portrait Miniatures each watercolor and gouache including a “Pendent Pair of a Man and a Woman”, each indistinctly signed “Nicholle(?)”, dia. 2‑1/2”; “Gentleman in a Black Neck-Tie”, sight 3” x 2‑5/8”; “Austrian Gentleman”, watercolor on card, unsigned, localized “Wien” lower left, 4‑1/8” x 3‑5/8”.

The first three glazed in similar ebonized frames with oval giltbrass surrounds; the last one in a bi-fold leather case.

Framed pair 4‑5/8” x 4‑5/8”, 5‑5/8” x 4‑7/8” and 4‑5/8” x 4‑1/8” (case closed), respectively.

All together in a wood and glass presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600‑$900

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62 Mughal School (19th Century) “Two Kama Sutra Scenes” watercolor miniatures each unsigned and unframed.

3‑1/4” x 3‑7/8” and 2‑1/2” x 4‑1/2” Provenance: Sold in these rooms, November 16, 2002, lot 442; Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 Illustrated Online 63

63 Watercolor Portrait Miniature of Mary Magdalene fourth quarter 19th century, after the painting by Carlo Dolci (Italian 1616‑1686), sight 6‑5/8” x 4‑5/8”, glazed and framed, overall 11‑7/8” x 9‑3/8”; together with a Continental handpainted porcelain plaque, 20th century, depicting a reclining nude, in a conforming metal frame, overall 5‑1/4” x 7”.

Together in a wood and glass presentation case, 12” x 18” Provenance: The porcelain plaque, Whisnant Galleries, New Orleans, Louisiana; by Whisnant repute, deacquisitioned from the Delgado Museum (now New Orleans Museum of Art), ca. 1970; ex-collection of Dr. Walle, New Orleans, Louisiana.

Both pieces, Estate of Dr. Carroll Ball, Jackson, Mississippi $500‑$800 64 French/British School (Fourth Quarter 18th/First Quarter 19th Century) Two Portrait Miniatures of Beauties in Waiting

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each watercolor and gouache including “Young Lady (Probably French) Holding a Portrait Miniature of Her Beloved” and “Allegory of Hope with Her Lyre by the Sea”, each unsigned.

Each glazed and framed. sights dia. 2‑3/4” and 4‑3/4” x 3‑3/8”, framed dia. 4‑1/2” and 5‑1/4” x 4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 65 French School (19th Century) Four Portrait Miniatures of Illustrious Historical Figures

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each watercolor and gouache including artists Raphael (1483‑1520) and Peter Paul Rubens (1577‑1640), Napoleon’s Wife, Empress Josephine de Beauharnais (1763‑1814), Queen Marie-Antoinette (1755‑1793), presented together in a period carved giltwood frame with four oval apertures. overall h. 14‑1/4”, w. 12‑3/4” Provenance: Sold in these rooms, July 20, 2002, lot 208; Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

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66 Rare Collection of Six Assorted Portrait Miniatures fourth quarter 18th/first quarter 19th century, each watercolor/gouache, including: Etienne Charles Le Guay (French, 1762‑1846), “Young Man in a Blue Coat”, 1789, set into a red leather pocketbook with an 1820 calendar and lunar cycle in French, portrait signed and dated left edge, 1‑1/2” x 1‑1/8”, wallet (closed) 5‑7/8” x 3‑3/8”; (Attr.) James Peale (American, 1749‑1831), “Gentleman in Beige Coat, Probably a Member of the Kutz/Coots Family of Kutztown, Pennsylvania”, unsigned, handwritten label on frame backing with artist and sitter attribution and provenance, sight 1‑3/4” x 1‑1/4”, glazed locket set in giltwood frame with red velvet surround, 5” x 3‑3/4”; “Portrait of John Ruskin (1819‑1900)”, in an ebonized frame with sitter’s name and dates carved/ stippled on reverse, dia. 1‑1/8”, overall dia. 4”; “Lady in a Bonnet and Shawl”, signed “T. Perrin” lower left, in a small brass frame with stand, overall 3” x 2‑1/8”; and two “Portraits of English Gentlemen in Olive Green and Gray Double-Breasted Coats”, both glazed in pendants plated in rolled gold, overall dia. 2” and 1‑3/4” x 1‑1/2”, respectively.

All together in a wood and glass presentation case, 12‑3/4” x 12‑3/4”

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200 67 French School (Fourth Quarter 18th/First Quarter 19th Century) Two Memento Miniatures including “Portrait of Napoleon”, after Jacques-Louis David’s 1798 study, watercolor, monogrammed “MM” lower right, dia. 2‑5/8”; and a mourning keepsake, eglomise with watercolor and elaborate hairwork, monogrammed “St. M” and “St. MP” on two of the gravestones, sight 3” x 2‑1/2”.

Each matted and glazed in similar wood frames. framed 5‑1/4” x 5‑2/4” and 5‑3/4” x 5”, respectively

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 68 Dutch School (17th Century) “Portrait of a Young Child” pastel and watercolor Unsigned.

In an antique frame.

12” x 10” (oval), framed 18” x 15‑1/2” $600‑$900 68

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69 British School (Fourth Quarter 18th/First Quarter 19th Century) Four Fine Portrait Miniatures in Profile each watercolor and pencil accented with gum arabic on card including William Hamlet of Bath (1785‑1816), “Deputy Naval Officer [at Calcutta] Matthew Louis, Esq. (b. ca. 1760)”, unsigned, sitter’s name and family inscribed en verso, sight 2‑3/8” x 1‑3/4”; Albin Burt (1784‑1842), “Gentleman”, signed lower center, sight 4” x 3‑3/8”; “Young Naval Officer”, ca. 1831, unsigned, frame backing with remnants of handwritten note dated “May 1831” and inscribed “F.M.”, sight 2‑7/8” x 2‑1/4”; and “Lady”, unsigned, 3” x 2‑3/8”.

Each glazed and framed, 5‑1/8” x 4‑1/4” to 7‑1/4” x 6‑1/4”.

The first two together in a wood and glass presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

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$700‑$1,000 70 Collection of Five Portrait and Bust Miniatures first quarter 19th century, each unsigned, including “Pendant Profile Portraits of a Man and a Woman”, watercolors on card, sight 3‑3/4” x 3”; “Gentleman Wearing a Black Stock and Coat”, watercolor, sight 3” x 2‑1/2”; “French Dignitary in a Red Coat”, modeled cut-out and gouache, 5‑1/4” x 4‑7/8”; and a paste medallion bust of the English printer and bookseller Robert Foulis (1707‑1776), after the original by James Tassie (1735‑1799), sight dia. 2”.

Framed 4” x 4” to 6‑1/2” x 4‑3/4”.

All together in a glass and wood presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 71 Continental/American School (Fourth Quarter 18th/First Half 19th Century) Five Folk Art Portraits

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each watercolor/gouache including John Austin (1757‑1820), Silversmith of Philadelphia and Charleston”; “Woman with Pearls and White Lace Bonnet”, inscribed “Strobl” on frame backing; “Beauty with an OffShoulder Dress”, 1851, inscribed “Emanuele...” and dated on frame backing; “Lady in Profile”; and “Gentleman with Powdered Hair and a Blue Coat”, each unsigned.

Each glazed and framed. sights 2” x 1‑5/8” to 3‑1/2” x 2‑7/8”, framed 2‑1/2” x 4” to 3‑1/2” x 2‑7/8”.

All together in a wood and glass presentation case, 12” x 18” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

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72 Attributed to J. M. Crowley (American, act. 1829‑1836) “Pair of Husband and Wife Portraits” graphite on paper unsigned, sights 2‑3/4” x 2‑1/4”.

Glazed in ebonized frames with gilt-brass oval surrounds; together with a “Portrait Miniature of Dr. Reverend William Ellery Channing (1780‑1842) of Boston, Holding His Lectures on Self Culture”, ca. 1830, watercolor on card, unsigned, sight 8” x 6‑1/2”. overall 4‑3/4” x 4‑1/4” and 12‑1/4” x 11” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600‑$900

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73 Four Cased Daguerreotype and One Ambrotype Photographs second half 19th century, including “Portrait of Standing Young Girl”, sixth plate daguerreotype; “Portrait of Young Girl in Black Lace Gloves”, sixth plate ambrotype; and two “Portraits of Young Men Seated”, ninth plate ambrotype; together with “Portrait of Woman in a Bonnet”, albumen print, “Brady’s National Photographic Portrait Galleries, New York and Washington, D.C.” printed en verso, 3” x 2‑1/2”, unframed.

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

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74 Louisa St. Leger Leighton (British, b. 1786) “The Leighton Children”, ca. 1830 each watercolor and pencil on card each signed en verso “Louisa Leighton” and inscribed with sitter’s monogram and date of birth, each with Bristol framer’s label on frame backing.

Matted, glazed and framed alike.

Each sight 4‑3/8” x 3”, framed 8‑1/2” x 6‑5/8”.

All four together in a glass and wood presentation case.

Provenance: The Leighton Family; Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

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75 Victorian Mahogany Shaving Stand mid-19th century, the oval mirror in a wishbone frame, on an oval platform fitted with a single drawer, raised on a fluted column on a tripodal base. h. 63‑1/2”, w. 15‑1/2”, d. 12‑3/4” $400‑$700 76 Napoleon III Bronze and Marble Mantel Clock third quarter 19th century, with a patinated bronze bust of Pericles on the top, the red griotte marble case set with signed Japy Freres works. h. 19”, w. 12‑3/4”, d. 5”

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$600‑$900 77 Pair of American Renaissance Revival Walnut Hall Chairs

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third quarter 19th century, the backs with a carved crest over an upholstered cushion, the stiles and apron with burlwood panels, raised on trumpet legs. h. 50‑1/2” $500‑$800 78 American Renaissance Revival MarquetryInlaid Walnut Pedestal third quarter 19th century, the square top over a tapering column with an inlaid trophy panel, the sides with Sevres-style porcelain mounts and incised panels on a stepped base. h. 39‑1/4”, w. 14”, d. 14”

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$500‑$800

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79 American Renaissance Revival Walnut and GiltIncised Adjustable Easel third quarter 19th century, the pierced and carved crest with a central plume, the ornate cross-bar shelf with an adjustable latch on the backside. h. 78”, w. 24”, d. 28” $600‑$900 80 French Bronze Dore et Patine Bust of Pallas Athena third quarter 19th century, in her role as the goddess of war, on a later marble plinth. h. 14‑1/4”, w. 6‑1/2”, d. 4‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900

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80

81 Victorian-Style Cast Iron Bench 20th century, in the Gothic taste, with pierced back and seat, the crest with molded anthemia. h. 36‑1/2”, w. 34‑1/2”, d. 18” $500‑$800 82 Ansonia Patinated Metal Clock fourth quarter 19th century, New York, decorated with a pair of cavaliers, on a faux marble base, the works marked with a patent date, “June 16, 1882”. h. 19‑3/4”, w. 26”, d. 9”

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$500‑$800 83 American Renaissance Revival Walnut Folio Stand third quarter 19th century, the rectilinear ends adjusting to fold out and display their contents on a cheval base with shaped legs. h. 46”, w. 24”, d. 28”, open w. 45‑1/2” $500‑$800 84 Pair of Paris Porcelain Figural Garniture Vases third quarter 19th century, French, in the Neo-Grec style, with trumpet-form vases held by biscuit water nymphs on Greek-key-decorated bases h. 14‑3/4”, dia. 6‑1/2”

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$400‑$700 85 William IV-Style Mahogany and Granite-Top Center Table ca. 1900, the circular granite top on a vasiform foliate-carved pedestal with four scroll- and leaf-carved legs ending in scroll feet. h. 29‑3/4”, dia. 53‑1/2” $800‑$1,200 86 Suite of Twelve Late Victorian Mahogany Dining Chairs ca. 1890, in the manner of R. J. Horner, consisting of two armchairs, h. 55”, and ten side chairs, h. 52”, with shell- and scroll-carved crests and lion-carved arm fronts, with carved paw feet.

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$600‑$900 Illustrated Online 87 American Late Classical Revival Mahogany Banquet Table late 19th/early 20th century, the circular top over a conforming molded apron, opening to accommodate three 9” leaves, on a columnar split pedestal with foliate-carved panels and four legs ending in double-knuckled carved paw feet. h. 29‑1/2”, dia. 54‑1/2” $700‑$1,000

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88 Pair of American Giltwood Cornices third quarter 19th century, the cove-molded cornices with arched center sections. h. 7‑1/2”, w. 86”, d. 5‑3/4” 88

$500‑$800 89 Sixty-One Leather-Bound Volumes of American and English Literature mid-19th to early 20th century, including works of Bryant, Emerson, Irving and Stevenson. h. 7‑1/4” to 8‑5/8” Detailed list of authors and sets available on request. $600‑$900

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90 Patinated Metal Figural Banquet Lamp fourth quarter 19th century, English or American, the figure after the “Dying Gaul”, holding aloft a floral-molded and pierced lamp font holder, electrified. overall h. 35”, w. 16‑1/4”, d. 13” $500‑$800 91 A. Hays Town (1903‑2005), The Architectural Style of A. Hays Town: 106 Preliminary Sketches Baton Rouge: Amdulaine Publications, Inc., 1985, first printing, introduction by Blanche Town Gladney, retaining the original color dust jacket, h. 11”.

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Provenance: Estate of Karolyn Kuntz Westervelt, New Orleans, Louisiana. $600‑$900 92 The Writings, John Fiske (American, 1842‑1901) Cambridge: The Riverside Press, 1902, complete in twenty-four volumes, Edition De Luxe, this numbered 484 of 1,000, half red leather over marbled boards, spines with gilt lettering and design.

9” x 6‑1/4”

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$600‑$900 93 Pair of Bohemian Vases in the Orientalist Taste mid-19th century, the lobed vases mounted on OttomanEmpire-style gilt-bronze bases, decorated with handpainted panels of courting couples in landscapes on a celadon ground, with “Orientalist” shaped borders, bases drilled for lamps h. 18”, dia. 7” $500‑$800

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94 Small Silvered Bronze Chandelier in the Neo-Gothic Taste ca. 1900, the molded Gothic standard with conforming piercework and three three classical figures, over roseform lights set with frosted shades. h. 24”, dia. 13” $500‑$800 95 Pair of American Brilliant Period Bottles fourth quarter 19th century, possibly Dorflinger, the cobaltplated cut-to-clear scent bottles with stoppers. h. 7”, dia. 5‑1/4” $1,000‑$1,500

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96 American Late Victorian Figured Walnut Occasional Table ca. 1900, the shaped top supported by carved figures for the legs and joined by pierced stretchers. h. 30‑1/2”, w. 30”, d. 30” $600‑$900 97 American Brilliant Period Cut Glass Table Lamp first quarter 20th century, cut with hobstars, with a mushroom-form shade. h. 21”, dia. 11‑1/2” $500‑$800

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98 Three Pieces of Irish Cut Crystal 20th century, including a bowl retailed by Cartier and marked on the bottom, h. 6‑1/4”, dia. 7‑1/4”, a covered “Lismore” carafe, h. 11”, dia. 4”, and a signed Waterford compote, h. 5”, dia. 5‑3/4”. $600‑$900 98

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99 Texas Longhorn Armchair and Stool early 20th century, with a padded and tufted back, and numerous horns mounted around the perimeter, the padded seat with tufted aprons and raised on horn-mounted legs. armchair h. 49‑1/2”, w. 34”, d. 28”, stool h. 8”, w. 22”, d. 10” $700‑$1,000 100 Texas Longhorn Armchair early 20th century, with a leather-upholstered seat and back, and numerous horns creating the back, arms and legs. h. 36‑1/2”, w. 29”, d. 26” $700‑$1,000 101 Texas Longhorn Armchair 99

early 20th century, the back with fur-covered horns, above a shaped seat and splayed horn-form legs. h. 39”, w. 33”, d. 23” $500‑$800 102 Two American Arts and Crafts Oak Rocking Chairs first quarter 20th century, attributed to Gustav Stickley (1858‑1942), both of pegged construction, one with horizontal back slats and retaining its worn leather seat, the underside of the seat with a Gustav Stickley “Craftsman” paper label, h. 31‑1/2”, and the other with a shaped top rail, vertical slats and a slip seat, now in brown upholstery, h. 31”. $500‑$800 Illustrated Online 103 Signed Pittsburgh Table Lamp

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first quarter 20th century, the scenic reverse-painted shade depicting a waterfront cottage, the gilt-metal base signed “P.L.B.&G.”. h. 20”, dia. 13” $500‑$800

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104 Assembled Suite of Six Quaint Stickley Brothers Dining Chairs first quarter 20th century, each with a shaped top rail over three vertical slats, a seat centered by an upholstered panel and square legs joined by boxed stretchers, one chair retaining a metal plate engraved “Quaint Furniture Grand Rapids Mich.”. h. 37‑1/4” $500‑$800 105 American Arts and Crafts Oak Dining Table, by Limbert

107 106

first quarter 20th century, with the branded stamp “Limberts Arts Crafts Furniture Made in Grand Rapids and Holland”, the circular top opening to accommodate four leaves, raised on a base with bracketed legs. h. 29‑1/2”, dia. 49‑1/2” $500‑$800 106 Roseville “Green Pine Cone” Jardiniere and Stand ca. 1935, Zanesville, Ohio, decorated with molded pine cones and pine branch handles on a green ground, unmarked, but with crayon shaped numbers used with a foil label in 1935, the crayon shaped numbers also on the top of the pedestal. h. 28‑1/2”, dia. 11”

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$500‑$800 107 Two Tiffany Studios “Pine Needle” Desk Accessories first quarter 20th century, New York, including a giltbronze inkwell marked “Tiffany Studios, New York, 845”, h. 2‑1/2”, w. 3”, d. 3”, and an unmarked rolling blotter, h. 2”, w. 5‑3/4”, d. 2‑3/4”, each set with caramel slag glass.

108 Gold Aurene Sherbet Dish and Stand first quarter 19th century, American, attributed to Steuben, unsigned. h. 4‑1/2”, dia. 6” $500‑$800

$500‑$800

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109 Limbert Arts and Crafts Oak Armchair early 20th century, branded beneath the arm “Limbert Arts Crafts Furniture Grand Rapids...”, with a cane seat and back, and open arms, the legs joined by an H-form stretcher, the seat fitted with a cushion. h. 35‑1/4”, w. 25”, d. 20‑3/4” $500‑$800 110 American Arts and Crafts Oak Library Table and Chair early 20th century, the table attributed to J. & J. Stickley, the chair branded “Limbert”, each of pegged construction, the table through-tenoned. table h. 29”, w. 36”, d. 24”, chair h. 37”

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$500‑$800 Illustrated Online 111 Large Handel Embossed Emerald Cased Glass Panel Lamp early 20th century, the shade with eight bent glass panels over eight border glass panels, with a patinated bronze base bearing the “Handel” signature on the underside. h. 28‑1/2”, dia. 22” $700‑$1,000 112 Limbert Arts and Crafts Oak Settee

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first quarter 20th century, branded beneath the arm “Limbert Arts Crafts... Grand Rapids... Holland”, the back with vertical slats, the open arms with throughtenons, with a padded and upholstered seat, now with five matching loose pillows. h. 36”, w. 67‑1/2”, d. 26‑1/2” $500‑$800 113 Limbert Arts and Crafts Oak Armchair first quarter 20th century, branded beneath an arm “Limberts...Grand Rapids and Holland”, with pegged and through-tenon construction, the back with five vertical slats, above open arms and an upholstered slip seat cushion. h. 35‑3/4”

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$500‑$800 114 Pair of Rococo Revival Cast Iron Plant Stands fourth quarter 19th century, American, with scrolled supports, each set with six pierced circular stands. h. 39”, w. 35‑1/2”, d. 18” $500‑$800

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115 Pair of Twisted Wire Conservatory Plant Stands first quarter 20th century, American or English, with Gothic arch tracery tops, the sides decorated with scrollwork, the lower shelves in a lattice pattern. h. 34‑3/4”, w. 33‑1/2”, d. 10” $500‑$800 116 Group of Five Books on Portrait Silhouettes including Auguste Edouart, A Treatise on Silhouette Likenesses; Mrs. F. Nevill Jackson, Silhouettes: A History and Dictionary of Artists; Andrew Oliver, Auguste Edouart’s Silhouettes of Eminent Americans, 1839‑1844; Emma Rutherford, Silhouette: The Art of the Shadow; and Alice van Leer Carrick, Shades of Our Ancestors. Complete references available on request.

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300‑$500 117 Augustus Day (American/Charleston, S.C., act. 1800‑1845) Pair of Portrait Miniatures and Two Portrait Bust Silhouettes including “Daniel Thomas”, pencil and watercolor on card, signed, sitter’s name inscribed en verso, sight 4‑3/4” x 3‑3/4”; “Dr. Thomas Yarrow (1780‑1842) and His Wife Sarah “Lucy”?

(1784‑1840)”, 1822, paper cut-outs on card heightened with chalk, signed and dated, sitters identified on frame backing, sight 4‑1/8” x 3”; together with “Bust Silhouette of a Gentleman”, unsigned, frame backing indistinctly inscribed “John Thorn...

Ruth?”, paper cut-out and gouache on card, sight 4” x 3‑1/2”.

Each glazed and framed, the first Day in an eglomise frame and the Day pair in period wood frames. framed 7‑3/4” x 6‑1/8”, 5‑1/8” x 4‑1/8” and 6‑1/4” x 5‑5/8”, respectively

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600‑$900

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118 British/American School (First Half 19th Century) Six Portrait Bust Silhouettes each watercolor and gouache on card including “Young Boy with Shoulder-Length Hair”, unsigned, “Mrs. Beetham” and “Christie Collection” labels on frame backing; “Gentleman with White Necktie and Ruffled Chemise”, inscribed “James Joel...? Carr” en verso; “Boy with White Ruffled Collar”; “Gentleman in Cap”, heightened with gold, indistinctly inscribed en verso; “Young Man with White Collar” and a “Lady with Fine Bonnet and Shawl”.

Each glazed and framed. sights 2‑1/4” x 1‑3/4” to 3‑7/8” x 2‑3/4”, framed 4‑3/8” x 3‑1/2” to 5‑5/8” x 4‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 118

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119 American/British School (First Half 19th Century)

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Three Portrait Bust Silhouettes each paper cut-out heightened with gold on card including two gentlemen, the gentleman with the sideburns inscribed “A. Bolton” on frame backing, and a lady, each unsigned.

Each glazed and framed. sights 2‑3/4” x 2‑1/4” to 3‑1/4” x 2‑5/8”, framed 7” x 6” to 7‑5/8” x 6‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600‑$900 120 American School (First Half 19th Century) 121

Six Fine Hollow-Cut Silhouette Busts each paper cut-card over dark background including Charles Willson Peale, “Peale Museum” (1741‑1827), “Man in a Top Hat”, over black card, and “Lady with Lace and Curls”, ca. 1790, over black silk, each embossed “Museum”, the second with card of authenticity attached to frame backing, sights 4‑1/4” x 2‑3/4” and 3‑3/4” x 3”, respectively; Henry Williams (American, 1787‑1830), “Pendant Pair of a Man and Woman”, each over black silk, each card embossed “Williams”, frame backing on gentleman with “Elizabeth L. Maurier Collection” label, each sight 4‑3/8” x 3‑1/4”; “Hannah Cope (1835‑1917) of Montgomery, Pennsylvania”, over blue card with a gilt-brass surround stamped “Holmes, Booth and Haydens/Patented Oct. 1855”, “E. Grosvenor Paine” label on frame backing; and “Gentleman”, over black card, unsigned, sight 4‑5/8” x 3‑1/2”.

Each glazed and framed. framed 5‑1/2” x 4‑3/4” to 7‑3/4” x 6‑1/4” Provenance: Hannah Cope silhouette, Collection of Edward Grosvenor Paine (1911‑1994), London, New York and New Orleans.

All six silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi.

The Peale Museum silhouettes were authenticated by Ernest Lee Parker (1885‑1936), former Curator of Paintings, Pennsylvania Academy of Fine Arts, and the portrait of the woman is accompanied by two handwritten notes by Parker on a note card and on his business card. $700‑$1,000

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121 Auguste Edouart (French, act. U.K., U.S., 1789‑1861) Four American Portrait Bust Silhouettes each paper cut-out on card, some heightened with chalk including two ladies, one inscribed “’Tis Fanny” (probably Fanny Eckley of Boston) and two gentlemen, one localized “Boston”, the other with Edouart’s 1825‑1826 trade label en verso, the first three signed and dated “1842” en recto below bust.

The first glazed and framed alike, the fourth glazed in an oval surround with an ebonized frame. sights 3‑1/2” x 2‑1/2” to 4‑5/8” x 3‑5/8”, framed 6” x 4‑7/8” to 6‑1/2” x 5‑1/2” Provenance: Peggy McClard American and Folk Art, Houston, Texas; Estate of Dr. Carroll Ball, Jackson, Mississippi.

Literature: Eckley portrait in Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 203 $600‑$900

123 Auguste Edouart (French, act. U.K., U.S., 1789‑1861) Three Portrait Silhouettes of a British Captain, Nobleman and Merchant”

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each paper cut-out on card including “Royal Navy Captain William Corles, Esq. (1788‑1841)”, sight 12‑5/8” x 6‑1/4”; “Robert Gray, Esq. of Carntyne, Lanarkshire, Scotland (1756‑1833)”, March 14, 1832, sight 10‑3/4” x 5‑3/4”; and “William Wyman, Carver and Gilder, Clare St., Bristol”, May 29, 1827, sight 10‑5/8” x 7‑1/4”.

Each with keyhole-cut inscription en verso, the last two with Edouart stencils, the first and third with sitters’ names en recto.

Each glazed in a period bird’s-eye-maple frame. framed 15‑5/8” x 9‑1/4”, 13‑5/8” x 8‑5/8” and 13‑7/8” x 10‑1/4”, respectively Provenance: Wyman silhouette- Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K.; Estate of Dr. Carroll Ball, Jackson, Mississippi; Peggy McClard American and Folk Art, Houston, Texas.

All three silhouettes Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, pp. 66 (illustrated), 126, 137 and 239. $700‑$1,000

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122 Auguste Edouart (French, act. U.K., U.S., 1789‑1861) “Three New York Statesmen” paper cut-outs on card including “Ezra C. Benedict, Counsellor at Law New York/ Saratoga”, Aug. 20, 1842, 11‑1/2” x 4‑7/8; “John C. Devereux, 1st Mayor of Utica”, Aug. 21, 1840, 11‑1/2” x 4‑1/2”; “A. F. Collmare”, Saratoga/Boston, Aug. 16, 1844, 11‑5/8” x 4‑5/8”.

All with keyhole-cut inscriptions of sitters’ names, dates and locales; all with “Arthur S. Vernay, New York” labels on glass backings.

All three glazed and framed; two in period bird’s-eye maple frames. framed 14‑1/8” x 7‑1/2”, 14‑1/4” x 7‑1/4” and 12‑5/8” x 5‑3/4”, respectively Provenance: Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K.; Arthur S. Vernay (1877‑1960), New York, New York; Estate of Dr. Carroll Ball, Jackson, Mississippi.

Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, pp. 194, 262 and 199. $700‑$1,000

124 Auguste Edouart (French, act. U.K., U.S., 1789‑1861) Portrait Silhouettes of Three Scholars paper cut-outs including two with mortarboards, the first holding one, the second wearing one, frame backing of first with “Wright Howes, Chicago, IL” label; and a gentleman with a book identified as “John Cockburn, Esq. (1784‑1862), of Doune Terrace, Edinburgh”, the first two signed and dated 1828, the third with the sitter’s name and locale inscribed in a “keyhole” cut en verso. sights 10‑1/2” x 6‑1/2”, 10‑1/2” x 5‑1/2” and 10‑1/2” x 6‑7/8, respectively.

Each glazed and framed. framed 13‑1/4” x 9‑1/4”, 14” x 9‑1/2” and 12‑1/2” x 8‑3/4”, respectively Provenance: Scholar holding mortarboard, Wright Howes, Chicago, Illinois.

Both scholars, Peggy McClard American and Folk Art, Houston, Texas.

Cockburn silhouette, Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K.; Doyle, New York, May 1, 2007, lot 3172.

All four, Estate of Dr. Carroll Ball, Jackson, Mississippi.

Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 125 $700‑$1,000

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127 British/American School (First Half 19th Century) Each glazed and framed Six Portrait Bust Silhouettes of Gentlemen

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125 Auguste Edouart (French, act. U.K., U.S., 1789‑1861) Two Portrait Silhouettes each paper cut-out on card each signed, dated and localized including “M. Fabins Lea of Wavertree near Liverpool (b., 1801)”, May 9, 1837, sitter, location and date identified through “keyhole cut” en verso; “Reverend T. S. Turnbull (b. ca. 1798)”, Marseille 1832; together with a “Portrait Silhouette of L.... Lockesley, Esq.”, indistinctly inscribed in period handwritten label on frame backing. sights 11” x 6‑1/4”, 11‑3/4” x 6‑1/8” and 10‑7/8” x 7‑1/2”; framed 13‑3/8” x 8‑1/2”, 14‑1/2” x 9” and 14‑3/4” x 11‑1/2”, respectively

each paper cut-out and watercolor/gouache each unsigned, including William Hubard (1807‑1862), “Scholar Wearing Mortarboard”, stamped “Hubard Gallery” en verso and identified as “Henry Lewis Stephens/Whites at Oxford”, heightened with gold; Auguste Edouart (French, 1789‑1861), “Young Man with Curly Hair”, Edouart’s trade label en verso; “Man with Ponytail and Ruffled Shirt”, identified en verso as “Samuel Horrocks” of Lark Hill House, Preston, co. Lancaster, M.P. for Preston (1766‑1842); “Man with Curly Hair and Prominent Nose”, heightened with gold; “Man with Sideburns”, heightened with gold; and “Man with White Collar and Ruffled Shirt”.

Each glazed and framed in similar ebonized frames with giltbrass surrounds. sights 2‑3/4” x 2‑3/8” to 3‑1/2” x 2‑3/4”, framed 5‑1/4” x 4‑1/2” to 5‑3/4” x 5” Provenance: “Man with Sideburns”, Peggy McClard American and Folk Art, Houston, Texas.

All six, Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, pp. 147, 171 $700‑$1,000 126 John Miers (British, 1758‑1821) “Pair of Pendant Portrait Bust Silhouettes of a Man and a Woman” each gouache on plaster each unsigned, each with period “Miers/Profile, Painter and Jeweler” label on frame backing, sights 5” x 4”, glazed in matching eglomise oval surrounds in ebonized frames; together with two silhouette portrait busts of a gentleman and a lady, each paper cut-out heightened by gold outlines, each 3‑1/4” x 2‑3/4”, both glazed in period ebonized frames. framed (pair) 7‑3/8” x 6‑1/8”, 6‑7/8” x 6‑1/4” and 7” x 5‑3/8”, respectively

126

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

127

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128

129

128 Auguste Edouart (French, act. U.K., U.S., 1789‑1861) Four English Portrait Silhouettes each paper cut-out on card each signed and dated, including “Thomas Clarsly(?) of Edgbaston”, 1832, 9‑1/2” x 7‑1/4”; “Gentleman in a Top Hat with Cane”, 1827, sight 10” x 7”; “Reverend John F. Pilgrim of Cheltenhamshire and Barbados”, 1829, sitter identified en recto and in “keyhole cuts” en verso, glass backing with “Collection of Mrs. F. Nevill Jackson” stamp, sight 11” x 6‑1/2”; “(Probably) Kinswoman of John Wiltshire of Shockerwick Hall, near Bath”, 1828, titled on frame backing, sight 10‑3/4” x 7”.

Each glazed and framed. framed 12‑1/3” x 9‑5/8” to 16‑3/4” x 12‑1/2” Provenance: Pilgrim and Wiltshire Kinswoman silhouettes, Peggy McClard American and Folk Art, Houston, Texas.

All four silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi.

130

Literature: Pilgrim silhouette, Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 159. $700‑$1,000 129 British School (First Half 19th Century) Three Portrait Silhouettes the Adolphe silhouette is black gouache, the other two are paper cut-outs, all three heightened with gold and white gouache, including Edgar Adolphe (active 1832‑1846), “An African Man in the Vestment of a Porter/Valet “, 1840, signed, dated and inscribed en verso; (Attr.) Auguste Edouart (French, active U.K./U.S., 1789‑1861), “A Lady with a Reticule Handbag”, faintly monogrammed “AE”; “A Man in a Tailcoat”, unsigned.

All three glazed and framed, the last two in period frames. overall 13‑3/4” x 8‑1/4”, 11” x 8‑1/4” and 11” x 9‑5/8”, respectively

130 William Hubard (British/act. Virginia, 1807‑1862) “Young Girl Holding a Flower” paper cut-out and watercolor heightened with gold unsigned, paper embossed “Hubard Gallery, London”; together with Auguste Edouart (French, 1789‑1861), “Two Sisters”, 1829, paper cut-out, signed, localized and dated lower margin.

Each glazed and framed. sights 8‑3/4” x 11‑3/4” and 9” x 6‑3/8”, framed 11‑3/8” x 14‑1/2” and 11‑1/8” x 8‑1/4”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

Provenance: The Adolphe silhouette, Hanes and Ruskin Antiques, Old Lyme, Connecticut.

All three silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800

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131 American/British School (First Half 19th Century) Four Portrait Bust Silhouettes including “John P. McKnight (1730‑1795) of Philadelphia”, paper cut-out on card, sitter identified on backing of eglomise frame, sight 2‑3/4” x 2”; “Gentleman with Sideburns”, gouache on paper heightened with gold, sight 2‑3/4” x 2‑1/4”; and “Two Little Girls”, paper cutouts and gouache on card, each sight 4‑1/8” x 3”.

Each unsigned.

Each glazed and framed. framed 4‑3/4” x 4‑3/8” to 7‑1/4” to 6‑1/4”

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Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 132 American Folk Art School (Mid-19th Century) “Portrait of a Gentleman Holding a Drawing Compass” oil on canvas unsigned.

In a period giltwood frame.

34” x 26‑3/4”, framed 46” x 36” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 133 American School (Mid-19th Century)

132

133

“Portrait of a Dark-Haired Young Woman” oil on canvas unsigned, illegibly pencil-inscribed en verso.

In a period frame.

14” x 12”, framed 18‑1/2” x 16‑1/2” $500‑$800 134 American School (Second Quarter 19th Century) “Folk Art Portrait of a Gentleman and His Son” oil on canvas unsigned.

Framed.

36” x 28‑3/4” $600‑$800

134

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135 American School (Mid-19th Century) “Pair of Pendant Portraits of Husband and Wife” oil on canvas unsigned.

In matching period oval gilt frames.

30” x 25” (ovals), framed 38‑1/2” x 33‑1/2” $500‑$800 136 Anglo-American School (19th Century) 135

“Pendant Portraits of Husband and Wife” pair of oils on wood panel unsigned.

In matching frames.

14” x 11‑3/4”, framed 19‑1/2” x 17” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200 137 American Folk Art School (Mid-19th Century) “Portrait of a Little Girl in a Green Dress” oil on canvas unsigned.

Framed.

24” x 20”, framed 29‑1/2” x 25‑1/2”

136

$700‑$1,000 Illustrated Online

138 Rolland Golden (American/Louisiana, b. 1931) “Yesterday’s Snow”, 2010 acrylic on canvas signed and dated lower right, signed, titled and dated en verso.

Framed.

32” x 42”, framed 34” x 44” $500‑$800

138

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139 Luke Fontana (American/New Orleans, Contemporary) “Atchafalaya Basin” photograph signed lower left.

Attractively matted, glazed and framed. sight 15‑1/4” x 31”, framed 28‑1/2” x 44‑1/2”

139

$800‑$1,200 140 Gonzalo Contreras del Solar (Chilean/Contemporary) “Untitled” group of eight photographs each mounted and matted. each sheet 17” x 16‑3/4” $600‑$900 141 Gonzalo Contreras Del Solar (Chilean/Contemporary) “Untitled”

140

group of eight photographs each now mounted and matted. each sheet 17” x 16‑3/4” $600‑$900 Illustrated Online 142 Gonzalo Contreras del Solar (Chilean/Contemporary) “Untitled” group of nine photographs each now mounted and matted. each sheet 17” x 16‑3/4” $600‑$900

142

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144 Emery Clark (American/New Orleans, b. 1950) “Study-Afternoon Waves”, 1987 “Study-Moon Glow Light”, 1993 two mixed medias on paper each signed lower right, each with an “Arthur Roger Gallery, New Orleans” label en verso.

Each matted, glazed and framed. sights 9” x 13‑1/2” and 9‑1/4” x 14”, framed 26‑1/4” x 30” and 25” x 29” $700‑$1,000 143

143 Emery Clark (American/New Orleans, b. 1950) “Rolling Wave”, 1993 watercolor and mixed media on paper signed and dated lower right, verso with “Arthur Roger Gallery, New Orleans” label with artist name, date, title and medium of work.

Matted, glazed and framed.

40” x 55”, framed 41‑3/4” x 56‑1/4” $700‑$1,000

145 Jaqueline Bishop (American/Louisiana, b. 1955) “Hurricane Brunch” acrylic on paper signed lower right, handwritten label with artist, title and provenance en verso.

Framed. sight 11‑3/4” x 24‑1/2”, framed 20‑1/2” x 33” Provenance: Provenance: Galerie Jules Laforgue, New Orleans. $500‑$800 In 1981, artist and curator George Febres opened Galerie Jules Laforgue in the Faubourg Marigny. Febres named the gallery after his great uncle Jules Laforgue, a French symbolist poet that he greatly admired and found an inspiration. Febres featured the work of a young talented group of artists including Douglas Bourgeois, Jacqueline Bishop and Bunny Matthews who became known collectively as ìVisionary Imagists.

144 one of two

145

144 two of two

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146 Josephine Hutson Graham (American/Arkansas, 1915‑1999) “Mixed Flowers in Bread-Rising Pan” oil on masonite signed lower mid-left, a typewritten label with title en verso.

Framed.

24” x 30”, framed 27” x 33” $700‑$1,000

149

147 American School (Mid-20th Century) 146

“Interior”, 1956 oil on canvas illegibly signed and dated lower left.

Framed.

36” x 30‑1/4”, framed 45” x 38‑1/2” $1,000‑$1,500 148 French School (20th Century) “Portrait of a Seated Woman” oil on canvas signed “Caruz Bernol” lower left, a “Mirador, Paris” label en verso.

Framed.

12‑3/4” x 10‑3/4”, framed 18” x 15‑1/4” $700‑$1,000

147

149 Noel Rockmore (American/Louisiana, 1928‑1995) “Mother Goose” oil on paper signed lower right.

Matted, under plexiglass and framed. sight 24” x 17‑1/2”, framed 32‑1/2” x 27” Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $500‑$800

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148

150

151

150 James Michalopoulos (American/Louisiana, b. 1951) “Wendy’s View” oil on canvas signed lower left, titled on stretcher.

Framed.

22” x 28”, framed 23” x 29” $2,000‑$4,000 151 Neil Boyle (American, 1931‑2006) “Trumpet Player, French Quarter” acrylic and ink on masonite signed lower right, a “Society of Illustrators, Los Angeles, CA” label with artist en verso.

Unframed.

24” x 30”

152

$700‑$1,000 152 Wayne E. Smyth (American, 20th Century) “Houston Street Musicians: Cleo and Rufus” the latter a Banjo Player and the former a Blues Singer” two oils on canvas each signed lower right, and the former en verso.

Framed alike. each 40” x 30”, each framed 43” x 33” $500‑$800 153 Tomasz Rut (Polish/Florida, b. 1961) “The Musician” oil on canvas monogrammed lower right.

Framed.

55” x 38”, framed 64” x 47” $1,000‑$1,500

153

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154 Tomasz Rut (Polish/Florida, b. 1961) “The Marly Groom” oil on canvas monogrammed lower right.

Framed.

70” x 56”, framed 76” x 62” $1,000‑$1,500 155 Charles Whitfield Richards (Mississippi/New Orleans, 1906‑1992) “Sunday Painter #2” oil on canvas signed lower right, a typewritten title label and an E. L. Borenstein Collection inventory sheet en verso.

In a period frame.

24” x 30”, framed 29” x 35”

156

154

Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana; Larry Borenstein, French Quarter gallery owner. $800‑$1,200 156 American School (20th Century) “Still Life of Gladioli in a Cut Glass Vase” oil on canvas signed and dated lower left “Doric 86”.

Framed.

36” x 30”, framed 39‑3/4” x 33‑1/2” $300‑$500 157 William Tolliver (American/Mississippi, 1951‑2000)

155

“Louisiana Bayou Landscape with Swans” oil on canvas board signed lower right.

Framed.

45‑1/2” x 90‑1/2”, framed 53” x 98‑1/2” Provenance: Commissioned from the artist; Private collection, Baton Rouge, Louisiana. $2,000‑$4,000

157

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158

159

158 Chestee Harrington (American/Louisiana, b. 1941) “Cabin in the Bayou” oil and mixed media on carved wood signed lower left.

Framed.

4” x 9”, framed 11” x 16” $600‑$900

161

160 Philip Kran Paval (American/California, 1899‑1971) “Torry [sic] Pines, Carmel, California” oil on canvas signed and titled en verso.

Framed.

27‑1/2” x 31‑1/2”, framed 29‑1/2” x 35‑3/8” $700‑$1,000

160

159 Alexander Brook (American/Georgia, 1898‑1980) “Cabin” oil on canvas signed lower right.

Unframed.

7” x 10” $700‑$1,000

161 Helen Loomis (American/Louisiana, 20th Century) “Our Tangipahoa”, 1983 oil on board monogrammed lower right, signed, titled and dated en verso.

Framed.

18” x 24”, framed 26‑1/4” x 32” Provenance: Estate of Marjorie Abbey Morrison, Hammond, Louisiana. $800‑$1,200

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162 Dixie Hampson Durham (American, 1913‑2010) “A Fork Under the Pillow to Cure Night Sweats”, 1977 oil on canvas signed and dated lower right, titled en verso.

Framed.

24” x 20”, framed 31‑1/4” x 27‑1/4” $700‑$1,000 163 Alessandro Mendini (Italian, b. 1931) “Peonia” centerpiece, Design Gallery Milano, 1993

164

162

marble, engraved and silver-plated brass with gallery label “Mendini / 1993 / Design Gallery Milano”, numbered “8/24”. h. 13‑7/8”, l. 21‑1/2”, d. 8‑1/8” h. 13‑3/4”, w. 24‑1/4”; d. 8‑1/8” $800‑$1,200 164 Hans Hansen “Charlotte” Sterling Silver Flatware Set the pattern designed in 1955 by Karl Gustav Hansen (1914‑2002), Kolding, Denmark, retailed by H. Nils, New York, New York, including eight seven-piece place settings (one dinner fork lacking), with an additional dozen each salad forks and large teaspoons and fourteen serving pieces, no monograms, presented in a fitted, Pacific clothlined, mahogany-stained wooden case with lift-top and single drawer, 6‑3/4” x 17” x 12‑1/4”.

93 pieces 84.12 total t. oz (weighable silver) $700‑$1,000

163

165

165 Pair of Randahl Shop Sterling Silver Compotes mid-20th century, Chicago, Illinois, of small size, each with a petal-lobed bowl above a figural dolphin standard and acanthus-crested domed circular foot h. 4‑1/8”, dia. 5‑1/4”; 11.72 total t. oz.

Provenance: By descent in the Kilp Family, Germany; to Antonio (1885‑1959) and Carola (1895‑1967) Kilp, Wiesbaden, Germany; to their daughter Carmelita Kilp Blackburn (1923‑2017), Sugar Land, Texas. $500‑$800 166 John Hardy Home “Dot” Collection Sterling Silver Table and Barware

166

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contemporary, Bali, Indonesia, including a magnifying glass, l. 8‑3/8”, a letter opener, l. 9‑1/8”, a corkscrew, l. 5‑3/4”, and a bottle stopper, l. 2‑1/4” 4 pieces 22.89 total t. oz. (including all steel, plastic and rubber fittings) $500‑$800

167 Collection of Buccellati and Harrods Silverplate Flatware 20th century, including a set of Buccellati “Bellefleur” comprising eight six-piece place settings (four pieces lacking) and eleven serving pieces, and a Latham & Owen for Harrods twenty-four-piece fish set.

79 pieces Detailed list of pieces available on request. $800‑$1,200

171

168 Constantin Alexandrovich Westchiloff (Russian, 1877‑1945) “Monk Reading on an Amalfi Coast Terrace”

167

oil on artist board signed lower right.

Framed.

12‑1/4” x 8”, framed 16‑1/2” x 12” $1,500‑$2,500 169 Zsigmond Palnagy (Hungarian, 1896‑1959) “Farmer’s Respite” oil on canvas signed lower right.

Framed.

31‑1/2” x 23‑3/4” $400‑$700 Illustrated Online 170 French School (20th Century) “Au Bord de la Riviere”

168

oil on canvas monogramed lower right “GCM”.

Framed.

20” x 23‑1/2”, framed 26‑1/4” x 29‑3/4” $500‑$800 171 Aleksander Titovets (Russian/Texas, b. 1960) “View of St. Petersburg” oil on canvas signed and titled en verso.

Framed.

29” x 41”, framed 24” x 36” $700‑$1,000

170

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172 Luciana Parsini (Italian, b. 1939) “Village on a River” oil on canvas signed lower right.

Framed.

18‑5/8” x 24”, framed 25‑1/2” x 29‑3/4” $800‑$1,200 173 Franz Mark (Hubert Kaplan) (German, b. 1940)

172

“Hunter and His Two Dogs” oil on canvas signed lower right.

Framed.

23‑3/4” x 32”, framed 29‑1/4” x 37‑3/4” $500‑$800 174 Jean Chaleye (French, 1878‑1960) “Nude” oil on board signed lower right.

Framed.

18‑1/4” x 25‑3/4”, framed 24‑1/4” x 32”

173

$500‑$800

174

175 Prince Leopold von Hohenzollern (German, 1835‑1905) “Sunflowers” oil on canvas unsigned, handwritten inventory label en verso frame.

Framed.

39‑3/4” x 28‑1/2”, framed 46” x 34‑3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

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175

$600‑$900

176 Antoine Calbet (French, 1860‑1944) “Woman in a Garden” oil on canvas signed “A. Calbet” lower left.

Framed.

24” x 20”, framed 32‑3/4” x 28‑1/2” $700‑$1,000 177 Francois Gall (Hungarian/French, 1912‑1987) “Jeune Femme, Nu” oil on canvas signed lower right. Framed.

11‑1/8” x 9‑1/4” $800‑$1,200

176

178 Yves Diey (French, 1892‑1984) “Portrait of a Woman in a Dressing Gown” oil on canvas signed lower right.

Framed.

21‑1/2” x 18”, framed 28‑1/2” x 25” $400‑$700

177

179 Planas (Spanish, 20th Century) “Seated Dark-Haired Woman” oil on canvas signed lower right.

Framed.

25‑1/4” x 21”, framed 34‑1/2” x 30‑1/2” $600‑$900 Illustrated Online

178

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180 Mixed Metal and Upholstered Bench/Radiator Cover possibly by Oscar Bach, ca. 1920, the velvetcovered cushion on an iron frame with brass-plated legs and panels, adorned with copper-plate sunflowers, one end fitted with an access door, the back side open. h. 22‑1/2”, w. 43”, d. 18” $500‑$800

180

181 Pair of Bronze and Faux Tortoise Torcheres of neoclassical inspiration, each two-light torchere with a strapwork frame decorated with acanthus leaves, the double sockets concealed in a hemispherical faux tortoise shade. h. 72”, dia. 19” $500‑$800 Illustrated Online 182 Pair of Wrought Iron, Polychromed Stamped Metal and Marble-Top Console Tables early 20th century, each decorated with grapes and leaves, and raised on scrolled legs. h. 34‑1/2”, w. 38‑1/2”, d. 16‑1/2” $700‑$1,000 Illustrated Online

183

186

183 Contemporary Faux Bamboo Gilt-Steel Armchair with open arms and upholstered seat in fleur-de-lis decor. h. 41‑1/2” $300‑$500 184 Wayne E. Smythe (American, 20th Century) “The Majestic Peacock” acrylic, gold-leaf, silk fabric a six-panel screen of Meiji inspiration, signed lower right and with inscription in Japanese, bordered in silk fabric, backed in burgundy moire, all set within thin black laquer. each panel h. 81”, w. 19”, overall w. 114”

184

$600‑$900 185 Contemporary Bamboo Cabinet with a pair of open deep shelves over a pair of drawers. h. 69”, w. 45‑1/2”, d. 23” $600‑$900 Illustrated Online

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186 Impressive Jugendstil Hammered Copper and Iron Tea Kettle and Warming Lamp first quarter 20th century, Continental, the wrought iron base with pots of flowers, the leaf-decorated iron hook supporting the kettle over the lamp. h. 60”, dia. 24” $700‑$1,000

187 Carved and Painted Carousel Horse early 20th century, decorated with colorful draping, the seat back carved with a bird’s head. h. 32‑3/4”, w. 46‑1/4”, d. 10‑1/2” $1,000‑$1,500 188 Pair of Art Nouveau-Style Bronze and Glass Sconces 20th century, the two-light sconces with pierced and hammered backplates set with pierced sockets, and tulip-form topaz glass shades. h. 14‑1/2”, w. 9”, d. 4”

187

$500‑$800 189 Pair of Art Nouveau-Style Mahogany Bergeres 20th century, each with a double-domed back above a bisected and padded back, divided by an X-form splat, joined by downswept arms to the padded seat, raised on splayed legs ending in scrolled toes. h. 34” $600‑$900 Illustrated Online

188

190 French Art Nouveau-Style Carved Fruitwood and Rosewood Inlaid Stand late 20th century, the top and two lower shelves with floral inlays and raised on reeded legs. h. 47‑1/2”, w. 19”, d. 19” $500‑$800 191 Art Deco Bronze Table Lamp the three-light lamp decorated with a dancer standing amid sprays of leaves, with three overhanging lights. h. 24”, w. 14‑1/2”, d. 7‑1/4” $500‑$800

191

190

192 Pair of Unusual Art Deco Cast Metal Planters second quarter 20th century. h. 10‑1/2”, w. 23”, d. 6‑1/2” $500‑$800

192

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193 Pair of Bronze Art Deco Figures in the Manner of John Bradley Storrs (American, 1885‑1956) molded front and back, meant to be viewed from both sides, possibly in a gate or screen. h. 21‑1/2”, w. 21”, d. 1‑1/2” $3,000‑$5,000 Storrs was a sculptor known for exploring the relationship between architecture and sculpture.

193

194 Jorge Alarcon Islas (Mexican, b. 1933) “Untitled - Seated Woman” patinated bronze cast signature along back, on a beveled black marble plinth. overall h. 12‑3/4”, w. 6‑3/8”, d. 6‑1/4” $500‑$800 195 American Verdigris-Patinated Bronze of a Ballerina 20th century, cast signature “Loewe” and numbered “4/8” at back edge, now presented on a black marble base. overall h. 7”, w. 12”, d. 5‑1/4” $500‑$800

194

195

196 Art Deco Walnut Burl and Marble-Top Buffet a Deux Corps early 20th century, the shaped crest above two cupboard doors inset with beveled glass panels and opening to a mirrored interior, the sides paneled en suite, joined by a beveled mirrored backpiece to a bowed marble top over an ormolu-mounted frieze, over two paneled cupboard doors, raised on tapering circular feet. h. 81”, w. 59”, d. 21” 196

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$700‑$1,000

197 Pair of Art Deco Gilt-Metal and Onyx Torcheres second quarter 20th century, probably American, on onyx-mounted, pierced bases, decorated with heads of Athena and set with molded glass shades. h. 65”, dia. 16” $500‑$800 198 Bernhard Rohne for Mastercraft Brass Mirror pre-1985, American, the brass frame set with a beveled mirror plate, the upper portion set with one of Rohne’s signature acid-etched tablets. h. 54”, w. 30‑1/2” $500‑$800 199 Art Deco Burlwood, Brass and Mahogany Dining Table second quarter 19th century, the top with dramatic burled elm framed by satinwood, above a birdseye-veneered apron, raised on reeded columns joined to a burlwood base mounted with a brass foot rail. h. 30‑1/4”, w. 51”, d. 39”

198

197

200 French Art Deco Marquetry-Inlaid and BronzeMounted Acajou Sideboard

$700‑$1,000

second quarter 20th century, in two parts, the upper section with a shaped glass vitrine, the glazed panels in brass frames, flanked by cast bronze capitals in floral decor, the base with a brescia marble top over a case with a band of drawers over doors, the central door with inlaid panels depicting a flapper and a masqued archer, the side doors with avian inlay, raised on tapering legs with inlaid cuffs. h. 85‑3/4”, w. 78‑3/4”, d. 24‑1/4” $1,000‑$1,500

200

199

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203

201 200A

200A Louis XV-Style Mahogany Lady’s Desk early 20th century, the kidney-form top with a parquetry inlay within a banding and three-quarter pierced brass gallery, above a conforming frieze fitted with three banks of two small drawers, raised on cabriole legs ending in sabots. h. 29”, w. 39”, d. 21” $600‑$900 201 Lalique Molded and Frosted Crystal “Martinets” Vase 20th century, French, with an engraved “Lalique France” mark. h. 9‑1/2”, dia. 6‑1/2” $300‑$500 202 Eight-Piece Collection of Signed Lalique Molded and Frosted Glass 20th century, French, including a “Bagatelle” vase, h. 6‑3/4”, dia. 5”, a nude female, h. 9‑1/2”, w. 5”, d. 3”, a ring tray, h. 3‑3/4”, dia. 3‑1/2”, a “Clairefontaine” flacon, h. 4‑3/4”, w. 4”, d. 2‑1/2”, a “Claude” bud vase, h. 13‑3/4”, dia. 5‑1/4”, and three birds, h. 2‑1/4” to 4”, w. 2” to 4”, d. 4” to 5‑1/2”.

204

204 Lalique Molded Crystal “Thistle” Pattern Bowl and Side Plate each signed “Lalique France” in an engraved mark. bowl h. 5”, dia. 10‑1/2”, side plate w. 8”, d. 5‑3/4” $400‑$700 205 Pair of Aviator-Style Leather Club Chairs with tubular quilted seats and backs and dramatic higharched arms. h. 29”, w. 30”, d. 33” $1,200‑$1,800

$900‑$1,200 Illustrated Online 203 Three Pieces of Signed Lalique Glass 20th century, French, the collection including a “Sylvie” vase, h. 8‑1/2”, w. 6‑1/4”, d. 4”, a bird, h. 3”, w. 4‑1/2”, d. 3” and a “Pheasant” seal, h. 4”, w. 1‑1/2”. $300‑$500

205

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206 Art Deco-Style Mahogany and Marble-Top Demi-lune Console probably Ralph Lauren, with a pair of fluted doors opening to reveal an interior with a drawer and shelves, one of the interior drawers bearing a felt liner with the Ralph Lauren name. h. 37‑1/4”, w. 41‑1/2”, d. 20‑3/4” $500‑$800 207 Large Cherrywood Circular Coffee Table 20th century, the segmented top mounted to four outside legs joined by curved stretchers. h. 24”, dia. 60” $600‑$900 Illustrated Online 206

207

208 Art Deco Giltwood Mirror second quarter 20th century, the lower portion molded with swans and aquatic plants, the lobed upper portion decorated with black engraved panels with amber accents, the pierced shell-form crest flanked by trailing flowers. h. 46‑1/4”, w. 50”

208

$500‑$800 209 Pair of Art Deco Fruitwood Bergeres 20th century, in the Biedermeier taste, each with a cushioned triangular back surmounted by an ebonized crest, joined by padded outswept arms to the cushioned seat, raised on splayed tapering square legs. h. 37” $1,000‑$1,500 209

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210 Jim Furr (American/Louisiana, 20th Century) “Ritzzitz 1978‑1979” ink on paper, collage unsigned.

Float mounted on linen with a linen mat and framed. sight 36” x 36”, framed 44‑1/4” x 45” Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $1,000‑$1,500 211 Two American Sculptures (20th Century) including Layman Jones, “Inversion”, composite, unsigned, artist name and title labeled en verso, h. 11‑1/2”, w. 24‑1/4”; and Mary Ann Blakeney, “Untitled”, patinated bronze, on a wood base, h. 6”, overall h. 9”, w. 9”

210

Provenance: Deaccessioned property of a Southern institution. $500‑$800 Illustrated Online 212 Large Anglo-Indian Brass and Ebonized Wood Cocktail Table second quarter 20th century, in the Regency taste, the lobed square top supported on four pairs of bambooturned legs capped by antiqued brass spheres and tied by a double “X”-form bamboo-turned stretcher. h. 17‑1/2”, w. 34”

212

$600‑$900 213 Italian Ginori Porcelain Partial Coffee Set 20th century, the set including nine coffee cups, h. 2‑1/4”, eleven dessert plates, dia. 7‑3/4”, a sugar bowl, h. 4”, w. 6‑1/2”, and a cream jug, h. 5”, w. 4‑1/2”. $700‑$1,000 Illustrated Online 214 Pair of Serge Roche-Style White “Palm Tree” Torcheres 20th century, in pilaster form, one composed of plaster and the other composition, electrified. h. 79”, w. 22‑1/2”, d. 13” $600‑$900

214

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216

215 Pair of Contemporary Overstuffed Barrel-Back Salon Chairs each with a deeply tufted back and reversible cushion, and raised on tapered legs. h. 34”, w. 37”, d. 36” $700‑$1,000 Illustrated Online 216 Group of Seven Coral Branches of various forms and sizes, each branch with distinctive pink and red tones, with inclusions throughout. largest example h. 10”, w. 9” Provenance: Ruzzetti & Gow, New York, New York. $600‑$900

221

217 Vintage Ligne Roset Leather and Suede “Flou Flou” Sofa 1988, designed by Donato D’Urbino, with a zip-off white leather top cushion over taupe suede, two matching suede throw pillows included, unlabeled. h. 28”, w. 70”, d. 40” Provenance: Ligne Roset, Canal Place, New Orleans, Louisiana, 1988. $600‑$900 Illustrated Online 218 Three Pieces of Red Venetian Glass third quarter 20th century, Italian, including a center bowl on a gilt-spangled stem, h. 5”, dia. 13”, a small bowl with a giltspangled base trim, h. 2‑1/4”, dia. 5‑1/4”, and a candlestick with molded leaves, h. 18‑3/4”, dia. 5‑1/2”. $600‑$900 Illustrated Online 219 Pair of Acrylic Gondola Chairs the seats upholstered in ivory linen and silk burlap. h. 32” $700‑$1,000 220 Brushed Steel Gallery Bench

219

Arthur Silverman (American/New Orleans, b. 1923), late 20th century, modeled to appear as though shaped from a single piece of seamless metal. h. 28‑1/4”, w. 48”, d. 17‑1/2” Provenance: Galerie Simonne Stern, New Orleans, Louisiana. $500‑$800 221 Neoclassically Inspired Faux Bois and Argente Metal Writing Table the rectilinear top with a molded edge, the apron fitted with a drawer, supported by a curule-form base. h. 30”, w. 42”, d. 30” $600‑$900

220

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223 Vintage Ligne Roset, France, Purple Leather Barrel-Back Chair 1988, with removable headrest and zippered wrap-around cushion, raised on ebonized conical feet, labeled: “Ligne Roset/Made in France”. h. with headrest 39”, h. without headrest 26‑1/2” Provenance: Ligne Roset, Canal Place, New Orleans, Louisiana, 1988.

222

$500‑$800 224 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912‑1997) “Markings”, 1988 color lithograph pencil-signed lower right, titled and numbered “44/100” lower left.

Unframed. sheet 30” x 40” $1,000‑$1,500

223

222 Contemporary Chromed Steel and Leather Bench of neoclassical inspiration, the padded seat on an X-form base with Greek-key ornament. h. 22”, w. 42”, d. 17” $500‑$800 224

225 Rare Balans Femini Laminated Maple Chair ca. 1983‑1989, after a design by Peter Opsvik, an innovative ergonomic kneeling/desk chair, part of a two-chair series, “Maskuli and Femini” (masculine and feminine). h. 38”, w. 24”, d. 26” $500‑$800 226 Modern Glass, Brass and Chromed Steel Side Table the circular top with a brass band and inset glass, and raised on tubular legs joined by a circular brass stretcher. h. 22”, dia. 18” $600‑$900 Illustrated Online

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225

227 Partial Service of Baccarat “Auteuil” Stemware

229 Partial Service of Molded and Wheel-Cut Stemware

ca. 1951‑1970, including eight tall water goblets, h. 7‑1/2”, eight claret glasses, h. 6‑1/4”, and six champagne coupes/sherbet glasses, h. 5”.

20th century, probably Eastern European, including twelve red wine goblets, h. 9”, and eleven white wine goblets, h. 7‑3/4”, all cut with sprays of flowers.

$500‑$800

$300‑$500

228 Partial Service of Baccarat “Provence” Crystal Stemware

230 Venetian Millefiori Glass Epergne

ca. 1948‑1995, French, including twelve tall water goblets, h. 6‑7/8”, and eleven port glasses, h. 5‑5/8”.

first half 20th century, Italian, with ruffled edges, the base set with four vases. h. 16‑1/2”, dia. 11‑3/4”

$600‑$900

$500‑$800 231 Italian Rose-Molded Pottery Partial Lunch Set third quarter 20th century, including eight plates, dia. 9‑1/2”, seven dessert dishes, dia. 6‑1/4”, eight cups, h. 2‑1/2”, fifteen saucers, dia. 6‑1/4”, and a charger, dia. 14‑1/2”, each piece marked “Z Italy”. $600‑$900

227

230 228

229

231

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232 Carlos Jose Ledda (Argentinian, b. 1932)

233 Carlos Jose Ledda (Argentinian, b. 1932)

“Adagio II”, 2004

“The Dance”, 2004

oil on canvas signed and dated “MMIV” lower right.

Framed.

12” x 9‑1/2”, framed 15” x 12‑1/2”

oil on canvas signed and dated “MMIV” lower left, a “Bryant Galleries/New Orleans” card en verso.

Framed.

11‑3/4” x 9‑5/8”, framed 16‑1/2” x 14‑1/2”

$1,000‑$1,500

$1,000‑$1,500 Illustrated Online 234 Carlos Jose Ledda (Argentinian, b. 1932) “El Portico”, 2004 oil on canvas signed and dated “MMIV” lower left.

Framed.

15‑3/4” x 12”, framed 20‑3/4” x 16‑11/16” $1,000‑$1,500 Illustrated Online 235 Arthur Albert (American, 1919‑2007) “The Bathers”

232

oil on canvas signed lower right.

Unframed.

40” x 79‑1/2” $1,000‑$1,500 Illustrated Online 236 Otis Dare Huband, Jr. (American/Texas, b. 1933) “Boy with Watermelon”, 1968 oil on canvas signed and dated lower right, signed, titled and dated en verso.

Framed.

30” x 24”, framed 34” x 28” $800‑$1,200 237 Hans Dall (Danish, 1862‑1920) “Autumn Landscape”

236

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oil on canvas signed lower right.

Framed.

10‑1/2” x 15‑1/2”, framed 14‑1/4” x 19‑1/2” $700‑$1,000 Illustrated Online

239 238

238 Pair of Murano Colorless Glass Sconces 20th century, Italian, the two-light sconces with molded exteriors and textured interiors. h. 12”, w. 6”, d. 3” $400‑$700 239 Contemporary Faux Shagreen Console Table the rectilinear top supported on each end by straight uprights. h. 32”, w. 60”, d. 16” $600‑$900 240 Contemporary Mirror

240

the frame encrusted with various seashells. h. 27‑1/2”, w. 19” $300‑$500 241 Chic Lacquered Eggshell Circular “Sunburst” Side Table in a waisted and flared design. h. 24”, dia. 16‑1/2” $500‑$800

241

242 Amusing Six-Piece Porcelain Frog Band third quarter 20th century, German, dressed in 18th-century-style wigs, marked “Porcelain Factory Muhlbach, Bruchmuhlbach”, ca. 1951‑1970. h. 4‑1/2” to 5‑1/2”, w. 3”, d. 3” $500‑$800

242

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243 Pair of Maitland-Smith Chinoiserie-Decorated Bowfront Chests in the Regency taste, each with a bank of four drawers in chinoiserie decor, raised on tapering square legs, and retaining the maker’s label. h. 34‑1/8”, w. 44”, d. 21‑1/2” $600‑$900 244 Unusual Campaign-Style Glass-Top Cocktail Table 243

20th century, in the form of a vitrine, the glass top exposing the interior of a single drawer with flush brass handles, raised on straight square legs. h. 21‑1/2”, w. 40”, d. 23‑1/2” $500‑$800 245 Pair of Billy Baldwin Studio Oak and Leather Martini Tables each with an inset leather top on a base modeled with paralleled oak supports. h. 18‑1/4”, w. 18”, d. 18”

244

Provenance: Howard Dawson Antiques, Hudson, New York. $500‑$800 246 Jan Showers Designed Mirror of Regency Inspiration 20th century, American, the distressed and beveled mirror glass surround decorated with a painted Greekkey ornament. h. 53‑1/2”, w. 40” $700‑$1,000

245

247 Louis XVI-Style Parquetry-Inlaid and OrmoluMounted Cocktail Table early 20th century, the inlaid top with a cast bronze outer frame, raised on tapered legs with bronze mounts. h. 18‑1/2”, w. 48”, d. 28” $800‑$1,200

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246

247

248 Continental Giltwood Floor Lamp first quarter 20th century, on paw feet, carved with lotus and acanthus leaves, with fluted elements, the pleated silk shade probably original. h. 73‑1/2”, dia. 25” $500‑$800 249 Large Contemporary Faux Burlwood Swivel Chair with a scroll-, shell- and wreath-carved crest, the molded stiles extending forward to end in leaf carving. h. 49” $500‑$800 250 French Gilt-Bronze, Mahogany and Glass-Top Occasional Table mid-20th century, the mahogany platform base supporting a gilt-bronze urn-form pedestal molded with putti and ram’s-head handles, and fitted with a beveled edge glass top. h. 19‑3/4”, dia. 23‑3/4”

249

248

$600‑$900 251 Contemporary Upholstered Sofa the tri-sected, rounded back joined by out-scrolled arms to the cushioned seat, raised on foliatecarved cabriole legs to scrolled feet, with five large and two small throw pillows. h. 32”, w. 82”, d. 44” $300‑$500 252 Baroque-Style Giltwood and Maple Cocktail Table the inset beveled glass top in a serpentine frame, raised on cabriole legs joined by shaped stretchers. h. 20‑1/2”, w. 46‑1/2”, d. 46‑1/2”

253

250

$300‑$500 Illustrated Online 253 Gilt-Bronze and Crystal Champagne Cooler mid-20th century, French, attributed to Baccarat, the diamond-point cut crystal bucket set with an engine-turned bronze rim and lion-head ring pulls on each side. h. 9”, dia. 8‑1/4” $600‑$900

251

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254

254 Contemporary Italian Curved Plate-Glass Cocktail Table

255

bearing the label “Sica / Made in Italy”. h. 15”, w. 52”, d. 21” $600‑$900 255 Pair of Contemporary Upholstered Sofas each with a tufted back wrapping around to closed arms, a loose fitted seat cushion and a pair of matching pillows. h. 34”, w. 71”, d. 40” $300‑$500

256

256 Three French Gilt-Bronze and Glass Objets D’Art 20th century, including a mirrored gilt-bronze plateau on paw feet, w. 23‑1/4”, d. 13”, a molded and cut crystal wine bucket, h. 11”, dia. 9‑1/2”, and a cut glass jewel casket, h. 5‑3/4”, w. 7”, d. 4”. $700‑$1,000 257 Interesting Mid-Century Embossed Brass and Mirrored-Top Conference/Dining Table

257

in the manner of Philip and Kelvin LaVerne, the elongated octagonal top with an embossed metal-clad surface and an inner border of inset mirrors, mounted to a pair of octagonal pedestals of similar clad form. h. 30”, w. 71”, l. 119” $1,000‑$1,500 258 George Bauer Dunbar (American/Louisiana, b. 1927) “Untitled”, 1971 gold leaf over tan clay signed and dated lower right.

48” x 73‑1/2” $7,000‑$10,000

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258

260 Steven Martin (American/Louisiana, b. 1956) “Untitled - Figure” steel wire sculpture h. 64”, w. 18”, d. 4” $800‑$1,200 261 Four-Piece Danish Modern Oak Suite 259

259 Adrian Deckbar (American/New Orleans, b. 1950) “Seated Female Nude” and “Reclining Female Nude” pair of red pencil drawings both signed lower right and inscribed “To J. R. Lowe A.D.” lower left.

Framed alike. sheet 9” x 7‑1/2” and 7‑1/2” x 9‑3/4”, framed 16‑1/2” x 14‑3/4” and 15” x 17”

designed by H. Brockmann-Petersen, comprised of a sofa, h. 29”, w. 84”, d. 30”, a pair of easy chairs, h. 29”, and a coffee table, h. 20‑1/2”, w. 59”, d. 23”. $700‑$1,000 262 Pair of Vintage “Sputnik” Brass Chandeliers mid-20th century, possibly American, each with a central globe set with twenty-four-light arms on four tiers, among a field of brass “rays”. h. 37”, w. 37”, d. 37” $500‑$800

$700‑$1,000

261

260

262

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263 Pair of Italian Antonio Sibau Armchairs together with a modern teak desk, the chairs of tropical hardwood with a curved top rail over an upholstered panel, with open arms and padded seat, h. 37”, the desk with a fold-over file bin, and drawers beneath the top, h. 32‑1/2”, w. 59‑1/2”, d. 32‑3/4”. $300‑$500 264 Vintage Laverne International Leather, Chromed and Ebonized Steel “T-Chair”

263

the model designed in 1952 by Katavolos, Littell and Kelly, the leather sling seat supported by a T-form tripodal base. h. 32” $500‑$800 265 Robert Gordy (American/Louisiana, 1933‑1986) “Study for Dipsey Doodle”, 1979 watercolor marker on paper pencil-signed and dated lower left, an “Arthur Roger Gallery, New Orleans” label with artist and title en verso.

Matted, glazed and framed. sight 28” x 20‑1/2”, framed 38” x 29‑1/2” $800‑$1,200 266 Romare Bearden (American/North Carolina, 1911‑1988)

264

265

“The Lantern”, 1979 lithograph in colors an Artist Proof, signed in plate lower right.

Unframed. sheet 28‑1/2” x 19‑3/4” $500‑$800 267 Randall Schmit (American, b. 1955) “A Double Room”, 1987 oil and acrylic on canvas signed, titled and dated en verso canvas, with a “Tilden-Foley Gallery, New Orleans, Louisiana” label.

Unframed.

60” x 44” $1,000‑$1,500 266

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267

268 Large Mid-Century Modern Walnut Floor Lamp late 20th century, the burlap barrel shade supported by a shaped, tapering and flaring turned column. h. without shade 63” $600‑$900 269 Engraved Crystal Centerpiece Set in the Nature Pattern 20th century, retailed by Tiffany & Co., including a vase, h. 12‑1/2”, dia. 7‑1/4”, and a pair of matching candlesticks, h. 17‑1/2”, dia. 3‑3/4”, engraved with butterflies, cattails and turtles. $600‑$900

269

270 Douglas Bourgeois (American/Louisiana, b. 1951) “Portrait of a Young Man”, 2009 wood block print and collage signed and dated lower right.

Framed.

10” x 8”, framed 15‑1/4” x 12‑1/4”

268

$800‑$1,200 271 American Patinated Bronze of a Mother Nursing Her Child 1983, signed “E. Irving”, dated and numbered “II/ VII” at back edge of self-base, on a black marble plinth. h. 17‑1/2”, w. 7‑1/2”, d. 6‑1/2” $700‑$1,000 272 Lothar K. Kestenbaum (German/Mexican, 1926‑1995)

270

“Hombre Reposando”, 1957 fired earthenware on an integral wood base, carved inscription “LK 57” along back edge of base. overall h. 11‑1/4”, w. 19”, d. 8” Provenance: Deaccessioned property of a Southern institution. $700‑$1,000

271

272

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273 George Valentine Dureau (American/Louisiana, 1930‑2014) “Musician” and “Man with a Putto” two charcoal drawings on paper each signed lower center.

In matching frames and glazed. sight 15‑3/4” x 13‑1/2”, framed 15‑3/4” x 13‑1/2” Provenance: Estate of Harvey Brook, New Orleans, Louisiana. $600‑$900 274 George Valentine Dureau (American/Louisiana, 1930‑2014) “Portrait of a Man” charcoal on paper signed lower center.

Unframed.

29” x 23”

273

Provenance: Estate of Harvey Brooks, New Orleans, Louisiana. $800‑$1,200 275 James Rogers Lamantia (American/New Orleans, 1923‑2011) fine art prints including “Portrait of Man”, “Landscape”, “Trees”, “Palm Tree” and “Fenced in Yard”, 1963‑1967 five etchings on paper each pencil-signed and dated lower margin.

All matted, glazed and framed. sights 5‑1/2” x 3‑1/4” to 9‑3/4” x 12‑1/2”, framed 11” x 8” to 15‑1/4” x 18”

274

$600‑$900 Illustrated Online 276 Robert Gordy (American/Louisiana, 1933‑1986) “Pumpkins” and “Pumpkin”, 1964 graphite on paper both initialed “R.G.” and dated lower right and lower center, respectively.

Each matted, glazed and framed. sights 25‑3/4” x 17‑1/2” and 4‑1/2” x 3‑1/2”, framed 33‑1/4” x 24” and 15‑1/2” x 12” $600‑$900

276

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279 281

277

277 Mid-Century Giltwood Mirror the surround with variegated reverse silver gilt and black decoration. h. 50‑1/2”, w. 39‑1/2” $300‑$500 278 Industrial Design Steel and Cast Iron Cocktail Table

279 Pair of Modern Leather and Laminated Wood Armchairs with Stools ca. 1970, labeled by Vestlandske, Norway, each with a head rest over a tufted back cushion, a like seat cushion and supported by a dark-stained laminated base. h. 39” $500‑$800

the antique cast iron grid now mounted as the top on a metal frame. h. 16”, w. 40”, d. 22”

280 Brett Murray (South African, b. 1961)

$500‑$800 Illustrated Online

“Mediated Morality”, 2006 metal and gold leaf from the Golden Truths series, edition of 3, in four sections. h. 8‑1/8”, w. 4”, overall l. 164‑1/4” Provenance: Purchased by the consignor at Art Basel Miami.

Literature: Featured in the September 2014 issue of Architectural Digest $1,000‑$1,500 281 Mizuno Crocodile and Suede Golf Bag 20th century, Japanese, composed of two-tone black and brown crocodile, with a tan suede cover trimmed with crocodile. h. 44‑1/2”, w. 8‑3/4”, d. 12‑1/2” $1,500‑$2,500

280

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282 Five-Piece Gothic Revival Painted Steel Garden Suite comprised of a table, h. 29”, dia. 41‑1/4”, and four chairs, h. 38”, each chair with a pierced top rail modeled as quatrefoils, a gridwork seat and cabriole legs, and the table with a glass top and quatrefoil apron, now sandblasted and powder-painted green. $500‑$800 Illustrated Online 283 Suite of Eight Salterini-Style Brass and Wrought Iron Garden Chairs 20th century, each with a brass finial, woven metal back and seat, and open arms, now sandblasted and powder-painted black. h. 37‑3/8”

283

$600‑$900

284

284 Maitland-Smith Tessellated Marble, Brass and Wrought Iron Console Table the rectilinear top on shaped legs with brass decor, on a base of like marble. h. 32‑3/4”, w. 60”, d. 19‑1/4” $600‑$900 285

285 Louise Guidry (American/Louisiana, b. 1930) “Cherie’s Dream” acrylic on gallery-wrapped canvas signed lower right.

Unframed.

12” x 12” $500‑$800 286 Louise Guidry (American/Louisiana, b. 1930) “My Space II” acrylic on gallery-wrapped canvas signed lower right.

Unframed.

12” x 12”

286

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$600‑$900

287 Robert Warren Dash (American/New York, 1934‑2013) “Abstraction”, 1961 oil on canvas signed and dated lower right, a “Kulicke Frames, Inc., N.Y.C.” label en verso of frame.

Framed.

45” x 59”, framed 45‑1/4” x 59‑1/4” $1,500‑$2,500

287

288 Louise Guidry (American/Louisiana, b. 1930) “Briana’s Wish” acrylic on gallery-wrapped canvas signed lower right.

Unframed.

12” x 12” $500‑$800 289 Sir Terry Frost, R.A. (British, 1915‑2003) “Untitled IV” pastel crayon on toned paper unsigned, verso with “MoMart” moving label, inscribed with artist’s name, title and inventory number.

Glazed and framed.

12” x 9‑1/4”, framed 19‑1/2” x 16‑3/8”

288

Provenance: Mary K. L. Kurtz Charitable Lead Trust, Houston, Texas. $700‑$1,000

290

290 Louise Guidry (American/Louisiana, b. 1930) “My Space I” acrylic on gallery-wrapped canvas signed lower right.

Unframed.

12” x 12” 289

$600‑$900

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293 Contemporary School (Late 20th Century) “Figures at the Table”, 1992 oil on canvas signed “Sulan Magomed Khabibou” and dated lower right and en verso.

Framed.

38‑1/4” x 44”, framed 41‑1/2” x 47‑1/2” $1,000‑$1,500

291

291 Justin Garcia (American/Texas, Contemporary) “Dessert Sunset”, 2009 oil on board signed lower right, signed, titled and dated en verso.

Presented in a contemporary frame.

30” x 30”, framed 35‑3/4” x 35‑3/4” $2,000‑$4,000 292

292 Luke Fontana (American/New Orleans, Contemporary) “Faubourg Marigny”, 2017 acrylic on canvas signed, titled and dated en verso.

Framed.

24” x 30”, framed 25” x 31” $500‑$800

293

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294 Stephen Ellis (American, b. 1951) “Untitled”, 2000 oil on gallery-wrapped canvas signed and dated en verso.

Unframed.

86” x 78” $1,000‑$1,500 295 Kay Johnson (American/New Orleans, 20th Century) “Portrait of an Artist (Probably a Self-Portrait)” watercolor on paper signed lower left.

Framed. sight 17‑1/2” x 11‑1/2”, framed 22‑3/4” x 16‑1/2”

294

$600‑$900 Kay Johnson (aka KaJa) was well known within the Beat community in San Francisco during the 1950s and became friends with Jack Kerouac. An artist and poet, she encouraged others to express themselves through creativity and opened the New School of Child Spirit in the French Quarter.

295

296 Kay Johnson (American/New Orleans, 20th Century) “Portrait of a Red-Head”, 1958 oil on masonite signed and dated lower left.

Framed.

48” x 24”, framed 51‑1/2” x 27‑1/2” $800‑$1,200 296

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297 Turkish Angora Oushak Carpet 9’ x 11’ 10” $700‑$1,000 298 Mahal Carpet 6’ x 9’ $500‑$800 Illustrated Online 299 Peshawar Suzanne Carpet 8’ 1” x 9’ 9” $1,400‑$1,800 300 Semi-Antique Bokhara Carpet

299

6’ 5” x 10’ 9” $500‑$800 Illustrated Online 301 Uzbek Sultanabad Carpet 9’ 3” x 11’ 6” $1,000‑$1,500 302 Turkish Angora Oushak Carpet 8’ x 10’ 3” $700‑$1,000 301

66 297

302

304

305

303 Shiraz Carpet 3’ 5” x 6’ 5” $500‑$800 Illustrated Online 304 Peshawar Suzanne Carpet 8’ x 10’ 2” $1,400‑$1,800 305 Turkish Khotan Carpet 10’ x 14’ $1,200‑$1,800 306 Tibetan Carpet 3’ 2” x 11’ 9” $1,000‑$1,500

306

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307 Leonard Tsuguharu Foujita (Japanese/French, 1886‑1968) “Jeune Fille avec une Rose” drypoint on paper pencil-signed en verso.

Matted, glazed and framed. sheet 15” x 11”, framed 17‑1/2” x 14‑1/4” $600‑$900

308 Baron Avro Manhattan (Italian, 1914‑1990) “Mother and Child” lithograph “Baron Avro Manhattan Studio” stamp lower left.

Matted, glazed and framed. sight 13” x 8‑1/2”, framed 25” x 19”

307

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900

309 Three 20th-Century Drypoint Etchings including Muirhead Bone (British, 1876‑1953), “Joseph Conrad”, pencil-signed, “Arthur H. Harlow and Co.” label en verso, sight 12‑1/4” x 7‑1/4”; Andrew Freeth (British, 1912‑1986), “W. Somerset Maugham”, 1949, pencil-signed, dated and inscribed “A.P.”, sight 11‑1/4” x 6‑3/4”; and Earl H. Reed (American, 1863‑1931), “The Song of the East Shore”, pencil-signed and titled lower margin, sight 8‑1/2” x 10‑1/4”. Each matted, glazed and framed. $500‑$800 Illustrated Online

308

310 Odilon Redon (French, 1840‑1916) “Frontispiece: Le Mouvement Idealiste en Peinture” lithograph from book by Andre Mellerio, an “Allan Frumkin Gallery/Chicago” label on backing.

Matted, glazed and framed. sheet 5‑1/2” x 7‑7/8”, framed 11‑1/4” x 13‑1/4” $600‑$900

310

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311 After Pablo Picasso (Spanish/French, 1881‑1973) “Femme Assise”, 1982 lithograph in colors on Arches paper from the “Marina Picasso Estate Collection”, pencil signed “Collection Marina Picasso” lower right, numbered “475/500” lower left, Picasso Estate blind stamp lower right, printer’s blind stamp lower left, printed inscription from Picasso Estate en verso.

Unframed. sheet 29” x 22” $1,800‑$2,400

312 After Pablo Picasso (Spanish/French, 1881‑1973) “L’Age de Soleil, Pour Roby”

311

restrike etching on paper signed and inscribed “pour Roby” in reverse in the plate.

Framed. sight 13‑1/2” x 10‑1/4”, framed 19‑1/2” x 16‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500‑$800

313

313 After Pablo Picasso (Spanish/French, 1881‑1973) After Salvador Dali (Spanish, 1904‑1989)

312

“Lady with a Hat”, 1959 and “Joan of Arc, the Maid of Orleans”, pair of lithographs, former signed and dated in plate, latter pencil-signed and numbered “75/100” in lower margin. former sheet 22” x 15”, framed 30‑1/2” x 23” and latter sheet 22” x 15”, framed 37” x 29” $500‑$800

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314 After Salvador Dali (French/Spanish, 1904‑1989) “El Cid” from the Five Spanish Immortals series restrike etching on paper unsigned.

Framed. sight 13‑1/2” x 10‑1/2”, framed 19” x 16” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900

314

315 Raoul Dufy (French, 1877‑1953) “La Peche”, 1912 woodcut pencil-signed and dated lower right, titled in plate lower right.

Matted, glazed and framed. sight 16‑3/8” x 19‑7/8”, framed 24‑3/8” x 28‑1/2” $700‑$1,000 315

316 Andre Brasilier (French, b. 1929) “La Ronde des Chevaux de Cirque” color lithograph on paper pencil-signed and inscribed “Epreuve d’artiste” lower margin, “Summa Gallery in Brooklyn Heights” label en verso.

Framed. sight 21‑1/4” x 26‑1/4”, framed 30” x 34‑1/2” $500‑$800 317 Arthur Luiz Piza (Brazilian, 1928‑2017)

316

“Limite Contradictoire” and “Nuvleux” two color etchings and embossing on paper signed and numbered “95/99” and “13/99” lower margins, former embossed “La Hume, Paris” lower right.

In matching, modern metal frames. sight 16” x 12‑1/4”, sheet 35‑1/2” x 24‑3/4”, framed 24‑1/2” x 18‑1/2”, 45‑1/2” x 33‑3/4” Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $1,000‑$1,500

70 317

318 Arthur Luiz Piza (Brazilian, 1928‑2017) “Untitled” two etchings and embossing on paper both pencil-signed and numbered “60/99” and “34/99” lower margin, former embossed “La Hume, Paris” lower right.

In matching, modern gilt frames.

30” x 22”, 28‑1/2” x 41‑1/2”, framed 39‑3/4” x 31”, 38‑3/4” x 50‑1/4” Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $1,000‑$1,500 319 Anne Appleby (American, b. 1954)

318 one of two

“Red/Green”, 1997 color aquatint signed and dated lower right, numbered “14/20” lower left, titled lower center.

Matted, glazed and framed. sight 7‑3/4” x 14‑1/8”, framed 18” x 24‑1/2” $500‑$800 320 Ronald Searle (British, 1920‑2011)

319

“Inefficient Cat Caught by an Astute Goldfish”, 1968 color lithograph pencil-signed lower right and numbered “51/95” lower left.

Matted, glazed and framed. sight 18” x 24”, framed 28” x 34” $600‑$900 321 James Rosenquist (American, 1933‑2017)

320

“Rainbow”, 1972 color lithograph on paper pencil-signed, titled, dated and numbered “53/75” lower margin.

Unframed. sheet 25” x 30‑1/2” $700‑$1,000

321

71

322 Yaacov Agam (Israeli, b. 1928) “Message of Peace: Mini Series” color Agamograph print signed and numbered “98/99” lower margin, an “Art/RA, New York” label with title en verso.

Agam framed. sight 6‑1/2” x 5‑1/4”, framed 16‑3/4” x 16” $700‑$1,000 323 Yaacov Agam (Israeli, b. 1928)

322

323

“Underseascape” color Agamograph print pencil-signed and numbered “80/99” lower margin, pencil-titled en verso.

Framed.

12” x 16‑1/4”, framed 21” x 25‑1/2” $600‑$900 324 Carol Summers (American/New York, 1925‑2016) “Bhanavkund” color woodcut pencil-signed upper right, titled and numbered “30/75” upper left, verso with “Joan E. Kaplan, Fine Contemporary Art, New York” label.

Float-mounted and framed.

23‑1/2” x 24”, framed 30‑1/2” x 30‑1/4” Provenance: The corporate collection of Freeport-McMoRan, New Orleans, Louisiana.

324

$1,000‑$1,500 325 Niki de Saint Phalle (French/American, 1930‑2002) “Je T’aime”, 1971, and “What do You Like the Most About Me?”, 1970 color lithograph and color silkscreen each pencil-signed and inscribed “E.A.” lower right, former signed, titled and dated in plate midright.

Matted, glazed and framed alike. sights 19” x 25” and 19‑1/4” x 24”, each framed 27‑1/4” x 32‑1/4” $1,400‑$1,800

72

325 one of two

326 After Roberto Montenegro (Mexican, 1885‑1968) “Ballets Russes”, 20th century, group of eight lithographs (from the set of ten) depicting the dancer Vaslav Nijinsky (1889‑1950) and others of the troupe, each sheet 13‑3/4” x 10‑1/4”, two unframed, six glazed and framed, 14‑1/2” x 10‑1/2”; together with two unmarked ballet prints, each 12” x 8‑3/4”, unframed; two hand-colored ballet scenes, 14‑1/2” x 13‑1/2”, unframed; and two lithographs of women, one signed in plate Jose Clara (Spanish, 1878‑1958) and the other unmarked, each sight 12‑1/2” x 9‑3/4”, both glazed and framed, 13‑3/4” x 10‑3/4”. $1,000‑$1,500 327 Four Vintage New Orleans Movie Posters including “New Orleans After Dark”, 1958; Tennessee Williams’ “The Fugitive Kid”, 1960; and two versions of “New Orleans Uncensored”, 1955.

Each framed. sights 39” x 25”, 39‑1/2” x 36‑1/2”, 20‑3/4” x 25‑1/2” and 39” x 26”, framed 43” x 29‑1/2”, 42” x 29”, 32‑1/4” x 27‑1/4” and 43” x 30‑1/2”

327

$500‑$800

326

73

328 Pair of French Advertising Posters including Bernard Villemot, “Bally”, 1982, offset lithograph, and Gerard Courbouleix-Deneriaz (Razzia), “Pret a Porter Feminin”, 1982, offset lithograph.

Framed alike. each sight 61‑3/4” x 48‑1/4”, framed 63‑3/4” x 50‑1/4” $600‑$900

328

329

329 Norman Rockwell (American, 1894‑1978) “Ichabod Crane, Illustration from The Legend of Sleepy Hollow by Washington Irving” color lithograph pencil-signed and numbered “139/200” lower margin, titled upper right, “Nahan Galleries, New Orleans” labels en verso.

Framed. sight 23‑1/2” x 12‑1/2”, framed 34‑1/2” x 23‑1/2” $800‑$1,200 330 Leticia Tarrago (Mexican, b. 1940) “Mardi Gras in New Orleans II”, “Las Mil Cosas”, “Movimiento de Rotacion”, “Lluvia de Peces, No. 2”, “Pensando en Lotamica”, “Rayas”, “Excursion”, “El Guardaropa” and “Elefante Nocturno” nine color etchings and lithographs on paper each pencil-signed, titled and numbered in lower margin.

Unframed. sheets ranging from 22” x 15‑1/2” to 30” x 22” $700‑$1,000

74

330

331 Erte (Romain de Tirtoff, Russian/French, 1892‑1990) “The Cocktail Party”, 1988 serigraph on paper pencil-signed and numbered “190/300” lower margin.

Sevenarts, Ltd, publisher.

“Martin Lawrence Galleries” label and “Chalk & Vermillon Fine Arts” documentation sheet en verso.

Matted, glazed and framed. sight 25” x 19‑1/4”, framed 37‑1/2” x 31” $500‑$800 332 Erte (Romain de Tirtoff, Russian/French, 1892‑1990)

331

332

“Dream” serigraph on paper pencil-signed and numbered “137/300” lower margin.

Matted, glazed and framed. sight 26‑1/4” x 20‑3/4”, framed 34‑1/4” x 33‑1/2” $500‑$800 333 Erte (Romain de Tirtoff, Russian/French, 1892‑1990) “Spring Fashions”, 1979 serigraph on paper pencil-signed and numbered “206/300” lower margin.

“The Great Dane Collection, Philadelphia, PA” label with artist, title and date en verso.

Matted, glazed and framed with artist plaque. sight 27‑1/4” x 20‑1/4”, framed 38‑1/2” x 32‑1/2”

333

$500‑$800 334 Erte (Romain de Tirtoff, Russian/French, 1892‑1990) “La Serenade” and “Vamps - Circe”, each 1979 two serigraphs on paper each pencil-signed and numbered “252/300” and “AP 13/60”, respectively, lower margin.

Each matted, glazed and framed.

18” x 15” and 19” x 12‑1/2”, respectively, framed 32” x 28‑3/4” and 33‑1/4” x 26‑3/4”, respectively $500‑$800 334

75

335 Asian Leather-Covered Screen mid-20th century, the four-panel screen decorated with pheasants, butterflies and plum branches on a pale blue ground. h. 79”, w. 72” $500‑$800 336 Japanese Gilt-Bronze Model of a Rooster on a Wooden Stand fourth quarter 19th/first quarter 20th century, modeled standing with head turned inward, its impressive tail plumage cascading behind, with red presentation stand. rooster h. 20”, w. 6‑3/4”, d. 3‑1/4”; overall h. 26”, w. 9‑1/2”, d. 9‑1/2” $700‑$1,000 337 Japanese Cloisonne Dish with Ormolu Mounts first half 20th century, of circular form, centered with a design of a peacock perched upon rockwork amid blossoming foliage, all within multiple floral borders, the reverse with bands of geometric floral designs, having ormolu mounts with a bamboostyle rim supporting three hanging loop handles, the whole raised on three elephant-head-form legs, the deep turquoise enamel base unmarked. h. 6”, dia. 15”

338

335

$1,000‑$1,500 338 Chinese Red Lacquer Tall Cabinet first half 20th century, having a short rectangular top over a carved figural frieze surmounting an open upper compartment, the lower section with a carved door depicting paneled scenes of figures in terraced garden settings, the door opening to reveal a shelved interior, the whole raised on four short legs, the front pair carved and pierced. h. 86‑1/2”, w. 21‑1/2”, d. 13‑3/4”

337

$500‑$800 339 Embroidered Panel in the South East Asian Style

336

second half 20th century, of rectangular form, worked in gold and colored threads on cream floral silk, the design depicting two peacocks and various other birds amid blossoming foliage, three sides mounted within a beaded border with floral trim, framed. h. 82”, w. 24‑1/2”, d. 1‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500‑$800

76

339

340 Chinese-Style Hardwood Cabinet fourth quarter 19th/first quarter 20th century, having a broad rectangular top overhanging a form-fitting frame raised on four block feet, with three short drawers over twin doors opening to reveal a vacant interior, finished with brass hardware. h. 33”, w. 70‑1/2”, d. 20‑1/2” $500‑$800 341 Chinese Sancai-Style Dish probably 20th century, having flared, slightly everted sides and a raised foot, decorated with a blossoming peony and scrolling foliage design, the flowerheads highlighted in a golden-tan glaze on a green ground, the reverse unglazed, complete with presentation box. dia. 11”

340

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $400‑$700 342 Two Chinese Terracotta Tomb Figures in the Ming style, both figures depicted standing on six-sided plinth bases, one modeled as a groom, the other in traditional robes with alms bowl, both partially glazed. the tallest h. 20” $500‑$800 343 Large Chinese Sancai Figure of Lokopala

341 342

in the Tang style but later, modeled standing upon an ox in repose, with arm raised, in traditional costume, decorated to the exterior in distinctive green, yellow and brown enamels, the face and hands unglazed. h. 32”, w. 14” $1,000‑$1,500 344 Chinese Flambe Porcelain Bottle Vase first quarter 20th century, with elongated, slightly flared neck over a compressed ovoid body, having a deep oxblood glaze covering the lower body, becoming progressively paler, with a light band encircling the top of the neck. h. 15‑1/2”, w. 9” $800‑$1,200

343

344

77

345 Two Chinese Porcelain Frog-Form Brush Washers with Hardwood Stands one fourth quarter 19th century, the other later, each with all-over flambe glaze, and modeled poised to jump, looking upward, with fitted hardwood presentation stands. the largest h. 3‑1/4”, w. 4”, d. 4‑3/4” (excluding stand) $600‑$900 Illustrated Online 346 Chinese Red Lacquer Cabinet first half 20th century, having a rectangular top over a conforming frame, with twin doors centered by a circular-form metal lock above drop loop handles, the doors opening to reveal a single shelf over two short drawers and a lower covered compartment, the whole raised on four block legs. h. 71”, w. 44”, d. 22” $500‑$800 347 Chinese Carved Jadeite Fish with Hardwood Stand probably first half 20th century, the fish modeled from deep green stone, curled upright on its tail with mouth open, amid broiling waves around the base, the body carved with scales and having a ridged fin running down the spine, the whole cut through with a celadon tone inclusion, the stone transitioning to paler green, and celadon and lavender tones above the head, carved to represent various deities and a toad amid stylized clouds, fruits and flowers interspersed with cash coin symbols. with stand h. 26‑1/2”, w. 15‑1/2” Provenance: Estate of John Elliot Bradshaw, Houston, Texas. $800‑$1,200

346

348 Chinese Carved Jade Box possibly Qing Dynasty (1644‑1911), the mottled green and white jade box in the shape of a large peach set among branches, heavy with leaves and ripe fruit, the cover surmounted with a finial in the form of a bird carrying a peach in its beak. h. 4‑1/2”, w. 5‑1/8”, d. 5‑1/2” Provenance: Private collection, San Antonio, Texas. $500‑$800 Illustrated Online 349 Chinese Wucai Porcelain Jar second half 19th century, of globular form with everted lip, decorated to the exterior with a continuous design depicting children playing with kites and flags in a terraced garden, the base with a six-character Wanli mark within concentric bands in underglaze blue. h. 3”, dia. 3‑1/4” $400‑$700 Illustrated Online

347

78

350 Bamboo and Decoupage Side Table early 20th century, the decoupage top under glass and supported by bamboo legs and side bars, the lower shelf with floral decor. h. 26‑1/2”, w. 40”, d. 24” $600‑$900 351 After Zhao Boju (1120‑1182) “Pagoda in a Mountainous Riverscape” ink and color on silk this example likely 20th century, with two indistinct seal marks.

Mounted and framed. h. 53‑3/4”, w. 21‑1/4”, framed h. 61”, w. 28‑1/2” $500‑$800 352 Japanese Cloisonne Charger and Chinese Cloisonne Jardiniere both pieces first half 20th century, the large charger with slightly flared lip and raised foot, decorated in colorful enamels with two shishi chasing each other near blossoming foliage, with a butterfly hovering overhead, all within foliate-motif borders, the reverse with three individual floral and foliate cartouches, on a blue ground with dense scroll pattern, dia. 24‑1/4”, the jardiniere with opposing panels containing five-claw dragons, the surround interspersed with flowers and butterflies, h. 7”, w. 14”, d. 10”.

351

$600‑$900 353 Pair of Chinese Porcelain Vases first quarter 21st century, each body of pear form, tapering to a wide neck with gilt band over a lapel design border, the body decorated with multiple birds amid blossoming foliage, all in the famille rose palette on a pale blue ground with dense scrolling design, the interior with partial celadon glaze, the base with an apocryphal four-character Qianlong mark. h. 16‑3/4”, w. 8” 352

$1,000‑$1,500

350

353

79

354 Rustic Pine Cabinet in the Chinese Style second half 20th century, having a rectangular top over five short drawers in three staggered rows, flanked by shaped and carved tapering legs terminating in stylized scroll feet. h. 33”, w. 46‑1/2”, d. 18” $700‑$1,000 Illustrated Online 355 Framed Chinese Porcelain Plaque 20th century, the plaque probably Republic period (1912‑1949), of rectangular form, painted with a scene of a river cutting through a mountainous landscape, with boats and houses in the foreground, having an inscription and seal mark to the top right corner, mounted within a thick hardwood frame. plaque h. 21‑1/4”, w. 12‑1/2”, framed h. 27‑1/4”, w. 18‑1/4” $500‑$800 Illustrated Online 356 Two Chinese Porcelain Plaques

356 one of two

both 20th-century examples, each of rectangular form, the larger plaque depicting a deity seated by a river being served by a demon, the smaller example depicting the God Shou, holding a peach, surrounded by attendants in a mountainous landscape amid swirling clouds, as a female deity approaches riding a phoenix, with a threecharacter inscription and seal marks to the top left. larger h. 13”, w. 9”, smaller h. 11‑1/2”, w. 9” (excluding frames)

357

$700‑$1,000 357 Sino-Tibetan Silk Painting of the Goddess Guanyin probably first half 20th century, depicting Guanyin seated amid scrolling clouds, looking towards two attendants making offerings, with embroidered mount and giltwood frame. overall h. 68”, w. 30‑3/4” $600‑$900 358 Two Chinese Wooden Panels with Hardstone and Bone Inlay second half 20th century, each of rectangular form, with various auspicious objects depicted in bone, coral and hardstones, having a four-character inscription to the top left and right corners, respectively. each h. 49”, w. 16”, d. 1” $700‑$1,000 358

80

363 Pair of Chinese Green Quartz Phoenix Mounted as Table Lamps second half 20th century, the mirrored pair each modeled standing on pierced rockwork with blossoming peony, with head turned and wing raised, mounted on a hardwood stand, with a gilt wood base supporting a single light fixture, complete with shades. overall h. 29”, w. 8”, d. 6” $400‑$700 Illustrated Online

359

359 Japanese Patinated Metal Garden Lantern second quarter 20th century, of pagoda form, with a dragon-molded handle on the top, the sides pierced with ho-ho birds alternating with pierced screens, electrified. h. 15‑1/2”, dia. 11” $500‑$800 360 Two Japanese Lacquered Wood and Bone Inlay Screen Panels first quarter 20th century, each with a large central panel depicting birds amid blossoming branches, framed by red borders with floral motifs, all within an outer frame with densely carved foliate designs. h. 74‑1/2”, w. 33‑3/4” $500‑$800

360

361 Pair of Chinese Soapstone Figural Carvings Mounted as Table Lamps 20th century, each figure modeled as Guanyin, standing, wearing traditional robes and headdress, mounted on a carved wooden plinth, with a gilt-metal base supporting a twin-bulb fixture. overall h. 34‑3/4”, w. 6‑1/2”, d. 4‑1/2” $400‑$700 Illustrated Online 362 Pair of Bronze Lamps mid-20th century, in the form of Asian candlesticks, with leaf-form piercing, the bodies with panels of Asian textured modeling. h. 31”, dia. 5‑1/2” $800‑$1,200

362

81

364 Chinese Jadeite Bowl with Hardwood Stand second half 20th century, having steep, slightly flared sides and a raised foot, the stone of translucent spinach tone with paler inclusions throughout, with a carved and pierced hardwood stand. h. on stand 4‑3/4”, dia. 6‑3/4” h. on stand 4‑3/4”, dia. 7” $400‑$700 365 Chinese-Style Patinated Cast Bronze Figure of Buddha

364

365

20th century, modeled seated on a lotus throne, with hands positioned in the varada mudra, draped in traditional robes, with pierced ears. h. 20”, w. 15”, d. 11” $700‑$1,000 366 Thai Gilt-Bronze and Lacquer Figure of a Buddha possibly 19th century, modeled seated in virasana on a three-tiered throne, wearing a traditional robe, the right hand in bhumisparsha mudra, the left clasping a small cup, decorated throughout with raised and molded gilt work, with red lacquer applied to the throne, and glass beads inlaid throughout, many now lost, with hardwood scrollform stand. h. 10‑3/4”, w. 8‑1/2”, d. 5”

366 368

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $700‑$1,000 367 Two Chinese Hardwood and Marble-Top Stands early 20th century, including a rosewood example with a serpentine top and a floral-carved edge with an inset marble, raised on cabriole legs with carved fish and birds and joined by a medial shelf, h. 32”, w. 22”, d. 22”, along with a teakwood example of circular form with an inset marble top and carved legs, h. 18”, dia. 18‑1/2”. $600‑$900 Illustrated Online 368 Pair of Chinese Cloisonne Bottle Vases second half 20th century, each with a slender neck tapering from a pear-form body on a raised foot, decorated in colorful enamels with floral motifs and dragon designs within multiple borders. h. 14”, dia. 6‑1/4” $400‑$700

369

369 Group of Three Chinese Hardwood Jardiniere Stands late 19th- and 20th-century examples, each with a marble-inset top and carved and pierced frieze over four slender legs joined by stretchers of various styles. h. 32” to 35‑1/2”, w. 17” to 22” $600‑$900

82

370 Two Japanese Satsuma Porcelain Pieces first half 20th century, comprising a koro and cover, raised on tripod legs and mounted with shishi-form handles and finial, decorated to the exterior with various Arhats, between floral and geometric pattern borders, together with a compressed baluster-form vase, similarly decorated with seated Arhats, the base indistinctly marked. h. 20”, w. 20” and h. 15‑1/2”, w. 13”

375 Indian School (Likely Fourth Quarter 19th/First Quarter 20th Century) green and gold ink on textured paper depicting a deity and attendants seated under canopies. framed h. 40‑3/4”, w. 42” $800‑$1,200

$600‑$900 Illustrated Online 371 Japanese Lacquer Vanity Case first quarter 20th century, the rectangular top over a conforming case, with all-over landscape design, having detailed red lacquer embellishments, the front panel opening to reveal two interior draws decorated with individual feathers, the lower with a shallow insert tray. h. 8”, w. 9‑1/2”, d. 7‑1/4” $500‑$800

371

372 Monumental Japanese Satsuma Porcelain Vase with Hardwood Stand first quarter 20th century, of baluster form with slightly splayed foot and ruffle lip, with applied butterfly-form loop handles with molded tassel detail, decorated to the exterior with opposing panels depicting figures in armor and figures at leisure on terraces, all within geometric pattern borders. h. 37‑1/2”, dia. 16” (excluding stand)

372

$600‑$900 373 Tibetan Copper and Gilt-Metal Covered Urn probably 20th century, of compressed form on a raised foot with domed lid, the repousse worked exterior depicting figures within a dense floral design, interspersed with gilt-metal cartouches inlayed with coral, lapis lazuli and other hardstones. h. 9”, dia. 8‑1/2”

373

374

$500‑$800 374 Tibetan Gilt-Metal Incense Burner likely fourth quarter 19th/first quarter 20th century, of compressed form, narrowing to a circular opening, the exterior with various pierced cartouches containing zoomorphic forms, with incised scrolling floral design to the surround, interspersed with inlaid hardstones, the base with a stylized foliate motif. h. 5‑1/4”, dia. 13‑1/2” $800‑$1,200

375

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SESSION II: LOTS 376-917

376 Louis XVI-Style Mahogany and Inlaid Marble-Top Vitrine first half 20th century, the cabinet with ormolu mounts and cast bronze trim, with a beveled glass door and side windows. h. 63”, w. 28”, d. 14‑1/2” $500‑$800 377 Louis XVI-Style Ormolu-Mounted Burlwood and Mahogany Side Table the oval top within a brass gallery and centered by a figured panel, the apron with ormolu mounts, the fluted legs joined by any oval shelf in like veneer. h. 28‑1/4”, w. 28”, d. 16” $700‑$1,000 378 Pair of Louis XV-Style Parcel-Gilt Mahogany Corner Chairs

376

20th century, with foliate-carved backs and acanthus armrests, raised on cabriole legs. h. 35”, w. 32”, d. 23” $500‑$800

377 379

379 Danish Rosewood and Marble-Top Commode 18th century, the serpentine marble top above a conforming case fitted with three long drawers, all with gilt banding, raised above a pendant-shaped shellcarved apron on cabriole legs ending in scrolled toes. h. 32”, w. 50”, d. 24” $1,000‑$1,500

84

378

380 French Iron and Stamped Metal Chandelier early 20th century, in the Louis XVI taste, the tenlight chandelier dressed with various fruit and faceted pendalogues. h. 36”, dia. 24” $900‑$1,200 381 French Belle Epoque Gilt-Bronze Three-Piece Clock Set ca. 1900, including a Louis XV-style clock with a cupid on the top and set with signed Magasin works, h. 14‑1/2”, w. 9‑1/2”, d. 5‑3/4”, and a pair of matching, two-light, rocaille-molded candelabra, h. 9”, w. 8‑3/4”, d. 4”. $600‑$900 382 Two French Clocks

383

fourth quarter 19th century, including a bronze example with a red griotte marble inset in the base, the top with a pair of cupids reaching for a basket of lovebirds, the dial signed “Barancourt a Paris”, h. 13‑3/4”, w. 7‑1/2”, d. 5‑1/2”, and a painted wood example with a dial signed “Gudin a Paris”, with giltbronze trim, h. 17‑1/2”, w. 10”, d. 6”

380

$1,000‑$1,500 Illustrated Online 383 After Clodion (b. Claude Michel, French, 1738‑1814) “Putto with Triangle” “Putto with Tambourine” pair of patinated bronzes fourth quarter 19th century, the slightly chubby figures modeled balancing on one foot and holding instruments, each signed “Clodion” on the base, on red griotte marble bases. h. 9‑3/4”, dia. 4” $800‑$1,200

384

384 French Three-Piece Brass and Marble Clock Set 20th century, the clock dial set into a brass lyre, flanked with putti holding a swag of flowers, h. 24‑1/2”, w. 12”, d. 8”, and the seven-light candelabra with black marble urn-form standards with scrolled candle arms, h. 26‑3/4”, dia. 11”. $800‑$1,200

381

85

385 French Belle Epoque Gilt-Bronze Candelabrum fourth quarter 19th century, now mounted as a lamp, the five-light candelabrum with a cupid-form standard, one knee resting on a boar’s head, and supporting scrolled and rocaillemolded arms and matching candle cups. h. 30”, dia. 12” $600‑$900 386 Napoleon III Ormolu-Mounted Walnut and Marble-Top Console Table late 19th century, the inset shaped rouge marble top over paneled aprons with ormolu mounts, raised on cabriole legs. h. 30”, w. 42”, d. 15” 385

$500‑$800 387 Louis XV-Style Rosewood Armoire ca. 1900, with a carved cartouche and complex molded crown above a pair of beveled mirrored doors, the interior fitted with shelves and drawers. h. 101”, w. 64”, d. 21” $700‑$1,000

386

388

388 French Carved and Stained Mahogany Bench of small size in the French neoclassical taste, with foliatecarved scroll arms, bowed seat rail and spiral-fluted turned legs. h. 24”, w. 15”, d. 28‑1/2” $500‑$800

86

387

389 Louis XV-Style Fruitwood and Marble-Top Center Table late 19th century, the turtle-form top with an inset marble top, above a conforming lattice-incised frieze centered by a foliate shell carving, raised on cabriole legs headed by shield carving and ending in scroll toes on pegs. h. 30”, w. 41‑1/2”, d. 25” $800‑$1,200 390 Louis XV-Style Beechwood Marquise the shaped floral- and foliate-carved crest rail joined to molded stiles, with open arms, serpentine seat and cabriole legs, now upholstered in carefully selected blue and cream striped brocade. h. 38”

389

$600‑$900 391 Pair of Napoleon III Opaline and Gilt-Bronze Garnitures third quarter 19th century, French, decorated with portrait medallions of French noblewomen, trimmed in gilt on a celeste blue ground, with pierced gilt-bronze fittings. h. 28‑1/2”, dia. 9‑1/4” $700‑$1,000 392 Four Pieces of Sevres-Inspired BronzeMounted Porcelain ca. 1900, each piece with a celeste blue ground, including an oval centerpiece hand-painted with flowers, h. 9”, w. 11‑1/4”, d. 6‑1/2”, a pair of candelabra hand-painted with putti, h. 9”, w. 8‑1/2”, d. 4”, and a covered urn hand-painted with a courting couple on the obverse and a landscape on the reverse, h. 13”, dia. 4”.

390

$500‑$800 Illustrated Online 393 Pair of Gilded Age Bronze and Marble Candelabra fourth quarter 19th century, French, the four-light candelabra with urn-shaped marble standards decorated with bronze ram’s-head handles and swags of flowers, and supporting twig-molded candle branches decorated with leaves and set with flower-molded candle cups, raised on hoof feet, above ormolu-mounted circular marble bases. h. 19‑1/2”, dia. 9‑1/2” $500‑$800 391

393

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394 Pair of Belle Epoque Bronze and Marble Candelabra fourth quarter 19th century, in the Louis XIV style, the carved marble bases supporting pierced and scrolled standards set with scrolled candle branches. h. 22‑1/4”, dia. 10” $700‑$1,000 395 French Gilt-Bronze Chandelier first quarter 20th century, in the rococo taste, the fifteen-light chandelier with a pierced and turned standard terminating in a molded lily, the scrolled arms set with reeded and incised candle cups, interspersed with bold busts of women in 18th-century dress. h. 27‑1/2”, dia. 31‑1/4”

394 395

$500‑$800 396 Meissen Porcelain Cabinet Plate ca. 1850‑1924, German, decorated with a scene in the Watteau style, against a cobalt ground, with a molded and pierced border, the back with an underglaze blue crossed swords mark. dia. 10” $700‑$1,000

396

397 Set of Six Sevres-Style Porcelain Cabinet Plates fourth quarter 19th century, French, the cobalt borders with raised gilt decoration, the panels with hand-painted 18th-century court scenes, signed “Dumus” and with spurious Sevres “double L” marks on the rear. dia. 9‑1/2” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana.

397

$700‑$1,000 398 Louis XV-Style Gilt-Bronze-Mounted and Polychromed Kingwood and Marble-Top Commode the serpentine brescia marble top over a conforming case with a shaped door with a painted panel depicting a courting couple, the serpentine sides with painted landscapes, raised on cabriole legs. h. 35‑3/4”, w. 40”, d. 18‑1/4” $700‑$1,000 .

398

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403 Five-Piece Collection of Porcelain Figures 18th/19th century, English and Continental, including a Royal Vienna male and female bust on draped column bases with an underglaze blue Bindenschild mark, ca. 1749‑1827, Austrian, h. 9”, w. 4”, two putto figures, one with wheat and the other with grapes, h. 6”, w. 4‑1/2”, and a Wallendorf porcelain figure of a bird on a grape-covered stump, marked in underglaze blue, German, h. 7”, dia. 2‑1/2”. $1,400‑$1,800 Illustrated Online 399

399 Three-Piece Gilt-Bronze, Metal and Porcelain Clock Set ca. 1900, in the rococo taste, the clock set with a central handpainted porcelain plaque, columns and finial, h. 21‑3/4”, w. 12”, d. 6‑1/2”, and the pair of matching five-light candelabra set with porcelain plaques, h. 20‑1/4”, dia. 9”. $700‑$1,000 400 Jacob Petit Porcelain Encrier

404 Pair of Meissen Porcelain Children Playing with Goats German, including a male, ca. 1850‑1924, and a female, 20th century, both decorated with grapes, both with underglaze blue crossed swords, the female incised “H.81.”, impressed “74”, and with a “7” in overglaze rouge de fer, the male incised “H 82.” and impressed “59”. h. 6”, w. 4‑1/2”, d. 3” $1,200‑$1,800

mid-19th century, on a rococo base, modeled as a flower seller flanked by “wooden” flower tubs designed to hold ink and pounce pots, with two pen holders fitted into the front, signed “JP” in underglaze blue. h. 8‑3/4”, w. 6‑3/4”, d. 5‑1/4” $400‑$700 Illustrated Online 401 Large Meissen-Style Porcelain Figure ca. 1900, depicting a reclining child with flowered dress, the underside marked with blue crossed swords. h. 9‑1/2”, w. 16”, d. 7” $700‑$1,000

404

405 Three Porcelain Figures

402 Meissen Porcelain Figure of Two Cupids ca. 1880‑1924, German, one cupid with a trumpet and the other with sheet music and a tambourine to one side, marked with underglaze blue crossed swords over an overglaze painted “45”, an impressed “69” and an incised “2464.”. h. 5‑3/4”, w. 6‑1/4”, d. 3‑1/4” $1,000‑$1,500

19th century, including a clever pastille burner in the form of a man smoking in a tavern, the pastilles burning in the barrel emit smoke through his pipe, h. 6‑1/4”, w. 4”, d. 4‑3/4”, two boys wrestling, with an unidentified underglaze blue mark, h. 4‑1/4”, w. 3”, d. 3”, and a lady with a bird, impressed “XXV, N.G.”, h. 7‑1/4”, w. 2‑3/4”, d. 2‑1/2”. $1,200‑$1,800 Illustrated Online 406 Meissen Porcelain Allegorical Figure of Winter 18th century, the draped figure with a firepot, with an underglaze blue crossed swords mark, h. 4‑3/4”, w. 1‑1/2”, together with a 19th-century porcelain figure of a female, unmarked, h. 5‑1/2”, w. 3‑1/4”.

401

402

$500‑$800 Illustrated Online

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407 Meissen Porcelain Figure of “The Racegoer’s Companion” ca. 1824‑1850, German, depicted with a muff on one hand and a race card in the other, wearing a hat and dress trimmed with delicate “lace”, signed with underglaze blue crossed swords, an incised “D. 66”, an impressed “45”, and incised initials. h. 8‑1/4”, w. 3‑3/4”, d. 3” $1,000‑$1,500 Illustrated Online 408 Two Meissen Porcelain Figures of Putti German, both with underglaze blue crossed swords, one putto depicted as a blacksmith forging a heart, ca. 1860, with incised “R261.” and impressed “50_”, h. 8‑1/4”, w. 3‑1/2”, and the other with a bull, post-1924, with incised “L114.” and impressed “91”, h. 5‑3/4”, w. 6”.

409

$800‑$1,200 Illustrated Online 409 Louis XVI-Style Giltwood Marquise the guilloche-carved crest joined to open arms with like carving, above a bowed seat rail and spiral-fluted legs, in pastel check upholstery. h. 37”, w. 42”, d. 25” $500‑$800 410 Louis XVI-Style Mahogany and Marble-Top Server late 20th century, the demi-lune marble top within a three-quarter pierced brass gallery, above a conforming frieze fitted with a single central drawer and two faux end drawers, joined to two like-shaped open shelves by fluted bulbous uprights, raised on turned toupie feet. h. 38‑1/2”, w. 53‑1/2”, d. 18”

410

$600‑$900 411 Pair of Louis XVI-Style Mahogany and Marble-Top Center Tables 20th century, each with an inset circular marble top above a conforming plain frieze, raised on fluted, tapering circular legs headed by block floral capitals, joined by an X-form stretcher and ending in toupie feet. h. 29‑1/2”, dia. 35‑1/2” Provenance: Private collection, Mobile, Alabama. $800‑$1,200

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412 Louis XVI-Style Mahogany and Marble-Top Side Table late 19th century, the rectangular marble top within a full pierced brass gallery and molded edge, above a conforming ormolu-mounted frieze, raised on ribbed tapering circular legs ending in toupie feet. h. 33”, w. 36‑1/4”, d. 18” $700‑$1,000 413 Set of Two Third Republic Mahogany Night Stands second half 19th century, in the Louis XVI taste, each with a brass gallery and marble top, the tops with rounded front corners, one stand with a bank of three drawers and the other with faux drawers and a cupboard door opening to reveal a chamber with a marble bottom, trimmed with brass moldings, on fluted and stop-fluted legs joined by a shelf. h. 35‑1/2”, w. 22‑1/2”, d. 13” and h. 34‑1/2”, w. 23”, d. 13‑1/2”

412

$500‑$800 Illustrated Online 414 Louis XVI-Style Parquetry-Inlaid and Marble-Top Side Table the highly figured oval marble top within a brass gallery, the apron with a frieze drawer and parquetry inlay, raised on tapering legs joined by a shelf with like inlay, with ormolu mounts. h. 30”, w. 22‑1/2”, d. 17‑1/2”

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$600‑$900 Illustrated Online 415 Haentges Freres, Paris, Transitional Louis XV/XVI-Style Gilt-Bronze-Mounted Oak Dining Suite early 20th century, consisting of a table and six side chairs, the table of rounded, rectangular form, bisected to accommodate three 19‑1/2” original unfinished leaves, raised on molded cabriole legs ending in sabots, bearing the stamp “Haentges Fres. Fabricants, 6, Rue Titon Paris”, h. 29”, w. 47‑1/2”, l. 59”, ext. l. 117”, and the six side chairs each with a domed and carved back above the caned seat, raised on molded cabriole legs ending in scrolled toes, all bearing the Haentges Freres metal label, h. 39”.

415

Provenance: Keil’s Antiques, New Orleans, Louisiana. $700‑$1,000 416 Transitional Louis XV/XVI Kingwood, Rosewood and Marble-Top Commode late 18th century, the rectangular breakfront marble top with a molded edge, above a conforming case fitted with two long drawers, each with three veneered panels and decorative banding, raised on cabriole legs. h. 32”, w. 37”, d. 20” $1,000‑$1,500 416

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417 Transitional Louis XV/XVI-Style Kingwood and Marble-Top Commode early 20th century, the bowed and canted breche d’Alep marble top above a conforming case fitted with three banded short drawers over two long drawers, banded and with parquetry veneers, the sides banded and quarter veneered, raised on sabre legs ending in sabots. h. 36‑1/2”, w. 51”, d. 23” Provenance: Private collection, Mobile, Alabama. $1,400‑$1,800 418 Louis XVI-Style Marquetry-Inlaid Side Table

417

20th century, the oval marble top within a brass gallery, over a floral- and line-inlaid apron fitted with a drawer, raised on tapering legs with ormolu mounts, joined by a low shelf with like inlay. h. 30”, w. 20”, d. 15‑1/4” $600‑$900 419 Louis XVI-Style Kingwood and Marble-Top Center Table 20th century, the circular marble top within a full pierced brass gallery, above a conforming foliate-inlaid frieze fitted with a single drawer, raised on tapering square legs ending in sabots. h. 28‑1/4”, dia. 23‑3/4” $800‑$1,200 420 Louis XVI-Style Parquetry-Inlaid and Marble-Top Side Table

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419

of small size, the ovoid brescia marble top within a brass gallery, over a parquetry-inlaid apron, raised on turned legs with brass cup feet. h. 19”, w. 18”, d. 12” $500‑$800 421 Louis XVI-Style Gilt-Brass-Mounted and Parquetry-Veneered Oak Commode early 20th century, with a bowed front and a drawer over a pair of doors, each with parquetry veneer, the doors centered by an oval drawer with an ormolu mount, raised on fluted legs. h. 29‑3/4”, w. 42‑1/4”, d. 17‑3/4” $700‑$1,000 420

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422 Louis XVI-Style Fruitwood Bergere early 20th century, the ribbon-carved crest on a molded frame extending to closed arms, with bowed front seat rail and fluted turned legs, in floral upholstery. h. 36‑3/4” $300‑$500 423 Pair of Louis XV-Style Parquetry-Inlaid Mahogany Chests each with a marble top with serpentine front and sides, on a conforming case with a bank of three line-inlaid drawers, parquetry panels and ormolu mounts. h. 25‑1/2”, w. 24”, d. 14” $600‑$900

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424 Pair of Louis XV-Style Marquetry-Inlaid Mahogany and Beechwood Stands each of kidney form, the foliate-inlaid tops with brass galleries, a pair of drawers and cabriole legs with ormolu mounts. h. 26”, w. 18‑3/4”, d. 11‑1/4” $500‑$800 425 Pair of Louis XVI-Style Giltwood Fauteuils early 20th century, with carved frames and raised on turned and carved legs. h. 37‑1/2” $700‑$1,000 425

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426 Pair of Louis XV-Style Inlaid Mahogany and Marble-Top Occasional Tables each with a figured marble top above an ovoid case with projections at the legs, a pair of inlaid drawers and side panels in like decor, and raised on cabriole legs with ormolu mounts. h. 32‑1/4”, w. 25‑1/2”, d. 17” $500‑$800 427 Pair of Louis XV/XVI-Style Marquetry-Inlaid Mahogany and Kingwood Side Tables each oval top with a brass gallery around a marquetry inlay depicting a floral vase and teapot, the frieze with a single drawer, raised on kingwood cabriole legs joined by a low shelf, with ormolu mounts. h. 25‑1/2”, w. 21‑3/4”, d. 16‑1/2”

426

$1,000‑$1,500 428 Louis XV-Style Kingwood Writing Table late 19th century, in the manner of Francois Linke, the shaped rectangular top with an inset leather surface and within a brass edging, above a conforming case fitted with a single shaped frieze drawer, raised on cabriole legs ending in sabots. h. 29‑1/2”, w. 44”, d. 21‑1/2” $1,000‑$1,500

427

429 Louis XV-Style Kingwood Bureau Plat late 19th century, in the manner of Paul Sormani, Paris, the shaped rectangular top with an inset leather surface and within a brass edging, above a conforming frieze fitted with a central drawer flanked to either side by a short deep drawer, with like faux drawers verso, raised on cabriole legs headed by ormolu mounts and ending in sabots, the whole richly ornamented with ormolu mounts and millwork. h. 31‑1/2”, w. 57”, d. 32‑1/2” $1,000‑$1,500 430 Louis XV-Style Parquetry-Veneered Commode

428

of bombe form, the serpentine Brescia marble top on a conforming case with a bank of three drawers, flanked by ormolu mounts extending down the shaped legs. h. 39‑1/4”, w. 34‑3/4”, d. 16‑1/2” $600‑$900

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432A

433 Pair of Louis XV-Style Fruitwood Fauteuils each with a shell-carved crest, open arms with scroll ends, and cabriole legs with French toes, upholstered in gold and black striped fabric. h. 41” $400‑$700 434 French School (First Quarter 19th Century) “Portrait of a Gentleman in a Lace Cravat” 433

431 Louis XV Gilt-Bronze-Mounted Kingwood Bureau 18th century, the serpentine top with inset leather, over a conforming apron with a pair of shaped and banded drawers, raised on cabriole legs with bronze mounts above the knees and feet. h. 28”, w. 31”, d. 20”

oil on canvas unsigned.

Framed.

18‑3/8” x 15‑5/16”, framed 24‑3/4” x 21‑3/4” Provenance: Dixon & Dixon, New Orleans, Louisiana; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800‑$1,200

$800‑$1,200 432 Pair of Louis XVI-Style Ormolu-Mounted Fruitwood Side Chairs 20th century, of generous proportions, with shaped backs and cabriole legs. h. 45” $400‑$700 432A Napoleon III Kingwood Games Table late 19th century, in the Louis XV style, the serpentine top banded and quarter-veneered, hinged and opening to a leather-inset surface, above a conforming paneled frieze, raised on cabriole legs headed by foliate ormolu mounts and ending in sabots. h. 31‑1/2”, w. 33‑1/4”, d. 18” (closed) $1,000‑$1,500

434

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435 French School (19th Century) “Portrait of Young Boy in a Red Jacket” and “Portrait of a Young Woman with Flowers in Her Hair” two oils on canvas unsigned.

Framed.

15” x 13” and 16” x 20”, framed 25‑1/2” x 20” and 22” x 18‑3/4” $700‑$1,000

435

436 After Elisabeth Vigee Le Brun (French, 1755‑1842) “Self-Portrait”, 1870 oil on canvas unsigned.

Framed.

21” x 18”, framed 27‑1/2” x 24” Elisabeth Vigee Le Brun holds a brush to a partially finished painting that is probably Marie-Antoinette; a likely tribute to the artist’s favorite sitter. $600‑$900

437 Benoit Noel Bonnard (French, 1821‑1870) “Portrait of Woman”, 1870 436

oil on canvas signed and dated lower left.

In a period gilt frame with brass artist plaque.

22” x 18”, framed 31” x 26‑3/4” $800‑$1,200

438 Jean-Pierre Feulard (French, 1790‑1849) “Portrait of a Lady in a Lace Bonnet”, 1840s oil on canvas signed lower right, signed, dated “184?” and localized “Le Havre” en verso canvas.

Presented in an antique carved wood frame.

18‑1/4” x 15”, framed 21‑1/2” x 18‑1/4” $600‑$900 Illustrated Online

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440 439

439 Circle of Jurgen Ovens (German, 1623‑1678) “Portrait of a Mother and Child” oil on canvas unsigned.

Framed.

42” x 28”, framed 48‑1/2” x 34‑1/2” $1,000‑$1,500

443

443 George III Mahogany Bureau

440 Continental School (18th Century)

fourth quarter 18th century, the slant front opening to a storage well and a variety of drawers and cubbyholes, above two short drawers and two graduated long drawers, raised on waisted bun feet. h. 41”, w. 38‑1/2”, d. 22”

“Portrait of a Mother and Daughter in Pearl and Lace Collars”

$800‑$1,200

oil on canvas In a carved giltwood frame.

24‑1/2” x 21‑1/2”, framed 28” x 23”

Provenance: Watson/de Nagy & Company, Houston, Texas.

$700‑$1,000

$800‑$1,200

441 George II-Style Carved and Silver-Leaf Ottoman the padded seat over a deeply relief-carved frame and raised on cabriole legs ending in ball-and-claw feet. h. 21”, w. 30”, d. 18” $500‑$800 442 Pair of George II-Style Mahogany Wing Chairs in the Queen Anne taste, with arched backs and columnar arm supports, loose cushions and cabriole legs with pad feet joined by H-form stretchers. h. 45‑1/2” $600‑$900

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444 Suite of Eight George III-Style Mahogany Dining Chairs 20th century, consisting of two armchairs and six side chairs, each with an earred and shell-carved crest above an interlacing torchere-carved splat, the padded seat raised on cabriole legs ending in ball-and-claw feet. h. 43” $400‑$800 445 George III Mahogany Dumbwaiter

444

early 19th century, with three graduated circular tiers, all with line-inlaid sunburst patterns, supported by turned vasiform standards, raised on a like base to three splayed legs ending in pad feet on casters. h. 50‑1/4”, dia. 24‑1/2” $700‑$1,000 446 Victorian Exuberantly Carved Mahogany Tilt-Top Table second half 19th century, in the Chippendale taste, the singleboard, scalloped and dished top on a foliate-carved tripodal base with cabriole legs. h. 29‑3/4”, dia. 30” $700‑$1,000 Illustrated Online 447 George III Mahogany Armchair in the Chippendale Taste

447 445

probably Irish, the shaped crest rail over a pierced vasiform splat, the arms on turned supports, raised on cabriole legs with carved knees and pad feet. h. 37” $500‑$800 448 Georgian-Style Mahogany Settee 19th century, probably Portuguese, the triple back featuring pierced and earred foliate-carved crests, above pierced and interlacing splats, joined by scrolling arms to the shaped and padded inset seat, raised on cabriole legs headed by shell carving and ending in ball-and-claw feet. h. 45”, w. 65‑1/2”, d. 20‑1/2”

448

$900‑$1,200 449 George III-Style Mahogany Corner Cupboard the bonnet top over open scalloped shelves, the base with a pair of doors, raised on molded bracket feet, with ormolu mounts. h. 72”, w. 29”, d. 16‑1/4” $500‑$800 Illustrated Online

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450

453 George II-Style Mahogany Tea Table mid-20th century, the dished top over a scalloped apron, the ends fitted with slides, raised on cabriole legs ending in pad feet. h. 28”, w. 30”, d. 19‑1/2” 452

$600‑$900 454 Covered Ginger Jar on Stand in the Japanese Imari Taste 20th century, on a scalloped base, the jar decorated with panels of figures on a cobalt, gilt and orange ground, set with a matching cover with a foo dog finial. h. 42‑1/2”, dia. 15‑1/2” $400‑$700

451

450 Fruitwood and Burl Banquet Table ca. 1900, the ovoid table banded and with a gadroon-carved edge, raised on large cabriole legs headed by foliate shield carving and ending in ball-and-claw feet, with two 12” leaves and one 24” leaf. h. 31‑1/2”, w. 47‑1/2”, l. 94”, ext. l. 142”

455 George III-Style Figured Mahogany and Inlaid Map Chest Pedestal Desk second half 20th century, the top framed in three sections with highly-figured veneers, each with a central inlaid compass star medallion, the front fitted with three deep side-by-side drawers, each pedestal fitted with a bank of seven deep map/ document drawers. h. 36‑1/2”, w. 84”, d. 41” $800‑$1,200

$1,200‑$1,800 451 Suite of Ten Queen Anne-Style Walnut Side Chairs 20th century, each with a domed crest above a vasiform splat, the padded saddle seat raised on cabriole legs ending in pad feet. h. 38‑1/4” $1,000‑$1,500 452 Extensive “Blue Onion” Pattern Partial Dinner Service

453

primarily Hutschenreuther, Selb, Bavaria, ca. 1930, consisting of thirteen dinner plates, dia. 10‑1/4”, eleven soup plates, dia. 9‑1/4”, eight salad plates, dia. 7‑1/2”, seven dessert dishes, dia. 5‑1/4”, sixteen dessert dishes in a “Blue Onion” variation, dia. 5‑3/4”, eleven bread-andbutter plates in a “Blue Onion” variation, dia. 6‑1/4”, five “Blue Danube” luncheon plates, dia. 8‑3/4”, fourteen cups, h. 2‑3/4”, six Hutschenreuther cream soup bowls, h. 2”, dia. 4‑1/2”, a Meissen platter, w. 13‑1/4”, d. 9‑1/2”, two Hutschenreuther platters, w. 12”, d. 7‑1/2” and w. 15‑1/2”, d. 10‑1/2”, a Hutschenreuther square dish, w. 7”, d. 7”, two Hutschenreuther square bowls, h. 3” to 3‑3/4”, w. 7‑1/4” to 8‑1/4”, a Hutschenreuther covered tureen, h. 8”, w. 10‑1/2”, a Hutschenreuther sauce boat, h. 4”, w. 7‑1/2”, a Hutschenreuther bread-and-butter plate, dia. 6”, and four “Danube Blue” small bowls, dia. 6”. $600‑$900

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460

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456 Pair of Queen Anne-Style Mahogany Armchairs

459 George II-Style Tilt-Top Table in the Queen Anne Taste

early 20th century, with curved backs and open arms with carved knuckle-scrolled hand grips, raised on slender cabriole legs. h. 34‑1/2”

early 20th century, the dished circular top on a baluster-form tripodal base with cabriole legs and pad feet. h. 30‑1/4”, dia. 26”

$500‑$800

$300‑$500 Illustrated Online

457 Pair of Queen Anne-Style Mahogany Library Chairs

460 Edwardian-Style Mahogany Lingerie Chest

20th century, with shaped and padded seats and backs, curved open arms and raised on shell-carved cabriole legs, covered in dark green leather. h. 36”

early 20th century, the serpentine front fitted with six drawers with brass bail handles. h. 47”, w. 24”, d. 18”

$700‑$1,000 458 George II Mahogany Drop-Leaf Table 18th century, in the Queen Anne taste, the single-board top flanked by like demi-lune drop leaves, the leaves supported by a swing leg, the legs on pad feet. h. 28‑1/4”, w. 41‑1/2”, d. 15‑1/2”, ext. l. 47‑1/2” $600‑$900

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$500‑$800 461 Queen Anne Mahogany Wing Chair 18th century, the padded and domed back joined by shaped sides and outscrolled arms to the cushioned seat, raised on cabriole legs ending in pad feet. h. 48” $500‑$800

462 George III-Style Burled Elm and Mahogany Desk second half 20th century, in the Chippendale taste, the figured serpentine top over a frieze with a pair of drawers flanked by a bank of two demi-lune drawers at the corners, raised on cabriole legs with carved knees and ball-and-claw feet. h. 30‑3/4”, w. 64‑1/2”, d. 37‑1/4” 462

$700‑$1,000 463 Interesting Collection of King George III of England Memorabilia 18th and 19th century, including an eglomise portrait, signed Richard Purcell lower right; an ink on paper armorial; a signature with small color lithograph; and a handwritten letter dated 1795 and signed George with a small etching.

All matted, glazed and framed. overall 16‑3/4” x 12‑3/4”, 12” x 10”, 23” x 16” and 17‑1/4” x 14”, respectively Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $700‑$1,000

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464 George III Mahogany Drop-Leaf Desk late 18th century, the rectangular top with an inset leather writing surface and with like inset drop leaves, above a case fitted to one side with three frieze drawers over two side cupboards and to the other side with three frieze drawers over a bank of two short drawers to either side, raised on tapering square legs ending in brass caps and casters. h. 30‑1/2”, w. 48”, d. 36‑1/2”, ext. w. 72‑1/2”

464

$800‑$1,200 465 Mahogany-Veneered Tall Case Clock first quarter 19th century, probably Scottish, the case with scroll-carved brackets, the painted sheet-iron dial decorated with scenes of people in traditional Scottish costume. h. 83”, w. 21‑1/4”, d. 9” $600‑$900 466 George III-Style Mahogany Secretary early 19th century and later, the molded cornice above two doors, each inset with a grille panel, the lower section fitted with a drop-front drawer opening to a variety of drawers and cubbyholes, faced as two long drawers, over two graduated long drawers, raised on splayed bracket feet. h. 84‑1/4”, w. 40‑1/2”, d. 20” $500‑$800 466

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467 American Federal Inlaid Mahogany Sideboard first quarter 19th century, New York, the figured mahogany shaped top above a row of string-inlaid drawers and four cabinets below, raised on tapered legs. h. 42”, w. 72‑1/2”, d. 30” $500‑$800 468 George III Mahogany Chest fourth quarter 19th century, the rectangular top above a case fitted with two short drawers over three graduated long drawers, raised on tall splayed legs. h. 42”, w. 41‑3/4”, d. 19‑1/2”

467

$500‑$800 469 George III-Style Mahogany Sideboard 20th century, the shaped and bowed rectangular top above a conforming case fitted with a central bi-paneled drawer, flanked to either side by a banded oval paneled cupboard, opening to a removable cutlery tray. h. 37”, w. 71‑3/4”, d. 22‑1/2” $500‑$800 470 George III Line-Strung Mahogany Beau Brummel

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470

ca. 1800, in the Hepplewhite taste, the fold-out top opening to reveal an interior with a pull-out dressing mirror and a lid covering a top fitted for a washbowl and accoutrements, over a cupboard and a pair of drawers, raised on tapering legs. h. 35”, w. 20‑3/4”, d. 20‑1/2”, ext. l. 41‑1/2” $400‑$700 471 Suite of Six George III-Style Side Chairs late 19th century, in the Hepplewhite taste, each with a bellflower-carved shield-form back with pierced splat, the padded seat raised on tapering square legs joined by an H-form stretcher. h. 37‑1/2”

469

$500‑$800 472 Assembled Suite of Ten George II-Style Mahogany Dining Chairs in the Queen Anne taste, comprised of a pair of open armchairs, each with an upholstered back and seat, open arms and cabriole legs, h. 30‑1/4”, together with a suite of eight side chairs, each with a shaped top rail and splat, slip seat and cabriole legs ending in pad feet, h. 40‑1/4”. $1,000‑$1,500 Illustrated Online

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473 George III Mahogany Cellarette fourth quarter 18th century and later, of octagonal form, the hinged lid opening to a void interior, the brass-bound case with carrying handles, raised on a stand of splayed square legs. h. 27‑1/2”, dia. 20” $700‑$1,000 474 George III Mahogany Sideboard fourth quarter 18th century, the superstructure with a brass plate rail above a paneled structure, the slightly bowed top above a conforming case fitted with three short drawers flanked to either side by a deep cellarette drawer, raised on line-inlaid tapering square legs ending in spade feet. h. 57‑1/2”, w. 83‑1/4”, d. 28”

473

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Provenance: Purchased from Wakefield-Scearce Gallery, Shelbyville, Kentucky. $1,200‑$1,800 475 Four-Piece Collection of Imari Porcelain including a signed Derby cake or fruit basket, ca. 1806‑1825, h. 4‑1/4”, w. 11‑1/4”, d. 9”, a campana-form urn with the 1820s mark, h. 7”, w. 5‑1/2”, and a pair of English-style cachepots on gilt paw feet, h. 8”, dia. 6‑1/4”. $500‑$800 Illustrated Online

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476 Regency Mahogany Chest early 19th century, the bowed and banded top above a conforming case fitted with two short drawers over twhree graduated long drawers, raised on splayed bracket feet. h. 39‑1/2”, w. 40‑1/4”, d. 23‑1/2” $500‑$800 477 George III Mahogany Secretary Bookcase fourth quarter 18th century, the molded cornice above two astragalglazed doors, opening to a fabric-lined interior, the lower section fitted with a drop-front drawer opening to an inset leather writing surface and a variety of drawers and cubbyholes, over three graduated long drawers, raised on splayed feet. h. 85‑1/2”, w. 42”, d. 19‑1/4” $700‑$1,000 478 Georgian 22K Gold and Enamel Patch Box hallmarked London, 1766‑1767, no maker’s mark, of bulbous circular form, the hinged lid set with a Battersea enamel plaque of St. James the Greater and opening, by means of a scrolling thumb-latch set with a tiny rose-cut diamond, to reveal the mirrored interior lid. h. 3/4”, dia. 1‑1/2”; 32.4 gr. (including enamel and mirror) $800‑$1,200 Illustrated Online 477

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479 Suite of Six Georgian-Style Mahogany Dining Chairs in the Chippendale taste, each with a pierced dolphin-carved splat, serpentine seat and molded and carved legs. h. 38‑1/4” $700‑$1,000 480 George III Cross-Banded and Line-Inlaid Mahogany Sideboard

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19th century, in the Hepplewhite taste, the shaped top over a concave center door flanked by a narrow drawer and a deep curved drawer, raised on line-inlaid tapering square legs with spade feet. h. 36‑3/4”, w. 77”, d. 27‑3/4” $800‑$1,200 481 Royal Crown Derby “Traditional Imari” Partial Tea and Coffee Set

483

ca. 1921‑1965, English, each piece marked, the set including a square cake dish, w. 10‑1/2”, d. 9‑1/2”, a waste bowl, h. 3‑1/2”, dia. 5‑1/2”, ten dessert plates, dia. 6‑1/4”, a cream jug, h. 4‑1/4”, six coffee cups, h. 2‑1/2”, with six saucers, dia. 5”, and six tea cups, h. 2‑1/4”, with six saucers, dia. 5‑1/4”.

Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana. $500‑$800

482

480

482 George III-Style Mahogany Bowfront Chest 19th century, the top with perimeter banding, the case with two-over-two drawers, raised on bracket feet. h. 35‑1/4”, w. 35”, d. 19‑1/4” $600‑$900 483 Sholto & Reuben Percy [pseud.], The Percy Anecdotes [Thomas Byerley (1789‑1826) & Joseph Clinton Robinson (ca. 1787‑1852)] London: T. Boys, 1823, complete in 20 volumes 32mo, wove paper, in tan half calf with decorative gilt rule on marbled boards, the flat spine with red panels and gilt lettering, rule and decoration, the edges cut and tinted, with lithograph portrait frontispieces.

5‑7/16” x 3‑9/16” (13.9 cm x 9 cm) $500‑$800

479

104

484 Two 18th-/19th-Century Illustrated Books on Natural History (Shells and Pollen) including: Michel Adanson (1727‑1806), Histoire Naturelle du Senegal: Coquillages (Paris: Claude-Jean-Baptiste Bauche, 1757), demy quarto, with map and nineteen plates by Marie-Therese Reboul, later Madame Vien (1738‑1806), in full mottled tan calf, 26.7 cm x 20.5 cm [Chadenat: 2760] Julius Fritzsche (1808‑1871) Ueber den Pollen (St. Petersburg: Acad. der Wissenschaften, 1837), quarto, wove paper, with thirteen hand-colored lithographs, in quarter brown cloth, 25.6 cm x 22.0 cm [Poggendorf I: 808]

485

Detailed bibliographic description available on request. $500‑$800 Illustrated Online 485 Two Second Quarter 18th-Century Multi-Volume Historical References including: Jacques-Auguste de Thou (1553‑1617), Histoire Universelle, Basle: Jean-Louis Brandmuller, 1742 complete in eleven volumes, part quarto, French text, in brown quarter leather on marbled boards, the spine with red panels and oval green volume cartouches, with gilt rule and lettering, leaf 23.7 x 19.0 cm; overall 24.0 x 20.3 cm.

Peter Bayle (1647‑1706), Dictionary Historical and Critical, London: D. Midwinter et al., 1734‑1738 complete in five volumes in ten, foolscap quarto, English text, in later red buckram, the spines with gilt lettering, leaf 34.7 x 21.2 cm; overall 35.7 x 22.5 cm.

21 volumes total

486

$600‑$900 486 Seventy-Four Volumes of English Literature including fifty volumes of The Writings in Prose and Verse of Rudyard Kipling, Charles Scribner’s Sons: New York, 1898; twelve volumes of William Makepeace Thackeray, Harper & Brothers: New York, 1899; nine volumes of Thomas Hardy; and three volumes of Henry van Dyke. $500‑$800 487 Late Regency Mahogany Bookcase second quarter 19th century, the molded cornice above two astragalglazed doors, the lower section fitted with a baize-lined brushing slide over three graduated long drawers, all with ebonized banding, raised on splayed bracket feet. h. 84‑1/2”, w. 51”, d. 17‑1/2”

487

$700‑$1,000 488 George III-Style Mahogany Pedestal Desk late 19th century, the rectangular top with an inset leather surface, above a frieze fitted with three drawers, raised on two pedestals, one fitted with three graduated drawers, the other fitted with a drawer over a deep drawer, raised on bracket feet, the sides and verso paneled. h. 30‑1/2”, w. 60‑1/2”, d. 36”

488

$800‑$1,200

105

489 Pair of Chinese Porcelain Vases Converted to Table Lamps Republic period (1912‑1949), each of baluster form with flared lip and pierced “butterfly” handles, one example decorated with scenes of women playing traditional musical instruments, with Guanyin riding a phoenix above, the other depicting figures in a garden setting, both examples with inscriptions to the reverse, and mounted on hardwood stands with a single bulb fixture. overall h. 38‑1/2”, dia. 8‑1/2” $400‑$700 490 Queen Anne-Style Mahogany Games Table

489

18th century and later, of triangular form, the top banded, hinged and opening to a larger gaming surface, further opening to storage compartments, raised on tapering circular legs ending in pad feet. h. 27‑1/2”, w. 38”, d. 19‑1/2” (closed) $600‑$900 Illustrated Online 491 George III-Style Mahogany Bowfront Cabinet 19th century, the molded cornice above a case fitted with two paneled doors opening to two hanging spaces, with two paneled cupboard doors below, raised on a plinth base. h. 88‑1/2”, w. 46”, d. 17‑1/2”

492

$600‑$900 492 George III Mahogany Partner’s Desk early 20th century, the rectangular top with an inset leather writing surface, above a frieze fitted with three drawers to either side, raised on two pedestals, each fitted with three graduated drawers to one side and a paneled cupboard door to the other, raised on plinth bases. h. 31”, w. 69‑1/2”, d. 46” $500‑$800 493 18th-Century Walnut Bureau and Chest the Italian bureau, late 18th century, with a rectangular bi-paneled top above a banded slant front opening to a central storage well with a variety of drawers and cubbyholes over two short drawers and two long drawers, all banded and with a serpentine front, raised on bracket feet, h. 44”, w. 40‑1/4”, d. 23‑1/2”, and the George III chest, fourth quarter 18th century, with a rectangular top banded and inset with a satinwood panel, above a conforming case fitted with two short drawers over three graduated long drawers, all banded, raised on bracket feet, h. 39”, w. 40”, d. 19‑1/4”. $1,000‑$1,500 Illustrated Online

491

106

497 George II-Style Mahogany Wing Chair in the Queen Anne taste, with upholstered back and closed arms, loose seat cushion, cabriole legs with shell-carved knees and pad feet, upholstered in seafoam green brocade. h. 43” $600‑$900 498 Pair of Irish Chippendale-Style Polychrome Cabinets/ Sideboards each of serpentine form, the shaped top with a carved edge, above a case with a bank of three central drawers flanked by smaller drawers adorned with exuberantly modeled floral, scroll and leaf carving throughout, raised on scrolled legs. h. 37‑3/4”, w. 60”, d. 22” $1,000‑$1,500 Illustrated Online

495

494 George III-Style Mahogany Bowfront Chest late 19th century, the case with three graduated beaded drawers, raised on flaring bracket feet. h. 35‑1/2”, w. 37”, d. 16‑1/2”

496

$700‑$1,000 495 George III-Style Mahogany Bowfront Cabinet 19th century, the molded cornice with a drop pendantcarved frieze, above two long doors, each inset with two panels and opening to a shelved interior, raised on splayed bracket feet. h. 79”, w. 45‑1/4”, d. 22‑1/2” $700‑$1,000 496 George III-Style Mahogany Partner’s Desk the inset tooled leather top over a frieze with a band of three drawers, each pedestal with a bank of drawers on one side and a cupboard door on the other, each with a pull-out slide. h. 25‑7/8”, w. 72”, d. 48‑1/2” $800‑$1,200 494

497

107

499 Pair of George II-Style Polychromed Demi-lune Console Tables in the manner of Robert Adam, each apron with neoclassical-carved ornament, raised on paneled, fluted tapering square legs in like decor, terminating in spade feet. h. 30‑1/4”, w. 51‑3/4”, d. 25‑1/2” $1,000‑$1,500

499

500 Pair of Regency-Style Polychrome and Caned Benches with scrolled ends joined by a turned spindle and raised on out-curved legs with scrolled toes. h. 26”, w. 56”, d. 16” $700‑$1,000 501 Two Chinese Export Porcelain Dishes or Undertrays fourth quarter 18th/first quarter 19th century, each of oval form, the broad, slightly flared rim with pierced design, centered with the distinctive crest of Fane, Earl of Westmorland, within entwined foliate vine borders. w. 9‑3/4”, d. 7‑1/2”

500

$600‑$900 Illustrated Online 502 Circle of Sir Henry Raeburn, R.A., P.R.S.A. (Scottish, 1756‑1823) “Portrait of a Gentleman in a White Silk Cravat” oil on canvas first quarter 19th century, unsigned, partial old “Portsmouth/ London” label en verso stretcher.

Framed.

30‑1/2” x 25‑1/4”, framed 36‑1/8” x 32‑1/8” Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana. $2,000‑$4,000

502

503 After Sir Henry Raeburn, R.A., P.R.S.A. (Scottish, 1756‑1823) “Portrait of Lady Dalrymple” oil on canvas 19th century, unsigned, after the undated painting now conserved at Tate Britain, London, a “Walter F. Jeune/Victoria B.C.” and “The Wimbledon Fine Art Gallery/F. Dibben & Son/ Wimbledon” labels en verso frame.

Framed.

30” x 25‑1/8”, framed 39” x 34” Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana. $1,500‑$2,500

108

503

504 Anglo-American School (19th Century) “Portrait of a Member of the Biddle Family of Philadelphia, Possibly the Financier Nicholas Biddle (1786‑1844) oil on canvas unsigned, inscribed “No. 4” on frame and with an old stamp “R...775” en verso canvas.

Framed.

36‑1/4” x 28‑1/4”, framed 41” x 33” Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana. $1,400‑$1,800 505 British School (19th Century)

505 504

“Portrait of a Handsome Young Man” oil on wood panel unsigned, a “Wyatt, Carver and Gilder, Oxford” label en verso.

Framed.

11‑1/2” x 9‑1/2”, framed 17” x 15” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000 506 Circle of John Watson Gordon (Scottish, 1788‑1864) “Portrait of a Gentleman with a Ledger” oil on canvas unsigned, a “Robert R. Nelson, Edinburgh” supplier’s label stenciled en verso.

Framed.

36” x 28”, framed 46‑3/4” x 38”

506

Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana. $1,500‑$2,500 507 British School (19th Century) “Portrait of a Young Man” oil on canvas unsigned.

Framed.

24‑1/8” x 19‑1/2”, framed 33” x 29‑1/4” Provenance: By repute, Mint Museum, Charlotte, North Carolina; Private collection, North Carolina; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $700‑$1,000 507

109

508 British School (19th Century) “Portrait of a Captain and Adjutant of the Bengal Army” oil on canvas unsigned.

Framed.

14‑1/4” x 12‑1/4”, framed 22‑3/4” x 20‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

508

509

509 Christel Sprinkmann (German, b. 1847) “The Japanese Parasol (Auf dem Spaziergang)”, 1884 oil on wood panel signed and dated lower right, German title on label en verso.

Presented in a period giltwood and gesso frame.

13” x 8” $700‑$1,000 510 British School (19th Century) “Portrait of a Gentleman”

510

oil on linen possibly monogrammed “F” or “JE” lower right.

Framed.

30” x 25”, framed 33‑1/2” x 28‑1/4” $700‑$1,000 511 British School (18th Century) “Portrait of a Gentleman Wearing a Gray Jacket” oil on canvas unsigned.

Framed.

25‑3/4” x 22‑3/4”, framed 31‑1/2” x 27‑1/2” $800‑$1,200

511

110

512 Attributed to Joshua Cristall (British, 1767‑1847) “A Couple and Their Dogs” oil on board laid down unsigned, a “C. E. Clifford, Artists’ Colourman, Piccadilly, London” label and handwritten labels identifying artist.

In a period gilt frame.

8” x 5‑1/2”, framed 12” x 9‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

513

512

$700‑$1,000 513 British School (19th Century) “Head of a Young Boy” oil on canvas unsigned.

Framed and with “Joshua Reynolds” artist plaque.

11‑1/2” x 8”, framed 19‑1/2” x 16” $700‑$1,000 514 British School (Fourth Quarter 18th Century) “Portrait of a Lady in a Red Silk Dress” oil on canvas unsigned.

Framed.

30” x 25”, framed 35‑3/4” x 30‑1/2”

514

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,500‑$2,500 515 Circle of Sir Godfrey Kneller (British, 1646‑1723) “Portrait of a Lady in Blue” oil on canvas laid on board unsigned.

Framed.

25‑3/4” x 21”, framed 31‑3/4” x 27‑5/8” $700‑$1,000

515

111

516 British/American School (Late 18th/Early 19th Century) “Portrait of a Woman in a Bonnet” pastel unsigned.

Framed.

13‑1/2” x 11‑1/2”, framed 17‑1/2” x 14‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 517 Attributed to Sydney Percy Kendrick (British, 1874‑1955) “Portrait of a Bearded Courtier”

516

oil on canvas board a “Bedford” inventory label en verso.

Framed.

7‑1/2” x 6”, framed 9‑1/4” x 7‑3/4” Provenance: Property from the Collection of the Dowager Duchess of Bedford, Sotheby’s, New York, October 20‑21, 2003; Collection of Dr. James Harris, Oklahoma City, Oklahoma.

517

$500‑$800 518 Old Sheffield Plate Wine Cooler first quarter 19th century, of campana form, the lower half gadrooned, with Bacchic masque-mounted reeded handles and raised on three haunched lion’s-paw-and-ball feet, with detachable collar and liner, engraved on the body with the arms of Blackett quartering Douglas and impaling Keene. h. 9‑1/4”, dia. 9”, w. 10‑1/4” The arms here are those of Sir William Blackett, 5th Bart.

(1759‑1816) of Matfen Hall, Matfen, Northumberland, the son of Sir Edward Blackett and Anne Douglas, and his wife Mary Anne Keene (ca. 1781‑1859), daughter of Benjamin Keene, D.D. The couple were married on August 6, 1801 at St. George’s, Hanover Square in London.

518

$500‑$800 519 Victorian Sterling Silver Inkstand hallmarked London, 1865‑1866, by Edward & John Barnard, rectangular with pierced scroll three-quarter gallery and raised on acanthus-scroll feet, fitted with a frosted glass ink and water well with silver cap and pierced scroll body en suite, with pen and nibs tray, engraved with later presentation inscription dated 1935‑1940. h. 3‑7/8”, w. 10‑1/2”, d. 7‑1/2”; 33.09 t. oz. (including glass wells) $600‑$900

112

519

520 Impressive Victorian Silverplate Egyptian Revival Epergne 1891, by Walker & Hall, Sheffield, the circular base with three rectangular projections, each with a recumbent sphinx, surrounding a central gadrooned and knopped standard with three scrolling arms and central baluster, each terminating with a receptacle for a glass bowl (all now lacking), draped with chains and raised on lion’s paw feet. h. 27‑3/4”, w. 17‑1/4” $700‑$1,000 521 Six Pieces of English, American and Continental Silverplate Tableware including a pair of second quarter 19th-century Continental leaf-and-dartbanded candlesticks, h. 9‑7/8”, a Victorian Vitruvian-scroll centerpiece with glass bowl and vase engraved with the crest of Newman, h. 23‑3/4”, a Victorian coffeepot by A. Beardshaw & Co., Sheffield, of tapering turtle-back section with pumpkin finial, h. 8”, a 20th-century hot water urn in the Adam taste, h. 23‑3/4”, and a mid-20th-century tea tray by Poole Silver Co., Taunton, Massachusetts, in the rococo taste, 26‑3/4” x 18‑3/4”.

520

521

$500‑$800 522 Five English Sterling Silver Mugs Regency to Edwardian, including examples from London, Sheffield and Birmingham. h. 2‑5/8” to 3‑3/8”; 22.86 total t. oz.

Detailed list of pieces available on request. $700‑$1,000

522

523 Four Anglo-American Silverplate Tea Trays mid-20th century, including examples by Maple & Co., London, oval with pierced rim and “braided” edge, 24‑1/4” x 18”, Ellis Barker, Birmingham, rounded rectangular with gadrooned rim and edge, 29” x 17‑3/4”, Ellis Barker, Birmingham, lobed oval with “Vintage” rim, 29” x 18‑34”, and Wallace in their “Ornate Georgian” pattern, designed in 1937 by George Thornton Gilby (1876‑1939) of Brighton, Sussex, 28‑1/2” x 17”. $500‑$800

523

113

524 Nine English and American Silver Spoons late 18th to mid-20th century, including sterling pieces: A Pair of “Old English” Tablespoons, Dublin, 1798, by Samuel Neville, retailed by John Ashe, l. 8‑3/4”, 4.08 total t. oz.

An “Old English Feathered” Tablespoon, London, 1809‑1810, by William Eley & William Fearn, engraved with a crest of an eagle rising, l. 8‑1/4”, 1.63 t. oz.

A “Fiddle Thread” Sauce Ladle, 1824‑1825, by William Johnson, l. 6‑3/4”, 2.67 t. oz.

An Assembled Pair of “Fiddle” Berry Spoons, London, one 1834‑1835, by Lewis Samuel, the other 1838‑1839, by Richard Britton, with later identical decoration, l. 8‑3/4”, 4.23 total t. oz.

A Pair of “Hanoverian” Berry Spoons, London, 1947‑1948, the maker’s mark rubbed, the bowls engraved with grape clusters and vine, the handle reverse engraved with a crest of a cubit arm holding a laurel branch, l. 8‑1/4”, 5.38 total t. oz.

And an American Coin Silver “Coffin” Handle Tablespoon, first quarter 19th century, Shepherd & Boyd, Albany, New York, monogrammed “LS”, l. 9‑3/4”, 1.39 t. oz.

19.38 total t. oz.

524

$800‑$1,200 525 Victorian Japonaise Sterling Silver, Rosewood and Lacquer Standish

525

hallmarked Sheffield, 1887‑1888, by James Deakin & Son, with a vasiform sterling silver inkwell with hammered finish fixed to a rosewood veneer stand with gilt-lacquer applied gooseberries and silver rim. h. 4”, l. 8‑3/8”, w. 6” $400‑$700 526 Group of Four Japanese Silver Candlesticks first quarter 20th century, each of slender baluster form with foliate rim, the body with flowering iris motif, over a broad circular foot, the base marked “Musashiya Yokohama”, with a two-character “Jungin” mark and a three-character maker’s mark. h. 7‑1/2”

526

$600‑$900 527 Jacobean-Style Oak Draw-Leaf Table ca. 1900, the segmented and paneled top raised on turned legs joined by an H-form stretcher, each end fitted with a draw leaf. h. 31‑1/2”, w. 43”, l. 91”, ext. l. 139” $800‑$1,200 527

114

528 Pair of Victorian Brass “Hand” Sconces third quarter 19th century, the circular backplates issuing hands with molded collars holding beehiveform standards with fitted candle sockets and drip pans h. 5‑1/2”, dia. 5‑1/2” $400‑$700 529 English Delft Dish third quarter 18th century, hand-painted in an abstract floral design, executed in blue and yellow, with manganese cross-hatching. h. 2”, dia. 12‑3/4”

528

530

$500‑$800 Illustrated Online 530 English Oak Collector’s Cabinet late 19th century, the rectangular top above a conforming case fitted with two doors, each inset with two arched panels, opening to fourteen adjustable display drawers. h. 50‑1/2”, w. 46‑1/4”, d. 21”

531

$700‑$1,000 531 English Middle Ages and Later Carved Oak Panel now extended on each side, probably for a marriage, with “1661” carved into the center, “RM” on one side and “EM” on the other, above scroll-carved panels. h. 37‑1/2”, w. 89‑1/2”

532

$700‑$1,000 532 Asian Wood and Metal Rice Chopper the metal mounted on a partial log, the handle hinged at one end. h. 13‑1/2”, w. 48‑3/4”, d. 17”

534

$400‑$700 533 Early English Carved Oak Coffer and a William-and-Mary Oak Tavern Table 18th century, the coffer with a relief-carved front, framed and paneled throughout, h. 27”, w. 49”, d. 21”, and the table top with canted corners and supported by turned legs and joined by curved stretchers, h. 28”, w. 41”, d. 25”. $1,000‑$1,500 Illustrated Online

534 Two Japanese Blue and White Porcelain Chargers late Meiji period, early 20th century, each of circular form with slightly flared lip, one example decorated with a peacock perched on rockwork amid blossoming peonies, with impressed four-character mark to the base, the other example with two birds flying above a blooming chrysanthemum plant, with Arita studio mark to the base. dia. 15‑3/4” $500‑$800

115

535 Five Pieces of Chinese Export Blue and White Porcelain comprising second half 19th- and 20th-century examples, including a large platter decorated with a river scene, two smaller platters with willow pattern designs, a covered dish with pine-cone-form finial, and another small platter or undertray. largest w. 15”, d. 11‑1/2”, smallest h. 2‑3/4”, w. 9”, d. 7‑1/2”

536

$700‑$1,000 536 Five-Piece Chinese Blue and White Porcelain Garniture Set fourth quarter 19th century, comprising three balusterform covered vases and two tapering trumpet vases, each decorated to the exterior with scenes of figures near a large pine tree, with a village by a river in the distance, the bases unmarked. covered vases h. 12”, trumpet vases h. 10‑1/2”

537

$800‑$1,200 537 Chinese Export Blue and White Porcelain Tureen and Cover second half 18th century, with rabbit-head-form handles and a pomegranate-form finial, decorated to the exterior with lotus flower motifs. h. 8”, w. 13”, d. 9”

535

$500‑$800 538 After James Sant, R.A. (British, 1820‑1916) “Little Samuel” hand-colored engraving “The Congleton Art Exhibition” label and handwritten label en verso, both with title and provenance.

In an antique giltwood frame. sight 6‑1/2” x 5”, framed 13” x 11” $500‑$800

538

539 Attributed to Thomas Rowlandson (British, 1756‑1827) “Shakespeare Seven Ages-Last Scene of All-sans teeth, sans eyes, sans...” watercolor and ink on paper unsigned.

Presented in a modern gilt frame with artist plaque. sight 7‑1/2” x 9‑3/4”, framed 17” x 20” $800‑$1,200

539

116

540 Continental School (Fourth Quarter 19th Century) “The Shepherdesses” “The Milk Maidens” pair of hand-colored engravings each unsigned.

Glazed and framed alike. sight 12‑1/2” x 8‑1/8”, framed 19‑1/4” x 16‑3/4”

540

$600‑$900 541 Four Hand-Colored Engravings of “The Coronation of His Most Sacred Majesty King George the Fourth” solemnized in the Collegiate Church of Saint Peter Westminster upon the 19th Day of July 1821, including “The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition”, “The King: Seated in St. Edward’s Chair, Crowned by the Archbishop of Canterbury”, “The Ceremony of the Homage”, and “A Duke in the Coronation in Dress and Robes of the Estate”, artists J. Stephanoff and Augustus Pugin, published in London by Sir George Nayler Garter or R. Bowyer.

All attractively matted, glazed and framed alike. sights 15‑1/2” x 20‑1/4” to 16” x 12”, framed 18‑1/2” x 23” and 22‑1/2” x 18‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000‑$1,500

541 one of four

542 “His Grace William-Spencer Cavendish, Duke of Devonshire, Knight of the Most Noble Order of the Garter, &c. &c. &c., Carrying the Orb” embossed and colored etching; together with “Maria Elisabetha Fuggerin, Marci Filia”, colored engraving, after Mathias Reger, engraved by Wolfgang Kilian, a “W. King Ambler, Old Prints and Maps” label en verso.

Both matted, glazed and framed. sights 25” x 11‑1/2” and 13‑1/2” x 9‑1/2”, framed 31” x 17” and 23‑1/2” x 19” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500‑$800

542 one of two

543 Four Prints of the Coronation of King George IV, July 19, 1821 colored etchings and aquatints after Charles Wild and J. P. Stephanoff, including “The King in His Royal Robes, Wearing a Cap of Estate”, “Procession of the Dean and Prebendaries of Westminster with the Regalia”, “Lord Gwydyr, Deputy Lord Great Chamberlain and Lord Howard of Effingham, Deputy Earl Marshal of England”, and “The Royal Banquet, The Bringing up of the Second Course”.

In matching frames and glazed. sights 14‑1/2” x 18‑1/2” to 12‑1/2” x 19‑1/2”, framed 18‑1/2” x 22‑1/2” to 15” x 22‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000‑$1,500

543 one of four

117

544 Trevor Haddon (American/British, 1864‑1941) “Venice” oil on canvas signed lower left.

Attractively framed and affixed with artist and title plaque.

28” x 36”, framed 38‑1/2” x 46” $700‑$1,000 545 Decorative British Framed Canvas of “The Battle of Trafalgar”, 20th century, depicting the pivotal moment of The Napoleon Wars, when the vastly outnumbered British Navy led by Admiral Nelson defeats the French and Spanish fleets.

Framed.

48” x 72”, framed 62‑1/2” x 87”

547

544

$2,500‑$4,000 546 British School (19th Century) “Sailing Boats on Choppy Sea” oil on artist’s board unsigned, with “From John D. Smith, Carver & Gilder, Edinburgh” stamp and “Winsor & Newton, London” and “Vic Pearson & Co., London” labels en verso.

Framed.

9‑3/4” x 14”, framed 14‑1/4” x 18‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400‑$700

545

547 Xander Smith (First Quarter 20th Century) “The Breakers”, 1918 watercolor on paper initialed and dated lower right.

Matted, glazed and framed. sight 7” x 5” $500‑$800 548 Paul Seignon (French, 1820‑1890) “Bringing in the Day’s Catch”

546

oil on canvas signed lower right.

Unframed.

27‑1/2” x 38‑1/2” $700‑$1,000 548

118

549 School of Jean-Leon Gerome (French, 1824‑1904) “Le Prisonnier”, oil on canvas signed “Gerome” lower left Framed.

17‑1/4” x 29”, framed 29‑1/4” x 41‑1/4” $2,000‑$4,000 550 After Vander Capella (British, act. Early 19th Century) “Boats in a Light Breeze”

549

oil on canvas unsigned, a handwritten label with artist and title en verso.

Framed.

14‑1/4” x 17‑1/2”, framed 16‑1/2” x 20” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 551 Continental School (19th Century) “Sailing Boats” oil on canvas unsigned.

In a period giltwood frame.

19” x 25‑1/2”, framed 28” x 34”

551

$800‑$1,200 552 Hendrick Hulk (French/Dutch, 1842‑1937) “Sailboats at the Shore” oil on canvas signed lower right.

In a period gilt frame affixed with artist plaque.

12” x 18”, framed 23‑3/4” x 29‑3/4”

552

553

$500‑$800 553 Continental School (20th Century) “Sailing Boat at Dusk” oil on canvas illegible signed.

Framed.

12” x 18”, framed 17‑1/2” x 23‑1/2” $500‑$800 550

119

554 Adrianus Petrus Nicolaas Vermunt (Dutch, 1907‑1993) “The Village” oil on wood panel signed lower left.

In a period gilt frame.

10‑1/2” x 15”, framed 20‑1/2” x 25” $500‑$800 554

555 Manner of Andreas Schelfhout (Dutch, 1787‑1870) “A Winter Scene” oil on canvas laid down on masonite unsigned.

Framed.

36” x 48”, framed 43‑1/2” x 58” $600‑$900 555

556 Dutch School (Late 19th/Early 20th Century) “Break of Day” oil on canvas illegibly signed lower right.

Framed.

26‑1/4” x 42”, framed 33‑1/2” x 49‑1/4” $800‑$1,200 556

557 Dutch School (Fourth Quarter 19th/First Quarter 20th Century) “Windmill” oil on canvas indistinctly signed “Th. L....ijn....” lower right.

Framed.

19‑3/4” x 16”, framed 27‑1/2” x 23‑3/4” $600‑$900

557

120

558 Continental School (19th Century) “Rough Waters - Marooned Sailing Ship by Rocky Cliffs and Castle” oil on canvas unsigned.

In a period frame.

17” x 21‑1/2”, framed 24” x 27‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 558

559 H. de la Cour (Belgian, 19th/20th Century) “Harbor Scene” oil on canvas signed lower left.

Framed.

24” x 36”, framed 32” x 43‑1/2” $800‑$1,200

559

560 Hans Pinggera (German/Austrian, b. 1900) “Courtyard” oil on canvas signed lower left, a “J. J. Gillespie Company Fine Art Galleries, Pittsburgh” label en verso.

Framed.

23” x 31”, framed 30” x 38” $800‑$1,200

560

561 Continental School (19th Century) “The Bridge” oil on board monogrammed lower right.

In a period frame.

14‑1/4” x 18”, framed 22‑1/2” x 26‑1/4” $700‑$1,000

561

121

562 Semi-Antique Tabriz Carpet 7’ 10” x 11’ $700‑$1,000 Illustrated Online 563 Peshawar Sultanabad Carpet 8’ 10” x 11’ 2” $700‑$1,000 564 Heriz Carpet 9’ 4” x 11’ $700‑$1,000

567

563

565 Mahal Carpet 7’ 2” x 10’ 7” $800‑$1,200 566 Pair of Tabriz Runners 2’ 10” x 16’ 9” $500‑$800 Illustrated Online 567 Peshawar Sultanabad Carpet 8’ x 12’ 6” $600‑$900

564

122

565

568 Bidjar Carpet

571 Semi-Antique Tabriz Carpet

10’ 3” x 13’ 8”

9’ 9” x 12’ 7”

$500‑$800 Illustrated Online

$600‑$900 572 Shiraz Carpet

569 Mashad Carpet

6’ x 9’ 3”

10’ 6” x 13’ 5”

$500‑$800

$700‑$1,000

573 Two Silk Qum Carpets

570 Peshawar Sultanabad Circular Carpet

each 2’ x 3’ 3”

8’ dia.

$500‑$800

$1,200‑$1,800

572

570

569

573

571

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574 Silver-Gilt Mirror in the Italian Neoclassical Taste the side surrounds wrapped in grapes and grapevines, the pierced crest with an urn of grapes flanked by small side urns. h. 56‑1/2”, w. 30‑1/2” $500‑$800 575 Unusual Pair of Venetian Obelisk-Form Mirrors 20th century, set with beveled mirror glass decorated with engraved spays of flowers, on marbleized bases. h. 72‑1/2”, w. 15” $700‑$1,000 576 Italian Venetian Glass Mirror with Console mid-20th century, the oval segmented mirror with engraved decoration on the surround, and applied blown glass flowers and rocaille work on the outer edge, h. 28”, w. 18”, the faceted console decorated to match, h. 13”, w. 20”, d. 6‑3/4”.

574 575

$700‑$1,000 577 Neoclassically Inspired Polychromed and Marble-Top Console Table the serpentine Brescia marble top over a frieze with a central drawer, raised on a dolphin-form pedestal. h. 30”, w. 20‑1/4”, d. 18” $600‑$900 578 Continental Grotto-Style Mahogany Stool 20th century, the shell-form seat raised on three dolphin supports to a concave tripartite base. h. 18‑1/2”, w. 19”, d. 18‑1/2”

577

$600‑$900 579 Eichwald Majolica Figural Centerpiece

576

ca. 1920‑1940, Czechoslovakia, with a batteau-form pierced basket painted with flowers and decorated with a fairy head and wings at the helm, above a Tritonmolded polychrome base, stamped “Eichwald” on the bottom. h. 28‑1/2”, w. 20‑1/2”, d. 7‑1/2” $600‑$900

578

580 Italian Deruta Faience Centerpiece 19th century, with handles in the form of crowned women’s heads, the sides hand-painted with neoclassical scenes, on masque-molded paw feet. h. 22”, w. 23”, d. 9‑3/4” $500‑$800

124

580

579

581 Majolica Tin-Glazed Wall Charger third quarter 19th century, Italian, the center panel decorated with Triton, two nereids (one his wife, Amphitrite), and a cupid, the yellow, green and cobalt border decorated with scrollwork and masques, pierced on the back for wall hanging. dia. 24‑1/2” $600‑$900 582 Rococo-Style Polychromed Center Table

581 583

the serpentine top over a scalloped shell- and floral-carved apron with a central masque, raised on cabriole legs with hairy-paw feet. h. 31”, w. 54”, d. 27” $700‑$1,000 583 Neoclassical-Style Polychromed Center Table the circular highly figured onyx top on dolphin-form supports, above a shaped wooden platform with molded edges. h. 30‑1/4”, dia. 42”

582

$600‑$900 584 Pair of Contemporary Polychromed Cast and Wrought Steel Tables each with an inset black granite top over an apron mounted with shells and starfish, raised on cabriole front legs. h. 28‑3/4”, w. 25”, d. 13” $700‑$1,000

584

585 Pair of Pietra Dura, Parcel-Gilt and Faux Tortoiseshell Side Tables

585

of neoclassical inspiration, each with a circular top inlaid with stone veneers, supported by a dolphin-form gilt pedestal on scroll and paw feet, joined to a concave base. h. 28‑1/2”, dia. 27‑3/4” $800‑$1,200 586 Pair of Carved, Painted and Parcel-Gilt Blackamoor-Form Card Receivers mid-20th century, Italian, the blackamoors dressed in polychrome feather skirts, holding silver gilt shell-form trays, on molded giltwood bases, marked “Made in Italy”. h. 19”, dia. 8‑3/4” $600‑$900

586

125

587 Pair of Majolica Plaques first quarter 20th century, possibly Bernard Bloch, decorated with matte-glazed images of circus performers including the lion lady and the tiger lady, with high-glaze scroll surrounds, and impressed shield marks. h. 19‑1/2”, w. 15” $500‑$800

587

588 Pair of Italian Baroque-Style Giltwood Mirrors the frames pierced and decorated with scrollwork and flowerheads, the oval pierced crests with scrolls and rocaille work. h. 37‑1/4”, w. 20‑1/4” $800‑$1,200 589 Giltwood Mirror in the Italian Rococo Style second quarter 20th century, with an ogeemolded surround, the pierced crest decorated with a basket of flowers framed with rocaille work, the base with pierced, scrolled feet. h. 65‑1/2”, w. 30”

588

589

$500‑$800 590 Pair of Venetian Creme-Peinte and ParcelGilt Side Chairs late 18th century, each with a domed and foliate-modeled crest above a padded back, the padded seat raised above a dentillated and foliate-carved apron on like-carved cabriole legs ending in scrolled toes. h. 41”

592

$800‑$1,200 591 Italian Rococo-Style Parcel-Gilt and CremePeinte Sofa

590

the scalloped crest rail extending to closed arms and a deep, concave seat rail, now upholstered in floral and foliate brocade on a gold ground. h. 44”, w. 79”, d. 35” $800‑$1,200 592 Pair of Giltwood and Gilt-Metal Sconces mid-20th century, Italian, each with a quiverform backplate supporting a metal bird and flowers, the arms decorated with metal leaves and flowers. h. 16”, w. 14”, d. 9” $500‑$800

126

591

596 Pair of Italian Walnut Commodes early 20th century, each with a stepped, shaped and banded top above a conforming bombe case fitted with two banded drawers, raised on cabriole legs headed by bellflower carving and ending in Flemish toes. h. 28”, w. 25”, d. 14‑1/2” 593

$900‑$1,200 597 Pair of Carved Giltwood Sconces third quarter 20th century, probably Italian, with bowknot and tassel backplates supporting ewers and pan pipes, the giltmetal arms set with carved candle cups. h. 29‑1/2”, w. 10‑1/4”, d. 7” Provenance: Collection of Julia Reed, New Orleans, Louisiana and Greenville, Mississippi.

596

These sconces can be seen in the One Kings Lane online “At Home With...” series featuring Julia Reed. $500‑$800 598 German Walnut Bombe Commode late 18th century, the rectangular banded top with a double bowed front, over a conforming case fitted with three long drawers, all banded, raised on splayed square feet. h. 33”, w. 51‑1/2”, d. 27”

598

593 Pair of Venetian-Style Polychromed Cabinets

Provenance: By descent in the Kilp Family, Germany; to Antonio (1885‑1959) and Carola (1895‑1967) Kilp, Wiesbaden, Germany; to their daughter Carmelita Kilp Blackburn (1923‑2017), Sugar Land, Texas. $900‑$1,200

each with a serpentine top with canted corners, over a conforming case with a drawer over a paneled door, scalloped apron and shaped legs. h. 39”, w. 32”, d. 20‑1/2” $600‑$900 594 Pair of Continental Giltwood Lamps 20th century, the three-light lamps of baroque inspiration, with fluted vasiform standards, fluted arms and tulip-form finials. h. 18‑3/4”, dia. 13”

594

$500‑$800 595 Italian Marquetry-Inlaid Fruitwood Center Table 597

20th century, the circular top with geometric inlay of various contrasting woods, surrounded by burlwood banding, raised on a tripodal base with a baluster-form pedestal. h. 29”, dia. 35‑3/4” $700‑$1,000 595

127

599 French Barbotine Majolica Art Nouveau Centerpiece ca. 1900, with a central vase molded as irises, three side vases molded as tulips and a base of lily pads with molded blossoms, impressed “France” on the base. h. 16‑1/2”, dia. 13‑3/4” $400‑$700 600 French Barbotine Majolica Art Nouveau Centerpiece

600 599

ca. 1900, Continental, with a shell-form bowl, the ribs decorated with flowers, the scalloped edges and feet with scales. h. 11‑1/2”, dia. 13” $300‑$500 601 Pair of Wilhelm Schiller & Sons Art Nouveau Majolica Plaques post-1885, German, molded in bas-relief with Art Nouveau beauties, their flowing hair incorporated into seaside scenes, framed with molded floral and foliate borders, with a “W.S & S” intaglio mark on the back. h. 8‑3/4”, w. 13‑1/2”

602 601

$400‑$700 602 Pair of French Barbotine Majolica Art Nouveau Plaques ca. 1900, each decorated with matte brown panels of elk, framed with molded polychrome flowers. h. 14‑3/4”, w. 12‑1/2” $300‑$500 603 Near Pair of Dutch Rococo-Style Parcel-Argente and Mahogany Chairs

603

each having a shaped back with a leaf- and shellcarved crest, compass-form seat and cabriole legs with shell-carved knees and ball-and-claw feet. h. 49” $500‑$800 604 Italian Rococo-Style Polychromed, Parcel-Argente and Onyx-Top Console Table the serpentine onyx top over a shell- and foliate-carved apron, raised on cabriole legs with shell and bellflower carving above the knees and carved feet on pads. h. 38‑1/2”, w. 52”, d. 26” $800‑$1,200

128

604

605 Silver Gilt Mirror in the Italian Baroque Taste with a rounded top and segmented mirror plate surround, the crest and sides carved with a shell, flower heads and scrollwork. h. 51‑1/2”, w. 31‑1/2” $500‑$800 606 Continental Barbotine Majolica Plaque ca. 1900, with a rococo surround, possibly depicting Robin Hood and Maid Marian, with an incised shieldform mark with the initials “MK”. h. 17”, w. 12‑1/2” $400‑$700 607 Collection of Twenty-Four Similar Overlay Glass Wine Goblets

605

20th century, Eastern European, with various Brilliant-style cut and engraved bowls in numerous colors, the stems cut or notched. h. 7‑1/2”, dia. 3” $500‑$800

609

608 Dutch Rococo-Style Oak Bombe-Form Slant-Lid Desk early 20th century, the top opening to reveal a fitted interior, the case with a bank of three drawers flanked by serpentine ends, raised on paw feet. h. 42‑3/4”, w. 43”, d. 23” $600‑$900 609 Giltwood Mirror in the Italian Rococo Taste

607

20th century, with a gadrooned surround, the pierced crest with an anthemion finial flanked by scrollwork and carved acanthus leaves. h. 52”, w. 37” $400‑$700 610 Pair of Unusual Misu Coman Silver Overlay Glass Sconces

610

post-1990, Romanian, on pierced gold satin glass backings, one signed “Coman”, each sconce fitted for a single socket. approx. dia. 15‑1/2”, d. 4” $500‑$800 611 Collection of Five Barbotine Majolica Vases ca. 1900, probably French, including a pair of vases with blackamoor figures carrying market baskets, h. 18‑3/4”, w. 6”, d. 6”, a pair of vases with figures in 18th-century costume, h. 13‑1/2”, w. 5‑1/4”, d. 6”, and a blackamoor vase with a figure in North African costume, h. 15‑3/4”, w. 4”, d. 4”.

608

606

$300‑$500 Illustrated Online

129

612 English Pottery Charger ca. 1877‑1882, decorated with encrusted flowers, marked by Pinder Bourne & Co., with an impressed mark, as well as a rubbed registration mark. dia. 19‑1/2” $300‑$500 613 Pair of Royal Dux Porcelain Figures of Peasants at the Well

612

ca. 1919‑1947, Czech, the male and female figures each decorated in a pink and brown palette, with a pink matte triangle marked “E”, an impressed “Made in Czechoslovakia”, a printed “Royal Dux Made in Czechoslovakia” and impressed numbers. h. 23”, w. 9”, d. 8‑1/4”

615

$600‑$900 614 Dutch Walnut Bombe Commode

613

late 18th century, the shaped top banded and quarterveneered, above a bombe case fitted with three graduated long drawers, raised on large ball-and-claw feet. h. 33‑1/2”, w. 45”, d. 22‑1/2” $600‑$900

614

615 Italian Neoclassical-Style Giltwood, Tole and Polychromed Chandelier the nineteen-light chandelier with a gilt standard joined to three graduated tiers of arms, each with candles and wrought metal flowers, electrified. h. 43”, dia. 42‑1/2” $600‑$900 616 Provincial Regence-Style Mahogany Cylinder Secretary Bookcase with a large molded cornice and fan-carved central cartouche over a pair of framed and paneled doors, the base with a cylinder roll opening to a fitted interior, above three long drawers, each end with side cabinets. h. 97”, w. 68”, d. 23” $800‑$1,200 616

130

617 Unusual German Porcelain-Mounted Giltwood Mirror mid-19th century, in the Baroque style, the giltwood surround with bold rocaille and scrollwork, silver gilt molded flowers, leaves and birds, and hand-painted porcelain plaques with pink and green trim, and decorated with landscapes and scattered flowers. h. 58”, w. 33” $1,500‑$2,500 618 Dutch Marquetry-Inlaid Bombe Commode mid-19th century, in the rococo taste, the serpentine-inlaid top over a case with like inlay and a bank of four drawers flanked by serpentine-inlaid columns, raised on carved ball-and-claw feet. h. 36”, w. 46‑1/2”, d. 22” $500‑$800 617

619 Three French Barbotine Majolica Vases first quarter 20th century, including a large example with roses, h. 19‑1/2”, dia. 9”, and a pair of smaller examples with bronze bases, formerly fitted as banquet lamps, h. 12‑1/2”, dia. 7”. $300‑$500

618

620 Four-Piece Collection of Barbotine-Style Majolica 619

late 19th/early 20th century, Continental, including a cigarshaped server on dolphin feet, post-1885, marked “Wilhelm Schiller & Sons”, h. 6”, w. 26‑1/2”, d. 5”, a sleigh-form jardiniere driven by a cupid, Eichwald, Czechoslovakia, h. 9‑1/2”, w. 5‑3/4”, d. 13”, an iris-molded vase, h. 14‑1/4”, w. 7”, dia. 5‑1/2”, and a ewer with a green ground, h. 17‑1/2”, dia. 6”. $300‑$500 Illustrated Online 621 Pair of French Barbotine Majolica Vases first quarter 20th century, decorated with carefully sculpted roses and leaves, marked with an underside freehand number, apparently from a glaze used on vases. h. 15”, dia. 8‑3/4” $300‑$500

621

131

624

622

622 Giltwood Mirror in the Italian Rococo Taste the arched top mirror with a guilloche-decorated surround, the crest decorated with pierced scrollwork and flowerheads flanking a central shell. h. 79”, w. 42” $500‑$800 623 Continental Polychromed Armoire 19th century, the molded and shaped cornice over a pair of doors, the doors joined with a columnar pilaster, on a conforming base with bun feet, the polychrome later. h. 81‑1/4”, w. 63”, d. 29” $500‑$800 624 Unusual Continental Gilt-Bronze and Majolica Chandelier fourth quarter 19th century, the nine-light chandelier with a cranberry-ground stoneware base held with gilt-bronze fittings, the scrolled candle arms supported by bronze figures of “Victory”, the drip pans and chain inserts in matching stoneware. h. 46‑3/4”, dia. 20‑1/2” $800‑$1,200 623

132

628 Cold-Painted Vienna Bronze Pheasant first quarter 20th century, Austrian, polychrome painted and on an oval painted base, marked “Geschutzt” under the tail and with an indecipherable mark between the feet, possibly Wien. h. 12”, w. 14”, d. 3‑1/2” $700‑$1,000

625

626

625 Continental Oak Cabinet early 20th century, the heavily molded and dentillated cornice joined by a tri-paneled and carved back and caryatid uprights to a lower section with a rectangular top over two drawers and two cupboard doors, each with molded panels, flanked to either side by lion-masque uprights and raised on a molded plinth base. h. 21‑1/2”, w. 61”, d. 20‑3/4”

628

$700‑$1,000 626 Continental Art Nouveau Glass, Bronze and Marble Lamp ca. 1900, the domed, frosted and painted shade set onto a later bronze lamp base decorated with an elk, on a marble base. h. 20”, w. 9”, d. 6‑1/4” $500‑$800 627 Pair of Large Majolica-Style Figural Vases each molded with a crane standing adjacent to a vase molded with foliage, irises and a frog. h. 39”, w. 14”, d. 17‑1/2”

627

$1,000‑$1,500

133

629 Flemish-Style Hand-Woven Verdure Tapestry 20th century, with a central avian motif, overall band and floral posy border.

93” x 54” $600‑$900 630 Continental Provincial Oak Bureau 18th century and later, the rectangular top above a paneled slant front opening to an interior fitted with a variety of drawers and cubbyholes, over three long drawers, each inset with two shaped panels, the sides paneled en suite, raised on shaped feet. h. 46”, w. 46”, d. 23‑1/2” $500‑$800 631

631 Pair of Italian Neapolitan Creche Figures second quarter 19th century, with terracotta composition and fabric bodies, the clothes possibly original. largest h. 14‑3/4”, w. 15”, d. 15”

629

Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $500‑$800 632 Italian Walnut Chest early 19th century, the rectangular top with decorative banding, above a case fitted with four drawers, all banded and with scroll inlays, the sides banded en suite, raised on scrolling bracket feet. h. 33‑1/4”, w. 25‑1/2”, d. 15‑1/2” $800‑$1,200

630

632

633 Four Pieces of Continental Porcelain mid-19th century, including a signed Jacob Petit bulb pot with hand-painted floral panels on a mauve ground, h. 9‑1/2”, dia. 8”, a pair of campana-form urns decorated with handpainted port scenes, h. 8‑3/4”, w. 6‑1/4”, d. 6‑1/4”, and a Paris bulb pot decorated with Christ on the cross, h. 5‑1/4”, dia. 4‑1/4”. $500‑$800 Illustrated Online 634 Italian Giltwood Mirror in the Baroque Taste 20th century, framed with bold pierced scrollwork and flowerheads, the top with an overhanging carved leaf, set with a beveled mirror plate. h. 56‑1/2”, w. 43” $800‑$1,200 634

134

637

635 Pair of Molded Composition Bird Fountains 20th century, each in the form of a putto supporting a shell-form water pan, above a double-stepped base. h. 26‑1/2”, w. 13”, d. 11‑1/2”

635

$300‑$500 636 Neoclassical-Style Cast Stone Garden Urn on Stand the urn of campana form, on a square pedestal with paneled sides. overall h. 52”, urn dia. 24”, base w. 20”, d. 20” $700‑$1,000 637 Wrought Iron, Stamped Metal and Marble-Top Console Table 20th century, the base with a central apron and a stamped metal rosette, raised on large scrolling legs. h. 34”, w. 71”, d. 21” $500‑$800

636

638 Louis XVI Provincial Silver Baby’s Rattle late 18th century, Rouen, maker’s mark “EJS”, spiral fluted, decorated with scrolls and bells, with masque-faced whistle at one end and carved nacre teether at the other, with single ring. l. 7‑1/4”; 3.24 t. oz. (including nacre teether) $600‑$900 639 German Silver Standing Cup ca. 1900, by Lazarus Posen Witwe, Frankfurt, .800 silver, in the Mannerist taste, the cup waisted and spiral lobed, with knopped standard, domed foot and fitted lid en suite, with the standard and finial decorated with applied flowers and tendrils, the interior gilt. h. 21‑3/4”, dia. 7”; 56.06 t. oz. $1,400‑$1,800 640 German Silver and Glass Vase first quarter 20th century, probably Wolf & Knell, Hanau, the knopped .800 silver standard pierced and decorated with latticework and embossed flowers, fitted with a glass trumpetshaped vase with wavy rim, wheel cut en suite. overall h. 18‑1/2”, dia. 7‑1/2”; 15.55 t. oz. $800‑$1,200 641 Two German Historizmus Silver Boxes

640

639

641 638

first quarter 20th century, Hanau, .800 silver, the larger of “turtleback” form and decorated with Vitruvian scrolls and centering a couple of amorous putti, h. 2”, w. 5‑3/8”, d. 3‑7/8”, the smaller by Jean L. Schlingloff, rectangular, decorated with scenes of boar and stag hunts, h. 2‑1/4”, w. 3‑3/4”, d. 2‑5/8”.

15.19 total t. oz. $500‑$800

135

642 Continental Silver Claret Jug and Charger first quarter 20th century, the jug unmarked, with spiral-gadrooned glass body and silver handle, with rococo-style silver foot, collar and hinged lid, h. 11‑3/4”, the charger by P. Bruckmann & Sohne, Heilbronn, .835 silver, lobed with embossed fruit and floral rim and beaded edge, dia. 15‑1/4”.

29.58 t. oz. (charger only) Provenance: By descent in the Kilp Family, Germany; to Antonio (1885‑1959) and Carola (1895‑1967) Kilp, Wiesbaden, Germany; to their daughter Carmelita Kilp Blackburn (1923‑2017), Sugar Land, Texas.

645

642

$600‑$900 643 Two Continental Silver and Enamel Boxes the first unmarked, late 19th century, canted rectangular form, gilt with engraved leaf banding, the lid with malachite plaque and faux lapis enameling, 3‑1/8” x 2‑1/4”, the other third quarter 20th century, Ottavio Spinelli, Florence, scalloped oval form, engraved with oval scrolls, the lid with enamel plaque of a riparian laundress, surrounded by faux turquoise enamel plaques, the interior lid fitted with a mirror, 4” x 2‑7/8”.

7.57 total t. oz. (including enamel, mirror and malachite) $500‑$800 644 Austro-Hungarian Silver Sugar Box third quarter 19th century, .800 silver, of oval bombe form, decorated with guilloche and wrigglework Greek-key banding, with applied knotted rope twist bands, the hinged lid with bird finial, all raised on four openwork rococo feet. h. 6‑1/4”, w. 6‑1/2”, d. 5”; 17.83 t. oz.

644

646

645 Continental Silver Smoker’s Tray late 19th century, with import marks of Riga, Latvia in use 1882‑1989, .875 silver, of lobed elliptical form, with “flower and branch” handle, the plateau with an embossed plaque of cigars, hookah, pipes and tobacco pouches and leaves. h. 4‑1/2”, w. 5‑1/2”, l. 7‑1/4”; 5.63 t. oz. $400‑$700 646 Pair of Continental Sterling Silver Candlesticks

$500‑$800

first half 20th century, each with a baluster standard above a domed foot with three integral feet and surmounted by a gadrooned urn-form nozzle, the whole decorated with chased rococo shells and scrolls. h. 12‑1/2”, dia. 5‑1/2”; 27.10 total t. oz. $800‑$1,200

643

647 Italian Silver Ewer and Basin 20th century, in the settecento taste, .800 silver, with helmetform ewer, h. 9‑7/8”, and waisted oval basin, l. 11‑7/8”, each with hand-hammered flutes and gadroons.

37.08 total t. oz.

Provenance: By descent in the Kilp Family, Germany; to Antonio (1885‑1959) and Carola (1895‑1967) Kilp, Wiesbaden, Germany; to their daughter Carmelita Kilp Blackburn (1923‑2017), Sugar Land, Texas.

647

136

$600‑$900

648 Pair of Bronze Argente Figures of Parakeets 20th century, each with realistically detailed feathers and red glass eyes. h. 3‑1/4”, l. 4‑3/4” 648

$500‑$800 649 Two Argentine Silver Gaucho Knives 20th century, each with silver baluster handle, scabbard and waistband clip, with pointed, double-edged steel blade, all engraved with flowers and scrolls. overall l. 13‑5/8” and 11‑1/4” $700‑$1,000

649

650 French Bronze Chandelier in the Baroque Style 20th century, the twelve-light chandelier with a molded and turned standard decorated with masques and figures of Athena, and set with shaped arms with leaf molding. h. 25‑1/2”, dia. 25” $500‑$800 651 Pair of French Bronze Dore et Patine Candelabra fourth quarter 19th century, in the Louis XV style, the pierced and scrolled bases set with patinated putti, one holding a bird’s nest and the other holding fruit, the leaf-molded candle arms set with floriform candle cups and drip pans. h. 19”, dia. 12‑1/2”

650

$500‑$800 652 Pair of French Rococo-Style Bronze Candelabra

653

ca. 1900, now mounted as lamps, the pierced bronze rocaille and scrollwork bases decorated with flowerheads, the scrolled candle arms set with matching candle cups and drip pans, the center candle cup now mounted with electrical fittings. h. 26‑3/4”, dia. 15‑3/4” $500‑$800

652

653 Pair of Large French Bronze Sconces second quarter 20th century, the two-light sconces in the neoclassical style, with bowknot and swag backplates. h. 31‑1/2”, w. 14‑1/4”, d. 6”

651

$500‑$800

137

654 Pair of American Giltwood Window Cornices fourth quarter 19th century, each having an arched center set with a pierced bowknot crest, and an aesthetic medallion finial on each end. h. 11‑1/2”, w. 66”, d. 8‑1/2” $700‑$1,000 654

655 Louis XV-Style Parquetry-Veneered Rosewood Armoire late 19th/early 20th century, the bonnet top with a foliate-carved crest, over a pair of shaped doors with beveled mirror plates, the drawers opening to reveal an interior with a belt of drawers, the case with serpentine sides, a scalloped apron and cabriole legs. h. 98‑1/2”, w. 63‑1/4”, d. 18” $600‑$900 656 Pair of Louis XIV-Style Gilt-Bronze Sconces 20th century, French, the two-light sconces on backplates decorated with cabochons supported by bowknots, the lotus-molded candlecups and laurel swags supported by caryatids mounted on molded scrollwork. h. 19‑3/4”, w. 9”, d. 6‑3/4” $700‑$1,000 657 Giltwood Trumeau Mirror

657

mid-20th century, in the Louis XVI taste, the surround with ribbon-bound flowers, the tablet decorated with a plaque of putti framed with gilt flowers and flanked by swags of flowers, with a pierced ribbon crest. h. 58”, w. 32‑1/2”

655

$400‑$700 658 Louis XV Walnut Fauteuil 18th century, with a foliate- and star-carved crest rail and stiles, open arms with leaf-carved ends and supports, a serpentine seat and cabriole legs. h. 41” $700‑$1,000

656

658

659 Pair of Royal Nymphenburg Soup Plates post-1761, with basketweave borders hand-painted with flowers, the center panels with landscapes framed with delicate gilt scrollwork, with an underglaze blue mark on the back. dia. 9‑1/2” $500‑$800 659

138

660 Meissen Porcelain Urn ca. 1924‑1934, German, with snake-molded handles, the body decorated with hand-painted flowers, the base with gilt fluting and lotus leaves, with an underglazed blue crossed swords mark. h. 15‑1/2”, w. 9‑1/2”, d. 5‑1/2” $500‑$800 661 KPM Hand-Painted Porcelain Tureen fourth quarter 19th century, German, in the rococo taste, with scrolled feet and handles and delicately molded scrollwork, the four panels decorated with hand-painted fruit, flowers and vegetables, with an underglaze blue scepter mark and an overglaze rouge-de-fer “KPM” and orb mark. h. 6‑1/4”, w. 17‑1/4”, d. 11”

662

660

$600‑$900 Illustrated Online 662 Pair of Carl Thieme Saxonian Porcelain Parrots post-1901, German, in the Meissen style, the polychrome parrots on stumps, marked with Saxonian Porcelain’s intertwined “SB”, “Dresden” and “Germany”. h. 12‑1/2”, w. 4‑1/4”, d. 5‑1/4” $300‑$500 663 Set of Eleven Herend “Rothschild Bird” Dinner Plates pre-1990, Hungarian, with molded borders and decorated with birds and insects, with blue transfer-printed and impressed marks on the back. dia. 10‑3/4”

665

664 Large Chinoiserie-Style Painted Panel second half 20th century, the rectangular panel depicting birds, butterflies and insects amid blossoming flowers and foliage, on a gray ground, mounted within a giltwood frame. framed h. 101”, w. 39‑1/2”

$300‑$500

$700‑$1,000 Illustrated Online 665 Louis XV-Style Giltwood and Faux Marbre Console Table 663

19th century, the shaped faux marbre top above a pierced shield- and foliate-carved frieze, raised on C-scroll legs joined by a shield-form stretcher and ending in foliate scrolled toes. h. 37”, w. 35‑1/2”, d. 15‑1/2” $700‑$1,000 666 Louis XV/XVI-Style Giltwood and Marble-Top Center Table the white marble top with projecting ormolu corners, above a conforming apron with foliate carving, raised on cabriole legs joined by serpentine stretchers centered by a finial. h. 31”, w. 58”, d. 35”

666

$1,200‑$1,800

139

667 Pair of Louis XV-Style Gilt-Bronze Sconces 20th century, French, each with a shell-decorated oval backplate supporting leaf-molded and scrolled candle arms with matching candlecups and drip pans. h. 15”, w. 17‑1/2”, d. 4‑1/2” $500‑$800

667

668 Louis XV-Style Parcel-Gilt Trumeau Mirror the top panel decorated with a pastoral scene with figures in 18th-century costume and framed in giltwood scrollwork, the side panels with carved flowerheads on a cream ground. h. 59”, w. 40” $800‑$1,200 669 Louis XV-Style Creme-Peinte, Parcel-Gilt and Marble-Top Console Table 19th century, the shaped marble top with a molded edge, above a conforming frieze centered by a pierced rose-carved panel, raised on molded cabriole legs ending in acanthine scrolled toes. h. 33”, w. 58”, d. 27”

671

$3,000‑$5,000 670 Louis XVI-Style Polychromed and Giltwood Vitrine early 20th century, with a bowed door and curved glass side panels, each with a polychromed panel in the manner of Angelica Kauffman, raised on cabriole legs. h. 55‑3/4”, w. 27”, d. 13‑3/4” $600‑$900 671 Napoleon III Gilt-Bronze and Porcelain Clock mid-19th century, mounted with a figure of the goddess Libertas, and several of her emblems, the Rococo Revival case set with a hand-painted porcelain dial and three plaques in the base. h. 17‑1/2”, w. 22‑1/2”, d. 7‑1/4”

668

670

$800‑$1,200 672 Continental Belle Epoque Bronze-Mounted Pottery Vase first quarter 20th century, the vase mounted with pierced scroll- and rocaille work, a pair of bronze putti holding garlands in the center. h. 24‑1/4”, dia. 14‑1/2” $500‑$800 Illustrated Online

140

669

673 French Porcelain Box mid-20th century, probably Limoges, decorated with a hand-painted, artist-signed view of a courting couple, with raised gilt trim. h. 6”, w. 14”, d. 11” $700‑$1,000 Illustrated Online 674 Four-Piece Collection of German Floral-Decorated Porcelain

675

including a Meissen cup and saucer, ca. 1860‑1924, with underglaze blue crossed swords, h. 3‑3/4”, dia. 6‑3/4”, and a pair of potpourri vases, late 19th century, unmarked, h. 6‑1/4”, dia. 4‑1/4”. $800‑$1,200 Illustrated Online 675 Louis XV-Style Kingwood and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with three banded long drawers, all quarter-veneered and with foliate and floral inlay, the sides veneered en suite, raised on splayed legs ending in sabots. h. 35”, w. 41‑1/2”, d. 20”

676

$700‑$1,000 676 Louis XV-Style Kingwood and Marble-Top Commode early 20th century, the shaped marble top above a conforming bombe case fitted with three long drawers, all banded and with floral inlay, the sides banded and quarter veneered, raised on splayed legs ending in sabots. h. 35”, w. 41‑1/2”, d. 19‑1/2” $500‑$800 677 Pair of French Gilt-Bronze Sconces

677

first quarter 20th century, with bowknot and tassel backplates, the branches decorated with roses and leaves. h. 19‑1/4”, w. 10‑1/2”, d. 4” $800‑$1,200 678 Louis XV-Style Polychromed Fauteuil the molded back crest with shell and leaf carving, the open arms with scroll ends, having a serpentine seat rail and cabriole legs, in floral upholstery. h. 37‑3/8” Provenance: A New Orleans, Louisiana estate. $500‑$800 678

141

679 French Brass and Tole Bouillotte Lamp 20th century, the three-light lamp with a fluted standard and candle cups, fitted with a green tole shade. h. 23”, dia. 13” $500‑$800 680 Three French Bronze Lamps first quarter 20th century, including a pair of rococo-style candlesticks decorated with moths and scrollwork, overall h. 23‑1/4”, dia. 6”, and a two-light bouillotte lamp in the Empire taste, h. 28‑1/2”, w. 14”, d. 10‑1/2”. $700‑$1,000 Illustrated Online 681 Louis XV-Style Marquetry-Inlaid Mahogany and Kingwood Side Table

681

679

ca. 1900, the serpentine inlaid top over a conforming apron fitted with a pair of inlaid drawers, the shaped sides with like inlay, raised on cabriole legs with bronze sabots. h. 28‑3/4”, w. 18‑3/4”, d. 14‑3/4” $700‑$1,000 682 Louis XV-Style Kingwood Commode early 20th century, the shaped rectangular top banded and quarter-veneered, and with an inlaid floral spray, above a conforming bombe case fitted with three drawers, raised on cabriole legs. h. 27”, w. 19‑1/2”, d. 13‑1/2” $600‑$900 683 Pair of Louis XV-Style Marquetry-Inlaid Mahogany Side Tables

683

each with a floral- and parquetry-inlaid oval top with brass gallery, the conforming apron with a pair of drawers, raised on cabriole legs with ormolu mounts. h. 26‑3/4”, w. 18”, d. 12” $500‑$800 684 Continental Kingwood and Marble-Top Cabinet mid-19th century, the demi-lune marble top with a molded edge, above a conforming case fitted with a central cupboard door, banded, quarterveneered and centered by an inlaid floral spray, flanked to either side by a banded cupboard door, raised on tapering square legs ending in brass caps. h. 38”, w. 32”, d. 19‑1/2” $500‑$800

142

682

684

685 Louis XV-Style Parquetry-Veneered Mahogany Side Table the shaped top with book-matched veneers and inlaid banding, the scalloped apron in like decor, raised on cabriole legs. h. 28‑3/4”, dia. 24” $300‑$500 686 Louis XVI-Style Occasional Table and Cabinet the mahogany and mixed woods occasional table, mid-20th century, with a rectangular top within an ormolu banding, with a latticepatterned inlay centered by a floral basket above a conforming frieze fitted with a single long drawer, joined to a lower latticepatterned shelf by tapering square legs ending in brass caps, h. 29‑1/2”, w. 30‑1/2”, d. 18‑1/2”, and the kingwood and marble-top cabinet, early 19th century, with projecting canted corners, above a conforming case fitted with a single banded cupboard door with inlaid musical motif, the sides banded and quarter veneered, raised on cabriole legs ending in sabots, h. 30”, w. 26‑1/2”, d. 16‑3/4”.

687

$1,000‑$1,500 Illustrated Online 687 French Molded Glass Chandelier 20th century, the six-light chandelier with a reeded vasiform standard hung with glass prism rings, and set with spiralreeded candle arms with prism rings and glass candle sockets, alternating with spiral-twist glass scrolls. h. 35”, dia. 33” $700‑$1,000 688 Pair of French Aesthetic Porcelain and Bronze Moderator Lamps

689

685

fourth quarter 19th century, the two-light lamps with molded bronze fittings decorated with anthemia and masques, the celadon-colored porcelain standards with pate-sur-pate floral decoration, now fitted for electricity. h. 32”, dia. 5‑3/4” $700‑$1,000 Illustrated Online

689 Louis XVI-Style Polychrome Bergere early 20th century, the padded and domed back within a ribbon-carved crest, joined by closed and padded arms to the padded seat, raised on fluted tapering circular legs ending in peg feet. h. 36‑1/2” $500‑$800 690 Set of Twelve Haviland Porcelain Dinner Plates ca. 1893‑1930, French, with exceptional raised gilt centers, the cream borders with Chinese red edges and gilt flowers and leaves, marked “Haviland France” in underglaze green. dia. 10‑3/4” 690

$500‑$800

143

691 Louis XVI-Style Giltwood Vitrine early 20th century, the nearly oval top over a conforming case with vine-wrapped columns flanking the bowed glass front door and curved glass sides, raised on turned and reeded legs. h. 60‑1/2”, w. 29‑1/2”, d. 17‑3/4” $600‑$900 692 French Belle Epoque Giltwood Mirror ca. 1900, the surround with ribbon-bound flowers and outset corners, the pierced crest decorated with a wreath of roses, crossed arrows and a bow. h. 31”, w. 34‑1/4” $700‑$1,000 693 Handsome Pair of French Gilt-Bronze Chenets

692

691

ca. 1900, in the Louis XVI style, decorated with panels of scrollwork supported on laurelmolded feet, the crests with flame pots flanking quivers of arrows piercing floral wreaths. h. 10‑3/4”, w. 11‑1/2”, d. 8‑3/4” $800‑$1,200 694 Louis XV-Style Chenets with Integral Fender fourth quarter 19th century, French, the urn-form chenets with flame finials and swags of laurel, the pierced fender with a pierced leaf-molded crest. h. 17‑1/2”, w. 64”

693

$500‑$800 695 French Bronze Chenets and Integral Fender fourth quarter 19th century, designed to resemble a garden balustrade, the urn-form chenets decorated with swags of bellflowers, the ends and fender molded as balustrades. h. 14”, w. 42”

694

$500‑$800 Illustrated Online 696 Pair of Louis XIV-Style Brass Andirons ca. 1900, French, each on scrolled feet with a molded masque, the turned standard decorated with molded fleursde-lis and crowns. h. 27”, w. 14”, d. 21” $500‑$800

696

144

697 Pair of Louis XVI-Style Parcel-Gilt IvoryPainted Pedestals each with a square top, supported by a tapering column with applied ribbon and fruit carving. h. 42‑3/4”, w. 13‑1/2”, d. 13‑1/2” $500‑$800 698 Chinoiserie-Style Painted and Parcel-Gilt Wall Cabinet third quarter 20th century, Italian, decorated with gilt anthemia on a cream ground, the pagoda-form pediment with rocaille work and incised carving. h. 42‑1/2”, w. 26”, d. 8‑3/4”

699 697

$300‑$500 Illustrated Online 699 Neoclassically Inspired Marble and Bronze Side Table the inset oval marble top raised on fluted legs with foliate-carved capitals, the legs joined by a low ovoid shelf with like marble and gallery. h. 23‑1/2”, w. 24”, d. 16” $400‑$700

703

700 Pair of French Brass Candelabra fourth quarter 19th century, now mounted as lamps, the urnform standards on square bases set with lion’s heads grasping rings, raised on paw feet, above alabaster plinths. h. 39”, dia. 11‑1/4” $700‑$1,000

702

701 Louis XV-Style Bronze Chenets with Integral Fender fourth quarter 19th century, French, the chenets with flame finials on urns, decorated with swags of bellflowers, the fender with a pierced central crest. h. 21‑1/2”, w. 57” $500‑$800 702 Pair of Rococo-Style Gilt-Bronze Tie-Backs first quarter 20th century, French, decorated with molded bunches of fruit held with pierced bowknots. w. 11‑1/2”, d. 5” $500‑$800 703 Pair of French Belle Epoque Bronze Candelabra

700

fourth quarter 19th century, in the Louis XV taste, decorated with molded scroll- and rocaille work, and molded flowerheads. h. 12‑3/4”, dia. 9‑3/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $500‑$800

701

145

704 Pair of French Neoclassical Bronze and Crystal Appliques first quarter 20th century, each with a bowknot crest and the head of Dionysus grasping a grape wreath, with cut and mirrored glass medallions. h. 23‑3/4”, w. 9” $600‑$900 705 Pair of French Gilt-Bronze Candelabra

707

706

fourth quarter 19th century, the five-light candelabra in the Louis XV style, the bases decorated with fluting and set with molded bellflowers, terminating in draped urns, the leaf-molded arms supporting reeded candle cups and matching bobeches set on molded drip pans. h. 22‑1/4”, w. 13‑1/2” $500‑$800 706 Pair of French Bronze Sconces 705

20th century, each with a bowknot backplate supporting three leaf-molded arms, candle cups and drip pans, the lower portion molded as a bracket with a leaf-molded pendant finial. h. 23”, w. 19” $800‑$1,200 707 Pair of French Bronze Sconces 20th century, each with a bowknot backplate supporting three leaf-molded arms, candle cups and drip pans, the lower portion molded as a bracket with a leaf-molded pendant finial. h. 23”, w. 19” $800‑$1,200 708 Pair of Louis XVI-Style Marquetry-Inlaid and Marble-Top Encoignures

704 709

each bowed marble top over a conforming case with a trophy-inlaid door and raised on trumpet-form legs, adorned with gilt-bronze and brass mounts throughout. h. 39‑3/4”, w. 24‑1/2”, d. 16‑1/2” $800‑$1,200 709 Louis XVI-Style Fruitwood and Marble-Top Encoignure late 19th century, the bowed marble top above a conforming case fitted with a single cupboard door inset with a panel featuring an inlaid cityscape, raised on block feet, the whole with ormolu accents. h. 35”, w. 25‑1/2”, d. 18” $800‑$1,200 708

146

710 Pair of Transitional Louis XV/XVI-Style Faux Tortoiseshell Occasional Tables each with an oval top within a full pierced brass gallery, above a conforming frieze fitted with a single drawer, joined by paneled supports to a like-shaped and galleried shelf, raised on cabriole legs ending in sabots. h. 27‑1/2”, w. 17‑1/4”, d. 12‑1/2” $500‑$800 711 French Provincial Polychrome Occasional Table 18th century and later, the dished and canted rectangular top above a scalloped frieze fitted with a single drawer, raised on cabriole legs ending in hoof feet. h. 29‑1/2”, w. 25”, d. 20‑1/2”

710

$500‑$800 Illustrated Online 712 Louis XV Polychrome and Slate-Top Console Table 18th century and later, the black slate top above a conforming frieze fitted with two small drawers over a shell-centered serpentine apron, raised on cabriole legs ending in peg feet. h. 34‑1/4”, w. 47”, d. 23‑1/2” 713

$800‑$1,200

714

713 Louis XVI-Style Oak and Marble-Top Side Table late 19th century, the rectilinear marble top over a conforming guilloche-carved frieze, the front with a drawer and a work slide on the side, raised on fluted legs. h. 28”, w. 22‑1/4”, d. 17” $600‑$900 714 Louis XVI-Style Giltwood and Composition Beveled Mirror 712

late 20th century, the deeply molded frame with twisted ribbon decor wrapping around a vine with berries. h. 42”, w. 29” $400‑$700 715 Pair of Carved Mahogany Stools/Benches in the Sheraton Taste 20th century, each with a padded seat and carved and molded seat frame, raised on turned legs with fluted details. h. 19”, w. 24”, d. 15”

715

$300‑$500

147

716 A. I. Blanchard (American/New York City, act. Late 19th Century) “Spring Personified” printed and hand-painted panel signed lower left.

Framed.

79” x 41”, framed 80" x 41-1/2" $1,000‑$1,500 716A Continental School (Late 19th Century/early 20th century) “Spring Personified”, 1910 printed and hand-painted panel indistincly signed "R.R. Kabochen?" and dated lower right Framed.

70" x 43-1/2", framed 70-1/2" x 44" $1,000‑$1,500 716A

717 Rosa Bruhl (German, 1869‑1914)

716

"Young Maiden and Cupid with Musical Instruments", 1895, after V. Lynais (French,19th Century) "Young Maiden Adorned by Cupid and Putti", 1895, after Franz Lefler (Austrian, 1831-1898) pair of oils on canvas each signed, dated and inscribed lower right and left corners.

Framed alike.

27-1/2" x 19-1/2", framed 31-1/4" x 33" $700‑$1,000 718 Sophie Spielman (Dutch, 1874‑1939) “Spray of Pale Pink Flowers”

717 one of two

oil on canvas signed lower right.

Framed.

17” x 31‑3/8”, framed 24‑1/4” x 38”

717 two of two

$800‑$1,200 719 Bernardo Hay (Italian, 1864‑1931) “Portrait of a Beauty” oil on wood panel signed lower right.

In a period frame.

10” x 7‑1/2”, framed 15” x 12‑3/4” $800‑$1,200 719

148

718

720 French Bronze Gasolier fourth quarter 19th century, the twelvelight chandelier with a standard decorated with applied flowers, the lower urn-shaped portion pierced with scrollwork, with pierced “key”-form supports holding leaf-molded and scrolled arms terminating in fluted drip pans and flower-molded candle cups, hung with various crystal prisms and swags of drops. h. 32”, dia. 27” $400‑$700 721 Mid-Century Parcel-Gilt Pier Mirror of Louis XVI Inspiration the white and gilt surround with a mirrored upper tablet set with trophies of a torch and musical instruments, the mirrored side panels decorated with carved giltwood swags of flowers. h. 81”, w. 49‑1/4” $700‑$1,000 722 Mid-Century Parcel-Gilt Pier Mirror of Louis XVI Inspiration

720 721

the white and gilt surround with a mirrored upper tablet set with trophies of a torch and musical instruments, the mirrored side panels decorated with carved giltwood swags of flowers. h. 81”, w. 49‑1/4” $700‑$1,000 Illustrated Online

723

723 Louis XVI-Style Polychromed Demi-lune Console Table the frieze with gilt swags, raised on tapering legs with bellflower decor. h. 31”, w. 44”, d. 22” $300‑$500 724 Suite of Eight Provincial Louis XV/XVI-Style Painted Dining Chairs each with a rounded back with polychrome cane, molded compass-form seat upholstered in green floral brocade and fluted tapering circular legs. h. 35‑1/2”

724

$500‑$800 725 Louis XVI-Style Creme-Peinte Window Seat the padded long rectangular top above a foliate- and wavecarved frieze, raised on fluted tapering circular legs ending in toupie feet. h. 19”, w. 60‑3/4”, d. 20‑3/4” $500‑$800

725

149

726 Carved, Painted and Parcel-Gilt Mirror in the Louis XIV Taste second quarter 20th century, French, decorated with carved scrollwork on a green-painted ground, the pierced crest decorated with flowerheads and scrollwork. h. 40‑1/2”, w. 23‑1/2” $500‑$800 727 Louis XVI-Style Polychrome and Caned Day Bed early 20th century, with a matching footboard and headboard, each arched and with a central caned panel on the front and back, and turned and carved posts on each side with carved finials. h. 31‑1/2”, w. 79”, d. 34‑1/2”

726

729

$300‑$500 728 Continental Decorative Four-Panel Screen late 19th century, oil on canvas, the obverse with a village scene with figures by a river, and the reverse with floral motifs. each panel h. 73”, w. 19‑1/2”, overall w. 78” $400‑$700

730

731

729 Louis XV-Style Elm Fauteuil 19th century, the upholstered back with an arched top rail, joined to open arms, with a shell-carved scalloped apron, raised on cabriole legs ending in French toes, now upholstered in celadon brocade. h. 39‑1/2” $300‑$500 730 Louis XV-Style Mahogany Lady’s Desk

727

early 20th century, the superstructure fitted with a central galleried marble shelf over two small banded drawers, flanked to either side by two rounded open shelves, the shaped rectangular top with a pull-out leather writing surface above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 38‑1/2”, w. 29”, d. 22” $600‑$900 731 Two French Gilt-Bronze Objets d’Art ca. 1900, decorated with portraits of Elisabeth “Jardiniere”, including a cylindrical jewel box with engine turnings and neoclassical decoration, the portrait signed “Marchand”, h. 1”, dia. 3‑1/2”, and a Louis XVI-style frame molded with anthemia and decorated with a crest of putti holding swags of flowers, h. 10‑3/4”, w. 8‑1/4”. $500‑$800

728

150

732 French Terracotta Bust of “Femme Elegant” first quarter 20th century, inscribed “Carrier-Belleuse” at back. h. 22”, w. 8‑1/2”, d. 8” $500‑$800 Illustrated Online 733 Near Pair of Napoleon III Fruitwood and Exotic Woods Cabinets late 19th century, each with a banded and circular top within a full pierced brass gallery, one with an elaborately inlaid Orientalist landscape, above a conforming case fitted with a single cupboard door, inlaid with a floral urn, with like-inlaid urns around the whole, joined to a like-galleried lower shelf with landscape inlay, by shaped supports terminating in sabots. h. 31”, dia. 14‑1/2”

733

$1,500‑$2,500 734 Louis XV-Style Kingwood Poudreuse 19th century, the canted, banded, quarter-veneered and shaped rectangular top tri-sected, the center section opening to a mirrored interior, the side sections opening to storage wells, above a frieze fitted with a central pull-out slide over a drawer flanked to either side by two small drawers, raised on cabriole legs ending in sabots. h. 30‑1/2”, w. 31”, d. 14‑1/2” $700‑$1,000

734

735 Two Louis XV/XVI-Style Marble-Top Side Tables one parquetry inlaid with kingwood and with a heart-shaped marble top over a conforming apron, raised on three cabriole legs, with ormolu mounts throughtout, h. 29‑1/4”, w. 13‑1/2”, d. 13‑1/2”, and th other with a shaped rectangular top, brass border, ormolu mounts and a shelf below, h. 30”, w. 18”, d. 13”. $300‑$500 Illustrated Online 737

736 Pair of Directoire-Style Polychrome Fauteuils 20th century, each with a backswept crest above a padded back, joined by padded arms on reeded bulbous uprights to the cushioned seat, raised on reeded bulbous legs headed by block floral capitals and ending in bulb feet, upholstered in taupe leather. h. 34‑1/2” $800‑$1,200 737 Pair of French Gilt-Bronze Sconces 20th century, in the Louis XV taste, with rocaille backplates, scrolled and leaf-molded arms, matching candle cups and bobeches. h. 16”, w. 13”, d. 10”

736

$400‑$700

151

743

741

740

738

739

738 Pair of Louis XIV-Style Gilt-Bronze Sconces ca. 1900, French, the five-light sconces with backplates decorated with scrollwork and laurel-leaf drops, and supporting leaf-molded and scrolled candle arms terminating in leaf-molded drip pans and inverted bell-form candle cups, hung with cut glass prisms. h. 21‑1/2”, w. 18”, d. 10” $700‑$1,000 739 Transitional Louis XV/XVI-Style Polychrome Settee late 19th century, the shaped and padded back surmounted by a floral crest, joined by padded downswept arms to the cushioned seat, raised on molded cabriole legs ending in scrolled toes. h. 36”, w. 62”, d. 28” $500‑$800 740 French Molded Glass Chandelier second quarter 20th century, the ten-light chandelier with a molded glass-clad standard supporting rope-twist arms on two levels, set with glass prism rings hung with swags of glass drops, from the corona to the prism rings and from arm to arm. h. 31”, dia. 28” $500‑$800

152

741 French Molded Glass Chandelier

742

mid-20th century, the eight-light chandelier with a molded glass standard set with glass prism rings and spiral reeded candle arms, set with glass prism rings alternating with spiral glass scrolls, supporting swags of glass drops. h. 32”, dia. 28‑1/2” $500‑$800 742 French Giltwood Mirror in the Neoclassical Taste mid-20th century, with a ribbon-bound surround and a serpentine crest supporting giltwood swags. h. 65‑1/2”, w. 29‑1/2” $500‑$800 743 Pair of Louis XV-Style Polychromed Fauteuils each with a floral- and foliate-carved crest and stiles, open arms, serpentine seat and cabriole legs. h. 37” $500‑$800

744 Louis XVI-Style Fruitwood, Burlwood and Marble-Top Buffet early 20th century, the rectangular marble top with turreted corners, above a conforming case fitted with three drawers over three banded and paneled cupboard doors, flanked to either side by fluted pilasters, raised on ring-turned tapering circular legs ending in toupie feet. h. 39‑3/4”, w. 73‑1/2”, d. 22” $800‑$1,200

749

745 Pair of Louis XVI-Style Giltwood Fauteuils ca. 1900, each with a foliate-carved trophy chest, open arms on beribboned cornucopia-form supports, and bowed seat rail, raised on foliate-carved and twist-fluted legs. h. 37‑1/4” $700‑$1,000

748 746

746 French Neoclassical-Style Giltwood Mirror 20th century, the elaborate arched crest decorated with a pair of lovebirds under a wreath, flanked by carved oak leaves and acorns, the mirror surround lined with beading and carved lotus leaves. h. 64”, w. 37” $2,000‑$4,000

744

747 Louis XV/XVI-Style Marquetry-Inlaid Mahogany and MarbleTop Commode the Siena marble top over a shaped case with a pair of conforming drawers centered by an oval inlaid trophy panel, raised on cabriole legs with ormolu mounts. h. 31‑3/4”, w. 31‑3/4”, d. 16” 747

$300‑$500 748 Louis XVI-Style Marquetry-Inlaid Occasional Table 19th century, in the neoclassical taste, the top with a classical trophy inlay, the apron in laurel leaf and berry inlay, raised on bellflower-inlaid tapering square legs. h. 19‑3/4”, w. 24”, d. 16‑3/4” $500‑$800 749 Brass and Tole Bouillotte Lamp 20th century, with dolphin standards supporting engine-turned candle cups, the black tole shade decorated with gilt anthemia. h. 20‑1/4”, w. 13‑1/2”, d. 9‑1/4”

745

$600‑$900

153

752

751

750 Sevres Biscuit and Glazed Porcelain Bust of Louis Desaix ca. 1883, French, the military leader executed in biscuit on a glazed cobalt base, with two Sevres marks, including an underglaze green blank mark for 1883, now on a William IV-style carved mahogany pedestal. h. 24‑3/4”, w. 11”, d. 5”

750

$300‑$500 751 After Jean-Baptiste Nini (French, 1717‑1786) “Portrait Bust of Marie-Antoinette” terracotta roundel cast signature at bottom, further inscribed “J. B. Nini, 1779” on shoulder of bust.

Mounted in a neoclassical gilt-brass surround. overall dia. 6‑1/2” $400‑$700 752 French Glass, Leather and Brass Cave a Liqueur fourth quarter 19th century, the case of early leather book bindings and opening to reveal a gilt-trimmed blown glass decanter and eight matching shot glasses. h. 6‑3/4” to 11‑1/4”, w. 10‑1/4”, d. 8” $300‑$500

753

753 Flemish-Style Hand-Woven Tapestry of a Native American at the Tree of Life.

85” x 72” $800‑$1,200 754 Louis XIV-Style Bronze and Crystal Chandelier second quarter 20th century, French, the six-light chandelier having a bronze frame set with candle branches alternating with cut glass spires, and hung with tiers of cut glass prisms. h. 24‑1/2”, dia. 17‑1/2” $600‑$900 754

154

755 Louis XVI-Style Kingwood and Marble-Top Bureau Cylindre late 19th century, the superstructure fitted with a marble top within a three-quarter pierced brass gallery over three short drawers, the roll top banded, quarterveneered and centered by a floral medallion, opening to a pull-out baize writing surface and three small drawers, over a long drawer, raised on tapering square legs ending in caps. h. 43‑1/2”, w. 45‑1/2”, d. 19‑3/4” $500‑$800

755

756 Pair of Louis XVI-Style Fruitwood and Parcel-Gilt Bergeres 20th century, each with a padded domed back surmounted by a gilt ribbon crest, joined by padded arms and sides to the cushioned seat, raised on fluted tapering circular legs ending in toupie feet. h. 40” $500‑$800 757 Napoleon III Fruitwood Bergere Frame third quarter 19th century, the domed back surmounted by a ribbon and musical crest, joined by acanthinecarved arms to the seat, raised on spiral-fluted tapering circular legs ending in toupie feet. h. 44”

756

Provenance: Private collection, Mobile, Alabama. $600‑$900 Illustrated Online 758 Louis XVI-Style Fruitwood Dressing Table early 19th century, the rectangular top banded and hinged, opening to a mirrored marble-inset surface, above a conforming frieze fitted with three small drawers, raised on tapering circular legs ending in brass caps and casters. h. 30‑1/2”, w. 34‑1/2”, d. 21”

758

$800‑$1,200 759 Louis XVI-Style Fruitwood Commode mid-19th century, the rectangular top above a conforming case fitted with two long paneled drawers, flanked to either side by fluted uprights, raised on tapering square legs. h. 34”, w. 43‑1/4”, d. 19‑1/4” $700‑$1,000 759

155

760 Louis XVI-Style Mahogany Tall Chest 20th century, the inset marble top with a brass gallery, the case with six paneled drawers flanked by fluted pilasters and raised on trumpet legs. h. 55‑1/2”, w. 43”, d. 23” $500‑$800 761 Louis XVI-Style Mahogany and Marble-Top Commode late 19th century, the marble top within a brass gallery, the case with a pair of drawers and raised on tapering square legs. h. 34”, w. 28‑1/4”, d. 11‑3/4” $500‑$800 762 Follower of Francois Boucher (French, 1703‑1770) “Bird Catchers”

760

oil on canvas unsigned.

Presented in a giltwood and gesso frame.

53” x 65‑1/2”, framed 64” x 75” $2,000‑$4,000 763 School of Alexandre Paul Joseph Veron (French, 1773‑1838) “The Lute Player” oil on wood panel unsigned, handwritten “A. Veron” label en verso.

Presented in an antique giltwood frame with brass plaque, reading “Presented by C. LaRue Munson, Esq.” 9‑3/4” x 12‑3/4”, framed 17‑1/2” x 20‑1/2” $1,200‑$1,800

762

156

761

763

764 Rudolph Jelinek (Austrian, 1880‑1950) “The Mozart Prodigy” oil on canvas signed lower left, titled, and with artist name en verso label.

Framed.

24” x 30”, framed 30‑1/2” x 36‑1/2” $700‑$1,000 765 Continental School (19th Century) “Piano Lesson” oil on copper remnants of handwritten labels en verso.

Framed.

11‑1/4” x 9‑1/2”, framed 18‑1/2” x 16‑1/4”

764

$500‑$800 766 Eduard Merk (German, 1816‑1888) “A Musical Interlude” oil on canvas laid down on board signed lower right.

Framed with artist plaque.

19‑1/2” x 15”, framed 25” x 21” $700‑$1,000 767 Carl Hetz (German, 1828‑1899)

765

“The Secret”

766

oil on canvas signed and localized “Munchen” lower left.

Framed.

26‑3/4” x 21‑3/4”, framed 36‑1/4” x 32‑1/4” $700‑$1,000 768 Theodore Gerard (Belgian, 1829‑1895) “Mother and Child with Dog” oil on canvas signed lower left.

Framed.

17‑5/8” x 14‑3/4”, framed 20” x 27” $700‑$1,000 768

767

157

769 After Eugene de Blaas (French, 1843‑1932) “The Flirtation” pigment-enhanced lithograph laid down on canvas Framed.

8‑3/4” x 11‑3/4”, framed 15” x 18” $600‑$900 770 Continental School (19th Century) “The Wager” oil on wood panel unsigned.

In an antique frame.

9” x 10‑1/2”, framed 21” x 23”

769

771

$500‑$800 771 Decorative Contemporary Painting of “Story Time” oil on canvas, unsigned Framed.

48” x 36”, framed 59” x 47‑1/2” $500‑$800 772 Franz Paul Glass (German, 1886‑1964) “Familienkonzert”, 1941 oil on canvas signed and dated lower left, verso with German shipping label and English catalogue label.

Framed.

43‑1/4” x 59”, framed 53” x 68‑1/2”

772

$1,000‑$1,500 773 Annie M. Snyder (American, 1852‑1927) “Elizabethan Lovers” oil on canvas signed lower right.

In an antique gilt frame with artist and title plaque.

17” x 13”, frame 24‑1/4” x 20‑1/4” $600‑$900 770 773

158

774 Henri Adolphe Louis Laurent (French, b. 1830) “The Clam Diggers” oil on canvas signed lower right.

Presented in a giltwood and gesso frame affixed with artist plaque.

25‑1/2” x 21‑1/4”, framed 35‑1/2” x 31‑1/4” $800‑$1,200 775 Italian School (Fourth Quarter 19th/First Quarter 20th Century)

774

“Vendor on a Venetian Canal” oil on canvas signed and localized “T. Rivarola. Venezia.” lower left.

Framed.

37‑1/2” x 57‑1/2”, framed 52‑1/2” x 72” $700‑$1,000 776 After Bartolome Esteban Murillo (Spanish, 1617‑1682) “Boys Eating Grapes and Melon” and “Boys Playing Dice” pair of oils on canvas unsigned.

Framed. each 10” x 8‑1/2”, framed 19” x 17‑1/4”

775

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200 777 Follower of Nicolaes Berchem (Dutch, 1620‑1683) “Off to Market” oil on beveled wood panel unsigned.

Framed.

11” x 13‑1/8”

776

$400‑$700 778 Hugo Kotschenreiter (German, 1854‑1908) “A Terrifying Tale” oil on panel signed upper right, verso with partial label.

In a period gesso and giltwood frame.

8‑5/8” x 12‑5/8” $400‑$700 778

777

159

779 Sydney Herbert (British, 1854‑1914) “Italian Landscape with Figures”, 1885 oil on canvas signed and dated lower right.

Framed.

20” x 30”, framed 30” x 39‑3/4” $700‑$1,000 780 Brass and Glass Hall Lantern of Neoclassical Inspiration

779

the four-light cylindrical lantern with a brass frame with a pierced upper border of a ring chain, with molded trim and scrolled supports, the lower portion with scrollwork terminating in a turned finial, set with etched glass panels. h. 38”, dia. 16” $700‑$1,000 780A Pair of Louis XV-Style Bronze Girandoles second quarter 20th century, French, the twelve-light girandoles on fluted giltwood plinths, each with a cabochon-molded base and fluted standard decorated with molded acanthus leaves and set with scrolled arms on two tiers, with bronze candle cups and molded crystal prism rings, the tops with pineapple finials, electrified. h. 31”, dia. 15” $600‑$900 781 Monumental Neoclassical-Style Patinated Bronze Torchere first quarter 20th century, Continental, the urn-form lamp decorated with bas-relief putto and ram’s-head handles, and raised on a tripodal stand decorated with swags of laurel, above a drum-form base with a central spiral-reeded standard, electrified. h. 84‑1/2”, dia. 20”

780

$1,000‑$1,500 782 Cased Set of Grand Tour Souvenir Plaster Intaglios

781

second quarter 19th century, probably Italian, molded with various profiles and views after the Antiques, lined with gilt paper within an ebonized case. w. 13‑1/4”, d. 8‑1/2” $400‑$700 Illustrated Online

160

780A

784

785

787

786

783 788

783 Pair of Baroque-Style Stone and Bronze Pedestals

786 Collection of Three Plaster Artists’ Model Casts

20th century, each with a spiral-reeded column set with a Corinthian capital and an octagonal top. h. 55‑1/2”, dia. 13‑1/2”

19th century, including a hand, h. 10‑1/4”, w. 4”, a foot, h. 5‑1/2”, l. 9‑1/2”, and a profile portrait of a male, h. 13‑1/4”, w. 11‑3/4”, the profile stamped “298”.

$700‑$1,000

$500‑$800

784 Collection of Eight Bronze and One Alabaster Grand Tour Souvenirs

787 Art Deco Alabaster Statue of Psyche of Naples

ca. 1900, Italian, including an alabaster “Spinario”, h. 8‑1/4”, w. 5”, d. 6‑1/4”, and eight bronze figures, including a lion, a Marcus Aurelius, Discobolus and Narcissus. h. 2‑1/2” to 6‑3/4”, w. 1‑3/4” to 4” $500‑$800 785 Handsome Pair of Neoclassical-Style Plaster Busts 20th century, one of Nero and the other of Antoninus Pius. h. 21”, w. 11‑1/2”, d. 5‑1/2” Provenance: Anthony Redmile, London. $500‑$800

ca. 1900, Italian, after the Antique, the partial figure depicted draped. h. 17”, w. 9‑1/4”, d. 5‑1/2” $500‑$800 788 Three Bing & Grondahl Biscuit Figures post-1853, Danish, including a figure of Athena carrying a spear, h. 17”, w. 6”, a figure of Jason with the Golden Fleece draped over one arm, h. 15”, w. 4‑3/4”, each stamped “B&G, Eneret”, and the figure of an angel astride a lion, likely the same maker, h. 7”, w. 7‑3/4”. $600‑$900

161

789 After Eugene Laurent (French, 1832‑1898) “Roman Senator and Warrior” patinated bronze cast signature along edge of self-base. h. 15‑1/4”, w. 9”, d. 4‑3/4” $500‑$800 790 Pair of Italian Grand Tour Bronze Souvenir Standards fourth quarter 19th century, now mounted as lamps, with Dionysian decoration, and molded with satyrs holding ewers being filled by putti squeezing grapes. h. 22‑1/2”, dia. 7‑1/2”

789

790

$500‑$800 791 Neoclassical Marble Pedestal 19th century, of columnar form, the molded capital with an ormolu patera-applied frieze, over a stop-fluted standard with ormolu bellflower accents, raised on an octagonal plinth. h. 38”, dia. 18” $500‑$800 792 Two-Piece Late Victorian Polychrome Salon Suite ca. 1900, consisting of a settee, h. 34”, w. 47”, d. 25”, and an armchair, h. 34”, w. 29”, d. 27”, each with a carved Art Nouveau female figure on the arm fronts, scrolled under-arm supports and paw feet.

793 791

Provenance: Purportedly from an Alabama bordello. $600‑$900 793 Pair of Neoclassical-Style Onyx and Bronze Pedestals the bronze bases with egg-and-dart decoration, the capitals with molded flowers. h. 40”, w. 9‑1/2”, d. 9‑1/2” $500‑$800 792

162

797 Continental Fruitwood Pedestal late 19th century, the shaped top with a molded edge, above a waisted frieze and tapered paneled standard with applied shield carving, to a molded base. h. 44”, w. 24”, d. 17‑1/4” $500‑$800 798 Provincial Neoclassical Fruitwood Commode early 19th century, the rectangular top above a conforming case fitted with two short drawers over two long drawers, raised on tapering square legs. h. 34”, w. 41”, d. 19‑1/2”

794

$500‑$800

795

794 Pair of Continental Neoclassical Fauteuils early 19th century, possibly Italian, each with a rounded crest centered by a portrait medallion over a diamond-patterned splat, joined by outswept arms to the padded seat, raised on fluted tapering circular legs ending in toupie feet. h. 39” $500‑$800 795 Continental Polychromed and Granite-Top Table

797

early 20th century, the rectangular top with a straight edge, over a base with applied carved details and raised on turned and fluted legs. h. 29‑1/2”, w. 48”, d. 26” $500‑$800 796 Two White-Painted Mirrors the first example in the German neoclassical taste, 20th century, with a leaf-carved surround supported on pierced swan-form feet, the pierced crest with eagles flanking a basket of flowers, h. 54‑1/2”, w. 37”, and the second example, a Louis XVI-style mirror with a table of carved musical instruments, h. 48‑1/2”, w. 24”. $700‑$1,000 Illustrated Online

798

163

799 Biedermeier Fruitwood Center Table 19th century, the circular top with a central inlaid ebony and hardwood rosette, on a hexagonal column joined to three shaped legs, on a concave base. h. 28”, dia. 42‑3/4” $600‑$900 800 Four European Miniatures including a late Georgian 10‑karat gold navetteshaped betrothal brooch set with a painted grisaille of two maidens, two doves and a spaniel, glazed, l. 1‑5/8”; a late Georgian rolled gold octagonal betrothal buckle (now mounted as a brooch) with a grisaille of a maiden weaving a floral bridal crown, glazed and surrounded by colorless paste gems, l. 1‑3/8”; a Restauration circular guilloche brass box set with a stippled silk portrait of the children of King Louis XVI, MarieTherese and the Dauphin, glazed, dia. 3”; and a 20th-century Continental painting of the Virgin in a .800 silver cannetille easel frame set with glass “turquoise” stones, h. 2‑1/8”.

799

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

800

$700‑$1,000 801 Continental Mahogany and Exotic Woods Games Table 19th century, the square top with an inset removable parquetry-patterned piece, reversing to a baize-lined surface, removing to reveal a leather backgammon board, the top with two like-patterned drop leaves, above a frieze fitted with a single drawer, raised on tapering square legs. h. 29‑1/4”, w. 17‑1/2”, l. 17‑1/2”, ext. l. 30‑1/2” $500‑$800 802 Neoclassically Inspired Mahogany and Glass Vitrine on Stand the case with a glazed top and sides, fitted with a central shelf, raised on tapering fluted legs. h. 67”, w. 26”, d. 26”

801

$500‑$800

802

164

803 Unusual Continental Fruitwood Secretaire a Abattant 19th century, in the neoclassical taste, the slanted top hinged and opening to a storage interior, above a drop front opening to a variety of drawers and cubbyholes, over two long drawers, raised on tapering square legs, the whole accented with decorative inlays. h. 50‑1/2”, w. 36‑1/2”, d. 19‑1/2” $600‑$900 804 Interesting Continental Circassian Walnut Kneehole Writing Desk mid-19th century, in the Biedermeier style, with a tooled inset leather blotter, the front fitted with a long fold-down drawer front, opening to reveal a leather writing surface and fitted interior, the side banks with two doors, each opening to slideout shelves. h. 31‑1/2”, w. 46”, d. 29” $700‑$1,000

803

805 Biedermeier-Style Fruitwood Settee 20th century, the concave back with a long scrolled splat, open arms and saber-form legs. h. 32‑1/4”, w. 39”, d. 19‑1/2” $600‑$900 806 Suite of Four Baltic Neoclassical Fruitwood Dining Chairs first half 18th century, each with a back splat in Gothic decor, raised on tapering square legs, the upholstered seats now in green brocade. h. 35‑1/4” $500‑$800 804

806

805

165

807

807 Contemporary Cherry Dining Table in the Biedermeier style, the circular table opening to support leaves, with central leg supports, raised on tapering legs on brass cup casters. h. 30”, dia. 52”

808

$400‑$700 808 Italian Carved and Parcel-Gilt Mirror-Back and Onyx-Top Console early 20th century, the expansive carved frame with a shell cartouche and fitted with two plateglass mirrors, with a central shelf fitted with two drawers and supported by scrolled legs. h. 76”, w. 79”, d. 13” $1,000‑$1,500 809 Suite of Nine Italian Copperplate Engravings of the Life of Pope Pius VII 1815, engraved by Giuseppe Pera (Italian, active fourth quarter 18th/first quarter 19th century), published in Florence by Benedetto Eredi (Italian, 1750‑1815) and Giovanni Battista Cecchi (Italian, 1748‑after 1807), including images of the Pontiff meeting with Napoleon and at Fontainebleau.

Attractively matted, glazed and framed alike. each sight 14” x 16‑3/4”, framed 22‑1/2” x 26” Provenance: Collection of Julia Reed, New Orleans, Louisiana and Greenville, Mississippi. $600‑$900 809 Suite of Nine

166

810 Suite of Eight

810 Set of Eight Copper Etchings from “Raccolta di Pitture d’Ercolano”

811 Set of Eight Copper Engravings from “Raccolta di Pitture d’Ercolano”

depicting artifacts excavated from Herculaneum, by various artists including Vanni and Campana.

All matted, glazed and framed alike. each sight 13‑3/4” x 10‑1/4”, framed 28‑3/4” x 20‑3/4”

depicting artifacts excavated from Herculaneum, by various artists including Vanni and Campana.

Each matted, glazed and framed alike. sight 13‑3/4” x 10‑1/4”, framed 28‑3/4” x 20‑3/4”

$600‑$900

$600‑$900

811 Suite of Eight

167

812 Suite of Four Architectural Element Engravings 19th century.

Matted, glazed and framed alike. each sight 11‑1/4” x 8‑1/4”, framed 19‑1/4” x 15‑1/2” $500‑$800 813 After Giovanni Battista Piranesi (Italian, 1720‑1778) “Rovine del Sisto” “Piramide di C. Cestio” pair of etchings on paper Attractively matted, glazed and framed alike. each sight 17‑1/2” x 26‑1/2”, framed 27‑1/4” x 36‑3/4” $500‑$800

815

814 Continental School (19th Century)

813 Pair

Four studies of Old Master drawings, including: “The Visitation”, “Bust of Christ”, “Bell Ringer” and “Cherub with a Dove” the first three sanguine on paper, the last one charcoal, sanguine and graphite on paper each unsigned.

Each Matted, glazed and framed. sights 4‑1/2” x 3‑3/4” to 14‑1/2” x 13”, framed 12” x 9‑1/2” to 23‑5/8” x 17‑1/8” $600‑$900

812 Suite of Four

815 American School (Late 19th/Early 20th Century)

“Standing Male Nude Holding a Spear” charcoal on paper unsigned.

Framed. sight 25‑1/4” x 17‑3/4”, framed 31‑1/2” x 24‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

814 Suite of Four

168

$500‑$800

816 American School (Late 19th/Early 20th Century) “Standing Male Nude Study” charcoal on paper unsigned.

Matted, glazed and framed.

23‑1/4” x 17‑3/4”, framed 33‑1/2” x 17‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500‑$800 817 American School (Late 19th/Early 20th Century)

817

816

“Standing Male Nude” charcoal drawing on paper initialed “T. H.” lower left.

Framed.

23‑3/4” x 12”, framed 34‑1/2” x 24‑1/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

818 Group of Two

$500‑$800 818 Continental School (19th Century) “Reclining Male Nude” and “Male Nude Torso” graphite on blue paper, and charcoal on paper unsigned.

Both matted, glazed and framed. sights 14‑1/4” x 17‑1/4” and 8” x 13”, framed 22‑1/4” x 25‑1/4” and 12‑1/4” x 17‑1/2”, respectively $400‑$700 819 Two French-Style Chairs including a Biedermeier-style maple armchair with ebonized details, h. 36”, and an Empire-style side chair with ormolu mounts, ebonized details and brass paw feet, h. 35”.

819

$500‑$800 820 Biedermeier-Style Burlwood Bureau Plat early 20th century, the rectangular top inlaid with a gilt-tooled writing surface, above a frieze fitted with three side drawers, raised on shaped legs joined by an “H”-form plinth stretcher, the whole accented with patinated brass mounts. h. 31‑1/2”, w. 70‑1/2”, d. 33‑1/4” $500‑$800 820

169

821 Pair of Continental Egyptian Revival Rosewood, Ebonized and Marble-Top Pedestals third quarter 19th century, each of pyramidal form with a carved molding across the top and around the base, each with an inset white marble top and a circular marble plaque mounted to the front. h. 36”, w. 24‑1/2”, d. 16‑1/2” $1,800‑$2,500 822 Pair of Chinoisserie-Style Mirror Glass and Gilt Bronze Two-Light Candelabra second quarter 20th century, the standards with pagoda finials over mirrors etched with phoenixes, issuing arms with prism hung bobeches, on gadrooned rectangular stem feet h. 14‑3/4”, w. 11”, d. 2‑1/4”

821

$500‑$800 823 Neoclassical-Style Bronze and Crystal Chandelier mid-20th century, French, the four-light chandelier with a pierced rim, the frame hung with cascades of drops concealing sockets, the lower portion hung with prisms. h. 32‑1/2”, dia. 17”

822

$800‑$1,200 824 Directoire Polychrome Fauteuil 18th century, the padded and rectangular back surmounted by a foliate wreath-carved crest, joined by rounded arms to the padded set, raised on paneled square legs, upholstered in cut velvet. h. 35” $500‑$800

823

825 French Neoclassical-Style Giltwood Trumeau Mirror ca. 1900, the giltwood surround decorated with beading, the upper portion with an oil-on-canvas painting depicting Venus, Cupid’s mother, amusing him with a flower vine, an anchor, the symbol of hope, resting nearby. h. 51‑1/2”, w. 27‑1/2”

824

$600‑$900 826 Pair of Egyptian Revival-Style Parcel-Gilt Metal Candelabra 20th century, the three-light candelabra with Isis-form standards and bull-decorated bases, set with serpentform candle arms supporting lotus-molded candle cups. h. 32‑1/4”, dia. 13” $1,200‑$1,800 825

170

826

827 French Gilt-Bronze-Mounted Mahogany Lyre-Form Clock first quarter 19th century, the dial marked “Lefevre Suce de Debelle a Paris”, on an engine-turned ground, the lyre decorated with laurel mounts and a pierced medallion and crest, mounted with a silk-string suspension movement. h. 23‑3/4”, w. 10‑1/4”, d. 6‑1/2” $600‑$900 828 Russian Neoclassical Mahogany Center Table mid-19th century, in the Jacob manner, the elongated octagonal top within a brass banding, above a central drawer to either side, the other six sides all fitted with a paneled cupboard, raised on tapering square legs ending in caps and casters, the whole with decorative brass banding and accents in the Jacob taste. h. 30”, w. 42”, d. 35‑1/2”

827

829

$2,000‑$4,000 829 Empire-Style Mahogany Jardiniere 19th century, of circular form, the open top fitted with a conforming metal liner, the body paneled and with ormolu handles and mounts, raised on horse-form legs ending in ormolu hoof feet. h. 29”, dia. 23‑3/4” 828

$1,200‑$1,800

830 Empire-Style Mahogany Settee early 20th century, the padded back with a backswept ormolumounted crest, joined by paneled arms on sphinx uprights to the padded seat, raised on shaped legs headed by ormolu winged lion masques and ending in paw feet. h. 41‑1/2”, w. 65”, d. 23‑1/2” $1,000‑$1,500 831 French Empire-Style Tole and Brass Chandelier 832

831

second quarter 20th century, the twelve-light chandelier suspended from a pierced corona, the tole body set with masque-molded arms and brass engine-turned candle cups. h. 26”, dia. 26” $500‑$800 832 Pair of Napoleon III-Style Bronze Dore et Patine Candelabra

830

on engine-turned bases supporting patinated bronze figures of “Victory”, holding aloft candle branches decorated with lyres, the candle cups mounted on swans. h. 17”, w. 7”, d. 3‑1/2” $500‑$800

171

833 Pair of Empire-Style Mahogany Side Chairs early 20th century, each with a padded back surmounted by an ormolumounted backswept crest, the padded seat raised on shaped legs, headed by winged lion capitals and ending in ormolu paw feet. h. 37” $700‑$1,000 834 French Gilt-Bronze and Verde Antico Marble Clock Set ca. 1900, in the Empire Revival style, the clock suspended between obelisks and having a bronze eagle finial, h. 19‑1/2”, w. 12”, d. 4‑1/2”, the five-light candelabra en suite, h. 19‑3/4”, dia. 7”.

833

$500‑$800 835 French Classical-Style Bronze Figural Sconce fourth quarter 19th century, cast as winged-victory atop an eagle, surmounted by a leaf-molded urn set with a lamp rod, signed “J. Wipff”, for Jerome Wipff (French, 1831‑1902). h. 20”, w. 11”, d. 6‑3/4” $500‑$800 836 Suite of Eight Empire-Style Gilt-Bronze-Mounted Mahogany Chairs

834

each with foliate and ribbon mounts, full-figured Sphinxes at the hips, and parcel-gilt moldings. h. 35‑3/4” $1,200‑$1,800 837 Pair of Restauration-Style Marble and Patinated Bronze Candelabra on heavy stepped bases, the two-section Siena marble standards decorated with pierced anthemia and raised on bronze paw feet, the cornucopia-form arms molded with lotus leaves and set with beaded candle cups. h. 32‑3/4”, dia. 13‑1/4” $500‑$800

835

836

172

837

838 Empire-Style Mahogany Planter 20th century, the open octagonal top above a conforming case with ormolu mounts, raised on eight columnar supports headed by ormolu capitals and joined by a spoke-form standard and ending in turret feet. h. 32‑1/2”, dia. 25‑1/2” $700‑$1,000 839 Empire-Style Mahogany and Marble-Top Gueridon fourth quarter 19th century, the circular marble top above a conforming frieze, raised on tapering square supports headed by ebonized maiden’s-head capitals and ending in ebonized feet on a concave square base on casters. h. 30‑1/2”, dia. 23‑1/2”

839

838

$500‑$800 840 French Empire Verde Antico Marble and Bronze Portico Clock first quarter 19th century, with engine-turned capitals and dial, and an elaborately molded pendulum, set with a silk-string suspension movement. h. 21‑1/4”, w. 11‑1/2”, d. 7‑1/2” $600‑$900 841 Empire-Style Brass and Marble-Top Gueridon the circular marble top raised on a tripodal stand with a marble-topped medial shelf and cast paw feet. h. 27‑1/4”, dia. 20‑1/2”

840

$500‑$800 842 Louis XVI Parcel-Gilt Trumeau Mirror

841

ca. 1800, with a beaded, cove-molded and giltwood surround, the upper panel set with an oil on canvas depicting Cupid and Venus being drawn about a formal garden in a cart. h. 59‑1/2”, w. 31” $600‑$900 843 Pair of Empire-Style Malachite and Gilt-Bronze Obelisks 20th century, French or Russian, on scrolled brass bases, the sides of the malachite obelisks set with gilt-bronze lyres. h. 21”, w. 7‑1/2”, d. 7‑1/2” 843

$500‑$800 842

173

846

844 Louis-Philippe Mahogany and Marble-Top Commode

844

late 19th century, the case fitted with five long drawers, including one ogee drawer at the top and a straight-front drawer concealed in the baseboard, the top with a period mismatched marble. h. 39”, w. 49”, d. 24” $500‑$800 845 Empire-Style Mahogany and Marble-Top Secretaire a Abattant mid-19th century, the rectangular marble top above a conforming case fitted with a frieze drawer, over a drop front opening to slotted compartments and drawers, over three long drawers, flanked to either side by ormolu-mounted pilasters, all raised on turret feet. h. 55‑1/4”, w. 37‑1/2”, d. 18‑1/4” $500‑$800 846 Signed Art Nouveau Gilt-Bronze Encrier ca. 1900, French, decorated with a pensive maiden holding pen and paper, flanked by inkpots, a pen tray in the front, all decorated with molded ivy leaves, signed “M. Bouval”. h. 11‑1/4”, w. 14‑1/4”, d. 9‑1/2”

845

$500‑$800 847 Louis-Philippe Mahogany and Marble-Top Occasional Table second quarter 19th century, the circular marble top above a plain frieze and raised on a fluted and stop-fluted pedestal ending in a tripodal base with flattened bun feet. h. 26‑1/2”, dia. 27” $500‑$800 848 Empire-Style Ormolu-Mounted Mahogany and Marble-Top Stand the oval Brescia marble top over a conforming apron and raised on tapering columns with capitals modeled as busts of classical maidens, the concave base with a like marble panel, on ormolu paw feet. h. 46”, w. 15”, d. 11‑1/2” $600‑$900

174

848

847

849 Empire-Style Bronze-Mounted Mahogany Morbier Clock fourth quarter 19th century, French, the dial spuriously signed “Abraham Julius”, the case with a hood decorated with bronze stars and a door with a pair of eagles at the top, a masque at the base. h. 83‑1/2”, w. 24”, d. 13‑1/2” $1,000‑$1,500 850 Pair of French Gilt-Bronze Gas Sconces third quarter 19th century, the three-light single trumpet-form sconces with standards molded with acanthus leaves and decorated with mounts, flanking cornucopia-form candle branches and Egypto-Revival gas keys, retaining an old surface and some parts of the original light fittings, not electrified. h. 17‑1/4”, w. 9‑1/2”, d. 5‑1/2” $800‑$1,200 851 Empire-Style Mahogany Vitrine 20th century, the triangular pediment above an ormolumounted frieze over two glazed doors, the sides also glazed, raised on a table base with an ormolu-mounted frieze joined by caryatid uprights and a mirrored back to a lower shelf, on bun feet. h. 81”, w. 42‑1/2”, d. 15‑1/2”

851

849

$1,200‑$1,800 852 Pair of French Marble and Bronze Urn-Form Lamps mid-20th century. h. 18‑1/2”, w. 4‑1/4” $400‑$700

852

853 Empire-Style Ormolu-Mounted Mahogany Dressing Table ca. 1900, with an oval mirror held by swan-form supports to eagle-form legs on a curved lower shelf. h. 59”, w. 42‑1/2”, d. 21” $500‑$800

850

853

175

854 Pair of Empire-Style Brass and Cut Crystal Lamps mid-20th century, French, the candelabra-style lamps with brass scroll- and leaf-molded bases set with cut crystal standards and four candle arms below two sockets. h. 39”, dia. 6‑3/4” $500‑$800 855 Louis-Philippe Mahogany and Marble-Top Chest second quarter 19th century, the marble top on a case with a cyma-molded drawer above a bank of three drawers and a slipper drawer below, the central drawers with cast brass bail pulls. h. 36‑1/2”, w. 48”, d. 21‑1/4”

854

$800‑$1,200 856

856 Pair of French Bronze Candlesticks second quarter 19th century, now mounted as lamps, the bronze dore et patine sticks on paw feet, now on marble bases and set with pleated shades. h. 26‑1/4”, dia. 14” Provenance: Collection of Julia Reed, New Orleans, Louisiana and Greenville, Mississippi.

These lamps can be seen in the One Kings Lane online “At Home With...” series featuring Julia Reed. $500‑$800

858

857 Near Pair of Louis-Philippe Mahogany and Marble-Top Center Tables

855

mid-19th century, each with a circular marble top with a molded edge, above a plain frieze, raised on a ribbed urn-form standard to three splayed legs, each headed by foliate carving and ending in paw feet on casters. h. 29”, dia. 38‑1/2” and 38‑1/4” $1,200‑$1,800 858 Pair of Empire-Style Gilt-Bronze and Onyx Candelabra Lamps 20th century, the three-light lamps with onyx standards and bases, and giltbronze mounts. h. 34”, dia. 7” $500‑$800

176

857

859 Restauration-Style Mahogany Center/Games Table the inset white marble top over an apron with a pair of drawers and a pair of slides, raised on fluted legs joined by concave stretchers and a circular shelf. h. 28‑1/2”, dia. 35” Provenance: A New Orleans, Louisiana estate. $700‑$1,000 860 Pair of Restauration Bronze Dore et Patine Candelabra second quarter 19th century, French, the bases decorated with mounts, the tapered columnform standards with laurel bases and Corinthian capitals, the classical upper portions set with molded candle branches. h. 20‑1/2”, dia. 10‑1/2”

859 860

$600‑$900 861 Pair of Chinoiserie-Decorated and Parcel-Gilt Side Tables 20th century, each with a pierced brass gallery, the top supported by a turned and carved standard mounted to a shaped platform base, raised on three turned and reeded feet. h. 28‑1/2”, dia. 18‑1/2”

861

862

$600‑$900 862 Louis-Philippe Mahogany Commode late 19th century, the rectangular top with a beveled edge, over four long drawers and raised on turned bun feet. h. 34‑1/2”, w. 36”, d. 19” $700‑$1,000 863 Pair of Danish Neoclassical-Style Faux Rosewood Fauteuils 20th century, each with a curved and rounded back joined by downswept on swan uprights to the padded seat, raised on paneled sabre legs with gilt accents. h. 39”

863

$1,000‑$1,500 864 Pair of Empire-Style Bronze and Faux Marble Pedestal Tables late 19th century, each with an inset circular faux porphyry top above a medallion-pierced frieze, raised on a cluster-column standard to a circular plinth base. h. 34‑1/2”, dia. 28‑1/2” $1,000‑$1,500 864

177

865 Empire Polychrome and Marble-Top Side Table early 19th century, the rectangular marble top above a conforming frieze with an ormolu guilloche mount, raised on ribbed scroll supports with ormolu capitals to a narrow plinth base. h. 36”, w. 43”, d. 18” $1,200‑$1,800 866 Pair of Empire-Style Bronze and Marble-Top Stands 865

mid-20th century, each with a circular marble top raised above a palmetto-modeled frieze on three large acanthine-modeled supports, joined by a ring stretcher and ending in paw feet. h. 35”, dia. 18‑1/2” $700‑$1,000 867 Empire-Style Parcel-Gilt Mahogany Armchair fourth quarter 19th century, the padded back with a carved crest and the arm fronts with seated griffins, raised on bold, carved tapering square legs. h. 45”, w. 26”, d. 26” $800‑$1,200

866

868 Italian School (19th Century) “Pompeii - La Corsa [sic]” pair of watercolors and gouaches on paper each signed "M. Crillo" lower right and localized lower left.

Matted, glazed and framed alike. each sight 4‑1/4” x 6”, framed 11‑3/4” x 14‑1/2” and 9‑1/2” x 11‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900 869 Giuseppe Mazzolini (Italian, 1806‑1876)

867 868

“Muse Calliope with a Putto” oil on wood panel (oval) incised signature lower center.

Together with Continental School (19th Century), “Muse Calliope with a Putto”, oil on board (oval), unsigned.

Both framed.

8‑1/2” x 5‑3/4” and 19” x 15‑1/2”, framed 12” x 9‑1/2” and 22” x 19” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900

178

869

870 Continental School (Fourth Quarter 19th Century) “Putti Riding Goats” oil on canvas signed “Del Buono” lower right.

Framed.

9‑1/4” x 13”, framed 10‑1/4” x 14‑1/8” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

870

$600‑$900 871 Decorative Painting of “Putti Frolicking in a Garden” oil on canvas, unsigned.

Presented in a burlwood frame.

21‑1/2” x 47‑1/2”, framed 28” x 53‑1/2” $600‑$900 Illustrated Online 872 Continental School (First Quarter 19th Century) 873

“Staged Battle in the Colosseum, With Gladiators, Horses and Wild Animals” oil on canvas unsigned.

In an antique gesso and carved wood frame.

56” x 152”

873 Regency-Style Ebonized Mahogany and Figured Elm Center Table

Provenance: The French Quarter residence of Lenny Kravitz; Private collection, Houston, Texas.

the circular top on a hexagonal column joined to a concave base. h. 29‑1/2”, dia. 48”

$1,000‑$1,500

$600‑$900

872

179

874 Regency-Style Mahogany and Marble-Top Cabinet 20th century, the marble top with a concave center section, above a conforming case fitted with a brass-banded frieze over four cabinet doors, each inset with a fabric-backed, grilled panel, raised on a plinth base. h. 35”, w. 67‑1/2”, d. 15‑1/2” $700‑$1,000 875 Regency Giltwood Three-Part Overmantel Mirror 875

first quarter 19th century, framed with spiral-turned columns, the upper tablet decorated with a central shell flanked by panels of delicate raised latticework, the top with a projecting cornice set with gilt spherules, the antique glass plate lined with ebonized reeded trim. h. 26”, w. 40” $700‑$1,000 876 Suite of Six Regency-Style Mahogany Side Chairs 20th century, each with a turned crest rail above string-inlaid and circular paneled splats, the padded seat raised on line-inlaid sabre legs. h. 32‑1/2”

874

$500‑$800 877 Regency Mahogany Dining Table early 19th century, consisting of two D-ends and a central drop-leaf section, all with reeded edge and raised on ribbed tapering circular legs headed by a turned capital and ending in toupie feet. h. 29”, w. 41‑1/2”, ext. l. 109” $800‑$1,200

876

877

180

880

879

878

881

882

878 Regency Inlaid Mahogany Wheel Barometer

881 Pair of Late Regency Mahogany Pedestal Cabinets

first quarter 20th century, with a pitch pediment top, the throat with a hydrometer and thermometer, inlaid with a pair of conch shells, mounted with a level on the bottom. h. 18”, w. 10‑1/4”

second quarter 19th century, each with a single door with arched panel, on a plinth base. h. 35‑3/4”, w. 18‑1/2”, d. 15‑1/2”

$700‑$1,000 879 Late Regency Mahogany Breakfast Table second quarter 19th century, the tilting circular top with a molded edge, above a plain frieze, raised on a paneled urnform standard to a concave tripartite base to paw feet on casters. h. 29‑1/2”, dia. 44” $600‑$900 880 Pair of Regency-Style Mahogany Window Seats first half 20th century, each with a shaped down-curved back panel joined by curved back posts ending in urn-shaped finials, padded slip seats and raised on shaped legs. h. 36”, w. 31”, d. 13” $400‑$700

$600‑$900 882 Regency Mahogany Cellarette first quarter 19th century, of sarcophagus form, the hinged lid centered by a panel and opening to a metal-lined interior, the tapering body raised on a molded rectangular base. h. 20‑1/2”, w. 28‑1/4”, d. 22‑3/4” $700‑$1,000 883 Regency Mahogany Games Table first quarter 19th century, the rounded rectangular top hinged and opening to a gaming surface, above a conforming frieze, raised on ribbed tapering circular legs ending in tall bulbous feet. h. 29‑1/2”, w. 36‑1/4”, closed d. 18” $500‑$800 Illustrated Online

181

884 Signed Scottish Mahogany Cased Barometer second quarter 19th century, the wheel barometer with a swan’s-neck pediment, set with a thermometer and a barometer, signed “F&M Riva, Glasgow” on the level bottom. h. 37”, w. 9‑1/2” $400‑$700 885

885 Regency Handsomely Carved Giltwood Eagle first quarter 19th century, the displayed eagle with carefully delineated feathers. h. 10‑1/2”, w. 18‑1/2”

884

$700‑$1,000 886 Regency-Style Giltwood Recamier with a molded and shaped back rail joined to a high and low scroll arm, raised on saber legs, upholstered in floral brocade. h. 33‑1/2”, w. 62‑1/2”, d. 27” $700‑$1,000

886

887 Handsome William IV Mahogany Dressing Mirror second quarter 19th century, the supports with carved finials and set with adjustable bronze candle holders, over concave drawers, supported on carved, scrolled feet. h. 33‑1/2”, w. 26‑1/2”, d. 8‑3/4” $500‑$800 888 Regency-Style Brass-Inlaid Rosewood Sofa Table 20th century, the top with a brass-strung inlaid border and two drop leaves, one side fitted with two drawers and supported by a pair of turned standards mounted to a platform with down-curved legs. h. 27‑1/2”, w. 35‑1/2”, d. 25‑1/2”, ext. w. 56”

887

889

$700‑$1,000 889 Regency-Style Mahogany Metamorphic Library Chair the carved and paneled crest joined by scrolling arms to the cushioned caned seat, the seat hinged and folding forward to form a four-step library ladder, each tread inset with gilt-tooled leather, raised on sabre legs. h. 34‑1/2” $500‑$800

182

888

890 Regency Mahogany Drop-Leaf Side Table ca. 1800‑1810, the single-board mahogany top with drop leaves with rounded corners, one end fitted with a drawer, the other end with a faux drawer, supported by a turned standard with four downcurved outstretched legs ending in brass toes and casters. h. 29”, w. 20”, l. 36”, ext. l. 39‑1/2”

890

$600‑$900 891 William IV Mahogany Cabinet-on-Chest mid-19th century, the molded cornice above a case fitted with two paneled doors, opening to a shelved interior, the lower section fitted with two short drawers over three graduated long drawers, raised on a plinth base. h. 89”, w. 41‑1/2”, d. 20‑1/2” $500‑$800 892 William IV Mahogany Butler’s Chest

892

891

mid-19th century, the rectangular top with projecting ends, above a conforming case fitted with a drop-front drawer, opening to a variety of drawers and cubbyholes, flanked to either side by acanthine-carved scrolling uprights, raised on a plinth base. h. 45‑1/2”, w. 54”, d. 28” $500‑$800 893 Victorian Mahogany Triple-Section Bookcase third quarter 19th century, the molded cornice over three glazed doors, each with a cartouche and leaf carving at its top, the ends with fluted and carved pilasters. h. 81‑3/4”, w. 74”, d. 18” $600‑$900 894 George III-Style Mahogany Partners Desk

895 893

second half 19th century, the top with a tooled leather writing surface, the frieze with a band of three drawers, raised on a pair of pedestals, each with a bank of three graduated drawers. h. 31”, w. 39‑1/2”, d. 48‑3/4” $600‑$900 895 William IV-Style Leather and Mahogany Office Chair the barrel back extending to open arms on reeded baluster supports, above a circular seat and swivel mechanism on four legs. h. 34‑1/2”

894

$600‑$800

183

896 Two William IV Rosewood Boxes second quarter 19th century, including a sarcophagusform tea caddy decorated with mother-of-pearl inlay, the three-compartment interior with a cut glass mixing bowl in the center, h. 9”, w. 13‑1/2”, d. 7‑1/2”, and a brass-inlaid rosewood writing slope lined with gilt-stamped leather, fitted with a pair of glass and bronze inkpots, h. 4‑1/2”, w. 14”, d. 9‑1/2”.

896

$500‑$800 897 William IV Carved Mahogany and LeatherUpholstered Library Chair second quarter 19th century, the horseshoe-form padded leather back and arm rests supported by two shaped back posts, raised on turned and carved legs. h. 34”, w. 31”, d. 26” $500‑$800 898 Pair of William IV Giltwood, Brass and Tapestry Pole Screens second quarter 19th century, on delicate leaf-carved cabriole legs, the leaf-carved circular screens set with floral tapestry, mounted on brass rods. h. 36”, w. 16”

898 900

Provenance: Carriage House Antiques, Lexington, Missouri, 1980; Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $800‑$1,200 899 William IV Rosewood Sofa second quarter 19th century, of scroll-arm form, the back centered by a shell- and foliate-carved crest, the arm supports with foliate-carved roundels and leaf-carved panels, on reeded and turned legs with cup casters, now upholstered in tufted brown leather. h. 35‑3/4”, w. 84”, d. 25‑1/2” $500‑$800 900 Regency-Style Ebonized Wood and Silvered Bronze Double Music Stand

897

first half 19th century, the column-form standard on a platform base with a molded, silvered bronze bezel, the stand on a telescopic support, fitted with four candle arms with silvered bronze candle cups. h. 49‑1/2”, w. 27”, d. 19‑1/4” $500‑$800 899

184

901 Regency-Style Parcel-Gilt and Ebonized Shell-Form Stool the shaped swivel seat on a stand with a scalloped apron and cabriole legs. h. 27‑3/4” $600‑$900 902 Regency-Inspired Mid-Century Giltwood and Eglomise Mirror the arched top mirror with a leaf-carved giltwood surround, the eglomise inner surround decorated with phoenix birds, diapering and scrollwork. h. 67”, w. 31” $500‑$800 902A Group of Three Chinese Carved Medang Wood Chairs with Settee

901 902

late 19th/early 20th century, each chair modeled with a sectional horseshoe-form crest rail centered with a flaming pearl design, with arms terminating in dragon heads, having asymmetric trellis design supports, over a carved and pierced backsplat depicting a ruyi bat amid a geometric scroll design, above a solid seat set within a thick frame, with dragon-head frieze, the whole raised on four cabriole legs with ruyi bat knees and scroll-form feet, the two-seat settee similarly designed. chairs h. 36”, w. 27”, d. 18”, settee h. 37”, w. 53”, d. 20” $800‑$1,200 903 Chinoiserie Ebonized and Marble-Top Cabinet

902A

early 20th century, the breakfront rectangular marble top above a conforming case fitted with three cupboards, each with a decorative foliate polychrome border around a panel with figural accents in the chinoiserie manner, raised on square legs. h. 41‑1/2”, w. 82‑1/2”, d. 27” $1,000‑$1,500 904 Japanese Porcelain Bowl and Hardwood Stand mid-20th century, the deep bowl of circular, steep-sided form, decorated to the exterior with scenes of scholars and their students studying music, painting and scripts, the interior painted with scholarly figures standing in a garden setting, the base with a Fukagawa mark in underglaze blue. h. 6”, dia. 11‑3/4”

903

$500‑$800 905 Group of Eight Chinese Table Lamps comprising examples from the late 19th and 20th centuries, of various forms and styles. tallest overall h. 29”, shortest overall h. 22‑1/2” $700‑$1,000 Illustrated Online 904

185

906 Turkish Heriz Serapi Carpet

909 Turkish Agra Serapi Carpet

12’ x 19’

8’ 8” x 12’ 2”

$600‑$900

$500‑$800

907 Heriz Carpet

910 Agra Carpet

9’ 9” x 12’ 6”

9’ 11” x 12’ 11”

$900‑$1,200

$800‑$1,200

908 Semi-Antique Bakhtiari Carpet

911 Turkish Angora Oushak Carpet

9’ 11” x 12’ 1”

12’ 1” x 14’ 7”

$600‑$900 Illustrated Online

$1,200‑$1,800 906

909

910

907

911

186

912 Agra Sultanabad Carpet 8’ 10” x 12’ 1”

915 Agra Sultanabad Carpet 12’ 1” x 14’ 9”

$700‑$1,000 913 Semi-Antique Lilihan Runner 3’ 6” x 10’ 9”

$2,000‑$4,000 916 Semi-Antique Lavar Kerman Carpet 9’ 6” x 15’ 9”

$700‑$1,000 914 Pictorial Tabriz Carpet 4’ 8” x 6’ 5”

$600‑$900 917 Two Semi-Antique Silk Tabriz Carpets

917

3’ 1” x 5’ 10” and 3’ 6” x 5’ 6”

$600‑$900 Illustrated Online

$500‑$800

912

913

916

915

187

918

921 920

919

922

925

924

81

923

$800‑$1,200 919 Baroque Pearl Necklace the necklace composed of white/cream-colored baroque pearls ranging in size from 7.5 mm x 8.1 mm to 8.5 mm x 10.10 mm, with a fair luster. l. 64”, total weight 165.5 grams $600‑$900

$600‑$900 923 Pearl and Diamond Jewelry Suite 14k white gold, including a ring, size 7, and a bracelet, inside diameter 7”, a pair of earrings, l. 3/4”, and a pendant, l. 1”, all mounted with a South Sea golden pearl with a good luster, measuring approximately 12.5 mm to 14.0 mm in diameter, and accented with round- and baguette-cut diamonds weighing approximately 1.59 carats in total. total weight 39.0 grams $700‑$1,000

920 Pearl and Diamond Ring platinum, the ring mounted with white cultured pearls ranging in size from 3.9 mm to 8.0 mm, with a very good luster, accented by single-cut diamonds weighing approximately 0.70 carats in total. size 6‑1/2, total weight 6.6 grams

924 Strand of Multicolored Cultured Pearls 18k white gold, the necklace composed of slightly graduated pearls in shades of white, cream, rose and purple, measuring approximately 11.3 mm to 12.5 mm in diameter and with a good luster, finished with a white gold clasp mounted with three round brilliant-cut diamonds weighing approximately 0.03 carats in total. l. 17”, total weight 82.03 grams

$900‑$1,200

$600‑$900

921 Pearl Necklace and Earrings the necklace, 14k white gold, composed of baroque pearls ranging in size from 14.0 mm to 16.0 mm, each finished with a filigree end cap, l. 20”, together with a pair of freshwater pearl earrings, sterling silver, l. 1/4”. total weight 95.0 grams

925 Pearl and Diamond Necklace 18k white gold, the three-strand necklace composed of cream-colored pearls measuring 4.0 mm in diameter, accented by sections mounted with round brilliant-cut diamonds weighing approximately 0.85 carats in total, and finished with a pearl drop. drop l. 1‑1/8”, necklace l. 15‑1/2”, total weight 37.3 grams

$600‑$900

SESSION III: LOTS 918-1340

918 Continental Gold and Enamel Pendant of St. Nicholas 18k yellow gold, 20th century, the oval frame peg-set with ten pearls and suspending an eleventh, with circular bail at the top, set with a conforming enamel-on-porcelain plaque of St. Nicholas flanked by Christ and the Theotokos in the clouds, the reverse with Cyrillic inscription. h. 3‑1/8”, w. 1‑3/4” total weight 23.3 grams

922 Long Cultured Pearl Necklace the necklace composed of 8.5 mm round white/creamcolored cultured pearls with a good luster. l. 70”, total weight 182.75 grams

$700‑$1,000

189

926 Opal Bracelet sterling silver, the bracelet mounted with four rows of oval cabochon-cut opals weighing approximately 42.00 carats in total. w. 5/8”, l. 7‑1/4”, total weight 34.3 grams $500‑$800 927 Opal and Diamond Earrings 14k yellow gold, the earrings mounted with oval cabochon-cut opals weighing approximately 3.81 carats in total, accented by round-cut diamonds weighing approximately 0.18 carats in total. l. 1”, total weight 3.2 grams $600‑$900 928 Opal and Diamond Necklace sterling silver, the pendant and necklace mounted with oval-cut cabochons weighing approximately 14.1 carats in total, accented by sliced and rose-cut diamonds weighing approximately 3.02 carats in total, the pendant designed to be removed so that the necklace can be worn alone. pendant l. 1”, necklace l. 20”, total weight 16.0 grams $500‑$800 929 Opal, Tourmaline and Diamond Bracelet sterling silver, the bracelet mounted with oval cabochon-cut opals weighing approximately 19.40 carats in total, accented with round-cut treated tourmalines weighing approximately 2.94 carats in total, and rose-cut diamonds weighing approximately 2.30 carats in total. w. 3/4”, l. 7‑1/4”, total weight 51.4 grams $500‑$800 930 Opal and Diamond Chandelier Earrings gold vermeil, the earrings mounted with pear-cut and oval cabochon-cut opals weighing approximately 7.98 carats in total, accented by rose-cut diamonds weighing approximately 6.50 carats in total. l. 3‑5/8”, total weight 21.9 grams $500‑$800

190

931 Opal, Tanzanite and Diamond Bangle Bracelet sterling silver, the tapered and hinged bangle bracelet mounted with oval cabochon-cut opals weighing approximately 27.00 carats in total, oval cabochon-cut tanzanites weighing approximately 8.00 carats in total and rose-cut diamonds weighing approximately 6.84 carats in total. w. 1‑3/8”, inside circumference 6‑5/8”, total weight 69.2 grams $500‑$800 932 Tanzanite and Diamond Bracelet sterling silver, the bracelet mounted with three rows of round-cut tanzanites weighing approximately 55.5 carats in total, flanked on either side by a row of round-cut diamonds weighing approximately 1.80 carats in total. w. 5/8”, l. 7‑1/8”, total weight 64.4 grams $500‑$800 933 Tanzanite, Turquoise and Diamond Ring 18k yellow gold, the ring mounted with a central cushion-cut tanzanite weighing approximately 2.46 carats, surrounded by a border of inlaid turquoise alternating with round-cut diamonds weighing approximately 0.56 carats in total. size 7‑1/4, total weight 5.9 grams $1,400‑$1,800 934 Tanzanite and Diamond Bracelet sterling silver, the bracelet mounted with marquise-cut tanzanites weighing approximately 20.1 carats in total, alternating with marquise-shaped sections mounted with round-cut diamonds, weighing approximately 4.90 carats in total. w. 1”, l. 7‑1/4”, total weight 67.9 grams $700‑$1,000

926 927

928

930 933

931 929

932

934

191

935

936

942

937

938

940

939 941

943

946 947

192

944

935 Turquoise and Diamond Earrings 14k yellow gold, the earrings mounted with pear-shaped turquoises weighing approximately 8.60 carats in total, accented by round-cut diamonds weighing approximately 0.17 carats in total. l. 1‑1/8”, total weight 4.7 grams $700‑$1,000 936 Turquoise and Diamond Ring 14k yellow gold, the ring mounted with a square-shaped turquoise cabochon weighing approximately 6.60 carats, and round-cut diamonds accenting the border and on the ring shank, weighing approximately 0.26 carats in total. size 7‑1/4, total weight 7.5 grams $1,200‑$1,800 937 Turquoise and Diamond Earrings 14k yellow gold, the earrings mounted with round cabochoncut turquoises weighing approximately 6.34 carats in total, accented with round-cut diamonds weighing approximately 0.12 carats in total. l. 5/16”, total weight 5.4 grams $700‑$1,000 938 Turquoise and Diamond Bracelet gold vermeil, the wide hinged bracelet set with two rows of oval turquoise cabochons, measuring approximately 8.2 mm x 10.2 mm, bordered by two rows of rose-cut diamonds, with an approximate total weight of 1.00 carat. inside circumference 7‑1/8”, total weight 65.5 grams $600‑$900

940 Diamond Ring 18k white gold, the ring mounted with round-cut diamonds weighing approximately 1.82 carats in total. size 7‑1/4, total weight 8.0 grams $1,800‑$2,500 941 Diamond Hoop Earrings 14k white gold, the inside-out earrings pave-set with round brilliant-cut diamonds weighing approximately 4.95 carats in total. dia. 1‑1/2”, total weight 18.0 grams $900‑$1,200 942 Diamond Pendant with Chain 14k white gold, the pendant mounted with graduated round brilliant-cut diamonds weighing approximately 0.87 carats in total, l. 7/8”, suspended from an 18” white gold chain. total weight 3.9 grams $500‑$800 943 Diamond Earrings 14k white gold, the earrings mounted with a cluster of four princess-cut diamonds weighing approximately 0.40 carats in total. l. 5/8”, total weight 7.52 grams $500‑$800 944 Rose-Cut Diamond Ring 14k white gold, the ring mounted with a central rose-cut diamond weighing approximately 0.45 carats, approximate color F and clarity VS2, accented by round brilliant-cut diamonds weighing approximately 0.29 carats in total. size 6‑1/2, total weight 3.0 grams $600‑$900 945 Rose-Cut Diamond Dangle Earrings 18k white gold, the earrings mounted with round-cut and pear-shaped rose-cut diamonds weighing approximately 1.62 carats in total. l. 1‑1/8”, total weight 4.3 grams $1,200‑$1,800

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946 Beautiful Rose-Cut Diamond Earrings 18k white gold, the earrings composed of round- and pearshaped rose-cut diamonds weighing approximately 1.75 carats in total. l. 2”, total weight 4.3 grams

939 Coral and Diamond Ring 18k yellow gold, the ring mounted with a central oval cabochon-cut coral weighing approximately 5.36 carats, accented by round-cut diamonds weighing approximately 0.58 carats in total, and inlaid onyx on the shoulders of the ring. size 7‑1/2, total weight 7.7 grams

$1,400‑$1,800

$1,200‑$1,800

$700‑$1,000

947 Movado Diamond Watch 14k white gold, the watch mounted with round brilliant- and single-cut diamonds weighing approximately 1.56 carats in total. l. 6‑1/2”, total weight 17.6 grams

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948 “Watermelon” Tourmaline and Diamond Necklace 14k yellow gold, the pendant mounted with a slice of bi-colored tourmaline weighing approximately 16.64 carats, accented by round-cut diamonds weighing approximately 0.07 carats in total. pendant l. 1”, necklace l. 17”, total weight 5.7 grams

954 Emerald and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut treated emerald weighing approximately 0.40 carats, accented by round brilliant-cut diamonds weighing approximately 0.47 carats in total. size 5‑1/2, total weight 5.7 grams

$1,800‑$2,500

$600‑$900

949 Tourmaline and Diamond Earrings 14k white gold, the earrings mounted with emerald-cut tourmalines weighing approximately 2.40 carats in total, accented by round-cut diamonds weighing approximately 0.13 carats in total. l. 1”, total weight 2.5 grams

955 Chrome Diopside and Diamond Pendant with Chain 14k yellow gold, the pendant mounted with an oval-cut chrome diopside weighing approximately 0.95 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 0.26 carats in total, l. 3/4”, suspended from a 16” yellow gold chain. total weight 3.1 grams

$800‑$1,200 950 Emerald and Diamond Ring 18k yellow gold, the ring mounted with an emerald-cut treated emerald weighing approximately 2.27 carats, accented by round-cut diamonds weighing approximately 0.34 carats in total. size 7, total weight 5.3 grams

$600‑$900

$2,500‑$4,000 951 Emerald Cross Pendant 18k yellow gold, the custom-made cross with an engraved finish and mounted with pear-, marquise- and square-cut emeralds weighing approximately 2.72 carats in total. l. 2‑1/2”, total weight 6.0 grams $600‑$900 953

952 Emerald and Diamond Ring 14k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 4.88 carats, flanked on either side by a round-cut diamond weighing approximately 0.13 carats in total. size 7, total weight 5.3 grams $800‑$1,200 953 Emerald and Diamond Bracelet 18k yellow gold, the bracelet mounted with oval-cut treated emeralds weighing approximately 4.16 carats in total, accented by round-cut diamonds weighing approximately 0.26 carats in total. l. 7‑1/4”, total weight 8.6 grams

956 Emerald, Diamond and Pearl Earrings gold vermeil, the earrings mounted with oval-cut treated emeralds weighing approximately 2.40 carats in total, accented by rose-cut diamonds weighing approximately 0.64 carats in total, and with pearls and emerald roundel “fringe” on the bottom. l. 2‑1/2”, total weight 20.5 grams

$1,400‑$1,800

$500‑$800

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957 Diamond Bracelet sterling silver, the bracelet mounted with three rows of sliced diamonds weighing approximately 8.60 carats in total. w. 1‑3/4”, l. 7‑1/2”, total weight 70.4 grams $700‑$1,000 958 Diamond and Tsavorite Garnet Earrings gold vermeil, the earrings mounted with sliced diamonds and rose-cut diamonds weighing approximately 4.30 carats in total, accented with round-cut tsavorite garnets weighing approximately 0.10 carats in total. l. 2‑1/2”, total weight 16.4 grams $500‑$800 959 Diamond Bracelet sterling silver, the bracelet mounted with sliced and rose-cut diamonds weighing approximately 8.00 carats in total. l. 7”, total weight 42.6 grams $500‑$800 960 Lady’s Longines Diamond Watch platinum, the watch mounted with square- and round-cut diamonds weighing approximately 1.20 carats in total, with a grosgrain ribbon band. l. 5” to 6‑3/4”, total weight 12.5 grams

961 Labradorite and Diamond Necklace sterling silver, the pendant mounted with a 52.0 mm x 34.0 mm labradorite cabochon surrounded by a halo of rose-cut diamonds, l. 2‑1/2”, suspended from a chain-link necklace mounted with rose-cut diamonds on every fourth link and finished with a rose-cut diamond clasp, l. 18”, with an approximate total diamond weight of 1.60 carats, the pendant made to be removed so the necklace can also be worn alone. total weight 80.7 grams $500‑$800 962 Diamond Bracelet sterling silver, the heavy link bracelet mounted on the center links with rose-cut diamonds weighing approximately 3.00 carats in total. l. 7‑3/4”, total weight 60.6 grams $500‑$800 963 Paloma Picasso Hematite Necklace sterling silver, the hand-knotted necklace composed of polished hematite beads measuring approximately 18.0 mm in diameter, finished with an interlocking silver clasp, stamped “Tiffany & Co.” and “925” on one clasp end and “Paloma Picasso” on the other. l. 18”, total weight 319.7 grams $500‑$800

$600‑$900

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964 Tiffany & Co. Interlocking Circles Bangle sterling silver, the bracelet composed of three interlocking bracelets, stamped “Tiffany & Co.” and “925”. inside circumference 7”, total weight 97.20 grams $500‑$800 965 Lalaounis Sodalite Choker and Bracelet 18k yellow gold/sterling silver, the bracelet and matching necklace with a twisted rope design, accented with 18k yellow gold, and set on the ends with sodalite finials, the choker stamped “Mecan, A21, 750, Greece, 925” and a partial Lalaounis logo, inside circumference 14‑1/2”, and the bracelet stamped “Mecan, Greece, 925”, the Lalaounis logo and the omega symbol followed by “6.57”, inside circumference 6‑1/2”. total weight 134.6 grams Provenance: Estate of Carolyn G. Fay, Houston, Texas. $900‑$1,200 966 Wide Chain-Link Diamond Bracelet sterling silver, the bracelet alternating in oxidized links and rose-gold-plated links, the rose-gold-plated links mounted with rose-cut diamonds weighing approximately 1.35 carats in total. w. 1‑1/4”, l. 7”, total weight 52.2 grams $500‑$800

967 Morganite and Diamond Earrings 14k rose gold, the earrings mounted with an oval-cut morganite weighing approximately 4.71 carats in total, accented by round-cut diamonds weighing approximately 0.18 carats in total. l. 1”, total weight 3.3 grams $800‑$1,200 968 Morganite and Diamond Ring 14k white gold, the ring mounted with an oval-cut morganite weighing approximately 4.91 carats, flanked on either side by a baguette-cut diamond and round-cut diamonds weighing approximately 0.33 carats in total. size 7, total weight 3.3 grams $1,000‑$1,500 969 Kunzite and Diamond Pendant with Chain 18k white gold, the pendant mounted with an oval-cut kunzite weighing approximately 7.75 carats, accented with round brilliant-cut diamonds weighing approximately 0.41 carats in total, l. 3/4”, suspended from an 18” white gold chain. total weight 4.0 grams $600‑$900 970 Kunzite and Diamond Ring 14k white gold, the ring mounted with an oval-cut Kunzite weighing approximately 2.57 carats, accented with round brilliant-cut and baguette-cut diamonds weighing approximately 0.54 carats in total. size 8‑1/2, total weight 5.0 grams $700‑$1,000

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971 Ruby and Diamond Earrings 18k white gold, the earrings mounted with round-cut treated rubies weighing approximately 1.84 carats in total, and round brilliant-cut diamonds weighing approximately 0.66 carats in total, approximate color E-G and clarity SI1‑SI2. l. 1‑1/4”, total weight 7.0 grams $600‑$900 972 Ruby and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut treated ruby weighing approximately 3.81 carats, framed by a border of round brilliant-cut diamonds weighing approximately 0.25 carats in total. size 7, total weight 4.0 grams $600‑$900 973 Ruby and Diamond Earrings gold vermeil, the earrings mounted with oval cabochon-cut treated rubies weighing approximately 11.4 carats in total, accented with sliced and rose-cut diamonds weighing approximately 1.97 carats in total. l. 1‑1/2”, total weight 15.0 grams

977 Ruby, Tourmaline and Diamond Chandelier Earrings gold vermeil, the earrings mounted with oval- and pear-cut treated rubies weighing approximately 6.33 carats in total, accented by round-cut tourmalines weighing approximately 1.18 carats in total and rose-cut diamonds weighing approximately 2.50 carats in total. l. 2‑1/8”, total weight 15.1 grams $500‑$800 978 Two-Piece Ruby and Diamond Jewelry Set gold vermeil, the earrings and pendant mounted with oval- and round-cut treated rubies weighing approximately 4.00 carats in total, accented by sliced and rose-cut diamonds weighing approximately 7.50 carats in total. pendant size 2‑1/2” x 2‑3/8”, earrings l. 1‑1/2” $700‑$1,000

$500‑$800 974 Ruby and Diamond Ring 14k yellow gold, the ring mounted with a round-cut treated ruby weighing approximately 2.55 carats, surrounded by a halo of European-cut diamonds weighing approximately 1.05 carats in total. size 6‑1/2, total weight 5.8 grams $800‑$1,200 975 Ruby and Diamond Bracelet gold vermeil, the bracelet mounted with oval-cut treated rubies weighing approximately 1.25 carats in total, accented with rose-cut diamonds weighing approximately 1.76 carats in total. l. 7‑1/2”, total weight 30.9 grams

975

$500‑$800 976 Star Ruby and Diamond Ring 14k yellow gold, the ring mounted with an oval-shaped star ruby with a well-defined six-point ray, weighing approximately 5.48 carats, surrounded by a halo of round-cut diamonds weighing approximately 0.83 carats in total. size 7, total weight 4.9 grams $1,000‑$1,500

979 Garnet Bracelet 14k yellow gold, the Victorian-style bracelet mounted with oval-cut garnets, each set in an openwork frame, with an approximate total weight of 7.00 carats. l. 7‑1/2”, total weight 27.6 grams $800‑$1,200

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980 Gentleman’s Amethyst and Diamond Ring 14k yellow gold, the ring mounted with a cushion-cut amethyst weighing approximately 5.78 carats, surrounded by a border of round-cut diamonds weighing approximately 0.36 carats in total. size 11‑1/4, total weight 11.7 grams $900‑$1,200 981 Gadi Amethyst and Pink Sapphire Earrings 18k white gold, the earrings mounted with cushion-cut amethysts weighing approximately 22.00 carats in total, accented by round-cut treated pink sapphires weighing approximately 0.16 carats in total, stamped “GADI”. l. 1/2”, total weight 10.0 grams $500‑$800 982 Multicolored Gemstone Jewelry Group 14k yellow gold, including a bracelet, l. 7‑1/2”, a large slide pendant, l. 2”, two smaller slide pendants, l. 2”, and a pair of earrings, l. 2”, each mounted with a variety of shapes and sizes of citrines, peridots, topazes, amethysts, garnets and tourmalines, weighing approximately 40.66 carats in total, and round-cut diamonds weighing approximately 0.62 carats in total, further accented on the earrings and pendants with cultured pearls ranging in size from 2.0 mm to 8.5 mm. total weight 33.0 grams $900‑$1,200

983 Peridot, Tsavorite Garnet and Diamond Ring 14k yellow gold, the flower-shaped ring mounted with ovalcut peridots weighing approximately 14.60 carats in total, centered by a cluster of round-cut diamonds weighing approximately 0.16 carats in total and finished on the bottom with round-cut Tsavorite garnets weighing approximately 7.20 carats in total. size 7‑1/2, total weight 16.0 grams $700‑$1,000 984 Lemon Citrine and Diamond Ring 18k white gold, the ring mounted with an oval-cut lemon citrine weighing approximately 6.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total, stamped “CR”. size 6‑1/4, total weight 16.9 grams $500‑$800 985 Jaeger-LeCoultre Diamond Wrist Watch 18k yellow gold, the round back-wind mechanical movement watch with an 18k yellow gold mesh band set with four round brilliant-cut diamonds and two baguette-cut diamonds weighing approximately 0.60 carats in total, the satin silver dial signed “Jaeger-LeCoultre, Swiss Made”, together with the guarantee booklet. l. 6‑1/4”, total weight 18.4 grams $800‑$1,200 986 Diamond Cluster Ring 14k yellow gold, the domed ring mounted with round brilliantcut diamonds weighing approximately 0.56 carats in total. size 7, total weight 10.6 grams $600‑$900

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986

983 984

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987 Gold and Diamond Leaf Brooch 14k yellow gold, the brooch mounted with round brilliant-cut and single-cut diamonds weighing approximately 0.38 carats in total. size 1‑1/2” x 2”, total weight 11.85 grams $500‑$800 988 Diamond Cuff Bracelet gold vermeil, the bracelet designed with “flowers”, each mounted with round-cut blue and yellow diamonds weighing approximately 1.10 carats in total. w. 1”, inside circumference 6‑1/2”, total weight 37.1 grams $500‑$800 989 Braided Gold Bracelet 18k yellow gold, the bracelet composed of three flexible interwoven gold strands with a brushed texture. l. 7‑1/2”, total weight 28.9 grams $700‑$1,000 990 Diamond Tassel Earrings 14k yellow gold, the tassels composed of bicone-shaped yellow diamonds, suspended from caps mounted with roundcut white diamonds, with an approximate total diamond weight of 7.52 carats. l. 3”, total weight 6.7 grams $900‑$1,200

991 Yellow Diamond Ring 14k white gold, the ring mounted with a central pear-cut fancy yellow diamond weighing approximately 0.35 carats, surrounded by a double halo of round-cut yellow and white diamonds and further accented on the ring shank with roundcut white diamonds, weighing approximately 0.36 carats in total. size 7, total weight 3.2 grams $1,200‑$1,800 992 Diamond Bangle 14k yellow gold, the bracelet mounted with marquise-cut diamonds weighing approximately 1.03 carats in total. inside circumference 7”, total weight 22.0 grams $600‑$900 993 Diamond Cuff Bracelet gold vermeil, the bracelet designed with “flowers”, each mounted with round-cut yellow and brown diamonds weighing approximately 1.50 carats in total. w. 1”, inside circumference 6‑1/2”, total weight 40.2 grams $500‑$800 994 Natural Yellow Sapphire and Diamond Ring 14k white gold, the ring mounted with an oval-cut yellow sapphire weighing approximately 3.38 carats, accented by round-cut diamonds weighing approximately 0.39 carats in total. size 7‑1/4, total weight 3.7 grams $600‑$900

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995 Natural Sapphire and Diamond Ring platinum, the ring mounted with a natural oval-cut sapphire weighing 1.03 carats, IGI report #279763811, flanked on either side by a round brilliant-cut diamond weighing approximately 0.20 carats in total. size 7‑1/4, total weight 5.0 grams $800‑$1,200 996 Swiss Blue Topaz and Diamond Earrings 14k yellow gold, the earrings mounted with pear-cut Swiss blue topazes weighing approximately 5.61 carats in total, surrounded by a border of black onyx and accented with round-cut diamonds weighing approximately 0.16 carats in total. l. 1‑1/4”, total weight 5.0 grams $500‑$800 997 Swiss Blue Topaz Ring 14k yellow gold, the ring mounted with a round-cut Swiss blue topaz weighing approximately 13.28 carats, surrounded by a border set with lapis lazuli and mother-of-pearl. size 7‑1/4, total weight 7.3 grams $500‑$800

998 Topaz and Diamond Pendant with Chain 14k white gold, the pendant mounted with a cushion-cut Swiss blue topaz weighing approximately 3.53 carats, accented by single-cut diamonds weighing approximately 0.08 carats in total, l. 3/4”, suspended from an 18” white gold chain. total weight 2.8 grams $600‑$900 999 Blue Topaz and Sapphire Ring 14k yellow gold, the ring mounted with a treated oval-cut blue topaz weighing approximately 39.91 carats, surrounded by a halo of round-cut white sapphires weighing approximately 2.00 carats in total. size 6, total weight 18.0 grams $700‑$1,000 1000 Blue Zircon and Diamond Ring 14k white gold, the emerald-cut blue zircon weighing approximately 3.71 carats, set in a tapered mounting set with princess- and brilliant-cut diamonds weighing approximately 0.65 carats in total. size 8, total weight 4.5 grams $500‑$800 1001 Aquamarine and Diamond Ring 14k white/yellow gold, the ring mounted with a marquise-cut aquamarine weighing approximately 1.7 carats, accented by round brilliant-cut diamonds weighing approximately 0.48 carats in total. size 8, total weight 6.9 grams $600‑$900

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1002 Opal and Diamond Necklace 18k yellow gold, the necklace mounted with a pear-cut opal weighing approximately 3.97 carats, accented around the stone and on the chain with round-cut diamonds weighing approximately 0.15 carats in total. l. 16” to 18”, total weight 4.5 grams $700‑$1,000 1003 Opal and Diamond Earrings 14k yellow gold, the earrings mounted with pear-shaped opals weighing approximately 5.61 carats in total, accented by round-cut diamonds weighing approximately 0.58 carats in total. l. 1‑1/2”, total weight 8.5 grams $1,200‑$1,800 1004 Opal Ring 14k yellow gold, the ring mounted with an oval opal doublet weighing approximately 5.15 carats. size 9, total weight 10.0 grams $700‑$1,000 1005 Opal and Diamond Pendant with Chain 14k yellow gold, the pendant mounted with a central oval cabochon-cut opal weighing approximately 3.00 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 2”, suspended from an 18” yellow gold chain. total weight 13.3 grams

1010

1008 Pearl and Diamond Ring 14k yellow gold, the ring mounted with a mabe pearl measuring approximately 18.00 mm in diameter, accented with round-cut diamonds weighing approximately 0.29 carats in total. size 5, total weight 13.0 grams $500‑$800

1006 Opal Ring 14k yellow gold, the ring mounted with three oval cabochoncut opals weighing approximately 1.50 carats in total. size 4‑1/2, total weight 3.1 grams

1009 Strand of Cultured Pearls 18k yellow gold, the graduated pearl necklace composed of cream rose-colored pearls with a good luster, ranging in size from 12.6 mm to 14.2 mm, finished with a gold clasp mounted with three round brilliant-cut diamonds weighing approximately 0.03 carats in total. l. 24”, total weight 140.22 grams

$500‑$800

$600‑$900

1007 Mabe Pearl and Diamond Earrings 14k yellow gold, each earring mounted with a 16.0 mm x 15.0 mm mabe pearl, surrounded by a halo of round brilliantcut diamonds weighing approximately 0.90 carats in total. dia. 3/4”, total weight 18.0 grams

1010 Pearl and Diamond Ring 18k yellow gold, the ring mounted with cultured pearls measuring approximately 5.7 mm in diameter and round brilliant-cut diamonds weighing approximately 0.06 carats in total, entwined in “vines”. size 8, total weight 20.3 grams

$600‑$900

$500‑$800

$500‑$800

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1011 Pearl Jewelry Group 14k yellow/white gold, including a multi-strand necklace composed of 3.0 mm to 3.5 mm freshwater pearls, l. 18”, a freshwater baroque pearl enhancer mounted with round-cut diamonds weighing approximately 0.03 carats in total, l. 2”, and a pair of freshwater baroque pearl earrings mounted with round-cut diamonds weighing approximately 0.05 carats in total, l. 1‑1/2”. total weight 58.0 grams $700‑$1,000 1012 Diamond Pendant with Chain 14k yellow/white gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 0.72 carats in total, l. 1”, suspended from an 18” yellow gold chain. total weight 3.9 grams $600‑$900 1013 Diamond Ring 14k white gold, the diamond-shaped ring mounted with round brilliant-cut brown and white diamonds weighing approximately 0.84 carats in total. size 7, total weight 4.7 grams $700‑$1,000 1014 Diamond Pendant with Chain the 14k white gold pendant with a swirled design, mounted with round brilliant-cut white and brown diamonds weighing approximately 1.39 carats in total, l. 7/8”, suspended from an 18” white gold chain. total weight 4.9 grams $600‑$900 1015 Diamond Ring 14k white gold, the ring mounted with brown and white round brilliant-cut diamonds weighing approximately 0.73 carats in total. size 7, total weight 4.5 grams $600‑$900 1016 Baroque Pearl Necklace and Earring Suite with Related Ring the necklace, 14k yellow gold, composed of graduated blue/ green baroque pearls measuring approximately 11.4 mm x 17.2 mm to 14.9 mm x 22.9 mm, l. 19”, and the matching earrings mounted with blue/green baroque pearls measuring approximately 16.5 mm x 23.4 mm, l. 1”, together with a related 18k yellow gold ring mounted with panels of abalone, size 6‑1/4. total weight 108.5 grams

1019

1018 “Spinning” Pearl and Diamond Ring 14k yellow gold, the gray cultured pearl measuring approximately 9.2 mm in diameter and with a rose luster, set on a bar between the center of the ring shank, allowing the pearl to spin, the sides of the shank and the pearl mounted with four bezel-set round brilliant-cut diamonds weighing approximately 0.06 carats in total. size 7‑3/4, total weight 6.50 grams $600‑$900 1019 Cultured Pearl Necklace 14k yellow gold, the graduated necklace composed of gray pearls ranging in size from 6.9 mm to 12.2 mm, with a good luster, finished with a gold clasp. l. 18”, total weight 95.5 grams $500‑$800 1020 Pearl and Diamond Jewelry Suite 14k white gold, including a ring mounted with a black Tahitian pearl with a high luster, measuring approximately 16.0 mm in diameter, accented with round-cut diamonds weighing approximately .12 carats in total, size 7, a pendant mounted with three black and gray cultured pearls with a high luster, measuring approximately 9.0 mm in diameter, and an off-white potato pearl, accented by round-cut diamonds weighing approximately 0.16 carats in total, l. 1‑3/4”, and a pair of earrings mounted with six black, gray and off-white pearls with a high luster, measuring approximately 9.0 mm in diameter, accented by round-cut diamonds weighing approximately 0.32 carats in total, l. 2”. total weight 27.0 grams $600‑$900

$700‑$1,000 1017 Opera-Length Cultured Pearl Necklace 14k yellow gold, the necklace composed of 4.8 mm gray pearls with a good luster, finished with a gold clasp. l. 41”, total weight 146.5 grams $500‑$800

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1021 Gentleman’s Diamond Ring 14k white gold, the ring mounted with baguette-cut diamonds weighing approximately 0.55 carats in total. size 11‑3/4, total weight 12.4 grams

1027 G. Reeves Native American Belt sterling silver, the belt mounted with sections of silver medallions set with coral, turquoise and lapis cabochons, stamped “Sterling” and “G. Reeves”. l. 33” to 36”

$500‑$800

$500‑$800 1028 Squash Blossom Necklace sterling silver, the necklace mounted with turquoise cabochons. l. 25”, pendant l. 2‑1/2”, total weight 140.1 grams

1022 Gold and Diamond Cufflinks 18k yellow gold, each cufflink with a dog’s head in profile, mounted with a rose-cut diamond below weighing approximately 0.08 carats in total. dia. of cufflink top 1/2”, total weight 10.45 grams

$500‑$800

$600‑$900 1023 Gentleman’s Diamond Ring 14k yellow gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.47 carats, approximate color M and clarity SI3, accented by single-cut diamonds weighing approximately 0.18 carats in total. size 12, total weight 8.9 grams $900‑$1,200 1024 Unusual Snakeskin Statement Cuff Bracelet sterling silver, the wide cuff bracelet covered with a red, ivory and black snakeskin and a taxidermied snake head. w. 2”, inside circumference 6‑1/2”, total weight 74.3 grams $500‑$800 1025 Turquoise and Coral Necklace the Navajo necklace composed of seven strands of turquoise tube beads accented with round coral beads. l. 34” $500‑$800 1026 Six-Piece Sterling Silver, Turquoise and Coral Group including a large cuff bracelet mounted with turquoise and coral cabochons, w. 3‑1/4”, inside circumference 7‑1/8”, a cuff bracelet mounted with coral cabochons, stamped “MD BESSELENTE, .925”, w. 5/8”, inside circumference 7”, a belt buckle mounted with a turquoise and coral cabochon and a bear claw, stamped “Sterling” and “H”, size 2‑5/8” x 3‑1/4”, and three pairs of earrings, one mounted with lapis, turquoise, coral and onyx cabochons, stamped “Sterling”, l. 2‑1/2”, another mounted with coral cabochons, stamped “Sterling” and “Walley”, l. 3‑1/4”, and the last mounted with coral cabochons and marked “Zuni” and “A. Pinto”, l. 3‑1/4”. total weight 227.4 grams $500‑$800

1028

1029 Paul Jones Belt the Native American belt mounted with sections of sterling silver medallions, set with turquoise cabochons, stamped “P. JONES” and “STERLING”. l. 33” to 36” $500‑$800

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1030

1030 Six-Piece Sterling Silver and Turquoise Group including a large cuff bracelet mounted with turquoise and coral cabochons, stamped “Sterling” and “ytho.g.”, w. 4‑1/2”, inside circumference 7‑1/4”, a cuff bracelet mounted with turquoise cabochons, stamped “Sterling” and “P.A.”, w. 1‑3/4”, inside circumference 7‑1/8”, and four pairs of earrings mounted with turquoise cabochons, one stamped “Sterling VN” and “MD Besselente”, l. 3‑3/4” to 5”. total weight 378.5 grams $500‑$800 1031 Silver and Turquoise Horseshoe Necklace sterling silver, the horseshoe pendant accented with a bezelset turquoise, l. 3”, suspended from a necklace composed of silver beads, accented with six Morgan coins with dates ranging from 1886 to 1921, l. 27”. total weight 485.0 grams $600‑$900 1032 Seven-Piece Group of Sterling Silver Jewelry including a necklace with applied flowers and leaves, stamped “Sterling”, dia. 15”, an amethyst and shell ring stamped “Sterling”, size 9, a pair of amethyst earrings stamped “925”, l. 2”, a pair of armadillo hoop earrings, l. 1‑1/4”, a wide cuff bracelet stamped “Sterling”, w. 1‑1/2”, dia. 7”, and two cuff bracelets stamped “EY” and “Sterling”, dia. 7” and 7‑1/4”. total weight 438.7 grams

1034 Five-Piece Sterling Silver Zuni-Style Group including a Zuni bracelet stamped “Y.K. NATACHU ZUNI”, dia. 7‑1/8”, a Zuni-style bracelet, w. 1‑1/2”, dia. 7”, a Zuni-style bracelet, w. 1‑1/2”, dia. 6‑3/4”, a heart-shaped belt buckle with an inlaid zebra, labeled “Wil-Aren Originals, Inc.”, size 2‑7/8” x 2‑3/4”, and a ring bracelet, the ring stamped “G&S 86”, ring size 8‑1/4, bracelet dia. 6‑3/4”. total weight 250.78 grams $500‑$800 1035 Squash Blossom Necklace sterling silver, the necklace mounted with turquoise cabochons, stamped “Sterling” and “R.TOM”. l. 23”, pendant l. 2”, total weight 134.4 grams $500‑$800 1036 Native American Belt sterling silver, the belt mounted with sections of silver medallions, set with turquoise cabochons, stamped “Sterling” and “MR”. l. 33” to 35” $500‑$800

$500‑$800 1033 Larry Moses Begay Belt the Native American belt mounted with sections of sterling silver medallions set with turquoise cabochons, stamped “LMB, NAVAJO, STERLING, USA”. l. 37” to 45” $500‑$800

1034

1035

215

1039

1038 1037

1037 Continental School (19th Century) “Floral Still Life in an Urn” oil on canvas unsigned.

Framed.

40” x 28‑1/4”, framed 45” x 34” $500‑$800 1038 After Juan de Arellano (Spanish, 1614‑1676) “Vase of Flowers”, 1955 1041

oil on canvas signed, dated and inscribed “Arellano ‘Florero’ Museo del Prado. copia. J. Lazcano, 1955” en verso.

Presented in a modern giltwood frame.

32” x 24”, framed 38‑1/4” x 30”

216

“Still Life with Seafood and Champagne” oil on canvas signed and dated lower right “E. Lachappelle 1906”, verso canvas with “A. Vittry Paris” stamp.

Presented in a handsome oak frame.

31‑3/4” x 25‑1/2”, framed 39” x 45‑3/8” $1,000‑$1,500

1041 Geoffrey Holt (British/American, 1882‑1977)

$1,000‑$1,500

“Still LIfe with a Peacock, On a Terrace”

1039 John Moreau (French/Irish, 19th Century)

oil on canvas signed lower right.

Framed.

30” x 36”

“Nature Morte”

$500‑$800

oil on canvas signed and further inscribed lower right.

Presented in a giltwood frame affixed with artist plaque.

17‑7/8” x 14‑5/8”, framed 23‑3/4” x 20‑3/4” 1040

1040 French School (First Quarter 20th Century)

$1,000‑$1,500

1042

1043

1042 Italian Carved and Stained Walnut Cassone 17th/18th century, the front with a relief-carved allegorical scene and flanked by figural pilasters, the base molding deeply carved and raised on shell- and scroll-carved feet. h. 28”, w. 69”, d. 21” $500‑$800 1043 Pair of Shell-Carved Silver Gilt Lamps 20th century, the pierced, carved shells mounted on faux stone bases above acrylic plinths. overall h. 14”, w. 6”, d. 3” $800‑$1,200 1044 Pair of Italian Carved Wood Altar Sticks third quarter 18th century, now mounted as lamps, on scroll-carved tripartite bases, the turned standards carved with leaves. h. 42‑3/4”, dia. 9‑1/2”

1045

1044

$500‑$800 1045 Pair of Continental Giltwood Altar Sticks fourth quarter 18th century, now mounted as lamps. overall h. 23‑1/2”, dia. 6” $400‑$700 1046 Near Pair of Italian Parcel Giltwood Carvings

1046

fourth quarter 19th century, now mounted as lamps, the Baroque-style carvings decorated with scrollwork and rocaille work, on a faux tortoise ground, mounted on acrylic bases. h. 23‑3/4”, w. 12‑1/2” and h. 24‑1/4”, w. 12‑1/2” $700‑$1,000 1047 Four Italian Giltwood Lamps in the Baroque Taste 20th century, including a pair of urn-form lamps, h. 17‑1/2”, dia. 7”, a triple reliquary-form lamp, h. 26‑1/2”, w. 11”, d. 5”, and a reliquary-form lamp carved with an angel, h. 21”, w. 6‑3/4”, d. 3”. $700‑$1,000

1047

217

1048 Renaissance-Style Oak Kneehole Desk fourth quarter 19th century, with a rectangular top above a row of three drawers and a cabinet on each side of the kneehole opening, the rear side panels opening to hidden storage compartments. h. 30”, w. 56”, d. 31”

1048

1049

$700‑$1,000

1049 Renaissance-Style Mahogany Savonarola Chair each stile with an owl-carved finial, the back with a dragon-carved panel, above open arms and a curule-form base. h. 44” $500‑$800 1050 Italian Walnut Desk and Savonarola Chair

1050

the desk, 19th century, fitted with a side superstructure with a short drawer over a cupboard, and two short drawers, both tiers galleried, the rectangular top with an inset leather surface and three-quarter gallery above a single long gadroon-carved drawer over a single cupboard to one side, with an arched panel and cluster-column front, raised on cluster-column supports to runner bases on bun feet, h. 47”, w. 39”, d. 23”; the chair, 18th century, of Savonarola form, the carved triangular back flanked by masque finials, joined by downswept arms to the cushioned wooden seat, raised on a curule-form base. $400‑$700 1051 Spanish Baroque Style Giltwood Mirror fourth quarter 19th century, with a flat scroll-carved gilt fillet against the beveled gilt plate, the angled frame carved with bold, pierced scrollwork. h. 44‑3/4”, w. 38‑1/2” $800‑$1,200 1052 Italian Renaissance-Style Carved Walnut Armchair

1052 1051

218

late 19th century, the back with a central sunburst flanked by winged griffins, the acanthus-carved arms supported by lion-carved legs ending in paw feet. h. 37” $600‑$900

1056 Continental Gilt-Bronze Jewelry Casket in the Renaissance Taste

1056

mid-20th century, the pulvinated case resting on paw feet, with winged monopodia on each corner, the sides molded with angels and scrollwork, the cover with a portrait medallion against a field of scrollwork, opening to reveal a fabric-lined interior. h. 7‑1/2”, w. 8”, d. 5‑1/2” $500‑$800 1057 Baroque-Style Giltwood Panels

1053

1053 Italian Carved Walnut Bust fourth quarter 19th century, Italian, probably depicting Homer, retaining a rich patina, on a contemporary wooden base, marked on the back in pen and ink: “St. Peter, XVI, Italia, 826”. h. 11”, w. 4‑1/2”, d. 5‑1/2”

19th century, now fitted as a looking glass, the two joined panels with pierced foliate carving over a beveled mirror plate and cartouche-carved panels below. h. 49‑3/4”, w. 38‑1/2”, d. 1‑1/4” $700‑$1,000

$500‑$800 1054 Florentine Giltwood Mirror in the Baroque Taste mid-19th century, Italian, with an inner liner carved with flowerheads and leaves, the outer frame carved with pierced scrollwork and leaves. h. 35”, w. 30” $700‑$1,000 1055 Two Italian Carved and Painted Putti

1055

second half 19th century, the smaller example holding a gilt cornucopia set with a candle pricket, h. 21‑1/4”, w. 7‑1/2”, d. 5”, and the larger winged example in a gilt robe, h. 26”, w. 19”, d. 13‑1/2”. $500‑$800

1054

1057

219

1058 Continental Oak Savonarola Chair partially comprised of antique elements, the open arms extending to a curule base with a central rosette, in needlepoint upholstery. h. 35” $300‑$500 1059 Pair of Italian Carved and Gilded Wooden Figural Brackets fourth quarter 19th century, each with a carved cherub backplate supporting a shell-carved shelf. h. 15‑1/2”, w. 15‑1/2”, d. 9‑1/2”

1058

$800‑$1,200 1060 Continental Carved Wood Tabouret fourth quarter 19th century and later, decorated with a carved figure of a laborer with a bundle on his shoulder, kneeling and supporting the top. h. 21‑3/4”, dia. 11‑1/2” $500‑$800 1061 Provincial Continental Refectory Table

1059

early 20th century, the rectangular top above a conforming pendant fluted frieze, raised on shaped end supports joined by a long stretcher. h. 29”, w. 34”, l. 71” $500‑$800 1062 Carved and Painted Figure of Mary Crushing the Serpent fourth quarter 19th century, Latin American, representing Mary’s victory over the devil, in the form of a snake, used during the celebration of the Immaculate Conception, h. 46”, w. 16‑1/2”, d. together with a carved “santos figure”, probably Russian, h. 24”, w. 10”, d. 7”. $700‑$1,000

1060

1061 1062

220

1063 Rare English Micro-Petit-Point Embroidery of Shepherds Among an Abbey Ruins ca. 1800, silk thread on a linen netting, exceptionally fine stitches allowing for well-detailed figures and architectural elements.

Presented in a gessoed and carved giltwood frame.

6‑3/4” x 9‑1/2” $500‑$800 1064 Continental Embroidery of Moses at the Bitter Waters of Marah 19th century, silk, chenille and bullion threads on linen fabric, the head, hands and background enhanced with ink and watercolor.

Glazed, with a craquelure fillet and framed. sight 13” x 15‑1/2”, framed 20” x 22”

1063

$500‑$800 1065 Variegated Onyx Pedestal with a cove-molded base and capital, and a spiral-reeded standard. h. 37”, w. 12‑3/4”, d. 12‑3/4” $300‑$500 1066 Continental Tapestry of the Virgin Mary 19th century, wool and silk threads on a canvas backing, the face and hands with watercolor details, an old “G. Vigneron/ Magasin Ateliers/Paris” framer’s label en verso backing.

Glazed and framed.

18‑1/2” x 15‑1/4” $800‑$1,200

1065

1064

1066

221

1068

1069

1071 1070

1067 Two Handsome 18th-Century Boxes including a Continental burl walnut box, possibly Dutch, with silver on copper mounts, h. 2‑1/2”, w. 7‑1/2”, d. 5‑1/2”, and a box with a domed top, covered in tooled leather, labeled “John Clements, Nephew & Successor to Mr. Henry Nickless, trunk maker, at the old original shop at the corner of St. Paul’s next Cheapside, London”, h. 2‑3/4”, w. 8‑1/4”, d. 4‑1/2”. $600‑$900 Illustrated Online 1068 Spanish Colonial-Style Fruitwood Guard Room Table early 20th century, the slab top with a carved apron, above a trestle-form base with scroll brackets. h. 31”, w. 53”, d. 32‑1/2” $500‑$800 1069 Pair of Flemish Fruitwood Fauteuils a la Reine early 20th century, each with a rectangular domed back joined by shell-carved arms to the padded seat, raised on scrolling legs joined by an undulating H-form stretcher and ending in in-scrolled toes. h. 44” $700‑$1,000

222

1070 After Pietro da Cortona (Italian, 1596‑1669) “Mystic Marriage of St. Catherine” oil on canvas illegibly signed and inscribed “d’Pietro da Cortona” lower right.

Framed.

32” x 24‑1/2”, framed 36‑1/2” x 29” $600‑$900 1071 Follower of Claude Vignon (French, 1593‑1670) “Offerings from the Kingdom to the Queen”, third/fourth quarter 17th century oil on wood panel unsigned.

Framed.

27‑3/8” x 39‑1/4”, framed 34‑1/2” x 46‑3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,500‑$2,500

1072 Continental School (19th Century) “Madonna and Child” oil on canvas illegibly signed lower right, partially legible inscription en verso.

Framed.

37‑3/4” x 29‑1/4”, framed 43” x 34” $1,200‑$1,800

1073 French Enamel Plaque of the Darmstadt Madonna fourth quarter 19th century, after a 1526 painting by Hans Holbein the Younger, depicting Jakob Meyer zum Hasen, his first wife, who had already died, his current wife and daughter grouped around the Madonna and Jesus, in a carved giltwood frame. h. 18”, w. 15‑1/2”

1072

$700‑$1,000

1074 Continental School (19th Century) “Mary, Jesus and Mary Magdalene” oil on canvas unsigned.

Unframed.

26‑1/2” x 37‑3/4”

1074

$700‑$1,000

1075 Italian School (19th Century) “Head of Christ” oil on board unsigned.

In a period ebonized frame. sight 8‑1/4” x 6‑1/2”, framed 13‑3/4” x 11‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $700‑$1,000

1075

1073

223

1076 After Leonardo da Vinci (Italian, 1452‑1519) “St. John the Baptist” oil on canvas unsigned.

Framed.

19” x 15”, framed 20” x 16” $800‑$1,200 1077 Italian School (18th/19th Century) “Descent from the Cross” oil on canvas unsigned.

Framed.

34” x 40”, framed 39‑3/4” x 45‑3/4”

1076

1077

$800‑$1,200 1078 French Patinated Bronze of a Hunter ca. 1900, after Ernest Rancoulet (French, 1870‑1915), cast signature along self-base. h. 19”, w. 7”, d. 7‑1/2” $500‑$800 1079 French Patinated Bronze of a Flower Seller ca. 1900, after Ernest Rancoulet (French, 1870‑1915), cast signature along self-base. h. 18‑1/2”, w. 7”, d. 6‑1/2” $500‑$800 1080 French Bronze of “Au Clair de Lune”

1079

1078

third quarter 20th century, after Eutrope Bouret (French, 1833‑1906), cast signature along back of self-base, titled at front edge. h. 18”, w. 6”, d. 6‑1/2” $500‑$800 1081 French Patinated Bronze of “Diana, the Huntress” 20th century, after Pierre Le Faguays (French, 1892‑1962), cast inscription “Diana Archer” along self-base, on a green marble plinth. overall h. 12‑1/2”, w. 3‑1/2”, d. 4” $700‑$1,000

1080

224

1081

1083

1086

1084

1090

1089

1083 Peshawar Sultanabad Carpet 3’ 8” x 5’ 8” $600‑$900 1084 Semi-Antique Tabriz Poem Carpet 6’ x 9’ 11” $800‑$1,200

1085

1085 Semi-Antique Hamadan Runner 3’ 10” x 13’ 3”

1082 Feraghan Carpet

$500‑$800

5’ 1” x 9’

1086 Turkish Angora Oushak Carpet

$800‑$1,200 Illustrated Online

9’ x 11’ 10” $700‑$1,000

1087 Semi-Antique Tabriz Carpet 9’ 3” x 12’ 9” $700‑$1,000 Illustrated Online 1088 Semi-Antique Sarouk Carpet 8’ 7” x 19’ 6” $1,000‑$1,500 Illustrated Online 1089 Peshawar Sultanabad Carpet 8’ 8” x 11’ 8” $700‑$1,000 1090 Antique Senneh Carpet 4’ 6” x 6’ 4” $800‑$1,200

225

1092

1091

1091 Antique Tabriz Carpet 11’ x 16’ $700‑$1,000

1092 Semi-Antique Senneh Carpet 4’ 7” x 5’ 5” $500‑$800

1093

1093 Two Semi-Antique Qum Carpets 2’ 7” x 4’ 3” and 2’ 7” x 4’ 5” $500‑$800

1094 Semi-Antique Qum Carpet 1’ 5” x 2’ 10” $500‑$800 1094

226

1095 American Queen Anne Tiger Maple and Birch Slant-Lid Desk on Stand 18th century, the interior fitted with an assortment of cubbies with scalloped dividers, a single long drawer below and raised on cabriole legs separated by deeply scalloped aprons. h. 41‑1/2”, w. 38”, d. 19” $500‑$800 1096 American Chippendale Birch Chest of Drawers

1095

1096

third quarter 18th century, with a molded, rectangular overhanging top above four graduated long drawers and raised on carved ball-and-claw feet. h. 38”, w. 41”, d. 20” $500‑$800 1097 American Federal Walnut and String-Inlaid Secretary Bookcase ca. 1800, the broken arch swan’s-neck pediment with turned finials, above a pair of framed and paneled doors, each with a line-inlaid diamond on the central panel, the lower case with a slant lid opening to a fitted interior and four graduated long drawers below, the fitted interior concealing a secret compartment with five hidden drawers which can be accessed through a series of manuevers. h. 90‑1/2”, w. 40”, d. 21” $1,000‑$1,500 1098 Two English Mahogany Looking Glasses

1098 one of two

including a George III example with a Chinese Chippendale fretwork crest, fourth quarter 18th century, h. 29‑1/2”, w. 19”, and an example after George III, with a pierced ho-ho bird, ca. 1961, h. 36‑3/4”, w. 18”.

1098 two of two

$500‑$800 1099 Two American Late Federal Cherry Work Tables second quarter 19th century, one fitted with two drawers and raised on bold turned legs, h. 29”, w. 22”, d. 22”, and the other fitted with a single drawer and raised on slender turned legs, h. 29”, w. 22”, d. 19”. $500‑$800 Illustrated Online 1100 American Federal Cherry-Stained Poplar Corner Cabinet first quarter 19th century, in two parts, with a twelvepane glazed door in the top and a pair of framed and paneled doors below. h. 84‑1/2”, w. 42”, requires 28” corner $700‑$1,000

1097

1100

227

1103

1104

1102

1101 Early American Pine Step-back Pewter Cupboard early 19th century, in two parts, the upper section with open shelves and scalloped sides, the base fitted with three drawers above a pair of raised panel cabinet doors. h. 76”, w. 53”, d. 18” $500‑$800 Illustrated Online 1102 “North America Corrected from the Observations Communicated to the Royal Society...” after John Senex (1678‑1740), handcolored engraved map, probably fourth quarter 19th/first quarter 20th century.

Matted, glazed and framed. sight 36‑1/4” x 24‑1/2”, framed 41‑1/2” x 29‑3/4”

1104 Fine Philadelphia Chippendale Walnut Armchair third quarter 18th century, the shaped crest rail with scroll-carved ears and a central shell, the curved and shaped arms with pronounced knuckle-roll hand grips, the scalloped seat apron with a shell-carved front, raised on cabriole legs with shellcarved knees and ending in ball-and-claw feet. h. 41‑1/2” $1,800‑$2,500 1105 American Chippendale Cherry Slant-Lid Desk

1105

second half 18th century, the shell-carved lid opening to reveal a fitted interior, over a bank of four graduated drawers, raised on balland-claw feet. h. 41”, w. 34”, d. 20”

$800‑$1,200

$700‑$1,000

1103 American Chippendale Figured Mahogany and Cherry Slant-Lid Desk

1106 Figured Mahogany Mirror in the Chippendale Style

late 18th century, with a dovetailed case, the interior fitted with small drawers and cubbies, with three long drawers below. h. 45”, w. 40‑1/2”, d. 22”

early 19th century, probably American, with a classical-style stenciled surround and a brass candle arm attached to the lower edge. h. 48”, w. 23‑1/4”

$400‑$700

$700‑$1,000

1106

228

1107 Pair of Colonial Revival Brass and Glass Hurricane Sconces third quarter 20th century, with scalloped backplates and turned bases, fitted with glass hurricane shades engraved with flowers and wheat. h. 23‑1/2”, w. 11”, d. 9‑3/4”

1107

Provenance: The historic Warwick Hotel, Houston, Texas.

1108

$600‑$900 1108 American Chippendale-Style Mahogany Oxbow Slant-Lid Desk ca. 1900, in the New England style, the dovetailed case with a slant lid opening to reveal a serpentine and shell-carved fitted interior, over a bank of four graduated drawers, raised on balland-claw feet. h. 41‑1/8”, w. 41‑1/2”, d. 21” $500‑$800

1109

1109 American Sheraton Mahogany Pembroke Table first quarter 19th century, the single-board top flanked by like drop leaves with canted corners, the frieze fitted with a drawer, raised on reeded and turned legs on brass cup casters. h. 28‑1/2”, w. 36”, d. 25”, ext. l. 45‑3/4” $600‑$900 1110 American Sheraton Figured Maple, Ash and Walnut D-End Dining Table early 19th century, each of the pair of ends with a maple top, joined by a like leaf, over a conforming crotch-walnut apron and raised on turned oak legs. h. 29‑1/2”, w. 48”, ext. l. 92”

1110

$800‑$1,200 1111 American Chippendale-Style Mahogany Block-Front Desk 19th century, the shell- and foliate-carved slant lid opening to reveal a fitted interior, over a bank of four shell-carved drawers, raised on ball-and-claw feet. h. 44‑1/2”, w. 38”, d. 21‑1/2” $500‑$800

1111

229

1112 Harry Kluge (Danish, 1879‑1963)

1112

1113

“The Bent Branch” oil on canvas signed and dated lower right.

Framed.

14‑1/2” x 16‑3/4”, framed 18” x 20‑1/4” $700‑$1,000 1113 Lammert Leire van der Tonge (Danish, 1871‑1937) “Mother and a Sleeping Child” oil on canvas laid on board signed lower left. Framed.

18” x 14‑1/2” $800‑$1,200 1114 Christoffer Jennert (Danish, 1890‑1949)

1114

“The Bustling Crowd”, 1929 oil on canvas signed and dated lower right.

Framed.

27‑1/2” x 30‑3/4”, framed 31‑3/4” x 34‑1/2” $700‑$1,000 1115 Christian Molsted (Danish, 1862‑1930) “Sailor Blowing His Horn”, 1896 oil on canvas signed and dated lower left.

Framed.

23‑1/4” x 18‑1/4”, framed 30” x 25” $700‑$1,000 1115

230

1116 Carl Hornung-Jensen (Danish, 1882‑1960) “Portrait of a Girl with Braids”, 1924 oil on canvas signed and dated lower right.

Framed.

20‑3/4” x 15‑3/4”, framed 25‑1/4” x 20‑1/2” $700‑$1,000

1116

1117 Harry Kluge (Danish, 1879‑1963) “Interior Scene - The High Court”, 1928 oil on canvas signed, dated and with faint inscription lower left, old newspaper clipping titled “Landrettens dom falder Lordag” en verso.

Framed.

20‑3/4” x 15”, framed 24‑1/4” x 18‑1/4” $700‑$1,000 Illustrated Online

1118 George Emil Liebert (Danish, 1820‑1908) 1118

“Landscape with River and Canoe”, 1865 oil on canvas signed and dated lower left, an old inventory label en verso stretcher.

Framed.

20‑1/4” x 29‑3/4”, framed 29‑1/2” x 39” $1,000‑$1,500

1119 Edmund Morison Wimperis (British, 1835‑1900) “Stapleton Vale from Strawberry Hill”, 1987 oil on canvas initialed “E.M.W.” and dated lower right.

Presented in a giltwood frame affixed with brass plaque with artist name and title.

33‑3/4” x 48‑1/2”, framed 42‑1/2” x 55‑1/2” $1,800‑$2,500 1119

231

1120

1121

1120 American Classical Revival Bronze- and Marble-Mounted Pier Table late 19th century, the white marble top over a frieze with a central door with a gilt-bronze mount, the ends with lyre-form mounts, raised on marble columns and pilasters on a concave base with carved paw feet. h. 38‑1/2”, w. 42”, d. 18” $1,500‑$2,500 1121 American Classical Parcel-Gilt and Ormolu-Mounted Rosewood and Mahogany Pianoforte New York, by Robert (1791‑1869) and William (ca. 1794‑1879) Nunns, first quarter 19th century, the crossbanded top with a lift and fold-back lid, exposing the keyboard and stenciled decor, flanked by a pair of low sheet music drawers, and raised on ring-turned and reeded legs with embossed brass collars, labeled “Manufactured by Robert & William Nunns for Dubois & Stodart, New York”. h. 33‑3/4”, w. 68”, d. 27” $500‑$800 1122 American Federal Giltwood and Eglomise Tabernacle Mirror first quarter 19th century, with cluster-column sides terminating in carved leaves, the crest set with spherules and spiral reeding, set with an eglomise painted panel depicting a castle on a blue ground. h. 50‑1/2”, w. 30”

1122

$500‑$800 1123 Pair of Paris Porcelain-Style Corbeilles mid-20th century, formerly mounted as lamps, the standards molded as “The Three Graces”, the pierced baskets with an ice-blue ground, latticework and molded gilt-trimmed leaves. h. 22”, dia. 10‑1/2” $1,000‑$1,500 1123

232

1127

1124

1124 American Classical Mahogany Work Table ca. 1825, attributed to Anthony Quervelle (1789‑1856), the cross-banded lift-top fitted with a looking glass, the segmented interior over a pair of drawers, the upper drawer with an adjustable writing surface, on a trestle base with paired dolphin-carved supports and turned stretchers. h. 31”, w. 24”, d. 19” Notes: An apparently identical table, attributed to Quervelle, is illustrated in Boor, Philadelphia Empire Furniture, pp. 266‑267. $400‑$700

1126

1125 American Classical Mahogany Dressing Table second quarter 19th century, in two parts, the oval looking glass on dolphin-carved supports, resting on a recessed band of drawers, the lower section with a pair of drawers on a cheval base, on lyre- and foliate-carved supports joined by a turned stretcher, raised on paw feet. h. 70”, w. 38”, d. 22” $600‑$900 1126 American Classical Mahogany Work Table

1128

ca. 1825, the lift top opening to reveal an adjustable writing surface, over a pair of drawers, on a base with a turned pedestal, joined to form leaf- and hair-carved legs with paw feet, one end of the case fitted with a slide. h. 29‑3/4”, w. 24”, d. 17‑1/2” $400‑$700 1127 Pair of Paris Porcelain Gilt Campana-Form Urns second quarter 19th century, the obverses with pale blue-painted panels with hand-painted morning glories and roses, and the reverses with darker blue-painted panels with hand-painted fruits. h. 9‑3/4”, dia. 7‑1/2” $600‑$900 1128 American Classical Mahogany Tilt-Top Stand ca. 1825, New York, the single-board top on a tripodal base with a leafcarved vasiform pedestal, joined to three legs with like carving and paw feet. h. 29”, h. with top raised 43‑1/2”, w. 26‑1/2”, d. 19‑1/2” 1125

$600‑$900

233

1129

1129 American Classical Mahogany Game Table 1130

second quarter 19th century, Philadelphia, school of Quervelle, the fold-over top with canted corners, over a conforming molded apron, raised on a foliate-carved pedestal joined to a concave base on carved paw feet. h. 29‑1/2”, w. 37‑3/4”, d. 19”, ext. l. 38” $500‑$800 1130 American Classical Giltwood Mirror

1131

second quarter 19th century, attributed to Isaac Platt, Albany, New York, with fleur-de-lis corners and pilasters decorated with reeding and lotus leaf borders. h. 44”, w. 23‑3/4” $500‑$800 1131 American Classical Mahogany Game Table ca. 1825, New York, the D-form fold-over top over a conforming figured apron with a brass lower molding, on a vasiform leaf-carved pedestal, joined to legs with like carving and paw feet. h. 29‑1/4”, w. 36‑3/8”, d. 18‑1/4”, ext. l. 36‑1/2” $500‑$800 1132 American Classical Mahogany Chest

1132

ca. 1825, the top with a recessed band of drawers with a scroll gallery, the case with a projecting drawer over three graduated drawers, flanked by twist leaf-carved columns, on turned legs. h. 51‑1/2”, w. 43‑1/4”, d. 19‑3/4” $300‑$500 1133 American Late Classical Mahogany Drop-Leaf Breakfast Table second quarter 19th century, the single-board top and leaves with rounded corners, supported by a large turned standard with four outstretched acanthus-carved legs ending in paw feet. h. 28”, w. 42”, d. 19”, ext. l. 46”

1133

234

$400‑$700

1134 Two American Federal Mahogany Pillar-and-Scroll Shelf Clocks first quarter 19th century, each with a broken-arch pediment and a glazed door with an eglomise lower glass, one bearing the paper label of “Eli & Samuel Terry, Plymouth, Connecticut”, h. 33”, w. 16‑1/2”, d. 5”, and the other “Wadworths, Lounsbury, & Turners, Litchfield, Conn.”, h. 29‑1/2”, w. 17”, d. 5”.

1135

1136

$500‑$800 Illustrated Online 1135 American Classical Revival Mahogany Games Table late 19th century, the fold-over top on a vasiform foliate-carved pedestal, joined to a concave base, raised on carved paw feet. h. 30‑1/2”, w. 36”, d. 18”, ext. l. 36” $500‑$800 1136 American Classical Mahogany Work Table second quarter 19th century, the lift top fitted with a looking glass over a segmented interior, over a pair of shaped drawers, on a turned and square-paneled pedestal, joined to a concave base with carved paw feet. h. 33‑1/4”, w. 20‑3/4”, d. 16‑1/4”

1137

$400‑$700 1137 Pair of Late Regency Rosewood Side Chairs second quarter 19th century, each with a backswept crest above a palmetto- and scroll-patterned splat, above a deep cushioned and caned seat, raised on sabre legs. h. 35” $600‑$900 1138 Pair of Rare Paris Porcelain Neoclassical Vases

1138

first quarter 19th century, with masque handles and gilt-tooled decoration, on a matte olive green ground. h. 9‑1/2”, w. 4‑1/2”, d. 3” $500‑$800 1139 American Classical Mahogany Stool ca. 1825, the shaped cushion on a curule-form base with applied roundels, foliate carving and scrolled feet, joined by turned stretchers, now upholstered in silk brocade. h. 16‑1/2”, w. 24”, d. 14‑1/4” $400‑$700

1139

235

1140 American Late Classical Mahogany and Marble-Top Pier Table second quarter 19th century, the marble top above an ogeemolded frieze supported by scroll columns, the low shelf with a cove-shaped and gadrooned edge, raised on carved paw feet, the back fitted with a mirror plate. h. 37‑1/2”, w. 40‑1/2”, d. 19‑1/4” $700‑$1,000 1140

1141 American Classical Mahogany Wash Stand second quarter 19th century, Baltimore, the inset marble top set in a reeded gallery with scroll ends, the rear of the top with a raised platform, the frieze with a molded drawer flanked by foliate-carved panels, raised on tapering turned columns, joined to a concave base on bun feet. h. 32‑1/2”, w. 25‑1/2”, d. 23” $400‑$700 1142 American Classical Mahogany and Marble-Top Chest

1141

second quarter 19th century, the marble top on a case with a projecting molded drawer flanked by a bank of three graduated drawers, flanked by columnar pilasters with leafcarved capitals, on carved bun feet. h. 34”, w. 38‑1/2”, d. 21‑1/4” $300‑$500 1143 Exceptional Paris Porcelain Solo Cabaret Set first quarter 19th century, attributed to Nast, decorated with a grid of gilt flowers on a cobalt ground, the set including a coffeepot with “masque” decoration on the spout and handle, h. 7‑3/4”, w. 5‑1/4”, d. 3‑1/2”, a covered sugar bowl, h. 5‑1/4”, w. 4‑1/4”, d. 3‑1/4”, and a cup and saucer, h. 3‑1/2”, dia. 5‑1/2”, unmarked. $600‑$900 1144 American Classical Mahogany Sideboard

1142

second quarter 19th century, with a pair of projecting molded drawers over a deep drawer flanked by bottle drawers, the lower recessed, paneled door with projecting paneled doors to each side, flanked by spiral-reeded columns and raised on turned feet, retaining a note, “side board once belonged to Judge Homer Casteel”. h. 44‑3/4”, w. 52‑1/4”, d. 23‑3/8” $600‑$900

1144

236

1143

1145

1145 American Late Classical Mahogany Console Table

1146

second quarter 19th century, the scalloped Portoro marble top over a conforming frieze with beaded edge and drop finials, raised on a lyre-form pedestal, on a scalloped base. h. 30‑1/4”, w. 35‑3/4”, d. 18‑1/4” $500‑$800 1146 American Late Federal Cherrywood and Tiger Maple Butler’s Desk second quarter 19th century, the top drawer with a folddown front, opening to a fitted interior, above three recessed graduated long drawers flanked by reeded columns and raised on turned legs. h. 50”, w. 44”, d. 23” $500‑$800 1147 American Federal Figured Maple Four-Post Bed first quarter 19th century, the turned head posts joined by a shaped headboard, the foot posts turned and spiral-carved, supporting a flat frame tester. h. 82”, inside w. 55‑1/2”, l. 78”, outside w. 60‑1/2”, l. 84” $500‑$800

1147

1148 American Classical Mahogany Chest second quarter 19th century, New England, the top with a recessed band of three drawers on a case with a pair of projecting drawers, over three graduated drawers, flanked by spiral-reeded columns with foliate- and pineapplecarved capitals, on ring-turned legs, the drawers with period embossed brass pulls. h. 44‑1/4”, w. 43‑1/2”, d. 22” $400‑$700

1148

237

1149 American Classical Mahogany Wash Stand ca. 1825, the gallery with scroll ends on the retains, a figured bow front flanked by small drawers, over an open shelf with a pair of faux drawers and ring-turned Sheraton feet, now fitted with a single-board solid top. h. 40‑3/4”, w. 20”, d. 17” $300‑$500 1150 Pair of Paris Porcelain Vases

1150

second quarter 19th century, in the Jacob Petit style, with dolphin handles, gilt “jewels” and pierced rims. h. 13”, w. 7‑1/4”, d. 5”

1149

$500‑$800 1151 Labeled Hitchcock Ebonized and Stenciled NinePiece Dining Suite comprised of Sheraton fancy chairs, including seven side chairs and one armchair, each labeled “L. Hitchcock Hitchcocksville Conn. Warranteed”, h. 34”, together with a Queen Anne-style dining table with three leaves and pad feet, h. 29‑1/2”, w. 44”, l. 66”, ext. l. 96”.

Crafted during the 1950s interest in Colonial Revival and Early American furniture, this suite is accompanied by the manufacturer’s catalogue. The present model is illustrated in “No 233 Turtle Rush Seat”.

1153

1152

$1,000‑$1,500 1152 American Renaissance Revival Walnut Mirror third quarter 19th century, the cove-molded frame decorated with faux burl walnut. h. 40‑3/4”, w. 35” $500‑$800 1153 American Late Classical Mahogany Pier Table

1151

second quarter 19th century, the serpentine marble top over a conforming frieze, raised on scroll supports with a shaped mirror, on a cove-molded base with a scalloped apron and scroll feet. h. 36”, w. 35”, d. 18” $500‑$800

1151

238

1157 American Late Classical “Plum Pudding” Mahogany Dining Table

1154

1154 American Late Classical Mahogany Pier Table

1155

second quarter 19th century, the marble top with canted corners, over a conforming cyma-molded frieze supported by scroll columns, a concave base and tall scroll feet, the back fitted with a looking glass. h. 38”, w. 44”, d. 19‑1/2” $500‑$800 1155 Pair of William IV Argand Lamps

1158

second quarter 19th century, the circular top with a molded edge, the straight apron with applied lower molding, mounted to a cluster columnar split pedestal and four outstretched legs, with seven leaves of various widths. h. 29”, dia. 48”, ext. l. 137” $700‑$1,000

1158 American Bronze and Sandstone Sundial second quarter 20th century, the bronze dial molded with the zodiac, the hours and a winged hourglass, on a reeded stone pedestal. h. 37‑1/2”, dia. 12‑1/2” $500‑$800

second quarter 19th century, English, on rectangular bases molded with sprays of clovers, the standards decorated with lotus and acanthus leaves, with masque-molded prism rings hung with period prisms, now with later burners and shades. h. 30”, dia. 7‑1/4” $600‑$900 1156 American Late Classical Mahogany Sofa

1159 Savannah, Georgia-Retailed Cast Iron Cooling Cauldron mid-19th century, labeled “Weed and Cornwell Savannah”, and “Cohasset”, with side handles, horizontal ribbing and resting on peg feet. h. 13”, dia. 20” $500‑$800

mid-19th century, the figured cyma-molded crest rail joined to scroll arms, over an ogee-molded apron and scroll feet, now in black upholstery. h. 36‑1/2”, w. 81‑1/2”, d. 35” $600‑$900

1159

1156 1157

239

1160 American School (19th Century) “A View from a Mountain Top” oil on wood panel unsigned.

Framed.

18” x 24”, framed 25” x 31” $600‑$900 1160

1161 M. DeForest Bolmer (American/New York, 1854‑1910) “Middle Eastern Temple in the Distance” oil on canvas signed lower right, an “A. Sussmann, New York City” label en verso.

In a period frame.

20” x 30”, framed 31” x 41” $1,500‑$2,500

1161

1162 Arthur Clifton Goodwin (American, 1864‑1929) “New England Landscape” pastel on paper signed lower left.

Matted, glazed and framed. sight 17‑1/4” x 21‑3/4”, framed 27” x 32” $500‑$800 1162

1163 American School (First Quarter 20th Century) “Lake View, Probably near the Catskills or Adirondack Mountains” oil on academy board unsigned, “Smith and Hollister Artist Materials, Rochester” suppliers label en verso.

Period Gilt Framed.

18‑1/4” x 24‑1/2”, framed 25” x 31” $600‑$900 1163

240

1164 Ernest Finkernagel (American/German, Mid-19th Century) “Figures in an Italian Landscape”, 1855 oil on canvas signed and dated lower right.

Framed.

28” x 41‑3/4”, framed 31‑1/4” x 44‑3/4” $1,000‑$1,500 1164

1165 Continental School (First Quarter 19th Century) “Landscape with Travellers near Castle and Ruins” “Landscape with Fishermen near Castle and Ruins” oils on wood panel each unsigned.

Framed alike. each 24” x 33”, framed 29‑3/4” x 38‑1/2” $900‑$1,200 1165 one of two

1166 Continental School (19th Century) “Shepherd and His Flock with Four Seasons in Spandrels” oil on canvas unsigned.

Framed.

34” x 44”, framed 40” x 49‑1/2” $1,000‑$1,500

1166

1167 Gaston Malpigny (French, Late 19th/Early 20th Century) “Les Ramasseuses de Fagots” oil on canvas signed lower left.

Framed.

27‑1/2” x 35‑1/2”, framed 36‑1/8” x 44‑1/8” $800‑$1,200

1167

241

1168 Continental School (19th Century) “Hiker Observing Life in a Rural Hollow” oil on canvas unsigned.

Framed.

16‑3/4” x 22‑3/4”, framed 23” x 28” $600‑$900

1168

1169 Circle of Jan Hackaert (Dutch, 1629‑1700) “Figures in a Mountainous Landscape” oil on canvas unsigned.

Framed.

27‑1/4” x 20‑1/2”, framed 30” x 23‑3/4” $1,500‑$2,500

1169

1170 French School (Second Half 18th Century) “Resting along a Sylvan Bank” oil on wood panel indistinct remnants of a possible signature in red lower right, late 19th-century label “No. 700/Parly Bertram” en verso.

Framed.

17” x 18‑1/4”, framed 22‑1/4” x 23‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600‑$900 1170

242

1171 American Seven-Piece Neo-Grec Silverplate Tea Set ca. 1875, by the Wilcox Silverplate Co., Meriden, Connecticut, in a medallion and ivy pattern, including a hot water urn, h. 15”, two teapots, h. 10”, a cream jug, h. 6‑3/4”, a covered sugar bowl, h. 8‑1/2”, a waste bowl, h. 5‑1/2”, and a tray, 29‑1/4” x 18”, the ovoid bodies decorated with flat-chased ivy and applied medallions, with four lion’s paw feet, all inscribed “Maggie”; together with a Rogers, Smith & Co. matte-finish waste bowl with wheat stalk decoration, h. 5‑1/4”.

8 pieces total

1171

$500‑$800 1172 Six Pieces of American Coin Silver Tableware third quarter 19th century, New York and Massachusetts, including examples by Woodward & Grosjean, Wood & Hughes and Newell Harding & Co. h. 4‑1/2” to 6‑1/2”; 43.44 total t. oz.

Notes: Detailed list of pieces available on request.

1172

$900‑$1,200 1173 Four Gorham Coin Silver Mugs

1174 Three Gorham Coin Silver Mugs

second half 19th century, Providence, Rhode Island, including: Model 14, 1868, tapering cylindrical form with molded rim and base, with squared handle, decorated with engraved peaked banding, monogrammed “MEB”, h. 3‑1/2”, dia. 3”, l. 4‑3/8”; 4.12 t. oz.

Model 285, 1869, cylindrical with flared base and beadmolded banding and rim, with squared handle, decorated with pricked and wrigglework arabesques, monogrammed “WPG” conjoined, h. 8‑3/8”, dia. 2‑7/8”, l. 4”; 3.44 t. oz.

Model 3002, 1880, cylindrical with matte finish, molded rim and milled diaper band, with squared handle, inscribed “George Edwin Eversole / December 25th, 1884”, h. 2‑5/8”, dia. 2‑1/2”, l. 3‑1/2”; 2.40 t. oz.

Model 1505, 1884, cylindrical with matte finish, molded rim and reeded banding, with squared handle, the interior gilt, inscribed “Mary Lamar / from / Grandfather”, h. 3‑1/8”, dia. 3‑1/4”, l. 3‑7/8”; 2.82 t. oz.

8.67 total t. oz.

third quarter 19th century, Providence, Rhode Island, including: Model 225, dated 1867, cylindrical with bead-molded rim and base, with squared handle and decorated with engraved palmette and wrigglework meander line banding, engraved “Charles Isaac Hills / from his grandmother / Eliza Hills / Dec. 25, 1867”, h. 3‑1/4”, dia. 2‑3/4”, l. 3‑3/4”; 4.18 t. oz.

Model 585, ovoid with tall squared handle, milled ovolo banding and inverted teardrop-banded foot ring, the interior gilt, monogrammed “SLJ”, conjoined, h. 4‑1/4”, dia. 3‑1/4”, l. 4‑1/8”; 5.94 t. oz.

Model 56, cylindrical with bead-molded rim and base and cavetto-canted square handle, decorated with a guilloche matting centering and engraved cartouche inscribed “Frederick Bacon”, h. 3‑1/2”, dia. 3”, l. 4‑1/4”; 3.85 t. oz.

13.97 total t. oz. $600‑$900

$600‑$900

1174 1173

243

1175 Two Gorham Sterling Silver Mugs first quarter 20th century, Providence, Rhode Island, including: Model A5875, waisted cylindrical form with reeded rim and base and acanthus-crested reeded double-scroll handle, the interior gilt, inscribed “Alden”, h. 3”, dia. 3”, l. 4‑3/8”; 4.03 t. oz.

Model A3449, waisted cylindrical form with beaded rim and rounded base, with arched handle, the interior gilt, monogrammed “EFW”, h. 3”, dia. 3‑1/2”, l. 5”; 4.64 t. oz.

8.67 total t. oz.

1175

$500‑$800 1176 Two 19th-Century Tiffany & Co. Sterling Silver Mugs New York, New York, including: Model 2479, introduced ca. 1875, this example dated 1884, cylindrical with reeded bands and floral-crested and acanthus-mounted “C”-scroll handle, inscribed “Hattie / Harriet Rowell Freeman / Prospect Farm / November 8th, 1884”, h. 3‑1/4”, dia. 2‑5/8”, l. 4”; 6.10 t. oz.

Model 7108, introduced in 1882, this example 1892‑1902, balusterform with interior molded rim and large palmette-mounted arched handle, inscribed “Harold”, h. 4”, dia. 3‑1/4”, l. 4‑1/8”; 8.24 t. oz.

14.34 total t. oz.

1176

$600‑$900 1177 Five Rare Whiting Sterling Silver Pickle Forks ornamental pattern number 6, introduced ca. 1880, Providence, Rhode Island, the handle decorated with a cucumber plant, of varying lengths and with different tines; one example monogrammed “JMW”. l. 6” to 9‑1/8”; 5.48 total t. oz.

Notes: This unusual set shows how a single flatware die was embellished to form different designs. There are four different styles of tines here, and the length is varied by the addition of a “blossom” knop on the long examples, and the truncation of the cucumber motif on the shorter examples. $500‑$800 1178 Nine Assorted American and Other Silver Mugs and Beakers 20th century, including examples by Richard Dimes, Redlich, Gorham and others, with one Mexican and one Russian example. h. 1‑3/4” to 4”; 24.99 total t. oz.

1177

Notes: Detailed list of pieces available on request. $600‑$900

1178

244

1179 Silverplate Double Wine Trolley contemporary, with rococo-style wine coasters with turned wood base and figural putto crest, fixed to a four-wheel trolley with rococo-scroll ring pull. h. 5‑1/2”, l. 19”, w. 8” $400‑$700

1179

1180 Five-Piece Reed & Barton “Renaissance” Silverplate Coffee & Tea Set mid-20th century, Taunton, Massachusetts, including a coffeepot, h. 11‑1/2”, a teapot, h. 8‑1/2”, a covered sugar bowl, h. 6‑1/2”, a cream jug, h. 5‑5/8”, and a tray, 27‑1/2” x 18”, no monograms. $600‑$900 1181 Silverplate Insulated Ice Bucket mid-20th century, by the E. G. Webster division of International Silver, Meriden, Connecticut, in the Regency taste, the bucketform body with gadrooned banding, ringed lion’s-masque handles and fitted lid with acanthus-mounted toupie finial, the interior with a vacuum-sealed mirrored glass insulated liner. h. 12‑1/2”, dia. 9”

1180

$500‑$800 1182 Twenty-Two Pieces of Reed & Barton “Francis I” Sterling Silver Flatware the pattern design in 1907 by Ernest Meyers, Taunton, Massachusetts, including ten seafood/cocktail forks, l. 5‑1/2”, and twelve butter spreaders, l. 5‑1/4”, the spreaders monogrammed “K”.

19.36 total t. oz. $500‑$800 1181

1182

245

1183 French Rococo Revival Paris Porcelain Clock Set mid-19th century, attributed to Jacob Petit, comprising a clock and a pair of vases, each with a celeste blue ground decorated with hand-painted flowers and raised gilt, the clock mounted with a silk-string suspension movement. clock h. 14‑3/4”, w. 9”, d. 5”, vases h. 10‑3/4”, w. 7‑3/4”, d. 4” $700‑$1,000 1184 American Rococo Revival Rosewood and Marble-Top Center Table third quarter 19th century, the oval marble top over a conforming scalloped apron with scrolls and drop finials, on a tapering pedestal with carved panels, joined to the base with foliate-carved brackets, on scroll feet. h. 30‑1/4”, w. 39‑3/4”, d. 27‑3/4”

1183

$700‑$1,000 1185 Seven-Piece American Rococo Revival Laminated Rosewood Parlor Suite attributed to J. & J. W. Meeks, New York, in the “Stanton Hall” pattern, comprised of a settee, h. 48”, w. 65”, d. 29”, a pair of armchairs, h. 44”, and four side chairs, h. 40‑3/8”, each with a floral- and shell-carved crest over pierced foliate scroll carving, the chairs with rounded seat rails, all on cabriole front legs. $5,000‑$8,000 1186 American Brass and Blown and Wheel-Cut Glass Hanging Hall Lantern

1184

20th century, of hourglass form with engraved floral sprays, the interior fitted with three candelabra electric sockets. h. 24”, dia. 10” $500‑$800 1187 Napoleon III Rosewood Center Table in the Rococo Taste third quarter 19th century, the tortoise-form top over a conforming paneled and floral-carved apron, each side fitted with a drawer, raised on cabriole legs joined by serpentine stretchers with a central finial. h. 31‑1/4”, w. 53”, d. 34‑1/2” 1187

$600‑$900

1185

246

1186

1188 1190

1188 Two-Piece Rococo Revival Parlor Group comprised of a fine American rosewood barrel-back chair with a deep floral- and cartouche-carved crest, closed arms, bowed seat rail and cabriole legs, h. 37‑1/4”, together with a Victorian recamier with a high curved back on one end, serpentine seat rail and cabriole legs, h. 34‑1/2”, w. 64”, d. 27”, both upholstered in matching blue and ivory brocade with tufted backs.

1189

$600‑$900 1189 Unusual Pair of Paris Porcelain Rhyton-Form Vases mid-19th century, French, on molded bases with Rococo Revival trim, the vases terminating in well-modeled, realistically painted eagle heads, with hand-painted floral bouquets on a salmon and celeste-blue ground. h. 13”, w. 10”, d. 6‑1/4” $400‑$700 1190 Napoleon III Mahogany Prie-Dieu third quarter 19th century, in the rococo taste, the padded arm rest over a pierced foliate-carved back, centered by a carved lamb, the cushion over a serpentine front and cabriole legs, retaining its antique needlepoint upholstery. h. 35‑3/8”, w. 18”, d. 18‑1/2” $300‑$500 1191 Collection of Twenty-Seven Furniture and Decorative Arts Reference Books including R. Hurst and J. Prown,Southern Furniture 1680‑1830; A. Boor, Philadelphia Empire Furniture; P. Kenny, Honore Launnier; C.H. Voorsanger and J.K. Hoovat, Art and the Empire City, New York, 1826‑1861; and P. Kjellberg, Encyclopedie de la Pendule Francise, to name a few. A complete list available on request.

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300‑$500

1191

1192 John Maynard Keynes (1883‑1946), A Treatise on Probability London: MacMillan, 1921, first edition octavo, in publisher’s brown cloth, the hollow spine with gilt lettering and rule, the title page excised, trimmed and pasted on the frontispiece, with owner’s signatures on the pastedown and library label on the spine.

8‑3/4” x 5‑7/8” (22.2 cm x 15.5 cm) $500‑$800

1192

247

1195 American Rococo Revival Walnut Cabinet-Base Etagere third quarter 19th century, in two parts, the upper section with a broken-arch crest centered by a finial, over a pair of shelves backed by mirrors and supported by scroll-sawn brackets, the base with a mirrored glazed door with an oval band adorned with floral and foliate carving, the canted corners with oval panels. h. 78”, w. 45‑3/4”, d. 18‑1/2” 1193

1193 Lynn Thorndike (1882‑1965), History of Magic and Experimental Science

$700‑$1,000 1196 Two Pairs of Porcelain Rhyton-Form Vases

New York, Columbia University Press (1923‑1958), complete in eight volumes octavo, in publisher’s green cloth, the hollow spines with gilt lettering and rule, all retaining the original glassine wrappers.

8‑3/4” x 5‑3/4” (22.1 cm x 15.0 cm)

mid-19th century, the larger pair molded with terminals depicting horned mythological creatures, decorated with panels of hand-painted flowers, h. 10”, w. 8”, d. 4”, and the smaller pair with ram’s-head terminals and painted panels depicting grouse, h. 7‑1/4”, w. 5‑3/4”, d. 4”.

Notes: The monumental study of alchemy, magic and science from early Christianity to the Enlightenment by Western Reserve and Columbia professor of medieval history, Lynn Thorndike.

$400‑$700

$500‑$800 1194 Quintus Curtius Rufus, De Rebus Gestis Alexandri Magni Leiden: Pieter van der Aa, 1696 demy octavo, with commentaries and thirty-six plates, in modern brown quarter leather on mottled paper boards, the flat spine with four raised bands and red panels with gilt lettering and rule. overall 20.2 cm x 12.7 cm

1197 Three Pairs of Paris Porcelain Rhyton-Form Garniture Vases mid-19th century, French, including a pair with green grounds, signed “MA” in underglaze blue, for Margaine, h. 10”, w. 8‑1/2”, d. 5‑1/2”, a pair with blue grounds decorated with hand-painted flowers, signed “Jacob Petit”, h. 9”, w. 7”, d. 4”, and a pair with aubergine grounds with hand-painted flowers and eagle-head terminals, h. 7‑3/4”, w. 6”, d. 3‑3/4”. $600‑$900

Notes: Detailed bibliographic description available on request. $500‑$800

1194

1196

1197

248

1195

1203

1201 Wm. Knabe & Co., Baltimore, Rosewood Grand Piano ca. 1875‑1880, bearing the serial number 17270, with a rococo revival case and applied carvings, pierced and scroll-cut music stand and raised on large scrolled and carved legs. h. 39”, w. 57”, l. 74” $800‑$1,200 1198

1199

1198 American Rococo Revival Mahogany Armoire third quarter 19th century, the pierced foliate- and floralcarved crest on a bonnet top, over a pair of doors, each with a looking glass over a figured panel, raised on a scalloped apron on bracket feet. h. 109”, w. 66”, d. 22”

1202 Collage of Nine Examples of Historic Confederate Paper Currency 1862‑1864, including five bills from the Confederate States of America and four from the State of Mississippi; together with a print of General Van Dorn centering the collage.

Glazed and framed. overall framed 13‑1/2” x 17‑3/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

$700‑$1,000

$400‑$700 Illustrated Online

1199 American Rococo Revival Pier Mirror and Matching Marble-Top Bracket

1203 Newcomb Guild Art Pottery collection of three pieces, 1944‑1948

mid-19th century, the arched top mirror decorated with a pierced crest of grapes and grapevines, the serpentine bracket with fruit and flowers and scrolled wall supports. h. 97‑1/2”, w. 34”, d. 15‑1/2”

by Sadie Irvine with Kenneth Smith or Francis Ford, potter including a long-neck vase and bowl in the Lichen Ware glaze and a flared bowl in the Gulf Stream Ware glaze, the base of both Lichen Ware pieces with Newcomb Guild labels, the Gulf Stream Ware piece with a remnant of one.

$700‑$1,000 1200 American Rococo Revival Walnut Center Table third quarter 19th century, the beveled tortoise-form marble top over a conforming apron centered by a cabochon-carved cartouche, on cabriole legs joined by a central tazza. h. 30”, w. 33‑1/4”, d. 20‑3/4”

h. 6‑1/2”, dia. 4‑1/2”, h. 3”, dia. 5‑1/2”, and h. 4”, dia. 6‑3/4”, respectively $500‑$800

$400‑$700

1200

1201

249

1204 American Rococo Revival Mahogany and Marble-Top Sideboard third quarter 19th century, in the manner of Alexander Roux, with a finely carved grape-and-leaf crest, over two graduated shelves, the base with a conforming white marble top, the central portion with a pair of side-by-side drawers over a pair of paneled doors with applied grape-and-leaf plaques and flanked by curved drawers and doors to each side. h. 81‑1/2”, w. 71‑1/2”, d. 24” $1,000‑$1,500 1205 Three Porcelain Figures Representing “The Continents” third quarter 19th century, probably Samson, one figure with a lion representing Africa, one with a camel representing Asia, and one with a horse representing Europe, unmarked. h. 10‑3/4”, w. 6‑1/4”, d. 3‑1/2” $600‑$900

1204

1206 Two Pairs of Paris Porcelain Mantel Figures mid-19th century, each polychrome figure in an elaborate Renaissance costume and standing on an integral molded blue-ground base with painted flowers. h. 17‑1/2”, w. 7”, d. 4‑3/4” and h. 13‑1/2”, w. 5‑1/2”, d. 4‑3/4” $500‑$800 1207 American Rococo Revival Walnut Center Table third quarter 19th century, the marble top of tortoise form, over a conforming floral-carved frieze, on cabriole legs joined by bowed stretchers centered by a floral-, scroll- and cabochoncarved cartouche. h. 29‑1/4”, w. 39‑1/2”, d. 27‑1/2”

1206

1208 Two Similar Signed Jacob Petit Porcelain Encriers mid-19th century, French, each decorated with the figure of a dog, on identically molded bases with leaf-molded ink and pounce pots, one with hand-painted floral panels, each with raised gilt on a green ground. h. 9‑1/4”, w. 9‑1/2”, d. 5‑1/2”

$500‑$800

$800‑$1,200

1205

1207 1208

250

1209 American Rococo Revival Rosewood and Faux Rosewood Two-Piece Parlor Suite comprised of an armchair, h. 46‑1/2”, and a settee, h. 38”, w. 64”, d. 28”, each with a shaped back, closed arms and cabriole legs, now upholstered in tufted beige and burgundy brocade. $600‑$900 Illustrated Online

1212 William IV-Style Bronze Mirror and Console 20th century, the console with a mahogany top, fluted column supports and a pierced and scrolled skirt, h. 33‑3/4”, w. 38‑3/4”, d. 12‑1/2”, and the mirror with medallion-decorated corner blocks, the sides molded with pierced scrollwork and acanthus leaves, set with a beveled mirror plate, h. 40”, w. 22‑3/4”. $700‑$1,000

1210 Pair of Amber Flashed Cut-to-Clear Oil Lamps

1213 American “Fern” Pattern Cast Iron Garden Chair

fourth quarter 19th century, the molded fonts engraved with flowers, and supported on brass standards set into marble and brass bases, mounted with period optic dot amber glass shades, now electrified. h. 26‑1/2”, dia. 9”

fourth quarter 19th century, with a strapwork seat, the back with molded lozenges. h. 33”, w. 23‑3/4”, d. 20‑3/4”

$600‑$900

1214 French Cast Iron Umbrella Stand

1211 Pair of Marble and Bronze Pedestals in the Belle Epoque style, each with a green variegated marble top and base, the standard modeled as a column with flora, scrolls and swags. h. 40‑1/2”, w. 12”, d. 12”

$600‑$900

fourth quarter 19th century, in the rococo taste, labeled “Corneau Alfred a Charleville” on an oval iron plaque flanked by a pair of classical figures, the base with a leaf-molded pan. h. 43”, w. 30”, d. 12‑1/2” $500‑$800

$600‑$900

1210

1213

1212 1211

1214

251

1215 Pierre LeBoeuff (French, Active 1899‑1920) “Cathedral Square” watercolor on paper signed and titled lower right.

Glazed and framed. sight 28‑1/2” x 19” $400‑$700 1216 Pierre LeBoeuff (French, Active 1899‑1920) “Vezelay Abbey, France” watercolor on paper signed lower left.

Glazed and framed. sight 28‑1/2” x 19”

1216

1215

$400‑$700 1217 Art Nouveau Marble Bust of a Nymph

1219 After Emile Louis Picault (French, 1833‑1915)

ca. 1900, modeled with tresses entwined with flowers. h. 16”, w. 17”, d. 11”

“La Volonte”

$500‑$800 1218 Italian Carved Alabaster Bust of “Virtue” ca. 1900, inscribed “VERTU” along proper left side, on an integral rock-shaped plinth. h. 18”, w. 10‑1/2”, d. 5‑1/2”

patinated bronze first quarter 20th century, cast signature along back, on a green marble base. overall h. 12‑1/2” w. 7”, d. 6” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800‑$1,200

$500‑$800

1217

252

1218

1219

1220 Pair of British Pictorial Embroideries of Young Maidens first quarter 19th century, one with a basket and dog, the other with a scythe, wool threads in a variety of stitches on a silk foundation, the faces, feet, hands and background of silk enhanced with ink and watercolor.

In matching gilt frames with black and gilt eglomise ovalapertured fillets. each overall 20‑1/4” x 17‑1/2”

1224 Rare French Restauration Patinated Bronze and Glass Perfume Fountain second quarter 19th century, in a bronze dore et patine case fitted with a cut glass well, the fountain set with a clockwork mechanism, based on a wall fountain with a dolphin spigot, flanked by griffins and set with a spiral-turned glass tube supported by a shell-form basin. h. 11”, w. 5‑1/4”, d. 5‑1/2” $1,800‑$2,500

$600‑$900 1221 London-Retailed French Bronze and Marble Mantel Clock fourth quarter 19th century, the base trimmed with a molded bronze laurel wreath, the clock with a column-form case set with a dial marked by the London retailer, the works marked

by Raingo Freres, Paris, the bold bronze “Warwick Vase” finial decorated with classical busts. h. 18‑1/2”, w. 9”, d. 9” $500‑$800 1222 Pair of Napoleon III Ebonized and Marble-Top Cabinets

1220

late 19th century, each with a rectangular marble top with a molded edge, above a conforming case fitted with an ormolu foliate-applied frieze over a single cupboard door, inset with polychrome and incised figural Orientalist landscapes, raised on bracket feet. h. 43”, w. 34”, d. 16‑1/2” $1,000‑$1,500 1223 Pair of French Bronze and Marble Covered Garnitures third quarter 19th century, in the Neo-Grec taste, on stepped red griotte marble bases, the pierced standards holding covered urns decorated with profiles of gods and emperors of Rome framed in gilt, finished in contrasting dore and silver gilt, the pierced knops and handles molded with Dionysian heads. h. 9‑1/2”, w. 10‑1/2”, d. 6‑1/2” $500‑$800

1224

1221

1223 1222

253

1226

1227

1225

1225 Louis-Philippe Bronze Dore et Patine Figural Clock

1227 Gilt- and Silvered Bronze and Glass Plateau

second quarter 19th century, decorated with a figure of 17th-century French architect Louis Le Vau, leaning on a broken column, with a building plan unfurled, the Rococo Revival base decorated with a depiction of Versailles, a Le Vau commission, set with a silk-string suspension movement. h. 19”, w. 15”, d. 4‑1/2”

fourth quarter 19th century, French, in the Aesthetic taste, with Asian piercing and foo dog heads on the base, the pierced rim with a molded branch with leaves and a butterfly, inset with a beveled mirror. h. 5‑3/4”, dia. 15‑1/2”

$700‑$1,000 1226 Renaissance Revival Bronze Encrier fourth quarter 19th century, the encrier with three inkpots, each with pierced decoration, flanked by molded chimeras, on scrolled feet. h. 8‑1/4”, w. 15‑1/2”, d. 6‑3/4” $400‑$700

$500‑$800 1228 Louis XV-Style Kingwood Cabinet late 19th century, the molded and domed cornice centered by an ormolu shell mount, above a case fitted with two doors, each inset with a lacquered panel featuring a figural Asian scene over a quarter-veneered panel, raised on cabriole legs ending in sabots. h. 83”, w. 44‑1/2”, d. 17” $1,000‑$1,500 1229 Louis XVI-Style Mahogany and Marble-Top Table 20th century, the rectangular top with turreted corners, above a conforming frieze fitted with a single central side drawer, raised on fluted tapering circular legs ending in brass caps. h. 30”, w. 50‑1/2”, d. 24” $500‑$800

1228

254

1229

1231

1230

1230 Gilt-Bronze Recumbent Lion on a Malachite Base 20th century, French or Russian, the well-cast lion resting on the polished figured malachite base. h. 3‑3/4”, w. 5”, d. 5” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900 1231 After Antoine-Louis Barye (French, 1795‑1875)

1233 Two Bronze Table Lamps

1232

including a Neo-Grec bronze banquet lamp, third quarter 19th century, now electrified, on a footed base decorated with molded anthemia and incising, the sides molded with classical figures from “Dance of the Hours”, and the handles molded with anthemia and scrollwork, h. 32‑3/4”, dia. 6‑3/4”, together with a French Portoro marble and bronze lamp, with a vasiform marble base decorated with molded bronze panels of cornucopia and laurel wreaths, h. 19‑1/2”, dia. 5‑1/2”. $500‑$800 Illustrated Online

“Panther Tunis” patinated bronze fourth quarter 19th century, cast signature at front of self-base, inscribed “F. Barbedienne Fondeur” along back edge, on a beveled green marble plinth. overall h. 5”, w. 8‑1/2”, d. 3” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900

1234 Handsome French Neo-Grec Chenets with Integral Fender third quarter 19th century, the chenets decorated with Ionic columns supporting kylixes and figures of Romulus and Remus, the fender with a pierced crest decorated with anthemia and scrollwork. h. 19‑1/4”, w. 36‑1/2”, d. 6” $500‑$800

1232 Pair of Bronze and Marble Garniture Figures of Royal Dignitaries

1235 Molded Bronze Tazza in the Renaissance Revival Taste

fourth quarter 19th century, French, now mounted as lamps on faux red griotte marble bases, the bronze dore et patine figures depicting Orientalist notables on black marble plinths. garniture h. 15‑1/2”, overall h. 20‑3/4”, w. 6”, d. 6”

fourth quarter 19th century, French, the top centered with a profile portrait of Leonardo da Vinci, set against a field of scrollwork, the tapered base decorated with cartouches and swags of fruit. h. 8‑1/4”, dia. 13‑1/4”

$800‑$1,200

$500‑$800

1235 1234

255

1236

1236 Two French Gilt-Bronze and Stone Figures fourth quarter 19th century, one of a young Louis XIV, leaning on a pedestal with a book, mounted on a molded siena marble base, h. 7‑3/4”, w. 5‑1/2”, d. 3‑1/2”, and the other of a classical figure holding a ouroboros, a snake biting its tail, the Greek symbol of the continuity of life, on an onyx base, h. 9”, w. 3‑3/4”, d. 3‑3/4”.

1237

$600‑$900 1237 Brass and Crystal Hall Chandelier second quarter 20th century, French, the round chandelier with pierced leaves decorating the upper rim, and hung with graduated rows of prisms. h. 12”, dia. 11”

1239

1238

$500‑$800 1238 French Bronze and Crystal Centerpiece fourth quarter 19th century, in the Neo-Grec style, the bowl etched with a Greek-key pattern, held in a giltbronze stand decorated with anthemia and honeysuckle. h. 8”, w. 17”, d. 12” $500‑$800 1239 French Alabaster Statue of Cupid on a Pedestal ca. 1900, the figure with bound hands, gazing down forlornly, signed indistinctly, h. 28‑1/2”, dia. 8‑3/4”, on a fluted and stop-reeded pedestal carved with a Greek Key, h. 42‑1/2”, dia. 12‑1/2”. $600‑$900

256

1240 After Henri Honore Ple (French, 1853‑1922) “Nymph” alabaster the maiden dressed in a flowing gown, sitting on a rocky outcropping, holding aloft a flower, incised signature along one side. h. 34‑1/2”, w. 13”, d. 10” $600‑$900 Illustrated Online

1242

1241

1244 1245

1241 Pair of Neoclassical-Style Brass and Marble Pedestals each top modeled as a Corinthian capital and raised on a twistreeded marble column joined to a cross-hatched and foliatedecorated brass base. h. 40‑1/2”, w. 14”, d. 14” $500‑$800 1242 French Boulle-, Brass- and Tortoiseshell-Inlaid Glove or Fan Box third quarter 19th century, with a fall front, the top with a crest initialed “M.C.D.”. h. 3‑1/4”, w. 10”, d. 4” $500‑$800 1243 French Rhodonite Jewel Casket

1245 French Patinated Bronze Tazza fourth quarter 19th century, on a sacred bull-form standard, the dish top incised with Egyptian figures around a molded Egyptian portrait roundel. h. 8‑1/4”, dia. 12‑1/4” $500‑$800 1246 Fifty-Four Volumes of Children’s Literature including twenty-six volumes of The Novels and Tales of Robert Louis Stevenson, Charles Scribner’s Sons: New York, 1897; nineteen volumes of The Works of Mark Twain, Harper Brothers: New York, 1923; and nine volumes of The Children’s Hour, Houghton, Mifflin and Co.: New York, 1907. $500‑$800

ca. 1900, the hinged cover with a bronze bezel, the interior with old, tufted blue velvet lining. h. 3‑1/4”, w. 5‑1/2”, d. 3‑3/4” $500‑$800 Illustrated Online 1244 French Bronze and Onyx Encrier ca. 1900, decorated with a figure of “La Rafale”, after Emile Louis Picault (French, 1833‑1915), flanked with bronze ink pots, on an onyx base carved with a pen tray, stamped “VRAI BRONZE B.D. PARIS”. h. 18”, w. 19‑3/4”, d. 11”

1246

$600‑$900

257

1247

1247 Three Pieces of Tiffany and Gorham Children’s Sterling Silver late 19th/early 20th century, including a: Plate, Gorham Corp., Providence, Rhode Island, model 193, 1883, the rim decorated with a milled band of vignettes from nursery rhymes, dia. 7‑1/8”, 5.95 t. oz.

Porringer, Gorham Corp., Providence, Rhode Island, retailed

by Bailey, Banks & Biddle, Philadelphia, Pennsylvania, model A8240, 1912, with molded foot ring and keyhole handle, decorated with a milled band of vignettes from nursery rhymes, engraved “Babette Julia Stamm / Aug. 15, 1914” and (on the underside) “From Dr. & Mrs. Ashton”, h. 2‑1/2”, dia. 4‑5/8”, l. 7‑1/8”; 8.80 t. oz.

Bowl, Tiffany & Co., New York, New York, model 20116, the pattern introduced in 1922, hemispherical with molded rim and foot ring, with two flat handles decorated with Old King Cole and his fiddlers, engraved “Mary Chappel”, h. 2‑1/4”, dia. 4‑5/8”, w. 7‑1/4”; 9.74 t. oz.

24.49 total t. oz. $700‑$1,000 1248 Three Pieces of Children’s Sterling Silver first quarter 20th century, including a: Mug, Redlich & Co., New York, New York, cylindrical with crested handle, decorated with an applied figure of a frog reading and lounging on a lily pad, h. 2‑3/4”, dia. 2‑7/8”, l. 3‑3/4”, 3.50 t. oz.

Bowl, Dominick & Haff, New York, New York, retailed by Bailey, Banks & Biddle, Philadelphia, Pennsylvania, inscribed with the nursery rhyme “Sing a Song of Sixpence” and acid-engraved illustration, monogrammed “MMcCF”, h. 2”, dia. 4‑3/4”; 6.88 t. oz.

Porringer, Gorham Corp., Providence, Rhode Island, model 256, straight-sided with molded rim and figural squirrel handle, h. 2‑1/2”, dia. 4‑1/4”, l. 5‑3/8”; 5.37 t. oz.

15.75 total t. oz. $600‑$900

1249

1249 Three Pieces of Gorham and Whiting Children’s Sterling Silver late 19th and early 20th century. including a: Plate, Gorham Corp., Providence, Rhode Island, 1878, with milled palmette rim, the plateau with flat-chased Kate Greenaway-style scene of children playing in a walled garden, engraved (on the underside) “From her Grandparents / Guy Carlton and E.D. Dedyard” and monogrammed “CIM” conjoined, dia. 8”; 7.86 t. oz.

Mug, Whiting Mfg. Co., Providence, Rhode Island, model 267, dated 1881, cylindrical with molded rim and molded handle, engraved with a boy, girl, bird and frog, all sitting in a tree singing, inscribed “Caroline Muller von ihrer Gath, Caroline Muller / geb. Heyer / Chicago 1881”, h. 3‑1/4”, dia. 3”, l. 4‑18”; 6.08 t. oz.

Plate, Gorham Corp., Providence, Rhode Island, model A4480, 1908, with applied “whiplash” edge, the rim with applied figures of Old King Cole and his musicians, monogrammed “SHW”, dated (on the underside) “Dec. 25th, 1909”, dia. 8‑1/4”, 9.24 t. oz.

23.18 total t. oz. $600‑$900 1250 Three Sterling Silver Children’s Porringers late 19th and early 20th century, including: Reproduction of Jacob Hurd (1702/3‑1758), Boston, in the colonial manner with bulbous bowl and keyhole, with imitation silver mark “I. Hurd”, h. 1‑5/8”, dia. 5”, l. 7‑3/8”; 7.30 t. oz.

William B. Kerr & Co., Newark, New Jersey, retailed by Bailey, Banks & Biddle, Philadelphia, decorated with an acidengraved band of an animal circus, the handle with the fable of the hare and the crow, monogrammed “MHB”, h. 1‑3/4”, dia. 4‑1/2”, l. 6‑3/8”; 5.81 t. oz.

McChesney Co., Newark, New Jersey, decorated with acidengraved illustrations of Mother Goose and her nursery rhymes including “Old King Cole”, “Simple Simon”, “Little Tom Tucker” and “Buy a Fat Pig”, with openwork threaded handle, h. 1‑7/8”, dia. 5‑1/8”, l. 7‑1/2”; 9.08 t. oz.

22.19 total t. oz. $600‑$900

1248

258

1250

1251 Napoleon III Tole-Peinte and Gilt-Metal Youth Bed third quarter 19th century, French, the headboard and footboard decorated with mock porcelain plaques of putti and flowers against a ground of faux bois with kingwood parquetry. h. 52‑1/2”, w. 28‑1/4”, l. 57” Provenance: Estate of John Elliot Bradshaw, Houston, Texas.

1251 1252

$500‑$800 1252 British School (19th Century) “Portrait of a Young Boy in a Red Uniform” oil on canvas unsigned.

Unframed.

24” x 19‑1/2” $700‑$1,000 1253 Royal Vienna-Style Hand-Painted Cabinet Plate of Samson and Delilah fourth quarter 19th century, the red and gilt borders decorated with raised gilt and framing the handpainted neoclassical scene, marked with an underglaze blue “beehive”, a rouge-de-fer over-glaze title” Samson and Delilah”, and impressed numbers. dia. 9‑3/4”

1253 1254

$800‑$1,200 1254 After Emile Louis Picault (French, 1833‑1915) “Le Genie de l’Humanite” patinated bronze cast signature along edge. h. 21‑1/4”, w. 8”, d. 7” $600‑$900 1255 Rare Belle Epoque Giltwood and Engraved Glass Mirror fourth quarter 19th century, French, set with an oval beveled mirror plate, lined with a scroll-molded giltwood frame set with frosted and engraved glass, the crest with an engraved glass cartouche with a pierced giltwood surround. h. 61”, w. 41” $1,800‑$2,500 1255

259

1256

1256 French Crystal Regulator

1257

ca. 1889, the bronze and beveled glass case decorated with rhinestones, set with signed “Marti” works and hung with a mercury pendulum. h. 11”, w. 7‑1/4”, d. 6” $500‑$800 1257 Pair of Beaux-Arts-Style Bronze and Enamel Sconces the masque-molded and enameled standards hung from bowknots, with tasseled finials, set with spiral-reeded candle arms, the drip pans and candle sockets decorated with lotus and scrollwork enamel. h. 41”, w. 25”, d. 11‑1/2” $1,000‑$1,200 1258

1258 French Aesthetic Marble, Bronze and Porcelain Mantel Clock fourth quarter 19th century, the case decorated with porcelain panels and a dial painted with vases of laurel and berries, the dial signed “Elkington, London”, the case with patinated bronze trim, the works marked “AB” with a star for Achille Brocot. h. 16‑1/4”, w. 11‑3/4”, d. 6‑3/4” $400‑$700 1259 Maurice Jean Lefebvre (Belgian, 1873‑1954) “Standing Odalisque”, 1912 oil on canvas signed and dated lower right.

Framed.

43‑1/2” x 25”, framed 52‑3/8” x 32‑3/4” $3,000‑$5,000 1259

260

1260

1262

1261 North African Hardwood Corner Cabinet 1261

1260 Suite of Six Anglo-Indian Silver Metal-Clad Dining Chairs of klismos form in the Regency taste, comprised of an armchair, h. 34‑5/8”, and five side chairs, h. 34‑1/4”, each with an embossed top rail terminating in cast ram’s heads, all exposed surfaces with embossed cladding, saber legs and upholstered seat cushions. $600‑$900

late 19th century, the upper section fitted with three graduated open shelves, with pierced paneled backs, the canted lower section with a highly carved top over a case fitted with a single drawer over a cupboard flanked to either side by an arched opening and over an open arched space, raised on block feet, the whole with traditional accents of inlaid bone and motherof-pearl and ball- and spindle-pierced panels. h. 96”, w. 35‑1/2”, d. 22‑1/2” $800‑$1,200

1262 North African Hardwood Settee late 19th century, the shaped concave crest with scrolling patterns and above a pierced frieze joined by pierced arms to the seat, fitted with kilim cushions, raised on a shaped apron on tapering circular legs, the whole with traditional bone- and mother-of-pearl-inlaid accents and patterns, and pierced ball and spindle panels. h. 49”, w. 69”, d. 28” $700‑$1,000

261

1264

1263

1265

1269 1267

1263 Irish Donegal-Style Carpet

1266 Chinese Needlepoint Carpet

1268 Peking Carpet

9’ 1” x 11’ 8”

5’ 11” x 9’ 1”

5’ x 8’

$1,800‑$2,500

$500‑$800 Illustrated Online

$500‑$800 Illustrated Online

1267 Chinese Carpet

1269 Semi-Antique Tabriz Carpet

12’ 2” x 18’ 2”

4’ 3” x 6’ 5”

$700‑$1,000

$500‑$800

1264 Semi-Antique Mashad Carpet 9’ 2” x 12’ 1” $500‑$800 1265 Tabriz Carpet 5’ 1” x 8’ 7” $500‑$800

262

1270

1272

1271

1274

1273

1270 Turkish Carpet

1273 Agra Serapi Runner

9’ x 12’ 3”

2’ 6” x 24’

$700‑$1,000

$600‑$900

1271 Antique Kerman Carpet

1274 Semi-Antique Persian Heriz Carpet

9’ 9” x 13’ 3”

9’ 9” x 12’ 4”

$1,000‑$1,500

$1,400‑$1,800

1272 Silk Tabriz Carpet 7’ 10” x 9’ 7” $600‑$900

263

1276

1277

1275

1275 Joseph Middleton Jopling (British, 1831‑1884) “The Angler”, 1848 watercolor on paper signed and dated lower left, old handwritten note en verso with quote from Alexander Pope’s (1688‑1744) poem “Windsor Forest”, dedicated in the hand of the artist to Mrs. Young, and the artist’s signature and address.

Glazed and framed.

1279

1278

sight 17‑1/2” x 12‑3/4”, framed 21‑1/2” x 17‑1/2” $600‑$900 1276 J. Sandby (British, Late 19th/Early 20th Century) “Fisherman by the River” oil on canvas signed lower left.

Framed and affixed with artist plaque.

14” x 20”, framed 19” x 25” $400‑$700 1277 British School (Third Quarter 19th Century) “Charity Starts at Home”

1278 Sophia Lindeman (American, act. Late 19th Century) “At the End of the Day”, 1878 oil on canvas signed and dated lower right, a “Newman Galleries, Philadelphia, PA” label en verso.

In a period gilt frame.

30” x 22”, framed 42” x 35” $700‑$1,000 1279 Thomas Faed (Scottish, 1826‑1900) “Gleaner Resting”

oil on canvas unsigned.

Framed.

25‑1/2” x 29‑1/4”, framed 29” x 34”

oil on millboard signed lower right, titled en verso with “Winsor & Newton” art supply label.

In a giltwood frame with an effaced brass artist plaque.

11‑3/4” x 10‑1/4”, framed 17‑1/4” x 15‑1/2”

$500‑$800

$500‑$800

264

1280 After Sir David Wilkie (British, 1785‑1841) “The Defence of Saragossa” oil on canvas Framed.

30‑5/8” x 43‑1/8”, framed 38‑1/2” x 50‑1/2” $1,000‑$1,500 1281 Thomas Hand (British, 1766‑1804)

1281

1280

“Landscape with Cottage” oil on canvas unsigned, “Newhouse Galleries, New York City” labels with artist and title en verso.

Framed.

24‑3/4” x 30”, framed 31” x 36” $800‑$1,200 1282 British School (Mid-19th Century)

1282

“Playing Fields, Eton College”, 1856 pair of oils on wood panel each initialed “H. S.” and dated lower right or left, pencilinscription with titles en verso.

In matching frames. sight circular 7‑1/2” x 7‑1/2”, framed 13‑1/2” x 13‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800‑$1,200 1283 Arthur William Redgate (British, 1860‑1906) “The Village Inn”

1283

oil on canvas signed lower left, printed exhibition label with title and artist en verso.

Framed.

30” x 24‑1/4”, framed 38” x 32” $700‑$1,000 1284 S. H. Hunter (British, 19th/20th Century) “By the Shore” oil on canvas signed lower right.

Framed.

30‑1/4” x 20”, framed 39‑1/2” x 29‑3/4” $800‑$1,200

1284

265

1289 1287

1289 Regency Penwork Work Box

1285

first quarter 19th century, English, the cover decorated with a group of muses, the sides with carefully detailed scrolling leaves flanking an eagle, set with a mother-ofpearl keyhole surround, the interior lined with marbleized paper. h. 5”, w. 12‑1/2”, d. 11”

1285 Chinese Canton Export Lacquer Sewing Table mid-19th century, the foliate-form cover opening to reveal a compartmentalized interior, raised on carved and pierced baluster-form legs terminating in elaborate open oyster shell feet, joined by a shaped and pierced stretcher, decorated with a dense scrolling floral design on the black lacquer ground, the cover with figural scenes. h. 28”, w. 24‑1/2”, d. 16”

$500‑$800 1290 Victorian Ebonized Tripod Table mid-19th century, the circular top featuring a patterned gilt band around an elaborate painting of a bridged canal, raised on a baluster-form standard to three shaped legs, with scrolling gilt patterns and ending in up-turned toes. h. 25‑1/2”, dia. 28”

$300‑$500 1286 Good Jennens & Bettridge Papier-Mache Tray mid-19th century, the shaped tray with a raised edge and various shaped panels, all featuring gilt and inlaid mother-ofpearl designs in the chinoiserie manner, the back stamped “Jennens & Bettridge”, now on a custom ebonized stand with gilt ring-turned accents. h. 18‑1/2”, w. 31‑1/2”, d. 23‑1/2”

$300‑$500 1291 Two Victorian Papier-Mache Items third quarter 19th century, including a tilt-top table with an adjustable shaped top, raised on an open barley-twist standard to three shaped legs, h. 30‑1/2”, w. 19‑1/2”, d. 16”, and a jardiniere of hexagonal form, raised on three scrolling supports joined by an urn-centered stretcher, h. 31”, dia. 16”, both pieces richly accented with gilt and mother-of-pearl designs.

$500‑$800 Illustrated Online 1287 Victorian Papier-Mache Tray mid-19th century, English, with serpentine sides, handpainted with flowers and inlaid with mother-of-pearl accents. h. 24”, w. 30‑3/4”

$700‑$1,000 Illustrated Online

$500‑$800 1288 Rare English Papier-Mache Wheel Barometer second quarter 19th century, the papier-mache case decorated with inlaid scrollwork and flowers, and set with a silvered dial and thermometer. h. 38‑1/2”, w. 14‑1/4” $700‑$1,000

1290

266

1288

1293 1292

1292 Victorian Ebonized and Mother-of-Pearl-Inlaid PapierMache Armchair third quarter 19th century, of barrel-back form, with a central floral spray on the back, the slip seat in needlepoint and raised on cabriole legs with scrolled toes. h. 37”, w. 28”, d. 21” $800‑$1,200 1293 Victorian Papier-Mache Tray on a Custom Stand second quarter 19th century, the serpentine tray decorated with birds, roses, morning glories and delicate scrollwork on a russet ground, and raised on a conforming stand with likepainted scrollwork. h. 18‑1/2”, dia. 30” 1294

$700‑$1,000 1294 Pair of Cast Iron Andirons in the Rococo Taste fourth quarter 19th century, English, each with a shell-molded base supporting a swathed putto holding a cornucopia. h. 24”, w. 6‑3/4”, d. 26” $600‑$900 1295 Pair of Victorian Mahogany Pedestal Tables late 19th century, in the Chippendale taste, each with a hexagonal top with a full pierced gallery, joined by doublecolumn supports to two lower triangular stretcher shelves, the supports with foliate and scroll pendants, raised on splayed legs to in-scrolled feet. h. 36‑1/2”, dia. 16‑1/2” $600‑$900

1295

267

1296 Victorian Rosewood Firescreen mid-19th century, in the rococo taste, the needlepoint panel in a foliate-carved frame with like crest, raised on saber-form legs ending in scroll feet. h. 44”, w. 22”, d. 28” Provenance: Estate of John Elliot Bradshaw, Houston, Texas. $500‑$800 1297 Three Pieces of Ashworth Imari Stoneware post-1860, English, consisting of a centerpiece compote, h. 6”, w. 13”, d. 10‑3/4”, and a pair of dessert dishes, w. 11‑1/2”, d. 9”, marked with the pattern number “225” and a crowned “real stone china” mark.

1298

1296

$600‑$900 1298 Victorian Walnut Jardiniere third quarter 19th century, the shaped circular top with a conforming metal liner, the conforming foliate shell-carved frieze raised on a fluted baluster-form standard with shell and foliate carving, to four splayed like-carved scrolling legs ending in scrolled toes. h. 37”, dia. 28‑1/2” $700‑$1,000

1297

1299 Victorian Rosewood and Circassian Walnut Burl Canterbury third quarter 19th century, of ovoid form, the top rail with contrasting line stringing, above a segmented interior over a frieze drawer. h. 18‑1/4”, w. 25‑1/2”, d. 18‑1/8” $500‑$800 1300 Unusual Pair of English Rococo Revival Gilt-Bronze Candlesticks

1299

third quarter 19th century, with vine-molded scrollwork and horizontal incising, the candle cups and bobeches molded to match. h. 10”, dia. 4‑3/4” $500‑$800 1301 Victorian Brass Coal Hod third quarter 19th century, in the Rococo Revival style, with applied scrollwork, the crest with a shell, raised on cabriole legs, with a removable tole liner. h. 19‑1/4”, w. 14”, d. 20” $700‑$1,000 1300

268

1301

1302 Edwardian-Style Mahogany-Inlaid and Paint-Decorated Bowfront Sideboard the banded top with ribbon mahogany veneers, above a central bank of four drawers and flanked by a single drawer over a curved cabinet on each side. h. 36”, w. 58‑1/2”, d. 23‑1/2” $800‑$1,200 1303 Unusual Pair of William IV-Style Mahogany Hall Chairs

1302

each with a pagoda-form crest above a pierced and interlacing foliate-modeled splat, flanked to either side by eagle-head X-form supports, the long padded seat raised on tapering square legs to splayed foliate feet. h. 42‑1/2” $600‑$900 1304 Wedgwood “Florentine” Partial Dinner Service ca. 1931 to present, the bone china with a turquoise rim, including six dinner plates, dia. 10‑3/4”, twelve salad plates, dia. 8‑1/4”, twelve bread and butter plates, dia. 6”, eight cream soup bowls and stands, h. 2‑3/4”, dia. 6‑1/2”, fourteen footed cups, h. 2‑1/2”, with twelve matching saucers, dia. 5‑3/4”, a gravy boat on stand, h. 5‑1/2”, w. 8‑1/4”, a round covered vegetable dish, h. 6”, dia. 9‑1/4”, a coffeepot, h. 10‑1/4”, a teapot, h. 5‑1/2”, a covered sugar bowl, h. 4”, w. 4”, a cream jug, h. 2‑1/2”, twelve dessert dishes, dia. 5”, a chop plate, dia. 13”, an oval platter, w. 13‑3/4”, d. 10‑1/2”, and three oval open vegetable dishes, w. 10”, d. 5‑1/2”.

1303

$500‑$800 1305 Victorian Mahogany Metamorphic Three-Tier Dumbwaiter third quarter 19th century, the graduated, telescoping, shaped top on a hexagonal column, supported by shaped legs. ext. h. 39‑1/4”, w. 29‑1/2”, d. 21‑1/2” $500‑$800 1306 Victorian Mahogany Tall Chest

1305

mid-19th century, with a band of three-over-three drawers, the center drawer with cross-banded rosewood, all with beaded edges and ebony and bone pulls, flanked by columnar pilasters. h. 48‑1/2”, w. 48‑1/2”, d. 22‑3/4” $500‑$800

1304

1306

269

1312 English Brass and Copper Coal Bucket ca. 1900, in the Arts and Crafts style, the tapered bucket decorated with applied leaves and flowers. h. 19”, dia. 10‑3/4” $600‑$900 Illustrated Online 1313 Two Pairs of English Bronze Lamps 1307

1308

1307 Victorian Burl Walnut Occasional Table third quarter 19th century, the oval top above a conforming frieze fitted with a single drawer, raised on double columnar end supports joined by double stretchers to splayed foliate-carved legs to pad feet. h. 28‑3/4”, w. 28‑3/4”, d. 18‑1/2” $700‑$1,000 1308 Impressive Victorian Eglomise Blown Glass Apothecary Jar third quarter 19th century, English, the cover and jar with polished pontils, and decorated with the royal crest and the content “Rhubarb”. h. 28”, dia. 10‑1/2”

19th century, including a tall pair with Rococo Revival standards, overall h. 32”, dia. 9‑1/2”, and a shorter pair of Regency argand lamps, formerly fitted with arms, now electrified, h. 21”, dia. 6‑1/2”. $500‑$800 Illustrated Online 1314 Two Pairs of Lamps including a pair of English urn-form argand lamps, labeled “Bright & Co., (late) Argand & Co., Bruton St.”, first quarter 19th century, now mounted as electric table lamps, h. 28‑1/2”, w. 4‑3/4”, d. 8”, and a pair of two-light bronze table lamps in the baroque style, h. 27”, dia. 5”. $700‑$1,000 Illustrated Online

$500‑$800 1309 Pair of Edwardian Oak Wing Chairs early 20th century, each with shaped legs joined by H-form stretchers, now in gold upholstery. h. 40‑1/2” $600‑$900 1310 British Embroidery of “Dieu et Mon Droit” 20th century, the motto of the British monarch.

Glazed and framed. sight 15” x 19‑1/4”, framed 20‑1/4” x 26‑3/4”

1309

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500‑$800 1311 William IV Walking Stick Rifle second quarter 19th century, the carved mahogany ring handle decorated with brass nailheads and inlaid pewter plate, the shaft a steel muzzle-loading percussion cap rifle. l. 32‑5/8” Provenance: Estate of John Elliot Bradshaw, Houston, Texas. $500‑$800 Illustrated Online

270

1310

1315

1315 Set of Fifteen Tiffany-Retailed Cauldon Dinner Plates ca. 1904‑1920, English, with raised gilt rims decorated with roses, pattern L6328b, marked “Cauldon Ltd, England” and “Tiffany & Co., New York”, as well as a decorators mark. dia. 10‑1/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $500‑$800 1316 Edwardian Line-Strung and Marquetry-Inlaid Mahogany Cylinder Desk ca. 1900, with a spindle gallery over a cylinder with a figured panel, the perimeter with string inlay, opening with mechanical action and extending the tooled leather writing surface, the fitted interior retaining its pair of glass ink bottles and pen tray, the base fitted with drawers flanked by fluted pilasters. h. 46”, w. 42”, d. 25‑1/2” $700‑$1,000 1317 Two Edwardian Mahogany-Cased Bracket Clocks first quarter 20th century, each with a domed top, one signed “Mansell Lincoln” and the other with a four-train movement. h. 15‑1/4”, w. 11”, d. 6” and h. 16”, w. 12”, d. 7” $600‑$900 Illustrated Online

1318

1319

1318 Cut Glass Chandelier in the Waterford Taste mid-20th century, English, the six-light chandelier with a strawberry-cut glass-clad standard set with cut glass arms with vasiform candle cups and cut prism rings, hung with cascades of crystal drops. h. 36‑1/2”, dia. 30” $800‑$1,200 1319 Lustre-Glazed Pottery Jardiniere fourth quarter 19th century, probably English, with winged gargoyles molded on each corner, on a matching pedestal. h. 41‑1/2”, w. 12‑1/2”, d. 12‑1/2” $500‑$800 1320 Copeland “Indian Tree” Pottery Partial Dinner Service pre-1891, English, including nine dinner plates, dia. 10”, eight salad/dessert plates, dia. 7‑1/2”, a well-and-tree platter, w. 19”, d. 14‑1/2”, a pair of covered vegetable dishes, h. 5‑1/4”, w. 12‑3/4”, d. 9”, and a slightly taller covered vegetable dish, h. 6‑1/4”, w. 12‑1/4”, d. 8”. $500‑$800

1316 1320

271

1321 Fifteen Pieces of Porcelain with Royal Crests including a cauldron jug, h. 7”, dia. 3‑1/2”, and matching cup and saucer, h. 3”, dia. 5‑1/4”, ca. 1905‑1920, a pair of dinner plates with blue borders, mid-19th century, dia. 10‑1/4”, a Sevres plate, ca. 1965, dia. 9‑1/2”, a Worcester crescent salad plate, ca. 1900, w. 9”, d. 5”, a Chinese export famille rose dinner plate, third quarter 18th century, dia. 9”, two Minton dinner plates, ca. 1863‑1872 and ca. 1873‑1912, dia. 10‑1/4” to 10‑1/2”, a German bread and butter plate, dia. 8”, two tea trivets, dia. 5” to 6”, and a pair of Spode New Stone plates in the Imari palette, dia. 8”.

1322

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900 Illustrated Online 1322 Edwardian-Style Polychromed Satinwood Cabinet of demi-lune form, the top with leaf and vine painting along its perimeter, the case with a drawer over a pair of doors, each, together with the side panels, with painted wreaths. h. 34‑1/2”, w. 38”, d. 20” $700‑$1,000 1323 Two Parian Figures including a figure of Una and the Lion, third quarter 19th century, English, after the John Bell figure modeled for Minton, unmarked, h. 15‑1/4”, w. 11”, d. 5‑3/4”, and a bust of Alexandra, Princess of Wales, post-1868, English, after the marble original by Mary Thornycroft (English, 1809‑1895), the socle marked “Art Union of London, Mary Thornycroft, Sc 1868”, h. 14‑3/4”, w. 9”, d. 4‑1/4”.

1323 two of two

1323 one of two

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600‑$900 1324 Coalbrookdale-Type “Four Seasons” Cast Iron Garden Bench ca. 1900, American or English, the four oval back panels illustrating garden deities, representing the seasons. h. 37‑1/2”, w. 73”, d. 25”

1325

$700‑$1,000 1325 Pair of English Cast Stone Lions first half 20th century, the lions sitting on their hind legs, their front paws draped over shields. h. 35”, w. 13”, d. 12‑1/2” $500‑$800

1324

272

1326

1327

1328

1326 Andre Chalet (French, b. 1954)

1329 Pierre Guillaume (Dutch, b. 1954)

“Beach Scene”

“Lunch on the Beach”, 2006

oil on canvas board signed lower right.

Framed.

9” x 11‑3/4”, framed 16‑1/2” x 19‑1/4”

oil on canvas signed, dated and further inscribed lower right and en verso.

Framed.

27‑1/2” x 32”, framed 34‑1/2” x 38”

$1,000‑$1,500

$1,000‑$1,500

1327 Niek van der Plas (Dutch, b. 1954)

1330 Johannes Josephus Hovener (Dutch, b. 1936)

“A Day at the Beach”

“Beach Scene, Ostend, Belgium”

oil on wood panel signed lower right and en verso.

Framed.

6” x 8”, framed 13‑1/2” x 15‑1/4”

oil on canvas signed lower right.

Framed.

23‑3/4” x 31‑1/2”, framed 29” x 37”

$1,000‑$1,500

$1,000‑$1,500

1328 E. Haines (American, 20th Century)

1331 Niek van der Plas (Dutch, b. 1954)

“Playing with Toy Boats”

“Venice”

oil on panel signed lower right.

Framed.

16” x 20‑3/8”, framed 21‑5/8” x 25‑1/2”

oil on wood panel signed lower left.

Framed.

9‑1/2” x 11‑3/4”, framed 17‑1/4” x 19‑1/4”

$700‑$1,000

$1,200‑$1,800

1329

1330

1331

273

1332 Willem Heytman (Dutch, b. 1950) “1928 Bournemouth, Lancours d’Elegance, Great Britain” oil on canvas signed lower left, titled en verso.

Framed.

19‑1/2” x 27‑1/2”, framed 26” x 34‑3/4” $700‑$1,000 1332

1333 Willem Heytman (Dutch, b. 1950) “Jaguar XK 120” oil on canvas signed lower left, titled and further inscribed en verso.

Framed.

15‑3/4” x 23‑1/2”, framed 19‑5/8” x 27‑1/2” $700‑$1,000 1333

1334 Jeanne Forain (French, 20th Century) “Evening, Paris” oil on canvas affixed to board signed and localized “Paris” lower right.

Framed.

12” x 15‑3/4”, framed 18” x 21‑1/4” $1,000‑$1,500 1334

1335 Rene Rambert (French, 1901‑1991) “Paris Street Scene” oil on canvas affixed to board signed lower left.

Framed.

20” x 24”, framed 26” x 30” $1,000‑$1,500

274

1335

1337

1336

1336 Caroline Vatcher, Duchess of Leeds (British, 1931‑2005) “Boats Docked” watercolor on paper signed “Leeds” lower left.

Matted, glazed and framed. sight 11” x 14‑1/2”, framed 18” x 22” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

1339

1338 Daniel Lang (American, b. 1935) “The Iron Bridge”, 1980 oil on canvas unsigned.

Framed.

50” x 60”, framed 55‑3/4” x 66” Provenance: Watson/de Nagy & Company, Houston, Texas. $800‑$1,200 1339 Maurice Lebel (Canadian, 1898‑1963)

$700‑$1,000 1337 Charles John Romans (American, 1893‑1973)

“Winter Landscape with Creek”, 1943

“Mending Nets” oil on canvas board signed lower right, signed, titled, inscribed “Cape May, N.J.”, and with “Old Bergen Art Guild, Bayonne, N.J.” and “Cape Ann Fine Arts” labels en verso.

Framed.

18” x 23‑3/4”, framed 23‑1/4” x 29” $800‑$1,200

oil on artist board signed and dated lower right.

Framed.

14” x 18”, framed 20” x 24” $700‑$1,000 1340 French School (20th Century) “Bridge over Seine, Paris” oil on canvas illegibly signed lower right.

Framed.

24” x 36”, framed 28‑3/4” x 40‑1/2” $500‑$800

1338

1340

275

ARTIST INDEX | AUGUST 24-26, 2018 Agam, Yaacov 322, 323

Englehart, George (attributed to) 50, 50

Albert, Arthur 235

Erte, Romain de Tirtoff 331-334

American Folk Art School 132, 137

Faed, Thomas 1279

American School 60, 73, 120, 133-135, 147, 156, 504, 815-817, 1163

Feulard, Jean-Pierre 438

American/British School 119, 131

Finkernagel, Ernest 1164

Anglo-American School 136

Fontana, Luke 139, 292

Appleby, Anne 319

Forain, Jeanne 1334

Barye, Antoine-Louis (after) 1231

Foujita, Leonard Tsuguharu 307

Bearden, Romare 266

French School 52, 65, 67, 148, 170, 434, 435, 1040, 1170, 1252, 1340

Berchem, Nicolaes (follower of) 777

French/British School 64

Bishop, Jaqueline 145

Frost, Sir Terry 289

Blakeney, Mary Ann 211

Furr, Jim 210

Blanchard, A. I. 716, 716A

Gall, Francois 177

Boju, Zhao (after) 351, 351

Garcia, Justin 291

Bolmer, M. DeForest 1161

Gerard, Theodore 768

Bonnard, Benoit Noel 437

Gerome, Jean-Leon (school of) 549

Boucher, Francois (follower of) 762

Glass, Franz Paul 772, 772

Bourgeois, Douglas 270

Golden, Rolland 138

Boyle, Neil 151

Goodwin, Arthur Clifton 1162

Brasilier, Andre 316

Gordon, John Watson (circle of) 506

British School 45, 51, 53, 56-59, 69, 129, 505, 507, 508, 510-511, 513,

Gordy, Robert 265, 276

514, 546, 1277, 1282

Graham, Josephine Hutson 146

British/American School 118, 127, 516

Grell, Johanna 46

British/French School 54

Guidry, Louise 285, 286, 288, 290

Brook, Alexander 159

Guillaume, Pierre 1329

Bruhl, Rosa 717

Guzzardi, Giuseppe 37

Calbert, Antoine 176

Hackaert, Jan (circle of) 1169

Chalet, Andre 1326

Haddon, Trevor 544

Chaleye, Jean 174

Haines, E. 1328

Clark, Emery 143, 144

Hand, Thomas 1281

Contemporary School 293

Harrington, Chestee 158

Continental School 38, 40, 43, 47, 440, 540, 551, 553, 558, 561, 765,

Hay, Bernardo 719

770, 771, 814, 818, 869, 870, 872, 1037, 1072, 1074, 1160, 1165, 1166,

Herbert, Sydney 779

1168-1168

Hetz, Carl 767

Continental/American School 71

Heytman, Willem 1332, 1333

Continental/English School 61

Holt, Geoffrey 1041

Cortona, Pietro da (after) 1070

Hornung-Janson, Carl 1116

Cristall, Joshua (attributed to) 512

Hovener, Johannes Josephus 1330

Crowley, J. M. (attributed to) 72

Huband, Jr., Otis Dare 236

da Vinci, Leonardo (after) 1076

Hubard, William 130

Dali, Salvador (after) 313, 314

Hulk, Hendrick 552

Dall, Hans 237

Hunter, S. H. 1284

Dash, Robert Warren 287

Indian School 375

Day, Augustus 117

Italian School 775, 868, 1075, 1077

de Arellano, Juan (after) 1038

Jelinek, Rudolph 764

de Gault, Jacques-Joseph (attributed to) 55

Jennert, Christoffer 1114

De La Cour, H. 559

Johnson, Kay 295, 296

Deckbar, Adrian 259

Jones, Layman 211

del Solar, Gonzalo Contreras 140-142

Jopling, Joseph Middleton 1275

Diey, Yves 178

Kendrick, Sydney Percy (attributed to) 517

Dufy, Raoul 315

Kestenbaum, Lothar K. 272

Dunbar, George Bauer 258

Kluge, Harry 1112, 1117

Dureau, George Valentine 273, 274

Kneller, Sir Godfrey (circle of) 515

Durham, Dixie Hampson 162, 162

Kohlmeyer, Ida Rittenberg 224

Dutch School 68, 556, 557

Kotschenreiter, Hugo 778

Edouart, Auguste 121-125, 128, 130

Lamantia, James Rogers 275

Ellis, Stephen 294

Lang, Daniel 1338

Laurent, Henri Adolphe Louis 774

Silverman, Arthur 220

Le Brun, Elisabeth Vigee (after) 436

Smith, Xander 547

Le Guay, Etienne Charles 66

Smyth, Wayne E. 152, 184

Lebel, Maurice 1339

Snyder, Annie M. 773

LeBoeuff, Pierre 1215, 1216

Spielman, Sophie 718

Ledda, Carlos Jose 232-234

Sprinkmann, Christel 509

Lefebvre, Maurice Jean 1259

Summers, Carol 324

Leighton, Louisa St. Leger 74, 74

Tarrago, Leticia 330

Liebert, George Emil 1118

Thornton, Dr. Robert John 31

Lindeman, Sophia 1278

Titovets, Aleksander 171

Loomis, Helen 161

Tolliver, William 157

Malpigny, Gaston 1167

Topping, James 42

Manhattan, Baron Avro 308

Tourte, Lucien 41

Mark (Hubert Kaplan), Franz 173

Travies, Edouard 33

Martin, Steven 260

Van der Plas, Niek 1327, 1331

Mazzolini, Giuseppe 869

van der Tonge, Lammert Leire 1113

Merk, Eduard 766

Vander Capella (after) 550

Michalopoulos, James 150

Vatcher, Caroline 1336

Miers, John 126

Verhoesen, Albertus (manner of) 48

Molsted, Christian 1115, 1115

Vermunt, Adrianus Petrus Nicolaas 554

Montenegro, Roberto (after) 326

Veron, Alexandre Paul Joseph (school of) 763

Moreau, John 1039

Vignon, Claude (follower of) 1071

Mughal School 62

von Hohenzollern, Prince Leopold 175

Murillo, Bartolome Esteban (after) 776

Westchiloff, Constantin Alexandrovich 168

Murray, Brett 280

Wilkie, Sir David (after) 1280

Nini, Jean-Baptiste (after) 751

Wimperis, Edmund Morison 1119

Ovens, Jurgen (circle of) 439 Palnagy, Zsigmond 169 Parsini, Luciana 172 Paval, Philip Kran 160 Peale, James (attributed to) 66 Picasso, Pablo (after) 311-313 Pinggera, Hans 560 Piranesi, Giovanni Battista (after) 813 Piza, Arthur Luiz 317, 318 Planas 179 Raeburn, R.A., P.R.S.A., Sir Henry (after) 503 Raeburn, R.A., P.R.S.A., Sir Henry (circle of) 502 Rambert, Rene 1335 Redgate, Arthur William 1283 Redon, Odilon 310 Richards, Charles Whitfield 155 Riecke, George 39 Rockmore, Noel 149 Rockwell, Norman 329 Romans, Charles John 1337 Rosenquist, James 321 Rowlandson, Thomas (attributed to) 539 Rut, Tomasz 153, 154 Saint Phalle, Niki de 325 Sandby, J. 1276 Sant, R.A., James (after) 538 Schelfhout, Andreas (manner of) 555 Schmit, Randall 267 Schouten, Henry 36, 44 Searle, Ronald 320 Seignon, Paul 548

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Christa Ougel Denise Haik Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Graphic Designer Photographer Grace Connors Manager of Cakebread Auction

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson David Abney