Unreserved @ NEAL

UNRESERVED @Neal Auction

ONLINE-ONLY AUCTION

Through October 10, 2019

Neal Auction Company is pleased to present

UNRESERVED @Neal

a timed online-only unreserved auction This October’s Unreserved @NEAL features an eclectic mix of nearly 300 lots of antique to modern furniture, paintings, prints, photography, porcelain, art glass, and other decorative and collectible objects.

The auction will be available exclusively on Liveauctioneers.com for advance bidding. On October 10, 2019 at 9 am CT the timed live auction will begin. All lots will be available for preview in our gallery at 3923 Carondelet Street on October 7, 8 and 9 from 10 AM to 4 PM. For more information, call 504-899-5329 or email clientservices@nealauction.com

Available through October 10, 2019, on Liveauctioneers.com

1. English Inlaid Mohogany Games Table, demilune fold-over top, conforming frieze, square tapered legs with bellflowers, h. 30 in., w. 36 in., d. 18 in. [$50/75]

3. George III‑Style Small Square Dining Table, string inlay, square tapered legs, h. 29 in., w. 31 in., d.

31 in. [$300/500] Condition: Structural sound.

Loose veneers. Chips, nicks, marks, abrasions and imperfections as expected with age and use.

5. Acadian Cypress Ironing Board, 19th c., attractively worn, shaped board, l. 72 in. [$50/75] Condition: Structurally sound. Scattered moisture marks. Various abrasions, shrinkages, small holes, nicks, small losses and other imperfections expected with age and use.

7. Victorian Mahogany Spinet Case, molded hinged top, carved apron, scrolled base and stretcher, h.

30 1/2 in., w. 37 1/2 in., d. 20 1/2 in. [$50/75] Condition: Needs to be stabilized to be sound.

Scattered shrinkages, losses to carved elements, abrasions, nicks, chips and imperfections as expected with age and use.

4

2. American Classical Mahogany Center Table, associated marble top, octagonal column on tripartite base, bun feet, h. 30 in., dia. 57 in. [$50/100]

4. American Renaissance Carved Mahogany Dressing Bureau, mid‑19th c., in two parts, arched mirror plate, foliate carved crest and scroll frame, period white marble top, three drawers over a plinth drawer, h.

81 in., w. 51 in., d. 23 1/2 in. [$100/200]

6. Vintage Milo Baughmann-Style Chrome and Glass Dining Table, 20th c., x-form base, h. 28 1/2 in., w. 60 in., d. 36 in. Note: Glass chipped in corner.

Provenance: Estates of Maurice and Eunice Lion, Metairie, LA. [200/300]

8. An Antique Chippendale‑Style Mahogany Wing Back Chair Frame, 19th c., rectangular back, shaped wings, scrolled arms, bracketed seat rail, Gothicized blocked fluted legs, h. 44 in., w. 28 in., d. 29 in. [$500/700] Condition: AS IS, not structurally sound, very loose joints.

9. American Aesthetic Carved Walnut Platform Rocker, late 19th c., pierced crest, reeded stiles with geometric brackets, padded arms, carved frame, h. 45 in., w. 18 1/2 in., d. 18 1/2 in. [$100/200]

Condition: Structurally sound. Rocking mechanism in good condition.

Scattered abrasions, marks and imperfections expected with age and use.

11. Antique Wicker Perambulator, c. 1900, wicker body and hood, iron spring scrolled frame in old painted surface, h. 38 in., w. 44 1/2 in., d. 22 in. [$300/500]

Condition: Structurally sound. Scattered loss to wicker, tires worn with losses.

Scattered marks, nicks abrasions and imperfections as expected with age and use.

13. American Late Classical Carved Walnut Bedstead, mid‑19th c., scrolled and paneled headboard, turned post, low arched foot board, square rails, h. 50 in., l. 77 1/2 in., w. 46 in.

Condition: Scattered wear and imperfections expected with heavy use. AS IS [$150/250]

15. West Indies Tropical Hardwood Armchair, probably early 19th c., Trinidad, serpentine crest rail, pierced splat, incurvate arms and arm supports, trapezoidal seat, square tapered legs, stretchers, h. 36 in., w. 22 3/4 in., d. 20 in. [$200/400] Condition: Loose joints.

Shrinkages. Marks, nicks, abrasions, and imperfections as expected with age and use.

Provenance: The Sturm Collection, St. Thomas and Trinidad.

10. American Classical Carved Mahogany Games Table, c. 1840, fold‑over swivel top, beaded skirt, reverse tapered standard, incurvate plinth, scroll feet, casters, h. 29 in., w. 33 7/8 in., d. 16 3/4 in. [$100/200]

Condition: Mostly structurally sound; top is loose. Scattered shrinkages, loose trim, chips, nicks, abrasions, and imperfections consistent with age and use. Provenance: Descended in the family of Emma Schreiner Mortimer (1825‑1898), New Orleans.

12. American Gothic Carved Walnut Armchair, 19th c., arched crest with foliate finials, padded back, scrolled arms, faceted uprights, turned and tapered legs, casters, h. 50 1/4 in., w. 23 1/4 in., d. 24 in. [$200/400] Condition: Overall structurally sound.

Scattered carving losses. Original seat included; no upholstery. Various scratches, nicks, abrasions, chips and imperfections as expected with age and use.

14. West Indies Carved Mahogany Drum Table, 19th c., Barbados, molded edge top, two opposing frieze drawers, reeded vasiform standard, reeded saber legs, brass paw feet, casters, h. 29 3/4 in., dia. 28 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$300/500]

Condition: Structurally sound. Both drawers have replaced base boards. Various repairs to legs at joints. One leg repaired near foot. Metal parts with scattered oxidation. Various abrasions, losses, nicks shrinkages, expected with age and use.

16. West Indies Carved Tropical Hardwood Console Table, 19th c., Trinidad, serpentine marble top, shaped floral carved frieze, rose‑carved cabriole legs, scrolled toes, h. 39 in., w. 62 1/2 in., d. 19 in. [$300/500]

Condition: Not structurally sound.

All legs with various repairs and damage. AS IS. Provenance: The Sturm Collection, St. Thomas and Trinidad.

Ill.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, p. 157.

5

17. Two American Renaissance Inlaid and Carved Walnut Chairs, 19th c., New York, medallion and foliate crest rail and returns, scrolled arms, turned and tapered legs, h. 46 1/2 in., w. 27 in., d. 24 in.; and h. 41 in., w. 23 in., d. 19 1/2 in. [$200/400]

Condition: Structurally sound; somewhat loose at joints. Scattered carving losses. Various nicks, chips, abrasions, small repairs, losses to inlay and other imperfections as expected with age and use.

18. American Renaissance Carved and Ebonized Walnut Stand, late 19th c., possibly Kilian Brothers, New York, circular top, turned standard, shaped legs with beaded decoration, h. 31 in., dia. 13 7/8 in. [$150/250] Condition: Mostly structurally sound.

Lifting and loss to veneers. Chips, nicks, abrasions and other imperfections as would be expected with age and use.

19. American Queen Anne‑Style Carved Walnut Wing Chair Frame, 19th c., ball and claw feet, h. 43 1/2 in., w. 31 in., d. 27 in. [$200/400]

Condition: Structurally sound. Various nicks, chips, marks, abrasions and imperfections as expected with age and use. No upholstery.

20. American Painted Pine Poker Table, 19th c., baize top, h. 27 1/4 in., dia. 47 in. Provenance: found at the “Blue Shore”, Pointe Coupee, site of the Steamboat J.M White. [$100/200] Condition: Structurally sound. Scattered paint loss. Felt surface with extensive wear. Chips, nick, abrasions and imperfections expected with age and use.

21. American Walnut Wing Chair, 20th c, serpentine crest rail, scrolled arms, tapered legs, h. 49 1/2 in., w. 32 in., d. 26 in. [$75/100]

Condition: Structurally sound. Legs with moisture spots. Various marks, nicks, abrasions and other imperfections expected with use.

23. American Rococo Walnut Washstand, mid‑19th c., marble top, three drawers, bracket feet, h. 30 in., w. 30 in., d. 16 1/2 in. [$200/400] Condition: Not structurally sound.

Needs to be stabilized. AS IS.

22. American Renaissance Walnut Octagonal Jardinière, painted tin liner, urn‑mounted stretcher, h. 43 in., w. 27 1/2 in., d. 27 1/2 in. [$75/150] Condition: Mostly structurally sound, slight movement of top. Loss to carved elements.

Chips, nicks, abrasions, scratches and other imperfections as expected with age and use.

24. Louis XVI-Style Bronze-Mounted Walnut Bedside Commode, early 20th c., marble top, frieze drawer above cupboard door, fluted tapered legs, h. 30 in., w. 14 3/4 in., d. 14 in. Provenance: Windham Collection, Oxford, MS. [200/300]

6

25. American Carved Oak Podium Desk, spindled gallery, slant lid, fitted interior, caduceus carved supports, stretcher shelf, block feet, h. 47 1/2 in., w. 47 1/4 in., d. 28 in. [$100/200]

Condition: Structurally sound. Scattered abrasions, marks, nicks, separations, chips and other imperfections expected with age and use.

VIEWABLE ON

26. Louis XV-Style Bronze-Mounted Parquetry Bombé Commode, variegated marble top, three drawers, shaped apron, flared legs, sabots, h. 34 in., w. 36 in., d. 18 in.

[500/700]

VIEWABLE ON

27. George III-Style Mahogany Demilune Table, banded top, conforming frieze, molded tapered legs, spade feet, h. 28 1/2 in., w. 46 in., d. 19 in.[200/400]

28. American Walnut Four Door Bottle Cabinet, mid-19th c., tenoned four board molded top, frieze drawer, four doors, pegged construction, compartments on three doors, shaped brackets, h. 36 3/4 in., w. 28 in., d. 28 in. [$300/500]

Condition: Structurally sound. Spanning shrinkages. Chips, nicks, marks, abrasions and imperfections as expected with age and use.

29. Anglo‑Indian Hardwood Campaign Chest of Drawers, 19th c., in two parts (braced together), pegged construction, three drawers over two drawers, h. 39 3/4 in, w. 36 in., d. 16 1/4 in. [$300/500]

Condition: Structurally sound. Spanning shrinkages. Nicks, marks, abrasions and imperfections as expected with age and use.

30. American Classical Inlaid Mahogany and Rosewood Banded Games Table, 19th c., foldover swivel top, ring‑turned columnar supports, shaped plinth, saber legs, brass cuffs, casters, h. 28 1/2 in., w. 35 1/2 in., d. (closed) 17 1/2 in., d. (open) 36 in. [$300/500] Condition: Structurally sound, slight wiggle to top. Scattered shrinkages, numerous repairs. Lifting to veneers and veneer loss. Abrasions, marks, nicks, chips and imperfections as expected with age and use.

32. American Chippendale‑Style Carved and Inlaid Mahogany Lowboy, three drawers, cabriole legs, pad feet, h. 31 1.2 in., w. 39 1/2 in., d. 20 1/4 in. [$200/400]

Condition: Structurally sound. Chips, nicks, abrasions, marks, scratches and imperfections as expected with age and use.

34. Antique George III-Style Inlaid Walnut Two-Part Dining Table, 19th c., comprised of 2 consoles with D-end drop leaves, chamfered legs, h. 28 1/2 in., l. 88 in., w. 54 1/2 in. [300/500] Condition: “As is”, one leg detached, 2 in. section of leaf missing.

31. Edwardian‑Style Upholstered Sofa, labeled “Lee Newton, NC”, shaped back, low arms, loose cushions, turned legs, casters, h. 33 1/2 in., w. 73 in., d. 41 1/2 in. [$100/200] Condition: Structurally sound. Light abrasions to fabric. Overall marks, nicks, and imperfections as expected with use. Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

33. American Rococo‑Style Mahogany Dining Table, 20th c., table in the Louis XVI taste with serpentine top, shaped frieze, one leaf, cabriole legs, table h. 30 1/2 in., w. 72 in., d. 41 1/2 in. [$500/750]

Condition: Structurally sound. Minor losses to carved elements. Marks, nicks, abrasions. chips and imperfections as expected with age and use.

35. Neoclassical-Style StoneMounted Hammered Metal Side Chair, scrolled back, tapered legs, h. 38 in., w. 21 1/2 in., d. 24 in. [$150/250]

Condition: Structurally sound. Chips, nicks, marks, abrasions and imperfections as expected with use.

7

36. Hancock and Moore Leather Armchair, nailhead trim, bun feet, h. 36 in., w. 37 in., d. 49 1/2 in. [$400/600]

Condition: Structurally sound.

Scattered abrasions, nicks, marks, and other imperfections as expected with previous use.

37. Tobia Scarpa for Gavina/Knoll Chromed Steel and Glass Table, c. 1968, labeled “Gavina, Italy”, smoked glass top, h. 27 in., w. 60 in., d. 60 in. [$100/200] Condition: Structurally sound. Scattered abrasions, marks, and imperfections as expected with use. Glass top with scattered abrasions, tiny chips, and imperfections.

Underside of glass is molded with dimples (inherent).

39. Antique Chippendale‑Style Mahogany Wing Back Chair Frame, 19th c., serpentine back, shaped wings, scrolled arms, straight seat rail, shell carved cabriole legs, ball and claw feet, h. 40 in., w. 29 in., d. 22 in. [$400/600] Condition: Loose at joints, should be tightened. Scattered abrasions, marks, nicks, chips, separations, and other imperfections as expected with age and use. NO upholstery.

38. Four Saarinen Tulip Side Chairs, mid‑20thc., labeled “Knoll Associates Inc., NY”, with period blue seat cushions, h. 32 in., w. 19 in., d. 20 in.

Condition: Structurally sound. Chips, marks, abrasions, toning to bodies, and imperfections expected with use. [$300/500]

VIEWABLE ON 40. Three Queen Anne‑Style Mahogany Side Chairs, of typical form, vasiform splat, trapezoidal slip seat, cabriole legs; TOGETHER WITH one damaged chair. H. 41 1/4 in., w. 20 7/8 in., d. 19 in. [$300/500] Condition: Structurally sound. Chips, nicks, shrinkages, abrasions and imperfections as expected with age and use.

43. Two Antique English Carved Hardwood Armchairs, arched crests, ring and vasiform turnings, H stretcher, taller h. 44 in., w. 24 1/4 in., d. 18 3/4 in. [$300/500] Condition: Both chairs structurally sound. Taller chair with warped seat and back. Scattered abrasions, marks, nicks, chips and imperfections as expected with age and use.

41. Queen Anne Walnut Drop-Leaf Table, late 18th c., rectangular top, bracketed frieze, tapered legs, pad feet, h. 28 1/4 in., l. (open) 53 in., l. (closed) 19 in., w. 36 1/4 in. [300/500] VIEWABLE ON 42. American Mahogany Extension Dining Table, mid-19th c., circular top, cluster column pedestal, quadripartite plinth terminating in discs, casters, with three leaves and one modified leaf, h. 28 3/8 in., l. 52 1/2 in., l. (extended) 108 3/4 in., w. 54 in. [500/800] 44. Regency‑Style Black and Gold Painted Jardinière Stand, 20th c., shaped supports, incurvate plinth, h. 49 in., w. 10 1/2 in., d. 9 1/2 in. [$25/50]

Condition: Structurally sound. Nicks, marks, abrasions, and imperfections as expected with use.

VIEWABLE ON 45. Louis XVI-Style Carved Giltwood Gueridon, inset marble top, floral swag frieze, tapered fluted legs, incurvate stretcher, toupie feet, h. 30 in., w. 27 1/2 in., d. 20 1/2 in.

[200/300]

8

46. William IV-Style Walnut Slipper Chair, 20th c., tufted back, shaped seat, turned legs, casters, velvet upholstery, h. 31 in., w. 23 in., d. 21 1/2 in. [$100/200]

Condition: Structurally sound. Scattered abrasions, nicks, marks and imperfections as expected with use. Provenance: Williamson‑Leblanc Collection, Cornstalk Fence House, New Orleans.

47. Pair of Regency‑Style Mahogany and Leather Armchairs, nailhead trim, tapered ring turned legs, h. 30 1/2 in., w. 26 1/2 in., d. 25 in. [$200/400]

48. Louis XV‑Style Bronze Mounted Walnut Fauteuil, shield back, padded arms, cabriole legs, h. 44 in., w. 22 1/2 in., d. 19 in. [$300/500]

Condition: Structurally sound.

Abrasions, marks, nicks, and imperfections as expected with use.

49. French Empire-Style Bronze-Mounted Mahogany Side Table, labeled “Maitland Smith”, tooled leather top and base, turned foliate supports, floraldecorated feet, h. 33 1/2 in., w. 28 in., d. 13 in. Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans. [$200/400]

Condition: Structurally sound. Repair to proper right arm. Minor losses to carved elements. Chips, nicks, abrasions and imperfections as expected with age and use.

50. Two Decorative Italian Inlaid Mahogany Nesting Tables, 20th c., floral marquetry and parquetry tops, scalloped molded edges, carved skirts, cabriole legs, one table h. 24 in., w. 22 1/3 in., d. 14 1/2 in.; other h. 22 in., w. 14 in., d. 14 in. [$100/200]

Condition: Structurally sound. Scattered marks, nicks, abrasions, veneer shrinkages and other imperfections expected with previous use.

51. Continental Walnut and Mahogany Inlaid Breakfast Table in the Louis XVI Taste, 20th c., stamped “J.J. Kirschenbach”, circular top with banding and segmented veneers, conforming skirt, blocked, fluted tapered legs, brass ferrules, casters, conforming glass top, h. 29 in., dia. 56 1/4 in. [$300/500] Condition: Structurally sound. Scattered veneer shrinkages and repairs in top. Some repairs to frieze.

Various marks, nicks, abrasions, small losses and other imperfections consistent with age and use.

53. Federal Birdseye Maple Chest of Drawers, early 19th c., four graduated drawers, turned legs, ball feet, h. 39 in., w. 41 7/8 in., d. 21 in. [300/500]

52. Indonesian Carved, Polychrome and Caned Lit de Repos, each end with arched back, turned finials, scalloped skirt, cabriole legs, h. 26 1/2 in., w. 67 in., d. 26 in. [$300/500]

Condition: Structurally sound. Caning in need of repair. Chips and loss to carved elements and paint finish. Chips, nicks, abrasions, marks and imperfections as expected with age and use.

54. Four Antique Baroque‑Style Oak Side Chairs, spiral turned elements, floral carved crests, h. 45 in., w. 18 1/2 in., d. 18 1/2 in. [$100/200]

Condition: Two lacking a crest. All chairs loose at joints, with several losses and loose crests. AS IS. Chips, nicks, abrasions, marks and imperfections as expected with use.

55. Antique Empire-Style Walnut and Parcel Gilt Day Bed, urn finial, floral medallion, columnar supports, h.

58 in., d. 45 1/2 in. [$200/300] Condition: Only one finial and medallion.

Scattered wear and imperfections as expected with heavy use. AS IS.

56. Antique French Carved Walnut Sleigh Bed, scrolled headboard and foot board with acanthine motif, shellcarved feet, h. 25 in., d. 35 in. [$100/200] Condition: AS IS. Scattered wear and imperfections as expected with heavy use.

9

58. Napoleon III Bronze‑Mounted Kingwood Vitrine, mid‑19th c., shaped variegated marble top, frieze drawer, glazed doors, glass shelf interior, shaped apron, flared legs, h. 56 in., w. 38 in., d. 14 1/2 in. [$300/500]

57. An American Late Classical Walnut Child’s Armchair, 19th c., canted back, scroll arms, baluster supports, turned front legs. [$100/200]

Condition: Structurally sound.

Veneer losses to feet. Brass molding lifting in some areas.

Scattered marks, nicks, chips, abrasions and imperfections as expected with age and use.

59. Louis XVI‑Style Creme Peinte Fauteuil, molded oval back, padded scrolled arms, blocked seat rail, fluted tapered legs, h. 39 1/2 in., w. 26 1/2 in., d. 26 in. [$100/200] Condition: Structurally sound.

Shrinkages, chips, marks, abrasions and imperfections as expected with age and use.

60. Open Lot

VIEWABLE ON

61. American Aesthetic Carved Walnut Méridienne, late 19th c., spindled crest, serpentine back, incised arm and seat rail, bracket feet, casters, h. 39 3/4 in., w. 73 1/2 in., d. 25 in. [200/300] 62. Louis XV‑Style Gilt Metal‑Mounted Fruitwood Bouillotte Table, mid‑20th c., circular galleried marble top, shaped skirt, frieze drawer, cabriole legs, sabots, h. 18 1/2 in., dia. 21 1/2 in. [$150/250]

Condition: Structurally sound overall, slightly loose at joints. Marble with spanning shrinkage. Scattered wear to metal parts. Sabots are loose and should be re-nailed. Scattered marks, nicks, abrasions, wear to finish, and other imperfections consistent with age and use.

64. Southern School, 19th c., “Portrait of a Man with a Beard”, oil on canvas, unsigned, 20 in. x 16 in., antique giltwood frame with modern 18 in. x 13 in. oval insert. [$300/500] Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans

Condition Report: Cleaned and relined; multiple campaigns of restoration; areas of inpainting along forehead, beard, jacket and throughout background; craquelure throughout; new stretcher bars. Frame ‑ antique giltwood; losses scratches, abrasions and nicks throughout; loss and flaking of gilding; separation in corners. Exterior frame dimensions ‑ 31 1/2 in. x 25 3/4 in. x 1 1/2 in.

10

63. Attributed to Ellsworth Woodward (American/New Orleans, 1861‑1939), “Narrow Street in York, England”, pen and ink on paper, unsigned, 12 1/2 in. x 8 1/4 in., matted. [$100/150] Provenance: Previously in the Collection of Gretchen and Alonzo Lansford, New Orleans.

Condition Report: Discoloration; foxing, marks and smudges throughout; pinholes in corners; light stain covering full left side of work; scattered pencil marks throughout; adhered to backing board along top edge en verso; light losses in corners.

65. Nettie Kinney Seebold (American/ Louisiana, 1874‑1965), “Spring Day with Shepherd on Hillside”, oil on canvas, signed lower right, 19 3/4 in. x 16 in., framed. [$800/1200] Condition Report: Not removed from frame; canvas laid on board; canvas peeling from board in upper left corner; surface dirt; light marks and accretions scattered throughout; unevenly trimmed upper edge; buckling of canvas lower center; areas of inpainting along full lower portion of canvas (throughout meadow and around lake); scattered areas of inpainting throughout tree foliage; very small and scattered areas of inpainting throughout sky. Frame ‑ beige painted wood frame; marks, nicks, abrasions, minor losses and paint loss throughout; separation in corners. Exterior frame dimensions ‑ 22 1/2 in. x 18 5/8 in. x 1 in.

66. Franz Weiss (American/ New Orleans, 1903‑1982), “St. Louis Cathedral, New Orleans”, 1967, oil on burlap, signed and dated lower right, titled lower left, 24 in. x 10 in., framed. [$100/200]

Condition Report: Neither cleaned nor previously restored; light surface dirt; light scattered abrasions. Frame ‑ wood frame; scrapes, nicks, abrasions and losses; surface dirt; separations in corners. Exterior frame dimensions ‑ 27 3/4 in. x 14 in. x 2 1/2 in.

67. Robert M. Broderson (American/ Virginia, 1920‑1992), “Woman Scolding Man”, mixed media on paperboard, signed lower left, titled en verso, 14 in. x 12 in., matted. [$100/200]

Provenance: Liberty Gallery, Royal Street, New Orleans.

Condition Report: No signs of past restoration; unable to remove from matting; 2 pinholes in each corner; scattered light marks and scratches; tape hinges along all edges en verso.

69. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Seated Man”, 1931, mixed media on paper board, signed, dated and inscribed lower right, 10 in. x 12 in., unframed; AND Raymond Scully (American/ Louisiana, 20th c.), “Shrimp Boat”, 1950, watercolor on board, signed and dated lower right, 13 in. x 9 1/2 in., unframed; TOGETHER WITH Philip Sage (American/ Louisiana, b. 1942), “Sal” and “Benjamin”, 1986, 2 etchings on paper, pencil‑signed, dated and edition number lower margins, sheets 14 7/8 in. x 10 3/8 in., unframed (4 pcs.) [$200/400] Condition Report: Heldner ‑ Not cleaned nor previously restored; toning of paper; marks and scratches throughout margins; 4 in. crease left margin; remnants of adhesive in a thin square line around image; 1 in foxing along full length of upper margin; Scully ‑ not cleaned nor previously restored; slightly unevenly trimmed edges; light scattered foxing; light scattered marks; Sage ‑ neither cleaned nor previously restored; both have ragged edges inherent to paper; both have light scattered marks in margins.

71. William Arnold (American/Louisiana, 1902‑2006), “Nude with a Chair” and “Female Torso”, 2 pastels on rice paper, former signed lower right, latter signed lower left and center right, sights 22 in. x 17 1/2 in. and 22 in. x 17 in., both framed. (2 pcs.) [$100/200] Condition Report: Neither work has been removed from frame; neither has been cleaned nor had previous restoration work; both have buckling; scattered marks; small light scattered scratches; creases throughout that are inherent to paper. Frames ‑ both modern faux wood frames; marks, nicks, abrasions, scratches and surface dirt. Exterior frame dimensions ‑ 33 1/4 in. x 28 3/4 in. x 1 1/4 in., and 32 5/8 in. x 27 5/8 in. x 1 in

68. Kirby Rogere (American/ Louisiana, 1929‑2006), “Mother and Son”, mixed media on paper, signed lower left, 25 3/16 in. x 19 in., unframed. [$200/400].

Provenance: Liberty Gallery, Royal Street, New Orleans, owned by Joan Liberty, 1960s‑1995.

Condition Report: Light buckling along all edges; slightly ragged edges inherent to paper; 3 white tape hinges upper edge en verso

70. Jo Sickbert (American/ Kansas, b. 1931), “Country Store: Coffee, Flour and Crackers” and “Fishing”, 2 oils on canvas, both signed lower right, 12 1/4 in. x 16 in. and 12 in. x 16 in., both framed. (2 pcs.) [$400/600]

Condition Report: Neither work removed from frame; neither cleaned nor previously restored; Country Store ‑ light surface dirt; light scattered accretions and marks; Fishing ‑ light 1/4 in. dia. stain upper left (beside cathedral); light 1/4 in. dia. stain lower center (by skater); light surface dirt; light scattered marks.

72. Michael McElroy (Irish/ Louisiana, 20th c.), “Courtyard of the Deep South”, watercolor on paper, signed twice lower left, pencil‑signed, titled, inscribed and partial sketch en verso, signed, titled and inscribed on backing, 11 1/4 in. x 8 1/16 in., framed. [$100/200]

Condition Report: Toning of paper; light buckling; light foxing scattered throughout; brown tape hinges on all edges en verso; backing was opened but work not removed from frame; unable to remove from matting. Frame ‑ wood frame; marks nicks, scrapes and abrasions; separation in lower right corner. Exterior frame dimensions ‑ 18 1/4 in. x 14 1/4 in. x 1/2 in.

73. Charles Franklin Tuttle (American/New Orleans, 1841‑1893), “At Gigi’s Academy, Rome”, 1873, “Woman with a Black Lace Collar”, “Woman with Purple Boutonniere” and “Woman in Profile”, 4 watercolors, first signed, titled and dated lower left, 3 signed lower right, 11 in. x 7 1/2 in. to 17 1/2 in. x 11 1/2 in., unframed. [$100/200] Condition Report: None cleaned nor previously restored; all have ragged edges with tears and losses; all have scattered foxing, marks, tears, creases and folds; At Gigi’s Academy has large losses throughout edges with heaviest loss in lower margin.

11

74. Southern School, 20th c., “Brulatour Courtyard, French Quarter”, oil on canvas board, indistinctly signed lower right, “Devoe & Raynolds Co.” label en verso, 12 in. x 9 3/4 in., framed. [$100/200]

75. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Portrait of a Man”, 1891, ink and chalk on paper board, signed, dated and inscribed “München” lower right, 9 9/16 in. x 6 5/16 in., framed; “Portrait of a Woman”, mixed media on paper mounted to board, initialed lower right, signed en verso, 5 7/16 in. x 4 7/16 in., framed; and “Architectural Drawing”, graphite on paper, unsigned, 10 in. x 7 1/8 in., unframed. (3 pcs.) [$250/350]

Condition Report: Neither cleaned nor previously restored; ragged edges; unevenly trimmed left edges; light warping of board; surface dirt; marks and abrasions scattered throughout; 1 in. scratch lower left corner under signature.

Frame ‑ modern gold painted faux distressed wood; marks, nicks, scrapes and abrasions; light separation in corners. Exterior frame dimensions ‑ 15 1/2 in. x 13 1/2 in. x 1 in.

Condition Report: Portrait of a Man ‑ Not cleaned or restored; very light scratches along edges from contact with frame; 1/8 in. crease in upper right corner; very light scattered marks. Frame ‑ modern silver painted wood frame; marks, nicks, and abrasions; Exterior frame dimensions ‑ 10 3/4 in. x 6 3/8 in. x 1 in.; Portrait of a Woman ‑ Not cleaned or restored; surface dirt; small losses mid‑right and left edges; light scratches along edges from contact with frame light abrasions lower center; light marks scattered throughout. Frame ‑ gold painted faux distressed wood; marks, nicks, scrapes and abrasions; Exterior frame dimensions ‑ 7 in. x 6 in. x 1/2 in.; Architectural ‑Not cleaned or previously ; deckle lower edge; marks and smudges scattered throughout; slight discoloration along edges.

76. Attributed to William Woodward (American/New Orleans, 1859‑1939), “Reclining Female Nude” and “Standing Female Nude”, 2 oils on board, unsigned, inscribed “From Woodward” en verso of latter, 10 in. x 14 in. and 22 in. x 14 in., unframed. (2 pcs.) Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. [$150/250] Condition Report: Reclining Nude ‑ Neither cleaned nor previously restored; light surface dirt; 1 in. crease lower right corner; slightly ragged top edge with minor associated folds and creases; rounded corners; Standing Nude ‑ Neither cleaned nor previously restored; 4 1/4 in. crease lower right corner; minor losses, tears, folds and creases throughout all edges; marks and abrasions throughout; surface dirt; small areas of paint loss scattered throughout; rounded corners; slight warping of board.

77. Attributed to William Woodward (American/New Orleans, 1859‑1939), “Studies of Women”, 6 graphites and one conté crayon on paper, 4 with partial studies en verso, all unsigned, 14 in. x 10 in. to 19 in. x 24 1/4 in., unframed.

(7 pcs.) Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. [$100/150]

Condition Report: All works have discoloration, marks, stains and foxing; losses on all edges; scattered holes, folds and creases; all have pinholes in corners.

79. Ella Fontenot Keane (American/ Louisiana, 20th c.), “Landscape with Spanish Moss”, oil on canvas, signed en verso, 10 1/2 in. x 8 1/2 in., unframed. [$75/100]

Condition Report: Neither cleaned nor previously restored; craquelure visible throughout, heaviest in upper left corner; light scattered scratches along left and lower edge; light surface dirt.

78. Twenty‑Seven Watercolors on Paper, all unsigned, 7 in. x 10 in. to 9 3/4 in. x 21 1/2 in., all unframed. (27 pcs.)

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. [$20/25] Condition Report: Three mounted to board; most with pinholes in corners; most with slight discoloration; many with ragged and/or unevenly cut edges.

12

80. Cornelia Cunningham Huffer (American/Georgia, b. 1903), “Courtyard Arts and Crafts Club, New Orleans, LA”, 1932, graphite on board, pencil‑signed and dated lower right, titled lower left, 11 7/8 in. x 8 7/8 in., unframed. [$150/250] Condition Report: Discoloration from previous matting; pencil marks scattered throughout margins; light foxing scattered throughout; 1/4 in. fold in lower right corner; remnant of large tape hinges on left and lower edges en verso

81. Jacques Van Aalten (Belgian/New Orleans, 1907‑1997), “Clown”, oil on masonite, signed lower right, 10 in. x 8 in., framed. [$200/400]

Condition Report: Not cleaned nor previously restored; generally very good condition.

Frame ‑ modern faux distressed wood frame; marks, nicks and abrasions. Exterior frame dimensions ‑ 13 1/2 in. x 11 1/2 in. x 1 3/4 in.

83. American School, 20th c., “Landscape with Barn”, oil on canvas, signed “Baker” lower left, 31 1/4 in. x 23 1/8 in., unframed. [$50/100]

Condition Report: Not cleaned or previously restored; surface dirt; scattered marks and accretions; yellowing of varnish; scratches, losses and stains along all edges; scattered losses throughout; difficult to penetrate varnish layer with UV light.

85. Ronald Davis (American/ California, b. 1937), “Untitled: Music Series”, 1984, mixed media on paper, signed, dated and inscribed “P/P EA” lower right, 22 3/4 in. x 30 in., framed. [$200/400]

Condition Report: Float‑mounted so all edges visible, not removed from frame; not cleaned or previously restored; ragged edges inherent to paper; light toning and buckling of paper. Frame ‑ modern painted wood; surface dirt; marks nicks and abrasions; 1 in. x 3/4 in. black stain lower left corner. Exterior frame dimensions ‑ 26 3/4 in. x 33 3/4 in. x 1 1/2 in

87. American School, 19th c., “Sounding the Alarm: Attack on the Village”, oil on canvas, unsigned, pencil‑inscribed “Mr. Healy” en verso, 25 in. x 30 in., unframed.

Provenance: Succession of Antiquarian Louis J. Healy, New Orleans. [$100/200]

Condition Report: Cleaned but not recently; inpainting mid‑right (tree) and lower right corner; surface dirt; yellowing of varnish particularly in center; multiple small holes upper left (sky), mid‑left ( doorway of house); multiple small holes along full length of right edge; multiple small scratches along full length of lower edge; surface abrasions and losses along all edges; stretcher marks visible; multiple areas of paint loss; partially removed from stretcher; fraying of canvas.

82. American School, 20th c., “Path in the Woods”, oil on canvas, indistinctly signed lower right, 19 in. x 35 in., unframed. [$50/100]

Condition Report: Not cleaned or previously restored; marks, scratches, accretions, holes and stains throughout; all edges have losses and scratches from previous framing; surface dirt; stretcher bar marks visible; scattered areas of bloom.

84. After Stephen James Ferris (American/Pennsylvania, 1835‑1915), “The Young Lovers”, reproduction print, sight 23 3/8 in. x 15 1/4 in., framed. [$100/150]

Condition Report: Print not removed from frame; print has not been cleaned nor had previous restoration; toning; 1/2 in. x 1/2 in. hole mid left edge; buckling of paper; light marks scattered throughout. Frame ‑ decorative giltwood; marks, nicks, cracks and losses throughout; surface dirt; stains throughout; areas of loss in all corners; separation in corners. Exterior frame dimensions ‑ 40 1/2 in. x 32 in. x 1 1/2 in

86. American School, mid‑20th c., “Girl #2”, 1954, oil on canvas board, indistinctly signed, titled and dated en verso, 12 in. x 9 in., framed. Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent. [$100/200]

Condition Report: Neither cleaned nor previously restored; surface dirt; scattered marks and accretions. Frame ‑ rustic wood frame; losses and holes throughout; marks, nicks, abrasions and surface dirt. Exterior frame dimensions ‑ 17 1/4 in. x 14 1/4 in. x 3 in.

88. Samuel Nelson Abbott (American, 1874‑1953), “Venice”, 1897, ink on paper, initialed “S.N.A”, titled and dated lower left, 19 1/4 in. x 11 7/8 in., framed. Provenance: The Sturm Collection. [$300/500]

Condition Report: Toning of paper; foxing; marks and stains scattered throughout; light folds and creases throughout; losses and tears along edges; 1/4 in. tear upper center edge; 1 in. x 3/4 in. area of corner that was torn off and reapplied with associated patches en verso; 3 1/2 in tear right edge (above man in black) with associated patch en verso; 2 1/2 in. tear left edge (above bridge) with associated patch en verso. Frame ‑ modern black painted wood frame; marks, nicks and abrasions. Exterior frame dimensions ‑ 21 7/8 in. x 14 3/8 in. x 1 1/2 in.

13

89. American School, 20th c., “Bouquet with Blue Background” and “Still Life of White and Pink Roses”, 2 oils on canvas, former unsigned, latter initialed “SD” lower right, 20 in. x 24 in. and 16 in. x 20 in., framed. (2 pcs.) [$100/150]

90. American School, late 19th/early 20th c., “Posthumous Portrait of a Girl”, oil on canvas, unsigned, 24 in. x 20 in., framed.

Provenance: Dart/McCloskey Family, New Orleans. [$100/200]

91. D. Crosby Brown (American/ Maine, 20th c.), “Old Hornpout”, 1975, watercolor on paper, pencil‑signed and dated lower left, 22 1/4 in. x 29 3/4 in., framed. [$150/250]

92. South American School, mid‑20th c., “Mother Carrying her Child in a Manta”, 1930, oil on canvas board, signed “O. Bangerter” and dated lower right, “W.F. Lee Frame Maker, Caxton House, Winchcomb St., Cheltenham” label en verso, 28 1/2 in. x 22 1/4 in., carved wood frame with leather foliate, floral and fruit embellishments.

Provenance: The Sturm Collection. [$400/600]

Condition Report: Neither work removed from frame; neither cleaned nor previously restored; both are in generally good condition; light surface dirt. Frame ‑ wood frames with linen inserts; marks, nicks, scrapes and abrasions; light surface dirt. Exterior frame dimensions ‑ 24 3/4 in. x 28 3/4 in. x 2 in. and 19 1/4 in. x 23 1/4 in. x 1 1/2 in.

Condition Report: Not removed from frame; not cleaned or restored; light toning; light scattered marks and stains; light buckling of paper. Frame ‑ painted faux distressed wood; marks, nicks, scrapes and abrasions; light separation in corners; Exterior frame dimensions ‑ 40 in. x 32 1/4 in. x 2 in.

93. Ladiaslay Sebek (Czech, 20th c.), “The Mosque of the Shah Isfahan”, 1954‑1958, oil on canvas, signed and dated lower right, label with title and artist en verso, 20 in. x 26 in., framed. [$100/200]

Condition Report: Not removed from frame; no signs of past restoration; light surface dirt; very light craquelure; light scattered abrasions.

Frame ‑ marks, nicks, scrapes and abrasions; scattered minor losses. Exterior frame dimensions ‑ 26 1/4 in. x 32 1/4 in. x 2 1/2 in

94. Alexandre Bertin (French, 1853‑1934), “Still Life with Flowers”, oil on canvas, signed lower right, 23 3/4 in. x 23 3/4 in., giltwood frame with artist plaque. [$100/200]

Condition Report: Not removed from frame; not cleaned or relined; no signs of past restorations; light surface dirt; 1/4 in. tear upper right (above flowers); light scattered abrasions along edges from contact with frame. Frame ‑ giltwood; marks, nicks, scratches and abrasions; separation in corners; losses throughout; 1 1/2 in. x 1 1/2 in. loss lower right corner; painting does not fit in frame with a 1/16 in. gap along top edge. Exterior frame dimensions ‑ 33 in. x 32 1/2 in. x 3 1/2 in

14

Condition Report: Not removed from frame; cleaned with multiple campaigns of restoration; relined, retained original stretcher bars; difficult to penetrate varnish layer; scattered areas of inpainting throughout sitter’s forehead, face and dress; scattered areas of inpainting throughout background; surface dirt; scattered abrasions throughout. Frame ‑ giltwood frame; losses, scratches, marks and abrasions throughout; stains throughout; separation in corners; surface dirt. Exterior frame dimensions ‑ 29 3/4 in. x 25 1/2 in. x 1/4 in.

Condition Report: Not removed from frame; not cleaned or restored; surface dirt; paint loss, marks and accretions throughout; 3 in. scratch in center of work; 2 in. mark mid‑right edge; 2 in. scratch upper center with associated paint loss; warping and buckling of canvas board. Frame ‑ insect damage and loss of decorative elements throughout; marks, nicks, scrapes and abrasions; large areas of loss along left, top and lower edges; water damage. Exterior frame dimensions ‑ 37 1/4 in. x 31 1/4 in. x 1 1/4 in.

95. After Melchior de Hondecoeter (Dutch, 1636‑1695), “Noah’s Ark”, reproduction oil on canvas, unsigned, “Hand Made Reproduction” stamped under stretcher bar en verso, typed label with history of Hondecoeter on reverse of frame, 34 in. x 48 in., framed. Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent. [$100/200]

Condition Report: Not removed from frame; neither cleaned nor relined; no signs of past restorations; surface dirt; scratches and marks scattered throughout; two 1/8 in. blue marks in center of work (beside perched pheasant); 2 in. dia. spiral scratch upper right (in trees). Frame ‑ wood frame; marks, nicks, scratches, abrasions and losses throughout; loss of paint lower right corner; 1/2 in. x 2 in. black mark lower right corner. Exterior frame dimensions ‑ 53 1/2 in. x 39 in. x 1 1/2 in

96. Paul Émile Lecomte (French, 1877‑1950), “Village Market”, oil on canvas, signed lower right, “Paris, France” canvas stamp en verso, 18 in. x 21 1/2 in., framed. [$500/700]

Condition Report: Not removed from frame; neither cleaned nor previously restored; surface dirt; toning of varnish; tack holes along bottom edge and upper corners; abraded along edges from contact with frame; craquelure pattern visible in upper corners. Frame ‑ painted wood; light surface dirt; scattered marks, nicks and abrasions; two indentions on left side and one indention on right side; separation in corners. Exterior frame dimensions ‑ 21 1/4 in. x 25 in. x 1 1/2 in.

98. Eugène Claude (French, 1841‑1922), “Still Life of Grapes, Peaches and Wine”, oil on canvas, signed lower left, 25 1/2 in. x 19 1/4 in., framed. [$200/400]

Condition Report: Not removed from frame; older restoration, not relined; light scratches along top edge from contact with frame; light surface dirt; craquelure pattern throughout fruit; difficult to penetrate varnish layer with UV light ; areas of inpainting upper right (above bottle), lower left (background beside bowl); areas of inpainting along decorative motif on bowl; scattered inpainting along full left edge. Frame ‑ modern gold painted faux distressed wood; marks, nicks and abrasions; separation in corners. Exterior frame dimensions ‑ 33 3/4 in. x 27 1/2 in. x 1 3/4 in.

97. Decorative Venetian River Scene, reproduction oil on wood panel, unsigned, “Turner....Venetian River Scene” typewritten label en verso, 6 in. x 8 in., antique frame.

Provenance: The Sturm Collection. [$25/50]

Condition Report: Not cleaned or relined; no signs of past restorations; UV light unable to penetrate varnish layer; cracks, flaking, loss and abrasions throughout; surface dirt. Frame ‑ gold painted wood frame; losses, cracks; nicks abrasions and holes throughout; separation in corners. Exterior frame dimensions ‑ 11 in. x 13 in. x 2 1/2 in.

99. Scottish School, 19th c., “The Prisoner”, oil on canvas, unsigned, 16 1/4 in. x 20 1/4 in., framed. Provenance: The Sturm Collection; formerly in the Collection of Aboyne Castle, Scotland. [$500/700]

Condition Report: Not removed from frame; multiple older restorations; relined with new stretcher bars; craquelure pattern throughout; 1/2 in. x 1/2 in. tear upper center with associated repair en verso; marks and accretions throughout; surface dirt; light buckling; scratches along edges from contact with frame; difficult to penetrate varnish layer with UV light.

Frame‑ modern wood frame; marks, nicks, scrapes and abrasions; surface dirt. Exterior frame dimensions ‑ 18 3/4 in. x 22 3/4 in. x 1 in.

100. William Henry Pyne (British, 1769‑1843), “The Blue Velvet Closet, Carlton House”, 1818, hand‑colored aquatint, after Charles Wild (1781‑1835), sight 9 1/2 in. x 12 in., framed. [$50/75]

101. After Pierre‑Joseph Redouté (Belgian, 1759‑1840), “Clematis Viticella”, decorative chromolithograph, sight 12 1/2 in. x 8 1/2 in., framed; together with “Irises”, 2 decorative chromolithographs; signed “M. Storm” in plate; sights 8 1/2 in. x 6 1/2 in., framed alike. (3 pcs.) [$75/125]

102. Four Decorative Venetian Scenes, 4 reproduction oils on canvas, unsigned, each 20 1/4 in. x 24 1/4 in., framed alike. (4 pcs.) [$150/250]

103. Glenn Madison Brown (American/ Virginia, 1876‑1938), “Perquisites”, etching, signed and titled lower margin, sight 8 in. x 6 1/2 in., framed; together with Leon Rene Pescheret (British/American, 1892‑1971), “Barskin Creek, Tennessee”, 1934, etching, pencil‑signed and titled lower margin, signed and dated in plate, sight 9 1/4 in. x 7 in., framed. (2 pcs.) [$200/400]

Condition Report: Not removed from frame; discoloration; scattered foxing; light buckling; light scattered marks.

Frame ‑ modern gold painted faux distressed frame; marks, nicks and abrasions. Exterior frame dimensions ‑ 18 in. x 20 1/2 in. x 1 in

Condition Report: None were removed from their frames; neither cleaned nor previously restored; surface dirt; scattered marks and scratches; 2 have scratches and paint loss around all edges from contact with frame; 3 have light scattered accretions. Frames ‑ black painted wood frames; marks, nicks, scrapes and abrasions; losses scattered throughout; light separation in corners; surface dirt; scattered areas of paint loss. Exterior frame dimensions ‑ 24 in. x 28 in. x 1 1/2 in.

Condition Report: None of the works were removed from their frames; none were cleaned or had previous restoration; Redoute ‑ light discoloration. Frame ‑ modern painted frame; marks, nicks and abrasions; surface dirt. Exterior frame dimensions ‑ 21 3/8 in. x 17 1/2 in. x 3/4 in. Irises ‑ one has a 6 in. horizontal tear along lower edge above matting; both have scattered discoloration and marks. Frame ‑ both modern gold metal frame; marks, nicks, scrapes and abrasions.

Exterior frame dimensions: 16 1/2 in. x 14 1/2 in. x 1 in.

Condition Report: Neither work removed from frame; no signs of past restoration; Perquisites ‑ light foxing; light marks scattered throughout margins; Barskin Creek ‑ discoloration; light mat burn from previous mattings. Frames ‑ both modern gold painted, faux distressed wood; marks, nicks, scrapes and abrasions. Exterior frame dimensions ‑ 16 in. x 14 in. x 1 in. and 17 1/4 in. x 14 1/2 in. x 1 in

15

104. Tommy Manning Thompson (American/Mississippi, 1941‑2017), “Blues Man Babe”, etching on paper, pencil‑signed, titled, and numbered “16/150” lower margin, sight 9 1/2 in. x 12 1/4 in.; together with H. Alvin Sharpe (American/New Orleans, 1910‑1982), “Shadows in Old New Orleans”, etching on paper, pencil‑signed, titled and inscribed “ed. 100” lower margin, sight 11 1/4 in. x 9 in., framed. (2 pcs.) [$100/200]

Condition Report: Thompson ‑ Not removed from frame; not cleaned or had previous restoration; light toning of paper; light discoloration along lower edge; light buckling. Frame ‑ modern faux distressed wood frame; marks, nicks, scratches and abrasions; light separation in corners; light losses throughout. Exterior frame dimensions ‑ 19 in. x 21 7/8 in. x 1 1/4 in.; Sharpe ‑ not removed from frame; not cleaned or had previous restoration; light toning of paper light marks scattered throughout; light buckling. Frame ‑ gold painted frame; surface dirt; light separations in corners; marks, nicks and abrasions. Exterior frame dimensions ‑ 16 1/8 in. x 15 1/4 in. x 1 1/8 in.

105. Francesco Piranesi (Italian, 1756‑1810), “Bassorilievo Antico di Marmo esistente in Velletri nel Museo Borgiano”, 1786, engraving with later hand‑coloring, sight 14 3/4 in. x 10 1/2 in., framed; together with 10 Piranesi reproductions, sights 16 1/2 in. x 24 3/4 in. to 27 1/2 in. x 19 in., all matted; and William Hamilton (British, 1730‑1803), “Winged Figure”, engraving, unsigned, sheet 12 1/2 in. x 12 3/4 in., matted. (12 pcs.) [$500/700]

Condition Report: Bassorlievo ‑ Adhered to matting; marks, smudges, scratches and surface dirt throughout; 1/4 in. tear with associated discoloration mid‑right margin. Frame ‑ modern wood frame; marks, nicks, scratches and abrasions; light separation in corners. 10 Reproductions ‑ Most have buckling; some appear to be adhered to matting; scratches, smudges and marks scattered throughout; most have scattered foxing. Hamilton ‑ foxing; stains and pencil marks throughout margins; remnant of brown tape hinge along top edge en verso; one brown tape hinge on top edge en verso

106. Edwin C. Forbes (American, 1839‑1895), “The Reveille on the Line of Battle/ Tattoo in Camp”, Plate 1, and “The Reliable Contraband”, Plate 23, 1876, 2 copper plate etchings, from Life Studies of the Great Army, each pencil‑signed lower margin, signed, titled and dated in plate, latter with “The Fifth Street Gallery, Fauquier County, Va” label en verso, sights 14 in. x 19 in., framed alike. (2 pcs.) [$200/300] Condition Report: Plate 1 ‑ not removed from frame; foxing, scattered marks and stains; 3 in. tear upper right corner with associated folds and creases; 1/2 in. tear lower right margin; 1/2 in. “T” shaped tear upper left margin; 17 1/2 in. fold with associated tears and creases along upper plate impression; light buckling of paper; Plate 23 ‑ toning of paper; light scattered foxing; light scattered marks; light folds and creases scattered throughout margins; light buckling ; Frames ‑ both modern black painted wood; marks, nicks, abrasions and small losses throughout; surface dirt; light separation in corners. Exterior frame dimensions ‑ 22 1/8 in. x 26 5/8 in. x 1 in.

107. Richard Blome (British, 1635‑1705), 5 hand‑colored engravings, 1686, from @The Gentleman’s Recreation@, sights 13 1/4 in. x 8 in., framed alike. (5 pcs.)

Provenance: The Sturm Collection. [$400/600]

Condition Report: None removed from frames; some have white highlights touched up; all have toning, foxing, marks, stains, scratches, losses, tears and small holes scattered throughout. Frame ‑ modern gold painted wood frame; marks, nicks abrasions and minor losses throughout. Exterior frame dimensions ‑ 28 1/4 in. x 14 1/2 in. x 1 in.

16

108. After Alphonse Mucha (Czech, 1860‑1939), “Waterlily”, mechanically reproduced poster, sight 16 1/2 in. x 23 1/4 in., framed.

Provenance: The Sturm Collection. [$10/20]

Condition Report: Discoloration; buckling; foxing, marks and stains scattered throughout; strongest staining along bottom edge; 1/16 in. dia. black mark lower left corner. Frame ‑ modern wood frame; nicks, marks and abrasions; surface dirt. Exterior frame dimensions ‑ 20 1/2 in. x 27 1/4 in. x 1 in

109. Ellsworth Woodward (American/ New Orleans, 1861‑1939), “The Bather (Seated Nude, Boyer 80, fig. 16)”, “The Mirror (Kneeling Nude, Boyer 41, fig. 17)”, “Large Standing Nude with Bowl in Hand (Boyer, 43)”, and “Weathervane (Boyer 97)”, 4 etchings on paper, 2 pencil‑signed and titled, 2 initialed “E.W.” in plate, sheets 11 in. x 10 1/8 in. to 15 1/16 in. x 11 in., unframed, one matted. (4 pcs.)

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. [$300/500]

Condition Report: None cleaned nor previously restored; all have light surface dirt; toning of paper; small light brown marks scattered throughout; ragged edges inherent to paper; The Bather has losses along edge; Mirror is affixed to matting with adhesive in upper corners en verso.

111. Antonio Banzo (Italian, 1777‑1859), “Battaglia di Costantino”, engraving, after the original by Raphael (1483‑1520), sheet 19 in. x 38 1/4 in., framed. [$75/150] Condition Report: Float‑mounted so all edges visible; discoloration, foxing, stains, folds, creases, tears and pinholes throughout; buckling of paper; 2 in. tear lower right; 6 in. x 10 in. area of staining (red and black stains) in center of work with associated holes, folds, mold and buckling. Frame ‑ modern painted faux distressed wood; marks, nicks, abrasions and losses throughout; surface dirt. Exterior frame dimensions ‑ 29 in. x 48 1/2 in. x 1 1/2 in.

113. After Eugène Charles Cabán (French, 1825‑1885), “Portrait of an Officer”, hand‑colored reproduction print, signed “Cabán” lower right, 3 3/8 in. x 2 1/2 in., framed. [$50/75]

Condition Report: Unevenly trimmed edges; marks, nicks, scrapes and light stains throughout. Frame ‑ antique frame; cracks, losses, marks, nicks and abrasions; areas of surface peeling; surface dirt. Exterior frame dimensions ‑ 5 7/16 in. x 4 7/16 in. x 1/2 in.

110. Jan Gilbert (American/New Orleans, b. 1953), “Biography of a Ball Player”, 1997, serigraph, pencil‑signed, dated and numbered “5/300” lower margin, from CAC Collectors Club, sight 17 1/2 in. x 34 in., framed. [$100/200]

Condition Report: Not cleaned or previously restored; not removed from frame; work is in generally very good condition. Frame ‑ modern painted wood; marks, nicks, and abrasions.

Exterior frame dimensions ‑ 27 1/8 in. x 43 1/8 in. x 1 1/4 in.

112. Theodore “Fonville” Winans (American/ Louisiana, 1911‑1992), “Carved Totem”, 1939, and “Vampire”, 1945, 2 silver gelatin prints, both signed and dated lower right, sheets 9 13/16 in. x 7 7/8 in., matted. (2 pcs.) [$200/400]

Condition Report: Neither cleaned nor previously restored; Totem ‑ light buckling; light creases in margins; pinpoint black mark upper left corner; white tape hinges lower margin; 4 tape hinges one in each corner en verso; Vampire ‑ light buckling of paper; 1/16 in. tear upper right corner.

114. American/British School, 19th c., “Portrait of a Woman”, watercolor miniature, unsigned, dia. 2 3/4 in., unframed. [$50/75]

Condition Report: Not cleaned or previously restored; mounted to board; scratches, marks, accretions and stains throughout; paint loss and light staining along left half of work; discoloration and slight buckling.

115. Continental School, late 19th c., “Portraits of Ladies”, 2 watercolor miniatures, both indistinctly signed, sights 3 1/4 in. x 2 3/8 in. and dia. 2 1/4 in., framed. (2 pcs.) [$50/75] Condition Report: Neither work removed from frame; neither cleaned nor previously restored; generally good condition; light surface dirt. Frames ‑ modern gold painted wood; marks, nicks, abrasions and paint loss. Exterior frame dimensions ‑ 8 3/4 in. x 7 7/8 in. x 1 in. and 7 3/4 in. x 7 3/4 in. x 1 1/4 in.

116. Four Burlon Craig Stoneware Vessels, c. 1995, North Carolina, stamped, incl. milk jug, pitcher, small vase, water jug, and cup, tallest h. 6 3/4 in. [$150/250]

17

117. Three Boehm Porcelain Bird Groups of “Brown Thrasher” with Crocus, “Western Meadowlark”, and “Robin” with Nest and Eggs, Trenton marks, USA, model 400‑26, 400‑43 and 400‑65, first two marked “limited edition”, third marked “limited”, h. 7 1/2 in., 12 5/8 in., and 9 1/2 in. (3 pcs.) [$400/600]

120. Two Boehm Porcelain Floral Groups of “Blue Iris” and “Rhododendron Fastuosum with Butterflies”, 1980s and 1978, Malvern marks, England, model 250‑76‑2 and 300‑30, first marked “exclusive to the fine jeweler’s guild”, second marked “number 212”, h. 8 1/4 in. and 8 1/2 in. (2 pcs.) [$250/350]

118. Boehm Porcelain “Yellow Rose of Texas With Bluebonnet”, 1985, Malvern mark, England, model 103‑69, marked “number 19” and “limited issue”, h. 7 1/2 in., w. 9 1/2 in. [$300/500]

121. Two Boehm Porcelain Floral Groups of “Gladioli” and “American Express Rose”, Trenton marks, USA, model F267 and 110, first marked “limited edition” and “46th anniversary issue”, h. 21 1/2 in. and 3 1/2 in., w. 15 in. and 7 3/4 in. (2 pcs.) [$250/350]

119. Pair of Boehm Porcelain Male and Female “Wood Thrushes”, 1966‑1977, USA, model 485, each marked “limited edition”, h. 15 3/4 in. and 15 1/2 in. [$600/800] Condition: Female with repair to base of lower right stem. One 6‑flower branch is broken off but retained. 1 unopened flower is broken off but retained.

122. Two Boehm Porcelain Floral Groups of “Queen Elizabeth Rose” and “Princess Margaret Rose”, 1966 and 1982, Malvern marks, England, model 103‑76 and 300‑95, first marked “number 92” and “limited issue, second marked “number 59” and “limited”, h. 8 1/2 in. and 6 5/8 in., w. 9 1/4 in and 11 1/2 in.

(2 pcs.) Condition: Queen Elizabeth with loss to vine lower right side. [$200/300]

123. Boehm Porcelain “Helen Boehm Daylily”, 1978, Malvern mark, England, model 300‑20, “number 45”, h. 9 1/8 in., w. 14 in. [$150/250]

124. Boehm Porcelain “Cymbidium Orchid Centerpiece” with Clarisse, Cooksbridge, Stanley Fouraker and Highlander “, 1984, Malvern mark, England, model 301‑15, marked “number 93” and “limited issue”, h. 19 1/2 in. [$400/600]

18

125. Boehm Porcelain “Stonechats with Blackberry and Brambles”, 1974, Malvern mark, England, model 100‑17, marked “limited edition”, h. 11 5/8 in. [$300/500]

126. Boehm Porcelain “Racquet‑Tailed Hummingbird with Hibiscus”, 1985, Malvern mark, England, model 100‑53, marked “number 163” and “limited issue”, h. 13 1/8 in., w. 12 1/2 in. [$300/500]

127. Boehm Porcelain “Yellow Rhododendron” with Butterfly, 1985, Malvern Mark, England, model 301‑22, marked “number 41” and “limited issue”, h. 9 3/4 in. [$300/500]

128. Boehm Porcelain “Seminole Hibiscus with Morpho Rhetenor Butterfly”, 1985, Malvern mark, England, model 301‑29, marked “number 24” and “limited issue”, h. 9 1/2 in., w. 12 1/2 in. [$300/500]

130. Assembled Group of French Polychrome and Gilt Porcelain, 19th/20th c., incl. Limoges partial tea service, marked “T & V Limoges France”, ret. Stern Brothers, NY, floral pattern, incl. tray, dia. 13 1/2 in.; teapot, h. 6 1/2 in.; creamer, h. 5 in.; open sugar, 3 3/4 in.; 4 associated demitasse cups; and 2 associated saucers, dia. 3 3/4 in.; 3 Limoges peach ground cabinet plates, marked “J.C.” over “Limoges 4241”, dia. 8 1/2 in.; 2 Paris magenta and gilt plates, dia. 9 in.; 2 Paris apple green banded plates, dia. 9 1/2 in. ; 2 Paris magenta rim bread plates, dia. 7 1/4 in.; and Limoges “Villandry” box, ret.

Tiffany & Co., dia. 3 1/4 in; together with Halcyon Days enamel box, h. 1 in. (21 pcs.) [$150/250].

129. Limoges Gold Banded Porcelain Partial Table Service, c.

1894‑1931, each marked “Haviland France” and “decorated by Haviland & Co. Limoges”, incl. 4 dessert plates, dia. 7 1/2 in.; 2 saucers, dia. 6 1/2 in.; bouillon cup, dia. 4 5/8 in.; coffee cup, h. 1 7/8 in.; oval dish, l. 8 3/4 in., w. 4 7/8 in.; creamer, h. 2 1/2 in.; and sugar (lacking lid), dia. 6 3/8 in.; TOGETHER WITH copper lusterware pitcher, blue and mustard banded, h. 4 in. (12 pcs.) [$100/200]

131. Pair of Antique French Faience Cachepots on Stands, SP anchor marks, possibly Sceaux Penthievre, molded bodies with figural and bird‑and‑flower decoration, pierced stands, h. 6 3/4 in., w. 8 1/4 in.; TOGETHER WITH bronze‑mounted center bowl, h. 6 1/4 in., w. 15 1/2 in.; and 6 Ter de Fer “Sujets Musicaux” plates, dia. 8 3/4 in. (9 pcs.) [$100/200]

Condition: Overall good condition; minor wear to polychrome and gilt decoration; visible stable repairs on open sugar.

132. Two Pieces of French Porcelain, Limoges oval platter, reserved with nesting grouse, l. 18 3/4 in.; and Paris footed jardinière, painted “Souvenir” surrounded by butterflies, birds and floral garlands, h. 8 in., l. 15 1/4 in. [$200/300]

133. Porcelain and Fabric Floral Diorama “A Breath of Paris”, attr. to Narcissa Niblack Thorne (American, 1882‑1966), label on reverse, gesso and gilt frame, 23 1/2 in. x 20 1/2 in.

Provenance: The home of Mrs. Jane Carson Myre, daughter of Luther F. Carson. Note: Mrs. Thorne’s dioramas are found in several museum collections, including the Art Institute of Chicago. [$100/200]

19

134. Paris Polychrome and Gilt Decorated Blue Ground Porcelain Cachepot, 19th c., lions mask handles, banded around center with floral garlands, h. 5 1/2 in., dia. 5 5/8 in. [$50/75]

136. Pair of Pale Blue Glazed and Bisque Porcelain Menu Card/ Posie Vases, early 20th c., h. 7 in., w.

4 1/4 in. Provenance: The Sturm Collection. St. Thomas and Trinidad. [$150/200]

135. Open Lot 137. Continental Polychrome Porcelain Portrait Plaque, late 19th/20th c., depicting a young boy, signed J. [for Josef] Zasche (Austrian, 1821‑1881) and inscribed “Vienna” lower right, 13 in. x 7 1/2 in. framed.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. [$100/200] 138. Berlin Polychrome Porcelain Bust of a Lordly Young Boy, marked KPM, h.

16 in., w. 8 1/2 in., d. 5 1/4 in. Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. [$100/200]

139. Paris Porcelain “Decor de la Reine” Two‑Tier Dessert Stand, 19th c., h. 9 1/2 in., dia.

10 1/2 in., TOGETHER WITH pair of Haviland Limoges porcelain covered tureens, h. 6 1/2 in., l. 11 in. (3 pcs.) [$100/200]

140. Paris Gold and White Porcelain Partial Dinner, Dessert and Tea Service, mid‑19th c., incl. 8 dinner plates, dia. 8 7/8 in.; 9 plates, dia. 7 1/4 in.; shell‑shaped relish dish, l. 8 3/4 in.; 2 cake plates, dia. 9 3/8 in.; 8 berry bowls, dia. 4 1/4 in.; covered teapot, h. 9 in.; covered sugar, h. 7 3/4 in.; waste bowl, dia. 6 in.; 13 teacups, h. 2 1/2 in.; and 14 saucers, dia. 5 1/2 in. (58 pcs.) [$150/250]

141. Group of Eight Limoges Porcelain Boxes, marked, incl. orange slice, rooster, duck, Mr. Peanut, gold Buddha, showering pig in bikini, round monkey, round rooster, tallest h. 4 in.; TOGETHER WITH mating rooster and hen box, h. 2 in., and mating rooster and hen figurine, h. 1 1/4 in. (10 pcs.) [$100/200]

20

142. Derby Polychrome Porcelain Teapot and Teapot Stand, c. 1820‑30, iron red mark, with floral sprays and gilt foliate decoration, knop finial, teapot h. 5 3/4 in., w. 11 1/2 in., d. 5 in., tray 7 1/2 in. x 5 3/4 in. Note: Old restorations to both. [$300/500]

143. Losol Ware Transfer‑Decorated Pottery Washstand Set, c. 1890, Keeling & Co. Ltd., Burslem, England, decorated in blue and white with peonies and gilt sponge decoration, incl. basin, h. 4 1/2 in., dia. 16 in., pitcher h. 9 1/2 in., and vase, h. 5 1/4 in. [$200/400]

144. Turquoise Blue and Brown Drip‑Glazed Porcelain Vase, cylindrical body with three small flanges at base, h. 4 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/200]

145. Doulton Burslem Polychrome Earthenware Covered Jar, late 19th c., marked, ribbed body and cover decorated with flower sprays, h. 7 1/2 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

146. Group of English Pottery, 19th c., incl. silver lusterware covered tureen, h. 6 in., w. 6 3/4 in.; stoneware tankard, h. 5 1/2 in.; and pair Bloor Derby teacups and saucers, cup h. 2 5/8 in., saucer dia. 5 5/8 in.; TOGETHER WITH bead ware cup and saucer, early 20th c., saucer dia. 5 3/4 in. (8 pcs.) [$300/500]

Condition: Tureen: wear and losses to silver. Tankard: 2 chips, 2 mm apart on the rim. Derby teacups and saucers: wear/loss to polychrome and gilt decoration. Bead ware cup and saucer: minor losses to raised decoration.

147. English Polychrome Porcelain Wall Plaque, 19th c., transfer‑decorated with figures in an extensive landscape, sight 8 3/4 in. x 11 1/8 in., framed. [$300/500]

149. Tilework‑Style Turquoise Glazed Stoneware Holy Water Font or Stoup, Benetier, molded with the figure of the Virgin holding the baby Jesus, h. 11 in., w. 8 1/4 in., d. 2 in. [$100/200]

Condition: Reverse has a rectangular plug that has been fitted with a hook.

Edges with minor glaze chips or frits.

Bowl with some abrasions and wear.

148. Porcelain Jardinière Decorated in the Chinese Export Style, 20th c., slightly tapering drum form body decorated with cartouches enclosing European hunt scenes on a deep blue ground, h. 14 3/4 in., dia.

15 in. [$75/150]

150. Chinese Export Blue and White Porcelain Wall Vase, 18th/19th c., lion’s mask ring handles, decorated with a recessed landscape panel on a diaper ground, neck with Qianlong mark, h. 5 in., w. 5 7/8 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$400/600]

21

151. Chinese Export Gilt Decorated Elmwood Seven Panel Floor Screen, decorated with figural landscapes and bird‑and‑flower panels, h. 63 7/8 in., w. 77 in. [$250/350]

152. Four Vintage von Lengerke & Antoine Leather Gun Cases, each stamped “VL&A / Chicago”, one with serial number G.1393, l. 29 3/4 in., 31 in., 31 1/4 in., and 33 3/4 in. [$200/300]

153. Four Panel Metal Fire Screen, 20th c., pierced arched panels, h. 32 1/2 in., w. 52 in. [$100/200]

155. Antique Victorian Taxidermy Bird and Butterfly Diorama, comprised of 7 birds and 5 butterflies posed in a naturalistic landscape with a tree, various grasses, and other flora set in a painted wood and glass case, h. 20 in., w. 20 in., d. 4 1/2 in. [$200/300]

Condition: Should be viewed in person. Fair to Poor. Glass is broken in corner and being held in place by tape. Paint is flaking off exterior sides. Specimens with small losses and degradation, scenery with losses, inner walls with stains and discoloration. Interior with accumulation of dust, dirt, and other debris.

157. Pair of American Gilt Brass Three‑Light Girandoles, mid‑19th c., possibly Cornelius & Co., in the “Athena” pattern, foliate arms with crenellated prism rings, square stepped bases, h. 16 1/4 in., w. 15 in., d. 6 3/4. [$500/700]

22

154. Brass Repousse Kerosene Lamp, bulbous base, three paw feet, burner engraved “M.F.& Co.”, later associated floral decorated mauve ground shade, h. 8 1/4 in. [$100/200]

156. American Cast Iron “Eagle and Eaglets” Mechanical Bank, mid‑20th c., possibly Gray Iron Casting Co., Mt. Joy, PA, marked “Reproduced from Original in Collection of The Book of Knowledge, Pat. Jan 23, 1883”, wings and tail stamped “75 10”, “75 7”, and 75 9 “ eagle lowers head to feed to chicks, h. 5 3/4 in., l. 8 1/2 in. [$50/75]

158. American Gilt Brass Three‑Light Girandole, mid‑19th c., Arab warrior standard, prism‑hung foliate arms, marble base, h. 19 in., w. 15 in., d. 4 in. [$50/75]

159. Aesthetic Movement Carved and Painted Picture Frame, late 19th/early 20th c., with silver gelatin print affixed to board, 9 1/2 in. x 7 3/4 in.

160. Pair of Antique Brass Andirons and Fire Fender, andirons cast as ribboned torches, curved legs, paw feet, h. 21 in., w. 9 in.; reticulated fender with bead work, h. 8 1/4 in., w. 47 in.

(3 pcs.) [$100/200]

161. Three Antique and Vintage Mortar and Pestle Sets, incl. gray stone flat mortar, h. 2 in., w. 7 in., d. 4 1/8 in., pestle l. 8 1/8 in.; bisque stoneware mortar, probably Wedgewood, h. 5 1/2 in., w. 9 3/4 in., d. 9 1/2 in., wood handled pestle stamped “Made in England”, l. 9 in.; and mottled gray and yellow granite mortar, h. 6 1/2 in., w. 9 3/4 in., d. 9 1/2 in., pestle l. 9 in. (6 pcs.) [$150/250]

163. Bronze Portrait Plaque of a Boy, signed “Kendig ‘34” lower left, reverse stamped “NBW/ LA/ CAL.” in shield, 9 in. x 5 1/2 in. [$200/300]

165. Antique Celluloid Vanity Set in Fitted Case, incl. mirror, l. 8 in.; hairbrush, l. 7 in.; comb, l. 6 5/8 in.; pill box, dia. 1 1/4 in.; hook, l. 4 7/8 in., and various other small accoutrements; case h. 3 in., w. 12 1/2 in., d. 7 in. [$25/35] 167. Italian Giltwood Wall Jardinière, shell‑form, removable tin liner, h. 12 1/2 in., w. 7 1/2 in., d. 5 in. [$100/200]

162. Cast Iron Fireback, 20th c., cast name “Thomas Potts”, h. 23 1/2 in., w. 22 1/2 in. [$300/500]

164. French Baroque‑Style Gilt Bronze Clock Garniture works marked “Japy Freres, Paris”, the dial with porcelain numerals, flanked by espagnolettes, stepped base on paw feet, each five‑light candelabrum with urn‑form standard above cherub masques, on paw feet. clock h. 23 in., w. 15 1/2 in., d. 9 in. [$150/250]

166. Pair of Continental Eglomise and Mother‑of‑Pearl Plaques, c. 1890, domed glass painted with scenes of castles, enhanced with mother‑of‑pearl, gilt oval frames, h. 17 in., w. 23 in. [$100/200]

168. Six Italian Glass Fish Figures, tallest h. 5 in. [$100/200]

23

170. Antique Continental Fruitwood Mold, carved with the letters of the alphabet, l. 20 1/8 in., w. 5 1/8 in. Provenance: Collection of I. M. Dematteo, Spanish Custom House, New Orleans, LA. [$150/250] 169. Withdrawn.

171. Pair of Continental Wrought Iron Andirons, 19th c., basket finials, foliate standards, h. 26 in., w. 10 1/2 in., d. 27 in. [$200/400]

173. Antique English and American Brass Candlesticks, 19th and early 20th c., incl. pair of hurricane candlesticks (lacking shades); 11 candlesticks of various forms, h. 3 1/2 in. to 10 in.; taper stick, h. 6 in.; and 3 candlecups, dia. 4 in.; TOGETHER WITH brass covered box, h.

3 1/2 in. (18 pcs.) [$100/200]

175. Three Pairs of English Turned Brass Candlesticks, 19th c., h. 8 5/8 in. to 9 3/4 in.; TOGETHER WITH brass tulip chamberstick, h. 6 in. (7 pcs.) [$400/600]

177. Wood & Hughes “Marguerite” Pattern Sterling Silver Partial Flatware Service, 19th c., including 6 dinner forks, l. 7 3/4 in.; 6 teaspoons, l. 6 in.; 2 tablespoons, l. 8 1/2 in.; 1 master butter knife, l. 7 3/4 in.; and 6 mother‑of‑pearl handled dinner knives, l. 9 1/4 in., total weight (weighable) 19.20 troy ozs. (21 pcs.) [$100/200]

24

172. Six Irish Carved Fruitwood Medicine Containers, 19th c., smallest marked “Graham & Co./ Dublin”, turned bodies with threaded lids, 4 retaining glass‑stoppered bottles, largest h. 7 in. [$100/150]

174. Victorian Mother‑of‑Pearl Inlaid Black Lacquer Box, 19th c., domed cover with landscape, overall floral sprays, h. 5 3/8 in., w. 11 3/4 in. [$100/200]

176. Pair of English Brass and Polished Steel Andirons, 20th c., incised decoration, scroll base, h. 25 1/2 in., w. 11 1/2 in., d. 22 1/2 in. [$200/400]

178. Two Sets of American Silverplate Salad Serving Forks and Spoons, incl. Modernist set by Three Crowns Silversmiths, and “Old English” set by Gerity; TOGETHER WITH 12 antique silver teaspoons, incl.

English, Continental and American coin silver examples; and an American sterling silver medicine spoon. [$150/250]

179. Vintage Silverplate Dish with Everted Rim, probably American, h. 2 1/4 in., w. 8 1/2 in., d. 8 1/4 in. Note: Pitting, loss to silvering and discoloration. [$20/40]

180. Decorative Silverplate Tazza in the Art Deco Taste, Note: loss to silvering, h. 14 3/8 in., dia. 13 1/8 in. [$100/150]

182 Group of Silverplate, incl.

Queen Anne style baluster‑form water pitcher, h. 9 1/8 in.; William Rogers “Paul Revere” coffee pot, h. 8 1/2 in.; and Georgian style sugar and creamer, h. 2 3/4 in and 3 1/4 in. (4 pcs.) [$50/100]

181. International Silverplate “Orleans” Pattern Flatware Service, pat. 1964, incl. 12 dinner knives, l. 9 1/4 in.; 7 forks, l. 7 1/4 in.; 8 forks, l. 6 1/2 in.; 24 spoons, l. 6 in.; 7 soup spoons, l. 6 5/8 in.; 12 ice tea spoons, l. 7 1/2 in.; 23 cocktail forks, l. 5 3/8 in.; 11 demitasse spoons, l. 4 1/4 in., 11 serving pieces, largest l. 10 1/2 in; and 8 single pieces; longest l. 7 1/2 in.; together with 3 associated stainless demitasse spoons and cocktail fork (127 pcs.), hardwood case, h. 4 in., w. 20 3/4 in., d. 12 in. [$300/500]

185. Antique Continental .800 Silver Ciborium, 19th c., molded cover with knopped finial, bell‑shaped bowl on baluster support, weighted base, h. 12 1/2 in. [$50/100] 183. Miscellaneous Group of Vintage Silverware, most sterling, incl. donkey‑form salt cellar, h. 2 in., w. 3 in.; 2 Mexican overlay shot glasses, h. 3 in.; 2 candle snuffers, l. 9 1/4 in.; bottle opener (hh), l. 5 1/2 in.; 2 letter openers, l. 5 3/4 in. and 6 1/4 in.; tea ball, l. 4 3/4 in.; 2 Mexican sipper/stirrer spoons, l. 7 3/4 in. and 8 in.; butterfly tongs, l. 8 1/2 in.; 2 caddy spoons, l. 3 1/2 in. and 4 1/2 in.; cake knife (hh), l. 10 in.; and condiment spoon, l. 7 3/4 in. (16 pcs.) [$100/200]

184. Miscellaneous Group of Vintage Silverplate and Silver, mostly silverplate, incl. 3 jiggers, tallest marked “STERLING”, others with enamel interiors marked “REED & BARTON”, h. 4 in., 3 1/4 in. and 2 5/8 in.; 2 tastevins, 1 with attached chain, w. 4 in. and 4 1/4 in.; corkscrew, l. 7 1/2 in.; heart‑shaped tea infuser, l. 6 3/4 in.; letter opener, l.

8 1/2 in.; hip flask, monogrammed, h. 6 7/8 in.; and 3 fish knives and 1 fork, l. 8 1/4 in. and 6 3/4 in.

(13 pcs.) [$100/200]

186. Six Continental .800 Silver and Gilt Terrapin Forks, Germany, late 19th c., hollow handles in the Louis XVI taste, l. 6 in.; TOGETHER WITH a Westmorland “Milburn Rose” pattern sterling gravy ladle, l. 5 3/8 in., and a Reed and Barton silverplate water pitcher, engraved with anchor and “U.S.N.”, h. 9 1/4 in. (8 pcs.), Note: “as-is”. Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. [$50/100]

187. Group of Antique and Vintage Sterling Silver Sugar Tongs, incl. William Eley & William Fearn, London, 1814, mark reg. 1797; TA, London, 1820; Reid & Sons, Newcastle, 1849‑1850, l. 5 5/8 in. to 5 3/4 in.; and 2 in the form of miniature ice tongs, l. 2 7/8 in. and 3 3/4 in., weight 4.70 troy ozs. [$50/100]

25

188. Two Old Sheffield Plate Candlesticks, early 19th c., h. 6 3/4 in. and 6 in.; TOGETHER WITH pair of American sterling silver candlesticks with weighted bases, h. 9 1/2 in. [$100/200]

189. Georgian Sheffield Plate Toast Rack and Sugar Basket , with cobalt glass liner, h. 5 in., w. 7 3/4 in. and h. 7 in. [$50/75]

190. Two Silverplate Circular Trays, 20th c., one Ellis Barker, the other International, dia. 16 in. and 15 in. [$50/100]

191. Silverplate Dish Cross in the George III Taste, w. 12 1/4 in. [$50/100]

193. Two Antique Persian Rugs, each with blue ground, 6 ft. x 3 ft. 5 in. and 6 ft. 6 in. x 3 ft. 11 in.

Note: Visible wear. [$300/500]

192. Antique Ghiordes Prayer Rug, 3 ft. 9 in. x 4 ft. 10 in. [$100/200]

195. Brass, Marble and Glass Columnar Lamp, bulbous cut glass above Corinthian standard, h. 39 in [$100/200]

194. Four Needlepoint Pillows, incl. dog, 12 in. x 12 in.; lion with shield, 9 in. x 10 1/2 in.; garden urn amid flower profusion, 14 in. x 10 1/4 in.; and pink roses, (excl. fringe) 14 in. x 10 in.; together with velvet example, (excl. tassels) 19 in. x 19 in. (5 pcs.) Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. [$100/200]

197. Two Victorian Brass and Glass Hanging Kerosene Lamps, late 19th c., painted glass shades, electrified, h. (incl. canopy, as shown) 29 in. and 30 in. Provenance: From the childhood home of Newcomb artist Alma Florence Mason, State Street, New Orleans. [$200/300]

26

196. Brass Kerosene Lamp, h. (incl. burner) 8 3/4 in., mounted within scrolled wrought iron stand as a lamp, h. (incl. socket) 25 in. [$200/300]

198. Patinated Metal and Glass Four‑Light Hall Lantern, mid‑20th c., applied acanthus and floral decoration, rope‑twist standard and candle arms, h. 39 in., dia. 13 1/2 in. [$400/600]

199. American Brass Floor Lamp, 20th c., ruffled ribbed clear glass shade, h. 55 in. [$50/100]

200. Mary Gregory Gilt Metal‑Mounted Enamel Glass Hall Lantern, 20th c., scalloped embossed hexagonal form, painted scenes of children and flowers, h. 12 1/2 in., w. 10 in. [$100/200]

201. Pair of American Patinated Pewter Lamps, late 19th c., wick adjuster labeled “Novelty”, fonts with frieze relief of dancing maenads, patera decorated circular bases, cut and etched shades, electrified, h. 22 in., w. 6 in. [$300/500]

202. Beaux Art Gilt Brass Four‑Light Gasolier, c. 1900, crown‑form dish, chains with cherub medallions, electrified, h. 66 in., dia. 24 in. [$200/400]

203. French Gilt Bronze and Crystal Six‑Light Chandelier, 20th c., vasiform standard, foliate arms, h.

21 in., dia. 26 in. [$300/500]

204. Near Pair of Continental Brass Three‑Light Wall Sconces, late 19th c. and later, made from bed warmer covers, h. 17 in., w. 13 in., d. 7 in. [$100/200]

205. French Gilt and Patinated Bronze Figural Lamp, cherub standard, tall faux marble base, marked “MUSEE LOUVRE”, h. (to socket) 24 in. [$50/100]

206. Continental Brass Six‑Light Chandelier, 19th c., probably Dutch, h. 24 in., dia. 28 in., electrified. Note: One arm detached but retained. [$50/75]

207. English Imari Porcelain Lamp, 20th c., square tapered form, molded wood base, h. (to socket) 23 in. Provenance: Goldate Antiques, New Orleans. [$100/200]

27

208. [PUNCH MAGAZINE], c. 1849‑1851, volumes 17‑20, bound together, three‑quarter leather, gilt lettering, 11 in. x 9 in. [$100/200]

209. [Three Books], John Seller, Practical Navigation, 17th c., leatherbound volume; Robert Louis Stevenson, Kidnapped, New York: Charles Scribner’s Sons, 1912; Erich Maria Remarque, All Quiet on the Western Front, Boston: Little Brown & Co, 1929. [$50/75] 210. [Art Reference Books], 20 books incl. Universal Catalogue of Books on Art, 3 vols; W. Freitag, Art Books: A Basic Bibliography of Monographs on Artists, 1985; Art News, 1953 ‑ 1955; Art Books 1876‑1949 and 1980‑1984; Biography and Genealogy, Master Index, B. McNeil, ed., 1985; The Art Bulletin, June 1925, Mar. 1925, Mar. 1973, June 1980, June 1981, Mar. 1982, June 1983, June 1984, Mar. 1986, Sept. 1986. [$50/100]

211. [Women Artists Reference Books], 10 books incl. Women Artists in America, 1790‑1980, J. Collins and G. Opitz, eds. 1980; P. Dunford, A Biographical Dictionary of Women Artists in Europe and American Since 1850, 1989; D. Apostolos‑Cappadona, Dictionary of Women in Religious Art, 1998; A. Harris and L. Nochlin, Women Artists, 1550‑1950, 1976; National Museum of Women in the Arts, M. Rennolds ed., 1987; C.S. Rubinstein, American Women Artists from Early Indian Times to the Present, 1982; Independent Spirits: Women Painters of the American West, 1890‑1945, P. Trenton ed., 1995; A.G. Mason, The Women of the French Salons, 1890; Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900; E. Tufts, American Women Artists, 1830‑1930, 1987. [$150/250]

213. [Audubon Reference], The Original Water‑Color Paintings by John James Audubon for The Birds of America, New York, American Heritage, 1966, 2 volumes, brown cloth, original slipcase. [$50/75]

212. [Art Reference Books], 35 books and exhibition records incl. The Worldwide Bibliography of Art Exhibition Catalogues, 1963‑1987, 3 vols., Kraus International, 1992; A. Graves, A Century of Loan Exhibitions, 1813‑1912, 3 vols., 1970; J. Meyer, Great Exhibitions, 1851‑1900, 2006; Revisiting the White City, American Art at the 1893 World’s Fair, Smithsonian Institution, 1993; Perkins and Gavin, Art Exhibition Index, 1927‑74, The Boston Athenaeum, 1980; and others. [$200/300]

214. [Audubon Reference], The Original Water‑Color Paintings by John James Audubon for The Birds of America, New York, American Heritage, 1966, 2 volumes, brown cloth, original slipcase. [$50/75]

215. [Rare Art Auction Catalogue], Catalogue De Luxe of Ancient and Modern Paintings Belonging to the Estate of the Late Charles T. Yerkes, New York, American Art Association, 1910, green cloth, 14 in. x 11 1/2 in., with over 150 photogravures illustrating the paintings, pencil manuscript notations in margins indicate buyers and price (Duveen Bros., Knoedler, etc), limited edition 199 of 250. [$75/150]

216. [Napoleon], De Norvins, Jacques Marquet. Histoire de Napoleon, Paris, Furne, Jouvet, 1868, octavo, 3/4 leather and marbled boards, with numerous illustrations, some hand‑colored. [$100/200]

28

217. [History of Women], Perrier, Edmond. La Femme dans La Nature, dans les Moeurs, dans la Legende..., Paris, Maison Bong, 1910, 4 vols., full gilt‑tooled leather, octavo. Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. [$100/200]

218. [Five Antique Maps of Texas], incl. “Map of the United States and Texas Boundary Line...”, 1857‑1860 (1902); “Map of a Tour from Independence...by A. Wislizenus, in 1846 and 1847”; “N.W. Corner & Pan‑Handle”, Hardesty & Co., 1885; “Map of the Black and Grand Prairies of Texas...”, Robert Hill, 1899; and a map, in Czech, showing Czech populations in Texas, 16 in. x 13 1/2 in. to 26 in. x 39 1/2 in. [$200/300]

219. [Strait of Magellan Map], “Fretum Magellannicum”, by Theodore De Bry, Frankfurt, 1601, copper engraved, depicting ships, natives, a penguin and a snail, 6 1/2 in. x 11 3/4 in., framed. [$100/200]

220. Two Antique English Mahogany Medical Instrument Cases, late 19th c., incl. fully fitted ear and nose case by Allen & Hanburys, Ltd., London, h. 2 3/4 in., w. 10 1/4 in., d. 8 in.; and chemist’s kit, with various test tubes, funnels and flasks, h. 4 1/2 in., w.

12 1/4 in., d. (excl. handle. ) 10 in. [$200/400]

222. Coin Silver Child’s Charm Bracelet, 19th c., strap bangle with adjustable buckle clasp suspending 8 round charms, variously inscribed or monogrammed, several reading “Nellie”, dia. 2 in. to 2 1/4 in. [$50/100]

221. Collection of Antique Victorian and Edwardian Tortoiseshell, mid‑19th c., incl. 6 bangle bracelets, dia. 2 1/2 in., 2 5/8 in and 2 3/4 in.; 2 card cases, h. 4 in., w. 3 1/8 in. and h. 3 in., w. 3 1/8 in.; and 2 hair combs, h. 6 1/8 in., w. 2 3/4 in. and h. 5 in., w. 6 in.; together with mother‑of‑pearl and abalone card case with accordion fold interior, h. 3 in., w. 4 1/4 in. (11 (pcs.) [$300/500]

223. English Victorian 9 kt. Yellow Gold, Black Onyx and Oriental Half Pearl Brooch, 19th c., marked “P. Bros.”, woven back, w. 1 5/8 in. [$50/75]

225. Four Antique Blown Glass Display Domes, wood bases, overall h. 16 in. to 27 in. [$150/250]

224. Pair of German Etched Glass Beer Boots, 19th c., geometric and floral design, h. 10 in.; TOGETHER WITH three polychrome porcelain dressing table objects, incl. candlestick, h. 5 in., lidded jar, and lidded bottle, all decorated with classically dressed figures. [$100/200]

226. Two Adam Aaronson (British, 20th c.) Art Glass Vases, 2003, each with silver leaf geometric designs, inscribed Adam Aaronson Collection, h. 9 5/8 in. and 17 3/4 in. [$200/400]

29

228. Four Pieces American Cut Glass Tableware, incl. compote, pitcher, spherical vase, and small vase, tallest h. 9 1/8 in. [$200/300]

227. American Brilliant Cut Glass Vase, h.

16 in., w. 7 in., d. 5 3/4 in. Note: Small chip to base. [$100/150]

231. English Cast Stone Figure of a Girl Holding a Basket of Fish, round base, h. 31 1/2 in., w. 14 in., d.

11 in. [$150/250]

233. American Federal Carved and Inlaid Mahogany Pier Mirror, early 19th c., reeded columnar stiles, divided mirror plate, h. 42 1/4 in., w.

23 1/2 in. [$300/500] Condition: Structurally sound.

Scattered marks, nicks, abrasions, crazing to finish, small/minor losses, and other imperfections expected with age and use.

235. Decorative Giltwood Trumeau Mirror, 20th c., maiden and putto reserve, molded surround, h. 62 in., w. 31 1/4 in. [$200/300]

Condition: Overall structurally sound.

Painting and mirror plate slightly loose in frame, could be tightened. Scattered imperfections expected with previous use.

30

229. Three American Cut Glass Vases, tallest h.

16 in. [$300/500]

230. Two American Brilliant Cut Glass Celery Dishes, largest h. 3 in., w. 11 3/4 in., d. 6 in. [$100/150]

232. American School, 20th c., “High Relief Portrait of a Gentleman”, carved wood, unsigned, h. 22 1/2 in., w. 15 in., d. 3 1/4 in., framed. [$50/75]

Condition Report: Not removed from frame; scratches, abrasions, holes and minor losses throughout; abrasions and scratches on his nose; surface dirt; small finishing nail holes along edges to attach work to frame; scattered white marks throughout. Frame ‑ carved wood; cracks, losses, abrasions, scratches, nicks, stains and white marks throughout; cracks in corners; surface dirt. Exterior frame dimensions ‑ 27 in. x 19 1/2 in. x 3 1/2 in.

234. American Classical Giltwood Overmantel Mirror, early 19th c., rope‑carved cornice, spiral‑turned floral columnar stiles, divided mirror plate, h. 20 in., w. 60 in. [$300/500]

Condition: Structurally sound. Old gilt surface with touch‑ups. Mirror plate appears to be an old replacement.

Scattered marks, abrasions, separations, and other imperfections consistent with age and use.

236. Pair of French Rococo‑Style Giltwood Mirrors, c. 1900, elaborate floral scrolled surround, h. 24 1/2 in., w. 14 in. [$200/400]

Condition: Both structurally sound. Later surface with touch‑ups. Crests with several repairs.

Surround with scattered repairs. Old mirror plates probably replacements. Scattered abrasions, marks, small losses, nicks, and other imperfections consistent with age and use.

238. Chippendale‑Style Gilt‑Decorated Black Lacquer Chinoiserie Tall Case Clock, finialed bonnet top, brass moon dial, arched glass door, molded paneled base ending in scalloped bracket feet, h. 89 in., w. 18 1/2 in., d. 10 in. [$300/500]

239. American Eight‑Day Mahogany Shelf Clock, c. 1865, by Gilbert, striking gong movement, painted metal dial, h. 13 1/2 in., w. 11 in., d. 4 1/2 in. [$100/200]

240. American Gilt Metal Figural Mantel Clock, c. 1885, Ansonia, NY, porcelain dial with visible escapement, allegorical figure leaning on harp, h.

21 1/2 in., w. 19 1/2 in., d. 8 1/2 in.

Note: Wear to surface. [$100/200]

241. Two American Shelf Clocks, 19th and 20th c., incl. dome‑form string and patera inlaid mahogany, h.

12 in., w. 8 3/4 in., d. 5 in.; and Patrick Terry walnut reproduction of Eli Terry example, 20th c., Warsaw, IN, striking bell movement, painted dial and cover, h. 13 1/4 in., w. 17 1/4 in., d. 4 1/2 in. [$300/500]

244. Antique Victor Victrola, c. 1900, case with later stencil decoration, fitted interior, with collection of records, h. 42 in., w. 21 in., d. 17 1/2 in. [$100/200]

242. Seth Thomas Banjo Clock, gilt finial, round dial with Arabic numerals (lacking glass cover), wood case with inset glass panels, h. 28 in., w. 9 3/4 in., d. 3 5/8 in. Provenance: Estate of Jane and Stewart Maunsell, Metairie, LA. [$40/60]

243. Withdrawn

245. Tlingit Steel Dagger, late 19th c., one side flat, other with ridged blade and stylized wolf head pommel, l. 18 1/4 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad, acquired W. E. Channing & Co., Santa Fe, April 1993. [$300/500]

31

247. Chinese Cizhou‑Style Glazed Stoneware Pillow, modeled as a recumbent spotted cat, h. 8 in., w.

13 3/4 in. [$50/75]

246. Chinese School, “Ancestor Portrait”, ink and color on paper, sight 53 in. x 26 1/4 in., framed.

Provenance: Estate of Ursula Johns Gill, San Antonio, TX. [$200/400]

248. Pair of Chinese Doucai Porcelain “Lotus Pond” Wine Cups, 20th c., delicately enameled with ducks swimming amid lotus and other aquatic plants, bases with Chenghua marks, h. 1 1/2 in., dia. 3 1/4 in. [$100/200] 249. Group of Chinese Ceramics, 20th c., incl. famille rose porcelain “Guang Dong” plaque, h. 17 in., w. 10 5/8 in., and Yixing pottery teapot, h. 5 3/4 in., w. 8 in. [$50/75]

251. Pair of Chinese Porcelain Wall Vases, 20th c., modeled as halved ribbon‑tied baluster vases, decorated with bird‑and‑flower reserves and calligraphy, h. 7 1/2 in. [$50/75]

250. Open lot.

252. Chinese Partial Glazed Pottery Figure, probably Ming Dynasty (1368‑1644), modeled standing on a plinth with one arm at his waist and the other raised, h. 12 in. Provenance: Joan Good Antiques, New Orleans, c. 1960s. [$50/75]

253. Chinese Famille Rose Porcelain Vase, decorated with flower sprays on a lattice ground, h. 9 1/4 in., now mounted as a lamp, h. (to socket) 15 3/8 in. Provenance: Henry Stern Antiques, New Orleans. [$100/200]

254. Chinese Peachbloom Glazed Porcelain Amphora Vase, 19th c., mottled copper red glaze, recessed base with Kangxi mark, h. 6 1/4 in. Note: restoration to rim. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$75/125]

32

255. Pair of Chinese Blue and White Porcelain Vases, late 19th/ early 20th c., decorated with dragons amid foliage, bases with Kangxi marks, h. 5 1/4 in., stands, overall h. 6 1/4 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

256. Five Chinese Blue and White Porcelain Wine Cups, 19th c., incl. 4 with stem feet, 3 decorated with foliate scrolls, and 1 with landscape, h. 2 in. and 2 1/8 in.; and a single with prunus decoration, h. 1 3/8 in., stand, overall h. 2 3/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$75/125]

257. Chinese Blue and White and Polychrome Porcelain, 20th c. and earlier, incl. antique double gourd vase, base with double ring mark, h. 11 5/8 in., stand, overall h. 13 in.; transfer‑decorated sleeve vase or incense holder, base with Kangxi mark, h. 5 1/8 in.; dish, base with Jiangxi Ciye Gongsi mark, dia. 5 3/4 in.; pillow, h. 2 7/8 in., w. 8 1/4 in., d. 4 5/8 in.; and “rice pattern” covered bowl, Gongsi marks, h. 4 1/4 in., dia. 7 5/8 in., stand, overall h. 6 1/4 in.; TOGETHER WITH celadon dish, dia. 3 1/4 in. (6 pcs.) [$150/250] Provenance: The Sturm Collection, St. Thomas and Trinidad

Condition: Double gourd vase: drilled and filled with associated cracks and small losses; restoration incl. reglazing that is yellowing. Sleeve vase: good condition. Dish: outer edge of rim with small chip and associated hairline. Pillow: remnant felt and glue on base; interior with loose stone. Covered bowl: mild wear. Celadon: good condition

258. Chinese Blue and White Porcelain Cosmetic Box, probably 19th c., cover decorated with boys in a fenced garden, base with Kangxi mark, h. 1 3/8 in., dia. 3 1/2 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150] Condition: Cover with crescent‑shaped chip to rim.

259. Group of Chinese “Clair‑de‑Lune” and Turquoise Glazed Porcelain, Qing Dynasty (1644‑1911), incl. bird feeder, h. 1 1/2 in.; faceted vase, h. 1 7/8 in.; and Budai, h. 2 3/4 in. (3 pcs.) Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

260. Three Chinese Monochrome Porcelain Bottle Vases, late 19th/early 20th c., incl. blue with stepped foot, base with double ring mark, h. 4 1/2 in.; yellow with overall crackle, h. 4 7/8 in.; and mottled blue, h. 5 1/2 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

33

261. Chinese Mustard Yellow Glazed Porcelain Water Pot, 19th c., canted sides with applied dragon, base with Tongzhi mark, h. 2 1/4 in., w.

2 3/4 in., d. 2 1/2 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

263. Chinese Blue and White Porcelain Bottle Vase, 20th c., decorated with dragons amid foliage, base with Kangxi mark, h. 5 7/8 in., stand, overall h. 6 7/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

262. Chinese White Glazed Porcelain Bowl, probably Qing Dynasty (1644‑1911), oval body on waisted base with shaped feet, h. 3 1/8 in., w. 10 1/8 in., d. 7 7/8 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$50/100]

264. Two Chinese Yellow Glazed Vases, 19th/early 20th c., each with overall crackle, first wide bottle‑form, h. 6 1/2 in.; other square‑form with Buddhist lion mask handles, h. 8 1/4 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

266. Group of Japanese Polychrome Porcelain, 20th c. and earlier, incl. lobed dish, dia. 9 7/8 in.; bowl with cover, dia. 4 1/4 in.; and cup, h. 2 1/8 in., stand, overall h. 3 1/4 in.; TOGETHER WITH bronze‑mounted Chinese Imari cup, h. 3 1/4 in.; and basketry encased porcelain cup, h. 2 1/8 in., stand, overall h. 2 5/8 in. (5 pcs.) Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

265. Chinese Blue and White Porcelain Bottle Vase, Qing Dynasty (1644‑1911), notched flared rim, faceted garlic neck, decorated with a pair of birds on a floral scroll ground, octagonal flared foot, base with double ring mark, h. 11 1/2 in.

Note: Chip to rim. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

Condition: Lobed dish ‑ good overall with small hairline to rim. Covered bowl ‑ bowl with hairlines from rim through side walls and forking hairline in well. Cup ‑ good condition with minor wear to enamels. Bronze‑mounted cup ‑‑ repaired breaks to one side and small associated losses. Basketry cup ‑ porcelain with repaired break near rim and scattered hairlines; basketry with only minor wear.

267. Pair of Chinese White Glazed Pottery Covered Lanterns, 20th c., reticulated bodies carved with ruyi heads, bamboo leaves, and flowering prunus branches, pierced covers and bases, h. 10 1/2 in., wood stands, overall h. 11 1/2 in. [$100/150]

268. Five Chinese Famille Rose Decorated Blue and White Eggshell Porcelain Bowls, 20th c., 4 decorated with fish in water, other with birds and branches, h. 3 7/8 in. to 4 in., dia. 9 3/8 in. to 9 7/8 in.; together with “famille jaune” example, h. 4 1/8 in., dia. 9 1/2 in; all with original storage boxes (6 pcs.) [$300/500]

34

269. Chinese Polychrome Pottery Model of a Seven Story Pagoda, 20th c., h. 18 1/4 in., w. 5 in., d. 5 3/4 in. Condition: Scattered loss to surface enamels, most notably along hexagonal railing. Losses to several of the bells hung from the various roofs. [$100/150]

270. Chinese Famille Rose Decorated Blue and White Eggshell Porcelain Bowl and Semi‑Eggshell Porcelain Lantern, 20th c., lobed bowl with riverscape scene, base with Qianlong mark, h. 3 3/4 in., dia. 9 1/2 in.; 2‑part lantern with birds and flowers, h. 13 in.; bowl with original storage box. [$150/250]

272. Chinese Molded Red Lacquer Box, 20th c., cover decorated with two figures seated at a table amid leaves and waves, h. 3 3/4 in., dia. 7 3/8 in., stand, overall h. 5 1/2 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$75/125]

271. Three Chinese Carved Giltwood Panels, probably 19th c., incl. vertical, carved with figures on and around an elephant and a goat, framed, 20 1/2 in. x 6 3/4 in.; horizontal, carved with 3 figures beneath trees, framed, 8 in. x 16 1/2 in.; and horizontal, carved with 2 figures in a window and 3 outside, framed, 8 1/2 in. x 17 1/4 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$250/350] 273. Three Archaistic Chinese Hardstone Items, incl. cong, w. 2 1/4, d. 2 1/4 in.; and two bi disks, dia.

2 1/4 in. and 2 5/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$200/300]

274. Chinese Celadon and Russet Jade Recumbent Ram, Qing Dynasty (1644‑1911) or earlier, carved grasping lingzhi sprays, h. 1 3/8 in., l. 1 5/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

275. Two Archaistic Chinese Hardstone Bangles, incl. brown and green calcified, dia. 3 3/8 in.; and celadon and gray, dia. 3 1/4 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

277. Chinese Silver, Enamel and Jadeite Hung Gray Jade Disk, Qing Dynasty (1644‑1911), disk, dia. 2 3/16 in., overall l. 7 5/8 in.

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

276. Chinese Agate Pendant, Qing Dynasty (1644‑1911), carved as a boy emerging from a lotus pod, h. 1 3/4 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

279. Chinese Bamboo Sampan Boat, probably 19th c., carved with figures on deck, h. 5 in., l. 18 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

278. Two Archaic or Archaistic Chinese Hardstone Pendants, incl. brownish yellow huang‑form with fish head terminals and incised scrollwork decoration, h. 3 1/8 in., w. 4 1/2 in.; and brown axe‑form surmounted by a phoenix, h. 2 7/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$200/300]

280. Chinese Bamboo Figural Group, carved as Budai seated on an elephant, h. 9 7/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

35

283. Three Chinese Glazed Porcelain Snuff Bottles, 2 with stoppers, incl. white with blue calligraphy, h.3 in.; and 2 green, h. 3 in. and 3 3/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

281. Pair of Chinese Cloisonné Enamel Cranes, 19th/20th c., h. 7 1/4 in. and 7 3/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/125]

282. Two Chinese Jade Archer’s Rings, incl. pale celadon, h. 1 3/8 in., dia. 1 7/16 in., and creamy white and russet incised with a male Buddhist lion on saddle top, h. 1 1/4 in., w. 1 1/4 in. [$300/500]

284. Three Chinese Soapstone Snuff Bottles, stoppers, incl. white, h. 2 7/8 in.; mottled spinach green and gray, h. 2 3/4 in.; and green and russet, carved with prunus and feline, h. 2 5/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

285. Three Chinese Ge‑Style Crackle Glazed Stoneware Snuff Bottles, h. 2 7/8 in.; 2 3/4 in.; and 2 1/2 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150]

286. Chinese White Slip Embellished Blue and White Porcelain Snuff Bottle, stopper, decorated with birds and lotus, base with hall mark, 2 5/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$100/150] 287. Collection of Twenty‑Five Chinese Glass Snuff Bottles, 20th c., incl. 1 red overlay snowflake glass, h. 2 5/8 in.; 1 Gu Yue Xuan‑style painted milk glass (lacking stopper), h. 3 1/4 in.; and 23 inside painted (2 lacking stoppers), h. 2 1/2 in. to 3 5/8 in.; TOGETHER WITH 1 inside painted master snuff, h. 4 1/8 in. Note: Master snuff in poor condition.

(26 pcs.) [$200/300]

288. Japanese Woodblock Print, probably 19th c., “Hermit by Stream Admiring Geese Flying South”, sealed lower right, 17 1/4 in. x 11 3/4 in., matted and framed. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$40/60]

Condition: Fair to poor. Overall toning.

Scattered foxing. Worm holes in comers. Corners glued to paper backing. Tear to one corner. Edges with small tears and losses. Central horizontal crease.

36

289. Kaoru Kawano (Japanese, 1916‑1964), “Gentle Breeze”, woodblock print, pencil‑signed, titled and numbered “8/50” lower margin, 16 1/8 in. x 22 3/8 in., framed. [$50/100]

290. Utagawa Kunisada/Toyokuni III (Japanese, 1786‑1864), “Actor with Shamisen”, woodblock print, sheet 13 3/4 in. x 9 1/4 in., unframed. [$80/120]

291. Two Japanese Nabeshima‑Style Porcelain Dishes, probably early 20th c., incl. octagonal, decorated with flowers and textiles, h. 1 7/8 in., w. 14 1/4 in., d. 11 in.; and round, with peony, chrysanthemum and prunus, dia. 12 1/8 in. Provenance: The Sturm Collection, St. Thomas and Trinidad. [$75/125]

292. Two Japanese Polychrome Pottery “Hasaka” Dolls, 20th c., incl. artisan painting a vase; and male and female couple, h. 7 1/2 in. and 9 3/4 in., “tatami” and wood plinths, overall h. 8 1/2 in. and 10 3/4 in. [$50/75]

293. Antique Indian Inlaid Bronze, Brass and Wood Ceremonial Mace, lobed head with foliate inlay, l. 20 3/4 in.; together with two antique Indian iron axes, larger with figural decoration, l. 28 1/4 in. and 19 3/4 in. (3 pcs.)

Provenance: The Sturm Collection, St. Thomas and Trinidad. [$150/250]

294. Two Indonesian Carved Wood Canoe Prow Figureheads, larger carved with lion, glass inset eyes, mounted to a wood platform plinth, overall h. 16 3/4 in., w. 3 5/8 in., d. 17 3/4 in.; smaller with birds, wood platform base, overall h. 13 in., w. 2 3/4 in., d. 18 in. [$150/250]

295. Collection of Vintage Burmese Lacquer, incl. kalat, h. 12 1/2 in., dia. 19 1/2 in.; multi‑tiered food offering container, h. 17 1/2 in., dia. 16 3/4 in.; covered box, h. 11 in., dia. 16 1/2 in.; stand with 3 claw feet, h. 4 1/2 in., w. 14 1/2 in.; and glass‑inset footed vessel, h. 9 1/2 in., dia. 11 1/4 in. [$200/300] 297. Four Chinese Carved Wood “Official’s Hat” Side Chairs, shaped yoke back top rail, curved backsplat, inset panel seat, spindled shaped apron, straight turned stretchered legs, h. 40 in., w. 20 in., d. 17 1/4 in. [$100/200]

299. Asian Hardwood Commode on Stand, waisted top inset with four panels, frieze with starburst motif, c‑scoll corner flanges, paneled door, shelf interior, stand with c‑scroll flanges, curved legs, h. 34 in., w. 18 1/2 in., d. 18 1/2 in. [$250/350]

296. Collection of Thai and Burmese Wood, Basketry, and Basketry over Lacquer Vessels, 20th c., h. 9 1/2 in. to 26 in. (7 pcs.) [$300/500]

298. Asian Hardwood Cabinet, upper case with 2 doors opening to interior fitted with shelf and 2 drawers, lower case with 2 doors opening to void interior, h. 79 1/2 in., w. 38 1/2 in., d. 23 1/2 in. [$400/600]

300. Chinese Hardwood Etagere, rectangular case fitted with multi‑tiered shaped shelves, h. 33 in., w. 29 3/4 in., d. 8 1/4 in. Note: Lacking glass. [$150/250]

37

Neal Auction Louisiana Purchase AuctionTM November 23 & 24, 2019

Featuring Distinguished Collections of Fine American, Continental and Contemporary Paintings, Drawings, Prints and Photography • Asian Art • Sculpture • Period Furniture and Decorative Objects • Historical Documents, Books and Maps • Lighting • Silver • Art Pottery

1. Ida Kohlmeyer (1912-1997), “Becalmed,” 1959, o/masonite, 30 x 24 in. 2. Empire Gilt and Patinated Bronze “Au Bon Sauvage” Mantel Clock, c. 1800, attr. Jean-Simon Deverberie, h. 19 1/4 in. 3. Robert Jupe-Style Exotic Woods-Inlaid Mahogany Dining Table, early 20th c., stamped “Casa Muzard,” dia. 54 1/2 in. 4. Attr. Jose Francisco Salazar y Mendoza (1750-1802), “Prob. Sebastián Calvo de la Puerta y O’Farrill, Marqués de Casa Calvo (1751-1820),” o/c, 42 x 32 3/4 in. 5. Rare Louisiana Inlaid Mahogany and Acajou Moucheté Armoire, late 18th c., h. 85 in. 6. Rare American Rococo Carved and Laminated Rosewood Sofa, c. 1850-60, attr. J. H. Belter, NY, w. 91 in.

AUCTIONEERS & APPRAISERS OF ANTIQUES & FINE ART 4038 Magazine Street, New Orleans, LA • 504-899-5329 • www.nealauction.com • clientservices@nealauction.com Buyer’s Premium: 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. Neal Auction #AB-107.

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art

4038 Magazine St., New Orleans, LA, 70115 • 504-899-5329 • clientservices@nealauction.com • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #1874, Fagan #1935