July 16 & 17, 2016 Important Summer Estates Auction by Neal Auction

Neal Auction Company

July 16 & 17, 2016

Important Summer Estates Auction July 16 & 17, 2016

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant Cameron McHarg

Furniture & Decorative Arts Neal Alford; Rachel Weathers; Sarah DeBoard Paintings, Prints & Photography Rachel Weathers; Marney Robinson; Sophie Hirabayashi Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Consignments & Evaluations Claire Thriffiley Inventory Coordinator Stephen Dewey Consignments Administrator Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director Dave Roberts Catalogue Design Emory Nolan

AUCTION SERVICES Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

Photography Jason Leckert Tom Simpson Jason Kruppa

OPERATIONS Director of Operations Charles Lee Operations Staff Charlie Clay Kelvin Gibson Jerry Majors Larry Sudds Robert Wilson

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes

Important Summer Estates Auction July 16 & 17, 2016 On Our Premises 4038 Magazine Street & 3923 Carondelet Street

Featuring:

Fine and Decorative Art and Manuscripts from the Collection of John F.B. Wilkinson, New Orleans Paintings and Decorative Objects from the Collection of Benedette Gieselman, New Orleans Important Fine Art from the Collection of a Jackson, MS Lady Furniture and Fine Art from a Prominent Garden District Collection Property from the Antiquarians “Piranesi”, Magazine Street, New Orleans Decorative Arts from the Estate of William Ryan, Metairie, LA Silver and Other Decorative Arts from the Estate of Alice Seeburg, New Orleans Additional Property from the Estate of Dorothy “Dot” Shushan, New Orleans And Property of Others.

AUCTION SCHEDULE Saturday, July 16, 10:00 a.m., 4038 Magazine Street Sunday, July 17, 11 a.m., 3923 Carondelet Street EXHIBITION both galleries, beginning Tuesday, July 5, 10 a.m. to 5 p.m. Special Saturday Preview July 9, 10 a.m. to 5 p.m. Evening Preview Reception Thursday, July 14, 5 to 7 p.m.

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com

LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

September 24 & 25, 2016 Important Fall Estates Auction We are Especially Interested in American and Southern Regional Paintings, Prints and Photographs • Period American, English and French Furniture and Decorative Arts • Silver • Art Pottery • Historical Documents, Maps, and Memorabilia.

Newcomb Pottery High Glaze Vase, 1902, Harriet Joor, h. 11 in. Provenance: A distinguished New York collection.

December 3 & 4, 2016 Louisiana Purchase Auction™ Neal Auction Company’s annual Louisiana Purchase Auction™ is well known for the quality and breadth of its offerings of art and antiques from, and relating to, the American South. The auction is a highly anticipated annual event with extraordinary interest from sophisticated private collectors, experts within the trade, and public institutions.

José Francisco Xavier de Salazar y Mendoza (Mexican/New Orleans, c. 1750-1802), “Portrait of Daniel William Coxe,” 1792, oil on canvas, 38 1/2 x 30 1/4 in. Provenance: By descent in the family of the sitter.

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Session One Saturday, July 16, 10 am 4038 Magazine

Additional information at www.nealauction.com

2. Fine Edwardian Brass and Mahogany Revolving Dumbwaiter, late 19th/early 20th c., central handle, reticulated gallery, cloverleaf top, tripartite base, paw feet, h. 33 1/2 in. $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

1. Regency Carved Mahogany Sarcophagus‑Form Cellarette, early 19th c., hinged top, applied molding, paw feet, h. 19 1/2 in., w. 25 1/4 in., d. 19 1/4 in. $600/800 Provenance: Temple Heights, Columbus, MS.

3. Classical Marble and Cast Stone Center Table, circular white marble top on cast stone caryatid support, h. 31 1/2 in., dia. 36 in. $700/1000

5. English Burl Walnut Oval Canterbury, mid‑19th c., dividers with turned uprights and reticulated scrollwork panels, base drawer, turned feet, h. 20 in., w. 25 in., d. 17 in. $500/700

6. English Aesthetic Mahogany Thebes Stool, late 19th c., attr. to Liberty and Company, after a design by Leonard Wyburd, stamped #7, shaped slat seat, turned legs, h. 15 in., w. 17 1/2 in., d. 17 1/4 in. $300/500

8. Italian Baroque‑Style Carved Walnut, Parcel Gilt and Iron Hall Bench, molded back with coat of arms, plank seat, splayed legs joined by scrolled iron stretcher, h. 39 in., w. 49 in., d. 17 1/4 in. $800/1200

4. Fine Pair of Georgian‑Style Carved Mahogany Armchairs, 20th c., possibly Schmieg and Kotzian, New York, arched acanthus and shell‑carved crests, pierced intertwined splats, scrolled knuckle arms, trapezoidal slips seats, acanthus carved cabriole legs, ball and claw feet, h. 40 in., w. 27 in., seat d. 17 in. $800/1200

7. Antique Renaissance‑Style Cast Iron and Carved Walnut Miniature Table, shaped top, turned supports, incurvate triangular iron plinths, paw feet. $150/250

9. Italian Neoclassical‑Style Carved Giltwood Bench, 19th c., scroll arms with tablet carved with chariot in bas relief, h. 30 1/2 in., w. 37 1/4 in., d. 14 in. $600/900

10. Maison Jansen Louis XV‑Style Verdigris and Crème Peinte Sofa, mid-20th c., serpentine crest, arms and seat rail, cabriole legs, down cushions, h. 36 in., w. 81 in., d. 34 in. $1000/1500 Note: A nearly identical sofa is illustrated in Abbot, James Archer. Jansen Furniture, New York: Acanthus (2007), p. 30.

11. Pair of Maison Jansen Louis XVI‑Style Parcel Gilt and Crème Peinte Fauteuils, stamped, scrolled crests, leaf carved scrolled arms, paneled seat rail, turned tapered legs. $1000/1500

12. Antique Italian Marquetry and Walnut Bookstand, 19th c., slanted bookrest, paneled doors, molded base, h. 32 in., w. 24 in., d. 13 in. $700/900

13. Pair of Antique Italian Renaissance‑Style Carved Walnut Commodes, 19th c., dentil molded top, two raised panel drawers, scrolled flared feet, h. 24 in., w. 28 1/4 in., d. 14 7/8 in. $400/600

14. Italian Beech and Oak Console Table, 19th c., two plank top, three frieze drawers, iron pulls, chamfered legs, tenoned case, h. 32 in., w. 88 in., d. 30 1/2 in. $1000/1500

16. Antique Venetian Rococo Painted and Parcel Gilt Vitrine, 19th c., glazed upper case with chamfered stiles, two cabinet doors, bun feet, h. 74 in., w. 29 in., d. 16 in. $1500/2000 15. Louis XIV‑Style Carved Walnut and Needlepoint Banquette, S scroll legs, turned stretchers, scrolled toes, h. 22 1/2 in., w. 35 in., d. 18 1/2 in. $500/700

Additional information at www.nealauction.com

17. Provincial Louis XV‑Style Carved Walnut Fauteuil, 19th c., rocaille carved crest rail, shaped stiles, serpentine arms, conforming seat rail, cabriole legs, scrolled toes, h. 47 7/8 in., w. 29 3/8 in., d. 23 in. $1000/1500

18. Louis XV‑Style Carved Walnut Bergère de Bureau, carved crest rail, scroll arms, revolving seat, floral carved cabriole legs, leather cushion, nailhead trim, h. 37 in., w. 27 in., d. 27 in. $1000/1500

19. Pair of Neoclassical‑Style Gilt Bronze and Black Granite Guéridons, each with circular top, paired faux bamboo supports, incurvate triangular stretcher, h. 25 in., dia. 16 in. $1200/1800

20. Louis XVI‑Style Crème Peinte and Parcel Gilt Lit à Couronne, paneled and upholstered head and foot board, fluted posts with pod finials, demilune canopy, h. 106 in., w. 77 in., d. 51 in. $1500/2500

21. Francis Hopkinson Smith (American, 1838‑1915), “Interior of Westminster Abbey”, conté crayon on paper, signed lower left, handwritten label with artist, title and provenance en verso, sight 21 3/4 in. x 27 1/2 in., framed. $800/1200

22. José Silbert (French, 1862‑1939), “Portrait d’une Lydie, Negresse Mauresque”, oil on wood panel, signed upper left, titled en verso, 12 3/4 in. x 9 1/2 in., antique frame. $1000/1500

23. Emil Barbarini (Austrian, 1855‑1930), “Flower Market at Bruxelles”, oil on wood panel, signed lower right, exhibition label with “No. 105” and title en verso, 8 1/4 in. x 12 1/2 in., period frame with artist plaque. $5000/8000 Provenance: Succession of Benedette Gieselman, New Orleans. Note: The Viennese artist Emil Barbarini was the son of the well-known landscape painter and etcher Franz Barbarini (1804-1873). In contrast to the alpine themes of his father, Emil favored depictions of market scenes. His favorite subject was the flower market in front of the Karlskirche in Vienna, but he also executed numerous scenes of markets during trips to the Netherlands and Belgium. Barbarini was particularly interested in the special handling of light at different times of the day, and similar to the French artists Degas and Monet, he often painted the same subject to catch the varying effects of light. The market scene here shows the flower market in Brussels and is a prime example of the artist’s work.

24. Maria Ada Gianni (Italian, 1873‑1956), “Panorama of Naples with Mount Vesuvius”, gouache on paper, signed lower left, sight 17 1/2 in. x 23 1/2 in., framed. $500/750

25. Manner of Antonio Cifrondi (Italian, 1657‑1730), “Amorous Revelers with Dog and Servants”, oil on wood panel, unsigned, 9 1/2 in. x 12 in., framed. $1000/1500

26. British School, late 19th c., “Figures and Flocks before a Seaside Castle”, 1896, gouache on paperboard, unsigned, inscribed “...Baines 6/6/96” en verso, 16 1/2 in. x 21 3/4 in., framed. $400/600

28. Giovanni Battista Piranesi (Italian, 1720‑1778), “Veduta della Facciata di Dietro della Basilica di S. Maria Maggiori”, “Veduta della Basilica di S. Paolo Fuori della Mura”, “Veduta del Mausoleo d’Elio Adriano Cora Chiamato S. Angelo” and “Veduta della Facciata della Basilica di S. Croce in Gerusalamme”, 4 etchings on paper, from Vedute di Rome, each signed in plate, sights 16 1/4 in. x 24 1/2 in., framed alike. (4 pcs.) $1000/1500

30. Five Portrait Miniatures of Napoleon, incl. 4 in uniform, and one battle scene, signed “A. Hull”, “Delaroche”, and 2 indistinctly, 5 1/2 in. x 4 3/4 in. to 4 in. x 3 1/2 in., gilt, bone and ink, and bone and inlaid frames. $300/500

27. Francesco Piranesi (Italian, 1758‑1810), “Title Page”, Sciographia Quatuor Templorum Veterum Pio Vi Pont Max Bono Christianae Reip Nato Et Artium Ingenvarum Felcitati, 1780, double

page engraving on paper, signed and dated in plate lower right, sight 20 in. x 28 1/4 in., framed. $700/1000

31. Five Portrait Miniatures of Napoleon in Uniform, signed “Aubry”, “Waging”, “Delaroche”, and 2 indistinctly, 8 1/2 in. x 5 1/4 in. to 3 3/4 in. x 3 in., 3 gilt frames, one bone and ink and one bone frame. $200/400

33. Three Paris Porcelain Gilt‑Decorated Urns, 19th c., each with figural handles, painted reserves and square plinth bases; h. 12 1/4 in., 10 3/4 in.; and 9 1/2 in.; smallest marked on base “6” and “9”. $500/700

29. Four Napoleonic Portrait Miniatures, incl. Napoleon with the King of Rome, burlwood and gilt frame; Napoleon, gilt frame; Josephine, signed “Derval”, gilt frame with Imperial eagles; and Josephine, bone and mother‑of‑pearl frame, 5 5/8 in. x 4 3/4 in. to 4 3/8 in. x 4 in. $300/500

32. Group of Paris Porcelain Gilt‑Decorated Table Articles, 19th c., incl. encrier, circular lidded potpourri urn, square lidded potpourri urn; and amphora vase, h. 6 7/8 in. $700/1000 Provenance: Historic “Sally Mill”, Middleburg, VA.

34. Paris Porcelain “Anneau d’Or” Pôts‑de‑Crème Set, 19th c., 12 lidded pots and stand, stand dia. 12 in. $700/900

35. Good Paris Porcelain Vase, early 19th c., cobalt ground with matte and burnished gilding, mask handles, h. 7 1/2 in., dia. 4 1/2 in. $500/800

Provenance: Historic “Sally Mill”, Middleburg, VA. Additional information at www.nealauction.com

36. Pair of Louis XVI Carved Fruitwood Fauteuils, 18th c., rose carved oval backs, padded scrolled arms, rounded seat rails, stop-fluted tapered legs, h. 39 in., w. 24 3/4 in., d. 19 in. $800/1200

38. Neoclassical‑Style Mahogany and Parcel Gilt Center Table, 19th c. and later, segmented circular top, fluted standard with dolphin brackets on incurvate triangular plinth, h. 31 1/4 in., dia. 47 in. $1200/1800

40. Italian Rococo Carved and Gilded Credenza, 18th/19th c., shaped faux marbre top, scrolled putto mounted supports flanking a shield shaped door, conforming base, h. 36 1/2 in., w. 37 in., d. 18 1/2 in. $2500/3000 41. Antique William and Mary Seaweed Marquetry and Burled Walnut Secretary Bookcase, in the manner of Gerrit Jensen, molded cornice, mirrored doors, slant front opening to fitted desk interior, lower case with five drawers, molded base, bun feet, h. 78 5/8 in., w. 37 3/8 in., d. 22 1/4 in. $1200/2000

37. Louis XV Provincial Fruitwood Table de Jeu, late 18th c., inset leather top, outset rounded corners, frieze with four drawers, cabriole legs, hoof feet, h. 28 1/2 in., w. 34 in., d. 34 in. $1000/1500

39. Pair of Empire Carved Mahogany Fauteuils, early 19th c., each with tablet crest, reeded shell carved scrolled arms, rounded seat rail, lappet-carved sabre legs, h. 37 1/2 in., w. 24 1/2 in., d. 24 in. $1200/1800

42. Fine Edwardian Painted Satinwood Jardinière, late 19th/early 20th c., oval basin with tôle liner, scroll supports, faceted standard, scroll plinth, neoclassical paint decoration, h. 34 3/4 in., w. 37 1/4 in., d. 25 1/2 in. $2000/3000

43. Regency Mahogany Étagère, early 19th c., galleried top, spherule finials, four shelves, tapering turned columnar supports, low drawer, brass casters, h. 48 in., w. 20 1/2 in., d. 15 1/2 in. $1000/1500

44. Fine Regency Carved Mahogany Guéridon, early 19th c., in the manner of Thomas Hope, circular top, bracketed frieze, rope-twist columnar supports, incurvate triangular beaded plinth, outswept scrolled brass feet, h. 29 in., dia. 19 1/4 in. $1500/2500 Note: This sophisticated guéridon incorporates elements from Thomas Hope’s opus Household Furniture of 1807. The three twist supports are similar to the standards of a candle stand (pl. L, no. 2) and the outswept plinth incorporates one of the most noted of Hope’s table designs, pl. XXXIX. Ref.: Watkin and Hewat‑Jaboor. Thomas Hope, Regency Designer pp.

414‑415 and 420‑421.

45. Two Regency Tôle Peinte Trays, early 19th c., one with stenciled reserve, the other with painted scene of an Italianate landscape, later faux ebonized bamboo stands, h. 20 1/2 in., w. 23 in., d. 17 1/2 in. and h. 20 in., w. 29 1/2 in., d. 23 in. $600/900

47. Large Chinese Export “Orange Fitzhugh” Armorial Porcelain Platter, 19th c., oval well polychrome painted with a shield enclosing a stag head beneath the motto “Luceo non Uro (I shine not burn)”, possibly related to the Scottish MacKenzie clan, underside of rim “Elinor Gordon” label, h. 1 7/8 in., w. 21 3/4 in., d. 18 7/8 in. $2000/3000 Provenance: According to the label, with Elinor Gordon, Chinese Export Porcelain, Villanova, PA.

50. Chinese Export Famille Rose Porcelain Platter, 18th c., circular well decorated with peacocks amid rocks, peony and other flowering plants, h. 1 1/2 in., dia. 16 1/4 in., $600/800

46. Pair of Antique Venetian Rococo‑Style Crème Peinte Consoles, each with faux marbre serpentine top, shaped frieze, cabriole legs, h. 37 in., w. 48 in., d. 21 in. $2500/3500

48. Chinese Export Famille Rose Decorated Blue and White Porcelain Rectangular Platter, 19th c., with undulating barbed rim, decorated with a central scene of an elegant lady seated in a pavilion with a gentleman in a garden outside, h. 1 3/4 in., w. 15 3/8 in., d. 11 1/4 in. $600/800

51. Four Chinese Export Blue and White Porcelain Octagonal Dishes, 18th c., with notched rims, decorated with central reserves of lingzhi, rock, peony, and plum, w. 8 1/2 in. to 8 3/4 in.; together with a similar pair, w. 8 3/8 in. (6 pcs.) $500/700

52. Six Chinese Export Famille Rose Porcelain Dishes, 18th c., with foliate rims, decorated with central ribbon‑tied floral sprays, dia. 9 1/8 in. $700/900

49. Large Chinese Export Famille Rose Porcelain Phoenix, 19th c., modeled perched atop a tall tree stump with flowering branches and lingzhi, interior with “Sallea Antiques, New Canaan, CT” label, h. 19 3/4 in. $800/1200

53. Chinese Export Famille Rose Porcelain Rooster, 19th c., modeled perched on a rockwork and lingzhi base, h. 11 3/4 in. $400/600 Provenance: Sallea Antiques, New Canaan, CT.

Additional information at www.nealauction.com

54. Pair of Antique Louis XVI‑Style Giltwood and Aubusson Tapestry Fauteuils, 19th c., floral and ribbon carved oval backs, acanthus arms, rounded seat, fluted legs, h. 38 in., w. 26 1/2 in., d. 22 in. $2500/3500

55. Continental Carved Fruitwood and Parquetry Bureau, late 18th/ early 19th c., inset leather, foldover top, finely fitted interior, kneehole configuration of drawers, cabriole legs, h. 30 1/2 in., w, 47 1/2 in., d. 30 in. $2000/3000 57. Pair of Peter Marino Custom‑Designed Mirrored Frames, each dimensional frame with gilt molding and beveled edges, 60 1/4 in. x 43 1/3 in.; the frames featuring a Robert Kostuck (British, 20th/21st c.) “Diary of Daydreams” aquatint, pencil‑signed, titled and numbered “34/100” on lower margin, 31 1/4 in. x 25 1/4 in.; and an American School, 20th/21st c., “New Jungle Contour”, oil and graphite on paper, illegibly pencil‑signed and titled on lower margin, 43 3/4 in. x 30 in. (4 pcs.) $1000/1500

56. Iberian Rococo Carved Mahogany Console Table, late 18th c., serpentine top, frieze drawer, shaped shell carved apron, molded cabriole legs, trifid feet, h. 33 in., w. 45 in., d. 23 1/2 in. $2000/3000 58. Napoleon III Bronze‑Mounted and Portargent Marble Figural Encrier, late 19th c., bust of Napoleon, flanked by Eagle‑crowned inkwells, with marble blotter, paperweight, and bronze letter opener, h. 12 3/4 in., w. 15 in., d. 11 3/4 in. $800/1200 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

59. Pair of Neoclassical‑Style Inlaid Specimen Marble Obelisks, the bases with pietra‑dura views of Roman monuments, h. 21 3/4 in., w. 6 in., d. 6 in. $1200/2000 60. Large Antique Spanish Wrought Iron Cross, 19th c.; together with Italian wrought iron cross, 18th c., composed of scrolled elements, larger with central roundel, h. 70 in., w. 44 3/8 in. and h. 17 in., w. 11 in. $800/1200

61. Italian Carved Giltwood Figural Wall Bracket, 19th c., molded shelf above winged term, h. 24 in., w. 17 1/2 in., d. 10 in. $700/1000

62. Napoleon III Gilt and Patinated Bronze Figural Chenets in the Rococo Taste, 19th c., with cherubs holding floral swags, h. 20 1/2 in., adjustable w. 34‑37 in., d. 7 1/2 in.; together with fire tools, incl. stand, tongs, poker and shovel, h. 29 in. $1000/1500

63. French Bronze and Porcelain‑Mounted Japanese Lacquer Encrier, late 19th/ early 20th c., shaped tray decorated with a shore bird and butterfly amid foliage and rocks, porcelain, probably Samson, decorated in Chantilly style, h. 3 1/2 in., w. 19 in., d. 13 1/2 in. $1200/1800 64. Pair of Baccarat‑Style Cut Crystal and Gilt Bronze Champagne Coolers, 20th c., diaper‑pattern, tripodal bases, lion masks, paw feet, h. 34 in., dia. 14 in. $1200/1800

65. Renaissance‑Style Carved Wood and Parcel Gilt Portrait Panel, 18th/19th c., with cherubs, scrolls and foliage, self‑frame, h. 27 in., w. 31 1/2 in., d. 2 1/2 in. $600/800

66. Anglo-Ceylonese Carved Ebony Wall Bracket, c. 1850, stamped on shelf “DON ANDRIS/ CABINET MAKERS/ COLOMBO”, pierce carved sunflower and scrollwork, h. 21 in., w. 17 in., d. 6 in. $800/1200

67. Pair of English Blue John and Black Marble Candlesticks, 19th c., retailer’s paper label, marble candlecups and bases, cylindrical shafts, h. 9 1/8 in., w. 3 1/2 in., d. 3 1/2 in. $800/1200

68. Silvered Bronze Vessel with Satyr Handles, and figural relief of Battle of the Amazons, h. 15 in. $800/1200

70. Louis XVI Carved and Giltwood Barometer, late 18th c., shield‑form, carved with floral vases and doves, h. 39 in., w. 16 in., d. 3 3/4 in. $800/1200

69. Pair of Continental Chased Silver Five‑Light Candelabra in the Baroque Taste, Spain, 20th c., elaborately decorated overall, previously drilled for wiring, weighted bases, h. 15 5/8 in. $2000/3000

72. Continental Bronze Bust of Johann Wolfgang Goethe, after Emile Pinedo, inscribed with artist name and “LL48193”, placard with “Goethe, Exp. des Beaux‑Arts, Paris”, h. 16 1/2 in., marble base, overall h. 18 1/2 in. $1000/1500

71. Pair of Patinated Bronze Sphinxes, 20th c., after the Antique, h. 21 in., w. 18 in., d. 40 in. $1200/1800

73. Continental Bronze Figure of Joan of Arc on a Horse, after Alfred Barye, inscribed “Alf. Barye” on naturalistic rectangular self‑base, h. 32 1/2 in., w. 7 in., d. 21 in. $700/900 Additional information at www.nealauction.com

77. Chinese Blue and White Porcelain Sleeve Vase, probably 17th c., decorated with 4 warriors in a rocky landscape beneath a band of upright leaves encircling the waisted neck, h. 15 1/2 in. $3000/5000

74. Italian Bronze Equestrian Figural Group, probably 19th c., after “Bartolomeo Colleoni” by Andrea del Verrochio (Italian, c. 1435‑1488), inscribed “Alexander Leopardus” on girth, h. 9 3/4 in., on black marble base, overall h. 12 3/4 in. $600/900

75. George I‑Style Carved Giltwood Mirror, probably 19th c., shell‑carved crest, foliate frame, divided beveled mirror plate, h. 50 7/8 in., w. 14 3/8 in. $800/1200 78. Chinese Blue and White Decorated Copper Red Ground Porcelain Jar, probably Qing Dynasty (1644‑1911), decorated with a band of dragons pursuing the flaming pearl beneath radiating leaf tips at the shoulder and floral scrolls above the foot, base with Longqing mark, h. 8 in. $1000/1500

80. Chinese Turquoise Blue Glazed Pottery Covered Censer, probably Ming Dynasty (1368‑1644), lingzhi‑finialed and ruyi‑pierced cover, waisted tiered neck, flange handles, rectangular body molded with dragons‑and‑pearls and characters, mask feet, h. 10 1/2 in., w. 7 in., d. 4 3/4 in. $500/700

81. Chinese Famille Verte Porcelain “Four Seasons” Dish, probably 17th c., interior painted with a central flower head encircled by radiating panels of prunus, peony, lotus, and chrysanthemum, exterior with flower sprays, base marked, h. 2 5/8 in., dia. 14 1/8 in. $400/600

83. Chinese Painted Pottery Camel, probably Tang Dynasty (618‑907), modeled standing foursquare on a rectangular plinth with its head raised high, wearing a saddle, h. 12 1/4 in., mounted on a wood base, overall h. 13 in., w. 8 3/8 in., d. 4 3/8 in. $1000/1500

76. Empire Gilt Bronze Figural Clock, early 19th c., urn‑form case flanked by swans, dial marked “Renard a Paris”, surmounted by a putto and chariot, drawn by a pair of doves, oval base, h. 16 1/4 in., w. 9 1/2 in. d. 4 1/2 in. $1000/1500

79. Chinese Yellow Glazed Porcelain Dish, probably 17th c., interior walls and well incised with dragons pursuing the flaming pearl, exterior with waves and rocks, h. 1 1/4 in., dia. 5 5/8 in. $800/1200

82. Chinese Pottery Horse, probably Tang Dynasty (618‑907), modeled standing on a rectangular base with its head bent downward, wearing halter, saddle and decorative trappings, h. 11 1/4 in., w. 13 3/4 in., mounted on a wood base, overall h. 12 1/8 in. $1000/1500

84. Set of Three Chinese Polychrome Porcelain Figures of the Three Star Gods, probably 20th c., each modeled standing with its attribute, bases with impressed marks, h. 13 in. to 14 in., stepped hardwood display stand, overall h. 22 in., w. 21 3/8 in., d. 5 7/8 in. $1000/1500

85. Two Chinese Celadon Jade Carvings, probably Qing Dynasty (1644‑1911), incl. belt hook with curving shaft, dragon head terminal and qilong, l. 3 1/4 in., and a recumbent buffalo, l. 2 1/8 in. $300/500

86. Chinese Coral Figure of a Beauty, probably Qing Dynasty (1644‑1911), carved wearing long robes and a celestial scarf, holding floral sprays, h. 3 in. $300/500

87. Chinese Embroidered Gold Silk Panel, probably Republic Period (1911‑1949), worked in satin stitch with a central dragon amid cloud scrolls, bats and flaming pearls, flanked by 4 kui dragons above a terrestrial diagram, sight 63 in. x 65 in., framed and glazed. $800/1200

88. Chinese Rock Crystal Figure of Guanyin, probably 20th c., carved wearing long robes and a cowl, carrying a scroll in one hand, base with etched mark, h. 12 1/4 in., wood stand, overall h. 14 1/2 in. $1200/1800

Provenance: Reputedly with the secretary to Mme. Chiang Kai-shek; Mr. and Mrs. Hugh Miller Wilkinson, New Orleans, c. 1950; Collection of John F.B. Wilkinson, New Orleans, LA.

89. Pair of Chinese Hardstone Trees in Cloisonné Enamel Pots, “bark” and fabric‑wrapped branches with multi‑colored flowers and leaves, pot with gilt‑metal mask‑ring handles, approx. h. 15 1/2 in. $600/800

90. Pair of Chinese Polychrome Painted Red Lacquer Console Tables, probably late 19th/early 20th c., demilune banded tops, shaped friezes, molded legs, stretchers, h. 32 in., w. 34 in., d. 17 in. $800/1200 92. Two French Brass‑Mounted Crystal Dresser Boxes, one cut in a diaper pattern, other with gilt and enamel decoration, largest h. 3 1/2 in., w. 5 in., d. 3 1/2 in. $500/700

93. Pair of Chinese Famille Noire Porcelain Tea Caddies, probably 20th c., hexagonal bodies and covers decorated with figures in garden settings, bases with Kangxi marks, h. 11 1/4 in., w. 8 3/8 in. $500/700 91. Pair of Chinese Brass‑Mounted Hardwood Folding Armchairs, probably 20th c., horseshoe shaped backs, continuous scrolled arms, carved splats, slatted seats, X form legs, stretcher bases, h. 40 1/2 in., w. 28 3/4 in., d. 28 1/8 in. $1000/1500 94. Pair of Italian Rococo-Style Carved and Paint Decorated Wall Brackets, 19th c., scrolled back, shaped shelf, shades of green and gold, h. 36 in., w. 14 in., d. 10 in. $1200/1800

95. Pair of Neoclassical‑Style Bronze and Marble Urns, 20th c., red variegated marble, Classical masks, paw feet, h. 28 1/4 in., w. 11 1/4 in., d. 11 1/4 in. $1200/1800

Additional information at www.nealauction.com

96. British or Continental Figure of Virgil, probably late 19th c., h. 27 1/4 in., on stepped black marble base, overall h. 29 1/2 in. $800/1200

97. Adolfo Cipriani (Italian, act. 1880‑1930), “Marble Bust of a Young Lady”, signed on rear truncation, h. 23 1/2 in., square marble base, overall h. 29 in. $1500/2500 Provenance: Succession of Benedette Gieselman, New Orleans.

98. Ernest Charles Demosthene Guilbert (French, 1848‑1913), “Eve Tempted”, 1882, terracotta, signed and dated on base, h. 43 in., w. 21 1/2 in., d. 14 in. $1500/2500

100. Fine Bronze Figure of the “Statue of Liberty”, after Frédéric Auguste Bartholdi, inscribed “Registered in Washington/31 August 1876/Bartholdi N: 99396/1875”, h. 38 1/2 in., w. 10 in., d. 11 1/2 in. $800/1200

101. Eugene Antoine Aizelin (French, 1821‑1902), “Pandora”, 1863, patinated bronze, inscribed “E[ugè]ne Aizelin F[a]it 1863” and “F. Barbedienne Fondeur” with foundry seal “réduction mécanique A. Collas Brevete” on self‑base, “M121” underside, h. 23 1/2 in., w. 7 1/4 in., d. 5 3/4 in. $1000/1500

99. Mathilde M. Mylander (American/Baltimore, 20th c.), “Life‑Size Male Figure Holding Grapes and a Basin”, bronze with verdigris patina, signed on self base, foundry mark of Roman Bronze Works, New York, h. 74 in., w. 20 1/2 in., d. 17 in. $7000/10000 Provenance: Brown Family, Eastern Shore, MD; reputedly acquired Sotheby’s. Note: In this lot, Mathilde M. Mylander, through Roman Bronze Works, has skillfully cast a beautiful male figure reminiscent of the famous Perseus with the Head of Medusa by Benvenuto Cellini (Italian, 1500-1571). Mylander, who was featured in both the 1936 and 1938 Annual Exhibition of Maryland Artists, has opted to represent a cluster of grapes and bowl in lieu of the Medusa head and sword. Established in 1897 by Riccardo Bertelli, a chemical engineer from Genoa, Roman Bronze Works was the first American foundry that specialized in the lost-wax casting method. In 1946, ownership of the foundry changed to the family of Philip J. Schiavo, whose grandfather started working there in 1902. Many of the most successful American sculptors have partnered with the foundry to create their works, including Frederic Remington, Daniel Chester French, Charles Russell, Bessie Potter Vonnah, and Anna Hyatt Huntington.

102. Patinated Bronze Mask of Homer, reverse with wall‑mounting bracket, h. 13 3/4 in., w. 9 in., d. 5 1/2 in. $800/1200

103. English Carved Mahogany Sarcophagus-Form Cellarette, mid‑19th c., gadrooned lid, carved ring handles, plinth base, fitted tin lined interior, h. 20 in., w. 28 in., d. 18 in. $1000/1500

104. Fine William IV Carved Mahogany Dining Table, early 19th c., top opens to take three leaves, crank mechanism, reeded baluster legs, brass cuffs, casters, h. 29 in., l. (closed) 52 in., l. (extended) 118 in., w. 52 in. $1500/2500

105. Regency Bronze‑Mounted, Inlaid Rosewood and Rosewood Grained Sofa Table, early 19th c., banded drop-leaf top, pair of frieze drawers, turned support, incurvate plinth with bronze mounts, later casters, h. 29 in., w. 36 in., d. 25 1/2 in. $1200/1800

106. Fine Georgian‑Style Carved Mahogany Writing Table, branded “Bertram and Son, Dean St., London”, inset tooled leather top, shaped frieze with four drawers to one side, faux drawers opposite, acanthus-carved cabriole legs, scrolled toes, h. 30 in., w. 83 in., d. 37 in. $2500/3500 Note: Operating as both a purveyor and cabinet shop in London’s Soho starting in the 1840’s,William Bertram and Sons supplied furnishings for Thorsby Hall, Nottinghamshire and other great houses until the early 20th-c. Ref: Gilbert, Christopher. The Dictionary of English Furniture Makers 1660-1840 London: Maney, 1986, p. 68.

107. Reuben Le Grande Johnston (American/ Washington D.C., 1850‑1918), “Tonalist Evening Landscape”, oil on canvas, signed lower left, 25 in. x 30 in., framed. $1000/1500

108. Antique Dutch Marquetry and Ebonized Cushion Mirror, 19th c., arched scrolled crest. $800/1200

109. Italian Neoclassical‑Style Carved Giltwood Mirror, rope molded frame with inset mirror panels and foliate corners, old mirror plate. $800/1200

110. Régence‑Style Carved Giltwood Mirror, arched foliate crest, molded frame, attractively cloudy mirror plates, h. 60 1/2 in., w. 31 in. $1000/1500

Additional information at www.nealauction.com

111. French Gilt and Patinated Metal Illuminated Annular Clock, late 19th c., rotating glass globe with Roman numerals, columnar standard, mounted with Winged Victory pointer, lion and scroll legs, h. 21 1/2 in., w. 7 in., d. 7 in. $800/1200

113. Regency Brass‑Inlaid Mahogany Tilt‑Top Table, early 19th c., spiral reeded standard, reeded saber legs with bosses, brass‑capped paw feet, casters, h. 27 5/8 in., w. 36 in., d. 26 5/8 in. $1200/1800

112. Bronze Figure of Mercury as the God of Commerce, after Giambologna, cylindrical plinth, h. 33 3/4 in. $800/1200

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

114. French Carved Mahogany Porter’s Chair in the Régence Taste, hooded crest, padded arms, cabriole legs, h. 60 in., w. 30 in., d. 23 in. $1000/1500

115. George III Mahogany Cylinder Desk, late 18th c., tambour lid opening to a fitted interior, two frieze drawers, bracketed tapering legs, cuff casters, h. 41 1/4 in., w. 61 1/2 in., d. 29 1/2 in. $2000/3000

117. George II Inlaid Walnut Secretary Desk, partially 18th c., molded cornice, mirrored doors, adjustable shelf interior, banded slant front, fitted interior, four graduated drawers, molded base, bracket feet, h. 80 3/4 in., w. 39 1/4 in., d. 24 1/4 in. $1500/2500 116. Pair of Regency‑Style Carved and Parcel Gilt Mahogany Tub Chairs, barrel backs, lotus-carved legs. $1000/2000

119. American Classical Stenciled Mahogany Drop‑Leaf Table, c. 1835, attr. to Roswell A. Hubbard, New York, Moorish arch and floral vine frieze, massive baluster standard with ebonized and gilt decoration, drum plinth, acanthus legs, paw feet, casters, h. 30 in., l. 47 1/2 in., extended w. 66 1/2 in. $800/1200

118. George III Mahogany Chest‑on‑Chest, 18th c., dentil molded cornice, two over three drawers, lower case with three drawers, shaped bracket feet, original cornucopia brasses, h. 69 in., w. 48 in., d. 22 in. $1500/2500

Note: A stenciled mahogany work table, from the Albany home of General Rufus King and now in the Winterthur collection, bears the label of Roswell A. Hubbard (New York, wc. 1834‑1837), and has a stenciled support, circular plinth and carved legs and paw feet very similar to those on the present lot. A work table attributed to Hubbard also with lower elements similar to those seen here is in the Dallas Museum of Art. Ref.: Smith, Robert. “The Henry Francis du Pont Winterthur Museum”, Magazine Antiques, June 1978, p.1302 and Venable, Charles. American Furniture of the Bybee Collection, Dallas Museum of Art, 1989, pp. 108‑109, cat. 49.

120. American Classical Carved Mahogany Sofa, c. 1820, Boston, shaped crest rail with dolphin terminals, scrolled arms, molded seat rail, Corinthian capital carved feet, recessed casters, h. 29 1/2 in., w. 84 in., d. 28 in. $1500/2500 Provenance: Didier, Inc., New Orleans.

121. Pair of American or English Carved Mahogany Shield‑Back Chairs in the Hepplewhite Taste, probably late 18th/early 19th c., pierced vasiform splats, serpentine seat rail, molded tapered legs, h. 37 7/8 in., w. 22 in., d. 19 1/4 in. $500/700

123. American Renaissance Ebonized, Marquetry and Giltincised Music Cabinet, attr. to Allen & Bro., Philadelphia, anthemion crest, pierced gallery, frieze drawer, door with musical trophée marquetry panel, colonnette stiles, blocked plinth, h. 48 in., w. 29 in., d. 18 in. $1000/1500 Note: An inlaid and ebonized music cabinet attributed to Allen and Brother in the collection of Frederick W. Hughes similar to that here is illustrated in Talbot, Page. “Allen and Brother, Philadelphia Furniture Makers,” Magazine Antiques. May 1996, p. 717.

122. American Renaissance Ebonized, Parcel Gilt and Porcelain‑Mounted Pedestal, c. 1870, New York, square top, inset velvet panel, tapering standard with musical trophée inlay and oval porcelain plaque, stepped plinth, bracket feet, old chalk inscription “Vamel...” under plinth, h. 37 in., w. 17 in., d. 17 in. $1200/1800

125. American Renaissance Carved and Burled Walnut Lady’s Writing Desk, late 19th c., shaped crest centered by rosette, inset leather writing surface, fitted interior, frieze drawer, parcel gilt stop-fluted legs, incurvate stretcher shelf, peg feet, h. 38 1/2 in., w. 22 1/4 in., d. 17 in. $500/800

126. American Classical Carved Mahogany Center Table, early 19th c., probably J. & J.W. Meeks, New York, Egyptian marble top, faceted ogee frieze, bulbous standard, scroll feet, casters, h. 30 1/4 in., dia. 34 in. $1200/1800

124. American Neo‑Grec Walnut Guéridon, late 19th c., inset marble top, vasiform bracketed standard, incised pad feet, h. 29 in., dia. 17 1/2 in. $500/800

127. American Late Federal Mahogany Chest of Drawers, early 19th c., Philadelphia, shaped top, swell front case with four graduated drawers, reeded stiles, reeded legs, button feet, h. 39 1/2 in., w. 43 in., d. 24 in. $1200/1800

Note: A center table similar to the lot offered here is part of the historic furnishings at Melrose, Natchez. The well-known 1833 Meeks “broadside” illustrates this table form as figure 32. Ref.: Busch, Jason. “Furniture Patronage and Consumption in Antebellum Natchez,” Magazine Antiques. (March 2007) p. 813 and Cooper, Wendy. Classical Taste in America, 1800-1840. NY: Abbeville, 1993, fig 172, p. 215 and fig 168, p. 211.

Additional information at www.nealauction.com

128. American Federal Inlaid Mahogany Butler’s Desk, early 19th c., attr. to Michael Allison, New York, fall-front escritoire drawer, above three graduated drawers, shaped base, “French” feet, h. 45 1/2 in., w. 45 1/2 in., d. 22 in. $2500/3500 Note: A mahogany chest bearing Michael Allison’s (New York, 17731855) stenciled label, with proportions and legs nearly identical those on this lot, is held in the collection of the New York State Museum. The distinctive inlaid oval panels on the desk front of this lot are often an embellishment found on cases from the Allison workshop, including a butler’s desk at Boscobel in Garrison, NY. Ref.: Scherer, John. New York Furniture at the New York State Museum, Alexandria, VA: Highland

House, 1983, p. 38, fig. 34; Tracy, Berry. Federal Furniture and Decorative Arts at Boscobel, NY: Abrams, 1981, p. 95.

129. American Pine Library Steps, late 19th c., baluster turned supports, molded hand rail, four steps, scrolled and paneled sides, casters, h. 73 1/2 in., w. 27 1/2 in., d. 39 1/4 in. $1000/1500

130. George III Inlaid Mahogany Pembroke Table, early 19th c., oval drop‑leaf top, frieze drawer, square tapered legs, casters, h. 28 3/4 in., w. 29 7/8 in., d. 19 1/2 in. $1000/1500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

131. Six Georgian Mahogany Backstools, square padded backs and seats, molded square legs, stretchers, h. 36 1/2 in., w. 21 1/4 in., seat d. 16 1/2 in. $600/800

132. Antique Georgian‑Style Carved Mahogany Server, late 19th c., in the manner of Gillows of Lancaster and London, hinged top opening to a serving board, shaped brackets, gadrooned frieze, acanthus carved cabriole legs, ball and claw feet, h. 35 in., w. 50 in., d. 25 in. $2500/3500

133. Neoclassical‑Style Inlaid, Ebonized and Specimen Marble Console, arched backsplash, lyre‑mounted cabinets, floral and foliate inlaid top, frieze drawer, blocked mask‑mounted square molded legs, stretcher base, h. 43 in., w. 40 1/2 in., d. 22 1/2 in. $2000/3000

134. Pair of William IV Walnut and Burl Miniature Chests, 19th c., molded tops, four drawers, turned feet, h. 18 1/2 in., w. 15 1/2 in., d. 12 in. $800/1200

135. Maison Jansen Directoire‑Style Brass Inlaid Ebonized Console Table, stamped, molded top, fluted frieze with drawer, blocked tapered legs, h. 33 in., w. 49 1/2 in., d. 20 in. $800/1200

136. Maison Jansen Directoire‑Style Carved Parcel Gilt and Verde Antico Canapé, mid-20th c., shaped molded back, rosette arm terminals above fluted stiles, shaped seat rail, fluted legs, h. 42 1/2 in., w. 66 1/2 in., d. 24 in. $1200/1800

137. Directoire‑Style Crème Peinte Bergères, shaped backs, scrolled arms, molded seat rail, fluted tapered legs. $800/1200

138. Continental Slate and Painted Iron Low Table, rectangular top, tripod base with spherule terminals, h. 21 in., w. 41 in., d. 24 in. $500/700

139. Pair of Louis XVI Painted Fauteuils, 18th c., oval floral carved backs, shaped molded arms, serpentine seat rails, stop fluted tapered legs, h. 38 1/2 in., w. 25 in., d. 23 in. $1000/1500

140. Italian Neoclassical Carved Olivewood Secretary, early 19th c., broken arch crest with finials, mirrored doors, candle slides, slant front, fitted interior, three drawers, molded base, shaped bracket feet, h. 94 1/2 in., w. 45 1/2 in., d. 21 1/2 in. $3000/5000

141. Louis XVI Fruitwood Parquetry Mechanical Poudreuse, late 18th c., shaped top with four hinged compartments, interior with small hidden drawers, ripple molded frieze, blocked fluted legs, h. 31 in., w. 33 in., d. 23 in. $1200/1800 Additional information at www.nealauction.com

143. Antique Carved Walnut Vargueño on Stand, case fitted with architectonic and paneled drawers, associated trestle base, h. 53 15/16 in., w. 40 5/16 in., d. 15 5/8 in. $2000/3000 142. Pair of French Provincial Carved Walnut Fauteuils, late 18th c., arched back, shell carved arms, shell carved serpentine seat rails, cabriole legs, hoof feet, shaped stretcher, tapestry upholstery, h. 48 in., w. 28 3/4 in., d. 24 in. $2000/3000

144. Italian Baroque‑Style Carved Giltwood Vitrine on Stand, 19th c., stepped cornice, arched glazed door, Solomonic columnar stiles and conforming base, h. 87 1/2 in., w. 37 1/4 in., d. 20 1/2 in. $4000/6000

145. Regence‑Style Carved and Painted Fauteuil à la Reine, foliate scroll crest, padded back, arms and seat, acanthus carved cabriole legs, scrolled toes, h. 45 1/2 in., w. 29 in., seat d. 23 in. $700/1000

146. Pair of Italian Neoclassical Carved Fruitwood Fauteuils, 18th c., floral carved crest rails, scrolled arms, serpentine seat rail, molded bellflower carved tapered legs, h. 35 in., w. 24 1/4 in., d. 20 1/8 in. $2000/3000

147. Caribbean Tropical Hardwood Inlaid Tilt‑Top Stand in the Regency Taste, probably Jamaican, circular compass star top, faceted standard, incurvate plinth, scroll feet, h. 27 1/2 in., dia. 22 1/2 in. $600/800

148. Fine French Provincial Carved and Inlaid Fruitwood Bombé Commode, 18th c., serpentine top, case with three graduated drawers, paneled sides, whorl feet, h. 32 1/2 in., w. 52 in., d. 25 1/4 in. $6000/8000

149. George III Carved Mahogany Armchair, 18th c., serpentine crest, interlaced splat, serpentine arms, needlepoint slip seat, acanthus‑carved cabriole legs, ball and claw feet. $400/800

150. George III‑Style Grain-Painted Library Steps, balustrade with acorn finials, plinth base, casters, h. 97 in., l. 90 in., w. 32 in. $4000/6000

151. Queen Anne Walnut Side Chair, mid‑18th c., yoke crest, vasiform splat, cabriole legs, H stretcher, pad feet, h. 40 1/2 in., w. 20 in., d. 15 1/4 in. $800/1200 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

152. Antique Georgian‑Style Inlaid and Figured Walnut Chest of Drawers, two short over three long drawers, bracket feet, h. 36 1/2 in., w. 35 1/2 in., d. 16 1/2 in. $1000/1500

153. Set of Twelve Georgian‑Style Carved Mahogany Shield‑Back Dining Chairs, 19th c., in the Hepplewhite taste, incl. two arm and ten side chairs, sheaf of wheat carved crest rail, pierced splat, shaped seat rail, molded tapered legs, H stretchers. $2000/3000

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. Additional information at www.nealauction.com

154. Pair of Georgian‑Style Carved Mahogany “Elbow” Chairs, tall winged backs, shell carved scroll arms, cabriole legs, cuffed pad feet, h. 48 1/2 in., w. 28 1/2 in., d. 18 1/2 in. $1200/1800

155. Regency‑Style Mahogany Jupe Dining Table, 20th c., attr. Schmieg and Kotzian, New York, mechanical action top opening to receive eight leaves, turned standard, saber legs, brass caps, h. 30 in., closed dia. 60 in., open dia. 84 1/4 in. $3000/5000 Note: Design based on “Jupe’s Improved Expanding Table”, patented by Thomas Alexander Robert Jupe in 1835.

156. Napoleon III Ebonized and Parcel Gilt Salon Table, mid‑19th c., inset marble top, conforming foliate carved frieze, shaped floral and acanthus carved cabriole legs, stretchers, h. 32 3/4 in., w. 53 in., d. 35 in. $2000/3000

158. Pair of Venetian Rococo Carved, Parcel Gilt and Painted Fauteuils, probably 18th c., shell carved crests, scrolled arms, serpentine seat rails, cabriole legs, h. 44 in., w. 26 in., d. 24 in. $2000/3000

157. Antique Iberian Faux Tortoiseshell and Rosewood Valuables Chest on Stand, cushion paneled small drawers, disc feet, stand with carved top, trestle base, iron stretcher, paw feet, h. 49 in., w. 36 1/4 in., d. 23 1/4 in. $2500/3500

159. Antique Louis XVI‑Style Carved, Parcel Gilt and Crème Peinte Lit d’Alcove, arched foliate carved head and foot board, stop fluted posts, brocade upholstery, h. 46 1/2 in., l. 76 in., w. 46 1/2 in. $1200/1800

160. Philip Evergood (American, 1901‑1973), “Portrait of Richard Carline, Esquire ‑ Painter”, 1963, oil on canvas, signed and dated lower left, titled and “Gallery 63 Inc., N.Y and Rome” label en verso, 44 in. x 24 in., framed. $3000/5000

161. George Ames Aldrich (American/Indiana, 1872‑1941), “Moonlight, Normandy Canal”, oil on canvas, signed lower right, “Noonan‑Kocian Co., St. Louis” label en verso, 16 in. x 20 in., framed with artist plaque. $2000/3000 Provenance: Noonan‑Kocian Gallery, St. Louis; Succession of Benedette Gieselman, New Orleans.

162. Thomas Bigelow Craig, A.N.A. (American, 1849‑1924), “By the Brookside”, oil on canvas, signed lower right, signed, titled and “Noonan‑Kocian Co., St. Louis” label en verso, 10 1/4 in. x 14 1/4 in., framed. $1200/1800

163. Lillian Mathilde Genth (American/Philadelphia, 1876‑1953), “Fountain, Villa d’Este, Tivoli, Italy”, oil on canvas, signed lower right, 15 in. x 18 in., period frame. $500/700

Provenance: Noonan‑Kocian Gallery, St. Louis; Succession of Benedette Gieselman, New Orleans.

164. Josep Suñol Rodriguez (Spanish, b. 1911), “Monasterio de Montserrat (Monastery of Santa Maria de Montserrat, northwest of Barcelona, Spain)”, oil on canvas, signed lower left, pencil‑titled and Barcelona canvas stamp en verso, 21 1/4 in. x 25 1/2 in., period gilt frame. $1500/2500

165. Antonio Casanova y Estorach (Spanish, 1847‑1896), “Cardinal Playing Cello”, 1896, oil on canvas, signed, dated and inscribed “Paris” upper left, 10 3/4 in. x 14 in., framed with brass artist plaque. $2500/3500

Additional information at www.nealauction.com

166. Paris Polychrome and Gilt Porcelain Amphora Vase, 19th c., with figural and landscape reserves, gilt scroll handles with mask medallions, h. 17 1/2 in., now mounted as a lamp, h. (to top of finial) 32 1/2 in. $800/1200

167. Italian Classical‑Style Carved and Painted Candlestick, some antique elements, acanthus carved standard, lobed plinth, h. 33 in., dia. 12 in. $400/600

168. Pair of Italian Renaissance‑Style Painted Iron Three‑Light Torchères, 20th c., trefoil candleholder, floral pendants, twist stem, trifed base, h. 72 in., w. 20 in., d. 15 in. $800/1200

170. Large Rock Crystal Sphere, dia. 11 in., carved giltwood base, total h. 13 3/4 in. $1200/1800 171. Pair of Bronze‑Mounted Verdigris Marble Columns, h. 39 in., w. 16 in., d. 16 in. $1500/2500

173. Monumental Pair of Italian .925 Silver Eight‑Light Candelabra, Vallé Mario, Milan, foliate scroll candle arms with urn‑shaped candlecups, acanthine standard, incurvate triangular plinth, shell and scroll foot, h. 25 3/4 in. $8000/10000

169. Continental Carved and Patinated Wood Figural Card Stand, late 19th c., modeled as a Venetian page holding a torch, h. 52 1/2 in., w. 13 in., d. 20 in. $700/900

172. Venetian Carved, Polychromed and Gilt‑Decorated Blackamoor Figural Card Stand, 19th c., h. 47 in., w. 12 in., d. 12 in. $1200/1800

174. Extensive George V Sterling Silver Flatware Service for Twelve in the “Old English Typt” Pattern, Walker & Hall, Sheffield, mostly 1918 and 1919, mark reg. 1892, incl. 12 each: table forks, dessert forks, fish forks, fish knives, teaspoons, soup spoons, dessert spoons, bone-handled knives, (l. 9 5/8 in.), bone‑handled cheese knives, mother‑of‑pearl handled fruit forks and knives; bone‑handled roast carving fork, knife and steel, bone‑handled game carving fork and knife, 4 knife rests, sugar tongs, pickle fork, 6 egg spoons, sugar shovel, 2 butter knives (fh), 6 tablespoons, 2 sauce ladles, soup ladle, dressing spoon, fish serving knife and fork, and 2 nut crackers (not silver), 166 pcs., total wt. (weighable) approx. 160 troy ozs.; presented in a mahogany silver table, also labeled Walker & Hall, with two fitted drawers and cabriole legs, h. 29 1/4 in., w. 36 1/4 in., d. 20 5/8 in. $2500/3500

175. George III Sterling Silver Serving Tray, Elizabeth Jones, London, 1794, mark reg. 1783, oval with reeded border and handles, engraved armorial, fully marked on reverse, l. 22 1/4 in., w. 14 3/8 in., wt. 61.15 troy ozs. $1800/2500

176. Georgian Sheffield Plate Hot Water Urn in the Adam Taste, late 18th c., urn form, removable cover with bead decoration and urn finial, body with neoclassical plaques, retains interior fittings with tinned surface, plinth base, ball feet, h. 28 in. $800/1200

177. Empire‑Style Bronze and Tôle Peinte Eight‑Light Chandelier, foliate standard, domed base issuing scrolled candlearms interspersed by anthemia, h. 31 in., w. 25 in. $800/1200

179. Quezal Iridescent Art Glass Vase, c. 1925, signed “Quezal” and “B753”, gold pulled‑feather design, opal and green ground, h. 6 3/4 in., dia. 2 5/8 in. $4000/6000 Provenance: Succession of Benedette Gieselman, New Orleans.

181. Pair of Continental Gilt Bronze and Cobalt Cut‑to‑Cranberry Glass Ewers, 20th c., elaborately scrolled handle and base, h. 21 1/2 in., w. 9 in., d. 6 in. $1000/1500

178. Neoclassical‑Style Patinated Metal and Cut Crystal Hall Lantern, beaded garlands and pendeloque prisms, h. 35 in., dia. 31 in. $800/1200

180. Quezal Iridescent Art Glass Vase, c. 1925, signed “Quezal” and “G 635”, gold and green pulled‑feather design, three fluted legs, h. 6 1/2 in., dia. 3 in. $2500/3500 Provenance: Succession of Benedette Gieselman, New Orleans.

182. Continental Gilded Bronze “Iron Maiden” Erotic Figure, probably early 20th c., in the manner of Carl Kauba, with removable nude figure, inscribed “2”, h. 10 1/4 in., w. 3 1/2 in., d. 3 1/2 in. $2000/3000

Additional information at www.nealauction.com

183. Art Deco Patinated Bronze Figural Group of a Lady with Greyhounds, after Otto Poertzel, inscribed “Prof. Poertzel. Encore 129/190” on self base, h. 14 1/4 in., marble base, overall h. 18 3/4 in. $1000/1500

184. Continental Polychromed and Patinated Bronze Figure of an Exotic Lady, standing on a tasseled rug, h. 33 1/2 in., w. 10 1/2 in., d. 10 1/2 in. $600/800

185. Antique Continental Carved Giltwood Mirror of Art Nouveau Inspiration, cartouche crest, foliate scroll tracery, h. 39 in., w. 19 in. $700/1000

186. Napoleon III Giltwood Trumeau, late 19th c., frame inset with panel of Alpine village above antique mirror plate, h. 64 in., w. 34 in. $1000/1500

187. Belgian Gilt Bronze Three‑Piece Clock Garniture, late 19th c., dial marked “A. de Lambert/ Liege”, reticulated case with griffins and classical mask, conforming five‑light candelabra, clock h. 21 in., w. 12 1/2 in., d. 4 3/4 in., candelabra h. 19 in. $1200/1800

188. After Paolo Veronese (Italian, 1528‑1588), “Feast in the House of Levi”, oil on canvas, unsigned, 16 1/2 in. x 34 1/2 in.; together with After Titian (Italian, 1488/1490‑1576), “Presentation of the Virgin”, oil on canvas, unsigned, “Messrs. Southeby [sic] & Co., Ltd, 34‑35 New Bond Street [London]” typewritten label en verso, 16 1/2 in. x 34 1/2 in., framed alike. $10000/15000

190. Louis XV Provincial Carved Walnut Console, 18th c., serpentine faux marbre top, three foliate carved frieze drawers, acanthus carved C scroll legs, floral stretcher, volute feet, h. 30 in., w. 41 1/2 in., d. 24 1/2 in. $2000/3000

189. Anglo‑Colonial Carved Rosewood Chest of Drawers, 19th c., four drawers, carved throughout with rope motifs, Gothic arches and quatrefoils, shaped feet, h. 45 1/4 in., w. 44 1/4 in., d. 24 in. $1500/2500 Note: Though likely made by an apprentice craftsman with the indigenous rosewood of Asia Minor, this chest borrows elements of English Regency and Gothic Revival design raging in 1820’s London. Most notably seen in George Smith’s 1828 Cabinet Maker’s and Upholsterer’s Guide and W.N. Pugin’s interiors in Ackerman’s Repository of the Arts, 1811-1828. Interestingly, the “Gothic” arch of Medieval European architecture and seen here, has its origins in the Central Asian Sassanic Empire in of the 7th c. A.D., territory of the British Empire in the 19th c.

193. Antique Italian or Spanish Baroque‑Style Carved Giltwood And Argenté Reliquary, fitted with sacred heart embroidery cartouche in silver filigree and “paste” mount, h. 22 1/2 in., w. 10 1/2 in., d. 7 1/2 in. $500/700

194. Louis XV‑Style Bronze Encrier, rocaille tray, centered by a cupid and enameled cabochon, flanked by ink pots and tapersticks, h. 9 1/2 in., w. 20 in., d. 12 in. $400/600

191. Giovanni Battista Piranesi (Italian, 1720‑1778), “Title Page”, Della Magnificenza ed Architettura de Romani, 1761, engraving on paper, signed in plate lower left, sight 18 1/4 in. x 12 1/4 in., framed. $400/600

192. After Guido Reni (Italian, 1575‑1642), “The Triumph of Aurora”, chromolithograph, sight 19 in. x 42 1/2 in., carved gilt frame. $1200/1800

196. Pair of Antique Louis XV-Style Gilt and Patinated Bronze Figural Chenets, mounted with a couple in 18th c. costume, h. 11 in., w. 12 in. d. 6 in. $800/1200 195. French Gilt Bronze and Cut Crystal Centerpiece, 20th c., dolphin standard, diamond point bowl, h. 19 1/2 in., dia. 13 3/4 in. $600/800

198. William IV Brass Fire Fender, engraved foliate design, scroll feet, h. 9 1/2 in., w. 41 1/2 in., d. 10 in. $300/500

197. Pair of George III Inlaid Mahogany Cutlery Urns, early 19th c., shield escutcheon, plinth base, bracket feet, now mounted as table lamps, h. 21 3/4 in., dia. 10 in., h. to socket 35 in. $500/700

199. Pair of Irish Cut Crystal Covered Urns, facet cut, star cut foot, h. 12 1/2 in., w. 6 1/4 in., d. 3 3/4 in. $400/600

200. Set of Four Antique English Silverplate Candlesticks, 19th c., each with gadrooned bobêche, shaft and base, h. 12 in. $500/750

Additional information at www.nealauction.com

201. Old Sheffield Plate Salver in the Chippendale Taste, mark of Barnard & Sons, London, piecrust border with Rococo shells, flat chased well centered by crest and motto “Inimicia Tyrannis” (Enemy to Tyrants), scroll feet, dia. 20 in. $600/900

202. George III Sterling Silver Hot Water Urn, John Schofield, London, 1792, mark ent. 1778, engraved Darwin crest and motto “CONCHIS OMNIA”, vase form with ring handles, spigot with paterae and waterleaf, plinth base with bracketed scroll feet, h. 16 in., wt. 104.70 troy ozs. $2000/3000 203. Empire‑Style Parcel Gilt and Carved Mahogany Center Table, specimen marble top, plain frieze, hocked legs with gilt masks, paw feet, h. 28 1/2 in., w. 36 in., d. 36 in. $2500/3500

204. Beaux Arts Gilt BronzeMounted Breccia Marble and Mahogany Stand, late 19th c., reticulated gallery, polychromed top, frieze drawer, stretcher shelf, shaped plinth, toupie feet, h. 32 1/2 in., w. 16 in., d. 16 in. $1000/1500

205. Antique Louis XV‑Style Carved Beech and Caned Canapé, rose carved crest, incurvate arms, carved apron, scroll feet, h. 39 in., w. 67 1/2 in., d. 34 in. $1200/1800

206. Continental Baroque‑Style Carved Giltwood Table Top Vitrine, 19th c., putto finial, foliate scroll glazed door, shelf interior, polychrome diapered panel, shaped plinth, beaded disc feet, h. 47 in., w. 29 in., d. 12 in. $2500/3000

207. Antique Louis XV‑Style Carved Walnut Commode, 18th or 19th c., serpentine front, two drawers, tall cabriole legs, h. 36 in., w. 51 in., d. 27 in. $2500/3500

208. Pair of Empire‑Style Inlaid Mahogany and Paint-Decorated Klismos Chairs, early 20th c., each tablet crest with classical scene, h. 35 3/8 in., w. 17 1/4 in., d. 16 1/4 in. $700/900

210. After Georg Bleibtreu (German, 1828‑1892), “Der Einzug Der Verbundeten in Paris, A.M. 31, Marz 1814 (Battle of Paris)”, steel engraving, published by Druck v. Hermann, Berlin, sight 23 3/4 in. x 29 3/4 in., antique frame. $600/900 Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

213. Pair of Italian Painted Cast Iron Candlesticks, 19th c., trumpetform candle sockets, acanthus scrolls, paw feet, h. 9 1/2 in., dia. 7 in. $600/900

209. Pair of Empire‑Style Bronze‑Mounted Mahogany Fauteuils, late 19th c., tablet crest, sphinx arm supports, square tapering legs, bronze cuffs, h. 40 1/8 in., w. 24 1/2 in., d. 24 in. $1200/1800

212. Pair of English Aesthetic Brass Andirons, c. 1890, attr. to Christopher Dresser (British, 1834‑1904), stylized foliate form. dragon mask mounts, h. 20 1/2 in., w. 6 1/2 in., d. 19 1/2 in. $800/1200

211. Jean Vernon (French, 20th c.), Art Deco bronze medallion celebrating the maiden voyage of the S.S. Normandie, 1935, inscribed “bronze” on edge, dia. 2 5/8 in. $400/600

214. Austrian Bleu‑Royale, Polychrome, and Gilt Porcelain Amphora Vase on Stand, late 19th/early 20th c., underglaze blue scepter mark and stamped “FD/ Vienna/Austria” within double beehive, decorated with figural scenes entitled “Einzug Alexander des Grossen in Griechenland [Triumph of Alexander the Great in Greece” and “Hectors Abschied [Hector’s Farewell]”, base with raised panels of Classical scenes, h. 24 5/8 in. $800/1200

Note: A pair of andirons from the collection of antiquarian Paul Reeves, attributed to Christopher Dresser and the Coalbrookdale foundries, with identical standards and bases to those here was sold at Sotheby’s, London, Mar. 20, 2008, lot 44.

216. Italian Faux Marbre and Parcel Gilt Columnar Pedestal, stepped base, h. 41 1/4 in., w. 15 3/8 in., d. 15 3/8 in. $800/1200

215. Pair of Continental Rouge and Gris de St. Anne Marble Obelisks, c. 1900, typical form, h. 21 in., w. 4 1/2 in., d. 4 1/2 in. $800/1200 Provenance: Collection of a Jackson, MS Lady.

217. Pair of Paris Porcelain Vases, late 19th c., “Sèvres” blue ground with gilt Chinoiserie decoration, h. 16 3/4 in., w. 8 1/2 in., d. 7 in. $600/800

218. Continental Verdure Tapestry, 18th/19th c., depicting a wooded landscape and river, floral border, 8 ft. 3 in. x 6 ft. 10 in. $1000/1500 Additional information at www.nealauction.com

219. Pair of Renaissance‑Style Patinated Bronze Five‑Light Torchères, early 20th c., attr. to Oscar Bach, New York, foliate scroll arms, faceted standard mounted with shields and lion masks, spreading reticulated base, electrified, h. 89 in., dia. 20 in. $2500/3500

220. Pair of French Neo‑Grec Bronze Seven‑Light Candelabra, late 19th/early 20th c., griffin‑scroll candlearms, columnar standards, tripartite anthemion and griffin bases, electrified, h. 43 in., w. 12 in. $800/1200

222. Directoire‑Style Tôle Gas Lantern, 20th c., pagoda form, now electrified, h. 25 1/2 in., w. 18 in., d. 9 1/2 in. $800/1200

223. Decorative Pair of Carved and Engraved Rock Crystal Table Lamps, h. (to socket) 22 7/8 in. $1500/2500

Provenance: Collection of a Jackson, MS Lady.

226. Gump’s 18 kt. Yellow Gold, Lavender Jade and Diamond Ring, set with central jade cabochon, 12 mm. x 9 1/2 mm., surrounded by 20 brilliant cut diamonds, total wt. approx. .97 cts., size 5, accompanied by copy of sales receipt and appraisal. $1500/2500 Provenance: Gump’s, Sept. 1985. 227. Pair of Gump’s 18 kt. Yellow Gold, Lavender Jade and Diamond Earrings, set with oval jade cabochons, 14 mm. x 10 mm., surrounded by round brilliant cut diamonds, 48 diamonds, total, wt. approx. .48 cts., accompanied by copy of sales receipt. $1200/1800 Provenance: Gump’s, Oct. 1987.

221. French Patinated Metal Seven‑Light Hall Lantern, foliate corona, paneled bracketed body, foliate pendant, h. 43 in., dia. 28 in. $700/1000

224. Vintage 14 kt. Yellow Gold Lady’s “Desky 17 Jewel” Wristwatch, Swiss movement, face surrounded by 18 single cut diamonds, mesh bracelet, wt. 33 dwt. $700/1000

225. American Victorian 14 kt. Yellow Gold and Black Enamel Brooch and Earrings Set, c. 1880, accompanied by copy of sales receipt and appraisal certificate. $800/1200

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Barker’s Antique Jewelry, Baton Rouge, LA, May 1994.

228. Gump’s Lavender Jade Bead Necklace, comprised of 79 jade beads, graduated from 6.5 mm. to 8.5 mm., 14 kt. yellow gold clasp, marked “GUMP’S”, l. 24 in. $500/700 230. American Victorian Gold‑Cased Belt Bangle Bracelet, 19th c., acid finish; together with Victorian gold‑plated buckle brooch. $300/500

229. 14 kt. Yellow Gold and Diamond Eternity Ring, set with 22 full cut diamonds totaling approx. 1.40 cts., ring size 7. $700/1000

233. 14 kt. Yellow Gold Dome Ring, lattice design, ring size 6, wt. 11.5 dwt. $300/500

231. Platinum, Diamond and Cabochon Emerald Stickpin, total diamond wt. approx. .52 cts., head h. 3/4 in., pin l. 2 3/4 in. $300/500

234. Quadruple Strand Cultured Pearl Necklace with 14 kt. Yellow and White Gold and Pavé Diamond Clasp, with 6 1/2 ‑ 7 mm. pearls. $2000/3000

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 232. David Yurman Sterling Silver Wheat Chain Necklace with 14 kt. Yellow Gold Detail, lobster clasp, l. 22 in., w. 6 mm., wt. 2.25 troy ozs. $150/250 235. Double Strand Graduated Cultured Pearl Necklace, with 8 diamond roundels and 14 kt. white gold, pearl and diamond clasp; pearls graduated from 7 to 10.5 mm., l. 23 in. $3000/4000

236. Gump’s 18 kt. Yellow Gold, Lapis Lazuli and Diamond “Never Ending Knot” Pendant, carved deep blue stone set with four pavé diamonds, total wt. approx. .06 cts., h. 1 1/8 in., w. 1 1/8 in., accompanied by copy of sales receipt. $350/450 Provenance: Gump’s, Houston, Oct. 1986.

237. Pair of 14 kt. Yellow Gold and Roman Coin Earrings, each bezel set with a “Republic Denarius” coin, dia. 7/8 in., accompanied by copy of appraisal. $300/500

238. English Victorian 9 kt. Yellow Gold, Black Onyx and Oriental Half Pearl Brooch, 19th c., marked “P. Bros.”, locket back with woven hair, w. 1 5/8 in. $350/450

239. Antique English Victorian 18 kt. Yellow Gold, Sapphire and Diamond Ring, gypsy setting, ring size 7. $250/350 Provenance: Waldhorn Antiques.

240. Five Strand Biwa Pearl Choker with 14 kt. Yellow Gold and Mobé Pearl Clasp, l. 16 1/2 in. $300/500

241. 14 kt. Yellow Gold Band Ring, fluted design set with four rows of single cut diamonds in white gold channel, 30 dias. total, ring size 5, wt. 5 dwt. $250/350 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Additional information at www.nealauction.com

242. Vermeil Lion’s Head Ring, size 10 3/4; together with a Mexican silver cabochon ring, size 10 3/4. $300/500

244. Tiffany Studios Favrile Bowl on Stand, metal stand stamped “Tiffany Studios/ New York”, h. 7 in., dia. 12 3/4 in. $600/900

243. Corum Stainless Steel and 14 kt. Yellow Gold Admiral’s Cup Wristwatch. $800/1200

247. American Painted Bronze Garden Sculpture of Geese in Flight, 1986, after the prototype by Ernesto de Piatta (American, c. 1880‑1939) in Lady Bird Johnson Park in Arlington, VA, indistinct signature and date inscribed on rockwork base, h. 92 in., w. 51 in., d. 33 in. $1500/2500 245. Lalique “Moissac” Opalescent Glass Bowl, c. 1925, marked “R Lalique / France”, tapering cylindrical form with Art Deco leaf design, h. 5 1/8 in., dia. 6 in. $600/900

246. Lalique Glass Quail Figure, engraved mark, h. 5 in.; together with another glass quail figure, h. 7 in. $400/600

248. Pair of Antique Patinated Bronze Garden Figures of Cranes, 19th c., naturalistically posed. $600/800

249. American Verdigris Bronze Stork Figure, early 20th c., shellwork base, h. 70 in., w. 19 in., d. 17 in. $800/1200

250. Bronze Figure of Cupid with a Butterfly, probably 19th c., after Antoine‑Denis Chaudet (French, 1763‑1810), inscribed “Chaudet” on base, h. 8 5/8 in., w. 7 3/4 in., d. 4 in. $700/1000

251. Continental Patinated Bronze Figure of a Woman and Child, after “Maternité” by Louis‑Albert Lefeuvre, artist signature inscribed on self‑base, placard with title and artist name on self‑base, h. 40 in., w. 16 in., d. 16 in. $2000/3000

252. Continental Bronze Figural Group of a Huntsman and Dogs, after P.J. Mène, naturalistic oval base, inscribed “P.J. Mène”, h. 16 1/2 in., w. 16 1/4 in., d. 9 in. $900/1200

253. Patinated Metal Figure of a Ballet Dancer, 20th c., with ballet barre, h. 35 1/2 in., w. 34 3/4 in., d. 10 1/4 in. $800/1200

254. Decorative Gothic Polychrome and Gilt Pier Mirror, molded frame with Gothic tracery, attractively cloudy mirror plate, h. 87 1/2 in., w. 34 in. $1200/1800

256. Chinese Hardstone, Cloisonné, Hardwood, and Mother‑of‑Pearl Embellished Gold Leaf Wall Panel, applied with fruit, flowers and scholarly accoutrements on a gold foil ground, sight 35 1/2 in. x 21 1/2 in., hardwood frame, 39 1/4 in. x 25 1/2 in., gilt bronze hanger. $2000/3000

255. Pair of Monumental Chinese Flambé Glazed Pottery Vases, probably 20th c., ovoid bodies with mottled purple and blue streaked oxblood glaze, h. 18 1/2 in. and 18 3/8 in. $1000/1500

257. Pair of Chinese Stone Pedestals, stepped hexagonal forms, relief‑carved with Buddhist lions and flaming pearls, h. 18 in., w. 24 1/2 in. $3000/5000

258. Chinese Scholar’s Rock, naturalistic‑form with a rounded head and craggy body terminating in a tapered base, h. 23 in., hardwood stand, overall h. 26 in. $800/1200

Additional information at www.nealauction.com

259. Chinese Duan Stone Table Screen, probably 20th c., carved with deer in a landscape with pine, prunus, lingzhi, rock, and foliage, sight 13 3/4 in. x 10 1/4 in., hardwood stand, overall h. 21 7/8 in., w. 14 3/8 in., d. 8 in. $1200/1800

260. Fine Antique Chinese Ivory Puzzle Ball on Stand, late 19th/ early 20th c., outer ball carved with figures amid pavilions and trees, inner balls with floral and geometric patterns, turned standard with medial rotating element over 3 crouching figures and a toad, openwork base, h. 11 in. $1000/1500

261. Chinese Silver Inlaid Bronze Buffalo, modeled standing foursquare with thick arched neck and alert forward facing head, overall stylized loop inlay, h. 6 3/4 in., w. 9 in., accompanied by a copy of ORENDA report #2011207AFLS. $500/700

262. Chinese Soapstone “Eight Immortals” Mountain, probably 18th/19th c., finely carved with the 8 Daoist Immortals carrying their attributes amid clouds and rocks, h. 15 1/8 in., w. 12 in. $4000/6000 Provenance: Accompanied by a copy of the Ashkenazie & Co., SF, invoice dated July 25, 1985.

Provenance: Ex‑Collection Chauncey Lowe, Winter Park, FL.

263. Archaistic Chinese Gilt Bronze Double Vase, probably 20th c., modeled as two drums straddled by a dragon, relief‑cast with stylized animal masks and dragons, base with Qianlong mark, h. 4 5/8 in. $800/1200

264. Antique Chinese or Burmese Hardwood Figure of an Equestrian, carved as a warrior with arms held acutely at his side straddling a horse, trace pigment, h. 29 in., w. 23 in. $800/1200

265. Large Chinese Hardstone Figure of a Buddhist Lion, carved standing foursquare, h. 15 in., w. 17 1/2 in., d. 6 3/4 in., wood stand, overall h. 17 5/8 in. $800/1200

Provenance: Acquired Mission Hills, KS, 1991.

266. Chinese Cizhou Pottery Dish, probably Yuan Dynasty (1271‑1368), interior with central shrimp roundel, h. 2 1/2 in., dia. 13 3/8 in. $500/700

267. Pair of Chinese Famille Rose Porcelain Fish Bowls, probably 20th c., decorated with court scenes on a cloud and Buddhist lion ground, h. 18 1/2 in., dia. 20 1/2 in., wood stands, overall h. 31 3/4 in. $300/500

268. Chinese School, probably Qing Dynasty (1644‑1911), “Scholars in a Mountainous Landscape with Old Pine, Rocks and Water”, ink and color on silk, inscribed and sealed upper right, sight 62 3/4 in. x 14 1/2 in., framed and glazed. $800/1200

269. An American Malachite Inlaid Marble Compendium Clock, incorporating a time and calendar dial and a barometer, h. 21 1/2 in., w. 21 in., d. 6 in. $1000/1500

270. Dutch Neoclassical‑Style Marquetry Mirror, 19th c., molded cornice, flowering vine inlay, h. 41 in., w. 23 1/2 in. $500/1000

271. Rococo‑Style Carved, Painted and Parcel Gilt Mirror in the Chippendale Taste, 19th c., arched crest with a pair of birds, scrollwork surround, divided mirror plate, h. 46 in., w. 54 1/2 in. $1000/2000 272. Pair of Art Deco‑Style Leather Club Chairs, rounded backs, cushion seats, nailhead trim, block feet, h. 31 in., w. 34 1/2 in., seat d. 19 3/4 in. $1200/1800

273. Pair of Moderne Tiger’s Eye Veneered Pedestals, 20th c., stepped plinth bases, h. 36 1/8 in., w. 11 7/8 in., d. 11 1/2 in. $2000/3000 274. Pair of Art Deco‑Style “Dome Top” Mirrors, attr. to Karl Springer (German/New York, 1931‑1991), arched crests with keystone cartouches, paneled borders, h. 72 in., w. 32 in. $2500/3500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

275. Art Deco Burlwood and Ebonized Drinks Cabinet à Mechanique, early 20th c., beveled glass case with telescoping tray, blind swivel compartments below, fitted with Continental .800 silver accoutrements incl. ice bucket, footed bowl, cigar humidor, cutter and lighter, cigarette box, match box cover, beaker and tumbler, silver‑mounted decanters, and associated panel cut crystal glasses, all silver hallmarked E. Marcus Berlin, h. 25 6/8 in., w. 25 7/8 in., d. 23 1/2 in. $1200/1800 Note: Eugen Marcus, active in Berlin in the late 19th and early 20th c., was court jeweler to Wilhelm II.

Additional information at www.nealauction.com

276. Karl Springer (German/New York, 1931‑1991) Lacquered Goatskin Parchment “Mushroom” Dining Table, c. 1978, mushroom shaped top and base molded in one piece, h. 29 in., dia. 54 in. $3000/5000

277. Set of Four Aldo Tura (Italian, 1909-1963) Lacquered Goatskin Nesting Tables, graduated inverted U-form, one with “TURA / made in Italy” label, largest h. 16 3/4 in., w. 26 3/8 in., d. 17 5/8 in. $1500/2500

Provenance: Accompanied by a copy of the original invoice from Karl Springer, Ltd., New York, dated May 1978; Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans.

278. Four Italian Rococo Carved and Polychromed Side Chairs, early 20th c., foliate carved backs, serpentine seat rails, acanthine cabriole legs, h. 43 1/4 in., w. 21 3/4 in., d. 20 1/4 in. $700/1000

279. Set of Brass and Chinoiserie Nesting Tables, 20th c., each with incised and painted wood top, largest h. 22 in., w. 19 in., d. 14 in. $800/1200

280. Large Moorish Bone, Tortoiseshell and Mother‑of‑Pearl Inlaid Coffer, chamfered lid, void interior, iron handles, bracket feet, h. 28 in., w. 39 in., d. 19 1/2 in. $1500/2500

281. Italian Carved Mahogany Serpentine Credenza, 19th c., two doors, molded base, interior shelf, h. 36 1/2 in., w. 56 5/8 in., d. 19 1/4 in. $800/1200

282. Pair of Antique Iberian Walnut and Tooled Leather Armchairs, probably 19th c., intricately tooled leather back and seat, brass nailhead trim, scrolled acanthus arms, turned and blocked legs, arched scrolled stretcher, Spanish feet, h. 42 7/8 in., w. 23 1/2 in., d. 18 in. $1000/1500

283. Pair of Anglo‑Colonial Bone-Inlaid Hardwood Side Chairs, each with shaped splat back, cabriole legs. $1000/1500

284. Late George III Inlaid Mahogany Cabinet Bookcase, c. 1800, stepped cornice, Gothic glazed door, shelf interior, lower case with paneled door, interior shelf, h. 83 1/2 in., w. 27 in., d. 18 in. $600/900

286. French Elm Low Table, composed of antique elements, rubbed grey painted top, frieze drawers, turned legs, pegged construction, h. 18 in., w. 60 in., d. 33 in. $800/1200 285. English Chinoiserie Lacquer Work Table, probably mid‑19th c., shaped lid, fitted interior, lyre-form supports, trestle base, paw feet, h. 28 in., w. 25 5/8 in., d. 17 3/4 in. $800/1000

287. Italian Renaissance Revival Ebonized and Inlaid Library Table, 19th c., top inlaid with putti and rocaille baskets of flowers, conforming frieze drawer, bracketed supports, trestle base, stretcher, h. 29 5/8 in., w. 33 1/4 in., d. 22 3/8 in. $1200/1800

288. Antique Continental Ebonized and Inlaid Writing Table, foldover top with compartments, gate legs, three drawers, turned legs, shaped stretchers, bun feet, h. 29 in., w. 33 in., d. 12 in. $1000/1500

289. Large Dutch Carved Mahogany Press in the Neoclassical Taste, 19th c., broken arch pediment with swags and urn, paneled doors with shelf interior, bombé lower case with four drawers, “French” feet, h. 101 in., w. 67 in., d. 21 3/4 in. $1500/2500

290. Dutch Carved Mahogany Commode, 18th c., molded serpentine top, three conforming drawers, shaped skirt, bracket feet, h. 30 in., w. 43 in., d. 22 1/2 in. $1200/1800

291. Antique Louis XIV‑Style Carved Walnut Mechanical Chair, 19th c., tall back, scrolled arms, iron ratchet mechanism, turned blocked legs, H stretcher , h. 48 in., w. 27 in., d. 36 in. $800/1200

292. George Peter Alexander Healy (American, 1813‑1894, act. New Orleans, 1843‑1868), “Prince Alfred Ernest Albert, Duke of Edinburgh (1844‑1900)”, 1877, oil on canvas, signed and dated upper left, “From Geo. Ryneal, Jr., Washington D.C.” canvas stamp en verso, 24 in. x 20 in., framed. $3000/5000 Note: The second son of Queen Victoria and Prince Albert, Alfred was created Duke of Edinburgh in 1866. In 1874 he married Grand-Duchess Marie Alexandra, daughter of Czar Alexander II, at Saint Petersburg, and the prince and princess’s children were born in the years bracketing this sensitive portrait (painted probably either in Paris, while the artist was in residence there in the 1870s, or in Washington—as suggested by the stamp of a D.C. art supplier on the back of the canvas—where the Prince may have been visiting the British Embassy). Prince Alfred became Duke of Saxe-Coburg and Gotha in 1893, and died at Coburg (distraught by the romantically induced suicide of his son and namesake in 1899), in 1900.

293. Italian School, probably late 19th c., “Madonna and Child with Two Angels”, oil on canvas, unsigned, after Filippo Lippi, 35 1/2 in. x 24 1/4 in., framed. $1500/2500

Additional information at www.nealauction.com

294. After Bartolome Esteban Murillo (Spanish, 1617‑1682), “Adoration of the Magi”, 18th/19th c., oil on canvas, 23 3/4 in. x 41 in., framed with artist plaque. $1000/2000

295. Henry Scott (British, 1911‑2005), “The Tea Clipper Fiery Cross off the Cape of Good Hope during the Great Tea Race of 1866”, oil on canvas, signed lower right, titled en verso, 16 in. x 22 in., framed. $3000/5000

296. Pair of French Gilt and Argenté Bronze and Variegated Marble Garnitures, each with bouquet finial, branches hung with cut crystal prisms, h. 32 1/2 in., dia. 21 in. $2000/3000

297. Pair of Spanish Patinated Wrought Iron Seven‑Light Torchères, twist standard, foliate scroll base, h. 79 in., dia. 26 in. $1000/1500

298. Pair of Italian or French Wrought Iron Three‑Light Candelabra, 20th c., floral scroll decoration, incised standards, scroll feet, h. 33 in., w. 17 in., d. 11 in. $800/1200

299. Venetian Glass Eight‑Light Chandelier, early 20th c., vasiform standard, rope-twist arms with floral pendants, h. 37 in., dia. 33 in. $800/1200

300. Louis XV‑Style Bronze, Rose Quartz and Rock Crystal Eighteen‑Light Chandelier, with floral mounts, and fruit-carved quartz and rock crystal pendants, electrified, h. 36 in., dia. 32 in. $4000/6000

301. Verdigris Patinated Bronze Figural Garden Fountain, in two parts, water carrier figure on foliate plinth, shell form basin on base of addorsed dolphins, h. 95 in., dia. 49 in. $4000/6000

302. Pair of Continental Bronze Figures of Fisherman and Wife, after A. Rollé, inscribed with artist’s name, h. 31 in., wood and marble stand, overall h. 71 in. $4000/6000

303. French Carved and Gilded Mirror, 19th c., shield shape with cartouche crest, floral scroll surround, beveled mirror plate, h. 51 1/2 in., w. 30 in. $1000/1500

304. Carved and Argenté Console of Italian Baroque Inspiration, molded top, mirrored frieze and back, canted scrolled supports ending in paw feet, stepped plinth base, h. 32 1/2 in., w. 63 in., d. 24 in. $1000/1500

306. Napoleon III Gilt Bronze‑Mounted Fruitwood Marquetry and Mahogany Bibliothèque, late 19th c., glazed doors with floral marquetry, shaped apron, cabriole legs, sabots, h. 81 1/4 in., w. 40 1/4 in., d. 18 1/2 in. $700/1000

305. French Walnut and Brass Inlaid “Windmill” Clock, 19th c., swivel case, marked “D‑M”, with ladder, door and window, h. 26 in., w. 17 in., d. 12 1/2 in. $1200/1800

307. Emily Nichols Hatch (American, 1871‑1959), “Madison Square Park, New York City”, 1930, watercolor on paper, signed and dated lower left, typewritten label with title and “Royal Art Framing Co., NYC” labels en verso, 18 in. x 14 1/4 in., framed. $700/1000

308. William “Bill” Dunlap (American/Mississippi, b. 1944), “Late Light ‑ Umbrian Hill Town, I” and “Valley Senzo(?)‑ on going, II”, 1986, diptych, oil on wood, each panel signed lower right and titled lower left, former dated lower right, overall 24 in. x 96 in., framed. $6000/8000 Note: “Hypothetical Realism” is the tongue-in-cheek term that William Dunlap coined to describe his own art. His landscapes, often depicting a vast horizon of hills, trees, and buildings are meant to be representations of specific places, but it is not uncommon for certain landmarks and details to be out of place. In the painting offered here, Dunlap utilizes his characteristic diptych format to fully capture an expansive scene. While the foregrounds of Dunlap’s paintings are frequently punctuated by animals, this rare canvas features a lone figure facing away from the viewer to survey the Italian hill town (most likely Todi) below. The singularity of this out-of-place nude, which acts as a stand-in for the viewer, underscores the dream-like sequence of the painting as a whole and leaves the interpretation entirely in the beholder’s imagination. Ref.: Dunlap, William, and J. Richard. Gruber. Dunlap. Jackson: U of Mississippi, 2006. p. 15.

309. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Stokesias”, hand‑colored linocut on paper, unsigned, “Oakley’s Picture Frames, Memphis, TN” label en verso, 15 1/2 in. x 12 in., framed. $800/1200

310. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Stokesias and Wood Lily”, hand‑colored linocut on paper, unsigned, “Oakley’s Picture Frames, Memphis, TN” label en verso, 17 1/2 in. x 12 in. $800/1200

Ill.: Pichard, Mary Anderson. Form

and Fantasy: The Block Prints of Walter Anderson. Jackson:

University Press of Mississippi, 2007, p. 73.

University Press of Mississippi, 2007, p. 73. Additional information at www.nealauction.com

311. Susan Downing White (American/Alabama, b. 1960), “Causeway XI”, 1991, oil on canvas, signed and dated lower left, “Koch Galleries, Mobile, AL” label en verso, 30 in. x 36 in., framed. $4000/6000 Exh.: Best of Mobile, Mobile Museum of Art, Sep. 3‑29, 1991; and Wiregrass Museum of Art, Dothan, AL, 1992. Note: Chicago-born artist Susan Downing-White has spent most of her life in the South, living both in New Orleans and Mobile. She studied art at the University of South Alabama as well as Auburn University. Downing-White’s airy canvases focus on the sky, coast, and light. The overgrown marshes and coastal scenes found near her home in Mobile provide inspiration for her luminous landscapes. When asked about her artistic process, DowningWhite explains, “The skies interest me most. They change and express mood.” In the painting offered here, the horizon line lies low on the canvas so as to enhance the focus on the breathtaking sky. The crisp white clouds are warmly lit from underneath by a hidden setting sun, hanging suspended in the striking blue field of sky and sea. Ref.: Kemp, John. R. “Injecting Sophisticated Drama: Painting Skies and Coasts with Delicate Brushstrokes.” American Artist. June 2009.

312. José‑Maria Cundin (Spanish/Louisiana, b. 1938), “La Cuadrilla de Luis Araquistain: Postales Taurinas Series (Luis Araquistain’s Group: Bullfighting Postcards Series)”, 1965, oil on canvas, signed and dated mid‑right, “Orleans Gallery, Royal Street, New Orleans” label with title en verso, 34 1/8 in. x 50 1/4 in., framed. $15000/25000 Note: Born in the Basque Country of Spain, Cundin’s work often references his culture and the turbulent history of the region. Cundin’s paintings are infused with wit, intriguing text and frequently, mysterious narratives. In work offered here, the costume of the matador figure and the painted scroll offer a clue to the scene, translating to “Don Louis Araquistain, Maestro Bullfighter, Honored and Famed in the Art of Bullfighting.” The Basque Country has long had close ties to bullfighting. Bilbao has a museum dedicated to the sport, and the famous Pamplona Running of the Bulls takes place in Basque Country. Rather than the conventional Spanish bullfight however, the Basque version is a more acrobatic style often referred to as the Basque-Navarra style, or recortes, where the performer leaps over and around the charging bull. In this painting, Cundin’s figures float and twist through the air with the text intertwined throughout the composition in a style reminiscent of Basque bullfighting. An important early work for the artist, this painting was featured in Cundin’s first exhibition at the noted Orleans Gallery located at 527 Royal Street.

313. James Michalopoulos (American/New Orleans, b. 1951), “Split Fix”, oil on canvas, signed lower left, signed, titled, inscribed and artist label en verso, 31 in. x 25 in., framed. $4000/6000

314. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Yellow Field and Bird”, 1969, watercolor on paper, signed and dated lower right, 18 in. x 24 in., framed. $1000/1500 Provenance: Collection of a Jackson, MS Lady.

316. Milton Avery (American, 1885‑1965), “Fish”, 1952, woodcut, pencil‑signed and dated lower right, pencil‑numbered “37/100” lower left, 2 1/2 in. x 9 in., sheet 8 1/2 in. x 16 in., framed. $1000/1500

317. Milton Avery (American, 1885‑1965), “Nursing Baby”, 1933, drypoint etching, signed in plate upper right, estate stamp “Milton Avery” in red lower right, pencil‑dated and numbered “31/100” lower left, edition of 100 printed posthumously, 4 1/8 in. x 4 1/8 in., sheet 15 in. x 13 in., framed. $800/1200 315. Alexander Calder (American, 1898‑1976), “Homage to the Sun”, color lithograph, pencil‑signed lower right, inscribed “E.A.” lower right, 26 3/8 in. x 38 1/2 in., framed. $1800/2500

318. Frank Weston Benson (American, 1862‑1951), “The Waders”, 1930, drypoint, pencil‑signed, Paff 298, 7 in. x 12 in.; “Yellowlegs Alighting”, 1920, drypoint, pencil‑signed, Paff 187, 8 7/8 in. x 14 7/8 in.; “Yellow Legs, No. 2”, 1919, drypoint, pencil‑signed, Paff 162, 7 7/8 in. x 9 7/8 in.; “Soaring Fish Hawk”, 1923, drypoint, pencil‑signed, Paff 225, 5 5/8 in. x 7 7/8 in.; “Canvasback”, 1926, etching, pencil‑signed, Paff 261, 5 7/8 in. x 11 3/4 in.; “Scaling Down”, 1917, etching, pencil‑signed, Paff 120, 4 in. x 3 in., each unframed. (6 pcs.) $1000/1500

319. Frank Weston Benson (American, 1862‑1951), “Pair of Snipes”, 1932, etching, pencil‑signed, Paff 323, 3 7/8 in. x 6 in.; “Waders”, 1930, drypoint, pencil‑signed, Paff 298, 7 in. x 12 in.; “Turnstones”, 1928, drypoint, pencil‑signed, Paff 283, 7 7/8 in. x 11 7/8 in.; “Soaring Fish Hawk”, 1923, drypoint, pencil‑signed, Paff 225, 5 5/8 in. x 7 7/8 in.; “Red Heads Coming”, 1930, etching, pencil‑signed, Paff 302, 8 in. x 15 in.; and “Flying Brandt”, 1925, drypoint, pencil‑signed, Paff 241, 4 3/4 in. x 6 7/8 in., each unframed. (6 pcs.) $1000/1500

320. Frank Weston Benson (American, 1862‑1951), “Black Ducks at Dusk”, 1924, etching, pencil‑signed, Paff 239, 4 7/8 in. x 6 7/8 in.; “Lone Pintail”, 1930, drypoint, pencil‑signed, Paff 303, 4 1/2 in. x 6 in.; “Canada Goose”, 1917, etching, pencil‑signed, 4 in. x 5 in.; “Baldpates”, 1924, drypoint, Paff 235, 7 7/8 in. x 9 7/8 in.; and “Marshes at Evening”, 1918, etching, Paff 131, 9 in. x 11 in., each unframed. (5 pcs.) $800/1200

321. Frank Weston Benson (American, 1862‑1951), “Flying Brant”, 1925, drypoint, pencil‑signed, Paff 241, 4 1/2 in. x 6 7/8 in.; “Scaling Point”, 1917, etching, pencil‑signed, Paff 120, 4 in. x 3 in.; “Flying Bufflehead”, 1930, etching and drypoint, pencil‑signed, Paff 308, 3 in. x 4 in.; “Lone Pintail”, 1930, drypoint, pencil‑signed, Paff 303, 4 1/2 in. x 6 in.; and “Red Heads Coming”, 1930, etching, pencil‑signed, Paff 302, 8 in. x 15 in., each unframed. (5 pcs.) $800/1200

322. Frank Weston Benson (American, 1862‑1951), Frank Weston Benson (American, 1862‑1951), “Casting for Salmon”, 1929, etching, pencil‑signed, Paff 288, 7 3/4 in. x 10 in., unframed. $600/900

323. Frank Weston Benson (American, 1862‑1951), Two Canoes”, 1927, etching, pencil‑signed, Paff 266, 5 7/8 in. x 7 3/4 in., unframed. $500/700

324. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, 1928, oil wash on board, signed and dated lower left, 40 in. x 15 in., period frame. $3000/5000

325. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Sailboats off the Coast”, oil on canvas board, signed lower left, 15 in. x 18 in., framed. $2000/3000 Provenance: Descended in the family of the artist.

326. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Lost Island, Louisiana Boat Dock”, watercolor and graphite on paper, unsigned, “From the Studio of Morris Henry Hobbs” label with title en verso, sight 14 in. x 20 1/4 in., framed. $1500/2500 Provenance: Descended in the family of the artist. 327. George Frederick Castleden (British/ New Orleans, 1861‑1945), “Sunset on the Bayou”, 1936, oil on canvas, signed and dated lower left, titled en verso, 22 in. x 18 in., period frame. $1500/2500

328. George Frederick Castleden (British/New Orleans, 1861‑1945), “The Marshes”, 1936, oil on canvas, signed and dated lower left, titled en verso, 18 in. x 22 in., period frame. $2500/3500 Provenance: D.H. Holmes, New Orleans.

Provenance: D.H. Holmes, New Orleans.

Additional information at www.nealauction.com

329. William Woodward (American/New Orleans, 1859‑1939), “Pass Christian on the Gulf”, 1905, oil on canvas, signed, dated and inscribed “Pass Christian” lower right, signed, titled, inscribed “New Orleans, La” and “F.F. Hansell & Bro. Ltd., Artists Materials and Picture Frames, New Orleans, LA “ stamps en verso, 25 in. x 40 in., framed. $30000/50000 Provenance: Plant City, FL Estate. Note: William Woodward became enamored of the Mississippi Gulf Coast as an artistic destination beginning in 1891. He was clearly inspired by the tropical beauty of the landscape and Gulf waters. He and his family spent time in Ocean Springs, Pass Christian and Biloxi, where Woodward would eventually retire and spend the later years of his life. The large and masterful painting offered here from 1905 depicts a bright, sunny day in Pass Christian. The alley of live oak trees casts dappled shade along the road, while an African-American figure carrying a sack walks along the sidewalk. A sailboat is visible in the distance on the bright blue Gulf waters. Two other views of Pass Christian of the same size but of different vantage points are illustrated in William Woodward: American Impressionist, plates 135-136. Ref.: Hinckley, Robert: William Woodward: American Impressionist, New Orleans: M Press, 2009.

330. Frederick Oakes Sylvester (American/Missouri, 1869‑1915, act. Newcomb College, 1891‑1892), “Menaggio, north from Cadenabbia (Italy), No. 10 “, oil on canvas, signed lower right, pencil‑titled and “Noonan‑Kocian Co., St. Louis” label en verso, 8 1/2 in. x 12 1/2 in., period frame. $1500/2500 Provenance: Noonan‑Kocian Gallery, St. Louis; Succession of Benedette Gieselman, New Orleans. Note: Upon graduating with honors from the Massachusetts Normal Art School in Boston, Frederick Oakes Sylvester was hired by the Woodward brothers for a one year appointment as professor of painting and drawing at Newcomb College.

331. Clementine Hunter (American/Louisiana, 1886‑1988), “Picking Cotton with a Scale”, oil on board, monogrammed lower right, 16 in. x 23 1/2 in., framed. $3000/5000 Provenance: Acquired from the artist by Mrs. Clara Waters, c. 1965; thence by descent.

332. Clementine Hunter (American/Louisiana, 1886‑1988), “Harvesting Gourds by Melrose Plantation and African House”, oil on board, monogrammed lower right, 18 in. x 24 in., framed. $3000/5000

333. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte of a Blue Wing Teal Drake”, watercolor on cardstock, signed and inscribed “N.O.” lower left, 24 1/2 in. x 14 3/4 in., framed. $7000/9000

334. George Frederick Castleden (British/New Orleans, 1861‑1945), “The Galleries of the Cabildo Courtyard, New Orleans, LA”, watercolor on paper, signed lower left, signed, titled and inscribed “Built by the Spanish in 1770, Still Stands with Original Timbers which were all Hand Sawed” en verso, 11 1/4 in. x 8 in. $1000/1500

335. Arnold Turtle (American/Louisiana, 1892‑1954), “Sailboats on the Lake”, oil on masonite, signed lower left, 16 in. x 20 in., framed. $1000/1500

336. Ellsworth Woodward (American/New Orleans, 1861‑1939), “St. Tammany Pines and Cabin”, watercolor and pencil on paper, signed lower left, sight 13 1/2 in. x 9 in., period frame. $4000/6000

337. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Live Oak Tree by the River”, watercolor on paper affixed to board, signed lower left, 10 1/2 in. x 15 1/4 in., framed. $4000/6000

Additional information at www.nealauction.com

338. Newcomb College Art Pottery Vase, 1909, decorated by Sadie Irvine with relief‑carved morning glory design, semi‑matte glaze with blue, green, and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. DK21, and “K” for white clay body, h. 8 3/4 in. $6000/9000 Provenance: Flavia Brewer Hereford Catoire, 1909 Newcomb College graduate; thence by descent in the family.

339. Newcomb College Art Pottery Vase, 1929, decorated by Henrietta Bailey with pine boughs modeled in low relief, semi‑matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt potter’s mark, reg. no. RZ29, and shape no. 72, h. 5 1/4 in. $2000/3000

340. Newcomb College Art Pottery Vase, 1932, decorated by Sadie Irvine in the Espanol pattern, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt potter’s mark, reg. no. TP23, and shape no. 67, h. 3 3/4 in., dia. 5 3/4 in. $1500/2500

341. Newcomb College Art Pottery Vase, 1911, decorated by May Louise Dunn with flowers and banding, semi‑matte glaze with blue and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. EQ79, and B for buff clay body, h. 4 3/4 in. $1800/2500 342. Newcomb College Art Pottery Vase, 1918, decorated by Sadie Irvine with a landscape design of moss‑laden live oak trees against a pink sky, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. JP56, and shape no. 286, h. 3 5/8 in., dia. 4 1/4 in. $1800/2500

343. Newcomb College Art Pottery Vase, 1922, decorated by Sadie Irvine in the Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. MI54 and shape no. 59, h. 6 1/2 in. $1500/2500

344. Newcomb College Art Pottery Vase, 1910, decorated by Sadie Irvine in the Moon and Moss design, semi‑matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. DX41, and “B” for buff clay body, h. 5 1/2 in., dia. 6 in. $1800/2500

345. Newcomb College Art Pottery Low Vase, 1916, decorated by Anna Frances Simpson with Cherokee roses modeled in low relief, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no.IJ17, and shape no. 261, h. 2 5/8 in., dia. 5 in. $1500/2500

346. George Ohr Art Pottery Ruffled Bowl, c. 1883‑1898, impressed mark, in moss green and gun‑metal glaze, h. 3 1/2 in., dia. 6 in. $800/1200

347. Newcomb College Art Pottery Vase, 1932, decorated by Sadie Irvine with stylized floral design, matte glaze with blue, green, yellow and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Kenneth Smith potter’s mark, and reg. no. UA36, h. 5 1/2 in., dia. 5 1/4 in. $1200/1800

348. Enrique Alferez (Mexican/New Orleans, 1901‑1999), “Portrait of Man Wearing a Hat”, 1935, pastel on paper, signed, dated, inscribed “Para Clayre, Con todo el Cariño (For Clayre, All my affection)” and flower monogram lower left, sight 16 3/4 in. x 12 3/4 in., framed. $2000/3000 Note: Clayre Barr was a New Orleans artist who studied at Newcomb Art School, New Orleans Art School of the Arts and Crafts Club and with Enrique Alferez.

349. Luis Graner y Arrufi (Spanish, 1863‑1929, act. New Orleans, 1914‑1922), “The Artist, Portrait of Charles Wellington Boyle”, 1916, oil on canvas, signed and inscribed “To my friend, C.W. Boyle” lower right, dated and inscribed “Owned by Dr. I.M. Cline” en verso, 30 in. x 23 in., framed. $2000/3000 Note: This impressionistic and sensitively rendered portrait depicts the Louisiana artist Charles Wellington Boyle. Boyle was a successful landscape painter active in New Orleans in the late 19th and early 20th c. Raised in Lewisburg on the north shore, his home was a turn-of-the-century gathering place for artists such as Ellsworth and William Woodward, Alexander Drysdale and Andres Molinary. Boyle was a founder of the Southern Art Union and the Artists’ Association of New Orleans. He was the first curator of the Delgado Museum of Art and later its director. Boyle is depicted painting in his studio, a palette in his hand, with an iconic composition of moss-laden oak trees upon the easel. Interestingly, this painting belonged to Dr. Isaac M. Cline, an early advocate, dealer and collector of Louisiana painters. Additional information at www.nealauction.com

“A Woman of the Thirties” 350. Eudora Welty (American/Mississippi, 1909‑2001), “The Eudora Welty Portfolio: Mississippi Department of Archives and History and Diogenes Editions”, 1992, 18 toned prints on silver paper, each pencil‑signed lower right, numbered “12/60” lower left and “Diogenes Edition, Jackson, Mississippi” embossed seal lower left, 20 in. x 16 in. or 16 in. x 20 in., framed alike. (18 pcs.) $25000/35000 Provenance: Collection of a Jackson, MS Lady. Note: Before publishing her first story, Eudora Welty was an accomplished photographer. Throughout the 1930s and early 1940s, Welty gathered a body of work remarkable for her choice of subjects and ability to put them at ease. The images depict the everyday lives of Mississippians at the height of the Depression. In early 1936, Welty was featured in a one-woman show of forty-five photographs at Lugene Opticians in New York. That same summer, Welty published her first short story, “Death of a Traveling Salesman,” and became a publicity agent, junior grade, for the WPA in Mississippi. Welty traveled throughout the state’s backroads, small towns, and rural areas to write articles about WPA projects for community weeklies, snapping pictures along the way. Although taking pictures was not part of her official WPA tasks, the experience helped chart Welty’s literary life. She is quoted in 1989: “In snapping these pictures I was acting completely on my own, though I’m afraid it was on their time; they have nothing to do with the WPA. But the WPA gave me the chance to travel, to see widely and at close hand and really for the first time the nature of the place I’d been born into. And it gave me the blessing of showing me the real State of Mississippi, not the abstract state of the Depression.” The rare complete portfolio offered here was conceived as a means of exhibiting the range and diversity of Welty’s work, but more than that it displays the photographer’s wide-ranging curiosity and unstinting empathy, which would mark her work as a writer. The images were chosen from the over 1000 negatives in the the Eudora Welty Collection of the Mississippi Department of Archives and History. Around seventy-five images were presented to Welty, who selected the final eighteen, was closely involved in the printing process and had final approval for the prints. Ref.: Frail, T.A. “Eudora Welty as Photographer.” Smithsonian Magazine. Apr. 2009. http://www.smithsonianmag.com/womens-history/eudora-welty-asphotographer-117044298/?no-ist. Accessed June 9, 2016. Scanlan, Laura Wolff. “Southern Exposure.” Humanities. Jan./Feb. 2011. http://www.neh. gov/humanities/2011/januaryfebruary/statement/southern-exposure. Access June 9, 2016. “Storekeeper”

“Farmers in Town”

“Child on the Porch 1939”

“Watermelon on the Courthouse Grounds”

“Madam Palmer”

“Ruins of Windsor”

“Here it Comes!”

“Mardi Gras Celebrations”

“Mule Face Woman”

“Wash Day”

“Sunday School, Holiness Church”

“Cemetery Monument”

“The Mattress Factory”

“Chickens”

“Hat, Fan, and Quilts”

“Strollers”

“Pageant of Birds”

Additional information at www.nealauction.com

351. Marie Hull (American/Mississippi, 1890-1980), “Flamingos: A Three-Panel Folding Screen”, oil on wood, signed lower right of right panel, overall 69 1/4 in. x 60 in. $18000/25000 Note: In 1925, Marie Hull and her husband Emmett spent a year in St. Petersburg, Florida. Marie was inspired by the local flora and fauna and created a series of paintings depicting the various exotic birds. In this rare screen, she depicts colorful flamingoes reflected in the aqua blue water with willow tree branches draped overhead. Interestingly, this screen has an Art Nouveau aesthetic which would have been an important current fashion at the time. A masterful painting of flamingoes in the collection of the Fielding L. Wright Art Center at Delta State University in Cleveland, MS relates closely to the screen. Another important screen by Marie Hull painted with macaws was sold in these rooms, November 19, 2011, lot 141. Ref.: Levingston, Bruce, Bright Fields: The Mastery of Marie Hull: Jackson: Univ. Press of Mississippi, 2015.

352. Harvey Joiner (American/Kentucky, 1852‑1932), “Stream through the Trees, probably Louisville, Kentucky”, oil on canvas, signed lower right, “Noonan‑Kocian Co., St. Louis” label and pencil inscription en verso, 6 1/4 in. x 8 in., period frame. $1500/2500

353. Charles Wellington Boyle (American/Louisiana, 1861‑1925), “Louisiana Oaks”, oil on canvas, signed lower right, signed and titled on label en verso, 12 1/2 in. x 17 in., period frame. $3000/5000

Provenance: Noonan‑Kocian Gallery, St. Louis; Succession of Benedette Gieselman, New Orleans.

354. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte of a Quail”, watercolor on cardstock, signed and inscribed “N.O.” lower left, 19 1/2 in. x 12 1/2 in., framed. $2500/3500

355. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte of a Woodcock”, watercolor on cardstock, signed and inscribed “N.O.” lower left, 19 1/4 in. x 12 1/2 in., framed. $2500/3500

356. Attributed to Woodford J. Sanders (American/New Orleans, 1870‑1923), “Sheepshead Fish”, oil on academy board, monogrammed and dated lower right, “W.E. Seebold, New Orleans, LA” and “F. Weber & Co., Artists’ Materials, Philadelphia and St. Louis” labels en verso, 12 in. x 18 1/4 in., period frame. $800/1200

357. George Frederick Castleden (British/New Orleans, 1861‑1945), “New Orleans Entrance”, oil on canvas board, signed lower left, 10 in. x 7 in., framed. $1000/1500 Exh.: “Knute Heldner and the Art Colony in Old New Orleans”, Jean Bragg Gallery, New Orleans, Oct. 2000, and listed in the accompanying catalogue, p.14.

358. William Aiken Walker (American/South Carolina, 1838‑1921), “Wash Day, Cabin Scene”, oil on academy board, signed lower left, pencil‑titled “Cabin”, inscribed and partial “F.W. Devoe & Co., NY” label en verso, 9 1/2 in. x 12 1/2 in., framed. $10000/15000 Note: To be included in John Fowler’s forthcoming catalogue raisonne on William Aiken Walker.

359. Knute Heldner (American/New Orleans, 1877‑1952), “Cypress Trees in the Louisiana Bayou”, oil on canvas, signed lower right, “James Bute Gallery, Houston, Texas” label en verso, 22 in. x 26 1/2 in., framed. $2500/3500 Provenance: Succession of Charles Duke Zucker (1925‑2014), New Orleans, LA.

360. Clementine Hunter (American/Louisiana, 1886‑1988), “Crucifixion: Black Jesus”, oil on board, monogrammed lower right, 24 in. x 12 in., framed. $2500/3500 Provenance: Acquired from the artist by a New Orleans collector

362. John James Audubon (American, 1785‑1851), “Great White Heron”, Plate 368, chromolithograph, from The Birds of America, Bien edition, sheet 25 1/2 in. x 39 in., float‑mounted and framed. $2000/3000

361. William Aiken Walker (American/South Carolina, 1838‑1921), “Picking Cotton”, oil on academy board, signed lower left, pencil inscription, “Gallery Mayo, Richmond, VA” and partial “F.W. Devoe & Co., NY” labels en verso, 8 in. x 4 1/4 in., period frame. $4000/6000 Note: To be included in John Fowler’s forthcoming catalogue raisonne on William Aiken Walker.

363. John James Audubon (American, 1785‑1851), “Glossy Ibis”, Plate 387, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/ 1837”, sheet 25 1/8 in. x 36 3/4 in., framed. $5000/7000 Additional information at www.nealauction.com

365. John James Audubon (American, 1785‑1851), “Sharp‑tailed Grous”, Plate 382, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/ 1838”, sheet 25 1/2 in. x 38 1/2 in., float‑mounted and framed. $3000/5000

364. John James Audubon (American, 1785‑1851), “Flamingo”, Plate 318, chromolithograph, from The Birds of America, Bien edition, sheet 38 in. x 26 in., framed. $10000/15000

367. John James Audubon (American, 1785‑1851), “Mocking Bird”, Plate 138, chromolithograph, from The Birds of America, Bien edition, sheet 39 1/2 in. x 26 1/2 in., framed. $1000/1500 Note: Elements of the original painting for this scene were copied from drawings made at Oakley Plantation, LA, on Aug. 25, 1821. Ref.: The Original Watercolor Paintings of John James Audubon for the Birds of America, American

366. John James Audubon (American, 1785‑1851), “Plumed Partridge and Thick Legged Partridge”, Plate 423, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio watermarked “J. Whatman”, sheet 21 1/8 in. x 28 1/4 in., framed. $1500/2500

368. John James Audubon (American, 1785‑1851), “Purple Martin”, Plate 22, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant‑folio paper watermarked “J.WHATMAN/1830”, sheet 38 in. x 25 1/2 in., framed. $1000/1500

Heritage, New York, 1985, Plate 44.

369. John James Audubon (American, 1785‑1851), “Zenaida Dove”, Plate 162, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant‑folio paper watermarked “J. Whatman/1834”, sheet 38 in. x 25 5/8 in. $2000/3000

370. John James Audubon (American, 1785‑1851), “Connecticut Warbler”, Plate 138, hand‑colored aquatint engraving, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/ 1832”, sheet 39 in. x 25 7/8 in., framed. $1500/2500 Provenance: Purchased from Didier, Inc., New Orleans, Oct. 21, 1980.

371. American Classical Carved Mahogany Campeche Chair, early 19th c., tall scrolled back and continuous seat with scroll arms, trestle base, casters, presented “in frame”, h. 38 1/4 in., w. 26 in., d. 28 1/2 in. $1000/1500 Note: The design of this New York chair is influenced by English Regency “Library” chairs and the butaca of Colonial Mexico. The butac chair form of Campeche, a Yucatan port, appeared in North America’s Lower Mississippi River Valley during Spanish rule of the late eighteenth century. A mahogany butac chair, now in the James Madison Museum, was given to Madison by Thomas Jefferson who used it as a model for “Campeachy” chairs made at the Monticello joinery. Examples of the “Campeachy” chair from New York and Philadelphia are in the Winterthur (acc. 1964/0143) and National Gallery of Art (acc. 74.5) collections respectively. Ref.: Holden, Jack, et. al. Furnishing Louisiana, p. 358, fig. 20; Gontar, Cybele. “The American Campeche Chair,” Magazine Antiques, (May 2009), pp. 88-95; Gontar, Cybele. “The Campeche Chair in the Metropolitan Museum of Art” Metropolitan Museum Journal (Vol. 38, 2003), p. 184, fig. 1 and p. 190; www. thejamemadisonmuseum.org

372. American Federal Mahogany Linen Press, early 19th c., Philadelphia, reeded edge top, two drawers over paneled doors, interior with four linen trays, reeded stiles, turned feet, h. 55 1/2 in., w. 49 in., d. 25 in. $1500/2500 Note: Following the Haitian Revolution in 1791, a number of émigré cabinet makers arrived in North America bringing French and Caribbean carpentry techniques. Most notable in Philadelphia were Jean Baptiste Laurent and Charles Domballe, who made pieces for financier Stephen Girard (1750-1831). The cabinet offered here, of French commode form with Louis XVI turned legs, has pine and poplar secondary woods, likely indicating a Philadelphia manufacture by a French-trained cabinet maker, much like the Girard Collection examples. Ref.: Schwartz, Robert. The Stephen Girard Collection. Philadelphia: Girard University, 1980, figs. 33-35.

372A. Southern Federal Walnut Chest of Drawers, early 19th c., probably North Carolina, molded top, four graduated drawers, ring‑turned stiles, turned feet, h. 44 in., w. 41 in., d. 21 1/2 in. $1200/1800

373. Set of Six American Classical Tiger Maple Side Chairs, c. 1825, probably New York, tablet crest rail, foliate scroll medial rail, tapered stiles, rush seat, saber legs, stretchers, h. 33 in., w. 17 in., d. 16 3/8 in. $1500/2500 374. American Late Federal Cherrywood and Tiger Maple Chest of Drawers, early 19th c., Mid‑Atlantic, four graduated drawers, tiger maple stiles, distinctive scalloped skirt, turned tapered legs, h. 42 1/2 in., w. 39 1/2 in., d. 20 in. $1200/1800

375. Set of Eight American Classical Paint‑Decorated “Fancy” Chairs, early 19th c., probably New York, each with tablet crest centering a beehive, reticulated slats, rush seat, reeded legs, stretcher, button feet. $2000/3000 Additional information at www.nealauction.com

376. American Classical Carved Mahogany Pier Table, c. 1830, labeled Deming & Bulkley, New York, original marble top, cove‑molded frieze, incurvate supports, scrolled embossed feet, h. 35 3/4 in., w. 42 in., d. 19 1/4 in. $1500/2500 Provenance: Antiquarian Charleston, SC Collector; Neal Auction Company; thence to private collection. Note: Deming and Bulkley, a New York firm located at 56 Beekman Street, established a thriving retail business at 205 King Street in Charleston in the 1820s and became the most important supplier of fashionable furniture to the first families of Charleston for the next twenty years.

377. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper or Dietz, fluted Ionic columnar standard, floral‑cut shade, h. 30 in., dia. 8 1/2 in. $800/1200

378. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper or Dietz, shell, scroll and floral‑cast base, cut‑glass shade, h. 29 1/2 in., dia. 9 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 83.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 82.

379. American Federal Birdseye Maple Chest of Drawers, early 19th c., four graduated drawers, turned legs, ball feet, h. 39 in., w. 41 7/8 in., d. 21 in. $1000/1500 380. Fine American Classical Mahogany Work Table, early 19th c., probably Philadelphia, turreted corners, two drawers, acanthus‑carved standard, hipped saber legs, h. 29 3/4 in., w. 19 1/4 in., d. 15 3/4 in. $1500/2500

381. American Federal Inlaid Mahogany Sideboard, c. 1790, New York, serpentine top, conforming frieze drawer, and flanking drawers, recessed cupboard doors, tapered cuffed legs, h. 42 in., w. 75 in., d. 31 1/2 in. $4000/6000 Provenance: By repute, descended in the family of Luman Reed (1787‑1836), successful American merchant and patron of the Hudson River School of Art. Note: A nearly identical sideboard to that offered here, from the collection of Robert J. Hurst, is illustrated in Albert Sack’s Fine Points of American Furniture with a grade of “superior.” Ref.: Sack, Albert The New Fine Points of American Furniture, Early American. NY: Crown, 1993. p. 238.

382. American Federal Mahogany Bowfront Chest of Drawers, early 19th c., molded top, four graduated drawers, shaped skirt, “French” feet, h. 37 in., w. 43 in., d. 22 in. $1200/1800

383. American Classical Rosewood Side Chair, early 19th c., attr. to Phyfe and Son, New York, shaped back, vasiform splat, paneled seat rail, sabre legs, h. 32 1/2 in., w. 18 in., d. 20 1/2 in. $300/500

384. American Classical Carved Cherrywood and Satinwood Two Dinning Part Table, early 19th c., New York, each top with canted corners, molded flame veneered frieze, tapered and chamfered pedestal support, incurvate plinth, foliate bracketed paw feet, casters, h. 28 1/2 in., l. 85 5/8 in., w. 44 1/4 in. $5000/7000 Note: American dining tables of two-part form incorporating rounded corners and a convex frieze raised on pedestal supports are most often associated with Philadelphia cabinetmakers. Anthony Quervelle and Michel Bouvier are amongst the foremost Philadelphia cabinetmakers well-known for their practice of incorporating French Empire and English Regency elements within the highly successful Philadelphia Neoclassical style. A related table with stenciled mark of M. Bouvier is illustrated in the exhibition book Philadelphia, Three Centuries of American Art, 1976, fig. 240, pg. 285 and additionally in Philadelphia Empire Furniture, 2006, fig. 87, pg. 214.

385. American Late Classical Mahogany Center Table, mid‑19th c., J. & J.W. Meeks, New York, with New Orleans warerooms label, dodecagonal Egyptian marble top, conforming molded frieze, incurvate pedestal with arches and columns, plinth base, scrolled feet, casters, h. 29 3/4 in., dia. 37 in. $7000/9000 Note: A nearly identical table is at the New York State Museum. Though similar center tables are pictured in the well‑known Meeks broadside, this example with the reverse serpentine frieze and architectonic standard is among the most ambitious produced by the firm. Joseph W. Meeks opened his New Orleans warehouse in 1821. New Orleans city directories list the Meeks firm at 29 Chartres Street, 23 Chartres Street and 39 Royal Street between 1830 and 1838. The table offered here bears the 23 Chartres Street address, which appeared in 1838. Ref.: Dubrow, Richard. American Furniture of the 19th Century 1840‑1880, Atglen, PA: Schiffer, 1983/2000, p. 44‑45.

Additional information at www.nealauction.com

386. American Federal Inlaid Mahogany Lady’s Desk, early 19th c., superstructure with tambour doors flanking a rosewood banded prospect door, fitted interior, lower case with fold out writing surface, tapered legs, h. 46 1/2 in., w. 42 in., d. 20 in. $1500/2500

387. American Classical Carved Mahogany Work Table, early 19th c., attr. Anthony Quervelle, Philadelphia, rosewood banded lift top, fitted interior, deep drawer with inset arch and gadroon molding, acanthus-carved standard, incurvate plinth, foliate bracketed paw feet, casters, h. 29 1/2 in., w. 22 1/4 in., d. 16 in. Note: Inscribed “Edward Yorke” on drawer bottom. $700/1000 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

388. Charles Courtney Curran (American, 1861‑1942), “Portrait of a Seated Woman with Flowers”, 1906, oil on canvas, signed and dated lower right, 24 in. x 18 in., framed. $2500/3500 389. Arthur Dove (American, 1880‑1946), “Sun”, 1943, watercolor on paper, signed lower center, “Alfred Stieglitz, An American Place” and “Andrew Crispo Gallery, NYC” labels with title and date en verso, 5 in. x 7 in., framed. $5000/7000

390. Charles Demuth (American, 1883‑1935), “Pansies”, 1915, watercolor on paper, signed lower left, “Alfred Stieglitz, An American Place” typewritten label with title and date and “Andrew Crispo Gallery, NYC” label with title and date en verso, 11 in. x 7 in., framed. $4000/6000

393. Andres Segovia (Spanish/Argentina, 1929‑1996), “Still Life: Chair with Vase of Flowers”, 1951, ink and gouache on paper affixed to masonite, signed and dated upper left, 36 in. x 28 1/2 in., framed. $500/800

394. George Dureau (American/ Louisiana, 1930‑2014), “Street Scene”, 1966, oil on canvas, signed and dated lower right, 40 in. x 47 in., framed. $3000/5000

391. After Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Wedding Night of the Cat Princess”, linocut on paper affixed to board, printed by Carolyn Fournier Anderson, hand‑colored by Adele Anderson Lawton, handwritten label with title en verso, 19 3/4 in. x 74 in., unframed. $700/800

392. Sally Heller (American/New Orleans, 20th c.), “From Calamitrees Installation, Montserrat College of Art, Beverly, MA”, 2007, digital photograph, signed, titled and dated en verso, 24 in. x 20 in., mounted with Plexiglas®. $800/1200 Note: New Orleans sculptor and installation artist, Sally Heller comments on both consumerism and the vulnerable environment. In 2005, Heller exhibited the installation “Calamitrees” at Montserrat College of Art in Beverly, MA, symbolizing the devastating effects of Hurricane Katrina.

396. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Synthesis Drawing #1”, 1981, mixed media on illustration board, signed and dated lower right, “Allene Lapides Gallery, Santa Fe, NM” label with artist, title and date en verso, 22 in. x 30 in., framed. $5000/8000 Provenance: Allene Lapides Gallery, Sante Fe; Succession of Benedette Gieselman, New Orleans. 395. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Mythic Series 87‑6”, 1987, oil and mixed media on canvas, signed and dated lower center, handwritten label with artist, title and date en verso, 36 in. x 36 in., framed. $15000/25000 Provenance: Arthur Roger Gallery, New Orleans; Succession of Benedette Gieselman, New Orleans. 397. Hasmig Vartanian (American/Louisiana, b. 1946), “Stepped‑Scape Floating Spaces”, 1990, mixed media, signed, titled and dated en verso, 39 1/4 in. x 39 1/4 in., unframed. $1500/2500 Note: Hasmig Vartanian’s work combines techniques of fiber art with traditional painting elements. She describes her paintings as “objects themselves, rather than paintings of things.” Using materials such as cloth, paper and wood, the artist constructs, deconstructs and then reconstructs the individual elements to mimic the organic processes of life, often with a trompe l’oeil effect. In the work offered here, the artist’s interests in architecture and nature provide a context for texture, proportion, negative space and the illusion of a long passage of time. Vartanian began exhibiting her work in New Orleans at Galerie Simonne Stern in 1985 and has since been featured in numerous solo and group exhibitions both regionally and nationally. Ref.: “About the Artist.” Hasmig Vartanian. www.hasmigvartanian.com. Accessed June 6, 2016.

399. Douglas J. Bourgeois (American/Louisiana, b. 1951), “Crucifixion of Narcisse”, 1975, oil on canvas, signed and dated “October 17, 1975” lower right, 75 in. x 54 in., framed. $7000/10000 Note: Known for his richly symbolic portrayals of celebrities and religious figures, Douglas Bourgeois masterfully depicts the tension between the secular and the divine in this monumental self-portrait. Painted in 1975 while the artist was living in Baton Rouge, Bourgeois spent his days working as a file clerk and his nights and weekends painting tirelessly in order to complete this canvas. The top of the painting proves brighter and more vibrant in color with angels filling the busy background which transforms into a chaotic and carnal scene as it progresses downward, a nod to a wealth of art historical depictions of the Last Judgment. Bourgeois depicts himself as Christ, crucified and complete with stigmata and lance wounds, presiding over the fate of the souls surrounding him. Religious iconography would continue to be a central component of Bourgeois’ work, unsurprising considering that as a teenager he had sincere intentions of becoming a priest. As David S. Rubin writes in the Contemporary Arts Center’s monograph of the artist, “Bourgeois neatly integrated secular elements… with religious references – a pairing that suggests the conflicts he himself was experiencing as he tried to reconcile his Catholic roots with his 1970s pop-culture lifestyle.” Exh. 1977 Artists Biennial, organized by the New Orleans Museum of Art, May 28 – July 3, 1977

398. Andrew Cary Young (American/Mississippi, 20th c.), “Untitled: Sunset”, three panel stained glass window, Pearl River Glass Studio, Inc., Jackson, MS, 40 1/2 in. x 56 1/2 in., framed. $800/1200

Ref.: Bourgeois, Douglas, Dan Cameron, Estill Curtis Pennington, and David S. Rubin. Baby-boom Daydreams: The Art of Douglas Bourgeois. New York: Hudson Hills, 2003. p 4.

Provenance: Collection of a Jackson, MS Lady. Additional information at www.nealauction.com

400. George Bauer Dunbar (American/New Orleans, b. 1927), “Sailboats”, 1959, gouache and ink on paper, signed and dated lower right, 10 in. x 17 1/4 in., framed. $1000/2000

401. James Michalopoulos (American/New Orleans, b. 1951), “Turk Parabola”, 1992, oil on canvas, signed “Mitchell” lower left, signed “Mitchell”, titled, dated, inscribed “Nu [sic] Orleans, LA, USA, Earth” and “Uptown Gallery, Fine Conservation Framing, NY” label en verso, 30 in. x 40 in., framed. $4000/6000

402. Carroll Thayer Berry (American, 1886‑1978), “Cayuga Rock Salt Mine”, 1945, oil on canvas, signed and dated lower right, 26 in. x 30 in., framed. $2000/3000

403. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “French Quarter Garden”, oil on canvas board, signed lower right, signed and titled on backing paper en verso, 15 in. x 18 in., original frame. $12000/18000 Provenance: Doris Crary Bennett, New Orleans; thence by descent. Note: Clarence Millet returned to New Orleans in 1924 after completing studies at the Art Students’ League in New York. His favored subject during this time was the distinctive buildings and life of the French Quarter. In this vividly colored painting, Millet depicts a verdant courtyard with two young girls in the foreground. The distinctive architecture of the Vieux Carré lies beyond the garden wall, with the spires of St. Louis Cathedral visible in the background. As is found in Millet’s best paintings, there is an atmospheric quality to his rendering of light and shadow and a sense of the breeze moving through the trees.

404. John T. Scott (American/New Orleans, 1940‑2007), “Study for the New Orleans Museum of Art Spirit Gates”, 1992, watercolor, marker and graphite on paper, signed and dated lower right, inscribed “Fragments” lower left, 18 in. x 24 in., framed. $800/1200

406. Ralph Lewanda Wickiser (American/Louisiana, 1910‑1998), “Blue Reflections”, 1968, oil on canvas, signed, dated and artist label with title en verso, 10 in. x 16 in., original frame. $1500/2500 405. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Landscape with Live Oak and Waterlilies”, oil wash on board, signed lower right, sight 19 in. x 29 1/2 in., framed. $2000/3000

Note: Ralph Wickiser taught painting at the LSU School of Art and Design from 1936 to 1953 and was appointed department chairman in 1941. In 1947 his prints were included in the book Mardi Gras, along with works by John McCrady and fellow LSU faculty member, Caroline Durieux.

407. Bernard Fuchs (American, 1932‑2009), “Narvin Kimball on the Banjo with the Preservation Hall Jazz Band”, acrylic on canvas, signed lower right, “Williams Gallery, Gulfport, MS” label en verso, 34 in. x 27 in., framed. $2000/3000 Provenance: Acquired from the artist.

408. Jean Seidenberg (American/Louisiana, b. 1930), “Leslie”, 1995, egg tempera on masonite, signed, titled, dated and inscribed “New Orleans” en verso, 14 in. x 14 3/4 in., framed. $1000/1500

409. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Patio, Little Theatre, French Quarter, New Orleans”, oil on canvas board, signed lower left, signed and titled en verso, 20 in. x 16 in., framed. $1000/1500

410. Knute Heldner (American/ New Orleans, 1877‑1952), “Fishing on the Bayou”, oil on canvas, signed lower right, 24 in. x 30 in., framed with brass artist and title plaque. $2500/3500

411. Knute Heldner (American/New Orleans, 1877‑1952), “Lone Boat in Louisiana Swamp”, oil on canvas, signed lower right, 16 in. x 20 in., framed. $2500/3500

412. Amos Lee Armstrong (American/Louisiana, 1899‑1969), “Bayou DeSiard, Monroe, Louisiana”, oil on canvas board, signed and inscribed “Artist Laureate of La.” lower right, brochure on artist and titled en verso, 16 in. x 20 in., framed. $1000/1500 413. Emily Nichols Hatch (American, 1871‑1959), “Norway Fjord”, “Pierre Ponds” and “Rambouillet”, 1930‑31, 3 watercolors on paper, each signed and dated lower left or right, typewritten labels with titles en verso, sheets 9 in. x 11 1/4 in., 9 in. x 12 in., and 11 3/4 in. x 9 1/4 in. $600/900 414. American School, 19th c., “At Sunset: Steamboat and Sailing Ship on the River (Wooded Landscape with Cottage en verso)”, oil on board, unsigned, 5 in. x 6 1/2 in., antique frame. $300/500

Additional information at www.nealauction.com

415. Antique Caribbean Hardwood Planter’s Chair, 19th c., scrolled back, shaped arms with swivel extensions, caned seat, h. 36 in., w. 48 in., d. 24 in. $700/900

416. American or English Mahogany Ottoman, padded leather seat, turned tapered legs, cuff casters, h. 16 1/2 in., w. 34 1/2 in., d. 22 in. $800/1200

418. American Classical Mahogany Plantation Desk, early 19th c., flared cornice, glazed doors; base with foldover writing surface, frieze drawer, foliate carved legs, brass ferrules, h. 74 in., w. 47 in., d. (closed) 21 1/4 in., d. (open) 31 1/2 in. $1000/1500

417. Pair of Queen Anne‑Style Burl Elm and Walnut Armchairs, attr. to Smith and Watson, New York, shaped stiles, vasiform splat, scroll arms, trapezoidal slip seat, cabriole legs, h. 40 in., w. 29 1/2 in., d. 23 in. $600/900

419. American Classical Figured Mahogany Secretary Bookcase, early 19th c., ogee molded cornice, arched glazed doors, adjustable shelves, two short drawers, foldover writing surface, ogee long drawer, raised panel doors, bracket feet, h. 93 1/2 in., w. 50 1/2 in., d. 22 in. $1500/2500

420. American Late Federal Mahogany Pembroke Table, early 19th c., shaped drop‑leaf top, frieze drawer, ring turned tapering legs, button feet, h. 28 1/2 in., open w. 39 1/2 in., closed w. 34 in., closed d. 20 in. $600/900

422. American Classical Curly Maple Stool, early 19th c., caned seat, saber legs, h. 8 7/8 in., l. 14 1/2 in., d. 9 in. $300/500 421. American Classical Carved Mahogany Work Table, c. 1830, drop‑leaf top, two drawers over work bag, spiral‑turned legs, casters, h. 29 in., w. 18 1/2 in., d. 17 1/2 in. $500/700

423. George II-Style Carved and Parcel Gilt Walnut Corner Chair, elaborately carved, later caned seat, h. 33 1/2 in., w. 30 7/8 in., d. 24 in. $500/700

424. William IV Figured Walnut Davenport Desk, 19th c., leather inset slant lid, fitted interior, four drawers to one side, bellflower carved S scroll supports with paw feet, incurvate plinth, h. 35 in., w. 25 1/2 in., d. 26 1/2 in. $600/800

425. Antique Louis XV‑Style Porcelain and Gilt BronzeMounted Marquetry Bureau à Pente, late 19th c., galleried top, bombé fall front, fitted interior, cabriole legs, sabots, h. 40 in., w. 33 in., d. 21 in. $1000/1500 426. Directoire‑Style Bronze-Mounted Mahogany Commode, 19th c., marble top, three drawers, fluted stiles, tapered legs, h. 32 7/8 in., w. 46 1/2 in., d. 20 in. $1500/2000

427. Louis XIV‑Style Marquetry Salon Table, top with urn and garland inlay, two frieze drawers with opposing faux drawers, tapered legs, incurvate stretcher, toupie feet, h. 29 in., w. 46 in., d. 29 in. $2500/3500

428. Antique Louis XVI‑Style Cherrywood Bureau, kneehole configuration of drawers, cabriole legs, h. 30 3/8 in., w. 62 3/8 in., d. 29 1/2 in. $800/1200

429. Antique Louis XV/XVI-Style Bronze-Mounted Kingwood Occasional Table, 19th c., bookmatched veneer top, two drawers, one fitted for writing, cabriole legs, stretcher shelf, h. 27 1/2 in., w. 16 1/4 in., d. 12 in. $800/1200

430. Pair of Rococo‑Style Patinated Bronze and Blue and White Porcelain Jardinières, 20th c., rim cast with garlands and butterflies, basin with reserves of elephants bathing and working, base with addorsed figures of nymphs, h. 33 in., dia. 28 in. $2000/3000

431. Antique Louis XVI‑Style Bronze‑Mounted Kingwood Parquetry Commode, 19th c., galleried marble top, three herringbone inlaid drawers, olivewood and satinwood stringing, cabriole legs, sabots, h. 31 in., w. 19 1/2 in., d. 12 1/2 in. $600/900

432. Pair of French Opaline Glass Vases in the Neo‑Grec Taste, late 19th c., gilt and ochre decoration, painted with Greek youths and maidens, h. 10 in., dia. 3 3/4 in. $500/700

433. Pair of Antique French Tôle Peinte Jardinières, red ground with parcel gilt trophée, removable liners, paw feet, square bases, h. 10 1/2 in., w. 7 in., d. 7 in. $800/1200

Additional information at www.nealauction.com

434. Pair of English Bronze Andirons in the Gothic Taste, 19th c., with rampant lion shields, h. 33 in., w. 19 in., d. 12 in. $1000/1500

435. Pair of George IV‑Style Silverplate Wine Coolers, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, melon form, removable liner with collar, gadroon borders, h. 10 1/4 in. $800/1200

436. Set of Four George V Sterling Silver Candlesticks, William Hutton & Sons, Sheffield, 1924, mark ent. 1894, baluster shafts, rectangular stepped base with gadrooned borders, removable bobêches, h. 9 1/4 in. $600/900

437. Antique Regency‑Style Silverplate Meat Dish and Cover, 19th c., associated domed cover with foliate scroll handle, engraved armorial and motto “Invidiam Mereamur”, meat dish with removable well‑and‑tree platter, hot water compartment and bracketed paw feet, h. 16 in., w. 27 3/4 in., d. 18 3/4 in. $300/500

438. Empire‑Style Gilt Bronze and Tôle Peinte Six‑Light Chandelier, ribbon‑form supports, eagle mounts, h. 37 in., dia. 27 in. $700/900

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

439. Rococo‑Style Painted and Parcel Gilt Jardinière, cabriole leg base, h. 28 3/4 in., w. 26 in., d. 15 in. $700/900

440. Pair of British Bronze Busts, probably 19th c., cast as John Milton and William Shakespeare, h. 12 in., black marble bases, overall h. 15 1/4 in. $600/800

442. Régence‑Style Carved Giltwood Mirror, foliate scrolled crest and surround with floral cascades and acanthus leaves, mirror paneled border, h. 57 in., w. 39 in. $800/1200

441. French Patinated Bronze Figural Group of Hunting Dogs and a Rabbit, 20th c., after P.J. Mène, inscribed “P.J. Mène”, h. 13 1/2 in., w. 34 in., d. 17 1/2 in. $1000/1500

443. Rococo‑Style Carved Giltwood Mirror, floral and foliate surround, rope molded inner border, h. 38 in., w. 31 in. $700/1000

444. American Aesthetic Carved and Burled Walnut Partners’ Desk, late 19th c., inset leather top, frieze fitted with faux drawer and long drawer over two short drawers, turned and spindled uprights, stretcher, block feet, h. 29 in., w. 54 in., d. 31 in. $1000/1500

445. William IV Inlaid Mahogany Sideboard, early 19th c., shaped top, outset center drawer and arched deep drawer flanked by drawers and cupboards, square tapered legs, spade feet, h. 36 in., w. 61 in., d. 26 1/2 in. $1200/1800

446. Set of Eight Louis XV‑Style Carved Walnut and Caned Fauteuils, scrolled acanthus and shell carved backs, conforming arms, serpentine seat rails, acanthine cabriole legs, h. 37 in., w. 21 1/2 in., d. 18 1/2 in. $6000/8000

447. Restauration Bronze‑Mounted Mahogany Sécrétaire à Abattant, early 19th c., black marble top, outset frieze with blind drawer, over bronze-mounted colonettes flanking fall front desk with fitted interior of drawers, cup feet, h. 56 1/2 in., w. 38 in., d. 17 1/2 in. $1000/1500

448. Antique Italian Fruitwood Parquetry and Inlaid Slant-Front Desk, fitted interior, four serpentine drawers, shaped base, bracket feet, h. 42 in., w. 43 1/2 in., d. 21 in. $2500/3500

449. Emil Rizek (Austrian, 1901‑1988), “The Vrouwenrecht Seen from the Water, the Oude Kerk on the Left, Delft”, 1959, oil on canvas, signed and dated lower left, titled and “Christie’s Amsterdam” labels en verso, 23 1/2 in. x 25 3/4 in., framed. $2500/3500 Provenance: Christie’s, Amsterdam, sale 2826, Sept. 8, 2009, lot 96. Additional information at www.nealauction.com

450. James Alfred Turner (British/ Australia, 1850‑1908), “On the Kangaroo Trail”, 1886, oil on canvas, signed and dated lower left, 12 in. x 24 in., framed. $5000/8000 Provenance: Mr. and Mrs. John Salter, Surrey Hills, New South Wales, Australia; thence by descent.

451. James Alfred Turner (British/ Australia, 1850‑1908), “Honing in on the Kangaroo”, 1886, oil on canvas, signed and dated lower left, 12 in. x 24 in., framed. $5000/8000 Provenance: Mr. and Mrs. John Salter, Surrey Hills, New South Wales, Australia; thence by descent.

452. Newman Myrah (Canadian/ Oregon, 1921‑2010), “At the Port of Toledo, Oregon”, oil on canvas, signed and inscribed “NWR” lower right, titled en verso, 16 in. x 20 in., framed. $1000/1500 Note: The inscription “NWR” beneath the artist’s signature refers to Newman Myrah’s membership in the Northwest Rendezvous Group, which is a western artist society organized in 1979.

454. British School, 18th c., “Portrait of a British Official Wearing the Order of the Garter”, oil on canvas, unsigned, 30 1/4 in. x 25 1/4 in., antique frame. $800/1200

453. Edward Roper (British, 1857‑1891), “Sea Arch (Possibly Durdle Door, Dorset) with Holiday Visitors”, 1881, oil on canvas, signed and dated lower right, “Reeves & Sons, London” canvas stamp and handwritten illegible label en verso, 18 in. x 36 1/4 in., framed. $1000/1500

455. British Églomisé Panel, “Airey of Liverpool”, after C.F. Moller (British, mid‑19th c.), sight 20 1/4 in. x 28 1/4 in., framed. $400/600

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

456. Pair of Paris Porcelain Reticulated Corbeilles, Gerhard et Diehl, in the “Cornflower” pattern, gilt decoration, h. 3 1/2 in., w. 12 1/4 in., d. 7 3/4 in. $800/1200

458. Pair of Paris Porcelain Spill Vases, 19th c., floral décor on peach ground with gilt accents, h. 8 1/2 in., dia. 7 in. $500/800 457. Two French Faience Serving Platters, one oval, the other circular, each with serpentine edge decorated with hand‑painted polychrome flowers, fully marked with “SCC” and bee on reverse, platter 14 in. x 17 1/2 in., charger dia. 12 1/2 in. $400/600

459. Set of Twelve English Porcelain Dinner Plates, Cauldon for Tiffany & Co., blue basketweave border with floral gilt garlands, central reserve with polychrome bouquets, dia. 9 1/2 in. $200/400

460. Set of Twelve Mason’s Ironstone Dinner Plates, 19th c., marked, cobalt ground rim with floral panels, central well with polychrome floral decoration, dia. 9 in. $200/400

464. Italian Neoclassical‑Style Carved Giltwood Urn-Form Wall Plaque, carved with cherubs and ribbons, h. 32 in., w. 25 1/2 in. $400/600

465. Pair of Italian Carved Onyx Urns, c. 1920, carved with grapes and grape leaves and Bacchic masks, plinth base, mounted as lamps, h. to socket 26 in., dia. 10 in. $800/1200

461. Three Antique Wedgwood “Etruscan” Creamware Plates, 18th/19th c., impressed mark, two circular, one quatrefoil, palmette border, Classical figures, dia. 8 in. $400/600

462. French Carved Giltwood Figural Wall Bracket, 19th c., shaped shelf above birds tending their nest, h. 8 in., w. 14 in., d. 9 1/2 in. $400/600

463. Antique Patinated Brass Tankard, probably German, 19th c., with relief battle scene, figural finial and handle, h. 16 in. $500/700

466. Kirk Sterling Silver “Repoussé” Pattern Dinner and Luncheon Flatware Service for Twenty‑Four, mid‑20th c., S. Kirk & Son, Inc., pattern introduced 1828, incl. 24 dinner forks (l. 7 7/8 in.), 24 dinner knives (l. 9 3/4 in.), 16 steak knives, 12 luncheon forks (l. 7 1/4 in.), 12 luncheon knives (l. 8 7/8 in.), 21 salad forks (l. 6 1/4 in.), 30 cocktail forks (l. 5 1/4 in.), 6 two‑tine berry/canapé forks (l. 4 1/2 in.), 12 (hh) fruit knives, 12 (hh) butter spreaders, 17 (incl. 3 “as is”) teaspoons, 24 iced tea spoons, 12 cream soup spoons (l. 6 1/8 in.), 24 dessert/soup spoons, 23 after‑dinner coffee spoons, 5 similar after‑dinner coffee spoons, Jenkins & Jenkins, Baltimore, 12 citrus spoons (l. 6 1/8 in.), 12 ice cream forks (l. 5 1/2 in.), 6 sugar shells, 1 lemon fork, 1 small sauce ladle (l. 4 7/8 in.), 1 butter knife (fh), 1 butter knife (hh), 1 cheese knife (hh), 1 pie server (hh), 1 ice cream knife, 1 dressing spoon (l. 10 3/4 in.), 2 tablespoons, 2 slotted tablespoons, 2 serving spoons (l. 9 1/8 in. and 8 1/4 in.), 1 slotted serving spoon (l. 8 1/4 in.), 2 meat forks (l. 8 1/2 in.), 1 large five‑tine serving fork, 9 1/2 in., 2 piece roast carving set, pair of silver‑handled wood salad servers (hh); approx. silver wt. (weighable) 292.95 troy ozs. (322 pcs.); together with 9 William Batt & Sons, Sheffield silverplate fish forks and knives, a silverplate pastry server, 6 misc. liqueurs, Georgian‑style burl walnut silver chest on stand with 4 drawers, h. 42 in., w. 24 1/2 in., d. 15 in., and a smaller walnut fitted lift-top chest with a single drawer. $8000/12000 467. Gorham “Puritan” Pattern Sterling Silver Coffee and Tea Service, comprised of coffee pot, teapot, covered sugar, creamer and waste bowl, coffee pot h. 10 1/4 in.; together with a Reed & Barton “Windsor” pattern sterling silver tray, 19 7/8 in. x 13 3/4 in.; combined wt. 137.20 troy ozs. $1500/2500 468. American Sterling Silver Water Pitcher in the Neoclassical Taste, The Sweetser Co., New York, c. 1900‑1915, ret. Bailey, Banks & Biddle Co., Philadelphia, chased with urns, rosettes and bellflower swags, h. 9 1/8 in., wt. 31.15 troy ozs. $1000/1500 Additional information at www.nealauction.com

469. American Coin Silver Cake Basket, c. 1825, Edward Lownes, Philadelphia, act. 1816‑1834, marked “E.LOWNES” in serrated rectangle and “E.L.” in serrated rectangle, footed form with flower and shell‑decorated border, stepped base decorated with grape and grapeleaf border, reticulated swing handle mounted with paired shield and central cut corner monogrammed plaque, h.(to top of handle) 11 in., w. 11 1/4 in., wt. 35.20 troy ozs. $800/1200 Ref.: Hollan, Catherine B. Philadelphia Silversmiths and Related Artists to 1861, p. 124.

471. Tiffany & Co. Sterling Silver Presentation Urn, pattern introduced 1909, 1925 presentation inscription “THE BENJAMIN SHERBON CUP...for KNOWLEDGE AND SKILL IN TYPOGRAPHY”, h. 9 1/2 in., wt. 62.35 troy ozs. $600/800

475. Pair of Antique English Silverplate Three‑Light Candelabra, Elkington & Co., late 19th c., mark rubbed, removable candlearms, Corinthian columnar standard, h. 21 1/4 in. $200/300 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

472. Six George II “Old English” Pattern Sterling Silver Dessert/ Tablespoons, probably Samuel Roby, London, 1746, mark ent. 1740, engraved crest, l. 8 1/4 in.; together with a “rat tail” dessert spoon, also mid‑18th c., marks rubbed, probably William Soame, engraved monogram, l. 7 4/4 in.; total wt. 15.25 troy ozs. $300/400

476. English Needlework Map Sampler, early 19th c., “Accurate Map of England and Wales”, 27 in. x 22 in., framed. $400/600

470. Antique American Sterling Silver Repoussé Compote, 19th c., floral repoussé, Neo‑Grec handles, strapwork monogram, h. 7 5/8 in., w. 11 3/8 in., wt. 22.80 troy ozs. $800/1200

473. Victorian Silverplate‑Mounted Oak Ice Water Pitcher, late 19th c., inscribed “Q.O.O.Y.C. REGIMENTAL CUP for THE BEST SHOT/ WON BY CORPORAL W.A. SIMMONS”, domed cover with figural finial of medieval knight, relief appliqué battle scenes, h. 16 in. $500/700

477. English Brass Four‑Light Hall Lantern, scrolled arms, glass shade with brass columnar dividers, h. 28 in., dia. 16 1/2 in. $600/900

474. Pair of Antique English Silverplate Magnum Decanter Coasters, grape and grapeleaf decor, dia. 8 3/4 in. $300/500

478. John Cary (British, 1754‑1835), “A New Map of Part of The United States of North America Containing the Carolinas and Georgia, also The Floridas and Part of The Bahama Islands & C.”, London, 1806, hand‑colored engraved map, 18 in. x 20 1/2 in., framed. $400/600 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

479. American Chippendale Carved Walnut Tall Chest, 19th c., Delaware Valley, cove molded cornice, three small over five graduated drawers, ogee bracket feet, h. 61 1/2 in., w. 43 1/2 in., d. 22 in. $1000/2000

480. American Federal Inlaid Mahogany Work Table, 19th c., drop‑leaf top, two drawers, tapered cuffed legs, old dark surface, h. 30 in., open w. 35 1/2 in., closed w. 18 1/2 in., d. 18 in. $600/900

482. American Classical Carved Giltwood Looking Glass, early 19th c., attr. to Isaac Platt, New York, fleur‑de‑lis corners, lotuscarved split baluster surround, divided mirror plate, retains original gilt, h. 46 1/2 in., w. 25 1/2 in. $800/1200 481. American Classical Carved Mahogany Sofa, early 19th c., reeded crest rail, scrolled reeded arms with boss terminals, reeded seat rail, acanthus carved ball feet, h. 36 1/2 in., 91 1/2 in., d. 24 1/2 in. $1000/1500

483. American Federal Giltwood Looking Glass, early 19th c., blocked rosette corners, h. 65 in., w. 33 1/2 in. $1000/1500 484. American Chippendale Mahogany and Cherry Oxbow Slant‑Front Desk, mid‑18th c., possibly Massachusetts, fall‑front lid with wellfitted interior, graduated drawers, cabriole legs, claw and ball feet, pine secondary wood, h. 45 in., w. 51 in., d. 25 in. $1500/2500 Provenance: Didier Inc., New Orleans, 1977; Collection of John F.B. Wilkinson, New Orleans, LA.

485. Manuscript Proclamation Signed by James Wilkinson as Governor of the Louisiana Territory, dated from St. Louis, July 10, 1805, one sheet, two pages (12 1/4 in. x 15 1/4 in.), in English and French, detailing trade and travel on the Missouri and Mississippi rivers, according to the Congressional law “to regulate trade and inter course with the Indian Tribes, and to preserve peace on the frontiers”, signed twice, framed. $1000/1500 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

485A. Autograph Letter Signed from James Wilkinson Calling Dolley Madison “Fair, Fat & Forty”, dated from Washington, June 24, 1815, to Mr. H. Thompson, one sheet, two pages (9 1/2 in. x 8 in.), with brief comments on political figures, he confides, “...the President has been indisposed & Madame is “Fair, Fat & Forty”, a postscript with initials mentions that his “negro boy has absconded” and whether the person he holds responsible is legally “answerable or whether I am to lose my servant”, framed. $1000/1500

486. Autograph Letter Signed by James Wilkinson to Major John M. O’Connor, from Washington, July 24, 1815, two pages, one sheet (10 in. x 8 in.), relating to affairs in Washington and O’Connor’s work on the noted translation of the French military work École Polytechnique. $600/900

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

487. Autograph Letter Signed by James Wilkinson, Introducing Colonel Burr to Dr. Robert Dow, dated June 8, 1805, one page (9 3/4 in. x 8 1/8 in.), in part; “you will find Col. Burr great yet unassuming, commanding yet modest, and dignified without presumption”. $600/900 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

489. American Classical Carved Giltwood Bullseye Mirror, early 19th c., bolection molded lotus‑carved surround, ebonized rabbet, convex mirror plate. $600/800

488. Autograph Note Signed by James Wilkinson a Few Months Before His Death, dated from City of Mexico, October, 25, 1825, to Colonel William Duane, one page, referring Col. Duane to a man to get a packet and a map of Mexico, and, in part, “I have much to say to you but my health & time will not permit me”, framed. $500/700 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

490. American Classical Carved Giltwood Mirror, early 19th c., attr. to Isaac Platt, New York, fleur‑de‑lis corners, split columnar frame, divided mirror plate, h. 41 3/4 in., w. 22 in. $500/1000 Provenance: Historic “Sally Mill”, Middleburg, VA. Additional information at www.nealauction.com

491. Continental Bronze Figure of a Man with Pamphlet, after “Bilboquet 300 Calembours 2 Sous” by Andrée Wegl, inscribed “Andrée Wegl Sculp”, “P. Baur Fondeur” and “no. 5” on self‑base, and “c’est le roi” on pamphlet, h. 26 in., wood stand, overall h. 69 3/4 in. $800/1200

493. Antique American Twig Pattern Cast Iron Garden Bench, attr. to James Beebe foundry, New York, retains old green paint, h. 33 in., w. 50 in., d. 14 in. $1200/1800 Provenance: Twik Klein, St. Francisvill.

492. Spanish Colonial Polychromed Wood Conquistador on Horseback, probably 18th c., rectangular self‑base, h. 25 in., w 23 in., d. 10 1/2 in. $500/750

494. American Cast Iron “Gothic Pattern” Garden Bench, mid‑19th c., possibly Wood and Perot, trefoil and quatrefoil reticulated back, h. 34 in., w. 55 in., d. 17 in. $1000/1500 Provenance: From a Historic Feliciana Parish Garden.

495. Antique Cast Iron Garden Sculpture, 19th c., bouquet of flowers set in a Classical urn, stepped plinth, old white paint, h. 51 1/2 in., w. 29 in., d. 14 in. $600/900

496. Antique American Cast Iron Garden Fountain, font with figure of boy holding goose, circular basin, fluted columnar shaft, addorsed dolphins on incurvate triangular plinth, h. 57 in., dia. 24 in. $1500/2500 Provenance: A French Quarter Courtyard, New Orleans, LA.

497. Pair of Decorative Cast Iron Napoleonic‑Style Cannons, 20th c., reticulated carriage, movable parts, h. 27 1/2 in., l. 60 in., w. 14 1/2 in. $1200/1800

498. Pair of American Aesthetic Inlaid Rosewood “Fancy” Chairs, late 19th c., New York, shaped crest rail, pierced splat with roundel, shaped seat, turned tapered legs, h. 34 1/2 in., w. 17 in., d. 19 1/2 in. $600/900

499. American Gothic Cast Iron and Walnut Work Table, c. 1840, molded top, writing slide over two drawers, Gothicized supports, pierced quatrefoil base, scrolled feet, h. 31 1/2 in., w. 27 in., d. 19 1/4 in. $500/750

500. Diminutive American Classical Revival Settee, 19th c., eagle carved crest, acanthus cartouche, scrolled acanthus arms, cornucopia bracketed feet, h. 39 1/2 in., w. 61 in., d. 25 in. $1000/1500 Additional information at www.nealauction.com

501. American Classical Carved Rosewood “Voltaire” Armchair, mid‑19th c., school of Duncan Phyfe, New York, arched crest, padded arms, S‑scroll supports, saber legs, casters. $500/750

502. American Paint-Decorated Windsor Bench, early 19th c., “figured maple” faux bois crest rail with scenic reserves, spindled back, plank seat, stretcher base, rockers, h. 29 1/2 in., w. 67 in., d. 26 in. $500/700

503. Antique Southern Carved Walnut Farm Table, mid‑19th c., two board top with an incised-carved pentagram, frieze with a drawer on each side, well‑turned legs, stretchers, turned feet, h. 29 3/4 in., w. 60 1/4 in., d. 35 3/8 in. $700/900

504. Edmund Blouin (American/Louisiana, 20th c.), “Boats at the Dock” and “Shrimp Boats”, 2 oils on masonite, each signed lower right, 10 in. x 24 in., framed alike. (2 pcs.) $1000/1500

Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

505. Rolland Harve Golden (American/New Orleans, b. 1931), “At Rest Capt. Pierre Delery (1771‑1815), Battle of New Orleans”, 1966, watercolor on paper, signed and dated lower right, sight 29 in. x 20 3/4 in., framed. $1000/1500

506. Frank B. Moulton (American, 1847‑1932), “Still Life of Peaches in Glass Bowl with Knife”, 1885, oil on canvas, signed and dated lower left, “Taylor Clark Gallery, Baton Rouge” label en verso, 12 1/4 in. x 15 1/4 in., framed. $400/600

507. Hiram Reynolds Bloomer (American/California, 1845‑1911), “Windsor Castle from the River Thames”, oil on canvas, signed lower left, 11 in. x 21 1/4 in., framed. $600/900

508. John James Audubon (American, 1785‑1851), “Pileated Woodpecker”, Plate 111, photolithograph, from The Birds of America, Amsterdam edition, sheet 39 3/4 in. x 26 1/2 in., framed. $500/700

509. John James Audubon (American, 1785‑1851), “Hudsonian Godwit”, photolithograph, from The Birds of America, Amsterdam edition, sheet 39 3/4 in. x 26 1/2 in., framed. $500/700

Additional information at www.nealauction.com

510. John James Audubon (American, 1785‑1851), “Esquimaux Curlew”, photolithograph, from The Birds of America, Amsterdam edition, sheet 39 3/4 in. x 26 1/2 in., framed. $500/700

511. John James Audubon (American, 1785‑1851), “Sharp Shinned Hawk” and “Common Harrier”, 2 hand‑colored lithographs, from The Birds of America, octavo edition, sight 9 1/2 in. x 6 in., matted and framed. $500/700

512. John James Audubon (American, 1785‑1851), “American Coot” and “Common Gallinule”, 2 hand‑colored lithographs, from The Birds of America, octavo edition, sights 6 1/4 in. x 9 1/2 in., matted and framed. $500/700

514. Large Continental Porcelain Group of a Hunt, 20th c., rider and dogs chasing a stag, h. 16 1/2 in., w. 23 1/2 in., d. 9 1/4 in. $800/1200 515. Twenty‑Nine Antique Porcelain Fish Plates, incl. 12 by Guerin, Limoges, with blue and gilt rim; 6 by A.D. Hache, Paris, with monogram “A.R.G.”; and 12 with fishscale rim by B & G, Copenhagen, dia. 8 1/4 in., 9 1/4 in. and 9 1/2 in. $400/600

517. Pair of Chinese Famille Rose Porcelain Vases, probably 19th c., painted with Xi Wangmu beside a boy attendant riding a deer, reverse with calligraphy, h. 16 3/4 in., now mounted as lamps with wiring to the exterior, h. (to socket) 29 1/4 in. $400/600

518. English Carved and Enameled Wood and Brass Three Bottle Decanter Stand, late 19th c., with cut crystal decanters, h. 10 3/4 in., w. 8 1/4 in., d. 7 3/4 in. $500/800

519. Pair of Regency‑Style Silverplate Five‑Light Candelabra, each with Corinthian columnar standard, serpentine candlearms, removable bobêches and flame finial, stepped plinth base, h. 15 3/8 in. $400/600

523. Empire Gilt Bronze Hanging Sinumbra Light, early 19th c., J. Chopin and Company, Paris, labeled on font, gadrooned ring with scrolled swan shaped mounts, cut and etched glass shades, h. 19 in., w. 14 in. $1500/2500 521. Pair of American Brass Carriage Lanterns, eagle finial, hexagonal form, fitted with modern armature, electrified, h. 30 in., w. 8 in., d. 10 in. $600/800

522. American Sandwich Glass Solar Lamp, 19th c., red cut‑to‑clear shaft with bronze mounts, stepped marble base, lotus‑decorated font, frosted shade, prisms, electrified, h. 21 in., dia. 6 1/2 in. $600/900

Provenance: “The Service Collection”, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, Gerald T. 19th Century Lighting. Atglen, PA: Schiffer, 2002.

513. Sherman Foote Denton (American, 1856‑1907), 12 chromolithographs of “Freshwater Fish”, 1896, some signed in plate, published in Annual Report of the Commissioners of Fisheries, Game and Forests of the State of New York, sight 7 1/2 in. x 10 1/2 in. to 8 in. x 11 1/4 in., matted and framed alike. $800/1200

516. Antique English Ironstone Soup Tureen and Underplate, bud finial, Chinese temple and floral decoration, h. 12 in., w. 13 in., d. 11 3/4 in. $300/500 Provenance: Waldhorn Antiques.

520. Pair of Charles X‑Style Silvered Bronze Candlesticks, h. 12 1/4 in. $500/700

524. Silvered Bronze Figure of an Eagle, inscribed “HP 4500”, black metal self-base, h. 18 2/4 in., w. 9 1/2 in., d. 7 1/2 in. $500/700

525. Monumental American Late Classical Gilt Mirror, 19th c., outset cornice with egg‑and‑dart molding, fluted Corinthian columns, beaded inner border, h. 61 1/2 in., w. 83 in. $1000/1500

527. Near Pair of American Classical Coin Silver Teapots, James Watson, Philadelphia, c. 1833, marked “J.WATSON/PHILA.” in oval with eagle mark, double struck; each inverted pear‑form body with acanthus details and beaded decoration, basket of flowers motif on spout, pod finial, engraved “Langstaff”, h. 10 1/2 in., combined wt. 63 troy ozs. $1000/2000 Ref.: Hollan, Catherine B. Philadelphia Silversmiths and Related Artisans to 1861, pp 211‑212, mark illus. p. 212.

529. New Orleans Coin Silver Presentation Cup, c. 1855, Adolphe Himmel (1825/6‑1877) for Hyde & Goodrich, wc. 1828‑1861, marked “HYDE & GOODRICH” in arc, above “H”, above “NEW ORLEANS” in complementary arc, baluster form with grape and grapeleaf chasing, beaded lip, hollowcast C‑scroll handle with thumbpiece, applied flared foot with leaf and inverted papyrus border, engraved “Carrie Brewer/ from/ her Godmother” in script, h. 4 1/2 in., wt. 4.55 troy ozs. $500/700

527A. American Classical Coin Silver Creamer, c. 1820-1825, Jean Simon Chaudron (1758-1846), act. Philadelphia 1793-1820, Mobile 18271846; marked “CHAUDRON” in banner double struck; helmet form with lobed body, applied anthemion and bead foot, h. 6 1/2 in., wt. 8.40 troy ozs. $600/900 Ref.: Smith, Sidney Adair. Mobile Silversmiths and Jewelers, 1820-1867.

530. New Orleans Coin Silver Presentation Cup, Hyde & Goodrich, wc. 1828‑1861, marked “HYDE & GOODRICH” in arc, over “NEW ORLEANS” in complementary arc, cylindrical with engine-turned engraving, beaded lip and foot bands, hollowcast C‑scroll handle with thumbpiece, cartouche engraved “Mary Eliza/ from her Uncle/ D.L. McLaughlin” in script, h. 4 1/4 in., wt. 4.75 troy ozs. $400/600

531. New Orleans Coin Silver Presentation Cup, William Gale & Son, New York, 1856, ret. Henderson & Gaines, New Orleans, wc. 1841‑1865, marked on base, cylindrical with floral and scroll repoussé, beaded lip and foot bands, hollowcast scroll handle, cartouche engraved “Edwin Merrick Brewer” in script, h. 3 1/4 in., wt. 3.60 troy ozs. $300/500

534. Eight American Pressed Glass Rosette-Form Tiebacks, mid‑19th c., dia. 4 3/4 in., d. 6 1/4 in., with wall brackets. $500/800

536. Georgian Oak Hanging Corner Cupboard, probably late 18th/early 19th c., molded cornice, paneled door, scalloped shelves, molded base, h. 43 in., w. 33 in., d. 15 in. $600/900

533. Pair of American Aesthetic Ebonized Wall Brackets, 19th c., demilune shelf, spindled gallery, backplate with painted medallions of shore birds, h. 11 in., w. 15 1/2 in., d. 7 1/2 in. $600/900

526. American Ebonized Mantel Clock, 19th c., E.C. Brewster and Sons, Bristol, CT, polychrome, gilt and mother‑of‑pearl decorated case, floral painted dial, makers label inside, eight‑day time and strike movement, h. 17 3/4 in., w. 12 in. d. 3 1/2 in. $300/500

528. Tennessee Coin Silver Cup, William Henry Calhoun (c. 1815‑1865), wc. Nashville (1835‑1865), marked “W.H. CALHOUN TY.” in rectangle, incuse, paneled octagonal form with scroll handle, beaded lip, flared foot with applied molding, engraved “Allison Woods Campbell” in script, h. 4 1/8 in., wt. 3.15 troy ozs. $500/700

532. Two American Coin Silver Presentation Cups, 19th c., one by William Williams Cary, Alton, IL, wc. 1836‑1870, marked “W.W. CARY” in rectangle, seamed construction, applied reeded bands, scroll handle, h. 3 1/2 in.; second marked incuse “COIN” and “5”, octagonal with engine‑turn engraved panels and Aesthetic incised decoration, h. 3 1/8 in.; combined wt. 8.70 troy ozs. $400/600

535. Six American Pressed Glass Rosette-Form Tiebacks, mid‑19th c., dia. 5 1/4 in., d. 7 in., with wall brackets. $400/600 Additional information at www.nealauction.com

537. French Provincial Carved Oak Bureau, mid‑18th c., fall front lid with fitted interior, two short over long drawer, scalloped apron, cabriole legs, h. 41 1/8 in., w. 41 1/2 in., d. 20 5/8 in. $800/1200

538. Antique French Provincial Fruitwood Buffet à Deux Corps, 19th c., molded cornice, pair of doors with cut steel escutcheons and fiche hinges, two short drawers, two doors, scalloped skirt, cabriole legs, h. 88 in., w. 46 in., d. 23 1/2 in. $800/1200

539. Antique Spanish Carved Walnut and Iron Refectory Table, rectangular top, shaped trestle supports, wrought iron stretchers, h. 30 1/2 in., w. 62 in., d. 29 1/4 in. $1000/1500 540. Pair of Antique George III‑Style Mahogany Etageres, each with four galleried shelves, turned supports, h. 35 in., w. 18 in., d. 12 in. $700/900 Provenance: Collection of a Jackson, MS Lady.

541. Antique Mother‑of‑Pearl Inlaid Table in the Moorish Taste, early 20th c., possibly Syrian, oval top, shaped skirt, tapered legs, h. 22 in., w. 24 in., d. 16 1/2 in. $300/500

542. Pair of Moorish Mother‑of‑Pearl Inlaid Octagonal Tabourets, mosaic inlay overall, h. 24 1/4 in., dia. 16 1/4 in. $800/1200

543. Pair of Venetian‑Style Painted and Parcel Gilt Bombé Commodes, each with serpentine marble top, floral carved drawers, shell carved cabriole legs, conforming base, h. 34 1/4 in., w. 59 1/2 in., d. 24 1/2 in. $2000/3000

544. Empire‑Style Bronze‑Mounted Mahogany Fauteuil of Large Proportions, scrolled back, sphinx arm supports, eagle term legs, h. 40 1/2 in., w. 27 in., d. 28 in. $800/1200

546. Pair of Paris Porcelain Gilt Reticulated Corbeilles in the Rococo Taste, 19th c., h. 7 3/4 in., dia. 9 3/4 in. $600/900

545. Royal Bonn Gilt and Polychrome Porcelain Covered Urn, c. 1890, impressed mark, decorated with floral garlands and raised gilt, h. 14 in., w. 12 in., d. 6 1/4 in. $600/900

547. Pair of Continental Malachite and Marble Obelisks, early 20th c., h. 22 1/2 in., w. 4 3/4 in., d. 4 3/4 in. $700/1000

548. Large Continental Bronze‑Mounted Malachite Box, 20th c., urn and rosette mounts, void interior, paw feet, h. 8 1/4 in., w. 19 1/4 in., d. 13 1/4 in. $1500/2500

550. Renaissance Revival Carved Walnut Coffer, 19th c., lid with high relief cartouche, strapwork central crest, stiles with crane terms, bun feet, h. 10 in., w. 16 in., d. 10 in. $400/600 Provenance: Film Prop from Pirates of the Caribbean; Los Angeles Collection.

551. French SilverplateMounted Cut Crystal Dresser Box, h. 3 1/4 in., w. 10 3/4 in., d. 4 1/4 in. $200/400 549. Pair of Beaux Arts Patinated Bronze Chenets, c. 1900, reticulated standard, flanked by lion monopods, h. 18 1/2 in., w. 15 in., d. 24 in. $800/1200

552. Regency Rosewood Sarcophagus-Form Tea Caddy, early 19th c., lidded tea compartments, cut glass mixing bowl, lion’s mask and ring handles, h. 8 1/2 in., w. 12 1/2 in., d. 6 1/4 in. $250/500 553. Pair of French Cast Iron Figures of Seated Frog Musicians, playing violin and bass, h. 13 1/4 in. $400/600

554. Antique Rococo Carved Giltwood Mirror, late 19th c., phoenix crest, cartoucheform mirror plate flanked by cornucopiae, rocaille surround, h. 67 in., w. 29 in. $600/800

555. Napoleon III Gilt Bronze Figural Mantel Clock, mid-19th c., with courtly lady reading beside a writing desk, scrolled feet, striking bell movement, h. 18 in., w. 15 in., d. 6 in. $500/1000 Additional information at www.nealauction.com

556. Italian Provincial Painted Bookcase, upper case with blocked cornice, four glazed doors, conforming base with four grille doors, molded base, h. 101 in., w. 70 1/2 in., d. 20 1/2 in. $800/1200

557. Restauration Parcel Gilt Mahogany Bergère, dolphin arms, sabre legs, h. 33 in., w. 25 in., d. 26 1/2 in. $600/800

559. Crème Peinte and Silverplate Carving Trolley in the Louis XVI Taste, revolving domed cover, frieze fitted with plate stand, tapered legs, shaped stretchers, casters, h. 43 in., w. 35 in., d. 27 1/2 in. $1200/1800

558. Large Italian Renaissance‑Style Trestle Table, plank top, carved, blocked and turned supports, stretcher, h. 32 in., w. 108 1/2 in., d. 29 in. $1500/2000

560. Károly Wittich‑Eperjesi (Hungarian, 1872‑1918), “View of Tsingtao”, oil on wood panel, signed lower left, inscribed lower right, signed, titled, inscribed and painted number “2” en verso, 5 1/4 in. x 8 in., framed. $1500/2500

561. Károly Wittich‑Eperjesi (Hungarian, 1872‑1918), “Peking Market”, 1898, oil on canvas board, signed, inscribed “Peking” and dated lower right, painted number “7” en verso, 5 1/4 in. x 8 in., framed. $1500/2500

Provenance: Noonan‑Kocian Gallery, St. Louis; Succession of Benedette Gieselman, New Orleans.

Provenance: Noonan‑Kocian Gallery, St. Louis; Succession of Benedette Gieselman, New Orleans. 561A. Mario F. Nardini (Italian, 20th c.), pair of relief-cast patinated bronze pedestals, after Frederic Remington (American, 18611909), one inscribed “inspired by Frederic Remington” and “©ASB”, the other “Mario F. Nardini 1-30-90 ©”and “Frederic Remington by Mario Nardini”, h. 35 1/2 in., w. 22 1/2 in., d. 14 in. $1000/2000

562. Large Samson Famille Rose Porcelain Armorial Covered Jar, late 19th/ early 20th c., baluster body with facet enclosing lions rampant flanking shield above emblem “Sola Virtus Invicta [Virtue Alone is Invincible]”, other facets with floral designs, finialed cover, base with pseudo Chinese mark, h. 21 3/8 in. $300/500 Provenance: Whitehall Antiques, Chapel Hill, NC, 2013.

563. Twelve Limoges “Double Dorure” Porcelain Dinner Plates, dia. 9 1/2 in. $600/900

567. Pair of Venetian Glass Blackamoor Candlesticks, male and female figures, with gilt highlights, h. 9 3/4 in., w. 5 1/4 in., d. 5 in. $400/600

564. Twelve Minton Porcelain Dinner Plates, ret. Tatman, Chicago, with sienna band and silver bellflowers, dia. 10 1/2 in. $600/900

568. Pair of Venetian Glass TwoLight Dolphin-Form Candelabra, together with a pair of swan-form candlesticks, candelabra h. 6 3/4 in. $500/700

565. Pair of Large Sevres‑Style Porcelain and Bisque Figural Vases, 20th c., decorated with chateaux, over three addorsed cherubs, h. 22 1/4 in., dia. 16 in. $800/1200

569. Pair of English Brass‑Bound Mahogany Folding Fire Screens, 19th c., silk covered, adjustable height panels, h. 35 in., w. 29 in. $600/800

566. Royal Crown Derby Imari Palette Porcelain Partial Service, early 20th c., incl. 8 bouillon, 10 coffee cups, 12 demitasse cups, 7 saucers, 4 dinner plates, dia. 10 1/2 in., 2 plates, dia. 8 1/4 in., and 6 plates, dia. 7 in. $400/600

570. Chinese Export Famille Rose Porcelain “Pomegranate” Plate, 18th c., central flowering pomegranate branch encircled around rim with floral sprays on a diaper ground, upturned edge, base with double ring mark and “Santos, London” label, dia. 9 in. $300/500 Provenance: Santos Collection, London; David Pownall Willis, Plainfield, NJ.

571. Group of Chinese Export Canton Blue and White Porcelain Dishes, 19th c., decorated with seaside village scenes, incl. 10 dinner plates, dia. 9 7/8 in., and 6 shallow bowls, dia. 8 3/4 in.; together with 3 “Canton” dishes, 20th c., dia. 8 in. to 8 3/4 in. (19 pcs.) $300/500

572. Chinese Export Blue and White Porcelain Mug, mid to late 18th c., decorated with elegant ladies and a bat within a raised cartouche on a diaper ground with raised and incised flowers, bats and butterflies, h. 5 1/4 in. $400/600

573. Chinese Export Famille Rose Porcelain Octagonal Plate, 18th c., central peony spray cartouche, cavetto and rim with floral reserves on a dense diaper ground with branches and flower heads, w. 8 1/4 in. $200/300

574. Two Chinese Export Famille Rose Porcelain Dishes, 19th c., incl. “Rose Medallion” reticulated rim platter, l. 10 3/4 in., w. 9 1/2 in.; and plate with central figural scene, dia. 9 3/4 in. $200/400

Provenance: Sallea Antiques, New Canaan, CT, 2010.

Provenance: Sallea Antiques, New Canaan, CT.

Provenance: Sallea Antiques, New Canaan, CT, 2011.

575. Two American Carved Ivory Dog Head Walking Sticks, 19th c., with glass eyes and silver ferrules, h. 35 in. $700/900

577. Art Deco Brass‑Mounted Black Glass Encrier, c. 1935, fitted with crystal ink pots and integral pen tray, conforming blotter, h. 4 in., w. 11 3/4 in., d. 7 in. $300/500

576. Italian Brass and Polychromed Marching Drum, c. 1900, decorated with an eagle and flaming bombs, leather and rope tensions, h. 14 in., dia. 15 3/4 in. $300/500

Additional information at www.nealauction.com

579. Antique Aubusson Tapestry, red border, floral vase cartouche, 10 ft. x 3 ft. 6 in. $300/500

580. French Aubusson‑Style Verdure Tapestry, depicting a lady walking in a sylvan landscape, 7 ft. 7 in. x 3 ft. 2 in. $1000/1500

578. English Neoclassical‑Style Wall Hanging, Timney Fowler, London, grisaille printed fabric, framed, 53 1/2 in. x 53 1/2 in. $400/600

581. Pair of French Carved Giltwood Three‑Light Sconces, 20th c., mirror backplate, trophée standard, scrolled arms, electrified, h. 16 1/2 in., w. 17 in., d. 10 in. $700/1000

583. Large Louis XV‑Style Bronze and Crystal Thirty‑Light Chandelier, vasiform standard, large ball pendant, prism hung overall, electrified, h. 67 in., dia. 40 in. $2000/3000

585. Antique Persian Tabriz Carpet, salmon and blue ground, central medallion, repeating floral border, 9 ft. 9 in. x 12 ft. 9 in. $4000/6000

582. Pair of Dresden‑Style Porcelain and Bronze‑Mounted Two‑Light Sconces, 20th c., porcelain backplate, surmounted by shell and putti, encrusted flower decoration, electrified, h. 19 1/2 in., w. 24 in., d. 10 in. $500/1000

584. Large Louis XV‑Style Bronze and Crystal Thirty‑Light Chandelier, en suite with previous lot. $2000/3000

586. Persian Mashad Carpet, cream and red ground, overall floral vining design, 6 ft. 2 in. x 9 ft. 3 in. $3000/4000

587. Persian Sultanabad Carpet, pale red and yellow ground, overall floral design, 7 ft. x 10 ft. $2500/3000

590. Persian Bakhtiari Carpet, red ground, central medallion, overall floral design, 6 ft. 9 in. x 10 ft. $1500/2500

588. Persian Tabriz Carpet, red ground, central field with tree and bird design, repeating scroll border, 7 ft. x 9 ft. 7 in. $2500/3500

589. Persian Heriz Carpet, red ground, central medallion and spandrels, overall stylized designs, 7 ft. 1 in. x 10 ft. 1 in. $2500/3000

591. Persian Turkman Carpet, red ground, central medallion, serrated spandrels, repeating border designs, 6 ft. 10 in. x 9 ft. 8 in. $1800/2500

592. Antique Persian Lory Carpet, repeating gul designs, 5 ft. 8 in. x 9 ft. 6 in. $1800/2500

595. Archaistic Chinese Black and Celadon Hardstone Hu Tablet, l. 9 1/2 in., wood stand, overall h. 1 5/8 in., l. 9 3/4 in. $300/500

593. Chinese Reverse Painted Mirror, probably 20th c., painted with the Three Star Gods, sight 19 1/4 in. x 13 1/2 in., framed, overall 21 1/8 in. x 15 3/8 in. $200/300

594. Chinese Hardstone Covered Tripod Censer, probably early 20th c., cover with Buddhist lion finial, body carved with dragons, lion’s mask‑loose ring handles, lion’s mask feet, base with Qianlong mark, h. 6 1/4 in., w. 8 1/2 in. $600/800

596. Chinese Songhua Inkstone, probably 20th c., base inscribed and sealed, h. 1/2 in., w. 3 1/8 in., d. 4 1/2 in., set within a carved stone base, set within a hardwood, probably zitan, and stone‑inset covered box, top carved with lotus leaves, base with Qianlong mark, overall h. 1 1/2 in., w. 3 3/4 in., d. 5 1/8 in. $1000/1500

Additional information at www.nealauction.com

597. Chinese Bronze Duck‑Form Censer, in two parts with removable cover, h. 19 1/2 in., carved marble lotus stand, overall h. 27 3/4 in. $1000/1500

598. Chinese Embroidered Yellow Silk Panel, probably Qing Dynasty (1644‑1911), worked in knot stitch and couched gold threads with a central five‑clawed dragon wrapped around a flaming pearl amid cloud scrolls, bats, Buddhist emblems, and flower scrolls, silk backing, 40 1/2 in. x 53 in. $6000/8000

599. Pair of Chinese Marble Panels, each relief‑carved with a qilin amid cloud scrolls, h. 17 3/4 in., w. 24 1/2 in., d. 6 in. $800/1200

601. Sea Coral Specimen, in naturalistic‑form with three primary branches rising from a thick trunk, h. 10 1/2 in., w. 10 1/8 in., mounted in a Chinese hardwood stand, overall h. 12 in. $500/700

602. Chinese Bamboo Libation Cup, probably Qing Dynasty (1644‑1911), gently fluted body carved borne on fruiting branches, h. 5 3/8 in., w. 5 3/4 in. $400/600

606. Chinese Hardwood Ruyi Scepter, probably 19th/20th c., entwined branch‑form staff surmounted by a qilong dragon and terminating in a ruyi head, l. 8 3/4 in. $500/700 605. Chinese “Rhinoceros Skin” Lacquer Covered Box, probably 20th c., lobed melon‑form body with mottled red, yellow and black “skin”, paper‑covered base with Kangxi mark, h. 6 1/8 in., w. 8 in. $400/600

600. Nepalese or Tibetan Ruby, Emerald and Coral Encrusted Gilt Filigree Overlaid Silver Metal Covered Teapot, probably 20th c., rock crystal finial, h. 12 in., w. 15 in. $800/1200

603. Antique Chinese Polychromed Wood Figure of a Monk and Lacquered Wood Stand, figure carved seated with hands on lap, h. 3 1/2 in., w. 4 5/8 in.; stand gilt and silver decorated with rocks, lingzhi, lychee, and peach, h. 17 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans.

607. Chinese Polychrome and Gilt Decorated Red Lacquer Covered Rectangular Box, probably late 19th/ early 20th c., decorated with confronting dragons in pursuit of the flaming pearl, base with later Qianlong mark, h. 2 1/2 in., w. 13 1/4 in., d. 4 in. $300/500

604. Chinese Molded Gourd Tripod Censer, probably 20th c., incised with a continuous landscape of dwellings, figures and a bull, inscribed and sealed, base with seal mark, h. 4 3/4 in., w. 9 1/2 in. $600/800

608. Three Chinese Agate Bowls, probably 20th c., incl. pair of yellow agate, h. 1 3/4 in. and 2 in., dia. 4 1/8 in., and one moss agate, h. 3/8 in., dia. 4 3/4 in. $300/500

610. Chinese Patinated and Gilt Bronze Vase, probably 20th c., flattened hu‑form body with phoenix mask loose-ring handles and corner flanges, relief decorated with archaistic dragons, base with Qianlong mark, h. 11 1/2 in., w. 6 5/8 in. $1200/1800 611. Collection of Three Chinese Carved and Painted Molded Ink Cakes, probably 20th c., incl. shaped, w. 5 in., d. 7 1/2 in.; floriform, dia. 6 in.; and rectangular, w. 4 3/4 in., d. 7 1/4 in., storage boxes. $400/600

609. Two Chinese Hardstone Beauties, probably early 20th c., first rose quartz, h. 6 1/2 in., wood stand, overall h. 7 5/8 in.; second serpentine, h. 6 7/8 in., wood stand, overall h. 7 5/8 in. $300/500

613. Sino-Tibetan Gilt Bronze-Mounted and Gem Embellished Rock Crystal Covered Ritual Bowl, probably 19th/20th c., tapering globular body with elaborate mounts and vajra finial, h. 7 3/4 in., dia. 5 1/4 in. $500/750

612. Thai Hammered and Chased Silver Bowl, unmarked, elaborately decorated overall with Siamese dancers on a stippled ground, h. 4 1/4 in., dia. 8 1/2 in. $400/600

614. Thai Patinated Bronze Figure of a Dancing Tara, inverted lotus base, h. 12 1/4 in. $300/500

618. Two Chinese Mother‑of‑Pearl Inlaid Lacquer Boxes, probably late 19th/early 20th c., incl. peach‑form, h. 6 5/8 in., w. 10 1/2 in.; and square, h. 4 1/2 in., w. 9 7/8 in., d. 9 7/8 in. $200/300

615. Pair of Chinese Famille Rose Porcelain‑Inset Hardwood Table Screens, probably 20th c., circular plaques decorated with pairs of birds, dia. 11 3/8 in., framed and set within hardwood stands, overall h. 25 in., w. 19 3/4 in., d. 7 in. $400/600

619. Chinese Molded Yixing Pottery Covered Teapot, probably 20th c., modeled with branch‑form handle, spout and finial, with leaves in relief, bases and interior of cover with impressed marks, h. 3 3/8 in., w. 6 1/8 in. $300/500

616. Chinese Highly Carved Hardwood Side Chair, probably early 20th c., water plant and iris carved back, conforming serpentine seat rail, cabriole legs, scroll toes, h. 44 3/8 in., w. 21 in., d. 17 in. $300/500

620. Pair of Chinese Famille Rose Molded Porcelain Bowls, probably 19th/early 20th c., fluted sides decorated in muted enamels with figures in garden settings, bases marked, h. 1 7/8 in., dia. 4 in. $600/800

617. Japanese Bone Embellished Polychrome Painted Carved Hardwood Two Panel Screen, early 20th c., central panels applied with birds on flowering branches, h. 71 3/4 in., w. 64 in. $400/600

621. Pair of Chinese Blue and White Porcelain Covered Jars, probably 20th c., decorated with sages and attendants in garden settings, h. 18 in. $500/750

Additional information at www.nealauction.com

622. Pair of Chinese Blue and White Porcelain Covered Jars, probably 20th c., decorated with shaped panels of boys at play on a ribbed ground, h. 18 3/4 in. $600/800

623. Chinese Yixing Pottery Covered Teapot, probably 20th c., carved to one side with a bird on a prunus branch, the other side inscribed, base and interior of cover with impressed marks, h. 4 1/8 in., w. 7 in. $300/500

626. Chinese Partial Glazed Pottery Groom, probably Ming Dynasty (1368‑1644), modeled standing on a plinth with one arm at his waist and the other raised, h. 12 in. $200/300

627. Chinese Famille Rose Porcelain Vase, probably 19th c., decorated with flower sprays on a lattice ground, h. 9 1/4 in., now mounted as a lamp, h. (to socket) 15 3/8 in. $200/300

Provenance: Joan Good Antiques, New Orleans, c. 1960s.

Provenance: Henry Stern Antiques, New Orleans.

630. Group of Three Japanese Cloisonné Enamel Pieces, Meiji Period (1868‑1912), incl. goldstone flecked vase, h. 6 in.; covered jar, h. 3 3/4 in.; and teapot, h. 3 1/2 in., w. 5 1/2 in. $400/600

634. Tibetan Thangka, probably 20th c., ink and color on cloth with gilt highlights, featuring a mult‑armed, multi‑headed Bodhisattva and other figures, reverse with Buddhist knot, 25 in. x 18 1/8 in., unframed. $300/500

631. Japanese Molded Satsuma Pottery Tripod Censer, probably early 20th c., with gilt shi-shi handles and Buddhist lion feet, decorated with Fukurokuji holding a “States Postage / 1 1/2 cents” stamp above an inscription and other figures in a garden setting, base with impressed mark, h. 10 1/4 in., w. 10 3/4 in. $400/600

635. Korean Blue and White Porcelain Water Dropper, probably 19th c., octagonal body, scroll spout, 8 incurvate feet, top decorated with foliage, h. 1 1/2 in., w. 2 3/4 in. $250/350

624. Monumental Chinese Molded Yixing Pottery Figural Group, probably 20th c., modeled as an elephant with two young boys on its back holding a “gem” embellished ruyi scepter and another boy at its feet, base with impressed mark, h. 15 1/4 in., w. 15 1/2 in. $400/600

628. Chinese Blue and White Porcelain Garlic Mouth Bottle Vase, probably 20th c., decorated with fruiting peach branches, base with Yongzheng mark, h. 11 1/8 in. $350/450

625. Chinese Famille Rose Porcelain Covered Teapot, probably early 20th c., decorated with peach, prunus, lychee, lotus, bats, and butterflies, peach finial, h. 3 in., w. 5 1/8 in. $300/500

629. Antique Chinese Brown and Black Glazed Pottery Cadogan Teapot, peach‑form with loop handle and scroll spout, h. 7 1/2 in., w. 7 1/8 in. $300/500 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

632. Group of Five Japanese Bronze Figures of Elephants, probably Meiji Period (1868‑1912), striding figures modeled with ivory tusks, tallest signed, tallest h. 3 3/4 in., raised together on carved wood platform, overall h. 4 3/4 in., w. 25 3/4 in. $500/1000 633. Antique Southeast Asian Bronze Head of Buddha, h. 2 3/8 in., wood stand, overall h. 3 7/8 in. $200/300

636. Indian School, probably early 20th c., “Figures in Landscapes”, 2 gouaches heightened with gilt on paper, each 9 in. x 4 1/2 in., matted and framed alike. (2 pcs.) $150/250 Provenance: New Orleans Estate.

637. Thai Green and Ochre Glazed Jardinière/Egg Crate, late 19th/early 20th c., banded with dragon and wave decoration, h. 19 3/4 in., dia. 20 1/4 in. $150/250 Provenance: New Orleans Estate.

Session Two Sunday, July 17, 11 am 3923 Carondelet

641. Pre‑Colombian‑Style Green Jade Figure, h. 2 3/4 in. $200/300

638. Two African Wood Standing Male Figures, possibly Cameroon, first carved with burled coiffure wearing metal cuffs on wrist and ankle, h. 34 in.; second carved holding a bowl with natural hair, h. 32 in. $800/1200

639. African Cowrie Shell, Fiber, Leather and Glass Embellished Polychrome Painted Wood “Nail Fetish” Power Figure, probably Congo Basin, carved standing with woven basket on back and protruding nails above leather skirt, elaborate base with skull and metal, h. 28 1/2 in. $800/1200

640. Large African Metal, Bone, Heishi Bead and Cowrie Shell Embellished Wood Figure of a Male, carved seated with carved lizard headdress, h. 42 1/2 in. $1200/1800

642. Antique Two‑Tiered Cast Iron Fountain, graduated basins with foliate moldings, standard with addorsed figures of the three Graces, plinth base, shell and foliate feet, h. 90 in., w. 36 in. $1500/2500 Provenance: Ex-Collection of Judge Reuben Lee “Buzz” Harper (1937-2011), Natchez and New Orleans.

643. Pair of American Cast Iron Campagna‑Form Garden Urns, egg and dart rims, lobed bodes, floral and swag decorated plinth bases, h. 31 in., w. 19 in., d. 19 in. $500/800

644. Italian Terrazzo and Painted Wrought Iron Garden Table, circular top, scroll base, h. 33 1/2 in., dia. 33 in. $500/700

645. Danish Modern Teakwood Drop‑Leaf Dining Table, mid‑20th c., F.F. France for John Stuart, labeled, demilune leaves, X‑form hinged shaped supports, h. 28 1/2 in., l. 64 in., closed w. 18 in. $800/1200

647. Large Gilt and Gesso Frame, 19th c., floral border, 40 in. x 56 1/2 in., overall 48 1/2 in. x 65 1/2 in. $300/500

646. Pair of Modern Linda and Joseph Ricchio for Knoll Ebonized Beechwood Armchairs, incurvate backs, tapered legs, h. 32 in., w. 22 in., seat d. 19 in. $200/300

648. Near Pair of American Aquamarine Glazed Pottery Urns, c. 1925, attr. to Galloway Terracotta Co., Philadelphia, h. 25 in., w. 13 in., d. 10 1/2 in. $500/800

649. Pair of Arts and Crafts Brass Andirons, early 20th c., stylized floral design, on splayed feet, h. 27 in., w. 13 1/4 in., d. 15 in. $500/700

Provenance: Thomas K. Libby, Stamford, CT.

650. French Decorative Tapestry, 20th c., by Editions d’Art de Rambouillet, screen printed on wool, 82 in. x 110 in. $400/600

651. Decorative Aubusson‑Style Tapestry, 20th c., by JP Panneaux, depicting a chateau in a landscape, 5 ft. 3 in. x 12 ft. 11 in. $400/600

652. Italian Blown Glass Lantern, mid‑20th c., wirework cage, h. 23 1/4 in., dia. 11 in. $300/500

653. Pair of Venetian Glass Three‑Light Sconces, floral decoration, twisted arms, with ring pendants. $600/900

655. Glazed Earthenware Garden Seat, with reticulated ropework sides, h. 20 1/2 in., dia. 21 in. $300/500

654. Italian Painted Metal Eight‑Light Sconce, mid‑20th c., in the form of a vine, electrified, h. 36 in., w. 43 in. d. 7 in. $800/1200

657. Pair of Classical‑Style Cast Sandstone Sphinxes, 20th c., modeled recumbent on rectangular plinths, h. 33 in., l. 48 in., w. 21 in. $600/800

658. French Art Deco Bronze‑Mounted Marble Three‑Piece Clock Garniture, c. 1920, movement marked “S. Marti”, enameled dial signed “E. Brondeau, Limoges, Paris”, case mounted with stylized flowers, ball feet, clock h. 9 3/4 in., w. 13 in., d. 4 in. $200/300

656. Architectural Frieze, with winged griffins in deep relief, h. 13 1/2 in., w. 47 1/2 in., d. 4 in. $100/200

659. Chinese Carved Red Lacquer Four Panel Screen, probably early 20th c., carved with elegant figures within and outside a garden pavilion, h. 71 3/4 in., w. 64 1/2 in. $400/600

660. Lawrence Lebduska (American/ German, 1894‑1966), “Zebra, Elephant, Tropical Bird and Monkey”, 1963, oil on canvas, signed and dated lower left, inscribed en verso, 25 in. x 30 in., framed. $600/800

Additional information at www.nealauction.com

662. San Ildefonso Self‑Taught Group, c. 1900‑1935, Tonita Peña/Quah Ah (American/New Mexico, 1893‑1955), “Two Pueblo Dancers”, gouache on paper, signed lower left, 7 1/2 in. x 11 1/4 in. and Awa Tsireh/Alfonso Roybal/Cattail Bird (American/New Mexico, 1895‑1949), “Snake Dance”, 1932, pochoir print, signed in plate lower right and numbered “28” upper right, printed “C. Zwedzicki, 1932” en verso, published by C. Szwedzicki, The North American Indian Works, Nice, France, 15 1/4 in. x 19 1/2 in., framed. (2 pcs.) $800/1200

661. Lawrence Lebduska (American/ German, 1894-1966), “A Fox, Goose and Deer”, 1964, oil on formica, signed and dated lower left, 11 1/4 in. x 13 1/8 in., framed. $400/600

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

663. Good Group of Twelve Hopi Kachina Dolls, c. 1940, two retaining their labels “From the Hopi Villages”, h. 2 in. to 13 1/2 in. $1000/1500 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

665. After Jean‑Jacques Henner (French, 1829‑1905), “La Liseuse (The Reader)”, chromolithograph on paper, signed in plate lower left, 8 1/4 in. x 11 in., antique frame. $500/800 Provenance: Succession of Benedette Gieselman, New Orleans.

666. Alberto Giacometti (Swiss, 1901‑1966), “Vision du Lit et Abat‑Jour (View from the Bed, with Lampshade)”, 1965, etching on paper, pencil‑signed “pour Alberto, Diego Giacometti” lower right, pencil‑numbered “58/70” lower left, exhibition label en verso, sight 19 1/2 in. x 14 1/2 in., framed. $250/350 Provenance: Collection of Joel N. Weinstock, New Orleans.

664. Pair of Bronze-Mounted Horn Cups, on patinated figural cherub stands, inscribed “HP. DB395” and “HP. DB395A” under base, h. 26 1/4 in., w. 21 in., d. 9 in. $600/800

667. John Gruen (American, b. 1926), “Untitled Still Life”, 1980, silver gelatin print, signed and dated lower right, 15 1/4 in. x 12 in., framed. $300/500

668. William Kross Greiner (American/New Orleans, b. 1957), “Symbols of Commitment”, 1994, c‑print, signed, titled, inscribed, numbered “3/50”, and artist stamp en verso, 16 in. x 20 in., framed. $500/800

670. Joseph “Joey” Bonhage (American/New Orleans, 1941‑2008), “Daffodils”, 2 painted metal flower sculptures in Chinese celadon porcelain pots, unsigned, each h. 16 in. (2 pcs.) $500/700 669. American School, mid‑20th c., “Sailboats”, 1944, oil on board, indistinctly signed and dated lower right, 24 in. x 20 in., framed. $800/1200

671. Joseph “Joey” Bonhage (American/New Orleans, 1941‑2008), “Purple Wildflowers”, 1982, painted metal flower sculpture on wood base, signed and dated on base, h. 18 in. $300/500

672. Guido Gambone Art Pottery Vase, c. 1950, marked, floral and bird designs, h. 12 1/2 in., d. 4 3/4 in. $600/900

673. Gustavo Duque (Colombian/New Orleans, 20th c.), “Saturday”, 2002, oil on canvas, signed and dated lower left, titled and dated en verso, 24 in. x 30 in., unframed. $1000/1500 Provenance: Sold to benefit the Jewish Federation of Greater New Orleans. 674. Gustavo Duque (Colombian/New Orleans, 20th c.), “Storm”, 2002, oil on canvas, signed and dated lower right, 30 in. x 24 in., unframed. $1000/1500 Provenance: Sold to benefit the Jewish Federation of Greater New Orleans.

675. Raine Bedsole (American/New Orleans, 20th c.), “Things That Attract Them”, 2202, mixed media on wood panel, titled lower left, signed and dated en verso, 17 in. x 14 in., unframed.

676. Raine Bedsole (American/New Orleans, 20th c.), “Dusk”, 2004, mixed media on wood panel, signed, titled and dated en verso, 17 in. x 14 in., unframed. $800/1200

$800/1200

677. Luis Diaz (Costa Rican/Mississippi, 20th c.), “Bougainvilleas”, watercolor on paper, signed lower right, “Nunnery’s Gallery, Jackson, MS” label en verso, 28 in. x 38 1/4 in., framed. $800/1200

678. Pair of Cast Iron Garden Figures of a Girl and a Boy, each holding a basket. $600/800

679. Empire‑Style Gilt and Patinated Bronze Table Lamp, female terms issuing three candlearms, tôle shade, eagle finial, h. 26 in. $600/900

Provenance: Collection of a Jackson, MS Lady.

681. Contemporary Bronze and Onyx Coffee Table, 20th c., reticulated frieze, fluted tapered legs, h. 19 3/4 in., w. 45 1/4 in., d. 19 3/4 in. $500/700 680. Gien Faïence Vase, marked, Renaissance design on cobalt blue ground, figural mask handles, central crest, h. 14 in., w. 8 1/4 in., d. 4 1/2 in. $300/500

682. Pair of Italian Rococo‑Style Carved Giltwood Demilune Console Tables, each with marble top, cartouche frieze, cabriole legs, marble stretcher shelf, h. 36 1/2 in., w. 36 in., d. 18 1/2 in. $1200/1800 Additional information at www.nealauction.com

684. Robert Gordy (American/ Louisiana, 1933‑1986), “Head (RGE‑120)”, c. 1982‑1986, mixed media on canvas, unsigned, inscribed “RGE‑120” lower edge, 49 1/2 in. x 38 in., framed. $1500/2500

683. Pair of Hollywood Regency‑Style Painted Consoles, demilune top inset with black marble, rope and reed frieze, antelope legs, h. 34 1/2 in., w. 49 in., d. 20 in. $1000/2000

685. Chuck Caplinger (American/ Texas, 20th c.), “Seated Sepia‑Tone Female Nude”, oil on canvas, signed lower right, 24 in. x 24 in., framed. $500/800

686. Pair of Baccarat‑Style Gilt Bronze and Cut Glass Wall Sconces, 19th c., scrolled arms, floriform candlecups, draped with pendeloque prisms, h. 14 in., w. 12 in. $600/800

Provenance: Arthur Roger Gallery, New Orleans, Nov. 15, 1995. Note: Robert Gordy is best known for combination of both decorative and narrative elements in a flat pictorial space, which include a repetition of shapes in similarly-hued colors. Prior to 1981, the artist would occasionally paint a strong central figure, but these were not a dominant feature in his work. Following his 1981 retrospective at the New Orleans Museum of Art, Gordy began to experiment with a looser, more direct style that featured the head as his main subject matter, ultimately completing an exciting new body of work. Realized in a variety of media, the heads have a three-dimensionality and painterly quality not previously seen Gordy’s paintings, with a heightened sense of tension through careful cropping of the image. In the large-scale work offered here, the geometric planes of the face combined with the artist’s visible brushstrokes create a visual patterning in almost transparent washes of color that is particularly successful.

688. Argentine Leather Bench, scrolled arms, loose cushion, tall bracket feet, brass nailhead trim, h. 30 in., w. 55 in., d. 24 in. $700/1000 687. Art Deco‑Style Patinated Bronze Boudoir Lamp, depicting a dancer on stage, h. 17 in., w. 10 1/4 in., d. 6 in. $600/900

690. Eight Napoleon III‑Style Boullework Dining Chairs, incl. two armchairs and six side chairs, en suite with preceding lot, arched crest rail, serpentine seat rail, cabriole legs, armchair h. 42 7/8 in., w. 23 in., d. 23 1/8 in.; side chair h. 41 3/4 in., w. 21 7/8 in., d. 19 3/4 in. $2000/3000

689. Attractive Napoleon III‑Style Boullework and Black Lacquered Dining Table, shaped boullework top fitted with glass, conforming frieze, pair of incurvate pedestals, scrolled feet, h. 31 1/4 in., l. 89 1/4 in., w. 47 in. $3000/5000

691. Empire‑Style Bronze‑Mounted Mahogany Bureau Plat, inset leather top, three frieze drawers, winged lion supports, plinth base, h. 32 in., w. 64 1/4 in., d. 33 3/4 in. $800/1200

692. Biedermeier Ebonized Walnut and Satinwood Slant Front Sécrétaire à Abattant, early 19th c., molded cornice, frieze drawer above fall front, well fitted interior, caryatid mounts, two doors below, blocked feet, h. 61 1/2 in., w. 37 in., d. 17 in. $1000/1500

693. Louis XV‑Style Gilt Bronze‑Mounted Chinoiserie Bombé Commode, serpentine rouge marble top, two drawers, cabriole legs, sabots, h. 35 1/4 in., w. 51 1/2 in., d. 23 in. $1000/1500

694. Antique Louis Philippe‑Style Inlaid Rosewood Armoire, molded cornice over a single mirrored door, drawer below, bracket feet, h. 83 1/2 in., w. 43 1/2 in., d. 20 in. $1000/1500

696. Pair of Silverplate Figural Decanter Trolleys, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, each movable carriage fitted with two coasters with turned wood bottoms and putto mounts, l. 19 3/4 in. $500/700

695. Pair of Louis XVI‑Style Carved Giltwood Two‑Light Sconces, each in the form of a beribboned trophée, h. 28 in., w. 9 in., d. 6 in. $700/1000

699. Pair of Neoclassical‑Style Argenté and Crystal Eight‑Light Chandeliers, lozenge-shaped pendants and tear drop prisms, h. 58 in., w. 24 in. $1200/1800

697. Pair of Neoclassical Silverplate Candlesticks, Corinthian capital, removable bobêches, standards decorated with spiral acorn and oakleaf garland, stepped plinth base with bowknot and bellflower panels, bobêches, h. 13 1/2 in. $400/600

700. Italian Argenté and Crystal TenLight Chandelier, 20th c., floral candlecups, with crystal mounted vining branches, h. 37 in., dia. 35 in. $2000/3000

698. Pair of Antique English Silverplate Three‑Light Candelabra, h. 14 1/2 in. $200/300 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

701. Italian Carved, Gilt Metal and Crystal Eight-Light Chandelier, standard hung with crystal chains and pendants, scrolled arms, swagged chains pendeloque prisms, h. 58 in., dia. 43 in. $1000/1500

Additional information at www.nealauction.com

702. French Carved Giltwood and Wrought Iron Four‑Light Sconce, 20th c., sheaf of wheat standard, scrolled backplate and arms, h. 25 in., w. 35 in., d. 7 1/2 in. $600/900

705. Three 18 kt. White Gold Gem‑Set Eternity Rings, two set with square‑cut blue sapphires and one set with single cut diamonds, ring size 5. Note: Sapphires badly abraded. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

708. Vintage 14 kt. Yellow Gold Bangle Bracelet; together with three vintage gold‑cased bangle bracelets. $250/350 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

703. Pair of Belle Époque Bronze‑Mounted Brêche de Alpes Marble Lamps, h. to socket 21 in. $800/1200

704. Pair of Bronze and Tôle Peinte Three‑Light Bouillotte Lamps, adjustable shade and lights, h. 24 3/4 in., dia. 16 1/2 in. $500/700

706. Gucci Sterling Silver and Blue Enamel Necklace, l. 36 in., wt. 1.95 troy ozs. $200/300

709. Two 14 kt. Yellow Gold Band Rings, one woven, the other fluted, ring size approx. 5, wt. 9 dwt. $300/400

707. Silver Chain Link Necklace, toggle closure set with lapis lazuli cabochon, l. 22 1/2 in., wt. 3.85 troy ozs. $250/350

710. Pair of 14 kt. Yellow Gold Mesh, Black Star Sapphire and Diamond Cufflinks, l. 2 3/8 in. $500/750

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 711. 14 kt. Yellow Gold and Seed Pearl Sunburst Pendant/Brooch, dia. 1 1/2 in.; together with 14 kt. yellow gold box link chain, l. 18 in. $300/500

713. Pair of 14 kt. Yellow Gold, Carved Citrine and Ruby Floriform Studs, each back set with star sapphire, dia. 1/2 in. $400/600

712. 14 kt. Yellow Gold and Tiger’s Eye Ring, size 10, “as is”. $300/500

714. 14 kt. Yellow Gold, Diamond and Emerald Ring, cast as two opposing dragon heads, set with two diamonds and an emerald, size 7 1/4. $300/500

715. Pair of 14 kt. Yellow Gold and Old Mine Diamond Cufflinks, c. 1900, total diamond wt. approx..48 cts., dia. 3/4 in. $400/600

716. Pair of 14 kt. Yellow Gold and Banded Agate Cufflinks, dia. 7/8 in. $300/500 717. Louis Vuitton Faux Tortoiseshell and Gilt Metal “Lock Me” Ring, size 7. $150/250

720. Antique American 14 kt. Yellow Gold and Enamel Flower Brooch, with old mine diamond center. $150/250

724. Bohemian Cobalt Overlay Glass Decanter, late 19th c., cut‑to‑clear Greek key and punty designs, faceted stopper, h. 11 in.; together with a cranberry overlay glass perfume bottle with cut‑to‑clear star and punty designs and tulip‑form stopper, h. 9 in. $150/250

721. Pair of 14 kt. Yellow Gold, Cultured Pearl and Diamond Snowflake Earrings. $150/250

725. American Cut and Etched Glass Flip Glass, 20th c., with floral motifs, h. 6 1/4 in.; together with a star and vine pattern etched glass carafe, h. 6 in. $150/250

718. Victorian Seed Pearl and Mother‑of‑Pearl Brooch and Earring Suite, probably American, brooch h. 3 3/8 in., earrings h. 2 5/8 in., in fitted case. $300/500

722. Pair of Waterford Crystal Two‑Light Girandoles, 20th c., spear standard, scrolled arms, designed to be electrified, h. 20 1/2 in., w. 14 in., d. 4 1/4 in. $300/500

719. Antique English 15 kt. Yellow Gold and Persian Turquoise Brooch, set with pavé turquoise center ornament, locket back (missing glass) with intricately woven hair, engraved “to Alice from J.E.E, July 10, 1870”. $200/300

723. Pair of Hand‑Blown Cranberry Glass Lusters, 19th c., crenellated rims with gilt accents, vasiform shafts, hung with spear prisms, h. 13 in., dia. 6 in. $300/500

726. Steuben Crystal Footed Centerbowl, h. 7 in., dia. 11 in. $500/700

Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

727. Lalique Ram’s Head Glass Sculpture, marked, clear and frosted body, h. 6 3/4 in.; together with a “Robinson” lidded glass perfume bottle, marked, clear body with frosted molded birds, h. 5 1/2 in. $400/600

730. Pair of Art Nouveau‑Style Composition Caryatid Brackets, of Renaissance inspiration, each with green paint, h. 56 in., w. 12 in., d. 15 in. $500/800

728. Six Steuben Crystal Old Fashioned Glasses, h. 3 1/4 in., original dust covers and fitted box. $300/500

729. Baccarat Crystal Carafe, marked, h. 8 1/4 in., dia. 8 in. $150/250

Additional information at www.nealauction.com

731. Pair of Anglo‑Colonial Style Argenté and Enameled Doors, chased and champlève enamel surrounds centered by relief panels depicting scenes of the harvest, reverse with chased sheet metal adorned with palmettes, h. 77 in., w. 23 in., and h. 78 in., w. 21 in. $2000/3000

732. Pair of Continental Baroque‑Style Carved Giltwood Mirrors, pierced foliate scroll and shell carved surrounds, h. 59 1/2 in., w. 47 in. $1000/1500

733. Napoleon III‑Style Ebonized and Gilt Metal‑Mounted Mirror, with parquetry panels and porcelain roundels. $400/600

734. Napoleon III Gilt Metal and Onyx Mantel Clock, 19th c., case flanked by maiden figure with foliage, mounted on onyx base, h. 11 1/4 in., w. 10 1/2 in., d. 4 in., under a glass dome, total h. 15 1/2 in. $700/1000 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

735. Louis XV‑Style Carved and Gilt Salon Suite, late 19th c., incl. canapé, two chaises and two fauteuils, each retaining “Aubusson” upholstery, leaf‑carved crest, acanthus scroll arms, cabriole legs, canapé h. 37 in., w. 70 in., d. 26 in.; chaise h. 33 5/8 in., w. 27 in., d. 22 1/8 in.; fauteuil h. 34 in., w. 21 3/8 in., d. 19 3/8 in. (5 pcs.) $1500/2500

737. Four Restauration Carved Mahogany Chaises, mid‑19th c., each with scrolled stiles, cabriole legs. $1000/1500 736. Louis XV‑Style Carved Fruitwood Side Table, dished top, shaped frieze with opposing drawers, cabriole legs, hoof feet, h. 28 1/2 in., w. 41 3/8 in., d. 28 3/4 in. $1000/1500

738. Louis Philippe Carved Mahogany Center Table, 19th c., dished marble top, conforming frieze, bulbous pedestal, arched foliate carved legs, paw feet, casters, h. 29 in., dia. 38 in. $1000/1500

739. Louis XVI‑Style Brass Inlaid Mahogany Sécrétaire, 19th c., galleried white marble top, superstructure with mirrored doors, shelf interior, fluted stiles, two drawers, base with frieze drawer, tapering legs, stretcher, toupie feet, h. 53 5/8 in., w. 31 3/4 in., d. 20 1/2 in. $800/1200

740. Antique Empire‑Style Gilt Bronze‑Mounted Fruitwood Torchère, galleried marble top, tapered supports with Egyptian busts and paired feet, stretcher shelf, incurvate triangular plinth, h. 48 in., dia. 13 1/2 in. $500/700

741. Directoire‑Style Brass‑Mounted Mahogany Table de Jeu, demilune foldover top, baize‑lined playing surface, square tapered legs, brass sabots, h. 29 3/4 in., w. 35 in., d. 17 3/4 in. $1000/1500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

742. Louis XV‑Style Carved Walnut and Needlepoint Fauteuil à Oreilles, 19th c., molded frame, scalloped floral seat rails, cabriole legs. $1200/1800

743. Pair of EmpireStyle Brass-Mounted Ebonized Side Tables, inset marble tops, medial shelf, cabriole legs, paw feet, h. 22 1/2 in., w. 18 in., d. 18 in. $800/1200

744. Pair of Regency‑Style Ebonized and Parcel Gilt Armchairs, 20th c., pierced foliate crest rail, shaped arms, fluted tapered legs, spade feet, h. 32 5/8 in., w. 22 1/4 in., w. 19 1/2 in. $400/600

745. William IV Mahogany and Ebonized Bookcase, mid-19th c., upper case with glazed doors, adjustable shelves, lower case with frieze drawers over paneled doors, disc feet, h. 90 in., w. 45 in., d. 13 1/2 in. $1200/1800 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

Additional information at www.nealauction.com

746. Twelve George III‑Style Carved Mahogany Dining Chairs, 20th c., incl. two armchairs and ten side chairs, each with shield back, pierced vasiform splat, molded square tapered legs. $2000/3000 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

747. Antique George III‑Style Inlaid Mahogany Three‑Pedestal Dining Table, banded top with two leaves, pedestals with reeded standard, outswept reeded sabre legs, brass‑capped paw feet, casters, h. 29 in., l. (closed) 109 in., l. (extended) 157 in., w. 52 in. $2000/3000

748. George III‑Style Inlaid Mahogany Corner Cupboard, 19th c., broken scroll pediment, astragal glazed doors, shaped bracket feet, h. 89 in., w. 34 1/2 in., d. 18 in. $1000/1500 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA. 749. George III Inlaid Mahogany Secretary Bookcase, early 19th c., broken scroll pediment, patera frieze, astragal glazed doors; adjustable shelves, fitted desk interior, three graduated drawers, bracket feet, h. 99 in., w. 51 1/2 in., d. 22 in. $1200/1800 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA. 750. English Carved and Burl Walnut Center Table, mid‑19th c., figured oval top with banded inlay, reduced supports, drum stretcher, outswept carved legs, h. 25 1/2 in., w. 35 in., d. 21 in. $400/600 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA. 751. Pair of Antique Queen Anne‑Style Walnut Side Tables, probably 19th c., each with banded top, frieze drawer, tall cabriole legs, h. 28 in., w. 21 in., d. 16 1/2 in. $700/900 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

752. American Classical Carved Mahogany Sideboard, c. 1820‑30, attr. to Anthony Quervelle, Philadelphia, mirrored backsplash, cornucopia brackets, marble top over two drawers and cupboard faced with segmented fan, each pedestal with single drawer over cabinet door, one fitted with revolving bottle stand, Ionic columns, acanthine paw feet, h. 59 1/2 in., w. 71 1/2 in., d. 26 1/2 in. $5000/8000 Ill.: Boor. Philadelphia Empire Furniture. Figs. 251, 251a and 251b, pp. 400, 401. Note: The overall form and carving of this sideboard closely relate to the Quervelle attributed sideboard conserved by Winterthur and illustrated as plate I in Robert Smith’s article “The Furniture of Anthony Quervelle” part IV. Ref.: Smith, Robert. “The Furniture of Anthony G. Quervelle, Part IV: Some Case Pieces” Magazine Antiques. (January 1974), p.186, pl. I.

753. American Renaissance Carved Walnut Extension Dining Table, mid‑19th c., Philadelphia, circular top, four leaves, apron with rosettes, architectonic support, h. 29 1/2 in., l. (closed) 54 in., l. (extended) 123 in., w. 53 1/2 in. $2000/3000

754. Eight Antique George III‑Style Carved Mahogany Dining Chairs, 7 side chairs and 1 armchair, acanthine serpentine crest rail centering a shell, pierced and interlaced splat, trapezoidal seat, acanthine cabriole legs, paw feet. $1000/2000

757. Antique Queen Anne‑Style Side Table, frieze drawer, trumpet legs, stretcher, h. 28 in., w. 34 in., d. 22 1/2 in. $600/800

755. Antique Chippendale‑Style Carved Mahogany Tea Table, 19th c., pie crust top, bird cage support, turned standard, cabriole legs, snake feet, h. 27 1/2 in., dia. 35 in. $400/600

756. Antique Louis XV‑Style Parquetry Bureau, 19th c., serpentine case with slant lid, interior fitted with drawers and secret compartments, over two short and one long drawer, cabriole legs, sabots, h. 38 in., w. 38 in., d. 17 1/2 in. $700/900

758. Latin American School, 19th c., “Portrait of a Young Boy in a Rural Landscape with Hacienda”, oil on canvas, unsigned, 40 1/4 in. x 30 in., period frame. $1000/1500 759. Manner of Adolf Schreyer (German, 1828‑1899), “Arab Warrior Horsemen”, oil on canvas, bears signature “Ad. Schreyer” lower left, 22 in. x 34 in., framed. $1200/1800 Additional information at www.nealauction.com

760. Continental School, 19th/20th c., “Still Life of Grapes, Peaches and Pears with a Parrot”, oil on canvas, unsigned, 24 in. x 30 in., framed. $700/900

761. John Henry Oswald (Irish, 1830‑1899), “Crashing Waves”, oil on canvas, signed lower left, 24 1/4 in. x 38 1/4 in., period frame. $800/1200 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA. 762. British School, probably late 19th c., “Portrait of Rev. Robert Hawker, D.D. (1753‑1827)”, oil on canvas, unsigned, 40 in. x 30 in., framed. $700/900 764. William Henry Bartlett (British, 1809‑1854), 22 hand‑colored engravings from American Scenery, London, 1839‑40, 5 in. x 7 in., each matted and framed alike. $700/1000

766. Richard Timm (American, 20th c.), “Fox Squirrel”, “Wolverine”, “Elk”, “Pronghorn” and “White Tailed Deer”, 5 color lithographs on paper, all signed and titled in plate, printed descriptions of the animals and “Taylor Clark Gallery, Baton Rouge” labels en verso, sights 28 in. x 21 1/2 in. or 21 1/2 in. x 28 in., framed. (5 pcs.) $500/800

767. Paris Porcelain Coffee and Tea Service, 19th c., incl. lidded coffee pot, lidded teapot, creamer, and sugar; putto decor, gilt trim, tallest h. 10 3/4 in. Note: Restoration. $500/700 Provenance: Historic “Sally Mill”, Middleburg, VA.

763. Edward Linley Sambourne (British, 1844‑1910), “Hollandaise”, oil on board, initialed “L.S.” lower left, titled and artist’s biographical information en verso, 14 1/2 in. x 17 1/2 in., period frame. $500/800

765. After John Frederick Herring (British, 1785‑1865), “A False Start” and “The Run”, 1856, two hand colored engravings, from Fore’s National Sports series, sight 24 in. x 44 1/2 in., framed. $250/500

768. Paris Porcelain Saucier, 19th c., peach and gilt decoration, fruit finial, integral underplate, h. 6 3/4 in., l. 9 3/4 in. $150/250 Provenance: Historic “Sally Mill”, Middleburg, VA.

769. Pair of Paris Porcelain Flare Vases, mid‑19th c., polychrome and gilt, h. 13 1/4 in.; together with Paris porcelain lavender-banded cake stand, ret. Davis Collamore, NY, act. 1820‑1887, h. 4 3/8 in., dia. 12 3/4 in. $300/500 Provenance: Temple Heights, Columbus, MS.

Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

770. Paris Lavender and Gilt Porcelain Pots‑de‑Crème Set, 19th c., foliate decoration and “C” monograms, incl. 9 covered pots, h. 3 1/4 in.; and footed stand, h. 8 1/4 in. (10 pcs.) Note: Condition. $200/300

771. Paris Porcelain Footed Bowl, 19th c., claret ground with gilt decoration, h. 4 5/8 in.; together with a Davenport porcelain tazza, c. 1870‑1886, claret and gilt with dolphin base, floral reserve, h. 5 3/4 in. Note: Hairline crack. $250/350 Provenance: Historic “Sally Mill”, Middleburg, VA.

772. Meissen Polychrome and Gilt Molded Porcelain Teapot, underglaze blue crossed swords mark, figural spout, painted floral sprays, h. 9 3/4 in. $300/500

773. Meissen Puce and Gilt Porcelain Coffee Pot, underglaze blue cross swords, flower knop, h. 10 in. $300/500

775. Near Pair of Adams Jasperware Pitchers, 19th c., blue ground with hunting scenes, foliate spouts, h. 7 in. and 7 1/2 in. $250/350 774. Pair of Continental Gilt and Polychrome Vases, c. 1900, with spurious “KPM” and scepter mark, two handles, reserves painted with Classical scenes, h. 17 in., w. 9 1/2 in., d. 6 1/4 in. $500/800

776. Neoclassical‑Style Gilt Bronze and Cut Glass Centerpiece, oval form with floral swag garlands, lion’s paw feet, glass insert, h. 5 1/4 in., w. 11 3/4 in., d. 6 in. $300/500

777. William IV Mahogany Firescreen/Escritoire, 19th c., fall front with tooled leather writing surface, trestle base, scroll feet, h. 49 1/2 in., w. 26 1/2 in., d. 21 in. $500/800 Provenance: Temple Heights, Columbus, MS.

779. American Gilt Bronze Five‑Light Gasolier, late 19th c., ring and urn form standard issuing scroll arms with etched globes, electrified, h. 53 in., dia. 29 in. $800/1200

778. Regency Sheffield Plate Covered Vegetable Dish, early 19th c., circular, domed cover, with straight gadroon border and openwork acanthus handle, removable liner, hot water compartment with loop handles, h. 7 1/2 in., w. 11 1/4 in. $300/500

780. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper & Co., fluted Ionic column on marble base, cornucopia‑cut shade, h. 24 1/2 in., dia. 9 1/4 in. $500/750 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

781. American Gilt Bronze and Marble Solar Lamp, c. 1850, marked “Cornelius & Co. / Philad. / April 1st. 1845”, floral‑stenciled standard, marble base, Gothic window cut shade, h. 22 in., dia. 8 1/2 in. $500/750 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 783. Antique American Yellow Gold and Carved Stone Cameo Brooch and Earring Set, c. 1870‑1880, gold unmarked, earrings with later metal backs, brooch with replaced catch. $400/600

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 163.

782. Neoclassical‑Style Gilt Brass and Bronze Five‑Light Chandelier, late 19th/early 20th c., foliate canopy, baluster standard, scrolled arms, electrified, h. 28 1/2 in., w. 22 1/2 in. $700/1000

784. Two Vintage American Southwestern Silver and Stone Inlaid Bolos, silver unmarked. $150/300 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

785. Pair of American Blown Glass Decanters, Pittsburgh, in the “Strawberry” pattern, alternating diapered diamond decoration, h. 11 1/2 in., dia. 4 1/4 in. $500/700

Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/ Bowman/Fort Family.

786. Pair of English Lead Glass Decanters, c. 1815, cut banded necks on paneled shoulders, repeating shafts of wheat, stoppers, h. 10 1/4 in., dia. 4 1/4 in. $400/600

787. Twelve American Pressed and Cut Glass Bowls, 20th c., with pinwheel, pineapple and hobstar motifs, h. 3 1/8 in. $300/500 Provenance: Historic “Sally Mill”, Middleburg, VA.

Additional information at www.nealauction.com

788. Twelve Steuben Glass Finger Bowls, each marked, h. 2 3/8 in., dia. 4 in. $500/700

789. Nine Antique Blown Glass Finger Bowls, 20th c., incl. 2 large cobalt, h. 4 in.; 3 small cobalt, 3 scarlet, and 1 green, each h. 3 in. $200/300

790. American Late Federal Mahogany Dressing Mirror, early 19th c., rectangular frame, turned columnar supports, case with two drawers, turned feet. $400/600

Provenance: Historic “Sally Mill”, Middleburg, VA.

791. American Federal Giltwood Mirror, early 19th c., split baluster surround, blocked corners with brass rosettes, divided mirror plate, h. 39 1/4 in., w. 19 in. $400/600

793. Early Georgian Oak Writing Box, 18th c., slant‑front lid, fitted interior with small drawers, molded base, h. 7 1/2 in., w. 29 in., d. 18 1/2 in. $250/350

792. American Chippendale Cherrywood Slant‑Front Desk, 18th c., fitted desk interior over four graduated drawers, chamfered stiles, bracket feet; pine secondary wood, h. 43 in., w. 37 in., d. 19 in. $600/800

794. George III‑Style Mahogany Cabinet, 20th c., bowfront case with two drawers over doors, “French” feet, h. 32 in., w. 30 in., d. 19 in. $400/600

795. American Late Federal Carved Mahogany Secretary-Bookcase, c. 1825, cove-molded cornice, glazed doors, adjustable shelves, base with 2 short drawers, fall-front desk interior with inset baize-lined writing surface, drawers and cubbyholes; pair of cabinet doors below flanked by reeded colonettes, melon feet, brass spherule feet, h. 93 in., w. 45 5/8 in., d. 22 3/4 in. $1500/2500

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

Provenance: Didier, Inc., New Orleans.

796. American Late Federal Carved Mahogany Two-Part Dining Table, early 19th c., Connecticut, drop‑leaf consoles, plain frieze, foliate carved legs, brass ferrules, casters, h. 29 1/2 in., l. 102 3/4 in., w. 48 1/4 in. $2000/3000 Provenance: Didier Inc., D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

797. American Classical Carved Mahogany Games Table, c. 1830, school of Anthony Quervelle, Philadelphia, foldover top, torus‑molded frieze, rosette corners, foliate baluster standard with gadrooned base, incurvate plinth, bracketed acanthus paw feet, casters, h. 30 1/4 in., w. 37 in., d. 17 3/4 in. $1000/1500 Provenance: Historic “Sally Mill”, Middleburg, VA.

798. American Classical Carved Mahogany Pier Table, early 19th c., gray marble top, frieze with rosette blocks, scrolled supports, mirrored back, incurvate plinth, paw feet, h. 34 in., w. 36 in., d. 17 in. $800/1200 799. Four American Late Federal Painted “Fancy” Side Chairs, mid‑19th c., each with turned crest, fruit and floral painted back, rush seat, ring‑turned legs, button feet, h. 34 3/4 in., w. 17 1/2 in., d. 19 in. $400/600 Provenance: By repute Mistletoe, Natchez, MS; Historic “Sally Mill”, Middleburg, VA.

800. American Classical Inlaid and Carved Mahogany Dressing Table, 19th c., New York, oval mirror with swan supports, dished marble top, frieze drawer, columnar supports with bronze mounts, shaped plinth, h. 54 1/2 in., 32 1/2 in., d. 16 1/2 in. $400/600

801. Louis Philippe Mahogany Sécrétaire à Abattant, early 19th c., marble top, frieze drawer, fall front, fitted interior, three drawers, molded base, block feet, h. 58 5/8 in., w. 38 in., d. 18 1/8 in. $500/700

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

802. Empire Gilt Bronze-Mounted Mahogany Center Table, early 19th c., dished black marble top, tapered standard, incurvate triangular plinth, bun feet, casters, h. 29 in., dia. 32 in. $600/800

803. Polish Art Deco‑Style Bronze Figure of a Lady, inscribed “P. Konralrenski”, h. 10 1/2 in., on shaped marble base, overall h. 14 1/2 in. $400/600

804. Art Deco‑Style Bronze Figure of a Dancer, after “Faetalliana” by Dimitri H. Chiparus, inscribed with artist’s name and “A7255” on self‑base, raised foundry stamp “Bronze garanti/Paris/ J.B./depose”, h. 14 1/2 in., on stepped red marble base, overall h. 18 3/4 in. $500/700

805. Carrara Marble Bust of “Apollo Belvedere”, after the Antique, socle base, h. 23 in., w. 17 in., d. 10 in. $1000/1500 806. Continental Patinated and Cold‑Painted Bronze Figure of an Athlete, h. 18 3/4 in., red marble base, overall h. 21 3/4 in. $600/800

807. Continental Bronze Figure of Daphnis with Satyr Child, after Antoine Coysevox, inscribed “A. Coyzevox 1709” on self‑base, h. 17 in., w. 8 in., d. 9 in. $1000/1500

Additional information at www.nealauction.com

808. American Classical Mahogany Cheval Mirror, mid‑19th c., faceted finials, beveled frame, brass candle arms, scrolled legs, casters, h. 81 in., w. 45 1/8 in., d. 22 in. $800/1200

809. American Restauration Mahogany Slipper Settee, 19th c., foliate carved crest rail, molded serpentine seat rail, bracket feet, h. 30 1/2 in., w. 44 1/2 in., d. 20 1/2 in. $500/700

810. Franz Josef Bolinger (American/Florida, 1903‑1986), “Florida Landscape”, 1944, oil on canvas, signed and dated lower right, 32 in. x 36 in., framed. $800/1200 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

811. Knute Heldner (American/New Orleans, 1877‑1952), “Cabin in the Louisiana Bayou”, oil on canvas, signed lower right, “The Little Gallery, New Orleans” stamp en verso, 25 in. x 32 in., framed. $1800/2500 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

812. Knute Heldner (American/New Orleans, 1877‑1952), “Louisiana Bayou”, oil on canvas, signed lower right, “Ben’s Studio, New Orleans” label en verso, 26 in. x 30 in., framed. $1200/1800 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA. 815. Edward Whiteman (American/Louisiana, b. 1938), “Still Life”, oil on shaped board, 1970, initialed “E.W.” and dated lower left, signed, titled, dated and “Galerie Simonne Stern, New Orleans, LA” label en verso, 17 in. x 17 1/4 in., unframed. $300/500 816. Murrell Butler (American/Louisiana, b. 1937), “White Pelicans on a Louisiana Lake”, 2010, oil on canvas, signed and dated lower left, titled en verso, 30 in. x 40 in., framed. $1800/2500

813. Ann Warner (American/ Louisiana, 20th c.), “Louisiana Mount Hermon Garden, Washington Parish”, oil on masonite, signed lower right, signed, titled, dated and “Taylor Clark Gallery, Baton Rouge” label with title and artist’s biography en verso, 16 in. x 20 in., framed. $500/800

814. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Pelican by the Dock”, 1990, watercolor, signed and dated lower right, sight 6 3/4 in. x 7 3/4 in., framed. $250/350

817. Clementine Hunter (American/Louisiana, 1886‑1988), “Card Game in Front of the African House, Melrose Plantation”, oil on canvas board, monogrammed lower right, titled and inscribed en verso, 16 in. x 20 in., framed. $2500/3500

818. Clementine Hunter (American/Louisiana, 1886‑1988), “Pickin’ Cotton”, 1971, oil on board, monogrammed and dated lower right, 16 in. x 20 in., framed. $2500/3500

Provenance: Acquired from the artist, c. 1970. 821. Walter Rutkowski (American/Louisiana, b. 1940), “The Forest”, graphite on paper, unsigned, 14 in. x 21 in., framed. $500/800

819. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Courtyard, St. Peter St., New Orleans”, oil on board, signed and inscribed “New Orleans” lower right, signed, titled en verso, 5 in. x 4 in., period frame. $400/600

820. David Noll (American/ Louisiana, 20th c.), “Peregrine Falcon”, 1973, watercolor on cardstock, signed and dated lower right, “A.L. Lowe, New Orleans” stamp en verso, 12 in. x 14 1/2 in., framed. $1000/1500

822. Al DeForest (American/ Louisiana, 20th c.), “Cabin Scene, Picking Cotton and Loading Steamboat with Bales of Cotton”, 2006, oil on canvas, signed and dated lower left, 12 in. x 24 in., framed. $400/600

823. Will Hinds (American/Louisiana, b. 1936), “Green Door”, oil on canvas, signed lower right, titled, inscribed and artist’s stamp en verso, 24 in. x 20 in., framed with brass artist plaque. $1000/1500 824. Knute Heldner (American/New Orleans, 1877‑1952), “Cabin on the Bayou”, oil on canvas board, signed lower right, 16 in. x 20 in., framed. $1800/2500 Provenance: Succession of Charles Duke Zucker (1925‑2014), New Orleans, LA.

825. George Washington Sully (American/Louisiana, 1816‑1890), “View of an American Canal and Towpath with Falls”, 1834, ink wash on paper, pencil‑dated upper right, label with title en verso, unsigned, 4 1/4 in. x 5 1/2 in., framed. $300/500 Provenance: Didier Inc., New Orleans.

826. William Norman Arnold (American/Louisiana, 1902‑2006), “Still Life of Flowers in a Red Pot”, 1982, watercolor on paper, signed and dated lower right, sight 16 in. x 16 in.; “Fall of Sun”, 1979, watercolor on paper, signed and dated lower right, sight 7 in. x 9 in.; and “Magnolia Bud”, 1996, acrylic on board, signed lower right, signed and dated en verso, 6 1/2 in. x 6 in., all framed. (3 pcs.) $400/600

827. Alberta Kinsey (American/New Orleans, 1875‑1952), “Still Life of Full Blown Roses, Delphinium and Daisies”, oil on canvas affixed to board, signed lower right, 19 in. x 15 1/2 in., framed. $500/800

828. Wyatt Waters (American/ Mississippi, b. 1956), “Downtown Jackson, Mississippi” and “Still Life of Flowers”, 2 watercolors on paper, signed lower right or left, sights 14 in. x 21 in. and 11 in. x 7 in., framed. (2 pcs.) $700/900 Provenance: Collection of a Jackson, MS Lady.

Additional information at www.nealauction.com

829. Emmitt Thames (American/Mississippi, b. 1933), “Still Life of Fruit and Vegetables with Chinese Porcelain”, oil on canvas, signed lower right, “Williams Gallery, Gulfport, MS” label en verso, 24 1/4 in. x 30 in., framed. $2000/3000

831. Clementine Hunter (American/ Louisiana, 1886‑1988), “On Very Hot Days We All Wore Sunbonnets”, oil and pencil on paper, monogrammed lower left, titled and inscribed en verso, 11 in. x 15 in., framed. $1800/2500

832. John S. Miller (American, 19th c.), “Plantation ‑ Lebanon Springs”, 1838, pencil and ink on paper, signed and dated lower left, titled lower margin, sight 9 in. x 14 3/4 in., framed. $500/800 Provenance: Arader Galleries, NY, 1994.

830. Rolland Harve Golden (American/New Orleans, b. 1931), “Boudroux’s Barn”, 1987, watercolor on paper, signed, titled and dated lower right, sight 20 1/2 in. x 27 3/4 in., framed. $1000/1500 Provenance: Acquired from the artist.

833. Antique American Oak Apothecary or Spice Cabinet, late 19th c., molded cornice over small drawers, bracket feet, h. 21 in., w. 23 in., d. 9 in. $500/700

835. Antique Creole Bookstore Sign, “Att Ths ye Sign of Ye Creole Head are Divers Rare Bookes Displayed for to Pleasure Those ytt be Bookish”, featuring a carved bust of a Creole woman, h. 18 3/4 in., w. 24 1/4 in., d. 3 in. $800/1200

834. Antique Mississippi River Valley Poplar Flour Bin, 19th c., plank top, deep rectangular case, void interior, h. 37 1/2 in., w. 30 in., d. 15 3/8 in. $400/600

836. American Folk Art Carved Wood Alligator, made in two parts, original paint, h. 6 1/2 in., l. 57 in., w. 10 in. $1200/1800

837. American Carved and Gilt Bull’s Head Wall Bracket, 19th c., triangular shelf, h. 12 in., w. 11 3/4 in., d. 7 3/4 in. $600/900

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838. Pair of American Classical Brass and Iron Andirons, early 19th c., neoclassical‑style urns on plinths, ball feet, h. 16 in., w. 23 in.; together with matching shovel and tongs. $500/700

839. Antique American Cherrywood Collector’s or Specimen Cabinet, late 19th/early 20th c., molded top, eight drawers, fluted tapered feet, h. 48 1/2 in., w. 53 in., d. 17 1/2 in. $1000/1500

841. Southern Federal Inlaid Walnut Slant Front Desk, early 19th c., fall front lid, fitted interior, graduated drawers, shaped apron, bracket feet, yellow pine secondary wood, h. 41 1/2 in., w. 42 in., d. 21 in. $700/1000 840. Large Cypress Display Cabinet, late 19th c., Louisiana, glazed top and sides, front sliding panels, paneled back, turned tapered legs, h. 48 in., w. 120 1/4 in., d. 37 in. $1000/1500

842. American School, probably 19th c., “George and Martha Washington”, 2 oils on paper, each 10 in. x 8 in., original matching gilt frames. $300/500 Provenance: Didier Inc., New Orleans, Oct. 28, 1999.

843. Captain J.E. Alexander (Scottish, 1803‑1885), “Wreck of a Steamer (Union) ‑ Mississippi, Snag and Sunk the 19th, Sept. 1831”, ink and pencil on paper, signed lower right, titled lower left and right, 11 1/2 in. x 19 in., framed. $100/200

844. American School, 19th c., “Indian Encampment in a Mountainous Landscape”, oil on academy board, signed “Colson” lower left, 9 1/2 in. x 13 1/2 in., unframed. $700/900

Note: The Scottish military officer, writer and adventurer J.E. Alexander wrote

845. Murrell Butler (American/ Louisiana, b. 1937), “Sumaco Volcano, Ecuador, South America”, 2010, oil on canvas, signed and dated lower right, titled and dated en verso, 30 in. x 40 in., unframed. $400/600

Transatlantic Sketches: Comprising Visits to the Most Interesting Scenes in North & South America and West Indies published

by Robert Bentley, London, in 1833.

846. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Creole Patio, French Quarter, New Orleans” and “Old Slave Quarter, French Quarter, New Orleans”, 2 oils on canvas board, each signed lower left and signed and titled en verso, 20 in. x 16 in. and 16 in. x 20 in., framed alike. (2 pcs.) $1000/1500

849. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Arts and Crafts Club, New Orleans, La”, 1927, oil on canvas, signed lower right, signed, titled and dated on “Architects & Engineers Supply Company, Duluth, Minn” label en verso, 22 in. x 18 in., period frame. $700/900

850. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Creole Patio, French Quarter, New Orleans”, oil on canvas board, signed lower left, signed and titled en verso, 16 in. x 20 in., framed. $500/700

847. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyl, Louisiana (Barataria)” and “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas and oil on canvas board, each signed lower left and signed and titled en verso, latter with “The Micheller Gallery, Rue Royale, New Orleans” stamp en verso, 24 in. x 30 in. and 20 in. x 16 in., both framed. (2 pcs.) $1000/1500

848. Colette Pope Heldner (American/New Orleans, 1902‑1990), “French Cottage Courtyard with Chickens”, 1932, oil on board, signed, dated and inscribed “France” lower right, 19 1/2 in. x 24 in., period frame. $800/1200

852. Judy Fairledy (American, 20th c.), “Still Life with Violin and Books”, oil on canvas, signed lower right, 24 in. x 35 1/4 in., framed. $300/500

851. Ginny Futvoye (American/ Mississippi, 20th c.), “Zinnias”, oil on masonite, signed lower right, 24 in. x 20 in., framed. $500/800 Provenance: Collection of a Jackson, MS Lady. Additional information at www.nealauction.com

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853. Pappy Kitchens (American/Mississippi, 1901‑1986), “Old Farm”, “Fritz”, and “Water Wheel”, one acrylic on paperboard, 2 acrylics on masonite, each signed lower right, 2 titled lower left, sights 10 3/4 in. x 14 in. to 18 3/4 in. x 22 1/2 in., each framed. (3 pcs.) $1200/1800

856. John Stennett (American/ New Orleans, b. 1948), “Table for One”, 1984 and “Interior: Settee Study”, 2 oils on canvas, unsigned, former with “Aaron Hastings Gallery, New Orleans” label en verso, 20 in. x 21 in. and 14 1/4 in. x 14 1/4 in., framed alike. (2 pcs.) $300/500

857. Laszlo De Nagy (Hungarian/ Louisiana, 1906‑1944), “Lafitte Country, Louisiana”, oil on masonite, signed “ygan” lower left, label with artist and title en verso, 9 in. x 12 in., framed. $400/600

860. Louisiana Folk Art School, 20th c., “New Orleans Jazz Funeral”, oil on masonite, unsigned, inscribed “Brown” en verso, 22 in. x 28 in., framed. $300/500 859. Emerson Bell (American/ Louisiana, 1932‑2006), “Crucifix”, 1995, carved wood, 19 1/4 in. x 14 1/4 in. $500/800

Provenance: Collection of a Jackson, MS Lady.

855. Southern Folk Art, 20th c., “The Great Steamboat Race between the Robert E. Lee and the Natchez in the Summer of 1870”, watercolor on paper, unsigned, titled lower right, 22 in. x 28 in., framed. $200/400

858. Jacob Manguno (American/ New Orleans, b. 1925), “Litigator”, 2008, oil on canvas, signed upper right, signed, titled, dated and “Vincent Mann Gallery, New Orleans, LA” label en verso, 20 in. x 16 in., framed. $800/1200

861. Larry Harris (American/New Orleans, 20th c.), “Unloading Bales of Cotton from a Steamboat”, oil on canvas, signed lower left, 30 in. x 40 in., framed. $300/500 862. American or English Rosewood Slipper Chair, mid‑19th c., scallop shell tufted back and seat, cabriole legs, scrolled toes, casters, h. 37 3/4 in., w. 24 1/2 in., d. 31 3/4 in. $200/400

863. American Classical Carved Mahogany Armoire, mid‑19th c., New York, gadrooned cornice, figured frieze, recessed panel doors, fluted Corinthian column stiles, foliate carved feet, h. 89 1/2 in., w. 58 3/4 in., d. 26 in. $1200/1800

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854. Howard Finster (American/Alabama, 1916‑2001), “Mr. Coke”, 1993, oil and marker on board, signed and dated mid‑left, signed, bird monogram, dated, inscribed and “Howard Finster Fine Art” label en verso, 34 in. x 10 1/2 in., unframed. $800/1200

864. American Classical Carved Mahogany Four‑Post Bed, mid‑19th c., scrolled crest, paneled head board, reeded and foliate baluster posts, flame finials, reeded tapered legs, h. 94 1/2 in., l. 79 in., w. 61 in. $1200/1800

865. American Neo-Grec Ebonized and Parcel Gilt Pedestal, late 19th c., Killian Bros., New York, octagonal beveled top, fluted supports with rosettes, circular base, scrolled feet, h. 36 in., w. 17 in., d. 14 1/2 in. $1000/1500

866. American Renaissance Carved and Grained Rosewood Desk, mid‑19th c., superstructure with mirror back, lift top with baize inset writing surface, fitted interior, base with pierced scroll supports, h. 72 1/2 in., w. 33 1/4 in., d. 20 in. $400/600

867. American Rococo Carved Mahogany Washstand, mid‑19th c., marble top with backsplash, serpentine drawers, chamfered corners, disc feet, h. 42 in., w. 35 in., d. 18 7/8 in. $800/1200

868. American Gothic Carved Mahogany Sideboard, mid‑19th c., backsplash, frieze drawers over arched panel doors flanked by Ionic columns, acanthine paw feet, h. 50 1/2 in., w. 69 1/4 in., d. 23 1/4 in. $1500/2500 Provenance: Hemlock Hall, Beersheba Springs, TN.

869. American Rococo Carved Mahogany Games Table, mid‑19th c., serpentine foldover top with gadrooned edge, baize‑lined playing surface, conforming scrolled frieze, cabriole legs, scrolled toes, h. 29 1/2 in., w. 33 1/2 in., d. 17 in. $400/600

870. American Classical Mahogany Gentleman’s Dressing Chest, 19th c., rectangular reeded mirror on turned supports and glove drawers, base with bolection molded drawer above three long drawers, scroll supports and scroll feet, h. 75 in., w. 44 in., d. 21 1/2 in. $500/700

872. American Classical Carved Mahogany Sofa, early 19th c., reeded crest, scrolled arms, reeded sabre legs, brass casters, h. 34 1/2 in., w. 77 1/2 in., d. 25 in. $800/1200

871. American Late Federal Mahogany Washstand, early 19th c., shaped backsplash, top with cut out for basin, vasiform supports, medial shelf with drawers, turned legs, brass ball feet, h. 46 in., w. 25 in., d. 17 1/2 in. $400/600

873. American Classical Carved Mahogany Four‑Post Bed, mid‑19th c., scrolled and shell‑carved crest, paneled head board, spiral‑reeded and acanthus-carved posts, turned baluster legs, casters, h. 83 1/2 in., l. 77 1/2 in., w. 55 in. $1000/1500

Additional information at www.nealauction.com

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874. American Renaissance Carved and Burl Walnut Parlor Suite, c. 1870, attr. to John Jelliff, Newark, New Jersey, incl. settee and side chair, crests of concentric bosses, lion’s head arm terminals, settee h. 51 in., w. 71 in., d. 26 in. (2 pcs.) $1500/2500

875. Rare American Aesthetic Maple Faux Bamboo Youth Bed, c. 1870‑1880, attr. R.J. Horner, New York, spindled head and foot board, posts with ball finials, conforming rails, h. 43 1/2 in., interior l. 54 in., w. 36 1/2 in. $400/600

877. American Renaissance Carved Rosewood and Burl Walnut Armchair, late 19th c., attr. John Jelliff, Newark, New Jersey, crest with medallion, waisted back, figural arm supports, turned legs, h. 43 in., w. 29 3/4 in., d. 20 1/2 in. $700/1000

876. American Classical Carved Mahogany Sofa, c. 1830, carved crest, scroll arms, bracketed paw feet, casters, h. 36 in., w. 88 in., d. 23 in. $800/1200

878. Highly Carved Mahogany Executive Pedestal Desk, after the well‑known “H.M. Resolute” oval office example, inset leather top, three frieze drawers, long drawer and two short drawers over Federal eagle carved door, cabinet doors to the side, molded blocked base, h. 31 7/8 in., w. 72 1/2 in., d. 47 in. $800/1200

879. American Classical Carved Mahogany Sofa, early 19th c., attr. to Anthony Quervelle, Philadelphia, flared convex crest, scrolled arms, foliate bracketed paw feet, h. 34 1/2 in., w. 89 in., d. 22 in. $1200/1800 Provenance: Boor‑Cassidy Collection, Philadelphia. Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. Hanover and London: University Press of New England, 2006, p. 360, fig. 215.

880. American Classical Rosewood and Rosewood‑Grained Tester Bed, c. 1830 and later, ogee tester, foliate carved crest, paneled headboard, faceted posts, scrolled rails, stepped blocked feet, casters, h. 109 in., l. 80 1/2 in., w. 62 in. $2000/3000 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA. 881. American Rococo Carved Rosewood Parlour Suite, mid‑19th c., incl. sofa, armchair and three side chairs, cartouche carved crest rail, scrolled arms, serpentine seat rail, cabriole legs, casters, sofa h. 43 in., w. 72 3/8 in., d. 25 in.; armchair h. 45 in., w. 22 1/2 in., d. 24 in.; side chair h. 39 in., w. 18 in., d. 17 7/8 in. (5 pcs.) $800/1200

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883. English Aesthetic Inlaid, Bronze‑Mounted and Ebonized Parlor Cabinet, late 19th c., mirrored superstructure with shelves, demilune base with central inlaid and gilt-incised door flanked by glazed doors, columnar stiles, blocked base, toupie feet, h. 91 in., w. 59 1/4 in., d. 16 in. $1000/1500

882. Contemporary Upholstered Pouf, 20th c., cushion top, pleated sides, casters, h. 17 in., w. 31 in., d. 31 in. $100/150

884. Anglo‑Colonial Ebonized and Marquetry Étagère in the Aesthetic Taste, 19th c., superstructure with shelves flanking mirror plate, base with frieze drawers over doors flanking a niche, extensively inlaid overall, h. 99 in., w. 54 1/4 in., d. 21 1/2 in. $1000/1500

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

885. Antique Georgian‑Style Mahogany and Satinwood Inlaid Desk, 19th c., slant front lid with quarter fans and patera, fitted interior, four graduated banded drawers, bracket feet, h. 38 1/2 in., w. 35 3/4 in., d. 20 1/4 in. $600/900

886. George III Inlaid Mahogany Games Table, late 18th/early 19th c., demilune foldover top, baize‑lined playing surface, conforming frieze, square tapered legs, spade feet, h. 28 5/8 in., w. 35 5/8 in., d. 17 1/2 in. $700/900 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

888. Louis XV Carved Elm and Fruitwood Buffet, 19th c., rouge marble top, two doors with iron hinges and escutcheons, shaped apron, cabriole legs, h. 38 in., w. 61 1/2 in., d. 26 in. $800/1200

890. Antique Louis XVI‑Style Fauteuil, 19th c., floral carved arched back, cornucopia arm supports, shaped seat, fluted legs, h. 45 1/2 in., w. 28 1/2 in., d. 24 in. $600/900

891. French Cast Iron Hall Stand, 19th c., marked “Corneau Freres a Charleville No. 25”, bleu paint, basket of flowers arched crest, six hat hooks, h. 81 1/2 in., w. 40 1/4 in., d. 18 1/2 in. $500/1000

887. Dutch Marquetry Kidney-Shaped Desk, early 20th c., kneehole configuration of drawers, square tapered legs, casters, h. 31 1/2 in., w. 45 1/4 in., d. 25 in. $800/1200

889. Pair of Black Forest‑Style Carved Walnut Side Tables, each with circular composite top, bear and tree standard, rockwork plinth, h. 24 in., dia. 17 1/4 in. $1200/1800

892. French Tôle and Brass Billiard Gasolier, probably early 20th c., turned standard and supports, electrified, h. 47 in., w. 44 in., d. 12 in. $800/1200

893. Italian Cast Stone Figural Jardinière, h. 36 in., dia. 19 1/2 in. $600/900

Additional information at www.nealauction.com

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895. Pair of Cast Iron Garden Retrievers, h. 29 1/2 in., w. 12 1/4 in., d. 24 in.; h. 28 1/2 in., w. 12 1/2 in., d. 24 in. $800/1200 894. Six Cast Iron Garden Chairs, each cartouche‑form back centered by an oval with scroll decoration, circular seat, cabriole legs. $1000/1500

898. Antique Continental Carved Walnut Cabinet, 19th c., molded cornice, paneled retractable doors, shelf interior, molded base, blocked feet, h. 73 in., w. 74 3/4 in., d. 32 in. $500/700

897. Pair of Large Classical‑Style Patinated Metal Oval Jardinières, loop handles, ball feet, lead grey surface, h. 20 in., w. 39 in., d. 19 in. $600/900

896. Rococo‑Style Cast Iron Table, 19th c., shaped marble top, pierced rocaille frieze, cabriole legs, shaped stretcher, h. 30 1/2 in., w. 24 1/2 in., d. 26 in. $400/600

899. Louis XVI‑Style Parquetry and Gilt Bronze‑Mounted Side Table, probably early 20th c., frieze drawer, stop‑fluted legs, h. 29 3/8 in., w. 36 1/4 in., d. 22 1/4 in. $300/500

902. Antique Louis XV‑Style Carved Mahogany Armoire, late 19th c., arched cornice with rocaille crest, paneled doors, parquetry sides, shelf interior, shaped base, acanthine cabriole legs, scroll toes, h. 97 in., w. 53 in., d. 21 1/2 in. $800/1200

900. Italian Paint‑Decorated Parchment and Crème Peinte Escritoire, probably mid‑20th c., upper case with two doors, gilt‑tooled leather lined fitted interior; writing slide, frieze drawer, curule base, silver pulls, h. 47 1/2 in., w. 23 3/4 in., d. 12 in. $200/400

901. Antique Italian White Painted Washstand, 19th c., inset marble top, fall front drawer over two drawers and doors, bracket feet. $600/900

903. Charles Richards (American/New Orleans, 1906‑1992), “Portrait of a Woman in a White Blouse”, oil on canvas, signed upper left, 14 in. x 17 in., framed. $700/900

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904. Charles Jennings Bridgman (American/New Orleans, 1841‑1895), “Interior, Red Curtains”, 1870, oil on canvas, signed lower left, dated lower right, 10 1/4 in. x 14 1/4 in., framed. $500/800

905. Emil Eugen Holzhauer (American/Georgia, 1887‑1986), “The Tugboat Brunswick”, oil on masonite, signed and inscribed “Brunswick” en verso, 19 3/4 in. x 24 7/8 in., unframed. $300/500

906. Sally Swatland (American, b. 1946), “Summer by the Sea”, oil on canvas, signed lower right, signed, titled, and “Reh Galleries, Inc., New York” stamp and label en verso, 40 in. x 30 in., framed. $2000/3000 907. Sally Swatland (American, b. 1946), “The Garden at Butternut Hollow”, oil on canvas, signed lower right, signed, titled and “Rehs Galleries, Inc., NYC” label en verso, 30 in. x 40 in., framed. $2000/3000

908. George Rodrigue (American/Louisiana, 1944-2013), “Blue Dog Head”, bronze, signed and numbered “3/10” en verso, 9 3/4 in. x 13 1/2 in. $3000/5000

909. George Rodrigue (American/Louisiana, 1944‑2013), “Union Station (Blue Dog for President)”, 1996, silkscreen, signed and numbered “103/150” lower right, 18 in. x 30 in., framed. $1200/1800

912. Henrietta Davidson Bailey (American/New Orleans, 1874‑1950, act. Newcomb College, 1901‑1938), “Bayou St. John”, color woodblock on paper, pencil‑signed and titled lower margin, sight 6 1/2 in. x 8 1/2 in., framed. $300/500 Provenance: Jean Bragg Gallery, New Orleans.

913. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “The Bayou Bridge”, aquatint etching, pencil‑signed and titled lower margin, printed artist’s biography en verso, sight 8 1/2 in. x 10 1/4 in., framed. $300/500

Note: George Rodrigue held a deep appreciation for the time-honored techniques of classical European art, particularly the traditional methods of bronze casting. Throughout his career, Rodrigue sculpted soft clay using his fingers and metal tools, eventually resulting in hardened clay sculptures that give intriguing glimpses into the hands of an artist most known for his canvases. For almost thirty years, Rodrigue worked with the Shidoni Foundry in Tesuque, New Mexico to transform his clay models into bronze finished sculptures using the lost wax method. Whether three-dimensional versions of his Cajun subjects or wall-reliefs of the Blue Dog, as seen here, these sculptures provide evidence of the creativity and imagination of the artist. A rare example of the iconic face of the Blue Dog, the sculpture offered here is of an edition of only ten and fully captures in bronze the emotion and vibrancy of the Blue Dog.

910. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Old Fan Window, New Orleans”, etching on paper, pencil‑signed and titled lower margin, sight 8 3/4 in. x 6 1/2 in., framed. $300/500

914. Knute Heldner (American/New Orleans, 1877‑1952), “The Heron’s Pond”, etching on paper, pencil‑signed, titled and numbered “3/10” lower margin, sight 9 3/4 in. x 8 in.; together with James Carl Hancock (American/New Orleans, 1890‑1966), “President Oak”, etching on paper, pencil‑signed and titled lower margin, sight 10 in. x 9 1/4 in., both framed. (2 pcs.) $250/350

908A. George Rodrigue (American/ Louisiana, 1944‑2013), “Hands of Fate”, 1994, silkscreen, signed lower right, inscribed “artist proof” lower left, edition of 100, 35 in. x 22 1/2 in., framed. $1200/1800

911. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Moonlight and Pine”, 2005, color woodcut on paper, pencil‑signed, titled, dated and inscribed “X/X” lower margin, sight 18 3/4 in. x 10 in., framed. $200/300 Provenance: Collection of a Jackson, MS Lady.

915. C. Bennette Moore (American/ New Orleans, 20th c.), “Old Brulatour Court” and “Orleans Alley ‑ Pirates Alley”, 2 hand‑colored photographs, each signed and inscribed “New Orleans” lower right or left, artist and title labels en verso, sight 6 1/2 in. x 4 1/2 in., framed alike. (2 pcs.) $150/250

Additional information at www.nealauction.com

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916. Newcomb College Art Pottery Vase, 1929, decorated by Sadie Irvine with pink Cherokee roses modeled in relief, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RT78, and shape no. 186, h. 4 3/4 in. $1000/1500

919. Newcomb College Art Pottery Small Bowl, 1918, decorated by Anna Frances Simpson with narcissus, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. JF49, h. 1 5/8 in., dia`. 3 7/8 in. $500/800

923. Group of Antique Scottish Horn Snuff Mulls, 19th c., incl. 1 with agate cover and 1 with silver thistle motif cover, l. 3 in. to 4 1/2 in. (7 pcs.) $300/500

920. Newcomb College Art Pottery Stand, 1913, decorated by Anna Frances Simpson, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FX69, and shape no. 215, h. 1 1/4 in., dia. 3 7/8 in. $200/300

924. Georg Jensen “Acorn” Pattern Sterling Silver Salad Serving Fork, l. 8 1/2 in.; together with Old Newbury Crafters “Panel Antique” pattern sterling silver dressing spoon, l. 11 3/8 in. $200/300

Provenance: Lynda Willauer, Nantucket, MA.

927. Group of American Sterling Silver Hollowware, 20th c., incl. oval footed bowl, ret. Jaccard & Co., St. Louis, h. 2 5/8 in., w. 5 5/8 in.; underplate, dia. 10 1/2 in.; Frank M. Whiting reticulated sandwich tray, dia. 10 1/4 in.; oval vegetable dish, l. 10 in.; and tripartite relish dish, w. 8 7/8 in., total wt. 49.80 troy ozs. $400/600

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928. Group of Antique and Vintage American Sterling Silver Flatware, incl. Lunt “American Directoire”: 12 teaspoons, 10 demitasse spoons, 5 butter spreaders (fh), and sugar shell; 6 Saart “Rosemary” forks, l. 7 3/8 in.; 3 Watson “Plymouth” dessert spoons; 2 Whiting “Imperial Queen” tablespoons; 3 JB & SM Knowles “Angelo” forks, l. 7 1/8 in.; Spaulding & Co. youth fork and spoon, C.D. Peacock food pusher, Whiting “Empire” youth fork, Whiting “Oval Twist” sugar tongs, 3 miscellaneous forks, 2 jelly servers and 2 sauce ladles; together with an English sugar tongs (repaired); total wt. 50.90 troy ozs. $400/600

917. Newcomb College Art Pottery Vase, 1918, decorated by Henrietta Davidson Bailey with relief‑carved daffodils, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. JS15, and shape no. 286, h. 3 1/2 in., dia. 4 1/4 in. $700/1000

921. Rookwood Pottery Standard Glaze Teapot and Sugar Bowl, 1889 and 1900, brown and green glaze with floral decoration, teapot h. 8 1/2 in. $500/700

925. Decorative Silverplate Citrus Press, green variegated marble base, h. 11 3/4 in., w. 9 1/2 in. $150/300

929. Group of Antique and Vintage Sterling Silver, incl. Gorham olive fork #597, 1884, l. 5 3/4 in.; cased set of six George V crab picks, Suckling Ltd., Birmingham, 1927; cutwork monogram letter opener, ret. C.D. Peabody, Chicago, l. 6 7/8 in.; Whiting “Square Twist” sugar shovel; five souvenir teaspoons and ten demitasse spoons by makers incl. Gorham, Whiting and Alvin; total wt. 10.10 troy ozs.; together with a cased set of six silverplate and mother‑of‑pearl nut picks. $150/250

918. Newcomb College Art Pottery High Glaze Cream Pitcher, 1929, decorated by Anna Frances Simpson in the “Español” pattern, unusual mint green and blue slip glaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. R047, and shape no. 207, h. 5 in. $700/900

922. Large American Enameled Glass Dresser Box, late 19th c., Wavecrest, CT, satin-lined interior, h. 6 in., dia. 8 in. $400/600

926. Group of American Sterling Silver Hollowware, incl. Tiffany “Jefferson” cup, two International “Lord Saybrook” goblets, h. 4 5/8 in. Quaker Silver Co. sugar and creamer with associated sugar tongs, Frank M. Whiting salt and pepper castors in the Georgian taste, and three pepper grinders, h. 2 7/8 in. to 4 in., total wt. (weighable) 18.70 troy ozs. $400/600

930. Reed and Barton “Chippendale” Pattern Sterling Silver Tray, dia. 16 in., wt. 44.20 troy ozs. $300/500 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

931. Pair of American Sterling Silver Castors, Crichton & Co., NY, 1912‑1936, h. 5 1/8 in., wt. 6.20 troy ozs. Note: Condition. $100/200

932. American Silverplate Revolving Supper Service, fitted with a central chafing dish, 3 covered entree dishes, gravy boat, open salt cellar and pepperette. Note: Detached handle. $300/500

933. Group of Antique Sheffield Plate, incl. candelabrum, h. 17 1/2 in., and wirework cake basket, l. 13 3/4 in.; together with small reticulated silverplate basket, l. 7 1/2 in., and candlestick. $100/150

935. Antique George III‑Style Mahogany Three Part Dining Table, late 19th c., demilune ends, central section with drop leaves, Marlborough legs, h. 30 in., dia. 48 in., central table w. 23 in., extended l. 117 in. $1000/1500

937. Chippendale‑Style Mahogany Chairback Settee, 20th c., with pierced splats, scroll arms, cabriole legs, ball and claw feet, h. 40 in., w. 51 1/2 in., d. 19 in. $700/900

939. Louis XV‑Style Carved Walnut Salon Suite, incl. small settee, armchair, and four side chairs, acanthine crest rail, scrolled arms, serpentine seat rail, cabriole legs, settee h. 45 1/2 in., w. 55 1/2 in., d. 24 1/2 in.; armchair h. 40 3/8 in., w. 25 1/4 in., d. 23 in.; side chair h. 37 in., w. 19 7/8 in., d. 17 1/2 in. $500/800

934. Antique American Carved Oak Gun Cabinet, late 19th c., rope molded cornice, pair of glazed doors, fitted interior, base with three drawers, paw feet, h. 81 in., w. 35 1/4 in., d. 16 3/4 in. $1000/1500

936. Eight Chippendale‑Style Carved Mahogany Dining Chairs, 20th c., incl. 2 arms and 6 side chairs, each with pierced splat, cabriole legs, ball and claw feet, armchair h. 38 1/2 in., w. 25 in., d. 20 in.; side chair h. 38 1/2 in., w. 23 1/2 in., d. 20 in. $800/1200

938. Louis XVI‑Style Mahogany, Parquetry and Gilt Metal‑Mounted Commode, green marble top, demilune case with frieze drawers and conforming doors, blocked stiles and plinth, paw feet, h. 36 in., w. 63 in., d. 20 in. $800/1200

940. Spanish Renaissance‑Style Walnut Trestle Table, plank top, rosette carved frieze drawers, molded square legs, iron stretchers, h. 30 in., w. 47 in., d. 26 in. $700/900 Additional information at www.nealauction.com

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941. Louis XV Carved Walnut Fauteuil, late 18th c., foliate‑carved crest rail, padded scrolled arms, cabriole legs, h. 34 1/4 in., w. 23 3/4 in., d. 25 in. $200/300 Provenance: New Orleans Estate.

942. Louis XVI‑Style Bronze‑Mounted Mahogany Commode, marble top, two frieze drawers, doors below, paw feet, neoclassical mounts throughout, h. 38 5/8 in., w. 61 3/8 in., d. 22 in. $500/1000

943. American School, 19th c., “Portrait of a Lady in a Classical Portico”, 1849, signed “C.K. Dabney” and dated “May 6, 1849” en verso, 15 1/2 in. x 11 3/4 in., period frame. $500/700

944. Continental School, early 19th c., “Gentleman” and “Lady”, 2 pastels on paper, unsigned, sights 12 3/4 in. x 11 in., framed. $500/800

945. Thomas Sidney Moran (American, fl. 1880‑1910), “Loading a Sailing Ship at Dusk”, 1880, oil on canvas, signed and dated lower right, 22 in. x 36 in., period frame. $2000/3000

947. Lydia Ewald (German, d. 1906), “Girl Reading”, 1894, oil on canvas, initialed “L.E.” and dated lower left, typewritten note identifying artist en verso, 16 1/4 in. x 11 1/4 in., period frame. $500/800

946. Continental School, late 19th/early 20th c., “Italian Village on the Cliffs”, 1884, oil on canvas, unsigned, handwritten inscription with date, illegible handwritten label and “Taylor Clark Gallery, Baton Rouge” label en verso, 17 1/4 in. x 25 1/4 in., framed. $500/800 948. Continental School, mid‑19th c., “A Mother and Her Children in a French Church”, oil on canvas, monogrammed “F.L.” lower left, “Earles Galleries, Philadelphia” stencil en verso, 22 3/4 in. x 17 3/8 in., original frame. $600/800

949. Italian School, 19th c., “The Bacino di San Marco”, oil on canvas, unsigned, 14 in. x 17 in., framed. $500/700

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950. August Benziger (Swiss/American, 1867‑1955), “Portrait of Edith O’Gorman”, oil on canvas, signed lower right, labels with sitter identified en verso, 31 in. x 26 in., framed. $1500/2500 Note: August Benziger painted the portraits of New York Senator James A. O’Gorman and his daughter, Edith O’Gorman.

952. British School, 19th c., “Along the Shore”, watercolor on paper laid down, unsigned, 9 3/4 in. x 13 in., unframed. $250/350 951. French School, 19th c., “Elegant Lady”, oil on wood panel, unsigned, 8 3/4 in. x 5 1/4 in., framed. $400/600

Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

954. Continental School, 18th/19th c., “Portrait of a Gentleman in a Fur‑Trimmed Coat”, oil on canvas, unsigned, 31 1/2 in. x 25 1/2 in., framed. $1000/1500 953. George Lothian Hall (British, 1825‑1888), “Rocky Coastal Scenes”, 1879, 2 watercolors on paper, signed and dated lower right or left, one with typewritten artist’s biography en verso, sights 10 3/4 in. x 18 1/2 in., framed alike. (2 pcs.) $300/500

955. Charles “Harry” Eaton (American, 1850‑1901), “The Old Mill Wheel on Conesus Creek, NY” and “A Bit of Conesus Lake”, 2 oils on canvas, both signed lower left and titled on stretcher, each 20 1/4 in. x 10 1/8 in., framed. $600/900

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

956. Continental School, mid‑19th c., “Portrait of a Young Woman in Fancy Costume”, oil on canvas, unsigned, 42 1/4 in. x 26 1/4 in., framed. $500/800

960. Pair of Continental Porcelain Trumpet Vases, 19th c., incised mark, gilt garland decoration, h. 8 1/2 in. $300/500 Provenance: Historic “Sally Mill”, Middleburg, VA.

957. After Thomas Rowlandson (British, 1756‑1827), “Tours of Doctor Syntax”, 12 hand‑colored engravings with aquatint, sights 4 3/4 in. x 7 in. to 5 1/2 in. x 8 in., 4 matching frames. (4 pcs.) $500/800 Provenance: Sold in these rooms, June 7, 2003, lot 602.

961. Paris Porcelain Covered Soup Tureen, 19th c., melon knop, gilt decoration, h. 12 1/2 in., w. 15 1/4 in., d. 8 in. $300/500

958. McKenney & Hall/ Publishers, “War Dance of the Sauks and Foxes”, Philadelphia, E.C. Biddle, 1834, hand‑colored lithograph, frontispiece from

framed. $400/600

959. After John Young‑Hunter (Scottish/New Mexico, 1874‑1955), “Old Santa Fe Trail” and “War Party”, 2 chromolithographs, each signed in plate lower left, 26 in. x 47 in. and 29 in. x 40 1/2 in., framed alike. (2 pcs.) $600/900

Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

History of the Indian Tribes of North America, sheet 10 1/2 in. x 17 1/2 in.,

962. Pair of Regency‑Style Brass Candlesticks, each spring loaded columnar shaft with locking cap and attached snuffer, acanthus and reeded base, square plinth, h. 16 in. $300/500

963. Patinated Bronze Bust of a Gentleman, inscribed “F.cion R. Vignali M.video”, h. 20 1/2 in., w. 13 1/2 in., d. 11 1/4 in. $1000/1500

Additional information at www.nealauction.com

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964. Antique Neoclassical‑Style Gilt Bronze‑Mounted Rosewood Mirror, beribboned floral crest, shaped mirror plate, reeded, foliate, and beaded frame, h. 78 1/2 in., w. 43 in. $700/1000

965. Régence‑Style Carved Giltwood Cushion Mirror, c. 1900, foliate scroll crest, shell carved corners, beaded moldings, h. 78 in., w. 50 in. $1200/1800

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

968. George III‑Style Mahogany Candlestand, dished top, tapered baluster standard, tripartite arched legs, h. 25 1/2 in., dia. 15 7/8 in. $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

966. Louis XV‑Style Gilt Bronze Mantel Clock, early 20th c., surmounted by urn scroll and wreath decoration, h. 20 1/2 in., w. 10 1/2 in., d. 5 1/4 in. $400/600

967. Louis XVI‑Style Gilt Bronze and White Marble Figural Mantel Clock, late 19th c., enamel dial painted with flowers, and figures of Aphrodite and Eros, h. 13 1/2 in., w. 11 in., d. 5 1/2 in. $400/800

Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. 969. Kingwood Parquetry and Gilt MetalMounted Armoire of Louis XV Inspiration, serpentine triple doors, fitted interior, base with three drawers, outswept feet, h. 72 7/8 in., w. 80 1/2 in., d. 24 3/4 in. $600/900

970. Burled Walnut and Parcel Gilt Bedroom Suite of Louis XV Inspiration, incl. bedstead, princess dresser and associated petite commode with bombe panels and cabriole legs, bed h. 60 in., l. 85 1/2 in., w. 61 1/2 in.; mirror h. 65 1/2 in., w. 47 3/4 in., d. 12 in.; commode h. 30 in., w. 24 3/4 in., d. 13 1/2 in. (3 pcs.) $500/800

971. Antique Louis XV‑Style Carved Walnut Armoire, 19th c., arched crest, flower basket and vine frieze, glazed paneled doors, carved apron, cabriole legs, scroll toes, h. 96 in., w. 55 in., d. 19 in. $500/700 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL. 972. Chinoiserie Lacquered Wood Low Table, waisted rectangular top decorated with mounted figures, square legs, hoof feet, h. 18 1/2 in., w. 48 in., d. 24 in. $200/400

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976. Italian Wrought Iron Two‑Light Torchère, 20th c., ball finial, shaped candle arms, tripod base, h. 67 in., w. 20 in., d. 18 in. $500/700

973. Louis XVI‑Style Inlaid and Gilt Metal‑Mounted Side Cabinet, marble top, shaped frieze drawers, molded base, toupie feet, h. 45 in., w. 49 1/2 in., d. 15 3/4 in. $300/500

977. Italian Carved Giltwood Sconce, h. 11 in., w. 16 in., d. 4 in.; together with carved giltwood fragment, h. 3 in., w. 6 in., d. 2 1/2 in. $300/500

980. Persian Heriz Carpet, red ground, diamond medallions, overall floral design, 9 ft. 11 in. x 13 ft. 6 in. $3000/5000

974. Georges Bouisset (French, 1903‑1965), “The Cabaret”, oil on canvas, signed lower right, 21 1/4 in. x 13 in., framed. $700/900

978. Continental Patinated Bronze Figural Centerpiece, shell-shaped bowl on entwined dolphin base, h. 12 1/4 in., dia. 11 1/2 in. $500/800

975. Continental School, early 20th c., “Gypsy Princess”, oil on canvas, signed indistinctly signed lower right, remnant of label en verso, 18 1/2 in. x 13 1/4 in., framed. $300/500

979. Victorian Plaster Bas‑Relief Plaque of a Lady, 19th c., dia. 20 in.; period gilt frame, dia. 27 in. $600/800 Provenance: M.S. Rau Antiques, New Orleans; Temple Heights, Columbus, MS.

981. Persian Tabriz Carpet, pale yellow ground, overall floral design, 9 ft. 8 in. x 12 ft. $3500/4500

982. Kerman Carpet, red and blue ground, with central medallion, allover floral design, 9 ft. 10 in. x 12 ft. 5 in. $700/1000

983. Kerman Carpet, cream ground, blue border, allover floral, 9 ft. 9 in. x 14 ft. $700/900

984. Two Antique Kashan Rugs, one with floral design, the other with central medallion and floral design, 4 ft. 8 in. x 6 ft. 3 in. and 6 ft. 5 in. x 4 ft. 4 in. $800/1200

985. Two Antique Shiraz Rugs, each with geometric and serrated designs, 5 ft. x 9 ft. 2 in. and 4 ft. 3 in. x 5 ft. 6 in. $800/1200

986. Two Antique Persian Runners, incl. a Hamadan and a Kurdistan, floral and figural designs, 3 ft. 2 in. x 8 ft. 2 in., and 5 ft. 2 in. x 9 ft. 4 in. $600/900

Additional information at www.nealauction.com

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988. American Queen Anne Cherrywood Highboy, 18th c., upper case with molded cornice, four graduated drawers; lower case with one long over three short drawers, shaped apron with pendants, cabriole legs, batwing pulls, poplar secondary wood, h. 70 1/2 in., w. 40 1/2 in., d. 21 3/4 in. $1000/1500

987. American Classical Gilt Overmantel Mirror, 19th c., cornice with applied spherules, split baluster frame, rosette corners, divided mirror plate, h. 26 1/2 in., w. 64 3/4 in. $600/800 Provenance: Temple Heights, Columbus, MS.

989. American Folk Art School, late 19th/early 20th c., “Still Life with Watermelon”, oil on canvas, signed “A.E. Randolf” lower right, 14 1/4 in. x 23 3/4 in., framed. $600/900

990. Malcolm Jagamarra (Australian, b. 1955), “Lander River Warlpiri, Willowra, Wardapi”, 1999, acrylic on canvas, signed, titled and dated en verso, 22 1/4 in. x 36 in., framed. $400/600

991. German School, late 19th/early 20th c., “Still Life with Dahlias and Tulips in a Golden Urn”, oil on canvas, signed “Bernaetz” lower right, 60 in. x 96 in., framed. $500/1000

993. Alix Roy (Haitian, b. 1930), “Still Life of Eggplants, Peppers, Avocado and Hibiscus”, oil on canvas board, signed upper right, 16 in. x 20 in., period frame. $200/300 992. Paul Lambert (French, b. 1910), “Paris‑La Cite”, oil on canvas, signed lower left, titled en verso, 36 1/4 in. x 23 3/4 in., framed. $150/250

996. Art Moderne‑Style Bronze of a Seated Youth, h. 35 in., w. 18 in., d. 31 in. $2000/3000

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994. American Carved and Polychromed Carousel Tiger, fully modeled, glass eye, h. 32 in., w. 58 in., d. 11 1/2 in. $500/700

995. Pair of Italian Cast Stone Appliqués, each with bowknot suspending husk garland, h. 37 in., w. 14 1/2 in., d. 2 1/2 in. $600/900

997. Chinoiserie Looking Glass, pagoda crest, polychrome scenic decoration with figures, h. 55 1/2 in., w. 28 1/2 in. $400/600

998. Renaissance‑Style Bronze Jardinière, hemispherical basin with handles, paw feet, h. 12 in., w. 23 1/2 in., d. 20 in. $700/900

999. Pair of Vintage Motif Cast Iron Garden Chairs, in green paint, h. 28 1/4 in., w. 20 1/2 in. $250/350

1000. Pair of Vintage Motif Cast Iron Garden Chairs, in white paint, h. 31 1/2 in., w. 25 1/4 in. $250/350

1002. Bernard Mattox (American/ New Orleans, b. 1954), “Shelter Form”, terracotta and associated twig stand, unsigned, h. 11 in., w 22 1/2 in., d 8 1/2 in. $400/600

1003. Bernard Mattox (American/ New Orleans, b. 1954), “House Form”, terracotta and wire “WBF[R]” in alcove, unsigned, h. 26 1/2 in., w. 6 1/2 in., d. 6 in. $400/600

1001. Pair of American Patinated Metal Estate Lights, 20th c., molded two‑part glass globes, fluted columns, tall plinth base cast with ram’s heads, garlands and American shields, paw feet, electrified, h. 109 in., w. 21 in., d. 20 in. $1000/2000

1005. Directoire‑Style Steel and Gilt Bronze Coffee Table, 20th c., rectangular glass top, tapering supports, stretchers, h. 17 1/2 in., w. 37 in., d. 19 in. $500/700

1004. Two Continental Bronze Figural Groups of Pairs of Cherubs, probably 19th/early 20th c., one cast holding a ewer and a cup, the other holding a dove, black marble bases, h. 9 3/4 in. 9 1/2 in. $800/1200

1007. Witold Gordon (Polish/ New York, 1885‑1968), “Ace Bar”, gouache on board, signed lower right, 14 1/2 in. x 11 1/2 in., framed. $300/500

1008. American School, mid‑20th c., “Bantam ‘Banty’ Rooster” and “Hen”, two oils on canvas, unsigned, 30 in. x 22 in., framed alike. (2 pcs.) $200/400

1006. Pair of French Art Nouveau Mahogany Ballroom Chairs, c. 1900, shaped bellflower carved backs, serpentine seat rails, cabriole legs. $150/250 Provenance: New Orleans Estate.

1009. Robert Gordy (American/ Louisiana, 1933‑1986), “Male Head”, 1984, monotype, pencil‑signed and dated lower right, sight 41 3/4 in. x 30 3/4 in., framed. $800/1200

1010. Robert Gordy (American/ Louisiana, 1933‑1986), “Male Head”, 1985, sepia tone monotype, pencil‑signed and dated lower right, sight 42 in. x 30 3/4 in., framed. $800/1200

Provenance: Arthur Roger Gallery, New Orleans, Apr. 2005.

Provenance: Arthur Roger Gallery, New Orleans, 2005.

Additional information at www.nealauction.com

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1011. Zella Funck (American/New Orleans, 1917‑2009), “Tomorrow”, oil and mixed media on canvas, signed lower right, titled upper center, 75 1/2 in. x 43 3/4 in., unframed. $800/1200

1012. Bunny Matthews (American/ New Orleans, 20th c.), “Vic Broussard, Businessman, Family Man”, 1983‑85, 23 pen and inks on paper, each signed and dated lower margin, 11 in. x 14 in. to 14 in. x 17 in., unframed. (23 pcs.) $1000/1500

1014. Anne McKenzie Nickolson (American/Indiana, 20th c.), “What’s Out There?”, 1992, embroidered, pieced and appliquéd cotton, initialed “A.M.N.” lower right, 40 in. x 40 in., framed. $300/400

1018. American School, 20th c., “City Street Scene”, oil on canvas, bears signature “Geo. Bellows” lower right, “Lucas” frame stamp en verso, 15 3/4 in. x 18 in., framed. $300/500

1015. Norman Galinsky (American, b. 1942), “Healing Paradigm #8”, 1992, oil on paper, pencil‑signed, titled and dated en verso, 29 1/2 in. x 41 1/4 in., framed. $200/300 Provenance: Commissioned from the artist.

1019. Klipper (British, 20th c.), “Au [sic] Paris”, etching on paper, signed, titled and numbered “15/50” lower margin, 8 in. x 16 in.; together with Continental School, 19th c., “Cupid Embracing a Putto”, lithograph on paper, numbered “12” lower left margin, 7 1/2 in. x 6 in., each unframed. (2 pcs.) $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

1022. Emilie Marie de Hoa LeBlanc (American/New Orleans, 1870‑1941, act. Newcomb College, 1894‑1905), “Magnolia”, watercolor on paper, signed lower left, sight 18 1/2 in. x 13 1/4 in., framed. $300/500 Provenance: Jean Bragg Gallery, New Orleans.

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1016. Shelly Inez Lependorf (American/Philadelphia, 20th c.), “The Way In” and “The Way Out”, c. 1992, mixed media on black paper, signed center right and lower right respectively, each 30 in. x 22 in., framed together. $200/300

1020. Robert Gordy (American/ Louisiana, 1933‑1986), “Untitled: Male Head”, c. 1986, monotype on paper, unsigned, 9 3/4 in. x 8 3/4 in., sheet 25 3/4 in. x 19 5/8 in., framed. $400/600

1013. Bunny Matthews (American/ New Orleans, 20th c.), “Vic and Nat’ly Vacation in Destin, FL”, 1985, 6 pen and inks on paper, each signed and dated lower margin, 11 in. x 14 in. to 14 in. x 17 in., unframed. (6 pcs.) $250/350

1017. Eugene Newman (Czechoslovakian/New Mexico, b. 1936), “Untitled”, 1993, oil over monotype on paper, pencil‑signed and dated lower left, “Linda Durham Gallery, Santa Fe, NM” label en verso, 24 1/4 in. x 22 in., framed. $200/300

1021. Bunny Matthews (American/ New Orleans, 20th c.), “Nat’ly Broussard of the 9th Ward”, 1982‑85, 9 pen and inks on paper, each signed and dated lower margin, 11 in. x 14 in. to 14 in. x 17 in., unframed. (9 pcs.) $350/450

1025. Charles Moore (American/California, 1925‑1993), “The Architect as Artist: Charles Moore / The 1984 Louisiana World Exposition / Official Fine Art Portfolio / The Wonder Wall”, 1984, silkscreen poster, signed, inscribed “love to Sunny” and numbered “39/200 A.P.” mid‑right, sight 17 1/2 in. x 47 1/2 in., framed. $150/250 1023. Carol Leake (American/New Orleans, 20th c.), “Flambeaux, Mardi Gras Parade”, watercolor on paper, signed lower right, 10 in. x 8 in., framed. $100/200

1024. James Carl Hancock (American/New Orleans, 1898‑1966), “Brulatour Courtyard, New Orleans, LA”, etching on paper, pencil‑signed and titled lower margin, “Ball Studio, Royal, New Orleans” label en verso, sight 8 in. x 6 1/4 in., framed. $150/250

1029. American Aesthetic Carved Walnut Armoire, c. 1870, molded cornice, foliate frieze, columnar stiles, mirrored door, plinth drawer, casters, h. 92 in., w. 45 in., d. 27 in. $700/1000

1026. Twenty Shearwater Pottery Sea Creature Figurines, c. 1970‑80s, incl. 10 fish, 3 turtles, 2 seahorses, 3 large crabs and 2 small crabs, marked, turtle h. 7/8 in. $200/300

1027. Twenty Shearwater Pottery Animal Figurines, c. 1980s, incl. 5 gulls, 3 large ducks, 5 small ducks, pelican, 2 frogs and 4 butterflies, all marked, pelican h. 3 1/4 in. $200/300

1028. American Carved Hardwood “Morris” Chair, late 19th/early 20th c., slat back, padded arms, spindled supports, square legs, stretchers, casters. $200/400

1030. American Renaissance Carved Walnut Mirror-Back Dresser, c. 1860, strapwork crest, arched mirror with candleshelves, white marble top on blocked case with turreted stiles, three graduated long drawers and blind plinth drawer, h. 94 in., w. 45 in., d. 21 in. $800/1200

1031. American Beaux Arts Mother‑of‑Pearl Inlaid Mahogany Settee, c. 1900, shaped crest rail, wreath carved splats, scrolled arms, blocked tapered legs, casters, h. 37 1/2 in., w. 49 in., d. 20 in. $500/800 Provenance: By repute, Estate of Lillie Mae (Nina) Faulk Capote, mother of Truman Capote (1905‑1954); collection of John F.B. Wilkinson, New Orleans, LA.

1032. American Classical Carved Mahogany Dressing Chest, 19th c., marble top, ogee‑framed mirror, scroll supports, frieze drawer, cabinet doors, scrolled uprights, h. 81 1/2 in., w. 43 1/8 in., d. 24 1/4 in. $500/750 Provenance: Temple Heights, Columbus, MS.

1034. Antique Queen Anne Mahogany Side Chair, yoke crest, vasiform splat, shaped seat rail, cabriole legs, pad feet. $200/400

1033. American Colonial Revival Carved and Burled Walnut Buffet, early 20th c., attr. to Berkey and Gay, Grand Rapids, Michigan, marble top, canted corners, paneled doors, broken scroll legs, h. 35 in., w. 48 in., d. 22 1/4 in. $800/1200

1035. Antique French Ceramic Stove, 19th c., faux marbre base, h. 20 1/2 in., w. 15 3/4 in., d. 10 in., now mounted as a lamp, h. (to socket) 32 in. $700/900

1036. Pair of Continental Polychrome and Gilt Porcelain Baluster Vases, 19th c., each reserved with a courting couple on celadon ground, h. 23 1/4 in. $800/1200 1037. Antique Continental “Tout Blanc” Porcelain Corbeille, h. 7 3/8 in., dia. 9 1/4 in. $150/250 1038. Limoges Porcelain Plaque of a Nymph, c. 1905, Tressemann & Vogt, artist monogram “E.L.W.” lower right, 14 in. x 6 1/4 in. $150/250 Additional information at www.nealauction.com

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1039. English Aesthetic Porcelain Partial Dessert Service, c. 1880, Worcester, incl. pair of tazzas and five dessert plates, each with shaded pale pink ground and painted with a different song bird among flowering branches, gilt dentil rim, h. 2 1/4 in., dia. 9 in.; plate dia. 9 1/4 in. $300/500

1040. Continental Faux Bois and Ebonized Cylinder Music Box, c. 1900, h. 5 1/2 in., w. 18 1/2 in., d. 8 3/4 in. $400/600

1041. Napoleon III Inlaid Briarwood and Mother‑of‑Pearl Humidor, c. 1870, fall front, four sliding trays, each holding twelve cigars, h. 5 1/2 in., w. 9 1/2 in., d. 6 3/4 in. $100/150

1043. Pair of Rococo‑Style Brass Two‑Light Candle Lamps, each with acanthus standards, rectangular drip plate, scroll feet, h. 8 3/4 in., w. 8 1/4 in., d. 4 1/2 in. $150/250

1046. [Costume Reference Books], 10 books incl. M. Davenport, The Book of Costume, 2 vols., 1948; L.S. Dubin, The 1044. Antique Tôle Ship’s Lantern, bale handle, pressed glass lens, base incorporating the font and wick raiser, h. 21 1/2 in., dia. 10 in. $150/250

1047. Two Opera Piano and Conductor’s Scores, incl. a two volume score of Mozart’s Don Giovanni, in Italian and German, Leipzig, c. 1801; Liszt/ Berlioz, Damnation de Faust, Paris, c. 1890; The White Bird; Marriage of Figaro (2); Manon; La Sonnambula; I Puritani; Boris Godunoff; and The Tales of Hoffmann. $300/500

1051. American Bronze Figural Group, after “Stagecoach” by Charles Marion Russell, inscribed “C.M. Russell” on self‑base, h. 13 in., w. 40 in., d. 11 in., verdigris marble plinth base, overall h. 15 1/2 in., w. 46 in., d. 16 1/2 in. $1000/2000

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1042. Continental Parcel Gilt Electrotype Shield, with relief battle scenes, in the style of the 16th and 17th c. schools of Nuremberg and Augsburg, dia. 22 1/2 in. $800/1200

1048. Two Opera Piano and Conductor’s Scores, incl. a two volume score of Mozart’s Don Giovanni, in Italian and German, Leipzig, c. 1801; Liszt/ Berlioz, Damnation de Faust, Paris, c. 1890; The White Bird; Marriage of Figaro (2); Manon; La Sonnambula; I Puritani; Boris Godunoff; and The Tales of Hoffmann. $300/500

1052. Patinated Bronze Figure of a Cowboy on a Horse, after Frederic Remington, inscribed “Frederic Remington 3/100” on naturalistic oval bronze self‑base, h. 21 1/4 in., w. 14 1/2 in., d. 7 in., on marble base, overall h. 23 1/4 in., w. 19 in., d. 10 in. $600/800

1045. French Gilt Bronze‑Mounted Porcelain Vase, late 19th c., ovoid body with scenes of Cupid, signed “E. Parot”, bronze mask handles, reticulated foliate base, now mounted as a lamp, vase h. 15 in., h. (to finial) 27 3/4 in. $100/200

1049. Doyle, Sir Arthur Conan, The Complete Sherlock Holmes, New

York, Doubleday, 1953, 2 volumes. (8 1/4 in. x 5 1/2 in.), original blue half morocco, limited edition, No. 41 of 147 numbered copies with Doyle’s facsimile autograph. $700/900

1053. Patinated Bronze Figure of a Native American Warrior on a Horse, after Frederic Remington, inscribed “copyright of Frederic Remington”, h. 22 1/2 in., w. 19 in., d. 8 3/4 in. $700/900

History of Beads from 30,000 BC to the Present, 1987; J. Evans, The History of Jewelry, 1100‑1970, 1970; D. Gorsline, What People Wore, 1952; M. Contini, Fashion, From Ancient Egypt to the Present Day, 1965; and others. $150/250

1050. American Bronze Figural Group, after “Stampede” by Frederic Remington, inscribed “Frederic Remington” on self‑base, h. 18 1/2 in., w. 41 in., d. 15 1/2 in., on a verdigris marble base, overall h. 20 in., w. 44 in., d. 16 in. $1000/2000

1054. Vintage Rustic Painted Armchair, early 20th c., probably American, tablet crest rail, carved spindles, plank seat, splayed legs. $100/200

1055. American Aesthetic Carved Burl Walnut Bedstead, c. 1880, molded pediment with stylized incised foliage, paneled headboard, conforming footboard and rails, shaped skirt, block feet, h. 91 1/2 in., l. 75 in., w. 56 1/2 in. $500/800 Provenance: Historic “Sally Mill”, Middleburg, VA.

1058. American Late Classical Carved Mahogany Secretary, mid‑19th c., ripple molded cornice, glazed doors and two drawers; lower case with baize-lined foldover writing surface, two drawers and paneled cupboard doors, ogee bracket feet, h. 87 1/2 in., w. 42 1/2 in., d. 19 1/2 in. $400/600

1059. English Modern Gothic Carved Oak Hall Chair, c. 1875, turned crest rail, pierced back, pierced sides, arched legs. $150/250

1062. Antique Chippendale‑Style Carved Mahogany Writing Desk, shaped gallery, kneehole configuration of drawers, square legs, block feet, h. 33 1/4 in., w. 54 in., d. 29 7/8 in. $300/500

1063. William IV Mahogany Server, c. 1835, reticulated gallery over a rectangular molded top, scroll supports, over paneled doors enclosing a partially fitted interior, molded plinth, h. 54 in., w. 52 in., d. 19 1/2 in. $500/750

1056. American Renaissance Carved Walnut Center Table, late 19th c., oval marble top, shaped supports, casters, h. 29 1/2 in., w. 31 3/8 in., d. 24 1/4 in. $200/300

1060. English Satinwood and Birch Upholstered Backrest, c. 1880, hinged adjustable winged back support, arched frame with bosses, turned stretchers, h. 22 in., w. 21 1/2 in., d. 21 3/8 in. $150/250

1057. American Burl Walnut Cabinet, late 19th c., molded marble top with canted corners, frieze drawer over shaped recessed panel door, incised stiles, shell apron, casters, h. 31 1/2 in., w. 23 1/4 in., d. 19 1/4 in. $200/400

1061. English Aesthetic Bamboo Child’s Corner Chair, late 19th c., turned beehive finials, square seat, stretchers. Note: “Estate” condition. $100/200

1064. American Federal‑Style Inlaid Mahogany Sideboard, labeled Hickory Furniture, serpentine top, three drawers over four doors, square tapered legs, h. 41 1/2 in., w. 68 1/4 in., d. 22 1/2 in. $700/1000 Provenance: Collection of John F.B. Wilkinson, New Orleans, LA.

1066. American or Continental School, 20th c., “Two Women on a Path near a Cabin”, oil on canvas, signed “H. Haluptos” lower right, 20 in. x 24 in., framed. $200/300 1065. Edwardian Inlaid Mahogany Armoire, c. 1900, molded cornice, oval mirrored door, base drawer, bracket feet, h. 78 in., w. 50 3/8 in., d. 20 in. $200/300

1067. American School, late 19th/ early 20th c., “McKenzie’s Mill (Meadow en verso)”, watercolor on paper board, unsigned, titled lower margin, sight 10 in. x 8 in., antique frame. $200/300

1068. Robert William Addison (American, 1924‑1988), “Asphodel Plantation, East Feliciana Parish, LA”, serigraph print on paper, pencil‑signed and numbered “55/120” lower margin, sight 14 3/4 in. x 18 1/2 in., framed. $100/200 Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

Additional information at www.nealauction.com

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1069. Edwin C. Forbes (American, 1839‑1895), “The Reveille on the Line of Battle/Tattoo in Camp”, plate 1, and “The Reliable Contraband”, plate 23, 2 copper plate etchings, from Life Studies of the Great Army, each pencil‑signed lower left margin, signed, titled and dated in plate, latter with “The Fifth Street Gallery, Fauquier County, Va” label en verso, sights 14 in. x 19 in., framed alike. (2 pcs.) $200/300

1073. Three Paris Porcelain Table Articles, 19th c., incl. gilt‑decorated reticulated dish, w. 11 1/4 in.; pitcher with polychrome landscape reserve, h. 10 1/4 in.; and plate with polychrome “Paul and Virginie” roundel, dia. 9 1/2 in. $250/350

1070. Charles Kruvand (American/Texas, 20th c.), “Juniper & Morman Tea, South Rim Grand Canyon, Arizona”, 1996, cibachrome, signed, titled, dated and numbered “print #3” lower margin, 16 in. x 20 in., framed. $150/250 Provenance: Acquired from the artist.

1074. Two English Blue and White Transferware Ironstone Platters, early 19th c., one Hicks, Meigh and Johnson, l. 19 1/2 in.; other Spode in the “Gothic Castle” pattern, l. 20 3/8 in. $150/250

1072. Pair of Antique French Glazed Earthenware Confit Jars, tallest h. 11 1/2 in. $300/500

1071. Weller Art Pottery “Aurelian” Vase, decorated with daffodils, bottom inscribed, h. 12 in. Note: Glaze loss at base, crazing. $200/300

1075. Two Pottery Vessels, incl. an English black and white figural silhouette pitcher, c. 1860; and a Czechoslovakian amphora Vase, c. 1930. $150/250

1076. Pair of English Rococo Revival Gilt Pressed Brass Tiebacks, c. 1860, with registry mark, cartouches with a portrait of Jenny Lind, floral surrounds, h. 5 in. $100/200

1078. Rolland Harve Golden (American/New Orleans, b. 1931), “Moving the Cannon” and “Winter Watch”, 1970, 2 graphites on paper, each signed and dated lower right, sights 13 1/2 in. x 15 1/2 in. and 8 in. x 10 1/2 in., framed. (2 pcs.) $500/700

1077. Vintage Choctaw Lidded Storage Basket, , polychrome and natural cane, diamond decoration, h. 25 in., w. 21 in., d. 17 in. $800/1200 Provenance: Collection of a Jackson, MS Lady.

1079. William Norman Arnold (American/Louisiana, 1902‑2006), “Before the Storm”, acrylic on board, signed and monogrammed lower right, 9 1/4 in. x 12 in., framed. $200/400

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1080. Franz Weiss (American/New Orleans, 20th c.), “St. Louis Cathedral, New Orleans”, 1969, oil on canvas, signed and dated lower right, titled lower left, 24 in. x 10 in., framed. $200/400

1081. John Connell (American/New Mexico, 1940‑2009), “Peach of Temptation”, iron oxide and pigment on paper, signed lower left, titled upper center, 17 in. x 13 3/4 in., framed. $100/200

1082. American Gilt Brass Solar Lamp, 19th c., fluted Ionic column standard, marble base, h. 27 in., dia. 9 3/4 in. $400/600

1085. Antique Patinated Metal Garden Basin, with foliate and shell border, h. 9 1/2 in., dia. 83 in. $300/500 Provenance: Ex-Collection of Judge Reuben Lee “Buzz” Harper (1937-2011), Natchez and New Orleans. 1083. Pair of Vintage Cast Iron Garden Figures of Flamingos, naturalistic poses, tallest h. 24 in., l. 17 in., w. 7 in. $400/600

1086. American Cast Iron Plant Stand, scroll armature with six saucers, h. 38 in., w. 34 in., d. 17 in. $250/500

1084. Pair of American Cast Iron Garden Figures of Egrets, verdigris paint, naturalistically posed, leaf bases, h. 31 in., w. 9 1/2 in., d. 11 in. $400/600

1087. Cast Iron Garden Figure of a Rooster, h. 25 in., w. 7 in., d. 15 1/2 in. $300/500

1091. Chinese Olive Green Glazed Porcelain Bottle Vase, probably 20th c., base with Wanli mark, h. 9 7/8 in. $200/400

1095. Group of Five Chinese Cloisonné Enamel and Canton Enamel Metal Ware, probably 20th c., incl. cylindrical box, h. 3 1/8 in.; circular finialed box, dia. 4 3/4 in.; dish, dia. 3 5/8 in.; bracelet, dia. 2 3/4 in.; and bowl, dia. 4 in.; together with sterling silver and enamel box, dia. 1 1/2 in.; and mosaic inkwell, h. 1 3/4 in. (7 pcs.) $100/200

1088. Roger Francois (Haitian, 1928‑2013), “Figure Playing a Bamboo Flute”, wood, inscribed “Roger Francois”, h. 53 1/4 in., w. 11 1/2 in., d. 14 in. $300/500 Provenance: El‑Saieh Gallery, Olaffson Hotel, Port‑au‑Prince, Haiti, 1964.

1092. Two Chinese Pale Celadon Jade Openwork Plaques, incl. rectangular‑form, carved with the He He twins, h. 2 1/4 in., w. 2 1/2 in.; and ruyi‑form, carved with three sages, h. 2 1/4 in., w. 3 1/8 in. $150/250

1096. Hiroshi Yoshida (Japanese, 1876‑1950), “Bamboo Wood”, woodblock print, signed and sealed in plate, pencil signed and titled lower margin, inscribed left margin, sight 15 1/2 in. x 10 3/8 in., matted and framed. $150/250

1089. Highly Decorative Chinese Metal Figure of a Horse, colored glass eyes, base marked “NGAN / HING SHUN” and “Made in Hong Kong”, h. 18 1/8 in., w. 21 in., d. 7 1/2 in. $300/500

1093. Chinese Bronze Oil Lamp and Famille Rose Porcelain Box, lamp h. 13 1/8 in., box dia. 2 1/2 in. (2 pcs.) $100/150

1097. Kawase Hasui (Japanese, 1883‑1957), “Sakurada Gate, Imperial Palace”, woodblock print, signed and sealed in plate, pencil signed and titled lower margin, inscribed left margin, sight 9 7/8 in. x 14 7/8 in., double matted and framed. $150/250 Provenance: Ohr‑O’Keefe Museum, Biloxi, MS.

1090. American Polychromed Cast Iron Figural Novelty Clock, 19th c., base marked “Bradley & Hubbard/ Patented. July 14, 1857”, John Bull figure with blinking eyes, h. 16 in., w. 8 1/4 in., w. 5 1/2 in. $300/500

1094. Four Chinese Hardstone Carvings, incl. jadeite monkey group, h. 2 7/8 in.; soapstone finger citron and cat group, h. 2 1/4 in.; hardstone Liu Hai and Chan Chu pendant, h. 2 3/8 in.; and jadeite Budai, h. 1 7/8 in. $200/400

1098. Japanese Satsuma Pottery Faceted Covered Koro, probably Meiji Period (1868‑1912), decorated with ladies at leisure and samurai and their attendants, h. 12 1/2 in., w. 9 in. $150/250

Additional information at www.nealauction.com

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1099. Monumental Japanese Polychrome Porcelain Punchbowl, Meiji Period (1868‑1912), decorated with “Persian” reserves of birds and flowers on a blue ground with prunus branches, well with stylized flowerhead and song birds, h. 6 1/8 in., dia. 14 3/4 in. $500/750 Provenance: Whitehall Antiques, Chapel Hill, NC, 2014.

1100. Japanese Polychrome Porcelain Baluster Vase, Meiji Period (1868‑1912), decorated with butterflies and flowers between shishi and floral meanders, base with “Dai Nippon...” mark, h. 14 1/8 in. $200/300 Provenance: William Word Fine Antiques, Atlanta, 2012.

1101. Japanese Brass‑Mounted and Gilt Decorated Black Lacquer Dressing Chest, 19th c., shaped stand over square case with two drawers, with matching accoutrements incl. 3 covered boxes and 2 brushes, overall h. 25 1/2 in., w. 10 5/8 in., d. 10 5/8 in. $400/600

1104. John Lennon (British/New York, 1940‑1980), “The Hole of My Life, Flashed Before My Eyes, 1979”, serigraph, initialed “J.L.” and dated in plate, pencil‑signed “Yoko Ono Lennon”, numbered “156/300” and chop stamp lower margin, published by Bag One Arts, Inc., N.Y. in 1998, 10 1/2 in. x 9 1/2 in., framed; accompanied by Certificate of Authenticity from Bag One Arts, Inc., N.Y. $500/800

1103. Three Chinese Porcelain Inset Hardwood Bed Parts, probably Republic Period (1911‑1949), incl. horizontal panel and 2 rectangular side panels, each inset with porcelain tiles, each inscribed, h. 9 3/8 in., w. 80 3/4 in., and h. 27 3/8 in., w. 18 in. $300/500

1105. Antique Continental Devotional Shrine, early 20th c., with Jesus and child, h. 8 3/4 in., w. 7 3/4 in., d. 2 1/2 in. $200/300

1106. Polychrome and Gilt Porcelain Covered Urn with Underplate, 20th c., marked, decorated with floral sprays and leaves on blue ground, overall h. 11 5/8 in. $100/150 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

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1102. Mongolian Polychromed and Lacquered Pine Cabinet, early 20th c., two doors, pair of drawers and doors below, block feet, painted with lotus, lilies and peonies, h. 56 in., w. 26 1/2 in., d. 16 in. $300/500

1107. Four English Polychrome Pottery Pieces, mid‑19th c., incl. Staffordshire figural group, pair of Rockingham glazed lion’s head window stops and Pratt & Co., shaving mug, figural group h. 14 in . $150/250

1108. Pair of Antique Brass Fireplace Fenders, h. 11 1/4 in., w. 50 in., d. 12 1/2 in. $200/300 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Louisiana Purchase Auction™ December 3 & 4, 2016

Everett B. D. Fabrino Julio (St. Helena, 1843-1879, act. Louisiana, 1870-1878), “Life along a Louisiana Bayou,” 1877, oil on canvas, 15 1/4 x 30 1/4 in. (Detail)

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

Please Visit Nealauction.Com To Request And View Condition Reports, Register To Bid Live Online, And Submit Absentee/Telephone Bids. 123

Robert William Addison, 1068 Eugene Antoine Aizelin, 101 George Ames Aldrich, 161 Captain J.E. Alexander, 843 Enrique Alferez, 348 American School, 57, 414, 669, 842, 844, 943, 989, 1008, 1018, 1066, 1067 Walter Inglis Anderson, 309, 310, (aft) 391 Amos Lee Armstrong, 412 William Norman Arnold, 826, 1079 John James Audubon, 362-370, 508-512 Milton Avery, 316, 317

July 16 & 17, 2016

•

Artist Index

Henrietta Davidson Bailey, 912 Emil Barbarini, 23 Frédéric Auguste Bartholdi (aft), 100 William Henry Bartlett, 764 Alfred Barye (aft), 73 Raine Bedsole, 675, 676 Emerson Bell, 859 Frank Weston Benson, 318-323 August Benziger, 950 Carroll Thayer Berry, 402 Georg Bleibtreu (aft), 210 Hiram Reynolds Bloomer, 507 Edmund Blouin, 504 Franz Josef Bolinger, 810 Joseph “Joey” Bonhage, 670, 671 Georges Bouisset, 974 Douglas J. Bourgeois, 399 Charles Wellington Boyle, 353 Charles Jennings Bridgman, 904 British School, 26, 96, 440, 454, 762, 952 Murrell Butler, 816, 845

Alexander Calder, 315 Chuck Caplinger, 685 George Frederick Castleden, 327, 328, 334, 357 Antoine-Denis Chaudet (aft), 250 Chinese School, 268, 593, 659 Dimitri H. Chiparus (aft), 804 Antonio Cifrondi (mnr), 25 Adolfo Cipriani, 97 John Connell, 1081 Continental School, 29-31, 96, 184, 760, 806, 944, 946, 948, 954, 956, 975, 1004, 1066 Antoine Coysevox (aft), 807 Thomas Bigelow Craig, 162 José-Maria Cundin, 312 Charles Courtney Curran, 388

Al DeForest, 822 Charles Demuth, 390 Laszlo De Nagy, 857 Sherman Foote Denton, 513 Luis Diaz, 677 Arthur Dove, 389 Alexander John Drysdale, 324, 405 George Bauer Dunbar, 400 William “Bill” Dunlap, 308 Gustavo Duque, 673, 674 George Dureau, 394

Charles “Harry” Eaton, 955 Antonio Casanova y Estorach, 165 Philip Evergood, 160 Lydia Ewald, 947

Judy Fairledy, 852 Howard Finster, 854 Edwin C. Forbes, 1069 Roger Francois, 1088 French School, 951 Bernard Fuchs, 407 Zella Funck, 1011 Ginny Futvoye, 851 124

Norman Galinsky, 1015 Lillian Mathilde Genth, 163 German School, 991 Alberto Giacometti, 666 Giambologna, 112 Maria Ada Gianni, 24 Rolland Harve Golden, 505, 830, 1078 Witold Gordon, 1007 Robert Gordy, 684, 1009, 1010, 1020 Luis Graner y Arrufi, 349 William Kross Greiner, 668 John Gruen, 667 Ernest Charles Demosthene Guilbert, 98

George Lothian Hall, 953 James Carl Hancock, 1024 Larry Harris, 861 Kawase Hasui, 1097 Emily Nichols Hatch, 307, 413 George Peter Alexander Healy, 292 Colette Pope Heldner, 409, 819, 846-850 Knute Heldner, 359, 410, 411, 811, 812, 824, 914 Sally Heller, 392 Jean-Jacques Henner (aft), 665 John Frederick Herring (aft), 765 Will Hinds, 823 Morris Henry Hobbs, 325, 326, 910 Emil Eugen Holzhauer, 905 Marie Hull, 351 Clementine Hunter, 331, 332, 360, 817, 818, 831

Indian School, 636 Italian School, 293, 949

Malcolm Jagamarra, 990 Reuben Le Grande Johnston, 107 Harvey Joiner, 352

Carl Kauba (mnr), 182 Alberta Kinsey, 827 Pappy Kitchens, 853 Klipper, 1019 Ida Rittenberg Kohlmeyer, 395, 396 Robert Kostuck, 57 Charles Kruvand, 1070

Paul Lambert, 992 Latin American School, 758 Carol Leake, 1023 Lawrence Lebduska, 660, 661 Emilie Marie de Hoa LeBlanc, 1022 Louis-Albert Lefeuvre (aft), 251 John Lennon, 1104 Shelly Inez Lependorf, 1016 Louisiana Folk Art School, 860

Jacob Manguno, 858 Bunny Matthews, 1012, 1013, 1021 Bernard Mattox, 1002, 1003 P.J. Mène (aft), 252, 441 James Michalopoulos, 313, 401 John S. Miller, 832 Clarence Millet, 403, 913 C.F. Moller (aft), 455 C. Bennette Moore, 915 Charles Moore, 1025 Thomas Sidney Moran, 945 Frank B. Moulton, 506 Bartolome Esteban Murillo (aft), 294 Mathilde M. Mylander, 99 Newman Myrah, 452

Mario F. Nardini, 561A Eugene Newman, 1017 Anne McKenzie Nickolson, 1014 David Noll, 820

John Henry Oswald, 761

Achille Perelli, 333, 354, 355 Ernesto de Piatta (aft), 247 Emile Pinedo (aft), 72 Francesco Piranesi, 27 Giovanni Battista Piranesi, 28, 191 Otto Poertzel (aft), 183

Frederic Remington (aft), 561A, 1050, 1052, 1053 Guido Reni (aft), 192 Charles Richards, 903 Emil Rizek, 449 George Rodrigue, 908, 908A, 909 Josep Suñol Rodriguez, 164 A. Rollé, 302 Edward Roper, 453 Thomas Rowlandson (aft), 957 Alix Roy, 993 Charles Marion Russell (aft), 1051 Walter Rutkowski, 821

Edward Linley Sambourne, 763 San Ildefonso Self-Taught Group, 662 Woodford J. Sanders (attr), 356 Adolf Schreyer (mnr), 759 Henry Scott, 295 John T. Scott, 404 Andres Segovia, 393 Jean Seidenberg, 408 José Silbert, 22 Francis Hopkinson Smith, 21 Southern Folk Art School, 855 Spanish Colonial School, 492 John Stennett, 856 George Washington Sully, 825 Sally Swatland, 906, 907 Frederick Oakes Sylvester, 330

Emmitt Thames, 829 Tibetan School, 634 Richard Timm, 766 Titian (aft), 188 James Alfred Turner, 450, 451 Arnold Turtle, 335

Hasmig Vartanian, 397 Jean Vernon, 211 Paolo Veronese (aft), 188 Andrea del Verrochio (aft), 74

William Aiken Walker, 358, 361 Ann Warner, 813 Wyatt Waters, 828 Andrée Wegl (aft), 491 Franz Weiss, 1080 Eudora Welty, 350 Susan Downing White, 311 Edward Whiteman, 815 Ralph Lewanda Wickiser, 406 Károly Wittich-Eperjesi, 560, 561 Mildred Nungester Wolfe, 314, 814, 911 Ellsworth Woodward, 336, 337 William Woodward, 329

Hiroshi Yoshida, 1096 Andrew Cary Young, 398 John Young-Hunter (aft), 959

0382-$2880 0383-$610 0384-$3416 0385-$610 0388-$896 0390-$366 0391-$256 0392-$244 0393-$610 0394-$1037 0395-$384 0396-$488 0397-$2375 0398-$366 0402-$1098 0404-$512 0406-$1625 0407-$2440 0408-$640 0410-$2880 0411-$1024 0413-$366 0414-$2432 0416-$2176 0417-$1000 0418-$976 0419-$488 0420-$366 0421-$305 0422-$671 0423-$366 0424-$1586 0425-$512 0429-$875 0430-$2625 0431-$976 0432-$768 0433-$3200 0434-$1024 0435-$1830 0437-$5185 0439-$1280 0440-$2745 0441-$3355 0442-$2625 0443-$640 0448-$1024 0449-$1024 0451-$896 0455-$7680 0458-$488 0459-$3200 0460-$488 0461-$1250 0462-$1280 0465-$896 0468-$896 0469-$1088 0470-$1280 0471-$768 0472-$1586 0473-$1408 0474-$1952 0475-$704 0476-$1250 0479-$4062 0480-$2745 0487-$3965 0488-$2318 0489-$256 0490-$2000 0491-$1536 0495-$1000 0497-$4800 0498-$1342 0499-$896 0500-$1952 0501-$2176 0504-$1098 0507-$4480 0508-$1152 0510-$610 0511-$20740

0512-$2318 0513-$2812 0516-$1500 0517-$1250 0518-$6710 0520-$17080 0521-$9760 0522-$8540 0523-$732 0526-$7015 0527-$2240 0528-$2750 0530-$3355 0532-$6100 0533-$1037 0535-$7320 0536-$14640 0538-$312 0542-$9375 0543-$5490 0545-$854 0547-$1098 0548-$1024 0549-$4880 0550-$1792 0551-$1000 0552-$1062 0553-$832 0554-$732 0556-$854 0557-$1125 0558-$976 0559-$3500 0560-$2562 0561-$1187 0563-$1088 0564-$366 0565-$3294 0567-$384 0568-$488 0570-$1000 0571-$512 0572-$305 0574-$671 0575-$375 0576-$1280 0577-$1220 0580-$2196 0581-$1220 0582-$2875 0583-$1220 0584-$305 0585-$4575 0586-$4375 0587-$17080 0588-$4880 0589-$5490 0592-$2318 0593-$4270 0594-$4575 0595-$32940 0597-$21960 0599-$2440 0600-$2440 0601-$3660 0602-$6100 0603-$79300 0605-$21350 0607-$18910 0608-$7320 0609-$6100 0610-$2135 0611-$1220 0612-$1464 0614-$1952 0614A-$2816 0616-$4270 0617-$1464 0618-$3840 0619-$3965 0620-$17080 0621-$43750 0623-$9760

0624-$2440 0625-$11250 0627-$8750 0628-$1750 0630-$21960 0631-$14640 0633-$18300 0634-$366 0636-$2196 0637-$610 0638-$625 0639-$366 0640-$2944 0641-$2806 0642-$976 0643-$250 0644-$5795 0645-$2440 0646-$3200 0648-$1220 0649-$1342 0650-$1464 0651-$4160 0652-$2560 0656A-$6710 0657-$625 0658-$1342 0659-$2048 0662-$244 0663-$704 0664-$1098 0665-$1586 0666-$3965 0667-$3355 0668-$549 0669-$2562 0670-$2074 0672-$183 0673-$244 0674-$183 0675-$7320 0676-$1664 0677-$896 0678-$1024 0679-$1708 0682-$10980 0683-$10065 0684-$1586 0685-$512 0688-$610 0689-$875 0690-$3294 0691-$1586 0693-$3200 0694-$976 0695-$854 0696-$960 0697-$512 0698-$1152 0699-$512 0701-$500 0703-$896 0704-$732 0706-$2684 0709-$750 0710-$1586 0711-$976 0713-$187 0714-$366 0717-$854 0718-$1000 0719-$1220 0723-$1250 0725-$976 0726-$2684 0727-$1125 0728-$976 0729-$1024 0730-$640 0731-$750 0732-$2928 0733-$768 0734-$2440

0735-$2440 0736-$2562 0742-$793 0743-$625 0744-$625 0745-$375 0746-$576 0748-$3660 0749-$1408 0750-$4575 0753-$384 0755-$512 0756-$512 0757-$250 0759-$366 0760-$1375 0763-$3050 0765-$3355 0768-$976 0770-$1098 0771-$1037 0772-$366 0773-$2176 0775-$640 0776-$576 0777-$732 0780-$187 0781-$1408 0782-$960 0783-$3050 0801-$2318 0807-$30720 0813-$960 0814-$549 0818-$687 0819-$812 0821-$375 0822-$1000 0823-$562 0824-$500 0825-$576 0826-$192 0828-$512 0829-$1159 0830-$213 0831-$854 0832-$305 0836-$854 0837-$244 0838-$625 0839-$156 0840-$125 0841-$288 0842-$427 0843-$122 0844-$671 0845-$366 0846-$1000 0849-$183 0851-$343 0852-$250 0853-$457 0855-$704 0857-$640 0858-$610 0861-$1708 0862-$2176 0867-$549 0869-$832 0870-$549 0871-$549 0872-$122 0873-$305 0876-$854 0877-$610 0878-$187 0879-$579 0881-$366 0882-$427 0884-$384 0886-$187 0887-$610 0888-$480

0889-$576 0890-$160 0892-$457 0893-$192 0895-$896 0896-$244 0897-$427 0898-$160 0899-$274 0900-$1625 0901-$1088 0902-$2688 0903-$2500 0906-$2048 0907-$1664 0908-$2684 0909-$6954 0910-$12200 0911-$2562 0912-$11875 0913-$1536 0914-$896 0915-$2688 0916-$2944 0917-$1098 0918-$1024 0919-$384 0920-$366 0921-$610 0922-$640 0924-$244 0925-$875 0926-$625 0927-$384 0928-$610 0929-$437 0930-$2074 0931-$152 0933-$1342 0936-$854 0938-$732 0939-$1125 0940-$1220 0942-$1024 0943-$427 0944-$812 0945-$488 0948-$500 0949-$1408 0950-$2500 0951-$671 0954-$256 0955-$274 0956-$160 0958-$704 0959-$488 0960-$1536 0961-$3050 0962-$732 0963-$2196 0964-$671 0965-$640 0966-$366 0967-$793 0968-$1625 0969-$1152 0970-$1464 0971-$976 0972-$625 0973-$1952 0974-$976 0977-$312 0979-$732 0980-$375 0982-$640 0983-$3965 0984-$1586 0985-$1500 0986-$2196 0987-$3050 0988-$1152 0990-$2500 0991-$2074

0992-$305 0993-$1220 0995-$218 0996-$366 0997-$122 0998-$183 1000-$305 1002-$122 1003-$610 1004-$3538 1005-$305 1006-$366 1007-$896 1008-$2440 1009-$3660 1011-$3660 1012-$1952 1013-$896 1014-$375 1015-$3840 1016-$6100 1017-$1220 1018-$1037 1021-$4160 1022-$4480 1023-$2196 1024-$3328 1025-$640 1026-$244 1027-$1625 1028-$562 1030-$732 1031-$1830 1032-$305 1033-$610 1034-$427 1035-$427 1036-$640 1037-$640 1038-$3840 1039-$4880 1040-$4270 1041-$6405 1042-$305 1043-$610 1044-$976 1045-$576 1046-$427 1048-$305 1049-$549 1050-$1098 1053-$427 1054-$549 1055-$1220 1056-$2745 1057-$640 1058-$488 1060-$732 1061-$320 1063-$427 1064-$256 1069-$3840 1074-$854 1076-$2560 1077-$1342 1078-$896 1082-$1000 1083-$366 1084-$960 1085-$366 1086-$875 1088-$512 1090-$793 1091-$366 1092-$375 1093-$549 1094-$183 1095-$732 1096-$366 1098-$480 1100-$427 1102-$384 1103-$812

1104-$366 1106-$305 1108-$305 1109-$427 1110-$256 1111-$183 1112-$512 1113-$4352 1114-$960 1115-$625 1116-$375 1117-$1098 1119-$244 1120-$976 1122-$1464 1123-$1098 1124-$671 1125-$1875 1126-$625 1127-$640 1128-$1024 1129-$1125 1130-$732 1131-$1952 1133-$1464 1134-$2625 1136-$1536 1137-$488 1142-$3050 1143-$854 1144-$1037 1146-$305 1148-$640 1149-$1342 1151-$305 1156-$732 1160-$384 1161-$256 1164-$512 1166-$1152 1167-$640 1169-$488 1170-$488 1171-$610 1172-$793 1173-$366 1174-$366 1176-$183 1177-$384 1178-$549 1180-$640 1181-$427 1183-$793 1185-$544 1186-$960 1188-$256 1190-$1024 1193-$549 1194-$366 1196-$183 1197-$488 1198-$1464 1199-$2806 1200-$244 1201-$1342 1204-$625 1205-$768 1206-$93 1207-$375 1208-$366 1211-$366 1212-$1220 1214-$832 1216-$625 1217-$256 1219-$256 1222-$732 1223-$610 1224-$512 1225-$750 1226-$192 1227-$549 1228-$610

1229-$366 1230-$187 1231-$366 1232-$1342 1233-$793 1234-$366 1235-$366 1236-$187 1237-$512 1238-$375 1239-$640 1240-$549 1241-$1250 1242-$549 1243-$305 1244-$768 1245-$244 1246-$250 1247-$625 1250-$320 1251-$256 1252-$192 1255-$488 1256-$320 1257-$1280 1258-$488 1259-$448 1260-$3172 1263-$375 1264-$305 1265-$610 1266-$500 1267-$305 1269-$187 1270-$937 1272-$128 1273-$366 1275-$366 1276-$488 1278-$625 1282-$244 1283-$122 1285-$91 1286-$187 1287-$448 1288-$366 1290-$183 1292-$1088 1294-$793 1295-$122 1296-$244 1297-$244 1300-$366 1301-$256 1303-$183 1304-$244 1305-$125 1306-$915 1307-$160 1308-$128 1309-$183 1310-$937

May 6, 7 & 8, 2016

0250-$640 0254-$1098 0255-$812 0257-$366 0258-$352 0259-$704 0260-$1220 0263-$512 0267-$704 0268-$1708 0269-$1792 0270-$2318 0271-$1750 0272-$2074 0273-$793 0276-$1342 0277-$1830 0278-$183 0279-$244 0280-$512 0281-$2560 0283-$1586 0284-$768 0285-$375 0286-$549 0287-$610 0288-$2196 0289-$2440 0290-$5440 0294-$671 0295-$750 0296-$250 0297-$244 0298-$915 0299-$2000 0301-$562 0302-$427 0303-$793 0306-$2048 0307-$562 0308-$1920 0309-$152 0310-$687 0311-$244 0312-$793 0314-$305 0315-$610 0322-$18910 0323-$9150 0336-$960 0337-$244 0339-$793 0340-$488 0341-$427 0342-$640 0345-$793 0346-$256 0347-$732 0348-$187 0349-$610 0350-$187 0352-$500 0353-$2806 0354-$244 0355-$427 0356-$384 0357-$1500 0358-$1625 0359-$732 0361-$610 0362-$1664 0363-$610 0365-$1098 0366-$366 0368-$732 0369-$976 0370-$3294 0371-$366 0372-$305 0373-$732 0375-$213 0376-$915 0380-$366

â&#x20AC;¢

0130-$1152 0134-$610 0135-$854 0136-$366 0137-$4800 0139-$1408 0141-$1708 0142-$1024 0147-$9375 0149-$1625 0150-$896 0152-$3294 0153-$2176 0154-$12800 0155-$10240 0156-$15360 0157-$17280 0158-$6100 0159-$7040 0161-$3660 0162-$9600 0163-$24400 0164-$8235 0165-$3072 0166-$4880 0167-$1464 0169-$625 0171-$3965 0172-$732 0176-$1664 0177-$9760 0178-$2440 0179-$2688 0182-$2375 0183-$1664 0184-$22021 0185-$7040 0190-$1250 0191-$976 0197-$512 0199-$1024 0200-$1830 0201-$427 0204-$448 0206-$244 0207-$1220 0208-$4575 0209-$1952 0210-$610 0211-$1342 0212-$896 0213-$2944 0214-$5440 0215-$960 0216-$1586 0217-$625 0218-$1536 0219-$3660 0220-$2684 0221-$1830 0222-$3172 0223-$488 0224-$1342 0225-$2625 0226-$396 0227-$320 0228-$488 0229-$610 0231-$384 0232-$512 0233-$512 0235-$512 0236-$610 0237-$640 0239-$366 0240-$312 0242-$250 0244-$2688 0245-$187 0246-$256 0247-$256 0248-$305 0249-$976

Auction Results

0003-$549 0004-$375 0005-$1159 0006-$960 0007-$305 0008-$213 0009-$1220 0010-$1342 0011-$3200 0012-$1037 0013-$1220 0014-$732 0015-$183 0016-$640 0017-$1024 0019-$704 0020-$896 0021-$1125 0025-$610 0026-$2074 0027-$1830 0028-$732 0029-$610 0031-$1000 0032-$2500 0033-$1342 0034-$244 0039-$976 0042-$896 0043-$5795 0045-$1062 0046-$732 0047-$427 0048-$1408 0049-$1920 0052-$1220 0054-$1830 0055-$1586 0056-$1024 0057-$1830 0059-$875 0060-$1220 0063-$750 0065-$976 0066-$1220 0067-$768 0068-$915 0069-$896 0070-$488 0071-$610 0072-$1098 0073-$244 0074-$384 0075-$1220 0077-$1220 0078-$1220 0079-$1220 0084-$768 0086-$1464 0087-$1586 0088-$305 0089-$960 0091-$61000 0092-$1708 0096-$5795 0098-$3050 0099-$1280 0100-$1830 0101-$2928 0105-$1250 0106-$36600 0110-$1536 0111-$640 0112-$610 0115-$7500 0119-$1500 0120-$500 0121-$576 0122-$976 0125-$8640 0127-$1830 0128-$2500 0129-$640

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CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

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4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. 5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Additional information at www.nealauction.com

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Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director Dave Roberts Catalogue Design Emory Nolan

Photography Jason Leckert Tom Simpson Jason Kruppa

OPERATIONS Director of Operations Charles Lee Operations Staff Charlie Clay Kelvin Gibson Jerry Majors Larry Sudds Robert Wilson

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Neal Auction Company

July 16 & 17, 2016

Important Summer Estates Auction July 16 & 17, 2016