Nilay Shah: Graduate Architecture Portfolio

PORTFOLIO ARCHITECTURE DESIGN 2014-2019

NILAY SHAH SELECTED WORKS FROM ACADEMICS AND WORK EXPERIENCE

01.

CV

02.

IN SEARCH FOR SALVATION

BODY OF WORK AN INQUIRY IN THE EXPERIENCE OF DYING IN BANARAS FINAL YEAR THESIS

03.

INDIGO ARCHITECTS, AHMEDABAD

04.

FREEDOM 75

INTERNSHIP

HALL OF NATIONS, DELHI

PRAVEEN BAVADEKAR | BRIDGE STUDIO | ARCHITECTURE DESIGN

05.

PEDESTRAIN BACK ALLEY,

GRAPHIC ERA UNIVERSITY, DEHRADUN URBAN DESIGN + ARCHITECTURE DESIGN

06.

12 GOING ON 21 VIRUPAKSHA TEMPLE, HAMPI ARCHITECTURE DESIGN

07.

CTRL +F5

08.

COMMUNICITY

COMPOUND 13, DHARAVI SHANGHAI, CHINA

EXCHANGE PROGRAMME

09.

A MEMORIAL FOR RED WHISPERS AMBEDKAR PARK, LUCKNOW ARCHITECTURE DESIGN

10.

PHOTOGRAPHY

NILAY SHAH

DESIGN STUDIOS

nilayshah.ar@gmail.com +919619555020 nilayshah._ 9D-701, Alica Nagar, Lokhandwala Townhip, Kandivali East, Mumbai - 400101 Seeking Position Jr. Architect Languages English | Hindi | Gujarati | Marathi References

Education KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES

Ar. Nemish Shah

A. A. V. PATEL JUNIOR COLLEGE

Principle/Director KSA Architects and Planners Pvt. Ltd., Mumbai @ | nemish.shah@ksaarchitects.net m | +91 989 226 7235

THAKUR PUBLIC SCHOOL

Ar. Uday Andhare Principle Indigo architects, Ahmedabad @ | indigoarchitects@gmail.com m | +91 987 965 5186

Skills AUTOCAD 2D AUTOCAD 3D VRAY SKETCHUP PHOTOSHOP INDESIGN ILLUSTRATOR RHINO QGIS HAND DRAFTING

STUDYTRIPS

BATCH OF 2019 JUHU, MUMBAI • MUMBAI UNIVERSITY HONOURS | KRVIA DISSERTATION GOLD MEDAL 2019 TEACHING ASSISTANT - 5TH YEAR BRIDGE STUDIO 2019 3RD YEAR AWARD FOR EXCELLENCE IN HUMANITIES BATCH OF 2014 VILE PARLE-WEST, MUMBAI • HIGHER SECONDARY CERTIFICATE (HSC) HONOURS | 86.36% HSC 12TH BOARDS (ELECTRONICS, SCIENCE) PLAYED FOOTBALL FOR COLLEGE TEAM

WORKSHOPS

BATCH OF 2012 KANDIVALI-EAST, MUMBAI • INDIAN SCHOOL CERTIFICATE EXAMS HONOURS | 92% ICSE 10TH BOARDS PREFECT 2011-2012 HOUSE VICE CAPTAIN 2010-2011

Work experience INDIGO ARCHITECTS

INTERNSHIP NOVEMBER 2017 - APRIL 2018 SHILAJ, AHMEDABAD

KRVIA | PERKINS EASTMAN

INSTITUTIONAL ACTIVITIES

TEACHING ASSISTANT JULY 2019 - SEPTEMBER 2019 MUMBAI

Competition & Honours KRVIA DISSERTATION GOLD MEDAL 2019 FIRST PLACE - GOLD MEDAL

NIASA UNDERGRADUATE THESIS AWARDS 2019 REPRESENTED KRVIA - WEST ZONE

MIMANSA DESIGN FORUM 2019 SHORTLISTED

INTACH HERITAGE AWARDS FOR EXCELLENCE IN DOCUMENTATION

ELECTIVES

SECOND PLACE - AWARD OF MERIT

24H BAUHAUS 2017

IDEASFORWARD - PARTICIPATED

ARCHASM

IDEASFORWARD - PARTICIPATED

MODEL MAKING

CONTEMPORARY SHANGHAI 2017

MICROSOFT OFFICE SUITE

PHOTORACT 2018

IT’S LIQUID - PARTICIPATED

ROTRACT CLUB OF VADODARA SAYAJINAGARI - SHORTLISTED

PAPERS + EDITORIAL DESIGN

FIRST YEAR

SECOND YEAR

THIRD YEAR

FOURTH YEAR

FIFTH YEAR

VASAI FORT

LITERATURE SEATS

CTRL+F5

DEHRADUN

FREEDOM 75

NEATHERLANDISH PROVERBS

12 GOING ON 21

2014-2015

CONSTRUCTING PARALLELS

VERSOVA FISHING VILLAGE

FAIRY TALES SAWANTWADI

2015-2016

MALVANI, MUMBAI

2016-2017

DHARAVI, MUMBAI

2017-2018

MAHARASHTRA

BUNDI, RAJASTHAN

AN INQUIRY IN THE EXPERIENCE OF DYING IN BANARAS

MEMORIAL FOR RED WHISPERS BUNDI

HAMPI

DEHRADUN

CITY LENS

THEATRE

SUSTAINIBILITY

EXPLORING PRACTICES

GHAR KI KAHAANI PROJECT

RAJASTHAN

HALL OF NATIONS, DELHI

THESIS: IN SEARCH FOR SALVATION

HAMPI, KARNATAKA

LUCKNOW, UTTARPRADESH

SAWANTWADI

2018-2019

KARNATAKA

UTTRAKHAND

LUCKNOW

UTTAR PRADESH

FILM IT DIFFERENTLY

AVIJIT MUKUL KISHORE

MAMTA MURTHY

BORIVALI, MUMBAI SAURAV PHADKE

KIMAYA KELUSKAR SANGITA KAPOOR

DISASTER MANAGEMENT

ORGANISED STUDY TRIP

TEACHING ASSISTANT

TENSILE TENSIGRITY

POLITICS THROUGH MOVIES

MAMTA PATWARDHAN

PARMESH SAHANI

SAME-SAME WORKSHOP

SHANGHAI EXCHANGE KRVIA JIATONG UNIVERSITY

ORGANISED STUDY TRIP SAWANTWADI

FILM AND MUSIC SECRATARY STUDENT COUNCIL

PART OF THE TEAM PART OF THE TEAM

DOCUMENTING SAWANTWADI

EXHIBITION OF SITE WORK

DOCUMENTING LUCKNOW

MEASURED DRAWINGS EXHIBITION TEAM

LUCKNOW PORTFOLIO

ORGANISED STUDY TRIP HAMPI

DEHRADUN

5TH YEAR BRIDGE STUDIO KRVIA | PERKINS EASTMAN

PART OF THE TEAM

DESIGN TEAM

KRVIA ANNUALS 2016 ORGANISED

PHOTOWALK BOMBAY BAZAARS

MEASURED DRAWING EXHIBITION

STRUCTURE IN POETRY

SONAL SUNDARRAJAN

CINEMA

DEVDUTT TRIVEDI

GIS

PHOTOGRAPHY

CITY WALKS MUMBAI

GIS

ABHIJIT EKBOTE

BRINDA SEKSARIA

SHREYA SEN

ABHIJIT EKBOTE

SHREYA SEN

PHOTOGRAPHY

HUSSAIN INDOREWALA

KUNAL BHATIA

AMCHA GANAPATI:

COMMUNITY BASED GANESH FESTIVAL

PART OF THE TEAM

LUCKNOW PORTFOLIO INTERN

DISSERTATION RESEARCH

FINAL YEAR DISSERTATION

Scanned by CamScanner

Scanned by CamScanner

Scanned by CamScanner

DISSERTATION

Scanned by CamScanner

IN SEARCH FOR SALVATION An inquiry in the experience of dying in Banaras.

Since the onset of human civilization man has been wondering about the great mysteries of our existence, the meaning of life, explaining death and theorizing about afterlife. Though seen as the enemy, Death is the natural order of things.

In Hinduism the order of life is cyclic. It is believed that the body is a vessel, which will perish, whereas the soul is eternal and will take another form. This concept not only keeps the fear of death at bay but also aids in giving value to the deeds performed in one’s life. Hinduism believes in accepting death not as a finality but a mere step to the next life. It charts out the final phase of life, Vanprasthashram, as one when a person hands over household responsibilities to the next generation, takes an advisory role, and gradually withdraws from the world and finally accepts death.

In Kashi, life is lived in perpetual presence of death. It is believed that anyone who dies there gets liberated from the cycles of life and death and attains salvation. This has made Kashi into a city that celebrates death like no other.

This special status also generated a complex system of livelihood.

The thesis tries to study the manner in which institutions and practices instrumentalise the process of dying and their spatial manifestations.

It investigates the role of design in the process of dying and identifies opportunities to create spaces which allow life to play itself out and enhance the experience of living, waiting for death.

Hardwar Sacred geography of Banaras BanarasMathura is at a Ayodhya rare confluence of unique geography, mythology, urban form and cultural institutions. The city is located about 500 Dwarka miles south of New Delhi, India. Here, the Ujjain changes her usual direction from river Ganges south-east to flow back in a northerly direction pointing at her origins in the Himalayas, the sacred mountains for the Hindus. The river also takes a crescent profile, thus reconfirming the mythology according to which Lord Shiva, the presiding deity of the city, wears the moon on his head. The landscape on the west bank rises into three hillocks symbolizing the trident of Lord Shiva. The “other bank” of the river is, in Kanchi contrast, flat and plain.

Pan

chk

osh i

Zo n e

17

Undertones of myth in the city

In plan, the city is conceived as a half circle.

While the west bank of the Ganges has been inhabited for thousands of years and grown into a complex and congested city, the east bank According toriver thehas scriptures, of the been untouched and left totally undeveloped. reasonsin haveIndia nothing to do There are seven The cities with the city code. For the people of Banaras, where ittheis other considered that dying bank of the semi-circular city resides the “other or heaven where people in these incities willworld” ensure a ‘good go after they die. They metaphorically cross the birth’ in existential the next life. all city of river of life toThough reach the eternal the other Banaras. the seven cities are auspicious,

e

r

g

a

R

i

v

n

Banaras Thus, is unique ofunique its urban in Banaras,because a grand and paradigm reconciles ourdie existential sacred geography.

If you in anydilemmas marriage of architecture, urbanism of these through cities ayou will get a ‘good and narrative means of dwelling. Banaras next birth’ butus ifthatyou teaches fictiondie is a inside powerful mode of imagining, building and dwelling in our the Panchkrosh in Banaras you will cities; that mythologies and other fictions attain Moksh. are essential to enliven the inanimate world

G

a

of things and infrastructures. The existential absurdity of life and death are reconciled

The Panchkoshi zone is sacred through the architecture of the city. When such a reconciliation takes which place spatially, zone of Banaras inside if youcities and architecture become sustainable. die or are cremated you will attain moksha from this cycle of birth, death and rebirth.

14

IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING

Fig.3.4.1 Kashi Panchkoshi zone

0

10

20

‘ We have modern day architectural manifestations for other stages of life but the idea of leaving everyday life and proceeding towards a life of spiritual pursuit’

VARANASI STN

GANGALABH MUKTI BHAVAN

GANGA LABH MUKTI BHAVAN KASHI VISHWANATH TEMPLE

WAITING AREA

B.H.U.

KASHI LABH MUKTI BHAVAN

VARANASI STN

KASHI LABH MUKTI BHAVAN

KASHI VISHWANATH TEMPLE

B.H.U.

VARANASI STN

KASHI VISHWANATH TEMPLE

MUMUKSHU BHAVAN

RECEPTION

MUMUKSHU BHAVAN

B.H.U.

Invisible and isolated, causing futher fear and miunderstandings about its role and service towards society.

Bureaucratically dense with processes that make care pathways and case management complex, messy and stressful for patients, loved ones as well as providers.

An essential palliative care service for every society.

Located within a fragmented end-of-life care landscape with services scattered across separate standalone settings

TODAY’S MUKTIBHAVANS ARE

Under resourced with right professionals, technologies and environments.

Inspiring in its ability to attract committed and compassionate care givers who try to facilitate lifeaffirming dignified and personalised deaths in spite of the challenges.

BHOJANALAY

WORKERS CHANGING ROOM

WATCHMAN’S CABIN

LIVING ESSENTIALS

ADMINISTRATION

COMMON TOILETS AND BATHROOM

STORAGE

Unsustainable and ill-equipped to face the rising demand from an increasingly old and chronically sick population.

Supporting loved ones navigating the end-of-life journey with confidence and ease.

TEMPLE OR PRAYING AREA

OFFICE

CONTEMPLATION AREA

MUKTIBHAVAN

FILM SCREENING ROOM

Connecting teams with single palliative care mindset, to deliver consistent care sservices along the end-of-life journey.

LIVING ROOMS

COMMON MEETING HALL

Empowering patients and loved ones with a sense of control, allowing their voices to be heard along the end-of-life journey.

RICKSHAW STAND

LIFESTYLE

GAUSHALA

COUNSELLING ROOM

COMMUNITY READING ROOM

TOMMOROW’S MUKTIBHAVANS SHOULD BE Enabling communities to play an active role, participating in end-oflife care.

Triggering citizens to face death without fear, becoming proactive in the process.

EXCERSISE AREA

VOLUNTEERS ORGANIC GARDEN

Funding in systemic and sustainable ways, engaging people to contribute as a part of their everyday life.

COMMUNITY KITCHEN

PUBLIC LIBRARY

VOLUNTEERS BRIEFING ROOM

DOCTORS CLINIC

PUBLIC TOILET

LOW FREQUENCY RADIO

VOLUNTEERS CHANGING ROOM

with a sense of person behind the the sick from the 24 Hospitable DESIGN PRINCIPLES Community participation and volunteer service Hospice — Redesigning care for tomorrow Patient service attitude towards better inclusion careand journey care ecosystem attractive. control

patient

FuelFor hospital innovations— Redesigning care for tomorrow Hospitable Hospice

visible and journey attractive.

healthy

care language, food pleasures of life etc

FuelFor hospital innovations

24 DESIGN PRINCIPLES Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional Community participation and volunteer service Patient service and attitude towards better inclusion Spaces aiming to build community while preserving individualityKeep normalties care brand

throughout their

Hospitable Hospice — Redesigning care for Community participation and volunteer service care tomorrow journey FuelFor hospital innovations

touch-prints to care ecosystem

visible and attractive.

moments in the journey

24 DESIGN PRINCIPLES Create a coherent Guide people Introduce earlier Make volunteering Empower patients Recognise the Don’t seperate care brand throughout their touch-prints to behind thevisible and with a sense of person the sick from the 24 DESIGN PRINCIPLES Community participation and volunteer service Hospitable Hospice — Redesigning care for tomorrow careand journey care ecosystem attractive. healthy Patient service attitude better control towards patientinclusion

Dignify emotional Make volunteering moments visible and in the journey attractive.

FuelFor hospital innovations Hospitable Hospice — Redesigning care for tomorrow

of life

Facilitate personalization language, food etc

Direct communication amongst stakeholders

Keep normalties Facilitate Direct communication Provide accessible Focus on the little Foster a culture of life personalization amongst stakeholders care language, food pleasures of life of learning in care etc

teams

Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional normalties Facilitate Direct Empower patients Recognise the seperate volunteering Provide accessible Focus on the littlecommunication Foster culture with family Intimate Spaces adapt Don’t to Avoid theMake Make socialising KeepSupport effortless Open services to aDesign care brand throughout their touch-prints to behind thevisible moments ofwithdrawal life personalization amongst stakeholders with a sense of person the sick from institutional the visible and in the user and easy to pleasures of life of learning in care Community participation and volunteer service Create a coherent Guide Introduce earlier Make volunteering Dignify emotional Keep normalties care language, Facilitatefood communication Patient service and attitude towards better inclusion wider public in mind scale s Spaces to build community while preserving individuality carepeople journey care aiming ecosystem attractive. journey etc Direct control patient healthy attractive. privacy care brand throughout their touch-prints to visible and moments in the of life personalization amongst stakeholdersteams Community participation volunteer service care tomorrow journey care ecosystem attractive. journey language, food etc Hospitable Hospice and — Redesigning care for FuelFor hospital innovations

24 DESIGN PRINCIPLES

24 DESIGN PRINCIPLES FuelFor hospital innovations

91 4 DESIGN PRINCIPLES Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional Facilitate Direct communication Spaces aiming to the build community while preserving individualityKeep normalties Empower patients Recognise Don’t seperate Make volunteering Patient service and attitude towards better inclusion Provide accessible Focus on the little Foster a culture care brand throughout their touch-prints to behind thevisible and moments of life personalization amongst stakeholders with a sense of person the sick from the visible and in the care language, food pleasures of life of learning in care Nospitable PRINCIPLES careand journey care ecosystem attractive. healthy journey etc Hospice — Redesigning care for tomorrow Patient service attitude better Community participation and volunteer service control towards patientinclusion attractive.

IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING

SITE SELECTION AND PROGRAMMES

uelFor hospital innovations

ospice — Redesigning care for tomorrow Create a coherent care brand

Intimate Humanscale service

teams

Guide people Introduce earlier Make volunteering Dignify emotional Empower patients Recognise the seperate volunteering Spaces adapt Don’t to Avoid theMake Make socialising throughout their touch-prints to behind thevisible moments with a sense of person the sick from institutional the visible and in the user and easy

KeepSupport normalties Facilitate Direct effortless Provide accessible Focus on the littlecommunication Foster culture with family Intimate Integrate Human- nature in Open services to aDesign ofwithdrawal life personalization amongst stakeholders to care pleasures ofwider life public of learning in care in mind scale service care Facilitate Directfood communication language, etc privacy teams care brand throughout their touch-prints to visible and moments in the of life personalization amongst stakeholders care tomorrow journey care ecosystem attractive. journey language, food etc icipation and volunteer service — Redesigning care for Spaces adapt Don’t to 91 Avoid theMake volunteering Make socialising Support effortless Empower patients Recognise the seperate Open to with family Create IN SEARCH OF SALVATION Provide accessible Focus on the littleservices Foster aDesign culture Intimate Integrate Human- nature in SITE SELECTION AND PROGRAMMES AN INQUIRY IN THE EXPERIENCE easy withdrawal to OF DYING with a sense of person behind the user the sick from institutional the visible and public in mind environ care pleasures ofwider life of learning in care scaleHumanservice care Spaces aiming to the build community while preserving individuality Empower patients Recognise Don’t seperate Make volunteering Patient service and attitude towards better inclusion Provide accessible Create a coherent Guide people Introduce earlier Make volunteering Dignify emotional Keep normalties Facilitate Direct communication Focus on the little Foster a culture Intimate privacy control patient healthy attractive. with a sense of person the sick from the visible and in the express teams care brand throughout their touch-prints to behind thevisible and moments of life personalization amongst stakeholders care pleasures of life of learning in care scale service ce — Redesigning care for service and attitude towards better inclusion control patient attractive. care tomorrow journey care ecosystem attractive. healthy journey language, food etc nPatient and volunteer service teams s IN SEARCH OF SALVATION SITE SELECTION AND PROGRAMMES 91 92

ovations

Patient service attitude towards better inclusion mmunity andpeople volunteer service Create aparticipation coherent Guide Introduce earlier Make volunteering Dignify Keep normalties Spaces to build community whileemotional preserving individuality careand journey care aiming ecosystem attractive. journey control patient healthy attractive.

NCIPLES

RINCIPLES ES

gning care for tomorrow

AN INQUIRY IN THE EXPERIENCE OF DYING

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morrow

91

IN SEARCH OF SALVATION

SITE SELECTION AND PROGRAMMES Open services to Design with family

Integrate nature in

Create a safe

92

Spaces aiming to build community while preserving individulity

Patient service and attitude towards better inclusion

Community participation and volunteer service

AN INQUIRY IN THE EXPERIENCE OF DYING user institutional easy withdrawal to wider public in mind care environment Spaces aiming to the build community while preserving individuality uide people Introduce earlier Make volunteering Dignify emotional normalties Facilitate Direct communication Spaces adapt to Avoid the Make socialising KeepSupport effortless Open to aDesign Create a safe to Empower patients Recognise Don’t seperate Make volunteering privacy Provide accessible Focus on the littleservices Foster culture with family Intimate Integrate Human- nature in oughout their touch-prints to visible and moments in the of life personalization amongst stakeholders user institutional easy withdrawal to express feelings with a sense of person behind the the sick from the visible and in mind scale service care environment to care language, pleasures ofwider life public of learning in care Spaces aiming to build community while preserving individuality are journey care ecosystem attractive. healthy journey etc privacy Introduce earlier Make volunteering Dignify emotional attractive.

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92

SITE SELECTION AND PROGRAMMES teams

AN INQUIRY IN THE EXPERIENCE OF DYING

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socialising iduality easy

Support effortless Provide accessible withdrawal to care privacy

IN SEARCH OF SALVATION AN INQUIRY IN THE EXPERIENCE OF DYING

IN SEARCH OF SALVATION Y IN THE EXPERIENCE OF DYING

effortless

IN SEARCH OF SALVATION

Create a safe 92 environment to express feelings

Open to aDesign Focus on the littleservices Foster culture with family Intimate Integrate Human- nature in in mind scale service care pleasures ofwider life public of learning in care teams

Support effortless Open services to Design with family Integrate nature in IN SEARCH SITE SELECTION AND PROGRAMMES withdrawal toOF SALVATION wider public mind AN INQUIRYeffortless IN THE EXPERIENCE OF DYING Support Open services to Design in with family Integrate care nature in privacy eep normalties Facilitate Direct withdrawal to Provide accessible Focus on the littlecommunication Foster a culture wider public in mind Intimate Human-care of lifeprivacy personalization amongst stakeholders care pleasures of life of learning in care scale service language, food etc

THE EXPERIENCE vide accessible rawal to OF DYING vacy care

express feelings

SITE SELECTION AND PROGRAMMES

SITE SELECTION AND PROGRAMMES

teams

Create a safe 92 environment Create a safe to express feelings environment to express feelings

SITE SELECTION AND PROGRAMMES SITE SELECTION AND PROGRAMMES Open services to Design with family Integrate nature in Focus on the little Foster a culture Intimate Humanwider public in mind care pleasures of life of learning in care scale service teams

Create a safe 92 environment to express feelings

92

92

PROGRAMME BASED STRATEGIES

SITE UNDERSTANDING IN PLAN AND ZONING

MASSING STRATERGIES PRAYER HALL Cavity insulated walls

LIBRARY AND VOLUNTEERS BLOCK Occupy the tank corner

Jaali walls on west side

Lift the mass on stilts to maintain free movement

BHOJANALAY Bigger volume for the bhojnalay

SHOPS AND BARSATI Shuffle the shop sizes for diversity shops

Kitchen pushed back Create openings between shops for visual connections and easy access to the tank

Roof splits to change volumes

Replace stilts with 2 sheer walls creating open space

Courtyard for open to air cooking

A single connected roof for all the shopkeepers and their issues

Platform extended in front of the temple

A small connection made to the studio

6

7

6

5

9

4

5

4

15 8

3

3

14 12 10

2

1

LEGEND

1. SHOPS 2. PRAYER HALL 3. TEMPLtE 4. AMPHITHEATRE 5. SEATING

2

11

1

13

GROUND LEVEL PLAN +1.50M

6. CARETAKER’S RESIDENCE 7. GAUSHALA 8. HOUSING 9. CLINIC 10. BHOJNALAYA

11. COMMON KITCHEN 0 12. KITCHEN COURT 13. ADMINISTRATION 14. SUMMER PAVILION 15. PARKING

5

10

20

40

N

LEGEND

1. SHOPS STORAGE 2. PRAYER HALL 3. TEMPLE 4. LIBRARY 5. LEARNING SPACE

6. CARETAKER’S RESIDENCE 11.

7. GAUSHALA 12.

8. HOUSING 13.

9. CLINIC 10. KITCHEN COURT

6

7

9

9

5

4

13

7

13 8

8

8

8

3

8

8

1 11

SECOND LEVEL PLAN +5.50M

. ADMINISTRATION 0 . SUMMER PAVILION . PARKING

5

10

20

40

N

LEGEND

1. SHOPS STORAGE 2. PRAYER HALL 3. TEMPLE 4. LIBRARY 5. LEARNING SPACE

12

10

2

12

10

11

THIRD LEVEL PLAN +8.50M

6. CARETAKER’S RESIDENCE 11. ADMINISTRATION 7. GAUSHALA 12. SUMMER PAVILION 8. HOUSING 13. PARKING 9. CLINIC 10. KITCHEN COURT

0

5

10

20

N

40

WEST LOOKING SECTION - THROUGH SHOPS, TANK AND STUDIO SPACE

EAST LOOKING SECTION - THROUGH GAUSHALA AND BHOJNALAY

NORTH LOOKING SECTION - THROUGH PRAYER HALL, BHOJNALAY AND HOUSING

NORTH LOOKING SECTION - THROUGH LIBRARY AND HOUSING

UNIT ORGANISATION PROCESS

THE DOOR FOR THE UNITS HAD VERTICAL OPERABLE LOUVRES TO MAINTAIN PRIVACY

LIBRARY BLOCK - WEST FACADE

PRAYER PAVILLION - WEST FACADE

MORNING

Allows the morning sun to enter into the spaces.

The operable windows allow you to be more enterprising with the use it.

AFTERNOON

During the harsh afternoon light, light from the lower louvers illuminates the space by diffused light which reflects from the flooring.

EVENING

Both the louvers can be opened to allow the evening sun to enter the space. Also allows evening breeze to enter.

SHOPS FRONT - SOUTH FACADE

RELEVANT WORK EXPERIENCE

INTERNSHIP

AZO-TDC AMRAIWADI, AHMEDABAD

Uday and Mausami Andhare, indigo architects PROJECT TYPE: Office Building AREA: 40,000 sq. m TEAM: Jaydip J, Khyati P, Naeem, Nilay, Riya YEAR: 2017-2018

AZO-TDC is a office building, storage space and customer front for the electricity supply company. The project was in the massing stage, the team had already finalized the specific area requirements and a basic order and hierarchy of spaces.

It was designed as 2 main masses, first one was the customer front where we had a basic billing and inquiries section with a first floor data bank. the second building was a management building where the requirements was mostly of office space and conference rooms.

We strived to achieve a better, more softer office space which allows for a little bit of organic space management and provides enough green spaces breaking the monotone of concrete and plaster. The main feature of the design was green aspect to it. We wanted to achieve an energy efficient and climatically viable working space.

My part as an intern was to aid with ideas on massing, creating 3D models on Sketchup, climate testing using plug-ins, rendering views using Vray and making them presentable on Photoshop.

INTERNSHIP

JAIN UPASHRAY AHMEDABAD

Uday and Mausami Andhare, indigo architects PROJECT TYPE: Religious building AREA: 750 sq. m TEAM: Nilay, Riya YEAR: 2018

Jain upashray project started during the period of my internship. The project was to make an Upsharay in a small plot in Ahmedabad. Upashray in itself are challenging program as it uses no electricity to power itself hence we had to use all the traditional and natural sources of lighting and passive modes of ventilation. Over that it was a tight plot and was blocked on 3 sides with other plots. Being a religious structure, it had to go through the rules as prescribed by the Vastu Shastra and abide by them. we started with basic sketches on the plot area keeping in mind the guidelines as prescribed in the Vastu scriptures. Also we did study visits to old upashrays in the old heritage parts of Ahemedabad. It was interesting to notice smaller moves done by them to aide the Jain lifestyle in those Upasharay.

We also did a research on wind towers across the globe and passive cooling systems. We used the wind and the water in the storage tanks together in a way to produce a draft and cooling effect to our advantage.

Initially I was the only one working on this project along with the principle architects. My role was to test the ideas we discussed on real scale and research on various other aspects of passive energy. We sat on a couple of client meetings to get a taste of how to deal with a client. We also made a physical model of the design which in-turn helped the client to visualize better.

INTERNSHIP

UNN PANJRAPOL Unn, Gujarat

Uday and Mausami Andhare, indigo architects

NOTE: 3D model and rendering.

PROJECT TYPE: Cow shelter and landscape AREA: 10,00,000 sq. m TEAM: Nilay, Riya YEAR: 2018

Panjrapol is a place where old cows are kept and fed. The project was given to the firm before we had joined but due to some reasons was on pause by the clients. The requirements were master planning of such a Panjrapol for 1000 cows with spaces for a manager, workers and fodder storage areas. The site was a green field site with a patch of barren land.

The sheds were designed in 2 types, one which were single sided came for the boundaries and were accessible from the other side for the caretakers, which the ones in the middle were two-sided and had double the capacity. we also tried and get all the dimensions in a format where all the sheds can use 2 basic modules and each module has all the elements in the same length as they are manufactured. This made the construction easier to replicate on site and cost effective.

We also did the basic terrain mapping so that the planning could use the natural water drainage on site. We protected almost 98% trees on site, while using basic foundations to not hamper the soil. We also used old thermocol as insulation under the metal roof. We also had a hose power cleaning system for bathing and cleaning the sheds.

My role was in marterplanning and designing the sheds.

Masterplan for the Unn Panjrapol

INTERNSHIP

LLDC Bhujodi, Kutch, Gujarat

Uday and Mausami Andhare, indigo architects

PROJECT TYPE: Museum, Housing+workshop AREA: 10,00,000 sq. m TEAM: Nilay, Riya YEAR: 2018

The living and learning design Center (LLDC) was conceived as a project during this time. It was meant to be a ‘place’ that would becomes a tactile and visual repository of the various crafts of Kutch. Its primary role as a resource center for artisan’s doubles up as a public museum and place for demonstrative, hands on learning.

The overall master plan has three main components, the museum, the crafts school and the residential enclaves. Out of which though the mueseum part is built the rest still remains unbuilt. The archetype for a museum seeks to establish the primacy of place making over, mannerist form making prevalent in public architecture today.

A museum, in this context is thus a “ place”, to experience, move through and habit in an informal way, making language and information more tactile than textual in nature. The vocabulary is purposefully simple and contemporary in nature, emblematic of the nature of craft as industry and vice- versa today.

This was a exercise in building a 3d model of the entire project to visualize the space in its entirity.

SELECTED ACADEMIC WORK

RASHTRAPATI BHAVAN

PARLIAMENT

SECRETARIAT

INDIRA GANDHI ARTS CENTER

NATIONAL ARCHIVE

SEM 9, AD STUDIO

UDYOG BHAVAN

NATIONAL SCIENCE MUSEUM

NATIONAL MISSION FOR MANUSCRIPTS

NATIONAL MUSEUM

INDIA GATE

HALL OF NATIONS PRAGATI MAIDAN

NATIONAL CRAFTS AND HANDLOOM MUSEUM

INTROSPECTIVE75

Hall of Nations , Delhi

Praveen Bavardekar, 5th year AD bridge studio PROJECT TYPE: Museum AREA: 6100 sq. m DURATION: 4 months YEAR: SEM 9, 2018

Hall of nations was built to celebrate India’s 25th year of independence. It showcases construction and technological abilities of the new nation.

Hall of nations lies at the edge of Lutyen’s Delhi, at the edge between state and the public. The desicion of demolition of Hall of nations was a conflicted phenomenon between various agencies and the people especially architects.

At the verge of 75 years we need to take a hard look at the democracy and the ways it has manifested itself. There have been various protests, riots, movements, amendments, challenges, liberalization, autocratic acts by the government and an emergency.

Hence it makes Hall of nations site a perfect ground to celebrate our democratic history and the conflicts over the years.

The museum of post independent India becomes a permanent curated museum, it serves as a counterfoil to the proposed convention centre that has temporal exhibits happening around the year in this way the preserved buildings with your intervention become a way to use the site 365 days of the year hence becoming a part of the larger city infrastructure.

PURANA QUILA

Post-partition refugee camps settle in Delhi’s Purana War and Holocaust museums in Berlin act as a constant reminder of the past and keeps quila and the area around it. It became a ground to the mistakes and horrors of the aftermath in public memory. This keeps the forces of signify the people’s hopes and beliefs in the state and fascism at bay. it’s leaders.

PARTITION

PARTITION DRAFTING OF CONSTITUTION DRAFTING OF CONSTITUTION UNIVERSAL ADULT FRANCHISE UNIVERSAL ADULT FRANCHISE

PARTITION

PARTITION PARTITION RIOTS PARTITION RIOTS DRAFTING OF CONSTITUTION DRAFTING OF CONSTITUTION UNIVERSAL ADULT FRANCHISE UNIVERSAL ADULT FRANCHISE SINO-INDIAN WAR SINO-INDIAN WAR LIGUISTIC DIVISIONLIGUISTIC OF STATESDIVISION OF STATES AGRARIAN AGRARIAN CRISIS AGRARIAN CRISISCRISIS AGRARIAN CRISIS INDO-PAK WAR INDO-PAK WAR GREEN REVOLUTIONGREENCHIPKO REVOLUTION MOVEMENTCHIPKO MOVEMENT

SINO-INDIAN WAR SINO-INDIAN WAR AGRARIAN CRISIS AGRARIAN CRISIS GREEN REVOLUTIONGREEN REVOLUTION LIBERATION OF BANGLADESH

NATIONALIZES BANKS NATIONALIZES BANKS LIBERATION OF BANGLADESH

LIBERATION OF BANGLADESH

JP NARAYAN MOVEMENT JP NARAYAN MOVEMENT EMERGENCY

EMERGENCY

EMERGENCY

BOFORS

BOFORS

OBC RESERVATION OBC RESERVATION BOMBAY BLASTS KARGIL WAR

SURGICAL STRIKES

MANDAL MOVEMENT

MANDAL MOVEMENT

MANDAL MANDAL MOVEMENT MOVEMENT

MANDAL MOVEMENT

MANDIR MOVEMENT

MANDIR SHAH BANU CASE SHAH BANU CASE MANDIR MOVEMENT MOVEMENT

MANDIR MOVEMENT

BOMBAY RIOTS

ECONOMIC LIBERALIZATION ECONOMIC LIBERALIZATION BOMBAY BLASTS

BOMBAY BLASTS KARGIL WAR

KARGIL WAR NUCLEAR DEAL

EMERGENCY EMERGENCY KHALISTAN KHALISTAN AGITATION AGITATION OPERATION OF NARMADA BACAHO NARMADA BACAHO BLUESTAR ASSASINATION OF ASSASINATION INDIRA GANDHI INDIRA GANDHI ANDOLAN ANDOLAN SIKH RIOTS BOFORS BOFORS

SIKH RIOTS

MANDIR MOVEMENT

GUJRAT RIOTS

NUCLEAR DEAL

SCAMS SCAMS SURGICAL STRIKES DEMONETISATION DEMONETISATION

SURGICAL STRIKES

SINGLE NARRATIVE SINGLE OF HISTORY NARRATIVE WAS OF RESTRICTING HISTORY WAS ANDRESTRICTING SUBJECTIVE AND SUBJECTIVE

MANDAL MOVEMENT

BOMBAY OBC RESERVATION OBC RESERVATION BOMBAY BOMBAY RIOTS RIOTS RIOTS ECONOMIC LIBERALIZATION ECONOMIC LIBERALIZATION ANNA HAZARE ANNA HAZARE BOMBAY NUCLEAR STATE NUCLEARMOVEMENT STATE MOVEMENT BLASTS NIRBHAYA NIRBHAYA UPA SCAMS UPA SCAMS KARGIL WAR MOVEMENT MOVEMENT DEMONETIZATION DEMONETIZATION GUJRAT RIOTS AWARD VAPSI AWARD VAPSI GOODS AND SERVICES GOODS TAX AND SERVICES TAX DEMONETIZATION DEMONETIZATION SURGICAL STRIKES DECRIMINALIZING DECRIMINALIZING HOMOSEXUALITY HOMOSEXUALITY

DIVIDING THE HISTORY ANDTHE POLITICS INTO 3 SECTIONS GIVES3ASECTIONS DEEPER GIVES A DEEPER DIVIDING HISTORY AND POLITICS INTO NARRATIVE TO UNDERSTAND THEUNDERSTAND HISTORY OF THIS NARRATIVE TO THE NATION HISTORY OF THIS NATION

LIBERALIZTION OF ECONOMY DECRIMINALIZING HOMOSEXUALIT Y

FLIGHT 814 POKHRAN

GST

OPERATION BLUE STAR

BOMBAY BLASTS 1992 BOMBAY RIOTS

SIKH RIOTS

BABRI MASJID

ANNA HAZARE SWACHH BHARAT

PRIVACY BILL

BOFORS

DEMONETIZATION

GUJRAT RIOTS 2002 NIRBHAYA MOVEMENT

ASSASINATION OF

INDIRA GANDHI

AMUL

RAM JANM BHOOMI MOVEMENT

CWG SCAM LYNCH MOBS

JP NARAYAN MOVEMENT

EMERGENCY

OPERATION BLUESTAR

ASSASINATION OF ASSASINATION OF INDIRA GANDHI INDIRA GANDHI BHOPAL GAS TRAJEDY BHOPAL GAS TRAJEDY

MANDIR MOVEMENT

LANGUAGE OF CONSTITUTION LANGUAGE OF CONSTITUTION LIBERATION OF BANGLADESH NATIONALIZES BANKS NATIONALIZES BANKS JP NARAYAN MOVEMENT RAM NAIK ALLEGATIONS RAM NAIK ALLEGATIONS

SHAH BANU CASE

APPEASEMENT

SHINING INDIA

MANDIR ANDOLAN

KHALISTAN

MARUTI

MANDAL MOVEMENT

EMERGENCY

BHOPAL GAS TRAGEDY

JP MOVE NARMADA ALL IND BACHAO RAILW ANDOLAN STRI

EMENT

DIA WAY

IKE

BOMBAY BLASTS GUJRAT RIOTS

BOMBAY RIOTS SIKH RIOTS

SURGICAL STRIKES

OPERATION BLUESTAR

KARGIL WAR

INDO-PAK WAR

MANDIR MOVEMENT MANDAL MOVEMENT

EMERGENCY

SINO-INDIAN WAR LIBERATION OF BANGLADESH DEMONETIZATION

PARTITION

UPA SCAMS

DECRIMINALIZING HOMOSEXUALITY

NUCLEAR STATE OBC RESERVATION MANDAL MOVEMENT ASSASINATION OF INDIRA GANDHI GREEN REVOLUTION AGRARIAN CRISIS

ECONOMIC LIBERALIZATION SHAH BANU CASE

BOFORS EMERGENCY RAM NAIK ALLEGATIONS

LIGUISTIC DIVISION OF STATES

NATIONALIZES BANKS LANGUAGE OF CONSTITUTION

ANNA HAZARE MOVEMENT

NIRBHAYA MOVEMENT

DRAFTING OF CONSTITUTION UNIVERSAL ADULT FRANCHISE

BOMBAY RIOTS

MANDAL MOVEMENT MANDIR MOVEMENT KHALISTAN AGITATION JP NARAYAN MOVEMENT AGRARIAN CRISIS PARTITION RIOTS NARMADA BACAHO ANDOLAN

UNIVERSAL ADULT FRANCHISE JAI JAWAN JAI KISAAN CHANDIGARH

CHIPKO MOVEMENT

INDO-PAK WAR SINO-INDIAN WAR

STATES

INDIAN INSTITUTE OF TECHNOLOGY

GOA

CONSTITUTION ASSASINATION OF GANDHI

BHAKRA NAGAL DAM BANGLADESH PARTITION CHIPKO MOVEMENT

RIOTS

SEM 7, AD STUDIO

PEDESTRIAN STREET GRAPHIC ERA UNIVERSITY, DEHRADUN

Rohit Verma, 4th year AD studio

PROJECT TYPE: Urban inserts AREA: 8000 sq. m DURATION: 4 months YEAR: 2017

The idea of the studio was to study an larger urban context and have interventions in a way to address the issues which might be faced by the community and solve infrastructure needs of the area. Our site was the campus and the areas which inturn get affected by the campus of Graphic era university and its day to day activity.

Graphic era university had been growing as a campus all over the Clement town area. The junction where the road from ISBT and the one connecting the two major campuses, is a busy crossroad. It offers commercial spaces, a school and residential spaces at the corner but has poor Pedestrian system.

As and urban injunction we thought of smaller softer ideas which would inturn sit with the needs of the students, the residents, and the envisioned growth of the University.

Addressing this issue of space management and pedestrian residents, the back alley looks into developing the back road into a Pedestrian street and offers programs which have a different modes of education and creates spaces for interaction.

Lt. Arvind kumar Family extension Students create a nuisance for him.

Originally from Delhi

Student events create a nuisance.

Students park outside his gate.

Leiutinent paratrooper for 30 years GRAPHIC ERA CS - IT WING

Deepak Pant Restaurant relationship with the students as they are loyal customers

RAJAJI NATIONAL PARK

COMMERCIAL SPACES AT THE NODE

GRAPHIC ERA UNIVERSITY 24H PUBLIC LIBRARY

BY GEU

Originally from new Basti

Food for restaurant comes from bazaar and not the mall Serviced in the air force for 14 years then opened a restaurant

Harish thakur boys hostel

Only students from hill campus

Family lives in Mussoori

Family owned land in clement town. Sold that and shifted here

ST. PAUL’S HOSPITAL

GIRL’S HOSTEL CONSTRUCTION SITE CAPACITY : 350 STUDENTS OWNED BY SUBASH CHANDRA GEU BOSE BOYS HOSTEL

ST. PAUL’S CHURCH ESTABLISHED IN 2008 GRAPHIC GIVES 25% CONCESSION ERA HILL TO STUDENTS FROM UNIVERSITY HILLY AREAS

OUTDOOR CAFE

NATURE TRAILS

CONCERT GROUND

STUDENT RADIO

OPEN AIR GYM

SPILL OVER AND HANGOUT SPACES

PAINTBALL ARENA

STUDENT COMMUNITY CENTRE

SWIMMING POOL AND STUDENTS CLUB

MULTIFUNCTIONAL

SECTION AA’

SECTION BB’

SECTION CC’

SEM 6, AD STUDIO

12 GOING ON 21 VIRUPAKSHA TEMPLE, HAMPI Ainsley Lewis, 3rd year AD studio

PROJECT TYPE: Tourist center AREA: 3500 sq. m DURATION: 4 months YEAR: SEM 6, 2016-2017

Built almost a Millennium ago, Hampi now is a showcase of the ways of life of the people in the Vijaynagar Empire. It has royal palaces, stables, monolith platforms and tall standing Temple complexes. It talks about the affluent lifestyle, the means of employment, trade, cattle and other animal shelters and the spaces each required. Back then the relevance of each structure was also tied back to the socio-political system of the time. This system decided the place where a particular structure would be made and what would be the scale for such a structure.

The towering temple spires which are seen as markers from across the city make a case for religious supremacy and how religion dictated the social and political ways of living in Hampi in the 11th and the 12th century. It places religious structure high on the merit list in terms of scale, access to water, space provided and built quality.

The site is right beside the Virupaksha temple which a heavy monolith form marking the might of religion and God in the city. 12-21 is an attempt to view this space in a more 21st century way in terms of technology, use of space and more importantly way of life now.

ANCIENT SIGN OF MALE FEMALE UNITY

CHALICE FEMININE

POWERFUL POMPOUS RELIGIOUS MARKER MONOLITHIC AUTOCRATIC LAYERS EFIIGIES STATEMENT

A graphic expression for the initial idea

A view from far

A view from near

An entry view

Private baths

TELESCOPES VISUAL AWARENESS

TERRACE

OBESRVATION DECK

AWARENESS

DECK

IMMEDIATE VIEWSSURROUNDINGS

PRIVATE STUDY BALCONY VIEWS FRAMED

PRIVATE STUDY ARTS RELIGION BALCONY PHILOSOPHY VIEWS FRAMED

SCHOLAR CELLS PROJECTS RESEARCH IMAGES MAPS MUSIC STUDYLANGUAGES VIDEOS

DIGITAL ARCHIEVE RELIGION HISTORY ARCHITECTURE

KNOWLEDGE

ARTS PHILOSOPHY LANGUAGES READ MYTHOLOGY BOOKS ISSUE MULTIMEDIA CHECK OUT DECK KIDS MAGZINES NEWSPAPERS CAPSULE DISPLAY DISCOVERIES VIEWING OBSERVATION DECK DECK BALCONY BOOK LAUNCHES MOVIES VIDEOS TECHNOLOGY MODELS HOLOGRAMS 3D SCREENING ROOM RELIGIOUS SYMBOLISM

INSTALATIONS

Site plan

PICTURES PAINTINGS IDOLS

ARTIFACTS

BHOJANALAY FOOD

BANANA PEOPLE’s LEAVES COLLECTIVE

LANGAR

NEYVEDIUM

CULTURE

OTLA

MIXING

POLITICS

TEA

SITTING SPACES WOMEN’S INITIATIVE DOUBLE HEIGHT BANANA FIBRE

SHADED

TRADITIONAL AYURVEDIC THOUROGHFARE MEDICINESSHOP

DISCUSSION

GLOBALDESI GOSSIP FUSION SPICE COFFEE OILY DOCUMENTATION

GHATS

NETWORKING

PRESENTATIONS FREE SPEECH

NGO’s

COFFEE

FOYER

CONFERENCES DISCUSSION

PRESHOW KIDS

MEETING

DISCUSSION SNACKS TEA GENERAL INFO INTERACTION ANNOUNCEMENT

DISPLAY

STREET

HANDMADE STEAM ROOM MASSAGE AURA OIL LEISURE COLD SCENTS HEALTH DIETICIAN YOGA AYURVEDIC HOT BATHS EXCERSISE RELEASE RELAXING HEALTH

e ry Gall

Lib

rary

inar Hal l Sem

Yoga Hall

SEM 5, AD STUDIO

CTRL+ F5 COMPOUND 13, DHARAVI

Sonal Sancheti, 3rd year AD studio

PROJECT TYPE: Entertainment Center AREA: 2700 sq. m DURATION: 4 months YEAR: SEM 5, 2016

Everyday!! We aspire a better lifestyle where we wont be stuck in traffic and will pursue our dreams and hobbies and yet will have free time to get into a new one....

And comes monday bringing us back to sqaure one.

The aim of the project was to understand the fabric of Dharavi and build a urban tranformer, which not only aides the current lifestyle in Dharavi but also will help them when the area urbanizes and becomes another urban pocket in the city.

Compound 13 is the part of Dharavi right beside the Mahim station and famous for its plastic recycling and fabric manufacturing units. This has sprung up a lot of small businesses and employs a lot of the people.

Ctrl + f5 is that release which in different attempts tries to provide a space to learn something new. Under so much pressure from work and lack of amenities Ctrl + f5 tries to release this tension trying to develop a recreation and entertainment area which also functions as an informal market space for the residents to grow as entrepreneurs.

A building that could orchestrate and animate the various domains of allowing them to collaborate and interact. Multiplicity of the structure could initiate interactions without them losing their own identity. It not only aims to be an entertainment center but an urban plaza in the heart of the city.

First floor plan

Ground floor plan

Second floor plan

RCC RETAINING WALL WATERPROOFING MEMBRANE 25MM PLINTH PROTECTION PCC 100MM SHAHBAD STONE SLAB 25MM PCC BED 150 MM RUBBLE SOLING 250MM RAMMED EARTH

-3.15M

V

U

T

P

Q

R

S

N

O

L

M

J

K

I

F

SECTION AA' TEMPLE

AZAD NAGAR

ROAD

20 19 18 17 16 15 14 13 12 11

8

5

3

4

2

1

7

STATION

9

10

6

32 33 34 10 9 8

7 6

5

4 3 2 1

MAHIM

11

20 21 22 23 24 25 26 27 28 29 3031

A' OVER HEAD TANK GRANITE COPING 250MM x 25MM

N

PCC PARAPET WALL 200MM CONCRETE BLOCK MASONARY JALI WALL IN 1:6 CEMENT MORTAR

ASSEMBLY 300SQ. M

+6.85M +6.50M

4 PANEL SLIDING WINDOW (D4) RCC WEATHERSHED IN M20 CONCRETE

+4.90M

PRECAST CONCRETE PANEL WALL IN CM 1:6

+3.90M

CONCRETE BRIDGE IN M20 CONCRETE

+3.30M

STAIRCASE LANDING

+2.80M

STAIRCASE MIDLANDING

+1.80M

WALL MOUNTED RAILING IN STAINLESS STELL Ø50MM RCC RETAINING WALL PAVER BLOCKS 50MM DEPTH

+1.20M

+0.30M

B'

-1.20M -1.35M

TEMPLE

CAFE 300SQ. M

AZAD NAGAR

20 21 22 23 24 25 26 27 28 29 30

20

ROAD

19 18 17 16 15 14 13 12 11

11

3

2

2450

10

1

9

2450 8

7

2800

2000 5

3350 3

4

3200

3300 2

STATION

2450

2450

1

7

+6.85M +6.50M

M.R.

GRANITE COPING 25MM

STATION

MAHIM

ROAD

TEMPLE

SKYWAL

K

SKYWALK

+4.90M

GRAVE YARD

TILAK

71400

NAGAR

TEMPLE

5700

TOILET

6550 5900

ROAD

ROAD STATION

MAHIM

ROAD.

50250

5700

MAHIM

17200

6700

81850

-3M

-2.3M

-1.35M

KAMLA RAHEJA VIDYANIDHI 30mm NOSING INSTITUTE FOR ARCHITECTURE, Ø3mm ANTI SKID GROOVES MUMBAI 3 nos.

Ø8MM TOR BINDING BARS

+2.80M

25MM SCREED.

NAME : NILAY JIGNESH SHAH

LP

20000 SHRI SANTHANAMARI

MAHIM RAILWAY STATION YARD

GREY GRANITE SLAB 2000mm x 330mm x 20mm

Ø12MM TOR MAIN REINFORCEMENT BARS

+3.30M

ROAD

0.0M

+6M

10000

ROAD

LP

19900

11600

+7M

+3.5M

+7M

17200

STATION

ROAD NAGAR

10000

20000

8100

3100

NAGAR

AZAD

-2.3M

-1.35M

50150

-3M

50150

50250

11600

+7M

+6M

AZAD NAGAR

7400

5900

MAHIM STATION

LP

TEMPLE

10150

12400

+3.5M

+7M

3100

MAHIM STATION

ROAD.

71400

6550

8100

ROAD

GANPATI TEMPLE

+1.80M

19900

AMMA TEMPLE

0.0M

6700

TEMPLE PREMISE

REST HOUSE

+3.90M

10150

12400

AZAD NAGAR

TEMPLE

CENTRAL RAILWAY

MAHIM STATION TICKETS OFFICE

PANLES 200MM THICK

25MM SCREED

TEMPLE

SHRI SIDDHI

VINAYAKA TEMPLE

SPECIFIC NOTES:

ENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI

GANPATI TEMPLE OLD DARGA

N

SECTIONS

GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MM 2MM OFF-WHITE GROUT

TEMPLE

MAHIM

TEMPLE

AZAD

1. ALL DIMENSIONS ARE IN MILLIMETERS. 2. FOLLOW WRITTEN DIMENSIONS ONLY. PCC PARAPET, 3. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERED FORM FINISHED CONCRETE FROM THE STRUCTURAL ENGINEER'S DRAWING. GRANITE STRIPS(ROUGH FINISH) 4. ALL SERVICES DIMENSIONS ARE TO BE GREY REFERED FROM 2000MMx330MM THE SERVICES CONSULTANT'S DRAWING. 2MM OFF-WHITE GROUT 5. ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICED GANAPATI 25MM SCREED TEMPLE OF THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK. Ø12MM TOR MAIN REINFORCEMENT BARS 6. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. Ø8MM TOR BINDING BARS 7. THIS DRAWING IS THE PROPERTY OF THE ARCHITECT 50MM SS RAILING AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. WALL MOUNTED THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE PRE-CAST CONCRETE ARCHITECT.

B

GRANITE COPING PCC PARAPET WALL, FORM FINISHED CONCRETE

7400

NOTES:

2 1

SECTION BB'

CHINA MOSAIC LAID IPC 25MM

RCC SLAB 150MM THICK

4 3

6

6

BRICKBAT COBA LAID TO 1:100 SLOPE 100 MM

8 7 6 5

MAHIM

2450

31 32 33 34 10 9

300

THIRD YEAR, B.ARCH. SEAT NO. 6742

Ø10MM MAIN REINFORCEMENT BAR

RAILWAY TICKET OFFICE

81850

LP

MAHIM

STATION

+0.30M

SKYWALK

SITE PLAN, 1:2000

100

LP

LOCATION PLAN, 1:1000

DATE: 07-04-2017

LANDING DETAIL, 1:20

N

GRANITE STRIP 2000mm X 330mm

-1.20M -1.35M

PLINTH PCC BED 150MM

07

150

AMMA TEMPLE

Road

MAHIM

SCALE : 1:100

SHRI SANTHANAMARI

MAHIM RAILWAY STATION YARD

Station

RCC COLUMN STATION

Ø6MM BINDING BAR

+1.20M

GATECURRENT ENTRY POINT OPEN TO GROUND

Mahim

1. WALLS ARE 200 THICK PRECAST CONCRETE PANELS. 2. WALLS ARE EXPOSED CONCRETE (FINISH).

3. ALL OPEN TERRACES HAVE TO HAVE BRICKBAT COBA LAID TO SLOPE

2MM OFF WHITE GROUT

RCC PLINTH BEAM 450MM x 200MM

TYPICAL STEP DETAIL, 1:10

25MM SCREED

SECTION AA', 1:50

2

3300 500

3300

2700

Q4 200mm x 200mm

2500

2700

4400

Q2 200mm x 200mm

Q1 200mm x 200mm

Ø10MM TUBULAR SECTION IN SS Ø14MM TUBULAR SECTION IN SS Ø50 MM STAINLESS STEEL RAILING WALL MOUNTED USING STAINLESS STEEL SUPPORT

2000

200

2000

2100

900

2000

2700

4400

Ø50 STAINLESS STEEL PLATE 2MM THICK

300

DRILLED AND TAPPED FOR Ø10MM 16 THREAD ROD

3 NOS. SKID GROOVES

RAILING DETAIL, 1:2

300MM WIDE 2000MM LONG 25MM THICK SINGLE PIECE GRANITE TREAD

200

30 29 28 27 26 25 24 23 22 21 20

34 33 32 31 30

Ø25MM TUBULAR SECTION IN SS

Ø25 MM SS SUPPORT ATTACHED TO THE WALL Ø50 MM STEEL PLATE USING 3 NOS. 10MM THREADED SCREW

4200

WF1 F2 S2 C1

WF1 F2 S2 C1

Ø50 ARC PLATE FOR THE RAILING SUPPORT (WELDED CONNECTION)

Ø6MM BINDING BAR

MID LANDING, 1:20

Q7 200mm x 200mm

UP

Ø50 MM STAINLESS STEEL RAILING

Ø12 MAIN REINFORCEMENT BAR

200

11 12 13 14 15 16 17 18 19 20

01 02 03 04 05 06 07 08 09 10

WF1 F2 S2 C1

3200

2000

Q3 200mm x 200mm

7

1

50

4

200

4

Ø15MM NOSING

200

STAIRCASE PLAN, 1:50 DETAIL PLAN, 1:20 NOTES:

FINISHING DETAIL

M.R.

3300

MAHIM

S

ROAD

3400 TILAK

3300

NAGAR

R

TEMPLE

71400

11600

TEMPLE

6550

TEMPLE

10150

5900

LP

5700

7400 STATION

FORM CAST CONCRETE WALL USING MILD STEEL FORM WORK GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MMON 25 MM CEMENT MORTAR SCREEDING

F2

EXPOSED CONCRETE

SKIRTING

S1

EXPOSED CONCRETE (CUSTOM MADE) PRE-CAST PANELS 200MM

CEILING

C1

ASSEMBLY 15MM THICK INTERNAL PLASTER IN CEMENT MORTAR 1:4 300SQ. M

MAHIM

17200

17200

FLOOR

ROAD

10000

ROAD

10000

NAGAR

50150

NAGAR

50150

-2.3M

-1.35M

6700

0.0M

LP

81850

20000 SHRI SANTHANAMARI

MAHIM RAILWAY STATION YARD

19900

6700

AMMA TEMPLE

0.0M

RAILWAY TICKET OFFICE

81850

GATECURRENT ENTRY POINT OPEN TO GROUND

LP

SHRI SANTHANAMARI

MAHIM RAILWAY STATION YARD

Mahim Station

AMMA TEMPLE LP

Road

READING 150SQ. M MAHIM

SINGLE GLAZING CLIP 4125 ALUMINIUM HINDALCO EXTRUSIONS

W2

F1

-3M

3100

LP

20000

19900

MAHIM STATION TICKETS OFFICE

STATION

SKYWALK

LIBRARY

SITE PLAN, 1:2000

L

M 2250

3250

J

K 2300

I

3100

3150

STAIRCASE DETAILS F ENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI

AZAD

-3M -2.3M

-1.35M

REST HOUSE

N

O

11600

+7M

+3.5M

+6M

50250

ROAD

11600

+7M

+7M

MAHIM

10150

12400

+6M

3100

CENTRAL RAILWAY

P

DETAIL

12400

+3.5M

+7M

50250

8100

STATION

TEMPLE

6550

8100

ROAD

71400

GANPATI TEMPLE

TEMPLE PREMISE

TYPE

2250 EXPOSED CONCRETE 3500 (CUSTOM 2250 W1 MADE) PRE-CAST PANELS (200MM) IN CEMENT MORTAR 1:6

WALL

TEMPLE

5700

7400

TOILET

Q

FINISH

GANPATI TEMPLE OLD DARGA

SHRI SIDDHI VINAYAKA TEMPLE

MAIN BAR Ø12MM 1. WALLS ARE 200 THICK PRECAST CONCRETE PANELS.

2. WALLS ARE EXPOSED CONCRETE (FINISH).

DISTRIBUTION BAR Ø8MM 3. ALL OPEN TERRACES HAVE TO HAVE BRICKBAT H-FRAME 2082 ALUMINIUM COBA LAID TO SLOPE HINDALCO EXTRUSIONS

STATION

SKYWALK

GRAVE YARD

AZAD

SPECIFIC NOTES:

TEMPLE

T

TEMPLE

5900

1. ALL DIMENSIONS ARE IN MILLIMETERS. V DIMENSIONS ONLY. U 2. FOLLOW WRITTEN 3. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERED 4800 GRANITE COPING 250MM x FROM THE STRUCTURAL ENGINEER'S DRAWING. 25MM 4. ALL SERVICES DIMENSIONS ARE TO BE REFERED FROM THE SERVICES CONSULTANT'S DRAWING. PCC PARAPET WALL 200MM 5. ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICED THICK OF THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK. CHINA MOSAIC 25MM 6. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT BRICKBAT COBA 100MM DRAWINGS. LAID TO SLOPE 1:100 7.TO THIS DRAWING IS THE PROPERTY OF THE ARCHITECT 1:75 AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE WATERPROOF LAYER 25MM ARCHITECT. STEEL MESH Ø5MM

KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE, MUMBAI

THIRD YEAR, B.ARCH.

NAME : NILAY JIGNESH SHAH

SEAT NO. 6742

SCALE : VARIED DATE: 17-04-2017

LOCATION PLAN, 1:1000

+8.20M

11

SMALL GATHERING SPACE 100SQ. M

+7.20M +6.85M

N

+4.80M

+3.90M +3.55M

TOUGHNED GLASS 5MM THICK GLASS BLOCK MASONARY WITH WHITE MORTAR PRE CAST CONCRETE PANELS FORM FINISHED PCC LINTEL

READING 150SQ. M

SLIDING DOOR D1

+1.5M

ADMINISTRATION 100SQ. M

LIBRARY WORKSHOP 100SQ. M

ARCHIVE 100SQ. M

25MM MAKRANA WHITE MARBLE 1800MM x 1500MM

+0.6M 0.0M -0.6M

20MM CEMENT MORTAR SCREED

-1.2M

PCC SLAB 150MM

-3.15M

V

U

T

S

Q

R

P

N

O

L

M

J

K

I

F

SECTION AA' TEMPLE

11

10

9

8

5

4

3

2

1

7

6

STATION

ROAD

AZAD NAGAR

MAHIM

RUBBLE SOLING 250MM RAMMED EARTH RCC RETAINING WALL WATERPROOFING MEMBRANE 25MM PLINTH PROTECTION PCC 100MM SHAHBAD STONE SLAB 25MM PCC BED 150 MM RUBBLE SOLING 250MM RAMMED EARTH

A' OVER HEAD TANK

20 21 22 23 24 25 26 27 28 29 3031

20 19 18 17 16 15 14 13 12 11

32 33 34 10 9 8

7 6

5

4 3 2 1

A

A

PCC PARAPET WALL 200MM THICK

3100 8100

19900 +7M

TILAK

+3.5M

NAGAR MAHIM

12400

20000

+6M ROAD

MAHIM RAILWAY STATION YARD

81850

71400

STATION

1155 0000

0000 1188

6550

DISTRIBUTION BAR Ø8MM

0.0M

GATECURRENT ENTRY POINT OPEN TO GROUND

10000

H-FRAME 2082 ALUMINIUM HINDALCO EXTRUSIONS

SKYWALK

+7M

10150

-1.35M

TEMPLE

-2.3M

400

750

100

TEMPLE

11600

300

-3M

AZAD TOILET

NAGAR

ROAD

TEMPLE

50

4100

1200

SINGLE GLAZING CLIP 4125 ALUMINIUM HINDALCO EXTRUSIONS

50150

AMMA TEMPLE

SHRI SANTHANAMARI

200

SINGLE GLAZING CLIP 4125 ALUMINIUM HINDALCO EXTRUSIONS

600

100 500

M.R.

600

MAIN BAR Ø12MM 7400

5700

H-FRAME 2082 ALUMINIUM HINDALCO EXTRUSIONS

Mahim

+0.65M +0.20M -0.80M

150

GRAVE YARD

STEEL MESH Ø5MM

ROAD

50250

17200

900

TEMPLE

OLD DARGA

STATION

GANPATI TEMPLE

TEMPLE PREMISE

WATERPROOF LAYER 25MM

6700

+3.25M

+1.85M +1.55M

300

BRICKBAT COBA 100MM LAID TO SLOPE 1:100 TO 1:75

SHRI SIDDHI

SKYWALK

+3.65M

VINAYAKA TEMPLE

RAILWAY TICKET OFFICE

MAHIM

STATION

MAIN BAR Ø12MM DISTRIBUTION BAR Ø8MM

+4.65M

REST HOUSE

STEEL MESH Ø5MM

+6.70M +5.90M +5.40M +5.10M

250 GRANITE COPING 250MM x 25MM

CHINA MOSAIC 25MM

CENTRAL RAILWAY

WATERPROOF LAYER 25MM

+7.10M

MAHIM STATION TICKETS OFFICE

+8.00M

MAHIM

SITE PLAN, 1:2000

R

5900

BRICKBAT COBA 100MM LAID TO SLOPE 1:100 TO 1:75

1. ALL DIMENSIONS ARE IN MILLIMETERS. 2. FOLLOW WRITTEN DIMENSIONS ONLY. 3. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERED FROM THE STRUCTURAL ENGINEER'S DRAWING. 4. ALL SERVICES DIMENSIONS ARE TO BE REFERED FROM THE SERVICES CONSULTANT'S DRAWING. 5. ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICED OF THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK. 6. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 7. THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT.

CHINA MOSAIC 25MM

NOTES:

SPECIFIC NOTES:

1. WALLS ARE 200 THICK PRECAST CONCRETE PANELS. 2. WALLS ARE EXPOSED CONCRETE (FINISH).

3. ALL OPEN TERRACES HAVE TO HAVE BRICKBAT COBA LAID TO SLOPE

PCC PARAPET WALL 200MM THICK

V

Station Road

-0.85M -1.35M

GLASS BLOCK MASONARY IN WHITE MORTAR GANPATI TEMPLE

350

LP

MAHIM

LP

STATION

ROAD

50250

3100

17200

8100

19900 +7M

6550

6700 +3.5M

5900 0.0M

1300

TOUGHNED GLASS 5MM THICK

7400

+6M

12400

20000

71400

81850

MAHIM RAILWAY STATION YARD

GLASS BLOCK MASONARY WITH WHITE MORTAR

10000

R

LP

LOCATION PLAN, 1:1000

BEAM WAFFLE SLAB CONNECTION DETAIL, 1:10

R

200

-2.0M

+7M

10150

-1.35M

5700 TEMPLE

-2.3M -3M

50150

500 500

300 300 2500 2500 300 300

5700 5700

7400 7400

5200

RCC RETAINING WALL

700

6700 6700

1400

1:1

1400

1400

PE

:10 0

00

MAHIM MAHIM STATION STATION ROAD ROAD

50250 50250

PE 1

SLO 1500

150

SLO

1300

DIAGRAM

3650

URINAL FITTING AT 800MM HIEGHT

WATERPROOFING MEMBRANE 25MM

200 250

D GULLY TRAP

C

SHAHBAD STONE SLAB 25MM

200

THIRD YEAR, B.ARCH.

PUBLIC TOILET

PLINTH PROTECTION PCC 100MM

500

IC 6 980MM x 600MM -502MM

1400

WALL SECTION DETAILS

GULLY TRAP

GRANITE MODESTY BOARD C/C 700MM 400MM x 60MM

1200

100 100 150 150

ROAD

17200 17200

350

PCC SLAB 150MM RUBBLE SOLING 250MM RAMMED EARTH

0 :10 E1 OP SLENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI

TEMPLE

SEAT NO. 6742

N

TEMPLE

N

25MM MAKRANA WHITE MARBLE 1800MM x 1500MM

650 350 350

IC 5 980MM x 600MM -490MM

15

M.R.

00 NAME 1:1 : NILAY JIGNESH SHAH

W3 9

KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE, MUMBAI

0 W3 8

IC 4 1475MM x 600MM -483MM

D3 8

PE

1:1

W3 7

SCALE : 1:20

DATE: 0 07-04-2017

00

GULLY TRAP

SLO

PE

1:1

W3 6

900 850

D3 7

SLO

PE

GULLY TRAP

IC 3 2000MM x 600MM -467.5MM

900 850

D3 6

00

PUBLIC TOILET PLAN, 1:25

ALK

12 F

SIZES

900 850

SLO

D2 2

1:1

00 W3 5

0.6M

1000 950

PE SLO

1:1

00

00 W3 4

IC 2 1475MM x 600MM -460MM

D3 5

PE

1:1

1:1 W3 3

IC 1 1475MM x 600MM -450MM

350

900 850

SLO

PE

PE

00

00

1:1

1:1 W3 2

D3 4

SLO

D3 3

SLO

D3 2

900 850

MALE TOILET

2050MMx2100MM

2500MMx2000MM

900 850

PE SLO

PE SLO W3 1

SKYW

SEAT NO. 6742

20MM CEMENT MORTAR SCREED

0 :10

900 850

D3 1

SK

1300

GRANITE COUNTER TOP 2000MM x 630MM

E1

850 850

MAHIM

SCALE : VARIED

OP SL

FEMALE TOILET 0.6M

ROAD

20THIRD YEAR, B.ARCH.

DATE: 07-04-2017

WASHBASIN

STATION

350

5200

1600

1300

4550

LOCATION PLAN, 1:1000

MAHIM

KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE, MUMBAI NAME : NILAY JIGNESH SHAH 3000

1350

1600

ENTERTAINMENT CENTRE, COMPOUND 13, DHARAVI

DESCRIPTION

MAKRANA MARBLE 1800MM x 1500MM

19

TYPE

2500MMx2000MM

WINDOW DETAIL

2050MMx2100MM

4 LEAVED GLASS PANELLED SLIDING WINDOW

DETAIL

W1

TWO LEAF PANELED SLIDING DOOR WITH MS TRACK. EACH LEAF IS A FLUSH PANEL.

TYPE

15MM THICK INTERNAL PLASTER IN 5200 CEMENT MORTAR 1:4

WALL

MAKRANA MARBLE 1800MM x 1500MM

C1

FINISH

4450 S1

3450

FINISHING DETAIL

F2

SKIRTING CEILING LP LP

MAIN BAR Ø12MM WITH 25MM COVER

ADVANCE SLAB DETAILS

DIAGRAM

TWO LEAF PANELED SLIDING DOOR WITH MS TRACK. EACH LEAF IS A FLUSH PANEL.

SHRI SHRI SANTHANAMARI SANTHANAMARI AMMA TEMPLE AMMA TEMPLE

D1

18 W4

SIZES

D1

ROAD ROAD NAGAR NAGAR AZAD AZAD

50150 50150

10000 10000

81850 81850

MAHIM RAILWAY STATION YARD MAHIM RAILWAY STATION YARD

EXPOSED CONCRETE (CUSTOM MADE) PRE-CAST PANELS (200MM) IN CEMENT MORTAR 1:6

5900 5900

20000 20000 0.0M 0.0M

LP LP

FORM CAST CONCRETE WALL USING MILD STEEL FORM WORK

GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MMON 25 MM CEMENT MORTAR SCREEDING

DESCRIPTION

4 LEAVED GLASS PANELLED SLIDING WINDOW

FORM CAST CONCRETE WALL USING MILD STEEL FORM WORK

F1

TYPE

W4

W2

FLOOR LP LP

19900 19900

W2

DETAIL EXPOSED CONCRETE (CUSTOM MADE) PRE-CAST PANELS (200MM) IN CEMENT MORTAR 1:6

-3M -3M -2.3M -2.3M

-1.35M -1.35M

GREY GRANITE STRIPS(ROUGH FINISH) 2000MMx330MMON 25 MM CEMENT MORTAR SCREEDING

W1

11600 11600

+7M +7M

17

MAKRANA MARBLE 1800MM x 1500MM

TYPE

WALL

10150 10150

+6M +6M

LP LP

FINISH

12400 12400

+3.5M +3.5M

+7M +7M

3100 3100

F1

6550 6550 8100 8100

LP LP

F2

TEMPLE TEMPLE

FLOOR

WAFFLE SLAB CONNECTION DETAIL, 1:10 FINISHING DETAIL WINDOW DETAIL

TEMPLE TEMPLE

TEMPLE TEMPLE

GANPATI TEMPLE GANPATI TEMPLE

MAKRANA MARBLE 1800MM x 1500MM

R

S1

GLASS BLOCK MASONARY IN WHITE MORTAR

R1

15MM THICK INTERNAL PLASTER IN CEMENT MORTAR 1:4

750

C1

8000 8000

100

STEEL MESH Ø5MM

AXONOMETRIC SECTION OF THE WAFFEL SLAB, 1:10

DISTRIBUTION BAR Ø8MM

71400 71400

NAGAR

TEMPLE

LP

MAIN BAR Ø12MM

600

SKIRTING

CEILING

1800 1800

R2

20MM CEMENT MORTAR SCREED

WATERPROOF LAYER 25MM STEEL MESH Ø5MM

R3

AZAD

BRICKBAT COBA 100MM LAID TO SLOPE 1:100 TO 1:75

MAKRANA MARBLE 1800MM x 1500MM x 25MM

LP

2600 2600

R4

50 700

CHINA MOSAIC 25MM

00

300

TEMPLE

11600

AMMA TEMPLE

SHRI SANTHANAMARI

1800 1800

300

PCC BED 150 MM RUBBLE SOLING 250MM

RAMMED EARTH

V

CHINA EXCHANGE

COMMUNI-CITY SHENXIN CUN, SHANGHAI

Aneerudha Paul, China Exchange In collaboration with Jiao Tong University, Shanghai PROJECT TYPE: Urban inserts AREA: Varied DURATION: 10 days YEAR: 2016

The exchange project was to study the methods, impacts and quality of spaces in a slum rehabilitation scheme as it happens in India and in China. The groups each studied a site which either was a slum or a rehabilitated society. We understood the basic social connections and aspirations and how the government there was successful or not successful to match their expectations.

ShenxinCun district is an old housing community in Shanghai. Residents have several government subsidies for basic amenities. Over time the community grew and became an dense low rise urban pocket in a continuously gentrifying neighborhood. Being a dense community they don’t have any public gathering or common leisure space except the market across the street.

The social fabric is strong with a lot of various classes of people residing in the community. Depending on the financial condition of the family, the space is arranged such that while entering from the street the kitchen is followed by a living room or bedroom. Several houses have illegal extensions to their houses for private toilets and external staircases.

The community has a few of betting parlors, game centers and rest gathering spaces are just street corners. As their are no religious spaces of congregation, our plan was to plug certain urban devices to increase interaction and provide some public places for the community.

SEM 4, AD STUDIO

Memorial for red whispers AMBEDKAR PARK, LUCKNOW Rohan Shivkumar, 2nd year AD studio

PROJECT TYPE: Media Center AREA: 2400 sq. m DURATION: 4 months YEAR: SEM 4, 2015-2016

Early In 2016, The Nation Was In A Debate About How Much Freedom Does Free Speech Give You? We were made to realise that the government can always crack down on your fundamental rigths. We also saw a befitting protest by the student community along with activists.

This made me think how like this the social norms and hundreds of years of Patriarchal and caste based system has supressed voices and points of views under the grab of rules which were based in the fear of losing power.

The site commemorates dalit history and the continuing struggle for empowerment.

Dalit history has had many individuals who were vocal about the injustice done to them. Though made as a political statement from a particular party, the site can be envisioned as a site which can inturn work its way up from the bottom giving power and platform to the underepresented.

Memorial for red whispers acts as the mechanism to give the undermined group a platform to raise their concerns. Issues that the mainstream media does not necessarily cover.

The memorial opens to a series of steps which establishes a plaza used for debates and discussions. It is a media center exclusively for the voices of dissent, power the the weeak and opressed and a space for political and theological discussions in the heart of the capital of the largest and the most politicized state in India.

Library Facade

The pragati maidan set of images were chosen by archdaily and published in their article titled: ‘Pragati maidan The demolition of delhi’s hall of nations reveals India’s broken attitude to architectural heritage’

by Suneet Zishan Langar

NILAY JIGNESH SHAH KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMATAL STUDIES