PHOTOGRAPH BY TIRA HOWARD
NEW MEXICO MUSEUM OF ART VLADEM CONTEMPORARY GRAND OPENING WEEKEND
SEPTEMBER 23–24, 2023
10 AM–5 PM
FREE ADMISSION FOR THE ENTIRE FAMILY
WELCOME
It is with immense pleasure that I welcome you to New Mexico Museum of Art Vladem Contemporary.
This new space for contemporary art in New Mexico has been a long time in the making and bears the fruit of many laborers. The vision for Vladem Contemporary is to serve as a vibrant cultural resource for New Mexicans and as a national and international destination for contemporary art.
With this new venue, New Mexico Museum of Art affirms its commitment to nurture contemporary art and artists, to engage with communities, and to celebrate the creative process within the state.
As we usher in a new era at New Mexico Museum of Art we hope you see Vladem Contemporary as your museum: a space to connect, learn, and inspire your own imaginative ideas.
With deep gratitude,
DR. MARK WHITE Executive Director of New Mexico Museum of Art
EXCERPT FROM EL PALACIO
A New Frame for New Mexican Art
VLADEM CONTEMPORARY FOCUSES ON THE PRESENT, EXPANDING THE WAY THE STATE BRINGS ART TO THE PUBLIC
What does it mean for a piece of art to be New Mexican? Does it have to be created in the state? Or made by an artist who was born, or spent significant time, in New Mexico? Could it be produced somewhere far away by someone who never set foot within the state’s borders, but qualify because the subject matter is a person or place or idea connected to its centuries of history?
That is an essential question for curators at Vladem Contemporary, the satellite space for recent work that New Mexico Museum of Art will open on September 23, 2023. It will use all of those criteria to fulfill the institution’s ambitious mission of showing “the art of New Mexico to the world,” as Executive Director Dr. Mark A. White puts it.
PHOTOGRAPH BY TIRA HOWARD
But how that answer is refined over time will define the institution and how visitors and residents alike connect to it; and how everyone from critics to casual art fans come to regard the stature of New Mexico’s art—or at least its contemporary art, which would include, under another impossible-to-pinpoint term, anything made in the later part of the twentieth century and right up to the current moment.
It helps that Vladem Contemporary, which will bring nearly 10,000 square feet of new indoor exhibition space to Santa Fe’s Railyard Arts District, gives New Mexico Museum of Art plenty of room to work through the concept. Curators will have the opportunity to program art in the 2,800 square feet of courtyard, roof deck, and entryway space that are part of the project.
Vladem Contemporary stands in contrast to the main headquarters of New Mexico Museum of Art, a Pueblo Revival-style structure that opened for business on the Plaza back in 1917. That building, with its stucco walls and protruding vigas, was designed by Isaac Hamilton Rapp and William Mason Rapp to resemble the adobe churches that have long existed throughout the region.
WHAT BRINGS THE PAST AND PRESENT TOGETHER … IS A SHARED DESIRE AMONG ARTISTS TO “CAPTURE AND EXPRESS MORE THAN MERE NATURALISTIC REPRESENTATION IN THEIR ARTWORK.”
The original museum’s galleries, a series of modest spaces with relatively low ceilings, divided between multiple levels, were made for an era when two-dimensional works, like paintings, dominated what was shown in museums. The art and the ornate, detailed architecture are inseparable.
By comparison, Vladem Contemporary’s exhibition rooms are open and free-flowing, with high ceilings and walls to accommodate art that is in vogue today, such as multi-media, three-dimensional installations that can take any shape, or video art that can be projected on walls. It is more of what curators call a “white cube.” A space that retreats into the background and “lets the work speak for itself as a singular piece that doesn’t necessarily exist within or rely upon the context of the building for its success,” according to Assistant Curator Katie C. Doyle.
The new museum’s opening exhibition, Shadow and Light, makes the most of that space, and takes an early stand toward defining what makes a piece New Mexican. The group show is a wide survey that takes a step back in time, starting with work from artists affiliated with the Transcendental Painting Group, which formed in 1938 and includes names like Emil Bisttram and Florence Miller Pierce, who integrated an ethereal spirituality into their portraits and landscape paintings.
The exhibition goes on to trace how the natural light of New Mexico may have influenced artists that followed, and includes a slew of well-known names, including Agnes Martin, Larry Bell, Judy Chicago, Ron Cooper, Nancy Holt, and Charles Ross, all of whom lived, worked, or traveled at least part-time in New Mexico.
Other artists, who are more recently entering the prime of their careers, round out the offering, including ceramist Virgil Ortiz and installation artist Leo Villareal.
What brings the past and present together, according to the museum, is a shared desire among the artists to “capture and express more than mere naturalistic representation in their artwork”—a quality of contemporary art in general, but one that is affiliated particularly with New Mexico.
Light is essential to that idea, and it has been central to the output of the artists featured—from Bell’s pieces made of glass, to Ross’s work made entirely of refracted light, to Villareal’s installations constructed from thousands of LED nodes that flash on and off, creating a set of infinitely changing patterns.
In a sense, Vladem Contemporary takes New Mexico Museum of Art back to its roots. As White points out, founding Museum of New Mexico Director Edgar Lee Hewett conceived the original place as a contemporary art museum. It showed and collected objects from its own era and gave studio space to artists of its day to create new work, something that drew talented painters and sculptors to New Mexico and contributed to its reputation as an art haven.
It was a novel approach to how a museum could operate, though over time, that art transitioned from cutting-edge to historic. Because the museum had collected so many works from the first part of the twentieth century, that era became the focus of its public displays.
“As we became an older institution, we began to feel beholden to our history and the exhibition of that history, and it became increasingly difficult to continue to work with contemporary artists,” White says. “We just didn’t have the space.”
Like its predecessor in the early years, Vladem Contemporary will endeavor to support artists who are working in the present. Vladem Contemporary will bring in five artists a year for residencies of two weeks or longer. They will work in specially designed studio spaces that have been incorporated within the building. The residencies will involve projects done in collaboration with local community groups and schools.
“We are purposely looking to bring in artists who have international reputations, as well as national, regional, and local reputations,” says White. “That will give us the opportunity to really think about luring people here, very much as Hewett did back in the early part of the twentieth century.”
We invite you to read the full article from the Fall 2023 issue of El Palacio at elpalacio.org.
PHOTOGRAPH BY TIRA HOWARD PHOTOGRAPH BY BENJAMIN IRONSINAUGURAL EXHIBITION SHADOW AND LIGHT
The inaugural exhibition of New Mexico Museum of Art Vladem Contemporary, Shadow and Light (September 23, 2023–April 28, 2024) uses the famed southwestern light as a means to explore both the physical and metaphorical contrasts between light and darkness. The exhibition will offer an examination of how twentieth-century artists use light and shadow as both physical media and an exploration of conceptual ideas. Shadow and Light will be showcased in the main gallery of Vladem Contemporary on the first floor and in the upstairs gallery.
Featured artists include:
Larry Bell
Emil Bisttram
Lee Bul
Judy Chicago
Ron Cooper
Constance DeJong
James Drake
Angela Ellsworth
Joe Goode
Harmony Hammond
Nancy Holt
J P 제피 (formerly Jen Pack)
Jennifer Joseph
Yayoi Kusama
Agnes Martin
Florence Miller Pierce
August Muth
Virgil Ortiz
In collaboration with:
Morgan Barnard
Wren Batista
Soojin Choi
Elias Jade Not Afraid
Simon Levin
Justin Paik Reese
Meyer Shapiro
Kamden Storm
Helen Pashgian
Charles Ross
Leo Villareal
Erika Wanenmacher
Susan York
Norman Zammitt
Above: Harmony Hammond, Witness, 2014, oil and mixed media on canvas. Courtesy Alexander Gray Associates, New York. Photograph by Eric Swanson. Opposite: August Muth, Terra Solaris, 2022, holographic light etchings laminated in glass. Courtesy of the artist and Pie Projects Contemporary Art.
Top left: Angela Ellsworth, Pantaloncini Work No. (indeterminate stillness) (Emma), 2017, colored dress pins, 39,722 pearl corsage pins, fabric, steel. Courtesy of the artist and Lisa Sette Gallery, Phoenix, AZ.
Top right: Helen Pashgian, Untitled, 2021, industrial epoxy and acrylic. Courtesy of Tia Collection, Santa Fe, NM.
Above: Nancy Holt, Mirrors of Light II, 1974. Installation at Walter Kelly Gallery, Chicago, IL. Courtesy of Holt/Smithson Foundation/licensed by Artist Rights Society. Photograph by John R. Bayalis.
Opposite: Yayoi Kusama, Pumpkin, 2015, stainless steel, urethane. Courtesy of Tia Collection, Santa Fe, NM.
NEW MEXICO MUSEUM OF ART VLADEM CONTEMPORARY ARCHITECTURE
Vladem Contemporary completes the vision of New Mexico Museum of Art to provide a new home for its contemporary art collections and exhibitions, as well as educational spaces.
The project is comprised of an 18,000-square-foot addition that bridges over an existing 20,000-square-foot brick and steel warehouse from 1936. The existing building is oriented to the railroad tracks, while the addition is aligned with the city streets.
As a contemporary art museum, the building is designed around the concepts of flexibility, permeability, and community, to provide a place for gathering, celebration, and cultural exchange. The building is both a vessel for art as well as a place for connection. The structure of the new building bridges over the historic warehouse to create a covered entry breezeway and a large roof deck providing spectacular eastward views to the Sangre de Cristo Mountains.
There are two main entrances to Vladem Contemporary: one facing toward Santa Fe’s downtown and the Plaza location of New Mexico Museum of Art, and the other facing the Railyard and the Rail Runner Depot which connects Santa Fe to the rest of New Mexico. The two entrances are joined by a large central lobby—an enclosed walkway allows visitors to pass through the building and gain glimpses of art at the ground level gallery without paying for admission.
Left: Rooftop Terrace at New Mexico Museum of Art Vladem Contemporary. Photograph by Beau Sniderman.
PHOTOGRAPH BY TIRA HOWARD
LEO VILLAREAL INSTALLATION
New Mexico Museum of Art commissioned artist Leo Villareal to create a digital light installation entitled Astral Array on the underside of the breezeway that connects the museum store with the south entrance of Vladem Contemporary. Originally from Albuquerque, NM, Villareal has earned an international reputation for major installations in London on the bridges of the river Thames and the San Francisco Moscone Center pedestrian bridge (shown below). His works use LEDs to create mathematically derived patterns often suggestive of celestial phenomena, a fitting connection to the night sky that is easily visible in New Mexico.
The project recognizes the significance of Leo Villareal’s work, a native New Mexican who has achieved international recognition for his innovative approach to light, technology, and public art. It places Santa Fe and Vladem Contemporary among an impressive list of locations worldwide that offer such a unique aesthetic experience.
Below: Leo Villareal, Point Cloud, 2019. Moscone Center, San Francisco. Photograph by Scott Hess © Leo Villareal.
ARTIST-IN-RESIDENCE PROGRAM
The Artist-in-Residence Program offers contemporary artists a chance to engage deeply with the museum and local community by inviting them to work and create art in a dedicated studio space. The first two artists are Oswaldo Maciá and Mokha Laget. Maciá is creating a sound sculpture titled El Cruce based on audio of migrating animals and insects for the building’s Ashlyn Perry Studio Terrace. These artists will have full-time access to a purpose-built studio on the second floor. They will be able to produce work on-site and participate in programs for museum audiences and the community at large. Approximately five artists will participate annually.
PHOTOGRAPH BY BENJAMIN IRONS
JUDY CHICAGO’S KITTY CITY AN AUGMENTED REALITY EXPERIENCE
New Mexico Museum of Art Vladem Contemporary has partnered with artist Judy Chicago to create an animated, augmented reality experience around her body of work, collectively known as Kitty City
In 2005, Chicago began memorializing her former pet cats as ceramic sculptures. New Mexico Museum of Art will use the sculptures as models for animated cats that will inhabit Vladem Contemporary through an augmented reality application. The virtual reality animations have been developed by RelevantVR, based in Dallas, Texas.
WINDOW BOX PROJECT
Located next to the northern entrance of the museum in the Barbara Foshay and Thomas C. Turney Alcove, the Window Box Project features new commissions by emerging New Mexican artists. This changing installation serves as an engaging way to experience museum-quality art from outside the museum, while encouraging community members and visitors to explore its offerings within. Artists can reimagine the space in a way that speaks to the community. They can also work collaboratively with underserved members of the community to create a new installation. The Window Box Project provides the Santa Fe community with 24/7 access to art since it is always visible for viewers to enjoy.
In collaboration with artist collective Vital Spaces, New Mexico Museum of Art is pleased to launch the Window Box Project with inaugural artist Cristina González. Next, Morgan Barnard and Ileana Alarcon have been selected by the museum’s curatorial team to continue the representation of emerging artists working in Santa Fe during the museum’s inaugural year. Artists living and working throughout the state of New Mexico will be featured in following years.
Below: Cristina González, Apapachando la Matria (in progress), 2023, cut paper, amate, mylar, ink, tracing paper, acrylic paint. Courtesy Kaela Waldstein, Mountain Mover Media.COLLECTION STORAGE
Vladem Contemporary adds approximately 4,100 square feet of state-of-the-art collection storage, including cold storage for color photography. This facility allows New Mexico Museum of Art to make collections available to researchers and members of the public through the new study center, which is open by appointment.
On the second floor of the museum, the Robert J. Nurock Collections-on-View features visible collection storage that would otherwise be rarely seen by the public.
PHOTOGRAPH BY BENJAMIN IRONSMUTI-CULTURAL MURAL REIMAGINED
A recreation of the mural Multi-cultural, formerly on the building’s exterior and executed by Gilberto Guzman, Zara Kriegstein, and collaborators, is installed permanently on view in the lobby.
In the early 1990s, Guzman revised Multi-cultural, which had been originally conceived in 1980 as a celebration of the ethnic diversity that created the distinctive cultural landscape of New Mexico. The essential imagery, contributions made by different cultures in the history of New Mexico, remains constant despite differences in style between the 1980, 1993, and 2022 versions. Painted on the east wall of the Halpin State Records Center and Archives, the mural measured 110 x 18 feet. Guzman repainted it in 1993 to repair damage from the elements. In 2022, Guzman led a team of artists to create a scale reproduction of the mural on view in the lobby of New Mexico Museum of Art Vladem Contemporary. The current Multi-cultural mural is three panels, 24 x 5 feet, and on display in front of the Education Center.
A plaque marks where the original mural was located and a QR code will allow viewers to visualize the 1993 version of Multi-cultural on the side of Vladem Contemporary through an augmented reality application on a smart device.
Left to right: Christian Gehring, Patricia M. Burks, Ellen Vladem, Robert Vladem, Gilberto Guzman, Theresa Sanchez, and Dr. Mark White in front of Multi-cultural. This 2022 scale reproduction of the mural Multi-cultural is a close replica of the 1993 version that once adorned the exterior east wall of the Joseph F. Halpin State Records Center and Archives.NEW MEXICO MUSEUM OF ART VLADEM CONTEMPORARY EDUCATION CENTER
The Van Mabee Education Center is a 2,300-square-foot space offering an array of educational programming. Given the physical constraints of the downtown building, Vladem Contemporary allows the museum to expand its educational offerings to increase outreach, engage deeply with the local community, and hire teaching artists to share their expertise and skills. The exterior of the Van Mabee Education Center features the Fritz Family Digital Window used to display artist videos at various times of the day in adherence to local night sky ordinances.
The Van Mabee Education Center offers:
◗ Hands-on activities following school tours of exhibitions
◗ Monthly family art-making Saturdays
◗ Workshops, including a smartphone photography class designed for teens
◗ Collaborative school tours with SITE Santa Fe and the Carl & Marilynn Thoma Foundation Art Vault that will host all 7th and 8th graders in Santa Fe
PHOTOGRAPH BY TIRA HOWARD
THE FIRST TEN YEARS ECONOMIC IMPACT
In the first ten years, New Mexico Museum of Art Vladem Contemporary is estimated to:
◗ Attract more than 600,000 visitors
◗ Stimulate a total of $194 million in economic activity
◗ Support 345 jobs
◗ Generate $12.3 million in state and local taxes
PHOTOGRAPH BY GABRIELLA MARKSSPOTLIGHT ON ROBERT AND ELLEN VLADEM
In recognition of the centennial anniversary of New Mexico Museum of Art, Robert and Ellen Vladem made a generous lead gift to build what is now Vladem Contemporary. The Vladems were moved to make their generous gift by understanding the importance of establishing an updated, state-of-the-art venue to collect, store, and display contemporary works of art, and to draw the interest of collectors who would be inclined to donate or purchase works for the collection in the future.
Their philanthropy and community engagement illustrates their commitment to enriching the cultural life of Santa Fe and making a difference in the artistic vitality of this city.
LEADERSHIP TEAM
This endeavor would not have been possible without support from the New Mexico Legislature, state capital outlay funds, and the leadership of several key individuals.
State of New Mexico
MICHELLE LUJAN GRISHAM, Governor
New Mexico Department of Cultural Affairs
DEBRA GARCIA Y GRIEGO, Cabinet Secretary
MICHELLE GALLAGHER ROBERTS, Deputy Cabinet Secretary
LINO HERRERA, Facilities Management Director
New Mexico Museum of Art
DR. MARK A. WHITE, Executive Director
DNCA + STUDIO GP, Architects
BRADBURY STAMM CONSTRUCTION, Contractor
Special thanks to Museum of New Mexico Foundation leadership and staff
JAMIE CLEMENTS, President/CEO
YVONNE MONTOYA, Centennial Campaign Director
SUZETTE SHERMAN, Centennial Campaign Director
KRISTIN GRAHAM, Director of Leadership Giving
ALEX WILSON, Director of Leadership Giving
Thank you also to the people of New Mexico and many others who are not listed.
PHOTOGRAPH BY SARO CALEWARTSACKNOWLEDGEMENTS
We gratefully acknowledge the generosity of these donors who supported New Mexico Museum of Art’s Centennial Campaign (2016–2020), chaired by Ashlyn and Dan Perry, and inaugural year programming for Vladem Contemporary. Information related to supporting Vladem Contemporary can be found at museumfoundation.org
$100,000 AND HIGHER
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Trish Foschi and Stuart Hall
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The Frederick Hammersley Foundation
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In memory of Edward Hastings and Gino Barcone
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Lannan Foundation
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Van Mabee
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Charitable Fund
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In memory of Trudy Blitz
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ACKNOWLEDGEMENTS, CONTINUED
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Donor Advised Fund
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Peggy and Jack Seigel
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Abe and Marian Silver
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Linda and Donald Zillman
New Mexico Museum of Art expands to the Santa Fe Railyard Arts District with an additional space for contemporary art, creating new avenues to make art available to everyone.
nmartmuseum.org
New Mexico Museum of Art
@newmexicoartmuseum
NEW MEXICO MUSEUM OF ART
VLADEM CONTEMPORARY
GRAND OPENING WEEKEND
SEPTEMBER 23–24, 2023
10 AM–5 PM
FREE ADMISSION FOR THE ENTIRE FAMILY
NEW MEXICO MUSEUM OF ART ON THE PLAZA 107 West Palace Avenue, Santa Fe
NEW MEXICO MUSEUM OF ART
VLADEM CONTEMPORARY IN THE RAILYARD 404 Montezuma Avenue, Santa Fe
NEW MEXICO MUSEUM OF ART ON THE PLAZA 107 West Palace Avenue, Santa Fe NEW MEXICO MUSEUM OF ART VLADEM CONTEMPORARY IN THE RAILYARD 404 Montezuma Avenue, Santa Fe nmartmuseum.org