New Mexico Philharmonic 2013/14 Season Program Book 7

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Popejoy Classics

Neighborhood Concert

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Harrell Plays Tchaikovsky

Mozart Requiem

Saturday, March 8, 2014, 6 p.m.

Popejoy Hall

Matthew Greer conductor Ashley Morgan soprano Sarah Ihlefeld mezzo-soprano Seth Hartwell tenor Bradley Ellingboe bass The Chancel Choir of St. John’s United Methodist Church

Harrell Plays Tchaikovsky Joshua Weilerstein conductor Lynn Harrell cello

Ligeti Concert Românesc Tchaikovsky Variations on a Rococo Theme Mendelssohn Symphony No. 4 “Italian"

Saturday, March 22, 2014, 7 p.m.

St. John’s United Methodist Church

Mozart Requiem

Neighborhood Concert

Popejoy Pops

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Fauré Requiem

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Cirque dela Symphonie

Cirquedela Fauré Symphonie Requiem Sunday, March 16, 2014, 3 p.m.

Central United Methodist Church

David Felberg conductor Jackie McGehee Young Artists’ Competition Winners The Choir of Central United Methodist Church

Saturday, March 29, 2014, 6 p.m.

Popejoy Hall Oriol Sans conductor

The magic of cirque comes to Popejoy Hall when performers from exceptional cirque programs from around the world are accompanied by equally awe-inspiring music from the New Mexico Philharmonic.

Neighborhood Concerts

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Popejoy Hall Concerts

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Reserved Seats

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Welcome .

Table of Contents February 15, 2014

Program Program Notes Matthew Greer Deborah Domanski February 16, 2014

Program Brent Stevens LeRoy Lehr Gints Berzins Krzysztof Zimowski Julanie Collier Lee Willy Sucre Carol Pinkerton February 22, 2014

Program Program Notes Philip Mann Kimberly Fredenburgh March 2, 2014

Program Program Notes David Felberg Ruxandra Simionescu-Marquardt

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Concert Program .

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St. John’s United Methodist Church

Making a Difference This performance is made possible in part by the generosity of the following businesses and individuals:

Saturday, February 15, 2014, 7 p.m.

Neighborhood Concert: Favorite Arias Matthew Greer conductor Deborah Domanski mezzo-soprano

Overture to La clemenza di Tito, K. 621 Wolfgang Amadeus Mozart (1756–1791) “Voi che sapete che cosa è amor” from Le nozze di Figaro, K. 492

Wolfgang Amadeus Mozart

St. John’s United Methodist Church “Oh del mio dolce ardor” from Paride ed Elena Christoph Willibald Gluck (1714–1787) “Ecco il punto … Non più di fiori” from La clemenza di Tito

Wolfgang Amadeus Mozart

“Parto, parto, ma tu, ben mio” from La clemenza di Tito

Wolfgang Amadeus Mozart

“Laudamus te” from the Great Mass in c minor, K. 427

Wolfgang Amadeus Mozart

Deborah Domanski mezzo-soprano

i n t e r m i s s i on

Symphony No. 94 in G Major, “Surprise” Franz Joseph Haydn I. Adagio cantabile—Vivace assai (1732–1809) II. Andante III. Menuetto—Trio: Allegro molto IV. Finale: Allegro di molto

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Program Notes .

Program Notes Lori Newman

Wolfgang Amadeus Mozart Born 1756, Salzburg, Austria Died 1791, Vienna, Austria

Overture to La clemenza di Tito, K. 621 (1791) “Parto, parto, ma tu, ben mio” from La clemenza di Tito “Ecco il punto … Non più di fiori” from La clemenza di Tito The opera seria La clemenza di Tito (The Clemency of Titus) was one of the last works that Mozart composed. In 1791, the year of his death, Mozart had three major commissions: The Magic Flute, the Requiem, and La clemenza di Tito. The latter was commissioned by Domenico Guardasoni, an impresario who was given the task to provide music for the ascension of Leopold II from Holy Roman Emperor to King of Bohemia.

The work saw its premiere performance just hours after Leopold’s coronation, but the first public performance was on September 6, 1791, in Prague.

The opera revolves around the characters of Titus, Sesto, and Vitellia. Titus is the current emperor, Sesto is his good friend who is in love with Vitellia, and Vitellia is the conflicted daughter of the former emperor; she both hates Titus and wishes his demise because he took her father’s place as emperor, but is also hoping that Titus chooses her as empress. When Titus chooses another as his empress, Vitellia engages Sesto’s help in an assassination scheme. Things go awry, as they always do in opera, and Titus is not assassinated, nor is the person that the assassins mistook for Titus, thus leaving a witness to Sesto’s involvement in the crime.

Sesto and his cohorts are awaiting their sentences, but Sesto has not yet revealed Vitellia’s role in the assassination plot.

Wracked with guilt, Vitellia confesses her role to Titus. Surprisingly, since this is opera, and opera seria no less, Titus does not order any executions and instead grants clemency to both Sesto and Vitellia.

The opera’s overture was written quickly, the night before the ceremony to be exact.

It holds no actual melodic material from the opera, but opens with regal sounding dotted rhythms befitting a coronation.

“…the one subject of conversation. here is—Figaro; nothing is played, sung or whistled but—Figaro; nobody goes to any opera but— Figaro; everlastingly Figaro!”

—Wolfgang Amadeus Mozart

The stunningly beautiful “Parto, parto ma tu, ben mio” from Act I is sung by Sesto. The aria is sung after Vitellia berates Sesto for not carrying out the assassination plot and she tells him that unless he does so, she will have nothing more to do with him. Blinded by his love, he asks for one more loving look before embarking upon his mission. The part of Sesto formerly would have been portrayed by a soprano castrato, but now is sung by a mezzo-soprano.

The star of the orchestra, however, is the clarinet, whose ubiquitous obbligato is brilliantly woven throughout the aria. The clarinet is so prevalent it is as if it is playing another character, or perhaps a sounding board or reflection of Sesto’s emotions.

“Ecco il punto … Non più di fiori” is sung by Vitellia in Act II; the title translates to “Now is the time … No more flowers.”

Vitellia is conflicted as to whether or not to confess to Titus regarding her part in the assassination attempt. She sings of Sesto’s loyalty to her and whether or not she could live with herself if he is put to death for her crime. She realizes she must admit her role in the plot and face the consequences, which are a most certain death. ●

Wolfgang Amadeus Mozart

“Voi che sapete che cosa è amor” from Le nozze di Figaro, K. 492 (1786)

Le nozze di Figaro is the first of the three operas by the Mozart/Da Ponte collaboration which also produced Don Giovanni (1787) and Così fan tutte (1790). The opera contains an incredibly convoluted plot filled with farce, mistaken identities via some wacky

costumes, and lots of slapstick. The opera also shows Mozart’s disdain for the class system of his day—and surely delighted in his working-class characters (Figaro, Cherubino, and Susanna) manipulating and tormenting the characters of the ruling class (The Count and Countess). In addition to the comedy, there are also moments of great emotional realness with themes of true love and forgiveness. Le nozze di Figaro was one of the few successes that Mozart’s music had during his lifetime. This is evidenced by the following statement by the composer in a letter written to his father from Prague: “ … the one subject of conversation here is— Figaro; nothing is played, sung or whistled but—Figaro; nobody goes to any opera but— Figaro; everlastingly Figaro!”

The aria “Voi che sapete che cosa è amor” (“You Ladies Who Know What Love Is”) is sung by Cherubino, the Count’s page.

It is a song that Cherubino has written for the Countess, for whom he has feelings, and Susanna implores him to sing it. In the song, Cherubino appeals to women who have experience with the feelings associated with being in love. He describes his “symptoms” of what he believes to be love, wondering if it is indeed love from which he suffers. ●

Christoph Willibald Gluck

Born 1714, Erasbach [now Berching], Germany Died 1787, Vienna, Austria

“Oh del mio dolce ardor” from Paride ed Elena (1770) Paride ed Elena (Paris and Helen) deals with Paris and his pursuit of Helen’s love before they are forced to make their escape to Troy. Written in 1770 by the German opera composer Christoph Willibald Gluck, the continued on 6

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Program Notes . continued from 5 opera premiered at the Burgtheater in Vienna on November 3, 1770.

“Oh del mio dolce ardor” (“Oh of my gentle love”) is the first aria of the opera.

Helen asks Paris, who has traveled to Sparta, to help her judge an athletic contest. She then asks Paris to sing for her, and he sings of her incredible beauty and states that his reason for being there is to win her love. The role of Paris would have formerly been sung by a soprano castrato, but would now be sung by a mezzo-soprano. ●

Wolfgang Amadeus Mozart

“Laudamus te” from the Great Mass in c minor, K. 427 (1782–1783) Mozart’s Great Mass in c minor was written for a visit that Mozart and his new bride Constanze were making to Salzburg.

His father and sister had never met his new wife, so he composed this Mass to be performed upon his return to his hometown. It is believed that Constanze even sang the Soprano I part. The premiere was given at the Church of St. Peter’s Abbey on October 26, 1783.

The Mass is not complete, with the exceptions of the Kyrie and Gloria. The Credo is mostly missing, the Agnus dei is completely missing, and the Sanctus is partially missing. Since a Mass follows the liturgy, it would have been impossible that the premiere would only have contained the portions that Mozart completed.

Most scholars believe that Mozart may have interspersed previously composed Mass movements for the premiere. Why the composer didn’t finish his Mass in c after the premiere remains a mystery.

Modern performances rely on edited and completed versions by a number of individuals and publishers.

The “Laudamus te” is from the Gloria and written for the second soprano. The simplicity of its words, “We praise Thee; we bless Thee; we adore/worship Thee; we glorify Thee” are highlighted by a beautiful and gracefully ornamented setting of the text. ●

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[The theme] is introduced in a light and fanciful way, and then the surprise: a sudden fortissimo chord at the end of the serene opening. It had long been rumored that Haydn threw in this surprise to wake potentially sleeping patrons at his concert.

Franz Joseph Haydn Born 1732, Rohrau, Austria

Died 1809, Vienna, Austria

Symphony No. 94 in G Major, “Surprise” (1791) Haydn’s Symphony No. 94 was written in London and is the second of his famed “London” Symphonies. Haydn had served with the powerful Prince Nikolaus Esterházy for more than twenty-nine years, but upon the Prince’s death, his son Anton took over, and Anton was not the great patron of the arts that his father had been. This allowed Haydn more flexibility to travel and compose in other cities and countries. He had a stint in Vienna, and then the impresario Johann Peter Salomon appeared, telling Haydn, “I am Salomon of London, come to fetch you.”

Salomon proposed that Haydn accompany him to London and write six symphonies for the London audience. Haydn agreed, and his “London” Symphonies turned out to be among the most popular in the composer’s impressively prolific compositional output.

The “Surprise” aspect of the symphony comes from Haydn’s treatment of the second movement. He chooses to loosely base the theme and variations of the second movement on the popular “Twinkle,

Twinkle Little Star.” It is introduced in a light and fanciful way, and then the surprise: a sudden fortissimo chord at the end of the serene opening. It had long been rumored that Haydn threw in this surprise to wake potentially sleeping patrons at his concert. When asked if this were the case, Haydn replied, “No, but I was interested in surprising the public with something new, and in making a brilliant debut, so that my student Pleyel, who was at that time engaged by an orchestra in London and whose concerts had opened a week before mine, should not outdo me.” ● Program Notes ® Lori Newman

Program Notes .

Sunday, February 16, 2014, 3 p.m.

Introduction to the Classics III: Brahms Chamber Music Brent Stevens host LeRoy Lehr bass Gints Berzins piano Krzysztof Zimowski violin Julanie Collier Lee violin Willy Sucre viola Carol Pinkerton cello Lori Newman writer/researcher

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KiMo Theatre

Brahms Chamber Music.

Making a Difference

The third concert in the series will feature the groundbreaking Piano Quintet in f minor and the heartbreaking Vier ernste Gesänge (Four Serious Songs). Both works were greatly influenced

by Brahms’s complicated relationship with Robert Schumann’s widow, Clara Schumann. ●

This performance is made possible in part by the generosity of the following businesses and individuals:

Albuquerque Community Foundation

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We can’t imagine what life would be without music and song, dance and drama.

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To schedule a personal presentation, call (505) 293-4001.

La Vida Llena, a leader for over 30 years in New Mexico senior living, is part of Haverland Carter Lifestyle Group.

The New Mexico Philharmonic

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Concert Program .

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Popejoy Hall

Making a Difference This performance is made possible in part by the generosity of the following businesses and individuals:

Sandia Laboratory Federal Credit Union The Honorable & Mrs. James A. Parker

Saturday, February 22, 2014, 6 p.m.

Popejoy Classics: Kimberly Comes Home Philip Mann conductor Kimberly Fredenburgh viola

Overture on Hebrew Themes, Op. 34

Sergei Prokofiev (1891–1953)

Viola Concerto I. Andante comodo II. Vivo, con molto preciso III. Allegro moderato

William Walton (1902–1983)

Kimberly Fredenburgh viola

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Symphony No. 8 in G Major, Op. 88 I. Allegro con brio II. Adagio III. Allegretto grazioso—Molto vivace IV. Allegro ma non troppo

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Antonín Dvořák (1841–1904)

Program Notes .

Program Notes Lori Newman

Sergei Prokofiev

Born 1891, Sontsovka, Yekaterinoslav district, Ukraine Died 1953, Moscow, Soviet Union

Overture on Hebrew Themes, Op. 34 (1919)

Prokofiev’s Overture on Hebrew Themes was originally written for the unusual instrument combination of clarinet, string quartet, and piano. The work was commissioned by the Russian sextet Zimro, a touring group of Russian Jews whose mission was to foster and promote works by Jewish composers and works inspired by Jewish culture.

The group had toured Russia, Siberia, Japan, Indonesia, and China, and in 1919 they were coming to the United States to make their U.S. debut, first in Chicago and then at Carnegie Hall. Fortuitously, Prokofiev was in the United States for the premiere of his opera The Love for Three Oranges.

Zimro’s clarinetist and founder, Simeon Bellison, then approached Prokofiev about the possibility of writing a piece for their ensemble and gave to him a collection of Jewish tunes and folk melodies that he had hoped the composer could use. Prokofiev initially declined, but eventually acquiesced to the group’s request. He wrote the work within two weeks and it premiered at the Bohemian Club in New York on February 2, 1920, with the performers of Zimro. In 1934 Prokofiev orchestrated the work due to its immediate and unexpected popularity. ●

William Walton

Born 1902, Oldham, England Died 1983, Ischia, Italy

Viola Concerto (1929) Walton’s Viola Concerto was written at the request of Sir Thomas Beecham for violist Lionel Tertis, the principal violist in Beecham’s orchestra. Neither Beecham nor Tertis was familiar with Walton’s music, however, and upon receipt of the manuscript, Tertis returned it saying it was too “modernistic” for him to perform.

Disappointed, Walton considered rewriting the concerto for the violin instead. That was

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until the English conductor Edward Clark recommended Walton send the concerto to German composer and violist Paul Hindemith. Hindemith agreed to perform the work, and it premiered in London on October 3, 1929, with William Walton conducting.

One of the audience members was none other than Lionel Tertis. He would realize he had judged the concerto too harshly, and in his autobiography he would write:

One work of which I did not give the first performance was Walton’s masterly [masterful] concerto. With shame and contrition I admit that when the composer offered me the first performance I declined it.

I was unwell at the time; but what is also true is that I had not learnt to appreciate Walton’s style. The innovations in his musical language, which now seem so logical and so truly in the mainstream of music, then struck me as far-fetched.

Walton re-orchestrated the work in 1961, and stated it was the re-orchestrated version that he hoped would be performed in the future. ●

Antonín Dvořák

Born 1841, Nelahozeves, near Kralupy, Bohemia

during the 1880s and 90s. Dvořák wrote the piece to be performed for his election into the Bohemian Academy of Science, Literature and Arts. He composed his Symphony No. 8 in 1889 in Vysoká u Příbramě, Bohemia, and conducted the premiere in Prague on February 2, 1890.

The first movement opens with a brief and ominous minor mode introduction. This minor key snippet can be found throughout the first movement, usually as a transitional bridge. It gives way to the bright and cheerful bird call flute melody, now written in the symphony’s key of G Major. The second movement plays with the lights and darks of major and minor, alternating between the two. Dvořák does save his best melodies for the major mode, however. The trumpet fanfare climax in the middle gives way to solitude for the movement’s conclusion. The third movement opens in a very dire manner which threatens the overall mood of the Symphony. This is short lived, giving way to beautiful and soaring major-mode melodies, only briefly interrupted by the minor mode.

This movement is less of a scherzo or minuet as one would expect from a symphony written at this time, but it instead takes on the character of an intermezzo, a form that Brahms would also use in the third movements of his first two symphonies. The fourth movement begins with a strong brass fanfare which leads into a lyrical introduction of the main theme. This theme is transferred to a more march-like demeanor and a brisk tempo change. There are a few brief visits to minor keys, and a slower repose in the strings (the first statement of the melody after the beginning trumpet fanfare in the beginning) and later the clarinets, making the jubilance and boisterousness of the G Major ending that much more gratifying. ●

Died 1904, Prague, Czech Republic

Symphony No. 8 in G Major, Op. 88 (1889)

Program Notes ® Lori Newman

Dvořák’s Symphony No. 8 is a symphony full of sunshine and joy, sandwiched between the composer’s Seventh Symphony in d minor and his Ninth Symphony in e minor.

The major key and carefree disposition are somewhat rare for symphonies written

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Concert Program .

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National Hispanic Cultural Center

Making a Difference This performance is made possible in part by the generosity of the following businesses and individuals:

McCune Foundation

Sunday, March 2, 2014, 2 p.m.

NHCC: NMPhil New Stars—Tchaikovsky David Felberg conductor Ruxandra Simionescu-Marquardt violin

Symphony No. 32 in G Major, K. 318 Wolfgang Amadeus Mozart I. Allegro spiritoso (1756–1791) II. Andante III. Tempo primo

Sérénade mélancolique in b-flat minor for Violin and Orchestra, Op. 26

Pyotr Ilyich Tchaikovsky (1840–1893)

Valse-Scherzo in C Major, Op. 34

Pyotr Ilyich Tchaikovsky

Ruxandra Simionescu-Marquardt violin

I N T E R M ISSI O N

Symphony No. 38 in D Major, K. 504, “Prague”

Adagio. Allegro Andante

Finale: Presto

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Wolfgang Amadeus Mozart

Program Notes .

Program Notes Lori Newman

Wolfgang Amadeus Mozart Born 1756, Salzburg, Austria Died 1791, Vienna, Austria

Symphony No. 32 in G Major, K. 318 (1779) Written in Salzburg in 1779, Mozart’s Symphony No. 32 is a compact version of the symphonic form. At a timing of just about ten minutes, it is more in the style of a sinfonia or a French opéracomique overture rather than a full-fledged symphony. After stays in Paris and Mannheim, Mozart reluctantly returned to Salzburg, and no doubt wrote this symphony with many of the symphonic sensibilities he picked up from his recent sojourns. For many years it was speculated that the symphony was to be used as an overture to one of Mozart’s operas, but this theory has since been discounted, as the dates of the operas in question fail to correspond with the manuscript date of the symphony.

The symphony contains the usual fastslow-fast movement configuration, but the movements are played continuously without pause. The third movement contains material from the first movement and is not written with new ideas that would make it autonomous from the rest of the symphony.

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Pyotr Ilyich Tchaikovsky Born 1840, Votkinsk, Russia Died 1893, St. Petersburg, Russia

Sérénade mélancolique in b-flat minor for Violin and Orchestra, Op. 26 (1875)

Tchaikovsky first met the great violinist Leopold Auer in 1875, and it was for Auer that his Sérénade mélancolique was written.

Auer and Tchaikovsky’s professional relationship would be tried when in 1878 Auer deemed Tchaikovsky’s Violin Concerto unplayable and refused to premiere the work.

Tchaikovsky tried to remove the dedication

Prague embraced Mozart and his music in a way that the hometown crowd of Vienna did not. to Auer from the Sérénade mélancolique after the Violin Concerto kerfuffle, but his publisher, Jurgenson, could not oblige.

Unrelated to the Violin Concerto incident, Leopold Auer was unable to premiere the Sérénade mélancolique; that honor went instead to Adolph Brodsky who premiered the work on January 28, 1876, in Moscow.

Several months later, Auer would perform the St. Petersburg premiere on November 18, 1876. In an ironic twist, Brodsky would also be the person to premiere the Violin Concerto after Auer refused to do so.

The Sérénade mélancolique is written in three-part ABA form. The piece contains everything one could hope for from a serious work by Tchaikovsky: beautiful lyricism, heartbreaking poignancy, and soaring melodies. ●

Pyotr Ilyich Tchaikovsky

Valse-Scherzo in C Major, Op. 34 (1877) Tchaikovsky’s Valse-Scherzo in C Major, Op. 34 is a charming and lighthearted piece, but written during one of the composer’s darkest and most desperate times. Tchaikovsky’s brief and disastrous marriage to Antonina Miliukova was in 1877, just prior to the Valse-Scherzo’s composition. The union lasted less than three months (although the couple never formally divorced), and after its demise, Tchaikovsky would flee and take refuge in Switzerland. Visiting Tchaikovsky in Switzerland was Iosif Kotek.

Kotek was a former student of Tchaikovsky’s at the Moscow Conservatory, an excellent violinist, and most likely Tchaikovsky’s one-time lover. It was Kotek that helped Tchaikovsky with many of the technical aspects of his Violin Concerto which would be written on the heels of the Valse-Scherzo. It is believed that Tchaikovsky had wanted to dedicate his Violin Concerto to Kotek, but thought that might shine too strong a light on their relationship. Instead,

he opted to dedicate the Valse-Scherzo to him.

The Valse-Scherzo is a technical tour de force for the violin. It is broken into three distinct sections—two waltz sections bookending the more expansive and lyrical middle section. The waltz sections are quite balletic, and the middle section exhibits some of Tchaikovsky’s trademark melodic pathos; it also contains the work’s flashy cadenza which serves as a bridge to the return of the A section. It is believed that Kotek orchestrated most or all of the work.

It premiered in 1878 as part of the 1878 Paris World Exposition with Polish violinist Stanisław Barcewicz performing. ●

Wolfgang Amadeus Mozart

Symphony No. 38 in D Major, K. 504, “Prague” (1786) Mozart’s Symphony No. 38 was written following his great success with the opera Le nozze di Figaro. His popularity was greater in Prague than in the fickle Vienna, and Mozart wrote this symphony to be performed during his trip to Prague in 1787. The exact date of the premiere is unknown, but we know that it occurred in January of 1787 and that Mozart conducted the premiere performance himself, as well as did extensive piano improvisation at the concert.

The people of Prague embraced Mozart and his music in a way that the hometown crowd of Vienna did not. The symphony was written in Vienna, and it is unknown whether Mozart wrote it to contain elements in celebration of Prague, or merely that it would be performed there. A few items would point in the direction of the former. Firstly, his writing for winds is very extensive, with long stretches lasting without any string presence. This could be a nod to the famous wind section in Prague that was well respected and known throughout Europe.

Secondly, the “Prague” Symphony contains only three movements, eliminating the continued on 12

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Program Notes . continued from 11 minuet movement that most symphonies of the late 18th century would most certainly contain. This is also possibly due to the fact that Prague’s most famous symphonist, Josef Mysliveček, wrote in the three-movement, fast-slow-fast, archetype.

It is important to note that Mozart chooses to write all of the movements of his Symphony No. 38 in sonata form. The first movement begins with a slow introduction, only one of three Mozart symphonies to do so. It then breaks into a contrapuntally exciting allegro with six different themes being stated and developed. The second movement Andante is in the major mode of G, and while technically a slow movement, has a sense of impellent driving forward, never sitting back and resting merely on its melodic material. The third movement shows Mozart’s playfulness at its best. He chooses to open his finale with a direct quote from Le nozze di Figaro (Susanna and Cherubino’s duet preceding Act II). The movement proceeds in typical Mozart fashion with lots of flair and bravura. ●

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Program Notes ® Lori Newman

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Artists .

Matthew Greer

Deborah Domanski

Brent Stevens

Matthew Greer is Director of Music and Worship Ministries at St. John’s United Methodist Church in Albuquerque where he directs several choirs and oversees a comprehensive music program. He also serves as Artistic Director for Quintessence: Choral Artists of the Southwest. At St. John’s, he founded the highly successful “Music at St. John’s” concert series, and “Thursday Evening Musicales,” an annual series of benefit concerts for Albuquerque Healthcare for the Homeless. In recent years, he has conducted performances of Mozart’s Requiem, Durufle’s Requiem, Handel’s Messiah, and Karl Jenkins’s The Armed Man: A Mass for Peace. In addition, Greer has lectured on and conducted the music of Brahms, Bach, Copland, and Barber. In spring of 2012 he was among the recipients of Creative Albuquerque’s Bravos! Awards, honoring artistic innovation, entrepreneurship, and community impact. A native of Kansas City, Greer holds degrees in Music and Theology from Trinity University and Boston University. His teachers have included Ann Howard Jones, Daniel Moe, Jane Marshall, and Alice Parker. ●

Ms. Domanski’s solo concert engagements include the alto soloist in Mozart’s Requiem with the Los Angeles Philharmonic under Maestro Esa-Pekka Salonen, the alto soloist in Beethoven’s Ninth Symphony with the Laredo Symphony, the Greenwich Choral Society’s performance of Rossini’s Petit messe solennelle, and with The Juilliard Choral Union in Vivaldi’s Gloria in Alice Tully Hall. As a Young Artist in the Juilliard Opera Center, she was a participant in the prestigious 2002 Juilliard Vocal Arts Honors Recital in Alice Tully Hall. As the 2002 competition winner at the Music Academy of the West, Ms. Domanski became the Marilyn Horne Foundation Awardee and was presented in recital, and on national radio and in World Wide Web broadcast, in October 2002. In January 2005 Deborah made her Weill Concert Hall debut as part of the Horne Foundation’s “The Song Continues” recital series at Carnegie Hall.

She maintains her passion for the art of song recital and presents concerts and education programs around the world. In 2007 Deborah presented a recital in Delhi, India entitled “Shaping the Invisible: Leonardo da Vinci’s Principles in Song.” After completing two years with the Pittsburgh Opera’s Young Artist Program, Deborah spent the summers of 2005 and 2006 with the Santa Fe Opera Apprentice Program, where her responsibilities included performing Mercedes in Carmen and covering Susan Graham in the role of Cecilio in Mozart’s Lucio Silla. ●

Brent Stevens was born and raised in Albuquerque and has been in show business since he was eleven years old. In addition to his job at Classical 95.5 KHFM, Brent is a theatrical Sound Designer and recording engineer; the American Record Guide called his recording of Tchaikovsky’s Fifth Symphony “the kind of sound big-name recording companies aim for and often miss.”

Recently Brent has engineered commercial CDs for the New Mexico Symphonic Chorus and continues to record live performances for that organization, the New Mexico Philharmonic, The Figueroa Project, Opera Southwest, and The Albuquerque Youth Symphony.

Brent is KHFM’s Program Director. You can hear him Monday-Friday, 6–10 a.m. on Classical 95.5 KHFM. Brent also hosts The Saturday Opera on KHFM, Saturday mornings at 11 a.m. ●

Conductor

The New Mexico Philharmonic

Mezzo-soprano

Host

nmphil.org

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Artists .

LeRoy Lehr

Gints Berzins

Krzysztof Zimowski

At the time of his retirement from the Metropolitan Opera after nineteen years as a soloist, LeRoy Lehr had sung 326 performances of supporting and character roles there, spanning a career of almost 60 years and encompassing every aspect of classical singing.

Recipient of a Martha Baird Rockefeller Foundation grant, and a founding member of the groundbreaking and innovative Center Opera (now Minnesota Opera), Mr. Lehr’s early career included new and improvisational opera with that group, as well as traditional operatic and orchestral work throughout the U.S., Canada, Mexico, Germany, and the U.K.—even Moscow, USSR in 1991 with a U.S. State Departmentsponsored production at the Bolshoi Theater.

LeRoy Lehr is familiar to live Metropolitan Opera broadcast audiences as Doctor Grenvil in La traviata, Hans Schwartz in Die Meistersinger von Nürnberg, and the Jailer in Tosca, roles which he has repeated over many radio broadcast seasons, and numerous other characters on those memorable Saturday afternoons and on tour in Japan. He has appeared in several productions at New York City Opera, in regional houses across the U.S., and Festival Aldeburgh (England), Bard, Blossom, Marlboro, Meadowbrook, OTSL (St. Louis), Summerfest, Lake George, Wildwood, Wolftrap, and the New Hampshire Music Festival.

LeRoy now lives in Albuquerque, New Mexico, with his wife, Stage Director Veronica Reed. More detail and photos are available at the website: leroylehr.com. ●

Gints Berzins was born in Riga, Latvia in 1966. He began piano playing at the age of four and entered the Jazeps Medins Music School in Riga at the age of five. At eleven, he won the first prize at the International Competition for Young Pianists held in Vilnius, Lithuania, and the following year he won the first prize at the all-Latvia Competition of Young Pianists. Gints continued his studies at the Tchaikovsky Conservatory in Moscow and graduated in 1992.

His solo appearances in the U.S. include three recitals at New York’s Carnegie Hall, and other performances in Chicago, Boston, Miami, and Toronto (Canada). He has had many solo appearances in Europe (Germany, Belgium, France, England, Russia, Lithuania, and Estonia), and Australia.

For the last ten years, Gints has been residing in New York and has extended his talents to the opera world. He has done extensive work as a pianist for the numerous opera houses in the U.S. including the Metropolitan Opera, New York City Opera, Dicapo Opera, and Amato Opera. In 2007, Gints made his opera conducting debut with Mozart`s Così fan tutte for the Holders Season festival.

Gints Berzins has recorded three CDs presenting the music of Chopin, Tchaikovsky, and Mussorgsky. Currently, Gints is working on a six CD set of the Complete Piano Sonatas of Mozart. ●

Krzysztof Zimowski was born in Wroclaw, Poland. He began his musical studies when he was just six years old. Participating in various music camps and schools organized

by La Federation International des Jeunesses Musicales, Mr. Zimowski performed as a Concertmaster of the Symphony Orchestra of Weikersheim and Bayreuth in Germany, with Franz Paul Decker, the music director of the Montreal Symphony at that time.

In the fall of 1986, he moved to the United States of America, where he helped to form the Helios String Quartet, an ensemble-in-residence at the Placitas Artists Series, in Albuquerque’s north community of Placitas. Mr. Zimowski has performed with the Phoenix Symphony, Santa Fe Opera Orchestra, Santa Fe Symphony and Santa Fe Pro Musica. He was also the Concertmaster and soloist of the Chamber Orchestra of Albuquerque.

In October of 1986, Krzysztof Zimowski began playing with the New Mexico Symphony Orchestra and became an Associate Concertmaster in 1995. He was appointed Concertmaster and soloist of the New Mexico Symphony Orchestra in 1999.

Currently he is Concertmaster of the New Mexico Philharmonic and was appointed a Concertmaster of the Opera Southwest Orchestra. Each summer since 1994, Mr. Zimowski has performed with the Grant Park Symphony Orchestra in the renowned International Music Festival in Millennium Park in Chicago. ●

Bass

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Piano

Violin

Artists .

Julanie Collier Lee

Willy Sucre

Carol Pinkerton

Violinist Julanie Collier Lee began playing violin at the age of five in Lexington, Kentucky. She received a B. A. in Music from the University of Cincinnati CollegeConservatory of Music. Lee is a registered teacher with the Suzuki Association of the Americas. Before coming to New Mexico, Lee was a member of the Cheyenne Symphony, Boulder Philharmonic, Richmond (IN) Symphony, and the Lexington (KY) Philharmonic. Summer festivals include the National Repertory Orchestra with whom she toured Korea, Japan, and Taiwan; Music at Penn’s Woods; and Epcot Center’s AllAmerican College Orchestra. Lee moved to Albuquerque in 1989 to join the New Mexico Symphony Orchestra (now the New Mexico Philharmonic) and the Chamber Orchestra of Albuquerque. She is a founding member of the New Life Symphony Orchestra Southwest. She and her husband have three children. ●

Violist Willy Sucre is a member of the New Mexico Philharmonic and the driving force behind the “Willy Sucre & Friends” concerts.

Born in La Paz, Bolivia, Sucre studied at the Conservatorio Nacional de Musica in La Paz; Colby College Chamber Music Institute in Waterville, Maine; Mannes School of Music in New York; and the Peabody Conservatory in Baltimore, Maryland.

He has been conductor and Music Director of the Albuquerque Philharmonic Orchestra; assistant conductor and principal viola of the Canada Symphony Orchestra in Montreal; assistant conductor and assistant principal viola of the New Mexico Symphony Orchestra; principal viola and guest conductor of the National Symphony of Bolivia, the Chamber Orchestra of La Paz, and the Albuquerque Chamber Orchestra. As a chamber musician, Sucre was the founder of the Cuarteto Boliviano, guest violist with various chamber music ensembles, and for ten years, the violist of the Helios String Quartet.

His experience includes extensive chamber music concerts, lectures and school demonstrations, CD recordings, and television performances throughout South, Central, and North America. Sucre spends most of his summers in South America pursuing his major interests: to find new works of chamber music by modern composers and to encourage composers both here and in South America to write new pieces, especially piano quartets. He enjoys playing with other musicians and ensembles of diverse instrumentation. ●

Carol Pinkerton is assistant principal cellist of the New Mexico Philharmonic. Previously, she held the same position with the New Mexico Symphony Orchestra. During her time in New Mexico, Carol was principal of the Chamber Orchestra of Albuquerque and a member of the Helios String Quartet. She received a B.M. in cello performance from the University of Iowa and then moved directly to Mexico where she had a position in the Xalapa Chamber Orchestra and the Veracruz Symphony Orchestra. After her return, Carol went to New York City to study with Yehuda Hanani. She remained there for many years, freelancing in various opera, musical theatre, chamber, and symphonic organizations, as well as teaching at various schools. Carol also participated in many chamber music festivals including one in France and several in the Cape Cod area. One of Carol’s strongest influences was cellist Katherine Brainard, an assistant to Leonard Rose. Carol is married to Nicholas Hill, former violist with the New Mexico Philharmonic and New Mexico Symphony Orchestra. ●

Violin

The New Mexico Philharmonic

Viola

Cello

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Artists .

Philip Mann

Kimberly Fredenburgh

Conductor

Hailed by the BBC as a “talent to watch out for, who conveys a mature command of his forces,” American conductor Philip Mann is quickly gaining a worldwide reputation as an “expressively graceful yet passionate” artist with a range spanning opera, symphonic repertoire, new music, and experimental collaborations. Now in his third season as Music Director of the Arkansas Symphony Orchestra, his first season shattered all previous attendance records as the orchestra reached new artistic heights. He previously held several posts in Europe and served as San Diego Symphony’s Associate Conductor, where he conducted hundreds of performances of Jacobs Subscription Masterworks, Symphony Exposed, family, young people’s concerts, Kinder Konzert, pops, and other special programs and projects.

Previously named an American Conducting Fellow, the San Diego Union Tribune raved, “Mann was masterful… a skilled musical architect, designing and executing a beautifully paced interpretation, which seemed to spring from somewhere deep within the music rather than superimposed upon it.” The winner of the Karajan Fellowship at the Salzburg Festival, he has relationships with orchestras and operas worldwide: a few of them being the Cleveland Orchestra, l’Orchestre symphonique de Québec, Indianapolis Symphony Orchestra, Georgian State Opera, and the National Symphony of Cyprus. His

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Viola

Canadian debut with the OSQ was described

by Le Soleil as a “Tour de force,” and a recent Beethoven 9 as “Titanic.” Mann has worked with leading artists such as Joshua Bell, Sharon Isbin, Dmitri Alexeev, Marvin Hamlisch, and given world premieres of major composers including John Corigliano.

Major premieres of other composers like Jennifer Higdon, Michael Torke, and Lucas Richman have cemented his commitment to living composers. He maintains a lively schedule as a guest conductor having conducted at New York’s Avery Fischer Hall and London’s Barbican Center. Active in symphonic, operatic, and new music repertories, he has served as music director of the Oxford City Opera and Oxford Pro Musica Chamber Orchestra.

Elected a Rhodes Scholar, Mann studied and taught at Oxford, and won the annual competition to become principal conductor of the Oxford University Philharmonia.

Under his leadership, the Philharmonia’s performances and tours received international press and acclaim. Mann studied with Alan Hazeldine of London’s Guildhall School of Music and Drama, Colin Metters at the Royal Academy of Music, and Marios Papadopolous of the Oxford Philomusica. He worked with Leonard Slatkin and the National Symphony Orchestra at the Kennedy Center’s National Conducting Institute and Michael Tilson Thomas at the New World Symphony. Mentorship with EsaPekka Salonen and Jorma Panula followed at the Los Angeles Philharmonic’s Conducting Masterclasses, and Robert Spano with the Atlanta Symphony Orchestra’s international Mozart Requiem Masterclass for the League of American Orchestras’ annual conference.

He has also worked under Imre Pallo, David Effron, John Poole, and Thomas Baldner at Indiana University where he was appointed visiting lecturer in orchestral conducting and worked as assistant conductor at the IU Opera Theater. Additional studies came under the Bolshoi Theater’s music director, Alexander Vedernikov at the Moscow State Conservatory, Gustav Meier, Kenneth Kiesler, and with Pulitzer Prize-winning composer Robert Ward. ●

Kimberly Fredenburgh is Associate Professor of Viola at the University of New Mexico where she teaches private viola students, classes in orchestral audition preparation, and chamber music ensembles. Ms. Fredenburgh served as assistant principal viola of the New Mexico Symphony Orchestra for ten years. She is currently the assistant principal viola with the New Mexico Philharmonic. She performs regularly with the Santa Fe Opera Orchestra and appears as principal viola with the Santa Fe Pro Musica Orchestra. For seven years, she was the associate principal viola of the Phoenix Symphony Orchestra and also taught on the faculty at Arizona State University.

Ms. Fredenburgh was a principal violist with the New World Symphony (Miami, FL) under Michael Tilson Thomas and has appeared at Carnegie Hall with Sir Georg Solti conducting. She has been featured as a concerto soloist with orchestras such as the Phoenix Symphony Orchestra, Sinfonica de Sergipe (Brazil), and the New Mexico Symphony Orchestra. She has taught master classes and performed in recitals across the U.S., as well as in Brazil, Mexico, Canada, Portugal, Spain, Italy, and Monaco. Ms. Fredenburgh has delivered pedagogical papers at several National ASTA conferences and also performed in recitals at the 2008 International Viola Congress and as part of the Primrose International Viola Competition.●

Artists .

David Felberg Conductor

Ruxandra SimionescuMarquardt Violin

Meet the Musicians Michael Shu violin David Felberg, Assistant Director of the UNM Symphony Orchestra and Instructor of Violin, is currently the associate concertmaster of the New Mexico Philharmonic. A native of Albuquerque, he performs regularly throughout the Southwest as concerto soloist, recitalist, and chamber musician. He has appeared as a soloist with the New Mexico Symphony Orchestra, Albuquerque Philharmonic Orchestra, Noisy Neighbors Chamber Orchestra, Tucson Symphony, and the Chautauqua Music School Festival Orchestra. David has performed solo recitals in Albuquerque, Santa Fe, Los Alamos, Clovis, Portales, and most recently on the Outstanding Artists Recital Series for the Emerald City Opera in Steamboat Springs, Colorado. In June of 2005, he made his New York City recital debut in Merkin Hall.

Also active as a conductor, David has conducted the New Mexico Symphony Orchestra in its annual performances of The Nutcracker, and has guest-conducted the Santa Fe Symphony and the Beaux Arts Festival Orchestra in Steamboat Springs. In the summer of 2003, he made his operatic conducting debut in The Emerald City Opera’s production of The Magic Flute. He is currently the musical director of the Albuquerque Philharmonic Orchestra, and is the founder and conductor of Chatter, a chamber ensemble dedicated to performing 20th and 21st century music. ●

The New Mexico Philharmonic

Romanian-born violinist Ruxandra Simionescu-Marquardt attended the “George Enescu” School of Music and Conservatory of Music in Bucharest, where she was profoundly influenced by professors Stefan Gheorghiu and Modest Iftinchi. As a young musician, she won several prizes and medals in international competitions such as “Concertino” Prague (1981), Henri Wieniawski (1983), Tibor Varga (1985), All-Romania Prize (1981, 1982), and participated in the Yehudi Menuhin Competition. In 1986, she left Communist Romania to participate in the Indianapolis Violin Competition, defecting to the U.S. immediately afterward. She continued her studies at Indiana University with Joseph Gingold and at Syracuse University, where she joined the faculty from 1990–1998. She was also Principal Second Violin and Concertmaster (2008–2009) of the Jacksonville Symphony in Florida from 2002 to 2012 and appeared as guest Concertmaster of the Rhode Island Philharmonic and the New Mexico Philharmonic (2013). She has played under many noted conductors, including Kazuyoshi Akiyama, Fabio Mechetti, James DePriest, Raymond Leppard, and Andrew Litton.

Ms. Simionescu-Marquardt’s solo performances include appearances with the Bucharest Philharmonic, the Bucharest Radio Symphony Orchestra, the Syracuse Symphony, Jacksonville Symphony, Gainesville Chamber Orchestra, Boston Virtuosi, Coastal Symphony of Georgia, and the San Marco Chamber Society. As a chamber musician, she has participated in the Bayreuth Festival, Skaneateles Music Festival, Eastern Music Festival, and the Grand Teton Music Festival. ●

Michael Shu is a graduate of the University of New Mexico where he studied Violin Performance and Pedagogy with Carmelo de los Santos and David Felberg. An active member of the Albuquerque music scene, he performs regularly in many settings both traditional and non-traditional, while maintaining a small private teaching studio.

Michael is also an Aspen Music Festival Alumni, where he studied with Bing Wang, Masao Kawasaki, and Espen Lilleslatten. ●

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Thank You .

Sponsors

Sound Applause

The concerts of the New Mexico Philharmonic are supported in part by the City of Albuquerque Department of Cultural Services, the Bernalillo County, the Albuquerque Community Foundation, and the McCune Foundation.

Albuquerque Community Foundation albuquerquefoundation.org

Atkinson & Co., Ltd. atkinsoncpa.com

Bank of Albuquerque bankofalbuquerque.com

BNSF Railway Foundation bnsffoundation.org

Bernalillo County bernco.gov

Cliff’s Amusement Park cliffs.net

Coleman Vision colemanvision.com

City of Albuquerque cabq.gov

Computing Center Inc. cciofabq.com

D’Addario Foundation daddariofoundation.org

Eye Associates of New Mexico eyenm.com

Frontier Restaurant & Golden Pride frontierrestaurant.com

Music Guild of New Mexico musicguildofnewmexico.org

John Moore & Associates johnmoore.com

Lexus of Albuquerque lexusofalbuquerque.com

Loockheed Martin lockheedmartin.com

MVD Express mvdexpress.com

Sandia Laboratory Federal Credit Union slfcu.org

SWGA, P.C. southwestgi.com

Serafian’s Oriental Rugs serafians.com

Macy’s macys.com

Sandia National Laboratories sandia.gov

Menicucci Insurance Agency mianm.com

Scalo Northern Italian Grill scalonobhill.com

Sponsor Today

UPrinting uprinting.com

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2013/14 Season

Vein Center of New Mexico veincenternm.com

Wells Fargo wellsfargo.com

Interested in becoming a sponsor of the NMPhil?

(505) 323-4343 nmphil.org

New Mexico Philharmonic The Musicians

First Violin Krzysztof Zimowski Concertmaster David Felberg Associate Concertmaster Ruxandra Simionescu-Marquardt Assistant Concertmaster Phillip Coonce + Joan Wang Jonathan Armerding Steve Ognacevic Kerri Lay Linda Boivin Barbara Rivers Nicolle Maniaci Barbara Scalf Morris Second Violin Anthony Templeton • Carol Swift-Matton •• Julanie Lee Justin Pollak Michael Shu Ting Ting Yen Iris McDowell Roberta Branagan Sheila McLay Daniel Brandt + Susan French Brad Richards Viola Gary Logsdon •+ Kimberly Fredenburgh •++ Allegra Askew •• ++ Christine Rancier Sigrid Karlstrom Virginia Lawrence Willy Sucre Joan Hinterbichler Lisa DiCarlo

Cello Joan Zucker • Carol Pinkerton •• Carla Lehmeier-Tatum Joel Becktell Dana Winograd David Schepps Lisa Collins Peggy Wells Bass Jean-Luc Matton • Mark Tatum •• Katherine Olszowka Terry Pruitt Derek DeVelder Flute Valerie Potter • Sara Tutland Jiyoun Hur ••• Piccolo Sara Tutland Oboe Kevin Vigneau • Amanda Talley

Board of Directors

Bass Clarinet Sunshine Simmons Bassoon Stefanie Przybylska •+ Alexander Onieal •++ Denise Turner Horn Peter Erb • Sheryl Hadeka Nathan Ukens Dana Sherman Niels Galloway •••• Trumpet John Marchiando • Mark Hyams Brynn Marchiando ••• Trombone Debra Taylor • Byron Herrington David Tall Bass Trombone David Tall Tuba Richard White •

English Horn Melissa Peña •••+

Timpani Douglas Cardwell •

Clarinet James Shields • Lori Lovato •• Sunshine Simmons

Percussion Jeff Cornelius • Kenneth Dean Emily Cornelius

E-flat Clarinet Lori Lovato

Harp Anne Eisfeller •

Maureen Baca President Thomas C. Bird Secretary Treasurer Ruth Bitsui Vice President for Operations Dr. Larry Lubar Vice President for Development Anne Eisfeller Kimberly Fredenburgh Mark Goodman Steve Schroeder Al Stotts Anthony Trujillo Nathan Ukens Richard White William Wiley Staff Marian Tanau Executive Director Chris Rancier Executive Assistant & Media Relations Alexis Corbin Operations Coordinator & Personnel Manager Mancle Anderson Production Manager Kenneth Dean Assistant Production Manager Rachel Brown Administrative Assistant & Librarian Danielle Frabutt Artistic Coordinator Byron Herrington Payroll Services Virginia Lawrence Librarian Marti Wolf Marketing Advisor, PR & Promotions Mary Montano Grants Manager

Principal • Assistant Principal •• Associate Principal ••• Assistant •••• Leave + One year position ++

The New Mexico Philharmonic

Lori Newman Website Maintenance Sara Tutland Ensemble Visits Coordinator

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Donor Circles .

Donor Circles Thank You for Your Support

Benefactor Circle Donation of $50,000 + Albuquerque Community Foundation Anonymous Lee Blaugrund Linda Buffett City of Albuquerque Marilyn & Ben Heyward

Beethoven Circle Donation of $25,000– $49,999 Bernalillo County Commission The Meredith Foundation McCune Charitable Foundation

Mozart Circle Donation of $10,000– $24,999

APS Foundation Lockheed Martin/Sandia National Laboratories The Honorable & Mrs. James A. Parker PNM Resources Foundation Popejoy Hall Sandia National Laboratories Vein Center of New Mexico, Dr. Ole & Sheila Peloso Wells Fargo

Brahms Circle Donation of $5000–$9999

Anonymous Anonymous Atkinson & Co. LTD. Maureen & Stephen Baca BNSF Railway Foundation Andrea Escher & Todd Tibbals Frontier & Golden Pride Restaurants, Dorothy & Larry Rainosek Elaine & Frederick Fiber F. Michael Hart Macy’s Corporate Services, Inc. John Moore & Associates, Inc. Bob & Bonnie Paine Payday, Inc. Sandia Laboratory Federal Credit Union, Christopher Jillson Scalo Northern Italian Grill, Steve Paternoster Virginia Lawrence Southwest Gastroenterology Doctors Laura & Jerrold Trim Dr. Dean Yannias

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2013/14 Season

Chopin Circle Donation of $3500–$4999

Anonymous Bank of Albuquerque Betty Chao & Richard Renn Eye Associates of New Mexico Cynthia & Thomas Gaiser Diane M. Mueller MVD Express, Janice & Arthur Lucero

Grace Thompson Circle Donation of $1933–$3499

Balkcom, Pearsall & Parrish, CPAs Paula & William Bradley Coleman Vision, Stephen C. Coleman, MD Richard & Margaret Cronin Eugenia & Charles Eberle Firestone Family Foundation Frances & Robert Fosnaugh Eiichi Fukushima Ann & Gordon Getty Foundation Keith Gilbert Mary & Sam Goldman Mary Herring & Robert Stamm Lexus of Albuquerque Erika Blume Love Dr. & Mrs. Larry Lubar Marriott Albuquerque Menicucci Insurance Agency Microsoft Sara Mills & Scott Brown Marvin Moss Music Guild of New Mexico Ruth & Charles Needham Cynthia Phillips & Thomas Martin Beverly Rogoff Ellen Ann Ryan Alicia & Russell Snyder Melissa & Al Stotts Barbara & Richard VanDongen Kathleen & David Waymire Jeannie & Bert Westwood William Wiley

Bach Circle Donation of $1000–$1932 Anonymous Christopher Apblett Ellen Bayard & Jim O’Neill C. David Bedford Nancy & Cliff Blaugrund Deborah Borders Dr. Marythelma Brainard & Dick Ransom Pat & Carter Broyles Bill Byers Clarke Cagle Jonathan Miles Campbell Barbara & David Cappel Margaret & Tze-Yao Chu Fred & Lori Clark Cliff’s Amusement Park, Linda & Gary Hays

Phil Custer D’Addario Foundation Bob & Greta Dean Clare W. Dreyer David & Ellen Evans ExxonMobil Foundation French’s Funerals Gertrude J. Frishmuth, MD Kate Fry & Robert Bower Barbara & Berto Gorham Helen A. Grevey & Jay D. Hertz Madeleine GriggDamberger & Stan Damberger Stuart Harroun Holman's, Anthony Trujillo Innovative Business Controls, Tom Gautsch Chris & Karen Jones Stephanie & David Kauffman Connie Krelle Stephanie & Ken Kuzio Lieber’s Luggage Joan McDougall Jackie & C. Everett McGehee Ina S. Miller Claudia Moraga Lynn Mostoller Carol & Gary Overturf Julia Phillips & John Connor PNM Resources Foundation, Matching Grants William P. Poteet, in memory of Horace Monroe Poteet Matthew Puariea Carolyn Quinn & John Crawford Mary Raje, in memory of Frederick C. Raje Evan B. Rice Jacquelyn Robins, in honor of Melvin Robins’s 90th birthday Melvin Robins James & Sandee Robinson Barbara & Heinz Schmitt Thomas Seamon Katharine & Gregory Shields Janet & Michael Sjulin Vernon Smith Susan Spaven Jane & Doug Swift Marian & Jennifer Tanau Lynette & David Tempest Brooke Tully & Thomas Bird Tony & Susan Waller William Wiley Jane & Scott Wilkinson

Concertmaster Circle Donation of $500–$999 Leah Albers & Thomas Roberts Joan Allen Carl & Linda Alongi Anderson Organizing Systems Sean & Elizabeth Anker

Judith & Otto Appenzeller Mary & John Arango Stephanie & Leonard Armstrong Sally Bachofer Dorothy M. Barbo Richard K. Barlow Sheila Barnes Holly Barnett-Sanchez & David Foster Dennis Basile Sheila & Bob Bickes Jane Ann Blumenfeld David Brooks Billy Brown John Brown Gordon Cagle Dawn & Joseph Calek Jose & Polly Canive Edith Cherry & Jim See Betty Chowning Claudia Crawford Gail Cunningham Marjorie Cypress Stephen R. Donaldson Joan Feldman The Financial Maestro, LLC, Joann MacKenzie Katherine Garland Pauline Garner & J. William Vega David & Tanner Gay Barb & Larry Germain Opal & Dennis Gill Robert & Maria Goldstein A. Elizabeth Gordon Jean & Bob Gough Dr. Kirk & Janet Gulledge Janet & Donald Harris Richard Henry Jonathan & Ellin Hewes Martha Hoyt Sue Johnson & Jim Zabilski Joyce D. & M. Russell Jolly John & Julie Kaltenbach Susan Kubie Kenneth Kuzio La Vida Llena Rita Leard Jae Lee Harry & Elizabeth Linneman Myra & Richard Lynch Tyler M. Mason Kathy & John Matter Thomas & Edel Mayer Bob & Susan McGuire Kathryn McKnight John & Kathleen Mezoff Martha Miller Sharon A. Moynahan Mark & Marsha Napolin George & Mary Novotny Rebecca Okun Jerald & Cindi Parker Judyth Parker Howard & Frederica Paul John Provine Dan Rice Deborah Ridley & Richard S. Nenoff Rocking J.T. Foundation, in honor of the Rotary Club of Albuquerque Ruth Ronan Norman Segel

Sharon Sharrett Southern Wine & Spirits Southwest Women’s Health Mary & John Sparks Conrad & Marcella Stahly Jeanne & Sid Steinberg Patricia & Luis Stelzner Charles & Flossie Stillwell Jane Stuart Larry Titman Arthur & Sandra VallSpinosa Margaret Vining Richard Vivian Betty Vortman Barbara & Eugene Wasylenki Patricia & Robert Weiler Judy B. & Peter Weinreb Carl G. & Janet V. Weis Lance Woodworth David Worledge Andrea Yannone Michael & Jeanine Zenge

Principals Circle Donation of $125–$499

Fran A'Hern Smith John B. Aidun & Joan M. Harris Ed Alelyunas ALH Foundation Inc. Gerald Alldredge American Endowment Foundation John Ames Jo Marie & Jerry Anderson Anonymous Paul & Mary Lee Anthony Marilyn & Robert Antinone Jackie Baca & Ken Genco Joel A. & Sandra S. Baca Toni Baca, in memory of Sylvester Baca Genevieve & Stanley Baker Robert P. & Charlene Baker Daniel Balik Margaret Barker & Clark Varnell Elinore M. Barrett William Bechtold Edie Beck Janice & Bryan Beck Harry Beckhoff Debra & Kirk Benton Richard J. & Maria E. Berry June Best Gay & Stan Betzer Douglas Binder Leonie Boehmer Rod & Genelia Boenig Dr. David & Sheila Bogost Henry M. & Jennifer L. S. Bohnhoff Peter Bond Iris & Richard Brackett Susan Brake Sheldon & Marilyn Bromberg Ronald Bronitsky, MD Carolyn Brooks Astrid Brown Mary & Jim Brown Susanne B. Brown

Donor Circles .

B. L. Brumer Mary Letty Buchholz Miriam Burhans Lynne Byron Glo Cantwell Douglas Cardwell James Carroll Shirley & Ed Case Edward B. Cazzola John & Barbara Chickosky Kathy & Lance Chilton Joan Chism Kathleen & Hugh Church Wendy Cieslak Frankie Clemons Brenda & George Coffey Kenneth Cole Monica Collier Bethany & Christopher Confessore Martin & Susan Conway Marion Cottrell Bob Crain Dianne Cress & Jon McCorkell Alyce Cummins Stephen Czuchlewski Hubert O. Davis Jr. George deSchweinitz Jr. Cdr. Jamie & Carol Deuel Fran DiMarco Catie Dixon Raymond Doberneck Ernest Dorko James C. Drennan Patricia & Leonard Duda Albert Dugan Duganne Family, in memory of Paul Duganne Susan & Daniel Dunne Patsy Duphorne Paul & Catherine Eichel Eleanor D. Eisfeller Carol & John Ellis Mildred & Richard Elrick Henry Erwin Donna Rae & Ray Esquibel Frankie & David Ewing Jo Margaret & John Farris Leonard & Arlette Felberg Winifred & Pelayo Fernandez Janice Firkins Heidi Fleischmann & James Scott Mary Kay & Thomas Fleming Denise Fligner Kim Fredenburgh Melissa Freeman & Dr. Brad Raisher Louis Fuchs Jack Fuller Daniel & Elena Gallegos Lind Gee GE Foundation Chuck & Judy Gibbon Carmoline & Bing Grady Matthew & Amy Greer Sharon Gross Dick & Suzanne Guilford Ron Halbgewachs Katherine Green Hammond

Harris L. Hartz Margaret Harvey & Mark Kilburn Dorothy D. Hawkins John & Diane Hawley Stephen & Aida Ramos Heath Mary Herring & Robert Stamm, in memory of Robert D. Taichert Fred Hindel Guy & Nina Hobbs Holly & Ulton Hodgin Kiernan Holliday Mark Hoover Carol Horner Lorna & Henry Howerton Betty Humphrey Margaret Hutchinson Thomas & Greta Keleher Steven Kells Marlin Kipp Allene & Walter Kleweno Robert Jones Nancy Joste & John Pietz Mary Julyan Carol Kaemper Dorene E. Kahl Thomas Kilroy Ann King Toni & Robert Kingsley Rebecca Kiss Asja Kornfeld, MD & Mario Kornfeld, MD Jennifer C. Kruger Karen M. Kupper Henry & Judith Lackner Nick Landers R. Jeffery & Jane W. Lawrence Howard Lewin Linda Lewis Madeleine Lewis Sherry Rabbino Lewis Robert & Judith Lindeman Byron Lindsey Michael Linver Thomas & Donna Lockner Verne Loose Sara Love, in memory of Thomas P. Love Jr. Major & Mrs. Kenneth Luedeke Bruce F. Malott Edward Marinsek Marita Marshall John & Glenda Mathes Joseph McCanna Dr. & Mrs. Jack D. McCarthy Sallie & Denis McCarthy Sallie & Denis McCarthy, in memory of Ellie Sanchez & Jane McDonald Ronald & Barbara McCarty Pete & Lois McCatharn Randall & Monica McComus Elizabeth McMaster Cynthia & Paul McNaull Bernard & Mary Metzgar Virginia & Stephen Meyer Bruce A. Miller

Joyce Miller Peggy & Jim Mills Martin Minasian Christine & Russell Mink Jan Mitchell Michael Mitnik Mark Moll Barbara Scalf Morris Deborah Muldawer Edward Naimark Sharon & Richard Neuman Donald & Carol Norton Toots & Scott Obershain Wendy & Ray Orley Del & Barbara Packwood Jesus M. Parra Stuart & Janice Paster The Ralph & Ella Pavone Family Trust Dr. Ole & Sheila Peloso, in memory of Robert Taichert Calla Ann Pepmueller Richard Perry Lang Ha Pham Herbert & Judi Pitch Quinten Plikerd Prudential Foundation Matthew & Lisa Pullen & Family Christine & Jerry Rancier B. Russell & Elizabeth Raskob Robert Reinke Clifford & Sandra Richardson Steve Ridlon & Casey Scott Don & Barbara Rigali Erika Rimson & David Bernstein John & Peggy Robb Joan Robbins Margaret E. Roberts Shelly Roberts & Dewey Moore Jeffrey Romero Kletus Rood Edward Rose Elizabeth Rose Darryl & Jan Ruehle Rosemary Saur Stephen Saxe Nancy Scheer Rebecca & Gerald Schobert Howard & Marian Schreyer Kathleen Schulz Justine Scott Albert Seargeant Carolyn Sedberry Meryl & Ron Segel Barbara & Daniel Shapiro Marilyn Sheppard Frederick & Susan Sherman Deborah Silverman Walt & Beth Simpson R. J. & Katherine Simonson Carol Smith Lee & Jori Smith Patty & Bill Snead Jane Snyder Vera Snyder Steven & Keri Sobolik Susan Soliz

SonicSEO.com, Inc, Becky & Arvind Raichur Eric & Maggie Hart Stebbins David & Rebecca Steele Paula Steinberg Brent & Maria Stephens Dorothy Stermer Dodie Stevens Robert St. John Strategic Management Solutions, LLC, Sarah Dunn, in memory of Paula Basile David Stryker & Lee A. Reynis James Stuart Mary Ann Sweeney & Edward Ricco Laurence Tackman Donald W. Thompson Robin Thompson Norbert Topf Linda Towle Yetta & Zach Tropp Wayne & Maryann Trott Joan & Len Truesdell Marit Tully & Andy Thomas Jay Ven Eman E. M. Wachocki Marianne Walck Cynthia & Bill Warren Rob Weinstein Jamie L. Welles & Thomas Dellaira Jeffrey West Liza White Bill & Janislee Wiese Bronwyn Wilson Karen & Johnny Wilson, in memory of Sylvester Baca Sylvia Wittels & Joe Alcorn Walter Wolf Ann & Thomas Wood Daniel & Jane Wright Sue Wright Mae S. Yee Yummi House Nancy & Michael Zwolinski

Friends of the Philharmonic Donation of $25–$124

Bill & Sall Aber Jerry & Nadine Allen Kelly Aldridge Arthur Alpert Roger Ames Judith & Chilton Anderson APU Solutions, in memory of Paula Basile Carolyn Aragon Eugene & Rita Aronson Janice J. Arrott Ian & Denise Arthur Pat Asay Lynn Asbury & John Wronosky Leslie Atler David Baca Mary E. Baca Patrick J. & Marie M. Baca

Thomas J. & Helen K. Baca Wendy E. & Mark C. Baca Melanie Baise Jan Bandrofchak & Cleveland Sharp Laura & Kevin Banks E. Patricia Barbier Lois Barraclough Graham Bartlett Harold & Pat Baskin James F. & Yvonne G. Beckley Benchmark Real Estate Investments, Margaret Orona Helen Benoist Richard Bernal Dorothy & Melbourne Bernstein Peggy Blackburn Katherine Blaker Rol & Samantha Blauwkamp Barbara & Philip Bock, in memory of Robert Taichert Katie Bock Joanne Bodin Dennis & Elizabeth Boesen Paula & James Bonnell, in memory of Louise Coonce Joyce Bortner Henry & Nancy Botts Joan Bowden Julia B. Bowdich Tim & Jackie Bowen Brad Boyce Enid Bradley Roberta Branagan Charles Brandt, in memory of Jennifer K. Brandt Elinore Bratton Elinore Bratton, in memory of Merton Bratton James & Ann Bresson Monica & Lee Brown Susan Browne Dr. Lisa M. Brunacini & Rita M. Giannini Susan Burgener Jeanne Burgess Carolyn Callaway & William E. Schuler Charles Campbell Elizabeth Canfield Elizabeth & Maria Canfield Camille Carstens Mary Casarez & T. Paul Apodaca Joseph Cella Central New Mexico Labor Council Barbara & Roscoe Champion Suzy Charnas Judith Chazin-Bennahum & David Bennahum Jean & John Cheek Betty Chowning, in memory of Ken Chowning Judith & Thomas Christopher

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Donor Circles . continued from 21 Ralph & Elizabeth Churchill Paul Citrin Barbara & Aaron Clark Peggy Clark, in memory of Robert Clark Robert Clark Julia & Carlton Clay, in honor of Stephanie Przybylska Julia Cocks Fredric & Rosalyn Cohen Randall & Valerie Cole Henry & Ettajane Conant Janelle Conaway Michelle Cook Merrie Courtright Ralph Cover Mark Curtis Daniel P. Davis Joan Davis Joanna de Keyser Margaret DeLong Candice & Daniel Demar Donald DeNoon Desert Double Reeds, Rebecca L. Ray Helene R. Dickel Sinisa Djordjevic Elizabeth & Thomas Dodson Darryl Domonkos Joanne Donsbach Janice Dosch E. Josephine Drummond Irene Dubicka Betty & Stuart Dubois Stephen Dunaway Jeff Duray Deborah Barba Eagan East Range Piedra Vista Neighborhood Association, in memory of Paula Basile Sondra Eastham John Eckert Ida Edward Anne C. Eisfeller Marvin Ekedal Helen Elliott Robert & Dolores Engstrom Roger C. Entringer Stephanie Eras Carlos Esparza David & Regan Eyerman Bill Fanning Marie E. Fellin, in memory of Blaine Eatinger Margaret Fischer Buford Fisher Rona Fisher Rona Fisher, in memory of Louise Coonce Stephen J. Fisher Robert & Diane Fleming Hahn Fletcher Walter Forman, MD Paul Fornell James & Jean Franchell J. Arthur Freed Susan Freed Dan Friedman Aanya Adler Friess Gwen & Charles Gallagher Clarence Gallegos & Anna Y. Vigil

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2013/14 Season

Ann Garcia William Garrison Jim & Margaret Gates Duane & Janet Gilkey Galen Gisler Todd A. Goldblum, MD Karolyn Goldenberg Donald & Diane Goldfarb Donald & Diane Goldfarb, In memory of Robert D. Taichert The Very Rev. J. Mark Goodman Thomas & Linda Grace Cindy Graham Stewart & Alice Graybill Erna Sue Greening Peter Gregory Blanche & Justin Griffin Stan & Sara Griffith Sharon Gross, in memory of Robert D. Taichert Virginia Grossetete Mina Jane Grothey Frank Grubbs Carl & Nancy Guist Charles & Betsy Gunter Herman Haase Stan & Jan Hafenfeld Lois Hall Samuel & Leila Hall Vaux & Hilda Hall Bennett A. Hammer Nancy Hampton Marjorie Hardison Janet Harrington Frederick Hart Marilyn & Edward Hartig John Harvey Nancy Harwood Arthur G. Hassall Victoria Hatch & Oswaldo Pereira Laurel Hause Nancy Hayden, in memory of Paula Basile Reinhold & Janice Heck Deborah L. Helitzer Rosalie & Leon Heller Rogene Henderson Holland Hendrix Sara Henning Mary Herring, in memory of Margaret Glasebrook Eugene S. Hertel Frank Hesse Jonathan & Ellin Hewes, in memory of Robert D. Taichert Donna Hill Linda Hill & Peter Gordinier, in memory of Paula Basile Glenn Hinchclifte Kristin Hogge Barbara Holt David & Bonnie Holten Tom Hopkins Kim Hooker Lisa Hooper Helen & Stanley Hordes Cecilia & Mark Horner William Howe Carolyn Hudson Rick Hudson

James Hughes Janet & Vincent Humann Anthony & Susan Hunt Rosemary Hunter & Eugene McGuire Constance Hyde & James Houle Lois Jackson, in honor of Brynn & John Marchiando Joan Jander Jerry Janicke Gwenellen Janov Bette A. Johnson Eldon Johnson Nancy Jo Johnson Nancy M. Johnson Orval & Pauline Jones Pamela Jones Wilbur & Justin Kahn Summers & Norty Kalishman Anna Mae Kann Julius & Robin Kaplan Ira & Sheri Karmiol Joyce Kaser Greta & Thomas Keleher Channing & Ida Kelly James Kelly Evy Kimmell Barbara Kleinfeld, in memory of Robert D. Taichert Karen & Bill Knauf Michael & Malva Knoll Rosemary Koffman Katherine Kraus Ethel & Edward Lane, in memory of Sylvester Baca Eric Lange Ed Valley Lawrance David Lawrence R. Jeffery & Jane W. Lawrence Becky Lee Susan Lentz Guy LeSage Suzanne Pineda Levison Ronald Loehman George Loehr Nancy D. Loisel Tillie Lopez Joel Lorimer Los Amapolas Garden, in memory of Richard Kavet Carol Lovato Betty Lovering Linda J. Lunbeck William Lynn Carl Macaluso Martha MacDonald Margaret Macy Dawn R. Mahowald Susan Malone Ronald P. & Monica M. Manginell Susan Margison, in memory of Paula Basile Audrey Martinez & Paul Getz Brenda & Robert Maruca Leslie Maxwell Andrew McDowell Thomas McEnnerney

Carol & David McFarland, in memory of Paula Basile Virginia McGiboney Donna McGill Jane & David McGuire Karen McKinnon & Richard A. Stibolt Leroy C. McLaren Elizabeth McMaster Cynthia & Paul McNaull Sterrett & Lynette Metheny Phyllis Metzler Sandra Lee Meyer Celia Michael Pamela & Don Michaelis Thomas Miles Carol Mills Nancy Mills Marcia Miolano Mohinder & Deborah Mital Beatriz Mitchell William Moffatt Elaine Monaghan Tom Moodie Mary Kay Moore James B. & Mary Ann Moreno Shirley Morrison & Cornelis Klein Dorothy Morse, in memory of Joe Zoeckler Ted & Mary Morse Paula A. Mortensen Karen Mosier John & Patsy Mosman Carolyn Muggenburg Brian Mulrey Katarina Nagy Marilee Nason Michael & Patricia Nelson Pauline & James Ney Betsy Nichols & Steve Holmes Thomas Nims Anne E. Nokes Jack Norris David & Audrey Northrop Hilary A. Noskin David & Marilyn Novat Richard & Marian Nygren Si Scott Obenshain Marilyn Jean O’Hara Gabriele O’Keefe Judith Oliva, in memory of Paula Basile Gloria & Greg Olson Gloria & Greg Olson, in memory of Louise Coonce Estherella Olszowka Peter & Susan Ostwald Margaret Palumbo Margaret & Doyle Pargin Delores Parrett Diane & Mark Parshall Joan & L. Parsons, in memory of Robert Taichert Linda Pasternacki Marjorie Patrick Marjorie Patrick & Michael VanLaanen, in memory of Erra Patrick Rose & Richard Paul Ann Pedone

Ole A. Peloso, MD, in memory of Alan S. King, MD Sheila & Ole Peloso, in memory of Dr. Omar Legant Claire M. Peoples Anna Perea Maria Pereyra Mrs. Rae & Stephen Perls, in memory of Karl P. Koenig Timothy Peterson Barbara Pierce, in memory of Richard Kavet Dorothy Pierson Harvey J. Pommer Marina Porter Gladys & Glenn Powell Richard Prall Bettye Pressley Carol & George Price Richard Price Shirley Puariea Therese Quinn Tari Radin, in memory of Louise Coonce Mary Ann Radnich Jane Rael Richard Rail Chris Rancier, in memory of Charlyn Anderson Mary Ellen Ratzer Marit Rawley David & Tracey Raymo Marjorie & Robert Reed Veronica Reed & LeRoy Lehr Ray Reeder Carol Renfro, in memory of Pat Fairchild Patricia Renken Diane Reuler Ellen M. Richards Glenda Richardson Herbert Richter Margaret Rickert Ira Rimson Jacob H. Rittenhouse Barbara Rivers Matthew Robertson Gwenn Robinson, MD & Dwight Burney III, MD Norman Roderick Alice & Larry Rodgers Ann Berkley Rodgers Barbara & Joseph Roesch Lorraine Roff Lorraine Roff, in memory of Louise Coonce Ralph Rogers Estelle H. Rosenblum Thomas Rotowsky Sue Roujansky Warren Rowe Bryan L. & Lisa Wood Ruggles Harvey & Laurie Ruskin Ellen Ann Ryan, in memory of Robert Taichert Jennifer A. Salisbury & Fred Ragsdale Victoria Sanchez Scott & Margaret Sanders Carol Sawyer

Donor Circles .

Elaine Schepps Margit Schleimer Roger Schluntz Donald L. & Nancy. L. Schmierbach David Schnitzer David Schnitzer, in memory of Mary Anella Laura Scholfield Frederick Schwab Judith Schwartz Joan Scott John Scott Betty Cobey Senescu Thomas Sepulveda Margaret & Frank Seusy Richard Shagam Donea Shane Donea Shane, dedicated to William D. Shane Jr. Dan Shawver Arthur & Colleen M. Sheinberg Shirley Xiu-Li Shen Gary Shepherd Robert & Lelia Shepperson Mona Sherrell Leslie N. Shultis Catherine Siefert Janet Simon Marsha & Don Simonson Gary Singer Vivian Skadron MaryDee Skinner Terrence Sloan Mr. & Mrs. Matthew Sloves Mr. & Mrs. Donald W. Smith Harry & Patricia Smith Kirk Smith Frederick Snoy Linda Snyder Enid Solin Soyka Studios Jean & Allen Spalt Gwyn & Tracy Sprouls Jack Stamm Charlie & Alexandra Steen Donald Stehr Geny Stein Harvey Steinberg Luciana Stermer Daphne Stevens Maria Stevens Judy Stoft Roberta Stolpestad, in memory of Paula Basile Andrew & Katie Stone John Stover Carmen & Lawrence Straus Donald & JeanAnn Swan George Ann & Tom Tabor, in memory of Paula Basile David & Jane Tallant P. D. & M. V. Tannen Mary Frances & Robert Tapscott Robin Tawney Phyllis Taylor & Bruce Thomson Richard & Carolyn Tecube Nina & Gary Thayer Elisabeth Thibault Edward Thomas Patricia & George Thomas Richard Thompson

Michael Thuot Julie Tierney Jack Tischhauser Jack Tischhauser, in memory of Sylvester Baca Marilyn Toler John Tondl Dean & Bonita Tooley John Tucker Nate Ukens United Bank of Switzerland Nancy Vandevender & J. Pace David Vaughan Roderick Ventura John J. Vittal Mary Ann & Campbell Wade Arun Wahi Cheryl Walker Sherry & Michael Walls, in memory of Paula Basile David Walsh Joanne & Kenneth Walston Joan Wang, in memory of Charlyn Anderson Marilyn Warrant Barbara Waserman Jan Armstrong Watts Carol & W.R. Wawersik Paul & Suzanne Weber Jean & Dale Webster Iris Weinstein Debbie Wesbrook Kay West Maryann & Eugene Wewerka Sandra J. White Trudy & Robert White Roland Wiele Loretta Williams John L. Wilson Phyllis S. Wilson James Wilterding & Craig Timm Rosemary Winkler Kathryn Wissel Jim Wockenfuss Helmut Wolf Marti Wolf Beulah Woodfin Valerie Woodward Dot & Don Wortman Donna Yannias Diana Zavitz, in honor of Pat & Ray Harwick Albert & Donna Zeman Andrew A. Zucker Carol Zulauf 1/22/2014

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The New Mexico Philharmonic

Thank You for Your Generous Support Volunteers, Expertise, Services & Equipment

The New Mexico Philharmonic would like to thank William Keleher and Spencer Edelman at Modrall Sperling for their legal services in the acquisition of the NMSO music library, instruments and equipment. The New Mexico Philharmonic musicians would like to thank the Hanson Foundation for the generous contributions made to musicians in New Mexico. The New Mexico Philharmonic would like to thank the following people for their support and in-kind donations of volunteer time, expertise, services, product, and equipment. ● City & County Appreciation

Mayor Richard J. Berry & the City of Albuquerque Trudy Jones & the Albuquerque City Council Maggie Hart Stebbins & the Bernalillo County Board of Commissioners Betty Rivera & the Albuquerque Cultural Services Department Mayling Armijo & the Bernalillo Economic Development & Cultural Services Amanda Colburn & the Bernalillo County Cultural Services Maryann Torrez & the Albuquerque Biopark Zoo Larry Parker & the KiMo Theatre

Business & Organization Appreciation

American Federation of Musicians, Local 618 Audio Excellence Central United Methodist Church Classical 95.5 & 102.9 KHFM Congregation Albert Festival Ballet Albuquerque International Alliance of Theatrical Stage Employees Local 423 Joe’s Pasta House, Joe Guzzardi KUNM 89.9 Albuquerque, Santa Fe The Music Guild of New Mexico National Hispanic Cultural Center Natural Touch Photography, Guillermo Quijano-Duque New Mexico Symphonic Chorus Parsons Brinkerhoff Penske Truck-Albuquerque Popejoy Hall Public Access Channel 27 Quote Unquote, Inc. Robertson and Sons Violin Shop Sacred Heart Church Smith Engineering Starline Printing, Bill Lang St. John United Methodist Church Symphonic Audience Association of New Mexico Toomey Design Group University of New Mexico Music Department Weem’s Galleries & Framing Whole Foods

Individual Appreciation Sean Anker Jessica Bachicha Spencer Beckwith Lee Blaugrund & Tanager Properties Management Billy Brown Luis Delgado Robert Desiderio Patricia Dickinson Michael Dunn Anne Eisfeller Rosemary Fessinger Eric Finch Jon Gagan Ben Heyward Janet Kahn Chris Kershner Anthony Knotts Ottmar Liebert Louise Loomis Sara Love Rose Maniaci Jeff McDowell Jackie McGehee Greg Olson John Ortiz Veronica Reed Steve Ridlon Robby Rothchild David Steinberg Brent Stevens Mike Swick Bob Tillotson Gary van Zals Janislee Wiese Marti Wolf MW Consulting Inc.

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