Noam Faingold List of Works Large Ensemble Orchestra • •
• •
• • • •
• • • •
Impressions of Manuela Sáenz, for bassoon and orchestra (2018), 15’ Others, for orchestra (2017-2018), 8’ The Defiant Poet: Elegy in Memory of Yevgeny Yevtushenko, for orchestra (2017), 10’ Farewell Fanfare, for orchestra (2017), 2’ Lullaby, for double bass and orchestra (2013), 20’ Chamber Symphony (2008), 13’ Film Score Suite in three movements (2006), 8’ Concerto for Piano and Orchestra in three movements (2006), 17’ Sinfonietta and Consort Character Study of Intimate Spaces: 3D->2D, for 1-7 violas + tape (2017-2018), 5’ Killing the Past III, for chamber orchestra (2014), 8’ A Poem is a Burning City, for 10 players (2012), 8.5’ Shir, for string quintet, horn, clarinet and bassoon (2009) 4’
Opera/Art Song/Choral Song Cycle and Art Song
• • • •
Sacred Texts of the Western World, for soprano and mixed quintet (in progress) Centennial Song Cycle, for voice and guitar (2016), 10’ 20+ songs for Burning City Orchestra (2005-2013, 8 recorded), 100’ Struggle for soprano and piano (2007), 3.5’ The Little Mermaid for soprano and piano (2007), 2’
• • •
Choir Exsultate Justi in Domino, for SATB Choir (2018), 4’ Subliminal, for SATB Choir (2017), 3’ “Darkness” for SATB Choir (2005), 3’
•
The Morning After, opera scene, for mezzo soprano, cello and piano (2011), 6’
•
Opera
Small Ensemble Quintets
• • •
Lullaby, for solo cello and cello quartet or ensemble (2019), 7’ I Think I’ll Miss This Place, for marimba and string quartet (2015), 8’ Killing the Past II, for piano quintet (2014), 12’
•
Others, for violin quartet (2017), 8’ The Abyss Looks Back, for string trio (2016), 12’ A Ghostly Blues (2016), for piano trio, 5’
Trios and Quartets
•
•
• • • • • • • •
Achilles Heel, for piano trio in three movements (2015-2016), 20’ Past Lives, for oboe quartet (2016), 8’ Mitosis, for French horn, piano, violin, viola and cello (2010), 10’ Bonaparte Born to Party, for clarinet/bass clarinet, percussion, piano, violin and cello (2010), 8.5’ Disco of Our Winter Tent, for piano trio (2010), 5’ “Sunrise” for string quartet (2008), 10’ Barely a Tango, for clarinet, flute, piano, violin, cello (2008), 6’ Vaporization, for percussion quartet (2004), 2’
Duos and solo
• • • • • • • • •
• • •
Nocturne for Bill, for solo cello (2018), 5’ Character Study of Intimate Spaces: 3D->2D, for 1-7 violas and tape (2017-2018), 5’ Breaking the Surface, for oboe and piano duo (2014), 8’ Dark Conscience, for violin duo OR violin/viola duo (2014), 12’ There’s Poetry Between Us, for flute and cello in three movements (2013), 15’ Prelude, for cello and piano, (2012) 5’ (arr. 2014 for solo piano) Between Words, encore for solo cello (2013), 3’ Well Oiled Machines, suite for solo violin in three movements (2012-2013) 20’ Hymn to Romance, for solo double bass (2012-13), 9’ Knife in the Water, for violin and cello duo (2009), 9’ Etiquette, for solo cello (2009), 8’ Tango Variations: 3 short movements for double bass duet (2009), 7’
Electroacoustic • •
Character Study of Intimate Spaces: 3D->2D, for 1-7 violas + tape (2017-2018), 5’ What Sweaters are for in the Summer, for voice, strings, piano, rock rhythm section, and tape (2003, 2015), 8’