Issuu

SN&R’s guide to Sacramento’s best bargain drinks and bites

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Sacramento’S newS & entertainment weekly

Volume 28, iSSue 17

thurSday, auGuSt

11, 2016

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EditoR’S NotE

AUGUSt 11, 2016 | Vol. 28, iSSUE 17

29 Our Mission: To publish great newspapers that are successful and enduring. To create a quality work environment that encourages employees to grow professionally while respecting personal welfare. To have a positive impact on our communities and make them better places to live. Editor Rachel Leibrock Associate Editor Raheem F. Hosseini Arts & Culture Editor Janelle Bitker Assistant Editor Anthony Siino Editorial Services Coordinator Karlos Rene Ayala Staff Reporter Scott Thomas Anderson Contributors Daniel Barnes, Ngaio Bealum, Alastair Bland, Rob Brezsny, Aaron Carnes, Jim Carnes, Willie Clark, Deena Drewis, Joey Garcia, Cosmo Garvin, Blake Gillespie, Lovelle Harris, Jeff Hudson, Dave Kempa, Jim Lane, Kel Munger, Kate Paloy, Patti Roberts, Ann Martin Rolke, Shoka, Bev Sykes, Graham Womack Editorial Intern Jeremy Winslow

46 Design Manager Lindsay Trop Art Directors Brian Breneman, Margaret Larkin Production Coordinator Skyler Smith Designer Kyle Shine Marketing/Publications Design Manager Serene Lusano Marketing/Publications Designer Sarah Hansel Contributing Photographers Lisa Baetz, Darin Bradford, Kevin Cortopassi, Evan Duran, Luke Fitz, Jon Hermison, Shoka, Lauran Fayne Worthy Director of Sales and Advertising Corey Gerhard Sales Coordinator Joanna Graves Senior Advertising Consultants Rosemarie Messina, Olla Swanson, Joy Webber, Kelsi White Advertising Consultants Angel De La O, Stephanie Johnson, Matt Kjar, Paul McGuinness, Wendy Russell, Manushi Weerasinghe Director of First Impressions David Lindsay Distribution Director Greg Erwin Distribution Services Assistant Larry Schubert Distribution Drivers Mansour Aghdam, Kimberly Bordenkircher, Daniel Bowen, Heather Brinkley, Allen Brown, Mike Cleary, Jack Clifford, Lydia Comer, Rob Dunnica, Chris Fong, Ron Forsberg, Garry Foster, Joanna Gonzalez-Brown, Greg Meyers, Aswad Morland,

Kenneth Powell, Gilbert Quilatan, Lloyd Rongley, Lolu Sholotan, Jonathan Taea N&R Publications Editor Michelle Carl N&R Publications Associate Editor Kate Gonzales N&R Publications Writers Anne Stokes, Natasha vonKaenel Senior N&R Publications Consultant Dave Nettles N&R Publications Consultants Elena Ruiz, Julie Sherry President/CEO Jeff vonKaenel Director of Nuts & Bolts Deborah Redmond Director of People & Culture David Stogner Marketing/Promotions/Facilities Manager Will Niespodzinski Executive Coordinator Jessica Takehara Director of Dollars & Sense Nicole Jackson Payroll/AP Wizard Miranda Dargitz Accounts Receivable Specialist Kortnee Angel Sweetdeals Specialist/HR Coordinator Courtney DeShields Nuts & Bolts Ninja Christina Wukmir Interns Holly Gerhard, Grace Stokes Senior Support Tech Joe Kakacek Developer John Bisignano System Support Specialist Kalin Jenkins

05 07 08 13 15 24 29 35 37 42 44 46 55 61 75

STREETALK LETTERS NEwS + beaTS ScoREKEEpER FEATuRE SToRy ARTS&cuLTuRE SEcoNd SATuRdAy NighT&dAy diSh + off MeNu STAgE FiLm muSic + SouNd adVice ASK joEy ThE 420 15 miNuTES

coVER dESigN By BRiAN BRENEmAN coVER iLLuSTRATioN By johN mALTA 1124 Del Paso Boulevard, Sacramento, CA 95815 Phone (916) 498-1234 Fax (916) 498-7910 Website www.newsreview.com Got a News Tip? sactonewstips@newsreview.com Calendar Events www.newsreview.com/calendar Want to Advertise? Fax (916) 498-7910 or snradinfo@newsreview.com Classifieds (916) 498-1234, ext. 5 or classifieds@newsreview.com Job Opportunities jobs@newsreview.com Want to Subscribe to SN&R? sactosubs@newsreview.com Editorial Policies: opinions expressed in SN&R are those of the authors and not of chico community Publishing, inc. contact the editor for permissions to reprint articles, cartoons or other portions of the paper. SN&R is not responsible for unsolicited manuscripts or review materials. email letters to snrletters@newsreview.com. all letters received become the property of the publisher. We reserve the right to print letters in condensed form and to edit them for libel. Advertising Policies: all advertising is subject to the newspaper’s Standards of acceptance. The advertiser and not the newspaper assumes the responsibility for the truthful content of their advertising message. SN&R is printed at bay area News Group on recycled newsprint. circulation of SN&R is verified by the circulation Verification council. SN&R is a member of Sacramento Metro chamber of commerce, cNPa, aaN and aWN.

Puppies vs. sting A 20-minute Last Week Tonight with John Oliver clip lamenting the state of print journalism recently stirred buzz among my peers. The industry’s problems, Oliver explained in it, are myriad: Staff cuts, shrinking revenue and circulation and, correspondingly, a push toward “digital-first” newsrooms. “It’s clearly smart for newspapers to expand online,” Oliver said. “But the danger in doing that is to gravitate toward whatever gets the most clicks.” In short, he added, that push can—and often does—lead to more cute puppy videos and fewer stinging exposes. The segment touched a nerve. During my career I’ve watched print ads nosedive and resources dwindle. In 2009, in fact, I was part of a mass layoff at The Sacramento Bee. It wasn’t the paper’s first cut, of course, and it certainly won’t be its last. Recently, the Bee has tried to rebuild as a digital-first entity, with an emphasis on video in particular. Is it working? In July, McClatchy, the Bee’s parent company, reported a secondquarter net loss of $14.7 million, with ad revenue down 11 percent. Ouch. Not to pick on the Bee, however. Honest. SN&R and other alt-weeklies also face huge challenges. Smaller staffs, fewer ads and, always, the worry about content vs. pickup rates. Cute puppy videos, we know, will always do well—but what about articles on government corruption, the homeless and the environment? Not quite as exciting, sure, but so very necessary. I have no answers, just a commitment to strong journalism and compelling stories, whatever the topic. I just hope our readers will continue to dig in deep with us.

—Rachel leibRock r a c h e ll@ ne wsr e v ie w.c o m

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“PATRÓN, THAT’S A GOOD SHOT IN THE MORNING.”

asked at the R stReet coRRidoR:

What’s your favorite cocktail?

Rebecca buchmilleR analyst

mat thias kimball

Jack ewiNg hairstylist

My favorite cocktail is the Cosmopolitan. It’s light, refreshing and comes in a sexy glass—which is the most important part of the drink for me. Who doesn’t like a drink in a sexy glass? I like the mixture of lime and cranberry juice. And the vodka, of course. Can’t forget about the vodka.

NathaN coRe y

engineer

As a recovered alcoholic, I don’t drink anymore; however, Hook & Ladder has a non-alcoholic coffee stout that is to die for. If I were to drink, it would be a Scooby Snack: Midori lime, a bit of whipped cream and Malibu rum shaken together. It’s the girliest cocktail in the world, but that would be my go to.

My favorite cocktail is the Laphroaig cocktail at the Shady Lady. It’s just such a different flavor, it’s an acquired taste, it takes a couple of times to get into it, but I just keep coming back. It’s a very smoky flavor, like it almost tastes like a campfire. Every sip is like an experience.

R aNdy emmit t

shop manager

Nikima aRmstRoNg

construction worker

My favorite cocktail is a macho mojito. It’s basically your standard mojito with the addition of a man-made natural harvest. Man-made natural harvest is a natural protein, a boost, I guess you could call it. It’s refreshing, it’s delicious, it never gets old, I love it all the time and you can’t beat the protein you get out of it.

I like cranberry juice. And vodka. So, my favorite cocktail is a vodka cranberry. I’ve had a lot of cocktails, but I really just like cranberry juice. And vodka, of course—the vodka is important. I drink it as much as possible and I like having fun—I play pool while drinking it. The vodka cranberry is all right with me.

caregiver

Oh, I have so many. I like my Jägerbombs and Patrón shots. Those are my two favorites. Jägerbombs are a lot of fun: you drop it in and drink it as fast as you can. Patrón, that’s a good shot in the morning. Two shots and you’re good for the day. I kid you not, I do that every day.

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Young and Hopeful IN LIGHT OF RECENT SHOOTINGS, BOYS & MEN OF COLOR SUMMIT LOOKS TO IMPROVE OUTCOMES FOR YOUTH BY E D G A R S A N C H E Z

he tragic distrust between police and African Americans will linger until new ideas for mutual respect are found by today’s youth.

Until that day, Matthew will continue to fear police, or as he put it, “feel uneasy” around them, despite being a law-abiding citizen.

That prediction was made recently by Robert S. Nelsen, president of Sacramento State University, as he welcomed 150 young men to his campus for the annual Boys & Men of Color Summit held on July 21.

While the shootings weighed heavy over the summit, the main purpose was to motivate youth to succeed. Speakers, including Sacramento Vice Mayor Rick Jennings, urged the youngsters to avoid gangs, drugs, cigarettes and alcohol, and, of course, attend college.

Referencing the recent fatal shootings of African Americans in Minnesota and Louisiana, and the subsequent fatal shootings of police ofﬁcers in Dallas and Baton Rouge by black gunmen, Nelsen addressed the young men ages 14 to 21 with hope. “You’re the ones who are going to change [this situation]; it’s not going to be old … guys like me,” said Nelsen, 64. “You have to show us how to make America inclusive and human.” Now in its ﬁfth year, the Boys & Men of Color Summit is organized by a diverse group of young men with funding support from The California Endowment’s Building Healthy Communities initiative. Among the planners this year was Matthew Cornelius-Germany, an 18-year-old African American bound for Sacramento City College.

“IT’S GOOD THAT … NOT EVERYONE’S GIVING UP ON OUR YOUTH.” Matthew Cornelius-Germany, 18 Organizer of Boys & Men of Color Summit

The Kennedy High graduate applauded Nelsen’s speech.

The power of education was another main theme. In his remarks, Nelsen emphasized that tomorrow’s leaders — those who will change society — must be college-educated. Workshops addressed issues such as teachers who set up students for failure, a subject that attendee Anthony Campi knew well.

“I pretty much agreed with what he said,” Matthew stated. “We [youth] need to ﬁnd new, creative ways” to achieve peace between police and minorities.

“A history teacher at [a local middle school] told me I would end up a bum on the streets,” said Anthony, 15, now at McClatchy High School. “She said I would never go to college.”

From left, Anthony Campi and Matthew Cornelius-Germany attended the July 21 Boys & Men of Color Summit, where recent shootings between police and black men were repeatedly mentioned by speakers. Photo by Anne Stokes

Anthony, a Latino, is on a mission to prove that since-ﬁred teacher wrong. “I believe I can follow my dreams,” Anthony said, adding the summit gave him a road map for the path to college. And what was Matthew’s biggest takeaway from the summit? It may well have been this: “It’s good that … not everyone’s giving up on our youth,” he said.

Your ZIP code shouldn’t predict how long you’ll live – but it does. Staying healthy requires much more than doctors and diets. Every day, our surroundings and activities affect how long – and how well – we’ll live. Health Happens in Neighborhoods. Health Happens in Schools. Health Happens with Prevention.

In 2010, The California Endowment launched a 10-year, $1 billion plan to improve the health of 14 challenged communities across the state. Over the 10 years, residents, community-based organizations and public institutions will work together to address the socioeconomic and environmental challenges contributing to the poor health of their communities.

Connect with Sacramento Boys & Men of Color at

www.facebook.com/ SacBMOC

PAID WITH A GRANT FROM THE CALIFORNIA ENDOWMENT 6 | SN&R | 08.11.16

BUILDING HEALTHY COMMUNITIES

www.SacBHC.org

Email lEttErs to sactolEttErs@nEwsrEviEw.com.

Low votes, no morals Re “Allen Warren’s neighborhood” by Raheem F. Hosseini (SN&R Feature Story, August 4): Warren had the least percentage—52 percent—of any incumbent running. He knows full well that in a low-income, decaying area such as District 2, voter participation is extremely low. He is Sacramento’s version of [Washington, D.C., mayor] Marion Barry doing just what he wants without regard to normal moral standards. I believe he will be re-elected time and time again, but will eventually be led out of office in handcuffs.

Karen K. Solberg S acr am e nt o

‘Female privilege’ Re “My white privilege” by Jeff vonKaenel (SN&R Greenlight, July 28): Jeff vonKaenel listed a politically correct column of his “white privilege.” I’d love to see (anywhere) a woman’s

column on female privilege. “I can hit a man and have him arrested if he hits me back.” “I can pour a drink on a man and be protected by the bouncer.” “I can reach the age of 18 without having to register my body with the government.” “I can control my parental destiny even after

bothered to share that pigment percentage with the Republican candidate for president. Thank goodness I can choose my politics. Richard Keys Sacramento

a child is conceived.” “I can be born without someone restraining me and slicing off part of my genitals.” “I can receive free food and entertainment while deciding whether someone is worthy of me.” “I can get myself drunk, engage in sex and then deny responsibility for my actions.” “I can get away with behavior that would get a man fired for sexual harassment.” There’s more to say, but letters have a 200-word limit. Fred Hayward Sacramento

Politics as usual Re “K.J.’s alternate reality” by Nick Miller (SN&R News, July 28): Finally, we can read for ourselves what the Kevin Johnson emails said. Pretty disgusting, but not surprising. Reminds me of Hillary Clinton, and not in a good way. This kind of behavior appears to be politics as usual in this country. Little, if any, ethics. Barb Rohrer Roseville

Choose wisely Re “My white privilege” by Jeff vonKaenel (SN&R Greenlight, July 28): This has to be the best essay I’ve ever read on race and politics. I was born pigmentprivileged, but so many still seem to talk and act like pigment is a choice. However, I’m most

ONLINE BUZZ

On the skinhead whO rePresented a PrO-LawenFOrCement CamPaign On LOCaL news:

Not so bizarre to me. Skinheads and fascists have always been unwaveringly pro-cop. Mostly because the police protect them as they spew their white supremacist BS.

JaKe Simon v ia Fa c e b o o k

on oFt-Sued, controverSial diStrict 2 councilman allen Warren: It’s a joke that the people of City council district 2 were dumb enough to reelect this unfit individual to the city council

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online Buzz contributions are not edited for grammar, spelling or clarity.

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Years after developer Paul Petrovich first drew up plans for a new Curtis Park neighborhood, the development remains unfinished—and the subject of debate. PHOTO BY Brian Breneman

Stunted growth Why community outrage—and a lawsuit—continues to stall Paul Petrovich’s controversial Curtis Park development by AlAstAir BlAnd

Years after developer Paul Petrovich first drew up plans for a new Curtis Park neighborhood, the development remains unfinished - and the subject of debate.

8 | SN&R

Curtis Park Village was supposed to be a happy, safe haven with several hundred new homes, a Safeway, almost 1,000 parking spaces in front and a gas station. But the proposed development has been stalled for months—years, really— as a wealthy developer and the local residents who oppose his gas station duke it out in court. About eight months ago, after the Sacramento City Council blocked Paul Petrovich’s controversial Curtis Park Village project—later renamed Crocker Village—several months ago, from proceeding, Petrovich threatened to bring in a cheap discount grocery store, a nail | 08.11.16

salon and a pet supplies store. A bluff? Possibly, and since no one budged, he took things up a notch and, in February, sued his opponents. The story can easily be spun as one of a small, neighborly community being invaded by a belligerent developer who hopes to cash in at any cost—in this case, defiling their neighborhood with a shopping mall, a gas station and increased traffic. On the other hand, some residents say they look forward to the new development. They believe it will class the place up a bit, boost the economy and, possibly, even reduce congestion and traffic by providing the

community with a convenient one-stop shopping center. The divisive element between the pros and the cons is, as it has been for many months, the gas station. Petrovich proposed it as a Safeway rewards gas station, where customers who buy groceries there would build up credit to use at the gas station. Reportedly, Safeway has said it wouldn’t move into Petrovich’s envisioned commercial center when the city council rejected the conditional-use permit that would have allowed him to build the “fuel center.” A representative from Safeway did not

return SN&R’s phone calls or emails to confirm. And if Safeway doesn’t move in, a cascade of negative effects could follow. “Safeway is not going to come without the gas station, and without the Safeway we won’t get the better co-tenant businesses,” said Bruce Strickley, a resident of the Curtis Park neighborhood, adjacent to the proposed building site. In other words, the gas station was the linchpin of the whole community. If the Safeway doesn’t take up residence in Crocker Village, a lower-end grocery store probably will—and it’s the dodgy co-tenant businesses that will come along with a low-end grocery store that are such a turnoff to residents like Strickley. He worries that eliminating the gas station will indirectly lead to the presence of such places as a payday loan office, a laundromat and an auto parts shop. On the other hand, a Safeway would mean upscale cafes, a nice restaurant, a gym and perhaps a bank, Strickley says. “And we really need a one-stop shopping center around here,” said Strickley.

Sac PD’S wrongful Death lawSuit See newS

Define ‘worlD claSS’ See eSSaY

School of thankS See greenlight

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reSigneD to a PaYcheck “If we had one, people like me might actually ride our bikes there.” Strickley also believes the plan as Petrovich wants it would ease local traffic and congestion. Petrovich first proposed his project more than a decade ago. Locals seemed more or less OK with the development, which Petrovich supposedly agreed to build in a style aesthetically similar to the historic architecture of Curtis Park. The project description also included bike paths, plenty of green space and a pedestrian-friendly design. Eric Johnson, a Curtis Park resident and president of the Sierra Curtis Neighborhood Association, told SN&R that he and other locals liked the plan, which would have been a welcome improvement to what had been for decades a derelict vacant lot. To mitigate any potential impacts of the project, Petrovich even helped pay for community improvements, like a pedestrian bridge leading over the train tracks to the light rail station. He also invested $50 million into cleaning up an old toxic dumping site at a defunct rail yard. It looked like a good deal for everyone. Then, in 2014, Petrovich sprang the idea of a fuel center. Local opponents, Johnson among them, went up in arms. Community meeting halls were packed with angry residents (though some accounts report that there were plenty of supporters, too). Residents of the area were concerned that the automobile-centric approach of the project would worsen traffic and create a net negative impact on locals’ health and safety. The Sacramento Planning and Design Commission voted 8-3 in June 2015 to approve the project—gas station, parking lot, Safeway and all. Then, in November, the city council intervened and shot the plan down. The main problem remained the gas station. Today, the project has barely begun, with just a handful of the planned homes finished and occupied by new residents. Petrovich’s lawsuit, which is still pending, specifically targets the city of Sacramento, the city council, the Sierra Curtis Neighborhood Association, Andrea Rosen and Johnson. The suit contends that the city led Petrovich on a 12-year process of meetings and formal deliberations, including a 2,000-page environmental impact report, before—without justification—turning at the last minute and rejecting the gas station, a core piece of his plan.

Third-party reviews of the project after years of advancing, the fact that the determined it would produce a net city council rejected it after a few locals reduction of traffic and would not pose a appealed it is just insane,” Heede said. significant public health risk, according Some of the outcry over Petrovich’s to the suit. The lawsuit also claims that project comes from its focus on drivpart of the reversal came because one city ing and parking. The lawsuit, in fact, councilman, Jay Schenirer—a Curtis Park unabashedly calls the nonresidential resident—seemed to have personal bias portion of the development “a large, against the project. automobile-oriented Commercial Center.” Schenirer’s camp denies the allegation. It may sound unappealing, but Rob Joe Devlin, chief of staff at Wassmer, a professor of urban land Schenirer’s office, wrote in an email development at Sacramento State, says exchange with SN&R that “[t]he council Petrovich really couldn’t have planned member has been very supportive of the Crocker Village any other way. That, he project over the last six years and the says, is because building a large commuoffice is looking forward to the complenity without a focus on car culture just tion of the project. It will be a benefit to wouldn’t be profitable. the neighborhood and the city.” The only “People aren’t getting out of their cars, part that the councilman was ever unsure not even in Curtis Park,” said Wassmer. of was the fuel station, Devlin explained. Wassmer says an apartment building Johnson and Rosen are accused in the constructed almost a decade ago beside lawsuit of using “speculation, hearsay Highway 50 was oriented around public and incompetent lay arguments” transit and without a great deal of to make the case that the parking spots. gas station would pose “And it wasn’t a public health and successful,” Wassmer safety hazard. Still, said. “People didn’t Petrovich offered want to live there.” to placate their The apartments concerns by were eventually relocating the converted into gas station to hosing for a point farther Sacramento than initially State students, planned from he adds. Rob Wassmer the nearest Wassmer professor, Urban Land Development, homes, the empathizes with Sacramento State lawsuit states. Petrovich and Johnson said he framed the saga could not comment on as a classic case of the lawsuit, saying only NIMBYisms—a.k.a. “not in that Petrovich’s legal approach my backyard” people who object is essentially a scare tactic. to change if it affects their own lives, “He’s trying to intimidate people into especially the areas where they live. not questioning future developments,” But Curtis Park residents have said Johnson said. they oppose Petrovich’s plan simply Petrovich’s law firm, Rutan & Tucker, because it will harm the environment did not return emails seeking comment. and the aesthetic nature of the historic Neither did Petrovich, whose last formal neighborhood. court action was a public records request Johnson, in fact, says he is eager for filed on July 6. More recently, he filed the project to proceed as promised— a motion with city council asking to before the gas station was proposed. be compensated for his legal fees to “It’s really frustrating for the residents the tune of $300,000. He withdrew the of Curtis Park that the development has request before the council had a chance to been stalled,” said Johnson. “It’s really consider it at their July 19 meeting. frustrating to have this project that was Meg Heede, a Curtis Park resident promised as walkable, livable, green, who favors Petrovich’s project, said in an environmentally conscious, all that good interview with SN&R she is outraged by stuff, to right now just look in a lot of the city council’s rejection of a project ways exactly like it did 70 years ago that had already been greenlighted. when it was just a pile of toxic dirt.” Ω “It passed every review and got approved by the planning commission, and

“People aren’t getting out of their cars, not even in Curtis Park.”

Linda Katehi is done as UC Davis chancellor—but she’s not going far. On Tuesday, the UC Office of the President announced the resignation of the embattled uc Davis chancellor following a months-long investigation into questionable conduct—but Kathehi will still be on the ucD payroll. On April 22 UC President Janet Napolitano suspended Katehi for 90 days while an outside firm investigated allegations of misspending student funds, nepotism and Katehi’s role in a strategy to drown out online criticism of the campus. According to Napolitano, the concluded investigation found “numerous instances” where Katehi “exercised poor judgment, and violated multiple university policies.” “These past three months and the events leading up to them have been an unhappy chapter in the life of UC Davis,” Napolitano said in a statement. “I believe it is in the best interest of the campus, the Davis community and the University of California that we move forward.” And yet, katehi will retain full-time employment as a member of the university’s Department of Electrical and Computer Engineering, as well as with the Interdisciplinary Program of Gender, Sexuality and Women’s Studies. In a statement, Katehi’s lawyer Melinda Guzman claimed her client had been vindicated by the investigation. “Today should end any speculation about what she has been alleged or rumored to have done,” Guzman said. Meanwhile, Katehi released a five-page letter announcing her resignation and thanking the UCD community. She also lauded the “many accomplishments” the university made during her tenure. Former provost Ralph Hexter will remain interim chancellor as a national search gets underway. (Kris Hooks)

white Blight A crowd of residents told Sacramento officials last week to stop bragging about the city’s famed diversity until its work force reflects that distinction. The message came on the heels of a report documenting that the majority of Sacramento’s employees are white, while its highest-paid managers are overwhelmingly men. Councilwoman Angelique Ashby also announced she’d be collecting additional data surrounding the lack of women in management positions, while Councilman Steve Hansen requested another report exploring whether Sacramento’s lgBt community is underrepresented inside City Hall. Before the night was out, City Manager John Shirey was given a directive by council members to form an immediate action plan, with Councilman Larry Carr saying he would hold Shirey “accountable” if he fell short of a meaningful remedy. When it was his turn to speak, Shirey acknowledged the city had grown “lazy” in its hiring and recruitment practices. Throughout the night, speakers referenced a Time magazine article published in 2002 naming Sacramento the most diverse city in the nation. For Georgette Imura, who grew up in the city, the auditor’s report was proof Time’s declaration was celebrated too quickly. “I was not shocked by the numbers contained in the report, but I am very disappointed we’re still talking about this in 2016,” Imura told the council. “Sacramento prides itself, and boasts often, about being the most diverse city in the United States. So shame on us for not having a city staff that reflects the diversity of our population.” (Scott Thomas Anderson)

08.11.16 | SN&R | 9

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A disarming video Cellphone footage contradicts police claims in fatal shooting by Scott thomaS anderSon

sc o tta @ ne wsr e v ie w.c o m

was holding a knife. Burris emphasized that if The calls for more law enforcement oversight the officers truly believed Mann was concealing rose to a chorus last week after family members a gun, they would have approached him in an of Joseph Mann, who was shot to death July 11 entirely different manner than what the video by Sacramento police, broke their silence at an depicts, where they’re shown following him at a emotionally charged press conference at Allen slow pace for several minutes. Chapel African Methodist Church. Burris blasted police for not allowing Mann’s Announcing a new federal lawsuit, Mann’s family to come to the department and view its family members allowed their attorney to show a own video evidence in the case. “We’ve been cellphone video, provided by a witness, that the able to get videos like this from other police claim proves Mann was unarmed and not a threat departments,” he said. when officers shot him more than a dozen times. Hours after the press conference, Sacramento Leaders from several community groups police spokesman Sgt. Bryce Heinlein told said Mann’s death is the latest reminder that SN&R his department understands how deeply Sacramento needs a more independent and incidents like the Mann shooting affect the citizen-steered police commission. community, though he stressed detectives have Mann was killed walking on Del Paso to walk a difficult line between transparency and Boulevard after residents called 911 to report his jeopardizing the overall investigation. erratic behavior near businesses. Veteran civil Critics descended on a Sacramento Community rights attorney John L. Burris is representing Police Commission meeting Monday Mann’s family in the wrongful death to demand the board be given the suit and said that “any ordinary power of subpoena, stronger person” would have recognized investigative abilities and the Mann was having a psychologiauthority to terminate a police cal episode and needed mental “There needs to be officer’s employment in cases health professionals called real accountability.” of misconduct. Some attendees to the scene. Instead, Burris Richard Owen also objected to a police union contended, the cellphone head of Law Enforcement attorney sitting on the commisvideo shows police “aggresAccountability Directive sion’s board of directors. sively” cornered him against a One group participating in fence before firing on him while the 87 person-strong show of his hands were empty and he solidarity was Law Enforcement wasn’t charging. Accountability Directive, or LEAD. Burris also showed graphic autopsy The new organization is headed by retired photographs to prove the 51-year-old’s body local educator Richard Owen, who said years was, in Burris’ words, “literally shredded” by 18 of being involved in north Sacramento’s bullets. Burris alleges that the two Sacramento community compelled him to take action. police officers involved ignored standard police “I joined LEAD because I have sons who protocols when they decided to use lethal force. have grown into successful, professional men, The police department named the officers and yet they’ve still had these run-ins where last week as John C. Tennis, on the force since they’ve been confronted by the police and had 1990, and Randy R. Lozoya, who joined the guns stuck in their faces,” Owen told SN&R. force in 1991. “And the other reason is that I’ve kept in touch In a public statement issued by the with many of my former students over the years, Sacramento Police Department on July 11, and some of the stories I’ve heard from them authorities said Mann had brandished a knife about the police are quite alarming to me. There and appeared to be drawing a gun from his needs to be real accountability.” Ω waistband when officers fired. Police also said they had received various 911 calls about a suspect in the area who was possibly armed with a knife or a gun. Web extra: An extended version of this story is available at Burris and Mann’s family, however, assert www.newsreview.com/sacramento. the cellphone video now disproves the claim he

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Sacramento city officials, developers, and tastemakers are still trying to cram an idea in our ears: “World-Class City.” They love this term. It’s the barometer by which we are judged, with the implication being that we as a city fall below the bar. “World-Class City” as an objective means this: what you are now is unlike the best places to live in the world; we will make Sacramento like everywhere else. The people who currently offer these ideas of a world-class Sacramento are not visionaries. So-called world class ideas are still code for the same thing: M-O-N-E-Y. For example, during her mayoral campaign run Angelique Ashby was a guest on the local podcast Serious Talk Seriously. On it, she shared an anecdote about a visit to Seattle to gather homeless initiative intel. Her story devolved into a criticism of Sac city officials as wide-eyed worshipers of Seattle’s restaurants and lifestyle, quick to depict Sacramento as lesser. It all had very little to do with addressing homelessness. This attitude resonates through the “big ideas” on the table for Sacramento 3.0. Each suggestion requires comparison: “A Walk of Stars—like Hollywood.” “A Jeff Koons outside the arena— like the Met.” “More high-rise housing downtown—like Austin.” Worse yet, big ideas also come with even bigger entitlements and subsidies. Excuse Amazon from $1.75 million in developer fees for a distribution center. Excuse Yamanee of developer fees required to build in Midtown and turn those fees into a $162,000 “endowment” for a vague “downtown activities” fund. World-class cities pass revolutionary reform. World-class cities don’t imitate, they innovate. Identities are not cherry-picked from greener grass. Identities are inherent. What if Sacramento considered the “world” in “world-class city” instead of emphasizing a perception of class, of status? You know, world class like the Dalai Llama, not perception of status like Kardashianism. What if we led the world in taking care of all income classes, refugees and immigrants? We love to tote our “most diversity” label as an indicator of our progressiveness, so then let’s take in refugees. Come here, bring your people and diversify our neighborhoods. Listen to people here, right now. The homeless only want the decriminalization of a basic human need. Watch the Facebook video (http://tinyurl.com/j2z8owc) of an Oak Park man named Victor asking why his black body makes people concerned when he wants to attend a meeting in his neighborhood. Victor doesn’t need a two-hour presentations parading hope for a federal grant. Victor needs to know that if that grant is awarded, that city’s transformation will include him. Ω

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difficult. And it seems especially diffiThey are nervous and excited. cult to do well. The very idea that one It’s the first day of school. Hundreds can keep young children sitting inside of thousands of Sacramento students all day learning math, English, history are thinking about what they will wear. or science frankly seems ridiculous. Yet Wondering who will be in their class. that is the mandate. Hoping to do well this year. And, of Over the last few years, I have had course, wondering about their teacher the pleasure of working with dozens of or teachers. traditional schools and charter schools When I think about my youth, I do telling their stories through the News not think about it by year, but rather by & Review’s client publication division. teachers. Mrs. Francis in the first grade, And I have spent hundreds of hours Mrs. McGuire in the second grade, with teachers discussing what’s imporMrs. Greenwald in the third grade, Mrs. tant at school, different educational Thomas in the fourth grade, and so on. philosophies and how they relate I spent more time with them in a to students. room than with any other Consistently, teachers’ adults, even my parents. faces light up when talking What’s more, we about students. They had this ongoing take pride in making enjoyment of our It seems that an impact in their mutual undertakstudents lives. They feel ing: learning teaching is more of a heartbreak when their multiplication calling than a job. students suffer. It seems tables, diagramming that teaching is more of a sentence, discovera calling than a job. ing the magic of I never thanked my science, making a free elementary school teachers or throw and the thousands of any of my junior high or high school other skills I mastered at school. teachers, with the exception of my swim It was never just the subject matter. coach. I never told them how much they It was the teacher’s love of stories that meant to me, how many of my accommade English come alive. The teacher’s plishments are based on their efforts. enthusiasm for history that made it fun. But I certainly feel it now. Their delight in science that spread In California, we will soon have the through the class. When I think of my first day of the new legislative session. youth, one of the most joyous times I There will be many educational issues ever had was listening to my third grade to consider. School funding, education teacher read stories. When she read us curriculum. Bathroom designations and scary stories about witches and stuff, charter school discussions. Many words my classmates ate up every word. will be spoken; many heated words. Everything about schools is imporBut let us make sure that two words are tant. Testing, math, English, biology, included in all of our discussions about including evolution and sex education. school. Thank you. One of which is But what I remember most are the a verb and the other the object of that teachers. Their ability to control a verb, according to Mrs. Thomas. Ω classroom, to explain complex concepts and to show love. My children and I had a few fair teachers, many good teachers and some Jeff vonKaenel is the president, CEO and majority amazing teachers. I feel very grateful, owner of the News & Review. for their job seems overwhelmingly

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“THE HAPPY HOUR ISSUE”

continued from page 15

Modern-day alcheMist H ow Ba ro n S t e l l i n g w e n t fro m H o B By i S t t o n at i o n a l c o c k ta i l S ta r

BY JANELLE BITKER • janelleb@newsreview.com It’s nerve-racking preparing a cocktail for Charles Joly, known in the industry as one of the best bartenders in the world. Sacramento bartender Baron Stelling came face-to-face with those nerves, and Joly, champion of the 2014 Diageo Reserve World Class, and about 5,500 onlookers at a national cocktail competition earlier this summer. The cocktail in question was the Stag Savior, an original blend of Jägermeister, gin, absinthe, Angostura bitters, apricot liqueur, pomegranate grenadine and fresh lime juice. Stelling developed the recipe quite easily, actually, inspired by Jägermeister’s natural herbaceous and fruit notes. It got him through two qualifying rounds to the National Restaurant Association competition in Chicago, representing Northern California against five of the top bartenders in the country. What did Joly think? “He told me that if he was at a bar and drinking the drink, he would have happily finished it and gladly ordered another,” Stelling says. “Coming from somebody at that level who has been doing it so long, it’s the highest praise I can think of.” The other judges agreed. Stelling won, earning the title of 2016’s Star of the Bar. The victory marks a rapid ascent for Stelling, who started professionally bartending three years ago. When he was 21 years old, he randomly picked up his first cocktail book and became obsessed. “It’s almost like modern-day alchemy,” he says. “It’s a whole interesting world of how we perceive flavor and how presentation can influence how we taste something.” But that was back in 2008, before Shady Lady Saloon opened and helped usher in Midtown’s now vibrant craft cocktail culture. So, cocktails became a hobby for Stelling. An intense hobby. He constantly threw questions at bartenders, such as Brad Peters, who eventually gave Stelling his first gig as a barback at Hock Farm. Quickly, he took over the patio 16 | SN&R | 08.11.16

bar, the Church Key, and became known around town for his tiki flair. Now, you can find Stelling—and the Stag Savior—at Paragary’s. He also joined the Shady Lady team last fall, but he’ll maintain his Paragary’s loyalty when he participates in Sacramento Cocktail Week’s annual competition on Wednesday, August 17, at Harlow’s Restaurant & Nightclub. Last year, he and the Paragary’s team won first place at the speed competition, beating out heavyweights Bottle & Barlow, the Golden Bear and Shady Lady. The three-person teams must make six drinks as quickly and accurately as possible, and Stelling takes the planning and choreography seriously. But ultimately, Stelling keeps entering

“Winning the $5,000 was nice, but that’s not the primary reason i compete.” Baron Stelling bartender

competitions—he has about a dozen under his belt in just three years— because it means he’ll meet fellow passionate bartenders and challenge his ordinarily cautious personality. That’s the case with Sacramento Cocktail Week as well as larger events, such as Star of the Bar. “Winning the $5,000 was nice, but that’s not the primary reason I compete,” Stelling says. “It’s furthering myself, pushing myself and getting better grasp of what the industry is all about.” Ω

Try the Stag Savior ($12) at Paragary’s, 1401 28th Street. Or, see Baron Stelling compete at the Sacramento Cocktail Week Cocktail Competition at 6 p.m. Wednesday, August 17, at Harlow’s Restaurant & Nightclub, 2708 J Street. Tickets cost $10-$15. More at http://sacramentococktailweek.com.

“THE HAPPY HOUR ISSUE”

Get a head start

Made from Lucky Dog Ranch beef, this burger from Lucca is a steal.

continued on page 19

tomatillo salsa. Or, the playful poutine ($6), with crispy tots and cheese curds drowning in pork gravy. It’s all ridiculous, and exactly what you want when guzzling down $7 fancy cocktails. 2718 J Street, http://theredrabbit.net.

Little cravings Centro Cocina Mexicana

BY JAneLLe BitKeR janelleb@newsreview.com

V e n t u R e o u t e A R LY to tA K e A DVA n tAG e o f H A ppY H o u R BA RGA i n S Friends make fun of me because I like to eat dinner at 5:30 p.m. Yeah, yeah, yeah, I’m so old, blah, blah, blah. But eating early isn’t only fantastic on your digestive system, it also means fewer crowds, quicker service, a smaller bill and therefore a maybefalse sense of righteousness that you absolutely deserve to splurge on dessert later. Anyway, some restaurants offer drinkcentric happy hours with minimal snacking options, but at others, it’s easy to pull off a full meal.

Meat, please

Arthur Henry’s Supper Club & Ruby Room One order, one full meal. During happy hour from 5 p.m. to 7 p.m. daily, Arthur Henry’s offers a bangin’ special: a petite sirloin dinner with a drink for $13. That includes salad—get the blue cheese dressing—and garlic bread. Grill your 6-ounce steak in peace, knowing a steak, lettuce, bread and beer probably would have cost you something somewhat similar in a grocery store. Maybe. Anyway, be careful to specify exactly what your full intentions are for your meal if you wanted to, say, start with your beverage while you wait for friends to arrive. This ordinarily reasonable request is abnormally complicated at Arthur Henry’s, and you don’t want to get charged extra. That defeats the whole point of happy hour. 3506 Broadway, www.arthurhenrys.net.

D iRt- CH e A p D Rin K S BY AntHonY Siino anthonys@newsreview.com

Happy Hour deals for wHen you real ly, real ly need anotHer beer After hours of grinding away your sanity to stave off whatever capitalistic coercions are at your neck today, there’s nothing better than dipping into nihilistic escapism with the help of our favorite numbing agent. Alcohol’s primary appeal is that it kills both the body and the mind, and the nice thing about it is that society works extra hard to make sure that even the poor—especially the poor—have access to it. If you favor quantity over lifespan, here are your most cost-effective options for forgetting that it’s only Tuesday.

All about that beef Lucca Restaurant & Bar

All around, Lucca’s happy hour is solid. What really sets it apart, though, is the food menu, with most snacks in the $3-$5 range. Considering the quality and the price, portions are generous. I couldn’t believe I felt reasonably stuffed after feasting on one beef meatball ($4.50), paired with creamy polenta, marinara and Parmesan. Or, go for the burger ($7), a pared down version of what usually sells for $14.95. Cheese? Eh. It really comes down to the excellent beef from Lucky Dog Ranch. Even better: the usual 3-6 p.m. deal doesn’t apply on Thursdays, when happy hour lasts all night. 1615 J Street, www.luccarestaurant.com.

Porky goodness Red Rabbit Kitchen & Bar

Remarkably, some of Red Rabbit’s most popular dishes are only served at happy hour. Maybe it’s because they just beg to be consumed with alcohol, and Red Rabbit is most famous for its skills with booze. Take the popcorn pork belly ($6): tempura-battered and deep-fried cubes of fatty pork belly, coated with cotija cheese and Sriracha. Pair them with street tacos ($2) filled with melty braised pork cheek, cheese and

It’s surprising more Mexican restaurants don’t engage in as robust a happy hour as Centro, considering the tradition of antojitos just makes sense at 5 p.m. Antojitos are street snacks, literally and adorably translated to “little cravings.” At Centro, you can only get certain antojitos during happy hour, including huaraches ($5) and flautas ($5). Huaraches are oblong, chewy masa cakes, and here they’re topped with black beans, chicharron, salsa, cabbage, crema and cotija cheese. For the flautas, rolled crispy tortillas are filled with creamy, cheesy potatoes. Wash them down with a $5 margarita. Snacking for dinner never tasted so good. 2730 J Street, www.centrococina.com.

Did you say $1 oysters? Yup

Raw oysters on the half shell are one of life’s most simple, briny treasures—except that those few bites can get monstrously expensive. Luckily, a few spots serve $1 oysters during happy hour, including two Asian-Cajun seafood boil places. Find $1 oysters on weekdays from 3 p.m. to 6 p.m. at Crab City Restaurant & Dessert and Firehouse Crawfish, plus all day on Mondays at the latter. Every Tuesday night, Skool on K offers $1 oysters, along with brunch on the weekends. And every Wednesday night, follow the oyster train to Binchoyaki Izakaya Dining, which also offers $1 oysters Friday and Saturday nights from 10 p.m. to midnight. Plan correctly, and you can easily feast on oysters every day. Crab City Restaurant & Dessert; 7837 Stockton Boulevard, Suite 500; http://crabcitysacramento.com; Firehouse Crawfish; 6519 Savings Place, Suite 205; www.sacfhc .com; Skool on K; 2319 K Street; http://skoolonkstreet .com; Binchoyaki Izakaya Dining; 2226 10th Street; http://binchoyaki.com.

Get StiCKY

So MAnY SHiRtLeSS CowBoYS

Sometimes a cheap beer isn’t the same if you’re not surrounded by a certain style of stickiness. Who wants to drink with folks who can afford cleanliness, anyway? Old Tavern’s it’s-an-actual-baroh-thank-God aesthetic wards off all sorts of decent people, leaving the rest of us to properly enjoy our $7 pitchers in peace. Of course, that’s a 24/7 thing at Old Tavern, but it’s still better than most happy hours. Other round-the-clock specials include $3.25 wells and Miller High Life for $1.75. Plus, there’s one pool table, a big, wonderful patio and bathrooms where the exposed Sheetrock somehow seems like a relative courtesy to the customer.

The main problem with most bars is a sickening dearth of shirtless cowboy studs. Thankfully, the Merc is loaded with them, as long as we’re talking about the dudely pictures on the wall. The perfect retreat from the more clubby venues of Lavender Heights, the Merc will give you the $4 double well drinks and $7 pitchers that your shitty body craves, and it’ll be an absolute blast the whole way through. Find these heavy-duty deals 4 p.m. to 7 p.m.

old tavern bar & Grill

the Mercantile saloon

1928 L Street, (916) 447-0792

1510 20th Street, (916) 444-5595.

More “DIRT-CHEAP DRINKS” on page 19

08.11.16 | SN&R | 17

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“THE HAPPY HOUR ISSUE”

Fancy FoR lEss Chasing bargains at Sacramento’s most elite bars By JaNeLLe BitKer janelleb@newsreview.com

We can’t all afford to wine and dine at Sacramento’s most sophisticated, destination-status restaurants. Luckily, there’s happy hour: the democratization of drinking. Read on for where you can don your sleekest outfit while enjoying Sacramento fine dining at a fraction of the normal cost.

Drink, eat, repeat

Ella Dining Room and Bar

It’s hard to argue with the A-frame sign outside Ella, claiming to have the “Best Happy Hour.” From 3 p.m. to 6 p.m. Monday through Friday, the place buzzes with lobbyists and other suits, imbibing Ella’s flagship gin and tonic ($6.50). With housemade rainforest quinine tonic, orange Sucanat and fresh citrus, this cocktail runs you $12.50 outside happy hour. Other seasonal cocktails are similarly discounted, along with special small plates, which rotate every month. Worthy mainstays are the steak tartare ($6.50), bright and mustardy with garlic popovers, and the Caesar salad ($5.50) with fried capers and a runny egg. 1131 K Street, www.elladiningroomandbar.com.

“THE HAPPY HOUR ISSUE”

Ella Dining Room and Bar’s gin and tonic is famous for good reason—and only $6.50 at happy hour.

continued from page 17

continued on page 21

Elevated bar bites

Classic Italian

For 55 years, the Firehouse didn’t bother with a happy hour. But the prized, historic dining destination added the offering about a year ago. You can’t hang out in the beautiful, ivyladen patio, but you can still enjoy the chandeliers and general ornateness from the bar. From 6 p.m. to 8 p.m., pair a martini ($6) or beer ($3) with a dozen oysters ($12) or elevated bar bites, such as truffle fries ($5) or smoked beef sliders ($6). With all of the Firehouse’s recent changes, though, longtime fans of the restaurant will probably want the fish tacos ($8) with cilantro aioli and mango-avocado-cucumber slaw. The former lunch staple is now a happy hour-only attraction. 1112 2nd Street, www.firehouseoldsac.com.

With the hours of 5 p.m. to 7 p.m. on weekdays, you could easily turn your usual post-work happy hour into dinner at Biba. Simple cocktails run $8, wine slightly less, and the small plates are as classic and classy as the restaurant itself. There’s fried calamari with Calabrian chili ($8); roasted pork loin with tuna, capers and pickled vegetables ($8); and for the vegetarians, crispy eggplant layered with Parmigiano-Reggiano, mozzarella and tomato sauce ($8). 2801 Capitol Avenue, http://biba-restaurant.com.

The Firehouse

Biba

Streamlined discounts

Hawks Public House

Hawks recently revamped its whole menu, opting for a simpler, streamlined approach. Now, you’re handed the same list of dishes all day. What does that mean for happy hour? On weekdays between 2:30 p.m. and 5 p.m., all food is 20 percent off. And until 6 p.m., there’s a designated list of happy hour cocktails, including a martini, Manhattan and Sazerac, which all go for $7. If you dig the trendy vibe but not so much craft cocktails, you can get Pabst Blue Ribbon and a shot of bourbon for $7 as well. And, in case you’re one of the many confused about the restaurant’s parking situation: Yes, you can safely leave your vehicle in Sutter Health’s parking lot. 1525 Alhambra Boulevard, www.hawkspublichouse.com.

Expert cocktails

Grange Restaurant & Bar

Saddle up to the Grange bar between 3 p.m. and 6 p.m. on weekdays for fabulous cocktails that aren’t even offered on the regular menu. They’re simpler creations, usually with only three or four ingredients, but still expertly made and balanced. Consider a boysenberry margarita ($7) or seasonal sangria ($7), or even go the beer ($5) or wine ($6) route. Take in the elegant atmosphere and world-class service while you can, because once 6 p.m. hits, Grange’s cocktails run as high as $17 a pop. 926 J Street, www.grangesacramento.com.

“DIRT-CHEAP DRINKS” continued from page 17 Grease it up

Uncle Vito’s Slice of N.Y.

MaxiMize your cheap

Petra Greek They may have carved this place out of a rather narrow hallway, but in this magical hallway you can find cans of Olympia for $1 from 3 p.m. to 7 p.m. on any given day. Have you ever had an Olympia? It’s the best beer that was ever pissed, at a rate competitive with what you can get by buying a 12-pack and staying at home to watch your cats hiss at each other. You can also get a Mythos for $2.50 and some Pelagos wine for $4, but you’re not truly maxing and relaxing at that rate. Go cheap or (and) go home.

1122 16th Street, www.petragreek.com. Time your visit to Petra Greek right and get it cheap.

You and your pals have had a bunch of drinks. Hundreds of them. You’re simultaneously infinitely aware and utterly ignorant of the impermanence of your being. Better get you some grease and another beer before you start talking to your friends about radical freedom again. Vito’s will dome you with both a stein of brew and a slab of a slice for $5, and you aren’t forced into Bud Light and pepperoni, either. (No judgment should you walk that crowded road, though.) Not even Little Caesar’s is courageous enough to cut a deal like that, and that pizza isn’t even real. The only trick is that the timing is a bit complicated for any drunkard for figure out: You can max out your $5 from 4 p.m. to 6 p.m. Monday through Friday, and then later at night, there are windows from 11:30 p.m. to 1:30 a.m. Thursday through Saturday and from 10 p.m. to 11 p.m. Sunday through Wednesday.

1501 16th Street, www.unclevito.com.

08.11.16 | SN&R | 19

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SN&R 20 | SN&R | 08.11.16

Traditiona

NATOMAS 3541 TRUXEL ROAD SACRAMENTO, CA 95834 (916) 929-9464

ARDEN 1785 CHALLENGE WAY SACRAMENTO, CA 95815 (916) 927-9464

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“the happy hour iSSue”

continued from page 19

Sunday funday Sh u t t h e week en d d own wi t h Su n day h a ppy h o u r Speci a lS

Sunday afternoons can be a complicated time, emotionally speaking. The party part of the weekend is usually over. The chores are usually done. Time to just chill, right? Oh yeah, that. Work. It looms, gloomily. But that’s where Sunday happy hours come into play— consider them the sweet spot on your weekend’s socializing schedule, one last hurrah before you hunker down into productivity. Go forth, sip and nosh, and allow yourself to forget The Man for just a few more hours.

All the pretty people

Strings Urban Kitchen This downtown Italian spot is located inside the Capitol Towers building, a high-rise apartment building that seems to be home to an overwhelming number of pretty young people, many of whom are on display on any given hot Sunday afternoon, sunning at the adjacent pool. As it turns out, the weekend happy hour here, which runs from 2 p.m. to 5 p.m., makes for good people-watching sips and snacks. A ginormous glass of fruit-infused sangria (red or white) is only $4, or go for a specialty cocktail like the Ricky Ricardo (mint, vsimple syrup, Malibu rum, Absolut vodka and cucumber) for just $4. There’s a small wine list that tops out at $3.75 a glass. Strings also usually has a decent craft beer on tap—on a recent visit we enjoyed a Fieldworks Brewing Co. I.P.A. for $5. Bites are quotidian but they get the job done: A formaggio pizza ($5) is big enough for two to split and the aglio frites, crispy and coated with garlic, Italian seasoning and Parmesan cheese, make for a nice base for all those afternoon drinks. 1500 Seventh Street, http://stringsurbankitchen.com.

Arrive extrA eArly

Lou’s Sushi

The popular Midtown sushi spot is always busy—even on a lazy Sunday afternoon. So, word to the wise (and hungry), arrive before the doors open if you don’t want a half-hour (or longer) wait. Heads up, on Sundays, happy hour prices are good as long as the restaurant is open (5-10 p.m.). That means things could get dangerous with $1.99 sake bombs and $4 draft beers. The generous happy hour menu includes the refreshing Veggie No. 1 roll ($6), made up of asparagus, cucumber and avocado topped with spinach, and the Midtown roll ($8), a pankocrusted, fried spicy tuna and avocado roll that comes with both a Sriracha and sweet sauce. Plus, there are the miso spicy chicken wings (four pieces for $6) and the fragrant agedashi tofu ($5), fried tofu, soy broth and grated ginger. 2801 P Street, www.lousushi.com.

BY RACHEL LEIBROCK rachell@newsreview.com

eAsy like sundAy Afternoon

Shine

A quiet coffeehouse on a weekend afternoon is my happy place, and Shine makes it even better with a daily happy hour that includes weekends. From 3 p.m. to 6 p.m. get 20 percent off all draft beers (Shine features a rotating tap of local brewers), plus 20 percent off “select cafe items.” That essentially means whatever wraps are left by that point in the day. Oh, and $2.75 Polish dogs, too, if you’re into that sort of thing. Shine, tucked away from the Midtown hustle, is a nice place to post up with a laptop and write that Great American Novel. Or, you know, just idly people-watch. Both are worthy pursuits. 1400 E Street, www.shinesac.com.

Get cheeky

LowBrau This Midtown mainstay offers a generous Sunday happy hour menu. From 4 p.m. to 6 p.m., enjoy a smaller portion of the restaurant’s popular duck fat fries, the slider of the day or chicharrones for just $2 each. For $4 you can nosh on pretzel bites, mini corn dogs or chicken schnitzel strips. There are other snacky options, too, but let’s get to the all-important drinks; the selection includes Pabst beer ($2), selected draft beers ($6) and the house red or white wine ($6). All good, but I’m saving up coin for the $2 “cheeky shot”—a threequarter ounce serving of any well spirit. Cheers, mate. 1050 20th Street, www.lowbrausacramento.com.

Go until lAst cAll

Firestone Public House Firestone’s Sunday happy hour, which runs 9 p.m. to midnight, puts a cap on the weekend with $1 off all beers, $2 off all glasses of wine and $5 well drinks. The real bargains, however, are found in the food. Half-off all pizzas and half-off select appetizers? Yes please. Try the mushroom pie—rich and filling with mozzarella cheese, truffle oil cream, basil and Parmesan, and a steal at under $7. Or, go big with the Firestone Combo ($7.50), with tomato sauce, mozzarella, Parmesan, basil and a ton of meat: salami, pepperoni, pork sausage and black forest ham. Heavy meal for so late at night? Maybe, but come Monday morning will it matter? 1132 16th Street, http://firestonepublichouse.com.

Sip on this delicious $4 Sangria, Sundays at Strings Urban Kitchen.

08.11.16 | SN&R | 21

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lec Good chose the very un-hip-hop-sounding name of Lake Natoma as the title for his upcoming mixtape. His reason: It’s a local hidden gem. The same could be said of his hip-hop crew Pocket Fixed Mob, a collective of some of Sacramento’s most talented yet relatively unknown rappers. And they’re young—all hovering around 20 years old. “We’re doing something different,” Good says. “There’s a lot of gang rappers in Sacramento. We’re not just about hard bars and trying to sound cool. It’s from the heart.” Pocket Fixed Mob’s hidden-gem status could change soon, as several in the nine-person crew have new releases scheduled in the next couple of months. Unlike hip-hop subgenres popular in Sacramento, such as gangster rap and horrorcore, these guys create left-of-center, innovative and personal hip-hop, in the vein of Danny Brown, Earl Sweatshirt and Chance the Rapper.

“We were a group before there was a label to it—we were just brothers.” Wod Higgins rapper, Pocket Fixed Mob

Think of them as Sacramento’s Odd Future Wolf Gang Kill Them All. Like the Los Angeles group, Pocket Fixed Mob is also a large collective of solo artists who mix street smarts, surreal beats and weird references with honest, often emotional lyrics. “A lot of people are just saying something, just hiding what they’re going through,” says rapper Darin Steele. “We’ll put it to you on a plate.”

They started calling themselves the Pocket Fixed Mob in 2010: a group of high school kids from the Pocket-Greenhaven neighborhood who rode their fixie bikes around. At the time, they were just friends, though some had already dabbled in music. Of the nine members, six are rappers: Good, Steele, Wod Higgins, Moose Marlowe, Breon Hill and Lupe 94. The other three have different roles: Nico G is a producer, designer and manager; Adam Takeuchi also manages, produces and functions as the group’s accountant; and Jairus handles merchandising. Everyone works on their own projects, but they help each other whenever possible. “We were a group before there was a label to it—we were just brothers,” Higgins says. “We all really heavily play a part in each other’s music because everyone gives each other momentum.” Each individual rapper will perform at the Pocket Fixed Mob show Friday, August 12, at Sol Collective, which also kicks off a fertile period for the crew. Between then and the end of September, five rappers will put out mixtapes or EPs. The sixth, Lupe 94, has an EP planned for early 2017, but he’ll drop singles in the months leading up to it. “It’s going to be a big splash, all of our fans coming together,” Marlowe says. “Someone might listen to my song, see that I have a song featuring Breon on it, and then start listening to him, and vice versa. That’s what gives us the most power.” In the not-too-distant future, they plan to release an official Pocket Fixed Mob album. Now’s the time to see what each rapper brings to the table. Ω Check out the members of Pocket Fixed Mob at 6 p.m. Friday, August 12, at Sol Collective, 2574 21st Street. Admission is free.

’90S oveRLoAD See eiGhT GiGS

PART-Time LoveR See ASk Joey

Meet the Pocket Fixed Mob Wod Higgins

Good Problems II (September 23) Higgins, formerly known as Kahlil, is by far the most visible member of Pocket Fixed Mob. He just released a single with Mozzy called “Don’t Trust You,” which will be on Good Problems II. Higgins’ tall, skinny stature and weed-soaked flow brings to mind a tattoo-less Wiz Khalifa, but Higgins spits more contemplative thoughts over minimalist, airy beats. Earlier this year, he released The Tale of Wod Higgins, then went on tour with Pouya and the Suicide Boys, got home and recorded Good Problems II in a matter of weeks. www.whereiskahlil.com.

Moose MarloWe

Sleepless in Sacramento (August 30) When Marlowe brags, it sounds more like he’s simply relaying obvious information. (“Won’t sign that deal unless it’s multimillion.”) He’s got a gentle, fearless face and delivers some clever wordplay, often mixing sincere, romantic gestures with raunch. Sleepless in Sacramento is filled with slow, funky jams and a nonchalant street vibe. It’s also a long time coming. He’s been working on it for years, tweaking every little detail several times over. http://soundcloud.com/moosemarlowe.

Breon Hill

The Guru (September 11) “I know everybody loves me cause my shit is universal,” Hill says on The Guru. It sounds like a boast, but it speaks more to his quick wit and positive attitude. He assembles some cool grooves—like an awesome flute sample on “One More”—and delivers honest thoughts about life, personal tribulations and keeping your head up in the face of adversity. With his spider-like dreadlocks and machine-gun flow, he’s one of the more energetic members of the crew. http://soundcloud.com/breon-hill.

alec good

Lake Natoma (September 12) Apart from Higgins, Good is probably the most prolific member of the Pocket Fixed Mob. He released three mixtapes and three EPs in 2013 and 2014. He’s been less active the past couple of years due to some personal issues but is returning strong with Lake Natoma, an insightful and funny batch of tunes. (“I only fuck with bitches that do yoga, shop at Whole Foods.”) He stuffs his verses with whip-smart references and clever metaphors, relatable to anyone in the internet age. Good’s conversational flow—and occasional bout of singing— fits nicely with his surreal, lo-fi beats. http://soundcloud.com/alecgoodmusic.

darin steele

Starvin’ Artist (September 5) Though Steele only just started releasing his own stuff, his musical roots date back to childhood. He sang in his church’s choir, an influence apparent in his emotionally-stirring beats. Steele’s debut mixtape, Dawg Eat Dawg, was released last year and discusses the injustices faced by black Americans. Starvin’ Artist, meanwhile, addresses his own personal struggles, which he faces with a positive mindset. (“Life is trife when you’re not wealthy, so I’m trying to keep my pockets healthy.”) He’ll also pass out copies of another new release, Lost Attraction, at the Sol Collective show. http://soundcloud.com/darinsteelepfm.

lupe 94

A*P*P* (Early 2017) Lupe 94, formerly known as Don $crilla, typically releases singles here and there. That’s because his talents are divided up between his own music, shooting videos for other Pocket Fixed Mob members and designing posters and album covers. Despite a look that falls somewhere between laid-back hippie and easy-going skater, his deliberately disjointed raps are unhinged and intense. He says he “puts his heart in the beat.” http://soundcloud.com/evil49.

08.11.16 | SN&R | 25

The 27th Annual

Sierra BrewFest

An epic afternoon of sun, suds and fun A unique, unlimited microbrew tasting experience with more than 100+ microbrews Delicious food from some of the best local food trucks and restaurants

Saturday, August 27 3:00 pm to 6:30 pm, Nevada County Fairgrounds, Grass Valley

A benefit for

Music in the Mountains Produced by the MIM Alliance

Tickets and Info: www.MusicintheMountains.org or call (530) 265-6124 Additional ticket outlets at SPD Markets and BriarPatch

Unlimited Tastings $35 in advance $40 at the door $10 non-tasters Kids Free

Sponsored by:

. e r o m t e g , s s e l d n spe never pay service fees!

Baguette’s Deli: $15 value for $6.75

El Jardin Mexican Restaurant: $20 value for $10

Blackbird Kitchen + Beer Gallery: $25 value for $15

Goldfield Trading Post: $25 value for $12.50

Broadway Coffee Co.: $5 value for $2.50

Mr. Pickles Midtown: $10 value for $5

Cafe Colonial : $10 value for $4.50

Streets: $10 value for $6

Cafe Lumiere: $15 value for $7.50

The Parlor Ice Cream Puffs: $5 value for $3

Drewski’s Hot Rod Kitchen: $15 value for $7.50

Umai Savory Hot Dogs: $10 value for $5

Doyle’s Taproom: $25 value for $12.50

to get great deals on concerts at Ace of Spades, Goldfield Trading Post and Harlow’s go to www.newsreview.com

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AuguSt pickS by ShokA

A little like Lily Like Lily Tomlin, Tom Schultz was born in 1939 and has a show in PAinTinGS Sacramento this month. He’s the artist and not the theme of his show, however. But Schultz has been at his craft for decades, too, like the celebrated actress. The Oakland-based painter combines hard edges, controlled drips and wide brushstrokes to create works with jolts of electricity coursed through them.

Where: B. Sakata Garo, 923 20th Street; (916) 447-4276; www.bsakatagaro.com.

Second Saturday reception: August 13, 6 p.m. to 9 p.m. Through September 3.

Hours: Tuesday through Saturday, noon

to 6 p.m.

“Untitled” by Tom Schultz, oil on canvas, 2015.

The painter’s view from here

“Lilly with a T” by Cuauhtemoc Q. Kish; silk and cotton, machine quilted; 2016.

Gilding the Lily Tomlin Lily Tomlin was recently named to be the next recipient of the Screen Actors Guild Life Achievement Award. How appropriate, since she has been entertaining people as a comic, actress, writer and producer for decades. Plus, she was the GrouP SHoW voice of the fizzy-haired teacher on the animated Magic School Bus show, which is worth a lot of bonus points. The septuagenarian is still at work in front of the camera in feature films and a Netflix series, Grace and Frankie, and Fe Gallery has chosen Tomlin as its muse for its current group show, The Lily Tomlin Experience. There are more than two-dozen artists who have gilded the Lily—both from Sacramento and out of state—including Susan Silvester, Madelyne Templeton, Skye Becker-Yamakawa, Rhonda Thomas-Urdang and Cuauhtemoc Q. Kish. There will be a video journal during the Second Saturday reception and a lot of love for Lily.

Charles Cunningham’s landscapes look familiar. The self-described “essentially self-taught” painter’s scenes are from vistas PAinTinGS he says he encountered in California and Nevada, and he often breaks the view up into thirds for his canvases, with blocks of vibrant hues in the foreground, midground and background, and often hilly or mountainous details marking the horizon. Check out the view at Artspace1616 this month until August 28.

Where: Artspace1616, 1616 Del Paso Boulevard;

(916) 849-1127; www.facebook.com/artspace1616.

Second Saturday reception: August 13, 6 p.m. to 9 p.m. Through August 28.

Hours: Thursday through Saturday, noon to 6 p.m.; Sunday, noon to 3 p.m. and by appointment.

“Untitled” by Charles Cunningham, 2015.

Where: Fe Gallery, 1100 65th Street; (916) 456-4455; www.fegallery.com. Second Saturday reception: August 13, 6 p.m. to 9 p.m. Through September 29. Hours: Monday through Friday, 8:30 a.m. to 4 p.m.

08.11.16 | SN&R | 29

22ND ST.

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5 B. SAKATA GARO 923 20th St., (916) 447-4276, www.bsakatagaro.com

6 CAPITAL ARTWORKS 1215 21st St.,

17 MY STUDIO 2325 J St., (916) 476-4121,

7 CUFFS 2523 J St., (916) 443-2881,

18 RED DOT GALLERY 2231 J St., Ste. 101;

www.shopcuffs.com (916) 446-1786, www.efgallery.com

9 EN EM ART SPACE 1714 Broadway, (916) 905-4368, www.enemspace.com

10 FLOPPY’S DIGITAL COPIES AND PRINTING 2031 J St., (916) 446-3475, www.floppysdigital.com

www.artoftoys.com

2 ART STUDIOS 1727 I St., behind Easy on I; (916) 444-2233

3 ARTFOX GALLERY 2213 N St., Ste. B; (916) 835-1718; www.artfox.us

4 ATELIER 20 915 20th St., (209) 988-3630, www.facebook.com/Atelier20

11 THE INSIDEOUT 2100 I St., www.the-insideout.org

12 INTEGRATE SACRAMENTO 2220 J St., (916) 541-4294, http://integrateservices sacramento.blogspot.com

13 THE IRON MONKEY TATTOO STUDIO AND FINE ART GALLERY 1723 I St., (916) 476-5701, www.facebook.com/ theironmonkeytattooandartgallery

14 KENNEDY GALLERY 1931 L St., (916) 716-7050, www.kennedygallerysac.com

15 LITTLE RELICS 908 21st St., (916) 716-2319, www.littlerelics.com

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1005 22nd St., (916) 447-7558, www.midtownframing.com

Ste. B; (916) 207-3787; www.capital-artworks.com

8 ELLIOTT FOUTS GALLERY 1831 P St.,

1 ART OF TOYS 1126 18th St., (916) 446-0673,

16 MIDTOWN FRAMING & GALLERY

www.mystudiosacramento.com www.reddotgalleryonj.com

19 SACRAMENTO ART COMPLEX 2110 K St., Ste. 4; (916) 476-5500; www.sacramentoartcomplex.com

20 SACRAMENTO GAY & LESBIAN CENTER 1927 L St., (916) 442-0185, http://saccenter.org

21 SHIMO CENTER FOR THE ARTS 2117 28th St., (916) 706-1162, www.shimogallery.com

22 SPARROW GALLERY 2418 K St., (916) 382-4894, www.sparrowgallery. squarespace.com

23 TIM COLLOM GALLERY 915 20th St., (916) 247-8048, www.timcollomgallery.com

24 UNION HALL GALLERY 2126 K St., (916) 448-2452

25 THE URBAN HIVE 1931 H St., (916) 585-4483, www.theurbanhive.com

26 VIEWPOINT PHOTOGRAPHIC ART CENTER 2015 J St., (916) 441-2341, www.viewpointgallery.org

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(916) 455-4988; www.arthouseonr.com

29 ARTISTS’ COLLABORATIVE GALLERY 129 K St., (916) 444-7125, www.artcollab.com

30 AXIS GALLERY 625 S St., (916) 443-9900, www.axisgallery.org

31 CROCKER ART MUSEUM 216 O St., (916) 808-7000, www.crockerartmuseum.org

32 E STREET GALLERY AND STUDIOS 1115 E St., (916) 505-7264

33 LATINO CENTER OF ART AND CULTURE 2700 Front St., (916) 446-5133, www.lrpg.org

35 SMITH GALLERY 1020 11th St., Ste. 100; (916) 446-4444; www.smithgallery.com

36 VERGE CENTER FOR THE ARTS 625 S St., (916) 448-2985, www.vergeart.com

37 WAL PUBLIC MARKET 1108 R St.,

. BLVD

28 ARTHOUSE ON R 1021 R St., second floor;

KLIN

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(916) 668-7594; www.hellonido.com

OA DW AY

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(916) 955-6986; www.weskosimages.com

34 NIDO 1409 R St., Ste. 102;

Great savings on all the art supplies you need!

27 WKI 2 STUDIO GALLERY 1614 K St., Ste. 2;

EaSt Sac 38 ARCHIVAL FRAMING 3223 Folsom Blvd., (916) 923-6204, www.archivalframe.com

39 CAPITAL PUBLIC RADIO 7055 Folsom Blvd., (916) 278-8900, www.capradio.org

40 CAPITOL FOLK GALLERY 887 57th St., Ste. 1; (916) 996-8411

41 FE GALLERY & IRON ART STUDIO 1100 65th St., (916) 456-4455, www.fegallery.com

42 GALLERY 14 3960 60th St., (916) 456-1058, www.gallery14.net

43 JAYJAY 5520 Elvas Ave., (916) 453-2999, www.jayjayart.com

44 WHITE BUFFALO GALLERY 3671 J St., (916) 752-3014, www.white-buffalo-gallery.com

off map I ACAI GALLERY & STUDIOS 7425 Winding Way in Fair Oaks; (916) 966-2453, www.acaistudios.com

II ARTSPACE1616 1616 Del Paso Blvd.,(916)

Back to School

III BLUE LINE GALLERY 405 Vernon St., Ste. 100 in Roseville; (916) 783-4117; www.bluelinearts.org

IV BON VIDA ART GALLERY

paint, brushes, pencils, markers, journals, pads, notebooks, scissors, glue & more!

4429 Franklin Blvd., (916) 400-3008

V THE BRICKHOUSE ART GALLERY 2837 36th St., (916) 457-1240, www.thebrickhouseartgallery.com

VI CG GALLERY 2900 Franklin Blvd., (916) 912-5058, www.facebook.com/CgGallery

VII DEL PASO WORKS BUILDING GALLERIES 1001 Del Paso Blvd.

VIII GALLERY 625 625 Court St. in Woodland, (530) 406-4844, www.yoloarts.org

IX GALLERY 2110 1023 Del Paso Blvd., (916) 476-5500, www.gallery2110.com

X PATRIS STUDIO AND FINE ART GALLERY 3460 Second Ave., (916) 397-8958, www.artist-patris.com.

XI SACRAMENTO FINE ARTS CENTER 5330 Gibbons Blvd., Ste. B, in Carmichael; (916) 971-3713; www.sacfinearts.org

XII SOL COLLECTIVE 2574 21st St.,

UArt Sacramento 2601 J Street 916-443-5721 Also in Redwood City & San Jose UniversityArt.com

(916) 905.7651, www.solcollective.org

849-1127, www.facebook.com/artspace1616

(916) 498-9033, www.rstreetwal.com

08.11.16

sN&R

Food & Drink Best food truck

Bacon Mania Cali Love Cecil’s TasteCowtown Creamery Culinerdy Cruzer Dog Town Dojo Burger Drewski’s Hot Rod Kitchen El Matador Mobile Mex Frenchy’s Waffles Fuzion Eatz Gameday Grill Gyrostop Gyro King Kado’s Asian Grill It’s Nacho Truck Mama Kim Cooks Rudy’s on the Roll Slightly Skewed Smokers Wild BBQ

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The Sweet Spot VolksWaffle Wandering Boba

Best place to watch sports Alley Katz Clubhouse 56 Coin-Op Game Room de Vere’s Irish Pub Fanny Ann’s Saloon Field House American Sports Pub Firestone Public House Goldfield Trading Post Hot Italian Joe Marty’s Bar & Grille K BarPizza Rock R15 Sports Corner Thunder Valley Bar University of Beer

Best Baked goods ABC Bakery Baguettes Estelle’s Patisserie Ettore’s European Bakery and Restaurant Freeport Bakery Karen’s Bakery La Esperanza Bakery Mahoroba Japanese Bakery Megan’s Bake Shop New Roma Bakery Pegasus Bakery & Cafe Pushkin’s Bakery Starbread Bakery Village Bakery Yellowbill Sinful TreatsTower Cafe

Best doughnut shop 16th Street Donuts Bakers Donuts Broadway Donuts Danny’s Mini Donuts

Donut Madness Donut Star Marie’s Donuts Spudnuts Stanley’s Donuts Sweet Dozen

Best tacos Chando’s Tacos La Favorita Taqueria La Fiesta Taqueria La Rosa Meat Market La Soga Taqueria La Venadita Jimboy’s Tacos Nixtaco Swabbies Taco Fresco Tako Korean BBQ Taqueria & Pupuseria Isabel Taqueria Espinoza Taqueria Garibaldi Taqueria Jalisco Taqueria Maya’s Taqueria Rincon Alteno

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Sports & Recreation Best place to kick some Butt

Broadway Boxing Courage Martial Arts & Gym Joslin’s Martial Arts Center Kovar’s Satori Academy Moore’s Martial Arts Prime Time Boxing Club Robinson Taekwondo Self Defense & Personal Safety Academy Warrior MMA

Best sacto sports coverage Sam Amick, USA Today Matt Barrows, The Sacramento Bee Jim Crandell, Fox40 Carmichael Dave, KHTK 1140 AM Joe Davidson, The Sacramento Bee Andy Furillo, The Sacramento Bee Jason Jones, The Sacramento Bee Brian May, News10 Grant Napear, KHTK 1140 AM Del Rodgers, KCRA 3 Jason Ross, KHTK 1140 AM Ailene Voisin, The Sacramento Bee Ryan Yamamoto, News10 Tom Ziller, Sactown Royalty

Best yoga studio Aha Yoga Arden Hot Yoga Asha Yoga Fusion Yoga Studio It’s All Yoga One Flow Yoga Studio Padme Yoga Center Sacramento Bikram Yoga Yoga Loka The Yoga Seed Collective Zuda Yoga Rise Wellness Sol Fire Body Advantage

Best place to put a ring on it Arareity Jewelers Diamond & Gold Vault Guzzetta & Co. Fine Jewelers Rainbow Bridge Jewelers S. Curtis Fine Jewelry Sharif Jewelers Skalet Family Jewelers Grebitus Aquamarine

Best place to Buy vintage

Best place for a pick-up game 28th and B Street Skate Park California Middle SchoolMcKinley Park Roosevelt Park Southside Park Sutter Middle School

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34 | SN&R | 08.11.16

For the week oF august 11

Of cocktails and kitsch A

wise inspirational-quote poster once told me, “Drink like no one’s watching.” Or maybe it was, “Live every week like it’s Cocktail Week”—my memory is a little fizzy. Either way, sacramento Cocktail week is happening Sunday, August 14, through Friday, August 19, which means you can live those aphorisms and then some. Because not only is it your civic duty to stimulate the local economy by investing in one of its most praiseworthy industries, but also, the masterminds behind the eighth annual celebration really stepped it up this year with a bunch of minutely detailed, kitschy events. Behold, some of our top picks: Will Sacramento ever exhaust its love for The Big Lebowski? The answer is, “Shut the fuck up, Donny.” Kick things off with the Dude Imbibes at Bottle & Barlow (1120 R Street) on Sunday at 6 p.m. White Russians will abound, and go ahead and starch your finest bathrobe now, because there will be a costume contest. There will also be a miniature bowling tournament! The next evening, the tavern on the green is going down at Hook & Ladder Manufacturing Co. (1630 S Street) at 6 p.m., where attendees will get to eat,

drink, play mini golf and compete in a hole-in-one contest. After that, head to the Red Rabbit (2718 J Street) for a Pop-up about Nothing, a Seinfeld-themed soirée. There will be drinks named after the characters, yada, yada, yada. On Tuesday, August 16, it’ll be that much easier to convince yourself that dry Sacto heat is really a balmy tropical breeze if you come out to It takes two to tiki at 6 p.m., which is also at the Red Rabbit Kitchen and Bar. Next door on the next night, bartenders will be competing to see who can make the best 64-ounce fishbowl cocktail. Naturally, this biggeris-better, let’s-chug-64-ounces shindig is going down at Barwest (2724 J Street). Bet that there’ll be some lively interactions going down by the end of the night! Finally, for those of you that are actually interested in cocktails beyond their ability to make you a vociferous expert on every subject that comes up in conversation, there will be a series of educational seminars on the topics of wine in cocktails, barrel aging, environmental responsibility and more. Visit http://sacramento cocktailweek.com for details on any of the above and for additional events.

—Deena Drewis

ILLUSTRATION BY MARGARET LARKIN

Clips Beer & Film tour

CMND shFt

sacramento lgBt Youth Pokémon go

FriDay, august 12

saturDay, august 13

Why sip an extra-large cup of cherry soda at the movie theater when you can sip beer, and lots of it? Presented by Sacramento FIlM Area Bicycle Advocates and featuring the beer of New Belgium Brewery, folks will congregate at Southside Park this Friday for a viewing of several one-of-a-kind short films, and get local food, and beer, beer and more beer. Free; 7:30 p.m. at Southside Park, 2115 Sixth Street; (916) 444-6600; www.newbelgium.com/Events/ clips-beer-and-film/sacramento.

Creative types in search of other creative types: Come hang in the historic Guild Theater and listen to talks from Adventures in Design mastermind Mark Brickey and Tad Carpenter of CoNFereNCe Carpenter Collective. Also: shop in a marketplace comprised of local crafters and designers, and hang out at an afterparty. $35-$60; 9:15 a.m. to 4 p.m. at the Guild Theater, 2828 35th Street; http://cmndshft.com.

—aaron Carnes

—Deena Drewis

Peggy guggenheim: art addict

Meow-ga: Yoga with kittens!

saturDay, august 13

sunDay, august 14

thursDay, august 18

If you’re in need of some radical relaxation in the wake of recent events, this may be just the thing: yoga … with kittens! The Yoga Seed Collective is partnering with the Sacramento SPCA to Culture create the most adorable fundraiser imaginable. Enjoy an afternoon of yoga alongside a batch of adorable shelter kittens. After the session, guests can mingle with SPCA staff, who will bring in some extra puppies and bunnies for good measure. $45; noon at Yoga Seed Training Center, 1518 Del Paso Boulevard; www.theyogaseed.org.

The Pokémon Go craze has taken over the world and the QSpot in Midtown is no exception. Yoga This event is geared toward folks ages 13–23, but anyone that wants to catch ‘em all is welcome. There will be Pokémon-themed drinks and trinkets and a secret giveaway. The LGBT Youth will be setting lures at nearby PokéStops throughout the day. Don’t forget to wear your team’s colors. Free; 6 p.m. at the QSpot Sacramento LGBT Community Center, 1927 L Street; (916) 442-0185; www.facebook.com/ events/1635303376797564.

Money can’t buy happiness, but it can sure acquire one amazing art collection. Peggy FIlM Guggenheim built a tremendous legacy as a fine-art collector and her love affairs with artists including (but not limited to) Jackson Pollack were the subject of much conversation at the time. Catch this rare public screening that tells the fascinating story of Guggenheim’s life. $5; 7 p.m. at Verge Center for the Arts, 625 S Street; http://vergeart.com.

—Dave Kempa

—Lory giL

—eDDie Jorgensen

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IllustratIons by serene lusano

Sacto sourdough breAd, the drunken loAf Brewers ferment left and right in Sacramento, but bread bakers are hard to find. Enter Davy Bui of the hard to find. Enter Davy Bui of the Drunken Loaf. Inspired by Michael Inspired by Michael Pollan’s book Cooked, Bui Bui started experimenting with experimenting with sourdough in his home kitchen. He sells under a food cottage license, making country white, whole-wheat sandwich sandwich bread and Gruyère rounds. rounds. They’re crusty and naturally naturally leavened—“a non-San Francisco Francisco sourdough,” as Bui puts it. Get to the Oak Park puts it. Get to the Oak Park Farmers Market early because he often runs out. Keep an eye on Facebook, as he’ll start selling direct soon. 3500 Fifth Avenue, www.facebook.com/thedrunkenloaf.

—Ann MArtin rolke

Hawaiian punch lush ice, ZuMApoke & lush ice IllustratIon by Mark stIvers

Eat history by Janelle Bitker

Saddle up: After more than a year of anticipation, Saddle Rock opened last week. The project comes from Chris Jarosz (Broderick Roadhouse, Localis), with chef Matt Masera (previously of Mother, Empress Tavern) at the helm. Named after one of Sacramento’s first known restaurants, Saddle Rock (1801 L Street) aims to celebrate local history. The space didn’t dramatically change from its Capital Dime days, but there’s warmer, brighter lighting and a much hipper vibe. The bar is completely new, with rustic wood paneling that is matched by other new wooden accents throughout the restaurant. There’s also a new, plush lounge area, expanding the amount of space dedicated to bar patrons.

jan el l e b @ne w s re v i e w . c o m

Saddle Rock is also utilizing the expansive back patio. Now, what about the food? In addition to the usual small plates, mains and desserts, there’s a raw bar and a daily selection of hot cakes ($9). It’s easy to see the historic influence in dishes such as pickled eggs with smashed peas and rye ($6); beef wellington with a poached egg and pickled onion ($26); and Hangtown fry ($18), the Gold Rush-era omelette. But there are some more eclectic surprises, too, like a wild rice cake with chicken salad, sorrel and celery ($9), or chop suey made with soba noodles ($16), which tie into California’s history in less obvious ways. Small plate prices range $6-$14, entrees $16-$27. Cocktails seem particularly inventive, with many incorporating

Asian ingredients. The Cabrillo ($9) mixes rum, fig, Sichuan peppercorn, orgeat and absinthe, while the Dirty Means ($9) uses bourbon, leather, chocolate, Thai chili and peanut oil, for example. For now, Saddle Rock is only open for dinner, but look for lunch and brunch in the future. Zen tea: Around the corner from Saddle Rock, there’s an adorable little tea spot that quietly opened in June. BenBen’s Hidden Tea Room (1120 19th Street) sources its teas from the likes of Japan and India, plus additional ingredients for its special blends—created with health in mind—from local farms. A 16-ounce cup costs $2-$8. It’s hard not to melt in the peaceful space, dotted with Zen decorations and various seating nooks for reading, playing quiet games, doodling on Buddha Boards or raking miniature Japanese gardens. From the outside, the location looks more like an apartment than a business, but you should see an A-frame on the sidewalk— noting free tea tastings, no less. Ω

We recently profiled frozen beer, jokingly riffing on the idea of alcoholic slushies. Real funny, considering that Zumapoke & Lush Ice in Davis sells honest-to-God alcoholic slushies: straw with a tiny spoon on the end and all. A sample of the Luau flavor ($7) displayed a pleasing blend of chipped ice, coconut, pineapple, nutmeg, orange-blossom water and soju. See how many open-container laws you can skirt with this devious little sucker. 730 Third Street in Davis, http://zumapoke.com.

—Anthony siino

Bewitched grapes Witch fingers Grapery, a Bakersfield-area farm, specializes in unusual table grapes. Have you tried cotton candy grapes? They taste miraculously like spun sugar. spun sugar. Want something even wackier wackier yet more delicious? Look for for long, slender witch finger finger grapes, also known as teardrops. They come in red and green, but the purplish variety is most striking. Ranging in size from pinkie finger to thumb, thumb, these hybridized grapes aren’t aren’t too sweet or tart. They’re so richly They’re so richly grapey, it’s hard to keep your fingers off them. Find them in local grocery stores, such as Raley’s.

—Ann MArtin rolke

08.11.16 | SN&R | 37

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Before you start blabbering about how baked pork chops over spaghetti isn’t “authentic Chinese food,” I’m just going to tell you that you’re wrong. It’s a very specific type of Chinese food: Hong Kong-style, in the vein of cha chaan tengs. Sacramento already has two cha chaan tengs that specialize in saucy pasta bakes and other seemingly not-Chinese dishes: Yummy Cafe and Macau Cafe. Cellar Bistro joined these two Land Park restaurants about six months ago, bringing more visibility to the cuisine because of its location: Old Sacramento. Look for the prominent sign hanging above the boardwalk and then descend underground. The place can get packed on Sunday afternoons with Chinese families taking advantage of the restaurant’s bargain-priced set meals. First, a little history: Cha chaan tengs began to take off after World War II, back when Hong Kong was still under British rule and all things Western were gaining popularity. These no-frills, affordable cafeterias offered unique dishes indicative of Hong Kong’s many international influences. Cha chaan tengs still exist in Hong Kong today, though they’re reportedly a dying breed. Luckily, more are actively opening in the United States Cellar Bistro serves nine variations on the Hong Kong-style baked dish, with various proteins baked over rice or spaghetti and covered in a creamy white or red sauce. And cheese. They also come with a simple tomato-vegetable soup, surprisingly tasty garlic bread and a beverage—the Hong Kong-style milk tea and lemon tea are both sweet and delicious—for $10-$11. It’s a crazy amount of food that can easily feed two. Fair warning: the red sauce tastes like a

ketchup-heavy, sweet-and-sour sauce. Thickly glopped onto the other ingredients, you’ll probably either love it or hate it. My favorite combination, the Portuguese chicken baked over spaghetti, actually didn’t carry the red or white sauce. And it’s not really Portuguese, rather, a Macanese yellow curry with coconut milk, potatoes and chunks of juicy chicken. It’s mildly spiced, but savory and comforting. You could order it over rice, but it tends to be a bit hard and undercooked. The spaghetti, meanwhile, arrives al dente. In general, Cellar Bistro does noodles very well. There’s a huge selection of chow fun, egg noodle soups, instant noodles—again, a classic cha chaan teng offering—and even udon, only stir-fried instead of in a Japanese soup. The sizzling platter of udon with black pepper sauce, onions, scallions and tender slices of beef ($8) is excellent, as are the house pan-fried noodles ($9) with plump shrimp, barbecued pork, bok choy and just the right amount of gravy for flavor while still maintaining the crunch of the noodles. Another eclectic offering is the Malaysian roti appetizer ($6), a hybrid of sorts between the traditional, Indian-influenced flatbread and a Chinese scallion pancake. Studded with green onions and served with a mild curry sauce, the roti is soft and pleasingly chewy with eight distinct layers. The menu is so huge, I never got around to trying a few sections, including any of the Chinese-American standards. Generally, dishes were at least solid and better than most Sacramento Chinese restaurants. One major miss, though, was the shrimp with egg flower sauce— like the soup, but condensed—over rice ($8), which severely lacked seasoning. And, again, the rice felt low in quality. Servers aren’t particularly attentive, but they get the food out fast. The huge, cavernous space lacks atmosphere, with multiple flat-screen televisions blaring sports and old Chinese movies. Still, it’s a cool refuge on a hot day—and a nice change of pace from Sacramento’s most touristy district. Ω

The roti was soft and pleasingly chewy with eight distinct layers.

916.3868599 | 5301 Power Inn Rd, Sac, CA 40 | SN&R | 08.11.16

ja ne lle b @ ne wsr e v ie w.c o m

More than 25,000 people are expected at the Buddhist Church of Sacramento’s 70th annual Japanese Food & Culture Bazaar from 11 a.m. to 8 p.m. Saturday, Bazaar from 11 a.m. to 8 p.m. Saturday, August 13, and Sunday, August 14, at 2401 River2401 Riverside Boulevard. What began shortly after after World War II as a celebration for the local local Japanese community has turned into a a massive festival with taiko drummers, drummers, Japanese folk dancers, exhibits, games games for kids and lots of homestyle Japanese Japanese food. It’s free to attend, but you’ll inari, have to pay to sample the nigiri, inari, somen, onigiri, teriyaki, tempura, udon, somen, curry, mochi and other traditional out favorites. For a sense of scale, check out 1,500 these numbers: the festival will cook 1,500 chicken, 4,000 pounds of rice, 7,500 pounds of chicken, 4,000 shrimp and 500 pounds of beef, 500 pounds of shrimp and 500 pounds of noodles, aided by 100 gallons of soy sauce. More at www.buddhistchurch.com.

—Janelle Bitker

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A win-win fest-fest The International Moustache Film Festival is on hiatus this year, but before any tears hit your Fu Manchu, consider celebrating a new film festival, the North Bay Vegan FilmFest. There’s bound to be someone in the featured documentaries, Food Choices, Unlocking the Cage and Vegan: Everyday Stories, who sports facial hair—maybe not a petit handlebar, but it’ll be a win-win in general. The festival is on Saturday, August 20, in Santa Rosa at the Luther Burbank Center (50 Mark West Springs Road)

and coincides with the Sonoma County VegFest, with free product samples and music at the same location. Plus, catch speakers with catchy lecture titles such as “Would Buddha Eat a Burger? Would Krishna Eat a Quiche?” Tickets to each film are $10, and entrance to VegFest is $5 and free for people under 13. The VegFest is 10 a.m. to 5 p.m., and screen times are at www.socovegfest.org/film-showing.

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“The itsy bitsy spider went up the water spout …”

8 p.m. Friday and Saturday, 7 p.m. Sunday; $18, Green Valley theatre Company, 3823 V Street; https://greenvalleytheatre.com. through August 28.

Nevermore, the play that chronicles the imaginary life and mysterious death of Edgar Allen Poe, with book, lyric and music by Jonathan Christensen, directed for the Green Valley Theatre by Christopher Cook, is original, exciting and, yes, weird. Start with the beautiful set, designed by Christopher Cook. Green Valley is an intimate venue with a small stage, part of which is shared with the seven-piece orchestra, yet Cook has created a lush interior room with a beautiful stairway that immediately catches the eye. The set becomes several different venues with the addition of roll-on pieces. Add the wonderful costumes by assistant director Meg Masterson and the play exhibits a look that could have been designed by Edward Gorey or Tim Burton. Finally, add the creative puppets of Christopher Cook. There are “regular” puppets, imaginative shadow puppets and an unbelievable raven—all of which add another layer to this remarkable musical. Ryan Blanning as the iconic American writer is outstanding, and he’s surrounded by 13 equally outstanding actors, all of whom play many roles. None of them are actually identified by the roles they play but, rather, are collectively named “The Players.” The score is dark, spooky and relentless, with sudden breaks for wonderful songs like Poe’s song of “The Raven.” Unfortunately, the body mics used by the cast often muddled the sound so while there was no problem hearing any of the performers, understanding them, especially when singing as a chorus, too often proved difficult. Ω

Photo by Meredith NixoN

4 Antony and Cleopatra Julius Caesar is dead, and the Roman Empire is ruled by a triumvirate: Octavius Caesar, Lepidus and Marc Antony. While the other two rule their regions, Antony neglects his duties (and his wife) to take up with Cleopatra, the queen of Egypt. The scandalous affair between Antony and Cleopatra is given new life here. Ryan Snyder is assured in a role that requires him to be both warrior and hopelessly mesmerized lover, while Imani Mitchell captures the elements of Cleopatra as lover, leader and, when it’s called for, jealous schemer. There is palpable chemistry between the two actors. Zachary Scovel is an aloof but assured Octavius; Michael O’Sullivan is Lepidus, whose fate at the hands of Octavius shows how ruthless a ruler can be. As Enobarbus, loyal friend of Marc Antony, Steven Campbell’s performance is often brilliant. The entire cast delivers perhaps the most naturally spoken Shakespearean dialogue as has been heard here. This Big Idea Theatre production is an ingeniously and simply designed play. Its stage is defined by columns (with sheer panels attached) on moveable dollies with boxes as props. The set design is by Liz Hadden McGuire; the stunning lighting design is by director Benjamin T. Ismail. It’s the costumes—credited to Mr. David—that are sometimes oddly distracting. For example, Antony’s and his men’s pants sag in the seat creating an unfortunate droopy drawers effect. —Jim Carnes

Antony and Cleopatra; 8 p.m. thursday, Friday and Saturday; $10-$16. big idea theatre, 1616 del Paso boulevard; (916) 960-3036; www.bigideatheatre.org. through September 3.

Now playiNg

“Intensely emotional. Dark and medieval moody,

Al and Homer: The Drone Play

Short reviews by Bev Sykes and Jeff Hudson.

The Comedy of Errors

This lively Lake Tahoe Shakespeare Festival summer show, staged in a 1,200-seat amphitheater, is a cheeky romp set to a Brazilian samba, with tipsy, scantily-clad masked revelers partying throughout Shakespeare’s farce about

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Janet Motenko as a Puck-like clown stands out in this otherwise uneven show about two Air Force pilots with vastly differing opinions about the drone program, sitting together in a building on the Nevada desert tracking potential terrorists on the other side of the world. As the play progresses, their individual opinions put each other—and the world at large—in grave danger. The play expose the apathy of the American people, but doesn’t pack the punch it intends. F, Sa 8pm, Su 2pm. Through 8/21. $15-$18. California Stage Theatre, 2509 R Street; (916) 606-5050; www.ovationstage.com. B.S.

long-separated identical twins. With 17 actors, abundant music and dancing, this large production often resembles a musical theater extravaganza. Su, T, W 7:30pm. Through 8/21. $27-$99. Sand Harbor, Lake Tahoe Nevada State Park, 2005 Highway 28 in Incline Village, Nevada; (800) 747-4697; http://lake tahoeshakespeare.com. J.H.

SACRAMENTO PREMIERE! AUG 23 23-28 28 This brand new musical is the only stage collaboration from two masters of American musical theatre, Alan Menken (Disney’s The Little Mermaid, Beauty and the Beast) and Stephen Schwartz (Wicked, Pippin). With a lush, emotionally rich score and beautiful choral arrangements, it’s a dramatic retelling of the epic but tragic Victor

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A happy sad

showcases the film’s Oscar ® -nominated score and introduces stunning new songs.

The of

Every Brilliant Thing is a monologue-style one-man show that makes for an improbably uplifting comedy about living with a family member who is depressed and suicidal. It’s scripted, with audience participation as a wild card—like one of those sleeper hits that somehow weds sad lyrics to a happy tune. B Street Theatre regular Dave Pierini is host and storytellerin-chief. 8 p.m. Thursday and Friday, 5 p.m. and 9 p.m. Sunday, 6:30 p.m. Tuesday, 2 p.m. and 6:30 p.m. Wednesday. $26-$38, B Street Theatre, 2711 B Street; (916) 443-5300; www.bstreettheatre.org. Through September 18.

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Magical fluff

Pete’s Dragon “As long as the dragon’s name isn’t Puff, we’re good.”

The Disney film brand has been mired in an existential identity crisis of late, obsessed with sequels and remakes but fixated on re-examining traditional roles and institutional values. This nod to political correctness is presumably well-intentioned but also weirdly noncommittal, and as numerous critics have pointed out, the latest Disney animated feature Zootopia is so vague in its predator-prey symbolism that it could be read as both a rebuke to racial prejudice and a backward validation of it. All that self-conscious rebranding leaves little room for old-fashioned Disney magic, and up until this year, the studio’s spate of liveaction remakes of animated chestnuts has proved a dry well of pixie dust. Alice in Wonderland and Maleficent were unwatchable, and while the photorealistic technical achievements of Jon Favreau’s The Jungle Book were dazzling enough to put the entire Disney catalog into play for remakes, the film lacked a certain innocence and heart. That’s why it’s almost shocking that director and co-writer David Lowery’s heartfelt and genuinely magical Pete’s Dragon carries the Disney label. There is such a purity of vision to this thing, such a warm storybook vibe, and such a scarcity of the usual problems that befall contemporary family entertainment (e.g., unfocused narratives, self-aware cynicism, scatological humor, message-spewing didacticism), that it feels like the film was made in secret. The success of Lowery’s remake is even more shocking in that Don Chaffey’s 1977 original is hardly

by DAniel BArnes

a beloved classic, and today plays as a largely lamentable and morally indefensible footnote in the Disney canon (at one point, Mickey Rooney chugs stolen beer while his onscreen daughter gets groped by drunks, enough said), with only trace amounts of Disney magic holding it together. Lowery and co-screenwriter Toby Halbrooks move the action from a New England fishing town to a Pacific Northwest logging town (although the forest scenes were shot in New Zealand), and transform the orphan protagonist Pete (Oakes Fegley) from a fugitive boy slave into a wild child. The antagonists are loggers, but like everything else here, the eco messages are rendered with a refreshingly light touch. Unfortunately, the human performances from Bryce Dallas Howard, Wes Bentley, Karl Urban and Robert Redford are forgettable (although after this film and Lamb, it wouldn’t shock me if child actress Oona Laurence is a household name someday), but Elliott the dragon is so magnificently realized that it hardly matters. Instead of scales, the dog-like Elliott is given plush doll fur, and while he’s more nimble in flight than his animated 1977 counterpart, his crash landings are still hilariously clumsy. Pete’s Dragon is fluff, but it’s lovely fluff, with nonsyrupy emotional payoffs and a number of beautiful shots. There was little in Lowery’s interesting young career (he edited Upstream Color, produced Listen Up Philip and directed Ain’t Them Bodies Saints) to suggest that he could summon that old Disney magic, but Pete’s Dragon is his proof. Ω

There is such a purity of vision to this thing.

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fiLm CLiPS

Café Society

An amiable Bronx youth (Jesse Eisenberg) is transplanted to Hollywood to work for his superagent uncle (Steve Carell)— and promptly falls for the uncle’s secretary (Kristen Stewart) as she shows him around town. Set in the 1930s of Radio Days and Bullets Over Broadway, writer-director Woody Allen’s latest recalls both those classics—the nostalgia for a lost entertainment world, the titillation of gangland connections—as well as the rueful memory of lost love in his masterpiece Annie Hall. The movie is trifling, always promising to be better than it turns out, but it goes down easily, and the self-referential echoes evoke more pleasure than disappointment. The stars blossom in Allen’s hands—Eisenberg may be the best Woody-clone yet, and Stewart has never been anywhere near this interesting before. J.L.

Captain Fantastic

A man raising his six kids in a rigorous existence in the wilds of the Pacific Northwest (Viggo Mortensen) ventures down to Arizona for the funeral of his wife, where his in-laws (Frank Langella, Ann Dowd) express their determination to sue for custody of the kids and raise them with the benefits of “civilization.” Writer-director Matt Ross draws good performances from all concerned (including George MacKay and Nicholas Hamilton as Mortensen’s two oldest sons), and he treats his story evenly without setting up cardboard heroes and villains. But the pacing is a little too even—plodding, in fact, and the movie peaks two or three times before the closing credits finally roll. In the final analysis, Ross gives us little reason to care what happens to this smug hippie and his half-savage, know-it-all brood. J.L.

8/13 • 7:30 PM • HOWL’S MOVING CASTLE

Anthropoid

Cillian Murphy and Jamie Dornan star as resistance fighters who parachute into Occupied Czechoslovakia at the height of World War II with a mission to assassinate high-ranking Nazi General Reinhard Heydrich in the underwhelming Anthropoid (coincidentally, the upcoming HHhH, starring Mia Wasikowska and Rosamund Pike, covers the exact same ground). Based on the true story of Operation Anthropoid, this offering from director and cowriter Sean Ellis (Cashback) dishes out moldy drama leavened with thrilling action, although the war scenes unwittingly evoke the waris-hell bloodlust of the Inglourious Basterds movie-within-a-movie Nation’s Pride more than anything else. It’s all over the map—the first half of Anthropoid is almost unbearably stodgy and polite, and then suddenly everyone’s getting their limbs and faces graphically blown off. As for the performances, Dornan proves that his wooden performance in 50 Shades of Grey was no fluke, while the talented Murphy is trapped without a character. D.B.

BY DANIEL BARNES & JIM LANE

Ghostbusters

Four women (Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones) join forces to fight a supernatural infestation plaguing New York. The 1984 blockbuster’s avid fans may bristle at the effrontery of remaking it (with women, no less), and they may not care to cut the new version any slack. But the plain truth is—with all due respect to Bill Murray, Dan Aykroyd, Rick Moranis, Ernie Hudson, Sigourney Weaver and director Harold Ramis—the original was popular beyond its merits. The new one is every bit as funny, and with a rather more engaging story (by Katie Dippold and director Paul Feig). Tributes to the first movie abound, and everyone but Moranis makes an appearance. (Even the late Ramis is paid a sweet tribute.) McCarthy and Wiig shine, of course; Jones, too, but McKinnon steals the picture. J.L.

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Only the kid in the back is aware that this is just a Coke ad.

Nerve

A meek Staten Island teenager (Emma Roberts) impulsively joins an online game where players win cash for accepting dares; as the game progresses, the prizes get higher and the dares get more and more dangerous. Jessica Sharzer’s script (adapted from Jeanne Ryan’s novel) grows necessarily more far-fetched by the minute, eventually climaxing in a lecture on the dangers of peer pressure that practically flashes “Author’s Message.” But directors Henry Joost and Ariel Schulman set a lively, suspenseful pace, aided by Madeleine Gavin and Jeff McEvoy’s razor-sharp editing. The movie’s not-sosecret weapon is the sympathetic Roberts and her chemistry with costar Dave Franco as a fellow player. Emily Meade adds surprising depth to her role as Roberts’ BFF; other supports are good but tend to blur together. J.L.

Hunt for the Wilderpeople

A problem boy in New Zealand’s foster child system (Julian Dennison) goes to live on a remote, hardscrabble farm with an older couple (Sam Neill, Rima Te Wiata). When the woman dies unexpectedly, the boy and his new “uncle” go for an extended trek in the dense bushlands, where they become unwitting fugitives from justice and the objects of an intense and thoroughly misguided “manhunt.” Writer-director Taika Waititi adapts the late Barry Crump’s novel Wild Pork and Watercress, and the result (besides the improved title) is a quirky delight, filled with rough charm, surprising adventures, disarming humor and near-impenetrable New Zealand accents. Neill and Dennison form a solid bond of screen chemistry, and the supporting players are well cast, especially Rhys Darby as a character aptly named “Psycho Sam.” J.L.

Ice Age: Collision Course

The fifth installment in the worst animated-feature franchise in movie history continues the formula of its predecessors: celebrity voices (Ray Romano, John Leguizamo, Denis Leary, Queen Latifah, Adam Devine, Wanda Sykes, Jennifer Lopez, Simon Pegg, Seann William Scott, Jesse Tyler Ferguson), lame gags and frenetic movement, all in the service of a virtually nonexistent story—and the less sense it makes, the better. And once again, inserted at regular intervals are the thrashings of that annoying squirrel and his slippery acorn (inspired by Wile E. Coyote but entirely lacking the comic genius of Chuck Jones). This rendition, like all the ones before, is a harmless but worthless waste of time; reviewing it is as pointless as spending a restaurant column covering the opening of the latest McDonald’s. J.L.

Jason Bourne

Fugitive former spy Jason Bourne (Matt Damon) is still scouring the world for clues to his true identity. Meanwhile, the CIA, with nothing else to do and showing a go-everywhere-and-see-everything efficiency that the agency only has in movies like this, plots to find and kill him. Director and co-writer (with Christopher Rouse) Paul Greengrass returns after a four-year hiatus in the Bourne franchise, which

was enough to coax Damon back as well. Following the convoluted story is getting to be more trouble than it’s worth, but Greengrass holds our interest with some high-adrenaline action scenes—including a climactic chase through Las Vegas that appears to kill bystanders by the hundreds (though not enough to jeopardize the PG-13 rating). Alicia Vikander, Tommy Lee Jones and Vincent Cassel co-star. J.L.

Sausage Party

Suicide Squad

BASED ON THE INSPIRING TRUE STORY

YOU DON’T HAVE TO BE

GOOD TO BE GREAT

“FUNNY AND MOVING.” JASON SOLOMONS

On the shelves of a supermarket, all the food items—frankfurters, buns, mustard jars, ketchup bottles, etc.—wait eagerly for the day they’ll be chosen by some shopper and transported to the “Great Beyond”—never suspecting that their true fate is to be chopped, cooked and eaten. Some of the jokes in the script are profanely funny (just imagine the double entendre possibilities of wieners sliding into buns) and the novelty of a raunchy adults-only cartoon has a naughty charge. That’s good for about 15 minutes, then all this food reaches its sell-by date and grows stale; the characters and story aren’t engaging enough to fill 89 minutes. Seth Rogen co-writes and provides a star voice, with other voices by his usual gang of buddies: Kristen Wiig, Jonah Hill, James Franco, Michael Cera, Bill Hader, etc. J.L.

At this point, even the most die-hard comic book movie apologists would have to admit that the superhero genre is stuck in a rut. The genre demands reinvention, but for all of the chest-beating swagger and style of David Ayer’s Suicide Squad, the needle hardly even flinches. A screenwriter turned director who excels at stories of violent group dynamics (Fury; Sabotage), Ayer probably squeezes the most disreputable fun into this PG-13 film as he was allowed. Yet all of the symptoms of the disease are still present: a surplus of origin stories, supervillains with nebulous motivations, and a choppy plot forced to serve too many masters. Suicide Squad spreads so thin that it only makes time for one layer of character development, even for the characters we actually come to care about. There is so much universe-building and overexplaining that the movie frequently forgets to have any fun. D.B.

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Unlike other forms of jazz, which can have a lot of chord changes and require a deep knowledge of many scales, Colborn argues that second line is musically simpler. It’s more about the performance. “You have to go balls to the wall and you have to have soul the entire time,” Colborn said. “Like, you can’t fake it. You can’t be timid. If you sound timid or anything, it just sounds terrible.” And the band isn’t just working with a New Orleans musical One-third of element Brass Band. One. Third. recipe, either. Element weaves in hip-hop and R&B styles, which is distinctly different from fellow local brass band, City of Trees Brass Band. Sometimes it’s best to go straight to the source. And fitting with the second line tradition, Element And sometimes, that means beignets, jambalaya and plays the physical streets of Sacramento. Sometimes, second line jazz. they’ll score invites to play private parties happening Sacramento’s Element Brass Band went on a simultaneously. self-described pilgrimage to New Orleans last year to “It tends to sort of create its own energy, soak up the style of music that the band had already rather than just channel the energy of our envibeen playing for years. ronment,” says Joby Morrow, one of Element’s “Their volume and their energy. … It’s hard to trombone players. put into words what they do,” said Byron Colborn, That energy shows in the massive crowds who saxophonist and bandleader. have come to see Element at Concerts in the Listening to recordings and watching Park, as well as all the fans who voted videos—or even catching New Orleansthe group as the best jazz act in the based bands on tour—can’t compare, Sammies two years in a row. Now, “You have he said. Colborn remembers seeing fans are waiting for Element’s five different concerts on a single to go balls to the second album, which will be Sunday night, and the welcoming wall and you have comprised of entirely original atmosphere in the Frenchmen music. Colborn hopes to get to have soul the entire Street clubs. He wonders why into the studio this fall and that’s only found in New Orleans, time.” release it in early 2017. It’ll and thinks that it’s up to New be a step up creatively from Byron Colborn Orleans-style bands “to make a little its previous album, which was saxophonist, Element bit of New Orleans everywhere else mostly made up of covers. Brass Band in the country.” Even with writing new music, Element Brass Band got started rehearsing weekly and performing in 2011, originally the brainchild of Ryan regular gigs between its many members, the Robertson, inspired by his own trip to New Orleans. elements always manage to come together. In 2013, Robertson followed his calling back to the “It’s really impressive to me, like the commitment Louisiana city, leaving the roughly 15-18 person level in this band,” Colborn says. “I don’t think we ensemble in the hands of Colborn. would be nearly as far along if people didn’t believe While most members, including trumpeters, in it like they do.” Ω saxophonists, trombonists, drummers, tuba players and even an emcee, were already professional jazz musicians, second line wasn’t exactly first nature. “This was something new to us,” Colborn said. “It wasn’t really out here on the West Coast so much.” Still, Colborn quickly connected with the music. “What drew me to it was really just the energy of it,” Colborn said. “It’s undeniable.”

Catch element Brass Band at 9 p.m. Saturday, august 13, at Shady Lady Saloon, 1401 r Street. There’s no cover. Or, catch the band at 2 p.m., Sunday, august 14, at Goldfield Trading Post, 1630 J Street. it’s also free to attend. More at http://elementbrassband.com.

SouNd advice

Tech lands heavy bass and killer hooks. Just when you’d think she’d settled into a pop star role, she’d collapse and unleash a high-pitched, murderous scream, followed by metal-esque, possessed-sounding growls. After watching Grimes move like a short-circuiting robot, a neighboring tween made an insightful evaluation: “Ew, Grimes is weird.” Then she left, probably to get in line for a ramenburger. A more enthusiastic crowd formed Sunday afternoon for Dr. Teeth & the Electric Mayhem. Yes, that’s the Muppets house band. Yes, it’s hilarious that thousands of people gathered to essentially watch Muppets YouTube videos together. Still, in a festival climate where every lineup starts to look the same, the Muppets proved to be a huge get for Outside Lands. This was the first and potentially only time Dr. Teeth & the Electric Mayhem played “live” for a real audience. Other fun surprises: Third Eye Blind performed a David Bowie medley with a 30-person choir and 12-person orchestra; E-40 and Warren G gave an unannounced pop-up set on Saturday night; and a small brass band randomly marched second linestyle through the grounds on Friday afternoon. Culinary attractions got ramped up even further this year. In addition to the aforementioned Cocktail Magic area, there was also a new, spacious cafe by Four Barrel; Outside Clams, a spot devoted to seafood such as oysters and lobster rolls; and an intimate, $175, four-course dining experience in the forest. Wine Lands offered its biggest selection yet— and doubled as a much-needed break from college kids who preferred soaking tampons in vodka. The Barbary saw some of its longest, most dedicated lines ever, with folks queueing hours in advance with hopes of catching Portlandia star Fred Armisen in the comedy tent. Saturday Night Live writer John Mulaney and Paul F. Tompkins, voice of Mr. Peanutbutter on BoJack Horseman, drew long, angry waits as well. Seriously, the Barbary could really use its own app or something.

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Radiohead, LCD Soundsystem and more: Will 2016 be remembered as the year Outside Lands hit peak tech? Probably not, but it did feel like the festival truly mirrored the controversial state of San Francisco. Camp Grounded, the relaxing space where technology was ditched in favor of typewriters, face paint and tiny folk shows, was no more. In its place, bartenders shook up craft cocktails while magicians blew drunk people’s minds with card tricks. Those people also could only pay for their drinks via wristband, which could be loaded with denominations of $5 via long line or app. The new payment system drove some attendees—and vendors— crazy, particularly when problems inevitably arose and everyone was briefly forced to barter in cash Friday evening. How archaic. In bathroom lines, strangers struck up the prescribed conversation: “How could an app make this more efficient?” “Wouldn’t an app improve the lines at the comedy tent?” “How can my startup make Outside Lands really great?” Meanwhile, a cool-looking, interactive-seeming, steampunk installation turned out to just be another place to download an app. That all said, a sold-out crowd of 210,000 people didn’t flock to Golden Gate Park last weekend just for mini-golf paired with wine tasting. The star attraction remains the music, with the highest anticipation this year reserved for Radiohead. It was a special booking for Outside Lands, as Radiohead was the first band to ever play at night in its inaugural year. This time around, the band focused on its new record, A Moon Shaped Pool, and complemented those songs with other low-tempo tracks dating back to Kid A. All together, the set was more beautiful than epic, with moments so quiet you could hear a couple whispering across the field. LCD Soundsystem’s headlining set on Friday delivered a disco ball and dance party for thousands of fans so relieved they didn’t miss out on seeing their favorite act live like they once thought. Before the set, the word “redemption” filled the air. Grimes easily gave one of the best performances of the weekend, accompanied by fierce dancers,

SN&R

— J a ne l l e B i t k e r jan el le b @ne w s re v i e w . c o m

Sacramento News and Review 08-11-16.indd 1

08.11.16 | SN&R | 47 7/19/16 10:41 AM

12 FRI

13 SAT

The Iguanas

10,000 Maniacs

La Luz

Sac Stay Home Fest

Harlow’s restaurant & nigHtclub, 7 p.m., $25-$27.50 The Iguanas have never performed in Sacramento; their destination was the now-shuttered Palms Playhouse. The New Orleans-based Iguanas ECLECTIC ROCK have always had more than simply dance music, but after reviewing their musical offerings—which include Tex-Mex, R&B, Americana, zydeco, jazz, Cumbia and roots rock—one comes to expect more than hand claps at their shows. The musical influences that formed this quartet are as wide as their ambition, with the same four members who began playing together in the early ’90s still doubling on numerous instruments. 2708 J Street, www.iguanas.com.

—mark Hanzlik

crest tHeatre, 7:30 p.m., $25-$45

starlite lounge, 8 p.m., $10

So you’ve been resistant to the urge to buy Doc Martens or Birkenstocks again. Good for you. But I hope your defenses are feeling strong this week, because 10,000 Maniacs is rolling through town, and what evokes ’90s nostalgia more than the sound of Natalie Merchant’s voice? For more recent fans, if you’re only familiar with “These Are the Days” or their cover of Patti Smith’s “Because the Night,” know that you can tune into material as ALT-ROCK recent as last year’s Twice Told Tales or bring it all the way back to the early ’80s with The Wishing Chair and their days of touring with R.E.M. 1013 K Street, http://maniacs.com.

—Deena Drewis

tHe reD museum, 2 p.m., no cover

Seattle’s La Luz could be mistaken as doowop and surf-rock revivalists. The debut It’s Alive certainly operated in between those parameters. Last year’s Weirdo Shrine eviscerated the context, sounding like femme fatale exotica recorded SuRF ROCK with the Italian soundtracks of Ennio Morricone on the brain. See also: an alternate soundtrack to It Follows, as Weirdo Shrine is inspired by Charles Burns’ “Black Hole” short story. It felt like Nancy & Lee, except Lee’s now Ty Segall and his presence is only in the production. Don’t mistake La Luz for beach bunnies. There’s a darkness in the grooves, one with bloodied fangs. 1517 21st Street, http://laluzband.tumblr.com.

MusicLandria wants everyone to stay home this weekend. Well, not at home home; more like “forget about Tahoe or the Bay and stay here in Sacramento for an all-day, twostage summer musical festival.” Lots of local faves will be rocking out, like Sun Valley Gun Club (pictured), the Happy Medium, Ross Hammond and the Rippers. Just looking at that abbreviated lineup suggests there is going to be every kind of ExpERIMEnTAL musical flavor available for fans to eat up like a delicious, dripping, 20-different-scoops ice cream cone. Plus, there will be art and vendors and food and beer and lounging. 212 15th Street, www.libraryofmusiclandria.webs.com.

—blake gillespie

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THERE’S A DARKNESS iN THE gRoovES, oNE WiTH BLooDiED fANgS.

13 SAT

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KaiLord

Razorblade Monalisa

The Ataris

Jeff Beck

The Colony, 8 p.m., $5

CAfe ColoniAl, 8 p.m., $7

Local emcee KaiLord fancies himself a “ghetto philosopher,” at least according to his bio. All you need to do is check out his new Sunset Valley EP (released this past April) to know he’s not exaggerating. Hip-Hop “I picked up my pen because it’s mightier than swords and shells,” he says on opening track “Sunrise.” A lot of rappers talk about the harsh realities of their environment, and some occasionally put a hopeful spin on their struggle; Kailord is unwavering in this message: “I’m riding through the hood like the shooters don’t exist.” It’s powerful. Even the beats sound raw and inspirational. 3520 Stockton Boulevard, www.facebook.com/kailordthemc.

Blue lAmp, 8 p.m., $15

Members of the Sacramento post-punk band Razorblade Monalisa combine their love for the ’80s-era genre with bouts of macabre, pop and dreamy soundscapes. Influenced by Joy Division, Siouxsie and the Banshees and more, Razorblade Monalisa will perform with its lineup of Bino Prassa (vocals), Jules Alcouffe poST-pUNK (guitar), Will Shelton (bass) and Ryan Fontana (drums). In a recent Facebook post, the band encouraged all to support the show with Electric Baby Jesus, Lady Grey and Silent, because as it stands, no other shows are currently booked for this four-piece. 3520 Stockton Boulevard, www.facebook.com/razorblademonalisa.

—AAron CArnes

I admit it. I used to love the Ataris. Blue Skies, Broken Hearts...Next 12 Exits? Oh, yes. Blame middle-school angst. Anyway, the Ataris never stopped making music— they’re on tour right now supporting a new EP, October in This Railroad Earth. It sounds straight out of the ’90s because it was written in the ’90s. Most of the six songs actually pre-date the first Ataris album, and they’re more gritty and punk than you ALT-RoCK might expect. Even more punk: the Ataris recorded tracks live, in one take, straight to analog tape. And the whole production process took a whopping four days. 1400 Alhambra Boulevard, http://theataris. bandcamp.com.

—sTeph rodriguez

CESAR CHAVEZ PARK

AUGUST 20-21, 2016, S AT. 1 1 A M – 6 P M / S U N . 1 2 - 5 P M

JACkson rAnCheriA, 8 p.m., $75-$95 Guitarist Jeff Beck is touring with a new album dubbed Loud Hailer that comes after a six-year wait. As luck would have it, Beck is focused as ever, with songs such as “The Revolution Will Be Televised” and “Thugs Club” being the album’s standout tracks. Also on the bill is veteran BLUES RoCK bluesman Buddy Guy, who continues to move mountains at the ripe, young age of 80. Expect a lot of back-andforth soloing and of course, some golden nuggets from each of the aforementioned ax-slinger’s catalog. Further proof you don’t need to play fast to sonically chop your audience’s heads off. 12222 New York Ranch Road in Jackson, www.jeffbeck.com.

—JAnelle BiTker

—eddie Jorgensen

S TA R R I N G S P E C I A L G U E S T S …

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Solar Energy Extravaganza! Learn About Solar with Two Days of Sun-Filled Fun LIVE MUSIC – OVER 25 PERFORMERS! T H E S O L A R AWA R D S - ( S P E C I A L P R E S E N TAT I O N S ) INTERACTIVE ENERGY EXHIBITS FOOD TRUCKS & VENDORS Admission $10 per person / Free for children under 16 yrs For Tickets visit: www.ticketderby.com or call, (916) 572-6691

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AND R WARREN MEDIA 08.11.16 | SN&R | 49

THURSDAY 8/11 BADLANDS

2003 K St., (916) 448-8790

List your event!

Post your free online listing (up to 15 months early), and our editors will consider your submission for the printed calendar as well. Print listings are also free, but subject to space limitations. Online, you can include a full description of your event, a photo, and a link to your website. Go to www.newsreview.com/calendar and start posting events. Deadline for print listings is 10 days prior to the issue in which you wish the listing to appear.

FRIDAY 8/12

BAR 101

Thursday Comedy Open Mic, 7:30pm, call for cover

BLUE LAMP

MAC MALL, SAN QUINN, WILLIE JOE, YOUNG GULLY; 8pm, $20

101 Main St., Roseville; (916) 774-0505 1400 Alhambra, (916) 455-3400

THE BOARDWALK

MoxieCrush burlesque comedy show, 8pm, $10

THE GHOSTTOWN REBELLION, THE LONELY KINGS; 8pm, $10

MONDAY-WEDNESDAY 8/15-8/17 Big Mondays happy hour all night, M; Karaoke, Tu; Trapicana, W

JAY BIZZLE, RON STUNNA, PRODBYJACKX; 7:30PM, call for cover

RED JUMPSUIT APPARATUS, RIGHTEOUS CONCEIVED IN CHAOS, URD-OM; SIRE; 6:30pm, $13-$15 6:30pm, $10-$12

9426 Greenback Ln., Orangevale; (916) 988-9247

QB, YOUNG GULLY, C2DAJ, A. PAYNE, LADY KID; 9pm, $10

OH SLEEPER, LOST THINGS, BEAUTY IS BETRAYL; 6pm, $12-$14

CENTER FOR THE ARTS

314 W. Main St., Grass Valley; (530) 274-8384

COUNTRY CLUB SALOON

VAGABOND BROTHERS, 8pm, call for cover

RYDER GREEN, 9pm, call for cover

PUFF PUFF BEER, 9pm, call for cover

FACES

2000 K St., (916) 448-7798

Everything Happens dancing and karaoke, 9pm, call for cover

Absolute Fridays dance party, 9pm, $5-$10

Party Time dance party with Sequin Sarudays drag show, 9:30pm, $5-$12

FOX & GOOSE

STEVE MCLANE, 8pm, no cover

ANIMALS IN THE ATTIC, QUE BOSSA; 9pm, $5

PANDOVAL, VINNIE GUIDERA & THE DEAD BIRDS; 9pm, $5

Open-mic night, 7:30pm M, no cover; Pub quiz, 7pm Tu, no cover

ADAM DONALD & HIS BAND, 8pm, $5

Open-mic night, M, call for cover

THE FUNK ROCKERS, 9pm, $5

Trivia night, 7pm Tu; Bingo, 1pm W; Paint night, 6:30pm W, $25

4007 Taylor Rd., Loomis; (916) 652-4007

DISTRICT 30

1016 K St., (916) 737-5770

GOLDFIELD TRADING POST Want to be a hot show? Mail photos to Calendar Editor, SN&R, 1124 Del Paso Blvd., Sacramento, CA 95815 or email it to nightbeat@ newsreview.com. Be sure to include date, time, location and cost of upcoming shows.

SUNDAY 8/14 Sunday Tea Dance and Beer Bust, 4pm, call for cover

Trivia, 6:30pm M; Open-mic, 7:30pm W, no cover

1001 R St., (916) 443-8825

Hey local bands!

SATURDAY 8/13 Spectacular Saturdays, 10pm, call for cover

#TurntUp Thursday, 9pm, no cover

1603 J St., (916) 476-5076

HALFTIME BAR & GRILL

Karaoke happy hour, 7pm, no cover

HARLOW’S

DJ Adubb, DJ Young Fyah; 10pm, $10

THE HIDEAWAY BAR & GRILL

Punk and glam night with DJ Annimal, 9pm, no cover

LUNA’S CAFE & JUICE BAR

Joe Montoya’s Poetry Unplugged, 8pm, $2

5681 Lonetree Blvd., Rocklin; (916) 626-6366

THE IGUANAS, 7pm, $25-$27.50

2708 J St., (916) 441-4693 2565 Franklin Blvd., (916) 455-1331 1414 16th St., (916) 441-3931

BILLY BUCKMAN, JOHN MASSEY; 7pm, $5

1119 21st St., (916) 549-2779 1111 H St., (916) 443-1927

OLIVIA REID, CASEY GROAT, MOODY SLOUGH; 8:30pm, $5

EDM and karaoke, 9pm M, no cover; Latin night, 9pm Tu, $5

BEN SOLEE, 7pm, $15-$18; SAVED BY THE 90s, 10pm, $12-$15 Cactus Pete’s 78 RPM Record Roundup, 8pm Tu; Twisted Trivia W

MIDTOWN BARFLY

NAKED LOUNGE DOWNTOWN

Sunday Mass with heated pool, drag show, 2pm, no cover

WINDMILLS, DEREK TED, FIELD MUSIC; 8:30pm, $5

ACCORDING TO BAZOOKA, BANJO BONES; 8pm, call for cover

Nebraska Mondays, 7:30pm M, $10; Open Mic Comedy, 8pm Tu, no cover

TEDROW & THE GOOD INTENTIONS, MERDOG; 8pm, $8-$10

Salsa Wednesday, 7:30pm W, $5

HOT DATE, THE TRIPLE 7S; 8:30pm, $5

FREE CANDY, SOFO, SHORT TRIP; 8:30pm W, $5

2708 J Street Sacramento, CA 916.441.4693 www.harlows.com COMING SOON 8/11 10PM

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8/21 6PM $32.50ADV

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SAVED BY THE 90S

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Mleo Said the Shotgun Comedy of Neil Hamburger Steelin’ Dan Dezarie Comedy of Ruben Paul Lucy Woodward Charles Bradley Tracy Cruz Honey C J.Sirus Carl Verheyen Tainted Love Café Musique Ottmar Liebert Andy Mineo Sister Sparrow Whiskey and Stitches Lera Lynn Steve Gunn Gaelic Storm

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FRIDAY 8/12

SATURDAY 8/13

Karaoke, 9pm, no cover

ONCE AN EMPIRE, ONOFF, WELL DRESSED MANEQUINS; 9pm, $7

THE PRESSURE LOUNGE, SHOTGUN SAWYER; 9pm, $7

Open-mic stand-up comedy and karaoke, 8pm, no cover

670 Fulton Ave., (916) 487-3731

SUNDAY 8/14

MONDAY-WEDNESDAY 8/15-8/17 Karaoke, 9pm Tu, no cover; Open-mic, 9pm W, no cover

Saturday night karaoke, 8pm, no cover

Open 8-ball pool tournament, 7:30pm, $5

Karaoke, 9pm Tu; Dart and movie night, 7pm W, no cover

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13 Main St., Winters; (530) 795-1825

PISTOL PETE’S

RACE TO THE BOTTOM, THE PIKEYS, SHOTGUN SWAYER; 8pm, call for cover

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FLYIN COWBOY, STILLWOOD SAGES; 8pm, call for cover

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1910 Q St., (916) 706-2465

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614 Sutter St., Folsom; (916) 355-8586

THE PRESS CLUB

2030 P St., (916) 444-7914

SHADY LADY SALOON

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BRANDED, 10PM, $10

TYSON GRAF TRIO, 9pm, no cover

Lil Uzi Vert Friday 7pm, $30-$50. Ace of Spades Rap

Live band karaoke, 8pm Tu, call for cover

Press Club Fridays with DJ Rue, call for time and cover

Pop 40 with DJ Larry, 9pm, no cover before 10pm

Sunday Night Dance Party, 9pm, call for cover

ARLYN ANDERSON, 9pm, no cover

ELEMENT BRASS BAND, 9pm, no cover

EMILY KOLLARS, 9pm, no cover

1409 R St., (916) 231-9121

STARLITE LOUNGE

LA LUZ, MINDFLOWERS, MONSTER TREASURE; 8pm, $10

1517 21st St., (916) 704-0711

THE DREAD CREW OF ODDWOOD, GRAVESHADOW; 8pm, $10

STONEY’S ROCKIN RODEO

Country DJ dancing and live band karaoke, 9pm, no cover

Country DJ dancing and karaoke, 8pm, $5-$7

Country DJ dancing and karaoke, 8pm, $5

Country DJ dancing and karaoke, 9pm, call for cover

Country DJ dancing, 8:30pm W, $5-$10

TORCH CLUB

Acoustic with X-TRIO, 5pm; KINGSBOROUGH, 9pm, $6

PAILER & FRATIS, 5:30pm; SAM PACE, 9pm, $7, 9pm,

DR. ROCK & THE STUFF, 5:30pm, no cover; DENNIS JONES, 9pm, $8

Blues jam, 4pm, no cover; FRONT THE BAND, 9pm no cover.

MICHAEL RAY, 8pm Tu no cover; FOR SAYLE, 9pm W, $5

LIL UZI VERT, 7pm, $30-$50

MATISYAHU, 7pm Tu, $27.50-$30; SCOTT STAPP, 7pm W, $25

1320 Del Paso Blvd., (916) 927-6023 904 15th St., (916) 443-2797

All ages, all the time ACE OF SPADES

CHASE RICE, SCOTTY MAC BAND; 7pm, $35-$40

1417 R St., (916) 448-3300

CAFE COLONIAL

Open-mic, 9pm, no cover

THE COLONY

3512 Stockton Blvd., (916) 718-7055

TURNAWAYS, THE MOANS, THE O’ MULLIGANS; 8pm, call for cover

SHINE

Open jazz jam, 8pm, no cover

3520 Stockton Blvd., (916) 736-3520

1400 E St., (916) 551-1400

JESSICA MALONE, WATERCOLOR; 8pm, $7

DAVID ALLEN COE, RANCHO DELUXE; 7pm, $22-$25

PROXY MOON, DEBORAH CROOKS; 8pm, $7

Scott Stapp Tuesday 7pm, $25. Ace of Spades Rock

Midtown Out Loud Open Mic, 8pm W, no cover

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Phone hours: M-F 9am-5pm. All ads post online same day. Deadlines for print: Line ad deadline: Monday 4pm Adult line ad deadline: Monday 4pm Display ad deadline: Friday 2pm

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STILL FREE!*

*Nominal fee for adult entertainment. All advertising is subject to the newspaper’s Standards of Acceptance. Further, the News & Review specifically reserves the right to edit, decline or properly classify any ad. Errors will be rectified by re-publication upon notification. The N&R is not responsible for error after the first publication. The N&R assumes no financial liability for errors or omission of copy. In any event, liability shall not exceed the cost of the space occupied by such an error or omission. The advertiser and not the newspaper assumes full responsibility for the truthful content of their advertising message.

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REAL PEOPLE, REAL DESIRE, REAL FUN.

Absent love

It might be for him, if he enjoys the exhilaration of the chase more than the slow growth of genuine love. But infatuation is like starting dinner with five decadent desserts, and then trying to eat an entrée, salad and appetizers. Beginning with so much sugar lulls your common sense to sleep. That’s why you’re not sure if you’re being played. Hey, a person who loves you would confide in you about his personal challenges. Your man disappeared. Follow his lead and lean back. Trust that you did nothing to inspire his disconnect. And nothing you do will bring him back for good. Yes, he may reach out again. But he will pull away when you least expect it. That’s because he’s afraid of real intimacy and doesn’t want you to meet the mess behind the man who’s been love-bombing you. What if he’s right?

at parenting a teen, so he pours himself into the areas of his life where he feels successful. Don’t take it personally. It’s his failing, not yours. You are a good person even if your dad isn’t awake enough to see it, and even if your mom is afraid to stand up for you. One of the challenges of being a teen is suddenly seeing adults as they are. You can see the failings of people you once admired, and with one word, or a shift in body language or a particular facial expression, you hold up a big mirror so these adults can see themselves. Most would rather not look. They liked being adored and prefer that pedestal to the experience of becoming your equal. Some adults will fight against your progress toward equality and others will push it on you too soon. Knowing this truth should make you breathe a bit easier. One last thing: If your mom ever decides to challenge the custody agreement, the judge will be interested in hearing your opinion. But that does not mean you will be able to choose not to spend time with your father. Ω

Your man disappeared. Follow his lead and lean back.

I’m almost 14 years old, my parents are divorced and I hate going to my dad’s house. He is always at work or at his girlfriend’s house so when I’m at his house, I’m almost always alone. When he’s home, he’s mean and makes me feel like I can’t do anything right. It’s not true—I get good grades, and I try to be a good person. I’ve told my mom but she won’t do anything because she says he has custody rights, too. Why does he insist that I come over when he’s not there anyway, and seems to hate me? I’m sorry that you feel so alone, and that the adults in your life have not addressed your concerns. Your father may be inept

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SN&R

What’s inside:

SN&R’s

The 420 61 Product Review 65 Capital Cannabis Map 69

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Find dispensary listings online at newsreview.com/sacramento

08.11.16 | SN&R | 57

SN&R’s

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Overscheduled

Bring in any competitor’s coupon* and we’ll beat it by $5 *That is CA Medical Board Standards Compliant. Must present competitor’s ad. Some restrictions apply.

Wasn’t the DEA supposed to have released its decision on rescheduling cannabis by now? —John E. Law Of course it was, and of course it hasn’t. Word was that the Drug Enforcement Administration was in talks to bump cannabis to Schedule 2 within the first half of 2016. Do you know how hard it is for government agencies to admit they’ve made a mistake? Currently, marijuana is classified as a Schedule I drug, meaning it supposedly has no medicinal value and has a high risk for abuse. You know, like other Schedule I drugs such as heroin or LSD. If they decide to reschedule cannabis, what would they say to the thousands of people that have had their lives destroyed by the DEA’s overzealous pursuit of people that like weed? This is the same DEA that could have removed cannabis from Schedule 1 in 1988, but chose to reject the findings of its own judge when he stated, “Marijuana, in its natural form, is one of the safest therapeutically The DEA is active substances known to man. By any measure taking its sweet of rational analysis marijuana can be safely used time. within a supervised routine of medical care.” (There’s more juicy stuff in this opinion. Read it here: www.ccguide.org/young88.php.) All that aside, the DEA is taking its sweet time. DEA spokesman Russ Baer recently told a reporter for TheCannabist.co: “I can’t give you a time frame as to when we may announce a decision. We’re closer than we were a month ago. It’s a very deliberate process.” Here’s the deal: It’s not hard to do, but think about all the things the DEA and the feds would have to deal with if cannabis was descheduled. The DEA wouldn’t just be giving up the millions of dollars of its budget that it wastes each year going after pot users: They would have to drop a bunch of cases, give back a bunch of seized assets, deal with prisoners petitioning for release and more. It’s a big deal. It is hard for people, especially bureaucrats, to willingly relinquish that type of power. By the way, if you think the feds only go after big-time outlaw cannabis growers, I refer you to the case of Devontre Thomas, a 19-year-old native American kid from Oregon who faced a year in jail and loss of any potential federal subsidies, such as student loans, for being caught with less than one gram (Less than one gram. Maybe enough for a decent sized joint!) of cannabis on federal property. It took a U.S. Congressman and a giant outcry by the public to get the feds to drop the charges. The war on drugs is a sham and the war on pot users is a travesty and a mockery. It’s time for it to end. I still hold out hope that President Barack Obama will use his executive powers to deschedule cannabis right before he leaves office, but I am not placing any bets. Any cool pot-themed events on the horizon? —Hitch Aiker Yup. The 25th anniversary of the Seattle Hempfest is happening August 19-21. This is the biggest “protestival” in the world. I will be there. Come say high. Get more info at www.hempfest.org. Ω

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Ngaio Bealum is a Sacramento comedian, activist and marijuana expert. Email him questions at ask420@newsreview.com.

www.420MD.org 08.11.16 | SN&R | 61

SN&R’s

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64 | SN&R | 08.11.16

Photo by anne stokes

Bhang Stick

by Daniel barnes

Value .....................★ ★ ★ ★ ✩ Discretion ..............★ ★ ★ ★ ✩ Potency .................★ ★ ★ ★ ✩

ased out of Las Vegas, the Bhang Corporation is so widely associated with their chocolates that the URL listed on their vape cartridge packages directs people to “bhangchocolate.com.” We raved over the Bhang Cherry Milk Chocolate Bar earlier this year, so we can vouch for their affinity with candies, but Bhang also produces a line of vapes made from Co2-extracted cannabis oils. Bhang brings the same standards of quality, purity and safety to their vapor products as they do to their chocolates. Their cannabis oils are extracted using only carbon dioxide, so the final product is fully free of additives and toxic solvents. They produce over 60 revolving strains and post all of the potency information on the label. The Bhang Stick (priced around $30) is their personal vaporizer product, and like a lot of vape pens, it’s designed for anonymity and discretion — even the logo is printed in black on the black exterior. It’s visually indistinguishable from almost every vape

pen of its kind, although the labeling is more pronounced on the USB charger, and it comes in a silver case with felt cut outs for the pen, charger and a cartridge.

The indica strain was on another level, offering a lighter and sweeter flavor with a delicious tropical finish. We sampled two different Bhang vape strains, a hybrid and an indica, with both cartridges containing 275 mg of oil that tested at over 50 percent THC. The hybrid had a nice earthy dankness, and the pen hits clean and charges quickly. But the indica strain was on another level, offering a lighter and sweeter flavor with a delicious tropical finish.

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74 | SN&R | 08.11.16

Free will astrology

by Rebecca Huval

by ROb bRezsny

FOR THE WEEk OF AUGUST 11, 2016 ARIES (March 21-April 19): Using scissors,

snip off a strand of your hair. As you do, sing a beloved song with uplifting lyrics. Seal the hair in an envelope on which you have written the following: “I am attracting divine prods and unpredictable nudges that will enlighten me about a personal puzzle that I am ready to solve.” On each of the next five nights, kiss this package five times and place it beneath your pillow as you sing a beloved song with uplifting lyrics. Then observe your dreams closely. Keep a pen and notebook or audio recorder near your bed to capture any clues that might arrive. On the morning after the fifth night, go to your kitchen sink and burn the envelope and hair in the flame of a white candle. Chant the words of power: “Catalytic revelations and insights are arriving.” The magic you need will appear within 15 days.

TAURUS (April 20-May 20): This would be a good time to have a master craftsperson decorate your headquarters with stained glass windows that depict the creation stories of your favorite indigenous culture. You might also benefit from hiring a feng shui consultant to help you design a more harmonious home environment. Here are some cheaper but equally effective ways to promote domestic bliss: Put images of your heroes on your walls. Throw out stuff that makes you feel cramped. Add new potted plants to calm your eyes and nurture your lungs. If you’re feeling especially experimental, build a shrine devoted to the Goddess of Ecstatic Nesting.

GEMINI (May 21-June 20): You Geminis are as

full of longings as any other sign, but you have a tendency to downplay their intensity. How often do you use your charm and wit to cloak your burning, churning yearnings? Please don’t misunderstand me: I appreciate your refined expressions of deep feelings—as long as that’s not a way to hide your deep feelings from yourself. This will be an especially fun and useful issue for you to meditate on in the coming weeks. I advise you to be in very close touch with your primal urges.

CANCER (June 21-July 22): Be vulnerable and

sensitive as well as insatiable and irreverent. Cultivate your rigorous skepticism, but expect the arrival of at least two freaking miracles. Be extra nurturing to allies who help you and sustain you, but also be alert for those moments when they may benefit from your rebellious provocations. Don’t take anything too personally or literally or seriously, even as you treat the world as a bountiful source of gifts and blessings. Be sure to regard love as your highest law, and laugh at fear at least three times every day.

LEO (July 23-Aug. 22): Let’s assume, for the

sake of fun argument, that you do indeed have a guardian angel. Even if you have steadfastly ignored this divine helper in the past, I’m asking you to strike up a close alliance in the coming weeks. If you need to engage in an elaborate game of imaginative pretending to make it happen, so be it. Now let me offer a few tips about your guardian angel’s potential purposes in your life: providing sly guidance about how to take good care of yourself; quietly reminding you where your next liberation may lie; keeping you on track to consistently shed the past and head toward the future; and kicking your ass so as to steer you away from questionable influences. OK? Now go claim your sublime assistance!

VIRGO (Aug. 23-Sept. 22): Although you may not

yet be fully aware of your good fortune, your “rescue” is already underway. Furthermore, the so-called hardship you’ve been lamenting will soon lead you to a trick you can use to overcome one of your limitations. Maybe best of all, Virgo, a painful memory you have coddled for a long time has so thoroughly decayed that there’s almost nothing left to cling to. Time to release it! So what comes next? Here’s what I recommend: Throw a going-away party for everything you no longer need. Give thanks to the secret intelligence within you that has guided you to this turning point.

LIBRA (Sept. 23-Oct. 22): Here comes a special occasion—a radical exemption that is so rare as to be almost impossible. Are you ready to explore a blessing you have perhaps never experienced? For a brief grace period, you can be free from your pressing obsessions. Your

habitual attachments and unquenchable desires will leave you in peace. You will be relieved of the drive to acquire more possessions or gather further proof of your attractiveness. You may even arrive at the relaxing realization that you don’t require as many props and accessories as you imagined you needed to be happy and whole. Is enlightenment nigh? At the very least, you will learn how to derive more joy out of what you already have.

SCORPIO (Oct. 23-Nov. 21): In the coming

weeks, I suspect that life will attempt to move you away from any influences that interfere with your ability to discern and express your soul’s code. You know what I’m talking about when I use that term “soul’s code,” right? It’s your sacred calling; the blueprint of your destiny; the mission you came to earth to fulfill. So what does it mean if higher powers and mysterious forces are clearing away obstacles that have been preventing you from a more complete embodiment of your soul’s code? Expect a breakthrough that initially resembles a breakdown.

SAGITTARIUS (Nov. 22-Dec. 21): Maybe you

know people who flee from the kind of big, bold blankness that’s visiting you, but I hope you won’t be tempted to do that. Here’s my counsel: Welcome your temporary engagement with emptiness. Celebrate this opening into the unknown. Ease into the absence. Commune with the vacuum. Ask the nothingness to be your teacher. What’s the payoff? This is an opportunity to access valuable secrets about the meaning of your life that aren’t available when you’re feeling full. Be gratefully receptive to what you don’t understand and can’t control.

CAPRICORN (Dec. 22-Jan. 19): I placed a wager

down at the astrology pool. I bet that sometime in the next three weeks, you Capricorns will shed at least some of the heavy emotional baggage that you’ve been lugging around; you will transition from ponderous plodding to curious-hearted sauntering. Why am I so sure this will occur? Because I have detected a shift in attitude by one of the most talkative little voices in your head. It seems ready to stop tormenting you with cranky reminders of all the chores you should be doing but aren’t—and start motivating you with sunny prompts about all the fun adventures you could be pursuing.

AQUARIUS (Jan. 20-Feb. 18): What you are

most afraid of right now could become what fuels you this fall. Please note that I used the word “could.” In the style of astrology I employ, there is no such thing as predestination. So if you prefer, you may refuse to access the rich fuel that’s available. You can keep your scary feelings tucked inside your secret hiding place, where they will continue to fester. You are not obligated to deal with them squarely, let alone find a way to use them as motivation. But if you are intrigued by the possibility that those murky worries might become a source of inspiration, dive in and investigate.

PISCES (Feb. 19-March 20): Are you ready for

your midterm exam? Luckily, I’m here to help get you into the proper frame of mind to do well. Now study the following incitements with an air of amused rebelliousness: (1) You may have to act a bit wild or unruly in order to do the right thing. (2) Loving your enemies could motivate your allies to give you more of what you need. (3) Are you sufficiently audacious to explore the quirky happiness that can come from cultivating intriguing problems? (4) If you want people to change, try this: Change yourself in the precise way you want them to change.

PHOTO BY JON HERMISON

Cocktail connoisseur Lucky writer Garrett McCord gets paid to dream up recipes and eat macaroni and cheese. If that isn’t enough to make you hate him, the local food author (formerly a freelance restaurant critic with SN&R) got liquored up in the best bars around Sacramento—for “research.” Now a DIY cocktail evangelist, McCord recently released an ebook, Stewards of Spirits, with recipes by Sacramento’s top bartenders. All proceeds from the book go to the local children’s nutrition nonprofit, the Food Literacy Center. Maybe we don’t hate him after all.

Let’s be honest. Did you write the book as an excuse to day-drink? That just happened to be a side benefit. … [The photographer Callista Polhemus and I] realized that this would be a great way not only to prop up the cocktail and bartender scene here in Sacramento, which kind of takes second fiddle to, you know, chefs … The bars here are just as good, and they just don’t get that attention that the chefs in town get. … The day drinking was just a bonus.

If the donations are going all to that nonprofit, then who’s paying for you to drink all this liquor? No one. I’m making no money on this whatsoever.

You’re clearly out of your mind. You can call Rob Brezsny for your Expanded Weekly Horoscope: (900) 950-7700. $1.99 per minute. Must be 18+. Touchtone phone required. Customer service (612) 373-9785. And don’t forget to check out Rob’s website at www.realastrology.com.

I got to expand my writing skills in some new ways. And it was a chance to meet new people and get out and explore new parts of our own city of Sacramento.

Are we in a cocktail renaissance? The thing is, I think it’s not so much a renaissance … we’re rediscovering something. Take Paragary’s, for instance,

they were doing sort of craft cocktails in the ’80s and ’90s when people were still slinging pre-bottled sweet-and-sour. It’s just that these days, more people are now actually paying attention.

covered. I would add to that you need to know how to make a good cocktail, or at least a few, preferably, because you’ll have a few people who don’t like vodka or don’t like whiskey.

What’s the scariest thing you’ve done to make a drink?

Have you started impressing more people at home?

In college, I did a bunch of stupid things … like lighting vodka or, like, high-proof corn whiskey on fire, and then you put a glass over it with a straw and you suck out the vapor and get high really fast.

Very quickly, in the past few months, I’ve become the person in my circle of friends who now makes the good cocktails.

Party at your house.

Oh, my God. Or Skittles vodka—but that was all college, so don’t judge me—which I ran through the Brita filter to make it better because it was bottom-shelf jugs.

What’s with all of the book’s pre-Prohibition drinks? There was already a really big cocktail culture before Prohibition. It was only after Prohibition, during this long stretch when you couldn’t find anything, that we lost a lot of these great recipes. … So those we can, it’s these classics, it’s American history. In America, pre-Prohibition, we were drinking lots and lots of apple brandies and Calvados and apple liqueurs because that’s how farmers simply used to use all their extra produce … And now today, no one drinks it, those types of drinks—shrubs and cobblers and flips. … So a lot of bartenders are looking back to old recipes to bring them back.

Why should we clumsy laypersons concoct these drinks at home? When I tell people you need to know how to cook, I generally tell them you need to learn how to roast a chicken, how to make salad dressing and how to bake, like, a chocolate cake or make chocolate chip cookies. That way, you’ve got date night

Exactly. … We popped [Contessa cocktails] into flasks and took it to the Shakespeare festival, and it was wonderful. Paired well with fried chicken.

Do you believe in those pairings— like, how fine-tuned does that have to be? You haven’t seen a lot of cocktail pairings for food just yet. Maybe that’s the next trend. There’s been plenty on beer and plenty on wine, but maybe it’s going to be cocktail pairings with food, which I think would be interesting because you have so much more control over the cocktail.

That’s so true! Why haven’t we thought of this? We just did.

Will robot bartenders ever replace the human ones? For all the obvious reasons, absolutely not. Plus, we have to prevent the robot uprising. If we let them behind the bars, soon they’ll be taking our lives. Ω

The ebook can be downloaded for $10 until the end of Sacramento Cocktail Week on August 19. Find it at foodliteracycenter.org/event/stewards-spirits.

08.11.16

sN&r