New Mexico Philharmonic 2014/15 Season Program Book 7 2014 2015 nmphil program7

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Welcome .

Table of Contents FEBRUARY 28, 2015

Program Program Notes Robert Tweten Valerie Potter MARCH 7, 2015

Program Program Notes Jolie Sutton-Simballa Grant Cooper YOUR NMPHIL

Upcoming Concerts Knight’s Cross Order of Merit Meet the Musicians Sponsors Orchestra Board of Directors, Advisory Board, Staff Donor Circles The Legacy Society Thank You UPDATE YOUR ADDRESS BOOKS

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Upcoming Concerts Reserve Tickets

Popejoy Classics Popejoy Hall (505) 925-5858 unmtickets.com

Neighborhood Concerts Albuquerque (505) 323-4343 nmphil.org

Saturday, March 28, 2015, 6 p.m.

Mahler’s Colossal 5th Philip Mann conductor Ilya Kaler violin Mozart Overture to Don Giovanni Paganini Violin Concerto No. 2 Mahler Symphony No. 5

Saturday, March 14, 2015, 6 p.m.

Central United Methodist Church Byron Herrington conductor Central United Methodist Chancel Choir Handel Selections from the “Chandos” Anthems Schumann Requiem

Saturday, April 18, 2015, 6 p.m.

Welcome Back Olga Teddy Abrams conductor Olga Kern piano Strauss Don Juan Grieg Piano Concerto in a minor Debussy La Mer

Saturday, March 21, 2015, 6 p.m.

St. John’s United Methodist Church Matthew Greer conductor Quintessence: Choral Artists of the Southwest Crafts The Tree Not the Pyramid Jackie McGehee Young Artists’ Competition Winners’ Concertos Duruflé Requiem

Sunday, April 26, 2015, 3 p.m.

St. Luke’s Lutheran Church David Felberg conductor Frederick Frahm organ Handel Concerto Grosso in a minor Frahm Concerto for Organ and Strings Respighi Ancient Airs and Dances, Suite No. 3 Corelli Concerto Grosso in D Major

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Sunday, April 12, 2015, 2 p.m.

NMPhil Stars Timothy Muffitt conductor Peter Erb horn Haydn Symphony No. 43 Mozart Horn Concerto No. 4 Beethoven Symphony No. 1

Popejoy Pops Popejoy Hall (505) 925-5858 unmtickets.com Saturday, April 4, 2015, 6 p.m.

An Evening with Ottmar Liebert David Felberg conductor Ottmar Liebert guitar

2014/15 Season

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NHCC Classics National Hispanic Cultural Center (505) 724-4771 nationalhispaniccenter.org

Musical Fiestas Private Homes (505) 323-4343 crancier@nmphil.org April 19, 2015 Sandia Heights home of Dr. Frederick & Elaine Fiber Olga Kern pianist Join us for Sunday afternoon fund raising events at private homes that feature our guest artists in an intimate performance setting, which includes dinner and wine.

This is your chance to meet the guest artists in person. Part of the ticket cost is tax deductible to the extent allowed by the law. $200/person. Call or email for more information and to reserve your seats.

Young Musician Initiative Benefit Evening

Dine! Music! Dance!

Friday, March 6, 2015, 6:30 p.m.

Las Puertas, 1512 First St NW, Albuquerque, NM 87102 Krzysztof Zimowski violin Eva Garlez tango dancer Pablo Rodriguez tango dancer Young Musician Initiative Kids Performance Demo Valet Parking Dinner & Wine Performances Silent Auction Tango Dancers & Instruction Dance!

Join us at Las Puertas for a wonderful evening of food, music, and dance to benefit the Young Musician Initiative (YMI) program of the New Mexico Philharmonic. Enjoy performances by NMPhil’s own Krzysztof Zimowski and visiting artists from Argentina, Eva Garlez and Pablo Rodriguez. Participate in a silent auction, learn a few expert dance moves, and test out your newly acquired skills! $150/person. RSVP today!

RSVP by February 28, 2015

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Concert Program .

Saturday, February 28, 2015, 6 p.m.

Popejoy Classics: Wolfgang Amadeus: A Night of Mozart

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Robert Tweten conductor Valerie Potter flute

Popejoy Hall

Overture to The Marriage of Figaro

Flute Concerto No. 1 in G Major, K. 313 I. Allegro maestoso II. Adagio ma non troppo III. Rondo: Tempo di Menuetto

Wolfgang Amadeus Mozart (1756–1791)

Making a Difference

Wolfgang Amadeus Mozart

Sandia Laboratories Federal Credit Union

This performance is made possible in part by the generosity of the following:

The Honorable & Mrs. James A. Parker

Valerie Potter flute

I N T E R M I S S I O N

Symphony No. 41 in C Major, “Jupiter,” K. 551 I. Allegro vivace II. Andante cantabile III. Menuetto: Allegretto IV. Molto allegro

Wolfgang Amadeus Mozart

The Knight’s Cross Order of Merit presentation.

The New Mexico Philharmonic

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Program Notes .

Program Notes Lori Newman

Wolfgang Amadeus Mozart Born 1756, Salzburg, Austria Died 1791, Vienna, Austria

Overture to The Marriage of Figaro (1786) The Marriage of Figaro (Le nozze di Figaro) is the first of the Mozart/Da Ponte trilogy of opera mainstays, the other two being Don Giovanni and Così fan tutte. Da Ponte’s libretto is based on the play La Folle Journée, ou Le Mariage de Figaro, by the French playwright Pierre-Augustin Caron de Beaumarchais. The play was considered scandalous at the time due to its political commentary on the excesses of the aristocracy and its overtly sexual nature.

Da Ponte removed much of the political commentary, moderated the most risqué parts, and increased the pace of the action for Mozart’s opera. Figaro is opera buffa at its finest (and most absurd), continuing the story of The Barber of Seville. It is filled with farce, scheming, and of course, mistaken identity.

The work premiered on May 1, 1786, at Vienna’s Burgtheater with Mozart conducting. It was successful in Vienna, but to a lesser degree than it was when Mozart took it to Prague in 1787. He wrote to his father from Prague in January of that year, “the one subject of conversation here is— Figaro; nothing is played, sung or whistled but—Figaro; nobody goes to any opera but— Figaro; everlastingly Figaro!”

The overture, while containing none of the opera’s melodic themes, sets the tone and pace of the ensuing action that will follow.

The overture opens with running sixteenth notes in the strings and bassoon, setting up a frenetic clip which continues throughout the entire opera. Even the contrasting lyrical

Figaro is opera buffa at its finest … filled with farce, scheming, and of course, mistaken identity. theme in the overture has an impellent feel to it, never sitting back, but always moving forward to its joyous conclusion. ●

Wolfgang Amadeus Mozart

Flute Concerto No. 1 in G Major, K. 313 (1778) The controversy surrounding Mozart’s works for the flute, and his alleged abhorrence for the instrument, has long been a subject of contention. While working on a commission to produce a number of flute pieces, Mozart wrote a letter to his father, in part, explaining why the commission was still unfinished.

The common translation of that letter reads, “You know that I become quite powerless whenever I am obliged to write for an instrument which I cannot bear.” The fact that he composed elegant masterworks for an instrument he supposedly disliked, not to mention, wrote an entire opera in which the instrument in question plays an integral role (The Magic Flute), has understandably spurred confusion as to Mozart’s true sentiments regarding the flute.

The Flute Concerto in G Major was composed in early 1778, while Mozart was residing in Mannheim. During that time, he had become close friends with Johann Baptist Wendling, principal flute of the Mannheim orchestra. When it became clear that Mozart would have to leave Mannheim if he did not obtain more work, Wendling set out to find Mozart employment. This included a commission from an amateur flutist by the name of Ferdinand de Jean.

“You know that I become quite powerless whenever I am obliged to write for an instrument which I cannot bear.”

—Wolfgang Amadeus Mozart

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He requested Mozart compose “three short, simple concertos and a couple of quartets for the flute.”

Agreeing to finish the pieces quickly, Mozart was to be paid 200 gulden (roughly $112 today) for these works. After a few months’ time, however, it became apparent that the works would not be completed at the speed with which they were promised.

In that infamous letter to his father, Mozart explained that he had received notification that de Jean was leaving for Paris, and since Mozart had only given him two concertos and three quartets, he would only be paid half of the promised sum. It was in the midst of these excuses to his father, concerning the reasons he would not be receiving payment, that Mozart made his notorious statement about the flute.

It is probably fortunate for Mozart that he received as much money as he did for his commission by de Jean. Only one of the two concertos he delivered, the Concerto in G Major, was original. The other concerto he delivered, the Concerto in D Major, was simply an arrangement of his previous Oboe Concerto in C Major. The popular Oboe Concerto was widely performed and would have certainly been known to de Jean. It has also been suggested that Mozart’s difficulty with this particular commission was due to the shortcomings of de Jean’s abilities on the flute. In point of fact, the second movement Adagio of the G Major Concerto caused de Jean interpretive problems, so Mozart composed the Andante in C as an alternate 2nd movement for the work. Despite the fact that the Flute Concerto in G Major is the only original concerto to come from the de Jean commission, it shows no evidence of Mozart’s supposed disdain for the flute.

As Mozart scholar Neal Zaslaw states, “It is full of humor, warmth, and refined good taste. As with every instrument he [Mozart] wrote for, he learned and assimilated the flute’s potential and never embarrassed the performer by exceeding it.”

The Concerto consists of the standard three-movement concerto form. Mozart uses his traditional accompaniment of strings,

Program Notes . oboes, and horns in the scoring, with pairs of flutes replacing the oboes in the second movement. The first movement opens with a lengthy orchestral introduction that lays much of the thematic groundwork. The flute enters with the fanfare theme with which the orchestra introduced earlier. This is followed by a gentler, feminine theme; however, this kinder, graceful theme does not last for long. Throughout the movement, the flute is asked to flit about its register and perform impressive technical passages with grace and aplomb. The second movement is one of unspeakable beauty filled with soaring melodies and poignant themes. The Rondo finale opens with a graceful and stylized minuet theme which soon gives way to more technical gymnastics for the soloist. All three movements contain cadenzas, although, the third movement’s cadenza is of the short, “internal” type—one that does not completely disturb the flow of the music.

Many of Mozart’s most important contributions to music deal with the genre of the concerto, which as the renowned music writer Charles Rosen states, “… pit the individual voice against the sonority of the mass.” Mozart’s works for wind instruments are particularly significant in that he allowed winds a role that was unique in the music of his time. He was greatly interested in the solo characteristics of the various wind instruments and gave them a new freedom and importance. In his orchestral works, he often wrote solo or ensemble passages that specifically featured use of the winds.

He even created instances where a group of winds was completely unsupported by strings, a rarity for the day.

Although the idea that Mozart detested the flute has always attracted attention, scholars have never been able to agree on Mozart’s true opinion of the instrument.

Other feasible explanations abound concerning that infamous quote. In the majority of his letters, Mozart’s language and word order is careless, which leaves most translations vague. Music critic Andrew Porter gives another possible translation: “Moreover, as you know, I always get fed up when—something I cannot bear—I have to go on and on writing for the same instrument.” Considering Mozart’s temperamental nature, it is easy to conceive that he would be given to complain about his task when forced to write so quickly for such specific circumstances, and it conveniently offered his father a reason for the unfulfilled

“The ‘Jupiter’ Symphony is one of Mozart’s greatest creations.

The finale has all these ideas superimposed, bursting out, one after the other, like fireworks.”

—Claudio Abbado

commission. Given the ambiguity of the quote, it is unclear whether Mozart disliked the flute or merely the tiresome process of fulfilling a sizeable commission confined to an individual instrument for a dilettante who probably could not play as well as Mozart would have liked. As Nancy Toff states in her comprehensive book The Flute Book: A Complete Guide for Students and Performers, “In view of Mozart’s frequent and idiomatic use of the flute in all genres—solo works, chamber music, opera, piano concertos, symphonies—it would be a mistake to take too seriously the letter of a twentytwo-year-old defending his tardiness to his disapproving father.” ●

Wolfgang Amadeus Mozart

Symphony No. 41 in C Major, “Jupiter,” K. 551 (1788) Mozart’s last three symphonies are among his finest works and orchestral gems which no doubt influenced the later symphonies of Haydn and the early symphonies of Beethoven. The symphonic triumvirate is varied, with each work displaying genius in its own right, but it is the Symphony No. 41 that gets most of the attention and accolades.

First, a little history on this time in Mozart’s life: it was abysmal. He was broke, four of his children died as infants (three between 1786 and 1788), his father had died the previous year, he and his music had fallen out of favor in Vienna, and he was unable to find a suitable court position for a composer of his station. For reasons unknown, the summer of 1788 saw a great spurt of creativity from the composer, and his last three symphonies were written within a span of merely two months.

We know so much about Mozart’s life and works because he was a meticulous correspondent. But since Mozart’s father (his most steadfast pen-pal), Leopold, had died the previous year, much of the details of the last three symphonies are simply unknown. We know nothing about the reasons the symphonies were written or the circumstances of their premieres. It is highly unlikely that Mozart just wrote three brilliant symphonies in two months’ time because he was bored and wanted something to fill the long hours of the summer days. He most assuredly would have received a commission from someone or some entity that would have kicked his compositional juices into high gear. Or, it’s possible he wrote them for a concert series in Vienna or for a planned European tour. Mozart scholar Neal Zaslaw sums it up best: “The very idea that Mozart would have written three such symphonies, unprecedented in length, complexity, and seriousness, merely to please himself or because he was ‘inspired,’ flies in the face of his known attitudes to music and life and the financial straits in which he then found himself.” It has also been widely reported that Mozart tragically died before ever hearing his last three symphonies. This is also rather unlikely since a large commission or concert series would have rendered a large premiere. Although, when it comes to Mozart’s final years, most chroniclers wouldn’t want the truth to get in the way of a good story. (See: Amadeus) The sobriquet of “Jupiter” is not Mozart’s, but either that of a brazen publisher, or more likely (according to Mozart’s son), the London impresario Johann Peter Salomon.

The first movement dispenses with the oft-used slow introduction and comes out with musical guns a’ blazing. In the first minute alone, Mozart introduces no fewer than four thematic ideas. These four ideas— continued on 8

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Program Notes . continued from 7 the opening forte triplet statement, the ascending lyrical motif in the violins, the march-like dotted rhythm theme, and the octave leap followed by a descending scale in the winds—are alternated, played atop of one another, and intertwined with such skill it is truly remarkable. Near the end of the exposition, a lyrical and chromatic theme is introduced followed by a bombastic statement in the minor mode. All of this is followed by repetitions of the original four thematic elements.

The second movement opens with muted strings in a “call and response” type of theme.

The marking of Andante cantabile and the heavy use of faster notes like sixteenth and thirty-second notes create a movement that does not feel like a slow movement at all, but rather one that is always moving, never resting on its heels, but rather constantly leaning forward. The third-movement Minuet is stylized and the utmost in classical grandeur, but with chromatic elements that make it unmistakably Mozart.

The Finale is the crowning glory in this symphonic masterpiece. It certainly starts simply enough: a four note motif over an undulating accompaniment. Mozart then transforms this simple motif, along with several others, into one of the most ballyhooed fugues in all of music history.

It is not only the fugal writing that is so astounding; it is how Mozart masterfully crafts the fugue into sonata form. Both the fugue and sonata form have strict academic structures that left in the hands of a less skilled composer, would make this “marriage” of styles impossible. In addition to all of the contrapuntal maneuvering, Mozart shifts the importance of movements from the first to the last. It had been customary for the first movement to be the “serious” one, while the finale was usually considered more frivolous, for lack of a better word. This shifting of movement hierarchy is a tradition that Beethoven would continue in many of his symphonies. The famed conductor Claudio Abbado has said of the symphony’s Finale: “The ‘Jupiter’ Symphony is one of Mozart’s greatest creations. The finale has all these ideas superimposed, bursting out, one after the other, like fireworks. There’s a pile-up of musical lines, a proliferation of colors. The ingenuity is almost unimaginable, limitless.”

While it is probable that Mozart in fact heard these symphonies in his lifetime, tragedy does exist in the fact that they were never truly appreciated while he was alive. It wasn’t until the early 1800s that the “Jupiter” Symphony was recognized as a ground-breaking achievement in symphonic writing. ● Program Notes ® Lori Newman

Krzysztof Zimowski receives Knight’s Cross Order of Merit of the Republic of Poland

Knight’s Cross Order of Merit of the Republic of Poland

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Mr. Zimowski is the recipient of the Knight’s Cross Order of Merit of the Republic of Poland. Established in 1974 and reaffirmed after the fall of communism, the order is awarded to Poles residing abroad for distinguished contribution to international cooperation between Poland and other countries. It is awarded by the President of Poland. The Knight’s Cross Order of Merit is being presented to Mr. Zimowski by Mariusz Brymora, Consul General of Poland in the US, at the February 28, 2015, concert at Popejoy Hall. ●

Meet the Musicians Krzysztof Zimowski violin Krzysztof Zimowski was born in Wroclaw, Poland. He began his musical studies when he was just six years old. Participating in various music camps and schools organized

by La Federation International des Jeunesses Musicales, Mr. Zimowski performed as a Concertmaster of the Symphony Orchestra of Weikersheim and Bayreuth in Germany, with Franz Paul Decker, the music director of the Montreal Symphony at the time.

In the fall of 1986, he moved to the United States, where he helped to form the Helios String Quartet, an ensemblein-residence at the Placitas Artists Series in Albuquerque’s north community of Placitas. Mr. Zimowski has performed with the Phoenix Symphony, Santa Fe Opera Orchestra, Santa Fe Symphony, and Santa Fe Pro Musica. He was also the Concertmaster and soloist of the Chamber Orchestra of Albuquerque.

In October of 1986, Krzysztof Zimowski began playing with the New Mexico Symphony Orchestra and became an Associate Concertmaster in 1995. He was appointed Concertmaster and soloist of the New Mexico Symphony Orchestra in 1999.

Currently, he is Concertmaster of the New Mexico Philharmonic and was appointed a Concertmaster of the Opera Southwest Orchestra. Each summer since 1994, Mr. Zimowski has performed with the Grant Park Symphony Orchestra in the renowned International Music Festival in Millennium Park in Chicago. ●

Concert Program .

Saturday, March 7, 2015, 6 p.m.

Aram Khachaturian: Spartacus Ballet

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Grant Cooper conductor New Mexico Ballet Company (NMBC) Jolie Sutton-Simballa NMBC artistic director & choreographer

Spartacus Ballet

Popejoy Hall

Aram Khachaturian (1903–1978)

ACT I

Making a Difference This performance is made possible in part by the generosity of the following: Albuquerque Community Foundation

Opening Roman Invasion The Slave Market Orgy in the Palace of Crassus Spartacus’s Monologue The Gladiators’ Quarters Spartacus Dreams of Phrygia

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ACT II

Celebration in Crassus’s Villa Spartacus’s Victory Crassus’s Revenge Aegina Searches for Spartacus Spartacus’s Encampment The Final Battle Requiem

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Program Notes .

Program Notes Jolie Sutton-Simballa

Aram Khachaturian Born 1903, Tbilisi, Georgia Died 1978, Moscow, Russia

Spartacus Ballet (1954) ACT I

It is 71 B.C. and the Roman Empire is expanding. Crassus, one of the favored and power-hungry generals of the Roman Empire, has captured Thrace. Spartacus, the king of Thrace, and his wife, Phrygia, along with their loyal followers, have been taken as slaves and marched to Rome. Aegina, a courtesan and favorite member of Crassus’s harem, has come to the slave market to pick new concubines from the Roman-conquered captives for Crassus’s and her pleasure.

After gleefully observing the slave masters separate the husbands and wives, Aegina begins her selection. The beautiful Phrygia catches Aegina’s eye and is specially selected to be brought to Crassus’s villa. Before she can escape, Crassus sees Phrygia and decides to take her himself, much to Aegina’s chagrin. Spartacus, horrified at Phrygia’s suffering and unwilling to back down from Crassus, tries to free Phrygia. Unwilling to face Spartacus himself, the cowardly Crassus threatens to slit Phrygia’s throat if Spartacus persists. Spartacus relents but not before promising to free Phrygia and exact revenge on Crassus. The newly selected concubines and dancers are led away as the men are forced to the gladiators’ quarters where they will be either selected for execution or forced to battle each other for survival.

Aegina, determined to solidify her place in Crassus’s affections, lures him from the slave market back to his villa, where she has planned a special celebration to honor his latest victory: an orgy with the

Spartacus has a plan to free them all.

Unable to accept the atrocities, Spartacus decides he must revolt and gathers the gladiators to form an army to free their women and take back their country. new concubines and dancers and a few of Crassus’s favored members of his retinue.

A lurid and drunken celebration ensues until Crassus decides, in the midst of the festivities, to have two of the new captives of Thrace battle one another to the death while blindfolded. Crassus selects Spartacus and one of Spartacus’s most loyal followers to fight. Spartacus, unaware of whom he is battling, manages to triumph but is devastated when he discovers the identity of the man he has killed. Crassus and other members of the orgy delight in the entertainment and retire to other rooms to continue their wild celebrations. Unable to accept the atrocities, Spartacus decides he must revolt and gathers the gladiators to form an army to free their women and take back their country.

Although determined to succeed, Spartacus is tortured by the thought of his beloved Phrygia suffering in captivity, and he vows to free her. He sneaks into the villa to comfort her and reassure her that he has a plan to free them all. Convinced that their love will endure and Spartacus’s honor will prevail despite the tremendous odds against them, the lovers part with a promise from Spartacus that they soon will be reunited.

ACT II

A celebration in Crassus’s villa resumes the next day as honored members of the Roman Empire gather to congratulate Crassus on his latest victory. Drunk with power, Crassus boasts of his conquests and orders the dancers to perform for their entertainment. Aegina tries to secure a promise from Crassus that she will rule the kingdom with him. Amidst the celebration, a warning is sounded—Spartacus and his

men have forced their way into the villa.

Crassus attempts to escape but is circled

by Spartacus’s men who wish to kill him outright. Taking the honorable route, Spartacus hands Crassus a weapon and they duel until Spartacus disarms him. Crassus begs for mercy, which Spartacus grants him.

The humiliation of banishment is a greater punishment than death.

Livid at his humiliation at Spartacus’s hand, Crassus vows revenge. He orders Aegina to find Spartacus’s encampment while he gathers his troops, which include additional soldiers sent from Rome to squash the uprising. Aegina finds the encampment and sends word of the location, and the Roman soldiers march toward Spartacus’s stronghold. Unaware of the impending danger, Phrygia and Spartacus revel in their newfound freedom until they receive word the Roman army is approaching. Spartacus ushers Phrygia to safety and prepares with his warriors for battle. The Roman army’s numbers, however, are too great and Spartacus’s men are slaughtered. Unwilling to surrender, Spartacus makes a final charge into battle in the name of his fallen compatriots.

Word reaches Phrygia and the other wives of the slaughter, and the women descend on the battlefield to retrieve their loved ones. Phrygia, devastated by the loss of her beloved, begins her mourning but is interrupted when Aegina scolds the defeated wives and threatens to take them back into captivity. Unwilling to surrender, Phrygia grabs Spartacus’s dagger and slits Aegina’s throat. The remaining survivors place Spartacus’s body in Phrygia’s arms, while the crucified bodies of Spartacus’s legion are displayed along the streets of Rome. ● Program Notes ® Jolie Sutton-Simballa Edited by Amy Duda

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Artists .

Robert Tweten conductor Robert Tweten returns to the New Mexico Philharmonic after conducting the successful opening concert in 2011 and two programs in 2013. A conductor in much demand in the opera world, Maestro Tweten has been described as leading with “verve and precision,” as well as having “flawless” pacing, and having “musicality and near-symbiotic accord with singers which always impresses.”

The 2014/15 season has found Mo. Tweten performing with a number of companies with which he has had long relationships. He has conducted eight operas for Utah Symphony and Opera, most recently Madama Butterfly.

Calgary Opera sees him on the podium for Le nozze di Figaro and this spring he returns to Edmonton Opera for Lucia di Lammermoor.

Other recent engagements include Vancouver Opera, Sarasota Opera, Tulsa Opera, Austin Lyric Opera, and pops concerts with the San Diego Symphony and Fresno Symphony. Maestro Tweten had a long affiliation with Lyric Opera of Chicago as Assistant Conductor as well as having worked for the Canadian Opera Company, Houston Grand Opera, and Banff Center of Fine Arts. As a Guest Conductor with the Santa Fe Symphony, he has led orchestral concerts as well as Handel’s Messiah and the Mozart Requiem.

Equally at home as a pianist on the concert stage, Robert began his career as a piano soloist after receiving his Associate of Arts Degree from the Victoria Conservatory of Music and winning such competitions as the Du Maurier Search for Stars and the Canadian National Piano Competition.

He has performed internationally with many of today’s foremost singers and instrumentalists in venues such as Carnegie Hall, Wigmore Hall, Vienna’s Konzerthaus, and the Salzburg Festival. ● 12

2014/15 Season

Valerie Potter flute Valerie Potter has performed as principal flutist of the New Mexico Philharmonic and New Mexico Symphony since 1993 and has played with the Santa Fe Opera Orchestra since 1994. She is the Associate Professor of Flute at the University of New Mexico. A student of James Pellerite, she received her Bachelor of Music from Indiana University with a performer’s certificate. Ms. Potter also received a Master’s of Music from Yale University, where she studied with Tom Nyfenger. She has performed with many orchestras across the country, including the Cincinnati Symphony, the Detroit Symphony, the San Antonio Symphony, the San Francisco Symphony, and the Houston Symphony.

She has been featured as a soloist with the New Mexico Symphony, performing the C.P.E. Bach Concerto in d minor and the Mozart Concerto for Flute and Harp. Ms. Potter was also a soloist in the Santa Fe Chamber Music Festival’s performance of J.S. Bach’s Brandenburg Concerto No. 4 in G Major. She has been a member of the faculty of the Cincinnati College-Conservatory of Music.

Ms. Potter has been featured as a performer at several National Flute Association conventions. She has also been an invited artist and clinician at several flute fairs and is in demand as a chamber musician. In 2007, she served as the local coordinator for the NFA Convention. Ms. Potter’s discography includes a recording of twentieth-century wind quintet repertoire with the New Mexico Winds on the Centaur label as well as Classic Solos for Winds on the Summit Records label. ●

Jolie Sutton-Simballa NMBC artistic director & choreographer Jolie Sutton-Simballa is a native of Albuquerque and trained at the Alwin School of Dance under the tutelage of Karen Alwin and Tamara King. She joined The Performers Company at the age of ten, attended Marin Ballet Summer School on scholarship, and received scholarships to attend Boston Ballet and Colorado Ballet’s Summer Intensives. She has appeared with Ballet West, Ballet Theatre of New Mexico, UNM Dance Ensemble and Bill Evans, among others. She received her B.F.A in Dance, Cum Laude, from UNM and in 2004 became UNM’s first ever M.F.A. graduate in choreography. A scholarship at UNM is named in her honor and also where she taught for ten years as adjunct professor.

Ms. Simballa’s nearly 25-year association with the New Mexico Ballet Company began when she was invited to dance with NMBC in 1989. After retiring, she served as Ballet Mistress, Resident Choreographer, and was selected by New York City Ballet répétiteur Jillana as ballet mistress to NMBC’s active Balanchine Repertoire. She served as Assistant Artistic Director for six years prior to her appointment to the Artistic Directorship of NMBC in 2009. During her tenure as Artistic Director she has created three original full-length productions of The Nutcracker, Alice in Wonderland, and Romeo and Juliet, in addition to six other new ballets. During this time, NMBC has also danced two full-length works by George Balanchine, Tchaikovsky Pas de Deux and Valse Fantaisie, and brought in dancers from the American Ballet Theatre and The New York City Ballet to dance and teach. ●

Artists .

Grant Cooper conductor Grant Cooper, Artistic Director and Conductor of the West Virginia Symphony Orchestra, was named to the position in March 2001, and officially began his duties as the ninth conductor in the WVSO’s history on July 1, 2001. From 1997–2007, Mr. Cooper served as Resident Conductor of the Syracuse Symphony, where he gave over 600 performances with that orchestra, appearing to critical acclaim on all the major series. Mr. Cooper is also Artistic Director of the Bach and Beyond Festival in Fredonia, New York.

Mr. Cooper was born in Wellington, New Zealand, the son of a professional opera singer. He sang and acted in his first opera at age four and studied piano and music theory prior to college. After completing his degree in Pure Mathematics at the University of Auckland, his performing career took him to many of the major concert halls of the world, from Beijing to London. Following a performance at the Henry A. Wood Promenade Concerts at the Royal Albert Hall under conductor Claudio Abbado, Mr. Cooper was invited by Maestro Abbado to join the orchestra of La Scala as solo trumpet.

Instead, Mr. Cooper accepted a fellowship from the Queen Elizabeth II Arts Council for study with Bernard Adelstein and Gerard Schwarz in the United States. This, in turn, led to performances at New York’s Carnegie Hall and at Tanglewood under Arthur Fiedler, where he also performed as principal trumpet under conductors Leonard Bernstein, Seiji Ozawa, and Sir Neville Marriner.

Mr. Cooper was guest conductor of the XIVth Commonwealth Games closing ceremonies, appearing with Dame Kiri Te Kanawa as soloist. In Europe, his engagement as guest conductor for the Mozart Wochen of the Heidelberger Schlossfestspiele prompted

The New Mexico Philharmonic

high critical praise. His appearances with the West Virginia Symphony Orchestra have generated considerable enthusiasm and acclaim across the whole gamut of programs, showing his deep affinity for repertoire of enormous stylistic range. Mr. Cooper’s collaborations with artists such as Hilary Hahn, Midori, Elmar Oliviera, and Deborah Voigt have, similarly, prompted critical praise for his skills as an accompanist.

In past seasons, Mr. Cooper has appeared regularly as guest conductor of the Philharmonic Orchestras of Buffalo and Rochester. In recent years, he has made his debuts with the Houston Symphony Orchestra, the Spokane Symphony, the Erie Philharmonic, the Kansas City Symphony, as well as with the Stamford (CT), Modesto (CA), and Youngstown (OH) Symphony Orchestras. He returned to New Zealand to conduct the millennium celebrations with the Auckland Philharmonia. He appeared as guest conductor to Ottawa’s Thirteen Strings for many seasons and conducted several engagements with Syracuse Opera, including Così fan tutte, The Barber of Seville, and The Marriage of Figaro. With the WVSO, Cooper’s operatic repertoire has also included Tosca, Carmen, and La bohème.

In their March 2009 Pops Concerts, the WVSO premiered Mr. Cooper’s original scores for two Charlie Chaplin films: The Immigrant and Easy Street. Mr. Cooper’s original concert work for soprano and orchestra entitled A Song of Longing, Though … , with poetry by Tom Beal, was premiered by the orchestra in April 2007 and was performed by the Chautauqua Symphony in 2010. Cooper was awarded the National Symphony Orchestra Chamber Music Commission following competitive adjudication as part of the 2010 American Residency program of the NSO. His

new work premiered at the Kennedy Center in Washington, D.C., in 2012.

Mr. Cooper is especially passionate about creating works designed to introduce young audiences to the orchestra, including such works as Rumpelstiltzkin for Narrator and Orchestra, Goldilocks and the Three Bears, Boyz in the Wood for Coloratura Soprano and Rap Singer, and Song of the Wolf. His educational music is an eclectic blend of modern and established styles with interactive participation of the audience, a compositional style that reflects his belief that orchestral music is a living, vital, and relevant part of our society, able to be appreciated by all.

Mr. Cooper’s first arrangement for the West Virginia Symphony Orchestra, “Take Me Home, Country Roads,” was premiered at Symphony Sunday in June 2002 and has found a permanent place in the orchestra’s repertoire. Further arrangements celebrating our Appalachian heritage and the WVSO’s role in honoring our shared cultural values include “West Virginia’s Home to Me” and “The West Virginia Hills.” Many of these works are featured on an audio CD released in the spring of 2011 titled Tales from the West Virginia Hills. The WVSO has also released a CD, Home for the Holidays, in December 2008 which features the orchestra’s performance of Mr. Cooper’s original and arranged music composed for the holiday season.

Mr. Cooper has recorded for Delos International, Atoll, Ode, Mark, and Kiwi Pacific recordings. As a conductor, a CD devoted to the premier recordings of the string music of New Zealand composer Douglas Lilburn has been enthusiastically received. Recently, Mr. Cooper released Points in a Changing Circle, featuring himself as trumpet soloist in works by New Zealand composers and a CD featuring three of his own works recorded with the Cayuga Chamber Orchestra on a disc titled Boyz in the Wood. With this, Mr. Cooper has reached the milestone of having CD recordings of him as conductor, performer, and composer, all currently available in the catalogue.

Mr. Cooper resides in Charleston with his wife, Margie, and daughters, Jessica and Rachel. ●

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Thank You .

Sponsors

Sound Applause

The concerts of the New Mexico Philharmonic are supported in part by the City of Albuquerque Department of Cultural Services, the Bernalillo County, the Albuquerque Community Foundation, and the McCune Foundation. Interested in becoming a sponsor of the NMPhil? Call Today (505) 323-4343.

Albuquerque Community Foundation albuquerquefoundation.org

Bank of Albuquerque bankofalbuquerque.com

Bernalillo County bernco.gov

BNSF Railway Foundation bnsffoundation.org

City of Albuquerque cabq.gov

Cliff’s Amusement Park cliffs.net

Computing Center Inc. cciofabq.com

D’Addario Foundation daddariofoundation.org

Elaine’s Restaurant elainesnobhill.com

Eye Associates of New Mexico eyenm.com

Hancock Family Foundation nmhff.org

Holman’s USA holmans.com

Home2 Suites by Hilton abqdowntown.home2suites.com

Hunt Family Foundation huntfamilyfoundation.com

John Moore & Associates johnmoore.com

Keleher & McLeod keleher-law.com

Lexus of Albuquerque lexusofalbuquerque.com

Lockheed Martin lockheedmartin.com

New Mexico Arts nmarts.org

PNM pnm.com

Real Time Solutions rtsolutions.com

Recarnation recarnationabq.com

Sandia Laboratory Federal Credit Union slfcu.org

Sandia National Laboratories sandia.gov

Scalo Northern Italian Grill scalonobhill.com

Serafian’s Oriental Rugs serafians.com

SWGA, P.C. southwestgi.com

U.S. Bank usbank.com

Vein Center of New Mexico veincenternm.com

Wells Fargo wellsfargo.com

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2014/15 Season

Menicucci Insurance Agency mianm.com

you’re going to love your site. www.rtsolutions.com

Music Guild of New Mexico musicguildofnewmexico.org

NMPhil .

New Mexico Philharmonic

BOARD OF DIRECTORS Maureen Baca President

The Musicians

Thomas C. Bird Secretary Treasurer FIRST VIOLIN Krzysztof Zimowski Concertmaster David Felberg Associate Concertmaster Ruxandra Simionescu-Marquardt Assistant Concertmaster Phillip Coonce + Joan Wang Jonathan Armerding Steve Ognacevic Kerri Lay Linda Boivin Barbara Rivers Nicolle Maniaci Barbara Scalf Morris

CELLO Joan Zucker • Carol Pinkerton •• Carla Lehmeier-Tatum Joel Becktell Dana Winograd David Schepps Lisa Collins Peggy Wells BASS Jean-Luc Matton • Mark Tatum •• Katherine Olszowka Terry Pruitt Derek DeVelder

SECOND VIOLIN Anthony Templeton • Carol Swift-Matton •• Julanie Lee Justin Pollak Michael Shu Ting Ting Yen Roberta Branagan Sheila McLay Susan French Brad Richards

FLUTE Valerie Potter • Sara Tutland Jiyoun Hur •••

VIOLA Kimberly Fredenburgh •• Allegra Askew Christine Rancier Sigrid Karlstrom Virginia Lawrence Willy Sucre Joan Hinterbichler Lisa DiCarlo

ENGLISH HORN Melissa Peña •••

PICCOLO Sara Tutland OBOE Kevin Vigneau • Amanda Talley

CLARINET James Shields • Lori Lovato •• Sunshine Simmons E-FLAT CLARINET Lori Lovato

BASS CLARINET Sunshine Simmons

Ruth Bitsui Vice President for Operations

BASSOON Stefanie Przybylska • Denise Turner

Dr. Larry Lubar Vice President for Development

HORN Peter Erb • Nathan Ukens Dana Sherman Niels Galloway •••• Julia Erdmann Hyams++ TRUMPET John Marchiando • Mark Hyams Brynn Marchiando ••• TROMBONE Debra Taylor • Byron Herrington David Tall

Anne Eisfeller Roland Gerencer, MD Eric Herrera Marc Powell Steve Schroeder Al Stotts Anthony Trujillo Nathan Ukens Richard White ADVISORY BOARD Lee Blaugrund Clarke Cagle Robert Desiderio Steve Paternoster Evan Rice Heinz Schmitt

BASS TROMBONE David Tall

STAFF Marian Tanau Executive Director

TUBA Richard White •

Chris Rancier Executive Assistant & Media Relations

TIMPANI Douglas Cardwell •

Alexis Corbin Operations Coordinator & Personnel Manager

PERCUSSION Jeff Cornelius • Kenneth Dean Emily Cornelius HARP Anne Eisfeller •

Mancle Anderson Production Manager Rachael Brown Head Librarian & Office Manager Danielle Frabutt Artistic Coordinator Byron Herrington Payroll Services Marti Wolf Marketing Advisor, PR & Promotions Mary Montaño Grants Manager

Principal • Assistant Principal •• Associate Principal ••• Assistant •••• Leave + One year position ++

The New Mexico Philharmonic

Joan Olkowski Design & Marketing Lori Newman Website Maintenance & Editor Sara Tutland Ensemble Visits Coordinator

nmphil.org

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Donor Circles .

Donor Circles Thank You for Your Support

BENEFACTOR CIRCLE Donation of $50,000+ Albuquerque Community Foundation Anonymous Lee Blaugrund City of Albuquerque

BEETHOVEN CIRCLE Donation of $25,000– $49,999

Bernalillo County Commission The Meredith Foundation McCune Charitable Foundation Marc Powell & Holland Sutton

MOZART CIRCLE Donation of $10,000– $24,999

Anonymous Anonymous APS Foundation The Computing Center Inc., Maureen & Stephen Baca Suzanne S. DuBroff, in memory of Warren DuBroff Holman’s USA, LLC, Anthony D. Trujillo Lockheed Martin/Sandia National Laboratories The Lumpkin Family Foundation Music Guild of New Mexico & Jackie McGehee Young Artists’ Competition for Piano & Strings The Honorable & Mrs. James A. Parker PNM Resources Foundation Popejoy Hall Vein Center of New Mexico, Dr. Ole & Sheila Peloso Wells Fargo

BRAHMS CIRCLE Donation of $5000–$9999

BNSF Railway Foundation Andrea Escher & Todd Tibbals Elaine & Frederick Fiber Ann & Gordon Getty Foundation Hancock Family Foundation F. Michael Hart Home2 Suites by Hilton, Roxanne Schumaker Hunt Family Foundation Virginia Lawrence Dr. & Mrs. Larry Lubar John Moore & Associates, Inc. Bob & Bonnie Paine Jerald & Cindi Parker Payday, Inc. Real Time Solutions, Steve Schroeder Sandia Foundation, Woodward Grant Sandia Laboratory Federal Credit Union, Robert Chavez Scalo Northern Italian Grill, Steve Paternoster

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2014/15 Season

Southwest Gastroenterology Associates Melissa & Al Stotts U.S. Bank Foundation Dr. & Mrs. Albert Westwood William Wiley Dr. Dean Yannias

CHOPIN CIRCLE Donation of $3500–$4999 Anonymous Bank of Albuquerque Eugenia & Charles Eberle Eye Associates of New Mexico Cynthia & Thomas Gaiser Mary & Sam Goldman Howard Henry The Law Firm of Keleher & McLeod Cynthia Phillips & Thomas Martin Marian & Jennifer Tanau Barbara & Richard VanDongen

GRACE THOMPSON CIRCLE Donation of $1933–$3499

Albuquerque Community Foundation, Chester French Stewart Endowment Fund Douglas Allen Nancy M. Berg Thomas Bird & Brooke Tully George Boerigter Paula & William Bradley Fred & Lori Clark Richard & Margaret Cronin D’Addario Foundation Bob & Greta Dean Virginia & Richard Feddersen Firestone Family Foundation Bob & Fran Fosnaugh Eiichi Fukushima Roland Gerencer, MD Keith Gilbert Helen A. Grevey & Jay D. Hertz Mary Herring & Robert Stamm Lexus of Albuquerque Erika Blume Love Marriott Albuquerque Menicucci Insurance Agency Microsoft Sara Mills & Scott Brown Marvin Moss Ruth & Charles Needham Beverly Rogoff Ellen Ann Ryan Alicia & Russell Snyder Kathleen & David Waymire

BACH CIRCLE Donation of $1000–$1932 Leah Albers & Thomas Roberts Albuquerque Community Foundation, Robert J. Stamm & Mary Herring Stamm Fund Dave & Maureen Anderson Kirsten J. Anderson Anonymous Anonymous Christopher Apblett Ruth & Edison Bitsui Nancy & Cliff Blaugrund

Deborah Borders Dr. Marythelma Brainard & Dick Ransom Pat & Carter Broyles Bueno Foods, Jacqueline Baca & Ana Baca Bill Byers Jonathan Miles Campbell Barbara & David Cappel Century Bank Cliff’s Amusement Park, Linda & Gary Hays The Collister Family, in memory of Joan Allen Daniel & Brigid Conklin, in memory of Dr. C.B. Conklin Cathy Conrad John Crawford Krys & Phil Custer Clare W. Dreyer Clare W. Dreyer, in memory of Joan Allen David & Ellen Evans Joan Feldman The Financial Maestro, LLC, Joann MacKenzie Frank & Christine Fredenburgh French’s Funerals Gertrude J. Frishmuth, MD Kate Fry & Robert Bower Katherine Garland David & Tanner Gay GE Foundation Barbara & Berto Gorham Helen A. Grevey & Jay D. Hertz, in memory of Joan Allen Madeleine Grigg-Damberger & Stan Damberger Stuart Harroun Jonathan & Ellin Hewes The Hubbard Broadcasting Foundation Innovative Business Controls, Tom Gautsch Chris & Karen Jones Stephanie & David Kauffman Stephen Kaufman Connie Krelle Stephanie & Ken Kuzio Dr. Benjamin D. Lane Lieber’s Luggage Myra & Richard Lynch Kathy & John Matter Joan McDougall Jackie & C. Everett McGehee Ina S. Miller Mark & Susan Moll Claudia Moraga Diane M. Mueller George & Mary Novotny Carol & Gary Overturf Julia Phillips & John Connor PNM Resources Foundation, Matching Grants William P. Poteet, in memory of Horace Monroe Poteet Matthew Puariea Carolyn Quinn & John Crawford Mary Raje, in memory of Frederick C. Raje Jacquelyn Robins, in honor of Melvin Robins’s 92nd birthday Melvin Robins James & Sandee Robinson Barbara & Heinz Schmitt Stephen Schroeder Thomas Seamon

Meryl & Ron Segel Serafian’s Oriental Rugs Katharine & Gregory Shields Janet & Michael Sjulin Vernon Smith Susan Spaven Conrad & Marcella Stahly Patricia & Luis Stelzner Jane & Doug Swift Lynett & David Tempest Betty Vortman Tony & Susan Waller Lance Woodworth

CONCERTMASTER CIRCLE Donation of $500–$999

John B. Aidun & Joan M. Harris Joan Allen Carl & Linda Alongi John Ames Judith & Otto Appenzeller Mary & John Arango Stephanie & Leonard Armstrong Sally Bachofer Daniel Balik Dorothy M. Barbo Richard K. Barlow Sheila Barnes Dennis Basile Hugh & Margaret Bell, in memory of Joan Allen Gay & Stan Betzer Sheila & Bob Bickes Nancy & Cliff Blaugrund, in memory of Joan Allen Jane Ann Blumenfeld David Brooks Susanne B. Brown M. Susan Burgener & Steve Rehnberg Gordon Cagle Dawn & Joseph Calek Jose & Polly Canive Edith Cherry & Jim See Betty Chowning Margaret & Tze-Yao Chu David & Mary Colton Claudia Crawford, in memory of Clifford S. Crawford Gail Cunningham Marjorie Cypress Ann DeHart & Robert Milne, in memory of Joan Allen The Divas of ‘56, in memory of Stewart Graybill Stephen R. Donaldson ExxonMobil Foundation Pauline Garner & J. William Vega Barb & Larry Germain Jean & Bob Gough Sharon Gross Dr. Kirk & Janet Gulledge Lois Hall Bill & Carolyn Hallett Janet & Donald Harris Harris L. Hartz Margaret Harvey & Mark Kilburn Richard Henry Pamelia S. Hilty Martha Hoyt Carolyn & Hal Hudson Sue Johnson & Jim Zabilski John & Julie Kaltenbach Marlin Kipp Meredith & Noel Kopald

Susie Kubié La Vida Llena Rita Leard Jae Lee Maureen & Richard Lincoln Harry & Elizabeth Linneman Tyler M. Mason Thomas & Edel Mayer Bob & Susan McGuire Kathryn McKnight John & Kathleen Mezoff Martha Miller Toots & Scott Obershain Steve Ovitsky John Provine Dan Rice Clifford & Sandra Richardson Deborah Ridley & Richard S. Nenoff Don & Barbara Rigali Ruth Ronan Edward Rose Nancy Scheer Stephen Schoderbek Norman Segel Sharon Sharrett Patty & Bill Snead Mary & John Sparks Jeanne & Sid Steinberg Charles & Flossie Stillwell Eberhard H. Uhlenhuth Tina Valentine Patrick Villella Margaret Vining Barbara & Eugene Wasylenki Patricia & Robert Weiler Judy Basen Weinreb & Peter Weinreb Carl G. & Janet V. Weis Patrick Wilkins Sylvia Wittels & Joe Alcorn, in honor of Adrianna Belen Gatt David Worledge Andrea Yannone

PRINCIPALS CIRCLE Donation of $125–$499

Albertsons Community Partners Program Ed Alelyunas ALH Foundation Inc. Gerald Alldredge American Endowment Foundation Jo Marie & Jerry Anderson Anderson Organizing Systems Anonymous Anonymous Anonymous Paul & Mary Lee Anthony Marilyn & Robert Antinone Patrick & Leslie Apodaca Janice J. Arrott Lynn Asbury & John Wronosky B2B Bistronomy Joel A. & Sandra S. Baca Thomas J. & Helen K. Baca Toni Baca, in memory of Sylvester Baca Genevieve & Stanley Baker Jan Bandrofchak & Cleveland Sharp Margaret Barker & Clark Varnell Holly Barnett-Sanchez & David Foster Elinore M. Barrett Ellen Bayard & Jim O’Neill

Donor Circles .

Carla Beauchamp William Bechtold Edie Beck Janice & Bryan Beck Helen Benoist Richard J. & Maria E. Berry June Best Douglas Binder Leonie Boehmer Rod & Genelia Boenig Dr. David & Sheila Bogost Henry M. & Jennifer L. S. Bohnhoff Peter Bond Joan Bowden Richard & Iris Brackett Susan Brake Charles J. Brandt Sheldon & Marilyn Bromberg Ronald Bronitsky, MD Carolyn Brooks Astrid Brown Mary & Jim Brown B. L. Brumer Fred Bryant Mary Letty Buchholz Miriam Burhans Drs. Kathleen L. Butler & M. Steven Shackley Lynne Byron Louise Campbell-Tolber & Steve Tolber Glo Cantwell Douglas Cardwell Ann Carson Shirley & Ed Case Edward B. Cazzola Elaine & Wayne Chew John & Barbara Chickosky Joan Chism Tanya Christensen Kathleen & Hugh Church Frankie Clemons Kenneth Cole Monica Collier Bethany & Christopher Confessore Martin & Susan Conway Marion Cottrell Douglas D. Cox Bob Crain Dianne Cress & Jon McCorkell Alyce Cummins Mollie & Bob Custer Nancy Cutter, in memory of Joan Allen Stephen Czuchlewski Hubert O. Davis Jr. George deSchweinitz Jr. Cdr. Jamie & Carol Deuel Fran DiMarco Catie S. Dixon Raymond & Anne Doberneck Janice Dosch Gale Doyel & Gary Moore James C. Drennan Patricia & Leonard Duda Duganne Family, in memory of Paul Duganne Susan & Daniel Dunne Patsy Duphorne Jeff & Karen Duray Mary Lou Edward Paul & Catherine Eichel Anne C. Eisfeller Eleanor D. Eisfeller Carol & John Ellis Mildred & Richard Elrick

Stephanie Eras & Robert W. Hammerstein III David & Frankie Ewing Jo Margaret & John Farris Leonard & Arlette Felberg Winifred & Pelayo Fernandez Janice Firkins Rona Fisher Heidi Fleischmann & James Scott Mary Kay & Thomas Fleming Denise Fligner Edmund & Agnes Franzak Kim Fredenburgh Melissa Freeman & Dr. Brad Raisher Louis Fuchs Gwen & Charles Gallagher Daniel & Elena Gallegos Lind Gee Chuck & Judy Gibbon Marc A. Gineris Drs. Robert & Maria Goldstein A. Elizabeth Gordon Mark Gorham Carmoline & Bing Grady Paul & Marcia Greenbaum Matthew & Amy Greer Julie Gregory Peter Gregory Dick & Suzanne Guilford Ron Halbgewachs Samuel & Leila Hall Roger Hammond & Katherine Green Hammond Dorothy D. Hawkins John & Diane Hawley Martha Heard, in honor of Dorothy Pierson Stephen & Aida Ramos Heath Mary Herring & Robert Stamm, in memory of Robert D. Taichert Frank Hesse Fred Hindel Guy & Nina Hobbs Bud & Holly Hodgin Kiernan Holliday David & Bonnie Holten Suzanne Hood Mark Hoover Carol Horner Lorna & Henry Howerton Janet & Vincent Humann Margaret Hutchinson IBM International Foundation Joan Jander Olivia Jaramillo Ken & Cindy Johns, Johns Family Foundation, in memory of Joan Allen Carol Kaemper Ira & Sheri Karmiol Thomas & Greta Keleher Ann King Toni & Robert Kingsley Allene & Walter Kleweno Karen & Bill Knauf Asja Kornfeld, MD & Mario Kornfeld, MD Jennifer C. Kruger Karen M. Kupper Henry & Judith Lackner Nick Landers R. Jeffery & Jane W. Lawrence Rebecca Lee & Daniel Rader Linda Lewis Madeleine Lewis Sherry Rabbino Lewis

Robert & Judith Lindeman Michael Linver Thomas & Donna Lockner Verne Loose Major & Mrs. Kenneth Luedeke Bruce F. Malott Audrey Martinez & Paul Getz Carolyn Martinez John & Glenda Mathes Paul & Judith Matteucci Dr. & Mrs. Jack D. McCarthy Sallie & Denis McCarthy Sallie & Denis McCarthy, in memory of Ellie Sanchez & Jane McDonald Ronald & Barbara McCarty Pete & Lois McCatharn Kathleen McCaughey Roger & Kathleen McClellan Monica McComas Karen McKinnon & Richard A. Stibolt Cynthia & Paul McNaull Bernard & Mary Metzgar Joyce Miller Peggy Sanchez Mills & Jim Mills John Mims Christine & Russell Mink Mohinder & Deborah Mital Jan Mitchell Michael Mitnik William Moffatt James B. & Mary Ann Moreno Barbara Scalf Morris Shirley Morrison & Cornelis Klein Lynn Mostoller Lynn Mullins, in memory of Joan Allen Edward & Nancy Naimark Michael & Patricia Nelson Sharon & Richard Neuman Donald & Carol Norton Bernard Nurry Wendy & Ray Orley Joyce & Pierce Ostrander Del & Barbara Packwood The Honorable James A. & Janice Parker, in memory of Joan Allen Stuart & Janice Paster The Ralph & Ella Pavone Family Trust James & Ann Pedone Dr. Ole & Sheila Peloso, in memory of Robert Taichert Calla Ann Pepmueller Ross B. Perkal Richard Perry Lang Ha Pham Herbert & Judi Pitch Quinten Plikerd Prudential Foundation Matthew & Lisa Pullen & Family Jane Rael Dick & Andy Rail Christine & Jerry Rancier Russell & Elizabeth Raskob T.D. Raymond Maureen Reed Veronica Reed & LeRoy Lehr Robert Reinke Lee A. Reynis & David W. Stryker Steve Ridlon & Casey Scott Erika Rimson & David Bernstein

Shelly Roberts & Dewey Moore Joan Robins & Denise Wheeler, in honor of Melvin Robins Gwenn Robinson, MD & Dwight Burney III, MD A. Rolfe & Dorothy Black, in memory of Joan Allen Jeffrey Romero Kletus Rood Elizabeth Rose Darryl & Jan Ruehle Jennifer A. Salisbury & Fred Ragsdale Christine Sauer Warren & Rosemary Saur Stephen Saxe Brigitte Schimek & Marc Scudamore Karen & John Schlue Howard & Marian Schreyer Kathleen Schulz Justine Scott Carolyn Sedberry Barbara & Daniel Shapiro Xiu-Li Shen Frederick & Susan Sherman Frederick & Susan Sherman, in memory of Joan Allen R. J. & Katherine Simonson Walt & Beth Simpson Norbert F. Siska Carol Smith Dr. Fran A’Hern Smith Jane Snyder Steven & Keri Sobolik Susan Soliz SonicSEO.com, Inc., Becky & Arvind Raichur Eric & Maggie Hart Stebbins David & Rebecca Steele Dorothy Stermer Dodie Stevens Robert St. John John Stover Strategic Management Solutions, LLC, Sarah Dunn, in memory of Paula Basile Carmen & Lawrence Straus Mary Ann Sweeney & Edward Ricco Laurence Tackman Robin Thompson Larry Titman Wayne & Maryann Trott Joan & Len Truesdell Marit Tully & Andy Thomas Jay Ven Eman Kevin Vigneau Richard Vivian E. M. Wachocki Marianne Walck Harry Wallingford Jan Armstrong Watts Rob Weinstein Jamie L. Welles & Thomas Dellaira Kay West Liza White Trudy & Robert White Bill & Janislee Wiese Jane & Scott Wilkinson Bronwyn Wilson Karen & Johnny Wilson, in memory of Sylvester Baca Phyllis S. Wilson Sylvia Wittels & Joe Alcorn Walter Wolf Ann & Thomas Wood

David & Evy Worledge Daniel & Jane Wright Sue Wright Janice & Harvey Yates Mae S. Yee Yummi House Michael & Jeanine Zenge Nancy & Michael Zwolinski

FRIENDS OF THE PHILHARMONIC Donation of $25–$124

Bill & Sall Aber Kelly Aldridge Jerry & Nadine Allen Edward & Nancy Alley, in memory of Joan Allen Carl & Linda Alongi, in memory of Joan Allen Arthur Alpert Jo Anne Altrichter & Robin Tawney AmazonSmile Roger Ames Judith & Chilton Anderson APU Solutions, in memory of Paula Basile Carolyn Aragon Eugene Aronson Ian & Denise Arthur Emil Ashe Edward & Leslie Atler Rosa & Joseph Auletta Betty Baca David Baca George Baca Jackie Baca & Ken Genco Justin Baca Mary E. Baca Patrick J. & Marie M. Baca Wendy E. & Mark C. Baca Diane & Douglas Brehmer Bailey Melanie Baise Charlene Baker Christopher & Ellen Baker, in memory of Zach Tropp Laura & Kevin Banks E. Patricia Barbier Joyce Barefoot Joyce Barefoot, in memory of Joan Parker Sheila Barnes, in memory of Joan Allen Lois Barraclough Graham Bartlett Mary Beall Susan Beard James F. & Yvonne G. Beckley Hugh & Margaret Bell Benchmark Real Estate Investments, Margaret Orona Debra & Kirk Benton Sarah & Joshua Benton, in memory of Joan Allen Mark & Beth Berger Richard Bernal Dorothy & Melbourne Bernstein Judy Binder Peggy Blackburn Katherine Blaker Alan & Bronnie Blaugrund, in memory of Joan Allen Ann Blaugrund & Bill Redak, in memory of Joan Allen Rol & Samantha Blauwkamp

continued on 18 The New Mexico Philharmonic

nmphil.org

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Donor Circles . continued from 17 Barbara & Philip Bock, in memory of Robert Taichert Katie Bock Paula & James Bonnell, in memory of Louise Coonce Joyce Bortner Henry & Nancy Botts Karen Bovinette, in memory of Joan Allen Julia B. Bowdich Julia B. Bowdich, in memory of Joan Allen Tim & Jackie Bowen J. M. Bowers Brad Boyce Enid Bradley Roberta Branagan Jeffrey & Teresa Brandon Charles Brandt, in memory of Jennifer K. Brandt Elinore Bratton Richard & Karla Bressan, in memory of Joan Allen James & Ann Bresson Elizabeth Brower Monica & Lee Brown Dr. Lisa M. Brunacini & Rita M. Giannini Sandy Buffett Elaine Burgess Jeanne Burgess Sherri Burr Charles Campbell Mary Ann Campbell-Horan & Tom Horan Elizabeth Canfield Elizabeth & Maria Canfield James Carroll Camille Carstens Mary Casarez & T. Paul Apodaca Joseph Cella Barbara & Roscoe Champion Ralph Chapman Scott & Landa Chapman, in memory of Zachary Tropp Suzy Charnas Judith Chazin-Bennahum & David Bennahum Kathy & Lance Chilton Betty Chowning, in memory of Ken Chowning Jay & Carole Christensen, in memory of Joan Allen Judith & Thomas Christopher Ralph & Elizabeth Churchill Paul Citrin Barbara & Aaron Clark Peggy Clark, in memory of Robert Clark Robert Clark Fredric & Rosalyn Cohen James & Joan Cole Valerie Cole Henry & Ettajane Conant Janelle Conaway Martha Cook, in memory of Lewis & Ruth Cook Philip & Kathryn Cooper Ralph Cover Claudia Crawford, in memory of Zach Tropp Mark Curtis Margaret Davidson & James Barbour, in memory of Joan Allen Daniel P. Davis Joan Davis Ann Dehart Jan & Jerry DeLange Margaret DeLong Candice & Daniel Demar

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2014/15 Season

Donald DeNoon Desert Double Reeds, Rebecca L. Ray Jerry & Susan Dickinson Elizabeth & Thomas Dodson Darryl Domonkos Joanne Donsbach Ernest & Betty Dorko J.R. & Peggy Dotson, in memory of Joan Allen Gale Doyel & Gary Moore, in memory of Joan Allen Woodie Dreyfuss, in memory of Joan Allen E. Josephine Drummond Betty & Stuart Dubois Ken Duckert Stephen Dunaway Deborah Barba Eagan Sarah Earlow East Range Piedra Vista Neighborhood Association, in memory of Paula Basile Sondra Eastham Sondra Eastham, in memory of Joan Allen David Ted Eastlund Joy Eaton, in memory of C.J. Meg Patten Eaton, in memory of Joan Allen John Eckert Ida Edward Sylvia & Ron Eisenhart Helen Elliott Wolfgang Elston Stefanie English Robert & Dolores Engstrom Roger C. Entringer Carlos Esparza Marie Evanoff Cheryl A. Everett David & Regan Eyerman Bill Fanning Helene K. Fellen Marie E. Fellin, in memory of Blaine Eatinger Rosario Fiallos Alan & B.J. Firestone Margaret Fischer Rona Fisher, in memory of Louise Coonce Stephen J. Fisher Robert & Diane Fleming Hahn Fletcher Elizabeth & Blake Forbes Beverly Forman & Walter Forman, MD James & Jean Franchell Douglas & Nancy Francis J. Arthur Freed Susan Freed Dan Friedman Aanya Adler Friess Jack Fuller Robert & Diana Gaetz Patrick & Patricia Gallacher Clarence Gallegos & Anna Y. Vigil Ann & Michael Garcia William Garrison Ann Gateley Jim & Margaret Gates Karen Gatlin Paula Getz Duane & Janet Gilkey Galen Gisler Todd A. Goldblum, MD Laurence Golden Donald & Diane Goldfarb Donald & Diane Goldfarb, in memory of Robert D. Taichert

Jim L. Gonzales Janice K. Goodman The Very Rev. J. Mark Goodman Dr. Thomas & Linda Grace Dr. Thomas & Linda Grace, in memory of Joan Allen Alice Graybill Erna Sue Greening Justin M. & Blanche G. Griffin Craig Griffith Insurance Agency Sharon Gross, in memory of Robert D. Taichert Virginia Grossetete Virginia Grossetete, in memory of Joan Allen Mina Jane Grothey Ellen Guest Charles & Betsy Gunter Herman Haase Vaux & Hilda Hall Bennett A. Hammer Marjorie Hardison Janet Harrington Joan & Fred Hart Marilyn Hartig John Harvey Arthur G. Hassall Allan Hauer Nancy Hayden, in memory of Paula Basile James Headley, in memory of Joan Allen Deborah L. Helitzer Rosalie & Leon Heller Rogene Henderson Holland Hendrix Sara Henning Mary Herring, in memory of Margaret Glasebrook Jonathan & Ellin Hewes, in memory of Robert D. Taichert Donna Hill Linda Hill & Peter Gordinier, in memory of Paula Basile Eileen Grevey Hillson & Dr. David Hillson, in memory of Joan Allen Kristin Hogge Barbara Holt Noelle Holzworth Lisa Hooper Tom Hopkins Helen & Stanley Hordes Cecilia & Mark Horner William Howe Rafael Howell Rick Hudson Linda Hummingbird Constance Hyde & James Houle Lois Jackson, in honor of Brynn & John Marchiando Nancy Jacobson Jerry Janicke Bette A. Johnson Eldon Johnson Eric R. Johnson Nancy M. Johnson Joyce D. Jolly Judy Jones Lawrence Jones Pamela Jones Robert Jones Robert & Mary Julyan Wilbur & Justin Kahn Summers & Norty Kalishman Julius & Robin Kaplan Clayton Karkosh Joyce Kaser

Greta & Thomas Keleher, in memory of Jackie Maisel Channing & Ida Kelly James Kelly C.R. Kemble David & Leslie Kim, in memory of Joan Allen Judith Allen Kim, in memory of Joan Allen Evy Kimmell Barbara Kleinfeld Barbara Kleinfeld, in memory of Robert D. Taichert Michael & Malva Knoll Sushilla Knottenbelt Larry & Diana Koester Herb & Shelley Koffler, in memory of Joan Allen Rosemary Koffman Philip Kolehmainen Katherine Kraus Flora Kubiak, in memory of Joan Allen Hareendra & Sanjani Kulasinghe Ethel & Edward Lane, in memory of Sylvester Baca David Lawrence Becky Lee Carla Lehmeier-Tatum Susan Lentz Greg Linde William J. Lock Ronald Loehman George Loehr Richard & Christine Loew, in memory of Joan Allen Nancy D. Loisel Rhonda Loos & Neal Piltch, in memory of Joan Allen Quinn Lopez Joel Lorimer Los Amapolas Garden, in memory of Richard Kavet Carol Lovato Betty Lovering Thomas Luley, in memory of Zach Tropp William Lynn Martha MacDonald Margaret Macy Stephen Maechtlen Robert & Linda Malseed Ronald P. & Monica M. Manginell Susan Margison, in memory of Paula Basile Jim Marquez Marita Marshall Walt & Ruth Marshall Carolyn Ross Martin, in memory of Joan Allen Carolyn Martinez, in memory of Joan Allen Brenda & Robert Maruca Joseph McCanna Stephen McCue Andrew McDowell James McElhane Thomas McEnnerney Carol & David McFarland, in memory of Paula Basile Jackie & C. Everett McGehee, in memory of Joan Allen Virginia McGiboney Donna McGill Eugene McGuire Jane & David McGuire David McKinney, in memory of Joan Allen Leroy C. McLaren

Millie & John McMahon, in memory of Joan Allen Elizabeth McMaster Cynthia & Paul McNaull Bonita Melcher & Dale Ferguson, in memory of Zach Tropp Sterrett & Lynette Metheny Phyllis Metzler Sandra Lee Meyer Celia Michael Thomas Miles Bruce A. Miller Carol Mills Nancy Mills Marcia Miolano Beatriz Mitchell Elaine Monaghan Mary Kay Moore Carlos Garcia Moral, in memory of Zach Tropp Letitia Morris Dorothy Morse, in memory of Joe Zoeckler Ted & Mary Morse Paula A. Mortensen Karen Mosier John & Patsy Mosman Carolyn Muggenburg Deborah Muldawer Brian Mulrey Marilee Nason Jennie Negin & Harold Folley Bruce & Ruth Nelson Pauline & James Ney Betsy Nichols & Steve Holmes Anne E. Nokes Elizabeth Norden Jack Norris David & Audrey Northrop David & Marilyn Novat Richard & Marian Nygren Si Scott Obenshain Marilyn Jean O’Hara Rebecca Okun Judith Oliva, in memory of Paula Basile Gloria & Greg Olson Gloria & Greg Olson, in memory of Louise Coonce Estherella Olszowka Margaret Palumbo Margaret & Doyle Pargin Judyth Parker Diane & Mark Parshall Joan & L. Parsons, in memory of Robert Taichert Marjorie Patrick & Michael Van Laanen Howard Paul Larry Pearsall Margery Pearse Ole A. Peloso, MD, in memory of Alan S. King, MD Sheila & Ole Peloso, in memory of Dr. Omar Legant Claire M. Peoples Anna Perea Maria Pereyra Timothy Peterson Barbara Pierce Barbara Pierce, in memory of Richard Kavet Barbara Pierce, in memory of Elise Schoenfeld Dr. Ed & Nancy Pierce, in memory of Joan Allen Dorothy Pierson Harvey J. Pommer Gladys & Glenn Powell Bettye Pressley

Thank You .

Charles & Theresa Pribyl, in memory of Joan Allen Carol & George Price Shirley Puariea Noel Pugach, in memory of Joan Allen Gerard & Ellen Quigley, in memory of Zach Tropp Therese Quinn Tari Radin, in memory of Louise Coonce Chris Rancier, in memory of Charlyn Anderson Mary Ellen Ratzer Marit Rawley David & Tracey Raymo Marjorie & Robert Reed Ray Reeder Carol Renfro, in memory of Pat Fairchild Patricia Renken Diane Reuler Glenda Richardson Herbert Richter Margaret Rickert Sandy Rierson, in memory of Zachary Tropp Ira J. Rimson Hilda Ripley, in memory of Zach Tropp Jacob H. Rittenhouse Barbara Rivers Margaret E. Roberts Matthew Robertson Norman Roderick Alice & Larry Rodgers Barbara & Joseph Roesch Lorraine Roff Lorraine Roff, in memory of Louise Coonce Ralph Rogers Beverly Rogoff, in memory of Joan Allen Rebecca Rose & Susan Matthew, in memory of Joan Allen Estelle H. Rosenblum Bryan L. & Lisa Wood Ruggles Nancy Ruggles Harvey & Laurie Ruskin Ellen Ann Ryan, in memory of Robert Taichert John Salathe Evelyn E. & Gerhard L. Salinger Scott & Margaret Sanders Daniel Savrin, in memory of Zachary Tropp Frederick & Annette Schaefer, in memory of Zach Tropp Elaine Schepps Roger Schluntz Donald L. Schmierbach & Nancy Huning Schmierbach David A. Schnitzer Luann Schuhler, in memory of Zach Tropp Frederick Schwab Ralph Schwab Judith Schwartz Joan Scott Betty Cobey Senescu Margaret & Frank Seusy Richard Shagam Donea Shane

Donea Shane, dedicated to William D. Shane Jr. Dan Shawver Arthur & Colleen M. Sheinberg Robert & Lelia Shepperson Leslie N. Shultis Catherine Siefert Janet Simon Marion Simon Marsha & Don Simonson Raymond & Carolyn Sinwell, in memory of Zach Tropp George & Vivian Skadron MaryDee Skinner Terrence Sloan Conrad & Shirley Sloop Mr. & Mrs. Matthew Sloves Eleanor Slutts Donald Smith Harry & Patricia Smith Kirk Smith Smith’s Community Rewards Frederick Snoy Linda Snyder Vera Snyder Enid Solin Jean & Allen Spalt Spectra Energy Gwyn & Tracy Sprouls David Srite Jack Stamm Charlie & Alexandra Steen Donald Stehr Geny Stein Andrea Sterling Daphne Stevens Sally Stevens Grace & Sigurd Stocking Roberta Stolpestad, in memory of Paula Basile Andrew & Katie Stone Donald & Jean Ann Swan George Ann & Tom Tabor, in memory of Paula Basile David & Jane Tallant Debra Taylor Phyllis Taylor & Bruce Thomson Richard & Carolyn Tecube Nina & Gary Thayer Elisabeth Thibault Patricia & George Thomas Alice Thompson Richard Thompson Michael Thuot Julie Tierney Jack Tischhauser Jack Tischhauser, in memory of Sylvester Baca Marilyn Toler John Tondl Dean & Bonita Tooley Marian Trainor & David Dixon Hy Tran Deborah & Richard Uhrich United Bank of Switzerland Arthur & Sandra VallSpinosa Nancy Vandevender & J. Pace

The New Mexico Philharmonic

Walter Vandevender Jean & Ross Van Dusen David Vaughan Barbara Vayda, in memory of Zach Tropp Jean Villamarin Adriana Villar John J. Vittal Arun Wahi Cheryl Walker Sherry & Michael Walls, in memory of Paula Basile David Walsh Joan Wang, in memory of Charlyn Anderson Marilyn Warrant Cynthia & Bill Warren Barbara Waserman Cynthia Weber Paul & Suzanne Weber Jean & Dale Webster Iris Weinstein Alan D. & Elaine Weisman Thomas Wellems Justin Welter Debbie Wesbrook Jeffrey West Nicolette Westphal Maryann & Eugene Wewerka Mary White Sandra J. White Wendy & Roland Wiele William & Vicky Wilhelm, in memory of Zach Tropp John L. Wilson James Wilterding & Craig Timm Rosemary & William Winkler Kathryn Wissel Margaret Wolak Helmut Wolf Beulah Woodfin Dot & Don Wortman Helen Wright Donna Yannias Anne Yegge Mary Young Janet Youngberg, in memory of Joan Allen Diana Zavitz, in honor of Lois Harwick Diana Zavitz, in honor of Pat & Ray Harwick Albert & Donna Zeman Willie & Lisa Zimberoff, in memory of Joan Allen Dr. Linda R. Zipp Andrew A. Zucker 1/31/2015

JOIN A CIRCLE Donate Today.

(505) 323-4343 nmphil.org/support

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The Legacy Society Giving for the Future.

Your continued support makes this possible. The Legacy Society represents people who have provided long lasting support to the New Mexico Philharmonic through wills, retirement plans, estates, and life income plans. If you included the NMPhil in your planned giving and your name is not listed, please contact (505) 323-4343 to let us know to include you.

Maureen & Stephen Baca Nancy Berg Thomas C. Bird & Brooke E. Tully Edison & Ruth Bitsui

Peter Gregory Dr. & Mrs. Larry Lubar Jeanne & Sid Steinberg William A. Wiley

1/31/2015

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Thank You for Your Generous Support Volunteers. Expertise. Services. Equipment.

The New Mexico Philharmonic would like to thank the following people for their support and in-kind donations of volunteer time, expertise, services, product, and equipment.

CITY & COUNTY APPRECIATION

INDIVIDUAL APPRECIATION

BUSINESS & ORGANIZATION APPRECIATION

SUPPORT YOUR NMPHIL TODAY Donate. Volunteer. Advertise.

Planned Giving.

(505) 323-4343 nmphil.org/support

Mayor Richard J. Berry & the City of Albuquerque Trudy Jones & the Albuquerque City Council Maggie Hart Stebbins & the Bernalillo County Board of Commissioners Betty Rivera & the Albuquerque Cultural Services Department Mayling Armijo & the Bernalillo Economic Development & Cultural Services Amanda Colburn & the Bernalillo County Cultural Services Maryann Torrez & the Albuquerque BioPark Zoo

American Federation of Musicians, Local 618 Central United Methodist Church Classical 95.5 KHFM First United Methodist Church Natural Touch Photography, Guillermo Quijano-Duque Popejoy Hall Southwest Security St. John’s United Methodist Church St. Luke’s Lutheran Church

Lee Blaugrund & Tanager Properties Management Billy Brown Luis Delgado Robert Desiderio Rosemary Fessinger Jerrilyn Foster Ben Heyward Chris Kershner Rose Maniaci Jackie McGehee Robby Rothchild David Steinberg Brent Stevens Mike Swick Bob Tillotson Tom Tkach Gary van Zals

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nmphil.org

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