NISARG SHETH ARCHITECTURAL PORTFOLIO

PORTFOLIO N I S A R G

S H E T H

A R C H I T E C T U R E

CURRICULUM

PART PORTFOLIO

NISARG SHETH 2 APRIL 2002 INDIAN

CONTACT DETAILS

A responsible energetic and organised person with leadership qualities. Inquisitiveness to explore and learn the new possibilities of architecture and design orientated to people.

To intern at a firm is an opportunity to advance my knowledge in this field of architecture, to sharpen my skill set regarding practical approach towards design and to enhance my professional capabilities and contribute to create working environment.

+91 94261 20957

nisarg.sheth76@gmail.

Plot no.361, thobh street, waniyawad, Bhuj-Kutch 370001 _nisargsheth_

LANGUAGE ENGLISH HINDI GUJRATI “As an architect, you design for the present, with an awareness of the past for a future which is essentially unknown” - Norman Foster

NISARG SHETH

EDUCATION

WORKSHOPS

D.C. PATEL SCHOOL OF ARCHITECTURE (APIED)B.Arch 2019-22(pursuing) CHANAKYA ACADEMY SCHOOL,BHUJ SCHOOLING (2007-19)

CLAY WORKSHOP

-

2019

KNIFE PAINTING

-

2020

RESIN ART

-

2020

NAIL STRING ART

-

2020

CONSTRUCTION WORKSHOP

INTERESTS

DOCUMENTATION TRIVENDRUM,KERELA PUNE,MAHARASTRA

-

-

2019 2022

SPORTS PHOTOGRAPHY SKETCHING MUSIC

PROFECIENCIES

DANCE TREKKING

DIGITAL

C0-CURRICULUM SPORTS SECRETARY-SHRI MAHAVIR JAIN VIDHYALAYA, VIDYANAGAR 2022 STUDENT COUNCIL MEMBER, SPORTS MANUAL

DOCUMENTATION

HAND DRAFTING

PYRAMID CONSULTANCY

SKETCHING

BHUJ-KUTCH

MODEL MAKING

SMACK ENGINEERS BHUJ-KUTCH

2021

PART PORTFOLIO

6 YOUTH CENTRE SEM:6 INSTITUITIONAL STUDIO

1

1 DOCUMENTATION KARAMSAD SEM:4 CONTEXTUAL STUDIO

22

26 MISCELLANEOUS WORKS PRODUCT DESIGN SKETCHES PHOTOGRAPHY

NISARG SHETH

28

6

WORKING DRAWING SEM 6

12

18

COMMUNITY CENTRE SEM:4 CONTEXTUAL STUDIO

2

6

8

ADVANCE ANTROPOMETRY STUDIO SEM:2 ADVANCE ANTHROPOMETRY STUDIO

WORKING DRAWING The youth centre that we designed in institutional studio was to be studied where exploration of spaces, materials and understanding of its execution are the major factors kept under consideration.

GROUND FLOOR PLAN

SECTION AA’

6

FIRST FLOOR PLAN

7

WALL SECTION

DOOR DETAILS

8

STAIRCASE

SECTION

PLAN

9

WASHROOM DETAILS

WASHROOM DETAILS

PLAN

FLOORING PLAN

SITE ELEVATION

10

ELECTRICAL LAYOUT LEGENDS

SWITCH BOARD CEILING LIGHT

CEILING FAN FOOT LAMP

3PIN FOR A.C.

11

YOUTH CENTRE

SITE CONTEXT PLACES

INSTITUTIONAL Studio-V PROGRAM The program is to design youth centre serving the youth in term of every aspect of their lifestyle. The challenge is to merge the core public activities, learning activities and warm activities.

The brief was to design a youth activity centre in the sanquelim village, goa as there are many student study centres and a vast youth population around the area and there is no place for the youth to gather and devlop thier skills so this centre will way a important role for the same.

Site location: Sanquelim, Goa Site Area: 4000 sq. mt CONCEPT The main intent of designing was to make an extrovert nature of project and let the design itself interact with the youth so that it provide the youth with a place to devlop

1. SITE IS COVERED WITH ROADS ON THREE SIDES AND ONLY ONE SIDE HAS DEAD LAND.

12

SITE P UND

FACADE UNDERSTANDING PROJECTION OF BRICK COURSE WORKS AS DOUBLE SKIN, BT RUNNING THE BRICK ON THE EDGE COURSE AND PROJECTIONG IT 75MM

2. ADDITION OF THE SPACES WHERE THERE IS DEAD LAND AND SMALL ROAD .

3. EXTRACTING BLO HEIGHT MATRIX VENTILATION AND S

PHOTO PORTRAYING SHADE DER THE TRELLIS STRUCTURE

OCKS AT DIFFERENT FOR PROPER SUNLIGHT

4. SUBTRACTING THE IN BETWEEN SPACES TO PROVIDE OPEN SPACE BETWEEN DIFFERENT SPACES TO

5. CONNECTING THE BUILDING THROUGH THE PATHWAY FOR PROPER CIRCULATED AND PROVIDING

13

GROUND FLOOR PLAN

LEGENDS

1. PARKING 2. MANAGER’S OFFICE 3. CONFERENCE ROOM 4. CLERICAL OFFICE 5. MEDICAL ROOM 6.WORKSHOP 7.SEMINAR ROOM 8.CAFETERIA 9.WASHROOM 10.INDOOR SPORTS 11.Board games 12.MULTIPURPOSE GROU 13.SWIMMING POOL 14.CHANGING ROOM

14

SECTION

FIRST FLOOR PLAN

LEGENDS 1. RECEPTION 2.BOOK SHELFS 3.READING TABLE 4.GROUP STUDY ROOM 5.COMPUTER LAB 6.SELF STUDY ROOM 7.WASHROOM 8.AEROBICS AREA 9.GYM ROOM 10.CHANGING ROOM

UND

N AA’

15

16

SECTION B

BB;

17

COMMUNITY CENTRE

ZONING

CONTEXTUAL Studio-IV PROGRAM The brief was to design a residential colony according to the two working class people residing there, having an open gathering space at Bhaya ni khadki, karamsad village following the ideology of the old street connecting it to the modern architecture by understanding the culture of the city and communicating with the citizens.

DIFFERENTIATION BASED ON USE RESIDENTIAL

COMMUNITY SPACE

Site location: Karamsad, Anand Site Area: 2600 sq. mt REQUIREMENTS Community space Gathering space 3bhk resdence 2bhk residence USERS NRIs Tenets

DIFFERENTIATION BASED ON PRIVACY PRIVATE SPACE

GATHERING SPACE

18

PUBLIC SPACE

DIFFRENTIATION OF GREEN SPACE N BUILT GREEN SPACE BUILTMASS

SITE ISOMETRIC VIEW

CONCEPTUAL SKETCHES

KIDS PLAY AREA

19

PLAN

SECTION AA’

20

SECTIO

LEGENDS 1. 3bhk residence 2. 2bhk residence 3.Yoga room 4. Gym room 5. Temple 6. Gathering space 7. Gazebo 8. Kids play area 9. Parking

ON BB

21

KARAMSAD DOCUMENTATION CONEXTUAL Studio-IV Karamsad is home to a variety of well- knit collection of houses, from which one of the oldest cluster of dwellings, is called Bhaya ni Khadki.

The program was to document the karamsad heritage streets & its activity patterns which affects its architecture.

Taluka : Anand District : Anand State : Gujarat Coordinates: 22.5 N,72.9E Traditional housing plays a vital role in the understanding of architecture as a whole.

“Bhaya ni khadki” was such an area chosen to be documented. Specifications such as material, typology and context were studied.

The inferences helped in designing the contextual studio for which the site was situated in the same locality.

The activity patterns of the people were studied and understood as to how it affects the people and the architecture and how the design can be better and more responsive to the people and their activities.

Various aspects of design were seen even in the olden times which can be reflected by the architecture as a whole and design

22

EVOLUTION IN OPENINGS

Since majority of karamsad has hindu population, not much architectural influence of any other religion can be seen.

MOVEMENT

TYPOLOGY OF STRUCTURE

BUILT MATERIAL

Representation of physical circulation of human between the points in the space. The red line shows the human movement on the street.

STREET CHARACTER

The narrow streets which bifurcates from the main street allows pedestrian movement but restrict vehicular movement.

Jharokas and balconies on the street side are a common sight as they are used as a connection to the ground floor and were used to transport things

HEIGHT MATRIX

RESIDENTIAL & COMMERCIAL

23

Ornamentation was heavily done on the doors used in Karamsad.

It was a symbol of affluence as it showed the intricate detailing and the choice of material used in the time.

Torans were used on top of the doors as they served a purpose of “shubh” and were used as to welcome someone into the household.

Doors were made mostly out of timber and had structural elements of the same. Posts, Frames and Shutters were also made of the same.

• The openings in the house are of small size and recessed.

• The entering diffused sunlight maintains temperature and avoids glare.

• Metal rods are provided for privacy purpose.

• Wood has been widely used in the construction of the building as it helped create malleable spaces and was considered as lightweight at the time being.

• Metal is another primary material used in the karamsadian streets as it was considered strong at that time and was economical.

24

Modern doors used are mainly made out of metal and wood.

The metal bars used in some of the doors were used as to maintain privacy in some places where privacy is required

25

ARTISAN’S RESIDENCE ADVANCEANTHROPOMETRY Studio-II PROGRAM To understand the anatomy of human body with action line one Performs at one place and also the same perform in different place At larger scale of spaces how human anatomy will adjust its behevior and blend in the environment of space.

The brief was to design a residential + workshop for a family of wood worker having 5 members by understanding their basic needs and requirements of a artisian and design a space according to their behavior and activity pattern.

Site location: Anand, Gujrat Site Area: 800 sq. mt REQUIREMENTS WORKING SPACE- Workshop Office Exhibition space

ISOMETRIC PLAN VIEW

ISOMETRIC PLAN VIEW 7 9

RESIDENTIAL SPACE- Living area Bedrooms Kitchen+ Dining Washrooms Garden

SITE ELEVATION CONCEPT Considering hte linear shape of the site, all the public spaces are kept at the initial part of the site and the residential space is designed at the rear part of the site considering the privacy factor of the family.

26

3

SITE PLAN

6 7

8

6 5

4

VIEWS

LEGENDS 1 I OFFICE 2 I WORKSHOP 3 I OUTDOOR STORAGE 4 I LIVING AREA 5 I KITCHEN 6 I BEDROOM 7 I WASHROOM 8 I GARDEN 9 I OUTDOOR SITTING 10 I PARKING 2 1 10

27

MISCELLANEOUS WORKS PRODUCT DESIGN Study table

28

29

MISCELLANEOUS WORKS SKETCHES

30

PHOTOGRAPHY

31

32

33

NISARG SHETH nisarg.sheth76gmail.com +91 9426120957

34