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APRIL 19-21, 2013

Tiffany Studios/Tiffany Glass and Decorating Company Patinated Bronze and Favrile Glass Ten-Light “Lily Lamp”, ca. 1900-1902

Exhibition: Saturday, April 6 through Thursday, April 18, 2013 Excluding Sundays 9:00 a.m. - 5:00 p.m. Evening Preview Event: Thursday, April 18, 2013 5:00 - 8:00 p.m. Start Times for Auction: Friday, April 19, 2:00 p.m. Saturday, April 20, 10:00 a.m. Sunday, April 21, 10:00 a.m.

Fine American Rococo Revival Mahogany Double-Door Armoire, mid-19th century, attributed to Prudent Mallard Rare American Market French Figural Clock Depicting Benjamin Franklin, fourth quarter 19th century


Transitional American Late Classical into Rococo Revival Rosewood Tester Bed, mid-19th century

Massive Herschede Clock Company Mahogany Tubular Chiming Clock, late 19th century

Charles J. Bridgman (American/New Orleans, 1841-1895), “La Nouvelle Mariee”, 1872, oil on canvas, signed, titled and dated, 45-1/2” x 37-1/2”

George Dunbar (American/Louisiana, b. 1927), “Untitled”, mixed media with gold and silver leaf on board, unsigned, 11-3/4” x 25” Porfirio Salinas (American/Texas, 1910-1973), “Road to Bandera”, oil on canvas, signed, 24” x 30”

Neoclassical Carved Mahogany Pier Table, first quarter 19th century

American Classical Parcel-Gilt, Brass-Mounted and Stenciled Parlor-Cabinet, ca. 1825

Tiffany-Retailed Louis XV-Style Bronze and Tortoiseshell Bracket Clock, fourth quarter 19th century

Set of Eighteen Large Sterling Silver Wine Goblets, by Hadad Brothers, Bnei Brak, Israel

William Woodward (American/Louisiana, 1859-1939), “Temple of Divus Romulus, Rome”, oil on board, signed, 8-1/2” x 6-1/4”


Carved Marble Garden Figure of a Classical Maiden, early 20th century, h. 53”

American Colonial Revival Walter H. Durfee Mahogany Tubular Chiming Tall Case Clock, late 19th century

Southern School (Second Quarter 19th Century), “Full-Length Portrait of Three Children in a Landscape”, oil on canvas, unsigned, 52” x 56”

Six-Light NeoclassicalStyle French Crystal Chandelier, attributed to Baccarat

Early Tiffany and Co. Sterling Silver Chinoiserie Kettle-onStand, third quarter 19th century by John C. Moore and Son, New York American Classical Parcel-Gilt Mahogany Pier Table, ca. 1825, New York III

Rare American Federal Inlaid Mahogany Dwarf Clock, early 19th century

William Spratling and William Faulkner, Sherwood Anderson and Other Famous Creoles first edition, 1926

George Dunbar (American/ New Orleans, b. 1927), “Coin du Lestin 150”, 2013, 22k French gold over green clay, 20-1/2” x 16-1/2”

James E. Allen (American, 1894-1964), “Brazillian Builders/Manhattan”, 1933, etching, signed, sight 17-3/4” x 9-1/4”

French Gilt-Bronze and Porcelain Clock Set, in the Louis XVI taste, ca. 1900

Pierre Nicolas Tourgueneff (Russian/French, 1853-1912), “Archer”, bronze, cast signature on base

Rare Paris Porcelain First Empire Urn Clock, first quarter 19th century

Three Hundred Forty-One-Piece Set of Reed & Barton “Love Disarmed” Steriling Silver Flatware

After Peter Paul Rubens (Flemish, 1577-1640), “Putti at Play”, oil on canvas, early 20th century, signed lower right, 45” x 79”

Arthur von Ferraris (Hungarian, 1856-1936), “Portrait of Edward Morse Shephard”, oil on canvas, signed, 41” x 33”

Auction April 19-21 Louis XV-Style Mahogany and Marble-Top Cabinet, early 20th century

Presented in an exceptional, custom-made, carved gessoed and giltwood frame flanked by two winged putti holding lush floral garlands


Manner of Maximilian Pfeiler (German, 1656-1746), “A Boy Standing Next to a Draped Table with a Cockatoo”, oil on canvas, 36” x 49” Edwardian Satinwood Pembroke Table, late 19th century, in the Adam taste

French Black Marble and Painted Metal Figural Mantel Clock, fourth quarter 19th century

French Champleve Enamel Clock Set, first quarter 20th century

French Bronze and Marble Figural Mantel Clock, third quarter 19th century


Louis XVI-Style Mahogany and Marble-Top Cabinet, ca 1900

Napoleon III Kingwood Jardiniere, late 19th century

French Gilt-Bronze Chenets and Adjustable Fender Set, fourth quarter 19th century

Five-Piece Louis XV-Style Walnut Parlor Suite, third quarter 19th century, consisting of a settee, a pair of fauteuils and a pair of sidechairs Mathurin Moreau (French, 18221912), “Triomphe de la Jeunesse”, bronze, cast signature at base

Continental School (20th Century), “Moses and the Pharoah’s Daughter”, oil on canvas, unsigned, 79” x 55”

Pair of Paris Porcelain Neoclassical Garniture Urns, second quarter 19th century

French Gilt-Bronze Mantel Clock in the Gothic Revival Taste, second quarter 19th century

Transitional Louis XV-into Louis XVI-Style Kingwood and Marble-Top Cabinet, early 20th century

Fine Flemish Tapestry of “Charity”, fourth quarter 17th century from the workshop of Jan Frans Van den Hecke

Napoleon III Ebonized Cabinet, VI third quarter 19th century

Fine Austro-Hungarian Empire Eleven-Piece Third Standard (.800) Silver Lady’s Traveling Toilette, fourth quarter 19th century, by Alexander Sturm (1851-1915), Vienna

Good French Ebonized and Parcel-Gilt Four-Fold Screen, mid to late 19th century Large English Pierced Potpourri Urn, Attributed to Derby, first quarter 19th century

Auction April 19-21

John Varley (British, 17781842), “Lake View with Fortress in the Distance”, 1823, watercolor and pencil on paper, signed and dated, sight 11-1/2” x 10-1/4”

Circle of Sir Peter Lely (Dutch/British, 1618-1680), “Portrait of a Lady at the Well, probably the Actress Nell Gwyn”, oil on canvas, unsigned, 50” x 40” Fine George III Sterling Silver Hot Water Urn, hallmarked London, 1799-1800, by John Emes (1764-1808), VII in the neoclassical taste

Charles I Sterling Silver Apostle Spoon, hallmarked London, 1638-1639, by Richard Crosse

Classical-Style Bronze Garden Fountain of “Hebe”, the goddess of youth, h. 89”

Carle Vernet (French, 1758-1836), “Le Chasse”, graphite on paper, signed, sight 7-1/4” x 9”

French Grotto-Form Cast Stone Wall Fountain, in the 17th century style

George III Paul Storr (1771-1844) Sterling Silver Hot Water Jug, hallmarked London, 1795-1796

Antique Persian Sarouk Carpet, 10’ 10” x 14’

Suite of Four Bronze Garden Statues Depicting the Four Seasons, h. 63”


Collection of Fine Estate Jewelry

Robert Lyons (American, b. 1954), “Untitled II, Egyptian Time Series”, c-print, sight 14-1/2 x 22” American Renaissance Revival Walnut Floor Model Pinwheel Regulator Clock, ca. 1875 Egypto-Revival Bronze Clock by Achille Brocot (French, 1817-1878), third quarter 19th century


Large Pair of Neoclassical-Style Cast Bronze Garden Fountains, h. 58”

Robert Lyons (American, b. 1954), “Untitled I, Egyptian Time Series”, c-print, sight 14-1/2 x 21-1/2”

Collection of Chinese Porcelain in the Fitzhugh pattern late 18th/early 19th century Pair of Chinese Gold-Lacquered Hardwood Stands, 18th century

Chinese Ivory Carving, early 20th century

Antique Oushak Carpet, 11’2” x 14’ Chinese Rhinoceros Horn Cup, Ming to Early Ching Period, 17th century

Chinese Hanging Scroll, 19th century or earlier

Chinese Jade Brush Pot, late 18th/early 19th century X

Lynda Benglis (American/NewYork, b. 1941), “Gold Luster”, gilded and painted ceramic wall relief, signed, h. 17” Rare Cameo Glass “Blue Dog” Vase, designed by George Rodrigue (American/Louisiana, b. 1944), dated 1994

George Rodrigue (American/Louisiana, b. 1944), “Blue Dog”, ink on paper, signed lower right

Large and Important Shearwater Pottery Vase, ca. 1940, h. 13”

Man Ray (American, 1890-1976), “L’Origine de L’Espace”, color lithograph, 1971, pencil signed, 13-1/2” x 18”

Steve Martin (American/New Orleans, b. 1956), “The Weight of Words Upon Your Heart”, 2012 acrylic on canvas, signed and titled 40” x 40” William R. Hollingsworth, Jr. (American/Mississippi, 1910-1944), “The Bourbon Street City Slicker”, ca. 1943, watercolor on paper, signed, matted, and glazed, sight 13-1/2” x 9-1/2”

William Tolliver (American/Mississippi/ Louisiana, 1951-2000), “Man in Blue, Playing a Guitar”, oil on canvas, signed, 44” x 60” XI

All items marked

Pedro Friedeberg (Mexican, b. 1935), Giltwood “Hand Chair”, signed, together with a miniature “Hand and Feet” chair

were donated by the artist for the benefit of WLAE Public Broadcast Station, New Orleans

Carlos Zervigon (American/New Orleans, 20th century), “Warm Totem #3” h. 88”

Hunt Slonem (American, b. 1951), “Society Finches”, 1988, oil on canvas, signed and dated, 25-1/2” x 21-1/2”

Mitchell Gaudet (American/New Orleans, b. 1962), “Artemis”, 2010 88” x 36”

James Michalopoulos (American/New Orleans, b. 1951), “7th Ward Cinderella”, oil on canvas, signed lower left, 40” x 30”

Eduardo Arranz-Bravo (Spanish, b. 1941), “Pal l Pau”, oil on canvas, signed and dated, 58-1/2” x 58-1/2”

Paul Ninas (American/Louisiana, 1903-1964), “Nude Abstract”, pastel and pencil on paper, signed, 11” x 15”

Thomas Hudson Jones (American, 1892-1969), “The Ideal Head”, 1921, bronze on a black marble plinth, h. 18” Maryan (nee Pinchas Burstein, Polish, 1927-1977), “Personnage”, 1961, oil on canvas, signed and dated, 30” x 24”

Thomas Downing (American, 1928-1985), “Untitled” acrylic on canvas, signed at edge, 70” x 74” XII

Frantisek Simon-Tavik (Czech, 18771942), “New York”, 1927”, etching and aquatint, signed in pencil, sight, 15” x 17-1/2” Sonia Handelman Meyer (American/New York, b. 1920), “Canera’s Bakery”, 1940s, silver gelatin print, 9-3/4” x 9-3/4”

Ruth Bernhard (American, 19052006), “Perspective II”, mounted silver gelatin print, 1967, signature in pencil on mount, 8-1/4” x 13-1/2” Keith Carter (American/Texas, b. 1948), “Rachel 1999, toned silver gelatin print, signed, 15” x 15”

Ruth Bernhard (American, 1905-2006), “In the BoxVertical”, mounted silver gelatin print on mount recto, 7-7/8” x 13-1/2” XIII

Ron van Dongen (Dutch, b. 1961), “Rosa, Black Beauty”, silver gelatin print, signed in pencil, 18” x 15”

Sonia Handelman Meyer (American/New York, b. 1920), “Lost”, 1940’s, silver gelatin print, sight 9-3/4” x 9-3/4”

Henry Casselli (American/Louisiana, b. 1946), “Pony to Post”, mixed media on paper, 1971, signed and dated, 20” x 29” Jack Spencer (American/Mississippi, b. 1951), “Reverend Stokes’ Baptismal Pool”, toned silver gelatin print, signed in pencil, 20” x 24”

Sandra Russell Clark (American/New Orleans, Contemporary), “Tree with Pier, Bay St. Louis”, silver gelatin print, signed, 8-3/4” x 8-3/4”

Joan Mitchell (American, 19251992), “Tree II”, color lithograph on wove paper, signed and numbered, 24” x 20”

Maude Schuyler Clay (American/Mississippi, Contemporary), “Apples”, chromogenic photographic print, signed in ink, 20” x 16”

Jack Spencer (American/Mississippi, b. 1951), “Rigolets”, 2001, toned gelatin print, signed in pencil, 20” x 24”

Alex Beard (American/New Orleans, b. 1970), “The Gestural Croc”, pen and ink on paper, signed, 36” x 67” [WLAE] XIV


New Orleans Auction Galleries



510 Julia Street New Orleans, Louisiana 70130 800-501-0277 504-566-1849 ~ Fax 504-566-1851 Website: E-mail: Sale 1302 - April 19-21, 2013

La. Lic. AB-363 ~ Steinkamp #1265, Thomas #1833 23% Buyer’s Premium (3% discount for payments by cash, check or wire)

Continental School (Fourth Quarter 19th Century), “Welcoming Home the Crusaders”, oil on canvas, illegibly signed lower right, 33-1/2” x 49”

FRONT: Dale Chihuly (American, b. 1941), glass “Macchia” bowl, signed and dated in engraved script “Chihuly 89” Published by New Orleans Auction Galleries

Photographer: Gary Michael Gittelson

Design: Denise Haik

Brochure for April 2013 auction  

Featured items that will be offerred for auction at our next sale which is from April 19th - 21st.

Brochure for April 2013 auction  

Featured items that will be offerred for auction at our next sale which is from April 19th - 21st.