2015-2016 New Bridge Polo Magazine

INSIDE

33 5 7 9 10

Letter from the Editor/Contributors

Welcome Letter

Fall Schedule

2014-15 Tournament Winners

Cover: Photo by Shelly Marshall Schmidt, Oh Schmidt Productions (803) 474-3094 / Ohschmidt.com

54 13 15 16 21 27 29 33 46 50 54

About New Bridge

Polo Equipment

The Sport of Kings

A Touch of Grey

Polo Field Directions

From Argentina to Aiken

Game Time

USPA National Youth Tournament Series

Luxury for the Horse and Rider

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Clothes Horse

A Sympathy of Souls

Fitness Tips from a Pro

Back in Balance

The Other Side of the Camera

A Launch Party to Remember

A-Z Polo

Advertisers List/Credits

Ride-Off

Los Modelos: Ponies of New Bridge N e w B r i d g e Po l o | 2 0 1 5 | 3

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letter from the editor

Welcome to the third edition of New Bridge Polo & Country Club’s magazine, an insider’s guide for players and spectators. This publication captures not only the thrilling, competitive sport of polo, but it also gives readers a view into New Bridge and Aiken’s unique equestrian lifestyle.

Thanks to the many people who share our vision to produce a beautiful and informative publication. Our advertisers make it possible and our contributors are the stars of the show. They are experts in their respective fields who give us their insight and experience.

Most of all, thanks to our readers who share our passion for everything equestrian.

Join me in celebrating polo at New Bridge!

Katie Roth holds a degree in Journalism/Public Relations and has experience in advertising and promotion. Her career began in the motorsports industry in event/media management. Katie competes in dressage with her mare, Taiga.

Editor & Publisher, Katie Roth

contributors Jen Easters is the manager of The Stables at New Bridge Polo & Country Club. Her animal training skills and ability to procure talent (two-legged and four-legged) are an integral part of photo shoots for the magazine. Jen enjoys showing in the Hunter/Jumper ring and photography.

Chris Powers is the Chairwoman of Women Beyond Cancer, a non-profit corporation that offers free retreats for women dealing with any type of cancer. Chris owns Two Sisters Farm in Aiken and graciously donated her styling expertise to “Clothes Horse” on page 68.

Marti Healy is a local writer, newspaper columnist, and author of two novels and three collections of short stories. An avid animal lover and advocate, Marti frequently focuses her work on animals, as witnessed by the stories on pages 84 and 97. She currently shares her home with dog Indy and cat Tuppence, and can be reached at: MartiHealy@MartiHealyBooks.com

Kenny Ray Personal Fitness is a private personal training facility in Aiken. Kenny Ray and Bill Cunningham have a combined 18 years of experience implementing methods to make Aikenites feel better, move more efficiently, and increase strength. At Kenny Ray Personal Fitness, professional and amateur athletes, seniors, young professionals, and students all achieve their goals under the same roof.

Elizabeth Hedley, USPA Polo Development Coordinator, travels all over the world to capture action shots during polo matches. She also specializes in candids and portraits taken away from the action of the playing field. Her talents are visible in NYTS (page 46) and Ride-Off (page 114). She can be reached at ehedley@ uspolo.org Karin Jeffcoat is the owner of Cote Designs, a floral boutique in historic, downtown Aiken.

Her floral design artistry and event planning expertise have received many accolades and her work has been featured in several national publications. Her creative touch is highlighted in the “A Launch Party to Remember” on page 103.

Shelly Marshall Schmidt is a commercial photographer, and has collaborated on the magazine project for three years. From polo action to fashion, and conceptual planning to graphic design, she is an integral part of the creative team and always looking for a new challenge. Shelly’s Aiken studio is at 311 Hayne ave SW and she may be contacted at: shelly@ ohschmidt.com. The Oh Schmidt Production website is ohschmidt.com Susan Victor is a co-owner and a lead designer for Nandina Home & Design with locations in Aiken and Atlanta. With years of experience in all aspects of interior design, Susan shares her expertise in “A Launch Party to Remember” on page 103. Visit Nandina at 158 Laurens Street in downtown Aiken or www.nandinahome.com

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Welcome On behalf of New Bridge Polo & Country Club, I’d like to welcome you to the 2015-2016 polo season and the third edition of our magazine. Our fields are in superb condition and we are looking forward to bringing you top-notch polo tournaments.

I think you will agree that this magazine reflects the character of our community. Our focus is polo, but New Bridge means much more to the residents that live here.

It’s about the scenic countryside, the good friends and neighbors and the ability to live in a special place where we can enjoy our horses, no matter what discipline.

I would like to take this opportunity to thank our sponsors, advertisers, members and guests for their continued support and loyalty. We look forward to building on what we’ve already accomplished to make New Bridge even better than it is today.

Aiken is a town whose equestrian past was founded more than a century ago on the perennial influx of the wealthy “Winter Colonists” from the Northeast and their pastimes of racing, carriage driving, steeplechasing, hunting, and polo for men and women. Polo has played a special part of the rich history here. More than a dozen members of the national Polo Hall of Fame are from Aiken. Today, competitors and enthusiasts travel from all over the world to play here. Many amateur and professional players have chosen to make Aiken their home.

Join us for polo and bring your friends and family. Games are open to the public. Updated tournament information and field locations can be found on our website (www. newbridgepolo.com) or call our information line at (803) 644-7706.

See you on the field!

Russ McCall New Bridge Polo & Country Club 862 New Bridge Road Aiken, SC 29805 Phone: (803) 648-3699 Fax: (803) 648-3830 Stables Manager - Jen Easters thestables@newbridgepolo.com (803) 648-3699 or (803) 634-7505

© Shelly Marshall Schmidt

General Manager - Raza Kazmi info@newbridgepolo.com (803) 648-3699

Polo Manager - Haley Bryan Hbryan2485@aol.com (803) 215-3577

Real Estate - Willie Hartnett williehartnett@msn.com (803) 979-1617

Sponsorship/PR/Magazine Katie Roth katieroth@bellsouth.net (803) 341-8800

Polo Information Line: (803) 644-7706

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2 0 1 5 POLO S EAS ON

FALL

September 23 - October 4 Copa de Plata 8 Goal October 1 - October 18 USPA Knox Cup 12 Goal October 9 - October 25 USPA President’s Cup 8 Goal October 16 - November 1 USPA Continental Cup 12 Goal

For information, please contact us at 803-522-1898 or e-mail info@newbridgepolo.com

© Shelly Marshall Schmidt

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FALL

USPA Northrup Knox Cup 12 Goal Winners: Winfield Willie Hartnett, Adam Snow, Wesley Bryan, Rick Hartnett MVP: Wesley Bryan BPP: “Pablita” Gabriel Crespo

© Katie Roth

USPA President’s Cup 8 Goal Winners: Las Vinas Pelon Escapite, Kegan Walsh, Cesar Rangel, Stacie Rodriguez MVP: Megan Donahey BPP: “Dona Fluer” Pelon Escapite

© Katie Roth

USPA Continental Cup 12 Goal Winners: Crestview Genetics Alan Meeker, Pedro Manion, Hugo Lloret, Tommy Biddle MVP: Pedro Manion BPP: “Cobra” Julian Daniels

© Katie Roth

USPA Cup of Aiken 8 Goal Winners: Blackberg Ranch Horacio Onetto, Pedro Lara, Josh Shelton, Derek Berg MVP: Horacio Onetto BPP: “Chrome” John Gobin

© Katie Roth

© Shelly Marshall Schmidt

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© Shelly Marshall Schmidt

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SPRING

USPA Pete Bostwick Memorial 12 Goal Winners: Crestview Genetics Tommy Biddle, Hugo Lloret, Pedro Manion, Alan Meeker MVP: Hugo Lloret BPP: “Vienna” Adam Snow

© Katie Roth

New Bridge Members Classic 8 Goal Winners: Las Vinas Pelon Escapite, Kegan Walsh, Cesar Rangel, Stacie Rodriguez MVP: Pelon Escapite BPP: “Delfina” Pelon Escapite

© Katie Roth

USPA Tommy Hitchcock Memorial 12 Goal Winners: Winfield Wesley Bryan, Willie Hartnett, Adam Snow, Rick Hartnett MVP: Willie Hartnett BPP: “Ming” Adam Snow © Katie Roth

New Bridge Spring Classic 8 Goal Winners: Blackberg Ranch Pedro Lara, Horacio Onetto, Wesley Bryan, Derek Berg MVP: Megan Donahey BPP: “Rosio” Horacio Onetto

© Katie Roth

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A N B

© Shelly Marshall Schmidt

© Shelly Marshall Schmidt

N

ew Bridge Polo & Country Club is a 861-acre private, gated community in a natural, wooded setting only minutes from downtown Aiken, a known haven for horse enthusiasts.

Residents and members enjoy five worldclass, championship polo fields, a 30,000square-foot GGT arena, a colonial-style clubhouse with outdoor asado, pool and tennis, an exercise track and miles of groomed, dirt roads perfect for riding and enjoying the countryside.

want to share in the ambience by living in a dream house on the edge of the polo fields, New Bridge Polo and Country Club provides the perfect location.

During polo season (spring and fall) member practices are offered three times a week where pros and amateurs play together. In addition, visiting players and

teams participate in tournaments hosted by the club.

All equestrian disciplines are welcome to enjoy a secure lifestyle within the private, gated community of New Bridge Polo and Country Club and experience the true flavor of country living.

Cottage-style bungalows and residential homesites (half- or full- acre in size) are available alongside the wide expanse of a polo field, bordered by shady tracks, woodlands and board-fenced pasture.

Larger, horse-friendly lots (from four to forty acres) are offered in a variety of locations throughout the community.

The architectural landscape at New Bridge Polo & Country Club is as diverse as it is unique. Whether you are looking for a turnkey equestrian operation, or simply N e w B r i d g e Po l o | 2 0 1 5 | 1 3

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Polo Equipment

A.

C.

D.

I.

E.

G. B.

H. F.

Players: Players are rated on a handicap system from -2 to10; 10 being the best in the world. Players are not limited by gender or age.

Polo Pony: Polo ponies are usually Thoroughbreds, selected for their speed, agility, endurance and intelligence. Most players believe their polo pony accounts for up to 75% of their game.

Polo Ball: The ball is 3” in diameter and made of hard, white plastic that dents after continuous hits.

A: Helmet Helmets are required equipment for protection against swinging mallets, flying balls and spills.

B: Mallet Mallet lengths range from 49” to 54” to best fit a player’s swing and size of pony.

They are constructed of bamboo cane with a tipa wood head.

C: Roached mane Manes are clipped to prevent them from getting tangled with the reins and out of the player’s face.

D: Bridle: Leather bridles are customized to fit each pony. The most common bits used in polo are the gag, snaffle and pelham.

F: Boots/Wraps: Used to protect the pony’s legs from the ball and mallet while providing additional support.

G: Boots/Knee Pads: Leather boots protect the rider and knee pads guard again injury in a “ride-off.”

H: Shoes: Give the pony better traction.

I: Tied tail: Tails are tied to eliminate interference with the mallet.

E: Draw Reins: A second set of reins for better control extends from the girth, through the bridle to the rider’s hands.

© Shelly Marshall Schmidt

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By Katie Roth Photos by Shelly Marshall Schmidt, Oh Schmidt Productions

“There is no other sport like polo. It is the only team contact sport where a father and son can play for many years and share a love of the game.� ~Rick Hartnett 1 6 | 2 0 1 5 | N e w B r i d g e Po l o

Many fathers and sons play catch with a baseball or a football in the yard, but being able to play a team sport together for 25 years is rather unusual.

Winfield’s father and son duo of Rick Hartnett and Willie Hartnett are a part of polo history. They’ve had different teammates occupy the other two spots on their team through the years, but the one constant has been their pledge to each other to play on the same team for as long as they can.

The Hartnetts’ story begins with Rick growing up near Boston, Massachusetts, just down the street from polo player Adam Snow’s father, Crocker Snow, Jr. It was this neighbor who introduced a

young Rick to the sport.

The first in his family to pick up a mallet, Rick was only 10 years old when he did, but he was hooked right from the start.

At age 12, Rick was featured in a young player story in Sports Illustrated magazine.

His first pony was not even trained for the game, a fact that didn’t matter to the boy in the least. He would go on to train his own string and play consistently every year thereafter.

Rick’s career has taken him to 4-goals, where he has stayed for the past 10 years.

He is an inspiration and role model for his son Willie, who is also now a 4-goal player.

“It is interesting to me that the sport can come full circle in my lifetime,” reflects Rick. “I not only play with my son, but with the son of Crocker Snow, Jr. – Adam – who has also played for Winfield.”

Adam Snow is a former 10-goaler who has made his own significant impact on the polo world.

Willie Hartnett grew up on the sidelines of his father’s polo matches. Even though he was often playing soccer with his friends during the games, he was undoubtedly learning and absorbing more than was realized. While young, Willie rode hunter jumpers, and the majority of his time was spent at horse

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shows in Boston and Wellington with his mom, Ann. But he would often stick and ball with his Dad, and occasionally play at Myopia Polo Club.

Eventually, Willie had to choose the equestrian sport to which he would focus his time and energy; he decided on polo – a choice, he says, that may have been based on the fact that his polo efforts seemed to be having better results than his jumping at the time.

Willie attended the University of Virginia and played on the Intercollegiate Polo Team there. The team made the finals of the Men’s Championships all four years he played with them, winning the title twice.

After college, Willie spent 15 years as a professional polo player.

He credits not only his father for being his role model, but also thanks Matias Magrini and Memo Gracida, who taught him how to prepare for the challenges of being a professional athlete.

During those years, polo brought Willie to Aiken. He fell in love with the area and soon became a fulltime resident. He also began developing a business career off the field – but one that would allow him the flexibility to continue to pursue the game he loved. Real estate was the perfect fit for Willie, allowing him to utilize his expertise by specializing in equestrian, as well as non-equestrian, properties. Willy’s father, Rick, then decided to relocate to Aiken, to a property he had originally purchased with Luis Escobar.

Father and son share many aspects of the game, including a deep love and respect for the horses. They each have had wonderful animals during their careers that they have both played at one point or another.

Although they have different playing styles, they still purchase horses together.

They agree that they must both be able to play them; but, ultimately, the horses are matched to either Rick’s or Willie’s skills.

There are, however, a few aspects of the sport that they don’t share. Barns and grooms are a good example. Each of them has a 12-stall barn at New Bridge, but separated by a breezeway. Grooms are employed by either Rick or Willie, but not both.

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Both do agree, however, on their choice to own property and play at New Bridge. “The fields are some of the best in the U.S., and we like that they are maintained at such a high level,” Willie observes.

Both men also realize one of the biggest advantages in polo is the quality of the horses, and both have done some of their own breeding to that end. Rick started out training off-the-track Thoroughbreds to become his string. “It’s amazing how the levels of horses and players have improved in my years in the game,” he says. “Today’s horses are noticeably stronger and faster.”

While typical fathers and sons may only talk with one another once a week or even once a month, Rick and Willie converse several times a day. They discuss the health of the horses, plan practice chukkers, and strategize for tournaments. Polo gives them an entirely different dimension to the regular fatherson relationship.

The Winfield team has enjoyed significant success at New Bridge, especially during the past year – most notably with their victories in the USPA Northrup Knox Cup 12-goal last fall and the USPA Tommy Hitchcock Memorial 12-goal this past spring.

It should be noted that Winfield was named for Willie’s maternal grandfather.

It is a name that has taken on even more meaning now that the newest addition to the Hartnett family – Willy and wife Katy’s infant son – was named Winfield (affectionately shortened to “Win”).

Before long, young Win may be picking up a mallet of his own. And, in doing so, he will certainly have his father’s and grandfather’s legacy there to guide him in this obviously strong, generation-togeneration, family tradition.

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Photos by Shelly Marshall Schmidt, Oh Schmidt Productions

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Grey is the color of intellect, knowledge, and wisdom. It is perceived as long-lasting, classic, and often as sleek or refined. It is a color that is dignified, conservative, and carries authority.

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“Love has no beauty in black or white, it’s only the grey color that has any beauty to it…”

Marie Chaidez

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Photography: Shelly Marshall Schmidt, Oh Schmidt Productions Stylists: Jen Easters and Katie Roth Groom/Rider: Otto Arredondo Delfin, 12-year-old Thoroughbred gelding, owned by Willie Hartnett. Delfin is Willie’s favorite horse and so kind that he is used as a companion to the babies when they are weaned.

Misty, 8-year-old Appendix mare, owned by Willie Hartnett.

Misty is a former cutting horse and current famous model.

Peewee, 7-year-old Thoroughbred gelding, owned by Willie Hartnett. Peewee was part of Matias Magrini’s breeding program out of a very famous mare that was played by Carlos Gracida for many years all over the world.

Puck, 8-year-old Mini, owned by Ann Hartnett. Puck is pintsized perfection.

Tinsel, 6-year-old Appendix mare, owned by Willie Hartnett.

Originally a reining prospect, Willie bought Tinsel from a cowboy in Florida. She’s very sweet and everyone’s favorite to look at.

Woodrow, 7-year-old Appendix gelding, owned by Mandeep Singh. Woodrow is a very handy horse.

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POLO FIELD DIRECTIONS Crestview Farm 894 Cooks Bridge Road

Tournament games & practice location: From 118 bypass (Rudy Mason Parkway) take Wire Road for 2.5 miles. Take right fork onto Cooks Bridge Road. Go 3.9 miles and gated entrance on right.

Isinya Farm 381 Langdon Road

Tournament games & practice location: Take Hwy 302, go east eight miles from the intersection of Highway 78 and 302.

Turn right on Langdon Road, Isinya is the first driveway on the right.

Meadow Hill - Barrington Polo 491 Burkelo Road

Tournament games & practice location: Take Hwy 302, go east 12 miles to Burkelo Road. Burkelo Road is the first road after the Wexford Mill entrance. Turn left on Burkelo and Meadow Hill Farm is on right with black fencing. Horse trailers

& spectators can enter the farm via the 302 entrance. Continue on Hwy 302 past Burkelo Road about 1/4 mile to drive entrance marked as 5003 Wagener Rd and turn left to enter farm.

New Bridge Polo Club 862 New Bridge Road

Tournament games & practice location: Take Hwy 302, go east 5 miles from the intersection of 78 and 302 to New Holland Road. Go left. Go approx 1.5 miles to New Bridge Road. Go left. Go approx 2 miles to New Bridge Polo Club on left.

From 118 bypass, take Wire Road, go 1.2 miles to New Bridge Road. Go right 3.6 miles to New Bridge Polo Club.

New Haven Farm 372 Langdon Road

Tournament games: Take Hwy 302, go east for eight miles from the intersection of Highway 78 and 302. Turn right on Langdon Road. New Haven is the first driveway on the left.

Š Shelly Marshall Schmidt

Š Noel Johnson

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By Katie Roth Photos by Shelly Marshall Schmidt, Oh Schmidt Productions

Hugo Lloret grew up on a farm in Marcos Juárez, Córdoba State, Argentina, where his family raises Aberdeen angus cattle. Becoming a farmer would have been a natural career path for Hugo, but a future as a professional athlete would become reality instead.

But, if you had asked Hugo, he would have said he would play soccer, not polo. Although Hugo learned to ride and play polo as a youngster (his father held regular polo practices at the farm), the game of soccer was his first love. He was heading toward a career as a professional player, but a back injury forced him to rethink his future. Soccer took a backseat and he continued to play polo as he attended college.

Hugo attended law school in Argentina for five years and needs only one more year to complete his degree.

Hugo chose to attend Universidad Nacional de Cordoba, a public university. “Public universities are well known in Argentina for being difficult and I love to take on a challenge,” he said. Although he studied hard at school and earned good grades, his head was always in polo and he began to travel more and more to play as a professional. “My mom would love for me to finish my law degree,” said Hugo, “and one day I plan to go back and do so.”

Hugo Lloret first visited Aiken in fall 2014, when he played for Alan Meeker and the Crestview Genetics team. He could have stayed anywhere in Aiken, but he chose to rent a house in New Bridge and keep his horses here. “New Bridge reminds me of home”, said Hugo. “My family enjoys the beautiful scenery, inviting atmosphere, and friendly people at New Bridge,” he said. Hugo likes to play in the United States, especially when his wife Silvana and daughter can join him. Three-year-old daughter, Catalina already loves horses – who knows, she may have a future in horses as well?

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The 4-goal player returned to New Bridge in spring 2015 to once again play for Crestview Genetics. The team enjoyed a successful season, winning the Pete Bostwick Memorial 12 Goal Tournament where Hugo was awarded MVP. Hugo is very invested in his polo career. He is a hands-on manager, overseeing the daily care and feeding of his horses.

He researches different types of food, wanting to give his equine partners the best diet possible and tailors fitness plans to allow them to reach their full potential as athletes.

“It takes many things to become a successful polo player. Not only do you have to be an athlete, you need good horses that you must maintain a partnership with. I am constantly learning and trying to improve my skills as a player,” he said.

Hugo takes his responsibility with his sponsors very seriously. Sometimes he brings horses for sponsors to play and likes to ride the horses himself to make sure they are prepared correctly to succeed in tournament play. “I like to match the horse to my sponsor’s skills. It is very important to me to have the trust of my sponsors – many of them have become my friends,” he said.

Hugo’s teammates and opponents will tell you that he is a great defender and attacker on the field, but he also has a knack for developing chemistry among team members. “It takes a couple of games to get a connection going as a team,” he said. “You have to know each player’s strengths and weaknesses and plug them into the right place on the team.”

Hugo prefers small, light, fast horses in his string. He also believes that any player or sponsor should be able to ride his horses, so he trains them in a manner that makes them eager to play and fun to ride.

Hugo enjoys all of his horses, but there are a few that stand out, including Tramposa, Lanza and Rubia. Tramposa is out of Trampta, Hugo’s mare at home in Argentina. He and his father have a breeding operation where they raise 15 to 20 horses each year.

The only boy with two older sisters, Hugo has always helped his father with the family farm and continues to do so, even long distance. He is on the phone daily to his father in Argentina, discussing farm operations. From cattle to over 130 horses, he stays engaged in the family business. Hugo tries to visit home at least twice a year. Ultimately, Hugo knows at some point in his life he will go back and manage the family farm. But, until then, he will enjoy seeing where his polo career takes him.

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GAME TIME

© Shelly Marshall Schmidt

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USPA National Youth Tournament Series Photos by Elizabeth Hedley The National Youth Tournament Series (NYTS) was developed by the USPA Junior Polo Committee to create more opportunities for youth to play against their peers. NYTS is a training module that prepares youth for formal tournament competition, it challenges players to get to know their team and identify their opponents’ strengths and weaknesses.

Pictured (from left to right): Wesley Bryan, Malia Bryan, Tess Pimsner, NIck Galvan, Tristan Hurley, Jasper Paglia Scheff and Mason Sease.

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The Stables at New Bridge

By Katie Roth New Bridge Polo & Country Club is well known for its five championship polo fields, but it also offers amenities for all riding disciplines. The recent addition of The Stables and a GGT all-weather riding arena are just the beginning of a community that caters to equestrians and their four-legged partners.

The Stables is a premier equestrian facility open for boarding to New Bridge residents and non-residents. In the 24-stall center aisle barn, horses enjoy large stalls (12x12) equipped with wall-to-wall comfort matting, fans, large windows and fly spray system. The Stables is a full-care facility that includes feeding, blanketing, turnout and night check. Multiple indoor hot/cold wash racks with fans provide the ultimate post workout cool down for equine athletes.

The climate-controlled tack room offers individual storage for helmets, boots, bridles, and saddles. A comfortable riders lounge with two full baths and laundry facilities offers the perfect place to relax after a ride.

This multi-discipline training facility offers numerous riding areas, including a 30,000-square-foot jumping ring with allweather GGT footing. The arena, near the Stables and field #2, has hunter derby-style fences and a perimeter of hedges.

Other riding areas include miles of bridle paths and a shaded galloping track. Even those who enjoy trail riding will love New Bridge, which has countless unpaved roads perfect for hacking through the quiet countryside of the community.

New Bridge accommodates individual turnout needs throughout 70 acres.

Pastures range in size from a quarter acre to 20 acres – all secured with four-board fence and an abundance of lush grass.

Boarders also enjoy social membership at New Bridge Polo & Country Club and have access to additional amenities, such as the swimming pool and tennis court.

The Stables prides itself on offering the best care and facilities to all equines, from competition horses to retirees.

For more information on The Stables, please contact Jen Easters to schedule a tour.

(803) 648-3699 / (803) 634-7505 (cell) / thestables@newbridge.com (email)

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Bruja

Owned by Mandeep Singh Beginner’s dream

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Gaviota

Owned by Dardo Iglesias Hardest - working mare N e w B r i d g e Po l o | 2 0 1 5 | 5 9

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Marela

Owned by Dardo Iglesias Dream horse

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Mini

Owned by Dardo Iglesias Once-in-a-lifetime mare

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Clot hes Horse Photos by Shelly Marshall Schmidt, Oh Schmidt Productions

Join us as we celebrate famous fashion designers and their iconic style on the grounds of New Bridge Polo & Country Club.

Through the decades, many fashion houses, such as Chanel and Hermès, have taken a nod from the horse world and the equestrian influence is evident in their designs today.

From the catwalk in Paris to the barn aisle at New Bridge, horse culture definitely becomes haute couture.

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“ Women think of all colors except the absence of color.

I have said that black has it all. White too.

Their beauty is absolute. It is the perfect harmony.� ~ Coco Chanel

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“The only real elegance is in the mind; if you´ve got that, the rest really comes from it.” ~ Diana Vreeland

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“Fashion is about dreaming and making other people dream.� ~ Donatella Versace

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“Fashion does not have to prove that it is serious.

It is the proof that intelligent frivolity can be something creative and positive.� ~ Karl Lagerfeld 7 6 | 2 0 1 5 | N e w B r i d g e Po l o

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“Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.� ~ Coco Chanel

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“The idea is always the same at Hermès, to make tradition live by shaking it up.” ~ Jean-Louis Dumas, Former president of Hermès

Tribute to iconic Hermès International Ad Campaign 2004

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Photography: Shelly Marshall Schmidt, Oh Schmidt Productions

Horses: Koenraad, owned by Carol Pexa

Styling: Chris Powers

Limon, owned by Alea Crespo

Layout and Design: Innovative Solutions

Messi, owned by Dardo Iglesias

Pool Production Assistant: Hayes Trapp

Potra, owned by Dardo Iglesias

Models: Malia Bryan

Puck, owned by Ann Hartnett

Alea Crespo

Ruano, owned by Russ McCall

Megan Donahey

Waverly ISF, owned by Carol Pexa

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CE-A

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A Sympathy of Souls

By Marti Healy Photos by Shelly Marshall Schmidt

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“Do you think the universe fights for souls to be together?

Some things are too strange and strong to be coincidences.” ~ Emery Allen, contemporary writer

F

irst, I breathed up his nose. As one does when meeting a new horse (acknowledging that perhaps I may be one of the odd few who does that). And, in return, he mingled his own breath into mine.

He then playfully nudged my nose a few times with the broad, velvety end of his muzzle – and proceeded to use his entire nose and mouth to feel all around the rest of my face into the edges of my hair. It was an exploring sort of touch, inquisitive, incredibly gentle, with a shared trust between us. Like a person who is without sight getting to know a stranger.

After all, to him I was a stranger. And he is without sight.

His name is Buddy, a twelve-year-old Thoroughbred gelding. And he arrived at Aiken Equine Rescue in 2007 mixed in with a van load of other horses taken from an auction house in another state. There had been no mention of a blind horse among them.

Jim Rhodes, vice president and managing director of the Rescue, took note of the disabled gelding immediately when they were unloading the animals back at the farm, so he was able to give special care to the frightened, confused individual.

They assigned Buddy to a paddock by himself, where he would be safe and, hopefully, find peace and establish familiarity with his surroundings. But he remained terribly hesitant, disoriented, completely helpless.

Buddy’s fear was constant, almost palpable, surrounding him like a thick, impenetrable fog. It isolated him from any potential comfort or sense of community – not only from the staff and volunteers who tried to interact with him, but from the other horses. A number of different animals were introduced to him in an attempt to provide companionship; but he rejected them all, terrified of their very nearness. Even more terrified of the herd.

At mealtimes, he would be coaxed to the fence and his food bucket. But he continued to stumble and falter with every step, and needed to have his head directed by hand to his feed. Nothing his handlers tried could ease his lack of orientation or help him gain a life of even minimal independence and normalcy.

And then, the universe of strange and strong coincidences stepped in to fight on behalf of Buddy.

It arrived in the form of a ten-year-old Argentine Thoroughbred by the name of Hollywood. This bringing together of two beautiful yet damaged souls would prove to be a saving grace for both of them.

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Hollywood’s owner was polo player Gary Eakin (who shared his own nickname with this favored horse). When the much-loved pony acquired the serious, often fatal, neurological condition known as EPM, Gary brought him to Aiken Equine Rescue, rather than have the horse put down. Eakin, Rhodes and his staff, and vet Lisa Handy worked tirelessly to combat the illness, with significant success.

While Hollywood was being treated, and primarily due to his lack of coordination and muscle instability from the disease, he was paired with Buddy on a tentative trial basis. The alignment and bond of trust that occurred between them was immediate and unconditional. Both were filled with joy at the presence of the other. Their understanding of one another’s vulnerabilities was instant and profound. It was as if they had been reunited after a lifetime of separation – rather than newly introduced. Even their vocal communications were unique.

After six years together, Buddy now runs playfully and freely in the paddock, secure in the knowledge that Hollywood is nearby. He comes forward willingly to meet all visitors, old friends and newcomers alike, because Hollywood has got his back. At mealtime, the feed buckets are hung on the fence, and Hollywood goes to Buddy’s first, where he awaits his blind friend to join him. As soon as Buddy brings his nose into the feed, Hollywood moves away to his own bucket. It’s a system they worked out solely between themselves, however counterintuitive it is for typical equine culture.

Today, Buddy tilts his head in curiosity, listening to new sounds and footfalls and breathing as it approaches their paddock. He readily comes forward, leaning into me, anxious to greet someone new.

Hollywood stands at Buddy’s shoulder, waiting with patience and, perhaps, something like pride.

I suspect the universe does fight for some souls to be together. Or perhaps it is simply coincidence or fate or a human mercy or the grace of God. Whatever brought them together, it is apparent that Hollywood has a soul that is strange and strong, and is now fulfilled with purpose. And, from out of the sympathies within his own soul, he has filled Buddy’s with peace and hope and courage.

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Fitness Tips from a Pro

ill Cunningham is a Personal Fitness Coach at Kenny Ray Personal Fitness. He has over five years of experience, apprenticed under the tutelage of Kenny Ray, and received his certification from the National Federation of Professional Trainers. Bill is Functional Movement Screen certified. Continuing education highlights include multiple workshops with Mike Boyle, former Boston University, Boston Bruins, and Boston Red Sox strength and conditioning coach; Gray Cook, renowned Physical Therapist and Strength Coach; and Kelly Starrett, CrossFit mobility guru. Kenny Ray Personal fitness places an emphasis on symmetrical, functional movement and increasing strength in all clients.

Things to think about for fat loss: Losing body fat is 80% about nutrition/ hydration, and 20% about exercise. Most people think exercise is the key piece, but that is not the case.

You need to perform vigorous exercise at least 5 times per week if you are serious about losing body fat.

You can make excellent food choices, but still have poor nutritional habits. Eating the right foods is only part of the equation. You also must eat frequently enough (five times per day), and each feeding (notice I didn’t say ‘meal’ or ‘snack’) should include a lean protein and a complex carbohydrate.

Losing fat requires consuming a certain amount of calories per day, which can be calculated based on personal factors like resting metabolic rate, activity level, and current weight.

If you fail to plan you can plan to fail. You must plan because you are attempting to change your lifestyle, and change the way your body functions. These are large undertakings, so consistency is key! Meals should be premade and packaged, mostly on the weekends.

Your workout appointments should be set in stone and rarely altered. Planning even trickles down to details like having a neat, well stocked gym bag. It all matters, because you’re trying to create a new habit.

Adhering to the guidelines during the week, and slipping on the weekends isn’t going to work. Saturday and Sunday make up 28.6% of the week. A dedicated fat loss candidate is trying to reach 90% compliance.

Many people sabotage their efforts with the consumption of alcohol.

Lean muscle is what burns body fat. Your exercise plan is flawed if it does not primarily focus on strength training.

You can lose weight by having a very low daily caloric intake, but you will not lose body fat.

When you under-nourish your body to lose weight, your body will utilize muscle tissue for energy, leaving fat tissue behind. The result is a smaller, less healthy individual who still has a very high body fat percentage.

Anyone can lose body fat. It’s about having a good plan, being consistent, taking a longterm approach, and persevering through the tough times.

Back In Balance Story By Diane Dzingle Photos By Katie Roth

I have been horse crazy for as long as I can remember. I got my first pony when I was nine, and came up through Pony Club riding, mostly OTTB. It was a lot of years of “seat of the pants” riding and a “just make him do it” attitude. That attitude started to shift eight years ago after I rescued a gelding named Turner. Because of his spookiness and propensity for bucking, Turner had flunked out of being a dressage horse and a jumper and was eventually left to starve. He was a very friendly, personable guy from the beginning, so when I was finally able to start riding him I was pretty sure it wasn’t just a “bad attitude” that made him so difficult to ride, almost dangerous when asked to do something as seemingly simple as a canter transition. It is here that I started my journey to understand what can make horses misbehave and refuse to perform.

After eliminating any possible problems with saddle fit, hoof care, dental and chiropractic, I tried using an equine bodyworker and felt it was the first thing Turner responded to and received at least temporary benefit from. I was intrigued and wanted to know more. After much research, I choose to study with Jim Masterson and become a MMCP (Masterson Method® Certified Practitioner). I was attracted to this method because it works WITH the horse, not on the horse. The practitioner learns to read the horse’s response to light touch and stay under the natural bracing mechanism. This allows the therapist to access a level of the nervous system that enables the horse to release deep stress and tension in muscles and major junctions of the body.

Diane Dzingle of Back in Balance Equine Bodywork shares her journey of becoming an equine bodywork therapist. Her hands-on approach is used to prevent and relieve stress in horses as well as assist in recovery from injury. Her methods are also a tool for detecting tension, abnormalities, and other problems before they become apparent to the eye. Diane recently moved from Battleground, Washington to Aiken and continues to serve clients all over the U.S. as an integral part of their horse’s high performance program.

I went on to become certified in Equine Structural Integration because I wanted a way to be able to work with connective tissue and fascia. Connective tissue permeates the body in a 3-dimensional web that provides form, support, protection and flexibility, as well as being a communication network. Because of this interconnected nature, restrictions and holding patterns in one area of the body can transmit strain far into the web, often seen as compensatory injuries. Structural Integration aligns and balances the body by lengthening and repositioning the connective tissue. This allows the muscles to move with greater ease and the body to become coordinated and efficient in

Diane is also a representative for Theraplate, a revolutionary therapeutic platform used for rehab, physical therapy and sports conditioning for people and horses. By stimulating circulation through involuntary muscle contraction, it is a concussion free therapy that has shown dramatic results in healing everything from suspensory injury and laminitis to helping horses with cushings, EPM and tying up to name a few. There is scientific evidence that Theraplate increases bone density and builds muscle mass so it is a useful tool for horses on stall rest as well as for horses in work.

Theraplate is also great for maintenance and preventative, offering protocols for warm up and cool down. Theraplate is an official sponsor of the USEF; horses stand on it because it makes them feel better!

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its use of energy. This equates to better performance! Together, my credentials with the Masterson Method® and Structural Integration give me the tools and understanding to work with the horse to release tension, restrictions and holding patterns that can affect attitude, ability and performance.

Bodywork does not include skeletal adjustments; that is chiropractic and something only a veterinarian trained in chiropractic should do. However, one of the benefits of bodywork is that a horse that has soft muscles and supple connective tissue will hold his chiropractic adjustment longer than a horse with a lot of tension.

Regardless of breed or discipline, all horses can benefit from this work. Like people, horses suffer from repetitive work, stress, injury, and trauma, all of which negatively impact the ease and comfort with which they can perform.

I love the bond this work has given me with my horses both in and out of the saddle, and the connection I make with every horse I get the opportunity to work with. I love that every horse is different and has something new to teach me and

that we can communicate on such a subtle level. I love that I found my passion, which means my job is not work but something I love to do and will never tire of. Being able to help horses and their people be successful together is a really awesome feeling.

Because bodywork is my passion, I never tire of researching, learning, attending clinics, and asking questions. This thirst for knowledge is like nothing I have experienced before and so somewhat of a surprise! I also find that as my knowledge and experience and understanding grow, my attitude continues to shift and morph concerning some of the things we expect of our equine partners.

My rescue horse Turner is now 17 years old. After being my guinea pig as I learned how to be a bodywork practitioner, he is now spook and buck free and by FAR more physically capable and comfortable than he was at nine years old. I also recognize the limitations of his conformation and have tailored my ambitions to reflect that. A 25-mile competitive trail ride, you bet!

Novice level eventing, no problem! Upper level dressage horse, not gonna happen — and that is just fine with Turner and me.

Does your horse show these signs of tension, muscle soreness and imbalance?

• Decreased coordination • Trouble bending in one direction • Cinchy / girthy or being cold backed • Unwillingness to work • Trouble picking up correct lead • Head tossing • Poor attitude • Bucking, rearing

The benefits of bodywork: • • • •

Improve performance Relieve soreness Restore range of motion Reduce spasms, release endorphins • Enhance proprioception • Drain toxins and increase oxygenation

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e r h t O The e h t f Side o a r e m Ca idt, Healy all Schm

By Marti lly Marsh e h S ons ti y c b Photos idt Produ Oh Schm

1)

One profoundly patient pony, a silk designer scarf, three determined women, and a leaf blower Behind the scenes at a photo shoot for New Bridge Polo Magazine is rarely straightforward. And, typically, it’s a far cry from what the reader sees on the finished page. From highly inventive to unbelievably funny, what the public doesn’t see is often hard to even imagine. Sometimes, it borders on magic.

I was privileged to be allowed to attend a couple of these photo shoots (the benefit of having friends in all the wrong places). So I witnessed some of this alternate reality first hand.

The pony, the scarf, and the leaf blower, for instance, were employed to create a part-highfashion, part-fantasy, image of an equine flying through the air – the scarf as an integral and organic part of the pony’s tail streaming out behind him, his mane tossed and tousled in the winds.

The pony was “Puck,” by name, a carriage competitor by lifestyle, owned and shown by Ann Hartnett, and the most sweet-tempered, cooperative pony ever – as well as being one of the most beautiful.

Puck allowed numerous scarves to be tied and interwoven into his tail over and over again until the perfect one was found. Various fans were then tried to create the breeze effect – often more than one fan at a time, all at different angles. Finally, the stylist, the photographer, and the handler all concluded that none were quite satisfactory. Nothing was working quite right.

And so, a leaf blower was brought it. A jarringly loud, awkwardly bulky, industrial strength, leaf blower, together with miles and miles of extension cords. Shown to the ever-patient Puck, he barely acknowledged its presence. Even when it was turned on to its maximum speed, he never turned a hair or his head. I watched in awe as the best angle for the “wind” was determined to be when the blower was aimed directly under N e w B r i d g e Po l o | 2 0 1 5 | 9 7

the belly of the small pony – letting the strong gust of forced air rush up through his tail and over his sides – all the way up through his mane. Oh, this can’t be good, I remember thinking. And yet, Puck simply posed. And this was all for just one photograph.

When, as a local writer, I was asked to participate in this issue of New Bridge Polo Magazine, I was honored – especially when told I could pick my own topics for stories. One of them, I insisted, had to be showing the backside of the camera relative to what all the imaginative, creative, hardworking folks do to bring this publication to the visual level of quality it achieves, issue after issue.

It’s a story best told in pictures, of course.

4)

1) Puck, the ever-patient pony, never seems to question the strange things humans ask him to tolerate – from a designer scarf tied in his tail to the leaf blower brought in to make 2) it fly. A true “professional,” Pu c k’s s we e t temper makes him a popular photo model for the magazine.

2) Photographer Shelly Marshall Schmidt captures a rare moment when Puck can be just a pony. Awaiting the next shot setup, Puck takes advantage of a free munch on the lawn.

A few minutes later he seems equally content in a garden gazebo setting surrounded by lots of odd props.

3) Magazine editor and photo supervisor Katie Roth compliments Puck on his performance and cooperation.

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3) 5) from her closets. Spontaneity often trumps tightly scripted shoots for this magazine known for its upbeat – sometimes surprising – content.

8)

4) It started out as a nice shot of Marela the polo pony. Then Bella the dog walked up and was asked to sit in. And then someone thought it would be fun to add one of the barn cats. And wouldn’t it be more fun if the cat were sitting on the horse’s back? The flicking of a toy on a stick just out of sight even got the cat to rise up on its hind legs. What a shot! And then we were done.

5) Bella the dog fears for possession of the chew treat stuffed in her cheek. But Marela the polo pony seems to just want Bella to move out of the shot. Meanwhile, Shelly Marshall Schmidt the photographer just keeps the camera clicking. With fourlegged models, the best shots are rarely planned.

6) Even expert handling has its limits, as five grey polo ponies decide to socialize in the middle of a shoot. Their groom, Otto Arredondo, wisely just lets the moment pass, and then brings their attention back to the task at hand.

7) Sometimes art imitates art. Sometimes it intrudes on good-natured swimmers, wears goggles, and bursts into giggles. Polo player Megan Donahey brought her sense of fun to this fashion shoot that took its cue from a classic ad for French designer Hermès. The club pool served as the white-water rapids, a pool member jumped in (literally) as part of the production crew, and the rest was technology wizardry.

6)

8) Bacon the Jack Russell discovers what happens when you get too close to a photo shoot for this magazine. You’ll quite likely find yourself on a paddle board in a swimming pool wearing a fancy scarf. It looked like a safe enough lap on which to sit. But then photo stylist Chris Powers got this idea...

7)

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don’t believe there is a group that enjoys a party more than the polo community. From a casual Argentine “asado” to a formal Palm Springs gala, these equestrians know how to entertain with style. The polo community, with its well-traveled members, brings a touch of worldly sophistication to even the most casual events.

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A Launch Party to Remember: How to Entertain Polo Style

By Susan Victor Photos by Shelly Marshall Schmidt, Oh Schmidt Productions

In October of 2014, a launch party was held to celebrate the release of the second edition of New Bridge Polo & Country Club’s magazine. Highly regarded for its creativity and beauty, this magazine is unlike any other polo club publication. To mark the occasion, it seemed only fitting to host an event as spectacular as the magazine itself.

Achieving such an ambitious goal needn’t be as intimidating as one might expect. All it takes is some conscientious planning - and a great team. The magazine launch party combined the considerable professional skills of Cote Design, The Willcox Hotel, Nandina Home & Design, Oh Schmidt Productions, and such talented individuals as Katie Roth, Katy Harnett of Morgan Stanley, and Deirdre Stoker Vaillancourt of Meybohm Realty. The results were outstanding.

In preparation for the launch party, there were three key areas that were not left to chance.

The venue and staging.

As an interior designer, I am not an event planner, but I am often called on to stage spaces for large events. Staging is similar to space planning, which is an integral part of an interior designer’s job. But, unlike space planning, which has longterm implications on how a home or office may function, staging has a temporary purpose.

In the initial walkthrough of a potential venue for an event, it must be decided how the party will flow through and best utilize the available space. The event planner or designer is typically tasked to then transform that space into the desired atmosphere and effectiveness – without altering or damaging surfaces, such as walls and floors – and often within a tight time framework for setup and takedown. In addition to determining how the venue itself might interface with the style of the party, the planner must also be able to make the biggest impact with the least amount of additional materials brought in.

Before

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Choosing the New Bridge clubhouse as the location for the magazine launch party was the ideal fit for the casually elegant event. The impressive rough-hewn wood structure became the perfect backdrop for everything from the furniture and artwork to the menu selection.

The high-ceilinged, very open floor space was converted into a series of warm intimate seating areas by Nandina Home & Design, while this floor plan further guided the flow of attendees throughout the space as desired during the event.

The entrance to the clubhouse introduced the guests to the “modern equestrian” theme of the event – welcoming them upon their arrival, as well as providing a comfortable conversation area throughout the evening.

Contemporary seating, a hide rug to anchor the furniture grouping, the juxtaposition of sleek steel-framed seating against an abundance of rough wood, and the addition of fresh green color contrasts, all worked together to achieve the desired effect.

As added impact and focal point, a large-scale polothemed photographic diptych was hung in the seating area – which also drew the attendee’s eye up and out to fully appreciate the scale of the room.

As guests moved from the entrance area into the main dining room, they were greeted with a single, large, central buffet table. The existing seating and tables from that room had been moved outside – not only freeing up the floor space inside, but transforming the exterior grounds into an alfresco eating and conversation area.

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Throughout the entire clubhouse, large-format equine-themed photography from Oh Schmidt Productions transformed the walls and enhanced the special event decor. Actual pages of the magazine were enlarged into display art that graced the clubhouse walls. As guests saw the photography for the first time, and recognized their New Bridge friends and polo players, their delight was audible.

The menu and beverage service.

The quality and display of the food and beverage service at an event is often the one thing that the guests remember and talk about long after the party is over.

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A signature cocktail is always a fun addition to a beer and wine bar. For this event, a Malbec sangria served with orange slices in wine glasses, and renamed a “tail shot,” brought a refreshing, festive, Argentine-inspired flavor to the occasion.

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The details that make a difference.

Often, the details of an event are what make it memorable. Such was the case for the New Bridge magazine launch party.

Invitations that are truly inviting Whether sending formal invitations by mail or using an email invitation service, an invitation that is creative and in keeping with the style of the party is worth the effort.

For the launch party, a formal invitation was designed utilizing photography by Shelly Marshall Schmidt. The title, “Step up your Game,” was a perfect play on words.

Floral display and food presentation Beautiful floral design does not have to be over the top to have impact; its artful composition is much more important. Food display also depends on the right balance of presentation materials and the food selection itself.

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The floral design for the launch party by Karin Jeffcoat of Cote Designs was a simple combination of berries, vegetables, and flowers in simple containers – perfectly matching the rustic backdrop of the venue and the casual elegance of theme for the evening. In addition, the food was displayed on large wooden platters, burlap runners, and multiple glass cloches and containers. The outdoor tables were also covered in burlap and navy tablecloths to coordinate with the overall design.

Lighting and art staging The use of candlelight always adds a festive dimension to any party décor, and can be as simple as glass votives on the food table or large lanterns scattered throughout the setting.

For the magazine launch party, small lights were strung from the clubhouse balcony to give a “twinkle” to the general party atmosphere. The large format photographs hung inside the clubhouse and on the porch punctuated the wooden walls as highly appropriate and compelling visual elements.

No matter how intimidating a guest list may be, or how challenging an event space, a coordinated plan and a talented support team can make any party a technical success. In the end, however, the real success of an event is in the eyes of the guests that attend.

The guests of the 2014 New Bridge magazine launch party where awed by the transformation of the space, enjoyed incredible food and libations, and were inspired by the introduction of a publication that represented them with such a high level of originality and sophistication. As a result, they lingered late into the evening, enjoying both old and new acquaintances. We can’t think of a better way to judge a successful event than that.

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m

illancour

t

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A

A-Z

of

C D E F G P O LO

A I D : Any signal given to a horse to prompt it to turn, change gaits, or perform some other maneuver.

A N N O U N C E R S : Sometimes employed by the club to announce games for the crowd, sometimes volunteers, these individuals possess varying amounts of talent, knowledge and wit.

B

A P PE A L : Claim by player for a foul, usually expressed by the

raising of mallet above their head. Overly demonstrative appealing is considered very bad form.

A RG I E : Player from Argentina, a country noted for producing top polo players and ponies.

B AC K :

The number 4 in a polo team is usually referred to as the “Back” rather than by a number lie the other members of the team.

B AC K S H OT: Hitting the ball in a direction opposite to that which the player is travelling.

B A L L : (1) The entire point of a polo match is to wallop the ball up the field and through the goal posts. Polo balls are about three and a half inches in diameter, weigh four and a half ounces and are made of hard wood or plastic. (2) A Black Tie or Fancy Dress event, usually consisting of dinner and dancing, sometimes benefitting a charity.

B I G S T I C K : The highest rated player on a team, a term usually reserved for players of considerable talent and showmanship.

B I T: The mouthpiece to which the reins are attached.

B OA R D S : Made of wood or plastic, up to eleven inches in

height, they run continuously along the sidelines of the field to help keep the ball in play and the game flowing. Players may ride outside the boards as long as the ball remains within them.

B U M P : A defensive maneuver on the field, which is one of the few contact moves allowed. A player attempts to ruin an opponent’s run with the ball by bumping his horse against the other player’s. This action is regulated by the angle at which the aggressor attempts it. It may never be executed at more than 45 degrees., and the faster the horses are running, the smaller the angle allowed.

Article reprinted courtesy of Calgary Polo Club.

C H U K K E R / C H U K K A : The origins of this term, meaning the “basic period of play,” are obscure, although it is thought to have come from India. There are between 4 and 6 chukkas of play (dependant on the level of polo being played) - each lasting 7 minutes. With 30 seconds left in play a bell is sounded to warn the players.

D I VOT S : Chunks of grass and earth that the horses have torn out of the field. The holes can cause bad bounces of the ball and other problems during play, so traditionally at half time the fans venture out to stomp divots, thus repairing the playing surface.

E N D S : The back lines of a polo field, teams witch ends (switch the goals they defend) each time a goal is scored to equalize weather and turf conditions.

F I E L D : Regulation polo fields are 300 yards by 160 yard, a space big enough to fit nine football fields into. The goalposts are set eight yards apart.

F O U L : An infraction of the rules set forth by the United States Polo Association (USPA), Fouls govern safe riding and the concept of the line of the ball.

G A I T: The manner in which a horse goes, based on the sequence and rhythm of its foot movements, walk, trot, canter, or gallop.

G OA L : A goal is scored every time the ball passes between the goal posts, whether hit by an offensive player, defensive player, or pony.

G R E E N H O R S E : A term used to refer to a young or

inexperienced horse.

G R E E N H O R S E P O LO : Special non-competitive games structured for the development of skills and confidence in young ponies.

G RO O M : (a) Polo grooms are responsible for the care of a player’s ponies and their equipment. They feed, muck out, ‘tack up’, check horses for signs of injury, school and practice horses and liaise with vets and farriers. Grooms usually travel with a particular player and set of horses. The groom will therefore have particular knowledge of the needs of both the ponies and the player. Good grooms are highly respected and can contribute hugely to the success of a player. (b) The act of transferring the dirt from a horse to the individual grooming it.

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H

H A N D I C A P : The comparative rating of polo players awarded by the USPA. Handicaps are expressed in goals (to describe a player’s value to the team, not the number of goals he is expected to score,) and range from the beginner’s minus 2 to the best possible 10 goals. Player’s handicaps are added together to calculate a team handicap that is used to equalize competition.

The difference in goals between two teams is awarded to the lower rated team before play begins.

H A N D S : The unit of measurement for the height of a horse, one hand equals about four inches.

H I G H G OA L : Teams with total handicaps from 18 to 26

goals.

H I T  I N : A hit-in takes place when the ball goes over the back line, wide of the goal mouth. The defending team hits the ball back into play from the back line. This gives the defending team a free hit and can often change the momentum of play.

M

LOW G OA L : Teams with a total handicap of less than 8

goals.

M A D E P O N Y: A pony that is well trained for polo and has been playing for some time.

M A L L E T: The instrument used to move the ball. Although fiberglass has been used in construction, the shaft is most often made of bamboo. The ball is hit with the side of the hardwood head. Mallets range from 48” to 54” and are selected depending on the size of the pony.

M E D I U M G OA L :

Teams with a total handicap of 8-14

goals.

M Y L I N E : Words often shouted by a player to an opponent to indicate that (in his opinion) he has right of way to the ball.

NEAR SIDE:

I J K N L O H O O K : One of the two defensive maneuvers allowed in the

rules- the other is the ride-off. The mallet is used to block or interfere with another player’s swing at the ball although it must be used in an approved manner. Unsafe hooking or hitting into a pony is a foul.

I N T E RVA L S : Three minute long rest periods between

chukkas. Half time is ten minutes.

I RO N S / S T I R RU P S : Steel loops to support the rider’s feet, often with a wide flat base to provide more stability while standing to make a shot.

J U D G E S / F L AG G E R S : Goal judges are positioned behind each set of goal posts to observe and signal when a goal has been scored. A red flag waved in the air signals a goal; waved below the waist it indicates no goal.

K N O C K  I N : Should a team, in an offensive drive, hit the ball across the opponent’s back line, the defending team resumes the game with a free hit from their back line.

The left side of a horse.

NEAR SIDE S H OT: A ball hit

on the left side of the horse, players must hold the mallet in their right hand regardless of which side of the horse they hit from.

N E C K S H OT:

A ball is hit under the horse’s neck from either side.

O F F S I D E : The right side of the horse.

The rules state that you must play right handed.

OUT OF B O U N D S : When the ball is hit over the sidelines, it is out

L E AV E I T:

A player who feels he or she is in a better position to strike the ball will tell the teammate who is about to hit to “leave it” indicating that he should not touch the ball, but instead continue up the field for a pass.

of bounds. The clock continues to run. Teams line up at that spot and the ball is thrown in by the umpires. Deliberately hitting the ball out in the closing seconds of a match can be an excellent strategic play.

L I N E O F T H E B A L L : The imaginary line created by the ball in its sometimes capricious travels. The line of the ball may not be crossed or infringed except in special circumstances.

This is the pivotal concept on which many fouls and infractions are based - the interpretation of the line of the ball is usually what the umpires are discussing after they have blown a foul whistle.

PAT RO N : The individual who pays to put a team together, usually hiring professional players. Often the team will be named after the Patron’s company.

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P

R

PE N A LT I E S : Fouls result in penalties being awarded to the offended team. The degree of the penalty is determined by the seriousness of the infraction committed. Designated from 1 through 6, penalties usually involve a shot on goal from a predetermined spot with the clock stopped.

1: An automatic goal.

2. A free hit from 30 yards to an undefended goal.

3: A free hit from 40 yards to an undefended goal.

4: A free hit from 60 yards to a defended goal.

5: A free hit from the point of the infraction or midfield.

6: Safety. (see below)

P O N I E S : Although termed ‘ponies’ they are in fact horses ie, above the 14.2 hands height of a normally defined pony. Most are of the Argentinean Criollo breed or pure or cross thoroughbreds. Their main qualities are speed and stamina; the ability to accelerate, stop and turn quickly; and temperaments that are amenable to the rigors of the game. There is no height limit for the ponies, although most are between 15 and 15.3 hands. Players admit that the pony can account for as much as 80 percent of their overall performance.

POSITIONS: No. 1: The most offensive player. This is similar to the forward position in hockey or soccer. This player should be an accurate hitter, but need not necessarily hit a long ball.

R E F E R E E O R T H I R D M A N : The referee positioned off the field, and has the final word if the two umpires disagree.

R I D E O F F : Similar in concept to a body-check in hockey, a ride-off is used to interfere with an opposing player by moving him off the line of the ball or spoiling his shot. While dramatic, ride-offs do not endanger the horses because they must be made at similar speeds and safe angles.

S

RINGER:

An under-rated player, usually hired because he plays above his rating.

S A F E T Y: Penalty 6. When a defending player hits the ball across his own back line, the other team is awarded a free hit 60 yards from the back line with the ball placed at the same distance from the sideline as where it went out.

SENT OFF:

When an umpire sends a player off (signified by waving a red flag) the offending player may not return to the field, nor may he be replaced. His team must play the duration of the game short handed.

S PA R E : A fully tacked up pony held on the sidelines so that a player can make a fast change from his tired mount to a fresh one.

S P O N S O R : An individual or corporation of whom acts as a Tournament Sponsor. In consideration of a monetary contribution, the sponsor receives in return enormous recognition and exposure through the advertising of their corporation’s goods and services S T I C K C H I C K S : Decorative girls on the sidelines,

No. 2: Primarily an offensive player but also responsible for defence, interchanging with the number 3 player. The number 2 player is often the second-highest rated player on the team.

Q

No. 3: The quarterback and play maker. The “3” is usually the highest rated and most experienced player. This player must be able to hit a long ball accurately but be capable of close-in stick work and ball control.

No 4: The back. This is a defensive position. However, a good back must be able to not only hit a good backshot, but to turn the play from defensive to offensive in a flash The number 4 player is the last line of defense.

QU E A S Y:

The feeling a player has just before a big game or

a bad fall.

QU I RT:

A short, thin whip.

holding replacement mallets for players on the field.

STRING:

A term for a player’s stable of ponies in work.

S U D D E N D E AT H :

In the event of a tie score at the end of the last chukker, there will be a five minute intermission to allow the players to catch their breath and get a fresh mount before beginning a “sudden death” chukker in which the first team to score wins the match.

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T TAC K :

The equipment used on a pony.

TA I L S H OT:

A ball hit behind, or under the horse’s

rump.

TA K E H I M O U T:

An order (not an invitation) from a teammate to ride off an opponent and drive him away from the play.

U V W XY Z

T H ROW I N : The game begins with a throw-in where the umpire tosses the ball in between the lined up teams.

T I M E  O U T: An umpire calls time-out when a foul is committed, an accident occurs, or at his own discretion. A player may only call time-out if he has broken tack or is injured.

No time-out is allowed for changing horses or replacing a broken mallet, although a player may do so at any time.

UMPIRES:

These are the on-field officials. Mounted on ponies so that they may follow the play, the umpires are identified by their black and white vertically striped shirts. Most polo umpires are active players, and while officiating they are responsible for enforcing the rules and keeping proper control of players and teams.

U S PA : United States Polo Association. Visit the U.S. governing body of polo at http://www.uspolo.org.

V E T:

A veterinarian, or horse doctor.

V I C TO RY:

The result coveted by every player on the

field.

WRAPS:

The protective bandages the ponies wear on their

legs.

W H I T E S : Regulation white breeches or jeans are traditional for tournament play.

X  R AY:

A frequent procedure undergone by players and grooms alike. Also available to ponies.

YOUR LINE:

Words shouted by players to a teammate indicating that he, rather than an opponent, has the right of way to the ball.

Z E N : A relaxed, focused and centered state of being much sought after but rarely achieved by players.

ZO N E : The area around the field that is out of bounds for the spectators during play.

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Index of Advertisers: AgSouth Farm Credit .................................28 Aiken County Farm Supply ........................93 Aiken Regional Medical Centers...................6 Aiken Saddlery ...........................................65 Aiken Veterinary Clinic ..............................93 Apizza di Napoli .........................................65 Banks Mill Feeds ......................................100 Be Fly Free .................................................67 Bee Healthy Therapeutic Massage...............83 Carriage House Inn ....................................52 Cerra Homes ............................................101 Complete Care Vehicle Services ..................53 Cooper Home & Stable..............................45 Cooper Motor Company............................94 Core Equus ................................................67 Cote Designs ..............................................66 Custom Saddlery ........................................67

DI Polo Tour ..............................................52 Donnie Shaffer Homes ............................. BC Elite Constructions, Inc .............................92 Elite Trailers ...............................................32 Equestrian Calendar Aiken .........................93 Enviroscape ................................................83 Equine Divine ......................................44, 67 Fencing Solutions .......................................95 Marti Healy................................................49 Hiler Hay .................................................112 Innovative Solutions ...................................96 Kenny Ray Personal Fitness ........................89 Ledford Farm Clearing ...............................53 Meybohm Fine Properties ..........................20 Milton Ruben Toyota ...................................8 Morgan Stanley ..........................................12 Nandina ...................................................108

Credits: Photography:

Layout: Proofreading:

Shelly Marshall Schmidt, Oh Schmidt Productions Supplemental photos by Katie Roth Rae Leigh Warner, Innovative Solutions Marti Healy, Marie McFadden

The Sport of Kings…and Fathers and Sons Story: Katie Roth Photography: Shelly Marshall Schmidt, Oh Schmidt Productions A Touch of Grey Photography: Styling: Models:

Shelly Marshall Schmidt, Oh Schmidt Productions Jen Easters and Katie Roth Delfin, Misty, Peewee, Puck, Tinsel, Woodrow and Frank (dog)

From Aiken to Argentina Story: Katie Roth Photography: Shelly Marshall Schmidt, Oh Schmidt Productions Game Time Photography:

NYTS Photography:

Los Modelos Photography: Styling: Models:

Clothes Horse Photography: Styling: Pool Assistant: Models: Horses:

New Bridge Farmettes ................................49 New Bridge Polo School .............................27 New Bridge Seasonal Housing ....................32 Gayle Novak, Master Stylist .......................88 Polo Grille ..................................................95 Jack Roth, Carolina Real Estate Co. .. 95, IBC Saddles By George .......................................112 Saddle Lockers................................................93 Shelly Schmidt, Oh Schmidt Productions ..64, 88 Sheraton .....................................................45 Southern Equine Service ............................48 3 Monkeys .................................................65 Warner Grading Company .........................96 The Willcox ..................................................4 Windsor Jewelers ..................................... IFC Wolf Construction .....................................14 Women Beyond Cancer ...........................101

Shelly Marshall Schmidt, Oh Schmidt Productions Jen Easters and Katie Roth Bruja, Gaviota, Marela, Mini, Bacon (dog) and Fish (cat)

Shelly Marshall Schmidt, Oh Schmidt Productions Chris Powers Hayes Trapp Malia Bryan, Alea Crespo, Megan Donahey and Katy Hartnett Koenraad, Limon, Messi, Potra, Puck, Ruano and Waverly ISF

A Sympathy of Souls Story: Marti Healy Photography: Shelly Marshall Schmidt, Oh Schmidt Productions Fitness Tips from a Pro Story: Bill Cunningham

Shelly Marshall Schmidt, Oh Schmidt Productions, and Katie Roth

Back in Balance Story: Photography:

Elizabeth Hedley

The Other Side of the Camera Story: Marti Healy Photography: Shelly Marshall Schmidt, Oh Schmidt Productions

Luxury for Horse and Rider Story: Katie Roth Photography: Shelly Marshall Schmidt, Oh Schmidt Productions, and Jen Easters

Diane Dzingle Katie Roth

A Launch Party to Remember Story: Susan Victor Photography: Shelly Marshall Schmidt, Oh Schmidt Productions

© Shelly Marshall Schmidt

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RIDE-OFF

© EHedley Photography

Remembering Will Tankard An athlete and a gentleman 1984-2015 1 1 4 | 2 0 1 5 | N e w B r i d g e Po l o