May 6-8, 2016 Important Spring Estates Auction Catalogue

Neal Auction Company

Neal Auction Company

Neal Auction Company

May 6, 7 & 8, 2016

Important Spring Estates Auction May 6, 7 & 8, 2016

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

Rebekah Abernathy Administrative Assistant/Internet Auction Administrator

Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers; Sarah DeBoard Paintings, Prints & Photography

Rachel Weathers; Marney Robinson;

Sophie Hirabayashi Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Carroll Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director

Dave Roberts Catalogue Design

Emory Nolan

AUCTION SERVICES Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

Photography

Jason Leckert

Tom Simpson

Jason Kruppa

OPERATIONS Director of Operations

Charles Lee

CATALOGUE CONSULTANTS

Operations Staff

Charlie Clay

Kelvin Gibson

Jerry Majors

Larry Sudds

Robert Wilson

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

Important Spring Estates Auction May 6, 7 & 8, 2016 On Our Premises 4038 Magazine Street & 3923 Carondelet Street Featuring: Important Fine and Decorative Arts from the Collection of Mrs. Dudley J. Hughes, Jackson, MS Exceptional Chinese Porcelain and Jade from the Estate of Stephen G. Henry, Jr., Baton Rouge, LA Property from the Estate of Dorothy “Dot” Shushan, New Orleans 19th and 20th Century Art Deaccessioned from an Important Corporate Collection, Dallas, TX New Orleans Architect’s Lifetime Collection of Fine Art and Furniture Property Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections Fund Southern Fine Art from a Lake Charles, LA Estate Masterworks from the D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge Vintage Mid-Century Furniture from the Collection of Dr. and Mrs. Hamp W. Echols, Mobile, AL Louisiana Art from the Collection of Noted La Riviera Chef Goffredo Fraccaro, Metairie, LA Fine Art Sold to Benefit the Jewish Federation of Greater New Orleans And Property of Others.

AUCTION SCHEDULE Friday, May 6, 1 p.m., 4038 Magazine Street Saturday, May 7, 10 a.m., 4038 Magazine Street Sunday, May 8, 11 a.m., 3923 Carondelet Street EXHIBITION both galleries beginning Monday, April 25, 10 a.m. to 5 p.m.

Special Saturday Preview, April 30, 10 a.m. to 5 p.m.

Evening Preview Reception, Thursday, May 5, 5 to 7 p.m.

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

Collection of Mrs. Dudley J. Hughes of Jackson, MS

Neal Auction Company is pleased to present property from the Hughes Collection. This collection was assembled over the second half of the twentieth century by Mrs. Hughes and her late husband, the acclaimed geologist and philanthropist. Carefully curated and installed within their Jackson, MS home, the collection includes fine paintings, sculpture, furniture and decorative arts.

Woodland Hills Home of Mrs. Dudley J. Hughes

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Session One Friday, May 6, 1 pm 4038 Magazine

1. Flemish School, 18th c., “Lady and Servant Feeding Parrot”, oil on copper, unsigned, 9 3/4 in. x 8 in., framed. $400/600

2. French School, late 19th c., “Mother and Child in a Flower Garden”, oil on canvas, monogrammed “FD” lower right, “F. Abrahamson No. 27” stencil on stretcher, 16 1/2 in. x 12 1/4 in., framed. $1000/1500

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

3. Jean‑Baptiste Adolphe LaFosse (French, 1810‑1879), “Emperor Napoleon with his Son, the King of Rome”, hand‑colored lithograph, signed “LaFosse” lower left, printed by Lemercier, Paris, sight 26 1/2 in. x 19 1/4 in., framed. $800/1200

7. Paris Porcelain Octagonal Tazza, c. 1840, marked “No. 2450 / White china manufd / by EDWd HONORE / for T.B.”, peach and gilt border with crocus reserve, h. 4 in., w. 8 7/8 in.; together with 6 Honoré‑style soup plates, peach and gilt borders with fruit reserves, dia. 8 1/2 in., (7 pcs.) $200/300 Provenance: Temple Heights, Columbus, MS.

4. Paul César Helleu (French, 1859‑1927), “Jeune Femme Allongée sur un Canapé”, c. 1905, drypoint on paper, signed in red pencil lower left, 11 3/4 in. x 15 1/2 in., sheet 15 in. x 19 in., framed. $500/700

6. French School, 19th c., “Napoleon” and “Louise of Russia”, 2 porcelain miniatures, each with 2 impressed marks en verso, 3 1/2 in. x 2 3/4 in., matching bronze frames. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

9. Paris Porcelain Tray, 19th c., marked “...Dagoty...”, with sepia scene of “Paul et Virginie”, matte and burnished gilt border, l. 12 1/4 in. $1200/1800 8. Sèvres “Rose du Barry” Porcelain Cachepot, 19th c., interlaced L’s mark, interlaced scrolls reserving various botanical specimens, h. 8 3/4 in., w. 11 3/8 in. $400/600

Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Elise Abrams Antiques, Great Barrington, MA.

10. Pair of Paris Porcelain Rhyton Vases, 19th c., incised mark, black ground, polychrome floral and raised gilt decoration, scrolled plinth bases, h. 11 in. $1000/1500 Provenance: Historic “Sally Mill”, Middleburg, VA.

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5. Ivory and Penwork Music Box, inset with portrait miniatures of Napoleon and Josephine, signed indistinctly, h. 3 1/2 in., w. 7 in., d. 5 1/2 in.; together with a portrait miniature of Napoleon, signed “Vernet”, bone and penwork frame; and miniature of Josephine, signed “Gabriel”, ivory, tortoiseshell and mother‑of‑pearl frame, 5 3/4 in. x 5 in. and 5 1/2 in. x 5 in., (3 pcs.) $400/600

11. Seven Naples (Giustiniani) Redware Etruscan Plates, 19th c., impressed G marks, with Classical figures after the Antique, geometric borders, dia. 9 1/2 in. $1500/2500

12. Chinese Export‑Style Armorial Porcelain Three Piece Garniture, 20th c., possibly Samson, each monogrammed “TM” within shield, incl. bowl, h. 5 1/8 in., dia. 13 in., and 2 covered vases, h. 10 3/8 in. $300/500

13. Fine American Gilt Bronze Humidor, c. 1900, hinged lid, paneled design, cast with masks, figures, foliage and fruit, h. 2 in., w. 11 3/4 in., d. 7 1/2 in. $600/900 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 14. Pair of Decorative Mirrored Obelisks, each with segmented mirror panels, floral bosses, carved argenté paw feet, h. 37 in., w. 10 in., d. 10 in. $700/900

15. French Tôle Peinte Tray, 19th c., decorated with French‑flagged galleons at sea, l. 23 3/4 in., w. 18 1/2 in. $400/600

16. Three Russian Malachite Boxes, 20th c., one hexagonal, two rectangular, largest h. 2 5/8 in., w. 5 3/4 in., d. 4 in. $400/600

17. Pair of French Bronze Sphinx Figural Chenets, 19th c., each with blue enamel cabochon, h. 14 3/4 in., w. (adjustable) 40‑60 in., d. 9 in. $1000/1500

19. Continental Art Nouveau Bronze Vase, 19th/20th c., grape leaves and fruit with gilt highlights, copper liner, signed “A Marionnet (1852‑1910)”, h. 14 3/4 in. $600/800

18. Antique Continental Carved Oak and Bronze‑Mounted Jardinière and Pedestal, three handles, lobed design, bronze paw feet, h. 51 in., w. 17 1/2 in., d. 16 in. $500/1000

20. Pair of Antique Continental Bronze Urns, bust handles, cast with masks, garlands and the Roman numerals “MDCXXX”, h. 8 in., dia.

9 3/4 in. $1000/1500

Additional information at www.nealauction.com

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21. Pair of French Bronze and Onyx Chenets, late 19th c., h. 26 3/4 in., w. 8 1/2 in., d. 9 in. $800/1200

22. Antique French Tôle Peinte Tray, 19th c., depicting a French naval officer in an exotic setting, w. 22 1/4 in., d. 17 1/2 in. $800/1200

24. Antique English Carved Mahogany Three Tier Étagère, fluted baluster uprights, base drawer, turned feet, casters, h. 46 1/2 in., w. 27 in., d. 16 in. $1000/1500

23. Continental Gilt Bronze Surtout de Table, 20th c., colonnade gallery, h. 2 3/4 in., w. 20 in., d. 62 in. $1500/2500

25. Regency Caned Mahogany Bergére, mid‑19th c., canted back, continuous arms, ring‑turned tapered legs, casters, h. 36 in., w. 23 in. $500/800

26. Antique English Brass‑Bound Mahogany Campaign Chest, graduated drawers, shaped bracket feet, h. 39 in., w. 42 in., d. 20 in. $1000/1500

27. Regency Mahogany Mechanical Folio Stand, early 19th c., adjustable spindled supports with turned‑knob locking mechanism, splayed legs, spindled stretcher, h. 42 3/4 in., w. 33 1/2 in., d. 24 1/4 in. $1500/2500

28. Pair of Edwardian Inlaid Mahogany Pedestal Cabinets, late 19th/early 20th c., h. 45 1/2 in., w. 11 in., d. 11 in. $700/900

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29. George III Mahogany Bowfront Bachelor’s Chest, early 19th c., two short over two long drawers, shaped apron, flared feet, h. 31 3/4 in., w. 31 1/2 in., d. 17 1/2 in. $400/600

31. Empire‑Style Painted, Parcel‑Gilt and Faux Marbre Vitrine, molded cornice, tapered pilasters with Egyptian busts, glazed door, fall‑front paneled door below, gadrooned feet, h. 70 3/4 in., w. 36 in., d. 15 1/2 in. $500/750

30. George III Inlaid Satinwood Games Table, late 18th c., foldover demilune top, baize‑lined playing surface, square tapered legs, h. 29 3/4 in., w. 34 in., closed d. 16 3/4 in., open d. 33 in. $700/1000

32. Pair of Antique Régence‑Style Carved Oak Fauteuils à la Reine, each with shaped back, padded scrolled arms, serpentine shell and foliate apron, cabriole legs, shaped stretcher, needlepoint upholstery, h. 42 in., w. 26 in. $3000/5000

35. Napoleon III Gilt Bronze‑Mounted, Ebonized and Marquetry Bureau de Dame, 19th c., galleried top, cabinet doors, two small drawers; serpentine top, frieze drawer, cabriole legs, bronze sabots, h. 52 in., w. 29 1/2 in., d. 19 3/4 in. $1200/1800

33. Louis Philippe Rafraîchissoir, 19th c., molded top, two shelves, baluster supports, button feet, h. 33 3/4 in., w. 21 3/4 in., d. 15 3/4 in. $400/600 Provenance: Ex-Collection Charles Faudree, Tulsa, OK.

34. Antique Faux Marbre Pedestal, square top, fluted standard, stepped base, block plinth, h. 43 in., w. 12 1/4 in., d. 12 1/4 in. $400/600

Additional information at www.nealauction.com

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36. Antique Directoire‑Style Gilt Bronze‑Mounted Maple Fauteuil à Bureau, shaped caned back, padded arms, baluster uprights, circular swivel seat, tapered legs, bronze sabots, h. 38 in., w. 22 in. $700/900

37. Anglo/ Portuguese Ebonized and Satinwood Cabinet, 19th c., molded cavetto cornice, pierced frieze, four beaded recessed panel doors divided by three frieze drawers, fluted stiles, reticulated foliate apron, turned legs, h. 81 1/2 in., w. 55 1/2 in., d. 23 in. $1200/1800

38. Antique Italian Rococo‑Style Carved, Argenté and Gilt Console Table, serpentine faux marbre top, conforming shell and acanthus frieze, cabriole legs, foliate stretcher, h. 33 in., w. 43 1/4 in., d. 21 1/4 in. $1200/1800

39. Antique French Provincial Carved Fruitwood Table à Écrire, tooled leather top, four frieze drawers, cabriole legs, hoof feet, h. 27 3/4 in., w. 44 3/4 in., d. 26 1/2 in. $800/1200

40. Louis XV‑Style Carved Walnut Gilt Bronze‑Mounted Bureau Plat, gilt tooled leather top, four drawers, shaped apron, cabriole legs, h. 30 1/2 in., w. 77 in., d. 39 in. $1200/2000

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41. Antique Napoleon III Gilt Bronze‑Mounted Mahogany Screen, with three embroidered silk panels, h. 56 1/4 in., w. 58 1/2 in. $700/900

42. Italian Rococo Inlaid Burl Walnut Bombé Commode, late 18th c., shaped top, conforming case, two short over two long drawers, scalloped apron, cabriole legs, h. 36 3/4 in., w. 42 1/2 in., d. 17 1/2 in. $1000/1500

44. Louis Aston Knight (American, 1873‑1948), “The Walker Lake, Putney [VT]”, oil on paperboard, signed lower right, titled in pencil and “C. Gadin” art supply stamp en verso, “Rehs Galleries, New York” label on dust cover, 10 3/4 in. x 13 3/4 in., framed. $3000/5000 43. Alexandre Louis Jacob (French, 1876‑1972), “Vieux Moulin au Ponceau”, oil on masonite, signed lower left, titled and inscribed en verso, 18 in. x 15 in., antique frame. $4000/6000

45. Chinese Export Gilt‑Decorated Black Lacquer Lap Desk, 19th c., decorated with cartouches enclosing nobles in garden settings on a dense ground of dragons, bats, and auspicious emblems, fitted interior, h. 5 7/8 in., w. 16 5/8 in., d. 10 1/8 in. $600/800

46. French Empire Gilt Bronze and Marble Tazza, 19th c., reticulated bowl with variegated green marble liner, ram’s head and hoof supports, triangular plinth, h. 6 1/2 in., dia. 8 3/4 in. $400/600

47. French Tôle Peinte Verrière, 19th c., with scrolling grapevine decoration, brass loop handles, h. 4 1/4 in., w. 13 in., d. 8 1/4 in. $300/500

Additional information at www.nealauction.com

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48. Fine Louis XV‑Style Gilt Bronze Jardinière, c. 1880, marked “E. COLIN & Cie., Paris”, possibly designed by Léon Messagé (French, 1842‑1901), cast with cartouches and garlands, removable liner, h. 5 1/4 in., w. 17 1/2 in., d. 9 3/4 in. $700/1000 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

49. Pair of French Gilt Bronze and Cut Glass Figural Tazzas, 19th c., each with putto in grape arbor, h. 9 in., dia. 9 1/4 in. $700/1000 Provenance: Paul Siegel, Inc., New York, via Merle McGehee, Jackson, MS; Collection of Mrs. Dudley J. Hughes.

50. Pair of Antique Bronze Courting Figures in 18th c.

Costume, 20th c., the lady indistinctly signed, on rouge marble bases, h. 12 in., dia. 3 3/4 in. $700/900

51. Pair of Louis XVI‑Style Parcel‑Gilt and Crème Peinte Fauteuils, beaded foliate crest, stop‑fluted stiles, scrolled acanthus arms, fluted legs, toupie feet, h. 37 1/2 in., w. 24 3/4 in. $2500/3500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

52. Louis XV‑Style Gilt Bronze‑Mounted Parquetry “Versailles” Bureau, gilt tooled leather shaped top, three frieze drawers, cabriole legs, bronze sabots, h. 30 1/4 in., w. 71 in., d. 37 3/4 in. $1000/1500 Provenance: Merle McGehee, Jackson, MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

53. Set of Four Antique French Provincial Carved Walnut Fauteuils, 18th c. and later, foliate crests, cartouche caned backs, scrolled arms, serpentine floral aprons, cabriole legs, h. 38 in., w. 24 3/4 in. $2500/3500

54. Louis XV Painted and Carved Canapé, late 18th c., shell and foliate crest, shaped back, scrolled arms, serpentine apron, cabriole legs, h. 38 1/2 in., w. 80 in. $2000/3000

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55. Continental Biedermeier‑Style Inlaid Fruitwood Center Table, radial inlaid circular top, incurvate legs, lozenge stretcher, h. 31 in., dia. 42 in. $800/1200

56. Louis XV Carved Giltwood Console Table, mid‑to‑late 18th c., serpentine brêche des alpes top, conforming pierced rocaille frieze, C‑scroll legs, acanthus feet. $1200/2000

58. Napoleon III Gilt Bronze‑Mounted Mahogany and “Vernis Martin” Vitrine, late 19th c., pierced gallery, floral frieze, glazed doors, lower panels with courting couples, fluted stiles, toupie feet, h. 58 1/2 in., w. 35 1/4 in., d. 14 in. $1500/2500 57. Spanish Carved Walnut and Wrought Iron Refectory Table, early 19th c., stepped molded top, shaped trestle base, h. 29 in., l. 79 1/4 in., w. 32 1/2 in. $2000/3000

59. Group of Four Napoleonic Portrait Miniatures, incl. pair of Napoleon and Josephine in matching gilt metal frames with Imperial eagles; Napoleon, indistinctly signed, gilt frame; and Josephine, indistinctly signed, 5 1/4 in. x 4 1/4 in. to 2 1/2 in. x 2 in., faux tortoiseshell frame. $300/500

60. Group of Four Napoleonic Portrait Miniatures, incl. “Napoleon Crossing the Alpes”, after Jacques-Louis David, ebonized frame; “Napoleon Wearing Laurel Wreath”, signed “Vernie”, bone frame; and 2 Napoleon in uniform, 9 in. x 8 in. to 4 in. x 3 1/2 in., both in bone frames. $300/500

61. Group of Four Portrait Miniatures, incl. a Marshal of the Empire wearing the Order of St. Louis, indistinctly signed, bone and wood frame; a young British Officer, ebonized frame with brass acorn; “Girl with a Basket of Fruits (Lavinia)”, after Titian, indistinctly signed; and an exotic lady, signed “M. Stieler”, 5 1/2 in. x 4 1/2 in. to 5 in. x 4 3/8 in., matching inlaid frames. $300/500

62. Group of Five Portrait Miniatures, incl. the King of Rome wearing the Order of St. Louis, and his protector, Count von Neipperg, both in matching gilt metal frames; Catherine of Braganza, indistinctly signed, bone and penwork frame; and 2 ladies in 18th c. dress, one signed “Bizet” and one indistinctly signed, gilt metal frames, 7 1/2 in. x 3 3/4 in. to 3 in. x 2 1/2 in. $300/500

Additional information at www.nealauction.com

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63. Group of Five Napoleonic Portrait Miniatures, incl. double frame with Napoleon and Josephine, signed “Berton”; Napoleon, signed “Delaroche”; Josephine on porcelain; Josephine, signed “Gerard”; and Queen Louise of Prussia on porcelain, 5 in. x 4 1/4 in. to 3 1/4 in. x 2 1/4 in., all in gilt metal frames. $300/500

67. Pair of Paris Porcelain Vases in the Neoclassical Taste, 19th c., marked, blue ground, reserves with matte and burnished gilt decoration, swan’s neck handles, h. 13 5/8 in. Note: Restorations. $700/1000

64. Group of Three Religious Portrait Miniatures, incl. Madonna and Child, signed “Resu”, ivory frame; Madonna, signed “C. Sebwicker”, gilt metal frame; and Mary Magdalene, signed “J. Ferraci”, 5 1/2 in. x 4 1/2 in. to 4 in. x 3 1/4 in., bone frame. $300/500

68. Two Paris Porcelain Footed Sauciers, 19th c., incl. apple green and gilt example marked “J.P.” and “Rihouët/ Paris”, h. 6 1/2 in.; and a rose and gilt decorated lidded example, marked “Le Veillé/Rue thiroux/12”, h. 8 1/4 in. $500/700 Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

71. Paris Porcelain Gilt Coffee and Tea Service, 19th c., incised marks, incl. coffee and tea pots with swan neck spouts, lidded sugar, creamer, footed bowl, 9 cups and 10 saucers; tallest h. 10 in., (24 pcs.) $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA.

65. Sèvres Porcelain Plateau, 19th/20th c., interlaced Ls mark, painted with Louis XVI banded by 8 portrait busts of court beauties, ringed base with sitters’ names, dia. 19 7/8 in. $500/800

66. Sèvres Porcelain Plateau, 19th/20th c., interlaced Ls mark, painted with Louis XVI in coronation regalia, after the 1788 portrait by Antoine‑Francois Callet, dia. 19 3/4 in. $500/800

69. Two Paris Porcelain Cobalt and Gilt Decorated Amphora Vases, 19th c., one with Nike handles, marked “Schoelcher”, h. 12 7/8 in.; and another with lion’s mask handles, h. 10 5/8 in.

Note: Restorations. $500/800

70. Fine Paris Porcelain Pitcher, 19th c., marked “Nast” and “Cardinal Dominiquain/ de la Louisiane”, decorated with polychrome cardinal, gilt accents, h.

6 1/2 in. Note: Hairline. $300/500

Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

72. Paris Porcelain Dinner Service, mid‑19th c., incised marks, lavender and gilt, monogrammed, incl. 12 soup plates, 9 luncheon plates, 5 dessert plates, 11 bread plates, 9 butters, 12 side plates, a round covered vegetable tureen, an oval covered vegetable tureen, an open vegetable dish, 5 teacups with 4 saucers, 5 coffee cups with 5 saucers, 4 breakfast cups, a compote, 2 platters, largest l. 13 in., a covered butter dish, and a nut dish, (95 pcs.) $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA.

73. Large Antique Faience Punchbowl, exterior decorated with flower and butterflies, base marked “AB”, h. 6 in., dia. 12 5/8 in. $300/500

74. Three Continental Porcelain Plaques, 19th c., incl. one after Raphael’s “Madonna della Sedia”, one depicting “The Lady of Shalott”, both with elaborate giltwood frames; and one after Elisabeth Vigee‑Lebrun’s well‑known self‑portrait, in gilt metal frame, h. 12 1/4 in., w. 9 1/4 in. $400/600

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75. Pair of Paris Porcelain Polychrome and Gilt Urns, 19th c., swan handles, central band with flowers and grisalle reserves of landscapes, h. 17 1/2 in., w. 10 in., d. 6 3/4 in. $800/1200

76. Russian Porcelain Dinner Service, Lomonsov “Cobalt Net” pattern, 20th c., incl.

12 plates (dia. 10 3/4 in.), 16 plates (dia.

9 1/2 in.), 7 soup plates (dia. 8 7/8 in.), 4 teacups with 8 saucers, 8 coffee cups with 8 saucers, 2 chargers (dia. 12 1/8 in.) coffee pot, teapot, sugar and creamer. $1200/2000 Note: The Lomonsov Porcelain Factory is the successor to the Russian Imperial Porcelain Factory which was founded by Empress Elizabeth in 1744.

77. Wedgwood Majolica Fish Platter, 19th c., impressed mark, relief‑molded with a fish and water reeds on a turquoise ground, scalloped molded rim, w. 25 1/4 in., d. 12 3/4 in. $800/1200

80. Fine Pair of French Painted Cast‑Iron Figural Torchères, late 19th c., stamped “Tusey (Meuse)”, opposing figures draped in the Classical manner, later flame shades, h. 48 in., presented on marble bases, overall h. 66 in. $3000/5000

78. Group of Napoleonic Portrait Miniatures on Porcelain, late 19th c., incl. two of Napoleon and one of Josephine, elaborate giltwood frames, h. 8 1/2 in., w. 6 1/2 in., d. 2 1/2 in., (3 pcs.) $250/500

79. Pair of French Gilt Bronze Mounted Marble Urns, late 19th c., avian handles suspending floral garlands, h. 10 3/4 in., w. 6 1/4 in., d. 5 1/2 in. $500/700 Provenance: Collection of Mrs. Dudley H. Hughes, Jackson, MS.

81. Pair of Large Neoclassical‑Style Marble and Specimen Stone Obelisks, inset with lapis, malachite and various other specimens, h. 40 in., w. 9 in., d. 9 in. $2500/3500

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Additional information at www.nealauction.com

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82. Pair of Continental Gilt Bronze and Gris de Ste. Anne Marble Two‑Light Candelabra, early 19th c., male and female terms, h. 13 1/2 in., w. 7 1/2 in., d. 3 3/4 in. $1200/1800

83. Pair of Neoclassical‑Style Verdigris Patinated Bronze Jardinières, female term handles, centered by masks and floral garlands, h. 18 3/4 in., w. 23 in., d. 19 in. $1000/1500

84. Continental Parcel Gilt Cast Stone Bust of a Roman Youth, 19th c., inscribed “F. Desinelles”, on a red marble base, h. 15 1/2 in., w. 6 1/2 in., d. 10 in. $800/1200

86. Pair of Charles X Gilt Bronze Figural Candlesticks, c. 1830, fluted shaft mounted with Egyptian busts, h. 11 1/2 in., dia. 5 1/4 in. $800/1200

87. Pair of Charles X‑Style Bronze‑Mounted Cut Crystal Urns, mask handles, marble base, paw feet, h. 18 in., w. 9 in., d. 8 1/4 in. $1200/1800

85. German Patinated Bronze Figural Group of a Woman with a Goose, inscribed “A. Hudler”, and “Guss V. Perner a Franz Dresden”, h. 19 1/2 in., w. 9 in., d. 5 1/4 in. $600/800

88. Spanish Colonial‑Style Polychromed and Carved Wood and Leather Valuables Box, early 20th c., of domical form, iron carrying handles; fall front, with drawers, inscribed “Bonum Vinum Laetificat Cor Hominis”, h. 9 in., w. 17 in., d. 9 in. $300/500

89. Pair of Italian Neoclassical‑Style Carved and Gilt Brackets, 19th c., fluted with acanthus motif, h. 14 in., w. 14 1/4 in., d. 10 in. $400/600

90. Rare English Tôle Peinte Tray, c. 1860, depicting a Crimean war scene, inscribed “Sergeant Davies Defending the Colours”, 13 1/2 in. x 16 1/2 in. $1500/2500 Note: This scene is after the January 27, 1855 Cassell’s newspaper illustration depicting Sergeant Davies of the Grenadier Guards defending his regiment’s colours against Russian infantry at the Battle of Inkerman.

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91. Rufin Gavrilovich Sudkovsky (Ukrainian, 1850‑1885), “Farmer’s Cottage on River Bank”, oil on canvas, signed in red in Cyrillic lower right, 48 3/4 in. x 70 3/4 in., period frame with brass artist plaque. $40000/60000 Provenance: A La Vieille Russie, 718 Fifth Avenue, New York, NY, 1976; Collection of Mrs. Dudley J. Hughes, Jackson, MS. Note: Rufin Gavrilovich Sudkovsky was a Ukrainian painter from Ochakiv who specialized in monumental seascape and maritime scenes. Studying as a child at the Odessa Drawing School, in 1868 he went to St. Petersburg to attend the Imperial Academy of Arts where he spent about four years and was awarded several medals. Sudkovsky traveled to Germany, France, Austria and Switzerland, trips which improved the technique and originality of his work. He continued to exhibit his work at the Academy in St. Petersburg. While preparing for an exhibition in Kiev in 1885, Sudkovsky fell ill from typhus and passed away at the young age of 35. He created a masterful body of work that was limited to a little over a hundred paintings.

In 1882, Sudkovsky exhibited a work titled Tempest near Ochakiv that won him the title of Academician from the Academy. The painting offered here may quite possibly be this very work. A dramatic rain storm sweeps across the sea in the background, while the marsh grasses bend in the wind. A thatched roof house sits on the shoreline, while two women tend a fire and a man secures his rowboat. Sudkovsky often formed his compositions as arcs of land adjacent to the curving water, a technique employed in this remarkably monumental painting. The power of the oncoming storm and rain are effectively rendered, manifesting the artist’s true brilliance as a painter.

92. Manner of Nicolaes Pietersz Berchem (Dutch, 1620‑1683), “Landscape with Animals and Figures at a Rustic Fountain”, 19th c. or earlier, oil on canvas, partial signature “P.Ber...” lower right, typewritten collector’s label en verso, 42 in. x 59 in., antique frame. $2000/3000

Additional information at www.nealauction.com

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93. Attributed to Giuseppe Lanfranchi (Italian, c.

1820‑1911), “Shepherd and Goats Resting” and “Cattle and Goats”, 2 oils on canvas, the former signed “G. Lanfranchi” lower right, each 23 1/2 in. x 29 1/2 in., matching frames. $3000/5000

94. Italian School, 19th c., “The Virgin as Queen of Heaven Composing the Magnificat, with the Christ Child and Five Angels”, (after the “Madonna del Magnificat” in the Uffizi Gallery, Florence, oil on canvas, after Sandro Botticelli (Italian, 1445‑1510), unsigned, dia. 22 in., ornate gilt frame. $1500/2500

96. Mathurin Moreau (French, 1822‑1912), “Marie de Medici”, bronze, inscribed “M. Moreau, sculpt” and foundry “Ate. Lemaire” on self‑base, h. 40 in., w. 15 in., d. 13 in. $2500/3500 Provenance: Christie’s, NY, The Contents of Malabarra, South Harwich, Cape Cod, MA, Property Collected by the Late Dr. Davenport West, July 24, 1984, lot #518; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

95. French Patinated Bronze Figure of the “Venus de Milo”, late 19th c., after the Antique, inscribed “F. Barbedienne.

Foundeur” rear truncation with “A. Collas Réduction Méchanique” seal on base reverse, overall h. 33 1/2 in. $1200/2000 Provenance: “The Service Collection”, Estate of Grant A. Oakes, Warren, OH.

97. Marie Louise Snowden (American, b.

1952), “Allegory of Spring”, bronze, inscribed “M.L. Snowden, 1/95” with “Rodin Eberhard” circular foundry stamp on foot, h. 45 in., w. 31 in., d. 32 in., stepped black marble plinth, overall h. 52 in. $3000/5000

98. Monumental Louis XV‑Style Bronze Cartouche, crest of a basket of abundance supported by putti with large floral sprays h. 25 in., w. 123 in. $2500/3500

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99. Paul Dubois (French, 1829‑1905), “The Florentine Musician”, 1865, inscribed “P. Dubois.”, dated, “F. Barbedienne Fondeur” with stamp “REDUCTION MECHANIQUE, A. Collas, Breveté”, h. 30 1/2 in., w. 11 1/2 in., d. 8 in. $1200/1800

100. Régence‑Style Carved Giltwood Mirror, rocaille crest, foliate‑molded frame with acanthus scrolls and floral swags, divided arched mirror plate, h. 62 in., w. 37 1/2 in. $1200/1800 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS. 101. Pair of Antique Italian Carved Giltwood Girandole Mirrors, acanthus shell crests, shaped mirror plates, scrolled foliate candlesticks, h. 46 1/4 in., w. 19 3/4 in. $1500/2000

102. Large Louis XVI‑Style Giltwood Mirror, pierced rocaille and floral crest, divided mirror plate within a beaded and foliate surround, c‑scroll cartouche, h. 61 1/4 in., w. 41 1/2 in. $2000/3000

103. Pair of Bagues‑Style Rock Crystal and Tôle Three‑Light Sconces, 20th c., vase backplate, issuing tree branches and opposing birds, electrified, h. 32 in., w. 24 in., d. 13 1/2 in. $2500/3500

105. Mario Ameglio (French/Italian, 1897‑1970), “Rouen”, 1938, oil on canvas, signed, dated and titled lower left, 32 in. x 25 3/4 in., framed. $1000/1500

104. Pair of Italian Carved Giltwood Three‑Light Figural Sconces, 19th c., shield‑form backplate, central cherub support, drilled for electricity, h. 17 1/2 in., w. 19 in., d. 11 1/2 in. $1500/2000

Additional information at www.nealauction.com

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106. Raffaelo Romanelli (Italian / Florence, 1856‑1928), “La Sulamitide [The Shulamite]”, 1881, kneeling marble figure, inscribed “SU / LA / MI / TI / DE” across bangles on headdress; signed and dated at side of base, “R. Romanelli Firenze 1881”, h. 44 in. $40000/60000 Provenance: Possibly Manheim Antiques, New Orleans, 1957; Collection of Mrs. Dudley J. Hughes, Jackson, MS. Note: This wonderful statue represents “the Shulamite,” the heroine of The Song of Songs, “a semidramatic idyll written originally for some notable wedding” somewhat after 332 B.C., and also known in alternative titles as The Book of Canticles, or—somewhat misleadingly, in view of its Aramaic-influenced Hebrew of the Hellenistic period—as The Song of Solomon, one of the most poetical (and puzzling) books of the Old Testament. Initially interpreted as a religious allegory (usually of God’s love for faithful believers, or for the human soul), this short text has also been interpreted as a sort of sacred drama, usually—albeit implausibly—involving Solomon himself, his desired consort (as depicted in this captivating figure), and the shepherd who was construed to have been her first love. That dramatic interpretation, still retaining many aspects of an allegorical reading, was the basis for a popular religious play of the 18th c.—Giuseppe Maria Ercolani, Sulamitide, 1732— one of whose several editions may possibly have inspired this appealing characterization (though “Sulamitide” is the standard Italian word for “Shulamite,” the Hebrew term for the heroine as given in the text [ch. 6, verse 13]; so that Romanelli’s inspiration may have come from no more distant source than his own Bible).

The tenderly adoring attitude of this exceptional figure makes it truly one of the most memorable sculptures of its period. Many of the heroine’s attributes are taken directly from the text of Canticles: the inscribed “ornaments of gold [and] silver” on her head, the “strings of jewels [around her] neck” [1:10-11], and perhaps most notably the “cluster of henna blossoms” [1: 14] held in her hand (with another flower seen on the base).

Two millennia of inspired commentary about this princess—ostensibly the daughter of an Egyptian pharaoh—who traditionally eschewed the role of King Solomon’s consort in order to preserve her virtue, have made her (in the writings especially of St. Augustine) the paradigm of a saintly submissiveness, at once imploring the appreciation of her enchanting beauty, while at the same time remaining a chaste embodiment of God’s love. Romanelli’s inspired rendition of those lofty sentiments exemplifies one of the highest achievements of 19th-c. sculpture.

Ref.: 4th c. BC, The Song of Solomon (King James and especially Revised Standard versions); Ernest Sutherland Bates, The Bible designed to be read as living literature, New York ,1936, p. 771; Rev. Henry Wheeler Robinson and William Robertson Smith, “Canticles,” Encyclopedia Britannica, Cambridge, 1911, 29 vols., vol. 5, pp. 213-217 [with exhaustive review of the historical literature]; [G. M. Ercolani,] Sulamitide; boschereccia sagra di ‘Neralco’ pastore arcade, Roma / Bologna, 1732 [etc.], esp. “avvertimento al lettore,” pp. iii-iv.

108. Pair of Venetian Polychromed Bronze Blackamoor Torchères, opposing figures, quadripartite base, h. 59 1/2 in., w. 30 in., d. 20 in. $3000/5000

110. Italian Renaissance Carved Walnut Cabinet, late 17th/early 18th c., stepped dentilated top, ovolo frieze drawer, two doors with lobed paterae, shaped apron, stepped base, h. 34 1/2 in., w. 30 in., d. 14 in. $1000/2000

111. Antique Empire‑Style Mahogany and Gilt Fauteuil, scrolled crest, shaped arms terminating in dolphin heads, square tapered legs, h. 36 in., w. 23 1/2 in. $800/1200

107. Italian Polychrome Figure of an Angel, 18th/19th c., iron hanging brackets, h. 50 in., w. 29 in., d. 14 1/2 in. $2000/3000

109.

Régence‑Style Bronze Eight‑Light Chandelier, vasiform standard mounted with busts, pendant with paw feet, electrified, h. 32 in., dia. 33 in. $2500/3500

112. Diminutive Continental Baroque‑Style Parcel Ebonized Oak Cabinet, stepped cornice, four fielded panel doors, Corinthian columns, two upper and one base drawer, molded base, disc feet, h. 32 in., w. 26 1/2 in., d. 10 1/2 in. $700/1000 Provenance: Whitehall Antiques, Chapel Hill, NC.

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113. Vittorio Reggianini (Italian, 1858‑1939), “The Secret”, oil on canvas, signed lower right, 39 1/2 in. x 26 3/4 in., period frame. $80000/120000 Provenance: Collection of Colonel Bluford H.J. Balter (1884‑1971) and Alva S. Oteri Balter (1884‑1973), New Orleans; Vincent Mann Gallery, New Orleans, 1977; Collection of Mrs. Dudley J Hughes, Jackson, MS. Note: Born in Modena in 1858, Vittorio Reggianini trained in the local academy, the Accademia di Belle Arti, alongside Gaetano Bellei and Eugenio Zamphighi. In 1885, he moved to Florence and it was during this period that the artist established a reputation for himself on the international art market. At this time, the artist’s choice of subject matter and style dramatically shifted from the local historical realism that dominated his earliest work to the new Continental taste for more fanciful paintings that recreated the luxuriant lifestyles and opulent decor of the late 18th and early 19th century.

The artist’s masterworks were genre subjects, which depicted the life of elegant ladies and gentlemen of the late 18th century. He was a superb draughtsman and had a particular talent for painting the sumptuous fabrics and furniture of that period. Reggianini’s subject matter always suggests a story, usually of a romantic nature. In this particularly beautiful example of the artist’s work, a lady receives a love letter which she reads in secret with her sisters. He paints their hands and faces with delicate precision, and their satin gowns are exquisitely executed. The empire waist and décolletage of the women’s dresses and the curled hair, styled to resemble Grecian fashion, perfectly personify the styles worn during Napoleon’s Empire period from 1804‑1815.

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114. Baroque‑Style Inlaid, Gilt Metal‑Mounted, Ebonized and Faux Tortoiseshell Vargueño, outset architectonic door enclosing five drawers, four drawers to each side, disc feet, presented on a walnut and wrought iron trestle table, h. 55 in., w. 41 in., d. 21 in. $2500/4000

115. Fine Pair of Baroque‑Style Patinated and Gilt Bronze Pedestals, incurvate mahogany tops, addorsed putti on standards, h. 50 1/2 in. $7000/9000

116. Fine Pair of Venetian Rococo Painted and Parcel Gilt Console Tables, late 18th/early 19th c., shaped marble tops, conforming pierced rocaille aprons, c‑scrolled cabriole legs, h. 35 in., w. 45 in., d. 21 1/4 in. $8000/10000 117. Continental Rococo Carved Walnut Armchair, mid‑18th c., cartouche back, outswept arms, scrolled uprights, bombe scalloped apron, cabriole legs, h. 43 in., w. 24 1/2 in. $1200/1800

118. Set of Four “Jaune SainteBeaume” Faux Marbre Columns, h. 74 1/2 in., w. 12 1/2 in., d. 12 1/2 in. $2000/4000

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119.

Eugene‑Antoine Aizelin (French, 1821‑1902), “Bust of Diana”, 1870, bronze, inscribed “E. Aizelin” and dated with foundry “F. Barbedienne, founder” stamp, h. 22 in., with antique ebonized pedestal, overall h. 68 in. $1200/1800

120. Pair of Carved Sienna Marble Seated Lions, each with one paw resting atop a tablet, h. 9 1/4 in. $500/700

121. Fine Italian Patinated Bronze Figure of the “Pompeian Wrestler”, 1907, signed “Sab. De Angelis & Felis Naples” and dated on base, h. 17 1/2 in., l. 14 in., d. 7 1/4 in. $700/1000

122. Pair of Antique Baroque‑Style Giltwood Mirrors, shield‑shaped foliate frame, later mirror plate, h. 40 1/4 in., w. 28 1/2 in. $700/1000

123. Luigi Belli (Italian, 1848‑1919), “Cossack on Horseback”, 1918, bronze, inscribed “L. Belli” and date on rockwork base, foundry “Fumagalli fuse” underside, h. 23 in., w. 23 in., d. 7 in. $1200/1800

124. Charles Greil (French, 19th c.), “Le dépit amoureux”, two bronzes, each engraved signature on base, titled on plinths, h. 9 1/2 in., w. 5 1/2 in., d. 3 in. $800/1200

125. Fine Napoleon III Gilt and Patinated Bronze Allegorical Mantel Clock, c. 1870, the dial and Vincenti movement marked “Tiffany & Co.”, swan boat with Father Time piloted by Cupid, on sienna marble base, winged paw feet, h. 18 in. w. 21 in., d. 6 3/4 in. $5000/7000

Additional information at www.nealauction.com

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126. Italian Marble Bust of Augustus, after the Antique, h. 12 3/4 in., total h. 18 1/2 in. $600/800 127. After Bertel Thorvaldsen (Danish, 1768‑1844), “Hebe”, inscribed “Thorvaldsen invento Vincenzo Lini eseguí. Carrara. 1837”, marble sculpture, after the example conserved in the Thovaldsen Museum, Copenhagen, presented on modern wood plinth, h. 46 3/4 in., total h. 55 in. Note: Loss of hand. $700/1000

128. Romain de Tirtoff “Erté” (Russian/New York, 1892‑1990), “Jeune Demoiselle”, 1984, bronze, edition “169/350”, inscribed “Erté” on self‑base, “JM Fine Arts Acquisition ©1984” stamp on self‑base, h. 23 1/2 in. $2000/3000 Provenance: Dyansen Gallery, Beverly Hills, CA; Collection of Mrs. Dudley J Hughes, Jackson, MS.

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS. 131. Pair of Patinated Bronze and Rock Crystal Garnitures, 20th c., each base with addorsed putti, h. 12 3/4 in., dia. 4 3/4 in. $1000/1500

129. Mosaic of St. Basil’s Cathedral, probably Russian, 13 3/4 in. x 12 3/4 in., framed. $800/1200

130. Continental Gilt Bronze Figure of a Spreadwing Eagle, 20th c., on tall malachite base, h. 22 in., w. 12 in., d. 8 in. $800/1000 133. Pair of Spanish Renaissance‑Style Wrought Iron and Bronze Andirons, gadrooned finial, base mounted with birds and a griffin, h. 41 1/2 in., w. 15 in., d. 29 in. $800/1000

132. “Grand Tour” Pietra Dura Thermometer Obelisk, late 19th c., malachite surround, floral spray, stepped base, h. 18 1/2 in., w. 6 1/4 in., d. 5 in. $700/900

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134. Four French Copper Repoussé Plaques, 19th c., after paintings by Nicolaes Berchem (Dutch, 1620‑1683) and Carel van Falens (Flemish, 1683‑1733), in ebonized ripple‑molded frames, 17 in. x 21 1/2 in. $600/900 Provenance: Collection of Mrs. Dudley J Hughes, Jackson, MS.

135. Neoclassical‑Style Patinated Bronze Lidded Urn, late 19th c., reticulated scroll handles, with masks and floral garlands, h. 25 in., w. 14 in., d. 10 1/4 in. $800/1200 Provenance: MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

136. Antique French Table en Rognon, brass galleried top, vasiform trestle base, h. 29 3/4 in., w. 39 1/2 in., d. 21 in. $500/1000

137. Pair of Neoclassical‑Style Verde Antico and Parcel‑Gilt Caned Settees, rounded backs, scrolled arms, eagle‑carved uprights, paw feet, h. 33 in., w. 48 in. $2500/3500

139. Near Pair of Régence Carved Beech Fauteuils, mid‑18th c. and later, arched backs, scrolled arms, scalloped shell and foliate aprons, scrolled legs, shaped X‑form stretchers, h. 44 in., w. 26 3/4 in., and h. 44 1/4 in., w. 26 in. $2000/3000

138. Napoleon III Gilt Bronze‑Mounted Mahogany Center Table, probably late 19th c., shaped gris de St. Anne marble top, conforming frieze, scrolled stretcher with floral urn, cabriole legs, bronze sabots, h. 32 1/2 in., dia. 60 in. $12000/18000 Additional information at www.nealauction.com

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141. Neoclassical‑Style Wrought Iron Coffee Table, specimen marble top inset with various Italian ships, h. 15 1/2 in., w. 39 1/2 in., d. 19 3/4 in. $800/1200

140. Continental Neoclassical‑Style Gilt Bronze‑Mounted Inlaid Mahogany Vitrine, molded white marble top, diapered frieze, beveled glass doors, frieze drawer, square tapered legs, shaped stretcher, toupie feet, h. 58 1/4 in., w. 30 in., d. 19 in. $2000/3000

143. Antique Louis XV‑Style Painted and Parcel Gilt Center Table, shaped verde antico marble top, pierced rocaille frieze, cabochon carved cabriole legs, scrolled stretcher, h. 30 3/4 in., w. 45 1/2 in., d. 29 in. $1200/2000

142. Antique Italian Rococo‑Style Gilt Bronze‑Mounted Parquetry Bombé Commode, serpentine top, conforming case with two short over two long drawers, shaped apron, bronze sabots, h. 37 1/4 in., w. 46 1/4 in., d. 23 in. $1000/1500

144. Antique Louis XV‑Style Painted and Parcel‑Gilt Center Table, verde antico marble top, en suite with previous lot, h. 30 3/4 in., w. 45 1/2 in., d. 29 in. $1200/2000

145. Provincial Louis XV‑Style Mahogany Table à Écrire, tray top, inset gilt‑tooled leather writing surface, frieze drawer, scalloped apron, cabriole legs, h. 27 3/4 in., w. 28 in., d. 21 in. $700/1000 146. Pair of Louis XIV‑Style Carved Giltwood Chairs, arched crests, scrolled rosette arms, foliate square tapered legs, scrolled stretchers, h. 55 in., w. 32 1/4 in. $2500/3500

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147. Pair of Belle Époque‑Style Argenté Bronze, Rock Crystal and Amethyst Ten‑Light Chandeliers, bejeweled standard, electrified, h. 38 in., dia. 31 in. $7000/10000

148. Pair of French Rock Crystal Gilt Metal Mirrored Appliqués, early 20th c., scrolled mirrored back, centered by biscuit Chinese figure, base fitted for four small light bulbs, h. 20 in., w. 7 in., d. 5 in. $1500/2000

149. Four Italian Neoclassical‑Style Carved, Painted and Parcel Gilt Sconces, probably early 20th c., electrified, h. 28 1/2 in., w. 17 1/2 in., d. 11 in. $1200/1800

150. Neoclassical‑Style Carved Giltwood Mirror, eagle and floral crest, divided mirror within a molded frame, h. 53 in., w. 27 3/4 in. $1000/1500

151. Highly Decorative Chinese “Famille Jaune” Porcelain and Gilt Metal Side Table, circular top decorated with fish and plants, base with apocryphal Jiaqing mark, faux bamboo base, probably iron, h. 24 in., dia. 24 in. $1200/1800 Provenance: Ex‑Collection of Brooke Astor.

153. Chinese Celadon and Russet Jade Mandarin Duck Group, probably Ming Dynasty (1368‑1644) or earlier, carved as a pair with heads turned to face one another atop a lotus leaf with stems and buds rising up the bodies, base pierced, h. 1 3/4 in., w. 2 1/2 in. $1500/2500

152. Chinese Archaistic Celadon, Russet and Calcified Jade Qilin‑Form Brush Washer, probably Ming Dynasty (1368‑1644), open back forming the cup, body incised with lingzhi scales, h. 1 3/4 in., w. 3 3/8 in. $2000/3000

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA, acquired Oct. 1996.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA, acquired Oct. 1996.

Additional information at www.nealauction.com

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154. Chinese Pale Yellowish‑Celadon Jade Covered Tripod Censer, probably early 20th c., carved with lion’s mask loose ring handles and lion’s mask feet, cover surmounted by a Buddhist lion, pup and brocade ball, h. 6 in., w. 6 3/4 in., wood stand, overall h. 7 3/4 in. $3500/4500

155. Chinese Greenish‑White Jade Figure of a Bodhisattva/ Buddha, probably Qing Dynasty (1644‑1911), carved holding the vase of immortality seated on a lotus base wearing robes and a bead necklace, h. 5 1/2 in., wood stand, overall h. 6 5/8 in. $2000/4000 Provenance: According to Ashkenazie, Ex‑Vetleson Collection and Ex‑Weinberg Collection; Ashkenazie & Co., S.F., Jan. 1977; Estate of Stephen G. Henry, Jr., Baton Rouge, LA. Ill.: Ashkenazie & Co. Catalogue, 1977.

Provenance: Manheim Galleries, New Orleans, June 1976; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

156. Exceptional Chinese White Jade Figure of an Elephant, probably 17th/18th c., carved standing with its head turned towards its left front leg, its curled trunk terminating in a lighzhi head, its skin wrinkled along the neck and legs evoking water, h. 2 3/4 in., w. 3 1/4 in. $10000/20000

157. Chinese “Mutton Fat” Yellowish‑White and Russet Jade Ram and Boy Group, probably 17th c., carved as a young boy holding a lingzhi spray and grasping the horn of a recumbent ram, Ashkenazie label, h. 4 in., w. 4 3/4 in., lacquer stand, overall h. 4 3/8 in. $8000/12000

Provenance: Ashkenazie & Co., S.F., Feb. 1996; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Ashkenazie & Co., S.F., Apr. 1996; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

158. Fine Mssrs. Yamanaka & Co. Silver‑Mounted Chinese White Jade Covered Box, jade cover probably 18th c., jade lower box and silver before 1918, cover relief‑carved with figures on a terrace regarding a figure riding a phoenix above with two figures beneath a tree below, hinge stamped with Lebkuecher & Co., Newark, NJ (1896‑1918) hallmark and “Yamanaka Sterling 0464 1/33”, h. 1 3/4 in., w. 4 7/8 in., d. 4 1/2 in. $4000/6000 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA. Note: Yamanaka & Co. was founded by the preeminent Japanese dealer Yamanaka Sadajirô (1866‑1936). During the first decade of the twentieth century, several East Asian businessmen took advantage of the improved western relations with China and set up businesses in America and Europe. Dealers such as Tonying, C. T. Loo and Yamanaka all began to sell Chinese objects, including porcelain and jade, which were sourced in China from various Manchu princes and sold directly to collectors outside China. In addition to having offices in Japan and China, Yamanaka & Co., established branches in New York (1895), Boston (1899), London (1900), Paris (1905), and Chicago (1928).

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159. Chinese Dark Brownish‑Gray, Russet and White Jade Finger Citron, probably Qing Dynasty (1644‑1911), carved as undulating ‘fingers’ evoking a Buddha’s hand borne on a gnarled leafy branch, h. 5 1/8 in., wood stand, overall h. 5 5/8 in. $2000/3000 Provenance: Manheim Galleries, New Orleans, Jan. 1996; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

160. Chinese White Jade Figure of a Recumbent Buffalo, probably Qing Dynasty (1644‑1911), carved with its legs tucked neatly beneath its body, the head slightly raised with alert expression, Bernstein label, l. 3 1/4 in. $2000/3000

161. Fine Chinese Greyish‑White Jade Figural Buckle, probably 18th c., carved as a Buddhist lion with a pup on its back, reverse with two buttons, Chait label, h. 2 5/8 in., w.

3 1/4 in., custom acrylic stand. $2500/3500

Provenance: According to the label, S. Bernstein & Co., S.F.; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Ralph M. Chait Galleries, NY, June 1980; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

162. Chinese Pale Celadon and Russet Jade Figure of a Duck, probably Qing Dynasty (1644‑1911), carved borne on a frothing wave base carrying a lotus spray in its beak, h. 2 7/8 in., w. 4 1/4 in., wood stand, overall h. 3 7/8 in. $1200/1800

163. Chinese Greenish‑White Jade Figure of a Recumbent Qilin, probably Qing Dynasty (1644‑1911), carved with a stack of books atop cloud swirls on its back, h. 2 7/8 in., w. 3 7/8 in., hardwood stand, overall h. 4 1/8 in. $1200/1800

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

164. Chinese Grayish‑White Jade Covered Urn, probably Qing Dynasty (1644‑1911), carved with dragon’s mask loose ring handles, bands of geometric and lingzhi motifs, and upright petal lappets, h.

4 1/8 in. $800/1200

165. Chinese Mottled Green, White and Russet Jadeite Figure of a Qilin, probably 20th c., carved in a striding stance with its head turned toward its back side, h. 6 5/8 in., w. 5 3/4 in., mounted to a wood stand, overall h. 8 in., w. 6 1/2 in. $1000/1500

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Charles & Co., the Plaza, NY, June 1980; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

166. Chinese White Jade Inkstone, probably 19th c., with oval well beneath a four petalled floral depression, reverse with painted inventory numbers “45.29” and label: “L76.126.151 / WALKER FND.”, l. 4 1/4 in., w. 2 1/2 in. $600/800 Provenance: According to E. & J. Frankel, “Ex Walker Collection Minneapolis Museum of Art”; E & J Frankel, NY, Sept.

1989; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

167. Chinese White Jade Seal, probably Qing Dynasty (1644‑1911) or earlier, with curling loop handles and finial, carved “chop”, h. 1 in., w. 1 3/8 in., wood stand, overall h. 1 3/8 in. $200/400

168. Chinese Carved Marble Rectangular Box and Cover, probably Qing Dynasty (1644‑1911), bracket feet, divided interior, h. 4 in., w. 6 5/8 in., d. 4 3/4 in. $600/800

169. Pair of Chinese Hardstone Trees in Cloisonné Enamel Pots, probably 20th c., naturalistic fabric wrapped branches issuing colorful flowers, buds and leaves, approx. h. 14 1/2 in. $700/900

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA. Additional information at www.nealauction.com

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172. Four Chinese Porcelain Snuff Bottles, probably late 19th and 20th c., 3 of cylindrical form, h. 3 1/4 in. to 3 1/2 in., and 1 of moonflask‑form, h. 3 1/4 in. $200/400

170. Pair of Chinese Cloisonné Embellished Patinated Bronze Figures, probably 20th c., modeled as Buddha and Guanyin in enameled robes, h. 22 1/4 in. $600/800

171. Chinese White Jade Snuff Bottle, probably 19th c., carved with mask‑ring handles, h. 2 3/8 in. $500/700

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

174. Pair of Chinese Carved Lacquer Cabinets, probably 20th c., hinged doors and double drawer fronts, decorated with bird and flower panels, h. 48 1/4 in., w. 36 in., d. 18 in. $2000/3000

175. Chinese Famille Rose Porcelain‑Inset Four Panel Screen, probably 20th c., rectangular panels decorated with beauties mounted in fretwork frames, h. 64 in., w. 71 in. $1000/1500

176. Louis XVI White Marble and Gilt Bronze Portico Clock, late 18th c., signed Ridel, Paris, white marble and gilt bronze case with circular enamel dial surmounted by an urn finial, marble piers with bronze floral mounts and blue and white jasperware medallions representing “Meekness” and “Strength”, bronze pendulum with Sun King mask, rectangular base, cast bronze toupie feet, h. 17 in., w. 10 1/4 in., d. 3 1/2 in. $1200/1800

178. Chinese Famille Verte Porcelain Dish, probably 17th c., decorated with antiques and scholarly accoutrements, h. 1 1/2 in., dia. 9 1/8 in. $1500/2500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

179. Chinese Blue and White Porcelain “Phoenix” Dish, probably 17th c., interior decorated with a central splayed‑wing phoenix with alternating shou and cranes around the sides, exterior with foliate vines, dia. 5 5/8 in. $2500/3500 Provenance: Sotheby’s, NY, Mar. 20, 2012, lot 303.

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173. Two Chinese Glass Snuff Bottles, probably early 20th c., one imitating shadow agate, h. 2 1/2 in.; other imitating white jade, h. 2 1/4 in. $200/300

177. Set of Four Chinese Famille Rose Porcelain Wall Plaques, probably Republic Period (1911‑1949), painted with sages in garden settings, 30 1/8 in. x 8 in., framed alike, overall h. 32 3/4 in., w. 11 1/8 in., bronze hangers. $1500/2500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

180. Chinese White Glazed Molded Pottery Bowl, probably Song Dynasty (960‑1279), probably Dingyao, thinly potted conical body molded with panels of fish and water reeds, unglazed rim, base with incised character and label: “Dr. & Mrs. P. H. Plesch Collections”, h. 2 5/8 in., dia. 8 in., storage box. $5000/7000

181. Chinese Copper Red Glazed Porcelain Bottle Vase, probably 20th c., overall even glaze of crushed strawberry tone thinning to white at the mouth, base with Qianlong mark, h. 12 in. $2000/4000

182. Romain de Tirtoff “Erté” (Russian/New York, 1892‑1990), “Belle de Nuit”, 1987, bronze, edition “130/375”, inscribed “Erté” on self‑base, “JM Fine Art Acquisitions ©1987” stamp on self‑base, h. 17 1/2 in. $2000/3000 Provenance: Dyansen Gallery, Beverly Hills, CA; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

183. Antoine Bouraine (French, 20th c.) Marcel Bouraine (French, 20th c.), “Seal Figure with illuminated Onyx Ball”, 1931, inscribed “A. Bouraine” dated, foundry “La Telle” stamp on base, electrified, h. 24 3/4 in. $1200/1800

184. Le Pho (Vietnamese/French, 1907‑2001), “Composition”, oil on canvas, signed “Le Pho” and signed again in Chinese lower right, handwritten title and inscription “Wally F. [Findlay] Galleries, NY” with inventory numbers “30747” and “50 F”, “Wally F. Galleries, NY” label, string tag with title and inventory numbers and “Societe Henry & Fils, Paris” stamp en verso, 35 1/4 in. x 46 in., period gilt frame with brass artist plaque. $30000/50000 Additional information at www.nealauction.com

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185. Fine French Bronze Signal Cannon, 19th c., Gribeauval type, with very accurate and fine construction of the tube and carriage, tube cast with mark of shield and three swans, tube length 16 in., wheel dia. 15 1/2 in., total length 36 in. $6000/8000

186. Louis XV/XVI‑Style Gilt Bronze‑Mounted Parquetry Cabinet à Deux Corps, arched pediment, shaped grille doors, canted corners; lower case with molded top, two cabinet doors, bracket feet, h. 87 in., w. 72 in., d. 23 in. $6000/8000

187. Louis XIV‑Style Boulle Marquetry Bureau Mazarin, 19th c., overall inlay of arabesques, grotesques, and foliate rinceaux, central frieze drawer over recessed door, three drawers to each side, square tapered legs, shaped X‑form stretcher, toupie feet, h. 32 1/2 in., w. 55 1/4 in., d. 30 1/2 in. $15000/20000 Note: The overall design of this desk is based on the 17th century bureau named for Cardinal Mazarin, Regent of France from 1642 to 1661. The form was created

by Pierre Gole, an expatriate Dutch craftsman, and is the earliest predecessor of the pedestal desk. The bureau Mazarin is most often associated with AndreCharles Boulle, ébéniste du Roi, who developed a marquetry technique which involved cutting the veneer and inlay material, usually tortoiseshell and brass, together. Boulle’s technique lent itself well to foliate scrolling designs and grotesque scenes, often incorporating designs by Jean Berain.

A related desk sold at Sotheby’s New York in June 2008 as lot 93.

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188. Antique Baroque‑Style Japanned and Parcel Gilt Cabinet on Stand, stepped ovolo cornice, doors enclosing ten drawer interior, stand with frieze drawer, barleytwist legs, shaped X‑form stretcher, ball feet, h. 70 1/4 in., w. 43 1/2 in., d. 22 1/4 in. $4000/6000

189. Napoleon III Gilt Bronze‑Mounted, Ebonized and Parcel Gilt Table, 19th c., specimen marble top with inlaid birds and flowers, fluted supports, gilt-incised circular base, scrolled feet, h. 26 1/2 in., dia. 24 1/4 in. $2000/3000

190. Pair of Empire‑Style Parcel Gilt Fauteuils, scrolled crests, outswept arms, dolphin‑scaled uprights, stop‑fluted tapered legs, h. 35 3/4 in., w. 22 3/4 in. $1000/1500

191. Empire-Style Gilt Bronze‑Mounted Mahogany Low Table, early 19th c., stamped underneath, variegated green marble top, fluted legs, h. 17 1/2 in., dia. 39 1/2 in. $800/1200

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

192. Pair of Neoclassical‑Style Gilt Bronze Guéridons, each with inset Breccia marble top, guilloche frieze, paired supports, incurvate triangular base, disc feet, h. 27 1/4 in., dia. 20 1/2 in. $2500/3500

193. Antique French Neoclassical‑Style Parcel Gilt and Mahogany Five‑Panel Screen, beribboned and foliate crests, shaped floral embroidered silk panels, h. 63 in., w. 120 in. $1500/2500

Additional information at www.nealauction.com

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194. Pair of Continental Polychrome and Parcel Gilt Blackamoor Tabourets, early 20th c., circular malachite tops, stepped bases, h. 26 1/4 in., dia. 23 1/4 in. $4000/6000

195. Antique Louis XVI‑Style Carved Giltwood Fauteuil, lyre‑form splat, carved and padded tapered fluted legs, needlepoint upholstery, h. 34 1/2 in., w. 25 in. $700/900

197. Pair of Continental Gilt Bronze Footed Urns, 19th c., each baluster form with shell and rocaille decoration, foliate scroll feet, h. 4 1/2 in., dia. 4 1/8 in. $500/700

196. Art Deco‑Style Patinated Bronze Figure of a Seated Dancer, 20th c., after the model by Demetre Chiparus, on marble base, h.

16 1/2 in., w. 13 in., d. 10 1/4 in. $1000/1500

198. Pair of Carved, Painted and Parcel Gilt Jardinières, 20th c., marble veneer, reserves of courting couples, on bronze mounted dark gray marble pedestals, overall h. 62 in., w. 21 in., d. 18 in. $2500/3500

200. Art Deco Bronze “Palm” Twelve‑Light Chandelier, early 20th c., bowknot and tassel standard, tapered prisms, h. 36 in., dia. 26 in. $1200/1800

199. Continental Silver Repoussé Charger, probably German, late 19th/ early 20th c., elaborately decorated overall in high relief, 19 in. x 22 3/4 in., wt. 64.45 troy ozs. $800/1200

201. Baccarat‑Style Diamond Point Cut Crystal Box, 20th c., gilt metal mounts, h. 4 1/2 in., w. 5 1/4 in., d. 3 1/4 in. $200/400

Provenance: Francis Purcell, New Hope, PA via Margaret Phillips, Jackson, MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

204. Swiss Reuge “Dauphin” Gilt Brass and Glass Cylinder Music Box, Sainte‑Croix, Switzerland, playing three songs by Tchaikovsky, gilt dolphin feet, h. 2 1/2 in., w. 9 1/4 in., d. 5 3/4 in. $300/500 202. Pair of Baccarat‑Style Cut Glass Covered Urns, 20th c., diaper pattern, fluted neck and base, h. 27 in., dia. 10 in. $400/600

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Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

203. Suite of Eight Wrought Iron Side Chairs, each with faux crocodile leather seats, h. 47 1/4 in., w. 21 3/4 in. $1200/2000

205. Chinese School, probably mid‑20th c., “Rooster with Bamboo and Chrysanthemum”, fan painting, ink and color on paper, inscribed Jin Eshi in Shanghai at the age of seventy‑seven, dated autumn 1945, with two seals, w. 20 1/2 in., unmounted. $500/700

206. Chinese Blue, White and Biscuit Glazed Figural Group, probably 17th c., modeled as a horse and groom on a plinth, h. 5 3/8 in., w. 5 5/8 in.; together with a blue, white and biscuit glazed recumbent boy with moving tongue, l. 3 1/4 in. $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

208. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, probably 19th c., modeled seated in ‘royal ease’ with her left arm resting on a kui dragon while holding a scroll, reverse with pu zi yu ren “fisherman’s” seal, h. 9 1/8 in., fitted stand, overall h. 11 in. $2000/3000 Provenance: E & J Frankel, NY, June 1981; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

207. Chinese “Blanc de Chine” Porcelain Figure of a Luohan, probably 19th c., modeled seated wearing prayer beads and long robes, reverse with pu zi yu ren “fisherman’s” seal, h. 6 3/8 in. $2000/3000 Provenance: According to E & J Frankel, exhibited “The Colors of White”; E & J Frankel, NY, Mar. 1995; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

209. Exceptional Chinese White Glazed Porcelain Covered Cosmetic Box, probably early Ming Dynasty (1368‑1644), probably so‑called “Marco Polo” Dehua ware in imitation of Qingbai or Yingqing, exterior relief‑decorated with scrolling foliage, interior mounted with bowls and stemmed flowers, h. 2 in., dia. 4 3/4 in. $2500/3500 Provenance: E & J Frankel, NY, May 1994; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

210. Pair of Chinese Biscuit Glazed Famille Verte Porcelain Buddhist Lions, probably 17th c., modeled seated on pierced plinths with lotus bud taperstick holders on their backs, the female with a cub, h. 8 in. and 8 1/8 in., wood stands, overall h. 9 1/4 in. and 9 3/8 in. $1000/1500

211. Fine Chinese Molded Celadon Stoneware Dish, probably Ming Dynasty (1368‑1644) or earlier, probably Yaozhou, interior carved with a peony borne on scrolling foliage, exterior with radiating petal lappets, dia. 5 in. $800/1200 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

213. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, probably Kangxi Period (1662‑1722), modeled seated in ‘royal ease’ wearing voluminous robes and a bead necklace, h. 5 1/4 in., fitted wood stand, overall h. 6 3/8 in. $2000/3000 Provenance: Sotheby’s, L.A., Nov. 2, 1981, sale 323, lot 340; Estate of Stephen G. Henry, Jr., Baton Rouge, LA. 212. Near Pair of Chinese Doucai Porcelain Cups, probably Republic Period (1911‑1949), decorated with stylized foliate motifs and scrollwork, bases with Yongzheng marks, h. 1 3/4 in. and 1 7/8 in., dia. 4 in. and 4 1/4 in. $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Additional information at www.nealauction.com

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214. Chinese “Blanc de Chine” Porcelain Figural Group of Guanyin, probably Qing Dynasty (1644‑1911), intricately modeled holding a child in one arm and a ruyi scepter in the other, seated on a rockwork ledge beside an acolyte, reverse bearing He Chaochun double gourd mark and Xuande mark, h. 10 in. $2500/3500 Provenance: E & J Frankel, NY, Sept.

1986; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

216. Chinese “Blanc de Chine” Porcelain Libation Cup, probably 17th/18th c., molded and relief‑decorated with figures on one side and a qilin on the other, h. 3 3/4 in., w. 5 7/8 in., fitted wood stand, overall h. 4 3/4 in. $1000/1500 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

217. Pair of Chinese “Blanc de Chine” Buddhist Lion‑Form Joss Stick Holders, probably Kangxi Period (1662‑1722), modeled crouching on plinths grasping vases beside stick holders, h. 3 3/4 in. and 3 7/8 in., w. 2 1/4 in., d.

1 3/4 in. $1000/1500 Provenance: E & J Frankel, NY, Feb. 1994; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

218. Chinese “Blanc de Chine” Porcelain Bottle Vase, probably Kangxi Period (1662‑1722), with applied qilong dragon wrapped around neck, Frankel label, h. 9 5/8 in. $2000/3000 Provenance: E & J Frankel, NY, Sept. 1993; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

219. Chinese “Blanc de Chine” Porcelain “Crane and Lyre” Oval Wine Cup, probably mid‑17th c., incised with a crane on one side and with grass script on the other, h.

3 7/8 in., w. 5 1/2 in., d. 4 1/2 in. $1500/2500 Provenance: E & J Frankel, NY, Oct. 1985; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

220. Chinese “Blanc de Chine” Porcelain Tripod Censer, probably 17th/18th c., molded bands around the exterior, central register incised with alternating key‑fret and archaistic dragons, h. 2 3/4 in., dia. 4 1/4 in. $1000/1500 Provenance: E & J Frankel, NY, Mar. 1981; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

221. Chinese “Blanc de Chine” Porcelain Sleeve Vase, probably 18th c., with lion’s mask handles, incised and relief‑decorated with a bird on a rock outcropping beside bamboo and flowering prunus branches, reverse incised with foliage, h. 8 1/2 in. $2000/3000

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215. Chinese “Blanc de Chine” Porcelain Figure of “Adam”, probably c. 1700, modeled standing with a robe tied around his waist, Frankel label, h. 9 1/8 in. $1500/2500 Provenance: E & J Frankel, NY, July 1992; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

222. Chinese “Blanc de Chine” Porcelain Meiping Vase, probably 18th c., relief‑decorated with flowering prunus branches, Christie’s label, h. 6 7/8 in. $2000/3000 Provenance: Christie’s, NY, June 2, 1994, sale 7910, lot 337; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

223. Chinese “Blanc de Chine” Porcelain Tea Bowl or Cup, probably 17th/18th c., reticulated double‑walled body carved with foliage, fluted and petal‑molded foot, base with openwork cash symbol, h. 1 7/8 in., dia. 3 1/2 in. $800/1200

224. Chinese “Blanc de Chine” Porcelain Dish, probably 17th c., interior roundel with incised cranes amid clouds, h. 2 in., dia. 11 1/8 in. $1500/2500 Provenance: According to E & J Frankel, Ex‑Collection Carl Kempe, Sweden; E & J Frankel, NY, May 1983; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

225. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, probably Qing Dynasty (1644‑1911), modeled seated in ‘royal ease’ wearing loose robes holding a scroll in her hand, reverse bearing barely legible double gourd mark probably reading He Chaochun, h. 5 1/2 in. $1500/2500 Provenance: Fred B. Nadler, Bay Head, NJ, 1991; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

226. Chinese “Blanc de Chine” Porcelain Octagonal Cup, probably Kangxi Period (1662‑1722), tapering body on four bracket feet, h. 2 1/4 in., w. 3 3/4 in., d. 3 in. $500/700 Provenance: E & J Frankel, NY, Mar. 1981; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

227. Chinese “Blanc de Chine” Porcelain Covered Vermilion Ink Box, probably Kangxi Period (1662‑1722), cover incised with floral sprays, h. 1 in., w. 1 1/2 in., d. 1 1/2 in., wood stand, overall h. 1 3/8 in. $500/700

228. Chinese “Blanc de Chine” Porcelain Figure of a Male Court Dancer, probably Kangxi Period (1662‑1722), modeled standing beside a small recumbent dog, h. 3 7/8 in., fitted stand, overall h. 4 3/8 in. $800/1200 Provenance: E & J Frankel, NY, Sept. 1997; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: E & J Frankel, NY, Sept. 1997; Estate of Stephen G. Henry, Jr., Baton Rouge, LA. 230. Chinese “Blanc de Chine” Porcelain Figure of Pintoulo, probably 17th c., modeled seated on a rockwork base wearing voluminous open robes, h. 3 1/8 in. $800/1200 Provenance: E & J Frankel, NY, Sept. 1989; Estate of Stephen G. Henry, Jr., Baton Rouge, LA. 229. Chinese “Blanc de Chine” Porcelain Octagonal Cup, probably Kangxi Period (1662‑1722), anhua‑decorated with prunus and wild orchids, h. 2 1/4 in., w. 3 1/4 in. $600/800 Provenance: E & J Frankel, NY, Mar. 1983; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

231. Chinese White Glazed Porcelain Foliate Rim Dish, probably 17th c., probably Dehua ware in imitation of Dingyao, relief‑decorated with acanthus leaves and lotus, Frankel label, dia. 4 1/8 in. $600/800 Provenance: E & J Frankel, NY, Sept. 1992; Estate of Stephen G. Henry, Jr., Baton Rouge, LA. Additional information at www.nealauction.com

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232. Chinese “Blanc de Chine” Porcelain Figure of Budai, probably Qing Dynasty (1644‑1911), modeled with hands raised over head, h. 9 3/8 in. $800/1200

233. Chinese “Blanc de Chine” Porcelain Figure of Budai, probably Qing Dynasty (1644‑1911), modeled standing with a peach in one hand, h. 6 3/4 in. $800/1200

Provenance: Coleman E. Adler & Sons, New Orleans, Sept. 1981; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

234. Chinese “Blanc de Chine” Porcelain Figure of Zhenwu, probably 18th/19th c., modeled seated on a rockwork base above a tortoise and snake, face pierced for mustache and beard, h. 5 7/8 in. $800/1200 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

235. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, probably Qing Dynasty (1644‑1911), modeled standing on a dragon and wave base holding a scroll in her left hand, her right raised in abhaya mudra, h. 11 3/4 in. $800/1200 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

236. Chinese “Blanc de Chine” Porcelain Leaf‑Form Brushwasher, probably 17th c., shaped body borne on leafy stems, branch handle, h. 1 3/8 in., w. 3 7/8 in. $600/800

237. Chinese “Blanc de Chine” Porcelain Covered Betel Nut Box, probably 17th c., ingot‑form relief‑decorated with flowers and foliage, divided interior, h. 1 7/8 in., w. 4 in., d. 2 3/8 in. $600/800

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

238. Chinese White Glazed Porcelain Water Dropper/Pendant, probably Qing Dynasty (1644‑1911), probably Qingbai or Yingqing, modeled in the form of a cockerel, suspension loop, h. 2 1/4 in., w. 2 1/2 in. $400/600 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

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239. Chinese “Blanc de Chine” Porcelain Water Dropper, probably 17th c., modeled as a young boy grasping a large carp, h. 2 1/4 in., w. 2 1/2 in. $400/600

240. Chinese “Blanc de Chine” Porcelain Brush Washer, probably 17th/18th c., octagonal exterior relief‑decorated with leafy branches, “bamboo” handle, circular interior, Frankel label, h. 1 6/16 in., w. 3 in. $500/700

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: According to the label, E & J Frankel, NY; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

242. Chinese White Glazed Porcelain Square Dish, probably Qing Dynasty (1644‑1911), probably Qingbai or Yingqing, molded with central floral motif beneath a key fret band, h. 7/8 in., w. 3 1/8 in., d. 3 1/8 in. $400/600

241. Chinese “Blanc de Chine” Porcelain Figure of Tudi, probably 17th c., modeled seated on a throne with feet resting on a stool, his shoes in the form of ruyi heads, h. 6 1/2 in. $600/800 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

243. Chinese White Glazed Porcelain Incense Burner, probably Qing Dynasty (1644‑1911), probably Qingbai or Yingqing, rectangular receptacle with thin opening surmounted by a recumbent hound, Frankel label, h. 2 in., w. 2 1/4 in., d. 1 1/2 in. $400/600 Provenance: According to the label, E & J Frankel, NY; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

244. Chinese “Blanc de Chine” Porcelain Libation Cup, probably 17th c., relief decorated with a scholar on one side and a qilin on the other, h. 3 1/8 in., w. 4 3/4 in., acrylic stand, overall h. 5 3/8 in. $1000/1500 Provenance: E & J Frankel, NY, May 1994; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

245. Chinese “Blanc de Chine” Porcelain Covered Seal Paste Box, probably Ming Dynasty (1368‑1644), cover relief‑decorated with prunus sprays, h. 1 1/8 in., dia. 2 1/8 in. $300/500 Provenance: E & J Frankel, NY, Mar. 1982; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

246. Chinese Anhua Decorated Bluish‑White Glazed Porcelain Bowl, probably Qing Dynasty (1644‑1911), delicate body incised around interior walls with dragons contesting flaming pearls, well with “Da Song Xuan He” mark, h. 2 1/2 in., dia. 7 7/8 in. $300/500 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

247. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, probably 20th c., modeled standing with a scroll in her left hand, base impressed “H.K.C / 515”, h. 11 3/8 in. $200/400 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

248. Chinese Blue, White and Copper Red Decorated Molded Celadon Porcelain Baluster Vase, probably early 20th c., relief‑molded with Immortals on a slightly crackled pale green ground, h. 22 1/4 in. $200/400

249. Two Chinese “Hatcher Cargo” Blue and White Porcelain Tea Bowls, c. 1643, first decorated with waterscape and landscape roundels and pierced cash‑motif walls, h. 2 in., dia.

3 3/8 in.; second with flowers and butterflies, base with obscured reign mark, h. 1 7/8 in., dia. 3 1/2 in. $500/700 Provenance: According to the labels on each base, The Hatcher Collection, Christie’s, Amsterdam, June 1984; Estate of Stephen G. Henry, Jr., Baton Rouge, LA. 250. Pair of Chinese White Glazed Porcelain Covered Jars, probably 20th c., with bird finials, h. 11 1/4 in. $700/900 251. Chinese Famille Rose Porcelain Bottle Vase, probably 19th/20th c., decorated with iron red and gilt dragon roundels on a dense floral scroll ground, base with Qianlong mark, h. 5 3/8 in. $600/800 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. Additional information at www.nealauction.com

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252. Chinese Blue and White Porcelain Dish, probably Qing Dynasty (1644‑1911), bowl‑form body decorated with central phoenix, bamboo, and peony roundel, cavetto with flowers and bamboo, h. 3 1/4 in., dia. 14 1/2 in. $600/800

253. Chinese Famille Rose Porcelain Charger, probably 19th/early 20th c., decorated with a noble on horseback in a garden with rocks, palms and other shrubs with attendants and courtiers, base with Yongzheng mark, h. 3 1/8 in., dia. 15 1/2 in. $800/1200 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

255. Two Chinese Famille Rose Porcelain Desk Accessories, probably 18th/19th c., incl. scroll‑form brush rest decorated with figures in a landscape, l. 3 1/8 in., w. 2 5/8 in.; and a rectangular weight with a figure and crane, w. 2 in., d. 1 1/2 in. $300/500 254. Chinese Tri‑Glazed Figure of a Monk, probably 17th c., modeled seated on a plinth holding a book, h. 4 3/4 in., w. 2 1/4 in. $300/500

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

256. Antique Chinese Ivory Inlaid Hardwood Box, probably 19th c., hinged cover inlaid with characters and fruiting grape vines, sides with fruiting vines, push button butterfly hasp, h. 2 1/4 in., l. 12 in., w. 6 1/2 in. $800/1200 Provenance: iGavel, June 17, 2010.

257. Two Antique Chinese Wood Figures, each carved seated on a chair wearing a hat and voluminous robes, one with trace gilt and pigment, h. 5 7/8 in. and 6 in., custom acrylic bases, overall h. 9 in. $600/800 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 258. Chinese Silver Mesh Purse, c. 1916, square with tassels, bound to a chain handle with ring, three attached medallions: “Cheefoo / 1916 / ladies’ single / sculls / Mrs. Combe”, “kang”, and “ning”, hallmarked “CS” probably for Cheong Shing (Shangai, c. 1915‑1940), h. 17 in., w. 6 1/2 in. $500/700 Provenance: Freeman’s, Mar. 17, 2012, lot 435.

259. Chinese Silvered Metal Hand Warmer, probably 19th c., probably Paktong, incised around the sides with pagodas and trees in a mountainous setting, base inscribed, h. 5 3/8 in., w. 6 3/8 in., d. 4 7/8 in. $200/400 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

261. Monumental Chinese Cloisonné Enamel Charger, probably 20th c., decorated with dragons chasing the flaming pearl, h. 3 in., dia. 25 1/8 in. $800/1200

262. Pair of Chinese Blue and White Porcelain Gu Form Beaker Vases, probably 20th c., decorated with landscape scenes and wind‑blown bamboo, bases with Kangxi marks, h. 10 1/8 in. $300/500

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260. Chinese Famille Rose Porcelain Wall Plaque, probably early 20th c., decorated with figures on a bridge in a waterscape setting with dwellings and boats, sight 9 3/4 in. x 14 3/4 in., framed. $600/900

263. Chinese Famille Verte “Hundred Boys” Bottle Vase, probably 20th c., decorated with young boys at play, base with Qianlong mark, h. 13 1/2 in. $500/700

264. Chinese Bronze Figure of a Monk, probably 18th c., cast standing on a waisted base holding his hands together in prayer before his chest, h. 7 1/2 in. $1000/1200

266. Large Chinese Painted Pottery Figure of a Court Lady, probably Han Dynasty (206 BCE‑220 AD), h. 17 1/4 in. $2000/3000

265. Chinese Famille Verte Porcelain Bowl, probably 19th c., decorated with bird‑and‑flower panels on a green ground strewn with flower sprays, h. 3 1/4 in., dia. 8 1/2 in. $1800/2500

267. Chinese Famille Verte Porcelain Vase, probably late 19th/early 20th c., with Buddhist lion mask ring handles, decorated with alternating figural and bird‑and‑flower panels, h. 8 1/2 in. $500/700

Provenance: Acquired c.

1980s.

268. 18 kt. White and Yellow Gold, Diamond and Ruby Strawberry Brooch, set with eighty irregular round ruby cabochons, dia. 2.3 mm. to 4.4 mm., total wt. approx.

12.75 cts., approx. 143 round brilliant‑cut, single‑cut and round brilliant diamonds, total wt. approx.

4.00 cts., l. 2 1/8 in. $1500/2500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

269. 18 kt. Yellow Gold, Diamond, Ruby and Emerald Cockatoo Brooch, set with twenty‑two oval faceted rubies, total wt. approx. 5.50 cts., approx. forty round brilliant‑cut pavé set diamonds, total wt. approx. 2.00 cts., and a faceted emerald, approx. .03 cts., l. 3 1/2 in. $1000/1500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

270. 18 kt. Yellow Gold and Diamond Starburst Brooch, set with thirty‑nine round brilliant‑cut diamonds, total wt. approx. 3.70 cts., h. 1 7/8 in. $1500/2500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Additional information at www.nealauction.com

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271. 18 kt. Yellow Gold, Diamond, Peridot, and Orange and Yellow Sapphire Owl Brooch, set with 113 round brilliant‑cut diamonds, total wt. approx. 2.65 cts., two round faceted yellow sapphires, approx. total wt. approx. 0.70 cts., eleven round faceted orange sapphires, total wt. approx. .50 cts., thirteen oval faceted peridots, total wt. approx. 3.30 cts., h. 2 1/2 in. $800/1200 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 272. Judith Leiber Crystal Bead Encrusted “Faberge Egg” Minaudière, c. 1970, raised silver bow details, metallic silver leather interior, inscribed “Judith Leiber”, chain strap, chain l. 29 in., bag h. 4 in., w. 5 1/2 in., d. 3 1/2 in., Leiber box and dust cover. $1200/1800 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. Note: A similar example with gold bows and black crystal beading is conserved by the Costume Institute, MET, acc. #1982.527.5a‑d.

273. Judith Leiber Crystal Bead Embellished “Smoke” Acrylic Evening Bag, c. 1973, gold‑tone frame, hand and flower form closure, drop‑in metal chain with tag stamped “Judith Leiber”, chain l. 30 in., bag h. 5 in., w. 6 1/4 in., d. 2 1/4 in., Leiber box and dust cover. $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. Note: A similar example without the crystal beading is conserved by the Costume Institute, MET, acc. #1978.38.3.

274. Pair of Schlumberger 18 kt. Yellow Gold and Coral Earclips, each oval cabochon surrounded by thorny rose stems. $5000/7000

275. Pair of 18 kt. Yellow Gold, Coral and Diamond Floriform Earrings, with coral petals and diamond cluster centers, total diamond wt. approx. .50 cts. $5000/7000

277. Judith Leiber Crystal Bead Encrusted “Lemon Slice” Minaudière, c. 1991, cabochon gem clasp, metallic gold leather interior with “Judith Leiber” placard, drop‑in chain, signed mirror, chain l. 40 in., bag h. 3 in., w. 6 in., d. 2 1/8 in. $800/1200

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276. Judith Leiber Crystal Bead Encrusted “Half‑Shell” Minaudière, c. 1981, gold‑tone hardware, metallic gold leather interior with “Judith Leiber” placard, detachable toggle‑chain strap, chain l. 29 in., bag h. 3 3/4 in., w. 6 3/4 in., d. 3 1/2 in., Leiber box. $800/1200

278. Good Group of Crystal Objects, incl. Baccarat elephant, marked, h. 6 3/8 in., w. 6 3/4 in.; Baccarat octagonal weight, signed, h. 3 in., w. 3 1/4 in., d. 1 1/2 in.; and bowl, probably Steuben, unmarked, h. 3 3/8 in., w. 5 7/8 in., d. 5 7/8 in., (3 pcs.) $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

279. Contemporary Art Glass Sculpture by Bertil Vallien (Swedish, b. 1983), for Kosta Boda, pyramid‑form, signed, h. 4 7/8 in., w. 4 1/2 in.; together with an art glass sculpture, possibly Murano, l. 8 3/4 in., mounted on an oval plinth, overall h. 7 1/2 in., (2 pcs.) $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

280. Léo Laporte-Blairsy (French, 1865‑1923), “Allegory of Drama”, bronze, cast signature “Leo”, Golin foundry mark, h. 9 1/4 in. $400/600 281. Dale Chihuly (American, b. 1941), “Yellow Two‑Tiered Piccolo Venetian”, 1996, blown glass, signed and dated, h. 13 1/2 in., dia. 10 in.

Note: One leg restored. $1000/1500

282. Collection of Twenty‑One Semi‑Precious and Hardstone Eggs, h. 2 5/8 in., acrylic stands, overall h. 3 1/4 in. $1200/1800

283. Collection of Twenty‑One Semi‑Precious and Hardstone Eggs, h. 2 5/8 in., acrylic stands, overall h. 3 1/4 in. $1200/1800

284. Collection of Twenty‑One Semi‑Precious and Hardstone Eggs, h. 2 5/8 in., acrylic stands, overall h. 3 1/4 in. $1200/1800

285. Contemporary American Art Glass Vase and Bowl, vase by Chaffe McIlhenny, North Carolina, signed and dated 1992, h. 13 1/4 in., w. 8 3/4 in.; bowl by Mark Rosenbaum, New Orleans, signed, numbered 071, and dated 1983, h. 8 1/8 in., w. 12 3/4 in. $300/500

286. French Gilt Metal‑Mounted Cut Crystal Box, 20th c., domical top, diaper pattern, h. 7 in., w. 7 in., d. 4 1/2 in. $200/400

287. Jean Cappadona Nichols (American/Florida, 1941‑2011), “Leaning toward Nonfunctional: What’s a Nice Girl Like You Series”, 1997, glazed ceramic, signed and dated on reverse, h. 37 1/4 in., w. 20 in., d. 17 in. $700/1000

Additional information at www.nealauction.com

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288. Lucite Torso of a Nude Female, h. 29 in., w. 14 1/2 in., d. 7 3/4 in., black acrylic stand, overall h. 36 in. $1200/2000

290. Group of Thirty‑Two Carved Emerald Beads, possibly Indian, dia. 9.5 mm. to 18.7 mm.; together with 14 cultured pearls, dia. 7 mm. to 7.5 mm. $500/700

291. Continental School, 19th/ 20th c., “Gothic Cathedral”, watercolor enhanced lithograph, unsigned, 19 3/4 in. x 14 3/8 in., period frame. $600/900

294. Six Silver Boxes, most Continental, incl. German example chased with troubadours, 1933 presentation inscription; Russian niello cigarette box, assayed 1893, Lev Oleks, Moscow, 84 zolotnik; 2d niello cigarette box, probably Ottoman; chased example with lovers and sheep; flat‑chased example with scrollwork; and clover filigree example; sizes from h. 1/2 in., l. 2 7/8 in., w. 2 1/8 in. to h. 7/8 in., l. 5 1/4 in., w. 3 in. $200/400

295. Pair of Italian Silk Velvet Pillows, h. 23 in., w. 23 in., d. 8 in. $400/600

289. Giovanni Antonio Raggi (Italian, late 19th c.), “Harem Scene”, watercolor on paper, signed lower left, 21 1/4 in. x 14 1/4 in., framed. $1500/2500

292. Chinese Export Teh Ling Silver Overlay Clear Glass “Pinch” Bottle, probably c. 1920s, overlaid with dragons pursuing flaming pearls amid cloud scrolls, glass marked “Wu Hua Lou Oi On”, silver hallmarked “Teh Ling” and 935, h. 9 in. $800/1200

Provenance: Villa Melrose.

296. French Patinated Bronze and Marble Figural Lamp, 20th c., mounted with putti, h. to (top of harp) 21 1/2 in., w. 5 in., d. 5 in. $300/500

293. Good Group of Four Silver Picture Frames, all 20th c., incl. small English sterling silver example by Carr’s of Sheffield, 3 1/4 in. x 2 1/8 in.; Irish sterling silver example by Celtic Frames Ltd., Dublin, 9 3/4 in. x 7 1/4 in.; filigree example with heart‑shaped aperture, mark rubbed, 13 1/2 in. x 7 1/8 in.; and a sterling silver strapwork example, 14 in. x 10 in., missing backing. $300/400

297. Judith Leiber Crystal Bead Monogrammed Brushed Metal Evening Bag, gold rope tassel, metallic gold leather interior with “Judith Leiber” placard, h. 4 1/4 in., w. 6 in., d. 1 3/4 in, Leiber box and dust cover. $200/300 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

299.

Edwardian‑Style 18 kt. White Gold, Yellow Gold and Diamond Necklace, set with 7 full‑cut diamonds in bezel settings, wt. approx. 1.3 cts., l. 17 in. $1500/2500 298. Judith Leiber Karung Snakeskin Handbag, with side clasp, interior with gold‑tone trimmed pockets and “Judith Leiber” placard, leather strap, strap l. 40 in., bag h. 8 in., w. 7 in., d. 4 in. $150/250 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

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300. Robert Lee Morris “Tribal” Brass, White Metal and Leather Necklace, with 14 kt. white and rose gold disks set with pavé single cut diamonds, l. 14 in. $800/1200

301. Pair of French 18 kt. Yellow Gold and Lapis Lazuli Cufflinks, indistinctly signed, probably “LB”, l. 3/4 in. $400/600

302. Pair of 14 kt.

Yellow Gold and Cabochon Garnet Serpent Motif Cufflinks, l. 5/8 in. $300/500

303. Continental Gilt Bronze, Brass and Crystal Four‑Arm Chandelier, c. 1840, French or English, foliate standard and arms, h. 25 in., dia. 19 in. $1000/1500 Provenance: Didier, Inc., New Orleans, Nov. 12, 2003.

304. Persian Kashan Carpet, cream ground, overall floral designs, 14 ft. 10 in. x 9 ft. 8 1/2 in. $4000/6000

306. Louis XV‑Style Carved Walnut and Silverplate Carving Trolley, revolving domed cover with egg‑and‑dart border and turned handle, interior with removable platter, C‑scroll legs, casters, h. 42 1/2 in., dia. 25 5/8 in. $2000/3000

305. Persian Sultanabad Carpet, sand and brown ground, overall vining floral design, 17 ft. x 9 ft. 8 1/2 in. $5000/7000

307. Decorative Venetian‑Style Etched Glass Mirror, arched crest, segmented surround with applied rosettes, h. 41 1/2 in., w. 23 3/4 in. $400/600 308. Pair of Neoclassical‑Style Gilt Bronze and Enamel Mirrors, scrolled reticulated crest, urn finials, blocked rosette corners, pierced latticework surround, beveled mirror plate, h. 47 1/2 in., w. 27 1/4 in. $1500/2500 Additional information at www.nealauction.com

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309. Edwardian Inlaid Satinwood Desk on Stand, with plaque “S. Dawes and Sons, Antique Dealers, Chelsea”, crossbanded top, fall‑front lid, fitted interior, graduated drawers, stand with square tapered legs and spade feet, h. 42 1/2 in., w. 31 in., d. 18 1/2 in. $200/400

310. Regency‑Style Painted and Parcel Gilt Curule Window Bench, lion’s head uprights, caned seat, brass ferrules, h. 28 in., w. 52 1/2 in. $300/500

312. Regency Rosewood Tea Caddy, early 19th c., top with monogrammed brass plaque, fitted interior with two tea boxes and glass mixing bowl, top lined with gilt‑tooled leather, h. 6 1/2 in., w. 13 in., d. 6 1/2 in. $300/500

311. Pair of Louis Philippe Gilt Bronze‑Mounted Mahogany Gondola Chairs, mid‑19th c., arched backs, scrolled uprights, scrolled legs, h. 32 1/2 in., w. 22 in. $400/600

313. Group of Four Tortoiseshell Boxes, 19th c., incl. one inset with watercolor portrait medallion, w. 2 in. to 3 1/4 in.; together with two lac burgaute boxes, w. 2 in. to 2 5/8 in., (6 pcs.) $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

314. Three Antique Mother‑of‑Pearl Calling Card Cases, late 19th c., one with lozenge inlay, two with engraved decoration, approx. l. 4 1/8 in. $300/500

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 316. Loree Rodkin 18 kt. White Gold Circular Link Necklace, thirty‑seven links set with approx. 1.70 cts. of white diamonds, l. 16 in. $6000/8000

315. Pair of Italian .800 Silver Three‑Light Candelabra, c. 1969‑1970, by Lo Meo Antonino of Palermo, h. 14 3/4 in. $700/900

317. Italian 18 kt.

Yellow Gold, Enamel and Gemstone Dolphin Bangle Bracelet, the two crossover dolphin heads decorated with turquoise and ruby cabochons and round‑cut diamonds on blue enamel ground. $7000/10000

318. Pair of 18 kt. Yellow Gold and Sandalwood Earrings by Trianon, each carved flower set with coral cabochons, signed. $1500/2500

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319. Buccellati 18 kt. Yellow and White Gold and Tourmaline Ring, with oval cabochon tourmaline and diamond mounted shank, total diamond wt. approx. .50 cts., size 5 1/2. $6000/8000

320. Pair of 18 kt. Yellow Gold, Wood and Citrine Earrings, contrasting color “braided” wood circles bezel‑set with citrines, dia. 1 in. $1500/2500

321. 18 kt. Yellow Gold, Ruby and Diamond Etruscan Motif Seven Link Bracelet, tapered rectangular links set with approx. 12.50 cts. of cabochon rubies and approx. 1.50 cts. of round diamonds, l. 7 1/4 in. $6000/8000

322. 18 kt. White Gold, Platinum, Emerald and Diamond Ring, cushion‑cut emerald flanked by emerald‑cut diamonds, total emerald wt. approx. 4.40 cts., total diamond wt. approx. .85 cts., size 6 1/2. $18000/25000

323. Cartier Roadster Chronograph XL 18 kt. Gold Automatic Men’s Watch, case marked “52993CE/750/2519”, Tachymeter dial, sapphire crystal, Cartier 18 kt. gold buckle clasp and two Cartier watchbands. $5000/7000

324. Hammerman Brothers 18 kt. Yellow Gold, Turquoise and Diamond Necklace, set with eighteen shaped cabochons of Persian turquoise in gold mounts separated by pavé set diamond triangles, total diamond wt. approx. 16.30 cts., l. 14 3/4 in. $60000/70000 Additional information at www.nealauction.com

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325. Platinum, Emerald and Diamond Straight Line Bracelet, with rectangular step‑cut emeralds and round brilliant‑cut diamonds, total emerald wt. approx. 14 cts., total diamond wt. approx. 3.4 cts., l. 7 in. $25000/35000

326. 18 kt. White Gold and Diamond Bangle Bracelet, set with emerald‑cut and round‑cut diamonds, total diamond wt. approx. 11.90 cts., dia. 7 1/4 in. $18000/25000

327. French Retro 18 kt. Yellow Gold Necklace and Earclip Set, woven gold bib necklace with two knot and tassel appliqués, matching earrings, necklace l. 16 in., earrings l. 1 3/4 in., wt. 76 dwt. $12000/18000

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328. 18 kt. White Gold, Pearl and Diamond Dome Ring, 17.5 mm. South Seas white pearl surrounded by two rows of diamonds, together with an interchangeable 17.6 mm Tahitian black pearl, total diamond wt. approx. 2.0 cts., size 6 3/4 in. $10000/15000

329. Pair of 18 kt. White Gold and Diamond Earrings, set with baguette‑cut diamonds, total diamond wt. approx. 6.30 cts., l. 3/4 in. $8500/12000

330. Platinum, Pearl and Diamond Ballerina‑Style Ring, 14.2 mm.

South Seas pearl surrounded by approx. 1.30 cts. of tapered baguette and round‑cut diamonds. $4000/6000

331. 18 kt. White Gold and Diamond Eternity Ring, set with twenty emerald‑cut diamonds, total diamond wt. approx. 6 cts., size 6 1/2. $12000/18000

332. Italian 18 kt. Yellow and White Gold Textured Anchor Link Bracelet, each link with white gold center and yellow gold outer band, l. 7 3/4 in., wt. 33.5 dwt. $5000/7000

333. Suite of 18 kt. Yellow Gold and Tahitian Pearl Jewelry, incl. a ring, size 5, pendant drop, and pair of drop earrings, all with yellow gold flower mounts. $4000/6000

334. Platinum, Coral and Diamond Sautoir, composed of three link chains with coral beads suspending a diamond set cap with coral bead tassels, total diamond wt. approx.

1.90 cts., necklace l. 27 in. $10000/15000

335. American Bronze Garden Sculpture of the Virgin Mary, h. 31 1/4 in. $600/900

336. Antique Louis XVI‑Style Gilt Bronze and White Marble Mantel Clock, late 19th c., enameled dial signed “Bisson a Paris”, case mounted with figures of Aphrodite and Cherubs, h. 12 1/2 in., w. 10 1/2 in., d. 4 3/4 in. $400/600

Additional information at www.nealauction.com

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337. French Tôle Peinte Wall Clock, c.

1840, octagonal ogee surround with painted and parcel gilt avian and foliate scroll decoration, enameled dial with Roman numerals, h. 16 in., w. 13 1/2 in., d. 4 1/4 in. $300/500

339. Pair of Paris Porcelain Cornucopia Vases, mid‑19th c., marked “MA”, possibly Margaine, apple green reserves with polychrome floral and gilt decoration, scrolled plinth bases, h. 10 3/8 in. Note: Some surface restoration. $500/800

338. Antique Neoclassical‑Style Gilt Bronze‑Mounted Rosewood Mirror, beribboned floral crest, shaped mirror plate, reeded, foliate, and beaded frame, h. 78 1/2 in., w. 43 in. $1200/1800 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

340. Three Paris Porcelain Gilt Corbeilles, mid‑19th c., incl. pair with peach accents, h. 7 5/8 in.; and similar example, h. 7 3/4 in. $500/700 Provenance: Historic “Sally Mill”, Middleburg, VA.

341. KPM Porcelain Platter, 19th c., marked, pierced handles, rose and gilt rim, well with floral spray, h. 2 5/8 in., w. 19 1/4 in., d. 12 7/8 in. $200/300

Provenance: Historic “Sally Mill”, Middleburg, VA. 342. English Carved and Burl Walnut Canterbury, late 19th c., reticulated gallery, inlaid top, turned supports, reticulated dividers, base drawer, toupie feet, casters. $800/1200

343. Continental Tapestry of a Fishing Party, 19th c., French or Belgian, fishing couple across the stream from their chaperone, 51 in. x 57 in. $1200/1800 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

344. Continental Tapestry of a Minstrel with Bagpipe, 19th c., French or Belgian, sewn to a board, 46 in. x 65 in. $1000/1500 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

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345. [Fine Bindings], Gardiner, Samuel Rawson. Oliver Cromwell, London, Goupil & Co., 1899, folio (13 in. x 10 in.), 2 volumes, extended from one; with 108 extra illustrations, #1049 of 1575 copies on fine paper, with elaborate inlaid floral boards and spine, leather and silk moiré doublure. $500/700

346. Thomas Bewick (English, 1753‑1828), The Fables of Aesop. and others, with Designs on Wood by Thomas Bewick, Newcastle, for T. Bewick and Son,

1818, octavo, full calf and vellum, with 374 woodcuts. $300/500

347. [Fine Bindings], Anderson, Rasmus B., ed. Norroena: Anglo‑Saxon Classics, London, Norroena Society, 1906, 15 volumes, Vinland Edition, this being marked with a star out of 100, full gilt leather, gilt Viking ship on boards and spine, full leather doublures. $300/500

348. [Color‑Plate Book], Jacob, William. Travels in the South of Spain, in Letters Written A.D. 1809 and 1810, London, J. Johnson and Co., 1811, quarto, full calf, fold‑out map of Cadiz, 11 hand‑colored aquatints (one fold‑out), 1 engraving. $400/600

351. [Female Impersonators], Bulliet, C.J. Venus Castina, Famous Female Impersonators Celestial and Human, New York, Covici, Friede, 1928, signed by the illustrator, Alexander King, on the frontispiece, three‑quarter leather, with gilt and inlaid spine. $400/600

352. [General Montgomery Signed Book], Montgomery, General Sir Bernard/ Introduction. Poems from the Desert, Verses by Members of the Eighth Army, London, George G. Harrap, 1944, navy morocco spine, leather onlay of the insignia of the Eighth Army, frontispiece signed by artist Stephen Gooden, limitation page (23 of 110) signed by Montgomery. $300/500

349. [Fine Binding/Color‑Plate Book], Whitefield, Edwin. Homes of Our Forefathers in Boston, Old England and Boston, New England, Boston, E. Whitefield, 1889, quarto, full gilt morocco, elaborate doublures, silk moiré free endpapers, with 64 chromolithographs and 1 heliochrome of buildings and homes. $400/600

350. Tristram, W. Outram. Coaching Days and Coaching Ways, London, Macmillan and Co., 1888, octavo, three‑quarter leather binding with pictorial spine by Bayntun, with numerous illustrations by Herbert Railton and Hugh Thomson. $300/500

Provenance: Philip Duschnes Rare Books, New York.

Additional information at www.nealauction.com

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Session Two Saturday, May 7, 10 am 4038 Magazine

353. Royal Crown Derby “Olde Avesbury” Porcelain Dinner Service, 20th c., incl.

12 dinner plates, dia. 10 1/2 in.; 12 dessert plates, dia. 8 3/4 in.; 12 bread and butter plates, dia. 6 1/4 in.; 11 coffee cups with 12 saucers, dia. 5 7/8 in.; 9 demitasse cups with 12 saucers, dia. 4 5/8 in.; 1 coffee pot, h. 9 in.; 1 tea pot, h. 7 in.; 1 lidded sugar bowl; and 1 creamer, (84 pcs.) $800/1200 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

356. Group of Four Wedgwood Black Basalt Tablewares, early 20th c., impressed Wedgwood, incl. inverted rim center bowl, h. 3 1/8 in., dia. 14 in.; relief‑molded bowl, impressed “18”, h. 2 7/8 in., dia. 6 1/8 in.; and 2 relief‑molded cups, smaller impressed “Made in England”, h. 2 in. and 2 7/8 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

354. Eight Black Basalt Oval Portrait Plaques, probably 19th/early 20th c., one (viewed) impressed Wedgwood, one identified “Perseus Poet”, h. 1 in. to 6 in., w. 3/4 in. to 4 3/4 in., six framed together, two framed separately. $200/400

355. Group of Four Wedgwood Black Basalt Tablewares, early 20th c., impressed Wedgwood, incl. pair of relief‑molded vases, impressed “10”, h. 9 5/8 in.; relief‑molded candlestick, impressed “W”, h. 4 3/8 in.; and urn, h. 4 3/8 in.; together with a jug, sans serif mark, h. 5 in.; a teapot (lacking lid), unmarked, h. 5 1/8 in.; a figural candlestick, unmarked, h. 10 in., and a relief‑molded vase, sans serif mark, h. 7 1/4 in., (8 pcs.) $400/600

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 358. Pair of Chinese Export Mandarin Palette Porcelain Faceted Baluster Vases, 18th c., decorated with butterflies, floral sprays and flower vases, h. 11 1/2 in. $1000/1500

357. Wedgwood Basalt Chess Set, 16 pieces in fitted wood case with chess board top, king h. 5 3/4 in.; board w. 19 3/4 in., d. 19 3/4 in. $600/900

359. Chinese Export Famille Verte Porcelain Platter, early 18th c., oval well decorated with an exotic garden scene, gadrooned octagonal rim with floral cartouches and iron red and gilt petal lappets, h. 1 1/2 in., w. 14 in., d. 9 7/8 in. $1000/1500

360. Antique Birdseye Maple and Penwork Jewelry Box, 19th c., probably English, with pastoral scenes, fitted interior retains old paper lining, h. 3 1/2 in., w. 10 in., d. 6 7/8 in. $200/400

361. Pair of Regency Lead Jardinières, molded rim, ring handles, h. 20 1/4 in., w. 27 1/2 in., d. 12 1/4 in. $400/600

362. English Carved Oak Coat‑of‑Arms, 19th c., carved with the arms of Lancaster and York, surmounted by a crown, flanked by a unicorn and a lion, h. 28 in., w. 39 in., d. 3 1/4 in. $800/1200 Provenance: Christie’s, NY, The Contents of Malabarra, South Harwich, Cape Cod, MA, Property Collected by the Late Dr. Davenport West, July 24, 1984, lot #545; Collection of Mrs. Dudley J Hughes, Jackson, MS. 363. George III Figured Walnut Octagonal Tea Caddy, late 18th c., hinged top, void interior, h. 6 3/4 in., dia.

6 3/4 in. $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

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364. American Chippendale Cherrywood Chest of Drawers, late 18th c., Mid‑Atlantic, molded top, graduated drawers, fluted quarter‑column stiles, molded base, ogee bracket feet, h. 36 1/4 in., w. 40 in., d. 22 1/4 in. $800/1200

365. American Federal Inlaid Mahogany Child’s Chest of Drawers, early 19th c., molded top, graduated cockbeaded drawers, shaped apron, French feet, h. 27 3/4 in., w. 23 1/4 in., d. 17 1/2 in. $800/1200

366. Antique English Mahogany Campaign Basin Stand, three oval tiers, brass supports, now fitted with glass top, h. 33 1/2 in., w. 24 1/4 in., d. 17 1/2 in. $400/600 Provenance: Ex-Collection of noted Interior Designer, Charles Faudree, Tulsa, OK.

367. Regency Painted and Caned Armchair, early 19th c., tablet crest, pierced splat, baluster uprights, tapered legs, h. 34 in., w. 21 in., d. 18 1/4 in. $600/900

368. Antique English Carved and Burl Walnut Canterbury, 19th c., molded gallery, shaped top, scrolled supports; reticulated dividers, long drawer, toupie feet, casters, h. 39 1/2 in., w. 24 1/2 in., d. 17 1/2 in. $500/700

369. Empire Crème Peinte and Parcel‑Gilt Bergère, early 19th c., shaped back, swan’s head uprights, bulbous tapered legs. $500/800

371. Chinese Export Mandarin Palette Porcelain Punchbowl, 18th c., decorated with figural panels on a “T” ground, h. 4 5/8 in., dia. 10 3/8 in., wood stand, overall h. 6 1/8 in. $600/800

372. Chinese Export Famille Rose Porcelain “European Hunt” Punchbowl, 18th c., decorated with hunting scenes, figural panels, and iron red landscapes, h. 4 3/4 in., dia. 11 1/4 in., wood stand, overall h. 6 3/8 in. $500/700

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Malmaison Antiques, New York, NY.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 370. Pair of Chinese Export Mandarin Palette Porcelain Covered Quadrangular Vases, 18th c., faceted bodies with stylized dragon handles, decorated with figural scenes, landscapes, and iron red and sepia reserves, covers with Buddhist lion finials, h. 13 1/2 in. $2000/3000 Provenance: Philip Suval, Fredericksburg, VA, 2010.

373. Chinese Export Famille Rose Porcelain Covered Tureen, 18th c., with boar’s head handles and branch finial, decorated with garden scenes, h. 8 in., w. 14 in., d. 9 in. $800/1200 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

374. Chinese Brass‑Mounted Carved and Polychromed Black Lacquer Box, carved to the top with a boating scene, interior fitted with 2 lift‑out compartmented trays, h. 4 7/8 in., w. 22 5/8 in., d. 9 1/2 in. $500/700

375. Chinese Export Sepia And Gilt Decorated Porcelain Cup and Saucer, 18th c., cup with Classical figures, h. 2 1/4 in.; saucer with flowers, dia. 5 3/8 in. $150/250 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

376. Vintage Silverplate Meat Dish and Cover, the well‑and‑tree dish with acanthus handles, gadroon border and hot water compartment, associated domed cover with gadroon handle and border, engraved crest with motto “De Tout Mon Coeur”, flat chased foliate scroll decoration, overall h. 14 3/4 in., w. 23 3/4 in., d. 18 in. $400/600

Additional information at www.nealauction.com

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377. Elkington & Co. Silverplate Plateau, date mark for 1857, circular mirror plate, foliate rockwork surround, old backboard, h. 2 1/4 in., dia. 17 3/4 in. $800/1200

378. Old Sheffield Plate Hot Water Urn, 19th c., squat urn form, reeded cover with blossom finial, scroll and ring handles, ball feet, retains tinned interior and heating element, h. 16 3/8 in. $500/800

379. George V Sterling Silver Reticulated Cake Basket, J. Collyer Ltd., Birmingham, 1928, h. (to top of handle) 7 5/8 in., w. 11 in., d. 8 1/8 in., octagonal with swing handle and ball feet; together with a Shreve, Crump & Low sterling silver bread tray, scroll and floral border, h. 2 1/4., w. 11 1/4 in., d. 8 1/2 in., total wt. 32 troy ozs. $500/700

380. Regency‑Style Silverplate Epergne, Anglo‑Irish cut glass center bowl, four arms supporting conforming bowls, acanthus decoration, paw feet, h. 12 1/4 in., w. 21 in. Note: Repair. $500/700

381. Pair of Charles X Gilt and Patinated Bronze Figural Candlesticks, early 19th c., cherub and foliate standard, palmette collared base, h. 15 1/4 in., w. 3 1/2 in., d. 3 1/2 in. $1000/1500

382. Pair of Regency Egyptian Revival Gilt and Patinated Bronze Argand Lamps, c. 1820, possibly William Bullock, classical oil lamp form, serpent handles, mounted with laurel wreaths and pharaoh heads, paw feet, floral cut‑glass shades, h. 13 1/2 in., w. 14 in., d. 8 in. $2500/3500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 186.

383. Antique English Silverplate and Glass Photophores, 19th c., each fitted with blown glass shade with engraved floral and foliate decoration, overall h. 21 in. $500/750

385. Pair of Antique Régence‑Style Carved Giltwood Mirrors, scroll and strapwork surround, segmented mirror plates, h. 26 1/2 in., w. 15 1/4 in. $300/500

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384. English Twelve‑Inch Terrestrial Floor Globe, cartouche reads “Made and Sold by G. & J, Cary, 876 St. James Street, Jan. 1st, 1848”, raised on a Regency style carved mahogany stand, casters, h. 35 in., dia. 16 in. $1000/1500

386. Pair of Chinese “Canton Enamel” Covered Circular Boxes, probably early 20th c., decorated with central roundels enclosing monkeys, deer, and birds in a garden reserved on a dense floral ground, h. 5 in., dia. 8 3/8 in. $1000/1500

387. Pair of Chinese Imari Porcelain Square Vases, 18th/19th c., square bodies with floral and landscape panels, approx. h. 9 1/4 in., now probably undrilled and mounted as lamps, h. (to socket) 11 1/2 in. $1000/1500

389. Pair of Chinese Famille Rose Porcelain Bottle Vases, probably 20th c., with elephant mask handles, decorated with antiques, birds, butterflies, and flowers on a crackle ground, h. 12 1/4 in. $700/900

391. Chinese Export Gilt‑Decorated Black Lacquer Sewing Box, 19th c., canted rectangular form on winged claw feet, fitted interior, h. 6 1/2 in., w. 14 1/2 in., d. 10 3/4 in. $200/400

392. Chinese Export Famille Rose Porcelain Punchbowl, 18th/19th c., with figural panels on a butterfly and floral ground, h. 5 1/4 in., dia. 12 5/8 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

388. Highly Decorative Chinese Celadon Porcelain Tripod Incense Burner, probably 20th c., bulbous body with carved floral decoration on three lion’s mask feet, h. 9 in., dia. 16 1/8 in. $1000/1500

390. Pair of Chinese Hardwood Collector’s Cabinets, probably 20th c., upturned scroll tops, fretwork drawers, doors and apron, h. 24 in., w. 26 3/4 in., d. 11 1/2 in. $500/700

393. Two Chinese Export Famille Rose Decorated Blue and White Porcelain Platters, 18th c., incl. one with figural decoration, h. 1 in., w. 10 1/4 in., d. 7 3/8 in.; and one with floral decoration, h. 1 1/4 in., w. 11 1/4 in., d.

8 3/8 in. $500/700

394. Pair of Chinese Export Porcelain Pseudo Tobacco Leaf Octagonal Bowls, 18th c., decorated with floral heads, sprays, leaves, and pinwheels, h. 1 5/8 in., dia. 8 3/4 in. $400/600

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: William Word Fine Antiques, Atlanta, GA.

397. Two Paris Porcelain Gilt Navette‑Form Corbeilles, 19th c., one with lavender band, h. 9 5/8 in.; the other h. 10 1/4 in. $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA. 395. Chinese Export Blue and White Porcelain Hexagonal Tea Caddy, early‑to‑mid 19th c., faceted body decorated with village waterscape scenes, circular cover, h. 5 1/2 in., w. 4 5/8 in., d. 3 1/8 in. $300/500 Provenance: Sallea Antiques, New Canaan, CT, 2010.

396. Twelve Aynsley Porcelain Dinner Plates, marked, gilt and apple green rims, dia. 10 1/2 in. $150/250

398. Paris Porcelain Teapot, marked “P.L. Dagoty/ la sainte famille”, well‑painted medallion after Raphael’s “Madonna della Sedia”, matte and burnished gilt, h. 7 in. $500/700 Provenance: Historic “Sally Mill”, Middleburg, VA. Additional information at www.nealauction.com

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401. Austrian Polychromed Bronze Figure of an Exotic Dancer, inscribed “Greb”, lift-up skirt, h. 7 1/2 in., w. 3 1/4 in., d. 2 3/4 in. $700/900

400. Austrian Bronze and Rouge Marble Figural Two Piece Desk Set, late 19th c., ink stand inscribed “Burgstaller”, with conforming blotter, h. 4 1/4 in., w. 6 3/4 in., d. 3 3/4 in. $600/900 399. Pair of Decorative Polychrome and Gilt Porcelain Covered Urns, 20th c., pseudo Sèvres marks, h. 16 1/2 in., dia. 7 1/2 in. $300/500

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

402. Pair of Empire‑Style Gilt Bronze‑Mounted Mahogany Jardinières, winged lion supports, tôle liner, h. 26 in., w. 22 3/4 in., d. 17 in. $800/1200

405. Pair of Large Staffordshire Lions, mid‑19th c., glass eyes, on molded bases, h. 10 1/2 in., w. 13 1/4 in., d. 6 in. $200/400

403. Rococo‑Style Gilt Bronze Fireplace Garniture, late 19th c., incl. pair of chenets, tool holder with tongs and shovel, h. (of holder) 30 in. $1000/1500

406. Pair of Moorish Bone and Mother‑of‑Pearl Inlaid Side Tables, inset octagonal tops, conforming paneled bases, h. 29 3/4 in., dia. 19 1/4 in. $1500/2000

407. Napoleon III Gilt Bronze‑Mounted Kingwood Parquetry Table à Écrire, late 19th c., galleried top, leather writing surface, shaped frieze drawer with enameled porcelain plaque, cabriole legs, bronze sabots, h. 27 3/4 in., w. 27 3/4 in., d. 15 1/2 in. $1200/1800

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408. Empire Gilt Bronze‑Mounted Mahogany Dressing Table, mid‑19th c., circular mirror, columnar supports with urn finials, marble top, frieze drawer, tapered columnar legs, disc feet, h. 55 in., w. 29 1/2 in., d. 17 3/4 in. $800/1200

404. English Lead Lion Rampant Door Stop, 19th c., h. 15 in., w. 10 in., d. 2 1/2 in. $400/600 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

409. Associated Set of Six Louis Philippe Carved Walnut Fauteuils, mid‑19th c., scrolled ears, gothicized backs, scrolled arms, turned legs, h. 36 1/4 in., w. 22 1/4 in., and h. 35 3/4 in., w. 22 3/4 in. $1000/2000

410. Suite of Eight Antique Louis XV‑Style Carved Fruitwood Chaises, shell and acanthus crests, cartouche backs, foliate aprons, cabriole legs, h. 40 in., w. 22 1/2 in. $2500/3500

411. French Provincial Carved Fruitwood Buffet à Deux Corps, late 18th c., stepped cornice, carved frieze, shaped panel doors, frieze drawers, molded base, bulbous disc feet, h. 80 1/2 in., w. 61 3/8 in., d. 25 1/8 in. $1200/1800

413. Louis XV‑Style Caned Bergère, shaped back, scrolled arms, serpentine apron, cabriole legs, h. 42 1/2 in., w. 29 in. $400/600

412. Antique French Provincial Walnut Table, shaped molded top, scalloped apron, cabriole legs, h. 30 1/4 in., l. 81 1/4 in., w. 38 1/4 in. $2500/3500

414. Antique Louis XVI‑Style Gilt Bronze‑Mounted and Inlaid Kingwood Vitrine, shaped beveled glass top, velvet lined interior, paneled glass frieze, mirrored shelf, cabriole legs, bronze sabots, h. 30 3/4 in., w. 27 in., d. 18 3/4 in. $1200/1800

415. Antique Louis XVI‑Style Brass Inlaid Mahogany Desserte, two shaped tiers, fluted supports, brass ferrules, h. 38 1/2 in., w. 33 in., d. 21 in. $700/900

Additional information at www.nealauction.com

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416. Pair of Continental Baroque‑Style Faux Marbre Consoles, molded tops, draped aprons, volute standards, scrolled feet, h. 34 1/4 in, w. 40 in., d. 22 in. $2000/3000

417. Pair of Paris Porcelain Amphora Vases, 19th c., incised marks, reserves of courting scenes, griffin-form handles, matte and burnished gilt, h. 11 1/8 in. $500/750

418. Six Paris Porcelain Gilt‑Decorated Apple Green Dinner Plates, 19th c., marked “Feuillet “ with floral reserves and armorial‑decorated rim, dia. 9 1/2 in.; together with an associated bowl, dia. 8 3/4 in. Note: Some refreshed surfaces. $600/800 Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

419. Two Chinese Export Mandarin Palette Sleeve Vases, 18th/19th c., each with figural panels on a floral ground, h. 5 3/4 in. and 7 in., latter mounted as a lamp, h. (to socket) 8 in. $800/1200

420. Chinese Export Mandarin Palette Porcelain Teapot, 18th c., with naturalistic spout and handle, decorated with figural panels, h. 6 in., w. 9 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

421. Three Chinese Export Famille Rose Porcelain Shaped Mugs, 18th c., two with figural decoration, and one with deer and crane decoration, h. 6 in. to 6 1/8 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

422. Chinese Export Famille Rose Porcelain Mandarin Palette Bowl, late 18th c., exterior with figural scenes on a diaper ground, interior with central figural roundel and landscape and floral meanders around the rim, h. 4 5/8 in., dia. 11 1/4 in. $400/600 Provenance: Manor House Antiques, Knoxville, TN, 2012.

423. Chinese Export Blue and White Porcelain Tankard, late 18th/early 19th c., decorated with floral sprays between diaper and lingzhi borders, brown‑banded rim, h. 5 3/8 in. $300/500

424. Three Dog Head Walking Sticks, 19th c., two silver, one bone with glass eyes, tallest l. 36 in. $400/600

Provenance: Sallea Antiques, New Canaan, CT, 2010.

426. Late Regency Brass Fireplace Fender, mid‑19th c., turned finials, stylized paw feet, h. 15 1/4 in., w. 50 in., d. 15 3/4 in. $300/500 425. Antique Carved Root Walking Stick, 19th c., with a snake head handle and two faces, metal tip, h. 31 in. $300/500

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427. Antique English Sterling Silver and Cut Glass Banquet Lamp, c. 1900, the Corinthian columnar candlestick hallmarked Hawksworth, Eyre & Co., Ltd., Sheffield, date mark rubbed, cut glass font fitted with No. 2 Hinks lever burner, now electrified, overall h. 35 in. $800/1200

428. Antique English Silverplate Banquet Lamp, Corinthian columnar shaft, lobed glass font, now electrified, overall h. 36 in. $500/700

429. Antique English Inlaid Burl Walnut Chest on Stand, two short over four long drawers, spiral‑turned legs, h. 35 in., w. 16 1/4 in., d. 9 in. $500/700

430. Antique Continental Rococo‑Style Carved Panetière, three shaped tiers, urn finials, scrolled sides, pierced apron, scrolled toes, h. 55 1/2 in., w. 39 3/4 in., d. 15 1/4 in. $1000/1500

431. Antique English Carved Walnut and Oak Welsh Dresser, stepped cornice, two shelves; base with frieze drawers, scalloped apron, shaped supports, low shelf, block feet, h. 75 in., w. 72 1/2 in., d. 15 1/2 in. $1200/2000

432. Late Regency Mahogany Hunt Table, mid‑19th c., demilune dropleaf top, ring‑turned legs, casters, h. 28 in., w. 53 3/4 in., d. 26 1/2 in. $800/1200

433. Set of Twelve George III‑Style Mahogany Dining Chairs, incl. two arm and 10 side chairs, anthemion‑carved crests, pierced vasiform splats, shaped arms, molded square legs, leather seats with brass nailhead trim, armchair h. 37 1/2 in., w. 23 1/2 in.; side chair h. 37 1/2 in., w. 22 in. $2500/3500

435. Regency Mahogany Étagère, early 19th c., possibly Gillows, four galleried tiers, three medial drawers, ebony pulls, turned supports, brass‑capped casters, h. 65 3/4 in., w. 17 3/4 in., d. 14 3/4 in. $1500/2500

434. Pair of Regency‑Style Parcel‑Gilt and Ebonized Armchairs, arched tablet crests, flared arms, caned seats, curule bases, bronze sabots, h. 34 1/2 in., w. 23 in. $1500/2000

436. Regency Mahogany Sofa Table, early 19th c., drop‑leaf top, frieze drawers, trestle base, saber legs, brass‑capped casters, h. 28 2/3 in., open w. 64 in., closed w. 42 1/4 in., d. 28 3/4 in. $2500/3500

Additional information at www.nealauction.com

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437. Fine George III Carved Mahogany Breakfront Bookcase, late 18th/early 19th c., molded cornice, astragal glazed doors, fabric‑lined shelf interior, lower case with foliate molding, raised panel doors, ogee bracket feet, h. 96 in., w. 75 in., d. 20 in. $4000/6000

438. Continental Renaissance‑Style Carved Walnut Library Table, molded top, gadrooned ovolo frieze, scrolled acanthus trestle base, bulbous disc feet, h. 35 3/4 in., w. 74 1/2 in., d. 38 3/4 in. $2500/3500

439. English Carved Oak Bracket Clock, late 19th c., movement plays Westminster on 8 bells and 5 gongs, silvered dial, wrought iron sound hole grilles, h. 23 3/4 in., w. 15 3/4 in., d. 10 1/2 in. $1200/1800

440. Louis XVI‑Style Gilt and Patinated Bronze Figural Mantel Clock, c. 1860, dial and movement marked “DENIERE/A PARIS”, the Classical maiden, watching a bird defend its nest from a snake, shaped base with marble inserts, h. 15 1/4 in., w. 20 1/2 in., d. 9 in. $2500/3500

441. Monumental Napoleon III Bronze Cartel Clock, c. 1870, mounted with figure of Victory, repoussé dial over winged mask, h. 51 in., w. 16 in., d. 5 in. $2500/3500

442. Regency Carved Giltwood, Parcel-Ebonized and Églomisé Mirror, mid‑19th c., architectural pediment with applied spherules, central oval convex mirror flanked by rectangular mirror plates, all with églomisé surrounds, interspersed with reeded colonettes, h. 44 1/4 in., w. 58 3/4 in. $2000/3000 443. Antique Louis XV‑Style Giltwood Mirror, shaped mirror plate within a rocaille frame, h. 73 in., w. 49 1/2 in. $800/1200 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

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444. Alfred de Breanski, Sr. (British, 1852‑1928), “Balmoral, Her Majesty’s Highland Home”, 1897, oil on canvas, signed and dated lower right, later inscription with artist’s name and title en verso, 24 in. x 40 in., framed. $18000/25000 Provenance: Christie’s, London, Feb. 29, 1980, lot 88 via International Fine Arts Association, Inc., New Orleans, LA; Collection of Mrs. Dudley J. Hughes, Jackson, MS. Ill.: Clark, Ronald W. Balmoral: Queen Victoria’s Highland Home. London: Thames and Hudson, 1981, dust jacket cover.

446. John James Audubon (American, 1785‑1851), “Orange‑bellied Squirrel”, Plate 58, hand‑colored lithograph from The 445. John James Audubon (American, 1785‑1851), “Sharp‑tailed Grouse”, Plate 382, hand‑colored engraving with aquatint and etching, from The Birds of America, Havell edition, “J. Whatman/1837” watermark, sheet size 25 1/2 in. x 34 1/2 in., unframed. $3000/5000

Viviparous Quadrupeds of North America,

sight 26 in. x 20 1/2 in., framed. $800/1200 Provenance: Graham Arader, King of Prussia, PA.

450. Colin W. Burns (British, b.

1944), “Grouse”, oil on wood panel, signed lower left, “Tryon Gallery, London” label with title en verso, 7 in. x 11 in., framed. $700/1000

448. John James Audubon (American, 1785‑1851), “American Crossbill”, Plate 197, hand‑colored aquatint engraving, from The Birds of America, Havell edition, “J. Whatman/1834” watermark, sheet 30 in. x 24 1/2 in., unframed. $700/1000

449. John James Audubon (American, 1785‑1851), “Vigors Vireo”, Plate 30, engraving with hand‑colored aquatint, from The Birds of America, Havell edition, watermarked “J.Whatman/ Turkey Mill/1827”, 37 1/2 in. x 24 1/2 in., unframed. $600/900

Provenance: The Tryon Gallery Ltd., London; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

447. John James Audubon (American, 1785‑1851), “The Douglas Squirrel”, Plate 48, hand‑colored lithograph from The Viviparous Quadrupeds of North America, sight 26 in. x 20 1/2 in., framed. $800/1200 Provenance: Arader Galleries, King of Prussia, PA.

451. Colin W. Burns (British, b.

1944), “Partridge”, oil on wood panel, signed lower right, “Tryon Gallery, London”, label with title en verso, 7 in. x 11 in., framed. $700/1000 Provenance: The Tryon Gallery Ltd., London; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Additional information at www.nealauction.com

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452. Peter Allis (British, b. 1944), “Grouse in Flight”, watercolor on paper, signed lower right, 22 in. x 30 in., framed. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

453. British School, 19th c., “On the Trail: Fox Hunting Scene”, oil on canvas, unsigned, typewritten label with “Lent by the Atlanta Art Association” en verso, 19 in. x 25 in., framed. $1500/2000

454. American School, late 19th c., “Still Life with Fruit, Roses and Decanter in the manner of Severin Rosen (German, 1816‑1872)”, oil on canvas, signed “Emm...” lower right, 25 in. x 36 in., framed. $1500/2000

Note: The Atlanta Art Association was founded in 1905 and in 1926 became High Museum of Art when the High family donated their family home on Peachtree Street.

455. Antique Italian Baroque‑Style Carved Giltwood Console Table, late 18th/early 19th c., diapered top with gadrooned edge, reticulated apron with tasseled swags, elaborate scrolled base with eagles and winged cupid, h. 34 3/4 in., w. 53 1/4 in., d. 22 3/4 in. $7000/9000

456. Antique Italian Rococo‑Style Paint‑Decorated and Parcel‑Gilt Slant‑Front Secretaire Cabinet, molded arched cornice, arched panel doors, fall front desk with fitted interior, three drawers, shaped bracket feet, h. 81 3/4 in., w. 43 1/2 in., d. 21 1/2 in. $3000/5000

457. Pair of Louis Philippe Mahogany Bergères, late 19th c., barrel backs, swan’s neck uprights, saber legs, h. 30 1/4 in., w. 23 in. $1200/1800

458. Antique Louis XIV‑Style Beechwood Fauteuil, arched padded back, scrolled arms, baluster arm supports, scrolled legs, shaped stretcher, tapestry upholstery, h. 49 1/2 in., w. 27 1/4 in. $800/1200

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459. Antique Portuguese Rococo Carved Walnut Commode, probably late 18th c., shaped molded top, two short over two long graduated drawers, shaped apron, cabriole legs, claw and ball feet, h. 38 1/2 in., w. 48 1/2 in., d. 26 in. $3000/5000

460. Empire Gilt Bronze‑Mounted Mahogany Commode, early 19th c., inset black marble top, frieze drawer, recessed cabinet doors, columns, h. 31 in., w. 16 1/4 in., d. 16 in. $300/500

461. French Provincial Carved Oak Armoire, late 18th c., stepped cornice, rosette frieze, shaped fielded‑panel doors with sunflowers, base drawer, shaped apron, scrolled toes, h. 91 1/2 in., w. 65 in., d. 27 in. $1200/1800

462. Pair of Continental Oak Benches, late 18th/ early 19th c., open backs, block and ring‑turned arms, trestle bases, h. 33 1/2 in., w. 46 1/2 in., d. 15 1/2 in. $1500/2000

463. Continental Neoclassical‑Style Gilt Bronze‑Mounted Mahogany Games Table, inset malachite and marble game-board top, stop‑fluted legs, bronze sabots; together with complete set of chess gaming pieces, h. 28 1/4 in., w. 19 1/2 in., d. 19 1/2 in. $2000/3000

464. Continental School, 19th/20th c., “Putti Harvesting” and “Putti Hunting”, 2 oils on canvas, unsigned, each 28 1/2 in. x 50 1/2 in., framed alike, (2 pcs.) $2000/4000

465. Large German Porcelain Urn and Cover in the Neoclassical Taste, early 20th c., indistinct blue underglaze mark, lion handles, painted floral sprays, h. 28 1/4 in., w. 13 1/ 2in., d. 10 1/2 in. $1000/1500

466. Pair of Antique French Bronze Spreadwing Eagles, embossed and gadrooned baluster base, one h. 16 1/2 in., w. 13 1/2 in., other h. 17 1/4 in., w. 13 1/2 in. $2000/3000 Additional information at www.nealauction.com

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468. Royal Vienna‑Style Bronze‑Mounted Polychrome Porcelain Lidded Urn, c. 1890, bronze handles, finely painted reserves, signed “W. Rosner”, depicting gods and goddesses, h. 19 1/4 in., w. 9 1/2 in., d. 6 1/4 in. $800/1200

467. Antique French Iron Sign, “Milon, bonnetier”, with foliate decoration, h. 19 1/2 in., w. 37 1/4 in., d. 2 in. $600/900

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS. 469. French Gilt Bronze Footed Tray, late 19th c., oakleaf and acorn mounts, h. 1 3/4 in., w. 12 1/2 in., d. 11 in. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

470. Pair of Louis XVI‑Style Gilt Bronze‑Mounted and Cut Glass Urns, ram’s head handles, h. 20 1/2 in., w. 8 1/2 in., d. 6 1/4 in. $800/1200 Provenance: Merle McGehee Interiors, Jackson, MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

471. Continental Carved Wood Figure of a Dancer with Cymbals, 19th c., h. 55 1/2 in., w. 24 in., d. 13 in., presented on later wood base, overall h. 75 3/4 in. $1200/1800

472. Louis XV‑Style Gilt Bronze‑Mounted Marquetry Bureau, serpentine top, conforming case, kneehole configuration of drawers, sabots, h. 31 1/4 in., w.37 in., d. 23 1/4 in. $800/1200

473. Charles X Mahogany and Parcel Gilt Center Table, c. 1830, gris de St. Anne marble top, plain frieze, columnar standard, incurvate triangular base, casters, h. 27 1/2 in., dia. 32 1/4 in. $600/800

475. Continental Burl Amboyna Tilt‑Top Table, c. 1830, possibly Swedish, square top, baluster standard, tripod base, h. 29 1/2 in., w. 34 1/2 in., d.

35 in. $700/900 474. Pair of Louis Philippe Carved Mahogany Fauteuils, late 19th c., arched crests, scrolled arms, stylized foliate legs, h. 37 3/4 in., w. 22 1/2 in. $1000/1500

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476. Louis XV‑Style Gilt Bronze‑Mounted Burlwood and Mahogany Bombé Commode, molded marble top, two drawers, shaped apron, bronze sabots, h. 35 1/4 in., w. 55 in., d. 21 1/2 in. $700/1000 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

477. Continental Louis XV‑Style Carved Walnut Console Table, serpentine marble top, conforming rocaille frieze, cabriole legs, shaped stretcher, h. 34 3/4 in., w. 61 in., d. 24 1/2 in. $800/1200 Provenance: Leopold Colombo, Inc. via Merle McGehee, Jackson, MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

478. Louis XVI‑Style Bronze‑Mounted Kingwood Parquetry and Marquetry Tric‑Trac Table, 19th c., foldover swivel top, floral reserve, fitted drawer, shaped apron, cabriole legs, h. 28 1/2 in., w. 31 1/2 in., d. 23 in. $700/1000

479. Continental Neoclassical Inlaid Rosewood Dressing Table, early 19th c., possibly Austrian, scrolled acanthus crest, mirror with dolphin supports, frieze drawers, urn support, dolphin brackets, hexagonal base, ball feet, h. 61 in., w. 41 1/2 in., d. 20 1/2 in. $800/1200

480. Pair of English Parcel‑Gilt, Shell Inlaid and Paint‑Decorated Jardinières, three tiers, turned supports, shaped aprons, shell feet, h. 34 1/2 in., w. 24 1/4 in., d. 16 3/4 in. $2000/3000

481. Pair of Antique Anglo-Colonial‑Style Rosewood Armchairs, flared tablet crests, pierced splats, continuous outswept arms, baluster uprights, caned seats, reeded tapered legs, h. 32 1/4 in., w. 22 1/2. $1500/2500

482. George II‑Style Parcel Gilt Burl Walnut Table, specimen marble top, egg‑and‑dart molded frieze, mythical beast carved legs, scaled claw and ball feet, h. 33 1/4 in., w. 59 in., d. 24 7/8 in. $2500/3500

483. George III‑Style Parcel Gilt Burl Walnut Table, en suite with previous lot, h. 33 1/4 in., w. 59 in., d. 24 7/8 in. $2500/3500

484. Regency Gilt Bronze‑Mounted Rosewood Chiffonier, early 19th c., reticulated gallery, mirrored back shelves, columnar supports, molded base, h. 50 1/2 in., w. 38 1/2 in., d. 17 3/4 in. $1000/1500

485. Antique English Rosewood Table, 19th c., carved Roman marble top, faceted standard, incurvate triangular base, disc feet, casters, h. 28 1/2 in., dia. 22 in. $2500/3500

Additional information at www.nealauction.com

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489. Two English Brass‑Mounted Burlwood Letter Boxes, 19th c., one marked “Lockwood Manufacturer 75 New Bond Street London”, h. 6 5/8 in., w. 9 1/4 in., d. 4 3/4 in. and h. 4 3/4 in., w. 6 3/4 in., d. 3 1/4 in. $200/300 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

486. Regency Cuban Mahogany Dumbwaiter, early 19th c., bronze quatrefoil gallery, revolving two‑tier top, ring‑turned and fluted standard, tripartite base, scrolled paw feet, casters, h. 46 in., dia. 24 in. $2500/3500 487. English Gilt Bronze Figural Sinumbra Lamp, c. 1850, attr. to Messenger, figure of Atlas supporting the globe, tripartite base mounted with wreaths and rams, paw feet, marble plinth, h. 39 1/2 in., dia. 11 1/2 in. $1800/2500

488. Late Regency Gilt Metal Sinumbra Lamp, c. 1830, attr. to Messenger, floral‑stenciled standard, shade cut with leaf and berry design, h.

30 in., dia. 11 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 131.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

490. Pair of Regency‑Style Gilt Bronze Candlesticks, ram’s head mounts, twisted grapevine shafts, tripartite lion bases, h. 12 3/4 in. $300/500

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 208.

491. French Bronze Group of “Diana Chasseresse and a Stag”, late 18th/ early 19th c., after the antique at the Louvre, Paris, h. 15 1/2 in. $600/800

492. Russian Bronze of a Cossack Warrior and Young Woman on Horseback, inscribed Felix Chopin (Schopen) foundry, in Roman and Cyrillic, h. 16 1/2 in., w. 14 in., d. 8 in., black marble base. $700/1000

494. Pair of Patinated Bronze Allegorical Figures, “Fame”, and “Valor”, after Clement Rousseau (French 1872‑1921), cast signature on each, h. 27 1/2 in. $2000/3000

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493. Pair of White Marble Sandaled Feet, after the antique example conserved at the Brooklyn Museum, Acc. # 19.170, h. 8 in., w. 6 1/4 in., d: 14 1/2 in. $800/1200

495. Antique Continental Baroque‑Style Parcel‑Gilt and Ebonized Mirror, pierced acanthus crest, molded stepped frame, foliate corners, h. 46 in., w. 31 in. $800/1200

496. Decorative Polychrome and Gilt Mirror, arched reeded frame with segmented naturalistic panels on vermilion ground, beveled mirror plate, h. 80 in., w. 37 3/4 in. $1200/1800

497. Neoclassical‑Style Gilt Bronze Mantel Clock, 19th c., case surmounted by a philosopher, eagle leg supports, h. 12 1/2 in., w. 7 1/2 in., d. 3 1/2 in. $1200/2000

498. Neoclassical‑Style Gilt Bronze Portico Clock, 19th c., the movement stamped, “J.B. Wilbor Paris”, porcelain dial, Corinthian columns, rosette and putto pendulum, h. 24 1/2 in., w. 12 3/4 in., d. 8 in. $1500/2500

499. English Renaissance‑Style Carved Oak Hall Bench, 19th c., linen‑fold paneled back, gothicized uprights, h. 48 in., w. 72 1/4 in., d. 19 1/2 in. $800/1200

500. Antique George III‑Style Inlaid Mahogany Desk and Bookcase, dentil‑molded cornice, fluted frieze, astragal glazed doors, slant‑front lid, foldover writing surface, fitted serpentine interior, two short over three graduated drawers, shaped bracket feet, h. 84 in., w. 43 1/4 in., d. 22 3/4 in. $1200/1800

501. Late Regency Brass Inlaid Rosewood Chiffonier, mid‑19th c., reticulated gallery, mirrored back, inset marble top, frieze drawer, silk paneled doors, hairy paw feet, h. 55 in., w. 31 1/2 in., d. 17 in. $2000/3000

502. George III Inlaid Mahogany Linen Press, early 19th c., stepped molded cornice, frieze with applied quatrefoil medallions, paneled doors enclosing linen shelves, base with two short over two graduated drawers, Greek key inlay, distinctive toupie feet, h. 84 1/2 in., w. 55 1/4 in., d. 25 in. $1500/2500

Additional information at www.nealauction.com

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503. Antique Georgian‑Style Walnut Octagonal Cellarette, lined interior, conforming tapered leg stand, casters, h. 27 in., w. 18 3/4 in., d.

19 1/4 in. $800/1200

504. Late Regency Mahogany Serving Trolley, mid‑19th c., three galleried tiers, medial drawers, baluster supports, brass ferrules, porcelain casters, h. 46 1/4 in., w. 34 1/4 in., d. 18 in. $1200/1800

505. Antique English Ebony Inlaid Burl Walnut Music Cabinet, reticulated gilt bronze galleried top, mirrored back, scrolled and fluted supports; glazed panel doors, divided shelf interior with gilt‑tooled leather labels, turned feet, casters, h. 42 in., w. 27 in., d. 17 in. $1200/1800

506. Regency Satinwood Partner’s Desk, 19th c., gilt‑tooled leather writing surface, kneehole configuration of drawers, plinth base, h. 30 1/2 in., w. 51 in., d. 28 1/2 in. $1200/2000

508. Pair of Louis XVI‑Style Gilt Bronze and Cut Glass Dessert Stands, c. 1900, wreath finial, fluted standard, paw feet, h. 20 1/2 in., dia. 8 in. $700/1000 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

507. Pair of George III‑Style Carved and Giltwood Mirrors in the Chinese Chippendale Taste, each with opposing ho‑ho birds atop reverse‑painted chinoiserie panels, shaped mirror plate within rocaille frame, h. 62 in., w. 32 in. $4000/6000

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509. Art Deco Inlaid Macassar Table Lamp, c. 1930, in the style of Christian Krass. $700/1000

510. Pair of Large American Beaux Arts Gilt Bronze and Brass Andirons, ball finials, Corinthian capitals, cabriole legs, slipper feet, approx. h. 36 1/2 in., w. 15 in., d. 25 1/2 in. $700/1000

512. American Classical Mahogany Sofa Table, mid‑19th c., Egyptian marble top, ogee frieze, waisted octagonal standards, shaped stretcher, scrolled feet, casters, h. 29 1/2 in., w. 46 3/4 in., 21 1/2 in. $1200/1800

511. Very Rare American Rococo Carved and Laminated Rosewood Round Table, c. 1850‑1860, attr. to John Henry Belter, New York, associated white marble top, foliate and floral apron, cabriole legs, scrolled stretcher with central floral basket, casters, h. 27 1/2 in., dia. 27 in. $6000/9000

Note: Several design elements of this sofa table, including the Egyptian marble top, ogee freeze, waisted octagonal supports, and scrolled feet, closely relate to a labeled example made by John B. Ashmead of Philadelphia, sold in these rooms January 31, 2015 as lot 189. Ashmead was active as a cabinetmaker from about 1828 to 1855. There are several surviving examples of his furniture bearing either a stenciled or printed paper label, including a work table in the collection of the Winterthur Museum, Wilmington, Delaware, and a fold-top breakfast table that sold in these rooms on December 7, 2002 as lot 171.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The sculptural aspect, carved details and balanced proportions on this table, are very similar to a table attributed to John Henry Belter, also from the Service Collection and sold in these rooms as lot 848, February 1, 2015 for $51,000.

Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840-1880.

Atglen, PA: Schiffer, 2000, p. 76.

513. American Classical Gilt Bronze‑Mounted Mahogany Center Table, early 19th c., Boston, circular marble top, columnar supports, incurvate triangular base, original ball feet, h. 30 1/4 in., dia. 30 in. $1500/2500

514. American or English Rococo Carved Mahogany Slipper Settee, mid‑19th c., with green silk damask upholstery, h. 36 in., w. 49 in., d. 25 in. $400/800 515. Pair of American Federal Mahogany Games Tables, early 19th c., attr. to John Needles, Baltimore, each with reeded foldover top, canted corners, plain frieze, ring‑turned baluster standard, reeded saber legs, acanthus brass‑capped casters, h. 29 1/2 in., w. 37 3/4 in., d. 19 in. $6000/9000 Note: A work table labeled by John Needles held by the Maryland Historical Society (acc. 87.6) has a support and outswept legs very similar to those seen here. Moreover, the turned standards on the pair offered here are similar to two examples labeled by Needles and recorded in the Winterthur Museum Photographic Collection, comprising a center table (DAPC acc. 74.6176) and a work table (DAPC Roll 48-762-306).

Ref.: Weidman, Gregory. Classical America, 18151845, Baltimore: Maryland Historical Society, p.

115, fig 140.

Additional information at www.nealauction.com

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516. American Chippendale Maple Tall Chest of Drawers, c.

1780, stepped molded cornice, graduated drawers, molded base, bracketed cabriole legs, pad feet, h. 53 in., w. 39 in., d. 20 1/4 in. $2500/3500 Provenance: Purchased from Marguerite Riordan, 1978.

517. American Cherrywood Butterfly Table, 18th c., Connecticut, drop-leaf top, frieze drawer, turned baluster legs, bun feet, h. 28 in., l. 37 1/2 in., closed w. 15 1/2 in., open w. 37 in. $1800/2500 Provenance: Purchased from John Walton, 1983.

518. Clarence Millet, A.N.A. (American/ Louisiana, 18971959), “French Quarter, New Orleans”, oil on canvas, signed lower right, 16 in. x 18 in., framed. $8000/12000 Provenance: Acquired from the artist; thence by descent in a New Orleans and Lake Charles, LA family.

519. American Classical Mahogany Chaise Voltaire, mid‑19th c., scrolled crest, swan’s head arm supports, serpentine seat, cabriole legs, brass ferrules, h. 43 in., w. 23 3/4 in. $1000/1500

520. Harold Rudolph (American/New Orleans, 1850‑1883), “Horse and Cart, Southern Louisiana”, oil on canvas, signed lower left, “W.E. Seebold, 166 Canal St., New Orleans” stencil en verso, 14 in. x 20 in., period frame. $20000/40000 Provenance: Discovered in a Winnetka, IL estate.

521. Louisiana Cherrywood Petite Armoire, early 19th c., cavetto cornice, paneled doors, shelf interior, medial belt of drawers, distinctive beehive feet, h. 73 5/8 in., w. 49 3/4 in., d. 20 7/8 in. $5000/10000 Provenance: McGehee Estate, Dr. Dubs House, Natchez, MS. Note: The use of cherrywood as well as the recessed panels, interior belt of drawers and distinctive beehive feet on this armoire relate closely to those found on an example from St. Landry parish (now the collection of Mary Cooper) and an armoire at Whitney Plantation, St. John the Baptist Parish.

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523. Louisiana Ladderback Child’s Chair, 19th c., turned finials, tapered stiles, spindled arms, turned uprights, original rawhide seat, h. 22 1/2 in., w. 13 in., d. 11 1/4 in. $800/1200 Provenance: Found in New Roads, LA. Note: The finials, cylindrical upward-tapering stiles, arched and slightly bowed slats, rawhide seat, and hand-formed seat rails on this chair relate closely to those on several well-known slat-back chairs from the Acadian prairie.

Interestingly, certain more complex carved elements on this chair, including the spindled arms and swelled uprights, are not seen on the other illustrated chairs, perhaps indicating the work of a yet unidentified craftsman.

Ref.: Holden, Jack, et al. Furnishing Louisiana, Creole and Acadian Furniture, 1735-1835.

New Orleans: The Historic New Orleans Collection, 2010, pgs. 308-314.

522. Important American Federal Inlaid Cherrywood Tall Chest of Drawers, early 19th c., cove-molded cornice, three short over five graduated drawers, chamfered stiles, spurred “French” feet, h. 65 1/2 in., w. 44 1/2 in., d. 22 1/2 in. $7000/10000 Note: The cove-molded cornice, style and execution of inlaid decoration, drawer configuration, spurred French feet, and the use of cherry and poplar relate this tall chest to several other Pennsylvania examples made in the Federal style circa 1800.

Interestingly, nearly identical cherrywood tall chests have been attributed to Lancaster County, PA. The contrasting diamond inlay on the frieze, double band-inlaid drawers, and chamfered stiles inlaid with an interlacing string pattern bespeak a distinctive refinement of this tall chest from.

Lying eighty miles west of Philadelphia, Lancaster County became the center of a regional school of cabinetmaking during the late 18th century.

524. American Federal Mahogany Campaign Desk, early 19th c., possibly Virginia, foldover top revealing two drawers, baize‑lined writing surface, fitted interior and storage compartment, reeded legs, tapered feet, h. 35 1/2 in., w. 30 in., d. 21 3/4 in. $4000/6000

525. American Federal Inlaid Mahogany Butler’s Desk, early 19th c., workshop of Michael Allison, New York, crossbanded secretary drawer with figured mahogany oval panels, fitted interior, graduated drawers, bracket feet, h. 46 1/2 in., w. 45 in., d. 21 in. $1500/2500 Note: A mahogany chest bearing Michael Allison’s (New York, 1773-1855) stenciled label with proportions and legs nearly identical those on this lot is held in the collection of the New York State Museum. The distinctive inlaid oval panels on the desk front of this lot are often an embellishment found on cases from the Allison workshop, including a butler’s desk at Boscobel in Garrison, NY. Ref.: Scherer, John. New York Furniture at the New York State Museum, Alexandria, VA: Highland House, 1983, p. 38, fig. 34; Tracy, Berry. Federal Furniture and Decorative Arts at Boscobel, NY: Abrams, 1981, p. 95.

527. American Federal Carved Mahogany Armoire, c. 1800, possibly Duncan Phyfe, New York, stepped cornice, paneled doors, fluted stiles, turned legs, brass ball feet, h. 82 3/8 in., w. 54 in., d. 23 5/8 in. $2000/3000 Note: The distinctive carved paterae and fluting on the stiles of this armoire are nearly identical to those on a wardrobe attributed to Phyfe at Boscobel, Garrison, NY, (acc. F76.03). The feet on this lot are similar to those on a secretary also attributed to Phyfe, and at Boscobel (acc.

F76.30).

Ref.: www.boscobel.org/explore/the-collection 526. American Classical Mahogany Dining Table, mid‑19th c., Boston, stamped “Croome Maker / Boston”, with 3 leaves, circular top opens with concertina action, fluted columnar pedestal, incurvate plinth, scrolled foliate feet, casters, h. 29 1/4 in., dia. closed 48 in., l. extended 118 1/4 in. $4000/6000 Additional information at www.nealauction.com

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528. Suite of Six American Classical Mahogany Side Chairs, c. 1815, possibly Joseph Barry, Philadelphia, each with shaped Prince of Wales plume crest, reeded stiles and front legs, toupie feet, h. 35 in., w. 18 1/2 in., d. 15 1/2 in. $1200/1800 Provenance: Freeman’s, Philadelphia, Apr. 20, 2001, lot 203; Boor‑Cassidy Collection, Philadelphia.

Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 296, fig. 153.

529. American Federal Cherrywood, Tiger Maple and Birdseye Maple Chest of Drawers, early 19th c., outset drawer over three graduated cockbeaded drawers flanked by colonettes, turned legs, casters, h. 42 1/2 in., w. 40 3/4 in., d. 21 3/4 in. $1000/2000

530. American Federal Mahogany Work Table, early 19th c., top with turreted reeded corners, graduated drawers with fitted interiors, beehive standards, reeded saber legs, brass capped paw feet, casters, h. 30 3/4 in., w. 22 1/4 in., d. 18 1/2 in. $3000/5000 Note: A nearly identical work table made c. 1815 in Massachusetts is illustrated in Classical Savannah, fig. 102 as part of an exhibition at the Telfair Museum of Art. The overall form and sophisticated carvings on both pieces, including the rounded corners and the upswept reeded legs attached to a rectangular base, are features often seen on tables manufactured in eastern Massachusetts.

Ref.: Talbott, Page. Classical Savannah: Fine and Decorative Arts 1800-1840.

Savannah: Telfair Museum of Art, 1995, fig. 102, p. 154.

531. Anthony Thieme (Dutch/New York, 1888‑1954), “Taxco Cathedral, Mexico”, oil on canvas, signed lower right, titled, inscribed, artist’s studio stamp, and remnants of two hand‑written labels en verso, 30 in. x 36 in., framed. $15000/25000 Note: A native of Holland, Thieme studied at the Academy of Fine Arts in Rotterdam and the Royal Academy at the Hague. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels.

Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator, first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists, his style was influenced by Impressionism.

Throughout his career, Thieme favored painting en plein air because it allowed him to better capture the atmosphere’s fleeting effects. He has been referred to as the “Master of Light and Shadow.”

In 1935, Thieme and his wife visited Mexico and Guatemala. The view of Taxco Cathedral offered here was likely painted during this trip. It is interesting to note that concomitant with Thieme’s Mexican sojourn, the New Orleans artist William Spratling was resurrecting Taxco’s heritage as a center of silver craftsmanship.

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532. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “Road by the Levee”, oil on canvas board, signed lower left, 16 in. x 20 in., framed. $8000/12000 Provenance: Acquired from the artist; thence by descent in a New Orleans and Lake Charles, LA family.

533. William Woodward (American/New Orleans, 1859‑1939), “Old French Market ‑ Inside”, 1884, drypoint etching, pencil‑signed lower right, signed and dated in plate lower left, 10 in. x 6 3/8 in., sheet 15 in. x 11 in., unframed. $800/1200 Ill.: Woodward, William and Nathaniel Curtis. French Quarter Etchings of Old New Orleans. New Orleans: The

Magnolia Press, 1938, pl. 21.

534. Jose Maria Cundin (Spanish/New Orleans, b.

1938), Del secretario del Capitan Ormanza”, 1985, ink and watercolor on paper, signed and dated lower right, titled center left, inscribed in margins and en verso, 8 in. x 5 1/2 in., framed. $1000/2000 Provenance: Arthur Roger Gallery.

535. Jose‑Maria Cundin (Spanish/New Orleans, b. 1938), “Las Tribula Crones”, 1967, oil on canvas, signed and dated lower center, 40 in. x 40 in., period frame. $10000/15000 Provenance: Galerie Simone Stern, New Orleans, 1968.

537. Pair of American Arts and Crafts Wrought Iron and Sheet Iron Sunflower Andirons, early 20th c., h. 38 in., w. 21 in., d. 16 1/2 in. $2500/3500

536. Donald Roller Wilson (American/Arkansas, b. 1938), “Cookie on Sunday”, 1979, oil on masonite, signed and dated upper right, “Russeck Gallery, San Francisco, CA” labels en verso, 10 in. x 14 in., original frame. $12000/18000

538. Two Vintage Uzbek Suzani Pillows, h. 21 in., w. 24 in., d. 8 in. $400/600

539. Fine Pair of Neoclassical‑Style Gilt Metal and Rock Crystal Four‑Light Candelabra, early 20th c., probably Baltic, faceted vasiform standard, gilt metal foliate mounts, h. 29 in., d. 13 in. $7000/10000

Additional information at www.nealauction.com

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540. Fine Pair of Italian Gilt and Patinated Bronze and Rock Crystal Three‑Light Figural Candelabra, pineapple finial, foliate arms, rock crystal urn supported by three cherubs, on marble base, h. 22 in., d. 13 1/2 in. $5000/7500

541. Pair of French Bronze Rock Crystal and Cut Crystal Nine Light Girandoles, petal form bobêches, tripartite base, electrified, h. 33 1/2 in., w. 17 in., d. 14 in. $2500/3500

542. William and Mary Inlaid and Oyster Veneered Walnut Chest of Drawers, late 17th/early 18th c., crossbanded and inlaid top, two short over three graduated drawers, ogee base, bun feet, h. 34 in., w. 38 1/2 in., d. 23 1/4 in. $6000/8000 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

543. George I Figured Walnut Bureau Cabinet, early 18th c., double-domed cornice, beveled mirror paneled doors, fall-front leatherlined writing surface, fitted interior with sliding storage well, two short over graduated drawers, shaped bracket feet. $6000/8000 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

544. Spanish Colonial Carved and Polychromed Santos Figure of Canonized Friar, 19th/20th c., h. 49 in., w.

24 in., d. 9 in. $2000/3000

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545. Antique George III‑Style Parcel‑Gilt, Églomisé and Inlaid Mahogany Looking Glass, broken scroll crest centering floral urn, shaped frame with pendant foliage, gilt rabbet, h. 57 1/2 in., w. 23 1/2 in. $700/1000

546. Fine George III Carved Giltwood Mirror, c. 1790, molded cornice, applied spherules, frieze centering a Wedgwood jasperware plaque depicting Achilles delivered to the centaur Chiron by Thetis, impressed mark on reverse, clustered columnar stiles with Corinthian capitals, molded and blocked base, h. 50 in., w. 29 7/8 in. $1200/1800

547. Pair of Paris Porcelain Vases, 19th c., marked “Bringeon”, applied biscuit floral border, rose ground with matte and burnished gilt trim, h. 6 3/4 in. $500/700

548. Swedish Neoclassical Parcel Gilt Mahogany Library Table, 19th c., octagonal top, frieze drawer, lozenge base, paw feet, h. 29 1/4 in., w. 57 in., d. 33 1/2 in. $800/1200

Provenance: Historic “Sally Mill”, Middleburg, VA. Note: Mark illustrated Guillebon, Paris Porcelain, p. 330, no. 44.

549. Pair of Neoclassical‑Style Gilt Bronze and Cut Crystal Ten‑Light Chandeliers, mounted with urns and swags, h. 48 in., dia. 33 in. $4000/6000

550. Pair of Louis XV‑Style Gilt and Patinated Bronze Four‑Light Candelabra, double mask handles, base mounted with animal pelts, h. 29 1/2 in., dia. 13 in. $2000/3000

551. Pair of Georgian‑Style Polychromed Octagonal Lanterns, scroll decoration, h. 36 in., dia. 16 in. $800/1200

552. American Gothic Carved Giltwood Pier Mirror, c. 1850, grapevine frieze, gothicized arcade, ogee surround, h. 62 1/4 in., w. 34 1/4 in. $800/1200

553. American Federal Mahogany Pembroke Table, early 19th c., shaped drop leaves, frieze drawer, ring‑turned reeded legs, ball feet, h. 28 3/4 in., w. 34 in., closed d. 21 in., open d. 41 1/4 in. $800/1200

Additional information at www.nealauction.com

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554. Regency Mahogany Cellarette, early 19th c., fitted bottle interior, ring‑turned legs, casters, h. 25 3/4 in., w. 15 1/4 in., d. 15 1/4 in. $1000/1500

555. Regency‑Style Brass‑Bound Revolving Bookstand, 20th c., Mario Buatta design for John Widdicomb, three segmented tiers, reeded dividers, lion’s mask pulls, bracket feet, h. 37 in., dia. top 17 in., dia. base 23 1/2 in. $1500/2000

556. Pair of Art Deco‑Style Palisander Wood Bookshelves, each with frieze drawer over three open shelves, demilune side shelves, blocked base, h. 55 1/2 in., w. 33 1/2 in., d. 11 3/4 in. $800/1200

557. Antique French Painted Cast Iron Hall Tree, stamped “Corneau Alfred A Charville”, floral crest, arched mirror, scrolled coat hooks; shaped top, reticulated scrolled tripartite supports, demilune floral umbrella well, h. 82 in., w. 40 in., d. 18 in. $1000/1500

558. American Federal Birch and Cherrywood Side Table, c. 1800, in the Hepplewhite taste, frieze drawer, galleried shelf with drawer, tapered legs, h. 28 1/4 in., w. 16 in., d. 15 3/4 in. $700/900 Provenance: Purchased from John Walton, 1982.

559. Antique Charles X Inlaid Satinwood and Rosewood Center Table, radial segmented top, column standard, scrolled tripartite base, casters, h. 30 in., dia. 39 3/4 in. $2000/3000

561. Georg Jensen “Pyramide” Pattern Sterling Silver Fish Serving Set and Serving Knife, pattern designed by Harald Nielsen, introduced 1926, l. 9 in. to 9 5/8 in., total wt. (weighable) 8.15 troy ozs. $500/700 560. Set of Three American Sterling Silver Vintage Motif Baskets, Lebkuecher, Newark, NJ, wc. 1896‑1909, incl. centerpiece h. (to top of handle) 10 3/4 in., w. 12 3/8 in., d. 7 3/4 in., and pair h. 8 in., w. 8 5/8 in., d. 6 1/2 in. $1200/1800

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Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

563. Italian .800 Silver Centerpiece in the Neoclassical Taste, navette form with swan’s neck handles and dolphin feet, h. 8 1/4 in., l. 20 3/8 in., w. 5 7/8 in., wt. 52.85 troy ozs. $500/700 562. International Sterling Silver Coffee and Tea Service, incl. coffee pot, teapot, sugar and creamer, each pyriform paneled body with beaded borders and scroll handles, coffee pot h. 11 3/8 in., total wt. 68.90 troy ozs. $1500/2000

564. Set of Six American Coin Silver Open Salts, Bailey & Co., Philadelphia, c. 1848‑1856, marked “BAILEY & Co.” in arc, over “136”, over “CHESTNUT ST PHILA” in arc, and with pseudo hallmarks; chased floral decoration, hoof feet, retain traces of gilt interiors, h. 1 3/8 in., dia. 2 1/4 in., total wt. 10.70 troy ozs. $250/350 Ref.: Hollan, Catherine B. Philadelphia Silversmiths and Related Artisans to 1861.

pp. 8‑9.

565. Good English Sterling Silver Footed Tray, Charles Boyton, London, 1882, shaped oval with shell and scroll border, flat chased well, scroll feet, h. 1 7/8 in., w. 22 in., d. 16 1/2 in., wt. 79 troy ozs. $2000/3000

568. Pair of French Gilt Bronze Three‑Light Sconces, probably late 19th c., palmette and scroll backplates, scroll arms, h. 20 1/4 in., w. 17 3/4 in. $800/1200

566. Pair of Antique Silverplate and Glass Photophores, hallmarked candlesticks, frosted and cut glass baluster‑form shades, h. ?? in. $400/600

567. Pair of Gothic Revival Gilt Bronze Sconces, 19th c., pierced foliate decoration, electrified, h. 16 in., w. 11 in., d. 16 in. $600/900

569. Pair of English Gilt Bronze Argand Lamps, c. 1830, labeled “Bright & Co./ Late/ Argand & Co./ Bruton St.”, matte and burnished surface, clear and frosted shades, electrified, h. 11 1/2 in., w. 9 in., d. 4 in. $800/1200 Provenance: Didier Inc., New Orleans, Jan. 8, 1995.

570. Neoclassical‑Style Silverplate and Marble Columnar Lamp, on paw feet, h. (to socket) 27 in., w. 7 in., d. 7 in. $300/500

571. Set of Ten Regency Cut Glass Tumblers, 19th c., faceted and diaper‑cut design, h. 3 3/8 in., d. 3 1/4 in. $300/500

572. Pair of Cut Glass Celery Vases, 19th c., diamond point pattern with air twist shaft, star cut bases, h. 10 in., dia. 5 in. $300/500

573. Victorian Amethyst Glass Epergne, late 19th c., ruffled bowl supporting central ruffled trumpet vase, 3 smaller conforming vases, and 3 air twist canes, each with a flower basket, h. 21 in., dia. 14 in. $600/900

Additional information at www.nealauction.com

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574. Five Antique Glass Match Strikes, incl. 3 reeded spheres with hallmarked silver mounts and 2 cut‑glass, h. 1 5/8 in. to 2 3/4 in.; together with a brass‑mounted molded glass inkwell, h. 3 3/8 in., (6 pcs.) $300/500

576. American Classical Giltwood Mirror, c. 1830, attr. to Issac Platt, New York, fleur‑de‑lis corners, reeded foliate split‑column frame, h. 56 in., w. 29 3/4 in. $1000/2000

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 575. Near Pair of American Art Deco Blue Glass Trumpet Vases, h. 19 in. and h. 19 1/2 in. $300/500 Provenance: Newel Gallery.

577. American Federal Satinwood Inlaid Cherrywood Side Table, c. 1790, top with central stylized pinwheel, graduated drawers, square tapered legs, h. 27 3/4 in., w. 16 in., d. 15 1/4 in. $800/1200

578. American Classical Mahogany Work Table, mid‑19th c., Boston, frieze drawer, demilune work bag, columnar standard, cruciform base, casters, h. 31 1/2 in., w. 20 1/4 in., d. 17 1/2 in. $1200/1800

Provenance: Purchased from Marguerite Riordan, 1982.

579. American Classical Carved Mahogany Sofa, early 19th c., scrolled acanthus crest, scrolled arms, gadrooned front rail, paw feet with anthemion petal brackets, h. 35 in., w. 89 1/2 in., d. 18 in. $2500/3500

580. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, attr. Anthony Quervelle, foldover swivel top, torus‑molded frieze, columnar standard, incurvate plinth, acanthine paw feet, casters, h. 29 1/2 in., w. 37 in., d. 18 in. $500/700

581. American Federal Walnut Slant‑Front Desk, early 19th c., Mid‑Atlantic, fall front lid, graduated drawers, shaped apron, “French” feet, h. 45 in., w. 40 in., d. 20 in. $1000/1500

582. Pair of Antique Brass‑Mounted Mahogany Deck Chairs, shaped crests, canted backs, spindled wheel sides, ball feet, button-tufted leather upholstery, h. 36 1/2 in., w. 23 1/2 in., d. 43 in. $2000/3000

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583. Six American Classical Mahogany Side Chairs, c.

1835, attr. to Duncan Phyfe, New York, shaped backs, vasiform splats, bowed seats, splayed legs, h. 33 in., w. 17 1/4 in. $1500/2500 Note: The specific curved back, yoke-shaped crest, pinched waist, and cabriole legs of these chairs closely relate to several pieces attributed to Duncan Phyfe, including a set of 16 side chairs made for his daughter Eliza Phyfe Vail between 1837-1840 (Kenny, et al. Duncan Phyfe, pl. 49) and one conserved at the Metropolitan Museum of Art (68.202.1). Another Phyfe side chair with an almost identical vasiform splat is conserved at the Merchant’s House Museum in New York (MHM 2002.2012).

584. American Classical Birdseye Maple and Walnut Footstool, mid‑19th c., shaped skirt, cabriole legs, h. 9 in., w. 18 1/2 in., d. 12 5/8 in. $300/500

Ref.: Peter M. Kenny, et al. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art, 2011, pls. 49, 50, pgs. 238, 239.

586. Clementine Hunter (American/Louisiana, 1886‑1988), “Flight into Egypt”, oil on board, monogrammed lower right, 16 in. x 23 7/8 in., framed with brass artist plaque. $3000/5000 585. Clementine Hunter (American/Louisiana, 1886‑1988), “In the Flower Garden”, oil on canvas board, monogrammed mid‑right, 16 in. x 20 in., framed. $3000/5000

Provenance: Acquired from the artist by noted La Riviera chef Goffredo Fraccaro.

Provenance: Acquired from the artist by noted La Riviera chef Goffredo Fraccaro.

587. Clarence Millet, A.N.A. (American/ Louisiana, 1897‑1959), “Oak Alley Plantation, Vacherie”, oil on canvas, signed lower left, pencil‑titled en verso, 22 in. x 26 in., framed. $15000/25000 Provenance: Acquired from the artist; thence by descent in a New Orleans and Lake Charles, LA family.

Note: Oak Alley Plantation near Vacherie is one of the most iconic plantations in Louisiana. Known for its impressive tree canopied allé leading to the Doric columned façade, the plantation was built in 1836 and completed in 1939.

588. George Frederick Castleden (British/New Orleans, 1861‑1945), “The Water’s Edge”, 1936, oil on canvas, signed and dated lower left, titled en verso, 22 in. x 18 in., period frame. $3000/5000 Provenance: D.H. Holmes, New Orleans.

Jacques Telesphore Roman III obtained the property from his brother-in-law Valcour Aime in 1836. Impressed by the dramatic overarching trees, he demolished the modest house at the end of the allé and replaced it with a majestic Greek Revival structure. He originally named it Bon Sejour, meaning “good stay” in French, but the nickname Oak Alley, given to it by travelers on the Mississippi steamers, eventually took hold. There are 28 columns on the plantation mirroring the 28 oak trees lining the path. In the painting by Clarence Millet offered here, Oak Alley Plantation stands impressive amongst the lush greenery of the garden, while three antebellum ladies congregate in the shadows of an oak tree.

Ref.: Gleason, David K. Plantation Homes of Louisiana and the Natchez Area. Baton Rouge: Louisiana State University Press, 1982, p. 20. “Oak Alley Plantation.” Wikipedia. https://en.wikipedia.org/wiki/Oak_Alley_Plantation. Accessed Mar. 23, 2016.

Additional information at www.nealauction.com

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589. George Frederick Castleden (British/New Orleans, 1861‑1945), “A Sandy Beach”, 1936, oil on canvas, signed and dated lower left, titled en verso, 18 in. x 22 in., period frame. $3000/5000 Provenance: D.H. Holmes, New Orleans.

Note: Born in Canterbury, England in 1861, George Frederick Castleden studied art in his native city until moving to (current day) Saskatchewan in Canada to study oil painting at the Canada Regina Institute. He settled in New Orleans in 1911, where he became enchanted with the Old World architecture and ambiance of the French Quarter. He would go on to capture the daily city scenes both in etchings and oil paintings until he left New Orleans for Charleston in 1936.

From 1934 to 1936, he and Mazie Howell were commissioned by Frank Evans, the owner of D. H. Holmes Department Store to paint a series of landscape murals to be displayed around the store.

Ref: Kheel, Claudia. “George Castleden.” KnowLa Encyclopedia of Louisiana. Aug. 30, 2013. http://www.knowla.org/entry/1226/. Accessed Mar. 15, 2016. Delehanty, Randolph. Art in the American South: Works from the Ogden Collection. Baton Rouge: Louisiana State UP, 1996, p.

167. Wiesendanger, Martin, and Margaret Wiesendanger. 19th Century Louisiana Painters and Paintings from the Collection of W.E. Groves. Gretna: Pelican Pub., 1971, p. 27.

Note: Harry W. Barnitz was a student of the Pennsylvania Academy of Fine Arts and studied under the renowned American Realist painter, Thomas Eakins. Eakins, who painted a portrait of Barnitz when he was just nineteen, complimented his young student in a letter from 1884, “[y]ou draw and paint very well and extremely well for your age. I know no one who has a better start.”

In 1887, he moved to Atlanta for a brief period and taught at the Atlanta Art School as well as the Washington Seminary for Girls. He also shared a studio with Henry Ossawa Tanner, a fellow student from the Pennsylvania Academy of Fine Arts. Orion Frazee, a local sculptor, art critic, and prominent figure of the Atlanta art scene described him: “his manner is the broad, vigorous style of the French school – is strong and rich in color.” Barnitz left Atlanta to return to Philadelphia in 1889.

A rare example from Barnitz’ time in the South, the work offered here presents a sweeping view of a southern landscape complete with rustic cabin, a woman washing clothes in the stream and a cotton harvest in the background. The composition, luminous color and precise brushwork certainly lend credence to Eakins’ glowing review of the young painter.

590. Harry Wilson Barnitz (American/Ohio, 1864‑1916), “Cabin Scene during the Cotton Harvest”, oil on canvas board, signed lower right, artist label with signature on stretcher, 18 in. x 24 in., framed. $8000/12000

Ref.: Sotheby’s. http://www.sothebys.com/en/auctions/ecatalogue/ lot.57.html/2008/american-paintings-drawings-sculpture-n08449.

Accessed Mar. 15, 2015. Pollock, Deborah C. Visual Art and the Urban Evolution of the New South. Columbia: University of South Carolina Press, 2015, pp. 32-34. Gerdts, William H. The South and the Midwest: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville, 1990, p. 71.

591. Knute Heldner (American/New Orleans, 1877‑1952), “Fog in the Swamp”, 1948, oil on canvas, signed lower right, dated “5‑15‑48” en verso, 24 in. x 20 in., period frame with artist and title plaque. $5000/7500 Provenance: Neal Auction Company, Mar. 4, 2006, lot 392.

592. Corinna Morgiana Luria (American/New Orleans, 1890‑1975, act. Newcomb College, 1910‑1916), “Minerva Book and Antique Shop”, watercolor on paper, signed lower right, sight 13 1/4 in. x 9 1/2 in., framed. $2000/2500

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593. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Landscape with Live Oak and Cabin”, 1911, oil wash on board, signed and dated lower left, 15 1/2 in. x 20 in., framed. $3000/5000 594. Elliott Daingerfield (American/North Carolina, 1859‑1932), “Sunrise”, oil on board, signed lower left, “Koch Galleries, Mobile, AL” and “Anderson Galleries, Chicago” labels en verso, 10 in. x 12 in., framed with artist and title plaque. $4000/6000

595. Joseph Rusling Meeker (American, 1827‑1887), “Bayou Peyo. LA”, 1885, oil on canvas, signed and dated lower left, titled, monogrammed, dated and inscribed en verso, 20 1/8 in. x 30 1/4 in., framed. $18000/25000 Provenance: Frances Reese Stephens, Birmingham, AL; to her daughter, Virginia Stephens Sands; to her son, Edwin Sidney Sands, Jr. Note: Joseph Rusling Meeker served aboard a gunboat in the Union Navy’s Mississippi Flotilla from 1862 to 1866. Meeker, who had studied landscape painting at the National Academy of Design under the leader of the Hudson River School, Asher B. Durand, was much inspired by the indigenous flora and fauna along the river. His sketches from this time period would become the foundation for his series of Southern luminous landscapes, and he would continue to draw on them throughout his career.

Though he returned to St. Louis after the war, he continued to paint scenes from the bayou, returning to Louisiana every summer to paint the Mississippi delta. He works are characterized by a play of light and darkness with the sky illuminating the dark foliage below all while casting reflections off the water. His glowing portrayals of bayous and swamps, like the one offered here, gained him critical national and regional acclaim.

Ref.: Chambers, Bruce W. Art and Artists of the South: The Robert P. Coggins Collection. Columbia, SC: U of South Carolina, 1984, p. 60.

596. Andres Molinary (American/New Orleans, 1847‑1915), “Lakefront, New Orleans”, oil on canvas, signed lower left, 8 in. x 14 in., period gilt frame. $15000/25000 Provenance: Previously in the Collection of Martha Ann Samuel, New Orleans, LA.

Additional information at www.nealauction.com

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597. George Rodrigue (American/Louisiana, 1944‑2013), “Mt. Carmel’s Sacred Heart”, 1974‑76, oil on canvas, signed lower left, signed, titled, dated, inscribed and “George Rodrigue Gallery, Lafayette, LA” stamps en verso, 30 in. x 40 in., framed with brass artist and title plaque. $20000/30000 Ill.: Rodrigue, George. The Cajuns of George Rodrigue. Birmingham, AL: Oxmoor House, Inc., 1976, p. 25.

Note: George Rodrigue’s Cajun scenes are defined by a somber palette depicting dark earth, minimal sky, and low-hanging oaks adorned with Spanish moss. The intensity of the colors convey the mystical quality of the swamp in Cajun country. People are depicted as suspended within the shadowy landscape, symbolizing the Cajuns’ own displacement from Canada to Louisiana where they became “locked in” the bayou and a new way of life. The subjects glow against the dark foliage like ghosts or relics of an older time.

In the painting offered here, Rodrigue mirrors his characteristic treatment of the human figure through his depiction of the Sacred Heart statue, once located on the grounds of Mount Carmel Academy in his hometown of New Iberia, LA. Mount Carmel Academy opened as a day and boarding school in 1872 on the banks of the Bayou Teche and closed in 1988. Rodrigue wrote of the painting: “The irony of the painting is that I paint a statue very similar to the way I paint the people. I paint my people as if they were caught in the landscape.

And the statue as I have put it here is in the center of the oak tree, the center of the mind, the heart and the life-style of the Cajun.”

Ref.: “History.” Catholic High. http://chspanthers.com/Pages/AboutUs/History/ history.html. Accessed Mar. 16, 2016. Rodrigue, George. The Cajuns of George Rodrigue. Birmingham: Oxmoor House, Inc., 1976, pp. ix-xii, 25.

598. Aubrey Dale “A.D.” Greer (American/Oklahoma, 1904‑1998), “Autumn on the Brazos River (Rio de los Brazos de Dios), Texas”, oil on canvas, signed lower right, 30 in. x 36 in., period frame. $4000/6000 Provenance: Private Collection, Tulsa, OK.

599. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oaks in the Louisiana Bayou”, oil wash on board, signed lower right, 19 1/4 in. x 30 in., framed. $2000/3000

600. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Spanish Moss Draped Oak Tree”, watercolor and graphite on paper, signed lower right, 14 in. x 17 3/4 in., framed. $2000/3000 Provenance: Descended in the family of the artist.

601. Will Henry Stevens (American/New Orleans, 1881‑1949), “Boats on Shore ‑ Golden Trees”, pastel on paper, signed lower right, sight 13 1/4 in. x 16 1/4 in., framed. $4000/6000 Provenance: Previously in the Robert B. Coggins Collection, Marietta, GA, inventory number #239.

602. Will Henry Stevens (American/New Orleans, 1881‑1949), “Twilight Landscape in Blue”, 1946, pastel on paper, signed and dated lower right, sight 15 1/2 in. x 19 3/4 in., framed. $4000/6000

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603. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Tropism”, 1958, oil on canvas, signed and dated lower right, “Orleans Gallery, Royal St., New Orleans” label with title and “Fourth Annual Painting of the Year, Atlanta Art Association and Mead Atlanta Paper Company, 1958” entry form with title en verso, 48 in. x 48 in., framed. $10000/15000 Note: In 1956, Ida Kohlmeyer traveled to Provincetown, MA to do a three month workshop with famed Abstract Expressionist, Hans Hofmann. This period of time ignited a major turning point in her approach to painting. Inspired by Hofmann’s advice that painting should be an “invention and not an imitation,” she began to approach her work in a more impulsive and physical way. Her new methodology shifted her focus to the process of making art rather than the outcome and thus 1956 marked the beginning of her evolution from figurative painting to Abstract Expressionism.

Mark Rothko came to New Orleans in 1957 as a visiting artist for Newcomb College, reinforcing the influence of Abstract Expressionism on Kohlmeyer’s work.

He lived in Kohlmeyer’s late mother’s house and worked in the garage. Rothko’s friendship had a lasting impact on her paintings, as is evident in her later usage of defined fields of color. The important painting from 1958 offered here clearly shows the contemporaneous influence of these two important artists on Kohlmeyer’s work and also provides a window into her successful development as an artist in her own right.

Ref: Ida Kohlmeyer: Thirty Years. Charlotte: the Mint Museum, 1983, pp. 102-103; Plante, Michael. Ida Kohlmeyer: Systems of Color. New York: Hudson Hills in Association with Newcomb Art Gallery, Tulane U, 2004, pp. 146-147.

604. Eugenie Frederica Shonnard (American, 1886‑1978), “Grey Heron”, 1922, bronze, inscribed “Eugenie F. Shonnard” and dated on self‑base, h. 39 in., w. 12 in., d. 20 in. $7000/9000

605. Charles Sheeler (American, 1883‑1965), “Design for World’s Fair”, 1939, conte crayon on paper, pencil‑signed and dated lower center, pencil‑signed, titled and inscribed “Ridgefield, Conn. c/o Downtown Gallery, 113 W. 13 St., NYC”, “Michael Rosenfeld Gallery, 50 West 57th Street, NYC” labels en verso, image 9 in. x 7 in., sheet 10 1/2 in. x 9 1/4 in., framed. $15000/25000 Note: Charles Sheeler was born in Philadelphia in 1883 and attended the School of Industrial Art in Philadelphia as well as the Pennsylvania Academy of Fine Art. A self-taught photographer, Sheeler worked for a brief time documenting local buildings for architects, then later photographing the interior of his own home, focusing on the play between the planes of light and shadow. This work resulted in a 1920 collaboration with the photographer Paul Strand on the short film “Manhatta,” which focused on the ever-changing cityscape of New York City. His concentration on industrial architecture including skyscrapers, bridges, and factories led to his association with the Precisionist movement.

The years preceding the completion of the 1939 drawing offered here were an exciting time for the artist. In 1931, art dealer Edith Halpert offered Sheeler exclusive representation at her Downtown Gallery in New York. As a result, Sheeler attained broader recognition for his precise, yet evocative, interpretations of utilitarian forms and attracted important commissions. From 1939 to 1940, he traveled across the country on assignment for Fortune magazine, photographing locations for a series of paintings on the theme of “Power.” The six finished paintings depicted icons of American industry such as airplanes, locomotives, power plants, and dams, and he would later utilize his source materials for related works.

Sheeler was also the subject of a biography written by the historian and critic Constance Rourke in 1938 and a retrospective exhibition at the Museum of Modern Art in 1939.

In 1939, Sheeler also opened an exhibition at the New York World’s Fair. The motto of the fair was “The World of Tomorrow.” This theme is reflected in the drawing offered here through the suspended abstract industrial shape reminiscent of skyscrapers and Manhattan architecture, and it also serves as an example of a body of work best described as “exploring the balance between abstraction and representation, photography and painting, an increasingly mechanized present and a more homespun past, uniting all these aspects in a skillful tension.”

606. Paul Ninas (American/New Orleans, 1903‑1964), “Through These Doorways Enter the Nicest People in the World, My Customers! (unfinished pencil drawing of boys en verso)”, 1954, watercolor and mixed media on paper, signed and dated lower right, titled lower center, 18 in. x 23 5/8 in., framed. $1200/1800 Provenance: Acquired from the artist by a noted New Orleans architect.

Ref.: “Downtown Gallery Records, 1824-1974, bulk 1926-1969.” Archives of American Art. http://www.aaa.si.edu/collections/downtown-gallery-records-6293/more. Accessed Mar. 21, 2016. Murphy, Jessica. “Charles Sheeler (1883–1965).” Heilbrunn Timeline of Art History.

Nov. 2009. https://www.metmuseum.org/toah/hd/shee/hd_shee.htm. Accessed Mar. 21, 2016. “1939 New York World’s Fair.” Wikipedia. Mar. 2, 2016. https://en.wikipedia.org/ wiki/1939_New_York_World%27s_Fair. Accessed Mar. 21, 2016.

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607. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912‑1997), “Untitled (Cluster Series)”, 1974, mixed media on paper, signed and dated lower left, 29 in. x 36 1/4 in., framed. $10000/15000 Provenance: Estate of Rod McKuen (1933‑2015), Beverly Hills, CA. Note: In 1973, Ida Kohlmeyer began the Cluster series, with each composition dominated by a grid filled expressive and vividly colored forms. “The series represents the first style that was identified solely with Kohlmeyer, and she embraced it as expressive of her artistic aims.”

The work offered here is a beautiful example of a grid painting and relates to the best examples she produced during this period, including Cluster 1-73A in the collection of the High Museum of Art in Atlanta, GA. Ref.: Plante, Michael. Ida Kohlmeyer: Systems of Color. New York: Hudson Hills Press, 2004, p. 16.

608. Newcomb College Art Pottery High Glaze Wall Pocket, 1905, decorated by Leona Nicholson with incised bluebells, blue, green and white underglaze, interior marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no AK44, h. 10 3/4 in., dia. 4 in. $5000/7000

609. Newcomb College Art Pottery High Glaze Vase, 1902, decorated by Harriet Joor in a Cherokee rose design, blue, green, white and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. S25 and “U” for white clay body, h. 7 3/4 in., dia. 7 1/2 in.

Note: Small old rim imperfection. $7000/10000 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

611. Newcomb College Art Pottery Vase, 1918, decorated

by Henrietta Bailey with flowering vine modeled in low relief, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. JX69, shape no. 181, h. 6 1/4 in., dia.

4 1/2 in. $1000/1500 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA. 610. Newcomb College Art Pottery Bowl, 1917, decorated by Sadie Irvine with relief‑carved chrysanthemums, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no.

IP100, shape no. 265, h. 4 in., dia. 11 1/2 in. $2500/3500

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612. Newcomb College Art Pottery Vase, 1916, decorated by Anna Frances Simpson with relief‑carved daffodils, matte glaze with blue, green, and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. HW38Y, shape no. 181, h. 6 in., dia. 4 1/2 in. $1000/1500

613. Newcomb College Art Pottery Wall Pocket, 1930, decorated by Sadie Irvine with relief‑carved jasmine design, semi‑matte glaze with blue, green, and white underglaze, back marked with Newcomb cipher, decorator’s mark, reg. no.

SC23, h. 8 1/2 in., w. 4 1/2 in. $3000/5000

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

613A. Pair of Newcomb College Art Pottery Candlesticks, 1924, decorated by Sadie Irvine with relief‑carved sweet peas, matte glaze with blue, green and pink underglaze, bases marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. OH62 and OH63, shape no.

311, h. 9 1/2 in., dia. 5 3/8 in. $2500/3500

614A. Newcomb College Art Pottery Vase, 1919, decorated by Sadie Irvine in the Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no KA97, shape no. 259, retains original paper label, h. 5 1/4 in., dia. 3 3/4 in. $2000/3000

616. Newcomb College Art Pottery Vase, 1931, decorated by Sadie Irvine with relief‑carved stylized abstract foliate design, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt potter’s mark, reg. no.

SZ72, and shape no. 209, h. 7 1/8 in. $2500/3500 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC.

614. Newcomb College Art Pottery Vase, 1931, decorated by Henrietta Bailey with irises modeled in low relief, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. TA49, and shape no. 181, h. 6 1/8 in. $1000/1500

615. Newcomb College Art Pottery Candlestick, 1910, decorated by Sadie Irvine with black‑eyed susans, semi‑matte glaze with blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. DP92, and B for buff clay body, h. 9 1/4 in. $1500/2500

617. Newcomb College Art Pottery Vase, 1914, decorated

by Cynthia Littlejohn with relief‑carved daisies, semi‑matte with blue, green, yellow and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. GO5, shape no. 240, “C” for buff clay body, h. 4 in., dia. 3 1/2 in. $500/800 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

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618. Walter Inglis Anderson (American/ Mississippi, 1903‑1965), “Dragonflies”, pen and ink on paper, unsigned, pencil‑titled and “1199‑D” inventory number en verso, 10 1/4 in. x 8 1/4 in., framed; accompanied by a copy of Estate of Walter Anderson letter of authenticity, 1988. $3000/5000

619. Walter Inglis Anderson (American/ Mississippi, 1903‑1965), “Morning Glories”, pen and ink on paper, unsigned, pencil‑titled and “1559‑D” inventory number en verso, 8 1/2 in. x 11 in., framed; accompanied by a copy of Walter Anderson Estate letter of authenticity, 1988. $2500/3500 Provenance: Estate of Walter Anderson, Ocean Springs, MS, 1988; Collection of Times‑Picayune theater critic Frank Gagnard.

Provenance: Estate of Walter Anderson, Ocean Springs, MS, 1988; Collection of Times Picayune theater critic Frank Gagnard.

620. Irma Sompayrac Willard (American/Louisiana, 1897‑1991), “Along the Stream, Louisiana Landscape”, 1922, oil on canvas board, signed and dated lower right, 14 in. x 19 3/4 in., period gilt frame. $6000/8000 Note: Born in Natchitoches, Louisiana, Irma Sompayrac (later Mrs. David Milne Willard) began painting during her time as a student at Newcomb College, from which she graduated in 1920. After spending time traveling between and working in New York City and Natchitoches, Sompayrac, her friend Gladys Breazeale, and former professor Ellsworth Woodward collaborated to create the Natchitoches Art Colony. With Sompayrac and Breazeale as directors and Woodward as professor, the Art Colony opened with its first season in 1921; there were ten students who had enrolled to study and compete for prizes.

In 1922, Will Henry Stevens joined the colony as the primary instructor and over the next decade, the school, while retaining a relatively small number of around thirty students, gained national publicity and students from as far as California.

This light and airy landscape, with a rich, yet soft, palette and sweeping composition, draws comparisons to Ellsworth Woodward’s oil paintings. The scene of a Louisiana stream certainly could have been painted near the Natchitoches Art Colony, a location which Woodward described as “an ideal location for an Art Colony” with “scenery unsurpassable.” Noted as the first art colony of the south, the Natchitoches Art Colony paved the way for future colonies and clubs, such as the Cane River Arts and Crafts Club.

621. George Rodrigue (American/Louisiana, 1944‑2013), “One Times Ten”, 2000, acrylic on linen, signed lower right, signed, titled and dated en verso, 24 in. x 20 in., framed. $25000/50000 Provenance: Rodrigue Studio, New Orleans.

622. George Rodrigue (American/Louisiana, 1944‑2013), “I Got a Hot Tree for You”, 1997, oil and acrylic on canvas, signed lower right, 14 in. x 18 in., framed. $20000/30000 Provenance: Rodrigue Studio, New Orleans.

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623. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Loon”, watercolor and graphite on paper, unsigned, 11 in. x 8 1/2 in., framed. $8000/12000

624. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Raised House, Old New Orleans”, oil on canvas board, signed lower right, 10 in. x 12 in., framed. $2000/3000 Provenance: Descended in the family of the artist.

625. Knute Heldner (American/New Orleans, 1877‑1952), “19th Century View of the Old Absinthe House”, oil on canvas, signed lower left, provenance inscription en verso, 17 in. x 21 in., antique frame. $4000/6000

626. Achille Perelli (Italian/New Orleans, 1822‑1891), “Night Heron”, oil on canvas laid on board, signed and inscribed “N.O.” lower right, “W.E. Seebold, New Orleans” label en verso, 24 in. x 16 in., original carved wood frame. $10000/15000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

627. Clementine Hunter (American/Louisiana, 1886‑1988), “Big Chicken Haulin’ Cotton”, oil on canvas board, monogrammed lower right, handwritten “Clementine’s Surprise” and inscribed en verso, 16 in. x 20 in., framed. $3000/5000 Provenance: Acquired from the artist, c. 1970.

628. Clementine Hunter (American/ Louisiana, 1886‑1988), “Zinnias on a Stool”, oil on canvas board, monogrammed lower right, handwritten inscription “Betty Leger” en verso, 10 in. x 8 in., framed with brass artist plaque. $1000/2000 Provenance: Acquired from the artist by noted La Riviera chef Goffredo Fraccaro.

629. George Rodrigue (American/Louisiana, 1944‑2013), “Robicheaux’s Wife”, 1977, oil on canvas, signed lower right, signed, titled, inscribed and “George Rodrigue Gallery, Lafayette” stamps en verso, 24 in. x 18 in., framed. $30000/50000

Additional information at www.nealauction.com

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630. William Aiken Walker (American/South Carolina, 1838‑1921), “Cotton Pickers with Wagon and Bales”, oil on academy board, signed lower left, pencil inscription en verso, 6 1/4 in. x 12 1/4 in., framed. $18000/25000 Provenance: Collection of Dr. and Mrs. R.L. Moore, Philadelphia, MS; Sold in these rooms, Nov. 21, 2009, lot 289.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

631. William Aiken Walker (American/ South Carolina, 1838‑1921), “Cabin Scene with Children”, oil on academy board, signed lower left, “Robert M. Hicklin, Spartanburg S.C.” and partial “F.W. Devoe Academy Board, N.Y.” labels and pencil inscriptions en verso, 12 1/4 in. x 9 1/4 in., framed. $12000/18000 Provenance: Estate of Logan J. Sewell, Vidalia, LA; a Louisiana collector.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

632. William Aiken Walker (American/South Carolina, 1838‑1921), “Cabin Scene”, oil on academy board, signed lower left, pencil inscriptions en verso, 6 1/4 in. x 12 1/4 in., framed. $10000/15000 Provenance: Estate of Logan J. Sewell, Vidalia, LA; Louisiana collector.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

633. William Aiken Walker (American/South Carolina, 1838‑1921), “Coastal Beach with Distant Sailboat”, 1905, oil on academy board, signed and dated lower left, “Sotheby’s Arcade Auction, New York, December 18, 1991, Lot #65” and partial “F.W. Devoe & Co., Academy Board, New York” labels en verso, 6 in. x 17 in., framed with artist plaque. $15000/25000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

635. Jose Maria Cundin (Spanish/ New Orleans, b. 1938), Mouth and Foot Study”, graphite on paper, signed lower right, 9 in. x 8 in., framed. $700/900 Provenance: Acquired from the artist.

634. George Hand Wright (American/South Carolina, 1872‑1951), “Along the Water, Bridgetown, Barbados, West Indies”, 1929, watercolor on paper, pencil‑signed lower right, pencil‑titled and dated en verso, 7 3/4 in. x 9 3/4 in., framed. $700/900

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636. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), “Cordes‑sur‑Ciel, France”, 1929, watercolor on paper, signed lower right, 14 1/4 in. x 12 in., framed. $800/1200 Provenance: Descended in the family of the artist.

637. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), “Scarlet Ibis”, “Stork Brazil”, “Argentina Flamingo” and “White Pellican [sic]”, 4 graphites on paper, all pencil‑titled, each 12 in. x 9 in., unframed. $400/600 Provenance: Descended in the family of the artist.

638. Clyde Connell (American/ Louisiana, 1901‑1998), “Swamp Song”, crayon on paper, initialed “C.C.” lower right, signed and titled en verso, 6 in. x 4 1/4 in., framed. $500/700

641. Henry Martin Gasser, N.A. (American, 1909‑1981, act. New Orleans, 1944‑1946), “New Orleans Street Scene”, watercolor on board, signed and inscribed “New Orleans” lower right, signed, titled and printed artist biography en verso, 15 in. x 22 in., framed with brass artist and title plaque. $2500/3500

639. George Hand Wright (American/South Carolina, 1872‑1951), “Bringing Cane or Rice to a Mill”, graphite and gouache on paper, signed lower right, 7 1/4 in. x 9 1/4 in., framed. $500/800

640. Alexander John Drysdale (American/Louisiana, 1870‑1934), “Moonrise on Lake Pontchartrain” and “Moonrise, Bayou Teche”, 1933, 2 oil wash on boards, signed lower right, pencil‑signed, titled, dated, inscribed and handwritten title labels en verso, 15 in. x 20 in., matching frames. $2500/3500 Provenance: Vicksburg, MS Estate.

642. Robert Helmer (American/New Orleans, 1922‑1990), “Mora Ship Shape”, 1962, watercolor and ink on paper, signed and dated lower left, “Orleans Gallery, Royal Street, New Orleans” with title and “331 Gallery, Chartres St., New Orleans” labels en verso, 24 1/2 in. x 39 in., period frame. $400/600

643. Henry Casselli (American/New Orleans, b. 1946), “Reclining Female Nude”, 1970, pencil on paper, signed and dated lower left, sight 8 in. x 8 in., framed. $300/500

644. James Michalopoulos (American/New Orleans, b. 1951), “Pink Portent”, 1991, oil on canvas, initialed “M” lower right, signed “James Mitchell”, titled, dated and “Uptown Gallery, Fine Conservation Framing, NY” label en verso, 30 in. x 40 in., framed. $4000/6000

645. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Rebus 3D‑12”, 1989, enamel on wood, signed and dated under base, h. 7 in., w. 7 in., d. 3 in., acrylic plinth. $2500/3500

646. José Jesús Francisco Zúñiga Chavarria (Costa Rican/Mexico, 1912‑1998), “Mujer Sentada”, 1974, watercolor with pastel on paper, signed and dated lower right, 19 in. x 26 in., framed. $3000/5000

647. Harry G. Berman (American, 1900‑1932), “Snow Scene”, 1927, oil on canvas, signed and dated lower right, “David Dike Fine Art, Dallas, TX” label with title en verso, 30 in. x 36 in., period frame. $2000/3000

Provenance: Arthur Roger Gallery, New Orleans.

Additional information at www.nealauction.com

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648. John McCrady (American/New Orleans, 1911‑1968), “The Robert E. Lee and the Natchez”, 1945, lithograph, pencil‑signed and titled lower margin, edition of 250, published by Associated American Artists, 10 in. x 14 in., framed. $700/1000 Provenance: Stone + Press Gallery, New Orleans.

649. William Woodward (American/New Orleans, 1859‑1939), “Old French Opera House ‑ in 1904 ‑ From Toulouse Street”, 1935, etching on paper, pencil‑signed, titled and inscribed “1st proof” lower margin, signed and dated in plate lower left, sight 9 in. x 10 3/4 in., framed. $800/1200

650. Louis Oscar Griffith (American/ New Orleans, 1875‑1956), “St. Louis Cathedral, New Orleans”, etching on paper, pencil‑signed and numbered “37/100” lower margin, handwritten label with artist and title en verso, sight 12 1/4 in. x 8 1/2 in., framed. $700/900

651. Jay Dearborn Edwards (American/New Hampshire, 1831‑1900, act. New Orleans, 1857‑1862), “The Steamer Magnolia at the Port of New Orleans”, c. 1857‑1860, salted paper photoprint mounted on paper, signed in negative “Edwards, Photo.” and inscribed “Opposite Post Office, Royal St. N.O.” lower left, image 6 in. x 7 3/4 in., sheet 11 in. x 13 7/8 in., antique wood frame. $3000/5000 Ill.: A Closer Look: The Antebellum Photographs of Jay Dearborn Edwards 1858‑1861. New Orleans: The Historic New Orleans Collection, 2008, p. 25.

Note: Jay Dearborn Edwards moved to New Orleans in 1857 and was working from a studio at 19 Royal Street by 1860. Edwards’ photographs from this era are the earliest surviving photographs printed on paper of New Orleans and depict a thriving port city. Cotton and sugar were the primary commodities fueling activity along New Orleans’ levees and driving business interests. The 1859-60 cotton harvest, the largest on record to date, produced 4.65 million bales, of which 2.25 million passed through the port of New Orleans. With few exceptions, Edwards’ photographs portrayed, directly or indirectly, some aspect of this commerce. Steam power, a defining technology of the Industrial Revolution was another key subject for Edwards.

In the salted paper photoprint offered here, Edwards captures a view of the port of New Orleans along the Mississippi River levee. There are two steamboats, one of which is the Magnolia, loaded with bales of cotton and men standing on the upper deck and planks leading to the wooden wharf. The name of the other boat is not visible, but it has signs indicating it is an express for Memphis, Louisville, and Cincinnati. The wharf is stacked with numerous cotton bales, as well as barrels. On October 20, 1859, under the heading “River Intelligence,” the New Orleans Daily Crescent noted that the packet Magnolia had arrived in port with 5,383 cotton bales on board, more than any boat had carried that season. Given the vast discrepancies in the size of individual bales at the time, the Magnolia could have been carrying anywhere from two to four million pounds of cotton.

Printing on paper allowed Edwards to create images that were larger than even rare full-plate daguerreotypes. His view of New Orleans combined with his remarkable technical skill in the still new field of photography offers a remarkable compendium of construction, shipping, and business activity. Edwards captured the full sense of the nation’s third-largest port at the height of the antebellum period.

Edwards fled New Orleans in the spring of 1862 when his photographs of Union activities and forts along the coast implicated him as a Confederate spy. Following his service to the Confederacy as a mail carrier in Virginia, Edwards settled his family there until 1886, when they moved to Georgia and opened a photography studio near the historic Atlanta center of Five Points.

Ref.: Lewis, Richard Anthony. “Jay Dearborn Edwards.” KnowLA Encyclopedia of Louisiana. Sept. 12, 2012. http://www.knowla.org/entry/1160. Accessed Mar. 28, 2016. A Closer Look: The Antebellum Photographs of Jay Dearborn Edwards 1858-1861. New Orleans: The Historic New Orleans Collection, 2008.

652. Charles Richards (American/New Orleans, 1906‑1992), “Dr. Germain Ducatel House, 1925, 633 Toulouse St., New Orleans”, oil on canvas, signed lower left, pencil‑titled and “The Fortier Gallery, Chartres St., New Orleans” label en verso, 20 1/4 in. x 16 in., framed. $1200/1800

653. Frank Ashley (American, 1920‑2007), “The Birth of Jazz”, 1952, oil on canvas, signed and dated lower right, “Spanierman Gallery, NY” and “Cahoon Museum of American Art” labels en verso, 23 in. x 27 in., framed with artist plaque. $2500/3500

Note: Dr. Germain Ducatel (1775‑1849) served as the surgeon and physician for General Plauche’s troops during the Battle of New Orleans in 1814‑15. In 1825, Dr. Ducatel hired Benjamin E. Fox to design his residence, which became known as the Court of Three Arches, at the corner of Toulouse and Royal Streets in the French Quarter.

Exh.: Striking the Right Notes ‑ Music in American Art, Cahoon Museum of American Art, Cotuit, MA, Oct. 25 ‑ Dec. 31, 2005.

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Provenance: Spanierman Gallery, New York, NY.

654. George Dunbar (American/Louisiana, b. 1927), “Bridge”, palladium leaf over blue clay, signed lower left and right, 22 in. x 36 in., framed. $7000/10000

655. George Dunbar (American/Louisiana, b. 1927), “Coin du Lestin”, gold leaf over black and beige clay, signed lower center, 54 in. x 48 in., framed. $18000/25000

656. Adele Lemm (American/Tennessee, 1904‑1977), “Shell and Rockweed”, 1969, oil on linen, signed and dated lower right, signed, titled and “The Charleston Renaissance Gallery, Charleston, SC”, “Robert M. Hicklin, Jr., Inc., Spartanburg, SC” and “Greenville County Museum of Art, SC” labels en verso, 24 1/4 in. x 30 1/8 in., framed. $5000/7500 Provenance: The Charleston Renaissance Gallery, Charleston, SC. Note: Tennessee artist Adele Lemm spent much of her life in the South and New England, where she often summered at Martha’s Vineyard. She studied at the Siena College in Memphis as well as the Memphis Academy of Arts.

Lemm’s well-known work is defined by blocks of color in a soft palette with details omitted in favor of representation through broad brush strokes, perfectly exemplified in the painting offered here.

In addition to painting, Lemm taught for twenty-three years at the junior school of the Memphis Academy of Arts. In the 1950s and 1960s, Lemm exhibited at the National Academy of Women Artists’ Annual Exhibition, New Orleans Museum of Art, Pennsylvania Academy of Fine Arts, Brooks Museum of Art and Ward Eggleston Galleries in New York City. Her work is represented in the collection of the Brooklyn Museum of Art. Ref.: Pennington, Estill Curtis, and James C. Kelly. The South on Paper: Line, Color and Light. Spartanburg: Robert M. Hicklin Jr., Inc., 1985, pp. 11 & 50.

656A. Arthur Silverman (American/New Orleans, b. 1923), “Untitled”, 1985, stainless steel, signed and dated, acrylic base, 36 in. x 5 3/4 in. x 5 in., mounted on a wood pedestal, overall h. 70 in., w. 11 in., d. 11 in. $1500/2500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. Note: New Orleans sculptor Arthur Silverman is most noted for his monumental sculptures. His powerful and often sizeable work is based on a simple idea — the use of one geometric element in repetition: the tetrahedron, or a triangular pyramid. A tetrahedron has no right angles, so a tetrahedral structure jars us out of spatial complacency. To Silverman, this seemingly humble form is special. “The tetrahedron is very exciting visually,” he says. “It’s very difficult to anticipate what you are going to see.” The work offered here is a slender, elegant sculpture based upon these design principles.

Silverman has executed more than 400 metal sculptures that range from just inches to more than 60 feet in height. In the New Orleans area alone, more than 30 public buildings feature his artwork, including the Tulane Law School and the A. B. Freeman School of Business at Tulane University, the Entergy Centre on Poydras Street, and Temple Sinai on St. Charles Avenue. His work is also included in numerous museum collections.

657. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Abstractions”, 3 inks on paper, unsigned, 9 in. x 12 in., unframed. $300/500 Provenance: Descended in the family of the artist.

658. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), “Cypress Trees”, “Spanish Moss Draped Live Oak” and “Close Up View Live Oak”, 3 graphites on paper, unsigned, 12 in. x 9 in. to 9 in. x 12 in., unframed. $300/500 Provenance: Descended in the family of the artist.

659. Attributed to Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Still Life of Magnolias”, oil on canvas, unsigned, 23 in. x 31 in., unframed. $500/800 Additional information at www.nealauction.com

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660. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “The Bromeliad Society Bulletin Cover Designs”, April and December 1959, August 1960 and February 1961, 4 pen and ink drawings, signed either lower right or left, sights 17 1/2 in. x 12 in. to 18 3/4 in. x 11 1/2 in., framed; together with 3 corresponding “The Bromeliad Society Bulletins”, (7 pcs.) $1500/2500

661. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “The Bromeliad Society Bulletin Cover Designs”, December 1962 and April and December 1963, 3 pen and ink drawings, signed lower right or center, sights 17 1/4 in. x 11 1/2 in., framed alike; together with 3 corresponding “The Bromeliad Society Bulletins”, (6 pcs.) $1500/2500

Provenance: Acquired from the family of the artist, Mandeville, LA, c. 1977.

Provenance: Acquired from the family of the artist, Mandeville, LA, c. 1977.

Note: By the 1950s, the New Orleans printmaker Morris Henry Hobbs had become an avid bromeliad enthusiast.

One of the founders of The Bromeliad Society, Hobbs served as the art editor of their annual bulletin.

662. Pair of Tiffany Sterling Silver Dresser Trays, early 20th c., flower and vine border, handsome period monogram, l. 10 in., wt. 8.55 troy ozs. $300/500

664. American Sterling Silver and Staghorn Presentation Tyg, Gorham Mfg. Co., Providence, RI, c. 1898, inscribed “Presented to/Rev. B.M.Palmer D.D./by the/ Rabbi and Board of Officers/of Touro Synagogue/On the day/of his reaching/four score years/Jan. 25th 1898”, and “’For evermore/will I keep for him/my kindness/And my covenant/ shall stand fast/with him’/Ps. 89.28”, and monogrammed “BMP”, h. 8 in., dia. 8 3/8 in. $800/1200

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA. 663. Three American Sterling Silver Bowls, incl. Reed & Barton floriform example, w. 13 in.; Simpson, Hall & Miller with scrolls, dia. 8 1/2 in.; and Wallace with reticulated rim, dia. 10 1/2 in.; combined wt. 42.55 troy ozs. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

665. S. Kirk & Son “King” Pattern Sterling Silver Flatware Service, pattern introduced 1825, incl. 8 each: forks, knives, salad forks, soup spoons, teaspoons, and a tablespoon, carving knife and fork and lemon fork, total wt. (weighable) 50 troy ozs. $1000/1500 666. Two Gorham Sterling Silver Repoussé Covered Vegetable Dishes, one with date mark for 1886, marks rubbed, shell, floral and scroll decoration on stippled ground, h.

5 1/2 in., w. 13 3/8 in., d. 10 7/8 in., and h. 5 3/8 in., w. 10 7/8 in., d. 9 in., total wt. 54 troy ozs. $2000/3000

667. S. Kirk & Son Coin Silver Repoussé Coffee and Tea Service, c. 1890‑1896, 11 oz. mark, incl. coffee pot, teapot, sugar, creamer and waste, all with floral and foliate repoussé on stippled ground, later presentation inscription on underside, coffee pot h. 9 3/8 in., total wt. 112 troy ozs. $3000/5000

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668. Set of Eight American Coin Silver “Queen’s” Pattern Tablespoons, pseudo hallmarks, c. 1830‑1840, probably Philadelphia or New York, possibly Thomas Fletcher or Forbes & Eoff; design influenced by French variations of “Queen’s” pattern with honeysuckle. $500/700

669. Gorham “Strasbourg” Pattern Sterling Silver Flatware Service, pat. 1897, incl. 16 forks (l. 7 1/2 in.), 8 knives (l. 9 1/4 in.), 8 knives (l. 9 5/8 in.), 10 salad forks, 8 soup spoons, 8 dessert spoons, 14 teaspoons, 8 iced tea spoons, 8 butter knives (fh), 2 demitasse spoons and an olive fork; together with a Rogers ”Old Charleston” pattern sterling silver child’s fork, 92 pcs., combined wt. (weighable) 97.90 troy ozs. $800/1200 671. Decorative Silverplate and Gilt Centerpiece in the Style of Elkington, 20th c., unmarked, with palm trees and stags, cut glass bowl, h. 20 in. $800/1200 672. Victorian Silverplate Trefoil Decanter Stand, fitted with three amber cut glass decanters with sterling silver bottle tags. $300/500 675. Pair of Late Regency Patinated Bronze and Metal Figural Sinumbra Lamps, early 19th c., attr. to Messenger & Sons, Classical female figures with basket of grapes, with floral cut shades, h. 34 in., dia.

11 in. $1200/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 144.

670. Gorham “Buttercup” Pattern Sterling Silver Luncheon Flatware Service, pat. 1899, incl. 12 each luncheon forks, knives, salad forks, cocktail forks, soup spoons, and ice teaspoons, 24 teaspoons, 10 butter knives (fh), a tablespoon, cold meat fork and gravy ladle, total wt. (weighable) 98 troy ozs. $1500/2500

673. Good Group of Silverplate Serving Pieces, incl. modernist Mexican salad bowl, dia. 13 in.; English dressing spoon, Thomas Prime & Son, Birmingham, 19th c.; cold meat fork, Martin, Hall & Co., Sheffield, 1st half 20th c.; American modernist soup ladle, Three Crowns Silversmith, 20th c.; and 2 English berry spoons. $250/350

674. Good Group of Antique and Vintage Silverplate Wine Coasters, incl. pair of vintage motif, dia. 8 7/8 in.; Old Sheffield Plate with reeded gallery, dia. 5 1/4 in.; and gadroon border, dia. 6 1/8 in., (4 pcs.) $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

676. American Federal Mahogany Armoire, c.

1810, Philadelphia, broken pediment cornice with pineapple finial, figured cabinet doors, later shelves, beehive legs, paw feet, h. 78 in., w. 46 1/2 in., d. 19 in. $2000/3000 Provenance: Flomaton Antique Auction, Flomaton, AL, Jan. 2, 2004, lot 100; Boor‑Cassidy Collection, Philadelphia.

Ill.: Boor, Allison, et al.

Philadelphia Empire Furniture. p. 475, fig. 313.

677. American Chippendale Cherrywood Slant‑Front Desk, late 18th c., fitted interior, graduated drawers, ogee bracket feet, h. 41 in., w. 39 3/4 in., d. 19 3/4 in. $800/1200 678. Edwardian Mahogany Caned Settee, closed panel back and arms, baluster uprights, tapered legs, casters, h. 37 in., w. 61 1/2 in., d. 23 in. $800/1200

Additional information at www.nealauction.com

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679. Georgian Burl Walnut Chest on Chest, mid‑18th c., cavetto cornice, three short over three graduated drawers, molded base; three graduated drawers, shaped bracket feet, h. 70 1/2 in., w. 42 3/4 in., d. 23 1/4 in. $1200/2000

680. Edwardian Inlaid Rosewood Desk, late 19th c./early 20th c., stamped “Rumney and Co, Liverpool”, shaped spindled backsplash, fitted stationery box, tooled leather writing surface, frieze drawer, square tapered legs, casters, h. 38 1/4 in., w. 39 1/4 in., d. 20 1/2 in. $1000/1500

682. Pair of William and Mary Marquetry Candlestands, c.

1690‑1710, octagonal tops with floral scrolls, oyster veneered edge, square tapered standards, tripartite plinths, scrolled legs, h. 35 3/4 in., top dia. 14 3/4 in. $10000/15000

681. Regency Ebony Inlaid Mahogany Hanging Corner Cabinet, early 19th c., stepped cornice, canted corners, glazed door, shelf interior, molded base, h. 41 1/4 in., w. 29 1/4 in., d. 17 1/2 in. $600/900

Note: The use of naturalistic floral marquetry and oyster veneers on this pair of torcheres is characteristic of English furniture produced in the mid-to-late 17th century. Interestingly, the tapering and often faceted standard was introduced in the late 1680s, replacing the spiral-turned or barley twist standard. Similar candlestands are illustrated in Adam Bowett’s English Furniture 1660-1714 (pls. 9:10, 9:11) Ref.: Adam Bowett. English Furniture 1660-1714: From Charles II to Queen Anne. England: Antique Collector’s Club, 2002, p.

279, pls. 9:10 and 9:11.

683. Queen Anne Figured Walnut Console Table, mid‑18th c., molded marble top, frieze drawers, cabriole legs, pad feet, h. 31 1/4 in., w. 62 in., d. 25 in. $1200/1800

684. Late Regency Inlaid Mahogany Serving Table, c. 1820, swell‑front top, three frieze drawers, foliate reeded legs, h. 37 in., w. 72 1/4 in., d. 26 1/2 in. $1500/2500

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Rathbone Family, New Orleans. Sold to benefit the Hermann-Grima and Gallier Historic Houses Collections Fund.

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686. Pair of Louis XV/XVI‑Style Painted Fauteuils, shaped backs, scrolled arms, serpentine aprons, cabriole legs, h. 41 1/4 in., w. 25 3/4 in. $1000/1500 685. Regency Mahogany Beau Brummel, mid‑19th c., hinged divided top, cabinet door over commode drawer, square legs, h. 35 1/2 in., w. 20 in., d. 21 in. $600/800

687. Antique Spanish Carved Walnut Refectory Table, plank top, three frieze drawers, shaped trestle base, iron stretcher, h. 31 3/4 in., w. 59 3/4 in., d. 33 3/4 in. $2500/3500

690. Ira Monte (Spanish, b. 1918), “Tropical Birds Among Palms and Trees”, oil on canvas, signed lower right, label with artist en verso, 63 in. x 44 in., framed. $1500/2500 688. Pair of Louis XV‑Style Beechwood Bergères, floral‑carved crests, barrel backs, shaped padded arms, serpentine aprons, cabriole legs, h. 33 3/4 in., w. 28 3/4 in. $600/900

Provenance: A New Orleans family.

689. Manner of the Bassano Family (Italian/Venice, late 16th c.), “Scenes of the Vintage”, 19th c., oil on panel, unsigned, 14 1/8 in. x 20 1/8 in., framed. $800/1200 Provenance: Ex‑Collection of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island.

692. Continental School, 19th c., “Cherub on Swan‑Pulled Chariot”, and “Cherub Taunting a Goat”, oils on artist board, unsigned, each 8 in. x 14 3/4 in., framed alike. $600/900 691. Ira Monte (Spanish, b. 1918), “Tropical Birds with a Fortification”, oil on canvas, signed lower right, “Art Lore” label with artist en verso, 39 in. x 63 in., framed. $1500/2500 Provenance: A New Orleans family.

693. Continental School, 19th c., “Three Dogs in an Interior”, oil on canvas, unsigned, 22 in. x 26 3/4 in., framed. $1200/1800

694. Continental Painted Bronze Figural Table Lamp, c. 1925, inscribed “Titze”, in the form of a woman praying at a roadside altar, h. 17 1/2 in., w. 6 in., d. 7 1/2 in. $1000/1500

Additional information at www.nealauction.com

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695. Continental Bronze Group of a Lady on Horseback, bronze, inscribed “Fremiet” on self‑base, h. 18 in., l. 14 in., d. 5 in. $400/600

696. Bronze Statuette of the Apollo Belvedere, probably early 20th c., after the Antique in the Vatican Museum, Rome, h. 12 3/4 in. $250/500

699. French Cabinet Bronze Group, 20th c., of a hound and tortoise after Alfred Barye, Jr. (French, 1839‑1850), inscribed “Barye” on base, h. 7 1/2 in., rectangular terrasse. $200/400

700. Plaster Bust of a Renaissance Lady, Reproduction from the Louvre Museum, “Musée du Louvre, Réproduction Interdite, Ateliers de Moulage”, inscribed “Fritsch”, h. 13 in. w. 13 1/2 in., d. 9 in. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

697. French Bronze Statuette of the Venus de Milo, c. 1900, after the Antique in the Louvre, Paris, collection inscriptions underside, h. 12 in. $250/500

698. Patinated Bronze Figural Group, 19th c., after “The Rape of the Sabine Women” by Giambologna (Flemish/Florence, 1529‑1608), English label under marble base, h. 14 3/4 in. $200/400

701. Miniature French Bisque Bust of Louis XVI, 19th c., after Boizot, stamped “RG” on truncation, bleu royale porcelain socle. $400/600

702. French Bisque Figure of a Young Maiden, 20th c., after Jean Jules Cambos (French 1828‑1917), inscribed “J. Cambos” on self‑base, h. 26 in. $400/600

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

703. After Jean Antoine Houdon (French, 1741‑1828), bronze figure of “La Frileuse”, inscribed “Houdon” and “F. BARBIDIENNE FONDEUR”, on marble base, h. 17 1/4 in., dia.

6 1/2 in. $1000/1500

704. Bruno Zach (Austrian, 1891‑1935), “A Dancer”, bronze, inscribed “Zach” on self‑base, h. 14 3/4 in., w. 7 1/2 in., d. 8 in., marble plinth. $600/900 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

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705. Vernis Martin‑Style Bronze‑Mounted Bracket Clock in the Louis XV Taste, late 19th c., Vincenti movement of Rococo form, painted with florals and a courting scene, h. 30 3/4 in., w. 14 1/2 in., d. 8 1/2 in. $1500/2000

706. Napoleon III Gilt Bronze and Cut Glass Mantel Clock, c. 1870, striking bell movement marked “Vincenti & Cie.”, porcelain dial, columns with engine‑turned mounts, pad feet, h. 18 1/2 in., w. 11 1/2 in., d. 6 3/4 in $1800/2500 Provenance: Collection of Mrs. Dudley J Hughes, Jackson, MS.

707. American or English Satinwood and Mahogany Collector’s Cabinet, late 19th/ early 20th c., highly figured paneled doors, upper case with fitted interior, lower case with shelves, blocked base, h. 83 in., w. 42 in., d. 23 in. $1400/1800

708. Regency Brass and Cuban Mahogany Dumbwaiter, late 18th/ early 19th c., revolving top with reeded edge, turned supports, spiral‑turned standard, foliate saber legs, brass‑capped casters, h. 45 1/2 in., dia. 22 in. $2000/3000

709. Antique George III Mahogany Library Chair in the Chinese Chippendale Taste, shaped padded back, blind fretwork‑carved arms and legs, pierced stretcher, h. 38 1/4 in., w. 26 in. $500/750 710. Large Antique Georgian‑Style Burl Walnut Writing Table, gilt tooled leather top, turreted corners, six frieze drawers, acanthus‑carved legs, claw and ball feet, h. 31 1/2 in., w. 73 in., d. 49 in. $1000/1500 Provenance: Murray Thomson Ltd., London; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

711. William IV Walnut Writing Table, mid‑19th c., inset gilt tooled leather top, frieze drawers, reeded legs, casters h. 30 in., w. 48 in., d. 30 in. $400/600

712. Four Late Regency Rosewood Side Chairs, c. 1835, labeled “J. Kendall & Co.”, molded backs, stylized lyre splats, chamfered turned tapered legs. $500/1000

Provenance: Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections Fund.

713. William IV Carved Mahogany and Needlework Pole Screen, c. 1830, adjustable support, tripartite base, h. 67 in., w. 26 1/4 in., d. 22 1/4 in. $300/500

714. Pair of George III‑Style Mahogany Armchairs, arched crests, pierced vasiform splats, shaped arms, tapered legs, h. 39 1/2 in., w. 22 1/2 in., d. 19 1/2 in. $600/900 Additional information at www.nealauction.com

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715. English Japanned Parcel Gilt, Chinoiserie and Mother‑of‑Pearl Inlaid Work Table, mid‑19th c., lift top, fitted interior, baluster standard, incurvate base, casters, h. 28 in., w. 21 1/4 in., d. 15 1/4 in. $700/900

716. English Carved Oak Buffet, molded top, central frieze drawer over cellarette drawer, side cabinets enclosing shelves, h. 35 3/4 in., w. 66 in., d. 20 1/2 in. $500/1000

717. Antique English Ebonized, Parcel Gilt and Mother‑of‑Pearl Inlaid Child’s Chair and Painted Tray Top Table, table h. 17 in., w. 15 in., d. 12 in.; chair h. 25 1/4 in., w. 13 1/4 in. $400/600 718. American Classical Giltwood Overmantel Mirror, 19th c., outset crest, acorn pendants, blocked rosette corners, split‑column and acanthus surround, divided mirror plate, h. 25 3/4 in., w. 64 in., d. 4 1/4 in. $600/900

719. American Chippendale Carved Mahogany Tall Case Clock, c. 1825, George Baldwin, Sadsbury Township, Chester Co., Pennsylvania, clock with swan’s neck crest and urn‑shaped finials, face flanked by fully carved columns, painted dial with second and calendar dials and floral spandrels, below moon phase, case with arched door and chamfered corners, base with recessed panel, ball feet, h. 94 1/2 in., w. 20 1/2 in., d. 10 in. $1500/2500 Provenance: Boor‑Cassidy Collection, Philadelphia.

Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 551, fig. 379.

720. American Cherrywood and Tiger Maple Tall Case Clock, c. 1832, copper dial signed “Jacob Custer/Norristown, and engraved with an Indian Warrior, flowers and arrowhead spandrels, movement with wooden plates, tiger maple door, turned feet, h. 90 1/2 in., w. 19 3/4 in., d. 13 1/2 in. $2000/3000 Provenance: Boor‑Cassidy Collection, Philadelphia.

Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 552, figs. 380, 380a.

100

721. American Federal Walnut Table, early 19th c., Virginia, frieze drawer, ring‑turned tapered legs, h. 28 3/4 in., w. 20 3/4 in., d. 30 in. $500/800

722. Pair of Georgian‑Style Mahogany Armchairs, Schmieg & Kotzian, New York, each with shaped crest, pierced vasiform splat, scrolled arms, cabriole legs, claw‑and‑ball feet, h. 38 in., w. 27 1/4 in. $500/750

723. American Classical Carved Mahogany Work Table, early 19th c., New York, drop-leaf top, graduated drawers, baluster standard, foliate legs, hairy paw feet, casters, h. 28 3/4 in., closed w. 17 1/2 in., open w. 34 1/2 in., d. 22 1/2 in. $800/1200

724. American Federal Walnut Chest of Drawers, early 19th c., probably Tennessee, graduated drawers, bracket feet, h. 41 1/4 in., w. 41 3/4 in., d. 20 1/4 in. $1000/2000

725. American Federal Mahogany Games Table, early 19th c., school of Haines‑Connelly, Philadelphia, shaped foldover top with reeded edge, conforming frieze, turned reeded legs, h. 29 1/4 in., w. 36 in., d. 18 1/4 in. $800/1200

726. Late Regency Oak Hall Bench, 19th c., in the manner of Gillows of Lancaster, incised tubular armrests, molded seat, turned tapered legs, h. 19 1/4 in., w. 48 1/4 in., d. 11 1/2 in. $800/1200 Provenance: Lynda Willauer Antiques, Nantucket, MA.

727. Queen Anne Oak Settle, 18th c., raised panel back, scrolled arms, cabriole legs, pad feet, h. 42 in., w. 58 1/2 in., d. 26 1/2 in. $800/1200 Provenance: King’s Rowe Antiques, Lafayette, LA, 1998.

729. Set of Eight Chippendale‑Style Carved Mahogany Dining Chairs, incl. two armchairs and six side chairs, foliate crests, gothicized pierced splats, shaped seats, cabriole legs, casters, h. 37 3/4 in., w. 23 3/4 in. $1000/1500

728. American Late Classical Parcel Gilt and Gilt Bronze‑Mounted Mahogany Pier Table, mid‑19th c., Philadelphia, marble top, torus-molded frieze with gadrooned edge, columnar supports, mirror back, incurvate plinth, ebonized paw feet, h. 38 in., w. 40 in., d. 18 in. $1000/1500

730. Louis XV‑Style Carved Walnut and Leather Duchesse Brisee, labeled Hancock & Moore, shaped back, padded scrolled arms, serpentine seat, cabriole legs, armchair h. 36 in., w. 34 in., d. 39 in., ottoman h. 18 in., w. 29 in., d. 26 in. $700/1000 Additional information at www.nealauction.com

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731. American Classical Carved Mahogany Dining Table, mid‑19th c., in two parts, each with drop‑leaf top, foliate and ring‑turned legs, casters, h. 29 in., l. 90 3/4 in., w. 48 in. $1000/1500

732. American Classical Carved Mahogany Sofa, early‑19th c., cylindrical crest rail, rosette terminals, cornucopia carved arms, torus‑molded seat rail, acanthine paw feet, casters, h. 35 1/2 in., w. 87 1/2 in., d. 23 in. $2500/3500

733. American Cherrywood Bureau, late 18th/early 19th c., upper case with flared cornice, paneled doors fitted desk compartment, foldover writing surface, lower case with frieze drawer over doors, turned feet, h. 76 7/8 in., w. 43 1/4 in., d. 20 in. $800/1200

734. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “Steamboat Tennessee Belle on the Mississippi River”, oil on canvas, signed lower left, 24 in. x 30 in., framed. $3000/5000

735. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Delivery Truck in front of Cusemano’s Bar (Prytania Street), New Orleans “, oil on canvas, signed lower right, 24 in. x 30 in., framed. $3000/5000

736. Knute Heldner (American/ New Orleans, 1877‑1952), “Farmer Watching a Crop Duster”, 1930, oil on canvas board, signed lower right, dated, and “Ben’s Studio, Hotel Monteleone, Royal St., New Orleans” stamp and label en verso, 20 in. x 16 in., framed. $2000/3000

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737. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Socrates”, 1975, graphite on paper, signed, titled and dated lower right, “Stone + Press Gallery, New Orleans” label with artist, title, date and provenance en verso, 11 in. x 7 5/8 in., framed. $300/500 Provenance: Stone + Press Gallery, New Orleans.

738. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Two Figures” and “Priest: Puerto Rico”, 1920, double‑sided graphite on paper, signed and dated upper right, signed, titled and dated lower edge, 8 1/2 in. x 6 in., framed. $300/500

739. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “In Taiwan”, 1965, marker on paper, pencil‑signed, dated and titled lower right, 11 in. x 8 1/8 in., framed. $300/500 Provenance: Stone + Press Gallery, New Orleans.

Provenance: Stone + Press Gallery, New Orleans.

740. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Uncertain One” and “Conversation”, double‑sided graphite on paper, both signed, titled and dated lower right, “Stone + Press Gallery, New Orleans” label with artist, title, date and provenance en verso, 11 in. x 8 1/8 in., framed. $400/600 Provenance: Stone + Press Gallery, New Orleans.

741. Sally Swatland (American, b.

1946), “Early Afternoon at Todd’s Point”, oil on canvas, signed lower right, signed, titled and “Rehs Galleries, Inc., NY” stamp and label with title en verso, 30 in. x 24 in., framed. $2000/3000

742. Larry Zingale (American, b. 1938), “The Yellow Dress”, 1996, oil on canvas, signed mid‑left, signed, titled and dated en verso, 14 in. x 11 in., framed. $1000/2000 Note: Larry Zingale is a self-taught American folk artist.

He was discovered in 1973 by New York gallerist, Gisela Fabian of Fabian Gallery, who overheard a friend remark that his works were better than those being exhibited at her gallery. She offered to look at Zingale’s pieces, and shortly thereafter, she placed them in her show of important American self-taught artists. As is demonstrated by the painting offered here, Zingale’s works are defined by their two-dimensional rendering of subject matter as well as bold areas of color. Zingale’s works are included in collections of the Museum of International Folk Art in Santa Fe, Nelson Rockefeller Collection in New York, and the Fenimore House Museum in Cooperstown, New York.

Ref.: Sotis, Tina. “Larry Zingale: Modern Primitive, American Treasure.” The Sandisfield Times. Oct. 2007: 1-2.

746. Pair of Decorative Silverplate Figural Decanter Trolleys, each moveable carriage fitted with two coasters mounted with putti, turned wood bottoms, l. 21 in. $400/600

743. Pair of Continental Inlaid, Ebonized and Gilt Metal Cachepots, 19th c., removable tin liners, h. 6 1/2 in., w. 7 1/2 in. $200/400

744. Pair of Restauration Brass Candlesticks, c. 1825, anthemion and diaper pattern decoration, h. 10 in. $400/600

745. Pair of Regency Bronze Table Screen Holders in the Gothic Taste, 19th c., h. 24 1/2 in., dia. 6 in. $150/250

748. American Gilt Bronze Solar Lamp, c. 1850, marked “Hooper and Co., Boston / Solar”, double‑gourd cut shade, h. 37 in., dia. 8 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 62.

749. American Gilt Bronze Solar Lamp, c. 1850, Hooper & Co., Boston, foliate cast standard, gourd shaped cut shade, h. 32 1/2 in., dia. 8 1/4 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 747. Decorative Silverplate Candelabrum/Epergne, frosted and cut glass center bowl, four scrolled arms with urn‑form candlecups and removable bobêches, overall h. 16 3/4 in., w. 23 3/4 in. $1200/1800

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 32.

Additional information at www.nealauction.com

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750. Pair of American Bronze Single Light Argand Lamps, c. 1820, marked Lewis Veron & Co., Philadelphia”, floral designs, on tripartite dolphin base, electrified, h. 16 in., w. 12 1/2 in., d. 6 1/2 in. $1500/2500

751. Pair of Continental Bronze “Aladdin’s Lamp” Sconces, c. 1900, each cast classical mask, h. to socket 17 in., w. 7 in., d. 16 in. $2000/3000

752. Pair of French Gilt Bronze Four‑Light Candelabra, early 19th c., “Aladdin” standards, on star‑form base, h. 22 in., w. 8 1/ 2in., d. 8 in. $800/1200

753. Empire‑Style Brass and Tôle Two‑Light Bouillotte Chandelier, vasiform standard, each lamp with three lights, adjustable shades, h. 24 in., w. 41 in., d. 12 in. $600/800

754. Pair of Chinese Blue and White Porcelain Drum‑Form Covered Storage Bowls, probably 20th c., mask handles, decorated with figures in garden settings, h. 9 1/2 in., dia. 12 3/4 in. $700/900 755. Pair of Chinese Famille Rose Porcelain Square Vases, probably 20th c., mask‑ring handles, decorated with officials in garden pavilions, h. 22 7/8 in. $600/800

758. Large Chinese Celadon Stoneware Octagonal Dish, probably 19th/20th c., carved with panels of flowering branches beneath a key‑fret and lingzhi band on the everted notched rim, h. 2 1/8 in., w. 17 1/8 in. $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

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759. Pair of Chinese Polychrome Porcelain Covered Vases, probably 20th c., ribbed bodies and covers decorated with fruiting and flowering branches, bases with Kangxi marks, h. 18 3/4 in. $600/800

756. Three Chinese “Blanc de Chine” Porcelain Buddhist Lion‑Form Joss Stick Holders, probably 19th and 20th c., modeled seated on plinths beside vases with front paws resting on “brocade” balls, one filled/weighted, h. 10 7/8 in., 7 1/4 in. and 5 1/8 in. $600/800 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

757. Chinese Famille Verte Porcelain Rouleau Vase, probably 20th c., decorated with peacocks amid rocks and flowering branches, h. 10 1/8 in., now mounted as a lamp, h. (to socket) 13 1/2 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

760. Highly Decorative Pair of Chinese Turquoise Blue “Beijing” Glass Covered Jars, probably 20th c., h. 12 1/2 in. $1000/1500

761. Gustavo Duque (Colombian/New Orleans, 20th c.), “Green Landscape”, 2001, oil on canvas, signed and dated lower left, label with title and inventory no. “23244” on stretcher, 20 in. x 24 in., framed. $1000/1500 Note: Sold to Benefit the Jewish Federation of Greater New Orleans.

762. Gustavo Duque (Colombian/New Orleans, 20th c.), “Floating Upward”, 2001, oil on canvas, signed and dated lower left, label with title and inventory no. “23230” on stretcher, 30 in. x 24 in., framed. $1000/1500 Note: Sold to Benefit the Jewish Federation of Greater New Orleans.

764. French Restauration Mahogany Center Table, mid‑19th c., circular gray marble top, incurvate triangular base, scrolled paw feet, casters, h. 28 2/3 in., dia. 31 1/4 in. $1500/2500 763. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Blue Heron”, linocut on paper mounted on board, unsigned, 20 in. x 37 in., framed. $3000/5000 Ill: Pickard, Mary Anderson and Patricia Pinson. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University of Mississippi Press, 2007, p. 69.

765. Napoleon III Gilt Bronze‑Mounted Inlaid Kingwood and Burl Walnut Games Table, late 19th c., serpentine crossbanded foldover top with floral marquetry medallion, baize‑lined playing surface, inlaid chess board, frieze drawer, cabriole legs, sabots, h. 29 3/4 in., w. 32 in., d. 20 in. $3000/5000

766. Provincial Louis XV Fruitwood Armoire, 18th c., molded cornice, shaped‑panel doors, iron fiche hinges, open interior, serpentine apron, reduced block feet, h. 79 in., w. 55 1/2 in., d. 27 in. $1000/2000 Note: A nearly identical piece was sold Neal Auction Company, Mar. 4, 2006, lot 57.

767. Antique Italian Neoclassical Carved Walnut Triple Back Settee, probably late 18th c., arched molded crest, pierced splats, molded shaped arms, fluted tapered legs, h. 37 1/2 in., w. 54 3/4 in., d. 18 in. $600/800

768. Italian Neoclassical Carved and Inlaid Walnut Petite Commode, late 18th c., molded top, two drawers, stop‑fluted tapered legs, h. 37 in., w. 18 in., d. 12 in. $800/1200

Additional information at www.nealauction.com

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769. Cypress Coffee Table, 20th c., plate glass top, h. 18 1/2 in., w. 29 1/2 in., d. 25 in. $700/1000 Provenance: Marjorie Shushan, New Orleans.

770. French or American Late Classical Mahogany Chaise Voltaire, mid‑19th c., shaped back, scrolled and padded arms, fluted legs, casters. $700/900

772. Pair of Paris Porcelain Reticulated Corbeilles, 19th c., claret and gilt decoration, “DJC” monogram, h. 8 1/2 in. $300/500 771. Pair of Sèvres‑Style Porcelain Covered Urns, 19th c., spurious marks, cobalt and gilt decoration, putto‑form handles, h. 13 in. Note: Restoration. $400/600

Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

775. Jacob Petit Paris Porcelain Jardinière on Stand, 19th c., marked, apple green and gilt, reserve of a maiden, overall h. 6 1/4 in.; together with encrier, marked “Feuillet”, with floral reserves, h. 4 1/8 in, w. 8 1/2 in. Note: Restoration. $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA.

773. Paris Porcelain Figural Teapot and Cream Pitcher, 19th c., with swan’s neck spouts and handles, claret ground with well‑painted floral medallions and matte and burnished gilt, h. 7 1/4 and 6 1/2 in. Note: Repairs. $700/1000

776. Paris Porcelain Veilleuse, 19th c., incised marks, maritime scenes with gilt trim, h. 8 7/8 in. $300/500

777. Paris Porcelain Cream Pitcher and Sucrier, 19th c., marked “Schoelcher/ à paris”, polychrome floral and gilt decoration, h. 8 in. and 7 in. $400/600 Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

779. Three Antique Tôle Peinte Hot Water Urns, variously decorated with resting birds, floral sprays, and a vase of flowers, h. 13 1/2 in. to 18 in. $700/1000

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780. Two Tortoiseshell Card Cases, 19th c., h. 3 1/4 in., w. 2 in., and h. 3 3/4 in., w. 2 5/8 in.; together with three horn cups, h. 3 7/8 in. to 5 in., (5 pcs.) $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

781. Pair of Empire‑Style Gilt and Patinated Bronze Figural Candlesticks, 19th c., classical maiden standard with acanthine candle nozzle and base, h. 12 1/2 in. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

774. Pair of Bronze‑Mounted Porcelain Lidded Urns in the Louis XVI Taste, “Sèvres bleu celeste” ground with floral reserves. $800/1200

778. Twelve Limoges Porcelain Fish Plates, early 20th c., gilt scalloped rim, decorated with fish and shells, dia. 8 1/2 in. $400/600

782. Italian Patinated Bronze Figure of an Athlete, 20th c., after the Antique, marble base, h. 14 in., w. 9 in., wd. 5 3/4 in. $600/800

783. Gorham “Chantilly Grand” Pattern Sterling Silver Coffee and Tea Service, incl. coffee pot, teapot, sugar, creamer and waste bowl, coffee pot h. 9 7/8 in., combined wt. 88.50 troy ozs. $2000/3000

784. Persian Shiraz Carpet, red ground, gul border, central field, diamond designs, 9 ft. 7 1/2 in. x 5 ft. 3 in. $1400/1800

785. Persian Tabriz Carpet, cream ground, overall vining floral design, 11 ft. 7 1/2 in. x 9 ft. 11 in. $3200/3800

788. Persian Tabriz Carpet, red ground, cream border, stylized floral design, 12 ft. 9 in. x 9 ft. 7 in. $2600/3200

789. Semi‑Antique Persian Heriz Carpet, red and cream ground, central diamond medallion, overall stylized floral motifs, 9 ft. 6 1/2 in. x 7 ft. 2 1/2 in. $2800/3200

786. Persian Serapi Carpet, red, cream and blue ground, stylized designs, central medallions, 12 ft. 1 in. x 10 ft. 1 1/2 in. $4800/5800

790. Persian Hamadan Carpet, red and brown ground, double medallions, repeating border designs, 9 ft. 1 1/2 in. x 5 ft. 1/2 in. $1400/1800

787. Semi‑Antique Persian Heriz Carpet, red ground, central medallion, serrated spandrels, 12 ft. 5 1/2 in. x 9 ft. 5 1/2 in. $3500/4500

791. Persian Kerman Carpet, large scalloped central medallion, overall intricate floral design, 12 ft. 2 in. x 8 ft. 11 in. $4000/6000

Additional information at www.nealauction.com

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792. 18 kt. Yellow Gold, Emerald, and Sapphire Necklace, with pendant carved emerald and sapphire drops suspended from stylized shell plaques, total emerald wt. approx. 26.50 cts., total sapphire wt. approx. 60 cts. $15000/25000

793. 18 kt. Yellow Gold and Amethyst Teardrop Earclips, oval and round faceted amethysts, total wt. approx. 30 cts., in paisley shaped mounts. $4000/6000

794. 18 kt. White Gold and Diamond Eternity Ring, set with a row of baguette‑cut diamonds flanked by rows of round brilliant‑cut diamonds, total diamond w. approx. 6 cts., size 6 1/2. $12000/18000

795. 18 kt. White Gold and Diamond Link Bracelet, composed of diamond shaped links set with brilliant‑cut diamonds, total diamond wt. approx. 15 cts., l. 7 in. $20000/30000

797. Bulgari 18 kt. Yellow Gold and Pearl Link Bracelet, 8.5 mm. cultured pearls between interlocking gold links, l. 7 in., wt. 21 dwt. $3000/5000

798. 18 kt. White Gold and Diamond Belt Necklace, with five rows of bezel‑set full cut diamonds and buckle form clasp, total diamond wt. approx.

41 cts., l. 16 3/4 in. $45000/55000

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796. Platinum, Diamond and Sapphire Ring, signed “Sophia.D”, central emerald‑cut diamond surrounded by calibre cut sapphires, diamond‑set shank, total diamond wt. approx. 1.40 cts., total sapphire wt. approx. .80 ct., size 6. $8000/12000

799. Pair of Platinum, Diamond and Emerald Earstuds, each with bezel‑set round old mine diamond surrounded by calibre cut emeralds, total diamond wt. approx. 2 cts., total emerald wt. approx. 1 cts. $12000/18000

801. Pair of Henry Dunay 18 kt. Yellow Gold Earclips, three parallel lobes with hammered surfaces, wt. 16.5 dwt. $2000/3000

802. 18 kt. White Gold and Sapphire Dome Ring, with invisibly set blue sapphires, total sapphire wt. approx. 12.50 cts., size 6. $12000/18000

803. 18 kt. White Gold and Diamond Dome Ring, with invisibly set diamonds, total diamond wt. approx. 4.50 cts., size 6 1/2. $12000/18000

805. Victorian‑Style 18 kt. Yellow Gold Chain, elongated double twist links joined by circular twist links, l. 73 in., wt. 60 dwt. $15000/25000

800. Pair of Tiffany and Co. 18 kt. Yellow Gold Kidney‑Shaped Earclips, Elsa Peretti designer, signed, wt. 13 dwt. $1500/2500

804. Pair of 18 kt. White Gold and Diamond Eardrops, each diamond shaped drop suspended from a stud top, total diamond wt. approx. 2.90 cts. $6000/8000

806. 18 kt. Yellow Gold and Sapphire Bracelet, composed of three rows of bezel‑set multi‑colored sapphires, total sapphire wt. approx. 72 cts., dia. 2 1/2 in. $10000/15000

Additional information at www.nealauction.com

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807. 18 kt. Yellow Gold and Sapphire Graduated Torsade Necklace, composed of multi‑colored briolette‑cut natural sapphires strung in twisted strands, total sapphire wt. approx. 680 cts., l. 17 1/4 in. $25000/35000

808. Pair of Platinum, Emerald and Diamond Earclips, each with central square‑cut emerald surrounded by baguette and round‑cut diamonds in a snowflake shaped mount, total emerald wt. approx. 2 cts., total diamond wt. 3 cts. $10000/15000

809. 18 kt. Yellow Gold, Sapphire and Diamond Earrings, each with multi‑colored mixed cut natural sapphires with diamond accents, total sapphire wt. approx. 35 cts., total diamond wt. approx. 2.90 cts. $20000/30000

810. 18 kt. Yellow Gold, Emerald and Diamond Link Bracelet, tapered plaque links set with cabochon emerald and round diamonds, l. 7 3/4 in. $6000/8000

811. 18 kt. Yellow Gold and Amethyst Ring, signed “Piranesi”, approx. 15.20 cts. of oval and round faceted amethysts in a dome setting, size 6. $3000/5000 812. Pair of Platinum and Diamond Earrings, each with diamond shaped lattice drop with pendant diamonds, total diamond wt. approx. 6.50 cts. $12000/18000

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813. Japanese Bronze Figural Group of a Man Astride a Dragon, Meiji Period (1868‑1912), modeled on a naturalistic rockwork base with old branches and leaves, h. 12 1/4 in., w. 28 3/4 in. $1200/1800

816. Chinese Painted Wood Chest‑on‑Stand, probably 20th c., rectangular body and hinged lid with phoenix and floral decoration, h. 27 in., w. 39 3/8 in., d. 25 3/4 in.; conforming stand, overall h. 48 in. $500/800

818. Two African Carved Wood Figures, incl. female with infant, h. 33 1/2 in., wood stand, overall h. 34 1/2 in.; and female nude, h. 34 in., custom stand, overall h. 35 1/2 in. $1000/1500

814. Japanese Maki‑e‑Style Polychrome Decorated Gold Lacquer Storage Box, 20th c., decorated with cranes in flight above cresting waves, brass handles and clasp, h. 20 1/4 in., w. 18 3/8 in., d. 12 1/8 in. $600/800

815. Japanese Bronze Figure of a Lady, 20th c., cast standing wearing peasant dress and sandals, h. 15 in. $700/900

817. Japanese Polychrome Decorated Black Lacquer Cabinet, Meiji Period (1868‑1912), top with upturned ends, front with twelve drawers and two doors, h. 32 1/8 in., w. 23 7/8 in., d. 11 in. $800/1200

819. Four African and/or Oceanic Carved Wood Masks, variously paint‑decorated and/or embellished with shells, beads and fiber, h. 11 in. to 21 1/4 in., one with custom mount, overall h. 27 1/2 in. $1000/1500

820. Four African and/or Oceanic Carved Wood Masks, variously embellished with paint, shell and feather, h. 13 in. to 26 1/4 in. $300/500

821. English Walnut Slant‑Front Desk, 19th c., spindled gallery, inset gilt‑tooled leather writing surface, turned legs, h. 35 3/4 in., w. 30 1/2 in., d. 26 1/2 in. $400/600 Provenance: Sold to Benefit the Hermann Grima and Gallier Historic Houses Collection Fund.

822. Pair of Queen Anne Lacquered Chinoiserie Decorated Side Chairs, early 18th c., arched crests, vasiform splats, cabriole legs, shaped stretchers, pad feet, h. 47 5/8 in., w. 24 in., d. 18 in. $1000/1500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

823. Regency Carved Mahogany Games Table, mid‑19th c., foldover top, shaped frieze, faceted standard, incurvate plinth, scrolled feet, casters, baize‑lined playing surface, h. 26 1/4 in., w. 35 1/4 in., d. 17 1/2 in. $600/800 Additional information at www.nealauction.com

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824. Antique Empire‑Style Gilt Bronze‑Mounted Mahogany Sécrétaire à Abattant, blocked frieze, fall front, fitted interior, three drawers, columnar stiles, blocked base, ball feet, h. 49 3/4 in., w. 41 3/8 in., d. 23 1/4 in. $500/800

825. Pair of Russian Icons of Christ Pantocrator, 19th/20th c., two oils on panel, gilded silver inner frames within shadowbox frames, overall each 8 1/4 in. x 7 1/4 in. $300/500

825A. Russian Icon of a Kneeling Figure before the Virgin and Child, 19th/20th c., encaustic on panel, openwork foliate repoussé cover bearing Cyrillic inscription, 14 in. x 12 in. $150/250

826. Russian Icon of Christ between the Virgin and St. John, 19th/20th c., encaustic on panel, openwork repoussé brass cover, inscribed in Cyrillic, 14 in. x 12 in. $150/250

827. Emanuel Spitzer (German, 1844‑1919), “Boy Drinking a Stein of Beer”, 1873, oil on canvas, signed “Em. Spitzer” and dated lower right, 31 1/2 in. x 20 3/4 in., framed. $800/1200 828. William Henry Williamson (British, 1820‑1883), “Stormy Seas: Sailing Ships off the Dover Coast”, 1883, oil on canvas, signed and dated lower left, 12 in. x 24 in., period frame. $500/800

829. John Gould (British, 1804‑1881), “Polyplectron Bicalcaratum” and “Polyplectron Chinquis”, two hand‑colored lithographs, from The Birds of Asia, 1850‑1883, sights 14 1/4 in. x 20 1/4 in. and 14 3/4 in. x 20 in., eglomise mats and matching frames, (2 pcs.) $700/1000 Provenance: Didier, Inc.

830. Collection of Works on Paper, 14 historical prints incl. works by Samuel Chamberlain (American, 1829‑1908), Earl Horter (American, 1881‑1940), and 4 19th c. maps, 7 in. x 9 in. to 22 1/2 in. x 28 in.; together with Charles‑Louis Clérisseau, “Antiquités de la France. Tome premier. Monuments de Nismes.

Planches”, folio, printed Pierre Didot l’aîné, Paris, 1804, 16 1/2 in. x 23 in., unframed, (approx. 45 pcs.) $300/500 Provenance: Estate of James R. Lamantia.

832. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “The Mirror”, 2 “Seated Nude with a Jar”, “Standing Nude”, “Crouching Nude” and “Morning”, 5 postage stamp etchings and one miniature etching on paper, each pencil‑signed, 2 titled lower margins, 1 1/2 in. x 1 in. to 1 3/4 in. x 1 1/2 in., 2 matching frames, (6 pcs.) $300/500

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833. Art Deco Dinanderie Lamp, France, c. 1930, globe form, with painted celluloid shade, h. 13 in., dia. 12 in. $700/1000

834. Pair of French Gilt Bronze and Marble Five‑Light Candelabra, late 19th c., foliate branches, tapered shaft, h. 19 1/2 in., dia. 9 1/4 in. $600/900 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

831. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Sun Bather”, “The Bathers”, “Judith”, “Hilltop”, “Juanita”, “Studio Interior”, “Poetry”, “Susan”, “Spring”, “Gypsy”, “The Mirror”, “Louise”, “Nostalgia”, “Faiawe”, “Tristeza” and “Naiad”, 16 postage stamp drypoint etchings on paper, all pencil‑signed and titled lower margin, sights 2 1/4 in. x 1 1/4 in., framed together. $800/1200

835. Pair of French Bronze Carcel Lamps, 19th c., urn form with mythological scene frieze, strapwork and acanthus handles, h. to socket 24 in., dia. 5 3/4 in. $800/1200

836. Pair of Continental Bronze Three‑Light Figural Sconces, early 20th c., in the form of Egyptian Maidens, probably from a Masonic temple, h. 14 1/2 in., w. 10 in., d. 9 1/2 in. $250/350

837. 14 kt. Yellow Gold Hollow Link Flexible Bracelet, l. 7 3/4 in., wt. 13 dwt. $400/600

838. Cultured Pearl Double‑Strand Necklace, pearls graduated from 8 to 8.5 mm., 14 kt. gold slide clasp. $700/1000

839. Baume & Mercier Lady’s Riviera Wrist Watch, stainless steel and gold tone dodecagon face, date window, quartz movement. $250/350 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

840. Single Strand 8.5 mm. Cultured Pearl Necklace, 14 kt. yellow gold and diamond leaf‑form clasp, l. 15 in. $250/350 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

844. 14 kt. Yellow Gold Band Ring, openwork abstract design, size 5 1/2. $200/300 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

848. Dunhill 18 kt. Yellow Gold Cigarette Lighter, New York, c. 1970, h. 2 1/2 in. $150/250

841. 14 kt. Yellow Gold, Jade and Diamond Brooch, carved jade figure of Buddha set in gold wirework frame set with thirty round‑cut diamonds, total diamond wt. approx. .65 ct. $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

845. Two 14 kt. Yellow Gold Bead Necklaces, one 5.5 mm. hollow beads, l. 15 in.; other 8.0 mm. hollow beads, l. 15 1/2 in. $200/300

842. Onyx and Diamond Pendant on 18 kt. Yellow Gold Chain, bezel set onyx with monogram “D” set with diamonds, dia. 2 3/8 in., on oval link chain, l. 30 in.; together with an oval banded agate drop, h. 2 1/4 in. $250/350

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

846. Two 14 kt. Yellow Gold Flexible Bracelets, wt. 16 dwts. $500/800

847. 18 kt. Yellow Gold, Diamond and Ruby Polo Player Stickpin, converted from a pendant, pavé set with round diamonds and two rubies, total diamond wt. approx. .84 cts., head h. 2 5/8 in., pin l. 2 3/4 in. $300/500

850. Continental Patinated Metal “Kangaroo” Swinging Clock, 20th c., after the design by Junghans, Germany, h. 11 1/4 in., w. 10 3/4 in., d. 3 3/4 in. $500/700

851. Continental Patinated Metal “Elephant” Swinging Clock, 20th c., after the design by Junghans, Germany, h. 10 3/4 in., w. 9 1/2 in., d. 5 1/2 in. $500/700

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

849. 14 kt. Yellow Gold Scallop Shell Pendant, signed “AE”, h. 1 1/2 in.; together with a 14 kt. yellow gold chain with lobster clasp, l. 18 1/4 in. $300/500

843. Pair of 14 kt. Yellow Gold Cufflinks, each double sided with chain linkage and monogram “S” faces. $200/300

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852. Belle Époque Gilt Bronze‑Mounted and White Marble Three‑Piece Clock Garniture, c. 1900, marked “Mougin”, floral and urn finials, conforming two‑light candelabra, clock h. 17 in., w. 9 1/2 in., d. 4 in. $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

853. Chinese Polychrome Decorated Black Lacquer Shou Character Box, probably 20th c., decorated with scrolling lotus, bats and characters, h. 5 1/8 in., dia. 21 1/4 in. $600/800

854. Pair of Japanese Patinated Bronze Ovoid Vases, Meiji Period (1868‑1912), incised and relief‑decorated with sparrows and phoenixes above bamboo, necks with apocryphal Xuande marks, bases drilled, h. 9 1/2 in., wood stands, overall h. 10 3/4 in. $600/800

855. Collection of Four Japanese Woodblock Prints, 20th c., incl.

Kawasa Hasui (1883‑1957), “Night Rain, Kawarako”, sheet 15 1/8 in. x 10 1/2 in. and “Dusk at Byodoin Temple”, sheet 10 1/2 in. x 15 5/8 in.; Takahashi Shotei (1871‑1945), “Fuji from Mizukubo”, sheet 10 1/4 in. x 15 1/4 in. and “Sailboats”, sheet 10 1/8 in. x 7 in. $800/1200 Provenance: Acquired Japan, 1950s

856. Pair of Japanese Imari Porcelain Octagonal Jars, Meiji Period (1868‑1912), with floral panel decoration, h. 16 1/2 in., wood stands, overall h. 18 7/8 in. $1200/1800

857. Pair of Japanese Molded Pottery Bottle Vases, probably 20th c., neck and shoulders with molded textile decoration, body with arhat and geisha panels, raised gilt and moriage highlights, bases with rubbed marks, h. 21 3/4 in. $700/900

858. Large Japanese Cloisonné Enamel Baluster Vase, probably Meiji Period (1868‑1912), faceted body with floral decoration on a blue ground, h. 24 in. $800/1200

859. Japanese Copper Inset Hardwood Hibachi, 20th c., rectangular case with five small drawers, inset copper utensil case, case h. 11 3/4 in., w. 25 5/8 in., d. 13 5/8 in. $300/500

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860. Japanese Mother‑of‑Pearl and Bone Embellished Painted Red Lacquer Wall Panel, Meiji Period (1868‑1912), decorated with a long tailed bird on a plum branch, h. 27 3/8 in., w. 20 3/4 in. $300/500

861. Chinese Reverse Glass Painted Inset Hardwood Four Panel Floor Screen, probably early 20th c., central panels painted with four beauties between flower and landscape panels at the top and bottom, ebonized hardwood frame with openwork friezes, h. 79 in., w. 70 1/2 in. $700/1000

862. Two Tribal Carved Wood Stools, one Oceanic, probably Sepik River, Papua New Guinea, h. 27 1/2 in.; other African, probably Asante, h. 13 1/8 in., w. 19 3/4 in. $200/400

863. Jo Ellonga (American, 20th/21st c.), “Mauritia Flexuosa, Brazil”, “Astrocaryum Standleyamun, Columbia”, “Astrocaryum Gynacanthum, Columbia” and “Bactric Setulosa, Columbia”, 4 watercolors and graphite on paper, each pencil‑initialed lower center, titled in center, pencil‑signed, titled and dated en verso, each 30 in. x 22 in., matted and framed alike. $400/600

865. Chris Burkholder (American/Texas, b. 1952), “Landscape”, 1982, acrylic on canvas, signed and dated lower left, 47 1/2 in. x 71 in., framed. $1500/2500

864. Chris Burkholder (American/Texas, b. 1952), “Evening”, 1982, acrylic on canvas, signed and dated lower left, “Harris Gallery, Houston, TX” label with title en verso, 53 1/2 in. x 83 in., framed. $1500/2500

866. Chris Burkholder (American/Texas, b. 1952), “Landscape”, 1981, acrylic on canvas, signed and dated lower left, 48 in. x 68 3/4 in., framed. $1200/1800

869. Dresden Porcelain Cabaret Tea Set, 19th c., marked, incl. lidded teapot, lidded sugar, creamer, strainer and tray, polychrome floral reserves, gilt “S” monogram, and banding, tray l. 15 in., (5 pcs.) $200/400 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 867. Fourteen French Engravings of Mythological Scenes, from “Les Images ou Tableaux de Platte Peinture des Deux...” by Philostratus, incl. Antee, Hippolyte, Midas, Les Satyres and others, engraved by Jaspar de Isaac (French, c. 1585‑1654) and others, sights 12 1/2 in. x 8 1/8 in., framed alike. (14 pcs.) $500/800

870. Fitz and Floyd “Imperial Dynasty Brown” Porcelain Dinner Service, 20th c., incl. 16 dinner plates, dia. 10 in.; 16 soup bowls, dia. 9 1/4 in.; 16 salad plates, dia. 7 1/2 in.; and 10 bread and butter plates, dia. 6 1/2 in., (58 pcs.) $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

868. Large Porcelain Phrenology Head, after the design by L.N. Fowler, London, h. 17 in., w. 8 1/2 in., d. 8 3/4 in. $300/500

871. Pair of Paris Porcelain Baluster Vases, 19th c., marked “V. Cassé Maillard/ Boul. Italien 19/ Paris”, chinoiserie decoration, lion mask handles, h. 8 1/4 in. Note: Restoration. $300/500

872. English “Bengal Tiger” Pattern Porcelain Cup and Saucer, late 18th/ early 19th c., possibly Chamberlain, Worcester, cup h. 2 1/8 in., saucer dia. 5 1/4 in. $100/200

Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Manor House Antiques, Knoxville, TN.

Note: A related Cassé Maillard cachepot is illustrated in Guillebon, Paris Porcelain, p. 154.

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874. Antique Chinoiserie Dressing Chest, arched mirror plate, two drawers; two short over long drawer, tapered legs, h. 69 3/4 in., w. 41 1/4 in., d. 23 1/2 in. $500/800

873. Royal Worcester Porcelain Partial Dessert Service, mark for 1876, painted floral reserves, pink ground, gilt foliate rims, incl. 8 plates, dia. 9 in.; 2 footed compotes, h. 2 1/4 in.; and cake stand, h. 5 in., (11 pcs.) $300/500

875. Pair of Contemporary Murano Glass and Lucite Lamps, Swank Lighting, ribbed, tapered standard, stepped base, h. (to socket) 22 in. $1000/1500

879. Two Chinese Export Famille Rose Porcelain Platters, 18th c., one decorated with figures in a garden, h. 1 in., w. 10 in., d. 6 7/8 in.; the other with figures and cattle beside a river, h. 1 1/4 in., w. 11 1/2 in., d. 8 1/4. $600/800 876. Pair of Directoire‑Style Chrome Torchères, circular glass tops, loop handles, tripod stands, hoof feet, h. 42 in., dia. 15 3/4 in. $700/1000 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

877. Directoire‑Style Gilt and Patinated Metal Table, circular glass top, columnar legs, shaped stretcher, toupie feet, h. 25 1/4 in., dia. 23 1/2 in. $500/700 Provenance: Collection of Mrs. Dudley J Hughes, Jackson, MS.

881. Four Chinese Export Porcelain Mugs, 18th c., three with figural designs, one with a floral cartouche, h. 3 3/4 in. to 4 5/8 in. $500/700 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

878. Antique French Provincial Prie Dieu, shaped crest, ladder back, rush seat, square tapered legs, h. 33 1/2 in., w. 15 1/4 in. $150/250

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Noted Interior Designer, Charles Faudree, Tulsa, OK.

882. Two Chinese Export Famille Rose Porcelain Bowls, 18th c., each with figural panels, one with a gilt floral ground, h. 4 1/4 in., dia. 10 1/8 in., and h. 4 3/4 in., dia. 11 1/8 in. $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

883. Two Chinese Export Blue and White Porcelain Dishes, 20th c., one with aster border, dia. 10 7/8 in.; the other with fruit and floral decoration, dia. 9 3/8 in. $200/300 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

880. Chinese Export Famille Rose Porcelain Dish, 18th c., decorated with a central floral and butterfly scene with fruit and floral rim, h. 3/4 in., dia. 8 3/4 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

884. Three Chinese Export Porcelain Mugs, 18th c., two with figural designs, one with floral cartouches, h. 5 1/8 in. to 5 1/2 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

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885. Three Chinese Export Famille Rose Porcelain Mugs, 18th c., each with figural cartouches, h. 4 1/8 in. to 6 1/4 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

886. Two Chinese Export Famille Rose Porcelain Dishes, 18th c., each with figural decoration, one with shaped rim, dia. 9 in.; together with a Japanese Imari porcelain saucer dish, 19th c., dia. 8 1/2 in., (3 pcs.) $300/500

887. Two Chinese Export Famille Rose Porcelain Bowls, 18th/19th c., one in the Mandarin pattern, h. 3 in., dia. 6 7/8 in.; other with figural decoration, h. 4 in., dia. 9 1/4 in. $300/500

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

888. Four Chinese Export Famille Rose Porcelain Cups and Saucers, 18th c., incl. iron red and blue, h. 1 3/4 in., dia. 4 7/8 in.; European‑style, h. 3 in., dia. 5 in.; and two with figural decoration, h. 2 1/4 in., dia. 5 in. to 5 1/4 in., (8 pcs.) $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

889. Six Chinese Export Famille Rose Porcelain Tea Articles, 18th c., incl. helmet jug, h. 4 1/4 in.; armorial cream jug, h. 4 1/2 in.; and four tea caddies (two lacking lids), h. 4 in. to 5 1/8 in. $300/500

890. Chinese Export Blue and White Porcelain Octagonal Cup and Saucer, 17th/18th c., with floral decoration, saucer with Fu mark, cup h. 2 in., saucer dia.

5 in.; together with a “Nanking Cargo” blue and white porcelain cup, c. 1752, Christie’s label, h. 1 1/2 in., and a blue and white miniature tankard, h. 2 5/8 in., (4 pcs.) $200/400

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

891. Two Chinese Export Porcelain Dishes, 19th c., incl. Imari with reticulated rim, h. 1 1/4 in., dia. 7 3/8 in.; and famille verte, h. 1 in., dia. 5 7/8 in. $200/300

892. Three Chinese Export Famille Rose Porcelain Bowls, 18th c., one with armorial crest, h. 2 5/8 in., dia. 5 5/8 in.; one with flared rim, h. 2 1/2 in., dia. 4 5/8 in.; and one with figural panels, h. 2 1/2 in., dia. 5 5/8 in. $200/300 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

893. Group of Chinese Export Famille Rose Porcelain Tea Articles, 18th c., incl. 4 saucers, dia. 4 5/8 in. to 4 7/8 in.; 2 teacups, dia. 2 3/4 in. and 3 1/2 in.; and a sugar bowl (lacking lid), dia. 3 1/8 in., (7 pcs.) $200/400 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

894. Pair of Continental Silver Miniature Chairs, with petit point panels and squab cushions, h. 2 7/8 in. $100/200

895. Pair of Italian Rococo Carved Giltwood Mirrors, late 18th c., each mirror plate within a pierced C‑scroll, acanthus and shell frame, h. 28 1/2 in., w. 14 1/2 in. $500/800

896. Assorted Collection of Five Chinese Famille Rose Porcelain Figures, probably late 19th/early 20th c., four modeled standing on rectangular plinths, h. 8 5/8 in. to 9 3/8 in. $400/600 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

897. Group of Chinese “Canton Enamel”, probably early 20th c., incl. teapot, h. 6 7/8 in., w. 4 3/4 in.; and 4 covered boxes, 3 with Qianlong marks, dia. 2 1/8 in. to 3 1/8 in., (5 pcs.) $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

898. Pair of Chinese Polychrome Porcelain Figural Joss Stick Holders, probably Qing Dynasty (1644‑1911), seated males modeled with double gourd vases on their backs, h. 3 7/8 in. $200/400

899. Chinese Export Blue and White Porcelain Spittoon, late 18th c., decorated with floral sprays, h. 3 1/2 in., dia. 4 5/8 in. $125/200

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Sallea Antiques, New Canaan, CT, 2010.

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Session Three Sunday, May 8, 11 am 3923 Carondelet

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900. George Nelson for Herman Miller “Executive Desk”, c. 1970, “George Nelson Design/Herman Miller, Zeeland‑Michigan” label, walnut desk over 2 drawers, return credenza with drawers, shelves, sliding laminate door, on chromed steel legs, h. 29 11/2 in., w. 84 in., d. 91 in. $1000/1500

902. Eero Saarinen Tulip Dining Table, c. 1969, labeled “Knoll Associates, 320 Park Ave.”, Italian beveled Cremo marble top, h. 28 1/2 in., dia. 54 in. $1800/2500 Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

904. Pair of Mies Van Der Rohe Barcelona Chairs and Stools, c. 1960, probably German, frames with lap joints, chromed steel, black leather cushions, h. 29 in. $1200/1800

901. Barcelona‑Style Leather Sofa, by Rove, full‑grain, Italian brown leather, polished stainless steel, after the design by Mies van der Rohe, h. 30 in., w. 72 in., d. 31 in. $700/1000

903. Six Eero Saarinen Swivel Tulip Chairs, c. 1969, labeled “Knoll Associates, 320 Park Ave.”, two armchairs and four side chairs, with original Knoll upholstery, h. 32 in., w. 25 in., d. 24 in. $2000/3000 Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

905. Isamu Noguchi Coffee Table, c. 1969, Herman Miller, walnut and glass, h. 15 1/2 in., w. 50 in., d. 36 in. $1000/1500 Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

Provenance: Acquired in Germany, c. 1964, by a noted New Orleans architect.

906. Pair of Eero Saarinen “Womb” Lounge Chairs, c. 1960s, by Knoll, clipped cushions, chromed metal frame, unmarked, h. 36 in., w. 39 in., d. 34 in. $1000/2000

907. Florence Knoll Mid‑Century Sofa with Table and a Bertoia Diamond Chair, c. 1960, “Knoll Associates, 320 Park Ave” label, model 575, sofa with chromed steel frame, tufted upholstery, integral walnut two drawer table, h. 30 in., w. 120 in., d. 29 in.; together with a Bertoia Diamond chair, matching upholstery h. 31 in., w. 33 in., d. 28 in. $1000/2000 Ref.: Rouland, Steven and Linda. Knoll Furniture, 1938‑1960, Atglen, Schiffer, 2005, pg. 89.

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908. Eero Saarinen “Womb” Lounge Chair and Ottoman, c. 1969, labeled “Knoll Associates, 320 Park Ave.”, clipped cushions, original wool upholstery, on chromed steel base, chair h. 36 in., w. 39 in., d. 34 in., ottoman h. 13 1/2 in., w. 25 in., d. 20 in. $1800/2500 Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

909. George Nakashima Walnut Trestle Table, c. 1975, two‑piece top with three rosewood butterfly joints, h. 28 in., w. 37 in., d. 31 1/2 in.; accompanied by original pencil design drawing. $3000/5000

910. George Nakashima Cherrywood Coffee Table, c. 1959, New Hope, PA, free‑edge slab, rosewood butterfly joint, inscribed with owner’s name, h. 13 in., w. 67 in., d. 30 in. $6000/9000 Provenance: Alderfers, Hatfield, PA, Sept. 28, 1995, lot 259.

912. George Nakashima Burlwood Table Lamp, c. 1968, parchment shade, Minguren‑style base, client’s name on underside, h. 32 3/4 in., dia. 9 1/4 in.; accompanied by a photocopy of the invoice from 1968. $1800/2500 Provenance: Dr. William Otis, Belle Meade, NJ.

911. Three George Nakashima Walnut Mira Chairs, c. 1962, h. 26 in., one with faint owner’s name on underside; accompanied by a photocopy of the invoice from 1962. $2500/3500 Provenance: Dr. William Otis, Belle Meade, NJ.

913. Pair of George Nelson Contract System Benches, c. 1960s, “Designed by George Nelson, Herman Miller, Zeeland, Mich” metal tag, each with two black leather seat cushions, flanked by a walnut topped side table, white enameled steel frame, h. 15 in., w. 61 in., d. 20 1/2 in. $700/1000

914. Three Pieces Tomlinson Sophisticate Furniture, c. 1961, High Point, North Carolina, incl. pair slipper chairs with fruitwood frames, caned backs, loose seat cushions, date “October 1961” at underside, h. 28 in., round table with inlay, labeled, adjustable height 18‑25 in., dia. 42 in. $1000/1500

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915. Suite of Three Barcelona Chairs and an Ottoman by Mies van der Rohe for Knoll, c. 1960s, “Knoll Associates” labels from 36‑30 Steinway St. and 320 Park Ave., brown leather cushions on polished steel frames, h. 29 in., w. 29 1/2 in., d. 30 in., ottoman h. 15 in., w. 23 in., d. 24 in. $2000/3000

916. Florence Knoll Rosewood Two‑Part Chest, c. 1969, each part with three drawers, chrome steel base, h. 29 in., w. 73 in., d. 19 1/2 in. $1000/1500

917. Milo Baughman‑Style Campaign Desk and Chair, 1970s, white lacquered wood over chromed steel legs, later glass top, chromed steel chair upholstered in white leather, desk h. 28 3/4 in., w. 54 in., d. 24 in., chair h. 39 3/4 in. $1000/1500

918. Pair of Danish Mid‑Century Modern Rosewood Cabinets, c. 1969, Danish control label and stencil, sliding doors, interior shelves, tapered legs, h. 27 in., w. 32 1/2 in., d. 15 1/4 in. $700/1000

Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

Ref.: Schiffer, Nancy. Knoll Home & Office Furniture, 2006, p. 275.

Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

919. Trio of Knoll International Modern Tiger Maple Side Tables, c. 1980, Italy, each with waisted top, tapering legs, h. 24 in., w. 18 in., d. 14 in. $300/500 920. Pair of Mid‑Century Modern Club Chairs in the Manner of Tommi Parzinger, 1970s, ebonized frame, green upholstery, h. 31 in. $600/900

921. Hans Wegner for Hansen/Knoll Teak “The Chair”, c. 1969, with Knoll label and Johannes Hansen stamps, leather seat, h. 30 in. $600/900

922. Eero Saarinen Tulip Dining Table, c.

1970, labeled “Knoll Associates, Inc, 320 Park Ave, NY”, h. 28 1/2 in., dia. 42 in. $600/900

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923. Mark Whitley Contemporary Craft Studio Low Table, 2013, Smith Grove, Kentucky, signed at edge of top “M Whitley/13”, figured cherry top on walnut cross‑stretcher base with shaped legs, h. 18 in., w. 48 in., d. 22 1/2 in. $400/600

924. Pair of Ricchio Ebonized Beech Armchairs for Knoll, designed 1990, upholstered seat, h. 32 in., w. 22 in. $300/500

925. Mid‑Century Modern Folke Ohlsson for Dux Sofa, c. 1969, Dux Furniture, Burlingame, CA, teak base, original Knoll wool fabric, h. 28 in., w. 108 1/2 in., d. 33 1/2 in. $700/1000 Provenance: Original owner, Dr. Hamp W. Echols, Mobile, Alabama.

926. Pair of Italian Glo‑Ball T‑1 Glass and Steel Table Lamps, by Flos, designed by Jasper Morrison, 1998, hand‑blown glass, steel base, h. 32 in., shade dia. 17 1/2 in. $500/700

929. Faceted Acrylic Ice Bucket, c. 1970s/1980s, probably Alessandro Albrizzi (Italian, 1934‑1994), diamond cut body with swivel top, h. 5 5/8 in., w. 6 3/8 in., d. 6 3/8 in. $150/250

927. Pair of Curtis Jere Nail Sculptures, both signed “Jere ‘73”, welded and manipulated metal and masonry nails, 18 in. x 24 3/4 in. or the reverse. $500/700

928. Three Modern Yellow Fiberglass Chairs in the Style of Sergio Mazza or Eero Aarnio, late 20th c., h. 28 in., w. 26 1/2 in., d. 24 in. $300/500

930. Pair of Decorative Iron and Zinc Console Tables, $800/1200 931. Pair of Wrought Iron Curule Stools, stylized finials, h. 35 1/4 in., w. 27 in. $150/250

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

933. Antique American Carved and Polychromed Carousel Horse, h. 90 1/2 in., w. 64 in. $1200/1800

932. Neoclassical‑Style Brass‑Mounted Inlaid Mahogany Table, oblong top, frieze drawer, curule base, disc feet, h. 30 1/4 in., w. 95 3/4 in. d. 42 in. $800/1200

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934. Louis XVI‑Style Gilt Bronze Étagère, each tier with specimen marble and micro‑mosaic architectural roundel, pierced frieze, faceted supports, acorn finials, splayed paw feet, h. 41 1/2 in., dia. 18 3/4 in. $2000/3000

935. Decorative Brass and Colored Glass Nine‑Light Chandelier, 20th c., vasiform standard, scrolled arms, h. 45 in., dia. 21 in. $400/600

936. Pair of Louis XVI‑Style Gilt Metal and Cut‑Crystal Lamps, Warren Kessler, New York, diamond point pattern standard, swan handles, h. (to finial) 39 1/2 in., dia. 10 in. $500/700

937. Pair of Louis XVI‑Style Gilt Metal and Cut‑Glass Four-Light Candelabra Table Lamps, Warren Kessler, New York, urn‑form, h. to finial 33 1/2 in., dia. 6 1/2 in. $500/700

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

938. French Carved Fruitwood Vaisselier, early 19th c., possibly Brittany, floral carved double arch cornice, conforming frieze, spindled plate racks, base with 2 drawers over shaped raised panel doors, floral carved center stile inscribed “Armoire/ Fait Pour/ Jean/ Darriel...Fait Par/ Moi/ Louis Patj/ 1828”, star carved skirt, cabriole legs, h. 97 1/2 in., w. 63 1/2 in., d. 23 in. $800/1200 Provenance: Whitehall, Chapel Hill, NC.

939. Empire‑Style Gilt Bronze‑Mounted Mahogany Pier Table, marble top, frieze with Classical mounts, winged sphinx supports, blocked plinth, h. 37 1/2 in., w. 33 3/4 in., d. 14 1/2 in. $800/1200

940. Empire Gilt Bronze‑Mounted Mahogany Work Table, mid‑19th c., lift top, fitted interior, frieze drawer, columnar legs, incurvate stretcher, h. 28 1/2 in., w. 20 in., d. 13 3/4 in. $600/800

941. Louis Philippe Carved Mahogany Center Table, mid‑19th c., dished Gris de St. Anne marble top, plain frieze, reeded baluster standard, tripartite base, paw feet, casters, h. 29 1/2 in., dia. 38 1/4 in. $1000/1500

942. Neoclassical‑Style Bronze‑Mounted and Paint‑Decorated Table à Écrire, reticulated gallery top with figural medallion, kneehole configuration of drawers, square tapered legs, h. 30 in., w. 47 1/2 in., d. 23 1/2 in. $1200/1800 943. Antique Italian Rococo‑Style Paint‑Decorated Petite Commode, 19th c., shaped marble top, conforming case, frieze drawer over door, cabriole legs, h. 32 3/4 in., w. 20 1/2 in., d. 12 1/2 in. $400/600

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944. Antique French Provincial Carved Walnut Armoire, molded frieze, shaped‑panel doors, interior with medial belt of drawers, base drawer, suppressed ball feet, h. 92 3/4 in., w. 67 in., d. 28 in. $1000/1500

945. Set of Four Louis Philippe Rosewood Chaises, mid‑19th c., shell‑carved crests, shield backs, shaped seats; cabriole legs, casters, h. 34 1/2 in., w. 19 1/2 in. $250/500 Provenance: Sold to Benefit the HermannGrima and Gallier Historic Houses Collections fund.

948. Antique Anglo‑Colonial Ebonized and Carved Hardwood Cabinet, in two parts, gadrooned cornice, stylized frieze, patera‑carved doors, turned feet, h. 72 1/2 in., w. 48 1/4 in., d. 23 3/4 in. $800/1200

947. Louis XV Carved Pine Buffet à Deux Corps, late 18th c., upper case with arched volute cornice, paneled frieze centered by a roundel, paneled doors with inset grillework; lower case with paneled doors, cabriole legs, scrolled toes, h. 92 1/2 in., w. 54 1/2 in., d. 20 1/2 in. $800/1200

949. Guy Dessapt (French, b. 1938), “Les Tavards a Thiers”, 1994, oil on canvas, signed lower left, signed, titled, dated and “Merrill Chase Galleries” label and certificate of authentication en verso, 30 in. x 40 in., framed. $700/1000

952. Pair of French Bronze Kylix‑Form Tazzas, late 19th c., cast with figures engaged in battle, h. 5 1/2 in., w. 8 1/2 in., d. 5 3/4 in. $300/500 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS. 951. Pair of French Neoclassical‑Style Bronze Vases, foliate handles, h. 13 1/2 in., w. 5 in., d. 3 1/2 in. $400/600

946. Art Deco Burlwood Side Chair, early 20th c., rectilinear back, caned seat, molded tapered legs, h. 36 1/4 in., w. 18 1/2 in. $100/200

950. Continental School, 20th c., “River Landscape”, oil on canvas, signed “P. Raymond” lower left, 48 in. x 72 in., framed. $1000/1500

953. Decorative Continental Mirrored Jewelry Box, top with stylized fleur‑de‑lis ornament, bracket feet, fitted interior, h. 9 3/4 in., w. 14 3/4 in., d. 5 3/4 in. $150/250

954. Georgian Gilt‑Tooled Leather Sarcophagus‑Form Sewing Box, c. 1800, labeled “G.GODWIN/ MANUFACTURER/ 290 HOLBORN” (London), good brass mounts, fitted interior, long drawer, paw feet, h. 5 in., w. 8 1/2 in., d. 6 in. $200/300

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS. Additional information at www.nealauction.com

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957. Pair of Louis XVI‑Style Gilt Bronze Chenets, late 19th c., flame finials, pilaster bases, h. 13 in., w. 13 in., d. 6 in. $200/300 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

955. Pair of Antique French Brass Candlesticks, h. 9 7/8 in. $200/400 Provenance: Sallea Antiques, New Canaan, CT.

956. Continental Gilt Bronze‑Mounted Cut Glass Trumpet Vase, 19th/20th c., figural standard, white marble base, h. 16 1/2 in. $200/300

958. Three Antique Painted Cast Iron Garden Urns, pair h. 21 in., dia.

16 in.; three part h. 20 1/2 in., dia. 21 1/2 in. $300/500

960. Pair of English Regency‑Style Lead Garden Planters, molded rims, loop handles, h. 20 in., w. 19 3/4 in., d.

19 3/4 in. $500/800 959. Antique American Cast Iron Table, 19th c., pierced circular top, serpentine griffin legs, stretcher shelf, trifid feet, h. 23 in., dia. 29 3/8 in. $300/500 961. Pair of Decorative Painted Cast Iron Garden Benches in the Aesthetic Taste, arched crests, reticulated backs, scrolled sides, splayed legs, h. 41 3/4 in., w. 50 1/2 in., d. 19 1/4 in. $1500/2500

962. Pair of American Cast Iron Campagna Urns, 19th c., lobed bodies, plinth bases, h. 43 1/2 in., dia. 22 in. $800/1200

963. American Painted Cast Iron Fish Tank, 19th c., marked J.W. Fiske Ironworks, NY, octagonal basin with central floral fountain, pierced baluster‑form pedestal, shaped tripartite base, h. 44 in., dia. 27 in. $2000/3000 Provenance: Midway Plantation, Charleston, SC.

964. American Painted Cast Iron Horsehead Hitching Post, fluted column on iron spike, h. 62 1/2 in. $700/1000

965. American Classical Rosewood Cheval Mirror, late 19th c., ripple‑molded pediment, pyramidal finials, molded frame, gilt rabbet, scrolled legs, casters, h. 73 in., w. 37 in., d. 24 in. $700/1000 Provenance: Minor‑Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

966. American Classical Carved Giltwood Mirror, mid‑19th c., foliate split column frame, blocked rosette corners, h. 39 in., w. 25 3/4 in. $300/500

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967. American Classical Giltwood Mirror, mid‑19th c., molded frame, rubbed surfaces, h. 53 3/4 in., w. 38 in. $300/500

968. New Orleans Rococo Mahogany Armoire, mid‑19th c., beaded cornice, ogee frieze, mirrored door within molded frame, vasiform and barley‑twist stiles, ogee base drawer, scrolled bracket feet, h. 100 1/4 in., w. 58 in., d. 25 1/4 in. $2000/3000 Provenance: Descended in the Miltenberger Family, New Orleans Garden District.

Note: The distinctive vasiform and twist stiles on this armoire, and the washstand in the following lot, are similar to those on a bedside commode from Prudent Mallard for the bedroom of Isabel Puig, 624 Royal Street, New Orleans, now part of the furnishings at the Louisiana State Museum’s 1850 House.

Ref.: Otto, Cecilia. American Furniture of the 19th Century. New York: Viking, 1965, fig. 284.

969. New Orleans Rococo Mahogany Washstand, mid‑19th c., incised marble top, scrolled backsplash, frieze drawer with segmented interior, molded panel doors, vasiform and barleytwist stiles, scrolled bracket feet, h. 40 in., w. 39 in., d. 21 in. $1200/1800 Provenance: Descended in the Miltenberger Family, New Orleans Garden District, found en suite with prceding lot.

970. American Rococo Carved and Laminated Rosewood Armchair, c. 1850‑1860, attr. to J. and J.W. Meeks, New York, “Stanton Hall” pattern, broken arch crest with central foliate cartouche, shield back with pierced foliage and scrolls, padded scrolled arms, shaped seat, cabriole legs, casters, h. 44 1/2 in., w. 27 1/2 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 971. American Classical Carved Mahogany Center Table, mid‑19th c., shaped marble top, conforming ripple‑molded frieze, foliate lyre standard, serpentine plinth, shaped feet, casters, h. 29 1/2 in., w. 42 1/4 in., d. 30 in. $800/1200

972. American Classical Gilt‑Stenciled and Carved Mahogany Drop‑Leaf Table, early 19th c., possibly New York, foliate baluster standard, acanthus legs, paw feet, casters, h. 28 in., w. 48 in., d. 24 1/4 in. $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA. 973. Miniature American Rococo Carved Mahogany Bed, mid‑19th c., stamped “MALLARD 411”, New Orleans, arched foliate headboard, scrolled rails, reeded foot board, casters, h. 27 1/4 in., l. 36 3/4 in., w. 17 in. $500/700

974. American Rococo Carved and Laminated Rosewood Slipper Chair, c. 1850‑1860, attr. to J. and J.W. Meeks, New York, “Hawkins” pattern, shell crest, open scrollwork back, shaped seat, tapered legs, h. 36 1/2 in., w. 16 in., d. 17 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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975. Louisiana Creole‑Style Sinker Cypress Dining Table, 20th c., labeled Greg Arceneaux, Covington, LA, molded top, scalloped apron, cabriole legs, h. 30 in., l. 96 in., w. 47 1/2 in. $1500/2500

976. Pair of Louisiana Creole‑Style Sinker Cypress Benches, 20th c., labeled Greg Arceneaux, Covington, LA, each with molded seat, scalloped apron, cabriole legs, h. 18 1/4 in., w. 78 in., d. 11 3/4 in. $800/1200

978. Antique Southern Hard Pine Corner Cupboard, early 19th c., with later elements, stepped molded cornice, astragal glazed doors, painted interior, shaped shelves, raised panel cabinet doors below, shaped bracket feet, h. 83 in., w. 50 1/2 in., d. 24 1/2 in. $500/750 977. Pair of Arts and Crafts Cherrywood Armchairs, early 20th c., shaped crests, pierced backs, scrolled arms, square‑tapered legs, spade feet, h. 52 in., w. 28 3/4 in. $400/600 Provenance: Acquired c. 1987 by a noted architect from the estate of Germaine Cazanave Wells, 544 Esplanade Ave., New Orleans.

979. Lower Mississippi River Valley Cherrywood Armoire, 19th c., lozenge and oval frieze, recessed panel doors, pilaster false stile, block feet, cypress secondary wood, h. 84 1/2 in., w. 61 1/4 in., d. 23 1/2 in. $800/1200 Provenance: Found in Opelousas. Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections fund

980. Diminutive American Classical Mahogany Center Table, 19th c., shaped molded marble top, conforming frieze, scrolled standard, shaped legs, h. 28 in., w. 29 1/2 in., d. 23 1/2 in. $400/600

981. Associated Pair of American Ladderback Side Chairs, 19th c., Southern, each with slightly splayed back, tapered slats, woven seat, double box stretcher, h. 33 3/4 in., w. 19 in. h. 33 1/2 in., w. 19 1/2 in. $700/1000

Provenance: Sold to Benefit the HermannGrima and Gallier Historic Houses Collections Fund.

982. Antique American Chippendale Maple Highboy, upper case with stepped cornice, five graduated drawers; molded base, base with one long over three short drawers, shaped apron, cabriole legs, pad feet, restorations, h. 73 1/2 in., w. 39 1/2 in., d. 20 in. $800/1200

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983. George Frederick Castleden (British/New Orleans, 1861‑1945), “French Quarter Courtyard”, watercolor on board, signed lower left, 11 in. x 8 in., framed. $1500/2500

984. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Spanish Moss Draped Live Oak Tree along the Water”, oil wash on board, signed lower left, sight 19 1/4 in. x 29 1/4 in., framed. $2000/3000

985. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Lone Live Oak”, oil wash on board, signed lower left, sight 14 1/4 in. x 18 1/4 in., framed. $1800/2500

986. Clementine Hunter (American/Louisiana, 1886‑1988), “Baptism”, oil on canvas board, monogrammed lower right, titled and inscribed en verso, 16 in. x 20 in., framed. $2000/3000

987. Clementine Hunter (American/Louisiana, 1886‑1988), “Wash Day”, oil on canvas board, monogrammed lower right, titled and inscribed en verso, 16 in. x 20 in., framed. $1500/2500

Provenance: Acquired from the artist, c. 1970.

Provenance: Acquired from the artist, c. 1970.

988. Louisiana School, late 19th/early 20th c., “Moonlit Bayou Scene”, oil on canvas, signed “G.S. Manson” lower left, 28 1/4 in. x 22 in., antique frame. $1000/1500

989. Noel Rockmore (American/New Orleans, 1928‑1995), “French Market Cafe”, 1987, pastel on paper, signed and dated lower right, sight 23 1/4 in. x 35 1/4 in., framed. $1000/1500 990. Clementine Hunter (American/Louisiana, 1886‑1988), “Blue Zinnias”, oil on canvas board, monogrammed lower right, typewritten label with title en verso, 20 in. x 16 in., framed with brass artist plaque. $1500/2500

991. Dell Weller (American/ New Orleans, b. 1927), “Audubon Park”, 1995, oil on canvas, signed and dated lower right, 18 in. x 24 in., framed. $800/1200 Additional information at www.nealauction.com

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993. Shearwater Pottery Vase, mid‑20th c., probably thrown by Peter Anderson and decorated by Walter Inglis Anderson with cormorants, blue, mauve and white slip on a white ground, unmarked, h. 4 1/2 in. $800/1200

992. Newcomb College Art Pottery Bowl, 1920, decorated by Sadie Irvine with trumpet vine modeled in low relief, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. KZ95, shape no. 260, h. 2 3/4 in., dia. 5 1/4 in. $400/600 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

994. Shearwater Pottery Covered Biscuit Jar, 1994, decorated by Patricia Anderson Findeisen with butterfly and floral design, polychrome slip, impressed mark, h. 8 3/4 in. $400/600

998. Shearwater Pottery Covered Jar, c. 1990s, decorated by James “Jim” Anderson, green and shoal glaze, impressed mark, h. 5 in., dia. 7 1/4 in. $300/500

996. Newcomb College Art Pottery Vase, 1922, decorated by Anna Frances Simpson with Confederate jasmine in low relief, matte glaze with blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no ME51, and shape no. 1, h. 3 1/2 in., dia. 2 7/8 in. $150/300

995. Newcomb College Art Pottery Bowl, 1919, decorated by Anna Frances Simpson with daisies in low relief, matte glaze with blue, green, yellow and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. KF9, shape no.

30A, retains original paper label, h. 1 1/2 in., dia. 4 in. $150/250

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

997. Twelve Shearwater Art Pottery Animal Figurines, c. 1980s, incl. 2 dogs, 2 cats, 2 fowl, 4 fish, butterfly and rooster, all marked, cat h. 3 3/4 in. $200/300

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

999. Pair of American Federal‑Style Brass Andirons, by Harvin Brass, Baltimore for Colonial Williamsburg, urn finials, baluster standards, spurred legs, ball‑and‑claw feet, h. 24 1/2 in., w. 13 1/4 in., d. 22 1/2 in. $250/500

1000. Two Antique Picture Frames, late 19th c., one in the Eastlake style with a walnut molding and water gilt rabbet; the other walnut with bolection molding; the former opening: 24 in. x 32 in., overall: 32 1/4 in. x 39 3/4 in.; the latter opening: 29 1/4 in. x 44 in., overall: 33 1/4 in. x 48 1/4 in. $250/350 Provenance: Sold to benefit the Hermann‑Grima and Gallier Historic Houses Collection Fund.

1003. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Courtyard”, oil on canvas affixed to masonite, signed lower left, 20 1/2 in. x 16 in., framed. $800/1200

1002. Fine American Victorian Brass Wall Light, 19th c., adjustable arm, white frosted shade, h. 12 in. $200/400 Provenance: Didier, Inc., New Orleans.

1004. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Fishing”, 1980, oil on masonite, signed and dated lower right, 24 in. x 15 3/4 in., unframed. $1200/1800 Provenance: Acquired from the artist.

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1001. American Art Glass, Brass and Gilt Metal Adjustable Desk Lamp, c. 1910, Quezal orange and pearl glass shade, h. 23 1/2 in., w. 11 in. $300/500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1005. Nestor Frugé (American/New Orleans, 1916‑2012), “Brulatour Courtyard”, watercolor on paper, signed lower right, sight 14 1/4 in. x 10 1/2 in., framed. $300/500

1006. Nestor Frugé (American/New Orleans, 1916‑2012), “Pere Antoine’s Alley”, watercolor on paper, signed lower right, sight 14 1/4 in. x 10 1/2 in., framed. $300/500

Provenance: Vincent Price Collection.

1008. Mary Katharine Loyacano McCravey (American/Mississippi, 1910‑2009), “Two Girls Picking Wildflowers in a Mississippi Meadow”, oil on canvas, signed lower right, “Herb’s Frame Shop, Jackson, MS” label en verso, 18 in. x 24 in., framed. $2000/3000 1010. Roger C. Holt (American/New Orleans, 1905‑1979), “Near Winslow, Arizona”, oil on canvas board, signed upper and lower right, 8 in. x 20 in., framed. $400/600 1011. Large Chitimacha Square‑to‑Round Basket, attr. to Ada Thomas (1924‑1992), birdseye pattern; in red, black and yellow, h. 7 in., dia. 14 in. $1000/1500 Provenance: Gift of Ada Thomas to Calvin Harland; to present owner.

1007. Rhoda Brady Stokes (American/Louisiana, 1902‑1988), “Mamma and the Straw Broom”, 1978, oil on board, signed and dated lower right, titled lower center, 18 in. x 24 in., framed. $1000/1500

1009. Clementine Hunter (American/Louisiana, 1886‑1988), “We had Flowers and Dancing at Home”, oil and graphite paper, signed “Clemance” lower left and monogrammed mid‑right, pencil‑titled en verso, 11 in. x 15 in., framed. $1500/2500 Provenance: Acquired from the artist c. 1975.

1012. Louis Antoine Collas (French, 1775‑1856, act. New Orleans, 1822‑1829), “Antoine Alcide Delpeuch (1799‑1845)” and “Mme. Antoine Alcide Delpeuch, née Marie Louise Chloé Grandchamps (1807‑1886)”, 2 watercolors on ivory, latter signed and dated “1827” lower left, sights 3 1/2 in. x 2 7/8 in., original ormolu within ebonized oval frames; together with a yellow gold bracelet, c. 1830, fleur‑de‑lis and floral decoration, belonged to Mme. Delpeuch, presented on a velvet‑lined stand under a circular glass dome, wood base, (3 pcs.) $2000/3000

1013. American Classical Carved Mahogany Center Table, mid‑19th c., Egyptian marble top, gothicized frieze, spiral‑turned and gadrooned standard, scrolled legs, lobed disc feet, h. 31 1/4 in., dia. 36 in. $1000/1500

1014. American Classical Carved Mahogany Games Table, mid‑19th c., New York, foldover top, canted corners, torus‑molded frieze, foliate baluster standard, hipped saber legs with acanthus lappets, paw feet, casters, h. 29 3/4 in., w. 35 1/2 in., d. (closed) 18 in., d. (open) 35 1/2 in. $700/900 Additional information at www.nealauction.com

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1015. American Classical Carved Mahogany Tester Bed, 19th c., stamped C. Lee, stepped molded tester, tapered faceted posts, arched paneled headboard, conforming rails, h. 112 1/2 in., l. 76 1/2 in., w. 59 1/2 in. $3000/5000 Provenance: Junkin Family, Sunnyside Plantation, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1016. Monumental American Classical Gilt Bronze‑Mounted Mahogany Armoire, c. 1825, attr. to J. and J.W. Meeks, New York, stepped cavetto cornice, shaped frieze, recessed panel doors, Ionic columns on blocked base, scrolled feet, h. 95 1/2 in., w. 80 7/8 in., d. 32 7/8 in. $3000/5000 Provenance: Historic “Sally Mill”, Middleburg, VA.

1017. American Federal‑Style Mahogany Tester Bed, dentil‑molded tester, reeded and foliate posts, shaped headboard, block feet, h. 93 1/2 in., interior l. 81 in., interior w. 60 in. $1500/2500 Provenance: By descent in a New Orleans Family.

1018. Antique American Rococo Rosewood Center Table, black marble top, grape and vine carved frieze, cabriole legs, scrolled toes, casters, h. 29 1/4 in., w. 43 1/2 in., d. 36 in. $1000/1500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS. 1019. Fine American Renaissance Carved and Burled Walnut Secretary Bookcase, mid‑19th c., attr. to Thomas Brooks, New York, molded arched cornice, paneled frieze, shaped glazed doors, fall‑front writing surface, fitted interior; two frieze drawers, cabinet doors, blocked molded base, h. 97 in., w. 49 in., d. 25 in. $4000/6000

1020. Fine American Rococo Carved Rosewood Parlor Suite, c. 1850, probably New Orleans, incl. pair of medallion back settees, pair of armchairs and 3 side chairs; cartouche carved crests with scrolled foliage, shaped padded arms, serpentine seat, cabriole legs, casters, settee h. 41 in., w. 62 in., d. 26 in.; and h. 41 in., w. 64 in., d. 26 in. $5000/7000

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1021. American Gilt Bronze and Patinated Metal Sinumbra Lamp, c. 1835, marked with eagle and “J & I Cox / Makers. New York”, reticulated floral shade ring, fluted standard, lyre‑cut shade, h. 32 3/4 in., dia. 12 1/2 in. $1200/1800

1022. American Gilt Bronze Figural Solar Lamp, c. 1850, marked “Cornelius & Co. / Philad. / July 24th. 1849 / Patent / April 1st. 1843”, Classical female caryatid supporting basket, gourd‑form cut shade, h. 26 3/4 in., dia. 10 in. $500/750

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 223.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 162.

1023. American Rococo Gilt Bronze Twenty‑One Light Chandelier, 19th c., scroll and foliate shaft with putti, foliate arms, h. 46 in., dia. 30 in. $1500/2500

1024. American Gilt Bronze and Marble Solar Lamp, c. 1850, burner deflector marked “Hooper & Co. Boston / Solar”, standards cast with spreadwing eagle, over portrait medallion of George Washington, shade cut with patriotic shield, h. 28 1/2 in., dia. 8 1/4 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1027. Ten Antique Vintage Motif Etched Crystal Finger Bowls, 19th c., incl. 6 clear, dia. 4 7/8 in., and 4 cranberry, dia. 4 1/2 in. $250/350

1025. Regency Mother‑of‑Pearl Inlaid Rosewood Sarcophagus‑Form Nécessaire, c. 1820, lid interior with gilt tooled leather framed mirror plate, fitted tray over a pair of doors enclosing two drawers over a writing drawer, melon feet, h. 15 3/8 in., w. 14 in., d. 11 1/4 in. $700/900

1029. Antique Giltwood Mirror, pierced acanthus molded frame, beveled mirror plate, h. 71 in., w. 58 1/4 in. $1000/1500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1026. Pair of Antique Blown Glass Hurricane Shades, bulbous baluster form, etched monogram “V” in laurel wreath, h. 15 in., dia. 8 in. $300/500

1028. American Late Classical Mahogany Work Table, c. 1830, drop‑leaf top, two torus molded drawers over one work drawer, trestle lyre base, h. 28 1/2 in., w. 19 1/4 in., d. 18 in. $500/750 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1030. Louis XV‑Style Giltwood Mirror, rocaille crest, molded surround with floral scrolls, h. 69 1/2 in., w. 44 1/4 in. $1000/1500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Additional information at www.nealauction.com

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1031. American Gothic Mahogany Armoire, 19th c., attr. to J. and J.W. Meeks, New York, flared cornice, gothicized panel doors flanked by columns, divided interior, squared urn feet, h. 95 in., w. 69 in., d. 32 in.$2500/3500 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

Note: The distinctive squared urn feet on this armoire are identical to those on a mahogany bookcase in the Gothic taste labeled by J. and J.W. Meeks at the Metropolitan Museum of Art. The Gothicized door panels on this armoire are very similar to those of the armoire illustrated in plate 28 of the well-known Meeks “Broadside.”

A similar armoire sold in these rooms on Feb. 23, 2008 as lot 833.

Ref.: Tracy. 19th Century America, Furniture and Decorative Arts. pl. 98; Voorsanger and Howat. Art and the Empire City. p. 517.

1032. Pair of American Gothic Carved Walnut Side Chairs, late 19th c., each arched gothicized back with pierced quatrefoil, incised apron, ring‑turned baluster legs, h. 54 1/4 in., w. 20 in., d. 18 1/2 in. $500/750

1034. Pair of American Classical Carved Mahogany Games Tables, mid‑19th c., possibly Philadelphia, foldover tops, blocked rosette corners, columnar standards, incurvate plinths, bracketed paw feet, h. 29 1/2 in., w. 36 in., d. 18 in., open d. 36 in. $700/900

1033. Pair of American Classical‑Style Mahogany Curule Stools, after Duncan Phyfe, h. 17 1/2 in., w. 19 in., d. 15 in. $300/500

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS. 1035. American Gothic Carved Mahogany Hall Chair, mid-19th c., New York, cathedral back, lift seat, turned legs, h. 52 1/2 in. $250/500 Provenance: Ex-Collection, Lee B. Anderson, sold Neal Auction, Sept. 2012, lot 87; Hemlock Hall, Beersheba Springs, Tennessee.

1036. American Gothic Mahogany Secretary/Bookcase, mid‑19th c., gothicized pediment, arched glazed doors; three frieze drawers, foldover writing surface inset with leather, over cabinet doors, scalloped apron, bracket feet, h. 90 in., w. 43 in., d. 20 in. $700/900

1037. American Gothic Carved Rosewood Wig Dresser, mid‑19th c., ogee molded cornice, molded mirror flanked by gothicized cabinets; marble top with two glove boxes; over two drawers flanked by cabinets, shaped apron, bracket feet, h. 92 1/2 in., w. 48 5/8 in., d. 21 1/4 in. $800/1200

Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1038. Rare American Rococo Carved and Ebonized Mahogany Bedstead, mid‑19th c., attr. to purveyor Prudent Mallard, New Orleans, scrolled crest with floral urn and cabochon cartouche, paneled headboard, reeded posts with turned finials and disc feet, shaped foot board, foliate and shell skirt, ogee bracket feet, casters, h. 74 5/8 in., l. 81 in., w. 64 in. $4000/6000 Provenance: A New Orleans Family; by descent Note: The distinctive urn form crest on this fine bed relates to that on the famous carved rosewood bed from Prudent Mallard (Sevres/New Orleans, 1809-1879) at Lansdowne Plantation in Natchez, Mississippi and is also found on an important bed descended in the Villere-Clark-Atkinson family of New Orleans, sold in these rooms as lot 74, Nov. 20, 2010. The carved foot board on the bed here departs from the Lansdowne model by the continuously curved form very similar to that on the VillereClark-Atkinson bed. The fluted posts on this lot are nearly identical to those on the Mallard bed for the bedroom of Isabel Puig now at the Louisiana State Museum’s 1850 House and on a bed also from a New Orleans family sold by Neal Auction Company as lot 684, Jul 1, 2012.

Ref.: The Lansdowne and Puig beds are illustrated in Otto, Celia. American Furniture of the 19th Century, New York: Viking, 1965, pl. 289 and 285.

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1039. Three American Rococo Carved and Laminated Rosewood Parlor Chairs, mid‑19th c., attr. to J. & J.W. Meeks, incl. one armchair and two side chairs, arched reticulated rosette crested, shield‑form back, shaped seated, serpentine foliate apron, cabriole legs, casters, armchair h. 44 1/2 in., w. 24 1/2 in., seat d. 24 in.; h. 40 1/2 in., w. 19 1/4 in., seat d. 18 1/2 in. $2000/3000

1040. Three American Rococo Carved and Laminated Rosewood Parlor Chairs, mid‑19th c., possibly Charles Baudouine, New York, incl. one armchair and two side chairs, scrolled reticulated foliate crests, shield‑form backs, serpentine floral aprons, cabriole legs, casters, armchair h. 44 1/2 in., w. 27 in.; h. 40 1/2 in., w. 19 1/4 in. $2000/3000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez.

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1042. Four American Sterling Silver Goblets, two by Wallace, two by International Silver Co., h. 6 1/2 in., combined wt. 20.35 troy ozs. $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

1041. American Classical‑Style Mahogany Extension Dining Table, labeled “Potthast Bros., 507 N. Howard Street, 506 & 507 Tyson St., Baltimore, MD”, circular top, conforming frieze, columnar standard, massive acanthus paw feet, with six leaves, h. 29 3/4 in., dia. 57 in., extended l. 169 3/8 in. $1000/1500

1044. Group of Vintage American Sterling Silver, incl. solitaire coffee service, M. Fred Hirsch Co., coffee pot h. 8 3/4 in.; covered butter dish by Wallace, dia. 6 in.; porringer, w. 6 3/8 in.; 3 small trays, w. 9 1/2 to 10 3/8 in.; small bowl and 2 baby cups; combined wt. 70 troy ozs. $800/1200

1045. Three American Sterling Silver Julep Cups, various makers, molded rims, h. 3 1/2 to 3 3/4 in., combined wt. 10.85 troy ozs. $200/300

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

1043. Good Group of American Sterling Silver Serving Pieces, incl.

Whiting “Louis XV” vegetable serving fork and spoon, Gorham “King George” berry spoon, Towle “Georgian” berry spoon, Towle “Mary Chilton” berry spoon, Kirk “Repoussé” ice tongs, Gorham “Fairfax” gravy and sauce ladles, International “Joan of Arc” ladle and Towle “Rustic” sugar shell; total wt.

24.15 troy ozs. $300/500 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

1046. Group of Antique and Vintage Sterling Silver Objects, late 19th/early 20th c., incl. Mauser strawberry repoussé compote, h. 3 in., dia. 6 3/8 in.; cut glass perfume bottle with repoussé top hallmarked Birmingham, 1906, h. 3 3/4 in.; 2 Webster reticulated nut dishes; 2 repoussé jar covers and a small covered box, unmarked; combined wt. 7 troy ozs. $200/300

1047. Frank Whiting Hand-Wrought Sterling Silver Serving Fork and Spoon in Vintage Motif, l. 9 in.; together with Art Deco sterling silver salt and pepper castors, also Frank Whiting, h. 3 in. $250/350 Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

1048. Two American Sterling Silver Child’s Cups, incl. Aesthetic example by Wood & Hughes, New York, wc.

1845‑1899, h. 3 1/2 in.; and one with nursery rhymes by McChesney Co., Newark, NJ, wc. 1921‑1931, h. 2 3/4 in., combined wt. 8.30 troy ozs. $150/250

1049. S. Kirk & Son Coin Silver Coffee Pot, mid‑19th c., 11 oz. mark, flat chased decoration, beaded borders, h. 11 3/4 in.; together with a Japonesque silver and mixed metal vase, as is/note losses, h. 7 7/8 in., total wt. 26 troy ozs. $300/500

1050. Set of Twelve Georgian‑Style Silverplate Service Plates in the Chippendale Taste, marked “ROYAL CASTLE/SHEFFIELD/ EP”, dia. 12 1/4 in. $800/1200

Additional information at www.nealauction.com

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1051. Old Sheffield Plate Shaped Oval Meat Platter, engraved crest, gadroon border, 23 in. x 17 3/8 in.; together with two silverplate graduated shaped circular platters, also with gadroon borders, dia. 14 1/8 in. and 12 1/4 in. $200/300

1052. Pair of Antique Regency‑Style Silverplate Three‑Light Candelabra, acanthus decoration, removable bobêches, h. 18 1/2 in. $400/600

1053. Good Pair of Sheffield Fused Plate Candlesticks, early 19th c., elaborate anthemion and palmette decorated standard and candlecups, original bobêches, h. 13 in. $400/600

1054. American Gilt and Patinated Bronze Double Argand Lamp, c.

1830, marked “J. & I. Cox, New York”, gadrooned urn standard with acanthus collar, h. 18 in., w. 18 in., d. 8 in. $600/900 Provenance: Didier, Inc. New Orleans, October 13, 1994.

1056. Enrique Alferez (Mexican/ New Orleans, 1901‑1999), “Governor of Louisiana: Richard W. Leche, 1936‑1940”, bronze medallion, signed lower right, dia. 31 1/2 in. $1500/2500

1055. American Gilt Bronze Three‑Light Gasolier, 19th c., baluster‑form standard, S‑scroll arms, allover vine decoration, cut and etched shades, h. 45 1/2 in., w. 25 in. $800/1200 Note: This gasolier relates to an example published in Denys P. Myers’ Gaslighting in America, (Washington: U.S. Dept. of the Interior, 1978) pl.

25.

1057. Continental Gilt Bronze Eight‑Light Chandelier, 20th c., fluted vasiform standard, scrolled supports, mounted with portrait busts, electrified, h. 28 in., dia. 32 in. $800/1200

1058. General P.G.T. Beauregard Autograph, clipped autograph, “Yours very truly / G.T. Beauregard / New Orleans, March 27, 1880”, framed together with a hand‑colored engraving, sight 5 in. x 4 in. $250/350

1059. American Civil War Era Manuscript Map, “Copy of a Map Sheet No.1 Military Reconnaissance Dept.

Va; Major Genl. Wool Comdg., drawn by Sergt. Ch. Worret... under the direction of Col: T.J. Cram, inscribed “For Capt.

W.D. Whipple/ A.A. Genl.

U.S.A/with the respects of T.J. Cram/ Corps. Top. Engrs.”, made by George Kaiser, 1862, pen, ink and watercolor, on tracing linen, 24 in. x 25 1/2 in., framed. $800/1200 Note: Captain Whipple, Assistant Adjutant General, USA, to whom the map is inscribed, was attached to Colonel Hunter’s Division during the Manassas campaign and took part in the first battle of Bull Run. A similar copy map, also inscribed by Cram, is conserved by the Library of Congress.

1060. American Forty‑Six Star Flag, Signed by the Members of Second Regiment, Louisiana Volunteer Infantry, 1908, printed colors on silk, with manuscript signatures, in ink, of 27 members of the 2nd LA Volunteer Infantry, including Colonel Elmer E. Wood, 11 in. x 18 in., two‑sided glass frame. $800/1200 Note: The 2nd Louisiana Volunteer Infantry mustered into service May, 1898 with 46 officers and 960 enlisted men. After movements to Mobile, Miami, Jacksonville and Savannah, where they were visited by President McKinley, they sailed on the ship Mobile, arriving in Cuba on December 27, 1898. Although not seeing battle, they gained acclaim by being among the first soldiers to march into Havana, and mustered out April 18, 1899. The flag was probably signed during a ceremony for the 20th anniversary of their service.

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1061. [Civil War Map], “Stanford’s Map of the Seat of War, Sheet No. 3”, 1861, London, Edward Stanford, hand‑colored in outline, dissected map, linen backed, bound to covers (front loose), scarce map from Stanford’s four sheet map of the Civil War, 25 1/2 in. x 21 1/2 in. $500/700 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1065. American Crazy Quilt, signed and dated “R.B. / 1884”, 54 in. x 65 in.; together with American felt penny runner, 28 1/2 in. x 67 in. $300/500

1062. [Civil War Broadside Map of Mississippi], “Panorama of the Mississippi Valley and its Fortifications”, c. 1863, by Charles Magnus, New York, hand‑colored map with vignettes of St. Louis, Memphis, Vicksburg and New Orleans, 23 1/2 in. x 25 in., framed. $700/1000

1063. J.H. Young and Samuel Augustus Mitchell/ Publisher, “Mitchell’s National Map of the American Republic or United States of North America. Together with Maps of Thirty‑Two of the Principal Cities and Towns in the Union”, Philadelphia, 1844, wall map, hand‑colored lithograph, linen‑backed, 38 in. x 49 in. $500/700

1064. [Fur Trade], Morgan, Dale L./ Editor. The West of William H. Ashley, The international struggle for the fur trade of the Missouri, the Rocky Mountains...1822‑1838, Denver, Old West

Publishing, 1964, number 37 of 250 copies, signed by the author, three‑quarter leather, folio, with original slipcase. $400/600

1067. Twelve Antique American Gilt Brass Stair Rods, 20th c., with turned acorn finials, l. 30 in. $250/350 1066. Pair of American Brass Andirons, early 19th c., probably Charleston, urn and baluster shaft with, scrolled feet, h. 18 3/4 in., d. 18 in. $500/800 1068. American Carved and Painted Pilot House Eagle, 19th c., with outstretched wings atop a rockwork and foliate base, h. 17 in., w. 18 1/4 in., d. 27 3/4 in. $1800/2500

1069. Regency Mahogany Bookcase, early 19th c., dentil molded and lancet arch cornice, arched astragal glazed doors, reeded shelf interior; highly figured cabinet doors, molded base, h. 95 in., w. 124 1/4 in., d. 18 1/2 in. $2000/3000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1071. Attributed to Rembrandt Peale (American, 1778‑1860), “Mary Davenport Kimball”, oil on canvas, inscribed labels en verso, 21 in. x 17 in., unframed. $3000/5000 Provenance: The collection of the sitter, Mary Campbell Davenport Kimball; to her daughter, Anna Harper Kimball Lex; to her daughter Frederica Lex Pearson Abbott; to her daughter Mary Frederica Pearson Monahan; to current consignor.

1070. Antique Georgian‑Style Burl Walnut Partner’s Desk, inset gilt‑tooled leather writing surface, frieze drawers over pedestals of drawers, shaped bracket feet, h. 31 1/4 in, w. 60 in., d. 35 3/4 in. $800/1200

Note: Working in the Neoclassical style of artists such as Jacques‑Louis David, Rembrandt Peale followed in his father’s footsteps as a portraitist. Among his sitters are such notable figures as George Washington, Thomas Jefferson, and John Marshall; however, his main clientele were wealthy patrons from Philadelphia, Baltimore, Washington D.C., and the surrounding areas. In his portraits of our nation’s leaders and its citizens, Peale infuses dignity, emotion, and a sense of gravitas, which can be noted in the current lot, a portrait of Mary Davenport Kimball (1814‑1868), wife of Stephen Kimball (1807‑1870).

Additional information at www.nealauction.com

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1072. Karl Albert Buehr, A.N.A. (German/ American, 1866‑1952), “French Landscape”, oil on canvas laid on card, signed lower right, 10 in. x 8 1/2 in., framed. $1000/1500

1073. Attributed to Walter Heath Williams (British, 1835‑1905), “Coastal Scene with Mountains”, oil on canvas, monogrammed “WW” and dated lower right, 8 in. x 12 in., period frame. $1000/1500

1074. Eliot Clark (American, 1883‑1980), “Autumn (Winter Forest en verso)”, double‑sided oil on canvas, signed lower left, “R.H. Love Galleries, Chicago, IL” and “David Dike Fine Art, Dallas, TX” labels with title en verso, 24 in. x 32 in., framed. $400/600

1076. Walter Launt Palmer (American, 1854‑1932), “Western Mountainous Landscape with Rainbow”, 1897, oil on canvas, monogrammed and dated “Sept. 2, 1897” lower right, 16 1/2 in. x 10 5/8 in., framed. $3000/5000

1078. James Wells Champney (American, 1843‑1903), “In the Field, Back of Dames Farm”, oil on board, signed, sight 9 3/4 in. x 13 in., framed. $700/1000

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1075. Theodore Tihansky (American/Maine, 20th c.), “Monhegan Island, Maine”, oil on canvas, signed lower right, 48 in. x 72 in., unframed. $2500/3500

1077. Walter Launt Palmer (American, 1854‑1932), “View of the Lake with Dock and Row Boat”, 1889, oil on canvas, monogrammed and dated “Aug. 31 1889” lower left, 13 1/2 in. x 10 in., framed. $1500/2500

1079. Emilio Sanchez‑Perrier (Spanish, 1855‑1907), “The Path by a Grove of Trees”, oil on canvas, signed lower right, 17 in. x 24 in., framed. $2500/3500 Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent.

1081. French School, “Portrait of a Lady with Diamond Cross and Posey”, 1891, oil on canvas, signed “J.J. Jourdan” and dated lower left, canvas stencil en verso, 27 in. x 22 in., framed. $400/600

1080. V. Zabehlicky (Austrian, late 19th c.), “Town on a Lake”, 1886, oil on canvas, signed and dated lower right, 16 in. x 20 in., framed. $700/1000

1082. Ernst Karl Georg Zimmermann (German, 1852‑1901), “Fresh Catch”, 1884, oil on cradled panel, signed and dated lower right, 23 1/2 in. x 18 3/4 in., framed. $700/1000

1083. John Gould (British, 1804‑1881), “Thrush on a Branch”, 1866, graphite on paper, signed and dated “Jan. 1, 1866” lower right, sight 14 1/2 in. x 10 3/4 in., gilt frame. $500/800 Provenance: Didier Inc., New Orleans, Dec. 15, 2002.

1085. Joseph Thors (British, 1835‑1900), “Figures Fishing in the Pool of a Wooded Stream”, c. 1870, oil on canvas, signed lower right, early 20th c. labels “Joseph Cooke...Birmingham” en verso, 20 1/2 in. x 30 1/4 in., original frame. $300/500 1084. Thomas Spinks (British, act. 1880‑1907), “Landscape: Sheep Grazing in the Countryside”, 1887, oil on canvas, signed and dated lower left, “David Dike Fine Art, Dallas, TX” label en verso, 18 in. x 24 in., framed. $400/600

1089. Pair of Decorative Hand‑Colored Floral Prints, “John Richard Gallery, Greenwood, MS” label en verso, sights 9 1/2 in. x 13 in., matching frames. $300/500 1087. M.A. Aguilar (Spanish, 20th c.), “The Wood Gatherer”, 1965, oil on canvas board, signed and dated lower right, 42 1/4 in. x 36 in., framed. $400/600

1088. Continental School, 19th c., “His First Trousers”, oil on canvas, unsigned, period “William Herrmann, Philadelphia” label en verso, 14 in. x 11 1/4 in., original frame. $400/600

1086. James John Hill (British, 1811‑1882), “Children Foraging on the Sea Shore”, oil on board, unsigned, “Thos. Agnew & Sons, London” label en verso, sight 9 5/8 in. x 7 1/2 in., framed; accompanied by copy of receipt and correspondence from Thomas Agnew & Sons of London, 1971. $400/600

1090. After Baron André Jolly (Belgium, 1799‑1883), “Benjamin Franklin at the Court of France, 1778”, 1853, colored steel engraving, engraved

by W.O. Geller of London, published by William Jay, Charles J. Hedenberg and William H. Emerson of Philadelphia, sight 31 1/2 in. x 41 1/2 in., antique frame. $700/1000 Provenance: Milledgeville, GA Estate.

Additional information at www.nealauction.com

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1091. After William Edward West (American, 1788‑1857), “The Battle of New Orleans and the Death of Major General Packenham”, 1817, engraving, published by McCarty and Davis, Philadelphia, sight 15 1/2 in. x 19 3/4 in., framed. $300/500 Provenance: Arader Galleries, NY, Mar. 7, 1994; a New Orleans private collection.

1092. John James Audubon (American, 1785‑1851), “Louisiana Tanager”, Plate 210, Number 42, hand‑colored lithograph, from The Birds of America, octavo, printed by J.T. Bowen, Philadelphia, PA, 1836, sight 6 1/2 in. x 10 in., framed. $100/200

1093. Lithograph of Jefferson Davis, c. 1866, published by Blelock & Co., 130 Canal St., New Orleans, sight 16 in. x 13 3/4 in., framed. $300/500

1097. Continental Gilt‑Decorated Tôle Peinte Snuffer Tray, 19th c., grape and grapevine motif, l. 10 1/4 in.; together with an antique tôle scissor/ snuffer, l. 6 3/4 in. $150/250

1095. Patinated Bronze Figure of a Pig, inscribed “A. Moreau”, h. 8 3/4 in., w. 16 in., d. 8 3/4 in. $400/600

Provenance: Historic “Sally Mill”, Middleburg, VA. 1098. Patinated Bronze Group of a Maiden Astride a Goat, inscribed “Claude Michel”, on marble base, h. 20 in., w. 12 in., d. 8 1/4 in. $400/600

1096. Patinated Bronze Figure of a Bloodhound, 20th c., marked “A. Cain”, black marble base, h. 9 1/2 in., w. 10 in., d. 5 in. $300/500

1099. Group of Sterling Silver Flatware, Georg Jensen “Acorn” pattern: 1 dinner fork, 4 dinner knives and 4 spoons; International “Royal Danish” pattern: 1 gray ladle, 1 cold meat fork, and 2 ramekin forks; 4 Whiting “Japanese” pattern teaspoons; a 5 piece place setting in “Triumph” pattern, a Franklin Potter ladle, an Old Newbury Crafters server and a nut pick, combined wt. 33.75 troy ozs. $1000/1500

1100. Eleven Sterling Silver Bouillon Frames with Lenox Porcelain Liners, 7 matching and 2 pair of similar frames; together with an assorted group of sterling silver and silverplate caddy spoons, pill boxes, card case and stamp box, including 2 sterling sugar shovels, a sterling teapot shaped tea strainer, 3 sterling pill boxes, 2 sterling card cases and a silverplate stamp box, sugar cube stand, and 1 tea caddy spoon, combined wt. 22.10 troy ozs., (21 pcs.) $600/800

1101. Group of Antique Page Turners, incl. two sterling silver examples, c. 1900, by Gorham, l. 12 in., one with hollow handle; and one carved mother‑of‑pearl page turner, l. 8 1/2 in., total wt. (weighable) 4.10 troy ozs., (3 pcs.) $300/500

1102. Decorative Silverplate Lighthouse‑Form Cocktail Shaker, spurious hallmarks, h. 14 in. $300/500

1104. American Brass Hall Lantern, early 20th c., scrolled supports, etched shade, and smoke bell, electrified, h. 67 in., dia. 16 in. $600/900

1103. Handsome Silverplate Four Bottle Wine Cooler, marked “ROYAL CASTLE/SHEFFIELD/EP”, with central covered ice well, loop handles, stepped circular base, h. 10 in., dia. 12 5/8 in. $200/400

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1094. Continental School, early‑to‑mid 19th c., “Gentleman” and “Lady”, pair of miniature watercolors on paper, unsigned, each sight 7 in. x 5 1/2 in., period frames. $250/350

1105. Beaux Art Gilt Brass Four‑Light Gasolier, c. 1900, crown‑form dish, chains with cherub medallions, electrified, h. 66 in., dia. 24 in. $600/900

1106. Pair of Louis XVI‑Style Bronze and Marble Figural Six‑Light Candelabra, probably late 19th c., each with scrolling cornucopia of vinery issuing candlearms, putto support, marble pedestal on shaped plinth, toupie feet, h. 24 1/2 in., w. 10 in. $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1107. Lalique “America’s 32nd Cup” Clear and Frosted Glass Center Bowl, engraved “Lalique France”, numbered “136/320”, designed

by Javier Mariscal, molded with geometric patterns and “32”, engraved “America’s 32nd Cup”, h. 6 1/4 in., dia. 9 1/4 in. $700/1000

1108. Group of Pins, incl. Masonic yellow gold and ruby double‑headed eagle stickpin; Imperial Russian white and yellow gold, blue enamel and rose diamond double‑headed eagle stick pin; yellow gold, black onyx and half pearl stickpin; and cameo tie tack. $300/500

1112. Two Baccarat “Intangible” and “Totem” Glass Vases, marked, first with molded circular pattern, h. 12 in.; second with molded pyramids, h. 7 7/8 in. $400/600 Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

1109. Baccarat “Vecteur” Blue and Clear Glass Vase, stamped and signed, designed 1990 by Nicolas Triboulot, circular cut glass base inset with triangular blue vase, h. 10 in., accompanied by original box. $400/600

1110. Lalique “Saumur” Clear and Frosted Glass Vase, engraved “Lalique France”, molded with grapes and leaves, h. 5 1/4 in.; together with a Lalique “Aruba” clear and frosted glass ashtray, engraved “Lalique France”, h. 2 3/4 in., (2 pcs.) $300/500 Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

1111. Pair of Lalique “Ravelana” Clear and Frosted Glass Candlesticks, engraved “Lalique France”, fan form bodies molded with leaves, removable candle cups, h. 8 in., w. 10 3/4 in. $300/500 Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA. Ill.: Curtis, Jean‑Louis. Baccarat. Editions du Regard: Paris, 1991.

1113. French Gilt Bronze and Glass Cave à Liqueur, 19th c., scrollwork and floral hinged case, fitted interior with 4 decanters and 14 liqueur glasses, ball feet, h. 12 1/2 in., w. 16 in., d. 12 1/2 in. $1000/2000 Provenance: Ex‑Collection Ava and Jerry Gotlib, Ft. Smith, AR.

1115. Louis XVI‑Style Gilt Bronze‑Mounted Parquetry Lady’s Writing Desk, superstructure with gallery and tambour compartments, frieze drawers, square tapered legs, brass ferules; together with Neoclassical‑style paint-decorated side chair, pierced oval back with portrait medallion, shaped caned seat, tapered legs, toupie feet, desk h. 39 1/2 in., w. 37 1/2 in., d. 21 in., chair h. 39 1/2 in., w. 18 1/2 in., d. 18 in. $800/1200

1114. Neoclassical‑Style Inlaid Satinwood and Mahogany Demilune Commode, labeled “Historic Charleston Reproductions, Baker Furniture”, highly figured crossbanded top with radial inlay, case with oval panels, square tapered legs, h. 37 1/2 in., w. 48 in., d. 20 in. $700/1000

1116. William IV Mahogany Serving Table, mid‑19th c., scrolled backsplash, frieze drawer, reeded legs, ball feet, casters, h. 39 in., w. 66 3/4 in., d. 24 in. $700/1000 Additional information at www.nealauction.com

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1117. George III‑Style Carved Mahogany Breakfront Bookcase, stamped “Reprodux Made in England, No. 4280”, dentilated and lancet arch cornice, astragal glazed doors; lover case with shaped panel doors, blocked base, h. 84 3/8 in., w. 80 in., d. 15 in. $800/1200

1118. Pair of Antique English Carved Mahogany Side Chairs, shaped backs, padded seats, ring‑turned tapered legs, brass ferrules, h. 34 3/4 in., w. 19 in., d. 16 3/4 in. $250/350

1119. Louis Philippe Rosewood Work Table, 19th c., shaped top, conforming frieze, blind drawer over pull‑out work compartment, cabriole legs, h. 28 1/4 in., w. 23 in., d. 16 1/2 in. $500/750 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1120. Pair of Large French Cast Iron Garden Frogs, probably 20th c., h. 11 in., w. 17 in. $500/700

1121. Pair of French Cast Iron Figures of Cows, h. 9 3/4 in., w. 15 1/2 in., d. 5 1/2 in. $400/600

1122. Louis XV/XVI‑Style Giltwood Mirror, pierced rocaille crest with trailing flowers, molded frame, acanthus corners, h. 81 in., w. 44 in. $1000/1500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1123. American Painted Cast Iron Garden Table, mid‑19th c., white marble top, foliate scrolled trestle base, dolphin feet, h. 30 1/2 in., w. 40 in., d. 30 in. $400/600 1125. George III Green Chinoiserie Lacquered Tall Case Clock, c. 1800, Thomas Barrett, London, brass and silvered dial with dolphins and cherubs, case decorated with vignettes, h. 87 in., w. 21 in., d. 10 1/2 in. $1800/2500 1126. Irish Georgian Mahogany Tall Case Clock, early 19th c, h. 94 1/2 in., w. 19 in., d. 9 7/8 in. $800/1200 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

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1124. American Painted Cast Iron Garden Table, en suite with previous lot, h. 30 1/4 in., w. 40 in., d. 30 in. $400/600

1127. English Burl Walnut Upright Piano, c.

1875, labeled “Dussek & Dussek, London”, works labeled “London Piano Forte Co.”, stamped “S. Banks”, h. 49 1/2 in., w. 54 1/2 in., d. 25 1/2 in. $800/1200 Provenance: Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections Fund.

1128. Antique Walnut Extension Dining Table, demilune ends, tubular standard, scrolled brackets, scrolled legs, casters, with three leaves, h. 28 1/4 in., closed l. 53 in., extended l. 112 in., w. 54 in. $1200/1800 Provenance: Minor‑Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1129. George III Inlaid Mahogany Sideboard, 19th c., crossbanded bowfront top, frieze drawer over tambour drawer, flanked by fitted baize-lined drawer and cabinet, ringturned tapered legs, h. 36 in., w. 72 in., d. 27 1/4 in. $1200/2000

1130. English Carved Mahogany Armoire, mid‑19th c., shaped cornice with lamb’s tongue molding, arched panel doors, rounded plinth, disc feet, fitted interior, h. 84 in., w. 60 in., d. 25 1/2 in. $800/1200

1131. Marble Bust of Marie Antoinette, on stepped plinth base. $1000/1500

Provenance: Historic “Sally Mill”, Middleburg, VA.

1132. Louis Philippe Carved and Gilded Trumeau Mirror, mid‑19th c., oil on canvas pastoral scene over rectangular mirror plate, all within a beaded frame, h. 63 3/8 in., w. 30 3/4 in. $1000/1500

1133. Pair of Louis XVI‑Style Ebonized and Carved Giltwood Mirrors, pierced urn and acanthus crests, beaded and foliate surrounds, beveled mirror plates, h. 46 in., w. 24 in. $2000/3000 1134. Suite of American Carved Walnut Seat Furniture, mid‑19th c., attr. to Alexander Roux, New York, incl. high back settee and pair of generous armchairs with reticulated crests, barley‑twist stiles and stretcher, block‑turned legs; together with associated pair of side chairs with reticulated foliate crest, turned baluster stiles, cup and cover legs, ring‑turned stretcher, settee h. 57 1/2 in., w. 71 1/4 in., d. 22 in. $1500/2500.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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1135. Walter Rutkowski (American/Louisiana, b. 1940), “Pontchartrain Suite: Bayou Scene”, colored pencil, graphite and mixed media on paper, unsigned, sight 27 3/4 in. x 38 in., framed. $700/1000

1135A. Walter Rutkowski (American/Louisiana, b. 1940), “Chevy on the Levy II”, 1977, graphite, ink and mixed media on paper, unsigned, New Orleans Museum of Art shipping receipt with title and date from the 1997 “Walter Rutkowski Drawings” exhibition en verso, 23 1/8 in. x 29 in., framed. $700/1000 Exh.: Walter Rutkowski: Drawings, New Orleans Museum of Art, Dec. 6, 1997 - Mar. 1, 1998, and listed in the accompanying catalogue, no. 2, p. 25.

1136. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Lone Live Oak Tree at a Bend in the Bayou”, oil wash on board, signed lower right, sight 19 1/4 in. x 29 in., framed. $1500/2500 1137. Julia Michel Black (American/ New Orleans, d. 1968, act. Newcomb College, 1903‑1907, 1913‑1916), “Still Life of Pottery (unfinished still life en verso)”, oil on board, signed lower right, “Taylor Clark, Fine Prints, Paintings and Framing, Baton Rouge, LA” label en verso, 14 in. x 11 1/2 in., framed. $600/800 Provenance: Previously in the collection of Dr. James Nelson, Gonzales, LA.

1138. Nestor Hippoyle Frugé (American/New Orleans, 1916‑2012), “Royal Street” and “Courtyard”, two oils on canvas, signed lower left and right respectively, both pencil‑inscribed “Mrs. Boyle” en verso, each 20 in. x 16 in., framed alike. $1500/2500

1139. Alan Flattmann (American/New Orleans, b. 1946), “Amen: New Orleans Jazz Funeral Series”, 1970, oil on canvas, signed and dated lower left, titled, “Bryant Galleries, Inc., Jackson, MS” label and printed artist biography en verso, 16 1/4 in. x 24 in., framed. $1200/1800

1140. Howard Finster (American/Georgia, 1916‑2001), “Jane Beaddock Who Is...”, 1982, mixed media on board, signed, dated and inscribed lower right, 18 in. x 29 in., framed. $1500/2500

1141. Clementine Hunter (American/Louisiana, 1886‑1988), “Three Trees: Courting in the Garden”, oil and graphite on paper, signed “Clemence” lower right, pencil‑monogrammed mid‑left, titled en verso, 11 1/2 in. x 14 1/2 in., framed. $1500/2500

144

1142. James Michalopoulos (American/New Orleans, b. 1951), “T‑Bungler”, 1992, oil on canvas, initialed “M” lower right, signed “Mitchell”, titled, dated, inscribed “New Orleans” and “Uptown Gallery, Fine Art Conservation Framing, NY” label en verso, 15 in. x 30 in., framed. $1500/2500

1144. P. Sanders McNeal (American/ Mississippi, 20th/21st c.), “Still Life of a Tea Service”, 1991, oil on canvas, signed and dated lower right, 16 in. x 20 in., framed. $800/1200 1143. Alberta Kinsey (American/ New Orleans, 1875‑1952), “French Quarter Courtyard”, oil on board, signed lower right, 14 in. x 11 1/4 in., period frame. $1000/1500

1145. Patricia Watson (American/ Texas, late 20th c.), “Evening Pass”, 1985, oil on canvas, signed and dated lower right, artist’s card and “Richardson Civic Art Society Regional Painting and Sculpture Show” entry labels with title en verso, 24 in. x 36 in., framed. $500/800 1146. Nester Hippoyle Frugé (American/New Orleans, 1916‑2012), “Pirate’s Alley, French Quarter” and “View of St. Peter Street, French Quarter”, two watercolors on paper, signed lower right and left respectively, sights 10 1/2 in. x 8 in., framed. $250/350

1148. Louise Sarrazin (American/ Louisiana, 1888‑1967), “Morning Gossip”, watercolor on paper, signed lower right, pencil‑signed and titled on mat board, sight 5 3/8 in. x 7 1/2 in., framed. $700/1000

1152. Robyn “The Beaver” Beverland (American/Florida, 1957‑1998), “Happy Cat”, “Dog, Here’s Looking at You Cheers, Dog Here’s to You Cheers, Good Dog Nobodys [sic] Looking Cheers” and “Ridding [sic] is fun per us Angels”, 1997, 3 mixed media on plywood, all signed “The Beaver” and dated lower right or left, each titled, 24 in. x 24 in., 12 in. x 48 in. and 12 in. x 12 in., unframed. (3 pcs.) $500/800

1149. Emmitt Thames (American/ Mississippi, b. 1933), “Hot Dry Summer”, 1986, watercolor on board, signed lower right, artist’s stamps, title and date en verso, 15 in. x 22 in., framed. $800/1200

1153. Louisiana School, mid‑20th c., “Cypress Trees with Distant Bridge”, oil on canvas, unsigned, 24 in. x 18 in., framed. $800/1200

1150. Roger C. Holt (American/New Orleans, 1905‑1979), “Evening: Outskirts of Town”, oil on board affixed to masonite, signed lower left, 13 3/4 in. x 24 in., period frame. $500/800

1154. Billy Price Carroll (American/Tennessee, 1920‑2011), “Idle Hands: Sunday Morning”, c. 1940, oil on canvas, signed lower right, signed and 3 labels with title en verso, 24 in. x 20 in., framed. $1200/1800 Provenance: Descended in the family of the artist.

Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

1147. W. Stuart Archibald (American/Louisiana, 20th c.), “The Dunes”, two watercolors on paper, each signed lower left, sights 3 1/2 in. x 3 1/2 in. and 3 1/2 in. x 4 1/8 in., framed together. $200/300

1151. John Hodge (American/ Louisiana, b. 1947), “Steps at Night, Lakeview Series”, 1973, acrylic on canvas, signed and dated upper left, “Galerie Simone Stern, Royal St., New Orleans” label with title en verso, 60 in. x 72 in., unframed. $400/600

1155. Erasmus Humbrecht (French/ Louisiana, 1845‑1901), “Country Church with Trompe L’Oeil Oval Frame”, 1893, oil on canvas, signed and dated lower right, 25 in. x 30 in., antique gilt frame. $700/900 Provenance: Antiquarian Thomas Wilmot (Twik) Klein, St. Francisville, LA; D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

Additional information at www.nealauction.com

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1156. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Portrait of a Woman”, charcoal on paper, signed lower right, 18 1/2 in. x 15 1/4 in., framed. $500/800

1157. Polly Ammons (American/ Mississippi, 1928‑2015), “View of Upper Pontalba Apartments, Le Petit Theatre and Cabildo on Jackson Square, New Orleans”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $400/600

1158. Ferris Patrick Hotard (American/New Orleans, 20th c.), “Water Lilies”, 1979, watercolor on paper, signed and dated lower left, sight 19 1/2 in. x 28 1/2 in., framed. $500/800

Provenance: Acquired from the Estate of Major General Will Hill Tankersley, Montgomery, AL.

Provenance: Descended in the family of the artist.

1160. American School, late 19th c., “Sweethearts in Period Costume”, oil on canvas, signed “Case” lower left, 20 in. x 30 in., framed. $500/800 Provenance: Villa Wofford Clark, Birmingham, AL.

1161. American School, c. 1780, “Eleanor McCray Thompson (1756‑1850)”, oil on canvas, unsigned, handwritten label en verso, 22 1/4 in. x 19 1/2 in., framed. $500/700

1159. Southern School, 19th c., “Portrait of a Young Boy and his Hobby Horse”, oil on canvas, unsigned, partial labels en verso, 18 1/4 in. x 13 1/2 in., period frame. $1000/1500

1162. Eleanore Kentner Kohler (American/California, 1887‑1967), “Under the Sycamore”, oil on canvas, signed lower left, 20 in. x 24 in., period frame. $400/600

1163. American School, late 19th c., “Still Life of Peaches”, oil on canvas, unsigned, 18 in. x 23 3/4 in., period frame. $700/900

1164. Rare American Gothic Mahogany Dressing Chest, mid-19th c., gothicized mirror on tapered supports, two hinged storage compartments over three graduated drawers, ogee bracket feet, h. 88 in., w. 48 in., d. 22 in. $800/1200 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1165. Six Chippendale-Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 4 side chairs, patera carved crest, reticulated lyre splat, trapezoidal seat, cabriole legs, claw-and-ball feet, h. 38 in., w. 22 1/2 in., d. 18 7/8 in. $1500/2000

1166. American Federal‑Style Inlaid Mahogany Corner Cabinet, probably 19th c., molded cornice, plain frieze, glazed doors, shelf interior, base with frieze drawer flanked by small compartments, paneled doors, shaped apron, bracket feet, h. 83 3/4 in., w. 51 in., d. 25 in. $800/1200

146

1167. American Late Classical Mahogany Secretary Bookcase, c. 1830, cove‑molded cornice, pair of glazed doors below, fall front desk with fitted interior, ogee drawer above 2 drawers, shaped bracket feet, h. 90 1/2 in., w. 50 in., d. 21 in. $1000/1500

1168. American Aesthetic Carved Cherrywood Breakfront Bookcase, late 19th c., spindled crest centered by sunflower panel, glazed doors, adjustable shelf interior, conforming base with drawers over garland carved doors, fluted stiles, h. 103 1/2 in., w. 78 1/2 in., d. 21 1/2 in. $800/1200

1169. American Rococo Mahogany or Rosewood Armoire, mid‑19th c., arched crest, shaped mirrored door, base drawer, disc feet, dark surface, h. 97 1/2 in., w. 51 in., d. 25 5/8 in. $800/1200 Provenance: Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections Fund.

1170. American Classical‑Style Carved Mahogany Settee, scrolled crest, shaped cornucopia arms, blocked and torus‑molded seat rail, winged hairy paw feet, h. 36 1/4 in., w. 64 1/2 in., d. 26 1/2 in. $800/1200

1171. American Aesthetic Birdseye Maple Faux Bamboo Bed, late 19th c., possibly R. J. Horner & Co., New York, recessed‑panel headboard, tubular crest, shaped foot board, conforming rails, disc feet, h. 55 1/2 in., l. 78 in., w. 48 in. $300/500

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1172. American Aesthetic Birdseye Maple Faux Bamboo Chest and Mirror, late 19th c., chest with turreted corners, graduated drawers, casters, matching beveled mirror, h. 73 1/8 in., w. 48 3/4 in., d. 21 1/4 in. $400/600

1173. Associated Pair of American Rococo Carved Armchairs, mid‑19th c., one rosewood and one with dark finish, h. 45 in., w. 25 1/2 in., h. 44 1/4 in., w. 25 1/2 in. $300/500 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1174. American Late Classical Carved Mahogany Armoire, 19th c., stepped cornice, two shaped paneled doors, two drawers, shaped apron, h. 88 in., w. 61 in., d. 19 in. $300/500 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1175. American Carved Mahogany “Morris” Chair, late 19th c., probably Allen & Bro., Philadelphia, reeded crest, slat back, turned finials, padded arms, spindled supports, square legs, casters. $200/400 Additional information at www.nealauction.com

147

1176. Antique Marquetry and Parcel Ebonized Burl Walnut Sewing Table, 19th c., top with floral bouquet, cabriole legs, foliate stretcher, h. 28 1/2 in., w. 25 in., d. 17 1/2 in. $250/350

1177. American Carved Walnut Campeche Chair, late 19th c., arched and scrolled crest, incised stiles, scrolled arms, curule base, casters, h. 46 in., w. 22 3/4 in. $400/600

Provenance: Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections fund.

1178. American or English Carved Fruitwood Étagère, 19th c., three tiers, turned supports, base drawer, casters, h. 411 3/4 in., w. 18 in., d. 16 1/2 in. $200/300

1179. Georgian‑Style Mahogany Secretary Bookcase, dentil‑molded cornice, astragal glazed doors, slant‑front writing surface, fitted interior, two over three graduated drawers, ogee bracket feet, h. 80 1/2 in., w. 38 in., d. 21 1/4 in. $700/1000

1180. Federal‑Style Inlaid Mahogany Sideboard, stamped “Virginia Galleries, Furniture by Henkel‑Harris, Winchester Virginia”, brass gallery, serpentine top, conforming case, two graduated drawers flanked by side cabinets, square tapered legs, h. 42 in., w. 66 1/4 in., d. 26 in. $800/1200

1181. Set of Six Chippendale‑Style Carved Mahogany Dining Chairs, incl. four side chairs and two armchairs; together with pair of Queen Anne‑style side chairs, all labeled “Georgian Furnishings Co.”, Chippendale armchair h. 38 in., w. 27 in., side chair h. 37 in., w. 23 1/2 in.; Queen Anne‑style chair h. 40 in., w. 22 in. (8 pcs.) $500/700

1182. Regency Mahogany Breakfast Table, h. 28 5/8 in., w. 56 5/8 in., d. 52 5/8 in. $1000/1500

1183. George III‑Style Mahogany Two Pedestal Dining Table, crossbanded top with reeded edge, foliate baluster standard, reeded sabre legs, brass capped paw feet, casters, h. 29 1/2 in., closed l. 76 in., extended l. 116 in., w. 46 in. $1000/1500

148

1184. Pair of Empire‑Style Crème Peinte and Gilt Wine Stands, each fitted with silverplate wine cooler, pseudo mark, with stag’s head handles and removable liner; the stand with classical gilt brass mounts, medial shelf and paw feet on incurvate triangular base, overall h. 39 3/4 in. $500/1000

1186. Continental Polychrome Porcelain Covered Cistern, late 19th/ early 20th c., half barrel form with bird and flower decoration, wood spigot, h. 13 in., w. 12 in., d. 8 1/2 in. $150/250

1185. Pair of Louis XVI‑Style Bronze‑Mounted and Parquetry Petite Commodes, shaped marble top, conforming cases, two short drawers, chamfered stiles, scalloped aprons, cabriole legs, sabots, h. 29 in., w. 23 3/4 in., d. 15 3/4 in. $300/500

1187. English or Continental Polychrome Porcelain Ewer and Basin, late 19th/early 20th c., decorated with insects and flowers, pitcher h. 11 1/2 in., basin w. 13 1/2 in. $250/500

1188. Decorative Pair of Chinese Blue and White Porcelain Covered Tea Canisters, probably 20th c., decorated with willow and architectural scenes, h. 11 7/8 in., now mounted as lamps, h. (to socket) 14 3/4 in. $250/500

1189. French Gilt Bronze and Crystal Six‑Light Chandelier, 20th c., vasiform standard, foliate arms, h. 21 in., dia. 26 in. $500/700

1190. Good Antique French Enameled Mercantile Sign, late 19th c., promoting the midwife services of mesdames Cognard & Buzenet, h. 25 1/4 in., w. 20 in., d. (in center) 3 1/2 in. $800/1200

1191. Pair of French Bronze and Marble Three‑Light Candelabra, late 19th c., foliate designs, toupie feet, h. 12 in., w. 8 in., d. 3 1/4 in. $500/700 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

1195. [Collection of Fourteen Reference Books], incl. The Lamps of Tiffany; Handel Lamps, Painted Shades

1192. Green Tôle Peinte Bouillotte Lamp, brass upright support, reticulated shade, weighted circular base, h. 19 in., w. 7 in., d. 11 1/4 in. $400/600

1193. Pair of George III‑Style Mahogany Cutlery Urns, h. 26 in., dia. 9 1/4 in. $200/400

1194. [Decorative Leather Bindings], Dickens, Charles. Dicken’s Works, 15 volumes, New York, United States Book Co., c. 1890, 4to, 3/4 leather with marbled boards. $150/250

and Glassware; Styles of American Furniture, 1860‑1960; American Furniture of the 19th c., 1840‑1880; A Victorian Chair ‑ Facsimile of Brooklyn Chair Co. Catalogue of 1887; Henshaw & Sons 1883 Chair Catalogue; Wooten Patent Desks; The Dictionary of English Furniture; Classical Furniture; Pottery; Collectors Encyclopedia of Rosewood Pottery; Collector’s Encyclopedia of Heisey Glass, 1925‑1938; Wedgwood Rarities; and Ispanky. $400/600

Additional information at www.nealauction.com

149

1196. Group of New Orleans Carved Cypress Architectural Fragments, late 19th c., incl. porch railing segment, scalloped bracket, and appliqués; together with group of carved wood architectural elements and pair of faux bois doors, one faux rosewood and one faux tiger maple, h. 95 1/4 in., w. 23 3/4 in. and 20 in. $300/500 Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections Fund.

1197. Set of Six Patinated Iron Chairs, slat backs, scrolled stiles, cabriole legs, stretchers, h. 37 in., w. 18 1/2 in., d. 18 1/4 in. $700/1000

1198. Pair of Patinated Cast Iron Egrets, h. 30 in., h. 28 3/4 in. $400/600

1200. Group of Antique Wrought and Cast Iron Architectural Elements. $300/500

1201. Pair of Painted Cast Iron Flamingos, h. 23 1/2 in. $300/500

Provenance: Sold to Benefit the HermannGrima and Gallier Historic Houses Collections Fund.

1204. Antique Louis XV/XVI‑Style Gilt Overmantel Mirror, molded ovolo frame with scrolling flowers and shell‑carved crest, h. 53 in., w. 54 in. $800/1200 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1205. Antique George III‑Style Mahogany Breakfront Bookcase, stepped molded cornice, glazed doors, shelf interior, conforming lower case with four burled paneled doors, blocked base, h. 90 1/2 in., w. 76 1/2 in., d. 14 in. $800/1200

150

1199. Antique Verdigris Patinated Cast Iron Birdbath, scallop shell reservoir, dolphin standard, cast iron plinth, h. 35 in., w. 25 in., d. 21 3/8 in. $1200/1800

1202.

American Polychromed Bronze and Metal Piano Lamp, late 19th c., bamboo standard with lily‑pad shelves, now fitted for electricity, h. 68 in., dia. 18 in. $500/700

1203. Pair of Louis XVI-Style Gilt Brass Two‑Light Sconces, bowknot backplate, horn‑form arms, electrified, h. 16 1/4 in., w. 9 in., d. 3 1/2 in. $600/900

1206. Near Pair of English Oak Side Chairs, 18th/19th c., turned stiles and stretcher, rush seats. $150/250

1207. English Carved Oak Desk, mid‑to‑late 19th c., superstructure with reticulated gallery over three drawers, escritoire drawer with fitted interior, kneehole configuration of drawers and cupboard, all with ripple molding, h. 50 in., w. 54 in., d. 27 1/2 in. $500/700 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1208. Continental Baroque‑Style Needlepoint Armchair, shaped back, scrolled arms, block and ring‑turned legs and stretcher, h. 47 in., w. 29 1/4 in. $400/600

1209. William IV Carved Mahogany Méridienne, foliate scrolled back and arm, ovolo seat rail, turned legs, casters, h. 34 1/2 in., w. 72 in., d. 22 in. $700/1800 1210. Louis XVI‑Style Gilt Bronze‑Mounted Kingwood Parquetry and Marquetry Bed, 19th c., paneled head and foot board, conforming rails, h. 50 in., l. 77 in., w. 56 in. $500/800

1211. Rococo‑Style Wrought Iron Console Table, serpentine marble top, conforming reticulated floral frieze, scrolled base, h. 31 1/2 in., w. 49 in., d. 17 in. $400/600

1212. Paul Caranicas (Greek/American, b. 1946), “Versey III”, 1981, oil on canvas, signed and dated lower right, “Fischbach Gallery, N.Y.” label with title en verso, 30 in. x 128 in., unframed. $1500/2500

1213. Alice Dalton Brown (American, b. 1939), “The Abbott’s”, 1982, oil on canvas, signed lower right, signed, titled and dated en verso, 52 1/4 in. x 72 in., framed with artist and title plaque. $1000/2000

1214. John Brock Lear, Jr. (American, 1910‑2008), “Male Nude in Repose”, oil on canvas board, signed lower right, “The Merrill Collection, West Chester, PA” label with artist biography en verso, 9 in. x 12 in., framed. $500/800

1215. Continental School, 20th c., “Rainy Day, European Street Scene”, oil on canvas, signed “C. Gibano” lower right, 36 in. x 36 in., framed. $200/300

Additional information at www.nealauction.com

151

1216. Stuart Davis (American, 1892‑1964), “Report from Rockport”, c. 1950, color screenprint, signed in plate lower right, edition of approx. 50, published by Esther Gentle, New York, sight 23 3/4 in. x 29 1/2 in., framed. $800/1200

1217. George Valentine Dureau (American/New Orleans, 1930‑2014), “Mardi Gras, New Orleans”, 1979, silkscreen on paper, signed lower center, inscribed “collection of artist” lower margin, Pro/Creations Publishing Co., New Orleans, sight 36 1/2 in. x 23 1/2 in., framed. $300/500

1218. George Rodrigue (American/ Louisiana, 1944‑2013), “Alone with the Oak”, 1978, silkscreen on paper, pencil‑signed lower right, signed in plate lower left, sight 17 1/2 in. x 22 1/2 in., framed. $700/900

1220. Ronald Davis (American/ California, b. 1937), “Arched “ digital print on paper, pencil‑signed, dated “1987”, and inscribed “CD‑101”, sight 8 1/2 in. x 11 in., framed. $300/500

1221. Ronald Davis (American/New Mexico, b. 1937), “Untitled: Music Series”, 1984, acrylic and mixed media on paper, signed, dated and inscribed “P/P EA” lower right, 22 3/4 in. x 30 in., framed. $700/900

1223. [Mardi Gras], Rex ball invitation, 1877, theme “Military Progress of the World”. $300/500

1224. [Mardi Gras], Rex ball invitation and admit card, 1880, theme “The Four Elements”, (2 pcs.) $400/600

1225. [Mardi Gras], Rex ball invitation, 1882, theme “The Pursuit of Pleasures”, design by Charles Britton. $300/500

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna:

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 49.

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna:

1219. William Dunlap (American/Mississippi, b. 1944), “Spring Storm‑Water Works I”, 1986, color lithograph on Arches paper, pencil‑signed and titled, 29 3/4 in. x 41 7/8 in., unframed. $300/500

1222. [Mardi Gras], Rex ball invitation, 1875. $400/600 Note: 1875 Mardi Gras festivities were canceled due to Reconstruction tensions.

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 47.

Pelican Publishing Co., 2000, p. 48.

1226. [Mardi Gras], Rex ball invitation envelope, 1883, theme “Atlantis, the Antediluvian World”, lithography by F. Appel, Paris. $200/400

1227. [Mardi Gras], Rex ball invitation and envelope, 1884, theme “The Semitic Races”, lithography by F. Appel, Paris, (2 pcs.) $400/600

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna:

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna:

Pelican Publishing Co., 2000, p. 53.

Pelican Publishing Co., 2000, pp. 54‑55.

152

1228. [Mardi Gras], Rex ball invitation, 1885, theme “Ivanhoe”, lithography by F. Appel, Paris. $400/600 Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 56.

Pelican Publishing Co., 2000, pp. 50‑51.

1229. [Mardi Gras], Rex ball invitation, 1886, theme “The Triumph of Aurelian” and “Grand Historical Society”. $400/600 Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 57.

1230. [Mardi Gras], Rex ball invitation, 1887, theme “Music and Drama”, lithography by Sicard, Paris. $300/500 Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 58.

1231. [Mardi Gras], Rex, ball admit card, 1889, theme “Treasures of the Earth”, and dance card, 1895, theme “Chronicles of Fairy Land ‑ Fantastic Tales for Young and Old”, (2 pcs.) $200/400

1233. [Mardi Gras], Twelfth Night Revelers, ball invitation, 1875, theme “March of Ages”. $300/500 1232. [Mardi Gras], Rex ball invitation, 1890, theme “Rulers of Ancient Times”. $400/600 Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, pp 60‑61.

Note: After the ball invitations had been delivered, the Twelfth Night Revelers canceled both their ball and parade due to the ongoing difficulties of Reconstruction.

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitation of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 78.

1234. Disciples of Thespis, two ball admit cards, 1874, lithography by Wehrmann, Exchange Alley, New Orleans, (2 pcs.) $200/400

1235. Battalion Washington Artillery, ball invitation, 1885; together with Subscription ball invitation/program, Grand Commandery K.T. (Knights Templar), State of Louisiana, by Indivisible Friends No. 1, Jacques de Molay, No. 2, Orleans No. 3, Comanderies, 1875 (Masons); Grand Military Mask and Fancy Dress ball invitation, Continental Guards Co. A., 1877; and Battalion Washington Artillery ball program, 1886, (4 pcs.) $200/400

1235A. [Mardi Gras], pen and ink, “St. Valentine, Prince Carnival”, dated 1893, approx. 10 in. x 10 in., framed. $100/150

1236. Contemporary Kilim Carpet, blue and red grid pattern ground with stylized medallions, 9 ft. 8 in. x 8 ft. 2 in. $400/600

1237. Persian Heriz Runner, red ground, allover stylized floral designs, 3 ft. 7 in. x 13 ft. $600/900

1238. Bakhtiari Carpet, red border, central field with overall floral design, 8 ft. 2 in. x 11 ft. 7 in. $700/1000

1239. Persian Heriz Carpet, central medallion with a red and cream ground, 9 ft. x 12 ft. 2 in. $700/1000

1240. Kirman Carpet, blue and cream ground, floral designs, 9 ft. x 12 ft. $700/1000

1243. Oushak Rug, sage green ground, overall stylized floral motif, 12 ft. 7 in. x 5 ft. 1 in. $300/500

1244. Semi‑Antique Persian Carpet, pale rose ground, cream border, overall stylized floral motif, 13 ft. 1 in. x 12 ft. 11 in. $700/900

1241. Hamadan Runner, cream ground, overall floral design, 2 ft. 10 in. x 12 ft. 3 in. $600/900

1242. Hamadan Runner, blue ground, allover floral design, 3 ft. 9 in. x 11 ft. 3 in. $600/900

Additional information at www.nealauction.com

153

1245. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Shrimp Boat”, 1985, hand‑colored block print on handmade paper, signed, dated and inscribed lower center, 15 3/4 in. x 13 in., framed. $300/500

1246. Buell Whitehead (American/ Florida, 1919‑1993), “Tobacco Barns”, lithograph on paper, pencil‑signed and titled lower margin, sight 9 in. x 10 1/2 in., framed. $200/300

1247. Three Titus Riley Stoneware Figural Tableware Pieces, Peppertown Pottery, Mantachie, MS, incl. snake vase, h. 9 3/4 in. and 2 jugs with fish finials, h. 7 3/4 in. and 9 1/4 in. $500/700 1248. American Classical Carved Mahogany Miniature Chest, c. 1830, bolection frieze drawer over three drawers, barley-twist colonettes, ebonized pulls, h. 17 in., w. 15 in., d. 15 1/4 in. $250/500

Provenance: Jean Bragg Gallery, New Orleans.

1249. WMF Silverplate Tea Tray, foliate scroll border, loop handles, scroll feet, 25 3/8 in. x 40 1/8 in. $100/200

1250. Silverplate and Green Marble Lemonade Press, h. 11 3/4 in. $100/200

1253. American Carved Mahogany “Triple Decker” Shelf Clock, 19th c., retains paper label of “Birge, Peck & Co. Bristol Conn.”, painted tin dial, etched and transfer decorated tablets, h. 32 in., w. 16 1/2 in., d. 6 in. $300/500 Provenance: Boor‑Cassidy Collection, Philadelphia.

1254. Three American Gothic‑Style Clocks, mid‑19th c., two with cast iron cases, one walnut with Ansonia label, largest h. 20 1/4 in., w. 13 1/4 in., d. 5 in. $600/900 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1251. Antique American Late Classical Mahogany Mirror, h. 47 in., w. 39 1/2 in. $300/500

1252. American Classical Mahogany Ogee Mirror, 19th c., h. 42 1/4 in., w. 26 1/4 in. $250/350

Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1255. American Carved Walnut Mantel Clock, c. 1870, arched crest, case with canted mirrors, mounted with silvered metal masks and cherubs, h. 24 in., w. 15 1/4 in., d. 5 1/2 in. $200/400

1256. American Painted Metal “Clock Peddler” Shelf Clock, late 19th c., h. 14 in., w. 4 3/4 in., d. 4 1/2 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1257. American Renaissance Carved Rosewood Bedstead, c. 1860, attr. to John Jelliff, Newark, foliate scrolled crest, paneled head and foot board, h.

71 3/4 in., l. 75 in., w. 58 in. $1200/1800 Provenance: Edwin van Antwerp, 53 Washington Place, Newark, NY, 1858; Grace Robertson, granddaughter; Trinity Cathedral (Episcopal), Newark, 1989, by gift; The New Jersey Historical Society, Newark, by transfer; acquired by the current owner.

Ill.: Dietz, Ulysses G. “Edwin van Antwerp’s Jelliff Furniture”, Magazine Antiques. April 1990: p.

910, fig. 7.

154

1258. Rachel Hartley (American, 1884‑1955), “Florida Sunset”, c. 1935, oil on canvas, signed lower right, estate stamp on stretcher, 24 in. x 20 in., framed. $400/600

1259. English Carved and Inlaid Walnut Davenport Desk, mid‑19th c., ogee pen box, tooled‑leather top, blind frieze drawer, eight side drawers, casters, h.

34 1/2 in., w. 21 1/2 in., d. 20 1/2 in. $300/500

1260. American Carved Oak Bedroom Suite, late 19th/early 20th c., incl. half‑tester bed, armoire, marble top dresser and washstand; bed with foliate headboard, conforming foot board, bracketed rails; armoire with foliate cornice, acanthine frieze, mirrored doors, two drawers, bracket feet, armoire h. 101 1/2 in., w. 63 in., d. 21 in.; washstand h. 30 3/8 in., w. 35 5/8 in., d. 19 3/4 in.; bed h. 120 in., l. 85 in., w. 64 in. $3000/5000

1262. American White Marble Bust of a Gentleman, mid‑19th c., in classical garb, socle base, h. 28 1/2 in., w. 21 in., d. 13 in. $800/1200

1263. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Indifference”, color lithograph, pencil‑signed, titled and inscribed “artist’s copy” lower margin, sheet 22 1/2 in. x 17 3/4 in., framed. $300/500

1261. American School, late 19th c., “Picking Fruit along a Wooded Path”, unsigned, canvas stamp en verso, 24 in. x 35 3/4 in., framed. $800/1200

Provenance: Stone + Press Gallery, New Orleans, Dec. 26, 1994.

1264. John McCrady (American/New Orleans, 1911‑1968), “Carnival in New Orleans”, 1947, lithograph on paper, unsigned, titled and inscribed “ed. of 25” lower margin, printed artist biography en verso, 8 1/2 in. x 12 in., framed. $100/200

1265. R. Henry Schulze (American, 20th c.), “Pirate’s Alley, New Orleans”, etching on paper, pencil‑signed and titled lower margin, 14 1/2 in. x 11 1/2 in., unframed; together with Clarence Millet (American/Louisiana, 1897‑1959), “Claiborne Court”, hand‑colored woodblock print, pencil‑signed and titled lower margin, 10 in. x 8 in., unframed, (2 pcs.) $150/250

1266. Meyer Straus (American/California, 1835‑1905, act. New Orleans, 1869‑1972), “Stream through the Mountains”, 1884, oil on canvas, signed and dated lower right, “Gump’s, San Francisco” label en verso, 14 in. x 23 3/4 in., period frame. $700/900

Additional information at www.nealauction.com

155

1268. American School, 20th c., “Party of Many”, 1975, oil on masonite, signed “Kittredge?” and dated upper right, 44 3/4 in. x 44 3/4 in., unframed. $800/1200

1267. American School, early 20th c., “Arbor of Roses”, oil on canvas, signed “Mrs. Peterson” en verso, 16 in. x 47 in., unframed. $300/500

1269. Bunny Matthews (American/ New Orleans, 20th c.), “Louisiana Musicians: Drummer Joseph ‘Zigaboo’ Modelist of the Meters, Fats Domino, Irma Thomas, Clarence ‘Gatemouth’ Brown and Clarence ‘Frogman’ Henry”, 1984, pen and ink on paper, signed and dated lower left, 13 1/2 in. x 11 in., unframed. $250/350

1270. Bunny Matthews (American/ New Orleans, 20th c.), “Yeah You Rite!

A Brief Glossary of Familiar Ninth Ward Terms”, 1983, “Mr. and Mrs. Ernest Broussard of North Dorgenois. A Typical New Orleans Couple, Fashionable Despite it All”, 1978, and “Planet Earth, Louisiana, and Nint’ Ward”, three pen and inks on paper, two signed and dated lower right, 14 in. x 11 in., 12 in. x 9 1/4 in., and 11 in. x 14 in., unframed, (3 pcs.) $200/300

1271. Byron Levy (American/New Orleans, 1921‑2015), “City Park”, 1970, oil on masonite, signed and dated lower right, sight 25 1/2 in. x 39 1/2 in., framed. $400/600

1275. Rolland Harve Golden (American/New Orleans, b. 1931), “Portrait of Grandmother, French Quarter”, 1965, watercolor on paper, signed and dated lower right, sight 19 1/2 in. x 29 in., framed. $600/800 1274. Deborah Crosby (American/ Louisiana, 20th c.), “Night Club, Barcelona”, oil on canvas, signed en verso, 20 in. x 16 in., framed. $400/600

1272. Mark Bercier (American/ Louisiana, b. 1950), “Cityscape”, 1992, gouache on paper, signed, monogrammed and dated lower right, 14 in. x 17 1/2 in., framed. $100/150

1276. Anne Wilson Goldthwaite (American/Alabama, 1869‑1944), “Devotional Still Life: The Holy Family”, oil on canvas, unsigned, 16 in. x 13 in., framed. $300/500

1273. Judith Moffett (American/ Louisiana, 20th c.), “Coming Home, Cabin in the Louisiana Bayou”, 1938, oil on canvas, signed and dated lower right, 23 in. x 27 1/4 in., framed. $500/800

1277. Antique American Painted Ladder-Back Side Chair, woven seat, h. 35 in., w. 18 in., d. 14 in. $150/250 Provenance: Found in Baton Rouge.

Provenance: Descended in the family of the artist.

1278. American Late Classical Mahogany Armoire, mid‑19th c., ogee cornice, paneled doors, associated escutcheon, ogee bracket feet, altered interior, h. 96 1/2 in., w. 64 in., d. 24 in. $500/800 Provenance: Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections Fund.

1279. Three American Rococo Balloon-Back Mahogany Side Chairs, 19th c., shell carved crests and slats, shaped seats, cabriole legs, h. 35 1/4 in., w. 18 1/2 in.; together with an American Classical footstool, 19th c. $200/400 Provenance: Sold to Benefit the HermannGrima and Gallier Historic Houses Collections Fund.

156

1280. Pair of American Late Classical Carved Mahogany Side Chairs, c. 1840‑1850, Baltimore, shaped back, pierced splat, ring‑turned tapered legs, casters. $200/400 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

1281. American Gilt Brass “Paul et Virginie” Three‑Piece Girandole Garniture, mid‑19th c., New York or Philadelphia, incl. three‑light candelabrum and two candlesticks, snowflake prisms, marble bases, candelabrum h. 16 1/2 in., w. 15 1/4 in. $300/500

1285. Empire‑Style Gilt Bronze‑Mounted Mahogany Mirror, h. 43 in., w. 32 in. $250/500

1282. Antique Oak Pedestal Cupboard, late 19th c., molded top, paneled sides, door to the rear, molded base, h. 32 in., w. 15 3/4 in., d. 15 1/2 in. $150/250

1283. Georgian‑Style Japanned Cabinet‑on‑Stand, Chinoiserie cabinet with pierced brass strapwork hinges; carved walnut stand with frieze drawer, cabriole legs, pad feet, h. 63 1/4 in., w. 39 in., d. 21 in. $200/300

1286. Georgian‑Style Burl Walnut Looking Glass, shaped surround, incised oak rabbet, beveled mirror plate, h. 35 in., w. 20 in. $300/500

1287. Beaux Arts Gilt Bronze Cartel Clock in the Louis XVI Taste, c. 1900, enameled dial with cobalt Roman numerals, h. 22 in., w. 11 in., d. 4 1/2 in. $500/800

Provenance: Royal Antiques, New Orleans, Mar. 14, 1994.

1290. Pair of Japanese Imari Porcelain Bottle Vases, early 20th c., decorated with floral cartouches on a flowering plum ground, h. 11 1/8 in. $200/400

1288. Chelsea Mahogany and Brass “Yacht Wheel” Ship’s Bell Clock, c.

1925, Chelsea Clock Co., Boston, base stamped “216620” and “102”, h. 10 in., w. 8 1/4 in., d. 4 1/2 in. $400/600

1291. Pair of Japanese Polychrome and Gilt Porcelain Chargers, 20th c., decorated with floral panels on a rose and vine ground, bases marked, dia. 11 7/8 in. $200/300

1289. Monumental Japanese Satsuma Pottery Vase, probably Meiji Period (1868‑1912), with winged beast handles, banded flared neck, foliate rim, splayed foot, decorated with figural scenes with raised gilt and moriage highlights, base marked, h. 30 3/4 in. $700/1000

1292. Helen Hyde (American, 1868‑1919), “The Gatherers”, etching, pencil‑signed lower right, 9 3/4 in. x 7 3/4 in., framed. $300/500

1294. Knute Heldner (American/New Orleans, 1877‑1952), “Turpentine Pines”, “Lafitte’s Blacksmith Shop” and “Swamp”, 3 etchings on paper, all pencil‑signed and titled lower margin, “Jean Bragg Gallery, New Orleans” labels en verso, sights 8 1/2 in. x 7 in., 6 in. x 8 in., and 8 in. and 6 in., framed alike, (3 pcs.) $300/500 1293. Valton Tyler (American/Texas, b. 1944), “Zoomorphic Study”, oil on canvas, signed “Valton” lower right, 36 in. x 40 in., unframed. $1200/1800

1284. Aubusson‑Style Carpet, pink and red ground, central rosette, floral motifs, 9 ft. 10 in. x 12 ft. 4 in. $700/1000

Ill.: Seward, Susan. Knute Heldner and the Art Colony in Old New Orleans: Sales Exhibition. New Orleans: Jean Bragg Gallery, 2000, pp. 5 and 36.

1295. Elihu Carranza (American/ Mississippi, 20th c.), “The Feeding”, 1977, color woodblock on paper, pencil‑signed, titled, dated and inscribed “artist proof” lower margin, sight 12 3/4 in. x 12 1/2 in., framed; together with Susan Carranza (American/Mississippi, 20th c.), “Secrets of the Soul”, mixed media and handmade paper collage, signed and titled lower margin, 7 1/4 in. x 8 in., framed, (2 pcs.) $100/200

Additional information at www.nealauction.com

157

1296. Two Vintage Carved and Painted Duck Decoys, 20th c., probably American, incl. a mallard, l. 16 1/2 in.; and a lesser scaup, l. 13 in. $200/300

1297. Two Mississippi/Louisiana Decoys, 20th c., one marked “Sta‑Vac model, Pascagoula, MS”; other marked “Ed Pasol”. $150/250 1298. Antique American Helmet‑Form Brass Coal Scuttle, early 19th c., with brass and wood handles, h. 13 in.; together with matching brass and iron tongs, l. 25 in; and shovel, l. 27 1/2 in. $200/300

1299. Pair of Antique American Brass Andirons, early 19th c., with ball finials, h. 13 1/2 in., w. 26 in. $400/600 Provenance: Didier, Inc., New Orleans, 1995.

Provenance: Didier, Inc., New Orleans, 1995.

1300. Antique American Cast Iron Group, incl. alligator match safe, l. 8 in.; “lady with a fruit basket” door stop, h. 8 3/4 in.; and female boot jack, l. 9 in. $100/150

1301. Six Antique Architectural Plaster Molds, 4 with wood frames, largest 18 in. x 10 1/2 in. x 2 in., together with a wooden bracket; and three American cast iron decorative objects, 19th c., incl. top hat with traces of red, black and white paint; reticulated urn; and pot, hat h. 7 1/8 in. $300/500 Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections fund.

1303. Margaret Leonard (American/ Louisiana, 20th c.), “Saying Goodbye”, 1996, acrylic on canvas, signed, titled and dated lower left, 20 in. x 24 in., framed. $200/300 1302. American School, 20th c., “Geometric Christmas Tree”, 1961, oil on canvas, signed “Clark” and dated lower right, 50 3/4 in. x 22 in., framed. $500/800

1306. Vintage Mills Novelty Co. Nickel Slot Machine, 20th c., chrome and polychrome metal with wood sides and base, h. 25 in., w. 16 in., d. 15 in. $1000/1500

1304. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Pirate’s Alley, Old New Orleans”, 1943, etching on paper, pencil‑signed and titled lower margin, titled, dated and inscribed in plate lower left, edition of 200, sight 9 1/2 in. x 6 1/4 in., framed. $200/300

1307. Arts and Crafts Slag Glass and Patinated Metal Lamp, 1900, petal‑shaped vasiform body, circular foot, conforming shade, overall h. 20 5/8 in.

Note: $75/150 Provenance: Sold to benefit the Hermann‑Grima and Gallier Historic Houses Collections Fund.

158

Note: The Mills Novelty Co. of Chicago was once the world’s leading manufacturer of coin operated machines, including vending machines and juke boxes.

1305. Bob Allan Dunnaway (American/Mississippi), “Eudora”, cast resin sculpture. $150/250

1308. Four American, English and Continental Polychrome Pottery Vases, incl. handled vase painted with figures; handled bottle vase with applied floral decoration; and pair of Art Nouveau vases applied with roses, tallest h. 20 in. $150/250

1309. American Stoneware Barrel‑Form Water Cooler, 19th c., labeled “Redlich’s Warranted Faucets”, brown ochre banding, wood spigot, h. 14 1/2 in. $150/250 Provenance: Longwood Plantation, Baton Rouge, LA.

2016 Auction Calendar July 16 & 17 Summer Estates Auction September 24 & 25 Fall Estates Auction December 3 & 4 Louisiana Purchase Auction™

The Jordan Noble Infantry Snare Drum, h. 16 1/2 in., Provenance: The Gaspar Cusachs Collection.

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

Please Visit Nealauction.Com To Request And View Condition Reports, Register To Bid Live Online, And Submit Absentee/Telephone Bids.

Additional information at www.nealauction.com

159

� inner is �erved Decorative Arts and Dining in the South Now in its ninth year, this four-day program—complete with presentations by noted experts, an optional guided tour, and plenty of fun in historic New Orleans—is nationally known as one of the premier events of its kind for antiques collectors and enthusiasts. The 2016 New Orleans Antiques Forum will look behind the doors of the Southern dining room—a space that reflects tradition, culture, style, and the ritual of dining; a place where “What’s your pattern?” is often asked.

The Historic New Orleans Collection 086(80 û 5(6($5&+ &(17(5 û 38%/,6+(5

160

A U G U S T � ��, � � � � û T H E F R E N C H Q U A R T E R

This event is presented with support from the following sponsors.

5 ( * , 6 7 5 $7 , 2 1 2 3 ( 1 6 - 8 1 ( Ƌ

www.hnoc.org/antiques.htm or (504) 523-4662

Topics and Speakers

Bellingrath G a rde n s a n d H o m e

Opening Remarks Tom Savage, moderator, Winterthur Museum, Garden and Library Food for Thought: Dining in the Coastal South’s Historical Record John H. Lawrence, The Historic New Orleans Collection Let’s Talk Shop: Decking out your Dining Room in Old New Orleans Lydia Blackmore, The Historic New Orleans Collection Waxing and Waning: Lighting the 19th-Century Dining Room Roger W. Moss, Emeritus, The Athenaeum of Philadelphia The Southern Sideboard: Evolution through Time Sumpter Priddy, Sumpter Priddy III Inc. American Antiques and Fine Art Transparency at the Table: Contents and Customs of American Glass Kelly Conway, Corning Museum of Glass “The Polite Implements of Eating:” Innovation and Fantasy in 19th-Century American Silver John Stuart Gordon, Yale University Art Gallery The Great War of China: French Battle English in the Old American South Nick Dawes, Heritage Auctions, New York Uncorked! Wine, Objects, and Tradition Leslie B. Grigsby, Winterthur Museum, Garden and Library New Treasures at The Historic New Orleans Collection Priscilla Lawrence, The Historic New Orleans Collection Young Scholar Presentation: A Seat at the Table: Tables and Chairs in Southern Dining Rooms, 1700–1840 Adam T. Erby, George Washington’s Mount Vernon The Dining Room: A Feast for the Eye and the Mind Laurie Ossman, The Preservation Society of Newport County, Newport, Rhode Island

Lobster salad serving spoon (facing page) and fork (above); ca. 1870; sterling silver by Ball, Black, and Company; The L. Kemper and Leila Moore Williams Founders Collection at THNOC, 72.678.1–.2WR

A

May 6, 7 & 8, 2016

•

Artist Index

M.A. Aguilar, 1087 Eugene-Antoine Aizelin, 119 Enrique Alferez, 1056 Peter Allis, 452 Mario Ameglio, 105 American School, 454, 1093, 1160, 1161, 1163, 1261, 1262, 1267, 1268, 1302 Polly Ammons, 1157 James McConnell “Mac” Anderson, 1004, 1245 Walter Inglis Anderson, 618, 619, 623, 763 W. Stuart Archibald, 1147 Frank Ashley, 653 John James Audubon, 445-449, 1092 Austrian School, 401

B

Harry Wilson Barnitz, 590 Bassano Family (mnr), 689 Luigi Belli, 123 Nicolaes Pietersz Berchem (mnr), 92 Mark Bercier, 1272 Harry G. Berman, 647 Robyn “The Beaver” Beverland, 1152 Julia Michel Black, 1137 Antoine Bouraine, 183 British School, 61, 453 Alice Dalton Brown, 1213 Karl Albert Buehr, 1072 Chris Burkholder, 864-866 Colin W. Burns, 450, 451

C

Paul Caranicas, 1212 Elihu Carranza, 1295 Billy Price Carroll, 1154 Henry Casselli, 643 George Frederick Castleden, 588, 589, 983 James Wells Champney, 1078 Dale Chihuly, 281 Chinese School, 205, 264 Demetre Chiparus (aft), 196 Eliot Clark, 1074 Louis Antoine Collas, 1012 Clyde Connell, 638 Continental School, 62, 64, 74, 84, 130, 291, 464, 692, 693, 695-699, 782, 950, 1088, 1094, 1098, 1215 Deborah Crosby, 1274 Jose Maria Cundin, 534, 535, 635

D

Elliott Daingerfield, 594 Ronald Davis, 1220, 1221 Stuart Davis, 1216 Alfred de Breanski, Sr., 444 Guy Dessapt, 949 Alexander John Drysdale, 593, 599, 640, 984, 985, 1136 Paul Dubois, 99 George Dunbar, 654, 655 William Dunlap, 1219 Bob Allan Dunnaway, 1305 Gustavo Duque, 761, 762 George Valentine Dureau, 1217 Caroline Wogan Durieux, 737-740, 1263

E

Jay Dearborn Edwards, 651 Jo Ellonga, 863 Romain de Tirtoff “Erté”, 128, 182

F

Howard Finster, 1140 Alan Flattmann, 1139 Flemish School, 1 French School, 2, 5, 6, 59- 63, 78, 95, 491, 867, 1081, 1095, 1131 Nestor Frugé, 1005, 1006, 1138, 1146

G

Henry Martin Gasser, 641 German School, 85 Rolland Harve Golden, 1275 Anne Wilson Goldthwaite, 1276 John Gould, 829, 1083 Aubrey Dale “A.D.” Greer, 598 Charles Greil, 124 Louis Oscar Griffith, 650

H

Rachel Hartley, 1258 Knute Heldner, 591, 625, 736, 1294 Paul César Helleu, 4 Robert Helmer, 642 James John Hill, 1086 Morris Henry Hobbs, 624, 660, 661, 831, 832, 1304 John Hodge, 1151 Roger C. Holt, 1010, 1150 Ferris Patrick Hotard, 1158 Jean Antoine Houdon (aft), 703 Marie Atkinson Hull, 600, 636, 637, 657, 658, (attr) 659, 1156 Erasmus Humbrecht, 1155 Clementine Hunter, 585, 586, 627, 628, 986, 987, 990, 1009, 1141 Helen Hyde, 1292

I

Italian School, 94, 121, 126, 782

J

Alexandre Louis Jacob, 43 Japanese School, 813, 815, 855 Baron André Jolly (aft), 1090

K

Alberta Kinsey, 1003, 1143 Louis Aston Knight, 44 Eleanore Kentner Kohler, 1162 Ida Rittenberg Kohlmeyer, 603, 607, 645

L

Jean-Baptiste Adolphe LaFosse, 3 Giuseppe Lanfranchi (attr), 93 Léo Laporte-Blairsy, 280 John Brock Lear, Jr., 1214 Adele Lemm, 656 Margaret Leonard, 1303 Byron Levy, 1271 Louisiana School, 988, 1153 Corinna Morgiana Luria, 592

M

Bunny Matthews, 1269, 1270 John McCrady, 648, 1264 Mary Katharine Loyacano McCravey, 1008 Chaffe McIlhenny, 285 P. Sanders McNeal, 1144 Joseph Rusling Meeker, 595 James Michalopoulos, 644, 1142 Clarence Millet, 518, 532, 587 Judith Moffett, 1273 Andres Molinary, 596 Mathurin Moreau, 96 Ira Monte, 690, 691

N

Jean Cappadona Nichols, 287 Paul Ninas, 606

P

Walter Launt Palmer, 1076, 1077 Rembrandt Peale (attr), 1071 Achille Perelli, 626 Le Pho, 184

R

Giovanni Antonio Raggi, 289 Vittorio Reggianini, 113 Charles Richards, 652 Noel Rockmore, 989 George Rodrigue, 597, 621, 622, 629, 1218 Raffaelo Romanelli, 106 Mark Rosenbaum, 285 Clement Rousseau (aft), 494 Robert Malcolm Rucker, 734, 735 Bunny Matthews, 1269, 1270 Harold Rudolph, 520 Russian School, 492, 825-826 Walter Rutkowski, 1135, 1135A

S

Emilio Sanchez-Perrier, 1079 Louise Sarrazin, 1148 R. Henry Schulze, 1265 Charles Sheeler, 605 Eugenie Frederica Shonnard, 604 Arthur Silverman, 656A Marie Louise Snowden, 97 Southern School, 1159 Thomas Spinks, 1084 Emanuel Spitzer, 827 Will Henry Stevens, 601, 602 Rhoda Brady Stokes, 1007 Meyer Straus, 1266 Rufin Gavrilovich Sudkovsky, 91 Sally Swatland, 741

T

Emmitt Thames, 1149 Anthony Thieme, 531 Joseph Thors, 1085 Bertel Thorvaldsen (aft), 127 Theodore Tihansky, 1075 Valton Tyler, 1293

V

Bertil Vallien, 279

W

William Aiken Walker, 630-633 Patricia Watson, 1145 Dell Weller, 991 William Edward West (aft), 1091 Buell Whitehead, 1246 Irma Sompayrac Willard, 620 Walter Heath Williams (attr), 1073 William Henry Williamson, 828 Donald Roller Wilson, 536 William Woodward, 533, 649 George Hand Wright, 634, 639

Z

V. Zabehlicky, 1080 Bruno Zach, 704 Ernst Karl Georg Zimmermann, 1082 Larry Zingale, 742 José Jesús Francisco Zúñiga Chavarria, 646

0387-$256 0389-$915 0390-$610 0391-$1037 0392-$671 0393-$1708 0394-$2074 0395-$18300 0396-$14640 0397-$3660 0398-$19520 0399-$15250 0400-$12200 0402-$7930 0405-$6100 0406-$13420 0407-$10370 0408-$3625 0409-$2074 0410-$854 0412-$5760 0413-$4800 0414-$2176 0415-$2688 0417-$854 0418-$11285 0419-$2440 0420-$9150 0421-$30500 0422-$21960 0423-$17080 0424-$9760 0425-$5120 0426-$10980 0427-$5490 0428-$2745 0429-$2688 0430-$9150 0431-$4125 0432-$2500 0433-$1220 0436-$1830 0437-$384 0438-$1830 0439-$1586 0442-$2176 0443-$854 0444-$768 0445-$512 0446-$3840 0447-$3660 0448-$21350 0449-$704 0451-$1464 0452-$562 0453-$2432 0454-$12200 0455-$750 0456-$3050 0458-$1664 0459-$2560 0460-$1586 0461-$1464 0462-$1536 0463-$457 0464-$1280 0465-$1220 0467-$256 0468-$3050 0469-$2928 0471-$57950 0472-$3965 0473-$1220 0474-$732 0475-$854 0476-$10675 0477-$7930 0478-$1280 0479-$29280 0481-$35380 0482-$14640 0483-$36600 0484-$7930

0485-$7500 0487-$1586 0488-$671 0489-$610 0490-$875 0492-$1088 0493-$2440 0494-$625 0495-$2684 0496-$2440 0497-$20740 0498-$1664 0499-$4880 0500-$23180 0501-$976 0502-$1280 0504-$854 0505-$1342 0506-$1464 0507-$7625 0508-$1464 0509-$1586 0510-$4575 0511-$1220 0512-$1464 0513-$1586 0514-$1220 0515-$2196 0516-$366 0517-$512 0518-$549 0519-$366 0520-$793 0521-$915 0522-$2074 0523-$915 0524-$1830 0525-$750 0526-$457 0527-$448 0528-$1586 0529-$448 0530-$488 0531-$256 0532-$512 0534-$2074 0534A-$512 0535-$1088 0537-$488 0538-$5490 0539-$3538 0540-$7040 0541-$4880 0542-$1088 0543-$1586 0546-$1159 0547-$896 0548-$1098 0549-$2562 0550-$437 0551-$2196 0552-$2806 0554-$1792 0555-$704 0556-$1152 0557-$2750 0558-$2500 0559-$3328 0560-$2196 0562-$366 0563-$244 0564-$1464 0565-$1037 0566-$2684 0567-$793 0568-$832 0569-$1464 0570-$732 0570A-$488 0571-$1875 0572-$366 0574-$512 0576-$1536

0578-$244 0580-$671 0581-$610 0582-$384 0583-$512 0585-$1098 0586-$4687 0587-$14030 0588-$41480 0589-$19520 0590-$43920 0591-$13420 0592-$8437 0593-$18300 0594-$51240 0595-$15250 0596-$9760 0597-$2440 0598-$3050 0599-$6080 0600-$51850 0602-$4575 0603-$7930 0604-$14640 0606-$2304 0607-$2440 0608-$2196 0609-$7625 0610-$3904 0612-$8540 0613-$3355 0614-$11520 0615-$2318 0618-$3416 0619-$375 0621-$3294 0622-$1920 0623-$1220 0624-$8845 0625-$1281 0626-$12200 0628-$17080 0629-$6400 0630-$18300 0631-$8540 0632-$14640 0633-$1664 0634-$4880 0635-$23180 0636-$30500 0637-$5120 0638-$41480 0639-$9760 0640-$4270 0641-$1830 0643-$4880 0644-$21960 0645-$3050 0646-$1586 0648-$488 0649-$488 0650-$244 0651-$488 0652-$854 0653-$732 0654-$7360 0655-$4800 0656-$42700 0657-$732 0659-$1830 0660-$512 0661-$2440 0662-$5185 0663-$1280 0664-$1220 0666-$7360 0667-$3660 0668-$7625 0669-$2074 0671-$1875 0672-$4270 0673-$1098 0674-$732

0675-$1536 0677-$854 0678-$1250 0679-$2440 0680-$2318 0682-$854 0683-$366 0684-$610 0685-$1830 0686-$610 0687-$2816 0690-$976 0691-$1220 0692-$2688 0695-$732 0696-$305 0700-$1159 0704-$1536 0705-$576 0706-$610 0707-$244 0710-$732 0712-$768 0714-$732 0716-$305 0717-$384 0718-$192 0719-$1000 0722-$500 0724-$544 0725-$896 0727-$854 0728-$1037 0729-$1342 0730-$183 0731-$732 0732-$2562 0733-$1024 0734-$549 0735-$768 0736-$704 0737-$1408 0738-$1250 0740-$793 0741-$488 0742-$1037 0743-$793 0744-$576 0745-$488 0746-$448 0749-$244 0750-$244 0751-$305 0752-$2440 0753-$4575 0754-$3660 0759-$1152 0761-$976 0762-$976 0763-$1000 0764-$640 0765-$1152 0766-$610 0767-$305 0768-$305 0770-$305 0773-$183 0775-$732 0776-$375 0778-$366 0780-$366 0783-$793 0785-$343 0787-$10980 0791-$610 0793-$335 0794-$335 0798-$610 0800-$610 0801-$1220 0802-$1220 0803-$732 0804-$3050

0808-$2440 0809-$732 0811-$244 0813-$1024 0814-$768 0815-$854 0817-$2074 0827-$1708 0832-$610 0833-$610 0834-$366 0836-$1159 0839-$2318 0840-$512 0843-$610 0844-$854 0846-$6710 0848-$2440 0849-$396 0850-$1220 0859-$488 0860-$610 0863-$610 0864-$2806 0865-$1024 0868-$1952 0869-$854 0870-$366 0871-$427 0872-$1088 0873-$687 0876-$2928 0877-$1098 0879-$625 0880-$500 0882-$366 0884-$732 0885-$427 0887-$576 0889-$549 0890-$488 0891-$915 0893-$2688 0894-$610 0895-$488 0897-$2196 0898-$366 0901-$244 0902-$244 0905-$610 0907-$4160 0908-$244 0909-$384 0916-$1250 0931-$812 0932-$750 0933-$1000 0937-$312 0938-$343 0939-$427 0940-$366 0941-$531 0942-$281 0943-$793 0944-$335 0945-$427 0946-$396 0947-$448 0948-$427 0949-$366 0950-$384 0951-$187 0952-$366 0952A-$427 0953-$244 0954-$384 0955-$305 0956-$480 0957-$305 0958-$457 0960-$218 0961-$213 0962-$156

0963-$884 0964-$427 0965-$1037 0966-$1037 0967-$671 0968-$610 0970-$549 0971-$671 0976-$256 0977-$128 0979-$160 0980-$192 0981-$366 0982-$122 0983-$183 0984-$416 0985-$274 0986-$576 0987-$3050 0988-$2318 0989-$1342 0990-$549 0991-$1152 0992-$1342 0993-$8540 0994-$1952 0995-$625 0996-$1464 0998-$1216 0999-$937 1000-$704 1001-$3840 1002-$1586 1003-$1464 1004-$2074 1005-$3172 1006-$1952 1007-$1342 1008-$1280 1009-$5490 1010-$3200 1011-$5000 1012-$4800 1017-$256 1018-$366 1019-$183 1020-$427 1021-$1408 1022-$793 1023-$488 1024-$366 1025-$375 1026-$1464 1027-$512 1028-$2562 1032-$1375 1033-$1375 1034-$2806 1035-$1586 1036-$2745 1037-$2196 1038-$1664 1039-$244 1041-$122 1042-$183 1044-$1464 1045-$750 1046-$640 1047-$640 1049-$562 1050-$244 1051-$375 1052-$1000 1053-$1342 1054-$5490 1055-$4800 1056-$1098 1057-$8540 1058-$1037 1059-$1536 1060-$1830 1061-$1464 1062-$6875

1063-$3965 1064-$375 1067-$1464 1069-$1037 1070-$640 1072-$244 1073-$1220 1075-$640 1077-$488 1080-$1250 1081-$4270 1082-$187 1084-$610 1085-$793 1086-$187 1087-$1464 1089-$976 1090-$5120 1091-$576 1092-$256 1096-$2196 1098-$9760 1099-$2318 1100-$8845 1101-$4575 1102-$1664 1104-$512 1105-$832 1106-$1220 1107-$671 1108-$448 1110-$732 1111-$1586 1112-$549 1113-$10980 1114-$12200 1115-$2440 1117-$1586 1118-$1664 1119-$3660 1121-$18910 1123-$1952 1124-$576 1125-$244 1126-$9062 1127-$1586 1128-$3172 1130-$625 1131-$9600 1132-$366 1134-$3355 1135-$4880 1136-$1586 1137-$2240 1138-$610 1139-$610 1141-$2440 1142-$3355 1143-$1250 1144-$427 1145-$854 1146-$976 1147-$1664 1148-$1708 1149-$437 1151-$1342 1152-$1342 1153-$488 1154-$335 1155-$576 1156-$335 1159-$480 1160-$122 1161-$854 1162-$768 1163-$468 1164-$610 1165-$2196 1166-$448 1167-$427 1168-$335 1170-$671 1171-$488

1172-$244 1173-$244 1175-$531 1176-$640 1178-$1830 1180-$512 1181-$1098 1182-$549 1184-$1280 1185-$512 1186-$488 1187-$1220 1189-$1342 1190-$427 1191-$366 1192-$1098 1195-$488 1196-$224 1197-$256 1198-$305 1199-$437 1200-$793 1203-$488 1204-$256 1205-$457 1206-$2318 1209-$2196 1210-$1098 1216-$256 1218-$183 1219-$1342 1221-$732 1222-$1586 1223-$5490 1224-$549 1225-$610 1226-$549 1229-$1159 1233-$305 1234-$488 1235-$152 1236-$549 1237-$1024 1238-$1216 1239-$305 1240-$244 1242-$4250 1246-$122 1247-$244 1248-$192 1249-$1037 1250-$1280 1251-$768 1252-$312 1253-$976 1254-$1159 1255-$915 1256-$2176 1258-$416 1259-$854 1260-$2944 1261-$512 1262-$244 1263-$192 1264-$244 1265-$256 1266-$427 1267-$427 1268-$488 1269-$512 1270-$1625 1271-$512 1272-$732 1273-$312 1274-$183 1277-$305 1278-$671 1280-$960 1281-$1220 1282-$562 1284-$1536 1285-$366 1286-$122

1287-$218 1290-$375 1291-$183 1292-$288 1293-$128 1294-$187 1295-$2684 1297-$704 1298-$625 1300-$512 1302-$305 1303-$1280 1308-$671 1311-$187 1312-$274 1314-$750 1315-$793 1316-$671 1317-$512 1318-$320 1319-$366 1321-$576 1322-$1037 1323-$576 1324-$976 1326-$192 1327-$91 1328-$128 1330-$768 1332-$250 1333-$500 1335-$1708 1336-$366 1337-$640 1339-$192 1340-$187 1341-$366 1342-$250 1343-$488 1344-$610 1345-$896 1346-$610 1347-$750 1348-$549 1349-$366 1350-$671 1351-$544 1352-$960 1353-$2440 1354-$1830 1356-$610 1357-$1464 1358-$427 1359-$625 1360-$125 1361-$366 1362-$125 1365-$213 1366-$375 1367-$3200 1368-$152 1369-$125 1370-$122 1371-$91 1372-$366 1373-$1037 1374-$244 1375-$488 1376-$187 1378-$250 1379-$854 1380-$427 1381-$976 1383-$640

February 19, 20, & 21

0256-$1375 0257-$1220 0261-$640 0262-$896 0264-$832 0265-$1098 0266-$625 0268-$1408 0270-$732 0272-$3750 0273-$976 0274-$1220 0275-$2048 0276-$937 0277-$544 0278-$512 0280-$1250 0287-$875 0291-$1342 0292-$1098 0293-$1586 0294-$3660 0295-$10937 0296-$9760 0297-$10980 0299-$1250 0300-$976 0302-$610 0305-$937 0307-$366 0308-$366 0310-$384 0315-$915 0317-$1152 0318-$1536 0319-$1088 0322-$244 0323-$2318 0326-$375 0327-$915 0329-$3125 0330-$2176 0333-$488 0337-$1037 0338-$187 0340-$488 0341-$488 0342-$183 0343-$320 0344-$1750 0345-$610 0346-$1250 0347-$366 0348-$1750 0349-$793 0350-$244 0351-$610 0353-$2318 0356-$610 0357-$1875 0358-$384 0360-$250 0362-$244 0363-$183 0364-$488 0365-$384 0366-$610 0367-$1220 0368-$366 0369-$366 0370-$704 0372-$128 0374-$6100 0375-$1464 0376-$11590 0377-$1708 0378-$1708 0379-$320 0380-$562 0381-$8235 0382-$1875 0385-$1500 0386-$244

•

0124-$976 0125-$732 0126-$2304 0127-$976 0133-$3125 0138-$732 0140-$500 0141-$1220 0143-$1220 0144-$1098 0146-$1952 0147-$2176 0150-$610 0151-$1159 0153-$610 0154-$732 0155-$1000 0157-$896 0158-$2928 0160-$512 0161-$3050 0162-$1098 0163-$640 0164-$640 0165-$3660 0166-$3965 0167-$3660 0168-$3965 0169-$3050 0170-$4575 0171-$4270 0172-$4880 0173-$610 0175-$488 0176-$384 0177-$1152 0178-$896 0180-$1000 0181-$500 0182-$854 0184-$854 0187-$1830 0188-$732 0189-$1952 0190-$3965 0191-$1952 0193-$1342 0195-$750 0196-$976 0198-$549 0199-$610 0200-$1464 0201-$2560 0203-$896 0204-$8082 0205-$610 0207-$1464 0211-$1152 0212-$854 0217-$36600 0218-$13420 0222-$1220 0223-$1280 0224-$1280 0225-$768 0226-$625 0227-$366 0229-$768 0230-$610 0231-$1830 0233-$1830 0234-$5000 0237-$2500 0238-$5795 0240-$512 0243-$732 0246-$3965 0247-$976 0248-$1098 0249-$1220 0251-$2074 0254-$854 0255-$640

Auction Results

0001-$1220 0002-$915 0003-$976 0004-$1000 0005-$183 0006-$732 0007-$1952 0009-$854 0011-$1408 0012-$976 0013-$1536 0014-$1342 0015-$1342 0017-$1464 0018-$854 0019-$1830 0021-$1220 0022-$976 0024-$976 0028-$384 0029-$1250 0030-$1830 0031-$1920 0033-$7680 0035-$2440 0036-$1708 0039-$2135 0040-$1500 0041-$608 0042-$488 0044-$384 0045-$93 0046-$488 0047-$1342 0048-$3072 0049-$3172 0050-$750 0051-$640 0052-$625 0053-$3250 0054-$1525 0055-$1342 0056-$549 0057-$640 0059-$2318 0064-$1024 0065-$4575 0066-$2250 0068-$732 0069-$610 0070-$1062 0071-$1830 0072-$4608 0073-$750 0080-$732 0082-$1920 0085-$305 0086-$1280 0087-$3750 0088-$1000 0090-$768 0091-$427 0092-$793 0093-$1037 0094-$1024 0095-$732 0098-$1098 0100-$4880 0101-$1220 0103-$732 0104-$2440 0105-$10370 0106-$732 0107-$732 0108-$610 0109-$3050 0112-$1875 0113-$512 0114-$854 0116-$488 0117-$1342 0118-$2196 0119-$2440

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder.

At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%.

2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online.

3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

4. Documentation of tax exemption must be provided upon registration.

5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company.

Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer.

Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana.

Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

Rebekah Abernathy Administrative Assistant/Internet Auction Administrator

Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers; Sarah DeBoard Paintings, Prints & Photography

Rachel Weathers; Marney Robinson;

Sophie Hirabayashi Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Carroll Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director

Dave Roberts Catalogue Design

Emory Nolan

AUCTION SERVICES Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

Photography

Jason Leckert

Tom Simpson

Jason Kruppa

OPERATIONS Director of Operations

Charles Lee

CATALOGUE CONSULTANTS

Operations Staff

Charlie Clay

Kelvin Gibson

Jerry Majors

Larry Sudds

Robert Wilson

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

Neal Auction Company

Neal Auction Company

Neal Auction Company

May 6, 7 & 8, 2016

Important Spring Estates Auction May 6, 7 & 8, 2016