Garba book keynote new style 20th july 2015 wide5

passion and devotion

garba Garba is a circular devotional dance in celebration of fertility and the divine feminine The word garba literally means a womb. Garba can also refer to a perforated pot with a light in it and the name Garba is given to the songs which are sung when garba is danced.

the pot Garba Deep is the name given to a clay pot, which is usually perforated and decorated on the outside with a hand made Diva ( wick ) lit and placed inside. Garba means a womb and Deep means light.

Settings Do good headers, with globes alternating also half header images above and below. Put 4 images per header zoom transition, and can use for most of the site it works one header a page. Design a alternating images template so can see where to place the best images, consider captioning some of them just as an example. Have white globes amongst the images for contrast.

Have a page where the globes are cartoon type images images, or even alpha cartoons.

Have one with just iconic images. As work

F A S H I O N

passion and devotion Settings with globes alternating also half header images above and below.

Put 4 images per header zoom transition, and can use for most of the site it works one header a page. Design a alternating images template

F A S H I O N

passion and devotion Settings with globes alternating also half header images above and below.

Put 4 images per header zoom transition, and can use for most of the site it works one header a page. Design a alternating images template

F A S H I O N

passion and devotion Settings with globes alternating also half header images above and below.

Put 4 images per header zoom transition, and can use for most of the site it works one header a page. Design a alternating images template

passion and devotion Settings with globes alternating also half header images above and below.

Put 4 images per header zoom transition, and can use for most of the site it works one header a page. Design a alternating images template

passion and devotion Settings with globes alternating also half header images above and below.

Put 4 images per header zoom transition, and can use for most of the site it works one header a page. Design a alternating images template

sparkle and glitter shine and tingle

Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the G o p i s. Th e s o n g s a re a l m o s t a l ways composed in the Gujarati language in all its richness and variance. The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is needed other than a drummer with a two headed drum known as a Naal, to keep the beat and rhythm. The traditional instruments used by the performers are most commonly a Naal or other drum, the shehnai or flute and a harmonium, Garba does not need very elaborate instrumentation, however in modern times many forms of electronic and percussion instruments are used. Garba can also be performed to prerecorded music, and it is far more preferable to dance to prerecorded music if the musicians or singers available are not as accomplished as desired.

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sparkle and glitter shine and tingle

Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the G o p i s. Th e s o n g s a re a l m o s t a l ways composed in the Gujarati language in all its richness and variance. The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is needed other than a drummer with a two headed drum known as a Naal, to keep the beat and rhythm. The traditional instruments used by the performers are most commonly a Naal or other drum, the shehnai or flute and a harmonium, Garba does not need very elaborate instrumentation, however in modern times many forms of electronic and percussion instruments are used. Garba can also be performed to prerecorded music, and it is far more preferable to dance to prerecorded music if the musicians or singers available are not as accomplished as desired.

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garba Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are co m p o s i t i o n s i n p ra i s e a n d worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis.

The songs are almost always composed in the Gujarati language in all its richness and variance. The compositions of Garba cover a wide spectrum of life and its loves and longings, its

Garba and Raas are, the highest intoxication, the ultimate devotion 9

weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is

garba Garba

and

Raas

compositions have been handed down over the g e n e rat i o n s a n d t h e i r words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and

Garba and Raas are, the highest intoxication, the ultimate devotion 10

refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

The

garba Garba and Raas compositions

the wonderful world of dance

have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns.

There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance. The compositions of Garba cover a wide spectrum of life and its loves and longings, its we a k n e s s e s a n d wo e s, i n loving words, teasing lyrics and cheeky asides.

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the wonderful world of dance

garba Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is needed other than a drummer with a two headed drum known as a Naal, to keep the beat and rhythm. The traditional instruments used by the performers are most commonly a Naal or other drum, the shehnai or flute and a harmonium, Garba does not need very elaborate instrumentation

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the wonderful world of dance

garba Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is needed other than a drummer with a two headed drum known as a Naal, to keep the beat and rhythm. The traditional instruments used by the performers are most commonly a Naal or other drum, the shehnai or flute and a harmonium, Garba does not need very elaborate instrumentation

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the wonderful world of dance

garba Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words,

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the wonderful world of dance

garba Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words,

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garba Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance. The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is needed other than a

the wonderful world of dance

drummer with a two headed drum known as a Naal, to keep the beat and rhythm. The traditional instruments used by the performers are most commonly a Naal or other drum, the shehnai or flute and a harmonium, Garba does not need very elaborate instrumentation

Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

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garba Garba and Raas

compositions have been handed down over the

generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance. The compositions of Garba cover a wide spectrum of life and its loves and longings, its weaknesses and woes, in loving words, teasing lyrics and cheeky asides.

The clapping with the hands and the clicking of the dandiyas resonate all over the dance floor and often little accompaniment is needed other than a drummer with a two headed drum known as a Naal, to keep the beat and

the wonderful world of dance

rhythm. The traditional instruments used by the performers are most commonly a Naal or other drum,

the shehnai or flute and a harmonium,

Garba does not need very elaborate instrumentation

Garba and Raas compositions have been handed down over the generations and their words and themes range from the devotional and spiritual, to social and domestic concerns. There are compositions in praise and worship of the mother goddesses and there are loving symphonies and refrains on the dalliance of Krsna with Radha and the Gopis. The songs are almost always composed in the Gujarati language in all its richness and variance.

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