September 24 & 25, 2016 Important Fall Estates Auction by Neal Auction

Neal Auction Company

Neal Auction Company Important Fall Estates Auction September 24 & 25, 2016

September 24 & 25, 2016

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant Cameron McHarg

Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments Administrator Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director Dave Roberts Catalogue Design Emory Nolan

AUCTION SERVICES Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

Photography Jason Leckert Tom Simpson Jason Kruppa

OPERATIONS Director of Operations Charles Lee Operations Staff Charlie Clay Kelvin Gibson Will Larkin Jerry Majors Larry Sudds

CATALOGUE CONSULTANTS Robert Wilson

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts Claudia Kheel, Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes

Important Fall Estates Auction September 24 & 25, 2016 On Our Premises • 4038 Magazine Street & 3923 Carondelet Street FEATURING: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund Fine Antiques and Period Lighting from the Service Collection, Estate of Grant A. Oakes, Warren, OH Property from the Estate of General Troy H. Middleton (1889-1976), Baton Rouge, LA Property from the Estate of Dr. Eleanor M. Worsley, Natchitoches, LA Fine Art from the Succession of Benedette Gieselman, New Orleans Fine Art from the Baldwin Family Collection, New Orleans Fine Art, Furniture and Decorative Arts from the Collection of Dr. and Mrs. David Spring, Baton Rouge, LA Louisiana Modernist Paintings from a Mandeville Collection Important Modern Art Descended in the Family of Henry Loeb III, Mayor of Memphis (1960-63 and 1968-71) Pikachu Sculpture Sold to Benefit the Lower Garden District Parks & Fountains Fund, New Orleans And Property of Others EXHIBITION both galleries, beginning Monday, September 12, 10 a.m. to 5 p.m. Special Saturday Preview September 17, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, September 22, 5 to 7 p.m. AUCTION SCHEDULE Saturday, September 24, 10 a.m., 4038 Magazine Street Sunday, September 25, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com

LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

Neal Auction Company

Everett B. D. Fabrino Julio (1843-1879), “Life along a Louisiana Bayou,” 1877, o/c, 15 1/4 x 30 1/4 in. 2

Louisiana Purchase Auctionâ&#x201E;¢ December 3 & 4, 2016

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Session One Saturday, September 24, 10 am 4038 Magazine

1. Assembled Chinese Export “Canton” Blue and White Porcelain Dinner Service, 19th and 20th c., incl. 2 rectangular covered tureens, h. 8 in., w. 14 in.; 3 lobed covered tureens, l. 11 to 12 in.; square covered tureen, l. 8 1/4 in.; 3 rectangular platters, l. 11 to 13 in.; oval platter, l. 14 1/2 in.; round charger, dia. 12 1/2 in.; sauceboat; leaf form dish; 9 plates, dia. 9 1/2 in.; 7 plates, dia. 8 1/2 in.; 10 plates, dia. 7 1/2 in.; 5 saucers, dia. 6 in.; and 4 bowls, dia. 8 1/2 in. (dimensions approximate); together with oval rice grain pattern platter, l. 14 3/4 in.; dish with figural decoration, dia. 9 1/4 in.; and covered tureen, l. 11 in. (approx. 51 pcs.) $800/1200

3. Continental Majolica Plaque, 19th c., relief-molded with a falconer on horseback, 13 1/4 in. x 10 1/8 in., framed; together with Royal Copenhagen “Satyr with Frog” porcelain figural group, ed. no. 1713, underglaze backstamp and blue wave mark, h. 4 3/4 in., w. 3 3/4 in., d. 3 1/8 in. $600/900

4. Chinese Export Famille Rose Porcelain Bowl, 18th c., exterior with applied scrolling floral vines and painted with insects and flower sprays, h. 4 in., dia. 9 1/8 in., wood stand, overall h. 6 in. $250/350

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

2. Assembled Chinese Export Famille Rose Porcelain Dinner Service, late 19th c. and 20th c., incl. reticulated platter, dia. 9 5/8 in.; oval platter, l. 12 in.; oval mazarine, l. 12 3/4 in.; shaped serving dish, l. 10 1/2 in.; 29 round, foliate, square, and hexagonal plates, w. 7 1/2 to 10 in.; 43 round, foliate, hexagonal, square, and shaped saucers, w. 3 1/2 to 6 1/4 in.; 2 bowls, dia. 9 in.; 34 cups; 10 teabowls; 33 covers; 3 stands; and a creamer (approx. 162 pcs.) $700/900

5. English Carved Oak, Cut‑Crystal and Silverplate-Mounted Gamblers’ Tantalus and Presentation Cigar Box, c. 1897, tantalus with cut crystal decanters and mirrored back, two interior compartments, button activated mechanism opens drawer fitted with wooden dominoes and playing cards, h. 13 in., w. 14 in., d. 10 1/2 in.; cigar box with compartments and cigar holders, presented to J. I. Somers, Esq., 1897, h. 7 1/2 in., w. 17 in., d. 9 in. $700/1000

6. Pair of Napoleon III Bronze Candlesticks in the Rococo Taste, c. 1870, h. 10 in. $300/500

7. Three Antique Crucifixes, two bronze, one pewter and set with mosaic scenes of Vatican City, tallest h. 10 in.; together with antique miniature portrait of Christ with Crown of Thorns, mounted in a bronze frame and set in a rush light holder, and a rosary. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

9. Group of Wedgwood Black and White Jasperware Objects, incl. clock, h. 6 in.; covered urn, 19th c., h. 7 1/2 in.; and bowl, dia. 5 in., all with figural decoration. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

10. Antique Wedgwood Black and White Jasperware Portland Vase, probably late 18th c., with classical figures, a man with a Phrygian cap under the base, h. 10 1.2 in.; together with Wedgwood black and white jasperware jardinière, 19th c., with figures, garlands and lion masks, h. 8 1/2 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

8. Gorham Sterling Silver Tea and Coffee Service in the Colonial Taste, incl. teapot, coffee pot, creamer, lidded sugar and waste bowl with a silverplate tea tray, coffee pot h. 9 1/2 in., combined wt. (weighable) 75.85 troy ozs., tray l. 26 1/2 in. (6 pcs.) $1000/1500

11. Antique Wedgwood Jasperware Clock Garniture, associated, incl. clock, c. 1900, marked “Tempus Fugit”, h. 8 in.; pair of candlesticks, h. 5 1/2 in.; and pair of cachepots, h. 5 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

12. Pair of Wedgwood Blue Jasperware Covered Urns, probably late 18th c., frieze with signs of the zodiac, Muse medallions, swags and rosettes, h. 9 in. $600/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

13. Wedgwood Black Basalt “Ceres” Figural Candlestick, probably late 18th c., marked, after Flaxman, h. 11 3/4 in., dia. 5 1/4 in. $300/500

14. Anri “Montsalvat” Chess Set, c. 1969, Italy, carved and polychromed wood chess pieces depicting King Arthur and the Knights of the Round Table, with original box, gameboard and brochures, king h. 5 1/2 in. $500/700

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

15. Napoleon III Patinated Bronze and Brass Figural Fire Fender, c. 1870, rosette and foliate rail, blocks surmounted by greyhounds, h. 7 1/4 in., w. 41 in., d. 12 1/2 in. $600/900

16. George III Green Tortoiseshell Tea Caddy, c. 1800, with silver escutcheon and cartouches, two lidded compartments, with remnants of foil lining, h. 4 in., w. 6 5/8 in., d. 3 1/2 in. $1000/1500

17. George IV Mother‑of‑Pearl Tea Caddy, c. 1820, stepped lid, silver escutcheon and cartouche, two lidded compartments with remnants of foil lining, bun feet, h. 6 3/4 in., w. 8 1/4 in., d. 5 1/8 in. $1000/1500

19. Good Pair of Antique Georgian‑Style Silverplate Three‑Light Candelabra, gadroon and shell border, h. 20 1/8 in. $800/1200

18. George III Mother‑of‑Pearl and Abalone Tea Caddy, c. 1820, two lidded compartments with remnants of foil, brass ball feet, h. 5 1/2 in., w. 7 3/4 in., d. 4 1/2 in. $1000/1500

20. Handsome Silverplate Four Bottle Wine Cooler, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, fitted with central covered ice well, h. 10 in., w. 13 in. $300/500

21. George III Sterling Silver Wine Funnel, London, marks rubbed, l. 4 in., wt. 2.2 troy ozs. $200/400

22. Pair of Charles X Silvered Brass Candlesticks, acanthus decoration, removable bobêches, h. 10 1/4 in. $500/700

23. William IV Carved Rosewood Barometer/Thermometer, c. 1840, face marked “J.E. Ames/ Bath”, h. 43 in. $500/800

Additional information at www.nealauction.com

24. British Parian Ware Bust of “Homer”, 19th c., conforming socle, h. 14 3/4 in. $500/800

25. Bronze Bust of Greek Philosopher from Pompeii, after the original in the Museo Archeologico, Naples, foundry label of Sabatino De Angelis & Sons, Naples, variegated marble base, overall h. 16 in. $800/1200

26. Pair of Georgian‑Style Burled Walnut and Parcel Gilt Mirrors, 20th c., by Schmieg & Kotzian, each broken arch crest centered by a fleur‑de‑lis, rope-molded surround, h. 52 in., w. 30 7/8 in. $800/1200 Provenance: Pine Valley Golf Club, Camden County, NJ.

28. George III Inlaid Satinwood Pembroke Table, 18th c., crossbanded drop‑leaf top, frieze drawer, chamfered support, spider legs, brass cuffs, casters, h. 28 1/2 in., w. 33 in., d. (closed) 22 1/2 in., d. (open) 44 in. $600/800

27. Pair of Chinese Demilune Console Tables, molded top, shaped frieze, legs connected by stretcher, volute feet, h. 33 5/8 in., w. 48 1/4 in., d. 24 in. $1000/1500

29. George III Inlaid Mahogany Serpentine Sideboard Table, late 18th c., frieze drawers centered by fan and pendant swag panel, blocked, turned, and reeded legs, h. 36 1/4 in., w. 79 1/4 in., d. 27 3/4 in. $4000/6000

30. Twelve Antique Regency‑Style Inlaid Mahogany Dining Chairs, incl. two armchairs and ten side chairs, turned reeded crest rail, burled tablet, X slat back, reeded stiles and seat rail, turned tapered legs, armchair h. 33 in., w. 20 1/4 in., d. 17 1/2 in.; side chair h. 33 in., w. 19 1/2 in., d. 16 1/2 in. $1000/1500

32. Anglo‑Colonial Hardwood Campaign Chest, 19th c., in two parts, upper case with two short over long drawer; lower case with two long drawers, molded base, h. 47 1/2 in., w. 42 1/4 in., d. 17 1/2 in. $500/750

31. Georgian Mahogany Breakfront Bookcase, late 18th c., molded cornice, four glazed doors, adjustable shelves, base with secretary drawer over pair of doors, flanked by drawers, molded base, h. 93 1/2 in., w. 87 1/4 in., d. 23 3/4 in. $3000/5000 33. Antique English Ebony Inlaid Figured Walnut Music Cabinet, reticulated gilt bronze galleried top, mirrored back, scrolled and fluted supports; glazed doors, divided shelf interior with gilt‑tooled leather labels, turned feet, casters, h. 42 in., w. 27 in., d. 17 in. $800/1200

34. Edwardian Inlaid Rosewood Desk, late 19th/early 20th c., stamped “Rumney and Co, Liverpool”, shaped spindled backsplash, fitted stationery box, tooled leather writing surface, frieze drawer, square tapered legs, casters, h. 38 1/4 in., w. 39 1/4 in., d. 20 1/2 in. $700/900

35. George III Carved Mahogany Armchair, late 18th c., padded back and arms, scroll supports, serpentine seat rail, tapered fluted legs. $400/600

36. Flemish School, 19th c., “Lady and Servant Feeding Parrot”, oil on metal, unsigned, 10 in. x 8 1/2 in., framed. $400/600 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Additional information at www.nealauction.com

37. Filippo Indoni (Italian, c. 1842‑1908), “Peasant Girls with Tambourines”, watercolor on paper, signed lower left, sight 20 3/4 in. x 13 3/4 in., framed. $700/900

38. John Cairns, R.S.A. (British, act. 1840‑1871), “Hoy Head, Orkney, Scotland”, c. 1870, oil on canvas, signed lower left, partial 1871 exhibition label with description en verso, 32 in. x 50 in., framed. $1200/1800

39. Wedgwood‑Style Encaustic‑Decorated Black Basalt Vase, unmarked, decorated with classical figures, loop handles and gilt highlights, h. 9 1/2 in. $150/250 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

40. Continental Terracotta Figural Group of Three Bacchic Putti, 20th c., incised signature “Calendi” and numbered “1329”, h. 17 3/8 in., w. 24 1/2 in. $600/800

41. Anglo‑Indian Carved Ebony Dresser Box, 19th c., carved foliate decoration throughout, interior fitted with nine compartments, each with marquetry lid, lift-out tray, h. 5 3/4 in., w. 13 in., d. 9 in. $800/1200

42. Three George III Inlaid Satinwood Tea Caddies, late 18th/early 19th c., two with domed lids centering an inlaid shell, h. 5 1/4 in., w. 7 1/2 in., d. 4 1/2 in. and h. 5 in., w. 5 in., d. 4 in.; other with a foliate reserve and marquetry banding on top, h. 4 in., w. 6 3/4 in., d. 5 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

43. Seven Framed Lacquer Boxes, 19th c., 5 with portrait busts; another with exterior of Fishmongers Hall, and a coastal scene, frame 20 in. x 16 1/4 in. $300/500 Provenance: Property from the Collection of Theodore Kapnek, Philadelphia, PA.

44. Pair of French Patinated Bronze and Wrought Iron Figural Chenets, 19th c., scrolled iron bases, h. 28 in., w. 17 in., d. 31 in. $800/1200

45. Antique French Tôle Peinte Tray, 19th c., depicting a French naval officer in an exotic setting, w. 22 1/4 in., d. 17 1/2 in. $500/750

46. Antique Lead Putto Figure, 19th c., posed with outstretched arms, now mounted on metal base, h. 31 1/2 in., w. 24 in., d. 24 in. $700/900

47. Bronze Figure of David and Goliath, after Antonin Mercie, inscribed “A. Mercie” on self‑base, h. 28 1/4 in., w. 16 in., d. 10 1/2 in. $800/1200

48. Pair of Adam‑Style Carved Giltwood and Crème Peinte Mirrors, Prince of Wales feather crests, drapery swags, beaded frame, h. 49 in., w. 26 in. $1000/1500

49. Le Pho (Vietnamese/French, 1907‑2001), “La Maternité”, oil on canvas, signed “Le Pho” and signed again in Chinese lower right, titled en verso, inscribed with title and “W. Findlay” on stretcher, “Findlay Galleries, Chicago / Kansas City” label on backing board, 25 3/4 in. x 31 7/8 in., accompanied by a copy of a 1969 appraisal by Fidelity Appraisal Company. $20000/30000 Provenance: Ethel Lob Loeb Laib (1898‑1973), by 1969; Henry Loeb III (1920‑1992, Mayor of Memphis, TN, 1960‑1963 and 1968‑1971); thence by descent.

Additional information at www.nealauction.com

50. Vu Cao Dam (Vietnamese/French, 1908‑2000), “Divinité”, 1968, oil on canvas, signed and dated lower right, signed, dated, titled, and inscribed in Chinese en verso, “Wally F. Galleries, New York” label on backing board, 24 1/8 in. x 19 3/4 in., framed with brass artist and title plaque, accompanied by a copy of a 1969 appraisal by Fidelity Appraisal Company. $15000/25000 Provenance: Ethel Lob Loeb Laib (1898‑1973), by 1969; Henry Loeb III (1920‑1992, Mayor of Memphis, TN, 1960‑1963 and 1968‑1971); thence by descent.

51. Fine Anglo‑Colonial Carved Rosewood Tilt‑Top Table, 19th c., circular top with egg and dart molding, scrolled acanthus frieze, foliate baluster standard, incurvate triangular plinth, disc feet, h. 30 1/2 in., dia. 22 1/2 in. $2000/3000

52. Pair of Louis XVI‑Style Bronze Inlaid Cabinets, 19th c., marble tops, two doors, drawer and shelf interior, shaped base, flared mounted feet, h. 36 in., w. 40 in., d. 19 1/2 in. $2000/3000

53. Italian Neoclassical Mahogany and Pewter Inlaid Rosewood Commode, 19th c., molded top, four drawers, scrolled bracket feet, h. 39 1/2 in., w. 53 3/4 in., d. 23 1/2 in. $1200/1800

54. Pair of Louis Philippe Carved Mahogany Armchairs, early 19th c., arched crest rail, foliate carved arms, shaped rail, anthemion cabriole legs, h. 36 1/2 in., w. 23 5/8 in., d. 18 1/2 in. $1000/1500

55. Louis XV Carved Fruitwood Side Table, 18th c., molded top, serpentine frieze with drawer, cabriole legs, pied‑de‑biche feet, h. 28 1/2 in., w. 36 1/2 in., d. 22 1/4 in. $600/800

56. Louis XVI Walnut Armoire, 18th c., molded cornice, basket of flowers frieze, scalloped doors, fitted interior belt drawer, fan and vine carved base, cabriole legs, scrolled toes, h. 80 1/2 in., w. 60 in., d. 24 in. $1500/2500

57. Pair of Minton Porcelain Vases, c. 1865, pâte-sur-pâte putti and butterflies on a black ground, gilt decoration, marked, h. 13 in., w. 7 1/2 in. $700/900

61. George III Mother‑of‑Pearl and Tortoiseshell Sarcophagus-Form Tea Caddy, c. 1820, two lidded compartments with remnants of foil lining, bun feet, h. 5 1/8 in., w. 6 3/4 in., d. 4 1/2 in. $1000/1500

58. Assembled Set of Twelve Chinese Export Famille Rose Porcelain Plates, 18th c., 8 decorated with three floral sprays, 3 with ribbon‑tied floral sprays and butterflies, and 1 with four floral sprays, all with cross‑hatched turquoise blue banded rims, dia. 8 3/4 in. to 9 in. $1000/2000

62. Pair of South American .800 Silver and Silver Gilt Stirrups, marked “J. Fernandez” and “800”, h. 5 1/2 in., wt. 63.70 troy ozs., together with 2 silver‑mounted bone bolas. $500/800

59. Set of Six Chinese Export Famille Rose Porcelain Plates, 18th c., wells with central floral sprays, rims with floral garlands between iron red and gilt borders, dia. 8 7/8 in. $600/800

63. George II‑Style Silverplate “Monteith” Punchbowl, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, crenellated rim, lion’s mask handles, h. 15 in., w. 20 in. $600/900

60. Pair of Regence‑Style Gilt Bronze Candlesticks, ram’s head mounts, twisted grapevine shafts, tripartite lion bases, h. 12 3/4 in. $500/700

64. Antique Sheffield Plate Centerpiece, 19th c., diamond cut crystal center bowl, stand with acanthus, shell and foliate border, gadrooned rim, paw feet, h. 12 3/8 in., dia. 11 7/8 in. $600/900

65. Neoclassical-Style Silverplate and Marble Columnar Lamp, on paw feet, h. (to socket) 27 in., w. 7 in., d. 7 in. $300/500

66. Pair of French Gilt and Patinated Bronze Carcel Lamps, mid-19th c., decorated with cherubs in relief, base supported by four winged female terms, globe shades with feather cutting, h. 31 in., dia. 6 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

67. Reed and Barton “Francis I” Pattern Sterling Silver Flatware Service, pat. 1907, incl. 12 dinner forks, 12 dinner knives (l. 9 3/8 in.), 12 salad forks, 24 teaspoons, 12 dessert spoons, 12 demitasse spoons, 12 cocktail forks, 12 butter knives (hh), 4 tablespoons, pierced tablespoon, large carving knife and fork, cold meat fork, gravy ladle, cream ladle, tomato server, cake knife, master butter knife (hh), sugar shell, jelly server, lemon fork, pickle fork and bonbon spoon, together with R. Blackinton & Co. sterling silver ice tongs, and silverplate candle snuffer, 132 pcs., total wt. (weighable) 147.20 troy ozs. $2500/3500 Additional information at www.nealauction.com

68. Set of Four Continental .800 Silver Candlesticks in the Neoclassical Taste, Germany, c. 1900, h. 10 1/4 in., total wt. 38.20 troy ozs. $1000/1500

69. Antique English Silverplate Hot Water Urn, 19th c., marked “I. WARNER & SONS/MANUFACTURERS/ LONDON”, retains interior heating sleeve, turned wood handles, h. 15 1/4 in. $300/500

70. George III Inlaid Mahogany Sideboard, late 18th c., serpentine banded top, center drawer above tambour doors, cupboard doors to the sides, tapered legs, spade feet, h. 35 1/2 in., w. 57 1/2 in., d. 24 in. $1200/1800 71. Irish Carved Mahogany Pembroke Table, probably early 19th c., oval drop-leaf top, frieze drawer, square tapered legs, h. 30 in., w. 38 1/2 in., d. 42 1/2 in. $800/1200

72. Edwardian Mahogany Serving Trolley, late 19th c., labeled “W. Walker, London”, lotus‑carved backsplash above three shelves, fluted supports with festooned swag, two fitted drawers, turned carved feet, casters, h. 48 in., w. 54 in., d. 20 1/4 in. $1000/1500

73. Fine English Gilt and Paint‑Decorated Papier‑Mâché Candlestand, 19th c., foliate‑carved top, genre scene with ornate gilt border, vasiform standard, arched scrolled legs, h. 31 in., w. 19 1/2 in., d. 22 1/4 in. $800/1200

74. Napoleon III Gilt Bronze‑Mounted, Ebonized, Marquetry and Kingwood Parquetry Bureau de Dame, 19th c., superstructure with galleried top, doors over small drawers, base with serpentine top, frieze drawer, cabriole legs, bronze sabots, h. 52 in., w. 29 1/2 in., d. 19 3/4 in. $800/1200

75. Italian Baroque Carved Walnut Credenza, mid‑16th c. with later elements, dentil molded top, five frieze drawers, pair of paneled doors, molded base, h. 41 in., w. 62 1/4 in., and d. 21 in. $1500/2500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

76. Louis XV‑Style Gris Peinte Table, 19th c., shaped marble top, conforming frieze, cabriole legs, h. 13 3/4 in., w. 33 1/4 in., d. 30 1/2 in. $600/900

78. Directoire Brass‑Mounted Mahogany Demilune Games Table, 19th c., triple folding top, paneled frieze, tapered fluted legs, cuff casters, h. 31 1/2 in., w. 43 1/2 in., d. 21 in. $800/1200

77. Antique Louis XV Carved Giltwood Console, shaped marble top, bellflower swagged frieze, cabriole legs, urn stretcher, h. 32 3/4 in., w. 35 in., d. 19 in. $1500/2000

79. Continental Gilt Bronze Surtout de Table, early 20th c., colonnade gallery, h. 2 3/4 in., w. 20 in., d. 62 in. $1200/1800 80. Important American Rococo Sterling Silver Coffee and Tea Service, Gorham, 1899, incl. a coffee pot, teapot, kettle‑on‑stand, covered sugar, creamer, and waste bowl, all having elaborate floral garland and scroll chasing with central cartouches, monogrammed and dated, coffee pot h. 11 1/2 in., kettle h. 14 in., wt. 161 troy ozs. (6 pcs.) $5000/7000

81. Two Tiffany & Co. Silverplate Graduated Platters, gadroon border, 22 7/8 in. x 16 1/4 in., and 20 1/8 in. x 14 1/4 in. $400/600 82. Antique Blown Glass Hanging Hall Light, 19th c., urn‑form with brass mounts and domed smoke bell, cut with a dove and garland design, h. 27 in. $1000/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

83. Pair of Louis Philippe‑Style Gilt and Patinated Bronze Four‑Light Candelabra, acanthine mounts, ram’s head base, h. 21 1/2 in. $700/1000

84. Bronze Figure of a Piper on a Lion Skin, after Paul Dubois, signature and “Stella” inscribed on self‑base, h. 9 1/2 in., on wood base, overall h. 11 in. $1200/1800 Provenance: Baldwin Family Collection, thence by descent

86. Continental Patinated Bronze Model of the “Warwick Vase”, 19th c., with Bacchic bust relief frieze, twisted vine handles, classical motifs throughout, removable copper liner, plinth base, h. 16 in., w. 14 in., d. 10 in. $1500/2000

85. Pair of Grand Tour Gilt and Patinated Bronze Figural Lamps, 19th c., male and female Classical figures reading books, Sienna marble bases, fitted for electricity, h. 15 in., w. 14 in., d. 6 1/2 in. $5000/7000 Additional information at www.nealauction.com

88. French Gilt Bronze Figural Clock, early 19th c., allegorical figures of Music and Amour flanking the dial, blocked base mounted with classical motifs, h. 18 in., w. 20 1/2 in., d. 6 in. $7000/10000

87. Vittorio Reggianini (Italian, 1858‑1939), “The Secret”, oil on canvas, signed lower right, 39 1/2 in. x 26 3/4 in., period frame. $60000/80000 Provenance: Collection of Colonel Bluford H.J. Balter (1884‑1971) and Alva S. Oteri Balter (1884‑1973), New Orleans, Vincent Mann Gallery, New Orleans, 1977, Collection of Mrs. Dudley J. Hughes, Jackson, MS. Note: Born in Modena in 1858, Vittorio Reggianini trained in the local academy, the Accademia di Belle Arti, alongside Gaetano Bellei and Eugenio Zamphighi. In 1885, he moved to Florence and it was during this period that the artist established a reputation for himself on the international art market. At this time, the artist’s choice of subject matter and style dramatically shifted from the local historical realism that dominated his earliest work to the new Continental taste for more fanciful paintings that recreated the luxuriant lifestyles and opulent decor of the late 18th and early 19th century.

89. British or Continental School, late 18th/early 19th c., “Pastoral Landscape with Figures”, oil on panel, unsigned, sight 19 1/2 in. x 44 1/4 in., framed. $1000/2000 Provenance: The Estate of Frances and Frank Auspitz, York, PA. 90. Achille E. Conrad Caranga (French, 1829‑1889), “Natures Mortes dans la Cuisine”, 2 oils on wood panel, both signed upper left, “Collection of J.S. Price, From a sale at Sparks, MD, 1935” labels en verso, each 8 1/2 in. x 6 1/4 in., matching period frames. $1000/1500

91. Pair of Antique Italian Carved Giltwood Girandole Mirrors, shell and acanthus crests, shaped mirror plates, scrolled candlearms, h. 46 1/4 in., w. 19 3/4 in. $800/1200

92. Robert A. Gardner (British/Lincolnshire, 1850‑1926), “Sunset over the Church of Bourne, Lincolnshire”, 1897, oil on panel, signed and dated lower left, 10 3/4 in. x 15 in., framed. $800/1200

94. American Renaissance Carved Walnut Portfolio Stand, late 19th c., pierced adjustable rack, on trestle base with trumpet-shaped supports, h. 42 1/2 in., w. 25 in., d. 21 in. $600/900

93. Andre Gisson (French/American, 1921‑2003), “Rainy Day, Parisian Street with Flower Vendors”, oil on canvas, signed lower right, 24 in. x 36 in., framed. $2000/4000

95. American Federal Carved Mahogany Wing Chair, early 19th c., probably Philadelphia or Baltimore, raked back, scroll arms, turned legs, cuff casters, h. 44 in., w. 29 1/2 in., d. 23 1/2 in. $800/1200

96. Georgian Figured Walnut Dressing Table, 18th c., labeled “Stair & Company...London”, rectangular top centering figured veneer a quatre face, frieze drawer, h. 27 3/8 in., w. 29 3/4 in., d. 18 1/4 in.. $1500/2500

97. Edwardian Carved Mahogany and Satinwood Inlaid Sideboard in the Adam Taste, late 19th c., bowfront center section with a conforming frieze drawer and backsplash, flanked by a pair of pedestals with a drawer and fitted cupboard, the whole raised on carved paw feet, h. 46 in., w. 88 1/4 in., d. 20 3/4 in. $4000/6000

98. Very Fine Pair of English Inlaid Mahogany Cutlery Urns in the George III Style, 19th c., fitted interiors, turned finials; each on square plinths, and presented on conforming square base; the urns probably of an earlier date and associated with the Edwardian sideboard. Found en suite with the previous lot, h. 25 in. $2500/3500 99. Georgian Mahogany Book Carrier, early 19th c., galleried top with handle, three shelves, molded base, h. 28 in., w. 17 in., d. 15 in. $300/500 Additional information at www.nealauction.com

101. Antique Italian Metal‑Mounted Carved Wood Baldacchino, metal crown on plinth, bisected domical top with metal-inset interior flanked by further crowns, denticulated cornice, ornamented entablature, grapevine-mounted spiral twisted Corinthian columns, faceted semi-circular base, h. 84 1/2 in., w. 50 in., d. 24 in., together with four human and zoomorphic supports. $800/1200 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 100. Eight Louis XV‑Style Crème Peinte Dining Chairs, shaped padded backs, serpentine seat rail, cabriole legs. $1200/1800 102. Pair of Antique Continental Paint‑Decorated, Gilt and Faux Marbre Bedsteads, 19th c., arched crest centered by a roundel of mother and child above a marbre panel and upholstered headboard, shaped rails, h. 70 in., l. 75 in., w. 36 in. $1200/1800

105. Pair of Italian Scagliola Pedestals, 20th c., highly figured black and white on red ground, fluted shaft, h. 42 in., dia. 16 1/2 in. $800/1200

103. Louis‑Alphonse David (French, 1798‑1849), “Gilbert du Motier, Marquis de Lafayette”, watercolor miniature, signed “L. David” lower right, inscribed “Lafayette par L. David” en verso of backing, dia. 2 1/8 in., framed. $800/1200

104. Pair of Meissen Porcelain “Centaur” Figural Compotes, underglaze blue crossed swords marks, h. 10 1/4 in., w. 8 1/4 in. $500/750

Provenance: Baldwin Family Collection, thence by descent.

106. Pair of Continental Patinated Bronze Tabourets, 20th c., in the form of Corinthian capitals, h. 18 in., dia. 16 in. $800/1200 107. Pair of American Silverplate Sinumbra Lamps, mid‑19th c., tapered column with acanthus details, gadrooned base, floral engraved shade, h. 31 in., dia. 9 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

108. Pair of English Patinated and Gilt Bronze Argand Lamps, c. 1845, baluster form with basket weave and floral designs, cut shades, h. 17 in., dia. 5 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 196.

109. American Rococo Carved and Laminated Rosewood Sofa, c. 1850‑1860, attr. to John Henry Belter, New York, “Cornucopia” pattern, pierced serpentine crest, acanthus uprights, serpentine seat rail, cabriole legs, casters, h. 52 1/2 in., w. 88 in., d. 32 in., accompanied by 1979 Bill of Sale. $30000/50000 Provenance: Ada and Elbert Davidson, Ashland, KY, The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The sofa offered here is remarkable amongst a group of related examples noted for their sculptural aspect, fine carving and virtuosity conserved by the Museum of the City of New York (acc. 38.53.1); the Virginia Museum of Fine Arts, Richmond (acc. 54.15.1-2); the Milwaukee Art Museum, Wisconsin (acc. M1987.16); The High Museum of Art, Atlanta (acc. 1981.1000-61); the Metropolitan Museum of Art, New York (acc. 1999/396) and the Victoria and Albert Museum (acc. W-22.1983). These examples, as well as an important sofa sold New Auction Company, Sept. 12, 2015, as lot 122, share superlative carvings along the crest, arms, seat rail and leg carving. The evolution of Belter’s “cornucopia” pattern, shown here in the present example, is currently rare among public and private collections. The sofa offered here, as well as the lot sold Sept. 12, 2015, incorporate forward-looking Renaissance detail into an exuberant Rococo form. Ref.: Davidson, Gail, et.al. Rococo: The Continuing Curve, 1730-2008. New York: Smithsonian, Cooper Hewitt. 2008. pp. 204-205, fig. 15. Illus.: Dubrow, Richard. American Furniture of the 19th c.. Atglen, PA: Schiffer, 1983, p. 75.

110. Lorenzo E. Ghiglieri (American, b. 1931), “Unconquered”, 1985, bronze, signature, date, and “9/28” inscribed on self‑base, “Maiden Bronze/Foundry/Walla Walla, WA” seal, h. 29 in., w. 21 in., d. 24 in., on wood base, overall h. 29 3/4 in. $1200/1800

111. Italian Neoclassical‑Style Carved Giltwood Mirror, early 19th c., cartouche crest, floral swags, flame finials, arched surround with classical motifs, h. 92 in., w. 60 in. $3000/5000

Additional information at www.nealauction.com

112. Napoleon III Gilt Bronze and Rouge Marble Three Piece Clock Garniture, c. 1870, column‑form clock case with wreath handles, surmounted by a Classical bust signed “VA Garrie”, conforming seven light candelabra, clock h. 28 in., w. 13 in., d. 12 in., candelabra h. 26 3/4 in. $3000/5000

113. Pair of Anglo‑Colonial Bone Inlaid Walnut Armchairs in the Regency Taste, shaped crest rail, curved arms, caned back and seat, turned legs, h. 35 1/2 in., w. 22 in., d. 17 3/4 in. $2000/3000

115. Pair of American Federal Mahogany Games Tables, early 19th c., attr. to John Needles, Baltimore, each with reeded foldover top, canted corners, plain frieze, ring‑turned baluster standard, reeded saber legs, acanthus brass‑capped casters, h. 29 1/2 in., w. 37 3/4 in., d. 19 in. $6000/9000

114. Patinated Bronze Figural Bird Bath, cast as a pair of putti holding a shell, h. 38 in., w. 22 1/2 in. $2000/3000

Note: A worktable labeled by John Needles held by the Maryland Historical Society (acc. 87.6) has a support and outswept legs very similar to those seen here. Moreover, the turned standards on the pair offered here are similar to two examples labeled by Needles and recorded in the Winterthur Museum Photographic Collection, comprising a center table (DAPC acc. 74.6176) and a work table (DAPC Roll 48-762-306). Ref.: Weidman, Gregory. Classical America, 1815-1845, Baltimore: Maryland Historical Society, p. 115, fig 140.

Note: The design for this library chair is well known, and a related carved walnut armchair conserved by the Carnegie Museum bearing a stenciled label for Charles White (Philadelphia, 1796-1876) is illustrated in Busch, et. al. Rococo, the Continuing Curve, p. 200, fig. 9. A chair nearly identical to this lot, also bearing a “C.W...” stamp, was sold at Neal Auction as lot 359 on July 12, 2008. Other examples attributed to White were sold in these rooms as lot 135, June 27, 2009 and lot 302, April 21, 2012. The form seen here appears as the frontice piece drawing of a library chair in Edward Strahan’s Mr. Vanderbilt’s House and Collection. Boston: George Barrie. A photograph of William Vanderbilt sitting in the chair is illustrated in Howe, et. al. Herter Bros., Furniture and Interiors for a Gilded Age, p. 201. An example of this design was installed in the library of the c. 1860 Asa Packer Mansion in Jim Thorpe, Pennsylvania illustrated in Kenneth Ames, Magazine Antiques, “George Henkels, Philadelphia Cabinet Maker” Oct. 1973, p. 645, fig. 9. Henkles’ large firm was at 172 Chestnut Street, blocks away from White’s workshop at 250 Chestnut Street. 116. Pair of American Rococo Carved Walnut Armchairs, mid‑19th c., Charles H. White stamp on proper right legs, padded crests above a back exhibiting entwined dolphins amongst scrolling foliage, animal mask terminals, acanthus arm supports, cabriole legs headed by cabochons, paw feet, h. 35 in., w. 24 1/2 in., d. 24 in. $6000/8000

117. Fine American Classical Carved and Figured Mahogany Secretary Bookcase, c. 1840‑1850, in two parts, pedimented cornice above pair of glazed doors, fall front desk compartment with fitted interior and inset baize writing surface, h. 92 in., w. 42 in., d. 21 in. $2000/3000

118. Pair of English Gilt Bronze Figural Solar Lamps, c. 1850, attr. to Messenger and Son, Birmingham, pair of classical women dance on a vintage decorated pedestal, globe shades cut with flowers, cut prisms, burners marked “Hooper, Boston”, h. 36 in., dia. 9 in. $2500/3500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 86.

119. American Gilt Bronze Three‑Light Solar Chandelier, c. 1850, attr. to Henry Hooper, fluted shaft with foliate arms, cut globe shades and cut prisms, h. 34 in., dia. 30 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

120. American Gilt Bronze and Cobalt Glass Solar Lamp, 19th c., cobalt cut‑to‑clear shaft, foliate mounts, stepped marble base, cobalt shade and spear prisms, h. 24 in., dia. 8 1/4 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 81.

121. American Rococo Carved and Laminated Rosewood Étagère, mid‑19th c., attr. to J. and J.W. Meeks, New York, reticulated crest with shield‑shaped cartouche, mirrored back, flanked by demilune shelves, shaped marble top, conforming foliate scroll frieze and plinth base, turned feet, h. 99 1/2 in., w. 53 in., d. 22 in. $6000/9000 Provenance: Neal Auction Company, Oct. 16, 1992, lot 589. Note: The upper section of this lot is very closely related to the distinctive crest and supports of an étagère held by the Newark Museum of Art (acc. 34.663A-C), included in the Centennial Exhibition of the Metropolitan Museum of Art, New York. The lot offered here has more exuberant and sophisticated execution than the Newark example. Ref.: Tracy, Berry and Marilyn Johnson. 19th c. America, Furniture and Decorative Arts. New

York: New York Graphic Society, 1970, fig. 124.

122. American Rococo Carved and Laminated Rosewood Center Table, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Rosalie” pattern, rosewood top, floral‑carved apron, dolphin-carved legs, stretcher with floral bouquet, casters, h. 30 1/2 in., w. 42 1/2 in., d. 32 1/2 in. $8000/12000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840-1880. Atglen, PA: Schiffer, 2000, p. 134. Note: This lot is very similar in form and scale to several known “Rosalie” pattern Belter center tables including the historic table conserved in the parlor at Rosalie, Natchez. Interestingly, this table, lot 122 retains a serpentine wood top and features carved grape clusters suspended above the carved dolphins centering each leg. Ref.: “Rosalie” tables from the Hurst and Manney collections are illustrated respectively in Dubrow, Richard and Eileen. American Furniture of the 19th c., 18401880. Atglen, PA: Schiffer, pp. 131, 134; Schwartz, Marvin, et. al., John Henry Belter and the Rococo Revival. New York: Dutton, 1981, p. 75, pl. 54b.

Additional information at www.nealauction.com

123. American Late Classical Bronze‑Mounted Rosewood and Gilt Pier Table, c. 1830, attr. to J. & J.W. Meeks Firm, New York, reeded slate top, frieze with classical mount, canted S scroll supports, pilasters flanking mirrored back, incurvate plinth base, turned tapered feet, h. 36 in., w. 44 in., d. 17 1/2 in. $3000/5000 Provenance: Didier Inc., New Orleans.

124. Rare American Classical Carved and Gilded Mahogany “Grecian” Sofa, c. 1825, attr. to Anthony Quervelle, Philadelphia, gadrooned scrolling crest rail, cornucopia carved arm, gilt acanthus bosses, stenciled rail, acanthus bracketed paw feet, casters, haircloth upholstery, retaining original surface, h. 33 1/2 in., w. 78 1/4 in., d. 32 1/2 in. $3000/5000 Ref.: A known “Grecian” sofa attributed to Anthony Quervelle illustrated in Robert Smith, “The Furniture of Anthony Quervelle, Part V: Sofas, Chairs and Beds”, Magazine Antiques, March 1974, fig 6, is closely related to the lot illustrated above.

125. American Classical Mahogany Canterbury, c. 1820, attr. to Isaac Vose, Boston, lyre‑form ends with original brass rods, shaped dividers, single drawer, turned legs, brass casters, h. 24 in., w. 18 3/4 in., d. 15 3/4 in. $700/1000

126. Set of Six Antique American Federal‑Style Carved Mahogany Side Chairs, 19th c., probably Philadelphia or Baltimore, swagged crest rail and splat, serpentine seat, tapered square legs, spade feet, h. 37 5/8 in., w. 20 3/8 in., d. 20 in. $1200/1800

127. Six Antique Regency‑Style Mahogany and Caned Gondola Dining Chairs, 19th c., each with incurvate crest rail and stiles, caned back and seat, with loose cushion, turned legs, h. 34 5/8 in., w. 18 1/8 in., d. 18 1/8 in. $1000/1500

128. School of Sir Joshua Reynolds, P.R.A. (British, 1723‑1792), “Portrait of a Lady with a Camellia (possibly Isabella Thorold)”, late 18th c., oil on canvas, unsigned, 49 in. x 39 in., framed. $4000/6000

129. George III Mahogany Mixing Table, probably early 19th c., molded rectangular top, frieze drawer, tapering legs, h. 31 in., w. 30 in., d. 21 3/4 in. $600/800

130. Pair of Paris Porcelain Vases, ochre ground with gilt highlights and scene depicting Napoleon reviewing his troops, swan’s neck handles, now mounted as table lamps, h. (to top of fittings) 24 1/2 in. $600/800

131. Royal Crown Derby “Red Aves” Porcelain Dinner Service, “A.14” pattern, incl. 12 dinner plates, dia. 10 1/4 in., 12 scalloped salad plates, 12 bread plates, 12 small bowls, 12 tea cups and saucers, 8 soup plates, sauce tureen with underplate and platter, (83 pcs.); together with 12 gilt acrylic chargers and ecru table linens. $1000/2000

132. Large Pair of Continental Chinese Export‑Style Armorial Porcelain Chargers, possibly Samson, wells decorated with ram’s heads over emblazoned shields, rims with landscapes and floral sprays, h. 2 5/8 in., dia. 16 3/4 in., and h. 2 1/2 in., and dia. 16 7/8 in. $600/800

133. Set of Twelve Chelsea Porcelain Plates, central reserves with polychromed peacocks in naturalistic landscape. $700/1000

134. Chinese Export School, probably 19th c., “Ladies Dressing”, ink and color on silk heightened with gold, sealed lower right, 38 in. x 20 3/4 in., mounted as a hanging scroll. $400/600

135. Pair of Charles X Brass Candlesticks, c. 1830, faceted standard with floral and beaded banding, h. 9 3/4 in., dia. 4 3/4 in. $500/700

136. Decorative Silverplate and Cut Crystal Inkstand, the panel‑cut inkwell with stag‑mounted cover, the stand with Neoclassical decoration and putto frieze, h. 9 in., dia. 13 3/8 in. $400/600

140. Georgian Sterling Silver Wine Funnel, marks rubbed, engraved crest, pierced detachable strainer, l. 5 1/2 in., wt. 3.50 troy ozs. $500/800 137. Pair of Continental .875 Silver Candlesticks, Israel A. Goldman, Warsaw, Assayer Josef Sosnkowski, 1879, 84 zolotnik mark; chased decoration, h. 14 1/4 in., wt. 30.95 troy ozs. $700/900

141. Late Georgian Sterling Silver Asparagus Tongs, late 18th c., Geo. Smith III and Wm. Fearn, marks rubbed, l. 9 1/2 in., wt. 4.25 troy ozs. $300/500

138. Late Georgian Sheffield Plate Hot Water Urn, 19th c., gadrooned cover with pod finial, acanthus scroll handles, h. 16 in., w. 15 3/8 in. $400/600

139. Pair of Sheffield Plate Candlesticks, early 19th c., baluster form with weighted circular bases, h. 11 1/4 in., fitted with antique blown and cut glass kerosene fonts, Plume & Atwood ‘Victor” burner knobs, glass chimneys, overall h. 23 in. $500/700

142. Irish George III Sterling Silver Strainer Spoon, Dublin, 1785, maker WW untraced, bright cut engraving to handle and top of applied strainer, engraved crest of a bird, l. 12 1/2 in., wt. 3.85 troy ozs. $200/300 Provenance: Private Estate, Hillsborough, NC.

143. After William Blake (British, 1757‑1827), Young, Edward and William Blake/ Illustrator, The Complaint and the Consolation; or Night Thoughts, printed by R. Noble, London, 1797, folio (16 3/16 in. x 12 1/2 in.), gilt‑tooled leather boards and doublures, all edges gilt, silk end papers, with 43 full‑page copperplate engravings after Blake surrounding text, with “Advertisement” and “Explanation of the Engravings”. $3000/5000

144. [Gerona Beatus], Sancti Beati a Liebana in Apocalypsin Codex Gerundensis, Olten & Lausanne, Urs Graf Verlag, 1962, distributed in US by Duschness, NY; two folio volumes (17 1/2 in. x 12 in.), facsimile in full pictorial leather, text in French, Spanish, English and German, with leather spine; 37 color plates, this full‑size replica of the Codex number 25 of a limited edition of 680, with slipcase. $700/1000

145. [New Orleans/Batture Controversy], Virginia politician John Randolph’s personal copy, eight works relating to the Batture Controversy, bound together, octavo, leather spine, signed numerous times with other inscriptions in Randolph’s hand, also with ownership signature of prominent U. of Va. professor George Tucker, with note stating “Bought at J.R.’s sale‑1845”, list of pamphlets available. $800/1200

146. Vaugondy, Robert de, “Etats‑Unis de l’Amerique Septentrionale avec Les Isles Royale, de Terre Neuve, de St. Jean, l’Acadie & c.”, Paris, Chez Boudet, Imprimeur du Roi, 1785, hand‑colored engraved map, 18 1/2 in. x 24 3/4 in., matted and framed. $700/1000

147. [Antique Bird’s‑Eye‑View of Rome], “Carta Guida Monumentale di Roma, Con I Monumenti Antichi e Moderni Della Citta e la Pianta Degli Altri Principali Edifici”, 1870, engraved view, linen backed, by Ignazio Gigli, engraved by Giovanni Della Longa, sheet 29 in. x 35 in., float mounted and framed. $700/1000

Additional information at www.nealauction.com

148. [Map of Texas], Arrowsmith, John, “Map of Texas, compiled from Surveys recorded in the Land Office of Texas, and other Official Surveys, By John Arrowsmith, Soho Square, London”, London, 1841, engraved map, with original outline hand‑coloring, inset maps of Galveston Bay and North and Central America, folded, from Kennedy’s Texas: The Rise, Progress..., 19 1/2 in. x 23 1/2 in. $5000/7000 149. [Map of Texas], Emory, William H., “Map of Texas and the Countries Adjacent: Compiled in the Bureau of the Corps of the Topographical Engineers: From the Best Authorities”, published by the War Department by Order of the U.S. Senate, 1844, lithographic map, original pink outline color to Texas borders, 21 in. x 32 3/8 in. $3000/5000

151. Louisiana Governor Richard Leche’s Ship Model, early 20th c., mixed woods, metal and cloth, hand‑built model of a schooner, transom marked “Mr. Bozo/ N.O. LA”, finely detailed, h. 60 in., l. 74 in., w. 18 1/4 in., presented on custom stand, total h. 63 in. $3000/5000 150. Two Antique Vellum Indentures, an English example, reign of Elizabeth I (1533‑1603), with seal, 16 in. x 21 in.; and one in Latin, reign of Ferdinand III (1637‑1657), sight 19 1/2 in. x 30 1/2 in., both framed. $500/700

Provenance: Louisiana Governor Richard W. Leche; his son Charles Leche; as a gift to Jack Myers; as a gift to present owner.

152. August A. Alfaro, Vargas family member (New Orleans/Florida, 1915‑2011), collection of eight figures on bases including: “Fisherman”, “Flambeaux”, “Chimney Sweep”, “Mother and Child”, “Palmetto Fan Vendor”, “Duck Hunter and Dog”, “Duck Hunter with Two Ducks” and “Second Line Parade Grand Marshal”, 1980‑1986, wax and mixed media, all signed and many dated on bases h. 5 1/2 in. to 12 1/2 in. (8 pcs.) $2000/3000 Provenance: Descended in the Vargas Family, LA. Note: The patriarch of the family, Francisco Vargas, was the first of four generations of artists to create wax sculptural figures of the vendors, laborers, fishermen and hunters that populated Louisiana. Arriving originally from Mexico, Francisco Vargas opened his French Quarter shop in 1878 on Royal Street. His daughters Adelina and Conception, and Conception’s daughter Lucy Rosato and her son August A. Alfaro continued the family’s artistic tradition. August A. Alfaro continued to create the wax sculptures into the late 20th century.

153. August A. Alfaro, Vargas family member (New Orleans/Florida, 1915‑2011), incl.: “Banjo Player”, “Female Cotton Picker” and “Crab Vendor”, wax and mixed media on bases, unsigned, h. 8 in., all under glass domes with wood bases $400/600 Provenance: Descended in the Vargas Family, LA.

154. George Edwards (British, 1694‑1773), “Jay Bird from the East Indies” and “Small Birds from Surinam, 1755”, 2 hand‑colored etchings, each signed and titled lower margin, latter dated and inscribed in plate lower center, each 9 3/4 in. x 8 in., matching walnut leaf motif frames. $500/700

155. L. Gallo (American/New Orleans, mid‑20th c.), “Wood Wonderland” and “Pillar Patterns”, 2 silver gelatin prints mounted on board, pencil‑signed and titled in lower margin, former signed, titled, inscribed and “Crescent City Camera Club, New Orleans, LA” and “Greater New Orleans Camera Club, 1964” labels en verso, image 10 1/2 in. x 13 1/2 in. and 9 1/2 in. x 7 1/2 in., unframed. (2 pcs.) $400/600

156. Theodore Lilienthal (German/ New Orleans, 1829‑1894), “Portrait of J.R.....rrola, Engineer, Mexican Pavillion, New Orleans 1884 World’s Cotton Exposition”, albumen print, photographer and sitter identified and printed en verso, “Theodore Lilienthal, Photographer, Canal Street, N.O” label en verso of backing board, 8 1/2 in. x 5 1/4 in., elaborate historic matting and Eastlake carved and ebonized frame. $500/700

157. John James Audubon (American, 1785-1851), Quadrupeds of North America, New York, John James Audubon and the Rev. John Bachman, 1856-1861, Octavo, full leather tooled bindings with titled, all edges gilt, marbled end papers, with 155 hand-colored lithographs by J.T. Bowen. $3000/5000

157A. John James Audubon (American, 1785‑1851), “Black Skimmer or Shearwater”, Plate 323, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J.Whatman/1836”, sheet 37 1/2 in. x 25 1/2 in., matted and framed. $2500/3500 Provenance: Joel Oppenheimer, Inc., Chicago, IL.

158. John James Audubon (American, 1785‑1851), “Brazilian Caracara Eagle”, Plate 161, hand‑colored aquatint engraving, from The Birds of America, Havell edition, sheet 25 1/2 in. x 37 1/4 in., float‑mounted and framed. $5000/7000 Provenance: Neal Auction Company, Sept. 11, 2010, lot 182; W. Graham Arader, New York.

160. John James Audubon (American, 1785‑1851), “Blue Grosbeak”, Plate 122, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1831”, sheet 38 in. x 24 3/4 in. $2000/3000

159. John James Audubon (American, 1785‑1851), “Blue Jay”, Plate 102, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1835”, sheet 25 in. x 38 in. $6000/9000 Provenance: Joel Oppenheimer, Inc., Chicago, IL.

161. John James Audubon (American, 1785‑1851), “Brown Pelican”, Plate 423, chromolithograph, from The Birds of America, Bien edition, sheet 39 1/4 in. x 26 1/2 in. $4000/6000 Provenance: Ed Kenney, Audubon Books and Prints Ltd., Vienna VA.

Provenance: Joel Oppenheimer, Inc., Chicago, IL.

162. John James Audubon (American, 1785‑1851), “Florida Cormorant”, Plate 252, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J.Whatman/1836”, sheet 25 in. x 33 in., matted and framed. $4000/6000

163. John James Audubon (American, 1785‑1851), “Black‑billed Cuckoo”, Plate 32, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/ Turkey Mill 1826”, sheet 25 3/4 in. x 38 3/4 in. $3000/5000

Provenance: The Collector’s Exchange, Jacksonville, FL.

Provenance: Joel Oppenheimer, Inc., Chicago, IL. Additional information at www.nealauction.com

164. John James Audubon (American, 1785‑1851), “Blue‑headed Pigeon”, Plate 172, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1836”, sheet 25 1/4 in. x 38 in., matted and framed. $2500/3500 Provenance: Ed Kenney, Audubon Prints & Books Ltd., Vienna, VA. 165. John James Audubon (American, 1785‑1851), “Chuck‑will’s Widow”, Plate 52, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/Turkey Mill”, sheet 26 in. x 38 in. $3000/5000 Provenance: Neal Auction Company, Nov. 19, 2011, lot 511. 166. John James Audubon (American, 1785‑1851), “Key West Dove”, Plate 167, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1833”, sheet 25 in. x 37 3/4 in., matted and framed. $2500/3500 Provenance: Joel Oppenheimer, Inc., Chicago, IL. 167. John James Audubon (American, 1785‑1851), “Great Tern”, Plate 309, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1836”, sheet 38 in. x 25 in. $1800/2500 Provenance: Joel Oppenheimer, Inc., Chicago, IL.

168. John James Audubon (American, 1785‑1851), “Blue‑bird”, Plate 113, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J.Whatman/1831”, sheet 38 3/4 in. x 26 in., matted and framed. $2000/3000

169. John James Audubon (American, 1785‑1851), “Blue Green Warbler”, Plate 49, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1830”, sheet 39 1/2 in. x 26 1/2 in. $1200/1800

Provenance: Joel Oppenheimer, Inc., Chicago, IL.

Provenance: Ed Kenney, Audubon Prints & Books Ltd., Vienna, VA. 170. John James Audubon (American, 1785‑1851), “Semipalmated Snipe or Willet”, Plate 274, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J.Whatman/1835”, sheet 26 1/4 in. x 38 1/2 in., matted and framed. $1000/1500 Provenance: The Collector’s Exchange, Jacksonville, FL.Vienna, VA.

171. Lower Mississippi Valley Cherrywood Armoire, early 19th c., flared cornice, recessed panel doors, chamfered corners, fiche hinges with later bracket hinges, reeded false stile, appears to retain original fitted interior with belt of drawers and shelves, two side closets, turned feet; cypress and pine secondary woods, remnants of label “Stanton Hall No. 79”, h. 90 1/2 in., w. 62 in., d. 25 1/2 in. $4000/6000 Provenance: Descended in the Merrill family of Natchez to Ruth Britton Dunbar Merrill Flinn; Estates of William and Sarah McGehee, Dr. Dubs House, Natchez. Note: A Creole armoire with recessed panels and side closets from the Mercer estate at Laurel Hill Plantation near Natchez is illustrated in Furnishing Louisiana, p. 163.

172. American Classical Mahogany Pier Table, early 19th c., marble top, foliate frieze, Corinthian column supports, mirrored back flanked by pilasters, shaped acanthus feet, h. 38 in., w. 44 in., d. 22 3/8 in. $2500/3500 Provenance: Didier, Inc., New Orleans.

174. American Federal Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., graduated drawers, shaped skirt, flared French feet, “Washington Bust” embossed brasses, h. 37 3/4 in., w. 44 1/2 in., d. 23 1/2 in. $800/1200

173. American Federal Cherrywood Tall Chest, c. 1800‑1810, three short over five long drawers, flanked by fluted quarter columns, scalloped skirt, shaped skirt, bracket feet, found in original state, h. 62 in., w. 40 1/2 in., d. 21 1/2 in. $1500/2500

175. Diminutive American Walnut Footstool, early 19th c., probably Louisiana, rectangular frame, cabriole legs. $250/350

176. American Federal Carved Mahogany Games Table, foldover reeded edge top, frieze interspersed by reeded blocks, on turned, tapered and reeded legs, h. 28 3/4 in., w. 36 1/4 in., d. 17 1/4 in. $800/1200 177. Fine American Classical Carved Mahogany Sofa, early 19th c., scrolled acanthus crest, scrolled arms, gadrooned seat rail, paw feet with anthemion petal brackets, h. 35 in., w. 89 1/2 in., d. 18 in. $2500/3500

178. American Late Classical Carved Walnut Campeche Chair, mid19th c., arched molded crest rail, reeded scroll arms, conforming legs, turned stretcher, h. 40 3/4 in., w. 24 in., d. 22 in. $700/1000 Provenance: Estate of a New Orleans Lady.

179. Group of New Orleans Coin Silver Flatware, c. 1820, Anthony Rasch, act. New Orleans 1821‑1858; marked “A.RASCH” in rectangle and “N.ORLEANS” in rectangle; single‑faced double thread and shell, engraved script “Kenner” on the reverse; incl. 3 tablespoons, l. 9 in., 1 dinner fork, l. 8 3/8 in., 1 fork, l. 7 in., “as is”, and 1 salt spoon, “as is”; combined wt. 12.75 troy ozs. $3500/4500 Note: Four Rasch serving spoons apparently from the same Kenner family flatware service from Ashland Plantation were sold at Neal Auction Company, Feb. 8, 2003, lot 319. Ref.: Crescent City Silver, pl. 83 for related flatware by Rasch. Additional information at www.nealauction.com

180. Group of New Orleans Coin Silver Flatware, c. 1820, Anthony Rasch, act. New Orleans, 1821‑1858; marked “A.RASCH” in rectangle and “N.ORLEANS” in rectangle; single‑faced double thread and shell, engraved in script “Kenner” on reverse; incl. 2 forks, l. 6 7/8 in. and 7 in., 2 spoons, l. 5 7/8 in.; together with an upturned fiddle teaspoon marked “A. RASCH” in rectangle, monogrammed “DK” on reverse; total wt. 2.70 troy ozs. $1000/1500

181. Two New Orleans Coin Silver Tablespoons, Jean‑Noel Delarue (1776‑1842), act. New Orleans 1802‑1842, marked “Delarue” in elongated oval flanked by butterflies in octagonal cartouche; each upturned fiddle handle with midrib, incised drop on back of bowl, egg‑shaped bowl with flat pointed tip, script monogram “MC” on reverse, l. 8 1/4 in., combined wt. 4.70 troy ozs. $1000/1500 Ref.: Crescent City Silver, pp. 66-67, mark ill. P. 165.

184. Set of Five Kentucky Sterling Silver “Presidential” Julep Cups, each marked “MARK J. SCEARCE/SHELBYVILLE/KENTUCKY”, “STERLING”, and with eagle cartouche and Presidential date marks for Gerald Ford, Jimmy Carter, Ronald Reagan 1st and 2nd terms, and George H.W. Bush; Ford cup h. 2 3/4 in., others h. 3 3/4 in., combined wt. 22.70 troy ozs.; together with original dust covers. $1800/2500

182. Rare New Orleans Coin Silver Fiddlethread Fork in the French Manner, marked “HV” in octagonal cartouche and “NO” in lozenge, l. 7 3/4 in., wt. 2.50 troy ozs.; together with a French silver fiddlethread tablespoon, Charles‑Alexandre Lavallée, Paris, from 1855, l. 8 1/7 in., wt. 2.50 troy ozs. $300/500 Note: One other example of silver made by New Orleans silversmith “HV” has been documented, although the identity of the maker is not yet known.

183. New Orleans Coin Silver Cup, Melville & Co., wc. 1849‑1858, marked “MELVILLE & Co” in rectangle; seamed construction, monogrammed cartouche flanked by repoussé flowers, beaded borders, scroll handle, h. 3 7/8 in., wt. 5.35 troy ozs. $400/600 Ref.: Crescent City Silver, p. 122, mark illus. p. 126.

185. American Classical Coin Silver Tea Set, John Targee, New York, New York, wc. 1797‑1828; incl. a teapot, sugar and creamer, each squared urn form with wide band of oak leaves and acorns on stippled ground, lobed lower body, acorn finials, old script monogram, teapot h. 9 3/4 in., total wt. 56.35 troy ozs. $1000/1500

Note: The Mark J. Scearce “Presidential” julep cups are based on a 19th century example by a Shelbyville, Kentucky silversmith. The first Scearce julep was made during the Franklin D. Roosevelt presidency. The first produced for retail were made during the Harry Truman administration. To this day each julep is marked with the initials of the U.S. President in office at the time.

186. Georgian Sheffield Plate Hot Water Urn, early 19th c., reeded finial and collar, grape and grapeleaf loop handles, retains burner and tinned interior, h. 17 1/4 in. $300/500

189. Pair of Old Sheffield Plate Candlesticks, Matthew Boulton double sunburst mark, gadroon and acanthus borders, h. 9 7/8 in. $250/350

187. Good American Rococo Coin Silver Repoussé Coffee Pot, mid‑19th c., unmarked, vase shape chased with berries, leaves and vines, berry finial, h. 11 7/8 in., wt. 26.25 troy ozs. $500/750

190. Good Pair of Regency Sheffield Plate Wine Coolers, c. 1820, each with scroll handles with anthemion petals and acanthus, removable liner with collar, retains original tinned interior, h. 9 in. $600/800

188. Good New York Coin Silver Coffee and Tea Service, John Chandler Moore, act. c. 1827‑1845, ret. Ball, Tompkins & Black, act. c. 1839‑1851, marked “BALL TOMPKINS & BLACK” and “NEW YORK” incuse, in concentric arcs and with Moore’s hallmark; incl. a coffee pot, teapot, sugar, creamer and waste bowl, each of paneled octagonal form with flat chased floral and scroll decoration; coffee pot h. 8 3/4 in., total wt. 101.90 troy ozs. $1800/2400

191. [Architect A. Hays Town], Town, A. Hays. The Architectural Style of A. Hays Town, Baton Rouge, Amdulaine Publications, 1985, oblong, with 106 sketches, with dust jacket; together with two Christmas cards, a small pencil sketch, and some clippings. $600/900

192. George III Satinwood Wheel Barometer, c. 1810, marked “Jos. Somalvico & Co./ 16 Charles Street/ Hatton Garden”, incorporating a thermometer and hygrometer dial, h. 46 in., w. 14 1/2 in., d. 2 1/2 in. $600/800

193. American Brilliant Cut Glass Punch Bowl with Redlich Sterling Silver Mounts, late 19th/early 20th c., glass cut in hobstar and chair bottom motifs, reticulated silver rim with floral scrolls, h. 6 3/8 in., dia. 16 in. $4000/6000

194. Waterford “Alana” Pattern Cut Crystal Stemware Service, incl. water (12), wine (11), champagne (12), old fashioned (4), cordial (12), water pitcher, salt and pepper castors, a decanter with six sherry glasses on a silver‑plate tray. (59 pcs.); together with 12 German crystal knife rests. $800/1200

195. Pair of Baccarat‑Style Gilt Bronze‑Mounted Cut Crystal Urns, mid‑20th c., on marble bases, mask‑form handles, h. 18 in., w. 9 in., d. 8 1/2 in. $1000/1500

196. Pair of Antique Anglo‑Irish Hand‑Blown Leaded Glass Decanters, 19th c., panel cut necks with applied loop handles, polished sides and pontils, diamond faceted stoppers, one marked “W” and other “B” for Whiskey and Brandy, h. 10 1/4 in. $250/350

197. Wayman Adams (American/ New Orleans, 1883‑1959), “Woman in the Doorway, French Quarter”, charcoal on paper, unsigned, from the artist’s sketchbook, typewritten provenance on photocopy of image signed by M.K. Hage en verso, 20 in. x 14 in., framed. $1200/1800

198. Wayman Adams (American/ New Orleans, 1883‑1959), “Woman with a Fan, French Quarter Balcony”, charcoal on paper, unsigned, from the artist’s sketchbook, typewritten provenance on photocopy of image signed by M.K. Hage en verso, 20 in. x 14 in., framed. $700/900

Provenance: Descended in the family of the artist; M.K. Hage, Austin, TX, c. 1970.

199. William S. Robinson (American/Mississippi, 1861‑1945), “Sailboats, Biloxi, Mississippi”, 1937, oil on board, signed lower right, titled, monogrammed, dated and inscribed en verso, 10 in. x 12 in., framed. $4000/6000 Note: The American Impressionist painter William S. Robinson was an important member of the Old Lyme Art Colony in Lyme, CT in the early 20th century. Following the closure of the art colony in 1937, Robinson relocated to Biloxi, MS at the recommendation of his friend, noted New Orleans artist William Woodward. A true American Impressionist, Robinson applied his skills to depicting the environs of his new hometown and produced a notable body of work of scenes in and around Biloxi. In the 1930s, the waterfront of Biloxi was an active place, with shrimp boats and canneries along the back bay, and yacht clubs on the Gulf of Mexico. The work offered here depicts several sailboats docked at a pier against a vivid blue sky and Gulf waters.

200. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Dawn ‑ Louisiana”, 1908, 2 oil washes on paper, signed and dated lower left or right, each 8 in. x 10 3/4 in., framed alike; accompanied by typewritten poems attributed to the artist en verso. $2500/3500 Provenance: Baldwin Family Collection, New Orleans; thence by descent. Additional information at www.nealauction.com

201. Steele Burden (American/Louisiana, 1900‑1995), “Barataria”, oil on canvas board, signed lower right, “Yarberry’s, Baton Rouge” label en verso, 16 in. x 20 in., framed. $3000/5000

202. Simon Gunning (Australian/New Orleans, b. 1956), “Reclining Nude II (recto)”, 1990, and “Seated Nude (verso)”, 1988, double‑sided conté crayon on paper, signed and dated lower right and lower center respectively, “Galerie Simonne Stern, Julia St., New Orleans” label en verso, 22 in. x 30 in. and 30 in. x 22 in., framed. $3500/4500

Provenance: Acquired from the artist; thence by descent. 203. William Woodward (American/New Orleans, 1859‑1939), “French Market”, 1908, Raffaelli oil crayon on board, signed, dated, and inscribed “N.O.” lower left, 14 1/2 in. x 18 3/4 in., framed. $25000/35000 Provenance: Baldwin Family Collection; thence by descent. Note: Renowned for his masterpieces portraying French Quarter scenes, William Woodward has become one of the most valuable assets to those studying the history of New Orleans, allowing viewers of his paintings, prints, and drawings to see the city as it was over a century ago, preserving depictions of significant architectural works, many of which no longer exist. One such edifice is the Bazaar Market, built in 1870, a gabled building with an iconic pediment, frieze, and cupolas, which subsisted within the French Market complex along the Mississippi River. Described as one of the oldest and most important structures in the city of New Orleans, the French Market has a long and vivid history. The French Market, comprised of a group of markets each demarcated to sell a certain type of food or dry goods, changed locations several times within an area bordered by the modern day streets St. Ann, Barracks, Chartres, and the Mississippi River. Initially, the area along the levee was used by Native Americans of the Choctaw tribe for trading during the French Colonial period. While no structures were built during this period, it was a central location where French settlers and Choctaw Indians could meet to exchange goods. When Colonial Louisiana came under Spanish rule in 1763, the site was still used, and in 1779 the Spanish government decided to erect a building to provide shelter from the elements for both the people trading, as well as the merchandise being sold. The vital importance of the markets to the New Orleans community can be seen throughout the history of the city as the market buildings were damaged or ruined by hurricanes and fires in the late 1700s and early 1800s, but always rebuilt immediately. The first permanent structure built, which still exists today, although greatly modified over the years, is the Halle des Boucheries, or Butcher’s Market, on Decatur Street between St. Ann and Dumaine Streets. Built in 1813, and with major renovations in the 1930s and the 1970s, it is now the location of the world famous Café du Monde coffee shop. When originally built, the Butcher’s Market housed stalls only for meat, which needed to stay on ice, while fruits and vegetables were sold outside the market and fish and seafood were sold along the river’s banks. A need for a vegetable market became apparent, and plans for the Halle des Legumes, were begun in 1823. Built on Decatur Street between St. Philip and Ursulines Streets, and completed in 1830, the Vegetable Market has also been extensively renovated over the years, but the original buildings still stand and are now used for commercial businesses. Several other parts of the market complex were established throughout the years, including the three original Red Stores buildings, erected in 1830, which can be seen in the background of the current lot; the Bazaar Market, built in 1870, upon whose iconic structure Woodward chose to focus for this work; and a Fruit Market, which was added to the Vegetable Market in 1871. On August 20, 1869, a city ordinance was approved to allow bidding for “a contract for the erection of a bazaar market…on the vacant space bounded by the beef market, red stores, Peters street, and the levee.” From historic photographs, such as this exact view from 1890, taken by Georges Francois Mugnier (1855-1936) and printed by Clarence John Laughlin (1905-1985), we can see that the position of the Bazaar Market is precisely as described in the ordinance – the streetcar tracks along North Peters Street to its north, and the Red Stores to its east, while the river would be to its south and the Butcher’s Market to its west. Other historically significant buildings on the opposite side of the streetcar tracks along Decatur Street – the Vegetable Market, Garic’s Bakery, Masich’s Grocery, and Central Grocery (which still operates at 923 Decatur today) can also be seen in alternate views. Perhaps the most distinctive building of the French Market at this time, the Bazaar Market was a natural choice for Woodward to focus upon, and at least one watercolor (sold in these rooms February 2013) and one other Raffaelli crayon picture (located in the collection of the New Orleans Museum of Art) by Woodward of the same scene are known to exist. Ref.: Bragg, Jean Moore, and Dr. Susan Saward. Painting the Town: The Woodward Brothers Come to New Orleans. New Orleans: Jean Bragg Gallery, 2004; Bruce, Susan. The History of New Orleans’ French Market. B.A. thesis, Tulane University, 1979; Fraiser, Jim. The French Quarter of New Orleans. Jackson: University Press of Mississippi, 2003; Hinckley, Robert. William Woodward: American Impressionist. New Orleans: MPress, 2009; Leovy, Henry J. and C. H. Luzenberg. The Laws and General Ordinances of the City of New Orleans. New Orleans: Simmons & Co., 1870; Reeves, Sally K. Making Groceries: Public Markets and Corner Stores in Old New Orleans. Gulf South Historical Review 16 (2000): 40-43; Stier, Emile V. and James B. Keeling. A Treatise on the Famous French Market of New Orleans, Louisiana. New Orleans: French Market Corporation, 1938.

Photo Courtesy of The Historic New Orleans Collection.

204. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “California Hillside”, oil on canvas board, signed lower right, 16 in. x 20 in., framed. $3000/5000 Provenance: Descended in the family of the artist.

205. Arnold E. Turtle (American/Louisiana, 1892‑1954), “Pere Antoine’s Garden, St. Louis Cathedral”, oil on canvas board, signed lower right, “Harmanson’s Book Store, Royal St.” stamp en verso, 20 in. x 16 in., framed. $2000/3000

206. Virginia Paccassi (American, b. 1921, act. New Orleans, 1941‑1942), “Vieux Carré, New Orleans”, oil on canvas, signed lower left, signed, “Sixty‑First Annual Exhibition of San Francisco Art Association, 1942”, “Painting in the United States, 1945, Carnegie Institute, Pittsburgh, PA” and “Contemporary Arts, Inc., NYC” labels en verso, 34 1/4 in. x 44 in., framed. $4000/6000 Note: Virginia Paccassi was born in 1921 and attended college in both Iowa and Oklahoma prior to receiving a scholarship to the New Orleans Art School in 1941. In 1944, her work was included in the Metropolitan Museum’s first Pepsi-Cola Exhibition and subsequently she was sponsored by Contemporary Arts in 1945 for her first one-woman show in New York. For a brief period, Paccassi and her husband, printmaker Lowell Naeve, traveled the country giving lectures and demonstrations on the art of printmaking. The painting offered here is a charming and rare view of the Barracks Street Wharf and environs beyond, including a grocery, a cemetery, iron lace balconies and a colorful laundry line. The painting was included in several exhibitions as indicated by the labels en verso, including the aforementioned solo exhibition sponsored by Contemporary Arts in New York in 1945.

207. Alberta Kinsey (American/New Orleans, 1875‑1952), “The Painter’s Royal Street Home”, oil on canvas board, signed lower right, 13 in. x 11 in., framed. $1500/2000

208. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Still Life of Chrysanthemums in a Pottery Vase”, oil on canvas board, signed lower right, signed, titled and inscribed en verso, 24 in. x 20 in., framed. $2000/3000 Additional information at www.nealauction.com

209. Oscar Edmund Berninghaus (American/New Mexico, 1874‑1952), “American Indian on Horseback, Taos”, oil on board, signed and inscribed “Taos” lower right, “Noonan‑Kocian Co., St. Louis” sticker en verso, 10 in. x 12 in., framed with artist plaque. $60000/80000 Provenance: Noonan‑Kocian Art Company, St. Louis, MO; Descended in the Gieselman family, St. Louis, MO and New Orleans, LA. Note: Oscar E. Berninghaus began his career in his native St. Louis as a commercial lithographer. In 1899, as a reward for his hard work taking night classes at Washington University and the St. Louis School of Fine Arts, he was given a month’s paid vacation and provided with free passage to the West by the Denver and Rio Grande Railroad. While visiting Taos, Berninghaus met the artist Bert Phillips, who became a lifelong friend, and was inspired to join the new Taos artist’s colony. Berninghaus established a seasonal rhythm based on his family’s needs, spending winters in St. Louis pursuing a successful career as a commercial artist and summers in Taos painting the Native Americans, their horses and the landscape. In 1915, he became a founding member of the Taos Society of Artists, one of the most important formal groups of American artists ever established. Along with Berninghaus, Bert Phillips, Ernest Blumenschein, Buck Dunton, Eager Irving Couse, and Joseph Henry Sharp all joined this group. Their aim was to market their artwork in traveling exhibitions, as there were no galleries in Taos to sell their work at the time. The traveling shows were a great success and galleries in many American cities drew significant crowds to the work of these artists, whose combination of technical, academic skill and a sympathetic approach to the native people and landscapes of New Mexico were of great interest to the urban populace of the day. The light and landscape of Taos captivated Berninghaus and even when wintering in St. Louis, the sights and scenes of the region were his primary subject matter. This ability to paint what he could not see in front of him, as he did when painting Taos natives from his studio, was both an intellectual exercise and a hard-earned talent developed on sketching trips. Berninghaus believed that art was an emotional exercise, not a representational one. “The painter must first see his picture as paint-as color-as form-and not as a landscape or a figure. He must see with his inner eye, then paint with feeling, not with seeing.” The two paintings offered here are fine examples of Berninghaus’ Taos paintings and show his short, impressionist brushwork. One depicts a Pueblo Indian on horseback contemplating the mountainous desert landscape. The other shows a group of horses outside an adobe on a Taos street.

210. Oscar Edmund Berninghaus (American/New Mexico, 1874‑1952), “In a Street in Taos”, oil on canvas, signed and inscribed “Taos, N.M.” lower left, signed and titled on handwritten label and “Noonan‑Kocian Co., St. Louis” sticker en verso, 16 1/4 in. x 20 1/4 in., framed with artist plaque. $50000/70000 Provenance: Noonan‑Kocian Art Company, St. Louis, MO; Descended in the Gieselman family, St. Louis, MO and New Orleans, LA. 211. Julius Charles Berninghaus (American/ New Mexico, 1905‑1988), “Forest”, oil on canvas, signed lower left, 20 in. x 24 in., framed. $3000/5000 Provenance: Bent Gallery, Taos, Sept. 1980; Succession of Benedette Gieselman, New Orleans.

212. William Woodward (American/New Orleans, 1859‑1939), “Newcomb College Cellist”, watercolor and mixed media on board, initialed “W.W.” lower right, 12 in. x 7 7/8 in., framed. $2000/3000

214. Newcomb College Art Pottery High Glaze Vase, 1902, decorated by Harriet Joor in the banana plant design, blue and green underglaze, base marked with Newcomb cipher, incised underglaze decorator’s mark, ink overglaze decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. “U35” and “Q” for buff clay body, h. 11 in., dia. 8 1/2 in. $12000/18000

213. After Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Alligator”, silkscreen on paper, hand‑colored by Mary Annette Anderson, printed by Carolyn Anderson, stamp with title and identifying artists en verso, 23 3/4 in. x 53 3/4 in., framed. $700/900

215. Newcomb College Art Pottery Vase, 1919, decorated by Sadie Irvine with a Moon and Palm Tree design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. KE9, and shape no. 133, h. 10 5/8 in. $6000/8000 Provenance: Collection of James E. and Jane Mulkin, Bessemer, AL.

217. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Madame John’s Legacy”, 1885, etching on paper, pencil‑signed and titled lower margin, initialed “E.W.” and dated in plate lower left, sheet 10 1/2 in. x 12 1/2 in., framed. $700/900

216. Newcomb College Art Pottery Candlestick, 1925, decorated by Sadie Irvine with relief‑carved leaves and morning glories, matte glaze with blue, green, and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. OM64, and shape no. 232, h. 7 1/4 in. $1500/2500 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC.

218. Ellsworth Woodward (American/New Orleans, 1861‑1939), “The Tin Smith”, etching on paper, pencil‑signed and titled lower margin, initialed “E.W.” in plate lower left, sheet 14 3/4 in. x 11 1/4 in., framed. $700/900

219. Ellsworth Woodward (American/New Orleans, 1861‑1939), “New Orleans District Court in 1815”, etching on paper, pencil‑signed and titled lower margin, initialed “E.W.” in plate lower left, sheet 11 1/4 in. x 14 3/4 in., framed. $700/900

220. Charles Richards (American/Louisiana, 1906‑1992), “Horse and Buggy at the French Market”, oil on canvas, signed lower right, 20 in. x 24 in., unframed. $2000/3000 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Note: New Orleans artist Charles Richards held three one-man shows at the Isaac Delgado Museum (now the New Orleans Museum of Art) in the mid-1940s. He also won first prize in another of their exhibitions during this period. Richards painted a wide range of subject matter including portraits, landscapes, still lifes, figure studies and French Quarter street scenes. The last are some of his best artistic output. The painting offered here depicts a nocturnal view of the French Market, glowing from within, a horse and buggy in the foreground. Richards employed an Impressionist style with soft brushwork, which creates a romantic effect in this charming scene. Additional information at www.nealauction.com

221. Charles Richards (American/Louisiana, 1906‑1992), “Self‑Portrait”, oil on canvas affixed to masonite, signed lower right, 14 in. x 12 3/4 in., framed. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

222. Ella Miriam Wood (American/ Louisiana, 1888‑1976), “Spring Morning, French Quarter (preliminary pencil drawing of painting en verso)”, oil on canvas board, initialed “E.M.W.” lower center, titled en verso, 6 in. x 6 1/4 in., period frame. $700/900

223. Marie Madeleine Seebold Molinary (American/New Orleans, 1866‑1948), “Pink Carnations in a Green Jug and Glass” and “Black‑Eyed Susan’s in Green Art Pottery Vase”, 2 oils on canvas, former signed upper right, 20 in. x 25 1/4 in. and 20 1/4 in. x 24 in., matching period frames. (2 pcs.) $7000/10000 Provenance: M.S. Rau, New Orleans, c. 1930s. 224. Paul Poincy (American/ New Orleans, 1833‑1909), “Marie Madeleine Seebold (1866‑1948) at the Easel”, 1890, oil on canvas, signed and dated upper left, “W. E. Seebold, Bookseller, Stationer and Fine Art Dealer, New Orleans” label en verso, 15 in. x 10 in., period frame. $5000/8000 Note: Paul Poincy was part of a diverse group of artists, musicians, writers and prominent New Orleanians who frequented the “Seebold salon” held at the home of W.E. and Lisette Seebold beginning in the 1870s and continuing through the early decades of the 20th century. W.E. Seebold, a German immigrant, came to Louisiana in the 1850s and after serving as a Private in the Confederate Army, made his home in New Orleans. After the Civil War, Seebold opened a store on Canal Street, where he profited from the sale of books, stationery, art supplies and frames; he also became an art dealer while simultaneously building his own collection. Through his shop, Seebold formed many important connections in the art and literary circles of New Orleans, which firmly established Seebold and his home as a center of artistic and cultural discussion. Poincy, in addition to visiting Seebold’s shop and socializing with his family, also at one time rented an art studio above Seebold’s store. Seebold’s daughter, Marie, studied under Poincy, as well as George David Coulon, Bror Anders Wikström and Andrés Molinary. Collaboration between mentor and student or among colleagues was a common occurrence. Marie Seebold was painted on numerous occasions by Andrés Molinary (whom she later married), and in the work offered here, Poincy’s portrait of Marie at her easel with one of her floral still lifes provides a glimpse into the life of New Orleans artists working at the turn of the 20th century.

225. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Pottery Studio in the Woods”, oil on canvas, signed lower right, 24 in. x 30 in., period frame. $2500/3500 Note: As a professor at Newcomb Art School, Ellsworth Woodward was known for his love of teaching and his love of travel. He enjoyed capturing scenes both on campus, such as his renowned painting of Newcomb’s Lotus Fountain and his sketches of students and teachers, as well as documenting his travels throughout the United States, Europe, and Mexico. The large clay pots outside of a building with a red tile roof in the pine forest of this lovely landscape bring to mind the familiar medium that Woodward would have come across in the pottery studios at Newcomb College Art School, where he, along with his brother William, and potters Joseph Meyer and George Ohr, instructed female art students in drawing, painting, and pottery decoration.

226. George Overbury “Pop” Hart (American/Illinois, 1868‑1933), “French Market, New Orleans”, watercolor and graphite on paper, signed lower right, “Enoch’s Framing & Gallery, New Orleans” label en verso, 14 in. x 22 1/4 in., framed. $7000/10000 Provenance: Estate of Martha Ann Samuel, New Orleans, 2006. Note: A traveler by nature, Pop Hart found himself in New Orleans in 1917; he shared a French Quarter apartment with Jules Pascin (Bulgarian, 1885‑1930) and enjoyed drawing and painting the city’s sights. Always a popular locale, the French Market’s bustling energy and variety of goods on display drew many artists, including Hart, to capture its unique charm.

227. Early Engraved View of Florida, “Pagus Hispanorum in Florida”, from Arnoldus Montanus’ De Nieuwe... Weereld...van America, Amsterdam, 1671, sheet 14 7/8 in. x 12 2/8 in., float‑mounted and framed. $500/700 Provenance: The Old Print Shop, Inc., New York, NY.

229. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Cotton Pickers’ Cabins”, watercolor on paper, signed lower left, 10 in. x 14 in., matted. $1000/1500 228. William Aiken Walker (American/South Carolina, 1838‑1921), “Florida Coastal Scene”, oil on canvas laid on card, signed lower left, 6 in. x 17 in., period frame. $10000/15000 Provenance: Neal Auction Company, Sept. 30, 1995, lot 350. Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

230. William Aiken Walker (American/South Carolina, 1838‑1921), “Cotton Pickers”, oil on clay plate, signed lower left, dia. 10 in., mounted within period frame with red velvet liner. $5000/8000 Provenance: Thomas H. Allen & Co. Cotton House, Memphis, TN; by descent in the Allen family; Private Collection. Note: The 1884‑85 World’s Industrial and Cotton Centennial Exposition, which was located on the land that is now Audubon Park and the Audubon Zoo in New Orleans, included a large Art building with four galleries of works from local, national, and international artists. Walker did not exhibit in the gallery, but rather he created small souvenir paintings that he sold to the tourists visiting the Exposition. These miniature scenes of cabins, cotton pickers and levee views were painted in oil – mostly upon pieces of academy board about 6 inches x 12 inches or small brass plates 10‑12 inches in diameter. The current lot, although on clay, is a similar size and shape to the brass plates used for the souvenir paintings. It is certainly possible that this remarkable work on clay dates from the same time period when the artist was experimenting with round compositions.

231. Florida School, late 19th c., “St. John’s River, Florida”, 1892, oil on canvas, pencil‑titled and inscribed “Painted on Nov. 24, 1892 by O.G.(?) Smith” en verso, 16 1/4 in. x 22 in., antique frame. $1500/2500

This iconic cotton scene was long in the collection of the Thomas H. Allen & Co. Cotton House of Memphis, Tennessee. One of the oldest cotton firms in the South, Thomas Hampton Allen, Sr. formed the company in 1837. The family long had ties to the New Orleans area; his brother Richard Henry Allen, also a cotton broker, owned Rienzi Plantation in Lafourche Parish from 1861 until his death in 1894. Ref.: Fairall, Herbert S. The World’s Industrial and Cotton Centennial Exposition, New Orleans, 188485. Iowa City: Republican, 1885; Seibels, Cynthia. The Sunny South: The Life and Art of William Aiken Walker. Spartanburg: Saraland, 1995; Trovaioli, August P. and Roulhac B. Toledano. William Aiken Walker: Southern Genre Painter. Gretna: Pelican, 2008.

232. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Landscape with Cabin”, 1912, oil on board, signed and dated lower right, 18 in. x 24 in., framed. $2500/3500 Additional information at www.nealauction.com

234. George Frederick Castleden (British/New Orleans, 1861‑1945), “The Lull”, 1936, oil on canvas, signed and dated lower left, titled en verso, 18 in. x 22 in., period frame. $2500/3500 Provenance: D.H. Holmes, New Orleans.

233. Gaines Ruger Donoho (American/Mississippi, 1857‑1916), “Autumnal Landscape”, oil on canvas laid on masonite, signed lower left, 30 in. x 36 in., framed. $6000/9000 Note: The painting offered here shows Donoho’s love of nature and the influence of the Barbizon school and Impressionism in his paintings. An old stone wall creates an interesting diagonal composition, surrounded by fallen autumn leaves and brightened by moss on the rocks. Gnarled trees stand in the background like sentinels. Donoho’s work is included in the collections of the Metropolitan Museum of Art, the Mississippi Museum of Art, the High Museum of Art, and the New Orleans Museum of Art among many others. His oil paintings rarely are seen on the market. Ref.: G. Ruger Donoho (1857-1916): A Retrospective Exhibition. Hirschl & Adler Galleries. New York, March 12‑April 2, 1977. Barilleaux, Rene Paul and Victoria J. Beck. G. Ruger Donoho, A Painter’s Path. Jackson: Mississippi Museum of Art, 1995.

235. Aubrey Dale “A.D.” Greer (American/Oklahoma, 1904‑1998), “Autumn on the Brazos River (Rio de los Brazos de Dios), Texas”, oil on canvas, signed lower right, 30 in. x 36 in., period frame. $2000/3000 Provenance: Private Collection, Tulsa, OK.

236. Jack R. Meyers (American/Louisiana, 1930‑1994), “Cabin Scene: Cotton Pickers Cabin”, 1975, oil on canvas, signed and dated lower right, artist label and title en verso, 16 in. x 20 in., framed. $3000/5000

238. John James Audubon (American, 1785‑1851), “Black Skimmer or Shearwater”, “Green Heron”, “Greenshank” and “Key West Dove”, four hand‑colored lithographs, from The Birds of America, octavo edition, first edition, 1841‑1844, sight 6 in. x 9 in., framed alike. $800/1200 Provenance: Kenyon‑Oppenheimer, Inc., Chicago, IL.

237. Achille Perelli (American/New Orleans, 1822‑1891), “Nature Morte: Green‑Winged Teal”, watercolor on paper, signed and inscribed “N.O.” lower left, sight 24 in. x 15 1/4 in., framed. $7000/10000

239. Clarence Millet, A.N.A. (American/ Louisiana, 1897‑1959), “Oak Alley Plantation, St. James Parish”, oil on canvas board, signed lower left, “Harmanson’s Art and Book Store, 333 Royal Street, New Orleans” label with title en verso, 16 in. x 20 in., framed. $10000/15000

240. Clementine Hunter (American/Louisiana, 1886‑1988), “Sugar Cane (Cooking Syrup)”, oil on board, monogrammed lower right, titled en verso, 18 in. x 24 in., framed. $5000/8000

241. Clementine Hunter (American/Louisiana, 1886‑1988), “Wash Day”, oil on board, monogrammed lower right, 18 in. x 24 in., framed. $4000/6000 Provenance: Estate of Dr. Eleanor M. Worsley, Natchitoches, LA.

Provenance: Estate of Dr. Eleanor M. Worsley, Natchitoches, LA.

242. Clementine Hunter (American/Louisiana, 1886‑1988), “Funeral Procession”, oil on canvas board, monogrammed lower right, “Worsley” handwritten en verso, 18 in. x 24 in., framed. $5000/8000

243. Clementine Hunter (American/Louisiana, 1886‑1988), “Cleaning Day at the African House, Melrose Plantation”, oil on board, monogrammed mid‑right, “Eleanor M. Worsley, M.D.” handwritten en verso, 16 in. x 24 in., framed. $3000/5000 Provenance: Estate of Dr. Eleanor M. Worsley, Natchitoches, LA.

Provenance: Estate of Dr. Eleanor M. Worsley, Natchitoches, LA.

244. John Faulkner (American/Mississippi, 1901‑1963), “Sorghum Mill at Night”, oil on canvas board, signed lower right, “Curl Galleries, Washington, DC” label, title and typed description of scene en verso, 18 in. x 24 in., framed. $2500/3500

245. Harry Wilson Barnitz (American/Ohio, 1864‑1916), “Cabin Scene during the Cotton Harvest”, oil on canvas board, signed lower right, artist label with signature on stretcher, 18 in. x 24 in., framed. $5000/8000

Note: Younger brother of William Faulkner, the artist and author John Faulkner most probably painted the work as part of his “Vanishing South” series.

Provenance: Florida Estate. Note: Harry W. Barnitz was a student of the Pennsylvania Academy of Fine Arts and studied under the renowned American Realist painter, Thomas Eakins. Eakins, who painted a portrait of Barnitz when he was just nineteen, complimented his young student in a letter from 1884, “[y]ou draw and paint very well and extremely well for your age. I know no one who has a better start.”

Additional information at www.nealauction.com

247. George Rodrigue (American/ Louisiana, 1944‑2013), “Robicheaux’s Wife”, 1977, oil on canvas, signed lower right, signed, titled, inscribed and “George Rodrigue Gallery, Lafayette” stamps en verso, 24 in. x 18 in., framed. $18000/25000 246. Joseph Jefferson IV (American/Louisiana, 1829‑1905), “Wooded Landscape with Man”, oil on board, signed lower left, 13 in. x 21 in., framed. $1000/1500

248. Ben Earl Looney (American/Louisiana, 1904‑1981), “Egrets in the Bayou”, oil on masonite, signed lower left, 36 in. x 48 in., framed. $3000/5000 Note: An artist and author, Ben Earl Looney attended Louisiana State University, Centenary College, and the Corcoran College of Art and Design. Creating works of art, writing stories and poems, and teaching art at LSU and the Ringling School of Art were his primary occupations, although he also traveled to teach throughout the United States. His Cajun scenes, which include sinuous lines and expressionistic colors, were often created during his later years living in Lafayette, Louisiana. This monumental depiction of Louisiana egrets in their natural habitat is among Looney’s finest works.

250. William S. Robinson (American/Mississippi, 1861‑1945), “Buildings, Old Lyme, CT”, 1934, oil on board, signed lower left, monogrammed, dated and inscribed en verso, 10 in. x 12 in., framed. $1000/1500

249. George Rodrigue (American/Louisiana, 1944‑2013), “Bayou Morning #2”, 1969, oil on canvas, signed lower left, signed, dated, titled and “George Rodrigue Studio & Gallery, Lafayette, LA” stamps and business card en verso, 12 in. x 18 in., original frame with brass artist and title plaque. $12000/18000 Note: In March 1967, George Rodrigue returned to his hometown of New Iberia, Louisiana from the Art Center College of Design in Los Angeles, where he had been studying traditional painting techniques, abstract expressionism, pop art and hard edge painting. On the long drive from California, Rodrigue absorbed the landscape of Route 66 and was struck by the differences he encountered upon crossing from Texas into Louisiana: the flat land, miles of waterways, massive oaks blocking out the sky and light filtering through the tree branches. Determined to discover his own way of capturing Louisiana on canvas, Rodrigue first spent several months carefully observing the well-known landscapes by Richard Clague, William Buck, Andres Molinary and others in the Louisiana State Museum and New Orleans Museum of Art. Combining his recent studies in school with his reflections on the European-style landscapes of the 19th century artists, Rodrigue spent 1968 to 1971 crafting his unique vision of Louisiana. The very early works included elements such as small figures or cabins, as seen in the work offered here. However, Rodrigue quickly dropped these elements in favor of simply the oak tree, a graphic element that became a hallmark for the artist. The painting offered here has a jewel-like quality and rich surface that depicts a landscape obviously both familiar and beloved by the artist. The canvas is significant window into the development of the twenty-five year old Rodrigue into an artist that would come to define Louisiana landscape painting in late 20th century. Ref.: Rodrigue, Wendy. “Early Oak Trees and a Regrettable Self-Portrait”. Musings of an Artist’s Wife. www. wendyrodrigue.com. Accessed Aug. 15, 2016.

251. Jim Blanchard (American/Louisiana, b. 1955), “Melpomene House, New Orleans Home of the Bringier Family (demolished 1890s)”, 1988, watercolor and mixed media on paper, signed and dated lower right, titled on label en verso, 18 in. x 29 3/4 in., framed. $1500/2500

253. Gerald DeLoach (American/Mississippi, b. 1948), “Stormy Glow: Spring Willow Series”, 1991, oil on board, signed lower left, signed, titled and dated en verso, 10 1/4 in. x 17 3/4 in., framed. $1500/2500 252. Gregory Kondos (American/California, b. 1923), “Drying of the Nets: Fishermen on the Shore”, 1957, watercolor, signed and dated lower left, sight 19 1/2 in. x 27 1/2 in., framed. $3000/5000

254. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “Afternoon Fantasy”, oil on canvas, unsigned, titled upper right tacking edge, 30 in. x 34 in., framed, artist plaque with alternate title of “The Cool Marsh”; accompanied by a copy of a letter of authenticity signed by Rick Griffith, grandson of the artist. $10000/15000 Provenance: Estate of the artist. Note: Throughout his career as an artist, Louis Oscar Griffith developed a love of plein-air painting, particularly sweeping and detailed landscapes. The beautiful scenery of Brown County, Indiana, where he lived most of his adult life, provided the ideal setting for Griffith to perfect his skills. However, in addition to traveling to New Orleans in the winter of 1916-17 during which he produced many beautiful depictions of the city, Griffith also traveled and painted throughout Texas, Chicago, New York, St. Louis, Washington, D.C., and Maine, as well as abroad in Mexico, France, and Spain. Studying the various locales would surely have enhanced his understanding of atmospheric effects and led to this invented scene titled “Afternoon Fantasy.” In this painting, Griffith’s traditional brushwork and careful use of composition, so often used in painting Brown County landscapes, are combined with a bright, whimsical palette, evoking sensations of a lush, tropical paradise.

255. Edward Henry Potthast (American, 1857‑1927), “Full Sail at Cape Ann”, oil on canvas, signed “E. Potthast” lower right, 20 in. x 24 in., period frame. $25000/35000 Note: To be included in Mary Ran’s forthcoming Edward Henry Potthast catalogue raisonné. Note: Edward Potthast studied at the McMicken School in Cincinnati, Royal Academy Munich and Academié Julian Paris before settling in New York. His early paintings are highly influenced by the Munich School, focusing on draftsmanship, long, unbroken brushstrokes and a dark tonal palette. His later works mark a dramatic shift to Impressionism with short, rapid brushstrokes and a bright palette as evidenced in this painting. “Full Sail at Cape Ann” also represents his main subject of this time, leisure activity centering on the New England beaches where he summered for most of his life.

Additional information at www.nealauction.com

256. Paul Ninas (American/New Orleans, 1903‑1964), “Dominica”, oil on canvas, unsigned, 30 1/4 in. x 40 in., framed. $7000/10000 Provenance: Estate of the artist, Le Mieux Gallery, New Orleans, LA. Note: After years traveling throughout Europe, the Middle East, and Northern Africa, before settling in New Orleans in 1932, Paul Ninas owned a plantation on the island of Dominica, part of the Lesser Antilles and located approximately 400 miles southeast of Puerto Rico. Having been greatly influenced by the works of Paul Gauguin and Henri Matisse, who also painted in tropical locales, Ninas found the landscape, the people, and the way of life of Dominica inspirational. Using a painting style reminiscent of Gauguin, yet clearly influenced by the Cubist movement, Ninas combines both static and fluid elements into his composition. This painting technique works well with a palette consisting of mostly monochromatic greens and browns, yet incorporating pops of red, which draw the eye around the scene of the daily life of the people of Dominica.

257. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Terminus No. 1”, c. 1966, oil on canvas, signed lower right, label with title en verso, 69 in. x 69 in., original frame. $20000/30000 Provenance: Henri Gallery, Washington, D.C., 1966; Barbara Walker Gordon Collection. Note: In 1966-67, Ida Kohlmeyer created a series of large abstract paintings featuring broad expanses of white ground, narrow vertical stripes (often positioned right at the edge of the canvas), and a few geometric forms to carefully ground the composition. The painting offered here, “Terminus No. 1,” is a fine example of her work from this period. A large orb with several vertical rectangular forms dominates the composition and is connected by a narrow green line to the cluster of complementary forms that Kohlmeyer has placed right at the edge of the canvas. This canvas represents a very successful and complex body of work that she created for only a brief period.

258. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Banquet”, 1957, oil on canvas, unsigned, “Ida Kohlmeyer: Thirty Years, The Mint Museum of Art, cat. no. 3” and “Orleans Gallery, Royal St., NOLA” labels with artist, title and date en verso, 36 1/2 in. x 57 1/4 in., period frame. $15000/25000 Provenance: Acquired from the artist; thence by descent. Exh.: “Ida Kohlmeyer: Thirty Years”, The Mint Museum of Art, Charlotte, NC, 1983, and illustrated in the accompanying catalogue, no. 3, p. 53. Note: Ida Kohlmeyer spent the summer of 1956 at Hans Hofmann’s summer art school in Provincetown, MA. At the time, Hofmann was considered the best modernist art teacher in the country. He had a profound and dramatic effect on Kohlmeyer’s work, as evident in the canvas offered here. Painted in 1957, the year after she had studied with the modern master, she uses vivid, contrasting colors and rectangular stacking elements to form the composition, all techniques gleaned directly from Hoffman. This painting is a true masterpiece of Kohlmeyer’s earliest Abstract Expressionist work.

259. Hunt Slonem (American/Louisiana, b. 1951), “Conure Picul”, 2001, oil on canvas, signed, dated and titled en verso, 60 in. x 84 in., unframed. $8000/12000

260. Hunt Slonem (American/Louisiana, b. 1951), “White Hutch”, 2015, oil on canvas, signed, titled and dated en verso, 33 3/4 in. x 43 1/2 in., unframed. $4000/6000

261. George Rodrigue (American/ Louisiana, 1944‑2013), “Flowers over Birmingham”, 2000, acrylic on linen, signed lower left, label with title en verso, 36 in. x 48 in., original frame. $40000/60000 Provenance: Rodrigue Studio, New Orleans, 2001.

262. George Rodrigue (American/Louisiana, 1944‑2013), “I Got a Hot Tree for You”, 1997, oil and acrylic on canvas, signed lower right, 14 in. x 18 in., framed. $20000/30000 Provenance: Rodrigue Studio, New Orleans. Note: The late 1990s were an exciting period in George Rodrigue’s life, as his Blue Dog series reached new heights with a Neiman Marcus commission in 1996 and his books saw tremendous publishing success with Stewart, Tabori & Chang. Rodrigue was able to paint with a relaxation and sense of enjoyment that had lessened somewhat during his rapid rise to fame in the mid1990s. The artist’s playfulness reveals itself both through his colorful, hard edge compositions and whimsical, often laugh-outloud, titles. In the work offered here, Rodrigue’s most iconic symbols, the Blue Dog and the oak tree, combine in a vibrant union of shape and expressiveness. The hard edges of the tree and Blue Dog contrast with the visible brushstrokes of the landscape, revealing the hand of the artist and lending a sense of movement to the painting. In many canvases of this period, Rodrigue experimented with new and unusual directions for the Blue Dog series, but the most lasting and timeless of his works surely remains canvases such as “I Got a Hot Tree for You”, where the classic Rodrigue elements are so perfectly united.

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263. John “Crash” Matos (American, b. 1961), “Crash”, 1981, acrylic on canvas, signed and dated en verso, sealing wax stamp with 2 sabers within a shield en verso, 42 in. x 59 3/4 in., unframed. $6000/8000 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Note: Coming of age in the Bronx in the 1960s and 1970s, John “Crash” Matos first picked up a can of spray paint at the age of 13 to cut his teeth as a graffiti artist by “bombing” the subway trains in the New York City rail yards. His bold, blocky signature—CRASH—greeted subway riders for almost two decades in the 1970s and 1980s, New York’s economically dire, artistically fertile days. By the 1980s, with the embrace of his work by galleries and at the urging of his friend and contemporary, Keith Haring, Crash was translating his explosive outdoor murals to the canvas’s more contained plane. In 1980, Crash curated the now iconic exhibition: “Graffiti Art Success for America” at Fashion MODA, launching the graffiti movement that has remained very active through today. Known for his three-dimensional representation of lettering, the painting offered here is an iconic example of Crash’s graffiti art. Crash has been commissioned for many public mural projects, has partnered with numerous companies for projects, and has work in many permanent museum collections.

264. Jose‑Maria Cundin (Spanish/Louisiana, b. 1938), “Ministros Sin Cartera”, 1965, oil on canvas, signed and dated lower right, “Orleans Gallery, Royal St.” label with title en verso, 26 in. x 44 in., framed. $8000/12000

265. Hunt Slonem (American/Louisiana, b. 1951), “Toucan Tondo”, 1994, oil on wood, signed, dated and titled en verso, 24 in. x 29 in., antique gilt frame. $5000/8000 266. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Mythic Series #21”, 1984, oil on canvas, signed and dated lower right, typewritten label with artist, title and date en verso, 36 in. x 49 in., period frame. $12000/18000 Provenance: Acquired from the artist, c. 1985; Succession of Benedette Gieselman, New Orleans. 267. George Bauer Dunbar (American/New Orleans, b. 1927), “Heart”, platinum leaf over black and gold clay, signed lower center, 20 in. x 16 in., framed. $4000/6000

268. George Bauer Dunbar (American/New Orleans, b. 1927), “Heart”, gold leaf over red and beige clay, signed lower center, 9 3/4 in. x 9 in., unframed. $1000/1500

269. Mildred Wohl (American/New Orleans, d. 1977), “Untitled: Abstraction”, oil on masonite, signed en verso, 22 in. x 18 in., period frame. $1500/2500

270. Fletcher Benton (American/California, b. 1931), “Folded Square Alphabet O”, 1979, steel, signed, dated, and titled lower center of reverse, h. 38 in., w. 33 1/2 in., d. 35 in. $2000/3000 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Note: Fletcher Benton began his artistic career as a painter. He was very interested in incorporating motorized movement into his two dimensional works, so it serves as no surprise that he eventually felt compelled to explore the realm of sculpture. Benton first started creating forms by folding paper. The three dimensional designs that resulted from this practice inspired him to create his “Folded Square Alphabet” series in the 1970s, as seen in this lot. While the sculpture offered here is stationary, its dynamic dimensionality cannot be denied. The form of the piece appears to change at every angle, revealing Benton’s precise control over planes and space and alluding to his earlier inclination towards kinetic art. In 1993, while installing a monumental piece in the city of Cologne, Germany, the artist saw an exhibition on Malevich and came across a model of Tatlin’s Monument to the Third International. As Peter Selz writes in his profile of the artist, “[Benton] became convinced of something he had only assumed before: he was a disciple of Constructivism.” Ref.: Selz, Peter. “Geometric Sculpture in Equilibrium: Fletcher Benton”. Sculpture Magazine. 24.5 (2004).

271. Joe Barth (American/ Louisiana, 20th c.), “Catfish”, papier‑mâché, unsigned, h. 26 in., w. 23 in., d. 32 in., metal and wood base, overall h. 36 in. $300/500

272. Eleftherios Karkadoulias (Greek/American, b. 1936), “Leaping Dolphins”, 1969, bronze fountain, base dated and inscribed “E. Karkadoulias/ Greece”, h. 16 in. $400/600

275. Antique French Gilt Metal Hanging Argand Lamp, marked “RE du Paris”, cylindrical font, cone shade, adaptable for table use, h. 16 1/2 in., w. 7 1/2 in., d. 5 1/4 in. $200/400

273. Arthur Kern (American/ Louisiana, b. 1931), “Horse on Back”, polyester resin, signed and dated “Kern 76” on neck, h. 6 3/4 in., w. 13 in., d. 7 1/4 in., on painted wood base, overall h. 9 3/4 in. $500/700

274. Painted Wood and Mixed Media Figural Group of Saint Roch, with dog and Angel holding a plaque that reads “Fris [sic] peste patronus”, h. 21 3/4 in., w. 14 1/2 in., d. 6 3/4 in. $400/600

277. Large Austrian Carved Wood Figural Torchère on Stand, late 19th c., youth in Renaissance costume standing on a plinth with realistically rendered cloth drape, h. 74 in., w. 15 in. $2000/3000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 276. Louis XV-Style Cut Crystal Thirty‑Six Light Chandelier, 20th c., probably Swarovski, scrolled arms, hung with crystal beads and pendeloque prisms, electrified, h. 43 in., dia. 46 in. $1200/1800 278. Pair of Italian Gilt and Argenté Candlestick Lamps, 19th c., tripartite standard with shield‑form cartouches, urns and swags, on paw feet, electrified, h. 37 1/2 in., h. (to socket) 50 1/2 in., w. 12 in., d. 12 in. $1200/1800

279. Vintage Louis Vuitton Monogram Canvas Trunk, early 20th c., lockplate engraved “050511”, brass hardware, leather handles, void interior with remnant of original label, side with partially obscured stencil: “J.C..../ U.S.A.... York”, remnants of travel labels, marked “4” in yellow paint on front, top, and left corner, h. 16 in., w. 45 in., d. 22 in. $2000/3000 Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent. Additional information at www.nealauction.com

280. Italian 14 kt. Yellow Gold and Gem‑Set Necklace, set with 5 oval cabochon blue sapphires, 5 oval cabochon rubies, and 5 oval cabochon emeralds, wt. 46 dwt. $2000/3000

284. 18 kt. White Gold, Diamond, Ruby and Multi‑Color Sapphire Panther Clip/Brooch, wt. 14.5 dwt. $1500/2000

281. White Gold, Aquamarine and Diamond Ring, unmarked, set with large cushion-cut aquamarine, approx. 17 1/2 mm. x 18 mm. x 10 mm., approx. 20 cts., and 6 small single cut diamonds. $1000/2000

285. 14 kt. Yellow Gold, Aquamarine and Diamond Ring, set with oval faceted aquamarine, approx. 2 cts., and 42 full cut diamonds, approx. 1.20 cts. total, ring size 9. $1200/1800 287. Pair of White Gold, Emerald and Diamond Drop Earrings, gold unmarked, set with 2 large emerald‑cut emeralds, approx. 10 cts., 54 full cut diamonds, 16 marquise cut diamonds, and 36 tapered baguette diamonds, total. $6000/8000

282. 18 kt. White and Yellow Gold, Diamond and Sapphire Brooch of Renaissance Inspiration, set with large oval faceted dark blue sapphire, 16 small faceted blue sapphires and 20 small rose cut diamonds, wt. 13 dwt. $2000/3000

286. Pair of 14 kt. White Gold and Diamond Stud Earrings, approx. .95 cts. total, approx. color GH, clarity VVS2 ‑ VS1. $1500/2000 288. Continental Art Glass and Sterling Silver Overlay Vase, c. 1900, attr. to Loetz, yellow glass with iridescent decoration, Art Nouveau silver overlay hallmarked LaPierre, wc. New York and Newark, NJ, 1888‑present, monogrammed “HFB”, h. 9 3/8 in., dia. 3 1/2 in. $700/900 Provenance: Baldwin Family Collection; thence by descent.

290. Martin Delabano (American/ Texas, b. 1957), “Two Mythical Figures”, 1988, painted bronze, signed and dated on self‑base, h. 22 in., w. 14 in., d. 8 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

291. Pair of Antique Régence‑Style Carved Giltwood Mirrors, arched shell crests, scroll and strapwork surround, segmented mirror plates, h. 26 1/2 in., w. 15 1/4 in. $300/500

283. Yellow Gold, Diamond and Emerald Twin Panther Head Brooch, unmarked, probably 18 kt., set with 2 faceted pear‑shaped emeralds, 4 marquise cut emeralds, and 24 full cut diamonds, wt. 18.5 dwts. $1500/2000

289. Dan J. Girouard (American/Louisiana, d. 1994), “Abstract Formation”, ceramic, signature inscribed on bottom, h. 19 in., w. 16 in., d. 18 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

292. Italian Rococo‑Style Carved Giltwood Mirror, arched crest, foliate scrolls, central looking glass, marbleized glass panel surround, h. 60 in., w. 31 in. $500/800

294. Five Portrait Miniatures of Napoleon, one signed “Gabriel” and 2 signed “Gerard”, 4 bone or bone and tortoiseshell and one gilt frame, 2 1/4 in. x 1 3/4 in. to 3 in. x 2 1/4 in. $300/500 293. Italian Neoclassical‑Style Looking Glass, 20th c., beveled mirrored gilt carved frame surrounding central mirror plate, h. 33 1/2 in., w. 25 3/4 in. $250/350

296. Platinum and Diamond Cluster Brooch, set with 66 round brilliant cut diamonds, VS1-VS2, color F-G, totaling approx. 3.5 cts. $5000/7000

295. Russian Porcelain Dinner Service, Lomonosov “Cobalt Net” pattern, 20th c., incl. 12 plates (dia. 10 3/4 in.), 16 plates (dia. 9 1/2 in.), 7 soup plates (dia. 8 7/8 in.), 4 teacups with 8 saucers, 8 coffee cups with 8 saucers, 2 chargers (dia. 12 1/8 in.) coffee pot, teapot, sugar and creamer. (69 pcs.) $1200/2000 Note: The Lomonosov Porcelain Factory is the successor to the Russian Imperial Porcelain Factory which was founded by Empress Elizabeth in 1744.

297. Buccellati 18 kt. White Gold and Diamond “Tulle” Cross Pendant, set with 17 small full cut diamonds, totalling approx. .40 ct., and Buccellati 18 kt. white gold chain. $4000/6000

298. Buccellati 18 kt. White and Yellow Gold and Diamond “Marissa” Chain Necklace, l. 18 in., with pendant set with small rose cut diamonds, wt. 12 dwt. $5500/7500

299. Platinum, 18 kt. Rose Gold and Diamond Flexible Bracelet, signed Charles Krypell, set with 5 full cut white diamonds totalling approx. 1.56 cts., 80 small round full cut white diamonds totalling approx. 1.29 cts., and 30 small pink diamonds totaling approx. .50 cts. $10000/15000

300. Chanel 18 kt. Yellow Gold and Gemstone Floral Cluster Ring, set with 8.5 mm. cultured pearl, cabochon cushion‑cut citrine, pear‑shaped amethyst and pink tourmaline and numerous small full‑cut diamonds totalling approx. .46 ct., wt. 10 dwt. $12000/18000

301. 18 kt. Yellow Gold and Diamond “Four Hearts” Cluster Ring, signed Pasquale Bruni, set with numerous small full cut diamonds totalling approx. 3.65 cts., wt. 24 dwt. $9000/12000

Additional information at www.nealauction.com

302. Suite of 18 kt. White Gold and Blue Topaz Jewelry, incl. 2 graduated necklaces, flexible bracelet and pair of earclips, the latter also set with small faceted diamonds. $12000/18000

303. Pair of Art Deco‑Style Platinum, Diamond and Sapphire Stud Earrings, each set with octagonal faceted diamond surrounded by multi‑faceted sapphires, diamonds approx. H‑I color, SI1 ‑ SI2 quality, approx. 1.4 cts., sapphires approx. 1.27 ct. $7000/9000

304. 18 kt. Rose Gold, Yellow Gold and White Gold “Trinity de Cartier” Bracelet, wt. 20 dwt. $5000/7000

305. Retro 14 kt. Yellow Gold and Ruby Leaf Shape Pin, marked “Tiffany & Co.”. $1000/1500

306. 18 kt. Yellow Gold, Emerald and Diamond Ring, set with large oval faceted emerald and 2 full cut diamonds, emerald 13.5 x 16.5 x 10 mm., approx. 10 cts., diamonds approx. .20 ct. total, ring size 6.25. $2000/4000

307. Yellow Gold, Diamond and Opal Doublet Ring, unmarked, probably 14 kt., set with 7 small full cut diamonds, “nugget” setting, wt. 10.5 dwt., ring size 6. $1200/1800

308. 18 kt. Yellow and White Gold, Diamond and Ruby Brooch, set with small faceted rubies and single‑cut diamonds, wt. 14.5 dwt. $1200/1800

311. 18 kt. Yellow Gold Flat Link Bracelet, l. 8 3/4 in., wt. 50 dwt. $5000/7000 309. Pair of Yellow Gold and Diamond Leaf‑Shape Earrings, gold unmarked, probably 14 kt., set with 38 full cut diamonds, approx. 2.5 cts. total. $1200/1800

310. 14 kt. Yellow Gold and Diamond Ring, set with 1 full cut diamond, approx. 2 cts., K‑L color, I‑1/I‑2 clarity, and small baguette diamonds, ring size 6. $1500/2000

312. Hammerman Brothers 18 kt. Rose Gold “Diamonds by the Yard” Necklace, set with 36 diamonds totalling approx. 3.68 cts., l. 36 in. $10000/15000

313. 18 kt. White Gold and Diamond Star‑Shaped Earclips, signed Pasquale Bruni, set with pavé diamonds, totalling approx. 2.35 cts. $7000/9000

315. 18 kt. Yellow Gold, Amethyst, Blue Topaz and Diamond Torsade Necklace, with small amethyst beads, 3 carved amethyst spacers and blue topaz and diamond pendant, blue topaz approx. 45 cts., numerous small full cut diamonds totalling approx. 4.5 cts. $10000/15000

314. Buccellati 18 kt. White Gold “Apollo Chron” Wristwatch, skeleton back, duo time zone, calendar, power reserve, with Buccellati 18 kt. white gold and gray alligator strap. $10000/15000

316. Buccellati 18 kt. White Gold Lady’s Cuff Watch, abalone face, quartz movement, floral engraving, wt. 50 dwt. $12000/18000

318. 18 kt. Yellow and White Gold and Diamond Cross Pendant, set with 6 radiant‑cut fancy light yellow diamonds, approx. 2.99 cts., and micro‑pavé diamond border, totaling approx. .36 ct.; together with 16 in. chain. $15000/20000

317. Platinum and Diamond Ring, set with heart‑shaped center diamond, approx. 1.95 ct., flanked by two diamonds, approx. 1 ct. total, color approx. G, clarity approx. VS. $12500/15500

Additional information at www.nealauction.com

319. Continental 18 kt. White and Yellow Gold and Diamond Link Bracelet, set with approx. 15 cts. small faceted diamonds, wt. 37.5 dwt. $14000/18000

320. 18 kt. White Gold, Pearl, Sapphire and Diamond Necklace, set with 47 colored pearls, numerous multi‑colored sapphires totalling approx. 18.73 cts., and numerous small faceted diamonds totalling approx. 2.48 cts. $12500/15000

321. 18 kt. White Gold Buccellati “Olympochron” Lady’s Wristwatch, oval face with 2 diamond markers, quartz movement, engraved case with matching bracelet. $12000/18000

322. Pair of 14 kt. White Gold and Diamond Stud Earrings, color approx. H, clarity SI2, approx. total weight 1.46 cts. $5000/7000

323. Pair of 14 kt. White Gold and Diamond Stud Earrings, 3‑prong “martini” setting, approx. color I, clarity SI2, approx. total weight 1 ct. $2000/3000

324. 14 kt. White Gold, Blue Topaz and Diamond Pendant Earclips, set with numerous small diamonds totalling approx. 1.42 ct. $2000/3000

325. 18 kt. Yellow and White Gold and Diamond Rope Motif Earclips, set with 16 full cut diamonds. $2000/3000

326. 18 kt. Yellow Gold Heart‑Shaped Dome Ring, signed Pasquale Bruni, set with approx. 2.19 ct. pink tourmaline, wt. 15.5 dwt. $2000/3000

327. 14 kt. Yellow Gold, Pearl and Diamond Ring, set with 3 gray 8‑8.5 mm. semi‑baroque cultured pearls and 1 full cut diamond, ring size 6. $1200/1800

328. 18 kt. Yellow Gold, South Sea Pearl and Diamond Ring, set with pale gray 14 mm. South Sea pearl, 15 baguette diamonds, and 16 full cut diamonds, total diamond wt. approx. 20.87 cts., ring size 6. $1500/2000

329. 14 kt. White and Yellow Gold and Pavé Diamond Wave Design Ring, set with numerous small full cut diamonds, ring size 8.5. $1200/1800

330. 14 kt. White Gold, Amethyst and Diamond Cluster Ring, large faceted oval amethyst center stone surrounded by single row of full cut diamonds, ring size 8. $1200/1800

332. Italian Neoclassical Specimen Marble Top Table, 19th c., associated antique iron tripodal base, h. 27 3/4 in., dia. 28 in. $1500/2500 331. Pair of Post Modern Carved Marble Sculptural Armchairs, U‑shaped seats, conforming bases, reverse carved as the lower portion of a human head, h. 28 in., w. 31 1/2 in., d. 28 in. $5000/7000

333. Antique Italian PaintDecorated Corner Cupboard, 19th c., shaped arched backsplash, paneled door, shelf interior, shaped base, h. 61 1/4 in., w. 35 1/4 in., d. 17 1/4 in. $2000/3000 Provenance: By repute, with Marjorie Merriweather Post, Mar-a-Lago, Palm Beach, FL.

334. Continental Neoclassical‑Style Brass‑Mounted Mahogany Commode, brass cutwork frieze centered by a mounted tablet, two drawers, flared legs, hoof feet, h. 35 1/4 in., w. 36 1/4 in., d. 19 1/4 in. $1200/1800

337. Four Louis XVI Provincial Carved Walnut Fauteuils, 18th c., shaped molded backs, padded arms, serpentine rails, tapered legs, h. 34 1/4 in., w. 23 1/2 in., d. 18 in. $1500/2500 339. Louis XV Carved and Gilded Demilune Console, 18th c., faux marbre top, pierced frieze, mask cartouche, turned carved and fluted legs, h. 31 3/4 in., w. 39 3/4 in., d. 22 1/2 in. $2000/3000

335. Continental Neoclassical‑Style Brass‑Mounted Mahogany Commode, demilune superstructure, finialed corners, three drawers, fluted stiles, tapered square legs, brass caps, h. 34 in., w. 37 3/4 in., d. 18 3/4 in. $1200/1800

336. Pair of Swedish Neoclassical Painted Side Chairs, late 18th c., fruit carved crest rail, egg and dart molding, trapezoidal slip seat, tapered fluted legs, stretcher, h. 18 1/2 in., w. 16 1/2 in., d. 36 1/2 in. $300/500

338. Empire Parcel Gilt Walnut Recamier, early 19th c., eagle carved scrolled ends, lotus carved rail, disc feet, h. 30 1/2 in., w. 66 1/2 in., d. 21 3/4 in. $800/1200

340. Directoire‑Style BrassMounted Fruitwood Demilune Commode, 19th c., shaped top, three drawers flanked by side cupboards, reeded stiles, toupie feet, h. 33 3/4 in., w. 48 in., d. 18 3/4 in. $1200/1800

341. French Empire Bronze‑Mounted Mahogany Work Table, early 19th c., drop‑leaf top, two drawers and work basket slide, mounted columns, incurvate plinth, h. 27 1/4 in., w. (closed) 21 3/4 in., w. (open) 38 1/2 in., d. 18 in. $500/700

Additional information at www.nealauction.com

342. Pair of Renaissance‑Style Bronze Pedestals, paneled sides with relief busts and scrolling vines, conforming bases, h. 30 in., w. 14 1/2 in., d. 14 1/2 in. $1500/2000

343. Empire‑Style Bronze‑Mounted and Parcel Gilt Fauteuil, 19th c., paneled crest, lotus‑carved arms and uprights, shaped rail, tapered conforming legs, h. 37 in., w. 24 in., d. 18 1/4 in. $600/900

344. Miriam Sommerburg (German/ New York, 1910‑1980), “Il Muratore (Italian Stone Mason in France)”, and two untitled works, watercolors and/or pastels on paper with collage, all signed lower right, one titled and artist stamp en verso, sights 10 1/2 in. x 13 1/2 in. to 15 1/2 in. x 10 1/4 in., all framed. (3 pcs.) $800/1200

345. Jules Didier (French, 1831‑1892), “La Confrontation (Between a Bull and Dog in the Pasture)”, 1873, oil on canvas, signed and dated lower left, “Emmanuel Chenoz, Rue de Conde 29” canvas stamp en verso, 27 in. x 33 in., framed. $1500/2500

346. Nicolaas Johannes Rosenboom (Dutch, 1805‑1880), “Fishermen Hauling in their Nets”, oil on wood panel, signed lower right, 16 3/4 in. x 22 in., period gilt frame. $3000/5000

347. Italian School, mid‑20th c., “Italian Lakeside Scene”, oil on canvas, signed “Giuseppotti?” lower right, 27 1/2 in. x 36 in., framed. $2000/3000

348. Good Pair of Continental Patinated Bronze Urns, scroll handles, ovoid body relief‑cast with acanthus leaves, vines, and ribbon‑tied garlands, h. 21 1/2 in., w. 13 in. $2000/3000

349. Pair of Edward Field Sanford, Jr. (American, 18861951) Patinated Bronze Stands, early 20th c., dished circular tops, pronged snake head supports, fluted standards, draped Classical maidens, one circular base inscribed “Sanford”, incurvate triangular plinths, winged paw feet, h. 32 1/2 in., w. 14 in. $2500/3500

350. Carved Wood Figure of Christ, 18th c., h. 46 in. w. 14 in., d. 9 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

351. Pair French Classical‑Style Gilt Bronze Figural Three‑Light Candelabra, 19th c., each with winged putto holding candlearms, green marble plinths and bases, h. 15 1/2 in., w. 8 in., d. 6 in. $700/1000

352. Monumental Grand Tour Bronze Column, mid‑19th c. and later, with cannon‑mounted shaft surmounted by Mars, Roman god of war, h. 26 1/2 in. $500/800

353. Art Nouveau‑Style Patinated Bronze Urn, cherub handles, cast with Classical figures in relief, lobed base, h. 31 1/2 in., w. 20 in., d. 17 in. $1000/1500

354. Pair of Venetian Polychromed and Carved Wood Blackamoors, early 19th c., holding torchères, rich attire painted and embossed, on hexagonal plinths with faux marbre and scenic panels, h. 75 in., w. 14 in. $4000/6000

356. Pair of Louis XV‑Style Gilt Bronze Five‑Light Sconces, c. 1900, scrolling foliate design, h. 25 in., w. 24 in., d. 12 in. $1000/1500

355. French Aubusson Tapestry, late 18th c., woven with a tropical garden scene with a pavilion, exotic birds, flowers, trees, and foliage, 108 in. x 88 1/2 in. $2000/3000

357. Pair of Renaissance‑Style Patinated Bronze and Champleve Five‑Light Wall Sconces, late 19th c., winged putti, mask, and foliate decoration, scroll arms with cobalt enameled cups and bobêches, h. 38 in., w. 25 in., d. 12 in. $1800/2500

358. Marble Bust of Julius Caesar, 19th c., unsigned, circular self‑base, h. 29 in., w. 24 3/4 in., d. 13 1/2 in. $800/1200 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

361. Large Pair of Italian Terracotta Busts of Ancient Romans, h. 30 in., carved decorated wood pedestals, overall h. 70 3/4 in. $2000/3000

359. French Patinated Bronze Figure of the “Venus de Milo”, late 19th c., after the Antique, inscribed “F. Barbedienne.Foundeur” on rear truncation with “A. Collas Réduction Méchanique” seal on base reverse, overall h. 33 1/2 in. $1200/2000

360. Bronze Figure of Atlas, cast with armillary sphere on shoulders, h. 46 1/4 in., w. 15 3/4 in., d. 15 1/2 in. $2000/3000

362. Bronze Figure of David and Goliath, after the famous model by Andrea de Verrocchio in the Museo Nazionale del Bargello, Florence, h. 47 1/2 in., w. 19 1/2 in., d. 13 1/2 in. $2000/3000

Provenance: “The Service Collection”, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

363. Bronze Figure of a Maiden with Column, after Eugene Barrias, inscribed artist signature and “W” stamped on self‑base, h. 30 1/2 in., w. 9 1/4 in., d. 15 3/4 in. $1200/1800

364. Pair of Louis XVI‑Style Carved Giltwood Mirrors, 19th c., putti crest, floral swags, beaded surround, rosette corners, bird cartouches, molded base, h. 92 in., w. 46 3/4 in. $4000/6000

365. French Art Deco Patinated Metal and Glass Figural Clock, modeled as Sisyphus with the illuminated cast glass case as his rock, onyx and marble base, h. 14 1/2 in., w. 25 1/4 in., d. 5 1/2 in. $1000/1500

366. French Egyptian Revival Polychromed Bronze Mantel Clock, mid‑19th c., pylon‑form central structure supported by sphinx figures, figural and hieroglyphic decoration, enamel clock face, h. 14 1/2 in., w. 5 1/2 in., d. 4 1/2 in. $800/1000

367. Continental Bronze Saluting Cannon, early 20th c., tapering, multi stage barrel, cast with dolphin lifting handles and coat of arms, metal‑clad carriage and wheels, barrel l. 28 1/2 in., overall l. 38 in., w. 15 in. $600/800

370. Continental School, late 19th/ early 20th c., “The Clandestine Meeting”, oil on canvas, unsigned, 34 1/2 in. x 22 1/4 in., framed with brass title plaque. $1200/1800 369. Pair of Patinated Bronze Campagna Urns, foliate rims, bulbous bodies, mask handles, plinth bases, h. 32 in., w. 25 1/2 in. $2500/3500

372. After Titian (Italian, c. 1485‑1576), “Portrait of Young Girl Holding a Platter of Fruit”, 19th/20th c., oil on canvas, unsigned, 25 in. x 20 in., framed. $800/1200

368. Pair of Belgian Cased Hidden Trigger Pistols, 19th c., with Liege proof mark, also marked “London” and “GONECH”, octagonal grooved barrel, checked grip, lion mask patchbox lid, brass‑bound rosewood box with later interior, with two Sykes copper powder flasks, barrel l. 3 1/2 in., box h. 5 1/4 in., w. 11 3/4 in., d. 9 in. $1200/1800

371. Josef Cornelius Correns (Flemish, 1814‑1907), “The Artist’s Studio”, 1858, oil on canvas, signed and dated lower left, 26 in. x 31 in., framed. $1000/1500

Provenance: According to the frame plaque, this painting was a gift of Arthur A. Frank, Jr. to the Union League Civic and Art Foundation, 1962.

373. Pair of Moorish Mother‑of‑Pearl and Bone Inlaid Guéridons, probably 20th c., circular tops, chamfered stems, arched legs, h. 31 3/4 in., dia. 27 3/4 in. $1200/1800

374. Edwardian Brass and Mahogany Jewelry Coffer on Stand, late 19th/early 20th c., hinged lid, silk tufted interior, medial shelf, rod supports, incurvate base, turned feet, h. 34 in., w. 13 1/2 in., d. 9 1/2 in. $800/1200

375. Pair of Indian Gilt Metal and Gem‑Set Bangle Bracelets, set with pearls, faceted emeralds and cabochon emeralds. $800/1200

379. 14 kt. Yellow Gold, Pink Sapphire and Diamond Triple Band Ring, set with 10 faceted round pink sapphires and 5 small single cut diamonds, ring size 8.5. $700/900

376. White Gold, Diamond and Amethyst Ring, unmarked, set with tapered baguette diamonds and full cut diamonds, ring size 7.5. $1000/1500

380. 18 kt. White and Yellow Gold, Diamond and Mabé Pearl Snail‑Shaped Brooch, with removable pendant attachment. $700/900

377. 14 kt. Yellow and White Gold and Diamond Bee Brooch. $700/900

378. 14 kt. Yellow Gold, Diamond and Blue Topaz Cluster Ring, with synthetic center stone, ring size 8.5. $1000/1500

381. Thai 10 kt. Yellow Gold and Blue and White Sapphire Ring, set with 12 round faceted blue sapphires and 9 princess cut white sapphires, ring size 8.75. $600/800

382. 14 kt. Yellow Gold, Emerald and Diamond Band Ring, set with 2 trillion cut emeralds, and 32 full cut diamonds, ring size 9.75. $800/1200

385. 18 kt. Yellow Gold, Citrine and Diamond Band Ring, center cabochon heart‑shaped citrine surrounded by row of small full cut diamonds and 18 oval faceted citrines, ring size 6.5. $800/1000 383. Yellow Gold and Molded Blue Glass Cameo Brooch, 19th c., unmarked, probably 14 kt. $500/700

384. 18 kt. Yellow Gold, Ruby and Diamond Ring, set with 3 marquise cut rubies and 4 single cut diamonds, wt. 7 dwt., ring size 6.75. $800/1200

387. Thai 10 kt. Yellow Gold, Ruby and Diamond Triple Row Band Ring, set with 35 faceted square cut rubies and 6 single cut diamonds, ring size 9. $700/900 388. Italian 18 kt. Yellow Gold and Turquoise Rabbit Brooch, c. 1950, with black and white enameled eyes and white gold whiskers. $500/700

389. Neoclassical‑Style Bronze‑Mounted Figured Maple Low Table, 20th c., inset marble top, conforming frieze, cabriole legs, paw feet, X-form base, h. 20 1/4 in., dia. 35 3/8 in. $800/1200

386. 14 kt. Yellow and White Gold, Citrine and Diamond Ring, set with 1 emerald cut citrine and numerous small baguette diamonds, ring size 9. $1000/1500

390. Pair of Classical Style Bronze‑Mounted Marble Pedestals, square tops, fluted columns, bronze collars, square bases, h. 46 1/4 in., w. 9 7/8 in. $1200/1800

Additional information at www.nealauction.com

391. French Provincial Carved Fruitwood Commode, 18th/19th c., serpentine marble top, two drawers, shaped base, cabriole legs, h. 33 1/2 in., w. 45 in., d. 21 1/4 in. $1200/1800

392. Antique Louis XVI‑Style Bronze‑Mounted Mahogany Bureau à Cylindre, 19th c., galleried marble top, three drawers, retracting lid, fitted interior, kneehole configuration of drawers, fluted tapered legs, h. 48 1/4 in., w. 57 1/2 in., d. 27 3/4 in. $2500/3500 393. Baltic BronzeMounted Inlaid and Figured Walnut Bombé Commode, 18th c., serpentine top, three drawers, shaped base, flared feet, h. 31 1/4 in., w. 47 1/4 in., d. 23 in. $2000/4000

394. Antique NeoclassicalStyle Mahogany and Parcel Gilt Specimen Marble Table, top centering gameboard with banding of various marbles, carved dolphin bracketed support, incurvate base, h. 27 3/4 in., dia. 34 1/2 in. $2000/3000

397. Italian Renaissance Carved Walnut Cassone, 17th c., molded lift top, mask panels, molded base, blocked feet, h. 21 in., w. 67 1/2 in., d. 20 1/2 in. $500/750

395. Louis XV Gilt Bronze‑Mounted and Ebonized Bureau Plat, 18th c., inset leather top, three drawers, cabriole legs, hoof feet, h. 30 1/2 in., w. 71 3/4 in., d. 34 1/2 in. $1200/1800 Provenance: Bush Antiques, New Orleans, LA.

396. Antique Italian Baroque‑Style Carved Walnut Credenza, probably 19th c., molded top, four paneled drawers, spiral turned columns, stepped base with shaped molding, bracket feet with balls, h. 38 in., w. 31 1/2 in., d. 17 in. $700/900 399. Italian Neoclassical Painted Desk and Cabinet, early 19th c., scarlet and gilt, broken arch pediment, paneled doors, well fitted stepped interior, three lower drawers, molded base, h. 95 1/4 in., w. 45 3/4 in., d. 25 in. $2000/3000

398. Four Antique Italian Renaissance Needlepoint Upholstered Carved Walnut Armchairs, probably 18th c., mask finials, shaped arms, conforming seat, pierced foliate carved stretcher, blocked legs, h. 45 in., w. 27 in., d. 21 1/2 in. $1500/2500

400. Italian Rococo Carved Walnut Dining Table, early 19th c., inset marble top, rope molded skirt, bellflower carved cabriole legs, h. 30 in., l. 77 in., w. 42 1/2 in. $4000/5000

403. Pair of Biedermeier‑Style Parcel Gilt and Ebonized Fruitwood Bibliothèques, each with molded architectural pediment, glazed doors flanked by Egyptian terms, blocked plinth, square feet, h. 76 in., w. 45 1/4 in., d. 18 1/2 in. $1200/1800

405. Antique Italian RenaissanceStyle Hanging Cabinet, probably early 19th c., shaped molded top, carved paneled door flanked by pilasters, stepped base, h. 36 12 in., w. 24 in., d. 11 3/4 in. $700/900

408. Georgian Figured Walnut Dressing Table, 18th c., rectangular top centering figured veneer, frieze drawer, cabriole legs, “Drake” feet, h. 26 1/4 in., w. 30 3/4 in., d. 21 5/8 in. $1200/1800

406. Neoclassical-Style BronzeMounted Mahogany and Parquetry Bouillotte Table, probably 19th c., marble top, h. 32 in., dia. 31 1/2 in. $1000/1500

409. Pair of George III Carved Mahogany Pole Screens, 19th c., finialed standard, shield‑shaped frame, turned base, arched legs, slipper feet, h. 57 in., w. 16 1/2 in., d. 16 1/2 in. $800/1200

401. Antique Italian Renaissance‑Style Highly Carved Walnut Cassone, probably 18th c., molded lid with interior carved panels, geometric carved panels to the front and sides, base drawer, canted paw feet, h. 28 1/4 in., w. 58 in., d. 23 1/4 in. $900/1200

402. Louis XVI-Style BronzeMounted, Inlaid and Figured Mahogany Commode, 19th c., shaped marble top, three drawers, chamfered stiles, square tapered legs, brass cuffs, h. 34 1/2 in., w. 41 in., d. 18 1/4 in. $1200/1800

404. Good Pair of Louis XV‑Style Crème Peinte Fauteuils, foliate crest rail, padded arms, serpentine rail, shell carved cabriole legs, h. 38 1/2 in., w. 26 1/4 in., d. 21 3/4 in. $1200/1800

407. Six George III Carved Mahogany Side Chairs, late 18th c., molded crests, leaf carved splats, rounded seat rails, square tapered legs, spade feet, h. 35 in., w. 18 1/2 in., d. 18 in. $1000/2000

410. Fine Pair of Edwardian Paint‑Decorated Satinwood Armchairs, late 19th/early 20th c., oval backs, shaped arms, serpentine seat, tapered legs, spade feet, h. 38 in., w. 23 in., d. 19 1/4 in. $800/1200

411. Antique English Brass Inlaid Burled Walnut Lap Desk, 19th c., foldover top, fitted interior, later square leg stand, h. 24 in., w. 16 1/2 in., d. 10 in. $400/600

Additional information at www.nealauction.com

412. George III Inlaid Satinwood and Paint Decorated Pembroke Table, c. 1800, demilune drop leaves, frieze drawer, square tapered legs, spade feet, cuff casters, h. 28 1/2 in., w. 32 in., d. 20 7/8 in. $1200/1800 414. Regency Brass Inlaid Mahogany Sofa Table, early 19th c., drop‑leaf top, paneled frieze with two drawers, chamfered standard, incurvate plinth, brass caps, casters, h. 28 1/4 in., w. (close) 36 in., w. (open) 59 in., d. 27 in. $1000/1500

413. Set of Twelve George III-Style Carved Mahogany Dining Chairs, 20th c., incl. two arm and ten side, arched shell carved crest rail, anthemion splat, balloon slip seat, rounded shell carved rail, acanthus carved cabriole legs, claw and ball feet, stretchers, armchairs terminate in eagle heads, armchair h. 39 3/4 in., w. 33 1/2 in., d. 20 1/2 in.; side chair h. 40 in., w. 24 1/2 in., d. 20 1/2 in. $3000/5000 415. George III Carved Mahogany Chest of Drawers, early 19th c., two over three drawers, shaped base, flared “French” feet, h. 40 7/8 in., w. 41 1/2 in., d. 19 3/4 in. $1200/1800

416. William IV Carved Mahogany and Inlaid Rosewood Secretary Bookcase, early 19th c., molded cornice, plain frieze, pair of glazed doors, adjustable shelves above a fitted secretary drawer and pair of cupboard doors flanked by spiral colonnettes, molded base, disc feet, h. 87 3/4 in., w. 47 1/2 in., d. 21 1/4 in. $1000/1500

417. Fine Irish Rococo Carved Mahogany Serving Table, probably early 20th c., after Thomas Chippendale, lightwood banded top, long shell‑carved drawer, egg and dart molding, acanthus and shell‑carved cabriole legs. $3000/5000 418. Pair of Venetian Borghese Argenté and Gilt Consoles, 18th c., serpentine marble tops, cartouche carved frieze, acanthine C‑scrolled legs, arched floral‑carved stretcher, hoof feet, h. 36 1/2 in., w. 52 1/2 in., d. 25 1/2 in. $7000/9000

419. Fine Italian Baroque Carved Walnut Credenza, late 17th c., dentil molded top, paneled frieze, pair of foliate and mask carved doors flanked by caryatids, gadrooned base, scroll bracket feet, h. 42 in., w. 71 in., d. 24 in. $6000/8000 Provenance: Adolfo Loewi, Venice, Sotheby’s, from Caramoor Center for Music and the Arts.

420. Fine Antique Empire-Style Bronze-Mounted Mahogany Guéridon, early 20th c., later marble top, mounted frieze, square tapered legs surmounted by female busts, incurvate plinth, paw feet, h. 30 1/2 in., dia. 21 1/2 in. $1500/2500

421. Filippo Prosperi (Italian, 1831‑1913), “Carnival Gypsy”, 1882, watercolor, signed and dated lower right, 21 1/4 in. x 14 1/4 in., framed. $1000/1500

422. Emilio Sanchez‑Perrier (Spanish, 1855‑1907), “The Path by a Grove of Trees”, oil on canvas, signed lower right, 17 in. x 24 in., framed. $2500/3500 Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent.

424. Fine Pair of French Patinated Cast-Iron Figural Torchères, late 19th c., stamped “Tusey (Meuse)”, opposing figures draped in the Classical manner, later flame shades, h. 48 in., presented on marble bases, overall h. 66 in. $3000/5000

423. British or Continental School, late 18th/early 19th c., “Squire and Herdsmen in a Coastal Landscape”, oil on panel, unsigned, sight 33 1/2 in. x 43 in., framed. $1000/1500 Provenance: Delaware Collection.

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

425. Pair of Antique Continental Carved Giltwood Figures of Angels, one figure at prayer, the other with folded arms, h. 15 in., w. 6 1/2 in., d. 12 in. $1000/1500 Additional information at www.nealauction.com

426. Large Pair of Rock Crystal Spheres, late 19th c., on foliate‑carved mahogany stands, overall h. 14 1/2 in., dia. 10 1/2 in. $1500/2000 427. Beniamino Benvenuto Bufano (Italian/American, 1898‑1970), “Head of Laura”, bronze, signed, edition number “25”, h. 8 1/2 in., wood base, overall h. 10 3/4 in., accompanied by a monograph on the artist, c. 1972, with introduction by Henry Miller. $500/700

429. Continental Brass Puja Ritual Oil Lamp, 19th c., seven‑wick form, twist baluster, dish base, h. 26 1/2 in., dia. 9 in. $500/700

430. Spanish Colonial‑Style Carved Wood and Polychromed Leather Valuables Box, early 20th c., domical form, iron carrying handles; fall front, with drawers, inscribed “Bonum Vinum Laetificat Cor Hominis”, h. 9 in., w. 17 in., d. 9 in. $150/250

428. Bronze Figure of a Charging Bull, indistinctly inscribed “Mn Kpm 2002” on naturalistic self‑base, h. 30 1/2 in., w. 46 1/2 in., d. 13 1/4 in. $2000/4000

431. Charles Henry Tenre (French, 1864‑1926), “Summer Afternoon”, oil on canvas, signed lower left, 23 1/2 in. x 28 3/4 in., framed. $1500/2500

432. Andre Gisson (French/ American, 1921‑2003), “Carousel”, oil on canvas, signed lower right, artist stamp en verso, 24 in. x 30 in., framed. $1200/1800

433. Chinese Celadon Stoneware Bottle Vase, probably Ming Dynasty (1368‑1644), globular lower body carved with entwined foliage, h. 7 5/8 in. $1500/2500

435. Fine Regency Brass Inlaid Rosewood Games Table, early 19th c., attr. to Thomas Hope, tooled leather sliding top opening to a velvet‑lined backgammon board, reverse top with inlaid chessboard, boullework frieze with three drawers on one side, turned medial stretcher, trestle base ending in paw feet, casters, h. 29 1/2 in., w. 47 in., d. 27 in. $10000/15000 Note: The extraordinary Regency cabinetry of the table offered here and especially the boullework, which may be of earlier date and incorporated within the frieze and the supports here, indicates a possible attribution to Thomas Hope. The Classical antique design is in the French style of Percier and Fontaine’s Recuil de Décorations Intérieures, 1802, and promoted by the connoisseur Thomas Hope (1769-1831) in the furnishings of his Duchess Street mansion.

434. Spanish Renaissance‑Style Carved Walnut Trestle Table, 19th c., plank top, dentil molded frieze, vasiform supports, pegged stretcher, trestle base, h. 32 1/2 in., w. 81 1/4 in., d. 28 3/4 in. $800/1000

437. William IV Carved Mahogany TiltTop Breakfast Table, 19th c., banded, beadmolded top and frieze, spiral standard, arched reeded legs, cuff casters, h. 29 1/4 in., dia. 52 1/2 in. $1000/1500

436. Regency Carved Mahogany Bergère, 19th c., tufted back and arms, reeded supports, shaped rail, reeded legs, casters, h. 37 1/2 in., w. 26 in., d. 24 1/2 in. $600/800

439. Charles X Carved Mahogany Settee, early 19th c., reeded crest rail, acanthus carved arms, rounded seat rail, molded legs, paw feet, h. 38 in., w. 71 1/4 in., d. 20 in. $800/1200

438. German Inlaid Walnut Blanket Chest, 18th c., lift top with hand wrought strap hinges, open interior, star compass inlays overall, molded base, bun feet, h. 27 in., w. 43 1/4 in., d. 24 3/4 in. $1000/1500

440. Italian Renaissance‑Style Marble Inlaid Carved Hardwood Figural Console Table, serpentine top, kneeling Classical figure, shaped plinth base, h. 32 in., w. 59 1/4 in., d. 24 3/4 in. $2000/4000

441. Antique Louis XVI‑Style Carved Walnut Vaisselier, 19th c., probably Brittany, molded cornice, three spindled plate rack shelves, base with two drawers and pair of doors, molded sides, conforming feet, h. 78 3/4 in., w. 48 in., d. 24 1/2 in. $1200/1800

442. Antique French Provincial Carved Walnut Draw Leaf Table, paneled top with two leaves below, carved frieze and pendants, cluster column supports, medial stretcher, scrolled acanthine trestle legs, h. 31 in., l. (closed) 59 in., l. (extended) 125 3/4 in., w. 33 3/4 in. $1200/2000

443. Pair of Venetian‑Style Paint‑Decorated Armchairs, early 20th c., shaped backs, volute splats, serpentine arms and seat, cabriole legs, pad feet, h. 36 in., w. 23 1/2 in., d. 18 1/4 in. $700/900

444. Antique Provincial Louis XV‑Style Carved Fruitwood Buffet, 19th c., molded top, two drawers, pair of cupboard doors, shaped base, cabriole legs, h. 41 1/2 in., w. 52 1/4 in., d. 23 3/4 in. $800/1200

445. Louis Philippe Carved Fruitwood Cabinet, probably mid‑19th c., molded cornice, molded sides, four paneled doors, blocked base, h. 85 1/2 in., w. 57 1/4 in., d. 23 in. $800/1200

446. Louis XIV-Style Carved Walnut Fauteuil á la Reine, 19th c., back and seat with nailhead trim, needlepoint upholstery, acanthine scrolled arms, conforming stretcher base, h. 44 in., w. 26 in., d. (seat) 19 1/2 in. $400/600

Additional information at www.nealauction.com

448. Pair of Swedish NeoclassicalStyle Carved Oak Tea Tables, 19th c., circular tops, tapered fluted standard, arched molded legs, button feet, h. 28 3/4 in., dia. 21 in. $400/600

449. Beaux Arts Oil on Canvas Four Panel Screen, c. 1890, painted with figural cartouches, reverse with exotic birds and a monkey reading, h. 67 1/4 in., w. 108 1/2 in. $800/1200 447. Good Pair of Louis XV-Style Carved Walnut Fauteuils, 19th c., needlepoint upholstery, shell carved crest rails, padded arms, serpentine rails, cabriole legs, scrolled toes, h. 39 1/4 in., w. 27 1/2 in., d. 22 in. $1500/2000

450. Continental Carved Mahogany Prie-Dieu, mid‑19th c., probably French, upholstered crest over pierced scrolled back centered by a cross, shaped kneeler, cabriole legs, h. 32 1/2 in., d. 19 3/8 in., d. 17 5/8 in. $200/400

451. Italian Bronze Figure of the Dying Gaul, 19th c., after the original in the Capitoline Museum, Rome, h. 6 in., w. 11 1/4 in., d. 5 1/2 in., green marble base, overall h. 7 1/2 in. $500/700

452. Large Austrian Cold‑Painted Bronze Figure of a Rug Seller, 19th c., Franz Bergman Foundry seal and “Austria” stamped on bottom, h. 6 3/4 in., w. 5 3/4 in., d. 7 1/4 in. $700/900

453. Austrian Cold‑Painted Bronze Figural Group of Two Children Smoking, 19th c., Franz Bergman Foundry and “Geschutzt/4219” stamped on backpack, h. 4 1/4 in., w. 4 1/4 in., d. 1 3/4 in. $600/800

456. Austrian Cold‑Painted Bronze Figural Lamp, late 19th c., Franz Bergman Foundry seal, cast as a harem girl with lute in a romantic Middle East setting, h. 15 in., w. 5 1/2 in., d. 6 in. $2500/3500

454. Painted and Patinated Metal Figure of Cleopatra, inscribed “L. Mockel” on brocaded cushion self‑base, h. 6 1/2 in., w. 15 in., d. 5 1/4 in., marble base, overall h. 8 1/2 in. $1200/1800

457. Austrian Cold‑Painted Bronze Figure of a Rug Seller, 19th c., Franz Bergman Foundry seal and “Austria” stamped on bottom, h. 4 3/4 in., w. 3 1/4 in., d. 4 1/4 in. $500/700

458. Austrian Cold‑Painted Bronze Figural Group, 19th c., cast as a mother and daughter on a balance beam, “Geschutzt/4156” stamped on bottom, h. 4 1/4 in., w. 4 1/2 in., d. 1 1/2 in. $500/700

455. Austrian Cold‑Painted Bronze Figure of a Man on a Water Buffalo, “Geschutzt” stamped on underside, h. 5 1/2 in., w. 6 in., d. 2 1/4 in. $700/900

459. Austrian Cold‑Painted Bronze Figure of a Man on a Donkey, h. 5 in., w. 4 1/4 in., d. 2 1/4 in., marble base, overall h. 5 3/4 in. $600/800

460A. Austrian Cold-Painted Bronze Figural inkwell, 19th c., modeled as a recumbent camel, h. 5 1/4 in., w. 8 1/2 in. $400/600 460. Austrian Cold‑Painted Bronze Erotic Figure of an Exotic Dancer, 19th c., lifting hinged skirt, Franz Bergman Foundry seal and “NamGreb” inscribed on skirt and again on self‑base, h. 7 1/2 in., w. 3 1/2 in., d. 3 in. $600/800

460B. Near Pair of Patinated Iron Mythological Figures, classically draped male and female modeled standing on octagonal plinths, h. 27 1/4 in., w. 10 1/4 in., d. 10 1/4 in. $600/800

462. Good Set of Four English Gilt and Paint‑Decorated “Fancy” Chairs, 19th c., oval splats painted with genre scenes, shaped carved seats, splayed legs, turned stretchers, h. 32 in., w. 14 1/4 in., d. 13 1/4 in. $700/1000

464. Continental Malachite Games Table, circular gameboard top, chamfered stem, stepped base, brass paw feet, h. 26 3/4 in., dia. 17 3/4 in. $1200/1800

463. Pair of Continental Neoclassical‑Style Brass‑Mounted Mahogany Commodes, fitted with two drawers, canted tapered legs, h. 31 in., w. 36 in., d. 18 in. $1800/2500

465. Continental Bronze‑Mounted Inlaid Kingwood Bureau Plat, 20th c., extensive Neoclassical inlay, conforming shaped apron with one centered drawer, cabriole legs, h. 29 1/4 in., w. 55 1/2 in., d. 31 1/2 in. $1000/1500

467. Napoleon III Bronze‑Mounted Kingwood Parquetry Side Cabinet, late 19th c., marble top, beaded frieze, two drawers, cabinet doors, mounted pilasters, tapered legs, h. 40 1/4 in., w. 47 3/4 in., d. 13 1/2 in. $1500/2000

461. George III Satinwood Inlaid Mahogany Side Table, late 18th/early 19th c., banded shell inlaid top, three drawers, square legs, h. 27 1/2 in., w. 30 3/4 in., d. 18 in. $500/700

466. Louis Philippe Bronze‑Mounted Commode, 19th c., marble top, frieze drawer above three drawers, block foot base, h. 36 1/2 in., w. 50 1/2 in., d. 23 in. $1000/1500

468. Highly Decorative Pair of Bronze‑Mounted Chinese Export Blue and White Decorated Yellow Ground Porcelain Jars, probably 20th c., decorated with putti and floral garlands, floral sprays, and butterflies on a crackle ground, h. 18 in., w. 19 in. $1500/2000

Additional information at www.nealauction.com

471. French Rococo‑Style Amethyst, Rock Crystal and Gilt Metal Ten‑Light Chandelier, c. 1890, scroll arms with floral bead accents and fruit‑shaped carved drops, now electrified, h. 33 in., dia. 33 in. $2500/3500 469. Continental Gilt-Decorated Cut and Etched Crystal Vase and Charger, possibly Venetian, signed illegibly, foliate design, cut and beveled rims, vase h. 21 in., dia. 11 in.; charger l. 25 in. $700/900

470. Pair of Louis XV‑Style Gilt Bronze Figural Chenets, late 19th c., flame, mask and foliate decoration above reclining verdigris female figures, h. 29 in., w. 16 in., d. 9 in. $800/1000

472. Pair of Renaissance‑Style Wrought Iron, Tôle Peinte, and Rock Crystal Five‑Light Wall Sconces, 20th c., tiered openwork backplate, applied leaves and flowers, scrolled arms, pendant crystal drops, h. 53 in., w. 23 1/2 in., d. 13 1/2 in. $2000/3000

474. Pair of Antique American Elaborately Carved Oak Architectural Corbels, h. 24 in., w. 8 in., d. 7 in. $800/1200

475. Continental Bronze Figure of a Dying Youth Grasping the Palm of Martyrdom, “E Colin & Cie/ Paris” foundry stamp on naturalistic self‑base, h. 17 1/4 in., w. 17 3/4 in., d. 8 in. $700/900

477. Highly Decorative Chinese “Famille Jaune” Porcelain and Gilt Metal Side Table, circular top decorated with fish and plants, base with apocryphal Jiaqing mark, faux bamboo base, probably iron, h. 24 in., dia. 24 in. $1200/1800 Provenance: Ex‑Collection Brooke Astor.

473. Pair of Chinese Carved Stone Two‑Part Garden Seats, circular seats, with stepped octagonal sides, h. 20 in., w. 20 in. $2500/3500

476. English Paint-Decorated Mahogany Pembroke Table, 19th c., rectangular top with central genre scene, acanthus scrolls and floral decoration, frieze drawer, tapered legs, caster, h. 27 3/4 in., w. 30 1/4 in., d. 20 1/2 in. $800/1200

478. Regency Carved Mahogany Bookcase, early 19th c., molded cornice, glazed Gothic arch doors, adjustable shelves, above two paneled doors, bracket feet, h. 97 7/8 in., w. 49 1/2 in., d. 19 1/4 in. $1000/1500

479. Antique Georgian‑Style Mahogany Extension Dining Table, demilune top, conforming frieze, three leaves, tapered legs, pad feet, casters, later elements, h. 29 5/8 in., l. (closed) 49 in., l. (open) 118 in., w. 54 in. $1200/1800

481. George III Mahogany Side Table, 18th c., molded top, three frieze drawers, bracketed molded chamfered legs, h. 27 in., w. 32 1/4 in., d. 19 1/4 in. $600/800

482. Good William IV Carved Rosewood Games Table, c. 1830, foldover top, leather‑lined playing surface, paneled volute frieze, tapered reeded standard, foliate collar, incurvate plinth, scrolled feet, h. 29 1/4 in., w. (open) 36 in., d. 35 1/4 in. $600/800

480. Set of Ten Queen Anne‑Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 8 side chairs, arched anthemion carved crest rail, vasiform splat, balloon seats, cabriole legs, pad feet, armchairs with scrolled molded arms, h. 44 in., w. 21 in., d. 20 in. $1000/2000

483. Louis XV‑Style Inlaid Walnut Bureau, fitted interior, serpentine front, shaped panels, h. 48 1/8 in., w. 51 in., d. 25 1/2 in. $1000/2000

484. Louis XVI‑Style Carved Giltwood Chaise á Oreilles, 20th c., guilloche carved arched winged back, padded arms, rounded seat rail, fluted tapered legs, h. 45 1/4 in., w. 28 1/2 in., d. 21 1/4 in. $400/600 486. American Renaissance Ebonized, Parcel Gilt, Marquetry and Burl Walnut Cabinet and Pedestals, mid-19th c., attr. to Thomas Brooks, New York, en suite with incised mirror, case with pediment and incised panels, central door inlaid with musical instruments, arabesques, and flowers, flanked by conforming inlaid panels; Neo-Grec pedestals with stop-fluted standards; arched walnut mirror with gilt-incised crest, stenciled “Thomas Brooks & Co., Brooklyn, NY”, cabinet h. 43 in., w. 74 1/2 in., d. 17 1/2 in.; mirror h. 91 in., w. 55 1/2 in. $8000/12000 Provenance: Part of the period furnishings at 401 Clinton Avenue (Clinton Hill Historic District), Brooklyn, NY until 1970; thence by descent to the present owner.

485. Antique French Table en Rognon, brass galleried top, vasiform trestle base, h. 29 3/4 in., w. 39 1/2 in., d. 21 in. $500/1000

Note: The use of exotic hardwoods, fine imported inlays, fashionable Neo-Grec embellishments, and pedestals worthy of important sculpture on this cabinet exemplify the apex of American Renaissance Revival style in New York. The present lot is remarkable in the integration of the cabinet, pedestals, and mirror installed as an impressive and exuberant “suite.” The cabinet itself relates to known examples from New York makers Alexander Roux, Herter Bros., and Pottier and Stymus, who were influenced by the London firm Jackson and Graham’s highly published “Louis Seize” cabinet, made for the Crystal Palace Exhibition of 1862. Interestingly, the house in which this suite was installed is two miles from the Brooks warehouse at 127 Fulton Street in Brooklyn. Additional information at www.nealauction.com

487. American Leaded Glass Table Lamp, early 20th c., domical shade with shell and scroll design, patinated bronze base possibly by Duffner & Kimberley, three legs ending in anthemion, shaped base, Hubbell three socket fixture with acorn pulls, h. 22 1/4 in., dia. 19 in. $2000/4000

488. Large Continental Malachite-Veneered Urn, 20th c., gilt base, h. 36 in., dia. 19 in. $2000/4000

491. Art Nouveau Bronze Telescopic Floor Lamp, early 19th c., attr. to Liberty & Co., two‑light standard interspersed by fleur‑de‑lis collars, arched legs, incurvate plinth base, h. 64 in. $1000/1500

489. Georg Jensen “Blossom” Pattern Sterling Silver Coffee Service, designed 1908 by Georg Jensen, incl. 2 coffee pots, sugar and creamer, 3 pieces, c. 1925, 1 coffee pot c. 1945, coffee pot h. 7 7/8 in., total wt. 53 troy ozs. $2500/3500

490. Large Art Nouveau Silver Overlay Vase, c. 1900, floral vine motif, h. 13 7/8 in. $600/800

492. Reed & Barton Sterling Silver Tea and Coffee Service, 20th c., incl. kettle‑on‑stand, teapot, coffee pot, sugar, creamer and waste bowl; paneled pyriform bodies with flat‑chased decoration; kettle‑on‑stand h. 13 5/8 in., tray 29 1/8 in. x 16 7/8 in., total wt. 293 troy ozs. $8000/12000

493. Antique Spanish Baroque‑Style Painted and Parcel Gilt Bedstead, 19th c., conforming head and foot board with central cartouche, flowers and vines, carved posts, associated rails, h. 67 in., l. 78 1/2 in., w. 54 1/2 in. $1200/1800 494. Austrian NeoclassicalStyle Parcel Gilt Mahogany Sécrétaire à Abattant, egg and dart molded top, two drawers, fall front, fitted interior, two cabinet doors, caryatid mounted chamfered stiles, tapered feet, h. 58 1/2 in., w. 31 3/4 in., d. 16 1/4 in. $800/1200

496. American Sheraton Carved Mahogany Étagère, early 19th c., four tiered shelves with baluster turned supports, brass cuff casters, h. 57 1/2 in., w. 16 1/4 in., d. 16 in. $1000/1500 495. Pair of Biedermeier‑Style Burl and Ebonized Maple Chests, each with four stepped and graduated drawers, columnar stiles, h. 36 in., w. 35 1/2 in., d. 16 1/2 in. $400/600

497. American Classical Carved Mahogany Work Table, early 19th c., lift top, baize lined fitted interior above three graduated drawers, pendant drops, paired scrolled supports, casters, h. 29 in., w. 21 3/4 in., d. 19 1/4 in. $600/900

500. Pair of Large Tôle Peinte Table Lamps, 20th c., decorated with forest scenes, h. 22 in., dia. 9 in. $400/600 498. American Classical Mahogany Basin Stand, molded bowl on dished top, column supports, incurvate triangular plinth, disc feet, h. 32 in., dia. 17 1/2 in. $400/600

499. Pair of Empire‑Style Bronze Eight‑Light Candelabra, now mounted as lamps, h. 40 in., dia. 15 1/2 in. $1200/1800

502. French Painted Cast Iron and Porcelain Sink, arched foliate backsplash with shelf, brass faucets, porcelain basin, foliate frieze, two drawers, bracket supports, shoe feet, h. 54 5/8 in., w. 30 1/2 in., d. 21 3/4 in. $800/1200 505. Cast Iron Tortoise Garden Fountain, mouth issuing a spout, oxidized surface, h. 9 in., l. 24 in., w. 16 in. $400/600

506. Patinated Bronze Alligator Fountain, 20th c., mouth issuing spout, h. 27 in., l. 43 in., w. 17 in. $700/900

501. Antique American Carved Marble Garden Figure, early 19th c., probably Mid-Atlantic, in the form of a Spaniel, h. 9 in., w. 23 1/4 in., d. 17 in. $700/900

503. American Cast Iron “Fern” Pattern Garden Bench, 19th c., continuous serpentine crest with reticulated arms; legs with skirts on return, h. 35 in., w. 55 in., d. 17 in. $500/1000

504. Cast Iron Garden Fountain, in the form of a leaping frog, h. 27 in., w. 15 in., d. 19 in. $300/500

507. Sendak, Maurice, Where the Wild Things Are, New York,

Harper & Row, 1963, first edition, first issue of the dust jacket; accompanied with another first edition example without dust jacket. $2000/3000

Additional information at www.nealauction.com

508. Seuss, Dr., Green Eggs and Ham, New York, Beginner Books, 1960, first edition, later printing, with dust jacket; and Dr. Seuss’s ABC, New York, Beginner Books, 1963, first edition, with dust jacket, two books. $250/350

512. Continental Walnut Mirror, late 18th/early 19th c., shaped crest, gilded eagle and foliate decoration, h. 34 in., w. 13 1/4 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

509. [Signed Madeline Book], Bemelmans, Ludwig. Madeline and the Bad Hat, New York, Viking Press, 1956, first and limited edition, one of 985 signed by the author on limitation page, pictorial green cloth, original slipcase. $300/500

513. Antique English Wirework Settee, 19th c., shaped mesh back, scroll decoration, bracketed scrolled legs, stretchers, h. 33 3/4 in., w. 61 in., d. 20 in. $400/600

510. [Children’s First Edition Books], nineteen first edition books, 18 with dust jackets, various authors, 1940‑1964, incl. multiple copies of Anglund’s Cowboy series. $300/500

511. Pair of American Leaded Glass Panels, 20th c., copper and blue glass, in wood frames, h. 35 in., w. 24 in. $700/900

514. George III Carved Mahogany Tea Table, late 18th c., circular tilt-top, vasiform standard, arched molded legs, slipper feet, h. 28 3/8 in., dia. 32 1/2 in. $400/600

515. Regency Mahogany Hunt Table, 19th c., top fitted with copper inserts, conforming frieze, square tapered legs, h. 28 3/4 in., w. 61 in., d. 35 in. $500/700

517. Theodore Tihansky (American/ Maine, 20th c.), “Monhegan Island, Maine”, oil on canvas, signed lower right, 48 in. x 72 in., unframed. $2500/3500

516. French Cast Iron Baker’s Table, 19th c., variegated marble top, scroll and anthemion decorated legs, h. 28 in., w. 48 1/8 in., d. 28 1/8 in. $600/900

Note: Theodore Tihansky received his formal art training at the Art Students League in New York City, Paier College of Art, and Lyme Academy of Fine Art in Connecticut. In 1991, Mr. Tihanshky was awarded the John Stobart Landscape Fellowship with the concurrent opportunity to show at the Lyme Academy Fine Art Gallery. In November 1995, he opened the Theodore Tihansky Fine Art and Performance Gallery on Franklin Street in Newport, Rhode Island at which he received wide recognition for his “Collaboration of the Arts” production. Returning to Maine, Tihansky spent his first winter as a stern man on a lobster boat and his free time painting the harsh and splendid scenes of the island. In his words, “The paintings are the end products; what is important to me is the moment, the experience that I have because of my painting. The people I meet and the things I do are the reason.”

518. Louis Aston Knight (American, 1873‑1948), “The Walker Lake, Putney [VT]”, oil on paperboard, signed lower right, titled in pencil and “C. Gadin” art supply stamp en verso, “Rehs Galleries, New York” label on dust cover, 10 3/4 in. x 13 3/4 in., framed. $1500/2500

519. John Meredith (Canadian, 1933‑2000), “Abstract Composition: Sailing Boats”, oil on canvas, signed upper left, 36 in. x 36 in., framed. $3000/5000

520. Alfred de Breanski, Sr. (British, 1852‑1928), “Balmoral, Her Majesty’s Highland Home”, 1897, oil on canvas, signed and dated lower right, later inscription with artist’s name and title en verso, 24 in. x 40 in., framed. $14000/18000 Provenance: Christie’s, London, Feb. 29, 1980, lot 88 via International Fine Arts Association, Inc., New Orleans, LA; Collection of Mrs. Dudley J. Hughes, Jackson, MS. Ill.: Clark, Ronald W. Balmoral: Queen Victoria’s Highland Home. London: Thames and Hudson, 1981, dust jacket cover. Note: Alfred de Breanski, Sr. began exhibiting at the Royal Academy in London in 1869, and by the 1870s, he had embraced landscape painting as his preferred subject matter. He traveled often to the isolated regions of Wales and Scotland in search of wilderness landscapes, creating a unique blend of romanticism and realism. In the painting offered here, the artist presents a panoramic view of Balmoral Castle, and he also concentrates on the texture of the grass and trees, as well as a flickering light on the water and clouds. The meteorological accuracy of the sky alone would suggest the influence of John Constable, and certainly the work of both Constable and J. M.W. Turner would have been inspiring for any promising landscape painter in Britain. Balmoral Castle in Aberdeenshire, Scotland is located on the large Balmoral Estate, a working property surrounded by thick forest, the Cairngorm mountains and the River Dee, all depicted here by De Breanski. Even now, and to a far greater extent in the nineteenth century, the country is one where wildlife is abundant, supporting favored royal activities such as deer-hunting and grouse-shooting. De Breanski depicts deer and figures in the valley beside the river, which reflects the tower of the castle, as an enduring symbol of Highland life. Balmoral has stood as a symbol of Royal relaxation and the focus of the Royal family’s long-standing enthusiasm for the Highlands since its acquisition by the Crown in 1852. Shortly after the estate was purchased, the existing house was found to be too small and the current Balmoral Castle, depicted here in 1897, was commissioned from architect William Smith of Aberdeen. Balmoral was beloved by Queen Victoria and Prince Albert and has remained a favorite residence for Queen Elizabeth and her family during the summer holiday period from August to September. Ref.: Clark, Ronald W. Balmoral: Queen Victoria’s Highland Home. London: Thames and Hudson, 1981. Whitmore, Janet. Alfred De Breanski, Sr. (1852-1928). http://www.rehs.com/ Alfred_de_Breanski_Sr_Bio.html. Accessed Mar. 24, 2016.

521. British School, late 18th c., “Portrait of an Elegant Lady”, oil on canvas, 28 3/4 in. x 24 in., period frame. $1000/2000

522. Peter Allis (British, b. 1944), “Grouse in Flight”, watercolor on paper, signed lower right, 22 in. x 30 in., framed. $700/1000 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Provenance: Lavino Family.

524. After Rembrandt van Rijn (Dutch, 1606‑1669), “Nude Man Seated and Another Standing with a Woman and Baby in the Background “ c. 1646, etching on laid paper, sheet 8 3/8 in. x 5 5/8 in., framed. $800/1200

525. British Hand‑Colored Engraving of Horse Racing, “Fox Hunting, The Run”, 1852, after Herring, from Fore’s National Sports Series, sight 27 in. x 47 1/2 in., framed. $500/700

526. American Leaded Glass “Compass” Window, 20th c., beveled glass with fleur‑de‑lis at North, engraved cardinal points and degrees, h. 36 in., w. 36 in. $700/1000

523. John Gould (British, 1804‑1881), “Green‑tailed Sylph” and “Sword‑billed Hummingbird”, 2 hand‑colored lithographs, from A Monograph of the Trochilidae, or Family of Humming‑birds, 1849‑1861, sights 20 1/4 in. x 13 1/2 in., matted and framed alike. $600/900

527. Pair of Continental Marquetry Panels, 19th c., depicting tavern scenes, signed “Pettel B.”, sight 8 1/4 in. x 13 3/4 in., framed. $400/600

Additional information at www.nealauction.com

528. Pair of Large French Patinated Cast Iron Figures of Youths in Venetian Costume, 19th c., h. 57 in., w. 20 in. $1000/1500

529. Pair of Neoclassicalâ&#x20AC;&#x2018;Style Brass and Wood TorchĂ¨res, late 20th c., shafts encircled by brass moldings, paw feet, h. 47 in., dia. 10 in. $600/800

532. Persian Heriz Carpet, red ground, central medallion, overall floral design, 9 ft. 4 in. x 13 ft. 6 in. $3800/4800

530. Antique Persian Hamadan Carpet, light grey and blue ground, stylized floral design, 4 ft. 3 in. x 7 ft. 1 in. $800/1200

531. Persian Qashqai Carpet, red, blue and white ground, central medallion, overall repeating designs, 5 ft. 5 1/2 in. x 8 ft. 8 1/2 in. $800/1200

533. Persian Heriz Carpet, red ground, central medallion, overall floral design, 9 ft. 4 in. x 13 ft. 6 in. $3800/4800

534. Persian Serapi Carpet, dark and light blue, red, central medallion, 10 ft. x 14 ft. 4 1/2 in. $6000/8000

535. Antique Persian Shiraz Carpet, red and blue ground, repeating designs within diamonds, triple border, 5 ft. 9 1/2 in. x 9 ft. 2 in. $3000/5000

536. Persian Serapi Carpet, red ground with central medallion, vining floral spandrels and border, 6 ft. 9 1/2 in. x 8 ft. 11 1/2 in. $2400/2800

538. Persian Heriz Carpet, red, blue and cream ground, serrated spandrels and medallions, 7 ft. 3 in. x 9 ft. 6 in. $2400/2800

539. Semi‑Antique Persian Mahal Carpet, red ground, blue border, overall repeating floral design, 4 ft. 5 in. x 6 ft. 5 in. $1000/1500

537. Antique Turkish Carpet, blue and cream ground, overall vining floral design, 7 ft. 11 in. x 11 ft. $1000/1500

541. Two African Bronze Figures, probably Benin, male and female cast seated on chairs, 15 1/2 in. and 16 in. (4 pcs.) $500/700 540. Chinese Rug, cream ground with blue floral design, 8 ft. 1 in. x 11 ft. 8 1/2 in. $600/900

542. Two African Bronze Helmet Masks, first, probably Benin, for Odudua ritual, openwork structure above burled coiffure, exaggerated facial features, h. 13 1/2 in.; second, probably Bumum Kingdom, Cameroon, mask of King Mbuembue “King of the Hanging Cheeks”, h. 17 3/4 in. $700/900 Note: A similar example of the Benin mask is conserved by The British Museum, acc. #Af1898 1025.1.

543. Two African Polychrome Painted Carved Wood Figural Drums (Pinges), seated mother and child groups supporting a tiered headdress surmounted by a resonating chamber with hide drum head, h. 53 1/4 in. and 54 in., dia. 13 in. $1000/1500

544. African Cowrie Shell and Bead Belt, 20th c., length 58 in. $200/300

547. Pair of Ojibwe Beaded Moccasins, c. 1890, native‑tanned, l. 10 in. $700/1000

548. Crow Beaded Ration Bag, c. 1910, native‑tanned, with Indian‑head nickel buttons, yellow bead ground with crossed American flags, h. 17 in. w. 5 3/4 in. $1200/1800

545. Navajo Rug, c. 1910, Klagetoh, natural wools and red dye, 4 ft. 8 in. x 6 ft. 4 1/4 in. $1200/1800

546. Ojubwe Bandolier Bag, c. 1890, Lake Superior band, floral design, beaver track border, waxed cotton back, 42 in. x 14 in. $1500/2500

549. Sioux Miniature Beaded Buckskin Dress, c. 1910, native‑tanned, bead‑decorated yoke, allover fringe, h. 13 in., w. 16 in. $2000/3000

550. Comanche or Kiowa Beaded Buckskin Leggings, c. 1890, native tanned, bead work with green pigmented panel, 18 in. x 6 1/2 in. $800/1200

551. Plains Indian Figural Tomahawk, c. 1900, for trade, bronze or brass head, pewter plug, haft with pewter bands, ending in an eagle head with brass tack eyes, h. 20 1/2 in. $1200/1800

Additional information at www.nealauction.com

552. Native American Celt Head Stone Axe, 19th c., with modern leather‑wrapped handle, h. 15 1/2 in. $500/700

556. Acoma Pottery Jar, 19th c., h. 8 1/8 in. Note: Chipped. $800/1200

554. Pair of Ojibwe Beaded Mittens, 20th c., floral design, man‑made fleece, length 12 1/4 in. $500/700 553. Group of Plains Indian Tools, 20th c., incl. a small axe, carved horn feast spoon and an awl holder, bead work on buckskin, axe h. 14 in. (3 pcs.) $500/700

557. Large Mata Ortiz Pottery Vessel, 20th c., signed “Lucia Lete”, decorated with lizard effigies, h. 14 1/4 in. $500/700

560. Four Southwest Native American Pottery Vessels, ranging from h. 4 1/2 in., dia. 5 1/2 in. to h. 2 3/4 in., dia. 2 3/8 in. $500/700

555. Ojibwe Beaded Wallet, c. 1940, zippered sleeve, two pouches, h. 3 1/2 in., w. 4 in. $200/300

558. Mata Ortiz Pottery Vessel, 20th c., signed “Miguel Bugarini”, h. 11 5/8 in. $300/500

561. Four Santa Clara Pottery Vessels, 20th c., three carved blackware and one carved redware, largest signed “Reycita”, others signed indistinctly, h. ranging from 6 1/4 in. to 2 1/4 in. $500/700

559. Mata Ortiz Pottery Vessel, 20th c., signed “Juan Carlos v. Rodriguez”, h. 7 1/4 in. $300/500

562. Terracotta Water Jar/Pitcher, ovoid body with triangular mouth and loop handle, h. 21 3/8 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

563. Pair of Japanese Bone and Mother‑of‑Pearl Embellished Painted and Lacquered Wood Panels, Meiji Period (1868‑1912), decorated with birds on branches, floral painted borders, floral carved frames, h. 44 3/4 in., w. 31 1/2 in. $400/600

564. Japanese Blue and White Porcelain Fishbowl, probably Meiji Period (1868‑1912), decorated with bird‑and‑branch panels, base drilled, h. 19 1/2 in., dia. 20 1/2 in., wood tripod pedestal carved with elephant mask legs, overall h. 44 1/4 in. $500/1000

565. Japanese Imari Porcelain Umbrella Stand, early 20th c., cylindrical body decorated with birds on branches and floral motifs, h. 24 1/8 in. $600/800

566. Monumental Japanese Imari Porcelain Charger, probably early 20th c., decorated with figures in a waterside village scene, base with Fuki Choshun mark, h. 3 7/8 in., dia. 25 3/8 in. $600/800

567. Japanese Kutani Porcelain Punchbowl, Meiji Period (1868‑1912), decorated with shaped floral panels on an iron red and gilt ground, base with Dai Nippon Kutani mark, h. 5 1/4 in., dia. 14 5/8 in. $600/900

568. Fine Pair of Japanese Cloisonné Enamel Hexagonal Vases, Meiji Period (1868‑1912), worked in silver wire and colorful enamels with leafy branches, flowering vines, and flowers on a dark blue ground, bases marked, h. 6 in. $1000/1500

569. Pair of Japanese Cloisonné Enamel Vases, Meiji Period (1868‑1912), worked in silver wire and various enamels with birds and flowering prunus on a dark blue ground, h. 9 3/4 in. $1000/1500 570. Large Pair of Japanese Patinated Bronze Tripod Censers, probably Meiji Period (1868‑1912), relief‑cast with phoenix and dragon grasping a crystal pearl, h. 16 in., w. 19 1/4 in. $2000/4000

573. Japanese Cloisonné Enamel Bottle Vase, Meiji Period (1868‑1912), worked in silver wire and various enamels with an egret and bamboo, base marked, h. 9 3/4 in. $500/700

571. Monumental Japanese Cloisonné Enamel Charger, Meiji Period (1868‑1912), decorated with a pair of cranes amid branches and flowers, h. 3 1/2 in., dia. 23 3/4 in. $800/1000

574. Pair of Japanese Gilt and Patinated Bronze Vases, probably Meiji Period (1868‑1912), relief‑decorated with birds, rocks and bamboo, necks with apocryphal Chinese Ming marks, h. 9 5/8 in., wood stands, overall h. 11 in. $400/600

572. Pair of Japanese Cloisonné Enamel Faceted Vases, Meiji Period (1868‑1912), worked in silver wire and colorful enamels with branches and flowers on a dark blue ground, bases marked, h. 4 7/8 in. $600/800

575. Japanese Patinated Bronze Tripod Censer, probably Meiji Period (1868‑1912), zoomorphic loop handles, octagonal sides relief‑cast with mythical beast panels, mask feet, h. 11 in., w. 18 3/4 in. $600/800

576. Japanese Lacquered Papier‑Mâché Kishin Mask for the Noh Theatre, 19th/20th c., probably Shikami, gilt, black and red lacquer, interior inscribed, h. 17 in., w. 12 1/2 in. $400/600

577. Japanese Mother‑of‑Pearl Applied and Gilt Lacquer Wood Hibachi, late 19th/early 20th c., copper liner with inscribed base, h. 9 /8 in., dia. 18 1/8 in. $300/500

Additional information at www.nealauction.com

578. Large Asian Gilt and Paint‑Decorated Black Lacquer Box on Stand, probably 19th c., hexagonal domed cover, body carved with six dragons, base with reticulated bird‑and‑leaf apron; stand with dragon‑wrapped column, stepped hexagonal base, h. 72 in. $1000/1500

579. Southeast Asian Bronze Rain Drum, top with central starburst roundel encircled by raised concentric bands, body with pairs of loop handles, h. 13 1/4 in., w. 17 1/4 in. $300/500

580. Southeast Asian Bronze Rain Drum, top with central starburst roundel encircled by raised concentric bands, outer edge with two triple piggy‑back frogs, body with pairs of strap handles, raised concentric rings and a procession of elephants, h. 20 1/4 in., w. 28 1/4 in, h. 19 in., dia. 28 in. $500/800

581. Asian School, probably 19th c. or earlier, “Bird on Bamboo”, ink and color on silk, inscribed and sealed mid‑right, 9 1/8 in. x 8 1/2 in., mounted as a hanging scroll. $1000/1500

582. Chinese School, probably Qing Dynasty (1644‑1911), “Mountainous Landscape with Figures beneath a Tree”, ink on paper, inscribed and sealed throughout, 42 1/2 in. x 18 7/8 in., mounted as a hanging scroll (lacking roller), silk sleeve. $800/1200 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

583. Chinese Sancai Glazed Pottery Dish, possibly Liao Dynasty (907‑1125), decorated with central floral medallion encircled by a leafy pinwheel, dia. 6 3/4 in. $500/700

584. Chinese Sancai Glazed Pottery Figural Wrist Rest or Pillow, possibly Liao Dynasty (907‑1125), modeled as a recumbent beast surmounted by a lobed oval surface carved with a flower head, h. 2 3/8 in., w. 5 1/2 in. $500/700

586. Chinese Qingbai Pottery Bowl, probably Song Dynasty (960‑1279), interior well carved with a pair of fish on a combed wave ground, h. 2 1/2 in., dia. 6 3/8 in. $600/800

585. Collection of Four Chinese Qingbai Pottery Urns, probably Song Dynasty (960‑1279), tall necks variously applied with figures and dragons, h. 19 in. to 28 1/4 in. $600/800

587. Chinese Qingbai Pottery Dish, probably Song Dynasty (960‑1279), interior well freely carved with foliate scrolls, h. 3/4 in., dia. 4 5/8 in. $800/1200 588. Chinese Junyao Pottery Dish, probably Song Dynasty (960‑1279), circular body with rounded down‑turned rim, base with partial “George Eumorfopoulos / 694” and “British Antique Dealers Association” labels, dia. 4 1/2 in. $2000/3000

589. Chinese “Numbered” Junyao Pottery Foliate Rim Narcissus Bowl, probably Yuan Dynasty (1271‑1368), molded body on three ruyi feet, interior with pale blue glaze thinning to mushroom along the edges, exterior and rim with mottled blue and lavender suffused purple glaze, persimmon‑brown glazed feet and base with incised numeral two (“er”) and spur marks, h. 3 in., dia. 9 1/8 in. $30000/50000

590. Chinese Gilt‑Lacquered Bronze Figure of a Bodhisattva, probably Ming Dynasty (1368‑1644), modeled standing on a lotus base wearing an Amitabha crown, beaded jewelry and celestial scarves, holding a jewel or mala in one hand, h. 8 1/2 in. $6000/8000

591. Archaistic Chinese Bronze Bottle Vase, probably Ming Dynasty (1368‑1644), zoomorphic loop handles, base with paper label, h. 7 3/8 in. $2000/3000

Additional information at www.nealauction.com

592. Large Chinese Cinnabar Lacquer Bowl, probably Ming Dynasty (1368‑1644), exterior deeply carved with four oval panels enclosing figures in landscapes on a wave‑patterned ground, red lacquer interior, black lacquer base with painted marks, h. 4 3/8 in, dia. 11 1/8 in. $8000/12000

593. Chinese Polished Bronze Tripod Censer, probably 17th c., foliate body with notched loop handles on three curved feet, base with Xuande mark, h. 4 in., dia. 7 1/4 in. $2000/3000

594. Chinese Guan or Ge‑Type Stoneware Bowl, probably Qing Dynasty (1644‑1911), U‑form body with overall pale grayish‑blue glaze suffused with gold and black crackle terminating in a neat russet line above the unglazed foot ring, h. 2 7/8 in., dia. 6 7/8 in. $2000/3000

596. Chinese Carved and Gilded Four Panel Screen, probably early 20th c., carved with courtyard, battle, and interior scenes, h. 47 1/4 in., w. 58 1/2 in. $1000/1500

595. Chinese Carved, Gilded and Hardstone Embellished Nine Panel Screen, probably 19th c. and early 20th c., each panel inset with eight hardstone embellished lacquer or carved wood smaller panels set within a later gilt‑decorated, red lacquer framework, h. 72 in., w. 116 in. $2000/3000

597. Chinese Kesi Panel of the Daoist Pantheon, probably 19th c., woven in slit‑weave technique enhanced with paint, depicting the Eight Immortals and other figures within an idyllic landscape with the Three Star Gods standing on a terrace, Magu seated on a raft, and Xiwangmu riding a phoenix, 65 1/2 in. x 35 in., brocade borders, sight 79 1/2 in. x 41 1/4 in., framed and glazed. $4000/6000

598. Chinese “Robin’s Egg” Porcelain Baluster Vase, probably Qing Dynasty (1644‑1911), overall turquoise blue glaze mottled with lavender and dark blue with tight crackle throughout, interior body biscuit, base with raised Yongzheng mark, h. 17 7/8 in. $8000/12000

Provenance: With Charles Harrison (1891‑1950), Bronxville, NY and Mandeville, LA; thence by descent. 599. Chinese Famille Rose Porcelain Tripod Censer, probably late 19th/early 20th c., enameled with the “Eight Buddhist Emblems” amid lotus scrolls on a ruby red ground, neck with Qianlong mark, h. 10 3/4 in., w. 10 7/8 in. $2000/3000 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

600. Pair of Chinese Hardwood Armchairs, probably 19th c., undulating top rail, bat, shou, deer and lingzhi carved backsplat, shaped arms, waisted panel‑inset seat, scroll apron, straight legs, stretchers, scroll feet, h. 38 1/2 in., w. 24 1/2 in., d. 19 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

601. Chinese Brass‑Mounted Hardwood Horseshoe‑Back “Priest’s” Armchair, probably 19th c., leather seat, dragon‑carved backsplat, X‑form legs, stretchers, h. 38 in., w. 27 1/2 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 602. Chinese Brass‑Mounted Black Lacquer Horseshoe‑Back Folding Chair, probably 19th/early 20th c., dragon‑carved backsplat, leather seat, stretchered X‑form legs, brass plaque: “Paramount Antiques Inc. / 58 East 11th Street / New York, NY”, h. 35 in., w. 25 1/2 in., d. 26 1/2 in. $500/700

603. Chinese Manuscript Fragment, probably Ming Dynasty (1368‑1644), approx. 90 leaves, variously with three to five columns of script, each approx. 10 1/2 in. x 3 1/2 in., accompanied by a copy of a letter from Harvard University Professor Victor N. Mair dated June 4, 1979. $300/500 Provenance: Reputedly removed from the interior of a Buddhist sculpture; New Orleans Estate. Additional information at www.nealauction.com

604. Chinese School, probably Qing Dynasty (1644-1911) or earlier, “Peacock with Lingzhi Fungus amid Peonies”, ink and color on paper, sealed upper center, 50 in. x 25 3/4 in., mounted as a hanging scroll. $2000/3000

605. Chinese School, probably 19th/early 20th c., “Birds, Flowers, Insects, and Amphibians”, folio of eight paintings, each ink and color on silk, each inscribed and sealed, 8 in. x 11 3/4 in., folded paper mounts, wood covers, cotton sleeve. $800/1200 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

606. Chinese School, probably 19th/early 20th c., “Mountainous Landscapes”, folio of twelve paintings, variously ink and ink and color on paper, each inscribed and sealed, 10 1/4 in. x 8 1/8 in., folded paper mounts, silk brocade‑bound wood covers, cotton sleeve. $800/1200 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

607. Chinese “Blanc de Chine” Porcelain Figure of Pintoulo, probably 17th c., h. 3 1/8 in. $400/600 Provenance: E & J Frankel, NY, Sept. 1989; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

611. Chinese White Glazed Porcelain Incense Burner, probably Qing Dynasty (1644‑1911), probably Qingbai or Yingqing, rectangular receptacle with thin opening, E & J Frankel, NY label, h. 2 in., w. 2 1/4 in., d. 1 1/2 in. $200/400 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

608. Chinese White Glazed Porcelain Water Dropper/Pendant, probably Qing Dynasty (1644‑1911), probably Qingbai or Yingqing, modeled in the form of a cockerel, suspension loop, h. 2 1/4 in., w. 2 1/2 in. $200/400

609. Chinese “Blanc de Chine” Porcelain Figure of Tudi, probably 17th c., modeled seated on a throne with feet resting on a stool, his shoes in the form of ruyi heads, h. 6 1/2 in. $300/500

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

610. Chinese “Blanc de Chine” Porcelain Figure of Zhenwu, probably 18th/19th c., face pierced for mustache and beard, h. 5 7/8 in. $400/600 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

612. Chinese Blue and White Porcelain “Peony” Dish, probably 18th c., interior with central medallion delicately painted with peonies, rockwork and butterflies, exterior with further chrysanthemums and hibiscus, base with Yongzheng mark, h. 1 1/2 in., dia. 6 1/2 in. $6000/8000

613. Chinese Gilt and Patinated Bronze Tree‑Form Vase, probably 20th c., cast as the trunk of an old tree with figures beneath the two blossoming prunus branches, neck with Qianlong mark, h. 6 3/4 in. $800/1200

614. Chinese Patinated Bronze Tripod Censer, probably 20th c., squat globular body with fruiting peach branch handles, base with Tian Bao Jiu Ru marks, h. 5 3/4 in., w. 11 in., hardwood stand, probably zitan, overall h. 7 1/2 in. $1000/1500

615. Chinese Figure of a Recumbent Buffalo, probably Qing Dynasty (1644‑1911), probably hardstone, carved with legs tucked neatly beneath its body and the head slightly raised, S. Bernstein & Co., S.F. label, l. 3 1/4 in. $800/1200 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

616. Antique Chinese Ivory Inlaid Hardwood Box, probably 19th c., hinged cover inlaid with characters and fruiting grape vines, sides with fruiting vines, push button butterfly hasp, h. 2 1/4 in., l. 12 in., w. 6 1/2 in. $400/600

617. Chinese Coral Figural Group, carved as two elegant beauties standing beside a leafy floral cluster, one holding a peach, h. 5 1/2 in., mounted to wood stand, overall h. 6 1/2 in. $3000/5000

Provenance: iGavel, June 17, 2010.

618. Chinese Gold‑Splashed Patinated Bronze Vase, probably 20th c., cast as a large vessel borne on the back of a phoenix bird, its beak grasping two lingzhi forming a loose ring, base with Qianlong mark, h. 12 1/2 in., w. 8 1/4 in. $1500/2500

619. Decorative Pair of Chinese Blue and White Porcelain Jars, probably 20th c., decorated with scrolling flower heads, leaves and upright petal lappets, h. 12 1/2 in. and h. 13 in. $1000/1500

620. Antique Chinese Celadon Pottery Jar and Ivory Cover, probably Ming Dynasty (1368‑1644) and 19th c., interior of jar with “Fogg / Art Museum / 672.19” label, underside of cover with applied gold foil, h. 2 1/2 in. $1000/1500

622. Chinese Soapstone Inkstone, probably 19th c., carved as two gourds borne of leafy tendrils, underside inscribed, l. 8 3/8 in., w. 5 1/2 in. $700/900

621. Chinese Bamboo Figural Group of the HeHe Erxian Twins, probably 19th c., carved standing on a rockwork ledge beside a toad carrying a box and lotus, h. 6 1/4 in. $600/800 Additional information at www.nealauction.com

625. Chinese School, probably 20th c., “Rooster and Grasses”, ink and color on paper, inscribed and bearing signature of Qi Baishi upper to mid‑left, sealed lower left, lower middle and lower right, 40 3/4 in. x 13 1/4 in., mounted as a hanging scroll. $500/700 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

623. Chinese Painted Shoushan Soapstone Figure of a Luohan, carved seated holding a Buddhist lion on his lap, h. 7 in. $800/1200

626. Chinese School, probably 20th c., “Hen and Rooster beneath Sunflowers”, ink and color on paper, inscribed and sealed mid‑left, sealed lower right, 38 7/8 in. x 12 3/4 in., mounted with paper border, inscribed middle to lower left and upper to middle right, as a hanging scroll. $500/700 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

624. Chinese Bronze “Mythical Beast” Mirror, possibly Tang Dynasty (619‑907), relief‑cast with a central zoomorphic knob encircled by grape clusters, phoenix birds, and other mythical creatures, dia. 6 in. $500/700

627. Chinese School, probably 20th c., “Persimmons”, ink and color on paper, inscribed and sealed upper quadrant, 19 3/8 in. x 10 1/2 in., mounted as a hanging scroll. $500/700 Provenance: By descent in the family of Ouyang Ju, Mayor of Guangzhou (1946‑1949); to current owner.

629. Chinese School, probably mid‑20th c., “Rooster with Bamboo and Chrysanthemum”, fan painting, ink and color on paper, inscribed and sealed, w. 20 1/2 in., unmounted. $250/350

628. Chinese School, probably 20th c., “Calligraphy”, two paintings, each ink on gold‑flecked “toned” paper, one sealed and bearing signature of Yue Yu mid‑left, 66 1/2 in. x 15 5/8 in., mounted as hanging scrolls. $700/900

632. Chinese Pottery Brush Pot, probably 19th/20th c., probably Yixing, realistically modeled as a bamboo shoot, one side with incised bamboo, other with inscriptions, base with mark, h. 4 3/4 in., dia. 4 in. $700/900

Provenance: Ex‑Collection P. Y. Wang (1893‑1977); James D. Julia, Fairfield, ME, Aug. 2012, lot 3592.

630. Chinese Glazed Pottery Qilin‑Form Roof Tile, probably Qing Dynasty (1644‑1911), modeled seated on a rounded base, h. 12 1/8 in., w. 7 3/4 in., mounted to a wood stand, overall h. 13 1/8 in., w. 9 in., d. 6 1/4 in. $200/300

633. Large Near Pair of Chinese Polychrome Lacquered Wood Figures of Luohans, modeled standing on a double lotus bases with hands grasped before their chests, h. 40 in. $800/1200

631. Antique Chinese or Korean White Glazed Stoneware Bottle Vase, probably 19th c. or earlier, h. 12 5/8 in. $700/900

634. Chinese Bronze Censer, probably 20th c., rectangular body with angular handles on four stepped feet, base with Xuande mark, h. 3 3/8 in., w. 6 1/8 in., d. 3 1/4 in. $500/700

635. Pair of Chinese Peachbloom Glazed Porcelain Amphora Vases, probably 19th/early 20th c., overall green and beige suffused mottled copper red glaze, bases with Kangxi marks, h. 8 1/8 in. and 8 1/4 in. $400/600

636. Pair of Chinese Hardstone Trees Set in Cloisonné Enamel Pots, naturalistic trunks, fabric‑wrapped branches, colorful hardstone leaves, flowers and fruit, h. (approx.) 16 1/4 in. $500/700

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

640. Chinese Famille Rose Porcelain Inset Hardwood Floor Screen, probably 20th c., porcelain panel painted with cranes amid flowers, rocks and pine, inscribed, sight 43 1/2 in. x 22 3/4 in., set within a reticulated hardwood frame set in a stand, h. 71 3/4 in., w. 36 in., d. 17 1/4 in. $1000/1500

639. Pair of Chinese Blue and White Porcelain Covered Jars, probably 20th c., decorated with “double happiness” characters on a scrolling vine ground, h. 17 in. $300/500

642. Chinese Lac‑Burgaute Snuff Bottle, probably Qing Dynasty (1644‑1911), with central floral medallion, h. 2 in. $400/600

637. Large Chinese Rose Quartz Figure of a Water Buffalo, recumbent figure carved with legs neatly tucked beneath and head with alert expression, h. 10 in., w. 17 1/2 in., wood stand, overall h. 13 1/2 in., w. 19 1/2 in., d. 12 in. $2000/3000

638. Chinese Famille Verte Porcelain Fish Bowl, probably 20th c., decorated with bird‑on‑branch, landscape, qilin, floral, and “antiques” panels on a dappled ground strewn with butterflies and flower heads, base with painted accession number “92.576”, h. 15 1/2 in., dia. 18 3/8 in., wood stand, overall h. 29 1/2 in. $400/600

641. Pair of Chinese Blue and White Porcelain Vases, probably 20th c., tapering rectangular bodies decorated with rocks and flowering branches, h. 19 3/4 in. $600/800

643. Chinese Famille Rose Porcelain Snuff Bottle, probably early 20th c., molded on one side with figures in a boat, the other with figures beneath a tree, base with Jiaqing mark, h. 3 in. $1500/2500

645. Chinese Hardwood Low Table, inset molded rectangular top, pierced dragon carved apron and scroll legs, scroll feet, h. 13 in., w. 35 1/2 in., d. 17 1/4 in. $400/600 Provenance: Charlotte, NC estate, acquired c. 1960s; thence by descent.

644. Set of Four Chinese Hardwood “Nesting” Tables, probably early 20th c., smallest labeled Kwoun Woo Lung & Co., Canton, China, inset square top with bamboo and leaf borders, reticulated apron carved with birds and bamboo, shaped “bamboo” legs and stretchers, largest h. 29 1/4 in., w. 15 1/8 in., d. 15 1/8 in. $300/500

646. Chinese Hardwood Tray Table/Stand, inset square top, scroll carved apron, four scroll feet, stretcher base, h. 14 5/8 in., w. 12 5/8 in., d. 12 5/8 in. $500/700 Additional information at www.nealauction.com

647. Chinese Enameled Porcelain Figure of a Guardian, probably early to mid-20th c., modeled kneeling on a dragon and holding a spear, base with impressed mark, figure h. 26 3/4 in. $600/800

648. Chinese Enameled Porcelain Figure of Fuxing, probably early to mid-20th c., modeled wearing scholarâ&#x20AC;&#x2122;s robes and holding a child, base with impressed mark, h. 22 1/4 in. $400/600

649. Monumental Chinese Enameled Porcelain Figure of Guanyin, probably early to mid-20th c., modeled standing on a wave base embellished with water plants, fish and shells, holding the vase of Immortality, base with impressed marks, h. 38 1/4 in. $600/800

650. Chinese Enameled Porcelain Figure of Zhong Kui, probably early to mid-20th c., modeled standing on a rockwork base over a demon, h. 19 3/4 in. $500/700

Session Two Sunday, September 25, 11 am 3923 Carondelet

651. Anonymous/New Orleans, 21st c., “#POKEMONUMENT (Pikachu)”, 2016, “bronzed” and cemented fiberglass over foam with epoxy resin hard coating, inscribed “#POKEMONUMENT” on cement covered plywood base, h. 80 in., w. 64 in., d. 64 in. Estimate available upon request. Provenance: Originally installed in the Terpsichore Fountain on Terpsichore Street, Coliseum Square Park, Lower Garden District, New Orleans, LA, July 31, 2016; sold to benefit the Lower Garden District Parks and Fountains Fund, New Orleans, LA. “Public sculpture, whether sanctioned or not, has the potential to transform and energize community spaces.” –Artist Statement Sometime under the cover of night between Saturday, July 30th and Sunday, July 31st, the “#POKÉMONUMENT” was erected on Terpsichore Street near Prytania Street. Characterized as Guerrilla or Stealth Art, this mysterious work appeared shortly after the hugely successful release of the Pokémon GO™ App, igniting a firestorm of interest amongst players, locals, and tourists who were more than excited to make the pilgrimage to the curious new landmark. This kind of pop-up Guerrilla Art is often inextricably tied to its surroundings, deriving meaning from the interplay between artwork and environment. In this case, the anonymous

artists of the #Pokémonument are seeing that concept one-step further by trying to improve the neglected park in which it was installed. “When we snuck a Pikachu statue into the middle of a dry fountain on Terpsichore Street, we could not have imagined that it would attract so much attention. That the momentum would carry its image around the world. Overwhelmed and touched doesn’t begin to describe what the response has meant to us… We would like to use that positive momentum to bring about a larger, more permanent change for our community.” In the lot offered here, the figure Pikachu stands tall and defiant, arms crossed and nose pointed to the sky, its stance perhaps a cheeky acknowledgment to the fuss surrounding its cryptic origins. As Nickolaus Hines of Inverse points out, “Pikachu might not be the first choice for New Orleans officials when it comes to subjects for statues, but the vigilante statue uprising could prove to be a cheap way for the city to beautify forgotten areas. Then, in the foreseeable future after New Orleans has sunk into the Gulf of Mexico and been forgotten, archeologists will excavate the Pikachu statue and understand what the summer of 2016 was really all about.” That of-the-moment sentiment makes up a large part of the enduring appeal of this pop-up monument whose brief but celebrated time in the public eye draws a nice parallel to the ephemeral seasons of joy and beauty that define the Crescent City. Ref.: Hines, Nickolaus. “An Amazing, Illegal Pikachu Statue Secretly Put Up in New Orleans.” Inverse. Aug. 1, 2016. www.inverse.com. Accessed Aug. 15, 2016. “#Artist Statement.” Pokémonument NOLA. www.pokemonumentnola.com. Accessed Aug. 15, 2016. MacCash, Doug. “Pokémon Go ‘stealth’ sculpture appears on Terpsichore Street”. The Times Picayune. Aug. 1, 2016. www.nola.com. Accessed Aug. 15, 2016.

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652. Oceanic Polychrome Painted and Carved Wood Garra/Gra Hook Mask, Bahinemo people, Hunstein Mountain region, Sepik Province, Papua New Guinea, long shaft with central conical eye flanked by pairs of hook-like projections, h. 35 1/2 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 653. Oceanic Polychrome Painted and Carved Wood Garra/Gra Hook Mask, Bahinemo people, Hunstein Mountain region, Sepik Province, Papua New Guinea, long shaft with pairs of opposing hook-like projections, h. 43 1/4 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 654. Oceanic Polychrome Painted and Carved Wood Garra/Gra Hook Mask, Bahinemo people, Hunstein Mountain region, Sepik Province, Papua New Guinea, curved shaft with two pairs of opposing

654.

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hook-like projections, h. 33 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 655. Oceanic Painted Carved Wood Basket Hook, Sepki Province, Papua New Guinea, carved as a standing male figure, h. 50 1/2 in. $250/350 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 656. Oceanic Cowrie Shell Embellished, Polychrome Painted Carved Wood Figure (Mindja), possibly Kwoma people, Washkuk Mountain region, Sepik Province, Papua New Guinea, slightly curved oval body carved with opposing facial terminals, the small head with a triple looped zoomorphic body, h. 67 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

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657. Oceanic Cowrie Shell Embellished, Polychrome Painted Carved Wood Basket Hook, Chambri Lake people, Sepik Province, Papua New Guinea, pronged based carved with flat upright surface supporting a human head, h. 37 1/4 in. $250/350

660. Oceanic Carved Wood Shield, possibly Kwoma people, Sepik Province, Papua New Guinea, abstract totemic design with stylized face, h. 62 3/8 in. Note: Condition. $400/600

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

658. Oceanic Polychrome Painted Carved Fernwood Grade‑Society Figure, possibly Malampa Province, Republic of Vanuatu, rounded body carved in human form, h. 62 in. $400/600

661. Oceanic Carved Wood Shield, Sepik Province, Papua New Guinea, carved with a stylized face flanked by geometric bands on slightly curved rectangular body, h. 59 1/2 in. $300/500

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 659. Oceanic Carved Wood Shield/Gope Spirit Board, Papuan Gulf, Papua New Guinea, relief-carved with a mask flanked by abstract designs, h. 63 1/2 in. $400/600 Provenance: Property of the New

Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 662. Oceanic Polychrome Painted Carved Wood Shield/ Gope Board, Papuan Gulf, Papua New Guinea, carved with s-scrolls and geometric motives on rounded oval surface, h. 58 in. $400/600

664.

Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Note: In southeast Papua New Guinea, this S-shaped motif is called “eu wow”. Eu means crocodile and wow means woodcarving. 663. Oceanic Polychrome Painted Carved Wood Dual Figure Board (Mindja), Nukuma people, Washkuk Mountain region, Sepik Province, Papua New Guinea, carved as two opposing heads featuring heavy, flat brows, h. 45 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 664. Oceanic Polychrome Painted Carved Wood Shield/ Gope Board, Papuan Gulf, Papua New Guinea, carved with stylized figures and scroll motifs, h. 35 7/8 in. $200/400 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Provenance: Property of the New Additional information at www.nealauction.com

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664A. Oceanic Painted and Carved Wood Kamanggabi (Yipwon) Figure/ Korewori Aripa “Cult” Hook, Korewori River region, Sepik Province, Papua New Guinea, one leg figure carved with a series of hooks, h. 84 1/2 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 665. Oceanic Shell Embellished, Polychrome Painted Carved Wood House Post, Sepik Province, Papua New Guinea, figural shaft carved with a large male figure and birds, h. 108 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 666. Oceanic Carved Wood House Post, Sepik Province, Papua New Guinea, double sided figural shaft carved with a crocodile and a stylized dog on the side, h. 105 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 667. Oceanic Carved Wood Figural Post, possibly Sawos people, Sepik Province, Papua New Guinea, carved as a slender male figure standing on two animal masks, h. 111 1/2 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 668. Oceanic Cowrie Shell Embellished Carved Wood Malu Board, Sawos or Iatmul people, Sepik Province, Papua New Guinea, human visage over flat pierced S-scrollwork body, base with visage and three feet, h. 81 in. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Note: In southeast Papua New Guinea, this S-shaped motif is called “eu wow”. Eu means crocodile and wow means woodcarving. 669. Oceanic Carved Wood Garra/Gra Hook, possibly Hunstein Mountain region, Sepik Province, Papua New Guinea, slightly curved rectangular body with two opposing hook projections flanked by zigzag banding, h. 68 1/2 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 670. Oceanic Carved Wood Figural Post, possibly Sawos people, Sepik Province, Papua New Guinea, carved as a slender male figure standing on two animal masks, h. 111 1/2 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 671. Oceanic Cowrie Shell Embellished Carved Wood Architectural Element/ House Post, possibly Iatmul people, Sepik Province, Papua New Guinea, carved as a male nude surmounted by the figure of a large bird with spread wings, h. 57 1/4 in. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Note: House Posts of this style were used as protection against bad magic. 672. Oceanic Carved Wood Architectural Fragment/Figural House Post, Iatmul people, Sepik Province, Papua New Guinea, slender male figure crowned with high headdress carved with a reptile, h. 59 1/4 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

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671. 673. Oceanic Fiber Embellished, Polychrome Painted Cane Basketry Gable Mask, Iatmul people, Sepik Province, Papua New Guinea, modeled as an anthropomorphic face with exaggerated forehead, h. 46 in., w. 26 1/4 in., d. 15 1/4 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

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674. 674. Oceanic Polychrome Painted Carved Wood Yam Yena Head, Kwoma people, Washkuk Mountain region, Sepik Province, Papua New Guinea, carved as a stylized zoomorphic face with bulging eyes, pendulous nose and long horns, h. 6 1/2 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 675. Two Oceanic Carved Wood Feasting Bowls, Tami Island, Guon Gulf, Papua New Guinea, first carved with stylized birds and alligators, h. 4 1/2 in., l 18 1/4 in.; second with stylized birds and faces, h. 4 1/4 in., l. 23 3/4 in. $150/250 675.

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

676. Amazonian Cotton Tunic, Shipibo, Peru, overall geometric design, h. 44 in., w. 43 in.; together with Asian Bamboo Floor Mat, 74 in. x 47 1/4 in. $250/350

677. Pair of Chinese Hardwood Tall Back Side Chairs, probably 20th c., dragon‑and‑pearl carved top rail, turned supports flanking phoenix carved backsplat, waisted paneled seat, pierced scroll apron, square stretchered legs, hoof feet, h. 49 in., w. 21 1/8 in., d. 18 1/2 in. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

679. Chinese Mother‑of‑Pearl Inlaid, Hardstone and Mother‑of‑Pearl Embellished Black Lacquer Cabinet, probably early 20th c., two doors opening to divided interior with two drawers, h. 43 1/8 in., w. 31 3/4 in., d. 15 1/2 in. $300/500

678. Chinese Mother‑of‑Pearl Inlaid, “Dreamstone” Marble‑Inset Carved Hardwood Armchair, probably 19th c., shaped top rail, shaped arms supported on flower baskets, round marble panel back flanked by birds‑on‑branches, marble‑inset seat, pierced apron, dragon head legs, stretchers, claw and ball feet, h. 39 1/4 in., w. 24 5/8 in., d. 19 1/4 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

681. Chinese Carved Lacquer Four Panel Screen, probably early 20th c., central scene of figures within a garden setting with pavilions, trees and rocks, reverse with birds and seasonal plants, h. 72 1/8 in., w. 64 1/2 in. $800/1200

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

680. Chinese Carved Hardwood Low Table, waisted framed panel top, square legs, incurvate feet, labeled “Imported by / Royal Cathay Trading Co. / San Francisco / Made in Hong Kong”, h. 14 in., w. 58 in., d. 20 in. $250/500 682. Highly Decorative Chinese Polychrome Painted Faux Ivory Lamp, probably mid‑20th c., stepped rectangular vasiform with carved and incised pieced laminate, h. 28 in. $600/800

683. Highly Decorative Pair of Chinese “Beijing” Glass Vases, probably mid‑20th c., carved with elephant mask handles, fluted sides and archaistic motifs, h. 15 3/4 in. $700/1000

685. Newton Haydn “Tony” Stubbing (British/New York, 1921‑1983), “En Homage à Justinian”, 1959, oil on canvas, signed, dated and titled on label and “New Orleans Museum of Art” label en verso, 45 in. x 56 1/2 in., framed. $1000/1500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

686. Newton Haydn “Tony” Stubbing (British/New York, 1921‑1983), “Untitled”, 1964, oil on canvas, signed and dated lower right, signed, dated and inscribed “For Muriel from Ana” en verso, 18 in. x 21 in., framed. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

684. Ming‑Fai Yu (Chinese/ American, b. 1959), “Lotus Fragrance”, 1987, ink and color on paper board, inscribed and sealed lower left, sealed upper right, signed and dated lower right, 19 7/8 in. x 23 7/8 in., unframed. $100/150 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

687. Cesare Peverelli (Italian, 1922‑2000), “Composizione”, oil on panel, unsigned, 31 1/4 in. x 39 1/4 in., unframed. $800/1200 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Additional information at www.nealauction.com

688. Jack Boynton (American/Texas, 1928‑2010), “Top of the Beanstalk”, 1968, acrylic on canvas, unsigned, exhibition label with artist and title en verso, 80 in. x 68 in., unframed. $2000/3000 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

689. George A. Bogart (American/ Texas, 1933‑2005), “Angle of the Dangle”, 1963, oil on canvas, signed, dated and titled en verso, “Isaac Delgado Museum of Art ‘Nineteen 64 Artists of the Gulf States’” exhibition label en verso, 69 in. x 69 in., period frame. $1000/1500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 690. Ronnie Landfield (American/ New York, b. 1947), “The White Curtain”, 1982, acrylic on canvas, signed, dated, titled, artist label, “Charles Cowles Gallery, Inc., NYC”, and “Christie’s, New York” labels en verso, 78 in. x 57 in., period frame. $1000/2000

691. Donald Lipski (American/Illinois, b. 1947), “Tank‑Tread Heart”, 1991, steel tank treads and mixed media, h. 15 in., w. 34 in., d. 31 in. $1000/1500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

692. Stephen Porter (American, b. 1941), “Chrome Form”, chrome with metal hardware (nuts and bolts), unsigned, h. 8 3/4 in., w. 38 1/4 in., d. 4 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

693. James Clover (American, b. 1938), “Landscape”, c. 1975, painted steel, unsigned, h. 21 in., w. 20 1/4 in., d. 13 1/4 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

696. W. Dean Gillette (American/ Kansas, 1930‑2008), “Untitled”, 1973, acrylic on canvas, signed and dated lower right, “New Orleans Museum of Art” label en verso, 88 in. x 84 in., unframed. $1000/1500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

694. Ed Storms (American/Texas, 1924‑1987), “Jubjub Bird”, bronze, inscribed monogram on base of truncation, h. 24 in., w. 11 1/2 in., d. 24 in., on marble base. $700/900 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

695. Gary L. Freeman (American, 1937‑2014), “Miss Congeniality”, cast aluminum, unsigned, h. 44 in., w. 21 1/4 in., d. 15 1/4 in. $800/1200 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

697. Rebecca Davenport (American/Washington, D.C., b. 1943), “Dyzigotes”, 1973, acrylic on canvas, initialed “RD” and dated lower left, 52 1/4 in. x 52 1/4 in., framed. $700/1000

698. Judith Cotton (Australian/ New York, b. 1941), “Rain Forest”, 1985, acrylic and mixed media on canvas, signed, dated and artist label with title en verso, 65 in. x 48 1/2 in., period frame. $500/700

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

700. Dan Rizzie (American, b. 1951), “Wall Construction”, plastic, paint, wax and mixed media, unsigned, h. 70 in., w. 20 in., d. 11 in. $800/1200 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 699. John Hultberg (American, 1922‑2005), “Bucolic Window”, 1973, oil on canvas, signed, dated, titled, “Martha Jackson Gallery, New York” and “Anderson Gallery, Buffalo” labels en verso, 50 in. x 68 in., period frame. $500/800

701. John Geldersma (American/Louisiana, b. 1943), “Untitled”, 1992, mixed media painted wood, signed, dated, and possible artist brand on reverse, h. 44 1/2 in., w. 17 1/2 in., d. 4 in. $800/1200

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

702. Marco A. Oveida and Patrica Trujillo, 20th c., “Saint Acacio, Patron Saint against Intruders”, 1988, painted wood, titled, dated, and inscribed on back, h. 18 1/2 in., w. 11 1/4 in., d. 4 1/2 in. $200/400 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 705. Robert F. Lyon (American, 20th c.), “Wall”, 1980, wood and clay, unsigned, h. 60 in., w. 12 in., d. 18 1/2 in. $500/700

703. Giuseppe Macri (American, 1913‑1991), “The Concerto”, 1969, plaster with bronze patina, partial title label under base, “Sc©” inscribed on back, signature and date inscribed on self‑base, overall: h. 12 in., w. 7 3/4 in, d. 3 1/2 in. $200/400 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

707. Fossilized Mastodon Tooth, discovered c. 1910, l. 8 1/2 in. $500/800 Provenance: Panama Canal Excavation: Adele Nash Ethridge, East Feliciana Parish, LA; thence by descent.

711. Ron Reddick (American/ Louisiana, b. 1941), “Apple”, 1970, acrylic on canvas, signed and dated lower left, 47 1/4 in. x 43 3/4 in., unframed. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

704. Joan Danziger (American/ New York, b. 1934), “Procession”, 1980, acrylic paint, papier-mâché, and mixed media, signed on both right ankle and front left penguin, h. 45 in., w. 68 in., d. 31 in. (2 pcs.) $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

706. Claudia DeMonte (American/New York, b. 1947), “Claudia in a Frenzy”, 1987, acrylic on paper pulp, unsigned, 21 in. x 25 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

708. Carol Anthony (American/ New York, b. 1943), “Horse & Rider, Walter and His Chocolate: My Marlborough Man”, 1970, papier-mâché, fabric, boots, and mixed media, unsigned, h. 47 in., w. 50 in., d. 17 3/4 in. $300/500

709. Glazed Ceramic and Mixed Media Bust of a Young Lady, c. 1980, h. 18 1/2 in., w. 12 in., d. 12 in. $400/600

710. John G. Kofler (American/ New Orleans, b. 1909), “Color Interlocking”, 1978, acrylic on unprimed linen, initialed, signed, titled and dated en verso, 30 in. x 31 1/2 in., framed. $600/800

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

712. Zell McMath (American/ Mississippi, 20th c.), “Confrontation”, acrylic on canvas, signed lower left, signed and inscribed “Pass Christian, Miss” en verso, 30 in. x 35 1/2 in., framed. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

713. Charles Blank (American/ Louisiana, 20th c.), “Dress and Plant”, 1979, acrylic on canvas, signed lower left, “Contemporary Arts Center, New Orleans ‑ Visionary Imagists” exhibition label en verso, 60 in. x 56 in., artist enhanced frame. $500/700

714. Rayford Shaw (American/ Louisiana, b. 1938), “Untitled”, polymer and pigment on canvas, signed lower right, 50 in. x 64 in., framed. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Additional information at www.nealauction.com

715. Ed McGowin (American/ Mississippi, b. 1938), “Inflatable Sculpture with T.V.”, acrylic on canvas, unsigned, gallery label with artist and title en verso, 56 in. x 50 1/4 in., period frame. $700/1000

716. Martin Laborde (American/ New Orleans, b. 1943), “The Magician’s Ride”, 1987, oil on canvas, signed and dated lower right, signed, dated, titled, and inscribed en verso, 48 in. x 36 in., unframed. $300/500

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

717. Martin Delabano (American/ Texas, b. 1957), “Some of Them Were Lifted Up, Others Saw Visions Come To Be”, acrylic on masonite, signed lower right, titled lower center, “Lori Yarotsky Fine Art, New Orleans” label en verso, 48 in. x 72 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

719. Clark Derbes (American/Louisiana, b. 1978), “A Lent Hand”, 2004, oil on canvas, signed and dated lower left, exhibition label with title and “Creatures: Recent Paintings and Sculpture by Clark Derbes & Brian Barras, Oculus Gallery, Baton Rouge” invitation en verso, 20 in. x 24 in., framed. $1000/1500 Provenance: Oculus Gallery, Baton Rouge, LA. Note: In the early work offered here, Derbes utilized encaustic painting techniques to highlight his skill in composition, color and form. Foreshadowing his later transition to wood carving and sculpture, the impasto paint surface creates a depth and expression that is a highlight of Derbes work. Ref.: “Clark Derbes, Baton Rouge Gallery Center for Contemporary Art, http://www. batonrougegallery.org/clark-derbes/. Accessed August 13, 2016.

722. James R. Templer (American, 20th c.), “Defeat of the Prussian Bread Company”, acrylic on canvas, “New Orleans Museum of Art” label with artist and title en verso, 60 in. x 66 in., framed. $700/900 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

726. Kay Oliver (American, 20th c.), “Landscape with Buildings”, pastel on paper, signed lower left and en verso, sight 10 1/2 in. x 13 1/4 in., matted and framed. $150/250 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

723. David Sinclair Nixon (American/Louisiana, 1904‑1973), “Clowns”, oil on masonite, signed “David” lower left, 10 in. x 11 1/2 in., artist enhanced frame. $150/250 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

720. Peter Dean (German/American, 1934‑1993), “Me and Eye”, 1974, oil on canvas, signed lower right, signed, titled, dated and inscribed en verso, 19 1/4 in. x 19 1/4 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

724. Margaret S. Witherspoon (American/Louisiana, 1914‑2005), “Carmen Donaldson”, 1994, oil on canvas, signed, titled “Carmen Donelson [sic]”, and dated en verso, 7 1/4 in. x 5 1/4 in. $200/300

718. Jeanne Amelie Sills Reynal (American/New York, 1903‑1983), “Hanging Man”, 1950, concrete, glass and mixed media on panel, signed, titled and dated on artist label en verso, 30 1/4 in. x 22 1/2 in., framed. $500/700 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

721. Jack Savitsky (American/ Pennsylvania, 1910‑1991), “Adam and Eve”, 1975, acrylic on canvas board, signed lower left, label with artist and title en verso, 9 in. x 12 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

725. Bruce Handiside Mitchell (Scottish/American, 1908‑1963), “Corn Patterns”, oil and mixed media on board, signed lower center, 21 3/4 in. x 30 1/2 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

727. American School, 20th c., “Woman in a Hat with a Star and Flowers”, watercolor on paper, illegibly signed lower right, 11 1/2 in. x 9 1/2 in., unframed. $100/200

728. Kenneth Crawford Hodges (American, 1897‑1978), “Parenton’s Grocery”, watercolor on paper, signed lower right, “Townhouse Galleries, New Orleans” label en verso, sight 29 in. x 21 1/4 in., matted and framed. $150/250

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

729. Robert Landry (American, 1921‑1991), “Landscape”, oil on canvas, signed twice and “Louisiana Artists” exhibition label en verso, 24 in. x 36 in., framed. $600/800 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

730. Dougles Walter Johnson (American/New Mexico, b. 1946), “Pajarito Prayerstick”, 2001, “Tres Kachinas”, 2003, “Dancing Shadows”, 2005 and “Badger Katsina”, 2006, 4 gouaches on paper, each signed and dated lower right, “Nedra Matteucci, Santa Fe, N.M.” labels with titles en verso, sights 5 in. x 3 1/4 in. to 4 1/2 in. x 3 3/4 in., all framed. (4 pcs.) $800/1200

731. Sally Swatland (American, b. 1946), “Early Afternoon at Todd’s Point”, oil on canvas, signed lower right, signed, titled and “Rehs Galleries, Inc., NY” stamp and label with title en verso, 30 in. x 24 in., framed. $1000/1500

732. Ellie Domsky (American/Philadelphia, 20th c.), “Anaxogoras”, mixed media on canvas, signed lower right, “Gross McCleaf Gallery, Philadelphia” label with artist and title en verso, 48 in. x 36 in., framed. $300/500

735. Austrian Bronze and Rouge Marble Figural Two Piece Desk Set, late 19th c., ink stand inscribed “Burgstaller”, with conforming blotter, h. 4 1/4 in., w. 6 3/4 in., d. 3 3/4 in. $500/700

736. Pair of French Bronze Kylix‑Form Tazzas, late 19th c., cast with figures engaged in battle, h. 5 1/2 in., w. 8 1/2 in., d. 5 3/4 in. $300/500 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

733. Seven Giltwood and Painted Frames, 19th/20th c., some with later surface, 64 3/4 in. x 53 in. to 15 3/4 in. x 14 1/2 in. $200/300

734. Six Giltwood and Painted Frames, 19th/20th c., one in the French Rococo Revival Style, one with “W.E. Seebold” label, 41 in. x 34 in. to 20 in. x 23 in. $200/300

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

737. Russian Polychrome and Gilt Porcelain Covered Tureen, Lomonosov marks, h. 5 in., w. 9 in., d. 5 3/4 in.; together with a Continental Rococo‑style porcelain encrier, h. 3 1/4 in., w. 8 in., d. 6 in. (2 pcs.) $200/300

Provenance: Collection of Mrs. Dudley J Hughes, Jackson, MS.

739. English Parian Figural Group Depicting Diana of the Hunt, mid‑19th c., with dog and putti, h. 19 in., w. 12 1/2 in., d. 11 in. $250/500

740. Pair of French Neoclassical Gilt Bronze and Marble Five‑Light Candelabra, late 19th c., foliate branches, tapered shaft, h. 19 1/2 in., dia. 9 1/4 in. $600/900 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

738. Art Deco Patinated Metal Figural Group, early 20th c., plaque titled “Crainte & Désir”, modeled as a nymph feeding a deer, rouge marble base, overall h. 12 1/4 in., w. 23 3/4 in., d. 9 1/4 in. $250/500

741. Pair of French Gilt Bronze and Marble Table Lamps in the Neoclassical Taste, early 20th c., torch‑form standard, scroll and lion paw feet, electrified, torch h. 14 1/2 in., w. 8 1/2 in., d. 6 1/4 in. $700/1000 742. Maison Jansen‑Style Bronze and Cut Crystal Six‑Light Chandelier, scroll arms with pendeloque prisms and faceted orb pendant, h. 26 in., dia. 16 1/2 in. $700/1000 Additional information at www.nealauction.com

745. Continental Parcel‑Gilt and “Vernis Martin” Vitrine, early 20th c., beaded crest, convex glazed door over parlor scene panel, shaped base, cabriole legs, h. 66 in., w. 26 in., d. 14 1/2 in. $400/600 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

744. Pair of Italian Gilt Metal and Cut Crystal Three‑Light Sconces, 20th c., vasiform backplate, electrified, h. 22 in., w. 13 in., d. 5 1/2 in. $700/1000 743. Maison Jansen‑Style Bronze and Crystal Six‑Light Chandelier, swagged corona, draped button chains, pendeloque prisms and orb pendant, h. 28 in., w. 18 1/4 in. $700/1000

747. Pair of Italian Carved Hardwood Grotto Chairs, shell backs and seats, serpentine arm supports, cabriole legs, trifed feet, incurvate stretchers, h. 40 3/8 in., w. 24 1/4 in., d. 21 1/4 in. $600/900 748. Antique Louis XV‑Style Painted and Gilt Lit de Repos, serpentine back and arms, conforming seat rail, cabriole legs, h. 35 1/2 in., w. 71 in., d. 31 in. $1000/1500

746. Specimen Marble and Argenté Figural Guéridon, whippet standard. $500/1000

751. French School, late 19th/early 20th c., “Paris Cafe”, oil on canvas, unsigned, “The Art Gallery, Broad Street, Barry” label en verso, 13 in. x 37 in., framed. $600/800

749. French School, late 19th c., “Mother and Child in a Flower Garden”, oil on canvas, monogrammed “FD” lower right, “F. Abrahamson No. 27” stencil on stretcher, 16 1/2 in. x 12 1/4 in., framed. $500/800

753. Two Antique French Pressed Brass Pricket Candlesticks, one retaining traces of silvered surface, both of Renaissance form, tallest h. 38 in. $600/900

752. Six Antique Hand‑Colored Lithographs and Engravings of Seashells, Coral and Crustaceans, printed Stuttgart, Germany, sights 9 1/2 in. x 7 1/2 in., matted and framed alike. (6 pcs.) $700/1000

750. Ira Monte (Spanish, b. 1918), “Birds of the Tropics”, oil on canvas, signed lower right, 30 in. x 24 in., framed. $1200/1800

754. Bronze Figural Group of a Quail and Chicks, after Alfred Barye, signature inscribed on naturalistic self‑base, h. 9 3/4 in., w. 11 1/2 in., d. 6 in. $300/500

755. Two Continental Cut Crystal Dresser Boxes, early 20th c., the larger diamond‑cut and floral etched with silver mounts, the smaller cut with allover squares and gilt mounted, larger h. 5 in., w. 6 in., d. 4 1/2 in.; smaller h. 4 in., w. 5 1/2 in., d. 3 1/2 in. $400/600

756. Pair of Sevres‑Style Bronze‑Mounted Porcelain Cachepots, late 19th c., rose Pompadour ground reserved with cavorting putti, mask handles, gilt decoration, marked, h. 10 1/2 in., dia. 10 in. $500/800

757. Pair of French Renaissance‑Style Gilt Bronze Candlesticks, late 19th c., each fluted shaft with entwined salamander, paw foot tripod base, h. 11 1/2 in., dia. 4 1/2 in. $400/600

761. Spanish Tôle Peinte Twelve‑Light Chandelier, 19th c., foliate arms, electrified, h. 24 in., dia. 26 in. $700/900

758. Pair of Louis XVI‑Style Gilt Metal and Cut‑Glass Four‑Light Candelabra Table Lamps, Warren Kessler, New York, diamond-cut urn standard, h. (to finial) 33 1/2 in., dia. 6 1/2 in. $500/700

759. Directoire‑Style Tôle and Gilt Metal Five‑Light Chandelier, crossed arrow arms, h. 26 1/2 in., dia. 22 1/2 in. $600/900

760. Pair of Antique Louis XV‑Style Gilt Bronze Two‑Light Figural Candelabra, late 19th c., putto standard, bouquet finial, scroll feet, h. 12 in., w. 7 3/4 in., d. 4 1/2 in. $700/900

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

762. Pair of Louis XVI‑Style Crème Peinte Fauteuils, rectangular padded backs and arms, ample seats, h. 40 1/2 in., w. 25 in., d. 22 in. $1000/1500

764. Art Moderne Brass Coffee Table, semi‑precious stone top (probably sodalite), patinated legs and stretcher, hoof feet, h. 19 in., w. 40 in., d. 20 1/4 in. $1500/2000

763. Italian Renaissance‑Style Carved, Gilt and Polychromed Console, blocked cornice above three shell carved niches, flanked by solomonic columns, bracketed base, h. 41 1/2 in., w. 58 1/2 in., d. 25 in. $1200/1800

765. Pair of Renaissance‑Style Carved and Parcel Gilt Armchairs, 19th c., reticulated crests surmounted by knight in armor and crown above coat of arms, shaped arms, stretcher base, paw feet, h. 47 1/2 in., w. 25 1/2 in., d. 23 1/2 in.; h. 51 3/4 in., w. 25 3/4 in., d. 23 1/2 in. $800/1200

766. Pair of Louis XVI‑Style Verte Peinte, Argenté, and Gilt Consoles, 19th c., marble top, floral swagged frieze, reeded tapered legs headed by Corinthian capitols, h. 36 in., w. 57 1/2 in., d. 23 1/2 in. $2500/3500 767. Twelve Provincial Louis XVI-Style Fruitwood and Caned Dining Chairs, 18th c., oval backs, serpentine seats, tapered stop‑fluted legs, h. 37 3/4 in., w. 20 1/2 in., d. 17 in. $2500/3500 Additional information at www.nealauction.com

769. Empire‑Style Bronze‑Mounted Mahogany Salon Set, 19th c., incl. settee and pair of armchairs, sphinx arm supports, classical mounts, paw feet, settee h. 41 in., w. 45 1/2 in., d. 20 1/2 in. (3 pcs.) $2000/3000 768. Italian Renaissance‑Style Carved Walnut Refectory Table, 19th c., carved top, scrolled bracket and cartouche paneled trestle supports, foliate-carved stretcher, shell carved feet, h. 32 3/4 in., w. 73 1/4 in., d. 38 in. $1200/1800 770. Louis XVI‑Style Crème Peinte and Parcel Gilt Lit à Couronne, paneled and upholstered head and foot board, fluted posts with pod finials, demilune canopy, h. 106 in., w. 77 in., d. 51 in. $800/1200

771. Pair of Louis XVI‑Style Crème Peinte Fauteuils, arched molded crests, reeded scrolled arms, fluted tapered legs, h. 38 1/2 in., w. 26 in., d. 23 1/2 in. $800/1200

772. Provincial Louis XV Fruitwood Armoire, 18th c., molded cornice, shaped‑panel doors, iron fiche hinges, open interior, serpentine apron, reduced block feet, h. 79 in., w. 55 1/2 in., d. 27 in. $800/1200 Note: A nearly identical armoir was sold Neal Auction Company, Mar. 4, 2006, lot 57.

773. Restauration Mahogany Console, mid‑19th c., molded marble top, cove‑molded frieze with blind drawer, scroll supports, volute brackets, shaped plinth, paw feet, h. 35 3/4 in., w. 44 in., d. 16 in. $800/1200 Provenance: Whitehall, Chapel Hill, NC. 774. Louis XV Carved Pine Buffet à Deux Corps, late 18th c., upper case with arched volute cornice, paneled frieze centered by a roundel, paneled doors with inset grillework; lower case with paneled doors, cabriole legs, scrolled toes, h. 92 1/2 in., w. 54 1/2 in., d. 20 1/2 in. $800/1200 776. Art Deco‑Style Inlaid Rosewood Nesting Quartetto Tables, geometric inlaid tops, overall h. 22 1/2 in., w. 42 in., d. 38 in. $600/800 775. Antique Dutch Marquetry Armchair in the Neoclassical Taste, 19th c., incurvate crest rail, sabre legs, h. 31 in., w. 21 in., d. 16 in. $300/500

777. French Art Deco Bronze and Glass Table, early 20th c., square molded top, paneled frieze, square tapered legs, button feet, h. 24 1/2 in., w. 26 in., d. 26 in. $800/1200

778. Art Deco‑Style Inlaid Rosewood Console, marquetry top, pedestal base with door above two drawers, beveled plinth, h. 32 1/2 in., w. 47 1/2 in., d. 15 3/4 in. $500/700

779. Classical‑Style Custom‑Made Walnut Pedestal Dining Table, Glen Armand for Ashley Hall Interiors, reeded edge top, bracketed chamfered pedestals with sabre legs; together with three leaves, h. 30 in., l. (closed) 96 in., l. (open) 132 in., w. 48 in. $3000/5000 Provenance: Sold for the Benefit of Shir Chadash Synagogue, Metairie, LA.

781. Fontana Arte‑Style Chrome and Glass Chandelier, late 20th c., turned standard, glass disc, h. 10 3/4 in., dia. 20 in., with chain h. 44 in. $600/900

782. Contemporary Iron and Mixed Metals Canopy Bed Frame, late 20th c., in the style of Mario Villa, accommodates a queen‑size mattress, h. 97 in., l. 81 in., w. 59 in. $700/1000

780. Ten Custom‑Made Maple Cane‑Back Gondola Dining Chairs, Glen Armand for Ashley Hall Interiors, padded seats, sabre legs, h. 43 in., w. 21 in., d. 19 in. $2500/3500 Provenance: Sold for the Benefit of Shir Chadash Synagogue, Metairie, LA.

783. Pair of Modern Recchio Armchairs for Knoll, 20th c, h. 32 1/4 in., w. 22 in., d. 19 1/4 in. $300/500

784. Mark Whitley Contemporary Craft Studio Low Table, 2013, Smith Grove, Kentucky, signed at edge of top “M Whitley/13”, figured cherry top on walnut cross‑stretcher base with shaped legs, h. 18 in., w. 48 in., d. 22 1/2 in. $400/600

785. Charles and Ray Eames DKR Wire Chair, c. 1950, with padded vinyl “Bikini” cushion, Eiffel tower base, h. 32 in., w. 18 in., d. 17 1/4 in. $200/300

786. Mid‑Century Occasional Table, 20th c., circular glass top, chrome cruciform base, h. 24 in., dia. 18 in. $400/600

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

788. Pair of Hans Wegner‑Style Folding Chairs, h. 31 1/2 in., w. 25 in., d. 30 in. $500/700 787. Pace‑Style Glass and Brass Coffee Table and Pair of Matching Side Tables, pair h. 20 1/4 in., w. 24 in., d. 24 in.; h. 16 1/2 in., w. 53 in., d. 24 in. $700/1000

789. Isamu Noguchi Coffee Table, c. 1969, Herman Miller, walnut and glass, h. 15 1/2 in., w. 50 in., d. 36 in. $1000/1500 Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

Additional information at www.nealauction.com

789A. American Mid‑Century Modern Teak Executive Desk, c. 1950, attrib. Herman Miller, kneehole configuration of drawers, cabinets and upright file slots, square legs, h. 29 in., w. 72 in., d. 30 in. $500/700 Provenance: A New Orleans Family.

790. Italian Ebonized and Gilt Metal‑Mounted Low Table, in the style of Fornasetti, marble top, narrow frieze, figural supports, incurvate triangular plinth base, h. 20 in., dia. 27 3/8 in. $400/600

791. Gustavo Duque (Colombian/New Orleans, 20th c.), “Green Landscape”, 2001, oil on canvas, signed, monogrammed and dated lower left, monogrammed, dated and labels with title en verso, 24 in. x 30 in., framed. $1000/1500 Note: Sold to Benefit the Jewish Federation of Greater New Orleans.

792. Gustavo Duque (Colombian/New Orleans, 20th c.), “Floating Upward”, 2001, oil on canvas, signed, monogrammed and dated lower left, labels with title en verso, 30 in. x 24 in., framed. $1000/1500

793. Richard Johnson (American/Louisiana, b. 1942), “Black Pearl”, 1988, acrylic and mixed media on paper, initialed and dated lower right, 32 in. x 24 in., framed. $800/1200

Note: Sold to Benefit the Jewish Federation of Greater New Orleans.

794. Franklin Adams (American/ New Orleans, 1933‑2008), “Heart Break Series: Imprisoned Heart and Heart Afire”, 1989, 2 cut paper and watercolor collages, each signed and dated lower center, 5 in. x 3 3/4 in. and 10 1/2 in. x 7 1/4 in., matching shadowbox frames. (2 pcs.) $400/600 Exh.: “Franklin Adams, An Exorcism: Nobody Knows...”, Wyndy Morehead Fine Arts, New Orleans, 1989.

795. Franklin Adams (American/ New Orleans, 1933‑2008), “Heart Break Series: Domestic Troubles”, 1989, 3 cut paper and watercolor collages, each signed and dated lower center, 2 with exhibition labels en verso, 11 1/4 in. x 8 3/4 in., 7 in. x 4 1/2 in. and 5 in. x 4 3/4 in., matching shadow box frames. (3 pcs.) $600/900

796. Franklin Adams (American/ New Orleans, 1933‑2008), “Heart Break Series: Torn Heart, Stairway to a Heart and The Banquet: You Who Have Not Sung”, 1989, 3 cut paper and watercolor collages, 2 signed and dated lower center, latter signed, titled, dated and exhibition label en verso, 4 1/4 in. x 3 1/4 in., 6 1/2 in. x 4 in. and 13 1/2 in. x 12 in., matching shadowbox frames. (3 pcs.) $500/800

Exh.: “Franklin Adams, An Exorcism: Nobody Knows...”, Wyndy Morehead Fine Arts, New Orleans, 1989.

797. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Four for the CAC”, serigraph on paper, pencil‑signed, titled, dated and numbered “99/350” lower margin, sight 17 1/4 in. x 23 in., framed. $400/600

798. Robert Rauschenberg (American/New York, 1925‑2008), “Piece for Tropic”, 1979, color lithograph on newspaper, pencil‑signed, dated and numbered “81/100” upper right, initialed “R.R.” and dated “Dec 30, 1979” in plate lower center, cover for The Miami Herald’s “Tropic Magazine”, 12 1/2 in. x 21 3/4 in., unframed; accompanied by copy of a letter from Beverly R. Carter, Vice President and General Manager, The Miami Herald Publishing Co. to Gary R. Libby, Director Museum of Arts and Sciences, Daytona Beach, FL regarding the fundraising donation of the print to the museum by the newspaper.. $1000/1500 Note: For the December 1979 issue, The Miami Herald published an original color lithograph by Robert Rauschenberg for the cover of their “Tropic Magazine” in an edition of 650,000. Rauchenberg visited the Herald’s pressroom and signed 150 copies of the print. Most of the signed prints were randomly delivered to newspaper subscribers.

799. Roy Ahlgren (American, 1927‑2011), “Energia IV”, 1969, “Homage to the Sun”, 1968 and “Untitled”, 1968, 3 serigraphs on paper, all pencil‑signed and dated, one titled and 2 numbered “3/4” or “3/10” lower margin, sights 18 3/4 in. x 18 3/4 in. to 18 in. x 17 1/2 in., framed alike. (3 pcs.) $800/1200

800. Bronze Bust of Napoleon, 19th c., after Antoine‑Denis Chaudet (French, 1763‑1810), h. 13 1/2 in. $200/400

801. Italian Tôle Peinte Six‑Light Chandelier, fluted corona, wrought chains, circular ring fitted with candlecups, scroll pendant, h. 31 in., dia. 27 in. $600/900

802. Lalique “America’s 32nd Cup” Clear and Frosted Glass Center Bowl, engraved “Lalique France”, numbered “136/320”, designed by Javier Mariscal, molded with geometric patterns and “32”, engraved “America’s 32nd Cup”, h. 6 1/4 in., dia. 9 1/4 in. $500/700 Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

804. Austrian Cold‑Painted Bronze Figural Group, 19th c., of dogs with a cart, rotating wheel, h. 1 3/4 in., w. 4 1/2 in., d. 2 1/4 in. $400/600 803. Lalique Crystal “Love Dove” Vase, marked “Lalique, France”, h. 8 1/4 in., w. 7 in., d. 4 in. $200/300

805. Italian Rococo Carved Giltwood Mirror, molded surround with rocaille carved corners, h. 41 in., w. 33 1/2 in. $600/800

808. Ryonosuke Fukui (Japanese, 1924‑1986), “Poppies” and “Trees”, 2 oils on canvas, both signed lower left, 7 1/2 in. x 10 1/2 in., framed alike. $1000/1500

807. Ryonosuke Fukui (Japanese, 1924‑1986), “Two Female Nudes”, oil on canvas, signed lower left, “Canvas Funaoka” stamp en verso, 19 3/4 in. x 25 1/2 in., framed. $2000/3000

810. George Rodrigue (American/ Louisiana, 1944‑2013), “Alone with the Oak”, 1978, silkscreen on paper, pencil‑signed lower right, signed in plate lower left, sight 17 1/2 in. x 22 1/2 in., framed. $700/900

811. George Rodrigue (American/ Louisiana, 1944‑2013), “Live Oak Tree and Cabins”, black marker on paper, signed lower left, 9 1/4 in. x 10 1/2 in., framed. $700/900

812. Suite of Three Moorish Mother‑of‑Pearl and Bone Inlaid Tables, 20th c., circular top, scalloped frieze, cabriole legs, h. 19 1/4 in., dia. 24 in., and h. 18 in., dia. 17 1/2 in.; together with a similarly inlaid frame, h. 14 1/4 in., w. 12 in. $400/600

806. Pair of Louis XV‑Style Gilt Bronze Mirrors, cartouche‑form, reticulated crest, beveled mirror plate, h. 35 in., w. 22 in. $500/1000

809. Salvador Dali (Spanish, 1904‑1989), “Benjamin Franklin: Five Americans Suite”, 1967, sepia etching on paper, pencil‑signed and inscribed “E.A. (artist’s proof)” lower margin, ed. of 125, printed biography and letter of authenticity from Cory Galleries of San Francisco en verso, sight 8 3/4 in. x 6 in., framed. $500/700

813. Louis Philippe Rosewood Work Table, 19th c., shaped top, conforming frieze, blind drawer over pull‑out work compartment, cabriole legs, h. 28 1/4 in., w. 23 in., d. 16 1/2 in. $300/500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Additional information at www.nealauction.com

814. Swiss or Alsatian Pine Farm Table, early 19th c., batten top opening to a well with storage drawer, molded base on arched pegged legs, h. 32 in., w. 42 in., d. 38 1/2 in. $1000/1500

815. Antique Louis XV‑Style Carved Oak Armoire, molded cornice, frieze with scrolling vines, arched paneled doors over carved drawers, volute skirt, cabriole legs, h. 89 1/2 in., w. 67 1/2 in., d. 20 in. $1000/2000

816. Louis XV‑Style BronzeMounted, Inlaid Kingwood and Marquetry Bombé Commode, late 19th c., shaped marble top, three drawers, flared feet, h. 38 1/2 in., w. 48 in., d. 20 in. $700/900

817. Continental Louis XV‑Style Carved Walnut Console Table, serpentine marble top, conforming rocaille frieze, cabriole legs, shaped stretcher, h. 34 3/4 in., w. 61 in., d. 24 1/2 in. $800/1200 Provenance: Leopold Colombo, Inc. via Merle McGehee, Jackson, MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

818. Good American Late Classical Carved Walnut Bookcase, c. 1840‑1850, stepped ogee molded cornice, pair of paneled glazed doors, adjustable shelf interior, ogee bracket feet, h. 90 in., w. 64 in., d. 19 1/2 in. $2000/4000 Provenance: “Bonnie Burn” House, Clinton, East Feliciana Parish, LA, owned by planter, jurist, Louisiana legislator and Confederate Captain James Gilliam Kilbourne (Mississippi/ Louisiana, 1828‑1893); descended in the family; Nan Dennard Kilbourne, East Feliciana Parish, LA.

819. American Classical Carved Mahogany Center Table, c. 1830, New York, later marble top, conforming frieze, scrolled legs, h. 29 1/2 in., dia. 36 in. $1000/1500 Provenance: Temple Heights, Columbus, MS.

820. American Classical Carved Mahogany Sofa, early 19th c., probably New York, cylindrical crest rail, foliate‑carved arms, torus‑molded seat rail, acanthus paw feet, casters, h. 34 1/2 in., w. 91 1/2 in., d. 24 in. $2000/3000 821. American Rococo Figured Mahogany Armoire, mid‑19th c., flared cornice, two doors with arched foliate‑carved panels, two base drawers, shaped bracketed feet, h. 103 1/2 in., w. 73 in., d. 28 in. $1500/2500 Provenance: Part of the period furnishings at 401 Clinton Avenue (Clinton Hill Historic District), Brooklyn, NY until 1970; thence by descent to the present owner.

822. American Rococo Carved Mahogany Half‑Tester Bed, c. 1850‑1860, stamped C. Lee, shaped beaded tester, tapered cluster column posts, paneled headboard with cartouche crest, conforming rails, low foot board, h. 126 1/2 in., l. 80 in., w. 65 in. $7000/9000

823. American Federal Cherrywood Chest of Drawers, c. 1790‑1810, probably Southern, five graduated drawers, “French” feet, h. 40 1/2 in., w. 43 in., d. 19 in. $700/1000

824. Pair of American Rococo Carved Rosewood Consoles, mid‑19th c., each with serpentine molded marble top, rose carved frieze, acanthine cabriole legs, leaf-carved stretcher, h. 30 in., w. 35 1/2 in., d. 20 1/2 in. $1500/2500

827. American Classical Carved Mahogany Sleigh Bed, early‑to‑mid‑19th c., scrolled head and foot boards, shaped rails, beaded paneled uprights, block feet, h. 42 in., l. 74 in., w. 39 1/2 in. $500/700 825. American Classical Mahogany Dressing Chest, mid‑19th c., superstructure with ogee mirror on supports, three glove drawers, marble top, graduated drawers, shaped bracket feet, h. 80 1/2 in., w. 43 1/4 in., d. 22 3/8 in. $1000/1500

826. American Late Classical Mahogany Washstand, mid‑19th c., serpentine marble top with backsplash, frieze drawer, molded paneled doors, bracket feet, casters, h. 39 1/4 in., w. 30 in., d. 18 in. $400/600

829. American Late Classical Carved Walnut Center Table, mid‑19th c., variegated marble top, floral‑carved frieze, acanthus-carved cabriole legs, stretchers with lobed finial, h. 29 7/8 in., dia. 36 1/8 in. $1000/1500

830. Pair of Restauration Carved Fruitwood Fauteuils, scroll arms, cabriole legs, h. 34 in., w. 22 3/4 in., d. 18 1/2 in. $800/1200

832. American Gilt Bronze Six‑Light Candelabrum, c. 1850, possibly Hooper, Boston, foliate baluster form, tripod base, vintage motif arms, h. 22 1/4 in., dia. 13 1/2 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 90.

828. American Late Classical Carved Mahogany Pier Table, c. 1840, Egyptian marble top, ogee frieze, scroll supports, shaped plinth, scrolled feet, h. 35 in., w. 37 in., d. 18 in. $1000/1500

831. Pair of American Patinated Bronze Single Light Argand Lamps, c. 1830‑1840, marked “Lewis Veron & Co., Philadelphia”, fluted urn-form font with swans, incurvate triangular base cast with dolphins and vines, h. 16 in., w. 12 in., d. 7 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 214.

833. Pair of American Gilt Bronze Solar Lamps, c. 1850, attr. to Hooper, baluster form with relief acanthus decoration, dolphin headed base, floral cut shade, h. 28 in., dia. 8 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

834. American Rococo Carved and Laminated Rosewood Sofa, mid‑19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, very finely carved floral and grape motif, sinuous serpentine form, h. 52 in., w. 65 1/2 in., d. 25 1/2 in. $6000/9000 Note: A nearly identical sofa (as part of a suite), attributed to Joseph W. Meeks and presented to his daughter, Sophia Theresa at her marriage to Dexter Hawkins, is conserved by the Metropolitan Museum of Art, New York. Ref.: See Davidson and Stillinger, The American Wing, The Metropolitan Museum of Art, p. 169, pl. 261, 262.

835. Pair of American Rococo Laminated Rosewood Slipper Chairs, c. 1860, New York, keyhole backs with pierced scrolling foliage, cabriole legs. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: (One) of pair; Dubrow, Richard. American Furniture of the 19th c. Atglen, PA:

Schiffer, p. 95.

836. Eight American Centennial Chippendale Carved Mahogany Dining Chairs, in the style commonly referred to as “Robert Morris” after the Philadelphia examples, incl. two arm and six side chairs, shaped crest rail, entwined pierced splat, scrolled knuckle arms, shell‑carved seat rail, acanthus‑carved cabriole legs, ball and claw feet, armchair h. 41 3/4 in., w. 25 in., d. 20 3/4 in.; side chair h. 41 1/4 in., w. 22 3/4 in., d. 18 3/4 in. $1000/1500 839. English or American Carved and Gilded Overmantel Mirror, labeled “Charles Pinnow, 1888”, pierced crest with foliage, c‑scrolls and strapwork cartouche, egg‑and‑dart surround, h. 83 1/2 in., w. 69 in. $1200/1800

838. American Classical Giltwood Mirror, molded frame, h. 30 in., w. 43 1/2 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

837. Glazed Earthenware Architectural Eagle, late 19th c., probably Philadelphia, mounting plinth attached to back, h. 35 in., w. 21 1/2 in., d. 27 1/4 in. $1000/1500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 840. American Rococo Carved Rosewood Armoire, mid‑19th c., probably purveyor Prudent Mallard, New Orleans, arched cornice, floral and grape carved frieze, turreted sides, conforming mirrored doors, divided interior with hanging compartment and shelves, carved molded base with two drawers, bracket feet, h. 96 3/8 in., w. 64 1/2 in., d. 25 in. $2500/3500

841. Six American Late Classical Carved Mahogany Gondola Chairs, 19th c., foliate-carved crests, molded stiles, slip seats, saber legs, h. 34 in., w. 18 in., d. 16 3/4 in. $500/800 842. American Federal Carved Mahogany Tester Bed, c. 1790‑1810, New England, tapered chamfered head posts, arched headboard, tapered reeded foot posts, later rails and tester, h. 87 3/4 in., l. 78 1/4 in., w. 50 1/4 in. $1000/1500

843. American Federal Cherrywood Bowfront Chest of Drawers, late 18th c., four drawers, flared “French” feet, bail pulls, h. 33 1/4 in., w. 37 3/4 in., d. 23 1/4 in. $600/800

844. American Curly Maple Stand, first‑half 19th c., frieze drawer, boldly figured wood, turned legs, h. 29 in., w. 20 3/4 in., d. 18 1/2 in. $400/600

845. American Federal Cherrywood Slant-Front Desk, late 18th/early 19th c., New England, molded fall front, fitted interior, four drawers, molded base, bracket feet, h. 43 in., w. 41 in., d. 20 in. $600/800

846. American Federal Mahogany Games Table, late 18th/early 19th c., foldover top, frieze drawer, tapered square legs, h. 29 5/8 in., w. 36 in., d. 17 5/8 in. $500/700

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

847. American Cherrywood Bookcase, mid‑19th c., Mid‑Atlantic, molded cornice, glazed doors, adjustable shelves, base with paneled doors flanked by drawers, scalloped base, h. 89 1/4 in., w. 60 1/2 in., d. 19 in. $800/1200

848. American Late Classical Figured Mahogany Center Table, mid‑19th c., probably Baltimore, marble top, paneled vasiform standard, plinth base, scrolled feet, casters, h. 30 in., dia. 41 in. $1200/1800

849. American Late Classical Mahogany Sofa, c. 1835, attr. to J. & J.W. Meeks, New York, with massive C and S scroll arms terminating in bosses, bolection seat rail, scroll supports, casters, h. 37 1/2 in., w. 74 in., d. 33 1/2 in. $1000/1500

850. American Rococo Carved Mahogany Bookcase, mid‑19th c., flared ogee cornice, canted corners, glazed doors, base with foliate‑carved drawers, turreted corners, scrolled apron, bracket feet, h. 93 in., w. 63 in., d. 21 in. $1200/1800

851. American Classical Mahogany Work Table, mid‑19th c., two graduated drawers, ring‑turned legs, shaped stretcher shelf, tapered feet, casters, h. 29 in., w. 22 in., d. 18 in. $300/500

852. Antique Carved Walnut Cupboard, 19th c., New Orleans, ogee cornice, two paneled doors, over four drawers, lower case with conforming doors, molded base, h. 101 1/2 in., w. 70 1/2 in., d. 24 1/2 in. $1200/1800 Provenance: Ursuline Convent, New Orleans.

855. American Maple Settee and Armchair, mid-20th c., shaped arms, padded raked back, conforming seat, tapered legs, settee h. 30 in., w. 45 1/2 in., d. 30 1/2 in.; armchair h. 30 in., w. 26 in., d. 30 1/2 in. $700/900

853. American Late Federal Cherrywood Side Table, early 19th c., two tiers, fitted drawer, h. 31 1/2 in., w. 17 3/4 in., d. 17 1/2 in. $200/400

854. Good American Federal Mahogany Washstand, early 19th c., arched backsplash, bolection molded drawer, turned supports, incurvate stretcher shelf, tapered legs, button feet, h. 36 in., w. 21 5/8 in. $300/500

856. Antique American Chestnut Dry Sink/Cupboard, late 19th c., molded cornice, pair of doors over three drawers, copper lined basin, two doors, bracket feet, h. 72 in., w. 45 in., d. 18 1/4 in. $300/500 Additional information at www.nealauction.com

859. John James Audubon (American, 1785‑1851), “Wild Turkey, Female and Young”, photolithograph, from The Birds of America, Amsterdam edition, sheet 26 1/2 in. x 39 1/2 in., framed. $600/900 857. American Tiger Maple Corner Washstand, early 19th c., shaped backsplash, top with cut-out for basin, medial shelf with drawer, turned tapering legs, stretcher, h. 37 1/4 in., w. 24 in., d. 16 1/4 in. $600/900

861. John James Audubon (American, 1785‑1851), “Louisiana Heron”, photolithograph, from The Birds of America, Amsterdam edition, sheet 26 1/2 in. x 39 1/2 in., framed. $600/900

858. John James Audubon (American, 1785‑1851), “Song Sparrow”, chromolithograph, from The Birds of America, Bien edition, sheet 30 1/4 in. x 24 3/4 in., framed. $500/700

862. John James Audubon (American, 1785‑1851), “Bohemian Chatterer”, photolithograph, from The Birds of America, Amsterdam edition, sheet 39 1/2 in. x 26 in., framed. $500/700

866. [Cased Images], “Portraits of Gentlemen”, 7 daguerreotypes, ambrotypes and tintypes, some enhanced with watercolor and gold paint, 4 ninth plates, 2 sixth plates and one quarter plate, leather and one thermoplastic cases. (7 pcs.) $300/500

863. John James Audubon (American, 1785‑1851), “Blackthroated Bunting”, photolithograph, from The Birds of America, Amsterdam edition, sheet 39 1/2 in. x 26 1/2 in., framed. $500/700

867. S. Kirk & Son Coin Silver Three‑Piece Tea Set, 11 oz. marks, teapot c. 1845‑1861, sugar and creamer c. 1890‑1896; oval forms with beaded borders and engraved garlands, teapot h. 6 5/8 in., total wt. 36.95 troy ozs. $700/900

860. John James Audubon (American, 1785‑1851), “Wild Turkey”, photolithograph, from The Birds of America, Amsterdam edition, sheet 39 1/2 in. x 26 1/2 in., framed. $600/900

864. Mark Catesby (British, 1682‑1749), “The Red Claw Crab”, Plate 37, hand‑colored engraving from The Natural History of Carolina..., 1731‑1743, sight 10 1/2 in. x 13 5/8 in., matted and framed. $400/600

868. Gorham “Plymouth” Pattern Sterling Silver Coffee and Tea Service, incl. coffee pot, teapot, sugar, creamer and waste bowl, coffee pot h. 8 7/8 in., total wt. 56.20 troy ozs. (5 pcs.) $1000/1500

865. Sixteen Photographic Views of New Orleans and Louisiana. $600/900

870. Pair of American Silverplate Punch Bowls, R. Blackinton & Co., North Attleboro, MA, mid‑20th c., with lion’s mask and ring handles, h. 11 1/4 in., w. 17 1/2 in. $300/500

869. American Silver Overlay Claret Jug, c. 1900, unmarked, h. 10 1/2 in. $200/300

100

871. Group of American Coin Silver Flatware, 19th c., incl. 6 teaspoons, William Williams Cary, Alton, IL, wc. 1836‑1870; tablespoon, Newell Matson, Chicago, wc. 1840‑1887; sauce ladle, ret. Edward Horatio Goulding, Alton, IL, act. 1852‑1895; tablespoon, marked “M&PRATT” in rectangle; butter knife, marked “CORWIN” incuse; and child’s fork, marked “R.C. TOMPKINS” in rectangle and “PURE COIN” in rectangle; combined wt. 8.80 troy ozs. $100/200

872. Antique English Silverplate Venison Dome, 19th c., foliate scroll handle, gadroon border, h. 11 1/2 in., l. 19 5/8 in., d. 15 in. $200/400

873. Good Silverplate Gallery Tray, octagonal, reticulated gallery, flat‑chased well, l. 24 in., w. 18 in. $400/600 874. Antique English Silverplate Fish Serving Knife and Fork, bright cut decoration, knife l. 11 1/2 in. $150/250

875. Pair of Antique Regency‑Style Silverplate Three‑Light Candelabra, acanthus decoration, removable bobêches, h. 18 1/2 in. $200/400

876. American Gilded Solar Lamp, c. 1850, marked “Cornelius, Philadelphia”, foliate baluster with cut bulbous shade, cut prisms, h. 24 in., dia. 8 1/4 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 163.

877. American Patinated Bronze Solar Lamp, mid‑19th c., marked “Cornelius & Co.”, tapered fluted column with foliate base, globe shade cut with American shield, cut prisms, h. 27 1/2 in., dia. 9 in. $800/1200

878. Dresden Polychrome Porcelain Fluid Lamp, late 19th c., attr. Carl Thieme, Potschappel, woman and child before a tall column adorned with flowers, enameled globe shade, h. 38 in., dia. 9 1/2 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

879. American 1851 $1 Dollar Gold Coin, with Charlotte, NC mint mark, now set in 14 kt. yellow gold frame. $300/400 880. Large American Cut Crystal Vase, 20th c., diaper pattern, fluted base, h. 28 1/2 in., dia. 17 1/2 in. $300/500

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 160.

881. Pair of Large American Crystal Vases, 20th c., fluted urn form, h. 28 1/2 in., dia. 17 1/2 in. $150/250

882. Partial Set of Bohemian-Style Colored Cut Crystal Stemware, 20th c., incl. 12 champagne flutes and 12 hocks, wine h. 9 3/4 in. $600/800 883. American Brilliant Cut Glass Vase, late 19th c., star and fan motif, h. 18 in., dia. 5 1/2 in. $300/500

885. Antique Patinated Bronze Figure of an Amazon, late 19th c., probably French, ornamented with an English gold filled watch and chain, watch marked “J.G. Bradley & Co., Liverpool”, h. 22 in. $400/600

886. Bronze Figural Group of Children, after August Moreau, signature inscribed on self‑base, h. 16 in., circular giltwood base, dia. 9 in.; together with unrelated marble pedestal. $500/700

884. American Brilliant Cut Glass Pitcher, late 19th/early 20th c., floral and diamond motif, h. 11 1/8 in. $200/300

887. American Classical Carved Giltwood Overmantel Mirror, early 19th c., split baluster surround, rosette corners, divided mirror plate, h. 23 1/4 in., w. 60 1/2 in. $700/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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888. Antique Giltwood Mirror, pierced acanthus molded frame, beveled mirror plate, h. 71 in., w. 58 1/4 in. $700/1000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

889. Continental Rococo Carved Gilt Mirror, 19th c., rocaille and acanthus crest, rope molded oval frame, conforming pierced base, h. 77 in., w. 30 in. $600/900

890. American School, 19th c., “Burial of Spanish Explorer and Conquistador Hernando de Soto in the Mississippi River, May 1542”, 1891, oil on canvas, signed “G...Mit...” and dated lower left, 24 in. x 30 in., antique frame. $800/1200

893. American School, 19th c., “Portrait of Mrs. Clement Biddle Penrose, née Anne Howard Bingham (1778‑1820)”, oil on canvas, unsigned, handwritten label identifying sitter en verso, 29 3/4 in. x 24 3/4 in., antique gilt frame. $1200/1800

891. Manner of Samuel F.B. Morse (American/New York, 1791‑1872, act. Charleston, S.C., 1818‑1821), “Portrait of a Handsome Gentleman, possibly B. Morton Narbough”, oil on canvas, unsigned, sitter identified en verso, 30 in. x 25 in., framed. $500/700

894. George David Coulon (French/ New Orleans, 1822‑1904), “Scottish Scenery, View on the Tay, Above Dunkeld”, 1896, oil on academy board, signed and dated lower left, signed, titled, dated and inscribed “New Orleans” en verso, 9 in. x 12 1/4 in., framed. $500/700

892. Karl Albert Buehr, A.N.A. (German/American, 1866‑1952), “French Landscape”, oil on canvas laid on card, signed lower right, 10 in. x 8 1/2 in., framed. $600/800

895. American Folk Art School, late 19th/20th c., “General Napoleon Bonaparte (1769‑1821), fabric, engraving, watercolor and mixed media on board, unsigned, 8 1/2 in. x 7 in., framed. $300/500

Note: In 1796, Anne Howard Bingham, the daughter of Major Charles Bingham and Anne Howard, married Clement Biddle Penrose, the son of James Penrose and Sarah Biddle. Sarah Biddle’s sister, Anne Owen Biddle, was married to General James Wilkinson of Pointe Celeste Plantation; it is thought that this connection helped secure Clement Biddle Penrose an appointment as a land commissioner for the Louisiana Territory in 1805. The family moved to St. Louis in that year and remained in contact with their Louisiana relatives. In 1830, the couple’s son, Clement Biddle Penrose, Jr. married Ann Wilkinson, the granddaughter of General James Wilkinson.

896. Helene McKinsey Herzbrun (American/ Washington, D.C., 1922‑1984), “Land Mist”, oil on canvas, signed lower right, “The Jefferson Place Gallery, Washington D.C.” label with artist, title and handwritten “Sold” en verso, 22 in. x 36 in., period frame. $1000/1500 Note: Helene McKinsey Herzbrun taught painting for 25 years at American University in Washington D.C. Members of the Art Department’s faculty opened The Jefferson Place Gallery in 1957 with idea of promoting awareness of modern art in the nation’s capitol.

898. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree, Louisiana Bayou”, oil wash on board, signed lower right, remnant of New Orleans frame shop label en verso, sight 9 1/2 in. x 29 1/2 in., period frame. $1500/2500

897. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, 1912, oil wash on board, signed and dated lower left, 18 1/4 in. x 24 1/4 in., framed. $2000/3000

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899. Edward Muegge “Buck” Schiwetz (American/Texas, 1898‑1984), “Madame John’s Legacy, New Orleans Street Scene”, 1930, graphite on paper, signed and dated lower left, titled lower right, “Texas Art Gallery, Dallas, TX” label en verso, 10 in. x 12 3/4 in., framed. $1000/1500

902. Arnold E. Turtle (American/ Louisiana, 1892‑1954), “Lugger’s Landing, New Orleans”, 1938, watercolor on paper, signed and dated lower left, titled en verso, 13 1/2 in. x 14 in., framed. $400/600

906. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “Horse Drawn Milk Vendor”, colored aquatint on paper, pencil‑signed and numbered “40/100” lower margin, sheet 17 in. x 14 3/8 in., framed. $500/700

910. James Carl Hancock (American/ New Orleans, 1898‑1966), “French Quarter Painter, New Orleans (Royal Street Studio of Alberta Kinsey)”, drypoint on paper, pencil‑signed, titled and inscribed “Edition 75” lower margin, sheet 9 3/4 in. x 7 3/4 in., framed. $300/500

900. Martin Lewis (Australian/New York, 1881‑1962), “Boats in the Harbor”, watercolor on paper, signed lower right, 8 1/2 in. x 14 1/4 in., framed. $2000/3000

903. Charles Richards (American/ Louisiana, 1906‑1992), “French Quarter Courtyard”, oil on canvas, signed lower right, “The Fortier Gallery, Chartres St., New Orleans” label with printed artist biography en verso, 20 in. x 24 in., framed. $700/900

907. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “Monkey Wrench Cafe and Vegetable Vendors, French Quarter, New Orleans”, color aquatint on paper, pencil‑signed and inscribed “no. 2” lower margin, 14 in. x 11 7/8 in., framed. $400/600

911. George Frederick Castleden (British/New Orleans, 1861‑1945), “Old Book Shop”, etching on paper, pencil‑signed and titled lower margin, sight 5 1/2 in. x 7 in., framed. $150/250

904. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “Madame Begue’s Restaurant, Decatur Street, French Quarter”, color aquatint on paper, pencil‑signed and titled lower margin, sheet 13 1/2 in. x 15 1/2 in., framed. $500/700

908. Knute Heldner (Swedish/New Orleans, 1877‑1952), “St. Ann Street (Presbytère, Jackson Square, French Quarter)”, 1933, etching on paper, pencil‑signed, titled and numbered “1/11” lower margin, signed and dated in plate lower right, sheet 7 1/2 in. x 10 in., framed. $300/500

912. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Old New Orleans”, 1948 and “Courtyard in Old New Orleans”, 2 etchings on paper, both pencil‑signed and titled lower margin, former initialed, titled and dated in plate lower right, sights 5 1/4 in. x 3 in. and 7 in. x 5 in., both framed. (2 pcs.) $300/500

901. Will Ousley (American/ Louisiana, 1866‑1953), “Barnes Creek, Made Near Lyle’s Bridge, Louisiana”, 1930, oil on canvas, signed lower right, titled lower center, signed, titled, dated and inscribed en verso, 21 1/2 in. x 14 in., period frame. $700/900

905. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “Creole Buildings, French Quarter, New Orleans”, color aquatint on paper, pencil‑signed and numbered “24/100” lower margin, sheet 13 in. x 15 1/4 in., framed. $500/700

909. Robert Bledsoe Mayfield (American/Louisiana, 1869‑1935), “Vieux Carré Café”, etching on paper, pencil‑signed lower margin, signed “Mayfield” in plate lower left, sight 10 in. x 8 in., framed. $400/600

913. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Baghura”, 1938, etching on paper, pencil‑signed, titled, dated and inscribed “print for H. Alvin Sharpe” and “ed/100” lower margin, sheet 7 1/4 in. x 5 1/2 in., framed. $200/400

Additional information at www.nealauction.com

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914. Alfred Heber Hutty (American/ South Carolina, 1877‑1954), “The Bishop’s Gate”, 1924, etching on paper, pencil‑signed, snail monogram, pencil‑titled and inscribed “ed 75” lower margin, 5 3/4 in. x 7 1/8 in., framed. $400/600 Ill.: Arnold, Sara C. and Stephen G. Hoffius, eds. The Life and Art of Alfred Hutty: Woodstock to Charleston. Columbia, SC: The University of South Carolina Press, 2012, p. 129, no. 27.

918. S. Kline (American, 20th c.), “Maine Coast”, woodcut on paper, pencil‑signed and titled lower margin, sheet 16 in. x 21 in., unframed. $150/250 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

915. Eugene E. Loving (American/ Louisiana, 1907‑1971), “Iron Lace Balconies, Old New Orleans”, etching on paper, pencil‑signed, titled and numbered “58/200” lower margin, sight 11 in. x 8 in., framed. $100/200

916. Ellsworth Woodward (American/New Orleans, 1859‑1939), “Pralines”, etching on paper, initialed “E.W.” in plate lower right, pencil‑signed and titled lower margin, sheet 12 1/2 in. x 10 1/4 in., framed. $400/600

919. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Oyster Catchers”, 1985, hand‑colored block print on handmade paper, signed, dated and inscribed lower margin, sheet 11 in. x 15 1/2 in., framed. $500/700

920. McKenney & Hall/ Publishers, “No‑Way‑Ke‑Sug‑Ga”, hand‑colored lithograph, from Indian Tribes of North America, matted and framed. $600/900

922. Fernand Pierre (Haitian, 1919‑2002), “Haitian”, oil on masonite, signed lower right, inscribed “Pere Spitz / Montrouis / 8/6/79” en verso, 36 1/4 in. x 24 in., framed. $200/300

923. Florence Martinez (Haitian, b. 1942), “Visitation of the Madonna and Child”, acrylic on masonite, signed lower right, inscribed “Pere Spitz / Montrouis / 8/6/79” en verso, 31 3/4 in. x 24 in., framed. $200/300

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

926. Seymour Étienne Bottex (Haitian, 1922‑2016), “Bamboche”, 1962, oil on masonite, signed, dated and inscribed “Cap-Hatien” lower center, “Pere Spitz / Montrouis / 8/6/79” inscribed en verso, 27 in. x 34 in., framed. $200/300

927. Étienne Chavennes (Haitian, b. 1939), “Villagers at the Market”, oil on masonite, signed lower right, 19 3/4 in. x 24 in., framed. $200/300

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

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Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

924. Freddy Chérizard (Haitian, 20th c.), “Toussaint Louverture”, oil on masonite, signed and inscribed “CapHatien” lower center, “Pere Spitz / Montrouis / 8/6/79” inscribed en verso, 20 in. x 24 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

928. Françoise Eliassaint (Haitian, b. 1958), “Erzulie Freda, Hatian Voudou Loa of Love”, acrylic on canvas, signed lower right, 24 in. x 20 1/4 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

917. Ellsworth Woodward (American/New Orleans, 1859‑1939), “The Coast Guard”, etching, pencil‑signed and titled lower margin, sheet 13 1/2 in. x 10 1/4 in., framed. $150/300

921. Shearwater Pottery Pitcher, c. 1940, blue rain and antique green glaze, by Peter Anderson, cast #10, quarter size impressed mark, h. 8 1/2 in. $300/500

925. Seymour Étienne Bottex (Haitian, 1922‑2016), “Adoration of the Maji”, c. 1963, oil on masonite, signed and inscribed “Cap-Hatien” lower right, “Pere Spitz / Montrouis / 8/6/79” inscribed en verso, 19 3/4 in. x 23 1/2 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

929. Levoy Exil (Haitian, b. 1944), “Figure with Doves”, 1988, acrylic on masonite, signed and dated lower right, 24 in. x 20 in., framed. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

930. Sisson Blanchard (Haitian, 1929‑1981), “Turkey”, oil on masonite, signed upper right, “Pere Spitz / Montrouis / 8/6/79” inscribed en verso, 20 in. x 23 1/2 in., framed. $150/250

931. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Sabbath (Louisiana Bayou Country)”, oil on canvas, signed lower right, signed and titled en verso, 24 in. x 48 in., framed. $4000/6000

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 932. Alan Flattmann (American/New Orleans, b. 1946), “Amen: New Orleans Jazz Funeral Series”, 1970, oil on canvas, signed and dated lower left, titled, “Bryant Galleries, Inc., Jackson, MS” label and printed artist biography en verso, 16 1/4 in. x 24 in., framed. $1200/1800 Provenance: Collection of a Mississippi Gentleman. Note: Born and raised in New Orleans, Alan Flattmann is known for his classic New Orleans scenes. He often paints familiar subjects and locations at different times and during different seasons as a way to document the changing city. In the painting offered here, he explores the theme of the jazz funeral, an event unique to New Orleans, by depicting two men, part of the funeral procession, as well as the preacher at the grave site. Flattmann’s works from this series explore both the somber initial march to the cemetery, as well as the vibrant celebratory second line that follows the funeral and honors the deceased with a wild celebration of his/her life.

933. George Bauer Dunbar (American/New Orleans, b. 1927), “Vistas”, 1959, 2 watercolors on paper, both pencil‑signed and dated lower right, “331 Gallery, Chartres St., NOLA” labels en verso, sight 5 3/4 in. x 18 1/4 in., matching frames. (2 pcs.) $500/800

Ref.: Flattmann, Alan, and John R. Kemp. An Artist’s Vision of New Orleans: The Paintings of Alan Flattmann. Gretna: Pelican Publishing Company, Inc., 2014, p. 63.

936. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree, Louisiana Bayou”, oil on board, signed lower left, 9 1/2 in. x 29 1/2 in., period frame. $1000/2000

934. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Pine Tree”, 1886, pencil on paper, signed and dated lower right, 13 1/2 in. x 10 1/2 in., framed. $700/900

937. John T. Scott (American/New Orleans, 1940‑2007), “Biko, Biko’s gone away today...sad...”, 1978, oil and ink on handmade cast paper, signed and dated lower left, 16 in. x 19 in., framed. $700/1000 Provenance: Sandra Zahn Oreck Gallery, New Orleans, 1979.

935. Noel Rockmore (American/Louisiana, 1928‑1995), “Charles Richards”, 1976, watercolor and ink on paper, signed, titled and dated twice lower right, “Casell Gallery, Royal Street, NOLA” label en verso, 12 1/4 in. x 10 3/4 in., framed. $500/700

938. Charles Reinike III (American/ Louisiana, b. 1947), “Louisiana Woods”, oil on wood, signed lower left, 84 in. x 22 in., framed. $500/800

939. Harold Quistgaard (American/New Orleans, 1914‑2008), “St. Anthony’s Garden, St. Louis Cathedral, French Quarter”, oil on canvas board, signed lower left, 18 in. x 22 in., antique gilt frame. $800/1200 Additional information at www.nealauction.com

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940. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Big ‘Mau Mau’ (The Falcon), Swamp Idyl (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 40 1/2 in. x 35 in., framed. $2500/3500

941. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Former Old Lafitte’s Blacksmith Shop, Vieux Carré, Old New Orleans”, 1941, watercolor on paper, signed lower left, dated and inscribed lower right, signed, titled and dated on label en verso, 10 1/4 in. x 12 in., framed. $1000/1500 942. Achille Perelli (Italian/ New Orleans, 1822‑1891), “Nature Morte: Wood Duck”, 1877, watercolor, signed, dated and inscribed “N.O.” lower right, 23 1/2 in. x 16 in., period frame. $4000/6000

943. Achille Perelli (Italian/ New Orleans, 1822‑1891), “Nature Morte: Blue‑Winged Teal”, 1877, watercolor, signed, dated and inscribed “N.O.” lower left, 23 in. x 16 in., period frame. $2500/3500

945. Southern School, 20th c., “Cabins in the Woods”, watercolor on paper, illegibly signed lower left, 9 in. x 11 in., framed. $400/600

949. Dollie Spidle Nabinger (American/Texas, 1905‑1998), “Bluebonnets, Springtime in Texas”, oil on canvas, signed lower left, “Wunderly Bros. Galleries, Pittsburgh” label en verso, 18 in. x 24 in., period frame. $300/500

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946. Stig Marcussen (American/New Orleans, b. 1960), “Marsh and Shrimp Boats”, 1991, acrylic on canvas, signed and dated lower left, 24 in. x 18 in.; “Crow, Crabs and Sugar Cane”, pen and ink laid down on card, unsigned, 23 in. x 35 in.; together with Robert Joseph Warrens (American /Louisiana, b. 1933), “Anteater, Snake and an Apple”, charcoal on paper, initialed “R.W.” lower right, sight 27 1/2 in. x 22 1/2 in., each framed. (3 pcs.) $400/600

944. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte: Red Snapper”, 1877, watercolor, signed, dated and inscribed “N.O.” lower left, “Frame Store, 152 Canal St., New Orleans” label en verso, 15 3/4 in. x 24 in., period frame. $1500/2500

Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA.

947. William Norman Arnold (American/Louisiana, 1902‑2006), “Cabin in the Bayou”, 2000, oil on canvas board, signed and dated lower right, signed, dated and inscribed en verso, 18 in. x 24 in.; “Portrait of a Lady”, oil on board, unsigned, 20 in. x 23 3/4 in.; “Church in the Mountains”, mixed media on paper, signed en verso, 16 in. x 12 1/4 in.; and “Still Life of Pitcher and Bottles”, 1962, oil pastel on paper, signed and dated lower right, 20 in. x 24 in., 3 framed. (4 pcs.) $500/800

950. Southern School, 19th c., “Cotton Pickers with Pipes”, 2 watercolors on paper, both initialed “K.W.” lower right, “Christie’s” label en verso, 4 3/4 in. x 3 in. and 4 1/2 in. x 3 1/4 in., framed together. $400/600

951. American Folk Art School, late 19th/early 20th c., “Bonaparte Viewing his Tomb”, watercolor on paper, inscribed “Presented by John D. Clarke to Mr. R. C. May” lower center, unsigned, 9 in. x 7 1/2 in., framed. $200/400

948. John J. Korver (American/ Louisiana, 1910‑1988), “Ship at Sea”, 1970, oil on canvas, signed lower right, signed, dated and inscribed “Baton Rouge” en verso, 24 in. x 36 in., framed. $500/700

952. Howard Finster (American/ Alabama, 1916‑2001), “Mr. Coke, Some Folks Would Stand on Their Heads for a Cold Coke, Coca Cola”, 1992, oil and mixed media on plywood, signed, bird monogram, dated, numbered and inscribed en verso, 34 in. x 10 1/2 in., unframed. $800/1200

953. Howard Finster (American/ Alabama, 1916‑2001), “To Me the Ant is a American‑Symble [sic]. If an Eagle Sits Down on the Ants Mound, He Will be Attacked Soon and He Will Leave, For Sure”, 1991, oil and mixed media on plywood, signed, bird monogram, dated, numbered and inscribed en verso, 18 3/4 in. x 24 in., unframed. $700/900

954. Howard Finster (American/ Alabama, 1916‑2001), “Angels Love You, At the Sounds of Gabrial’s Trumpet, Hand of Love, In the Mighty Hand of God”, 1992, oil and mixed media on plywood, signed and dated lower center, signed, bird monogram, dated, numbered and inscribed en verso, 8 in. x 50 in., unframed. $800/1200

955. Alice Scott Scanland (American/South Carolina, 1924‑2005), “Baptismal Day”, 1995, watercolor on paper, signed lower right, signed, titled, dated, inscribed and “State of the Art Gallery, Panama City, FL” label en verso, 8 in. x 12 in., framed. $1000/1500

956. Patricia Watson (American/ Texas, 20th c.), “Evening Pass”, 1985, oil on canvas, signed and dated lower right, artist’s card and “Richardson Civic Art Society Regional Painting and Sculpture Show” entry labels with title en verso, 24 in. x 36 in., framed. $250/350

957. Pati Bannister (American/ Mississippi, 1929‑2013), “Young Woman in a Field of Yellow Flowers”, oil on masonite, signed “Pati” lower right, 48 in. x 10 in., framed. $1500/2500

958. Pati Bannister (American/Mississippi, 1929‑2013), “Prismatic Trees”, oil on board, signed “Pati” lower right, 15 in. x 40 in., framed. $800/1200

959. Pati Bannister (American/ Mississippi, 1929‑2013), “Young Girl Wearing a Hat and Standing Among Butterflies and Flowers”, red pencil on paper, embossed “PB” monogram lower right, 9 in. x 12 in., framed. $400/600

961. Audrey Buller Parsons (Canadian/New York, 1902‑1984), “Reclining Nude in an Interior”, oil on canvas, signed upper left, 16 in. x 12 1/4 in., framed. $800/1200

963. American Carved Mahogany Shaving Stand, late 19th/early 20th c., oval mirror, cornucopia supports, bolection molded drawer, acanthus carved pedestal, arched legs, paw feet, h. 69 in., w. 16 1/2 in., d. 13 1/2 in. $300/500

962. Antique Louisiana Walnut Armoire, 19th c., flared cornice, plain frieze, recessed panel doors, shelf interior, tall block feet, h. 77 7/8 in., w. 64 1/4 in., d. 21 in. $1500/2500

964. American Classical Figured Mahogany Plantation Desk, 19th c., Southern, paneled fall-front lid, fitted desk interior, over three drawers, flared feet, h. 56 7/8 in., w. 33 in., d. 22 3/8 in. $800/1200

965. American Federal-Style Maple and Mahogany Work Table, probably 20th c., top with corner bosses, two drawers with canted corners and foliate carving, reeded legs, h. 28 in., w. 17 1/2 in., d. 15 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

960. Jean B. Perrin (American/New Orleans, 1927‑2016), “Swiss Chard”, acrylic on canvas, signed lower right, artist label with title en verso, 20 in. x 24 in., unframed. $700/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

966. American Curly Maple Dining Table, early 20th c., drop‑leaf top, frieze drawer, turned tapered legs, h. 29 3/4 in., l. (closed) 21 1/2 in., l. (extended) 54 1/2 in., w. 48 1/2 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

967. American Classical‑Style Carved Mahogany Tester Bed, 20th c., molded tester, tapered square head posts, arched headboard, spiral turned foot posts blocked at base, plain rails, h. 87 1/2 in., l. 84 1/2 in., w. 77 1/4 in. $800/1200

Additional information at www.nealauction.com

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968. Pair of American Rococo Carved Rosewood Sofas, mid‑19th c., molded and foliate-carved triple back, scrolled arms, cabriole legs, casters, h. 41 in., w. 68 in., d. 22 1/2 in. $500/700

971. American Federal‑Style Carved Mahogany Sofa, possibly 19th c., shaped back, molded arms, arrow uprights, molded seat rail, reeded tapered legs, cuff casters, silk upholstery, h. 34 3/4 in., w. 75 in., d. 22 5/8 in. $800/1200 Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

969. American Classical Carved Mahogany Washstand, early 19th c., lift top, well interior, door over drawer, acanthus carved stiles and legs, h. 31 3/4 in., w. 16 in., d. 16 3/4 in. $300/500

973. American Oak Sawbuck Table, late 19th c., plank top, X‑form base, cross stretchers, h. 30 in., l. 72 in., d. 35 1/2 in. $300/500

972. American Rococo Mahogany “Lincoln” Rocking Chair, mid‑19th c., scroll back and arms, sabre legs, h. 40 1/2 in., w. 23 1/4 in., d. 33 1/2 in. $700/900 Provenance: A New Orleans family; by descent.

975. Bunny Matthews (American/ New Orleans, 20th c.), “Life Amongst Men Series” 1979‑83, incl. “If I Wuz John Wayne...”, “Elders: I Doan See Nuttin’ Wrong...”, “I Hadta Git Outta, Da House...”, “I Hate Cold Wedda!...”, “Contemporary Cocktails”, “Wot About Dat Nephew Ya Got?”, “I Dunno, Nat’ly‑Why Doncha Gimma Da Ham “N” Cheese‑Dressed...”, “I Ain’t Fo’got ‘Bout Dat Change I Owe Ya...” and “Buying Pornography on Scenic Jefferson Highway”, 9 pen and ink drawings on paper, all signed either lower right or left, 6 dated, 10 1/2 in. x 13 1/2 in. to 11 1/2 in. x 15 1/2 in., unframed. (9 pcs.) $300/500

979. Bruce Davenport, Jr. (American/New Orleans, b. 1972), “T.D.B.C. Presents: Ali vs. Liston”, “T.D.B.C. Presents: Heavy Weight Champion Joe Louis”, and “T.D.B.C. Presents: Tyson Wins the Title”, 2015, 3 ink and markers on paper, from “The Game is Mine, I See You Look In” series, each signed “Dapper Bruce Lafitte”, titled, dated and inscribed, 12 in. x 9 in. or 12 in. x 9 in., unframed. $300/500

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976. Bunny Matthews (American/ New Orleans, 20th c.), “New Orleans Politics Series”, incl. “Improvemnts..Now You Tell Me Why da City Dug uh Big Hole in da Street in Front of My House”, 1982; “An’ Den He Tries Ta Tell Me Dat da Nootron Bomb Wuz Invented by an Uptown Prezzavationist..”, 1979; “A Local Woman Analyzes the New and Improved Zoo...Gorillas? Where?!Ya Can’t See Shit...”; and “A Man with Eleven Fingers Orders a Beer at Franky & Johnny’s Last Friday Afternoon”, 4 pen and inks on paper, 2 signed and dated, each 11 in. x 14 in., unframed. (4 pcs.) $150/250

977. Bunny Matthews (American/ New Orleans, 20th c.), “Halloween in the 9th Ward Series” incl. “Da Boogies Man!!”, 1985, “Ya Ain’t Scared, R’Ya? Nuh Uh!! My Mama Sez da Only Monstruhs Dey Got ‘R named Arthuh!”, 1982, “C’mon, Ya Li’l Bat! Count Vicula Ain’t Walkin’ Ha’fway ta Metry...”, 1984, and “Yeah An’ Gran’Ma Nat’ly Tol’ Me Ya Gonna Take Me to uh Real Scary Place Dis Halloween!...”, 4 pen and inks on paper, one enhanced with color pencil, all signed and dated, 11 in. x 14 in. to 12 1/2 in. x 18 in., unframed. (4 pcs.) $150/250.

980. American Painted Horseshoe Trade Sign, 19th c., each side painted “W.L. Riley”, with iron hanger, h. 32 in., w. 32 in., d. 1 3/4 in. $600/900

981. I.W. Harper Whiskey Vitrolite Glass Advertising Sign, “Here’s Happy Days”, copyright 1909 by Bernheim Distillery & Company, showing hunting camp with pointer, guns, rods and skins, 24 in. x 18 in., framed. $700/1000

970. Antique American Chippendale Maple Highboy, upper case with stepped cornice, five graduated drawers; base with one long over three short drawers, shaped apron, cabriole legs, pad feet, h. 73 1/2 in., w. 39 1/2 in., d. 20 in. $800/1200

974. Bunny Matthews (American/ New Orleans, 20th c.), “Babysitting Li’L Arthur Series” 1982‑83, incl. “Arthuh!! Ya Betta Wrench Off...”, “C’mon, Arthuh‑You Said You Wanted ta Watch Godzilla...”, “A Mother’s Love”, “Nat’ly’s Grandson, Arthur Comes for Dinner”, “It Mardi Gras Nex’ Week?”, “Well, Arthuh, How Ya Like Bunnyland?...”, and others, 10 pen and inks on paper, all signed and dated lower right, each 11 in. x 14 in., unframed. (10 pcs.) $300/500

978. Bruce Davenport, Jr. (American/New Orleans, b. 1972), “T.D.B.C. Presents: Say No to Wanna Be’s” and “T.D.B.C. Presents: I Need Love, I Can’t Get It from My Oldest Child”, 2015, 2 ink and markers on paper, from “The Game is Mine, I See You Look In” series, both signed “Dapper Bruce Lafitte”, titled, dated and inscribed, each 12 in. x 9 in., unframed. $200/300

982. American Patinated Plaster Portrait Bust of a Chicken Thief, self‑base inscribed “Who said Chicken?”, verso inscribed “No. 461/Copyright CB 1902”, h. 16 1/2 in., w. 10 in., d. 7 in. $600/900

983. Antique New Orleans Liquor Jug, 19th c., marked “Estate Chas. Feahney, Wholesale & Retail, Grocers & Liquor Dealers, New Orleans, LA.”, loop handle, h. 11 1/2 in., dia. 8 in. $300/500

987. Abstract Painted Wood Sculpture, unsigned, hanging wire attached on reverse, h. 28 1/2 in., w. 16 1/2 in., d. 3 1/2 in. $200/400 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

991. Pair of American Folk Art Painted Wood Figures, 20th c., carved as man and woman praying in flames, h. 8 1/4 in., w. 4 in., d. 3 1/4 in. $200/400 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

995. Raffay (Hungarian, b. 1924), “Girl Reading a Book”, oil on canvas, signed lower right, typewritten artist biography en verso, 24 in. x 20 in., framed. $300/500

984. Sharon Kopriva (American/Texas, b. 1948), “Sister Theresa”, 2001, papier‑mâché, eye glasses, shoes, and mixed media, h. 52 in., w. 16 in., d. 15 in. $1000/1500

985. Anita Romero Jones (American/New Mexico, 1930‑2013), “San Raphael”, painted wood, indistinctly signed and titled on bottom, h. 21 1/4 in., w. 8 1/2 in., d. 6 1/2 in. $300/500

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

988. Painted Wood Figure of Christ as Salvator Mundi, 19th c., h. 17 1/2, w. 7 in., d. 6 in. $200/400 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

992. Jeffrey Cook (American, 20th c.), “Hidden”, 1995, mixed media and wood, signed “JC95‑25”, h. 12 in., w. 4 in., d. 3 1/2 in. $200/300 Provenance: Galerie Simone Stern, New Orleans, Nov. 15, 1995.

996. Continental School, 19th c., “A Visit to Grandfather”, oil on paper laid on board, unsigned, 24 in. x 17 3/4 in., antique frame. $200/400

986. Anita Romero Jones (American/New Mexico, 1930‑2013), “Nuestra Señora de Guadeloupe”, painted wood and aluminum crown, signed, titled and “Santa Fe” written on bottom, h. 22 3/4 in., w. 8 in., d. 4 1/2 in. $300/500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

989. Painted Wood and Paper Figure of Saint John the Baptist, unsigned, h. 21 1/2 in., w. 8 in., d. 6 1/4 in. $200/400

990. Egino G. Weinert (German, 1920‑1912), “The Cross”, one side depicting the “Last Supper”, other “The Crucifixion” of Christ, encaustic painted metal, and mixed media, unsigned, h. 30 1/4 in., w. 35 1/4 in., d. 4 1/2 in. $200/400

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

993. Carved Wood Figure of a Gentleman with Hat, “Simon Loscertales Bona/Zaragoza, Spain” label on back of self‑base, h. 26 1/2in., w. 9 1/2 in., d. 7 1/2 in. $400/600

994. Franz Skarbina (German, 1849‑1910), “Dutch Peasant Girl”, 1884, watercolor on paper, signed, dated and inscribed “Dordrecht” lower left, “M.R. Schweitzer Gallery, NY” label with title and partial “Juliu...28 Charlotten Strausse, Berlin” label en verso, sight 11 1/2 in. x 8 1/4 in., framed. $700/1000

997. Geoffrey Chatten (British, b. 1938), “Oldeby Marsh”, oil on masonite, signed lower right, signed and titled en verso, 20 1/4 in. x 24 in., framed. $800/1200

998. British School, mid‑19th c., “Portrait of Frederic Chopin (1810‑1849)”, oil on board, “Charles Roberson & Compy., Manufacturers of Water and Oil Colours...51 Long Acre, London” label en verso, 8 in. x 5 3/4 in., period frame. $300/500

Additional information at www.nealauction.com

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999. Pierre Gandon (French, 1899‑1990), “René‑Robert Cavalier, Sieur de la Salle, Portrait of the Explorer (1643‑1687)”, 1937, etching on paper, signed, dated and numbered “5/100” lower margin, signed and dated in plate lower right, sheet 17 in. x 14 in., framed. $300/500

1000. Edith Hirsch Kaufman (American/Louisiana, b. 1930), “Louisiana Plantation (Houmas House Plantation, Darrow)”, lithograph on paper, pencil‑signed, titled and inscribed “ed. 15” lower margin, sight 13 1/4 in. x 16 3/4 in., framed. $200/300

1003. Pair of Paris Porcelain and Bisque Figural Corbeilles, mid‑19th c., navette‑form bodies supported by kneeling putti, gilt and cobalt decoration, Sèvres‑type mark, h. 12 in., w. 12 in., d. 12 in. $600/800 1004. Parian Figure of a Classical Maiden, base with Sevres mark, modeled standing between a shell‑form bird bath, rectangular base, h. 17 1/8 in., w. 17 1/8 in. $300/500

1007. Four Schwarzburg Porcelain Cabinet Plates, late 19th c., each with a Classical maiden personifying music or the arts, claret and gilt beaded borders, two signed Hagen, green shield mark, dia. 10 1/4 in. $300/500

1008. Four Schwarzburg Porcelain Cabinet Plates, late 19th c., each with a Classical maiden personifying music or the arts, claret and gilt beaded borders, two signed Hagen, green shield mark, dia. 10 1/4 in. $300/500

1012. Group of Carved Pine Paneling, c. 1760 and later, probably English, incl. mantel, over-mantel and two windows, tallest h. 334 in., w. 186 in., d. 108 in. $1000/1500 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. 1011. George III Mahogany Candlestand, probably 19th c., tilt top, tripodal base, h. 28 1/2 in., w. 20 in., d. 18 1/2 in. $250/350

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1001. Pair of Italian Majolica Lidded Vases, 19th c., serpent handles, polychrome mythological scene, marked “F…Mollica / Napoli”, h. 29 in. $300/500

1002. Continental Gilt Bronze‑Mounted Polychrome and Gilt Porcelain Vase, late 19th c., winged female handles, reserved with the Holy Family in flight to Egypt, h. 28. $300/500

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1005. Paris Porcelain Corbeille, mid‑19th c., polychrome flower sprays, gilt decoration, h. 12 in., w. 15 1/2 in., d. 10 in. $250/350

1009. Continental Porcelain Dresser Tray, navette form decorated with a Watteau scene, blue border, l. 18 in. x 12 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1006. Pair of Continental Polychrome Porcelain Vases in the Neoclassical Taste, 19th/20th c., marked, opposing Classical reserves, bisque winged maiden handles, h. 14 1/2 in., w. 7 in., d. 5 in. $250/500

1010. English Carved Mahogany Chest of Drawers, mid‑19th c., frieze drawer, four graduated drawers flanked by colonnettes, blocked plinth, pulls with mother‑of‑pearl rosettes, h. 50 in., w. 48 in., d. 21 in. $400/600

1013. Antique George III‑Style Inlaid and Figured Mahogany Breakfast Table, oval tilt top, turned standard, saber legs, cuff casters, h. 28 3/4 in., w. 54 in., d. 43 3/4 in. $800/1200

1014. Regency Carved Mahogany Secretary Bookcase, early 19th c., dentil molded cornice, glazed doors, adjustable shelves, paneled secretary drawer, fitted interior, circular paneled doors below, bracket feet, h. 87 in., w. 43 1/2 in., d. 22 1/4 in. $1000/1500

1016. George III‑Style Inlaid Mahogany Console Table, 20th c., Wellington Furniture, demilune banded segmented top, conforming frieze, square tapered legs, h. 33 in., w. 50 1/4 in., d. 18 1/4 in. $500/700

1015. George II Inlaid Burled Walnut Highboy, 18th c., molded cornice with chamfered corners, conforming case with three over three graduated drawers, lower case with lamb’s tongue chamfered corners, three drawers, cabriole legs, pad feet, h. 71 in., w. 43 in., d. 22 1/2 in. $1000/1500

1017. Antique George III Inlaid Mahogany Games Table, 19th c., demilune foldover top, baize-lined playing surface, tapered swing legs, h. 28 3/4 in., w. 36 1/4 in., d. 18 in. $600/900

1018. William IV Carved Mahogany Pedestal Sideboard, mid‑19th c., fruit carved arched backsplash, molded top, frieze drawer, flanked by doors enclosing sliding trays and drawers, blocked molded base, h. 73 in., w. 78 1/4 in., d. 26 1/8 in. $1500/2500

1019. Georgian Inlaid Mahogany Commode, 19th c., string inlaid top, two doors above two drawers, shaped skirt, “French” feet, h. 30 3/4 in., w. 25 1/4 in., d. 16 1/2 in. $500/700 Provenance: Henry Stern, New Orleans.

1020. Antique Georgian Mahogany Commode, 19th c., tray top, inlaid door, pull-out stand, shaped skirt, square legs, h. 30 5/8 in., w. 21 3/4 in., d. 20 1/4 in. $500/700 Provenance: Henry Stern, New Orleans. 1021. Antique George III‑Style Mahogany Linen Press, 19th c., molded cornice, paneled doors, interior with linen trays and two drawers, base with four molded drawers, “French” feet, h. 84 in., w. 55 1/2 in., d. 21 1/2 in. $1000/2000

1023. Antique Georgian Carved Mahogany Slant‑Front Secretary, late 18th/early 19th c., molded cornice, pair of glazed doors, one shelf, foldover lid, fitted interior, carved frieze drawer, three graduated drawers, bracket feet, h. 86 1/2 in., w. 48 1/2 in., d. 24 1/4 in. $1200/1800

1022. Victorian Carved Mahogany Needlepoint Firescreen, mid‑19th c., gadrooned crest, turned supports, trestle base, retaining period needlework, h. 45 1/2 in., w. 12 1/4 in. $400/600

1024. Antique Georgian‑Style Mahogany Chest-on-Stand, dentil molded cornice, two over three drawers, reeded chamfered stiles, associated three drawer base, shell‑carved cabriole legs, h. 67 1/2 in., w. 48 1/2 in., d. 21 in. $800/1200

1025. George III Mahogany Commode, late 18th c., tray top, door over pull‑out stand, now with tooled leather top, molded legs, commode h. 32 in., w. 19 5/8 in., d. 16 1/8 in. $300/500

Additional information at www.nealauction.com

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1027. Large Regency‑Style Carved and Gilded Bullseye Mirror, probably 19th c., surmounted by spreadwing eagle, cavetto with applied spherules, ebonized rabbet, acanthus pendant, h. 50 in., w. 32 in., d. 7 1/2 in. $1200/1800 1028. Fine George III Carved Giltwood Mirror, c. 1790, molded cornice, applied spherules, frieze centering a Wedgwood jasperware plaque depicting Achilles delivered to the centaur Chiron by Thetis, impressed mark on reverse, columnar stiles with Corinthian capitals, molded and blocked base, h. 50 in., w. 29 7/8 in. $1200/1800

1026. American Classical Carved Mahogany Mirror, mid‑19th c., molded pediment over figured panel, old mirror plate flanked by reeded half‑columns, h. 44 in., w. 23 3/4 in. $300/500 1029. George II Carved Giltwood Mirror, 18th c., shell carved crest, foliate scrolls, bellflower molded sides, volute and shell base, h. 53 in., w. 28 in. $1000/1500

1032. American Late Federal Carved Mahogany Shelf Clock, early 19th c., eagle crest, painted wood dial, églomisé door panel depicting Neoclassical building on river landscape, h. 37 1/4 in., w. 17 3/8 in., d. 4 7/8 in. $300/500

1031. American Mahogany Tall Case Clock, c. 1790‑1810, arched crest, brass finials, moon‑phase and calendar dial, bracket feet, h. 95 in., w. 17 1/4 in., d. 10 3/4 in. $800/1200

1033. Highly Decorative Chinese Gilt Metal‑Mounted Blue and White Porcelain Covered Jar, probably 20th c., domed cover surmounted by the figure of Guandi, body decorated with central band of lotus pods, flowers and leaves, h. 24 in. $700/900

1034. Monumental Decorative Chinese Famille Rose Porcelain Covered Jar, probably 20th c., cover with Buddhist lion finial, shoulders with applied masks, decorated with panels of leafy scrolling flower heads, h. 26 in. $800/1200

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1030. Georgian Inlaid Oak and Mahogany Tall Case Clock, 19th c., broken scroll crest, painted face, h. 88 in., w. 22 3/4 in., d. 9 3/8 in. $1500/2500

1035. Decorative Pair of Chinese Famille Noire Porcelain Vases, probably 20th c., with applied Buddhist lion handles and qilong, decorated with battle scenes, bases with Kangxi marks, h. 13 7/8 in. $400/600

1036. Chinese Famille Rose Porcelain Vase, probably 19th/ early 20th c., with pairs of confronting Buddhist lion handles, decorated with “antiques”, vases and auspicious emblems, h. 23 1/2 in. $600/800

1037. George III Mahogany Camelback Sofa, late 18th c., serpentine crest, scrolled arms, serpentine seat rail, stop‑fluted square tapered legs, block feet, h. 39 in., w. 84 1/2 in., d. 28 in. $700/900

1038. Georgian Inlaid Walnut Slant-Front Bureau, 18th c., fitted interior, inset tooled leather writing surface, two over three graduated drawers, shaped bracket feet, h. 40 1/2 in., w. 38 in., d. 20 in. $700/900

1041. Dutch Marquetry and Mahogany Armoire, 19th c., molded cornice, inset arched frieze, pair of Gothic arch mirrored doors flanked by colonettes, open interior, faceted bulbous feet, h. 92 3/4 in., w. 61 1/4 in., d. 27 in. $2000/3000

1040. William IV Carved Mahogany Writing Desk, 19th c., molded gallery, inset leather writing surface, gadrooned molding, frieze drawers, reeded legs, cuff casters, h. 32 3/8 in., w. 48 7/8 in., d. 29 3/4 in. $500/800

1039. George III Mahogany Tea Table, late 18th/early 19th c., dished tilt top, turned and reeded standard, arched legs, slipper feet, h. 28 1/2 in., w. 26 in. $300/500

1042. Large French Provincial Walnut Lit de Repos, late 19th/early 20th c., floral‑carved scrolled ends, cabriole legs, h. 32 1/2 in., w. 91 in., d. 45 in. $1200/1800

1045. White Marble Figural Group, of a nursing dog and her pups, h. 14 in., w. 34 3/4 in., d. 22 1/4 in. $1000/1500 1043. Renaissance Revival‑Style Cast Iron Garden Suite, incl. side table, four armchairs, and settee; table with rectangular marble top, chair backs centering scenes of the Four Seasons, settee h. 36 in., w. 38 in., d. 23 in.; table h. 28 in., w. 35 in., d. 23 1/2 in. $1200/1800

1044. Two American or English Carved Architectural Elements, 19th c., one a giltwood eagle, h. 12 in.; the other a pine bird wing, l. 30 in. $200/300 Additional information at www.nealauction.com

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1046. Patinated Bronze Figure of a Maiden Holding a Tablet, inscribed “L.F. Moreau” on self‑base, tablet bearing inscription “Le génie á par son domaine L’imortalité”, h. 24 1/4 in., w. 8 3/4 in., d. 13 1/2 in., black marble base, overall h. 26 in. $600/800

1050. Pair of Chinese Hardstone, Resin and Gilt Metal Embellished Cloisonné Enamel Figures of Court Ladies, probably 20th c., modeled with elaborate phoenix hair ornaments, one carrying a basket and floral spray, the other a fan, mounted to hardwood stands, overall h. 13 3/4 in. and 14 in. $600/800

1054. William IV Carved Mahogany Pedestal Commode, mid‑19th c., inset white marble top, h. 30 5/8 in., dia. 15 in. $250/350

1047. Near Pair of Chinese Blue and White Porcelain Vases, probably Qing Dynasty (1644‑1911), decorated with dragons amid plants and foliage, h. 12 in., mounted as lamps, h. (to socket) 15 3/4 in.; together with another vase, Buddhist lion handles, h. 10 7/8 in., mounted as a lamp, h. (to socket) 13 1/2 in. (3 pcs.) $400/600

1051. Group of Chinese “Canton” Enamel Table Articles, probably late 19th/early 20th c., incl. 2 rectangular boxes, h. 3 in., w. 5 1/4 in., d. 4 in. and h. 2 3/4 in., w. 7 1/4 in., d. 3 1/2 in.; oval box, h. 2 1/8 in., l. 3 3/4 in.; jardinière, h. 3 1/4 in., w. 7 1/2 in., d. 4 7/8 in.; rectangular tray, w. 11 3/4 in., d. 8 1/4 in.; and lobed tray, w. 12 1/8 in., d. 7 1/4 in. (5 pcs.) $500/700

1055. Antique Georgian‑Style Mahogany Mantel, c. 1900, having a stepped top with molded surround, h. 56 in., w. 61 in., d. 7 1/2 in., opening h. 44 in., w. 29 1/2 in. $500/700

1048. Pair of Chinese Biscuit Glazed Pottery Buddhist Lions, probably Qing Dynasty (1644‑1911), opposing recumbent figures with pale blue and aubergine glaze, h. 5 in., w. 7 1/2 in. $300/500 1049. Pair of Chinese Blue and White Porcelain Gu‑Form Beaker Vases, probably 20th c., decorated with landscape scenes and wind‑blown bamboo, bases with Kangxi marks, h. 10 1/8 in. $300/500

1052. Chinese “Canton” Enamel Box, probably 19th c., cover decorated with a bird and butterfly amid flowers and rocks, sides with leafy vines and flower heads, base with Yongzheng mark, h. 2 3/8 in., w. 5 3/8 in., d. 3 1/2 in. $700/900

1056. American Classical Mahogany Washstand, mid‑19th c., attr. to purveyor Prudent Mallard, New Orleans, metamorphic top with interior mirror and marble backsplash, four graduated drawers, molded base, h. 38 in., w. 35 3/8 in., d. 19 3/4 in; together with an apothecary case with plaque “E. Hincks” containing photos and ephemera. $400/600 Provenance: Hincks Family, New Orleans, LA; thence by descent.

1058. Antique Continental Marquetry and Mahogany Lit de Repos, shaped back, scrolled arm, cabriole legs, claw and ball feet, casters, h. 35 in., w. 69 3/4 in., d. 28 1/4 in. $500/700 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

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1053. William IV Carved Mahogany Méridienne, foliate scrolled back and arm, ovolo seat rail, turned legs, casters, h. 34 1/2 in., w. 72 in., d. 22 in. $700/1000

1057. American Classical Mahogany Gentleman’s Chest, mid‑19th c., the mirror with original plate, on tapered supports with spire finials, over glove drawers, outset frieze drawer over three graduated drawers, ball feet, h. 84 in., w. 42 in., d. 21 1/2 in. $250/500

1061. American School, 20th c., “S.S. Pennsylvania”, 1906, oil on board,

1059. Antique ChinoiserieDecorated Bedsteps, early 20th c., tooled leather treads, open shelves, turned legs, h. 28 in., w. 26 in., d. 18 1/2 in. $150/250

1060. Continental Carved Rosewood Commode, mid‑19th c., serpentine top, conforming case with long drawer above two doors, plinth base, h. 37 in., w. 58 1/2 in., d. 23 1/2 in. $600/800

spuriously signed and dated lower left, sight 8 1/2 in. x 14 5/8 in., framed with artist and title plaque. $500/800

1062. Chinese Export Paint‑Decorated Brass‑Bound Trunk, early 20th c., hinged lid, open interior, the whole with figures on a landscape background, h. 20 in., w. 41 in., d. 21 in. $500/750

1063. Pair of Antique American Brass Andirons, early 19th c., with ball finials, h. 13 1/2 in., w. 26 in. $300/500 Provenance: Didier, Inc., New Orleans, 1995.

1064. Antique American Helmet‑Form Brass Coal Scuttle, early 19th c., with brass and wood handles, h. 13 in.; together with matching brass and iron tongs, l. 25 in; and shovel, l. 27 1/2 in. $200/300 Provenance: Didier, Inc., New Orleans, 1995.

1066. Pair of American Brass Andirons, early 19th c., ribbed and faceted finial and plinth, spur feet, h. 14 1/2 in., w. 8 1/2 in., d. 16 in. $300/500 Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

1067. Five Antique Indian Beaded Whimsies, c. 1890, probably Iroquois or Seneca, incl. a pair of pouches, necklace, two floral panels, mounted and framed, 23 in. x 25 in. $500/800

1068. American Classical Mahogany Overmantel Mirror, 19th c., flame grained, split columnar surround, blocked corners with rosettes, lion’s paw feet, h. 30 1/4 in., w. 38 in. $300/500

Provenance: Adele Nash Ethridge (1877‑1965), East Feliciana Parish, LA; thence by descent.

1065. American Classical Carved Mahogany Miniature Chest, c. 1830, bolection frieze drawer over 3 drawers, barley twist colonnettes, ebonized pulls, h. 17 in., w. 15 in., d. 15 1/4 in. $250/500

1069. English Carved Mahogany Dressing Mirror, mid‑19th c., h. 25 3/4 in., w. 22 5/8 in., d. 10 1/4 in.; together with burl walnut lap desk, mid‑19th c., two lidded compartments. $200/300

1073. English Oak Console Table, late 19th c., molded top, four frieze drawers, turned blocked legs, h. 31 in., w. 95 in., d. 23 in. $800/1200

1070. Edwardian Inlaid Mahogany Cheval Mirror, probably c. 1900, shield‑shaped looking glass, conforming supports, trestle base, casters, h. 70 in., w. 32 in., d. 28 in. $500/700

1071. Continental Carved and Painted Overmantel Mirror, late 19th c., carved with mask and foliate decoration, h. 70 in., w. 49 1/2. $500/700

1072. French Carved Giltwood Mirror, late 19th c., shell and foliate decoration, h. 25 1/2 in., w. 18 1/2 in. $150/250

1075. Eight Chippendale‑Style Walnut and Leather Club Chairs, shaped back and arms, vasiform splat, molded legs, stretchers, h. 34 1/2 in., w. 28 1/2 in., d. 20 in. $1000/1500

1074. Tudor‑Style Oak Conference Table, paneled top, reeded edge, bracketed columnar supports, reeded stretcher base; together with four leaves, h. 28 in., l. (closed) 79 in., l. (extended) 150 in., w. 54 in. $1000/1500

1075A. Good Oak Conference Table, c. 1900, inset tooled leather top, frieze with twelve drawers, turned legs, h. 30 in., l. 119 in., w. 47 1/2 in. $1200/1800 Additional information at www.nealauction.com

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1076. Antique Georgian‑Style Carved Oak Linen Press, mid‑19th c., shaped cornice above four paneled doors, shelf interior, base with eight drawers, bracket feet, h. 103 3/4 in., w. 74 in., d. 21 in. $1000/1500

1077. Jacobean‑Style Carved Oak Table, 19th c., paneled foldover top, foliate frieze, barley‑twist legs, turned feet, h. 30 1/2 in., w. 35 in., d. 19 1/2 in. $150/250

1079. Antique English Oak Welsh Dresser, 19th c., plate rack with molded cornice, base with three long and three short drawers, blocked and turned legs, stretcher shelf. $1000/1500

1080. Set of Three English Burled Walnut Nesting Tables, early 20th c., paneled tops, tapered flared legs, stretchers, h. 28 in., w. 17 1/2 in., d. 13 in. $400/600

1081. American Ebonized and Paint‑Decorated Dressing Chest, c. 1845, Philadelphia, atttrib. Hast, Ware & Co., shaped mirror on bracket supports, marble top, frieze drawer over doors, molded base, h. 35 1/4 in.,w. 35 in., d. 22 in. $300/500

1078. Antique Renaissance‑Style Carved Oak Desk, 19th c., scallopcarved top, frieze with three lion mask drawers, barley‑twist legs, plinth base, h. 31 in., w. 56 in., d. 34 in. $700/1000

1082. Regency‑Style Mahogany Jardinière on Stand, 20th c., ribbed body, flared square legs, associated liner, h. 37 1/2 in., dia. 14 in. $400/600

1083. Edwardian Inlaid Mahogany Secretary Bookcase, c. 1900, in the Georgian taste, broken pediment with brass finial, astragal glazed doors, slant front lid, fitted desk interior, two short over three graduated drawers, bracket feet, h. 90 in., w. 37 in., d. 20 in. $800/1200 1084. Louis Philippe Carved Mahogany Pier Table, 19th c., later top, ogee molded frieze with blind drawer, scrolled supports, mirrored back, shaped plinth, paw feet, h. 35 1/2 in., w. 38 1/4 in., d. 16 3/8 in. $300/500

1087. Pair of Decorative Lion’s Head Wall Plaques, 20th c., crushed stone on composite, h. 25 in., w. 16 in., d. 11 1/2 in. $400/600 1086. French Oak and Iron-Banded Wine Cask, red painted accents, h. 37 in., w. 25 in., d. 40 in. $700/1000

1089. Furnival’s Ironstone Footed Punchbowl, c. 1870, in the “Rustic” pattern, impressed mark, h. 9 7/8 in., dia. 19 1/2 in. $300/500 1088. English Blocked Wallpaper Folio Box, c. 1875‑1880, tea paper, velvet, cloth‑of‑gold, h. 16 3/4 in., w. 14 in., d. 2 in. $150/250 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

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1085. French Oak and Iron-Banded Wine Cask, red painted accents, h. 38 in., w. 25 1/2 in., d. 35 in., on original stand, overall h. 49 in. $700/1000

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1090. Large Alderley Gilt‑Decorated Blue and White Porcelain Vase, c. 1870, h. 10 in., dia. 14 1/2 in. $150/250 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1093. American Classical Gilt and Patinated Bronze Single‑Light Argand Lamp, c. 1835, labeled “John B. Jones, Boston”, frosted etched glass shade, h. 12 in., w. 10 in., d. 5 in. $400/600

1091. Continental Tapestry of a Minstrel with Bagpipe, 19th c., French or Belgian, sewn to a board, 46 in. x 65 in. $800/1200 Provenance: Collection of Mrs. Dudley J Hughes, Jackson, MS.

1092. Pair of American Gilt Bronze Solar Lamps, c. 1850, standard with medallions of Martha Washington, model #619 in the Hooper catalogue, globular shades, h. 18 in., dia. 7 1/4 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1094. Pair of Continental Rococo‑Style “Blanc de Chine” Porcelain Five‑Light Sconces, possibly Meissen, with underglaze blue marks. $800/1200 1095. Pair of Louis XVI‑Style Carved Giltwood Two‑Light Wall Sconces, early 20th c., beribboned trophée backplate, h. 37 in., w. 12 in. $400/600

Provenance: Didier, Inc., New Orleans, November 24, 1997.

1097. Robert de Vaugondy (French, 1723‑1786), “Carte Generale de l’Empire des Russes en Europe et en Asie...”, 1753, engraved map on two sheets (not joined), hand‑colored in outline, with elaborate cartouche showing wind heads, polar bears and the Imperial Eagle, each 18 1/8 in. x 23 3/4 in., (2 pcs.) $200/400

1101. Two American “Lady Liberty” $5 Gold Coins, 1882 and 1886, both with Philadelphia mint marks, now set as cufflinks in 14 kt. yellow gold frames, total wt. 19 dwt. $300/500

1098. Group of Yellow Gold and Gem‑Set Jewelry, 20th c., incl. 14 kt. gold and amethyst ring; 14 kt. gold and opal ring; 14 kt. hand‑hammered gold dome ring; 14 kt. gold and multi‑color jade ring; 14 kt. gold and cabochon quartz ring; 18 kt. gold, silver and emerald openwork ring; 14 kt. Etruscan‑style pendant earrings (missing 1 back); and Bucherer gold and enamel pendant watch on gold‑plate chain. (9 pcs.) $500/750

1102. Vivian Alexander Enameled and Crystal Bead Rhea Egg Minaudière, c. 2000, black and white “Duchess II” design, “Designer Collection”, reg. #200176, gold‑tone hardware, silk lined interior with “Vivian Alexander” label, retains coin purse and detachable gold‑mesh shoulder strap, chain l. 49 in, bag h. 7 in., dia. 4 1/2 in., original box and collection pamphlet. $250/350

1099. 14 kt. Yellow Gold, Diamond and Black Enamel Cluster Ring, set with 5 old mine cut diamonds, approx. .55 ct. total. $300/500

1103. Three Costume Jewelry Brooches, incl. Alex Bittar carved Lucite and metal flower, w. 3 1/4 in.; Jay Strongwater “gem” encrusted, enameled metal butterfly, w. 2 5/8 in.; and stone‑inset metal spider, w. 2 3/4 in.; together with three 14 kt. yellow gold band rings, ring size 5, wt. 5.5 dwts. $300/500

1096. Four Antique French Maps of Holland and Belgium, incl. “Partie Septentrionale des Pays Bas...”, “Partie Meridionale des Pays Bas”, both by Janvier, 1760, with cartouche on stern of a ship; “Carte du Comte de Flandre...”, 1745, by Buache (after Delisle’s 1704 version); and “Picardie, Artois, Boulenois...”, 1769, by Vaugondy; outline color, each about 19 in. x 25 in. $200/400

1100. Continental 18 kt. Yellow Gold, White Gold and Blue Sapphire Bracelet, triple band braided yellow gold bracelet set with 6 small blue sapphires in white gold settings. $300/500

1104. Two Pearl Bracelets, one white cultured pearl double‑strand bracelet, pearls graduated from 8 to 8.5 mm., 14 kt. gold clasp; the other black Tahitian pearl bracelet, pearls graduated from 9 to 9.5 mm., 14 kt. white gold clasp. $300/400

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. Additional information at www.nealauction.com

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1105. Six Cut Crystal Decanters, incl. one marked “Waterford”, two marked “Ceska”, each with porcelain decanter label, tallest h. 13 in. $500/700

1109. Bronze Figure of a Panther, after Antoine‑Louis Barye, inscribed “Barye” on self‑base, h. 4 1/4 in., l. 9 1/2 in., w 3 in. $600/900

1106. Three Silver Overlay Glass Dressing Table Articles, incl. 2 perfume bottles with globe stoppers, first engraved “Harriet”, h. 6 in., second with “HCV” monogram, h. 4 1/2 in.; and covered jar monogrammed “M”, h. 5 3/4 in. $150/250

1110. Bronze Figure of an Elephant, after Antoine‑Louis Barye, inscribed “Barye” on self‑base, h. 5 1/4 in., l. 8 in., w. 3 in. $700/1000

1107. Set of Continental Gilt‑Decorated, Etched and PanelCut Crystal Stemware, 20th c., incl. 12 water, 11 wine, h. 4 3/4 in. and h. 6 1/4 in. $500/700

1111. Pair of Bronze Seated Hounds, after Antoine‑Louis Barye, both inscribed “Barye” on self‑base, h. 6 1/4 in., marble bases, overall h. 7 in. $600/900

1108. Grand Tour‑Style Cabinet Bronze, after “Pluto Abducting Persephone into Hades, Guarded by Cerberus” by Gian Lorenzo Bernini, h. 14 in., w. 5 1/2 in., d. 5 in., black marble base, overall h. 15 in., w. 7 3/4 in., d. 7 1/4 in. $400/600

1112. Bronze Figural Group of Hounds, after Antoine‑Louis Barye, inscribed “Barye” on self‑base, h. 2 3/4 in., w. 6 1/2 in., d. 2 3/4 in., marble base, overall h. 4 in. $600/900

1113. Louis XV‑Style Argenté Pier Mirror, cartouche carved crest, molded leaf and scroll frame, beveled mirror plate, h. 68 1/2 in., w. 21 3/4 in. $500/800

1114. Irish Pine Work Table, 19th c., frieze drawers, square legs, stretcher shelf, h. 29 1/2 in., w. 45 in., d. 23 1/2 in. $300/500

1115. Louis XV‑Style Carved Walnut and Caned Bergère, shaped back, scrolled arms, serpentine apron, cabriole legs, h. 42 1/2 in., w. 29 in. $400/600

1117. Pair of Continental Polychromed and Gilt Bisque Nodder Figures, h. 6 3/4 in., w. 6 1/2 in., d. 6 in. $600/900

1119. Pair of Decorative Silverplate Figures of Playful Monkeys, h. 5 3/4 in. $400/600

1118. Paris Polychrome and Gilt Porcelain Vase, urn‑form body decorated with birds and flowers, raised gilt scroll decoration, mask handles, h. 13 5/8 in. $300/500

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1116. Large Group of Continental Porcelain, incl. 3 Paris flare vases, h. 10 1/2 in. and 15 5/8 in.; pair of covered jars, h. 17 3/4 in.; 2 gilt bronze‑mounted vases, h. 11 in. and 11 1/8 in.; pair of gilt bronze‑mounted covered vases, h. 17 3/4 in.; and pair of gilt bronze‑mounted vases, h. 7 1/2 in., now mounted as lamps, h. (to socket) 11 3/4 in.; together with a pair of opaline vases, h. 12 1/4 in. (13 pcs.) $300/500

1120. Vintage Silverplate Tea Tray, oval with foliate handles, scroll border and feet, 25 3/4 in. x 17 3/8 in. $300/500

1124. Good Group of Antique American Sterling Silver Serving Pieces, incl. Whiting “Lily” pattern soup ladle, pat. 1902, l. 12 1/4 in.; Wallace “Saxon” pattern serving spoon, pat. 1910, l. 11 in.; Gorham “Lancaster” pattern berry spoon, pat. 1897, l. 10 3/8 in.; and Gorham “Chantilly” pattern fish serving knife, pat. 1895, l. 10 1/4 in.; total wt. 19.95 troy ozs. $300/400

1121. Group of Antique American Sterling Silver, incl. Gorham “Medici” soup ladle, pattern c. 1880, l. 13 1/4 in.; Gorham “Versailles” serving spoon, l. 9 1/2 in., and salad fork, pat. 1888; John Polhemus “Corinthian” pastry fork, pat. 1855; and Amston “Athene” sardine fork, pat. 1913, total wt. 13.80 troy ozs. $400/600

1125. Group of Small American Sterling Silver Objects, 20th c., incl. 12 nut dishes, 5 napkin rings, 3 salts, cigarette urn and a baby cup, total wt. 16 troy ozs. $250/350

1126. Two Sterling Silver Cigarette Cases, mid‑20th c., each with gilt wash interior, l. 4 1/8 in. and 4 3/4 in.; together with a small cedar‑lined sterling silver cigarette humidor, h. 1 1/2 in., w. 3 3/4 in., d. 2 3/4 in. $250/350 Provenance: Estate of Lieutenant General Troy H. Middleton (1889‑1976).

1128. Edwardian Inlaid Mahogany Humidor, early 20th c., lid with inlaid medallion, zinc‑lined interior, molded base, flush handles, h. 12 1/2 in., w. 23 1/2 in., d. 20 1/2 in. $500/750 1129. Beaux Arts Carved Walnut Aneroid Barometer, c. 1900, beribboned crest, h. 39 in., w. 12 in., d. 4 3/4 in. $400/600

1132. Kelvin Hughes Brass and Teak Ship’s Binnacle, 20th c., marked “Binnacle, Type 72957, Ser.No. KH/115, made in Great Britain by Kelvin Hughes”, iron red compensating spheres, upper section with lamp compartment, lower section with clinometer, h. 53 in., w. 35 in., d. 21 in. $800/1200

1122. Group of Sterling Silver Souvenir and Demitasse Spoons, various makers, incl. 11 Reed & Barton vermeil floral demitasse spoons, 6 Durgin “Orange Blossom” ice cream spoons, 2 U.S. demitasse spoons, St. Augustine teaspoon, Silver Springs, FL demitasse spoons and 10 others; total wt. approx. 13 troy ozs. $300/400

1133. A. Leitz Brass Compensating Ship’s Binnacle, 20th c., engraved “Standard Binnacle manufactured by The A. Leitz Co., San Francisco, U.S.A., established 1882”, orange and green iron compensation spheres, lower section with sliding door, on outswept base, lacking compass, h. 54 in., w. 32 in., d. 14 1/2 in. $800/1200

1123. Group of Antique and Vintage American Sterling Silver Flatware, various makers and patterns, incl. Gorham “Marie Antoinette”: 3 tablespoons, 3 forks and 6 teaspoons; 6 Dominick & Haff “Mazarin” forks; 6 Towle “Cordova” teaspoons; Whiting “Ivy” butter knife and 2 teaspoons; Towle “Old Master” relish spoon; lily motif sugar tongs; lettuce fork; 2 pastry servers and butter pick; total wt. 37.35 troy ozs. $300/400

1127. American Sterling Silver Water Pitcher, Lunt Silversmiths, h. 8 7/8 in.; together with a Fisher sterling silver Revere bowl, h. 3 5/8 in., dia. 7 1/8 in., total wt. 32 troy ozs. $400/600

1130. English Sextant in Mahogany Case, 19th c., vernier marked “Negretti & Zambra Instrum. Makers to her Majesty, London”, case with cartouche and bail handles, fitted with extra eye pieces, box h. 5 in., w. 10 3/4 in., d. 10 3/4 in. $200/300

1131. American Brass Ship’s Compass and Case, 20th c., engraved “U.S. Navy ‑ Bu. of Ships, Mark I Navy Std., 7 1/2” Illuminated Compass by the Lionel Corporation, New York, N.Y., U.S.A.”, face with fleur‑di‑lis at North, box h. 7 3/8 in., w. 13 3/4 in., d. 13 3/4 in. $200/300

1134. U.S. Navy “Mark V” Diving Helmet, reproduction, copper and brass, engraved “U.S. Navy Diving Helmet, Mark V, Morse Diving Equipment Co., Boston, Mass., Date: 8‑29‑41”, wood display base, h. 19 in., w. 14 1/2 in., d. 14 1/2 in. $700/1000

1135. American Brass Ship Engine Order Telegraph and Receiver, 20th c., wall mounted, both marked “Henschel Corporation, Amesburg, Mass.”, telegraph h. 20 1/2 in., dia. 19 1/4 in., receiver h. 14 in., dia. 12 in. $700/1000

Additional information at www.nealauction.com

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1136. Large American Teakwood and Oak Ship’s Wheel, 20th c., dia. 48 1/2 in. $500/700

1139. Three Cabinet Bronzes, incl. “Elk” 1982, by Tom Tischler, no. 13/50, h. 9 in.; “Black Buck” 1987, by Madeline Kay, no. 3/75, h. 10 in.; and “Fleeting Moment‑Pronghorn Antelope”, 1985, by Lorenzo Ghiglieri, no. 3/28, h. 10 in. $600/900 1137. Four Taxidermy Gazelle Mounts, one mounted on wood shield, largest h. 39 in., w. 14 1/2 in., d. 18 in. $400/600

1140. Decorative Brass Rolling Clock, late 20th c., with floral mounts, on carved wood base, clock dia. 4 3/4 in., base l. 21 in. $600/800

1141. Ansonia Gilt Metal Crystal Regulator Clock, c. 1880, urn finials, fluted columns, beveled glass, visible escapement, faux mercury pendulum, h. 14 1/2 in., w. 8 3/4 in., d. 7 3/4 in. $250/350

1138. Austrian Cold-Painted Bronze Figure of a Marabou, probably early 20th c., h. 5 1/2 in., w. 2 in., d. 4 1/2 in. $150/250

1142. Napoleon III Marble Clock, 19th c., circular dial signed “Miroy Freres”, fluted case, h. 9 1/2 in., w. 27 in., d. 10 1/2 in.; together with a Continental enameled glass vase, 19th c., h. 3 5/8 in. $100/150 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1143. Continental Patinated Metal “Kangaroo” Swinging Clock, 20th c., after the design by Junghans, Germany, h. 11 1/4 in., w. 10 3/4 in., d. 3 3/4 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1144. American Oak “Golfer” Mantel Clock, c. 1920, surmounted by a putting golfer, lion mask and ring handles, celluloid columns, h. 16 1/2 in., w. 10 in., d. 5 1/2 in. $700/1000

1145. American Gilt Metal Watch “Hutch”, mid‑19th c., attr. to Henry Hooper, Boston, illegibly marked, shield‑form with eagle crest, with an antique key wind, Swiss silver open‑face pocket watch, h. 6 in., w. 5 1/4 in., d. 2 3/4 in. $150/250 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1146. Four Antique Swords and Scabbards, incl. American dress sword, marked “G.W. Simmons & Co., Boston, Mass”; Ames Model 1862 cavalry sword, marked “A.D.K.”; American dress sword, bone handle, helmet pommel, shield, leather scabbard; and English Model 1822 officer’s sword, marked with crown and monogram of William IV, shagreen grip. $700/1000

1147. Vintage English Gun‑Cleaning Kit, early 20th c., labeled “Lightwood, Britannia Road, Banbury, Oxfordshire”, fitted interior with various original tools, h. 3 in., w. 22 in., d. 8 1/2 in. $150/250

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 98.

1150. Pair of Louis XVI‑Style Bronze and Etched Glass Hall Lanterns, corona surmounted by foliate finials and brackets, four‑light fixture, glazed panels engraved with foliate sprays, electrified, h. 30 in., dia. 12 in. $1000/1500 1148. American Carved Mahogany “Morris” Chair, late 19th/early 20th c., slat back, stiles with beehive finials, padded arms, spindled supports, square legs, stretchers, casters, plaid cushions. $200/400

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1149. Continental Tapestry of a Fishing Party, 19th c., French or Belgian, fishing couple across the stream from their chaperone, 51 in. x 57 in. $1200/1800 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

1151. Antique Carved Pine Torchère, converted to floor lamp, fluted standard with acanthus, h. (to socket) 58 in. $300/500 1152. Pair of French Bronze and Marble Three‑Light Candelabra in the Neoclassical Taste, late 19th c., foliate decoration, toupie feet, h. 12 in., w. 8 in., d. 3 1/4 in. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

1156. Pair of Cast Iron Horsehead Wall Mounts, mid‑20th c., probably French, oxidized surface, h. 16 in., w. 7 1/2 in., d. 10 in. $250/350

1153. Pair of Louis XVI‑Style Gilt and Patinated Two‑Light Sconces, bowknot backplate with faux bois candle arms, electrified, h. 23 in., w. 11 in., d. 7 in. $200/300

1154. Two Italian Decorative Lamps, 20th c., one carved giltwood, the other plaster, tallest h. 16 in. $500/700

1157. Monumental Georgian‑Style Limed and Paint-Decorated Pine Pier Mirror, broken crest, urn and swag frieze, paneled sides, blocked base, egg and dart detail throughout, h. 105 1/2 in., w. 68 1/2 in. $800/1200

1155. Neoclassical‑Style Gilt Bronze Six‑Light Chandelier, probably early 20th c, h. 50 in., w. 21 in. $500/800

1158. Chinese Chippendale‑Style Carved Giltwood Mirror, pagoda crest, foliate scroll surround with ho-ho birds, h. 52 in., w. 34 1/4 in., d. 3 1/2 in. $400/600

1159. Antique Carved and Polychromed Wood Carousel Horse, early 20th c., with applied tin and nailhead elements and repairs, h. 56 in., w. 48 in., d. 12 in. $1000/1500

1160. Cast Iron Mechanical Table, glass top, h. 32 3/4 in., dia. 24 1/8 in. $250/500

1162. Decorative Aubusson‑Style Carpet, 20th c., pink and cream ground, with floral bouquets, 8 ft. 7 in. x 11 ft. 7 in. $300/500

1163. Savonnerie‑Style Tapestry, early 20th c., red ground, cartouche with a flower vase, 3 ft. 4 in. x 10 ft. 3 in. $600/900

1164. Aubusson‑Style Carpet, pink and red ground, central rosette, floral motifs, 9 ft. 10 in. x 12 ft. 4 in. $700/1000

1161. Bronze Figural Group of a Cowboy on Horseback, after “Bronco Buster” by Frederic Remington, inscribed “Copyright Frederic Remington” on naturalistic oval self‑base, h. 21 1/2 in., w. 19 3/4 in., d. 10 3/4 in., black marble base with title plaque, overall h. 24 in. $700/900

1165. Four Small Antique Hamadan Rugs, each with stylized floral designs, 2 ft. 5 in. x 4 ft. 2 in., 2 ft. 5 in. x 3 ft. 11 in., 1 ft. x 2 ft. 8 in., and 1 ft. 11 1/2 in. x 2 ft. 8 in. $600/900

Additional information at www.nealauction.com

121

1166. Two Antique Persian Rugs, incl. a Bactiari and a Karaja, with repeating floral and geometric designs, 4 ft. 7 in. x 6 ft. 5 in., and 2 ft. 3 in. x 2 ft. 8 in. $500/700

1167. Four Small Antique Belouchistan Rugs, red and orange grounds, repeating floral and gull designs, 2 ft. 9 in. x 5 ft. 2 in., 2 ft. 9 in. x 4 ft. 1 in., 2 ft. 10 in. x 3 ft. 11 in., and 2 ft. 7 in. x 4 ft. 4 in. $600/900

1168. Two Antique Persian Rugs, incl. a Kuba and another, with repeating floral and geometric designs, 3 ft. 3 in. x 5 ft., 3 ft. 7 in. x 4 ft. 9 in. $500/700

1171. American Brilliant Cut Glass Compote, late 19th c., chair bottom motif, h. 8 1/2 in., dia. 8 in.; together with American Brilliant cut glass bowl, star and chair bottom motif, h. 3 1/2 in., dia. 8 1/4 in. $300/500 1172. American Brilliant Cut Glass Vase, floral and strawberry motif, now mounted as a lamp, vase h. 20 1/4 in., h. to socket 26 1/2 in. $300/500

1170. American Brilliant Cut Glass Vase, late 19th c., star and chair bottom motif, h. 10 1/4 in. $300/500

1174. Group of Antique and Vintage Cut Glass, incl. pair of American brilliant floral shades, two‑part vase, and pair of hurricane shades fitted for candlesticks, vase h. 18 1/2 in. $300/500

1178. Renaissance Revival Silverplate Hot Water Urn, 19th c., h. 19 in., w. 10 1/2 in.; together with a silverplate folding biscuit box, prob. early 20th c., h. 9 1/4 in. $300/400

122

1175. Group of American Brilliant Cut Glass with Hobstar Motif, late 19th/early 20th c., incl. bowl, h. 4 1/2 in., dia. 9 in.; relish dish, l.14 in.; and basket, dia. 8 1/4 in. $300/500

1179. Barbour Silverplate Repoussé Tea and Coffee Service with Tray, late 19th c., incl. kettle‑on‑stand, teapot, coffee pot, creamer, sugar and waste bowl, tray with 1890 presentation. $500/700

1176. Group of American Brilliant Cut Glass, late 19th c., incl. cheese dish and domed cover in chair bottom motif, mayonnaise dish and underplate in floral and star motif, saucer dia. 7 in., and scalloped dish in star motif, dia. 8 in. $300/500

1180. Two American Aesthetic Silverplate Water Pitchers, late 19th c., incl. a Wilcox covered ice water pitcher, h. 12 1/2 in. Note: Missing part of liner; and a Meriden Britannia pyriform example, h. 9 3/4 in. $300/400

1169. Two Moroccan Rugs, one green ground, other red with repeating design, 5 ft. 3 in. x 6 ft. 10 in. and 3 ft. 3 in. x 5 ft. 10 in. $600/900

1173. Group of American Brilliant Cut Glass, late 19th/early 20th c., incl. floral and motif bowl, h. 2 1/2 in., dia. 9 1/8 in; floral and star motif mayonnaise dish and underplate, dia. 6 1/4 in.; floral motif vase, h. 6 in.; and floral motif compote, h. 6 1/2 in., dia. 6 1/8 in. $300/500

1177. Group of American Brilliant Cut Glass, late 19th/early 20th c., incl. floral intaglio circular dish, dia. 11 3/4 in.; floral intaglio oval dish, 10 in. x 7 in.; chair bottom motif bowl; and caviar dish and domed cover in sturgeon motif, h. 4 1/4 in., dia. 7 1/4 in. (3 pcs.) $300/500

1181. American Aesthetic Silverplate Tea Service, Adelphi Silver Co., New York, act. c. 1890‑1910, incl. 2 teapots, jug and square tray, teapot h. 7 7/8 in. and 7 3/8 in., tray w. 16 3/4 in. $300/400 Provenance: Temple Heights, Columbus, MS.

1182. [Mardi Gras], Rex, 1898, parade bulletin from “The Daily Picayune”, published by Fitzwilliam & Co., New Orleans, theme “Harvest Queens”. $300/500

1183. [Mardi Gras], two Rex ball favors, loving cup, 1903, theme “Feasts and Fetes”, and jewel box, 1907, theme “Visions of Nations”. $250/350 Note: Illustrated in Errol Laborde’s Mardi Gras, Chronicles of New Orleans Carnival, p. 148.

1184. [Mardi Gras], Mistick Krewe of Comus, 1898, parade bulletin from “The Daily Picayune”, published by Fitzwilliam & Co. New Orleans, theme “Scenes from Shakespeare”. $200/400

1185. [New Orleans], A Group of New Orleans Ephemera including a Jefferson Davis Monument Association invitation to the unveiling of the Jefferson Davis Monument, February 22, 1911; a Louisiana State Commission invitation to “Louisiana Day” at the Louisiana Purchase Exposition, St. Louis, MO., September 14, 1904; an Archdiocese of New Orleans “Eighth National Eucharistic Congress” Program, October 17‑20, 1938; and a “New York Jockey Club” Inaugural Meeting Admit Card, inscribed to “Mr. Rich Herrick”, August 1889. (3 pcs.) $100/200

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

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123

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Artist Index

126

Franklin Adams, 794, 795, 796 Wayman Adams, 197, 198 Roy Ahlgren, 799 Peter Allis, 522 American School, 727, 890, 893 American Folk Art School, 895, 951, 991 James McConnell “Mac” Anderson, 919 Walter Inglis Anderson (aft), 213 Anonymous (#POKEMONUMENT), 651 Carol Anthony, 708 William Norman Arnold, 947 Asian School, 581 John James Audubon, 157, 157A, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 238, 858, 859, 860, 861, 862, 863, August A. Alfaro, Vargas family member, 152, 153 Austrian School, 452, 453, 455, 456, 457, 458, 459, 460, 460A, 804, 1138

Pati Bannister, 957, 958, 959 Alfred Barye (aft), 754 Antoine-Louis Barye (aft), 1109, 1110, 1111, 1112 Harry Wilson Barnitz, 245 Eugene Barrias (aft), 363 Joe Barth, 271 Fletcher Benton, 270 Julius Charles Berninghaus, 211 Oscar Edmund Berninghaus, 209, 210 Gian Lorenzo Bernini (aft), 1108 Jim Blanchard, 251 Sisson Blanchard, 930 Charles Blank, 713 George A. Bogart, 689 Seymour Étienne Bottex, 925, 926 Jack Boynton, 688 Alfred de Breanski, Sr., 520 British School, 24, 89, 423, 521, 525, 998 Karl Albert Buehr, 892 Beniamino Benvenuto Bufano, 427 Steele Burden, 201

John Cairns, 38 Achille E. Conrad Caranga, 90 George Frederick Castleden, 234, 911 Mark Catesby, 864 Geoffrey Chatten, 997 Antoine-Denis Chaudet (aft), 800 Étienne Chavannes, 927 Freddy Chérizard, 924 Chinese Export School, 134 Chinese School, 582, 595, 596, 597, 604, 605, 606, 625, 626, 627, 628, 629, 681 James Clover, 693 Jeffrey Cook, 992 Continental School, 40, 89, 370, 423, 475, 527, 996 Josef Cornelius Correns, 371 Judith Cotton, 698 George David Coulon, 894 Jose-Maria Cundin, 264

Salvador Dali, 809 Vu Cao Dam, 50 Joan Danziger, 704 Bruce Davenport, Jr., 978, 979 Rebecca Davenport, 697 Louis-Alphonse David, 103 Peter Dean, 720 Martin Delabano, 290, 717 Gerald DeLoach, 253 Claudia DeMonte, 706 Clark Derbes, 719 Jules Didier, 345 Ellie Domsky, 732 Gaines Ruger Donoho, 233 Alexander John Drysdale, 200, 232, 897, 898, 936 Paul Dubois (aft), 84 George Bauer Dunbar, 267, 268, 933 Gustavo Duque, 791, 792

George Edwards, 154 Françoise Eliassaint, 928 English School, 739 Levoy Exil, 929

John Faulkner, 244 Howard Finster, 952, 953, 954 Alan Flattmann, 932 Flemish School, 36 Florida School, 231 Gary L. Freeman, 695 French School, 359, 528, 749, 751 Ryonosuke Fukui, 807, 808

L. Gallo, 155 Pierre Gandon, 999 Robert A. Gardner, 92 John Geldersma, 701 Lorenzo E. Ghiglieri, 110 W. Dean Gillette, 696 Dan J. Girouard, 289 Andre Gisson, 93, 432 John Gould, 523 Aubrey Dale “A.D.” Greer, 235 Louis Oscar Griffith, 254, 904, 905, 906, 907 Simon Gunning, 202

James Carl Hancock, 910 George Overbury “Pop” Hart, 226 Colette Pope Heldner, 931, 940, 941 Knute Heldner, 908 Helene McKinsley Herzbrun, 896 Morris Henry Hobbs, 229, 912, 913 Kenneth Crawford Hodges, 728 Marie Atkinson Hull, 204, 208 John Hultberg, 699 Clementine Hunter, 240, 241, 242, 243 Alfred Heber Hutty, 914

Filippo Indoni, 37 Italian School, 25, 347, 361, 451

Japanese School, 563 Joseph Jefferson IV, 246 Douglas Walter Johnson, 730 Richard Johnson, 793 Anita Romero Jones, 985, 986

Jack R. Meyers, 236 Clarence Millet, 239 Bruce Handiside Mitchell, 725 Marie Madeleine Seebold Molinary, 223 Auguste Moreau (aft), 886 Samuel F. B. Morse (mnr), 891 Ira Monte, 750

Dollie Spidle Nabinger, 949 Paul Ninas, 256 David Sinclair Nixon, 723

Kay Oliver, 726 Will Ousley, 901 Marco A. Oveido, 702

Audrey Buller Parsons, 961 Achille Perelli, 237, 942, 943, 944 Jean B. Perrin, 960 Cesare Peverelli, 687 Virginia Paccassi, 206 Fernand Pierre, 922 Le Pho, 49 Paul Poincy, 224 Stephen Porter, 692 Edward Henry Potthast, 255 Filippo Prosperi, 421

Harold Quistgaard, 939

Raffay, 995 Robert Rauschenberg, 798 Ron Reddick, 711 Vittorio Reggianini, 87 Charles Reinike III, 938 Frederic Remington (aft), 1161 Sir Joshua Reynolds (sch), 128 Jeanne Amelie Sills Reynal, 718 Charles Richards, 220, 221, 903 Rembrandt van Rijn (aft), 524 Dan Rizzie, 700 Noel Rockmore, 935 Nicolaas Johannes Roosenboom, 346 William S. Robinson, 199, 250 George Rodrigue, 247, 249, 261, 262, 810, 811

Eleftherios Karkadoulias, 272 Edith Hirsch Kaufman, 1000 Arthur Kern, 273 Alberta Kinsey, 207 S. Kline, 918 Louis Aston Knight, 518 John G. Kofler, 710 Ida Rittenberg Kohlmeyer, 257, 258, 266, 797 Gregory Kondos, 252 Sharon Kopriva, 984 John J. Korver, 948

Emilio Sanchez-Perrier, 422 Jack Savitsky, 721 Alice Scott Scanland, 955 Edward Muegge “Buck” Schiwetz, 899 John T. Scott, 937 Rayford Shaw, 714 Franz Skarbina, 994 Hunt Slonem, 259, 260, 265 Miriam Sommerburg, 344 Southern School, 945, 950 Ed Storms, 694 Newton Haydn “Tony” Stubbing, 685, 686 Sally Swatland, 731

Martin Laborde, 716 Ronnie Landfield, 690 Robert Landry, 729 Martin Lewis, 900 Theodore Lilienthal, 156 Donald Lipski, 691 Ben Earl Looney, 248 Eugene E. Loving, 915 Robert F. Lyon, 705

Giuseppe Macri, 703 Stig Marcussen, 946 Florence Martinez, 923 John “Crash” Matos, 263 Bunny Matthews, 974, 975, 976, 977 Robert Bledsoe Mayfield, 909 Ed McGowin, 715 Zell McMath, 712 Antonin Mercie (aft), 47 John Meredith, 519

James R. Templer, 722 Charles Henry Tenre, 431 Theodore Tihansky, 517 Titian (aft), 372 Patricia Trujillo, 702 Arnold E. Turtle, 205, 902

Andrea del Verrocchio (aft), 362

William Aiken Walker, 228, 230 Patricia Watson, 956 Egino G. Weinert, 990 Margaret S. Witherspoon, 724 Mildred Wohl, 269 Ella Miriam Wood, 222 Ellsworth Woodward, 217, 218, 219, 225, 916, 917, 934 William Woodward, 203, 212

Ming-Fai Yu, 684

0346-1586 0347-1952 0348-3437 0349-11285 0350-56120 0351-28060 0352-4270 0353-4062 0355-2560 0357-1098 0358-10000 0360-3125 0361-4575 0362-1792 0363-3965 0364-9455 0367-1408 0368-854 0370-1464 0371-2562 0372-2745 0372A-1220 0374-1000 0376-2135 0377-1664 0378-1792 0380-2440 0381-4480 0382-1952 0383-610 0384-4270 0385-14945 0387-1464 0389-10065 0390-5312 0392-750 0393-366 0394-6710 0395-12500 0396-12200 0397-3050 0399-12810 0400-1830 0401-3437 0402-1220 0404-768 0405-1875 0406-1250 0407-2500 0408-793 0410-4270 0413-384 0414-244 0415-488 0416-750 0417-549 0418-1220 0419-1750 0422-305 0424-500 0427-2176 0428-976 0429-915 0431-671 0432-384 0433-1464 0434-2500 0436-1125 0437-768 0438-562 0441-1280 0442-625 0443-625 0444-1342 0447-750 0450-7187 0451-6250 0453-610 0454-2125

0455-427 0456-976 0459-610 0460-427 0461-562 0462-244 0463-384 0464-488 0465-762 0467-1952 0469-1220 0470-1586 0471-915 0472-125 0473-512 0474-256 0475-256 0476-305 0477-512 0478-896 0480-1098 0481-1250 0482-2196 0484-1220 0485-2074 0485A-896 0486-750 0487-4758 0488-512 0489-768 0493-2196 0494-2125 0495-854 0496-2432 0499-244 0500-1464 0502-976 0503-640 0504-732 0506-366 0507-562 0508-427 0511-427 0512-437 0513-1586 0515-704 0516-256 0521-305 0522-488 0523-1586 0526-1152 0527-875 0527A-750 0528-875 0529-500 0530-500 0531-250 0532-218 0533-671 0534-549 0535-305 0538-1098 0539-1220 0540-732 0541-610 0542-1464 0543-2875 0544-976 0547-1250 0548-3750 0550-384 0552-488 0553-375 0554-1000 0556-1098 0557-366 0558-3125 0560-3250 0561-3250

0561A-5490 0562-366 0564-488 0566-468 0567-384 0568-549 0569-915 0570-183 0571-640 0572-183 0574-183 0575-1098 0578-416 0579-244 0583-1830 0584-1875 0586-3416 0592-2125 0595-244 0596-1830 0597-5185 0598-7930 0599-3416 0600-1000 0601-1464 0602-244 0603-244 0604-488 0610-5120 0611-4480 0613-549 0615-448 0616-125 0617-610 0618-122 0623-183 0624-244 0629-122 0630-187 0632-610 0633-250 0634-274 0635-122 0636-244 0637-93 0639-366 0642-4480 0643-549 0644-896 0645-732 0646-427 0647-352 0648-576 0649-500 0650-244 0651-244 0653-1750 0655-244 0656-256 0657-352 0659-366 0660-768 0661-384 0663-610 0664-549 0665-335 0666-288 0667-549 0669-610 0670-406 0671-437 0672-576 0676-610 0678-1088 0681-305 0682-976 0683-1037 0684-976 0685-416

0689-5440 0691-610 0693-896 0697-500 0698-244 0699-976 0700-2074 0701-3660 0702-366 0704-488 0705-384 0706-122 0707-218 0708-213 0709-366 0710-213 0711-274 0712-213 0713-152 0714-366 0715-427 0716-427 0718-192 0719-274 0720-160 0721-160 0722-256 0726-305 0727-384 0728-640 0729-250 0731-4270 0732-976 0733-305 0734-305 0735-2048 0740-366 0743-610 0744-183 0745-705 0746-1500 0747-1098 0749-1342 0750-183 0751-610 0752-5760 0758-896 0760-488 0761-732 0764-768 0765-320 0767-312 0768-183 0769-183 0770-832 0771-183 0772-192 0774-610 0776-312 0777-384 0778-305 0779-1000 0780-1408 0781-2440 0784-6272 0785-854 0786-732 0787-244 0788-244 0789-122 0791-512 0792-549 0795-3050 0796-2048 0797-1464 0798-1464 0799-488 0800-512 0801-625

0802-1250 0803-512 0804-488 0806-625 0807-854 0808-976 0809-384 0810-2074 0811-2500 0812-2562 0814-256 0817-5625 0818-1875 0819-512 0822-732 0823-2440 0824-1375 0825-305 0826-244 0827-832 0828-1664 0829-2440 0831-2440 0834-576 0835-875 0837-1098 0838-488 0839-1280 0840-1220 0841-732 0842-488 0846-896 0847-960 0848-976 0849-854 0850-610 0852-250 0854-1830 0856-192 0857-549 0859-384 0860-156 0861-732 0862-500 0863-2688 0864-1250 0865-732 0866-448 0867-1536 0868-1088 0871-427 0872-750 0874-3125 0875-488 0876-1125 0877-640 0878-2688 0880-4270 0881-640 0882-122 0884-812 0886-549 0887-610 0888-854 0889-1536 0892-896 0893-384 0895-1464 0896-610 0897-793 0898-500 0900-448 0902-976 0904-375 0905-915 0906-2440 0908-3750 0908A-1464 0909-1625

0910-305 0911-384 0912-549 0913-187 0914-305 0915-122 0917-488 0918-488 0919-384 0920-610 0922-305 0923-937 0924-122 0925-256 0926-305 0927-793 0928-793 0929-335 0930-854 0931-250 0932-305 0933-244 0934-2074 0935-704 0936-549 0938-1250 0939-384 0941-183 0942-750 0943-305 0944-320 0945-1464 0947-312 0948-500 0950-1500 0951-244 0956-312 0957-610 0958-366 0960-218 0961-183 0963-1792 0964-854 0965-1464 0966-312 0967-384 0969-384 0970-488 0971-488 0972-256 0973-384 0974-576 0975-640 0976-384 0977-244 0978-793 0983-6710 0984-375 0985-375 0986-625 0987-384 0988-1220 0989-915 0991-687 0992-305 0993-488 0994-610 0996-1464 0997-366 0998-610 0999-122 1000-122 1001-2816 1004-976 1006-122 1007-256 1008-960 1009-640 1010-640

1011-366 1012-1875 1013-704 1018-704 1020-256 1021-832 1022-704 1023-61 1024-125 1026-192 1027-224 1029-640 1031-427 1032-687 1033-768 1036-1220 1038-187 1039-250 1041-122 1042-512 1044-122 1047-256 1048-1152 1049-896 1050-976 1051-915 1053-1037 1056-125 1057-416 1058-500 1059-183 1060-312 1061-128 1062-288 1064-976 1065-122 1068-183 1070-152 1071-213 1072-366 1073-183 1074-305 1075-122 1077-500 1079-122 1081-122 1082-384 1083-1037 1084-854 1085-832 1086-396 1090-416 1093-320 1096-366 1097-448 1098-122 1099-366 1100-183 1101-366 1102-366 1103-793 1104-384 1107-91 1108-544 1109-1500 1110-2440

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July 16 & 17, 2016

0229-512 0231-305 0232-320 0233-427 0236-305 0237-244 0239-375 0241-448 0243-448 0244-562 0245-732 0246-500 0247-4270 0248-640 0249-1159 0250-1098 0251-3660 0253-1250 0254-854 0257-4575 0258-1920 0259-1220 0261-488 0263-854 0264-488 0266-960 0267-437 0268-875 0269-896 0271-1875 0272-1952 0274-2135 0275-2250 0276-4687 0277-2750 0278-625 0280-3416 0281-1220 0282-2684 0283-1952 0284-976 0285-976 0287-1952 0289-1920 0292-3355 0293-2440 0294-896 0295-2500 0298-375 0299-1500 0300-5185 0301-7015 0305-1000 0309-1220 0310-500 0311-3812 0312-17080 0313-6562 0314-1220 0315-1875 0316-1000 0318-625 0319-375 0320-375 0321-375 0322-915 0323-448 0324-3050 0327-1586 0328-3965 0329-299000 0330-2440 0331-3840 0332-11285 0334-1281 0338-4270 0340-976 0341-2318 0343-1280

â&#x20AC;¢

0113-976 0114-2688 0116-750 0118-1750 0120-2318 0121-488 0122-1024 0123-610 0124-427 0125-312 0126-2375 0132-2440 0133-2074 0134-1342 0135-500 0136-3782 0137-1375 0138-610 0140-2560 0141-768 0142-2196 0144-4880 0149-512 0150-3750 0152-854 0153-1952 0155-8437 0156-1952 0157-3965 0159-875 0160-1408 0161-3782 0162-1830 0164-625 0165-2500 0166-732 0168-687 0170-3000 0171-1159 0173-7187 0174-2688 0175-2806 0177-854 0178-732 0179-3660 0180-3050 0181-1375 0182-1792 0183-1024 0184-832 0186-4575 0189-2806 0190-1536 0191-187 0195-640 0196-1375 0197-832 0198-488 0199-366 0202-3538 0203-2375 0207-2250 0208-768 0209-3840 0210-384 0211-256 0212-2684 0214-1792 0215-1375 0216-1062 0217-512 0218-976 0220-687 0222-832 0224-1159 0225-1062 0226-2048 0227-1625 0228-750

Auction Results

0001-549 0002-976 0005-549 0006-732 0009-1464 0010-976 0011-854 0012-305 0013-671 0014-793 0015-305 0016-1342 0017-896 0018-1750 0019-1830 0022-576 0023-3965 0027-640 0028-1464 0029-896 0030-732 0031-896 0032-427 0033-384 0034-976 0035-732 0038-976 0039-1952 0040-3355 0041-1920 0043-2562 0044-2074 0046-1920 0047-3750 0048-375 0049-610 0050-500 0053-366 0058-1024 0060-610 0061-305 0062-976 0064-3660 0066-732 0067-854 0069-2440 0070-1280 0071-1536 0072-976 0074-704 0075-610 0076-2432 0077-3840 0078-1280 0079-732 0081-250 0082-1250 0083-1125 0085-448 0086-320 0087-3172 0088-1098 0089-576 0092-366 0093-732 0094-2196 0095-1586 0096-768 0097-4880 0098-1792 0099-14640 0100-1342 0101-1098 0103-1098 0106-5490 0107-896 0109-732 0110-1220 0112-732

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CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

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4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. 5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director Dave Roberts Catalogue Design Emory Nolan

AUCTION SERVICES Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Photography Jason Leckert Tom Simpson Jason Kruppa

OPERATIONS Director of Operations Charles Lee Operations Staff Charlie Clay Kelvin Gibson Will Larkin Jerry Majors Larry Sudds

CATALOGUE CONSULTANTS Robert Wilson

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts Claudia Kheel; Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes

Neal Auction Company

Neal Auction Company Important Fall Estates Auction September 24 & 25, 2016

September 24 & 25, 2016