S24_Human Factors for Design

IARD 4813 Spring 2024

Human Factors for Design

Acree,Lauren Elizabeth Anderson,Elizabeth Grace Anderson,Hannah Nichole Baker,Alyssa Noelle Banks,Ann-Wesley W Beladi,Parisa Sultan Bowers,Alexandra Victoria Boylan,Laura Kathryn Brevard,Riley Buskin,Hannah Michaela Cain,Allison Nicole Campbell,Ashley Brooke Carpenter,Sara Wallace Carter,Annie Chastain,Emily G Clayton,Faron Darby Cole,Carlee P Crow,Amanda Cully,Logan Brooke Dedrick,Kendall Paige Depetris,Julie Mei Everett,Olivia M Ferguson,Julianna S Finkelstein,Devyn Ann Flanagan,Kelley Flores,Jampiere L Garcia,Itzel

Gobbi,Drew Michelle Hall,Daria Hays,Emily M Hazlewood,Kyndal Kaylee Heard,Maezie G Hendrick,Chloe R Hickey,Sofia Thayer Ickowicz,Adi Maya Jacobus,Christopher Corbin Jeane,Anna E Johnson,Karli Rae Johnson,Katrina Marie Jordan,Jaxon Reid Kersey,Sarah Nicole Krueger,Jessica M Kyle,Madison L Lallier,Katherine Loring Lowe,Tobie Michelle Luce,Emilie Anne Martin,Campbell L Mason,Ellie M Meharg,Lydia Wilson Mendoza Jr,Eugenio Misenheimer,Laura A Mulloy,Katie G Ofria,Adrienne Sheffield Orosz,Anna I

Penney,Ella Grace Raabe,John T Ramirez,Isabel Renee Rehfeld,Brooke Noel Reidy,Summer G Ritter,Evelyn Anne Roberts,Cassie Rolfe,Lauren Christina Ross,Peyton Jade Salas,Juan Daniel Sanchez,Emily Belen Schmidt,Madelynn Rose Simmons,Carson C Slaughter,Sydney Dane Smith,Lauren Kate Smith,Madison Margaret Sowers,Alyssa Helen Spillman,Mikayla Breanne Stiefvater,Mattingly Rose Stratman,Zoe Savannah Telles,Kennedy M Vancil,Haden R Vidales Jr,Javier Wait,Martha MacNamara Walker,Lorelei Dawn Walls,Avery Brynne Zamorano,Israel E

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Course IARD 4813 Human Factors for Design in Spring 2024 Students Acree,Lauren Elizabeth Anderson,Elizabeth Grace Anderson,Hannah Nichole Baker,Alyssa Noelle Banks,Ann-Wesley W Beladi,Parisa Sultan Bowers,Alexandra Victoria Boylan,Laura Kathryn Brevard,Riley Buskin,Hannah Michaela Cain,Allison Nicole Campbell,Ashley Brooke Carpenter,Sara Wallace Carter,Annie Chastain,Emily G Clayton,Faron Darby Cole,Carlee P Crow,Amanda Cully,Logan Brooke Dedrick,Kendall Paige Depetris,Julie Mei Everett,Olivia M Ferguson,Julianna S Finkelstein,Devyn Ann Flanagan,Kelley Flores,Jampiere L Garcia,Itzel Gobbi,Drew Michelle

Hall,Daria Hays,Emily M Hazlewood,Kyndal Kaylee Heard,Maezie G Hendrick,Chloe R Hickey,Sofia Thayer Ickowicz,Adi Maya Jacobus,Christopher Corbin Jeane,Anna E Johnson,Karli Rae Johnson,Katrina Marie Jordan,Jaxon Reid Kersey,Sarah Nicole Krueger,Jessica M Kyle,Madison L Lallier,Katherine Loring Lowe,Tobie Michelle Luce,Emilie Anne Martin,Campbell L Mason,Ellie M Meharg,Lydia Wilson Mendoza Jr,Eugenio Misenheimer,Laura A Mulloy,Katie G Ofria,Adrienne Sheffield Orosz,Anna I Penney,Ella Grace Raabe,John T

Ramirez,Isabel Renee Rehfeld,Brooke Noel Reidy,Summer G Ritter,Evelyn Anne Roberts,Cassie Rolfe,Lauren Christina Ross,Peyton Jade Salas,Juan Daniel Sanchez,Emily Belen Schmidt,Madelynn Rose Simmons,Carson C Slaughter,Sydney Dane Smith,Lauren Kate Smith,Madison Margaret Sowers,Alyssa Helen Spillman,Mikayla Breanne Stiefvater,Mattingly Rose Stratman,Zoe Savannah Telles,Kennedy M Vancil,Haden R Vidales Jr,Javier Wait,Martha MacNamara Walker,Lorelei Dawn Walls,Avery Brynne Zamorano,Israel E

Instructor Jinoh Park Teaching Assistants Morgan Clupka, Esta Hasa, and Jae Young Jang

*. There is no restriction on academic use of the contents of this book. *. The copyright of all design results contained in this book belongs to each (student) designer.

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PUBLISHER’S NOTE

Dr. Jennifer had taught this Human Factors for Design course for more than a decade. It was passed on to me when I joined the University of Arkansas. It is my second time teaching Human Factors at the University of Arkansas.

As a practitioner, I simply had to determine which design was best for the client, but as an educator, I had difficulty determining which direction to teach, since I was aware that not all students would become interior designers. As human factors have traditionally been closely related to psychology or anatomy, and industrial engineering and UX design have become dominant, it is impossible to cover everything in a semester for students who lack basic background knowledge. In response to the difficulty, I adopted a simple approach. “Return to the basics.”

If interior designers and architects are responsible for designing spaces, what is the purpose of the design and what are people expecting from us? In what ways can human factors assist us in meeting these objectives and meeting these expectations? I ask my students these questions at the beginning and end of each lecture. Overall, I was interested in discussing the elements of interaction that must be tailored to

During my student days, I was not very satisfied with the first portfolio I developed by simply binding output files for the purpose of job preparation. I used to feel that it would have been better to prepare the portfolio in advance during the break, but every break is short and I needed time to rejuvenate my mind and body after completing so many tasks during the semester. Sometimes I am unable to recall what I have learned or what I have missed. I have occasionally been unable to locate my output files. Consequently, I found myself holding a portfolio that had no relation to my interests or passions. Hopefully, you will find this publication helpful in retrieving what you have learned as a designer and preserving what you have accomplished.

Lastly, I would like to express my appreciation for everyone’s efforts last semester. Having the opportunity to combine the results of everyone’s efforts into a book made me very happy during the writing of this book.

Jinoh Park, Publisher

a specific purpose and meet people’s expectations.

The purpose of the series of discussions was to lay the groundwork for analyzing and understanding the interaction between behavioral and environmental factors. Although it takes time to achieve results, you will eventually see the quality of your performance reflect the effort you have put forth. By putting in as much effort as possible, you will be able to design faster, more accurately, more effectively, and more efficiently. As well as emphasizing the interaction of behavioral and environmental factors, the course required students to complete 12 exercises and a final project. In addition, students had to write a few essays. All of their outputs are included in this book except the essays.

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CONTENTS

48 Beladi,Parisa Sultan

108 Clayton,Faron Darby

74 Buskin,Hannah Mi chaela

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40 Banks,Ann-Wesley W

102 Chastain,Emily G

68 Brevard,Riley

96 Carpenter,Sara Wallace

34 Baker,Alyssa Noelle

62 Boylan,Laura Kathryn

28 Anderson,Hannah

Nichole

88 Campbell,Ashley Brooke

54 Bowers,Alexandra Victoria

20 Anderson,Elizabeth Grace

80 Cain,Allison Nicole

08 COURSE SURVEY

06 APPLIED CIDA STANDARDS

12 Acree,Lauren Elizabeth

02 CONTENTS

110 Cole,Carlee P

150 Ferguson,Julianna S

194 Hall,Daria

234 Jacobus,Christopher Corbin

240 Jeane,Anna E

120 Cully,Logan Brooke

202 Hays,Emily M

158 Finkelstein,Devyn Ann

166 Flanagan,Kelley

208 Hazlewood,Kyndal Kaylee

244 Johnson,Karli Rae

262 Kersey,Sarah Nicole

226 Ickowicz,Adi Maya

256 Jordan,Jaxon Reid

186 Gobbi,Drew Michelle

142 Everett,Olivia M

222 Hickey,Sofia Thayer

250 Johnson,Katrina Marie

178 Garcia,Itzel

134 Depetris,Julie Mei

214 Heard,Maezie G

172 Flores,Jampiere L

126 Dedrick,Kendall Paige

118 Crow,Amanda

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434 Sanchez,Emily Belen

396 Reidy,Summer G

426 Salas,Juan Daniel

350 Ofria,Adrienne Sheffield

388 Rehfeld,Brooke Noel

304 Martin,Campbell L

342 Mulloy,Katie G

420 Ross,Peyton Jade

296 Luce,Emilie Anne

380 Ramirez,Isabel Renee

334 Misenheimer,Laura A

290 Lowe,Tobie Michelle

412 Rolfe,Lauren Christina

372 Raabe,John T

406 Roberts,Cassie

326 Mendoza Jr,Eugenio

364 Penney,Ella Grace

282 Lallier,Katherine Loring

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318 Meharg,Lydia Wilson

278 Kyle,Madison L

400 Ritter,Evelyn Anne

356 Orosz,Anna I

312 Mason,Ellie M

270 Krueger,Jessica M

544 Walls,Avery Brynne

506 Telles,Kennedy M

536 Walker,Lorelei Dawn

468 Smith,Madison Margaret

498 Stratman,Zoe Savan

nah

462 Smith,Lauren Kate

528 Wait,Martha MacNamara

490 Stiefvater,Mattingly

Rose

454 Slaughter,Sydney Dane

558 Content Arrangement

by TAs

522 Vidales Jr,Javier

482 Spillman,Mikayla Breanne

446 Simmons,Carson C

552 Zamorano,Israel E

514 Vancil,Haden R

476 Sowers,Alyssa Helen

440 Schmidt,Madelynn

Rose

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APPLIED CIDA STANDARDS

Standard 4. Global Context - Interior designers have a global view and consider social, cultural, economic, and ecological contexts in all aspects of their work.

4c – Student work demonstrates understanding of how designers consider the inter-dependence of multiple contextual elements related to a design solution and their holistic, potential impact on the user(s).

-> Assignment #2-13 by analyzing environmental and human factors 4e – The interior design program provides exposure to a variety of cultural norms.

-> Lectures and reviews 4f – The interior design program provides opportunities for developing multi-cultural awareness -> Lectures and reviews Standard 6. Business Practices and Professionalism - Interior designers understand the principles, processes, and responsibilities that define the profession and the value of interior design to society.

6a – Students have awareness of the contexts for interior design practice.

-> Assignment #2-13 by analyzing environmental and human factors with expectation 6c – Students have awareness of the breadth and depth of interior design’s impact and value.

-> Assignment #2-13 by analyzing environmental and human factors with expectation 6n – The interior design program provides exposure to the role and value of life-long learning.

-> Lectures, Assignments, and Reviews Standard 7. Human-Centered Design - Interior designers apply knowledge of human experience and behavior to designing the built environment.

7a – Student work demonstrates understanding of theories related to the impact of the built environment on human experience, behavior, and performance.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric 7b – Student work demonstrates understanding of the relationship between the designed environment and human experience, wellbeing, behavior, and performance.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric; especially in Assignment #7, 12, and 13 7c – Student work demonstrates the ability to gather and apply human-centered evidence.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric 7d – Student work demonstrates the ability to analyze and synthesize human perception and behavior patterns to inform design solutions.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric 7f – Student work demonstrates the ability to apply wayfinding techniques to design solutions.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric; especially in Assignment #10-11 Standard 8. Design Process - Interior designers employ all aspects of the design process to creatively solve a design problem.

8i – Students understand the importance of evaluating the relevance and reliability of information and research impacting design solutions.

-> Lectures, Assignments, and Reviews

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Standard 9. Communication - Interior designers are effective communicators.

9a – Students are able to effectively interpret and communicate data and research.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric 9b – Students are able to effectively express ideas and their rationale in oral communication.

-> Presentation in Reviews 9c – Students are able to effectively express ideas and their rationale in written communication.

-> Assignment #2-13 by analyzing environmental and human factors through abstract 9e – Students are able to effectively express project solutions using a variety of visual communication techniques and technologies appropriate to a range of purposes and audiences.

-> Assignment #2-13 by analyzing environmental and human factors through sequence diagram and axonometric Standard 12. Light and Color - Interior designers apply the principles and theories of light and color effectively in relation to environmental impact and human wellbeing.

12e – Students understand how light and color impact health, safety, and wellbeing in the interior environment.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric; especially in Assignment #3, 7, 12, and 13 12f – Students have awareness of a range of sources for information and research about color.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric; especially in Assignment #3, 7, 12, and 13 Standard 16. Regulations and Guidelines - Interior designers apply laws, codes, standards, and guidelines that impact human experience of interior spaces.

16b – Students work demonstrates understanding of standards and guidelines related to sustainability and wellness.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric; especially in Assignment #3 and 13 16c – Students work demonstrates understanding of sector-specific regulations and guidelines related to construction, products, and materials.

-> Assignment #2-13 by analyzing environmental and human factors through abstract, sequence diagram, and axonometric; especially in Assignment #5

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COURSE SURVEY

#Do you have any plans after this semester?

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I will be going to Rome in the fall!!!!

Summer Internship!

This upcoming summer I will be doing an internship in Kansas City at a small commercial firm.

My plan for after this semester is to continue utilizing my design skills at my summer internship position with Jill White Designs.

Since my internship is in my hometown, I will also enjoy spending time with my friends and family.

Yes, I have a job as a designer at Studio MH in Fayetteville, AR!! study abroad I am doing my internship over the summer and getting my real estate license hours finished! Almost done, 15 more hours to go!

I have an internship in Dallas in residential design.

Summer Internship.

I plan on moving back home and spending time with family and friends after the busy semester. I also will be starting my first internship with HDR in Dallas, TX to learn more about the field and get hands on experience with design professionals and mentors.

I will be interning at CannonDesign this summer in Dallas, TX After this semester I will be interning and traveling. I will spend as much time as possible at home with my family before helping my sister move into her freshman year of college. After the summer I will come back to Fayetteville and continue my internship through the year and continue in my studies!

Yes, an internship this summer.

Will look to work on photoshop skills, revit, and portfolio.

Study abroad in Copenhagen.

This summer is shaping up to be an incredible adventure filled with opportunities to explore my passions and expand my skills.

I’ll kick things off in Copenhagen, Denmark, where I’ll immerse myself in the world of furniture design, soaking up inspiration and refining my craft. Then, I’ll jet off to Rome, Italy, to delve into the architectural wonders of the ancient city while interning at an architectural studio. The highlight of my summer will undoubtedly be my internship with Claudio Bellini in Milan, Italy, where I’ll have the chance to learn from one of the industry’s leading designers.

Amidst all these exciting experiences, I’m also dedicating time to business classes, ensuring that I have the knowledge and skills to succeed in the competitive design market. It’s going to be an unforgettable summer of growth, creativity, and learning.

I have an internship this summer that I am looking forward to.

I will be traveling to Copenhagen, Denmark for the study abroad requirement.

I have an internship in Houston this summer with HDR! I will be working in Dallas Texas!!

This summer, I am interning at Paragon Architecture and next fall, I am studying abroad in Rome, Italy.

I have an internship this summer at GFF design. I also plan on

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updating my portfolio, and relaxing by my neighborhood pool!

Then, I plan on returning to the University of Arkansas next year to finish my Interior Architecture and Design degree.

Start my summer internship and work on my portfolio.

Internship My plans after the semester are to head home to Dallas, TX for the summer and work as an intern to learn even more about the working world of interior architecture and design.

I will be attending the U of A in Rome to start my Bachelor of Architecture 5th year!

Start an internship with a hospitality design studio in Dallas and relax a little over the summer!

After the semester, I plan to work at SGA Design Group to fulfill my internship requirements. Then next fall I will be studying abroad in Rome.

I plan to intern for the summer with HOK in Dallas, TX. I will be spending the summer in Houston, TX for an internship at Inventure Design. Following this, I plan to obtain an internship during the school year while completing my advanced studios.

I am interning in 30A in Florida at an interior design firm, and then coming back for senior year!

Studying abroad in Rome, Italy next fall semester.

I am going back home to Overland Park, Kansas to intern with DLR Group.

After this semester, I will be interning in Dallas for a real estate design internship with Tonti Properties. I hope to gain ample experience after this internship as well as knowledge.

Yes, I am continuing my college education next semester.

My plan after this semester is to learn and gain experience from my wonderful internship.

After this semester, I plan on returning to my hometown and interning for SHM Architects in Dallas, Texas. In addition to this, I will be spending time with family and friends and enjoying summer in Texas before coming back to complete my last two semesters at the University of Arkansas.

I am interning at CESO in Rogers, AR. Other than that, I am planning on attending music concerts here and there!

I will be working as an intern for the summer at K. Lewis Interiors in Little Rock, Arkansas.

Double internship in the summer This summer I will be going to Cromwell in Little Rock for my internship and then will be studying abroad the upcoming fall semester Yes, I will be interning at Childers Architects in Bentonville this summer. After this summer I will be studying abroad in Rome for the fall semester and graduating next spring.

Yes! I will be heading to Rome, Italy this summer for my study abroad and then will graduate next December with my Bachelors of Architecture with Honors and a minor in Interior Design!

#What problems did you encounter in the studio or outside?

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I think time management and balancing work and school.

Everything was good!

I struggled with procrastination this semester. 3rd year was very demanding and I started to lose motivation towards the end.

I would say that time management is always something I struggle with. Being a third year student - the work load is more time consuming which made this year more difficult.

I didn’t find that reviewing people’s mistakes in our assignments 2/3 classes of the week proved to be very helpful. I mostly learned in this class how to create the exact same power point every week.

I also felt as if putting the reference on the wrong slide and getting points off was very unhelpful towards teaching actual human facotrs in design, it was tedious.

Nothing I had a hard time getting assignments done because they were assigned on Fridays and I try really hard to keep my work during the week. I did not get several turned in because they were minutes late and that stinks but I also understand a deadline.

I wish we would be able to have gotten the assignments on Wednesdays.

I struggled this year with balancing all aspects of life. I was mainly focused on finding an internship and working on my professional resume and portfolio creations while maintaining a good academic standing academically. As a result, I found myself being pushed to the limits. I am excited to be able to rest for a few weeks, and then be able to work in the real world as I head into my senior year of design education.

Balancing intense studio demands with the rest of my classes while searching for an internship raised some stress levels.

This semester was overall a challenge and teaching lesson for time management and organization skills. Having weekly assignments being assigned on Friday and due on Monday was a challenge for me.

In the beginning of the class, I didn’t like how the assignments were explained, and assigned on Fridays, leaving us to do the assignment over the weekend. I feel as if my work could have been better if I had during the week to complete the assignment and not rush/dread doing it over the weekend.

None, just the fact every class was demanding and hard to keep up with.

Remembering the assignments. The workload this semester was so heavy that sometimes, I would not remember about Human Factors assignments till Sunday night.

Navigating the complexities of ensuring my projects met various codes was definitely a challenge. It required meticulous research and attention to detail to ensure compliance while maintaining the integrity of my designs. Additionally, constructing axonometrics in Revit proved to be time-consuming and sometimes frustrating, as I worked to accurately translate my ideas into digital models. However, overcoming these obstacles has been immensely rewarding, as each hurdle has contributed to my growth as a designer and equipped me with valuable skills for future projects.

Personally I had a hard time getting the assignments done because they were very time-consuming. I wish I gotten some grades back sooner so that I could then fix my next project and try to get the best possible grade, instead I was doing the assignment the same way because I thought it was right and then not getting a good grade on a handful of assignments when I feel that could’ve been prevented easily.

Didn’t really have any problems that aren’t unusual for my life.

I haven’t encountered too many issues in the class or outside this year, I think one thing I really need to work on is time management.

Honestly, just trying to stay on top of everything.

I faced a few health issues but managed my very best to keep up with all my classes and make the most of every learning opportunity from this Human Factors course.

I think this semester just had a lot of very time consuming work, so it was really difficult for me. It was also hard juggling studio, human factors, and my honors methods of design inquiry class while working, keeping a social life, and keeping my mental health stable.

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I had trouble with time management. This was my busiest semester and planning when to do assignments or how to break in parts was hard for me.

Understanding exactly what each assignment was asking The biggest problem I encountered was having a balance between work and classes I had. Hand in hand with that was having time management and making sure there was enough allocated time for assignments and projects.

I quickly had to plan to do the weekly assignments starting on Friday’s in order to balance studio and this class.

None really :) It may have taken a while to get used to the layout of the assignments, but after that, there were no problems for me in the class.

The problems I encountered during this class were not fully understanding the assignments, and struggling to complete the assignments in a timely manner on top of studio demands. Many peers and myself were left confused on how to complete the assignments, and not fully understanding the exact requirements.

It seems as though the class did not fully understand the exact requirements of the assignments until grades were put in later in the semester. It is also very challenging to clearly hear and remember every single instruction shared during the lecture, and would be helpful to receive a simply formatted list of instructions and grading criteria in addition to lectures. The lecture slides that were shared on box were helpful to a certain extent, but still left many students without clear understandings and steps to completing the lengthy assignments. The grading format also left many students confused and unsure of how to calculate their grade to see where they stand. Overall, the assignments were helpful to expanding design knowledge and ideas.

Time management and understanding instruction were my biggest obstacles. Planning out what I need to have completed by the end of the day and taking good notes helped these problems.

There was a lot of confusion within studio this year of vague instruction.

I did not encounter any problems in studio or outside of studio.

This semester ended up being more challenging than the fall due to the odd-paced studio project and personal struggles. The beginning of the semester was spent doing a lot of busy work.

Although it was fun, it gave us little time to develop and refine our projects.

Inside and outside of the studio I often struggle with the work-life balance. Spending time with friends and family is very important to me and can often be challenging when trying to balance time with them and studio.

I did not really encounter any problems in the studio or outside of studio!

I had no problems with this course. I would say it was hard getting up for this class, but it was worth it.

In studio, it has always been hard to know when to stop. As designers, we always think there is something to be improved.

Knowing when to say it is enough is a skill I have had to learn throughout my time at the Fay Jones School.

I guess a problem I encountered was waking up early for a 8am class, it was tough but I got through it!

The course load in studio was not as involved this semester however all of the other courses I took as as well as my involvement in my sorority became more time consuming than past semesters.

The only difficulty I encountered this semester was balancing school, sorority, personal, and social commitments.

Lack of organization A lot of pacing & prioritizing my assignments based on when they where due and my amount of free time in the day.

Architecture school has been challenging academically and mentally. There were times I wasn’t sure I was going to make it, but here we are. There are so many trials I went through, I don’t have the time to type them all out. I cried a lot and was broken down again and again but in the end, I am proud of what I have accomplished and the person I am today.

Too much to say... but what I can say is that I have survived many late nights, stressful deadlines, and personal loss. Problems, stress, and challenges will always find you but it is important that you hold firm to you boundaries and morals - a lesson I have learned more than once this past semester.

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#What did you learn from this class?

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I learned a lot about the human scale as well as the scale of architecture. I also learned how spaces make people feel.

I learned how to design in ways that are specific to certain individuals. Being able to see how each environment needed to think about different and specific elements was good to be educated.

I am definitely a lot more focused on every single element that goes into the space and how a human can or would want to interact with it.

This class informed me about the need for human based evidence in design.

I learned that good design is backed with lots of research and is always centered around the human experience.

I learned that the assignments are very tedious and whether or not you listen in class it does not reflect in your assignment grades. As those grades were more based on following Jinohs powerpoint example word for word powerpoint and not what we discussed in the lectures. When we were going through the lectures though I found them to be very informative and helpful for studio as well as for my internship. I think Jinoh is very intelligent and I have a lot to learn from him. human factors and experiences while designing I learned a lot about how a person feels inside of a space and what is making them feel that way.

The influence of design decisions, such as scale, drastically affects a space. Also, how every decision in design ultimately affects a person.

I learned how the sequence of how people move through the space effects the way they feel in the space.

I learned about how users interact with different sectors of design, by looking at precedents of projects. Through this I gained a greater appreciation for all sectors of design, and how to better design for the users of the space. There is a large number of factors that influence the design decisions we make and it’s crucial we recognize them early on.

The diverse range of human factors that are applicable to a space was very interesting to me and I am looking forward to implementing more of them into my future projects.

I learned just how important the human body is to every design.

Before this class I did not consider the scale and sizing of the human body movements to such detail as I do now.

I enjoyed learning about new spaces and how each type of space interacts with guests.

I learned a lot in this class in how a interior space can do so much aesthetically, but accessible to everyone using a thoughtful process in design.

I learned how to look at design from a more human perspective than a technical one.

This class provided me with invaluable insights into the multifaceted world of architecture. Through engaging documentaries, I gained a deeper understanding of how architectural works impact local communities and the importance of considering their perspectives and criticisms. Exploring the evolving nature of museums, particularly in the digital age, was eye-opening, highlighting the significance of embracing technology and social media to enhance cultural experiences. Overall, I developed a greater appreciation for the interconnectedness of architecture, society, and technology, equipping me with a more holistic understanding of the field and its broader implications.

This class was really helpful in teaching me what certain types of building need and are willing to accommodate.

I learned that looking at the human factors within design is not only important but vital, to succeed as a designer. Many of these factors are overlooked.

I feel like I learned a lot about the human body within a space and how we move through it. I have talked about this class in every interview I’ve done.

SO much. How environmental factors interact with human factors.

I have learned to think though how the built environment effects human behavior; how the built environment can both aid and make things more difficult for people in a space. I have also learned how the effectiveness of design can be studies and mea-

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sured, and how design impacts people’s life and behaviors.

I learned many things about human and environmental factors that I did not know before. I also learned that it is very important to think about these things before actually going through with the design process.

I learned how to analyze spaces and understand the layout. different ways humans interact with the built environment Human and environmental factors are a huge consideration that is necessary when designing any type of space. This class taught me how to understand what design aspects apply to human and environmental factors.

Different ways to comprehend spaces depending on the programmatic intentions and what we as humans need.

Good design comes from applying knowledge of the human needs and emotional responses. It is not neccesraily hard, just takes much thought and intention behind it.

I learned how to look at a space from a different lense, and to consider the human quality of a space more.

This class showed me different strategies in the design world, and how different design sectors respond to human needs.

I learned that design should focus on the user experience more, in subtle ways and bold. Thinking about the human dimension when designing built spaces is important in its outcome. Being thorough and concise at the same time is also important in doing studio work and class assignments.

I learned how movement through space affects us as humans and how we perceive space. I learned the relevance of sequence and how crucial this process is when reflecting on the success on your design.

I learned how the human body has a significant impact on what we design, and that the interior space needs to relate to the occupants it is designed for.

I learned what makes different types of spaces successful for human well-being. Studying countless projects for each assignment also allowed me to expand my knowledge of design elements that make sequences interesting.

From this class, I learned the importance of the human factors that is applied in everyday life.

What I learned from this class is to pay more attention to the design details and the codes that are being placed into the design projects. What I also learned is that there are many buildings that fit under one category, which is very interesting.

I learned how a space is designed based on the way humans interact within the space and how the space works as whole with the environment.

From human factors, I learned how to truly think about space in a new way. Before this class, it was a lot of thinking in just floor plan or section or 3D. After taking this class, I will think about the user experience through design elements, ADA factors, environmental factors, and the needs of the people. I will think about the human’s sequence through the space and how spaces I design can serve them.

I learned that a design can affect humans and how they respond to the built environment. It is our job, as designers, to consider everything and look at the design through the lens of non-designers.

I was reminded how influential the human body and scale is on everything we do as designers. I learned how to better accommodate human scale into designs and how to keep that as a focus in every design.

The importance of human impact in spaces How to structurally set time for the assignments and how to accommodate for human factors/ WELL and LEED certification in future projects.

I learned how to examine the built environment and identify ways that it could be improved for the human experience. And also that I am not a morning person.

I learned how to properly investigate and question the built environment and work towards integrating human factors in the design world in order to help create more accessible and desirable spaces for everyone. Also... I am not a morning person :|

#Is there anything you would like to share with the future students?

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Honestly, when the term is over, the final project is something really impressive and unique to show at an interview.

I learned a lot from this course. I would highly suggest applying this information and thinking about it during your studio course so you can maximise the benefits that come from the information shared.

I would advise students to try and work on their assignments in small amounts throughout the work so it is less overwhelming.

Get your work done and remember to take time for yourself.

Go to class and be on time.

No Do not wait until Monday at 6 am like I did because it is not enough time.

Ask for assignments to be critiqued so you can better them.

Spend time researching a number of precedents, to find the best examples of how human factors can be applied. There are a lot of good and poor examples out there and spend time really understanding what’s working and what’s not. Design is about learning and looking back into history and making it better!

Take each assignment as an opportunity to explore new and interesting spaces that can inspire your own work!

I encourage everyone to treat this class as a learning and teaching moment. Take each lesson serious and don’t wait until the last minute to complete it. Do not be afraid to ask questions and reach out to the TA’s if you are confused.

No matter how hard it is, just come to class, and try to get the assignments done early so you’re not stressed out on Sundays.

Make sure to attend every class Getting the assignments done early in the week will save you a lot of headaches.

I’d suggest initiating your projects at the start of the week, ideally on Monday. Juggling a hefty course load can make it challenging to set aside focused time during weekends for a single assignment. By commencing work earlier in the week, I discovered a more manageable rhythm that allowed me to allocate ample time to each task, fostering the production of higher-quality work without the pressure of last-minute rushes. This approach not only enhances the quality of your output but also contributes to a more balanced and sustainable workflow throughout the semester, ensuring you maintain both productivity and well-being.

It will all be okay! and to reach out to Jinoh if you need any help or if anything is cleared up.

Allow yourself plenty of time to complete Jinoh’s assignments Take this class seriously and pay attention during class this is an important one.

Do your homework!!

Pay attention in class. Jinoh puts a lot of effort into each lecture and you can learn so much from him! Start your assignments as early as possible.

Good luck! Showing up to class is 30% of the grade, so it is really important. I wish I had showed up more!

Break up the assignment in two days so it’s not too much to do in one sitting. The hardest part was finding an example that worked.

Do the homework before it’s due Time management is important in being successful in this class, make sure enough time is allocated to complete these assignments and in the correct way. These assignments are also important for understanding a key part of what we do which is designing for people and using human and environmental factors in that design. Take the assignments as a learning opportunity because it will only help you be more successful in the design world.

Really try to understand the weekly assignments FULLY at the start. I had about five assignments that had one part I continuously misinterpreted and I didn’t know until they all were graded

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at the same time. So, try and reach out to make sure everything is correct so you don’t miss a small fraction of the assignment even though it was a simple fix. There are several steps to these assignments and they are not difficult when you establish a template that is correct and understandable to yourself.

Good information can be gleaned if you pay attention and explore more topics yourself!

Make sure your sources for the assignments are in Chicago or APA style instead of URL!! That saves you points!

I would encourage all the students to fully understand the instructions before completing any assignments, and ask for a clear outline of the grading criteria and requirements for annotations, drawings, and writings.

Manage time efficiently and always ask questions when you are unclear. Always have work on time and ready every day at the beginning of class. Take good notes during lectures that you can understand when you go back to read them. Try not to procrastinate in studio and for other class assignments.

I would say to just do the weekly assignments and every week and don’t wait until last minute.

Have fun with your assignments, and make sure to invest a decent amount of time in them, as they reflect your understanding of human factors.

Start your assignments early and try not to miss any, as it will make the final project more difficult. Also, look at the assignments as opportunities to expand your design knowledge, as you expose yourself to numerous projects. Find projects that you are interested in as it makes the process more enjoyable. Pay close attention to assignment instructions and ask questions if you are confused.

I would like to share with future students that your hard work means something and that to keep pushing through.

Don’t wait till the last minute to do the assignments, give yourself at least a couple of days before!! This class was awesome and I learned so much! Thank you Professor Jinoh!

I hope you actually try and understand each topic because it is actually somewhat interesting in some ways.

For future students going into the second semester of the third year, find your internship early, do your assignments for human factors on Saturday mornings (do not wait until Sunday evening), and remember this is your last studio with all your buddies in one place. Take it all in before you find yourself in fourth year.

Attend class and please please please pay attention!! Jinoh mentions important things in class that are not on the slides. I understand studio can be heavy and you might be tempted to work on studio during his class, but that is rude! Show some manners and pay attention. I guarantee you will pass with an A if you pay attention and show up to class.

Having designated “work” times and places is really helpful for time management and task organization. Its also important to make your own personal health a priority in your schedule. This can look like setting designated times or days for working out, being with friends/ family, taking care of personal stuff etc. This approach helps create a more rigid routine that you can stick to every day and that will make you feel so much more productive and accomplished at the end of the day!

Do your assignments before Sunday, you might think the assignments don’t take long but I would say it took about 4 - 6 hrs. on average Don’t be afraid to ask for help, don’t feel bad for working at a slower pace than your peers, just do the best you can do, and remember that you do not have to prove your worth.

Semesters go by fast and before you know it you’ll be graduated.

Make the best of where you are now and do the best work you can so you can look back and be proud of what you have produced. Leave this school feeling like you succeeded in everything you set out to do - it will be painful but its worth it.

11

Acree, Lauren Elizabeth

Finding joy and peace in everyday activities is important to one’s overall well-being. I think finding humor in situations leads to a more uplifting day and a more positive life. Apart from this, being your authentic self is vital to leading an honest life and creating relationships that are filled with compassion and generosity. I believe that nothing in life should ever be taken too seriously to maintain a willful attitude and empathetic point of view. By not taking things too seriously you find determination and acceptance within yourself. This is important so you can maintain persistence and not get burnt out.

12

My Workstation + Typical 60” 4”

8”

12”

24”

9.5” 19.5”

48.5”

24”

72”

24”

36”

13

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

14

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

15

Which space do you think best embodies equity, inclusion, and social justice in your context?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

16

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

17

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

18

What is the space of your desires in your context?

19

Anderson, Elizabeth Grace

For my personal brand, I want everything I create to be meaningful and smart. The spaces should have an openness to them and allow people to feel calm. In order for everything to mesh together well, it must also be organized. Creating a strong design relates back to caring about your clients, which is very important. A great design has a certain fluidity to it but is also dependable so that it can serve its purpose for each person.

20

My Workstation + Typical 3’ 9”

3.207”

2’ 6”

6”

7”

2’

water

16”

laptop

8”

monitor

18”

41”

3.207”.

5’ 0”

mouse

21

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

22

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

23

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

24

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

25

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

26

What is the space of your desires in your context?

27

Anderson, Hannah Nichole

Values that are important to me as a designer include empathy and self determination. It is important to remain thoughtful and considerate when designing for others because the challenge is to design for your client, not just yourself. It is also Important to have self determination because nobody else will drive your passion for this difficult degree of work, if you are not pushing yourself. I also believe in being courageous and bold when it comes to design choices. Thinking outside the box and designing with a sense of joy or whimsy is what makes you an outstanding interior architect from the rest.

When it comes to working with people and collaboration, I always try to be flexible and have a sense of balance or medium within the group that I am working with. Staying calm during conflict and seeing both sides helps immensely when working with others. It is also my responsibility as a designer to consider sustainability and the surrounding environment as well as just the client’s wants/needs.

28

My Workstation + Typical 84”

29”

36”

6”

12”

30”

7.5”

7.5”

13.5”

9”

6.33” 3.07”

14”

72”.

26”

29”

18” Cutting Mat

12”

15.44”

7” 19”

46.5”

10”

29

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

30

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

31

Which space do you think best embodies equity, inclusion, and social justice in your context?

32

What is the space of your desires in your context?

33

Baker, Alyssa Noelle

My friends and family are the most important part of my life. I am selective with who I let close to me. My closest friends and I are thoughtful and honest with each other. We respect each others boundaries and decisions. I am an empath, so understanding others feelings comes naturally to me. My parents are generous and help me with whatever I need. I love my friends and family because they help me be confident in who I am and they listen. I like to collaborate with people when it comes to projects because it’s fun and work gets done more efficiently.

34

My Workstation + Typical 53” 4”

7”

12”

15”

9” 17”

40”

18”

60”

27”

30”

35

Where do I want to work with my workstation setting?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

36

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

37

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

38

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

What is the space of your desires in your context?

39

Banks, Ann-Wesley W

When I observe myself and my own life, I think my priorities shine through pretty clearly. I value relationships and a steady, consistent life where things revolve around routine and people that pour into me mentally and emotionally. I strive to find joy in all aspects of my life, whether things are going swimmingly or if my life seems to be falling apart. Being trustworthy, or having faith, in God and the people around me is something that helps my life stay consistent as well. I also strive to be aware of my surroundings by being conscious of other peoples’ feelings, the tasks I need to complete, and the values I’m living for. Appreciation and gratitude for everything in my life is one of the most important things to me. Nothing I have is through my own accord or effort, so to not express gratitude would be taking things for granted and lead to self-righteousness and thinking I deserve things. Because a lot of things are earned, and not given, perseverance is a key trait to have and maintain in order to get anything done. Life inevitably gets hard, but being able to overcome obstacles and keep working hard can help things work out and be rewarding. Respect is earned where respect is given, so I try to give and get respect from everyone I encounter.

40

My Workstation + Typical HOME DESK MEASUREMENTS 50 3/4” 10”

9”

12”

Lamp

7.5”

19 3/4”

Laptop

5 1/4” 3/4”

Built-In Drawers

24”

13” 17 ”

48”

5’ 5”

Pens + Notepad

24” 8”

39 1/2”

17”

41

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

42

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

43

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

44

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

45

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

46

What is the space of your desires in your context?

47

Beladi, Parisa Sultan

My path in life is defined by resilience, hard work, awareness, consideration, and enthusiasm. Resilience is my silent strength, empowering me to overcome challenges and grow through adversity. I approach every endeavor with a commitment to hard work, recognizing that dedication is the key to achieving meaningful goals. Awareness is the foundation of my decision-making, fostering a mindful understanding of myself and others. Consideration shapes my interactions, creating harmonious connections through empathy and understanding. Together, these characteristics tell the story of a committed, aware, and purpose-driven individual exploring life’s lessons and all the experiences that come with it.

48

1’ - 11”

0’ - 6 1/2”

3’ - 10”

5’ - 8”

1’ - 8”

1’ - 8”

5’ - 0”

1s

d

Zo n Zo n

d

tZ e on e

2n

2n

1’ - 8”

e

My Workstation + Typical

5’ - 0”

2’ - 6” 0’ - 6” 0’ - 10” 1’ - 8”

1’ - 5 1/2”

49

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

50

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

51

Which space do you think best embodies equity, inclusion, and social justice in your context?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

52

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

53

Bowers, Alexandra Victoria

Kindness in my life comes to me when I am truthful to others and affectionate at all times. Being a reliable person comes withholding lots of responsibility and being answerable to others at all times but standing my ground. This is also true when it comes to being a designer and taking credibility for my own design work, but not copying others. Being an upcoming designer in the world today, my imagination and passion roots from the world around me and what I see in my everyday life. When practicing in studio, I make sure to maintain a composure and work balance with life so that I can be flexible with my work and outside activities.

54

My Workstation + Typical

ALLY BOWERS - ASSIGNMENT 3 4’ 7” 4”

7”

1’ 3”

1’ 4”

8” 1’ 6”

3’ 5”

1’ 4”

4’ 5”

1’ 4”

2’ 7”

55

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

56

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

57

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

58

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

59

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

60

What is the space of your desires in your context?

61

Boylan, Laura Kathryn

I am a humbleindividual who values the power of kindnessand respectsthe perspectives of others. In my interactions, I strive to be consistentin my actions, maintaining a genuineand lovingapproach to those around me. My commitment to being honestand faithfuldefines my relationships, creating a foundation of trust. I am passionateabout my pursuits and self-determinedin achieving my goals, driven by a desire to contribute positively to the world. Generosityis a core aspect of my character, as I believe in giving back and supporting others in their journeys.

62

My Workstation + Typical 60” 6”

8”

16”

20”

9” 19”

37”

20”

60”

20”

30”

63

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

64

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

65

Which space do you think best embodies equity, inclusion, and social justice in your context?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

66

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

67

Brevard, Riley

68

My Workstation + Typical 4’5” 5”

8”

1’6”

1’6”

1’2” 1’3”

3’4”

1’6”

4’6”

1’6”

2’

69

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

70

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

71

Which space do you think best embodies equity, inclusion, and social justice in your context?

72

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

73

Buskin, Hannah Michaela

Consistency has allowed me to create a schedule that promotes productivity, which I have learnt to be extremely effective while going through college. Being considerate of others has allowed me to create loyal and true friendships. Living with three other girls has taught me the importance of being selfless , and caring for one another. College has allowed me to understand the difference between genuine and convenient friendships. Within this interior design major, I have been taught how to allow my creative side to be fully expressed.

74

My Workstation + Typical 19.75” 3”

5”

3.25”

13.75”

13” 17.25”

4.58”

30.25”

47.5”

4.58”

19.75”

75

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

76

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

77

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

78

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

79

Cain, Allison Nicole

I value people who have qualities like adorationand appreciation. The acknowledgmentof my own strengths creates my perseverance, which helps guide me forward through certain challenges. I use my relianceand considerationto create healthy relationships with others. I guide my life with selflessnessand trustworthiness, cherishing opportunities to contribute to the well-being of others. Filled with self-determinationand an optimisticspirit, I go through each day by planning what my next steps will be.

80

My Workstation + Typical 50 in 4.5 in

7.5 in

18 in

17 in

2 in 20 in

59 in

11.5 in

40 in

11.5 in

20 in

81

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

82

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

83

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

84

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

85

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

86

What is the space of your desires in your context?

87

Campbell, Ashley Brooke

In my life, I feel as though I am dedicated to the things I do. I am often most determined to do things when social aspects are involved. Partnerships are very important to me, and I would consider myself to be a trustworthy friend. Genuine relationships mean more to me than anything I would say. The friendships I maintain are always selfless. Things don’t always work out don’t get me wrong, but being consistent is key in any relationship. I always have great admiration for my mom as she is always accepting of people whom she maintains relationships with. I learned from her that caring or not caring for each other in a relationship can make or break it.

88

My Workstation + Typical 4’ 0” 0’ 6”

0’ 9”

2’ 0”

1’ 3”

0’ 8” 1’ 4”

1’ 3”

5’ 0”.

2’ 5”

1’ 3”

2’ 0”

89

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

90

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

91

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

92

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

93

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

94

What is the space of your desires in your context?

95

Carpenter, Sara Wallace

My name is Sara Wallace Carpenter, and I am a 22-year-old woman studying interior architecture and design at the University of Arkansas, I try to embody a blend of intelligence, dependability, and consideration. I showcase this through my dedication to both academics and personal relationships highlighting my trustworthiness and dependable nature.

With fortitude and integrity, I try to approach most challenges innovatively, bringing creativity to not only my studies but my life as well. Her commitment extends beyond the academic realm, as she invests time in fostering strong connections with friends and family. Within all aspects I aim to remain humble, maintaining a sympathetic and compassionate outlook.

96

My Workstation + Typical 42.75” 8”

3”

12”

13”

28.5” 19.5”

54.25”

13”

39”

13”

19.75”

97

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

98

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

99

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

100

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

101

Chastain, Emily G

These are my personal brand basics. I feel like these are the characteristics I must start with before anything else. Love is essential when it comes to relationships. I desire to be trustworthywith my words and actions. I want my friends to see me as thoughtful and loyal. I want my peers to view me as gentle and kind. Being attentivebenefits me in my work. Having empathyallows me to grow closer to others. Beingselfless allows me to think about others before myself. Lastly, being generous and kind creates someone whom people are drawn to.

102

My Workstation + Typical 44in 7in

5in

12in

14.67in

11in 19in

51in

14.67in

44in

14.67in

20in

103

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

104

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

105

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

106

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

107

Clayton, Faron Darby

108

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

109

Cole, Carlee P

To be outstandingandlikable, other steps must be accomplished first. Caring for others, as well as yourself contributes to your ultimate goals. Being concerned, as well as sensitive and attentiveare important attributes to begin with, towards yourself and the ones around you. Reflectingon your past, even so far as the previous day, helps make your next steps as thoughtfulas possible. This reflection helps to learn from your previous choices and to make better ones in the present, as well as the future. So, think before you speak and act. This makes lovingyourself and those around you simple and carefree. Also, having spontaneity is important, however keeping your stability and routine is relevant. Finally, being committedto yourself, others and your work is at a high level of importance, only next to being kind, which is most important of all. Commitment can encompass many aspects of your life. Commitment to all aspects create a well-rounded character, rather than focusing on one aspect of your life, for example, work. This creates an unhealthy balance, which then affects your health and relationships with loved ones.

110

My Workstation + Typical 4’ - 0” 6”

9”

1’ - 3”

1’ - 8”

6” 1’ - 3”

1’ - 8”

5’ - 0” 2’ - 6”

1’ - 8”

2’ - 0”

111

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

112

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

113

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

114

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

115

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

116

What is the space of your desires in your context?

117

Crow, Amanda

Throughout my life, I have shown bravery and individualism, specifically when I decided to come to Arkansas from Texas for my freshman year with no one from my high school. I consider myself to be a strong and dependable friend to my peers, always being there when they need me. Through my years of college, and my major change into the design program, I have learned to have integrity, determination, and restraint. My parents always taught me to live an altruistic lifestyle through volunteering and giving back to my society. No matter how hard life gets I will always admire the life of design. I would not be where I am without the continuous affection and support of my friends, family, peers, and professors.

118

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

What is the space of your desires in your context?

119

Cully, Logan Brooke

I strive to live to my fullest potential by pursuing my passions with courage and confidence. I also aim to be selfless and thoughtful with my relationships and establish trust with others. I believe it is important to stay self-motivated and hold yourself and others to high standards. While accountability is important, I believe it is important to uphold it in a positive and uplifting way. I also believe in the importance of innovation and creativity and its ability to change lives.

120

My Workstation + Typical Assignment #3 Logan Cully

48” 24”

4”

8”

12”

12” 12”

36”

12”

First Zone: 12 inches Second Zone: 17 inches Third Zone: 20 inches

Clear Zone

14” 20”

46”

59”

(Outside of Third Zone Threshold)

121

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

122

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

123

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

124

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

What is the space of your desires in your context?

125

Dedrick, Kendall Paige

I strive to be a diligent worker, as well as balance my work and school life. I want to be constant in my work ethic to produce a persistent eort. Being authentic and genuine are two of my strongest traits. I like to connect with others through philanthropy. Being clever and witty is how I communicate with those around me.

126

17 inches

10 inches

49 inches 15 inches.

15 inches

45 in 15 inches

My Workstation + Typical

46 inches

20 inches 6 inch 5in 15in

127

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

128

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

129

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

130

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

131

What is the space of your desires in your context?

132

133

Depetris, Julie Mei

I have been told throughout my life that I have a unique personality, and a transparent way of communicating. Everything that I accomplish, and my actions are always purposeful and has a consistency to them. I have gained a credibility of being reliable due to my structured way of working. This structure throughout my life helped drive my passion and has helped me be ambitious in my future.

134

My Workstation + Typical 5’ 7” 5”

9.5”

2’ 0”

16”.

7.5” 16”

29.5”

22”

5’ 0”

22”

30”.

135

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

136

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

137

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

138

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

139

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

140

What is the space of your desires in your context?

141

Everett, Olivia M

One trait that I admire most and strive for is modesty, as I believe someone who is more quiet and humble about their successes and beauty shows a higher level of character than that of a boastful person. Because of this, I tend to be more thoughtfulof others. Part of the reason that I do not seek attention is that I lack confidence and am not as courageousas I wish to be. I dislike conflict and, although many of us come from different beliefs and backgrounds, I seek harmoniousrelationships and friendships.I desire sincerityin myself and others, as it is impossible to develop true trust and understanding in relationships without it. This has required me to learn patienceand gentlenessin listening to things that are sometimes difficult to hear. My desire for these kinds of relationships has caused an eagerness to learn and grow in knowledgeof things I am interested in, as well as things I am not because it allows me to better understand the world and people around me. Above all else, I strive for faithfulnessto what is important to me, including family, friends, my interests and pursuits, religion, and my beliefs.

142

My Workstation + Typical 60.5” 30”

4.5”

16”

16”

22”

24”

22”

60”

10”

10”

14”

17”

43”

32.5”

143

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

144

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

145

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

146

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

147

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

148

What is the space of your desires in your context?

149

Ferguson, Julianna S

Strong design can be distinguished into categoriesincludingmercy,honor, andgenerosity. The designerneeds to lovetheir work yet be tasteful about their achievements. This modestyremains whenever a designer teaches upcoming designers, being mercifuland understanding throughout the project. A designer should be courageousin their design and step outside their comfort zone. They should still honorthe program however, making only justdecisions. They should remain faithfulto their client and be creativeto meet their needs. In this way, a designer must be flexiblewhen collaboratingwith their clients. In addition, they should be generousin their explanation of their intentions and within their work.

150

My Workstation + Typical 43” 4”

6”

15”

14”

13” 15”

45”

14”.

42”

14”

18”

151

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

152

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

153

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

154

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

155

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

156

What is the space of your desires in your context?

157

Finkelstein, Devyn Ann

My main goal is to surround myself with creative and passionate people in order tocreate a healthy and driven environment around me. It is important to put myself in a position in which I can thrive among my peers. Keeping open and honest conversation with my peers facilitates an amount of trust and respect amongst us. With thoughtful input and some patience, the work that I can create makes me feel accomplished and proud. I feel as though it is important to continue to create work that drives me to be better everyday and that my work, while exceptional in my eyes, is never done. Speaking humbly about work and patiently explaining things that people have questions on is what makes review so beneficial in the real world.

158

My Workstation + Typical 63.5” 4”

9”

28”

25”

11” 19”

45”

11”

47”

11”

22.5”

159

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

160

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

161

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

162

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

163

Which space do you think best embodies equity, inclusion, and social justice in your context?

164

What is the space of your desires in your context?

165

Flanagan, Kelley

166

My Workstation + Typical 67” 6”

13”.

18”.

20”

12” 18”

48”

18”

60”

22”

30”

167

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

168

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

169

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

170

What is the space of your desires in your context?

171

Flores, Jampiere L

I pride myself on believing I embody reliability and ambition. My diligence is evident in every endeavor I undertake, showcasing a work ethic that I use to try and set myself apart. Generosity and consideration define my interactions, as I consistently try to display a caring and giving nature. I always try to be truthful and honest that way my colleagues can depend on me. Despite my ambitious pursuits, I try to remain flexible, adapting to change with a respectful demeanor.

Love and respect are to very important ideals that I try to pursue and keep to my nature every day.

172

My Workstation + Typical 38 in.

6 in.

8 in.

6 in.

12 in.

18 in.

12 in.

9 in.

21 in.

45 in.

66 in.

12 in.

36 in.

22 in.

173

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

174

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

175

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

176

177

Garcia, Itzel

I am an individual who is organized, disciplined, and a perfectionist. When I am not happy with a result, I will redo it until I am content. Also, I have empathy towards everyone I come across. It’s a positive because I can read people’s energy and give advice that will benefit them. It can be a negative because being an empath takes a lot of energy. On the other hand, I am a competitive person. I love to weight lift and I love to push myself to beat my personal record. To beat my personal record, I have to be disciplined and concentrate on my form. Having a hobby that helps me when I am stressed allows me to get rid of tension in my body. Aside from having a healthy physical life, I am truly grateful for the friendships that I have.

My friends are authentic, mature, and have respect towards others. An important aspect I look in my relationships is trust.

Without trust, friendship or relationships will not last. Lastly, in the near future I would like to accumulate wealth that will allow my future kids to go to college without having to worry about money. I want to give my kids the opportunities that I never got to experience.

178

My Workstation + Typical 79” 5”

20”

24”

16”

9” 18”

29”

22”

60”

22”

30”

179

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

180

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

181

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

182

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

183

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

184

What is the space of your desires in your context?

185

Gobbi, Drew Michelle

My name is Drew Gobbi. I am 20 years old and a full-time student. As a emerge further into society as an adult, there are several things I have learned about the importance of my own identity. Something that has helped me establish positive friendships is being consistently generous and reliable towards others. This has helped build trust and a strong sense of empathy. Also, being very thoughtful about how I treat myself and others is something I have grown to appreciate, as it has benefited my confidence greatly. Through this grown confidence, I now possess a lot of self-determination to maintain my character and push myself further in all directions of success. This is one of the characteristics that helps me have persistent work-ethic, expressive creativity, and devotion towards my passion of interior design.

186

My Workstation + Typical 60 in.

4 in.

10 in.

16 in.

BOOK OF DESIGN

TCH SKE K BOO

16 in.

22 in.

60 in.

22 in.

30 in.

ME

6 in.

14 in.

28 in.

62 in.

187

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

188

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

189

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

190

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

191

What is the space of your desires in your context?

192

193

Hall, Daria

During my life I was lucky enough to have some great people around. Being raised in the Post-Soviet Union Country meant hard work, excellence and responsibility was something that people around expected from you. I was born to the family of a teacher and a construction worker. My mom’s dedication, eagerness to learn and responsibility have been in front of my eyes since very early age. I also learnt hard way, during my parent’s divorce, that the full trust is risky, and that independence is very important. With my mom experiencing a lot of pain from my dad’s betrayal, I learnt the value of kindness and thoughtfulness, I also learnt how easy it is to break the trust. Later in my life I spent 6 years working at the Steel Sales Company, where I received many organizational skills, learnt how to work in a team and collaborate. Most of my life I spent doing somewhat creative things, but I truly discovered my passion in being creative when I started this program.Russian culture taught me a lot of respect to other people, older people, more educated people. But only when I moved to the U.S. I saw how much more people take to a consideration other’s needs, embrace thoughtfulness and celebrate differences.

194

My Workstation + Typical 60”.

4”

14”

18”

18”

12” 22”

48”

23.7”

60”

23.7”

24”

195

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

196

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

197

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

198

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

199

Which space do you think best embodies equity, inclusion, and social justice in your context?

200

What is the space of your desires in your context?

201

Hays, Emily M

In my life, motivation serves as my guiding force, propelling me towards my aspirations. Trust is the foundation upon which my relationships are built, creating a sense of security and understanding. Bonded with those around me, our connections weave a tapestry of shared experiences and enduring friendships. As I navigate through life, I strive to leave a legacy of positive impact, a testament to my unwavering commitment to making a difference. Faithful to my values, I approach challenges with a unique perspective, embracing the diversity that surrounds me. My uplifting spirit is a beacon of encouragement, inspiring others to reach their fullest potential. Deep within, there is a burning desire to achieve greatness, pushing me beyond perceived limits. My actions are driven by a selfless dedication to the well-being of others, demonstrating the true essence of generosity. In this journey called life, I aim to embody the qualities that define a person not only by their achievements but by the profound impact they have on the lives of those they touch.

202

My Workstation + Typical 6’ 6”

1’ 2”

1’ 4”

2’

1’ 3” 1’ 5”

2’ 8”

2’

6’

2’

2’ 10”

203

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

204

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

205

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

206

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

What is the space of your desires in your context?

207

Hazlewood, Kyndal Kaylee

In everything I do, I hope to dedicate myself to it, and strive to be my authentic self. Being your authentic self means staying true to who you are and doing things that align with my goals I set for myself. I hope to be considerate of others through the world of design. I want to strive to be creative and deliberate in my work.

208

My Workstation + Typical 40 1/4” 3”

10 1/2”

7”

13”

19 3/4”

19 1/4”

17”

13 1/4” 19 3/4”

48”

60”

13”

45 1/4”

16”

209

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

210

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

211

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

212

What is the space of your desires in your context?

213

Heard, Grace

I want to be described by others as kind and joyful. I desire to always have patience and courage. I also believe that it is important to always act out of selflessness and intentionality. I want to always be loyal and honest even in difficult situations. Self-discipline and honorability are also things I strive for.

214

My Workstation + Typical 50 in 5 in

11.5 in

18 in

17 in

7.5 in 18 in

30 in

15.5 in

48 in

15.5 in

20 in

215

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

216

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

217

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

218

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

219

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

220

What is the space of your desires in your context?

221

Hickey, Sofia Thayer

I truly believe that there is a power in finding your purpose through each day. By setting your day up and nding your day with being intentional. When I create a sense of serenity in my morning and evening routines and spend time focusing on me, it helps me lead the day with ambition and determination for the things in my life related to work and my friends/ family. Something that I really love is neuroscience, staying educated on how humans and the world works can bring empathy and respect towards others and myself. I also love to create, I am imaginative, and my mind is constantly creating imagery, I love being able to take what is in my mind and be able to create it which I find through being able to design.

222

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

223

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

224

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

225

Ickowicz, Adi Maya

I am a kindhearted person who loves to help others. Selflessness is a key value in my life. My friendships are a bond that can not be broken, and I depend on my best friends in many ways. My daily life is versatile, but in an orderly way. I try to be innovative and brave in my designs and in life. I stay faithful to my friends and family and try to stay as open as I can be.

226

My Workstation + Typical 64 in 5 in

9 in

20 in

19 in

10.5 in 18 in

53 in

20.5 in.

60 in

20.5 in

30 in

227

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

228

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

229

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

230

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

231

Which space do you think best embodies equity, inclusion, and social justice in your context?

232

What is the space of your desires in your context?

233

Jacobus, Christopher Corbin

Each day I strive to be a selfless and understanding person, which requires me to be able to adapt to handle any situation that is presented to me. My days are very structured to complete the work that is required. This takes sacrifice, dedication, and endurance. When creating workI often think about ways to do something unique, and truthful which requires bravery.

234

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

235

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

236

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

237

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

238

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

239

Jeane, Anna E

I am naturally creative and passionate about the things I love. I strive to be kind and compassionate towards others, andcome to empathy naturally. At my best I have patience for the important things, andam dependable.

240

My Workstation + Typical 67.74 4”

9

20

16”

11 25”

60

27.75”

71.5”

27.75”

34.74”

241

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

242

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

243

Johnson, Karli Rae

I approach every relationship with compassion towards the other person, I aim to radiate an outstanding level of thoughtful kindness in every interaction. I strive not to let people take advantage of that kindness, I embrace a certain resilient toughness, that allows me to be self-sufficient while still remaining approachable. And when I love, I love passionately and whole heartedly, staying intentional in my interactions.

244

My Workstation + Typical 4’ 6” 4”

8”

1’

1’ 9”

15” 20”

3’ 6”

1’ 9”

5’

1’ 9”

2 1/2 ‘

245

Which space do you think best embodies equity, inclusion, and social justice in your context?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

246

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

247

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

248

What is the space of your desires in your context?

249

Johnson, Katrina Marie

I am a person that really values personal qualities like intelligence, compassion and integrity. I believe that one can develop these skills by being resilient and being humble. I choose to be giving with my courtesy and passion, because those are important things to share. It also takes bravery and cooperation to accomplish these goals, but I can be successful as I persevere.

250

My Workstation + Typical

251

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

252

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

253

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

254

What is the space of your desires in your context?

255

Jordan, Jaxon Reid

256

My Workstation + Typical 80” 6”

14”

24”

28”

10” 20”

38”

16”

60”

16”

36”

257

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

258

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

259

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

260

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

261

Kersey, Sarah Nicole

Regardless of the task, I have always been a very driven and task-oriented person. I am attentive and diligent when it comes to details and will always put in the extra work to make sure everything is done to the best it can be. Although I tend to be independent and am actively pursuing leadership positions, I often prefer working in collaboration with others for projects as I think it provides great intellect, ideas, and efficiency. Because I am someone who will go the extra mile to make sure my work is perfect and love diving into the details of something, I have often been relied on to organize, execute, and teach other people. Teaching is true passion of mine that I have found makes me more humble, empathetic, and patient. In a teaching role I always aim to be very honest and creative as I know that every person learns differently –you just have togive them a chance. This sense of compassion also occurs in my design roles as I am always very intentional with my designs and heavily consider human experience. I truly strive to be someone who istrustworthy and noble as a designer, friend, daughter, and mentor. Although there are days where I am overwhelmed, anxious, and frustrated. I always try to be resilient and push through as I know the people in my life depend on me, love me, and deserve the best version of me when I can be fully focused and attentive.

262

My Workstation + Typical 53” 11.5”

16.5”

ZONE 1: 11.5” ZONE 2: 16.5” ZONE 3: 22.75”

15”

5”

11” 18”

47”

18”

56”

23”

20”

263

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

264

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

265

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

266

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

267

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

268

What is the space of your desires in your context?

269

Krueger, Jessica M

I feel as though it is important to find friendships that share similar values as myself. I choose to surround myself with people who are uplifting and empowering. This creates room in friendships for stability and trust, as well as growth. However, finding these friendships is not always easy. It takes time and effort to create genuine, intentional friendships that have a deeper meaning and strong connection. In the past, I have been burned by friendships that aren’t genuine, where there is a lack a trust and an abundance of miscommunication. For this reason, I am committed to finding friends who are selfless and genuinely care about other people. I find comfort in people who are inclusive and recognize feelings and needs of others. On another note, I do believe it is important to have multiple different types of friends. This includes surface level friends as well as friends with more substance behind the bond. Surface level friends are there when you need entertainment and originality. Friendships with more substance are there to provide strength and stability in your life. However, whatever type of friend a person may be, they should always be trustworthy and genuine.

270

My Workstation + Typical 5’ - 2” 0’ - 4” 0’ - 10”

1’ - 6”

1’ - 8”

2’ - 6”

1’ - 8”

0’ - 10” 1’ - 6”

3’ - 7”

5’ - 4”

1’ - 8”

5’ - 0”

1’ - 4”

271

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

272

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

273

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

274

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

275

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

276

What is the space of your desires in your context?

277

Kyle, Madison L

This year my goal is to obtain and lifestyle surrounded by wellness and find a healthy balance between every aspect of life. I want to be more present and attentive to the thing around me, while beginning to explore the things I do and becoming more free with my choices. Academically, I want to grow stronger and become more knowledgable on the material that I will be learning. This comes with being much more attentive, and opening myself up to be vulnerable to sharing and being more open to learning anything that comes my way. Learning new things and being able to explore new ways to obtain information and grow is something that i am looking forward to this year.

278

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

279

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

280

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

281

Lallier, Katherine Loring

Throughout the college experience, I have learned more about what I value as a person and in the other people around me. The career I’m aiming for through my major has taught me important qualities, such as being imaginativethrough the creative process and to always have goals that I am aiming to achieve. College overall has taught me how to balance the number of things going on in my life and having organizationin every aspect. I have also realized how important the relationships in my life are, especially during this time in my life. I’ve learned that having kind, caring, and trustworthyfriends and family is one of the most important aspects of my life. These people truly are my support system and make me able to get through this college experience and the specific aspects I am passionateabout. Some qualities I have learned that are important for me to portray as a person are being considerateand sympathetictowards what others are going through because I understand that you never really know what a person could be going through. Therefore, my college experience, my relationships, and my growth as a person have allowed me to develop what qualities I truly value in my life.

282

My Workstation + Typical 63.5” 4”

9”

28”

25”

12” 18”

43”

11”

47”

11”

22.5”

283

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

284

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

285

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

286

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

287

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

288

What is the space of your desires in your context?

289

Lowe, Tobie Michelle

I try to keep my composure when things do not go how I planned, and when I need help I try to ask for assistance. Being considerate and understanding is very important to me and I try to remember to exhibit those qualities. I like to have many acquaintances and hope that the relationships are faithful and truthful. In my opinion, it is important to have talented friends who help inspire your imagination and help you stay diligent.

290

My Workstation + Typical 40” 4”

6”

10”

14.6”

12” 16”

52”

14.6”

44”

14.6”

20”

291

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

292

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

293

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

294

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

295

Luce, Emilie Anne

While looking inward into myself I consider what motivatesme. My ultimate goalis to use my imaginativeskills and talents to focus them towardsa goal that is larger than myself and can helpothers. Through my career I hope to find design solutionsthrough thoughtfulconsiderationof clients and their needs. I would like to focus on user experience and how design can impact people’s lives and devotemy work to improving them. In addition, I desire to work with a strong teamto communicateand respecteach other’s ideas, talents, and visions.

296

My Workstation + Typical At-Home Desk Analysis 40” 3 1/2”

8”

10 1/2”

14 1/2”

18”

14 1/2” 14 1/2”

43 1/2”

17”

10 1/2” 19”

49”

64 1/2” Emilie Luce

297

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

298

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

299

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

300

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

301

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

302

What is the space of your desires in your context?

303

Martin, Campbell L

In school I have always been very driven and always want my work to be the best it can be. Many people have pointed out that I can be a “perfectionist” with my work, which used to be more of a curse than a blessing. I have had to learn to not be too hard on myself and refrain from perfecting every little sketch or model I complete. Over time I have learned how to create quality work that I am proud of and shows my dedication I have to my work. Through school I have developed greater trust in others and their capabilities. I always try to be put in my best work, whether I am working individually or in collaboration with others. I always try to be a person that people would enjoy working with or just being around.

Both in and out of school I am always conscious of those around me try to treat everyone with kindness. I feel that it is always important to be intentional with people and in your work to be successful.

304

My Workstation + Typical 52” 4”

8”

10”

17”

9” 17”

45”

27”

60”

16”

30”

305

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

306

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

307

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

308

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

309

What is the space of your desires in your context?

310

311

Mason, Ellie M

I am steadfast in my goals, not only for my education and career, but for my emotional, physical, and mental health. I am focused on my wellness, while also remaining constant in my goals. I want to be selfless and someone who provides love and loyalty in all my relationships. I am a leader and do well at managing my personal time and tasks, but also work well on a team with others. I am persistent and will meet my goals.

312

1’ 5 1/2”

11”

4’ 2”

5’ 1”

1’ 10 1/4”

1’ 3 1/2”

5’ 0” 1’ 10 1/4”

My Workstation + Typical

5’ 0”

2’ 6” 6” 8” 1’ 4”

1’ 3 1/2”

313

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

314

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

315

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

316

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

317

Meharg, Lydia Wilson

My goal not only as a designer but also as a person is to carry myself with purpose and respect. In order tobe admired, I need to be considerate so that others know they are heard. My creativity and passion for design has driven me to devote my time completely to school right now. My goal is to take time to appreciate the details and time that went into creating something, as well as being flexible with my normal ideas so that I can be open to explore. I believe in creating things that are for the people, so reliability and collaboration are important when designing.

318

My Workstation + Typical 60” 6”

8”

16”

20.75”

30”

18.5” 20.75”

60”

18.5”

8”

64”

16”

33”

60.5”

319

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

320

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

321

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

322

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

323

What is the space of your desires in your context?

324

325

Mendoza Jr, Eugenio

Growing up in a Latino household as the oldest of four siblings my parents taught me about manner and how far God will take you if you practice GENEROSITY. Our household was not filled with expensive or opulence, rather, a different, greater type of wealth- an ABUNDANCE of LOVE. My value as a human was built up thought the acts of my parents and their way of raising my siblings and me. A GENUINE trait of mine that I am rather proud of having is my EMPATHY, and openness to feel for others deeply and understandingly. Additionally, growing up I had to take up responsibilities that most children didn’t experience until their adulthood. I would take care and cook for my siblings while being a child myself-I believe this is where my PATIENCE towards people and especially children derives from these experiences. Coming from a home where money was scarce, my siblings and Is IMAGINATION served us well as our form of entertainment. With this comes large and risky dreams, now goals, that require COURAGE and my CONVICTION to achieve them in life. Not only for the sake of myself, and desire to become INFLUENTIAL; but for all the sacrifices my parents have committed.

326

My Workstation + Typical 65” 5”

12”

18”

21”

9” 18”

32”

19.5”

60”

19.5”

30”

327

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

328

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

329

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

330

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

331

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

332

What is the space of your desires in your context?

333

Misenheimer, Laura A

I am fearless and persistent when it comes to reaching my goals. I am confident and a visionary. I choose to see the best in people and ideas until proven wrong. Being able to comprehend things quickly is important to me. I’ve worked very hard to build and keep my confidence in myself. I learned self-love is one of the major keys to happiness and practice it.

I am proud to say people can depend upon me. I show much affection to those whom I love and care forbut I am also candid and resolute.

334

My Workstation + Typical 70” 3”

13”

24”

22”

3” 18”

31”

19”

5’0”

19”

30”

335

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

336

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

337

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

338

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

339

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

340

What is the space of your desires in your context?

341

Mulloy, Katie G

I have always had a strong sense of empathy for others when it comes to losses or failures that people close to me go through, I tend to hurt with them out of sincerity. The most important aspect of my being is my faith in God, therefore the love I experience through Christ affects my life in every way. Faithfulness is shown through my actions because of this which allows me to remain diligent in everything I do. My education and personal relationships are responsibilities I hold close to succeed. I keep my surroundings clean everywhere I go to keep my sense of serenity which can positively impact my work and relationships. I sacrifice a lot of time to focus on my education for my future self. My self-determination will allow me to grow in ways I can’t imagine yet. The successes will help me become generous, and the failures can humble me where I need work.

342

My Workstation + Typical Mulloy, Katie Greer

4’6” 5”

9”

10”.

17” 25”

5’ 1”

19”

2’ 6”.

monitor 28” x 16 3/8” coffee 4” diameter 5” height phone 3” x6”

10.5” 1’ 6”

3’ 11”

19.5”

laptop 14” x 9 2/8” mouse 2.5” x 4.5” notebook 11” x 8.5”

343

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

344

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

345

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

346

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

347

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

348

What is the space of your desires in your context?

349

Ofria, Adrienne Sheffield

My name is Adrienne Ofria. If my friends were to describe me in one word, I think they would say I am dependableor enthusiastic. During my college career in the Fay Jones School, I have been able to show many of my other characteristics in usefulways like creating uniquedesigns and being politeand respectful to my peers and authority figures. Throughout studio I have developed many friendshipsand become inspiredby those people and the people around me. I love how thoughtfulmy classmates are and how supportive, helpful, and understandingthey are because we are all working hard together. Studio work has made me a bit of a perfectionist. Sometimes I get caught up in the details or with time that I forget how to adapt when plans or things change, so a goal of mine this semester is to be easier going.

350

My Workstation + Typical 4’ - 10” 6”

1’ - 2”

1’ - 6”

2’ - 0”

1’ - 3” 1’ - 5”

3’ - 3”

2’ - 0”

6’

2’ - 0”

2’ - 8”

351

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

352

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

353

Which space do you think best embodies equity, inclusion, and social justice in your context?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

354

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

355

Orosz, Anna I

As a person, I cherish every companion that I have and strive to make sure we are role-models to each other. When your role-models to your companion you can have a healthy and balanced relationship with each other and you work towards understanding each other more and more. Almost like bonding. Sometimes, thinking I’m the most clever person in the world has gotten me into huge issues and trouble with my friends and peers so I try now as an adult to grow as an individual and become selfless. As a person, enthusiasm is something that I hold very close to my heart a value because if you’re enthusiastic about a situation, class, career, etc. it can make you a reliable person and you’re more likely to practice adaptability as a young adult in situations you’ve never been. Having esteem in your friendships and life in general can take you very far in your path of growing, I have practiced tolerance and became independent since I was 17 years old which helped me come very far in my life.

356

My Workstation + Typical 85 inches.

4 inches. 22 inches.

29 inches.

15 inchs.

10 inches.

17 inches.

46 inches.

27 inches.

36 inches.

27 inches.

30 inches.

357

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

358

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

359

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

360

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

361

Which space do you think best embodies equity, inclusion, and social justice in your context?

362

What is the space of your desires in your context?

363

Penney, Ella Grace

Something very important to me is good comaraderie. I believe any situation can be made better if you surround yourself with the right people. It improves my personal ability to be mindful of the authentic, selfless love surrounding me. I keep my company in consideration wherever I might be, because being optimistic and resilient is a lot easier with company. I use my vivid imagination to fuel my dreams and aspirations, while still following a routine to ensure success. I try to bring humor into my life because I believe people can get bogged down in the seriousness of it all. In addition to this, I pride myself in having a good, positive outlook on the life I have been given, staying mindful of life’s simple pleasures.

364

My Workstation + Typical ELLA PENNEY -- HOME WORKSTATION DIMENSIONS 37 in.

5 in.

14 in.

17 in.

15 in.

22 in.

15 in.

14 in.

17 in.

47 in.

66 in.

15 in.

45 1/2 in.

16 in.

365

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

366

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

367

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

368

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

369

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

370

What is the space of your desires in your context?

371

Raabe, John T

Since I was young, I was able to be imaginativeand held myself responsiblefor crafting the goals for what my future would hold. I have always tried to reach the goal of being an exceptionalstudent throughout my academic career and tried to work hard on reaching the goals I had aligned for my future. When applying for an internship I hope to be genuineand honestabout myself in what I have to offer for the companies that I interview with. When working with my coworkers I hope to create bonds that help make the firm like a family where I can be helpfuland provide an energeticpresence. I hope to help people both inside and outside the firm by being empathetic to all who reach out. The firm I am looking for creates a family and that I can devote myself to and work on projects that expand my portfolio and abilities.

372

My Workstation + Typical 5’ 1”.

2”

11”

18”

12 1/2”

28”

11” 18”

47”

5’7”

16”

5’0

16”

30”

373

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

374

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

375

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

376

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

377

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

378

What is the space of your desires in your context?

379

Ramirez, Isabel Renee

As an individual, I strive to be always selflessand humbletowards anyone I meet. When someone needs me to be there for them in a time of need, I am dependableand will jump to be there for any of my people because it means the most to me. In my academics, I am intentionalwith my time and manage my schedule through being an organizedindividual.

When times get stressful, I tell myself to have faithin myself and remain calm, because being hardworkingat all timesisn’t always feasible. In conclusion,Istriveto work onmyindependence,andbeingconsiderateof mypersonal feelingsandtime,aswellasothers.

380

My Workstation + Typical 70” 36” Clearance

15”

Shoulder Breadth

24” Height of Typical

4”

Width of Typical 12” 5” 17” Workstation Depth Gap Body Depth

Zone #2 Chest to end of nail

4”

21”

12”

4” Clearance

Zone #3 Shoulder to end of nail

21” Knee Height

52” Eye Level

23”

Zone #1 Elbow to end of nail

381

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

382

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

383

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

384

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

385

What is the space of your desires in your context?

386

387

Rehfeld, Brooke Noel

My name is Brooke Rehfeld. I am someone who always ensures that my actions are selfless and considerate to those around me. With respect for those I love, I approach each conversation with patience and empathy creating a positive environment around me. I apply myself in my schoolwork consistently and honestly. When choosing a career path, I have trusted my gut and my passion for design.

388

My Workstation + Typical 75in Dim.

Dim.

24in

6in 7in

Dim.

38in

14in

13in

Dim.

Dim.

13in

Dim.

17in

53in

Dim.

Dim.

13in

Dim.

Dim.

40 in

Dim.

Dim.

389

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

390

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

391

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

392

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

393

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

394

What is the space of your desires in your context?

395

Reidy, Summer G

My goals for this semester are to remain attentive and intentional with my work in class and studio projects. As I continue with my studies, I hope to keep ambition, integrity, and flexibility as core qualities. I hope that my peers will view me as a patient, self-determined, and admirable friend and partner within our progression of our degree. Innovation and collaboration are key factors for success within this field of study.

396

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

397

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

398

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

399

Ritter, Evelyn Anne

I am a loyal friend and a loving individual who approaches life with a deep sense of love and passion. My interactions with others are marked by consistent gentleness, coupled with a wit that adds a touch of humor to our shared moments.

I navigate life with a purposeful drive, always seeking meaningful connections and fostering genuine friendship. My empathetic nature allows me to understand and support those around me, while my kindness serves as a constant reminder of the importance of compassion in our interactions. Additionally, my creativity shines through in various aspects of my life, adding a unique flair to the way I express my love and connect with others.

400

My Workstation + Typical

Dim.

50” Dim. Dim.

Dim.

Dim.

Dim.

25”

6”

8”

10”

23”

Dim.

60”

14”

Dim.

Dim.

14”

23”

Dim.

9”

Dim.

50”

Dim.

5’ 6”

18”

401

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

402

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

403

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

404

What is the space of your desires in your context?

405

Roberts, Cassie

406

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

407

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

408

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

409

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

410

What is the space of your desires in your context?

411

Rolfe, Lauren Christina

Throughout my design process, being accountableserves as the foundation that is seen throughout each stage. A determinedapproach fuels the creative mind, which leads to imaginativesolutions that break conventional boundaries. The organizedarrangement of ideas produces a seamless execution, where being humorousis needed. Compassioninfuses the design with a caringtouch, acknowledging the human element within each concept. Reliabilityand confidencebecome strong pillars in delivering a product that meets and exceeds expectations. The cooperation amongst team members creates an environment where each members talents are fostered into a collaborative masterpiece.

412

My Workstation + Typical 3’10” 2’6”

6”

8”

2’

3.36”

storage

mouse

16”

laptop

3.36”

5’

water bottle

10” 18”

39”

books

413

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

414

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

415

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

416

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

417

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

418

What is the space of your desires in your context?

419

Ross, Peyton Jade

I think understanding someone day to day life is just being aware that sometimes people are having a bad day and all you need to do is be caring toward them. I want to show giving to people who are close to me and show them that I care about them and is willing to give myself vulnerable sides of me. To be considerate towards everyone is to be able to be helpful and treat them with kindness. I would like to make plans and follow through with them and be someone that others know they can depend on. The state of the world right now is declining and everyone’s quality of life could be improved if we were all more sustainable in our day-to-day life. I would describe myself as hard working because I’m a full-time student, while also working full-time and trying to maintain personal relationships.

420

My Workstation + Typical 60” 4”

8”

12”

24”

9.5” 19.5”

48.5”

24”

72”

24”

36”

421

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

422

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

423

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

424

What is the space of your desires in your context?

425

Salas, Juan Daniel

There comes a point where you realize that it is your responsibilityto create a life of satisfaction. Tolerancefor what doesn’t serve a purpose in your life decreases. Passionand resiliencyare what it takes to be successful. It is important to be self-sufficientand to see yourself as a reliableperson. Flexibility, a bit of wit, and resiliencywill get a person a long way.

426

My Workstation + Typical

427

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

428

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

429

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

430

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

431

What is the space of your desires in your context?

432

433

Sanchez, Emily Belen

I admire when my friends’ hobbies become series projects, the care and devotion it tal<es to be consistent is honorable.

I lil<e to surround myself with people that !<now how to balance being laid back and know when to stand up for justice.

I think it’s important to understand someone’s perspective and have empathy to react in a gentle manner. I appreciate when an action is done sincerely, because that makes the outcome positive. An important goal through out life is to !<now that being dependable makes.you.makes good and feel good.

434

My Workstation + Typical

435

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

436

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

437

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

438

What is the space of your desires in your context?

439

Schmidt, Madelynn Rose

I AM CONSIDERATEOF OTHERS AND I LIKE TO SHOW APPRECIATIONTO OTHERS BY GIVING MY TIME, ENERGY, AND GIFTS. I AM THOUGHTFULAND TRUSTWORTHYWHEN IT COMES TO GIVING MY FRIENDS ADVICE. I AM RELIABLEAND RESPONSIBLEWHEN IT COMES TO GETTING THINGS DONE IN A TIMELY MANNER. I ENJOY FLEXIBILITYSO THAT I CAN SPEND MY TIME LEARNING NEW THINGS. I AM DEVOTIONALTO LOVED ONES AND TO MY WORK AND I LIKE TO BE DECISIVEAND CREATE ORDERWITHIN MY ENVIRONMENT. 440

My Workstation + Typical 93” 5”

10”

48”

20”

14” 18”

50”

20”

60”

20”

30”

441

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

442

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

443

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

444

What is the space of your desires in your context?

445

Simmons, Carson C

Treating others with respect and kindness creates a positive and welcoming environment for everyone. Promoting tolerance and understanding different perspectives is key to building a community where individuals can believe in a shared sense of harmony, alongside mutual respect and kindness. Dependability and reliability further strengthen the community fabric, ensuring that individuals can trust one another, fostering an environment built on shared values of respect, kindness, tolerance, and belief. In such a supportive community, the cultivation of understanding and encouragement for creativity becomes essential, allowing individuals to express themselves freely and fostering an atmosphere where diverse ideas are valued alongside dependability, reliability, respect, kindness, tolerance, and belief. An organized environment not only promotes efficiency but also serves as a conducive space for nurturing creativity, where innovative ideas can seamlessly blend with dependable structures, reinforcing the values of respect, kindness, tolerance, belief, understanding, dependability, and reliability.

446

My Workstation + Typical 34 inches 11 in. 8 inches

13 inches

28 inches

30 inches 23 inches

44 inches

16 inches

53 inches

30 inches

34 inches

447

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

448

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

449

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

450

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

451

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

452

What is the space of your desires in your context?

453

Slaughter, Sydney Dane

Something that has always been important to me is fosteringmy creativity. My driveto create meaningful pieces has shaped my passionfor art and design. My mother is an extremely selflessperson and has taught me that patienceand consistencyare two things that will help me to be successful in life. My father also possesses traits like thoughtfulness andgenerositythat I often look for in friendship. Lastly, another thing that is important to me is my faithfulnessand loyalty to others and is a characteristic that I believe makes me valuable.

454

My Workstation + Typical At Home Workstation 58 1/2” 8”

8 1/2”

24”.

10 3/4”

18”

14 1/2”

12” 17”

28 1/2”

64 3/4”

10 3/4”

36”

14 1/2”

455

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

456

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

457

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

458

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

459

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

460

What is the space of your desires in your context?

461

Smith, Lauren Kate

I feel that I have a newfound ambition after the new year. I’m striving to be more consistent with my work-life balance while still working diligently to achieve my goals. I consider myself to be a responsible person, but its something that can always be improved in different ways. I’m also working to be more honest in my friendships. While I always want to live in a harmonious environment in the most ideal situation, lately me being scared to upset someone has caused myself more harm so for me its more important to be honest right now.

462

My Workstation + Typical 58” 5”

11”

12”

16”

11” 18”

48”

28”

6”

28”

30”

463

Where do I want to work with my workstation setting?

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

464

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

465

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

466

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

What is the space of your desires in your context?

467

Smith, Madison Margaret

I pride myself on being reliable and taking responsibility for my actions, ensuring that I approach tasks and commitments with a dedicated and accountable mindset. My generosity and kind nature drive me to create a positive and inclusive environment, where I actively seek opportunities to contribute to the well-being of those around me. Embracing creativeness and dedication, I find joy in tackling challenges with innovative solutions and a persistent commitment to excellence. Skillful and self-determined, I approach my endeavors with precision, continuously striving to improve and achieve success. Lastly, my selfless and helpful nature guides my interactions, as I am always eager to support others and contribute to the collective growth and well-being of my community.

468

My Workstation + Typical Madison Smith 49” 10”

10”

10”

20”

15” 15”

47”

5”

30”

5”

20”

469

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

470

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

471

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

472

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

473

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

474

What is the space of your desires in your context?

475

Sowers, Alyssa Helen

I am very determined to be successful and to use my creativity to have a positive impact on the world and the people around me. I trust my colleagues and people in my life to help me overcome issues. I am very thankful for the opportunities that I have and am flexible with any changes that need to be made. My creativity gives me aadvantage because I see the world in a different way than others and find inspiration all around the world.

476

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

477

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

478

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

479

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

480

What is the space of your desires in your context?

481

Spillman, Mikayla Breanne

I aim to be a person that is loving and considerate, not only to myself, but for those around me. I want to be a joyful person, who finds happiness in all circumstances, as well as a hopeful person, who believes that the best things will come on their own timing. I can emulate those traits best by remaining organized and always striving for individuality. I am the best version of myself when I can remind myself to stay humble and reliable in my relationships with other people. I hope that I can be considered a strong person who is not afraid to be vulnerable about my feelings and experiences.

482

My Workstation + Typical 82 in.

10 in.

10 in.

32 in.

15 in.

9 in.

18 in.

46 in.

23.5 in.

60 in.

23.5 in.

30 in.

483

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

484

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

485

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

486

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

487

What is the space of your desires in your context?

488

489

Stiefvater, Mattingly Rose

I value honesty and try to only share my most true self with people. I am working on being confident in myself and the path that I’m on at this moment and surrounding myself with things and people that I love. I belief that people’s individuality is their most important quality. When we are our most authentic selves the world becomes a much more exciting and unique place. Valuing yourself, the people around you, and everyday things that make you happy are essential in living a happy life. I believe that we should be accepting of one another’s uniqueness, and that flexibility is a key part in that. Intentional conversations and actions are essential in working together to effectively problem solve.

490

My Workstation + Typical 4’ - 0” 0’ - 6” 0’ - 10”

1’ - 0”

1’ - 2”

1’ - 8”

1’ - 2”

1’ - 2” 1’ - 4”

4’ - 2”

5’ - 6”

1’ - 2”

3’ - 6”

1’ - 6”

491

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

492

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

493

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

494

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

495

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

496

What is the space of your desires in your context?

497

Stratman, Zoe Savannah

The most important thing to me in life is love. Love is the passions we hold in life both big and small, and the people we truly care for. Love is more than just a feeling, but a tangible action and a choice, a choice I strive to choose every single day. I aim to live my life purposefully, being intentional through everything I do. I work to have a thankful and grateful mindset for the things, people and opportunities I have, to stay in the moment given and to be content in the season of life I am in. I enjoy having an open mind to other ideas and diving deeper into supporting facts and reason to gain wisdom and learn more about why things are the way they are. I cherish the friendships and relationships I carry and appreciate the level of honesty, love and support received within them. I am filled with so much empathy towards others and seek to live a life filled with giving. Forgiveness and grace for those around me and within myself allow bring a more freeing and peaceful life. Though I strive to work hard and do well in the things I do, I want to always keep a humble intent putting others before myself. I love love, the passions of this life, and others because of the faithful God I serve, Jesus. I strive to live this way and love others just as Jesus loves.

498

My Workstation + Typical Zoe Stratman 59.5” 4”

9.5”

16”

16”

6” 17.25”

29.5”

22”

60”

22”

30”

499

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

500

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

501

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

ASSIGNMENT 9: How is the authority of government and religion expressed in space (focusing on level, height, and scale)?

Ramp To Building Lot

Parking Lot

Enter Sea Chapel Along Organ Wall

Stairs and Hallway

Walk Under Building Overhang

Walk Along Central Aisle

Take a Seat Facing the Front and Sea View

ABSTRACT The authority of religion is expressed through the use of an elevated level and location. The Meditation Chapel is in an elevated position within nature for a clear view of the sea. The 2 sets of stairs and a roof top space continuously move the user upward, in reference to God being the higher power elevated above. The authority of religion is also expressed using a high ceiling and double height space. Higher ceilings create a more open space and allow the user to truly experience it. Higher ceiling spaces affect the users mental state as well, creating a space of awe and allowing the user to think freely and more abstractly. Those who believe in God and Jesus Christ live in awe of Him and the space provides and opportunity for users to pray and connect in relationship with God and reverence of Him. The Chapel is a solitary volume separating the outside world, a retreat for focus on nature, God’s creation. Intentional openings allow light in the space and open up views of the sea and nature. Small specific openings control strategic beams of light and large openings flood the space with light. Stained glass transmits light, and its colors and forms allude to nature. People are in awe of light and nature, so the spaces main design elements and focus is light and nature. Connection to nature and light are important because God is the creator of all things and He is known as the light of world bringing light in the darkness. God’s beauty and His very character is displayed in it.

502

Sea Chapel Entry Doors

Double Height Ceiling and space

Large window opening strategically placed to let in a lot of light and to capture the sea view

The psychology of high ceilings and creative work spaces.

Archinect. (n.d.-a). https://archinect.com/features/article/150193563/the-psuc hology-of-high-ceilings-and-creative-work-spaces

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

ASSIGNMENT 10: What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and experience)?

Terminal Entrance

Ticketing and Luggage Check In

Skylink to Concourse Areas

TSA

Circulation through Amenities

Gate Lounge and Service Desk Signage for users to find their gate, larger and up higher for all to see

GATE C4

Circulation path is wide enough for mass amounts of people to pass through with their luggage too

ABSTRACT Wayfinding is the most important element that should be the forefront of design in an airport, where many programs and specific needs collide. Large amounts of all different people trying to move from one place to another on a time restraint and stressful process need wayfinding through the space.

Signage throughout the entire airport should be eye catching and easy to read, located both above for all to see and down low at eye level. Arrows with signs or on the floor help give specific direction and more detailed wayfinding. arrows for direction, located up high and at eye level. Positioning of furniture and rope partitions help to control mass groups of people through an organized circulation. Roped partitions leading to service desks help to keep an organized order as well. Circulation paths are large enough for people to pass through the airport with luggage too. Seating is located in every space to offer space for resting or waiting. Material changes offer zoning for circulation paths to support wayfinding. Service desks and flight information boards are dispersed throughout for constant user help when needed. Amenities like restaurants and retail shops have their own unique design as a space within a space, offering a whole different environment. These amenities fulfill users’ needs and create enjoyment and entertainment, breaking up the stress of travel and transforming it into a fun experience.

Signage and clear circulation paths create order and bring comfort in a stressful situation.

Lounge seating for users when waiting at their gate and located near and along the circulation path

Varying floor material to zone the seating areas and separate the circulation path

Service Desk near gate with flight information, also along the circulation path for any users in need of help

d3admin. (2024, January 21). How airport design affects your travel experience: RMJM. RMJM Architecture. https://rmjm.com/how-airport-design-affects-your-travel-ex perience/

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

ASSIGNMENT 11: Where is your memorable cultural place in you context (focusing on way finding and sequence)?

Front Street Parking and Front Door Entrance

Entry Lobby

Hallway to Locker Room

Locker Room

Hallway from Locker Room

Stairs to Third Floor

Upper Level Track

Vertical circulation, stairs and elevator, located centrally in lobby

ABSTRACT The Oak Park Community Recreation Center serves its community with a space that is easy to pass through and enjoy. The use of color and glass helps signify the front of the building and draws the eye and user into the entry space. The three-story high building segment emphasizes the entry location around the building. The yellow color highlights the vertical circulation, leading the eye up to the other floors and to the stairs and elevator which move the user there. The color also lines the hallway walking path to other community spaces and the locker room. The use of glass helps with visual connection to other surrounding spaces, so guests can see other spaces and better understand where to go and how to get there. Clear walkways and space give the user pathways to follow to achieve their destination, users don’t have to make decisions for routing because specific paths are given. The vertical circulation is located in close proximity and in view as soon as the user enters the building. Lastly, zoned areas and visual elements provide a landmark for maneuvering to and around.

Use of yellow zones the elevator and draws the eye, providing a social landmark for identification and circulation around it

Use of glass between spaces for visual connection and understanding of where to go

Clear pathway through entry front desk space and along hallway, specific path moving down the hall

5.design principles for wayfinding. (n.d.). http://www.ai.mit.edu/projects/infoarch/publications/mfoltzthesis/node8.html

503

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

ASSIGNMENT 13: Creative solutions beyond the rules and regulations in your context?

(Ex: ADA, WELL, LEED) Farm Road

Barn Site

Barn A

Inner Site Zone

Barn B Equipment Storage

Barn B Hay Storage

Locally sourced bamboo, environmentally friendly material, good use of invasive plant

ABSTRACT I chose the Mason lane farm because I found it really interesting for an agricultural building to be LEED Certified. Both the site and Barn B played a role in its silver LEED Accreditation. A barn used for farm operations, equipment servicing, and hay storage goes above and beyond to produce a creative structure and system that works with the environment and helps the environment. The building uses passive sustainable design working along with the climate and landscape of the space. Both the building design and site work together as a holistic system, the environment and built environment coming together to fulfill the system needs of the farm. There are site gutters along the roof eave that move water run off from storms and rain to be collected in the basin. The site is closer to perimeter to preserve the dark sky without adding light pollution to the environment. Barn B uses locally sourced bamboo as its building material, bamboo grows fast and can quickly be renewed, an invasive plant put to good use. The built pattern with bamboo creates natural ventilation for hay storage, allowing it to dry out. Concrete footings allow the open-air structure to stand against strong winds. Materiality choice from recycled materials and local bamboo shaped the building strategies.

504

Latice pattern not only beautiful and alluding to hay being stacked, the shed is enclosed but also open allowing natural ventilation to dry out the hay and keep it dry

What is LEED certification? – U.S. green building council. (n.d.). https://support.usgbc.org/hc/en-us/articles/4404406912403-What-is -LEED-certification

What is the space of your desires in your context?

505

Telles, Kennedy M

I am determinedto work diligentlyin order todevelop a passionfor what I am currently working towards. I like to devotemyself to being as creativeas possible when it comes to working on projects. I like to collaboratewith others, because in doing so you are able tobuild trust. When it comes to working in groups, I always am as kindas possible, while also consideringways to deliver constructive criticism. This type of communication allows for sincererelationships that are needed in order todevelop the best product.

506

My Workstation + Typical 59 in.

4 in.

9 in.

16 in.

18 in.

12.5 in.

16 in.

48 in.

21 in.

60 in.

21 in.

30 in.

507

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

508

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­

­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­­ ­

­ ­

509

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

­

­

­

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

­ ­ ­ ­ ­ ­ ­ ­ ­ ­

­

­ ­ ­ ­

­ ­ ­ ­ ­ ­

­ ­

­ ­ ­ ­ ­ ­ ­ ­

510

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

­ ­

­

­ ­

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

­ ­ ­ ­

­ ­ ­ ­ ­ ­

­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­

­

­

­ ­ ­ ­ ­ ­ ­

511

Which space do you think best embodies equity, inclusion, and social justice in your context?

­

­ ­

­ ­

­

­ ­ ­ ­ ­ ­ ­

­

­ ­ ­ ­

512

What is the space of your desires in your context?

­

­

­

­

­ ­ ­

­

­

­

513

Vancil, Haden R

I am an individual that has appreciation for people that give respect towards others. I view life as a gift which comes with trust, reliability, and generosity. If you think about it that is what life is about creating your own legacy, showing your encouragement through everything we do in our daily lives is a necessity for becoming the person you want to be. The memories you build and create throughout your lively hood is chosen based how you as an individual choose what you want to do, and for me that’s creating magical relations with people that will know for the rest of my life. Being an inspiration to someone is what I want to be, I want to be a loving father and build a family, I want to create spaces that makes an impact to a community, I want to show passion through my work creating collaboration within your own life. In all, us as human beings need to be appreciative of the gift we were given and keep building a legacy we all desire.

514

My Workstation + Typical 54” 3”

10.5”

33”

18”

4” 21.5”

32”

27”

36”

27”

30”

515

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

516

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

517

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

518

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

519

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

520

What is the space of your desires in your context?

521

Vidales Jr, Javier

I chose courage to be the main word that describes me for the reason being that I did not come into the program directly out of High school and felt so out of place the first few years here knowing I was not in the same age range as most of my classmates. Along with being an introverted individual did not help with establishing a quick relationship with others in my section. The motivational pursuit comes from within a small family that has always admired architecture, but never knew how the process of getting more insight of pursing aacademic education in that field. Having to do so on my own allowed me to step out of my shell and seek ways of getting here where I am today. The guest lectures In Shollmier had an influential impact on me allowing me to feel even more welcomed in the environment that I was in who spoke about similar circumstances I was in. Patience played a major role in helping me settle in without having the urge to leave scared as if I had no place in being here. It also helped create friendships in which I never saw coming from genuine people who care in helping each other progress. I have also learned to not mistake kindness with friendship since some only care to benefit from one another. My time here so far has made me play a role in which I feel good to be known as someone who can be reliable on. No just on due dates but as a person who can take creativity to a next level. Studio is a place I can find harmony at with no drama being involved and can be at peace with the welcoming vibes that surround space.

522

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

523

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

524

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

525

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

526

What is the space of your desires in your context?

527

Wait, Martha MacNamara

My name is Martha Wait. I grew up in St. Louis with parents who love me. They were really good stewards of everything given to them and earned. My mom taught me to shop smart and on a budget, how to reuse things and be purposeful with my time. My Dad worked really hard to provide and put food on the table. He is self employed and does sales. He taught me how to communicate well with people. He taught me how to resolve conflict, ask questions, write emails, answer the phone. I am not afraid of conflict and all my friends will tell you that. I like to show grace on myself on others because I know that life is not always easy. I love resolving conflict and talking things through and adjusting when things in my life need to change. I have learned endurance growing up being an athlete and in college being a full time student.

I try to be innovative in my time management and in all the things I do. I make a lot of mistakes and try to have humility and stay out of the spotlight. I like to seek peace and serenity and love calm environments, especially nature. I have many commitments and do my best to be faithful to them and responsible.

528

20 in.

10 in.

63 in.

8 in.

5 in.

17 in.

20 in.

29 in.

26 in.

31 in

7 in

22.5 in.

15x8

36x23

24 in

15 in.

60 in.

4in

22.5 in.

My Workstation + Typical

68 in.

36 in.

5 in.

9 in.

18 in.

529

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

530

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

531

Which space do you think best embodies equity, inclusion, and social justice in your context?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

532

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

533

What is the space of your desires in your context?

534

535

Walker, Lorelei Dawn

When living lifeI try to be intentionalwith every decision I make, small or big. I surround myself with people I think have differentideas or opinions, so I’m forced to broaden my mind. Being surrounded by people like this who also love and care for me makes me feel warm. Individualityis something that is very important to me as well, I tend to struggle with it.

I feel like it it’s hand in hand with confidence, you must be confidentenough to stick out because being individual you’re automatically going to stick out and that’s what’s difficult for me. Something else that I tend to struggle with, but more recently have been getting good at is self-restraintwhen it comes to what I say to others. I find comfort in quietplaces, like out in nature or in my room. Beliefis something that fuels me and almost every other person, for me it’s a mixture of a belief in myself to overcome challenges and belief in a higher power. As I grow older, the more independentI get, I value doing things on my own, rather than being afraid of doing things alone. Doing all ofthese things and having a healthy balance, helps me to be calm.

536

My Workstation + Typical 60” 5”

10”

15”

30”

20”

30”

14”

20”

14”

20”

60”

9”

10” 18”

50”

5”

9”

9”

537

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

538

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

539

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

Which space do you think best embodies equity, inclusion, and social justice in your context?

540

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

541

What is the space of your desires in your context?

542

543

Walls, Avery Brynne

In every situation, I approach it with love, and peace. One should always give someone or something the upper hand until proven it is not deserved. When it comes to my school and design work, I remain motivated, put passion into every design decision, and have thoughtfulness to every detail. Although these attributes can be visibly seen by others, I also remain humble in my abilities and quietly know that I am unique, and take responsibility to every action made, those good and bad.

544

My Workstation + Typical My “At Home” Desk.

Avery Walls

59 in.

6 in.

13 in.

21 in.

15 in.

19 in.

16 in.

15 in.

46 in.

16 in.

12 in.

20 in.

53 in.

66 in.

545

Where do I want to work with my workstation setting?

How do you want to stay (from entrance to the room) or eat (from entrance to the seating)?

546

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

547

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

548

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Creative Solutions beyond the rules and regulations in your context (ex. ADA, WELL, LEED, etc.)?

549

Which space do you think best embodies equity, inclusion, and social justice in your context?

550

What is the space of your desires in your context?

551

Zamorano, Israel E

In embracing the complex tapestry of my identity, I find a profound sense of responsibility guiding my actions as I continue to learn every day. With a humble demeanor, I navigate life, recognizing the importance of empathy and understanding with my family and friends. An eccentric spirit fuels my creativity, allowing me to approach challenges with a unique perspective when I have a new project in studio. Grounded in the principle of self-determinism, I believe in shaping my own destiny through intentional choices and thoughtful decisions. A deep conviction in my beliefs propels me forward, infusing my endeavors with passion and purpose, and practicing my beliefs by attending church. Generosity is woven into the fabric of my character, as I strive to contribute positively to my peers and friends. Consistency serves as my compass, fostering stability in both personal and professional spheres where I practice building an agenda and schedule every week to help me complete all my tasks. As a visionary, I constantly seek to explore new horizons and innovate, driven by a desire to make a meaningful impact. Discipline forms the bedrock of my achievements, providing the structure necessary to turn dreams into reality; working hard always pays off. In the intricate dance of these qualities, I discover the harmonious symphony that defines my unique self.

552

My Workstation + Typical 64” 6”

9”

19”

17 3/8”

11” 19”

51”

17 3/8”

52 1/8””

17 3/8”

30”

553

Where do you want to be treated in your context (sequence the process from the entrance, to checking-in, to corridor, and to the consulting room)?

How is the authority of government and religion expressed in space (Focusing on Level, Height, and Scale)?

554

How do you want to live when you are interning at your idealistic firm (identify your summer housing option and develop your morning and afternoon routines)?

How is the product, which you want to buy, displayed (sequence the purchase process from the entrance to the exit)?

555

What is the composition of the process of travel through a transportation facility in your memory (focusing on wayfinding and sequence)?

Where is your memorable cultural place in your context (focusing on wayfinding and sequence)?

556

What is the space of your desires in your context?

557

Content Arrangement by TAs Human Factors for Desirable Workplace • Users interact with built environment that consider human experience • The availability of different options gives

the office fosters productivity, creativity, and employee satisfaction • “A wide variety of hybrid work seating spaces

• A sense of community within the staff and helps users feel less secluded while also being able to have privacy.

people a sense of control and provides acces-

helps employees be satisfied with the exact

• A variety of seating and table options, materi-

sibility for people with certain needs

seating location and network with the whole

als, and heights to meet anyone’s needs and

office “

comforts. Higher seating options and more

• The casual space encourages collaboration and communication for users • Users have a light and airy feeling from the

• “The ergonomic design of office chairs, as

collaborative spaces with bold colors to create

well as providing a variety of different seating

a more energetic work environment. Natural

space without a cluttered and claustrophobic

options around the area, brings comfort to

or ambient lighting as well as good ventilation

atmosphere

users “

and temperature control to keep the space

• Users in the workspace can have active intimacy with the natural environment

• With an environment that is minimalistic, it

comfortable on my body and eyes are also

fosters a productive atmosphere for users

huge factors that effect my work efficiency.

• The variety of seating options and consider-

• Rooms with materials that aren’t inherently

exchange by prioritizing employee well-being

ation of user privacy bring authority to users

beautiful and eye-catching are better for me

and comfort

within the availability of active collaboration

to focus on. I feel eerie and a little uncom-

• Ergonomic environment strategically posi-

fortable in silent spaces. I would want to be

• The workspace fosters teamwork and idea

• The creation of a sense of privacy for users with a lack of context about the nearby

tioned to minimize distractions and optimize

buildings

focus on users

• “Users can focus, collaborate, and connect

on an end desk of a 6 desk huddle, to limit distractions.

• Collaboration and connectivity between each

• The orientation of the building was made

with each other within the variety of moods,

user are easily allowed through non-enclosed

to zone the ground floor as a louder and

lighting, and levels of energy in

work surface

common space between all employees. The

the environment” • Users having a quiet and comfortable atmosphere through minimal traffic • Offering a user-friendly space that encourages communication and also creates privacy for

• “The design team has considered psycholog-

two upper levels were made strictly for work

ical factors such as neurodivergence, diverse

space and to be much more discrete. The air

personalities, and different levels of functionality”

quailty in the buildig is prioritized.

• More effective work to be completed

• The working environment incorporated with

because of focusing on the workstations

natural elements evokes a sense of clam,

themselves, the desks are very spacious and

• Allowing people to have a sense of indoor/

reduces stress levels and enhances creativity

the comfortability as a work surface. Providing

outdoor connections with views to the

• Having natural light in the workspace brings

relaxing spaces, comfortable seating, variety

their work environment

outside • Human factors, including safety, health, soundproofing, ergonomics, and sustainability, create a comfortable workspace • Allowing every employee a large amount of

productivity for users • Its careful orchestration of spaces cultivates a sense of belonging and inspiration for users • Natural light, a main source of light, allows employees to have a better sense of wellbeing

of workspaces. The greenery, natural light and materials promote wellness .

• The flexibility of the space is central to the design of the office.

• “Accessible transportation to and from the

natural light throughout the workday and pro-

• The space creates a feeling of warmth and

tecting from overstimulation through neutral

comfort for users through natural wooden

throughout the

and minimal design

elements

design of the office, and its overall creative

• “The abundant daylight contributes to the

• “The users can have the feeling of being

office, ergonomic and abstract emphasis

aesthetic. Within, the space there is emphasis

overall human experience through mixed-use,

involved without the distraction of a busy and

on connectivity, innovative design, and a

both non-working and working areas, with

urban environment through the

creativity-rich environment. The appeal from

the seating following human ergonomics and

natural light of the open and airy space”

this office stems from what the office offers

anthropometrics” • Through ergonomic furniture, flexible workspaces, and biophilic design elements,

558

• A playful atmosphere with clear collaboration and connection as driving forces to engage with the environment and each other.

to its users.”

• “The shared space allows for collaboration between colleagues. The design aims to

During the semester, TAs have extracted environmental and human factors as well as expected outcomes with references fron sutdents’ works

• Upromote a comfortable atmosphere by incorporating the natural environment.”

• Multiple modes, sizes, and shapes of collaboration, allow for flexibility in the workspace.

open workspace, a feature facilitating collaboration and creativity.

independently.

• A warm and inviting place that resembles

• The shapes integrated throughout the space

the comfort that a home provides. Open and

are curvilinear rather than sharp, creating a

enclosed areas give the user options for work-

pleasant and comfortable setting. Open work-

ing in either open spaces with visual clarity or

• A flexible space that provides several choices

place for collaboration and movement.

for where to work, has visual interest and

• Natural light and plant life can promote

rooms for more privacy.

• Important to have office chairs that support

creates fun and exciting spaces without too

productivity by boosting the overall mood

human proportions and offer a high level of

much distraction.

of the space. Private garden discussion pods

comfort for use throughout the day. Sepper-

designed to make the occupant have a private

ation of the communal spaces from the more

• The open floor plan gives larger clearance for accessibility devices and comfortability in travel paths, as well as allowing for a social environment.

• The peaceful setting would contribute to

place to be without feeling trapped.

• The carpet is softer to the touch under the human foot, the wood becomes a tactile experience for the user, and the exposed

private workspaces.

• A workingstation with less public access to help with productivity, with visual connection to the rest of the office.

improving my mental well-being by reducing

ductwork ceiling adds visual interest. Use of

• The multiple access points prior to the work-

stress levels and promoting relaxation. The

natural elements as they have been shown to

station area, makie the workstations feel more

building being biophilic brings a connection

reduce stress, improve mood, and enhance

private for the employees from the guests that

to nature leading to improved cognitive func-

overall well-being. Curved conforms more

enter the building. The building lighting and

tion. The smaller office, would promote the

naturally to the body, providing more comfort

materials create a comfort feeling for the users

ability to focus and have high productivity.

and support during long periods of sitting

• Privacy is a motivator for concentration, and

• People in the house to be a part of the water-

of the building.

• Based on the sequence of the design through-

the space itself is an appeal by the senses.

fall and experience it in their day-to-day life

• “Employee wellbeing is shown to be a priority.

• Today’s workforce will always choose a space

spacial considerations for human activities are

Comfortable seating determined and desig-

that feels like it was designed with an inten-

preferenced well within the design of the floor

nated for how they

tion, to spend their days at.

plan. An open workplace where I can collabo-

will be used in each space.”

• Comfortable fabrics of the furniture that

out the building of open workplace, the

rate with coworkers without leaving my work-

• The open foor plan fosters spontaneous inter-

would make sitting for long periods of time

station. Having variety within the workplace

actions, encourages teamwork, and creates

enjoyable. Meaningful design to make you feel

creates a sustainable work environment and

a sense of community among colleagues,

like working from home. Insping sapce.

an efficient workplace for employees due to

making it an enjoyable and productive place

• “ The varied workspaces, ranging from indi-

to work.

• Drawing from different workstyles incorporating all seating typologies. The acoustic quality

vidual nooks to collaborative zones, cater to different work styles, promoting

release some energy and being more focused

flexibility and adaptability.”

for the work. The divided desks provide

of the workplace creates fora quiet, focused

• Different environments and furniture arrange-

work and not overstimulated users. A sense of

ments to work in, to appeal to the different

community within the secluded station.

preferences. Design promotes connectivity to

• The space is very open as all floors are open to

the outside and among each other.

one another, allowing coworkers to commu-

• A range of amenities and services that

nicate easily. The space offers many different

prioritize the well-being and productivity ,

seating options allowing for the workers to get

to enhance the work experience. Ergonomic

away from their desks and just relax.

furniture and flexible workspaces,wellness

• It offers ample room for teams to gather, brainstorm, and collaborate, while also providing a

the variety of areas they can work.

• The walk uppstairs gives opportunity to

programs and communal areas.

• The small and interactive space can be

privacy, acoustic softening, and space to pin up work .

• The workspaces aren’t crowded, and they have plenty of in between space for meetings.

Variations of seating and lounge space.

• The nature friendly design concept helps the occupants remain mentally stable with exposure to the outdoors • Shared space encouraging spontaneous interactions, idea exchange, and team cohesion.

refreshing change of scenery for those seeking

good for a smaller group to focus on their

The transparency of the work space and work

a new perspective on their work. Expansive

work while also allowing for privacy to work

station allows users to stay focused.

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Environmental Factors for Desirable Workplace • Strong indoor & outdoor connection, materiality and relationship with nature • Several different types of seating and work areas are available • Different typical characteristics of each station create a casual environment • Clear division between desks across users and lots of storage, seating/work table options

to the outside, and each is clustered into sections for easy identification • “Abundant light contributes to the space, and noise control is considered in the space with the

• Boothed workstation overlooking the park as a quiet, more secluded space. An open central staircase allows a worker/visitor to see all of the actions of the office upon entering.

• Open floor plan, generous natural light, and

consideration of inlaid carpet, soft cushions,

central public outdoor space. Open workspac-

and acoustic lighting fixtures “

es and visibly accessible to the open public

• The minimalist layout effectively reduces dis-

outdoor spaces.

• The courtyard has many apertures that open

tractions, enabling full concentration on tasks,

• Prioritizes natural lighting, light colors that are

into hallways and studios that connect users

while the aesthetically pleasing surroundings

engaging but not straining to the eye, and has

directly with the surrounding nature

cultivate a studious atmosphere

a clear separation of public working spaces

• The integration of biophilic design elements,

• Full-height windows brighten up the whole

and private working spaces divided between

such as indoor plants and natural materials,

space and connect the interior with nature

its upper and lower floors. Large windows

alongside ample daylighting and ergonomic

• “Natural light and views of the surrounding

allow for ample ambient illuminance, lamps

landscape on cognitive function, with

provide focal task lighting, and plants at the

adjustable

front of the office act as a buffer between the

workstations • The wings are situated around a central courtyard to maximize natural light and scenic

furniture and proper ventilation, create a com-

views

fortable and healthy workspace conducive to

• “Providing creative space through promoting lots of natural light and offering

concentration”

busy streets and the place of work.

• Natural light will enter the space due to the amount of windows- that is if the curtains to

• “Patterned breeze blocks and plants make up

the workstations are open. The workstations

different types of enclosed and open spaces

for the loss of views from the exterior, making

are separated from the collaborative spaces

by using glass material “

this a different work environment”

using columns and a curtain system, which

• Bamboo plants and pocket courtyards pro-

• “Sustainable design strategies are embodied

doesn’t cancel noise but it does account for

vide natural privacy screens while enlivening

through the repurposing and reusing of

visual distractions. The materials used include

the space and non-symmetrical layout of the

furnishings

wood plank flooring, brick and partition walls.

meeting rooms minimizes sound reflection

and creating an eco-friendly work environ-

There is also track lighting as well as ambient

• “The workspace is lined with curtain walls, allowing ample amounts of natural lighting inside.”

• The central courtyard that is open to the sky, corridors, and offices enhance the user experience

ment”

lighting in the space.

• “Natural materials such as wood and stone are

• Settled in a summer garden that was forgot-

incorporated to create a connection to the

ten about, but more trees were planted. An

environment “

indoor/outdoor connection through the large

• The workspace creates a good indoor-outdoor connection

windows and doors.

• A variety of greenery in the office with

• The raw materials and neutral palette allow a

• The strategic placement of the office and con-

live plants, large use of natural light in the

fresh mind and a peaceful environment

ference room within view signals transparency

main workstation area, use of natural and

• The workspace is surrounded by other

and accessibility, fostering a sense of openness

sustainable materials. Private offices with

and shared purpose

glass walls connect with the rest of the office,

buildings closely, so lighting, ventilation, and landscaping factors were considered carefully • “The building incorporates passive design

• “The curtain wall separating rooms plays a role

while still having a since of privacy. Some

in creating a collaborative and motivating

collaboration spaces also have glass walls for

strategies such as natural ventilation, daylight

work

the connection, but also a curtain for privacy

optimization, and green spaces to minimize

environment”

reliance on mechanical systems and

when necessary.

• Natural materials such as wood, wool and

• The amphitheater is the highlight of the space

enhance indoor air quality with renewable

plants characterize the interior of HasleTre

and there is lighting built into the structure as

energy sources such as solar panels and wind

which provides a warm and healthy atmo-

well as a large pendant light that reflects the

turbines”

sphere, with low degassing and a healthy

shape of the furniture piece onto the ceiling.

indoor climate

The fabrics used in the project are to be

• Directing all workstations toward the curtains on the walls along the building provides a healthier work environment with close access

560

• The space surrounded by glass gives an immersion in the building

familiar with residential tactile fabrics to create a familiar and comfortable environment.

• The environment surrounding this office includes

• The acoustic material on the walls and ceilings,

a location full of amenities, a nature-diverse

and the durable dark carpet aid in drowning out

setting, and a built environment that allows for

the noise of surrounding occupants. The glass

outdoor connection while in the office. Large

wall provides a visual connection to the rest of the

arch-shaped windows for natural light and a connection between the outside environment.

• Open floor design to allow for different worksta-

sapce while maintaing privacy.

• The open area between the mezzanine and the second floor on the outside allows for an instance

distractions from room to room. The lightning mimics natural sunlight and lights the areas enough so that everything is visible and clear.

• “Eco-friendly design, utilizing renewable materials, energy-efficient fixtures, and green building practices. “ • Light woods, white and pastel paint, brick and

tion configurations and future adaptation. The

of fresh air, quick access to the outside area, an

stone textures are used for the separation of

use of wood flooring and steel structure is meant

optimal amount of daylight, and many openings

indoor outdoor, and making the designated work

to complement the historic building the office is

for sound to be released.

area a calming environment. Easy access to the

connected to. Large windows throughout the

• Abundant windows provide captivating views of

office that overlook two courtyards and allow in

the bustling street outside and the lush greenery

natural light and cross ventilation.

of the connected greenhouse. Incorporating

optimized use of daylight inside. All fenestrations

• Elements of residential and warehouse

natural features promotes environmental sus-

include treatments like curtains and shades to give

architecture, with its wood and fabric lined walls

tainability by reducing energy consumption and

and industrial details. An abundance of natural

supporting a greener workplace.

outdoors and natural environment.

• Desks and seatings close to the windows for an

protection inside for each user.

• The building is exposed to natural light in all sides,

light is allowed into the space through the large,

• Local bamboo is used within the space to filter

providing connection to natural light and views

industrial-style windows, while the slated roof,

away strong sunlight coming in. In maintaining

to outside. High ceilings increase the openness of

blocks the heat.

the natural concept, white light is used.

the space but can cause the space to be loud if

• Use of sustainable materials like concrete and wood. Natural light enters the space. Four curtain walls allow for visual interaction from patrons outside the space.

• The lighting system implemented matches the

proper materials are not used.

circadian rhythm. Two types of working environ-

• A workspace connected to the outdoors. A space

ments, the public space and private back offices.

that receives a lot of natural light with connection

• The drop-down lighting provides an overall am-

to natural elements brings me joy, life, and serenity.

• Use of timber and linen white painted walls in the

bient lighting in a room, creating a comfortable

• “The ceiling has sky lights, allowing a lot of natural

interior, that assist in further reflecting the natural

level of brightness . Curved furniture encourages

light to come in.The use of light colored furniture is

sunlight entering the space. Glazing façade invites

face-to-face interaction and collaboration among

sunlight in and avoids glare for the monitors.

employees.

• The large windows allow daylight into the space,

• One of the amazing features of the house- al-

keepthe room feeling light and airy.”

• Floor to ceiling glass emphasizing a more comfortable workplace by providing natural light

the openness of the building allows for good

though imposing an environmental issue- is the

creating a connection with nature in an open

air quality and circulation. The wood flooring in

connection with the outside.

environment workplace. Great views and an open

the private office has some acoustical properties, plants help to absorb some of the reverberating sound.

• Warm colors and tones of the materials soothe

• Display work have always allowed me to access my creativity in its fullest.

• Every room has furniture and décor that create

connection to the outdoors.

• Open access to light and views, and varied seating options. Less refined spaces with exposedceilings

a cohesive space. Glass curtain walls connect

that give an opportunity for movement and

the mind more so than cooler and harsher tones.

the worksations with outdoor view. The walk

workflow. The ceiling acts as a sound insulation

The use of wood for walls, floors, and furniture is

from the workstations to the comference room

as well as the fabric art on the wooden wall of

a good choice for sound vibrating off the walls.

encourages workers to imerese with the outdoor

Natural light ambience, and warm artificial focal

environment. Several seating arrengments to

points of light onto the workspace.

• Circular but direct connection between each

encourage outside work.

• The infusion of natural light creates a visually

designated space while keeping their attention

pleasing atmosphere that also influences the

on acoustic to help with noise pollution between

circadian rhythm.

them. Clean finishes and amenities.

• Natural light is abundant and can enhance the

the staircase.

• A connection to the outdoors, natural color pallet, large spaces for the workstations and ample amounts of natural light • Courtyard space becomes the core of the building and portrays an uplifting, out of the ordinary work environment

• High ceilings contribute to the overall sense of

employee’s productivity. The black, curved and

expansiveness. Strategic placement of furniture

angular staircases as the focal point of this office,

transparency, promoting collaboration and com-

and partitions further enhances acoustical

add contrast and emphasize the vertical circula-

munication among colleagues. Noise levels and

performance, ensuring optimal sound quality

tion of the building.

lack of privacy can be challenges, impactingcon-

throughout the workspace. Two-story glass walls

• This space has a lack of design choices to help

surrounding most of the building foster privacy

with acoustics. The polished concrete flooring

without sacrifcing the sense of openness.

and the glass walls, could cause echoing and

• The layout fosters a sense of spaciousness and

centration and productivity.

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Expected Outcomes from the combination of Factors for Desirable Workplace • Promoting productivity and a healthy environment for users • Offering various work style options and easy accessibility to users • Creating an open and communal work environment • Offering an intimate workspace with fewer people and a variety of work options

friendly and sustainable environment • “The workstations prioritize comfort, function-

people to come into the workplace. The

masterpiece, aiming to inspire creativity and

greenery promotes wellness in the workspace.

enhance productivity”

The environmental factors combined with the

• “The workstation is engaging, resulting in connectivity and creating less of a barrier between workers “ • The workspace becomes a space, providing

one another and therefore, the pair produces

an ample environment for focusing, collabo-

amazing designs and mental and emotional

rating, and productivity

wellness

workplace that benefits productivity, creativity, and collaboration • The workspace is situated in a secluded building with a variety of natural inspirations

scale space and to make the layout as efficient as possible. “ • A new way of office design that sparks creativity as you explore the space. It seems like the ideal space to work and be flexible throughout

community and belonging”

the environment as the organicforms can

• The workspace creates a healthier and more wellbeing enviornment by bringing natural light in

ronment to users through the delicate use of

integrates functionality with aesthetics,

material, lighting, and adding natural elements

embodying the ethos of the architectural

working time or private conversations”

and have an urge to come into the office.

• “This office was designed to utilize the smaller

munity spaces fosters a sense of interactive

• The spatial sequence in space seamlessly

actively enables employees to have focused

human factors allow for people to work better

• “The workspace incorporated with open com-

• Providing an open and comfortable work envi-

• The workspace stimulates workflow and

seems very open and is effective at motivating

ality, and connectivity within the architectural

• Humans and nature are so easily influenced by

• The creation of a harmonious and inspiring

• Cowork Garden provides an office space that

profession • The workspace becomes a space offering a

move with you.

• This office would be a very peaceful and enjoyable place to work in.

• “To develop a new sense of curiosity and creativity while constantly being surrounded by a talented community.”

• A space that provides proper environmental and human factors, and is successful not only

collaborative and user-friendly environment

to the workers but also to the community.

• Providing more variety in the workspace and

• “The workspace prioritizes sustainability by

• Due to the brightness of the pace and its

activity areas for users with an open, flexible,

using natural elements with consideration

and open layout

for user

• The space creates a combination of modernity, sustainability, and employee-centric workspace • The creation of open space with desks with maximization of the amount of natural sunlight • The building’s design not only integrates modern architectural aesthetics but also prioritizes

health” • The creation of space that avoids the distraction of busy urban environment through selective use of a bright colors, vast rooms filled with natural light casting intricate shadows • I think it would be a very inviting environment to work in. If I worked there I’d love the amount of interaction that’s able to be had.

sustainability, aiming to create a harmonious

• A good example of a comfortable workspace.

environment for both occupants and the

Flexibility to adapt the organization of the

surrounding ecosystem

work areas according to the current needs of

• “The workspace creates a balance between each employee’s needs and has a manageable

the company.

access to natural sunlight, this makes a great working environment.

• The setting of the work office implies a sense of peacefulness. Well-being and productivity is promted in the space.

• A spacious yet creative atmosphere for the designer occupants to work.

• This office design highlights to open workplace flow.

• A spacious and stress-free environment.

• Design solutions to support natural light, movement and sound qulaity.

• A positive atmosphere through the many different curtain walls, openings, and skylights

• Designed as a co-working hub for women,

that the space utilizes to allow for natural light.

which considers the environment and the

• The outdoor spaces and windows overlooking

• The workspace creates openness even

unique individuals, and inspires productivity.

the outdoors enhance well-being, fostering

though it is not a large workstation

Emphasizes natural light, water, healthy air

creativity, inspiring innovation, and promoting

wayfinding process”

• With its executive, paired, and collaborative spaces seamlessly integrated into a contemporary design, it provides an ideal environment for delving deep into projects • The workspace creates an environmentally

562

quality, and space for relaxation.

• Has a lot of components that would contribute to success in the workplace for me.

• The space was created to be more immersed in to the garden world

environmental stability within this office.

• The natural wood and lively green features design a peaceful and calming environment.

• A very well-thought-out concept that I would enjoy spending my time in.

• Open workspace, prioritizing collaborative efficiency while also managing noise levels. The use of natural elements can help create a more comfortable and inviting work environment.

• Make the connection because of the positive

wellbeing.

• The building portrays an architectural concept relating the outside environment to the interior environment • The combination collaborative zones and

impact nature has had on people and their

private spaces stimulates critical thinking and

moods.

problem soliving in the work space.

• Modern workspaces can boast roductivity and the key to this is proper communication.

A space that does not feel like a typical office setting, creates an atmosphere that is more conducive to innovation.

• Makes to workers feel comfortable, at home, and encourages work exploration in the outdoors.

• The natural light promotes a healthy and energized state of mind. Greenery contributes to improved air quality and a connection to nature, fostering a sense of well-being and reducing stress levels. Enhances productivity, and nurtures a positive and inspired work culture.

• Contribute to productivity while enhancing the mood. A clean aesthetic that is both visually pleasing and efficient for its occupants.

• A conducive and fulfilling workplace experience. Incorporation of natural elements enhances aesthetics and promotes a healthier indoor environment, reducing reliance on artificial lighting and improving air quality.

• A small and comforting studio that allows for a connection to nature and tradition.

• An easy to circulate office with a healthy environment provided by daylight access.

• A workspace that promotes productivity, creativity, well-being, and collaboration.

• A space I enjoy being in and allows me to produce my best work and focus, working for longer periods of time.

• A space that allows for collaborating and communicating with peers.

• A great example of a sustainable workplace, focusing on its occupants within the space showing transparency in its design.

• A welcoming and not overwhelming working space.

• A space that helps to promote the employee’s

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Human Factors for Desirable Hospitality • The layout and functionality of the space were

• The space offers many sensory experiences,

designed to meet the needs of the human

including mentally soothing lighting, acoustic

body and create a comfortable environment

comfort

for the human body to occupy • “The allowance of natural light into the space

and human experience. Multiple seating

ments, and curated local artwork that reflects

options offer a customized and individual

the city’s diverse heritage, ensure guests feel

energetic atmosphere for users”

both welcomed and immersed in the unique

their preference for privacy or reason to

charm of their surroundings • “The contrast of the curved elements part-

visit the cafe through different seating

nered with the sharp angles of other

options”

elements of the design affect aesthetic appeal

• The spacious and simple layout of space makes users easily get involved “ • Users can enjoy a direct connection to the outside and have a visual interest through the large ceiling and glass element • The design concept of space creates an inti-

illuminance • “Live music can add to the overall ambience

• Personalized hospitality, cozy seating arrange-

creates a beneficial mood and an

• “Users can have the authority to determine

they desire and can be set up for task-focal

for users “

experience.”

• A fun, but also calming space for people to relax and enjoy after the day is over. The design has a good understanding the community in the area. A variety of seating to accommodate everyone and allow for choice.

• Smaller scale of the trees compared to the

• The stained glass and all of the natural light

high ceilings allows for an intimate feeling.

impacts the guests mood, well-being, and

• A variety of ergonomic dining and settings

health • “A double-height space filled with rustic wood that diffuses exterior noises creates a unique

as seating arrangements that allow for interaction.

• The booth and table seating in the dinner

mate connection for users with the space and

experience while staying away from the busy

provide ample room for comfortable dining.

surrounding environment of California

city of Manhattan “

Alternate seating with ottomans and movable

• The food crafting area to observe creates an active interaction with customers • Giving a users flexibility with many different sitting options • “Customers can enjoy having a sense of indoor/outdoor connections with views to the outside” • “The visual aesthetic created through the com-

• “Different lighting levels match different seat-

benches. Corridor clearance between the

ing arrangements to accompany certain levels

booths and the service counter accommo-

of focus or activity for users “

dates a double load (6’4”+).

• A coffee shop surrounded by nature offers a

• Too much exposure when seated in a large

sanctuary from the relentless pace of city life

room can beoverwhelming to some people.

for users

The public feel is gathered in the main hall

• “From plush furnishing to meticulously curat-

which becomes the focus by catching the

ed decor, every detail is designed to elevate

eye of the customers because of the unique

bination of traditional and modern

the guest

design provides employees and guests with a

experience and foster a sense of serenity”

• Enjoying their meals in a relaxed setting. The

simulating environment to engage with and

• The separation of the restaurant and check-in/

attentive service and menu of local ingredi-

out area provides guests with the opportunity

ents, enhance the overall dining experience,

to feel secluded and stay away from noise

evoking a sense of connection to both the

human well-being and comfort “ • “An open-air space full of an abundance of natural light and a variety of seating options creates comfort for users “ • “The thoughtful seating arrangement provides a feeling of seclusion and privacy for users” • “In its uniqueness, it caters to the human form

issues

• The concept of “Roots and Sprouts” speaks to

that celebrates the union of human creativity

our innate desire for connection and meaning.

and the wonders of nature

Social interaction and emotional well-being

• Among its many offerings, the wellness-focused hotel includes Onda restaurant, a spa, saltwater pool, an in-house surf shop, and

seating, some more public and some private,

hosts health and wellbeing leaders for various

to meet the customer’s needs”

mindfulness activities

ties encourage seamless pleasant user interaction within the space” • The space cultivates a sense of belonging and community among guests through shared experiences

564

place and community.

• The space invites guests on a sensory journey

and ideal with a large selection of

• “The spacious atrium and well-placed ameni-

archway.

• The use of natural materials warm colors creates a feeling of comfort for their guests • Open feeling while being intimate and comfortable.

are fostered through distinct zones and thematic elements.

• Memories attached to the place. A variety of comfortable seating arrangements makes the space accesible to anyone.

• Different seating options to provide for different activities.

• A multitude of seating options for all people that allows for variety.

• The flexible artificial lighting allows for people

• The lower deck is designed for conversations

to control the lighting outputs to be what

and coffee pick-ups while the upper deck

• offers a space for customers to sit and stay a while.

• The visibility of the food preparation stations creates an honest environment.

• Each room also has their own terrace, allowing for privacy and relaxation.

• A welcoming atmosphere with comfortable seating, pleasant music, and attractive decor encourages customers to linger and enjoy their coffee. The long proportions of the space provide a lot of room for the baristas and customers to wait for their food and drinks.

• The layout fosters privacy and intimacy. A plethora of seating options is offered.

• The cozy and intimate setting, fosters a sense of connection and comfort.

• The open area overlooking beneath has an intimate feel. The tight circulation creates distraction for customers.

• A unique sensory journey, and a welcoming and communal atmosphere. Encouraged social interaction and engagement. Meaningful connections with customers.

• A positive entry and walk-in process. The entrance to the main space is beneficial to the overall experience.

• Flexibility within the space. Large lounge chairs allow guests to make themselves comfortable and take in the views. Various styles of guest rooms. Personalized recommendations enhance guest engagement during their stay.

• The sinuous and rhythmic structure starts at an intimate height and grows taller to lead the guest into the space. The chair supports the back and posture.

• Privacy within the room, while still having e a space for community.

• Having a private space along with amenities that give an optimal experience and views that attract the user to the space. Allowing guests to relax, reset, and recharge.

• Dimmed lighting affects to lose track of time and spend more time in the gambling space.

Awakening of the senses in the outside spaces.

• Bringing the curiosity and interest of the hidden gem for the users in way finding

565

Environmental Factors for Desirable Hospitality • “A strong indoor/outdoor connection that contributes to environmental factors of the design” • The various seating options create flexibility in space • The arch of space creates a separation of both public and private seating areas • The hotel marries the two with clean archi-

healthy indoor air quality” • “The hotel’s dedication to preservation

flexible lighting, and organized program. The

extends beyond its

use of screens and plants as partitions allows

architectural elements to include sustainable

for comfortable acoustics for each area. The

practices like energy-efficient lighting and locally sourced materials” • “The floating mass of the space creates a

tecture, key materials to reflect the outside

smooth transition

around it, and neat restaurants, bars, and

between the interior and exterior”

lounge spaces integrated within

• Use of abundant natural light, various plants,

plants contribute to the healthy air quality.

• Front doors remain open to allow the fresh air and breeze to enter, as well as to maximize the daylight. Multiple seating options. Integrated indoor biophilia.

• The atrium provides a lot of natural light. A

• The Craftsman style of wide, sweeping roofs,

good mix of natural and artificial lighting.

• The skylight addition to the 1870 structure

projecting beams, exaggerated braces,

Sustainable and environmentally-friendly

creates an enjoyable environmental factor

and colors that blend with nature create a

• The delicate choice of materials, such as wallcovering and carpet, in space considers the city that the hotel is located in • The natural light in space plays a significant role in creating comfort in space • A lot of the existing materials that are used promote sustainability • “The building is lined with large window walls

natural connection with the surrounding environment

materials.

• Only a small area of indoor seating. Ample natural lighting that illuminates all four walls of

• A double-height space filled with rustic wood

the restaurant. The coral tiles, seafoam green,

that diffuses exterior noises creates a unique

and turquoise chairs create a strong tropical

experience while staying away from the busy city of Manhattan • The space emphasizes indoor/outdoor spatial

atmosphere.

• “The visible brewery area offers a night-time aesthetic and acts as a focal point for the

use and involves the active surrounding street-

restaurant. The natural materials,

allowing ample

scape with industrial and rustic elements,

large windows for outdoor connection, and

amounts of natural lighting inside”

utilizing natural wood, bricks, concrete, and

double-height ceilings allowing for open air

• “Strong emphasis on natural light, ventilation, and materials,

metals accompanied by plants • The abundant greenery enveloping the coffee

making it an inviting destination”

shop creates a deep connection with nature

• The sliding glass door wall allows an

• “The outdoor space, embracing the view of

flow and circulation.”

• The B&W patterned floor with the wooden walls, green built-in counters, and pink lighting elements create a memorable experience.

indoor-outdoor connection, and the neutral

natural landscapes,

Additionally, the large amount of windows

color and natural material choices create

provides an idyllic setting for relaxation and

around the space offer up clear and well-lit

seamless extension from the outdoors

rejuvenation “

• “The variety of woods provides a warmth and

• “The use of sustainable materials and minimal-

space for the interior.

• Clear paths of movement through the

communicates the

ist aesthetics not

doorways, openings, table placements, and

idea of sustainability within the design”

only harmonize with the pristine beauty of the

between the red column grid and the green

• “Considering a tropical climate with typically

Maldivian landscape but also evoke a sense of

central booths. The brightly diffused or focally

tranquility and serenity”

pointed in a dim setting lightning define

humid air in the environment, the materials specified seem

• “From the original exterior structure to the

to be ethically sourced, with the building’s

beautiful herringbone

carbon footprint generally minimal”

tile floors throughout the whole space, allow-

• The space, based on its incorporation of solid and void spaces, allows for optimal natural

ing an easy flow of the space “ • “Use of natural materials, water, and airy spaces,

light penetration and airflow, enhancing the

and a light filled

overall comfort of the interior

interior are the factors that help it become an

• The design of the campsite cultivates the seamless blending of surrounding nature into the space • “The presence of light, biophilia, and wood features also contributes to

566

extension of the Austrian mountainside”

different uses of the space. Tactic way of using the colour palette.

• The layout of the space ensures a smooth traffic flow and privacy for diners. A thoughtful incorporation of natural light and materials.

The large skylight as the ceiling makes the space appear bigger.

• The windows offer glimpses of city life, while the absence of the windows creates an

• Pillared sectioned areas with vaulted ceilings

intimate vibe. Use of warm tones and natural

make the area feel spacius as well as private.

elements. Glowing but ambient marketing

Strategic use of ambient and focal lighting.

lighting used to help with way-finding

• The seating arrangements are placed with a

• The sleek and modern design elements

clear circulation space. The enterance and the

foster a sense of comfort and sophistication.

register are seperated from the seating area.

The aroma of freshly brewed coffee and the

Clean and orderly.

rhythmic hum of espresso machines create an

• Uniquely organic interior. Spacious hotel rooms. Good circulation and natural light. The

immersive ambiance • The natural designs set apart the building by

arch windows that line the exterior walls allow

intriguing and pulling inside the customer. The

optimal amounts of daylight for all spaces.

steel supports and changes in levels provide

• Separation the floor plate into two floors,

different nooks and crannies for people to

noisy and quiet. Lighting choice is intimate and provides task lighting within the different

relax and communicate with others.

• The indoor-outdoor connection allows guests

seating zone. The natural materials are used

to embrace the peaceful qualities of nature.

to promote the concept and organic feel of

• The open space connects seamlessly with the

the space.

• Sound plays a significant role in the appeal of

environment around it. The forms frame the circulation and narrow the focus to the central

this coffee shop. The building complements

service. Naturally ventilated, bio-climatic.

the natural surroundings. The open window,

• “Windows allow sunlight to enter the room,

open-air style, offers a captivating view.

• This restaurant draws in the landscape with interior design. As a busy and public space, the design is focused on the transfer of sound.

Natural light is used to gently illuminate the

balconies provide an indoor-outdoor connection, and opening of the space. The entrance location is secluded.”

• An intimate design of spaces in a secluded

space with a central courtyard and lightwells.

environment, offering efficient private spaces

• The use of materials is refreshing and natural.

for guests. A serenity in design is using clean

The stained glass filters natural light and creates a sense of privacy. Rounded corners and half partitions create a soft environment.

• “Attention is paid to small details like cleanliness, organization, and overall aesthetics.

lines.

• Subtle and warm provide a comfortable relaxing environment. Confined for a private feeling.

• Connection the lush environment with the

Natural light infiltrates the space. A

surrounding cityscape. Oriented to minimize

cohesive relationship between the levels.”

heat and solar glare, the sky terraces allow

• The expansive front opening is essential for

natural ventilation , and the use of screens

the frequent rainfalls. The interior blended with its lush surroundings. The abundant

provides privacy and shade.

• “The core of the structure that is surrounded

natural light obviates the need for artificial

by glass and trees

lighting. The structure’s frame blocks the wind

connects stairs of space “

while allowing a gentle breeze.

• The soft lighting enhances the overall ambiance, creating a warm and comfortable setting. The big windows provide natural light and a view of the surroundings.

• “The added skylight brings sunlight in. The natural materials provide a connection to the outside. The large ceiling element provides visual interest. The glass wall provides acoustic protection and visual connection to the outside.”

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Expected Outcomes from the combination of Factors for Desirable Hospitality • This design approach not only contributes

• The space becomes a space providing

• A fun, entertaining, and comfortable space.

to the aesthetic appeal of the space but also

a bright, elegant aesthetic with sensory

• A seamless blend of aesthetic appeal and

fosters a sense of comfort, relaxation, and

experiences

well-being among guests, aligning with the principles of human-centered design • The natural light friendly space is created to either eat or chat • The space embraces various arrangements of space with different kinds of seating options through the separation of the arch • “The space capitalizes on the ocean or mountain ranges, while

• “The space enhances its appeal to environmentally conscious travelers” • “The contrast of materials and use of lighting help to tell a story of space “ • The space creates a direct connection to the California Adventures theme park • The space considers the human body and its

practicality. The ambiance exudes a sense of comfort and elegance. A harmonious ambiance that fosters relaxation and conviviality.

• A go-to spot for those seeking a relaxed yet stylish hangout, with a sense of belonging and comfort.

• The ambiance and material selection create a sense of peace. A sense of belonging.

• Theorganic interior, color palette, and material choice make for a beautiful entrance and

the interiors mimic clean, natural, and organic

effects through the ambient lighting and also

materials”

considers the furniture choice for smoother

• A vibrant, and full of life space.

guest circulation

• The setting encourages customers to discon-

• “The restaurant becomes a space that appreciates the embracement of natural elements” • The space heading from the entrance to the pool cafe brings a sense of nature that California holds • The space becomes an interactive and comforting space for customers • The space maintains its beauty and historicity while also contributing to environmental needs • “The space embracing a natural indoor/outdoor connection with varioius seating types” • The experience in space fosters a connection with nature, showing the relationship between the built environment and its surroundings • “The entire space embraces a clear and well-

• The space has implemented a spatial division that makes this separation clear • The space becomes a haven where the senses

simple luxury. A design that uses natural

provides comfort, elegance, and indulgence • The hotel becomes a space to stay away from noise issues • The space embraces the beauty of nature as well as human comfort and hospitality • The space provides easy navigation with the delicately chosen materials • The space provides clear connection with its surrounding environment • The choice of lighting, furnishings, and materials create an opulent but cozy feel.

• Improvement of the overall human experi-

mood and health of individuals. A very natural

• All of the aspects of space with sophisticated materials and each piece of furniture’s intended usage create a leisurely and relaxing experience of space • The project embodies a holistic approach to

and playful environment • Biophilia incorporates nature into the space.

The private dining rooms offer a quieter dining experience.

• The texture, colors, and form create a very unique and fun experience.

• An exciting, connective, and unique atmosphere. A desirable dining experience.

architectural design, prioritizing human factors

• An enjoyable and sensory-fulfilling experience.

such as comfort, interaction, and well-being

The combination of both an interesting interi-

• The space provides sustainability within the

or and comfortable setting is vital, making this

eco-conscious travel experience

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creates a breathtaking atmosphere.

rejuvenation in harmony with the elements • The space becomes an exceptional space that

and circulation to explore”

ceiling and various materials that are used in”

with nature. The absence of street noise

• Association with nature in the design and

ence. Even ambient glow improves the overall

through the exposed

nect from their fast-paced lives and connect

are awakened, and the body and mind find

thought-out layout

• “The space enforces a sustainable design

amenities.

space a positive experience.

materials in exciting ways, making the space feel clean and open.

• An overall inviting feeling to it.

• A conducive environment for work without the need for harsh task lighting. Enhanced overall dining experience.

• A relaxed and enjoyable dining experience.

• A beautiful but also functional space. An enjoyable experience to dine.

• “An immersive ambiance that heightens the overall dining experience. A memorable and enriching experience that transcends the act of consumption.”

• The natural effect of the “bird house” is comfortable and fitting to the aesthetic of the space.

• Meeting the needs and preferences of guests and visitors.

• Climate and wind impact the human experience of the space. Intimacy within a public space while being connected to the service and other guests.

• An intimate experience for the users.

• A peaceful and relaxing experience cuddled by luxury.

• Provided comfort and addition of sustainable elements which help the environment.

• “Both the space and the users create an intimate connection with nature”

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Human Factors for Desirable Housing • The ground floor entry to the apartment makes the space feel more like a home to residents • “The creation of spiritual space help decompress or connect when needed” • The wayfinding from the entrance to the room makes sure people feel safe

• The apartment offers security and bodily protection to residents • “Sepping onto the balcony offers a tranquil start amidst the hustle for residents” • The availability to maintain private space inside the residence offers a safe and secure feeling for residents • “The connection with the outside and

• The safety and security of this building address

with the amenities becomes an important

a major point of the emotional side of human

factor for the mental health and wellbeing of

factors for design

residents”

• The thoughtful layout of space creates a welcoming sanctuary where people can feel at home while working a student internship

• The sense of having a lock on your door/ security alleviates the mind from stress and worry • Each apartment unit utilizes a mostly

• “The adjacency of being in a city with things to

open-concept floor plan to allow its users to

do indoors and outdoors creates psychologi-

easily move from space to space, and merge

cal comfort and mental heath”

spaces for collective use

• “The place offers a tranquil environment

• The balcony and the ample daylight in the

conducive

apartment promote well-being and good

to both relaxation and productivity for

sleep quality for residents

residents” • “The residence offers a holistic lifestyle of inspired balance through various amenities” • The proximity to green space provides residents with convenient access to the outdoors,

• “The space provides varied access to natural light while also creating a sense of privacy through a private terrace for residents” • The space provides plenty of natural light for residents

improving mental and physical health

• “The house offers cozy spots for relaxation

• “The space of the balcony allows people to

amidst the natural scenery for the resident”

feel connections with nature, along with views to the outside” • “The proximity of the residence to the city ensures that residents can easily be connected to the city” • The design includes soft and light materials

• “The residence fosters a supportive community, encouraging networking opportunities among interns” • “The space provides an easy access to natural light for residents” • “The use of sustainable materials such as

to brighten the space and make it feel larger

wood, wool, and plants is offering a healthy

to residents

environment for residents”

• The small space of the apartment offers a

• “The bright finishes of the interior create a

proper space to personally carry myself for the

bright space that has proven to be a positive

afternoon routine

factor for mental health”

• “The space allows the user to seamlessly

• Residents enjoy spacious studios, one, and

balance professional commitments and

two-bedroom apartments, some featuring pri-

personal needs”

vate balconies, allowing for private enjoyment

• “The incorporation of natural light and ventilation enhances the overall occupant experience” • “This complex fits my budget, is close by, and has excellent amenities to create a more comfortable environment”

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of the outdoors • “The allowance of various seating options provided and easy access to the natural environment provide enough comfort and joy to residents” • A wide variety of floor plans and layouts to

choose from.

• The separation of the bedroom provides greater privacy to achieve comfort. The amenities encourage outdoor living and interaction among people.

• Separation of public and private space to cater to the preferences of the occupants.

• An experience of efficiency and comfort.

• Enough space for one person to live in for a short time period, and to be personalized through furnishing and decorating.

• Flexibility in the arrangement of furniture.

Use of neutral materials that provide a visually pleasing space.

• Narrow space doesn’t give adequate clearance. Not preferred access to amenities.

• The needs of everybody living in the house are met. A sense of safety. Enough space to move around and would not be in each others personal space constantly.

• Clear division of the space based on the level of privacy. A space with a sense of comfort.

• The space stimulates motivation and productivity.

• “Feeling less alone. Promoted social welfare.

Opportunities to get active and support a healthy lifestyle.”

• Allowing the mind to slow down and rejuvenate.

• Being within a walking distance from social activities.

• It has a good walkability score.

• Becoming part of a friendly student community.

• Connecting with others. Allowing to keep a private space.

• “Facilitated neighborly interactions and a sense of community.”

• Supported active lifestyle. Considered safety factors and a sense of community.

• Safety and privacy. The perfect size of the space for one person.

• Lack of privacy. Multiple requirements on the hierarchy of needs are met.

• A strong sense of community. A balanced and enriching urban lifestyle.

• Being a part of a community.

• Prioritizing health and being active. A comfortable place to live in.

• Convenience, networking, and socializing.

• Privacy, easy accessibility, flexibility, community connection and safety.

• Provided privacy and a sense of community.

• Functional design floor plans. Focuses on the comfort of its occupants. Becoming part of the experience.

• A comfortable amount of space.

• Sharing the space. Provided safety. A great communal space ideal applied.

• A sense of community.

• A versatile living spaces that encourage creativity and personalization. A sense of community.

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Environmental Factors for Desirable Housing • The experience of walking around the campus

• The apartment offers the proximity between

create a strong outdoor / indoor connection

indoor and outdoor downtown within a

• Healthy material with embedded biophilia in space creates a better space to live in • This apartment building meets Maslow’s

historic background design

connection to the natural environment of South Carolina “ • Unique design aesthetic, sustainable materiali-

• “Expansive windows flood the space with

ty, and natural wayfinding for circulation.

natural light, reducing the need for artificial

• “An abundance of natural light. Flexible

hierarchy of needs for creating a betterspace

lighting, and the balcony provides scenic

artificial lighting for task-focal illuminance.

to cook, buy food, and eat, rest and caring

views of lush greenery, enhancing the living

Materiality is chosen to help improve the

various amenities in space

experience”

acoustics. Openings for ventilation to bring

• This apartment has much natural light and leaving less of a carbon footprint with offering furnished units • The living room is spacious and flooded space with natural light, with various layout options available • The place has a good indoor and outdoor connection • “The subtropical climate welcomes with its

• All of the fixed furniture is custom made and the materials were chosen to compliment the apartments original palette • “Both the living room and bedroom have large windows to manicure the landscape” • “Having easy access to a park nearby or a gym creates an intimate connection between indoors and outdoors” • The units consider the importance of

fresh air. A convenient location.”

• Different degrees of openings bring in natural light and provide a connection with the outdoors. Open floor plan.

• The open layout allows for easy circulation, and sun penetration to brighten the space.

Location, aaccessiblity and amenities.

• Location in a desired area. Large floor-to-ceiling windows natural light and help make the

warmth

indoor-outdoor connection through the addi-

and humidity, hinting at the lush surroundings

tion of spacious patio spaces, easy street-level

• An ample amount of natural light. Connection

access, and lots of surrounding vegetation

to the outside through a balcony. Provided

ahead” • “The residence provides an intimate connection with downtown Dallas” • The residence offers proximity to a nature

• The apartment creates an intimate connection with the outdoors • This architectural gem seamlessly integrates

trail and the natural landscape, providing an

with the neighboring Orrong Romanis

abundance of natural light

Reserve, offering a harmonious connection

• The space creates sustainability through its

to nature

connection to the outside and air quality

• Using this one space against the window for

• “The design and material selection maximize

both living and dining allows for the maxi-

natural light and ventilation, fostering a healthy indoor environment and reducing energy consumption “ • “Light colored materials chosen throughout the space and L-shaped furniture create a less compaced space” • The apartment embraces a nice neighborhood and plenty of nearby amenities

mum amount of circulation space

• Desired location. A spacious space with a lot of

and the cost-effectiveness of housing in the

natural light. The use of high-quality materials

area, are key considerations”

and finishes adds a touch of sophistication

multiple options for different lighting

materials, such as concrete, wood and metals

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end feel.”

geous proximity of Hoboken to New York City

to optimize natural light and ventilation while

more intriguing”

Fenced property.

choice has a clean appearance and high

• “Environmental factors, including the advanta-

• Peridot’s aesthetic design features sustainable

around the complex make the apartment

natural light. A seclusive division of the spaces.

• Located in an established neighborhood.

Generous natural lightning. The material

• The building utilizes passive design strategies

seem larger, and the many amenities spanning

concept. “ • Proximity. East-facing windows give access to

ocean expanse

stairs environment with large windows and

cooling

natural light enters the space. An open space

boundaries between the indoors and the vast

environment for productivity, with ample

• “The studio floor plan helps make small spaces

and outdoor spaces. A healthy amount of

• “Distanced from busy roads and highways.

• The apartment offers a collaborative down-

minimizing the need for artificial heating and

amenities, and proximity.

• “Privacy and access to the outside, greenery,

• The panoramic views seamlessly blending the

• The sleek, modern design fosters a conducive

natural light streaming

space feel larger.

• This apartment provides the essential

and luxury.

• Many windows allow natural light to flow. The open floor plan allows for spaciousness and lots of storage. Access to amenites and social spaces.

• “The open space between rooms allows for

amenities within a small area, maximizing the

light to seep in. A maintained optimal circu-

efficiency of the space

lation and no elevation changes, make the

• “The apartment complex provides an easy connection to nature” • “The apartment embraces the intimate

space ADA accessible. Many amenities and an open space with optimal storage.”

• A quieter area. The open space concept allows for airflow. Replicating the colors of the

dows that flood the interiors with natural light.

Proximity to landmarks. Shared amenities.

exterior landscape in the interior.

• Easy accessibility. Large open plan shared spaces. Access to amenities.

• Big windows allow for plenty of natural light. A spacious apartment.

• Proximity to the downtown and access to public transportation.

• Very inclusive amenities. An open layout.

• A convenient location, access to city amenities, and proximity to public transportation.

• Proximity to the workplace and other activities.

Enough space only for the primary furnishings.

• “Proximity to everyday amenities, access to public transportation.”

• Proximity to the workspace and other activities. An abundance of natural light.

• Proximity to public transport, and necessary retail places. Availability of common spaces.

• The advantageous location provides easy access. A plethora of amenities.

• A desired location. Variable amenities. A cheapbuild living place. Bad acoustic insulation. An extended outdoor experience.

• Easy accessibility. A patio connected to the living area. Access to amenities.

• Proximity to the workplace, and easy access to public transportation. Amenities provided.

Shared housing or communal spaces.

• A quiet, open, and spacious community. Facing greenery views. Access to amenities.

• Accessibility to outdoor recreational spaces and amenities. The building pathways and entrance are surrounded by trees. Located in an idle area.

• Offered amenities. Nature implemented within in the design.

• A preferred location. Use of softer tones of greys and whites to provide a brightness that allows natural light to bounce off the walls. Use of newer materials.

• A compact space but males good use of natural light.

• “Easy accessibility. A clear connection with the outside. Access to amenities.”

• Open layouts, high ceilings, and large win-

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Expected Outcomes from the combination of Factors for Desirable Housing • The plenty of amenities in the apartment contribute to its functionality and make the experience of entering the space more desirable

amenities with the consideration of residents’s safety • “In conclusion, South Yard Lofts offer more

to nature while also providing a vibrant community” • Improvement the overall human experience.

than just a place to live; my summer housing

• “Natural light, greenery, and connection to the

• A space becomes home by embracing good

option provides a holistic living experience

outdoors are key environmental factors for

lighting, healthy materials, biophilia, and

that prioritizes personal well-being, com-

spiritual spaces

munity engagement, and environmental

• “This apartment becomes a place where people can feel it like home than a dorm” • The apartment encourages sustainability and wellness • “This apartment offers a modern kitchen with plenty of counter space and updated appliances” • “The place becomes an affordable place to stay with an intimate connection to the outside”

sustainability” • “The residence establishes both public and private spaces with flexibility” • “The resident provides the proper size to fit their lifestyle and bring comfort”

improving a human’s experience in the space.”

• This efficient circulation would offer a quick morning and night routine.

• Feelings of comfort and not being overwhelmed.

• An enjoyable space to call home.

• Promotes well-being and comfortability .

• “The residence becomes a place that is safe

• Natural light gives a natural and comforting

from the social atmosphere and malicious

feeling for the occupant. Amenities provide

people” • “The space maximizes daylight, providing energy and productivity”

spaces that aid wellness.

• Enhanced living experience. Improved quality of life.

• “The place embraces a unique blend of natural

• “The apartment promotes an appropriate

• Bridging the gap between the interior and the

beauty and academic community that defines

size for living and easy access to various

exterior. The lightness and cool feeling of the

life at the University of Miami”

ammenities”

• “The creation of easy access from indoors to outdoors in the city of Dallas” • The apartment creates a healthier living space for residents • The interior of this apartment represents how every part of the space is strategically placed and planned out • The apartment creates a harmonious living environment that benefits the residents and the planet • “The apartment offers a space design that makes it feel less small “

• The space fully offers a harmonious blend of texture and sophistication

whelmed and claustrophobic

mate connection with the outdoors through a

• An enriched human experience.

large curtain window”

• Reducing commuting stress and enhancing

• The house seamlessly integrates human comfort and hospitality with the natural surroundings, creating an unforgettable culinary journey • The housing addresses both practical environmental aspects, such as cost and proximity, and important human factors, including community, well-being, and work-life balance

while also having a good neighborhood and

• “The apartment provides a collaborative space

• “The space showcases how thoughtful

homey, but big enough to not feel over-

• “The small size of the space maximizes the inti-

• “The apartment offers a proper range of costs

amenities around”

apartment is calming and relaxating.

• The space is small enough to feel cozy and

while maintaining privacy through the space layout”

work-life balance.

• Enhanced convenience and reduced commuting stress. A positive living experience.

• Reducing commuting time and stress.

• An overall positive experience of good living standards.

• The patio allows you to enjoy the outside weather and ventilate the apartment with fresh air and daylight.

• Facilitate social interaction. Contributing to the overall sensory experience, influencing mood

consideration of spatial organization, lighting,

• The apartment both provides open and

materiality, and psychological comfort can

enclosed space, considering privacy and

• Spaces to enjoy the outside and go for walks.

concentration

• Creating privacy and a sense of nature within

profoundly influence human experience and well-being within interior spaces” • The architectural design of the abeja building integrates seamlessly with its surrounding environment

• The apartment creates effortless movement throughout the space while maximizing the natural light in the space • “The apartment complex fosters a sense

• “The apartment creates the best proximity to

of community with its on-site community

various amenities within the proper distance

garden, outdoor community spaces, a pool,

from the workplace “

and public working areas”

• The building is also gated and has in-unit

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• “The apartment provides an intimate distance

and mindset.

the walk.

• Showcases serenity and wellness design. A unique style of living.

• Relaxing without being distracted by vibrant colors. A sight of cleanliness improves the indoor environmental qualities.

• Opportunities to meet people or using other spaces ouside the personal space.

• Social interaction and networking among neighbors.

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Human Factors for Desirable Retail Space • The tall storefront windows are inviting

grasp not just the iconic designs, but also the

to customers and make the store more

cultural and artistic forces shaping the brand

placing the checkout at the back.

• “Upgraded furniture and a fun color palette

• Attracting people in and encouraging

approachable • The lowered ceiling height in the aisles of the books creates a more intimate environment for people • The gradient of colors changing as you walk further into the space piques the interest of the mind and guides the user • The space evokes the human body experience with the high ceilings, ambient lighting, and openness coupled with natural elements inside and simplicity of material • “The open plan leads to an easy and accessible route for the users “ • The creative presentation of the products in space creates engagement and captivation in customers • Good lighting in a dressing room makes it easier for customers to select and buy new clothes • “The space provides differing sequences that a person would experience” • This store aligns with accessibility guidelines in design with its bright aesthetics and Coach Collection, aiming to engage visitors • “The minimalistic design in its simplistic layout creates easy access and wayfinding for visitors” • The use of elements caters to the needs of both children and adults while ensuring accessibility for all ages • “Bright colors like orange stimulate energy and happiness and draw customers” • The space creates an atmosphere of safety for customers • The space considers arrangements at all eye levels • Using strategic materials provides a welcoming space for a variety of customers to experience what the store has to offer • The store fosters an environment for cultural exchange • It creates an intimacy of space for users through the ceiling height difference • The space creates direct outside accessibility and abundant light for safety and mental stimulation • The authenticity of space enables visitors to

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draw people into the space” • “The space creates easy navigation with large and ample signage and clear and direct wayfinding/paths “ • Proper lighting ensures the space is navigable and safe for customers • “The use of red throughout the space gives people a sense of urgency to do a task quickly” • “The space encourages positive interaction between employees and customers, which is embedded into their retail store designs” • “The store’s minimalistic design creates a shopping experience that is both enjoyable and efficient” • “The low lighting provides a comfortable and private atmosphere for customers” • The good lighting offers a pleasant shopping experience • The space provides easy navigation for customers • The bright lighting and cheerful colors make the whole place feel welcoming • The store makes humans feel like they are exploring, and they are immersed in a different environment • “The space makes movement easy and functional for customers” • “Customers are immediately greeted with bright colors from the produce section” • Efficiency to locate and access the products easily. Reaching a broader audience. Wheelchair accessiblity.

• Allowing for a quieter retail experience. A strong relationship to the surrounding context.

• “Encouraging outdoor stay. Encouraging people to move around and interact. Making a more intimate and luxury ambience is important for the reatil space.”

• An organized display system for easy and visually pleasing viewing.

• A sequence that is most beneficial to the buyer, and encourages browsing. Allowing for social ineraction and free circulation.

• Creating visual interest for the displays to

attract attention. Encouraging browsing by

curiosity.

• Easily viewing and finding the products. Interactive elements bring an “outreach” feeling.

• User-specific design by being comfortable and easy to use.

• A visible and easy-to-understand loop of circulation that aids in wayfinding. Addition of focal points and visual displays.

• Spatial cognition for customers to understand their location within the store with ease.

• A guided shopping with personalized attention.

• Easily navigate the space without feeling overwhelmed or lost. Visibility and cohesion to easily locate products.

• The small seating layout toward the check out provides an intimate buying experience.

• An optimal distance between the counter desk, and space for circulation.

• Reaching height is above 2’6” and a maximum height of around 6’. The sink area is ADA-compliant and ergonomic so the user can still browse. A lower counter height for accessibility reasons.

• A personalized and interactive experience.

• An adequate customer service. Interactive services.

• Connect with customers on an emotional level.

• Ergonomics, wayfinding, customer comfort, and crowd management.

• Interactive displays. A welcoming space.

• Feeling fully immersed in a different environment • An inviting atmosphere, diverse product selection, and convenient location accessibility. A positive customer experience.

• Encouraged interaction.

• Encouraged exploration, and customers to engage with the display. Engaging the senses.

A personalized customer service.

• Items displayed within view and reach for shopping interaction. Encouraged browsing.

• Enough room to not create crowding.

• A prolonged visit of the consumers.

• A personalized experience in a private secluded space. Comfortability.

• Accessiblity.

• Tangible display items. Taking into cosndieration the change in emotions in different spaces.

• “Engaging consumers to facilitate informed decision-making. Customization options, interactive features, and live demos.”

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Environmental Factors for Desirable Retail Space • “The design elements of the tall ceilings and

• It creates a walk-through experience to where

low-hanging lights are in alignment with

the exit is on the back end rather than going

Robert Sommers’ theories on the built

back and forth like a normal store

environment” • The varied ceiling heights create a distraction-free and productive environment • The simple layout, yet giving the idea of hierarchy, creates an interesting experience

• “The segmented zones with largely designed isles make the space pleasant “

tied with their brand, and materials natural to the location. An open floor plan.

• A cohesive material usage that has variety.

Use of lightning to direct movement. Use of natural light and greenery elements.

• “Effective lighting design allows for flexibility

• The primary colors are green and white and

and adaptability to the built environment”

the lighting is cooler toned. A sculptural

• “The gap between shelves and floors creates

• The facility uses 100 percent renewable

an opportunity for better accessibility “

energy as well as materials comprised of

• “The store embodies a “showroom” style

element balances the open layout and adds intimacy.

• A simple layout of display set-ups acting

plant-based biopolymers, timber, and unique

layout that allows for a very simple and logical

as viewing platforms. Room for crowds to

reflective materials

shopping environment”

maneuver around. A cohesive aesthetic.

• The design principles, such as alignment and

• “The space is thoughtfully designed to show-

visually flowing each space together by color,

case each garment, carefully crafted using

material, and texture, are used

ethically sourced materials”

• The gentle incline adds a sense of anticipation and, ultimately, a balcony that overlooks the surrounding gardens • The lighting and neutral earth tones of the architecture create an expensive appearance • Coach Airways contributes to sustainability by redesigning a decommissioned airplane into a pop-up retail store • The design is flexible by having adjustable shelving and layouts with minimal usage of materials • The project demonstrates a commitment to sustainability and efficiency • “From the entry, the project presents a journey through the entire aircraft space within its stimulating colors, experiences, and design”

• The space considers the relationship between the new building and the city • The space is curated with neatness and order with the display arrangement • A monochromatic but bright color palate

Contrast to the surrounding context. Use of natural light.

• Use of natural light, wood ceiling panels, and access to outdoor courtyards and gardens.

Gardens separate from surrounding buildings.

• Repetition of linearity. Use monolithic elements, and subtle materiality separation.

• Defined pathways around the store and back

with soft but structured curves enhances the

using straight run or curved aisles. The layout

experience of the space

and checkout is designed to push shoppers

• “One crucial aspect of Target’s retail layout is its

through quickly

emphasis on store flow and organization”

• “Use of contrast on the choice of material. Each

• It is sustainable as they seem to be re-using old

section has a unique appearance or color. Use

furniture and sustainable metal cases • “The shelving, console, etc. provide a clear arrangement of space” • The store represents a great sequential organization • An open and simple layout. Use of durable,

lighted elements to serve as focal points. Use of continuous vertical elements.”

• Sleek lines and modern yet traditional touches.

Simple display tables so the product stands out.

• Wood panels enhance the aesthetic appeal

• Within the built environment is security

and mostly sustainable materials. Depth for

and improve acoustics. Items are thoughtfully

• “The entire south facing facade is all windows,

movement.

arranged to promote a sense of balance and

letting natural light flood the space” • The design follows a more industrial concept, which is more sustainable due to its use of existing materials such as concrete • The space embraces sustainability through its design and sourcing practices • “Each level demonstrates different levels of light and light intensity” • The space creates a visual connection to

• Set off the street. Use of glass with water features. Sectional connection between public space and private/retail space.

• Glass is used on exterior walls. The use of natural light allows for an even ambient glow.

The use of plants as partitions and to improve acoustics and air quality. Taller ceiling height in social spaces with high public traffic.

• Controlled circulation. A defined clear,

the outdoors through a glass facade and

intentional circulation path. Walls sunken in

surrounding natural elements

for texture and depth in space. Vibrant hues,

• Gucci Garden seamlessly integrates sustainability into its rich historical narrative, reflecting the brand’s commitment

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natural light, and curated displays.

• An outdoor space to connect to the indoor through the provided activity. Use of materials

harmony.

• An installation central to the space draws customers to browse. Use of high-end and clean materials. Bright and clear lightning with accents on the shelving and track lights faced towards the inventory.

• An optimal amount of indoor greenery and availability of daylight.

• “The uniform lighting provides an even ambient luminescence to the space. The walk to the purchase counter short.”

• “Matches the value and historical aspects of the surroundings. Provided supplementary amenities.”

• The glass facade offers a peek into the bright interior. A spacious layout flooded with natural light. Innovative display.

• Spacious aisles. Use of vibrant colours. Use of sustainable materials.

• The distinctive cultural and architectural context adds a layer of complexity.

• A warm and inviting color palette.Directing movement through the store to the exit in the back. Use of LED grid for ambient lightning.

• Use of energy-efficient lighting.

• Visually attractive colors and display of the food. Open and continuous circulation pathways.

• “Use of clean lines, natural materials, and subtle aromas. Gentle illumination to the tactile textures of product packaging.”

• Prominent entry which provides a threshold transition from outside. Retail spaces flow into one another. Track lighting highlights products. Use neutral and natural tones as a background contrast, and linear patterned materials .

• An open-concept shelving system.Separated displays. The seating is arranged in the middle.

• “Embraces the cityscape around and within its structure. Showcasing open spaces, side terraces, and open skylights protruding above the massive staircase.”

• Use of soft edges and soft tone colors. The lighting ground the space which has tall ceilings.

• A minimalistic design and open layout configuaration.

• A grid-style layout guides the occupant through the space and avoids crowding.

Arches and organic-shaped tables are inserted to help with a curved circulation.

• “Effective display strategies are designed to provide comprehensive information. Creating a visionary space for users to plan for their use. Use of different types of color, and material brands for a broader range. Open concept and space feel connected both exterior and interior.”

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Expected Outcomes from the combination of Factors for Desirable Retail Space • “The space is aesthetic and functional by utilizing human scale to lay out the space”

• The space is environmentally friendly as well as sustainable through adaptable use

• The space creates a unique experience

• The space provides a clear and concise design

through the various ceiling heights and

• The space is enriched with the aesthetics and

display arrangements • “The space creates a sense of comfort within the space in its simplicity” • The use of renewable energy and sustainable materials gives the user and visitor a one-ofa-kind experience that can only be found in this space • The retail flagship becomes a unique and fun space through interactive displays and the alignment of design • The gradual elevation and winding path

functionality of spaces through lighting • The lighting and shelves play significant roles in engaging impulse purchases in the space • “Design additions to the space create positive energy in the store” • “The store makes a lasting impression with user-focused, mindful design “ • It creates a balance between the space itself and the brand identity • The space maintains neatness and order with a welcoming atmosphere

encourage leisurely exploration while simulta-

• It offers a simple but clear layout of circulation

neously immersing oneself in the architectural

and design within the unique experience

wonder of the space

of space

• The space creates an inclusive experience with good lighting • “Coach Airways successfully integrates human and environmental factors into its design concept” • The store keeps customers guessing and can

• The store creates a positive ambiance that encourages customers to linger and explore • “The space leads an exploration type of experience through various design elements “ • “The space promotes WELL Movement concept”

be more visually appealing to see the different

• The store creates a natural and appealing

layout options by switching up the layout of

atmosphere through the use of lighting

the space • The combination of human and environmental factors prioritizes the well-being of the people and the planet • “The space creates an intriguing plane exterior and weaves through the interior” • The space becomes an atmosphere of safety and a view of luxury • The space creates easy navigation with the circulation • The space brings up design that pertains to a variety of items sold • “The space creates a dynamic hub for cultural exploration “ • “The space provides variety while fitting various purposes, and illuminating lighting “ • “The design element blurs the existing physical boundary” • Through eco-friendly materials and practices, the space reduces its carbon footprint while honoring Gucci’s heritage of sustainability.

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• An auditory experience. The sound of running water helps disguise the noise.

• Making the public spaces open and transparent. A flexible and welcoming space.

• A great user experience.

• A dynamic experience.

• “Adding details and character to the space. A tranquil and trendy environment. Encouraging positivity and self-love.”

• A homey feeling to the space.

• A unique interior that expresses to style of the displayed clothing and brand identity.

• An interesting customer experience.

• An attractive and cohesive effect. Easily identifiable spaces.

• A convenient, innovative, luxurious, and sophisticated experience.

• Fosters clarity and simplicity.

• A low-pressure, calm space that lures in the customer.

• A space similar to that of a Zen Garden.

• A minimal and easy look on the eye display of products for the user at hand.

• “A positive and enriching shopping experience.”

• A clean, organized, and organic shopping experience.

• A fun and funky retail store.

• An enjoyable experience.

• A pleasant and efficient shopping experience.

• A unique and active shopping experience.

• A serene ambiance. Bringing clients closer with the brand.

• The design of a brand-specific store helps support and trademark the company’s aesthetic.

• Easy access for the customers to view multiple options at once.

• An exciting and unique shopping experience.

• An inviting space.

• Avoiding waste. A blank background to expose the products.

• An uplifting environment for the shopper.

• “A seamless and enjoyable shopping experience that leaves customers satisfied and likely to return for future purchases.”

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Human Factors for Desirable Healthcare Space • The seating in the area is spread out and incorporates space dividers into the furniture which helps with some visual and auditory privacy • “The furniture in the hospital go along with the AIHA standards of ergonomic seating that are comfortable to its users”

natural light and the open circular floor plan • The design makes the space calming for patients by being white and warm, with wood veneer wall finishes and soft waiting room seating • “The design, including cut-outs in walls and

aesthetic appeal but also serves a therapeutic purpose, creating a cheerful and uplifting atmosphere • An intuitive wayfinding throughout the space.

The safety of the users is taken into consideration. ADA accesibility.

• The variety of play components, including nat-

natural light, seems aimed at easing any initial

• “Use of visible signage to capture patient’s

ural light and nature, provide the opportunity

anxieties and promoting a sense of openness

attention. Directing circulation with the

for children to meet and interact naturally

while maintaining privacy”

• “Soft lighting and a muted color palette create a soothing atmosphere for patients “ • The calming and soft accent colors, blue, purple, green, and some pinks, promote safety

• The use of materials are all easily sanitized and give a sleek look that will allow patients to feel safe and clean in the space • The design elements of the space were

placing of bright colors.”

• The spatial experience ensures good circulation, privacy, and comfort.

• A variety of furniture for different social needs.

Spatial opportunities to interact.

and the feeling of healness right as a patient

implemented to warmly great their patients

• Consideration of privacy.

walks inside

and provide them a home-like space to relax

• The circulation pattern is organized flow and

• “The space facilitates collaboration and interaction among healthcare professionals, patients, and students”

in before treatment • “ Inside consulting rooms, ergonomic considerations prioritize comfort for patients and

allows for simple navigation around the space.

• Avoiding the isolation and common trauma that is often associated with sterile hospitals.

• The green spaces contribute to creating a

healthcare providers alike, while seamless inte-

• The sense of confort and ease.

healthier environment for patients to heal

gration of technology enhances communica-

• A variety of waiting spaces. A convenient

• The textures of space provide a calming as well as intriguing feeling to patients • The human factors considered in this project are the layout, designed with thoughtful consideration to ensure comfort and ease for patients and staff • “The space provides a feeling of tranquility

tion and access to medical resources” • “Providing a view of nature keeps the patient calm and relaxed” • “The space considers human sensory instincts,

promote positive mental health”

• Providing comfort and relaxation.

• “The combination of wood and white

lighting “

more relaxed during dental procedures”

office • The space ensures complete privacy for patients • Following the existing sequence, the flow of entry to reception to waiting and patient rooms, its human factors are mainly in the promotion of the overall well-being of the user, staff, and patient combined

• Human Centric Lighting further enhances the

seating arrangements, and soothing ambient lighting replace the clinical aura with a sense of calm and assurance” • “Soft lighting, comfortable seating, and tasteful décor create comfort for patients” • The design choices are carefully curated to fos-

the often stressful nature of seeking medical attention

very spacious and open due to the flood of

582

the treatment area.

the senses and evoke a sense of joy and

needed for the patients

• Even though the space is small, users can feel

Efficient circulation scheme. Lack of privacy in

cycles to promote relaxation and vitality • “Soft, neutral color schemes, comfortable

seating creates a sense of peace and calmness

health of their users”

• Comfy furniture to help patients feel relaxed.

• Bright hues and whimsical décor stimulate

ter a sense of ease and well-being, mitigating

by easy wayfinding to support the mental

• Human comfort and sensory

experience, mirroring Iceland’s natural light

• The use of natural materials and comfortable

• “The hospital represents simplicity in its design

warmth.

• Comfortable seating fo the waiting area.

colors in the interior may also help patients feel

familiarity compared to a traditional dentist

uneasy in private rooms. Evoking a sense of

and uses thoughtful design strategies to

with the use of materials and warm cove

• The layout provides more comfort due to

circulation.

• Feeling comfortable instead of closed off and

• The warm lighting in the space creates comfort for patients • The bright, calming colors and the use of wayfinding provide comfort for pateints • The use of bright colors not only adds

wonder. A variety of spaces and amenities are designed to provide comfort and relaxation.

Accessibility.

• Easy to follow circulation. Comfortability.

Enhancing positive feelings.

• Optimal amount of clearance distance and seating.

• Safety. Privacy to increase independence and solitude.

• Comfortable seating options.

• Consideration of light and noise sensitivity.

Alleviating discomfort • Adequate circulation. Emphasizing patient comfort and privacy. Seating areas for diverse mobility needs.

• Building the trust of the patient.

• Promoting emotional support and a sense of security. Emphasizes human connections • Consideration of the ergonomics of the space.

Clearly defined wayfinding.

• A tactile and engaging experience. Catering to the sensory needs and considering the emotional well-being.

• Directing circulation to spark curiosity. ADA accessibility.

• Differentiation of spaces based on the level of privacy and noise.

• A soothing atmosphere conducive to healing.

• Allowing for comfort and creativity. Easy anavigation withot feeling overwhelmed or lost.

• Consideration of lightning to feel comfortable and visually clear.

• Consideration of noise levels, privacy, and waiting times.

• Clear wayfinding. Consideration of privacy.

Comfortable seating.

• An intimate and personal experience. Efficient circulation path for all users.

• Fostering the feelings of calmness and relaxation. Providing areas for walking.

• Easy circulation. Having mental calmness.

• A non-overstimulating color use.

• Clear navigation. Social engagements.

Accessibility.

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Environmental Factors for Desirable Healthcare Space • The large windows in the hospital rooms help

• The rooms are fully enclosed, blocking out

with air flow as well as provide natural light to

noise and offering more privacy, but have

modular glass blocks made into walls divide

the space

frosted glass entryways that allow some

programs and ensure comfortable acoustics.

viewing into the corridors

The flexible artificial lighting allows for task-fo-

• The hospital design creates a sense of comfortability, relaxation, and airiness because

• “The consultation rooms are designed for

• Use of natural light and bright colors. The

cal illuminance.

of its use of light materials, floor to ceiling

confidentiality and therapeutic interaction,

• Well lit with natural light and is texturized with

windows, and curved corners.

featuring comfortable furnishings and adjust-

different woods. Separation of the programs.

• The materials are inspired by local aspects such as the Konara Oak Tree and reflect

able lighting” • The space offers a very simple and accessible

throughout in the use of woods and copper

circulation pattern to be followed and lots of

roofing

natural light

• Acoustic panels and sound-absorbing materials ensure a serene environment • “The natural light surrounds each room, creating a sense of harmony throughout the entire hospital, from colors to natural light to feeling” • The completion of this building signifies the end of a long transition period to a new campus, characterized by its emphasis on green spaces and ample natural light • Courtyards were built in several spots throughout the building, providing natural light and a connection to the the outdoors • All of the structural elements are also intentionally exposed to reiterate the flexible design

• Contemporary, classic, clean, bright, white & light neutrals, lots of windows & glass, and rich woods bring in nature and a touch of luxury to space • Spacious corridors and strategically placed windows offer moments of respite and connection to nature • Having a connection with nature and soothing materials throughout is important • “The use of biophilia and naturally sustainable materials such as bamboo” • “The limited use of color and materials gives the healthcare facility a clean and safe appearance”

• The environmental factors considered are

• Careful consideration of geothermal resources

the daylight within the space while also still

ensures sustainable operations, aligning well-

prioritizing the patient’s privacy, sustainable

ness with environmental consciousness

materials, and the use of greenery within the space • The lighting and ceiling elements add interest to a minimal space, but also provide illumina-

• “Integrating thoughtful design elements such as artwork, plants, and even subtle background music fosters a positive association with dental visits”

tion to the path of travel throughout the space

• “A spacious and inviting consult room awaits,

• The space creates intimacy with the surround-

offering a private and hospitable setting”

ing nature

• The waiting areas are welcoming and

• Natural light is being incorporated into space

spacious, featuring comfortable seating

• “In discussing the space’s environmental fac-

arrangements and ample natural light

tors, it uses sustainable practices throughout”

• The whole environment also is surrounded

• “The incorporation of water as a design element mirrors the nearby oceanfront, obstructed by the adjacent property” • “This hospital creates a zynn environment with

by biophilia • The space provides an easy layout with various color coding • Natural light floods the interior spaces,

a color palette and the use of dark wood that

fostering a sense of openness and connection

supports the culture”

to the outdoors

Separation for visual privacy.

• An open floor plan. A variety of open and closed spaces. Large space for circulation.

• Division of public and private spaces. Use of frosted glass for a sense of privacy. Use of the color white. Windows at the very front allow light to come in. Use of wood materials.

• Neutral use of colors and combination of pendant and recessed lighting. Plenty of natural light enters the building and aids in the flow of the plan.

• The integration of outside conditions creates an open and connected atmosphere. The wooden structure along with the exterior infiltrates natural light, fostering a connection to the outside.

• Uniformity in the interior using wood finishing.

Windows provide views into the landscaping.

Dividing wood louvers to provide separation but maintain connection.

• “The amount of natural light in this space also helps to enhance the materials used. Effectively space-planned services.”

• A less sterile materialization. Integrates vegetation. Large windows allow for natural light. Use of sustainable materials.

• Brightly lit interior. Predominantly use of the color white. Use of sleek furniture and accent wall.

• “The use of white brings about a sense of sterilization. Biophilic features contribute to removing airborne contaminants, prevention, and purification. Daylight coming into the space.”

• Private spaces have a view of nature. The use of one material indicates a clean space. Vertical wood slats instead of enclosed walls.

• “The space provides ample circulation and all

• “Open plan space configuration. Use of ma-

the equipment required to perform a general

terials that are also simple and have enough

plants, and nature-inspired art. Sustainable and

eye examination, with space for inventory”

visual and tactile contrast.”

energy efficent materials.

584

• Use of calming color, natural light, indoor

• “Vibrant colors, playful themes, access to natu-

to different spaces.

ral light, biophilic elements, and positive

• A layout that facilitates easy navigation.

distractions. Curved shapes and organic forms

• Implementation of nature, raw and natural

of the furnishings engage a young person’s mind.”

• Curved walls create a flow, providing wayfinding. Walls not going all the way up to the ceiling, maintain privacy with a sense

materials, minimal use of color, flowy shapes and curved lines.

• Bright interiors. Use of simple colors and material choices. Lighting highlights pathways and circulation.

of transparency. The material choices make

• Glass partitions create visual connections and

the area feel clean without creating a sterile

make it easy to navigate. Treated glass protects

environment.

• Use of color to divide spaces. Use of natural

privacy while allowing for natural light.

• Integration of nature and open air. Use of

materials. Optimal use of potted plants and

traditional architectural elements.

glass fixtures of foliage. Curtain walls allow

• Use of movable wall features to have

daylighting.

• Bright color material choice.

• Use of greenery. Large window openings bring natural light to the inside. Neutral hues and different shades of pastels to add color.

Natural textile accents to ground the design.

Zen-like spaces mimic natural light.

• Use of soft and diffused natural light. A neutral,

multi-purpose rooms. Easy transition through all the spaces • Materiality of natural elements. Experiencing the natural outdoors. Providing natural light in the space.

• Beautiful views and connection to the outdoors.

• “The use of dark wood tones, clean lines,

warm-toned color scheme is used to avoid

warm lighting, and vegetation enhances a

visual overstimulation. Use of acoustic ceiling

grounding

panels, upholstered chairs, plants, wood paneling, and blinds to mitigate loud noises.

technique. Connection to the outside.”

• Access and connection to outdoor spaces.

• “The optimal amount of daylight to infiltrate

Open concept space organization. Different

the space. Use of abundant natural light and

types of lighning based on the space and

clear signage. Connection with the outdoors.”

function.

• Use of design features such are natural light, ventilation, and space between patients.

• Biophilic elements, such as ample natural light.

Use of sustainable and health-promoting building materials.

• Differentiation in floor materials, floor height, and types of lighning. Using plants as privacy deviders. Integration of courtyard.

• Use of extreme colors, radical shapes, and inspired openings. Fragmentation of facility rooms. A spatial configuration that is visually stimulating.

• Curved walls, hidden doors by wood panels, minimal color palette. Access to natural light and outdoor spaces. Subtle and comforting lightning.

• Use of colors to divide spaces and direct circulation. Use of different shaped entrances

585

Expected Outcomes from the combination of Factors for Desirable Healthcare Space • “ The space provides a sense of privacy and freedom” • “The project creates the patient being comfortable in their space” • The building engages in overall wellness and inclusivity through a variety of tactics architecturally

environment • The space enhances a healing environment • The built environment creates an intimate connection with nature • The space supports the psychology of its inhabitants • The minimalistic interior design features

exploration and creativity. “ • A soothing environment with low stress that promotes wellnes.

• Providing a connection with the outdoors.

• “Increase in serotonin, motivation, and social levels. A positive and inviting space.”

• Boost wellbeing. Instilling a sense of calmness.

• The space provides a patient-centric design

muted green accents and wooden finishes to

• A calm and soothing space.

• “The space promotes a sense of calmness,

define different areas

• Increase patient well being.

restfulness, and peace for all visitors with a user-friendly design” • The space becomes a place where innovation and collaboration come together to make healthcare better for everyone • The space provides durability and sustainability

• The space embodies a fusion of human

A comprehensive and enriching healthcare

providing a serene and nurturing environment

experience that prioritizes physical and

for treatment • The space provides a hospitality-oriented interior design • Simplicity and modernity, along with warmth

• “The use of material and the connection with

and comfort, are blended into the space

the outside view create an intimate connec-

• “The interiors of the space contribute signifi-

tion between nature and space “ • The space becomes a place that is both comfortable and functional but also sustainable • The space creates a good balance, balancing out that feeling with a calming space • The space reinforces the point that physical comfort influences physcological well-being • The space embraces human design • The large use of greenery implemented throughout promotes healing in a medical setting • The space prioritizes patients’ comfort and

• Fostering a sense of tranquility and well-being.

ingenuity and environmental stewardship,

cantly to creating a healing environment” • The biophilia-focused space brings a sense of comfort and grounding • The use of various color palette affects a better wayfinding in space • The building itself becomes an extension of its function • Easy movement of the users and a natural circulation.

• An engaging space that sparks joy and creativity in its patients.A tranquil, natural, and playful environment.

emotional well-being.

• A calming environment that encourages interaction with nature.

• A dynamic and engaging environment for young visitors. A playful and stress-free atmosphere.

• A clean and sophisticated look.

• “A sense of welcomeness, openness, and cleanliness.”

• A welcoming space. Conveys a luxurious yet peaceful space.

• “Creating a warm and homelike feel within the spaces that brings comfort.”

• An optimal experience, maintaining privacy within the entire visit. An efficient space.

• A homie feel, providing a healing experience away from home.

• Feeling a sense of openness in a confined

happiness by stepping through the vibrant

• A calming, safe, and welcoming atmosphere

red revolving doors with natural light

• A welcoming environment.

• A sense of peace.

• Feeling comfortable receiving healthcare

• Navigating spaces with autonomy and

• “The design elements of the project incorporate the culture “ • The space creates a welcoming atmosphere with natural lighting and clear visibility • “The space creates a more inviting atmosphere by allowing soft natural lighting to flow through” • “The space is designed with a holistic approach that considers both the physical layout and environmental factors to create a supportive and healing environment”

services in the space.

• A new experience for those entering the space • A safe and comforting environment. A domestic and close-knit feeling, to further encourage relaxation.

• A relaxed healthcare environment helps to ease any nerves before treatment.

• The use of mostly white might create difficulty in distinction between spaces.

• A calming environment.

• “The space provides ambiance and cleanliness

• Comfortable for patients and efficient for staff.

through the incorporation of natural light and

• “Enhance psychological well-being and cogni-

the use of materials” • The space creates a welcome gathering

586

tive function, improve overall health outcomes and emotional well-being. Fostering a sense of

space.

assurance.

587

Human Factors for Monumental Governmental and Religious Space • “The space is simplistic and functional for the human body” • It provides an easy wayfinding for the participants • People can have an intimate connection with the emphasis of heaven through the sloped ceiling • This space promotes a feeling of power due to hierarchy of human figure and statue scale • The space provides an accessibility for everyone, showing that inclusivity was important to the people behind the project • The spatial arrangement creates a sense of privacy while maintaining a visual connection with the surrounding green space • Using the light as a focal point draws viewers to the cross and what is being spoken • This space is created for the human experience because of its rich history meeting new and giving users a different experience in each space

• Holy places of prayer have distinct identities

height.

and characteristics that are meant to create a

• Controlling uncomfortable distractions.

space of spirituality, calmness, and serenity

• “Rearangable furniture layout. A variety of

• “Light in space has an impact on the emotional state of the user” • A neutral, monochromatic color scheme promotes a feeling of calm and directs attention to the essential elements • The interplay of light, materials, and spatial volume creates a profound sense of serenity and spiritual reflection • “The dome creates a breathtaking experience for religious guests, as it is covered in marvelous religious art and surrounded by gorgeous marble mosaics” • A mass of natural light allows for individuals in the space to feel a sense of safety with there being a visual outing of the exterior • “The seating areas surround the speaking platform, letting the guests feel involved and a part of the celebrations”

seating options. Consideration of privacy. The focal point indicates the authority of religion.”

• The large scale of the building contrasts with the human scale.

• Providing optimal circulation and comfortable seating.

• Detailed artwork attracting attention.

• Providing a sense of openness and tranquility.

Enhancing the overall comfort.

• Allowing for human connection between individulas and the community.

• Isolation form external distraction. Providing comfort.

• Interpersonal connections and with the community.

• Consideration of comfort and privacy. Imposing traditional resligious hierarchy.

• Spatial design plays a crucial role in spiritual

• Inside the Cella was likely dark during most

• Integration of the individuals with a common

growth and development for the user

times of the day in turn creating a feeling

ideal of using the space. Consideration of

• The interplay of light and shadow enhances the spiritual experience, encouraging contemplation and introspection • “Ample and accessible isle space to allow users to interact with each other” • “Human factors further enrich the experience of height and scale at la escondida chapel, as

of serenity and an environment free from distractions • “Tall scale making the space feel grand, and visitors feel small” • A simple floor plan allows for easy movement of the users • The street is lined with buildings and trees.

privacy for the desired level of intimacy.

• A sense of spiritual connection and community cohesion.

• “A multifaceted experience of cultural encounter, spiritual reflection, and community presence. A multi-sensory experience.”

• Consideration of privacy.

visitors are invited to navigate its soaring

This made it feel more welcoming to humans

• Avoiding distractions.

spaces and intricate geometries”

and the human experience.

• Opportunity for users to pray and connect.

• The domed windows are colored to emit a

• Movable shades used during sermons to

colorful rainbow across the dome’s top, which

reduce glare and improve human experience

gives the space a heavenly feel and a symbolic

• Evoking emotions and altering the experience.

connection to God as it flows and allows visitors to freely move around the space • The designers believed in creating a journey

Consideration of accesibility.

• Consideration of the sense of perceived comfortability.

for visitors to prepare themselves before

• A profound experience of the space.

entering the space; this is why the church was

• The option of choosing among multiple

• Allowing for connection with others. Consideration of comfortability. Representing authority with the elevation of worship spaces.

• Making connections among individuals and to the community.

• “Allows all it’s visitors to feel safe, balanced, and undisturbed by the outside world.”

• Consideration of accesibility.

oriented in that visitors enter a garden-like

waiting areas and spaces. Offering multiple

• Promoting comfort and social interactions.

path that leads to the entrance at the rear of

amenities.

• An intimate experience.

the building • This deliberate manipulation of level subtly reinforces the authority of the sanctuary and sets the tone for the worship experience ahead

588

• A calming space. Avoiding distractions.

• Encourage users to be active through public

• An immersive experience for prayer &

infrastructure. Consideration of visibility and

reflection.

• Help focus and concentration while limiting distractions. Hierarchy based on the sitting

circulation in an open layout.

589

Environmental Factors for Monumental Governmental and Religious Space • The thresholds on each end of the building

ings, the use of locally sourced materials not

as one important area comes after the other

create a smooth transition between the

only underscores its commitment to envi-

while maintaining visual access anywhere in

outside and interior

ronmental stewardship but also deepens its

• The level changes at the front door and at the alter signify a change in importance • “Its simple design is embedded into the surrounding rock” • The space is filled with many religious attri-

connection to the community and landscape • “The space with the connection of the peripheral semi-outdoor spaces creates cross ventilation” • The focus in the interior is focused on where

butes within their structure, including many

the altar is, as it projects importance with steps

stairs and platforms for heirarchy, columns to

projecting heirchy in space

represent the power • The integration of a courtyard as the central nucleus and the transformation of a dark hallway into a vibrant library exemplify its innovative approach • The space promotes great collection of Renaissance art • Throughout the reconstruction, careful

• The curved elements of the ceiling enhance acoustics within the space • The chapel’s architectural features strategically utilize level, height, and scale • Its historical nature and architectural genius, its terracotta tiling, contrast the sky so beautifully

easy circulation throughout the space” • This building was designed using sustainable materials that support its intention of being a spiritual dwelling

of transparency and privacy throughout the entire space.”

• The merge of the exterior and interior with natural and earthy materials. Use of different textures of materials. Large windows that have views of vegetation. Use of hierarchy in the height of the spaces. Taking advantage of the natural light.

to give th eimpression of continuity. Ample

church

interior to the exterior of the building

elements symbolic of the religion.

• “Use of natural light in public areas. A balance

height allows for the sounds to stay more

terials and construction techniques to ensure

• “The high ceilings, and open space create an

brick. Efficient use of natural light. Design

• Naturally lit space. Strategic use of artificial light

concentrated through the main part of the

durability for future protection

on the inside. Use of sustainable eco-friendly

• The form in the space and the different ceiling

consideration was given to the choice of ma-

• The materials in the chapel also help to tie the

the space.

• Use of the same materials on the outside and

• “The space itself is large and open, with seating surrounding the central point of view”

Floor space for prayerying rituals.

• Symbolic meaning for the use of the color white.

• Use of lower height in common areas. Use of profound height in the worship space. Repet-

• This spatial arrangement facilitated religious

itive openings that let light in. The lower scale

rituals and ceremonies while also allowing

of the hallway creates a broader effect when

space for storing treasures and conducting governmental affairs • A large part of the site is dedicated to greenery

entering the sanctuary space.

• A naturally lit space. Good acoustical treatment. Direct acces from the entence of the

• The main chapel, adorned with warm wood

and becomes a public park full of native West

accents, intricately carved pews, and a majes-

Afircan flora, while a roof terrace at the top

• Surrounded by nature gives a sense of privacy.

offers sweeping views of the city and water

An open clear space. High ceilings with views

• “The materials used are also simple while also

of the surrounding nature. Arches accentuate

tic wooden altar, exudes a sense of reverence and hospitality • The incorporation of natural light, filtering through the cloud-like canopy, infuses the space with a celestial glow • “This space is strategically enclosed by steel and wood, yet the top of the pavillion shaped chapel is a sheet of glass that allows for natural light” • The concrete would provide a lot of acoustic

having enough visual and tactile contrast for the safety of the patrons and clergy”

exterior space. The angled roof utilizes the

the city than its surroundings. It is on a base

gaps to allow moments of daylight to seep

that signifies importance.

in. Courtyard creates transitioning between

• “Open floor plan allows for endless organization of spaces and furniture for all types of events and abilities” • Shifts in scale by increasing the ceiling height

above it would provide an echoing effect

in the worship area. Useing lighting to create a

during worship and praise.

sense of sacredness and holiness.

• The wood interior creates strong echos with

• A large scale of the space. The difference in

a cross-cutout that is being illuminated by

levels represents the hierarchy in religious

natural light

spaces. The use of neutral materials and

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the ceremonial space.

• “A connection between the interior and

• The square Colosseum sits at a higher kevel in

bounce of sound, and with the large dome

• Focusing on the Chamber Church’s surround-

sacred space.

natural light. The use of the “linear principle”

spaces.”

• Windows of stained glass bounce the light and direct attention. Symbolyc meaning for the design elemnts used. Uncluttered and spacious main entrance.

• Simple, elementary in geometry, and easily legible. Design elements are created as religious metaphors.

• The grand scale helps in air circulation and better acoustics during prayer. Opening for

• natural ventilation.

• Materiality choice provides acoustic comfort.

• Connection to the outdoors through natural

Connection of the indoor and outdoor spaces.

lighting and use of natural materials. Open

A straightforward layout. A large scale of the

space configuration.

space.

• Natural light is channeled downward, cascad-

• Providing natural light to almost every space.

ing through the acoustic brick wall. Changes

• Use of natural light in the space. Use of muted

in ceiling heigh and floor diffrentiation to emphasize focal points.

• Integration of the natural environmental settings. Large open space.

• “Materials that would match the surrounding concert when weathered. Simple and

materials to contrast with light and the symbol of the cross.

• Monumental structure asserts power and influence. Spatial organization reflects hierarchical structures, with central areas often elevated to signify authority.

homogenous materials. The openings provide natural light and connection to the outside.”

• Using height and scale as an expression of a higher power. High heights of the main worship space. Tall windows to emphasize the height of the space.

• Vertical emphasis to symbolize spiritual aspiration and transcendence. Strategically situated within its surroundings. Central and elevated placement of the worship area to emphasize hierarchy. Natural light and enhanced acoustic properties.

• A large, tall, and open space for the main worship area. Allowing light to flow into the space.

Neutral material pallet to show authority.

Natural surroundings.

• Level changes and large ceiling heights. Use of vertical design elements.

• Strategic use of light. The scale is used to symbolize the hierarchy of religion. Use of natural materials.

• Double-height ceiling for larger space. Connection to nature. Variations in openings allow for light play. A solitary volume separating the outside world.

• Open floor plan and tall height of the space.

Play with human scale compared to the height of the interior space. Natural light is used as an intersection between solid form and light.

• An elevated base with steps leading up to the entrance. Small scale. Use of natural light and elements.

• Color diffused light illuminating the space. The geometry of shapes has religious symbolism.

Open layout providing air vetilation.

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Expected Outcomes from the combination of Factors for Monumental Governmental and Religiou • It provides an ideal design for the human body • The space provides a significance of sacred space • “The cross figure becomes an architectural element in the space” • The space highly reflects the idea of expressing government and religion in one place • “The space embodies a harmonious blend of tradition and progress, enriching the cultural fabric of Dresden” • “The project promotes sustainability through the design”

meticulous experience • The space creates a connection between embracing both natural lighting and interior lighting into space • The space emphasizes inclusivity in design • The space served as a civic function and also served as the Treasury • “The space fosters a sense of transparency and connection between the public and the government officials within” • The space provides intuitive wayfinding with natural circulation

• The space creates an intimate connection with

• The space creates a human-focused design

nature through the source of natural lighting

• “The space considers human scale, allowing

and the material • “This gothic-style building creates human design experience”

architecture to be a place of vulnerability” • Using scale to represent the sacredness of the space.

• “The space leads the concept of bringing

• It makes the space feel “clean” to play into the

emphasis to its most important spaces”

idea of a sacred space and pulls focus to more

• “The space strikes a delicate balance between traditional charm and contemporary functionality” • In addition to hierarchy, height and scale,

architectural elements and important pieces of the space.

• A more welcoming, less stressful environment.

• Creates a comfortable experience.

several human factors contribute to the

• Evoking moods of quietness.

expression of spirituality within the space

• A peaceful environment.

• “The choreographed sequence of spatial transitions guides visitors on a transformative journey” • The whole church is meant for the visitor to flow freely around the space and to feel

• Fostering a connection to the outside, and a sense of reverence.

• A calm and relaxing space.

• The design emphasizes a connection to the divine.

comfortable to worship in any location that

• Engaging in contemplation and reflection.

they would like

• A sense of tranquility and connection with

• The space emphasizes the symbolism of God being greater and all-powerful through the design • The space ensures the church’s durability and resiliency through the mindful selection of materials • This mosque is extremely simplistic in material and design, creating elegance in space • The space creates a signficant connection to nature • “The space provides careful attention to detail in the architectural design” • This design approach resonates with Robert Sommer’s concept of Human Scale • The attention to detail in design creates a

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nature. Generating sentiments of reverence and awe.

• Giving a feeling of calmness. An intimate experience.

• Height as visual affirmation of divine authority.

A focal point within the community. Experiencing sensory richness.

• A serene atmosphere.

• Portraying a feeling of authority. Emphasizing government power.

• The authority of religion is also expressed using a high ceiling and double height space.

• Higher ceilings insinuate religious metaphorisms.

• Displaying power. A functional expereince. A

calm and collected space.

• Allowing for fluid circulation.

• High ceilings express authority.

us Space

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Human Factors for Memorable Transportation Space • “ The airport layout specifically appeals

help guide the natural path of circulation,

to Robert Sommers’ scale on human theory

curves help to highlight wayfinding

because it enhances the human experience

moments”

through design” • It is proven that high ceilings are important to movement as well as mental qualities of a person’s experience in a space • “The stairs and escalators provide a flow that makes it easy to go up and down, which makes the users feel at ease” • This airport uses plenty of wayfinding strategies to direct people that do not involve direct signage • There are clear signs placed all around the

• The airport prioritizes passenger-centric design principles, including accessibility and wayfinding • “Attacked stairs that blend into the structure create easy access for users “ • “Adhering to the goal of warmth, the designers chose timber as the primary material to create a more comfortable, brand-new passenger experience” • Thoughtful placement of amenities with ergo-

• “This space is easy to navigate and includes many passageways and levels throughout the space” • The massive amount of green space in the building creates a feeling of comfort for visitors • A series of linear skylights are the most prevalent design element utilized for wayfinding besides signage • “A simple floor plan with natural circulation allows easy movement for users” • The signage is very clear and helps travelers move from one location to the next with easy navigation

nomic design enhances comfort and conve-

• An organized program to help with wayfind-

terminal to help guide travelers through the

nience, promoting relaxation and well-being

ing. Access to amenities.A variety of comfort-

space efficiently

amidst the bustling environment for users

• The space encourages stair use through

• Human factors intertwine with the envi-

able seating options.

• Access to amenities. Easy navigation and

signage and the visibility of staircases, consid-

ronment as visitors flock to experience the

wayfinding. Consideration of Clearance for

ering navigation and accessibility for users

breathtaking views and cultural significance of

pathway accessibility. A variety of seating

Amanohashidate

options with social and public distances

• “The station provides a dynamic spatial experience, connecting visitors with the surrounding landscape” • The airport provides ease of wayfinding through the terminal for users • “The station boasts countless amenities and connections for Italy’s rail passengers” • The airport provides optimal clearance space for wheelchair accessible movement

• The airport offers excellent accessibility via public transportation, including the Chicago Transit Authority (CTA) Orange Line, as well as major highways for those arriving by car • Natural light can decrease the anxiety of passengers and provide comfort • Clear wayfinding solutions create a universally accessible space for users

• Wayfinding was heavily considered to allow

• The airport is designed with intuitive layouts,

for an easier experience for passengers

efficient security processes, and comfortable

• “The renovation prioritizes elements such as

amenities, all complemented by clear signage

efficient wayfinding, comfortable seating areas, and features to accommodate users of all ages and abilities” • It is clearly a very simple path for visitors to

for easy navigation • Easy wayfinding from the check in to the gate is essential • “From efficient check-in processes to ample

follow, minimizing confusion and decreasing

seating areas and dining options, the terminal

travel anxiety

embodies a human-centric approach that

• “A sequence where I notice the influence of human factors is the final transition to the transportation segment.”

prioritizes passenger comfort and satisfaction” • The retail in the center was a vital part for

between seats.

• A well-organized program of the space.

Consideration of the expeienece.

• A relaxing waiting space with a variety of comfortable seating and forms of entertainment.

• Differentiation in color and materiality for clear wayfinding and navigation.

• “Limiting stress with multiple relaxations and flex spaces. Easy navigation.”

• Consideration of accessibility and inclusivity. A mix of public and private amenities.

• Easy navigation.

• Consideration of accessibility.

• Easy wayfinding. A calming ambiance.

• Comfortable seating. Easy wayfinding • Consideration of comfort. Easy navigation and wayfinding. Integration of the community.

• Easy wayfinding and navigation. An inviting atmosphere. Access to amenities.

• Easy wayfinding. Access to amenities.

• The human design of the check-in/entrance of

health and wellness so that customers can be

• Easy wayfinding.

this airport is open to the outside letting venti-

well nourished before and after long flights

• Easy wayfinding. Minimization of distractions.

lation through even with crowds of people • This project is successful in providing plenty of

• “Guiding you through comfort is also the

• A nostalgic deign style.

amount of natural light coming In through the

• Easy navigation.

signage throughout, to find gates, shops, flight

floor to ceiling windows along the north

• Easy wayfinding. Access to amenities.

information, and restrooms

side of the building as well as the view of the

• Prioritizing accessibility.

mountains.”

• Fewer crowds, shorter queues, short walks,

• “Organic shaped walls to draw users in and

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• and overall friendlier atmospheres.

• Comfortable seating. Clear wayfinding.

• Accessibility. Community connection.

• Easy navigation. Comfortable seating.

• Easy navigation. Visible signage.

• Easy navigation. Access to amenities. Accessibility.

• A direct and accessible circulation path.

• Visible signage. Easy wayfinding. Access to amenities.

• Easy wayfinding.

• Access to amenieties.

• Reduce of stress. Comfortability. Enhanced distancing.

• Visible signage. Clear wayfinding. Comfortable seating.

• Comfort.

• Access to amenities.

• Accessibility, safety, and inclusivity.

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Environmental Factors for Memorable Transportation Space • “The space also utilizes tall curtain walls

cleanable seating options that will not hold

that allow daylight to penetrate the interior,

dust and bacteria, affecting the indoor air

illuminating the building “

quality”

• The ceilings upon entry and in the areas surrounding the gates are very high throughout • Focusing on the elevator, stair, escalator area, the elevator has its own bay and is not in a cramped space • “LED lighting and smart glass control the interior environment” • “The gate has large windows, giving it a connection to the outside environment” • “Large curtain walls make up every wall of the airport, along with sky lights on the ceilings, with natural light seeping through the entire airport and terminal” • Its wooden structure and environmentally

• “Raised platform to provide a clear transition between street sidewalk and subway station” • “ The integration of natural materials not only enhances the aesthetic appeal of the airport but also contributes to its sustainability goals by reducing carbon emissions associated with material transportation and promoting local craftsmanship” • Incorporating such multi-functional built-in structures optimizes space and energy usage • “The airport has abundant light from multiple skylights throughout the entire space,

friendly design promote ecological awareness

and the triple-height space towards the front

and appreciation for natural materials

of the airport allows for immediate spatial

• There is thermal and acoustic controllability

visibility upon entry.”

with the ceiling as well as the adjustable lou-

• The airport’s commitment to safe and efficient

vers that direct the sun and help with jet lag

air transportation extends beyond operational

• Within this space, there are ticket offices and

concerns to include environmentally friendly

help centers, shopping areas, food places, as

practices, such as energy-efficient operations

well as multiple terminals which are continuously coming in and out of the train station

and waste management initiatives • Environmental factors here encompass the

• Utilizing durable materials such as wood, steel,

preservation of the surrounding natural beau-

and precast concrete, the terminal’s construc-

ty, including the lush forests and the delicate

tion also used offsite fabrication to minimize

ecosystem they support

construction time and cost • The material choices were also strategically chosen to coincide with the surrounding nature of the Vail Valley and the mountains • “The airport utilizes sustainable materials and an ample amount of natural light within the terminal”

• “Multi-mullion curtain wall system allows for natural ambient light to enter the space and help keep a natural ambience in an metropoliticial zone” • Tall windows, wide pathways and gates promote a sense of openness with natural light • The terminal separates the program between

landmarks, and changes in flooring materials to mark different zones • “The airport incorporates natural light along with interesting apertures in the ceiling” • The airport mimics the surrounding mountain shape with a vaulted ceiling that is materialized in wood slats • Larage central waterfall can be seen from all directions, providing a wayfinding effect • Keeping most of the functional aspects of the station underground allows for massive amounts of green space throughout the site • The ceilings are high and the amount of daylight makes it a very inviting atmosphere • “The materials used are also simple while also having enough visual and tactile contrast” • “Floor material becomes a way-finding tool to communicate space” • Abundant natural light, locally sourced materials, and views of the region.

• A large scale of the space. Differentiation of the programm through color, material and texture.

• Differentiation of spaces with the change in ceiling heights.

• Warm-toned wood materiality. Naturally lit space. Connection to the outside. Openness of the space.

• Lightning and signage elements are placed on large structural elements. Use of natural lighting and ventilation • “Responds to its surroundings. Using sustainable materials.”

• Connection to the surroundings. Use of natural light and vegetation.

• Use of warmer materials and natural light.

• There is a ceiling shift that distinguishes the

floor levels by arrivals and departures, and the

• A clear and functional plan. Use of natural light.

two very different zones which is helpful

SkyLink Gate and Terminal connection on the

• Use of natural light. Ample corridor clerance

• The glass ceiling finally begins to reach a

top floor provides clarity within each level’s

lowered point which creates the diving space between the transportation and the rest of the building • “The natural light given from the openess of the space floods all areas of the airport.”

• “Materials used were also a factor in design, using steel, sanitary flooring, and

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plan and function

and length.

• Connection to nature. Ample natural light.

• The interior of the building is equipped with

Design of sustainable features.

sound-cancellation equipment to promote a

• “Use of natural lighting. Use of

quieter environment • “In an ideal airport setting, the air quality is important” • The airport provides thoughtful spatial organization and strategic placement of signage,

qualitative biophilia, interactive nature elements and pattern incorporation. Changes in ceilng heights.”

• Use of natural breezes and shade to keep cool.

Built with eco-friendly materials

• “Clear signage, color-coding, and intuitive numbering. Differentiation of spaces using materiality changes and ceiling heights.”

• The signage and layout guide navigation.

Wide hallways ensure multi-way traffic.

• Connection to the outside. Optimal space for the circulation path. Differentiation of spaces using materiality changes • Difrenetiatio of paths of departure and arrival.

• Simplistic design style. Spacious terimnals.

Unpretentious layout.

• Clear division of spaces, directing circulation from one space to another.

• “Architecture blends heritage with modernity.”

• Open floor layout organization.Including tactile paving and audio frequency induction loops.

• Smaller spaces.

• Connection to the outdoors. Large-scale space. Distinction between different spaces.

Large signing to help navigation.

• Short and accessible entering walking sequence. Large signage and a direct paths.

• “I” shaped plan loyout, allowing a streamlined circulation.

• Clear signage.

• An ample amount of natural light and artificial LED lighting provide safety to the path.

• Large open circulation spaces. Differentiation in materiality to divide spaces. Positioning of furniture and rope partitions for an organized circulation.

• Straightforward circulation path indicated by the floor plan. Use of dynamic glass to reduce the intense light.

• Use of natural elements. Shaping around the activities and amenities.

• High ceilings that allow the space to fill in with daylight. Integration of green spaces.

• Clear direction flow.

• Naturally lit and ventilated space.

• Differentiation in ceiling height for different functions of the space.

• Station layout, cleanliness, and noise levels.

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Expected Outcomes from the combination of Factors for Monumental Governmental and Religiou • It provides an ideal design for the human body • The space provides a significance of sacred space • “The cross figure becomes an architectural element in the space” • The space highly reflects the idea of expressing government and religion in one place • “The space embodies a harmonious blend of tradition and progress, enriching the cultural fabric of Dresden” • “The project promotes sustainability through the design”

meticulous experience • The space creates a connection between embracing both natural lighting and interior lighting into space • The space emphasizes inclusivity in design • The space served as a civic function and also served as the Treasury • “The space fosters a sense of transparency and connection between the public and the government officials within” • The space provides intuitive wayfinding with natural circulation

• The space creates an intimate connection with

• The space creates a human-focused design

nature through the source of natural lighting

• “The space considers human scale, allowing

and the material • “This gothic-style building creates human design experience”

architecture to be a place of vulnerability” • Using scale to represent the sacredness of the space.

• “The space leads the concept of bringing

• It makes the space feel “clean” to play into the

emphasis to its most important spaces”

idea of a sacred space and pulls focus to more

• “The space strikes a delicate balance between traditional charm and contemporary functionality” • In addition to hierarchy, height and scale,

architectural elements and important pieces of the space.

• A more welcoming, less stressful environment.

• Creates a comfortable experience.

several human factors contribute to the

• Evoking moods of quietness.

expression of spirituality within the space

• A peaceful environment.

• “The choreographed sequence of spatial transitions guides visitors on a transformative journey” • The whole church is meant for the visitor to flow freely around the space and to feel

• Fostering a connection to the outside, and a sense of reverence.

• A calm and relaxing space.

• The design emphasizes a connection to the divine.

comfortable to worship in any location that

• Engaging in contemplation and reflection.

they would like

• A sense of tranquility and connection with

• The space emphasizes the symbolism of God being greater and all-powerful through the design • The space ensures the church’s durability and resiliency through the mindful selection of materials • This mosque is extremely simplistic in material and design, creating elegance in space • The space creates a signficant connection to nature • “The space provides careful attention to detail in the architectural design” • This design approach resonates with Robert Sommer’s concept of Human Scale • The attention to detail in design creates a

598

nature. Generating sentiments of reverence and awe.

• Giving a feeling of calmness. An intimate experience.

• Height as visual affirmation of divine authority.

A focal point within the community. Experiencing sensory richness.

• A serene atmosphere.

• Portraying a feeling of authority. Emphasizing government power.

• The authority of religion is also expressed using a high ceiling and double height space.

• Higher ceilings insinuate religious metaphorisms.

• Displaying power. A functional expereince. A

calm and collected space.

• Allowing for fluid circulation.

• High ceilings express authority.

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599

Human Factors for Memorable Cultural Space • Strategric use of color to provide way-finding and contrast for users.

• This building contributes to the community aspect of the Well Building Standards • “The curves of the circles also help with wayfinding “ • “Users can see connections between the floors with staircases and how to easily get from one floor to the other, clarifying the wayfinding route.”

• “Human-centric design is evident in the ergonomically designed seating in the waiting area and theater.”

• “This space is calming and spa-like throughout each room, and has a relaxing sense” • Safety concerns are paramount, necessitating meticulous planning to mitigate any potential risks without compromising the accessibility or aesthetic appeal of the space • “Desk heights are accessible to handicapped individuals and proper floor clearances create an easier path of travel” • “A full curtain wall allows natural light that visitors can fully enjoy” • “The building prioritizes the well-being and engagement of its users, both students and locals” • “These large doors allow air to circulate through the space. This is a basic human factor as air is a physiological need.”

during long concerts • “The dedicated help desk at the farmers’ market serves as a vital hub, quickly addressing

and walkways” • “The display of space allows the viewer to get close to the art. “

customer inquiries and fostering a sense of

• The use of natural light that comes from the

community among visitors and vendors alike”

large dome glass ceiling for example allows

• “The space itself considers all the ages of the

for even ambient glow which improves the

users in the space while also considering the sensitivity of the displays and the display types” • “Arranged cohesive seating is setup to enjoy passively artwork that is displayed amongst the walls” • Having a variety of scaled objects within a museum keeps the users interested and excited.

• The key human factors within Eataly regarding food are signage and labeling, sanitization practices, proper food handling surfaces, and olfactory considerations.

• “It serves as a nexus where art, environment, and human experience converge, enriching both individual lives and the broader cultural tapestry. “ • The Academy Museum of Motion Pictures resembles a cultural place due to the museum and theater inside of it that is a place where people can come together to share social practices and ideas • It masterfully employs wayfinding and sequence to guide visitors through its space • “The low, reflective surfaces of the memorial

overall mood and health of individuals (WELL).

• Consideration of social spacing. An isolated feel to allow for reflection and solace.

• Use of symbolic elements related to beliefs and culture. Easy navigation of the space.

• Multi-functional spaces.

• Use of mirrors to confidently see yourself within the lavish space.

• Symbolic association of the spaces with significant historic elements.

• Clear wayfinding and choice of exploration of the space.

• Feeling of seclusion.

• Consideration of comfort preferences and safety measures. Unique wayfinding experiences.

• Easy wayfinding.

• The play with color is associated with how elicits certain emotions when combined with sunset or sunrise.

• Wheelchair accessibility. Consideration of social distance.

• Fostering a sense of harmony between the spiritual and natural world.

invite visitors to interact physically by

• Accessibility.

• “The historic aspects, such as entrance points

touching the names etched into the stone,

• Offering moments of tranquility, allowing

and the iconic courtyard have been left pre-

creating a tactile connection that enhances

visitors to immerse in nature.

served, to pay homage to its roots, which also

the emotional impact of the experience”

• An engaging and dynamic space.

boosts the user experience in itself.”

• Access to outdoor views of nature giving the users experience of being outdoors and one with their surroundings • Visitors are encouraged to explore nature and its surroundings firsthand • “Large windows surround the exterior walls of

• “Allowing guests to not only have a view towards the performers but also to then natural beauty of the exterior.”

• A space for community engagement, education, and congregation.

• Consideration of privacy while providing visual

• “Bench far enough from painting so someone

connection to the outside. Accessibility.

can still view, but also someone can stand

• A calm atmosphere that promotes rest and

closer.”

recovery.

• “ The wayfinding presents the visitor with

• Human comfort is prioritized through features

the museum providing a view onto the

several options, without forcing them to

such as operable glass panels for natural light

designed landscape and promotes viewers to

move along a predetermined path”

go outside after viewing the museums gallery” • Seating goes all around the stage, giving

• Intuitive pathways and clear signage enhance

• “ This building as well as the gorunds are very

the wayfinding experience. Enhancing visitors’

optimum viewing from any level/ seat location

accessible and features mutliples ramps and

and quilted seats create comfort for patrons

elevators as well as spacious hallways

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diffusion and reclining concrete seating.

• Big skylight pulling patrons into the space

emotional connection to the art and nature.

• Consideration of privacy and social distance.

• Enough space for free circulation and movement.

• Clear walkways to minimize decision-making fo the path of circulation. Zoned areas and visual elements idendified for maneuvering in the space.

• Allowing for a relaxed experience.

• Efficient wayfinding.

• A social environment. A free-flowing path of movement.

• Easy navigation of the space.

• Consideration of privacy, human comfort and space for movement.

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Environmental Factors for Memorable Cultural Space • The building also applies components of the WELL building standard through its acoustic parameters and controllability • “The space incorporates both old and new

for an unobstructed connection with the surrounding wilderness” • “The complex positions art and nature side by side, and includes a network of gardens,

design through expressions of historical

courtyards and hiking trails”

acknowledgement and monuments”

• “The displayed axon emphasizes

• The curtain system connecting the 3 circles of the past, present and future brings everything together.

• “The large interior spaces usually encompass

how the museum balcony is laid out to align with the designed landscape” • “The acoustics alone make the hall incredible, as the space is almost entirely made of curving

art pop-up installations and gathering

wood surfaces, allowing for clarity and rever-

opportunities with exposed columns to show

berance of sound.”

structure, support flow, and rhythm”

• “This material brings the surrounding environment into the building and is a crucial factor in how the exhibits are viewed” • “The materiality emphasizes light and texture without straying away from neutral, natural tones. “ • The use of lighting, windows, and materials creates an ambient light-filled space • “ The circulation wraps around the display cases, so circulation and observation space is a bit mixed.”

• “Basic geometry used to highlight the

• “Encouraging sustainable transportation

space – even on the floor the tiles were

options such as biking or carpooling

circular all the way until the last few levels

strategically located near the front entrance,

aligns seamlessly with Fayetteville’s eco-con-

to symbolize when Frank Llyod Wright

reflecting a well-planned layout.”

scious ethos, setting a tone of environmental

• “The concession stand and waiting area are

• Culturally, it expresses its town’s nature

stewardship for the market experience”

died during construction. “ • Grand scale of a space illuminated by natural

throughout the space and highly embraces

• The lighting design throughout the space sup-

light. Simple layout of the plan with the focal

the “blue” lagoon water that surrounds the

ports a visually comfortable environment

point placed by the entrance. Connection

• CIrculatory space is integrated to help aleviate

to the outdoors. Consideration of acpustic

hotel itself • The expansion, situated in the heart of Canada’s National Capital Region, not only revitalizes the urban landscape but also aims to serve as a hub for community engagement and cultural exchange • “While the hybrid brick and limestone exterior helps unify stylistically dissimilar

foot traffic to induce consistent foot traffic • “The space embodies small to large-scale artwork to be organized with lighting“ • “The key environmental factors within Eataly are the use of biophilia, indoor/outdoor connection, and integration of skylights” • “Nestled amidst the natural splendor of Arkan­

neighbors, the main façade on 15th Street is

sas, its architectural marvel harmonizes with

a screen that aims for spatial and emotional

the surrounding landscape, fostering a serene

disengagement”

atmosphere conducive to introspection and

• “When the new entrance was built facing Bruce Park, this brought a connection through nature to the museum.”

artistic appre­ciation” • “The glass structure becomes a connector in between the two structures “

• Utilizing white paint, concrete, and metals still

• A grand atrium is flooded with natural ight,

allows the old use of the warehouse to be

fostering a sense of openness and connec-

seen, but still not overpower the new designs

tivity

of the space • “It was designed with sustainability in mind

• The memorial’s polished black granite walls, engraved with the names of fallen soldiers, are

through its location, construction, and materi-

sunken into the ground, creating a low profile

als, all reducing the environmental footprint”

that blends harmoniously with the natural

• Through the use of steel, concrete, wood, and brick, a contemporary space is created • The materials include wood veneers and

environment.

• The architecture makes both of the spaces

comfort.

• A large-scale of a space placed on a high elevation.

• Visual access to the entire space upon entering. Use of natural light and sustainable matrials.

• Meticulous use of different types of lighting according to the propse of use.

• Precise details of architectural elements and use of luxorious materials. Use of natural light.

• Using physical correlation to embed wayfinding in the space.

• Views of the surroundings. Use of light and airy materials. Dark materials contrast with bright exterior.

• Inclusion of biophilia. Outdoor spaces as an extention of seating areas. Use of natural materials.

• The form of the buildings direct circulation.

Every space leads to the exterior.

• Contrast in materiality to mark the historic originality and renovation.

speak their own stories but also are connected

• Strategically placed focal points in the ceiling.

panels, original stone, and sustainable acoustic

through the curved form that each of them

The central space an only be experienced fro

paneling. Also, with updated lighting and

share.

equipment throughout • “The simplicity of the chapel’s design allows

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• They kept every little detail on the original design and the path of the museum also follows.

the inside as it is not visible in the exterior.

• It focuses on optics, or viewing by designing seating along the perimeter of the circle. Small

• entry to control crowding.

• Use of color changes to guide circulation. Not a continous path of circulation that would mandate passing through each space.

• “Use of guardrail, strip lighting as well a clear path of travel and wayfinding. “

space. Blending in with its landscape.

• Interacting with the landscape. A flexible arrangement of the space for different functions.

Varying ceiling heights.

• Harmonizes with the surrounding landscape.

A dynamic interplay with nature.

• Interactive play elements to encourage activity. Casual seating for easy interactions.

• Seamless integration of interior and exterior elements. A fluid transition between different areas. Natural light illumination.

• The layout encourages wandering. A sprawling interior.

• Large scale, varied architectural styles, and interconnected spaces. Interplay use of natural light.

• Use of biophilic design and incorporation of nature. In harmony with the surrounding landsacape.

• Visual connection to the surroundings.

• Refined interior, restored décor, and retro atmosphere. Utilizing the scenic surroundings.

Use of biophilic design principles.

• “A multifunctional space that engages with both its inhabitants and the natural surroundings. The design orchestrates sound, light, and air. Flexible indoor-outdoor transitions.”

• “Seamless integration with its natural surroundings.”

• Using lighting to guide the circulation sequence of exploring the space.

• Grand scale of the space. The organic forms and natural materials draw a connection to the surrounding landscape.

• Use of color to signify and highlight entrances and paths of circulation. Visual connection to the surrounding.

• Connection between the interior and exterior.

Openings to allow for cisual access to the surroundings and to bring in natural light. The circular shape indidcating circulation paths.

• Uninterrupted sequence from indoor to outdoor spaces, encouraging the walking from one space to the other. Spaces embody the natural elements.

• Abundant amount of lighting illuminating the

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Expected Outcomes from the combination of Factors for Memorable Cultural Space • “Overall, the auditorium design for the Central Academy of Fine Arts appeals to the function of human and environmental factors” • “The visitors can experience an older half and a newer half” • “The circular form of design guides visitors through the entire exhibition with consideration for user experience” • The space encourages the users to connect with their inner wellbeing • A thoughtful approach to lighting design creates a memorable viewing experience while ensuring comfort and safety • Nature surrounds the exterior of the building within the lagoon, embracing the culture • It prioritizes both the artistic vision and the practical considerations of the museum’s design • “The building becomes not simply a museum but a living institution dedicated to research, teaching, contemplation, and commemoration.”

• This museum promotes more of the community’s historical background but also supports environmental factors • The building embodies a flexible and simple design

collective experience • “The building exhibit organization is designated with circulation in mind” • “The museum serves as a vibrant hub of cultural activity” • The scale of artworks in design demonstrates variety and detail in space • The space creates a very user-choice-centered design • The musuem stands as an emblem of cultural enrichment, weaving together environmental and human factors to create a profound experiential journey • This building is successfull in creating a welcoming cultural space due to having a museum that is also connected to the theather • “The library prioritizes user comfort and accessibility” • “The memorial respects both nature and people’s feelings, fostering a sense of connection and remembrance” • Although there are a multitude of programs the main focus stays on the Auditorium • The space preserves the existing historical details in the museum • “Bionic borrowings visualize the evolution of life in space” • “The space provides the tranquility of the

• The building enhances the well-being of users

experience through light and shadow “

and minimizes the impact on the environment

• It creates a space that is very user-friendly

• The building shows that the built enviornment influences human factors • The space complies with sustainable and environmental standards that affect its users in different ways.

• Thorncrown Chapel stands as a pinnacle of architectural ingenuity and human-centered design • The project brings integrated indoor/outdoor components into the design • The architecture and landscape were designed to fit perfectly together • “The spatial organization of the hall allows

• “Each level represents a specific time and art period in different ways with easy wayfinding” • The space uses an abundance of natural light, focal artificial light, wayfinding tools, and basic geometry through its design to organize the program • Large scale of building creates emotions of peace, sanction and makes the building feel monumental.

• Showcasing hierarchy.

• Create an open and comfortable space for patrons to move throughout and wait in.

for optimum viewing of the center stage,

• A nostalgic ambiance.

along with its acoustic factor”

• A welcoming environment.

• It fosters a sense of community and con-

• A dynamic environment that encourages

nection among visitors, emphasizing the

exploration. The large scale is a symbolism

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of power.

• To provide a memorable musical experience.

Promoting energy efficiency.

• Fostering a sense of tranquility and inspiration.

• A comfortable environment.

• Promoting wellness.

• A comfortable setting.

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Human Factors for Equity, Inclusion, and Social Justice • “Themain design concept is a ramp that allows

• Unique learning setups compared to the rest

people to travel through all levels of the build-

of the school provide inclusion for users

ing and exit onto different landings easily.”

• “The human design interacts with the

• “Specifically, this space supports accessibility

enviromental design by using such systems

standards with handrails, handlebars, and

to create a enjoyable experience for students

structures that support mobility. “

and staff alike”

• “Introducing wayfinding and a solution to one

• Creating these smaller units is more accessible

of people’s main stressors in an airport, makes

and usable on a daily basis, which is important

Presley’s place feel safe and like a sanctuary” • The space provides integrated seating and wheelchair elevator • Open space promotes social engagement and activity • The hall has multiple access points, with the

in a community center.

• “Wide corridors, ramps, and elevators ensure seamless mobility for students with

gagement and participation from individuals of all backgrounds and abilities.”

• Accessible ramp enables anyone to use the space and be engaged in activities.

• Being able to see nature during their time of grief helps to bring individuals peace, serenity, and a sense of self and life.

• “ Relating to its human factors, it is an open gathering space for people of the local community to use the toilet in a safe space” • “They have taken precautions for both the

physical disabilities, eliminating barriers to

physical and mental limitations of their

movement and fostering independence”

visitors, attempting to create an equal experi-

• “ Furthermore, the natural surroundings of the

ence for all. “

main access being through an experience

Environmental Nature Center serve as a

ramp that circles around the activity hall,

unique educational backdrop, fostering an ap-

Sign Language (ASL) and visual alerts for fire

which enhances accessibility and provides

preciation for the environment and promoting

alarms and doorbells, a wide open area for

users with a better experience.

experiential learning opportunities.”

wheelchair users, and fostering a comfortable

• The space encourages stair use through signage and the visibility of staircases, with multiple seating options for people to choose from

• This built-in structure offers convenience by allowing all sides to serve as either seating areas or places for purchasing goods for users

• “It offers features like staff fluent in American

and accessible living space.”

• “The resident homes are also super accessible with an almost completely open concept with

and considering the movement of people

• “The exposed timber ceiling provides warmth

• “Public and private “”zones”” blur the lines

and acoustic qualities, which give the space a

• The exhibition space offers social engagement

no real corridors”

between personal space and shared areas,

more relaxed, domestic feeling with providing

• “Paved and flat/ sloped walkway allows for

encouraging interaction and support among

wheelchair accessible surfaces, including a

residents.”

ramp and playground. “

easy access and movement for all types of ages and abilities”

• Libraries ensure equitable access by engaging

• A clear and defined reception space aids way-

diverse communities to understand their

finding for all visitors and the circulation path

connection. Different seating sections to allow

needs

around the reception desk is spacious enough

choice of personal space. Providing places of

• “A ramp accommodates the client’s personal

for wheelchairs to easily maneuver.

needs, providing seamless wheelchair access

• The center places a strong emphasis on

to the first floor apartments” • “Open access to natural light for better health and well being and Embedded reading nook for comfort and extra seating options for people“ • “The skylights offer for more natural lighting in the space providing a more enlightening environment for vistiors” • The building prioritizes the well-being of clients through its accessibility throughout the space • The home is fully accessible for wheelchair access with wide open paths of travel, accessible counter heights, two private bedrooms conjoined by an accessible bathroom, and a ramp leading down from the back patio.

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community engagement, cultural sensitivity, and inclusivity.

• “The use of a variety of paths, nooks and hubs each address the need for a neurodivergent student’s connection to their surroundings” • “ADA accessible, a child with a wheel chair can get around the walls with ramp allowing access to the observatory “ • The entire memorial is also mostly compliant with ADA guidelines, as it is intended as a space for all with having accessible seating.

• A smaller class capacity prevents overstimulation and allows teachers to give attention to every student • “This multiplicity of functions promotes inclusivity by providing opportunities for en-

• Interactive spaces that allow for human

reflection and learning.

• A variety of seating. Different activities to practice motor skills.

• The human scale of the space makes individual inetaction feel comfortable.

• Members experience human factors of inspiration, navigation, and empowerment in the space.

• Having all the program on one level to ensured that all spaces could be equally accessible.

• Providing equality of spaces that may not previously have been accessible. Encouraging well-being and social connectivity.

• Providing wheelchair accessibility. A welcoming space to th ecommunity.

• Ample clearenece for an accesible circulation.

• An interactive and engaging exhibit. Easy to

• navigate circulation paths.

• A low stimulus and stress-free environment.

Moveable and flexible spaces.

• Adequate space for an uninterrupted circulation.

• Addressing cultural and gender identity issues.

Consideration of safety and privacy.

• A range of activities to cater to everyone.

equality.

• Accessibility. Easy navigation. A social space that can be beneficial to the community.

• “Designed considering safety and emergency response.”

• Aiding in psychomotor development, sensory development, engaging touch and communication skills.

Wheelchair accessiblity. Easy circulation.

• Providing ADA clearance. Optimal space for foot traffic.

• Fostering community.

• Accessibility. Providing inclusive bathrooms.

Stimulation of the sense through tactile walls and sensory activities.

• A diverse range of amenities. Fostering interactions and connectivity.

• Consideration of accessibility.

• Accessibility. Fostering individuals with diverse abilities.

• Encouraging social engagement.

• Community space to help bring community members together.

• Encouraging people to gather and interact.

User-centered design. Accessible seating options.

• Foster community involvement and social cohesiveness.

• Offering opportunities for reflection and remembrance.

• Assisted orientation through a wayfinding system. Integration of different programs.

Accessibility.

• Accessibility. Emphasizing human connectivity.

• A multi-use space. Accessibility, diversity, and governance.

• Accessibility. Optimal control over the pace and sense of comfort.

• Accessibility.

• Functional design of the space for accessible use. Inclusivity.

• “A variety of amenities allow guests to use the space for various reasons. Community connectivity.“ • The building sequence is centered around the experience of the historical facts about

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Environmental Factors for Equity, Inclusion, and Social Justice • “The recent expansion of the building is

through the code of sustainable homes, life-

• The project’s sustainability features include

designed around a recreational outdoor area

time home standards, the materials used, and

rooftop gardens that provide access to

that meets the environmental needs of the

the amount of natural light flooded through

nature, and deep roof overhangs that shade

surrounding landscape.”

the space

openings while creating a soft natural light

• “The space provides safety strategies (even

• “This home has a wall lined from start to end

through clearstories that is comfortable for

smooth flooring, boundaries around columns,

with floor to ceiling full-lite doors that look

children with visual impairments, solar panels

and even ambient lighting)”

out into a garden and patio.”

on the roof, water savings from efficient native

• Hallway width mimics that of the bridge you

• “The original building features arches and

have to walk on before getting on plane, but

columns while the new addition incorporates

still has soft lighting and acoustical paneling

sleek transitions and large curtain wall

• “The open layout of the spaces in the Western Michigan University Student Center create a sense of inclusion” • “Having plenty of ambient lighting and open-

windows.”

• The design of this space includes passive ventilation, and a double thermal roof keeping the hot sun at bay

landscape and plumbing fixtures.

• Walls have different textures for sensory exposure • “Encompassing a large courtyard, this project combines indoor and outdoor memorials to create an impactful space for its users.”

• “Clear wayfinding cues, unobstructed

air tactics minimize the need for additional

• Its light wood and steel structure “expresses

pathways, and designated quiet zones can

lighting or forms of air temperature control”

the identity of the village”, (Studiothewon)

contribute to a sense of predictability and

• “The space also has a restaurant and several

creating a welcoming space and not being

meeting rooms with spacious doorways, well-designed circulation paths, and inclusive

overwhelming.

• “Flexible furniture, modular spaces, and

safety for individuals with ASD” • The careful consideration of climatic conditions in the design of the pavilion, with its abil-

seating options that can accommodate

adjustable lighting allow for customization

ity to be used in different weather conditions,

individuals of all abilities”

and personalization, empowering students

ensures that the space remains accessible and

• “A large outdoor and indoor terrace area

to shape their environment according to

enjoyable year-round.

surrounds the food hall, and brings in lots of

their preferences. Padded walls to provide an

natural light to the space.”

extra layer of safety, while maintaining soft

and disabled people with stairs and elevators,

acoustics”

the interactive ramp serves as a connector for

• “The incorporation of features like balconies wrapped with a wood screen made from

• “ Furthermore, the natural surroundings of the

recycled materials and green roofs not only

Environmental Nature Center serve as a

enhances the aesthetic appeal but also

unique educational backdrop, fostering an ap-

contributes to sustainability, aligning with

preciation for the environment and promoting

principles of environmental justice.”

experiential learning opportunities.”

• “Libraries aim to disseminate knowledge efficiently through guidance and support for all inquiries regarding books, study spaces, accessibility, and more”

• “Instead of separating non-disabled people

all people” • The floor to ceiling glass has helped bring emphasis to the surrounding and ongoing vegetation • “It represents an inclusive environment by still

• “The square centure is tilted to create a unique

giving gender neutral bathrooms with com-

circulation path with basic square shapes “

munal sink making for inclusion and having

• “The plan gently cuts into the slope with one wing being a deep-green zinc to embed

a space to interact with others.”

• “The museum has created a free living

• “A cantilevered pergola structured from a

with the landscape while the other wing is a

area and ground floor display open to all, and

translucent glass canopy covers the

bright red for vibrance and distinguished

also use digital platforms to make their

inclined passageway, which lifts to produce

wayfinding.”

covered parking area and storage for bicycles.”

• “ The structure uses sustainable material

• “The complex itself was built using sustainable

lighting, the use of sustainable materials, and

practices like pass-through funding and tax

selection such as clay bricks, with their natural

waste reduction strategies, Red Bull is commit-

cooling properties, and fiber corrugated

ted to minimizing its environmental footprint

roofing.”

• “he flowing aspect of the project design

and promoting resource conservation. “

ding – something especially important for dementia patients, utilizing different colors,

eco-conscious practices, with initiatives such

outside more apparent, tying to the symbol-

as energy-efficient buildings, waste reduction

ism of Dr. Vishnuvardhan’s legacy.”

programs, and outdoor learning spaces that

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credits, minimizing its environmental impact. “ • “The landscape also focuses a lot on wayfin-

• “The center prioritizes sustainability and

helps to make the connections from inside to

• It was designed with sustainability in mind

exhibits viewable from anywhere.”

• “Through initiatives such as energy-efficient

foster a connection with nature.”

and even different types of plants in different col-de-sacs.”

• “AI art display creates a safe space for equity and inclusion”

• “It uses bright colors on the walls, vegetation and funky geometry that follows the idea that form follows function. “ • The usage of natural light to promote

• An abundance of natural light. Connecting with the surroundings. Use of natural materials.

• A simple layout of the space. Accessing every space through an actitivty ramp.

well-being. Acoustic soundmasking, to ensure

• Integrates the physical surroundings.

auditory comfort.

• Differentiation of functions through colors to

• “The connection between exterior and interior

help with navigation.

through natural light and outdoor activities.

• Embracing the outdoor environment.

Use of wood with other warm

• The prominent sculptural feature of the space

materials and colors. Curvy walls to avoid accidents while playing.”

• U se of local materials. Connecting with the outside through several apertures promoting

serves as a focal point.

• Creation of open and semi-open spaces. In harmony with the surrounding landscape.

Symbolic represantation in the physical form.

of natural air, light, movement, and nourish-

• Integration of biophlia.

ment.

• An open layout of the space. Located within

• Tiled murals depict significant events, and barrel ceiling integrates a rigid structure representing resiliency. The open layout of the space and detailed walls encourages exploring.

• “Green areas and multipurpose courts can be accessed and used for multiple activities and interactions. Connecting views to the surrounding landscape. Allowing for natural light and air ventilation.”

• A variety of space layouts for programs of

the community.

• Connection to a local heritage site. An open construction.

• A clear circulation path with an open space design to allow for visual clarity.

• Use of high-contrast colors for easy wayfinding and visual clarity. Clear walkway for wheelchair access.

• Wide passageways are paved with smooth materials.

• Providing ramps and spacious corridors for

physical activity or educative purposes.

easy movement and accessibility for multiple

• A functional space with large corridors, and

users. Diffenetaiation of spaces through colors

open spaces. Allowing natural light in. Connection to the outdoors.

• A naturally lit neutral space that allows for artwork exhibition. Clear distinction in transition and spaces.

• Integration of the immediate context through visual connection. Use of natural materials in the inetrior. Wide walkways.

• Access to outdoor activities. Proper sound comfort achieved through staggered volumes

for easy wayfinding.

• “Using the sun efficiently in illuminating the interior without creating much of a glare. A simple course of circulation.”

• A modular structure that can be disassembled and moved around. A mix of open and enclosed spaces.

• An accessible site of leveled surfaces, lifts, and ramps.

to minimize sound transfer. Mutted color palettes, dimmable lights, and natural materials.

• Use of natural light. Small scale of the space.

• Connection to the outdoors. The ground floor has open access to the surrounding area.

• Using white and black as background to place the focus on the exhibits. Symbolic elements expressed in a physical form.

• Outdoor connection with open spaces.

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Expected Outcomes from the combination of Factors for Equity, Inclusion, and Social Justice • The building directly correlates with the WELL standard through its design intention • “The space is designed specifically for people with physical disabilities.”

• “The space provides comfort and privacy within wayfinding. “ • “The space considers personal well-being and satisfaction” • It offers an inclusive library for all to enjoy within the consideration of material choice and also ventilation.

• The space enhances the quality of life for individuals with disabilities.

• The space accommodates ADA human beings with inclusivity • “The project stands as a beacon of inclusion, equity, and social justice, tackling the pressing issues of housing accessibility for disabled veterans” • “Equity, diversity, and inclusion influenced the project from start to finish” • The project offers wheelchair-accessible

organizations can prioritize inclusivity and

• Participation. Community enegagement.

sustainability in their workplace environments.

• A cohesive environment.

• The space r is deeply intertwined with both environmental and human factors, reflecting a holistic approach to its mission.

• “The space provides comfortable, choice-driven learning environments through neurodiversity insight” • “The space provides inviting and inclusive playground” • The whole memorial design tells a story as users walk throughout each space within the sequence of movement • “The space provides inclusive design fostering a sense of belonging and empowerment” • The space embodies principles of equity, inclusion, and social justice by prioritizing human factors in its design and programming.

• The space creates the fully accessible and engaging environment • This whole builing through its structure and

space with an intimate connection to outdoor

through each environment hold strong in

nature

helped and bringing belonging, identity, and

• The space represents equity and social justice • The space fosters community dialogue and social change • Flexibility, accessibility, and sustainability are embedded in design • The space provides accessibility within intimate connection with outdoor nature • The space embodies inclusion.

• “This space represents equality and social justice” • “The space offers proper inclusive, equal, and accessible design for its community” • It’s a manifestation of empathy, compassion, and human-centered design.

• The space embodies equity, inclusion, and social justice in its design through various intentional strategies.

• “The exhibit space educates visitors on past women’s rights suffrage, LGBTQ+ equality” • The space represents accessibility and environmental control.

• The space serves as a shining example of how

610

intentionality • “The Public Toilet at Sanchakou / Shulin Architectural Design has a significant impact on its community” • The space places a high priority on curating their experience to be accessible to everyone.

• “PAH Highland Plaza creates a human-centered living space with a thoughtful approach to inclusion” • “The project provides inviting and accessible space for users” • It engages children through art and space • This park exudes the idea of inclusivity, social justice for people with disabilities • Promoting wellness. Creating a a comforting feeling in the space.

• A comfortable and safe environment.

• “A bold space that openly confronts its mission and goals.”

• A welcoming space fostering a sense of community belongingness.

• Decreasing excess stimuli.

• An intimate feel of being in the space.

• “Fosters social interaction and dialogue, catalyzing community engagement.”

• Promoting healing. A safe and inclusive environment.

• “Provides familiarity and comfort to the community.”

• Accommodates everyone and gives those with other disabilities the needed space.

• A variable and lively in a space that nourishes through play activities.

• A space where all individuals can find engaging and a sense of belonging.

611

Human Factors for Creative Solutions beyond the rules and regulations (ex. ADA, WELL, LEED, etc.)

• “Design elements are placed lower on the walls, so the space is more inviting to kids”

project are seen throughout the project,

tangible psychological benefits, including

given that the concept is to be as humanistic

stress alleviation, mood enhancement, and

• Kitchenette connects the community.

or relatable as possible while being able to

• Experiencing the contrast between these

accommodate public transit and walkability.

spaces can make one realize what a breath of

(LEED)”

augmented cognitive function.”

• “Their classrooms are designed with a focus on visual communication, featuring movable

fresh air an organic space like this can be.

• “Minimalist interiors and thoughtful amenities

furniture that allows for a semicircle setup. This

• “Individual workspaces help with focus and

create a serene retreat, allowing guests to

ensures all students have a clear view of each

unwind and reconnect with nature. “

other and the teacher, facilitating signing and

comfortability. “ • Patterns of biophilic design are implemented

• Visitors are invited to engage with the space

throughout the office, providing opportuni-

not merely as passive observers but as active

ties to connect people with nature.

participants in sustainable living practices.

• “She has a meeting scheduled with a student

• “The canopy draws visitors and students into

so she opens another compartment to reveal

• Independently controlled radiators are placed at each workstation to provide personalized

the space to either relax underneath the shade

comfort

or go into the building and see the exhibit”

• Natural light within, large space between tents

• “The placement of the terrace allows workers

for movement for people to provide better

to observe the beautiful views and encourage

comfort

outdoor interaction, as it is in a recreational

• “Olympic House serves as a testament to

neighborhood. “

fostering a strong sense of community within the classroom.”

a flexible table that can be arranged to serve different uses around the space.”

• The building has plenty of room for movement of the users and exploration of the space with wheelchair accessibility.

• The space with ramp is used to allow for easy

collaborative innovation, involving various

• By seamlessly integrating this unique archi-

stakeholders including commercial partners,

tectural element, the bookstore transforms

sustainability certification

into a destination, where the public is invited

ent seating areas to offer multile experiences

bodies, local authorities, suppliers, and

to explore and engage with the products

• Ways of circulation available for people with

academics.”

• “One thing that allows students to navigate

on offer • Through features like ample natural light,

the building independantly

optimized indoor air quality, and ergonomic

is the sensory walls that allow students to feel

workspaces, the headquarters prioritizes

where they are”

the well-being of its occupants, fostering a

• Many different areas of the Green Building are designed with curtain wall windows in order

productive and healthy environment.

• “This wellness center has a staircase

to allow visitors or workers to receive plenty of

next to the reception desk. It provides an easy

natural light to support their well-being.

access for the users and impacts the

• The building prioritizes the well-being of

movement throughout the building. “

students through accessibility throughout

• “The inclusion of technology and

the space for impaired students through the

interactive features creates a user-friendly and

spatial layout, materials, textures, and contrast

accessible space overall.”

of light to guide them throughout the space

• “The office incorporates biophilic design

• “The building implements wayfinding

elements, such as circadian rhythm lighting

through colors and textures for those

and automatic daylight-sensitive blinds, to

who have disabilities to make a pleasant

promote employee well-being and produc-

experience”

tivity by connecting them with nature and

• “The counter height is low enough for a

mimicking natural light patterns.”

customer in a wheelchair to use with a ramp to

• Signage and informational displays strategi-

accommodate those who are in a wheelchair

cally placed throughout the building aid in

or can’t use stairs with ease. “

wayfinding

• “There are lines to help the visually impaired

• “The ramp is also 7’ in width for safety for both

guide themselves to their next destination. “

participants leaving and entering the ramp.“

• “The human factor considerations for this

612

• “The presence of verdant foliage offers

navigation • Providing accessibility through ramps. Differ-

disabilities. Universal-designed seating area to provide comfortable seating. Inclusive amenities.

• Various seating options provide a choice in comfort, allowing different experiences.

• The incorporation of wide corridors, multi-level ramps, large elevators, and material assistance in wayfinding promotes an inclusive experience of the building.

• “An accessible space for people with disabilities. Allows the disabled and non-disabled to have a shared common experience.

Easy circulation and wayfinding.”

• The design caters to individualized instruction with flexible right-sized classrooms.

• Provides customers with a deeper experience of living space.

• Providing privacy to enhance the user experience.

• An easy-to-navigate space. Accessibility. Use of universal design elements.

• Easy to navigate circulation paths.

• Prioritizes comfort and well-being with spacious rooms, and flexible work areas to encourage teamwork and creativity. Promoting a

) • sense of community • “Flexible work areas, acoustically optimized spaces, and adjustable sit/stand desks encourage movement, concentration, and privacy.”

• Accessibility, equality, and flexibility of universal design.

• Incorporating the local community.

• A space that responds to ADA standards and ergonomics of people and wayfinding.

• Easy wayfinding. An accessible space for thos with dissabilities.

• Accommodating a diverse range of abilities and activities.

• Accommodating individuals with disabilities • Flexibility of choosing between a variety of spaces. Consideration of privacy.

• Improve occupants’ well-being.

• Accessible to those with disabilities. Providing for idependent navigation.

• A comfortable and conducive environment.

• Wide open space to help with an easy mobility.

• Accessible to those with disabilities. Elements designed complying to ADA regualtions.

• Fosters a sense of communal living. Emphasis on accessibility and inclusivity.

• Thoughtful design elements that promote comfort, accessibility, and mental rejuvenation.

• Easy acessibility.

• A fully inclusive design. Clear wayfinding.

Various forms of seating.

• Hierarchy withing the space.

• Offering all necessary amenities.

• “Focused on employee wellness by incorporating fitness options, and diverse meeting spaces. Providing accessibility, comfort, safety and privacy. Directing wayfinding.”

• Access to different amenities.

• Meeting all ADA guidelines, measurements, and requirements. Thoughtful design based on idividual experiences.

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Environmental Factors for Creative Solutions beyond the rules and regulations (ex. ADA, WELL, LEE • “The room contains different items and

as well as a strong interior/exterior connection

less connection between indoors and

objects that fulfill different sensory needs such

through the courtyards placed throughout,

outdoors through its high percentage of

as sound, motor skills, writing, and tactile skills. “

with a lot of vegetation and natural light as

• “The building incorporates organizational goals with the ceiling also acting as the floor of

well “ • Extracurricular spaces like a full-size gym-

second level and the natural lighting acting as

nasium and a large outdoor courtyard with

the main source of light for the area.”

offering soft acoustical materials to minimize

• Not only does the design and sequence represent their goals of sustainability, but lots of thought went into thhttps://www.usgbc.org/ leede physical construction of the renovation

structural envelope glazing.”

• Choice of natural materials such as wood contributes to sustainability and decreases carbon footprint.

• CopenHill’s integration of recreational ame-

extra sound and distraction

nities, educational facilities, and sustainable

• Grooves on the floor indicate a change in level

energy production underscores its departure

in space • “Natural light is maximized, and walls also

from conventional waste-to-energy plants • “The greenroom acts as a

as well. 95% of the construction materials were

double as a movable storage space, creating a

sustainable element adding more

repurposed or recycled from landfills.

sound barrier”

plants and oxygen to busy cities in

• Wall made from materials that meet the Euro-

• The building contains materials and strategies

pean emission standard EN 13986, category El

such as top lantern skylights, wood, and stone.

• “The distance from workstations to windows

• Reflective glass exterior reflects natural

or atriums are limited, and in this space, em-

surroundings and integrate the cube into

ployees have access to daylight through

the forest with locally sourced materials and

the buildings floor to ceiling windows adja-

energy-efficient technologies are seamlessly

cent to desks. “

integrated into the design, demonstrating

• “ Using reclaimed douglas fir for partitions, the entry wall and the cantilevered staircase add a unique aesthetic and shows a commitment to repurposing materials and reducing waste.”

energy-efficient systems and renewable energy sources • “The same gravel textured technique is also brought into the interior.”

•

into architectural projects.

• “The Bosco Verticale seamlessly weaves vege-

• “Instead of clearing large swathes of land, the structure works with the existing trees and terrain, minimizing disruption to

ing areas, incorporating nature’s color palette.

the ecosystem with natural lighting creating

facade optimizes natural light while reducing

space to have green areas” • The building’s design features, such as its

how sustainability can be seamlessly woven

• All of these spaces blend in with the surround-

• “The building’s self-shading double skin

which may not have enough ground

indoor and outdoor connection. “ • The structure allows a high level of natural

tation into its structure, forging a harmonious bond between the natural world and urban design. “ • Academy also incorporates plenty of designated gathering spaces, providing connections both indoors and outdoors

the need for artificial cooling, showcasing

light to flood the interior space with perforat-

thoughtful design integration. “

ed aluminum pattern on overhead to display

installed made of recycled wood, round knobs

shadows along the floor of the courtyard

made of recycled wood is used for hanging/

• “Every aspect of the building is tailored to create a safe and inclusive environment, from sensory-friendly spaces to accessible facilities.”

• “The façade is double-faced, allowing for optimum thermal insulation. Water from the

• “The biological architect relies on a screen of

nearby lake is also utilized to heat and cool the

vegetation, needing to create a suitable

building with integrated lght wells to provide

microclimate and filter sunlight, and rejecting

natural daylight into the ground floor”

the narrow technological and mechanical

• From sustainable site selection to indoor

• All of the wood panels on the walls are

arranging things • “The strategic use of lighting, windows, and materials creates an ambient, light-filled space.”

• “The project lifts from the ground in order to make space on the exterior of the project” • An abundance of natural light. Outdoor

approach to environmental sustainability. “

environmental quality, every aspect has been

seating area which allows a connection to the

• “The Green Building uses recycled materials,

meticulously crafted to minimize environmen-

site. A self-sustaining site that gives resources

including 100% of the flooring, 70% of the windows, and 80% of the insulation, made from recycled blue jeans. “

tal impact while maximizing efficiency.

• Integration of landscaping for better air quality

its implementation of green building practic-

and connection to nature. An adaptive reuse

• Material choices were also well thought out us-

es, the ASID headquarters sets a high

ing Douglas Fir, white oak, local natural stone,

standard for eco-conscious design”

lime plaster, steel roof, and Dinesen wood from international design houses.

• “It was designed with sustainability in mind,

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and materials back to the building.

• “From its use of renewable energy sources to

• “In order to provide a connection to nature,

building.

• Use of environmentally friendly materials. Integration of greenery. A mainly naturaly lit space.

skylights and clearstories were installed”

• Acoustical landmarks, high-contrast finishes,

• “The Dallas Reunion Tower embraces a seam-

and colored flooring. Use of sustainable

ED, etc.)

• design elements.

• An open layout with infiltration of light creates a hierarchy within the different levels, and a connection to the outside spaces.

• The design prioritizes nature integration and

• “Connection to the outside. Use of natural and light materials and color palattes.”

• “Integrates with its surroundings. A spacious setting for work in a green context. Thoughtful material choices to provide well-being.”

sustainability. Special attention is given to cre-

• Connection to the outdoors. Use of greenery

ating acoustically comfortable environments.

to help with pollution, usage of electricity, and

• “Prioritizing sustainability by using locally

provide clean air.

sourced materials, biophilia, and a cycle of

• Use of vibrant colors.

regeneration and water conservation.”

• Interact with the site by adapting to the land-

• Use of natural light and sustainable materials.

scape. Visual connection to the outside.

• Use of acoustical landmarks, high contrast fin-

• Implementing highly efficient lighting and

ishes, and distinguishable color and textured flooring.

water systems.

• Use of renewable energy sources and

• Sustainable design and construction through

eco-friendly materials. Integration with the

the integration of the building’s structure,

surrounding landscape. Ample natural light

fabric, and services in a series of coordinated active systems.

• Focus towards fire resistance and materiality to meet thermal resistance regulations.

• Exemplifies the principles of LEED certification by integrating environmentally responsible design, and resource efficiency A location that provides access to public transportation.

• “Prioritizing air quality, integrating circadian lighting and biophilic design elements. Fosters a connection to the outdoors” • Use of natural tones and warm colors to reduce sensory overload.

• Designed to meet the LEED standards. Close access to public transportaion.

• Direct access to natural light. Integration of biophilic relational design.

• A large space with no obstacles. Use of high-contrast interior finishes and colored or textured flooring.

• Use of sustainable design principles and

and ventilation.

• Indoor air quality, thermal comfort, easy accessibility from the street and public transportation.

• Use high-contrast finishes and colored / textured flooring.

• “Uses passive sustainable design by working along with the climate and landscape. Using locally sourced material. Allowing natural ventilation.”

• Use of energy-efficient elements and sustainable materials.

• Reusage of grey water, circulation of fresh air.

• Supporting sustainability by using existing materials, circular products, and implementing sustainable and VOC-free materials.

• Providing low energy consumption cooling whilst improving air quality. Access to natural light. Visual connection to the surrounding context.

• The overall layout of the space reflects a trail.

utilizing natural materials. Connection with the

Visual connection to the outside. Use of natu-

surroundings.

ral light,warm materials and textures.

• “Wide pathways, strategically placed seating areas, and clear signage. Use of natural light and sustainable materials.”

• Implementation of a circadian lighting system and biophilic strategies.

• Employs biophilic design principles. Maximizes natural light and ventilation, with large windows and open floor plans

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Expected Outcomes from the combination of Factors for Creative Solutions beyond the rules and • “ The design of the space goes beyond the requirements of ADA and targets a larger audience. “ • “The space enhances health and well being not just for the area of the park, but also the surrounding areas.”

• It creates healthy, sustainable and adaptable built space

action, nurturing a community committed to

• Promoting wellness and biophilia.

sustainability. “

• “An inclusive space that promotes hollistic

• The whole building is designed to be sustainable and low emissive • The space provides the values of flexibility, movement, and sustainability.

• The Williams Bookstore stands as a testament to the intersection of sustainability, thoughtful

practices” • Promoting wellness and and a better performance.

• A space that is fully accessible for people with disabilities.

• A unique experience that is saturated with

• The space embodies so much of the Well

design, and community engagement.

inclusivity, innovation, and entertainment.

AP requirements and is pleasant in human

• The ASID headquarters demonstrates its

• Minimizing distractions to enhance learning.

experience.

holistic approach to sustainability.

• It reached both LEED and WELL certifications,

• “A community center provides accommoda-

considering both wellbeing for employees

tion for all users without making an individual

and energy and environment.

• “The space creates a healthier

feel excluded” • “Theemphasis on glazing creates an equally

and more environmentally friendly work-

rewarding view during both the daytime

space.”

through maximum daylighting, and during

• “The space offers a nature-filled experience “

nighttime through un-obstructed

• The space creatively utilizes LEED standards

views of the city lights. “

with its innovative design and commitment to sustainability.

• “Hazelwood School provides a supportive

• “The ASID Headquarters sets a high standard for sustainability and well-being with its biophilic design”

• A welcoming experience to those with accessibility constraints.

• Provides an experience that combines environmental sustainability with a focus on people.

• “Enhances physical and mental well-being while fostering a culture of productivity and collaboration.”

• Increase in productivity.

• A user-friendly experience. Engage with the space, and enhance the overall experience.

• Reduce stress and trigger elevated levels of

backdrop for learning and growth”

• “CopenHill exemplifies BIG’s ethos of Hedonis-

cognitive and emotional performance.

• “ It promotes the formation of an urban

tic Sustainability, setting a precedent for future

• “Reducing stress and improving cognitive

ecosystem” • “The space prioritizes health, efficiency,

urban projects worldwide. “ • The space is recognized and awarded for its

function.”

• A peaceful environment.

and cost effectiveness within having LEED

design strategies such as, a greenroom with

• A sustainable space.

certification.”

native plants and bees which also contributes

• A more exiting experience.

to the indoor air temperature and integrates

• Improving the quality of life for individuals

• The project is a prime example of a balance between environment and context.

with the landscape surrounding the building.

• “The space provides very well-thought-out

• The space showcases cutting-edge technolo-

space planning and attention to detail “

gies and solutions for addressing environmen-

• “The space provides very functional and effective design for the deaf and blind.”

• The space meets ADA standards within accessible design

tal challenges.

• The project fulfills ADA requirements that not only meet but also expand their design • “The project provides energy efficiency and

• “The enviromental design interacts with the

wellbeing through biophilic integration. “

human design in a way that all ages enjoy

• The Deaf Academy prioritizes creating an

and can appreaciate” • “The design is to be grand within its context and humanistic in its mission” • The hotel represents a shift in hospitality design, embodying a human-centric approach that transcends typical rules and regulations in architecture • “The Treehouse thus becomes a catalyst for environmental advocacy and collective

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inclusive and accessible environment for deaf students.

• “Art studio, a classroom, and an exhibition space all in one, featuring different elements that allow its conversion.”

• “The project provides a very user-friendly space with accessibility and movement. “ • The project focuses on the mobility of space through ramps and limited floor raising.

with disabilities.

• Stray away from an institutional feel.

regulations (ex. ADA, WELL, LEED, etc.)

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Bachelor of Interior Architecture and Design | Fay Jones School of Architecture and Design, University of Arkansas YEAR ONE IARD 1035 Studio I

IARD 1045 Studio II

YEAR TWO IARD 2804 Studio III

IARD 2814 Studio IV

IARD 3805 Studio VI

IARD 3815 Studio VI

IARD 4805 Advanced Studio VII

IARD 2723 Digital Media in Design

IARD 2883 History of Interior Design

IARD 3833 Building Systems for Interior Design

IARD 4813 Human Factors for Design

Professional Elective

IARD 2823 Interior Design Materials & Assemblies

IARD 3843 Lighting & Related Building Systems

IARD 4823 Professional Practice for Interior Design

IARD Study Abroad Requirement

ARCH 1212 Design Thinking I

ARCH 1222 Design Thinking II

YEAR FOUR

YEAR THREE

IARD 4815 Advanced Studio VIII

IARD 4811 Internship for Interior Design

ARCH 4433 Architectural History III

My students in IARD 4813 Human Factors for Design 1) evaluate the built environment for its dynamic potential to affect human behavior, demonstrating an understanding of how the design of the built environment can support or impede human transactions, individually or in social or cultural groups, 2) demonstrate an understanding of how the natural and artificial environment supports human wellbeing, and 3) apply an observation research technique used by social scientists, environmental psychologists, and designers of the built environment to analyze different environmental settings demonstrating how to collect and evaluate knowledge gained through observing physical traces, and individual and group behaviors.

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