February 19-21, 2016 Winter Estates Auction by Neal Auction

Neal Auction Company

February 19, 20, & 21, 2016

Important Winter Estates Auction February 19, 20, & 21, 2016

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant Cameron McHarg

Furniture & Decorative Arts Neal Alford; Rachel Weathers; Sarah DeBoard Paintings, Prints & Photography Rachel Weathers; Marney Robinson Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Consignments & Evaluations Claire Thriffiley Inventory Coordinator Stephen Dewey Consignments Administrator Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design Emory Nolan

AUCTION SERVICES

Photography Jason Leckert Tom Simpson Jason Kruppa

Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

OPERATIONS Director of Operations Charles Lee Operations Staff Charlie Clay Kelvin Gibson Jerry Majors Larry Sudds Robert Wilson

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes

Important Winter Estates Auction February 19, 20, & 21, 2016 On Our Premises 4038 Magazine Street & 3923 Carondelet Street Featuring: An Extensive Collection of Period Furniture, Bronzes, Decorative Arts and Eclectic Works of Art from a Noted Gentleman Antiquarian Fine American Art and Period Furniture from a Prominent Garden District New Orleans Collection Masterworks from the D. Benjamin Kleinpeter Collection, Baton Rouge Important Collection of American Classical Furniture and Decorative Arts, Historic “Sally Mill,” Middleburg, VA Fine Chinese Works from a Florida Collection The Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez Important Furniture, Period Lighting and Decorative Objects from The Service Collection, Estate of Grant A. Oakes, Warren, OH American Paintings Sold to Benefit the Huntsville Museum of Art and Property of Others.

AUCTION SCHEDULE Friday, February 19, 1 p.m., 4038 Magazine Street Saturday, February 20, 10 a.m., 4038 Magazine Street Sunday, February 21, 11 a.m., 3923 Carondelet Street EXHIBITION both galleries beginning Wednesday, February 10, 10 a.m. to 5 p.m. Special Saturday Preview, February 13, 10 a.m. to 5 p.m. Evening Preview Reception, Wednesday, February 17, 5 to 7 p.m.

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

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LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

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Estate of Mina Graning Stowers (1936-2014) The Banker’s House, Natchez, MS

“Sis” Stowers was actively involved with Natchez history and preservation from an early age. Her childhood home was Oakland, which her parents purchased from descendants of John Duncan and Katherine Surget Minor. Many of the historic contents, including the library, remained in the house. Built between 1838 and 1844, Oakland is a significant example of Greek Revival architecture and one of the most prominent “suburban villas” in Natchez. In 1972 Mrs. Stowers and her husband, Luther, acquired the dilapidated Banker’s House and began its restoration. Located at 107 Canal Street, it had been built in the mid-1830s in conjunction with the adjacent Commercial Bank which fronted Main Street. In 1974 the property was listed on the National Register of Historic Places and was designated a National Historic Landmark. The Banker’s House was opened for the annual Spring and Fall Pilgrimages for several decades. Mrs. Stowers received a number of local and national awards for her restoration of her home and her other preservation efforts. She was a founding member of the Historic Natchez Foundation and served as chairman of the Natchez Preservation Commission for a number of years. The Stowers estate includes many objects from the Minor/Surget family at Oakland. Neal Auction Company is pleased to present this historic collection. Additional information at www.nealauction.com

Session One Friday, February 19, 1 pm 4038 Magazine

1. Pair of Louis XV‑Style Patinated Bronze Figural Chenets, 19th c., Centaurs with spheres, iron billets, h. 17 in., w. 9 1/4 in., d. 19 in. $400/600

3. Chinese Export Gilt and Copper Decorated Black Lacquer Miniature Cabinet, 18th/19th c., stepped cornice, paneled doors enclosing fitted interior with drawers, lion’s mask‑winged feet, h. 17 1/4 in., w. 15 5/8 in., d. 8 3/8 in. $500/700

6. Three Grand Tour Bronze Desk Articles, 19th c., incl. a model of the Vendome column with thermometer, h. 10 3/4 in.; figural encrier with Cybele and pair of lions, base inscribed “EWB”, h. 7 1/2 in.; and a globe inkwell supported by three greyhounds, h. 4 3/4 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

2. Continental Baroque‑Style Marquetry and Ebonized Guéridon, 19th c., floral top and plinth, barley‑twist standard, bone inlay, h. 30 1/2 in., dia. 20 in. $500/1000

4. Antique Gold Handled Gentleman’s Walking Stick, late 19th/ early 20th c., ebonized shaft, floral embossed knob monogrammed “JHM”, l. 36 in. $400/600

5. Pair of Antique Renaissance Revival Bronze Candlesticks, ropetwist shaft, tripartite base with female masks, h. 10 in., dia. 4 1/2 in. $400/600

7. Two Grand Tour Alabaster Models of the Arch of Constantine and Corner Columns of the Temple of Concord, 19th c., the latter inscribed “ESTITVER”, arch h. 7 in., column h. 10 1/2 in. $600/800

8. Pair of Antique Continental or English Polychrome and Gilt Porcelain Bocage Figures, marked, woman with basket, h. 12 1/4 in.; and a man with tricorn hat, h. 12 5/8 in. $400/600

9. Antique Coromandel Wood Nécessaire de Toilette, mid-19th c., lid inset with monogrammed plaque inscribed “March 18, 1864”, fitted interior with silverplate and glass toilet articles, h. 6 5/8 in., w. 12 in., d. 9 in. $700/1000

10. Group of Four Gilt Metal-Mounted Rock Crystal Candlesticks, rope-twist shafts, circular bases, ball feet, h. 10 3/4 in. to 11 3/4 in. $500/1000

Additional information at www.nealauction.com

11. Gorham “Buttercup” Pattern Sterling Silver Coffee and Tea Service, 1906, in a mahogany presentation case with engraved plaque, incl. a coffee pot, teapot, sugar, creamer and waste bowl, coffee pot h. 8 in., combined weight 53.20 troy oz. (5 pcs.) $2000/3000

13. Set of Four William IV Sterling Silver Condiment Stands, Robert Hennell III, London, 1837, each fitted with mustard pot with cobalt glass liner, salt cellar and pepper pot, engraved crest, gilt interior, with matching silver gilt mustard, salt and pepper spoons, h. 5 3/8 in., combined weight (weighable) approx. 45 troy ozs. $800/1200

12. Antique Continental .800 Silver Flatware Service, Germany, late 19th c., incl. 10 forks (l. 7 1/8 in.), 10 knives (l. 10 1/4 in.), 9 knives (l. 8 3/8 in.), 6 fish forks, 12 fish knives, 1 dessert spoon, 9 teaspoons and 5 tablespoons; together with a George IV sterling silver sauce ladle, William Chawner II, London, 1828; total weight (weighable) 44.35 troy ozs. (63 pcs.) $800/1200

14. George III Sterling Silver Asparagus Tongs, William Eley, London, 1802, engraved with monogram and wasp, l. 11 in. $400/600

15. Grand Tour Bronze Oil Lamp, late 19th c., surmounted by winged maiden with amphora, anthemion ornamented font, paw feet, h. 10 in., w. 3 3/4 in., d. 9 1/4 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

16. Pair of Baccarat‑Style Gilt Bronze and Cut Glass Wall Sconces, 19th c., scrolled arms, floriform candlecups, draped with pendeloque pendants, h. 14 in., w. 12 in. $800/1200

17. Regency Giltwood Girandole Mirror, early 19th c., spread‑wing eagle crest with acanthus garlands, gadrooned surround fitted with two sconces, h. 42 in., w. 25 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

18. Set of Regency Carved Mahogany Quartetto Tables, 19th c., bookmatched tops, spindled trestle bases, h. 28 1/2 in., w. 18 1/2 in., d. 13 in. $600/900

19. Fine Dutch Marquetry Tall Case Clock, c. 1780, engraved dial, case inlaid with flowering urns, figures and birds, the bombé base inlaid with a cello player, paw feet, later movement, h. 99 in., w. 28 in., d. 15 1/2 in. $1500/2500

20. Regency‑Style Rosewood Étagère, 19th c., brass galleried shelves, mirrored backs, lotus‑carved brackets, casters, h. 77 1/4 in., w. 33 in., d. 23 1/4 in. $2000/3000

21. Two Antique Carved and Gris de Trianon Fauteuils and Stool, one Louis XV with shaped back, scrolled arms, cabriole legs; the other Louis XVI, oval back, acanthus uprights, fluted legs, Louis XV fauteuil h. 37 in., w. 23 1/2 in., d. 22 3/4 in.; Louis XVI h. 35 1/2 in., w. 24 1/2 in., d. 23 in.; stool h. 18 in., w. 20 in., d. 14 in. $700/1000

23. Chinese Export Famille Rose Porcelain Platter and Mazarine, 18th c., decorated with central floral and fruit basket, wide rim with floral swags, h. 2 1/4 in., dia. 17 1/2 in. $1500/2000

22. Portuguese Rococo Carved Walnut Commode, 18th c., serpentine molded top, one long over two short drawers, shell and foliate skirt, cabriole legs, h. 34 1/2 in., w. 46 3/4 in., d. 23 1/4 in. $1200/1800

24. Pair of Chinese Export Famille Rose Porcelain Chargers, late 18th c., decorated with fenced garden scenes with willow trees, rocks, chrysanthemums, and peonies, dia. 13 3/8 in. Note: restoration. $400/600

25. Chinese Export Famille Rose Porcelain Charger, 18th/early 19th c., decorated with phoenix birds on rockwork amid flowers, h. 1 1/2 in., dia. 16 1/4 in. $600/800

Additional information at www.nealauction.com

26. Large Chinese Export Famille Rose Porcelain Armorial Jug, 18th c., decorated with a shield enclosing a lion rampant beneath the spout and large floral sprays flanking the scroll handle, h. 12 1/2 in., w. 10 1/2 in. $900/1200

28. Highly Decorative Pair of Chinese Blue and White Porcelain Covered Jars, 20th c., baluster bodies and finialed domed covers, decorated with birds in floral landscapes, h. 18 in. $500/800

27. Gilt Bronze‑Mounted Chinese Export “Batavia” Porcelain Covered Jar, late 18th c., globular body and domed cover decorated with iron red and blue and white figural and floral cartouches on a cafe au lait ground, bronze foliate handles, rim and stem foot, h. 13 3/4 in., w. 11 1/8 in. $1200/1800

29. Chinese Export Famille Rose “Tobacco Leaf” Porcelain Covered Tureen, 18th c., rectangular body with canted corners and zoomorphic mask handles, conforming cover with stem finial, h. 4 3/8 in., w. 7 1/4 in. $700/1000

30. Pair of Empire Gilt and Patinated Bronze Four‑Light Figural Candelabra, c. 1815, panther‑form candlearms, tapered shafts, sphinx standards, engine‑turned decoration, h. 18 1/4 in., dia. 7 1/2 in. $1500/2500

31. Monumental Jeweled and Gilt‑Bronze Mounted Malachite Coffer, with porcelain portrait medallion, foliate bracket feet, h. 6 1/4 in., w. 16 5/8 in., d. 10 3/4 in. $2000/3000

32. Pair of Continental Malachite Obelisks, of typical form, h. 33 in., w. 6 3/4 in., d. 6 3/4 in. $2000/3000

33. Pair of Art Moderne Marble Figural Bergères, 20th c., each barrel back with lower visage of Michelangelo’s David, h. 28 in., w. 30 1/4 in., d. 27 in. $5000/7000

34. Large Venetian‑Style Painted Credenza, shaped top, frieze drawers over doors with scrolled cartouches of floral bouquets, shaped bracket feet, h. 38 1/4 in., w. 114 1/2 in., d. 22 in. $4000/6000

35. Egyptian Revival Parcel Gilt, Polychrome, Bone and Mother‑of‑Pearl Inlaid Armchair, early 20th c., incurvate back, winged arm supports, lion carved legs, paw feet, h. 43 in., w. 24 in., d. 27 1/2 in. $2500/4000

36. Antique Empire‑Style Inlaid, Ebonized, and Parcel‑Gilt Writing Desk, block‑front top, central inset leather writing slide over six drawers, rear with shallow frieze drawer, arched apron, pilaster stiles, block feet, h. 32 1/4 in., w. 45 1/4 in., d. 27 1/2 in. $1500/2500

37. Pair of Peter Marino Mirrored Frames, 60 1/4 in. x 43 1/3 in. $2000/3000 Additional information at www.nealauction.com

39. Pair of Biedermeier‑Style Parcel Gilt and Ebonized Fruitwood Bibliothèques, each with molded architectural pediment, pair of glazed doors flanked by Egyptian terms, blocked plinth, square feet, h. 76 in., w. 45 1/4 in., d. 18 1/2 in. $2500/3500

38. Good Directoire‑Style Brass and Mahogany Desserte, mirrored top, two shelves, fluted pilaster supports, tapered feet, h. 31 1/2 in., w. 35 1/4 in., d. 21 3/4 in. $600/800

41. Jean Francois Millet (French, 1814‑1875), “Les Becheurs (The Diggers)”, c. 1856, etching, fleur‑de‑lis watermark in cartouche, probably state IV, plate 9 1/4 in. x 13 1/4 in., sheet 10 1/4 in. x 15 1/2 in., framed. $600/900 40. Francois Nicolas Martinet (French, 1725‑1804), 13 hand‑colored engravings, from Buffon’s Histoire Naturelle des Oiseaux, 1770‑1786, sheets 12 1/8 in. x 9 in., unframed. $700/1000

43. Francisco Goya (Spanish, 1746‑1828), “ Plate 12 from Tauromaquia”, 1876, etching and aquatint, on Arches paper, 3rd edition, printed by Loizelet, Paris, plate 9 3/4 in. x 13 3/4 in., sheet 13 in. x 18 3/4 in., framed. $500/700 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

44. Edouard Manet (French, 1832‑1883), “The Ballet Dancer (Don Mariano Camprubi)”, etching, partial fleur‑de‑lis watermark in cartouche, plate 11 3/4 in. x 7 3/4 in., sheet 17 1/2 in. x 12 1/2 in., framed. $400/600 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

47. Fine Continental Porcelain Corbeille, mid‑19th c., marked “Jacquet a Bruxelles”, white ground with matte and burnished gilt decoration and polychrome heron crest, h. 11 1/8 in., w. 22 1/2 in. $800/1200 Note: Jacquet & Nedonchelle of Brussels decorated Jacob Petit’s white wares. Ref.: Guillebon. Paris Porcelain, 1770‑1850.

Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

42. Jean Baptiste Camille Corot (French, 1796‑1875), “Environs de Rome”, etching, unsigned, Delteil/Melot 6, sheet 14 1/2 in. x 11 1/4 in., framed. $300/500 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

45. Henri Matisse (French, 1869‑1954), “La Danse”, 1937, color lithograph, from Verve, printed by Mourlot, Paris, sheet 14 in. x 20 3/4 in., framed. $300/500 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

46. Gloria Vanderbilt (American, b. 1924), “Autumn”, silkscreen, pencil‑signed and numbered “101/250” lower margin, sight 30 3/4 in. x 23 3/4 in., framed. $300/500

48. Extensive Ginori Porcelain Dinner Service, 19th c., rose Pompadour borders with gilt accents, incl. 11 salad, 10 soup plates, 31 dinner plates, soup tureen, 2 circular platters, compote, corbeille, sauce tureen and integral underplate, miniature sauce tureen, 2 large oval platters, 2 medium oval platters, 2 circular covered vegetables, 1 extra cover, 2 fruit stands, 4 lozenge‑shaped condiment dishes, (approx. 70 pcs.) $800/1200 Provenance: Twin Oaks, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

49. Continental School, 20th c, “Marie Antoinette”, “Marie Louise”, “Josephine”, “Napoleon”, and “Roi du Rome”, five porcelain plaques, each inscribed “O. Brun”, in parcel gilt frames, largest 13 1/2 in., x 13 1/2 in. $1500/2500

50. Continental Ebonized, Mother‑of‑Pearl and Brass Inlaid Burlwood Cave à Liqueur, 19th c., hinged serpentine cover, fitted compartment with 4 decanters and 14 liqueur glasses, turned feet, h. 11 in., w. 12 3/4 in., d. 9 3/4 in. $800/1200 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

51. Nicholas II Enameled Metal Coronation Cup, c. 1896, with geometric motif, Imperial Russian crest, and cypher of Nicholas II, h. 4 1/8 in. $400/600

52. Charles X Inlaid Rosewood Jardinière, mid‑19th c., with liner, h. 33 1/2 in., w. 30 1/2 in., d. 17 1/4 in. $600/800

53. Group of Eight Italian Neoclassical‑Style Fruitwood Dining Chairs, incl. two armchairs and six side chairs, each with rounded crest, pierced foliate splat, faux‑bamboo spindles, serpentine seat, fluted apron, fluted square tapered legs, armchair h. 36 1/2 in., w. 24 in., d. 19 1/2 in.; side chair h. 37 1/2 in., w. 20 1/2 in., d. 17 1/2 in. $1000/2000

54. Antique Louis XV‑Style Fruitwood Bureau, fall front lid, fitted interior, two serpentine drawers, scalloped skirt, cabriole legs, peg feet, h. 40 3/4 in., w. 53 1/4 in., d. 25 in. $1200/1800

55. Italian Rococo‑Style Carved and Gilded Console, probably 18th c. and later, serpentine faux marbre top, pierced floral apron, winged putto legs, paw feet, h. 30 3/4 in., w. 41 in., d. 21 1/2 in. $1000/2000

56. Antique Italian Parquetry, Walnut and Fruitwood Tea Table, 19th c., geometric inlaid top, scalloped frieze, foliate standard, scrolled legs, h. 29 in., dia. 31 1/2 in. $500/750

57. Antique Louis XVI‑Style Painted and Parcel Gilt Fauteuil, foliate‑carved crest, oval back, scrolled arms, rope‑twist supports, shaped seat, guilloche frieze, spiral fluted legs, toupie feet, h. 40 in., w. 25 in., seat d. 21 in. $1000/1500

Additional information at www.nealauction.com

58. Fine Continental Baroque Fruitwood and Ebony Inlaid Walnut Escritoire, probably late 17th/early 18th c., probably Iberian; fall front writing drawer, three long drawers, distinctively carved pillar feet, conforming skirt, h. 44 1/2 in., w. 58 1/2 in., d. 24 1/2 in. $4000/6000

59. Continental Patinated Bronze Figural Fountain, 20th c., with three addorsed cherub terms, fluted standard, h. 52 3/4 in., dia. 22 in., top dia. 13 1/2 in. $2000/3000

60. Continental School 19th c., “Floral Still Lifes of Lilies, Tulips, Peonies and Other Flowers”, two oils on canvas, each 51 in. x 35 1/4 in., matching faux marbre painted frames. $2500/3500

61. Gilt Bronze‑Mounted Chinese Export Polychrome Porcelain Covered Bowl, late 18th/early 19th c., U‑form body and finialed domed cover decorated with elegant ladies in garden settings, bronze foliate handles, rim and base, h. 12 1/4 in., w. 16 3/4 in. $4000/6000

62. Pair of Chinese Export Famille Rose Porcelain Cachepots, 18th c., fluted U‑Form bodies with upright strap handles and foliate rims on short splayed feet, decorated with floral sprays, h. 8 in., w. 10 1/8 in. $4000/6000

63. Fine Pair of Neoclassical‑Style Gilt Bronze‑Mounted Rock Crystal Covered Urns, elongated conical bodies and domed covers supported by cherubs on stepped plinth bases, h. 19 in., w. 8 in., d. 4 1/2 in. $5000/7000

64. Pair of Large Empire‑Style Gilt and Patinated Bronze Six‑Light Candelabra, flame finial, fluted standard, lion feet, on tripartite verde marble base, h. 36 1/2 in., dia. 13 in. $1200/1800

65. Pair of Patinated Bronze Centaurs, 20th c., after the “Furietti Centaurs” in the Capitoline Museum, Rome, red marble bases, tallest h. 56 in., w. 40 1/2 in., d. 18 1/2 in. $4000/6000

66. Pair of Italian Patinated Bronze Figural Lamps, late 19th c., after Michele Amodio (Italian, 19th c.), inscribed “M. Amodio Napoli”, standards modeled as the Antique figure of Silenus found in Pompeii, cut glass shades, h. 32 in., dia. 9 1/2 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

67. Antique Patinated Bronze Figure of an Amazon, late 19th c., probably French, ornamented with an English gold filled watch and chain, watch marked “J.G. Bradley & Co., Liverpool”, h. 22 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

68. Grand Tour Bronze Group, 19th c., neoclassical style tripod standard with successive stages of a tortoise between winged lion herms, a piping faun within a balustrade, and a nude Atlas figure supporting a globe, surmounted by a winged eagle holding a serpent, h. 19 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 69. Pair of French Bronze Commedia dell’ Arte Female Figures Beside Columns, late 19th c., bases signed in script “Richard S[cul]p[si]t”, probably after Alfred Pierre Richard, h. 9 1/2 in.; together with pair of bronze putti bearing wheat and grapes, h. 8 3/4 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

70. Pair of Continental Neoclassical‑Style Patinated Bronze Figures of Bacchantes, 19th c., turned circular plinths, h. 15 1/2 in. $700/1000

71. Louis XVI‑Style Carved and Gilded Mirror, mid‑19th c., crest with urn and trophées, flanked by pair of birds, egg and dart surround, wheat sheaf pendant base, divided mirror plate, h. 67 1/2 in., w. 41 1/2 in. $800/1200

Additional information at www.nealauction.com

72. Belle Époque Gilt Bronze and Alabaster Clock, c. 1900, centered by architectonic plinth and surmounted by a bronze grouping of Clodion’s “Bacchanal”, h. 31 1/2 in., w. 21 1/4 in., d. 13 1/4 in. $1000/2000

75. Chinese “Blanc de Chine” Porcelain Figural Group of Guanyin, probably 17th c., modeled holding a child seated on a rockwork base flanked by two acolytes, h. 6 3/8 in. $600/800

78. Highly Decorative Monumental Chinese Blue and White Stoneware Charger, probably 20th c., decorated with exotic birds, rocks and flowers, h. 3 7/8 in., dia. 22 3/4 in. $600/800

73. Chinese “Blanc de Chine” Porcelain Figural Group, probably 19th c., modeled as a courtly couple wearing informal robes standing on a rockwork base, h. 9 1/8 in., w. 6 3/4 in. $800/1200

76. Chinese “Blanc de Chine” Porcelain Budai, probably 17th c., seated corpulent figure modeled with open robes holding a rosary, base with marks, h. 5 1/8 in., w. 5 1/2 in., d. 4 in. $600/800

79. Pair of Chinese Famille Noire Porcelain Vases, probably 20th c., tapering square bodies and tall flared necks decorated with seasonal flowers, birds and butterflies, bases with Kangxi marks, h. 17 7/8 in. $600/800

74. Chinese “Blanc de Chine” Porcelain Luohan, probably 17th c., modeled standing on incised wave base wearing loose robes, h. 9 1/8 in. $600/800

77. Highly Decorative Monumental Chinese Polychrome Porcelain Covered Jar, probably 20th c., baluster body with 4 dog mask handles, domed cover with Buddhist lion finial, decorated with slender blue, pink and yellow panels with foliate scrolls, h. 25 3/4 in. $500/800

80. Highly Decorative Large Pair of Chinese Oxblood Stoneware Vases, probably 20th c., faceted bottle‑form bodies with mottled purple and white streaked red glaze, bases with Yongzheng marks, h. 22 1/2 in., wood stands, overall h. 40 1/4 in. $1200/1800

81. Italian Grand Tour Patinated Bronze Fountain, 19th c., after the late 16th c. original in the Palazzo Ducale Courtyard, Venice, with “plumbing” remnants, centered by a miniature reduction of the Pompeian figure of Narcissus, conforming three‑step marble base, h. 10 in., dia. 18 in. $2000/3000

82. Pair of Italian Carved, Polychromed and Gilt Wood Putti, probably 18th/19th c., h. 31 in., w. 20 in., d. 8 in. $1200/1800

84. Pair of Neoclassical‑Style Porcelain Cabinet Plates, each with pseudo‑Chelsea mark, avian and landscape reserves on cobalt grounds with raised gilt highlights, dia. 9 3/4 in. $250/500 83. Pair of “Royal Vienna” Gilt‑Decorated Claret Porcelain Portrait Urns, 20th c., “beehive” marks, bulbous bodies with painted reserves of maidens, scrolled handles, splayed feet, tall plinth bases, h. 15 in. $600/800

85. Biedermeier Mahogany Piano Chair, early 19th c., fan back, adjustable seat, chamfered pedestal, incurvate plinth, arched feet, h. 32 in., w. 13 3/4 in., d. 14 in. $250/500 Provenance: Neal Auction Company, Oct. 2, 2004, lot 510.

86. Antique George III‑Style Carved Mahogany Partner’s Desk, parcel gilt tooled leather top, fluted frieze drawers, gadrooned skirt, cabriole legs, ball‑and‑claw feet, h. 28 5/8 in., w. 58 1/2 in., d. 34 in. $1200/2000

87. George I Burled Walnut and Parcel Gilt Sécrétaire Cabinet, 18th c., arched pediment surmounted by scrolls, door with original mirror plate within foliate border; lower case with sécrétaire drawer, two short over two long drawers, bracket feet, h. 98 1/2 in., w. 39 3/4 in., d. 19 3/4 in. $3000/5000 Additional information at www.nealauction.com

89. Austrian Neoclassical‑Style Mahogany and Parcel Gilt Sécrétaire à Abattant, early 20th c., frieze drawers, fall‑front lid with baize‑lined writing surface, fitted interior, two doors, canted corners with Grecian figural appliqués, h. 58 1/2 in., w. 31 1/2 in., d. 16 in. $500/800

88. Regency‑Style Rosewood Games Table, foldover top with paint-decorated playing surface, rosewood grained sabre legs, modified base, casters, h. 29 in., w. 36 in., d. 17 1/2 in. $1000/1500

91. Louis Philippe Brass and Ivory Inlaid Carved Rosewood Sewing Stand, mid‑to‑late 19th c., lift-top with inset mirror and lightwood inlaid fitted compartment, frieze drawer above work drawer, barley twist trestle base, casters, h. 29 in., w. 24 1/2 in., d. 16 1/2 in. $600/900

92. Louis XVI‑Style Walnut or Beech Banquette, incurvate form, fluted apron, fluted square tapered legs, h. 18 1/2 in., w. 84 1/2 in., d. 18 1/2 in. $600/800

94. Pair of Directoire‑Style Painted Fauteuils, 19th c., each with scrolled foliate and anthemion crest, scrolled arms, bowfront seat, turned and beaded legs, casters, h. 39 in., w. 23 1/2 in., d. 21 1/2 in. $1200/1800

93. Italian Rococo‑Style Inlaid Burl Walnut Bombé Cabinet, 19th c., serpentine top, frieze drawers over doors with shelf interior, shell‑carved apron, cabriole legs, h. 33 1/4 in., w. 35 in., d. 20 3/4 in. $1000/1500

95. Louis XV Walnut Side Table, late 18th c., galleried parquetry top with rounded corners, frieze drawer, shaped apron, cabriole legs, h. 26 1/2 in., w. 31 1/4 in., d. 22 3/4 in. $700/900

90. Italian Carved Walnut Figural Pedestal, 19th c., shaped top, standard carved with a cherub and grotesque mask, paw feet, h. 58 in., w. 26 in., d. 27 in., top dia. 14 in. $800/1200

96. Louis XVI‑Style Gilt Bronze‑Mounted “Sèvres” Porcelain Centerpiece, 19th c., base with gilt “double l” mark and inscribed “France”, winged maiden handles, cobalt body with gilt and painted foliate motifs, reserves with a courting couple and a landscape, socle foot, scrolled foliate base, h. 17 5/8 in., w. 20 in., d. 11 in. $3000/5000

97. Pair of Empire‑Style Gilt and Silvered Bronze Figural Chenets, after Thomire (French, 1751‑1843), modeled as a poodle and a long‑haired cat on tasseled pillows, h. 14 1/2 in., w. 11 1/2 in., d. 6 1/2 in. $2500/3500

98. Empire‑Style Painted and Parcel Gilt Jardinière, applied garlands and tassels, paw feet, removable tin liner, h. 24 in., w. 75 in., d. 19 3/4 in. $1200/1800

99. Pair of Continental Patinated Bronze Elephants, 20th c., h. 24 in., l. 40 in., w. 14 in. $1500/3000

100. Christofle & Cie. Argenté and Gilt Bronze Presentation Kylix, Paris, c. 1875, after the Hildesheim Treasure “Minerva Bowl”, reverse inscribed “TRESOR D’HILDESHEIM/ FAC‑SIMILE GALVANIQUE/ CHRISTOFLE & CIE”, h. 3 in., w. 12 1/2 in. $1500/2500 Note: The Hildesheim Treasure, a trove of approximately seventy pieces of Roman silver, was discovered in 1868 in Hildesheim, Germany by Prussian soldiers. The “Minerva Bowl” is considered one of the finest of the objects. Electrotype copies of the various objects were made for museum collections; the best of these were made by Christofle & Cie. The Hildesheim Treasure is now housed in the Altes Museum, Berlin, although the Minerva Bowl was lost in 1945.

101. Armenian Silver Wine Cooler and Underplate, marked “Baruyr” and with trademark, cooler marked “925”, underplate marked “900”, of recent date, h. 11 in., underplate dia. 11 1/.2 in., wt. 81.35 ozs. $1000/1500 Provenance: Historic “Sally Mill”, Middleburg, VA.

102. Pair of Elkington Silverplate Champagne Coolers, date mark for 1858, reeded urn form with scroll handles and removable liners, h. 11 3/4 in. $800/1200

103. Classical‑Style Gilt Bronze and Cut Glass Hall Lantern, foliate chains, bud pendant, h. 39 in., dia. 14 1/2 in. $500/700 Provenance: Historic “Sally Mill”, Middleburg, VA. Additional information at www.nealauction.com

104. Pair of English or French Gilt Bronze Six‑Light Figural Candelabra, mid‑19th c., standard modeled as two Muses dancing, vintage decorated pedestal, foliate branches, h. 31 in., dia. 16 in. $2000/3000

105. Pair of Neoclassical Gilt Bronze and Crystal Ten‑Light Chandeliers, foliate canopy, scroll arms, the circlet mounted with swags and urn finials, h. 44 in., dia. 35 in. $5000/7000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

106. Pair of Régence‑Style Gilt Bronze and Champlevé Five‑Light Wall Sconces, 20th c., ribbon backplate, torch‑form standard, with cherub and female masks, h. 41 in., w. 25 in., d. 11 1/2 in. $1200/1800

109. Louis XVI‑Style Gilded Figural Mirror, probably 19th c., arched shell-carved crest, floral swags, shaped mirror plate within foliate and beaded surround, h. 86 1/2 in., w. 67 1/2 in. $2000/3000

107. Chinese Export‑Style Famille Rose Porcelain Garden Seat, 20th c., hexagonal body with pierced cash symbols and raised bosses, decorated with figural and bird‑and‑butterfly panels, h. 18 1/2 in. $500/700

108. Copeland Parian Figure of a Classical Maiden, 19th c., marked “CRYSTAL PALACE/ ART UNION/ W C MARSHALL R A SCULPT/ PUB JANUARY 1st 1861 COPELAND”, with polychrome and gilt details, h. 16 in., w. 11 1/2 in., d. 6 3/4 in. $600/900

110. Egyptian Revival Patinated Bronze and Marble Mantel Clock, 20th c., temple‑form case surmounted by a sphinx, flanked by griffins, h. 16 in., w. 19 1/2 in., d. 6 3/4 in. $800/1200

111. Neoclassical‑Style Mahogany, Parquetry and Bronze-Mounted Bouillotte Table, probably 19th c., marble top, h. 32 in., dia. 31 1/2 in. $1000/1500

112. Regency Carved Rosewood, Mahogany and Inlaid Brass Teapoy, c. 1830, sarcophagus-form case, fitted interior, scrolled supports, incurvate plinth, brass‑capped casters, h. 37 in., w. 20 in., d. 13 in. $800/1200 Provenance: Northeast Auctions, New Hampshire, Oct. 26, 2007, lot 1588.

113. English Lacquered Papier‑Mâché, Parcel Gilt and Mother‑of‑Pearl Inlaid Lady’s Desk, mid‑19th c., scrolled gallery, with original fittings, slanted lift‑top, scrolled trestle base, disc feet, h. 36 3/4 in., w. 24 1/2 in., d. 17 in. $500/700

114. William IV Carved Mahogany Bed Steps, probably mid‑19th c., parcel gilt tooled leather treads, pull‑out chamber pot compartment, turned legs, h. 25 1/4 in., w. 19 1/4 in., d. 29 1/2 in. $400/600

115. William IV arcophagus-Form Mahogany Cellarette, mid‑19th c., lion mask handles, ball feet, h. 19 1/2 in., w. 36 1/2 in., d. 24 1/2 in. $1000/1500

116. Regency Brass Inlaid Figured Mahogany Lap Desk, early 19th c., cut brass borders, fitted interior, flush handles, closed h. 6 1/2 in., w. 18 in., d. 10 in. $400/600

117. Georgian‑Style Mahogany Writing Table, parcel gilt tooled leather writing surface, frieze drawers, shell‑carved knees, cabriole legs, pad feet, h. 31 in., w. 54 1/2 in., d. 31 in. $1200/1800

118. Louis XV‑Style Gilt Bronze‑Mounted Carved Walnut Commode, probably 19th c., serpentine front, three drawers, cabriole legs, hoof feet, h. 33 3/4 in., w. 37 3/4 in., d. 25 1/2 in. $1200/2000 Additional information at www.nealauction.com

119. Antique Louis XVI‑Style Gilt Bronze‑Mounted Marquetry Commode, variegated marble top, block fronted drawers, shaped skirt, cabriole legs, h. 36 1/4 in., w. 55 1/2 in., d. 21 in. $3000/5000 Provenance: Descended in a New Orleans Family. 120. Napoleon III Gilt Bronze‑Mounted Mahogany and Fruitwood Marquetry Bibliothèque, late 19th c., rounded corners, glazed doors with floral marquetry inlay, shaped apron, cabriole legs, h. 81 1/4 in., w. 40 1/4 in., d. 18 1/2 in. $1200/1800

121. Louis XV‑Style Carved Walnut Metamorphic Chair, c. 1800, shaped crest with foliate cartouche, serpentine arms, cabriole legs; seat back and foldover seat bottom recline flat, h. 54 in., w. 36 1/2 in., d. 26 1/2 in. $2500/4000

122. Antique Italian Rococo‑Style Carved and Gilded Console and Mirror, tripartite mirror with arched shell and foliate crest, floral garland and C‑scroll surround, serpentine marble top, pierced quatrefoil and foliate apron, cabriole legs, scrolled acanthus feet, console h. 41 1/2 in., w. 61 in., d. 19 3/4 in., mirror h. 79 1/2 in. $4000/6000

123. Empire‑Style Ormolu and Mahogany Bureau Plat, 19th c., gilt tooled leather top, two writing slides, frieze drawers, columnar supports, incurvate stretcher, h. 29 in., l. 77 in., w. 38 1/4 in.; together with Louis Philippe‑style mahogany fauteuil de bureau, h. 31 in., w. 25 1/2 in., d. 19 in. $2500/5000

124. Pair of Venetian‑Style Paint-Decorated Armchairs, 19th c., each with yoked crest, vasiform splat, scrolled arms, caned seat, cabriole legs, h. 42 1/2 in., w. 26 1/2 in., d. 22 3/4 in. $1200/1800

125. Louis XV Carved Walnut and Caned Fauteuil, late 18th c., foliate crest, scrolled arms, serpentine seat, scrolled foliate and shell‑carved apron, cabriole legs, h. 44 in., w. 25 1/2 in., d. 26 1/4 in. $600/800

126. Pair of Italian Rococo‑Style Figured Olivewood Bombé Commodes, each with serpentine top, conforming case, two short over two long drawers, cabriole legs, h. 31 3/4 in., w. 45 1/4 in., d. 16 in. $800/1200

127. Fine Pair of Louis XV‑Style Caned Fauteuils, each with floral carved crest, shaped back, scrolled arms, shaped seat, serpentine apron with central floral bouquet, cabriole legs, h. 37 in., w. 23 1/4 in., d. 19 1/2 in. $1000/1500

128. Antique Louis XIII Walnut Cabinet, stepped cornice, two upper over two lower cabinet doors flanked by barley‑twist columns, medial drawers, stepped plinth, disc feet, h. 83 in., w. 60 in., d. 22 3/8 in. $1500/2000 Additional information at www.nealauction.com

129. Large Portuguese Baroque‑Style Carved, Ebonized Oak and Brass‑Mounted Library Table, early 19th c., top with rope‑twist molded edge, two ripple molded drawers, foliate paneled apron with central mask, turned supports, barley‑twist stretcher, disc feet, h. 32 3/4 in., w. 59 1/4 in., d. 31 in. $6000/8000

130. Manner of Pietro Paltronieri, il Mirandolese (Italian, 1673‑1741), “Capriccio Landscape with Classical Tombs Amid Ruins”, late 18th/early 19th c., oil on canvas, unsigned, sight 111 1/4 in. x 81 1/4 in., Rococo‑shaped frame. $18000/25000 Note: This panel is similar to a set of four panels sold at Butterfield & Butterfield, San Francisco, April 25‑26, 1989, lot 9.

131. Continental School, 19th c., “Two Figures Among Ruins”, oil on canvas, unsigned, 27 in. x 34 in., framed. $1000/1500

132. Joaquin Sunyer y Miró (Spanish, 1874‑1956), “Monasterio de Montserrat (Monastery of Santa Maria de Montserrat, northwest of Barcelona, Spain)”, oil on canvas, signed lower left, pencil‑titled and Barcelona canvas stamp en verso, 21 1/4 in. x 25 1/2 in., period gilt frame. $3000/5000

133. George III Figured Walnut Secretary‑Bookcase, stepped dentil‑molded cornice, astragal mirrored doors, fall front lid, gilt‑tooled leather writing surface, two short over three graduated drawers, bracket feet, h. 89 in., w. 46 3/4 in., d. 23 1/2 in. $2000/3000

135. Restauration Mahogany Console, mid‑19th c., molded marble top, cove‑molded frieze with blind drawer, scroll supports, volute brackets, shaped plinth, paw feet, h. 35 3/4 in., w. 44 in., d. 16 in. $1000/1500 Provenance: Whitehall, Chapel Hill, NC.

137. Louis XVI‑Style Bronze‑Mounted Inlaid Mahogany Commode, white marble top, frieze drawer over two drawers, raised‑panel sides, square tapered legs, 38 in., 55 1/4 in., 25 1/4 in. $1200/1800

134. Louis XIII Ebonized and Carved Walnut Armoire, stepped cornice, ogee frieze, two heavily carved molded paneled doors, lower drawer, stepped plinth, bulbous disc feet, h. 89 1/2 in., w. 71 3/4 in., d. 29 in. $1000/2000

136. French Provincial Inlaid Fruitwood Table, late 18th c., frieze drawer, scalloped apron, cabriole legs, pad feet, h. 32 in., w. 35 1/2 in., d. 18 1/2 in. $700/900

138. Louis XVI‑Style Brass‑Inlaid Mahogany Bureau à Cylindre, superstructure with pierced gallery, marble top, three drawers, cylinder lid, fitted interior, pullout writing surface, frieze drawer, fluted tapered legs, h. 44 1/4 in., w. 32 in., d. 20 in. $600/800

Additional information at www.nealauction.com

139. Directoire Carved Mahogany and Parcel Gilt Side Chair, early 19th c., incurvate crest with rosette scrolled ears, shaped stiles, splayed legs, h. 34 1/2 in., w. 19 3/4 in., d. 17 1/2 in. $250/500

141. Pair of English Hepplewhite Carved Armchairs in the French Taste, c. 1780, each oval back with rosette and bellflower crest, padded arms, cabriole legs, Scalamandre upholstery, h. 36 1/4 in. and 35 in. $1200/2000

140. George III Carved Mahogany Stand, late 18th c., octagonal banded top, vasiform standard, arched legs, spade feet, h. 28 in., w. 17 1/2 in., d. 17 1/2 in. $600/800

142. Regency Inlaid Mahogany Sofa Table, early 19th c., cross‑banded drop‑leaf top, frieze drawers, rectangular uprights, sabre legs, cuff casters, medial stretcher, h. 28 1/2 in., w. 37 in., d. 26 in. $800/1200

Provenance: Ex‑Collection of noted New Orleans Antiquarian Samuel L. Waldhorn (1890‑1971).

143. Antique Georgian‑Style Brass‑Bound Mahogany Octagonal Cellarette, interior with tôle liner, fluted square legs, h. 26 1/2 in., dia. 19 1/4 in. $500/1000

144. Antique Regency‑Style Mahogany Trolley, three galleried tiers, baluster and ring‑turned supports, tapered legs, brass ferrules, casters, h. 43 1/4 in., w. 36 1/4 in., d. 19 1/2 in. $1000/1500

145. Regency Rosewood Teapoy, early 19th c., sarcophagus form case, interior fitted with four tea boxes and two velvet‑lined bowl compartments, hexagonal faceted shaft, incurvate plinth, turned feet, casters, h. 31 3/4 in., w. 15 1/2 in., d. 13 3/4 in. $600/900

147. Anglo‑Colonial Parcel Gilt, Ebonized and Inlaid Center Table, circular top with radial exotic woods inlay, foliate‑carved skirt, baluster standard, peacock-carved supports, h. 30 3/4 in., dia. 48 in. $800/1200

146. Antique Irish Edwardian Mahogany Bookcase, early 20th c., labeled “Nolan & Sons, Antique Art Depot, Dublin”, stepped molded cornice, glazed arched doors over paneled doors, block fluted stiles, shaped bracket feet, h. 92 1/8 in., w. 98 1/2 in., d. 17 1/4 in. $1500/2500

149. Venetian Rococo‑Style Painted and Parcel Gilt Bombé Commode, serpentine top, two short over three long drawers, shaped apron, scrolled toes, h. 33 1/2 in., w. 45 in., d. 24 in. $800/1200

148. Antique Swedish Inlaid Fruitwood Secretary Desk, 19th c., dentil‑molded cornice, pair of doors enclosing shelves, slant front lid, finely fitted interior, dentil‑molded frieze, reeded quarter columns, three drawers, bracket feet, h. 73 1/2 in., w. 45 in., d. 21 in. $1000/1500 150. Antique French Provincial Inlaid Fruitwood Table, star inlaid top, frieze drawer, shaped apron, turned legs and stretchers, ball feet, h. 27 3/4 in., w. 43 1/2 in., d. 30 1/2 in. $700/900

151. French Provencial Fruitwood Rafraîchissoir, branded “De Gownay”, marble top with two bottle wells, frieze drawer, incurvate stretcher shelf, casters, h. 29 in., w. 25 1/4 in., d. 18 5/8 in. $600/800 Additional information at www.nealauction.com

152. Italian Polychromed Petite Slant‑Front Desk, 19th c., fall‑front writing surface, fitted interior, frieze drawer over three graduated drawers, shaped apron, bracket feet, h. 36 1/2 in., w. 25 in., d. 16 in. $800/1200

153. Louis XVI-Style Inlaid Gilt Bronze‑Mounted Table Ambulante, 19th c., inset marble top, interlaced foliate border, conforming parquetry frieze, molded legs, brass sabots, h. 20 1/4 in., w. 29 1/4 in., d. 20 3/4 in. $800/1200

154. Pair of Italian Inlaid Fruitwood Bombé Petite Commodes, serpentine top, conforming case, crossbanded drawers, shaped skirt, sabot feet, h. 29 1/2 in., w. 20 1/2 in., d. 14 1/4 in. $600/800

155. Louis XV Walnut Table, 18th c. and later, inscribed “11 Janvier 1749”, galleried top, shell‑carved skirt, tapered legs, h. 27 1/4 in., w. 37 in., d. 22 1/4 in. $600/800

156. Renaissance‑Style Carved Walnut Chest-on-Chest, 19th c., dentil molded cornice, relief carved doors, stop fluted pilasters, medial drawer, over conforming doors, gadrooned base, canted paw feet, h. 73 3/4 in., w. 37 3/8 in., d. 29 in. $1000/1500

157. Charles X Inlaid Birdseye Figured Lit en Bateau, early‑19th c., scrolled head and footboard, cavetto skirt, scrolled bracket feet, h. 41 in., l. 56 1/2 in., w. 42 1/2 in. $1000/2000

158. Pair of Continental Louis XV‑Style Inlaid Walnut and Parcel Gilt Commodes, each with serpentine top, conforming case, two silk‑lined drawers, stop-fluted canted corners, foliate‑carved cabriole legs, h. 33 1/4 in., w. 53 in., d. 27 1/4 in. $2500/3500

159. Pair of Neoclassical‑Style Doré Bronze Side Tables, each with granite top, canted corners, X‑frame stretcher, paw feet, h. 19 3/4 in., w. 20 1/2 in., d. 20 1/2 in. $2000/3000

161. Group of Three Religious Icons, Manner of Naddo Ceccarelli (Italian School, 14th c.), “Madonna and Child”, oil and gilt on wood, unsigned, label en verso identifying artist, 18 1/4 in. x 13 1/4 in., unframed; “Madonna and Child Surrounded by Saints”, oil and gilt on wood, unsigned, label en verso, 12 1/2 in. x 10 1/4 in., oil and gilt frame; and “Two Saints”, oil on wood, handwritten inscription en verso, 17 1/4 in. x 12 1/4 in., unframed. (3 pcs.) $2000/3000

163. Anders Zorn (Swedish, 1860‑1920), “Eka”, 1913, etching, signed, 3 1/4 in. x 4 1/2 in., framed. $800/1200

160. Franz Xaver Simm (Austrian, 1853‑1918), “Kaiser Wilhelm on his Deathbed”, oil on cardboard, signed lower right, handwritten title, inscription in German and artist’s estate stamp en verso, 8 5/8 in. x 10 1/2 in., unframed. $300/500

162. Probably Russian School, 19th c., “Icon of Christ with applied Dove of the Holy Spirit”, oil on wood panel with painted and pressed gilt riza, wooden frame, shaped carrying case, 13 1/4 in. x 10 in. x 3 in. $600/800

164. Anders Zorn (Swedish, 1860‑1920), “Swan”, 1915, etching, signed, 9 3/4 in. x 7 5/8 in., framed. $800/1200

Additional information at www.nealauction.com

165. French School, late 18th/early 19th c., six portrait miniatures, incl. four depicting Napoleon, one Empress Elisabeth, and one Wolfgang Amadeus Mozart, two unsigned, three indistinctly signed, one signed “Delcroix”, 4 3/8 in. x 4 in. to 4 in. x 3 1/2 in., inlaid frames, (6 pcs.) $500/700

166. French School, late 18th/early 19th c., six portrait miniatures, incl. four depicting Napoleon and two Josephine, one signed “Delaroche”, two signed “Gérard”, one signed “Caban”, one signed “Stahl”, and one indistinctly signed, 5 3/4 in. x 4 3/4 in. to 5 3/8 in. x 4 5/16 in., inlaid frames, (6 pcs.) $500/700

167. French School, late 18th/early 19th c., five portrait miniatures, incl. three depicting Napoleon, one princess in court dress, and one after Titian, one signed “Gérard”, one signed “Th. Lawrence”, one signed “Lants”, and one signed “David”, 6 3/4 in. x 6 in. to 3 9/16 in. x 4 3/16 in., framed, (5 pcs.) $500/700

168. Continental School, late 18th/early 19th c., four portrait miniatures, incl. two depicting Napoleon, one double‑portrait of Napoleon and Josephine, and one Prince Don Garcia dé Medici, two signed “Delaroche”, one signed “David”, one unsigned, 5 3/4 in. x 8 15/16 in. to 5 1/2 in. x 4 3/4 in., tortoiseshell and inlaid frames, (4 pcs.) $500/700

169. French School, late 18th/early 19th c., five portrait miniatures, incl. one depicting Napoleon, two Marie‑Louise, one young woman, and one young prince, two signed “Gérard”, two signed “Dupré”, one signed “Stieler”, 6 1/2 in. x 5 1/2 in. to 4 3/4 in. x 4 in., framed, (5 pcs.) $500/700

170. French School, late 18th/early 19th c., five portrait miniatures, two depicting Napoleon, one Josephine, one Marie‑Louise, and one 18th c. noblewoman, two signed “Gérard”, one signed “Meins”, one indistinctly signed, one unsigned, 5 7/8 in. x 4 3/4 in. to 4 1/4 in. x 4 in., filigree metal frames, (5 pcs.) $500/700

171. French School, late 18th/early 19th c., seven portrait miniatures, six depicting Napoleon and one Josephine, three signed “Gérard”, one signed “Delaroche”, one signed “Copé”, and two unsigned, 5 3/4 in. x 4 7/8 in. to 5 1/2 in. x 4 in., inlaid frames, (7 pcs.) $500/700

172. French School, late 18th/early 19th c., seven portrait miniatures, three depicting Napoleon, two Josephine, one Mozart and one Noblewoman, two signed “Delaroche”, two signed “Gérard”, one signed “Galliot”, two unsigned, 5 3/4 in. x 4 7/8 in. to 5 3/8 in. x 4 9/10 in., inlaid frames, (7 pcs.) $500/700

173. Pair of Dresden Porcelain Three‑Light Candelabra, 19th/20th c., marked, each in two parts, applied floral branches, seated putti, polychrome floral and gilt decorated standards, rocaille bases, h. 19 in. $500/700

174. Pair of Patinated Bronze Figural Groups of Frolicking Cherubs, oval bases, h. 9 in., w. 7 1/2 in., d. 5 1/2 in. $500/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 176. Pair of Venetian Painted Pricket Candlesticks, early 19th c., incurvate triangular form, floral decoration over green ground, scroll feet, h. 29 3/4 in., dia. 9 1/2 in. $400/600

177. French Lead Figure of a Rooster (Le Coq Française), c. 1900, rocaille base, one claw grasping a sheaf of wheat, h. 26 1/2 in., w. 18 in., d. 11 1/2 in. $600/800

175. Continental Mother‑of‑Pearl and Gilt Brass‑Mounted Walnut Humidor, mid‑19th c., carved serpentine form, applied medallions and enamel plaque with classical maiden and Greek inscription, h. 8 in., w. 11 1/2 in., d. 8 1/4 in. $300/500

178. Pair of Louis Philippe‑Style Gilt and Patinated Bronze Candlesticks, columnar shafts, foliate mounts, paw feet, plinth bases, h. 14 in. $400/600

180. Neoclassical‑Style Porcelain Jardinière, all over reliefs of putti and garlands, ram head masks, h. 12 3/4 in., dia. 14 3/4 in. $500/800 179. Louis XVI‑Style Bronze‑Mounted Marble Figural Clock Inkwell, 19th c., clock face marked “OUDIN/Marseille”, green variegated body with Japanese mother and child, beaded trim, foliate mounts, turned feet, h. 12 in., w. 15 in., d. 8 3/4 in. $800/1200

181. Pair of Grand Tour‑Style Monuments of Columnar Domical Pavilions, centered on costumed figures of ancient warriors, with bronze frieze bands of processional figures, h. 15 in., bases 6 in. square. $700/900

182. Pair of Neoclassical‑Style Carved Giltwood Corbeilles, oval corbeille with carved and gilt metal flowers, now mounted as lamps, h. (to flowers) 22 in., w. 16 in., d. 10 in. $1000/1500

Additional information at www.nealauction.com

183. Louis XVI‑Style Églomisé Barometer, 20th c., octagonal form, foliate decoration, foil ground, h. 41 in., w. 39 in., d. 3 in. $1000/1500

184. Chinese Export Gilt Decorated Black Lacquer Tea Box, c. 1800, all sides decorated with scenes of processions, void interior, bale handles, h. 8 1/2 in., w. 13 in., d. 10 1/4 in. $400/600

185. Pair of Continental .925 Silver Repoussé Vases, marked “RC 925”, h. 16 5/8 in., combined weight 72.10 troy ozs. $1200/1800

186. French 1st Standard Silver Chocolate Pot in the Neoclassical Taste, Lagriffoul & Laval, 157 Rue du Temple, Paris, wc. 1899‑1972, fully marked, bone handle, h. 8 1/2 in., weight 19.95 troy ozs. $800/1200

187. Regency Sheffield Plate Hot Water Urn in the Egyptian Taste, early 19th c., embellished with Egyptian masks, caryatids and the winged sun disks of Horus of Edfu, mermaid crest, retains burner, original tinned surfaces interior and underside of base, h. 17 1/4 in. $1200/1800

188. Two Brass and Tôle Three‑Light Bouillotte Lamps, 20th c., adjustable shades, electrified, h. 24 in., dia. 11 1/2 in. $500/700

189. Carved Alabaster Table Lamp, probably late 19th c., floral and cherub‑carved domical shade, standard with figures of the “Three Graces”, h. 29 1/2 in., dia. 17 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 190. Pair of Italian Lacquered Brass Ecclesiastical Seven‑Light Torchères, late 19th c., shepherd’s crook candlearms, with foliate design, on tripartite base, h. 79 in., w. 35 in., d. 23 in. $2000/3000

191. Fine Pair of Moorish Mother‑of‑Pearl Inlaid Hexagonal Side Tables, stepped molded frieze, arched base, h. 34 in., dia. 20 3/4 in. $1000/2000

192. Antique Italian Rococo‑Style Figured Olivewood Dining/Library Table, shaped top with molded edge, conforming frieze, foliate skirt, cabriole legs, h. 32 in., l. 81 1/2 in., d. 46 in. $1000/2000

193. Pair of French or Continental Neoclassical‑Style Painted and Parcel Gilt Console Tables, each top with chinoiserie landscape scene within a scrolled foliate border, floral frieze, square tapered legs, h. 34 1/4 in., w. 47 1/2 in., d. 21 3/4 in. $1200/1800

195. Antique Continental Neoclassical‑Style Parquetry and Gilt‑Bronze Mounted Marble Top Commode, chamfered corners, three graduated drawers, shaped apron, sabot feet, h. 31 3/4 in., w. 37 1/2 in., d. 17 in. $800/1200

194. Régence‑Style Carved Walnut Armchair, 18th c., foliate cartouche‑shaped back, scrolled arms, shaped skirt, cabriole legs, h. 34 in., w. 28 in., d. 34 in. $600/800

196. Neoclassical‑Style Painted Four‑Panel Screen, oil on canvas, four shaped panels with putti, arabesques, and floral swags, h. 67 1/2 in., w. 79 1/4 in. $800/1200 Additional information at www.nealauction.com

197. Georgian‑Style Mahogany Games Table, fold‑over top, velvet‑lined playing surface, foliate‑carved knees, cabriole legs, scrolled toes, h. 31 in., w. 36 in., d. 17 1/2 in. $1000/1500

198. Antique Dutch Marquetry Mahogany Shaving Stand, shaped mirror, scrolled supports, serpentine stand, frieze drawer, turned baluster pedestal, shaped legs, h. 64 3/4 in., w. 16 1/4 in., d. 13 in., w. of base 18 1/2 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 199. French Provincial Carved Fruitwood Bureau à Pente, 18th c., slant front lid, wellfitted interior, frieze with three drawers, slender cabriole legs, h. 36 in., w. 29 in., d. 17 1/2 in. $500/750

200. Pair of Louis XV‑Style Gilt and Patinated Figural Chenets, 19th c., each with cherub within acanthine scrolls, iron billets. $400/600

201. Pair of Antique Italian Carved Polychromed Guéridons, mid‑to-late 19th c., shaped gadrooned tops painted with scenes of the Piazzetta and the Molo in Venice, blackamoor figures issuing from scrolling foliage and vines, arched scrolled legs, h. 31 in., w. 14 in. $2000/3000

202. Antique Italian Baroque‑Style Carved Giltwood Center Table, inset specimen marble top with vignettes of Roman and Pompeiian antiquities, foliate border, fluted baluster standard, winged‑griffin supports, stepped tripartite plinth, disc feet, h. 31 1/2 in., dia. 34 1/4 in. $6000/8000

203. Austrian Neoclassical‑Style Inlaid and Gilt Bronze‑Mounted Secretaire, 19th c., upper case with pierced bronze gallery, central cupboard flanked by short drawers, foldover leather‑lined writing surface; outset frieze drawer, three graduated drawers, block feet, h. 49 3/4 in., w. 36 in., d. 18 1/4 in. $800/1200

205. Louis XVI‑Style Mahogany and Marble Top Demilune Buffet, c. 1890, frieze drawers over cabinet doors, turned and tapered legs, brass‑capped feet, h. 40 1/2 in., w. 70 1/2 in., d. 21 3/4 in. $1000/1500

207. Pair of Chinese Export Famille Rose Porcelain Gu Vases, 19th/early 20th c., decorated with alternating figural and bird‑and‑butterfly panels, h. 13 5/8 in., dia. 9 1/8 in. $800/1200

204. Set of Four Art Nouveau-Style Frosted and Etched Glass Panels, after the 1899 lithographs “Les Heures du Jour (Time of Day)” by Alphonse Mucha (Czech, 1860-1939), “Éveil du matin”, “Éclat du jour”, “Rêverie du soir”, and “Repos de la nuit”, each etched “Mucha”, oak frames with stands, overall h. 82 1/2 in., w. 36 1/2 in. $7000/9000

206. Pair of Louis Philippe Carved Elm Fauteuils, c. 1850, pierced shell crest, oval back, scrolled padded arms, serpentine apron, cabriole legs, needlepoint upholstery, h. 48 1/2 in., w. 25 3/4 in., d. 29 in. $800/1200

208. Chinese Export “Mandarin Palette” Porcelain “European Hunt” Centerbowl, probably 18th c., decorated with a continuous scene of figures, horses and dogs before a stately manor, h. 4 5/8 in., dia. 11 1/2 in. $600/800

Additional information at www.nealauction.com

209. Chinese Export Reverse Painted Glass and Black Lacquer “Assai” Tea Caddy, 19th c., hinged lid painted “Assai”, lift‑up removable panel inset with painting of warriors, interior with glass sided Paktong canister with label reading “Port, Canton / Port No. 356 / Exhibitor Messrs. Deacon & Co.”, h. 9 1/2 in., w. 11 1/4 in., d. 18 1/2 in. $400/600 Note: Deacon & Co. was an important Hong merchant of Canton, trading primarily in tea during the 19th century. Presumably, the caddy offered here was used to exhibit their Assai tea (remnants therein).

210. Pair of Chinese Export Famille Rose Porcelain Vases, 19th c., decorated with alternating figural and bird‑and‑butterfly landscape panels, bases drilled, h. 17 3/4 in. $500/1000

211. Four Chinese Export Pith Paper Paintings, late 19th/early 20th c., variously depicting courtly figures and commoners, sight 7 1/4 in. x 11 1/2 in. to 7 3/8 in. x 11 7/8 in., matted alike. $400/600

212. Pair of Samson‑Style Armorial Porcelain Covered Bough Pots, 19th c., pierced lid, foliate handles, square body with floral motif, h. 10 3/4 in., w. 9 in., d. 8 in. $700/900

213. Pair of French Pewter Candlesticks, probably 18th c., baluster standards, scalloped circular bases, h. 10 1/8 in. $400/600

214. Pair of Continental Reticulated Bronze Moon Flasks, late 19th c., overall foliate motif, tear drop finial stoppers, ram’s head mounts, gilt central reserves with classical figures, h. 14 1/4 in. $800/1200

215. Pair of Louis XVI‑Style Gilt Bronze Ewers, maiden handles, cast with garlands and masks, h. 18 1/2 in., w. 9 in., d. 6 3/4 in. $1200/1800

216. Tiffany & Co. Maker Sterling Silver Presentation Urn, pattern introduced 1909, 1925 presentation inscription “THE BENJAMIN SHERBON CUP...FOR KNOWLEDGE AND SKILL IN TYPOGRAPHY”, h. 9 1/8 in., weight 62.35 troy ozs. $1000/2000

217. Extensive Tiffany “Olympian” Pattern Sterling Silver Flatware Service, pattern introduced 1878, incl. 12 each dinner forks, dinner knives, luncheon knives, fish knives (hh), ice cream forks, fruit forks, teaspoons, five o’clock teaspoons, iced tea spoons, chocolate spoons and citrus spoons, 10 luncheon forks, 10 tea knives, 5 fish knives (fh), 9 butter knives, 19 fish forks, 10 soup spoons, 8 nut picks, 5 tablespoons, 2 gravy ladles, cheese scoop, 2 shell‑shaped spoons, sugar sifter spoon, sugar spoon, master butter knife, 2 olive forks and lemon fork; approx. 219 pcs., total wt. (weighable) 264.47 troy ozs., in vintage H. Birks & Sons oak fitted canteen. $18000/22000

218. Antique Mohtashan Kashan Carpet, Central Persia, central field with elaborate mosque design in various shades of blue and brown, stylized floral border, navy blue border with calligraphy, 18 ft. 7 in. x 12 ft. 10 in. $5000/7000

219. Fine Persian Kerman Carpet, red ground, polychrome floral central medallion, light blue brackets, navy blue border, overall floral motif, 12 ft. 9 in. x 9 ft. 11 in. $3500/4500

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Additional information at www.nealauction.com

221. Large Antique French Modele Anatomique of a Horse, c. 1890, polychromed plâtre, attributed to Louis Auzoux, comprising numerous removable components, externally illustrating the muscles, ligaments, joints and bones, opening to reveal the internal organs, raised on an ebonized plinth, bun feet and ball castors, h. 45 in., length 53 in., d. 15 1/2 in. $5000/7000

220. Persian Tabriz Carpet, fine polychrome grid pattern with floral spray, porcelain, tree and fowl motifs, cream border with floral and porcelain medallions, red trim edges, 10 ft. 5 in. x 7 ft. 7 in. $2500/3000

Note: Louis Thomas Jerome Auzoux was a reknowned French model maker who began manufacturing modeles anatomique in 1822. Originally using papier-mâché, Auzoux’s firm eventually moved on to the more malleable medium of plaster. A model such as the above would have been used in the education of veterinary students.

223. Continental Bronze Figure of a “Foundryman”, c. 1900, after Alfred Boucher (French, 1850‑1934), inscribed “A. Boucher”, on self‑base, foundry mark of “Siot”, h. 30 1/2 in. $1200/1800

222. French Gilt Bronze Figural Group of “Seated Silenus Holding the Infant Bacchus”, early 20th c., after the Antique marble conserved in the Louvre, on white marble base, h. 19 in., w. 14 1/2 in., d. 8 in. $700/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

224. Continental Bronze Figural Group of “Two Laborers”, c. 1900, after Henry Levasseur (French, 1853‑1934), inscribed “H. Levasseur” on self‑base, h. 25 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

225. Italian Bronze Figure of a Faun Holding Cymbals, 20th c., circular base, h. 18 in. $700/1000

226. Continental Carved and Polychromed Santos Bust, 19th c., probably Spanish, h. 13 1/2 in., w. 16 in., d. 8 in. $500/700

227. Joseph Marie Thomas “Jef” Lambeaux (Belgian, 18521908), “Erotic Figural Group of Two Women on Rock Form Base”, bronze, signed on self-base, h. 7 7/8 in., w. 4 3/4 in., d. 2 1/2 in. $200/400

229. Louis XV/XVI Carved and Gilt Mirror, mid‑18th c., old mirror plates, shell and foliate frame, h. 24 in., w. 20 1/2 in. $600/800

228. Monumental Carved and Gilt Alabaster Seashell, h. 11 in., w. 40 in., d. 18 in., presented on a faux marbre pedestal, overall h. 23 in., l. 39 in., w. 17 in. $2500/3500

230. Antique Neoclassical‑Style Silver Gilt Mirror, shell cartouche crest, urn finials, segmented mirror plate, urn and foliate swag, h. 73 in., w. 25 1/4 in. $800/1200

231. Louis XVI‑Style Gilt Bronze Mantel Clock, mid‑19th c., movement marked “Japy Freres a Paris”, urn‑form, with Bacchic masks and serpent handles, toupie feet, h. 19 in., w. 10 in., d. 7 in. $1000/1500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

232. Fred Zimbalist 12‑Aire Music Box in the Form of a Clock, c. 1950, nickel‑plated brass, elaborate floral engraving, with 12 Swiss Thorens movement playing classical music, on splayed foot, h. 15 1/2 in., w. 14 in., d. 6 1/4 in. $2500/3500

233. Louis XV‑Style Gilt Bronze Presentation Cartel Clock and Barometer, 1890, the barometer dial marked “T. Doninelli Fils / Optn. a Nice”, each with a cartouche engraved “Societe d’Agriculture et d’Horticulture de Nice, Concours Floral, Prix d’Honneur offret par les Dames Patronesses, 27 Fevrier 1890”, h. 21 in. w. 13 1/2 in., d. 3 1/2. $1500/2500

Additional information at www.nealauction.com

234. Pair of Egyptian Revival Painted, Ebonized and Parcel‑Gilt Fauteuils, early 20th c., each with padded back and seat, winged arms, sphinx uprights, hoof feet, h. 42 in., w. 26 1/4 in., d. 23 1/2 in. $4000/6000

235. Italian Baroque‑Style Ivory Inlaid, Tortoiseshell and Ebonized Center Table, 19th c., inset grey marble top, boulle marquetry arabesque paneled frieze, tapered legs, stretcher with central turned finial, turned feet, h. 32 1/2 in., w. 52 in., d. 32 1/2 in. $6000/8000

236. Fine Charles X-Style Gilt Bronze, Tiger’s Eye and Lapis Lazuli Center Table, top with egg‑and‑dart border, scrolled “X” frame sides, fluted foliate stretcher, h. 30 1/2 in., w. 41 3/4 in., d. 25 in. $12000/18000 Note: The curule base of the present lot and the ornamentation of the stone top are nearly identical to one that sold at Sotheby’s, New York, on November 6, 2008 as lot 155. The design of both tables reflects the popular taste for ancient Rome and Greece that spread throughout Europe at the beginning of the 19th century. Craftsmen across Europe, including Russia, freely interpreted the designs published by Percier and Fontaine and Jean-Nicolas Durand in France and Thomas Hope and George Thomas in London, whose work was directly influenced by actual pieces of furniture excavated at Pompeii and Herculaneum.

237. Louis Bardi (Italian, 19th c.), “Sistine Madonna”, oil on canvas, after Raphael, signed, titled, inscribed and canvas stamp en verso, 43 1/2 in. x 28 1/2 in., ornate gilt frame. $2000/3000

238. Pair of Italian Marble Double‑Portrait Reliefs of Roman Centurions, both 25 1/2 in. x 21 in. $5000/7000

239. Italian Marble Torso of a Youth, 20th c., h. 24 1/2 in. $2000/3000

240. Louis XVI‑Style Carved Giltwood Barometer, 19th c., crest with wreath, dove and torches, octagonal frame, lacking movement, h. 33 1/2 in., w. 21 1/2 in., d. 4 1/4 in. $600/800

241. Pair of Moser‑Style Gilt and Enameled Black Glass Vases, 20th c., with Art Deco motifs, h. 13 3/8 in. $800/1200

Additional information at www.nealauction.com

242. Monumental Pair of Baccarat‑Style Panel Cut Glass Urns, 20th c., h. 28 3/8 in., dia. 18 in. $1000/1500

243. Monumental Murano Glass Vase, 20th c., signed “M. Asti/ ARS/ Cendese/ Murano”, retains label, trumpet‑form ribbed body with gold iridescent flecks, ball stem, circular foot, h. 23 in., dia. 12 1/8 in. $500/700

244. Albert‑Ernest Carrier-Belleuse (French, 1824‑1887), “La Liseuse”, late 19th c., patinated and silvered bronze with bone, signed on self‑base, original artist and title plaque, h. 23 1/4 in. $4000/6000

245. Pair of Italian Carved Travertine Sphinxes, 20th c., presented on faux marbre pedestals, overall h. 48 in., l. 39 1/4 in., w. 16 1/2 in. $4000/6000

246. Pair of Neoclassical‑Style Patinated Bronze Tables, each with inset pietra dura top, scrolled frieze, bamboo‑form supports, incurvate plinth, tapered feet, h. 27 3/4 in., w. 28 3/4 in., d. 18 1/2 in. $4000/6000

247. Antique Renaissance‑Style Carved Walnut Library Table, shell‑carved frieze, side panels with cabochon cartouche, griffin uprights, paw feet, shaped stretcher with grotesque mask, h. 32 1/2 in., w. 50 1/2 in., d. 30 1/4 in. $1200/1800

248. Pair of Louis XVI‑Style Painted Armchairs, shaped back, fluted scrolled arms, shaped seat, fluted tapered legs, h. 34 1/2 in., w. 22 1/2 in., d. 19 in. $1000/1500

249. Venetian Rococo‑Style Polychromed and Parcel Gilt Secretaire, 19th c., superstructure with arched pediment vitrine cabinet; medial arcade, fall front writing surface, fitted desk interior, over three drawers, molded plinth, ball feet, h. 87 1/2 in., w. 41 1/2 in., d. 19 1/2 in. $1000/2000

250. Antique Italian Renaissance‑Style Carved Walnut Center Table, octagonal top, elaborately carved base with winged caryatids and paw feet, h. 30 1/4 in., dia. 43 1/4 in. $1200/2000

251. Italian Renaissance‑Style Carved Walnut Armchair, in the manner of Andrea Brustolon, branch and leaf‑carved arms, figural supports, foliate stretcher, brocade upholstery, h. 47 in., w. 37 in., d. 32 1/2 in. $1000/1500

252. Régence‑Style Giltwood Console, 18th c., serpentine rouge marble top, shell‑carved apron, cabriole legs, scrolled toes, h. 33 1/2 in., w. 42 in., d. 24 in. $2000/3000 253. Louis XV‑Style Gilt Bronze‑Mounted Barometer, late 19th c., signed “Millet à Paris”, aneroid works, h. 21 in., w. 10 in., d. 3 1/2 in. $500/1000

254. Pair of French Patinated Zinc Figures of Napoleonic Soldiers, 19th c., each holding standard and sword, tallest h. 24 in. $500/700

255. Bronze Figural Group of a Female Satyr and Children, 20th c., after Claude Michel Clodion (French, 1738‑1814), h. 16 1/2 in., w. 9 in., d. 8 1/4 in. $700/900

Additional information at www.nealauction.com

256. Large Sienna Marble Bust of David, 20th c., self base, h. 27 in., w. 18 in., d. 15 1/2 in. $1000/2000

257. Large Marble Bust of David, 20th c., self base, h. 28 in., w. 15 in., d. 14 in. $800/1200

258. Pair of Antique Baroque‑Style Carved and Gilded Mirrors, each with broken pediment and central cartouche, rectangular mirror plate within guilloche, foliate and scrolled surround, shaped apron, h. 65 1/2 in., w. 52 in. $5000/7000

259. American Art Moderne Brass, Parcel Gilt and Paint-Decorated Dining Table, 20th c., attr. to Paul T. Frankl, oval faux marbre top with two leaves, brass‑banded apron, fluted columnar standard, canted brass legs, h. 29 1/2 in., l. 71 1/8 in., w. 47 1/2 in. $3000/5000

260. Associated Set of Eight Hepplewhite‑Style Carved Mahogany Dining Chairs, incl. two armchairs and six side chairs, each with foliate crest, molded splats, square tapered legs; armchairs with out-crolled arms, armchair h. 35 1/2 in., w. 21 in., d. 17 1/2 in.; side chair h. 35 1/2 in., w. 20 in., d. 17 in. $1200/1800

261. Antique Carved Mahogany, Parcel Gilt and Paint‑Decorated Center Table, 19th c., molded octagonal top, vine and leaf‑carved frieze, rosette‑carved standard, molded stepped plinth, scrolled foliate brackets, h. 31 1/2 in., dia. 32 in. $600/900

262. Régence-Style Parquetry and Gilt Bronze‑Mounted Mahogany Commode, marble top, two short over three long drawers, bracket feet, h. 32 1/2 in., w. 40 1/2 in., d. 22 3/4 in. $800/1200

263. Rococo‑Style Paint-Decorated Bombé Commode, 19th c., serpentine top, conforming case, frieze drawer over two long drawers, foliate‑carved skirt, cabriole legs, h. 34 1/2 in., w. 50 1/2 in., d. 25 in. $500/1000

264. Louis Philippe Bronze‑Mounted Mahogany Tea Table, circular brass‑banded top, fluted standard, hexagonal plinth, cyma‑curved legs, h. 26 3/4 in., dia. 26 1/4 in. $500/800

265. Baltic Bronze‑Mounted Mahogany Bed, 19th c., arched paneled headboard, gilded posts, incurvate foot board, baluster turned finialed posts, conforming rails, h. 63 1/8 in., l. 80 1/2 in., w. 60 1/2 in. $1200/1800

266. Louis XVI‑Style Bronze‑Mounted Mahogany and Parquetry Desserte, 19th c., radial inlay, tapered legs, casters, h. 30 3/4 in., w. 29 in., d. 19 1/2 in. $500/800

267. Pair of Louis XVI‑Style Gilt Bronze Four‑Light Wall Sconces, rosette and acanthus backplate, foliate arms, electrified, h. 24 in., w. 13 1/4 in., d. 12 in. $500/800

268. French Patinated and Gilt Bronze Lamp, late 19th c., standard with three male herm figures, h. (to finial) 14 1/2 in. $600/800

Additional information at www.nealauction.com

269. Decorative “Malachite” and “Porphyry” Paint-Decorated Octagonal Mirror, h. 49 in., w. 39 1/4 in. $500/1000

270. Pair of Italian Rococo‑Style Carved and Gilded Mirrors, 20th c., divided mirror plates, foliate surround, h. 61 1/2 in., w. 14 in. $600/800

271. Pair of Louis XVI‑Style Gilt Bronze Four‑Light Sconces, 20th c., backplate surmounted by basket, with cut crystal flowers, electrified, h. 19 in., w. 12 in., d. 5 1/2 in. $800/1200

272. Anglo/Indian Carved Hardwood Sideboard, 19th c., shaped backsplash, fitted frieze drawer flanked by pedestals with drawers over doors, stepped plinth base, h. 47 3/4 in., w. 72 1/4 in., d. 24 1/2 in. $1000/2000

274. Pair of Louis Philippe Carved Mahogany Fauteuils, 19th c., each with padded back and seat, scrolled arms, lappet carved cabriole legs, h. 36 1/2 in., w. 22 1/4 in., d. 20 in. $700/900

273. Pair of Bone and Mother‑of‑Pearl Inlaid Hardwood Tables of Levantine Inspiration, h. 28 1/2 in., w. 19 3/4 in., d. 19 3/4 in. $500/800

275. Extensive Paris Porcelain Dinner Service, 19th c., rose Pompadour border with gilt decoration, comprising a large tureen, two covered vegetable tureens, six graduated platters, two corbeilles, two open serving dishes, a compote, a covered sauce tureen, a gravy boat with underplate, 10 dinner plates, eight soup plates, a cake plate, eight dessert plates, 10 fruit bowls, 11 large saucers, 10 small saucers, seven coffee cups, six pot‑de‑crèmes, 12 butter pats; together with 10 associated tea cups with saucers, and six Syracuse china tea and saucers. $2000/3000

277. Chinese Export “Mandarin Palette” Porcelain Vase, probably late 18th c., flattened bottle‑form body with stylized dragon handles, decorated with molded figural panels on a textured turquoise blue ground, h. 10 3/8 in., now mounted as lamp, h. (to socket) 15 1/2 in. $400/600

276. Chinese Export Famille Rose Porcelain Covered Tureen, late 18th c., rectangular body with canted corners and boar’s head handles, conforming cover with pomegranate finial, decorated with landscapes and floral sprays, h. 7 1/2 in., w. 12 5/8 in. $500/800

278. Pair of Gilt Brass‑Mounted Chinese Export Imari Porcelain Covered Vases, probably early 20th c., square bodies and waisted covers with floral decoration, brass finials, rims and bases, h. 14 1/4 in. $600/800

279. Chinese Export “Batavia” Porcelain Three‑Piece Garniture, probably early 20th c., incl. covered baluster vase and pair of beaker vases, decorated in famille rose enamels with bird‑and‑flower and flower panels on a cafe au lait ground, h. 12 7/8 in. and 9 1/2 in. $600/800 281. Chinese Export Famille Verte Porcelain Rooster, 19th/early 20th c., rockwork base, h. 12 1/4 in. $600/800

282. German Porcelain Covered Urn, late 19th c., blue “x” mark, with encrusted flowers and scenes of courting couples, h. 29 in. $1200/1800

280. Large Chinese Export Blue and White Porcelain Centerbowl, U‑form body decorated around exterior walls with a continuous village waterscape with figures, well with conforming roundel, h. 6 1/2 in., dia. 16 1/8 in. $500/700

283. Pair of Napoleon III-Style Gilt Bronze Figural Chenets in the Egyptian Taste, 20th c., each surmounted by a sphinx, base centered with cobalt enamel cabochon, h. 12 in., w. 8 in., d. 5 1/2 in. $700/900

Additional information at www.nealauction.com

284. Pair of Neoclassical‑Style Gilt Metal‑Mounted Rock Crystal Candlesticks, segmented faceted standards, ball feet, h. 16 1/4 in. $1000/1500

286. Antique Continental Carved and Polychromed Wood Figure of a Papal Saint, retains old paint surface, h. 37 1/2 in., w. 14 1/2 in., d. 10 in. $700/1000

285. Continental Carved and Polychromed Wood Santos Group of St. Joseph with Christ Child, 19th c., papier‑mâché cloak, h. 14 1/4 in. $600/900

287. Pair of Neo‑Grec Black Marble and Bronze Garniture Urns, 19th c., with frieze of Bacchic revelers, on inlaid plinths, h. 17 1/2 in. $700/1000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

288. Pair of Monumental Neoclassical-Style Gilded, Ebonized and Faux Tortoiseshell Veneered Urns on Pedestals, lidded baluster urns embellished with garlanded Poseidon and Amphitrite handles and cherubs, tapering square pedestals with Classical motifs, square plinths, hoof feet, h. 96 in., w. 28 1/2 in., d. 16 in. $6000/8000

289. Vintage Louis Vuitton Monogram Canvas Trunk, early 20th c., lockplate engraved “050511”, brass hardware, leather handles, void interior with remnant of original label, side with partially obscured stencil: “J.C..../ U.S.A.... York”, remnants of travel labels, marked “4” in yellow paint on front, top, and left corner; h. 16 in., w. 45 in., d. 16 in. $2000/3000 Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent.

290. Tiffany and Co. 14 kt. Yellow Gold Circular Wristwatch, with associated 18 kt. yellow gold and leather bracelet. $1000/1500

291. Antique American 14 kt. Yellow Gold, Onyx and Pearl Locket with Matching Link Necklace, l. 19 5/8 in., together with 3 extra links. $600/800

292. Retro Yellow Gold, Platinum and Diamond Clip and Matching Earrings, clip set with numerous old mine cut and single cut diamonds and caliber cut onyx. $1500/2500

293. Continental 18 kt. Yellow Gold Flexible Link Bracelet, l. 7 5/8 in., wt. 24 dwts. $800/1200

294. Two Strand Jadeite and Pearl Necklace, jadeite beads graduated from 5 mm. to 9.6 mm., pearls graduated from 3.75 mm. to 6 mm., cabochon emerald and single cut diamond clasp, l. 15 in. $800/1200

295. Antique Art Deco Platinum, Emerald and Diamond Flexible Bracelet, pat. Oct. 31st, 1922, set with 5 trapezoidal diamonds, 2 pearâ&#x20AC;&#x2018;shaped diamonds, and numerous full cut diamonds and calibre cut emeralds, all fine color. $3000/5000

Additional information at www.nealauction.com

296. Platinum and Diamond Solitaire Ring, set with Asscher cut diamond, approx. 2.5 ct., GH color, SI1‑SI2 clarity. $10000/15000

297. 14 kt. Rose Gold, Platinum, Sapphire and Diamond Bracelet, set with a fine oval cabochon blue sapphire, numerous old mine cut and single cut diamonds and square faceted sapphires, (note period Art Deco platinum flexible bracelet now mounted on a gold stiff band bracelet), h. 1 1/8 in., w. 2 1/2 in., d. 2 1/8 in. $1000/2000

299. Indian Yellow Gold Backed, Silver Topped Sapphire and Diamond Bangle Bracelet, unmarked, probably 14 kt., set with 13 oval faceted natural blue sapphires and 13 oval rose cut diamonds. Note: sapphires and diamonds foil backed. $1000/1500

301. Indian 14 kt. Yellow Gold and Silver Topped Rose Diamond Cluster Ring. $600/900

300. American Retro 14 kt. Yellow Gold and Cultured Pearl Bangle Bracelet. $1000/1500

302. Chinese Blue and White Porcelain Baluster Vase, probably 19th c., decorated with flower heads and meandering foliate vines, base with double ring mark, h. 14 1/8 in $700/900 Provenance: Acquired c. 1975.

298. 14 kt. Yellow Gold and Cabochon Chrysoberyl Cat’s Eye Stickpin. $500/750

303. Chinese Ming‑Style Blue and White Porcelain Elephant‑Form Kendi, probably Qing Dynasty (1644‑1911), modeled standing with its raised trunk forming the spout and with a vasiform opening on its back, h. 7 1/4 in., w. 8 5/8 in.; together with an elephant‑form water dropper, h. 1 3/8 in., w. 4 3/4 in. (2 pcs.) $700/900 Provenance: Acquired c. 1975.

306. Chinese Blue and White Porcelain Garlic Mouth Bottle Vase, probably 20th c., decorated with fruiting peach branches, base with Yongzheng mark, h. 11 1/8 in. $700/900

304. Chinese Famille Rose Porcelain Revolving Vase, probably 20th c., ovoid body with tall neck on integral revolving stand, decorated with boys in a landscape, base with Daoguang mark, h. 9 7/8 in. $800/1200 Provenance: Acquired Lark Mason, New York, May 2013. 305. Highly Decorative Chinese Pink Enameled Blue and White Porcelain Moonflask Vase, probably 20th c., decorated with pairs of phoenix birds and flaming pearls, base with Qianlong mark, h. 10 1/8 in. $700/900

307. Chinese Famille Rose Porcelain Barbed Rim “Lotus” Bowl, probably 18th/19th c., U‑form body molded with lotus petals, h. 3 1/8 in., dia. 6 1/2 in. $600/800

308. Chinese Blue Silk Brocade Mandarin Hat, probably late Qing Dynasty (1644‑1911), with navy and gilt thread band and red tassel, h. 4 1/4 in., dia. 7 1/4 in., cardboard hat box, (2 pcs.) $400/600

309. Chinese “Rhinoceros Skin” Lacquer Covered Box, probably 20th c., lobed melon‑form body with mottled red, yellow and black “skin”, paper‑covered base with Kangxi mark, h. 6 1/8 in., w. 8 in. $800/1200

310. Decorative Chinese Gilt Metal and Cloisonné Enamel Covered Censer, probably 20th c., lobed body with stylized scroll handles on four lion’s mask feet, pierced domed cover with foliate finial, h. 14 3/4 in., w. 14 in. $500/700

311. Chinese Opaque Pink “Beijing” Glass Bowl and Underplate, probably early 20th c., floriform bowl, h. 3 3/4 in., dia. 11 5/8 in., ribbed foliate dish, dia. 13 5/8 in. $600/800

312. Chinese Polychrome and Gilt Decorated Red Lacquer Covered Box, probably late 19th/early 20th c., rectangular form decorated with confronting dragons in pursuit of the flaming pearl, base with later incised Qianlong mark, h. 2 1/2 in., w. 13 1/4 in., d. 4 in. $800/1200 Additional information at www.nealauction.com

314. Asian Bronze Figure of a Bodhisattva, cast kneeling on one leg before a naga on a double lotus base wearing a bird‑form cape tied around the neck by two serpents, serpent bracelets, anklets, and earpieces, h. 22 in. $500/700

313. Southeast Asian Silver Repoussé Bowl, probably late 19th/early 20th c., relief decorated with dancing figures above waves, base marked, h. 4 1/8 in., dia. 8 in. $300/500

315. Antique Asian Bronze Figure of a Man Seated in Meditation, possibly a Siddha or Tirthankara, interior inscribed in Dutch with an address, h. 16 3/4 in. $1000/2000 Provenance: Ponte Vedra Beach, FL Estate.

316. Sino-Tibetan Gilt Bronze‑Mounted and Gem Embellished Rock Crystal Covered Ritual Bowl, probably 19th/20th c., tapering globular body with elaborate mounts and vajra finial, h. 7 3/4 in., dia. 5 1/4 in. $1000/1500

317. Indian Bronze Figure of Vishnu, probably 19th c., cast seated on a socle beneath a mandorla on a square base, his primary hands held in abhayamudra, his secondary hands holding a conch and a chakra disk, h. 8 7/8 in., w. 6 in., d. 5 1/4 in. $800/1200 321. Chinese School, probably late 19th c., “Ancestor Portrait”, ink, color and gold on paper, sight 29 1/4 in. x 16 1/2 in., matted and framed. $300/500

318. Pair of Chinese Blue and White Porcelain Garden Seats, 20th c., drum‑form bodies with pierced cash symbols and raised bosses, decorated with birds, flowers and Buddhist emblems, h. 17 3/4 in. $500/700

319. Patinated Bronze Figural Group of Tigers, 20th c., inscribed “Putnam”, h. 6 in., w. 10 1/2 in., d. 5 1/2 in. $300/500

320. Chinese School, probably late 19th/early 20th c., “Ancestor Portrait: Husband and Wife of Civil Rank”, ink, color and gold on paper, sight 65 in. x 36 1/4 in., matted and framed. $1500/2500

322. Chinese Celadon Stoneware Covered Jar, probably 20th c., domed cover with mythical beast finial, lobed neck with 4 applied mythical beasts, drum‑form body carved with floral panels, splayed foot, h. 17 3/4 in. $400/600

323. Highly Decorative Monumental Pair of Iron‑Mounted Chinese Blue and White Stoneware Covered Jars, probably 20th c., baluster bodies decorated with waterscapes on floral scroll grounds, finialed domed covers with floral scrolls, h. 30 1/2 in. $1000/2000

324. Set of Four Mid‑Century Modern‑Style Hardwood and Synskin “Shoji” Doors, 20th c., bases grooved for sliding, h. 96 in., w. 44 3/4 in., tops mounted for hanging, overall h. 97 in., together with approx. 14 linear ft. of track. $800/1200

325. Chinese Elmwood Daybed, probably 17th/18th c., double paneled inset top, shaped spandrels, trestle legs, h. 20 7/8 in., w. 77 3/4 in., w. 22 3/4 in. $2000/3000

327. Fifteen Indo‑Persian School Illuminated Manuscript Leaves, 19th/20th c., illustrating poems and other subjects, each gouache on paper, texts in Urdu, Persian and Hindi, sheets 8 1/2 in. x 5 1/4 in. to 12 1/2 in. x 9 in. $800/1200

326. Tibetan School, probably 19th c. or earlier, two paintings, each ink and color heightened with gold on paper, 11 7/8 in. x 8 5/8 in. and 13 3/4 in. x 9 3/4 in., framed alike (2 pcs). $800/1200

328. Japanese Brass‑Mounted Gilt and Black Lacquer Three‑Piece Shrine/Butsudan, Meiji/Taisho Period (1868‑1926), upper case with stepped cornice over 2 doors opening to elaborately fitted interior with 2 grill doors, openwork figural friezes, pagoda‑form tiered shelves, and sliding doors; middle case with 4 drawers; lower case with lift‑up sliding cabinet face, h. 76 1/2 in., w. 26 1/2 in., d. 22 1/2 in.; together with a bronze figure, h. 6 in. $3000/5000

329. Fine and Rare Japanese Kumeno Teitaro Cloisonné Enamel Trumpet Vase, Meiji Period (1868‑1912), worked in sculptured silver wire and colorful enamels with a profusion of flowers on a dark blue ground, base with Kume mark, h. 13 3/4 in., dia. 8 1/8 in. $2500/3500

Additional information at www.nealauction.com

331. Monumental Japanese Hichozan Shinpo Imari Porcelain Vase, 19th c., ovoid body with foliate flared rim, decorated with figural scenes on a floral strewn ground, base marked Hichozan Shinpo, h. 42 1/8 in., wood stand, overall h. 51 5/8 in. $1000/1500 Provenance: According to a label that was formerly affixed to this lot, this vase was exhibited in 1912 at the Delgado Museum of Art; sold 1965 Delgado auction of deaccessioned objects; sold Neal Auction Company, July 2010, lot 376.

330. Sino‑Tibetan Gilt Bronze Figure of a Bodhisattva, probably early 20th c., cast seated in dhyanasana on a double lotus base with hands crossed at chest holding a vajra and a bell, h. 16 1/8 in., w. 12 5/8 in. $2000/3000

333. Large Pair of Japanese Imari Porcelain Chargers, probably Taisho Period (1912‑1926), decorated with central prunus, pine and bamboo roundels encircled by wide bands of bird and animal cartouches, landscapes and textile patterns, one base with Fuki Choshun mark, dia. 18 1/4 in. $700/900

334. Japanese Imari Porcelain Jardinière, 20th c., compressed globular body with short neck and flat everted rim, decorated with bird‑and‑flower panels, h. 12 3/8 in., dia. 17 in. $700/900 336. Chinese Pale Celadon Soapstone Boat, probably 19th/early 20th c., carved with the Eight Immortals, h. 3 1/4 in., w. 7 3/4 in., d. 2 3/4 in. $600/800

338. Chinese Polychrome Painted Wood Figure of an Official, carved wearing court attire and holding a staff, h. 27 1/4 in. $500/700

337. Pair of Asian Bronze Cranes, each modeled standing, one with head raised and one with head lowered, bases of bodies marked, h. 24 in. and 14 1/4 in. $800/1200 Provenance: Loyd-Paxton, Dallas.

Provenance: Estate of Ursula Johns Gill, San Antanio, TX. 339. Asian Gilt-Decorated Red Lacquered Leather Trunk, probably early 20th c., rectangular case and hinged cover decorated with butterflies, foliage and brocade balls, bail handles, lock and lockplate, h. 14 in., w. 34 3/4 in., d. 23 7/8 in., wood stand, overall h. 21 in., w. 35 in., d. 24 3/4 in. $800/1200 Provenance: Waldhorn’s Antiques, New Orleans.

332. Monumental Pair of Japanese Imari Porcelain Covered Jars, probably Taisho Period (1912‑1926), slender ovoid bodies with domed finialed covers, decorated with ho‑ho birds, dragons, flowers, fruits, and landscapes, h. 39 in. $2000/3000

335. Japanese Imari Porcelain Jardinière, probably Taisho Period (1912‑1926), globular body molded with figures of elegant ladies, h. 17 7/8 in., dia. 16 1/2 in. $500/800

340. Chinese Hardwood Low Table, probably 20th c., probably Hualimu, rectangular top, shaped apron and scroll legs carved with dragons in pursuit of the flaming pearl amid clouds, h. 9 1/2 in., w. 28 1/4 in., d. 18 1/2 in. $800/1200

341. Asian Iron‑Banded Red Lacquered Sectioned Wood Tub, probably early 20th c., oval body with integral handles, conforming removable insert, h. 15 in., w. 36 in., d. 21 in. $300/500

342. Small Chinese Lacquered Side Table, probably early 20th c., lozenge shaped top, conforming shaped frieze, cabriole legs, stretcher base, h. 18 in., w. 18 1/2 in., d. 12 in. $200/300

343. Pair of Chinese Opaque Turquoise “Beijing” Glass Bottle Vases, probably 20th c., octagonal faceted bodies and necks, h. 12 in. $300/500

344. Chinese Pottery Equestrian Group, probably Tang Dynasty (618906), modeled as a robed male rider with one arm raised seated on a standing horse, h. 13 1/2 in., w. 12 in. $800/1200 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

345. Chinese Export Blue and White “Kraak” Porcelain Barbed Rim Bowl, probably late Ming Dynasty (1368-1644), interior with a central rock and floral scroll roundel encircled by scrollwork bands, exterior with foliate meanders and scrollwork, h. 2 1/8 in., dia. 12 1/8 in. $600/800 Provenance: Acquired c. 1975.

346. Large Pair of Chinese White “Beijing” Glass Vases, probably 20th c., flattened octagonal bodies with archaistic decoration on stepped stem feet, necks with stylized zoomorphic mask handles, h. 14 7/8 in. $1000/1500

347. Antique Chinese Hardwood Stepped Table, rectangular panel inset tops, shaped legs, shaped aprons, stretchers, h. 30 in., w. 23 in., d. 10 in. $500/700 Additional information at www.nealauction.com

349. Chinese Painted Pottery Buffalo, probably Han Dynasty (206 BCE-220 CE), modeled standing foursquare with lowered head, trace pigment, hole for tail hair, h. 8 in., l. 14 1/4 in. $800/1200 348. Chinese Pottery Horse, probably Tang Dynasty (618-906), modeled standing foursquare with arched neck with groove for mane hair, h. 11 5/8 in., w. 11 5/8 in. $600/800

Provenance: Joan Good Antiques, New Orleans, c. 1960s.

Provenance: Joan Good Antiques, New Orleans, c. 1960s

350. Chinese Glazed Pottery Caparisoned Horse, probably Ming Dynasty (13681644), modeled standing foursquare with its neck arched forward, h. 12 1/8 in., w. 13 3/4 in. $400/600

351. Chinese Pottery Horse, probably Sui Dynasty (581-618), modeled standing with back legs slightly bent wearing a saddle and blanket on its back, h. 11 in., w. 13 1/8 in. $700/900

Provenance: Joan Good Antiques, New Orleans, c. 1960s.

352. Chinese Partial Glazed Pottery Groom, probably Ming Dynasty (1368-1644), modeled standing on a tall plinth with one arm at his waist and the other raised, green and black glazed robe, h. 12 in. $300/500 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

353. Chinese Pottery Horse, probably Tang Dynasty (618-906), modeled standing foursquare with raised head, neck with groove for mane hair and body with hole for tail, h. 12 3/4 in., w. 10 3/4 in. $400/600 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

Session Two Saturday, February 20, 10 am 4038 Magazine

355. Ely De Vescovi (American/Mexico, 1910-1998), “Holy Day of Obligation, Mexico”, 1934, oil on canvas, signed and dated lower left, 27 in. x 19 1/4 in., framed. $1500/2500 Note: Ely De Vescovi was a both a pupil and assistant to Mexican painter and muralist Diego Rivera. In 1935, De Vescovi was given a solo show of her work in Mexico City with the support and encouragement of both Rivera and Frida Kahlo. 354. Hayden Lambson (American/New Mexico, b. 1948), “Elk”, 1989, oil on masonite, signed, dated and inscribed “W.A.W.” lower right, 12 in. x 15 3/4 in., framed; accompanied by Safari Club International members fundraising letter, 1994. $700/1000

356. Russian School, Icon with Christ Enthroned with Saints Surrounded by Twelve Scenes from the Lives of the Virgin and Christ, 18th c., each scene labeled in Cyrillic, oil on panel, 13 3/4 in. x 11 1/2 in. $500/700 Provenance: Commodore Antiques, Key West, FL. 357. Johan Martin Metz (German, 1717-1789), “Davida Patterson Rollo”, oil on canvas, titled, dated and inscribed “Metz...pinxt.” en verso, “Jolly & Xon,...Repository” period label on stretcher, 27 in. x 22 in., antique frame. $2500/3500

358. Prideaux John Selby (British, 1788-1867), “Merlin, Female”, hand colored engraving, from Illustrations of British Ornithology, watermarked “Ruse & Turners/1818”, sheet 25 1/2 in. x 20 1/4 in., framed. $500/700

359. Thomas Sidney Moran (American, 1837-1926), “Morning”, 1886, etching on paper, pencil signed and remarque of water lilies and a bird in lower margin, signed and dated in plate lower right, sheet 15 in. x 21 1/2 in., framed. $800/1200

360. Set of Five Chinese Export Famille Rose Porcelain Plates, late 18th c., central flowers, leaves and fruit, cavettos and rims with bands of floral sprays and diaper patterns, dia. 9 in. $700/900 Provenance: William Word Fine Antiques, Atlanta, GA, 2012. 361. Two Chinese Export Famille Rose Porcelain Dishes, 19th c., incl. “Rose Medallion” reticulated rim platter, l. 10 3/4 in., w. 9 1/2 in.; and plate with central figural scene, dia. 9 3/4 in. $400/600 Provenance: Sallea Antiques, New Canaan, CT, 2011.

362. Chinese Export Famille Rose Porcelain Service, 19th c., incl. 7 “Rose Canton” plates, dia. 9 5/8 in.; one “Rose Medallion” plate, dia. 9 5/8 in.; and 4 “Rose Canton” bowls, dia. 8 7/8 in. (12 pcs.) $250/500

363. Assembled Chinese Export Canton Famille Rose Porcelain Partial Tea and Coffee Service, 19th c., incl. covered coffee pot, h. 9 3/4 in.; covered teapot, h. 6 3/4 in.; milk pitcher, h. 4 in.; 7 shaped tea cups; and 9 circular and shaped dishes, largest dia. 6 in., (19 pcs.) $300/500

364. American Classical Mahogany Fire Screen, c. 1830, floral needlepoint within molded frame, scrolled supports, stepped plinth, bracket feet, h. 51 1/2 in., w. 36 1/4 in., d. 17 3/4 in. $500/800 Provenance: By repute Monmouth, Natchez, MS; Historic “Sally Mill”, Middelburg, VA.

365. Antique Stiff Leaf and Berry Motif Gilt Frame, late 19th c., interior opening 36 in. x 28 in., exterior 42 1/2 in. x 34 1/2 in. x 4 3/4 in.; with reproduction oil on canvas after George Peter Alexander Healy (1813-1894), “Portrait of Euphemia White Van Rensselaer”, 1842, The Metropolitan Museum of Art, NYC. $400/600 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

366. Two Black Forest Carved Walnut Crucifixes, late 19th c./ early 20th c., silvered metal figures of Jesus, stylized rock bases; smaller with silvered metal “INRI” banner, h. 23 5/8 in., h. 26 1/2 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

367. Pair of Empire Style Gilt and Patinated Bronze Candlesticks, 19th c., stiff leaf candlecups, busts of Napoleon and Napoleon III, fluted standards, h. 13 in., w. 4 1/2 in., d. 4 1/2 in. $500/700

Additional information at www.nealauction.com

368. Group of Six Antique English Tortoiseshell Boxes, incl. two card cases, one coin purse, and three snuff boxes, largest h. 3 1/4 in., w. 2 5/8 in., d. 1 1/2 in. $300/500

369. Group of Six English Inlaid Snuff Boxes, 19th c., four with mother of pearl inlay, largest h. 1 in., w. 4 1/4 in., d. 2 in. $300/500

370. English Brass Figural Fireplace Fender, 19th c., adjustable rail, l. 35 1/2 in.; with whippet chenets, each h. 8 in., l. 6 1/2 in. $800/1200

371. George III-Style Green and Cream Paint Decorated Window Valance, early 20th c., egg and dart and anthemion cornice above scalloped panel with volute scrolls and demilune fans, h. 12 in., w. 81 1/2 in., d. 15 1/4 in. $500/700

373. Regency Sheffield Plate Hot Water Urn, early 19th c., urn form, swirl decorated cover, lobed rim, reeded handles, reeded base with ball feet, h. 15 1/2 in. $500/700

372. French Restauration Fused Silverplate Tea Tray, early 19th c., oblong with straight gadroon border and lotus motif loop handles, 28 1/4 in. x 18 3/4 in. $150/250

375. Pair of American or English Hand Blown Hurricane Shades, 19th c., each of baluster form with applied molded foot, h. 19 in. and 19 1/2 in., respectively. $1000/1500

374. Pair of Late Georgian Sheffield Plate Two Light Argand Lamps, early 19th c., urn form font on a baluster shaft, arms fitted with shades cut with an American eagle and shield motif, h. 19 3/4 in., w. 17 1/2 in., d. 5 1/2 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 188.

377. Pair of Polychromed Cast Iron Whippets, square plinth bases, h. 29 in., w. 8 1/2 in., d. 9 1/2 in. $800/1200

378. American Classical Giltwood Bullseye Mirror, 19th c., dolphin carved crest, ebonized rabbet, convex mirror plate, h. 28 in., w. 18 1/4 in. $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA.

376. Fine English Gilt Bronze Five Light Gasolier, c. 1845, central urn form shaft with acanthus and lion masks, five acanthus decorated urn form counter weights, foliate arms surmounted by spread wing eagles, shades cut with lyres, adjustable h. 54 74 in., dia. 36 in. $5000/7500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 229.

379. Georgian Mahogany and Parcel Gilt Looking Glass, late 18th c., shaped surround with ho-ho bird, old mirror plate, h. 38 in., w. 19 1/4 in. $400/600

380. Pair of American or English Mahogany Candlestands, mid 19th c., “Ginsburg and Levy” paper label, each with scalloped top, faceted baluster standard, scrolled legs, h. 34 1/4 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

381. Important American Classical Parcel Gilt, Egyptian Marble, and Carved Mahogany Pier Table, c. 1830, probably J. and J.W. Meeks, New York, columns stamped “B.Hamot”, marble top, plain frieze, Corinthian columns, mirror back flanked by marble pilasters, incurvate plinth, acanthus scrolled feet, h. 38 1/4 in., w. 44 1/2 in., d. 18 1/4 in. $3000/5000 Provenance: Historic “Sally Mill”, Middleburg, VA. Note: This large pier table exhibits a skirt, marble columns and pilasters, plinth and carvings indicative of the best examples from the Meeks firm. Of note are the incised “B.Hamot” stamps discovered on the carved capitals of this table. Capitals identical to those here are well known on cases from the Meeks firm, including those on the secretary (acc. 60.29.1) in the Metropolitan Museum of Art and on two pier tables, one at the Museum of the City of New York, the other exhibited at the MET in 1970. Ref.: Tracy, Berry and Marilynn Johnson. 19th c. America, Furniture and Decorative Arts. New York: Metropolitan Museum of Art, figs. 68 and 70; Tracy, Berry. Classical America, 1815-1845. Additional information at www.nealauction.com

383. Set of Four American Late Federal Painted “Fancy” Side Chairs, mid 19th c., each with turned crest, fruit and floral painted back, rush seat, ring turned legs, button feet, h. 34 3/4 in., w. 17 1/2 in., d. 19 in. $700/900 Provenance: By repute Mistletoe, Natchez, MS; Historic “Sally Mill”, Middelburg, VA.

382. American Classical Carved Mahogany Table, early 19th c., attributed to Duncan Phyfe, New York, D shaped drop leaves, frieze drawer, acanthus and spiral turned standards, fluted plinth, foliate and reeded sabre legs, brass capped paw casters, h. 28 1/4 in., w. 36 in., d. 24 1/2 in. $1500/2500 Provenance: Historic “Sally Mill”, Middleburg, VA.

385. French School, early 19th c., “Portrait of a Young Man, in the style of J.D. Ingres (1780-1867)”, oil on canvas, unsigned, effaced label en verso of frame, 25 in. x 20 in., period gilt frame. $1500/2500

384. Attributed to Thomas Sully (American, 17831872), “A Young Woman in a Moment of Divine Inspiration”, mid 19th c., oil on canvas, signed with monogram initials “T.S.” en verso, 24 in. x 20 in., frame with artist plaque. $2000/3000

386. Louisa Keenan (British, 19th c.), “Portrait of Young Lady on a Balcony”, 1836, watercolor on paper, signed and dated lower left, pencil signed and dated lower right on mat board, sight 17 1/2 in. x 12 5/8 in., period frame. $300/500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

387. French School, late 18th c., “Young Lady in Empire Gown and Bonnet”, oil miniature, unsigned, sight dia. 1 7/8 in., gilt bronze and ebonized frame. $300/500

388. American School, late 18th/early 19th c., “Gentleman in a Blue Coat”, oil miniature, unsigned, dia. 2 in., tortoiseshell frame. $300/500

389. Pair of American Federal Andirons, early 19th c., each stamped “R. Whittingham/ N. York”, steeple topped ball standards, arched spurred legs, ball feet, h. 19 1/4 in., l. 19 in., w. 9 1/2 in. $500/750

390. Pair of French Cabinet Bronzes of Antique Warriors, 19th c., h. 6 3/4 in. and 6 1/2 in. $600/800

391. John Gould (British, 18041881), “Ariel Toucan” and “Derby’s Groove bill Aracari”, 2 hand colored lithographs from A Monograph of

392. John Gould (British, 18041881), “Grey breasted Aracari” and “Koulik Aracari”, 2 hand colored lithographs from A Monograph of

the Ramphastidae, or Family of Toucans, 1833-1835, sheets

21 in. x 14 in., framed. $800/1200

21 in. x 14 in., framed. $700/1000

393. John Gould (British, 18041881), “Grooved bill Aracari”, “Golden green Aracari”, “Natterer’s Aracari” and “Reinwardt’s Aracari”, 4 hand colored lithographs from A

394. John Gould (British, 18041881), “Banded Aracari”, “Saffron coloured Aracari”, “Chestnut billed Groove bill” and “Lettered Aracari”, 4 hand colored lithographs from A

Monograph of the Ramphastidae, or Family of Toucans, 1833-1835,

sheets 21 in. x 14 in., framed. $1200/1800

395. John James Audubon (American, 1785-1851), The Birds of America, from Drawings Made in the United States and Their Territories, New

York, V.G. Audubon, 1856, 7 vols., second edition, original brown morocco leather, all edges gilt, with 500 hand colored lithographs by J.T. Bowen. $7000/10000 Provenance: Minor Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Additional information at www.nealauction.com

396. McKenney, Thomas and James Hall, History of the Indian Tribes of North America, Philadelphia, Rice and Hart, 1855, 3 vols., octavo, third edition, original brown morocco leather, all edges gilt, with 120 hand colored lithographs by J.T. Bowen after Charles Bird King and James Otto Lewis. $7000/10000 Provenance: Minor Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

397. George Hetzel (German/Pennsylvania, 1826-1899), “Creek in the Woods”, oil on canvas, signed lower right, “Pittsburgh Art Co.” label with title and artist en verso, 28 in. x 20 in., framed. $4000/6000 Note: After being brought to Pennsylvania at age 2, Hetzel at 21 was encouraged by his parents to return for study at the Düsseldorf Art Academy, under its long-time director Wilhelm von Schadow (1788-1862) and the many figurative and landscape painters who had made it the most prestigious German school. His close contemporaries there included native artists of plein-air landscapes such as Oswald Achenbach (1827-1905), the great Swiss painter Arnold Böchlin (1827-1901), the even more gifted Anselm Feuerbach (1829-1880), and also Werner Homberg (18301860), who brought to their favored medium the historic influence of Dutch landscapes. After his 1849 return to Pittsburgh, Hetzel painted a strongly-bearded Self-Portrait, with his eyes obscured by the shadow of a black top hat: its combination of intense chiaroscuro (in which he had specialized at Düsseldorf), with its overtones of Romantic Realism, combine with a striking similarity to the many Self-Portraits of the 1840s by Gustave Courbet (1819-1877) to suggest that Hetzel also had full awareness of contemporary developments in Paris—particularly of the Barbizon School, which his own landscapes came more and more to resemble. The present large painting of Paint Creek in Cambria County, PA, brilliantly reflects Hetzel’s delight in the 1866 discovery of his own “Forest of Fontainebleau,” near the village of Scalp Level, just south of Johnstown. To that sylvan retreat he brought so many colleagues from the Pittsburgh School of Design that it became the center of its own Barbizon-like group, who rendered its unspoiled glades in both small plein-air oil sketches, as well as larger studio works. This painting in fact combines the best of both techniques, with its shimmering coruscation of color—constituting a veritable symphony of greens—with inspired unities and contrasts of value. Ref.: Chew, Paul. George Hetzel and the Scalp Level Tradition. Pittsburgh: University of Pittsburgh Press, 1994; Novotny, Fritz. Painting and Sculpture in Europe, 1780-1880. Baltimore: Penguin Books, 1960.

398. Martin Grelle (American/Texas, b. 1954), “Warrior Alone”, 1997, oil on canvas, signed, dated and inscribed “CA” lower right, 18 in. x 14 in., framed with artist and title plaque. $15000/25000 Note: One of the most recognized Western artists today, Martin Grelle began drawing and painting while in high school and was fortunate to have well-known Western artists, Jim Boren and Melvin Warren, move to his hometown of Clifton, TX. Mentored by Boren, Grelle had his first one-man show at a local gallery as a teenager in 1973, and in the following forty-three years, his work has been featured in more than thirty solo exhibitions nationwide to wide acclaim. He was invited to be a member of the Cowboy Artists of America in 1995. Among his other numerous prestigious awards, Grelle was presented the Legacy Award by The Briscoe Museum in 2012 for his impact on Western art. Grelle’s passion for the Old West is evident in his striking landscapes and historical portraits. In the work offered here depicting a lone warrior, Grelle emphasizes the color and texture of his light-filled landscape to perfectly highlight the carefully-detailed figure and horse.

400. William Aiken Walker (American/South Carolina, 1838-1921), “Wash Day, Cabin Scene”, oil on academy board, signed lower left, partial “F.W. Devoe & Co., NY, Academy Board” label and pencil inscriptions incl. “Cabin, $8.00” en verso, 9 1/4 in. x 12 1/4 in., framed. $10000/15000 399. William Aiken Walker (American/South Carolina, 1838-1921), “Man and Woman on Horseback”, oil on academy board, signed lower right, partial “F.W. Devoe & Co., NY” label en verso, 12 in. x 10 1/2 in., framed. $10000/15000

Provenance: Property of an Uptown New Orleans Lady. Exh.: Tulane University President’s House, Audubon Place, New Orleans, 2002-2015. Note: To be included in John Fowler’s forthcoming catalogue raisonne on William Aiken Walker.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker

402. John James Audubon (American, 1785-1851), The Quadrupeds of North America, New York, V.G.

Audubon, 1854, 3 vols., octavo, second edition, original publisher’s brown morocco leather, all edges gilt, with 155 hand colored lithographs by J.T. Bowen, after Audubon. $3000/5000 401. Achille Perelli (Italian/New Orleans, 1822-1891), “Nature Morte: Pompano”, 1877, watercolor on paper, signed, dated and inscribed “N.O.” lower left, sight 21 in. x 14 3/4 in., giltwood frame. $8000/10000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

Provenance: Minor Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

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403. F. Wieck (American/Louisiana, 19th c.), “Bamboula“, 1897, oil on canvas, signed and dated upper right, 24 in. x 35 in., period frame. $5000/7000 Provenance: Ex-Collection of Gretchen and Alonzo Lansford, former Director of the Delgado Museum of Art (now New Orleans Museum of Art) Neal Auction Company, Dec. 4, 2004, lot 597. Ill.: Weisberger, Bernard. The Age of Steel and Steam, Life History of the United States, Volume 7. New York: Time, Inc., 1964, pp. 120-121. Note: One of the cultural forms visible within the African diaspora is music and dance. Many dances held particular meaning and could convey specific ideas, both secular and spiritual. Music and dancing also provided a means of honoring the past, as the dancers (and audience) used their bodies as instruments in ways that harkened back to original African dance forms. During their limited leisure hours, particularly on Sundays and holidays, slaves often engaged in singing and dancing. Music on plantations in the United States typically consisted of call-and-response patterns, shouts, cries, and moans and made use of homemade instruments from the banjo, tambourine, and calabashes to washboards, pots, and spoons. In the painting offered here, a group of people possibly dance the Bamboula, a dance of Kongo origin. This dance embodied the Habanera rhythmic pattern that came to Louisiana from Saint Domingue. The term “bamboula” can also refer to a specific rhythm, type of drum or any African-based cultural practice.

404. Robert Malcolm Rucker (American/Louisiana, 1932-2001), “Steamboat on the Mississippi River”, oil on canvas, signed lower left, “Gilley’s Gallery, Baton Rouge, LA” label en verso, 24 in. x 30 in., framed. $3000/5000 Provenance: Neal Auction Company, July 31, 2004, lot 469.

405. George David Coulon (French/New Orleans, 1822-1904), “Louisiana Scenery”, oil on board, signed lower center, signed, titled and inscribed “New Orleans” en verso, dia. 9 in., period gilt frame with artist plaque. $5000/7000 Provenance: Neal Auction Company, June 14, 1997, lot 268.

406. William Aiken Walker (American/South Carolina, 1838-1921), “Cotton Pickers in the Field”, oil on academy board, signed lower left, pencil inscribed “Field, each $8.00 pair $14.00” en verso, 6 1/4 in. x 12 1/4 in., framed. $15000/25000 Provenance: Acquired in New Orleans, c. 1910, by Mrs. Ezekiel Field Clay, née Florence Kelly Lockhart (1856 1935); to her daughter, Sally Lockhart Spears (1884 1967); gift to Catlett Lockhart Buckner (1907 1995); to his daughter Holly Buckner. Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

407. William Aiken Walker (American/South Carolina, 1838-1921), “Cabin Scene, Wash Day”, oil on academy board, signed lower left, “F.W.Devoe & Co., N.Y” and “Clossons, Cincinnati” labels and pencil inscribed “Cabin each $8.00 pair $14.00” en verso, 6 1/4 in. x 12 1/4 in., framed. $10000/15000 Provenance: Acquired in New Orleans, c. 1910, by Mrs. Ezekiel Field Clay, née Florence Kelly Lockhart (1856 1935); to Mary Herne Lockhart Buckner (1883 1913); to her son, Catlett Lockhart Buckner (1907 1995); to his daughter, Holly Buckner. Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

408. Walter Launt Palmer (American, 1854‑1932), “Western Mountainous Landscape with Pine Forest and River”, 1897, oil on canvas, monogrammed and dated “Aug. 1, 1897” lower right, 14 in. x 10 in., framed. $2000/3000

409. American Federal Carved Mahogany Bergère, early 19th c., barrel back, tufted green velvet upholstery, scrolled arms, rosette blocks, fluted ring‑turned tapered legs, casters, h. 39 1/2 in., w. 25 1/2 in., d. 32 3/4 in. $1500/2500

410. American Classical Mahogany Canterbury, c. 1820, attr. to the Vose workshop, Boston, lyre‑form ends with original brass rods, shaped dividers, single drawer, turned legs, brass casters, h. 24 in., w. 18 3/4 in., d. 15 3/4 in. $1000/1500 411. American Federal Inlaid Mahogany Washstand, 19th c., probably John Needles, Baltimore, King of Prussia marble top, backsplash with three storage compartments, two graduated drawers, sliding bidet drawer on casters, reeded stiles, turned tapered feet, h. 33 in., w. 24 3/4 in., d. 23 in. $2000/3000 Note: The case form gallery configuration on this washstand is nearly identical to that advertised by John Needles in 1826. A very similar washstand to that offered here made for William Gibson Tighlman (1785‑1844) of Grosses, Talbot County, was exhibited by the Maryland Historical Society in 1993. Ref.: Weidman, Gregory. Classical Maryland, 18151845. Baltimore: Maryland Historical Society, 1993, p. 137, fig. 168.

412. American Classical Carved Mahogany Sideboard, c. 1830, probably Anthony Quervelle, Philadelphia, mirror with stepped and gadrooned crest, scrolled grape and grapeleaf brackets, marble‑top central cabinet with frieze drawer over two doors; flanked by pedestal cabinets, each fronted by a pylon on acanthus paw feet, h. 62 3/4 in., w. 81 1/2 in., d. 24 1/4 in. $4000/6000 Provenance: Historic “Sally Mill”, Middleburg, VA. Note: The pedestal cabinets on this sideboard are nearly identical to those on two noted examples, one at the Art Institute of Chicago (acc. 1974.8), the other in the collection of the St Louis Art Museum. Scholar Donald Fennimore observed, “… paired pylons under deep overhanging cove moldings—a concept identical to the formal pylon entrances to Egyptian temples…” Ref: Fennimore, Donald. “Egyptian Influence in Early Nineteenth‑century American Furniture,” Magazine Antiques. (May 1990, p. 1200, fig. 12; Boor, John. Philadelphia Empire Furniture. West Chester, PA, Boor Management, LLC; pp. 410 410‑411.

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413. Fine American Classical Carved Mahogany Sofa, early 19th c., New York, tablet crest, flanked by scrolled dolphin and acanthus, out-scrolled foliate arms ending in rosettes, torus‑molded apron, dolphin feet, h. 37 in., w. 90 1/2 in., d. 24 1/4 in. $2000/3000 Provenance: Historic “Sally Mill”, Middleburg, VA.

414. American Classical Mahogany Games Table, c. 1830, possibly Michael Allison, New York, foldover top with canted corners, scrolled foliate supports ending in rosettes, incurvate plinth, bracketed hairy paw feet, casters, h. 29 1/2 in., w. 37 in., d. 18 1/2 in. $2500/3500

415. Pair of George III Mahogany Serpentine Knife Boxes, late 18th c., silvered brass escutcheons, retains fitted interiors, h. 15 1/4 in., w. 8 7/8 in., d. 13 in. $1000/1500 Provenance: Historic “Sally Mill”, Middleburg, VA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

416. American Classical Carved Giltwood Mirror, early 19th c., attr. to Isaac Platt, New York, fleur‑de‑lis corners, split columnar frame with reeding and lotus leaves, divided mirror plate, h. 41 3/4 in., w. 22 in. $700/900 Provenance: Historic “Sally Mill”, Middleburg, VA.

417. American Classical Giltwood Pier Mirror, c. 1830, New York, blocked rosette corners, ring-turned split columnar surround, h. 43 1/4 in., w. 26 1/4 in. $700/900 Provenance: Historic “Sally Mill”, Middleburg, VA.

418. Fine English Gilt Bronze Figural Sinumbra Lamp, c. 1840, marked “Messenger & Sons / London and Birmingham / Manufactured for / Jones, Lows & Ball / Boston”, eagle cut shade, h. 31 3/4 in., dia. 9 1/2 in. $2500/3500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 139.

419. Regency Gilt and Patinated Bronze Six‑Light Chandelier, early 19th c., canopy with palmettes, the bell and arms mounted with masks, cornucopiae, and foliage, electrified, h. 35 in., dia. 22 in. $2500/3500 Provenance: Historic “Sally Mill”, Middleburg, VA.

420. Fine Pair of American Gilt Bronze Argand Lamps, c. 1850, attr. to Cornelius, spear finial, font on stepped plinth with a Roman Centurion figure, cut glass shades, h. 25 in., w. 13 in., d. 9 1/2 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 159.

421. Exceptional American Rococo Carved Rosewood Étagère, c. 1850‑1860, attr. to John Henry Belter, New York, reticulated crest with phoenix, volutes, and scrolled acanthus; arched mirror flanked by four serpentine shelves, elaborately turned supports; shaped marble‑top base with applied floral ornament, h. 132 in., w. 88 in. $25000/40000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Accompanied by a typed label, color snapshot, and copy of a 1968 Parke Bernet affidavit stating the étagère was part of the James E. Smitherman Estate, 3751 Fairfield Ave., Shreveport, LA. Note: This monumental étagère is remarkable even within the context of John Henry Belter’s illustrious body of work. The arched mirror and graduated side panels are identical in form to other known Belter examples from the Service, Rosalie and other private collections. At a height of eleven feet, this lot exceeds all other known examples of the form in size, ornament and intricacy. The carved decoration is the most complex of the group, featuring more purely attenuated Rococo scrolls and swags on the crest and supports. The use of fine and rare violet brocatelle marble for the plinth shelf of this piece is a departure from the white Carrara marbles seen elsewhere. John Henry Belter participated in the 1853 Crystal Palace Exhibition held in New York. The confluence of elements seen here indicate this étagère may have been a part of Belter’s entry. Ref.: Neal Auction Company lot 839, Sept. 16, 2012; lot 175, Jan. 31, 2015; lot 842, Feb. 1, 2015; lot 369, Nov. 21, 2015; Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840-1880. Atglen, PA: Schiffer, 2000, p. 205.

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422. American Rococo Carved and Laminated Rosewood Sofa, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Fountain Elms” pattern, rose‑carved crest, reticulated serpentine rails, scrolled arms, shaped seat, floral apron, cabriole legs, casters, h. 47 in., w. 86 in., d. 33 3/4 in. $20000/30000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: This sofa is directly related to a rare and very successful design from John Henry Belter’s workshop, the most famous examples of which are found at the Italianate mansion Fountain Elms in Utica, New York and are part of the collection of the Munson-Williams-Proctor Institute (acc. 59.199). Ref.: D’Ambrosio, Anna. Masterpieces of American Furniture from the Munson Williams Proctor Institute. Utica: Munson-Williams-Proctor Institute, 1999, p. 20, fig. 16 and p. 78, fig 24.

423. Pair of American Rococo Carved and Laminated Rosewood Méridiennes, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Fountain Elms” pattern, each with floral and grape crest, reticulated scrolled rails, shaped seat, cabriole legs, casters, h. 38 in., w. 42 in., d. 26 in. $10000/20000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

424. American Rococo Carved and Laminated Rosewood Gentleman’s Armchair, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Fountain Elms” pattern, floral crest, reticulated and scrolled foliate back, shaped arms, serpentine seat, rose‑carved knees and apron, cabriole legs, casters, h. 44 1/2 in., w. 23 1/2 in., d. 30 1/4 in. $5000/8000

425. American Rococo Carved and Laminated Rosewood Lady’s Armchair, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Fountain Elms” pattern, floral crest, reticulated and scrolled foliate back, shaped arms, serpentine seat, rose‑carved knees and apron, cabriole legs, casters, h. 40 in., w. 24 in., d. 30 1/2 in. $4000/6000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

426. Suite of Four American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Fountain Elms” pattern, each with floral crest, reticulated and scrolled foliate back, serpentine seat, rose‑carved knees and apron, cabriole legs, casters, h. 38 1/2 in., w. 18 in., d. 23 1/2 in. $7000/10000

427. Pair of American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Fountain Elms” pattern, each with floral crest, reticulated and scrolled foliate back, serpentine seat, rose‑carved knees and apron, cabriole legs, casters, h. 43 in., w. 18 in., d. 21 1/2 in. $4000/6000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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428. American Sheraton Mahogany Bowfront Chest of Drawers, early 19th c., attr. to William Hook, Massachusetts, waterleaf carved turreted corners, four drawers flanked by reeded columns, turned feet, h. 42 1/2 in., w. 45 in., d. 21 in. $2500/3500 Note: The overall design, waterleaf-carved and reeded corner posts, and bookmatched mahogany drawer fronts on this lot closely relate to a near identical chest of drawers attributed to William Hook or William Haskell sold in these rooms September 15, 2012 as lot 378. William Hook’s Sheraton-style furniture was highly sought after by leading families of Salem in the late 18th/early 19th century. A key feature of his work is the use of carved waterleaf capitals on reeded corner posts, which is seen on an attributed dressing table at the Peabody Essex Museum, Salem (124788.7) and also a mahogany work table (39.555), a dressing table (39.556), and a sideboard (38.67) at the Museum of Fine Arts Boston.

429. Rare American Hanging Sinumbra Lamp, c. 1840, foliate canopy, brass rod supports, two‑part Gothic spire‑cut shade enclosing green painted font, rack and pinion wick riser with cut‑crystal knob, h. 48 in., dia. 19 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 204. 430. Monumental American Renaissance Carved and Burl Walnut Bookcase, mid‑19th c., labeled “Moore, York, & Howell Nos. 261, 263, 265 S. Second St. Philadelphia, est 1833”, carved crest with central cartouche, lobed finials, stepped beaded frieze, glazed doors flanked by Corinthian columns with paneled doors, stepped plinth, h. 112 1/2 in., w. 95 1/2 in., d. 23 in. $8000/12000 Provenance: From H.A. Eberhardt & Son, 2010 Walnut St., Philadelphia, oldest antiques shop in America, founded before 1865.

Note: The Philadelphia firm Moore, York, and Howell, successors to Moore and Campion, exhibited at the 1876 Philadelphia Centennial International Exhibition where they received an award for a “Walnut Parlor Suit, Centre Table, and Game Table.” Interestingly, a similarly carved and burled walnut parlor cabinet with an identical label sold in these rooms October 6, 2007 as lot 90. While the latter is more elaborately decorated, as one would expect with a smaller furniture form, both the bookcase and the parlor cabinet demonstrate the high style of furniture this firm produced for the 1876 Centennial Exhibition. Ref.: International Jury to American Exhibitors. List of the Awards Made by the United States Centennial Commission to the American Exhibitors, International Exhibition 1876, at Philadelphia. Philadelphia: S.T. Souder and Company, 1876, p.28.

431. Fine American Gilt Bronze Figural Sinumbra Lamp, c. 1850, attr. to Cornelius & Co., with Classical urn on plinth with Roman Centurion, cut shade, h. 30 1/2 in., dia. 11 1/2 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting. Schiffer, 2002, p. 159.

432. American Gothic Carved Rosewood Settee, c. 1830, possibly Crawford Riddell, quatrefoil crest, serpentine crest rail, scrolled arms, shaped seat, gothicized apron, faceted octagonal legs, casters, h. 34 in., w. 87 in., d. 30 in., seat d. 24 in. $2500/3500 Note: The faceted and inset Gothic-arch panels on the legs of this settee directly relate to known Gothic Revival pieces made by Philadelphia cabinetmaker Crawford Riddell. These examples include an octagonal center table from Rosedown Plantation, St. Francisville, LA, sold in these salesrooms on November 21, 2015 as lot 24, and also the posts of a great monumental bed collected at the Dallas Museum of Art (Acc. No. 2000.324). Interestingly, the frieze and columnar support of a square rosewood center attributed to Riddell at the Brooklyn Museum of Art (Acc. No. 79.80) have nearly identical carved Gothic panels.

433. American Classical Giltwood and Églomisé Mirror, c. 1820, New York, stepped pediment with spherules, gilt and penwork églomisé landscape with scrolled border, barley-twist supports, blocked plinth, h. 41 3/4 in., w. 24 1/4 in. $800/1200

434. Pair of French Empire‑Style Five‑Light Candelabra, 19th/20th c., scrolled foliate branches, cherub standards, plinth bases, h. 22 in., dia. 10 1/2 in. $2000/3000

Provenance: Historic “Sally Mill”, Middleburg, VA.

436. Pair of American Neo‑Grec Inlaid, Ebonized, and Burl Walnut Torchères, late 19th c., inset rouge marble top, beribboned frieze, incised supports, ring‑turned standard, scrolled legs, h. 42 in., dia. 13 1/2 in. $1000/1500

437. Regency Rosewood, Églomisé and Needlepoint Pole Screen, early 19th c., adjustable giltwood and églomisé framed needlepoint on a brass rod, turned standard, incurvate triangular plinth, scroll feet, h. 58 in., w. 14 in. $400/600

435. Antique Regency‑Style Mahogany Étagère, four shaped galleried shelves, single drawer, turned supports, casters, h. 48 1/2 in., w. 22 3/4 in., d. 16 1/2 in. $1200/1800

438. Fine American Federal Mahogany Astragal End Work Table, c. 1810, lift top, demilune compartments centered by fitted lift‑out tray, reeded case, tapered legs, cuff casters, h. 29 3/4 in., w. 26 1/4 in., d. 15 1/4 in. $1200/1800 Provenance: Didier, Inc., New Orleans, LA.

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439. American Classical Carved Mahogany Gondola Armchair, early 19th c., New York, possibly the workshop of Duncan Phyfe, arched crest, shaped stiles, scrolled arms, lappet carved saber legs. $1200/1800

440. American Classical Carved Mahogany Sofa, early 19th c., probably New York, tubular crest rail, scrolled acanthus terminals, cornucopia and acanthus arms, molded seat rail, acanthus bracketed paw feet, casters, h. 34 1/2 in., w. 91 1/2 in., d. 24 in. $2000/3000

Provenance: Mr. Ike Hay, Pennsylvania; Didier, Inc., New Orleans.

442. American or English Blown Glass Trumpet Vase, late 19th/early 20th c., yellow‑green with opalescent ribs, domed circular foot, h. 55 in. $1000/1500 441. Pair of Cut Glass and Gilt Bronze Sconces, 20th c., torch‑form backplate surmounted by phoenixes, scrollwork candlearms with applied vines, electrified, h. 24 1/2 in., w. 9 1/2 in., d. 5 3/4 in. $1200/1800

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

445. Napoleon III Gilt Bronze Clock, c. 1870, surmounted by doves holding garlands, the case cast with a flowering urn, h. 18 in., w. 10 in., d. 4 in. $600/800

446. Antique Swiss Rosewood and Ebonized Twelve‑Aire Orchestral Cylinder Music Box, c. 1900, thick beveled‑glass lid, movement includes drum, castanet, six bells with flower finials and butterfly hammers, h. 11 1/2 in., w. 31 in., d. 15 1/2 in. $1500/2500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

443. American or English Cranberry Glass Trumpet Vase, late 19th/early 20th c., ribbed body, domed circular foot, h. 53 in. $700/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

444. American or English Emerald Glass Trumpet Vase, late 19th/early 20th c., ribbed body, domed circular foot, h. 43 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

447. American Classical Gilt Bronze‑Mounted and Brass Inlaid Mahogany and Burl Ash Pier Table, early 19th c., Philadelphia, rectangular marble top, conforming frieze applied with bronze wreath centering anthemion; columnar supports, anthemion cast capitals and bases, mirror plate flanked by pilasters, incurvate plinth, acanthus carved feet, h. 37 1/2 in., w. 50 in., d. 23 1/4 in. $3000/5000 Note: The current lot stands among the most expensive and sophisticated types of pier tables made in New York City and Philadelphia during the late Federal years. Pier tables documented to prominent New York City cabinetmakers such as Charles-Honoré Lannuier and Duncan Phyfe and to important Philadelphia craftsmen including Joseph Barry and Anthony Quervelle feature expensive embellishments in the form of finely cast and chased gilt-bronze mounts and brass inlay. Both Lannuier and Barry are known to have used light-colored figured woods such as burled elm or amboyna in combination with darker mahogany or rosewood. The gilt-bronze anthemion-cast capitals and bases on the current lot are similar to those found on pier tables by Philadelphia and New York City cabinetmakers.

448. Fine American Carved Mahogany Sarcophagus‑Form Cellarette, early 19th c., probably Duncan Phyfe, New York, fitted interior accommodating 6 bottles, reeded plinth with urn finials, acanthus carved hairy paw feet, casters, h. 23 1/2 in., w. 27 1/2 in., d. 21 1/2 in. $8000/12000 Note: The sarcophagus-form top, construction techniques, the acanthus-carved paw feet, and distinctive fine grain patterns on this cellarette closely relate to one made by New York cabinetmaker Duncan Phyfe for his own residence, now in the collection of the Museum of the City of New York. The cellarette was a sophisticated furniture form among the growing American wealthy class at the beginning of the 19th century. It came equipped with casters to allow portability and was typically ordered with divisions to accommodate either four or six glass bottles. Ref.: Peter M. Kenny and Michael K. Brown. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art, 2011, pp. 197-197, pl. 24.

References: Peter M. Kenny, Honoré Lannuier: Cabinetmaker from Paris (New York, 1998), pp. 55, 92 and 93; Allison Boor et al. Philadelphia Empire Furniture (West Chester, PA, 2006), pp. 229, 230 and 233.

449. American Classical Carved Mahogany Work Table, c. 1820‑1830, New York, manner of Duncan Phyfe, drop leaf top, 2 drawers and pull out work basket, columnar supports, incurvate plinth, disc feet, casters, h. 29 1/2 in., w. 19 in., d. 18 1/2 in. $800/1200 Provenance: Didier, Inc., New Orleans. 450. American Classical Parcel Gilt and Carved Mahogany Games Table, c. 1830, labeled “S & J. Rawson, Jr. / No. 68, Broad Street, Providence”, foldover swivel top, gilt stenciled frieze, stop-fluted acanthus carved baluster standard, scrolled acanthus paw feet, casters, h. 30 3/4 in., w. 36 in., d. 18 in. $3000/5000

451. American Federal Inlaid Cherrywood Chest of Drawers, early 19th c., rectangular top with molded edge, four graduated beaded drawers, chamfered corners, shaped “French” feet, h. 36 1/4 in., w. 41 1/2 in., d. 21 in. $1200/1800

Note: Joseph Rawson learned his trade from his father Grindall Rawson, a wellestablished Providence, Rhode Island cabinetmaker who ran his workshop from 1741 to 1803. Joseph and his sons established a third generation cabinetmaking operation which was listed in an 1828 directory at 68 Broad Street. During 1832-1837 his sons George, Samuel, and Joseph Jr. are again listed at the same address. Ref. Bjerkoe, Ethel Hall. The Cabinetmakers of America. New York: Bonanza Books, p.183.

452. American Classical Mahogany Footstool, mid‑19th c., reeded curule base, foliate stretcher, floral needlepoint upholstered seat with gold braid trim, h. 17 in., w. 19 1/2 in., d. 19 1/2 in. $300/600 Additional information at www.nealauction.com

453. Edwardian Painted and Inlaid Satinwood Carlton House Desk, late 19th c., fitted superstructure, decorated with portrait medallions and floral swags, writing slide, frieze drawers, square tapered legs, h. 38 in., w. 49 1/2 in., d. 27 1/2 in. $2000/3000

454. Important American Classical Ormolu‑Mounted Rosewood and Mahogany Sécrétaire à Abattant, c. 1815, attr. to Duncan Phyfe, New York, marble top, arched frieze, bookmatched fall‑front lid with baize-lined writing surface, satinwood and rosewood fitted interior, cabinet doors below columnar supports, acanthus paw feet, h. 64 1/4 in., w. 39 1/4 in., d. 21 in. $10000/15000 Note: The overall form, use of distinctive ormolu mounts, carved feet, and capitals of this lot directly relate to the three known fall-front desks attributed to Phyfe: one from the John Wheeler Leavitt collection that was exhibited at the Metropolitan Museum of Art; one from the Warner Collection in Tuscaloosa, Alabama that sold at Christie’s New York on September 25, 2013, sale 2729, lot 144; and one sold at Sotheby’s New York, Important Americana, January 23, 2010, lot 581. The Sécrétaire à Abattant is a distinct neo-classical French form that appeared in the last quarter of the 18th century. In the United States, French émigré craftsmen working in New York such as Charles-Honoré Lannuier and the Scotsman Duncan Phyfe were influenced by designs published in Pierre de la Mésangère’s Collection des Meubles et Objets de Goût

editions between 1802 and 1826, including plate 57 from the 1803 version, in which Mésangère highlights the use of large sheets of figured veneers, ormolu capitals and bases on the columns, and ormolu appliqués on the friezes. Ref.: Peter M. Kenny and Michael K. Brown. Duncan Phyfe: Master Cabinetmaker in New York. New York: The

Metropolitan Museum of Art, 2011, p. 214, pl.37; Tom Armstrong. An American Odyssey, The Warner Collection of American Fine and Decorative Arts. New York: The

Manacelli Press, 2001, p. 205.

455. Good George III Ebony Inlaid Mahogany Library Table, c. 1800, inset red tooled leather top, frieze drawers, turned standard on saber legs, brass paw feet, casters, h. 30 in., w. 36 in., d. 22 in. $500/750

456. Monumental William IV Carved Pollard Oak Cellarette, mid‑to‑late 19th c., stepped oval top, fitted interior, egg‑and‑dart beading, molded base, carved supports, disc feet, h. 21 in., w. 34 in., d. 24 1/2 in. $2500/3500

457. Pair of American or English Classical Carved Mahogany Side Chairs, early 19th c., tablet crest, cornucopia‑carved medial rail, reeded stiles, saber legs, h. 32 1/2 in., w. 17 3/4 in., d. 20 in. $400/600

458. Pair of Neoclassical Baccarat‑Style Bronze‑Mounted Cut Crystal Urns, mask handles, marble plinth base, on paw feet, h. 20 1/4 in., w. 10 3/4 in., d. 9 in. $1200/2000

459. Baltimore Sterling Silver Repoussé Tea and Coffee Service, early 20th c., A.G. Schultz, wc. 1899‑1950, incl. kettle‑on‑stand, teapot, coffee pot, sugar, creamer and waste bowl, each footed vase form with vintage motif repoussé, kettle h. 13 1/4 in., combined wt. 176.50 troy ozs. $2000/3000

460. American Aesthetic Silverplate and Satin Glass Centerpiece, late 19th c., ruffled satin glass bowls flanking trumpet vase, stand adorned with cherubs and filigree, h. 27 in., w. 32 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

461. Antique Silverplate Trumpet‑Form Floor Vase, relief cupid busts and floral garlands, engraved crest with motto “Dux Vitae Ratio” (Reason is the Guide of Life), h. 41 3/8 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 462. American Classical Coin Silver Tea Service, John Crawford, New York and Philadelphia, wc. 1815‑1841, teapot and sugar marked “J.CRAWFORD” in rectangle, comprised of teapot, covered sugar, creamer and waste bowl, each oval urn form with lobed body and foliate scroll banding, teapot h. 9 1/2 in., combined wt. 87.35 troy ozs.; together with a Gorham silverplate tea tray, l.26 1/4 in. $1500/2500 Provenance: Thomas Hays Jewelers, Middleburg, VA.

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464. Kentucky Coin Silver Julep Cup, Thomas Jefferson Shepard, Sr. (1801‑1875), act. Georgetown, KY 1822‑1827 and 1837‑1875, and Louisville, KY 1828‑1831, marked “T.J.SHEPARD” in rectangle, tapering cylindrical body with applied molded rims, engraved cipher “J.L.A”, h. 3 7/8 in., weight 5.80 troy ozs. $400/600

463. American Coin Silver Punch Ladle, early 19th c., Henry Beekman Myer, act. Newburg, NY 1818‑1835, and Buffalo, NY 1835‑1851, marked “HB Myer” in rectangle and with pseudo hallmark of sheaf of wheat and eagle, fiddle handle, old script monogram, l. 14 1/4 in., weight 6.30 troy ozs. $300/500

Ref: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785‑1900, pp. 246‑247, mark illus. p. 306, no. 142.

465. Set of Four Old Sheffield Plate Candlesticks, 19th c., in the rococo style, petal form base, each with (cross) or (X) mark to inside of candlecup, 1 numbered “1022”, each with removable bobêche, h. 10 1/2 in. $800/1200

466. Fine Pair of Late Georgian Sheffield Plate Wine Coolers, 19th c., hallmark for J. Watson & Son or Padley, Parkin & Co., with inset silver shield engraved with crest, removable collar and liner, retain original tinned backs, h. 11 1/4 in., dia. 9 1/2 in. $1000/1500

467. George III Sterling Silver Teapot, Crispin Fuller, London, 1799, brightwork decoration, engraved crest and monogram, h. 6 1/4 in., wt. 11.85 troy ozs. $400/600 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

468. Pair of Regency Gilt Bronze Single‑Light Argand Lamps, c. 1830, marked “Messenger & Son / 20 / Greville S. London / & / Birmingham”, fluted font with bud finial and lion mask, tripartite base with dolphins, “burners” apparently originally fitted with spring loaded candles, feather‑cut shades, h. 15 1/2 in., w. 11 in., d. 7 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 156.

469. Fine English Gilt Bronze and Cut Crystal Sinumbra Lamp, c. 1840, probably Messenger & Co., faceted crystal standard enclosing silvered brass sleeve, octagonal base, cut glass shade, h. 34 1/2 in., dia. 12 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 213.

470. Very Rare and Historic American Rococo Carved and Laminated Rosewood Parlor Suite, c. 1850‑1860, attr. to John Henry Belter, New York, incl. triple back sofa, pair of méridiennes and four side chairs, each with carved historical bust, scrolled and pierced back, shaped seat, foliate apron, turned fluted legs, casters, later Napoleonic bee upholstery, sofa h. 44 in., w. 73 1/2 in., d. 30 in.; méridiennes h. 38 in., w. 42 in., d. 24 in. $75000/125000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Richard. American Furniture of the 19th c., 1840-1888. Atglen, PA: Schiffer, pp. 110-112; Schwartz, Marvin. Edward Stanek, and Douglas True. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, pp. 48, 49, 60, 66. Note: The carved visages on this suite by the illustrious cabinetmaker John Henry Belter are particularly rare within his known body of work. The méridiennes are carved with busts of English poets William Shakespeare and John Milton, and the chair crests with ancient and Renaissance poets Homer, Sophocles, Dante and Petrarch. This settee is distinctively carved with luminaries George Washington, Benjamin Franklin, and a statesman with an à la Cesar hairstyle, likely the Marquis de Lafayette. Lafayette’s 1824-1825 grand tour of the United States as a returning hero of the Revolutionary War created a frenzy of popular adoration. Portraits from this period by Ary Scheffer (for the U.S. House of Representatives) and Matthew Jouett (for the Kentucky statehouse) show General Lafayette tonsured in the modern style seen here. The settee as a whole may have been designed as a timely contemplation of industry, courage, and fortitude. The only other example of this historicism from Belter’s workshop is an ebony center table (now reduced) with carved ivory busts of Washington, Franklin, Jefferson and Franklin Pierce in niches on the apron, which was part of the Crystal Palace Exhibition of 1853. The pieces offered here have portraits carved integrally and executed within Belter’s shop, not added from an outside source. Ref.: http://history.house.gov/Blog/Detail/15032391921; Schwartz. Ibid. p. 73, fig. 52. Additional information at www.nealauction.com

471. Fine American Rococo Carved and Laminated Rosewood Center Table, c. 1850‑1860, attr. to John Henry Belter, New York, serpentine marble top, reticulated grape and foliate apron with central floral clusters, floral cabriole legs, scrolled stretcher with central bouquet, casters, h. 28 3/4 in., w. 38 1/2 in., d. 27 1/2 in. $20000/40000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill. Dubrow, Richard. American Furniture of the 19th c., 1840-1880 Atglen, Pa: Schiffer, p. 131. Note: The pierced legs and the highly reticulated apron on this table are indicative of Belter’s most sophisticated work. Most important, however, is the depth and the fulsomeness of the four floral carved medallions centering each of the aprons.

473. American Rococo Carved Rosewood Firescreen, c. 1850‑1860, possibly John Henry Belter, oval frame inset with floral needlepoint, scroll crest, baluster and tripod stand, h. 78 in., w. 22 1/4 in. $1200/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

472. American Rococo Carved and Laminated Rosewood Swivel Chair, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Rosalie with Grapes” pattern, arched fruit and floral crest, scrolled stiles, shaped seat, turned standard, scrolled legs, h. 34 3/4 in., w. 15 1/4 in., d. 18 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The carved crest on this chair relates to that on the noted parlor suite at Rosalie, Natchez. The upper portions here are nearly identical to a piano stool in the Manney Collection. Ref.: Schwartz, Marvin. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, 1981, p. 67, fig. 44.

474. Pair of American Carved Walnut Diminutive Footstools, mid‑19th c., reticulated frames, turned legs. $300/500

475. Pair of American Carved Rosewood Pole Screens, mid‑19th c., reticulated frames, inset needlepoint panels, baluster shaft with turned base, h. 57 in. $700/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

476. Attributed to Jacques Guillaume Lucien Amans (French, 1801‑1888, act. New Orleans, 1836‑1856), “Portrait of Marie Constance Conway (1822‑1854)”, c. 1840, oil on canvas, unsigned, 38 in. x 30 in., period gilt frame. $6000/9000

477. Attributed to Jacques Guillaume Lucien Amans (French, 1801‑1888, act. New Orleans, 1836‑1856), “Portrait of Robert Conway (b. 1813)”, c. 1845, oil on canvas, unsigned, 38 in. x 30 in., period gilt frame. $5000/8000

Provenance: The sitter, Marie Constance Conway (1822‑1854) and Robert Conway (b. 1813); their daughter, Marie Constance Conway (b. c. 1850) and Alexander Kirkwood Finlay (1843‑1911); their daughter, Laura Gaines Finlay (1886‑1982) and James Pierce Butler (1880‑1941); their daughter, Ormonde Butler (c. 1905‑1987) and Philip Joseph Bayon (1905‑1989); thence by descent.

Provenance: Marie Constance Conway (1922‑1854) and the sitter, Robert Conway (b. 1813); their daughter, Marie Constance Conway (b. c. 1850) and Alexander Kirkwood Finlay (1843‑1911); their daughter, Laura Gaines Finlay (1886‑1982) and James Pierce Butler (1880‑1941); their daughter, Ormonde Butler (c. 1905‑1989) and Philip Joseph Bayon (1905‑1989); thence by descent.

Note: Constance Conway, the great-great-great-niece of Maurice Conway, Jr., who came to New Orleans from Ireland with his uncle, Alejandro O’Reilly (second Governor of Louisiana under Spanish rule), grew up on Conway Plantation in St. James Parish. Her father, James Conway, and her mother, Mathilde Peytarin Conway, had at least two other daughters, Clementine and Louisa, whose portrait by Jacques Amans is illustrated in the Colonial Dames’ Louisiana Portraits book. Also noted in this volume is the likeness of Mathilde’s mother, Madame Dubosse Peytarin née Mathilde Boisdoré, painted in 1845 by Amans.

Note: According to family tradition, Robert Conway, the second eldest son of Robert Conway and Margaret Sweet, came to New Orleans from Alexandria, Virginia, in 1832. His brothers, John Richard, Thomas, and Colin joined him later, and all four brothers eventually married Louisiana brides. When Robert Conway married Marie Constance Conway in 1847, two prosperous and prestigious families were joined. Although the portraits of Robert and Constance pre-date their wedding, it is not surprising that each would have commissioned a likeness by Amans, the most sought after portraitist in the New Orleans area in the 1840s.

In 1847, Constance Conway married Robert Conway, who had emigrated from Alexandria, Virginia to New Orleans in about 1832. Robert’s brother, John Richard Conway, also came to New Orleans and held the office of Mayor from 1868-1870, following his marriage to Eliza Waggaman in 1857. A third Conway brother, Thomas, married Constance’s sister, Clementine, in 1854. The joining of the two Conway families appears to be an intriguing coincidence, as the two lines were not related; while the St. James Parish Conways had Irish ancestors, the Virginia Conways descended from English relations. As Jacques Amans rose to distinction as the premier portraitist in the New Orleans area in the 1840s, prominent families were eager to commission him to paint likenesses. Although many Amans’ portraits were created with a monochromatic background, the artist occasionally utilized an outdoor scene behind the sitter, as is the case with Constance Conway’s portrait. Other examples of this background presentation may be seen in “Portrait of Jeanne Roman Holding a Dove” from the early 1840s and also “Portrait of Clara Mazureau” from 1838. Indeed, the partition wall behind each sitter in the Mazureau portrait and present Conway portrait are nearly identical. Equally important, the brushwork in each of these portraits is among the finest in Amans’ oeuvre. The delicate handling of facial features and hair, combined with the sophisticated depiction of the 1840s-era fashions could not be more elegantly brought to life than in these portraits of young women in their finery.

This three-quarter length portrait of Robert Conway is remarkably similar to the 1834 portrait of Charles Urquhart by Amans; the right-facing seated pose in the same scroll-arm fauteuil (which can be seen in at least three other portraits by Amans) and the position of Conway’s arms exactly replicate those of Urquhart, although Urquhart holds a book in one hand while Conway does not. Additionally, the proportion, brushwork, and painted details of the clothing and facial features are certainly as fine as those in Amans’ portraits of other New Orleans gentlemen. Ref.: Bruns, Thomas Nelson Carter, Mrs., comp. Louisiana Portraits. New Orleans: The National Society of the Colonial Dames of American in the State of Louisiana, Historical Activities Committee, 1975.

Ref.: Bruns, Thomas Nelson Carter, Mrs., comp. Louisiana Portraits. New Orleans: The National Society of the Colonial Dames of American in the State of Louisiana, Historical Activities Committee, 1975.

Additional information at www.nealauction.com

478. Matilda Browne (American, 1869‑1947), “Harvesting”, oil on academy board, signed lower right, “Lasting Impressions: American Women Artists from the Sellars Collection”, Fort Wayne Museum of Art, IN, 1999‑2000 exhibition label with title and “F.W. Devoe & Co., NY” label en verso, 9 in. x 12 in., framed with artist and title plaque. $1500/2500 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

479. Jane Peterson (American, 1876‑1965), “Dogwood in a Vase”, oil on canvas, signed lower left, “Mitchell Brown Duncan Gallery, Inc., Santa Fe, NM” label en verso, 32 in. x 32 in., framed with artist and title plaque. $5000/7500

480. Jane Peterson (American, 1876‑1965), “Tiger Lillies”, oil on canvas, signed lower center, signed, titled and inscribed on label en verso, 25 in. x 30 in., framed. $4000/6000 Note: Against the conventions of her time, artist Jane Peterson traveled the world alone, painting street scenes, urban and natural vistas, and bold, avant‑garde compositions of flowers, such as the depiction of Tiger Lilies offered here. Her critically acclaimed works combine an academic attention to naturalistic detail with thoroughly modern, striking color combinations and loose, expressive brushstrokes. Peterson associated with and drew influence from the artistic luminaries of the 20th century, attending Gertrude Stein’s famous salons while living in Paris and traveling with Louis Comfort Tiffany, Maurice Prendergast, and Childe Hassam. Peterson may be best known for her paintings of flowers, as she authored an instructional book on that topic entitled Flower Painting in 1946. She is quoted as saying, “I paint flowers because they are my friends and I love them. They have personalities just as animals, birds and people (do), and are very sensitive to kindness, attention and to their surroundings.”

481. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Sea Morning”, oil on canvas, signed lower left, signed, titled and inscribed “Jackson Miss” on handwritten artist label en verso, inscription en verso of canvas, 38 in. x 34 in., period slat frame. $6000/8000 Provenance: Acquired from the artist; thence by descent.

482. William Aiken Walker (American/South Carolina, 1838‑1921), “New Smyrna Beach, near Ponce Park, Florida”, 1902, oil on canvas, signed lower left, hand‑written collector’s note with date and provenance, “Christie’s New York, March 11, 1993, lot no. 35”, and handwritten “G.A. Personal 3‑20‑73 from A. Brochelle” labels en verso, 6 3/8 in. x 4 1/8 in., framed with artist plaque. $12000/18000 Provenance: Pacetti Family, FL; George Arden, 1973; Christie’s New York, Mar. 11, 1993, lot 35; Private Collection, Savannah, GA. Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

483. William Aiken Walker (American/South Carolina, 1838‑1921), “Palms at Ponce Park, Florida”, oil on canvas, signed lower left, “Christie’s, New York, December 6, 1991, lot #94”, handwritten “G.A. Personal 5‑73, Anderson Bouchelle” and “Ollendorf Fine Arts, New York and San Francisco” labels en verso, 6 3/4 in. x 18 1/8 in., framed with artist plaque. $30000/50000 Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

484. Nell Choate Jones (American/Georgia, 1879‑1981), “Social Hour, Savannah”, watercolor, charcoal, pencil and ink on paper, signed lower right, “Robert M. Hicklin, Jr., Inc, Southern Decorative and Fine Arts, Spartanburg, SC” label with title en verso, 17 1/4 in. x 21 1/2 in., framed. $2500/3500 Provenance: Robert M. Hicklin, Jr., Inc., Spartanburg, SC.

485. Elizabeth O’Neill Verner (American/Charleston, 1883‑1979), “Charleston Flower Seller”, pastel on wood panel, signed lower left, 10 in. x 8 in., framed. $7000/9000 Additional information at www.nealauction.com

486. American or English Rosewood Slipper Chair, mid‑19th c., scallop shell tufted back and seat, cabriole legs, scrolled toes, casters, h. 37 3/4 in., w. 24 1/2 in., d. 31 3/4 in. $500/750

487. American Classical Mahogany Mixing Table, mid‑19th c., Egyptian marble top, ogee‑molded frieze, carved lyre supports, ring‑turned stretcher, scrolled bracket feet, brass casters, h. 30 in., w. 36 1/4 in., d. 20 in. $1200/1800

489. American Birdseye Maple Child’s Dressing Chest, c. 1880, superstructure with bead‑molded mirror, columnar supports on glove boxes, case with four graduated drawers, bracket feet, h. 47 in., w. 22 3/4 in., d. 11 1/4 in. $600/900

490. American Pine Cupboard, 19th c., flared cornice, upper and lower cabinet with recessed‑paneled doors, shelf interior, shaped apron, casters, h. 78 1/2 in., w. 49 1/2 in., d. 15 in. $700/900

492. American Sheraton Carved Birdseye Maple Work Table, mid‑19th c., top with turreted corners, two short over one long drawer, ripple molding, ring and spiral‑turned legs, tapered feet, h. 29 in., w. 17 1/4 in., d. 17 1/4 in. $500/800

493. Fine American Classical Mahogany and Maple Work Table, early 19th c., signed “John Sailor, Cabinetmaker”, crossbanded top with concave corners, baize‑lined writing slide, two crossbanded graduated drawers, baluster turned foliate standard, incurvate plinth, h. 29 in., w. 22 1/2 in., d. 15 3/4 in. $1500/2500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: By repute Mistletoe, Natchez, MS; Historic “Sally Mill”, Middleburg, VA.

488. American Federal Carved Mahogany Tea Table, mid‑19th c., shaped top, ring‑turned baluster standard, reeded saber legs, ball feet, h. 29 1/4 in., w. 26 1/4 in., d. 19 in. $600/900

491. Southern Federal Inlaid Walnut Slant Front Desk, early 19th c., slant front lid, well‑fitted desk interior with letter slots, drawers, and secret compartment; dovetailed case, four graduated cockbeaded drawers, shaped apron, bracket feet, yellow pine secondary wood, h. 41 1/2 in., w. 42 in., d. 21 in. $1200/1800

494. American Classical Carved Mahogany and Parcel Gilt Side Chair, c. 1820, New York, tablet crest, cornucopia-carved medial rail, saberlegs, hairy paw feet, h. 31 1/2 in., w. 18 1/2 in., d. 21 1/2 in. $500/800 Provenance: Historic “Sally Mill”, Middleburg, VA.

495. American Late Federal Figured Mahogany “Hunt” or Brandy Board, early 19th c., possibly Southern, crossbanded top, line inlay, frieze drawer, reeded turned tapered legs, yellow pine secondary wood, h. 34 3/4 in., w. 61 7/8 in., d. 20 3/4 in. $1500/2000 496. American Classical Carved Mahogany Games Table, c. 1810, serpentine foldover top with reeded edge, conforming frieze with rosette corners, acanthus and reeded tapered legs, h. 29 in., w. 38 in., d. 19 in. $1500/2500

497. American Federal Carved and Inlaid Mahogany Sideboard, c. 1800‑1810, attr. John Seymour, Boston, top with turreted corners and reeded edge, three short central drawers over one deep and two bottle drawers, each side drawer over cupboard with shelf interior, reeded pilasters, acanthus‑carved and reeded vasiform legs, white pine secondary wood, h. 41 3/4 in., w. 67 in., d. 23 1/2 in. $10000/15000 Note: The case form, distinctively carved stiles and reeded legs on this sideboard are very similar to those on a sideboard attributed to Seymour held by Ginsberg and Levy and another owned by T.H. Soren of Hartford, Connecticut in the 1950s. The carvings on all three of the aforementioned sideboards are likely the work of journeyman Thomas Whitman, who is known to have worked with the Seymours between 1805 and 1809. Moreover, the ivory escutcheons and shaded demilune inlay on this example are nearly identical to those found on the Soren sideboard as well as on many cases known from the Seymour shop. Ref.: Stoneman, Vernon. John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816. Boston: Special Publications, 1959, pp. 157-159, 276. figs. 84-85.

498. American Classical Carved Mahogany Games Table, c. 1830, attr. to Anthony Quervelle, Philadelphia, crossbanded foldover top, torus molded frieze with rosette corners, acanthus‑carved baluster standard with gadrooned collar, incurvate plinth, acanthus bracketed paw feet, casters, h. 30 1/2 in., w. 37 in., d. 18 1/4 in. $1500/2500 Provenance: Historic “Sally Mill”, Middleburg, VA.

499. American Carved Mahogany Tester Bed, early‑to‑mid 19th c., attr. to William McCracken, New Orleans, beaded tester, faceted tapered posts, beaded oval paneled headboard, shaped acanthus carved rails and foot board, h. 115 1/2 in., l. 79 1/2 in., w. 71 1/2 in. $4000/6000 Provenance: Minor‑Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS. Note: The distinctive headboard, rails, posts and tester on this bed are nearly identical to those on four known tester beds attributed to William McCracken (New Orleans/Baltimore 1808-1872): One in the Parsonage, Natchez, MS; one from Shadows on the Teche, New Iberia, LA (Neal Auction Company lot 497, Feb. 6, 1988); lot 574 sold by Neal Auction Company, Nov. 13, 1988; and lot 820, sold April 18, 2009. William McCracken with his brothers John and James established a substantial furniture trade on Royal Street from about 1830 to 1872. Like fellow New Orleans purveyors Prudent Mallard and François Seignouret, The McCrackens produced and sold their own goods such as the bed seen here, and retailed imported furniture from the Northeast and Cincinnati. Ref.: Harrison, Stephen. “The 19th Century Furniture Trade in New Orleans” Magazine Antiques. (May 1997), pp. 748-759. Additional information at www.nealauction.com

500. Rare Pair of Santo Domingo Mahogany Armoires, late 18th/early 19th c., molded cornice, flush panel doors, adjustable shelf interior, scalloped apron, notched cabriole legs, hoof feet, h. 70 in., w. 56 1/2 in., 23 in. $15000/25000 Provenance: Schwartz Antiques, Philadelphia, c. 1980. Note: This pair of armoires is illustrated and discussed in Furnishing Louisiana as one of the few surviving examples of early West Indian flush-panel construction. The technique was brought to Louisiana by émigré craftsmen and would become a defining characteristic of the Creole style. An interior plaque on one armoire indicates they were made by St. Domingue cabinetmakers, reading: Made by slaves on the estate of Etienne Bellumeaude in San Domingo prior to 1770/Adelaide de la Vincendiere Lowe Jenkins 1820/Enouch Louis Lowe 1861/Adelaide Lowe Jenkins 1892/Mary Adelaide Jenkins 1918. The overall form, the flush-panel construction, v-shaped door rails, shaped skirts, and rounded cornices of the present lot are nearly identical to those on an armoire made circa 1796 for Stephen Girard by two St. Domingue émigrés, Jean-Baptiste Laurent and Charles Domballe, working in Philadelphia (Fig. 7) and a similar armoire that descended in the de la Vergne family of New Orleans (Fig. 6). Ref.: Holden, Jack, et. al. Furnishing Louisiana, Creole and Acadian Furniture, 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, pp.129-134, Fig. 6 and 7.; Schwarz Gallery American Paintings and Decorative Arts pp. 47-48.

501. Federal Inlaid Birdseye Maple and Mahogany Bowfront Chest of Drawers, early 19th c., four drawers, shaped skirt, “French” feet, h. 35 1/2 in., w. 38 3/4 in., d. 20 in. $500/1000

502. Large Regency Brass‑Bound Mahogany Cellarette, early 19th c., octagonal, open interior, brass handles, stand with tapered legs, cuff casters, h. 29 1/2 in., dia. 21 in. $1200/1800

503. Georgian Carved Walnut Clothes Press on Chest, 18th c., superstructure with press mechanism, two over three graduated drawers, shaped bracket feet, h. 66 in., w. 37 1/2 in., d. 20 in. $1200/1800

504. Pair of Late Regency Mahogany Side Chairs, c. 1830, ripple‑molded crest, foliate‑carved stiles, anthemion carved and turned tapered legs, brass casters stamped Cope and Collinson, h. 34 1/2 in., w. 19 1/2 in., d. 20 1/2 in. $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA.

506. American Federal Carved Mahogany Four Tier Étagère, 19th c., galleried top, turned supports, X stretchers, low drawer, turned feet, h. 62 in., w. 21 in., d. 21 in. $1000/1500 505. West Indies Rosewood Planter’s Chair, 19th c., arched crest, caned back and seat, shaped apron, turned and tapered legs. $500/700

507. Louisiana Creole‑Style Mulberry Slat Back Low Chair, c. 1780‑1820, elongated nipple-shaped finials, disk‑turned stiles, arched and spurred slats, corn‑shuck seat, disk‑and‑spool turned legs, double stretcher, tapered feet, h. 30 1/2 in., w. 16 1/4 in., d. 13 1/2 in. $2500/3500 Note: The distinctive disk-shaped turnings, nipple-shaped finials, turned stretcher, and spurred-arched slats are nearly identical to one in the collection of Robert E. Smith, Breaux Bridge, LA and closely relate to other well-known Creole-style chairs, including one in the Sebastian Louis Kleinpeter Home, an example found in the Holden Family Collection, and another collected at Bayou Bend Collection in the Museum of Fine Arts Houston (B.2007.27). The particularly low seat heights of these chairs, ranging from 10-12 inches, distinguish them from other Louisiana slatback side chairs. The versatile low adult chair was used as steps for mounting high Louisiana beds, as prie-dieux, slipper chairs, or as stands for chamber pots. Ref.: Holden, Jack, et al. Furnishing Louisiana Creole and Acadian Furniture 1735-1835, pp. 292-294, figs. 3a, 4a, 7a.

508. American Sheraton Tiger Maple Chest of Drawers, mid‑19th c., outset drawer over three graduated drawers flanked by halfcolumns, turned half pilasters, ball feet, h. 45 1/4 in., w. 42 1/4 in., d. 21 1/2 in. $1200/1800

Additional information at www.nealauction.com

509. American Federal Cherrywood and Birch Linen Press, early 19th c., upper case with flared cornice, arched paneled doors, chamfered fluted corners; lower case with two short over two long drawers, stepped molded base, ogee bracket feet, h. 78 3/4 in., w. 47 1/4 in., d. 18 1/2 in. $1500/2500

510. French Provincial Cherrywood Draw‑Leaf Farmhouse Table, early 19th c., top with two sliding leaves, two side drawers, molded and scalloped apron, cabriole legs, h. 31 1/2 in., w. 69 1/4 in., d. 26 3/4 in. $1000/2000

511. Antique Colonial Ebonized and Carved Oak Campeche Chair, arched shell and acanthus crest, fleur‑de‑lis embossed leather seat, shaped arms, curule base, h. 46 1/4 in., w. 33 3/4 in., d. 34 1/4 in. $1000/2000

512. Empire‑Style Figured Mahogany Commode, 19th c., fossilized gray marble top, outset frieze, 3 long drawers, tapered columns with ormolu mounts, turned feet, h. 36 1/2 in., w. 48 in., d. 23 in. $1400/1800

513. Pair of Antique Regency‑Style Brass Inlaid Rosewood Armchairs, arched crest, scrolled arms, padded back and seat, carved and turned legs, original casters, h. 38 in., w. 24 3/4 in., d. 20 1/2 in. $1000/1500

514. Pair of Paris Porcelain Amphora Vases, 19th c., polychrome and gilt, with 17th c. court scenes, winged female bust handles, h. 21 5/8 in. $700/1000

515. Pair of Paris Porcelain Two‑Tier Dessert Stands, early 19th c., each signed “Feuillet”, marked “No. 8” and “No.9” respectively, apple green and gilt banding, floral reserves, paw feet, h. 12 in., dia. 8 1/2 in. $1200/1800

516. Two Paris Porcelain Apothecary Jars, 19th c., for the Mexican market, labeled “PAN: AZIM:” and “CINCH: COND:”, marked “DROGUERIA UNIVERSAL/MEXICO/PARIS”, h. 10 1/2 in., dia. 4 1/2 in. $250/500

517. Antique Staffordshire Pearlware Platter, 19th. c., incised mark, scenic decoration with figures and cattle, 19 in. x 14 3/4 in. $400/600

Provenance: Sallea Antiques, New Canaan, CT.

518. Pair of Antique French Brass Candlesticks, 18th c., h. 10 1/8 in. $200/400

519. Antique Spanish Colonial Wrought Iron Tabernacle, with scroll ornament, h. 32 in., w. 17 1/2 in., d. 5 1/2 in. $600/900

520. Pair of Paris Porcelain Vases, 19th c., floral reserves, swan‑form handles, matte and burnished gilt, h. 10 3/4 in. $400/600

521. Continental Polychromed Wood Figure of a Blackamoor, 19th c., modeled as a seated female figure with basket of fruit, square base, h. 19 1/8 in. $800/1200

522. Pair of German Porcelain Covered Urns, probably late 19th c., Voigt/Sitzendorf crown marks, parrot finials, reserves with mythological scenes, encrusted with applied flowers throughout, h. 18 1/2 in. $800/1200

Additional information at www.nealauction.com

523. Louis XV‑Style Gilt Bronze Fireguard and Chenets, 19th c., foliate scroll design, h. 19 in., adjustable w. 39 in. to 56 in., d. 7 in. $400/600

524. Pair of George III‑Style Inlaid Mahogany Cutlery Urns, telescoping lids, retain fitted interiors, closed h. 27 3/4 in. $1500/2500 Provenance: Northeast Auctions, Portsmouth, NH, Nov. 5, 2005, lot 835.

525. Two English Burlwood Lidded Tobacco Urns, 19th c., h. 8 in. and 6 1/4 in. $400/600

526. Regency Brass Inlaid Mahogany Coffer, early 19th c., scroll inlay, ring handles, satin‑lined void interior, h. 6 1/4 in., w. 10 3/4 in., d. 7 3/4 in. $200/300

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

527. Tiffany Sterling Silver Tazza in the Neoclassical Taste, pattern introduced 1908‑1909, reticulated rim, period script monogram, h. 3 7/8 in., dia. 9 in., wt. 17.95 troy ozs. $400/600

528. Chicago Arts and Crafts Sterling Silver Salad Set, Falick Novick, wc. 1909‑1957, marked “STERLING”, “HANDWROUGHT”, “BY”, “F.NOVICK” and “CHICAGO”; incl. lobed bowl, lobed platter, salad serving fork and spoon, hand‑hammered with applied monogram; bowl h. 2 1/8 in., dia. 9 in., platter dia. 11 3/4 in., servers l. 9 1/4 in., combined wt. 42.75 troy ozs. $800/1200

529. Two Good Antique Gorham Sterling Silver Dishes, late 19th c., incl. repoussé and reticulated heart‑shaped dish, date mark for 1897, h. 2 5/8 in., w. 10 3/4 in., d. 10 1/4 in.; and repoussé bread tray, l. 15 5/8 in.; total wt. 27.25 troy ozs. $300/500

530. Antique American Sterling Silver Fish Serving Knife and Fork, Ford & Tupper, New York, wc., 1867‑1874, fish decorated handles, knife l. 13 1/4 in., wt. 8.80 troy ozs. $300/500

531. Good Group of American Renaissance Sterling Silver Flatware Serving Pieces, incl. dressing spoon and soup ladle, “Diamond” pattern, pat. 1867, John Polhemus, New York, act.1833-1874, ret. Ford & Tupper, New York, wc. 1867-1874, l. 12 1/4 in. and 12 1/2 in., fish serving knife and fork, l. 12 1/4 in. and 9 1/2 in., and Whiting “Alhambra” jam spoon. $300/500

532. Art Deco Sterling Silver Plate, Alvin Mfg. Co., Providence, RI, dia. 8 7/8 in., weight 6.10 troy ozs. $200/300

534. Four Tiffany & Co. Sterling Silver Gilt Dessert Knives in the Aesthetic Taste, handles with silver appliqués of insects, birds and foliage, engraved blades, l. 8 1/4 in. $400/600 533. Gorham Leather and Sterling Silver‑Mounted Presentation Tyg, early 20th c., with silver rim and shield‑shaped cartouche, Dec. 22, 1908 presentation, h. 8 3/4 in. $700/1000

535. Late Georgian‑Style Silverplate and Cut Glass Epergne, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, h. 13 1/2 in., w. 21 in. $800/1200

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

536. Antique English Silverplate Soup Tureen, T. & J. Creswick, Sheffield, shaped oval with pomegranate finial, h. 10 1/2 in., w. 15 1/2 in. $700/900

538. Rare Diminutive American Patinated Bronze Sinumbra Lamp, c. 1830, marked “Manufactured by / W. Carleton / Boston”, vasiform standard, floral‑cut shade, h. 17 in., dia. 6 3/4 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 174. 537. Decorative Silverplate Figural Wine Trolley, fitted with three coasters, each with foliate rim mounted with a cherub, turned wood bottom with silverplate button, w. 15 1/2 in. $300/500 Additional information at www.nealauction.com

539. Pair of Patinated Bronze Portable Argand Lamps, c. 1850, two‑handled urn font, h. 9 in., dia. 4 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

540. Louis XV‑Style Gilt Bronze and Rock Crystal Eight‑Light Chandelier, vasiform standard, scrolled arms, hung with garlands of beads and pendeloque prisms, electrified, h. 36 in., dia. 28 in. $1200/1800

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 218.

Provenance: Historic “Sally Mill”, Middleburg, VA. 541. American Rococo Carved and Laminated Rosewood Library Armchair, c. 1850‑1860, attr. to John Henry Belter, in the “Rosalie with Grapes” pattern, foliate crest, scrolled back and arms, serpentine seat, cabriole legs, casters, h. 39 3/4 in., w. 25 in., d. 29 3/4 in. $1000/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: John Henry Belter elaborated on many Rococo seating forms, including fauteuils, recamiers, sofas, and méridiennes. Rare among these forms is the bergère with enclosed arm supports and a high back for use as a library chair, as seen in the lot offered here. Related examples include three chairs in the Manney collection and lots 103 and 109 sold by Neal Auction Co. October 6, 2007. Ref.: Schwartz, Marvin. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, p. 42-45

and 53, pl. 6-6a, 9-9a, and 21-21a.

542. American Classical Carved Mahogany Work Table, c. 1830, possibly Michael Allison, New York, two graduated drawers, spiral‑carved foliate supports, shaped stretcher shelf, turned legs, casters, h. 29 in., w. 23 in., d. 16 3/4 in. $500/800 Provenance: Historic “Sally Mill”, Middleburg, VA.

543. American Classical Marble and Mahogany Commode, c. 1835, New York, lift-lid with inset mirror, marble top, frieze drawer, two fielded panel doors, marble columns, cylindrical feet, casters, h. 36 1/4 in., w. 37 in., d. 25 3/4 in. $1200/1800 Provenance: Reputedly by descent in the family of Luman Reed, New York (1787-1836) Note: Several elements of this example indicate high style design: fully articulated white marble columns with complementary barrel form feet below, brass astragal, and well matched veneers.

544. Pair of Hepplewhite Carved Mahogany Side Chairs, late 18th c., each with lobed crest, pierced vasiform splats, shaped stiles, chamfered legs, h. 37 1/4 in., w. 21 1/2 in., d. 17 1/2 in. $300/500

545. Regency Mahogany Chiffonier, c. 1820, superstructure with foliate‑carved crest and two shelves with lyre‑form supports, outset frieze drawer with adjustable baize‑lined writing surface, egg‑and‑dart edged doors flanked by columnar supports, blocked plinth base, h. 61 in., w. 40 1/2 in., d. 19 in. $1000/2000

546. Georgian Inlaid Mahogany Hall Table, early 19th c., reeded and banded top, frieze drawer, square tapered legs, h. 28 3/4 in., w. 32 3/4 in., d. 18 1/2 in. $600/900

547. Regency Carved Mahogany Bowfront Chest of Drawers, early 19th c., two short over three long graduated beaded drawers, ring-turned molding, shaped apron, “French” feet, h. 38 1/4 in., w. 46 1/2 in., d. 23 3/4 in. $500/800

548. Rare American Cast Iron Gate, 19th c., with a pair of recumbent lambs beneath a willow tree with nesting doves, h. 30 in., w. 28 1/4 in. Ref.: Masson, Ann M. and Lydia H. Schmalz. Cast Iron and the Crescent City. New Orleans: Louisiana Landmarks Society, 1995, p. 36. d. 23 3/4 in. $500/800

549. Cast Iron Five‑Piece Garden Suite, in the “Four Seasons” pattern, incl. four armchairs and a marble top table, table h. 27 5/8 in., w. 35 1/4 in., d. 23 1/2 in/; armchair h. 36 1/2 in., w. 22 7/8 in., d. 20 1/2 in. $1500/2000

550. Antique Patinated Metal “Roman Shield” Plaque, with a relief of Prometheus being unchained, dia. 19 in. $400/600

Additional information at www.nealauction.com

551. Pair of Decorative Polychromed Bronze Figures of Indian Chiefs, 20th c., with spurious cast signature “C. Kauba”, each figure holding a rifle, tallest h. 32 in., w. 11 in., d. 10 in. $800/1200

552. Black Forest Carved Walnut Mirror, 19th c., surround with scrolling foliage surmounted by paired lovebirds, h. 31 in., w. 23 in. $800/1200

553. American Federal Birdseye Maple Chest, early 19th c., four graduated drawers, turned legs, ball feet, h. 39 in., w. 41 7/8 in., d. 21 in. $1000/1500

554. American Late Federal Tiger Maple Work Table, c. 1830, two drawers, turned and tapered legs, button feet, h. 29 3/4 in., w. 20 3/4 in., d. 19 3/4 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

556. American Sheraton Tiger Maple Work Table, early 19th c., two drawers, ring and vase turned legs, h. 29 in., w. 22 in., d. 18 in. $600/900

557. American Classical Carved Mahogany Center Table, mid‑19th c., highly figured bookmatched tilt-top, columnar standard, incurvate triangular plinth, scrolled acanthine feet, casters, h. 30 in., dia. 39 1/4 in. $1200/1800

555. American Sheraton Tiger Maple Washstand, mid‑19th c., scrolled gallery, torusmolded frieze drawer, ring‑turned legs, stretcher shelf, button feet, h. 36 1/4 in., w. 20 3/4 in., d. 15 1/4 in. $600/900

558. Set of Eight Queen Anne‑Style Burl Walnut Dining Chairs, early 20th c., incl. armchair and seven side chairs, each with shaped crest rail and stiles, vasiform splat, trapezoidal slip seat, conforming rail, shell‑carved cabriole legs, pad feet, armchair h. 40 1/2 in., w. 25 1/2 in., d. 19 in.; side chair h. 39 1/2 in., w. 23 1/2 in., d. 18 in. $2500/3500

560. American Late Federal Tiger Maple Tallcase Clock, c. 1830, bonnet with broken crest and fluted columns, painted dial with calendar and moon phase, on “French” feet, h. 86 1/2 in., w. 20 1/4 in., d. 11 in. $1000/2000 559. Louis XV‑Style Carved Walnut Dining Table of Generous Proportions, 20th c., banded top, floral carved apron, cabriole legs, scroll toes, two leaves, h. 30 in., closed l. 116 in., extended l. 158 in., w. 59 in. $3000/5000

561. Antique English Neoclassical‑Style Polychromed Satinwood Cellarette, decorated with floral banding, central urn and floral bouquet, square tapered legs, h. 22 1/4 in., w. 17 1/2 in., d. 14 1/4 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

562. Vintage Silverplate Epergne/ Candelabrum, with cut glass bowl and 3 candlearms, h. 19 5/8 in., dia. 17 in. $500/750

563. Antique Neo‑Grec Silverplate Stand with Cut Glass Bowl, griffin supports, h. 9 1/8 in., dia. 9 5/8 in. $300/500

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS. Additional information at www.nealauction.com

564. Antique English Silverplate Plateau, 19th c., applied floral border, scroll feet, retains oak backboard, h. 5 in., dia. 18 1/2 in. $800/1200

565. Pair of Louis XV‑Style Crystal and Gilt Brass Five‑Light Girandoles, c. 1900, pendeloque prisms, tripartite base, h. 31 1/2 in., dia. 16 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

566. American Peachblow Glass Morgan Vase, c. 1890, possibly New England Glass Company, Cambridge, MA; agata pattern body on frosted amber five dragon base, overall h. 10 in. $1000/1500

567. American Peachblow Glass Morgan Vase, c. 1890, probably Hobbs, Brockunier and Co., Wheeling, WV; acid finish body on amber five dragon base, overall h. 10 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

569. Four American Quezal Blue Pulled Feather Glass Shades, early 20th c., marked ‘Quezal’, lobed bodies, gold iridescent interiors, h. 5 1/2 in. $600/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

568. Pair of Bohemian Pink and White Double Overlay Glass Lusters, late 19th c., cut‑to‑clear keyhole and thumbprint pattern, floral decorated standard, hung with cut prisms, h. 14 1/2 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

570. American Peachblow Glass Morgan Vase, c. 1890, probably Hobbs, Brockunier and Co., Wheeling, WV; glossy finish body on amber five dragon base, overall h. 10 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: A similar example is included in the collection of the Corning Museum of Glass, acc. 50.4.32.

570A. American Cameo Amber Glass Vase, early 20th c., signed ‘A. Parlow ‘ Handel Lamp Co., Meriden, CT; acid etched floral design, h. 9 7/8 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

571. American Neo‑Grec Incised and Rosewood Inlaid Birdseye Maple Cylinder Desk, mid-19th c., attr. to Pottier & Stymus, inscribed “21949 Ingersoll”, superstructure with arched cabinet flanked by drawers, mechanical fall front lid, fitted interior, frieze drawer, fluted columnar supports, arched legs, casters, padded medial stretcher, h. 60 in., w. 36 in., d. 19 in. $1500/2500

573. Regency Rosewood Inlaid Maple Lady’s Writing Desk, 19th c., stamped Gillows, inset gilt tooled leather writing surface with hinged inkwell, two frieze drawers, fluted ring turned legs, brass casters, h. 29 in., w. 36 in., d. 20 1/2 in. $500/800

572. American Aesthetic Incised Walnut Work Table, c. 1870, Philadelphia, possibly after the Frank Furness design, triangular top with two small side drawers, two velvet‑lined lids, fitted interior, X‑frame trestle base, h. 46 3/4 in., w. 30 1/2 in., d. 20 3/4 in. $500/800

574. Pair of Antique English Black Lacquered, Parcel Gilt and Mother‑of‑Pearl Inlaid Gondola Chairs, pierced back with central floral bouquet, serpentine seat, cabriole legs, h. 34 in., w. 24 in., d. 24 3/4 in. $600/800

575. Eight William and Mary‑Style Silverplate Two‑Light Sconces, c. 1900, attr. to E.F. Caldwell, after a similar design by John Rand, London, foliate shield with shell and mask motifs, scrolled arms, gadrooned bobêches, electrified, h. 15 1/2 in., w. 11 in. $4000/6000

576. French Brass and Champlevé Enamel Carriage Clock, dial marked “Shreve, Crump and Low”, circular gilt chapter ring with polychromed enamel bezel, gilt case. $1200/1800 Additional information at www.nealauction.com

578. American Cherrywood Hanging Corner Cupboard, late 19th c., in the style of Charles Eastlake, scalloped back, spindled gallery, chamfered door with beveled glass, h. 36 in., w. 17 in., d. 12 in. $300/500 Note: In the second half of the 19th century, American cabinetmakers were influenced by the ideas of British architect Charles Eastlake and his book Hints on Household Tastes: The Classic Handbook of Victorian Interior and Decoration originally

577. Antique English Polychrome, Parcel‑Gilt, Mahogany and Satinwood Games Table, mid‑19th c., foldover top with floral scrolls, swags and pastoral scene; frieze with floral swags, acanthus‑carved fluted tapered leg, h. 29 in., w. 36 in., d. 17 1/2 in. $2500/3500

579. Continental Cast Stone Bust of Cleopatra, 20th c., after the Egyptian antique, painted stone base, h. 16 in., w. 6 3/4 in., d. 8 3/4 in. $600/800

580. German Carved and Polychromed Wood Figure of the Blessing Christ, 18th c., h. 23 3/4 in., mounted on paneled wood plinth inscribed “Jorg Janson”, overall h. 29 3/4 in. $700/1000 582. American Renaissance Carved and Burled Maple Bedside Commode, late 19th c., in the manner of Pabst, marble top, two drawers over door, molded base, casters, h. 29 in., w. 17 1/2 in., d. 18 in. $400/600

583. Louis XIII‑Style Ebonized and Carved Walnut Table, frieze drawer, barley twist legs, shaped stretcher, h. 28 in., w. 37 in., d. 22 1/4 in. $700/900

published in 1878. Characteristics of the Eastlake style included low relief carvings, incised lines, geometric ornament, and flat surfaces, some of which are seen in the present lot.

581. Antique Continental Carved, Polychromed and Gilt Figure of St. Theresa, h. 31 1/2 in., w. 10 1/2 in., d. 8 1/2 in. $700/1000

584. Abbott Fuller Graves (American, 1859‑1936), “Spanish Colonial Cathedral, possibly Havana, Cuba or St. Augustine, Florida”, pastel on paper, pencil‑signed lower left, 12 1/4 in. x 9 3/8 in., framed. $1500/2000

585. Esther Anna Hunt (American, 1875‑1951), “Parasol Girl”, watercolor on paper, signed lower right, “The Sellars Collection: Art by American Women”, Washington County Museum of Fine Arts, Hagerstown, MD and Walter Greer Gallery, Hilton Head Island, SC, 1997 exhibition labels en verso, sight 11 1/2 in. x 8 1/2 in., framed with artist and title plaque. $700/900 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

586. Hunt Slonem (American/Louisiana, b. 1951), “Cockatoos”, 1996, oil on wood, signed, dated and titled en verso, 20 in. x 27 in. (oval), antique gilt frame. $5000/8000

587. Hunt Slonem (American/Louisiana, b. 1951), “Bayou Teche”, 2015, oil on wood, signed, dated and titled en verso, 30 in. x 41 1/2 in., antique frame. $7000/10000

Additional information at www.nealauction.com

588. Jose‑Maria Cundin (Spanish/Louisiana, b. 1938), “The Malevolent Order of the Golden Eel”, 1979, oil on canvas, signed and dated “79” lower right, signed, dated “1978” and inscribed “Escena para Maria la Cochinita, Houston, TX” en verso, 60 in. x 50 in., framed with artist and title plaque. $20000/40000 Ill.: Biguenet, John, ed. New Orleans Review. Vol. 9, No. 1, Spring/Summer 1982, p. 48. Note: Born in Bilboa in the heart of Spain’s Basque country in 1938, Cundin says he became a citizen of the world, but never lost the spirit and tragic romanticism of his homeland. He writes that being Basque means “I see and face life as a mysterious and ancient existential commitment.” It is perhaps these same mysterious and romantic qualities evident in his work that has made Cundin’s paintings resonate so powerfully in his adopted home of Louisiana. Cundin first came to the United States in 1958 and established himself in New Orleans in 1964. He has since lived in Folsom, LA for many years. Over the course of his career, the artist has been featured in more than 40 solo shows and participated in numerous collective exhibitions. His works have been featured in countless books, magazines and literary journals, and his paintings and sculptures are included in the permanent collections of public institutions and private collections worldwide. Cundin’s subject matter and style have transitioned regularly throughout his long career, with each new development evidencing the artist’s mastery of color and light. His early works are figurative, representational and focused on portraiture. Later, the artist shifted into his plastic art and abstract series, often revisiting and experimenting with his earlier concepts. Calling to mind Diego Velázquez’s “Las Meninas”, the early painting offered here exemplifies Cundin’s ability to imbue his works with an enigmatic narrative that both invites and defies interpretation. The opposing colors and dramatic lighting give the scene a foreboding quality that contrasts with the almost whimsical and humorous characters inhabiting the space. The figures are classic Cundin fantastical eccentrics, who stand out for their individuality. Regarding his inspiration for this monumental and significant canvas, Cundin writes of “The Malevolent Order of the Golden Eel”: “The painting is indeed a beautiful and important piece in my curriculum. The writing on the back “Escena para Maria La Cochina” (Scene for Filthy Mary) makes reference to the series in which “The Malevolent Order of the Golden Eel” belongs. Filthy Mary was a famous, and by the way, excellent restaurant in Bilbao, Spain (my home town). In that establishment, I had many memorable experiences and encounters and now and then succumbed to the temptation of evoking some of its scenes and happenings. “The Malevolent Order of the Golden Eel” is actually the “The Benevolent Order of the Golden Eel” ( La Benevolente Orden de la Angula de Oro). It was instituted by my late friend, Jose Maria Martin de Retana, author and editor of La Gran Enciclopedia Vasca, to honor annually the most prominent citizen of Bilbao. The honoree could be a person from any realm of life. Although I was never invested with this esteemed tribute, I took license to review and perpetuate in images and exaggerations the Gargantuan events that took place in that famous locale.” Neal Auction Company expresses its sincere appreciation to the artist, Jose-Maria Cundin, for his assistance. Ref.: Biguenet, John, ed. New Orleans Review. Vol. 9, No.1, Spring/Summer 1982, p. 48; “Folsom Blues and Yellows: Portraits, Self-Portraits and Anti-Portraits by Jose-Maria Cundin.” Gambit. Jan. 12, 2009. www.bestofneworleans.com. Accessed January 6, 2016; The Southern Review. Summer 2014. www.thesouthernreview.org. Accessed January 6, 2016.

589. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “Storm on the Bayou”, oil on canvas, signed lower left, signed and titled en verso, 16 in. x 24 in., original frame. $15000/25000

590. Andres Molinary (Gilbralter/ New Orleans, 1847‑1915), “City Park, Old Allard Plantation, New Orleans”, oil on canvas, signed lower left, illegibly inscribed en verso, 18 in. x 28 in., period gilt frame. $12000/18000 Provenance: Acquired from wife of the artist, Marie Madeleine Seebold Molinary.

592. Paul Ninas (American/New Orleans, 1903‑1964), “Louisiana Swamp Scene at Night”, watercolor, gouache and crayon on black paper, signed lower right, 23 1/4 in. x 35 1/4 in., framed. $5000/7000 Provenance: Neal Auction Company, Apr. 3, 2004, lot 560.

593. Knute Heldner (Swedish/New Orleans, 1875‑1952), “French Market Scene with a Mother and Child”, oil on canvas, signed lower left, 31 1/2 in. x 29 1/2 in., period frame. $5000/7000 Provenance: Neal Auction Company, Apr. 16, 1994, lot 330.

591. William Aiken Walker (American/South Carolina, 1838‑1921), “Young Boy Leaning Against Cotton Bale at the New Orleans Levee”, oil on academy board, signed lower right, label with title en verso, 8 in. x 4 in., antique gilt frame. $10000/15000 Provenance: The Charleston Renaissance Gallery, Charleston, SC. Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

Note: Knute Heldner is known for his impressionistic depictions of Louisiana bayous and the historic French Quarter. He also painted a small body of figural compositions that are equally successful. The sublime work offered here depicts a young woman with her son seated next to her, selling fruit in a stall in the French Market. By all accounts, Heldner was a deeply religious man. The painting here aesthetically evokes the Virgin Mary and Jesus, with the shawl draped over the woman’s head and the boy leaning onto her arm. Heldner renders the scene with brilliant color and expressive brushwork, including the vibrant life of the Vieux Carré on the street in the background. Additional information at www.nealauction.com

594. John McCrady (American/New Orleans, 1911‑1968), “Christmas Near Oxford, Mississippi”, 1949, gouache on board, unsigned, “Caller‑Times Art Exhibit and Sale” label, “Arts & Crafts Club” stamp and handwritten authentication inscription by Mary Basso McCrady en verso, 19 1/4 in. x 26 1/4 in., frame enhanced by the artist. $20000/30000 Note: The viscous clouds, the abandoned automobile, and the twisted tree in this 1949 gouache are quintessentially American motifs often used by McCrady referencing man and his place in the universe. The composition here was explored again by McCrady in a 1965 carbon acrylic work, “Christmas Eve,” included in his 1975 retrospective exhibition. The painting offered here is one of the first of McCrady’s spiritual works which does not rely on mysticism or fantasy, but conveys the sentiment in a direct narrative manner. Ref: McCrady, John and Keith Marshall. John McCrady 1911-1968. New Orleans Museum of Art, 1975 p. 81, pl. 45.

595. George Louis Viavant (American/New Orleans, 1872‑1925), “Nature Morte of a Wood Duck”, 1914, watercolor on paper board, signed, dated and inscribed “N.O.” lower left, sight 22 1/4 in. x 16 3/4 in., original frame. $10000/15000 Provenance: Ulisse Marinoni Nolan, New Orleans (1911‑1998); by descent.

596. George Louis Viavant (American/New Orleans, 1872‑1925), “Nature Morte of a Red Fish”, 1916, watercolor on paper board, signed, dated and inscribed “N.O.” lower left, sight 26 3/4 in. x 15 3/8 in., original frame. $6000/8000 Provenance: Ulisse Marinoni Nolan, New Orleans (1911‑1998); by descent.

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597. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak and Cypress Trees in Louisiana Bayou”, oil wash on board, signed lower right, “Marx Art Store, New Orleans” label en verso, 14 in. x 28 in., original frame. $2500/3500

598. Marie Madeleine Seebold Molinary (American/New Orleans, 1866‑1948), “Still Life of Chrysanthemums in a Vase”, 1889, oil on canvas, signed and dated lower left, 20 in. x 26 in., period gilt frame. $2500/3500

599. Clementine Hunter (American/Louisiana, 1886‑1988), “Grinding Sugar Cane, Mule Pulling Around the Mill to Make Juice Come from the Cane”, oil on canvas board, monogrammed lower right, titled and inscribed en verso, 18 in. x 24 in., framed. $5000/8000 Provenance: Acquired from the artist, c. 1970.

Provenance: Neal Auction Company, Dec. 9, 1995, lot 561. Note: Marie Seebold was an accomplished painter active in late 19th and early 20th century New Orleans. Seebold spent about five years studying in New York City under the American Impressionist William Merritt Chase whose influence is recognizable in the soft, delicate brush work of Seebold’s floral still life paintings. Chrysanthemums were a favored subject and one in which she excelled. The work offered here shows an arrangement of white and gold blossoms overflowing in a brown vase. An exceedingly large composition of chrysanthemums with the artist’s palette was sold in these rooms on December 5, 1998 and is now in the collection of the Louisiana State Museum.

600. Harold Rudolph (American/New Orleans, c. 1850‑1884), “Crescent Moon over the Bayou”, 1875, oil on canvas, signed and dated lower right, “W.E. Seebold, 166 Canal Street, NOLA” canvas stamp en verso, 16 in. x 24 in., giltwood frame. $30000/40000 Provenance: Sold in these rooms, June 2, 2001, lot 384. Ill.: Bragg, Jean Moore and Dr. Susan Saward. Painting the Town: The Woodward Brothers Come to New Orleans. New Orleans: Jean Bragg Gallery, 2004, p. 12. Note: Harold Rudolph was active in New Orleans in the 1870s and 1880s. He was praised for his portrait paintings and landscapes in the local papers at the time. Rudolph exhibited his work with the preeminent W.E. Seebold Gallery on Canal Street, where he had a studio on the upper level. Skilled at depicting sunsets and nocturnal skies, in the painting offered here Rudolph masterfully depicts a fiery sunset at last glow reflected in the bayou in the foreground, which is framed by darkened cypress trees. A crescent moon lights the sky as it turns to night. As is often found in his work, a pirogue with figures plies the water on the right side of the composition. Few of Rudolph’s Louisiana landscapes are extant. His work is in the collections of the New Orleans Museum of Art, LSU Museum of Art, and the Ogden Museum of Southern Art.

Additional information at www.nealauction.com

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601. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree and Rising Moon”, 1932, oil wash on board, pencil‑signed and dated lower left, sight 19 1/4 in. x 29 1/4 in., framed. $3000/5000

602. John McCrady (American/Louisiana, 1911‑1968), “Along the Mississippi”, c. 1942, carbon pencil drawing, initialed “J. McC” lower left, artist label with title and “Farrar and Rinehart” label en verso, 9 3/4 in. x 13 1/4 in., framed. $3000/5000 Ill.: Carter, Hodding. Lower Mississippi (Rivers of America) with illustrations by John McCrady. New York: Farrar and Rinehart, Inc., 1942.

603. George Gay (American, d. 1914, act. New Orleans, 1884‑1897), “Cattle Grazing by the Shore” and “Pirogue Docked by the Wooden Bridge”, 1891, 2 oils on canvas, each signed and dated lower right, former with “W.E. Seebold, NOLA” label en verso, each 12 in. x 15 in., matching period gilt frames. $5000/7000

604. Knute Heldner (Swedish/New Orleans, 1875‑1952), “City Park, New Orleans”, oil on board, signed lower right, partial Duluth, MN label with title and artist identified en verso, 1 8 in. x 21 1/2 in., framed. $6000/8000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

605. Clementine Hunter (American/Louisiana, 1886‑1988), “On Very Hot Days We All Wore Sunbonnets”, oil and pencil on paper, monogrammed lower left, titled and inscribed en verso, 11 in. x 15 in., framed. $3000/5000

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606. Sister Gertrude Morgan (American/New Orleans, 1900‑1980), “Rev. 8, Opening of the seventh seal. And when he opened the seventh seal there was silence in heaven abound. The space of half an hour”, crayon, pencil and mixed media on cardboard, unsigned, 8 3/4 in. x 13 1/4 in., framed. $1200/2000 Provenance: Private Collection. Ill.: Alexander, Wade. God’s Greatest Hits: Thirty‑One of His Best. New York: Random House, 1970. Note: The American poet and singer Rod McKuen was introduced to the work of the self taught artist Sister Gertrude Morgan by E. Lorenz (Larry) Borenstein in the 1960s. McKuen became an avid collector of Morgan’s work and selected paintings from his collection for illustrations in the 1970 book of biblical quotations entitled God’s Greatest Hits: Thirty‑One of his Best. The book proved to be popular and sold over 300,000 copies.

607. Sister Gertrude Morgan (American/New Orleans, 1900‑1980), “Rev. 15 Chap., And I saw another sign in heaven, great and marvelous. Seven angels having the seven last plagues form. Them is filled up (with) the wrath of God and I saw as it were, a sea of glass. Read the Bible. Believe and be saved”, crayon, pencil, ink and mixed media on cardboard, unsigned, inscriptions related to being used as illustration en verso, 12 5/8 in. x 13 1/8 in., framed. $1200/2000 Ill.: Alexander, Wade. God’s Greatest Hits: Thirty‑One of His Best. New York: Random House, 1970.

609. Newcomb College Art Pottery High Glaze Vase, 1904, decorated by Mazie T. Ryan with an incised mock orange design, blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. SS12, h. 7 3/8 in. $6000/9000 Provenance: Jean Bragg Gallery; thence by descent. Ill.: Poesch, Jessie and Sally Main. Newcomb Pottery & 608. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Bayou Barataria”, oil on canvas board, signed lower right, titled and inscribed en verso, 15 1/2 in. x 20 in., framed. $1000/1500

Crafts: An Educational Enterprise for Women, 1895‑1940. Atglen: Schiffer,

2003, p. 88, fig. 3‑51.

611. Newcomb College Art Pottery Bowl, 1930, decorated by Anna Frances Simpson with relief‑carved Cherokee roses, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. SG26 and shape no. 49, h. 6 in., dia. 8 in. $5000/7500 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC. 610. Newcomb College Art Pottery High Glaze Jardinière, 1905, decorated by Marie Medora Ross with incised irises, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. AR81, and “Q” for buff clay body, h. 5 1/4 in., dia. 5 1/2 in. $2000/4000

Exh.: “Women, Art, and Social Change: The Newcomb Pottery Enterprise”, Smithsonian Institution Traveling Exhibition and Newcomb Art Gallery, New Orleans, Oct. 3, 2013 ‑ Mar. 9, 2014. Ill.: Poesch, Jessie. Newcomb Pottery. Atglen: Shiffer, 1984, catalogue no. 185, p. 141; and Poesch, Jessie and Sally Main. Newcomb Pottery & Crafts: An Educational Enterprise for Women 1895‑1940. Atglen: Schiffer, 2003. fig. 5‑49, p. 211. Additional information at www.nealauction.com

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612. Newcomb College Art Pottery Vase, 1930, decorated by Anna Frances Simpson in the Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. SG91 and shape no. 157, h. 9 1/2 in., dia. 6 1/2 in. $6000/8000

613. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Squash Field”, watercolor and graphite on paper, initialed “E.W.” lower left, “The Charleston Renaissance Gallery, Charleston, SC” label with title en verso, 10 7/8 in. x 15 in., framed. $2500/3500

614. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Pearl River Sandbar”, oil on canvas board, signed lower right, signed, titled and inscribed “825 Belhaven St., Jackson, Miss.” en verso, 18 in. x 24 in., framed. $8000/12000

615. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “Fin du Carnaval”, 1946, lithograph on paper, pencil‑signed and titled lower margin, ed. of 20, 16 in. x 12 in., framed. $1000/1500

616. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Kohlmeyer Kloud”, 1973, serigraph on paper, pencil‑signed, titled, dated and numbered “42/100” lower margin, sheet 31 in. x 24 in., unframed. $700/900

617. Newcomb College Art Pottery Vase, 1925, decorated by Sadie Irvine with budding flowers, semi‑matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. PK97, and shape no. 75, h. 4 1/4 in., dia. 4 3/4 in. $1500/2500

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618. Newcomb College Art Pottery Vase, 1928, decorated by Sadie Irvine with relief‑carved “twilight” moss‑laden oak design, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. RA64 and shape no. 19, h. 6 5/8 in. $2500/3500 Provenance: Jean Bragg Gallery, 2002.

619. Newcomb College Art Pottery Vase, 1924, decorated by Anna Frances Simpson with relief‑carved coreopsis, matte glaze with blue, green, yellow and pink underglaze, base marked with Newcomb cipher, decorator’s mark, shape no. 18, and reg. no. NV40, h. 5 in. $500/700

620. Newcomb College Art Pottery Vase, 1926, decorated by Sadie Irvine with spiderwort modeled in low relief, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, shape no. 121, and reg. no. PL85, h. 5 in., dia. 6 in. $1000/1500 621. Newcomb College Art Pottery Vase, c. 1935, decorated by Aurelia Arbo in the Moon and Moss design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Francis Ford’s potter’s mark and reg. no. V34, h. 5 in., dia. 6 in. $2000/3000

622. Shearwater Pottery Dinner Plate, c. 1955, decorated by Walter Inglis Anderson (1903‑1965) with a red, blue, black, and white slip design of a duck in flight, brown clay body, unmarked, dia. 10 1/8 in. $2000/3000

623. Pair of Shearwater Pottery Figural Pelican Bookends, c. 1960, impressed marks, with shoal glaze, h. 10 1/2 in. $800/1200 Additional information at www.nealauction.com

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624. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Fiddler Crabs”, watercolor and pencil on paper, estate stamp lower right, 8 1/2 in. x 11 in., framed. $6000/8000

625. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Shells”, hand‑colored linocut on paper mounted on board, sheet 20 1/2 in. x 46 3/4 in., framed. $1500/2500

627. Byron Browne (American, 1907‑1961), “Untitled”, 1954, oil on burlap on board, signed lower left, signed, dated, inscribed “N.Y.C.” and “ACA Galleries, NY” label en verso, 38 in. x 36 in., period frame. $3000/5000

626. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Lesser Scaup Ducks”, watercolor and pencil on paper, estate stamp lower right, 11 in. x 8 1/2 in., framed. $8000/12000

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628. Paul Ninas (American/New Orleans, 1903‑1964), “Procession”, oil on masonite, signed lower right, 24 in. x 48 in., framed. $7000/10000 Note: Paul Ninas was an early, influential modernist of the South, often described as the “Dean of Modern Art” in New Orleans. In December 1940, the Delgado Museum in New Orleans presented a major Picasso exhibition organized by the Museum of Modern of Art. The show made an impact on Ninas, for his work becomes increasingly abstract from this point forward. The painting offered here certainly shows the influence of Picasso with its cubist figures and strong geometry. The brightly colored composition favors primary colors for the figures set against a green ground.

629. Philomé Obin (Haitian, 1892‑1986), “Le Plan de Dessalines Contre le Cap: J.J. Dessalines, H. Christophe, Romain, Capois, Clerveau and Gabatt”, oil on canvas, signed and inscribed “Cap‑Haitien” lower right, titled lower center and lower right, 24 in. x 30 in., unframed. $5000/7000

630. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Slanted #2”, c. 1993, aluminum and enamel, unsigned, h. 61 in. x w. 16 in. x d. 11 in. $15000/25000 Six views of the sculpture illustrated

Additional information at www.nealauction.com

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632. Reuben Robert Kramer (American, 1909‑1999), “Mother and Child”, 1937, patinated bronze, verdigris patina, signed and dated on base “Roman Bronze Works N.Y., Cast No. 1, ©1937 Kramer”, h. 48 in., w. 14 1/2 in., d. 11 in. $5000/7000

631. Reuben Robert Kramer (American, 1909‑1999), “Male Nude”, 1937, patinated bronze, verdigris patina, signed and dated on base “Cast No. 1 Kramer/ ©1937 Roman Bronze Works N.Y.”, h. 52 in., w. 13 in., d. 19 in. $5000/7000

Note: Reuben Kramer was an acclaimed sculptor from Baltimore known for his sensitive depictions of the human figure. Kramer studied at the Maryland Institute’s Rinehart School of Sculpture. In 1934, he won the coveted Prix de Rome and spent the next two years studying at the American Academy in Rome. The sculptures offered here were created in 1937, the year after he returned from his studies in Italy. Kramer’s sculptures went through a rigorous, multi-step process of creation from clay to bronze. Unlike some artists, who leave work to assistants, he participated in his sculpture from beginning to end. The two sculptures here demonstrate complete mastery of the human form inspired by classical Greek and Roman traditions. In 1978, the Baltimore Museum of Art presented a fifty-year retrospective exhibition pf Kramer’s work. Despite many commissions, achieving great success and renown, Kramer’s work rarely appears on the market.

634. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Collage T #5”, 1978, oil on canvas collage, signed and dated lower right, “Galerie Simonne Stern, Royal St., NOLA” label with artist, title and date en verso, 19 in. x 12 in., framed. $3000/5000

633. Pedro Friedeberg (Mexican/ Louisiana, b. 1936), “Hand”, wood with silver paint, signed on base, 12 1/4 in. x 7 in. x 7 1/2 in. $1200/1800

635. George Rodrigue (American/Louisiana, 1944‑2013), “Hot Dog for a Cool Day”, 1992, oil on mahogany with neon, signed lower left, signed, dated and titled en verso, 22 in. x 19 1/2 in. $25000/35000 Note: George Rodrigue began early in his Blue Dog series to consider the dilemma of turning the strictly two-dimensional image of the Blue Dog into a three-dimensional sculpture. By 1992, the artist had created prototypes consisting of flat cut-outs of wood, usually mahogany, and painted as if they were canvas. As seen in the work offered here, he occasionally surrounded these pieces with neon or added other familiar elements to the shape, such as the hot dog. The effect is not all that different from a Blue Dog painting on the wall however, so Rodrigue continued his experimentation. The early sculpture offered here is a whimsical and rare window into Rodrigue’s artistic evolution to his later, fully-realized three-dimensional Blue Dog sculptures. Ref.: Rodrigue, Wendy. “Blue Dog in Three Dimensions.” Musings of an Artist’s Wife. Sept. 21, 2009. www.wendyrodrigue.com. Accessed December 31, 2015.

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636. George Rodrigue (American/Louisiana, 1944‑2013), “One Green Thumb”, 2000, acrylic on canvas, signed lower left, signed, dated and titled en verso, 20 in. x 16 in., framed. $20000/40000

637. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Totems”, 1985, painted wood sculpture, signed and dated on the base, h. 11 1/2 in., w. 7 1/4 in., d. 2 1/2 in. $4000/6000

639. Hunt Slonem (American/Louisiana, b. 1951), “Bunnies”, 2015, oil on wood, signed and dated en verso, 28 1/4 in. x 41 1/2 in., framed. $4000/6000

638. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Monolith #1”, 1977, mixed media on canvas, signed and dated lower right, artist label with title, 60 in. x 53 in., framed. $15000/25000

640. Hunt Slonem (American/ Louisiana, b. 1951), “The Shimmering Pulse of Expectation II”, 1984, oil on canvas, signed twice and dated en verso, 34 in. x 30 in., unframed. $3000/5000

Additional information at www.nealauction.com

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642. George Bauer Dunbar (American/New Orleans, b. 1927), “Bridge “ gold leaf over red clay, signed lower right and left, 23 3/4 in. x 33 in., original frame. $7000/10000

641. Mildred “Millie” Wohl (American/New Orleans, d. 1977), “Little Ones”, oil on masonite, signed and titled en verso, 10 in. x 8 in., period frame. $1000/1500

643. George Bauer Dunbar (American/New Orleans, b. 1927), “Heart”, gold leaf over red clay, signed lower right, 22 1/2 in. x 21 3/4 in., original frame. $5000/7000

644. George Bauer Dunbar (American/New Orleans, b. 1927), “Coin du Lestin”, silver leaf over black clay, signed lower center, 48 in. x 42 in., original frame. $18000/25000

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645. Clarence John Laughlin (American/Louisiana, 1905‑1986), “Two Eras in Cabildo History”, vintage silver gelatin print, unsigned, photographer’s handwritten notations incl. “Neg. #3456, p. #267, 5/3/46, pub +1” en verso, 30 in. x 40 3/8 in., framed. $3000/5000 Provenance: Descended in the family of the artist; Private Collection. Note: During World War II, Louisiana photographer Clarence John Laughlin was stationed in Washington D.C. According to the records now located at The Historic New Orleans Collections, the negative for “Two Eras in Cabildo History” was shot on May 11, 1941. According to his handwritten notes on the verso, Laughlin printed this photograph on May 3, 1946 using oversize army map paper. Laughlin produced a limited series of these oversized photographs, examples of which were displayed for many years in the men’s department at Godchaux’s Department Store on Canal Street.

646. Clarence John Laughlin (American/Louisiana, 1905‑1985), “Light on the Cylinders, No. 3”, 1937, vintage silver gelatin print, unsigned, photographer’s handwritten notations incl. “Print #1, Neg #1090, B #249, 9/21/45” and others, 40 in. x 30 in., unframed. $1200/1800 Provenance: Descended in the family of the artist; Private Collection.

647. Sally Heller (American/New Orleans, 20th c.), “From Calamitrees Installation, Montserrat College of Art, Beverly, MA”, 2007, digital photograph, signed, titled and dated en verso, 24 in. x 20 in., mounted with Plexiglas®. $1500/2500 Note: New Orleans sculptor and installation artist, Sally Heller comments on both consumerism and the vulnerable environment. In 2005, Heller exhibited the installation “Calamitrees” at Montserrat College of Art in Beverly, MA, symbolizing the devastating effects of Hurricane Katrina.

648. Willard Ames Van Dyke (American, 1906‑1986), “Death Valley Dunes”, c. 1930, silver gelatin print mounted on board, pencil‑signed lower right, signed, titled, dated and “Negative and Print by Willard Van Dyke” label en verso, image 7 3/8 in. x 9 3/8 in., board 14 in. x 17 in.; together with “O’Looney, Ireland”, 1980, color photograph, signed, titled and dated lower margin, 11 in. x 14 in., unframed, (2 pcs.) $700/1000 Provenance: A Gallery for Fine Photography, New Orleans.

649. George Dureau (American/ New Orleans, 1930‑2014), “Portrait of Georges Febres (1943‑1996)”, silver gelatin print, signed and titled lower margin, sight 7 1/2 in. x 7 1/2 in., framed. $400/600 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL. Note: The Ecuadorian‑born artist George Febres was an influential force in the resurgence of the New Orleans art community in the 1970s and 1980s. As curator of the newly established Contemporary Arts Center (CAC) and gallery owner of Galerie Jules Laforgue, Febres mentored a talented group of artists identified as the “Visionary Imagists”, including Douglas Bourgeois and Jacqueline Bishop.

650. Walter W. Nelson (American/Texas, b. 1942), “Allium/Anthurium” and “Sweet Pea/Pincushion”, 1983, 2 die transfer prints, each pencil‑signed, dated and numbered “13/25” en verso, each 21 1/8 in. x 16 1/2 in., unframed. $500/700 Provenance: A Gallery for Fine Photograph, New Orleans. Additional information at www.nealauction.com

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651. Theodore “Fonville” Winans (American/ Louisiana, 1911‑1992), “Ice on the Mississippi”, 1938, silver gelatin print, signed and dated lower right, 16 in. x 20 in., framed. $800/1200

652. John McCrady (American/New Orleans, 1911‑1968), “Carnival in New Orleans”, 1947, lithograph on paper, pencil‑signed and titled lower margin, initialed “JMC” in plate lower right, ed. of 250, sheet 11 1/2 in. x 16 in., framed. Exh.: John McCrady Retrospective: 1911‑1968, New Orleans Museum of Art, 1975, and listed in the accompanying catalogue, no. 75, p. 111. $700/900

653. Louis Oscar Griffith (American/Indiana, 1875‑1956, act. New Orleans, 1916‑1917), “Creole Buildings, French Quarter, New Orleans”, color aquatint on paper, pencil‑signed, inscribed “N.O.” and numbered “28” lower margin, pencil‑titled on label en verso, sight 10 3/4 in. x 12 1/4 in., framed. $500/800 654. James Michalopoulos (American/New Orleans, b. 1951), “Yellow Crest”, oil on canvas, signed lower left, signed, dated, titled and artist’s label en verso, 44 in. x 66 in., framed. $4000/6000

655. James Michalopoulos (American/New Orleans, b. 1951), “Meadow Song”, 2006, acrylic on canvas, signed lower left, signed, dated and artist’s label en verso, 60 in. x 36 in., unframed. $3000/5000

656. George Rodrigue (American/Louisiana, 1944‑2013), “Bird Doggin”, 1992, oil on canvas, signed lower left, titled and “The Rodrigue Gallery, New Orleans, LA” stamps en verso, 36 in. x 24 in., framed. $50000/80000 Provenance: Rodrigue Gallery, New Orleans, 1992.

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657. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Le Petit Theatre du Vieux Carré, New Orleans”, 1933, oil on board, signed lower right, signed, titled, dated and inscribed “N.O.” en verso, sight 5 3/4 in. x 4 1/4 in., period frame. $800/1200

658. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Courtyard on Gov. Nichols[sic] St., French Quarter, New Orleans”, 1933, oil on board, signed lower right, signed, titled, dated and inscribed “N.O.” en verso, sight 3 3/4 in. x 5 1/4 in., period frame. $800/1200

659. Alberta Kinsey (American/ New Orleans, 1875‑1952), “French Quarter Courtyard with Blue Shutters”, oil on canvas affixed to board, unsigned, 14 1/2 in. x 12 3/8 in., framed. $1000/1500

660. Morris Henry Hobbs (American/Louisiana, 1892‑1967), “Jettamine”, “Rose”, “Tahitian Girl”, “Satyrs Dance” and “The Bathers”, 5 etchings on paper, all pencil‑signed and titled lower margin, 1 1/2 in. x 1 in. to 3 in. x 2 in., 2 matching frames. $500/700 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

661. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Fort Bayou Fishing”, 1981, oil on masonite, signed and dated lower right, titled on artist label en verso, 24 in. x 16 in., framed. $2000/3000 Provenance: Acquired from the artist.

662. Walter Inglis Anderson (American/ Mississippi, 1903‑1965), “Cock”, pen and ink on paper, estate stamp lower right, pencil‑titled en verso, 11 in. x 8 1/2 in., framed. $3000/5000

Additional information at www.nealauction.com

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663. Francis X. Pavy (American/Louisiana, b. 1954), “Cultivating Heads”, 1990, oil on canvas, signed, titled, dated and “Simms Fine Art, Girod St., NOLA” label en verso, 24 in. x 20 in., unframed. $1500/2500

664. Murrell Butler (American/Louisiana, 20th c.), “The Lone Egret, Lake Fausse, LA”, 2014, oil on canvas, signed and dated lower left, signed and titled en verso, 36 in. x 48 in., unframed. $2000/3000

666. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Precipitous”, oil on canvas, signed lower right, “Ruth White Gallery, NY” label en verso, 33 1/4 in. x 21 1/4 in., period frame. $5000/8000

665. Lawrence Lebduska (American/German, 1894‑1966), “Zebra, Elephant, Tropical Bird and Monkey”, 1963, oil on canvas, signed lower left, inscribed en verso, 25 in. x 30 in., framed. $1000/1500

667. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “French Quarter Antique Store”, oil on canvas, signed lower left, 16 in. x 20 in., framed. $3000/5000 Provenance: Neal Auction Company, June 5, 2004, lot 395. Note: Artists have gravitated towards the French Quarter of New Orleans for over a century in order to capture the charm and unique architecture that appeals to locals and tourists alike. Many of these artists, such as Clarence Millet, Alberta Kinsey and Colette Pope Heldner, made their living by selling paintings of Jackson Square and the famous thoroughfares of the Quarter. In contrast, Robert Rucker, in the work offered here, offers a rare, intimate view of an antique store and sidewalk, with the carefully composed diagonal composition and empty chair inviting the viewer into the scene. As he developed his mature style, Rucker blended the stylized realism of John McCrady, his mentor, with the painterly impressionism of Knute Heldner, whose work he greatly admired. The artist’s attention to detail and precise draftsmanship can be seen in his depictions of French Quarter architecture and in his many steamboat paintings. Ref.: Saward, Susan. “Robert Malcolm Rucker.” KnowLA Encyclopedia of Louisiana. Sept 12, 2012. www.knowla.org/entry/1173. Accessed Jan. 6, 2016.

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669. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree”, 1911, charcoal on paper, signed and dated lower right, sight 22 in. x 16 3/4 in., period frame. $1500/2500

668. Alan Flattman (American/New Orleans, b. 1946), “Galatoire’s Restaurant with Walter John Fontenot”, 2008, pastel on paper, signed lower left, signed, titled and dated en verso, sight 29 1/4 in. x 39 1/4 in., framed. $1200/1800

670. M. Barrios (Columbian/New Orleans, 20th c.), “Still Life”, 1992, oil on paper, signed and dated lower right, 29 in. x 21 1/2 in., framed. $800/1200

671. Robert Gordy (American/ Louisiana, 1933‑1986), “Untitled #2 (Male Head)”, 1982, oil stick and mixed media on paper, initialed “R.G.” and dated twice lower right, 23 1/2 in. x 18 in., framed. $1800/2500

672. William “Bill” Hemmerling (American/Louisiana, 1943‑2009), “Trio of Musicians (‘Portraits’ en verso)”, double‑sided oil on wood panel, signed lower left, 74 in. x 18 7/8 in., unframed. $2500/3500 Additional information at www.nealauction.com

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674. McKenney & Hall/ Publishers, “Kish‑Kal‑Wa, A Shawanoe Chief” and “Wesh‑Cubb, A Chippeway Chief”, 2 hand‑colored lithographs, 1 published by F.W. Greenough, Philadelphia, sights 17 1/2 in. x 13 in., matching frames. (2 pcs.) $600/900

673. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Patio ‑ Antoine’s, Famous Restaurant, Old New Orleans” and “Patio off Spanish Courtyard (over 175 years old), Old New Orleans”, 2 oils on canvas board, signed lower right and left respectively, artist’s cards with titles en verso of both, each 6 in. x 8 in., matching period gilt frames. $1200/1800

676. American Classical Parcel‑Gilt, Stenciled and Ormolu-Mounted Mahogany Pier Table, early 19th c., marble top, cove molded frieze, columnar supports, mirror plate flanked by half‑columns, square plinth, gadrooned concave skirt, lobed feet, h. 39 1/2 in., w. 40 3/4 in., d. 18 1/2 in. $1800/2500

675. American Aesthetic Maple Faux Bamboo Dressing Table, late 19th c., attr. to J.R. Horner, New York, beveled mirror, galleried top, three drawers, stretcher base, conforming legs, h. 60 in., w. 36 in., d. 20 in. $1000/1500 Note: Introduced at the 1876 Centennial Exposition in Philadelphia, the Japanese aesthetic greatly influenced late 19th-century American design. Most of this furniture in the Japonesque taste was produced by firms in New York working from French antecedents such as Victor Quentin’s Le Magasin de Meubles. Writing in the 1870’s Clarence Cook called the new faux bamboo style “capital stuff” for a country house. Among faux bamboo makers, Robert J. Horner established his furniture business in 1883 on East 23rd Street, New York, producing work to satisfy a variety of tastes including pieces in the Japonesque mode such as the subsequent offering. Ref.: Examples of faux bamboo furniture include those in Pierce, Donald. Art and Enterprise: American Decorative Art, 1825-1917, The Virginia Carroll Crawford Collection. pp. 230-23 and Tracy, Barry. 19th Century America, Furniture and Other Decorative Arts. New York: Metropolitan Museum of Art, cat. 228.

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677. American Federal Carved Mahogany Games Table, early 19th c., Boston, possibly John and Thomas Seymour, shaped foldover top, conforming frieze, turned tapered reeded legs, h. 29 in., w. 37 in., d. 18 in. $700/1000

678. Fine George III Carved Mahogany Chairback Settee, late 18th c., serpentine crest rail, pierced splats, scrolled arms with rosette terminals, acanthine supports, straight seat rail, molded square legs, stretchers, h. 37 in., w. 54 in., d. 24 in. $1500/2500

679. George III Provincial Oak Welsh Dresser Base, mid‑to‑late 18th c., molded top, three frieze drawers, chamfered fluted corners, shell‑carved knees, cabriole legs, hoof feet, h. 34 1/4 in., w. 70 1/2 in., d. 17 1/2 in. $2000/3000

680. Beaux Arts Carved Walnut Buffet, c. 1890, scrolled foliate-carved backsplash, shaped marble top, three frieze drawers, acanthus‑carved scrolled supports, incurvate plinth, h. 48 in., w. 78 1/2 in., d. 24 in. $1200/1800

681. Pair of Louis Philippe‑Style Walnut Armchairs, cartouche-shaped back, scrolled arms, cabriole legs, casters, h. 39 3/4 in., w. 25 in., d. 23 in. $300/500

683. Neil W. Cox (British, b. 1955), “Fox Cubs in a Small Woodland Clearing”, watercolor and gouache on paper, signed lower left, sight 17 1/2 in. x 26 1/2 in., framed. $500/800

682. British School, mid‑18th c., “Reverend William Powell (1705‑1780)”, oil on canvas, “The W.T. Burger Co.” label on stretcher, canvas stencil en verso, 30 in. x 25 in., framed. $500/700 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS. Note: Rev. William Powell inherited Nanteos Estate, Wales in 1752. He married Elizabeth Owen of Montgomeryshire and was ordained deacon of Lincoln in 1731. Powell became a Doctor of Civil Law in 1763.

684. Edward John Cobbett, R.B.A. (British, 1815‑1899), “In the Farmyard”, oil on canvas, signed lower left, 19 1/4 in. x 25 1/8 in., framed with brass artist and title plaque. $700/1000 Additional information at www.nealauction.com

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685. Pair of Monumental Cast Iron Gates, each with gilt lion rampant, foliate and scroll borders, h. 108 in., w. 157 1/2 in. $2000/3000

686. Joseph Malachy Kavanagh (Irish, 1856‑1919), “Portrait of a Cardinal before a View of St. Peter’s”, oil on canvas, signed lower right, 59 3/4 in. x 40 in., framed. $600/800

688. American Aesthetic Carved Burl Walnut Bedstead, c. 1880, molded pediment with stylized incised foliage, paneled headboard, conforming footboard and rails, shaped skirt, block feet, h. 91 1/2 in., l. 75 in., w. 56 1/2 in. $800/1200 Provenance: Historic “Sally Mill”, Middleburg, VA.

687. Fine American Renaissance Gilt-Incised and Bronze‑Mounted Rosewood Parlor Suite, attr. to John Jelliff, incl. settee, two lady’s armchairs and two gentlemen’s armchairs, crest rail ending in scrolled ears centered by portrait bust medallion, curved arms, shaped seat rail, turned legs, casters, settee h. 39 in., w. 68 in., d. 24 in.; lady’s armchair h. 22 1/2 in., w. 23 1/2 in., d. 20 in.; armchair h. 38 1/2 in., w. 28 1/2 in., d. 25 in. $2500/3500 Note: The distinctive crests, seat rails and legs on this suite are very similar to those on parlor furniture attributed to Jelliff sold by Neal Auction Company as lot 37 Apr. 3, 2004; lot 610, Feb. 22, 1997; lot 740, Dec, 1996; and lot 681, Dec. 1992. A related sofa by Jelliff, once in Frederick Tuttle’s Chicago mansion and now in the Newark Museum (acc. 66.366), has elements closely related to those seen here. Ref.: Dietz, Ulysses. “Century of Revivals, 19th c. American Furniture from the Collection of the Newark Museum,” The Newark Museum Quarterly Spring/Summer 1983, p. 48, fig. 40.

689. Pair of Rococo Revival Bronze‑Mounted Armchairs, mid‑19th c., probably French, cartouche-shaped back, padded scrolled arms, serpentine seat rail, cabriole legs, casters, h. 36 in., w. 25 in., d. 19 in. $500/1000

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690. Auguste Henri Musin (Belgian, 1852‑1923), “Harbor Scene, possibly Antwerp on the Scheldt River”, 1872, oil on wood panel, signed and dated lower left, partial period dealer label on reverse of frame, 7 1/2 in. x 11 5/8 in., period gilt frame. $800/1200

691. Franz Hochecker (German, 1730‑1782), “Riverside Residence #1” and “Riverside Residence #2”, 2 oils on wood panel, signed and inscribed “#1” and “#2” en verso, each 9 in. x 12 in., framed alike, (2 pcs.) $800/1200

692. Art Nouveau Haviland Limoges Porcelain Punch Bowl Set, early 20th c., decorated by Wilder Pickard, marked, red ground with poppy motif and gilt banding, incl. a punch bowl, h. 8 in., dia. 14 in., and 10 cups. $700/900

Provenance: Sold to Benefit the Huntsville Museum of Art, Huntsville, AL.

693. French School, early 19th c., “Three Figures in Carnival Costumes Seated on Fictive Balcony, One with Sword and Staff, Two with Drum and Horn”, blue monochrome oil on canvas, collector’s label en verso, 40 in. x 32 1/4 in., framed. $1000/2000

694. Large Aesthetic Movement Majolica Baluster Vase, probably early 20th c., molded with dragon and cloud on a blue ground, h. 25 3/4 in. $600/800

695. Russian Icon of the Virgin and Child, 19th c. or earlier, oil on panel, inscribed in Cyrillic, 13 1/2 in. x 11 in. $300/500

Provenance: Levai Antiquarian, Biarritz, France, c. 1965.

696. Baroque‑Style Gilt Brass Fireplace Surround, incl. a pair of scrollwork chenets, h. 19 1/2 in., w. 12 in.; and a pierced guard rail, l. 33 3/4 in. $400/600

697. Art Deco Patinated Metal Figural Group, early 20th c., plaque titled “Crainte & Désir”, modeled as a nymph offering vegetation to a deer, rouge marble base, overall h. 12 1/4 in., w. 23 3/4 in., d. 9 1/4 in. $250/500

Additional information at www.nealauction.com

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699. American Patinated Copper Running Horse Weathervane, pipe armature, h. 16 in., w. 31 in., d. 1 1/4 in. $400/600

700. Continental Baroque‑Style Cast Brass Shaving Stand, late 19th c., eagle‑crested oval mirror, arabesque filigree case, two velvet‑lined drawers, tripod base with cherubs, foliage, and ropetwist shaft, h. 71 in. $300/500 698. Continental Blown Glass Hall Lantern, early‑to‑mid 20th c., probably Italian, wirework cage, h. 23 1/4 in., dia. 11 in. $500/700

701. Fine Persian Qashqai Carpet, red ground, repeating bird and flower pattern, cream border with stylized geometric pattern, 10 ft. x 5 ft. 1 in. $2000/3000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

702. Persian Qashqai Carpet, cream ground, 3 red and blue diamond‑form central medallions, polychrome stylized border, 7 ft. 3 in. x 4 ft. 6 in. $1800/2400

703. Persian Bactairie Carpet, light brown ground, two scrolled foliate central medallions, brown and cream border with floral motifs, 6 ft. 6 in. x 4 ft. 6 in. $1800/2400

704. Pair of Anglo-Colonial‑Style Argenté Settees, each with shaped foliate crest, lion arm rests, serpentine skirt, cabriole legs, paw feet, h. 53 1/2 in., w. 61 1/2 in., d. 26 1/4 in. $1500/2500

705. English Mother‑of‑Pearl Inlaid, Paint‑Decorated and Japanned Center Table, mid‑19th c., top with an extensive landscape, scalloped border, vasiform standard, shaped legs, h. 28 1/2 in., dia. 29 1/2 in. $700/900

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706. English Black Lacquered, PaintDecorated, and Mother‑of‑Pearl Inlaid Étagère, mid‑19th c., scrolled gallery, serpentine shelves with central floral bouquet, turned baluster supports, button feet, gilt highlights, h. 42 in., w. 30 in., d. 17 in. $300/500

707. Pair of Regency‑Style Mahogany Miniature Window Benches, each with lyre‑form splats, reeded rails, splayed legs, h. 13 3/4 in., w. 21 in., d. 8 in. $300/500 708. Spanish Colonial School, early 19th c., “Portrait of a Young Parish Priest”, oil on canvas, unsigned, 34 in. x 28 in., period frame. $1500/2500

709. Enoch Wood Perry Jr., N.A. (American, 1831‑1915), “Woodland Brook near the Village of Seis in Tyrol”, 1911, oil on canvas, signed, titled and dated lower left, 16 1/8 in. x 20 1/8 in., framed. $600/800

710. Mary Cable Butler (American, 1865‑1946), “Country Garden”, oil on canvas, signed lower right, label with title en verso, 16 in. x 20 in., framed with artist and title plaque. $1000/1500 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

711. Harriette Bowdoin (American, 1880‑1947), “Flower Market ‑ Holland”, oil on canvas, signed lower right, “The Sellars Collection: Art by American Women”, Walter Greer Gallery, Hilton Head Island, SC, 1997 exhibition labels with title en verso, 30 in. x 36 in., framed with artist and title plaque. $800/1200 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

712. Susan Ricker Knox (American, 1874‑1959), “Street Vendor”, oil on canvas, signed lower left, label with title en verso, 24 in. x 18 in., framed with artist and title plaque. $800/1200 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL. 713. Harry Roseland (American/New York, 1866/68‑1950), “African-American Woman Tending the Hearth”, oil on canvas board, signed lower left, 8 in. x 12 in., framed. $1000/1500 Additional information at www.nealauction.com

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714. Austrian School, late 19th c., “Gruppe der Winzer (A Procession of the Wine Makers)”, 1879, watercolor, illegibly signed “Kugël?” lower right, dated and inscribed “Wien (Vienna)” lower left, titled lower center, sight 6 3/4 in. x 19 3/4 in., framed. $800/1200

716. Polychrome Pearlware Bust of the Duke of Wellington, 19th c., h. 5 3/4 in.; together with Continental polychrome pottery figure of Napoleon, h. 4 7/8 in., and Staffordshire blue and white “American Eagle on Urn” transferware cup, 19th c., h. 2 5/8 in., dia. 4 1/4 in. $200/300

717. English Ironstone Covered Soup Tureen and Undertray, 19th c., marked, green ground with gilt decoration and painted floral reserves, overall h. 10 1/2 in., l. 14 1/4 in. $250/500

715. Continental School, mid‑19th c., “Portrait of a Young Woman in Fancy Costume”, oil on canvas, unsigned, 42 1/4 in. x 26 1/4 in., framed. $800/1200

718. Pair of French Empire‑Style Gilt Bronze Figural Candlesticks, eagle standards, foliate and ribbed mounts, hexagonal bases, h. 8 5/8 in. $200/300

719. Pair of Egyptian Revival‑Style Patinated Bronze Urns, double snake handles, necks mounted with busts of goddesses, bodies decorated with frieze of verdigris figures, plinth bases, h. 33 1/2 in., w. 25 in., d. 16 in. $800/1200

720. Pair of Decorative Gilt and Polychromed Porcelain Lidded Urns, blue “double L” marks, inscribed, parrot finials, applied flowers, reserves of shepherds, column bases, h. 16 1/2 in. $200/400

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721. Napoleon III Ebonized and Mother‑of‑Pearl Inlaid Barometer, mid‑19th c., with butler’s mirror, level, hygrometer and thermometer (glass broken), h. 37 1/2 in., w. 9 3/4 in., d. 2 1/4 in. $300/500

722. Decorative Argenté Pier Mirror in the Rococo Taste, foliate crest, beveled mirror plate, foliate scrolled base, h. 68 in., w. 21 1/2 in. $300/500

723. Art Nouveau Carved and Gilded Swing Frame, containing a vintage black and white photograph of a bride, pencil‑signed “M. Shapiro?” and dated lower right, overall 16 in. x 16 1/2 in. together with 5 gilt frames, shapes incl. oval, portico, rectangular and a pair of shields, each h. 8 1/2 in. to 14 in. $300/400

724. American School, early 19th c., “Young Naval Officer”, oil miniature, unsigned, sight 2 1/2 in. x 2 1/8 in., associated daguerreotype frame; together with American School, 19th/20th c., “Young Woman”, oil miniature, unsigned, sight 2 5/8 in. x 1 5/8 in., framed, (2 pcs.) $150/250

727. John Gould (British, 1804‑1881), “Lesbia Gracilis” and “Thaumatias Albiventris”, 2 hand‑colored lithographs from A Monograph of the Trochilidae, or Family of Hummingbirds, 1849‑1850, sheets 21 in. x 14 in., framed. $600/900

725. American or British School, early 19th c., “Young Woman” and “Young Man”, 2 associated oil miniatures, each unsigned, sights 3 in. x 2 1/2 in. and 2 1/2 in. x 2 in.; together with “Gentleman” and “Lady in a White Ruff”, 2 oil miniatures, former signed “L. Kahaney” lower right, sights 3 1/4 in. x 2 3/8 in. and 2 1/8 in. x 1 5/8 in., each framed. (4 pcs.) $200/400

728. John Gould (British, 1804‑1881), “Serin Finch”, “Little Auk”, “Crested Bell Bird”, “Delalande’s Plover Crest”, “and “Wood‑Pigeon”, 5 hand‑colored lithographs from Birds of Australia, Great Britain and Europe, sheets 21 1/4 in. x 14 1/2 in., framed. $700/1000

726. After Thomas Rowlandson (British, 1756‑1827), “Tours of Doctor Syntax”, 12 hand‑colored engravings with aquatint, sights 4 3/4 in. x 7 in. to 5 1/2 in. x 8 in., framed and matted alike, (4 pcs.) $800/1200 Provenance: Sold in these rooms, June 7, 2003, lot 602.

729. John Gould (British, 1804‑1881), “Tristram’s Amydrus”, “Black‑headed Bunting”, “White‑naped Yuhin”, and “Marchioness Doria’s Hill‑Tit”, 4 hand‑colored lithographs from Birds of Asia, sheets 21 1/4 in. x 14 1/2 in., framed. $700/1000

730. Pair of English Hand‑Colored Engravings, “A Perspective View of the Town and Fortifications of Malta”, 1794, pub. by Laurie & Whittle, London, and “The Island of St. Helen ‑ Belonging to the East India Company of England”, Jan Van Ryne, etcher and Robert Sayer, publisher, sight 10 1/2 in. x 16 in.; together with after Jules Boilly (French, 1798‑1874), “Le General (Napoleon) Bonaparte”, hand‑colored engraving, Alphonse Boilly (French, 1801‑1867) etcher, sight 8 1/2 in. x 6 1/2 in., framed, (3 pcs.) $150/300 731. [Fine Bindings], 90 leather bound books, 19th c., incl: Strickland/Hall Queens of England, 7 vols; Kinglake Invasion of Crimea, 5 vols; Knight, editor Works of Shakespeare, 7 vols; and other selections of architecture, literature, etc. $700/1000

732. Pair of Decorative Silverplate Seven‑Light Banquet Candelabra in the Rococo Taste, h. 29 1/2 in. $1500/2500

Additional information at www.nealauction.com

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733. Pair of Decorative Silverplate Wine Coolers, with stag’s head handles, Greek key banding, removable liner, h. 10 1/2 in. $800/1200

735. 14 kt. Yellow Gold and Carved Jade Dragon Ring. $400/600

737. Georgian Yellow Gold and Intaglio Ring, c. 1820, unmarked, probably 18 kt., intaglios carved with symbols for Faith, Hope and Charity. $300/400

734. Pair of 18 kt. Yellow Gold and Mother‑of‑Pearl Playing Card Cufflinks. $500/700

736. Georgian Yellow Gold and Carved Coral Dog Stickpin. $300/500

738. 14 kt. White and Yellow Gold and Diamond Ring, set with 7 old mine cut diamonds, I‑J color, I1‑I2 clarity, totaling approx. 1.5 ct. $800/1200

739. Pair of 14 kt. Yellow Gold, Black Onyx and Diamond Cufflinks, marked “B.A.B.”. $500/800 740. 14 kt. Yellow Gold Flexible Bracelet with Tubular Bar, wt. 25 dwts. $750/1000

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741. David Yurman Sterling Silver Curb Chain Necklace, self‑closing clasp, l. 18 in., w. from 12.5 mm. to 21 mm., wt. 5.05 troy ozs. $500/750

742. 14 kt. Gold and Diamond Lady’s Covered Watch Bracelet, third quarter 20th century, signed on the movement Joseph Boillat & Fils and on the dial LaFemme, the tiny circular silvered matte dial applied with disc and triangular chapters, revealed beneath a magnifying lens and hinged spring cover set with five star‑set single‑cut diamonds totaling approximately.10 carats, attached to the original double rope‑link “cow hitch” bracelet with two dangling tassels, with fixed safety chain, l. 6‑7/8”, total wt. 46.6 grams. $700/1000

743. White Gold, Diamond and Sapphire Pin, unmarked, probably 14 kt., set with 1 full cut and 12 single cut diamonds, and 56 small faceted sapphires. $500/700

745. Antique Swiss Picard Cadet 18 kt. White Gold and Guilloche Enamel Pendant Watch, with associated guilloche enamel chain, French 18 kt. white gold, black enamel and pearl chain, and American 14 kt. yellow gold chain, (4 pcs.) $500/750

744. Antique Art Deco Swiss Glycine Platinum, Diamond and Emerald Lady’s Wristwatch, set with numerous very fine European cut diamonds and calibre cut emeralds, 17 jewel movement, later 14 kt. white gold mesh band. Note: Missing 3 emeralds. $600/800

746. American White Gold, Crystal and Sapphire Flexible Link Bracelet, set with 1 small diamond and 2 small square sapphires, gold unmarked, probably 10 kt., l. 6 7/8 in. $300/500

750. Antique 18 kt. Yellow Gold, Platinum, Diamond and Lapis Lazuli Fly Stickpin. $300/500

747. Continental .800 Silver Filigree Brooch, set with a portrait miniature of an Elizabethan Lady. $100/200

748. Vintage 14 kt. Yellow and White Gold, Ruby, Diamond and Sapphire American Flag Stickpin. $400/600

749. Sterling Silver Necklace with Carved Crystal Buddha Pendant, marked 925, signed indistinctly, possibly Gump’s. $300/500

751. Vintage Gucci Silver Curb Link and Medallion Flexible Bracelet, l. 9 in. $200/300

Additional information at www.nealauction.com

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752. Persian Serapi Carpet, navy blue ground, overall stylized floral motif, orange border, 9 ft. 5 in. x 6 ft. 6 in. $2800/3200

753. Persian Serapi Carpet, orange ground, floral central medallion, navy blue border, overall stylized floral motif, 13 ft. 6 in. x 9 ft. 8 in. $4000/5000

754. Persian Serapi Carpet, floral central medallion, red ground, cream corner brackets, navy blue border, overall stylized floral and foliate motif, 12 ft. 12 in. x 8 ft. 7 in. $3500/4500

755. Persian Heriz Carpet, red ground, floral central medallion, cream corner brackets, navy blue border, overall stylized floral motif, 11 ft. 7 in. x 8 ft. 8 in. $3000/4000

756. Persian Serapi Carpet, red ground, floral central medallion, navy blue border with polychrome stylized floral motifs, 10 ft. 10 in. x 6 ft. 6 in. $2800/3200

757. Qum Carpet, tan ground, brown border, grid pattern with stylized floral medallions, 5 ft. 3 in. x 3 ft. 7 in. $1000/1500

758. Aubussonâ&#x20AC;&#x2018;Style Carpet, green ground, grid pattern with floral round medallions, red border, 8 ft. x 6 ft. 2 in. $600/900

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759. African Carved Wood Nimba Mask, Baga People, Guinea, domed lower section with tall neck and elongated visage, h. 50 in. $400/600

760. Oceanic Bone, Raffia and Feather Embellished Carved Wood Oratorâ&#x20AC;&#x2122;s Stool, Iatmul People, Papua New Guinea, circular base surmounted by a male figure, h. 59 in., w. 15 in. $250/350

761. Five Oceanic Polychromed Carved Wood Masks, Sepik River, Papua New Guinea, elongated visages variously mounted with raffia, shell and fiber, h. 21 1/2 in. to 28 in. $400/600

762. José Antonio Velásquez (Honduran, 1906‑1985), “San Antonio de Oriente, Honduras”, 1966, oil on canvas, signed, dated and inscribed “Honduras” lower right, 19 1/4 in. x 14 1/2 in., period frame. $800/1200

764. Elaine Mayes (American, b. 1936), “Haleakala, Sunrise, Maui”, 1990, and “Bandon Beach Sunset, Face Rock, Cats and Kittens, Oregon”, 1995, 2 c‑prints, signed, titled and dated en verso, eds. of 12, 20 in. x 24 in., framed alike. (2 pcs.) $700/1000

767. Philippe Buache (French, 1700‑1773), “Carte de la Barbarie de la Nigritie et de la Guinee”, “Carte de l’Egypte de la Nubie de l’Abissine” and “Carte du Congo et du Pays des Cafres”, 1745,. maps making up the whole of Africa, in outline color, based on Delisle’s 1707 work, each 19 1/4 in. x 24 in. (3 pcs.) $400/600

763. José Antonio Velásquez (Honduran, 1906‑1985), “San Antonio de Oriente, Honduras”, 1969, oil on canvas, signed, dated and inscribed “Honduras” lower right, 22 3/4 in. x 17 1/2 in., period frame. $800/1200

765. Oceanic Carved Wood Shield, Upper Sepik River, Papua New Guinea, slightly curved rectangular body carved with stylized faces, flanked by geometric bandings, h. 62 1/2 in., w. 17 1/2 in. $300/500

766. Latin American Carved Wood Skeleton Figure, 19th/20th c., with metal joints, h. 33 1/2 in. $400/600

768. Philippe Buache (French, 1700‑1773), “Carte de la Terres Ferme du Perou, Bresil, et du Pays des Amazones” and “Carte du Paraguay du Chili du Detroit de Magellan”, 1745, two sheet maps making the whole of South America, in outline color, from the 1703 version by Delisle, 19 in. x 25 3/4 in. (2 pcs.) $400/600 Additional information at www.nealauction.com

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769. Robert de Vaugondy (French, 1723‑1786), “Carte Generale de l’Empire des Russes en Europe et en Asie...”, 1753, engraved map on two sheets (not joined), hand‑colored in outline, with elaborate cartouche showing wind heads, polar bears and the Imperial Eagle, each 18 1/8 in. x 23 3/4 in., (2 pcs.) $400/600

771. Four Antique French Maps of Holland and Belgium, incl. “Partie Septentrionale des Pays Bas...”, “Partie Meridionale des Pays Bas”, both by Janvier, 1760, with cartouche on stern of a ship; “Carte du Comte de Flandre...”, 1745, by Buache (after Delisle’s 1704 version); and “Picardie, Artois, Boulenois...”, 1769, by Vaugondy; outline color, each about 19 in. x 25 in. $400/600

773. [Pictorial Map of Monterey Peninsula], “Monterey Peninsula”, c. 1926, Jo Mora, Carmel‑by‑the‑Sea, color print, 27 in. x 20 in., framed. $200/300

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774. Two Venetian Etched and Cut Glass Mirrors, each with segmented mirror plate, one h. 47 in., w. 24 in., the other h. 47 1/4 in., w. 22 1/2 in. $600/900

770. Six Antique Maps of Europe, 1700‑1760, hand‑colored in outline, incl. “La Sicile” and “Le Royaume de Danemark” by Jaillot; “Les Couronnes du Nord Comprenant de Suede, Danemarck et Norwege” by Janvier; and “Cartes de la Grece”, “Carte de Suisse”, “Carte de la Turquie...” by Buache/Delisle, sheets 21 in. x 29 in. $400/600

772. Pair of Classical‑Style Cast Sandstone Sphinxes, 20th c., modeled recumbent on rectangular plinth, h. 33 in., l. 48 in., w. 21 in. $800/1200

775. Louis XVI‑Style Gilt Bronze and White Marble Figural Mantel Clock, late 19th c., with figural group allegorical of “Love”, on marble base, h. 14 1/2 in., w. 13 in., d. 4 1/2 in. $500/750

776. Louis Philippe Gilt Bronze and Marble Mantel Clock, c. 1848, silk‑thread movement, dial marked “a Paris”, with gryphon supports, plinth base, toupie feet, h. 14 in., w. 8 1/2 in., d. 3 3/4 in. $400/600

777. Asian School, 19th c. or earlier, probably Korean, â&#x20AC;&#x153;Bodhisattva with Bamboo Sprig and Alms Bowlâ&#x20AC;?, ink, color and gold on paper, later seal lower left, 119 3/4 in. x 51 1/8 in., mounted as a hanging scroll, overall 152 in. x 62 1/2 in. $8000/12000 Provenance: Kleykamp Gallery, The Hague, Netherlands; Johan Wilhelm Adriaans, Holland, c. 1930s; Adriaans Antiques, New Orleans, 1976.

Additional information at www.nealauction.com

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778. Korean Wood Low Table, Soban, probably 19th c., dodecagonal galleried top, shaped apron, curved “tiger” legs, stretchers, h. 10 in., w. 19 1/4 in. $300/500

779. Group of Three Korean Paintings, probably 19th/20th c., incl. “Pine and Lingzhi”, fan, ink and color on silk, sealed mid‑left and right, 9 in. x 9 7/8 in., mounted to paper; “Hunting the Tiger”, ink and color on silk, inscribed and sealed lower right, 16 7/8 in. x 11 1/2 in., mounted; and “Raccoon Steeling Eggs”, ink and color on artist board, inscribed and sealed upper left, 14 in. x 10 in. $800/1200

780. Bong Tae Kim (South Korean, b. 1937, act. California, 1960s‑70s), “Fugue III”, c. 1974, intaglio on paper, pencil‑signed, titled and numbered “24/75” lower margin, 20 in. x 39 1/4 in., framed. $300/500

782. Chinese Silver Inlaid Bronze Buffalo, modeled standing foursquare with thick arched neck and alert forward facing head, overall stylized loop inlay, h. 6 3/4 in., w. 9 in., accompanied by a copy of ORENDA report #2011207AFLS $1000/1500 Provenance: Ex‑Collection Chauncey Lowe, Winter Park, FL; sold Neal Auction Company, Feb. 8, 2014, lot 32.

781. Two Chinese Bronze Belt Buckles, incl. larger, probably Warring States (475 ‑ 221 BCE), gold and silver inlaid shaft terminating in a dragon head, l. 4 1/2 in.; and smaller, probably Han Dynasty (206 BCE ‑ 220 CE), ribbed shaft with hook terminal, l. 3 1/4 in. $1000/1500

783. Chinese Bronze Handle, probably Han Dynasty (206 BCE ‑ 220 CE), tubular curving shaft terminating in a stylized dragon’s head, h. 5 1/8 in., custom acrylic stand, overall h. 6 3/4 in., l. 10 3/4 in. $1500/2500 Provenance: Acquired Jeffrey Moy, Chicago.

785. Chinese Celadon Glazed Porcelain Stem Bowl, probably Yuan/Ming Dynasty (1271‑1644), flared bowl above ribbed stem, h. 5 in., dia. 5 3/8 in. $600/800

786. Chinese Hare’s Fur Glazed Pottery Bowl, probably Song Dynasty (960‑1279), conical body with slightly everted rim, h. 2 in., dia. 5 in. $1000/1500

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784. Pair of Chinese Bronze Ornaments/ Appliqués, probably Han Dynasty (206 BCE ‑ 220 CE), each half‑tubular body flanked by four lugs and incised with stylized foliage, l. 2 1/2 in., mounted together on acrylic stand, overall h. 2 5/8 in., w. 4 3/4 in., d. 3 in. $600/800

787. Chinese Stone Buddhist Stele Fragment, probably Eastern Wei/Northern Qi Dynasty (534‑577), carved with Buddha standing on a socle beside an acolyte, h. 37 in., w. 27 1/2 in., accompanied by an Orenda report. $30000/50000 Note: The dating of this lot is consistent with the findings of Orenda report #2011207AFLY dated Nov. 20, 2007.

788. Chinese White and Russet Jade Belt Buckle, probably Yuan/Ming Dynasty (1271‑1644), carved as a lion’s mask with wide open mouth, detailed visage and with yin‑yang on forehead, h. 1 1/4 in., l. 3 in., w. 2 1/8 in. $5000/7000

789. Chinese Greenish White Jade Buddhist Lion Group, probably Ming Dynasty (1368‑1644), recumbent female carved beside a pup, incised details throughout, h. 1 1/4 in., w. 3 7/8 in., d. 3 in. $8000/12000 Provenance: Acquired Jeffrey Moy, Chicago.

Additional information at www.nealauction.com

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790. Chinese Brown and Russet Jade Buffalo, probably Ming Dynasty (1368‑1644), recumbent figure carved with raised head and long curling horns, h. 1 1/8 in., l. 2 3/8 in., w. 1 5/8 in. $1000/1500

791. Chinese Calcified White, Gray, and Russet Jade Tiger, probably Ming Dynasty (1368‑1644), coiled recumbent figure carved grooming its hind leg, h. 1 3/8 in., w. 3 in., d. 2 3/8 in. $1000/1500

792. Chinese Greenish White Jade Appliqué, probably Ming Dynasty (1368‑1644), delicately carved with five plum blossoms and bamboo foliage encircling a central flower head, dia. 2 1/8 in. $1000/1500

793. Chinese Green and Russet Jade Toggle, probably Ming Dynasty (1368‑1644), carved as a mythical beast lying on a rectangular pillow with a tasseled blanket on its back, h. 1 3/8 in., w. 2 5/8 in. $600/800

794. Chinese Green Jade Toggle, probably Ming Dynasty (1368‑1644), carved as a young boy clutching a lingzhi spray, h. 1/2 in., l. 3 3/8 in., w. 1 3/4 in. $600/800

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795. Massive Chinese Polychrome Wood Figure of a Bodhisattva, early Ming Dynasty (1368‑1644) according to radiocarbon dating, imposing figure carved seated in the position of ‘royal ease’ on a rockwork plinth wearing long robes exposing a bare chest adorned with bead necklaces, h. 79 3/4 in., accompanied by a radiocarbon dating analysis report. $30000/50000 Note: The dating of this lot is consistent with the result of the Jan. 28, 2008 Beta Analytic Inc. radiocarbon dating measurement test taken on sample ATS12190713.

796. Chinese Bronze Seated Figure, probably Ming Dynasty (1368‑1644), probably Wenchang, cast wearing voluminous robes and a ribbed ornamented cap with long tassels extending down the broad shoulders, holding a scepter or hu tablet before his chest, h. 12 1/8 in., custom stand, overall h. 16 1/4 in. $2000/3000

797. Chinese Junyao Pottery Jar, probably Ming Dynasty (1368‑1644), compressed globular body with strap handles and qilong along the purple‑splashed shoulder, h. 4 3/4 in., dia. 6 1/8 in. $1500/2500

798. Chinese Celadon Stoneware Bowl, probably Ming Dynasty (1368‑1644), carved on well with central floral spray, cavetto with radiating lines beneath a keyfret band, h. 3 1/4 in., dia. 13 1/4 in. $1000/1500

799. Antique Chinese Brown and Black Glazed Pottery Cadogan Teapot, peach‑form with loop handle and scroll spout, h. 7 1/2 in., w. 7 1/8 in. $600/800 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

Provenance: Acquired c. 1975.

800. Antique Chinese Glazed Stoneware Ewer, modeled with the body of a seated bird and the head of a ferocious dragon, h. 9 1/4 in. $1000/1500 Provenance: Acquired c. 1975.

801. Chinese Blue and White Porcelain Storage Jar, probably late Ming Dynasty (1368‑1644), ovoid body with four strap handles beneath a short rolled neck, decorated with bands of floral sprays, h. 11 in. $1000/1500 Provenance: Acquired c. 1975.

803. Chinese Painted Bamboo Brushpot, probably Ming Dynasty (1368‑1644), relief‑carved with scholars on donkeys climbing a mountainous path, h. 10 1/8 in., dia. 6 3/8 in. $1000/1500

802. Pair of Antique Chinese Glazed Stoneware Baluster Jars, overall creamy‑ white glaze, h. 7 1/8 in. $1000/1500 Additional information at www.nealauction.com

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804. Good Chinese Scholar’s Rock, probably Qing Dynasty (1644‑1911), craggy, black and gray stone with white veining with three upright branches tapering toward the base, wood stand, overall h. 35 1/8 in. $5000/7000

805. Chinese Wucai Porcelain Jar, probably Ming Dynasty (1368‑1644), decorated with alternating panels of Immortals and pomegranates surrounded by stylized clouds, h. 8 3/4 in., wood cover, overall h. 10 1/8 in. $4000/6000

806. Chinese Hardwood Waisted Corner‑Leg Square Table, probably 17th/18th c., paneled inset top, carved straight waist, square apron, square legs, horse‑hoof feet, h. 33 1/8 in., w. 29 1/4 in., d. 29 1/4 in. $2500/3500

807. Pair of Chinese High Back Armchairs, probably Qing Dynasty (1644‑1911), curved top rails continuing to straight stiles flanking curved spindled backs, solid panel inset seats, openwork aprons, square legs, stretchers, footrests, h. 40 in., w. 24 1/4 in., d. 21 in. $1500/2500

808. Large Chinese Carved Wood Figure of Guanyin, probably Ming Dynasty (1368‑1644), crowned figure seated in the lotus position with hands held in vitarka mudra, h. 40 in. $2000/3000

809. Chinese Dingyao‑Type Pottery Bowl, probably Qing Dynasty (1644‑1911), interior carved with lotus and foliage, h. 2 7/8 in., dia. 7 3/8 in. $1000/1500 Provenance: Ex‑Collection Chauncey Lowe, Winter Park, FL.

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810. Chinese Dingyao‑Type Pottery Teapot/Water Dropper, probably Qing Dynasty (1644‑1911), gourd‑form body with twisted rope and leaf handle, h. 5 1/2 in., dia. 4 in. $2000/3000 Provenance: Ex‑Collection Chauncey Lowe, Winter Park, FL.

811. Chinese Ge‑Style Crackle Glazed Bombé‑Form Censer, probably Qing Dynasty (1644‑1911) or earlier, with applied mask handles, exterior with ivory crackle glaze, h. 3 in., w. 5 1/4 in. $300/500 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

812. Two Chinese Celadon Stoneware “Twin Fish” Bowls, probably Qing Dynasty (1644‑1911), with barbed rims and ribbed exteriors, interior wells molded with pairs of fish, h. 2 1/4 and 1 7/8 in., dia. 10 3/4 in. and 10 1/2 in. $1200/1800

813. Chinese White Glazed Porcelain Brushwasher, probably 18th c., compressed bombé form with rolled rim, base with Kangxi mark, h. 1 3/8 in., dia. 4 in. $600/800

Provenance: Acquired c. 1975.

814. Pair of Chinese Blue and White Porcelain Ovoid Jars, probably 17th c., decorated with peonies, foliage and lanterns between geometric borders, h. 7 1/8 in., elaborate wood stands, overall h. 9 1/8 in. $800/1200

815. Chinese Petal-Molded Blue and White Porcelain Foliate Rim Bowl, probably 17th c., decorated with floral sprays, base with lingzhi mark, h. 3 1/2 in., dia. 8 1/8 in. $1000/1500

817. Chinese Yellow Glazed Porcelain Dish, probably 17th/18th c., interior with incised lotus and foliate scroll roundel, exterior with foliate scroll and petal tip bands, fine crackle overall, base with Chenghua mark and label: “Ex Collection / Mr. Detwiler / Jackson St. / S.F.”, h. 1 5/8 in., dia. 9 1/8 in. $2000/3000 816. Chinese Blue and White Porcelain Jardinière, probably early Qing Dynasty (1644‑1911), exterior decorated with continuous lakeside landscape, everted rim with peaches and foliage, h. 8 in., dia. 14 1/4 in. $800/1200 Additional information at www.nealauction.com

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818. Pair of Chinese High “Yoke” Back Side Chairs, probably Qing Dynasty (1644‑1911), straight top rails, brass mounted stiles flanking curved spindled backs, solid panel inset seats, openwork aprons, square legs, stretchers, footrests, h. 38 3/4 in., w. 20 1/4 in., d. 16 1/4 in. $1500/2500

819. Chinese Famille Verte Porcelain Brushpot, probably 17th c., decorated with historical figures in a continuous landscape, h. 6 1/4 in., dia. 7 1/2 in. $8000/12000

820. Chinese Waisted Corner‑Leg Hardwood Table, probably 18th c., rectangular solid panel inset top, carved straight waist, shaped frieze carved with chimes and clouds, stylized dragon head spandrels, square legs, cloud‑scroll feet, h. 40 in., w. 70 1/2 in., d. 18 1/4 in. $10000/15000

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821. Chinese Copper Red and White Porcelain Bottle Vase, probably Qing Dynasty (1644‑1911), decorated with dragons amid scrolling vines, base with Yongzheng mark, h. 13 3/4 in. $5000/7000

823. Two Chinese Jade Hairpins, first white nephrite, probably 17th c., tapering shaft with ruyi head terminal, l. 4 in.; second green jadeite, probably 19th c., arched shaft with scroll terminal, l. 5 1/2 in. $1000/1500

822. Le Pho (Vietnamese/French, 1907‑2001), “Floral Still Life”, oil on canvas, signed “Le Pho” and signed again in Chinese lower right, “Findlay Galleries Inc., Chicago” label on backing, 19 1/4 in. x 11 7/8 in., framed with artist plaque. $6000/8000

824. Chinese Greenish White Jade Tiger, probably 17th/18th c., carved seated on its haunches with downturned head, h. 2 1/4 in., l. 3 1/2 in., w. 1 1/4 in., pierced for suspension. $8000/12000 Provenance: Acquired Jeffrey Moy, Chicago.

825. Chinese White Jade Pendant, probably 18th/19th c., carved with the He He Twins on banana foliage, reverse with calligraphic inscription, h. 2 3/8 in., w. 1 1/2 in. $1500/2500

826. Chinese Archaistic Greenish White Jade Pendant, probably 18th/19th c., carved in the form of a ritualistic knife with zoomorphic handle and engraved blade, l. 3 7/8 in., w. 1 1/4 in. $600/800

827. Chinese White Jade Archer’s Ring, probably 18th/19th c., pierced walls carved with wan characters, h. 1 in., dia. 1 1/8 in. $2000/3000

Additional information at www.nealauction.com

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829. Chinese Mottled Gray Jade Bowl, probably 18th c., with engraved fret border on exterior rim, h. 1 1/8 in., dia. 4 1/2 in. $600/800

828. Chinese Celadon Jade Fondling Piece, probably Qing Dynasty (1644‑1911), carved as two entwined cats with lingzhi sprays in their mouths, h. 3/4 in., l. 2 1/8 in., w. 1 5/8 in. $600/800

831. Chinese Peachbloom Glazed Porcelain Candle Stand, probably Qing Dynasty (1644‑1911), tapered pricket and drip pan on inverted bell‑form base, interior with Kangxi mark, h. 9 1/4 in. $800/1200

833. Chinese Mirror Black Porcelain Baluster Vase, probably 18th/19th c., overall lightly stippled glaze, base with Kangxi mark, h. 11 3/8 in. $800/1200

835. Chinese Celadon Porcelain Vase, probably 18th/19th c., waisted mallet‑form with tall trumpet neck molded with a qilong dragon, h. 13 1/2 in. $1500/2500 Provenance: Reputedly, Ex‑Personal Collection Avery Brundage; acquired Jeffrey Moy, Chicago, c. 1990.

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830. Chinese Soapstone Brushwasher, probably 19th c., lobed floriform bowl relief‑carved with chrysanthemum and prunus encircling interior rim and lotus and foliage growing up exterior sides, h. 2 1/2 in., w. 8 3/4 in., d. 7 in., hardwood stand, overall h. 4 5/8 in. $1000/1500

832. Chinese Copper Red Glazed Porcelain Bottle Vase, probably Qing Dynasty (1644‑1911), overall even glaze, base with Xianfeng mark, h. 10 in. $1000/1500

834. Chinese Mirror Black Porcelain Baluster Vase, probably 19th c., overall lightly stippled glaze stopping in an even line above the short foot, h. 11 3/4 in. $500/700

836. Chinese Blue Glazed Porcelain Meiping Vase, probably Qing Dynasty (1644‑1911), incised with a dragon chasing the flaming pearl between pendant ruyi heads encircling the rim and upright lappets at the base, h. 13 in. $1200/1800

837. Chinese Gilt and Patinated Bronze Guanyin, probably 19th c., cast holding a foliate spray and bottle vase, standing on a lotus base rising from waves before a flaming mandorla, h. 23 1/2 in. $10000/15000

838. Pair of Chinese Cloisonné Enamel Winged Rams, probably 18th/19th c., recumbent figures with gilt details and detachable wings, h. 5 1/2 in., l. 7 1/8 in. $2000/3000

839. Fine Chinese Goldstone Flecked Transparent Blue “Beijing” Glass Bottle Vase, Qianlong Mark and Possibly Period (1736‑1795), bulbous body with elongated neck on short foot, base with Qianlong mark, h. 8 1/2 in. $2500/3500

840. Chinese Opaque Mottled Green “Beijing” Glass Bottle Vase, probably 18th/19th c., compressed globular body with elongated neck, h. 9 1/2 in. $800/1200 841. Chinese Blue Overlay Opaque White “Beijing” Glass Bowl, 19th c., carved with pentagons, h. 2 1/4 in., dia. 5 3/4 in. $600/800

842. Chinese Red Overlay Opaque White “Beijing” Glass Bowl, probably 18th/19th c., carved with pentagons, h. 2 7/8 in., dia. 6 1/4 in. $1000/1500

843. Chinese Green Overlay Opaque White “Beijing” Glass Covered Baluster Jar, probably 19th c., carved with peonies above rockwork, h. 9 1/4 in. $800/1200

844. Chinese Green Overlay Opaque White “Beijing” Glass Gu Vase, probably 18th/19th c., carved with pavilions and temples in a mountainous landscape, h. 7 1/2 in. $1000/1500

845. Pair Chinese Spinach Jade “Marriage” Bowls, probably Qing Dynasty (1644‑1911), lobed oval bodies with foliate carved rims and bat head loose‑ring handles, exterior walls carved with stylized lotus, bases with Qianlong marks, h. 2 1/2 in., w. 12 5/8 in., d. 8 3/8 in., hardwood stands, overall h. 6 5/8 in. $15000/25000 Provenance: Reputedly acquired Hartman Rare Art, Fairmont Hotel, Dallas, c. 1960s. Additional information at www.nealauction.com

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847. Chinese Banded Agate Covered Tripod Censer, probably late Qing Dynasty (1644‑1911), bulbous body with dragon head handles on lion’s mask scroll feet, domed cover with lion heads and Buddhist lion and pup finial, h. 8 1/8 in., w. 8 1/2 in. $2000/3000

846. Chinese Green Jade Inset Hardwood Table Screen, probably 20th c., oval translucent stone carved with figures in a mountainous landscape, reverse incised with gilt calligraphy, Qianlong mark, sight 20 7/8 in. x 14 5/8 in., reticulated carved wood stand, overall h. 33 1/2 in., w. 22 3/4 in., d. 8 3/4 in. $5000/7000

848. Chinese Hardstone and Mother‑of‑Pearl Embellished Black Lacquer Panel, shaped rectangular form with applied bird‑and‑flower decoration, h. 28 7/8 in., l. 38 1/8 in., cloisonné enamel hanger. $2500/3500 850. Chinese Bamboo Figure of Li Bai, probably 19th c., bearded barechested figure carved reclining against a wine jar, h. 9 1/4 in., w. 8 3/4 in. $1500/2500

849. Rare Chinese Bamboo Pillow, probably 18th/19th c., bow‑form with slatted neck rest and collapsible braced feet, h. 6 1/8 in., w. 16 7/8 in., d. 4 1/2 in. $700/900

851. Chinese Reticulated Bamboo Brushpot, probably mid‑Qing Dynasty (1644‑1911), carved with sages and attendants beneath an old pine, h. 5 3/4 in., dia. 4 1/4 in. $1500/2500

Provenance: Reputedly, Ex‑Avery Brundage Personal Collection; acquired Jeffrey Moy, Chicago.

852. Chinese Burlwood Wrist Rest, probably mid‑Qing Dynasty (1644‑1911), carved as a section of bamboo, h. 1 in., w. 7 5/8 in., d. 2 3/8 in. $800/1200 Provenance: Acquired Jeffrey Moy, Chicago.

853. Chinese Hardwood Ruyi Scepter, probably 19th/20th c., entwined branch‑form staff surmounted by a qilong dragon and terminating in a ruyi head, l. 8 3/4 in. $1000/1500

140

854. Chinese Rootwood Figure of Shoulao, probably 19th c., standing bald figure carved wearing long robes and holding a peach, h. 12 in. $1000/1500

855. Chinese Duan Stone Table Screen, probably 20th c., carved with deer in a landscape with pine, prunus, lingzhi, rock, and foliage, sight 13 3/4 in. x 10 1/4 in., hardwood stand, overall h. 21 7/8 in., w. 14 3/8 in., d. 8 in. $1500/2500

856. Archaistic Chinese Gilt Bronze Double Vase, probably 20th c., modeled as two drums straddled by a dragon, relief‑cast with stylized animal masks and dragons, base with Qianlong mark, h. 4 5/8 in. $1000/1500

857. Chinese Molded Gourd Tripod Censer, probably 20th c., incised with a continuous landscape of dwellings, figures and a bull, inscribed and sealed, base with seal mark, h. 4 3/4 in., w. 9 1/2 in. $1000/1500

858. Three Chinese Blue and White Porcelain “Peony” Dishes, probably 17th c., each interior with a profusion of flowers, brown‑banded rims, h. 2 1/8 in. and 1 5/8 in., dia. 13 7/8 in., 13 1/2 in. and 10 3/4 in. $1200/1800 Provenance: Larger two acquired c. 1975; smaller acquired c. 1979.

859. Chinese Langyao Porcelain Baluster Vase, probably 19th c., rich translucent glaze thinning to white at rim, h. 14 1/8 in., dia. 7 1/4 in. $1000/1500

860. Chinese Blue Glazed Porcelain Bottle Vase, probably 19th c., base with Xianfeng mark, h. 9 3/8 in. $800/1200

861. Chinese Famille Rose Decorated Yellow Ground Porcelain Bottle Vase, probably 19th c., decorated with stylized lotus blossoms on a foliate ground, base with hall/commendation mark, h. 13 1/4 in. $4000/6000 Additional information at www.nealauction.com

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862. Large Chinese Famille Rose Porcelain Charger, probably 18th c., decorated with a central floral and fruit basket encircled around the wide rim with a band of flowers and antiques, h. 2 1/4 in., dia. 16 3/4 in. $4000/6000

863. Chinese Famille Rose Porcelain “Long‑Life” Foliate Rim Dish, probably 19th/20th c., decorated with a fruiting and flowering peach tree rising from rockwork with lingzhi, peony and other shrubs, base with Daoguang mark, h. 1 1/4 in., dia. 8 3/8 in. $1500/2500

864. Chinese Famille Rose Decorated Red Ground Porcelain Bowl, Daoguang Mark and Probably Period (1821‑1850), decorated around exterior walls with rocks and flowers, base with Daoguang mark, h. 2 1/2 in., dia. 5 1/8 in. $2500/3500

865. Chinese Bronze Bottle Vase, probably Qing Dynasty (1644‑1911), with floral scroll handles, relief cast with dragons, lotus and foliage, base with Qianlong mark, h. 11 3/4 in., dia. 8 in. $1000/1500

866. Chinese Bronze Ram Group, probably 19th c., cast as two figures lying beside one another, base with later Japanese inscription, h. 3 3/4 in., l. 7 3/4 in. $800/1200

867. Chinese Bronze Lobed Baluster Vase, probably 19th c., with dragon handles, base with cast dragon mark, h. 9 3/4 in., w. 7 3/8 in. $800/1200

868. Chinese Cinnabar Lacquer Tray, probably Qing Dynasty (1644‑1911), carved with figures on a bridge beside pavilions and trees, base with Qianlong mark, h. 1 5/8 in., w. 14 5/8 in., d. 12 1/8 in. $1500/2500

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869. Pair Chinese Hardwood Lanterns, probably late Qing Dynasty (1644‑1911), hexagonal bases supporting conforming shades with glass inserts, h. 15 1/8 in., w. 8 1/8 in., now electrified. $1000/1500 870. Chinese Silver Stem Bowl, probably 19th c., with incised lotus, floral scrolls and leaves, base marked, h. 3 7/8 in., dia. 5 1/4 in., hardwood stand, overall h. 6 5/8 in. $400/600

872. Chinese Giltwood Panel, probably early 20th c., carved with a figural procession, h. 16 3/8 in., w. 11 1/2 in., d. 2 in. $300/500

873. Chinese Embroidered Blue Silk Civil Rank Badge, probably Qing Dynasty (1644‑1911), worked in satin and knot stitch with a silver pheasant and 5 colorful bats, 9 1/2 in. x 10 3/4 in. $300/500

876. Chinese Famille Rose Decorated Blue Ground Porcelain Bowl, probably Qing Dynasty (1644‑1911), decorated with peaches, bats and shuo characters, base with Yongzheng mark, h. 3 in., dia. 6 5/8 in. $2500/3500

874. Chinese Gilt Decorated Cinnabar‑Orange Bowl‑Form Ink Cake, probably Qing Dynasty (1644‑1911), interior carved with dragons and the characters “imperially bestowed”, exterior with dragons and pearls, base inscribed “made by Cao Sugong in Qianlong period...”, h. 2 3/8 in., dia. 6 in. $800/1200

871. Chinese Silver Barbed Rim Stem Bowl, probably early 20th c., relief‑decorated with a dragon encircling the side, base with maker’s mark and “90”, h. 3 5/8 in., dia. 5 7/8 in. $200/400

875. Chinese White Glazed Pottery Rouleau Vase, probably early‑to‑mid 19th c., finely molded and carved with garden scene in mountainous landscape, base with Wang Bing Rong Zho mark, h. 8 in. $800/1200

877. Chinese Blue and White Porcelain Dish, probably Qing Dynasty (1644‑1912), decorated with birds in a flowering pomegranate tree, base with flower mark, h. 2 1/8 in., dia. 9 7/8 in. $800/1200

878. Chinese Celadon Porcelain Censer, carved around the sides with stylized foliage and lotus, h. 6 3/4 in., dia. 8 3/8 in. $400/600

881. Chinese Famille Rose Porcelain Dish, probably 19th c., decorated with a central peach medallion surrounded by flowering plants, base with Daoguang mark, h. 1 1/4 in., dia. 7 1/4 in. $400/600

882. Chinese Famille Verte Porcelain Brushpot, probably 19th c., decorated with dragons on an etched wave ground, base with Guangxu mark, h. 4 5/8 in., dia. 2 3/4 in. $600/800

Provenance: Chang Collection, Great Wall Gallery, Hong Kong; Thomas Chang, Oriental Treasures, Dallas; current owner.

879. Chinese Peachbloom Glazed Porcelain Brushwasher, probably 19th c., mottled copper red and green glaze on exterior and base, h. 1 1/8 in., dia. 4 5/8 in. $300/500 Provenance: Joan Good Antiques, New Orleans, c. 1960s.

880. Pair of Chinese Famille Rose Porcelain Dishes, probably 19th c., decorated with butterflies and gourd vines, bases with Jiaqing marks, h. 1 in., dia. 5 3/4 in. $800/1200

Additional information at www.nealauction.com

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883. Chinese Famille Rose Porcelain Vase, probably 19th c., decorated with flower sprays on a lattice ground, h. 9 1/4 in., now mounted as a lamp, h. (to socket) 15 3/8 in. $400/600 Provenance: Henry Stern Antiques, New Orleans.

884. Chinese Famille Rose Porcelain Vase, 19th c., with lion handles, decorated with figures in landscapes and domestic scenes, h. 16 7/8 in., now mounted as a lamp, h. (to socket) 26 1/4 in. $500/800

885. Large Chinese Famille Rose Porcelain Vase, probably 19th c., decorated with antiques and auspicious emblems, h. 22 3/8 in., now mounted as a lamp, overall h. 39 3/4 in. $500/1000

Provenance: Henry Stern Antiques, New Orleans.

886. Pair of Chinese Peachbloom Glazed Porcelain Amphora Vases, probably 19th c., each with mottled green splashed copper red glaze stopping neatly above the tapering foot, bases with Kangxi marks, h. 8 1/8 in. and 8 1/4 in. $400/600

888. Chinese Celadon Jade Brushwasher, probably 19th c., carved as a giant carp with boys clambering up its sides, h. 3/4 in., w. 4 1/4 in., d. 2 3/4 in. $600/800 887. Pair of Chinese Hardstone and Mother‑of‑Pearl Embellished Brown Lacquer Panels, probably 19th c., decorated with figures in fenced garden settings, h. 60 1/4 in., w. 16 1/4 in., brass hangers. $400/600

890. Chinese White Jade Pig, probably 19th c., playful figure carved kneeling with a cash symbol on its back, h. 1 in., l. 1 3/8 in. $600/800

891. Chinese Mottled Spinach Green Jade Bowl, probably 18th/ 19th c., h. 2 in., dia. 4 7/8 in. $800/1200 889. Chinese Celadon Jade Figural Brushrest, probably late Qing Dynasty (1644‑1911), carved as a court acrobat posed with upturned head and feet, h. 2 1/8 in., l. 4 1/2 in., w. 1 1/2 in. $1000/1500 893. Chinese Hardstone Tree in Cloisonné Enamel Jardinière, probably 20th c., rectangular pot with three trees in assorted stones, h. 18 1/8 in., w. 18 1/2 in., d. 12 3/4 in. $1000/1500

892. Two Chinese Greenish White Jade Pendants, probably 19th c., one oval, carved with He He twins amid foliage, h. 2 7/8 in., w. 2 1/2 in.; other rectangular, carved with a crane amid lotus, h. 2 3/4 in., w. 2 3/8 in. $600/800

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894. Large Chinese Bronze Covered Tripod Censer, probably 20th c., with stylized elephant trunk handles, elephant mask feet, pierced domed cover with recumbent Buddhist lion and ball finial, base with Xuande mark, h. 16 3/4 in., w. 13 3/4 in. $1000/1500

897. Chinese Scholar’s Rock, white‑streaked brown stone rising to a head from a tapered base, h. 24 1/2 in., wood stand, overall h. 28 1/8 in. $600/800

895. Chinese Mother‑of‑Pearl Applied Bamboo Veneer Covered Box, octagonal cover decorated with a Buddhist lion and pup playing with a ribbon wrapped ball, base with hall mark, h. 4 1/4 in., w. 7 1/8 in., d. 7 1/8 in. $800/1200

896. Chinese Cinnabar Lacquer Covered Box, probably 19th c., carved with figures on a bridge in a garden setting, enamel interior, h. 1 7/8 in., dia. 2 3/8 in. $600/800

898. After Qi Baishi (Chinese, 1864‑1957), “Lotus and Dragonfly”, ink and color on paper, inscribed and sealed mid‑left, 53 5/8 in. x 12 7/8 in., mounted as a hanging scroll. $400/600

899. Chinese Yixing Pottery Covered Teapot, probably Qing Dynasty (1644‑1911), decorated with incised calligraphy on gold flecked body, base with seal mark, h. 4 1/8 in., w. 8 1/8 in. $1000/1500

900. Chinese Yixing Pottery Covered Teapot, probably Republic Period (1911‑1949), decorated with incised bamboo and calligraphy, base and interior of cover with seal marks, h. 3 7/8 in., w. 7 in. $1000/1500

901. Chinese Yixing Pottery Covered Teapot, probably Republic Period (1911‑1949), modeled as a bamboo shoot, base and interior of cover with seal marks, h. 3 1/8 in., w. 7 1/8 in. $400/600

903. Chinese School, probably Republic Period (1911‑1949), “Showing Grandfather the Report Card”, ink and color on paper, inscribed and sealed mid‑right, backing with note partially reading: “Artist: Yau‑Muan... Students Name: Lee Scow Huong... Name of School: Sing Starlight School”, sight 36 3/4 in. x 34 1/4 in., framed. $1000/1500

902. Chinese Yixing Pottery Covered Teapot, probably Republic Period (1911‑1949), modeled as an ageing fruit or vegetable, cover with lingzhi finial, base and interior of cover with seal marks, h. 2 3/4 in., w. 5 1/8 in. $400/600

905. Pair of Chinese Famille Rose Porcelain Bottle Vases, probably Republic Period (1911‑1949), decorated in mirror image with sages in garden landscapes, each inscribed and sealed, bases marked, h. 10 5/8 in. $1500/2500

904. Chinese Famille Rose Porcelain Covered Jar, probably 20th c., decorated with a quail on rockwork amid flowers and bamboo, base with Hongxian mark, conforming domed cover, h. 8 1/2 in., dia. 4 1/2 in. $500/700

906. Chinese Doucai Porcelain Bottle Vase, probably Republic Period (1911‑1949), with dragon handles, decorated with Buddhist symbols, lotus, and scrolling foliage, h. 17 3/8 in. $1000/2000 Additional information at www.nealauction.com

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907. Chinese Famille Rose Porcelain Plaque, probably 20th c., painted with Yuan‑Ming Tao beneath a tree, inscribed and bearing signature of Qi Wang, sight 14 3/4 in. x 9 3/4 in., framed, overall h. 17 3/4 in., w. 12 3/4 in. $500/700 Provenance: Florida Estate, acquired Daytona Beach, c. 1970.

908. Chinese Famille Rose Porcelain Vase, probably Republic Period (1911‑1949), enameled with four beauties at leisurely pursuits before a garden window, base with Qianlong mark, h. 8 3/4 in. $400/600

909. Chinese Polychrome Porcelain “Fu‑Lu‑Shou” Porcelain Plaque, probably 20th c., painted with the figures of the “Three Star Gods”, sight 13 3/4 in. x 9 1/2 in., framed, overall h. 17 1/4 in., w. 13 in. $400/600 Provenance: Florida Estate, acquired Daytona Beach, c. 1970. 911. Chinese Pale Green Overlay Snowflake “Beijing” Glass Snuff Bottle, probably 18th c., carved with gourds on scrolling vines, h. 2 1/2 in. $2000/3000

912. Chinese Four Color Overlay White “Beijing” Glass Snuff Bottle, probably 18th/19th c., carved with flowers, fruit, butterfly, and bat, h. 2 1/8 in. $1500/2500

910. Chinese Goldstone Flecked Transparent Blue “Beijing” Glass Snuff Bottle, probably 18th c., flattened globular body with a profusion of gold flecks, h. 2 1/4 in. $1000/1500

913. Chinese Black Overlay Opaque Pink “Beijing” Glass Snuff Bottle, probably 1750‑1820, sides relief‑carved with antique displays, h. 2 1/2 in. $1000/1500

914. Chinese “Gu Yue Xuan” Style Famille Rose Painted Milk Glass Snuff Bottle, probably 19th c., decorated with water birds and flowering plants, stopper lacking spoon, h. 2 1/4 in. $1200/1800

915. Chinese Puddingstone Snuff Bottle, probably 1780‑1850, flattened spade‑form with black, gray and white variegations, h. 2 1/2 in. $1000/1500

916. Chinese Banded Agate Snuff Bottle, probably 1750‑1820, with white, orange and yellow horizontal striaes, h. 2 7/8 in. $1200/1800

917. Chinese Moss Agate Snuff Bottle, probably 1780‑1850, mottled green, blue and red coloration, h. 3 1/8 in. $1000/1500

918. Chinese Rock Crystal Snuff Bottle, probably 1780‑1850, carved overall with basket weave pattern, h. 2 3/4 in. $1000/1500

919. Chinese Famille Rose Molded Porcelain Snuff Bottle, probably 18th/19th c., relief‑decorated with the Eight Immortals on waves, base with Qianlong mark, h. 2 7/8 in. $3000/5000

920. Chinese Blue and White Molded Porcelain Snuff Bottle, probably Qing Dynasty (1644‑1911), relief‑decorated with waterside village scenes, base with Qianlong mark, h. 3 1/4 in. $1000/1500

146

921. Chinese Yellow Glazed Molded Porcelain Snuff Bottle, probably 19th c., relief‑decorated with birds amid flowering branches, base with Qianlong mark, h. 2 3/4 in. $1000/1500

922. Chinese “Canton” Enamel on Copper Snuff Bottle, probably 19th c., decorated with butterflies and flowers in a rocky garden, base with Qianlong mark, h. 2 in. $1500/2500

923. Chinese “Canton” Enamel European Subject Snuff Bottle, probably Qing Dynasty (1644‑1911), decorated with male and female figures in black oval reserves, h. 2 1/2 in. $1000/1500

924. Chinese Iron Red and Black Decorated Porcelain Snuff Bottle, probably 19th c., painted with Zhong Kui and two bats, h. 3 3/8 in. $600/800

925. Chinese Cinnabar Lacquer Snuff Bottle, probably 1800‑1850, carved with figures in garden settings, h. 3 1/8 in. $1000/1500

926. Chinese Agate Snuff Bottle, probably 19th c., carved with a sage on one side and a Buddhist lion on the other, h. 3 in. $1500/2500

927. Chinese Celadon Jade Double Gourd Snuff Bottle, probably 19th c., carved with lotus petals, h. 2 3/8 in. $1000/1500

928. Chinese Red Overlay Snowflake “Beijing” Glass Snuff Bottle, probably 19th c., carved with stylized qilong dragons, h. 2 3/4 in. $1000/1500

929. Chinese Blue Overlay Snowflake “Beijing” Glass Snuff Bottle, probably 19th c., carved with qilin on rockwork, h. 2 3/4 in. $1000/1500

933. Chinese Inside Painted Rock Crystal Snuff Bottle, inscribed Zhou Leyuan, painted with a deer beneath a pine tree, reverse with a fisherman by a riverbank, stopper lacking spoon, h. 2 3/4 in. $1000/1500

930. Chinese Transparent Pink “Beijing” Glass Snuff Bottle, probably Qing Dynasty (1644‑1911), carved with lotus petals, h. 2 7/8 in. $1000/1500

934. Chinese Spinach Green Jade Snuff Bottle, probably 19th/20th c., carved as a ribbed gourd borne on lotus branches, h. 3 in. $1500/2500

931. Chinese Inside Painted “Beijing” Glass Snuff Bottle, inscribed Gui Xianggu, painted with kingfishers and branches, h. 2 7/8 in. $1000/1500

935. Chinese Gray and White Jade Snuff Bottle, probably 19th/20th c., carved with scholar’s pavilions, h. 3 1/4 in. $2000/3000

932. Chinese Inside Painted “Beijing” Glass Snuff Bottle, inscribed Zhou Leyuan, painted with figures overlooking a lake in a mountainous landscape, stopper lacking spoon, h. 2 7/8 in. $1000/1500

935A. Chinese Inside Painted Rock Crystal Snuff Bottle, probably 20th c., painted with “100 Boys” with New Year’s dragon, stopper lacking spoon, h. 3 in. $800/1000

Additional information at www.nealauction.com

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936. Superb Platinum and Diamond Flexible Straight‑Line Bracelet, composed of 28 prong‑set emerald‑cut white diamonds, color range I‑K, clarity range VVS‑1 to VS‑1, actual total diamond weight 58.31 cts., l. 7 in.; accompanied by GIA certificates charting each diamond’s weight, shape, color, clarity, measurement, polish, symmetry, and fluorescence. $500000/700000

936A. Fine Platinum and Diamond Convertible Opera Length Necklace, composed of 162 prong‑set round brilliant‑ cut white diamonds, actual total diamond weight 82.27 cts., l. 34 1/8 in., converts to two necklaces, l. 16 in. and 18 1/8 in. $300000/500000

936B. Fine 18 kt. Yellow Gold and Diamond Flexible Straight‑Line Bracelet, composed of 31 prong‑set radiant‑cut light fancy yellow diamonds, clarity range VVS‑1 to SI‑2, actual total diamond weight 32.71 cts., l. 6 7/8 in.; accompanied by GIA certificates charting each diamond’s weight, shape, color, clarity, measurement, polish, symmetry, and fluorescence. $200000/300000

148

936C. Brilliant 18 kt. Yellow and White Gold Diamond Latin Cross, composed of white and light fancy yellow diamonds in emerald, pear, round brilliant, and baguette‑ cut stones, estimated total diamond weight 23.0 cts., l. 4 in., w. 2 1/8 in. $75000/125000

Session Three Sunday, February 21, 11 am 3923 Carondelet

937. [Mardi Gras], Rex, ball invitation, envelope and admit card, 1891, theme “Visions”, designed by Bror Anders Wikstrom $400/600 Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 62.

941. [Mardi Gras], Rex, ball invitation, 1892, theme “Symbolism of Colors”, designed by Bror Anders Wikstrom. $300/500 Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 63.

938. [Mardi Gras], Mistick Krewe of Comus, ball invitation, 1896, theme “The Months and Season of the Year”, designed by Jennie Wilde; and Krewe of Proteus, ball invitation, 1904, theme “The Alphabet”, (2 pcs.) $300/500 Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 26.

942. [Mardi Gras], Knights of Momus, ball invitations, 1887, theme “Myths of the New World”; and 1892, theme “Aladdin or the Wonderful Lamp”, (2 pcs.) $300/500

945. [Mardi Gras], Rex, ball invitation and envelope, 1883, theme “Atlantis, the Antediluvian World”, lithography by F. Appel, Paris, (2 pcs.) $400/600

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, pp. 58 and 65‑66.

943. [Mardi Gras], Rex, ball invitation, 1890, theme “Rulers of Ancient Times”. $300/500

947. [Mardi Gras], Rex, ball invitation, 1889, theme “Treasures of the Earth”. $300/500

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, pp. 54‑55.

948. [Mardi Gras], Rex, ball invitation, 1888, theme “The Realm of Flowers”; and dance card, 1895, theme “Chronicles of Fairy Land ‑ Fantastic Tales for Young and Old”, (2 pcs.) $200/400

Ill.: Schindler, Henry. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 59.

950. [Mardi Gras], Rex, ball invitation and admit card, 1886, themes “The Triumph of Aurelian”, and “Grand Historical Scenes”, (2 pcs.) $300/500

150

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 56.

940. [Mardi Gras], Rex, ball invitations, 1887, theme “Music and Drama”, lithography by Sicard, Paris; and 1894, theme “Illustrations from Literature”, designed by Bror Anders Wikstrom, (2 pcs.) Note: Condition. $300/500

944. [Mardi Gras], Rex, ball invitation and envelope, 1884, theme “The Semitic Races”, lithography by F. Appel, Paris, (2 pcs.) $400/600

946. [Mardi Gras], three dance cards, Krewe of Proteus, 1911, theme “The Last Days of Pompeii”; Rex, 1915, theme “Fragments from Song and Story”; and Knight of Momus, 1911, theme “The Language of Flowers”, (3 pcs.) $300/500

949. [Mardi Gras], Rex, ball invitation, 1879, theme “The History of the World (Comic Representation)”. $200/400

939. [Mardi Gras], Rex, ball invitation, envelope and admit card, 1885, theme “Ivanhoe”, lithography by F. Appel, Paris, (3 pcs.) $300/500

Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 57.

951. [Mardi Gras], Mistick Krewe of Comus, ball program, 1925, and parade bulletin booklet, 1933, (2 pcs.) $200/400

952. [Mardi Gras], Rex, ball invitation and envelope, 1901, theme “Human Passions and Characteristics”, (2 pcs.) $400/600

953. [Mardi Gras], The Atlanteans, ball favor pin, 1905, theme “The Rainbow”. $300/500

955. [Mardi Gras], Krewe of Proteus, ball favor pin, 1913, theme “Adventures of Telemachus”. $300/500 954. [Mardi Gras], Mistick Krewe of Comus, ball favor pin, 1899, theme “Josephus”. $300/500 956. [Mardi Gras], Mistick Krewe of Comus, sterling silver ball favor pin, 1903, theme “A Leaf from the Mahabarata”. $300/500

957. [Mardi Gras], Krewe of Proteus, ball favor pin, 1911, theme “The Last Days of Pompeii”. $300/500 958. [Mardi Gras], The Atlanteans, ball favor pin, 1907, theme “Court of the Great Mogul, Shah Johan”. $300/500

961. [Mardi Gras], Rex, three admit cards, 1889, 1933, and 1936. $200/400

959. [Mardi Gras], The Mystic Club, ball invitations, 1925, theme “Beau Brummel’s Ball”; 1928, theme “The Emperors at Erfurt”; 1929, theme “Mary Queen of Scots”; and 1933, theme “A Huntsmen’s Ball”, (4 pcs.) $150/250

962. [Mardi Gras], group of silverplate krewe favors, incl. 2 Krewe of Proteus, Elves of Oberon, Achaeans, Nereus and 2 KOA. $150/250

960. [Mardi Gras], three admit cards, The Atlanteans, 1911, Rex, 1932 and 1950, accompanied by Rex, King’s Dinner Programme, 1913, (4 pcs.) $200/400 Ill.: Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Gretna: Pelican Publishing Co., 2000, p. 87.

963. [Confederate Bonds and Obsolete Currency], incl: October 10, 1862, State of Louisiana $5 notes (4); March 10, 1863, State of Louisiana $5 notes (11 on uncut sheet); 3 Confederate States of America August 19, 1861 $500 bonds and one CSA Feb. 17, 1864 $1 000 bond, 8 items total. $100/200 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/ Bowman/ Fort Family.

964. John James Audubon (American, 1785‑1851), “Towhee Bunting”, “Hudson’s Bay Titmouse” and “Carolina Titmouse”, 3 chromolithographs, Bien edition, sights 21 in. x 12 1/2 in. to 22 1/2 in. x 15 1/4 in., each framed. (3 pcs.) $700/900

965. John Gould (British, 1804‑1881), “Afghan Thrush”, “Masked Wagtail”, “Chest‑coloured Merula”, and “Striped‑throated Siva”, 4 hand‑colored lithographs from Birds of Asia, sheets 21 1/4 in. x 14 1/2 in., framed. $700/1000

Additional information at www.nealauction.com

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966. John Gould (British, 1804‑1881), “Chinese Tit”, “Black‑breasted Sun‑Bird”, “Persian Starling”, “Formosan Green Woodpecker”, “Rufous‑bellied Tit” and “Formosan Tit”, 6 hand‑colored lithographs from Birds of Asia, sheets 21 1/4 in. x 14 1/2 in., framed. $1000/1500

967. John James Audubon (American, 1785‑1851), “Richardson’s Columbian Squirrel” and “Downy Squirrel”, Plates 5 and 25, hand‑colored lithographs, from The Viviparous Quadrupeds of North America, sights 27 in. x

21 in., framed. $800/1200

969. John James Audubon (American, 1785‑1851), “Little Tyrant Fly‑catcher, etc”, Plate 434, photo lithograph, from The Birds of America, Amsterdam edition, sight 39 in. x 26 in., framed. $200/300

968. John James Audubon (American, 1785‑1851), “Townsend’s Ground Squirrel” and “Four‑Striped Ground Squirrel”, 2 hand‑colored lithographs, from The Viviparous Quadrupeds of North America, sights 27 in. x 21 in., framed. $600/900

970. Two Harper’s Weekly Woodblock Prints of Louisiana, 19th c., incl. “The Crescent City...” and “An Old Louisiana Sugar Plantation”, sights 15 in. x 21 in., both framed. $300/500

971. Seven Antique Prints of U.S. Presidents, incl. 3 photogravures and 4 engravings, of Washington, Polk, Tyler, Harrison, Fillmore and Van Buren (2), sights 8 in. x 6 in. to 29 1/2 in. x 21 1/2 in., framed. $500/700 Provenance: Temple Heights, Columbus, MS.

974. Edward Davison (American/ Louisiana, early 20th c.), Photogravures of Louisiana Images Featured in The Photo Miniature: A Monthly Magazine of Photographic Information, 1903, published by Tennant

and Ward, New York, vol. IV, no. 48. $100/150

152

975. [Cased Images], “Portraits of Women”, 7 daguerreotypes, ambrotypes and tintypes, some enhanced with watercolor and gold paint, 3 ninth plates and 4 sixth plates, 6 leather cases, one thermoplastic case. (7 pcs.) $300/500

972. [Cased Images], “Portrait of Woman in an Elaborate Bonnet”, daguerreotype, enhanced with watercolor and gold paint, ninth plate, leather case; “Portrait of Man in Hat and Checkered Tie”, ambrotype, enhanced with watercolor, ninth plate, leather case with repaired hinge; “The Union and Constitution”, thermoplastic case, sixth plate, “Littlefield, Parsons & Co.” label behind brass mat; and “Portrait of Young Man”, albumen print, sight 4 3/4 in. x 3 3/4 in., antique gilt oval frame, (4 pcs.) $300/500

976. [Cased Images], “Family Portrait with a Man Holding a Violin”, ambrotype, quarter plate, leather case lacking top, framed; and “Portrait of a Boy”, ambrotype, sixth plate, thermoplastic case with musical theme. (2 pcs.) $200/400

973. [Cased Images], “Portraits of Husband and Wife”, 2 ruby ambrotypes, enhanced with watercolor, sixth plates, “Littlefield & Parsons & Co.” label in case, double thermoplastic case; and “Horse and Buggy with a Man and Woman”, 1895, 2 tintypes, sixth plates, pencil‑inscribed “April 16, 1895” en verso of one tintype, double embossed leather case in a book format, broken brass hinge. $300/500

977. [Cased Images], “Union Officer in front of a Tented Encampment”, 1864, tintype, enhanced with watercolor and gold paint, sixth plate, brass mat with images of American flags, canon, sailing ship and “July 4th, 1864”, leather case, repaired hinge. $200/400

978. American or British School, mid‑19th c., “Gentleman in Brown Coat with Red Beard”, oil miniature, unsigned, 2 1/4 in. x 1 3/4 in., framed. $200/400

982. Good Group of Antique and Vintage Silverplate, incl. candle holder/table garniture, Israel Freeman & Son, London, joined l. 17 1/2 in.; English flatware dessert service for 8, with Victorian registry marks; 2 shell‑form nut dishes; and Art Nouveau nail file. $200/300

979. British School, 19th c., “Lady in Red Dress, Plaid Collar and Flowered Hat”, oil miniature, unsigned, 2 3/4 in. x 2 1/8 in., framed. $200/300

983. Antique Georgian‑Style Silverplate Five‑Light Candelabrum, removable flame finial and bobêches, convertible to a three‑light candelabrum or a single candlestick, gadroon borders throughout; together with a matching candlestick fitted with removable candle lamp (electrified) and retaining fittings to convert to a three‑light candelabrum, incl. flame finial and bobêche; candelabrum h. 21 3/4 in. $300/500

980. American School, 19th/20th c., “Lady in White Fur Stole”, oil miniature, unsigned, 4 1/2 in. x 3 3/8 in., silver frame. $150/250

981. Good Antique Silverplate Shell‑Form Biscuit Box, late 19th/early 20th c., branchwork supports, h. 10 in. $150/250

984. Continental .800 Silver Solitaire Coffee and Tea Set, 20th c., probably Italy, marks rubbed, incl. coffee pot, teapot, sugar and creamer, coffee pot h. 6 1/8 in., combined wt. 32.65 troy ozs. $200/300 985. Antique French Silverplate Hors d’Oeuvres Serving Set, 4 pieces, l. 7 in. to 7 3/4 in. $150/250

986. American Late Classical Tiger Maple Chest of Drawers, c. 1840, stepped top with three glove drawers, outset bolection molded frieze drawer over two drawers, scrolled supports, turned legs, casters, h. 56 1/2 in., w. 41 1/4 in., d. 21 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

987. American Late Federal Tiger Maple Corner Cabinet, c. 1830, Pennsylvania, in two parts, cavetto cornice, glazed door, torus‑molded drawer over two paneled doors, shaped base, bracket feet, h. 87 in., w. 40 in., d. 21 in. $1000/1500

988. American Late Federal Tiger Maple and Mahogany Step‑Back Cupboard, c. 1830, probably Pennsylvania, in two parts; ogee cornice, glazed doors, three drawers over recessed panel doors, shaped bracket feet, h. 87 1/4 in., w. 51 3/4 in., d. 18 1/2 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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989. American Late Federal Mahogany Work Table, c. 1830, New England, case with turreted ring‑turned corners, spiral‑turned legs, tapered feet, h. 29 1/4 in., w. 22 in., d. 18 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 990. American Late Federal Curly Maple Daybed, 19th c., baluster-turned blocked supports, turned spindle ends, tapered legs, h. 30 1/2 in., w. 79 3/4 in., d. 28 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

991. American Late Federal Tiger Maple Work Table, frieze drawer, turned legs, button feet, h. 28 1/4 in., w. 19 3/4 in., d. 17 1/4 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

992. American Late Classical Mahogany Daybed, c. 1830, sleigh‑form with out-scrolled ends, shaped, molded rails, ogee bracket feet, h. 31 1/2 in., l. 72 1/2 in., w. 27 in. $800/1200

993. American Rococo Carved Rosewood Half‑Tester Bed, mid‑19th c., attr. to Prudent Mallard, New Orleans, shaped beaded tester, tapered beaded posts, arched paneled headboard, massive shell and fruit cartouche, shaped conforming rails and foot board, h. 119 in., l. 84 in., w. 67 in. $7000/10000 Provenance: Junkin Family, Sunnyside Plantation, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

154

994. American Classical Figured Mahogany Armoire, early 19th c., flared cornice, paneled doors, divided interior, plinth base, scrolled feet, h. 94 in., w. 70 1/2 in., d. 27 1/2 in. $1500/2500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

995. American Federal Figured Walnut Slant‑Front Desk, late 18th c., fitted interior, four graduated drawers, bracketed “French” feet, h. 45 1/2 in., w. 37 1/2 in., d. 20 in. $600/900

996. American Classical Giltwood Mirror, c. 1850, attr. to Isaac Platt, New York, foliate and reeded split columnar surround, fleur‑de‑lis corners, h. 35 in., w. 65 1/2 in. $700/900 Provenance: Historic “Sally Mill”, Middleburg, VA.

998. American Mahogany and Curly Maple Pillar and Scroll Clock, c. 1820, Eli Terry, Plymouth, CT, broken arch cornice, turned columns, églomisé panel with manor house, h. 31 in., w. 17 1/2 in., d. 4 3/4 in. $500/700

999. American Classical Carved Mahogany Games Table, c. 1820, Philadelphia, foldover top, central frieze panel carved with acanthus and urn, ring and spiral‑turned legs, ball feet, h. 30 in., w. 40 in., d. 20 in. $400/600

997. American Federal Brass‑Mounted Giltwood Mirror, early 19th c., split baluster surround, blocked rosette corners, h. 39 1/4 in., w. 19 in. $400/600

1000. American Sheraton Table, 19th c., Kentucky, square top, curly maple frieze drawer, ring‑turned legs, h. 28 in., w. 16 3/4 in., d. 16 1/4 in. $200/400

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 1001. American Classical Walnut Tester Bed, c. 1840, lower Mississippi River Valley, ogee tester, cluster column posts, arched headboard, conforming rails, h. 109 in., l. 79 in., w. 58 in. $3000/5000

1002. American Rococo Carved Mahogany Triple Door Armoire, mid‑19th c., labeled “…McCracken…”, arched pediment with egg‑and‑dart molding, rounded corners, doors with foliate framed panels, two drawers, , disc feet, h. 111 1/4 in., w. 79 1/2 in., d. 27 in.$2000/3000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

Additional information at www.nealauction.com

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1003. American Classical Mahogany Secretary Bookcase, mid‑19th c., stepped cornice, two bowfront glazed doors flanked by faceted columns; lower case with foldover baize‑lined writing surface, cyma‑curved frieze drawer, two raised‑panel cupboard doors, faceted columns, turned legs, peg feet, h. 90 1/2 in., w. 49 1/4 in., d. 24 1/2 in. $1200/1800 Provenance: Junkin Family, Sunnyside Plantation, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1004. American Federal Tiger Maple Tall Chest of Drawers, flared cornice, six graduated drawers, shaped bracket feet, h. 55 1/2 in., w. 39 in., d. 21 in. $800/1200

1005. Mildred Nungester Wolfe (American/ Mississippi, 1912‑2009), “Barrier Islands, Mississippi Gulf Coast”, 1971, oil on board, signed and dated twice lower left, 14 in. x 15 7/8 in., framed. $1000/2000

1006. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “Steamboat Belle of the Bends”, oil on canvas, signed lower left, titled en verso, 16 in. x 20 in., framed. $1500/2500

1008. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “Pirate’s Alley” and “Cast Iron Balconies”, 2 oils on canvas board, both signed lower right, each 15 in. x 6 in., framed alike. (2 pcs.) $1200/1800

1007. William Hollingsworth, Jr. (American/Mississippi, 1910‑1944), “Country Road by the River”, watercolor on paper, signed lower right, 13 1/4 in. x 19 1/4 in., framed. $2000/3000 Provenance: Wife of the artist, Jane Oakley Hollingsworth, Jackson, MS; Robert L. Smith, Biloxi, MS; Smith Estate to Wayne Norwood, Savanna, GA; by descent.

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1009. Mary Clare Sherwood (American/Mississippi, 1868‑1943), “Rural Mississippi”, 1938, oil on board, signed and dated lower left, label with title and artist’s biography en verso, 23 1/2 in. x 25 in., period gilt frame. $1200/1800

1010. Clementine Hunter (American/Louisiana, 1886‑1988), “Cotton Pickin’”, oil on canvas board, monogrammed lower right, titled and inscribed en verso, 16 in. x 20 in., framed. $2000/3000 Provenance: Acquired from the artist, c. 1970.

1011. Clementine Hunter (American/Louisiana, 1886‑1988), “Goin’ to Church”, oil on canvas board, monogrammed mid‑right, titled and inscribed en verso, 16 in. x 20 in., framed. $2000/3000

1012. Clementine Hunter (American/Louisiana, 1886‑1988), “Juke Joint, Saturday Nite”, oil on canvas board, monogrammed lower right, pencil‑titled and inscribed en verso, 16 in. x 20 in., framed. $2000/3000

Provenance: Acquired from the artist, c. 1970.

1014. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Trees in the Louisiana Bayou”, 1933, oil wash on board, signed and dated lower right, sight 9 1/2 in. x 19 1/2 in., framed. $2000/3000

1013. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Spring Sunlight on a Bayou in Louisiana”, oil wash on board, signed lower left, signed, titled and inscribed “Studio 320 Exchange Alley, New Orleans, LA” en verso, 20 in. x 30 in., framed. $2500/3500

1015. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Sunrise in Fog, Bayou Barataria, LA”, 1933, signed and dated lower left, signed, titled, dated and inscribed “(Life Member Southern Natl. Academy of Design), Studio 320 Exchange Place, New Orleans, LA” en verso, 10 in. x 20 1/8 in., framed. $1500/2500 Additional information at www.nealauction.com

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1016. Cypress Coffee Table, 20th c., with plate glass top, h. 18 1/2 in., w. 29 1/2 in., d. 25 in. $1000/2000 Provenance: Marjorie Shushan, New Orleans.

1019. Chitimacha Single Weave Bowl‑Shaped Basket, red, black and natural cane, “Black Bird Eye” pattern, h. 3 1/2 in., dia. 5 in. $400/600

1017. Newspaper Illustration of “State of Louisiana”, early‑to‑mid‑19th c., hand‑colored woodblock engraving depicting scenes of sugar cane harvest and Native American Indians playing a game, titled upper center, “J.H. Villard Incorporated, Rare Prints and Books, N.Y.C.” letter of authenticity en verso, sight 7 in. x 9 3/4 in., framed. $250/350

1018. Chitimacha Single Weave Bowl‑Shaped Basket, red, black and natural cane, “Turtle Necklace” pattern, h. 3 1/2 in., dia. 5 5/8 in. $500/700

1021. Antique Burl Wood Bowl and Dipper, 19th c., probably American, dia. 17 1/4 in.; l. 15 in., respectively. $400/600

1022. Antique Burl Wood Bowl, 19th c., probably American, dia. 11 3/4 in. $200/300

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1020. English Ironstone Storage Jar, 19th c., reserve with scene from “Uncle Tom’s Cabin”, h. 3 3/4 in. $150/250 Provenance: Historic “Sally Mill”, Middleburg, VA.

1023. Antique Turned Burl Wood Mortar and Pestle, 19th c., probably American, h. 8 in.; l. 11 1/2 in., respectively. $150/250

1024. Rare Pair of American Gothic Cast Iron Andirons, c. 1860, cathedral form, h. 13 1/2 in., w. 6 1/2 in., d. 12 in. $300/500

1025. American School, 19th c., “Indian Encampment in a Mountainous Landscape”, oil on academy board, signed “Colson” lower left, 9 1/2 in. x 13 1/2 in., unframed. $700/900

Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 1026. Walton Cheever Felch (American, 1816‑1892), “John Philip Kemble as Rolla in Pizarro”, 1846, oil on wood panel, signed, dated and inscribed “Boston” en verso, 30 in. x 21 in., framed. $500/700 Note: This is an accurate but much reduced copy after Lawrence’s fulllength painting of 1800, showing the famous actor Kemble in the part of the Peruvian warrior Rolla, the hero of R. B. Sheridan’s “Pizarro” of 1799 (adapted from the German of Augustus von Kotzebue), as that theatrical portrait was widely popularized in a colored mezzotint [5 3/4 in. x 5 1/8 in.: example in the Folger Shakespeare Library, Washington].

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1027. Bruce Miller (American, b. 1952), “Texas Whitetail Buck”, 2009, oil on board, signed lower right, signed, titled, dated and “Collectors Covey” label en verso, 12 in. x 9 in., framed. $800/1200

1028. American School, late 19th/early 20th c., “Nature Morte: Two Canvas Back Ducks” and “Nature Morte: Two Quails”, 2 oils on canvas, unsigned, “Sports Art, New Orleans” labels en verso, 24 in. x 14 in., antique gilt frames. $1500/2500

1029. Good American Late Classical Carved Walnut Bookcase, c. 1840‑1850, stepped ogee molded cornice, pair of paneled glazed doors, adjustable shelf interior, ogee bracket feet, h. 90 in., w. 63 1/2 in., d. 19 1/2 in. $2000/4000 Provenance: “Bonnie Burn” House, Clinton, East Feliciana Parish, LA, owned by planter, jurist, Louisiana legislator and Confederate Captain James Gilliam Kilbourne (Mississippi/Louisiana, 1828‑1893); descended in the family; Nan Dennard Kilbourne, East Feliciana Parish, LA.

1030. American Classical Walnut Bookcase, mid‑19th c., stepped ogee molded cornice, pair of paneled glazed doors, original shelf interior, ogee bracket feet, h. 94 in., w. 64 in., d. 22 in., en suite with proceeding lot. $2000/4000

1031. American Classical Walnut Bookcase, c. 1840‑1850, ogee cornice, paneled glazed doors, original shelf interior, ogee bracket feet, h. 92 1/2 in., w. 64 in., d. 20 1/2 in. $2000/4000

Provenance: “Bonnie Burn” House, Clinton, East Feliciana Parish, LA, owned by planter, jurist, Louisiana legislator and Confederate Captain James Gilliam Kilbourne (Mississippi/ Louisiana, 1828‑1893); descended in the family; Nan Dennard Kilbourne, East Feliciana Parish, LA.

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1033. American Late Classical Walnut and Mahogany Secretary Bookcase, 19th c., stepped cornice above glazed doors; fall front writing drawer with fitted interior, over two drawers with compartments, ogee bracket feet, h. 98 in., w. 49 1/4 in., d. 21 1/4 in. $1000/1500

1032. American Classical Gilt Bronze‑Mounted Mahogany Pier Table, c. 1830, inset white marble top, figured frieze, marble columnar supports, mirrored back, incurvate plinth, acanthine feet, h. 34 in., w. 38 in., d. 19 in. $1200/1800

1034. Acadian Mulberry Slat-Back Chair, early 19th c., acorn finials, turned stiles, flattened‑arch slats, corn‑shuck seat, turned legs, double box stretcher, h. 31 1/4 in., w. 17 1/2 in., d. 15 in. $800/1200

1036. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Still Life of Mermaid Roses”, 1940, oil on canvas board, signed upper right, signed, titled, dated and inscribed en verso, 20 in. x 24 in., framed. $2000/3000

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1035. American Federal Carved Cherrywood Secretary Bookcase, c. 1800, probably Southern, molded cornice, paneled doors, shelf interior, slant‑front lid, fitted interior, swell‑front serpentine drawer over three graduated serpentine drawers, ogee bracket feet, h. 83 in., w. 40 1/2 in., d. 22 in. $1000/1500

1037. William Robert Thrasher (American/Texas, 1908‑1997), “Texas Bluebonnets and Cactus”, oil on canvas, signed lower left, artist’s biography en verso, 20 in. x 24 in., framed. $2000/4000

1038. American School, mid‑19th c., “Watermelon Salesmen”, oil on canvas, signed “J. Hope” lower left, 10 in. x 14 in., period gilt frame. $600/900 1040. Eugene Newman (Czechoslovakian/ New Mexico, b. 1936), “Untitled”, 1993, oil over monotype on paper, pencil‑signed and dated lower left, “Linda Durham Gallery, Santa Fe, NM” label en verso, 24 1/4 in. x 22 in., framed. $300/500

1043. Alix Roy (Haitian, b. 1930), “Still Life of Eggplants, Peppers, Avocado and Hibiscus”, oil on canvas board, signed upper right, 16 in. x 20 in., period frame. $400/600

1039. David Barbero (American/New Mexico, 1938‑1999), “Mountainous Landscape near Hernandez, NM”, c. 1982, watercolor and graphite on paper, initialed “DB” lower left, “Ernesto Mayans Gallery, Santa Fe, NM” label en verso, sight 5 1/4 in. x 7 in., framed. $200/300

1041. Grant Hayunga (American/ New Mexico, b. 1970), “Irrigation and Sky”, 1992, mixed media on paper, signed, titled and dated, “Linda Durham Gallery, Santa Fe, NM” and “Gavin Collier & Company, Santa Fe, NM” labels en verso, 26 1/2 in. x 18 3/4 in., framed. $200/300

1042. Cathy Folk‑Williams (American/New Mexico, b. 1948), “Galisteo ‑ View from the Turquoise Mines”, c. 1985‑86, watercolor on paper, pencil‑signed “Cathy FW” lower left, titled and “Ernesto Mayans Gallery, Santa Fe” label en verso, 6 in. x 8 1/2 in., framed. $200/300

1044. George Rodrigue (American/Louisiana, 1944‑2013), “Museum Edition ‑ McLean County Arts Center, Bloomington, Illinois”, 1993, silkscreen, signed lower center, numbered “8/110” lower right, sight 22 1/2 in. x 33 1/4 in., framed. $2500/3500

1045. William Dunlap (American/ Mississippi, b. 1944), “Spring Storm ‑ Water Works I”, 1986, color lithograph on Arches paper, pencil‑signed and titled, 29 3/4 in. x 41 7/8 in., unframed. $300/500

1046. Andy Warhol (American, 1928‑1987), “Campbell’s Soup Can on Shopping Bag”, 1966, color silkscreen on a shopping bag, published for an exhibition at the Institute of Contemporary Art, Boston, MA, Oct. 1966, 19 1/2 in. x 17 in. $800/1200

Additional information at www.nealauction.com

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1047. Jacques Villon (French, 1875‑1963), “Portrait of Marcel Duchamp”, 1956, etching on paper, pencil‑signed and numbered “46/50” lower margin, signed and dated in plate, exhibition label en verso, sight 10 1/2 in. x 8 in., framed. $300/500 1048. Alice Standish Buell (American/New Orleans, b. 1892), “Green Shutter Patio, New Orleans”, etching, pencil‑signed and titled lower margin, plate 5 1/2 in. x 3 1/4 in., framed; together with William John Healey (American, 20th c.), “The Boatman”, etching, pencil‑signed lower right, pencil ‑titled lower left, 4 1/4 in. x 5 3/8 in., framed. (2 pcs.) $300/500

1049. Alexander Calder (American, 1898‑1976), “National Air and Space Museum, Smithsonian Institution, Washington, D.C., July 1976, after painting ‘Crossroads’”, lithograph, pencil‑signed lower right, signed and dated “67” in plate lower right, 32 in. x 40 in., framed. $400/600 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1050. Harriette Bowdoin (American, 1880‑1947), “Village Path ‑ France”, watercolor on paper, signed twice and inscribed “France” lower left, sight 8 in. x 11 in., framed with artist and title plaque. $400/600 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL. 1051. Florence Julia Bach (American, 1887‑1978), “Marie”, 1919, oil on canvas, signed and dated lower left, “Lasting Impressions: American Women Artists from the Sellars Collection”, Fort Wayne Museum of Art, IN, 1999‑2000 exhibition label with title en verso, 20 1/4 in. x 15 1/4 in., framed. $500/700 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1054. Robert Colescott (American, 1925‑2009), “All Roads Lead to Rome”, 1995, acrylic on paper, signed, titled and dated lower left, “Arthur Roger Gallery, New Orleans” label en verso, 41 1/2 in. x 29 in., framed. $5000/7000 Provenance: Arthur Roger Gallery, New Orleans, LA; Dr. Robert L. Trahan (1933‑2010), Lafayette, LA; thence by descent.

1052. Harriet Randall Lumis (American, 1870‑1953), “Evening Storm, Suffield, Connecticut”, 1913, watercolor, signed and dated lower left, inscribed “Suffield” lower right, “The Sellars Collection: Art by American Women”, Washington County Museum of Fine Arts, Hagerstown, MD exhibition label with title en verso, sight 8 1/2 in. x 11 in., framed with artist and title plaque. $1200/1800 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1053. Mary Fairchild MacMonnies Low, A.N.A. (American, 1858‑1946), “Leaving Port”, oil on board, signed “Mary Fairchild Low” lower right, remnant label with “60 Pondfield Rd., Bronxville, NY” en verso, 8 in. x 10 in., framed with artist and title plaque. $800/1200 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

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Note: Robert Colescott was an African-American figurative painter who is known for his colorful expressionist paintings that confront the themes of racism, gender and social inequality. In his obituary in the NY Times, esteemed art critic Roberta Smith described him as a “an American figurative painter whose garishly powerful canvases lampooned racial and sexual stereotypes with rakish imagery, lurid colors and almost tangible glee.” Born in Oakland, CA, Colescott was inspired by Sargent Johnson, an African-American sculptor who worked with his father on the railroad. After studying painting and drawing at the University of California, Berkeley, Colescott traveled to Paris to study with Fernand Léger, drawn by the city’s racial tolerance and thriving community of African-American artists. Following a sojourn in Cairo, Egypt, he returned to the West Coast, where he became a leading figural painter. Colescott received a Guggenheim Fellowship in 1985; represented the United States at the 47th Venice Biennale in 1997 (the first African- American to do so); and was elected to the National Academy of Design in 1999. He taught for forty-three years as professor of art at the University of Arizona, until his retirement in 1997. His work is in the collections of museums across the country, including The Museum of Fine Arts, Boston, MA, Albright-Knox Gallery, Buffalo, NY, and the Walker Art Center, Minneapolis, MN. The work offered here, entitled All Roads Lead to Rome, demonstrates his cartoonish style of depicting figures and the political and graphic nature of his work. Two Egyptian figures and a row of pyramids frame the background behind a black woman who states “Giaconda! A good Italian name….We do better then!” Colescott paints both biography and history with unwavering humor and honesty.

1056. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Possibly the Napoleon House and Courthouse, French Quarter”, watercolor, gouache and graphite on board, partial signature lower right, 9 1/2 in. x 11 in., framed. $800/1200 1055. Clementine Hunter (American/Louisiana, 1886‑1988), “Funeral Procession”, oil on board, monogrammed lower right, newspaper articles about artist en verso, 16 in. x 24 in., framed. $2000/3000

1058. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “The Road Home”, 1962, watercolor on paper, pencil‑signed and dated lower right, 16 1/4 in. x 22 1/4 in., framed. $700/1000

1057. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Country Road, Autumn”, oil on canvas board, signed lower right, 16 in. x 20 in., framed. $5000/8000

1059. May Paine (American/South Carolina, 1873‑1941), “Iron Wrought Gate, Charleston, South Carolina”, oil on canvas board, signed lower right, label with title and “The Wallis Art & Frame Shop, Bridgeport, CT” label en verso, 11 3/4 in. x 9 1/2 in., period frame. $700/900

1060. David Noll (American/Louisiana, 20th c.), “Nature Morte: Crawfish”, 1972, and “Nature Morte: Snipe”, 1976, 2 watercolors on paper, signed and dated lower right and lower left, sights 16 3/4 in. x 10 1/2 in. and 22 in. x 16 in. (oval), both framed. $1500/2500

1061. Clementine Hunter (American/Louisiana, 1886‑1988), “Still Life of Zinnias”, oil and pencil on paper, monogrammed lower center, signed “Clemence” lower right, 14 1/2 in. x 11 1/4 in., framed. $1500/2500

Additional information at www.nealauction.com

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1062. George Rodrigue (American/ Louisiana, 1944‑2013), “Jolie Blonde”, c. 1992, oil on canvas, signed lower right, “The Rodrigue Gallery, New Orleans, LA” stamps en verso, 30 in. x 40 in., framed. $6000/8000

1064. James L. Kendrick III (American/ Louisiana, 20th c.), “Brulatour Courtyard” and “Spanish Arms Courtyard”, 1976, 2 temperas on paper, latter signed and dated lower right, both signed, titled and inscribed en verso, sights 9 1/2 in. x 7 3/8 in., framed alike. $700/900

1063. George Rodrigue (American/Louisiana, 1944‑2013), “Untitled (Evangeline with Oak Trees)”, red conte on rice paper, signed lower right, sight 11 1/2 in. x 17 1/4 in., framed. $3000/5000

1065. Max Pollak (Austrian/California, 1886‑1970, act. New Orleans, 1939‑1941), “Fish Market, New Orleans”, 1939, oil and graphite on wood panel, signed and dated lower right, 18 in. x 24 in., period frame. $1000/1500

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1066. George Frederick Castleden (British/New Orleans, 1861‑1945), “Nocturnal Seascape of a Cargo Freighter with the Ship’s Tender”, 1940, oil on canvas, signed and dated lower left, 18 1/4 in. x 14 1/4 in., framed. $1500/2500

1067. Mary Elizabeth Benhard (American/ Louisiana, 20th c.), “Nature Morte: Blue Crab”, “Nature Morte: Crawfish” and “Nature Morte: Female Mallard”, 1982‑83, 3 watercolors on paper, all signed and dated lower right, sight 20 1/4 in. x 13 1/4 in., 15 in. x 11 1/4 in., and 33 3/4 in. x 24 1/4 in., framed. (3 pcs.) $1000/1500

1068. George Louis Viavant (American/Louisiana, 1872‑1924), “Nature Morte: Finch”, 1920, watercolor on paper, signed, dated and inscribed “N.O.” lower left, sight 12 in. x 7 in., framed. $1500/2500

1069. Catherine Burns Liles (American/Georgia, b. 1944), “The Macon Symphony”, oil on canvas, signed lower right, “Art by American Women: Selections from the Collection of Louise and Alan Sellers”, Museum of Fine Arts, St. Petersburg, FL, 1993 and “American Art: Selections from the Collection of Louise and Alan Sellars”, Governor’s Office, State Capitol, Atlanta, GA, 1989 exhibition labels en verso, 24 in. x 30 in., framed with artist and title plaque. $400/600 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1071. Olive Beem (American/ Indiana, 1893‑1989), “Summer Arrangement”, oil on canvas, signed lower left, 16 in. x 20 in., framed with artist and title plaque. $400/600 1070. Melbourne H. Hardwick (Canadian/Boston, 1857‑1916), “Bringing in the Fish”, watercolor on paper, signed lower left, sight 17 in. x 22 3/4 in., framed. $800/1200

Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1072. Helen Mary Knowlton (American, 1832‑1918), “Farmyard”, 1882, oil on canvas, signed and dated lower right, “Art by American Women: Selections from the Collection of Louise and Alan Sellars”, Museum of Fine Arts, St. Petersburg, FL, 1993 exhibition label and “Ben Kabatznick, Inc., Brookline, MA” label en verso, 19 1/2 in. x 12 1/2 in., framed with artist and title plaque. $400/600 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1073. Peter Baumgras (Bavarian/American, 1827‑1904), “Basket of Grapes and Peaches”, 1897, oil on canvas, signed and dated lower right, 13 in. x 18 in., antique carved maple frame. $800/1200

1074. Anne Wells Munger (American/Mississippi, 1862‑1945), “The Pines, a Suggestion of the Inn‑by‑the‑Sea”, oil on board, signed lower left, signed and titled en verso, 17 in. x 14 in., period frame. $800/1200 Provenance: Estate of noted antiquarian Major Philip St. George Ambler IV (1923‑2012) of Pass Christian, MS and Charleston, SC.

1075. Robert Broderson (American/North Carolina, 1920‑1992), “Two Figures (Young Boy in a Cap)”, mixed media on paper, signed lower right, 13 in. x 10 in.; and “Young Girl and her Goat”, mixed media on paper, signed upper left, 19 in. x 11 1/4 in., both framed, (2 pcs.) $400/600

Additional information at www.nealauction.com

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1077. Catherine Ames (Swiss/American, b. 1962), “Foggy Fields, Near Aix‑en‑Provence” and “Trees of New Almaden Mike”, 1994, 2 silver gelatin prints, both signed, titled, dated and numbered lower margins, 16 in. x 20 in. and 20 in. x 16 in., matching frames. (2 pcs.) $500/700

1078. Charles Kruvand (American/ Texas, late 20th c.), “Juniper & Morman Tea, South Rim Grand Canyon, Arizona”, 1996, cibachrome, signed, titled, dated and numbered “print #3” lower margin, 16 in. x 20 in., framed. $300/500 Provenance: Acquired from the artist. 1076. Ellis Wilson (American/Kentucky, 1899‑1977), “Marchandes: Mother and two Daughters”, oil on canvas board, signed lower right, 15 in. x 12 in., framed. $3000/5000

1079. James Louis Steg (American/ New Orleans, 1922‑2001), “Battle Scene #2”, 1961, intaglio on paper, pencil‑signed, titled, dated and numbered “8/35” lower margin, 25 3/4 in. x 31 3/4 in., framed. $300/500

1080. Philippe‑Auguste Salnave (Haitian, 1908‑1989), “In the Jungle”, oil on canvas, signed lower left, inscribed “D. Haiti” en verso, 20 in. x 30 in., framed. $1000/1500

Provenance: Collection of artist and educator George C. Wolfe, New Orleans, LA.

1081. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “American Coots”, 1986, oil on masonite, signed and dated lower right, 16 in. x 24 in., framed. $2000/3000 Provenance: Acquired from the artist, Ocean Springs, MS.

1082. Steve Knapp (American/New Orleans, 20th c.), “Cheerio: French Quarter Bar”, 1951, watercolor on paper, signed, titled and dated lower right, 12 in. x 15 1/8 in., antique frame; together with Hubert Hannah (American/New Orleans, 20th c.), “St. Louis Cathedral, French Quarter”, hand‑colored print, signed lower right, sight 15 1/2 in. x 12 3/4 in., framed. $400/600

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1083. Murrell Butler (American/ Louisiana, 20th c.), “Sumaco Volcano, Ecuador, South America”, 2010, oil on canvas, signed and dated lower right, titled and dated en verso, 30 in. x 40 in., unframed. $800/1200

1084. Georges L. Schreiber (Belgian/American, 1904‑1977), “Louisiana Cotton Pickers”, watercolor on paper, pencil‑signed lower right, 12 1/8 in. x 16 1/8 in., framed. $700/900 1085. Roy Ferdinand (American/New Orleans, 1959‑2004), “Chicken Man (Fred Stanten), 1989, mixed media on paper, signed and dated lower left, 28 in. x 22 in., unframed. $800/1200 Provenance: Barrister’s Gallery, New Orleans; Anne Kane, Naples, FL.

1086. Fred “Chicken Man” Stanten (American/ New Orleans, 1937‑1998), “Incantation”, 1990, ink on paper, signed “Prince Keeyama”, 7 in. x 7 in., unframed; together with painted wood sign “Chicken Man’s House of Voodoo”, 1990, dated and inscribed “for the Chicken Lady from Tiffany en verso, 11 in. x 15 in. $250/350

1087. Streeter Blair (American/Kansas, 1888‑1966), “Pasture Untutored”, 1966, oil on canvas, signed, titled and dated lower right, “Cart and Crate Fine Arts, L.A., CA” label en verso, 17 in. x 22 in., framed. $800/1200

1088. Lawrence Lebduska (American/German, 1894‑1966), “A Fox, Goose and Deer”, 1964, oil on formica, signed and dated lower left, 11 1/4 in. x 13 1/8 in., framed. $700/900

Provenance: Acquired from the artist by Anne Kane, Naples, FL.

1089. American or English Hall Lantern, 19th c., vasiform shade cut with star, thumbprint and ribbon, repoussé mounts, retains smoke bell, h. 23 in., dia. 12 1/2 in. $700/1000

1090. American Patinated Bronze Figural Sinumbra Lamp, c. 1840, marked “Manufactured by / W. Carleton / Boston”, Classical maiden standard, fluted tripartite base mounted with dolphins, h. 29 1/2 in., dia. 9 1/2 in. $1000/1500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 175.

1091. American Tin Solar Lamp, c. 1850, marked “Cornelius & Co. / Philad. / Patent / April 1st”, floral and scroll cut shade, h. 18 in., dia. 6 3/4 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 167.

1092. Georgian‑Style Carved Mahogany Torchère, fluted standard, ball and claw feet, h. 73 1/2 in., top dia. 10 1/2 in. $250/350

1093. English or American Carved and Gilded Overmantel Mirror, labeled “Charles Pinnow, 1888”, hooded pierced crest with scrolled acanthus, egg‑and‑dart surround, h. 83 1/2 in., w. 69 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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1094. Pair of Neoclassical‑Style Rose Granite Lidded Urns, gadrooned bodies and lids, loop handles, bronze pineapple finials, h. 22 in., w. 21 1/2 in., d. 13 in. $2000/3000

1095. American Renaissance Ebonized, Parcel Gilt, Marquetry and Burl Walnut Cabinet and Pedestals, mid‑19th c., attr. to Thomas Brooks, New York, en suite with incised mirror, the case with pediment and incised panels, central door inlaid with musical instruments, arabesques, and flowers, flanked by conforming inlaid panels; the Neo‑Grec pedestals with stop‑fluted standards; the arched walnut mirror with gilt‑incised crest, stenciled “Thomas Brooks & Co., Brooklyn, NY”, cabinet h. 43 in., w. 74 1/2 in., d. 17 1/2 in.; mirror h. 91 in., w. 55 1/2 in. $12000/18000 Provenance: Part of the period furnishings at 401 Clinton Avenue (Clinton Hill Historic District), Brooklyn, NY until 1970; thence by descent to the present owner. Note: The use of exotic hardwoods, fine imported inlays, fashionable Neo-Grec embellishments, and pedestals worthy of important sculpture on this cabinet exemplify the apex of American Renaissance Revival style in New York. The present lot is remarkable in the integration of the cabinet, pedestal, and mirror installed as an impressive and exuberant “suite.” The cabinet itself relates to known examples from New York makers Alexander Roux, Herter Bros., and Pottier and Stymus, who were influenced by the London firm Jackson and Graham’s highly published “Louis Seize” cabinet, made for the Crystal Palace Exhibition of 1862. Interestingly, the house in which this suite was installed is two miles from the Brooks warehouse at 127 Fulton Street in Brooklyn.

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1096. American Renaissance Carved Walnut Extension Dining Table, mid‑19th c., New York or Philadelphia, rounded corners and molded edge, carved frieze, sunflower‑carved paneled pedestal with fluted ring‑turned baluster supports, stepped base, with three leaves, h. 30 1/4 in., extended l. 89 in., w. 47 3/4 in. $2500/5000

1097. American Rococo Figured Mahogany Armoire, mid‑19th c., flared cornice, two doors with arched foliate‑carved panels, two base drawers, shaped bracketed feet, h. 103 1/2 in., w. 73 in., d. 28 in. $2500/3500 Provenance: Part of the period furnishings at 401 Clinton Avenue (Clinton Hill Historic District), Brooklyn, NY until 1970; thence by descent to the present owner.

1098. Pair of American Rococo Carved and Laminated Rosewood Méridiennes, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern referred to as “Rosalie with Grapes”, arched floral and grape carved crest, serpentine seat rails, shaped rose carved arms, cabriole legs, casters, h. 37 3/4 in., w. 41 in., d. 27 in. $8000/12000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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1100. American Rococo Carved and Laminated Rosewood Duchesse Dressing Table, c. 1850‑1860, attr. to John Henry Belter, New York, reticulated shell crest, shaped mirror, scrolled foliate and dolphin supports; serpentine marble top, c‑scroll apron with central bouquet, acanthus carved legs, casters, h. 83 in., w. 47 1/2 in., d. 21 in. $2500/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Richard. American Furniture of the 19th Century, 1840-1880. Atglen, PA: Schiffer, 2000, p. 142. 1099. Four American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850, attr. to John Henry Belter, New York, rosette crest, C‑scroll back, serpentine seat, floral‑carved skirt, cabriole legs, casters, h. 37 in., w. 18 1/2 in., d. 24 1/4 in. $1000/1500

Note: The Rococo dressing table or “duchesse” form is rare in the body of work from John Henry Belter, and was apparently a specialty item for the Southern market. Interestingly, the form is seen fairly often in lower Mississippi River Valley collections (including examples documented to the shop of Prudent Mallard in the collection of New Orleans’ Gallier House and Louisiana State Museum 1850 House, as well as other examples at Lansdowne, Natchez, MS; one at Stanton Hall Natchez, MS; and a fourth example from a New Orleans family sold in these rooms as lot 307 October 2007). Ref.: See Otto, Celia. American Furniture of the 19th c., New York: Viking, pl. 286, 282, 291.

1101. American Rococo Laminated Rosewood “Spoon Back” Slipper Chair, c. 1850‑1860, attr. to John Henry Belter, New York, shield shaped back with volute scrolls, serpentine seat rail, cabriole legs, casters, h. 45 in., w. 18 in., d. 22 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Exh.: Winterthur Museum, “Nature Tamed: Belter Furniture 1840-1860,” 1989-1990; accompanied by a letter regarding Oakes’ loan. Note: In 1858 John Henry Belter patented a method for laminated furniture that curves in two planes creating a convex laminated form such as that seen in the back this chair. The chair offered here is identical to a “dish back” side chair by Belter included in the Industrial Design section of the Paris Grand Palais Exhibition, also, a chair in a well-known collection and a third chair descended in the Springmeyer (Belter) family. Ref.: Dubrow, Richard. American Furniture of the 19th c. Atglen, PA: Schiffer, p.9; Schwartz, Marvin. The Furniture of John Henry Belter and the Rococo Revival, New York: Dutton, 1981, p. 12, pl. 3-4.

1102. American Rococo Carved and Laminated Rosewood Slipper Chair, c. 1850‑1860, attr. to John Henry Belter, New York, reticulated keyhole back with leaves, vines and grape clusters, cabriole legs, casters, h. 43 1/4 in., w. 18 in., d. 22 1/2 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1103. American Carved Walnut Méridienne, mid‑19th c., eagle carved crest, scrolled armrest, carved apron, scrolled feet, casters, h. 45 in., w. 63 1/2 in., d. 26 in. $2500/3500 Note: The overall form and carved ornament of this méridienne reflect the popular style of the mid-19th century. The use of walnut instead of mahogany and the inclusion of an American shield are interesting in that they might suggest this piece was made around the time of the 1876 Centennial International Exhibition in Philadelphia.

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1104. American Late Federal Curly Maple Washstand, c. 1840, scrolled backsplash, frieze drawer, turned and blocked legs, shaped stretcher shelf, h. 32 3/4 in., w. 24 1/4 in., d. 17 1/4 in. $200/400

1105. American Carved, Ebonized and Parcel Gilt Table Screen, 19th c., with beadwork and embroidery panel of a spaniel, baluster shaft with giltwood eagle, h. 20 in. $150/300 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1106. American Aesthetic Silverplate Humidor, Rogers & Co., Meriden, CT, surmounted by figures of retrievers, h. 7 3/4 in., w. 11 1/2 in., d. 8 1/4 in. $300/500

1107. American Aesthetic Silverplate Washstand Set, Simpson, Hall and Miller, Wallingford, CT, wc. 1866‑1898, comprised of wash basin, pitcher, and slop jar, pitcher h. 15 3/4 in., basin dia. 18 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1108. Gorham Sterling Silver Water Pitcher, mid‑20th c., pattern 182, h. 8 3/4 in., wt. 20.30 troy ozs. $300/500 1110. Gorham Leather and Sterling Silver‑Mounted Tyg, early 20th c., with silver rim and shield‑shaped cartouche engraved “MONTCLAIR GOLF CLUB/ TWO BALL FOURSOME/ HANDICAP/ SEPT. 4, 1905/ WON BY/ W.R. HOTCHKISS AND V.C. FREEMAN”, h. 8 7/8 in. $400/600

1109. Two Gorham Leather and Sterling Silver‑Mounted Tankards, early 20th c., each with silver rim and shield-shaped cartouche, one engraved “April 9, 1908” and with script monogram, h. 6 1/4 in.; the other engraved “ANNUAL NOVELTY CONTEST” and “9th ANNUAL OUTING/ JULY 23/ 1910/ WON BY” and with applied seal of “THE JEWELERS 24 KARAT CLUB/ NEW YORK CITY”, h. 6 1/8 in. $700/1000

1111. Set of Twelve Silverplate Service Plates in the Georgian Taste, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, gadrooned borders., dia. 12 1/4 in. $800/1200

1112. Large Pair of Antique English Silverplate Candlesticks in the Adam Taste, with festoon and ram’s head decoration, h. 12 3/4 in. $500/800

1113. Rare Monumental American Cut Glass and Gilt Brass Hall Light, mid‑19th c., marked “Cornelius & Co. / Philad. / July 24th 1849 / Patent / April 1st. 1843”, urn‑form shade cut with flowers and foliate garland, fitted with reticulated stylized floral mounts, cut prisms, h. 61 in., dia. 24 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 164. Additional information at www.nealauction.com

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1114. Fine American Rococo Gilt and Patinated Bronze Six‑Light Gasolier, mid‑19th c., ornate baluster shaft with floral details, mounted with patinated cherubs, arms with shell, acanthus, and pendant flowers, cut‑glass shades with lyre and foliage, h. 72 in., dia. 48 in. $8000/12000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 231.

1115. Pair of Large Patinated Bronze Figures of Lions, h. 49 in., w. 25 in., d. 34 in. $1000/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1116. Large American Cast Iron and Zinc Figural Fountain, c. 1890, the zinc cherub marked “J.W. FISKE / 2628 Park Place / New York”, holding a fishing net and fish with water spout, the basin cast with cherub masks, the base with lion mask collar, over addorsed egrets, the lower basin bordered with frogs, turtles and lily pads, h. 71 in., dia. 72 in. $5000/8000

1117. Large Patinated Bronze Figural Group of Bacchantes, 20th c., after Hippolyte Moreau (French, 1832‑1927), h. 68 in., w. 34 in., d. 30 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1118. Carved Wood Architectural Panel, depicting a mythological scene of Poseidon and Amphitrite in their chariot pulled by hippocampi, h. 22 1/2 in., w. 59 1/2 in., d. 2 1/4 in. $600/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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1119. Bronze Vitrine, early 20th c., arched glazed case with adjustable shelves, side door, anthemion carved stand with cabriole legs and shaped stretcher, retains traces of old paint, h. 82 in., w. 38 1/2 in., d. 14 in. $1500/2500

1120. American Rococo Carved and Laminated Rosewood Étagère, mid‑19th c., attr. to J. and J.W. Meeks, New York, reticulated crest with shield-shaped cartouche, mirrored back flanked by demilune shelves, shaped marble top, conforming foliate scroll frieze, medial shelf, plinth base, turned feet, h. 99 1/2 in., w. 53 in., d. 22 in. $10000/15000 Provenance: Sold by Neal Auction Company as lot 589, October 16, 1992. Note: The upper section of this lot is very closely related to the distinctive crest and supports of an étagère held by the Newark Museum of Art (acc. 34.663A-C), included in the Centennial Exhibition of the Metropolitan Museum of Art, New York. The lot offered here has more exuberant and sophisticated execution than the Newark example. Ref.: Tracy, Berry and Marilyn Johnson. 19th c. America, Furniture and Decorative Arts. New York: New York Graphic Society, 1970, fig. 124.

1121. Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850, attr. to John Henry Belter, New York, in the “Tuthill King” pattern, reticulated c-scroll crest surmounted by cornucopiae and flowers, reticulated c‑scroll rails, curved arm supports, shaped foliate‑carved seat rail, cabriole legs, casters, h. 45 1/2 in., w. 77 in., d. 28 in. $12000/18000 Note: The sofa offered here features an exceptionally finely carved and pierced crest continuous with the laminated back. The “Tuthill King” pattern, one of the Belter firm’s most complex and high-style patterns, is named after a suite now conserved by the Chicago Historical Society, from the Tuthill King family home on South Michigan Avenue. According to family lore, the suite was saved from the Great Chicago Fire which consumed the King residence. Other Belter seat furniture in the “Tuthill King” pattern includes a sofa illustrated in Dubrow, Richard. American Furniture of the 19th c., Atglen, PA: Schiffer, 2000, p. 123; a comparable sofa sold by Neal Auction Company as lot 384 September 21, 2008 for $60,000; and a sofa sold by Neal Auction Company as lot 941 October 6, 2007 for $72,000.

1122. American Rococo Carved and Laminated Rosewood Armchair, c. 1850‑1860, attr. to John Henry Belter, in the “Henry Clay” pattern, cartouche back, floral crest, padded arms, floral‑carved serpentine seat rail, cabriole legs, scrolled toes, casters, h. 41 3/4 in., w. 25 3/4 in., d. 33 1/4 in. $2500/4000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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1123. American Classical Carved Mahogany Armoire, c. 1830, New York, flared cornice, ogee‑molded frieze, highly figured paneled doors, blocked plinth, turned legs, ball feet, h. 84 1/2 in., w. 65 in., d. 28 in. $1200/1800 Provenance: Historic “Sally Mill”, Middleburg, VA.

1124. American Rococo Carved Mahogany Dressing Chest, mid‑19th c., floral crest, shaped mirror on scrolled and foliate supports, serpentine marble top, conforming graduated drawers, shaped apron, bracket feet. $800/1200

1125. Antique American Rosewood Washstand, marble top, frieze drawer, two recessed panel doors, shaped apron, bracket feet, h. 29 1/4 in., w. 34 1/2 in., d. 18 1/4 in. $400/600

1126. American Renaissance Carved Oak Breakfront Bookcase, late 19th c., labeled “Geo.C.Flint Co., w. 23rd st New York”, dentil‑molded cornice, griffin and foliate carved frieze, glazed doors flanked by scrolled terms, disc feet, h. 66 3/4 in., w. 86 1/2 in., d. 19 1/4 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1127. American Renaissance Carved Oak Hallstand, late 19th c., stepped cornice, foliate frieze, mirrored back flanked by canted lion‑scrolled corners, scrolled arms, gadrooned case, stepped plinth, acanthus paw feet, h. 83 3/4 in., w. 47 in., d. 21 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1128. American Renaissance Carved Mahogany Dressing Chest, c. 1860, stenciled “J.B. HUBBARD”, New Orleans, broken arch crest centering fleur-de-lis and strapwork panels, arched mirror plate flanked by candleshelves and glove drawers, shaped marble top with outset corners, conforming case with frieze drawer over long drawers, casters, h. 98 in., w. 52 1/2 in., d. 24 in. $1000/1500 Provenance: Historic “Sally Mill”, Middleburg, VA.

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1129. American Gothic Cast Iron and Walnut Work Table, c. 1840, molded top, writing slide over two drawers, Gothicized supports, pierced quatrefoil base, scrolled feet, h. 31 1/2 in., w. 27 in., d. 19 1/4 in. $1000/1500

1130. American Rococo Carved Rosewood and Marble Top Dressing Chest, mid‑19th c., shield‑shaped mirror, serpentine case, conforming graduated drawers, acanthus carved chamfered corners, scroll carved skirt, bun feet, h. 74 1/2 in., w. 45 1/2 in., d. 25 in. $800/1200 Provenance: A Garden District Estate.

1131. American Rococo Carved and Laminated Rosewood Parlor Suite, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern referred to as “Rosalie with Grapes”, incl. settee, pair of side chairs and one armchair, arched floral and grape carved crest, serpentine seat rails, shaped rose carved arms, cabriole legs, casters, settee h. 38 in., w. 62 in., d. 31 in., armchair h. 43 in., w. 24 in., d. 31 1/4 in., chair h. 36 1/2 in., w. 18 in., d. 23 1/2 in. $8000/12000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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1132. American Classical Carved Mahogany Work Table, c. 1830, drop‑leaf top, two drawers over work bag, ring and spiral‑turned legs, casters, h. 29 in., w. 18 1/2 in., d. 17 1/2 in. $500/700

1133. American Gothic Carved Mahogany Extension Dining Table, mid‑19th c., circular top, cluster column pedestal, quadripartite plinth terminating in discs, casters, with three leaves and one modified leaf, h. 28 3/8 in., closed l. 52 1/2 in., extended l. 108 3/4 in., w. 54 in. $1000/2000

1134. American Carved Oak Box Sofa, late 19th c., probably New York, scrolled arms with carved lion heads, button-tufted red leather upholstery, ogee apron, hairy paw feet, casters, h. 34 1/4 in., w. 79 in., d. 31 in. $1000/1500

1135. American Carved Oak Settee, late 19th/early 20th c., probably New York side panels carved with lions heads, button-tufted red leather upholstery, paw feet, h. 32 in., w. 78 1/2 in., d. 32 in. $1000/1500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 1137. American Carved Oak Sideboard, mid‑19th c., scrolled superstructure with carved stag’s head, two shelves with c‑scroll supports; demilune lower case, two frieze drawers, four paneled cupboard doors with carved hunting dogs, stepped plinth, old dark surface, h. 95 in., w. 91 1/4 in., d. 23 1/2 in. $1500/2500 Provenance: Minor‑Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1136. Antique English Burl Walnut Partner’s Desk, parcel‑gilt tooled leather writing surface, gadrooned edge, three frieze drawers, each pedestal with three drawers, chamfered fluted corners, shaped apron, claw‑and‑ball feet, h. 30 1/4 in., w. 60 1/4 in., d. 36 in. $1200/1800

1138. Set of Six Antique Regency‑Style Carved Mahogany Side Chairs, mid‑19th c., each crest rail with scrolled ears, foliate back slat, sabre legs, h. 33 in., w. 19 in., d. 21 3/4 in. $1000/1500 Provenance: Minor‑Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

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1140. Georgian Carved Mahogany Games Table, 18th c. and later, foldover top with outset corners, baize-lined playing surface, frieze drawer, cabriole legs, pad feet, h. 28 1/2 in., w. 33 in., d. 15 1/2 in., open d. 31 1/2 in. $500/1000 1139. Set of Six Regency Carved Mahogany Dining Chairs, 19th c., incl. an armchair and 5 side chairs, each with incurvate crest rail, shell and foliate slat, turned and tapered legs, button feet, armchair h. 34 in., w. 22 1/2 in., d. 23 1/2 in., side chair h. 34 1/2 in., w. 21 in., d. 21 1/2 in. $1000/1500 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1141. George I Inlaid Figured Walnut Slant Front Secretary Bookcase, 18th c., molded cornice, mirrored paneled door enclosing adjustable shelves, banded slant front, fitted interior, four drawers, bracket feet, h. 73 1/2 in., w. 27 3/4 in., d. 18 3/4 in. $2000/3000

1142. Italian Gilded and Pietra Dura Table, 19th c., marble inscribed “Fitzhugh Coyle Washington D.C.”, the black marble top inlaid with colorful specimen stones, flowers, and birds; baluster-form base, winged griffin supports, h. 32 1/4 in., w. 32 in., d. 24 in. Note: Fitzhugh Coyle (1818 – 1877) was a successful businessman and prominent member of society in Washington D.C. In 1865 Coyle co-founded the National Bank of the Republic of Washington and served as bank president until his death. The C-Street residence on Capitol Hill, built for Fitzhugh Coyle and his family in 1852, was considered a “very pretentious style of dwelling for that time.” Ref.: Records of the Columbia Historical Society, Washington D.C, published in 1902. 1143. Empire‑Style Painted Day Bed, upholstered in mattress ticking, with pillows, h. 45 1/2 in., w. 76 1/2 in., d. 40 1/2 in. $1500/2500

1144. Louis XVI‑Style Bronze‑Mounted Desserte, late 19th c., two tiers with reticulated galleries, fluted standard, molded legs, brass capped hoof feet, h. 44 3/4 in., dia. 28 3/4 in. $500/750

Additional information at www.nealauction.com

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1145. Pair of Antique Louis XV‑Style Giltwood Fauteuils, foliate‑carved crest, molded oval back, scrolled padded arms, shaped seat, serpentine apron, cabriole legs, h. 36 in., w. 23 in., d. 18 1/8 in. $800/1200

1146. Napoleon III Gilt Bronze-Mounted Rosewood Console, late 19th c., black marble top with blocked corners, conforming frieze with paneled blind drawer, stop-fluted tapered legs, toupie feet, h. 40 in., w. 50 1/2 in., d. 24 in. $1200/1800 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1148. Antique Louis XVI‑Style Gilt Bronze and Cut Crystal Twelve‑Light Chandelier, vasiform standard, foliate arms, hung with beaded garlands and pendant prisms, h. 36 in., dia. 23 in. $1000/1500 Provenance: Historic “Sally Mill”, Middleburg, VA.

1147. Monumental Beaux Arts Gilt Bronze‑Mounted and Inlaid Mahogany Library Table, late 19th c., labeled “Haentgés Fréres, Fabrique G. Rue Titon, Paris”, gilt‑tooled leather writing surface, three drawers, trestle base, h. 30 in., w. 63 1/8 in., d. 34 in. $1500/2500

1149. Pair of Beaux Arts Gilt and Patinated Bronze Five‑Light Candelabra, c. 1900, vasiform standard, lion masks, rouge marble base, h. 19 in., dia. 10 in. $700/1000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1150. Georgian Carved Mahogany and Parcel Gilt Mirror, 18th c., broken arch pediment surmounted by eagle, scrolled ears, scalloped borders, pendant leaves, h. 47 3/4 in., w. 22 3/4 in. $800/1200

1151. American Cherrywood SlantFront Desk, c. 1780, probably Mid‑Atlantic, of generous size, fitted interior, four graduated drawers, bracketed “French” feet, h. 44 7/8 in., w. 41 in., d. 21 in. $500/700

1152. Eight English Elm Pub Chairs, 19th c., shaped crest, spindled hoop back, saddle seat, turned legs, double H‑form stretcher, tapered feet, h. 31 1/2 in., w. 24 1/ 2in., d. 19 in. $1000/1500

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1153. Pair of Napoleon III Gilt Bronze Five‑Light Sconces, late 19th c., Bacchic heads centering cartouche backplates, scrolled acanthine arms, reticulated bobêches, h. 24 in., w. 21 in., electrified. $400/600 Provenance: New Orleans Estate.

1157. George III Sterling Silver Cold Meat Fork, William Eley and William Fearn, London, 1799; together with Georgian sterling silver sugar tongs, marks rubbed, and unmarked fish serving knife. $300/500

1154. Continental Cut Crystal Ten‑Light Chandelier, fluted and faceted shaft, hung with beaded garland and pendeloque prisms, h. 28 in., dia. 27 in. $600/900

1158. Antique English Silverplate and Celluloid Fish Service for Twelve, late 19th/early 20th c., A. Williams, Sheffield, incl. 12 fish forks and 12 fish knives. $200/300

1155. Pair of Antique French Gilt Brass Solar Lamps, labeled “O’din Merveilleux”, urn‑form standards with lion head reliefs, scrolled handles with jester mask terminals, tapered feet, square plinths, fleur‑de‑lis chasing throughout, etched shades, with chimneys, h. 26 3/4 in., w. 8 3/4 in. $600/900

1159. Antique Silverplate Tea Service, late 19th c., incl. hot water urn, teapot, 2 covered sugar bowls, creamer, waste bowl, vase and associated tray, cherub finials, urn h. 15 1/2 in., tray 30 3/8 in. x 19 3/4 in. $400/600 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1156. Antique Sheffield Plate Salver, exuberant scroll border and feet, flat chased well centering engraved crest with motto “N. Oublier Pas”, dia. 19 in. $400/600

1160. American Sterling Silver Repoussé Pin Tray, Whiting Mfg., New York, wc. 1866‑1926, scroll border, 6 1/8 in. x 5 in.; together with sterling silver and cut glass heart‑shaped box, Theodore Foster & Bro., Providence, RI, wc. 1898‑1951, combined wt. (weighable) 2.80 troy ozs. $150/250 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1161. American Sterling Silver Partial Flatware Service, International Silver Co., “Berkeley” pattern, pat. 1915, incl. 6 dinner forks, 4 luncheon forks, 3 dinner knives (as is), 3 salad forks, 7 cocktail forks, 8 soup spoons, 1 teaspoon, 6 butter knives (fh), 2 tablespoons, cold meat fork, gravy ladle and sauce ladle; together with 10 iced teaspoons and 6 citrus spoons in Gorham “Etruscan” pattern, pat. 1913; and 10 assorted forks and spoons in various patterns. $500/700

1162. Group of Vintage American Sterling Silver Flatware, various makers and patterns, incl. Gorham “Strasbourg” pie server and sauce ladle, approx. 30 pcs., approx. 22 troy ozs.; together with silverplate berry scoop in a variant olive pattern. $150/250

1165. Towle “Old Colonial” Pattern Sterling Silver Flatware Service for Twelve, pat. 1895, incl. 12 each: forks, knives and salad forks, 24 teaspoons, 6 dessert spoons, 6 cocktail forks, 6 demitasse spoons, 1 master butter knife, 2 tablespoons, 1 pierced tablespoon, cold meat fork, gravy spoon, jam spoon, and cake knife, in fitted mahogany case, total wt. (weighable) 93.45 troy ozs. $1500/2500

1163. American Sterling Silver Water Pitcher in the Georgian Taste, 20th c., h. 10 1/4 in., wt. 22.20 troy ozs. $300/400

1164. American Sterling Silver Partial Coffee and Tea Service, mid‑20th c., Fisher Silversmiths “Concord” pattern, incl. coffee pot, h. 10 3/8 in.; teapot, h. 8 3/4 in; and covered sugar bowl, h. 8 3/4 in.; together with a small open sugar and creamer, Towle “French Provincial” pattern, h. 2 7/8 in.; combined wt. 51.20 troy ozs. $800/1200

Provenance: Historic “Sally Mill”, Middleburg, VA.

1166. Group of American Sterling Silver Flatware, incl. Gorham “Chantilly” soup ladle, Whiting “Louis XV” asparagus server and chipped beef fork, Whiting “Lily” youth fork and knife and Gorham “Versailles” tea knife, total wt. (weighable) 13.20 troy ozs. $300/500

1167. American Sterling Silver Water Pitcher, early 20th c., Barbour Silver Co., founded 1892, merged into International Silver Co. 1898, flat chased floral scroll decoration, cartouches engraved “1898/N/1923”, h. 9 in.; together with an International sterling gravy boat, w. 8 in.; combined wt. 35.20 troy ozs. $400/600

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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1169. American Sterling Silver Navette‑Form Compote, ret. Smith‑Patterson, Boston, act. 1895‑1956, h. 4 7/8 in., w. 8 3/4 in., weight 5.25 troy ozs.; together with a diminutive silverplate hot water urn in the neoclassical taste, h. 13 3/4 in. Note: Separation to handle. $200/300 1168. American Sterling Silver Tea Service, early 20th c., Whiting, New York, wc. 1866‑1926, beaded decoration, teapot h. 7 1/2 in., total wt. 26.95 troy ozs. $300/500

1171. Three Antique Ivory/Bone Calling Card Cases, 19th c., incl. notebook with carved sheaf of wheat, gold inlaid and overall carved examples, l. 4 in. to 4 1/4 in. $400/600

1172. Five Antique Calling Card Cases, late 19th c., incl. amboyna, inlaid burlwood, McPherson tartanware and 2 gilt tooled leather examples, l. 3 3/4 in. to 4 in. $400/600

1175. English Green Tôleware Umbrella Stand, late 19th c., fist‑form handle, segmented umbrella compartments, h. 29 1/2 in., w. 19 in., d. 8 1/2 in. $400/600

Provenance: Lynda Willauer, Nantucket, MA.

Provenance: Historic “Sally Mill”, Middleburg, VA.

1173. Anglo‑Indian Carved Sandalwood Calling Card Cases, mid‑19th c., l. 4 3/8 in.; together with Chinese carved camphorwood example, also mid‑19th c., l. 4 1/2 in. $400/600 Provenance: Sallea Antiques, New Canaan, CT.

1176. Pair of Paris Porcelain Cachepots on Stands, 19th c., gilt lion mask handles, floral decor, h. 6 1/2 in., dia. 6 in. $300/500 Provenance: Temple Heights, Columbus, MS.

1178. American Rococo Carved Rosewood Table, late 19th c., stamped “EW MAI 1875”, circular swivel top, turned and fluted baluster shaft, large dolphin supports, h. 30 in., dia. 28 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1179. Antique Continental Carved Walnut Cabinet, 19th c., molded cornice, paneled retractable doors, shelf interior, molded base, blocked feet, h. 73 in., w. 74 3/4 in., d. 32 in. $800/1200

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1170. Group of Antique Scottish Horn Vinaigrettes, 19th c., each with silver thistle motif repoussé cover centered by a faceted paste jewel, l. 1 7/8 in. to 3 1/2 in., (3 pcs.) $300/500

1174. Victorian Mother‑of‑Pearl Inlaid Black Lacquer Box, 19th c., domed cover with landscape, overall floral sprays, h. 5 3/8 in., w. 11 3/4 in. $200/300

1177. Neoclassical‑Style Gilt Bronze‑Mounted Agate Pedestal, late 19th c., stepped square top, tapered standard with beribboned foliate mounts, conforming stepped base, h. 35 3/4 in., w. 14 3/4 in., d. 14 3/4 in. $300/500

1180. George III‑Style Carved Mahogany and Parcel Gilt Overmantel Mirror, broken scroll crest surmounted by spreadwing eagle, tripartite mirror plate, h. 35 in., w. 59 in. $500/700

1181. Louis XVI‑Style Gilt Bronze and White Marble Figural Mantel Clock, 19th c., with Bacchantes flanking case, shaped base, h. 14 in., w. 13 1/2 in., d. 5 1/4 in. $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. 1182. John Bell (British, 1812‑1895), “Clorinda” and “Dorothea”, 1848, two Minton Parian figures, both marked, signed and dated, tallest h. 14 in. $200/400 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 1183. Pair of American Gilt Brass Three‑Light Sconces, candlearms in the form of hunting horns with cord and tassel swags, h. 12 in., w. 14 1/4 in., d. 9 in. $400/600

1184. Set of Six Jacobean‑Style Carved Oak and Caned Armchairs, late 19th c., each with central urn and cherub crest, barley‑twist stiles, scrolled arms, pierced front splat, drop‑in leather seat, h. 54 1/4 in., w. 22 1/2 in., d. 21 1/2 in. $1200/2000

1185. Pair of Jacobean‑Style Carved Walnut and Caned Armchairs, late 19th c., each with pierced foliate and cherub crest, barley‑twist stiles, scrolled arms, drop‑in leather seat, foliate and cherub front stretcher, h. 54 in., w. 26 1/4 in., depth 25 in. $500/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1186. Chinese “Dreamstone” Marble Inset Hardwood Table Screen, variegated panel representing a landscape of tall cliffs and drifting clouds, framed and set within a hardwood stand, h. 32 in., w. 22 3/4 in., d. 10 in. $400/600

1187. Chinese Hardwood Trestle Leg Altar Table, probably Qing Dynasty (1644‑1911), rectangular top with everted scroll ends, thick shaped apron, pierced foliate spandrels, thick square legs framing reticulated panels, h. 39 1/2 in., w. 102 in., d. 16 in. $1500/2500

1188. Chinese School, probably Qing Dynasty (1644‑1911), “Rooster and Hen beneath Flowering Plant” and “Song Bird in Flowering Branch”, pair of paintings, each ink and color on paper, sealed lower left and lower right respectively, sight 48 in. x 19 3/4 in., framed alike, (2 pcs). $800/1200

Additional information at www.nealauction.com

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1189. Zao Wou‑Ki (Chinese/French, 1921‑2013), “Abstract Composition”, 1965, lithograph, signed and numbered 91/125, sight 24 in. x 13 in., framed. $2500/3500

1191. Japanese School, Meiji Period (1868‑1912), “Saru Kani Gassen (The Quarrel of the Monkey and the Crab)”, ink and color on silk, signed and sealed mid‑right, 39 1/8 in. x 13 3/4 in., formerly mounted as a hanging scroll, now lacking rollers. $600/800

Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1190. Near Pair of Chinese Polychrome Painted Red Lacquer Covered Octagonal Boxes on Stands, painted with characters, phoenix birds and foliage, removable trays, h. 21 in., w. 19 1/4 in., stands with upright flanges and scroll legs, overall h. 36 1/4 in., w. 27 in. $800/1200

1192. Hiroshi Yoshida (Japanese, 1876‑1950), “Suzukawa”, “Kinkaku” and “Misty Day in Nikko”, 3 woodblock prints, each signed in plate, pencil‑signed and titled lower margin, sheet 10 1/2 in. x 15 5/8 in., 15 7/8 in. x 10 3/8 in., and 16 in. x 10 3/4 in., unframed. $800/1200

1196. Pair of Japanese Satsuma Pottery Double‑Gourd Bottle Vases, probably Meiji Period (1868‑1912), decorated with bird‑and‑chrysanthemum panels and textile scrolls, h. 11 3/4 in. $400/600

1193. Chinese Gilt Decorated and Mother‑of‑Pearl Inlaid Reddish‑Brown Lacquer Peach-Form Covered Box, probably 19th c., peach‑form body inlaid with bats, peaches and clouds, h. 6 5/8 in., w. 10 1/2 in. $300/500

1197. Japanese Satsuma Pottery Shell-Form Bowl, probably Meiji Period (1868‑1912), “ sea life” encrusted exterior, interior decorated with figures in a mountainous landscape, h. 3 1/2 in., w. 14 3/8 in. $300/500

1194. Chinese Mother‑of‑Pearl Inlaid Black Lacquer Covered Box, probably late 19th/early 20th c., inlaid with flowering lychee, persimmon, and peach branches, interior tray, h. 4 1/2 in., w. 9 7/8 in., d. 9 7/8 in. $200/300 Provenance: Garden District New Orleans Collection.

1198. Large Japanese Imari Porcelain Chrysanthemum‑Form Fluted Charger, Meiji Period (1868‑1912), decorated with central flower basket roundel, dia. 18 in. $500/700

1195. Pair of Japanese Cloisonné Enamel Vases, Meiji Period (1868‑1912), decorated with birds, butterflies and flowering branches, h. 12 in., wood stands, overall h. 13 1/2 in. $500/700

1199. Japanese Imari Porcelain Faceted Baluster Vase, Meiji Period (1868‑1912), molded with hexagonal reserve panels of flowers and mythical beasts, h. 17 1/2 in. $500/700

1201. Pair of Japanese Imari Porcelain Vases, 19th c., decorated with stylized flowers, h. 9 5/8 in., now undrilled and mounted as lamps, h. (to socket) 14 1/4 in. $800/1200

1200. Pair of Japanese Imari Porcelain Lobed Baluster Vases, 19th c., decorated with birds amid flowering trees, h. 11 3/4 in., wood stands, overall h. 12 7/8 in. $500/700

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1202. Japanese Kutani Dish, probably 19th c., decorated with central tiger and bamboo medallion surrounded by a banana leaf border, base with Fuku mark, h. 1 3/4 in., w. 11 in., d. 11 in. $600/800

1203. Seven Japanese Imari Porcelain Chrysanthemum‑Form Dishes, Meiji Period (1868‑1912), incl. pair with chrysanthemum roundels, dia. 11 1/8 in; pair with floral bouquet roundels, dia. 11 7/8 in.; single with floral bouquet roundel, dia. 13 3/4 in.; single with floral spray roundel, dia. 11 1/4 in.; and single with floral and fan roundel, dia. 12 1/2 in.; together with two bowls, one with shi‑shi and flowers, dia. 7 1/8 in.; other with fruit and bamboo, dia. 6 in., (9 pcs) $600/800

1204. Japanese Imari Porcelain Octagonal Covered Jar, Meiji Period (1868‑1912), decorated with a fenced garden scene, h. 14 in., wood stand, overall h. 15 1/8 in. $300/500

1205. Pair of Japanese Mixed Metal Vases, modeled as primates kneeling on grassy mounds holding bottle vases, h. 8 3/4 in. $400/600

1206. Japanese School, Meiji Period (1868‑1912), “Cranes and Kingfisher in a Landscape with Stream, Waterfalls, Young Pine, Bamboo, and Flowers”, ink, color and gold on paper, 56 in. x 134 in., mounted as a six panel screen, overall 62 1/2 in. x 141 in. $3000/5000

1207. Kano School, Edo Period (1603‑1868), “Scenes In and Out of Court”, ink, color and gold leaf on paper, 63 1/8 in. x 142 in., mounted as a six panel screen, overall 70 in. x 149 in. $8000/12000

1208. Japanese School, Edo Period (1603‑1868), “Cranes with Water and Old Pines”, ink, color and gold leaf on paper, each 60 3/4 in. x 142 in., mounted as a pair of six panel screens, each overall 67 1/8 in. x 148 in. $6000/8000 Provenance: According to an old label attached to the reverse of one screen, this lot was “Purchased from Kyoto Antique Association / April 25, 1961”. Additional information at www.nealauction.com

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1209. Vintage Chinese Carved Wood Canopy Bed, c. 1940s, geometric frieze, “bamboo” turned supports, paneled head and footboard, h. 81 1/2 in., l. 84 in., w. 63 1/4 in. $400/600

1210. Japanese School, three paintings, incl. “Calligraphy”, ink on paper, inscribed and sealed mid‑left, sealed upper right, 38 1/4 in. x 11 in.; “Exotic Birds and Flowers”, ink and color on paper, 63 1/2 in. x 20 in.; and “Calligraphy”, ink on paper, sealed lower left, 52 1/4 in. x 22 7/8 in., all mounted as hanging scrolls; together with a Chinese School work, “Sages in a Bamboo Grove”, possibly a print, 46 1/2 in. x 15 1/24 in., mounted. (4 pcs.) $1000/2000

1211. Japanese School, probably 18th/19th c., “Egrets in Winter Snow”, ink, color and gold on paper, inscribed and sealed lower left, 61 1/4 in. x 142 1/2 in., mounted as a six panel screen, overall 68 in. x 149 1/2 in. $2000/3000

1212. Chinese Brown Glazed Pottery Jar, probably late 19th/early 20th c., ovoid body with relief dragons beneath 4 loop handles (one broken) at the shoulder, h. 32 3/8 in. $400/600

1213. Chinese Blue and White Porcelain Jar, probably Qing Dynasty (1644‑1911), globular body decorated with a waterscape with boats and dwellings, base with teapot mark, height 4 7/8 in. $100/200 Provenance: Garden District New Orleans Collection.

1214. Three Chinese Soapstone Figures, incl. 2 Buddhist figures on stands, h. 10 7/8 in. and 9 5/8 in.; and a sow grouping, l. 4 in., wood stand, overall h. 3 in., l. 4 3/4 in. $300/500 1215. Collection of Nine Japanese Prints, incl. botanical, landscape and figural examples, sight 6 3/4 in. x 4 3/4 in., variously matted and framed alike. $300/500

1216. Regency‑Style Giltwood Mirror, urn and garland crest, rope-molded frame, h. 43 in., w. 26 in. $250/350

1217. American Late Classical Gilded Mirror, split columnar frame, blocked corners, divided mirror plate, h. 53 3/4 in., w. 20 in. $300/500

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1218. Pair of Victorian Mahogany Armchairs, 19th c., shaped back with carved ram’s heads, padded scrolled arms, shaped seat and apron, cabriole legs, h. 33 1/2 in., w. 23 in., d. 22 3/4. $300/500

1219. George III Mahogany Pedestal Dining Table, early 19th c., reeded edge top, turned support, reeded legs, casters, h. 27 1/2 in., w. 38 3/4 in., d. 58 in. $700/900

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1220. George III Inlaid Mahogany Sofa Table, late 18th/early 19th c., banded drop‑leaf top, frieze drawers, sabre legs, cuffs, casters, h. 28 in., w. 33 in., d. 27 in. $800/1200

1222. Pair of Georgian‑Style Carved Mahogany Library Armchairs, each with padded back, scrolled dolphin‑carved arms, slip seat with cushion, foliate‑carved apron with cartouche, cabriole legs, dolphin feet, h. 41 3/8 in., w. 29 in., d. 27 in. $1000/1500

1221. Set of Six Chippendale‑Style Carved Mahogany Dining Chairs, serpentine crest rail, pierced splat, trapezoidal slip seat, shell‑carved seat rail, acanthus-carved cabriole legs, ball and claw feet, h. 40 in., w. 23 in., d. 19 in. $600/800

1223. Antique Chippendale‑Style Burled Walnut Desk, c. 1900, blocked serpentine top, inset tooled leather writing surface, kneehole configuration of drawers, carved cabriole legs, h. 31 1/4 in., w. 66 in., d. 39 in. $1000/2000

1224. American Carved Walnut Reading Chair, mid‑19th c., scrolled acanthus crest, upholstered oreilles, broad arms, 1 fitted with adjustable bookrest, curule supports, turned stretchers, casters. $300/500

1225. William and Mary Oak Blanket Chest, late 17th/early 18th c., paneled lift top, strap hinges, void interior, paneled sides, molded block feet, h. 26 1/4 in., w. 53 1/2 in., d. 24 in. $500/750 Additional information at www.nealauction.com

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1226. Italian School, early 20th c., “Flora”, oil on canvas, after the 1515‑1517 painting by Titian now in the Uffizi Gallery, Florence, unsigned, 30 in. x 25 1/4 in., framed. $500/700 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1227. British School, late 18th c., “A London Tavern Scene”, in the manner of William Hogarth (1697‑1764), oil on canvas, 25 in. x 30 in., carved wood frame. $1500/2500

1228. British School, 19th c., “Along the Shore”, watercolor on paper laid down, unsigned, 9 3/4 in. x 13 in., unframed. $250/350 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

1229. Paris Porcelain Gilt Navette‑Form Corbeille, 19th c., plinth molded with lion masks, paw feet, h. 11 5/8 in., w. 14 7/8 in., d. 9 3/8 in. $400/600

1230. Paris Porcelain “Decor de la Reine” Tazza, 19th c., retailer’s mark “Perdrieuse à Gisors”, h. 1 7/8 in., dia. 8 7/8 in.; together with 4 cups and saucers, dia. 5 3/4 in. $150/250 Provenance: Temple Heights, Columbus, MS.

1231. Pair of Meissen Cobalt Porcelain Saucers and Armorial Cup, 19th c., crossed swords marks, lobed navette forms, saucer w. 5 1/4 in., cup h. 2 3/8 in. $200/300

Provenance: Temple Heights, Columbus, MS.

1232. Paris Porcelain Bowl and Pitcher, early‑to‑mid 19th c., floral banding and gilt trim, indistinct impressed mark on base, pitcher h. 7 1/4 in. $100/150 1233. Eight English Porcelain Game Plates, marked “Fondeville Ambassador Ware”, reserve painted with game birds, gilt rims, dia. 9 in. $250/350

1234. Antique English Drabware Game Pie Dish, Cover and Underplate, marked, cover decorated with gamebird, basketweave relief, overall h. 6 1/2 in., l. 10 3/4 in. $250/350

1235. Pair of Late Regency Gilt and Polychrome Porcelain Covered Broth Cups, early 19th c., decorated with various butterfly specimens, finialed covers, h. 4 7/8 in. $300/500

Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1239. Antique Wirework Fire Fender, with bail handles, h. 39 in., w. 47 1/2 in., d. 12 in. $150/250 Provenance: Historic “Sally Mill”, Middleburg, VA.

1236. Copeland Caneware Covered Game Pie Dish, 19th c., impressed mark, oval body with raised relief of game birds and fruiting grapevines, bird finial cover, h. 6 in., l. 9 in. $300/500

186

1237. Antique English Ironstone Cake Stand, mid‑19th c., marked “REAL IRONSTONE CHINA”, h. 5 3/8 in., dia. 14 3/8 in. $150/250 Provenance: Rosedown Plantation, St. Francisville, LA, descended in the Turnbull/ Bowman/ Fort Family.

1238. Twelve Cauldon Porcelain Service Plates, with raised gilt and pink borders, dia. 10 1/2 in. $300/500

1240. Antique Carved Walnut “Floral Basket” Jewelry Box, mid‑19th c., probably American, hinged lid, velvet-lined interior, h. 4 in., w. 8 in. $150/250

1241. Pair of Neoclassical‑Style Bronze Chenets, 19th c., pinecone finials, h. 10 in., w. 12 1/2 in., d. 3 in. $200/300 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1242. Black Forest Carved Walnut “Rabbit” Figural Music Box, late 19th/early 20th c., labeled and inscribed en verso, with metal medallion marked “E. SCHURCH/ Schloss Laufen/ Patent/ 6442”, wall mounted with antler coat hooks, h. 19 in. $200/400

1243. Continental Papier‑Mâché and Wood Santos Figure, retains partial old paint surface, with detached wood cross, overall h. 14 in., w. 9 in., d. 5 in. $600/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1246. Two Gorham Sterling Silver Repoussé Yo‑Yos, each dia. 2 1/4 in. $200/300

1244. Victorian Needlepoint Fire Screen, 19th c., ribbon crest, depicting a court scene, on scroll feet, h. 45 1/2 in., w. 26 5/8 in., d. 11 1/2 in. $300/500

1245. Two American Sterling Silver‑Mounted Etched Glass Decanters, c. 1915‑1920, reticulated repoussé mounts marked Mount Vernon Co. Silversmiths, h. 11 7/8 in. and 11 3/8 in. $400/600 Provenance: Dixon and Dixon, New Orleans.

1248. American Pewter Camphene Candle Lamp, c. 1830‑1860, canister‑form reservoir, C‑scroll handle, stepped foot, h. 7 5/8 in., w. 5 in. $100/200

1252. Pair of American Tole and Brass Carriage Lamps, 19th c., hexagonal form, electrified, later bracket, h. 25 in., w. 9 in., d. 10 in. $300/500

1249. American Gilt Bronze and Brass and Double Overlay Sandwich Glass Peg Lamp, c. 1860, cut pink and white to clear in a keyhole design, set in a bell form gilded base with grape vine arm, h. 12 1/2 in., w. 8 1/2 in., d. 4 1/2 in. $200/300

1250. Good American Gilt Bronze Solar Lamp, c. 1840‑1850, baluster form with French‑style portraits and acanthus on a stepped marble base, globe shade with fern design, spear cut prisms, h. 25 1/2 in. $400/600

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1253. Regency‑Style Gilt Metal and Tôle Four‑Light Chandelier, 20th c., spreadwing eagle finial, applied stars, electrified, h. 14 in., dia. 16 in. $200/300 Provenance: Historic “Sally Mill”, Middleburg, VA.

1247. Group of Small American Sterling Silver Objects, incl. La Pierre overlay scent bottle, h. 4 in.; Gorham repoussé heart‑shaped chamber stick, w. 4 3/8 in., d. 3 1/2 in.; Tiffany cloverleaf pin tray, w. 3 1/8 in.; cherry motif compote, possibly Mauser, mark rubbed, h. 3 in., dia. 6 1/2 in.; Gorham beaded bread plate, date mark for 1906, dia. 6 in.; and 5 assorted dishes, each approx. 3 in. wide; total wt. (weighable) 13.30 troy ozs. $150/250

1251. Antique American Brass Double Student Lamp, c. 1895, base marked “Baron & Houghin Mfg. Co., New York” and on wick risers “E.J. Dewey, Duplex, New York”, foliate decoration, adjustable height, electrified, h. 21‑30 in., w. 23 in., d. 11 in. $500/700 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

1254. Pair of American Cobalt and White Double Overlay Glass Vases, 19th c., possibly Boston & Sandwich Co., cut‑to‑clear with tulip design, h. 11 1/2 in.; together with two double overlay vases with cut‑to‑clear punty and keyhole designs, one aqua and white, h. 12 1/2 in.; another rose and white, h. 10 in., (4 pcs.) $300/500

1255. Pair of American Coralene Glass Vases, late 19th/early 20th c., tall footed peachblow baluster bodies with applied yellow enamel and clear bead decoration, h. 14 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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1256. American Silverplate and Gilt and Pink Satin Glass Bride’s Basket, late 19th c., lobed herringbone pattern body with applied gilt and enameled flowers, putto figural base, overall h. 12 3/4 in. $300/500

1257. Bohemian Cobalt Overlay Glass Decanter, late 19th c., cut‑to‑clear Greek key and punty designs, faceted stopper, h. 11 in.; together with a cranberry overlay glass perfume bottle with cut‑to‑clear star and punty designs and tulip‑form stopper, h. 9 in. $300/500

1258. American Pink and White Double Overlay Glass Perfume Bottle, 19th c., possibly Boston & Sandwich Co., cut‑to‑clear thumbprint and gothic motifs, faceted stopper, h. 6 3/8 in.; together with a pink and white underplate with cut‑to‑clear floral design, dia. 8 1/2 in. $200/300

1259. Three Antique Bohemian White Overlay Cut Glass Decanters in the Gothic Taste, 19th c., two ruby and one cobalt, h. 14 1/8 in., presented in a silverplate trefoil form decanter stand, h. 10 1/4 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1262. Pair of American Blue and White Double Overlay Glass Vases, 19th c., possibly Boston & Sandwich Co., cut‑to‑clear gothic motifs, h. 10 1/2 in.; together with a similar compote, h. 5 3/4 in.; and small pitcher, h. 4 1/2 in., (4 pcs.) $200/300

1263. Pair of American Gilt Bronze‑Mounted Glass Bouquet Holders, mid‑19th c., blue rimmed white floriform bodies, foliate mounts, square marble bases, h. 9 3/8 in. $150/250

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1260. Mount Washington Crown Milano Glass Vase, late 19th c., bulbous base, tall neck with twisted vine, applied gilt, enamel and beaded decoration, original paper stamp, h. 10 1/2 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1264. Pair of Val St. Lambert Glass Candlesticks, marked, h. 9 1/2 in.; together with pair of Baccarat “Camel” glass ashtrays, stamped, dia. 4 1/2 in.; and small Baccarat glass dish, w. 8 in., (5 pcs.) $150/250 Provenance: New Orleans Estate.

1268. Pair of Anglo‑Irish Cut Glass Sweetmeat Urns, domed finial lids, diamond and swag motif bodies, square diapered bases, h. 16 1/2 in. $400/600

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1261. American White and Cranberry Satin Glass Epergne, 19th c., trumpet vase, ruffled bowl, enameled floral and gilt reserves, foliate gilt metal mount and base, overall h. 21 in. $400/600

1265. Hawkes Brilliant Cut Glass Covered Jar, late 19th/early 20th c., marked, with hobstars, pinwheels, and diamonds, h. 9 3/4 in. $300/500

1269. Mount Washington Crown Milano Glass Ewer, late 19th c., signed, ovoid body with floral and lattice decoration, h. 5 1/2 in., dia. 6 1/2 in. $150/300 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1266. American Brilliant Cut Glass Vase, late 19th/early 20th c., with hobstar and pineapple motifs, h. 7 in., dia. 9 1/2 in. $250/350 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1267. American Brilliant Cut Glass Punch Bowl on Stand, with hobstars and pineapples, scalloped rim, splayed foot, overall h. 13 5/8 in., dia. 15 in. $200/400

1270. Bohemian White Overlay and Ruby Glass Cordial Set, late 19th/early 20th c., incl. decanter with cut‑to‑ruby gothic motifs, gilt and floral enamel decoration, and tulip‑form stopper, h. 11 in.; four associated glasses, h. 4 3/4 in.; and tray with spurious “Webb” mark, dia. 11 1/4 in. $150/250

1271. Three Gilt Bronze‑Mounted Glass Scent Bottles in the Gothic Taste, incl. a tall ribbed form, h. 12 3/4 in.; and a pair of faceted and cut forms, h. 10 3/4 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: Historic “Sally Mill”, Middleburg, VA.

1272. American Carved Oak Eight‑Day Wall Clock, late 19th c., “Augusta” model, Waterbury Clock Co., with applied brass masks and griffins, h. 45 1/2 in., w. 18 1/2 in., d. 7 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1273. American Carved Walnut and Cast Iron Cheval Mirror, 19th c., arched molded mirror on faceted iron stand, incurvate base, castors, h. 72 in., w. 27 in., d. 27 in. $500/750 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1275. Ronald Davis (American/ California, b. 1937), “Mirror Balls”, 1989, digital print on paper, signed, dated and inscribed “CMP 039” lower right, numbered “1/10” lower left, 18 1/2 in. x 20 1/4 in., framed. $300/500

1279. Pair of French Art Nouveau Mahogany Ballroom Chairs, c. 1900, shaped bellflower carved backs, serpentine seat rails, cabriole legs. $150/250 Provenance: New Orleans Estate.

1276. Ronald Davis (American/ New Mexico, b. 1937), “Composition in Indigo and Lime: Object Series”, 1982, acrylic and mixed media on paper, signed, dated and inscribed “G1” lower right, 11 1/2 in. x 15 1/2 in., framed. $700/900

1280. American Late Federal Tiger Maple Work Table, c. 1830, frieze drawer, turned legs, tapered feet, h. 29 1/2 in., w. 20 1/4 in., d. 18 1/4 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1283. Continental School, 19th c., “A Visit to Grandfather”, oil on paper laid on board, unsigned, 24 in. x 17 3/4 in., antique frame. $700/900

1284. Eight Dozen Christofle “Malmaison” Pattern Silverplate Dessert Forks, pattern introduced 1967, fitted storage case. $700/1000

1274. American Carved Mahogany Hall Mirror, late 19th c., carved foliate surround, mounted with coat hooks, beveled mirror plate. $200/400

1277. Jackie Battenfield (American, b. 1950), from the “Mizu Series” incl. “Caesura 6”, “Connect 19”, and “Dervish 2”, 1992‑1993, 3 mixed media collages, pencil‑signed, titled and dated lower right, images 6 in. x 24 in., sheets 22 in. x 38 in., framed alike. (3 pcs.) $1200/1800

1281. Antique Scottish Carved Mahogany Chest‑on‑Chest, 19th c., flared cornice, inset arch frieze, 2 over 3 graduated drawers flanked by colonnettes, base with 3 drawers, turned feet, h. 82 1/2 in., w. 51 in., d. 24 1/4 in. $500/800

1285. Vintage Mahogany and Brass Mounted Humidor, brass plaque and flush handles, lined in white glass, h. 8 3/4 in., w. 14 in., d. 11 1/2 in. $300/500

1278. Pair of Art Deco Mirrored and Parcel Gilt Commodes, c. 1930, each with raised beveled top, frieze drawer, open cupboards, shaped skirt, square tapered legs, h. 31 1/2 in., w. 20 1/2 in., d. 14 1/4 in. $500/800 Provenance: Mme. Granet’s French Antique Shop, New Orleans.

1282. Agnes Lodwick (American/ Missouri, 1879‑1963), “New England Harbor”, oil on canvas, signed lower right, remnant of “St. Louis Artists’ Guild” label en verso, 18 in. x 15 in., framed. $200/400

1286. Continental Turquoise Embellished Gilt Brass Picture Frame, 20th c., ovoid form, h. 7 1/2 in.; together with a brass inlaid ebonized wood picture frame, h. 6 in. (2 pcs.) $150/250

Additional information at www.nealauction.com

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1288. Pair of Bronze‑Mounted Paris Porcelain Vases, cobalt ground, reserves with a young man playing the bagpipes and a woman admiring butterflies, vase h. 17 in., w. 10 in., d. 8 in., now mounted as lamps. $400/600

1289. Pair of Louis XVI‑Style Gilt Bronze Three‑Light Sconces, late 19th c., flaming urn finials, foliate scroll arms, h. 20 in., w. 12 in., d. 11 1/2 in. $400/600

1287. American Blown, Cut, and Etched Glass Hall Lantern, c. 1850, foliate motif gilt pressed brass mounts, clear glass smoke bell, main portion h. 9 in., dia. 10 in. $250/350

1291. Group of Antique and Vintage Sterling Silver Jewelry, incl. an oval rococo belt buckle, London import marks for 1892, 3 1/4 in. x 2 1/4 in.; oval reticulated “flower child”, 2 1/8 in. x 1 5/8 in.; and French octagonal brooch with fleur de lis, 2 in. x 1 3/4 in. $150/250

1290. American Iridescent Glass Vase, possibly Lundberg, spurious mark “L.C. Tiffany Favrile”, h. 11 in. $500/700 Provenance: New Orleans Estate. Ill.: Steeg, Moise S. Tiffany Favrile Art Glass. Atglen: Schiffer, 1997, p. 69.

1292. William Spratling (American/Taxco, 1900‑1967), sterling silver “Petate” brooch, mark for 1931‑1945, 2 1/2 in. x 3 in.; together with a Mexican sterling silver cuff bracelet, unattributed; combined weight 4.25 troy ozs. $150/250

1293. Two Vintage Pipe Lighters, 20th c., incl. a sterling and stone example by Savinelli, Italy, marked, h. 2 1/4 in., w. 1 3/8 in.; and diapered pattern gold form by S.I. Dupont, Paris, marked, h. 1 7/8 in., w. 1 3/8 in. $150/250

1294. Group of Antique Cut and Pressed Glass Table Articles, incl. 3 decanters; 5 wine rinsers; 5 liqueur glasses; 3 cordials; and a pitcher, tallest h. 13 3/4 in., (17 pcs.) $300/400 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

1295. Louis XVI‑Style Gilt Metal‑Mounted and Marquetry Clock and Stand, 20th c., Hermle striking gong movement, on conforming cabinet stand, fitted with shelves, overall h. 69 1/2 in., w. 17 1/2 in., d. 12 in. $1000/1500

1296. Louis XV Carved Walnut Fauteuil, late 18th c., foliate‑carved crest rail, padded scrolled arms, cabriole legs, h. 34 1/4 in., w. 23 3/4 in., d. 25 in. $200/300 Provenance: New Orleans Estate.

1298. Don Wright (American/ Louisiana, 1938‑2007), “Reclining Female Nude”, 1984, oil on canvas, signed lower left, 24 in. x 36 in., artist embellished frame signed and dated “85” lower right. $400/600 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

190

1297. Robert Gordy (American/New Orleans, 1933‑1986), “Seven Figure Oval (2nd Version)”, 1980, acrylic on canvas, signed, titled, dated and “Arthur Roger Gallery, New Orleans” label en verso, 34 1/2 in. x 46 1/2 in., original frame; together with copy of Robert Gordy, Paintings & Drawings: 1960‑1980 by Gene Baro, 1981. $800/1200 Provenance: Accompanied by the Arthur Roger Gallery invoice, dated Mar. 10, 1989; New Orleans Estate.

1299. Gilberto Antonio Tarin (American/Texas, 20th c.), “Figures”, 1975‑76, 6 watercolors and ink on paper, all signed and dated lower left, sights 19 1/2 in. x 23 1/2 in. to 10 1/2 in. x 13 1/2 in., all framed. (6 pcs.) $1000/1500 Provenance: Sold to benefit the Huntsville Museum of Art, Huntsville, AL.

1300. George Valentine Dureau (American/New Orleans, 1930‑2014), “Winged Putto”, graphite on paper, signed lower center, sheet 18 in. x 14 1/2 in., framed. $400/600

1301. Zella Funck (American/New Orleans, 1917‑2009), “Tomorrow”, oil and mixed media on canvas, signed lower right, titled upper center, 75 1/2 in. x 43 3/4 in., unframed. $1500/2500

1304. Ellen Steinfeld (American, 20th c.), “Primeval Garden”, 1984, acrylic on wood, signed and dated lower right, 66 in. x 56 in. x 6 in. $1500/2500

1307. Shelly Inez Lependorf (American/Philadelphia, 20th c.), “The Way In” and “The Way Out”, c. 1992, mixed media on black paper, signed center right and lower right respectively, each 30 in. x 22 in., framed together. $400/600

1302. Rebecca Welz (American, 20th c.), “Untitled”, Plexiglas®, wire and pole, unsigned, 44 1/2 in. x 24 in. $1500/2500

1305. Norman Galinsky (American, b. 1942), “Healing Paradigm #8”, 1992, oil on paper, pencil‑signed, titled and dated en verso, 29 1/2 in. x 41 1/4 in., framed. $500/700 Provenance: Commissioned from the artist.

1308. Bernice Sims (American/ Alabama, 1926‑2015), “March on Selma”, acrylic on canvas, signed lower left, inscribed “Dr. Ryan” and newspaper article about the artist en verso, 18 in. x 24 in., unframed. $800/1200

1303. Irena Kononova (Russian/California, 20th c.), “Doorway”, 1995, oil, sand and marble dust on canvas, signed and dated lower right, 68 in. x 48 in., framed. $1500/2500

1306. Anne McKenzie Nickolson (American/ Indiana, 20th c.), “What’s Out There?”, 1992, embroidered, pieced and appliquéd cotton, initialed “A.M.N.” lower right, 40 in. x 40 in., framed. $600/800

1310. Welmon Sharlhorne (American/Louisiana, b. 1952), “Fantasy Building”, black and red ink on paper, signed lower right, 12 in. x 19 3/4 in., framed. $400/600 1309. Mark Bercier (American/ Louisiana, b. 1950), “The End Result: A Very Bad Dream”, 1979, pastels on paper, signed, titled, dated and inscribed “Baton Rouge” lower center, “John Fitzsimmons & Co., Inc., Dealer in Fine Art, Houston, TX” label with title en verso, 20 1/8 in. x 10 1/4 in., framed. $300/500

Additional information at www.nealauction.com

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1313. Laurence “Larry” Christie Edwardson (American/New Orleans, 1904‑1995), “Rose with Delacroix Island Painting”, oil on masonite, signed lower right, signed, titled and inscribed en verso, 10 in. x 24 in., unframed. $300/500 1311. Laurence “Larry” Christie Edwardson (American/New Orleans, 1904‑1995), “Still Life ‑ with Painting of St. Louis Basilica”, oil on masonite, signed lower right, signed, titled and inscribed en verso, 24 in. x 20 in., framed. $400/600

1312. Laurence “Larry” Christie Edwardson (American/New Orleans, 1904‑1995), “July Sundown, Painters St. at N. Claiborne, New Orleans”, oil on masonite, signed lower right, signed and titled en verso, 20 in. x 16 in., framed. $400/600

1315. Bunny Matthews (American/ New Orleans, 20th/21st c.), “Mardi Gras Season”, 1982‑1985, 14 pen and ink on paper drawings, all signed and dated lower right, ranging from 10 in. x 12 in. to 11 in. x 14 in., all unframed. $500/800

1316. Bunny Matthews (American/ New Orleans, 20th/21st c.), “Da Plot (to Gentrify the 9th Ward) Series”, 1983, 6 pen and inks on paper, each signed and dated lower right, titled upper left and pencil‑notations upper right corners, 11 in. x 14 in. to 14 in. x 17 in., unframed. (6 pcs.) $300/500

1319. New Orleans School, late 20th c., “Second Line: Jazz Musician and Grand Marshal”, watercolor on paper, indistinctly signed lower left, sight 22 in. x 14 1/2 in., framed. $500/800

1320. John Connell (American/New Mexico, 1940‑2009), “Peach of Temptation”, iron oxide and pigment on paper, signed lower left, titled upper center, 17 in. x 13 3/4 in., framed. $150/250

1322. Ann T. Cooper (American/New Orleans, 1935‑2005), “Sheep Grazing by the Trees”, oil on canvas, signed lower right, 18 in. x 14 in.; together with “Sea Shells”, serigraph on paper, pencil‑signed and titled lower margin, sight 12 in. x 15 in., both framed, (2 pcs.) $500/800

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1314. Laurence “Larry” Christie Edwardson (American/New Orleans, 1904‑1995), “Oak ‑ Mary Plantation”, oil on masonite, signed lower right, signed, titled and inscribed en verso, 24 in. x 24 in., framed. $400/600

1317. Bunny Matthews (American/ New Orleans, 20th/21st c.), “Sportsman’s Paradise”, and “Shopping at Schwegman’s”, 1985, both colored pencil on paper, both signed and dated lower right, former titled lower left, sight 10 in. x 1 1/4 in., and 11 1/2 in. x 10 in., both framed. $600/800

1318. Bunny Matthews (American/ New Orleans, 20th/21st c.), “Johnny Brought Wine to the Gods and Carnival to Heaven”, 5 pen and ink on paper works, unsigned, sight ranging from 13 in. x 10 in. to 13 in. x 20 in., matted and framed alike. $400/600

1321. George Sanders Bickerstaff (American/California, 1893‑1954), “California Landscape with Desert and Mountains”, oil on canvas, signed lower right, 24 in. x 36 in., framed. $700/900

1323. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “Shrimp Boats”, 2 watercolors on paper, each signed lower right, sights 13 in. x 4 in., framed alike, (2 pcs.) $800/1200

1324. Rolland Harve Golden (American/New Orleans, b. 1931), “’Captain Bill’ at Dry Dock”, watercolor on paper, signed lower right, 29 in. x 22 in., framed. $700/1000 Provenance: Neal Auction Company, Dec. 2, 2007, lot 1139.

1325. Augustus Weidenbach (German/Maryland, b. 1825), “White Mountains”, oil on canvas, signed lower right, titled on stretcher, 22 in. x 36 in., framed. $700/1000

1326. Florida School, mid‑20th c., “Boy Going Fishing with His Dog”, oil on canvas, signed “Jinx” lower left, 16 in. x 20 in., framed. $400/600

1330. Don Wright (American/ Louisiana, 1938‑2007), “Bathers, Lake Pontchartrain”, 1990, and “Seated Female Nude”, 1984, 2 oils on canvas, both signed and dated lower right, 60 in. x 36 in. and 29 in. x 23 in., artist embellished frames. $800/1200 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

1327. William Collins (American/ New Orleans, 20th c.), “Pirate’s Alley” and “Cafe du Monde: Coffee and Donuts”, 1955, 2 hand‑colored prints, signed lower right and signed and dated lower center respectively, sheets 15 1/8 in. x 10 7/8 in., unframed. $75/125

1331. American School, early‑to‑mid‑20th c., “Still Life with Flowers”, 1931, oil on wood, conjoined initials “C.T.” and dated en verso, 15 3/4 in. x 12 1/4 in., framed. $300/500

1334. Southern Folk Art, 20th c., “A Night at the Juke Joint”, oil on panel, unsigned, inscribed “Jerry Stovall” en verso, 28 in. x 40 in., framed. $1000/1500

1328. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Sunday at the Yacht Harbor”, color woodcut on paper, pencil‑signed, titled and inscribed “woodcut” lower margin, sight 12 1/2 in. x 16 1/2 in., framed. $150/250

1329. Chuck Caplinger (American/ Texas, 20th c.), “Seated Sepia‑Toned Female Nude”, oil on canvas, signed lower right, 24 in. x 24 in., framed. $500/800

1333. American School, 20th c., “Feline Family Portrait: Mother Cat and Two Kittens”, oil on canvas, signed “Winston” lower left, canvas stamp en verso, 30 in. x 40 in., framed. $700/900 1332. Jack Skilling (American, 20th c.), “Floral Still Lifes in Architectural Settings”, 2 oils on masonite, both signed lower right, 17 1/2 in. x 14 in., unframed. $300/500

1335. Chris Burkholder (American, b. 1952), “Pines at Possumwalk”, 1995, acrylic on canvas, signed and dated lower left, titled along top edge, 34 in. x 49 1/2 in., unframed. $1000/1500 Additional information at www.nealauction.com

193

1338. Southern Folk Art School, mid‑20th c., “Diptych Altar of the Crucifixion and Resurrection of Christ”, oil on canvas board, unsigned, 33 in. x 16 in., original frame. $800/1200

1336. Eddy Augustin (Haitian, 20th c.), “Voodoo Ceremony”, 1960, oil on canvas, signed and dated lower right, 16 in. x 12 in., framed. $400/600

1337. Mark Bercier (American/ Louisiana, b. 1950), “You never told me ham didn’t come from chickens”, oil on wood panel, signed lower center, 20 in. x 16 in., antique frame hand‑painted by the artist. $300/500

1339. Bruce Davenport, Jr. (American/New Orleans, b. 1972), “Walter L. Cohn High School Green Hornets Band, New Orleans, LA”, 2011, marker and mixed media on paper, signed “Dapper Bruce Lafitte” and dated lower right, signed lower left, titled lower center, signed and inscribed en verso, 17 1/4 in. x 11 in., unframed. $200/300

1340. Bruce Davenport, Jr. (American/New Orleans, b. 1972), “Andrew J. Bell Jr. High School Crusaders Marching Band, New Orleans, LA”, 2011, marker and mixed media on paper, signed “Dapper Bruce Lafitte” and dated lower right, signed lower left, titled mid‑left, signed and inscribed en verso, 11 in. x 17 1/4 in., unframed. $200/300

1342. Malcolm Jagamarra (Australian, b. 1955), “Lander River Warlpiri, Willowra, Wardapi”, 1999, acrylic on canvas, signed, titled and dated en verso, 22 1/4 in. x 36 in., framed. $400/600

1344. Belle Époque Mahogany and Burled Wood Buffet, late 19th/ early 20th c., arched mirrored back flanked by leaded glass cupboards, marble top, frieze drawers, cupboards below, h. 91 in., w. 67 in., d. 18 5/8 in. $500/800

194

1341. Bruce Davenport, Jr. (American/New Orleans, b. 1972), “O. Perry Walker High School Chargers Marching Band, Algiers, LA”, 2011, marker and mixed media on paper, signed “Dapper Bruce Lafitte” and dated lower left, signed lower center, titled mid‑left, signed and inscribed en verso, 11 in. x 17 in., unframed. $200/300

1343. Marguerite Delgobe‑Deniker (French, 20th c.), “Priest Surveying the Mongolian Plains”, oil on canvas, signed lower right, 47 in. x 77 in., framed. $500/1000

1345. George III‑Style Leather and Cherrywood Wing Chair, labeled Leathercraft, Inc., Conover, NC, button-tufted upholstery with brass nailhead trim, fluted square legs, h. 41 1/2 in., w. 31 in., d. 31 1/2 in. $300/500

1346. Pair of Regency Carved Mahogany Armchairs, early 19th c., attr. to William Trotter, Edinburgh, volute crest rail, scroll‑carved slat, scrolled reeded arms, tapered, reeded legs. $700/900

1347. Rococo Revival Carved Rosewood Breakfast Table, mid‑19th c., American or English, circular tilt top, lobed support, floral carved cabriole legs, casters, h. 29 in., l. 48 1/4 in., w. 49 in. $500/800

1349. American Classical Carved Mahogany Work Table, early 19th c., drop‑leaf top, two drawers over pleated work bag, turned legs, casters, h. 29 in., w. 19 5/8 in., d. 17 in. $400/600

1348. American Federal‑Style Mahogany Dressing Table, 20th c., frieze drawers, reeded legs, brass ball feet, h. 27 1/2 in., w. 33 5/8 in., d. 22 1/2 in. $300/500 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

1351. Belle Époque Gilt Bronze and Porcelain Three‑Piece Clock Garniture, c. 1900, case surmounted by putto, inset plaque of courting couple, conforming five‑light candelabra, clock h. 21 1/2 in., w. 14 in., d. 7 3/4 in. $500/750 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1354. Persian Carpet, red‑orange central ground, navy border, overall stylized geometric design, 10 ft. 10 in. x 8 ft. 1 in. $800/1200

1350. American Classical Carved and Gilded Mirror, 19th c., split baluster surround with blocked rosette corners, old mirror plate, h. 47 in., w. 31 3/4 in. $300/500

1352. Beaux Arts Patinated Bronze Three‑Piece Clock Garniture, late 19th c., clock with architectonic case, associated pair of figures representing music and astronomy, clock h. 21 in., w. 12 1/2 in., d. 6 1/2 in. $500/800

1353. Regency‑Style Mahogany Two Pedestal Dining Table, with two leaves, baluster standards, saber legs, brass‑capped paw feet, casters, h. 30 1/2 in., extended l. 120 1/2 in., w. 48 1/4 in. $2000/3000

1355. Semi‑Antique Chinese Carpet, salmon ground, black border, scrollwork central medallion, overall stylized floral motif, 11 ft. 10 in. x 9 ft. 3 in. $800/1200

Additional information at www.nealauction.com

195

1357. American Renaissance Carved and Burl Walnut Breakfront Bibliothèque, c. 1870, pedimented cornice above arched glazed doors, adjustable shelf interior, short drawers over arched paneled doors, blocked molded base, h. 90 in., w. 68 in., d. 20 in. $500/1000

1356. Persian Runner, navy blue central ground, overall stylized geometric design, 16 ft. 1 in. x 3 ft. 1/2 in. $700/1000

1358. Pair of American Classical Carved Mahogany Armchairs, c. 1830, Philadelphia, each with padded back and seat, scrolled arms, sabre legs, h. 35 1/2 in., w. 20 1/12 in., d. 24 1/2 in. $300/500

1359. Antique American Painted Pine and Walnut Kitchen Table, 19th c., plank top, frieze drawer, turned legs, h. 28 in., w. 40 in., d. 28 in. $250/350

1362. Group of American Printed Material, 19th/20th c., incl. ad for runaway slave, Daily Georgian, Savannah, Sept. 15, 1840; political cartoons from the 1928 U.S. presidential election, 10 1/4 in. x 15 in. to 22 1/2 in. x 17 in.; and 3 architectural prints, 7 5/8 in. x 10 3/8 in. to 13 1/2 in. x 10 1/2 in., unframed. $150/200 Provenance: Sold for the Benefit of a Private Institution.

1360. Federal Inlaid Mahogany Candlestand, circular tilt top with star inlay, reeded baluster standard, saber legs, h. 35 3/8 in., dia. 16 in. $100/200

1361. American School Églomisé, “General Andrew Jackson on Horseback”, c. 1815‑30, titled “Jackson” lower center, sight 12 1/4 in. x 9 in., original molded and painted frame. $300/500 Provenance: Didier, Inc., New Orleans.

1363. World War II Panoramic Photograph of “Camp Pike, Little Rock, Arkansas, East From Geodetic Tower”, c. 1917, chromolithograph, published by Ewing, Inc., Official Photographers, Division Exchange, Camp Pike Arkansas, 5 1/2 in. x 27 3/4 in., framed. $150/250 Provenance: Sold for the Benefit of a Private Institution.

1364. Continental Faux Bois and Ebonized Cylinder Music Box, c. 1900, h. 5 1/2 in., w. 18 1/2 in., d. 8 3/4 in. $500/700 1365. Pair of American Gilt Bronze Girandoles, mid-19th c., possibly Cornelius & Co., Philadelphia, Classical urn-form standards, flowering arms, marble plinth, crystal prisms, h. 16 7/8 in., w. 16 in. $100/200

196

1366. [Louisiana History Books], 7 books incl. Gayarre, Charles, History of Louisiana, N.O., 1879, second ed., 4 vols; The Laws of Las Siete Partidas, Which Are Still In Force in the State of Louisiana, N.O., 1820, 2 vols.; and Howe, Judge, The History of Louisiana., 1882. $500/700

Provenance: New Orleans Estate.

1367. [Dwight Eisenhower Signed Books], Eisenhower, Dwight D. The White House Years, Mandate for Change, 1953‑1956; The White House Years, Waging Peace, 1956‑1961 and Crusade in Europe, Garden City, New York,

Doubleday & Co., Inc., 1963, 1965, 1948; each signed with original slipcase. $700/1000

1368. [Louisiana and Mississippi Books], 42 titles, mostly literature incl: Frances Parkinson Keyes, Harnett Kane, and others, as well as some large format art books. $300/500

1372. Antique Classical Tôle Peinte Stand, c. 1820, probably French, faux marbre decoration, single door, shelf interior, h. 28 1/2 in., w. 15 in., d. 12 in. $700/1000

1369. Servaes, Franz, Anders Zorn, Leipzig, Velhagen & Klasing, 1910, full brown calf, with 93 illustrations, 12 chromolithographs. $100/150

1373. Tiffany Studios Art Nouveau Green Opalescent Glass and Gilt Bronze Letter Holder, c. 1930, marked, with pine needle decoration, h. 6 1/4 in., w. 10 in., d. 2 1/2 in. $500/700

1370. Hearn, Lafcadio, Creole Sketches, Boston and New York, Houghton Mifflin, 1924, red cloth, with illustrations by the author. $75/150

1374. Group of Five Georgian Horn Beakers, early 19th c., h. 3 1/2 in. to 4 3/4 in. $200/400 Provenance: Lynda Willauer Antiques, Nantucket, MA.

Provenance: Hastings House Antiques, Essex, CT (Theta Charity Antiques Show, 1976); Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

1371. Signed Presidential Appointment from Woodrow Wilson, printed document, dated Jan. 12, 1914, appointing Eugene P. Shannon Postmaster of Nashville, signed by Wilson and by the Postmaster General, A.S. Burleson, sight 15 1/2 in. x 19 1/2 in., framed. $300/500

1375. French Restauration 1st Standard Silver Cruet Frame, 1819‑1838, azure cut glass bottles, h. 10 7/8 in., w. 8 1/4 in.; together with Neoclassical‑style silverplate‑mounted cobalt glass pail; silver wt. (weighable) 13.15 troy ozs. $500/700

1379. Louis XVI‑Style Walnut and Ebonized Morbier Tall Case Clock, 19th c., enamel dial with coq, arched cornice, glazed door, columnar stiles, case with engaged columns flanking door, base with lozenge carved panels, h. 97 1/4 in., w. 18 1/2 in., d. 12 1/2 in. $700/900

1376. Pair of Antique Georgian Sheffield Plate Telescoping Candlesticks, c. 1830, acanthus motif, h. 11 in. $400/600 Provenance: Didier, Inc., New Orleans, Nov. 13, 1995.

1377. George III Satinwood Wheel Barometer, c. 1810, marked “Jos. Somalvico & Co./ 16 Charles Street/ Hatton Garden”, incorporating a thermometer and hygrometer dial, h. 46 in., w. 14 1/2 in., d. 2 1/2 in. $600/800

1378. Pair of Anglo‑Irish or American Glass Photophores, 19th c., baluster‑form candleholders hung with spearpoint cut prisms, baluster shades, h. 20 in., dia. 6 in. $500/700 Provenance: Didier, Inc., New Orleans, 2000. 1380. Chippendale‑Style Carved Mahogany Library Table, 20th c., inset black leather top, cabriole legs, claw and ball feet, h. 30 in., w. 78 in. d. 39 1/2 in. $500/750

Additional information at www.nealauction.com

197

1383. Victorian Cast Iron Garden Suite, mid‑19th c., incl. three medallion‑back chairs and round table with grapevine motif, chair h. 31 in., width 14 1/4 in., d. 16 in.; table h. 19 1/2 in., dia. 20 in., (4 pcs.) $800/1200 1381. Dresden Porcelain Girandole Mirror in the Rococo Taste, early 20th c., with applied putto figures, richly encrusted with flowers, h. 30 in. Note: Small losses. $700/1000

1382. Paris Porcelain Figural Mantel Clock in the Manner of Jacob Petit, 19th c., with maiden resting near rock, apple green and gilt scrollwork base, h. 13 1/2 in, w. 8 1/4 in. $600/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: Historic “Sally Mill”, Middleburg, VA.

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness -$ In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness -$ In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” -$ In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness -$ In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness -$ In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness -$ In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature“George Inness” -$ In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

PLEASE SEE NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS. 198

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. 5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

199

February 19, 20, & 21, 2016

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Artist Index

200

Jacques Guillaume Lucien Amans (att), 476, 477 American School, 388, 551, 724, 970-977, 980, 1017, 1025, 1028, 1038, 1331, 1333, 1334, 1361-1363 American or British School, 725, 978 Catherine Ames, 1077 Walter Inglis Anderson, 624-626, 662 James McConnell “Mac” Anderson, 661, 1081 Asian School, 315, 777 John James Audubon (aft), 395, 402, 964, 967-969 Eddy Augustin, 1336 Austrian School, 714

Florence Julia Bach, 1051 Qi Baishi (aft), 898 David Barbero, 1039 Louis Bardi, 237 M. Barrios, 670 Jackie Battenfield, 1277 Peter Baumgrass, 1073 Olive Beem, 1071 John Bell, 1182 Mary Elizabeth Benhard, 1067 Mark Bercier, 1309, 1337 George Sanders Bickerstaff, 1321 Streeter Blair, 1087 Alfred Boucher (aft), 223 Harriette Bowdoin, 711, 1050 British School, 682, 730, 979, 1227, 1228 Robert Broderson, 1075 Byron Browne, 627 Matilda Browne, 478 Philippe Buache, 767, 768 Alice Standish Buell, 1048 Michelangelo Buonarroti (aft), 256, 257 Chris Burkholder, 1335 Mary Cable Butler, 710 Murrell Butler, 664, 1083

Alexander Calder, 1049 Chuck Caplinger, 1329 Albert-Ernest Carrier-Belleuse, 244 George Frederick Castleden, 1066 Chinese School, 211, 320, 321, 903, 1188 Claude Michel Clodion, 255 Edward John Cobbett, 684 Robert Colescott, 1054 William Collins, 1327 John Connell, 1320 Continental School, 49, 60, 131, 168, 285, 286, 580, 581, 715, 1283 Ann T. Cooper, 1322 Jean-Baptiste-Camille Corot (aft), 42 George David Coulon, 405 Neil W. Cox, 683 Jose-Maria Cundin, 588

Bruce Davenport, Jr., 1339-1341 Ronald Davis, 1275, 1276 Edward Davison, 974 Marguerite Delgobe-Deniker, 1343 Alexander John Drysdale, 597, 601, 669, 1013-1015 George Bauer Dunbar, 642-644 William Dunlap, 1045 George Valentine Dureau, 649, 1300 Caroline Wogan Durieux, 615

Laurence “Larry” Christie Edwardson, 1311-1314

Walton Cheever Felch, 1026 Roy Ferdinand, 1085 Alan Flattman, 668 Florida School, 1326 Cathy Folk-Williams, 1042 French School, 67, 69, 165-167, 169-172, 222, 385, 387, 390, 693, 697 Pedro Friedeberg, 633 Zella Funck, 1301

Norman Galinsky, 1305 George Gay, 603 Rolland Harve Golden, 1324 Robert Gordy, 671, 1297 John Gould (aft), 391-394, 727729, 965, 966 Francisco Goya (aft), 43 Abbott Fuller Graves, 584 Martin Grelle, 398 Louis Oscar Griffith, 653

Melbourne H. Hardwick, 1070 Grant Hayunga, 1041 George Hetzel, 397 Colette Pope Heldner, 657, 658, 673 Knute Heldner, 593, 604 Sally Heller, 647 William “Bill” Hemmerling, 672 Morris Henry Hobbs, 660 Franz Hochecker, 691 William Hollingsworth, Jr., 1007 Marie Atkinson Hull, 481, 614, 1036, 1057 Esther Anna Hunt, 585 Clementine Hunter, 599, 605, 1010-1012, 1055, 1061

Indo-Persian School, 327 Italian School, 82, 161, 239, 1226

Malcolm Jagamarra, 1342 Japanese School, 1191, 12061208, 1210, 1211, 1215 Nell Choate Jones, 484

Kano School, 1207 Joseph Malachy Kavanagh, 686 Louisa Keenan, 386 James L. Kendrick III, 1064 Bong Tae Kim, 780 Alberta Kinsey, 659

Steve Knapp, 1082 Helen Mary Knowlton, 1072 Susan Ricker Knox, 712 Ida Rittenberg Kohlmeyer, 616, 630, 634, 637, 638, 666 Irena Kononova, 1303 Korean School, 779 Reuben Robert Kramer, 631, 632 Charles Kruvand, 1078

Clarence John Laughlin, 645, 646 Joseph Marie Thomas “Jef” Lambeaux, 227 Hayden Lambson, 354 Le Pho, 822 Lawrence Lebduska, 665, 1088 Shelly Inez Lependorf, 1307 Henry Levasseur (aft), 224 Catherine Burns Liles, 1069 Agnes Lodwick, 1282 Harriet Randall Lumis, 1052

Mary Fairchild MacMonnies Low, 1053 Edouard Manet, 44 William Calder Marshall (aft), 108 Francois Nicolas Martinet, 40 Henri Matisse, 45 Bunny Matthews, 1315-1318 Elaine Mayes, 764 John McCrady, 594, 602, 652 Thomas McKenney and James Hall, 396, 674 Michelangelo Merisi (aft), 256, 257 Johan Martin Metz, 357 James Michalopoulos, 654, 655 Bruce Miller, 1027 Clarence Millet, 589 Jean-François Millet, 41 Andres Molinary, 590 Marie Madeline Seebold Molinary, 598 Thomas Sidney Moran, 359 Sister Gertrude Morgan, 606, 607 Hippolyte Moreau (aft), 1117 Alphonse Mucha (aft), 204 Anne Wells Munger, 1074 Auguste Henri Musin, 690

Walter W. Nelson, 650 New Orleans School, 1319 Eugene Newman, 1040 Anne McKenzie Nickolson, 1306 Paul Ninas, 592, 628 David Noll, 1060

Philomé Obin, 629

May Paine, 1059 Walter Launt Palmer, 408 Pietro Paltronieri, il Mirandolese (mnr), 130 Francis X. Pavy, 663 Achille Perelli, 401 Enoch Wood Perry, Jr., 709 Jane Peterson, 479, 480 Max Pollak, 1065

George Rodrigue, 635, 636, 656, 1044, 1062, 1063 Harry Roseland, 713 Thomas Rowlandson (aft), 726 Alix Roy, 1043 Robert Malcolm Rucker, 404, 667, 1006, 1008, 1323 Harold Rudolph, 600 Russian School, 162, 356, 695

Philippe-Auguste Salnave, 1080 Georges L. Schreiber, 1084 Prideaux John Selby (aft), 358 Welmon Sharlhorne, 1310 Mary Clare Sherwood, 1009 Franz Xaver Simm, 160 Bernice Sims, 1308 Jack Skilling, 1332 Hunt Slonem, 586, 587, 639, 640 Southern Folk Art School, 1334, 1338 Spanish Colonial School, 708 Spanish School, 226 Fred “Chicken Man” Stanten, 1086 James Louis Steg, 1079 Ellen Steinfeld, 1304 Thomas Sully, 384 Joaquin Sunyer y Mirό, 132

Gilberto Antonio Tarin, 1299 Pierre-Philippe Thomire (aft), 97 William Robert Thrasher, 1037 Tibetan School, 326 Arnold E. Turtle, 608, 1056

Willard Ames Van Dyke, 648 Gloria Vanderbilt, 46 Robert de Vaugondy, 769 José Antonio Velásquez, 762, 763 Elizabeth O’Neill Verner, 485 Ely De Vescovi, 355 George Louis Viavant, 595, 596, 1068 Jacques Villon, 1047

William Aiken Walker, 399, 400, 406, 407, 482, 483, 591 Andy Warhol, 1046 Augustus Weidenbach, 1325 Rebecca Welz, 1302 F. Wieck, 403 Ellis Wilson, 1076 Theodore “Fonville” Winans, 651 Mildred “Millie” Wohl, 641 Mildred Nungester Wolfe, 1005, 1058,1328 Ellsworth Woodward, 613 Zao Wou-Ki , 1189 Don Wright, 1298, 1330

Hiroshi Yoshida, 1192

Anders Zorn, 163, 164

0308-$1830 0309-$976 0310-$43920 0311-$43920 0315-$1220 0316-$2196 0318-$2074 0321-$31720 0322-$12810 0324-$3050 0325-$3050 0326-$1708 0327-$2196 0328-$2440 0331-$2318 0332-$915 0334-$2684 0336-$512 0337-$15250 0338-$7040 0339-$2318 0340-$1375 0341-$500 0342-$512 0343-$183 0344-$687 0345-$244 0348-$671 0351-$448 0352-$1792 0353-$2125 0354-$4575 0355-$1464 0356-$3416 0357-$2176 0358-$2500 0360-$2074 0361-$3437 0362-$26840 0364-$13440 0367-$4687 0368-$6710 0369-$18300 0370-$3660 0372-$2318 0374-$4575 0375-$2806 0376-$12800 0377-$2560 0381-$3050 0382-$1952 0383-$1830 0384-$4575 0385-$1586 0386-$610 0387-$750 0388-$732 0389-$625 0390-$1464 0391-$2375 0392-$1220 0394-$610 0396-$1062 0397-$2688 0398-$2074 0400-$488 0401-$2318 0403-$671 0404-$562 0405-$366 0406-$1952 0407-$1708 0409-$1586 0411-$915 0415-$7930 0416-$2048 0417-$1342 0418-$2440 0419-$4270 0420-$976 0421-$832 0425-$1342 0430-$8437

0431-$1098 0432-$549 0434-$832 0435-$1342 0437-$3660 0438-$1500 0439-$854 0441-$1586 0442-$1280 0443-$1586 0445-$1280 0446-$3660 0447-$1408 0448-$9150 0449-$4575 0450-$640 0451-$17500 0452-$17690 0456-$3050 0457-$12200 0462-$14720 0463-$28060 0464-$732 0466-$2318 0467-$366 0468-$2806 0469-$976 0470-$7320 0471-$1708 0472-$1586 0473-$976 0474-$2000 0475-$12500 0476-$11250 0479-$3437 0480-$1098 0481-$1000 0482-$1375 0483-$854 0484-$854 0485-$732 0486-$1098 0487-$2196 0489-$3328 0491-$610 0492-$2196 0494-$854 0495-$976 0496-$4575 0498-$1098 0499-$500 0501-$366 0503-$1280 0506-$976 0507-$976 0509-$2440 0510-$2440 0511-$610 0513-$1586 0514-$610 0515-$488 0516-$305 0517-$12200 0518-$25620 0519-$1952 0520-$732 0521-$152 0525-$2125 0526-$976 0527-$549 0528-$610 0529-$3200 0531-$793 0532-$305 0533-$244 0534-$384 0539-$1830 0540-$305 0542-$427 0543-$704 0548-$128 0549-$549 0550-$732

0551-$488 0552-$274 0553-$562 0554-$488 0555-$610 0556-$152 0557-$518 0558-$305 0559-$152 0560-$152 0561-$187 0564-$366 0565-$1830 0568-$1220 0571-$8540 0574-$244 0575-$156 0576-$366 0577-$366 0579-$213 0580-$4480 0581-$750 0582-$256 0583-$250 0584-$671 0585-$610 0586-$274 0589-$976 0597-$366 0599-$488 0601A-$1536 0602-$8960 0603-$1098 0604-$1403 0605-$610 0606-$1098 0607-$488 0608-$427 0609-$375 0610-$896 0611-$366 0612-$320 0613-$610 0614-$1586 0615-$1280 0616-$2196 0619-$488 0620-$1098 0621-$854 0622-$854 0624-$768 0625-$488 0626-$1708 0627-$1000 0628-$1125 0629-$1000 0630-$1098 0631-$625 0632-$854 0633-$427 0634-$896 0635-$768 0636-$244 0637-$1024 0638-$732 0639-$366 0640-$976 0641-$320 0642-$488 0643-$183 0645-$610 0647-$500 0648-$427 0649-$183 0650-$427 0652-$854 0653-$488 0654-$488 0656-$854 0657-$488 0658-$732 0659-$854 0660-$1098

0661-$488 0665-$1792 0666-$854 0667-$375 0668-$915 0670-$1500 0675-$896 0676-$832 0677-$448 0678-$244 0680-$750 0681-$427 0682-$732 0683-$4575 0686-$2745 0690-$375 0692-$1024 0693-$518 0694-$3250 0695-$1250 0696-$610 0697-$625 0698-$610 0699-$610 0700-$976 0701-$488 0702-$183 0703-$244 0704-$854 0705-$1088 0706-$610 0707-$396 0708-$488 0709-$366 0710-$244 0711-$213 0712-$274 0713-$500 0714-$335 0715-$610 0717-$1159 0718-$562 0719-$531 0720-$305 0721-$122 0722-$500 0723-$768 0724-$288 0726-$610 0727-$1037 0728-$549 0729-$976 0730-$854 0731-$1586 0733-$640 0734-$732 0736-$384 0737-$1280 0739-$335 0740-$183 0742-$732 0743-$976 0744-$915 0745-$366 0747-$610 0748-$610 0749-$750 0750-$549 0751-$1464 0752-$488 0753-$750 0755-$305 0756-$244 0757-$183 0758-$256 0759-$366 0760-$122 0762-$335 0763-$305 0764-$549 0766-$244 0767-$610 0769-$1408

0770-$4148 0771-$854 0772-$488 0773-$3050 0774-$610 0776-$1152 0777-$812 0778-$750 0779-$1220 0781-$1708 0782-$732 0783-$2074 0784-$3125 0785-$854 0786-$3355 0787-$976 0788-$488 0789-$854 0790-$1220 0791-$1220 0792-$320 0793-$3355 0795-$448 0796-$2432 0798-$1830 0799-$640 0801-$1342 0803-$375 0805-$1464 0806-$384 0807-$488 0812-$3050 0813-$500 0815-$625 0816-$608 0817-$244 0819-$2816 0822-$375 0823-$640 0825-$375 0826-$125 0827-$1586 0829-$2048 0830-$250 0831-$305 0832-$2562 0833-$1024 0834-$384 0835-$183 0839-$1220 0841-$366 0843-$1037 0845-$213 0846-$976 0847-$896 0848-$915 0849-$366 0850-$256 0851-$2928 0853-$1536 0854-$1500 0855-$3782 0856-$1125 0857-$732 0858-$488 0860-$2684 0861-$3050 0862-$3172 0863-$2074 0864-$2625 0865-$1952 0866-$732 0868-$6405 0869-$976 0870-$3355 0871-$2560 0872-$1952 0876-$1220 0877-$3965 0878-$2562 0880-$3416 0881-$732 0882-$2928

0886-$732 0887-$732 0888-$732 0889-$3050 0890-$3660 0891-$1408 0892-$1342 0893-$3660 0894-$1952 0895-$2074 0896-$1098 0897-$1220 0898-$1586 0899-$768 0900-$384 0901-$6344 0902-$3355 0905-$366 0906-$1342 0907-$488 0908-$2000 0909-$2000 0912-$610 0913-$244 0914-$305 0916-$2806 0917-$1408 0918-$1220 0919-$1708 0920-$6405 0922-$366 0923-$610 0924-$854 0926-$305 0927-$244 0928-$793 0929-$2440 0932-$427 0935-$1000 0936-$610 0937-$320 0938-$213 0940-$244 0941-$160 0943-$1920 0944-$610 0945-$500 0946-$610 0947-$2562 0948-$1625 0949-$4575 0950-$896 0951-$250 0952-$244 0954-$305 0957-$1280 0960-$793 0963-$2440 0965-$6405 0968-$1250 0969-$1098 0971-$1098 0973-$854 0974-$2745 0975-$488 0977-$384 0978-$1220 0980-$12200 0981-$1280 0982-$2048 0983-$1464 0984-$1792 0985-$976 0986-$2074 0987-$2074 0988-$976 0990-$366 0991-$366 0992-$244 0993-$244 0994-$305 0996-$640 0997-$732

0998-$1098 0999-$366 1002-$976 1005-$305 1006-$384 1008-$732 1009-$366 1010-$366 1011-$244 1012-$488 1013-$875 1014-$4160 1015-$875 1016-$750 1017-$750 1018-$793 1019-$732 1020-$305 1021-$793 1022-$732 1023-$4160 1024-$1024 1025-$366 1026-$213 1028-$854 1029-$854 1031-$625 1032-$854 1033-$366 1034-$366 1035-$244 1036-$305 1037-$2000 1039-$448 1041-$610 1042-$1536 1043-$1342 1045-$4160 1046-$640 1049-$244 1051-$625 1054-$1708 1055-$5000 1057-$1220 1058-$366 1059-$244 1060-$1952 1061-$768 1062-$750 1063-$1024 1064-$366 1065-$549 1066-$732 1068-$192 1069-$312 1071-$793 1074-$437 1076-$549 1077-$335 1078-$187 1081-$122 1085-$183 1086-$122 1087-$610 1088-$793 1089-$732 1090-$1342 1091-$854 1094-$732 1095-$244 1096-$488 1097-$2684 1098-$896 1101-$1062 1102-$896 1104-$896 1105-$610 1106-$896 1108-$768 1109-$4514 1110-$488 1111-$976 1112-$976

1115-$793 1117-$224 1119-$187 1120-$250 1121-$562 1122-$500 1123-$183 1125-$1024 1126-$562 1127-$625 1128-$625 1129-$793 1130-$625 1131-$250 1132-$366 1134-$312 1135-$183 1136-$183 1138-$1952 1139-$2196 1140-$3660 1143-$2304 1144-$427 1146-$488 1147-$312 1148-$854 1150-$335 1151-$250 1152-$187 1153-$1830 1154-$2250 1155-$375 1156-$832 1157-$1098 1159-$437 1162-$320 1167-$480 1169-$750 1170-$122 1171-$192 1174-$256 1176-$183 1177-$366 1178-$416 1180-$396 1181-$250 1182-$448 1183-$640 1184-$366 1185-$152 1186-$62 1193-$375 1196-$610 1197-$384 1198-$274 1202-$213 1203-$183 1204-$183 1205-122 1206-1586 1208-305 1209-122 1210-366 1211-750 1212-593 1214-671 1215-832 1216-244 1217-406 1219-352 1220-256 1221-152 1223-750 1224-512 1225-305 1226-384 1227-125 1228-500 1229-160 1231-274 1232-2562

November 21 & 22, 2015

0209-$2745 0210-$915 0211-$610 0212-$750 0213-$3437 0214-$4160 0215-$6405 0216-$8540 0217-$10980 0218-$18300 0221-$24400 0222-$5490 0223-$6100 0224-$9760 0225-$4375 0226-$2440 0227-$8540 0228-$14640 0230-$14030 0231-$5795 0232-$1708 0233-$1708 0234-$2562 0235-$7015 0236-$6100 0238-$14640 0239-$9760 0240-$9760 0241-$18910 0242-$17080 0243-$14030 0244-$18300 0245-$9455 0246-$4480 0247-$2318 0248-$3750 0249-$12200 0250-$7500 0251-$33550 0252-$9150 0253-$27450 0256-$8235 0257-$17080 0258-$18300 0259-$3172 0260-$875 0261-$4880 0262-$4575 0264-$2560 0265-$1830 0266-$4880 0267-$6710 0269-$3965 0270-$3660 0271-$4687 0273-$1708 0274-$1708 0275-$1098 0276-$2125 0277-$1342 0278-$1098 0280-$5937 0281-$1464 0282-$12200 0283-$2440 0284-$1625 0286-$1125 0288-$54900 0289-$7930 0291-$4148 0293-$43920 0295-$6100 0296-$75000 0297-$6400 0298-$8235 0299-$2440 0300-$1000 0302-$5185 0303-$67100 0304-$1750 0305-$24400 0306-$366 0307-$3050

â&#x20AC;˘

0104-$500 0105-$512 0106-$625 0107-$4575 0107A-$915 0108-$704 0109-$671 0110-$488 0112-$960 0113-$1220 0114-$3840 0115-$3172 0116-$3660 0119-$2074 0121-$2806 0122-$2562 0124-$366 0125-$1220 0126-$2440 0127-$1830 0128-$1342 0130-$1220 0131-$2250 0132-$2745 0133-$6100 0134-$244 0135-$488 0138-$1152 0139-$1220 0140-$4500 0143-$5185 0144-$4062 0145-$3660 0146-$1375 0147-$732 0148-$854 0149-$11200 0150-$11520 0152-$500 0153-$3904 0154-$17500 0157-$26840 0160-$3050 0161-$854 0162-$3050 0163-$976 0164-$4270 0167-$176900 0168-$24400 0169-$14640 0170-$10370 0171-$36600 0172-$4800 0173-$14640 0174-$115900 0175-$61000 0176-$7320 0177-$8540 0178-$1464 0179-$2440 0180-$73200 0181-$1464 0183-$5490 0184-$1152 0185-$1408 0186-$732 0187-$1792 0188-$9150 0189-$30500 0191-$33550 0192-$4270 0193-$45140 0194-$2440 0195-$1536 0196-$976 0197-$2125 0198-$5490 0200-$366 0201-$1586 0202-$2074 0205-$488 0206-$1280 0208-$1280

Auction Results

0002-$732 0003-$427 0004-$896 0005-$488 0007-$305 0008-$305 0009-$1920 0011-$896 0012-$704 0014-$549 0015-$976 0016-$671 0017-$1342 0018-$384 0019-$366 0020-$549 0021-$2196 0022-$2750 0023-$5490 0024-$28060 0025-$4270 0026-$5490 0027-$1187 0028-$5612 0029-$2318 0030-$854 0031-$2196 0032-$384 0033-$976 0034-$1024 0036-$1098 0037-$1586 0038-$1464 0039-$704 0040-$1792 0041-$896 0042-$610 0043-$1098 0044-$1125 0045-$312 0046-$2928 0049-$14640 0050-$5000 0051-$6100 0052-$4880 0053-$976 0054-$3355 0056-$1830 0057-$488 0058-$10675 0059-$3050 0060-$1464 0061-$1280 0062-$3328 0063-$1830 0065-$2432 0066-$8000 0067-$448 0068-$305 0069-$488 0070-$1586 0071-$366 0072-$512 0073-$1152 0075-$610 0076-$1464 0077-$2500 0078-$640 0079-$10370 0080-$976 0081-$1830 0085-$1830 0088-$500 0090-$2304 0091-$768 0093-$1375 0094-$512 0095-$832 0098-$256 0100-$687 0101-$187 0102-$875 0103-$366

201

2016 Auction Calendar May 7 & 8 Spring Estates Auction July 16 & 17 Summer Estates Auction September 24 & 25 Fall Estates Auction December 3 & 4 Louisiana Purchase Auctionâ&#x201E;˘

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design Emory Nolan

AUCTION SERVICES

Photography Jason Leckert Tom Simpson Jason Kruppa

Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

OPERATIONS Director of Operations Charles Lee Operations Staff Charlie Clay Kelvin Gibson Jerry Majors Larry Sudds Robert Wilson

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Neal Auction Company

February 19, 20, & 21, 2016

Important Winter Estates Auction February 19, 20, & 21, 2016