PORTFOLIO ARCHITECTURE DESIGN 2014-2019
NILAY SHAH SELECTED WORKS FROM ACADEMICS AND WORK EXPERIENCE
01.
CV
02.
IN SEARCH FOR SALVATION
BODY OF WORK AN INQUIRY IN THE EXPERIENCE OF DYING IN BANARAS FINAL YEAR THESIS
03.
INDIGO ARCHITECTS, AHMEDABAD
04.
FREEDOM 75
INTERNSHIP
HALL OF NATIONS, DELHI
PRAVEEN BAVADEKAR | BRIDGE STUDIO | ARCHITECTURE DESIGN
05.
PEDESTRAIN BACK ALLEY,
GRAPHIC ERA UNIVERSITY, DEHRADUN URBAN DESIGN + ARCHITECTURE DESIGN
06.
12 GOING ON 21 VIRUPAKSHA TEMPLE, HAMPI ARCHITECTURE DESIGN
07.
CTRL +F5
08.
COMMUNICITY
COMPOUND 13, DHARAVI SHANGHAI, CHINA
EXCHANGE PROGRAMME
09.
A MEMORIAL FOR RED WHISPERS AMBEDKAR PARK, LUCKNOW ARCHITECTURE DESIGN
10.
PHOTOGRAPHY
NILAY SHAH
DESIGN STUDIOS
nilayshah.ar@gmail.com +919619555020 nilayshah._ 9D-701, Alica Nagar, Lokhandwala Townhip, Kandivali East, Mumbai - 400101 Seeking Position Jr. Architect Languages English | Hindi | Gujarati | Marathi References
Education KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES
Ar. Nemish Shah
A. A. V. PATEL JUNIOR COLLEGE
Principle/Director KSA Architects and Planners Pvt. Ltd., Mumbai @ | nemish.shah@ksaarchitects.net m | +91 989 226 7235
THAKUR PUBLIC SCHOOL
Ar. Uday Andhare Principle Indigo architects, Ahmedabad @ | indigoarchitects@gmail.com m | +91 987 965 5186
Skills AUTOCAD 2D AUTOCAD 3D VRAY SKETCHUP PHOTOSHOP INDESIGN ILLUSTRATOR RHINO QGIS HAND DRAFTING
STUDYTRIPS
BATCH OF 2019 JUHU, MUMBAI • MUMBAI UNIVERSITY HONOURS | KRVIA DISSERTATION GOLD MEDAL 2019 TEACHING ASSISTANT - 5TH YEAR BRIDGE STUDIO 2019 3RD YEAR AWARD FOR EXCELLENCE IN HUMANITIES BATCH OF 2014 VILE PARLE-WEST, MUMBAI • HIGHER SECONDARY CERTIFICATE (HSC) HONOURS | 86.36% HSC 12TH BOARDS (ELECTRONICS, SCIENCE) PLAYED FOOTBALL FOR COLLEGE TEAM
WORKSHOPS
BATCH OF 2012 KANDIVALI-EAST, MUMBAI • INDIAN SCHOOL CERTIFICATE EXAMS HONOURS | 92% ICSE 10TH BOARDS PREFECT 2011-2012 HOUSE VICE CAPTAIN 2010-2011
Work experience INDIGO ARCHITECTS
INTERNSHIP NOVEMBER 2017 - APRIL 2018 SHILAJ, AHMEDABAD
KRVIA | PERKINS EASTMAN
INSTITUTIONAL ACTIVITIES
TEACHING ASSISTANT JULY 2019 - SEPTEMBER 2019 MUMBAI
Competition & Honours KRVIA DISSERTATION GOLD MEDAL 2019 FIRST PLACE - GOLD MEDAL
NIASA UNDERGRADUATE THESIS AWARDS 2019 REPRESENTED KRVIA - WEST ZONE
MIMANSA DESIGN FORUM 2019 SHORTLISTED
INTACH HERITAGE AWARDS FOR EXCELLENCE IN DOCUMENTATION
ELECTIVES
SECOND PLACE - AWARD OF MERIT
24H BAUHAUS 2017
IDEASFORWARD - PARTICIPATED
ARCHASM
IDEASFORWARD - PARTICIPATED
MODEL MAKING
CONTEMPORARY SHANGHAI 2017
MICROSOFT OFFICE SUITE
PHOTORACT 2018
IT’S LIQUID - PARTICIPATED
ROTRACT CLUB OF VADODARA SAYAJINAGARI - SHORTLISTED
PAPERS + EDITORIAL DESIGN
FIRST YEAR
SECOND YEAR
THIRD YEAR
FOURTH YEAR
FIFTH YEAR
VASAI FORT
LITERATURE SEATS
CTRL+F5
DEHRADUN
FREEDOM 75
NEATHERLANDISH PROVERBS
12 GOING ON 21
2014-2015
CONSTRUCTING PARALLELS
VERSOVA FISHING VILLAGE
FAIRY TALES SAWANTWADI
2015-2016
MALVANI, MUMBAI
2016-2017
DHARAVI, MUMBAI
2017-2018
MAHARASHTRA
BUNDI, RAJASTHAN
AN INQUIRY IN THE EXPERIENCE OF DYING IN BANARAS
MEMORIAL FOR RED WHISPERS BUNDI
HAMPI
DEHRADUN
CITY LENS
THEATRE
SUSTAINIBILITY
EXPLORING PRACTICES
GHAR KI KAHAANI PROJECT
RAJASTHAN
HALL OF NATIONS, DELHI
THESIS: IN SEARCH FOR SALVATION
HAMPI, KARNATAKA
LUCKNOW, UTTARPRADESH
SAWANTWADI
2018-2019
KARNATAKA
UTTRAKHAND
LUCKNOW
UTTAR PRADESH
FILM IT DIFFERENTLY
AVIJIT MUKUL KISHORE
MAMTA MURTHY
BORIVALI, MUMBAI SAURAV PHADKE
KIMAYA KELUSKAR SANGITA KAPOOR
DISASTER MANAGEMENT
ORGANISED STUDY TRIP
TEACHING ASSISTANT
TENSILE TENSIGRITY
POLITICS THROUGH MOVIES
MAMTA PATWARDHAN
PARMESH SAHANI
SAME-SAME WORKSHOP
SHANGHAI EXCHANGE KRVIA JIATONG UNIVERSITY
ORGANISED STUDY TRIP SAWANTWADI
FILM AND MUSIC SECRATARY STUDENT COUNCIL
PART OF THE TEAM PART OF THE TEAM
DOCUMENTING SAWANTWADI
EXHIBITION OF SITE WORK
DOCUMENTING LUCKNOW
MEASURED DRAWINGS EXHIBITION TEAM
LUCKNOW PORTFOLIO
ORGANISED STUDY TRIP HAMPI
DEHRADUN
5TH YEAR BRIDGE STUDIO KRVIA | PERKINS EASTMAN
PART OF THE TEAM
DESIGN TEAM
KRVIA ANNUALS 2016 ORGANISED
PHOTOWALK BOMBAY BAZAARS
MEASURED DRAWING EXHIBITION
STRUCTURE IN POETRY
SONAL SUNDARRAJAN
CINEMA
DEVDUTT TRIVEDI
GIS
PHOTOGRAPHY
CITY WALKS MUMBAI
GIS
ABHIJIT EKBOTE
BRINDA SEKSARIA
SHREYA SEN
ABHIJIT EKBOTE
SHREYA SEN
PHOTOGRAPHY
HUSSAIN INDOREWALA
KUNAL BHATIA
AMCHA GANAPATI:
COMMUNITY BASED GANESH FESTIVAL
PART OF THE TEAM
LUCKNOW PORTFOLIO INTERN
DISSERTATION RESEARCH
FINAL YEAR DISSERTATION
Scanned by CamScanner
Scanned by CamScanner
Scanned by CamScanner
DISSERTATION
Scanned by CamScanner
IN SEARCH FOR SALVATION An inquiry in the experience of dying in Banaras.
Since the onset of human civilization man has been wondering about the great mysteries of our existence, the meaning of life, explaining death and theorizing about afterlife. Though seen as the enemy, Death is the natural order of things. In Hinduism the order of life is cyclic. It is believed that the body is a vessel, which will perish, whereas the soul is eternal and will take another form. This concept not only keeps the fear of death at bay but also aids in giving value to the deeds performed in one’s life. Hinduism believes in accepting death not as a finality but a mere step to the next life. It charts out the final phase of life, Vanprasthashram, as one when a person hands over household responsibilities to the next generation, takes an advisory role, and gradually withdraws from the world and finally accepts death. In Kashi, life is lived in perpetual presence of death. It is believed that anyone who dies there gets liberated from the cycles of life and death and attains salvation. This has made Kashi into a city that celebrates death like no other. This special status also generated a complex system of livelihood. The thesis tries to study the manner in which institutions and practices instrumentalise the process of dying and their spatial manifestations. It investigates the role of design in the process of dying and identifies opportunities to create spaces which allow life to play itself out and enhance the experience of living, waiting for death.
Hardwar Sacred geography of Banaras BanarasMathura is at a Ayodhya rare confluence of unique geography, mythology, urban form and cultural institutions. The city is located about 500 Dwarka miles south of New Delhi, India. Here, the Ujjain changes her usual direction from river Ganges south-east to flow back in a northerly direction pointing at her origins in the Himalayas, the sacred mountains for the Hindus. The river also takes a crescent profile, thus reconfirming the mythology according to which Lord Shiva, the presiding deity of the city, wears the moon on his head. The landscape on the west bank rises into three hillocks symbolizing the trident of Lord Shiva. The “other bank” of the river is, in Kanchi contrast, flat and plain.
Pan
chk
osh i
Zo n e
17
Undertones of myth in the city
In plan, the city is conceived as a half circle. While the west bank of the Ganges has been inhabited for thousands of years and grown into a complex and congested city, the east bank According toriver thehas scriptures, of the been untouched and left totally undeveloped. reasonsin haveIndia nothing to do There are seven The cities with the city code. For the people of Banaras, where ittheis other considered that dying bank of the semi-circular city resides the “other or heaven where people in these incities willworld” ensure a ‘good go after they die. They metaphorically cross the birth’ in existential the next life. all city of river of life toThough reach the eternal the other Banaras. the seven cities are auspicious,
e
r
g
a
R
i
v
n
Banaras Thus, is unique ofunique its urban in Banaras,because a grand and paradigm reconciles ourdie existential sacred geography. If you in anydilemmas marriage of architecture, urbanism of these through cities ayou will get a ‘good and narrative means of dwelling. Banaras next birth’ butus ifthatyou teaches fictiondie is a inside powerful mode of imagining, building and dwelling in our the Panchkrosh in Banaras you will cities; that mythologies and other fictions attain Moksh. are essential to enliven the inanimate world
G
a
of things and infrastructures. The existential absurdity of life and death are reconciled
The Panchkoshi zone is sacred through the architecture of the city. When such a reconciliation takes which place spatially, zone of Banaras inside if youcities and architecture become sustainable. die or are cremated you will attain moksha from this cycle of birth, death and rebirth. 14
IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING
Fig.3.4.1 Kashi Panchkoshi zone
0
10
20
‘ We have modern day architectural manifestations for other stages of life but the idea of leaving everyday life and proceeding towards a life of spiritual pursuit’
VARANASI STN
GANGALABH MUKTI BHAVAN
GANGA LABH MUKTI BHAVAN KASHI VISHWANATH TEMPLE
WAITING AREA
B.H.U.
KASHI LABH MUKTI BHAVAN
VARANASI STN
KASHI LABH MUKTI BHAVAN
KASHI VISHWANATH TEMPLE
B.H.U.
VARANASI STN
KASHI VISHWANATH TEMPLE
MUMUKSHU BHAVAN
RECEPTION
MUMUKSHU BHAVAN
B.H.U.
Invisible and isolated, causing futher fear and miunderstandings about its role and service towards society. Bureaucratically dense with processes that make care pathways and case management complex, messy and stressful for patients, loved ones as well as providers.
An essential palliative care service for every society.
Located within a fragmented end-of-life care landscape with services scattered across separate standalone settings
TODAY’S MUKTIBHAVANS ARE
Under resourced with right professionals, technologies and environments.
Inspiring in its ability to attract committed and compassionate care givers who try to facilitate lifeaffirming dignified and personalised deaths in spite of the challenges.
BHOJANALAY
WORKERS CHANGING ROOM
WATCHMAN’S CABIN
LIVING ESSENTIALS
ADMINISTRATION
COMMON TOILETS AND BATHROOM
STORAGE
Unsustainable and ill-equipped to face the rising demand from an increasingly old and chronically sick population.
Supporting loved ones navigating the end-of-life journey with confidence and ease.
TEMPLE OR PRAYING AREA
OFFICE
CONTEMPLATION AREA
MUKTIBHAVAN
FILM SCREENING ROOM
Connecting teams with single palliative care mindset, to deliver consistent care sservices along the end-of-life journey.
LIVING ROOMS
COMMON MEETING HALL
Empowering patients and loved ones with a sense of control, allowing their voices to be heard along the end-of-life journey.
RICKSHAW STAND
LIFESTYLE
GAUSHALA
COUNSELLING ROOM
COMMUNITY READING ROOM
TOMMOROW’S MUKTIBHAVANS SHOULD BE Enabling communities to play an active role, participating in end-oflife care.
Triggering citizens to face death without fear, becoming proactive in the process.
EXCERSISE AREA
VOLUNTEERS ORGANIC GARDEN
Funding in systemic and sustainable ways, engaging people to contribute as a part of their everyday life.
COMMUNITY KITCHEN
PUBLIC LIBRARY
VOLUNTEERS BRIEFING ROOM
DOCTORS CLINIC
PUBLIC TOILET
LOW FREQUENCY RADIO
VOLUNTEERS CHANGING ROOM
with a sense of person behind the the sick from the 24 Hospitable DESIGN PRINCIPLES Community participation and volunteer service Hospice — Redesigning care for tomorrow Patient service attitude towards better inclusion careand journey care ecosystem attractive. control
patient
FuelFor hospital innovations— Redesigning care for tomorrow Hospitable Hospice
visible and journey attractive.
healthy
care language, food pleasures of life etc
FuelFor hospital innovations
24 DESIGN PRINCIPLES Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional Community participation and volunteer service Patient service and attitude towards better inclusion Spaces aiming to build community while preserving individualityKeep normalties care brand
throughout their
Hospitable Hospice — Redesigning care for Community participation and volunteer service care tomorrow journey FuelFor hospital innovations
touch-prints to care ecosystem
visible and attractive.
moments in the journey
24 DESIGN PRINCIPLES Create a coherent Guide people Introduce earlier Make volunteering Empower patients Recognise the Don’t seperate care brand throughout their touch-prints to behind thevisible and with a sense of person the sick from the 24 DESIGN PRINCIPLES Community participation and volunteer service Hospitable Hospice — Redesigning care for tomorrow careand journey care ecosystem attractive. healthy Patient service attitude better control towards patientinclusion
Dignify emotional Make volunteering moments visible and in the journey attractive.
FuelFor hospital innovations Hospitable Hospice — Redesigning care for tomorrow
of life
Facilitate personalization language, food etc
Direct communication amongst stakeholders
Keep normalties Facilitate Direct communication Provide accessible Focus on the little Foster a culture of life personalization amongst stakeholders care language, food pleasures of life of learning in care etc
teams
Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional normalties Facilitate Direct Empower patients Recognise the seperate volunteering Provide accessible Focus on the littlecommunication Foster culture with family Intimate Spaces adapt Don’t to Avoid theMake Make socialising KeepSupport effortless Open services to aDesign care brand throughout their touch-prints to behind thevisible moments ofwithdrawal life personalization amongst stakeholders with a sense of person the sick from institutional the visible and in the user and easy to pleasures of life of learning in care Community participation and volunteer service Create a coherent Guide Introduce earlier Make volunteering Dignify emotional Keep normalties care language, Facilitatefood communication Patient service and attitude towards better inclusion wider public in mind scale s Spaces to build community while preserving individuality carepeople journey care aiming ecosystem attractive. journey etc Direct control patient healthy attractive. privacy care brand throughout their touch-prints to visible and moments in the of life personalization amongst stakeholdersteams Community participation volunteer service care tomorrow journey care ecosystem attractive. journey language, food etc Hospitable Hospice and — Redesigning care for FuelFor hospital innovations
24 DESIGN PRINCIPLES
24 DESIGN PRINCIPLES FuelFor hospital innovations
91 4 DESIGN PRINCIPLES Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional Facilitate Direct communication Spaces aiming to the build community while preserving individualityKeep normalties Empower patients Recognise Don’t seperate Make volunteering Patient service and attitude towards better inclusion Provide accessible Focus on the little Foster a culture care brand throughout their touch-prints to behind thevisible and moments of life personalization amongst stakeholders with a sense of person the sick from the visible and in the care language, food pleasures of life of learning in care Nospitable PRINCIPLES careand journey care ecosystem attractive. healthy journey etc Hospice — Redesigning care for tomorrow Patient service attitude better Community participation and volunteer service control towards patientinclusion attractive. IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING
SITE SELECTION AND PROGRAMMES
uelFor hospital innovations
ospice — Redesigning care for tomorrow Create a coherent care brand
Intimate Humanscale service
teams
Guide people Introduce earlier Make volunteering Dignify emotional Empower patients Recognise the seperate volunteering Spaces adapt Don’t to Avoid theMake Make socialising throughout their touch-prints to behind thevisible moments with a sense of person the sick from institutional the visible and in the user and easy
KeepSupport normalties Facilitate Direct effortless Provide accessible Focus on the littlecommunication Foster culture with family Intimate Integrate Human- nature in Open services to aDesign ofwithdrawal life personalization amongst stakeholders to care pleasures ofwider life public of learning in care in mind scale service care Facilitate Directfood communication language, etc privacy teams care brand throughout their touch-prints to visible and moments in the of life personalization amongst stakeholders care tomorrow journey care ecosystem attractive. journey language, food etc icipation and volunteer service — Redesigning care for Spaces adapt Don’t to 91 Avoid theMake volunteering Make socialising Support effortless Empower patients Recognise the seperate Open to with family Create IN SEARCH OF SALVATION Provide accessible Focus on the littleservices Foster aDesign culture Intimate Integrate Human- nature in SITE SELECTION AND PROGRAMMES AN INQUIRY IN THE EXPERIENCE easy withdrawal to OF DYING with a sense of person behind the user the sick from institutional the visible and public in mind environ care pleasures ofwider life of learning in care scaleHumanservice care Spaces aiming to the build community while preserving individuality Empower patients Recognise Don’t seperate Make volunteering Patient service and attitude towards better inclusion Provide accessible Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional Keep normalties Facilitate Direct communication Focus on the little Foster a culture Intimate privacy control patient healthy attractive. with a sense of person the sick from the visible and in the express teams care brand throughout their touch-prints to behind thevisible and moments of life personalization amongst stakeholders care pleasures of life of learning in care scale service ce — Redesigning care for service and attitude towards better inclusion control patient attractive. care tomorrow journey care ecosystem attractive. healthy journey language, food etc nPatient and volunteer service teams s IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 92
ovations
Patient service attitude towards better inclusion mmunity andpeople volunteer service Create aparticipation coherent Guide Introduce earlier Make volunteering Dignify Keep normalties Spaces to build community whileemotional preserving individuality careand journey care aiming ecosystem attractive. journey control patient healthy attractive. NCIPLES
RINCIPLES ES
gning care for tomorrow
AN INQUIRY IN THE EXPERIENCE OF DYING
Empower patients Recognise Don’t seperate Make volunteering eate a coherent Guide people Introduce earlier Make volunteering Dignify emotional normalties Facilitate Direct Provide accessible Focus on the littlecommunication Foster culture with family Intimate Integrate Human- nature in Spaces adapt to Avoid the Make socialising KeepSupport effortless Spaces aiming to the build community while preserving individuality Open services to aDesign Create a safe with a sense of person the sick from institutional the visible and in the care brand throughout their touch-prints to behind thevisible moments ofwithdrawal life personalization amongst stakeholders user and easy to care pleasures of life public of learning in care wider in mind scale service care environment to Spaces aiming to build community while preserving individuality tionPatient andpeople volunteer service control patient healthy attractive. care journey care ecosystem attractive. journey language, food etc Guide Introduce earlier Make volunteering Dignify emotional Keep normalties Facilitate Direct communication privacy service and attitude towards better inclusion teams express feelings throughout their touch-prints to visible and moments in the of life personalization amongst stakeholders unteer service care tomorrow journey care ecosystem attractive. journey language, food etc are for Spaces adapt Don’t to Avoid theMake volunteering Make socialising Support effortless Empower patients Recognise the seperate Provide accessible Focus on the littleservices Foster aDesign culture Intimate Integrate Human- nature in Open to with family Create a safe 92 IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 AN INQUIRY IN THE EXPERIENCE easy withdrawal to OF DYING with a sense of person behind the user the sick from institutional the visible and care pleasures ofwider life public of learning in care in mind scale service care environment to Spaces aiming toDon’t build community preserving individuality ent servicepatients and attitude towards better inclusion Empower Recognise the seperate Makewhile volunteering privacy patient healthy Provide accessible Focus on the littlecommunication Foster a culture Intimate Humanpeople Introduce control earlier Make volunteering Dignify emotional attractive.Keep normalties Facilitate Direct teams express feelings with a sense of person behind the the sick from the visible and care pleasures of life of learning in care scale service hout their touch-prints to visible and moments in the of life personalization amongst stakeholders omorrow control towards better patient inclusion healthy attractive. nd attitude ourney care ecosystem attractive. journey language, food etc service teams Spaces adapt to Avoid the Make socialising Support effortless
morrow
91
IN SEARCH OF SALVATION
SITE SELECTION AND PROGRAMMES Open services to Design with family
Integrate nature in
Create a safe
92
Spaces aiming to build community while preserving individulity
Patient service and attitude towards better inclusion
Community participation and volunteer service
AN INQUIRY IN THE EXPERIENCE OF DYING user institutional easy withdrawal to wider public in mind care environment Spaces aiming to the build community while preserving individuality uide people Introduce earlier Make volunteering Dignify emotional normalties Facilitate Direct communication Spaces adapt to Avoid the Make socialising KeepSupport effortless Open to aDesign Create a safe to Empower patients Recognise Don’t seperate Make volunteering privacy Provide accessible Focus on the littleservices Foster culture with family Intimate Integrate Human- nature in oughout their touch-prints to visible and moments in the of life personalization amongst stakeholders user institutional easy withdrawal to express feelings with a sense of person behind the the sick from the visible and in mind scale service care environment to care language, pleasures ofwider life public of learning in care Spaces aiming to build community while preserving individuality are journey care ecosystem attractive. healthy journey etc privacy Introduce earlier Make volunteering Dignify emotional attractive. Keep normalties Facilitate Directfood communication control patient ude towards better inclusion express feelings teams touch-prints to visible and moments in the of life amongst stakeholders INpersonalization SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 92 AN INQUIRY IN THE EXPERIENCE OF DYING care ecosystem attractive. journey language, food etc Spaces adapt Don’t to Avoid theMake volunteering Make socialising Support effortless mpower patients Recognise the seperate Open to with family Create a safe 92 Provide accessible Focus on the littleservices Foster aDesign culture Intimate Integrate Human- nature in IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 AN INQUIRY IN THE EXPERIENCE easy withdrawal to OF DYING with a sense of person behind the user the sick from institutional the visible and in mind scale service care environment to care pleasures ofwider life public of learning in care privacy ttitude towards better inclusion control patient healthy attractive. Spaces aiming toDon’t build community while preserving individuality Recognise the seperate Make volunteering Provide accessible Focus on the littlecommunication Foster a culture Intimate Humanuce earlier Make volunteering Dignify emotional Keep normalties Facilitate Direct express feelings teams person the sick from the visible and in the -prints to behind thevisible and moments of life amongst care personalization pleasures of life stakeholders of learning in care scale service rds better inclusion healthy attractive. cosystempatient attractive. language, food etc Spaces adapt to 91 Avoid the journey Make socialising Support INeffortless teams SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES Open services to Design with family Integrate nature in Create a safe 92 AN INQUIRY IN THE EXPERIENCE OF DYING user institutional easy withdrawal to wider public in mind care environment to ces aiming toDon’t whileemotional preserving Make volunteering Dignify KeepSupport normalties Facilitate Direct communication Spaces adapt tobuild community Avoid the Make socialising individuality effortless privacy Open services to Design with family Integrate nature in Create a safe nise the seperate Make volunteering Provide accessible Focus on the little Foster a culture Intimate Humanexpress feelings visible moments in the ofwithdrawal life personalization amongst stakeholders user and institutional easy to Make Dignify Keep normalties Facilitate Direct communication wider public in mind care environment to behind thevolunteering the sick from the visibleemotional and attractive. journey language, food etc care personalization pleasures of life of learning in care scale service privacy o build community while preserving individuality visible and moments in the of life amongst stakeholders tient inclusion healthy attractive. ter express feelings IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 92 teams attractive. journey food AN INQUIRY IN language, THE EXPERIENCE OF DYING etc
ecognise the Don’t seperate Provide accessible Focus on the little culture with family Intimate Integrate Human- nature in Spaces Avoid theMake volunteering Make socialising IN SEARCH OF Support effortless SALVATION SITE SELECTION ANDFoster PROGRAMMES 91 adapt to 92 Open services to aDesign Create a safe AN INQUIRY IN THE EXPERIENCE OF DYING on behind the user the sick from institutional the visible and withdrawal to care ofwider life public of learning in care lunteering Dignify emotional attractive.Keepeasy normalties Facilitate Direct pleasures communication in mind scale service care environment to sion patient healthy Don’t seperate Make volunteering privacy community while preserving individuality Provide accessible Focus on the little Foster a culture Intimate Humanle and moments in the of life personalization amongst stakeholders teams express feelings visible and on the sick from the care language, food pleasures of life of learning in care scale service active. journey etc healthy attractive. paces adapt to Avoid the Make socialising Support effortless teams Open services to Design with family Integrate nature in Create a safe 92 IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 user institutional easy withdrawal to OF DYING AN INQUIRY IN THE EXPERIENCE wider public in mind care environment to ld community while Make preserving privacy Avoid the socialising individuality Support effortless Open services to Design with family Integrate nature in Create a safe seperate Make volunteering Dignify emotional Keep normalties Facilitate Direct express feelings Provide accessible Focus on the littlecommunication Foster a culture Intimate Humaninstitutional easy withdrawal to ktyfrom the preserving visible and wider in mind scale service care moments in the of life amongst stakeholders environment to while individuality care personalization pleasures of life public of learning in care privacy ealthy attractive. journey language, food etc express feelings IN SEARCH OF SALVATION 91
92
SITE SELECTION AND PROGRAMMES teams
AN INQUIRY IN THE EXPERIENCE OF DYING
Make volunteering Provide accessible Focus on the little Foster a culture Intimate HumanIN SEARCH OF SALVATION id the Make socialising Support effortless SITE SELECTION AND PROGRAMMES Open services to Design with family Integrate nature in Create a safe 92 visible and AN INQUIRY IN THE EXPERIENCE OF DYING care pleasures life of learning in care Intimate scaleHumanservice Make volunteering easy utional withdrawal to Provide accessible Focus on the of little Foster a culture wider public in mind care environment to attractive. Dignify emotional Facilitate Direct communication preserving individualityKeep normalties visible and privacy teams care personalization pleasures of life stakeholders of learning in care scale service express feelings moments in the of life amongst attractive. teams journey language, food etc Avoid the Make socialising Support effortless Open services to Design with family Integrate nature in Create a safe IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 92 nstitutional easy withdrawal to AN INQUIRY IN THE EXPERIENCE OF DYING wider public IntimateinHumanmind care environment to lunteering ving individuality Provide accessible Focus on the little Foster a culture privacy Make socialising KeepSupport effortless nify emotional normalties Facilitate Direct communication Open services to Design with family Integrate nature in Create a safe express feelings le and care pleasures of life public of learning in care easy to ments in the ofwithdrawal life personalization amongst stakeholders ng individuality wider in mind scale service care environment to active. privacy journey language, food etc teams IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING
socialising iduality easy
Support effortless Provide accessible withdrawal to care privacy
IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING
IN SEARCH OF SALVATION Y IN THE EXPERIENCE OF DYING
effortless
IN SEARCH OF SALVATION
Create a safe 92 environment to express feelings
Open to aDesign Focus on the littleservices Foster culture with family Intimate Integrate Human- nature in in mind scale service care pleasures ofwider life public of learning in care teams
Support effortless Open services to Design with family Integrate nature in IN SEARCH SITE SELECTION AND PROGRAMMES withdrawal toOF SALVATION wider public mind AN INQUIRYeffortless IN THE EXPERIENCE OF DYING Support Open services to Design in with family Integrate care nature in privacy eep normalties Facilitate Direct withdrawal to Provide accessible Focus on the littlecommunication Foster a culture wider public in mind Intimate Human-care of lifeprivacy personalization amongst stakeholders care pleasures of life of learning in care scale service language, food etc
THE EXPERIENCE vide accessible rawal to OF DYING vacy care
express feelings
SITE SELECTION AND PROGRAMMES
SITE SELECTION AND PROGRAMMES
teams
Create a safe 92 environment Create a safe to express feelings environment to express feelings
SITE SELECTION AND PROGRAMMES SITE SELECTION AND PROGRAMMES Open services to Design with family Integrate nature in Focus on the little Foster a culture Intimate Humanwider public in mind care pleasures of life of learning in care scale service teams
Create a safe 92 environment to express feelings
92
92
PROGRAMME BASED STRATEGIES
SITE UNDERSTANDING IN PLAN AND ZONING
MASSING STRATERGIES PRAYER HALL Cavity insulated walls
LIBRARY AND VOLUNTEERS BLOCK Occupy the tank corner
Jaali walls on west side
Lift the mass on stilts to maintain free movement
BHOJANALAY Bigger volume for the bhojnalay
SHOPS AND BARSATI Shuffle the shop sizes for diversity shops
Kitchen pushed back Create openings between shops for visual connections and easy access to the tank
Roof splits to change volumes
Replace stilts with 2 sheer walls creating open space
Courtyard for open to air cooking
A single connected roof for all the shopkeepers and their issues
Platform extended in front of the temple
A small connection made to the studio
6
7
6
5
9
4
5
4
15 8
3
3
14 12 10
2
1
LEGEND
1. SHOPS 2. PRAYER HALL 3. TEMPLtE 4. AMPHITHEATRE 5. SEATING
2
11
1
13
GROUND LEVEL PLAN +1.50M
6. CARETAKER’S RESIDENCE 7. GAUSHALA 8. HOUSING 9. CLINIC 10. BHOJNALAYA
11. COMMON KITCHEN 0 12. KITCHEN COURT 13. ADMINISTRATION 14. SUMMER PAVILION 15. PARKING
5
10
20
40
N
LEGEND
1. SHOPS STORAGE 2. PRAYER HALL 3. TEMPLE 4. LIBRARY 5. LEARNING SPACE
6. CARETAKER’S RESIDENCE 11. 7. GAUSHALA 12. 8. HOUSING 13. 9. CLINIC 10. KITCHEN COURT
6
7
9
9
5
4
13
7
13 8
8
8
8
3
8
8
1 11
SECOND LEVEL PLAN +5.50M
. ADMINISTRATION 0 . SUMMER PAVILION . PARKING
5
10
20
40
N
LEGEND
1. SHOPS STORAGE 2. PRAYER HALL 3. TEMPLE 4. LIBRARY 5. LEARNING SPACE
12
10
2
12
10
11
THIRD LEVEL PLAN +8.50M
6. CARETAKER’S RESIDENCE 11. ADMINISTRATION 7. GAUSHALA 12. SUMMER PAVILION 8. HOUSING 13. PARKING 9. CLINIC 10. KITCHEN COURT
0
5
10
20
N
40
WEST LOOKING SECTION - THROUGH SHOPS, TANK AND STUDIO SPACE
EAST LOOKING SECTION - THROUGH GAUSHALA AND BHOJNALAY
NORTH LOOKING SECTION - THROUGH PRAYER HALL, BHOJNALAY AND HOUSING
NORTH LOOKING SECTION - THROUGH LIBRARY AND HOUSING
UNIT ORGANISATION PROCESS
THE DOOR FOR THE UNITS HAD VERTICAL OPERABLE LOUVRES TO MAINTAIN PRIVACY
LIBRARY BLOCK - WEST FACADE
PRAYER PAVILLION - WEST FACADE
MORNING
Allows the morning sun to enter into the spaces. The operable windows allow you to be more enterprising with the use it.
AFTERNOON
During the harsh afternoon light, light from the lower louvers illuminates the space by diffused light which reflects from the flooring.
EVENING
Both the louvers can be opened to allow the evening sun to enter the space. Also allows evening breeze to enter. SHOPS FRONT - SOUTH FACADE
RELEVANT WORK EXPERIENCE
INTERNSHIP
AZO-TDC AMRAIWADI, AHMEDABAD
Uday and Mausami Andhare, indigo architects PROJECT TYPE: Office Building AREA: 40,000 sq. m TEAM: Jaydip J, Khyati P, Naeem, Nilay, Riya YEAR: 2017-2018
AZO-TDC is a office building, storage space and customer front for the electricity supply company. The project was in the massing stage, the team had already finalized the specific area requirements and a basic order and hierarchy of spaces. It was designed as 2 main masses, first one was the customer front where we had a basic billing and inquiries section with a first floor data bank. the second building was a management building where the requirements was mostly of office space and conference rooms. We strived to achieve a better, more softer office space which allows for a little bit of organic space management and provides enough green spaces breaking the monotone of concrete and plaster. The main feature of the design was green aspect to it. We wanted to achieve an energy efficient and climatically viable working space. My part as an intern was to aid with ideas on massing, creating 3D models on Sketchup, climate testing using plug-ins, rendering views using Vray and making them presentable on Photoshop.
INTERNSHIP
JAIN UPASHRAY AHMEDABAD
Uday and Mausami Andhare, indigo architects PROJECT TYPE: Religious building AREA: 750 sq. m TEAM: Nilay, Riya YEAR: 2018
Jain upashray project started during the period of my internship. The project was to make an Upsharay in a small plot in Ahmedabad. Upashray in itself are challenging program as it uses no electricity to power itself hence we had to use all the traditional and natural sources of lighting and passive modes of ventilation. Over that it was a tight plot and was blocked on 3 sides with other plots. Being a religious structure, it had to go through the rules as prescribed by the Vastu Shastra and abide by them. we started with basic sketches on the plot area keeping in mind the guidelines as prescribed in the Vastu scriptures. Also we did study visits to old upashrays in the old heritage parts of Ahemedabad. It was interesting to notice smaller moves done by them to aide the Jain lifestyle in those Upasharay. We also did a research on wind towers across the globe and passive cooling systems. We used the wind and the water in the storage tanks together in a way to produce a draft and cooling effect to our advantage. Initially I was the only one working on this project along with the principle architects. My role was to test the ideas we discussed on real scale and research on various other aspects of passive energy. We sat on a couple of client meetings to get a taste of how to deal with a client. We also made a physical model of the design which in-turn helped the client to visualize better.
INTERNSHIP
UNN PANJRAPOL Unn, Gujarat
Uday and Mausami Andhare, indigo architects
NOTE: 3D model and rendering.
PROJECT TYPE: Cow shelter and landscape AREA: 10,00,000 sq. m TEAM: Nilay, Riya YEAR: 2018
Panjrapol is a place where old cows are kept and fed. The project was given to the firm before we had joined but due to some reasons was on pause by the clients. The requirements were master planning of such a Panjrapol for 1000 cows with spaces for a manager, workers and fodder storage areas. The site was a green field site with a patch of barren land. The sheds were designed in 2 types, one which were single sided came for the boundaries and were accessible from the other side for the caretakers, which the ones in the middle were two-sided and had double the capacity. we also tried and get all the dimensions in a format where all the sheds can use 2 basic modules and each module has all the elements in the same length as they are manufactured. This made the construction easier to replicate on site and cost effective. We also did the basic terrain mapping so that the planning could use the natural water drainage on site. We protected almost 98% trees on site, while using basic foundations to not hamper the soil. We also used old thermocol as insulation under the metal roof. We also had a hose power cleaning system for bathing and cleaning the sheds. My role was in marterplanning and designing the sheds.
Masterplan for the Unn Panjrapol
INTERNSHIP
LLDC Bhujodi, Kutch, Gujarat
Uday and Mausami Andhare, indigo architects
PROJECT TYPE: Museum, Housing+workshop AREA: 10,00,000 sq. m TEAM: Nilay, Riya YEAR: 2018
The living and learning design Center (LLDC) was conceived as a project during this time. It was meant to be a ‘place’ that would becomes a tactile and visual repository of the various crafts of Kutch. Its primary role as a resource center for artisan’s doubles up as a public museum and place for demonstrative, hands on learning. The overall master plan has three main components, the museum, the crafts school and the residential enclaves. Out of which though the mueseum part is built the rest still remains unbuilt. The archetype for a museum seeks to establish the primacy of place making over, mannerist form making prevalent in public architecture today. A museum, in this context is thus a “ place”, to experience, move through and habit in an informal way, making language and information more tactile than textual in nature. The vocabulary is purposefully simple and contemporary in nature, emblematic of the nature of craft as industry and vice- versa today. This was a exercise in building a 3d model of the entire project to visualize the space in its entirity.
SELECTED ACADEMIC WORK
RASHTRAPATI BHAVAN
PARLIAMENT
SECRETARIAT
INDIRA GANDHI ARTS CENTER
NATIONAL ARCHIVE
SEM 9, AD STUDIO
UDYOG BHAVAN
NATIONAL SCIENCE MUSEUM
NATIONAL MISSION FOR MANUSCRIPTS
NATIONAL MUSEUM
INDIA GATE
HALL OF NATIONS PRAGATI MAIDAN
NATIONAL CRAFTS AND HANDLOOM MUSEUM
INTROSPECTIVE75
Hall of Nations , Delhi
Praveen Bavardekar, 5th year AD bridge studio PROJECT TYPE: Museum AREA: 6100 sq. m DURATION: 4 months YEAR: SEM 9, 2018
Hall of nations was built to celebrate India’s 25th year of independence. It showcases construction and technological abilities of the new nation. Hall of nations lies at the edge of Lutyen’s Delhi, at the edge between state and the public. The desicion of demolition of Hall of nations was a conflicted phenomenon between various agencies and the people especially architects. At the verge of 75 years we need to take a hard look at the democracy and the ways it has manifested itself. There have been various protests, riots, movements, amendments, challenges, liberalization, autocratic acts by the government and an emergency. Hence it makes Hall of nations site a perfect ground to celebrate our democratic history and the conflicts over the years. The museum of post independent India becomes a permanent curated museum, it serves as a counterfoil to the proposed convention centre that has temporal exhibits happening around the year in this way the preserved buildings with your intervention become a way to use the site 365 days of the year hence becoming a part of the larger city infrastructure.
PURANA QUILA
Post-partition refugee camps settle in Delhi’s Purana War and Holocaust museums in Berlin act as a constant reminder of the past and keeps quila and the area around it. It became a ground to the mistakes and horrors of the aftermath in public memory. This keeps the forces of signify the people’s hopes and beliefs in the state and fascism at bay. it’s leaders.
PARTITION
PARTITION DRAFTING OF CONSTITUTION DRAFTING OF CONSTITUTION UNIVERSAL ADULT FRANCHISE UNIVERSAL ADULT FRANCHISE
PARTITION
PARTITION PARTITION RIOTS PARTITION RIOTS DRAFTING OF CONSTITUTION DRAFTING OF CONSTITUTION UNIVERSAL ADULT FRANCHISE UNIVERSAL ADULT FRANCHISE SINO-INDIAN WAR SINO-INDIAN WAR LIGUISTIC DIVISIONLIGUISTIC OF STATESDIVISION OF STATES AGRARIAN AGRARIAN CRISIS AGRARIAN CRISISCRISIS AGRARIAN CRISIS INDO-PAK WAR INDO-PAK WAR GREEN REVOLUTIONGREENCHIPKO REVOLUTION MOVEMENTCHIPKO MOVEMENT
SINO-INDIAN WAR SINO-INDIAN WAR AGRARIAN CRISIS AGRARIAN CRISIS GREEN REVOLUTIONGREEN REVOLUTION LIBERATION OF BANGLADESH
NATIONALIZES BANKS NATIONALIZES BANKS LIBERATION OF BANGLADESH
LIBERATION OF BANGLADESH
JP NARAYAN MOVEMENT JP NARAYAN MOVEMENT EMERGENCY
EMERGENCY
EMERGENCY
BOFORS
BOFORS
OBC RESERVATION OBC RESERVATION BOMBAY BLASTS KARGIL WAR
SURGICAL STRIKES
MANDAL MOVEMENT
MANDAL MOVEMENT
MANDAL MANDAL MOVEMENT MOVEMENT
MANDAL MOVEMENT
MANDIR MOVEMENT
MANDIR SHAH BANU CASE SHAH BANU CASE MANDIR MOVEMENT MOVEMENT
MANDIR MOVEMENT
BOMBAY RIOTS
ECONOMIC LIBERALIZATION ECONOMIC LIBERALIZATION BOMBAY BLASTS
BOMBAY BLASTS KARGIL WAR
KARGIL WAR NUCLEAR DEAL
EMERGENCY EMERGENCY KHALISTAN KHALISTAN AGITATION AGITATION OPERATION OF NARMADA BACAHO NARMADA BACAHO BLUESTAR ASSASINATION OF ASSASINATION INDIRA GANDHI INDIRA GANDHI ANDOLAN ANDOLAN SIKH RIOTS BOFORS BOFORS
SIKH RIOTS
MANDIR MOVEMENT
GUJRAT RIOTS
NUCLEAR DEAL
SCAMS SCAMS SURGICAL STRIKES DEMONETISATION DEMONETISATION
SURGICAL STRIKES
SINGLE NARRATIVE SINGLE OF HISTORY NARRATIVE WAS OF RESTRICTING HISTORY WAS ANDRESTRICTING SUBJECTIVE AND SUBJECTIVE
MANDAL MOVEMENT
BOMBAY OBC RESERVATION OBC RESERVATION BOMBAY BOMBAY RIOTS RIOTS RIOTS ECONOMIC LIBERALIZATION ECONOMIC LIBERALIZATION ANNA HAZARE ANNA HAZARE BOMBAY NUCLEAR STATE NUCLEARMOVEMENT STATE MOVEMENT BLASTS NIRBHAYA NIRBHAYA UPA SCAMS UPA SCAMS KARGIL WAR MOVEMENT MOVEMENT DEMONETIZATION DEMONETIZATION GUJRAT RIOTS AWARD VAPSI AWARD VAPSI GOODS AND SERVICES GOODS TAX AND SERVICES TAX DEMONETIZATION DEMONETIZATION SURGICAL STRIKES DECRIMINALIZING DECRIMINALIZING HOMOSEXUALITY HOMOSEXUALITY
DIVIDING THE HISTORY ANDTHE POLITICS INTO 3 SECTIONS GIVES3ASECTIONS DEEPER GIVES A DEEPER DIVIDING HISTORY AND POLITICS INTO NARRATIVE TO UNDERSTAND THEUNDERSTAND HISTORY OF THIS NARRATIVE TO THE NATION HISTORY OF THIS NATION
LIBERALIZTION OF ECONOMY DECRIMINALIZING HOMOSEXUALIT Y
FLIGHT 814 POKHRAN
GST
OPERATION BLUE STAR
BOMBAY BLASTS 1992 BOMBAY RIOTS
SIKH RIOTS
BABRI MASJID
ANNA HAZARE SWACHH BHARAT
PRIVACY BILL
BOFORS
DEMONETIZATION
GUJRAT RIOTS 2002 NIRBHAYA MOVEMENT
ASSASINATION OF
INDIRA GANDHI
AMUL
RAM JANM BHOOMI MOVEMENT
CWG SCAM LYNCH MOBS
JP NARAYAN MOVEMENT
EMERGENCY
OPERATION BLUESTAR
ASSASINATION OF ASSASINATION OF INDIRA GANDHI INDIRA GANDHI BHOPAL GAS TRAJEDY BHOPAL GAS TRAJEDY
MANDIR MOVEMENT
LANGUAGE OF CONSTITUTION LANGUAGE OF CONSTITUTION LIBERATION OF BANGLADESH NATIONALIZES BANKS NATIONALIZES BANKS JP NARAYAN MOVEMENT RAM NAIK ALLEGATIONS RAM NAIK ALLEGATIONS
SHAH BANU CASE
APPEASEMENT
SHINING INDIA
MANDIR ANDOLAN
KHALISTAN
MARUTI
MANDAL MOVEMENT
EMERGENCY
BHOPAL GAS TRAGEDY
JP MOVE NARMADA ALL IND BACHAO RAILW ANDOLAN STRI
EMENT
DIA WAY
IKE
BOMBAY BLASTS GUJRAT RIOTS
BOMBAY RIOTS SIKH RIOTS
SURGICAL STRIKES
OPERATION BLUESTAR
KARGIL WAR
INDO-PAK WAR
MANDIR MOVEMENT MANDAL MOVEMENT
EMERGENCY
SINO-INDIAN WAR LIBERATION OF BANGLADESH DEMONETIZATION
PARTITION
UPA SCAMS
DECRIMINALIZING HOMOSEXUALITY
NUCLEAR STATE OBC RESERVATION MANDAL MOVEMENT ASSASINATION OF INDIRA GANDHI GREEN REVOLUTION AGRARIAN CRISIS
ECONOMIC LIBERALIZATION SHAH BANU CASE
BOFORS EMERGENCY RAM NAIK ALLEGATIONS
LIGUISTIC DIVISION OF STATES
NATIONALIZES BANKS LANGUAGE OF CONSTITUTION
ANNA HAZARE MOVEMENT
NIRBHAYA MOVEMENT
DRAFTING OF CONSTITUTION UNIVERSAL ADULT FRANCHISE
BOMBAY RIOTS
MANDAL MOVEMENT MANDIR MOVEMENT KHALISTAN AGITATION JP NARAYAN MOVEMENT AGRARIAN CRISIS PARTITION RIOTS NARMADA BACAHO ANDOLAN
UNIVERSAL ADULT FRANCHISE JAI JAWAN JAI KISAAN CHANDIGARH
CHIPKO MOVEMENT
INDO-PAK WAR SINO-INDIAN WAR
STATES
INDIAN INSTITUTE OF TECHNOLOGY
GOA
CONSTITUTION ASSASINATION OF GANDHI
BHAKRA NAGAL DAM BANGLADESH PARTITION CHIPKO MOVEMENT
RIOTS
SEM 7, AD STUDIO
PEDESTRIAN STREET GRAPHIC ERA UNIVERSITY, DEHRADUN
Rohit Verma, 4th year AD studio
PROJECT TYPE: Urban inserts AREA: 8000 sq. m DURATION: 4 months YEAR: 2017
The idea of the studio was to study an larger urban context and have interventions in a way to address the issues which might be faced by the community and solve infrastructure needs of the area. Our site was the campus and the areas which inturn get affected by the campus of Graphic era university and its day to day activity. Graphic era university had been growing as a campus all over the Clement town area. The junction where the road from ISBT and the one connecting the two major campuses, is a busy crossroad. It offers commercial spaces, a school and residential spaces at the corner but has poor Pedestrian system. As and urban injunction we thought of smaller softer ideas which would inturn sit with the needs of the students, the residents, and the envisioned growth of the University. Addressing this issue of space management and pedestrian residents, the back alley looks into developing the back road into a Pedestrian street and offers programs which have a different modes of education and creates spaces for interaction.
Lt. Arvind kumar Family extension Students create a nuisance for him.
Originally from Delhi
Student events create a nuisance. Students park outside his gate. Leiutinent paratrooper for 30 years GRAPHIC ERA CS - IT WING
Deepak Pant Restaurant relationship with the students as they are loyal customers
RAJAJI NATIONAL PARK
COMMERCIAL SPACES AT THE NODE
GRAPHIC ERA UNIVERSITY 24H PUBLIC LIBRARY BY GEU
Originally from new Basti
Food for restaurant comes from bazaar and not the mall Serviced in the air force for 14 years then opened a restaurant
Harish thakur boys hostel
Only students from hill campus
Family lives in Mussoori
Family owned land in clement town. Sold that and shifted here
ST. PAUL’S HOSPITAL
GIRL’S HOSTEL CONSTRUCTION SITE CAPACITY : 350 STUDENTS OWNED BY SUBASH CHANDRA GEU BOSE BOYS HOSTEL
ST. PAUL’S CHURCH ESTABLISHED IN 2008 GRAPHIC GIVES 25% CONCESSION ERA HILL TO STUDENTS FROM UNIVERSITY HILLY AREAS
OUTDOOR CAFE
NATURE TRAILS
CONCERT GROUND
STUDENT RADIO
OPEN AIR GYM
SPILL OVER AND HANGOUT SPACES
PAINTBALL ARENA
STUDENT COMMUNITY CENTRE
SWIMMING POOL AND STUDENTS CLUB
MULTIFUNCTIONAL
SECTION AA’
SECTION BB’
SECTION CC’
SEM 6, AD STUDIO
12 GOING ON 21 VIRUPAKSHA TEMPLE, HAMPI Ainsley Lewis, 3rd year AD studio
PROJECT TYPE: Tourist center AREA: 3500 sq. m DURATION: 4 months YEAR: SEM 6, 2016-2017
Built almost a Millennium ago, Hampi now is a showcase of the ways of life of the people in the Vijaynagar Empire. It has royal palaces, stables, monolith platforms and tall standing Temple complexes. It talks about the affluent lifestyle, the means of employment, trade, cattle and other animal shelters and the spaces each required. Back then the relevance of each structure was also tied back to the socio-political system of the time. This system decided the place where a particular structure would be made and what would be the scale for such a structure. The towering temple spires which are seen as markers from across the city make a case for religious supremacy and how religion dictated the social and political ways of living in Hampi in the 11th and the 12th century. It places religious structure high on the merit list in terms of scale, access to water, space provided and built quality. The site is right beside the Virupaksha temple which a heavy monolith form marking the might of religion and God in the city. 12-21 is an attempt to view this space in a more 21st century way in terms of technology, use of space and more importantly way of life now.
ANCIENT SIGN OF MALE FEMALE UNITY
CHALICE FEMININE
POWERFUL POMPOUS RELIGIOUS MARKER MONOLITHIC AUTOCRATIC LAYERS EFIIGIES STATEMENT
A graphic expression for the initial idea
A view from far
A view from near
An entry view
Private baths
TELESCOPES VISUAL AWARENESS
TERRACE
OBESRVATION DECK
AWARENESS
DECK
IMMEDIATE VIEWSSURROUNDINGS
PRIVATE STUDY BALCONY VIEWS FRAMED
PRIVATE STUDY ARTS RELIGION BALCONY PHILOSOPHY VIEWS FRAMED
SCHOLAR CELLS PROJECTS RESEARCH IMAGES MAPS MUSIC STUDYLANGUAGES VIDEOS
DIGITAL ARCHIEVE RELIGION HISTORY ARCHITECTURE
KNOWLEDGE
ARTS PHILOSOPHY LANGUAGES READ MYTHOLOGY BOOKS ISSUE MULTIMEDIA CHECK OUT DECK KIDS MAGZINES NEWSPAPERS CAPSULE DISPLAY DISCOVERIES VIEWING OBSERVATION DECK DECK BALCONY BOOK LAUNCHES MOVIES VIDEOS TECHNOLOGY MODELS HOLOGRAMS 3D SCREENING ROOM RELIGIOUS SYMBOLISM
INSTALATIONS
Site plan
PICTURES PAINTINGS IDOLS
ARTIFACTS
BHOJANALAY FOOD
BANANA PEOPLE’s LEAVES COLLECTIVE
LANGAR
NEYVEDIUM
CULTURE
OTLA
MIXING
POLITICS
TEA
SITTING SPACES WOMEN’S INITIATIVE DOUBLE HEIGHT BANANA FIBRE
SHADED
TRADITIONAL AYURVEDIC THOUROGHFARE MEDICINESSHOP
DISCUSSION
GLOBALDESI GOSSIP FUSION SPICE COFFEE OILY DOCUMENTATION
GHATS
NETWORKING
PRESENTATIONS FREE SPEECH
NGO’s
COFFEE
FOYER
CONFERENCES DISCUSSION
PRESHOW KIDS
MEETING
DISCUSSION SNACKS TEA GENERAL INFO INTERACTION ANNOUNCEMENT
DISPLAY
STREET
HANDMADE STEAM ROOM MASSAGE AURA OIL LEISURE COLD SCENTS HEALTH DIETICIAN YOGA AYURVEDIC HOT BATHS EXCERSISE RELEASE RELAXING HEALTH
e ry Gall
Lib
rary
inar Hal l Sem
Yoga Hall
SEM 5, AD STUDIO
CTRL+ F5 COMPOUND 13, DHARAVI
Sonal Sancheti, 3rd year AD studio
PROJECT TYPE: Entertainment Center AREA: 2700 sq. m DURATION: 4 months YEAR: SEM 5, 2016
Everyday!! We aspire a better lifestyle where we wont be stuck in traffic and will pursue our dreams and hobbies and yet will have free time to get into a new one.... And comes monday bringing us back to sqaure one. The aim of the project was to understand the fabric of Dharavi and build a urban tranformer, which not only aides the current lifestyle in Dharavi but also will help them when the area urbanizes and becomes another urban pocket in the city. Compound 13 is the part of Dharavi right beside the Mahim station and famous for its plastic recycling and fabric manufacturing units. This has sprung up a lot of small businesses and employs a lot of the people. Ctrl + f5 is that release which in different attempts tries to provide a space to learn something new. Under so much pressure from work and lack of amenities Ctrl + f5 tries to release this tension trying to develop a recreation and entertainment area which also functions as an informal market space for the residents to grow as entrepreneurs. A building that could orchestrate and animate the various domains of allowing them to collaborate and interact. Multiplicity of the structure could initiate interactions without them losing their own identity. It not only aims to be an entertainment center but an urban plaza in the heart of the city.
First floor plan
Ground floor plan
Second floor plan
RCC RETAINING WALL WATERPROOFING MEMBRANE 25MM PLINTH PROTECTION PCC 100MM SHAHBAD STONE SLAB 25MM PCC BED 150 MM RUBBLE SOLING 250MM RAMMED EARTH
-3.15M
V
U
T
P
Q
R
S
N
O
L
M
J
K
I
F
SECTION AA' TEMPLE
AZAD NAGAR
ROAD
20 19 18 17 16 15 14 13 12 11
8
5
3
4
2
1
7
STATION
9
10
6
32 33 34 10 9 8
7 6
5
4 3 2 1
MAHIM
11
20 21 22 23 24 25 26 27 28 29 3031
A' OVER HEAD TANK GRANITE COPING 250MM x 25MM
N
PCC PARAPET WALL 200MM CONCRETE BLOCK MASONARY JALI WALL IN 1:6 CEMENT MORTAR
ASSEMBLY 300SQ. M
+6.85M +6.50M
4 PANEL SLIDING WINDOW (D4) RCC WEATHERSHED IN M20 CONCRETE
+4.90M
PRECAST CONCRETE PANEL WALL IN CM 1:6
+3.90M
CONCRETE BRIDGE IN M20 CONCRETE
+3.30M
STAIRCASE LANDING
+2.80M
STAIRCASE MIDLANDING
+1.80M
WALL MOUNTED RAILING IN STAINLESS STELL Ø50MM RCC RETAINING WALL PAVER BLOCKS 50MM DEPTH
+1.20M
+0.30M
B'
-1.20M -1.35M
TEMPLE
CAFE 300SQ. M
AZAD NAGAR
20 21 22 23 24 25 26 27 28 29 30
20
ROAD
19 18 17 16 15 14 13 12 11
11
3
2
2450
10
1
9
2450 8
7
2800
2000 5
3350 3
4
3200
3300 2
STATION
2450
2450
1
7
+6.85M +6.50M
M.R.
GRANITE COPING 25MM
STATION
MAHIM
ROAD
TEMPLE
SKYWAL
K
SKYWALK
+4.90M
GRAVE YARD
TILAK
71400
NAGAR
TEMPLE
5700
TOILET
6550 5900
ROAD
ROAD STATION
MAHIM
ROAD.
50250
5700
MAHIM
17200
6700
81850
-3M
-2.3M
-1.35M
KAMLA RAHEJA VIDYANIDHI 30mm NOSING INSTITUTE FOR ARCHITECTURE, Ø3mm ANTI SKID GROOVES MUMBAI 3 nos.
Ø8MM TOR BINDING BARS
+2.80M
25MM SCREED.
NAME : NILAY JIGNESH SHAH
LP
20000 SHRI SANTHANAMARI
MAHIM RAILWAY STATION YARD
GREY GRANITE SLAB 2000mm x 330mm x 20mm
Ø12MM TOR MAIN REINFORCEMENT BARS
+3.30M
ROAD
0.0M
+6M
10000
ROAD
LP
19900
11600
+7M
+3.5M
+7M
17200
STATION
ROAD NAGAR
10000
20000
8100
3100
NAGAR
AZAD
-2.3M
-1.35M
50150
-3M
50150
50250
11600
+7M
+6M
AZAD NAGAR
7400
5900
MAHIM STATION
LP
TEMPLE
10150
12400
+3.5M
+7M
3100
MAHIM STATION
ROAD.
71400
6550
8100
ROAD
GANPATI TEMPLE
+1.80M
19900
AMMA TEMPLE
0.0M
6700
TEMPLE PREMISE
REST HOUSE
+3.90M
10150
12400
AZAD NAGAR
TEMPLE
CENTRAL RAILWAY
MAHIM STATION TICKETS OFFICE
PANLES 200MM THICK
25MM SCREED
TEMPLE
SHRI SIDDHI
VINAYAKA TEMPLE
SPECIFIC NOTES:
ENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI
GANPATI TEMPLE OLD DARGA
N
SECTIONS
GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MM 2MM OFF-WHITE GROUT
TEMPLE
MAHIM
TEMPLE
AZAD
1. ALL DIMENSIONS ARE IN MILLIMETERS. 2. FOLLOW WRITTEN DIMENSIONS ONLY. PCC PARAPET, 3. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERED FORM FINISHED CONCRETE FROM THE STRUCTURAL ENGINEER'S DRAWING. GRANITE STRIPS(ROUGH FINISH) 4. ALL SERVICES DIMENSIONS ARE TO BE GREY REFERED FROM 2000MMx330MM THE SERVICES CONSULTANT'S DRAWING. 2MM OFF-WHITE GROUT 5. ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICED GANAPATI 25MM SCREED TEMPLE OF THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK. Ø12MM TOR MAIN REINFORCEMENT BARS 6. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. Ø8MM TOR BINDING BARS 7. THIS DRAWING IS THE PROPERTY OF THE ARCHITECT 50MM SS RAILING AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. WALL MOUNTED THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE PRE-CAST CONCRETE ARCHITECT.
B
GRANITE COPING PCC PARAPET WALL, FORM FINISHED CONCRETE
7400
NOTES:
2 1
SECTION BB'
CHINA MOSAIC LAID IPC 25MM
RCC SLAB 150MM THICK
4 3
6
6
BRICKBAT COBA LAID TO 1:100 SLOPE 100 MM
8 7 6 5
MAHIM
2450
31 32 33 34 10 9
300
THIRD YEAR, B.ARCH. SEAT NO. 6742
Ø10MM MAIN REINFORCEMENT BAR
RAILWAY TICKET OFFICE
81850
LP
MAHIM
STATION
+0.30M
SKYWALK
SITE PLAN, 1:2000
100
LP
LOCATION PLAN, 1:1000
DATE: 07-04-2017
LANDING DETAIL, 1:20
N
GRANITE STRIP 2000mm X 330mm
-1.20M -1.35M
PLINTH PCC BED 150MM
07
150
AMMA TEMPLE
Road
MAHIM
SCALE : 1:100
SHRI SANTHANAMARI
MAHIM RAILWAY STATION YARD
Station
RCC COLUMN STATION
Ø6MM BINDING BAR
+1.20M
GATECURRENT ENTRY POINT OPEN TO GROUND
Mahim
1. WALLS ARE 200 THICK PRECAST CONCRETE PANELS. 2. WALLS ARE EXPOSED CONCRETE (FINISH). 3. ALL OPEN TERRACES HAVE TO HAVE BRICKBAT COBA LAID TO SLOPE
2MM OFF WHITE GROUT
RCC PLINTH BEAM 450MM x 200MM
TYPICAL STEP DETAIL, 1:10
25MM SCREED
SECTION AA', 1:50
2
3300 500
3300
2700
Q4 200mm x 200mm
2500
2700
4400
Q2 200mm x 200mm
Q1 200mm x 200mm
Ø10MM TUBULAR SECTION IN SS Ø14MM TUBULAR SECTION IN SS Ø50 MM STAINLESS STEEL RAILING WALL MOUNTED USING STAINLESS STEEL SUPPORT
2000
200
2000
2100
900
2000
2700
4400
Ø50 STAINLESS STEEL PLATE 2MM THICK
300
DRILLED AND TAPPED FOR Ø10MM 16 THREAD ROD
3 NOS. SKID GROOVES
RAILING DETAIL, 1:2
300MM WIDE 2000MM LONG 25MM THICK SINGLE PIECE GRANITE TREAD
200
30 29 28 27 26 25 24 23 22 21 20
34 33 32 31 30
Ø25MM TUBULAR SECTION IN SS
Ø25 MM SS SUPPORT ATTACHED TO THE WALL Ø50 MM STEEL PLATE USING 3 NOS. 10MM THREADED SCREW
4200
WF1 F2 S2 C1
WF1 F2 S2 C1
Ø50 ARC PLATE FOR THE RAILING SUPPORT (WELDED CONNECTION)
Ø6MM BINDING BAR
MID LANDING, 1:20
Q7 200mm x 200mm
UP
Ø50 MM STAINLESS STEEL RAILING
Ø12 MAIN REINFORCEMENT BAR
200
11 12 13 14 15 16 17 18 19 20
01 02 03 04 05 06 07 08 09 10
WF1 F2 S2 C1
3200
2000
Q3 200mm x 200mm
7
1
50
4
200
4
Ø15MM NOSING
200
STAIRCASE PLAN, 1:50 DETAIL PLAN, 1:20 NOTES:
FINISHING DETAIL
M.R.
3300
MAHIM
S
ROAD
3400 TILAK
3300
NAGAR
R
TEMPLE
71400
11600
TEMPLE
6550
TEMPLE
10150
5900
LP
5700
7400 STATION
FORM CAST CONCRETE WALL USING MILD STEEL FORM WORK GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MMON 25 MM CEMENT MORTAR SCREEDING
F2
EXPOSED CONCRETE
SKIRTING
S1
EXPOSED CONCRETE (CUSTOM MADE) PRE-CAST PANELS 200MM
CEILING
C1
ASSEMBLY 15MM THICK INTERNAL PLASTER IN CEMENT MORTAR 1:4 300SQ. M
MAHIM
17200
17200
FLOOR
ROAD
10000
ROAD
10000
NAGAR
50150
NAGAR
50150
-2.3M
-1.35M
6700
0.0M
LP
81850
20000 SHRI SANTHANAMARI
MAHIM RAILWAY STATION YARD
19900
6700
AMMA TEMPLE
0.0M
RAILWAY TICKET OFFICE
81850
GATECURRENT ENTRY POINT OPEN TO GROUND
LP
SHRI SANTHANAMARI
MAHIM RAILWAY STATION YARD
Mahim Station
AMMA TEMPLE LP
Road
READING 150SQ. M MAHIM
SINGLE GLAZING CLIP 4125 ALUMINIUM HINDALCO EXTRUSIONS
W2
F1
-3M
3100
LP
20000
19900
MAHIM STATION TICKETS OFFICE
STATION
SKYWALK
LIBRARY
SITE PLAN, 1:2000
L
M 2250
3250
J
K 2300
I
3100
3150
STAIRCASE DETAILS F ENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI
AZAD
-3M -2.3M
-1.35M
REST HOUSE
N
O
11600
+7M
+3.5M
+6M
50250
ROAD
11600
+7M
+7M
MAHIM
10150
12400
+6M
3100
CENTRAL RAILWAY
P
DETAIL
12400
+3.5M
+7M
50250
8100
STATION
TEMPLE
6550
8100
ROAD
71400
GANPATI TEMPLE
TEMPLE PREMISE
TYPE
2250 EXPOSED CONCRETE 3500 (CUSTOM 2250 W1 MADE) PRE-CAST PANELS (200MM) IN CEMENT MORTAR 1:6
WALL
TEMPLE
5700
7400
TOILET
Q
FINISH
GANPATI TEMPLE OLD DARGA
SHRI SIDDHI VINAYAKA TEMPLE
MAIN BAR Ø12MM 1. WALLS ARE 200 THICK PRECAST CONCRETE PANELS.
2. WALLS ARE EXPOSED CONCRETE (FINISH). DISTRIBUTION BAR Ø8MM 3. ALL OPEN TERRACES HAVE TO HAVE BRICKBAT H-FRAME 2082 ALUMINIUM COBA LAID TO SLOPE HINDALCO EXTRUSIONS
STATION
SKYWALK
GRAVE YARD
AZAD
SPECIFIC NOTES:
TEMPLE
T
TEMPLE
5900
1. ALL DIMENSIONS ARE IN MILLIMETERS. V DIMENSIONS ONLY. U 2. FOLLOW WRITTEN 3. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERED 4800 GRANITE COPING 250MM x FROM THE STRUCTURAL ENGINEER'S DRAWING. 25MM 4. ALL SERVICES DIMENSIONS ARE TO BE REFERED FROM THE SERVICES CONSULTANT'S DRAWING. PCC PARAPET WALL 200MM 5. ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICED THICK OF THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK. CHINA MOSAIC 25MM 6. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT BRICKBAT COBA 100MM DRAWINGS. LAID TO SLOPE 1:100 7.TO THIS DRAWING IS THE PROPERTY OF THE ARCHITECT 1:75 AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE WATERPROOF LAYER 25MM ARCHITECT. STEEL MESH Ø5MM
KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE, MUMBAI
THIRD YEAR, B.ARCH.
NAME : NILAY JIGNESH SHAH
SEAT NO. 6742
SCALE : VARIED DATE: 17-04-2017
LOCATION PLAN, 1:1000
+8.20M
11
SMALL GATHERING SPACE 100SQ. M
+7.20M +6.85M
N
+4.80M
+3.90M +3.55M
TOUGHNED GLASS 5MM THICK GLASS BLOCK MASONARY WITH WHITE MORTAR PRE CAST CONCRETE PANELS FORM FINISHED PCC LINTEL
READING 150SQ. M
SLIDING DOOR D1
+1.5M
ADMINISTRATION 100SQ. M
LIBRARY WORKSHOP 100SQ. M
ARCHIVE 100SQ. M
25MM MAKRANA WHITE MARBLE 1800MM x 1500MM
+0.6M 0.0M -0.6M
20MM CEMENT MORTAR SCREED
-1.2M
PCC SLAB 150MM
-3.15M
V
U
T
S
Q
R
P
N
O
L
M
J
K
I
F
SECTION AA' TEMPLE
11
10
9
8
5
4
3
2
1
7
6
STATION
ROAD
AZAD NAGAR
MAHIM
RUBBLE SOLING 250MM RAMMED EARTH RCC RETAINING WALL WATERPROOFING MEMBRANE 25MM PLINTH PROTECTION PCC 100MM SHAHBAD STONE SLAB 25MM PCC BED 150 MM RUBBLE SOLING 250MM RAMMED EARTH
A' OVER HEAD TANK
20 21 22 23 24 25 26 27 28 29 3031
20 19 18 17 16 15 14 13 12 11
32 33 34 10 9 8
7 6
5
4 3 2 1
A
A
PCC PARAPET WALL 200MM THICK
3100 8100
19900 +7M
TILAK
+3.5M
NAGAR MAHIM
12400
20000
+6M ROAD
MAHIM RAILWAY STATION YARD
81850
71400
STATION
1155 0000
0000 1188
6550
DISTRIBUTION BAR Ø8MM
0.0M
GATECURRENT ENTRY POINT OPEN TO GROUND
10000
H-FRAME 2082 ALUMINIUM HINDALCO EXTRUSIONS
SKYWALK
+7M
10150
-1.35M
TEMPLE
-2.3M
400
750
100
TEMPLE
11600
300
-3M
AZAD TOILET
NAGAR
ROAD
TEMPLE
50
4100
1200
SINGLE GLAZING CLIP 4125 ALUMINIUM HINDALCO EXTRUSIONS
50150
AMMA TEMPLE
SHRI SANTHANAMARI
200
SINGLE GLAZING CLIP 4125 ALUMINIUM HINDALCO EXTRUSIONS
600
100 500
M.R.
600
MAIN BAR Ø12MM 7400
5700
H-FRAME 2082 ALUMINIUM HINDALCO EXTRUSIONS
Mahim
+0.65M +0.20M -0.80M
150
GRAVE YARD
STEEL MESH Ø5MM
ROAD
50250
17200
900
TEMPLE
OLD DARGA
STATION
GANPATI TEMPLE
TEMPLE PREMISE
WATERPROOF LAYER 25MM
6700
+3.25M
+1.85M +1.55M
300
BRICKBAT COBA 100MM LAID TO SLOPE 1:100 TO 1:75
SHRI SIDDHI
SKYWALK
+3.65M
VINAYAKA TEMPLE
RAILWAY TICKET OFFICE
MAHIM
STATION
MAIN BAR Ø12MM DISTRIBUTION BAR Ø8MM
+4.65M
REST HOUSE
STEEL MESH Ø5MM
+6.70M +5.90M +5.40M +5.10M
250 GRANITE COPING 250MM x 25MM
CHINA MOSAIC 25MM
CENTRAL RAILWAY
WATERPROOF LAYER 25MM
+7.10M
MAHIM STATION TICKETS OFFICE
+8.00M
MAHIM
SITE PLAN, 1:2000
R
5900
BRICKBAT COBA 100MM LAID TO SLOPE 1:100 TO 1:75
1. ALL DIMENSIONS ARE IN MILLIMETERS. 2. FOLLOW WRITTEN DIMENSIONS ONLY. 3. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERED FROM THE STRUCTURAL ENGINEER'S DRAWING. 4. ALL SERVICES DIMENSIONS ARE TO BE REFERED FROM THE SERVICES CONSULTANT'S DRAWING. 5. ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICED OF THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK. 6. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 7. THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT.
CHINA MOSAIC 25MM
NOTES:
SPECIFIC NOTES:
1. WALLS ARE 200 THICK PRECAST CONCRETE PANELS. 2. WALLS ARE EXPOSED CONCRETE (FINISH). 3. ALL OPEN TERRACES HAVE TO HAVE BRICKBAT COBA LAID TO SLOPE
PCC PARAPET WALL 200MM THICK
V
Station Road
-0.85M -1.35M
GLASS BLOCK MASONARY IN WHITE MORTAR GANPATI TEMPLE
350
LP
MAHIM
LP
STATION
ROAD
50250
3100
17200
8100
19900 +7M
6550
6700 +3.5M
5900 0.0M
1300
TOUGHNED GLASS 5MM THICK
7400
+6M
12400
20000
71400
81850
MAHIM RAILWAY STATION YARD
GLASS BLOCK MASONARY WITH WHITE MORTAR
10000
R
LP
LOCATION PLAN, 1:1000
BEAM WAFFLE SLAB CONNECTION DETAIL, 1:10
R
200
-2.0M
+7M
10150
-1.35M
5700 TEMPLE
-2.3M -3M
50150
500 500
300 300 2500 2500 300 300
5700 5700
7400 7400
5200
RCC RETAINING WALL
700
6700 6700
1400
1:1
1400
1400
PE
:10 0
00
MAHIM MAHIM STATION STATION ROAD ROAD
50250 50250
PE 1
SLO 1500
150
SLO
1300
DIAGRAM
3650
URINAL FITTING AT 800MM HIEGHT
WATERPROOFING MEMBRANE 25MM
200 250
D GULLY TRAP
C
SHAHBAD STONE SLAB 25MM
200
THIRD YEAR, B.ARCH.
PUBLIC TOILET
PLINTH PROTECTION PCC 100MM
500
IC 6 980MM x 600MM -502MM
1400
WALL SECTION DETAILS
GULLY TRAP
GRANITE MODESTY BOARD C/C 700MM 400MM x 60MM
1200
100 100 150 150
ROAD
17200 17200
350
PCC SLAB 150MM RUBBLE SOLING 250MM RAMMED EARTH
0 :10 E1 OP SLENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI
TEMPLE
SEAT NO. 6742
N
TEMPLE
N
25MM MAKRANA WHITE MARBLE 1800MM x 1500MM
650 350 350
IC 5 980MM x 600MM -490MM
15
M.R.
00 NAME 1:1 : NILAY JIGNESH SHAH
W3 9
KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE, MUMBAI
0 W3 8
IC 4 1475MM x 600MM -483MM
D3 8
PE
1:1
W3 7
SCALE : 1:20
DATE: 0 07-04-2017
00
GULLY TRAP
SLO
PE
1:1
W3 6
900 850
D3 7
SLO
PE
GULLY TRAP
IC 3 2000MM x 600MM -467.5MM
900 850
D3 6
00
PUBLIC TOILET PLAN, 1:25
ALK
12 F
SIZES
900 850
SLO
D2 2
1:1
00 W3 5
0.6M
1000 950
PE SLO
1:1
00
00 W3 4
IC 2 1475MM x 600MM -460MM
D3 5
PE
1:1
1:1 W3 3
IC 1 1475MM x 600MM -450MM
350
900 850
SLO
PE
PE
00
00
1:1
1:1 W3 2
D3 4
SLO
D3 3
SLO
D3 2
900 850
MALE TOILET
2050MMx2100MM
2500MMx2000MM
900 850
PE SLO
PE SLO W3 1
SKYW
SEAT NO. 6742
20MM CEMENT MORTAR SCREED
0 :10
900 850
D3 1
SK
1300
GRANITE COUNTER TOP 2000MM x 630MM
E1
850 850
MAHIM
SCALE : VARIED
OP SL
FEMALE TOILET 0.6M
ROAD
20THIRD YEAR, B.ARCH.
DATE: 07-04-2017
WASHBASIN
STATION
350
5200
1600
1300
4550
LOCATION PLAN, 1:1000
MAHIM
KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE, MUMBAI NAME : NILAY JIGNESH SHAH 3000
1350
1600
ENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI
DESCRIPTION
MAKRANA MARBLE 1800MM x 1500MM
19
TYPE
2500MMx2000MM
WINDOW DETAIL
2050MMx2100MM
4 LEAVED GLASS PANELLED SLIDING WINDOW
DETAIL
W1
TWO LEAF PANELED SLIDING DOOR WITH MS TRACK. EACH LEAF IS A FLUSH PANEL.
TYPE
15MM THICK INTERNAL PLASTER IN 5200 CEMENT MORTAR 1:4
WALL
MAKRANA MARBLE 1800MM x 1500MM
C1
FINISH
4450 S1
3450
FINISHING DETAIL
F2
SKIRTING CEILING LP LP
MAIN BAR Ø12MM WITH 25MM COVER
ADVANCE SLAB DETAILS
DIAGRAM
TWO LEAF PANELED SLIDING DOOR WITH MS TRACK. EACH LEAF IS A FLUSH PANEL.
SHRI SHRI SANTHANAMARI SANTHANAMARI AMMA TEMPLE AMMA TEMPLE
D1
18 W4
SIZES
D1
ROAD ROAD NAGAR NAGAR AZAD AZAD
50150 50150
10000 10000
81850 81850
MAHIM RAILWAY STATION YARD MAHIM RAILWAY STATION YARD
EXPOSED CONCRETE (CUSTOM MADE) PRE-CAST PANELS (200MM) IN CEMENT MORTAR 1:6
5900 5900
20000 20000 0.0M 0.0M
LP LP
FORM CAST CONCRETE WALL USING MILD STEEL FORM WORK
GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MMON 25 MM CEMENT MORTAR SCREEDING
DESCRIPTION
4 LEAVED GLASS PANELLED SLIDING WINDOW
FORM CAST CONCRETE WALL USING MILD STEEL FORM WORK
F1
TYPE
W4
W2
FLOOR LP LP
19900 19900
W2
DETAIL EXPOSED CONCRETE (CUSTOM MADE) PRE-CAST PANELS (200MM) IN CEMENT MORTAR 1:6
-3M -3M -2.3M -2.3M
-1.35M -1.35M
GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MMON 25 MM CEMENT MORTAR SCREEDING
W1
11600 11600
+7M +7M
17
MAKRANA MARBLE 1800MM x 1500MM
TYPE
WALL
10150 10150
+6M +6M
LP LP
FINISH
12400 12400
+3.5M +3.5M
+7M +7M
3100 3100
F1
6550 6550 8100 8100
LP LP
F2
TEMPLE TEMPLE
FLOOR
WAFFLE SLAB CONNECTION DETAIL, 1:10 FINISHING DETAIL WINDOW DETAIL
TEMPLE TEMPLE
TEMPLE TEMPLE
GANPATI TEMPLE GANPATI TEMPLE
MAKRANA MARBLE 1800MM x 1500MM
R
S1
GLASS BLOCK MASONARY IN WHITE MORTAR
R1
15MM THICK INTERNAL PLASTER IN CEMENT MORTAR 1:4
750
C1
8000 8000
100
STEEL MESH Ø5MM
AXONOMETRIC SECTION OF THE WAFFEL SLAB, 1:10
DISTRIBUTION BAR Ø8MM
71400 71400
NAGAR
TEMPLE
LP
MAIN BAR Ø12MM
600
SKIRTING
CEILING
1800 1800
R2
20MM CEMENT MORTAR SCREED
WATERPROOF LAYER 25MM STEEL MESH Ø5MM
R3
AZAD
BRICKBAT COBA 100MM LAID TO SLOPE 1:100 TO 1:75
MAKRANA MARBLE 1800MM x 1500MM x 25MM
LP
2600 2600
R4
50 700
CHINA MOSAIC 25MM
00
300
TEMPLE
11600
AMMA TEMPLE
SHRI SANTHANAMARI
1800 1800
300
PCC BED 150 MM RUBBLE SOLING 250MM
RAMMED EARTH
V
CHINA EXCHANGE
COMMUNI-CITY SHENXIN CUN, SHANGHAI
Aneerudha Paul, China Exchange In collaboration with Jiao Tong University, Shanghai PROJECT TYPE: Urban inserts AREA: Varied DURATION: 10 days YEAR: 2016
The exchange project was to study the methods, impacts and quality of spaces in a slum rehabilitation scheme as it happens in India and in China. The groups each studied a site which either was a slum or a rehabilitated society. We understood the basic social connections and aspirations and how the government there was successful or not successful to match their expectations. ShenxinCun district is an old housing community in Shanghai. Residents have several government subsidies for basic amenities. Over time the community grew and became an dense low rise urban pocket in a continuously gentrifying neighborhood. Being a dense community they don’t have any public gathering or common leisure space except the market across the street. The social fabric is strong with a lot of various classes of people residing in the community. Depending on the financial condition of the family, the space is arranged such that while entering from the street the kitchen is followed by a living room or bedroom. Several houses have illegal extensions to their houses for private toilets and external staircases. The community has a few of betting parlors, game centers and rest gathering spaces are just street corners. As their are no religious spaces of congregation, our plan was to plug certain urban devices to increase interaction and provide some public places for the community.
SEM 4, AD STUDIO
Memorial for red whispers AMBEDKAR PARK, LUCKNOW Rohan Shivkumar, 2nd year AD studio
PROJECT TYPE: Media Center AREA: 2400 sq. m DURATION: 4 months YEAR: SEM 4, 2015-2016
Early In 2016, The Nation Was In A Debate About How Much Freedom Does Free Speech Give You? We were made to realise that the government can always crack down on your fundamental rigths. We also saw a befitting protest by the student community along with activists. This made me think how like this the social norms and hundreds of years of Patriarchal and caste based system has supressed voices and points of views under the grab of rules which were based in the fear of losing power. The site commemorates dalit history and the continuing struggle for empowerment. Dalit history has had many individuals who were vocal about the injustice done to them. Though made as a political statement from a particular party, the site can be envisioned as a site which can inturn work its way up from the bottom giving power and platform to the underepresented. Memorial for red whispers acts as the mechanism to give the undermined group a platform to raise their concerns. Issues that the mainstream media does not necessarily cover. The memorial opens to a series of steps which establishes a plaza used for debates and discussions. It is a media center exclusively for the voices of dissent, power the the weeak and opressed and a space for political and theological discussions in the heart of the capital of the largest and the most politicized state in India.
Library Facade
The pragati maidan set of images were chosen by archdaily and published in their article titled: ‘Pragati maidan The demolition of delhi’s hall of nations reveals India’s broken attitude to architectural heritage’ by Suneet Zishan Langar
NILAY JIGNESH SHAH KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMATAL STUDIES