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Architecture Design Studio Air

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W ESTE RN GAT E WAY D ESI G N P ROJEC T EXPR ESSIO N O F I NTE R EST P RO P O SAL

Key C o nsideratio ns I n sta l l atio n integ rates with and s its in the i m m ed i ate a n d s u r rou n d i n g l a n d sca p e I con i c E xper ie nce Di a l og u e betwe en sc ulpture and lands cape to com p os e t h e G ateway Day t i me and Nig ht tim e viewing

Sarah Chesterfield

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Nilusha Samrasinghe 378889

Pa ra m etr i c Arc h i te c t u re ‘the search for innovative A R geometr C H I T E C TyU’ R “Parametric form finding offers so lutio ns to spatial problems by using changeable variables.” (Burr y, 2003) Transferring generative approaches into the architectural design workflow by introducing a set of rules to describe the constraints of the form.

Ge n erati ve C omp u tatio nal Dig i ta l C omp u ter aided A ss o c i ati ve

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T h e u s e o f s c r i p t i n g fo r t h e ‘ We ste r n G ate ways D e s i g n P ro j e c t ’ h a s t h e p o te nt i a l to ta ke a d va nta ge o f co m p u tat i o n a l d e s i g n a l l o w i n g fo r m ate r i a l a n d t i m e eff i c i e n c y. M o re i m p o rta nt l y co m p u tat i o n a l d e s i g n c a n b e e n ga ge i n c u l t u ra l l y s e n s i t i ve i s s u e s d e ve l o p i n g a m e t ro p o l i ta n i d e nt i t y.

By exe rc i s i n g t h e u s e o f s c r i p ti n g to u s e a d va n c e d te c h n i q u e s o f p a ra m e t r i c d e s i g n a n d d i g i ta l m a n u fa c t u r i n g , to “ p ro d u c e n e w i m a ge s o f te a h o u s e a n d re n e w i t s co n c e p t u a l m e a n i n g s ”.

-Kaon Ko and Salvator–John Liotta.

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A CASE FOR INERVATION

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N a m e : D i g i t a l Te a H o u s e Wo r k s h o p L o c a t i o n : To k y o , J a p a n Ty p e : P a v i l i o n Architects: University of Columbia and U n i v e r s i t y o f To k y o Ye a r : 2 0 1 0

“Architecture needs mechanism that allow it to become con­ nected to culture. It achives this by capturing the forces that shape society as material to work with it”

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T h e c y l i n d r i ca l p av i l i o n fo l l o ws t h e s h a p e o f t h e c u p i s d e m ate r i a l i ze d a n d i s c o m p o s e d o f t i l te d “ wave s ” o f p l y wo o d t h at , t h a n ks to i n c i s i o n s m a d e t h ro u g h t h e n u m e r i c a l co n t ro l l e d m a c h i n e s , c re ate t h e s p a c e o f t h e p av i l i o n .

T h e t i l e d “ wave s ” c a st a c a l m i n g re p e t i t i ve p atte r n t h at s u g ge ste d i d e a s o f ca l m i n g . L o o k i n g m o re c l o s e l y at h o w l i g ht ca n b e u s e d to ca st s h a d o w i n c a l m i n g o r a c t i ve ways i s a n i m p o r ta nt “ t h e m e ” we wa nt to ex p re s s .

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Ca se for I n n ovatio n We b b B r i dge ( 2004) De nto n C o r ker Marshall Architec ts i n col l a b o ratio n w ith Robert Owen Do c k l a n d s, V IC

A rc h i tec ture is abo ut light and s pace.

I t i s a b o u t stimulating em otions in the p eop l e w ho se e and inhabit the struc t ure. “ S t i mu l at ing an ico nic experience�

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` Moiré is an optical phenome non that may appear as a wav y, r ippled or circular pattern un der certain lighting conditions The term “moiré” is referred to “an irregular wav y finish usually produced on a fabric by press ing between engraved rollers” Moiré patterns may be cre ated when one semitransparent object with a repetitive pattern is placed over another and the two are not aligned.

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Winner of a 2011 design award from the NYC Design Commission Design, by Michielli + Wyetzner Architects

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`` CAST SHADOW & PERSPEC TIVE – the two shaping factors of spatial representation 00

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Picture puzzles were used by artists as early as the middle ages, in order for example to convey a hidden message which is only revealed to the obser ver from a specific perspective – in other words the obser ver ’s position determines the nature of the percepti on.

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Melbourne Seasons - relative sun angles

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Drzach & Suchy ’s artistic work is based on a further fundamental obser vation, which is inde pendent of the point of vision of the obser ver: the shadow whi ch is cast by a physical object is dependent on the intensity and location of the light source and the shape of the object.

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W h e n t rave l i n g 1 0 0 k i l o m e te rs p e r h o u r o n t h e f re e way yo u w i l l t rave l a p p rox i m ate l y 2 7 7 m e te rs p e r 1 0 s e c o n d s . T h i s m e a n s t h at t h e s i te ta ke s a p rox i m at l e y 4 5 s e co n d s to p a s s a n d 2 0 s e c o n d s o f w h i c h yo u p a s s t h e c h o s e n l o c at i o n fo r s c u l p t u re .

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Input: Surface Grid Association: Image Sampler Output: Rotation

Input: Surface Grid Association: Image Sampler Output: Rotation

Input: Surface Grid Association: Multiple Maths Function Output: Rotation

Input: Explicit grids Association: Maths Function Output: Rotation

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Input: Surface Grid Association: Image Sampler Output: Rotation

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‘BA NQ Restaurant ’ 2006-08 Off i c e DA A R C H I T E C T U R E Bo00 sto n , M A

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T h e d e si g n o f the space, however, i s co n c eptualize d around an ot h er d i v i sio n, o n the z axis , be tween the ceiling and the ground.

L ANDSC A P E A RCH I TEC TU R E T he p ro j ect “ U r ban Adapter ” is bas ed on a dig i tal p a ra metr ic mo de l. At its core the m odel ut i lize s ex p l icit site info rm ation and program m at i c data to react and interac t with its environm ent .

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T hat way the mo de l’s D NA struc ture is ca pab l e o f pro ducing a variety of unique f urn i t u re re sults. To gether they generate an end les s fa mily o f new urban benc h f urniture.

‘Urban Adapter ’ Proposal by Rocker Lange Architects Hong Kong

This design proposal for a contemporar y cit y bench seeks to understand t he concept o f st reet furnit ure as a holist ic design probl e m .

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C re at i n g p i e c e o f a rc h i te c t u re t h at wo u l d n o t o n l y b e a p a r t o f n at u re b y ref l e c t t h at n at u re .

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N a m e : M i r ro r Tre e H o u s e L o c a t i o n : S w e d e n , H a ra d Ty p e : H o t e l A rc h i t e c t s : T h a m & V i d e ga rd Ye a r : J a n u a r y, 2 0 1 1

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T h e ex te r i o r ref l e c t s t h e s u rro u n d i n g s a n d t h e s k y, c re at i n g a ca m o u f l a ge d ref u ge . T h i s exp e r i e n c e o f t h e ex te r i o r ref l e c ti n g t h e s u r ro u n d i n g s a n d t h e s k y c re at i n g a c a m o u f l a ge d o r a l m o st d i s a p p e a r i s w h at we wa nt to a c h i e ve . F ro m a fa r yo u c a n o n l y s e e t h e n at u ra l l a n d s ca p e b u t f ro m u p c l o s e ex p e r i e n c e i s ve r y d i ffe re nt .

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A rc h i te c t s : G i j s Va n Va e re n b e rg h N a m e : Re a d i n g B e t we e n t h e L i n e s L o cat i o n : B o rg l o o n , L i m b u rg Ty p e : C u l t u ra l - P u b l i c A rc h i te c t s : G i j s Va n Va e re n b e rg h Ye a r : S e p te m b e r, 2 0 1 1

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T h i s a rc h i te c t u ra l p i e c e a d va n c e s a rc h i te c t u ra l d i s co u rs e b e ca u s e i t c h a l l e n ge s t h e i d e a o f w h at ’s u n re a l b y ta k i n g t h e c o n c e p t o f i l l u s i o n , t h at d o s e n o t h ave a m a s s o r fo r m , a n d t ra n s l at i o n i t i nto a c t u a l b u i l t space.

This concept of illusion co u l d o n l y b e a c h i e ve d b y fa b r i cat i o n s o m e fo r m o f v i s u a l o r o p t i c a l effe c t .

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