UNRESERVED @ Neal Online Auction - October 6 & 7, 2021

UNRESERVED @Neal Auction Featuring a diverse collection from various institutional, estate and private consignors, including deaccessioned selections from the Mobile Museum of Art

ONLINE-ONLY

OCTOBER 6 & 7, 2021

Neal Auction is pleased to present

UNRESERVED @Neal Featuring a varied and eclectic mix of nearly 600 lots of antique to modern furniture, paintings, prints, photography, porcelain, glass, lighting, and other decorative objects, collectibles, and furnishings from various institutional, estate and private consignors, including:

Deaccessions from the Mobile Museum of Art

Sold to Benefit their Collections, Care and Acquisitions Fund

The auction is available on NealAuction.com, LiveAuctioneers.com and Invaluable.com for advance online bidding with live online bids beginning at 11 AM on auction day.

Session 1 · lots 1-300 · October 6 at 11 AM Session 2 · lots 301-587 · October 7 at 11 AM All lots will be available for preview in our gallery at 4038 Magazine Street, New Orleans on October 4 and 5 from 10 AM to 4 PM.

NealAuction.com

Session One

Wednesday, October 6, 11 a.m.

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1. American Aesthetic Carved Mahogany Library Table, late 19th c., frieze with two drawers each short side, fan spandrels, reeded medial shelf, reeded and stop‑fluted legs, casters, h. 29 1/4 in., w. 42 1/4 in., d. 29 1/4 in. [$200/400]

2. Antique Latin American Tropical Hardwood Table, probably 19th c., Guatemala, tenoned construction, notch and zoomorphic carved decoration, rectangular top, three drawers, cabriole front legs, h. 27 in., w. 47 in., d. 18 in. [$200/400] Provenance: Whisnant Galleries Collection, New Orleans, LA.

3. French Renaissance Revival Carved Oak Breakfront Bookcase, late 19th c., bracketed stepped cornice, center glazed door, shelf interior, fluted colonnettes, arched glazed side cabinets, conforming base, two drawers, four relief carved cabinet doors, bun feet, h. 105 1/2 in., w. 83 in., d. 22 3/4 in. [$1000/1500]

4. Antique American Walnut and Glass Display Case, 20th c, rectangular cabinet with molded stiles, plinth base, casters, Note: One door absent, h. 56 in., w. 50 1/2 in., d. 19 in. [$50/75]

5. Pair of Green Leather and Walnut Side Chairs, 20th c, h. 32 in., w. 17 in., d. 16 1/2 in. [$25/35] 4

6. American Federal Mahogany Tilt‑Top Table, late 18th/early 19th c., dished top, birdcage support, ring‑turned baluster standard, outswept legs, pad feet, h. 29 in., dia. 33 1/2 in. [$400/600]

7. American Classical Revival Mahogany Curio Cabinet, early 20th c., curved glazed panels and twist colonnettes flanking a rectangular door, shelf interior, blocked paw feet, h. 66 1/4 in., w. 48 in., d. 16 in. [$250/350]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

8. American Renaissance Revival Walnut Lady’s Writing Table, late 19th c., probably Grand Rapids, Michigan, D end baize inset top, frieze drawer trestle base joined by stretcher, h. 29 1/2 in., w. 42 in., d. 25 in. [$250/350] Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

9. Louisiana Cypress and Stained Glass Door, late 19th c., Eastlake manner, glazed with blue and purple panels, later brown paint. [$75/125]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

10. Louisiana Cypress Arched Window, early 20th c., flanked by two quarter round sunburst brackets, h. 48 1/2 in., w. 94 3/4 in., d. 4 5/8 in. [$25/50]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

11. Four French Provincial Carved Fruitwood Rush Seat Bar Chairs, 20th c., in the Louis XV taste, scalloped crest and slat, square legs joined by stretchers on cabriole front feet, h. 41 1/2 in., w. 16 7/8 in., d. 13 3/4 in. [$200/400]

12. Kidney‑Shaped Pouf, ruched surround, tassels, bullion fringe, h. 18 in., w. 25 in., d. 19 in. [$150/250] 5

13. Queen Anne‑Style Burlwood Side Table, drop‑leaf top, three drawers, cabriole legs, h. 28 3/4 in., w. 18 1/4 in., d. 15 in. [$200/400]

15. American Federal‑Style Inlaid Mahogany and Tiger Maple Secretary Bookcase, early 20th c., urn finials, lozenge glazed doors, foldover writing surface, four drawers, French feet, h. 73 1/2 in., w. 33 in., d. 17 in. [$700/1000] 16. American Federal Mahogany Armchair in the Hepplewhite Taste, early 19th c., reticulated ladder‑back, incurvate stiles and arms, square legs, box stretchers, h. 37 1/2 in., w. 23 in., d. 18 in. [$200/300]

17. American Gothic Carved Rosewood Table, mid‑19th c., probably New York, serpentine molded top with inset Sienna marble, shell‑carved apron with delicate pendant corners, scrolled trestle base, arched shell‑carved stretcher, volute scroll legs, h. 29 5/8 in., w. 26 1/4 in., d. 15 1/4 in. [$500/700] 18. American Mahogany What‑Not Shelf/Etagere, late 19th c., spindle‑turned gallery and supports, three shelves with beaded moldings, fourth lower shelf with drawer, h. 58 in., w. 26 1/2 in., d. 14 1/2 in. [$300/500] 6

14. Louisiana Vernacular Chair, 19th c., tenoned construction, leather back and seat, h. 31 3/4 in., w. 16 in., d. 18 in. [$300/500]

20. Southern Walnut Three‑Tier Trolley, 19th c., urn finials, h. 47 in., w. 49 in., d. 17 1/2 in. Condition: AS IS. [$50/75] 19. Pair of Large American Classical Mahogany Stools, early 19th c., loose cushions above a flared upholstered seat, rectangular frame, scalloped ogee bracket feet, h. 17 in., w. 35 in., d. 18 in. [$500/800]

21. American Late Classical Carved Mahogany Bench, mid‑19th c., upholstered seat, shaped skirt, bracket feet, h. 16 in., w. 36 in., d. 18 in. [$300/500] 22. American Aesthetic Carved Walnut Music Cabinet, 19th c., h. 34 1/2 in., w. 44 1/2 in., d. 27 in. [$250/350]

24. American Southern Walnut Work Table, mid‑19th c., square top, two drawers, turned legs, bun feet, h. 28 in., w. 23 in., d. 20 1/2 in. Condition: AS IS. [$10/20] 23. Pair of American Classical Mahogany Stools with Needlepoint Upholstery, early 19th c., upholstered seat above a canted frieze, ogee molded stepped base, molded blocked feet, h. 16 in., w. 16 in., d. 15 in. [$1000/1500]

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25. American Rococo‑Style Bergère of Ample Proportions, early 20th c., blue tufted upholstery (soiled) on shaped apron and cabriole legs, casters, Note: condition, AS IS, h. 39 in., w. 39 in., d. 38 in. [$5/10]

27. American Federal Carved Mahogany Sleigh Bed, 19th c., New York, outscrolled paneled head and foot board, shaped rails, turned feet with casters, h. 45 in., w. 76 in., d. 59 in. [$1000/1500]

26. Antique American or English Mahogany Etagere, mid‑19th c., four tiers, medial drawer, turned supports, toupie feet, brass ferrules, casters, h. 53 in., w. 24 1/2 in., d. 18 in. [$500/750]

28. American Carved Rosewood-Grained Canterbury, 19th c., reticulated scrollwork compartments, single drawer below, turned feet, casters, poplar secondary wood, h. 18 1/2 in., w. 21 7/8 in., d. 15 1/2 in. [$500/700]

29. American Federal Inlaid Mahogany Worktable, early 19th c., three drawers, tapered legs, h. 31 in., w. 23 7/8 in., d. 18 in. [$700/1000]

30. Pair of Hollywood Regency-Style Grey Painted Hardwood Occasional Table, 21st c., rectangular top, square tapering legs, medial shelf with drawer labeled and numbered “SOUTH CONE Made in Peru SN 80‑882708‑008”, h. 24 in., dia. 26 in. [$300/500]

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32. American Stained Pine Open Bookcase, 19th c., three shelves, plank back, continuous sides with demilune cutout terminals, h. 47 1/2 in., w. 36 in., d. 14 in. [$300/500] 31. Antique English or American Country Pine Press, 19th c., rectangular top, three drawers over cabinet door flanked by four graduated drawers with batwing brasses, bun feet probably later, h. 33 in., w. 51 1/2 in., d. 13 3/4 in. [$500/700]

34. American Carved Pine Cupboard, early 19th c., molded cornice, three shelves with scalloped surround over two doors, scalloped skirt, h. 76 1/2 in., w. 45 in., d. 19 in. [$150/250]

33. Four Drexel Furniture Sheraton‑Style Mahogany Dining Chairs, 20th c., comprising an armchair and three side chairs, each with nailhead trim, ladder backs and square legs, stretchers, h. 37 1/2 in., w. 19 1/2 in., d. 18 1/4 in. [$300/500]

35. Contemporary Dining Table Base, h. 27 1/2 in., w. 94 in., d. 35 1/2 in. [$50/75]

36.Mid‑Century Modern Carved Jacaranda Abstract Wall Panel, 39 in. x 18 3/4 in. [$100/200] 9

37. Contemporary Leather “Window” Bench, nailhead decorated uprights, loose cushion, conforming base, h. 24 in., w. 36 1/2 in., d. 21 in. [$200/400]

38. Modern Armchair as is, h. 37 in., w. 24 in., d. 17 in. [$10/20]

39. This item has been removed from the sale.

No further information is available.

40. Post Modern Art Furniture Painted Mirror and Dressing Chest Suite, late 20th c., by Peter Pierobon, (Vancouver, b. 1959), signed and dated “Pierobon 1994”, rectangular mirror with fluted frame, chest with inverted molded rectangular top, twelve drawers faced with horizontal fluting, chevron bracket base, bronze “W” form pulls, h. 77 in., w. 50 1/2 in., d. 21 5/8 in. [$500/1000]

41. Antique George III‑Style Inlaid Mahogany Cabinet, 19th c., molded top, drawer over two doors with key‑motif inlay, cabriole legs. [$300/500] 42. English Gothic Revival Carved Oak Hall Stand 19th c., carved cornice with pediments, shaped plinth, h.

61 in., w. 15 1/2 in., d. 11 in. [$50/75]

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43. Antique English Papier Mache Oval Tray, 19th c., winter scene cartouche, later stand, h. 19 1/2 in., w. 30 in., d. 24 in. [$150/250]

45. Edwardian Adam‑Style Painted Mahogany Games Table, early 19th c., foldover top, tapered legs, h. 28 in., w. 36 in., d. 17 1/4 in. [$400/600]

44. Regency Inlaid Mahogany Cellarette, early 19th c., lift top, tapered octagonal body, tapered legs, brass caps, casters, h. 27 in., w. 18 1/2 in., d. 18 1/2 in. [$200/400]

46. Antique Georgian Inlaid Mahogany Pembroke Table, 19th c., banded drop‑leaf top, single frieze drawer, tapered legs, caps, casters, h. 27 1/4 in., w. 31 1/2 in., d. 20 1/2 in. [$200/400]

48. George II Mahogany Commode Armchair, h. 38 in., w. 22 1/2 in., d. 18 in. [$150/250] 47. Antique Queen Anne‑Style Carved Oak Stool, cabriole legs, spade feet. [$200/300]

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49. George III‑Style Mahogany Butler’s Tray Table, antique and later, oval tray with cut-out grips, stand with square molded legs, h. 17 3/4 in., w. 36 in., d. 27 1/2 in. [$400/600]

50. Antique George III‑Style Oak Gate-Leg Dining Table, 19th c., drop‑leaf circular top baluster turned and square supports, stretchers, turned feet, h. 29 1/2 in., w. 48 1/2 in., d. 17 5/8 in. [$200/400]

51. Regency‑Style Mahogany Canterbury, dividers faced with laurel wreaths, single drawer, ring‑turned tapered legs, cuffs, casters, h. 25 in., w. 19 1/2 in., d. 14 in. [$200/400]

52. English Painted Seaman’s Sideboard, 20th c., backsplash inscribed “The Baltic Fleet” over bowfront case, top adorned with marine scene and doors with anchor cartouche and “RN” monogram, h. 44 in., w. 54 in., d. 24 in. [$500/700]

54. Regency Carved Mahogany Etagere, 19th c., four shelves, base drawer, turned supports and legs. [$700/1000]

53. English or American Cherrywood Trolley, 20th c., rectangular top on barley twist supports, trestle base, brass cuffs, casters. [$300/500] 12

55. William IV Rosewood Etagere, mid‑19th c., three tiers, low drawer, barley twist uprights with finials, turn legs, casters, h. 45 in., w. 18 1/2 in., d. 15 in. [$1000/1500]

57. Regency Inlaid Mahogany Sofa Table, early 19th c., drop‑leaf top, 2 frieze drawers, paired turned supports, sabre legs, turned stretcher, brass cuffs, casters, h. 29 in., w. (closed) 35 3/4 in., w. (open) 55 in., d. 25 1/2 in. [$700/1000]

56. Regency Carved Mahogany Washstand 19th c., hidden slide out mirror, open shelf over cabinet base, turned legs. [$700/1000] Provenance: Manheim Gallery, New Orleans.

58. Baker Furniture Carved Walnut Side Table, 20th c., labeled, cylindrical case with small drawer, shaped apron, cabriole legs, h. 28 in., w. 21 1/2 in., d. 21 1/2 in. [$300/500] Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

60. Fine Regency Carved Satinwood Dumbwaiter, c. 1815, two dished circular tiers with reeded edge, turned standard, hipped sabre legs, brass cuffs, casters, h. 38 in., dia. 24 in. [$500/750] 59. English Carved Rosewood Canterbury, mid‑19th c., turned finials, spindled supports and divider, lower drawer, turned legs, casters, h. 21 1/4 in., w. 19 1/2 in., d. 14 3/4 in. [$500/700] 13

62. French Innovative Spring Steel Garden Chair, early 20th c., possibly Francois Carre, spreading back, circular seat, wrought stiles and legs, Note: One spring element lost on back, h. 36 in. Condition: AS IS. [$50/75]

61. English Aesthetic Oak “Thebes” Stool, late 19th c., concave seat, turned legs connected by circular spindles, note: loss, h. 14 in., w. 17 in., d. 17 in. [$300/500]

63. Seven Regency‑Style Carved Mahogany Side Chairs, 20th c., tablet slats, saber legs, h. 35 in., w. 19 in., d. 21 in. [$600/900]

64. Pair of Regency‑Style Painted Beechwood Armchair, 20th c., crests centered with painted cameos, caned demilune swags, incurvate arms with tapering ring turned supports and front legs, Note: loss to cane on one back, h.

33 in., w. 24 in., d. 16 in. [$300/500]

65. English Burl Walnut Gentleman’s Dressing Chest, early 20th c., in the Chinese taste, rectangular top with canted corners, cabinet doors opening to shelves, three drawers, shaped feet with acanthus decoration, h. 48 1/2 in., w. 39 3/4 in., d. 20 3/4 in. [$800/1200] Provenance: Acquired from Stan Levy, New Orleans.

66. Antique Queen Anne‑Style Walnut Dressing Table, 19th c. with earlier elements, rectangular top, three banded drawers, shaped apron, cabriole legs, h. 31 1/2 in., w. 44 in., d. 21 in. [$700/1000]

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67. Small Brass Bound Mahogany Campaign Chest, 20th c., two short and two long drawers with inset pulls and brass bale handles on sides, bracket feet. [$400/600]

68. Antique Queen Anne‑Style Carved Mahogany Settee, coral velvet upholstery, square back, scroll arms, cabriole front legs, h.

38 in., w. 54 in., d. 30 in. [$400/600]

69. Six Hepplewhite‑Style Carved Mahogany Shieldback Dining Chairs, incl. one armchair and five side chairs, all with Prince of Wales feather splats, trapezoidal seats over upholstered with nailhead trim, square tapering legs, spade feet, armchair h. 38 3/4 in., w. 23 in., d. 20 in., side h. 37 1/2 in., w. 19 1/4 in., d. 19 in. [$300/500]

70. George III Carved Mahogany Armchair in the Hepplewhite Manner, c. 1790, shield back, arched crest centering an acanthus spray, bellflower pendant stiles and swags, padded arms, serpentine seat, square bellflower‑carved and molded legs, spade feet. [$500/700]

71. Italian Rococo‑Style Carved and Painted Console, 19th c. and later, shaped faux marbre top over a pair of antique scrolling brackets, h. 38 1/2 in., w. 38 in. d. 15 in. [$400/600] Provenance: Whisnant Galleries Collection, New Orleans, LA.

72. Rococo-Style Carved Walnut Vargueno Cabinet, early 20th c., upper cabinet with two reticulated panels on doors carved with gryphons and warriors, interior fitted with drawers, cabriole legs with x‑stretcher. [$150/250]

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73. Provincial Louis XV‑Style Oak Tea Table, molded top, shaped apron with single drawer, cabriole legs, h. 28 3/4 in., w. 38 in., d. 27 1/2 in. [$400/600]

74. Pair of Louis XV‑Style Walnut Fauteuils, floral crest, padded arms, foliate floral spray with ribbon motif, needlepoint upholstery, nailhead trim, cabriole legs, h. 37 1/2 in., w. 25 1/2 in., d. 19 1/2 in. [$500/700]

75. Louis XV‑Style Bronze‑Mounted Gueridon, pierced gallery, rouge marble, single drawer, columnar legs, elliptical stretcher, toupie feet, caps, h. 30 1/4 in., w. 17 1/4 in., d. 12 1/2 in. [$300/500]

76. Antique French Walnut Armoire, flared cornice, stiles with half-round ornaments, two doors, shelf interior, blocked apron, compressed flat round feet, h. 102 1/2 in., w. 67 1/2 in., d. 27 1/2 in. [$600/900]

77. Charles X‑Style Mahogany Dining Table, 20th c., demilune ends opening to take a leaf, molded skirt, square tapering legs, brass cuffs, casters, with leaves, tapered legs, h. 29 1/2 in., w. 138 in., d. 59 in. [$800/1200] 16

78. Pair Louis XVI‑Style Gilt Bronze‑Mounted Mahogany Side Chairs, balloon backs, blocked seat rails, fluted legs. [$200/400]

80. Louis XVI‑Style Bronze‑Mounted and Gilt Vitrine Cabinet, 19th c., swagged frieze, curved sides, mirrored back, toupie feet, h.

59 3/4 in., w. 41 in., d. 16 1/2 in.

Condition: No marble and missing shelves and glass. [$100/200] 79. Four French Provincial‑Style Carved Fruitwood Side Chairs, 20th c., in the Louis XV taste, rush seat, scalloped ladder‑back, cabriole legs joined by stretchers, h. 39 1/2 in., w. 16 3/4 in., d. 14 1/2 in. [$200/400]

82. Belle Epoque Onyx and Bronze Gueridon, circular inset top, pierced apron with champleve enamel cartouches, reeded legs, onyx stretcher shelf, acanthine sabots, h. 32 in., dia. 20 in. [$300/500]

81. Antique French Tôle Peinte Tray, 19th c., red ground with Caribbean island scenes in reserve, later faux bamboo stand, h. 18 1/4 in., dia. 35 1/2 in. [$500/800]

83. Italian Neoclassical Carved and Inlaid Walnut Cabinet, early 19th c., molded top, paneled doors and sides, plinth base, paw feet, h. 42 1/2 in., w. 43 1/4 in., d. 22 3/8 in. [$800/1200]

84. American Rococo Carved Mahogany Center Table, late 19th c., inset white marble turtle top, conforming frieze with blind drawer, lobed standard, scroll legs. [$150/250] 17

85. Louis XV/XVI‑Style Gilt Bronze‑Mounted Kingwood Inlaid Gueridon, 20th c., square serpentine top with radial inlay and metal molding, shaped apron with reticulated appliques, cabriole legs with sabots, h. 31 1/4 in., w. 14 1/2 in., d. 12 in. [$700/1000] 86. Napoleon III Carved Mahogany Chest of Drawers mid‑19th c., four graduated drawers with foliate pulls and escutcheons, shaped apron, cabriole legs on raised feet, h. 44 1/4 in., w. 47 1/2 in., d. 23 in. [$1000/1500] Provenance: Stan Levy, New Orleans

87. Napoleon III Mahogany Commode Chest of Drawers, late 19th c., gris de Ste. Anne marble top, four graduated drawers with reticulated pulls, bookmatched veneers, shaped apron, cabriole legs, raised feet, h. 43 in., w. 45 in., d. 20 1/4 in. [$400/600]

88. Continental Rococo Revival Carved Mahogany Bombe Commode, 19th c., serpentine white marble top over conforming case with two drawers, cabriole legs, rocaille carving throughout, h. 32 in., w. 45 in., d. 18 1/4 in. [$300/500]

89. Louis XV‑Style Bronze‑Mounted Inlaid Kingwood Night Stand, 20th c., galleried marble top over three drawers, cabriole legs, sabots, h. 29 1/4 in., w. 10 in., d. 10 1/4 in. [$400/600]

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90. Louis XV‑Style Inlaid Kingwood Bedside Commode, 20th c., floral inlay, drawer over cabinet, cabriole legs with bronze mounts, h. 25 in., w. 19 in., d. 12 in. [$400/600]

91. Amy Jackson (American/Texas, 1903‑1970), “Daniel Clark ‑ McKinney”, 1947, watercolor and graphite on paper, signed and dated lower right, titled lower left, 14 1/2 in. x 10 1/2 in.; “Buildings”, watercolor and ink on paper, signed lower right, 10 3/4 in. x 13 3/8 in.; and “French Quarter”, watercolor on paper mounted to board, signed lower right, 16 in. x 12 in., each framed. (3 pcs.) [$600/800] Condition: Each in overall good condition. Ext. Frames: 17 1/2 in. x 20 in. x 1 in.; 20 1/2 in. x 16 1/2 in. x 1 in.; 21 1/2 in. x 17 1/2 in. x 1 in

92. Amy Jackson (American/Texas, 1903‑1970), “Pat O’Brien’s N.O.”, watercolor and graphite on paper, signed lower right, pencil‑titled twice lower left, 9 in. x 12 in.; “After School”, watercolor on paper, signed lower left, pencil‑titled en verso, 12 in. x 16 in.; and “Rosenberg”, watercolor on paper mounted to board, signed lower right, titled lower left, “Gilley’s Gallery, Baton Rouge” label on backing paper, 19 1/2 in. x 14 7/8 in., each framed. (3 pcs.) [$600/800] Condition: Overall good condition. Ext. Frame: 14 1/4 in. x 17 1/2 in. x 1 in., 18 1/2 in. x 22 3/8 in. x 1 in., 26 in. x 22 in. x 1 1/4 in.

93. Michael Ledet (American/Louisiana, b. 1941), “Hurakan II”, 1970, acrylic on canvas, unsigned, handwritten label with artist, title and date en verso, 14 in. x 14 in., unframed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

94. Keith Andry (American/Louisiana, b. 1960), “The House that Jack Built”, 1983 watercolor on paper, signed and dated lower left, signed, titled, dated, inscribed, artist stamp and artist information label on backing paper, sight 10 in. x 14 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 18 1/2 in. x 21 1/2 in. x 1 1/2 in.

Condition: Overall good condition

95. Anne Low (American/Alabama, b. 1944), “Untitled”, c.

2004, mixed media on gallery‑wrapped canvas, unsigned, 84 in. x 60 in., unframed. [$200/300]

96. Anne Low (American/Alabama, b. 1944), “Untitled”, c.

2004, mixed media on gallery‑wrapped canvas, unsigned, 84 in. x 60 in., unframed. [$200/300]

Condition: Overall good condition

Condition: Overall good condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

98. Jim Jones (American/Texas, 1922‑1999), “Bluebonnets”, 1980, watercolor on paper, signed and dated lower right, artist bio with handwritten title on backing board, sight 14 in. x 20 1/4 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 23 3/4 in. x 29 3/4 in. x 1 in

97. Vardiman Chambliss (American/Alabama, 1914‑1998), “Untitled”, 1973, mixed media on panel, signed and dated lower right, 20 in. x 16 in., unframed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

99. Andrew Bucci (American/Mississippi, 1922‑2014), “Christmas Card”, mixed media on paper, signed lower right, 4 1/2 in. x 5 1/2 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 9 3/8 in. x 10 7/8 in. x 3/4 in

100. Andrew Bucci (American/Mississippi, 1922‑2014), “Christmas Card”, mixed media on paper, signed lower left, 5 1/2 in. x 4 1/4 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 11 1/8 in. x 9 1/2 in. x 3/4 in

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101. Paul Ninas (American/New Orleans, 1903‑1964), “Roumeli Hissar (Istanbul)”, 1925, ink on paper, signed and dated lower left, titled lower right, 8 1/2 in. x 11 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 16 1/2 in. x 19 in. x 1 in

102. Marilyn Conrad (American/ New Orleans, b. 1923), “Storm over Lake Pontchartrain”, encaustic on paper, pencil‑signed lower right, 12 in. x 18 in., framed. [$400/600]

Condition: Overall good condition. Ext. Frame: 17 3/4 in. x 23 1/4 in. x 1 1/2 in

103. Jim Gray (American/Tennessee, b. 1932), “Forest Light”, 1970, watercolor on paper, signed and dated lower left, artist label with title on backing paper, 15 3/8 in. x 22 in., framed. [$400/600]

Condition: Overall good condition. Ext. Frame: 26 5/8 in. x 32 7/8 in. x 1 3/4 in 22

104. Ramon Mitchell Froman (American/Texas, 1908‑1980), “House”, watercolor on paper, signed lower right, partial watercolor en verso, partial sketches and artist information label on backing paper, 15 in. x 22 in., framed. [$200/300]

Condition: Overall good condition. Ext. Frame: 21 1/4 in. x 27 3/4 in. x 1 1/2 in

105. Robert Helmer (American/New Orleans, 1922‑1990), “Abstract Composition”, oil and mixed media on panel, signed lower left, 23 1/2 in. x 24 in., unframed. [$700/900] Condition: Overall fair condition

106. Anthony Buchta (American/Iowa, 1896‑1967), “Patio in Old New Orleans French Quarter”, watercolor on board, signed lower right, pencil‑titled on mat, pencil‑signed, titled and inscribed en verso, 10 7/8 in. x 9 1/4 in., framed. [$300/500]

Condition: Overall good condition. Ext. Frame: 20 in. x 16 3/4 in. x 3/4 in

107. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Reclining Nude”, oil on canvas, signed upper right, 11 3/4 in. x 26 1/4 in., framed. [$600/900] Condition: Overall good condition.

Ext. Frame: 14 in. x 28 1/2 in. x 1 in

108. Adolph Kronengold (American/ New Orleans, 1900‑1986), “Street Scene”, watercolor on paper, signed lower left, 8 in. x 9 1/2 in., framed. [$400/600]

Condition: Overall poor condition. Ext. Frame: 9 3/4 in. x 11 3/4 in. x 3/4 in 23

109. Joseph Almyda (American/Florida, 1927‑2011), “Mother and Child”, 1963, oil on canvas, signed and dated lower right, 44 in. x 32 in., framed. [$800/1200] Condition: Overall good condition.

Ext. Frame: 53 in. x 41 in. x 2 1/2 in

110. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Tropical Garden”, oil on canvas, signed upper right, 14 in. x 18 1/4 in., framed with artist plaque. [$400/600] Condition: Overall good condition. Ext. Frame: 19 3/4 in. x 23 3/4 in. x 1 3/4 in

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112. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Bayou Scene”, watercolor on paper, signed lower left, 6 in. x 9 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 13 in. x 16 in. x 1 in

111. Katalin “Kathy” Gergó (Hungarian/American, d. 2016, active New Orleans, 1961‑2005), “Nude”, watercolor on paper, signed lower left, “Fortier Gallery, New Orleans” label with artist information on backing paper, 15 in. x 11 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 22 in. x 18 in. x 2 1/4 in

113. Gerald Deloach (American/Mississippi, b. 1948), “The Bayou Landscape”, oil on board, signed lower right, titled en verso, 32 in. x 42 in., framed. [$800/1200] Provenance: Bryant Galleries, New Orleans, Dec. 30, 1986.

Condition: Overall good condition. Ext. Frame: 42 5/8 in. x 52 5/8 in. x 1 3/4 in

114. Eugene Daymude (American/ Louisiana, 1925‑1995), “Bayou Cabin”, oil on masonite, signed lower right, 16 in. x 20 in., framed. [$600/800] Condition: Overall good condition: Ext. Frame: 24 in. x 28 in. x 1 1/2 in

115. Gideon Townsend Stanton (American/Louisiana, 1885‑1964), “Portrait of a Man”, oil on canvas board, unsigned, inscribed and titled en verso, 16 in. x 12 in., framed. [$400/600]

Condition: Overall poor condition.

Ext. Frame: 19 3/8 in. x 15 3/8 in. x 2 in 25

116. Louisiana School, 20th c., “Swamp Idyl”, oil on canvas, signed “Mantz” lower right, inscribed en verso and stretcher, 24 in. x 30 in., framed. [$800/1200]

117. Edward M. Colley (American/New Orleans, 1913‑1982), “Swamp Idyl”, 1957, oil on canvas, signed and dated lower right, 12 in. x 16 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 15 3/8 in. x 19 3/8 in. x 1 1/2 in

Condition: Overall good condition. Ext. Frame: 32 in. x 38 in. x 2 in

118. Audye Reynolds Tuttle (American/New Orleans, 20th c.), “Martello Castle, Lake Borgne”, 1934, oil on canvas board, signed and dated lower right, titled en verso, 24 in. x 16 3/8 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 26 1/4 in. x 18 1/2 in. x 1 1/4 in 26

119. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Old Galatin St., New Orleans”, 1939, watercolor on paper mounted to board, signed lower right, titled, dated and inscribed lower left, 12 in. x 8 5/8 in., framed. [$500/700] Condition: Overall fair condition. Ext. Frame: 20 1/4 in. x 16 1/4 in. x 1 in

120. David Anderson (American, 20th c.), “Submerged Shrimp Boat”, pastel on paper, signed lower right, “Gilley’s Gallery, Baton Rouge” label on backing paper, 16 in. x 19 3/4 in., framed. [$250/350] Condition: Overall good condition. Ext. Frame: 24 in. x 28 in. x 1 in

121. Ralph Stuart “Buddy” Chevis, Jr. (American/New Orleans, 1924 ‑1997), “French Market”, 1947, watercolor on paper, signed and dated lower right, artist information label and handwritten label with artist on backing paper, 12 in. x 16 in., framed. [$300/500] Condition: Overall poor condition. Ext. Frame: 18 in. x 21 1/4 in. x 1 in

122. Nestor Hippolyte Frugé (American/Louisiana, 1914‑2011), “Pirate’s Alley”, watercolor on paper, signed lower left, 16 1/2 in. x 11 7/8 in., framed. [$200/300] Condition: Overall fair condition.

Ext. Frame: 22 1/8 in. x 18 1/4 in. x 1 in

123. Linda Dees (American/Mississippi, 20th c.), “Orange Rays”, oil on canvas board, signed lower right, printed label with artist and title en verso, 16 in. x 20 in., framed. [$400/600]

Condition: Overall good condition.

Ext. Frame: 22 in. x 26 in. x 2 in 27

124. Lucy Mazzaferro (American/Mississippi, 20th c.), “Still Life of Flowers, Silver Pitcher and Fruit”, oil on board, signed lower right, 12 in. x 16 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 20 in. x 24 in. x 2 1/2 in

125. Sarah Manning (American/Mississippi, 20th c.), “Untitled Abstract”, acrylic on gallery‑wrapped canvas, signed lower right, 24 in. x 18 in., unframed. [$300/500] Condition: Overall good condition

126. Judi Polivka Betts (American/Louisiana, b. 1936), “Garden District Mansion”, watercolor on paper, signed lower left, 22 1/4 in. x 15 in., framed. [$200/400] Condition: Overall good condition.

Ext. Frame: 33 3/4 in. x 26 3/4 in. x 1 1/2 in

127. Nestor Hippolyte Frugé (American/Louisiana, 1914‑2011), “Place de Chalet, Paris”, oil on canvas, signed lower left, “Evangeline Galleries, Lafeyette” label on backing paper, 16 in. x 20 in., framed. [$600/800] Condition: Overall good condition. Ext. Frame: 21 1/2 in. x 25 1/4 in. x 1 1/2 in 28

128. Chuck Broussard (American/ Louisiana, 20th c.), “Judice Oak”, 2008, oil on panel, signed and dated lower right, sight 8 3/4 in. x 11 3/4 in., framed. [$700/1000] Condition: Overall good condition.

Ext. Frame: 14 1/8 in. x 17 1/8 in. x 1 1/4 in

129. Louisiana School, 20th c., “Too Old Oaks, New Leafing”, 1993, acrylic on shaped board, unsigned, inscribed with title and date en verso, copy of verso inscription on backing paper, 3 1/2 in. x 7 in., framed. [$300/500] Condition: Overall good condition.

Ext. Frame: 11 1/2 in. x 15 1/8 in. x 1 in

130. Edna Janssen (American/Louisiana, 20th c.), “Cabin with Chickens” and “Cabin with Live Oak Trees”, 2 watercolors on paper, both signed lower right, sights 7 in. x 10 3/4 in., both framed. (2 pcs.) [$300/500] Condition: Each in overall good condition. Ext. Frames: 12 3/4 in. x 16 in. x 1 in. and 13 3/4 in. x 16 1/2 in. x 1 in

29

131. Tony Bernard (American/Louisiana, 20th c.), “Live Oak”, 2017, oil on canvas, signed lower right, signed and dated en verso, “The Frame Shop Gallery 912, Lafayette” label on backing paper, 6 in. x 6 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 8 1/2 in. x 8 1/2 in. x 2 in

132. Peter George (American/Louisiana, 20th c.), “Another Heaven, Chruch [sic] on the Bayou”, 1998, oil on canvas board, initialed lower left, signed, titled and dated en verso, 8 3/8 in. x 6 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 9 1/2 in. x 7 1/8 in. x 1 1/2 in

133. James Mouton (American/New Orleans, 1925‑2011), “Lady at a Window”, 1999, acrylic on board, signed lower right, signed, titled, dated and inscribed en verso, 21 in. x 14 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 35 1/2 in. x 26 1/4 in. x 2 in 30

134. May Kugler (American/Louisiana, 1916‑2005), “Just Married, this Couples so Happy they Just Got Married”, 1996, acrylic on board, signed and dated lower center, pencil‑signed, titled, dated and inscribed en verso, 4 in. x 5 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 8 3/4 in. x 9 3/4 in. x 3/4 in

135. Xavier de Callatay (Belgian/New Orleans, 1932‑1999), “Turkey”, 1959, watercolor and graphite on paper, signed and dated lower right, 9 1/4 in. x 9 1/4 in., framed. [$150/250] Condition: Overall fair condition. Ext. Frame: 11 1/8 in. x 14 1/8 in. x 1/4 in

136. Nestor Hippolyte Frugé (American/Louisiana, 1914‑2011), “Pirate’s Alley” and “French Quarter Patio”, 2 watercolors on paper, signed lower left or right, “The Bourbon Street Gallery, New Orleans” stamps en verso and on reverse of mats, 15 in. x 11 in. and 15 1/4 in. x 11 1/4 in., framed alike. (2 pcs.) [$400/600] Condition: Each in overall good condition. Ext. Frames: 21 1/2 in. x 17 1/2 in. x 1 in

137. Charles R. Handford (American/Arkansas, 1909‑1995), “Cabin on the Bayou”, oil on canvas board, signed lower right, 16 in. x 20 in., framed. [$150/250] Condition: Overall good condition. Ext. Frame: 21 in. x 25 in. x 2 in

138. Josephine Hutson Graham Josus (American/ Arkansas, 1915‑1999), “Mechanical Cotton Picker 1”, oil on board, signed upper left, handwritten label with title en verso, inscribed on backing paper, 8 1/8 in. x 6 1/8 in., framed. [$400/600] Provenance: Mary Plantation, Braithwaite, LA.

Condition: Overall good condition. Ext. Frame: 17 1/4 in. x 10 1/8 in. x 1 in

31

139. Nestor Hippolyte Frugé (American/Louisiana, 1914‑2011), “French Quarter Patio”, watercolor on paper, signed lower left, 7 1/2 in. x 5 1/2 in., framed. [$200/300]

140. Nestor Hippolyte Frugé (American/Louisiana, 1914‑2011), “The Shore”, watercolor on paper, signed lower left, 13 in. x 19 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 15 in. x 21 in. x 1 in

Condition: Overall good condition. Ext. Frame: 12 1/2 in. x 10 1/2 in. x 1 in

141. W.E. Dwyer (American/New Orleans, 20th c.), “Dawn in the Bayou (Oil Refinery at Dawn)”, 1967, oil on canvas, signed and dated lower right, signed, titled and inscribed on stretcher, 18 in. x 36 1/4 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 18 1/2 in. x 36 1/8 in. x 1 1/2 in

142. Louisiana School, 20th c., “Bayou Cabin”, oil on canvas board, signed “...Mason” lower right, inscribed on backing paper, 12 in. x 16 in., framed. [$200/300] Provenance: Mary Plantation, Braithwaite, LA.

Condition: Overall good condition.

Ext. Frame: 14 in. x 18 1/2 in. x 1 in

32

144. George Overbury “Pop” Hart (American/Illinois, 1868‑1933, active New Orleans, 1920s), “French Market, New Orleans”, watercolor and graphite on paper, signed lower right, “Enoch’s Framing and Gallery, New Orleans” label on backing paper, 14 1/8 in. x 22 2/8 in., framed. [$1000/1500] Provenance: Estate of Martha Ann Samuel, New Orleans, 2006.

Condition: Light toning; slightly unevenly trimmed edges; scratches and marks scattered throughout; 3 1/2 in. fold upper left; scattered paint loss; scattered pinholes; 2 1 in. areas of flaking center of work (above standing women); 1 in. tear mid‑right edge; 1/4 in. tear upper right corner; frame has marks, nicks and abrasions. Ext. Frame: 21 1/2 in. x 29 in. x 1 in

143. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Pirate’s Alley”, 1977, oil on canvas, signed lower right, titled and “Fortier Gallery, New Orleans” label on stretcher, dated, inscribed and “Fortier Gallery, New Orleans” label on reverse of frame, 16 in. x 12 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 22 3/4 in. x 18 1/2 in. x 1 1/2 in

145. Louisiana School, mid‑20th c., “Cabin and Shrimp Boat”, oil on canvas, signed “E.E. Phelps” lower left, 18 in. x 24 in., framed. [$150/250] Condition: Overall fair condition. Ext. Frame: 19 3/4 in. x 25 1/2 in. x 1 3/4 in

146. Southern School, mid‑20th c., “The Hunt”, oil on canvas, unsigned, 18 in. x 24 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 23 1/2 in. x 29 1/2 in. x 1 3/4 in

33

147. T.S. Driskell (American/Louisiana, 20th c.), “Louisiana Herons in the Bayou Country” and “Trapper’s Cabin in the Bayou Country”, 1961, 2 grisaille oils on canvas board, both signed, titled and dated en verso, each 8 in. x 10 in., framed alike. (2 pcs.) [$300/500] Condition: Overall good condition. Ext. Frames: 9 1/8 in. x 11 1/8 in. x 3/4 in

148. Eugene Daymude (American/Louisiana, 1925‑1995), “Louisiana Swamp Scene”, oil on masonite, signed lower right, 16 in. x 20 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 29 3/8 in. x 1 1/4 in

150. Lydia Lamping Waller Diemont (Indonesian/New Orleans, 1916‑2018), “Sunset in the Swamp”, oil on canvas, signed lower right, 2 labels with artist and title on backing board, 20 in. x 24 in., framed. [$200/300]

Condition: Overall good condition. Ext. Frame: 22 in. x 28 in. x 2 1/2 in

34

149. Jacques Soulas (French/New Orleans, b. 1957), “Audubon Park”, 1988, acrylic on canvas, signed and dated lower left, 16 in. x 20 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 23 in. x 27 in. x 1 1/2 in

151. George Grunblatt (American/New Orleans, 1923‑2008), “Pirate’s Alley in New Orleans”, 1966, oil on masonite, signed and dated lower right, signed, titled and dated en verso, 12 in. x 29 3/4 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 16 in. x 34 in. x 2 1/4 in

152. Nestor Hippolyte Frugé (American/Louisiana, 1914‑2011), “Sunset on the Bayou”, watercolor on paper, signed lower right, 11 1/4 in. x 15 1/2 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 17 in. x 21 in. x 1 in

153. Paul Arst (American/Louisiana, 1921‑2012), “Lake Pontchartrain Dock and House”, 1980, watercolor, signed and dated lower right, 14 7/8 in. x 21 1/4 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 21 in. x 28 in. x 1 1/2 in

155. Burny Myrick (American/Louisiana, 20th c.), “New Orleans Harbor Scene”, 1973, oil on canvas board, dated and inscribed “Sketch Copy” lower right, “Koch Galleries” letterhead with handwritten artist, title and inscription on backing paper, 8 1/4 in. x 12 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 13 in. x 16 1/4 in. x 1 1/4 in

154. Don Wright (American/Louisiana, 1938‑2007), “Abstract”, pastel on paper, pencil‑signed lower left, 12 in. x 9 in., framed. [$250/350]

Condition: Overall fair condition. Ext. Frame: 17 3/4 in. x 14 1/2 in. x 1 in

156. Charles Woodward Hutson (American/South Carolina, 1840‑1936, active New Orleans, 1908‑1936), “River Landscape”, watercolor on paper, initialed lower right, 12 in. x 9 in., framed. [$400/600]

Condition: Overall fair condition. Ext. Frame: 14 3/4 in. x 11 3/4 in. x 1 in 35

157. William Norman “Buck” Arnold (American/Louisiana, 1902‑2006), “Louisiana House with Oak”, 1988, oil on canvas, signed and dated lower right and en verso, label with artist information en verso, 11 in. x 14 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 16 1/4 in. x 19 1/4 in. x 1 3/4 in

158. Paulette Tokar Whiteman (American/New Orleans, b. 1950), “Resolut Ions”, 1985, acrylic and graphite collage on paper, signed and dated lower right, titled lower left, 20 in. x 15 5/8 in., framed. [$500/700]

Condition: Overall good condition. Ext. Frame: 28 3/8 in. x 22 1/4 in. x 1 in

159. James Josey (American/Mississippi, b. 1973), “Landscape”, watercolor on board, signed lower right, 22 1/4 in. x 30 in., framed. [$600/800] Condition: Overall good condition. Ext. Frame: 32 1/4 in. x 40 1/4 in. x 2 1/4 in

161. Charles Whitfield Richards (American/ Louisiana, 1906‑1992), “Still Life of Flowers in Vase”, oil on canvas, signed lower right, 16 in. x 12 in., framed. [$500/700] Condition: Overall good condition.

Ext. Frame: 23 in. x 19 in. x 2 in 36

160. John McQuaid (American/New Orleans, 20th c.), “Howlin Wolf”, 1995, acrylic on canvas, signed and dated en verso, 24 in. x 48 in., unframed. [$400/600] Provenance: Gift of the artist. Condition: Overall good condition

162. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Cypress”, “Pirate’s Alley” and “French Quarter”, 3 watercolors on board, 2 signed lower right one lower left, each 14 1/4 in. x 5 /2 in., framed alike.

(3 pcs.) [$600/800] Condition: Overall good condition. Ext. Frame: 18 1/2 in. x 9 1/2 in. x 1 in

164. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Portrait of a Woman”, charcoal on paper, signed upper right, partial sketch en verso, 22 in. x 19 in., matted. [$20/40] Condition: Overall good condition

163. Normah Louise Alcott Knight (American/Texas, 1910‑2005), “South Padre Island Sand Dunes”, oil on copper panel mounted to masonite, signed lower left, artist biography and “Art Galleries at Bahia Mar, South Padre Island, TX” label en verso, 9 in. x 12 in., framed. [$50/75] Condition: Overall good condition. Ext. Frame: 14 1/2 in. x 17 1/2 in. x 1 in

165. Edward Von Siebold Dingle (American/South Carolina, 1893‑1975), “Ducks in Flight”, watercolor and gouache on paperboard, signed lower right, 15 in. x 11 in., framed. [$600/800] Condition: Overall good condition.

Ext. Frame: 16 7/8 in. x 14 5/8 in. x 7/8 in

166. Chris Burkholder (American/Texas, b. 1952), “Marshy Landscape”, 1986, pastel on paper, pencil‑signed and dated lower left, “Harris Gallery, Houston” label on backing, 19 11/16 in. x 25 3/4 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 23 1/4 in. x 30 1/2 in. x 1/4 in

167. K. Chin (American, 1920‑1995), “Place de la Concorde”, oil on canvas, signed upper right, 20 in. x 16 in., framed. [$150/250] Provenance: Burrell Galleries, New York, 1963; Collection of Dr. Isidore Cohn, Jr. (1921‑2015), New Orleans.

Condition: Overall good condition.

Ext. Frame: 24 3/4 in. x 20 3/4 in. x 2 in

168. American School, 20th c., “Abstract Composition in Red”, oil on canvas, unsigned, 27 in. x 27 in., framed. [$500/700]

Condition: Overall good condition. Ext. Frame: 27 1/2 in. x 27 1/2 in. x 1 1/2 in

37

169. Moses Soyer (Russian/ American, 1899‑1974), “Seated Nude”, graphite on paper, pencil‑signed mid‑left, partial sketch en verso, handwritten label with artist and title on back glass, sight 14 1/2 in. x 14 3/4 in., framed with double‑sided glass. [$300/500] Condition: Overall fair condition. Ext. Frame: 21 1/4 in. x 21 1/2 in. x 1 in

170. Michael Sarisky (American/Ohio, 1906‑1974), “Still Life of Decanter and Fruit”, oil on board, signed upper right, 13 in. x 18 in., framed. [$150/250]

Condition: Overall poor condition. Ext. Frame: 19 in. x 23 in. x 2 1/2 in

171. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 4 pastels on paper, one watercolor on paper, unsigned, 7 3/8 in. x 20 1/2 in. to 10 in. x 15 in., unframed. (5 pcs.) [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: 2 in overall fair condition, 3 in overall poor condition

172. American School, 19th c., “Meeting on the Road”, oil on canvas, bears signature “W. Homer” lower right, “Mobile Art Center, Koch Galleries, Mobile” label on backing paper, 12 3/4 in. x 18 1/4 in., framed. [$200/300] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition. Ext. Frame: 22 in. x 27 3/4 in. x 3 1/2 in

173. Percival Goodman (American/New York, 1904‑1989), “Ahab + Jezebel”, watercolor and graphite on paper, unsigned, titled lower right, artist estate stamp and inscriptions en verso, 24 in. x 18 in., framed. [$400/600] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 31 in. x 24 1/4 in. x 1 3/8 in 38

174. Steven Garrod (American, b. 1946), “Golden Waterfall”, 1989, crayon on paper, pencil‑signed and dated lower center, pencil‑signed, titled, dated and inscribed on backing board, 17 in. x 14 in., framed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

Ext. Frame: 20 7/8 in. x 18 7/8 in. x 3/4 in

175. Robin Riechert Jackson (American, b. 1958), “The Dog”, gouache on paper, signed lower right, 13 in. x 19 in., framed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 17 1/4 in. x 23 1/4 in. x 1 in

176. Lisle Spilman (American, b. 1956), “Untitled”, 1982, watercolor on paper, signed and dated lower center, 21 3/4 in. x 27 3/4 in., framed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 25 7/8 in. x 32 in. x 1 1/4 in

177. Dongfeng Li (Chinese/American, b. 1958), “Mom’s Coffee Time”, 2008, watercolor on paper, signed lower right, American Watercolor Society I.D. form, disclaimer and traveling exhibition label each with artist, title and date on backing paper, “Ida Wells Stroud Memorial Award American Watercolor Society 2008” plaque on glass, 22 3/8 in x 30 1/4 in., framed. [$600/800] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 31 in. x 39 in. x 1 in

178. Dongfeng Li (Chinese/American, b. 1958), “Power of Fire”, watercolor on paper, unsigned, 2 labels with artist and title and “Robinson Brothers Merit Award” label with artist on backing board, sight 23 in. x 17 1/2 in., framed. [$200/300] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

Ext. Frame: 28 in. x 23 in. x 1 in

39

179. Don Stone (American/Maine, 1929‑2015), “Cape Hedge Study”, 1969, watercolor on paper, signed lower right, 2 partial sketches en verso, “Adelson Galleries, Inc., Boston” label with artist, title and date on backing paper, 15 in. x 20 1/4 in., framed. [$700/1000] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

180. Henry Mortikar Rosenberg (American, 1858‑1947), “Halifax”, watercolor on paper, signed and titled lower left, partial label en verso, 10 in. x 14 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

Condition: Overall good condition. Ext. Frame: 26 in. x 33 in. x 2 in

181. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscape”, 1930, watercolor on paper, signed, dated and inscribed lower left, 14 in. x 18 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

182. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscape with Cattle”, 1929, watercolor on paper, signed, titled, dated and inscribed lower left, 11 1/8 in. x 15 1/8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition 40

183. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscape with Sheep”, 1929, watercolor on paper, signed, dated and inscribed lower left, 11 1/8 in. x 8 7/8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

185. Henry Mortikar Rosenberg (American, 1858‑1947), “The Lotus Pond”, watercolor on paper, signed mid‑left, pencil‑titled lower left and en verso, 20 in. x 14 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition 184. Henry Mortikar Rosenberg (American, 1858‑1947), “Wooded Landscape”, watercolor on paper, unsigned, 15 in. x 22 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

186. Henry Mortikar Rosenberg (American, 1858‑1947), “Young Girl with a Cup”, 1933, watercolor on paper, signed and dated lower left, 22 in. x 15 in., unframed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

187. Henry Mortikar Rosenberg (American, 1858‑1947), “Man Scratching His Back”, watercolor on paper, signed lower left, 4 partial labels en verso, 22 in. x 15 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall fair condition

Condition: Overall fair condition

189. Henry Mortikar Rosenberg (American, 1858‑1947), “Feeding Chickens”, watercolor on paper, unsigned, 22 in. x 15 1/4 in., unframed. [$50/100] 188. Henry Mortikar Rosenberg (American, 1858‑1947), “Halifax, Evening Meal”, watercolor on paper, signed and titled lower right, partial label en verso, 14 in. x 16 3/4 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

Condition: Overall poor condition

41

191. Henry Mortikar Rosenberg (American, 1858‑1947), “Portrait of a Man”, 1931, watercolor on paper, signed and dated lower right, partial label en verso, 9 1/4 in. x 7 3/8 in., unframed. [$25/50]

190. Henry Mortikar Rosenberg (American, 1858‑1947), “The Path”, watercolor on paper, unsigned, 22 in. x 15 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

Condition: Overall good condition

192. Henry Mortikar Rosenberg (American, 1858‑1947), “Water’s Edge”, “Distant Lake” and “Landscape Study”, 3 pastels on paper, each unsigned, 9 in. x 15 in. to 10 7/8 in. x 7 1/2 in., unframed. (3 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: 2 in overall fair condition; 1 in overall poor condition

193. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscape”, 1918, watercolor on paper, signed, dated and inscribed lower left, 13 7/8 in. x 10 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

194. Henry Mortikar Rosenberg (American, 1858‑1947), “Alabama”, 1928, watercolor on paper, signed, titled and dated lower left, 13 7/8 in. x 10 in., unframed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

42

195. Henry Mortikar Rosenberg (American, 1858‑1947), “The Farm”, 1929, watercolor on paper, signed, dated and inscribed lower left, 11 in. x 15 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

196. Henry Mortikar Rosenberg (American, 1858‑1947), “Atop the Hill”, 1931, watercolor on paper, signed and dated lower left, pencil‑titled and partial label en verso, 14 in. x 10 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

197. Henry Mortikar Rosenberg (American, 1858‑1947), “Girl Reading”, 1932, watercolor on paper, signed and dated lower left, 10 in. x 14 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

198. Henry Mortikar Rosenberg (American, 1858‑1947), “Portrait of a Man”, 1934, watercolor on paper, signed and dated lower left, 15 1/2 in. x 11 1/2 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

200. Henry Mortikar Rosenberg (American, 1858‑1947), “Canard (Nova Scotia)”, 1931, 2 watercolors on paper, each signed, titled and dated lower left, each 7 in. x 10 in., unframed.

(2 pcs.) [$50/75] 199. Henry Mortikar Rosenberg (American, 1858‑1947), “Woman Taking a Walk”, watercolor on paper, unsigned, 15 in. x 22 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

Condition: Overall good condition

43

201. Henry Mortikar Rosenberg (American, 1858‑1947), “Alabama”, 1928, watercolor on paper, signed, titled and dated lower left, 10 in. x 14 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

202. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 7 watercolors on paper, one signed lower left, one with 3 partial labels en verso, 4 1/2 in. x 6 1/2 in. to 7 in. x 10 in., unframed. (7 pcs.) [$50/75] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

203. Henry Mortikar Rosenberg (American, 1858‑1947), “Miscellaneous Scenes”, 7 watercolors on paper, unsigned, 4 3/4 in. x 6 3/4 in. to 9 in. x 5 1/2 in., unframed. (7 pcs.) [$50/75]

204. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 4 watercolors on paper, unsigned, 11 3/8 in. x 17 3/4 in. to 20 in. x 14 in., unframed.

(4 pcs.) [$100/150]

Condition: Overall good condition

Condition: Overall good condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

44

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

205. Henry Mortikar Rosenberg (American, 1858‑1947), “Farm Scenes”, 3 watercolors on paper, unsigned, 10 1/2 in. x 13 3/4 in. to 11 1/4 in. x 15 1/2 in., unframed.

(3 pcs.) [$100/150]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: 2 in overall good condition; 1 in overall fair condition

206. Henry Mortikar Rosenberg (American, 1858‑1947), “Farm Scenes”, 3 watercolors on paper, one signed lower left, 10 in. x 14 in. to 11 1/4 in. x 15 1/4 in., unframed. (3 pcs.) [$100/150]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

207. Henry Mortikar Rosenberg (American, 1858‑1947), “Farm Scenes”, 3 watercolors on paper, unsigned, 10 in. x 13 1/2 in. to 15 1/2 in. x 11 1/4 in., unframed.

(3 pcs.) [$100/150]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: 2 in overall good condition; 1 in overall fair condition

208. Henry Mortikar Rosenberg (American, 1858‑1947), “Canard (Nova Scotia)”, 1931, “Halifax” and “The Farm”, 3 watercolors on paper, one signed, titled and dated lower left, one signed lower left and pencil‑titled lower right, 4 3/4 in. x 6 3/4 in. to 7 in. x 10 in., unframed. (3 pcs.) [$50/75] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

45

209. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscape with Pond and Boat Dock”, double‑sided watercolor on paper, unsigned, 14 3/4 in. x 17 3/4 in., matted. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

210. Henry Mortikar Rosenberg (American, 1858‑1947), “Portraits of Women”, 6 pastel and graphites on paper, unsigned, 10 in. x 14 in. to 16 1/2 in. x 11 1/4 in., unframed. (6 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: 3 in overall fair condition, 3 in overall poor condition

211. Henry Mortikar Rosenberg (American, 1858‑1947), “Portraits of Children”, 5 pastel and graphites on paper, one initialed lower left, 9 in. x 8 in. to 18 3/4 in. x 11 1/2 in., unframed. (5 pcs.) [$50/100]

212. Henry Mortikar Rosenberg (American, 1858‑1947), “The Port”, “Portrait of a Man” and “Portrait of a Woman”, one charcoal and watercolor on paper mounted to board, one charcoal on paper and one ink on paper, unsigned, 14 1/2 in. x 9 1/2 in. to 18 1/2 in. x 12 in., unframed. (3 pcs.) [$25/50]

Condition: 3 in overall fair condition, 2 in overall poor condition

Condition: Each in overall poor condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

46

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

213. Henry Mortikar Rosenberg (American, 1858‑1947), “Mentone (Indiana)”, 1945, 13 watercolors on paper, 12 signed, titled and dated lower left one lower right, 3 with partial watercolors en verso, 11 3/4 in. x 15 3/4 in. to 15 3/4 in. x 11 3/4 in., unframed. (13 pcs.) [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

214. Henry Mortikar Rosenberg (American, 1858‑1947), “Alabama”, 1928, 2 watercolors on paper, both signed, titled and dated lower left, 10 in. x 14 in. and 14 in. x 10 in., unframed. (2 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Both in overall good condition

215. Henry Mortikar Rosenberg (American, 1858‑1947), “Citronelle, Alabama”, 1932, watercolor on paper, signed, titled and dated lower left, 14 in. x 20 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

216. Henry Mortikar Rosenberg (American, 1858‑1947), “Canard (Nova Scotia)”, 1931, 3 watercolors on paper, each signed, titled and dated lower left, 7 in. x 10 in. to 10 in. x 7 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall good condition

47

217. Henry Mortikar Rosenberg (American, 1858‑1947), “Gossip, Chezzetcook, Novia Scotia”, 1932, watercolor on paper, signed and dated lower left, pencil‑titled lower right, 16 3/4 in. x 11 3/4 in., unframed. [$25/50]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

218. Henry Mortikar Rosenberg (American, 1858‑1947), “Mentone (Indiana)”, 1945, 3 watercolors on paper, each signed, titled and dated lower left, each 16 in. x 23 5/8 in., unframed.

(3 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

219. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 20 watercolors on paper, 2 signed lower left, 14 in. x 20 in. to 22 1/2 in. x 15 1/2 in., unframed. (20 pcs.) [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

48

220. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 20 watercolors on paper, 4 signed lower left, 12 in. x 18 in. to 20 1/4 in. x 13 1/2 in., unframed. (20 pcs.) [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

221. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 19 watercolors on paper, one signed lower left, 2 with partial sketches en verso, 6 3/4 in. x 4 3/4 in. to 22 1/4 in. x 15 1/4 in., unframed. (19 pcs.) [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair to poor condition

222. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscapes”, 1929‑44, 11 watercolors on paper, each signed and dated lower left, 11 in. x 7 3/4 in. to 23 3/4 in. x 16 in., unframed. (11 pcs.) [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

223. Henry Mortikar Rosenberg (American, 1858‑1947), “Barnyards”, 4 watercolors on paper, one signed and inscribed lower left, 15 3/4 in. x 23 3/4 in. to 22 3/4 in. x 15 1/2 in., unframed.

(4 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

224. Henry Mortikar Rosenberg (American, 1858‑1947), “Portraits of Women”, 8 watercolors on paper, one signed and inscribed lower left, 14 in. x 10 in. to 22 in. x 15 in., unframed. (8 pcs.) [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Varying degrees of fair to poor condition

49

225. Henry Mortikar Rosenberg (American, 1858‑1947), “Landscape with Cattle”, 1929/31, 3 watercolors on paper, 2 signed and dated lower left, one with partial labels en verso, 11 in. x 15 1/2 in. to 15 in. x 22 in., unframed. (3 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

226. Henry Mortikar Rosenberg (American, 1858‑1947), “Miscellaneous Scenes”, 1932, 5 watercolors on paper, 2 signed and dated lower left, 9 in. x 5 1/2 in. to 15 1/4 in. x 11 in., unframed. (5 pcs.) [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in varying degrees from fair to poor

227. Henry Mortikar Rosenberg (American, 1858‑1947), “Sunflowers”, watercolor on paper, signed lower left, 17 7/8 in. x 11 7/8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

228. Henry Mortikar Rosenberg (American, 1858‑1947), “Portrait of a Young Woman”, 1941, watercolor on paper, signed and dated lower left, 12 in. x 19 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

50

229. Henry Mortikar Rosenberg (American, 1858‑1947), “Cotton Farmer”, 1939, watercolor on paper, signed and dated lower left, 17 7/8 in. x 11 7/8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

230. Henry Mortikar Rosenberg (American, 1858‑1947), “Water Well”, 1933, watercolor and graphite on paper, signed and dated lower left, 14 3/4 in. x 20 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

232. Henry Mortikar Rosenberg (American, 1858‑1947), “The Meeting”, 1923, watercolor on paper, signed and dated lower left, 19 3/4 in. x 15 3/4 in., unframed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

231. Henry Mortikar Rosenberg (American, 1858‑1947), “...No.3, Burning”, 1934, watercolor and graphite on paper, signed and dated lower left, pencil‑titled en verso, 15 1/2 in. x 22 1/4 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

Condition: Overall fair condition

233. Henry Mortikar Rosenberg (American, 1858‑1947), “Pugwash (Nova Scotia)”, watercolor on paper, unsigned, titled lower left, 7 in. x 10 in., unframed. [$25/50]

234. Henry Mortikar Rosenberg (American, 1858‑1947), “Halifax, August”, 1899, watercolor and graphite on paper, pencil‑signed, titled and dated lower right, 11 1/2 in. x 14 1/2 in., matted. [$50/100]

Condition: Overall good condition

Condition: Overall fair condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

51

235. Henry Mortikar Rosenberg (American, 1858‑1947), “At the Docks”, charcoal and watercolor on paper mounted to board, unsigned, 18 1/2 in. x 12 1/4 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition. Ext. Frame: 25 1/2 in. x 19 3/4 in. x 1 1/2 in

236. American School, 20th c., “Untitled”, 1983, mixed media collage, illegibly pencil‑signed and dated lower center, partial sketch en verso, 6 7/8 in. x 5 5/8 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition. Ext. Frame: 11 3/4 in. x 11 3/4 in. x 1 1/2 in

237. William J. McCormick (American, 20th c.), “Enchanted Lorelie”, 1966, oil on canvas, signed, titled, dated and inscribed en verso, 24 in. x 18 in., framed. [$200/400] Condition: Overall fair condition. Ext. Frame: 31 5/8 in. x 25 3/4 in. x 2 1/2 in 52

238. American School, 1944, “Sunday at the Overton Park, Memphis”, oil on canvas, initialed “D.S.H” and dated lower right, 24 in. x 20 in., framed. [$800/1200]

Condition: Overall good condition. Ext. Frame: 34 3/4 in. x 31 in. x 2 1/2 in

239. Charles Edward Boutwood (British/American, 1856‑1941), “Fishing”, watercolor on paper mounted to board, signed lower left, 16 in. x 9 7/8 in., unframed. [$400/600] Condition: Overall fair condition

240. Wayne Wu (Chinese/American, b. 1935), “The Tale of Forest”, oil on canvas laid on foamcore, signed lower left and on reverse of foamcore, signed and titled on backing paper, 5 in. x 7 in., unframed; accompanied by signed exhibition catalogue. [$500/800] Condition: Overall good condition

241. Louis Wolchonok (American/New York, 1898‑1973), “Rehearsal for Strings”, pen and ink on paper, signed lower right, titled en verso, 11 1/2 in. x 14 1/2 in., framed. [$200/300]

242. Jesse Carl Hobby (American, 1871‑1938), “Cabin in the Woods”, oil on board, signed lower left, inscribed en verso, 12 in. x 16 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 15 5/8 in. x 19 5/8 in. x 1 3/4 in

Condition: Overall good condition. Ext. Frame: 19 in. x 22 in. x 1 in

243. Alf Johan Heggeland (Norwegian/ American, 1899‑1989), “Winter Scene”, oil on canvas, signed lower left, titled and partial label on stretcher, 24 in. x 30 in., framed. [$250/350] Condition: Overall good condition. |Ext. Frame: 29 in. x 35 in. x 2 3/4 in

53

244. Bayard Henry Tyler (American, 1855‑1931), “In the LeFevre Garden, New Paltz”, 1929, oil on canvas board, signed lower right, titled and dated on artist card en verso, “Newcomb‑Macklin Co., New York” label and inscribed on reverse of frame, 8 in. x 10 in., framed. [$500/700]

245. Heinie Hartwig (American/California, b. 1937), “Fire Light”, oil on board, signed lower left, titled en verso, “Sokoloff Art, San Francisco” label and artist information label on backing paper, 9 in. x 12 in., framed. [$400/600]

Condition: Overall good condition. Ext. Frame: 14 3/4 in. x 17 3/4 in. x 1 1/2 in

Condition: Overall good condition. Ext. Frame: 14 in. x 16 1/8 in. x 2 in

247. William Sanders Fanning (American/Michigan, 1887‑1986), “Woman at a Cafe”, 1923, oil on canvas, signed and dated lower left, 21 1/4 in. x 30 3/4 in., framed. [$800/1200] Condition: Overall good condition. Ext. Frame: 27 in. x 36 1/4 in. x 2 1/2 in

246. American School, 1937., “On a Soapbox”, oil on canvas, initialed “B.P.” and dated lower right, 24 in. x 22 in., framed. [$1000/1500] Condition: Inpainting scattered along edges and in small lines in lower half of work; craquelure throughout; surface dirt. Ext. Frame: 30 in. x 28 in. x 1 1/2 in

248. Victor Stanley Matson (American/ California, 1895‑1972), “The Lottie Carson”, oil on canvas, signed lower right, label with title on stretcher, 18 in. x 22 in., framed. [$700/900]

Condition: Overall good condition. Ext. Frame: 21 1/2 in. x 25 1/2 in. x 2 in 54

249. Attributed to John Francis Murphy (American/New York, 1853‑1921), “June Hillside”, oil on board, unsigned, pencil‑inscribed with artist and title en verso and on backing board, inscribed “Whale Bay” on reverse of frame, 9 1/2 in. x 12 1/4 in., framed with artist plaque. [$800/1200] Condition: Overall poor condition.

Ext. Frame: 13 1/2 in. x 16 1/2 in. x 1 in

250. Pascal Cucaro (American/ Ohio, 1915‑2004), “Portrait of a Woman”, oil on canvas, signed upper left, 2 partial artist stamps en verso, 20 in. x 16 in., framed. [$200/400]

Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 21 1/4 in. x 2 in

251. Alice Grey Hobbs Bolton Coutts (British/American, 1879‑1973), “Young Child in Carrier”, 1924, watercolor on paper mounted to board, signed, dated and inscribed lower right, 9 3/8 in. x 7 1/8 in., framed. [$800/1200] Condition: Overall fair condition.

Ext. Frame: 17 3/8 in. x 14 1/4 in. x 2 in

252. Amado Maurillo Peña (Pascua Yaqui Tribe/Arizona, b. 1943), “Zia”, 1995, acrylic on paper, pencil‑signed lower left, artist label with title and date on backing board, from Mestizo series, 10 in. x 8 in., framed. [$200/400] Condition: Overall good condition. Ext. Frame: 21 in. x 18 in. x 1 in

253. Donna Clair (American, b. 1939), “Tesuque Blue”, 2014, oil on canvas, signed, dated and inscribed “Tesuque, NM”, lower left, signed, titled and dated en verso, 11 in. x 14 in. framed. [$800/1200]

Condition: Overall good condition. Ext. Frame: 16 1/2 in. x 19 1/2 in. x 1 1/4 in

55

254. Farrell Cockrum (Blackfeet Nation/New Mexico, 20th c.), “The Guardian”, 2009, oil on gallery‑wrapped canvas, signed and dated lower left, signed, titled, dated and inscribed on stretcher, 4 7/8 in. x 5 in., unframed. [$100/200] Condition: Overall good condition

255. Jeff Otis (American/New Mexico, b. 1954), “Dusk”, oil on board, signed lower left, handwritten artist label with signature and title en verso, 8 in. x 12 in., framed. [$200/400] Condition: Overall good condition. Ext. Frame: 10 in. x 12 in. x 1 in

256. Peter Ruta (German/American, 1918‑2016), “Bellecastle Street”, 1995, oil on canvas, pencil‑signed, titled, dated and inscribed en verso, 28 in. x 34 in., framed. [$400/600] Condition: Overall poor condition.

Ext. Frame: 31 3/4 in. x 37 1/2 in. x 1 in

257. American Folk Art School, 20th c., “Cotton Picking”, oil on board, signed “N” lower right, 16 in. x 20 in., unframed. [$200/300] Condition: Overall poor condition

258. American School, 19th c., “Young Lady Wearing a Blue Dress”, oil on canvas, unsigned, 16 1/2 in. x 13 3/4 in., period birdseye maple frame. [$300/500] Condition: Overall poor condition. Ext. Frame: 19 in. x 16 1/4 in. x 1 1/4 in 56

259. American School, 19th c., “Miss Frances Oliver”, oil on panel, unsigned, titled en verso, label inscribed “Daniel Webster’s daughter” on backing board, 7 5/8 in. x 5 1/8 in., framed. [$200/300] Condition: Overall good condition.

Frame Ext. 10 3/4 in. x 8 1/4 in. x 1 3/4 in

260. Jean MacLean (Canadian, 1879‑1952), “The Nivard Saint‑Dizier House, Verdun” and “Wooded Landscape”, 2 oils on canvas laid on board, signed lower right and left respectively, 12 1/2 in. x 9 1/4 in. and 9 1/4 in. x 11 1/2 in., framed alike. (2 pcs.) [$100/200] Condition: Overall fair condition. Ext. Frame: 17 in. x 13 3/4 in. x 1 3/4 in. and 13 3/4 in. x 16 in. x 1 3/4 in

261. Augustus Weidenbach (German/Maryland, 1825‑1869), “Cows in the Stream”, oil on canvas, signed lower right, 22 in. x 36 in., framed. [$50/75]

Condition: Overall very poor condition.

Ext. Frame: 32 in. x 45 5/8 in. x 4 1/2 in

262. Frances West (American/Rhode Island, 1881‑1971), “An Old Algonguin Indian”, 1907, watercolor on cork, signed, dated and inscribed “Green Lake Post/H.B.C.” lower right, titled lower left, 9 1/4 in. x 12 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 14 1/8 in. x 17 1/2 in. x 1 1/4 in

264. Salvador Rasura (Mexican, 1917‑1998), “Mountainous Landscape”, oil on canvas, signed lower left, 16 in. x 20 in., framed. [$600/800] Condition: Overall good condition. Ext. Frame: 20 1/4 in. x 24 1/4 in. x 1 3/4 in

263. American School, 20th c., “Nude with Flower”, pastel on paper, unsigned, sight 14 in. x 7 in., framed. [$150/250]

Condition: Overall good condition. Ext. Frame: 15 3/4 in. x 8 3/8 in. x 7/8 in

265. Latin American School, 20th c., “Dock with Tropical Flora”, oil on canvas, indistinctly signed lower right, 22 1/4 in. x 31 1/2 in., framed. [$300/500] Condition: Overall Poor Condition. Ext. Frame: 26 3/4 in. x 36 in. x 3 in

57

266. Fils LaFleur (Haitian, b. 1965), “Erzulie Danthor, Drapeau”, beads on fabric, signed lower right, 36 1/4 in. x 29 1/2 in., unframed. [$100/150]

Provenance: Haitian Exhibit at New Orleans Jazz and Heritage Festival, 2011.

Condition: Overall good condition

267. Michael Manjarris (American, b. 1960), “Untitled”, stone sculpture on bronze plinth, unsigned, inscribed “Gus” in marker, h. 21 1/4 in., w. 22 3/4 in., d. 11 1/2 in. [$600/800] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

Condition: Overall good condition

268. Continental School, 20th c., “Untitled (Composition in Red)”, 1994, acrylic and hard pastel on paper, illegibly signed and dated lower right, 25 in. x 28 in., framed. [$400/600]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 39 3/4 in. x 42 3/4 in. x 1 1/2 in

269. Victoria Mörs (German, 1858‑1957), “Female Nude”, chalk on paper mounted to board, unsigned, 67 in. x 26 1/4 in., unframed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

58

270. Eugène‑Scipion d’Harmenon (French, b.1825), “The Hunchback of Notre Dame”, 1860, oil on canvas, signed and dated lower left, handwritten label with artist on stretcher, partial canvas stamp en verso, 64 1/4 in. x 51 3/8 in., framed. [$1000/1500]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Not examined under UV light; multiple large and extensive repairs with corresponding patches en verso; multiple holes particularly upper left largest 1/4 in. x 1 in.; several areas of inpainting visible to naked eye; toning of varnish; craquelure throughout; scattered surface marks and losses; frame has extensive losses, cracks, scratches and dirt. Ext. Frame: 81 1/4 in. x 68 1/2 in. x 5 1/2 in.

271. Christa Stracke (Viennese, b. 1943), “Ich Bin der Geist der Stets Bejhat”, 1967, mixed media on paper, pencil‑signed and dated lower right, pencil‑titled in German lower left, 11 1/2 in. x 9 1/2 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

272. Continental School, 19th c., “Portrait of Thomas Parr”, oil on board, unsigned, inscribed en verso, 9 1/8 in. x 8 1/8 in., unframed; together with handwritten note. (2 pcs.) [$200/300] Condition: Overall poor condition

Condition: Overall good condition.

Ext. Frame: 14 1/2 in. x 11 1/2 in. x 1/2 in 59

273. Continental School, late 19th c., “Portrait of a Woman”, oil on canvas, unsigned, 36 in. x 27 3/4 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 43 1/2 in. x 35 1/2 in. x 3 in

274. Continental School, late 19th/early 20th c., “Portrait of a Woman”, oil on canvas, unsigned, “Paul Foinet, 21 Rue Brea, Paris” canvas stamp en verso, 35 1/4 in. x 25 1/2 in., framed. [$200/400] Condition: Overall fair condition. Ext. Frame: 42 in. x 32 1/2 in. x 2 in

275. Continental School, 19th c., “Still Life with Pineapples and Grapes”, oil on canvas, unsigned, “Tschunko” framing label on reverse of frame, “Jones &...” partial label on stretcher, 20 in. x 24 in., framed. [$800/1200] Condition: Overall fair condition. Ext. Frame: 24 3/4 in. x 28 1/2 in. x 2 in

60

276. Continental School, 20th c., “Village by the Water”, oil on canvas, indistinctly signed lower left, indistinctly inscribed en verso, 23 3/4 in. x 31 5/8 in., framed. [$800/1200] Condition: Overall good condition. Ext. Frame: 28 1/2 in. x 36 1/2 in. x 2 in

277. Large Plaster and Wood Frame, h. 54 3/4 in., w. 77 3/4 in., d. 6 1/2 in., interior dimensions 36 in. x 59 3/4 in.; together with 2 unstretched canvases mid‑conservation, 37 in. x 60 1/2 in. to 33 1/2 in. x 61 3/4 in. (3 pcs.) [$25/75]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

Condition: Overall very poor condition; both canvases are in a mid‑conservation state with wax paper adhered to fronts

278. Bertoldo “Berto” Taubert (Italian/French, 1915‑1974), “Le Village Fleuri”, 1961, oil on canvas, signed lower right, signed and dated en verso, titled on stretcher, 14 3/4 in. x 23 in., framed. [$200/300] Condition: Overall fair condition.

Ext. Frame: 24 1/2 in. x 32 1/2 in. x 2 in

279. Bertoldo “Berto” Taubert (Italian/French, 1915‑1974), “Jeune Femme a la Toilette”, 1962, oil on canvas, signed and inscribed lower right, signed, titled and dated en verso, “Findlay Galleries, Chicago” label on backing board, 10 5/8 in. x 8 3/4 in., framed. [$150/250] Condition: Overall good condition. Ext. Frame: 18 in. x 16 in. x 2 in

280. Arturo Calosci (Italian, 1855‑1926), “Il Batterista”, oil on canvas, signed upper right, 11 7/8 in. x 8 3/8 in., framed. [$600/800]

Condition: Overall fair condition.

Ext. Frame: 19 1/8 in. x 15 1/2 in. x 2 3/4 in 61

281. Continental School, 20th c., “The Bazaar”, watercolor on paper, signed “W.C. Musier” lower left, 21 1/2 in. x 28 in., framed. [$500/750] Condition: Overall good condition. Ext. Frame: 27 3/4 in. x 33 3/4 in. x 1 in

282. Continental School, 19th c., “Sailboats on the Water”, oil on board, indistinctly signed lower right, inscribed en verso, “Brown Frame Shop, Fort Worth, TX”, 7 1/8 in. x 5 1/8 in., framed. [$400/600] Condition: Overall fair condition.

Ext. Frame: 12 3/4 in. x 11 in. x 1 3/4 in

283. Continental School, 20th c., “The Rose Garland”, giclée on canvas, signed “C. Tenieys” lower left, 2 stamps with artist signature en verso, 48 in. x 36 in., framed. [$100/150] Condition: Overall fair condition. Ext. Frame: 56 1/2 in. x 44 in. x 3 in

284. German School, 1891, “Portrait of a Woman”, oil on panel, inscribed “G. Büttner/Munch ‘91” lower right, German stamp en verso, 6 1/2 in. x 4 7/8 in., framed. [$100/200]

Condition: Overall fair condition. Ext. Frame: 9 1/8 in. x 7 3/8 in. x 1 in

285. Italian School, mid‑20th c., “Italian Lakeside Scene”, oil on canvas, illegibly signed lower right, 27 5/8 in. x 36 in., framed. [$200/400] Condition: Overall fair condition.

Ext. Frame: 37 in. x 45 5/8 in. x 3 3/4 in

62

286. Helen Brown (New Zealander, 1917‑1986), “Mountain Landscape”, 1968, oil on canvas board, signed and dated lower right, signed, dated and inscribed en verso, “Van’s Art Center, Sacramento” label on backing paper, 15 in. x 30 in., framed. [$500/700] Condition: Overall good condition.

Ext. Frame: 20 3/8 in. x 35 1/4 in. x 2 3/4 in

287. Charles Ernest Deacon (British, 20th c.), “Wimbledon Common”, 1933, watercolor on paper, pencil‑signed and dated lower left, pencil‑titled lower center, 11 1/4 in. x 15 1/4 in., framed. [$100/200] Provenance: Estate of Major Philip St. George Ambler IV.

Condition: Overall fair condition. Ext. Frame: 19 3/8 in. x 22 3/4 in. x 1 in

288. Manner of Julius Caesar Ibbetson (British, 1759‑1817), “Castle Campbell Near Dollar”, oil on board, unsigned, pencil‑titled and labels en verso, “Dubose Gallery, Houston, Texas” label on reverse of frame, 12 in. x 17 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 15 in. x 19 1/8 in. x 1 1/2 in

289. British School, 18th/19th c., “Uncle Horatio”, oil on canvas, unsigned, titled and inscribed “John Hoppner” on label en verso, Hoppner biography attached en verso, 9 1/2 in. x 7 3/8 in., framed. [$300/500]

Condition: Overall fair condition. Ext. Frame: 11 1/2 in. x 9 5/8 in. x 2 in

290. After Nicolas Lafrensen (Swedish, 1737‑1807), “L’Assemblée au Salon”, 1783, hand‑colored etching and engraving, engraved by Françoise‑Nicolas‑Barthélemy Dequevauviller (French, 1745‑1807), image 12 1/2 in. x 17 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition. Ext. Frame: 20 1/4 in. x 23 1/4 in. x 1 in 63

291. Massimo “Maxim” Gauci (Maltese, 1774‑1854), “Iris Decora” and “Eria Paniculata”, 2 hand‑colored lithographs, from Plantae Asisticae Rariores, sights 20 1/4 in. x 13 3/4 in., framed alike; together with “Iris Hungarica”, hand‑colored engraving, from Descriptions et icones Plantarum Rariorum Hungariae, handwritten label on backing paper, sight 17 1/2 in. x 12 in., framed. (3 pcs.) [$500/700] Condition: Each in overall good condition. Ext. Frames: 26 1/2 in. x 20 1/2 in. x 1 in. to 31 in. x 24 in. x 1 in

292. After Theodore Jasper (American, 1814‑1897), “Gyrfalcon”, “Cormorant” and “Pinnated Grouse”, 3 chromolithographs, from The Birds of North America, published by Jacob Henry Studer, sights 8 3/4 in. x 12 in. to 12 1/2 in. x 9 in., framed. (3 pcs.) [$100/200] Condition: Overall good condition. Ext. Frames: 21 1/8 in. x 17 1/8 in. x 1 in. to 17 1/8 in. x 21 1/8 in. x 1 in

293. After François‑Nicolas Martinet (French, 1725‑1804), “Pigeon Ramier, de Cayenne”, “Tangara, des Grande Boise de Cayenne”, “Emerillon, de St. Domingue” and “Tourterelle, de Java”, 4 hand‑colored engravings, from L’Histoire Naturelle des Oiseaux, sheets 12 1/4 in. x 9 in., framed alike. (4 pcs.) [$300/500]

Condition: Overall poor condition. Ext. Frames: 14 3/4 in. x 11 3/4 in. x 1/2 in

294. After Charles Bird King (American/Rhode Island, 1785‑1862), “Major Ridge, A Cherokee Chief”, hand‑colored lithograph, from History of the Indian Tribes of North America, sight 17 in. x 12 1/2 in., framed. [$300/500] Condition: Overall fair condition.

Ext. Frame: 27 in. x 22 in. x 1 3/4 in

64

295. After William Hayes (British, 1729‑1799), “A Species of the Sparrow Hawk, Female”, hand‑colored engraving from A Natural History of British Birds, signed in plate, 16 3/4 in. x 12 1/4 in., framed. [$100/200]

Condition: Overall fair condition.

Ext. Frame: 29 1/4 in. x 24 1/4 in. x 1 1/2 in.

296. After Sir John Hill (British, 1716‑1775), “Cannabis, Casserine and Hop”, Pl. 53, hand‑colored engraving, from The Vegetable System, c.

1759, 14 3/4 in. x 9 1/4 in., framed. [$50/100]

Condition: Overall fair condition.

Ext. Frame: 25 1/2 in. x 20 1/2 in. x 3/4 in

297. Pierre Antoine Poiteau, (French, 1766‑1815), “Aristolochia Grandiflora” and “La Dalberg à Feuilles Pourpeés”, c. 1808, 2 hand‑colored engravings, from Flore des Antilles, sights 18 1/2 in. x 12 1/2 in., framed alike. (2 pcs.) [$250/350] Condition: Overall fair condition. Ext. Frame: Each 28 1/2 in. x 22 1/2 in. x 1 1/2 in

298. Jean‑Gabriel Prêtre (Swiss, 1768‑1849), “Le Pic Maculé” and “Le Pic Gris”, c. 1807, 2 hand‑colored engravings with aquatint, from L’Histoire Naturelle des Oiseaux de l’Amerique Septentrionale published by Langlois, Paris, each sight 14 in. x 11 in., framed alike. (2 pcs.) [$200/400] Condition: Each in overall fair condition. Ext. Frame: Each 25 in. x 22 in. x 2 in

299. Jean‑Gabriel Prêtre (Swiss, 1768‑1849), “La Grive Erratique Jeune Age” and “Le Tyran Gris”, c. 1807, 2 hand‑colored engravings with aquatint, one with information label on backing paper from L’Histoire Naturelle des Oiseaux de l’Amerique Septentrionale, published by Langlois, Paris, each sight 14 in. x 11 in., framed alike. (2 pcs.) [$200/400] Condition: Each in overall fair condition. Ext. Frame: Each 25 in. x 22 in. x 2 in

300. Tony Agostini (Italian/French, 1916‑1990), “Still Life of Fruit and Jar”, lithograph, pencil‑signed and numbered “238/275” lower margin, 13 7/8 in. x 19 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext Frame: 19 1/8 in. x 25 1/4 in. x 1 in

65

Session Two

Thursday, October 7, 11 a.m.

66

301. After Pierre Bonnard (French, 1867‑1947), “La Revue Blanche”, 1896, lithograph in colors, from Maîtres de l’Affiche, printed by L’Imprimere Chaix, Paris, 10 1/4 in. x 8 in., framed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 19 3/4 in. x 17 3/4 in. x 1 in

302. Joan Drew (American/Indiana, 1916‑2002), “Crisis in the Garden”, 1962, serigraph, pencil‑signed, titled, dated and numbered “27/52” lower margin, 11 1/2 in. x 13 in., framed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition. Ext. Frame: 21 in. x 22 1/2 in. x 1 1/2 in

303. Jean Nantais (Canadian/ American, 20th c.), “Emboss”, etching, pencil‑signed, titled and numbered “227/250” lower margin, pencil‑signed, titled and inscribed en verso, sheet 26 in. x 20 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 28 3/4 in. x 22 in. x 1 1/2 in

304. After John Singer Sargent (American/British, 1856‑1925), “Thomas Eugene McKeller”, c. 1920, collotype, signed in plate, sheet 20 3/4 in. x 17 3/4 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition. Ext. Frame: 32 in. x 27 7/8 in. x 1 3/4 in

305. Cathy Van Heit (American, 20th c.), “Distorted Circle”, embossed paper, pencil‑signed, titled and numbered “4/6” lower center, 14 1/2 in. x 10 in., framed in clear acrylic. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 16 1/4 in. x 12 1/4 in. x 1 1/2 in 67

306. After Henri de Toulouse‑Lautrec (French, 1864‑1901), “May Belfort”, 1895, lithograph in colors, from Maîtres de L’Affiche, printed by L’Imprimere Chaix, Paris, sight 10 3/8 in. x 7 3/4 in., framed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

Ext. Frame: 18 in. x 15 in. x 3/4 in

307. After Pierre Bonnard (French, 1867‑1947), “Scéne de Famille”, c. 1895, lithograph in colors, from Maîtres de L’Affiche, printed by L’Imprimere Chaix, Paris, 9 1/8 in. x 5 1/4 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 18 1/4 in. x 14 1/4 in. x 1 in

308. Frigyes Borszéky (Hungarian, 1880‑1955), “A Tudàs Fàja”, 1911, woodcut mounted to board, unsigned, printed label with artist and titled and inscribed with artist on backing board, 9 in. x 7 in., framed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition. Ext. Frame: 15 1/2 in. x 12 1/2 in. x 1 3/8 in

68

309. Ernest Haskell (American/Connecticut, 1876‑1925), “The Sunday World, July 19th”, 1896, lithograph, initialed and dated in plate, from The New York Sunday Journal, sheet 18 1/4 in. x 12 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

310. Henry Mortikar Rosenberg (American, 1858‑1947), “Lighting the Tobacco Pipes”, 1927 and “Farmyard”, 1928, 2 etchings on paper, each signed and dated in plate, one inscribed in plate, one pencil‑inscribed “1st state” lower margin, one with 2 partial labels en verso, 6 in. x 7 3/8 in. and 6 7/8 in. x 5 in., unframed. (2 pcs.) [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

311. Henry Mortikar Rosenberg (American, 1858‑1947), “Lighting the Tobacco Pipe”, 1927, “Pigs in the Farmyard”, 1928 and “Farmer and Dog”, 1931, 3 etchings on paper, each signed and dated in plate, one pencil‑signed lower margin, 5 in. x 5 7/8 in. to 6 in. x 7 3/8 in., unframed. (3 pcs.) [$50/75]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

312. Henry Mortikar Rosenberg (American, 1858‑1947), “Rosporden”, 1885, etching, pencil‑signed lower margin, signed, titled and dated in plate, sheet 11 1/4 in. x 7 1/2 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

313. Henry Mortikar Rosenberg (American, 1858‑1947), “Lighting the Tobacco Pipe”, 1927 and “Pigs in the Farmyard”, 1928, 2 etchings, both signed and dated in plate, 6 in. x 7 1/2 in. and 6 7/8 in. x 5 in., unframed. (2 pcs.) [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each in overall fair condition

69

314. Henry Mortikar Rosenberg (American, 1858‑1947), “Halifax”, 1904, etching, signed, titled and dated in plate, partial label upper margin, 4 7/8 in. x 6 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

315. Henry Mortikar Rosenberg (American, 1858‑1947), “Portrait of Two Young Women”, 1928 and “Woman Reading”, 1931, 2 etchings, both signed and dated in plate, one pencil‑inscribed “1st State” lower margin, 2 1/2 in. x 3 1/2 in. and 7 1/2 in. x 6 in., unframed. (2 pcs.) [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

316. Henry Mortikar Rosenberg (American, 1858‑1947), “Portrait of Two Young Women” 1928, “The Bather” 1926, “Woman and Dog” 1926, “Sewing Woman” 1919, “Portrait of a Young Girl” 1933 and “Portrait of a Young Woman”, 1917, 6 etchings, each signed and dated in plate, 2 with partial labels upper margin, 2 1/4 in. x 3 1/4 in. to 7 3/4 in. x 4 3/4 in., unframed. (6 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

317. American School 20th c., “Portrait of a Woman”, etching, illegibly pencil‑signed lower margin, sheet 11 1/2 in. x 8 1/2 in., framed. [$250/500] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition. Ext. Frame: 12 1/2 in. x 9 1/2 in. x 1/2 in

318. After Henri de Toulouse‑Lautrec (French, 1864‑1901), “Cycle Michael”, lithograph in colors, from Maîtres d L’Affiche printed by L’Imprimerie Chaix, Paris, sight 7 3/4 in. x 11 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 15 3/4 in. x 18 3/4 in 70

319. After Henri de Toulouse‑Lautrec (French, 1864‑1901), “Yvves Gilbert”, offset lithograph, sight 11 1/4 in. x 7 1/4 in., framed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition. Ext. Frame: 18 1/4 in. x 14 1/4 in. x 1 in

320. After Jules Chéret (French, 1836‑1932) “Recoloration des Cheveaux par L’Eau des Sirènes”, c.

1900, lithograph, from Maîtres de L’Affiche printed by L’Imprimerie Chaix, Paris, printers blind stamp lower right, image 12 3/8 in. x 9 in., framed. [$100/200]

321. Ben Smith (American/ Georgia, b. 1941), “Masquerader with Staff”, 1982, woodblock, pencil‑signed, titled, dated, numbered “1/55” and inscribed lower left, 56 1/8 in. x 39 1/2 in., framed. [$300/500] Condition: Overall poor condition.

Ext. Frame: 56 3/4 in. x 40 1/8 in. x 2 in

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: overall fair condition.

Ext. Frame: 23 1/2 in. x 17 1/2 in

322. Ben Smith (American/ Georgia, b. 1941), “Masquerader”, 1969, woodblock, pencil‑signed, titled, dated, numbered “6/45” and inscribed lower left, 52 1/4 in. x 39 1/4 in., framed. [$300/500] Condition: Overall poor condition.

Ext. Frame: 52 3/4 in. x 40 in. x 1 in

323. George Rodrigue (American/Louisiana, 1944‑2013), “River Doctor 1800”, “General Practice 1900” and “Modern Medicine 1985”, 1985/86, 3 lithographs, each pencil‑signed, numbered “700/1000” and “The General” stamp lower margin, each with information label on backing paper, commissioned by Baton Rouge General Hospital, 14 3/8 in. x 19 3/4 in. to 20 1/4 in. x 14 7/8 in., framed alike. (3 pcs). [$600/800] Condition: Each in overall fair condition.

Ext. Frame: 25 1/2 in. x 30 in. x 3/4 in. to 30 3/4 in. x 25 in. x 3/4 in 324. After Walter Inglis Anderson (American/ Mississippi, 1903‑1965), “Mother Goose A‑10”, screenprint on paper, printed Carolyn Fournier Anderson, printers stamp with title en verso, sheet 79 1/4 in. x 24 3/4 in., unframed. [$200/300] Exh.: Walter Anderson Museum of Art, Ocean Springs, MS. Condition: Overall fair condition

325. American School, 20th c., “Untitled: Abstract”, 1987, etching, pencil‑initialed “N.M”, dated and numbered “3/8” lower margin, 2 1/2 in. x 2 1/2 in., framed. [$100/150]

Condition: Overall good condition. Ext. Frame: 13 3/4 in. x 11 3/4 in. x 1 in

71

326. Caroline Spellman Wogan Durieux (American/Louisiana, 1896‑1989), “Mardi Gras Day, Five Girls”, lithograph, pencil‑signed, titled and inscribed “artist proof pad paper printed by the artist” lower margin, 10 7/8 in. x 7 1/2 in., framed. [$600/800] Ill.: Cox, Richard. Caroline Durieux Lithographs of the Thirties and Forties. Baton Rouge: Louisiana State University Press, 1977, p. 66.

Condition: Overall fair condition.

Ext. Frame: 19 in. x 14 3/4 in. x 1/2 in

327. Johnny Gotthard Friedlaender (Prussian/French, 1912‑1992), “Images Sur Fond Gris”, aquatint and etching, pencil‑signed and numbered “V/ XXXV” lower margin, pencil‑titled en verso, 10 1/2 in. x 10 1/4 in., framed; AND “Lene du Main”, aquatint with etching and embossing, pencil‑signed lower left, pencil‑numbered “47/75” lower right, pencil‑titled en verso, 30 in. x 22 1/8 in., unframed. (2 pcs.) [$400/600]

Condition: Both in overall good condition. Ext. Frame: 28 3/4 in. x 23 3/4 in. x 1 in

328. Anne Wilson Goldthwaite (American/Alabama, 1869‑1944), “Egyptian Dancer, Paris (No. 2)”, c. 1910, etching and drypoint on paper, pencil‑signed lower margin, pencil‑titled en verso, 7 1/2 in. x 5 1/2 in., framed. [$300/500] Provenance: Private Collection, Atlanta, GA. Ill.: Breeskin, Adelyn Dohme. Anne Goldthwaite: A Catalogue Raisonné of the Graphic Work. Montgomery: Montgomery Museum of Fine Arts, 1982, p. 50, no. 53.

Condition: Overall fair condition. Ext. Frame: 21 in. x 18 1/4 in. x 1 1/4 in

329. George Overbury “Pop” Hart (American, 1868‑1933, active New Orleans, 1920s), “Landscape, Santo Domingo”, c. 1925, etching and drypoint, pencil‑signed lower margin, 7 1/8 in. x 10 3/4 in., framed; AND “Springtime in New Orleans”, c. 1925, lithograph, pencil‑signed lower margin, signed in plate, 9 1/2 in. x 12 1/2 in., framed. (2 pcs.) [$400/600] Condition: Each overall fair condition. Ext. Frames: 16 1/4 in. x 18 3/4 in. x 1 in. and 18 in. x 20 3/4 in. x 1 in

330. After Roy Lichtenstein (American, 1923‑1997), “Still Life with Picasso”, 1973, color offset lithograph poster, signed lower right, signed and dated in plate, from the exhibition Hommage à Picasso: Kestner‑Gesellschaft, Hannover, sheet 33 in. x 23 1/2 in., framed. [$700/1000]

Condition: Overall good condition.

Ext. Frame: 44 in. x 36 in. x 1 3/4 in

331. Emery Clark (American/Louisiana, b. 1950), “Wave’s Edge”, 1989, seven color silkscreen, pencil‑signed, titled, dated and numbered “93/200” lower margin, sheet 22 in. x 28 in., framed. [$250/350] Condition: Overall good condition. Ext. Frame: 27 1/8 in. x 33 1/8 in. x 1 1/4 in

72

333. George Rodrigue (American/Louisiana, 1944‑2013), “Le Salon Paris: The Class of Marie Courrege”, c. 1975, offset lithograph poster, signed lower left, signed in plate, sight 33 in. x 21 1/2 in., framed. [$300/500] Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 17.

332. Stow Wengenroth (American, 1906‑1978), “The White Fence”, lithograph, pencil‑signed, titled and inscribed “Ed/50” lower margin, 9 1/2 in. x 14 3/4 in., framed. [$250/350]

Condition: Overall fair condition.

Ext. Frame: 40 1/4 in. x 29 1/4 in. x 1 in

Condition: Overall good condition. Ext. Frame: 20 in. x 25 in. x 1 1/4 in

334. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Casting Nets”, etching, pencil‑signed and titled lower margin, 5 in. x 3 1/4 in., framed. [$200/300] Condition: Overall poor condition. Frame Ext.: 13 5/8 in. x 11 1/2 in. x 1 1/2 in

335. George Rodrigue (American/Louisiana, 1944‑2013), “Youngsville Heritage Oak”, 2011, silkscreen print, pencil‑signed lower left, 24 in. x 32 in., framed. [$700/1000]

Condition: Overall good condition. Ext. Frame: 31 1/2 in. x 39 5/8 in. x 1 in

336. George Rodrigue (American/Louisiana, 1944‑2013), “We Will Rise Again”, 2005, silkscreen, pencil‑signed lower left, open edition, 24 in. x 18 in., framed. [$700/1000] Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970‑2007. New York: Abrams, 2008, pp. 232‑233.

Condition: Overall good condition.

Ext. Frame: 34 1/4 in. x 26 1/2 in. x 3/4 in 337. George Rodrigue (American/Louisiana, 1944‑2013), “You Can’t Drown the Blues”, 2006, silkscreen, signed in plate, pencil‑signed and inscribed “artist proof” lower margin, 18 in. x 24 in., framed. [$800/1200] Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970‑2007. New York: Abrams, 2008, p. 228.

Condition: Overall good condition. Ext. Frame: 24 5/8 in. x 31 5/8 in. x 1/2 in

73

338. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Down Chartres St., Old New Orleans”, drypoint, pencil‑signed, titled and inscribed “ed/100” lower margin, 9 1/2 in. x 6 1/8 in., framed; together with Charles Whitfield Richards (American/Louisiana, 1906‑1992), “French Quarter”, etching, pencil‑signed lower margin, 5 7/8 in. x 7 3/4 in., framed; AND Willie Lucille Reed (American/Texas, 1914‑1986), “Along St. Peter Street, New Orleans”, etching, pencil‑signed and titled lower margin, initialed in plate, 4 7/8 in. x 3 7/8 in., framed. (3 pcs.) [$500/700]

339. Charles Frederick Surendorf (American/New Orleans, 1906‑1979), “Mississippi Levee ‑ New Orleans”, engraving on Japanese paper, pencil‑signed, titled and numbered “Ed/100” lower margin, 9 3/4 in. x 13 1/2 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 16 1/2 in. x 20 1/2 in. x 1 in

Ill.: Isbell, Reed W. Morris Henry Hobbs ‑ A Catalogue Raisonné of Etchings, Engravings & Lithographs. McLean, VA: Coffee House Press, 2017, p. 134.

Condition: 2 in overall all good condition, one in overall fair condition. Ext. Frame: 9 1/2 in. x 7 1/2 in. x 1 1/2 in. to 18 in. x 15 in. x 1 in

340. After LeRoy Neiman (American/New York, 1921‑2012), “The Shot Heard ‘Round the World”, 1991, lithograph poster, signed and numbered “446/600” lower margin, signed and dated in plate, also signed by Bobby Thompson and Ralph Branca lower margin, artist stamp and numbered “446/600” en verso, sheet 35 in. x 26 in., framed. [$100/150]

341. Frederick Mershimer (American/Pennsylvania, b. 1958), “Fire Dance”, 1995, color mezzotint, pencil‑signed, titled, dated and numbered “67/120” lower margin, “Stone + Press” label on backing paper, 5 1/2 in. x 10 1/4 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 10 in. x 18 in. x 1/2 in

Condition: Overall good condition. Ext. Frame: 38 1/2 in. x 31 1/4 in. x 1 in

342. William Henry Jackson (American/New York, 1843‑1942), “French Opera House, New Orleans”, 1900, photochrome on paper, titled and dated lower center, handwritten label with artist, title and date on backing board, printed by Detroit Photographic Company, 9 in. x 6 1/2 in., framed. [$200/300] Condition: Overall fair condition.

Ext. Frame: 14 3/4 in. x 11 3/4 in. x 3/4 in

343. Southern School, late 19th/early 20th c., “Moonlit Gulf Coast Landscape”, hand‑tinted photograph mounted to board, unsigned, 7 3/4 in. x 13 7/8 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 13 in. x 19 1/2 in. x 3/4 in

74

345. Edward S. Curtis (American, 1868‑1952), “Hoh Type” and “Cowichan Woman”, 2 photogravures, printed artist, title and date lower margin, one with “Van Gelder Zonen Holland” watermark visible, from The North American Indian, each 7 1/8 in. x 4 7/8 in., framed alike. (2 pcs.) [$400/800]

344. Eugene Delcroix (American/New Orleans, 1891‑1967), “Packenham Oaks, Chalmette”, gelatin silver print, pencil‑signed, titled and inscribed “N.O. LA” on mat, 11 in. x 14 in., framed. [$100/200]

Condition: Each in overall good condition. Ext. Frames: 17 in. x 14 1/2 in. x 1 in

Condition: Overall fair condition. Ext. Frame: 23 1/2 in. x 22 in. x 1 in

346. George Long (American, 20th c.), “12/25/05: For Her Birthday Sheila Said it was About Time for an Elaborate Party”, 2005, c‑print on Fujifilm paper, signed and titled lower margin, signed, dated and inscribed en verso, sheet 14 in. x 11 in., framed. [$200/300] Provenance: Acquired from the artist.

Condition: Overall good condition.

Ext. Frame: 23 1/8 in. x 19 1/8 in. x 1 1/2 in

348. Lowestoft Polychrome and Gilt Porcelain Platter, labeled, floral motif, l. 16 3/4 in., w. 13 3/4 in. [$200/400] Provenance: Henry Stern, New Orleans.

347. Southwest Polychrome Pottery Jar, possibly by Martina and Florentine Montoya, red ground with black and white glaze, h. 6 1/2 n., dia. 8 3/4 in. [$400/700]

349. JoAnn Greenberg (American/New Orleans, 1928‑2013) Ceramic Jardiniere, “Nudes by the Sea”, 20th c., signed, inscribed “2834”, and remarked with a fish, h. 5 3/4 in., dia. 9 in. [$150/250] 75

76

350. JoAnn Greenberg (American/New Orleans, 1928‑2013) Ceramic Jardiniere, “Nudes with Umbrellas”, 20th c., signed and inscribed “2893”, h. 8 1/4 in., dia. 10 in. [$200/300]

351. JoAnn Greenberg (American/New Orleans, 1928‑2013) Ceramic Vase, “Nudes in a Garden”, 20th c., signed and inscribed “3679”, h. 8 in., dia. 5 1/2 in. [$100/200]

352. JoAnn Greenberg (American/New Orleans, 1928‑2013) Ceramic Vase, “Nudes in the Garden “ 20th c., signed and inscribed “2940”, h. 8 1/2 in., dia. 4 3/8 in. [$100/200]

353. Four Van Briggle Art Pottery Shells, marked, inscribed “ Van Briggle Colo. Spgs”, matte blue glaze, largest h. 5 1/2 in., w. 16 in., d. 7 in. [$400/600]

354. Six Van Briggle Art Pottery Vases, variously marked, h. (tallest) 9 1/2 in. [$300/500]

355. Van Briggle Art Pottery Bowl and Vase, marked “Van Briggle COLO SPRS”, vase with art nouveau female, h. 11 in.; and bowl with reticulated rim, h. 4 in. (2 pcs.) [$100/200]

356. Van Briggle Art Pottery Green Glaze Vases, variously marked, h. 6 1/2 in. and 7 in. (2 pcs.) [$100/200]

357. Van Briggle Art Pottery Blue Glaze Vases, marked, h. 7 in. a nd 6 1/2 in. (2 pcs.) [$100/200]

358. Two of Van Briggle Art Pottery Pieces, marked, incl. vase, h. 7 in.; and plate, dia. 10 in. (2 pcs.) [$100/200]

359. Shearwater Shoal Glaze Figure of a Bull, h. 3 1/4 in., w. 6 1/2 in., d. 2 1/2 in.; Note: one repaired horn. [$100/200]

360. Shearwater Art Pottery Figure of a Dove, stamped mark, h. 3 3/4 in., w. 8 in., d. 2 1/2 in. [$150/350]

361. Shearwater Art Pottery Figure of a Grazing Cow, marked, h. 3 in., w. 6 in., d. 2 in. [$300/500] 77

363. Jacob Petit Paris Porcelain Figural Scent Bottle, 19th c., marked “JP”, modeled as a Sicilian male in traditional attire, h. 9 1/2 in., w. 4 1/4 in.; Note: Lacking stopper. [$150/250] 362. Limoges Polychrome and Gilt Porcelain Table Service, early 20th c., marked “Limoges France” and variously “Baruo & Dotter” and “Elite Works”, incl. 11 dinner, dia. 9 3/4 in.; 10 luncheon plates, dia. 8 3/4 in.; 5 salads, dia. 7 5/8 in.; 6 bread and butters, dia.

6 1/8 in.; 12 soups, dia. 7 1/2 in.; 6 fruit/dessert bowls, dia. 5 1/4 in.; 9 saucers, dia. 5 1/2 in.; 2 platters, l. 11 5/8 in.; tureen, l. 12 in., w. 6 in.; and gravy boat with attached underplate, l. 9 in.; together with 5 fruit/dessert bowls, marked “Bavaria Tirschenreuth”, dia. 5 1/8 in. (58 pcs.) [$200/300]

364. Two Paris Polychrome and Gilt Porcelain Inkwells, mid‑19th c., incl. sarcophagus form with lyre finial, h. 4 3/4 in., w. 5 1/2 in., d. 3 3/8 in.; and tomb dedicated to the memory of Napoleon, marked, h. 3 in., w. 4 in., d. 3 in. [$150/250]

365. Pair of German Polychrome Porcelain Bottle Vases, 19th c., reserved with courting couples, bodies with applied flowers, h. 11 1/2 in., now mounted as lamps, h. (incl. finial) 26 in. [$200/400] 366. Large Polychrome and Gilt Porcelain Dresser Box, B.S. Star mark, green body and ground, lid reserved with courting couple, h. 5 1/2 in., w. 10 1/2 in., d. 8 1/4 in. [$400/600]

367. Meissen‑Style Polychrome and Gilt Porcelain Foot Basin, blue crossed swords mark, rose Pompadour ground, celeste bleu rim, floral reserves, h.

8 1/4 in., w. 22 in., d. 15 in. [$200/300] 78

368. Two Continental Vienna‑Style Polychrome Porcelain Portrait Pieces, each with “beehive” or shield mark, incl. handled vase painted with “Helena”, h. 8 3/8 in.; and foliate rim dish inscribed “Constance”, dia. 9 3/4 in. [$50/75]

369. Meissen‑Style Polychrome Porcelain Three‑Tier Dessert or Tea Stand, crossed swords mark, maiden with flower basket finial, graduating reticulated rim bowls with molded twist standards, h. 21 1/2 in., dia. 11 in. [$150/250]

370. Silverplate and W. Guerin & Cie Limoges Porcelain Three‑Piece Dresser Set, 1891‑1932, incl. brush, l. 8 1/2 in.; mirror, l. 9 1/2 in.; and tray, marked, w. 12 1/2 in. [$75/150]

371. Czech Polychrome and Gilt Porcelain Coffee Service, beehive/shield mark, stamped “Fine Work” crown and “Bohemia Czech‑Slovakia”, magenta ground, reserved with courting couples, incl. teapot, h. 7 1/2 in.; creamer, h. 3 3/4 in.; covered sugar, h. 3 3/4 in.; 3 cups, h. 1 1/2 in.; 5 saucers, dia. 4 1/8 in.; and tray, l. 19 1/4 in. (12 pcs.) [$200/300]

372. Three Austrian Polychrome and Gilt Porcelain Cabinet Portrait Plates, variously marked, reserved with beauties, dia. (largest) 10 1/4 in.; together with large polychrome and gilt porcelain charger, beehive/shield mark, reserved with fairy and putti, dia. 16 in. (4 pcs.) [$75/150]

373. Paris Porcelain Teapot and Four Cups, 19th c., possibly Jacob Petit, J.P. mark (teapot), gilt scrollwork decoration, teapot, h. 6 in., w. 9 3/4 in., d. 7 in. [$150/250]

374. French Faience Plate, reserve with quote by Jean Antoine de Baif (French, 1532‑1589), “Femme rit quand elle peut et pleure quand elle veut”, dia. 8 1/4 in. [$50/100] 79

375. Continental Polychrome and Gilt‑Decorated Porcelain Figural Group, mid‑19th c., of “Cupid Playing with the Helmet of Mars”, h. 8 in., w. 8 1/4 in., d. 4 1/2 in. [$500/750]

376. (THREE PLATES) Two Paris Porcelain Plates, c. 1840, one with finely gilt borders and reserve of birds, marked, dia. 9 1/8 in.; other depicting a landscape with figures, diameter 9 1/4 in.; together with two plates, found “as is”. [$500/700]

377. Pair of French Porcelain Lidded Ginger Jars in the Chinese Taste, probably Samson, decorated with armorials and floral decoration, raised white enamel scrolls and bamboo sprays, one with repaired lid, h. 5 3/4 in. [$300/500]

378. Two Paris Porcelain Cups, one with Minerva with Instruments of Science and the other attributed to Darte and painted with an African bird, h. 2 3/8 in. [$100/200]

379. Set of Twelve Portuguese Majolica Leaf‑Form Dishes, marked “Secla Portugal”, dia. 8 1/2 in. [$300/500]

380. Group of Majolica Tableware, variously marked and numbered, incl. 2 pitchers, h. (taller) 8 in.; 3 leaf form dishes, l. (largest) 12 1/4 in.; flower form dish, dia. 8 3/4 in.; footed compote, dia. 9 1/2 in.; platter with shells, l. 18 1/2 in.; lilypad form dish with dragonfly, l. 11 1/4 in.; and serving platter, l. 13 in. (10 pcs.) [$500/700]

381. Pair of Peruvian Glazed Pottery Bull‑Form Roof Ridge Caps Mounted Together as a Sculpture, Cuso region, each beast modeled standing foursquare wearing adorned harnesses, pronounced dewlaps, loop handles, h. 10 3/8 in., w. d. 12 in., strapped together flanking a wood cross centered by a chicken on a ladder suspending jars on a, overall h. 14 3/4 in., w. 9 7/8 in., d.

10 1/2 in. [$100/200] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

80

382. Royal Worcester Polychrome and Gilt Porcelain Dessert Service, 20th c., marked, green floral borders, incl. 12 cups, h. 2 in.; 10 saucers, dia. 5 3/4 in.; and 6 square dessert plates, l. 8 1/4 in.; together with 9 Royal Doulton dessert plates, green and gilt rims, dia.

9 in. (37 pcs.) [$150/250]

383. English Holdcroft Majolica Cheese Dome and Underplate, c. 1880, loop handle, naturalistically modelled with blackberries, impressed ‘J HOLDCROFT. [$500/700]

384. English Majolica Covered Game Pie Dish, unmarked, fitted insert, lid with fowl, h. 7 in., l. 10 in., w. 6 1/2 in. [$200/300]

385. Chinese Export Armorial Porcelain Octagonal Charger, Qing Dynasty (1644‑1911), gilt and iron red decoration, rim with roundel with fish further reserved on blue, and cross crosslets fitchy on red, h. 2 1/4 in., dia.

19 3/4 in. Note: numerous old staple repairs. [$200/400] 386. Bronze‑Mounted Chinese Export Famille Rose Porcelain Covered Bough Pot, 18th c., pomegranate finial, decorated overall with flower sprays, bronze pierced rim and splayed base, bracket feet, h. 10 1/2 in., dia. 7 7/8 in, h. 8 in., dia. 8 in. [$400/600]

387. Pair of Chinese Export‑Style Famille Rose Porcelain Cranes, 20th c., modeled in mirror image perched on rockwork, bases with impressed mars, h. 16 1/4 in. and 16 1/2 in. [$300/500]

388. Decorative Pair of Chinese Export Famille Rose Porcelain Lozenge‑Shape Serving Bowls, 20th c., decorated with a continuous landscape with figures, bases with Tongzhi marks, h. 4 in., w. 10 1/2 in., d. 7 3/4 in. [$300/500] 81

389. Chinese Export Famille Rose Porcelain Vase, 19th c., gilt Buddhist lion handles, applied chilong to shoulders, decorated with figural and bird‑and‑flower cartouches, h. 12 in., now mounted as a lamp, h. (incl. socket) 19 1/2 in. [$200/400]

390. Two Alligator Skin Picture Frames, incl. one with Abel & Bach Company Label, sight, h. 6 1/8 in., w. 4 5/8 in., exterior, h. 11 3/4 in., w. 10 5/8 in.; and other with gilt metal mounts, sight, h. 7 1/4 in., w. 5 3/4 in., exterior, h.

12 1/4 in., w. 10 1/2 in. [$200/400]

391. Miniature Diorama of Manor House, 19th c., foliage, figures in the foreground, embossed metal frame, 3 in. x 4 in. [$150/250] Provenance: Estate Sale, Ocean Springs, MS; private collection.

392. Decorative Painted Six‑Panel Screen, 20th c., depicting a country manor house, as seen through a draped window, each panel h. 82 1/2 in., w. 25 1/2 in., overall w. 153 in. [$400/600]

393. Two Antique Greeting Cards, mounted to board, sight 6 5/8 in. x 4 1/4 in., framed. (2 pcs.) [$5/10] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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394. Victorian Brass-Mounted Oak Tantalus, late 19th c., fitted with 3 cut glass decanters, gaming compartment with hinged double lid, mechanical drawer, bail handles, h. 13 in., w. 14 3/4 in., d. 11 in. [$400/600]

395. New Orleans Saints 2010 Litho Signed Football, Baden, F9A‑4144 Collector Series, signatures of the players, coaches and owner; Coach Sean Peyton, Drew Brees, Darren Sharper, Jeremy Shockey, Marques Colston, and Reggie Bush to name a few, in plexiglass case, h. 8 in., w. 12 in., d. 8 in. [$200/300]

397. Small Wood Frame, interior dimensions 11 3/4 in. x 14 1/4 in., exterior dimensions 12 3/4 in. x 15 in. x 1 in. [$10/20] Condition: Overall fair condition

396. Gold‑Painted Carved Wood Frame, interior dimensions 18 1/2 in. x 24 1/4 in., exterior dimensions 30 3/4 in. x 36 3/4 in. x 2 in. [$100/200] Provenance: Old Governor’s Mansion, Milledgeville, GA. Condition: Overall fair condition

398. Antique American Mahogany and Satinwood Inlaid Valuables Box, inlaid with diamonds and urns, the interior fitted with compartments, h. 6 1/8 in., w. 12 in., d. 8 1/2 in. [$250/350]

399. Good American Patinated Bronze, White Marble and Cut Crystal Three‑Light Girandole, mid‑19th c., “Warrior” model, depicting a Native American chief with fur cloak, tomahawk, and musket; dark brown patina, geometric star‑cut prisms and drops, h. 16 in. [$150/250] 400. American Patinated Bronze Paperweight, 19th c., fluted urn with arrangement of flower buds, h. 7 in., w. 5 in., d. 5 in. [$200/400] 83

401. Four Victorian Pressed and Gilt Curtain Tiebacks, mid‑19th c., matte‑gilt, decorated with strawberries and foliage, l. 8 3/4 in., w. 4 in., d. 4 in. [$300/400]

402. American Gilt Brass Three-Piece Girandole Garniture, mid‑19th c., associated, Cornelius & Co., Philadelphia, center element stamped “Cornelius & Co. / Patent / 1848”, central three‑light girandole with the “Leatherstocking” group (Natty Bumpo with two Indians), and pair of single‑light girandoles with “Officer “and “Lady” models, bright‑burnished and matte gilt surfaces, associated pressed glass candlecups, geometric star‑cut prisms, marble bases, center piece h. 18 1/4 in. [$500/700]

403. Large Antique Copper Kettle, tapered circular form with riveted band at the base, h. 14 in., dia. 19 in. [$300/500]

404. Abercrombie & Fitch Leather Pig Ottoman, c. 1960, designed by Dimitri Omersa, h. 15 in., w. 9 1/2 in., d. 26 in. Note: partial tail lacking. [$200/400]

405. Pair of Arts and Crafts Polychromed Metal “Indian Brave” Bookends, 20th c., h. 6 1/2 in., w. 5 in., d. 4 1/4 in. [$150/250]

406. Decorative American Powder Horn, 20th c., engraved with Liberty and “Liberty Above All Else”, spurious 1876 date, with noise maker mouthpiece, l. 18 in. [$100/200]

407. Isham Art Company Silver Clad Figure of a Mustang, 20th c., h. 7 in., w. 3 in., d. 5 1/4 in. [$100/200] 84

408. Italian Carved and Polychrome Figural Torchere, c. 1900, with glass eyes, fitted with electrified three‑light fixture, conforming pedestal, h. 72 1/2 in., w. 16 in., d. 16 in. [$600/900]

409. Continental Tole Peinte Verriere, 19th c., removable liner, h. 4 1/4 in., w. 11 in. [$50/100]

411. Pair of Continental Wrought Iron and Bronze Andirons, with “knotted” standard and crosspiece, h. 40 in., w. 18 in., d. 38 in., crosspiece l. 60 in. Note: One leg rest with loss. [$400/600]

410. Continental Creme Peinte and Parcel Gilt Two‑Panel Screen, 19th c., silk embroidered panels, scroll feet, h.

80 in., w. 23 1/2 in. Note: Lacking hinges. [$250/350]

412. Pair of Italian Rococo‑Style Carved Giltwood Figural Prickets, cherub and scroll, h. 26 in., w. 10 in., d. 5 in. [$400/600]

414. Twenty‑Four Bronze Figural Bells, modeled as women in various antique dress, tallest h. 4 1/2 in. [$300/500]

413. Continental Bronze‑Mounted Blue John Urn, 19th c., scroll handles with Classical busts, tall plinth base inset with jasperware cameo, h.

15 in., w. 5 in., d. 5 in. [$400/600]

415. Art Nouveau‑Style Brass Fire Fender, h. 12 in., w. 52 in., d. 16 in.; together with pair of brass andirons in the Colonial taste, h. 23 1/2 in., w. 11 1/2 in., d. 22 in. [$300/500] 85

416. Three Antique Lady’s Canes, incl. one mother‑of‑pearl telescope handle, one with binocular handle, and one with porcelain laughing and crying child handle, tallest h. 36 1/4 in. [$300/500]

417. Pair of Louis XV‑Style Gilt Bronze Candlesticks, late 19th c., foliate swirl design, h. 11 in. [$500/700]

418. Louis XVI‑Style Carved Giltwood Wall Decoration, 19th c., central flowering urn, flanked by figures, h. 55 in., w. 35 in., d. 1 3/4 in. Note: Condition, AS IS. [$500/700]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

419. French Bronze Three‑Piece Clock Garniture, 20th c., Renaissance‑style, striking gong movement, h. 26 in., w. 17 3/4 in., d. 8 in., with conforming seven‑light candelabra, h. 27 in. [$700/1000]

420. Pair of Louis XVI‑Style Bronze‑Mounted Onyx Two‑Light Candelabra, fluted standard, foliate arms, h. 9 3/4 in., w. 9 1/2 in., d. 3 1/2 in. [$250/350]

422. French or English Tole Peinte Kettle‑on‑Stand, early 19th c., red with gilt leaves, pierce‑work body, paw feet and original insert to contain hot coals, overall h. 15 in., w. 11 3/4 in. [$400/600]

86

421. Group of Antique Continental Bronzes, incl. pair of cobra‑form candlesticks; censer, candlestick h. 6 3/4 in. [$500/700]

423. French Bronze Bust of Ajax, late 19th c., after the restored group in the Loggia dei Lanzi, Florence, inscribed “F. Barbedienne Fondeur” with “Collas Réduction Méchanique” seal on reverse truncation, on a stepped agate pedestal, overall h. 17 in. [$600/800]

424. Pair of French Brass Candlesticks, late 18th c., large stepped circular base, long threaded tapering shaft, h. 10 in., dia. 6 in. [$300/500]

426. Antique English Tole Box, 19th c., domed top, bale handle, Lever latch, interior with blue paint, h. 9 1/4 in., w. 11 1/2 in., d. 9 in. [$100/200]

428. Pair of English Victorian Carved Oak Fire Screens, 19th c., scroll and shell carved, removable silk inserts, h. 31 in., w. 46 in., d. 13 in. [$400/600]

430. Georgian‑Style Tortoiseshell Mirror and Pencil Box, 19th c., h. 15 in., w. 12 in., pencil box h. 5 1/2 in., dia. 3 in. [$300/500]

425. Mosaic of St. Basil’s Cathedral, probably Russian, 13 3/4 in. x 12 3/4 in., framed. [$200/400]

427. George III Brass‑Mounted Mahogany Lap Desk, late 18th/early 19th c., fitted interior, tooled leather writing surface, removable pin reveals secret side drawer, h. 8 1/4 in., w. 18 in., d. 10 in., mounted on later metal stand, overall h. 19 in. [$600/800]

429. Four Antique English Mahogany Tea Caddies, 19th c., fitted interiors, one with mixing bowl, largest h. 5 3/8 in., w. 9 2/8 in., d. 5 7/8 in. [$400/600]

431. Pair of Antique Spanish Brass Candlesticks, c. 1700, drip pan, baluster standard, tripartite base, paw feet, h. 15 1/4 in. [$400/600]

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432. George III Mahogany Decanter Case, early 19th c., domical lid, interior lined in velvet, hand‑blown stoppered decanters with gilt decoration, h. 9 3/4 in., w. 7 1/2 in., d. 7 in. [$600/900]

434. Antique English Inlaid Mahogany Sarcophagus-Form Tea Caddy, interior with two lidded compartments, associated mixing bowl, h. 5 3/4 in., w. 11 1/2 in., d. 6 in. Note: lacking feet. [$150/250]

436. English Black and White Painted Cast Iron Pig, h. 8 1/2 in., w. 6 3/4 in., d. 17 1/2 in. [$200/300]

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433. George III Satinwood and Rosewood Banded Tea Caddy, early 19th c., two original lidded interior tea boxes; lion masque and ring handles, brass paw feet, h. 6 1/2 in., w. 13 in., d. 7 in. [$400/600]

435. Pair of Napoleon III Gilt Bronze Three‑Light Candelabra, c. 1870, torch‑form standard, trumpet candle arms, h. 16 in., dia. 11 in. [$700/1000]

437. Pair of Gorham Sterling Silver Tazzas, date mark for 1926, pattern X434, circular molded top with central rosette and floral border, spreading foot, h. 3 in., dia. 8 1/2 in., wt. 21.50 troy ozs. [$300/500]

439. Georgian‑Style Silverplate Champagne Cooler, engraved “Queen of Carnival, 1976”, removable liner, gadroon border, lion and ring handles, h. 9 1/4 in., w. 7 in. [$200/300]

438. Group of American Sterling Silver Hollow Ware, Wood & Hughes, New York, act. 1845‑1899, c. 1880, incl. open vegetable dish and sugar and creamer, all with Aesthetic Movement borders and gilt wash interior, bowl h. 2 3/4 in., w. 10 1/4 in., total wt. 27.10 troy ozs. [$400/600]

440. Set of Four American Sterling Silver Candlesticks in the Neoclassical Taste, La Pierre, urn‑form candlecup, paneled shaft, weighted base, h. 10 in. [$250/350]

441. Vintage Motif Silver Overlay Cranberry Glass Pitcher, early‑to‑mid 20th c., h. 11 1/2 in. [$150/250]

442. Group of Five Antique and Vintage Silverplate Cups, incl. Christofle beaker (h. 3 1/8 in.), WMF Jugendstil child’s cup (h. 2 3/4 in.), American Victorian with cottage scene and branch handle (h. 3 1/2 in.), American with Mickey Mouse (h. 2 1/2 in.) and American with Skippy cartoon (h. 2 1/2 in.) [$100/200] 443. Group of Three Tiffany & Co. Makers Sterling Silver Pieces, 1st half 20th c., incl. pair of column candlesticks (h. 7 3/4 in.), and paneled trumpet vase (h. 6 1/2 in.), all with weighted bases. (3 pcs.) [$300/400]

444. Group of Antique and Vintage Sterling Silver Desk Items, incl. George V cigarette humidor, A. & J. Zimmerman, Birmingham, 1930, cedar‑lined (h. 1 5/8 in., w. 6 in., d. 4 3/8 in.); American letter opener/magnifying glass, J.F. Fradley, NY, act. 1888‑1936, l. 8 3/4 in.; Gorham clock with Swiss Cyma movement, h. 4 7/8 in.; and coin silver cup, Juergens & Andersen, Chicago, c. 1870, h. 3 3/8 in. (4 pcs.) [$300/500] 89

445. Group of Four Table Items, Asprey sterling silver‑mounted glass cocktail shaker, mounts hallmarked Charles S. Green & Co., Birmingham, 1986, h. 8 7/8 in. (note: missing cover); Gorham sterling clock with Swiss Cyma works, h. 5 in.; Late Victorian sterling mounted glass flask, Frederick & Louis Marks, London, 1897, h. 5 3/4 in.; and a cut glass ice pail, silverplate mounts, marked “HAWKES”, h. (to top of handle) 12 1/2 in. (4 pcs.) [$300/500]

446. Group of Antique Silverplate Objects, incl. 2 Victorian silverplate tussie‑mussies, late 19th c., one fitted with clip and retaining pin and ring (l. 4 3/8 in. and 5 in.); set of 7 American mother‑of‑pearl fruit knives with sterling ferrules (l. 6 1/8 in.); and set of 4 French crested gilt silverplate and mother‑of‑pearl knives (l. 8 in.) (13 pcs.) [$150/250]

448. Good Group of Antique and Vintage Silverplate Wine Coasters, incl. pair of vintage motif, dia. 8 7/8 in.; Old Sheffield Plate with reeded gallery, dia. 5 1/4 in.; and gadroon border, dia. 6 1/8 in. (4 pcs.) [$300/500] Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

447. Group of Antique and Vintage Silverplate Table Items, incl. wine coaster, dia. 6 3/4 in., Krewe of Atlanteans 1954 cream pot, large round tray, dia.

17 1/2 in., shell dish, covered sugar bowl, footed bowl, dia. 10 3.4 in., cigarette lighter, and 2 chargers, dia. 10 1/4 in. (9 pcs.) [$150/250]

449. Set of Eight Barker Ellis Silverplate Julep Cups, menorah mark, flat chased decoration, h. 4 in., some small rim dents; with associated silverplate gallery tray, h. 2 3/8 in., w. 14 1/2 in., d. 6 1/2 in. (9 pcs.) [$200/400]

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450. Two Italian Sterling Silver‑Mounted Picture Frames, Raddi Renato, Florence, velvet easel backs, 10 1/4 in. x 8 1/4 in. and 6 in. x 8 3/8 in. [$150/250]

451. Georgian Sheffield Plate Soup Tureen, early 19th c., acanthus scroll handles, acanthus and shell border, acanthus scroll feet, cover with engraved crest and motto “Non Sibi (not for self)”, rolled edges, inset silver shields, attractive surface, h. 10 3/4 in., w. 16 1/2 in., d. 10 1/2 in. [$500/750]

453. Pair of George V Sterling Silver Candlesticks, John Round, Sheffield, 1977, h. 9 7/8 in.; together with pair of American sterling low candlesticks, fitted for hurricane shades, h. 3 3/8 in., all with weighted bases. (4 pcs.) [$250/350]

455. Group of Art Nouveau Picture Frames, incl. sterling example, Birmingham, 1927, maker’s mark rubbed (h. 15 in., w. 10 in.); sterling example

by Lebkuecher & Co., Newark, NJ., act. 1896‑1918, ret. Galt & Bro., Washington, DC (h. 6 3/4 in., w. 2 7/8 in.); and silverplate with engraved flowers (h. 7 5/8 in., w. 5 1/4 in.) (3 pcs.) [$200/400]

452. Georgian Sterling Silver “Bells and Whistle” Rattle with Coral Teether, probably William Weston, l. 5 in., total wt. 1.50 troy ozs., note: lacking 4 bells. [$200/300]

454. Group of Judaica, incl. silver menorah, unmarked (h. 7 7/8 in.), silverplate kiddush cup (h. 5 1/4 in.) and sterling bread knife (l. 13 7/8 in.) (3 pcs.) [$200/300]

456. Group of Antique and Vintage English and American Silverplate, incl. Sheffield plate sauce tureen and tea caddy, revolving butter dish (lacking liner), posy holder, Art Nouveau hair receiver, vesta case and bucket form tea strainer. (7 pcs.) [$100/200]

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457. Group of Five Silver Objects, incl. Georgian sterling wine funnel, maker SH, marks rubbed, l. 5 1/2 in.; Old Sheffield Plate wine funnel, l. 6 in.; Edwardian sterling mustard pot with cobalt glass liner, Williams Ltd., Birmingham, 1903, w. 4 in.; Art Deco sterling and cut glass jar, Mappin & Webb, London, 1937, h. 1 3/4 in., dia. 2 1/2 in.; and Tiffany & Co. Makers sterling porringer, c. 1910, cashed landscape (rubbed) and bone handle, w. 7 1/2 in. [$300/500]

458. Georgian Sheffield Plate Wirework Cake Basket, c.

1820‑1830, navette form with ropetwist handle, l. 10 5/8 in. [$400/600]

458A. George II Sterling Silver Meat Skewer, London, 1752, shell and loop handle, l. 12 1/2 in.; together with George III silver strainer spoon, London, 1780, makers mark rubbed, down‑turned fiddle typt handle, l. 12 1/8 in; together with London silver serving spoon, Thomas Chawner, l. 10 7/8 in.; total wt. 12.55 troy ozs. [$400/600]

458B. Pair of George III Sterling Silver Fish Slices, Peter, Ann and William Bateman, London, 1804, mark reg. 1800, down‑turned fiddle typt handle, l. 12 in., wt. 8.85 troy ozs. [$300/500]

459. Victorian Walnut Framed Berlin Woolwork and Beaded Panel, c. 1875, geometric design worked in scarlet cross‑stitch and heavily beaded with white, black, brown, and gold pound beads, l. 27 in., w. 12 in. [$150/250]

92

458C. Three Antique British Sterling Silver Sugar Tongs, incl. Scottish George III, Edinburgh, 1806, maker Mc, possibly Matthew Craw, l. 6 1/4 in.; George III London, 1806, by Samuel Godbehere, Edward Wigan and James Boult, l. 5 3/4 in.; and Victorian Newcastle, 1845 by John Walton, l. 5 3/4 in.; total wt. 4.45 troy ozs.; together with Scottish George III silver toddy ladle, David McDonald, Glasgow, 1819, act. 1819‑1844, ropetwist carved baleen handle with silver tip, l. 15 1/2 in. [$200/400]

460. Well‑Fitted Canvas Picnic Basket, labeled “Gun‑Fighter/Picnic Time”, leatherette trim, interior outfitted for two persons, incl. wine glasses, knives, forks and spoons, bread knife, cutting board, salt and pepper shaker, corkscrew, plaid plates with matching tablecloth, napkins and picnic blanket, overall h. 15 1/2 in., w. 20 1/2 in., d. 12 1/2 in. [$200/300]

461. Antique Wool Petit Point Chair Cover, urn and flower motif on pale brown ground, 23 in. x 22 in. and 26 in. x 23 in. [$10/20]

462. American Brass Figural Gas Sconce, 19th c., cherub on swing‑arm, electrified, h. 10 in., w. 7 in., d. 18 in. [$300/500]

463. Three Pairs of American Sconces, incl. pair of brass two‑light swing arm; pair of single‑light swing arm; and pair of chrome‑plated single‑light, largest h. 7 in., dia. 9 in. [$300/500]

464. Pair of Decorative Brass Lamps, beaded standards, stepped wood pedestal bases, cut paper shades, base h. 12 in. [$200/400]

466. Contemporary Patinated Plaster Lamp, h. 28 in. [$10/20]

465. Art Moderne‑Style Patinated Metal Floor Lamp, h. 59 in., dia. 22 in. [$75/150]

467. Louis XV‑Style Gilt Metal Twelve‑Light Chandelier, foliate wrapped stem, four putti with trumpets, pineapple finial, h. 29 1/2 in., dia. 20 in. Condition: Several broken arms, AS IS. [$150/250]

93

468. Small Continental Iron Five‑Light Chandelier, cage form, cast with shields, h. 18 in., dia. 15 in. [$600/900]

469. French Patinated Metal Four‑Light Figural Lamp, after Moreau’s “Reveil du Printemps”, h. 44 1/2 in., w. 18 in., d. 14 in. [$400/600]

471. Empire‑Style Marble and Brass‑Mounted Floor Lamp, fluted shaft, urn form base with coq term legs, claw feet, incurvate triangular base, h. 64 in., w. 12 in. [$350/450]

470. Pair of French Gilt Bronze and Marble Table Lamps in the Neoclassical Taste, early 20th c., torch‑form standard, marble base, toupie feet, electrified, torch h. 14 1/2 in., w. 8 1/2 in., d. 6 1/4 in. [$500/700]

472. Antique Brass Bouillotte Lamp, dish centering columnar standard and scrolled arms, tole shade painted with domestic scenes, bun feet, electrified, h. 19 in., w. 9 1/4 in. [$300/500]

Provenance: Anne Loury, Melrose, FL. 473. [Leather Bindings], Oeuvres Completes De Buffon..., Paris, Chez Pillot, 1829, 20 volume (Not complete), leather spines, text only, no plates. [$100/200]

474. Lee, Harper, To Kill a Mockingbird, New York, Harper Collins, 1995, Thirty‑Fifth Anniversary Edition, signed by Harper Lee on half‑title, hard‑cover with dust jacket. [$200/300]

475. [Leather Bindings], 1852, various vols. from James Fenimore Cooper, 3/4 leather, Note: condition. [$30/50] 94

476. Genthe, Arnold, Impressions of Old New Orleans; a Book of Pictures, New York, George Doran, 1926, with 101 plates, introduction

by Grace King. [$100/200]

477. Woodward, William, French Quarter Etchings of New Orleans, New Orleans, The Magnolia Press, 1938, with 54 plates, hard‑cover, no dust jacket. [$250/350]

478. Six Southern Art Reference Books, incl. Encyclopaedia of New Orleans Artists 1718‑1918, Knute Heldner..., The Art of the South/ Ogden Museum, A Unique Slant of Light..., and others. [ $250/350]

480. Italian 18 kt. Yellow Gold Hinged Bangle Bracelet, with magnetic lion’s head clasp, 2 3/4 in. x 2 1/2 in., wt. 12.50 dwt. Note: AS IS. [$400/600]

479. Six Southern Art Reference Books, incl. Franco Alessandrini, Downriver, Currents of Style in Louisiana Painting, William Woodward, George Ohr, Art Potter, The Art of Walter Anderson, and Alan Flattmann’s French Quarter Impressions. [$250/350]

481. Four Alligator Skin Handbags, incl. three black purses with goldtone metal hardware, one labeled “Koret”, “ one “Morle” and one “Saks Fifth Avenue”, h. (largest) 12 in.; and red leather purse with goldtone metal hardware, labeled “genuine alligater”, h. 9 1/2 in. [$300/500]

482. Four Alligator Skin Clutch Handbags, incl. two black, l. (larger) 9 1/4 in.; brown with goldtone hardware, l. 11 1/2 in.; and red, l. 13 1/2 in. [$200/400]

483. Five Brown Alligator Skin Clutch Handbags, l. (largest) 16 in. [$200/400] 95

484. Five Alligator Skin Handbags, incl. 3 brown, 1 black and 1 green, h. (largest) 13 1/2 in. [$300/500]

490. 14 kt. White Gold, Blue Sapphire and Diamond Ring, center prong set oval cut sapphire, wt. approx. 9.52 cts.; double halo bezel with numerous round brilliant cut diamonds, total wt. approx. 0.95 ct., G color, I clarity; size 7.5; IAS report. [$500/700] 96

485. Pair of Black Alligator Skin Shoes for Men, marked “Johnston & Murray” and “Made in Italy”, size 9 1/2M; together with alligator skin case, l. 14 1/2 in. (2pcs.) [$100/200]

486. 14 kt. Yellow Gold and Jadeite Ring, center oval cabochon emerald, approx.

16.00 x 11.00 mm; gold unmarked but tested; size 6. [$150/250]

487. 18 kt. White Gold, Emerald and Diamond Ring, center prong set oval cut emerald, wt. approx. 1.01 cts.; bezel and shoulders with numerous round brilliant cut diamonds, total wt. approx.

0.27 ct., G‑H color, VS clarity; size 6.75; IAS report. [$700/900]

488. Platinum, Ruby and Diamond Ring, center prong set pear mixed cut ruby, wt. 1.17 cts., 8.06 x 5.81 x 2.96 mm; bezel and split shoulders with 62 Round brilliant cut diamonds, total wt. approx. 0.33 ct., F‑H color, SI‑2 to I‑2 clarity; size 7; AIG and Florida Diamond Appraisers reports. [$700/900]

489. 14 kt. Yellow Gold, Multi‑Colored Sapphire and Diamond Ring, 2 center prong set oval and pear cut pale blue and pink sapphires, total wt. approx. 1.33 cts.; bezels and twist shoulders with numerous round brilliant cut diamonds, total wt. approx. 0.29 ct.; H color, SI clarity; IAS report. [$400/600]

491. 14 kt. Yellow Gold and Diamond Ring, center prong set round brilliant cut diamond, wt. 0.42 ct., H‑I color, VS to SI clarity; divided double scroll shoulders with numerous baguettes cut diamonds, F‑G color, VS to SI clarity; size 7.75; IAS report. [$500/700]

492. 18 kt. Yellow Gold and Diamond Ring, center bezel set round brilliant cut diamond, wt. approx. 1.82 cts., H color, I1 clarity; size 7; AIGL report. [$1200/1800]

493. American Pressed Glass Punch Bowl on Stand, 19th/20th c., h. 14 in., dia. 16 in., with 10 matching cups, dia.

3 1/2 in., and 24 others, dia. 3 3/4 in. to 3 1/8 in. (36 pcs.) [$400/600]

495. Pair of American Honeycomb Pattern Mold‑Blown Glass Compotes, 19th c., h. 5 1/2 in., dia. 8 1/4 in. [$100/200] 494. American Cut Glass Rose Bowl and Molded Glass Vase, bowl, h. 6 1/2 in., dia. 6 in.; vase, h. 11 3/4 in., dia. 6 1/2 in. (2 pcs.) [$100/150]

496. Group of Seven Port Glasses, mid‑19th c., with panel‑cut bowls and teardrop stems, h. 5 5/8 in. [$100/200]

497. Pair of Cut Crystal Decanters, diamond and faceted design, h. 10 in., with hallmarked English sterling silver bottle tags engraved “Rye” and “Scotch”, h. 9 3/4 in., w. 4 in. [$150/250]

498. Pair of Baccarat “Montaigne” Pattern Crystal Decanters, mid‑20th c., tapered body in the Modernist Taste, bubble stopper, marked, h. 12 in., dia. 4 3/4 in. [$300/500] 499. Set of Eight Baccarat Champagne Coupes, acid etched stamp, h. 5 in. [$100/200] 97

500. Chinese Famille Verte Porcelain Planter, 20th c., decorated with nobles in an outdoor pavilion, h. 18 1/2 in., dia. 16 3/8 in. [$400/600]

501. Italian Carved Carrara Marble Lion Fountain Head, wide eyes, roaring, h.

14 in., w. 12 in., d. 9 in. [$400/600]

502. Pair of New Orleans French Doors, early 20th c., arch top, glazed panels, set in a molded frame, all painted white, h. 91 in., w. 45 1/2 in., d. 8 in. [$50/75]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

503. Pair of Antique Cast Iron Campagna Urns, 19th c., with egg and dart rim, lobed base, on waisted foot, square plinth, h. 15 1/2 in. [$250/350]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

504. Pair of Cast Iron Figural Garden Urns, maiden with child standard, naturalistic socle base, h. 37 1/4 in., w. 12 in., d. 10 1/2 in. [$700/900]

506. Set of Four Cast Iron Columns, with foliate collar, one lacking lower base, h. 85 in., 83 in., 80 in. and 78 in. [$800/1200] Provenance: Prestigious St. Charles Avenue Residence.

505. Four Antique Demilune Leaded Glass Overdoors, banded scroll decoration, wood frames, h. 44 in., w. 74 1/2 in. [$800/1200]

98

507. Continental Terracotta Figure of a Lady Playing a Hurdy Gurdy, c. 1900, h. 49 in., w.

23 in., d. 16 in., on faux marbre pedestal, overall h.

70 in. [$500/700]

508. Bronze Figural Group of “Le Cerf Victorieux”, after Pierre‑Albert Laplanche, signature inscribed on self‑base, h. 14 1/4 in., w. 21 in., d. 12 in. [$500/700] Condition: Overall good condition

509. Hellenistic‑Style Marble Bust of a Child, after the antique now conserved at the Metropolitan Museum of Art, New York, h. 7 1/2 in., w. 6 1/2 in., d. 7 1/2 in., cast iron base, overall h. 12 in. [$300/500] Condition: Overall poor condition

510. Patinated Bronze Figural Group of “Tigre Terrassant une Biche”, after Antoine‑Louis Barye, signature inscribed on rock, h. 10 in., w. 18 in., d. 6 in., red marble base, overall h. 12 in. [$500/700] Condition: Overall good condition

511. Pair of Patinated and Silvered Bronze Figures Depicting “Le Depit Amoureux”, each inscribed “E. Greil”, stamped “L.M.” and with title plaques on self‑bases, h. 9 1/4 in. (2 pcs.) [$400/600] Condition: Overall good condition

512. Bronze Figure of “Harp Girl”, after Auguste Moreau, signature inscribed on self‑base, French foundry mark on reverse of figure, h. 19 1/2 in., w. 6 1/2 in., d. 6 in., on marble base with title and artist plaque, overall h. 20 3/4 in. [$300/500] Condition: Overall good condition

513. Modernist Marble of a Standing Female, 20th c., h. 36 in., w. 9 in., d.

8 in., square marble base, overall h. 39 in. [$800/1200] Condition: Overall fair condition

514. Modernist‑Style Carved Marble Figure of a Kneeling Lady, 1999 initials and date incised on lower back, h. 22 in., w. 7 3/4 in., d. 7 1/2 in. [$400/600] Condition: Overall good condition

99

516. American Late Federal Mahogany Dressing Mirror, early 19th c., Philadelphia, labeled “Thomas Hoopers Looking Glass Warehouse...Pearl St., near Franklin Square. Pier and Mantle Glasses...”, rectangular mirror plate, acorn finial‑turned uprights, bowfront case with three string inlaid drawers, turned feet. [$200/300] 515. American Classical Giltwood Mirror, 19th c., molded frame with original gilt surface, h. 40 1/2 in., w. 26 1/2 in. [$400/600]

518. American Classical Carved Giltwood Mirror, c.

1830, attr. to Isaac Platt, Albany, blocked rosette corners, tubular, split columnar surround with lotus leaves, divided mirror plate, original gilt, h. 53 in., w. 26 1/2 in. [$1000/1500]

517. American Late Classical Gilded Mirror, c. 1840, split baluster and foliate frame with blocked rosette corners, foliate inner border and beveled mirror plate, h. 38 in., w. 25 1/2 in. [$500/700]

519. American Classical Carved Giltwood and Ebonized Pier Mirror, early 19th c., Boston, split columnar standard, burnished and matte gilt, blocked rosette corners, original mirror plate, h. 45 1/2 in., w. 24 in. [$800/1200]

100

520. American Classical Giltwood Mirror, early 19th c., split columnar frame with rosette corner blocks, h.

37 1/4 in., w. 25 1/4 in. [$300/500]

521. American Classical Giltwood Mirror, mid‑19th c., molded frame, rubbed surface, h. 53 3/4 in., w. 38 in. [$300/500]

522. Classical Revival Giltwood Overmantel Mirror, c. 1870, stepped cornice over turned stiles, tripartite mirror plate, applied foliate decoration overall, h. 24 in., w. 61 1/2 in., d. 3 1/2 in. [$500/800] Note: An overmantel mirror with similar applied decoration and turned stiles is in collection of Stanton Hall, Natchez, Mississippi.

Ill.: American Furniture of the Nineteenth Century, p. 59, pl. 129

523. American Paint-Decorated Split Baluster Mirror, 19th c., blocked corners, h. 19 in., w. 12 3/4 in. [$100/200] Provenance: Mary Plantation, Plaquemines Parish, LA

524. Large Antique American Giltwood Mirror, elaborately decorated with peonies and acanthus, h. 46 in., w. 35 1/8 in. [$200/300]

525. Large Dressing Mirror. [$600/900]

526. American Classical Carved Mahogany Pier Mirror, c. 1840, with acanthus and scroll carved colonettes, conforming molded plinth, h. 47 in., w. 23 7/8 in. [$500/800]

101

527. Dutch Repousse Brass Cushion Mirror, 19th c., beveled mirror plates, ebonized molded trim, corners with arabesques., h. 46 in., w. 37 in., d. 3 1/2 in. [$400/600]

528. Continental Carved Pine Trumeau Mirror, 19th c., floral garland and ribbon carved surround, the oil on canvas depicting an outdoor gathering, 60 1/4 in. x 31 1/4 in. [$500/700]

530. Continental Giltwood Trumeau Mirror, 19th c., Classical reserve, beaded surround, divided mirror plate, h. 63 7/8 in., w. 25 3/4 in. [$100/200]

529. Antique Italian Baroque‑Style Carved and Giltwood Mirror, exuberant acanthus scrolls, rectangular mirror plate, shell pendant. [$250/350]

531. Louis Philippe Giltwood Mirror, c. 1835, cove‑molded surround with scrolled foliate sprays, h. 36 in., w. 32 in. [$600/900]

532. Louis XVI‑Style Carved Giltwood Mirror, late 19th c., beveled plate, h. 43 1/2 in., w. 21 1/2 in. [$400/600]

102

533. French Gilt BronzeMounted Burled Walnut Pier Mirror, surmounted by spreadwing eagle, h. 56 1/2 in., w. 35 in., d. 7 in. [$200/400]

534. George III Inlaid Mahogany Gentleman’s Dressing Mirror, early 19th c., rectangular mirror on turned supports, case with two pairs of drawers flanking drop front compartment with three drawers, square feet, h. 28 1/2 in., w. 25 in., d. 8 3/4 in. [$400/600]

536. French Bronze Figural Cartel Clock, c. 1900, surmounted by cherubs, scrolls and foliage overall, h. 29 in., w. 19 in., d. 7 in. [$400/600]

535. Louis XV‑Style Cartel Clock, 20th c., carved giltwood and composite, porcelain dial, h. 36 in., w. 19 in., d. 7 in. [$400/600]

537. Wai Ming AKA Lo Hing Kwok (Chinese, b. 1938), “Young Lady in Fishing Hat”, oil on canvas, signed lower left, 30 in. x 22 1/4 in., framed. [$400/600]

538. After Shen Quan (Chinese, 1682‑1762), “Cranes Standing on Rock beneath Pine”, 20th c. reproduction on silk, image 49 in. x 25 3/8 in., silk mounted and framed, overall 76 1/2 in. x 33 1/2 in. [$400/600]

103

539. Large and Decorative Set of Eighteen Chinese Glazed Porcelain Figures of Luohans, bases with four character marks, largest h. 17 in., w. 9 in., d. 10 in. [$1500/2500]

540. Chinese Green and Sancai Glazed Pottery Group, Ming Dynasty (1368‑1644), incl. house façade, h. 16 1/8 in.; 2 horseshoe back armchairs, h. 7 1/2 in. and 6 1/2 in.; altar table, h. 5 1/4 in., w. 10 1/8 in.; miniature bucket, vase and censer, largest h. 3 in.; and 9 various offering dishes, incl. boar’s head, fowl, fish, fruit and vegetables. (15 pcs.) [$600/900]

541. Two Chinese Glazed Pottery Birds, probably Han Dynasty (206 BCE‑220 CE), both with degraded green iridescent glaze, incl. rooster, h. 6 7/8 in. and duck, h. 6 3/4 in. [$200/400]

542. Five Chinese Glazed Pottery Figures, Ming Dynasty (1368‑1644), h. 7 in. to 13 1/4 in. [$300/500]

544. Large Chinese Blue and White Porcelain Punchbowl, 20th c., transfer decorated with landscape vignettes, h. 7 1/2 in., dia. 15 3/4 in. [$200/300] 104

543. Chinese Painted Pottery Soldier, probably Han Dynasty (202BCE‑220CE), h. 14 in., mounted to a stand as a lamp, h. (incl. finial) 25 1/4 in. [$150/250]

545. Chinese Famille Rose Porcelain Planter, 20th c., painted with birds, bees and butterflies amid peonies and rocks, base with apocryphal Qianlong mark, h. 12 1/2 in., dia. 14 3/8 in. [$400/600]

546. Chinese Blue and White Porcelain Vase, late 19th/early 20th c., zoomorphic handles, decorated with scenic landscapes and snow, h. 24 1/4 in. [$200/400]

548. Chinese Imitation Tortoiseshell Resin Vase, relief molded with dragons pursuing the flaming pearl, base with impressed two‑character mark, h. 9 in. [$50/75]

547. Chinese Blue and White Porcelain Covered Jar, decorated with figures in a continuous landscape, h. 10 1/8 in. [$200/400]

549. Vintage Chinese Polychrome Porcelain Figural Lamp, modeled in the form of three boys carrying a large peach on their backs, h. (incl. finial) 25 in. [$150/250] Provenance: Jones & Jones, New Orleans.

550. Chinese Famille Verte Porcelain Rouleau Vase, Qing Dynasty (1644‑1911), decorated with mythical and actual beast panels enclosing qilin, xiezhi, Buddhist lion, goat, spotted deer, and birds, on a cracked ice ground strewn with flower heads, h. 18 in., now mounted as a lamp, h. (incl. socket) 25 in. [$500/700]

551. Chinese Wucai Porcelain Vase, Qing Dynasty (1644‑1911), decorated with phoenix birds, peonies, and foliage, h. 13 in., now mounted as a lamp, h. (incl. socket) 20 1/2 in.

Note: restoration. [$400/600]

552. Chinese Sang‑de‑Boeuf Porcelain Jar, 19th c., overall slightly mottled oxblood red glaze, h. 8 1/8 in., wood cover and stand, overall h. 11 3/4 in. [$300/500] 553. Four Chinese Blue and White Porcelain Vases, 19th/20th c., decorated with figural and landscape scenes, bases with Kangxi marks, h. 8 3/4 in. to 12 in. [$400/600] 105

554. Chinese Blue and White Porcelain Beaker Vase, Gu, decorated with figures in a continuous landscape, lotus scrolls, and pendant leaf tips with incised diaper and foliate bands, h.

18 in. Condition: Good condition. Minor wear and surface abrasions. [$400/600]

556. Chinese Blue and White Porcelain Guan Jar, decorated with a single three‑clawed dragon encircling the baluster body in pursuit of the flaming pearl amid cloud scrolls and flames, h. 10 3/4 in., dia. 13 3/4 in. [$400/600]

558. Large Chinese Famille Rose Porcelain “Millefleurs” Bottle Vase, decorated with colorful dragons amid a profusion of flower heads on a gilt ground, base with nine‑character mark, h. 21 3/4 in.

Condition: Good condition with mild scattered wear to surface enamels. [$400/600]

560. Chinese Tang‑Style Painted Pottery Bull, modeled standing foursquare with raised head and drooping dewlap, h. 13 3/4 in., l. 16 3/4 in. [$200/300]

106

555. Chinese Blue and White Porcelain Meiping Vase, decorated with three roundels enclosing lotus pond scenes between foliate and stylized leaf‑tip bands, h. 16 5/8 in.

Condition: Very good condition. [$400/600]

557. Chinese Ming‑Style Polychrome Porcelain Pillow, top decorated with a dragon amid clouds, sides with lotus ponds and foliage, h. 4 7/8 in., w. 13 1/2 in., d. 5 1/2 in. [$200/400]

559. Collection of Chinese Guan‑Style Porcelain, glazed with network of wide “iron wire” crackle, incl. bottle vase, h. 5 3/4 in.; 2 lobed bowls, dia. 5 1/8 in. and 4 1/2 in.; and lobed brushwasher, dia. 3 1/2 in. (4 pcs.) [$200/400]

561. Asian Glazed Stoneware “Egg Crate” Jardiniere, molded and incised with dragons pursuing the flaming pearl, h. 20 in., dia. 19 1/4 in. [$200/300]

562. Chinese Cloisonne Enamel Censer on Integral Stand, 19th/20th c., Buddhist lion finial, pierced cover, elephant mask handles, footed base with lion’s mask feet, circular pedestal base, h. 18 in., w. 12 1/4 in., d. 9 1/4 in. [$100/150]

563. Chinese Embroidered Silk Panel, worked in French knot and satin stitch with a peacock and butterflies amid flowers, sight 41 in. x 41 in., framed and glazed. [$300/500]

564. Five Pairs of Chinese Hardstone Trees in Cloisonne Enamel Pots, largest h. 9 in., w. 8 in., d. 7 in. (10 pcs.) [$500/700] 565. Decorative Pair of Chinese Gilt‑Decorated Red Lacquer Vases, probably 20th c., decorated with boys at play in mountainous landscape, bases with Qianlong marks, h. 23 1/2 in. [$400/600]

566. Pair of Chinese Black Overlay Amber Glass Covered Tripod Censers, 20th c., relief decorated with dragons and lion masks, bases with Qianlong marks, h. 6 3/4 in., dia. 6 1/2 in. [$500/700]

567. Chinese Brass Octagonal Box, “jeweled” finial, incised overall with foliage, bracket feet, h. 6 3/4 in., dia. 12 3/4 in. [$150/250] 107

568. Chinese Patinated Bronze Figure of Guanyin, modeled standing on a toad carrying a lotus spray and the vase of immortality, h. 26i n. [$400/600]

569. Four Chinese Hardwood Stands, each with openwork aprons, incl. pair, h. 3 in., dia. (interior rim) 8 in., dia. (overall) 10 3/4 in.; single, h. 5 in., dia. 8 1/4 in.; and single, h. 2 3/4 in., dia. 9 1/8 in. [$150/250]

570. Chinese Scholar’s Rock, modeled in near‑S form with myriad crags and crevices, wood stand, overall h. 30 1/8 in. [$500/700]

571. Chinese Bronze Covered Tripod Censer, foliate finial with dragons, cover pierced with dragons amid clouds, ovoid body with Buddhist lion masks above qilin mask feet, base with apocryphal Qianlong mark, h. 13 1/2 in. [$800/1200]

572. Chinese Bronze Vessel, ovoid body with everted rolled rim and Buddhist lion mask loose‑ring handles, h. 7 1/2 in.

Condition: Very good condition. [$400/600] 573. Four Chinese Snuff Bottles, incl. gourd, h. 1 3/4 in.; coral, turquoise and malachite embellished silver, h. 2 3/8 in.; and 2 red lacquer, h. 3 1/4 in. and 2 1/2 in. Condition: Both lacquer stoppers lacking spoons, otherwise good condition overall. [$200/300] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes.

574. Twelve Chinese Inside‑Painted Glass Snuff Bottles by Xisan School Artists, h. 3 in. to 3 1/2 in., storage box. Condition: Very good condition overall. [$400/600] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes.

108

575. Ten Chinese Inside‑Painted Glass Snuff Bottles by Xisan School Artists, h. 2 3/4 in. to 3 3/8 in., storage box. Condition: Very good condition overall. [$300/500] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes.

576. Five Chinese Inside Painted Snuff Bottles, incl. 1 rutilated quartz, h. 2 1/4 in.; and 4 glass, h. 2 3/4 in. to 3 1/8 in., storage boxes.

Condition: Good condition overall. Smallest (rutilated quartz) and largest like‑new. Others appear to be used. All but one lacking spoons. [$200/300] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes.

577. Collection of Six Chinese Snuff Bottles, incl. turquoise; pieced amber; lapis; abalone; bone; and amethyst, h. 2 3/8 in. to 3 1/8 in. [$500/700]

578. Saito Kiyoshi (Japanese, 1907‑1997), embossed print depicting a mother carrying a child on her back, inscribed and numbered 16/250 lower margin, 12 1/4 in. x 8 in., matted and framed. [$300/500]

Provenance: Property of the Mobile Museum of Art, Sold to Benefit their Collections, Care and Acquisitions Fund.

579. Kinseki Mori (Japanese, 1843‑1921), “Mountainous Landscape with Figure Crossing Bridge”, ink on paper, inscribed and sealed upper left, sealed lower right, 56 1/8 in. x 26 1/2 in., mounted as a hanging scroll. [$400/600]

580. Bakufu Ohno (Japanese, 1888‑1976), “Chrysanthemum (Yellow and White)”, woodblock print, signed and sealed lower right, inscribed “Printed by Kyoto‑Hanga‑In 1950” lower margin, inscribed left margin, sheet 15 1/4 in. x 10 1/8 in. [$150/250]

109

581. Pair of Japanese Totai Shippo Covered Jars, Meiji Period (1868‑1912), decorated with bird‑and‑flower and butterfly‑and‑flower cartouches, bases signed, h. 13 1/2 in. [$400/600]

583. Two Japanese Netsuke, incl. recumbent water buffalo, molded resin, impressed P.E.M. (for Peabody Essex Museum reproduction), l. 2 1/8 in.; and recumbent puppy, l. 1 3/8 in. [$10/15]

582. Good Pair of Japanese Satsuma Pottery Vases, Meiji Period (1868‑1912), decorated in mirror image with beautiful ladies in landscapes on gilt decorated cobalt blue grounds, bases marked “Hozan”, h. 9 5/8 in. [$400/600]

584. Three Japanese Lacquer Boxes, Meiji Period (1868‑1912), incl. 2 book‑form lap desks, with fitted interiors, h. 4 in., w. 15 in., d. 14 in. and h. 3 1/8 in., w. 14 1/2 in., d. 13 1/2 in.; and portable cabinet with drawers, h. 7 1/2 in., w. 6 in., d. 5 3/4 in. [$400/600]

585. Two Indian Illustrated Manuscripts, 19th c., depicting Tantric teachings, each ink and gouache on paper, 33 1/2 in. x 11 1/8 in. and 33 3/4 in. x 8 7/8 in., matted and framed. [$300/500]

586. Thai Cast Iron Head of Buddha, h. 13 3/4 in., wood base, overall h. 21 1/2 in. [$400/600]

110

587. Highly Decorative Chinese Blue and White Porcelain Inset Hardwood Four Panel Screen, 20th c., reticulated wood panel, carved with scrollwork, peaches, and bats, porcelain decorated with landscape scenes, h. 71 in., w. 73 1/2 in. [$1000/1500]

Available through October 7, 2021, on Nealauction.com, Invaluable.com, and Liveauctioneers.com

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Oct. 27, 2021 UPCOMING AUCTIONS

- Presidential Memorabilia & Coins

Nov. 19 & 20, 2021 - Louisiana Purchase AuctionTM Dec. 9, 2021

- Modern & Contemporary Art and Design Auction 111

John R. Neal (1940-2018), Founder

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Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

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Stephen A. Moses,

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine St., New Orleans, LA, 70115 • 504-899-5329 • clientservices@nealauction.com • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #1874, Fagan #1935