Creativity has no boundaries. We all have the right to pursue and enjoy the arts.
Since its inauguration in 2019 by the Hong Kong Arts Festival and The Hong Kong Jockey Club Charities Trust, “No Limits” has showcased a wide range of outstanding work by professional artists, performers and musicians with disabilities. In 2024, for the sixth edition of the event, in addition to inviting highcalibre local and international performers to demonstrate their artistry, we also present works that provide background and context to some of the specific issues faced by individuals and artists in disabled communities.
This year, “No Limits” presents work by 20 artists from Hong Kong and around the world. The programme includes six performances spanning music, theatre and dance, as well as online film screenings featuring works by influential filmmakers and actors from Europe and Asia.
“No Limits” is founded on a platform of inclusivity, creativity, community engagement and educational outreach. Alongside performances and screenings, we also offer a series of PLUS events. These include workshops, sharing sessions and
an online roundtable discussion designed to offer participants the chance to learn about the lives of people with disabilities, to understand the importance of diversity and inclusion, and exchange ideas on how to foster positive social change.
This year, “No Limits” is pleased to collaborate with The Hong Kong Academy for Performing Arts’ School of Drama and School of Dance on the “No Limits” Internship Experience Programme, offering students handson experience in producing inclusive arts events during the early stages of their career.
I would like to thank The Hong Kong Jockey Club Charities Trust for copresenting this important annual project with us, and for its continuous support in promoting inclusivity through the arts. We also extend our thanks to the Arts with the Disabled Association Hong Kong for its invaluable support, and the provision of accessibility services enabling differently-abled people to experience the arts together.
On behalf of the Hong Kong Arts Festival team, I hope you enjoy the bold and moving programmes and performances in this edition of “No Limits”.
Art transcends individual abilities and embraces limitless forms of expression. The Hong Kong Jockey Club Charities Trust is therefore delighted to have partnered with the Hong Kong Arts Festival Society since 2019 to co-present “No Limits”. This admirable initiative aims to break down barriers, ignite imagination and spread boundless positive energy by showcasing the talents of differentlyabled local and overseas artists.
Under the theme “Showcasing Human Perspectives”, the latest edition of “No Limits” will deliver a captivating array of programmes through music, dance, theatre, film and more, to share the experiences of performers with disabilities from various perspectives, such as their daily lives, interpersonal relationships and societal expectations. The accompanying Jockey Club “No Limits” Education and Community Programmes, including lectures, workshops and online roundtable discussions, will bring together participants from different regions and sectors. By creating a collaborative environment for exploring topics of mutual interest, knowledge and experience sharing, and promoting cross-sectoral cooperation, the initiative has the power to ignite participants’ boundless creativity and promote inclusive arts.
The Club is steadfastly committed to advancing art, culture and conservation, to build a culturally vibrant Hong Kong and enrich lives. It is also dedicated to promoting social inclusion by supporting diverse arts and cultural projects. This commitment is exemplified by its long-standing support for the Hong Kong Arts Festival over the past half century, its conservation and revitalisation of the Central Police Station Compound into Tai Kwun, and support for the establishment of the Hong Kong Palace Museum.
The Club’s support for various arts and cultural projects aligns with its purpose of acting continuously for the betterment of society. Its contributions are made possible by its unique integrated business model through which betting and lottery revenue are returned to the community in the form of tax payments and charitable donations.
I extend my sincere appreciation to the Hong Kong Arts Festival Society and the Arts with the Disabled Association Hong Kong for their unwavering dedication to promoting social inclusion through art. I wish the “No Limits” project resounding success and encourage continued support for the initiative as we explore limitless possibilities alongside artists of different abilities.
The Hong Kong Arts Festival (HKAF), a non-profit organisation launched in 1973, is a major international arts festival committed to enriching the cultural life of the city.
In February and March every year, HKAF presents over 1,500 leading local and international artists in more than 130 performances of all genres, placing equal importance on great traditions and contemporary creations.
HKAF also commissions and produces Cantonese opera, theatre, music, chamber opera and contemporary dance productions by Hong Kong’s own creative talent and emerging artists, many of which have had successful subsequent runs in Hong Kong and overseas.
Each year, HKAF presents over 300 PLUS and educational activities that offer diverse arts experiences to the general public and students. The HKAF Young Friends scheme has reached around 820,000 students in the past 31 years.
香港藝術節 Hong Kong Arts Festival www.hk.artsfestival.org
Launched in 2019 and co-presented by the Hong Kong Arts Festival and The Hong Kong Jockey Club Charities Trust, “No Limits” offers barrier-free performances and events, and explores and promotes inclusiveness and understanding through the arts.
In 2024, the sixth edition of “No Limits” showcases a series of fascinating programmes of music, dance, theatre and film by international and Hong Kong artists of different abilities.
“No Limits” 2024 presents accessible in-venue and online performances, film screenings and roundtable discussions, as well as outreach and education programmes for young people, highlighting creativity and talent in a variety of forms. Our accessible art services enable enjoyment for all audiences and help us share the importance of inclusion in all areas of life.
As a form of human expression, art can tackle all topics – offering different perspectives on everyday life, interpersonal relationships and encounters, social conditions and expectations. But whatever the content, all art is shaped by the historical and social contexts in which it is conceived and created.
The sixth edition of “No Limits” showcases human perspectives through works that address topical issues and problems faced by people in their everyday lives, and features performances and screenings conceived and performed by artists with disabilities from Hong Kong and around the world.
Our international in-venue performances include Shape on Us from Vertigo Power of Balance, Israel, a striking work that pushes the physical limits of the dancers and challenges taboos around looking at the different body; Hamlet by Teatro La Plaza, Peru, a freely adapted version of Shakespeare’s classic play performed by a group of young people with Down syndrome, that blends personal experience and new perspectives and interpretations; Scored in Silence by Chisato Minamimura, a solo digital signlanguage performance that unpacks the hidden perspectives of Deaf survivors of the atomic bomb atrocity in Japan; and Gentle Unicorn by
Italian performance artist Chiara Bersani, a thought-provoking solo piece that explores the interpretations given to bodies that meet societal expectations in different ways.
Local highlights include Reminiscing: A Piano Recital by Lee Shing, an intimate look at the different stages of Lee’s personal musical journey, featuring works by Beethoven and Schumann; and a virtuoso violin recital A Story in Strings by musician Ding Yijie, who returns to “No Limits” after her charismatic first appearance in 2019.
Our online programme includes the seven-episode TV drama series Team Chocolate, a heart-warming romantic comedy from Belgium, as well as acclaimed Japanese filmmaker Kazuo Hara’s searing documentary debut Goodbye CP about a group of activists from the cerebral palsy community in 1970s Japan, and two animated short films from the UK, The Penguin Who Couldn’t Swim about disability, bullying and determination, and All for Claire , about empowerment, control and rejection.
The breadth and scope of human perspectives shared in this programme range from uplifting and hopeful to challenging and confronting – but all of them offer eye-opening insight into the importance of diversity and inclusion in creative and unique ways.
Celebrating Lee Shing’s enduring 20-year passion for music
Acclaimed Hong Kong classical pianist Lee Shing presents an exhilarating programme of three significant works that have inspired and shaped his life as a performer. The recital opens with Beethoven’s Sonata No. 8 in C minor “Pathetique”, a lamentation written when Beethoven was fighting against losing his hearing, and a piece that Lee mastered through memorisation as deteriorating vision began to hinder
his ability to read music. The sonata is followed by Schumann’s “Scenes from Childhood” (Kinderszenen), a piece evoking the dreams and emotions of youth. To close the recital, Lee presents Beethoven’s Sonata No. 30 in E major, a profound piece composed after Beethoven had become deaf, and a reminder of the power of art to provide solace and inspire determination.
曲目 PROGRAMME
李昇自幼習琴，專注於古典音樂 演奏。十五歲確診先天性視網膜色素
病變，只能靠着背譜來學習。他希望
透過自身經歷勉勵年青人，宣揚「珍 惜所擁有」的人生觀，以音樂影響生 命。
李昇曾獲得展能藝術發展基金資助， 先後到奧地利薩爾斯堡和維也納學習 及交流。近年分別得到著名鋼琴家
金美雪及羅乃新的指導，更曾前往美 國紐約卡內基大廳演出。
During Lee’s professional career, he has worked on a variety of musical productions and collaborated with numerous local and international musicians and orchestras. Lee has performed at Carnegie Hall in New York and studied under renowned pianists, Michelle Kim and Nancy Loo. In 2013, he was sponsored by the Artists with Disability Development Fund to further his musical studies in Salzburg and Vienna, Austria. Diagnosed with a congenital eye condition as a teenager, Lee has worked to pave new paths and increase inclusivity and support for disabled artists. As a teacher and mentor for a new generation of performers, Lee helps young artists channel their potential and defy expectations.
貝多芬 C 小調第八號奏鳴曲，作品 13，「悲愴」
舒曼 《兒時情景》，作品 15
貝多芬 E 大調第三十號奏鳴曲，作品 109
Beethoven Sonata No 8 in C minor, Op 13, “Pathetique”
Schumann Kinderszenen, Op 15, “Scenes from Childhood”
Beethoven Sonata No 30 in E major, Op 109
24/2（六 SAT） 4pm
香港大會堂音樂廳
Concert Hall, Hong Kong City Hall
節目長約 90 分鐘，不設中場休息
Approx. 90 mins with no interval
演出前將舉行「無限亮」 開幕儀式
$100, $60
The “No Limits” Opening Ceremony will be held prior to the performance 設香港手語傳譯、點字場刊及語音場刊，歡迎導盲犬
Hong Kong Sign Language interpretation, house programme in braille and audio format available; guide dogs welcome
李昇 Lee Shing
維帝戈平衡之力《無形舞軀》
沙朗 ． 佛利文編舞
Vertigo Power of Balance: Shape on Us
Choreographed by Sharon Fridman
「一個引人入勝，
關於聆聽、分享、連結的一課。」
奧利． J．倫金斯基， 《耶路撒冷郵報》， 2020 年 8 月
跳脫舞蹈身體規範 八位舞者昂首舞台之上
大膽展現身體多樣性 散發各自的專屬魅力
以色列國寶級當代舞團維帝戈平衡之力 （Vertigo Power of Balance）帶來 共融 舞蹈佳作《無形舞軀》。作品由知名編 舞家沙朗．佛利文（Sharon Fridman） 編舞，透過舞者獨特的舞姿重新為 身體美學定義。
“A breathtaking lesson in listening, sharing and connection.”
– Ori J. Lenkinski,
Jerusalem Post, August 2020
A striking work that re-examines social conventions surrounding the dancing body with tremendous and beautiful physical diversity
Performed by Israel’s leading contemporary dance company and choreographed by renowned choreographer Sharon Fridman, Shape on Us is a striking work that re-examines social conventions and truisms surrounding the dancing body.
As eight dancers with multiple physical abilities break away from the aids that serve some of them in everyday life, a collective organism takes shape in the encounter between unique bodies. Exploring their individual fragilities and needs, the dancers confront the push and pull of rejection and concern, meeting in moments of tension, support,
loneliness and love. Gradually, as the piece unfolds, disparate expressions merge to create an astoundingly tender collective language of touch and cooperation.
Shape on Us challenges taboos around looking at the different body. Powerfully embracing the delicate physical systems that transform involuntary movements into deliberate gestures, it questions our perception of what is considered natural and abnormal.
First presented in 2020, Shape on Us is the product of Vertigo Dance Company’s ongoing engagement with the disability community.
編舞： 沙朗．佛利文
聯合經理（平衡之力）：
塔爾．沃特海姆、海．科恩
藝術總監： 麗娜．沃特海姆－科倫
藝術顧問： 諾亞．沃特海姆
共創舞蹈員：
恩巴爾．阿洛尼、托梅爾．納沃特、 伊塔馬爾．貝克、伊多．巴拉克、
諾姆．本．伊斯瑞爾、希拉．本．
烏列爾、阿米爾．伊沙爾、什穆爾．
德維爾．科恩
Choreographer: Sharon Fridman
Power of Balance Co-Managers:
Tali Wertheim, Hai Cohen
Artistic Director: Rina Wertheim–Koren
Artistic Consultant: Noa Wertheim
Dancers/Co-creatives:
Inbal Aloni, Tomer Navot, Itamar Beck, Ido Barak, Noam Ben Israel, Shira Ben Uriel, Amir Ishar, Shmuel Dvir Cohen
“Shape On Us reflects the first-person experience of disability, as well as the social response to disability. In its exploration of the human body, individual and collective, there is a sense of endless possibility and transcendent beauty.”
– Ayelet Dekel, Midnight East, March 2021
維帝戈平衡之力《無形舞軀》 Vertigo Power of Balance: Shape on Us
沙朗．佛利文
Sharon Fridman
2006 年，沙朗．佛利文在
西班牙馬德里設立個人舞團。
他活躍於以色列舞壇，合作團
體包括伊度．泰德莫舞團、基
布茲現代舞團及維帝戈舞團。
他與其個人舞團獲獎無數，包
括表演藝術獎項 Max Award
的最佳舞蹈獎（ 2015 ）及最
佳編舞獎（ 2019 ）。全球各
地不同舞團也曾演繹其編舞
作品。
當代舞團維帝戈致力為藝術家和
觀眾提供匯聚點，每每帶領觀眾
踏上別開生面、令人意想不到、
興奮不已且充滿挑戰的旅程， 探索陌生的藝術領域。其卓越
造詣獲國際肯定，具社會和社區 關懷觸角。
Choreographer Sharon Fridman has worked with his company in Madrid, Spain since 2006. In Israel, he has danced with the Ido Tadmor Dance Company, the Kibbutz Contemporary Dance Company and the Vertigo Dance Company. During his career, Fridman and his company have won a number of awards, including the Max Award for Best Dance Performance (2015) and the Max Award for Best Choreography (2019). Several international companies hold Fridman’s creations in their repertoire.
Vertigo Power of Balance creates a meeting place for people with various physical abilities, disabled and non-disabled, through movement, contact and improvisation.
Established in 2000, and directed by Hai Cohen and Tali Wertheim, the Power of Balance Center operates from the Vertigo Eco-Art Village – the home of the acclaimed Vertigo Dance Company – offering comprehensive integrated dance activities that include annual programmes, classes, workshops and performances in Israel and abroad.
The unique approach of integrated contact improvisation allows for a direct physical encounter through spontaneous dance. While exploring contact, direction, gravitation and momentum, participants are given the opportunity to experience an especially attentive communication through the senses, emphasising their common ability to fully express themselves through dance. 維帝戈舞團 Vertigo Dance Company
Vertigo is a contemporary dance company offering a physical meeting place for artists and audiences that takes the viewer on new or unexpected, exciting and challenging journeys into unfamiliar territories. Vertigo represents international standards of artistic excellence, with a social and community touch. The company’s movement vocabulary and creative expression celebrates the intersection of art and human nature.
Vertigo is a messenger of Israeli art at its best, at home and abroad, that brings people closer together and touches them through the language of the body. As such, in addition to its performances, the company collaborates on master classes, workshops and co-productions with other companies from around the world and invites artists from different fields to create together with the company.
葵青劇院演藝廳
2/3（六 SAT）8pm 3/3（日 SUN）3pm $160, $110
Auditorium, Kwai Tsing Theatre
節目長約 50 分鐘，不設中場休息
Approx. 50 mins with no interval
設粵語口述影像、語音場刊及額外輪椅位，歡迎導盲犬
Audio description in Cantonese, house programme in audio format and extra wheelchair spaces available; guide dogs welcome
無限亮加料節目 No Limits PLUS P.56-59
•各場均設演後藝人談
Post-performance Meet-the-Artist Session after each performance
•綜合舞蹈與共融工作坊 Integrated Dance and Inclusion Workshops
Hamlet by Teatro La Plaza
燃亮求生激情
以最簡潔有力的言詞向世界吶喊
「生存還是死亡」（To be, or not to be）一句廣為大眾所熟知的台詞，對 於秘魯廣場劇團（Teatro La Plaza, Peru）的八位演員來說，卻是百般 滋味。
切拉．法拉利（ Chela De Ferrari） 編導《嗨姆雷特》，改編自英國文豪 莎士比亞的著名悲劇《哈姆雷特》。
A bold, joyous and thought-provoking new perspective on a classic work
Teatro La Plaza from Lima, Peru presents a bold reimagining of Shakespeare’s classic work, told by and for those who struggle to be accepted.
Sharing their desires and frustrations, a group of young people with Down syndrome take the stage with a freely adapted version of Hamlet . Constructed around Shakespeare’s original text and personal anecdotes from the actors’ lives, the production explores the play’s central, existential question: “To be or not to be?” As the characters examine the impact on individuals whose lives have historically been considered
a burden or a social waste, the audience is forced to consider the value and meaning of existence in a contemporary world where human worth is measured against unattainable standards of efficiency, production and beauty.
Blending personal monologues, classical drama, pop music, dance and wry humour, Teatro La Plaza’s Hamlet offers an eye-opening and provocative look at questions of inclusion and discrimination – making us question our own perceptions and values, but ultimately presenting a joyous celebration of life and theatre in all forms.
編劇及導演：
切拉．德．法拉利
副導演及副編劇： 強納森．奧利佛羅、
Playwright and Director: Chela De Ferrari
Associate Director and Associate Playwright: Jonathan Oliveros, Claudia Tangoa, Luis Alberto León
Born in Lima, Peru, Chela De Ferrari studied painting at the University of Puerto Rico in Rio Piedras, and theatre at the Club de Teatro de Lima. In Córdoba, Argentina, she directed the group EXTRAS for five years, staging collective creations and plays by Argentine authors. After returning to Peru, she was invited to direct several productions at the PUCP Cultural Center. In 2003 she founded the non-profit institution Teatro La Plaza, where she was also artistic director until 2021. In 2013 De Ferrari created Sala de Parto, a Teatro La Plaza programme designed to inspire and support new Peruvian playwriting. In the past 10 years, in collaboration with local and international partners, such as the Royal Court in London, Sala de Parto has helped to give birth to more than 50 plays. Recently, the programme has focused on providing support for women creators, and accompanying them in their process of creating new plays. 秘魯廣場劇團
Established in 2003, Teatro La Plaza in Lima, Peru is a theatre creation space that investigates and interprets reality, building a critical point of view that dialogues with its community, and offering productions that question, provoke and surprise.
Through original new plays, as well as classics explored through a contemporary lens, the company formulates key questions that allow us to better understand our reality, the hectic times in which we live, and the complex nature of human beings. In 2013, La Plaza created Sala de Parto, a programme designed to nurture collaborations and foster and support new Peruvian plays and playwrights.
8/3 （五 FRI） 8pm#
9/3 （六 SAT） 8pm# 10/3（日 SUN） 3pm
西班牙語演出 Performed in Spanish
節目長約 95 分鐘 ，不設中場休息
Approx. 95 mins with no interval
葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre
$180, $110
設中英文通達字幕、粵語口述影像及語音場刊，歡迎導盲犬
Subtitles and accessible captions in Chinese and English, audio description in Cantonese, house programme in audio format available; guide dogs welcome
“When I finally opened my eyes, it was totally dark. I could not see anything … I thought that the instant flash of bright light had made me blind.”
– Katsumi Takabu (1931–2007), Deaf survivor of the atomic bomb, Hiroshima
A visceral visualisation of sound inspired by the personal stories of Deaf survivors of the atomic bomb
Scored in Silence is an exquisite, digital solo sign language performance by London-based Deaf Japanese artist and choreographer Chisato Minamimura. Through a breathtaking combination of signing, mime, projected 3D animation, video footage, sounds and vibration, the performance unpacks the hidden, personal perspectives of the small number of Deaf people who survived the horrors of the atomic bomb atrocity in Japan in 1945.
Presenting excerpts of original recorded interviews of elderly Deaf people with lived experiences of Hiroshima, Scored in Silence is an imaginative piece of documentary theatre that brings to life the haunting untold narratives of this doubly stigmatised group of hibakusha –those affected by the bomb. Touching upon the atrocity of the event and its aftermath, the piece reveals the devastating layers of discrimination experienced by these isolated members of Japanese society.
Minamimura’s beautifully expressive interaction with the video footages and Holo-gauze screen animations create a powerful visualisation of sound and silent horror. Accessible and meaningful for Deaf, hearingimpaired and general audiences, Scored in Silence gives voice to those who are disenfranchised, and offers audiences insight into how Deaf people perceive the world around them.
Scored in Silence is performed in Hong Kong Sign Language with English and Chinese Surtitles, Optional Woojer vibration straps offer a physical experience of the soundtrack.
“Scored in Silence is a visceral, total experience for a wide gamut of audience members, hearing and not”
Chisato Minamimura is a Deaf performance artist, choreographer and British Sign Language art guide. Born in Japan and now based in London, Minamimura has created, performed and taught internationally and is currently a Work Place artist at The Place. Minamimura trained at Trinity Laban in London and holds a BA in Japanese Painting and MA from Yokohama National University. Minamimura approaches choreography and performance making from her unique perspective as a Deaf artist, experimenting with and exploring the visualisation of sound and music. By using dance and technology, Minamimura aims to share her experiences of sensory perception and human encounters.
Scored in Silence by Chisato Minamimura
南村千里 Chisato Minamimura
藝術總監／演出：
南村千里
監製： 米高．傑秦
燈光設計、製作經理：
喬恩．岩士唐
動畫： 戴夫．帕克
聲音藝術： 丹尼．布萊特
口述影像／文字／指導：
威廉．艾利奧特
震動觸覺：
大衛．博比爾、吉姆．拉克斯頓
（震動融合實驗室）
手語默劇： 井崎哲也
手語指導： 史蒂芬．韋伯
7/3 （四 THU） 8pm
8/3 （五 FRI） 8pm#
9/3 （六 SAT） 3pm, 8pm# 10/3（日 SUN） 3pm
節目長約 60 分鐘 ，不設中場休息
Approx. 60 mins with no interval
節目以香港手語演出
Artistic Director/Performer:
Chisato Minamimura
Producer: Michael Kitchin
Lighting Designer and Production Manager: Jon Armstrong
Animator: Dave Packer
Sonic Artist: Danny Bright
Audio Describer/Writer/Mentor: William Elliot
Vibrotactile Specialists: David Bobier, Jim Ruxton (VibrafusionLab)
Sign Mime Specialist: Tetsuya Izaki
Sign Language Mentor: Steven Webb
大館賽馬會立方
JC Cube, Tai Kwun
The programme will be conducted in Hong Kong Sign Language
設中英文通達字幕、粵語口述影像、語音場刊，歡迎導盲犬
Subtitles and accessible captions in Chinese and English, audio description in Cantonese, house programme in audio format available; guide dogs welcome
本節目設有體感震動裝置予聾人觀眾優先使用（名額有限），請於節目網頁或 掃此二維碼登記。
Optional Woojer vibration straps available with priority access for Deaf audience members (limited quota). Please register in advance on the programme webpage or by scanning the following QR code:
A vibrant rising star shares her passion for music
Award-winning violinist Ding Yijie returns to No Limits with a classical recital celebrating her musical passion and mastery. In 2019, Ding opened the No Limits programme as an accomplished emerging performer, receiving critical acclaim for her performance of Paganini’s Caprice No. 24. In this second recital, Ding showcases her musical development with an ambitious repertoire of works that have played an influential role in her career.
The programme includes virtuoso presentations of Beethoven’s Violin Sonata No.7, Henryk Wieniawski’s challenging piece Faust Fantasy, and a selection of works from Mendelssohn, Dvo ák and Tchaikovsky – all of which hold special childhood memories.
Born in the early 2000s, Ding is the first and only blind student to major in the violin at The Hong Kong Academy for Performing Arts. She has performed internationally in Japan, Austria and Germany, and been recognised with a number of awards. In 2022, she won the VSA International Young Soloist Competition and was named Best Performance at the 19th Gold Concert organised by the Japan Barrierfree Association, and in 2021, she was awarded the special jury prize at the HKGNA International Music Competition, as well as second prize in the young artist section.
We are delighted to welcome Ding back to the No Limits stage, and to showcase the exceptional talents of a bright and inspiring young performer.
Ding Yijie was born and raised in Foshan City, Guangdong, China. She began learning the violin at the age of six. In 2018, she made history as the first blind violin student at The Hong Kong Academy for Performing Arts (HKAPA), where she pursued a Bachelor’s degree with a full scholarship. Currently Ding is in the second year of her Master's degree at HKAPA, where she is mentored by Professor Michael Ma. Ding’s achievements include being invited by No Limits, Hong Kong Arts Festival to perform in a recital in 2019, marking her debut performance in Hong Kong. Throughout her studies, Ding has participated in master classes and solo performances, and won numerous awards at local and international competitions.
曲目 PROGRAMME
孟德爾頌
《乘着歌聲的翅膀》，作品 34 之 2
貝多芬 第七小提琴奏鳴曲
柴可夫斯基 《憂傷圓舞曲》，作品 51 之 6
德伏札克 〈母親教我的歌〉，選自《吉普賽之歌》，作品 55 之 4
韋尼奧夫斯基 《浮士德幻想曲》，作品 20
Mendelssohn On Wings of Song, Op 34-2
Beethoven Violin Sonata No 7
Tchaikovsky Valse Sentimentale, Op 51-6
Dvo ák “Songs My Mother Taught Me” from Gypsy Melodies, Op 55-4
Wieniawski Fantaisie Brillante, Op 20, “Faust Fantasy”
荃灣大會堂演奏廳 Auditorium, Tsuen Wan Town Hall 16/3（六 SAT） 8pm $100, $60
節目長約 90 分鐘，設中場休息 10 分鐘 Approx. 90 mins with 10 mins interval
設語音場刊及額外輪椅位，歡迎導盲犬 House programme in audio format, extra wheelchair spaces available; guide dogs welcome
Quiet and thought provoking, a candid invitation to look and reflect
Clothed in the skin of a mythical creature, Chiara Bersani, 98 cm tall, presents herself to us as the unicorn – slowly and provocatively giving life to its breath, its eyes, its body and essence, and inviting us to reflect on our perceptions of what we see. Quiet and thought-provoking, Gentle Unicorn is a deceptively simple work of physical theatre that bewitches the audience and slows time, revealing the impossibly magical creature as wholly and terribly human.
Award-winning Italian artist Chiara Bersani creates work that examines the politics and meaning of the body in society. With Gentle Unicorn she explores the interpretations given to bodies that meet societal expectations in different ways. Alone on stage, Bersani takes control of the way we view her, gently challenging us to lock eyes with her and look. As she
unflinchingly returns our gaze, subtly subverting hints of voyeurism, we are also forced to look at ourselves.
As an actor and performer, Bersani is trained in theatrical research, contemporary dance and performance, and has worked with renowned contemporary performance artists such as Rodrigo Garcia, Jérôme Bel and Alessandro Sciarroni. Gentle Unicorn was selected for Aerowaves Twenty 2019, and presented at the Venice Biennale, Reykjavík Dance Festival and London’s international dance festival Dance Umbrella to wide acclaim. In 2019, Bersani was recognised at Italy’s most prestigious performing arts awards with an UBU Best Newcomer Award for Performers under 35, as well as the Total Theatre Award for Dance at the Edinburgh Festival Fringe.
Chiara Bersani is an Italian performer and author active in the field of performing arts, research theatre and contemporary dance. Her works, presented in international circuits, are born as creations in dialogue with spaces of different natures. She was awarded the 2018 UBU Award for best new actor/performer under 35. In August 2019, at the Edinburgh Festival Fringe, Gentle Unicorn was awarded first prize in the dance category of the Total Theatre Awards. Chiara Bersani is an artist in the Advancing Performing Arts Project –Feminist Future, a project co-funded by the Creative Europe Programme of the European Union.
“Gentle Unicorn is a solo of subtle beauty and intelligence. In it Bersani approaches the figure and imagery of the unicorn from her own physicality.”
這齣合家歡劇集開播以來好評如潮， 收視成績驚人，不但摘下首屆法國 康城影視節展（ Mipcom）多元化電視 卓越獎，並於歐洲廣播節 Prix Europa 上取得年度最佳歐洲劇集獎。劇中個 性特色十足的朱古力包裝員均由來自 比利時劇團 Stap 的演員擔綱飾演，該 劇團由一眾神經多元、不同能力的專 業演員組成。別樹一格的敘事，集齊 浪漫喜劇、權鬥陰謀、社會共融等主 題，令劇集深受比利時和其他地區觀 眾的喜愛。
「《朱古力敢死隊》圍繞友情、親情、愛情，溫暖人心， 教人感覺良好，正是我們需要的影視作品。」
艾莉．拉卡薩尼斯，澳洲特別廣播服務公司
Hit seven-part TV drama about a young man with Down syndrome and his adventure across Europe to find “the one”
Jasper Vloemans is a young man with Down syndrome. Seeking independence from his family, he applies for a job at Tytgat Chocolate, a truffle manufacturing company that employs young people with learning difficulties in the packing room. Before long, he falls in love with his co-worker Tina, a girl from Kosovo. When Tina is being suddenly deported back to her home country, Jasper and his friends set out on a road trip to find her.
First broadcast on Belgian television in 2017, Team Chocolate is an awardwinning, seven-part Flemish TV drama that proved itself a runaway hit. Comic, romantic, irreverent and inclusive, the series was written and directed by Marc Bryssinck, creative director of Theater Stap, and screenwriter and director Filip
Lenaerts.
The main cast, the workers in the chocolate packing team, are played by actors from Theater Stap – a Flanders-based theatre company that works with a fixed ensemble of professional actors with learning difficulties. Joined by a host of renowned Belgian names in lead and cameo roles, the artistic quality of the Stap actors’ performances shines with such authenticity that viewers quickly forget the difference.
A fun and touching show for the whole family, Team Chocolate received the Prix Europa in Berlin for Best TV Fiction Series, the Diversity TV Excellence Award (Fiction Series) at Mipcom in Cannes, and a Special Mention at the Prix Italia.
現場放映 In-venue Screening
16/3（六 SAT）
12:20pm, 3pm
大館洗衣場石階
Laundry Steps, Tai Kwun
語言 Language: 佛拉蒙語及英語 Flemish and English
放映集數：第一集 Only the first episode will be screened.
免費入場 Free Admission
設中英文字幕、粵語及英語配音、粵語及英語口述影像、語音場刊，歡迎導盲犬
“Friendship, family and falling in love. The Belgian TV drama Team
Chocolate is the heart-warming and feel-good series we need right now.”
– Ally Caracatsanis, SBS Australia
Subtitles in Chinese and English, dubbing in Cantonese and English, audio description in Cantonese and English and house programme in audio format available; guide dogs welcome
免費網上節目 Free Online Programme
23/3 - 18/5
（六 SAT - 六 SAT）
無限亮網站免費播放
Free screening available on No Limits website
語言 Language: 佛拉蒙語及英語 Flemish and English
設中英文字幕及通達字幕、粵語及英語配音、粵語及
英語口述影像、語音場刊
Subtitles and accessible captions in Chinese and English, dubbing in Cantonese and English, audio description in Cantonese and English and house programme in audio format available
An unsentimental portrait of adults with cerebral palsy – and a critique of Japanese society in the 70s – the first work of influential Japanese documentary filmmaker Kazuo Hara
Japanese filmmaker Kazuo Hara’s documentary Goodbye CP presents an unflinching, compassionate and complex portrait of adults with cerebral palsy. Produced in 1972, the searing critique of society’s treatment of disabled people with cerebral palsy, would have a lasting impact on discourse around disability in Japan.
Goodbye CP was Hara’s first film. Blending confrontational interviews with raw footage of its subjects’ everyday struggles, the documentary
現場放映 In-venue Screening
16/3（六 SAT） 1:15pm, 4:15pm
大館洗衣場石階 Laundry Steps, Tai Kwun
語言 Language: 日語 Japanese 設中英文字幕、粵語及英語配音、粵語及英語口述影像、 語音場刊，歡迎導盲犬
免費入場 Free Admission
Subtitles in Chinese and English, dubbing in Cantonese and English, audio description in Cantonese and English and house programme in audio format available; guide dogs welcome
1945 年出生於山口縣宇部市。
從東京攝影學院退學後，他舉辦 了一場關於殘疾兒童世界的攝影 展，名為「 Baka - ni Sunna 」。
1971 年與小林佐智子共同創立
製作公司 Shisso Production ，
同年以紀錄片《再見 CP 》首次
擔任導演。後續作品《極度私人
愛慾：情歌 1974 》（ 1974 ）被 譽為開創性的「自我紀錄片」。
大受歡迎的《皇帝裸軍行進》 （ 1987 ）榮獲柏林國際電影節卡
里加里電影獎、法國真實電影節
大獎等獎項。其他作品包括《奉
獻的一生》（ 1994 ）、《千花
的千面》（ 2005 ）及《泉南石
棉災難》（ 2017 ）。原一男作
為環境污染的受害者，拍攝歷時 十五年，一部史詩式三集紀錄片
以片長達 372 分鐘的《水俁曼
荼羅》（ 2020 ），關注水俁病
患者及其家人取得法律承認和賠 償。
Japanese filmmaker Kazuo Hara was born in 1945. After dropping out of Tokyo College of Photography he worked as a care worker at a school for disabled children, and began to shoot a series of photos that would become his first solo exhibition Baka ni Sunna (Don’t Make Fun of Me). In 1971, Hara founded the independent film company Shisso Productions with his wife, producer and primary collaborator Sachiko Kobayashi, and, the following year, made his directorial debut with the documentary Goodbye CP. His films, Extreme Private Eros: Love Song 1974 (1974), The Emperor’s Naked Army Marches On (1987) and A Dedicated Life (1994), would confirm his pioneering actiondocumentary style and garner international acclaim. Hara’s other work includes A Dedicated Life (1994), Many Faces of Chika (2005), Sennan Asbestos Disaster (2017) and Minamata Mandala (2020), a three-part, six-hour epic shot over 15 years, about the individuals fighting for legal recognition and compensation for a community poisoned by industrial wastewater.
allows them to turn the gaze back on society, forcing us to acknowledge the prejudices and difficulties faced by individuals who struggle to have their existence recognised. Powerful and unsettling, Goodbye CP outlined the style, tone and subject matter for Hara’s subsequent work and career – championing the disenfranchised and those considered outsiders, and influencing and setting the bar for generations of filmmakers around the world. 原一男《再見
免費網上節目 Free Online Programme
23/3 - 18/5
（六 SAT - 六 SAT）
無限亮網站免費播放 Free screening available on No Limits website
語言 Language: 日語 Japanese
設中英文字幕及通達字幕、粵語及英語配音、粵語及
英語口述影像、語音場刊
Subtitles and accessible captions in Chinese and English, dubbing in Cantonese and English, audio description in Cantonese and English and house programme in audio format available
by Kazuo Hara
原一男 Kazuo Hara
莫因先天不足而氣餒 正向活出自我價值
Stay positive – you might just be surprised at what you can achieve
The Penguin Who Couldn’t Swim
by Tom Rourke
動畫 Animation
現場放映 In-venue Screening
16/3（六 SAT）
12:10pm, 2:50pm, 4:10pm, 5:50pm
大館洗衣場石階
Laundry Steps, Tai Kwun
設粵語及英語口述影像、語音場刊，歡迎導盲犬
免費入場 Free Admission
Audio description in Cantonese and English and house programme in audio format available; guide dogs welcome
A disabled penguin lives on a rocky island in the southern seas. Unable to swim, she feels isolated from the rest of her colony. Despite brave attempts to join the other penguins in the sea, she is frustrated about what she cannot do. One day, her inventive and resourceful determination leads her to a discovery that changes her life.
The Penguin Who Couldn’t Swim is a short animation about disability and bullying directed by award-winning London-based animator and motion graphics designer Tom Rourke. Made in collaboration with the British Film Institute and Wingspan Productions, it was commissioned and funded by the BBC. The animation won the Best Animated Short Film Award at the British Animation Film Festival, and was selected for a number of international festivals, including the BFI London Film Festival, Aesthetica Short Film Festival, Manchester Animation Festival, Athens International Film Festival, San Francisco Superfest Disability Film Festival, Chicago International Children’s Film Festival, and Gdansk International Animation Festival, Poland.
免費網上節目 Free Online Programme
23/3 - 18/5
（六 SAT - 六 SAT）
無限亮網站免費播放
Free screening available on No Limits website
設中英文通達字幕、粵語及英語口述影像、語音場刊
Accessible captions in Chinese and English, audio description in Cantonese and English and house programme in audio format available
湯姆．洛克《沖天小企鵝》 The Penguin Who Couldn’t Swim by Tom Rourke
無懼世事變改
An animated love story about empowerment, control and rejection
Like a fairy-tale suitor in a computer-game world, a love-struck young man attempts to win the heart of a young woman by offering her a beautiful rose. Rejected and compelled to face a series of challenges, he stumbles forward, thwarted at every turn. Watching on, the all-powerful young woman, wielding crutches like tools that offer superhuman agility, moves with confident independence through her environment.
All for Claire by Simon Mckeown
動畫 Animation
現場放映 In-venue Screening
16/3（六 SAT）
大館洗衣場石階
Laundry Steps, Tai Kwun
12pm, 2:40pm, 4pm, 5:40pm 免費入場 Free Admission
設粵語及英語口述影像、語音場刊，歡迎導盲犬
Audio description in Cantonese and English and house programme in audio format available; guide dogs welcome
免費網上節目 Free Online Programme
23/3 - 18/5
（六 SAT - 六 SAT）
Free screening available on No Limits website
設中英文通達字幕、粵語及英語口述影像、語音場刊
Accessible captions in Chinese and English, audio description in Cantonese and English and house programme in audio format available
All for Claire is a short animated love story with a twist. Written, directed and produced by Simon Mckeown, an awardwinning UK artist renowned for his work on disability, the thought-provoking 3D animation challenges perceptions of empowerment, control and rejection. Created in collaboration with internationally recognised dancer and choreographer Claire Cunningham, one of the UK’s most acclaimed disabled performers, it recreates Cunningham’s unique movements and use of crutches through motion-capture technology.
All for Claire was awarded Best Experimental Film at the 2011 Deaffest, UK. Sponsored by DaDaFest International 2010 and BBC BigScreen, the animation has been screened at international film festivals and on BBC Big Screens throughout the UK. In 2019, All for Claire was selected as part of the British Film Institute (BFI) Disabled Britain on Film permanent collection for capturing and raising the visibility of disability art and culture.
All for Claire by Simon Mckeown
無限亮加料節目 NO LIMITS PLUS
觀眾除可欣賞精彩的演出外，更可透過線上線下的免費加料節目，與藝術
家接觸，深入了解各個演出背後的故事和創作理念，從而豐富想像與啟迪 心靈。
No Limits PLUS offers a series of meet-the-artist sessions, artist-led workshops and a roundtable discussion providing insight into issues of inclusivity, as well as the creative concepts, performance techniques and production and technical aspects of performances in the No Limits festival.
# 詳情請瀏覽「無限亮」網站，或與我們聯絡。
For more information, please contact us or visit the No Limits website.
2828 4949 outreach@nolimits.hk
維帝戈平衡之力《無形舞軀》
Shape on Us by Vertigo Power of Balance
演後藝人談 Post-performance Meet-the-Artist Session
現場 In- venue
於各場演出後進行 After each performance
英語主講 Conducted in English
粵語及香港手語傳譯
Interpretation in Cantonese and Hong Kong Sign Language
須持有效門票
A valid ticket must be presented for admission
維帝戈平衡之力《無形舞軀》
Shape on Us by Vertigo Power of Balance nolimits.hk
In these workshops, participants explore movement, contact improvisation, dance techniques and new teaching methods for inclusive dance. They also learn about the qualities of deep listening, shifting the focus to what is available, and creating a safe and open space for personal, physical and artistic breakthroughs.
現場 In- venue
英語主講 Conducted in English
粵語及香港手語傳譯
Interpretation in Cantonese and Hong Kong Sign Language
須預先於無限亮網站登記 #
Online registration required at No Limits website
27/2/2024
秘魯廣場劇團《嗨姆雷特》
Hamlet by Teatro La Plaza
演後藝人談 Post-performance Meet-the-Artist Session
現場 In- venue
於指定日子演出後進行 After selected performance
英語及西班牙語主講 Conducted in English and Spanish
粵語及香港手語傳譯
Interpretation in Cantonese and Hong Kong Sign Language
須持有效門票
A valid ticket must be presented for admission
南村千里《沉默の記譜》
Scored in Silence by Chisato Minamimura
演後藝人談 Post-performance Meet-the-Artist Session
現場 In- venue
於指定日子演出後進行 After selected performance
英語主講 Conducted in English
粵語及香港手語傳譯
Interpretation in Cantonese and Hong Kong Sign Language
須持有效門票
A valid ticket must be presented for admission
8/3/2024 8pm
9/3/2024 8pm
南村千里《沉默の記譜》
Scored in Silence by Chisato Minamimura
《從聾人的角度探索聲音之美》工作坊
Workshop: Exploring Physical Sound from a Deaf Perspective
Drawing on improvisation and her unique way of exploring sound and movement as a Deaf artist, Chisato Minamimura leads participants through an exploration to focus and use their senses to create movements that are unique to them. The group also investigate the importance of personal space and relationship with others, using patterns and geometric shapes.
現場 In- venue
英語主講 Conducted in English
粵語及香港手語傳譯
Interpretation in Cantonese and Hong Kong Sign Language
須預先於無限亮網站登記 #
Online registration required at No Limits website
祈亞娜．貝爾薩尼《溫柔的獨角獸》
Gentle Unicorn by Chiara Bersani
演後藝人談 Post-performance Meet-the-Artist Session
現場 In- venue
於指定日子演出後進行 After selected performance
英語主講 Conducted in English
粵語及香港手語傳譯
Interpretation in Cantonese and Hong Kong Sign Language
In this online discussion, a panel of local and international speakers share their thoughts on how lifestyle design can improve inclusivity by acknowledging and embracing the uniqueness and diversity of the everyday lives of those around us.
Looking at the rich and well-rounded lives of people with disabilities around the world, the discussion explores definitions of inclusion, and examines how lifestyle design in areas such as fashion, travel and gaming can be adapted and improved to help create more inclusive communities for all of us.
21 / 3 Thu | 四 5pm - 7:30pm
（香港時間Hong Kong Time）
免費活動，須預先登記
Free admission, registration required
設即時傳譯、中文及英文字幕、香港手語傳譯
Simultaneous interpretation, live subtitling in English and Chinese, and Hong Kong Sign Language interpretation available
This year’s school tour presents an interactive theatrical performance that encourages students to explore concepts of inclusion in everyday life and across different art forms.
Tina, the daughter of a property tycoon, is looking to remodel one of the company’s old buildings known for its problems with graffiti and noise. Before she evicts the tenants and converts the building into a multi-million dollar housing project, Tina visits the property one last time. To her surprise, she discovers that the building has a distinct and uniquely creative character, and that the “graffiti” is actually the work of an artist with physical disabilities, and the “noise” is music played by a visually impaired pianist!
School Touring Programme: Arts from Home
Will Tina realise the value of inclusive arts and withdraw her remodelling plan? Or will the artists lose their home and place for making art in the community?
At the heart of No Limits is the belief that art transcends physical and cognitive abilities while embracing the boundless power of imagination. The 2024 No Limits Pilot Creative Programme, The Story of Motion , aims to create a barrier-free environment where participants with different abilities can come together and explore the limitless possibilities of artistic expression.
The Story of Motion is an inclusive dance project presented in collaboration with local community centres. It is designed to provide individuals with disabilities opportunities to engage in creative movement and artistic expression, and to help foster physical and emotional well-being. Through workshops, creative sharing sessions, community engagement, and interactive activities led by experienced artists and mentors, participants will be encouraged to acquire new skills, gain confidence in their creative talents, and develop and broaden their artistic horizons and abilities.
Our vision for the programme is to create a rich tapestry of connections, foster a sense of belonging, and encourage the exchange of ideas among participants and people of all abilities.
For
節目時間表 PROGRAMME CALENDAR
1:15pm 4:15pm
Team Chocolate by Filip Lenaerts and Marc Bryssinck
原一男《再見 CP》
Goodbye CP by Kazuo Hara 12:10pm 2:50pm 4:10pm
The Penguin Who Couldn’t Swim by Tom Rourke 12pm 2:40pm 4pm 5:40pm
西蒙．麥考恩《女神狂想曲》
All for Claire by Simon Mckeown
開幕節目 Opening Programme
香港大會堂音樂廳
Concert Hall, Hong Kong City Hall
葵青劇院演藝廳
Auditorium, Kwai Tsing Theatre
葵青劇院黑盒劇場
Black Box Theatre, Kwai Tsing Theatre
荃灣大會堂演奏廳
Auditorium, Tsuen Wan Town Hall
大館賽馬會立方
JC Cube, Tai Kwun
大館洗衣場石階
Laundry Steps, Tai Kwun
網上 Online
21/3
四 Thu 5pm7:30pm
in Silence by Chisato Minamimura P.28
23/3
六 Sat —
18/5
六 Sat
網上圓桌研討會「共融生活文化的反思」
Online Roundtable Discussion: Rethinking Lifestyle Design and Inclusive Culture
菲利普．萊納爾茨及馬克．布萊辛克《朱古力敢愛隊》
Team Chocolate by Filip Lenaerts and Marc Bryssinck
Goodbye CP by Kazuo Hara
湯姆．洛克《沖天小企鵝》
The Penguin Who Couldn’t Swim by Tom Rourke
西蒙．麥考恩《女神狂想曲》
All for Claire by Simon Mckeown
購票指南 BOOKING GUIDE
「無限亮」 2024 節目門票由 12
月 6 日 起於城市售票網及 Artmate 網上售票平台發售。顧客可
透過以下途徑購票，所有門票於
節目開始前十五分鐘內，只在該 節目的表演場地售票處發售。
Tickets for No Limits 2024 programmes are available at URBTIX and Art-mate from 6 December onwards. Tickets can be bought in the following ways. Please note, from 15 minutes before the show starts, tickets are only available at the box office of the venue where the programme is being held.
A service fee of HK$9 per ticket is applicable for internet and telephone bookings, as well as bookings made via the mobile ticketing app (No upper limit, non-refundable).
Counter Booking:
Payment can be made in cash (Hong Kong dollars, applicable to counter booking only), or Visa, Mastercard, American Express, UnionPay, Octopus, Alipay, WeChat Pay and Faster Payment System for all events.
Ticketing Enquiries and Customer Service: 3166 1288 (10am–8pm daily)
城市售票網售票處購票地點
香港文化中心
香港大會堂
沙田大會堂
URBTIX Ticketing Outlets
Hong Kong Cultural Centre
Hong Kong City Hall
Sha Tin Town Hall
星期日至四上午 10 時至下午 6 時 30 分 Sun–Thu: 10am – 6:30pm
星期五至六上午 10 時至下午 8 時 Fri–Sat: 10am – 8pm
上環文娛中心
伊利沙伯體育館
香港體育館
高山劇場
牛池灣文娛中心
北區大會堂
屯門大會堂
荃灣大會堂
葵青劇院
Sheung Wan Civic Centre
Queen Elizabeth Stadium
Hong Kong Coliseum
Ko Shan Theatre
Ngau Chi Wan Civic Centre
North District Town Hall
Tuen Mun Town Hall
Tsuen Wan Town Hall
Kwai Tsing Theatre
每日上午 10 時至下午 6 時 30 分 10am – 6:30pm daily
售票處地點開放時間均以康樂及文化事務處網頁顯示之資料為準。
Opening hours in ticketing outlets are for reference only.
For full details please visit the LCSD website. 大館
Tai Kwun
每日上午 10 時至下午 6 時 10am – 6pm daily
優惠購票計劃 DISCOUNT SCHEMES
半價優惠
全日制學生、殘疾人士及其看護
人、綜合社會保障援助受惠人士
可獲半價優惠。優惠票持有人入
場時，必須出示可以證明身份或 年齡的有效證件。
Concessions
Half-price tickets are available for fulltime students, people with disabilities and a companion and Comprehensive Social Security Assistance (CSSA) recipients. Concessionary ticket holders must produce evidence of their identity or age upon admission.
團體購票優惠
每次購買四至九張同場正價門
票，可獲 九折優惠 ；
每次購買十張或以上同場正價門
票，可獲 八折優惠 。
套票優惠
每次購買二至三場不同節目的正 價門票，可獲 九折優惠 ；
每次購買四場或以上不同節目的
正價門票，可獲 八折優惠 。
Group Booking Discount
10% discount on purchases of 4–9 fullprice tickets for one programme.
20% discount on purchases of 10 or more full-price tickets for one programme.
Package Booking Discount
10% discount on purchases of 2-3 fullprice tickets for multiple programmes.
20% discount on purchases of 4 or more full-price tickets for multiple programmes.
• Only one discount scheme can be applied for the purchase of each ticket. Please inform the box-office staff at the time of purchase.
• Wheelchair users and people with disabilities may purchase an additional ticket for a companion at the same concession rate.
• The price of each discounted ticket will be rounded up to the nearest dollar.
• One ticket per person regardless of age.
• Audiences are strongly advised to arrive punctually. Latecomers will only be admitted during the interval or at a suitable break.
• The presenter reserves the right to substitute artists and change programmes should unavoidable circumstances make it necessary. Please refer to the No Limits website for the latest update.
• In no event shall the Funder have any liability of any kind to any person or entity arising from or related to any actions taken or not taken as a result of any of the contents herein.
葵青劇院 Kwai Tsing Theatre
新界葵涌興寧路 12 號 12 Hing Ning Road, Kwai Chung, New Territories 2408 0128
荃灣大會堂 Tsuen Wan Town Hall
新界荃灣大河道 72 號
Monday–Friday: 9:30am–1pm, 2pm–6:30pm, closed on Saturdays, Sundays and public holidays
10 Hollywood Road, Central, Hong Kong 3559 2600
72 Tai Ho Road, Tsuen Wan, New Territories 2414 0144
The arts can be enjoyed in different ways and with all our senses. No Limits programmes* offer a variety of accessibility services and facilities for people with disabilities:
Arts Accessibility Services provided by No Limits include*:
Audio Description
Narration of key visual information to help people with visual impairments understand and access nonaudio content.
Guide Dog Friendly
People with visual impairments are welcome to bring their guide dogs into the venues.
Braille Booklet
Programme information provided in braille format.
Audio Booklet
Programme
information provided in audio format.
* Accessibility services differ from programme to programme. Please refer to individual programme pages for details.
Accessible Captions (English)
Written description of speech and sounds to help people with hearing impairments understand and access the programmes.
Hong Kong Sign Language Interpretation
On-site interpretation of the spoken elements of a performance in Hong Kong Sign Language.
Theatrical Interpretation
On-site translation of spoken elements of a performance in Hong Kong Sign Language, with additional expressive gestures and facial expressions to convey tone and character.
Easy-to-Read Booklet
Programme information provided in simple language and pictures.
Relaxed Performance
Performances designed for people who may find regular events daunting, with supportive and relaxed ambience, low lighting and sound, chill-out zones and a welcoming attitude towards noise and movement from the audience.
