April 17-19, 2015 Spring Estates Auction

Neal Auction Company

Neal Auction Company

April 17, 18, & 19, 2015

April 17, 18, & 19, 2015 Important Spring Estates Auction

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Sackey Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

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Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers Paintings, Prints & Photography

Rachel Weathers; Marney Robinson Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Sackey Consignments & Evaluations

Claire Thriffiley Research

Nicole Casi, Ph.D. Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design

Emory Nolan Photography

Jason Leckert

Tom Simpson

Jason Kruppa

AUCTION SERVICES Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

OPERATIONS Director of Operations

Charles Lee Operations Staff

Charlie Clay

Philip DiMacco

Kelvin Gibson

Jerry Majors

Larry Sudds

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Sackey #1874

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

SPRING ESTATES AUCTION April 17, 18, & 19, 2014

On Our Premises 4038 Magazine Street & 3923 Carondelet Street FEATURING: Important European Furniture and Decorative Arts from the Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR Property Deaccessioned by the High Museum of Art, Atlanta, GA Modern Furniture and Art Glass from the Estate of Dr. Roger Hatchette, New Orleans American Fine Art from the Collection of Artist and Educator George Wolfe, New Orleans Succession of Charles Duke Zucker, New Orleans Furniture and Decorative Arts from the Estate of Donald E. Pierce of Greenwood, MS and Santa Fe, NM, Proceeds to Benefit the Museum of New Mexico Foundation Additional Property from the Estate of Aloyis Lee Sonneborn, Mobile, AL Additional Property from the “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL EXHIBITION both galleries beginning Monday, April 6, 10 a.m. to 5 p.m.

Special Saturday Preview, April 11, 10 a.m. to 5 p.m.

Evening Preview Reception, Wednesday, April 15, 5 to 7 p.m.

AUCTION SCHEDULE Friday, April 17, 2 p.m., 4038 Magazine Street Saturday, April 18, 10 a.m., 4038 Magazine Street Sunday, April 19, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

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Session One Friday, April 17, 2 pm 4038 Magazine

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1. French Porcelain Plaque, 1889, monogrammed “S.O.” and dated, painted with a scenic landscape, period Parisian framer’s label on reverse, 10 1/8 in. x 16 in., framed. $200/400 Provenance: The Gotlib Collection.

2. Pair of French Art Moderne Brass and Faceted Crystal Seven Light Sconces, bead and pendant hung scrolling branches, gilt flower form bobêches, h. 22 in., w. 20 in. $400/600

3. Louis XIV-Style Silvered Bronze Seven Light Chandelier, early 20th c., reticulated foliate corona, scrolled acanthine arms centering conforming baluster-form bowl, h. 33 in., w. 20 in. $400/600

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

4. French Art Nouveau Gilt Bronze and Porcelain Table Lamp, c. 1890, painted in muted enamels with Cupid and maidens before a Classical ruin, signed, stem foot, shaped bronze base, h. (to finial) 39 3/4 in. $1000/2000 Provenance: The Gotlib Collection.

5. English Silverplate Serving Tray, Ellis Barker, menorah mark introduced 1912, bellflower border, chased foliate well, shell and scroll handles, scroll feet, l. 29 7/8 in., w. 20 1/8 in. $350/550

6. Late Victorian Sterling Silver and Tortoiseshell Inkstand, William Comyns & Son, London, 1892, mark reg. 1890; with fittings for inkpot and pen holder, elaborate reticulated scroll border, reticulated scroll feet, h. 1 5/8 in., w. 7 1/8 in., d. 4 1/8 in. $200/300

7. George V Sterling Silver and Tortoiseshell Jewel Box, Birmingham, 1918, maker’s mark rubbed, circular, hinged cover, scroll feet, h. 2 in., dia. 3 5/8 in. $300/500

8. Monumental Christofle Silverplate Figural Stand,19th c., marked, h. 20 in., w. 21 in., d. 17 in. $500/800 Provenance: The Gotlib Collection.

9. Italian Sterling Silver Water Pitcher, bears spurious marks “BUCCELLATI/925/ITALY,” footed vase shape with C scroll handle and hammered surface, h. 10 7/8 in., wt. 36.45 troy ozs. $400/600

10. Group of Imperial Russian Silver Serving Pieces in the Neoclassical Taste, c. 1910, 84 Kokoschnik mark, Moscow, maker AO untraced, incl. fish serving knife and fork, and 6 pc. hors d’oeuvres set, all with hollow silver handles and plated blades, fish knife l. 12 1/8 in. $300/400

11. French First Standard Silver Tastevin, early 19th c., maker BG untraced, engraved “J. B. Favre,” l. 3 1/2 in., wt. 1.20 troy ozs. $250/350 12. Dutch .833 Silver Kettle on Stand, 19th c., export marks, elaborate allover chasing with armorial and floral and foliate scrolls, ebonized wood handle, retains burner, h. 14 1/2 in., wt. 44.90 troy ozs. $500/800 Provenance: The Gotlib Collection.

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13. Louis XVI-Style Gilt Bronze Mounted Berlin KPM Porcelain Casket., late 19th c., scepter marks above S.gr.P., cherub handle, hinged lid with floral bouquets, grotesque mask escutcheon, cherub corner mounts, scroll feet, h. 13 in., w. 14 3/4 in., d. 10 3/4 in. $1000/2000 Provenance: The Gotlib Collection.

14. French Silver Tastevin, 19th c., marks rubbed, engraved “L. CLEROY,” w. 4 1/8 in., wt. 2.3 troy ozs. $300/500 15. Pair of Continental Pâte-surPâte Porcelain Plaques, oval tiles painted and tooled in slip with figures of Classical beauties, signed “F. Peycat,” h. 7 1/8 in., framed alike. $300/500 Provenance: The Gotlib Collection.

18. Pair of French Gilt Decorated Cobalt Blue Glass Lustres, late 19th c., tulip form bodies hung with cut glass prisms, h. 10 3/4 in., dia. 5 3/4 in. $400/600

19. Continental Milk Glass-Fitted Turtle Inkwell, late 19th c., hinged carapace enclosing interior fitted with two ink pots, h. 2 7/8 in., w. 6 1/4 in. $200/400

Provenance: The Gotlib Collection.

16. Tiffany & Co. Gilt Bronze Dresser Box, 19th c., marked “Tiffany & Co. Union Square,” modeled as a parcel bound with rope, velvet lined interior, h. 3 in., w. 8 1/4 in., d. 4 3/4 in. $400/600 Provenance: The Gotlib Collection.

17. French Gilt Bronze Mounted Rouge Marble Figural Encrier, 19th c., modeled as fountain flanked by putti on rocaille base, lidded inkwells, h. 6 1/2 in., w. 11 in., d. 7 1/2 in.; together with a French Rococo style gilt bronze encrier, 19th c., double inkwell, rocaille footed base. $400/600 Provenance: The Gotlib Collection.

20. Continental .800 Silver Jardinière, Germany, removable silverplate liner, two handled oval form with neoclassical swags and reticulated sides, vacant shields and raised on four supports, h. 7 5/8 in., l. 19 1/2 in., w. 7 1/2 in., wt. 26.70 troy ozs. $700/900 Provenance: The Collection of Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC

21. Louis XV Style Gilt Bronze Nine Light Chandelier, late 19th/ early 20th c., in the manner of Jacques Caffieri (French, 1678-1755), foliate corona, curvilinear acanthine arms, three tiered standard centering floral bouquets and bundles of wheat flanked by putti, h. 57 in., w. 35 in. $7000/9000

22. Pair of Empire-Style Gilt and Patinated Bronze Four Light Figural Candelabra, 19th c., angels on orbs holding cornucopiae, pedestals, h. 27 1/4 in., w. 8 1/2 in. $2500/3500

Additional information at www.nealauction.com

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23. Pair of Louis XVI-Style Gilt Bronze and Crystal Sconces, 19th c., beribboned pilaster backplates, rocaille arms hung with beads and pendants, h. 18 3/4 in., w. 18 in. $1000/1500

24. Austro-Hungarian .800 Silver Tea and Coffee Service, late 19th/early 20th c., Pest, maker A.B.A. untraced, incl. teapot, kettle on stand with burner, small coffee pot, covered sugar, creamer and hot milk pitcher; together with an associated tray, rubbed Austro Hungarian hallmark, also marked “90211”; kettle h. 16 1/4 in., tray l. 27 3/4 in., w. 18 3/8 in., combined wt. 184.65 troy ozs., (7 pcs.) $1000/1500

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

25. Monumental Napoleon III Bronze and White Marble Clock Garniture, c. 1860, clock surmounted by bronze grouping of “Madonna and Child” and flanked by Egyptian ewers, phoenixes and sphinxes, dial marked “Fabrège à Montpellier,” bun feet; six light candelabra en suite, clock h. 17 in., w. 28 in., candelabra h. 26 in. $2500/3500 Provenance: The Gotlib Collection.

26. Lalique “Tortues” Clear and Frosted Glass Vase, engraved “Lalique France,” molded with tortoise shell pattern, h. 10 1/2 in. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

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27. Pair of Lalique “Martinique” Amber and Clear Glass Vases, engraved “Lalique France,” designed 1993

by Marie Claude Lalique, oblong body with molded leaves, h. 13 1/4 in., accompanied by one original box. $1500/2500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

28. Lalique “Vibration” Clear and Frosted Glass Vase, engraved “Lalique France,” oblong body molded with diamond pattern, h. 15 1/4 in., accompanied by original box. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

29. Lalique “Ichor” Clear and Frosted Glass Vase, engraved “Lalique France,” molded with floral pattern, h. 9 3/4 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

30. Lalique “Champs Élysées” Gold Glass Center Bowl, engraved “Lalique France,” numbered “N212,” undulating leaf form body, h. 7 1/4 in., l. 18 in., width 10 in., accompanied by original box. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

34. Lalique “Nautilus” Clear and Frosted Glass Bowl, engraved “Lalique France,” molded spiral shell form body, h. 4 1/2 in., dia. 13 1/2 in. $400/600 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

31. Lalique “Mossi” Midnight Blue Glass Vase, engraved “Lalique France,” molded with circular bosses, h. 8 1/4 in. $500/700

32. Lalique “Tanzania” Clear and Frosted Glass Vase, engraved “Lalique France,” ovoid body, molded with zebras and leaves, h. 8 1/2 in. $700/1000

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

35. Lalique “America’s 32nd Cup” Clear and Frosted Glass Center Bowl, engraved “Lalique France,” numbered “136/320,” designed by Javier Mariscal, molded with geometric patterns and “32,” engraved “America’s 32nd Cup,” h. 6 1/4 in., dia. 9 1/4 in. $700/1000

36. Pair of Baccarat “Architecture” Cut Glass Vases, stamped “Baccarat France,” signed “Baccarat,” tapered form with angular cut out design, h. 9 1/2 in. $400/600 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

38. Baccarat “Vecteur” Blue and Clear Glass Vase, stamped and signed, designed 1990 by Nicolas Triboulot, circular cut glass base inset with triangular blue vase, h. 10 in., accompanied by original box. $400/600 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

39. Lalique “Saumur” Clear and Frosted Glass Vase, engraved “Lalique France,” molded with grapes and leaves, h. 5 1/4 in.; together with a Lalique “Aruba” clear and frosted glass ashtray, engraved “Lalique France,” h. 2 3/4 in., (2 pcs.) $300/500

Illustrated: Curtis, Jean Louis. Baccarat.

Editions du Regard: Paris, 1991.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

42. Lalique “X’ian” Clear and Frosted Glass Vase, engraved “Lalique France,” molded with dragons and scales, h. 7 1/2 in., accompanied by original box. $300/500

43. Baccarat “Equinoxe” Cut Glass Cocktail Set, marked, including 4 martini glasses and a stainless steel mounted cocktail shaker, h. 6 1/4 in. and 9 1/2 in.; together with a “Harmonie” ice bucket, h. 5 in., (6 pcs.) $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

40. Collection of Baccarat Colored Crystal Stemware, stamped, faceted cups with polychrome rims, including 8 “Harcourt” rhine wine glasses, 6 “Genova” cordial glasses, and 4 hock glasses, h. 7 1/2 in., 5 1/4 in., 8 in., (18 pcs.) $700/1000

33. Pair of Lalique “Lucca” Frosted and Clear Glass Vases, engraved “Lalique France,” tapered forms, bases molded with woven textiles, h. 11 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

37. Lalique “Louisiane” Clear and Frosted Glass Sculpture, engraved “Lalique France,” modeled as a crested bird, h. 13 3/4 in. $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

41. Lalique “Nemours” Midnight Blue Glass Bowl, engraved “Lalique France,” molded with floral motifs, h. 3 7/8 in. $400/600 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

44. Lalique “Zeila” Black Glass Sculpture, engraved “Lalique France,” modeled as a crouching panther, h. 4 1/3 in., w. 14 3/8 in. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

45. Three Lalique “Andromeda,” “Adelaide,” and “Osmonde” Glass Vases, engraved “Lalique France,” first with molded feathers, h. 5 3/4 in.; second with molded birds, h. 4 in.; third with etched leaves on scrolled fern base, h. 7 7/8 in. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Additional information at www.nealauction.com

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46. Pair of Lalique “Ravelana” Clear and Frosted Glass Candlesticks, engraved “Lalique France,” fan form bodies molded with leaves, removable candle cups, h. 8 in., w. 10 3/4 in. $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

47. Set of Twelve Lalique “Ange” Champagne Glasses, engraved “Lalique France,” stems molded with cherub profiles, flutes etched with wings, h. 8 1/8 in. $700/1000

48. Collection of Thirteen Gilded and Enameled Ruby Glass Wine Goblets, late 19th/early 20th c., probably Bohemia, painted with Roman scenes, tallest h. 7 in.; together with 8 polychrome and gilt painted liqueur glasses, h. 5 3/4 in., (21 pcs.) $400/600 Provenance: The Gotlib Collection.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

50. Lalique “Saint Marc” Clear and Frosted Glass Vase, engraved “Lalique France,” molded with birds, h. 6 3/4 in. $300/500

49. Lalique “Clairefontaine” Clear Glass Perfume Bottle, engraved “Lalique France,” with blue lily molded stopper, h. 4 in.; together with a glass owl figurine, h. 3 1/2 in.; a glass rapace figurine, h. 2 1/2 in.; and a pair of glass lovebirds, h. 3 in., (4 pcs.) $300/500 Provenance: Estate of Dr. Roger Hatchette New Orleans, LA.

51. Collection of Steuben Glass Table Articles, signed, scroll footed center bowl; asymmetrical molded ashtray; ovoid nut bowl; pair of “signet” vases; an urn form vase; and tall circular molded vase, tallest vase h. 7 3/4 in., bowl dia. 8 in., (7 pcs.) $800/1200

Provenance: Estate of Dr. Roger Hatchette New Orleans, LA.

52. Pair of French Patinated Lead Geese, 19th c., one standing upright with neck outstretched, the other leaning forward, h. 14 1/2 in. and 21 in. $1000/1500

54. Carlo Marochetti (Italian, 1805-1868), “Charles I on Horseback,” bronze, inscribed “Marochetti” and “Susse Fres Edtions,” h. 22 1/4 in., w. 14 7/8 in. $1000/1500 Provenance: The Gotlib Collection.

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53. Pair of Classical-Style Cast Sandstone Sphinxes, females in opposing recumbent positions, plinths, h. 47 in., w. 33 in. $2500/3500

55. James Andrey (French, active early 20th c.), “Roaring Lion,” bronze on carved naturalistic stone base, inscribed “Andrey,” h. 17 3/4 in., w. 20 3/4 in. $700/1000 Provenance: The Gotlib Collection.

56. Continental Bronze Figure of Napoleon “L’Empéreur,” 19th c., titled and inscribed “Susse Frères Éditeurs,” h. 11 5/8 in. $700/900

57. Pair of Mugha-Style Enameled and Jeweled Horsemen, in opposing stances, h. 2 1/4 in.; together with pair of Mughal style enameled and jeweled swans, h. 2 1/4 in. $800/1200

58. Attributed to Paul Dubois (French, 1827-1905), bronze ‘Commedia dell’ Arte’ figure of “Harlequin,” inscribed “P. Dubois,” h. 32 5/8 in. $1000/1500 Provenance: The Gotlib Collection.

60. Carl Kauba (Austrian, 18651922), “U.S. Cavalry Soldier,” bronze on agate base, inscribed “Carl Kauba” and stamped “Gesch,” h. 11 1/2 in. $700/900 Provenance: A Florida Antiquarian.

62. Classical Style Marble Sculpture of Hercules, 19th c., in contrapposto stance with club, h. 48 in. $2500/3500

59. Attributed to Paul Dubois (French, 1827-1905), bronze ‘Commedia dell’ Arte’ figure of “Columbine,” inscribed “P. Dubois,” h. 32 3/8 in. $1000/1500 Provenance: The Gotlib Collection.

61. Bronze Bust of a Classical Maiden Wearing a Garland of Flowers, late 19th c., on onyx base, h. 11 7/8 in., overall h. 14 3/4 in. $300/500

63. A Napoleon III Gilt Bronze Cartel Clock, mid 19th c., case modeled with urn finial and grotesque mask, enameled dial signed “Ed. Creusy Paris 22 Rue des Couture St. Gervais, 22,” striking bell movement, h. 26 in., w. 11 3/4 in., d. 5 in. $1500/2500

64. Théophile François Somme (French, 1871-1952), “Seated Maiden,” gilt bronze and ivory, inscribed “T.F. Somme” and “France,” shaped marble plinth, h. 11 1/4 in., w. 8 1/4 in. $2000/3000

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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66. Large Pair of Gilt Bronze Mounted Chinese Famille Rose Porcelain Covered Vases, probably 20th c., ovoid bodies and domed covers decorated with bird and flower panels; bronze shell and foliate rims, bases and finials, h. 24 1/2 in. $1500/2500 Provenance: The Gotlib Collection.

65. Chinese School, “Ancestor Portrait: Husband and Wife of Civil Rank,” ink, color and gilt on paper, sight 65 in. x 36 1/4 in., matted and framed. $1500/2500

67. Gilt Bronze Mounted Chinese Famille Rose Porcelain Center Piece, probably early 20th c., U form bowl decorated with figures in a landscape; bronze foliate rim, leafy scroll handles, stem foot, h. 12 3/8 in., w. 17 1/8 in. Note: Restoration to porcelain. $500/800 Provenance: The Gotlib Collection.

69. Pair of Archaistic Chinese Hardstone Gu Vases, necks and globular mid sections carved with loose ring scroll handles, h. 12 1/8 in. $400/600

Provenance: The Gotlib Collection.

70. Archaistic Chinese Bronze Beaker Vase, probably Qing Dynasty (1644 1911), wide flared rim, cylindrical body, splayed foot, decorated with raised banding and flanges and incised motifs, h. 8 3/8 in., dia. 4 1/2 in. $400/600 Provenance: Uptown New Orleans Family; thence by descent.

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68. Pair of Continental Gilt Bronze Mounted Gilt Decorated Blue and White Porcelain Oil Lamps, probably late 19th c., baluster bodies, possibly Chinese, with molded leaf form reserves; bronze necks, handles, and bases, h. 16 5/8 in., now electrified, h. (to socket) 20 in. $400/600

71. Chinese Celadon Porcelain Bottle Vase, probably 20th c., carved with a dragon amid clouds in pursuit of the flaming pearl, base with Qianlong mark, h. 13 in. $300/500

72. Pair of Asian Jewel and Filigree Mounted Rock Crystal “Temple” Jars, 20th c., probably Nepal or Tibet, ovoid bodies with gilt metal filigree mounts inset with faceted rubies and emeralds, domed covers with tear drop finials, h. 4 3/4 in. $800/1200

74. Monumental Chinese Famille Rose Porcelain Bowl, probably mid 20th c., U form body enameled with figural scenes on a bird, fruit and flower ground, h. 6 7/8 in., dia. 16 1/2 in., wood stand, overall h. 8 3/8 in. $400/600 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

75. Georgian Walnut Dressing Mirror, 18th c., fall front, fitted interior, over single drawer, h. 28 in., w. 16 in., d. 10 in. $200/300

73. Monumental Pair of Chinese Blue and White Porcelain Gu Vases, decorated with cranes in flight amid cloud scrolls, h. 25 7/8 in. $800/1200

77. Pair of Silverplate Four Light Candle Sconces, 19th c., in the Georgian taste, baluster form backplates chased with heraldic crests, s shaped arms, h. 16 1/2 in., w. 12 1/8 in. $1000/1500

76. Louis XV Style Gilt Metal and Crystal Twenty-Two Light Tiered Chandelier, 20th c., flowering branch corona, shaped bracket supports, serpentine arms centering finialed bowl, faceted prisms, electrified, h. 48 in., w. 27 in. $1000/1500 Provenance: The Gotlib Collection.

79. Venetian-Style Pier Mirror, 20th c., molded gilt surround, divided mirror plate, “antique” patination, h. 59 1/2 in., w. 23 in. $700/1000 78. Pair of Louis XV-Style Gilt Bronze Figural Chenets, 19th c., opposing putti on scrolling foliate bases, h. 12 in., w. 9 1/2 in., d. 5 1/2 in. $300/500 Provenance: The Gotlib Collection.

80. Belle Époque Art Pottery and Gilt Metal Six Light Chandelier, late 19th c., faceted chains, bulbous center bowl, scrolling arms, candle sockets, h. 27 in., w. 15 1/2 in. $300/500

81. Napoleon III Gilt Bronze Fireplace Garniture, mid 19th c., pair of figural chenets modeled as putti and a scrollwork and floral decorated fire guard, h. 21 1/2 in., w. 61 in., d. 6 in. $1000/1500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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82. Continental Repoussé Silverplate Singing Bird Automaton, late 19th/early 20th c., rectangular body relief decorated with putti and birds on a scrollwork ground, oval hinged lid opening to wing flapping singing bird, winding key, h. 1 1/2 in., w. 4 in., d. 2 1/2 in. $700/1000 Provenance: The Gotlib Collection.

83. Grand Tour Gilt and Patinated Bronze Colonnade, probably late 19th c., modeled after a Roman portico, stepped pedestal, bracket feet, h. 16 1/4 in., w. 8 1/2 in. $400/600 86. Pair of Rococo-Style Gilt Bronze and Polychrome Porcelain Candelabra, late 19th c., reticulated vasiform standards painted with floral cartouches, one signed, scrolling branches with porcelain candlecups, incurvate plinths, h. 30 in., w. 15 in. $1000/2000

Provenance: The Gotlib Collection.

84. Grand Tour Patinated Bronze of the Vendôme Column, 19th c., black marble plinth base, h. 10 1/2 in. $400/600

85. Grand Tour Patinated Bronze Obelisk, 19th c., possibly after the Luxor Obelisk, black marble plinth base, h. 10 1/2 in. $400/600

87. Large Grand Tour Bronze of the Vendôme Column, probably early 20th c., stepped marble base, h. 18 1/2 in., w. 5 1/2 in. $700/1000 88. Pair of Regency-Style Bronze Figural Candlesticks, 19th c., female sphinxes surmounted by urn form candlecups, marble plinths, h. 8 3/4 in., w. 3 1/4 in., d. 4 in. $300/500

90. Pair of Regency Wedgwood Inset Gilt and Patinated Bronze “Cassolette” Candlesticks, early 19th c., attr. to Matthew Boulton, Birmingham, finialed covers with reverse candlecups, columnar legs inset with cameo plaques, paw feet, incurvate bases, conforming marble plinths, h. 9 3/8 in., w. 4 1/8 in. $3000/5000

89. Georgian Brass Mounted Mahogany Cellarette, late 18th c., banded oval body, hinged lid, fitted interior, ring handles, h. 14 3/8 in., w. 22 in., later stand, overall h. 28 1/2 in. $1200/1800 Provenance: Wrightsville Beach, NC Estate.

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Note: These candlesticks are characteristic of the work Matthew Boulton and his partner John Fothergill produced between 1770-1780 for their Soho Manufactory in Birmingham. Several variations of marble cassolettes in the “antique taste” with reversible candle cups correspond with the patterns featured in the firm’s Pattern Book, I illustrated in N. Goodison. The Work of Matthew Boulton: Ormolu. London, 2003, figs. 277-279. The guilloché, fretwork, tripartite legs and paw feet in the candlesticks offered here also closely relate to a pair of bronze cassolettes by Boulton and Fothergill, c. 1771, now conserved in the Birmingham Museum Art Gallery (acc. 1997 M32.1 & .2 ). The Empire influence in both the Museum’s example and lot 90 strongly suggestS that they are later adaptations of the Greco-Roman inspired “Cleopatra” candle cassolettes that the firm designed in 1770 for Augusta, Dowager Princess of Wales.

91. French Gilt Bronze and Glass Cave Ă Liqueur, 19th c., scrollwork and floral hinged case, fitted interior with 4 decanters and 14 liqueur glasses, ball feet, h. 12 1/2 in., w. 16 in., d. 12 1/2 in. $1000/2000

92. George IV Sterling Silver Cruet Stand, Thos. & Geo. Hayter, London, 1825, mark ent. 1816, with shell and scroll handle, gadroon border and acanthus paw feet, fitted with reeded cut glass bottles including mustard pot and caster with silver mounts, and silver mustard ladle, also Thos. & Geo. Hayter, stand h. 8 5/8 in., w. 8 1/4 in., d. 5 3/4 in., wt. 19.30 troy ozs. $1200/1800

Provenance: The Gotlib Collection.

93. Pair of Neoclassical-Style Gilt Bronze Mounted Baccarat Crystal Tazzas, late 19th/early 20th c., marked, cut crystal bowls, panther form standards, octagonal bases, shield and scrollwork feet, h. 10 1/2 in., dia. 9 3/4 in. $1000/1500 Provenance: The Gotlib Collection.

94. George IV Sterling Silver Coffee and Tea Service, Charles Thomas Fox, London, 1825 and 1827, mark reg. 1823, incl. coffee pot, teapot, open sugar and creamer, squat forms with blossom and ivy leaf finials, ivy leaf collars, foliate scroll handles, bodies with repoussĂŠ and chased panels of various flowers and berries, foliate bracketed paw feet, engraved armorial crests, coffee pot h. 8 1/4 in., combined wt. 74.25 troy ozs.; together with an associated silverplate tea tray, 29 1/8 in. x 18 1/2 in., (5 pcs.) $1800/2500 Additional information at www.nealauction.com

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95. Pair of French Gilt Bronze Figural Bookends, 20th c., cast as Romeo and Juliet, on black and white onyx plinths, h. 7 1/2 in., w. 5 7/8 in. $800/1200

96. Near Pair of Grand Tour Gilt Bronze Mounted Black Marble Tempiettos, probably late 19th c., each with central figures, neoclassical relief, stepped bases, h. 15 in. $400/600

97. French Gilt Brass Encrier, late 19th/early 20th c., shield back flanked by two candleholders, hinged well and recess, two lidded inkwells, h. 9 3/8 in., w. 16 in., d. 6 3/4 in. $200/300 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

98. Edwardian Sterling Silver Repoussé Tea Caddy, George Nathan and Ridley Hayes, Chester, 1904, mark reg.

1897; urn form with allover decoration of cornucopiae, foliage and flowers on stippled ground, gilt wash interior, h. 5 3/4 in., wt. 7.15 troy ozs. $200/400 Provenance: The Gotlib Collection.

99. Elkington Silverplate Centerpiece, 1859, molded glass bowl on grape and grapeleaf support, base mounted with stag and hounds, h. 19 1/2 in. $1200/1800

100. Pair of French Gilt Bronze Three Light Sconces, probably late 19th c., crested and finialed foliate backplates, S scrolled arms, h. 20 1/4 in., w. 17 3/4 in. $800/1200 Provenance: The Gotlib Collection.

101. Royal Vienna Porcelain Cabaret Coffee Service, c. 1890, “beehive” marks, incl. oval tray, covered coffee pot, creamer, 2 demitasse cups, and 2 saucers, painted with Classical scenes on pale blue, pink and yellow grounds, tray w. 10 3/4 in., (6 pcs.) $800/1200 Provenance: The Gotlib Collection.

102. Meissen Porcelain Figural Group of “The Good Father”, late 19th c., crossed swords mark, after Schönheit, modeled as a patriarch seated with a dog and 3 children, h. 7 7/8 in., w. 6 1/4 in., together with 2 Meissen porcelain beauties, crossed swords marks, h. 6 in. and 8 1/2 in., (3 pcs.) $700/1000 Provenance: The Gotlib Collection.

103. Group of Continental Dressing Table Articles, 19th/early 20th c., incl. champlevé enamel and onyx pen stand; pair of mother of pearl and enamel opera glasses; enamel and glass pill box; enamel and silver pill box; enamel and silver cigarette case; and silver compact, pen stand h. 4 1/2 in., w. 7 3/8 in., d. 5 1/2 in., (6 pcs.) $400/600 Provenance: The Gotlib Collection.

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104. German Porcelain Corbeille, late 19th c., Carl Thieme, Potschappel mark, reticulated basket, flower embellished standard flanked by a male and female couple, waisted stem foot, scroll feet, h. 17 3/4 in., dia. 12 1/2 in. $800/1200 Provenance: The Gotlib Collection.

105. Pair of Louis XVI-Style Gilt Bronze Mounted “Sèvres” Porcelain Plaques, interlaced marks, painted with birds and butterflies over a profusion of flowers; elaborate ribbon and floral swag hung bronze frames, h. 29 in., w. 18 in. $2500/3500

106. Royal Vienna Porcelain Plateau, 19th c., “beehive” mark, with a central roundel of Jesus wearing a crown of thorns, signed “H. Stadler”, dia. 23 1/2 in. $2000/3000

107. Large Continental Capodimonte-Style Porcelain “Armorial” Dinner Service, 20th c., crown over Neapolitan “N” marks, inscribed “Au Roi de Rome / Naples / 1811”, some with “SPB” labels, comprising 13 dinner plates, dia. 10 5/8 in.; 25 soup plates, dia. 8 7/8 in.; 13 salad plates, dia. 7 1/2 in.; and an oval platter, l. 16 3/4 in., (52 pcs.) $500/700 Provenance: The Gotlib Collection.

108. Paul Louis Narcisse Grolleron (French, 18481901), “Franco-Prussian War Mercenary”, oil on panel, signed lower left, 16 1/2 in. x 10 1/2 in., antique gilt frame with artist plaque. $1200/1800

109. Jules Achilles Noël (French, 18101881), “Pèle[g]rinages de Lourdes[sic]”, oil on canvas, partial signature lower right, artist’s name and title in period script on stretcher, 25 in. x 17 in., antique frame. $3000/5000

110. Continental School, 19th c., “Portrait of a Handsome Young Gentleman in Turkish Dress”, oil on canvas, unsigned, remnant of label en verso, 15 in. x 12 in., period frame. $700/900

111. Henry E. Detmold (British, 1854-1924), “Arabian Horse with Groom and Seated Princess”, 1896, oil on canvas, monogrammed and dated lower left, signed, dated, and inscribed “London” en verso, 32 3/4 in. x 39 1/8 in., gilt frame. $4000/6000 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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112. Italian School, 19th c., “Tarquin and Lucretia”, after the Florentine prototype attrib. to Guido Cagnacci (Italian, 1601-1663), now in the Accademia di San Luca, Rome, oil on canvas, unsigned, 28 3/4 in. x 38 in., gilt frame. $1000/1500 Provenance: The Gotlib Collection.

115. German Porcelain Monkey Band, 20th c., 6 marked Scheibe Alsbach, 9 primates clad in 18th century attire, comprising a conductor and 8 musicians, h. 5 in. to 7 in.; together with 3 Meissen porcelain figures of musicians, crossed swords marks, h. 4 7/8 in. to 6 1/4 in., (12 pcs.) $500/800

113. Pair of Meissen Porcelain “Schneeballen” Stoppered Bottle Vases, late 19th/20th c., crossed swords marks, encrusted with flower heads and applied with birds atop fruiting branches, stoppers with flower heads, h. 17 1/2 in. $1000/2000

114. Pair of Meissen Porcelain Stoppered Bottle Vases, probably 19th c., crossed swords marks, each with applied fruiting and flowering branches on a butterfly and flower spray ground, h. 19 1/4 in. $1000/1500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

116. Group of Three Meissen Porcelain Figural Groups, late 19th/20th c., crossed swords marks, including two putti with a ram harvesting wheat, h. 9 in.; two putti with grapes, h. 9 5/8 in.; and two putti with flower baskets, h. 9 7/ 8 in. $500/1000

117. Four Meissen Porcelain Figural Groups, late 19th/20th c., crossed swords marks, incl. 4 putti with wheat, h. 6 in.; 2 cherubs with a hoe, h. 5 1/8 in.; cherub viewing a bird’s nest, h. 4 7/8 in.; and cherub beside a basket of baby birds, h. 4 1/2 in. $500/800

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

118. Pair of Royal Vienna Porcelain Dishes, probably 19th c., “beehive” marks, painted with scenes of Classical maidens, dia. 9 5/8 in.; together with a Sèvres porcelain foliate dish, interlaced mark, painted the portrait of Madame DuBarry, dia. 9 3/4 in., (3 pcs.) $300/500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

119. German Porcelain Plaque, 1879, depicting a woman at a spinning wheel, signed “C. Schloller” and dated, 15 1/2 in. x 12 1/2 in., antique gilt frame. $700/1000

120. Four Meissen Porcelain Figures, late 19th/20th c., crossed swords marks, including maiden beside a goat, h. 8 in.; gallant with flowers, h. 6 3/4 in.; gentleman beside a cask, h. 7 3/8 in.; and gentleman on a condiment basket, h. 5 1/8 in., w. 5 1/2 in. $300/500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

123. Pair of Royal Vienna Porcelain Covered Urns, 19th c., “beehive” marks, domed finialed covers, amphora bodies painted with Classical scenes of maidens and lovers, splayed stem feet, square pedestal bases, h. 12 in. $800/1200

124. Small Continental Porcelain Plaque, c. 1900, impressed “324”, depicting a nymph and a butterfly in the Pre Raphaelite style, 8 1/2 in. x 5 5/8 in., framed. $700/1000

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

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121. Meissen Porcelain Allegorical Group, “The Broken Eggs”, late 19th c., crossed swords mark, after Acier, modeled as 2 maidens and 2 cherubs beside a basket of eggs, h. 9 in., w. 7 in.; together with 2 Meissen figures, crossed swords marks, incl. a cavalier, h. 8 1/4 in., and winged shepherd, h. 8 1/2 in., (3 pcs.) $300/500

122. Continental Gilt Bronze Mounted Capodimonte-Style Porcelain Oval Box, late 19th/20th c., crown over Neapolitan “N” mark, hinged cover relief molded with a Classical figural scene, sides with griffins flanking female masks, h. 4 1/2 in., w. 11 1/2 in. $400/600

125. German Porcelain Covered Urn, early 20th c., von Schierholz mark, pierced domed cover with applied putti, molded ovoid body with applied female figures and floral wreathes, stem foot, circular rocaille base, h. 24 in. Note: Restoration. $250/500 Provenance: The Gotlib Collection.

126. Antique “KPM” Porcelain Oval Plaque, printed blue monogram, impressed marks, painted as a mother and child, 13 1/4 in. x 11 in., framed. $500/700 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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127. Pair of French Gilt and Bisque Porcelain Figural Groups, 19th c., modeled as Cupid forging an arrow and Cupid sharpening an arrow, oval bases with ball and claw feet, h. 6 3/8 in., w. 5 in. and 5 1/4 in. $600/800

129. French Neoclassical Gilt Brass Etui, c. 1800, tapered body, hinged lid, fitted compartments with needle and brush, floral bouquet and swag reserves, guilloche borders, h. 3 5/8 in., w. 2 7/8 in. $250/350

130. French Neoclassical Gilt Brass Snuff Box, early 19th c., guilloche hinged oval case, laurel wreath border, h. 1 3/4 in., w. 3 in., d. 1 3/4 in. $300/500

128. Pair of Antique Directoire-Style Carved Mahogany Fauteuils, probably late 19th c., horseshoe shaped back, X form splats centered by a gilt rosette, sloped arms, straight seat rail, saber legs. $800/1200

131. Wedgwood Blue and White Jasperware Jardinière, 20th c., marked, Neoclassical relief, floral trimmed rim, h. 7 1/4 in., dia. 8 in. $150/250 Provenance: The Gotlib Collection.

132. Set of Ten Limoges Porcelain Soup Plates, marked, wide everted rims, decorated with grisaille landscapes and seascapes and gilt floral sprays, dia. 9 1/2 in. $300/500

134. Italian Neoclassical Carved Crème Peinte and Parcel Gilt Settee, probably late 19th/early 20th c., paneled leaf and husk carved crest centered by a mask, scrolled padded arms, blocked, fluted, tapered legs, h. 40 in., w. 81 1/2 in., d. 25 in. $1500/2000

133. Directoire Carved Walnut Refraîchissoir, early 19th c., marble top fitted for 2 bottles, frieze drawer, turned legs, stretcher shelf, h. 27 in., w. 17 1/2 in., d. 15 1/2 in. $800/1200

135. Louis XV-Style Bronze Mounted Kingwood Bureau Plat, 20th c., inset tooled leather top, frieze drawer, bust mounted cabriole legs, h. 30 1/4 in., w. 55 in., d. 29 in. $1000/1500 Provenance: The Gotlib Collection.

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136. Louis XV-Style “Vernis Martin” and Bronze Mounted Sedan Chair Fitted as a Vitrine, probably late 19th c., domed top, beveled glass door and sides, bombé panels below, shaped base, scrolled acanthine toes, extensively mounted, h. 68 in., w. 38 in., d. 31 in. $1200/2000 Provenance: The Gotlib Collection.

137. Pair of Louis XVI-Style Gilt Bronze Mounted Mahogany and Kingwood Parquetry Guéridons, galleried marble top, frieze drawer, square supports, conforming lower tier, cabriole legs, h. 30 in., w. 20 in., d. 20 in. $500/800 Provenance: The Gotlib Collection.

138. French Belle Époque Mahogany and Brass Fitted Bureau à Mechanique in the Art Nouveau Taste, probably late 19th/early 20th c., lift top, interior with mirrored back, fitted letter compartment and writing surface, tapered splayed legs, h. 31 1/4 in., w. 27 1/4 in., d. 17 1/2 in. $300/500 Provenance: The Gotlib Collection.

139. Louis XVI-Style Gilt Bronze and Mahogany Commode en Encoignures, probably early 20th c., monumental scale, marble top, frieze drawer, paneled door enclosing fitted drawers, galleried shelves to either side, tapered legs, h. 37 3/4 in., w. 76 1/4 in., d. 28 in. $8000/12000 Provenance: The Gotlib Collection.

Note: This massive commode en encoignures or à l’anglaise replicates that from ébéniste Guillaume Benneman (active 1785-1792) for the Salon de Jeux at Compiègne. Interestingly, a 19th c. photograph of the Benneman commode from of the Louvre numbered “3321” was part of the workshop archive of Francois Linke (1855-1946), referred to as the Commode étegére fleurs de lys. Scholar Christopher Payne speculates this photograph from the Louvre was used by Linke to show prospective clients.

Reference: Payne, Christopher. Francois Linke, 1855-1946, The Belle Epoque of French Furniture. Woodbridge: Antique Collector’s Club, 2003, pp. 200-201, pl. 216. and Payne. 19th Century European Furniture. Woodbridge: Antique Collector’s Club, 1989, p. 98, fig. 191.

Additional information at www.nealauction.com

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141. Italian Neoclassical Polychromed Console, probably 18th c., faux marbre top, shell carved frieze, square tapered legs, h. 33 1/2 in., w. 46 in., d. 23 1/2 in. $2000/3000 140. Louis XV-Style Marquetry Inlaid Rosewood, Bronze Mounted and “Vernis Martin” Bombé Cabinet, c. 1900, variegated rouge and gris marble top, serpentine frieze, single door, shaped base, flared feet, h. 44 1/4 in., w. 38 1/2 in., d. 17 1/2 in. $2000/3000

142. Louis XVI-Style Bronze Mounted Rosewood Vitrine, late 19th/early 20th c., Brêche des Alpes marble top, beribboned leaf and berry mounted frieze, beveled glass door, mirrored back, cabriole legs, h. 58 5/8 in., w. 26 5/8 in., d. 14 5/8 in. $1500/2500 Provenance: The Gotlib Collection.

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143. Venetian Polychromed Figural Center Table, mid 19th c., ebonized top with vignette of figures in a coastal landscape, kneeling blackamoor support, shaped base, h. 31 3/8 in., w. 32 1/4 in., d. 32 1/4 in. $4000/6000

144. Pair of Neoclassical-Style Bronze Guéridons after the Antique, granite tops, X form supports, molded legs, paw feet, h. 25 in., dia. 15 3/4 in. $2000/3000

145. Italian Neoclassical-Style Carved, Gilded and Ebonized Jardinière, acanthine body, scrolled acanthus carved legs, incurvate molded base, h. 38 1/2 in., w. 21 1/2 in., d. 23 in. $1000/1500

146. Monumental Empire Bronze Mounted Marble Salon Clock, early 19th c., carved as Cupid reading a letter beside a laurel mounted circular dial, after Jean Baptiste Pigalle (French, 1714-1785), inscribed “J.B. Pigalle”, clock with silk thread movement and dial signed “Dupas à Paris”, oval pedestal with laurel and beaded molding, h. 22 in., w. 23 1/4 in., d. 19 in. $5000/7000 Provenance: The Gotlib Collection.

147. Pair of Napoleon III Gilt Bronze and Wedgwood Jasperware Mounted White Marble Urns, 19th c., domed tops, fluted necks, bowl form bodies, domed pedestal bases, elaborately ornamented with finials, garlands, female bust handles, and hairy paw feet, h. 28 1/2 in., w. 14 in. $8000/12000

148. Neoclassical Style-Italian Marble Figure of Paris, mid to late 19th c., carved as an archer, in the manner of Bertel Thorvaldsen (Danish, 1770-1844, act. Italy, 1789 1838), h. 37 1/2 in. $3000/5000

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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149. Louis XV Provincial Inlaid Walnut Serpentine Bombé Commode, probably 18th c., paneled top, molded drawers, shell carved molded base, scroll feet with hooves, h. 33 1/2 in., w. 48 in., d. 24 in. $3000/5000

150. Antique American Carved and Gilded Mirror in the Louis XVI Taste, mid 19th c., crest with urn and trophées, flanked by pair of birds, egg and dart surround, wheat sheaf pendant base, divided mirror plate, h. 67 1/2 in., w. 41 1/2 in. $1500/2500

151. Antique Louis XVI-Style Carved Giltwood Mirror, late 19th c., reticulated foliate and rosette corners, mirrored surround, beaded inner frame, beveled mirror plate, retains original gilt, h. 72 5/8 in., w. 49 1/8 in. $1500/2500

152. Pair of Late Regency Patinated Bronze and Cut Glass Argand Lamps, c. 1830, labeled “John B. Jones, Boston”, finialed fonts hung with beads and pendants, baluster standards, stem feet, etched and frosted shades, h. 13 1/2 in., w. 12 in. $1400/1800

153. George I Inlaid Walnut Gentleman’s Chest, early 18th c., architectonic molded cornice, figured doors, well fitted interior, dressing slide, lower case with sécrétaire drawer above three graduated drawers, bun feet, h. 82 in., w. 42 in., d. 22 in. $7000/9000

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154. Georgian Oyster Veneer Chest, 18th c. and later, molded top, two over three graduated drawers, later molded base and bracket feet, h. 37 1/2 in., w. 37 in., d. 20 3/4 in. $2500/3500

155. George III Inlaid Mahogany Bowfront Sideboard, late 18th/early 19th c., banded top, center drawer flanked by deep drawers, square tapered legs, spade feet, h. 36 in., w. 53 3/4 in., d. 25 5/8 in. $1000/1500 Provenance: Alfred Bullard, Inc., Philadelphia.

156. Regency Paint Decorated Armchair, c. 1800, black ground, tablet crest, openwork lozenge splat, urn form arm supports, caned seat, turned tapered legs. $600/900

157. William IV Carved Mahogany Partner’s Desk, 19th c., inset tooled leather top, frieze drawers, turned tapered reeded legs, brass ferrules, casters, h. 31 in., w. 83 in., d. 45 in. $2500/3500 158. American Classical Carved and Ebonized Giltwood Mirror, 19th c., Boston, blocked rosette corners, split column surround, retaining original bright gilt and ebonization, h. 56 3/4 in., w. 30 in. $800/1200

159. NeoclassicalStyle Gilt Bronze Mounted Venetian Etched Glass Mirror, 19th c., scroll pediment, beveled mirror plate, with “PF Rossini” label, floral bouquet finials, h. 51 1/2 in., w. 29 in. $2000/3000 Provenance: Wrightsville Beach Estate.

Note: According to three Commercial Gazette’s from 1876 and 1877, Percentio Francesco Rossini was listed as a “dealer in works of art and antiquities” located at 70 Newman Street, Oxford Street in London.

Additional information at www.nealauction.com

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160. Louis Philippe Carved and Gilded Pier Mirror, early 19th c., egg and dart surround with beaded inner molding, rounded corners, molded base, h. 78 in., w. 44 in. $800/1200 Provenance: The Gotlib Collection.

161. Pair of American Cast Iron Urns, mid 19th c., labeled J.W. Fiske, New York, reticulated friezes, applied dragon handles, stem feet, fitted plinths, h. 38 in., w. 26 1/2 in. $2000/3000

162. Pair of Antique American Cast Iron Benches in the “Fern and Blackberry” Pattern of Coalbrookdale, possibly J. Fiske or J.L. Mott, New York, shaped back, slatted wood seat, splayed legs, h. 32 1/2 in., width 45 in. $1500/2500

164. Regency Inlaid Ebony, Rosewood and Bronze Mounted Mahogany Games Table, early 19th c., banded plum pudding foldover top, canted corners, inlaid frieze, pair of tapered baluster supports, arched reeded sabre legs, brass paw feet, casters, h. 30 in., w. 36 in., d. 17 1/2 in. $1000/1500

163. American Classical Carved Mahogany and Gilt Bronze Mounted Armoire, c. 18251830, probably New York, flared cornice, flush paneled doors, interior with shelves and hanging compartments, acanthus carved feet on brass balls, h. 93 1/2 in., w. 72 in., d. 27 5/8 in. $2000/3000

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165. George III Carved Mahogany Hanging Étagére, early 19th c., four tiers, fretwork sides, h. 35 1/2 in., w. 27 1/4 in., d. 7 in. $600/900

166. Fine George III Carved Mahogany Breakfront Bookcase, late 18th/early 19th c., upper case with molded cornice, astragal glazed doors, fabric lined interior with adjustable shelves; conforming base with foliate molding, raised panel doors, ogee bracket feet, h. 96 in., w. 75 in., d. 20 in. $6000/8000

167. Monumental William IV Carved Mahogany Partner’s Desk, mid 19th c., inset Greek key tooled leather top, frieze with four drawers on each side, turned reeded tapered legs, casters, h. 31 in., w. 95 in., d. 48 in. $4000/6000

Additional information at www.nealauction.com

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168. Antique English or French Carved Oak Settle in the Louis XIV Style, probably early 19th c., raised panel triple back, scroll arms, lift seat, paneled base, block feet, h. 38 in., w. 67 in., d. 24 1/2 in. $500/800

169. French Provincial Carved Walnut Panetière, 18th c., shell carved crest, spindled surround, central door, shell carved base, cabriole legs, scrolled toes, h.

28 in., w. 24 in., d. 15 in. $300/500

170. Pair of Provincial Continental Silver Candlesticks, unmarked, tripodal bases supporting tapered shafts, chased borders of foliage and flowers, h. 10 1/2 in., combined wt. 24.05 troy ozs. $200/400

Provenance: The Gotlib Collection.

171. Antique Portuguese Carved Walnut Salon Table, 18th c. and later, gadrooned top, ripple molded drawers to one side, opposing faux drawers, massive turned legs, ring and spiral turned stretcher, h. 33 1/2 in., w. 54 in., d. 29 in. $5000/7500

172. Antique Carved Walnut and Parcel Gilt Cassone of Renaissance Inspiration, gadrooned lid with wrought iron strap hinges, interior till, relief carved panel with griffons, scrolling leaves and figures, foliate carved base, canted paw feet, h. 28 in., w. 69 in., d. 30 in. $2500/3500

174. Antique Louis XVI-Style Kingwood Parquetry GuĂŠridon, 19th c., crossbanded top, frieze drawers, fluted tapered legs, h. 28 3/8 in., w. 31 5/8 in., d. 31 5/8 in. $800/1200

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173. Set of Six Directoire Carved Fruitwood, Parcel Ebonized and Caned Side Chairs, early 19th c., shaped crest rail, demilune medial rail, shaped caned seat, cabriole legs. $1500/2500

175. Provincial Louis XV Carved Walnut Side Table, 18th c., shaped molded top, frieze drawer, molded cabriole legs, leaf carved trifid feet, h. 30 in., w. 37 in., d. 24 in. $1000/1500

Additional information at www.nealauction.com

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176. Italian Rococo Style Carved Walnut Fauteuil, stamped, arched molded leaf carved crest, scrolled arms, serpentine seat rail, foliate cabriole legs, trifid feet. $1000/1500

177. Henri Stenn (Belgium/French, 1904-1993), “Bruges, Belgium”, oil on canvas, signed lower right, signed, titled, and artist biography labels en verso, 21 1/2 in. x 18 in., framed. $1000/2000

178. H. Albert Matignon (French, 1869-1937), “Boats in a Harbor”, oil on panel, signed “A. Matignon” lower left, artist biography en verso, 7 3/8 in. x 10 1/4 in., period frame.

179. Continental School, 19th c., “Demilune Still Life of Roses, Tulips, Morning Glories and Dahlias in a Classical Urn”, oil on canvas affixed to board, unsigned, sight 53 in. x 26 1/4 in., framed. $800/1200

$800/1200 180. After Franz Xaver Winterhalter (German, 1805-1873), “The First of May 1851 (Duke of Wellington presenting a Gift to his Godson, Prince Arthur, Duke of Connaught, on his First Birthday)”, oil on canvas, unsigned, after original in the Royal Collection, erroneously attributed to Sir George Hayter (British, 1792 1871) on frame plaque, “Lebrun Gallery/Washway Road/Sale/Cheshire” label en verso, 25 in. x 30 in., framed. $1000/1500 Provenance: The Gotlib Collection.

181. Pair of Louis XV-Style Crème Peinte Architectural Encoignures, 20th c., lozenge paneled cornice, shelves flanked by pilasters over paneled doors, molded base, h. 102 1/2 in., w. 19 3/8 in., d. 19 1/4 in. $700/1000 Provenance: Bremermann Designs, Magazine Street, New Orleans, LA.

182. Austro-Hungarian .800 Silver Teapot and Creamer in the Rococo Taste, late 19th/early 20th c., Vienna, maker A.St untraced, floral and scroll repoussé and chasing, scroll handle and scroll feet, teapot h. 9 1/8 in., combined wt. 45.05 troy ozs. $500/750

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183. English Silverplate Footed Tray in the Regency Taste, Ellis Barker, Birmingham, 20th c., 27 1/4 in. x 17 7/8 in. $300/500

184. Pair of Georgian Style Silverplate Wine Coolers, spurious marks, campagna form, removable liner, acanthus decorated openwork handles, gadrooned and beaded borders, h. 11 3/8 in. $700/1000

185. Antique Christofle Silverplate Hot Water Urn, 19th c., campagna form with removable cover mounted with seed pod finial, openwork acanthus handles, dragon spigot, h. 14 7/8 in. $600/900

186. Continental .800 Silver Mounted Cut and Etched Crystal Decanter, c. 1890, spear shaped stopper, decorated with boar hunt scene, h. 10 7/8 in. $300/500

189. Pair of Louis XVI Style Gilt Brass and Cut Crystal Girandoles, baluster form standards, tiered arms hung with pendants, h. 28 in., w. 12 in. $600/800 Provenance: The Gotlib Collection.

187. Regency Sterling Silver Partial Flatware Service in the “King’s Hourglass” Pattern, early 19th c., London, most Thomas Wilkes Barker, 1813, incl. 12 forks, l. 8 1/16 in.; 10 tablespoons, l. 8 5/8 in.; 2 dessert forks, l. 6 1/2 in.; 2 dessert spoons, l. 7 1/8 in.; 2 teaspoons, l. 4 in.; and 4 master salt spoons, l. 4 3/8 in., combined wt. 78.78 troy ozs. $2000/3000

188. Pair of French Gilt Bronze and Brass Mounted Celadon Pâte-sur-Pâte Porcelain Carcel Lamps, late 19th c., slip painted and tooled reserves of Classical maidens and floral arrangements, h. 20 1/2 in. $500/800 Provenance: The Gotlib Collection.

190. Louis Philippe-Style Gilt Bronze Seven Light Chandelier, late 19th c., wreath form corona, central etched shade, scrolled acanthine arms, foliate sockets and finial, h. 33 in., w. 21 in., electrified. $400/600

191. Pair of French Gilt Bronze Six Light Sconces, probably late 19th c., cartouche backplates, baluster form standards, s scrolled arms, reticulated bobêches and candlecups, h. 17 1/2 in., w. 20 1/2 in., drilled for electricity. $400/600

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

193. Jean Baptiste Bourguignon d’Anville (French, 1697-1782), “Premiere Partie de la Carte d’Asie...”, “Seconde Partie de la Carte d’Asie...” and “Troisieme Partie...”, 3 maps, each with 2 sheets, hand colored, Paris, 1751-53, showing the whole of Asia, with ornate cartouches, joined 29 in. x 31 in.; 38 in. x 27 in. and 20 in. x 42 in., (96 pcs.) $800/1200

194. Four Antique French Maps of Holland and Belgium, incl. “Partie Septentrionale des Pays Bas...”, “Partie Meridionale des Pays Bas”, both by Janvier, 1760, with cartouche on stern of a ship; “Carte du Comte de Flandre...”, 1745, by Buache (after Delisle’s 1704 version); and “Picardie, Artois, Boulenois...”, 1769, by Vaugondy; outline color, each about 19 in. x 25 in. $500/700

197. Six Antique Maps of Europe, 1700-1760, hand colored in outline, incl.

“La Sicile” and “Le Royaume de Danemark”

by Jaillot; “Les Couronnes du Nord Comprenant de Suede, Danemarck et Norwege” by Janvier; and “Cartes de la Grece”, “Carte de Suisse”, “Carte de la Turquie...” by Buache/Delisle, sheets 21 in. x 29 in. $500/700

198. Robert de Vaugondy (French, 1723-1786), “Carte Generale de l’Empire des Russes en Europe et en Asie...”, 1753, engraved map on two sheets (not joined), hand colored in outline, with elaborate cartouche showing wind heads, polar bears and the Imperial Eagle, each 18 1/8 in. x 23 3/4 in., (2 pcs.) $700/1000

195. Jean (Robert) Janvier (French, fl. 1746-1776), 8 copper engraved maps, hand colored, elaborate pictorial cartouches, 1759-1763: incl. “L’Amerique divisee en ses principaux Etats”, “L’Afrique...”, “Les Royaumes d’Espagne et de Portugal”, “Les Isles Britanniques...”, “L’Italie...”, “L’Empire d’Allemagne...”, “L’Asie...” and “L’Europe”, sheets 21 in. x 29 in., (8 pcs.) $1000/1500

199. Twenty Two Antique Maps of France, 1707-1760, double sheet, hand colored in outline, incl. a map of the whole of France by Janvier, and 21 maps of the different departments by Vaugondy, Jaillot and Buache/Delisle, sheets 21 in. x 29 in. (one 19 in. x 25 in.) $800/1200

192. Very Rare English or French Gilt Brass Figural Chandelier Chain, 19th c., in the form of a pointing hand grasping a ring, rectangular links, h. 20 1/4 in. $300/500

196. Johann Baptiste Homann (German, 1664-1724), “Accurater Grundriss...Residentz Stadt London...”, Nurnberg, c. 1720, hand colored engraved map, inset views of the royal hospitals of Chelsea and Greenwich and the palaces of Kensington, Hampton and Windsor, 19 1/4 in. x 23 in., matted and framed. $600/900 Provenance: W. Graham Arader III, King of Prussia, PA.

200. Twelve Antique French Maps of Europe, 1704-1760, by Janvier and Jaillot, hand colored in outline, incl. Prussia, Saxony, Poland, Hungary, Bohemia, Bavaria and the lands along the Rhine river, sheets approx. 21 in. x 29 in. $500/700

Additional information at www.nealauction.com

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201. French Empire-Style Sulfide Glass Tumbler, 19th c., probably Baccarat, with portrait bust of Napoleon Bonaparte, signed “Andrieu”, molded sides, scroll footed base, h. 3 3/4 in. $700/1000

202. Fine English Cut Glass Decanter, late 18th/early 19th c., floral paneled sides, geometric shoulder, mushroom form stopper, h. 9 3/4 in. $300/500

203. Pair of Bohemian Ruby Overlay Cut Glass Lustres, late 19th c., engraved with birds, deer, and scrollwork, spear prisms, h. 14 in. $200/400 Provenance: The Gotlib Collection.

204. Jules Printemps (French, 18311899), “Bust of a Lady in Lace Bodice”, 1886, marble, inscribed “Printemps” and dated, h. 29 1/4 in. $800/1200 Provenance: The Gotlib Collection.

205. Louis Philippe Carved and Incised Giltwood Mirror, 19th c., beaded and diapered frame, molded base, h. 61 1/4 in., w. 42 in. $300/500 Provenance: The Gotlib Collection.

206. Napoleon III Gilt Metal and Champlevé Enamel Mantel Clock, probably late 19th c., urn finial, architectonic domed case with columns, paw feet, h. 15 in., w. 7 1/2 in., d. 4 3/4 in. $300/500 Provenance: The Gotlib Collection.

208. Antique Silverplate Centerpiece or “Fernery”, grape and grapeleaf decoration, egg and dart foot rim, removable liner, h. 2 1/4 in., dia. 12 1/2 in. $400/600

209. Antique French Gilt Bronze Dresser Box, hinged lid inset with watercolor on ivory portrait of a lady, allover anthemion and fretwork embossing, h. 2 in., w. 5 7/8 in., d. 5 1/8 in. $300/500

210. French Boullework Ring Box, 19th c., sarcophagus form, ball feet, h. 3 in., w. 3 5/8 in., dia. 2 3/8 in. $400/600

207. American Art Nouveau Sterling Silver Bowl, Gorham, date mark for 1903, shaped oval, tomato and vine motif, l. 12 1/8 in., wt. 12.15 troy ozs.; together with an Art Nouveau cut rock crystal inkwell, iris motif with copper cover, h. 4 3/4 in, (2 pcs.) $200/400 Provenance: The Gotlib Collection.

211. Four French Porcelain Dishes, late 19th and early 20th c., incl. pair of Le Rosey scalloped rim plates, painted with “Faust and Marguerite” and “Le premier Nuage”, dia. 9 1/2 in., and pair painted with “[Madame de] Montesson” and unnamed court lady, dia. 9 3/8 in.; together with Continental serving dish, “beehive” mark, painted with Classical maidens, dia.

12 3/4 in., (5 pcs.) $150/250 Provenance: The Gotlib Collection.

213. Italian White Glazed Ceramic Punch Bowl, scalloped rim, gadrooned body, molded foot, h. 8 3/4 in., dia. 12 1/2 in. $200/400 212. Large Dresden Porcelain Vase, probably early 20th c., SP Dresden mark, urn form with applied putti and flowers, overall h. 22 in., (2 pcs.) Note: Lacking cover. $500/1000 Provenance: The Gotlib Collection.

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214. Ten Continental Porcelain Figures, probably early 20th c., impressed marks, modeled in 18th century dress at various domestic and trade pursuits, h. 5 3/4 in. to 7 3/4 in. $500/800 Provenance: The Gotlib Collection.

215. Four Meissen Porcelain Figural Groups, crossed swords marks, incl. couple picking apples, h. 10 3/8 in.; cherub climbing a tree, h. 9 1/4 in.; flower laden beauty with dog, h. 7 3/4 in.; and bowing gallant, h. 7 1/2 in. $400/800 Provenance: The Gotlib Collection.

216. Meissen Polychrome Porcelain Figural Group, 19th c., crossed swords mark, modeled as the figure of Silenus riding a donkey led by Bacchus, height 8 1/2 in., width 8 in. $200/300

217. Large Meissen Porcelain Equestrian Group, early 20th c., crossed swords mark, after J. J. Kaendler, modeled as a rearing horse held by a blackamoor, h. 16 1/8 in., w. 14 in. $300/500

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

220. Peeter Sion (Flemish, 1649-1695), “Samson and Dalila” and “Judith and Holofernes”, oils on copper, the first signed “P. Sion” lower right, each titled en verso, 24 1/2 in. x 30 7/8 in., framed alike, (2 pcs.) $500/1000 Provenance: The Gotlib Collection.

218. Pair of Meissen Porcelain Candlesticks, late 19th/early 20th c., crossed swords marks, rocaille molded standards with applied flowering vines and figures emblematic of the Seasons, h. 12 3/4 in. and 13 3/8 in. $500/800

219. Small Continental Porcelain Plaque, 19th c., “Venus of Urbino”, after Titian, faintly inscribed, 4 in. x 6 in., framed. $300/500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

221. Alexander Bakhuyzen (Dutch, 1826-1878), “Milkmaid with Cattle Beside a Pond”, oil on canvas, signed lower right, “Aitken Dottson, Edinburgh” framer’s label on frame, 13 3/4 in. x 21 1/4 in., framed. $1200/1800

222. Continental School, 19th/20th c., “Cottages with Boats beside the Zuider Zee”, oil on canvas, signed “M. Orthez” lower right, 23 1/4 in. x 31 3/4 in., framed. $700/900 Provenance: Memphis, TN Estate.

223. Hubert M. Vos (Dutch/American, 18551935), “Still Life: Bottle of Wine, Gooseberries, Peaches and a Basket of Currants”, oil on canvas, signed lower left, 16 3/8 in. x 13 1/4 in., framed. $1200/1800

224. Miss E.P. Gardiner (British School, mid to late 18th c.), “Outside a Doorway” and “Before the Fire”, pair of oils on wood panel, former incised “Miss Gardiner” and dated “1783” on stretcher, latter pencil inscribed “Bought from the Sale / of the Earl of Clancarty / Co. Mayo” on label en verso, other indistinct labels en verso of both, each 11 1/2 in. x 8 7/8 in., framed alike, (2 pcs.) $500/700 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

225. Timothy Cole (British/New York, 1852-1931), “Mrs. Graham (after Gainsborough)”, 1897, wood engraving, signed lower right, 7 5/8 in. x 5 1/4 in., matted; together with photo lithograph specimen prospectus plate from Fine Bird Books, sheet 19 1/4 in. x 13 1/4 in., (2 pcs.) $150/250

226. Charles Hunt (British, 18291900), “The Start”, “The Brook”, “The Fence” and “Coming In”, 1841, colored aquatints of the Northampton Grand National Steeplechase, published by I.W. Laird, London, each sight 19 in. x 25 1/2 in., matted and framed alike, (4 pcs.) $700/1000

227. Group of Continental Porcelain, incl. a Jacob Petit candlestick, J.P. mark, h. 4 5/8 in.; pair of “schneeballen” encrusted stoppered bottle vases, h. 6 1/2 in.; and two female figures representing “Winter” and “Fall”, crown over crossed batons marks, h. 14 in. and 14 1/4 in. $400/800

Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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228. Pair of French Gilt Bronze Mounted “Sèvres” Porcelain Vases, amphora bodies with landscape and courting couple panels, signed M. Bottreau; bronze rims and scroll handles, h. 13 3/4 in., now mounted as lamps, h. (to finial) 28 5/8 in. $200/400

230. Buccellati Sterling Silver Tea and Coffee Service, c. 1930, incl. coffee pot, teapot, covered sugar and covered creamer; plain pyriform bodies, hinged covers on coffee and tea, urn finials, combined wt. 74.80 troy ozs. $2000/3000

229. Belle Époque French First Standard Silver Chocolate Set, incl. chocolate pot, hot milk jug, covered sugar and creamer; tapered cylindrical forms with stylized chased decoration and beaded border, applied circular feet with beading above stylized foliate rim; covers with cast pineapple finials, wood handles and wood muddler for chocolate pot, h. 9 1/4 in., muddler l. 11 1/2 in., combined wt. 67.35 troy ozs., (5 pcs.) $2000/3000

231. Pair of Belle Époque French First Standard Silver Three Light Candelabra, in the Rococo taste, cast slightly domed shaped circular base on four scroll supports, foliate scrolling arms, removable candle nozzles, bobêches and drip pans, h. 9 1/2 in., w. 9 5/8 in. $1800/2500

232. Antique Silverplate Epergne/ Candelabrum, 19th c., with Anglo-Irish cut glass center bowl, scrolled arms with conforming Anglo Irish cut glass bowls, interchangeable scrolled arms fitted with candlecups. $1200/1800 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

233. Semi-Antique Persian Sarouk Carpet, red ground, stylized floral motif, navy blue and beige border, 4 ft. 10 in. x 3 ft. 6 in. $400/600 Provenance: The Gotlib Collection.

235. Antique Persian Silk Rug, navy blue ground, geometric central medallion, burgundy border, overall floral motif, 4 ft. 3 in. x 6 ft. 6 in. $600/800 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

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236. Paris Porcelain Luncheon Service, 19th c., green borders, floral reserves, incl. 10 luncheon plates, dia. 9 3/4 in.; 10 dessert plates, dia. 8 1/4 in.; and 3 compotes, h. 4 3/4 in, 5 1/2 in., and 5 3/4 in., (23 pcs.) $800/1200

234. Semi-Antique Sarouk Carpet, red ground, stylized floral motif, beige border, 4 ft. 11 in. x 3 ft. 5 in. $400/600] Provenance: The Gotlib Collection.

237. Antique Persian Sarouk Carpet, red ground, diamond form central medallion, stylized floral border, 6 ft. 9 in. x 4 ft. 4 in. $300/500

238. Oushak Carpet, cream ground, stylized floral design, 16 ft. x 11 ft. 8 in. $1800/2500 Provenance: NOLA Rugs, Magazine Street, New Orleans, LA

239. Antique Oushak Carpet, pale blue ground, diamond form central medallion, stylized geometric border, 14 ft. 4 in. x 11 ft. 5 in. $1000/1500 Provenance: NOLA Rugs, Magazine Street, New Orleans, LA.

240. Louis XVI-Style Bronze Mounted Parquetry and Mahogany Petite Bureau, early 20th c., demilune galleried marble top above drawer and compartments, tooled leather writing surface, conforming frieze, cabriole legs, shaped shelf, h. 36 1/2 in., w. 18 in., d. 13 1/2 in. $500/800 Provenance: The Gotlib Collection.

241. Louis XVI- Style Figured Mahogany Bouillotte Table, brass gallery, inset marble top, frieze fitted with four slides, square tapered legs, brass cuffs, h. 30 3/4 in., dia. 41 in. $700/900

242. Pair of Directoire Carved Fruitwood Curule Stools, early 19th c., cream horsehair cushions, ebonized rosette stretcher, h. 21 in., w. 21 in., d. 15 in. $800/1200

Provenance: The Gotlib Collection.

243. Antique Restauration Style Bouillotte Lamp, baluster form, horn shaped candle arms, adjustable t么le peinte shade, h. 30 in., w. 15 in., electrified. $600/800

244. French Gilt Bronze Mounted Kingwood Aneroid Barometer, probably late 19th/early 20th c., dial with black enamel script and numerals, thermometer with spiral tube, mounted with bronze scrolls and central bow and arrow, h. 38 3/4 in., w. 8 1/2 in., d. 3 3/4 in. $700/1000

245. Pair of French Gilt Bronze Mounted Rouge Marble Urns, mid 19th c., each with scrolled serpent handles issuing floral swags, square plinth base, h. 24 in. $1500/2500

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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246. Pair of Neoclassical Style Gilt and Patinated Bronze Figural Two Light Candelabra, early to mid 19th c., each “Winged Victory” on pedestal, square base, h. 12 in., w. 6 1/4 in. $600/800

247. Continental Carved Walnut Cave à Liqueur, 19th c., shell and scrollwork relief, fitted interior with 4 stoppered decanters and 16 cordials, h. 10 1/2, w. 54 1/2 in., d. 10 in. $1200/1800

251. Four Tiffany Favrile Glass Shades, marked “L.C.T. Favrile”, h. 5 in., dia. 3 3/4 in. $800/1200

248. Pair of French Gilt Bronze Three Light Sconces, 19th c., entwined floral and acanthine branches, h. 23 in., w. 17 1/2 in. $400/600 Provenance: The Gotlib Collection.

249. Bohemian Iridescent Green Art Glass Vase, early 20th c., possibly Loetz, tulip form body, pinched sides, ruffled rim, h. 7 1/2 in. $200/300

253. French Gilt Bronze and Marble Regulator Clock, 19th c., surmounted by a Gallic rooster, enamel dial, toupie feet, h. 21 1/2 in., w. 8 1/2 in., d. 5 1/8 in. $500/700 Provenance: The Gotlib Collection.

250. French White Opaline Glass Baluster Vase, 19th c., encircled by gilt decorated blue glass snake, h. 15 in. $150/250

254. Gilt Bronze Mounted Chinese Famille Rose Porcelain Box and Five Snuff Bottles, box marked “Nicholas Haydon / 29 W’T 56th St. N.Y.C.”, h. 3 in., w. 7 5/8 in., d. 4 1/8 in.; snuff bottles incl. rose quartz, “pudding stone”, gem embellished shadow agate, red overlay clear glass, and soapstone, h. 2 1/2 in. to 3 1/8 in. $400/600 Provenance: The Gotlib Collection.

252. Pair of Polychrome Metal Flamingos, 20th c., with spur legs on naturalistic bases, tallest h. 38 in. $600/900

255. Moorish-Style Mother of Pearl, Bone and Tortoiseshell Inlaid Coffer, lift top, open interior, five small drawers below, bracket feet, h. 15 1/2 in., w. 25 in., d. 13 7/8 in. $1500/2500

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256. Pair of Empire-Style Bronze Mounted Fauteuils, probably early 20th c., scrolled crest rail, carved arms, sphinx uprights, curved seat rail, turned legs. $2500/3500

257. Empire-Style Bronze Mounted Mahogany Fauteuil, scrolled crest, padded back, scrolled arms, acanthus carved legs, scrolled toes. $800/1200

258. Aubusson-Style Needlepoint Carpet, 20th c., cream ground, polychrome floral medallion, blue border, 13 ft. 8 in. x 9 ft. 11 in. $500/800

259. Louis XV-Style Gilt Bronze and Cut Crystal Eleven Light Chandelier, early 20th c., crystal beaded bowl suspended from beribboned supports festooned in laurel swags, h. 24 in., w. 20 1/2 in. $800/1200 Provenance: By descent in a New Orleans Family.

Additional information at www.nealauction.com

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262. American 14 kt. Yellow Gold Gentleman’s Double Watch Chain, mid 19th c., with Quatro Club fob, chain l. 24 1/2 in., fob l. 1 in. $2000/3000 260. American “Standing Liberty” $20 Gold Piece, 1908, in a 14 kt. yellow gold octagonal frame, coin dia. 1 3/8 in. $1200/1800

261. Rolex 18 kt. Yellow Gold and Diamond Gentleman’s Day Date Watch, black face with diamond markers, President bracelet, engraved links and case, interior dia. 7 1/2 in. $4000/6000

263. Rolex Stainless and Gold Oyster Perpetual Gentleman’s Wristwatch, c. 1989, ref. R15223320B6252, gold matte dial, baton numerals, date aperture, gold bezel, tonneau case, stainless and gold Rolex Oyster link bracelet and marked clasp, interior dia. 7 1/8 in., accompanied by chronometer certificate. $1500/2500 Provenance: Sold to benefit Loyola University New Orleans.

264. Large Antique Shell Cameo Brooch, 19th c., cameo well carved with profile of George Palfrey, l. 2 in., w. 1 3/4 in.; together with a yellow gold and enamel “Yale Kappa Sigma Theta” pin, back engraved “George Palfrey, Class of 1853”, l. 7/8 in., w. 3/4 in. $300/500 Provenance: Descended in the Family of George Palfrey.

266. Antique English 15 kt. Yellow Gold, Oriental Pearl and Half Pearl Necklace, with removable pendant/ brooch, l. 16 in. Note: Missing one pearl. $500/700

Provenance: Descended in the Family of George Palfrey. The Quatro Club was comprised of 4 members: George Palfrey, Arthur B. Griswold, Henry Ginder (president of A.B. Griswold & Co.) and Charles Dupre.

265. Edwardian Style 18 kt. White Gold, Yellow Gold and Diamond Necklace, set with 7 full cut diamonds in bezel settings, approx. 1.3 cts. total, l. 17 in. $1200/1800

267. Art Deco Platinum and Diamond Flexible Bracelet, set with a European cut center diamond, 2 marquise diamonds and 92 small single cut and European cut diamonds, approx. 2 cts. total. $2000/3000

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

268. Shagreen, Yellow Gold and Diamond Cuff Bracelet, set with medallions of European cut diamonds, interior dia. 6 1/2. $3000/5000

269. Four Pairs of Antique and Vintage Paste Shoe Buckles, 2 pair probably Georgian, l. 1 3/4 in. to 2 in. $300/500

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270. 18 kt. Rose Gold and Ruby Dome Ring, set with 27 round faceted rubies, approx. 2.75 cts., size 7. $300/500

271. Rolex 18 kt. Yellow Gold and Diamond Lady’s Date Just Watch, bezel set with diamonds totaling 1 ct., oyster band, interior dia. 6 in. $3000/5000

272. American 14 kt. Yellow Gold Lady’s Hunting Case Pocket Watch, ret. Arthur A. Everts Jewelers, Dallas, shell decoration, engraved “Elsie D. Nicholson, April 11, 1903”, l. 1 7/8 in., w. 1 3/8 in., d. 3/8 in. $300/500

276. 14 kt. Yellow Gold Flexible Bracelet, with rectangular links, l. 8 3/4 in., wt. 29 dwts. $1000/1500

273. Italian 14 kt. Yellow Gold Herringbone Choker, with lobster clasp, l. 18 in., wt. 21.5 dwts. $600/800

277. 14 kt. Yellow Gold and Old Mine Diamond Ring, set with a .65 ct. and 2 .30 ct. diamonds, and 18 small diamonds totaling approx. .50 ct., size 6 1/2. $1500/2500

274. 14 kt. Yellow Gold Herringbone Necklace, l. 20 in., wt. 9.50 dwts. $300/500

275. 14 kt. Yellow Gold Rope Necklace, with barrel clasp, l. 24 in., wt. 104 dwts. $2500/3500

278. 14 kt. Yellow Gold and Diamond Bracelet, with 368 brilliant cut round pavé set diamonds, approx. total wt. 5 cts., l. 7 in. $2000/4000

279. Yellow and White Gold and Diamond Bangle Bracelet, set with European cut diamonds, interior dia. 7 1/2 in. $4000/6000

280. 14 kt. Yellow Gold and Diamond Heart Pin, set with 12 diamonds totalling approx. .50 ct., l. 1 in., w. 1 in. $400/600

281. 14 kt. Yellow and White Gold and Diamond Solitaire Ring, set with a princess cut diamond, approx. 1.1 cts., clarity I2 I3, color KL, size 6 3/4 in. $1200/1500

282. 14 kt. Yellow and White Gold and Diamond Solitaire Ring, set with a full cut round diamond, approx. 2.8 cts., clarity approx. SI2 I1, color approx. JK., size 5 1/4. Note: Chip on girdle. $10000/15000

283. Platinum and Diamond Ring, set with an emerald cut diamond, approx. 2.75 cts., clarity approx. SI1 SI2, color IJ, and 2 tapered baguettes in the shank, size 5. $10000/15000

Additional information at www.nealauction.com

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284. 18 kt. Yellow Gold, White Gold, Aquamarine and Diamond Ring, signed “Rothschild’s”, New Orleans, set with a pear shaped aquamarine, approx.

5 cts., 21 full cut diamonds and 2 marquise cut diamonds totalling approx. 1 ct., size 5. $1000/2000

285. 18 kt. Yellow Gold, Platinum, Ruby and Diamond Band Ring, set with a center round faceted natural ruby, approx. 1 ct., 2 small faceted rubies and 26 small full cut diamonds, mounting custom made by Symmetry, New Orleans, size 8. $2000/3000

286. Cartier Platinum, Sapphire and Diamond Ring, serial #15605, set with 5 sugar loaf sapphires totaling approx. 1 ct., 14 brilliant diamonds totaling approx. .42 ct., and one triangular diamond, approx. .50 ct., size 5 1/4. $3000/5000

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

287. Van Cleef & Arpels 18 kt.

White and Yellow Gold and Diamond Dome Ring, pavé set with 34 full cut diamonds, approx. 2.5 cts., size 5 1/2 in. $2000/3000

290. Yellow Gold and Amethyst Necklace, unmarked, probably 18 kt. gold, set with 18 oval faceted collet set amethysts, l. 17 in. $1200/1800

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288. Pair of 14 kt. White Gold and Diamond Stud Earrings, each set with a .75 ct. old mine cut diamond, color J, clarity SI2 I1, dia. 1/4 in. $1200/1800

291. Tahitian Gray Cultured Pearl Necklace, 32 pearls graduated from 12 to 14 mm., 18 kt. yellow gold and diamond bow clasp, l. 18 in. $3000/5000

289. Pair of 14 kt. White Gold, White Pearl and Diamond Earrings, each set with a 12 mm. pearl, baguette and round diamonds. $2000/3000

292. White Cultured Pearl Necklace, pearls graduated from 8 to 8.5 mm., 14 kt. yellow gold and diamond ball clasp, l. 26 in. $1200/1800

293. Double Strand Cultured Pearl Necklace with 14 kt. White Gold, Diamond and Cultured Pearl Clasp, the pearls of light rose color, ranging from 8.5 to 9.5 mm., l. 20 1/2 in. $2500/3500

294. Group of Costume Jewelry, incl. “black pearl” necklace and earring set with vermeil mounts, “pearl” ribbon brooch; pair of “diamond” and “sapphire” earrings; pair of shell earrings; pair of ruby and diamond clips, lacking many stones; and some tiger’s eye beads. $50/100

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Session Two Saturday, April 18, 10 am 4038 Magazine

Additional information at www.nealauction.com

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296. Louis XVI-Style Rosewood and Parquetry Table en Rognon, 19th c., painted landscape reserve, fitted drawer, carrying handles, mounted cabriole legs, h. 28 in., w. 22 in., d. 12 in. $1000/1500 Provenance: The Gotlib Collection.

295. Fine Napoleon III Gilt Bronze and Mirrored Cave à Liqueur, late 19th c., pagoda form hinged top with egg and dart molding, shaped mirrored back framed by grapes and foliate scrolls, mirrored base, toupie feet, fitted with three crystal decanters and nine cordials, h. 15 in., w. 17 1/4 in. $1000/2000 Provenance: The Gotlib Collection.

297. Pair of Italian Neoclassical-Style Parquetry Bombé Night Stands, shaped top, two drawers, cabriole legs, h. 29 in., w. 24 3/4 in., d. 15 1/2 in. $700/900

299. Berlin KPM Porcelain Plaque, 1902, impressed monogram and scepter mark, finely painted with a nun praying, signed “H. Harland” and dated, 13 in. x 7 3/4 in., framed. $800/1200 Provenance: The Gotlib Collection.

298. Louis XVI Carved Mahogany Console Table, late 18th c., reticulated bronze gallery, shaped marble top, frieze drawer, stretcher shelf, fluted tapered legs, brass ferrules, h. 36 3/4 in., w. 31 3/4 in., d. 11 1/2 in. $1500/2000

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300. Berlin KPM Porcelain Plaque, late 19th c., impressed monogram and scepter mark, painted with a bust of a beauty reading, 8 7/8 in. x 6 1/2 in., giltwood frame. $800/1200 Provenance: The Gotlib Collection.

301. Empire-Style Bronze Mounted Mahogany Fire Screen, late 19th c., tubular crest, columnar uprights, fabric panel, arched legs, stretcher, casters, h. 37 in., w. 22 1/2 in., d. 12 1/2 in. $300/500

302. Sèvres Porcelain Plateau, mid 19th c., interlaced Ls mark, painted with King Louis XVI banded by eight portrait busts, ringed base with the names of the sitters, dia. 19 7/8 in. $2500/3500

303. Sèvres Porcelain Plateau, mid 19th c., interlaced Ls mark, circular body, upturned rim painted with King Louis XVI in royal ermine, illegibly signed, after the 1788 portrait by Antoine Francois Callet, dia. 19 3/4 in. $2000/3000

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

304. German Porcelain Covered Urn, probably late 19th c., Carl Thieme, Potschappel mark, reticulated lid, floral finial, molded body with applied female busts and garlands, painted with a mythological scene, flower encrusted foot, rocaille base, h. 26 in. $1500/2500 Provenance: The Gotlib Collection.

305. Scottish George III Sterling Silver Cake Basket, Edinburgh, 1790, maker P.R untraced, octagonal paneled body with swing handle, Neoclassical decoration and engraved crest with motto “Vici in Recto Acer”, h. (to top of handle) 11 1/4 in., w. 13 7/8 in., d. 10 1/8 in., wt. 34.50 troy ozs. $2000/3000

306. English Sterling Silver Gallery Tray, Frederick Elkington, Birmingham, 1880, mark reg. 1868, oval with reticulated swag and bowknot gallery, Neoclassical chased well, turned wood handles, l. 27 3/8 in., w. 15 1/2 in., wt. 115.15 troy ozs. $3000/5000

307. Christofle Silverplate Centerpiece, Paris, c. 1880, cherub mounted naturalistic foliated twig and berry frame supporting a paneled oval glass bowl with scalloped rim, h. 8 in., w. 22 in., d. 10 in. $3500/4500

Additional information at www.nealauction.com

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308. Imperial Russian .875 Silver Cigarette/Cigar Case, Moscow, 1882, maker’s mark rubbed, niello architectural decoration, h. 1 in., w. 4 in., d. 2 1/2 in., wt. 3.50 troy ozs; together with Imperial Russian silver cigarette case, Moscow, with engraved flowers and scrolls, h. 1/2 in., w. 4 in., d. 3 in., wt. 4 troy ozs. $250/350

309. Imperial Russian .875 Silver Bowl, Moscow, 1890, date mark by unknown Moscow assayer act. 18891894, in the Japanese taste, matte finish with flat chased vacant reserves flanked by blossoms and foliage, hinged flat handle, gilt interior and applied foot band, h. 4 1/2 in., dia. 4 1/4 in., wt. 5.10 troy ozs. $150/250

310. Large French Silver Cup, Louis Alexandre Braneau (or Brun), Paris, rue de Vert Bois, baluster form, bifurcated wirework handle, flat chased guilloche decorations, h. 4 1/4 in., wt. 5.65 troy ozs. $150/250

311. Continental Silver Goblet, tapered body, spool standard, stepped pedestal foot, bright cut reserve, h. 5 1/2 in., wt. 2.95 troy ozs. $150/250

313. Continental Silverplate Presentation Cup and Cover, presentation inscription “For Prohibition !Prosit!

Margarete u Julius Weihnachten 1913”, h. 21 in. $400/600

312. Austro Hungarian .800 Silver Goblet, c. 1886 1922, stamped “MG” in rectangle, bright cut engraved cup with flared rim, spool stem on pedestal base, beaded borders, h. 6 1/4 in., wt. 3.90 troy ozs. [$200/300

315. Pair of French First Standard Silver Wine Coasters, early 19th c., Jean Pierre Famechon, Paris, act. from 1820, stiff leaf and bead borders, engraved crest, dia. 5 1/4 in., wt. 10.55 troy ozs. $800/1200

318. Pair of Decorative Silverplate Cherub Mounted Wine Trolleys, each carriage with two decanter coasters, movable wheels, scroll handle, l. 18 1/2 in. $800/1200

319. Neoclassical-Style Gilt and Patinated Bronze Figural Lamp, c. 1900, Classical maiden on diamond cut glass pedestal, h. 35 1/2 in., w. 6 1/2 in. $700/1000

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314. Pair of French Silverplate Hurricane Shade Candlesticks, marks not identified, each fitted with pierced air breather and baluster form frosted and cut glass shade, h. 20 1/4 in. $600/900

316. Two Continental Silver Boxes, 19th c., one oval in the Neoclassical taste, h. 1 1/4 in., l. 2 3/4 in., d. 1 7/8 in.; the other circular with repoussé ships and putti, h. 1 1/4 in., dia. 2 7/8 in.; both retain some gilt wash to interior. $500/700

320. Pair of Napoleon III Bronze and Marble Six Light Candelabra, mid 19th c., bouquet finials, acanthine arms, urn form standards flanked by female terms on scrolled feet, stepped plinths, h. 26 in., w. 12 1/4 in. $1200/1800 Provenance: The Gotlib Collection.

317. Good Pair of Sheffield Fused Plate Candlesticks, early 19th c., elaborate anthemion and palmette decorated standard and candlecups, original bobêches, h. 13 in. $400/600

321. Napoleon III Gilt and Patinated Bronze Figural Mantel Clock, 19th c., in the Empire taste, silk thread movement, mounted with musical trophées, h. 24 in., w. 15 1/2 in., d. 6 in. $1200/2000

322. Pair of Chinese Blue and White Porcelain Rouleau Vases, probably 19th c., decorated with bird on branch panels, bases with artemisia leaf marks, h. 21 1/2 in., wood stands, overall h. 24 1/4 in. $1000/1500

Provenance: The Gotlib Collection.

Provenance: Wrightsville Beach Estate.

323. Chinese Famille Rose Porcelain Hu Vase, probably 20th c., pear form body with deer head handles decorated with landscape roundels on a pink “sgraffito” ground, base with Guangxu mark, h. 19 1/4 in. $800/1200 324. Chinese Cloisonné Enamel and Gilt Bronze Incense Garniture, probably late 19th/20th c., incl. cloisonné tripod censer, tool vase, and circular box, and a gilt bronze spatula and pair of chopsticks, cloisonné with Qianlong marks, vase h. 6 5/8 in., (6 pcs.) $2000/3000

Additional information at www.nealauction.com

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325. Large Pair of Chinese Wood, Hardstone, Ivory, and CloisonnĂŠ Enamel Embellished Blue Lacquer Panels, probably late 19th/early 20th c., decorated with potted plants, fruit and antiques, hardwood frames, overall h. 57 3/4 in., w. 39 5/8 in., gilt bronze hangers. $10000/15000

326. Chinese Carved Hardwood Waisted Corner Leg Table, probably Huanghuali, framed four panel top, narrow waist, apron and squared scrolled legs exuberantly carved with dragons and cloud scrolls terminating in block feet, h. 33 in., w. 80 1/2 in., d. 39 1/2 in. $10000/15000

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327. Large Chinese Coral Figural Group, carved as three figures standing and seated atop a phoenix bird, h. 12 1/4 in., w. 9 1/4 in., carved wood stand, overall h. 14 1/8 in. $4000/6000

328. Large Chinese Coral Figural Group, carved as a qilin surmounted by a maiden with a phoenix bird resting on her head carrying a tall branch suspending a flower basket, h. 17 in., mounted to a carved wood stand, overall h. 18 1/2 in. $4000/6000

329. Chinese Hardstone and Ivory Embellished Red Lacquer Table Screen, probably Qing Dynasty (1644-1911), rectangular panel with an elephant, foliage and fruit on a incised diaper ground, reverse with characters and seals, framed, set in a hardwood stand as a table screen, h. 20 1/4 in., w. 20 in., d. 8 1/2 in. $2000/3000

330. Large Pair of Louis XVI-Style Carved and Gilded Mirrors, 19th c., acanthus and putto crests flanked by swagged floral garlands, floral and putto finials, paneled beveled mirror plates with beaded moldings, h. 81 1/2 in., w. 43 in. $6000/8000

Additional information at www.nealauction.com

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331. Six Chinese Export Porcelain Figural Candle Stands, 18th/19th c., incl. pair in the form of caparisoned elephants, bases with “Elinor Gordon” labels, h. 6 in., w. 6 1/4 in; single modeled as a recumbent Buddhist lion, h. 4 3/8 in, w. 6 7/8 in.; pair in the form of recumbent Buddhist lion pups, h. 2 3/4 in., w. 5 1/8 in.; and single modeled as a caparisoned elephant, h. 4 7/8 in., w. 6 5/8 in. $8000/12000 Provenance: Uptown New Orleans Collection.

332. Pair of Chinese Export Famille Rose Porcelain Covered Tureens, 18th/19th c., bulbous U form bodies with boar’s head handles, domed covers with pierced crown finials, decorated with rocks and flower sprays, h. 8 7/8 in., w. 11 1/2 in. $4000/6000 Provenance: Uptown New Orleans Collection.

333. Chinese Export Famille Rose Porcelain Punch Bowl, 18th c., U form body with alternating figural and exotic bird panels, h. 6 1/2 in., dia. 15 1/8 in. Note: Restoration. $3000/5000

334. Chinese Export Famille Rose Porcelain Bowl, 18th c., U form body decorated with figural and floral reserves on a gilt floral scroll ground, h. 4 3/4 in., dia. 11 1/2 in. $800/1200

Provenance: Uptown New Orleans Collection.

Provenance: Uptown New Orleans Collection.

335. Chinese Export Famille Rose Porcelain Octagonal Platter, 18th c., oval well decorated with an outdoor figural scene, upturned rim with iron red and sepia bird and flower reserves, w. 16 1/4 in., d. 12 7/8 in. $800/1200 Provenance: Uptown New Orleans Collection.

336. Chinese Export Famille Rose Porcelain Dish, probably 18th c., shallow bowl form body with reticulated “faux bois” sides, decorated with butterflies and flowers, h. 1 5/8 in., dia. 8 1/2 in. $800/1200 Provenance: Uptown New Orleans Collection.

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337. Chinese Export Famille Rose Porcelain Dish, 18th c., circular body with wide flat rim, decorated with birds, rocks and flower sprays, dia. 16 1/4 in. Note: Restoration. $600/800 Provenance: Uptown New Orleans Collection.

340. Minton-Style Majolica Jardinière, 19th c., gadrooned body with applied garland swags and ram’s head handles, everted beaded rim and foliate base, h. 14 in., dia. 15 1/2 in. $800/1200

341. Chinese Export Famille Rose Porcelain Barbed Rim Platter, 18th c., oval well decorated with floral sprays, h. 1 1/2 in., w. 16 3/4 in., d. 13 3/4 in. $200/300

338. Chinese Export Famille Rose Porcelain Bowl, 18th c., U form body decorated with figural scenes and sepia flowers, lingzhi, and bamboo, h. 3 1/8 in., dia. 7 in. $300/500

339. Chinese Export Famille Rose Porcelain Armorial Bowl, 18th c., U form body decorated with floral sprays and armorial shields, base with “Henry Stern” label, h. 3 7/8 in., dia. 9 1/8 in.

Note: Restoration throughout. $250/350

Provenance: Uptown New Orleans Collection.

Provenance: Uptown New Orleans Collection.

342. Chinese Export Famille Rose Porcelain Covered Tureen, 18th/19th c., slightly ribbed globular body, upright loop handles, splayed foot, pierced domed cover with fruit finial, decorated with ducks and lotus and boys on buffalo, h. 11 1/4 in., w. 10 1/4 in. $800/1200

Provenance: Uptown New Orleans Family; thence by descent.

343. Two Chinese Export Blue and White Porcelain Dishes, 17th/18th c., shallow bowl form bodies with wide everted rims, one decorated with phoenix birds, the other with dragons, bases with Chenghua marks and “Bluett & Sons, London” labels, h. 1 3/8 in. and 1 1/2 in., dia. 10 1/2 in. $2500/3500 Provenance: Garden District New Orleans Collection.

344. Pair of Napoleon III Gilt and Patinated Bronze Corbeilles, probably 19th c., anthemion reticulated bowls supported by putti, relief mounted pedestals with flaming torches and floral garlands, h. 19 1/4 in., dia. 8 3/4 in. $2500/3500 Provenance: The Gotlib Collection.

345. Pair of Regency-Style Cut Glass and Bronze Two Light Girandoles, 19th c., sawtooth rimmed dishes centering acorn finials, baluster form standards, horn shaped candlearms, diamond pattern throughout, h. 13 1/2 in., w. 9 1/2 in. $1000/1500 Additional information at www.nealauction.com

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346. Berlin KPM Porcelain Portrait Plaque, late 19th c., impressed monogram and scepter mark, depicting Queen Louise of Prussia, after Gustav Richter (German, 1823-1884), signed “Schünzel”, inscribed on reverse, 16 in. x 10 1/8 in., framed. $800/1200 Provenance: The Gotlib Collection.

347. French Gilt Bronze Mounted Sèvres Porcelain Jewelry Casket, probably 19th c., interlaced Ls mark, hinged cover painted with equestrians in a Classical landscape, signed “Lamry”, velvet interior, h. 5 1/8 in., w. 13 in., d. 8 3/4 in. $1200/1800 Provenance: The Gotlib Collection.

348. Austro-Hungarian Porcelain Plaque, 19th c., impressed “CF/1”, possibly by Carl Fischer for Pirkenhammer, painted with a maiden consoled by her retinue, inscribed, 11 1/2 in. x 8 1/4 in., framed. $1500/2500 Provenance: The Gotlib Collection.

349. Fine Pair of French Orientalist Style Porcelain Plaques, late 19th c., painted with a beauty in Eastern dress standing before a cityscape of Moorish architecture, signed “Lecomte”, 23 3/4 in. x 13 5/8 in., framed alike. $1500/2500 Provenance: The Gotlib Collection.

350. Fine Napoleon III Gilt Bronze Mounted Sèvres Porcelain Covered Center Bowl, mid 19th c., interlaced Ls marks, reserves of courting couples, each signed “L. Paolia”; scroll handles, scroll legs, tripod base, h. 26 3/4 in., w. 18 3/8 in. $6000/8000

351. Fine Pair of Napoleon III Gilt Bronze Mounted Sèvres Porcelain Covered Vases, probably mid 19th c., interlaced Ls marks, amphora bodies decorated with courting couples and landscapes; bronze finial, garland hung scroll handles, toupie feet, h. 42 in. $4000/6000

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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352. Large Pair of Napoleon III Gilt Bronze Mounted Sèvres Porcelain Covered Urns, mid 19th c., interlaced Ls marks, ovoid bodies painted with figural and landscape scenes, signed, bronze finials, garland hung handles, shaped plinths, h. 37 1/2 in. $4000/6000 Provenance: The Gotlib Collection.

353. Adolphe Piot (French, 1850-1910), “Portrait of an Innocent Beauty”, oil on canvas, signed, gallery stencil “Felix Gerard Fils/ Tableaux/ Rue Laffitte/ Paris” en verso, 33 1/2 in. x 25 3/4 in., period Rococo style frame with artist plaque. $5000/7000 Note: A pupil of Leon Cogniet, Adolphe Piot made his Paris Salon debut in 1850 and became a member of the Society of French artists in 1883. Piot was highly successful in evoking the beauty, mystery and feminine nature of 19th century women and capitalized on the growing demand for portraits from the upper echelons of Parisian society. In the painting offered here, Piot’s skill and characteristic style are clearly displayed. The artist relied on dark backgrounds to highlight the sitter and infused his paintings with a mood created by the sitter’s facial expression, whether it was a glance over the shoulder, a bashful smile, or a look of quiet poise. The dove, which rests with out-stretched wings on the shoulder of the young beauty depicted here, is a symbol of both Venus (thus likening the sitter’s beauty and grace to that of the goddess) and innocence. In addition to providing the painting with an allegorical element, the multiplicity of possible interpretations serve to exalt the sitter and make the painting even more enigmatic and engaging.

355. After Abraham Mignon (German, 1640-1679), “Still Life of Grapes, Pears, Peaches and Flowers”, 18th c., oil on canvas, unsigned, inscribed “Abraham Mignon” en verso, 25 3/4 in. x 30 in., antique gilt frame. $4000/6000 354. Gérard Jozef Portielje (Belgian, 1856-1929), “Le Quart d’Heure de Rabelais”, oil on canvas, signed and inscribed “Antwerp” lower left, signed, titled, and inscribed en verso, 15 1/2 in. x 18 1/2 in., framed. $8000/12000 Provenance: Purchased from the Kansas City Art Institute, 1958; Yuska family, Kansas City, MO, thence by descent

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356. Art Deco French First Standard Silver Jewelry Box, Cardeilhac, Paris, lozenge shape with conforming hinged cover, sides and cover set with faux “ivory” and “tortoiseshell”, raised on silver mounted blocked feet, cushioned interior, front panel with escutcheon, h. 4 1/2 in., w. 15 7/8 in., d. 10 1/4 in. $2500/3500 357. Pair of English Neoclassical Cut Glass Covered Urns, early 19th c., fluted diamond pattern bodies with finialed bell form covers, square plinth bases, h. 20 1/2 in. $1200/1800

358. Belle Époque French First Standard Hollowware Dinner Service, Cardeilhac, Paris, marked “CARDEILHAC/ PARIS” incuse, incl. 3 shaped oblong platters, l. 18 1/8 in.; 2 shaped rectangular platters, l. 14 1/8 in.; 2 shaped rectangular platters, l. 11 7/8 in.; 6 shaped oval/oblong platters, l. 12 1/8 in.; 4 sauceboats with attached underplates; 2 vegetable dishes and covers, l. 12 3/8 in.; 2 shaped circular platters, w. 14 3/8 in.; 3 shaped circular platters, w. 13 7/8 in.; and 3 shaped circular platters, w. 12 5/8 in.; wide shaped rims with flat chased and engraved strapwork motifs, gadrooned borders; shell shape handles on the vegetable dishes, removable ornate cast natural floral finials, combined wt. 849.30 troy ozs., (27 pcs.) $28000/35000

359. Antique Louis XVI-Style Carved and Gilded Mirror, mid 19th c., arched foliate crest centered by a coat of arms cartouche, floral pendants embellishing molded surround, h. 92 in., w. 50 1/2 in. $1000/1500

360. Imperial Russian Two Handled Silver Tray in the Neoclassical Taste, Karl Gustavovich Fabergé (18461920), Moscow, 1891, flat chased and engraved surface, conjoined monogram “KR” below a coronet within oval reserve, bound reed border, cast bowknot at base of handles, l. 22 1/4 in., w. 14 1/8 in., wt. 52.15 troy ozs. $9000/12000

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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361. George III Kingwood Sarcophagus Form Tea Caddy, 19th c., hinged lid, fitted compartments, lions mask ring handles, paw feet, h. 7 5/8 in., w. 12 3/4 in., dia. 6 3/4 in. $400/600

362. William IV Carved Rosewood Teapoy, early 19th c., molded top, fitted interior, reeded vasiform standard, lobed collar, incurvate plinth, lobed disc feet, casters, h. 29 in., w. 18 1/2 in., d. 14 in. $1000/1500

363. English Tortoiseshell Tea Caddy, 19th c., silverplate finial, plaque and escutcheon, decagonal body, hinged lid, void interior with two loose lids, h. 5 in., w. 6 7/8 in., d. 4 1/2 in. $400/600

364. English Tortoiseshell Card Case and Match Box, 19th c., case with mother of pearl inlay of flower urns, h. 4 in., w. 2 7/8 in.; rectangular box with sloping hinged lid, void interior, h. 3 7/8 in., w. 2 1/4 in., d. 1 3/4 in. $400/600

365. Tiffany Sterling Silver Kettle on Stand, pattern introduced 1894, fully marked “TIFFANY & Co/12026 MAKERS9921/ STERLING SILVER/925 1000/T”, floral and scroll repoussé and chasing, paw feet, retains burner, h. (to top of handle) 12 1/4 in., wt. 64.65 troy ozs. $2000/4000 366. Baltimore Sterling Silver Repoussé Tea and Coffee Service, Jenkins and Jenkins, wc.

1908-1915, incl. teapot, coffee pot, creamer and sugar, footed vase forms with scroll handles, coffee pot h. 10 7/8 in., combined wt. 85.10 troy ozs. $1500/2500

368. Silver Mezuzah, unmarked, likely 19th c., repoussé Rococo motif with scrolls and a flower basket, h. 8 3/4 in. $500/1000 367. American Coin Silver Card Tray, William Gale & Son, New York, wc.

1853 1866, marked “W. GALE & SON” over “NEW YORK” in oval, beaded border, strapwork chasing, Gothic monogram “M”, scroll feet, w. 6 1/8 in., d. 4 7/8 in., wt. 4.65 troy ozs. $150/250

Provenance: The Collection Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC

371. Sheffield Plate and Cut Glass Epergne, 19th c., in the Classical taste, wirework body, scrolling arms, fan and diamond cut bowls, h. 12 in., dia. 19 7/8 in. $1200/1800

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369. Pair of Continental Silver Castors in the Louis XVI Taste, late 19th c., French import marks, maker untraced, h. 5 3/8 in., wt. 7.35 troy ozs. $150/250

370. Georgian Sheffield Plate Decanter Case, c. 1800, with engraved crest of laurel wreath and dragon, segmented reeded body and domed cover, interior fitted with central handle and four hand blown and cut glass liqueur decanters and stoppers, h. 9 3/8 in., w. 5 3/8 in., d. 5 3/8 in.

(5 pcs.) $800/1200

372. Set of Four Neoclassical Silverplate Candlesticks, c. 1810, bead decorated border with paneled shafts and candlecups, removable bobêches, h. 12 1/8 in. $1200/1800

373. Sheffield Plate Soup Tureen, c. 1820, acanthus handles, gadrooned rim, scroll feet, h. 10 in., w. 15 1/4 in., d. 9 1/2 in. $800/1200

375. George IV Sterling Silver Cruet Stand, London, 1828, maker TD, probably Thomas Death, mark reg. 1812, crested serpentine stand with central acanthus and scroll handle, gadrooned borders and shell and scroll feet, fitted with 6 bottles and 2 condiment jars, the latter with mounts and mustard spoon by Charles Reily and George Storer, h. 9 1/2 in., w. 8 3/8 in., d.

5 7/8 in., wt. 21.15 troy ozs. $800/1200

378. Georgian Sheffield Plate Cake Basket, early 19th c., shell decorated scroll handles, gadrooned borders, h. 5 1/4 in., w. 13 3/8 in., d. 8 5/8 in. $300/500

379. Sheffield Hot Water Urn, c.

1800, marked “SILVER EDG’D”, dome top with ball finial, ring and lion’s mask handles, bright cut engraved medial band with engraved monogram, gadrooned border, h. 16 1/4 in. $300/500

381. Diminutive Antique English Mahogany Collector’s Cabinet, 19th c., pair of doors, fitted interior with eight drawers, tall bracket feet, h. 20 3/4 in., w. 13 3/4 in., d. 11 3/4 in. $700/1000

374. Pair of Georgian Sheffield Plate Two Light Candelabra, early 19th c., reeded twisting candlearms, with gadrooned borders, tapering shafts, removable bobêches and flame finials, h. 22 1/2 in. $800/1200

376. Sheffield Plate Cake Basket in the Classical Taste, 19th c., pierced shell border, swing handle, paw feet, h. (to top of handle) 10 1/4 in., w. 12 3/4 in., d. 9 in. $250/350

377. Antique English Silverplate Presentation Goblet, Henry Wilkinson & Co., Sheffield, c. 1866, bell form on knopped pedestal foot, scroll cartouches inscribed “PRESENTED BY/CAPTAIN DAVID STROYAN /of Culvennan/to the 3rd Company of/Wigtownshire Rifle Volunteers/to be comficted for. at/200, 400 and 500 YARDS/1866” and “Won by/Colour Sergeant/Thomas Stewart/3rd November/1866”, h. 7 7/8 in $150/250

380. Pair of Regency-Style Paint Decorated Satinwood Armchairs, Greek key and foliate crest rail, carved patera back, scroll arms, bamboo turned legs. $400/600

382. George III Carved Giltwood Mirror, late 18th c., bowknot and urn crest with bellflower swags, molded oval surround, scrolled acanthine pendant centering a rosette, h. 42 3/4 in., w. 18 1/2 in. $800/1200 383. Regency Mother of Pearl Inlaid Rosewood Sarcophagus Form Nécessaire, c. 1820, lid interior with gilt tooled leather framed mirror plate, fitted tray over a pair of doors enclosing two drawers over a writing drawer, melon feet, h. 15 3/8 in., w. 14 in., d. 11 1/4 in. $700/900

Additional information at www.nealauction.com

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384. Regency Rosewood, ÉglomisÊ and Needlepoint Pole Screen, early 19th c., adjustable giltwood framed needlepoint on a brass rod, turned standard, incurvate triangular plinth, scroll feet, h. 58 in., w. 14 in. $800/1200 386. Pair of George III Brass Two Light Adjustable Candelabra, c.

1810, Rococo design, twisted shaft, scrolled feet, h. 16 1/2 in., w. 10 3/4 in., d. 6 1/2 in. $500/700

385. George III Rosewood Inlaid Mahogany Pembroke Table, late 18th c., oval drop leaf top, frieze drawer, square tapered legs, cuff casters, h. 29 in., w. 23 in., d. 30 in. $700/900

387. Regency Mahogany Three Tier Dumbwaiter, early 19th c., graduated drop leaf tops, vasiform shafts, arched legs, brass cup casters, h. 46 in., w. 24 in., d. 24 in. $700/900

388. Georgian Inlaid Mahogany Washstand, late 18th/early 19th c., banded lift top, fitted interior with covered compartments and mirror, pair of cabinet doors, molded base, ogee bracket feet, h. 30 in., w. 38 in., d. 23 in. $1000/1500

389. Georgian Carved Mahogany Linen Press, 19th c., dentilated broken cornice centered by a spherule finial, urn carved doors, base with two over two foliate carved drawers, molded base, ogee bracket feet, h. 85 in., w. 51 in., d. 23 in. $1200/2000

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390. Antique Louis XVI-Style Carved Giltwood Parlor Suite, incl. settee and 4 armchairs, wreath carved crest rails, husk carved stiles, acanthine arms, fluted tapered legs, Aubusson upholstery, settee h. 44 1/2 in., w. 74 in., armchair h. 41 in., (5 pcs.) $2000/3000 Provenance: The Gotlib Collection.

391. Louis XV-Style Marquetry Inlaid Kingwood and Bronze Mounted Bombé Commode, 20th c., serpentine marble top, two drawers, tapered legs, h. 38 in., w. 57 in., d. 24 in. $1000/1500

392. Régence-Style Bronze Mounted Carved and Inlaid Kingwood Bombé Commode, marble top, three short drawers and two long drawers, shaped base, bracket feet, h. 36 in., w. 49 1/2 in., d. 23 in. $2000/3000

Provenance: The Gotlib Collection.

393. Pair of Antique Italian Paint Decorated Armchairs, 19th c., each with arched crest rail, vasiform splat, scroll arms, shaped caned seat, cabriole legs, floral and landscape decoration on yellow ochre ground. $2000/3000

394. Italian Neoclassical Inlaid Fruitwood Commode, late 18th c., paneled top, two drawers, shaped base, square tapered legs, brass ferrules, h. 35 in., w. 44 in., d. 23 in. $1500/2500

396. French Neoclassical-Style Gilt Bronze Mounted Cut Glass Jardiniere, late 19th/early 20th c., faceted bowl supported by Classical terms on scrolled legs, paw feet, incurvate stretcher, h. 32 1/2 in., dia. 23 in. $2000/3000

395. Antique Italian Rococo Polychromed Leather Four Panel Screen, 18th c., arched panels depicting an extensive landscape with figures, h. 75 in., w. 88 in. Note: Restorations. $2500/3500

Additional information at www.nealauction.com

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397. Fine Pair of Napoleon III Gilt Bronze Mounted Marble Cassolettes, mid 19th c., each festooned urn supported by female terms, incurvate plinth with putti and reticulated floral friezes, h. 25 3/4 in., w. 9 in. $3000/5000

398. Fine Berlin KPM Porcelain Plaque, 19th c., impressed monogram and scepter mark, “Frühlingsglaube (Faith in Spring)”, after the painting by C.V. Bodenausen (German, 1852-1931), inscribed on reverse, 9 3/4 in. x 7 1/2 in., gilt carved frame. $1500/2500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

399. Napoleon III Gilt Bronze Mounted Sèvres Porcelain Urn, mid 19th c., ovoid body painted with an amorous couple, signed “G. Delort”, and a landscape; scroll mask handles, shaped pedestal base, h. 20 3/4 in. $1500/2500 Provenance: The Gotlib Collection.

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400. Napoleon III Gilt Bronze, Enamel Mounted and Ebonized Coffre de Bijoux, mid 19th c., extensively inset with enameled plaques of Classical scenes, finial modeled as a hunter slaying a boar, concealed sliding lid, corner finials of musicians, sides pull up to unlock panels revealing jewelry hangers, four interior drawers, one long drawer, molded feet, h. 16 1/2 in., w. 11 1/4 in., d. 8 3/4 in. $2000/3000 Provenance: The Gotlib Collection.

401. Napoleon III Carved Rosewood, Porcelain and Bronze Mounted Bureau Plat, late 19th c., inset tooled leather top, banded serpentine molding, frieze with Sèvres style mounts and center drawer, cabriole legs, h. 29 1/2 in., w. 52 1/2 in., d. 28 1/2 in. $1500/2500 Provenance: The Gotlib Collection.

402. Fine Louis XVI-Style Gilt Bronze Mounted Mahogany Dining Table, Maison Dissidi, Paris, oval top, molded frieze with rosettes, fluted tapered legs, ferrules, h. 31 1/2 in., l. 84 in., w. 50 in., one conforming leaf w. 23 1/2 in. $6000/8000

403. Fine Pair of Louis XV-Style Carved and Gilded Consoles, shaped marble top, floral frieze with central cartouche, C scrolled legs, scrolled toes, pierced cartouche, stretchers, h. 32 in., w. 42 in., d. 19 1/2 in. $2500/3500 Additional information at www.nealauction.com

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404. American Classical Mahogany Tilt Top Center Table, early 19th c., segmented flame veneered top, tapered columnar pedestal, incurvate triangular plinth, scrolled feet, casters, h. 29 1/2 in., dia. 44 3/8 in. $1500/2500

406. Antique Venetian Rococo Argenté and Gilded Serpentine Console, 19th c., faux marbre top, shell carved frieze, acanthus carved cabriole legs, scrolled toes, shaped stretcher, h. 33 in., w. 44 in., d. 21 1/2 in. $2500/3500

408. Pair of Small Italian Rococo Carved, Inlaid, and Bronze Mounted Walnut Bombé Commodes, 18th c., inset Siena marble tops, two drawers, shaped base, cabriole legs, later mounts and pulls, h. 32 1/2 in., w. 21 3/4 in., d. 13 1/8 in. $3000/5000

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405. Antique Italian Inlaid Walnut Commode, 18th c., molded top, two drawers, leaf carved stiles and base, fluted tapered legs, h. 37 in., w. 18 in., d. 12 in. $800/1200

407. Éduoard Drouot (French, 1859 1945), “Ésclave Combattant un Tigre”, patinated bronze, inscribed “E. Drouot”, marble plinth, h. 24 in. $1000/1500 Provenance: The Gotlib Collection.

409. French Bronzed Cast Iron Allegorical Group, late 19th/early 20th c., Classical maidens with the accoutrements of music and poetry, probably after Guillaume Coustou II (French, 1716-1777), inscribed “Coustou” and “Deniere (foundry)” and titled “La Musique s’inspire de la Poesie”, h. 29 3/4 in. $1000/1500 Provenance: The Gotlib Collection.

410. Fine Pair of Louis XVI-Style Doré Bronze Mounted Parquetry Cabinets, bronze molded marble top, paneled door, chamfered corners, molded base, toupie feet, h. 46 in., w. 33 in., d. 17 in. $10000/15000

411. Pair of Antique Louis XV-Style Doré Bronze Mounted Inlaid Kingwood Pedestals, raised marble top, bombe body with pendant floral marquetry, paw feet, h. 51 in., w.

19 in., d. 19 in. $20000/30000 Note: The mounts in the form of lion’s head pelts and laurel swags seen here refer to the labors of Hercules and are inspired by those designed by Jean-François Oeben (1721-1763) for a bureau at Versailles. A variety of case furniture incorporating the Versailles bureau motifs is known from the workshops of 19th-century ébenistes Joseph-Emmanuel Zweiener, Alfred Beurdeley, Henry Dasson, and François Linke.

Ref.: Christie’s London, sale 1940, October 25, 2007, lot 339 and Christie’s, New York, sale 2840, June 19, 2014, lot 36.

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412. Antique Carved Marble Figure of the “Crouching Aphrodite”, after the Hellenic Antique, square plinth, overall h. 30 1/2 in., w. 16 in. $3000/5000

413. Northern Italian Ivory, Fruitwood and Pewter Inlaid Rosewood Commode, late 18th c., bombé form, marble top, two short over two long drawers, tapered flared legs, extensively inlaid with cherubs, birds, urns, and scrolled floral and foliate vines, h. 35 in., w. 41 in., d. 22 in. $7000/9000

414. Pair of Italian Faience Chargers, c.

1900, painted with copper and gilt metallic Roman scenes, marked “A.R. Italy”, one with old paper labels, dia. 20 1/2 in. $700/1000 Provenance: Park Avenue, NY, Urban Interior Collection of Mr. and Mrs. George Hornig.

415. English Delft Chinoiserie Charger, 18th c., tin glaze, well with figure in a landscape, rim with rocks and flowers, dia. 13 1/2 in. $700/900 Provenance: Estate of Dorothy Cooke, Wilson, NC.

416. Rare Regency Gilt and Patinated Bronze Hanging Argand Lamp in the “Antique Roman” Style, early 19th c., sea serpent handles, original surface, burner intact, double pronged on/off valve, h. 26 in., w. 10 1/2 in., d. 11 in. $2500/3500

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417. Italian Patinated Bronze Equestrian Group of “Bartolomeo Colleoni on Horseback�, 20th c., after the bronze monument by Andrea del Verrocchio (Italian, 1435 1488), in Venice, marble base, h. 25 in. $1000/1500

418. Cast Stone Bust of Cleopatra, 20th c., after the Egyptian Antique, inscribed and numbered, painted wood socle, h. 16 in. $1000/1500

419. Antique Regency Style Carved Giltwood Overmantel Mirror, 19th c., blocked cornice with pendant acorns, frieze with Venus flanked by cherubs and lions, bracketed sides, divided mirror plates, blocked foliate base, h. 54 in., w. 73 in. $1200/1800

420. Chinese Spinach Green Jade Covered Vase, globular shield form body with zoomorphic mask ring handles, relief carved with taotie masks, domed cover with Buddhist lion finial, h. 9 1/8 in., wood stand, overall h. 10 3/4 in. $1000/1500

421. Chinese Coral Figure of Beauty, carved wearing long robes and a wind blown celestial scarf, h. 4 7/8 in., wood stand, overall h. 5 3/8 in. $1500/2000

422. Chinese Coral Figure of the Daoist Immortal Lan Caihe, carved holding an upturned basket of flowers on his shoulder, h. 5 1/4 in., mounted within a wood stand, overall h. 6 1/2 in. $1500/2000

Additional information at www.nealauction.com

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423. Fine Pair of Napoleon III Gilt Bronze Mounted Chinese Famille Rose Porcelain Vases, 19th c., bottle form bodies with applied figures at the neck; bronze grape vine rim, foliate handles, scroll base, h. 27 3/4 in.; together with associated seven branch floral form candelabra inserts, overall h. 44 1/4 in. $7000/10000 Provenance: The Gotlib Collection.

424. Fine Napoleon III Gilt Bronze Three Piece Clock Garniture, mid 19th c., Japy Frères movement, case with urn finial, dial marked “B Worms / Rue Jacob 28 & Rue Royal 10”, shaped base festooned with garlands, foliate scrolls and female mask; conforming pair of ten light candelabra, clock h. 27 3/4 in., w. 24 in., d. 11 in., candelabra h. 33 in.

Note: One candelabrum lacking an arm. $7000/10000 Provenance: The Gotlib Collection.

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426. Large Chinese Polychromed Lacquer Box, probably early 20th c., flori form body and cover, decorated with 5 dragons pursuing the flaming pearl, base with Qianlong mark, h. 9 in., dia. 20 1/4 in. $1500/2500

425. Large Chinese Bronze Censer, waisted neck, globular body with upright scroll handles, lion’s mask feet, elaborately relief cast with dragons amid clouds in pursuit of flaming pearls, h. 17 3/4 in., w. 19 1/4 in., carved marble stand, overall h. 22 3/4 in. $2500/3500

427. Chinese Gold Splashed Bronze Tripod Censer, compressed globular body with qilong loop handles, elephant mask feet, h. 6 7/8 in., pierced hardwood cover with “amberine” finial and stand, overall h. 10 1/8 in. $2000/3000

428. Chinese “Yunjin” Yellow Silk Brocade Panel, woven with two confronting dragons above a terrestrial diagram, 85 in. x 50 in., fringe upper and lower edge. $8000/12000

429. Chinese Blue Silk Kesi Panel, worked in slit weave technique with the figures of Fu, Lu and Shou on a slate blue ground, 50 1/2 in. x 32 in., fringe upper and lower edge. $3000/5000

Additional information at www.nealauction.com

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430. Near Pair of Chinese Famille Verte Porcelain Figures of Boys, probably Kangxi Period (1662 1722), each modeled standing on a plinth carrying a vase of lotus leaves, h. 10 5/8 in. and 10 3/4 in. $1000/1500

431. Chinese Famille Verte Porcelain Jardinière, probably early 20th c., tapering hexagonal body decorated with bird and flower panels, h. 17 3/8 in., w. 18 7/8 in., d. 17 in. $2500/3500

Provenance: Uptown New Orleans Family; thence by descent.

432. Chinese Famille Rose Porcelain Charger, probably 20th c., shallow bowl form body, decorated along the sides, over the rim and to the well with 8 peaches and 5 bats, base with Yongzheng mark, h. 3 in., dia. 17 1/8 in. $1000/1500

433. Pair of Chinese Hardwood Yokeback Armchairs, probably 20th c., probably Huanghuali, undulating bow form top rails, serpentine backsplats carved with dragon roundels, turned stiles, S curved arm rails, woven split bamboo seats, shaped seat rail, turned tapered legs, foot rests, stretchers, h. 46 3/4 in., w. 27 1/2 in., d. 22 1/4 in. $4000/6000

434. Chinese Hardwood Trestle Leg Altar Table, probably Qing Dynasty (1644 1911), rectangular top with everted scroll ends, thick shaped apron, pierced foliate spandrels, thick square legs framing reticulated panels, h. 39 1/2 in., w. 102 in., d. 16 in. $3000/5000

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435. William IV Carved Mahogany Trolley, early 19th c., three galleried tiers, lotus carved turned supports, bulbous turned feet, brass cups, casters, h. 45 in., w. 48 in., d. 20 in. $1200/1800

436. Pair of William IV Carved Mahogany Bedside Commodes, c. 1800, each with galleried top, crossbanded paneled door, reeded stiles, bosses, ring turned tapered legs, h. 32 in., w. 14 in., d. 14 in. $800/1200

437. Edwardian Carved Mahogany Umbrella Stand, late 19th/early 20th c., turned uprights, fitted drip pan, turned feet, h. 28 in., w. 24 in., d. 9 in. $250/350

438. Edwardian Paint Decorated Satinwood Kidney-Shaped Desk in the Adam Taste, late 19th/early 20th c., inset tooled leather top, kneehole configuration of drawers, fluted tapered legs, h. 30 1/2 in., w. 51 in., d. 26 in. $1000/1500

439. Set of Four Scottish Bobbin Turned Oak Side Chairs, 19th c., originally from the “Black Isle� off the coast of eastern Scotland, Gothicized back, trapezoidal seat, turned legs, stretchers. $400/600

440. French Provincial Carved Walnut Chairback Settee, late 18th c., reticulated back, scrolled arms, molded seat rail, square tapered legs, h. 32 in., w. 65 1/2 in., d. 24 in. $1200/1800

441. Antique East Indian Carved Rosewood Slipper Chair, mid 19th c., reticulated back composed of intertwined scrolls, cabriole legs, scrolled toes. $700/1000

442. Pair of French Patinated Lead Figures of Roosters, 19th c., cast astride bundles of wheat, h. 26 3/4 in. $1200/1800 Additional information at www.nealauction.com

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443. Pair of English Brass Adjustable Tavern Candlesticks, 19th c., labeled “DN”, segmented columnar standards with knob slides, domed circular bases, h. 10 in., dia. 7 in. $800/1200 444.

Monumental American Carved Mahogany Barometer, c.

1880, with two vernier scales, inset thermometer, h. 49 in., w. 8 3/4 in., d. 4 3/4 in. $1500/2500

445. American Classical Mahogany Mixing Table, early 19th c., Philadelphia, frieze drawer, door to side, scrolled plinth base, disc feet, h. 37 1/2 in., w. 31 1/2 in., d. 16 in. $1200/1800

446. Pair of American Queen Anne Carved Walnut Side Chairs, 18th c., Boston, vasiform splat, balloon slip seat, cabriole legs, pad feet, turned stretchers. $1500/2500

447. American Federal Carved Cherrywood Chest, early 19th c., Southern, reeded edge top, graduated drawers, inlaid shield escutcheons, “French” feet, yellow pine secondary wood, h. 40 in., w. 41 in., d. 19 1/2 in. $2000/3000

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448. American Classical Mahogany Tall Chest, early 19th c., Philadelphia, three graduated and one crossbanded deep drawer, original brasses, ring turned tapered legs, h. 50 in., w. 25 in., d. 21 1/2 in. $1500/2500

449. American Late Federal Cuban Mahogany Drop Leaf Dining Table, early 19th c., turned and reeded tapered legs, h. 28 3/4 in., l. 65 1/4 in., w. 48 1/4 in. $300/500

450. American Hepplewhite Mahogany Corner Washstand, 19th c., arched backsplash, scalloped skirt and line-inlaid dovetailed drawer, h. 38 1/2 in., w. 22 in., d. 15 in. $300/500

451. American Federal Carved Mahogany Games Table, late 18th/early 19th c., Philadelphia, serpentine foldover top, conforming patera carved frieze, reeded tapered legs, h. 30 in., w. 35 1/2 in., d. 17 5/8 in. $1000/1500

453. Fine American Classical Figured Mahogany Armoire, c.

1830, Baltimore, stepped flared cornice, paneled doors flanked by distinctively carved and reeded pilasters; fitted interior with linen shelves, drawers, and hanging space, ring turned ball feet, h. 88 1/2 in., w. 65 1/2 in., d. 28 in. $2000/3000 452. Antique American Cast Iron Plantation Bell, 19th c., yoke marked “C.S. Bell & Co., Hillaboro O.”, dia. 20 in. $800/1200

Note: The restrained and carefully executed pilasters, central “knife edge” molding, door stile proportions and the narrow plinth on this armoire are closely related to those on a maple armoire descended in the family of John Needles (Baltimore, active 1810-1852) and bearing his stencil, now conserved at the Baltimore Museum of Art (acc.

1961.45). The Needles armoire was part of a suite comprising a bureau, mirror and washstand for his house on Hanover Street in Baltimore. The pilasters and ball feet on this armoire also relate to those on a secretary bookcase from the Winchester family of Baltimore attributed to Needles and at the Maryland Historical Society (acc. 62.83.1) Ref.: Weidman, Gregory and Jennifer Goldsboro. Classical Maryland, 1815-1845. Baltimore: Maryland Historical Society, 1993 p. 123, fig.

148. Ibid. Furniture in Maryland, 1740-1940. Baltimore: Maryland Historical Society, 1984, p. 1420, fig. 102.

454. Antique American Cast Iron Indigo Kettle, circular rim, knopped handles, h. 13 3/4 in., dia. 35 1/4 in. $1000/1500 Provenance: Collection of Thomas W. Klein, St. Francisville, LA.

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456. Seven Antique French Hand Colored Engravings of the Sugar Industry, 18th c.,

by Diderot, from the series Economie Rustique, with later hand coloring, 12 3/4 in. x 8 in., matted and framed. $800/1200

455. Pair of Rare American Cast Iron Garden Benches in the “Gothic” Pattern, 19th c., quatrefoil back, diamond pattern seat, arched spoked arm supports, h. 33 1/2 in., w. 54 1/2 in., d. 17 in. $2500/3500

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457. Louisiana Sugar Industry, “Sugar Industry of Louisiana”, c. 1885, wood engraving from Harper’s Weekly, signed “J.O. Davidson” in plate, vignettes depicting various stages of the sugar industry, sight 10 in. x 14 in., matted and framed. $250/350

458. Francisco Scacki (American, active 19th c.), “A Correct View of the Battle Near the City of New Orleans...”, c.

1816, engraving with later hand coloring, lower margin with portrait of General Jackson and a key showing positions of artillery and generals, 18 1/2 in. x 24 in., matted and framed. $1200/1800

459. West Indies Map, “A Map of the West Indies and Middle Continent of America...”, 1773, London, John Blair, engraved by Thomas Kitchin, later hand coloring, 16 in. x 22 1/4 in., framed. $600/900

460. Jacques Nicholas Bellin (French, 1703-1772), “Carte de la Floride, de la Louisiane...”, 1757, hand colored engraved map from Histoire Générale des Voyages, 8 3/4 in. x 11 7/8 in. $250/350

461. Philippe Buache (French, 1700-1773), “Carte d’une Partie de l’Amerique pour la Navigation des Isles et du Golfe du Mexique...

Reduite de la Carte Angloise en 20 feuilles par Mr. Popple”, 1740, Paris, two sheet map, in outline color, 19 1/4 in. x 37 in. (if joined). (2 pcs.) $700/1000

462. Map of the Antilles, “Carta Esferica de las Islas Antillas...”, Madrid, 1802, by Churruca and Fidalgo, double page engraved map, 35 in. x 23 1/4 in., framed. $800/1200 463. Jacques Nicolas Bellin (French, 1703-1772), “Carte de la Louisiane et des Pays Voisins”, 1755, Paris, engraving in outline color, with revisions from Bellin’s first version in 1750, very detailed information on Indians, forts, rivers and place names, 18 3/4 in. x 24 in. $800/1200

464. Philippe Buache (French, 1700-1773), “Carte de la Terres Ferme du Perou, Bresil, et du Pays des Amazones” and “Carte du Paraguay du Chili du Detroit de Magellan”, 1745, two sheet maps making the whole of South America, in outline color, from the 1703 version by Delisle, 19 in. x 25 3/4 in. (2 pcs.) $500/700

466. Philippe Buache (French, 1700-1773), “Carte de la Barbarie de la Nigritie et de la Guinee”, “Carte de l’Egypte de la Nubie de l’Abissine” and “Carte du Congo et du Pays des Cafres”, 1745,. maps making up the whole of Africa, in outline color, based on Delisle’s 1707 work, each 19 1/4 in. x 24 in. (3 pcs.) $600/900

469. American Classical Coin Silver Tea Service, John and Peter Targee, New York, New York, wc. 1809-1814, marked “I&PT” in rectangle and with pseudo hallmarks, incl. teapot, sugar and creamer, with urn form finials, reeded handles and ball feet, engraved cornucopia cartouches with script monogram, teapot h. 7 3/8 in., combined wt. 44.90 troy ozs. $1200/1800

465. Robert de Vaugondy (French, 1723-1786), “Cartes des Pays connus sous le nom de Canada dans laquelle sont distinguées les possessions françoises & Angl....”, 1753, copper engraved map, hand colored in outline, 18 3/4 in. x 26 1/4 in. $700/1000

467. Alabama Coin Silver Cream Pitcher, James Conning (1813-1872), Mobile, wc.

1840 1872, marked “J.CONNING” in rectangle and “MOBILE” in rectangle, baluster form with beaded rim and scroll handle, pedestal foot, vacant cartouches, h. 7 1/2 in., wt. 10.75 troy ozs. $600/800

470. George III Tortoiseshell Tea Caddy, c. 1780, Sheffield plate plaque and escutcheon, serpentine case, fitted interior with 2 lidded compartments, h. 4 1/2 in., w. 7 7/8 in., d. 7/8 in. $200/400

468. Hyde & Goodrich Coin Silver Presentation Goblet, New Orleans, c.

1851, marked “HYDE & GOODRICH” in rectangle, baluster form on pedestal foot, one side chased with marshland duck hunting scene, the other with repoussé scroll cartouche inscribed “Friendship/ Presented to/JULIAN NEVILLE/Secy. Pont R. Road/BY/J. Dirmeyer/M.F. Cougot/T.R. Longfield/J. McCulloch/Clerks Pont R. Road N.O./1851”, h. 6 3/8 in., wt. 6.5 troy ozs. $1000/1500 Note: Julian Neville was a prominent New Orleans businessman who headed the City Bureau of Streets and Landings during the Federal occupation, and served as acting state auditor under Governor J. Madison Wells. The Pontchartrain Railroad linked the MS River and Lake Pontchartrain from 1831 to 1931. A closely related Hyde & Goodrich goblet is illustrated in Crescent City Silver, pl. 4, and is described as a “teaspoon cup”.

Additional information at www.nealauction.com

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471. New Orleans Coin Silver “Fiddlethread” Pattern Soup Ladle, Hyde & Goodrich, 1828-1861, marked “HYDE&GOODRICH” in rectangle, l. 12 3/8 in., wt. 6.7 troy ozs. $500/750 Ref.: Crescent City Silver, pp. 4, 25, 121 & 126.

472. New Orleans Coin Silver “Fiddlethread” Pattern Dressing Spoon, Wood & Hughes, New York, act.

1845-1899, ret. Hyde & Goodrich, act.

1828-1861, marked “HYDE&GOODRICH” in rectangle and with Wood & Hughes trademark, l. 10 3/8 in., wt. 4.2 troy ozs. $200/400 Ref.: Crescent City Silver, pp. 4, 25, 121 & 126.

473. New Orleans Coin Silver Presentation Cup, Adolphe Himmel, New Orleans (1825/6-1877), wc. 18521877, marked “A.H./NEW ORLEANS/ COIN”, floral repoussé surrounding engraved cartouche, egg and dart and bead borders, scroll handle, h. 3 1/2 in., wt. 3.50 troy ozs. $400/600 Ref.: Crescent City Silver, pp. 41, 55 & 121.

475. American Coin Silver Repoussé Sugar Bowl, Charters, Cann & Dunn, New York, act. 1848-1854, ret. Allcock & Allen, New York, act. 1848-1851, marked with Charters, Cann & Dunn trademark, “N.Y” in rectangle, and “ALLCOCK & ALLEN” in rectangle; pyriform domed cover, foliate finial, grape and grapevine handles, reticulated foliate scroll feet, h. 7 3/8 in., wt. 18.30 troy ozs. $300/500

478. Two Kentucky Coin Silver Tablespoons, Asa Blanchard, Lexington, marked “BLANCHARD” in rectangle, fiddle handle, engraved with script monogram “BH” and serpent, l. 8 5/8 in. $300/500 Ref.: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785-1900, pgs. 69 75, mark illustrated p. 299, fig. 29E.

476. Group of New Orleans Coin Silver Flatware in the Fiddlethread Pattern, Hyde & Goodrich, wc. 18281861, rubbed marks; incl. 9 forks, l. 7 1/4 in., and 3 spoons, l. 6 1/2 in., combined wt. 17.75 troy ozs. $250/350

479. Kentucky Coin Silver Cup, Eli C. Garner (1817/8-1878), Lexington, wc.

1838 1842, marked “E.C.GARNER” incuse and “PURE SILVER COIN” in arc, engraved in script “G.C. Cargill”, seamed construction, applied scroll handle, h. 2 3/4 in., wt. 1.90 troy ozs. $300/500 Ref.: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785 1900, pgs. 130-132.

Ref.: Crescent City Silver, p. 121.

477. Kentucky Coin Silver Presentation Cup, Henry Fletcher, wc. Lexington 1818, Louisville 1830-1866, marked “H.FLETCHER” in rectangle, engraved “Clarence J. Prentice/ to/ Clarence P. Dufour”, paneled octagonal form with scroll handle, molded rim and foot, bands of repoussé and chased decoration, h. 3 1/2 in., wt.

3.15 troy ozs. $600/800 Note: Gift from Colonel Clarence J. Prentice (18421873) of the 7th Kentucky Cavalry to Clarence P. Dufour (1853-1934).

Ref.: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785-1900, p. 119, mark illustrated p. 301, fig. 52B

480. Twelve American Coin Silver Spoons, 19th c., incl. a tablespoon, Joseph Raynes, Lowell, MA, wc. 1831 1879; sugar shell, Jacob Stockman, Philadelphia, wc. 1817-1856; 3 teaspoons, Stillman Willis, Boston, wc.

1810 1841; 4 teaspoons, S. Huntington, Portland, ME, c. 1850s; and 3 teaspoons, Hotchkiss & Lakey; combined wt. 7.00 troy ozs. $150/250

482. Virginia Coin Silver Soup Ladle, Reuben Johnson & James Reat, Richmond, wc. 1804-1815, marked “JOHNSON&REAT” in two sizes of uppercase letters in conforming rectangle, l. 14 1/2 in., wt. 6.80 troy ozs. $500/750

483. Virginia Coin Silver Soup Ladle, J.M. Freeman (1806-1882), Norfolk, act. 1828-1871, marked “J.M. FREEMAN” in rectangle and “NORFOLK” in rectangle, l. 13 7/8 in., wt. 7.30 troy ozs. $400/600

484. Mobile Coin Silver Ladle, Alanson Knapp and Franklin A. Leslie, wc.

1850-1854, marked “KNAPP & LESLIE” in rectangle, script monogram “KJR” on reverse, l. 13 7/8 in., wt. 7.40 troy ozs. $400/600

Ref.: Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks, pp.

407-412.

Ref.: Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks, pp.

279-285.

Ref.: Smith Sidney Adair. Mobile Silversmiths and Jewelers, 1820-1867.

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474. Group of New Orleans Coin Silver and Sterling Silver “Fiddlethread” Pattern Serving Pieces, Wood & Hughes, New York, act.

1845-1899, ret. A.B. Griswold, New Orleans, act. 1865 1906, marked “W&H” and “A.B. Griswold N.O” incuse, incl. pastry server, gravy ladle, sugar shell, master butter knife, mustard ladle and master salt spoon , pastry server l. 9 7/8 in., total wt. 8.2 troy ozs. $300/500

481. Southern Coin Silver Soup Ladle, James Duffel, act. Philadelphia, c.

1780-1788, Georgetown, SC, 1790 and 1798-1801, NY, c. 1794-1798 and 18011802, Fredericksburg, VA, c. 1802-1810, and Lynchburg, VA, 1810 1835, marked “I.DUFFEL” in rectangle, l. 12 7/8 in., wt. 5.05 troy ozs. $500/750 Ref.: Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks, pp.

233-236.

485. Late Georgian Sheffield Plate Venison Dome, 19th c., hallmark not identified, removable acanthus scroll handle, lobed body, inset silver shield, original tinned back, h. 12 3/4 in., l. 20 in., d. 14 7/8 in. $300/500

488. Pair of Regency Sheffield Plate Wine Coasters, reeded, gadrooned borders, turned hardwood bases, h. 2 in., dia. 5 1/2 in. $250/350 486. Georgian Sheffield Plate Coffee Pot, 18th c., baluster form with gadrooned borders, carved pearwood handle, h. 11 1/4 in. $200/400

487. Pair of Georgian Sheffield Plate Candlesticks, early 19th c., trumpet form, gadrooned border, original bobêches, h. 12 in. $300/500

490. Pair of Decorative Sterling Silver Wine Coasters, marked “925” and “RC”, cast with a frieze of putti and grape cluster handles, turned hardwood bases, h. 5 7/8 in., w. 7 in. $1000/1500

491. American Sterling Silver Grape Stand, Redlich & Company, New York, wc.

1895 1945, in the form of a grapeleaf with grapevine form handle, with grape shears, stand height 8 in., l. 12 1/4 in., wt. (weighable) 22.5 troy ozs. $700/900

489. Reed & Barton “Love Disarmed” Pattern Sterling Silver Salad Serving Fork and Spoon, pat.

1899, l. 10 1/2 in., wt. 14.35 troy ozs. $800/1200

492. Pair of French First Standard Silver Mounted Crystal Claret Jugs, c. 1880, in the Louis XVI taste, marked “Boin Taburet a Paris”, fluted vessel, finely cast silver mounts, h. 11 3/4 in., w. 5 1/2 in. $1000/1500

493. Pair of French Gilt and Patinated Bronze Figural Four Light Candelabra, early 19th c., scrolled candle arms issuing from cherubs standing on orbs, garlanded pedestals, stepped square bases, h. 33 in., w. 10 in., now electrified. $2000/3000

494. Pair of Art Moderne Rock Crystal Lamps, graduated spheres, square bases, ball feet, h. 32 in., w. 5 1/2 in. $2000/3000

495. Monumental Second Empire Gilt and Patinated Bronze Seven Light Figural Candelabrum, mid 19th c., Classical maiden surmounted by candlearms and acanthus finial centering “Victory”, pedestal base, incurvate plinth with recumbent lions, h. 59 3/4 in., w. 16 3/4 in., previously electrified. $2500/5000

496. Fine Louis XVI-Style Patinated Bronze and Crystal Thirteen Light Chandelier, probably 19th c., plumed canopy, foliate standard flanked by foliate supports, beaded crystal bowl with applied torches and swags, h. 42 1/2 in., w. 31 1/2 in. $1200/2000 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

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499. Monumental Meissen Porcelain “Prometheus” Mantel Clock, 19th c., cross swords mark, Zeus and eagle above flower encrusted case with Hercules freeing Prometheus on the scrolled base, movement and dial signed “Vieyres 40 Pall Mall”, h. 28 in., w. 12 1/4 in., d. 8 1/2 in. $1000/2000

497. Émile Louis Picault (French, 1833-1915), “Le Souvenir”, bronze, artist’s name inscribed with “E. Colin et Cie” foundry seal on base, tablets dated 1914 and inscribed with an expression of gratitude, h. 24 1/2 in., w. 10 3/4 in. $1000/1500 Provenance: The Gotlib Collection.

498. Continental Carved Giltwood Mirror, 19th c., probably Italian, blocked corners with angel masks, entwined scroll decoration, rope and beaded moldings, h. 64 1/2 in., w. 54 1/2 in. $1000/1500

500. Louis XVI-Style Gilt Bronze and White Marble Mantel Clock, 19th c., striking bell movement, case flanked by figures of Cupid and Venus, surmounted by a trophée with flaming torch, quiver and wreath, blocked base with relief of cavorting cherubs, toupie feet, h. 16 1/2 in., w. 12 in., d. 5 in. $1200/2000

501. Louis XVI Bronze Mounted Kingwood Parquetry and Inlaid Poudreuse, 19th c., lift top with yew wood and boulle inlay, egg and dart surround, rosewood interior fitted with mirror, bronze mounted cabriole legs, h. 28 in., w. 22 in., d. 15 1/2 in. $500/750

Provenance: The Gotlib Collection.

502. Louis XVI-Style Gilt Bronze Mounted Mahogany Occasional Table, probably late 19th/early 20th c., shaped variegated marble top, conforming frieze, cabriole legs, h. 30 3/8 in., w. 23 1/4 in., d. 23 in. $800/1200 Provenance: The Gotlib Collection.

503. Louis XVI-Style Mahogany and Gilt Bronze Mounted Bureau à Cylindre, probably mid 19th c., tambour cylinder enclosing fitted interior, fold out tooled leather writing surface, frieze drawer, fluted tapered legs, h. 34 in., w. 25 in., d. 15 1/2 in. $500/700 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

504. Antique French Provincial Carved Walnut Side Table, 18th c., shaped molded top, fluted and paneled frieze drawer, floral carved skirt, cabriole legs, h. 29 in., w. 34 in., d. 19 in. $1200/1800

505. Antique Venetian Polychromed and Gilded Slant Front Desk, late 18th c., paneled fall front, fitted interior, serpentine base, 3 drawers, bracket feet, h. 40 1/2 in., w. 34 1/2 in., d. 18 in.

Note: Later paint. $2000/3000

507. Pair of Antique Louis XV-Style Verte Peinte Fauteuils, 19th c., shell-carved arched crest, serpentine arms, caned back and seat, acanthine cabriole legs, scroll toes, later paint, loose cushions. $1200/1800

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506. French Provincial Carved Fruitwood Side Table, late 18th/early 19th c., galleried top, shell and foliate carved frieze, cabriole legs, h. 27 1/4 in., w. 36 7/8 in., d. 22 1/4 in. $800/1200

508. Antique Italian Burled Walnut Commode, early 19th c., three drawers, molded base, square tapered feet, h. 35 in., w. 47 1/2 in., d. 23 in. $1200/1800

510. Antonio Rodriguez Luna (Spanish/Mexican, 1910-1985), “Las Palomas”, 1967, oil on canvas, signed and dated lower right, signed, titled and dated en verso, partial “Galerias Carlota S.A.” label en verso, 24 in. x 32 in., framed. $800/1200 509. Josef Lauer (Austrian, 1818-1881), “Still Life with Flowers, Fruit, Ewer and Carafe”, oil on canvas, signed upper left, 23 1/2 in. x 29 1/2 in., framed. $1500/2500

511. Francisco “Paco” Gorospe (Filipino, 1939-2002), “Roosters”, 1965, oil on canvas, signed and dated lower right, 24 in. x 24 in., framed. $400/600

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

513. Louise Emily Thomson (British, 1883-1962), “Afternoon at the Seaside”, watercolor on paper, signed lower right, sight 10 1/4 in. x 14 5/8 in., matted and framed. $400/600

Provenance: Succession of Charles Duke Zucker (1925-2014), New Orleans, LA.

512. Continental School, 19th c., “Three Mounted Soldiers Interviewing Two Travelers on the Shore of a Bay”, oil on canvas, unsigned, 17 1/2 in. x 22 1/4 in., framed. $1200/1800

515. British School, 19th c., “Portrait of a Gentleman on Horseback”, oil on canvas, 20 in. x 24 in., framed. $1500/2500

514. Francisco Toledo (Mexican, b.

1940), “The Horse’s Owner”, color etching and aquatint, pencil signed and numbered “8/50”, gallery label en verso, sheet 22 in. x 29 3/4 in., matted and framed. $400/600

516. Napoleon III Bronze Mounted Kingwood Table à Écrire, 19th c., inset tooled leather top, chevron banded and bronze molded edge, three drawers, cabriole legs, h. 29 1/2 in., w. 37 1/2 in., d. 21 5/8 in. $1000/1500 Provenance: The Gotlib Collection.

517. Pair of Italian Classica-Style White Marble Pedestals, 19th c., after the Antique, fluted columns, scroll carved bases, h. 25 in., dia. 16 in. $1500/2500

518. Louis XVI-Style Bronze Mounted Marquetry and Rosewood Center Table, late 19th/early 20th c., serpentine floral top, frieze drawer, cabriole legs, h. 30 1/4 in., w. 43 1/2 in., d. 26 in. $800/1200 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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519. Set of Four Baltic Neoclassical Bronze Mounted Carved Mahogany Side Chairs, early 19th c., tablet crest, urn carved splat, trapezoidal tufted seat, saber legs. $1200/1800

520. American Neo Grec Carved Walnut Armchair, George Hunzinger, patent 1869, bust mounted crest, padded back, turned and blocked “wings”, bust carved arms, blocked legs, turned stretcher. $1200/1800

521. American Classical Carved Mahogany “Grecian” Footstool, early 19th c., scrolled legs, casters, h. 18 in., w. 20 in., d. 16 1/2 in. $400/600

522. Set of Eight George III Carved Mahogany Shield-Back Dining Chairs, late 18th c., wheat sheaf reticulated splat, serpentine seat rail, stop-fluted square tapered legs, H stretcher. $2500/3500

523. American Classical Carved Mahogany Pier Table, 19th c., Philadelphia, white marble top, ogee frieze, scroll supports, mirrored back, beaded plinth, ogee molded base, scrolled feet, h. 36 1/2 in., w. 17 in., d. 16 in. $1000/1500

524. American Classical Carved Mahogany Work Table, early 19th c., New York, drop leaf top, fitted writing drawer, ring turned shaft, acanthus carved legs, hairy paw feet, casters, h. 29 in., w. 22 1/2 in. $1000/1500

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525. American Classical Carved Mahogany Side Cabinet, early 19th c., probably Philadelphia, marble top, scroll and anthemion petal carved frieze drawer, cornucopia carved doors flanked by acanthus carved scrolls, flared feet, h. 35 in., w. 40 1/4 in., d. 18 in. $2500/3500 Note: The exuberant carved ornamentation and pillared front feet with turned back feet are indicative of a cabinetmaker improvising with Philadelphia and Baltimore designs.

526. American Late Classical Carved Mahogany Sofa, c. 1820s, Boston, attr. to Vose and Son, carving probably by Thomas Wightman, molded tablet carved crest rail, rounded arms, blocked bracketed uprights, molded seat rail, bulbous acanthus carved feet, inset casters, h. 33 1/2 in., w. 81 1/2 in., d. 26 1/2 in. $3000/5000 Note: This late Classical sofa is the epitome of the style and grace that permeated everyday life in Boston in the 1820s. With its broad, flat expanses of mahogany and exuberantly carved foliate motifs, this sofa stands as one of the finest examples of Restauration-style furniture coming out of Boston. It is most likely the work of the expert cabinet making firm, Isaac Vose and Son, with carving by Thomas Wightman, whose documented work on an 1823 sofa, now at the Colonial Society of Massachusetts, shows the same fluidity of carving and similarly carved bulbous feet.

Boston’s Late Classical furniture, such as this sofa, was inspired by objects discovered at the ancient cities of Herculaneum and Pompeii. An eight volume book of engravings titled “Le Antichità di Ercolano Esposte” published between 1757 and 1792 showing artwork and furnishings uncovered at Herculaneum changed the face of style across both Europe and America. At Herculaneum, one dwelling, now known as the “House of Carbonized Furniture,” contains the remnants of a boxy “dining sofa” with high side arms, and broad flat planes that could be the impetus for this Boston sofa form.

Vose and Son was one of the largest cabinetmaking firms in Boston and and was the primary furniture manufactory for the city’s wealthiest families. After Isaac Vose Sr. died in 1823, Vose Jr. hired Thomas Seymour to run the furniture making side of the business while Vose Jr. concentrated his talents on importing stylish furnishings from England and Europe. In the March 3, 1824 edition of the Columbian Centinel, Vose advertised that “their cabinet manufactory is under the direction of Mr. Thomas Seymour and all orders for furniture will receive as good attention as heretofore” and that they had “for sale 30,000 feet of San Domingo and Bay mahogany, well seasoned and sawed expressly for Carpenter’s use.” (Jane Nylander, “Vose and Coats, Cabinetmakers,” Old- Time New England 64: 235 (1974) p. 88.

527. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, attr. Anthony Quervelle, foldover top with segmented fan inlay and rosewood banding, gadrooned frieze, ring and lotus carved support, incurvate base, acanthus carved paw feet, casters, h. 29 in., w. 36 in., d. 18 in. $2000/3000 Note: The distinctive gadrooning and the winged paw feet on this table are most often associated with the workshop of Anthony Quervelle and his followers. The segmented inlay on the top of this lot relates to that on a center table and a work table both attributed to Quervelle and illustrated in two of Robert Smith’s groundbreaking Magazine Antiques articles of 1973.

Ref.: Smith, Robert. “The Furniture of Anthony G. Quervelle, Part II the Pedestal Tables” Magazine Antiques (July 1973), p. 91 fig. 4 and Ibid. “The Furniture of Anthony G. Quervelle, Part III the Work Tables” Magazine Antiques (August 1973), p. 264 fig. 6.

528. American Late Federal Carved Mahogany Canterbury, early 19th c., reeded uprights, long drawer, turned legs, casters, h. 20 in., w. 24 in., d. 16 1/2 in. $500/700

529. American Classical Miniature Mahogany Pedestal, early 19th c., inset marble top, rectangular supports, incurvate plinth with turned finial, h. 17 in., w. 7 in., d. 7 in. $400/600

530. West Indies Inlaid Tropical Hardwood Chest, 19th c., two over two drawers, ivory escutcheons, sides with relief carved fans, square tapered legs, h. 37 1/2 in., w. 41 1/2 in., d. 19 1/2 in. $1200/1800

531. American Classical Carved Mahogany Mixing Table, early 19th c., Egyptian marble top, ogee frieze drawer, bowfront Gothicized door flanked by scrolled brackets, scroll feet, h. 38 1/2 in., w. 37 in., d. 20 1/2 in. Note: Marble repaired. $1200/2000

Additional information at www.nealauction.com

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533. American Classical Mahogany Dressing Chest, 19th c., superstructure with mirror over short drawers, case with outset drawer over graduated drawers flanked by ropetwist colonettes, paw feet, stamped brass pulls. $1200/1800 Provenance: Estate of Maryland Governor Oden Bowie, Fairview Plantation, Collington, MD.

534. Pair of French Restauration Gilt Bronze and White Marble Candelabra, Greek key banded columns, acanthine arms, scrolled feet, incurvate plinths, h. 36 3/4 in., w. 12 1/2 in., mounted as lamps. $1200/2000 Provenance: The Gotlib Collection.

532. American Classical Carved Mahogany Secretary Bookcase, 19th c., possibly Baltimore, broken arch crest, diamond mullioned doors, fitted writing drawer, doors flanked by spiral turned columns, turned feet, h. 96 in., w. 47 in., d. 23 in. $2500/3500 Provenance: Estate of Maryland Governor Oden Bowie, Fairview Plantation, Collington, MD.

535. American Classical Carved Mahogany Piano Stool, early 19th c., New York, incurvate adjustable seat, hexagonal support, incurvate triangular plinth base, scroll feet, h. 19 in., w. 16 in., d. 14 in. $400/600

536. Anglo Irish Cut Glass Footed Bowl, c. 1830, diamond point pattern, square plinth, h. 7 1/2 in., dia. 9 1/4 in. $500/700

540. Napoleon III Patinated Bronze Figural Mantel Clock, c. 1860, dial marked, “Jannot, Beaune”, movement “CH. Pickard & Punant”, figure holding flowers, reading a botany book, h. 12 3/4 in., w. 20 in., d. 4 1/2 in. $700/1000

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537. Pair of English Emerald Glass Ship’s Decanters, 19th c., panel cut bodies, stoppers, h. 10 1/2 in. $800/1200

541. Pair of Late Regency Gilt Bronze and Cut Glass Two Light Girandoles, c. 1830, palmette mounted vasiform standards in diamond and flute patterns, scrolled acanthine arms, tiered candlecups and bobêches hung with beads and pendants, circular feet, h. 13 3/8 in., w. 12 in. $1000/1500

538. Good American or English Carved Giltwood Bullseye Mirror, early 19th c., surmounted by an eagle on rockwork, circular frame with spherules and ebonized rabbet, convex mirror plate, base with pendant, h. 40 in., w. 24 in. $700/1000

539. American Classical Carved Giltwood Looking Glass, early 19th c., attr. to Isaac Platt, New York, fleur de lis carved corners, anthemion carved split baluster surround, framing a divided mirror plate, retains original gilt, h. 46 1/2 in., w. 25 1/2 in. $1000/1500

542. American Sterling Silver Table Garniture, Howard & Co., New York, wc. 1866-1922, marked “HOWARD & CO”, “STERLING, NEW YORK” and “1891”; comprised of an oval reticulated centerpiece, h. 5 in., l. 14 7/8 in., and four matching circular corbeilles, h. 2 1/2 in., dia. 7 1/4 in., combined wt. 80 troy ozs. $3000/5000

544. Set of Three Tiffany Sterling Silver Graduated Platters, pattern introduced 1901, marked “TIFFANY & Co./ 15126B MAKERS 507/ STERLING SILVER/ 925 1000/m”, each shaped oblong with Neoclassical border and well, l. 22 in., 19 in., and 17 in., combined wt. 178.40 troy ozs. $6000/8000 543. Neo Grec Gorham Coin Silver Centerpiece, c. 1855-1860, with 1863 presentation inscription, chased tazza retaining gilt interior, plateau with ram’s head mounts, foliate scroll feet, h. 15 in., dia. 14 in., wt. 136.95 troy ozs. $7000/9000

545. Gorham Sterling Silver Turtle Soup Set, ret. Bailey, Banks & Biddle, Philadelphia, 1898-1900, comprising a footed serving bowl and six individual bowls, all decorated with turtles and sea plants, combined wt. 76.65 troy ozs. $8000/10000

546. Monumental Continental Carved Fruitwood Crucifix, finely carved, h. 88 in., w. 40 in. $2500/3500

547. Fine Pair of Antique Louis XV-Style Gilt Bronze and Cut Glass Compotes, 19th c., faceted bowls on rocaille tripartite supports, scrolled feet, h. 9 1/2 in., dia. 8 7/8 in. $1000/2000

Additional information at www.nealauction.com

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548. Pair of French Neo-Grec Bronze Seven Light Candelabra, late 19th/early 20th c., scrollwork branches hung with chains, columnar standards, flared anthemion and female terms, tripartite bases, claw feet, h. 43 in., w. 12 in., electrified. $2000/3000 549. Paris Porcelain Vase, mid 19th c., amphora body painted with a genre scene and an Orientalist view of a man paying homage to an Ottoman pasha, gilt scroll handles with mask medallions, h. 17 1/2 in., mounted as a lamp, h. (to finial) 32 1/2 in. $800/1200

551. Jacobean Style Carved, Inlaid and Ebonized Oak Three Panel Screen, 19th c., dated 1875 in Roman numerals, heraldic crests, each panel carved on one side and inlaid on the reverse with geometric and floral devices, h. 79 in., w. 90 in. $1500/2000

550. Attributed to John Johnston (American/ Boston, 1753-1818), “Henry Howell Williams (17361802)”, c. 1790, oil on canvas, unsigned, early 19th c. handwritten labels en verso giving sitter’s name, life dates and parentage, 36 in. x 29 1/2 in., original antique frame; together with twelve buttons from sitter’s coat, and an 1858 lithograph by John Henry Buford (American/Boston, 1810-1870). $700/1000

552. Anglo Indian Carved Padouk Wood Gentleman’s Dressing Chest, 19th c., ripple molded lift top, mirrored interior, ripple molded drawer over doors, blocked molded base, h. 40 1/2 in., w. 32 1/2 in., d. 21 in. $1000/1500

553. Antique French Carved Mahogany Table de Toilette, early 19th c., galleried top fitted with English Art Nouveau wash bowl, turned towel bars, frieze drawer, stretcher shelf with pull out bidet, turned supports, cuff casters, h. 37 in., w. 31 in., d. 17 in. $800/1200 556. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, attrib. Anthony G. Quervelle, foldover swivel top, torus molded frieze, columnar standard, incurvate plinth, acanthine paw feet, casters, h. 29 1/2 in., w. 37 in., d. 18 in. $500/700

554. American Late Federal Carved Mahogany and Maple Commode, early 19th c., probably Baltimore, lift top, fitted interior, reeded stiles and legs, h. 28 1/2 in., w. 24 3/4 in., d. 19 1/2 in. $600/900

557. American Classical Carved Mahogany Footstool, Boston, foliate curule legs, turned stretcher, casters, h. 16 1/2 in., w. 18 3/4 in., d. 15 in. $400/600

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555. Pair of American Gothic Rosewood Side Chairs, mid 19th c., finialed crocketed crest, turned stiles, ripple molded back, beaded trapezoidal seat rail, turned tapered legs. $600/900

Note: This fold top games table features a number of details closely related to the work of the early nineteenth century Philadelphia cabinetmaker Anthony G. Quervelle (1789 1856). Elements on this table that are frequently found on Quervelle’s furniture include the spiral gadrooned molding centering a carved scallop shell along the base of the frieze and well articulated lion’s paw combined with upward scrolling acanthus leaf, volute, and bracket carved with acanthus leaves alternating with gadrooning.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Ref.: A work table with similar details is illustrated and discussed in Allison Boor et al, Philadelphia Empire Furniture (Philadelphia, 2006), pp. 270-271.

558. Antique Venetian Faux Marbre, Paint Decorated and Gilded Serpentine Console, 19th c., verde antico top, shaped frieze, cabriole legs, scrolled toes, h. 34 1/2 in., w. 46 in., d. 18 in. $1200/1800

559. American Classical Carved Mahogany Secretary Desk, early 19th c., upper case with Gothicized glazed doors, base with fitted secretary drawer flanked by carved panels, over doors flanked by acanthus and spiral carved colonnettes, acanthine hairy paw feet, h. 95 1/2 in., w. 47 1/2 in., d. 23 1/4 in. $2000/3000

560. Fine American Classical Bronze Mounted Mahogany Armoire, early 19th c., reeded cornice, crossbanded paneled doors flanked by pilasters, fitted interior of trays and medial belt of drawers, acanthine paw feet, highly figured veneers throughout, h. 85 in., w. 60 in., d. 21 1/2 in. $1500/2500

561. Anglo Indian Carved Padouk Wood Cabinet, early 19th c., flared cornice, leaf and berry frieze, arched glazed doors, base with two over three sunburst carved drawers, bulbous turned feet, h. 78 in., w. 43 in., d. 18 in. $1800/2500

562. American Classical Carved Mahogany Sofa, early 19th c., reeded crest rail, scrolled arms, reeded sabre legs, brass casters, h. 34 1/2 in., w. 77 1/2 in., d. 25 in. $1200/1800

563. American Late Federal Mahogany Chest, early 19th c., graduated cockbeaded drawers, signed Hands & Jenkins brasses, bracket feet, h. 38 1/2 in., w. 42 1/2 in., d. 23 in. $1200/1800

564. American Classical Carved Mahogany Center Table, early 19th c., Boston, oval white marble top, molded frieze, lappet carved scrolled supports, incurvate shelf, foliate scroll feet, casters, retains original finish, h. 29 in., w. 49 in., d. 33 1/2 in. $1000/1500

565. American Classical Bronze Mounted Mahogany Games Table, early 19th c., foldover swivel top, frieze with acanthus corners, carved pineapple support, reeded sabre legs, hairy paw feet, casters, h. 28 7/8 in., w. 36 in., d. 18 1/4 in. $600/800

566. Pair of American Classical Carved Mahogany Curule Stools, early 19th c., boss detail, document silk upholstery, h. 18 in., w. 18 in., d. 14 1/2 in. $1000/1500

567. American Late Federal Carved Mahogany Bowfront Chest, early 19th c., graduated cockbeaded drawers, reeded stiles, ring turned tapering legs, ball feet, h. 39 1/2 in., w. 42 in., d. 25 in. $1200/1800 Additional information at www.nealauction.com

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568. American Late Federal Carved Mahogany Games Table, early 19th c., Philadelphia, serpentine foldover top, ring turned tapered legs, h. 29 1/2 in., w. 36 in., d. 18 in. $1000/1500

569. Edwardian Paint-Decorated Satinwood Bowfront Cabinet in the Adam Taste, late 19th/early 20th c., shaped top, incurvate sides, frieze drawer above a pair of doors, molded base, blocked flared legs, h. 39 1/4 in., w. 42 in., d. 18 1/4 in. $1200/1800

570. American Classical Carved Giltwood Overmantel Mirror, 19th c., outset cornice, foliate frieze, rosette blocked corners, Ionic colonnettes, divided beveled mirror plate, molded base, h. 41 1/4 in., w. 69 1/4 in. $1200/1800 571. American Classical Mahogany Cheval Mirror, 19th c., brass candle arms, h. 81 in., w. 45 1/8 in., d. 22 in. $1200/1800

572. Scottish Carved and Inlaid Mahogany Tall Case Clock, early 19th c., painted dial with allegorical figure, marked “Cocker & Mitchell, Aberdeen�, bonnet and case with fluted columns, on later bracket base, h. 87 in., w. 19 1/2 in., d. 10 in. $1200/1800

573. Fine American Classical Carved Mahogany Sideboard, early 19th c., foliate and urn carved backsplash, drawers with lion’s mask and ring pulls, interspersed by acanthus panels, paneled doors flanked by acanthine columns, acanthus paw feet, h. 48 1/2 in., w. 81 in., d. 25 1/2 in. $3000/5000

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574. American Mixed Woods “Plantation” Desk, mid-19th c., Southern, superstructure with cupboards and drawers, inset leather writing surface over drawers, turned legs, base, h. 55 in., w. 48 in., d. 25 1/2 in. $1200/1800

575. American Federal Walnut Chest, c. 1800, Pennsylvania, two drawers over three long drawers, scalloped apron, “French” feet, h. 49 1/2 in., w. 41 3/8 in., d. 21 1/4 in. $1000/1500

576. American Late Federal Carved Mahogany Games Table, c. 1815-1820, Salem, MA, attrib. workshop of Samuel Field McIntire, shaped foldover top, acanthus carved reeded tapered legs, h. 30 in., w. 37 1/2 in., d. 17 1/2 in. $1500/2500 577. American Classical Carved Mahogany Pier Table, early 19th c., Baltimore, antique marble top, cove-molded frieze, Corinthian capitals above tapered columns, conforming pilasters, incurvate plinth, acanthine paw feet, h. 39 in., w. 48 in., d. 21 3/8 in. $1000/1500

578. American Federal Carved Mahogany Bowfront Chest, early 19th c., New England, turreted top, four drawers flanked by spiral and ring turned outset colonnettes, shaped base, turned legs, h. 39 in., w. 41 1/2 in., d. 19 in. $1000/1500

579. American Federal Mahogany Washstand, Boston, shaped backsplash, top with circular cut outs, medial drawer, tapered legs, h. 36 1/2 in., w. 19 1/2 in., d. 16 1/2 in. $400/600

580. American Federal Mahogany Candlestand, early 19th c., New York, shaped tilt top, vasiform turned standard, outswept reeded legs, turned button feet, h. 29 in., w. 24 in., d. 19 1/2 in. $400/600

581. Pair of Diminutive Sheraton Mahogany Stools, c. 1800, in old surface. $300/500

Additional information at www.nealauction.com

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582. Arthur Marie du Passage (French, 18381909), “Le Contrebandier”, patinated bronze, h. 22 in., w. 25 in. $800/1200 Provenance: The Gotlib Collection.

583. Empire-Style Gilt Bronze Figural Clock, probably early 20th c., dial marked “...Gerval”, striking bell movement, modeled as a putto riding a sleigh, dolphin supports, pulled by a pair of doves, scrolled base, h. 12 3/4 in., w. 14 in., d. 6 3/4 in. $800/1200 Provenance: The Gotlib Collection.

584. American or English Mahogany Settee, late 18th/early 19th c., molded crest rail, downswept arms, serpentine seat rail, square molded tapered legs, brass ferrules, casters; repair at seat rail proper left front leg, h. 37 in., w. 66 in., d. 29 in. $1200/1800

585. Pair of Empire Gilt and Patinated Bronze Six Light Candelabra, 19th c., reticulated urns mounted with ram’s heads, foliate arms, columnar standards, scrolled feet, electrified, h. 21 in., w. 12 in. $2000/3000 Provenance: The Gotlib Collection.

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586. Empire Gilt Bronze Mounted Ebonized Fruitwood Mantel Clock, c. 1830, movement marked “Pons, 1827”, silvered dial with serpent bezel, flanked by lions, the face inset with a thermometer, h. 17 1/4 in., w.

7 1/4 in., d. 4 1/4 in. $800/1200

587. American Late Federal Carved Mahogany Pembroke Table, c. 1800, drop-leaf top, frieze drawer, reeded tapered legs, brass ferrules, casters, h. 29 in., w. 32 in., d. 21 1/2 in. $500/700

588. George Rodrigue (American/Louisiana, 1944-2013), “Chairman of the Board”, 2010, acrylic on canvas, signed lower left, signed, dated and titled en verso, 78 in. x 42 in., custom hand carved and painted “Running Dogs” frame. $80000/120000 Provenance: Purchased from Rodrigue Studio, 730 Royal Street, New Orleans, LA. Note: In 2009, George Rodrigue purchased a building on Royal Street, directly across from his previous small gallery of twenty years. The new location allowed him the opportunity to design the type of environment he had always envisioned for his artwork with high ceilings, proper lighting and white walls to exhibit his colorful Blue Dogs. His excitement over the new space inspired him to create massive canvases that filled the expansive walls for the gallery’s opening in 2010.

The painting offered here is among the largest and most important of that period. Featuring the iconic Blue Dog seated on a black stool and wearing a polka dot tie, the work is a humorous take on the title “Chairman of the Board.” Rodrigue, known for his sense of humor, often used titles that featured a play on words and highlighted his ability to transform the Blue Dog for any situation, while still maintaining the classic shape and wideeyed stare.

“Chairman of the Board” also features an unusual “running-dogs” frame, one of only four purchased by the artist in Santa Fe, New Mexico years before he painted the canvas. The frame was crafted in India and originally painted with pale shades of red, blue and green, intended for large mirrors. They were stored until the new gallery offered the perfect opportunity to display the artist’s skill on a large scale.

For this special frame, Rodrigue reverted to his original practice of “painting to the frame.” In the 1970s, he would buy inexpensive, antique frames and stretch canvases to fit in order to save on costs. With “Chairman of the Board”, he started with the frame, had a canvas stretched to fit and then painted a composition with the frame in mind. Once the canvas was complete, Rodrigue then spent several days re-painting the wood frame to coordinate with the canvas. In other words, he “painted to the frame”, but then painted the frame to enhance the painting, creating an entirely unique artwork that perfectly encapsulates his vision, humor and Blue Dog series.

Ref.: Rodrigue, Wendy. “Painting to the Frame” Musings of an Artist’s Wife. January 30, 2010. www.wendyrodrigue.com. Accessed March 12, 2015.

Additional information at www.nealauction.com

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590. Knute Heldner (Swedish/New Orleans, 1875-1952), “Cypress Trees in the Louisiana Bayou”, oil on canvas, signed lower right, “James Bute Gallery, Houston, Texas” label en verso, 22 in. x 26 1/2 in., framed. $4000/6000 Provenance: Succession of Charles Duke Zucker (1925-2014), New Orleans, LA.

589. George Louis Viavant (American/Louisiana, 18721924), “Nature Morte: Pintail Hen”, 1915, watercolor on paper, signed and dated lower left, sight 23 1/4 in. x 13 1/4 in., framed. $15000/25000 Provenance: Louisiana Governor John Milliken Parker (1863-1939), thence by descent.

591. Edward Everard Arnold (American/Louisiana, 1822-1866), “The Two Masted Schooner Alexander Blue, Captain George B. Murray”, 1864, oil on canvas laid on board, signed, dated and inscribed “pinxit/New Orleans” lower right, titled lower left, 25 in. x 30 in., framed. $5000/8000 Note: The Alexander Blue was registered in 1860 in Sippican, Maine. According to the New York Herald, the schooner left New York port headed for New Orleans on March 25, 1864 after being insured for the sum of $10,000 against war risk by the Union. Arnold painted the schooner in New Orleans, sometime in the spring or early summer of 1864, just over a year prior to his death in October of 1866. The ship also met its demise in 1866, as it was wrecked and destroyed on a trip from Boston to Richmond.

Ref.: “Shipping News.” New York Herald March 25, 1864: 8; United States Court of Commissioners of Alabama Claims Records, 1882-1885, Volume 51: cxli; “Disasters Reported in January.” The Sailors’ Magazine and Seamen’s Friend August 1866, Vol. XXXVIII, p. 219.

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592. William Tolliver (American/Louisiana, 1951-2000), “Cotton Pickers”, oil on canvas, signed lower left, 30 in. x 40 in., framed. $5000/7000

593. William Tolliver (American/Louisiana, 1951-2000), “A Walk in the Woods, Rural Mississippi”, c. 1983, oil on paper, signed lower left, 22 1/2 in. x 30 in., unframed. $2500/3500 594. William R. Hollingsworth, Jr. (American/Mississippi, 1910-1944), “Street Scene with Telephone Pole, Mississippi”, watercolor on paper, signed lower right, sheet 21 in. x 15 1/2 in., framed. $2500/3500

595. George Overbury “Pop” Hart (American, 1868-1933), “Oyster Boats, Bayou St. John”, 1917, watercolor and graphite on paper, signed, dated and inscribed “New Orleans” twice lower right, inscribed “I worked 10 days sketching the oyster boats. There are still some old houses. (Jules) Pascin liked this one, he was with me in New Orleans” lower center, “The Downtown Galleries, New York City” and “Spanierman Gallery, New York” labels en verso, 14 in. x 17 1/2 in., framed. $2500/3500

596. Morris Henry Hobbs (American/New Orleans, 1892-1967), “The Bridge, possibly Mandeville, Louisiana”, oil on board, unsigned, 9 1/2 in. x 7 1/2 in., antique frame. $1500/2500 Provenance: Descended in the family of the artist.

597. Robert M. Rucker (American/Louisiana, 1932-2001), “Louisiana Bayou”, oil on canvas, signed lower right, artist biography en verso, 24 in. x 36 in., framed. $1500/2500

598. Ellsworth Woodward (American/New Orleans, 1951-1939), “Still Life with Asian Figure and Bowl of Fruit”, oil on canvas, signed lower right, 20 in. x 16 in., framed. $2000/3000

599. Rolland Harve Golden (American/Louisiana, b. 1931), “Cold Front Passage”, 1986, watercolor, signed and dated lower right, signed, titled and dated en verso, sight 28 1/2 in. x 20 3/4 in., framed. $800/1200 Additional information at www.nealauction.com

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600. Alexander John Drysdale (American/New Orleans, 1870-1934), “Evening in the Marsh” and “Bayou Landscape”, 1911, a pair of pendant oils on canvas, each signed and dated lower left, each pencil titled, signed and dated on upper stretcher bar en verso, each 18 in. x 28 in., in matching gilt frames. $20000/30000 Provenance: Descended in the family of the original owners; Private Collection.

Note: Alexander John Drysdale was the most prolific painter of the distinct Louisiana bayou landscape in the early decades of the 20th century. Drysdale studied at the Southern Art Union in the 1880s and received instruction from Andres Molinary, Marshall J. Smith Jr., William H. Buck, and Charles Wellington Boyle, all esteemed Bayou school artists who excelled in depicting the Louisiana landscape. Drysdale developed a unique style of tonalism to beautifully portray the misty bayous and atmospheric effects of hazy light altered by the time of day. Painted in 1911, the pair of important paintings offered here are amongst the finest examples of his acclaimed tonalist bayou landscapes. These paintings are especially rare for their large size and the pendant nature of their composition. Created by Drysdale to exhibit together, they may be unique in his oeuvre. Drysdale used this oil on canvas medium early in his career; later he preferred to dilute his paint with kerosene and apply it to artist board. In 1909, Drysdale won the Gold Medal from the New Orleans Art Association for “Louisiana Dawn,” a tonalist oil on canvas that depicts a moss-laden cypress tree along a bayou surrounded by marsh grasses, a distinctive work which bears strong similarities to this pair of paintings. In this pair of landscapes, Drysdale evokes the serenity of a diffuse light source and the calm that comes with the beginning and the end of day.

Ref.: Buechner, Howard and Walden Alexander Drysdale, Drysdale (1870-1934) Artist of Myth and Legend, Metairie, LA: Thunderbird Press, 1985; Delehanty, Randolph, Art in the American South: Works from the Ogden Collection, Baton Rouge: LSU Press, 1996; Pennington, Estill Curtis, Downriver: Currents of Style in Louisiana Painting 1800-1950, Gretna, LA: Pelican Pub. Co., 1991.

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601. Eanger Irving Couse (American, 1860-1936), “Two Hunters”, oil on canvas, unsigned, 9 in. x 12 in., period frame. $15000/25000 Note: To be included in Virginia Couse Leavitt’s forthcoming catalogue raisonné on the artist.

In 1919 Couse painted this small oil as a color study for a widely exhibited canvas titled Two Hunters, 1919 (35 x 46 inches), which won an exhibition medal at the 1928 Olympic Games in Amsterdam.

Couse’s usual practice in preparing for a large canvas was to make a compositional sketch and a color study. As observed here, these color studies were often not signed.

602. Frederick Stuart Church, N.A.(American, 1842-1924), “A Summer Idyll (Nymph with Flamingos)”, watercolor on board, signed and inscribed “Copyright, New York” lower right, exhibition label with title and “S.W. Raymond, The Art Shop, Poughkeepsie, N.Y” label en verso, 11 1/4 in. x 7 3/4 in., board 14 in. x 10 1/4 in., framed. $3000/5000

The poses of the figures in Two Hunters appear again in Couse’s 1935 canvas The Water Birds, purchased by the Santa Fe Railway for reproduction in their 1937 calendar. The models for Two Hunters appear in The Water Birds with their positions reversed and with alterations to the rock formations and distant landscape.

Couse often took his models into the mountains or by the river, where he photographed and sketched them in natural surroundings. The subject of a father teaching his son was one of Couse’s favorite themes, and the sketching trips gave him ample opportunity to observe his model, Ben Lujan, instructing his young son, Eliseo, on the mysteries of nature.

Thanks to Virginia Couse Leavitt for her invaluable assistance with this entry.

604. Alexander John Drysdale (American/New Orleans, 1870-1934), “Twilight on the Louisiana Bayou”, 1929, oil wash on board, signed and dated lower right, sight 19 1/4 in. x 29 1/4 in., framed. $3000/5000 603. Frederick Judd Waugh (American, 1861-1940), “Waves Crashing on Rocks”, oil on canvas, signer lower right, 29 1/2 in. x 36 in., period frame. $12000/18000

Additional information at www.nealauction.com

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605. Porfirio Salinas (American/Texas, 1910-1973), “Louisiana Bayou Scene”, oil on canvas board, signed lower left, titled, inscribed “#12”, “Favor, Ruhl & Company” and “Zesbaugh’s Art Store, Minneapolis” labels en verso, 12 in. x 16 in., framed. $4000/6000

606. Knute Heldner (Swedish/New Orleans, 1875-1952), “View of French Quarter Roof Tops and the St. Louis Cathedral”, oil on canvas, signed lower left, 13 in. x 16 in., framed. $7000/9000 Note: Knute Heldner was active in the bohemian art colony in the French Quarter from the 1920s to the 1940s. Heldner was enchanted with the Spanish Colonial architecture of the district and used it as subject matter for many of his paintings. The work offered here shows a rare vantage point of the historic neighborhood. From a rooftop looking out over the buildings with the distinctive spires of St. Louis Cathedral on the horizon line, Heldner composes an impressionist, romantic view of the Vieux Carré. This painting relates to a lovely rooftop view in the collection of the Ogden Museum of Southern Art. Ref.: Pennington, Estill Curtis, Downriver: Currents of Style in Louisiana Painting 18001950, Gretna, LA: Pelican Pub. Co., 1991.

607. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Horn Island Landscape”, watercolor and pencil on paper, unsigned, estate stamp lower right, 8 1/2 in. x 11 in., unframed. $7000/10000 Provenance: Acquired from Shearwater Pottery, Ocean Springs, MS, c. 1970.

Note: In the 1950s and 1960s, Walter Anderson would spend a great amount of time on Horn Island painting the flora and fauna. The composition here depicts a stand of golden rod with a tree trunk in the left background. The work shows how Anderson developed his paintings; first by sketching in pencil, then by creating an outline with watercolor. In this painting, Anderson utilizes the negative space to create the picture, filling in more color in certain small areas, a technique often found in this series of work.

609. Myron Lechay (Russian/New York, 1898-1972), “St. Louis Cathedral and Jackson Square”, 1927, oil on canvas, signed and dated lower right, 25 in. x 30 in., framed. $3000/5000 Provenance: Estate of the artist, Spanierman Gallery, New York City.

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608. Myron Lechay (Russian/New York, 1898-1972), “Live Oak Tree and Red Fence, possibly City Park, New Orleans”, 1930, oil on canvas, signed and dated upper left, 32 in. x 40 in., framed. $3000/5000 Provenance: Estate of the artist, Spanierman Gallery, New York City.

610. Alberta Kinsey (American/New Orleans, 18751952), “Still Life of Compote with Pears, Grapes, Banana and Apples”, oil on canvas board, signed lower right, 18 3/4 in. x 25 in., framed. $1200/1800

611. George Rodrigue (American/ Louisiana, 1944-2013), “Untitled (Rodrigue Studio Blue Dog)”, 1992, acrylic and silkscreen on canvas board, signed lower left, 14 in. x 11 in., framed. $5000/7000

612. Robert Helmer (American/New Orleans, 19221990), “Cedar Beach”, 1965, oil and mixed media on masonite, signed and dated lower right, “Orleans Gallery, Royal Street, New Orleans” label with title en verso, 41 in. x 48 in., framed. $800/1200

613. Rolland Golden (American/New Orleans, b. 1931), “Antique Shop in the French Quarter, View down Royal St.”, 1960, watercolor on paper, signed and dated lower right, sheet 22 1/8 in. x 30 in., framed. $800/1200

614. Alberta Kinsey (American/ New Orleans, 1875-1952), “Vieux Carré Courtyard”, oil on canvas board, signed lower left, 20 in. x 14 3/4 in., framed. $1500/2500

617. James “Mac” Anderson (American/Mississippi, 19071998), “Dauphin Island Oysters”, 1982, oil on masonite, signed and dated lower right, titled on artist label en verso, 16 in. x 23 1/2 in., framed. $2000/3000 Provenance: Acquired from the artist.

615. William Spratling (American/New Orleans, 1900-1967), “The Turbine S.S. Jolee”, 1924, graphite and watercolor, signed, titled and dated lower left, framed. $700/1000 Note: The S.S. Jolee was a cargo ship built by American International Shipbuilding of Philadelphia in 1920 for the U.S. Shipping Board. She was sold to Lykes Brothers-Ripley Steamship Co. and then to Ministry of War Transport. In June 1944 she was sunk to serve as a part of the blockade at Juno Beach during the invasion of Normandy.

616. James “Mac” Anderson (American/Mississippi, 1907-1998), “Blue Heron”, 1991, oil on masonite, signed and dated lower right, 23 3/4 in. x 16 in., framed. $2000/3000 Provenance: Acquired from the artist.

618. Alexander John Drysdale (Georgia/New Orleans, 1870-1934), “Expansive Louisiana Bayou Scene”, oil wash on board, signed lower right, faintly signed and dated “19?0” lower left, sight 29 in. x 47 in., framed. $7000/10000

619. George Rodrigue (American/Louisiana, 19442013), “Fun in the Sun”, 1993, acrylic and silkscreen on canvas board, signed lower left, 14 in. x 11 in., framed. $5000/7000 Additional information at www.nealauction.com

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620. Newcomb College High Glaze Art Pottery Vase, 1903, decorated by Marie de Hoa LeBlanc with a band of stylized peppers, blue and green underglaze, base marked with Newcomb cipher, Joseph Meyer’s potter’s mark, decorator’s mark, reg. no. JJ26 and Q for buff clay body, height 6 in. $5000/7000 Note: Included as catalogue number 68 in the traveling exhibition prepared by Newcomb College in cooperation with the Smithsonian Institution Traveling Exhibition Services, 1984-1987.

621. Newcomb College Matte Glaze Vase, 1920, decorated by Anna Frances Simpson in underglaze blue, green and white with narcissus in relief, bottom marked with Newcomb cipher, “KX59” and “83”, retains paper label, height 10 3/4 in. $3500/5500 Provenance: Drs. Arnold and Helene Gerall New Orleans, LA and Chapel Hill, NC.

Illustrated: Poesch, Jessie, Newcomb Pottery, An Enterprise for Southern Women, 18951940, Atglem, PA, Schiffer Publishing Ltd., 1984, p. 54, pl. 33.

622. Newcomb College Art Pottery Lidded Inkwell, 1927, decorated by Anna Frances Simpson with narcissus in relief, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. Q096 and shape no. 225, h. 3 1/4 in. $1500/2500

623. Newcomb College Art Pottery High Glaze Vase, 1906, decorated by Leona Nicholson with buds and foliage in panels in high relief, blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. BG36, h. 11 1/2 in. $10000/15000 Note: The decoration on the vase presented here maintains elements of the early Newcomb “straight-line-method” which includes a group of flowers near the top contained within horizontal bands. Leona Nicholson, the first New Orleans woman to be named a Master Craftsmen by the Boston Society of Arts and Crafts, adhered to this technique often during her esteemed career as a Newcomb artist.

Similar floral and banded decoration can be seen on the three-handed mug that Nicholson produced circa 1908, which is included in the collection of the Metropolitan Museum of Art (acc. 1983.26).

Ref.: Conradsen, David, Ellen Paul Denker, et al. The Arts & Crafts of Newcomb Pottery. New York, NY: Skira Rizzoli, 2013. Notable Acquisitions, 1982-1983. New York, N.Y.: Metropolitan Museum of Art, 1983.

624. Newcomb College Art Pottery Vase, 1926, decorated by Anna Frances Simpson with band of confederate jasmine modeled in relief, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. PX99, and shape no. 77, h. 6 7/8 in. $1400/1800

626. A Newcomb College Art Pottery Vase, 1925, decorated by Sadie Irvine with budding flowers, semi matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. PK97, and shape no. 75, height 4 1/4 in., diameter 5 in. $1500/2500

625. Newcomb College Art Pottery Vase, 1926, decorated by Sadie Irvine with spiderwort modeled in low relief, matte glaze blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, shape no. 121, reg. no.

PL85; h. 4 3/4 in., dia. 5 1/2 in. Note: Restorations to rim. $1000/1500

627. Shearwater Pottery Urn, c. 1935, thrown by Peter Anderson, carved by James McConnell (Mac) Anderson, with a lily pad design, double glazed with bronze over gray, impressed mark, h. 5 3/4 in., dia. 7 in. $700/1000

628. Two Shearwater Pottery Mr. and Mrs. Aspirin Cast Lamp Bases, c. 1930 35, designed by Walter Anderson, glazed by Peter Anderson in antique green, Mr. Aspirin with ink stamp, Mrs. Aspirin with impressed mark, h. 9 in. and 7 in. (2 pcs.) $600/900

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630. Edward Wormley Mahogany and Travertine Low Table, c. 1957, by Dunbar Furniture, Berne, Indiana, model 5219, marked, h. 13 1/2 in., dia. 48 in. $1000/1500 629. Eames Lounge Chair and Ottoman, Herman Miller, licensed, marked, white leather and white ash, after the 1956 design by Charles and Ray Eames, h. 32 in. $1500/2500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

632. Pair of Eileen Gray-Style “Bibendum” Chairs, white leather, chrome plated steel, after the original 1926 design, h. 28 in. $800/1200 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

631. Edward Wormley-Style Side Table, travertine top, carved ebonized base, h. 20 1/4 in., dia. 25 1/2 in. $500/700

633. Oushak Carpet, cream ground, repeating polychrome spherical medallions, 12 ft. 2 in. x 9 ft. 2 in. $2500/3500

634. Contemporary Looped Hemp Carpet, blue, green, cream, and brown striated linear pattern, 9 ft. 9 in. x 8 ft. 2 in. $2000/3000

635. Franklin Adams (American/New Orleans, 19332008), “Facade”, c. 1950, acrylic with mineral aggregate in paint matrix on masonite, signed lower right, titled on exhibition label en verso, 34 in. x 27 3/4 in., original frame. $1000/2000 Provenance: Purchased from the artist.

Exhibited: The first “Annual Painting of the Year Exhibition”, Atlanta Art Association Galleries, Atlanta, GA, 1954.

Additional information at www.nealauction.com

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636. Hunt Slonem (American/Louisiana, b. 1951), “Pink Bunnies”, 2014, oil on plywood, signed and dated en verso, 34 1/2 in. x 18 1/2 in., framed. $3000/5000

637. George Bauer Dunbar (American/Louisiana, b. 1927), “Coin du Lestin”, gold leaf over red clay, signed lower center and en verso, 42 in. x 36 in., framed. $18000/25000

638. George Bauer Dunbar (American/Louisiana, b. 1927), “Heart”, palladium leaf over red clay, signed lower center, 24 in. x 21 7/8 in., framed. $6000/9000

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639. Hunt Slonem (American/Louisiana, b. 1951), “Four Play + One”, 2014, oil on plywood, signed, titled and dated en verso, 25 3/4 in. x 22 in., framed. $4000/6000

640. Pedro Friedeberg (Italian/ Mexican, b. 1936), “Abstract Composition”, acrylic on paper, signed lower mid right, 11 in. x 8 1/2 in., framed. $1500/2500

644. William Woodward (American/Louisiana, 1859-1939), “The Ice Man Biloxi”, 1932, drypoint etching on paper, signed and dated in plate lower right, pencil signed lower margin, 7 in. x 5 in., sheet 9 3/4 in. x 7 7/8 in., matted and framed. $700/900

648. Rockwell Kent (American, 1882-1971), “Resting”, 1929, lithograph on paper, pencil signed lower right, “France” watermark upper right, edition of 100, plate 9 5/8 in. x 6 in., matted and framed. $700/1000

652. Emery Ann Clark (American/Louisiana, b. 1950), “Tidal Pools”, 1988, “Wave Sequence: State II”, 1987, and “Light Effects”, 1983, 3 silkscreens, each pencil signed, dated, titled and numbered lower margin, 11 in. x 16 in. to 9 1/2 in. x 14 in., framed. $800/1200

641. William Woodward (American/Louisiana, 1859-1939), “Schooners Racing at Beacon”, 1932, drypoint etching on paper, signed and dated in plate lower left, pencil signed and titled lower margin, 4 in. x 6 in., sheet 7 1/2 in. x 10 in., matted and framed. $700/900

645. Grant Wood (American, 18911942), “December Afternoon”, 1940, lithograph on paper, pencil signed lower right, published, Associated American Artists, edition of 250, 8 7/8 in. x 11 7/8 in., framed. $1000/1500

649. George Bauer Dunbar (American/Louisiana, b. 1927), “Heart”, palladium leaf over red and black clay, signed lower center, 10 7/8 in. x 8 7/8 in. $1000/1500

642. Morris Henry Hobbs (American/New Orleans, 18921967), “St. Louis Cathedral Old New Orleans”, etching, edition of 100, pencil signed, titled and numbered “Ed/100”, image 12 7/8 in. x 7 3/4 in., sheet 15 1/4 in. x 10 1/8 in., matted. $400/600

643. Anne Goldthwaite (American/ Alabama, 1869-1944), “Nude Reading (No. 1)”, lithograph, edition of 50, pencil signed, sheet 15 1/8 in. x 11 1/8 in., matted. $400/600 Ref.: Breeskin, Adelyn. Anne Goldthwaite: A Catalogue Raisonné of the Graphic Work, Montgomery, AL: Montgomery Museum of Fine Arts, 1982, catalogue no. 297, illustrated p. 122.

646. Caroline Wogan Durieux (American/New Orleans, 18961989), “Dames de Pigalle”, 1952, color lithograph on paper, pencil signed and titled lower margin, inscribed “edition of 25” lower right, sight 21 1/4 in. x 12 1/2 in., framed. $300/500

647. Caroline Wogan Durieux (American/New Orleans, 18961989), “Désirée”, 1947, lithograph on paper, pencil signed, titled and numbered “10/10” lower margin, gallery label en verso, 12 3/4 in. x 9 1/2 in., framed; accompanied by handwritten note from Durieux to New Orleans print dealer Abe Tahir, dated November 26, 1974. $300/500

Provenance: Collection of artist and educator George Wolfe, New Orleans, LA.

Provenance: Collection of artist and educator, George Wolfe, New Orleans, LA.

650. Hunt Slonem (American/ Louisiana, b. 1951), “Untitled (Single Bunny)”, 2009, oil on plywood, signed and dated en verso, 6 1/2 in. x 5 in., framed. $1000/1500

653. Caroline Wogan Durieux (American/New Orleans, 1896-1989), “Invasion”, 1962, color lithograph on paper, pencil signed, titled and numbered “11/20” lower margin, sight 14 1/2 in. x 20 1/2 in., framed. $300/500

651. John McCrady (American/ Mississippi, 1911-1968), “Carnival in New Orleans”, lithograph on paper, pencil signed and titled lower margin, initialed “JMC” in plate lower right, 9 in. x 12 in., framed. $700/900 Provenance: Collection of artist and educator George Wolfe, New Orleans, LA.

654. William Tolliver (American/Louisiana, 1951-2000), “Woman Deep in Thought”, color serigraph on paper, pencil signed lower right, titled lower center, numbered “211/250”, blind stamps “AM Editions” lower left and “Vargas & Associates Art Publishing, Boston, MA” lower right, image 34 1/2 in. x 21 1/2 in., sheet 41 3/4 in. x 28 in., unframed. $500/700 Provenance: Private estate collection, Maine.

Provenance: Collection of artist and educator George Wolfe, New Orleans, LA. Additional information at www.nealauction.com

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657. Clementine Hunter (American/Louisiana, 1886-1988), “The Tour, Melrose Plantation (Self Portrait of Artist Painting on Right)”, oil on board, monogrammed mid right, titled and inscribed with provenance en verso, 19 in. x 32 in., framed. $3000/5000 Provenance: Acquired at Melrose Plantation, thence by descent to the present owner.

655. George Louis Viavant (American/Louisiana, 1872-1924), “Nature Morte: Bobwhite Quail”, 1921, watercolor on paper, signed, dated and inscribed “N.O.” lower left, “The Sporting Gallery and Bookshop, New York” label en verso, 24 1/2 in. x 17 in., framed. $5000/7000

656. George Louis Viavant (American/Louisiana, 1872-1924), “Nature Morte: Woodcock”, 1914, watercolor on paper, signed, dated and inscribed lower left, “E.G. Gagg, Picture Framery, Knoxville, Tennessee” label en verso, 21 3/4 in. x 14 in., period frame. $7000/10000

Provenance: The Sporting Gallery and Bookshop, New York, NY.

658. Clementine Hunter (American/Louisiana, 1886-1988), “Pickin’ Cotton”, oil on black paper, signed “Clemence” lower left, 11 1/2 in. x 14 1/4 in., framed. $3000/5000 Provenance: Acquired at Melrose Plantation, thence by descent to the present owner.

659. Clementine Hunter (American/Louisiana, 1886-1988), “Flower Garden”, oil on cardboard, monogrammed lower right, 17 in. x 21 in., framed. $4000/6000

660. Alexander John Drysdale (American/New Orleans, 1870-1934), “Live Oak in the Louisiana Bayou”, oil wash on board, signed lower right, sight 19 1/4 in. x 29 1/4 in., framed. $2500/3500

Provenance: Private Collection, Metairie, LA.

661. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Bayou”, oil wash on board, signed lower right, 20 in. x 30 in., period frame. $2500/3500

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662. Clementine Hunter (American/Louisiana, 1886-1988), “Watermelon Party”, oil on board, initialed lower right, 10 in. x 15 3/4 in., framed. $4000/6000

663. Francis Hopkinson Smith (American, 1838-1915), “Women and Children on a Wooded Slope”, 1878, watercolor, gouache and charcoal on paper, monogrammed, dated and signed lower left, sight 32 in. x 17 1/4 in., framed. $500/750

664. Attributed to Frank Henry Shapleigh (American, 1842-1906), “Red Barn by the Bridge”, oil on canvas, unsigned, inscribed “Blacksmith...” en verso, titled on brass artist plaque on frame, 14 in. x 15 1/2 in., framed. $1000/1500

665. American Three Piece Gilt Brass Girandole Garniture, mid 19th c., probably Cornelius and Baker, Philadelphia, Native American standards surmounted by palm and floral branches, stepped marble bases, crystal prisms, centerpiece h. 19 in., candelabrum h. 17 3/8 in. $300/500

666. Antique Pair of English Arts and Crafts Andirons, stemmed bosses on curved legs, h. 13 1/4 in., w. 7 1/2 in., d. 9 in. $200/300

670. Pair of Antique American Patinated Metal, Carved and Gilt Oak Five Light Sconces, trophée form backplates with bowknots and harvest motifs centering scrolled branches, crystal prisms, h. 60 in., w. 25 in. $1200/1800

667. American Gilt Bronze Hall Lantern, late 19th c., with applied foliate branches, without shade, h. 31 in., w. 18 in. $500/700 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

668. Antique American Arts and Crafts Patinated Bronze “Owl” Lantern, trilobate bowl in the form of owl masks, slag glass eyes, h. 20 in., w.

16 in. $700/1000 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

672. Paul Dufour (American/ Louisiana, 1922-2008), “Abstract Study”, 1979, stained glass, signed and dated, diameter 16 in. $600/900

669. American Brass and Gilt Metal Adjustable Desk Lamp, c. 1910, Quezal orange and pearl glass shade, h. 23 1/2 in., w. 11 in. $600/900 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

673. William IV Carved Mahogany Dressing Mirror, 19th c., scrolled mirror supports, bowfront base with 3 drawers, h. 37 1/2 in., w. 29 in., d. 13 1/4 in. $400/600

671. Arts and Crafts Hammered Copper Hall Lantern, c. 1900, probably English, cupola over octagonal tracery with decorative repoussé bosses and provincial figures, h. 34 1/2 in., w. 16 in. $600/800

674. American Renaissance Carved, Parcel Ebonized and Gilt Incised Walnut Center Table, c.

1870, attributed to Pottier and Stymus, New York, fine original Breccia marble top with outset corners, tapered fluted legs, incurvate stretcher with urn finial, casters, h. 29 1/2 in., w. 56 3/4 in., d. 34 in. $1200/1800

Additional information at www.nealauction.com

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675. Fine American Neo-Grec Gilt Bronze Mounted, Ebonized, Gilt Decorated and Inlaid Rosewood Parlor Cabinet, c. 1870, Pottier & Stymus, New York, bronze mounts marked and numbered “4738”, reverse of cabinet numbered “4738”, stepped shaped top, conforming case fitted with two paneled doors centering bronze plaques, birdseye maple shelf interior, fluted and blocked uprights, plinth base, h. 51 in., w. 66 3/4 in., d. 22 3/4 in. $3000/5000 Note: The sophisticated design of this cabinet incorporates a theme of marital fidelity and domestic harmony. The two large plaques on the doors depict Penelope attending her weaving awaiting the return of her husband and Ulysses seated with a devoted hound.

The bronze plaques are likely from Pierre E. Guerin (1843-1911) who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus. A cabinet with “Penelope” plaques marked “Guerin” related to those here was offered by Neal Auction Company as lot 81 September 10, 2011. An important rosewood parlor cabinet with collared stiles and bust mounts marked “P&S” very similar to those placed on this cabinet was sold by Neal Auction Company as lot 742, May 1993.

The use of a four and five-digit numbering system by Pottier and Stymus before 1888 is well-known and documented in Kristin Herrons’ article on Glenmont, the Thomas Edison Residence in West Orange, New Jersey. The digits on a Pottier and Stymus example could be impressed, stenciled, or inscribed in ink, as seen here.

676. George III Carved Mahogany Bookcase, 18th c., molded Greek key and fluted cornice, glazed doors enclosing adjustable shelves; lower case with doors enclosing sliding trays, molded base, bracket feet, h. 89 in., w. 46 1/2 in., d. 22 in. $2000/3000

Herron notes that the numbers were probably assigned chronologically, low digits, such as “3924” on an Egyptian Revival chair at the Metropolitan Museum of Art dates from c. 1870 and a c.1882 wardrobe at Glenmont is marked with a higher number “66595”. The inked number in on this cabinet, “4736,” indicates manufacture in the early 1870s. An 1888 fire in the manufactory destroyed the firms’ records, and probably terminated use of the numbers in subsequent work from Pottier and Stymus.

Ref.: Laux, Barbara. “The Furniture Mounts of P.E. Guerin,” Magazine Antiques (May 2002) p. 140-149 and Herron, Kristin. “The Modern Gothic Furniture of Pottier and Stymus.” Magazine Antiques. (May 1999) p. 765, 768, pl. XIII-XIV, note 15, and p. 769 note 17.

677. Rare American Carved Mahogany Convertible Desk and Chair, c. 1854, labeled Stephen Hedges, New York, oval foldover top, inset leather writing surface, metamorphic case opening to reveal a chair, desk interior fitted with a drawer, all on cabriole legs, casters, panels with ripple molding, h. 28 in., w. 34 in., d. 26 in. $3000/5000 Note: Several examples of this patented desk are known, including examples conserved at Gallier House, New Orleans, LA; the Museum of the City of New York; the Morris Jumel Mansion, New York; and another desk sold on site, from the collection of Dr. George Crozat, Houmas House, Burnside, Louisiana by Neal Auction Company, lot 329, May 2003.

678. Large Georgian Carved Mahogany Four Part Banquet Table in the Adam Taste, probably 19th c., demilune ends with two drop leaf center sections, fluted frieze, fluted tapered square legs, brass cuffs, casters, h. 29 1/2 in., extended l. 202 in., w. 60 in. $3000/5000 Provenance: Acquired from George Subkoff Antiques.

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679. Louis Philippe Rosewood Escritoire, mid 19th c., superstructure with pierced gallery, mirrored back, scrolled supports, belt of three drawers, top with inset leather writing slide, pair of frieze drawers, cabriole legs, h. 49 in., w. 43 in., d. 21 1/2 in. $1000/1500

680. Louis XV-Style Bronze Mounted Inlaid Kingwood Commode, 20th c., serpentine rouge marble top above two drawers, shaped base, tapered flared legs, h. 35 5/8 in., w. 59 in., d. 25 in. $800/1200

681. Antique French Carved Rosewood and Marble Vitrine Cabinet, late 19th/ probably 20th c., beveled glass and bronze mounts, shelves and mirrored back, h. 44 1/4 in., w. 52 1/2 in., d. 18 1/4 in. $1000/2000

682. Pair of Continental Renaissance-Style Carved and Gilded Fauteuils, 19th c., arched crest, acanthine scrolled arms, shell carved stretcher, shaped legs. $2500/3500

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

683. Louis XV-Style Carved and Gilded Salon Table, variegated shaped marble top, foliate carved frieze, cabriole legs, acanthine scrolled toes, shaped stretcher centered by leaf cartouche, h. 31 in., w. 57 1/2 in., d. 34 in. $3500/5000

684. A Louis XVI-Style Bronze Mounted Kingwood Parquetry and Marquetry Tric Trac Gaming Table, 19th c., foldover swivel top, floral reserve, fitted drawer, shaped apron, cabriole legs, height 28 1/2 in., width 31 1/2 in., depth 23 in. $700/1000 685. Antique Italian Rococo Style Olive Wood Parquetry Writing Desk, late 19th c., shaped top, kneehole configuration of drawers, cabriole legs, h. 30 1/2 in., w. 49 1/2 in., d. 27 in. $1200/1800 Additional information at www.nealauction.com

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687. Italian Renaissance-Style Burlwood, Parcel Ebonized and Mother of-Pearl Inlaid Dressing Chest, en suite with previous lot, mirror back, inset marble top, cupboard doors below, h. 65 in., w. 43 in., d. 26 in. $1500/2500

686. Italian Renaissance-Style Burlwood, Parcel Ebonized and Mother of Pearl Inlaid Armoire, shaped crest, mirrored door, cupboards below, h. 95 in., w. 51 in., d. 27 in. $2500/3500

689. French Carved Walnut Mechanical Reclining Armchair, 19th c., rectangular padded back and seat, scrolled arms, blocked legs, stretchers, fitted with wrought iron rachets. $1200/1800

688. Pair of Italian Renaissance-Style Burlwood, Parcel Ebonized and Mother of Pearl Inlaid Nightstands, en suite with previous lots, each with 2 tiers, inset marble tops, cupboard below, h. 34 in., w. 19 1/4 in., d. 19 1/4 in. $1000/1500

690. Louis XVI Style Mahogany and Gilt Metal Mounted Vitrine, 20th c., shaped marble top, beveled glass door, serpentine sides, fluted stiles, conforming base, toupie feet, h. 68 1/2 in., w. 43 1/2 in., d. 18 1/8 in. $800/1200 Provenance: The Gotlib Collection.

691. Pair of Neoclassical Style Bronze DorĂŠ and Malachite Tables, galleried malachite top, bamboo turned supports, incurvate base with galleried tazza, disc feet, h. 26 5/8 in., w. 20 3/8 in., d. 20 3/8 in. $3000/5000

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692. Pair of Directoire-Style Carved Crème and Verte Peinte Fauteuils, paneled crest rail centered by lozenge, scrolled stiles, padded arms with anthemia, columnar uprights, conforming seat rail, turned tapered legs. $800/1200

693. Belle Époque Ebonized, Gilt Bronze and Porcelain Mounted Pedestal, late 19th c., stepped molded top, incised frieze, chamfered support, plinth base, winged hoof feet, h. 41 5/8 in., w.

14 7/8 in., d. 11 1/4 in. $800/1200

694. Continental Marquetry and Kingwood Banded Mahogany Sedan Chair in the Louis XV Taste, 18th c., arched crest, inlaid panels featuring floral motifs, scrolling vines interspersed with urns, columns and arches, base with scrolled shoe feet, interior brocade upholstery, padded seat and arms, h. 65 3/4 in., w. 28 in., d. 29 1/2 in. $2000/3000

695. Pair of Louis XV-Style Crème Peinte Bergères, early 20th c., arched floral crest, shaped apron, serpentine seat, cabriole legs, scrolled toes. $500/1000 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

696. Pair Louis XV-Style Carved and Gilded Bergeres, 20th c., arched foliate crest rail, padded acanthine arms, serpentine seat rail, cabriole legs. $400/600

697. Continental Bronze Mounted Paint-Decorated Bureau Plat in the Louis XV Style, late 19th c., shaped top, tooled leather writing slide above kneehole configuration of drawers, cabriole legs, h. 30 in., w. 50 5/8 in., d. 21 3/8 in. $1200/1800

698. Louis XV-Style Carved and Gilded Console Table, 19th c., serpentine variegated marble top, pierced leaf carved frieze, cabochon carved cabriole legs, scrolled toes, h. 33 1/2 in., w. 58 in., d. 24 in. $1200/1800

699. Pair of Renaissance-Style Patinated Bronze Figural Andirons, 19th c., after models by Niccolo Roccatagliata (Italian, 1560 1636), putti over tapered standards, plinth bases, h. 41 in., w. 23 in., d. 14 1/2 in. $2000/3000 Additional information at www.nealauction.com

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700. Art Deco Patinated Bronze Centerpiece, c. 1925, boat form body, rams’ head handle, inscribed “Beaulieu” and “F. Barbedienne Fondeur/ Paris” on base, h. 10 in. $2000/3000

701. Pair of French Neo-Grec Patinated and Gilt Bronze Vases, 19th c., after F. Levillain (French, 1837-1905), marked “F. Barbedienne”, amphora bodies with scenes from antiquity, tripartite bases, paw feet, h. 12 1/4 in. $1000/1500

704. Pair of Baltic Gilt Bronze and Walnut Three Light Candelabra, 20th c., urn-form candlecups, tapered vasiform standards with quatrefoil pattern, molded bases, removable arms convert to single candlesticks, h. 17 1/2 in., dia. 13 1/2 in. $800/1200

702. Pair of Continental Malachite Models of Obelisks, tapered forms on tall plinth bases set on polychrome and gilt painted stands, overall h. 38 1/2 in., stand h. 10 in. $1500/2500

703. Henryk Kossowski, the Younger (Polish, 1855-1921), “Retour de Pêche”, bronze, inscribed “Kossowski” on self base, titled and inscribed “Salon des Beaux Arts” base plaque, overall h. 45 in. $2500/3500 705. Pair of Louis XV-Style Gilt Bronze and “Blanc de Chine” Porcelain Six Light Candelabra, 19th c., scrolling acanthus and flowers centering figures of Guanyin seated on recumbent beasts, rocaille bases, scrolled feet, h. 24 1/4 in., w. 17 1/4 in. $3000/5000

706. Fortunato Gori (Italian, 1895-1925), “Portrait of a Maiden, possibly Duchess Violante Beatrice of Bavaria (1673-1731)”, marble and gilt bronze, inscribed “A Gory” (sic) on right shoulder, marble pedestal, overall h. 20 1/2 in. $800/1200

707. Continental Patinated Bronze, probably early 20th c., cast as a Franco-Prussian infantryman, inscribed “Fontaine” on self base, molded wood base, overall h. 18 1/2 in. $1200/1800

708. Large Napoleon III Gilt Bronze Cartel Clock, mid-19th c., case of foliate scroll and rocaille form, h. 27 1/2 in., w. 14 1/2 in., d. 4 1/2 in. $1000/1500 Provenance: The Gotlib Collection.

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709. Napoleon III Gilt Bronze Mounted Chinese Famille Rose Porcelain Bowl and Cover, probably late 19th c., bowl form body with bronze crowned rim and upright loop handles, scrolled cherub supports, domed cover, bronze base, h. 16 in., w. 12 1/4 in. $2500/5000

710. Chinese Famille Rose Porcelain Vase, probably 19th/20th c., bottle form body with dragon handles, decorated with floral sprays, base with Jiaqing mark, h. 17 in. $600/800

712. American or German Paint-Decorated Pine Dower Chest, 18th c., dated 1783, molded lid, wrought iron strap hinges, paneled front with tulips, owner’s name and date, molded base, h. 20 1/4 in., w. 50 5/8 in., d. 24 1/4 in. $1000/1500

711. Set of Twelve Chippendale-Style Carved Mahogany Dining Chairs, 20th c., two armchairs and ten side chairs; ribbon carved pierced splats, serpentine slip seat, molded egg and dart carved legs. $1000/1500

713. American Classical Carved Mahogany Games Table, early 19th c., foldover top with canted corners, cove molded frieze, acanthus carved support, arched molded legs, brass paw feet, casters, h. 30 in., w. 36 3/4 in., d. 36 1/4 in. $700/1000

715. Fine American Classical Mahogany Curule Bench, early 19th c., molded frame, boss detail, h. 19 1/2 in., w. 44 in., d. 18 in. $1000/1500 714. American Federal Cherrywood and Birdseye Maple Bowfront Chest, c. 1800, Mid Atlantic, 4 banded drawers, cyma shaped apron, flared legs, h. 35 in., w. 39 3/4 in., d. 19 3/4 in. $800/1200 Additional information at www.nealauction.com

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717. An American Gothic Carved Mahogany Tabernacle Vitrine, mid 19th c., possibly from a Lodge, shingle carved mansard, finialed uprights, scrolled foliate moldings, arched glazed panels, single door, molded base, disc feet, height 47 in., width 20 in. $600/900 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

716. American Renaissance Inlaid, Gilt and Ebonized Center Table, c. 1875, possibly Kilian Brothers, New York, fine burlwood top inlaid with specimen woods depicting terrestrial globe, classical ewer, books, encrier with quill pens, map, urn and various flowers, frieze with foliate cartouche, scrolled supports flanking architectural blocks, stretcher; allover bold gilding in sharp contrast to ebonized ground, h. 27 3/4 in., w. 46 in., d. 27 1/2 in. $1500/2500

718. Pair of Late Jacobean Carved Side Chairs, late 17th c., arched crest, caned back, blocked and turned stiles, trapezoidal slip seat, conforming legs, stretchers. $700/1000

719. Pair of English Rococo Carved Mahogany Console Tables, 19th c., stamped “W. Fry & Co., 1894�, serpentine marble top, pierced foliate frieze, acanthus and pendant bellflower carved cabriole legs, acanthine scrolled feet, h. 37 1/4 in., w. 41 1/4 in., d. 17 3/4 in. $1200/1800

720. William IV Inlaid and Burl Walnut Davenport Desk, c. 1840, superstructure with reticulated gallery, cupboard with fitted interior, sloped tooled leather writing surface enclosing fitted well, h. 43 in., w. 22 in., d. 21 1/2 in. $800/1200

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721. Adam Paint Decorated and Carved Armchair, early 19th c., floral crest, spindled tablet back with cherubs, scroll arms, turned uprights, tapered turned legs, original decoration. $600/900

722. Pair of Neoclassical-Style Bronze Doré Tables, black granite tops, stretcher base, paw feet, h. 20 in., w. 20 1/2 in., d. 20 1/2 in. $1200/1800

724. Louis XV-Style Crème Peinte Chaise Longue, 20th c., carved shell crest, barrel back, padded scrolled arms, loose seat cushion, cabriole legs, h. 32 1/2 in., l. 59 in., d. 29 1/2 in. $500/1000 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

723. Louis XVI-Style Bronze Mounted Kingwood Guéridon, late 19th c., inset marble top, swagged Bacchus mask frieze, medial shelf, incurvate bronze supports, incurvate plinth, paw feet, h. 33 1/2 in., dia. 21 in. $1500/2500

725. Fine Pair of Regency Style Bronze and Marble Consoles, antique verde antico marble top, acanthus scrolled supports with rosettes. $6000/8000

726. Louis XIV-Style Carved and Parcel-Ebonized Walnut Table, 19th c., molded top, frieze drawer, spiral turned legs, stretcher base centered by a turned finial, bun feet, h. 28 in., w. 37 3/4 in., d. 22 1/2 in. $800/1200

727. Moorish-Style Mother of Pearl Inlaid and Ebonized Window Seat, spindled arms, conforming seat rail, bracketed square legs, h. 32 1/2 in., w. 53 in., d. 19 1/2 in. $700/1000 Additional information at www.nealauction.com

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728. Pair of Moorish Bone and Mother of Pearl Inlaid Octagonal Side Tables, overall geometric design, tray tops, arched frieze, molded legs blocked at the base, h. 28 in., w. 18 1/2 in., d. 18 1/2 in. $1200/1800

729. Pair of Mughal-Style Carved and Polychromed Armchairs, paneled crest with love birds and elephant finials, oval splat, scrolled peacock arms atop seated lion uprights, trapezoidal seat, molded rail, cabriole legs, paw feet. $2000/3000

731. John Gadsby Chapman (American, 1808-1898), “Young Florentine in the XIV Century”, after a fresco by T. Gadda at S. Croce in Florence, watercolor, gold tempera and pencil on paper, titled lower margin, “Estate of John Gadsby Chapman” label and typed artist biography en verso, sight 4 7/8 in. x 3 5/8 in., framed. $550/750 730. Directoire-Style Bronze Mounted Tea Table, circular top, fluted tapered standard, hexagonal plinth, arched molded legs, h. 26 3/4 in., dia. 29 3/4 in. $800/1200

732. Attributed to Ralph Albert Blakelock (American, 1847-1919), “Indian Encampment”, oil on canvas, signed “R.A. Blakelock” lower right, inscribed “Atlanta Art Assn” en verso of frame, 22 1/4 in. x 36 1/8 in., framed with brass artist plaque. $500/700 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions

735. Gaetano Capone (Italian/ American, 18451920), “On the Path”, 1918, oil on canvas, signed and dated lower right, “Graves Gold Leaf Gallery, Jackson, Tennessee” label en verso, 24 in. x 20 in., framed. $1200/1800

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733. George Benjamin Luks (American, 1867-1933), “Happy New Year”, pencil on paper, signed and titled lower center, 5 in. x 4 in., unframed. $400/600

734. Mahonri Mackintosh Young (American/Utah, 1877-1957), “Village by the Shore”, 1905, watercolor on paper, signed and dated lower right, 6 1/2 in. x 11 3/4 in., unframed. $500/700 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions

736. Jules Rene Hervé (French, 1887-1981), “Place de la Concorde, Paris” and “Parisian Promenade”, two oils on canvas, each signed lower right and en verso, the former titled and with partial “Watson Art Galleries” label en verso, each 8 in. x 10 in., framed. $1000/1500

737. Charles L’Éplattenier (French, 1874-1946), “Église de Gléresse Switzerland”, 1932, oil on canvas, signed and dated lower left, signed, titled and dated en verso, 25 1/2 in. x 31 3/4 in., framed. $800/1200

738. After Jacopo Palma il Vecchio (Italian/Venetian, c. 1450-1528), “La Bella”, 19th c., oil on canvas, unsigned, 24 3/4 in. x 19 3/4 in., period gilt frame. $800/1200

739. Ivan Semionovich Kulikov (Russian, 1875-1941), “Young Russian Girl in Red Scarf holding a Bucket”, oil on canvas, signed upper left, 12 in. x 17 in., framed. $800/1200

740. Continental School, 19th c., “Young Woman and Child Racing the Approaching Storm”, oil on canvas, unsigned, 29 in. x 24 in., ornate period frame. $1200/1800

741. Lancelot Ney (Hungarian/ French, 1900-1965), “Ville de Paris”, early 1960s, oil on canvas, signed lower right, 29 in. x 23 3/4 in., framed; accompanied by the exhibition catalogue Lancelot Ney by Rene Barotte, Galerie Madsen, Paris: Les Presses Artistiques, 1962. $1000/1500 Provenance: Galerie Madsen, Paris.

742. Continental School, late 19th c., “Portraits of Beauties”, 2 watercolor miniatures, indistinctly signed, sight 3 3/4 in. x 2 1/2 in. and 2 1/4 in. x 2 1/4 in., framed. $200/300

743 French School, 19th c., “French Consorts, Marie Antoinette and Princess Eugénie”, 3 watercolor miniatures, 2 signed “Mab” and “Miral”, 1 1/2 in. x 1 1/2 in. to 2 1/2 in. x 2 in., framed. $200/300

744. British School, 19th c., “A Portrait of Mrs. William Brandt”, oil on canvas, unsigned, titled on hand written label en verso, 30 in. x 25 in., antique gilt frame. $800/1200 Provenance: Descended in a Mississippi Family, found in a New Orleans Garden District home

745. French School, early 19th c., “Portrait of a Young Man”, oil on canvas, unsigned, “From Earles’ Galleries and Looking Glass Warerooms, 816 Chestnut St., Philadelphia” label en verso, 21 1/2 in. x 17 1/2 in., period gilt frame. $500/800 Provenance: Descended in a New Orleans Family.

746. Pair of Large Aesthetic Majolica Baluster Vases, probably early 20th c., molded with dragons and clouds on a blue ground, h. 25 3/4 in. $800/1200

747. Pair of Porcelain Plaques, late 19th/early 20th c., probably English, painted with mythological figures, 5 in. x 4 in., framed alike; together with Continental enamel oval plaque, 19th c., depicting seated lovers, 4 3/4 in. x 3 3/4 in., framed, (3 pcs.) $300/500 Provenance: The Gotlib Collection.

748. Pair of Paris Porcelain Vases, c. 1830, ovoid bodies finely painted with “historic” court scenes, winged female bust handles, pedestal foot, square bases, h. 21 5/8 in. Note: Restoration to one. $1500/2500 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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749. Pair of Chinese Export Canton Famille Rose Porcelain Vases, 20th c., hexagonal baluster bodies with molded pomegranate handles, decorated with alternating figural and landscape panels, h. 22 3/4 in. $300/500

750. Nine Chinese Export Canton Famille Rose Porcelain Dishes, probably 19th c., each decorated with alternating figural and floral panels, incl.

2 butter plates, dia. 7 in.; 6 salad plates, dia. 7 1/2 in.; and saucer, dia. 6 in. $200/400

751. Assembled Chinese Export Canton Famille Rose Porcelain Partial Tea and Coffee Service, probably 19th c., incl. covered coffee pot, h. 9 3/4 in.; covered teapot, h. 6 3/4 in.; milk pitcher, h. 4 in.; 7 shaped tea cups; and 9 circular and shaped dishes, largest dia. 6 in., (20 pcs.) $400/600 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

753. Continental Enameled Copper Oval Plaque of the “Mona Lisa”, 19th c., handwritten label on reverse, 6 1/2 in. x 5 3/8 in., elaborate gilt frame. $700/1000

754. Pair of Italian Carved Pine Wall Plaques, in the form of musical trophées, h. 46 in., w. 12 1/2 in. $800/1200

755. Pair of French Gilt Bronze Mounted Baccarat Style Glass Urns, mid to late 19th c., amphora bodies cut in beehive pattern, acanthine and foliate mounts, square plinths, h. 19 1/2 in., w. 9 in. $1200/1800

757. Continental Cut Glass Pokol, late 19th/early 20th c., armorial crest, floral incised bowl and cover, “air twist” stem, h. 13 in. $300/500

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758. Pair of Belle Époque Bronze Figural Andirons, late 19th/early 20th c., double handled urns with flame finials on stylized Griffins, h. 24 1/2 in., w. 10 in., d. 21 1/2 in. $500/750

752. Chinese Export Canton Famille Rose Porcelain Platter, probably 19th c., oval body decorated with alternating figural and floral panels, h. 2 in., w. 16 1/2 in., d. 13 1/2 in. $200/400

756. Pair of French Neoclassical-Style Gilt Bronze Mounted Onyx Pedestals, 19th c., Corinthian capitals, stepped plinth bases, h. 46 in., w. 11 1/2 in. $800/1200 Provenance: The Gotlib Collection.

759. Austro-Hungarian .800 Silver Decanter, c. 1886-1922, maker “C.W” in rectangle, vase form with elongated neck and spreading foot, cast figure of a spread eagle mounted on stopper, h. 11 in., wt. 8.70 troy ozs. $250/350

760. Russian Silver Tea Set, Soviet Union, mark for 1958, teapot, creamer with covered spout and open sugar, Rococo Revival style pear-shape forms, reticulated supports, cast acorn finial on teapot, h. 6 1/2 in., combined wt. 15.50 troy ozs., (3 pcs.) $250/350

761. Set of Twelve French First Standard Silver Shot Cups, each small beaker with narrow embossed leaf band, gilt interior, h. 1 3/4 in., wt. 4.05 troy ozs. $300/400

763. Imperial Russian .875 Silver Wirework Stand, 1875, Moscow, 84 zolotnik mark, decorated with stems, leaves, flowers, rope and other borders, h. 4 in., dia. 8 in., wt. 16.15 troy ozs. $300/500

762. Pair of Polish .875 Silver Candlesticks, late 19th c., Warsow, probably Israel Goldman, h. 13 in. $300/500

764. Pair of Georg Jensen Sterling Silver Salt and Pepper Shakers, designed by Johan Rohde (1856-1935) in the “Acorn” pattern, h. 3 1/2 in., approx. wt. 3 oz. $300/500

765. Two French Silverplate Boudoir Pieces, 19th c., incl. bouquet form encrier, the bouquet opening to glass inkwell; and hand mirror, bordered with medallions of Classical figures, mirror l. 18 1/2 in. $300/500 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL. 766. Gorham Sterling Silver Water Pitcher, “Puritan” pattern, date mark for 1966, h. 8 3/8 in., wt. 20.50 troy ozs. $200/400 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

768. Hungarian Commemorative Cut Crystal Covered Urn, early 20th c., fluted lid with pointed finial, inscribed in Hungarian on body, floriform base, h. 17 in., dia. 6 in. $500/700

767. Pair of Anglo-Irish Cut Crystal Covered Sweetmeat Urns, 19th c., finialed dome covers, tulip form bowls, pedestal support, spreading foot, h. 15 1/4 in., dia. 7 5/8 in. $600/900

769.

Continental Cast Iron Figure of Bacchus, 19th c., supporting a cup decorated with Bacchanalian scenes, h. 25 5/8 in. $1000/1500

770. Continental Patinated Bronze Animalier Group, 20th c., after the “Serpent et Gazelle” by Alfred Jacquemart (French, 1824 1896), inscribed “A. Jacquemart”, h. 12 5/8 in., w. 13 in. $700/1000 771. Emil Kiemlen (German, 18691956), “Der Sieger (The Winner)”, patinated bronze, inscribed “Kiemlen”, titled on plaque, marble plinth, h. 26 1/4 in. $1500/2500

772. A George II-Style Chinoiserie Mirror, beveled mirror plate, h. 64 in., w. 24 in. $1200/1800

773. Louis XV-Style Bronze Mounted Vernis Martin Mantel Clock, c. 1890, cast dial with inset enameled Roman and Arabic numbers, marked “J.E. Caldwell & Co./ Philadelphia”, waisted case, painted with flowers and dancing couple, mounted with dragons and figure holding a parasol, h. 23 1/2 in., w. 13 in., d. 6 in. $2000/3000 Additional information at www.nealauction.com

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775. Pair of French Empire Gilt Bronze Mounted Cut Glass Centerpieces, 19th c., each with finialed domed cover, 3 graduated bronze trimmed ruby and clear cut glass bowls, foliate standards flanked by rearing horses, incurvate plinths, scrollwork ball feet, h. 30 1/2 in., dia. 16 in. $3500/5500 774. Monumental Pair of Chinese “Clobbered” Famille Rose Porcelain Vases, probably 19th/20th c., tall necks with elephant mask ring handles, tapering cylindrical bodies, decorated with figures in landscapes beneath a yellow ground, Kangxi marks, h. 43 1/4 in., elaborate giltwood stands, overall h. 59 3/4 in. $4000/6000 776. Group of Eighteen Chinese White Glazed Porcelain Luohans, variously modeled seated or standing with an attribute, bases with impressed seal marks, h. 11 1/8 in. to 20 1/4 in. $2500/3500

778. Chinoiserie Paint-Decorated and Lacquered Wood Low Table, waisted rectangular top decorated with mounted figures, square legs, hoof feet, h. 18 1/2 in., w. 48 in., d. 24 in. $500/700

777. Pair of Chinese Cloisonné Enamel Cranes, probably 20th c., each modeled standing on a rockwork base with one leg raised in the air, h. 27 1/4 in. $1000/1500

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779. Louis XIV-Style Gilt Bronze Fire Screen, 19th c., shield form with Louis XIV “Sun King” mask, scrolled foliate feet, h. 32 in., w. 31 in., d. 9 in. $400/600

780. Pair Charles-X Style Gilt Bronze Mounted Cut Glass Jardinières, 20th c., diaper pattern glass, with gadroon trim, ram’s head handles, bun feet, h. 10 1/2 in., dia. 16 1/2 in. $2000/4000

781. Pair of Antique Louis XVI-Style Giltwood Fauteuils, round backs, padded arms, circular seat rail with rosette blocks, tapered fluted legs. $800/1200

782. Pair of Baltic Neoclassical-Style Painted and Gilt Bronze Mounted Torchères, circular marble top, conforming frieze, columnar supports, X stretchers, incurvate plinth, ball feet, h. 47 1/8 in., w. 11 1/2 in. $2000/3000

783. Louis Philippe Bronze Mounted Mahogany Sécrétaire à Abattant, 19th c., marble top, frieze drawer, fall front, fitted interior of drawers, tooled leather writing surface, three drawers, toupie feet, h. 55 1/2 in., w. 33 3/4 in., d. 17 3/8 in. $800/1200

785. Alexander Warshawsky (American, 1887-1945), “The Countryside of Uzes, South of France”, oil on canvas, titled on artist label en verso, 25 3/4 in. x 31 3/4 in., framed. $800/1200

786. Felix Albert Gendrot (American, 1866-1955), “After the Rain”, oil on canvas, signed lower right, “Third Annual Exhibition of Cleveland Artists” label with title en verso, 14 in. x 20 in., framed. $1200/1800

784. Louis XV-Style Carved Mahogany Guéridon, circular Egyptian marble top, cabriole legs, shaped stretcher, floral finial, h. 30 in., dia. 26 5/8 in. $500/700

787. Benjamin James Bowen (American/Tunisian, 1859-1930), “Nocturne Sailboats”, oil on canvas, signed lower right, 15 in. x 18 in., period frame. $1000/1500

789. Three Victorian Umbrellas, 19th c., first with bamboo and pink onyx handle, second with polychrome and gilt porcelain handle, and third with monogrammed silver and mother of pearl handle, l. 32 1/2 in, 35 in., 40 in. $600/900

790. Napoleon III Gilt Bronze and Champlevé Enamel Mounted Onyx Jardinière, 19th c., rectangular form with arabesque decoration, finialed handles, plinth base, paw feet, h. 6 1/2 in., w. 21 in., d. 9 1/2 in. $300/500 Provenance: The Gotlib Collection.

788. After “Raphael” Raffaelo Sanzio (Italian, 1483-1520), “Madonna della Sedia, (c. 1513-1514)”, 19th c., oil on canvas, unsigned, 18 1/2 in. x 18 1/2 in., framed. $700/900 Additional information at www.nealauction.com

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792. Austrian Erotic Bronze Cigar Cutter, c. 1900, attr. Franz Xaver Bergmann, Vienna, reclining nude with hinged leg, concealing blade, h. 1 3/4 in., w. 8 3/4 in., marble plinth. $800/1200 791. Pair of Charles X Gilt Bronze Candlesticks, 19th c., urn form candlecups, fluted columnar shafts with floral decoration, round bases, h. 11 1/2 in., dia. 4 3/4 in. $500/750

793. Art Deco Silvered Metal Figural Group, early 20th c., plaque titled “Crainte & Désir”, modeled as a nymph offering vegetation to a deer, rouge marble base, overall h. 12 1/4 in., w. 23 3/4 in., d. 9 1/4 in. $800/1200 Provenance: The Gotlib Collection.

794. George III Mother-of-Pearl, Ivory and Tortoiseshell Tea Caddy, c. 1790, decagonal form, divided interior, remnants of foil lining, h. 4 3/4 in., w. 6 in., d. 3 1/2 in. $200/400

798. Anglo-Indian Bone and Specimen Marble Inlaid Valuables Box, late 19th/early 20th c., geometric inlay, rectangular plinth base, splayed feet, velvet lined interior, h. 4 1/2 in., w. 12 1/2 in., d. 9 1/2 in. $100/200

795. English Tortoiseshell Tea Caddy, 19th c., wire inlaid rectangular body with conforming finialed domed cover opening to fitted interior with one compartment, h. 5 3/8 in., w. 4 3/8 in., d. 3 1/4 in. $300/500

801. Pair of Small French Champlève Enamel and Gilt Bronze Candelabra, 19th c., covered urn with scrolled candlearms, paw feet, h. 8 1/4 in., w. 8 1/4 in., drilled for electricity. $500/800

799. English Mother-of-Pearl Inlaid Burled Walnut Dresser Box, mid-19th c., chevron and floral inlaid banding, divided interior, h. 5 3/8 in., w. 11 3/4 in., d. 8 3/4 in. $100/150 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

802. Oushak Carpet, beige ground, blue and cream stylized floral pattern, 8 ft. 11 in. x 6 ft.

3 in. $2000/3000

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796. English Inlaid Mahogany Tea Caddy, 19th c., octagonal form with keyhole, fabric lined lidded interior, h. 4 in., w. 4 1/2 in., d. 3 in. $300/500

797. English Satinwood Inlaid Walnut Tea Caddy, 19th c., rectangular body, fitted interior with three compartments, h. 5 3/4 in., w. 10 in., d. 5 in. $150/250

800. Pair of Antique Neoclassical Silverplate Candlesticks, tapered standard, removable bobêche, stepped foot, h. 12 7/8 in. $200/400

Provenance: The Gotlib Collection.

803. Oushak Carpet, beige ground, pink scrollwork and floral motif, 11 ft. 8 in. x 8 ft. 11 in. $4000/5000

804. Agra Carpet, green ground, stylized polychrome floral motif, 11 ft. x 9 ft. 1 in. $2500/3500

807. Oushak Carpet, pale green central ground, stylized floral motif, 8 ft. 10 in. x 7 ft. 3 in. $2500/3500

810. Pair of Empire Style Gilt Bronze Three Light Figural Candelabra, probably early 20th c., with foliate scroll candlearms, “Winged Victory� standard, pedestal and plinth, h. 21 in. $2500/3500

805. Serapi Carpet, cream ground, geometric central medallion, red corner brackets, navy blue border, 11 ft. 9 in. x 9 ft. 1 in. $3000/4000

808. Oushak Carpet, pale green ground, repeating floral medallions, 9 ft. 4 in. x 8 ft. 3 in. $3000/4000

806. Persian Serapi Carpet, teal ground, burnt orange border with stylized floral motif, 9 ft. 1 in. x 6 ft. 8 in. $2200/2800

809. Persian Heriz Carpet, red orange ground, stylized geometric central medallion, navy blue border, 9 ft. 2 in. x 7 ft. 2 in. $2000/3000

811. Neoclassical-Style Five Light Gilt Brass and Bronze Chandelier, late 19th/early 20th c., foliate canopy, baluster standard, scrolled arms hung with acanthus, h. 28 1/2 in., w. 22 1/2 in., electrified. $700/1000

Additional information at www.nealauction.com

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812. Pair of Baccarat-Style Gilt Brass and Glass Table Lamps, late 20th c., fluted vasiform standards, brass base with bracket feet, h. 21 1/4 in., w. 6 in. $500/750

813. Pair of Louis XVI-Style Gilt Bronze Three Light Sconces, late 19th c., flaming urn finial, foliate arms, h. 20 in., w. 12 in., d. 11 1/2 in. $400/600 Provenance: The Gotlib Collection.

814. Andre Hunebelle Art Deco Glass Vase, early 20th c., signed, marked “ODELE DEP DE R COGNVEVILLE MADE IN FRANCE”, ovoid body, embossed leaf pattern, h. 9 in., mounted as a lamp, overall h. 12 in.; together with enameled gilt amethyst Bohemian glass vase, late 19th c., probably Moser, h. 13 1/4 in. $200/400

815. Antique Ebonized and Gilt Metal Inlaid Jardinière, late 19th c., probably French, molded basin with brass liner, baluster form legs, plinth base, h. 19 in., w. 40 1/2 in., d. 13 in. $400/600

Provenance: The Gotlib Collection.

816. Pair of Patinated Bronze Duck Fountains., modeled naturalistically in mirror image, h. 15 3/4 in., w. 15 3/4 in. $600/900 817. Pair of Continental Pâte-surPâte Porcelain Vases, 20th c., slip painted and tooled with butterflies and flowers, h. 14 1/4 in., mounted as lamps, h. (to top of finial) 27 3/4 in. $400/600 818. A Pair of Antique Spanish Wrought Iron Brass Mounted Gates, 19th c., h. 47 in., w. 57 in. $1200/1800

819. Pair of Continental Bronze Blackamoors, the figures holding fans, on tall fluted columns, h. 82 in., dia. 15 1/2 in. $1200/1800

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820. An Italian Patinated Bronze Equestrian Group of “Bartolomeo Colleoni on Horseback”, 20th c., after the bronze monument by Andrea del Verrocchio (Italian, 14351488), in Venice, inscribed “Monumento Colleoni/ Venezia” on marble pedestal, overall h. 21 5/8 in. $1200/1800

821. Georges Gardet (French, 1863-1939), “L’Ours Mendiant”, c. 1900, bronze, inscribed “G. Gardet” and numbered “P902” with “Siot Decauville” seal on base, h. 6 1/2 in. $500/750

822. Meissen Porcelain Figural Group, late 19th c., crossed swords mark, modeled as three warriors and an attendant astride a caparisoned elephant, h. 15 in., w. 12 in. $1000/1500 Provenance: The Gotlib Collection.

826. Pair of Continental Gilt and Enamel Vases, late 19th c., flared necks, ovoid bodies painted with a gentleman and lady seated in Classical gardens, h. 6 3/8 in. $400/600 Provenance: The Gotlib Collection.

823. Meissen Porcelain Wall Bracket, probably late 19th c., crossed swords mark, shaped shelf, rocaille molded standard with applied flower heads, h. 12 in., w. 13 1/2 in., d. 7 7/8 in.; together with a Paris porcelain mantel clock, rocaille molded case with applied flowers, h. 13 1/2 in., (2 pcs.) $200/400

824. Pair of Jennens and Bettridge Papier‑Mâché Gilt and Polychromed Hand Fans in the Gothic Taste, mid‑19th c., one signed, each with church procession reserve, h.

15 1/2 in. $200/300

825. Empire Gilt Bronze‑Mounted Crystal Pitcher with Six Glasses, decorated with Neoclassical figures, pitcher with hinged top and eagle finial, pitcher h. 7 1/2 in., glass h. 5 in. $200/400

Provenance: The Gotlib Collection.

827. Continental Gilt Metal‑Mounted Enamel Ewer, 19th c., decorated with Classical scenes, stylized bird handle and grotesque mask, circular foot, h. 7 3/4 in. $400/600

828. Two Continental Enamel and Gilt Metal Boxes, late 19th/ early 20th c., hinged tops inset with profile busts of maidens, signed, bodies with floral and scrollwork relief, fabric lined interiors, h. 1 3/4 in., w. 4 in., and h. 2 in., w. 5 in. $400/800

829. Pair of Continental Enamel Vases, late 19th c., painted with a flower seller and gentleman, h. 5 1/4 in.; together with an enameled vase painted with a lady, signed “Durval”, h. 6 5/8 in.; and vase with a costumed lady, signed “M. Miza”, h. 5 3/4 in. (4 pcs.) $400/600

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

830. Continental Enamel Roundel Portrait of a Beauty, 19th c., signed “Sysa”, h. 6 1/2 in., framed; together with an enamel and silver compact, painted with dancing putti, w. 3 1/2 in.

(2 pcs.) $400/600 Provenance: The Gotlib Collection.

831. Pair of French Gilt Bronze‑Mounted Champlevé Enamel Vases, late 19th c., elongated necks, everted rims, claw footed tripod stands, h. 7 1/4 in.; together with gilt metal hinged casket with velvet lid, marble stand, h. 5 in.; and a Belle Époque enamel and gilt bronze locket stand, h. 5 1/4 in. (4 pcs.) $250/500

832. Pair of Louis XVI‑Style PaintDecorated and Porcelain‑Mounted Stands, 20th c., galleried astragal tops, inset porcelain interiors, conforming stretcher shelves with brass galleries, fluted tapered legs, h. 31 1/2 in., w. 26 1/2 in., d. 14 in. $800/1200

833. Louis XVI‑Style Gilt Bronze Fireplace Garniture, 19th c., pair of urn-form chenets joined by a fireguard, overall h. 15 1/2 in., width 54 1/2 in., depth 3 1/2 in., (3 pcs.) $700/1000

Provenance: The Gotlib Collection.

834. Pair of Louis XVI‑Style Porcelain‑Mounted Gilt Bronze Two‑Light Sconces, backplates cast with putti and wreathes, inset with Sèvres‑style plates painted with birds and flowers, scrolled foliate supports, h. 24 1/2 in., w. 13 1/2 in., d. 5 1/2 in. $1200/1800

835. Pair of Louis XVI‑Style Porcelain‑Mounted Gilt Bronze Two‑Light Sconces, 19th c., ribboned anthemion backplates centering plates painted with street vendor scenes from William Marshall Craig’s Cries of London, h. 30 in., w. 15 in., d. 5 in. $1000/1500 Additional information at www.nealauction.com

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836. Pair of French Brass Three‑Light Candelabra, 18th/19th c., finialed urns on baluster‑form standards, S‑scroll arms, octagonal candlecups, conforming bases, h. 14 3/4 in., w. 11 3/4 in. $800/1200

837. Set of St. Louis “Bubbles” Pattern Dark Blue Crystal Stemware, 12 champagne flutes, 9 hocks and 11 dessert coupes, h. 9 1/4 in., 9 1/2 in. and 4 3/4 in., (32 pcs.) $1000/1500

838. Set of St. Louis “Bubbles” Pattern Sky Blue Crystal Stemware, 8 champagne flutes, 6 hocks and 8 dessert coupes, h. 9 1/4 in., 9 1/2 in. and 4 3/4 in. (22 pcs.) $800/1200

839. Pair of English Hand‑Blown Glass Club‑Form Decanters, 19th c., diapered and pontil banded pattern, molded ring necks, mushroom stoppers, h. 9 1/2 in. $400/600

842. Max Lindenberg (German, 1873‑1910), “Musikantin”, c. 1900, bronze, artist name with Gladenbeck foundry and patent inscribed on base, marble socle, h. 10 7/8 in. $500/750

840. American Blown Glass Dome, late 19th c., h. 23 1/4 in., set on velvetlined, shell and scrollwork decorated giltwood base; h. 25 1/2 in. $300/500 Provenance: Arlington Plantation, Natchez, MS.

844. French Art Deco Bronze‑Mounted Champlevé Enamel and Marble Three‑Piece Clock Garniture, early 20th c., crystal regulator with mercury pendulum, movement stamped “F Marti”, case flanked by figures of a satyr and nymph, conforming tazzas, clock h. 13 in., w. 16 1/4 in., d. 5 1/2 in. $1000/1500 Provenance: The Gotlib Collection.

848. Indian School, “Men in Boats”, gouache heightened with gold on paper mounted to card, 12 1/2 in. x 8 in., overall 15 1/2 in. x 10 1/4 in., matted. $100/200 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

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841. Italian Patinated Bronze Equestrian Group of “Bartolomeo Colleoni on Horseback”, 20th c., after the monument by Andrea Verrochio (Italian, 1435‑1488), h. 22 in., w. 18 in. $400/600

845. Biedermeier‑Style Figured Fruitwood Work Table, galleried bookmatched lift top, fitted mirrored interior, frieze drawer, ring supports, stretcher, arched legs, h. 27 in., w. 20 in., d. 13 in. $300/500

849. Indian School, “Prince Holding a Bird”, gouache heightened with gold on paper, 7 1/4 in. x 4 7/8 in., sheet 14 1/4 in. x 11 3/4 in. $300/500 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

843. Pair Louis XVI‑Style Doré Bronze and Enamel Mirrors, arched scrolled, diapered crests surmounted by urns, rosette blocked corners, reticulated framework, floral swagged mirror plates, h. 48 in., w. 27 in. $1200/1800

846. Indian School, “Portrait of a Sage or Holy Man”, gouache heightened with gold on paper, 2 1/4 in. x 1 3/4 in., sheet 10 1/2 in. x 7 3/8 in., matted. $400/600 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

847. Indian School, “Portrait of a Prince”, gouache heightened with gold on paper, 5 3/4 in. x 3 in., sheet 11 1/2 in. x 7 1/2 in., matted. $300/500 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

850. Indian School, “Figures in a Landscape”, gouache heightened with gold on paper, 7 3/8 in. x 4 1/8 in., sheet 12 in. x 7 5/8 in., matted. $300/500

851. Indian School, “At Court”, gouache heightened with gold on paper mounted to card, 12 1/2 in. x 7 7/8 in., overall 16 1/2 in. x 11 1/4 in. $100/200

Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

853. Asian Carved Wood Display Cabinet, architectonic top, glass case with shelves, rounded display shelf, drawer, scroll legs, h. 72 1/2 in., w. 23 1/2 in., d. 17 7/8 in. $500/800 Provenance: The Gotlib Collection.

852. Asian Copper Tripod Censer, bowl‑form body, flared sectional rim and upright arms, masked cabriole legs, h. 4 3/8 in. $100/150 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

856. Five Chinese Song‑Style Straw Glazed Pottery Urns, bulbous mounts, ovoid bodies with tall necks applied with figures, h. 15 7/8 in. to 19 1/2 in. $700/1000

860. Chinese Wucai Porcelain Food Container, probably 20th c., domed finialed cover, shallow U‑form body with divided interior, decorated with dragons pursuing the flaming pearl, base with Wanli mark, h. 8 in., dia. 10 3/4 in. $400/600

864. Pair of Chinese Blue and White Porcelain Vases, probably 20th c., flared necks, tapering square bodies, decorated with ducks in lotus ponds, bases with Kangxi marks, h. 20 1/4 in. $600/800

854. Asian School, “Bodhisattva and Attendants”, ink and color on paper, inscribed and sealed lower left, 15 3/4 in. x 5 3/8 in., mounted as a hanging scroll. $200/300

855. Chinese Bronze Figure of a Warrior, cast standing on a rockwork base wearing elaborate robes, h. 8 5/8 in.

Note: condition. $350/450 Provenance: Uptown New Orleans Family; thence by descent.

857. Chinese Zhou‑Style Wire Inlaid Bronze Figural Vase, cast as a mythical beast surmounted by a ewer, h. 13 in., w. 10 1/2 in. $1200/1800

858. Chinese Dark Green Jade Covered Vase, flattened bottle‑form body with square loop‑ring handles, carved with archaistic motifs, conforming cover, h. 6 1/4 in., wood stand, overall h. 7 1/8 in. $700/1000

859. Chinese Black Soapstone Bodhidharma, carved with clasped hands, h. 6 3/8 in., white soapstone base, overall h. 8 in. $150/250

861. Chinese Famille Noir Porcelain Bottle Vase, probably 20th c., decorated with flowering prunus, bamboo and rocks, base with Kangxi mark, h. 18 1/8 in. $300/500

862. Pair of Chinese Famille Noire Porcelain Vases, probably 20th c., flared necks, tapering square bodies, decorated with boys in garden settings, bases with Kangxi marks, h. 19 3/4 in. $600/800

863. Chinese Copper Red Decorated Blue and White Porcelain Vase, probably mid‑20th c., ovoid body decorated with dragons above waves, base with Kangxi mark, h. 18 1/8 in. $150/250

865. Chinese Blue and White Porcelain Gu Vase, probably 20th c., decorated with the Eight Immortals above floral sprays and peaches, base with double ring mark, h. 18 3/4 in. $400/600

866. Chinese Blue and White Porcelain Ovoid Jar, probably 19th c., decorated with a dragon amid cloud scrolls, base with double ring mark, h. 8 1/8 in. $150/250

867. Chinese Lacquer Table, waisted shaped top, reticulated frieze, scrolled legs, stretcher base, h. 20 1/2 in., w. 24 in., d. 13 1/2 in. $200/300 Provenance: Estate of Dorothy Mintz (1920‑2014), New Orleans, LA.

Additional information at www.nealauction.com

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868. Chinese Gilt Decorated Cinnabar‑Orange Bowl‑Form Ink Cake, probably Qing Dynasty (1644‑1911), interior carved with gilt five‑clawed dragons and the characters “imperially bestowed”, exterior with dragons and flaming pearls, base inscribed “made by Cao Sugong in Qianlong period...”, h. 2 3/8 in., dia. 6 in. $1000/2000 Ref: For a similar bowl‑form red ink cake, see Minneapolis Institute of Arts, accession no.

200.154.

869. Chinese Hardstone Tripod Censer, probably Qing Dynasty (1644‑1911), domed cover with Buddhist lion finial, globular body carved with dragons, lion’s mask‑loose ring handles, lion’s mask feet, base with Qianlong mark, h. 6 1/4 in., w. 8 1/2 in. $3000/5000

870. Chinese Carved Stone Inkstone and Stone‑Inset Hardwood Case, probably 19th/20th c., probably Duan stone, oval greenish stone carved with archaistic flanges, reverse incised, set in a brown stone base; case with cover inset with stone panel, overall h. 1 1/4 in., w. 4 5/8 in., d. 3 5/8 in. $2000/3000

871. Large Chinese Bronze Figure of a Dragon‑Turtle, crouching beast cast with the body of a turtle and the head and feet of a scaly dragon, h. 13 1/2 in., w. 19 in. $1500/2500

872. Chinese Blue and White Porcelain Dish, probably Qing Dynasty (1644‑1912), shallow bowl‑form body decorated with birds in a flowering pomegranate tree, base with flower mark, h. 2 1/8 in., dia. 9 7/8 in. $1000/2000

873. Chinese Famille Rose Porcelain Dish, probably 18th/19th c., decorated with a figural scene encircled by alternating landscape and flower reserves, dia. 9 5/8 in. Note: Repairs. $100/200 Provenance: Uptown New Orleans Collection.

875. Chinese Marble Basin, square body with canted corners on an integral scroll‑form plinth, carved with lion’s masks, h. 7 1/4 in., w. 15 1/4 in., d. 15 1/4 in. $600/800

874. Pair of Chinese Famille Rose Porcelain Vases, tapering bodies, flared necks with Buddhist lion handles, foliate rims, decorated with figures in landscapes, h. 22 3/4 in. $1000/1500

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876. Chinese Famille Rose Porcelain Vase, probably 19th/20th c., flared neck with “bamboo” handles, U‑form body, splayed foot with copper supports, decorated with the Eighteen Luohan, base with Qianlong mark, h. 17 3/4 in. $500/700

877. Chinese Blue and White Porcelain Jardinière, ovoid body decorated with dragons amid cloud scrolls, h. 13 7/8 in., dia. 14 in. $300/500

878. Chinese Lacquered Wood Garment Rack, turned top rail with floral scroll terminals, foliate pierced central plaque, turned crossbars and stiles, scrolled foliate brackets, bracketed feet, h. 67 1/2 in., w. 81 in., d. 22 1/2 in. $400/600

879. Chinese Hardwood Towel Rack and Wash Basin Stand, turned crest rail with dragon head terminals, scrollwork spandrels, reticulated panels connecting to the basin stand, turned supports, wheel‑shaped stretchers, h.

67 in., w. 25 in., d. 18 in. $400/600 Provenance: Estate of restaurateur Luo Yapquan (1917‑2009), Flushing, NY and Miami, FL.

880. Chinese Carved Hardwood Low Table, waisted framed panel top, square legs, incurvate feet, labeled “Imported by / Royal Cathay Trading Co. / San Francisco / Made in Hong Kong”, h. 14 in., w. 58 in., d. 20 in. $250/500 Provenance: The Gotlib Collection.

881. Large Chinese Brown Glazed Pottery Jar, ovoid body with mythical beast loop handles, overall applied dragon, pearl and phoenix design, base drilled, h. 22 in. $400/600

884. Chinese “Realgar” Glass Gu Vase, variegated red, black and purple glass modeled in imitation of realgar, h. 8 7/8 in. $500/700

885. Near Pair of Chinese White Glass Vases, squared baluster bodies with zoomorphic handles, carved with taotie masks, h. 14 3/8 in. and 14 7/8 in. $700/900

882. Pair of Chinese Flambé Glazed Porcelain Vases, globular bodies and flared necks covered in purple streaked oxblood red glaze, h. 20 1/4 in. $800/1200

883. Chinese Flambé Pottery Vase, pear‑form body with rectangular handles covered overall in a blue streaked purple glaze thinning to mushroom at the mouth, h. 11 in. $350/450

886. Chinese Scholar’s Rock, craggy yellow stone formed as a tapering foot rising to a globular head, h. 21 1/2 in., hardwood stand, overall h. 26 in. $1000/1500

887. Chinese Horn Figural Pendant, carved as Shoulao carrying a peach and scepter resting on a leaf, h. 2 3/4 in. $300/500

888. Chinese Horn Ruyi Scepter, curved shaft carved with entwined lingzhi terminating in a lingzhi head, l. 7 in. $300/500

889. Chinese Boxwood Figure, standing male carved with his arms crossed across his chest, h. 9 3/8 in. $250/350

890. Chinese Rootwood Figure, standing male carved wearing long robes and a hat, h. 13 1/2 in., mounted on a wood pedestal, overall h. 16 3/4 in. $300/500

891. Billy Price (Hosmer) Carroll (American, 1920‑2011, active China, 1965‑1973), “Docking at Aberdeen”, c. 1968, ink on paper, signed and sealed lower right, titled on label en verso, 15 1/4 in. x 23 5/8 in., mounted and framed. $500/700 Provenance: By descent in the family of the artist.

Exhibited: National Taiwan Arts Hall, Taipei Historical Museum, Taipei, 1969.

Additional information at www.nealauction.com

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892. Billy Price (Hosmer) Carroll (American, 1920‑2011, active China, 1965‑1973), “Rocks amid Clouds”, c. 1968, ink and color on paper, signed, and sealed lower right, titled on label en verso, 20 7/8 in. x 23 3/8 in., mounted and framed. $500/700

893. Billy Price (Hosmer) Carroll (American, 1920‑2011, active China, 1965‑1973), “Canyon Fog”, c.

1968, ink on paper, signed and sealed upper right, titled on label en verso, 11 5/8 in. x 15 1/4 in., mounted as a hanging scroll. $400/600

Provenance: By descent in the family of the artist.

Provenance: By descent in the family of the artist.

Exhibited: National Taiwan Arts Hall, Taipei Historical Museum, Taipei, 1969.

Exhibited: National Taiwan Arts Hall, Taipei Historical Museum, Taipei, 1969.

896. Chinese Famille Verte Porcelain Bottle Vase, decorated with figures in a rock and pine landscape, h. 16 7/8 in. $200/400

900. Chinese Hardwood Rectangular Document Box, rounded sides, hinged top, cloud‑shaped hasp, escutcheon and bail handles, h. 5 1/2 in., w. 16 in., d. 4 5/8 in. $300/500

904. Chinese Hardwood Seal Chest, molded top above two doors concealing five drawers, patinated brass fittings, h. 17 in., w. 16 1/2 in., d. 12 in. $200/300 Provenance: Estate of restaurateur Luo Yapquan (1917‑2009), Flushing, NY and Miami, FL.

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897. Chinese Famille Verte Porcelain Jardinière, tapering globular body decorated with birds on rocks and flowering branches, h. 10 1/8 in., dia. 12 1/2 in. $200/400

894. Chinese Famille Rose Porcelain Jardinière, compressed globular body with lion’s mask‑ring handles, decorated with bird‑and‑flower panels, h. 10 1/4 in., dia. 15 3/4 in. $500/700

898. Pair of Chinese Polychrome Porcelain Figures of an Emperor and Empress, each modeled seated on an elaborate dragon throne, h. 12 3/4 in. and 11 3/4 in., w. 9 1/4 in. $200/300 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

895. Chinese Blue and White Porcelain Jar, squat bulbous body, decorated with warriors on horseback, h.

10 1/2 in. $300/500

899. Chinese Famille Jaune Porcelain Jardinière and Underplate, bell‑form body decorated with figural and bird‑on‑branch panels, conforming undertray, overall h. 8 3/4 in., dia. 10 3/4 in. $100/200 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

902. Pair of Chinese Green Streaked White Glass Boxes, drum‑form bodies, flat lids, modeled in imitation jade, h. 2 1/4 in.; together with a green glass covered cylindrical box, h. 1 3/4 in. $150/250 901. Two Chinese Hardwood Brush Pots, waisted cylindrical form, h. 4 5/8 in., dia. 3 in.; and rectangular with canted corners, carved with figural landscapes, h. 6 1/2 in., w. 4 3/4 in., d. 4 3/4 in. $300/500

905. Pair of Chinese Cloisonné Enamel Bottle Vases, decorated with dragons in pursuit of the flaming pearl, h. 15 3/8 in. $200/400 Provenance: The Gotlib Collection.

903. Chinese Shoushan Soapstone Seal, rectangular body surmounted by the figure of a seated Buddhist lion, uncarved chop, h. 4 1/4 in. $300/500

906. Pair of Chinese Famille Rose Porcelain “Mille Fleurs” Gu Vases, probably 20th c., each in two parts with flared neck, globular mid‑section and bell‑form base, painted with flower heads, grapes and lotus leaves, bases with Qianlong marks, h. 9 1/4 in. $600/800

907. Chinese “Blanc‑de‑Chine” Porcelain Figural Group, probably mid‑20th c., modeled as a Cultural Revolution female seated on a rock feeding a baby pig, h. 8 3/8 in. $300/500

908. Chinese Famille Rose Porcelain Rectangular Plaque, probably mid‑20th c., decorated with Cultural Revolution figures boating in a lotus pond, h. 22 in., w. 13 1/2 in. $400/600

909. Group of Chinese Erotica, incl. a jade fingering piece, carved as a nude female lying on a furled leaf, height 2 3/4 in.; and a bone snuff bottle, incised with amorous couples, h. 2 7/8 in. $150/250

912. Indian or Southeast Asian Bronze Buddhist Figure, cast seated in dhyanasana on a lotus base holding a vajra and a bowl, h. 15 1/4 in., mounted to a lamp base, overall h. 17 1/2 in. $300/500

910. Chinese School, “Five Donkeys”, ink on paper, inscribed and sealed upper left, 34 1/4 in. x 18 3/4 in., mounted as a hanging scroll. $200/300

911. Asian Bronze Figural Group of a Boy on a Buffalo, possibly Vietnam, base inscribed “Fonderie Tonkinoise / Hoang ‑ Xuan ‑ Lan”, h. 5 7/8 in., w. 8 5/8 in. $300/500

913. Tibetan School, “Seated Monk”, ink, color and gilt on paper, 49 in. x 22 3/4 in., mounted as a hanging scroll. $400/600

914. Tibetan School, “Bodhisattva Seated on a Mythical Beast”, ink, color and gilt on paper, 49 1/4 in. x 22 3/4 in., mounted as a hanging scroll. $400/600

Provenance: Blackamoor Antiques, New Orleans, LA.

Provenance: Blackamoor Antiques, New Orleans, LA.

Additional information at www.nealauction.com

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Session Three Sunday, April 19, 11 am 3923 Carondelet

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915. Lalique “Dauphins” Clear and Frosted Glass Vase, engraved “Lalique France”, molded with dolphins, h. 6 1/2 in.; together with a Lalique “Shell” clear and frosted glass bud vase, h. 7 in., (2 pcs.) $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

919. Group of Six Baccarat Cut Glass Decanters, stamped, comprising “Harmonie”, “Vega”, “Talleyrand”, and 3 “Harcourt”, tallest h. 12 3/4 in. $600/800 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

916. Two Lalique “Bali” and “Osumi” Clear and Frosted Glass Vases, engraved “Lalique France”, first with stylized blooms, h. 7 in.; second with ferns, h. 6 1/2 in.; together with a “Nancy” glass ashtray, h. 2 3/4 in., w. 8 1/4 in., (3 pcs.), accompanied by original “Osumi” box. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

920. Two Pairs of Val St. Lambert Cut Glass Candlesticks, signed, columnar forms, hexagonal bases, h. 9 1/2 in. and 6 1/2 in., (4 pcs.) $150/250 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

923. Two Baccarat Brass‑Mounted Cut Glass Ice Buckets, stamped “Baccarat France”, faceted tapered form, h. 9 in. and 6 3/4 in.; together with gilt tongs, l. 6 3/4 in., (3 pcs.) $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

924. Three Baccarat Blue Cut Glass Vases, marked, “Eye”, h. 9 1/2 in.; “Neptune”, h. 7 1/4 in.; and “Louxor”, h. 4 3/4 in. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

917. Baccarat “Boule” Clear and Frosted Glass Vase, marked, bulbous body molded with horizontal banding, h. 7 in., dia. 8 in. $200/300 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

921. Four Arik Levy Baccarat “Cube” Candlesticks, c. 2007, signed “Baccarat” and “Arik Levy”, 3 double cubes, one triple cubes, height 4 in. and 6 in., accompanied by one original box. $150/250 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

925. Three French Art Glass Table Clocks, Lalique “St. Valentine”, h. 1 3/4 in., and 2 Baccarat “Lalande”, ruby and clear glass, h. 2 7/ 8 in. and 5 in. $200/300 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

922. Four Baccarat “Symbole” Gilt Metal and Cut Glass Candlesticks, stamped and signed, horseshoe‑forms over diamond standards, h. 7 7/8 in., w. 6 in., with original boxes. $200/400 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

926. Two Baccarat “Cyclades” Cut Glass Vases, marked, bulbous bodies with swirl pattern, h. 10 in. and 5 in. $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

927. Lalique “Filicara” Amber Glass Bud Vase, engraved “Lalique France”, molded with floral pattern, h. 4 3/4 in; together with a gray star pattern ashtray; “Snake” ruby glass box lid; and small clear glass box bottom. $200/300 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

918. Group of Five Baccarat Cut Glass Decanters, marked, comprising “Massena”, “Talleyrand”, “Harmonie”, “Malmaison”, and “Perfection”, tallest h. 12 in. $500/700

928. A Lalique “Chrysis” Clear and Frosted Glass Figurine, engraved “Lalique France”, modeled as a nude female, height 5 1/3 in. $200/300 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

929. Large Baccarat “Ginkgo” Clear Glass Vase, stamped, fan shaped body, h. 11 1/4 in., w. 11 in. $300/500

930. Pair of Baccarat “Architecture” Vases, marked, tapered bodies with geometric cut pattern, h. 9 1/4 in. $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Additional information at www.nealauction.com

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931. Three Lalique Art Glass Ashtrays, signed, incl. “Concarneau”; “Soudan”; and “Cannes”; dia. 6 1/2 in., 4 1/2 in., 7 1/2 in.; together with Baccarat glass ashtray, stamped; Waterford‑style cut glass ashtray; and Murano‑style gold fleck and clear glass mortar and pestle; largest “Waterford” dia. 7 in., (7 pcs.) $300/500

935. Large American Cut Glass Vase, diamond pattern, h. 12 in.; together with lobed vase with raised silver decoration, h. 8 in. $200/300

933. Six Higgins Polychrome and Gilt Fused Art Glass Dessert Plates, c. 1955, abstract geometric design, dia. 6 1/2 in. $200/300 932. Twelve Orrefors Clear Glass Plates, curved rim, dia. 5 3/4 in. $200/300

936. A Pair of Chrome and Leather “Corbusier” LC2‑Style Chairs, in red leather, chrome‑plated steel, h. 25 3/4 in., w. 30 in., d.27 1/2 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

934. Orrefors Crystal Stemware Service, 20th c., incl. 12 cordial glasses, 12 wine glasses, 11 champagne glasses, and 11 water goblets, goblet h. 5 1/2 in., (46 pcs.) $400/600

938. Modern Scandinavian Rosewood and Teak Table, rounded edges, slab sides, h. 30 1/2 in., w. 71 in., d. 30 in. $800/1200 937. Pair of Contemporary Wood and Chrome Bookcases, by Modloft, “Pearl” model, wenge finish, polished steel, one bookcase still in original box, h.

66 3/8 in., w. 51 in., d. 14 in. $700/1000

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

939. Pair of Frank Gehry “Hat Trick” Bentwood Chairs, maple, embossed with Knoll logo, Gehry signature, and date of manufacture “6/01/00”, h. 33 1/ 2 in. Note: One with cracked slat. $600/900

940. Pair of Danish Modern Rosewood Stools, “Danish Furniture Makers Control” label, black leather cushions, h. 14 in., w. 21 1/4 in., d. 21 1/4 in. $300/500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

943. Two Charles and Ray Eames “DCM” Dining Chairs, modern, with remnants of Herman Miller label, palisander veneer, chrome legs, h. 30 in. $500/700

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941. Eames Lounge Chair and Ottoman, vintage chair with rosewood veneer, later rosewood veneer ottoman marked with Herman Miller tag. $1200/1800

942. Three Charles and Ray Eames Swivel Shell Chairs, c. 1972, with Herman Miller monogram and paper label; together with an Eames‑style fiberglass rocker by Modernica. $500/700

944. Danish Modern Teak Side Table, c. 1953, designed by Tove and Edvard Kindt‑Larsen for France & Daverkosen, with metal “FD” tag, molded top, slatted shelf, molded tapered legs, h. 23 in., w. 29 1/2 in., d. 20 in. $400/600

945. Set of Four Hans Brattrud for Hove Mobler Rosewood “Scandia” Chairs, c. 1958, labeled, bentwood slats of chrome legs; together with a Hans Brattrud rosewood lounge chair, labeled, on swivel base. Note: Condition. $700/1000 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

946. Gabeh Modern Carpet, polychrome variegated pattern, gold border, 7 ft. 8 in. x 6 ft. 3 in. $1500/2500

949. Boris Lovet‑Lorski (Lithuanian/ American, 1894‑1973), “Entwined Cranes”, patinated bronze, artist’s name inscribed on base, h. 65 in., base dia. 13 in. $3000/5000

948. Mini Mikado Wood Chandelier, designed by Miguel Herranz, wood veneer and metal, h. 19 3/4 in., w. 21 in. $500/700 947. Gabeh Modern Carpet, stylized polychrome spherical motif, 6 ft. 2 in. x 4 ft. 2 in. $1500/2000

950. Irénée Rochard (French, 1905‑1984), “Biche et Faon”, bronze, inscribed “I. Rochard” on self base, marble plinth, overall h. 14 1/2 in., w. 25 1/4 in. $500/800 Provenance: The Gotlib Collection.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

952. Charles Fritchie (American/New Orleans, b.

1936), “Male Nude with Eyes Closed”, patinated bronze, h. 42 in. $400/600 Provenance: Collection of the Artist.

954. Frances de La Rosa (American/Alabama, 20th c.), “Levitating Guilt, Study”, 1990, oil on canvas, signed and dated en verso, titled on “Galerie Simonne Stern, New Orleans” label en verso, 9 in. x 12 in., framed. $150/250

953. Bobome (French, 19th/20th c.), “Beauty in a Floral Robe”, bronze, inscribed “Bobome/ 90?” and “Epreuve d’ Artist” on base, h. 26 in. $1200/1800

951. Charles Fritchie (American/ New Orleans, b. 1936), “Seated Male Academic Study”, 2003, bronze, dated and inscribed “Fritchie” on leg, h. 11 1/2 in. $300/500

Provenance: Galerie Simonne Stern, New Orleans.

Provenance: Collection of the Artist.

955. Evelyn Witherspoon (American/Louisiana, 1901‑1998), “Abstraction”, watercolor on paper, pencil‑initialed and inscribed lower left, lower center and upper right, “Galerie Simonne Stern, New Orleans” label en verso, 14 in. x 17 1/2 in., framed. $200/400

958. Bruce A. Davenport, Jr. (American/New Orleans, b. 1972), “T.D.B.C. Presents Waiting on the Mailman”, 2013, marker on paper, signed, titled, dated and inscribed “A Tauras Da Bull Creations: 8th Series 13”, 11 in. x 14 in., unframed. $300/500

956. Richard A. Johnson (American/New Orleans, b. 1942), “Summer #3”, 1995, acrylic on canvas, initialed “R.A.J” and dated lower right, signed, titled and dated en verso, 67 in. x 60 in., unframed. $1000/1500

959. Bruce A. Davenport, Jr. (American/New Orleans, b. 1972), “T.D.B.C. Presents Jive Ass Metermaids”, 2013, marker on paper, signed, titled, dated and inscribed “A Taurus Da Bull Creations: 8th Series 13” lower margin, 11 in. x 14 in., unframed. $300/500

960. Yun Bai (Chinese/ American, c. 1979), “Explorations in Identity: 2 Faces”, two mixed media on cardboard, each signed lower right, 11 1/2 in. x 8 3/8 in., framed alike. $400/600

957. Mark Lassiter (American/Georgia, act.

20th c.), “Nelson Mandela Commemorative Banner”, 1990, inkjet on vinyl, unsigned, 96 in. x 30 in. $2000/3000 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

Note: Soon after being released from prison, the African National Congress (ANC) and anti‑apartheid leader Nelson Mandela made a ten-day tour of American cities to great fanfare and celebration. Arriving in Atlanta, GA on June 27, 1990, Mandela and his wife met with Coretta Scott King to place a wreath of flowers at the crypt of Dr. Martin Luther King, Jr. In the evening, Mandela spoke to a standing room only crowd at Georgia Tech’s Bobby Dodd Stadium. This colorful banner was among those commissioned to mark the visit and hang along Auburn Avenue, Peachtree Street and near the Morehouse campus.

Additional information at www.nealauction.com

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961. Nelson Boren (American, b. 1952), “Cowboy”, watercolor on paper, signed lower left, sight 61 in. x 42 in., framed. $3000/5000 Note: Working from a studio in Sandpoint, Idaho, Nelson Boren creates highly realistic, textured western figure paintings. Boren left a successful and award‑winning architectural career to pursue a professional art career in 1990. The stimulus to pursue his artistic interest came from a watercolor class he signed up for at Arizona State University, taught by the same teacher who had instructed him years before in architecture school. Soon after, galleries showed an interest in his work and Boren was motivated to leave architecture behind and paint on a full time basis. Drawn to the medium of watercolor because of its vivid and transparent colors, Boren’s work today reflects his appreciation of cowboys, which he experienced as a young boy working summers on Arizona ranches. He poses subjects from nearby farms and ranches, photographs them, and paints in watercolor from the photographs, wetting the paper and allowing wrinkles to catch paint in the depressions.

963. Peter Mars (American/Chicago, b. 1959, act. New Orleans, 1980s), “My House”, 1989, silkscreen and acrylic on plywood, signed lower right, signed, titled and dated on exhibition label, and “Mars Studio, Chicago” stamp en verso, 20 1/2 in. x 25 1/2 in., wood hangers. $600/800

964. Peter Mars (American/Chicago, b. 1959, act. New Orleans 1980s), “Get Out of the House! or To Hell in a Handbasket”, 1989, silkscreen and acrylic on plywood, signed lower right, signed, titled, dated and inscribed “Chicago Studio” en verso, 23 7/8 in. x 32 in., artist painted frame. $600/800

968. American School, mid‑20th c., “Female Nude in Repose”, oil on canvas, signed “W. Grieger” lower left, 31 in. x 56 in., framed. $800/1200 967. American School, late 20th c., “Titian, Titian, Venice”, mixed media on canvas, unsigned, 58 in. x 58 in., unframed. $800/1200

969. Lenwood J. Jarvey (American/ Wisconsin, 20th c.), “Grand Stairway and High Bridge at Lake Park, Milwaukee, Wisconsin”, 1959, watercolor on paper, signed and dated lower left, artist label with title, date and provenance en verso, sight 18 in. x 26 in., framed. $300/500

966. John Costanza (American, b.

1943), “Monkey Bar Kings”, watercolor and ink on paper, signed lower right, titled en verso, 17 3/4 in. x 11 1/2 in., framed. $200/400

970. Jay Schuette (American, b.

1964), “Untitled”, 3 mixed media works on found objects/grocery sacks, one signed lower left, sights 11 in. x 14 in. to 9 1/2 in. x 7 1/2 in., framed. $300/500

Provenance: Acquired from the artist in 1959 by a private collector, Jefferson Parish, LA.

Provenance: Robert Maytag Estate, Newton, Iowa.

971. Ken Harrison (Canadian, 20th c.), “Landscape at Dusk”, oil on canvas, signed lower right, 12 in. x 16 in., framed. $500/800

965. James Coignard (French, 1925‑2008), “Bleu Vertical sur Vert”, carborundum etching on paper, pencil‑signed lower right and numbered “49/90” lower left, “Nahan Galleries, New Orleans” label en verso, 6 3/4 in. x 8 in., framed. $200/400

962. George Morrison (American, 1910‑2000), “Modernist Nude Male”, 1968, oil on canvas board, signed and dated lower right, “J. Pocker & Son, Inc, NY” label en verso, 24 in. x 20 in., framed. $1000/1500

972. Karl Mullen (Irish/American, b.

1954), “Three Figures”, watercolor on historic ledger page, initialed “K” lower right, biographical materials en verso, 12 1/4 in. x 15 1/4 in., framed. $400/600

973. Xavier Cugat (Spanish/ Cuba, 1898‑1990), “Guitar Player”, “Sweethearts and a Chihuahua”, and “Duck Parade”, three oils on canvas board, all signed lower right, 10 x 8 in. or 8 in x 10 in., framed, (3 pcs.) $700/900

974. Léonard Tsuguharu Foujita (French/Japanese, 1886‑1968), “La Cuisine”, hand‑colored lithograph, pencil‑signed lower right, numbered “138/200” and embossed “GG” lower left, sheet 21 3/4 in. x 14 7/8 in. $600/800 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

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975. Nine Vintage Danish Modern Molded Plywood Chairs, “Series 7” arm and an “Ant” chair by Arne Jacobsen, four arch‑back with chrome legs and three shaped‑back with black metal legs. $700/1000

976. Mid‑Century Modern Rosewood and Chrome Desk, 20th c., rectangular butcher‑block top, X form chromed steel legs, h. 28 5/8 in., w. 60 in., d. 35 3/4 in. $600/900 977. Set of Six Chrome and Leather “Brno” Flat Bar Chairs, after the design by Mies van der Rohe, black leather, chrome‑plated steel, padded cantilevered arms, h. 31 1/2 in., w. 23 in., d. 23 in. $2000/3000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

977A. Eero Saarinen “Tulip” Armchair, 20th c., labeled “Knoll Associates, Inc.”, painted aluminum, fiberglass, inv. number “HMA 1980.1000.25”, h. 31 1/2 in. $100/150

978. Two Mid‑Century Modern Side Tables, square chrome and veneer Milo Baughman for Thayer Coggin, h. 21 in., dia. 26 in., and an unmarked with beveled round top, h. 22 in., dia. 17 1/2 in. $400/600 978A. Chrome and Leather “Corbusier” LC3-Style Sofa, black leather, chromeplated steel, h. 27 in., w. 82 in., d. 30 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

979. Pair of Chrome and Leather “Corbusier” LC2‑Style Chairs, black leather, chrome‑plated steel, h. 26 1/2 in., 34 1/2 in., d. 28 1/2 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

980. Two Chrome and Leather “Corbusier” LC3‑Style Ottomans, black leather, chrome‑plated steel, h. 17 1/2 in., w. 25 1/2 in., d. 25 1/2 in.; and h.

15 1/2 in., w. 25 1/2 in., d. 25 1/2 in. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

983. Isamu Noguchi‑Style Coffee Table, shaped glass top, ebonized wood base, h. 15 1/2 in., w. 49 in., d. 35 1/2 in. $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

984. Chrome and Leather “Flight Recliner” Lounge Chair, made by American Leather for Design Within Reach, designed by Jeffrey Bernett and Nicholas Dodziuk, h. 37 in. $800/1200

981. Eileen Gray‑Style Chrome and Glass Adjustable Side Table, h. 22 in. to 36 in., dia. 20 in. $200/300 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

985. Chrome and Leather “Barcelona” Chair and Ottoman, brown leather, chrome plated steel, after the design by Mies van der Rohe, h. 31 in., w. 30 in., d. 31 in. $700/1000

982. “Corbusier” LC6‑Style Metal and Glass Extension Dining Table, frosted glass, side leaves slide under table, black steel legs, h. 29 1/2 in., l. 63 to 93 in., w. 35 1/2 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

986. Chrome and Leather “Barcelona” Bench, brown leather, wood and chrome‑plated steel, after the design by Mies van der Rohe, h. 17 in., w. 78 in., d. 20 in. $700/1000 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Additional information at www.nealauction.com

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987. Chrome and Leather “Corbusier” LC7 Swivel Armchair, brown leather, chrome‑plated steel, h. 28 in. $300/500

988. George Nelson‑Style Wood and Chrome Desk, rectangular top, three drawers, each with sliding aluminum pen tray, matte finish metal legs, h. 29 in., w. 59 in., d. 36 1/4 in. $700/1000

989. Black Leather “Barcelona” Couch, polished steel and wood, cylindrical pillow, after the design by Mies van der Rohe, h.16 in., w.77 in., d. 38 in. $1000/1500

990. Lloyd Manufacturing Lounge Chair Settee and Chairs, c. 1935, green vinyl and chrome‑plated steel, settee h. 28 in., w. 65 in., d. 33 in. $800/1200

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

991. Igbo Polychrome Painted Carved Wood Mask, Nigeria, hollowed almond form with tri‑lobed headpiece, h. 17 in. $100/150 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

995. Yoruba Polychrome Painted Carved Wood Headdress and a Gelede Mask, Nigeria, headdress of hollowed domed form carved with incised ribs and surmounted by a kneeling female figure, pierced rim, h. 12 in., w. 7 in.; mask with hollowed oval visage and long conical forehead, h. 25 in. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

999. Pair of African Bronze Figures, standing male and female couple modeled wearing wrapped skirts and various necklaces, h. 16 1/4 in. $400/600

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992. Pair of Turka Stained and Carved Wood Figures, Ivory Coast, carved as a standing male nude and a seated female nude, h. 11 1/2 in. and 11 7/8 in., respectively. $400/600 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

996. African Carved Wood Weaving Pulley, Ivory Coast, carved in the form of a female nude, h. 6 1/2 in.; together with an Ethiopian string and hide harp, h. 14 1/2 in., and a metal and wood finger harp, h. 7 1/4 in., (3 pcs.) $250/350 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1000. Fang Carved Wood Ngil Mask, West Africa, hollowed form carved with a rotund forehead and curving elongated visage, h. 28 1/2 in. $100/150

993. Collection of African Jewelry and Gold Weights, incl. 2 Nigerian horseshoe shaped copper alloy bracelets, dia. 2 in.; Nigerian brass looped necklace threaded with braided leather, iron l. 25 5/8 in.; Ghanaian crescent‑shaped leg rattle, dia. 4 3/4 in.; and 2 Asante bronze figural gold weights, Ghana, h. 2 3/8 in. $150/250

994. Four Burkina Faso Brass Bracelets, incl. 2 of elliptical form, dia. 4 1/4 in., and 2 of spherical form, dia. 2 1/2 in. $100/200 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

997. Group of Six African Cotton Textiles, incl. a tunic, l. 51 in.; matching rectangular example, 43 1/2 in. x 33 in.; 3 rectangular examples, 138 in. x 44 in., 138 in. x 43 in. and l. 41 1/4 in.; and Kente cloth strip, l. 70 in. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1001. Three Indonesian and African Carved Wood Masks, first, Indonesian, polychrome painted, h. 12 in.; second, Indonesian, stained, h. 17 1/4 in.; third, African, almond form with fiber surround embellished with shells and bells, h. 15 1/2 in. $75/125 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

998. Two African Carved Wood Figures, first a standing female nude, Turka, Ivory Coast, h. 9 1/8 in., wood plinth, overall h. 9 1/2 in.; second a “Bandeguele” figure of a man seated astride an anteater, h. 9 1/4 in. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to Benefit future acquisitions.

1002. Frank Lloyd Wright Breakfront by Heritage Henredon, c. 1955, Taliesin line, stamped signature, upper portion with glass door, flanked by open shelves, above a series of drawers, h. 77 1/2 in., w. 61 1/2 in., d. 20 in. $1000/1500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1003. Frank Lloyd Wright Low Extension Table by Heritage Henredon, c. 1955, Taliesin line, impressed signature, round top, edge inset with copper Taliesin design, one conforming leaf, h. 24 in., dia. 54 in., leaf 12 in. $1000/1500

1004. Set of Six Frank Lloyd Wright Low Chairs by Heritage Henredon, c . 1955, Taliesin line, octagonal backs, h. 28 in. $800/1200 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1005. Frank Lloyd Wright Upholstered Stool and a Headboard

by Heritage Henredon, c. 1955, Taliesin line, stool with revolving seat, h.

16 3/8 in., dia. 25 1/2 in.; headboard h.

38 5/8 in., w. 40 in. $600/900

1006. Frank Lloyd Wright Extension Dining Table by Heritage Henredon, c. 1955, Taliesin line, stamped signature, rectangular top, with two leaves, h. 28 1/2 in., l. 64 in. extended l. 81 in., w. 42 in. $1000/1500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1007. Set of Six Frank Lloyd Wright Dining Chairs by Heritage Henredon, c. 1955, Taliesin line, two armchairs and four sides, high back, h. 40 in. $1000/1500

1008. Frank Lloyd Wright Coffee Table by Heritage Henredon, c. 1955, Taliesin line, stamped red and black signatures, h. 14 in., w. 60 in., d. 19 1/2 in. $800/1200 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1009. Frank Lloyd Wright Three‑Piece Sectional Sofa

by Heritage Henredon, c. 1955, Taliesin line, h. 30 in., w. 104 in., d. 30 1/2 in. $800/1200 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1010. James Louis Steg (American/ New Orleans, 1922‑2001), “Urn Balicus”, 1969, silkscreen print, pencil‑signed, titled, dated and numbered “6/40” lower margin, 18 3/4 in. x 24 7/8 in., unframed. $300/500

1014. Leonard Baskin (American, 1922‑2000), “Thistle Ornament”, color woodblock on paper, pencil‑signed, titled and numbered lower right, 24 in. x 32 in., framed. $250/350

1011. George Sugarman (American/ New York, 1912‑1999), “Untitled”, 1965, silkscreen print, artist name inscribed on frame backing, 26 3/4 in. x 18 in., framed. $300/500

1012. Jerry Oliver Wilkerson (American/Texas, 1943‑2007), “Escargot Shells”, 1989, fiber pen on rag board, pencil‑signed and dated lower right, “Galerie Simonne Stern, New Orleans” and artist labels en verso, sight 9 in. x 11 in., framed; together with four color screen prints, “Spanish Onion & Garlic”, “Pears in a Row”, “Chinese Dinner” and “Eggplants”, all pencil‑signed and numbered lower right, artist labels with titles en verso, from sight 6 in. x 10 in. to 6 1/2 in. x 14 in., unframed. (5 pcs.) $400/600

1015. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “Rain”, 1962, lithograph on colored paper, white pencil‑signed and titled lower margin, inscribed “artist’s copy” lower right, 9 in. x 7 in., sheet 11 3/4 in. x 9 5/8 in., framed. $150/250

1016. American School, 20th c., “Water “ 1976; “Abstract”, 1977; “Abstract 2”, 1977, 3 black and white photographs, each pencil‑signed “McMease” and dated en verso, each sheet 11 in. x 14 in., matted alike, (3 pcs.) $300/500

Provenance: Collection of artist and educator George Wolfe, New Orleans, LA.

Provenance: Collection of Artist Charles Fritchie, New Orleans, LA.

1013. Angel Botello (Spanish/ Puerto Rico, 1913‑1986), “Anne Frank”, linocut, pencil‑signed lower right, inscribed “19/50” lower left, titled lower center, 24 in. x 16 in., framed. $500/800

1017. Clarence John Laughlin (American/New Orleans, 1905‑1985), “The Repulsive Bed: 1941”, printed 1981, silver gelatin print mounted on board, signed lower right, titled and dated lower left, signed, titled, dated, inscribed and with artist’s stamp en verso, image 15 1/2 in. x 19 3/4 in., board 20 in. x 28 in., unframed. $500/800 Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA.

Additional information at www.nealauction.com

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1019. Eudora Welty (American/ Mississippi, 1909‑2001), “Mule Face Woman”, c. 1930s, printed 1992, silver gelatin print, pencil‑signed and numbered “33/60”, “Diogenes Editions, Jackson, MS” embossed stamp lower right, image 13 1/4 in. x 12 1/2 in., sheet 20 in. x 16 in., framed. $4000/6000 1018. Maude Schuyler Clay (American/Mississippi, b. 1953), “Riverside Elevator, Oakland, Coahoma County, Mississippi”, 1997, from Delta Land, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso, 19 1/4 in. x 14 1/2 in., framed. $600/900

1020. Eudora Welty (American/ Mississippi, 1909‑2001), “Madam Palmer”, c. 1930‑39, printed 1992, silver gelatin print, pencil‑signed and numbered “54/60”, “Diogenes Editions, Jackson, MS” partial embossed stamp lower left, 17 1/4 in. x 12 1/2 in., sheet 20 in. x 16 in., framed. $4000/6000

Illustrated: Clay, Maude Schuyler. Delta Land. Jackson: University Press of Mississippi, 1999.

1021. Eudora Welty (American/Mississippi, 1909‑2001), “The Mattress Factory, Jackson, MS”, c. 1930s, printed 1992, silver gelatin print, pencil‑signed and numbered “47/60”, “Diogenes Editions, Jackson, MS” embossed stamp lower left, 10 in. x 17 1/2 in., sheet 16 in. x 20 in., framed. $4000/6000

1024. Group of Cased Photographic Portraits of Men, Women, Children, and Families, mid‑to‑late 19th c., incl. daguerreotypes and ambrotypes, from 1/2 plate to 1/16 plate; accompanied by 2 framed pieces, empty cases, carte de visites, and tintypes with and without paper sleeves, (approx. 72 pcs.) $800/1200 Provenance: Gift in memory of Adolph Rosenberg from his family; property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

1025. Photogravure of Abraham Lincoln, 19th c., “Henszey & Co., 812 Arch St., Phila.” printed lower margin, 7 1/2 in. x 5 1/2 in. oval, matted and framed. $150/250

1022. Edward S. Curtis (American, 1868‑1952), “Braided Squash ‑ Wichita”, 1927; “Jukuk, Nunivak”, 1928; and “Hooper Bay Man”, 1928; 3 photogravures, artist, title and date printed in lower margins, plate 7 1/2 in. x 5 1/2 in., framed. (3 pcs.) $600/800

1023. Basi McAshan (American, b.

1952), “Vase of Peonies”, 1990, silver gelatin photograph, signed and dated lower right, sight 10 in. x 8 in., framed. $150/250

1026. Clementine Hunter (American/Louisiana, 1886‑1988), “Gift of the Magi”, oil on canvas, monogrammed mid‑right, preliminary pencil drawing en verso, 16 in. x 20 in., framed. $3500/5500 Provenance: Acquired from the artist, Private Collection.

1027. Clementine Hunter (American/Louisiana, 1886‑1988), “Mother Rocking her Baby while Grandmother Knits”, oil on board, monogrammed mid‑right, 8 in. x 10 in., framed. $2000/3000

1028. Clementine Hunter (American/Louisiana, 1886‑1988), “Pickin’ Cotton”, oil on canvas board, monogrammed lower right, Polaroid photograph of artist painting en verso, 9 in. x 12 in., framed. $1000/1500

Provenance: Acquired from the artist, descended in a Natchitoches and Shreveport family.

Provenance: Acquired at Melrose Plantation, thence by descent to the present owner.

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1029. Clementine Hunter (American/Louisiana, 1886‑1988), “Zinnias”, oil on wall‑mounted oil lamp, monogrammed lower left, h.11 1/4 in., w. 4 1/2 in., d. 8 1/2 in. $300/500

1030. Valery Kosorukov (Russian, b.

1931, act. New Orleans 1990s), “French Quarter Characters”, 1991, pastel on black paper, signed and dated lower right, 29 in. x 43 in., framed. $1000/1500 1031. Will Hinds (American/Louisiana, 1936‑2014), “Boutte House ‑ Louisiana Back Country”, oil on canvas, signed lower right, titled en verso, 18 in. x 22 in., framed. $2500/3500

Provenance: Acquired at Melrose Plantation and thence by descent to the present owner.

1032. C.T. Breaux (American/New Orleans, 20th c.), “Royal Street ‑ French Quarter, New Orleans”, 1939, oil on canvas board, signed and dated lower right, signed en verso, 20 in. x 16 in., framed. $500/700

Provenance: Pace Galleries, Inc., Houston, TX, thence by descent.

1033. Will Hinds (American/ Louisiana, 1936‑2014), “Fox”, 1969, oil on canvas, signed and dated lower right, 8 in. x 10 in., framed. $500/700 Provenance: Pace Galleries, Inc., Houston, TX, thence by descent.

1034. Lamar Dodd (American/Georgia, 1909‑1996), “Dry Dock, Monhegan Island, Maine”, 1947, charcoal and ink on paper, signed and dated lower left, 14 in. x 18 1/2 in.; and “Boat Landing with Palm Trees”, 1947, ink on paper, signed and dated lower right, 9 in. x 12 in., both unframed (2 pcs.) $500/700 Provenance: Estate of the Artist; accompanied by letters of authenticity signed by the artist’s widow, Annie Laurie Dodd, dated June 5, 2013.

1035. Lamar Dodd (American/ Georgia, 1909‑1996), “Monhegan Island Inlet, Maine”, 1949, and “Shore, possibly Monhegan Island” 1948, ink and watercolor on paper, each signed and dated lower right, 12 1/4 in. x 19 in. and 15 in. x 22 in., framed, (2 pcs.) $400/600 Provenance: Estate of the Artist; accompanied by letters of authenticity signed by the artist’s widow, Annie Laurie Dodd, dated June 5, 2013.

1037. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Courtyard”, oil on canvas affixed to masonite, signed lower left, 20 1/2 in. x 16 in., framed. $1200/1800

1038. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Street”, oil on canvas affixed to board, signed lower left, “The Rike‑Kumler Company, Dayton, Ohio” label en verso, 20 3/4 in. x 16 3/4 in., framed. $1500/2000

1036. Alberta Kinsey (American/ New Orleans, 1875‑1952), “The Blue Door, French Quarter Courtyard”, oil on canvas affixed to board, signed lower left, 12 in. x 9 1/4 in., stenciled gilt frame. $1000/1500

1039. Alberta Kinsey (American/New Orleans, 1875‑1952), “A Street Scene in Taos”, oil on board, signed lower right, titled en verso, 11 1/2 in. x 8 in., framed. $800/1200

1040. John McCrady (American/Louisiana, 1911‑1968), “Running Figure”, ink on paper, initialed and titled lower center, ink sketches en verso, 8 1/2 in. x 11 in., matted and framed. $1000/1500

Additional information at www.nealauction.com

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1041. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Live Oak Tree on the Bayou”, oil wash on board, signed lower right, sight 9 1/2 in. x 29 1/2 in., period frame. $2000/3000

1042. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Live Oak Tree on the Bayou”, oil wash on board, signed lower left, sight 9 1/2 in. x 29 1/2 in., period frame. $2000/3000 1043. Anne Wells Munger (American/Mississippi, 1862‑1945), “The Pines, a Suggestion of the Inn‑by‑the‑Sea”, oil on board, signed lower left, signed and titled en verso, 17 in. x 14 in., period frame. $800/1200 Provenance: Estate of noted antiquarian Major Philip St. George Ambler IV (1923‑2012) of Pass Christian, MS and Charleston, SC.

1044. Robert M. Rucker (American/Louisiana, 1932‑2001), “Steamboats on the Mississippi River”, two watercolors on paper, each signed lower right, sights 10 in. x 14 in., matted and framed alike, (2 pcs.) $2000/3000

1045. Robert M. Rucker (American/Louisiana, 1932‑2001), “Louisiana Farm with Wagons in the Field”, oil on canvas, signed lower right, 23 3/4 in. x 30 in., framed. $1500/2500

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1046. Charles Whitfield Richards (American/New Orleans, 1906-1992), “Standing Odalisque (from behind)”, oil on masonite, signed lower right, 83 1/2 in. x 42 in., unframed. $700/1000

1047. Manner of Frank Weston Benson (American, 1862-1951), “Manor House View from the Garden”, oil on canvas, spuriously signed “F.W. Benson” lower left, 16 in. x 19 in., framed; accompanied by a letter dated August 4, 1988 from Sheila Dugan, Vose Galleries. $700/900 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1048. American School, early 20th c., “Woman Sewing by the Window”, oil on canvas, illegibly signed in red lower left, 14 in. x 18 in., unframed. $1000/1500 Provenance: Purchased in Michigan, originally acquired from a Chicago Estate.

1049. Ellen Louise Axson Wilson (American/Georgia, 1860‑1914), “Road through the Pasture”, 1910, oil on canvas, signed and dated lower right, 18 in. x 24 in., unframed. $300/500 Provenance: Deaccessioned from The Old Governor’s Mansion, Georgia College and State University, Milledgeville, GA, to present owner.

1050. Southern School, mid‑to‑late 19th c., “Portrait of a South Carolina Lady”, oil on canvas, unsigned, 24 in. x 20 in., original gilt frame. $400/600

1051. Edna Reed Whaley (American/South Carolina, 1884‑1979), “Magnolias”, watercolor, signed lower right, sight 19 1/2 in. x 12 1/2 in., framed. $250/350

1052. Helen Marie Turner (American/Louisiana, 1858‑1958), “The Mountains of Cragsmoor”, pastel on brown paper, signed lower right, inscribed “Cragsmoor” lower left, 8 in. x 10 3/8 in., antique frame. $700/900

1053. American School, late 19th/early 20th c., “Native American Encampment in a Southern Landscape”, oil on canvas, unsigned, 26 in. x 34 3/4 in., unframed. $1200/1800

1054. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 36 in. x 30 in., framed. $1500/2500

1057. Charles Reineke (American/ New Orleans, 1906‑1983), “Reddish Egret”, watercolor on board, signed lower right, 38 1/2 in. x 22 1/2 in., unframed. $800/1200

1055. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Cafe Lafitte, Bourbon St. (The Long Hot Summer)”, oil on canvas, signed and titled lower right and en verso, 30 in. x 24 in., framed. $1500/2500

1056. Colette Pope Heldner (American/ Louisiana, 1902‑1990), “Old Archway, Brulatour Patio, French Quarter, New Orleans”, oil on canvas, signed lower left, signed and titled on label en verso, 46 in. x 22 in., framed. $1000/1500

1058. Southern School, late 19th c., “Bayou at Dusk”, 1884, oil on canvas, signed “Distin” and dated lower right, 10 in. x 16 in., unframed. $700/900

Additional information at www.nealauction.com

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1060. American Classical Carved Mahogany Sideboard, c. 1820, New York, pedimented backsplash, outset frieze drawers over crossbanded doors flanking small drawers and bottle drawers, acanthus carved columns, anthemion carved paw feet, h. 56 1/2 in., w. 58 1/2 in., d. 24 1/2 in. $1500/2500 Provenance: Acquired from Stanley Weiss, August 1996.

1059. American Renaissance Carved and Burled Walnut Bookcase, mid‑19th c., upper case with molded cornice, arched glazed doors, shelf interior; lower case with paneled doors, plinth base, h. 90 in., w. 66 in., d. 17 in. Note: Found in original finish. $1500/2500

1061. Queen Anne Burl Walnut Chest on Frame, 18th c., cove‑molded crest, two over three graduated drawers, lower case with drawers, shaped skirt, cabriole legs, h. 59 in., w. 41 in., d. 23 in. $2000/3000

1062. American Late Classical Carved Rosewood Bookcase, mid‑19th c., probably New Orleans, cabochon carved crest, cove molded cornice, glazed doors, shelf interior, two drawers, molded base, bracket feet, h. 98 in., w. 55 1/2 in., d. 16 in. $1500/2500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1064. Antique Black Lacquered Papier‑Mâché, Mother‑of‑Pearl and Paint‑Decorated Tilt Top Tea Table, mid‑19th c., molded oval top, floral reserves, baluster support, domed plinth, shaped feet, h.

26 1/2 in., w. 27 in., d. 21 1/2 in. $600/800

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1063. American Rococo Carved Rosewood Bookcase, mid‑19th c., probably New Orleans, fruit and nut carved crest, cabochon cartouche, turreted corners, glazed doors, adjustable satinwood shelf interior, two drawers, blocked base, h. 111 1/2 in., w. 59 in., d. 22 in. $1500/2500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1065. American Renaissance Carved and Burled Walnut Valance, late 19th c., surmounted by Shakespeare bust gilt-incised detail, h. 36 in., w. 107 in., d. 10 1/2 in. $600/900 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1066. Fine Georgian Revival Carved and Burled Walnut Dining Room Table, early 20th c., Berkey and Gay, Grand Rapids, Michigan, rectangular top opening to take 6 leaves, carved scroll legs, h. 30 1/2 in., extended l. 91 1/2 in. $4000/6000

1067. Set of Twelve Georgian Revival Carved and Burled Walnut Dining Room Chairs, early 20th c., Berkey and Gay, Grand Rapids, Michigan, 10 side chairs, 2 armchairs, each with yoke crest, scroll stiles, pierced splat, cabriole legs, hairy paw feet. $6000/8000

1068. Fine Georgian Revival Carved and Burled Walnut Dining Room Sideboard, early 20th c., Berkey and Gay, Grand Rapids, Michigan, with marble top and drawer centering acanthine cartouches, h. 38 in., w. 90 1/2 in., d. 22 1/2 in. $1500/2500

1069. Fine Georgian Revival Carved and Burled Walnut Dining Room Buffet, early 20th c., Berkey and Gay, Grand Rapids, Michigan, h. 35 in., w. 48 in., d. 21 1/2 in. $1500/2500

Additional information at www.nealauction.com

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1070. George James Aldrich (American, 1872‑1941), “Mountain Landscape”, oil on canvas, signed lower right, artist’s name and title identified on label en verso, 25 1/4 in. x 30 1/4 in., framed. $1200/1800

1071. John William Bentley (American, 1880‑1951), “Late Afternoon”, oil on canvas board, signed lower left, signed, titled and inscribed en verso, 8 1/4 in. x 10 1/4 in., period frame. $1000/2000

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1072. American School, 19th c., “Native Americans and Horses by the River in a Mountainous Landscape”, oil on canvas, unsigned, inscribed “Wm. M. Prior” en verso, 27 1/2 in. x 43 in., framed. $800/1200

1074. Hudson Mindell Kitchell (American, 1862‑1944), “Indian Encampment”, 1925, oil on panel, signed and dated lower right, 8 in. x 10 in., period frame with artist plaque. $800/1200

1076. Edna Martin (American, 1896‑1996), “Tree in Landscape”, 1920, gouache on paper, signed and dated lower right, sight 11 1/2 in. x 8 5/8 in., framed; “Coalman”, charcoal and pastel on paper, sight 18 1/4 in. x 11 5/8 in., framed; “French Fishermen”, 1934, woodblock print, pencil‑signed, titled and dated lower margin, image 13 3/4 in. x 9 3/4 in., framed, (3 pcs.) $800/1200

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1073. Tom Lovell (American, 1909‑1997), “Steamer in a Storm”, oil on board, signed lower right, signed and inscribed en verso, 9 1/4 in. x 13 in., framed. $1200/1800

1075. John Hamilton Dee Wareham (American/Ohio, 1871‑1954), “Young Centaur Fishing”, painting on silk, signed upper left, 58 in. x 87 in., unframed. $700/900 Note: After graduating from the Cincinnati Art Academy, John Hamilton Dee Wareham began working for Rookwood Pattery in 1893 and remained with the pottery firm for over forty years.

1077. A Norman Rockwell Extra Illustrated Autograph Dedication Letter, nd., on Stockbridge Massachusetts letterhead, inscribed “My Greetings and Best wishes / To / the children of the / Settlement and Day Care / Center / of / The Salvation Army / Chicago / Ill. / sincerely / Norman / Rockwell” with a drawing of a dog on a string with a tin can, sheet 10 1/4 in. x 7 1/4 in.; together with a color lithograph of the “Jolly Postman”, signed and inscribed “sincerely / Norman / Rockwell”, sight 10 1/4 in. x 6 3/4 in., matted and framed with engraved artist’s plaque. $1500/2500 Note: Throughout his career, Norman Rockwell incorporated dogs into his paintings, Saturday Evening Post covers, and advertisements as a symbol of loyalty. A self-described dog lover, Rockwell often brought his beagle, Pitter, to his studio and borrowed his neighbors’ dogs to serve as models for his compositions. The poignant image illustrated here of a puppy on a string was incorporated into many of Rockwell’s works, including an almost identical metal printing block titled “Your Faithful Friend”, c. 1925, at the Norman Rockwell Museum in Stockbridge, MA. This touching note written to the children of the Salvation Army of Chicago and illustrated with man’s best friend gives viewers a glimpse into Rockwell’s persona and charitable nature.

Ref.: Norman Rockwell Museum. “It’s a Dog’s Life: Norman Rockwell Paints Man’s Best Friend.” Nov. 11, 2011. www.nrm.org. Accessed Feb. 25, 2015.

1078. Robert Emmett Owen (American, 1878‑1957), “Pastoral Landscape”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $800/1200

1079. Ben Benn (Russian/American, 1884‑1983), “The Villige {sic} Saddle River, NJ”, 1955, oil on canvas, signed and dated lower left, titled and dated en verso, 20 1/8 in. x 24 1/4 in., framed. $800/1200

1081. Four Burlon Craig Stoneware Utilitarian Pieces, c. 1995, North Carolina, stamped, including a milk jug, a pitcher, a small vase and a water jug with cup, tallest h. 6 3/4 in. $500/700

1080. Burlon Craig Stoneware Face Jug, c. 2000, North Carolina, stamped, h.

12 1/4 in. $700/1000

1084. Seven Jerry Brown Stoneware Pieces, 2004, Hamilton, AL, signed, including one jug, a rooster pitcher, 2 face jugs, a birdhouse and a cream and sugar, tallest h. 11 3/4 in. $600/900

1082. Melvin and Michael Crocker Stoneware “Snake” Jug, 2004, North Carolina, signed, h. 13 3/4 in. $700/1000

1085. Four Stoneware Figural Jugs, 1999‑2000, including a Jesse Meaders flower jug, Linda Corn face jug, a Bobby Ferguson face jug and a Claude and Vicky Miller devil jug, tallest h. 9 3/4 in. $500/700

1083. South Carolina Stoneware “Devil” Jug, 2004, signed and inscribed “D.A.R.’Devil Jug’, Turned and Burned in Barnwell, SC / Hot and Muggy day / Can hell be this way?”, h. 16 in.; together with a necklace‑size jug. $500/700

1086. Pair of American Brown Glazed Stoneware Parlor Cuspidors, 19th c., inlaid mahogany stool case, overall h. 5 1/2 in., w. 12 1/2 in., d. 10 in. $400/600

1087. Pair of Adam‑Style Gilt Metal and Gesso Two‑Light Sconces, urn and garland backplate with foliate fretwork, scrolled arms, h. 44 in., w. 16 in. $500/800 1088. An American Gilt Brass and Bronze Solar Lamp, 19th c., poss. Henry N. Hooper & Co., Boston, baluster standard, marble plinth, crystal prisms, period etched and cut shade with chimney, overall height 21 1/4 in. $400/600 Note: Lamp relates to item no.

432 in the company’s 1850 catalogue, illustrated in Gowitt, Gerald. 19th Century Elegant Lighting. Atglen, PA, Schiffer, 2002.

Ref.: Gowitt, T. Gerald 19th Century Elegant Lighting.

Atglen, PA: Schiffer, 2002, pp.

32 & 83

1089. American Gilt Brass Solar Lamp, mid‑19th c., columnar standard, marble base, crystal prisms, etched glass shade, h. 18 in., dia. 6 1/2 in., electrified. $500/750

1090. American Green Glass Hall Lantern, 20th c., reticulated fretwork band, two‑light fixture, smoke bell, h. 38 in., dia. 8 in., electrified. $400/600

1091. Pair of American Cut Crystal Lustres, mid‑19th c., brass candle cups, scalloped bobêches, vasiform standards, crystal prisms, sawtooth cut and etched shades, h. 24 3/4 in., w. 7 1/2 in. $600/900

Additional information at www.nealauction.com

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1094. Chippendale‑Style Carved Mahogany and Giltwood Looking Glass, early 20th c., crest with gilt phoenix, gilt rabbet, h. 39 in., w. 22 in. $800/1200

1092. Persian Sarouk Carpet, crimson ground, tree and foliate central pattern, floral border, 19 ft. 2 in. x 12 ft. Note: Wear, some tears, areas of repair. $600/900

1093. Lilihan Runner, blue and red ground, central medallion, overall floral design, 14 ft. 2 in. x 3 ft. 9 in. $800/1200

1096. American White Marble Bust of a Gentleman, mid‑19th c., in classical garb, socle base, h. 28 1/2 in., w. 21 in., d. 13 in. $800/1200

1095. An American Renaissance Carved Walnut and Gilt Incised Overmantel Mirror, late 19th c., grape cluster crest, scrolled sides, blocked base, height 40 in., width 56 in. $600/900

1097. Charles Fritchie (American/ New Orleans, b. 1936), “Standing Female Nude Gesticulating with Her Hands”, 1995, bronze, inscribed “Fritchie” and dated on base, h. 25 in. $400/600 Provenance: Collection of the Artist.

1098. Charles Fritchie (American/ New Orleans, b. 1936), “Seated Woman Holding a Handkerchief”, patinated bronze, h. 12 in., w. 15 in. $400/600

1099. Jeffery Cook (American/New Orleans, 1961‑2009), “Wrapped Egg”, painted fabric and tape mounted on patinated metal base, monogrammed on egg, h. 5 1/2 in, w. 2 3/4 in. $150/250

Provenance: Collection of the Artist.

1100. Sue Rawlings (American, 1924‑2000), “Diana of the Hunt”, 1961, patinated metal on marble base, signed and dated in ink on marble reverse, artist name, date, and title inscribed on “Atlanta Art Association” brass plaque, h.

15 3/4 in. $600/800 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

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1101. Waifs of Washington, Scrapbook of Benjamin Perley Poore’s Newspaper Columns, 1855‑1882, brown leather with gilt and metal highlights, h. 19 in., w. 12 5/8 in., d. 3 3/8 in. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1102. American Mahogany Nine Tube Tall Case Clock, c. 1920, movement stamped “Herschede”, “10211” and “Colonial”, dial marked “Colonial Mfg. Co., Zeeland, Mich, USA”, arched crest, dial with moon disk, subsidiary dial selects Westminster, Whittington and Canterbury chimes, fluted columnar stiles, Gothic tracery, blocked base, h. 93 in., w. 28 in., d. 18 1/2 in.; accompanied by 2 Herschede reference books. $800/1200 Provenance: Private Estate, Hillsborough, NC, Lunsford “Lump” Richardson (1854‑1919), Selma & Greensboro, NC, founder of Vicks® Vaporub®.

Ref.: Tran Duy Ly, Longcase Clocks and Standing Regulators, 1994, Arlington Book Company, pg. 261.

1103. American Carved Mahogany Five‑Tube Tall Case Clock, c. 1928, movement marked “Herschede, Cincinnati” with crown, serial # 75511, molded crest, dial with moon phase and engraved foliate design, case flanked by fluted columns, h. 84 1/4 in., w. 24 1/2 in., d. 14 1/2 in. $800/1200

1104. Bradley, Omar N., A Soldier’s Story; New York, Henry Holt & Company, 1951, cloth, with signed dedication to Harry Sonneborn; together with two vintage photographs of Generals Bradley and Harold Johnson, each with signed dedications to Harry and Aloyis Sonneborn. [$300/500] Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1108. Eccentric Preacher Lorenzo Dow, autographed letter, by Lorenzo Dow (1777‑1834), dated June 6, 1803, detailing his organization of a church “in or near Bogue Homa, near the town of Mobile in Spanish Florida...to be called Shiloh Church”, signed with five members of the congregation, one page, 9 in. x 7 1/2 in. $300/500

1112. Pair of Japanese Malachite‑Inset Black Lacquer Hibachi, probably Meiji Period (1868‑1912), tapering square bodies inset with malachite panels and painted with prunus and grasses, loop handles, metal liners, h. 11 3/4 in., w. 12 1/2 in., d. 12 in. $500/750

1116. Pair of Chinese Hardstone Potted Plants, fabric wrapped branches with colorful agate, quartz and jade flowers, fruit and leaves, set in cloisonné enamel baskets, h. 12 in. $1000/1500

1105. New Orleans Police Department, New Orleans, Cockett & Conklin, 1900, red cloth, 146 pgs., illustrated with portraits of the entire police force, buildings and advertisements, given to Patrolman William R. Kingman, compliments of the Police Mutual Benevolent Association. $500/700

1109. First Lady Eleanor Roosevelt Manuscript Archive, group of five items. $300/500

1106. Coronation Broadside of Queen Victoria, 1837, printed in blue and brown, 16 in. x 10 1/4 in., framed; together with “John Robinson’s Circus” Broadside, 19th c., 28 in. x 10 1/2 in., framed. $100/200

1110. President Richard Nixon “First Man on the Moon” Stamp Presentation, color lithographed print with single stamp (made by die carried to and from the moon). $300/500

1107. A St. Tammany Parish Advertising Broadside, early 20th c., promoting the North Shore development of Forest Glen, sight 15 1/2 in. x 39 1/2 in., framed. $400/600

1111. Pair of Indian Painted and Silvered Metal Figures of Elephants, 20th c., each caparisoned beast surmounted by an urn, h. 7 1/4 in., mounted as lamps, h. to finial 22 1/4 in. $300/500

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1113. Japanese Kutani Porcelain Elephant, probably Meiji Period (1868‑1912), caparisoned beast surmounted by a pagoda on splayed rectangular plinth, h. 13 5/8 in., mounted on a wood stand, overall h. 15 1/2 in. $600/900

1117. Near Pair of Chinese Famille Jaune Porcelain Covered Vases, probably 20th c., straight necks, slender ovoid bodies, splayed feet, decorated with bird‑on‑branch panels; domed finialed covers, decorated with flower heads on black grounds, h. 32 in. and 32 1/4 in. $800/1200

1114. Japanese Sumida Pottery Vase, late 19th/early 20th c., baluster body encircled by an applied scaly dragon on a red ground, Inoue Ryosai signature cartouche, h. 14 1/4 in. $400/600

1118. Chinese Polychrome Stoneware Meiping Vase, probably 20th c., banded around the mid‑section with qilin amid clouds and flaming pearls, base with Jiajing mark, h. 13 1/2 in. $600/900

1115. Chinese Polychromed Wood Figure of Guanyin, probably 20th c., on rockwork plinth, carrying the vase of Immortality, h. 21 1/4 in. $400/600

1119. Three New Orleans Fiddle Thread Silver Spoons, incl. 2 coin silver demitasse spoons, Hyde & Goodrich, 1821‑1861; and sterling silver soup spoon, Wood & Hughes, New York, 1845‑1899, ret. A.B. Griswold, New Orleans, 1861‑1906; together with 6 French silverplate dinner knives, blades marked “Paris/ACIER FONDU”, (9 pcs.) $200/300 Provenance: Estate of Steven Cabot Barnes Harvey.

Additional information at www.nealauction.com

137

1120. American Coin Silver Teapot and Covered Sugar, William Gale & Son, New York, act. 1853‑1866; globular footed forms, lids with flame finials, flat chased decoration, teapot h 7 1/2 in., combined wt. 37.10 troy ozs. $700/1000

1124. International Sterling Silver Flatware Service, “Minuet” pattern, pat. 1925, incl. 9 dinner forks, 9 dinner knives, 10 fish forks, 7 salad forks, 10 cream soup spoons, 9 boullion spoons, 10 teaspoons, 10 ice tea spoons, 10 ice cream forks, 8 demitasse spoons, 10 flat handle butter knives, total wt. (weighable) 82.30 troy ozs. (102 pcs.) $1000/1500

1128. Reed and Barton Sterling Silver Water Pitcher, “Hampton Court” pattern, h. 8 3/4 in., wt. 31.45 troy ozs. $300/500

1121. Group of Sterling Silver Table Items, incl. 2 Gorham sugar and creamer sets, Gorham gravy boat, Mauser small trumpet vase, Dominick & Haff coupe and small basket, combined wt. 25.65 troy ozs. (8 pcs.) $300/500

1125. Group of Antique and Vintage Sterling Silver Flatware, various makers and patterns, incl. Gorham “Persian” cheese scoop, Gorham “Marie Antoinette” sugar spoon, Gorham “Lady Washington” chipped beef fork, Towle “Orchids” cream ladle, Towle “Shell” sugar spoon, Whiting “Armor” pastry fork, Frank M. Whiting “Georgian Shell” salad serving fork and spoon, Kirk “Old Maryland Engraved” teaspoon, 2 Colonial Revival mayonnaise spoons, coin silver teaspoon, Continental silver teaspoon and silverplate grape shears, (14 pcs.) some “as is”, total wt. (weighable) 8.50 troy ozs. $100/200

1129. Group of American Sterling Silver and Silverplate Tableware, mid‑20th c., incl. Gorham sterling silver bread tray, International sterling silver sugar and creamer with silverplate undertray, and pair of Fred M. Hirsch weighted silverplate two‑light candelabra, h. 4 3/4 in., combined wt. (weighable) 15.25 troy ozs. $200/300

1122. Gorham Sterling Silver Revere Bowl, date mark for 1949, #41659, h. 4 in., dia. 7 1/2 in., wt. 18.05 troy ozs. $300/500

1126. American Sterling Silver Porringer, Whiting Division of Gorham, date mark for 1925, l. 5 5/8 in.; together with sterling silver cup, Old Newbury Crafters, with 1961 presentation inscription, h. 2 1/8 in.; combined wt.

6.95 troy ozs. $150/250

1130. Ellis Barker Silverplate Kettle‑on‑Stand; together with a silverplate small chafing dish. $300/500

1123. Two American Sterling Silver Bowls, Towle, 20th c., plain circular bowl with molded rim, h. 2 3/8 in., and serpentine footed bowl, h. 3 1/4 in., w. 6 5/8 in., total wt. 18.75 troy ozs. $300/500

1127. Five Small American Sterling Silver Dishes, incl. Gorham lobed dish, date mark for 1890, dia. 5 1/2 in.; Gorham silver gilt reticulated and repoussé dish, date mark for 1891, 4 3/4 in. square; Woodside dish, with strawberry repoussé, c. 1900, dia. 7 3/8 in.; Whiting dish with silver gilt interior and reticulated anthemion border, c.

1900, dia. 5 3/4 in.; Mauser pin tray with putti, late 19th c., l. 9 1/4 in., combined wt. 15.15 troy ozs. $200/300

1131. Victorian Silverplate Soup Tureen, unmarked, with domed cover, mask handles, foliate scroll feet, h. 10 3/8 in., w. 13 1/4 in. $400/600

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1132. Six New Orleans Coin Silver Tablespoons, ret. Bliss & Whittemore, act. 1833‑1835, fiddle handles, old script monogram “L”, wt. 12.75 troy ozs. $300/500

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1133. Good American Art Nouveau Sterling Silver Pin Tray, Gorham, early 20th c.; together with a Gorham sterling silver sugar and creamer, combined wt.

9.55 troy ozs. $200/300

1134. Group of American Sterling Silver Cup Frames with Lenox Porcelain Liners, 6 coffee frames and liners, h. 2 3/8 in.; and 6 demitasse frames, liners and saucers, h. 2 3/4 in.; together with 7 silver plate demitasse frames and liners, h. 2 3/8 in., and six saucers (50 pcs.) $300/500

1135. Large Group of American Sterling Silver and Lenox Porcelain Tableware, incl. 12 Gorham demitasse cup frames and saucers with 12 Lenox liners; 12 Gorham tea cup frames with 12 saucers and 11 liners; and 4 Whiting bouillon cup frames with 5 liners; together with 5 Gorham bread plates; combined wt. (weighable) 88.90 troy ozs. $800/1200 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1136. Two Silver-Mounted American Brilliant Cut Glass Pieces, incl. stag horn tyg, h. 9 1/2 in., and green flashed and cut lemonade pitcher, h. 9 3/4 in. $200/300 Provenance: Property Sold for the Benefit of a Private Institution.

1137. Two Bohemian Ruby‑Stained, Cut and Engraved Glass Articles, wine glass pressed with an image of the Washington Capital, h. 6 3/4 in.; covered goblet pressed with images of German monuments, h. 10 3/4 in.; together with canary cut glass decanter, h. 15 in. (3 pcs.) $400/600

1138. Warree Carmichael LeBron (American/Alabama, 1910‑1998), “Children Climbing in the Tree by the Cabin”, oil on canvas affixed to masonite, signed lower right, 9 in. x 12 in., framed. $800/1200

1139. Luis Graner Arrufi (Spanish, 1863‑1929, active New Orleans, 1914‑1922), “Harbor at Dusk”, oil on canvas laid on panel, signed lower right, 10 in. x 14 in., unframed. $1000/1500

Provenance: Property Sold for the Benefit of a Private Institution.

1140. Joe C. Michelet, Jr. (American/Alabama, 20th c.), “Take‑Off” and “Landing”, two oils on canvas, each signed lower left, each 24 in. x 12 in., framed alike. $800/1200

1141. Roma Burris Quartana (American/Louisiana, 1918‑2009), “On the Westwego Canal, Louisiana”, oil on canvas, signed lower right, titled on label en verso, 24 in. x 30 in., framed. $700/900

1144. Jack R. Meyers (American/Louisiana, 1930‑1994), “Wash Day”, oil on canvas board, signed lower left, 5 in. x 7 in., framed. $800/1200

1142. Jack R. Meyers (American/ Louisiana, 1930‑1994), “Afternoon Nap”, 1971, oil on canvas board, signed and dated lower left, 5 in. x 7 in., framed. $800/1200

1145. Jack R. Meyers (American/Louisiana, 1930‑1994), “Feeding the Chickens”, oil on canvas board, signed lower left, 5 in. x 7 in., framed. $800/1200

1143. Jack R. Meyers (American/ Louisiana, 1930‑1994), “Saturday Bath”, oil on canvas board, signed lower left, 5 in. x 7 in., framed. $800/1200

1146. Jack R. Meyers (American/Louisiana, 1930‑1994), “Hauling Cotton”, 1971, oil on canvas board, signed and dated lower right, 5 in. x 7 in., framed. $800/1200

1147. Joseph Lee Edwards (American/Georgia, 1870‑1959), “Still Life of Magnolias”, oil on canvas, signed lower right, two High Museum of Art labels and remnant of a third label en verso, 32 in. x 26 in., original painted frame. $500/700 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1148. C.H. Wysong (American/New Orleans, mid‑20th c.), “Main Street, Louisiana”, oil on canvas board, signed “C.H. Wysong” lower right, New Orleans Art Association label en verso, 20 in. x 24 in., period frame. $800/1200

1149. Joseph Dickenson (American/ Virginia, 20th c.), “Young Boy with his Turtle”, 1964, oil on canvas, signed and dated lower right, 30 in. x 20 in., framed. $500/800

Additional information at www.nealauction.com

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1150. American Rococo Carved and Grained Rosewood Duchesse, mid‑19th c., arched crest centering shell over adjustable mirror flanked by shelves, shaped shelf above fretwork gallery, shaped marble top, conforming frieze fitted with drawer centered by latticework shell, cabriole legs, stretcher shelf with fretwork gallery, h. 75 1/2 in., w. 46 in., d. 21 in. $1200/1800 Provenance: Descended in the family of Governor James Madison Wells.

1151. American Classical Carved Mahogany Armoire, early 19th c., probably Baltimore, flared cornice, inset arch frieze, paneled doors flanked by Ionic columnar pilasters, shelf interior, each end with paneled doors, molded base, massive paw feet, h. 87 in., w. 73 7/8 in., d. 28 in. $1500/2500 Note: The Ionic pilasters, frieze with recessed arch, side cabinets, and carved paw and Ionic capital feet on this armoire are very similar to those on Baltimore armoires that sold in these rooms on April 14, 2007, as lot 173 and on December 5, 1992, as lot 616.

1152. American Rococo Carved and Grained Rosewood Armoire, mid‑19th c., probably New Orleans, lobed finial, broken arch crest, paneled frieze, foliate carved mirrored door, shelf interior, paneled long drawer, scrolled bracket feet, h. 112 1/2 in., w.

49 1/2 in., d. 23 in. $3000/5000

1153. An American Rococo Carved Rosewood Armoire, mid‑19th c., probably New Orleans, floral carved crest, lobed finials turreted corners, mirrored doors, divided interior in birdseye maple, base with two drawers, bracket feet, h. 105 1/2 in., w. 60 in., d. 25 in. $2000/3000

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1154. Near Pair of American Carved Rosewood Beds, 19th c., h. 47 in., l. 77 in., w.

51 in., h. 54 in., l. 78 in., w. 58 in. $1200/1800

1155. American Classical Carved Mahogany Sideboard, c. 1825‑1830, probably New York, h. 64 in., w. 67 in., d. 23 1/2 in. $1000/1500

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish, LA.

140

1156. American Rococo Carved and Laminated Rosewood Parlor Suite, c. 1850‑1860, attributed to John and Joseph W. Meeks, New York, in the pattern commonly referred to as “Stanton Hall”, comprised of a settee, pair of armchairs and pair of side chairs, (5 pcs.), settee h. 48 7/8 in., w. 62 1/2 in., d. 24 1/2 in. $5000/10000 Provenance: The “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish, LA.

1157. American Renaissance Carved Walnut and Burl Walnut Bedroom Suite, probably New Orleans, script signature “Mc & Bro...”, comprising half‑tester bed, dressing chest, washstand (lacking marble), stenciled signature, and armoire with interior, bed h. 116 in., l. 76 1/2 in., w. 59 in.; chest h. 85 1/2 in., w. 44 in., d. 19 3/8 in.; washstand h. 27 in., w. 30 in., d. 16 3/8 in.; armoire h. 107 in., w. 62 in., d. 22 3/8 in. $3000/5000 Provenance: The “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish, LA; previously in The Cedars, acquired c. 1950.

1158. American Rococo Carved Mahogany Sideboard, mid‑19th c., tiered superstructure with foliate crest, scroll supports, marble top, frieze drawers over paneled doors, molded plinth, h. 74 1/2 in., w. 58 1/2 in., d. 24 in. $1000/1500

1159. American Classical Inlaid Mahogany Secretary Bookcase, patera inlaid cornice, inset arched frieze, glazed doors, three small drawers, fold out writing surface, ogee drawer above long drawers flanked by scrolled stiles, h. 79 in., w. 46 in., d. 23 in. $1200/1800

1161. Regency Mahogany Breakfast Table, 19th c., rosewood crossbanded top, ring turned standard, reeded saber legs, brass paw feet, casters, h. 27 5/8 in., l. 58 in., w. 39 7/8 in. $500/1000

1160. Antique Chippendale‑Style Miniature Mahogany Chest, molded top, 2 short over 3 long cockbeaded drawers, bracket feet, h. 16 3/4 in., w. 17 1/2 in., d. 10 in. $300/500 Additional information at www.nealauction.com

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1162. Antique Chippendale‑Style Burled Walnut Desk, c. 1900, blocked serpentine top, inset tooled leather writing surface, kneehole configuration of drawers, carved cabriole legs, h. 31 1/4 in., w. 66 in., d. 39 in. $1000/2000

1164. George III‑Style Mahogany Secretary Bookcase, 19th c., upper case with molded cornice, astragal glazed doors, adjustable shelves; lower case with fall front escritoire drawer, fitted interior, over three graduated drawers, bracket feet, h. 93 in., w. 47 in., d. 22 in. $1000/1500

1163. George III Mahogany Pedestal Dining Table, reeded edge top, turned support, reeded legs, casters, h. 27 1/2 in., w. 38 3/4 in., d. 58 in. $800/1200

1165. English Mahogany Bookcase, 19th c., upper case with molded cornice, arched glazed doors, adjustable shelf interior, pilasters with scrolled brackets; conforming lower case with molded frieze drawer over paneled doors, plinth base, h. 94 1/2 in., w. 54 in., d. 19 in. $800/1200

1167. Georgian Burled Walnut Kneehole Desk, 18th c., molded top, frieze drawer, kneehole with prospect door flanked by three drawers on each side, bracket feet. $800/1200

1166. Antique English Carved Mahogany Breakfront Bookcase, 19th c., gadrooned cornice, glazed doors, adjustable shelves, conforming base with carved paneled doors, adjustable shelf interior, acanthus‑carved stepped base, h. 93 3/8 in., w. 107 1/2 in., d. 22 in. $2500/3500

1168. George III Carved Mahogany Dressing Table, 18th c., molded top, bracketed drawers, chamfered molded legs, h. 27 in., w. 32 1/2 in., d. 19 1/4 in. $1000/1500

1169. French Gilt Bronze‑Mounted Porcelain Covered Urn, probably late 19th c., stepped domed cover, ovoid body painted with landscape and figural scene, signed “C. Rochelte”, flared foot; bronze rims, garland‑hung handles, foliate base, tiered plinth, bun feet, h. 32 1/4 in. $1000/2000 Provenance: The Gotlib Collection.

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1170. Pair of French Porcelain Covered Urns, probably late 19th c., domed covers, tapering globular bodies, decorated with scenes of courting couples and farm animals, gilt bronze bases, h. 20 1/4 in. $1000/1500 Provenance: The Gotlib Collection.

1171. Pair of French Gilt Bronze‑Mounted Porcelain Vases, late 19th/20th c., waisted flared necks, painted with scenes of amorous couples, signed “R. Coulon”; beaded bronze rims, foliate handles, shaped pedestal bases, h. 26 in. $1000/1500 Provenance: The Gotlib Collection.

1172. Pair of French Gilt Bronze‑Mounted Porcelain Baluster Vases, probably late 19th c., painted with floral and figural reserves, one signed; bronze scroll handles with ram’s masks, plinth base, h. 23 1/4 in. $1500/2500 Provenance: The Gotlib Collection.

1173. Gilt Bronze‑Mounted Sèvres Porcelain Vase, probably mid‑19th c., interlaced Ls mark, painted with a courting couple, signed “...Poitevin”, and a landscape, bronze rims, acanthus handles, and plinth base, h. 27 3/4 in. Note: Repairs to foot. $500/1000

1174. Pair of Gilt Bronze‑Mounted Sèvres‑Style Porcelain Vases, late 19th/early 20th c., painted with male and female portraits, signed “A. Dorival”, h.

11 3/4 in.; together with a German porcelain cup and saucer, eagle over TPM mark, cup h. 3 1/8 in., saucer dia. 6 1/2 in., (3 pcs.) $150/250

Provenance: The Gotlib Collection.

1175. Pair of Paris Porcelain Vases, early 19th c., painted with courtly couples and coastal landscapes, swan handles, square bases, h. 13 in. $1200/1800

Provenance: The Gotlib Collection.

1176. Pair of Paris Porcelain Scent Bottles, 19th c., square bodies, swan feet, painted with floral and avian decoration, h. 5 1/2 in., w. 5 in., d. 5 in. $400/600

1177. Paris Porcelain Cup and Saucer, mid‑19th c., decorated with scrolls and garlands on a lattice ground, cup with a portrait medallion, cup h. 3 3/8 in., saucer dia. 7 in. $100/150 Provenance: The Gotlib Collection.

1178. Pair of Paris Porcelain Compotes, 19th c., each with fruit, flower and bird reserves, h. 4 7/8 in., dia. 9 5/8 in. $300/500

1179. Continental Porcelain Portrait Plaque, late 19th c., probably French, depicting a musketeer toasting, 12 1/4 in. x 8 3/4 in., gilt frame. $500/800 Provenance: The Gotlib Collection.

1180. Antique French Porcelain Plaque, signed “Conlaud”, depicting a musician courting two maidens, 11 3/8 in. x 15 3/8 in. $150/250 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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1183. French Polychrome and Gilt Porcelain Vase, late 19th/20th c., oval body finely painted with a figure of a troubadour, signed “L.. Schilt”, and a landscape, base drilled, h. 14 5/6 in., w. 7 1/4 in., d. 3 1/4 in. $600/900

1181.

Monumental French Porcelain Vase, 19th c., flared neck, painted with courting couple and landscape panels, h. 31 1/4. $500/1000 Provenance: The Gotlib Collection.

1182. Pair of French Gilt Bronze‑Mounted Porcelain Urns, probably mid‑19th c., painted with figural and floral panels; bronze rims, square bases, h. 16 1/2 in. $400/600 Provenance: The Gotlib Collection.

1184. Louis XVI‑Style Carved and Gilded Vitrine, late 19th c., stepped cornice, swagged beveled glass doors, musical trophée center stile, mirrored back, tapered stopfluted legs, h. 70 in., w. 44 in., d. 19 in. $1200/1800

1185. Antique Louis XVI‑Style Carved Giltwood and “Aubusson” Tapestry Salon Suite, comprising a small canapé and four fauteuils, husk and ribbon carved oval backs, scrolled arms, stop-fluted tapered legs, settee h. 36 in., w. 57 in., d. 20 in. Note: Wear. $1500/2500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

1186. Louis XVI‑Style Bronze‑Mounted Mahogany Salon Table, inset brêche de violette marble top, frieze drawer, bust‑mounted tapered legs, shaped stretcher centered by a reticulated basket, h. 30 7/8 in., w. 33 1/2 in., d. 20 in. $500/1000

1187. Pair of Louis XVI‑Style Bronze‑Mounted Inlaid Mahogany Commodes, marble top, frieze drawer over two drawers, cabriole legs, h. 33 in., w. 33 in., d. 18 in. $400/800

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

144

1189. Louis XVI‑Style Bronze‑Mounted Inlaid Mahogany Bedside Commode, early 20th c., inset marble top, frieze drawer, cabinet door, cabriole legs, h. 31 3/4 in., w. 15 1/2 in., d. 14 1/2 in. $250/500 Provenance: The Gotlib Collection.

1190. Pair of Neo‑Grec Patinated Bronze Three‑Light Candelabra, Classical bust finials, urn candlecups, figural standards, tripartite bases, claw feet, anthemion and guilloche decoration allover, h. 22 in., w. 9 in. $800/1200 1188. Louis XVI‑Style Bronze‑Mounted Mahogany and Kingwood Parquetry and Marquetry Armoire, early 20th c., shell‑mounted crest, mirrored door flanked by narrow doors, inlaid husk reserves, fitted interior, bronze paw feet, h. 96 in., w. 65 in., d. 19 3/4 in. $1000/2000 Provenance: The Gotlib Collection.

1193. Chinese Gilt Bronze‑Mounted Hardstone Urn, compressed globular body with waisted neck; bronze ruyi head rim, lion’s mask‑ring handles, scroll‑footed base, h. 11 3/4 in., w. 11 in. $1000/1500

1191. Antique Louis XVI Carved and Gilded Overmantel Mirror, early 19th c., shell carved cartouche, floral swags, foliate carved surround, original mirror plate, h. 74 in., w. 44 in. Note: Minor loss, imperfections. $1000/1500

1192. Antique Louis Philippe Carved and Gilded Mirror, mid‑19th c., shell and foliate crest, molded surround, h. 86 in., w. 47 in. Note: Minor losses to crest area. $700/1000

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

1194. Large Louis XVI‑Style Brass Fire Fender, 20th c., reticluated swagged frieze, molded base, w. 60 in. $800/1200 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

Additional information at www.nealauction.com

145

1195. Good Pair of Antique Renaissance‑Style Relief Carved, Polychrome and Gilded Panels, 19th c., Italian, each wing shaped panel with putti, scrolling vines, masks and sea creatures, later backboards, each h. 55 1/2 in., w. 26. $1200/1800

1196. Pair of French Gilt Bronze and Crystal Four‑Light Candelabra, late 19th c., finialed dome, inset cabochons, reeded standard, scrolled arms, acanthine supports, paw feet, h. 19 5/8 in., w. 12 in. $1200/1800 Provenance: The Gotlib Collection.

1197. Napoleon III Gilt and Patinated Bronze Corbeille, probably late 19th/early 20th c., reticulated basket over putti holding wreaths, columnar base, paw feet, h. 21 1/4 in., dia. 10 3/4 in. $1000/2000 Provenance: The Gotlib Collection.

1198. Pair of Antique Neoclassical‑Style Gilt Brass Corbeilles, flared reticulated baskets, circular bases, incurvate plinths, ball and claw feet, h. 12 1/2 in., w. 8 in. $1000/1500 Provenance: The Gotlib Collection.

1199. Louis XVI‑Style Bronze‑Mounted Mahogany and Kingwood Parquetry and Marquetry Bedstead, early 20th c., headboard with shell‑mounted crest, oval husk inlaid reserve, shaped rails, conforming foot board, bronze paw feet, h. 61 in., l. 79 1/2 in., w. 58 1/2 in. $1000/2000 Provenance: The Gotlib Collection.

1200. Pair of Louis XVI‑Style Bronze‑Mounted Inlaid Rosewood Petite Commodes, marble top, blocked drawers, cabriole legs, h. 29 1/2 in., w. 26 in., d. 16 in. $500/800

1201. Directoire‑Style Bronze‑Mounted Mahogany Center Table, 20th c., molded top, paired columnar supports, incurvate stretcher, blocked feet, h. 30 1/2 in., w. 33 1/2 in., d. 33 1/2 in. $300/500

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

146

1203. West Indies Carved Tropical Hardwood Bedstead, 19th c., melon headboard, reverse spiral turned vasiform posts, turned legs, h. 70 1/2 in., l. 75 in., w. 52 1/2 in. $500/700

1202. Pair of Belle Époque Carved Walnut Fauteuils, late 19th c., foliate crest, padded back, scrolled arms, cabriole legs, scrolled toes. $400/800 Provenance: The Gotlib Collection.

1205.

Aubusson‑Style Carpet, pale blue and pink ground, polychrome floral central medallion, garland border, 11 ft. 10 in. x 18 ft. $500/1000 1206.

Aubusson‑Style Carpet, pink ground, polychrome floral central medallion, scrollwork and garland border, 11 ft. 8 in. x 13 ft. $400/600

1204. French Provincial Carved Oak Commode, early 20th c., molded top, paneled drawers, cabriole legs, h. 33 in., w. 35 in., d. 16 in. $250/500 Provenance: The Gotlib Collection.

1208. Pair of Louis XV‑Style Gilt Bronze Three‑Light Sconces, probably 19th c., foliate scroll backplate and candlearms, h. 34 in., w. 16 in., electrified. $800/1200 Provenance: The Gotlib Collection.

1207. Pair of Continental Neoclassical‑Style Gilt Bronze Four‑Light Sconces, 20th c., foliate backplates foliate bouquets issuing scrolled arms, h. 25 in., w. 15 in., d. 9 in. $800/1200

1210. Pair of French Gilt Bronze Two‑Light Sconces, late 19th c., cartouche backplates flanked by Classical masks, scrolled acanthine arms, h. 14 in., w. 9 3/4 in. $500/1000 Provenance: The Gotlib Collection.

1211. Pair of Antique Louis XVI‑Style Gilt Bronze Figural Candlesticks, urn form candle cups over tripartite female terms on circular bases, h. 11 1/2 in., w. 6 in. $1000/1500

1209. Pair of Louis Philippe‑Style Gilt Brass and Bronze Five‑Light Candelabra, late 19th c., rocaille arms, footed scrolled tripartite bases, h. 20 in., w. 10 in. $800/1200 Provenance: The Gotlib Collection.

1212. Two Louis XVI‑Style Gilt Metal‑Mounted Mahogany Galleried Stands, one rectangular and one square onyx top, conforming frieze, stretcher shelves, tapered fluted legs, h.

32 1/2 in., w. 17 in., d. 12 1/4 in., and h.

32 in., w. 12 in., d. 12 in. Note: Losses. $500/800

1213. Pair of Louis XVI‑Style Gilt Bronze‑Mounted, Inlaid Mahogany Encoignures, each with variegated marble top, scroll frieze, musical trophée inlaid doors, shaped base, toupie feet, h.

40 in., w. 24 1/2 in., d. 17 in. $500/1000 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

147

1214. Continental Bronze‑Mounted Inlaid Rosewood Two‑Tier Desserte, probably late 19th/ early 20th c., shaped tiers, putto supports, cabriole legs, h. 36 in., w. 30 in., d. 19 3/4 in. $800/1200

1215. Napoleon III Bronze‑Mounted, Ebonized and Inlaid Burlwood Table, mid‑19th c., drop-leaf top with oval trophée of musical instruments, beaded molding, shaped frieze, fluted legs connected by shaped stretchers, h. 29 in., closed w. 28 in., d. 20 in. $500/800

Provenance: The Gotlib Collection.

1216. French Gilt Bronze “Grand Tour” Bracket Clock, late 19th c., modeled as the Tempietto at San Pietro in Montorio, Rome, dial inset into the lion skin of Hercules, striking gong movement, h. 9 1/2 in., dia. 4 1/2 in. $700/1000

Provenance: The Gotlib Collection.

1217. French Art Deco Bronze‑Mounted Marble Three‑Piece Clock Garniture, c. 1920, movement marked “S. Marti”, enameled dial signed “E. Brondeau, Limoges, Paris”, case mounted with stylized flowers, ball feet, clock h. 9 3/4 in., w. 13 in., d. 4 in. $300/500

1218. Napoleon III Gilt Bronze Figural Mantel Clock, mid‑19th c., striking bell movement stamped “VM”; porcelain dial, scroll base, h. 15 1/2 in., w. 10 in., d. 6 1/2 in. $500/800 Provenance: The Gotlib Collection.

1220. Continental Patinated Bronze Figure of a Classical Warrior, probably 19th c., with spear and shield, inscribed “S. Bauer” on self‑base, octagonal marble plinth, overall h. 11 in. $500/700

1219. French Bronze and Marble Clock Garniture, 19th c., clock marked “Lesieur H. a Paris”, flanked by floral urns, pyramidal bases, clock h. 12 1/2 in., w. 8 in., d. 5 in., urn h. 10 1/2 in. $500/1000 Provenance: The Gotlib Collection.

1222. French Art Deco Bronze of a Mother and Child, 20th c., inscribed “Uriano”, stepped marble and onyx base, h. 27 3/4 in. $300/500 Provenance: The Gotlib Collection.

1223. Émile Joseph Carlier (French, 1849‑1927), “A la Frontière”, bronze, artist’s name inscribed on base, titled on plaque, h. 26 in. Note: Right hand lacking sabre/sword. $300/500 Provenance: The Gotlib Collection.

148

1221. José Dunach (Spanish/ Parisian, b. 1886), “The Discus Thrower”, early 20th c., bronze, inscribed “J. Dunach” and “Made in France” on self base, h. 8 1/4 in., marble plinth with a decorative bronze plaque by Alexandre Morlon (French, 1878‑1951) inscribed “Sport” and “Morlon”, overall h.

12 3/8 in. $500/700

1224. Continental Bronze of a Warrior Lying on his Armor, 20th c., loosely modeled after the 1st c. marble of “The Dying Gaul” in the Capitolini Museum, Rome, h. 17 1/4 in., w. 17 1/2 in. $500/700

1225. Pippo Oriani (Italian, 1909‑1972), “Orfeo”, c. 1950, oil on canvas, signed lower right, signed, titled and inscribed en verso, 23 1/2 in. x 19 1/4 in. framed. $700/1000

1226. Nandor (Ferdinand) Katona (Hungarian, 1864‑1932), “Bridge over the Danube at Budapest”, oil on canvas, signed lower right, 29 5/8 in. x 39 1/2 in., framed. $1000/1500

1228. Continental School, 19th c., “Portrait of an Alluring Beauty”, oil on canvas, unsigned, 22 in. x 18 in., period frame. $1000/1500

1227. Joseph Haier (German, 1816‑1891), “Loading the Timber”, 1855, oil on canvas, signed and dated lower middle, 26 in. x 32 1/4 in., original gilt frame. $1000/1500

1229. French Carved and Gilded Overmantel Mirror, 19th c., crest with putti and shell, floral swags, beaded and reeded frame. $700/1000 Provenance: The Gotlib Collection.

1230. Antique Louis Philippe Carved and Gilded Mirror, early 19th c., beaded and foliate carved surround, burnished and matte surface, h. 71 1/2 in., w. 41 1/2 in. $700/900 Provenance: The Gotlib Collection.

1231. American Classical‑Style Mahogany Gueridon, early 20th c., circular top, columnar supports, low shelf, paw feet, h. 29 1/2 in., dia. 24 in. $300/500

1232. Spanish Colonial‑Style Carved Hardwood Planter’s Chair, arms with leg rest extensions, bulbous turned legs, leather upholstery with braided trim. $600/900

1233. Continental Pine Cabinet, 20th c., cove molded cornice, pair paneled doors, arched interior, conforming doors below, molded base, h. 90 1/2 in., w. 49 1/2 in., d. 28 1/2 in. $500/700 Provenance: Charbonnet & Charbonnet, Magazine Street, New Orleans, LA.

1234. Continental Renaissance‑Style Carved Walnut Throne Chair, probably early 20th c., arched crest with opposing lions, vasiform splat, acanthine scroll arms, mask carved seat rail, volute acanthine legs, stretchers. $600/800

Additional information at www.nealauction.com

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1235. Pair of Louis XVI‑Style Carved and Gilded Bergères, late 19th c., floral carved crest rail, downswept arms, spiral turned tapered legs. $1200/1800

1237. Antique French Provincial Verte Peinte Cabinet, 19th c., molded top, paneled drawer and door with foliate carving, shell carved apron, volute block feet, h. 50 in., w. 31 1/2 in., d. 18 5/8 in. $1000/1500

1236. Set of Ten Empire‑Style Burled Wood Gondola Chairs, vasiform splats, serpentine seat rail, slip seat, saber legs. $1500/2500

1238. Pair of Neoclassical‑Style Gilt Brass‑Mounted Mahogany Jardinières, banded oval bodies, turned legs, toupie feet, h. 25 1/2 in., w. 31 5/8 in., d. 17 1/4 in. $400/600 Provenance: The Gotlib Collection.

1239. Pair of Napoleon III Gilt Bronze‑Mounted Porcelain Sleeve Vases, late 19th c., painted with floral garlands and sprays; reeded bronze handles, beaded rims, incurvate plinth, bases, h. 21 1/4 in. $400/600 Provenance: The Gotlib Collection.

1240. Pair of Louis XVI‑Style Gilt and Patinated Bronze Figural Chenets, late 19th/early 20th c., each with putto on draped base with torch finials, h. 12 in., w. 13 1/2 in., d. 2 3/4 in. $300/500 Provenance: The Gotlib Collection.

1241. Pair of French Neoclassical‑Style Gilt Bronze Ewers, probably late 19th c., cherub‑mounted handles with ram’s head terminals, friezes with cavorting putti in relief, h. 22 1/2 in. $500/800

1242. Three Louis XV‑Style Gilt Bronze Firescreens, probably 20th c., acanthine frames with mesh grille, two with central cartouches, scrollwork feet, largest h. 32 in., w. 25 1/4 in. $300/500 Provenance: The Gotlib Collection.

1243. Pair of Continental Porcelain Vases, probably 19th c., undulating flared rims, leafy branch handles, painted with figural scenes and gilt cherub reserves, h. 18 7/8 in. $300/500 Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

1245. Pair of Louis XVI‑Style Gilt Bronze and Marble Four‑Light Candelabra, probably mid‑19th c., putto standards with basket, foliate branches, floral‑swagged pedestals, h. 16 1/4 in., w. 7 1/8 in., previously electrified. $300/500 Provenance: The Gotlib Collection.

1244. Pair of French Porcelain Vases, probably early 20th c., with Japonesque scenes in the Aesthetic taste, h. 15 1/2 in. $200/400 Provenance: The Gotlib Collection.

1246. Louis XV-Style Crystal and Gilt Bronze Sixteen‑Light Chandelier, early 20th c., baluster standard, tiered curvilinear arms, flower shaped bobêches, cut floral and pendaloque prisms, h. 35 in., w. 20 in., electrified. $500/700 Provenance: The Gotlib Collection.

150

1249. Ignaz Ellminger (Austrian, 1843‑1894), “Water Wagon, Vienna, Austria”, oil on canvas, signed and inscribed “Wien” lower right, 19 3/4 in. x 32 1/8 in., framed. $500/700

1247. Pair of Louis XVI‑Style Gilt Bronze Chenets, 19th c., architectonic forms, foliate finials atop columns centering rocaille friezes with putti, overall h. 26 in., now mounted as lamps. $800/1200 1248. French Patinated Metal and Crystal Thirteen‑Light Chandelier, probably early 20th c., palmette‑mounted hourglass corona, scrolled cage support with pendant hung arms centering a hexagonal ball, h. 47 in., w. 25 in. Note: Lacking 2 crystal finials. $700/900

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Provenance: The Gotlib Collection.

1250. Vuit Gros (French, 19th c.), “The Money Lenders”, oil on wood panel, signed “Vuit Gros” lower right, artist brass plaque, 15 in. x 11 1/8 in., framed. $250/350

1251. Heinz Pinggera (Italian, b.

1900), “Snowy Mountain Landscape with Chalet”, oil on canvas, signed lower right, 27 1/2 in. x 39 1/2 in., framed. $400/600

1252. Arnulf De Bouché (German, 1872‑1945), “Odalisque”, oil on canvas, signed upper left, sight 24 in. x 20 in., framed. $500/750

1253. Charles Malfroy (French, 1862‑1918), “A French Port with an Ocean‑Going Ship”, 1909, oil on canvas, signed and dated lower left, 15 in. x 21 3/4 in., framed. $500/800

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1254. Attributed to Simon van der Does (Dutch, 1653‑1718), “Farmer with his Animals”, 1701, oil on canvas laid down on board, signed and dated lower right, inscription with artist’s name and date en verso of board, 11 in. x 15 1/4 in., framed. $500/800

1258. Attributed to Ferdinand Roux (Swiss, late 19th/early 20th c.), “Swiss/German Alps Landscape”, oil on card, signed lower left, 10 3/8 in. x 7 3/4 in., framed. $200/300

1255. Manner of Leopold Carl Muller (Austrian, 1834‑1892), “Ottoman Empire Sultan”, 20th c., oil on wood panel, unsigned, various labels and inscriptions en verso, 9 in. x 7 1/4 in., framed. $600/800

1256. French School, 19th c., “Street Musicians with Dog”, 1862, oil on wood panel, signed “F. Moors” and dated lower right, 12 1/2 in. x 9 3/4 in., framed. $400/600

1257. After Peter Paul Rubens, late 19th c., “Self‑Portrait c. 1640”, oil on board, unsigned, partially effaced labels en verso, 13 7/8 in. x 9 7/8 in., period gilt frame. $500/700

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1259. After Jacob Jordens (Flemish, 1593‑1678), “As the Old Sing, the Young Pipe”, c.

1880, oil on canvas, signed “J.H. Mols (Belgian, 19th c.) lower left, 25 1/4 in. x 35 in., framed. $500/700 1260. Oskar M. Gross (Austrian/ American, 1871‑1963), “Girl with Blue Bird”, oil on canvas affixed to board, signed lower left, signed, titled and inscribed en verso, 42 in. x 33 in., framed. $1200/1800

1261. Louis XVI‑Style Parquetry and Gilt Bronze‑Mounted Side Table, probably early 20th c, frieze drawers, stop-fluted legs, h. 29 3/8 in., w. 36 1/4 in., d. 22 1/4 in. $300/500 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

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1262. Antique Louis XVI‑Style Mahogany, Parquetry and Bronze‑Mounted Commode, 20th c., serpentine rouge marble top, 3 drawers, shaped base, restrainedcabriole legs, h. 34 in., w. 44 1/2 in., d. 20 in. $500/700

1263. Pair of Directoire‑Style Crème Peinte Fauteuils, beaded crest rail, padded arms, shaped seat rail, blocked rosette corners, fluted tapered legs. $1000/1500

Provenance: The Gotlib Collection.

1264. French Provincial Cherrywood Farmhouse Table, late 18th c., molded top, frieze drawers, turned tapered legs, turned stretchers, h. 30 in., w. 63 in., d. 31 in. $700/1000

1265. Louis XV‑Style Gilt Metal‑Mounted Kingwood Bombé Commode, 20th c., serpentine variegated marble top, 2 drawers, cabriole legs, h. 35 1/2 in., w. 49 1/2 in., d. 20 3/8 in. $500/700 Provenance: The Gotlib Collection.

1267. French Provincial Carved Walnut Armoire, 19th c. and later, arched molded cornice, carved raised panel doors, stop fluted center stile, interior belt of drawers, shaped base, cabriole legs, scrolled toes. $1200/1800 1266. Louis XV‑Style Mahogany and Gilt Metal‑Mounted Vitrine, 20th c., serpentine hinged top with inset glass, cabriole legs, h. 29 in., w. 40 in., d. 24 1/2 in. $300/500

1268. Antique Louis XVI‑Style Carved Giltwood Mirror, late 19th/early 20th c., beaded frame surmounted by a swagged urn, and branches, with tasseled corners, h. 41 1/2 in., w. 25 1/2 in. $700/900

Provenance: The Gotlib Collection.

1271. Antique Louis XVI‑Style Carved Walnut Window Bench, early 20th c., caned seat, fluted tapered legs, stretcher, h. 20 1/2 in., w. 35 1/2 in., d.

14 1/2 in. $150/250 1269. Louis Philippe Giltwood Overmantel Mirror, 19th c., molded, beaded frame, retaining original gilt surface, h. 59 in., w. 41 1/2 in. $250/500

1270. Louis Philippe Giltwood Overmantel Mirror, 19th c., molded, beaded frame, retaining original gilt surface, h. 59 in., w. 41 1/2 in. $250/500

Provenance: The Gotlib Collection.

Provenance: The Gotlib Collection.

152

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1272. Louis XV‑Style Ebonized, Boullework and Bronze‑Mounted Center Table, 19th c., serpentine top, conforming frieze with drawer, cabriole legs, h. 23 1/2 in., w. 38 7/8 in., d. 26 in.

Note: Reduced in height, losses to brass inlay. $200/400 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1275. Louis XV‑Style Ebonized and Bronze‑Mounted Bureau Plat, 20th c., serpentine top, frieze with three drawers, cabriole legs, h. 29 1/4 in., w. 54 1/2 in., d. 27 1/2 in. $300/500

1273. Louis XV‑Style Carved Walnut Window Bench, scrolled arms, shell carved seat rail, cabriole legs. $400/600

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL. 1274. Continental Empire‑Style Mahogany Dining Table, c. 1840, circular top with four leaves, figured frieze, turned legs, casters. $1000/1500

1276. French Mahogany and Bronze‑Mounted Console Table, probably 19th c., marble top, mounted frieze, scrolled supports, later paneled back, plinth base, disc feet, h. 35 in., w. 60 in., d. 21 in. $400/600 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1279. Pair of Art Deco‑Style Brass Candlesticks, tulip form candlecups, circular bases inlaid with silver fretwork, h. 14 1/2 in., dia. 6 in. $300/500

1283. Continental Gilt Plaster and Wood Crucifixion Group, Christ flanked by female disciples on rockwork, h. 13 1/2 in., w. 3 3/4 in., wood base, glass dome, overall h. 17 in. $200/300

1280. Two Continental Tôle Peinte Lemon Topiaries, in barrel form jardinières, h. 19 1/2 in. and 20 1/2 in. $300/500

1284. Moroccan Inlaid Mother‑of‑Pearl and Brass‑Mounted Mahogany Shoe-Shine Stand, 19th c., central shoe prop, domed compartments, fitted with bottles, drawers in back, retains key, h. 19 in., w. 28 1/2 in., d. 7 1/2 in. $200/300 Provenance: The Gotlib Collection.

1277. Louis Philippe Carved Giltwood Mirror, c. 1845, foliate cartouche crest, beaded surround, h. 59 1/2 in., w. 36 1/2 in. $600/900 Provenance: Penny Pence Antiques, New Orleans, 1999.

1281. Grand Tour SarcophagusForm Marble Encrier, c. 1900, inset silver inkwells, marble plinth, h. 3 1/4 in. $500/700

1285. Chinese Export‑Style Gilt Decorated Blue and White Porcelain “Armorial” Bowl, marked “Tiffany and Co / Private Stock / Hand‑Painted / in France”, h. 4 1/4 in., dia. 10 in. $150/250

1278. Empire‑Style Trumeau Mirror, green faux marbre ground, reserve with beaded border and swan relief, foliate mirror surround, h. 71 in., w. 31 1/2 in. $500/700 Provenance: Balzac Antiques, New Orleans, 2002.

1282. A Louis XV‑Style Brass Fireplace Garniture, incl. fan‑form screen with urn and entwined serpents, and pair of foliate scroll chenets, screen h. 31 1/4 in., w. 47 in., d. 9 in., chenets h. 19 1/2 in., w. 10 in., d. 19 in. $500/800

1286. Pair of Louis XV‑Style Bronze‑Mounted Porcelain Baluster Vases, 20th c., United Wilson “UW 1897” mark, black ground with armorial decoration; foliate scroll mounts with satyr masks, h. 22 in. $300/500 Provenance: Sold to Benefit the Amarillo Museum of Art, Amarillo, TX.

Additional information at www.nealauction.com

153

1287. Coalport Porcelain Partial Dessert and Tea Service, 19th c., marked, floral reserves, 6 teacups and 5 saucers, 12 demitasse cups and saucers and 10 dessert plates; plate dia. 9 1/4 in.; together with 6 Coalport cabinet plates, painted with fowl, dia. 9 in. (51 pcs.) $300/500

1288. Pair of Limoges Porcelain Plates, late 19th/early 20th c., painted with scene of amorous couple, signed “Romat”, dia. 12 1/4 in. $150/250 Provenance: The Gotlib Collection.

1289. Pair of Majolica Wall Brackets, with pseudo English date mark, serpentine shelf, scrolling foliate support, h. 7 in., w. 10 in., d. 14 in. $300/500

1290. Pair of Baroque‑Style Carved, Parcel Gilt and Ebonized Guéridons, inset black marble top, cabriole supports with masks, stretcher shelf, scrolled feet, h. 31 1/2 in., dia. 20 in. $600/800

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1291. French Provincial Carved Walnut Dining Table, 18th c., molded top, scalloped frieze, cabriole legs, hoof feet, h. 29 1/2 in., l. 85 in., w. 35 in. $2000/3000

1293. Antique Empire‑Style Mahogany and Bronze‑Mounted Sécrétaire à Abattant, blocked frieze, fall front lid, fitted desk interior, three drawers flanked by columns, blocked base, ball feet, height 49 3/4 in., width 41 3/8 in., depth 23 1/4 in. $700/1000

1292. Louis XVI‑Style Gilt Bronze‑Mounted Kingwood and Parquetry Desk, 20th c., kidney‑shaped top with inset faux malachite, kneehole configuration of drawers, reeded bronze‑mounted tapered legs, h. 31 1/2 in., w. 43 in., d. 21 in. $2000/3000

1294. Empire‑Style Bronze‑Mounted Armoire, late 19th/ early 20th c., blocked cornice, griffin mounted frieze, beveled mirror door flanked by columns, interior with adjustable shelves, molded base with drawer, paw feet, h. 80 in., w. 43 in., d. 21 1/2 in. $800/1200

154

1295. Louis XV‑Style Chinoiserie‑Decorated Gilt Metal‑Mounted Commode, serpentine marble top, two drawers, cabriole legs, h. 34 in., w. 49 1/2 in., d. 23 in. $1000/1500

1296. Continental Neoclassical‑Style Paint‑Decorated Commode, faux marbre top, paneled frieze, pair of paneled doors, square tapered legs, h. 35 7/8 in., w. 43 1/4 in., d. 21 in. $200/400

1297. French Provincial Carved Walnut Table, rectangular top with molded edge, shaped skirt, cabriole legs, h. 30 1/2 in., w. 82 in., d. 37 1/2 in. $2500/3500

1298. Large Continental Carved and Ebonized Étagère of Renaissance Inspiration, late 19th c., probably France or Belgium, acanthus carved crest, dentillated cornice, hinged paneled shelves flanked by Corinthian capitals above fluted stiles, h. 102 in., w. 70 in., d. 15 in. $2500/3500

1299. Pair of Antique Louis XV‑Style Carved Walnut Fauteuils, 19th c., molded floral crest, padded back, arms and seat, acanthus carved cabriole legs. $500/700 1300. French Rococo Carved Oak Buffet, mid‑19th c., fruit carved crest, stepped shelves, molded base with two drawers over doors, blocked feet, h. 82 in., w. 50 3/8 in., d. 21 1/4 in. $1000/1500

1301. Directoire‑Style Bronze‑Mounted Mahogany Bedroom Suite, probably early 20th c., comprising mirrored door armoire, fitted interior; paneled bed; bedside commode and near matching bedside commode, bed h. 55 1/2 in., l. 76 in., w. 54 1/2 in., commode h. 33 in., w. 15 3/4 in., d. 14 1/4 in. and h. 35 5/8 in., w. 15 in., d. 14 1/2 in., armoire h. 97 in., w. 44 in., d. 21 in. $1000/2000

Additional information at www.nealauction.com

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1302. Painted Cast Iron Garden Suite, incl. 4 armchairs representing the Four Seasons, settee and marble table, settee h. 33 in., w. 41 in., table w. 35 1/8 in., (6 pcs.) $1500/2500

1303. Pair of Large Cast Iron Campana Urns, h. 64 1/2 in., w. 34 in. $1200/1800

1301A. French Provincial-Style Carved Walnut Vitrine, serpentine cornice over two glazed doors, shaped apron, paneled sides, cabriole legs, scroll feet, h. 67 1/2 in., w. 28 in., d. 12 in. $700/1000

1306. Three Italian Neoclassical‑Style Cast Stone Urns, each with foliate rim and relief frieze with alternating garlands and shields, h. 21 1/2 in., dia. 27 1/2 in. $500/700 1305. Antique American Wrought Iron Fireplace Set, incl. crown‑shaped scrollwork wall mount, h. 23 1/2 in., w. 28 1/4 in.; and conforming pair of forks, h. 21 1/2 in. $200/300

1304. New Orleans Cast Iron Table with Two Chairs, 19th c., labeled Hinderer’s Iron Works, founded 1880, chair h. 31 1/8 in., w. 15 in., table dia. 23 in., (3 pcs.) $700/1000

1308. Pair of Cast Iron Campagna Urns, h. 19 1/2, w. 15 in. $300/500

1307. Pair of Large Italian Neoclassical‑Style Cast Stone Urns, loop handles, reserves with Classical maidens, h. 29 1/2 in., w. 31 1/2 in. $300/500

1311. Patinated Cast Iron Fountain, in the form of a turtle, h. 9 3/4 in., w.

24 3/4 in. $300/500

1309. Antique Polychromed Cast Iron Figural Hitching Post, h. 46 in., w. 18 in. $250/500

1310. Chinese Cast Stone Figure of Guanyin, wearing loose robes and hair tied in a chignon carrying a basket, h. 48 3/4 in., w. 19 in., d. 10 in. $500/700

1312. Patinated Bronze Crocodile Fountain, h. 27 1/2 in., w. 46 1/2 in. $800/1200

1313. American Classical Mahogany Center Table, c. 1830, New York, dodecahedron black marble top, conforming frieze, chamfered pillar and scroll base, casters, h. 29 1/2 in., dia. 36 1/2 in. $800/1200

156

1315. American Carved Walnut Bedroom Suite, mid‑19th c., comprising a bedstead and mirrored dresser, paneled headboard, crest with bust of William Shakespeare, dresser with marble top, three drawers, bed h. 94 in., l. 76 in., w. 60 in.; dressing chest h. 94 in., w. 44 in., d. 21 in. $1500/3000

1314. Three American Gothic Carved Rosewood Chairs, mid‑19th c. $400/800 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

Provenance: The “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish.

1316. Suite of Six American Federal Carved Mahogany Shieldback Dining Chairs, late 18th c., Philadelphia, pierced splat, serpentine slip seat, tapered legs, stretcher.

Note: Condition. $800/1200

1317. American Classical Mahogany Sideboard, c. 1840, original white marble top, ogee frieze drawers, paneled doors flanking drawers, case with ogee frame, ogee bracket feet, h. 38 in., w. 61 in., d. 24 in. $700/900

1318. American Mahogany Partner’s Desk, 19th c., stenciled label of Stephen Smith & Co., Boston, inset leather top banded in rosewood, bracketed kneehole configuration of drawers, h. 30 in., w. 54 in., d. 29 7/8 in. $500/1000

1319. Set of Six American Chippendale Carved Mahogany Chairs, late 19th c., one armchair and five side chairs, Gothicized splat, acanthine cabriole legs, ball and claw feet. $600/900

1320. Diminutive American Federal Cherrywood Huntboard, 19th c., slab top, frieze drawers, square tapering legs, h. 32 in., w. 33 in., d. 20 1/2 in. $400/600

1321. American Brass and Gilt Bronze Solar Lamp, 19th c., thumbwheel marked “E.M. & Co./ The Boudoir”, columnar standard, square plinth, period cut and etched glass shade, chimney and crystal prisms, overall h. 28 1/2 in. $400/600

1322. Neoclassical‑Style Patinated Bronze Twelve‑Light Chandelier, fluted columnar standard, scrolled support over acanthine bell, pineapple pendant, h. 29 in., dia. 23 in. $300/500

Additional information at www.nealauction.com

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1325. English Bronze Fire Guard in the Renaissance Taste, late 19th c., facing portrait medallions of Robin Hood and Maid Marian, urn‑form uprights, ringed lion masks, paw feet, h. 21 3/4 in., w. 51 in., d. 6 1/2 in. $300/500

1323. George Elmer Browne (American, 1871‑1946), “Landscape with Farm”, oil on canvas, signed lower left, “Estate of Martin Roche” label en verso, 16 1/4 in. x 24 in., framed. $1200/1800 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1326. Louis Philippe Carved Mahogany Pier Table, 19th c., later top, ogee molded frieze with blind drawer, scrolled supports, mirrored back, shaped plinth, paw feet, h. 35 1/2 in., w. 38 1/4 in., d. 16 3/8 in. $500/700 Provenance: The Christian Woman’s Exchange, New Orleans.

1330. Victorian Oak, Suede and Metal Strapwork Steamer Trunk, c. 1875, domed lid, fitted interior lined with green velvet, brass lockplate stamped “Patented Nov. 1st 1864 & May 11th 1875”, h. 30 in., w. 34 1/2 in., d. 21 1/2 in. $300/600

1333. American Renaissance Carved Walnut Table, late 19th c., inset marble top in strapwork frame, bracketed standard, molded legs, casters, h. 29 in., w. 21 in., d. 17 in. $600/800

158

1324. American School, late 19th/ early 20th c., “Still Life with Flowers and Fruit”, oil on canvas, inscribed “M.A. Peper/ 213 E. 68th St./ N.Y.C.” en verso, 35 in. x 24 in., period frame. $400/600

1327. American Late Classical Carved Mahogany Secretary Desk, mid‑19th c., ripple molded cornice, glazed doors, two drawers below; lower case with baize foldover writing surface over two drawers, paneled cupboard doors below, ogee bracket feet, h. 87 1/2 in., w. 42 1/2 in., d. 19 1/2 in. $500/1000

1331. American Rococo Carved Rosewood Side Table, mid‑19th c., shaped oval marble top, conforming frieze, paired scroll supports, stretcher shelf, arched scrolled legs, casters, h. 29 in., w. 31 in., d. 19 in. $300/500

1334. American Gothic Walnut Slipper Chair, mid‑19th c., arched crest, original horsehair and needlepoint back and seat, molded tapered legs, casters. $200/300

1328. American Victorian Walnut Folding Campaign Chair, c. 1860‑70, turned and blocked frame with brass nailhead decoration, stretchers. $200/400

1329. Antique American Pine Side Table, overhanging top, frieze drawer, square tapered legs, h. 26 7/8 in., w. 18 1/2 in., d. 15 in. $200/300

1332. American Classical Carved Mahogany Center Table, early 19th c., square Egyptian marble top, ogee frieze, chamfered incurvate support, stepped plinth, blocked base, casters, h. 30 in., w. 38 1/4 in., d. 38 in. $800/1200

1335. American Aesthetic Carved and Painted Slipper Chair in the Japonesque Taste, late 19th c., New York, rectangular back with reticulated panels carved with prunus, padded seat. $300/500

1336. American Renaissance Carved Walnut Center Table, mid‑19th c., probably Thomas Brooks, New York, oval marble top, incised frieze, lobed standard, scrolled bracket supports, shaped anthemion carved legs, bun feet, casters, h. 28 1/2 in., w. 35 in., d. 26 in. $500/750 Provenance: The “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish, LA.

1338. American Classical Mahogany Dressing Chest, mid‑19th c., arched mirror, ogee glove drawers, marble top, ogee frieze drawer, graduated drawers, ogee bracket feet, h. 80 in., w. 41 3/4 in., d. 20 1/4 in. $500/750

1337. Two American Gothic Carved Rosewood Slipper Chairs, mid‑19th c., one crested with volute scrolls, the other with quatrefoil back. $500/700 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1341. Empire‑Style Mahogany Pier Mirror, 19th c., paneled frieze, h. 55 in., w. 33 1/2 in. Note: Lacking mounts. $250/350

1345. Peter Lanz Hohnstedt (American/Texas, 1871/72‑1957), “Cast Iron Gate, French Quarter Courtyard”, oil on artist board, signed lower right, “Farish Art Store, New Orleans” label en verso, 17 in. x 14 in., period frame. $600/900

1349. Steven Stinchcomb (American/Georgia, 20th c.), “Boat Docked Along the Shore”, oil on canvas board, signed lower left, artist’s card en verso, sight 10 1/4 in. x 13 1/4 in., framed. $300/500

1342. Eastman Kodak Company Model 9A View Camera and Stand, wood, glass and metal, labeled “No. 9A Century Studio Camera Made by Eastman Kodak Co. Folmer & Schwing Dept.

Rochester, NY”, view h. 10 in., stand h. 55 in. Note: Lacks lens. $250/350 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1346. Mederic Matherne (American/New Orleans, 1902‑1993), “Abstract Landscapes”, 2 watercolors on paper, each signed lower right, sights 15 in. x 11 in., framed alike. $500/700

1350. Emmy Houweling (American/ Kentucky, 20th c.), “Kentucky Farm”, oil on canvas board, signed lower right, artist’s card en verso, sight 10 1/2 in. x 13 1/2 in., framed. $200/400

1339. American Classical Carved Mahogany Pier Mirror, c. 1840, blocked cornice, carved split columns, h. 47 in., w. 23 7/8 in. $500/800

1343. Frederick Polley (American/Indiana, 1875‑1957), 6 drawings on paper, pencil‑signed and inscribed “New Orleans”, titled lower left or en verso, from 11 1/4 in. x 13 1/4 in. to 11 in. x 15 in., unframed. $300/500 Provenance: Lyman Brothers Art Store, Indianapolis to the Clarence and Mildred Long Collection of Indiana Art, Indianapolis in July, 1973, thence by descent to the present owner.

1347. James Brittain (American/ New Orleans, 20th c.), “Artists Painting on Jackson Square”, watercolor on paper, signed lower right, 15 1/2 in. x 11 1/2 in., framed. $300/500

1351. Southern School, late 19th c., “Choctaw Indian Hut”, oil on wood panel, illegibly signed “S...” lower right, titled en verso, 6 1/4 in. x 9 1/2 in., period frame. $250/350

1340. American Renaissance Carved Oak Mirror, late 19th c., arched crest centering an angelic bust, foliate scroll surround, h. 49 in., w. 54 1/4 in. $500/750

1344. Will Ousley (American/ Louisiana, 1866‑1953), “The Cypress Tree”, oil on board, signed lower right, illegibly inscribed en verso, 10 3/4 in. x 5 1/2 in., framed. $300/600 Provenance: Private Collection, Coldspring, Texas.

1348. Carolyn Watson (American/ Mississippi, b. 1945), “Still Lives”, 3 watercolors on paper, each signed either lower left or right, 12 in. x 16 in., 8 in. x 20 in., and 9 1/2 in. x 13 1/2 in., framed. $300/500

1352. Mary Elizabeth King (American/Washington D.C., 1899‑1991), “Autumn”, oil on canvas, signed lower right, 18 in. x 28 in., framed. $500/700

Additional information at www.nealauction.com

159

1353. Billy Grout (American/ Louisiana, 1921‑1996), “Old Acadian Home”, mixed media on paper, titled and signed lower left, artist stamp en verso, sheet 20 in. x 24 in., unframed. $200/300 Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA.

1354. Terry Weldon (American/ Louisiana, b. 1947), “Study for Stele Fragment”, 1977, paper construction mounted on linen canvas, signed lower left, signed, dated and titled on “Galerie Simonne Stern, New Orleans” label en verso, 23 in. x 24 in., Plexiglas frame. $250/350 Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA.

1357. Deborah Crosby (American/ Louisiana, 20th c.), “Rough Seas”, oil on canvas, signed lower right and en verso, 18 in. x 24 in., framed. $700/900

1361. Oscar Leonidas Coleman (American/New Orleans, 20th c.), “View down Orleans Street towards St. Anthony’s Garden and St. Louis Cathedral”, oil on canvas, signed lower left, 18 in. x 24 in., unframed. $400/600 Provenance: Succession of Charles Duke Zucker (1925‑2014), New Orleans, LA.

1358. Southern School, 20th c., “Brulatour Courtyard, French Quarter”, oil on canvas board, indistinctly signed lower right, “Devoe & Raynolds Co.” label en verso, 12 in. x 10 in., framed. $200/400

1362. Southern School, 20th c., “Exterior ‑ Broussard Home”, watercolor on illustration board, inscribed “Leslie Showing?” and titled en verso, 21 1/2 in. x 29 1/2 in., framed. $300/500 Provenance: Succession of Charles Duke Zucker (1925‑2014), New Orleans, LA.

1355. Fredrick Guess (American/ Louisiana, b. 1953), “French Quarter Courtyard”, acrylic on canvas, signed lower right, 30 in. x 24 in., framed. $400/600

1356. Franz Weiss (American/ Louisiana, 1903‑1982), “Royal Street Vieux Carré, New Orleans”, 1965, oil on canvas, signed and dated lower right, titled lower left, 24 in. x 18 in., framed. $500/700

1359. Leo Meiersdorff (American/ New Orleans, 1934‑1995), “Dukes of Dixieland, New Orleans”, 1969, watercolor and ink on paper, signed and dated lower left, titled lower right, accompanied by Aries East Art Gallery letter en verso, 19 in. x 24 in., framed. $500/800

1360. Alice Latimer Moseley (American/Mississippi, 1909‑2004), “Early Morning in the City”, oil on canvas board, signed lower right, artist’s card with title en verso, 8 in. x 10 in., framed. $400/600

1364. Earnest Williams (American, 20th c.), “Afternoon on the Farm”, 2007, oil on panel, signed and dated lower right, 10 1/2 in. x 23 1/2 in., framed. $300/500 1363. George Valentine Dureau (American/New Orleans, 1930‑2014), “Portrait of a Young Man”, charcoal drawing on paper, signed lower right, sheet 21 3/4 in. x 17 1/2 in., framed. $300/500 Provenance: Collection of artist and educator George Wolfe, New Orleans, LA.

1366. Rolland Harve Golden (American/ Louisiana, b. 1931), “Nude #2: Seated Female”, 1966, pastel on green paper, signed and dated lower center, titled en verso, sight 24 in. x 18 in., matted and framed. $500/800

1365. Bruce A. Davenport, Jr. (American/New Orleans, b. 1972), “RIP Gators Closed After Katrina: F.W. Gregory Jr. High Gators Marching Band, New Orleans, LA”, 2011, marker on paper, signed, dated and inscribed “A Taurus Da Bull Creations: 6th Series II” lower left, titled upper left, 11 in. x 17 3/4 in., unframed. $300/500

160

1367. Agnes Lodwick (American/ Missouri, 1879‑1963), “New England Harbor”, oil on canvas, signed lower right, remnants of “St. Louis Artists’ Guild” label en verso, 18 in. x 15 in., framed. $300/500

1368. Spanish School, late 19th/early 20th c., “Church Tower”, watercolor on paper, signed “Gino...” lower right, 3 1/2 in. x 5 3/4 in., matted and framed. $150/250

1370. Arthur Clifton Goodwin (American, 1866‑1929), “Village with Fall Colors”, oil on canvas board, signed lower right, 10 in. x 13 3/4 in., framed. $500/800

1371. Frank Girardin (American, 1856‑1945), “Topanga Canyon”, oil on canvas, unsigned, artist name inscribed en verso on stretcher, 20 in. x 30 in., framed. $600/800 Provenance: Girardin Estate; Sothebys.

Amazon.com property certificate from the estate of Mr. Byron en verso.

1374. Gustav Klumpp (American, 1902‑1980), “Brooklyn Bridge”, oil on canvas board, signed lower right, sight 15 1/4 in. x 19 1/2 in., framed. $500/800

1377. Lee Jackson (American, 1909‑2002), “Night Races, Yonkers” and “Before the Race”, two oils on masonite, signed lower left and right respectively, titled with artist name on brass plaques, 5 in. x 11 3/4 in. and 5 1/4 in. x 11 in., framed alike. (2 pcs.) $800/1200 1376. Cathal Brendan O’Toole, N.A. (Irish/America, 1904‑1991), “Still Life of Flowers, Sculpture, Shells and Bird’s Nest”, 1962, oil on masonite, signed and dated lower left, “Murzins Art Shop, Wilkes‑Barre” stamp en verso, 24 in. x 14 in., framed. $500/800

1372. Edward Loyal Field (American, 1856‑1914), “Home Amid a Clearing”, oil on canvas, monogrammed lower right, “ELF, Tovar Collection Inventory #207” stencil en verso, 8 in. x 10 in., framed. $250/500

1369. Margaret Sinnette (American, 20th c.), “Chopping Wood”, watercolor on paper, signed “M. Sinnette” lower center, inscribed “ca. 1910/Boston Academy of Art” en verso on frame backing, sight 9 3/4 in. x 13 1/2 in., framed. $300/500

1373. American School, 19th c., “Full Moon: American Indians on a Bluff”, oil on canvas, signed “M.D.” lower left, “Norton Ho..., New York City” label en verso, 10 in. x 8 in., framed. $300/500

1375. American School, 20th c., “Mountainous Landscape”, oil on canvas board, signed “F. Swynnerton” lower right, Ohio framer’s label en verso, 8 in. x 10 in., framed. $500/700

1378. American School, mid‑20th c., “Old Western Saloon”, 1927, watercolor and pastel on paper laid down, monogrammed “A” and canted “R” with date lower right, 7 3/4 in. x 14 1/2 in., framed. $500/700 Provenance: Cincinnati, OH Estate, 1974, to present owner.

1379. Robert Lie (American, 1899‑1980), “The Lightning at Full Sail”, 1962, oil on canvas board, signed and dated lower left, signed, dated and inscribed “To Emma..” en verso, 17 3/4 in. x 23 3/4 in., framed. $400/600

Additional information at www.nealauction.com

161

1380. American School, 20th c., “North African Market Scene”, oil on canvas, unsigned, 13 in. x 17 in., framed. $500/800

1381. Harold B. Rotenberg (American, 1905‑2011), “Deep Valley”, oil on canvas, signed lower right, “Vose Galleries, Boston” label with title en verso, 21 in. x 32 in., framed. $600/800 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1382. American School, mid‑20th c., “Sunset on a Rocky Coast”, oil on canvas, signed “Vicnery” lower left, 28 in. x 38 in., framed. $500/800 Provenance: A Shreveport, LA Collector.

1383. Frank R. Huff, Jr. (American/ Utah, b. 1958), “Birch Trees Along a Path”, 1982, watercolor on paper, signed and dated lower left, sight 14 in. x 17 in., framed. $500/700

1384. Ernest Thurn (American/ Boston, 1889‑1971), “Still Life with Fruit”, oil on linen, signed lower left, 22 in. x 28 1/4 in., framed. $500/800

1385. Jeffery Cook (American/New Orleans, 1961‑2009), “Bound Figure”, wood broom, fabric, and paint, h. 33 in. $300/500

1387. Southern Carved and Polychromed Walnut Walking Stick, early 20th c., shaft carved with entwined reptiles, handle carved “J.M. BONNER”, h. 36 1/4 in. $100/200

1388. Southern Pine, Boxwood and Mahogany Document Box, 18th/19th c., fabric lined interior, h. 4 5/8 in., w. 14 in., d. 7 7/8 in. $150/250

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1390. Antique Mahogany Mirror, beveled frame with antique mirror plate, h. 18 1/2 in., w. 14 1/4 in. $150/250

1391. Charles X Inlaid Rosewood Work Table, early 19th c., sarcophagus form case, fitted satinwood interior, scroll legs, stretcher shelf, h. 29 1/4 in., w. 19 1/2 in., d. 13 in. $500/750

1386. Two Mexican/South American Polychrome Carved Wood Figures, 18th c., opposing stances, h. 13 in. $800/1200

1389. American Grain‑Painted Blanket Chest, early 19th c., New England, molded lift top with strap hinges, open interior, drawer below, bracket feet, h. 34 1/8 in., w. 45 7/8 in., d. 18 5/8 in. $800/1200 Provenance: Acquired Four Corners East Antiques, VT, 1977.

162

1392. Set of Four English Mahogany Side Chairs, late 19th c., stamped “Gillows” and “4416”, arched spindled backs, turned and blocked legs. $150/250

1393. Antique English Carved Mahogany Mechanical Reclining Armchair, labeled G. Minter, 33 Gerard, 9790MO, patent 1915, molded seat rail, pull out foot rest, brass cuffs, casters. $200/300

1395. English Rosewood Work Table, mid‑19th c., foldover swivel top, frieze drawer, turned trestle supports, turned stretcher, arched legs, casters, h.

30 in., w. 23 3/4 in., d. 14 in. $500/750

1394. English Mahogany Cabinet, 19th c., serpentine top, conforming case, three frieze drawers over doors, “French” feet, h. 42 in., w. 46 1/2 in., d. 18 in. $600/900

1398. English Burl Walnut Lap Desk, mid‑19th c., with lozenge inlay and escutcheon, later stand. Note: Minor losses. $125/175 1397. Georgian Inlaid Walnut Chest, 18th c. and later, top with figured reserve and banding, two short over three long drawers, later ogee bracket feet, h. 38 in., w. 38 in., d. 21 in. $800/1200

1400. Regency Brass Inlaid Mahogany Lap Desk, early 19th c., stringing and fleur‑de‑lis corners, fitted interior, later stand, h. 24 in., w. 22 in., d.

13 1/2 in. $400/600

1401. English Potichomania Lamp, 20th c., decorated with antique playing cards, domino finials with custommade shade, overall h. 28 in. $300/500

1396. Antique Georgian‑Style Figured Walnut Chest of Drawers, 19th c., inlaid top, two over two drawers, chamfered corners, shaped bracket feet, h. 31 in., w. 35 1/2 in., d. 17 3/4 in. $400/600

1399. Decorative Argenté Wrought Iron Guéridon, mirrored top, Greek key base, h. 26 1/4 in., dia. 18 in. $300/500

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

1402. Antique English Leather Hat Box Lamp, molded wood base, h. 16 3/4 in., w. 13 1/2 in.

Note: Lacking shade. $400/600

1403. Attributed to H.A. Meadows (British, 19th c.), “Hay Harvest”, oil on canvas, monogrammed “HAM” center right, 30 1/2 in. x 50 in., antique frame. $1200/1800 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Additional information at www.nealauction.com

163

1404. George W. Pettit (British/Philadelphia, 1838‑1910), “Female Equestrian”, oil on canvas, signed lower left, 13 1/4 in. x 17 1/4 in., antique frame. $1200/1800

1405. John Haynes Williams (British, 1836‑1908), “The Birthday Garland”, 1901, oil on canvas, signed and dated lower left, titled on frame plaque, “Michael Gann Art Gallery, NY” stamp en verso of frame, 20 in. x 30 in., framed. $1200/1800

1406. Emily Mary Osborne (British, b.

1834, fl. 1851‑1908), “Country Lovers”, 1887, oil on canvas, signed and dated lower left, 17 1/4 in. x 13 3/4 in., gilt frame. $400/800 Provenance: The Gotlib Collection.

1407. William Heath Wilson (British, 1849‑1927), “Rocky Stream”, 1875, oil on canvas, signed and dated lower left, 10 in. x 14 in., framed. $500/800

1408. British School, 19th c., “Along the Shore”, watercolor on paper laid down, unsigned, 9 3/4 in. x 13 in., unframed. $500/700 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1409. British School, late 19th c., “Guernsey Cow”, oil on canvas laid on board, signed illegibly lower right, sight 13 1/2 in. x 17 1/4 in., framed. $250/350

1412. French School, late 19th c., “Portrait of a Girl with a Red Ribbon in her Hair”, oil on canvas, signed “F. Paliot” lower right, pencil inscription en verso, 18 in. x 15 in., framed. $500/800 Provenance: Descended in a New Orleans Family.

1410. Harry John Johnson (British, 1826‑1884), “The Lake of the Four Cantons: Lucerne”, oil on canvas, unsigned, titled on two type written artist labels en verso, 19 in. x 32 1/8 in., gilt frame. $400/600

1413. Continental School, 20th c., “Paris Street Scene”, oil on canvas, spurious signature “Antoine Blanchard” lower right, 20 in. x 24 in., unframed. $200/400 Provenance: A Mississippi Estate.

164

1411. Sir David Young Cameron, ARA (British, 1865‑1945), “Seil Island of Oban”, watercolor on paper, signed lower left, titled en verso, sight 6 3/4 in. x 14 1/2 in., framed. $200/400

1414. French First Standard Silver and Celluloid Hors d’Oeuvres Serving Set, maker “P&G” untraced, incl. fork, spade and 2 pierced spoons, each with crested handle, spade l. 7 3/4 in.; together with group of English mother‑of‑pearl caviar accoutrements, including 2 forks and 2 knives, variously marked, and small plate, plate dia. 7 in.

(9 pcs.) $150/250

1415. French Silverplate Coffee Service in the Art Deco Taste, 20th c., incl. coffee pot, covered sugar and creamer, each of paneled octagonal form with rosewood handles and finials, coffee pot h. 7 3/4 in. $150/250

1416. Old Sheffield Plate Coffee and Tea Service, Matthew Boulton, 19th c., double sunburst mark, incl. coffee pot, teapot, creamer and sugar, floral finials with floral borders, foliate scroll feet, coffee pot h. 8 3/8 in. $500/700

1417. Georgian Sheffield Plate Toast Rack and Sugar Basket, with cobalt glass liner, toast rack h. 5 in., w. 7 3/4 in.; sugar basket h. 7 in. $200/400

1421. William IV Sterling Silver Dressing Spoon, William Eaton, London, 1833, mark reg. 1828, fiddle handle, l. 12 in. $150/250

1419. Pair of Georgian‑Style Silverplate Magnum Wine Coasters, marked “S”, each with gadrooned rim, reticulated body and turned hardwood base with silverplate button, h. 3 1/8 in., dia. 6 in. $150/300 1420. Group of Antique Sheffield Plate, incl. candelabrum, h. 17 1/2 in., and wirework cake basket, l. 13 3/4 in.; together with small reticulated silverplate basket, l. 7 1/2 in., and candlestick. $100/150

1424. Highly Decorative Silverplate Gallery Tray, deep embossed and reticulated gallery, rope‑twist border, chased well, h. 6 3/8 in., l. 27 1/8 in., d.

16 3/8 in. $400/600 1423. Gorham “Buttercup” Pattern Sterling Silver Luncheon Flatware Service, pattern introduced 1899, including 11 luncheon forks, 11 luncheon knives, 12 soup spoons and 11 teaspoons, total wt. 42.40 troy ozs. $800/1200

1427. Group of American and English Sterling Silver Table Ware, 20th c., incl. a Gorham sugar and creamer, Lunt porringer, F.B. Rogers salt and pepper, and tea caddy, Birmingham, maker “C.B.”, combined wt. 15.95 troy ozs. $200/300

1418. Neoclassical‑Style Silverplate Wirework Centerpiece, swing handle, h. (to top of handle) 10 1/4 in., dia. 9 3/4 in. $200/300

1428. American Silverplate Serving Pieces, 20th c., incl. well‑and‑tree platter, casserole stand, centerbowl, shell bowl, covered vegetable dish, open vegetable dish, sugar and creamer, 4 Revere bowls, etc. $200/300

1422. Georgian Sheffield Plate Salver, scroll border, flat chased well, scroll feet, retains original tinned back, dia. 11 7/8 in. $150/250

1425. Group of American Coin Silver Flatware, incl. 4 serving spoons, Gorham “Josephine” pattern, pat. 1855 (1 ret. Campbell & Wyman, Montgomery, AL) and butter knife, John Polhemus “Oriental” pattern, pat. 1855, ret. A.B. Griswold & Co., New Orleans, act.

1865‑1906; together with 6 hollow‑handled silver dinner knives with steel blades; combined wt. (weighable) 8.30 troy ozs. (11 pcs.) $300/400

1426. Group of American Sterling Silver Table Ware, 20th c., incl. a trumpet vase, h. 11 15/16 in., two pair of candlesticks, h. 10 1/4 in. and 7 7/8 in., bonbon basket, h. 6 in., and a dinner bell, weighted bases. $300/400

1430. American Silverplate Tea Tray, Poole Silver Co., “Lancaster Rose” pattern, with loop handles and scroll feet, l. 29 7/8 in., w. 20 1/4 in. $150/250 1429. American Art Nouveau Sterling Silver‑Mounted Cut Glass Syrup Pitcher, Wm. B. Durgin Co., Concord, NH, wc. 1880‑1910, iris motif silver and glass, h. 7 1/8 in. $200/400 Provenance: The Gotlib Collection.

Additional information at www.nealauction.com

165

1431. A French Hand‑Colored Lithograph of “Regiment des Arguebusiers”, late 19th c., handwritten inscriptions: “1745/ Louis XV” upper center, “Alfred de Marbot del.” lower left, “G. David lith.” lower right; and “54/Regiment de Arguebusiers de Grassin”, sight 13 in. x 9 in., framed. $200/300

1435. An American Civil War Print, “Timby’s Six Gun Battery ‘Orient’”, 1865, lithograph by Endicott & Co., 21 1/2 in. x 27 1/2 in., unframed; together with “Maniere d’ ensevelir les Rois, et Pretres de la Floride (Way to Bury the Kings, and Priests of Florida)”, Tom. VI, No. 14, Page 81, 15 1/4 in. x 9 3/4 in., unframed (2 pcs.) $200/400

1439. John Mackie Falconer (Scottish/New York, 1820‑1903), “Negro Huts, Wilmington, NC”, drypoint on paper, signed in plate, pencil‑signed and titled lower margin, 3 3/4 in. x 5 3/4 in., matted. $250/500 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1443. Keith Shaw Williams, S.A.E. (American, 1906‑1951), “Peace”, etching on paper, pencil‑signed and titled lower margin, 8 in. x 10 7/8 in., sheet 10 in. x 13 1/8 in., unframed. $200/400 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

166

1432. Klipper (British, 20th c.), “Au sic Paris”, etching on paper, signed, titled and numbered “15/50” lower margin, 8 in. x 16 in., unframed. $250/500 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1436. WW II Panoramic Photograph of “Camp Pike, Little Rock, Arkansas, East From Geodetic Tower”, c. 1917, chromolithograph, published by Ewing, Inc., Official Photographers, Division Exchange, Camp Pike Arkansas, 5 1/2 in. x 27 3/4 in., framed. $150/250

1433. Continental School, 19th c., “Cupid Embracing a Putto”, lithograph on paper, numbered “12” lower left margin, 7 1/2 in. x 6 in., unframed. $100/150 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1437. Benjamin Franklin, “Benjamin Franklin at the Court of France, 1778”, after a painting by Baron Andre Edouard Jolly (Belgium, 1799‑1883), 1853, Philadelphia, hand‑colored engraving by W.O. Geller, London, sight 28 1/2 in. x 40 in., framed. $300/500

Provenance: Property sold for the benefit of a private cultural institution.

1440. Joseph Pennell, N.A. (American, 1857‑1926), “The Bridge of Alcantara, Toledo, Spain”, 1904, etching on paper, pencil‑signed and titled lower right, 9 7/8 in. x 7 7/8 in., sheet 15 3/4 in. x 12 5/8 in., unframed. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1444. Melville T. Wire (American, 1877‑1966), “Cabin by the River”, c.

1940, etching on paper, pencil‑signed and titled lower margin, 7 3/4 in. x 9 in., matted. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1441. Halvard Storm (Norwegian/ New York, 1877‑1962), “Fra Korskirken, Bergen”, 1934, etching, pencil‑signed, titled and dated lower margin, 8 1/4 in. x 12 in., unframed; together with Margaret Seewald (American, 1899‑2011), “Mt. St. Alban‑Washington, D.C.”, 1931, etching, pencil‑signed, titled and dated lower margin, 5 in. x 4 1/2 in., unframed (2 pcs.) $100/200 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1434. Seven Decorative Arts Colored Lithographs, from Masterpieces of Industry and Science, International Exhibition, 1862, vol. 3, by John Burnley Waring, published by Day & Son, London, 1863, each sheet 13 1/2 in. x 10 1/4 in., framed alike with attached text on backing. $400/600

1438. Daniel Giraud Elliot (American, 1835‑1915), “Ruffed Grouse”, c. 1870, hand‑colored lithograph by Bowen, Phil., from Monograph of the Phasianidae..., sight 22 in. x 17 in., framed. $400/600

1442. Nura Woodson Ulreich (American, 1899‑1950), “Listen”, 1946, lithograph, pencil‑signed lower right, 11 5/8 in. x 9 5/8 in. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1445. Donald F. Witherstine (American, 1895‑1961), “The Old Wharf” and “Bringing in the Nets”, 2 woodblock prints on laid paper, each pencil‑signed and titled lower margin, 12 in. x 9 1/2 in. and 9 in. x 8 1/8 in., unframed. $300/500

1446. Sarah Mabel Pugh (American/North Carolina, 1891‑1986), 2 woodblock prints, former signed and titled lower margin, latter pencil‑signed, titled, inscribed “no. 10” lower margin and initialed “M.P.” plate lower right, 10 in. x 6 in. and 9 in. x 7 1/4 in. respectively, unframed. $400/600

Provenance: Gift of the Artist to the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1447. Frank G. Robbins (American/ Kentucky, b. 1886), “Natural Bridge State Park”, 1932, etching on paper, pencil‑signed, titled and dated lower margin, 6 1/2 in. x 7 1/2 in., unframed. $150/250

1448. Alexa Smith (American/Texas, 1869‑1943), “Mission San Jose, San Antonio, Texas ‑ Built 1738”, early 1930s, etching, pencil‑signed and titled lower margin and en verso, inscribed “Special Exhibition Southern States Art League, 1932‑33” en verso, 8 1/8 in. x 12 in., unframed. $250/500

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1451. After J.S. Hill (American, 19th c.), “A Bevy of Quail”, 1862, color lithograph, published by Sarony, Major & Knapp, New York, 18 1/2 in. x 23 3/4 in., framed. $250/350

1452. William “Bill” Gropper (American, 1897‑1977), “Top Man”, 1968, etching and aquatint on paper, pencil‑signed and numbered “39/100” lower margin, signed in plate (in reverse) lower left, gallery label with title en verso, 3 7/8 in. x 5 7/8 in., framed. $150/250 Provenance: Collection of artist and educator George Wolfe, New Orleans, LA.

1455. Group of Japanese Woodblock Prints, 2 avian and floral albums, 14 3/8 in. x 9 3/4 in.; and 4 woodblocks: first depicting a Geisha being weighed, 14 1/2 in. x 10 in.; second depicting Samurai, 14 1/2 in. x 9.; third depicting a battle scene, 14 1/8 in. x 9 3/8 in.; fourth depicting a battle scene, 14 5/8 in. x 10 in. (6 pcs.) $150/250

1459. Two Japanese Cloisonné Enamel Bowls, 20th c., bombe form, h.

2 3/4 in., dia. 8 in., wood stand, overall h.

4 3/4 in.; and flori‑form, h. 2 3/8 in., w. 5 3/8 in., wood stand, overall h. 3 1/8 in. $100/200

1456. Two Japanese Porcelain Objects, probably 20th c., blue and white bird‑form teapot, h. 6 1/2 in.; and floral decorated baluster vase, h. 12 in. $75/100

1449. American School, 20th c., “Unknown University Campus”, 1938, etching on paper, signed “Freisinger” and dated in plate, 6 in. x 7 3/4 in., unframed. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1453. Muhammad Isma’il (Iranian, 1814‑1892), “A Stalk of Myrtus Tomentosa (Bird Standing on Stone en verso)”, gouache heightened with gold on double‑sided paper, 6 1/4 in. x 3 3/8 in. and 3 3/4 in. x 4 7/8 in., sheet 14 3/4 in. x 9 3/4 in., matted. $300/500

1450. American School, 20th c., “Rulmo”, 1938, etching on paper, indistinctly signed, titled and numbered “II” lower margin, dated in plate, 9 in. x 7 in., unframed. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

1454. Group of Four Japanese Prints, probably 19th c., first depicting Station 21, Mariko, from 53 Stations of the Takaido, 7 1/2 in. x 13 3/4 in.; second depicting rice fields before Fuji, 9 1/4 in. x 13 3/4 in., third depicting a Geisha holding a cat, 14 7/8 in. x 10 in.; and fourth depicting a Geisha in formal kimono, 13 3/4 in. x 9 1/8 in., each framed. $200/400

1457. Two Japanese Polychrome Porcelain Dishes, probably 20th c., squared with floral decoration, l. 9 3/4 in., w. 9 3/4 in; and circular with figural decoration, dia. 11 3/4 in. $100/200

1458. Group of Four Japanese Imari Porcelain Dishes, probably Meiji Period (1868‑1912), 2 squared plates, l. 5 1/8 in., w. 5 in.; and 2 scalloped rim bowls, dia. 7 in. and 8 1/2 in. $150/250

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1460. Japanese Carved Wood Embellished Gilt Lacquer Rectangular Panel, probably Meiji Period (1868‑1912), inset with three figures and a vase, reverse with plantain leaves, h. 38 1/8 in., w. 20 1/4 in. $500/700

1461. Japanese Polychrome Painted Cloth Banner, painted with an armored samurai and autumn foliage, 126 3/8 in. x 28 1/4 in. $500/700

Additional information at www.nealauction.com

167

1462. Nest of Four Asian Inlaid Hardwood Occasional Tables, probably early 20th c., probably Chinese, with exotic wood, mother‑of‑pearl and brass inlay, pierced uprights, shaped stretcher, paw feet, largest h. 29 5/8 in., w. 22 3/4 in. $2000/3000

1463. Antique Chinese Carved and Ebonized Hardwood Stand, late 19th/early 20th c., inset marble top, bamboo pierced rounded frieze, cabriole legs, spoked stretcher, hoof feet. $300/500 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1464. Pair of Asian Hardwood Mirrors, 19th c., rectangular molded frames with bronze mounts, h. 36 3/4 in., w. 25 3/4 in.; h. 37 3/4 in., w. 25 3/4 in. $300/500

1465. Chinese Bronze Tripod Ding, bowl form body with upright loop handles, ogre head feet, archaistic decoration, h. 13 5/8 in., dia. 21 in. $500/700

1468. Collection of Eleven Chinese Hardstone Grape Clusters, probably mid‑20th c., each with fabric wrapped branches issuing colorful fruit and leaves, l. 7 1/2 in. $300/500

1466. Chinese Green and Black Soapstone Floral Group, carved as peonies rising from a rock outcropping, naturalistic footed base, h. 15 3/4 in. $250/350

1470. Three Chinese Lacquer Boxes, probably 20th c., rectangular, h. 5 1/4 in., w. 11 1/4 in.; fan‑form, h. 2 5/8 in., w. 13 1/2 in.; and pillow‑form, h. 6 3/4 in., w. 16 3/4 in. $100/150 Provenance: Estate of Dorothy Mintz (1920‑2014), New Orleans, LA.

168

1467. Chinese Hardstone Topiary, probably mid‑20th c., modeled with fabric‑wrapped branches issuing colorful flowers and leaves, h. 7 in., w 14 1/4 in. $150/250

1469. Chinese Carved Wood, Soapstone, Bone, and Mother‑of‑Pearl Applied Lacquer Circular Panel, probably 19th c., embellished with a vase of flowers, a censer, a Buddha’s hand citron, and a ewer, dia. 36 in. $300/500

1472. Chinese Pressed Amber or Amber‑Like Figure of Guanyin, probably 20th c., modeled seated on a waisted lotus petal base before a flaming aureole, h.

14 in., w. 6 3/4 in., d.

3 3/4 in. $600/800

1471. Two Chinese Hardstone Beauties, bowenite and lavender agate or quartz, carved carrying a blossoming branch, h. 6 1/2 in. and 6 3/4 in., wood stands, overall h. 8 in. Note: Condition of second. $100/200

1473. Pair of Chinese Serpentine Covered Bottle Vases, probably early 20th c., each green stone carved in flattened bottle form, stylized mask ring handles, h. 7 1/2 in., mounted on brass and wood bases as lamps, overall h. 20 3/8 in. $75/125 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1474. Two Asian Famille Jaune Porcelain Pieces, probably 20th c., one tapered Japanese jar decorated with birds amid flowers, h. 8 1/4 in.; second Chinese serving dish with a central panel of dishes surrounded by flowers and symbols, h. 2 5/8 in., dia. 17 7/8 in. $100/200 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1477. Two Chinese Rugs, first with the Eight Immortals, Shoulao, and the Queen Mother of the West with their attributes; second with chariots and archers on horseback, 3 ft. x 5 ft. and 3 ft. 3 in. x 4 ft. 6 in., respectively. $300/500

1476. Chinese Blue and White Porcelain Bowl, probably 20th c., conical body, decorated with five dragons amid crashing waves, base with Xuande Mark, h. 3 3/4 in., dia. 10 1/8 in. $200/300 1475. Chinese Blue and White Porcelain Moon Flask Vase, probably 20th c., reverse‑decorated with the figure of a writhing dragon, Xuande Mark, h. 11 1/4 in. $150/250

1478. Modern Persian Carpet, crimson ground, stylized floral medallions, geometric border, 10 ft. 4 in. x 8 ft. 4 in. $600/900 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

1479. Two American Brilliant Cut Glass Lamps, oil lamp with shade, h. 36 in.; and baluster‑form electric table lamp, crystal prisms, dome shade, h. 27 1/4 in. $400/600 Provenance: Property Sold for the Benefit of a Private Institution.

1480. American Cut Crystal and Bronze Boudoir Lamp, c.

1876‑1890, labeled “Handel”, baluster crystal prisms, cut and frosted shade, h. 16 3/4 in., w. 5 1/2 in., electrified. $500/700

Additional information at www.nealauction.com

169

A

Franklin Adams, 635 African School, 999 George James Aldrich, 1070 American School, 967, 968, 1016, 1048, 1053, 1072, 1096, 1324, 1373, 1375, 1378-1380, 1382, 1449, 1450 James “Mac” Anderson, 616, 617 Walter Inglis Anderson, 607 James Andrey, 55 Edward Everard Arnold, 591 Luis Graner y Arrufi, 1139 Asian School, 854

April 17, 18, & 19, 2015

✹

Artist Index

B

170

Yun Bai, 960 Alexander Bakhuyzen, 221 Leonard Baskin, 1014 Ben Benn, 1079 Frank Weston Benson (mnr), 1047 John William Bentley, 1071 Franz Xavier Bergmann, 792 Ralph Albert Blakelock (attr), 732 Bobome, 953 Nelson Boren, 961 Angel Botello, 1013 Arnulf de Bouché, 1252 Benjamin James Bowen, 787 C.T. Breaux, 1032 British School, 515, 744, 1408, 1409 James Brittain, 1347 George Elmer Browne, 1323

C

Sir David Young Cameron, 1411 Gaetano Capone, 735 Émile Joseph Carlier, 1223 Billy Price (Hosmer) Carroll, 891-893 John Gadsby Chapman, 731 Chinese School, 910 Frederick Stuart Church, 602 Emery Ann Clark, 652 Maude Schuyler Clay, 1018 James Coignard, 965 Timothy Cole, 225 Oscar Leonidas Coleman, 1361 Continental School, 56, 61, 62, 110, 179, 222, 412, 512, 707, 740, 742, 793, 1220, 1224, 1228, 1413, 1433 Jeffery Cook, 1099, 1385 John Costanza, 966 Eanger Irving Couse, 601 Guillaume Coustou II (aft), 409 Deborah Crosby, 1357 Xavier Cugat, 973 Edward S. Curtis, 1022

D

Bruce A. Davenport, Jr., 958, 959, 1365 Frances de la Rosa, 954 Henry E. Detmold, 111 Joseph Dickenson, 1149 Lamar Dodd, 1034, 1035 Simon van der Does (attr), 1254 Éduoard Drouot, 407 Alexander John Drysdale, 600, 604, 618, 660, 661, 1041, 1042 Paul Dubois (attr), 58, 59 Paul Dufour, 672 José Dunach, 1221 George Bauer Dunbar, 637, 638, 649 George Valentine Dureau, 1363 Caroline Wogan Durieux, 646, 647, 653, 1015

E

Joseph Lee Edwards, 1147 Daniel Giraud Elliot, 1438 Ignaz Ellminger, 1249 F John Mackie Falconer, 1439 Edward Loyal Field, 1372 Léonard Tsuguharu Foujita, 974 French School, 743, 745, 1222, 1256, 1412 Pedro Friedeberg, 640 Charles Fritchie, 951, 952, 1097, 1098

G

Georges Gardet, 821 Miss E.P. Gardiner, 224 W.O. Geller, 1437 Felix Albert Gendrot, 786 Frank Girardin, 1371 Rolland Harve Golden, 599, 613, 1366 Anne Goldthwaite, 643 Arthur Clifton Goodwin, 1370 Fortunato Gori, 706 Francisco “Paco” Gorospe, 511 William “Bill” Gropper, 1452 Vuit Gros, 1250 Oskar M. Gross, 1260 Billy Grout, 1353 Fredrick Guess, 1355

H

Joseph Haier, 1227 Ken Harrison, 971 George Overbury “Pop” Hart, 595 Colette Pope Heldner, 1054-1056 Knute Heldner, 590, 606 Robert Helmer, 612 Jules Rene Hervé, 736 J.S. Hill (aft), 1451 Will Hinds, 1031, 1033 Morris Henry Hobbs, 596, 642 Peter Lanz Hohnstedt, 1345 William R. Hollingsworth, 594 Emmy Houweling, 1350 Frank R. Huff, 1383 Charles Hunt, 226 Clementine Hunter, 657-659, 662, 10261029

I

Indian School, 846-851 Muhammad Isma’il, 1453 Italian School, 112, 820, 842

J

Lee Jackson, 1376 Alfred Jacquemart, 770 Japanese School, 1454, 1455 Lenwood J. Jarvey, 969 Harry John Johnson, 1410 Richard A. Johnson, 956 John Johnston (attr), 550 Jacob Jordens (aft), 1259

K

Nandor (Ferdinand) Katona, 1226 Carl Kauba, 60 Rockwell Kent, 648 Emil Kiemlen, 771 Mary Elizabeth King, 1352 Alberta Kinsey, 610, 614, 1036-1039 Hudson Mindell Kitchell, 1074 Klipper, 1432 Gustav Klumpp, 1374 Valery Kosorukov, 1030 Henryk Kossowski, the Younger, 703 Ivan Semionovich Kulikov, 739

L

Mark Lassiter, 957 Josef Lauer, 509 Clarence John Laughlin, 1017 Warree Carmichael LeBron, 1138 Charles L’Éplattenier, 737 Myron Lechay, 608, 609 Robert Lie, 1379 Max Lindenberg, 842 Agnes Lodwick, 1367 Tom Lovell, 1073 Boris Lovet-Lorski, 949 George Benjamin Luks, 733 Antonio Rodriguez Luna, 510

M

Charles Malfroy, 1253 Carlo Marochetti, 54 Peter Mars, 963, 964 Edna Martin, 1076 Mederic Matherne, 1346 H. Albert Matignon, 178 Basi McAshan, 1023 John McCrady, 651, 1040 H.A. Meadows (attr), 1403 Leo Meiersdorff, 1359 Jack R. Meyers, 1142-1146 Joe C. Michelet, Jr., 1140 George Morrison, 962 Alice Latimer Moseley, 1360 Karl Mullen, 972 Leopold Carl Muller (mnr), 1255 Anne Wells Munger, 1043

N

Paul Louis Narcisse, 108 Lancelot Ney, 741 Jules Achilles Noël, 109

O

Pippo Oriani, 1225 Emily Mary Osborne, 1406 Cathal Brendan O’Toole, 1376 Will Ousley, 1344 Robert Emmett Owen, 1078

P

Jacopo Palma il Vecchio (aft), 738 Arthur Marie du Passage, 582 Joseph Pennell, 1440 George W. Pettit, 1404 Émile Louis Picault, 497 Heinz Pinggera, 1251 Frederick Polley, 1351 Jules Printemps, 204 Sarah Mabel Pugh, 1446

Q

Roma Burris Quartana, 1141

R

Sue Rawlings, 1100 Charles Reineke, 1057 Charles Whitfield Richards, 1046 Frank G. Robbins, 1447 Iréné Rochard, 950 Norman Rockwell, 1077 George Rodrigue, 588, 611, 619 Harold B. Rotenberg, 1381 Ferdinand Roux (attr), 1258 Peter Paul Rubens (aft), 1257 Robert M. Rucker, 597, 1044, 1045

S

Porfirio Salinas, 605 “Raphael” Raffaelo Sanzio (aft), 788 Francisco Scacki, 458 Jay Schuette, 970 Frank Henry Shapleigh (attr), 664 Margaret Sinnette, 1369 Peeter Sion, 220 Hunt Slonem, 636, 639, 650 Alexa Smith, 1448 Francis Hopkinson Smith, 663 Théophile François Somme, 64 Southern School, 1050, 1058, 1351, 1358, 1362 Spanish School, 1368 William Spratling, 615 James Louis Steg, 1010 Henri Stenn, 177 Steven Stinchcomb, 1349 Halvard Storm, 1441 George Sugarman, 1011

T

Louise Emily Thomson, 513 Ernest Thurn, 1384 Tibetan School, 913, 914 Francisco Toledo, 514 William Tolliver, 592, 593, 654 Helen Marie Turner, 1052

U

Nura Woodson Ulreich, 1442 Uriano, 1222

V

Andrea del Verrocchio (aft), 417, 820, 841 George Louis Viavant, 589, 655, 656 Vietnamese School, 911 Hubert M. Vos, 223

W

John Hamilton Dee Wareham, 1075 Alexander Warshawsky, 785 Carolyn Watson, 1348 Frederick Judd Waugh, 603 Franz Weiss, 1356 Terry Weldon, 1354 Eudora Welty, 1019-1021 Edna Reed Whaley, 1051 Jerry Oliver Wilkerson, 1012 Earnest Williams, 1364 John Haynes Williams, 1405 Keith Shaw Williams, 1443 Ellen Louise Axson Wilson, 1049 William Heath Wilson, 1407 Franz Xaver Winterhalter (aft), 180 Melville T. Wire, 1444 Evelyn Witherspoon, 955 Donald F. Witherstine, 1445 Grant Wood, 645 Ellsworth Woodward, 598 William Woodward, 641, 644 C.H. Wysong, 1148

Y

Mahonri Mackintosh Young, 734

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 2.5% of this 22%.

2. Online bidding is available at a buyer’s premium in the amount of 25% of the hammer price. A cash discount is not available for purchases made online.

3. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

4. Documentation of tax exemption must be provided upon registration.

5. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale.

171

It’s Only � atural…

July 30–August 2, 2015 The French Quarter Now in its eighth year, this four-day program—complete with presentations by noted experts, an optional guided tour, and plenty of fun in historic New Orleans—is nationally known as one of the premier events of its kind for antique collectors and enthusiasts. The 2015 New Orleans Antiques Forum will explore the South’s fascination with objects reflecting the beauty of nature and with the talented people who created them.

www.hnoc.org/antiques.htm or (504) 523-4662 Presented by

This event is presented with support from the following sponsors.

Moss Antiques

172

Important Summer Estates Auction June 26 - 28, 2015 Featuring the Estates of William and Sarah McGehee, the Historic Dr. Dubs House, Natchez; the D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge; Property of Others.

2.

3.

1.

4.

6.

1. Walter Anderson (1903-1965), “Green Herons and Blackbirds,” wc, 8 1/2 x 11 in.

2. William Aiken Walker (1838-1921), “The Cove at Ponce Park,” 1895, o/artist board, 6 1/2 x 12 1/2 in., Ill.: Trovaiolo and Toledano.

William Aiken Walker, Southern Genre Painter.

5.

7.

4. American Federal Carved Mahogany DropLeaf Table, early 19th c., NY, possibly Lannuier, w. 36 in.

6. Fine American Carved Mahogany Armoire, early 19th c., LA, h. 92 1/4 in., Ill.: Holden, Bacot, et al. Furnishing Louisiana.

5. Newcomb College Art Pottery High Glaze Vase, 1908, Henrietta Davidson Bailey, h. 9 in., Ill.: Poesch and Main. Newcomb Pottery & Crafts.

7. Fine American Federal Inlaid Mahogany Sideboard, c. 1790-1810, probably John Shaw, MD, w. 71 1/2 in.

3. Percival Rosseau (1859-1937), “Study of a Pointer’s Head,” 1914, o/c, 25 3/4 x 18 1/4 in.

nealauction.com Additional information at www.nealauction.com

173

Auction Results for January/Feburary 2015 0001-$430 0002-$492 0003-$8235 0004-$537 0005-$3660 0006-$427 0007-$2688 0008-$1195 0009-$3585 0010-$4302 0011-$2987 0012-$1599 0013-$2688 0014-$1845 0015-$1553 0016-$3585 0017-$358 0018-$239 0019-$1314 0020-$717 0021-$2390 0022-$676 0023-$1434 0024-$2270 0025-$1553 0026-$4481 0027-$2629 0028-$5676 0029-$956 0030-$1230 0032-$3585 0033-$22705 0034-$25095 0035-$1792 0036-$1159 0037-$1952 0038-$2390 0039-$7170 0040-$4575 0041-$1845 0042-$610 0043-$1220 0044-$1220 0045-$2688 0046-$2748 0047-$1792 0048-$2390 0049-$1107 0050-$1476 0051-$956 0052-$553 0053-$732 0054-$9261 0055-$4920 0056-$1476 0057-$2509 0058-$1792 0059-$8962 0060-$3997 0061-$2629 0062-$2987 0063-$4182 0064-$3286 0065-$4780 0066-$2270 0067-$1230 0068-$492 0069-$19120 0070-$4880 0072-$2928 0074-$2151 0075-$1314 0076-$298 0077-$8962 0078-$836 0081-$1195 0082-$5377 0083-$1673 0084-$1434 0085-$2390 0086-$3286 0087-$7170 0090-$8302

174

0091-$13145 0092-$1553 0093-$478 0094-$2270 0095-$597 0096-$3585 0097-$3704 0098-$717 0099-$956 0101-$307 0102-$1553 0104-$615 0105-$2987 0106-$1792 0107-$956 0109-$2629 0111-$2987 0112-$836 0114-$1553 0115-$1434 0116-$366 0121-$3226 0122-$3585 0124-$52580 0125-$10157 0126-$7930 0127-$984 0129-$3538 0131-$1314 0132-$6273 0133-$3883 0134-$1314 0135-$1553 0136-$5975 0137-$2390 0138-$3660 0139-$6765 0140-$2928 0141-$1912 0142-$1434 0143-$854 0144-$246 0145-$209 0146-$2091 0147-$1792 0149-$776 0150-$1314 0151-$2928 0152-$83650 0153-$3286 0154-$6273 0155-$976 0156-$14340 0157-$86637 0158-$12300 0159-$13742 0160-$3286 0162-$8610 0163-$4780 0165-$2151 0166-$597 0167-$1314 0169-$3382 0170-$1107 0171-$956 0172-$1912 0173-$14937 0174-$2688 0175-$44812 0176-$2987 0177-$2390 0178-$3883 0179-$16730 0181-$2987 0182-$1553 0183-$54970 0184-$5795 0185-$1912 0186-$984 0187-$8365 0189-$1434 0190-$2688 0191-$6871

0194-$3660 0195-$3355 0196-$3198 0197-$976 0198-$3050 0199-$3690 0200-$2688 0203-$1599 0204-$597 0205-$179 0206-$298 0207-$1464 0208-$657 0209-$2151 0210-$4920 0211-$2074 0212-$1434 0213-$2583 0214-$2868 0218-$676 0219-$2688 0220-$615 0221-$717 0222-$2748 0223-$1220 0227-$2440 0228-$2151 0229-$1952 0230-$3585 0232-$597 0233-$836 0236-$7468 0237-$25095 0238-$549 0240-$615 0241-$1912 0242-$2987 0243-$3660 0244-$1195 0245-$1434 0246-$3585 0247-$1135 0248-$956 0250-$119 0251-$5377 0252-$3286 0253-$1830 0254-$23900 0255-$10755 0256-$11950 0257-$4481 0258-$11352 0259-$5975 0260-$3107 0261-$10755 0262-$1845 0263-$2390 0265-$1586 0266-$717 0267-$2868 0268-$2987 0269-$369 0270-$399 0271-$597 0273-$10456 0277-$6100 0278-$8917 0279-$3382 0281-$1015 0283-$1015 0284-$2390 0286-$1220 0287-$478 0291-$1599 0292-$1792 0294-$1195 0297-$976 0298-$1314 0299-$4575 0300-$488 0301-$239 0302-$179 0303-$597

0304-$478 0305-$2074 0308-$1845 0309-$77 0310-$738 0311-$307 0312-$358 0313-$79 0313A-$1015 0314-$7995 0315-$1599 0316-$2390 0317-$6572 0318-$5676 0319-$4780 0320-$7170 0321-$2987 0322-$2031 0323-$6871 0324-$1342 0325-$2151 0326-$732 0327-$2390 0328-$488 0329-$3883 0330-$1830 0331-$3883 0332-$5377 0334-$5676 0335-$3286 0336-$52580 0337-$3226 0338-$3690 0339-$3321 0340-$1792 0341-$976 0343-$1553 0344-$6572 0345-$6572 0346-$2031 0347-$976 0348-$1673 0349-$5227 0350-$2270 0351-$1586 0353-$1830 0354-$3965 0355-$4880 0356-$1792 0357-$4182 0358-$896 0359-$615 0360-$1553 0361-$2868 0362-$2748 0363-$984 0364-$717 0365-$492 0366-$5124 0367-$854 0368-$2337 0369-$2562 0370-$537 0371-$427 0372-$366 0373-$836 0374-$896 0375-$366 0376-$418 0377-$478 0378-$836 0379-$610 0380-$1493 0381-$776 0382-$732 0383-$597 0384-$732 0385-$366 0386-$2031 0387-$1553 0388-$5975 0389-$6273 0390-$597

0391-$717 0392-$956 0393-$1673 0394-$2270 0395-$1434 0396-$1314 0398-$610 0399-$1845 0400-$861 0401-$732 0402-$2074 0404-$1553 0405-$1230 0406-$6871 0407-$2440 0408-$2214 0409-$430 0410-$430 0411-$1464 0412-$6273 0413-$2270 0414-$1342 0415-$1792 0416-$836 0418-$671 0419-$956 0423-$2135 0424-$358 0426-$717 0427-$358 0428-$418 0429-$358 0430-$1792 0431-$597 0434-$2151 0435-$1195 0436-$2987 0438-$1553 0439-$1952 0440-$861 0441-$597 0442-$799 0443-$1553 0444-$984 0445-$2509 0446-$3690 0447-$854 0448-$1792 0452-$20315 0453-$2987 0454-$1792 0455-$2390 0462-$956 0463-$1792 0465-$976 0466-$5535 0467-$610 0468-$1434 0470-$358 0471-$1107 0475-$1792 0476-$1220 0477-$610 0478-$3585 0479-$1673 0480-$1107 0481-$610 0482-$984 0483-$956 0486-$1434 0487-$1476 0488-$1434 0493-$597 0494-$2952 0495-$1792 0497-$597 0498-$2390 0501-$492 0502-$1314 0503-$717 0506-$3997 0507-$1434 0508-$478

0509-$597 0510-$984 0511-$1792 0512-$4780 0514-$358 0515-$597 0516-$1098 0518-$358 0519-$610 0520-$307 0521-$732 0522-$1599 0523-$298 0525-$358 0526-$298 0529-$13145 0530-$1015 0531-$1553 0532-$984 0533-$358 0535-$2270 0536-$597 0537-$717 0538-$956 0539-$3690 0540-$358 0541-$537 0542-$610 0543-$358 0544-$1107 0545-$478 0546-$1314 0548-$3585 0549-$3226 0550-$2151 0552-$2987 0553-$2629 0554-$553 0555-$676 0557-$537 0558-$122 0560-$2031 0561-$488 0562-$366 0567-$717 0568-$184 0570-$369 0571-$184 0572-$2688 0573-$732 0574-$1015 0575-$122 0578-$984 0579-$305 0580-$2074 0581-$4481 0582-$1220 0583-$57360 0584-$2196 0585-$246 0587-$615 0590-$239 0591-$492 0594-$836 0595-$836 0596-$366 0600-$183 0602-$239 0603-$244 0605-$122 0606-$369 0607-$246 0608-$610 0609-$2509 0610-$4920 0611-$239 0612-$246 0614-$119 0615-$418 0616-$122 0617-$3198 0618-$418 0619-$549

0622-$597 0623-$1952 0625-$597 0626-$478 0628-$427 0630-$179 0631-$369 0632-$366 0633-$91 0634-$152 0635-$123 0636-$671 0637-$183 0638-$298 0640-$399 0643-$492 0644-$298 0646-$2440 0647-$358 0649-$369 0650-$366 0651-$123 0652-$448 0653-$657 0654-$388 0655-$358 0656-$328 0658-$239 0659-$388 0662-$448 0664-$597 0665-$657 0666-$567 0670-$597 0673-$549 0677-$597 0678-$549 0681-$553 0683-$388 0684-$179 0686-$328 0687-$328 0688-$328 0689-$448 0690-$448 0691-$717 0692-$478 0693-$448 0694-$448 0695-$597 0698-$298 0699-$448 0700-$298 0701-$537 0702-$298 0703-$388 0708-$657 0710-$597 0711-$298 0713-$687 0716-$597 0717-$358 0722-$488 0723-$854 0724-$854 0726-$388 0728-$358 0735-$358 0738-$478 0739-$358 0741-$358 0750-$358 0756-$179 0760-$615 0761-$657 0762-$209 0763-$478 0764-$2031 0765-$358 0766-$358 0767-$179 0768-$1971 0769-$183

0770-$1168 0771-$657 0772-$478 0773-$298 0774-$657 0775-$537 0776-$149 0777-$244 0778-$615 0779-$418 0780-$861 0781-$358 0782-$1599 0783-$836 0785-$776 0786-$488 0787-$671 0788-$153 0789-$244 0791-$597 0792-$358 0793-$553 0795-$358 0796-$861 0797-$553 0798-$3198 0799-$610 0800-$1476 0801-$478 0802-$676 0803-$244 0804-$369 0805-$1952 0806-$2270 0807-$358 0808-$369 0809-$956 0810-$956 0811-$836 0812-$861 0813-$553 0814-$976 0816-$358 0818-$244 0821-$717 0822-$369 0823-$358 0825-$1342 0826-$2748 0827-$2151 0828-$2151 0829-$1434 0830-$369 0831-$478 0832-$358 0833-$1952 0838-$13530 0839-$4612 0840-$4780 0841-$1476 0842-$41480 0843-$32265 0844-$6871 0846-$1912 0847-$54970 0848-$60945 0849-$4780 0850-$5676 0852-$5227 0853-$6100 0854-$21510 0855-$2440 0856-$19120 0857-$2091 0858-$3824 0859-$2829 0860-$1912 0861-$1314 0862-$1220 0863-$7767 0864-$1792 0866-$1098 0867-$305

0868-$615 0869-$358 0870-$119 0871-$89 0872-$3997 0873-$246 0874-$179 0875-$335 0876-$418 0877-$2318 0878-$179 0879-$369 0880-$246 0884-$4514 0885-$2928 0887-$1553 0889-$2074 0890-$4182 0891-$2151 0893-$478 0895-$1220 0897-$6150 0899-$1314 0900-$1553 0901-$610 0902-$956 0904-$1434 0905-$1075 0906-$956 0907-$1075 0908-$1673 0909-$1912 0910-$615 0912-$1195 0914-$976 0915-$537 0916-$984 0917-$549 0919-$239 0920-$553 0921-$1037 0922-$305 0923-$488 0924-$246 0925-$358 0926-$610 0927-$366 0928-$1553 0929-$1553 0930-$956 0931-$1195 0932-$10456 0933-$7767 0934-$3050 0935-$615 0936-$597 0939-$2868 0940-$3226 0942-$3355 0943-$2629 0945-$1195 0946-$1586 0947-$2151 0948-$1195 0949-$1015 0950-$358 0951-$1195 0953-$717 0955-$2509 0957-$1195 0958-$657 0959-$738 0960-$1037 0962-$5975 0963-$799 0966-$298 0967-$1195 0968-$776 0970-$119 0971-$149 0972-$246 0973-$215 0974-$215

0975-$119 0976-$239 0977-$610 0979-$244 0980-$430 0983-$246 0984-$366 0985-$1015 0986-$984 0987-$1314 0988-$1159 0989-$657 0990-$1586 0991-$2151 0992-$657 0994-$239 0995-$3050 0996-$2629 0997-$956 0999-$836 1000-$1553 1002-$305 1003-$488 1005-$478 1008-$1792 1009-$537 1010-$246 1011-$2440 1013-$298 1014-$836 1015-$1195 1016-$179 1017-$307 1018-$799 1019-$1135 1020-$2214 1021-$399 1022-$2440 1023-$179 1024-$298 1025-$1220 1026-$307 1027-$448 1028-$676 1029-$418 1030-$358 1031-$209 1032-$358 1033-$836 1034-$478 1037-$492 1039-$2091 1040-$369 1041-$956 1045-$1230 1047-$956 1048-$738 1049-$244 1050-$1792 1052-$1792 1053-$1476 1057-$298 1058-$799 1059-$492 1060-$1075 1061-$615 1062-$179 1063-$153 1063A-$358 1065-$597 1066-$488 1067-$1792 1068-$1912 1069-$610 1070-$123 1071-$717 1072-$776 1073-$244 1076-$478 1077-$922 1078-$717 1079-$184 1080-$537

1082-$537 1083-$732 1084-$369 1085-$488 1086-$478 1087-$717 1088-$2270 1089-$488 1090-$246 1091-$9858 1092-$671 1093-$1845 1095-$732 1096-$1553 1097-$4270 1098-$478 1099-$418 1100-$896 1101-$366 1102-$976 1103-$2074 1105-$2684 1106-$2337 1107-$610 1108-$854 1111-$418 1112-$3538 1113-$1015 1115-$244 1116-$427 1117-$776 1118-$418 1119-$976 1120-$597 1121-$836 1122-$610 1125-$549 1126-$358 1128-$478 1129-$956 1130-$776 1131-$956 1132-$239 1135-$956 1136-$244 1138-$717 1140-$244 1142-$896 1143-$478 1144-$246 1145-$246 1148-$984 1149-$492 1152-$610 1153-$676 1158-$179 1159-$358 1160-$122 1161-$418 1162-$717 1165-$358 1166-$492 1167-$597 1168-$836 1170-$358 1172-$537 1173-$597 1174-$418 1175-$430 1176-$107 1177-$239 1178-$107 1179-$153 1180-$537 1181-$597 1182-$123 1184-$153 1185-$492 1186-$152 1187-$717 1188-$478 1189-$358 1190-$77

1192-$131 1193-$123 1195-$119 1197-$239 1198-$119 1199-$119 1200-$1195 1201-$478 1202-$956 1204-$597 1206-$492 1207-$984 1208-$615 1209-$305 1210-$246 1212-$246 1214-$358 1216-$1830 1217-$676 1219-$213 1220-$149 1221-$239 1222-$615 1223-$366 1225-$246 1226-$328 1227-$861 1228-$388 1229-$119 1231-$244 1232-$239 1233-$461 1234-$537 1235-$1434 1236-$369 1237-$488 1238-$1015 1241-$610 1242-$418 1243-$584 1244-$1075 1245-$488 1246-$518 1247-$239 1248-$956 1249-$478 1250-$1098 1252-$215 1253-$179 1254-$358 1257-$298 1258-$461 1259-$119 1260-$91 1262-$1353 1265-$567 1266-$369 1267-$184 1269-$179 1271-$399 1272-$1135 1273-$597 1275-$861 1276-$276 1277-$4780

UPCOMING AUCTIONS Important Summer Estates Auction June 26 - 28, 2015 Important Fall Estates Auction September 11 - 13, 2015 Louisiana Purchase Auction™ November 20 - 22, 2015

175

Notes

PLEASE SEE NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS.

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

176

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

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ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

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Furniture & Decorative Arts

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Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design

Emory Nolan Photography

Jason Leckert

Tom Simpson

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AUCTION SERVICES Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

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Rachel Weathers; Marc Fagan

OPERATIONS Director of Operations

Charles Lee Operations Staff

Charlie Clay

Philip DiMacco

Kelvin Gibson

Jerry Majors

Larry Sudds

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner

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AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Sackey #1874

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

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Neal Auction Company

Neal Auction Company

April 17, 18, & 19, 2015

April 17, 18, & 19, 2015 Important Spring Estates Auction