June 28 & 29 Summer Estates Auction

Neal Auction Company Summer Estates Auction June 28 & 29, 2014

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Front Cover (detail): George Rodrigue (American/Louisiana, 1944-2013), “The Yellow Robe of Texas,” 1991, acrylic and o/c, sd., 20 x 24 in.

Back Cover: Robert Helmer (American/New Orleans, 1922-1990), “The Acid Green Bottom”, 1963, m.m./masonite, sd., 35 3/4 x 31 3/4 in.

This page (detail): Set of Four Antique Continental Inlaid Hall Chairs.

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SUMMER ESTATES AUCTION JUNE 28 & 28, 2014 On Our Premises 4038 Magazine Street & 3923 Carondelet Street • FEATURING: Fine Period Furniture, Antique Silver, Jewelry and Decorative Arts from the Estate of Ursula Johns Gill, San Antonio, TX • Part I, Important Asian Works of Art, Porcelains and Decorative Arts from the Private Collection of Noted Antiquaire Diane Genre, New Orleans • A Collection of New Orleans Art, including Works by Enrique Alferez, acquired from the Artist • Important Southern Paintings from a Connecticut Collection • Part III, Fine Art and Photography from the Collection of Charles Fritchie, New Orleans • Fine Art from a Notable Collection, Las Cruces, NM • And Property of Others

EXHIBITION both galleries beginning Monday, June 16, 10 a.m. to 5 p.m.

Special Saturday Preview, June 21, 10 a.m. to 5 p.m.

Evening Preview Reception, Thursday, June 26, 5 to 7 p.m.

AUCTION SCHEDULE Saturday, June 28, 10 a.m., 4038 Magazine Street Sunday, June 29, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

Diane Genre

Neal Auction Company is pleased to offer property from the private collection of noted antiquaire Diane Genre of New Orleans. Mrs. Genre has been a collector of Asian antiques for 30 years and owner of her eponymous business, Diane Genre Oriental Art & Antiques, for 28 years. She has lectured and published widely, particularly on the subjects of antique Asian textiles and Japanese woodblock prints, and is in the final planning stages for a major museum exhibition of objects from her collection.

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Ursula Johns Gill Neal Auction Company is pleased to present the Estate of Ursula Johns Gill (1925-2013) of San Antonio and Houston. This eclectic collection encompasses an extensive group of Georgian and Victorian jewelry and silver, as well as English and Asian furniture and decorative arts. It was formed over the course of a century by three ladies: Mrs. Gill, her sister, Pamela (1916-1998), and their mother, Ella Mary “Dolly” Baldwin Sadler-Brown Johns (1890-1984).

Dolly grew up in late Victorian London, summering on the Isle of Wight. As a young divorcee she drove a Red Cross ambulance in the Great War, then traveled extensively in postwar Europe. In Paris she met and married American Colonel Glover Johns and moved to the United States, living in Hawaii and later, San Antonio.

By the 1940s Dolly was in the antiques business. She had a shop on Broadway in San Antonio and another in Cripple Creek, Colorado where she spent summers. Ursula would later follow in her mother’s footsteps as an antiquarian. Pamela lived primarily in Hawaii and traveled widely, particularly in the Far East and Mexico. Many of the Asian pieces are from Pamela’s travels.

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Session One

Saturday, June 28th, 10 am 4038 Magazine Street

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3. Pedro Friedeberg (Mexican/Louisiana, b. 1936), “Castillo: Alligator Women”, 1973, silkscreen on paper, pencil-signed and dated lower right, signed and dated in plate mid left, numbered “5/60”, sheet 21 1/2 in. x 21 1/2 in., framed. $800/1200 4. George Balthasar Probst (German, 1673-1748), seven hand-colored engravings of the wonders of the world, each sight 12 1/4 in. X 16 1/2 in., framed alike (7 pcs.)

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$700/900 Provenance: Estate of Robert (1912-1991) and Edwina (19202006) Reisfeld, New Orleans, LA. 5. A Russian .875 Silver Creamer, St. Petersburg, 17951828, 84 zolotnik mark, oval form with lobed base, applied classical bands and ebonized handle, gilt interior, height 4 1/8 in., length 5 1/2 in., weight 4.65 troy ozs.

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1. Philip Pearlstein (American, b. 1924), “Nude on a Couch”, lithograph, pencil-signed and numbered “XXIII/XL” lower left, stamped “Chiron Press New York” lower right, sheet 22 1/2 in. x 30 in., framed. $500/700

$700/1000

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Reference: Tardy, International Hallmarks and Silver, pp. 363, 366.

6. An Austrian .900 Silver and Cobalt Enamel Cigarette Case, Vienna, early 20th c., with jeweled clasp, plain rectangular hinged case with geometric borders, length 5 1/4 in., width 3 1/4 in., weight 6.50 troy ozs.

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2. Louis Icart (French, 1888-1950), “Lady and Greyhounds”, 1925, aquatint/engraving, signed lower right, dated upper left, plate 20 3/4 in. x 17 3/8 in., framed.

$200/300

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$150/300

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7. An Antique Tortoiseshell and Sterling Silver Box, Deakin & Francis, Birmingham, 1918, height 1 3/4 in., length 3 in. $300/500 8. A Pair of Regency Gilt Bronze, Cut Glass and Porcelain Girandoles, early 19th c., each with candle nozzle on vasiform standard, plinth base, prism hung, height 11 1/2 in. $1000/2000 9. A Pair of Edwardian Leather Club Chairs, c. 1900, each with arched tufted back, padded arms, casters.

11. A Chinese Export Blue and White Porcelain Covered Cistern, probably 18th c., rectangular body with molded corners and mythical beastand-fixed-ring handles on integral four footed base relief molded with archaistic motifs repeated at the overhanging top, sloping cover surmounted by a qilin figure, flat back pierced with a “cash” roundel, metal tap, height 24 in., width 11 in. Note: Restoration. $1000/1500 Note: Based on a Western wall-fountain prototype, this form was used in 18th century dining rooms for serving red wine.

Reference: Godden, Oriental Export Market Porcelain, London, 1979, pl. 33, p.

133. See also the Peabody Essex Museum, Salem, MA, for a similar cistern with gilt decoration.

$1500/2500

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10. A Charles II Oak Chest of Drawers, late 17th c., molded top over four molded paneled drawers, molded base, block feet, height 34 1/2 in., width 35 1/2 in., depth 21 1/2 in. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

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13. A Chinese Export Canton Famille Rose Porcelain Initialed Tea Service, mid19th c., painted in tones of sepia and gilt with a variety of garden scenes below the gilt initial “R”, comprising colorful, broad borders, comprising: a butter tub, cover and stand, two reticulated platters, a teapot and domed cover, a coffee pot and domed cover, a large fluted jug, a fluted milk jug, a cream jug, a waste bowl, a sugar bowl and domed cover, 9 cake plates, a round dish, 7 breakfast cups, 7 teacups, 8 large saucers and another similar, 12 saucers, height of coffee pot 10 1/4 in. $4000/6000 Provenance: Christies, New York, Jan. 26, 2006, lot #138.

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14. An Antique Continental Wrought Iron and Carved Walnut Conservatory Table, 19th c., hexagonal divided copper lined tray within the circular top, leaf work carved edge, bulbous acanthus carved stem, fitted wrought iron supports, scrolled legs, height 40 in., diameter 47 in. $2500/3500

12. Chinese Export School, probably 19th c., “Botanicals”, a pair of paintings, each ink and color on paper, sight 8 5/8 in. x 12 4/8 in. and 8 3/8 in. x 11 3/8 in., framed alike, 19 1/8 in. x 23 in. $400/600

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16. An American Sterling Silver Flatware Service, Tuttle Silversmiths, Boston, 1890 to present, “Onslow” pattern, pat. 1931, including 12 forks, 12 knives, 12 salad forks, 12 soup spoons, 12 teaspoons, 12 iced teaspoons, 12 butter knives (fh), 12 cocktail forks, a salad serving fork and spoon, a fish serving fork, 3 tablespoons and a sauce ladle, (103 pcs.), weight 106.10 troy ozs. $2500/4500 17. A Pair of Ellis-Barker Silverplate Three-Light Candelabra, after 1912, height 17 1/2 in. $800/1200

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18. A Pair of Ellis Barker Silverplate Wirework and Cobalt Glass Garniture Coupes in the Regency Taste, height 7 in. $500/750

15. A Regency Mother-of-Pearl Inlaid Rosewood Sarcophagus-Form Nécessaire, c. 1820, beaded lid opening to gilt stenciled tooled leather framed mirror plate and fitted tray over a pair of doors enclosing two drawers over a writing drawer, melon feet, height 15 3/8 in., width 14 in., depth 11 1/4 in.

19. A Gorham Sterling Silver Tea Tray in the Neo-Classical Taste, early 20th c., oval loop handles, medallion and swag border, handsome script monogram, length 30 1/8 in., width 19 1/4 in., weight 159.75 troy ozs.

$800/1200

$1500/2500 Provenance: Estate of Ursula Johns Gill.

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20. A Good Pair of Empire Gilt and Patinated Bronze ThreeLight Figural Candelabra, early 19th c. $800/1200 21. A George III Mahogany Stick Barometer, c. 1790, Dolland, London, broken pediment, over a feather-banded trunk, hemispherical cistern, signed brass scale with manual vernier, height 39 1/2 in., width 5 1/4 in., depth 3 1/4 in. $1200/1800 23 22. A Fine Anglo-Colonial Highly Carved Hardwood Console Table, 19th c., reticulated backsplash, molded top, foliate frieze, pierced scrolled foliate supports, conforming back panel, incurvate plinth, acanthine feet, height 41 1/2 in., width 51 in., depth 24 in.

24. A Regency Gilt and Black Papier-Mâché Tray, early 19th c., extensive gilt decoration, on later conforming stand, overall height 19 in., width 25 1/2 in., depth 20 in.

$1200/1800 23. Six Regency Carved Mahogany Dining Chairs, early 19th c., comprising two arm and four side chairs, each with tablet crest, molded seat rail, turned and reeded legs.

$1200/1800

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$1500/2500 24

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W 27. Three English

Stipple Engravings of Classical Figures, 19th c.

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$500/700 28. A French or Italian Grand Tour Bronze Figural Oil Lamp, 19th c., with dog head spout and masks, height 5 5/8 in., width 7 in., depth 2 1/2 in. $400/600 29

28 29. A French or Italian Grand Tour Bronze Oil Lamp, 19th c., in the form of a fish engaged in swallowing another fish pierced handle, height 3 in., length 6 1/2 in. $400/600

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25. A Georgian Carved Walnut Armchair, probably 18th c., arched crest, scrolled acanthine arms, trapezoidal seat, acanthine cabriole legs, scrolled toes. $800/1200

26. A Continental Carved Fruitwood Tavern Table, late 18th c., shaped batten top, molded edge, frieze fitted with two drawers, blocked columnar supports, boxed stretcher, blocked feet, height 31 in., width 57 1/2 in., depth 33 1/2 in. $1000/1500

30. A Pair of Paris Porcelain Topographical Presentation 31 Urns, c. 1839, reserves depicting finely detailed city scenes, the reverse with dedication in German noting the date of 1839, with grotesque mask handles, height 13 in., diameter 10 in. $700/1000 31. A Large Paris Porcelain Reticulated Navette Corbeille, 19th c. $500/750

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32. Walter Launt Palmer, N.A. (American, 1854-1932), “Fishing Boat on the Venetian Lagoon”, watercolor laid down on board, signed lower left, 25 in. x 19 in., framed. $1200/1800 Provenance: Estate of James Fenimore Cooper IV. Note: Son of the celebrated American sculptor Erasmus Dow Palmer (18171904), Walter Launt Palmer was born in Albany, and is well known for his evocative scenes of upstate New York in winter. At the age of nineteen, he accompanied his father on his first trip to Europe—to Paris in 1873-74, and returned to study painting there in 1876-77. Between these Parisian sojourns, Palmer worked in Venice using both oils and his typical watercolors. During this period, he painted a nearly identical version of the dramatic composition offered here in a smaller, horizontal format. “S. M. della Salute at Twilight” and “Piazzetta from the Bacino” were also painted on this extended visit. The wonderful “Fishing Boat” presented here recalls art historian Royal Cortissoz’s encomium of Palmer’s

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contemporary, William Bunce: “[his] characteristic design was composed of a long, horizontal line separating a tremulous lagoon from a vibrating sky, with a campanile or two lifted into the air and a…boat shrewdly placed…in the foreground. Out of these few materials he fashioned the most amazing opalescent effects.” Launt Palmer’s composition here is even more persuasive than Bunce’s “Early Morning,Venice” in the Metropolitan Museum. Palmer’s watercolor strongly recalls parallel works by J.M.W. Turner, Edward Lear, John Inchbold, and Thomas Moran—who all painted these same decorated sails (still visible today in vintage Venetian photographs of the period). Palmer’s watercolor also recalls Renoir’s “Fog in Venice”, whose water is handled in a closely analogous way. In sum, Palmer’s “Fishing Boat” is a tour-de-force that prefigures Whistler’s masterpiece “Scene on the Venetian Lagoon” by four years. Whistler’s painting presents not only the same panorama, perspective, and proportions that we see here in Launt Palmer, but even the same highly idiosyncratic cloud-strewn sky, scumbled to reveal a ground of brown wash.

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34. A Pair of Italian Variegated Marble Tazzas, lobed body, on molded socle base, square plinth, height 15 1/2 in., diameter 20 in. $1200/1800 35. Italian School, 19th c., “The Bacino di San Marco”, in the manner of Francesco Guardi (1712-1793), oil on canvas, unsigned, 14 in. x 17 in., framed. $1500/2500 36. A Neapolitan Grand Tour Gouache, “Eruption of Vesuvius”, 1887, signed, titled and dated, 13 in. x 17 1/2 in., velvet frame liner. $200/400 37

33. George Gardner Symons (American, 1861-1930), “Early Spring”, oil on artist’s board, initialed lower right, 8 in. x 10 in., framed.

37. James Abbott McNeill Whistler (American, 18341903), “Thames Police” (Kennedy 44), 1859, etching on paper, signed and dated in plate lower right, plate 5 3/4 in. x 8 7/8 in., framed.

$1000/1500

$1000/1500

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W 41. A Chinese Export Gilt Decorated Canton

Famille Rose Porcelain Pitcher and Basin, 19th c., pitcher of bottle form with undulating mouth and scroll handle raised on a splayed foot, basin of U-form with wide everted rim, each with butterfly, flower and fruit decoration, pitcher height 15 1/2 in., basin height 5 3/4 in., diameter 19 in. $300/500 W 42. A Chinese Export Canton Famille Rose

Porcelain Platter, probably Qing Dynasty (1644-1911), oval body decorated with figural and floral panels, height 2 1/8 in., width 14 1/2 in., depth 12 1/4 in.; together with two dishes, diameter 6 1/4 in. and 7 3/4 in.

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$250/500 43. A Chinese Export Famille Rose Punchbowl in the Cabbage Leaf Pattern, 19th c., U-form body vibrantly enameled with cabbage leaves and butterflies beneath a wide floral band at the rim, height 5 3/4 in., diameter 14 3/8 in. $500/700 43

44. A Pair of Grand Tour Bronze Statues, probably early 20th c., depicting Greco Roman wrestlers, height 8 1/4 in., width 6 in., depth 3 in. $400/600

39 (1 of 2) 45. A Napoleon III Gilt Bronze and Pietra Dura Jewelry Casket, c. 1870, marked on the lockplate “Tahan à Paris”, oval form, engraved scrolled ground, beaded border, the lid and side fitted with pietra dura medallions of flowers and butterflies, height 4 1/8 in., width 7 1/2 in., depth 4 3/4 in.

38. Childe Hassam (American, 1859-1935), “The Nymphs of the Garden”, 1923, etching, signed with the artist’s cipher and “imp” in pencil, also inscribed “The nymphs of the garden, three cat birds, four robins, four cotton tails, 3 purple grackles, my garden Southampton, CH”, lower margin, 4 3/4 in. x 11 1/2 in., matted. $1000/1500 44 39. Anders Zorn (Swedish, 1860-1920), “Hartang” and “Gulli I”, both 1914, two etchings, signed lower right in pencil, both 5 in. x 3 1/2 in., matted.

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Plaster Casts, depicting the Duke of Wellington, Marquis Cornwallis, Hon. William Pitt, etc., mounted on leather, 9 in. x 10 3/4 in., shadow box oak frame.

$800/1200

$600/900

W 40. Auguste Brouet (French,

1872-1941), “Deux Danseuses”, “La Femme au Chien” and “Le Salut”, three etchings, each signed lower right margin, 6 5/8 in. x 8 in., 6 5/8 in. x 8 1/2 in., and 5 1/8 in. x 7 in., matted. $700/1000 45

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$800/1200

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W 47A. A Chinese Polychrome Painted Wood Figure, probably 19th c., carved

as a seated offical wearing court attire and holding a staff erect, height 27 1/4 in.

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47. A Pair of Chinese Polychrome Painted Wood Figures of Guanyin, probably 20th c., each carved standing on a rockwork base wearing loose robes and a celestial scarf, height 29 3/4 in. $1800/2500

$1000/2000 48. A Rare and Important Japanese Tsuzure-Ori “Kesi” Panel, 19th c., worked in tapestry weave with scholars in a landscape, 87 in. x 58 1/4 in. $10000/15000 49. A Monumental Japanese Mixed Metal Urn, 20th c., ovoid body with waisted flared neck overlaid in relief with figures of birds and flowers, copper liner, height 37 in.

Note: Lacking some metal overlay. $1200/1800

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50. A Japanese Carved Hardwood and Mixed Metals Étagère, molded cornice, staggered shelves with pierced foliate friezes and brackets, drawers below, shaped base, arched legs, volute feet, height 84 in., width 53 1/2 in., depth 15 1/2 in. $800/1200 51. A Japanese Gilt and Maki-e Decorated Black Lacquer Mirror Stand, probably 19th c., folding easel form with rounded yoke top rail decorated with foliage and fences, height 38 in., silk tassel. $800/1200

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52. Attributed to Kitagawa Utamaro (Japanese, 17531806), “Standing Beauty”, ink and color on silk, inscribed upper center, inscribed and sealed lower right, sight 38 3/8 in. x 16 1/4 in., framed. $8000/12000

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53. Japanese School, “Mounted Warriors”, pair of paintings, each ink and color on paper, signed Tsunetsuga Hitsu and sealed lower left and lower right, 46 3/4 in. x 21 5/8 in., mounted as hanging scrolls.

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$4000/6000 54. Japanese School, “Beauty beneath the Waterfall”, ink and color on paper, inscribed Watanabe Shiko en verso, 43 1/4 in. x 17 in., mounted as a hanging scroll. $1800/2500

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55. A Japanese Gilt Decorated Blackish Brown Lacquer Low Table, probably Meiji Period (1868-1912), square galleried body on shaped feet, decorated overall with sparrows amid flowering prunus, height 5 1/4 in., width 13 in., depth 13 in. $800/1200

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56. A Large Japanese Iron Red and Gilt Decorated Blue and White Porcelain Dish, probably 20th c., shallow bowl-form body decorated with an eagle on rockwork beneath a pine tree, height 2 3/8 in., diameter 18 in. $500/750

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57. A Set of Five Japanese Kakiemon Porcelain Dishes, probably Edo Period (1603-1868), each lobed square form decorated with flowering plum branches and chrysanthemums, width 6 1/2 in., depth 6 1/2 in.

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$2000/4000

61. A Japanese Mixed Metal Vase, Meiji Period (1868-1912), slender ovoid body decorated with a longtailed rooster perched in a flowering tree, base with Hattori seal, height 3 5/8 in.

58. A Pair of Japanese Kakiemon Style Porcelain Navette Form Dishes, probably 19th c., each with molded ribbed sides, decorated with long-tailed phoenix and flowering begonias, height 1 3/4 in., width 7 1/4 in.

$1000/1500

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59. A Japanese Oribe Pottery Bowl, probably 19th c., globular body with loop handles and everted rim, height 3 3/8 in., diameter 8 1/8 in. $2500/3500 60. A Japanese Oribe Pottery Sake Flask, probably 19th c., rectangular body with flared neck and curved spout, height 7 in. $1800/2500

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62. A Pair of Japanese Bronze Urns, Meiji Period (1868-1912), bottle form bodies raised on tall tiered splayed feet, relief decorated with scenes of birds and prunus above crashing waves at the base, height 24 1/2 in. $1500/2000 66 (5 of 10) 63. A Southeast Asian Bronze Rain Drum, top with detailed, concentric rings in various motifs and mounted with crouching frogs, loop handles, one side with floral element centered by elephants, height 20 1/2 in., width 25 1/2 in., depth 24 1/2 in. $1000/2000 64. A Japanese Bone and Mother-of-Pearl Inlaid Carved Hardwood Étagère, foliate crest centering a bird, staggered shelves and cupboards with pierced foliate friezes and brackets, drawers below, shaped base, arched legs, volute feet, height 70 in., width 44 in., depth 14 in.

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$700/900 65. An AngloIndian Carved Elm Armchair, 19th c., reticulated scrolled foliate crest, padded back, shaped arms, straight seat rail centering grapevine, turned legs.

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$250/350

66. A Collection of Ten Chinese Export Blue and White Porcelain Dishes, 18th to 19th c., each of circular form with flat rim, variously decorated with floral, landscape and antique designs, height 1 in., diameter 9 in.

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$600/800 W denotes the lot is illustrated at www.nealauction.com

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67. An American Aesthetic 14 kt.

Yellow Gold and Carved Coral Cameo Bangle Bracelet, c.

1890, with floral and scroll engraving, weight 19.5 dwts. $300/500 W 68. A Yellow

Gold, Jade and Diamond Ring, the carved jade Buddha now mounted on an associated band ring set with 3 diamonds.

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71. A Regency 15 kt.

Rose Gold and Carved Jasper Revolving Fob Seal, c. 1810, with crest and motto “tria juncta in uno (three joined in one)” of The Order of the Bath; together with a small Georgian hand seal with mother-of-pearl handle set with a silver-mounted faceted citrine, c. 1820; and a small yellow gold and bloodstone fob seal, c. 1830.

$300/500 W 69. A Group

of Jade Jewelry, including a pair of white jade earrings, enameled earrings; vermeil, jade and enameled pin; vermeil fan jade and enameled brooch, and small jade carving, (5 pcs.)

$150/250 72. An English Victorian 15 kt. Yellow Gold, Turquoise, Opal and Diamond Serpent Necklace, mid19th c., with similar 15 kt. yellow gold, turquoise enamel, garnet and half pearl serpent bracelet, engraved “Francis J. Hennen 1871”.

$300/500 W 70. An

Edwardian 14 kt. White and Yellow Gold, Opal and Diamond Ring, set with an oval opal and 12 rose cut diamonds. $250/350

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$800/1200 Provenance: Estate of Ursula Johns Gill, from Dolly Johns, show here wearing the necklace.

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73. A Modernist Sterling Silver Water Pitcher, Juventino Lopez Reyes, Mexico City, mid-20th c., marked with conjoined “JLR” and “0.925 STERLING”, height 12 in., weight 32.25 troy ozs. $300/500

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74. A Canadian Sterling Silver Coffee and Tea Service, Carl Poul Petersen (18951977), act. c.

1944-1975, Montreal; comprised of a coffee pot, teapot, covered sugar and creamer, each hammered body with stiff leaf decoration, bud and leaf finials, ebonized wood handles, coffee pot height 9 1/2 in., combined weight 59.90 troy ozs. $1000/1500 Note: Danish-born Petersen apprenticed with Georg Jensen from 1908 to 1913. After moving to Montreal in 1929, he worked as master silversmith at H. Birks & Son. He started his own firm in 1944.

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77. A Tiffany & Co. Sterling Silver AfterDinner Coffee Pot, pattern introduced 1879, tapered form with stippled ground and chased decoration of masque and scrolling foliage, height 7 7/8 in., weight 16.16 troy ozs. $700/1000

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Sterling Silver Gilt Serving Spoons, London, 1878, maker C.E. untraced, in the manner of 15th 17th century Apostle spoons, each with scalloped bowl (one reticulated) and figural stem, serving length 8 in., sugar sifter spoon length 7 in., combined weight 11.85 troy ozs. $100/200 W 76. A Pair of Edwardian

Sterling Silver Serving Spoons, Sheffield, 1905, maker RR untraced, in fitted presentation cast, length 7 in.

78. A Silverplate and Marble Citrus Press, base fitted with inset coaster, height 11 1/2 in.

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$500/700 79. A Pair of SilverplateMounted Ruby Glass Wine Coolers, applied crest, foliate handles, gadrooned foot, removable liner with collar, height 11 1/4 in. $700/1000

80. An English Victorian Sterling Silver Gilt Solitaire Tea Service, George Fox, London, 1872-1873, comprised of a teapot, sugar and creamer, crested ovoid form; each raised on scroll supports, flat chased and engraved borders, removable cast fruit finial, engraved script initials in oval opposite crested oval, teapot height 5 3/4 in., combined weight 20.90 troy ozs. $500/800

$100/200 W denotes the lot is illustrated at www.nealauction.com

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85. An American Classical Carved Mahogany Clothes Press, 19th c., New York, upper case with broken arch pediment centering brass ball finial, paneled doors, shelf interior; lower case with deep drawer over paneled doors flanked by acanthine engaged columns, plinth base, acanthine lobed feet, height 96 in., width 51 in., depth 22 in.

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$2000/3000 84

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W 81. A Georgian Silver Compass, London,

1808-09; together with a whimsical Victorian miniature saw in a fitted case, Birmingham, 1878. $200/300 82. A Good Pair of English Tole and Silvered Brass Carriage Lamps, 19th c. $500/700 83. An American Classical Carved Mahogany Side Chair, early 19th c., Philadelphia, tablet crest, conforming slat with scrolled supports, saber legs. $500/750 84. An American Classical Mahogany Server, early 19th c., Baltimore, marble top, frieze fitted with two drawers, columnar supports, incurvate stretcher shelf, ball feet, height 37 in., width 36 in., depth 20 in. $800/1200

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86. A Diminutive George III Inlaid Mahogany Chest of Drawers, late 18th c., two over two drawers, “French” feet, later brasses, height 35 in., width 34 1/2 in., depth 18 in. $1000/1500 87. A Fine William IV Carved Mahogany Chest of Drawers, early 19th c., Channel Islands, molded top, four graduated drawers, lappet and rosette stiles, paw feet, height 42 in., width 44 in., depth 21 1/2 in.

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$1500/2500 88. A Louis XVI-Style Carved and Verte Peinte Canapé, early 20th c., scrolled crest, padded arms, reeded vasiform arm supports, seat rail with rosette blocks, tapered reeded legs, height 41 1/2 in., width 70 in., depth 30 in. $2000/3000

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89. A Restauration Mahogany Sécrétaire à Abattant, early 19th c., marble top, frieze drawer, fall front opening to fitted interior, cupboard doors below enclosing three drawers, columnar stiles with gilt bronze collars, conforming plinth, turned feet, height 56 in., width 38 1/2 in., depth 18 in. $1500/2500 90. A Continental Neoclassical Carved Giltwood Mirror, 18th c., foliate scrollwork crest, arched 90 mirror plate with molded rosette surround, flanked by foliate garlands, later gilt surface, height 75 in., width 36 in. $1500/2500

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91. A Rare French Empire Cast Iron Fontaine de Cygne, early 19th c., probably Lyon, incurvate swan neck fountain head over a shell-form tazza, on a spiral column with acanthine and C-scroll foliate capital and molded base, height 46 1/2 in. $3000/5000 Note: This fountain was inspired by the public fountains Napoleon I erected in Paris following his return from the Egyptian campaigns. One of the earliest fountains was the “Fontaine de Léda”- a bas relief stone plaque from which a swan’s neck protruded to form the water spigot. Two successive fountains, the “Fontaine du Palais des Arts” and “Chateau d’eau du boulevard Bondi”, were largely made of cast-iron. Both fountains combined Neoclassical elements with stylized lions (influenced by Egyptian iconography). In the Palais des Arts fountain, designed by Vaudoyer, four cast-iron lions mounted on pedestals projected water into two basins. In the Chateau d’eau fountain, cast-iron lions spouted water into scalloped shaped basins, influenced by the tazzas in ancient Roman villas. The tazza, after the Greek kylix cup, was an architectural element not used in Parisian garden ornament a priori Girard’s design of the fountain. Cast-iron garden ornaments created before the Second Empire are more singular in aesthetic design, because foundries were not regulated until 1848. As specialist Barbara Israel points out in her book, it was quite common in the early to mid- nineteenth century for “customers to select and combine components according to their own taste.”

References: Massounie, Dominique, ed.. Paris et ses fontaines, de la Renaissance à nos jours. Paris, 1995; Israel, Barbara. Antique Garden Ornament. New York, 1999. pp. 125.

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92. A George III Chinoiserie Tall Case Clock, dial signed Thomas Horlock, Hammersmith, domed crest flanked by finials over astragal glazed door enclosing silvered dial with brass scrollwork spandrels, flanked by columns, waisted case, paneled base, height 92 in., width 18 3/4 in., depth 10 in.

93

$3000/4000 93. A Fine Chinese White and Russet Jade Libation Cup, probably Qing Dynasty (1644-1911), greenish white stone with russet inclusions carved as a U-form bowl borne on flowering branches and leaves with a qilong dragon clambering up the side, height 2 3/4 in., width 4 3/4 in., fitted storage box. $6000/8000 94. A Japanese Polychrome Pottery “Kenzan” Jar, ovoid body decorated with flowering prunus, bamboo and pine on a cream ground, base signed Ogata Kenzan, height 6 1/2 in. $3000/5000

94

95. A Japanese Takamaki-e Red Lacquer Oval Box, probably Meiji Period (18681911), exterior cover decorated with the figure of a large old elephant, inscribed, rims lined in shell, height 2 1/8 in., width 10 1/2 in., depth 8 1/8 in., inscribed storage box.

92

95

$3000/5000

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96 97

96. A Set of Eight Japanese Gilt Decorated Black and Red Lacquer Trays, probably Meiji Period (1868-1912), square galleried tops with canted corners raised on arched feet, decorated with frogs wrestling in grassy landscapes, height 3 1/8 in., width 9 1/4 in., depth 9 1/4 in., inscribed wood storage box. $4000/6000 97. A Set of Five Japanese Polychrome and Gilt Decorated Black Lacquer Covered Bowls, probably Meiji Period (1868-1912), U-form bodies with domed covers, interiors with seasonal grasses and flowers, exteriors with birds in flight, height 3 3/8 in., diameter 5 in., inscribed storage box.

98

99

98. A Japanese Wakasa-Nuri Lacquer Desk Set, 20th c., composed of a tray, two covered boxes and a bowl, with floral and abstract designs, tray diameter 10 1/2 in., bowl diameter 3 1/4 in., rectangular box length 7 5/8 in., arched box length 9 1/2 in. $1200/1600 99. A Large Japanese Bronze Urn, Meiji Period (18681912), baluster body modeled with a writhing dragon encircling the shoulder, milk glass shade, now mounted as a lamp, overall height 36 1/4 in. $400/600

$2500/3500

100. A Japanese Bronze Urn, Meiji Period (1868-1912), bulbous body relief molded with fish swimming amid waves, mounted on three elephant feet, height 17 in., diameter 15 1/4 in. $400/600

100

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101

102

103

101. A Japanese Bronze Figure of a Lobster, probably 20th c., intricately cast with articulated limbs and antennae, length 10 1/2 in. $300/500

104

102. A Chinese Carved Hardwood Folding Yokeback Bench, probably Qing Dynasty (16441911), elongated crest rail, pierced splats, shaped frieze, rope seat, X-form base, stretchers.

105. A Japanese Shigaraki Pottery Jar, probably Edo Period (16031868), tapered bulbous body with flared neck and everted rim, height 15 in.

$2000/3000 103. A Pair of Chinese Polychrome Porcelain Figures of Bodhisattvas, probably 20th c., each modeled seated in dhyanasana wearing elaborate robes, height 12 1/4 in., one with a wood stand.

$2500/3000

$2000/3000 104. A Japanese Shino Pottery Footed Bowl, probably Edo Period (1603-1868), square outline with rounded sides on three loop feet, freely decorated with a rice plant on cream glaze, height 2 in., width 5 1/4 in., depth 5 3/8 in. $2000/3000

105 W denotes the lot is illustrated at www.nealauction.com

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106. A Japanese Bamboo Pot Hook, Jizaikagi, bamboo with carved rod and fish lever, height 50 in. $1800/2500 107. A Japanese Bronze Urn, probably Meiji Period (1868-1912), baluster body relief molded with a large dragon on the shoulder, modeled in imitation of pottery with dripping and pooling glaze, base inscribed, height 15 3/4 in., diameter 16 in.

107

$250/500 108. A Japanese Split Bamboo Ikebana Basket, shovel form with hollowed bamboo flower holder, signed Kyohu-Sho, height 7 1/4 in., width 15 in. $800/1200 109. A Japanese Split Bamboo Ikebana Basket, flared cylindrical body with twisted handles, signed KyohuSho, height 11 3/4 in. $600/800

106

108

110

110. A Large Japanese Imari Porcelain Bowl, 20th c., vibrantly enameled throughout with floral landscape vignettes and phoenix roundels, height 7 in., diameter 16 in.

109

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$1000/1500

111 113

111. Japanese School, Meiji Period (18681912), “The Calligraphy Lesson”, ink and color on paper, mounted as a two panel screen, 36 in. x 50 1/4 in. $1400/1800 112. Japanese School, Meiji Period (18681912), “The Entourage”, ink and color on paper, mounted as a six panel screen, 27 1/4 in. x 69 3/8 in.

115

114

$800/1200 113. A Chinese Highly Carved Hardwood Bench, reticulated crest and back with confronting dragons, arms with dragon terms, pierced seat rail with fruiting vines, cabriole legs, ball and claw feet, height 43 1/2 in., width 51 in., depth 23 in. $800/1200 114. A Pair of Chinese Famille Rose Porcelain Inset Carved Hardwood Tabourets, each with rectangular tile inset within mother-of-pearl inlaid surround, lotus frieze, pierced brackets, stretcher shelf, ball and claw feet, height 29 1/4 in., width 16 1/4 in., depth 12 3/4 in. $300/500

112

115. A Japanese Lacquered Wood Figure of a Monk, probably Edo Period (16031868), carved seated on a lotus throne raised on a rockwork base wearing loose robes, height 12 in. $1000/1500 W denotes the lot is illustrated at www.nealauction.com

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118

116

120

119 117 116. A Japanese Lacquered Wood Figure of Kannon, probably Edo Period (1603-1868), carved standing on a double lotus base wearing loose robes draped with a celestial scarf, height 19 5/8 in. $1000/1500

118. A Group of Five Japanese Bronze Figures of Elephants, probably Meiji Period (1868-1912), striding figures modeled with ivory tusks, tallest signed, tallest height 3 3/4 in., raised together on a carved wood platform, overall height 4 3/4 in., width 25 3/4 in. $1500/2500

117. A Japanese Takamaki-e Lacquer Accessory Box, probably Meiji Period (18681912), exterior decorated with figures in a landscape, the interior and tray with floral decoration, height 3 3/8 in., width 8 3/8 in., depth 6 1/2 in.

119. A Japanese Kutani Porcelain Figure of a Caparisoned Elephant, probably Meiji Period (1868-1912), standing beast modeled in full regalia with relief molded details, height 13 1/2 in., width 6 1/2 in.

$1500/2500

$1000/1500

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120. A Dutch Painted and Carved Hardwood Push Sleigh, compartment with seat, elaborately carved surround terminating in a mermaid and merman, metal skids on the spindled base, the whole painted with town views and canal scenes, height 34 in., width 26 in., depth 44 in. $1500/2500

121. A Louis XVI-Style Gilt BronzeMounted Kingwood Bureau Plat, late 19th c., inset leather top, frieze fitted with three drawers on one side, cabriole legs, sabots, height 29 1/2 in., width 71 1/2 in., depth 33 in. $3000/5000 121

123

122. Albert Lynch (Peruvian/Paris, 18511902), “Portrait in Auburn and Chinese Red”, oil on canvas, signed upper left, 29 in. x 23 3/4 in., original gilt frame. $8000/12000 123. Ferdinand Jules-Albert Gosselin (French, 1862-1931), “Water Meadows in France”, oil on canvas, signed lower left, 18 1/8 in. x 24 in. framed. $2000/3000

122

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127. A Louis XVI-Style Gilt Bronze Surtout de Table, reticulated gallery, beaded border, the reserves with swags, on toupie feet, height 3 in., width 46 1/2 in., depth 21 1/2 in. $2000/3000 124

125

126

124. Harry John Johnson (British, 1826-1884), “The Lake of the Four Cantons, Switzerland”, oil on canvas, unsigned, titled on two type written artist labels en verso, 19 in. x 32 1/8 in., gilt frame. Note: Condition. $800/1200 125. Marcel Gromaire (French, 1892-1971), “Reclining Female Nude”, 1959, ink on paper, signed and dated lower left, accompanied by “Christie’s” labels from backing material, 13 1/8 in. x 10 in., matted and unframed.

128

$1000/2000 126. A Pair of Empire Patinated Bronze Pedestals, 19th c., square marble top, frieze mounted with gilt boar’s heads, molded splayed legs, riveted stretchers, height 35 1/2 in., width 27 in., depth 27 in. $2000/3000

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128. Attributed to Jean-JosephXavier Bidauld (French, 17581846), “Eros Removing his Blindfold”, 1785, oil on canvas, initialed and dated lower right, 47 1/2 in. x 32 in., gilt frame.

127

$3000/5000

129

130

131

129. A Pair of Gothic-Style Carved Granite Jardinières, probably early 20th c., each of octagonal form with panels enclosing quatrefoils, height 24 in., width 22 1/2 in., depth 22 1/2 in.

132

131. A Fine Pair of Louis XV-Style Carved Walnut Fauteuils, each with arched crest, padded arms, serpentine seat rail, cabriole legs, scrolled feet. $2000/3000 132. An Empire Carved Mahogany Pier Table, early 19th c., variegated marble top, ogee frieze fitted with blind drawer, scrolled supports, acanthine paw feet, incurvate plinth base, height 37 in., width 43 1/2 in., depth 18 in.

$3000/5000 130. A French Provincial Carved Walnut Side Table, late 18th/early 19th c., overhanging top with molded edge, frieze drawer, cabriole legs, hoof feet, height 28 in., width 35 in., depth 23 in.

$1000/2000 133. A Neoclassical-Style Gilt and Patinated Bronze Table, circular malachite top, columnar support, acanthine plinth, arched legs, paw feet, height 28 1/2 in., diameter 23 1/2 in.

133

$1000/2000

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

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135

135. Patrick Nasmyth (English, 17871831), “Landscape with Figures along the Creek”, 1829, oil on panel, signed and dated lower middle, 18 1/4 in. x 26 in., framed.

134 134. French or Italian School, mid-19th c., “A Mother and Her Children in a French Church”, probably c. 1860, oil on canvas, monogrammed “F.L.” lower left, “Earles Galleries, Philadelphia” applied stencil en verso, 22 3/4 in. x 17 3/8 in., original patterned giltwood frame.

$3000/5000

$2000/3000 Note: This family portrait is set in either the nave or side aisle of a French church as indicated by the French inscription “pouvoir ici à [l’] main...” above the alms box at the far left of the painting. The clustered columns in the background that form the pier that supports the archway are typically found in Gothic architecture. This style of architecture, which replaced the more cumbersome compound pier of its Romanesque predecessor, typifies French Gothic cathedrals, such as Amiens and the Notre Dame of Paris.

136

The painting is an accomplished work of art that combines the religious iconography of the Northern and Italian Renaissance with the realism of Spanish Baroque genre painting. The triangular composition of the figural group, the mother’s blue veil, downturned gaze, and the position of the infant in her arms recalls Italian Renaissance imagery of the Madonna and child, whereas the colossal scale of the mother, relative to the church archway, is distinctly northern. In Northern Renaissance art, scale is rarely determined by “proper” perspective as symbolic meaning was privileged over verisimilitude. A fine example of this is Van Eyck’s “Madonna in the Church” (c. 1438), which portrays an immense Mary, incapable of fitting through the archways (arcades) of the church nave.

136. A Pair of French Wrought Iron and Tôle Chenets, 19th c., acanthine finial, twisted supports centered by a floral vine, scrolled legs, height 35 1/2 in., width 14 1/2 in., depth 22 in. $1000/1500

In this painting, the artist masterfully blends symbolism and symmetry, religion and family through the dramatic lighting (chiaroscuro) of Baroque art. The beautiful lighting on the infant’s neck, children’s faces, and edges of the bible and column is offset by the somber background that merges with the mother’s veil. The juxtaposition of light, combined with the scale and position of the figures, transforms a mundane Sunday scene into an ethereal scene of faith and fortitude that was equally influenced by the genre painting of Murillo and Velazquez.

137

137. A Pair of English Silvered CutGlass and Marble Urns, c.

1900, now mounted as lamps, diaper pattern design, on fluted, tall base, urn height 19 in., lamp height 32 in., diameter 9 in. $700/900

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138

140 139 141. A Good Restauration Mahogany and BronzeMounted Shelf Clock, c.

1825, porcelain dial with Roman numerals, case mounted with female masks, on brass feet, bears old label stating the clock was purchased at “the Orchardson sale, 1910”, height 19 1/4 in., width 11 1/2 in., depth 7 in.

138. A George III Mahogany Three Pedestal Dining Table, late 18th/early 19th c., vasiform pedestals, reeded saber legs with brass cuffs and casters, height 28 in., length 114 in., width 42 in. $5000/7000 139. A George III Inlaid Satinwood Pembroke Table, 18th c., crossbanded drop-leaf top, frieze drawer, chamfered support, spider legs, brass cuffs, casters, height 28 in., width 33 in., depth 22 1/2 in.

$800/1200

$1000/1500 140. A French Restauration Carved Mahogany Center Table, early 19th c., circular marble top, plain frieze, reeded support, molded plinth base, paw feet, casters, height 30 1/2 in., diameter 40 in. $1500/2500

141 W denotes the lot is illustrated at www.nealauction.com

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144

145. An American Carved Giltwood and Maple Harp, early 20th c., marked “M.C. Stahl, Manufacturer, Milwaukee, Wis., USA, No. 104”, with 44 strings, 7 pedals, pillar with foliate decoration, height 68 1/2 in., width 34 1/2 in. Note: Some losses. $1000/1500 142

143

142. A Late Regency Carved and Gilded Bullseye Mirror, 19th c., spread-wing eagle crest, cavetto surround with spherules, ebonized rabbet, foliate pendant, height 38 in., width 27 in. $1200/1800 143. A Regency Carved Mahogany Cellarette, early 19th c., sarcophagus form with hinged lid, lead lined interior fitted for eight magnum bottles, lobed and molded base, recessed casters, height 23 in., width 32 in., depth 20 in. $2500/3500

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144. A Pair of Regency-Style Mahogany Dumbwaiters, early 20th c., each with two dished tiers, brass supports, turned pedestal, incurvate triangular plinth, brass ball feet, height 33 in., diameter 22 1/2 in. $1500/2500

145

146. A George III Polychromed Satinwood and Caned Settee, late 18th c., back of four oval panels with putti and flowers, scrolled arms, caned seat, square tapered legs, spade feet, casters, height 34 1/2 in., width 75 in., depth 27 1/4 in. $3000/5000 147. A William IV Carved Oak Partner’s Desk, 19th c., molded top with inset tooled leather panels, frieze drawers, turned legs, casters, locks marked “Beardmore, London” and “Hobbs & Co., London”, height 32 in., width 85 in., depth 48 in. $2500/3500

146

148. A William IV Carved Mahogany and Leather Library Armchair, early 19th c., horseshoe padded back, bracketed supports, turned legs, casters. $800/1200 149. A French Provincial Carved Walnut Commode, 18th c., serpentine molded top, carved paneled case fitted with three drawers, cabriole legs, whorl feet, height 37 in., width 48 in., depth 26 in. $2000/3000

147

148

149

W denotes the lot is illustrated at www.nealauction.com

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150

152

151 (2 of 4)

150. A French Provincial Carved Walnut Side Table, late 18th/early 19th c., shaped marble top, scalloped skirt, delicate cabriole legs, height 27 in., width 23 in., depth 22 in.

153

$1000/1500 153. A Pair of Chinese Hardwood Folding Horseshoeback Armchairs, Jiaoyi, probably Qing Dynasty (1644-1912), possibly Jichimu, rounded crest rails with outswept handrests and curved extensions attached to the front legs, backsplat carved with two dragons, rear legs attached to the front seat rail, seats of diamond pattern woven hemp, decorated overall with brass appliqués, height 41 1/2 in., width 27 7/8 in., depth 21 1/2 in.

151. A Set of Four Carrara Marble Relief Plaques of Roman Emperors, 20th c., carved after Antiquities, depicting emperors Otho, Claudius, Tiberius and Vespasian, height 17 3/8 in., width 14 in. $1800/2500

$2000/4000 Provenance: Estate of Restaurateur Luo Yapquan (19172009), Flushing, NY and Miami, FL.

152. A Chinese Carved Hardwood Altar Table, inset paneled top, openwork scrolled frieze, trestle base, square volute feet, height 40 1/2 in., width 82 1/4 in., depth 19 1/2 in.

154. A Chinese Copper Red Decorated Porcelain Mallet Vase, probably Qing Dynasty (1644-1911), decorated with stylized phoenix birds with underglaze blue eyes, base with Kangxi mark, height 7 3/8 in., wood stand, overall height 8 7/8 in.

$1500/2500 Provenance: Estate of Ursula Johns Gill.

154

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$3000/5000

155. Japanese School, probably Edo Period (16031868), a collection of paintings and calligraphy, variously ink and ink and color on paper, mounted together as a two panel screen, height 67 in., width 74 in. $1000/1500 155

156

157

156. A Chinese Iron Red Decorated Porcelain Covered Stem Bowl, probably 20th c., decorated with nine dragons in pursuit of the flaming pearl, base with Guangzu mark, height 12 1/4 in. $1200/1800 157. Chinese School, “Court Ladies”, ink and color on silk, sealed lower right, sight 18 in. x 86 in., framed. $1500/2000 159 158. Chinese School, “Family Scenes”, pair of paintings, each ink and color on silk, sight diameter 14 1/8 in., elaborate carved wood frames. $1500/1800

158 (1 of 2)

159. Continental School, late 19th/early 20th c., “Still Life with a Medley of Fruit”, oil on canvas, indistinctly signed lower right, framer’s label “G. Bennett (Wimbledon) Ltd.” en verso, 20 1/4 in. x 24 in., framed.

Note: Condition. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

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161 (1 of 4)

162. Matthew Dubourg (British, active 1808-1838), four etchings from the Views of the Remains of Ancient Buildings in Rome and its Vicinity, published in London, 1820, hand-colored aquatint etchings, titled: “Temple of Vesta, plate 2”; “Tomb of Cecilia Metella, plate 7”; “Forum of Nerva, plate 14”; “Temple of Fortuna Virilis, plate 3”, sight 10 1/2 in. x 13 in., all framed alike. $800/1200

162 (1 of 4)

160

163. A William IV Carved and Limed Oak Reading Chair, early 19th c., padded horseshoe shaped diapered arm, foliate carved back, swivel seat, bracketed trestle base, shaped feet. $1500/2500 164. An Impressive Regency Carved Mahogany Guéridon, early 19th c., possibly Gillows, inset marble top, molded frieze, columnar supports with lotus and boss blocks, stretcher shelf, turned feet, casters, height 32 in., diameter 24 in.

163

160. British School, 19th c., “Portrait of King George III”, in the style of Allan Ramsay (1713-1784), oil on canvas, 44 3/4 in. x 33 in., framed. $4000/6000

164

161. A Set of Four Antique Hand-Colored Engravings of Fish, from M.E. Bloch’s Okonomische...Naturgeschichte der...Fische, 17851787, sight 9 1/2 in. x 15 1/2 in., attractively matted and framed. $700/1000

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$1500/2500

165. A Regency Brass Inlaid Mahogany Sofa Table, c. 1815, drop-leaf top, two frieze drawers, tapered standard, incurvate plinth, bronze scroll feet, casters, height 28 in., width 59 in., depth 27 in. $2500/3500

165

166

166. An Italian Neoclassical Carved Mahogany Chair-Back Settee, late 18th/early 19th c., rectangular back with reticulated slat, shaped arms, square tapered legs, stretchers, height 31 1/2 in., width 66 in., depth 24 1/2 in.

167

$1000/2000 167. A Patinated Bronze Figural Group of the Three Graces, standing with arms interlaced, surmounted by a rock crystal sphere, black onyx base, on a green variegated marble pedestal, overall height 57 1/2 in.

168. An American or English Rococo Cast Iron Guéridon, mid-19th c., hexagonal Egyptian marble top with molded edge, scrolled tripartite supports on conforming base, casters, height 29 1/4 in., diameter 21 in.

$3000/5000

$800/1200

168 W denotes the lot is illustrated at www.nealauction.com

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W 174. A Group of

Guilloché Enamel Objects in Shades of Pale Yellow, including an Edwardian sterling silver circular box, Gourdal Vales & Co., c.

1900, marcasite border and gilt interior; an unmarked double (lipstick and rouge) compact with lipstick, floral decoration; an Austrian sterling silver compact, lid with silver vase of flowers filigree; an unmarked napkin ring and an Elgin American compact (5 pcs.)

169

$300/500 W 175. A Group of

171

170

170. An English Oak and Brass Humidor in the Form of a Coal Wagon, 19th c., monogrammed for the “Great Eastern R.R.”, lid with actual bed of coal, divided interior, rolling wheels, height 6 3/4 in., width 13 1/8 in., depth 6 3/4 in. $400/600 171. A Cut Crystal and Silverplate Hookah or Water Pipe, late 19th/early 20th c., English or French, for the Turkish market, foliate decoration, hung with tassels, height 21 1/2 in., diameter 6 1/2 in. $300/500 172. A Regency Blond Tortoiseshell Sarcophagus Form Tea Caddy, early 19th c., with Sheffield plate mounts and ball feet, two interior compartments, height 6 in., length 7 1/8 in. $1000/1500 Provenance: Purchased from Wellesley House Ltd., Lake Forest, IL.

172

169. [Botanical Prints], Duppa, Richard, The Classes and Orders of the Linnaean System of Botany, London, T. Bensley for Longman et al., 1816, three vols. octavo (9 1/8 in. x 5 1/2 in.), with 240 plates, all but 3 hand-colored, in later gilttooled full leather. $700/1000

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W 173. A Coalport Porcelain and

Silver-Mounted Bottle, c. 1895, marked, the reserves painted with a highland landscape and floral spray, height 5 in. $300/500

Guilloché Enamel Objects in Shades of Sky Blue, including an English sterling silver pillbox, Miller Bros., Birmingham, 1923; an American sterling silver rouge compact, mark rubbed, probably Webster Co., North Attleboro, MA, gilt interior with mirror; a sterling silver pen with floral decoration; and two unmarked rouge compacts (5 pcs.) $200/400 W 176. A Group of

Guilloché Enamel Objects in Shades of Green, including an American sterling silver pillbox, Theodore W. Foster & Bro., Providence, RI, early 20th c., gilt interior; an Austrian .935 silver compact with silver filigree vase of flowers on lid, interior mirror; an unmarked compact with marcasite decorated lid, gilt interior with mirror; and an unmarked pillbox, (4 pcs.) $200/300

177. A Continental Polychromed Earthenware Figural Humidor, 19th c., monkey-head-form, hat lid, his bow tie forming pipe holders, height 8 1/2 in., width 6 1/2 in., depth 7 1/2 in. $300/500 178. A Regency Red Leather Sewing Box, 19th c., domed top, gilt mounts and paw feet, divided interior, height 3 3/4 in., width 6 in., depth 4 1/4 in.

178 177

$400/600 W 179. An English

Papier-Mâché Tazza, 19th c., Birmingham, England, black ground with gilt and mother-ofpearl floral decoration, height 8 in., diameter 9 1/2 in. $200/400 180. A Decorative Crème Peinte and Silverplate Carving Trolley, in the Louis XVI taste, revolving domed cover, frieze fitted with plate stand, height 43 in. $1200/1800 181. A Regency Sheffield Plate Hot Water Urn, c. 1800, marked “SILVEREDG’D”, urn form, retains interior fitting, height 16 in. $400/600

181

180

182. A Pair of Early Victorian Sterling Silver Wine Coasters, Joseph Angell (No 1) and Joseph Angell (No 2), London, 1840-1841, pierced scrollwork sides, wood base, cast scrolled rim, engraved “S”, height 3 in., diameter 5 1/2 in. $400/600

182 W denotes the lot is illustrated at www.nealauction.com

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W 187. Eleven

George II Sterling Silver Soup Spoons, probably Jeremiah King, London, 1736; in the Hanoverian pattern with shellback bowls, length 7 7/8 in., weight 26.45 troy ozs.

184

$200/300 W 188. A Group of Regency Sterling Silver

Spoons, London, 1809-1814, downturned fiddle with molded drop, engraved crest on upperface of handle, including 6 tablespoons by Robert Rutland, length 8 3/4 in.; 2 tablespoons, 8 dessert spoons and 5 coffee spoons, maker T.B untraced, tablespoons, 8 3/4 in., dessert spoons 6 3/4 in., and coffee spoons 5 3/8 in., combined weight 32.05 troy ozs. $200/300

185 183

189. Two George III Sterling Silver Chambersticks, London, 1777 and 1780, possibly Jonathan Alleine, plain circular pan with beaded rim, flying scroll handle, fitted with open stem for snuffer and each with a conical extinguisher; engraved crest, approximate height 3 1/4 in., diameter 5 3/16 in., combined weight 18.30 troy ozs.

183. An Edwardian Sterling Silver Claret Jug, William Hutton & Sons, London, 1902, inscribed “Lieutenant Charles T. Hardy, RN. from the officers of H.M.S. Prince George, 10th November 1903”, height 11 1/4 in., weight 19.3 troy ozs. $600/800 184. Two English Sterling Silver Chambersticks, the first, London, 1775-1776, maker IC untraced, circular pan with small gadroon rims, the sconce with removable drip pan, flying scroll handle, conical extinguisher, open work stem, and engraved armorial, height 3 5/8 in.; the second, Hy. Archer & Co., Sheffield, 1903, reeded border on plain chamberstick with a matching conical extinguisher, height 3 1/4 in.; combined weight 16.90 troy ozs.

$300/500

189

$300/500 190 185. A George III Sterling Silver Nutmeg Grater, Thomas Phipps and Edward Robinson, London, 1803-04, mark entered 1789, plain rectangular box with reeded hinged covers, the inside of base fully marked, the top with maker’s mark and lion, engraved crest on top, height 1 1/8 in., weight 2.85 troy ozs. $400/600

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W 186. An English Sterling Silver Frame together with a

George III Sterling Silver Pap Boat, easel back embossed rococo frame fitted with smaller removable oval frames, H. Matthews, Birmingham, c. 1900; the pap boat, London, 1791, gilt interior and reeded rim band, frame height 7 3/4 in., width 11 in.; pap boat height 1 3/4 in., length 4 3/4 in., width 2 1/2 in., weight 2.60 troy ozs. $200/300

190. A George IV Sterling Silver Sugar and Creamer, John and Thomas Settle, Sheffield 1823-1824, compressed circular forms with ornate chased flowers and foliage, crested cartouche, cast everted rims and handles, raised on circular foot, height 5 1/8 in., weight 26 troy ozs. $400/600

191. A William IV Sterling Silver Covered Butter Dish, London, 1832-32, Joseph Angell (No 1) and John Angell (No 1), tub shaped dish and cover with reeded hoops and incised staves, removable cast flower finial, height 3 1/4 in., width 6 5/8 in., weight 17.05 troy ozs. $300/500 191

W 192. Three Small Georgian

Sterling Silver Creamers, London, 1768, 1771 and third with rubbed mark, baluster form, two on three feet and one on a pedestal base; all with double scroll handles and thumb pieces; floral embossing and curved rims, one with a punched bead edge, height 4 to 4 1/2 weight 8.60 troy ozs.

196

$300/500 193. A George III Sterling Silver Sugar Basket, London, 1764, probably William Cripps, in the form of a bucket, height 4 1/2 in., weight approx. 6 troy ozs. $200/400 194. A George Sheffield Plate Venison Dome, crown mark under dome, lobed oval shape, applied gadroon band above incurved base with a molded foot; removable cast open handle of ornate fruit, foliage, and scrolls; inset silver shield, height 12 in., length 16 in., width 16 in.

193

$400/600 W 195. A Pair of Old

Sheffield Plate Cluster Column Candlesticks, height 12 3/4 in.

198 194 197. Circle of Daniel Seghers (1590-1661) and Hendink van Balen (1575-1635), “St. Helen and St. Catherine of Siena within Garlands of Flowers”, pair of oils on copper, 8 1/2 in. x 6 1/4 in., 18th c. frames.

$500/750 196. An Embroidered Waist Coat, probably 18th c., decorated with monkeys in tropical landscape, framed.

$800/1200

$500/750

197

198. [Antique French Atlas], Atlas de la Geographie Universelle Ancienne et Moderne..., 1816, published by Mentelle and Malte-Brun, printed Chez Desray, Paris, folio (17 in. x 11 1/4 in.), three quarter leather, with 47 (of 48), engraved maps and plates, in outline color, by Tardieu, many double page, some fold-out. Note: Some insect damage. $500/700 W denotes the lot is illustrated at www.nealauction.com

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W 200. Nicolas

Visscher (Dutch, 1618-1679), “Regni Daniae Novissima et Accuratissima Tabula”, c.

1658, hand-colored copper engraved map, sheet 20 1/4 in. x 24 in., framed. $300/500 201. A George III Satinwood Wheel Barometer, c. 1810, marked “Jos. Somalvico & Co./ 16 Charles Street/ 204 Hatton Garden”, incorporating a thermometer and hygrometer dial, height 46 in., width 14 1/2 in., depth 2 1/2 in.

202

$1000/1500 202. An English Victorian 15 kt.

Yellow Gold and Persian Turquoise Brooch, mid-19th c., Etruscan design with pavé turquoise medallion centered by rose cut diamond, pendant fringe.

203

$200/300 203. An Antique English 15 kt. Yellow Gold and SilverTopped Diamond Bat Pin, set with numerous small rose cut diamonds.

201

$500/750 204. A Fine Antique American 14 kt.

Yellow Gold, Amethyst and Diamond Cross, mid19th c., set with faceted amethysts and rose cut diamonds. $500/750 205. A Pair of American Victorian 14 kt. Yellow Gold, Taille d’Epargne Enamel and Half Pearl Slide Bracelets, mid-19th c., weight 63 dwts.

205

$2000/3000

W 199. An English Naval Map of the

206

Southern Atlantic, A Reduced Chart of the Ethiopic or Southern Atlantic Ocean..., 1850, by Isaac Purdy, published by R.H. Laurie, London sight 37 1/2 in. x 49 in., framed. $400/600

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206. A Fine English 15 kt. Gold, Opal and Diamond Stiff Band Bracelet. $300/500

207. An Impressive Pair of Emerald and Diamond Earrings, set in platinum and gold, signed “80467”, each set with an emerald-cut emerald, six pear-shaped diamonds, six brilliant cut diamonds, three baguette diamonds and a trapezoidal diamond; emeralds totaling approx. 6 cts., diamonds approx. 3 cts. $10000/15000 208. A Pair of 14 kt. White Gold, Diamond and Pearl Acorn-Shaped Drop Earrings, early 20th c., set with numerous small diamonds totaling approx. 2 cts. $300/500 209. An Antique American 14 kt.

Yellow Gold Flexible Bracelet, monogrammed clasp, weight 33 dwts.

207

$800/1200 210. A Victorian 15 kt.

Yellow Gold and Faceted Amethyst Cross with Anchor Link Chain, cross with “granulated” decoration. $250/500 211. A Pair of American 14 kt. Yellow Gold Flexible Buckle Bracelets, engraved “New...1878”. $500/750

208

209

211

212

210

212. An Antique English Victorian 15 kt. Gold, Persian Turquoise, Half Pearl and Rose Cut Diamond Locket, pavé set, missing one turquoise.

213

213. An Edwardian Platinum and Oriental Half Pearl Bar Pin, in original gilt-tooled leather case from Carrington & Co., Regent St., London. $200/300

$200/400 W denotes the lot is illustrated at www.nealauction.com

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217

215 214

217. A Group of Antique English Mourning Jewelry, late 19th/early 20th c., including two pair of carved onyx drop earrings, an onyx and agate pin, and a pair of bakelite cuff bracelets. $200/300 218. An English Victorian 18 kt. Yellow Gold, Persian Turquoise and Diamond Ring, set with an oval Persian turquoise and rose cut diamonds.

218

$250/350 219. An English or Continental Vermeil and Citrine Bracelet and Necklace, 19th c., associated. $200/300

216

W 220. An English

Sterling Silver and Engine-Turned Enamel Dresser Set, late 1930s, Adie Brothers Ltd., Birmingham, mark reg. 1922; including a hand mirror, hairbrush and clothes brush, each mounted with a fire opal and marcasite ornament, mirror length 10 7/8Â in.

214. A 14 kt. Yellow Gold and Jadeite Bangle Bracelet. $250/350 215. A 14 kt. Yellow and White Gold and Diamond Ring, set with 7 round European cut diamonds, 2 pear-shaped diamonds and numerous small rose cut diamonds, approx. 1 ct. total.

219

$400/600

$300/500

221. An English Victorian 18 kt.

Yellow Gold, Opal and Diamond Ring, set with an oval opal and 2 old mine cut diamonds.

216. A Suite of English Victorian Yellow Gold, Onyx and Half Pearl Mourning Jewelry, including a bangle bracelet, open back locket and pair of drop earrings, all with entwined monogram.

$200/400

$200/300

221

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222. An Antique English 15 kt. Yellow Gold Link Bracelet, horseshoe ornament set with 9 Oriental half pearls. $200/300 223. An English 9 kt.

Yellow Gold Charm Bracelet, with goldfilled charm with the motto of the Order of Garter. $200/300

222

W 224. Two English Georgian Gold Coins, including a half sovereign, 1815, and a guinea, 1790.

$300/500 225. A Retro 18 kt. Yellow Gold and Pink Sapphire Ring, signed “ROSSI 18K”, set with 42 round faceted pink sapphires.

223

$250/350 225

226. An English Victorian 15 kt. Yellow Gold and Persian Turquoise Brooch, set with pavé turquoise center ornament, locket back with intricately woven hair, engraved “to Alice from J.E.E. July 10, 1870”. $200/300 227. A Rare English Victorian 15 kt.

Yellow Gold, Garnet and Diamond Brooch, set with 2 oval cabochon garnets, faceted green garnets and 7 old mine cut diamonds.

226 228

$200/300 228. An 18 kt.

Yellow Gold Flexible Charm Bracelet, with four 14 kt. yellow gold charms, including a rotating globe, weight 41.5 dwts.

229

$200/300 227 229. An English Victorian 15 kt. Yellow Gold and Turquoise Enamel Bar Pin, central inset star of old mine and rose cut diamonds and pale coral. $150/250 W denotes the lot is illustrated at www.nealauction.com

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W 232. A Group of Antique Jewelry, including a pair of English 9 kt. rose gold cuff buttons, an English Victorian 15 kt. yellow gold thimble with Etruscan “granulated” decoration; a Georgian 15 kt. yellow gold and garnet locket, an American 14 kt. yellow gold bowknot brooch, an English 9 kt. yellow gold crown charm, and an English Victorian 15 kt. yellow gold jockey’s cap charm (as is).

$250/400

230

237

W 233. A 14 kt. Yellow Gold and Emerald

Bangle Bracelet, set with 14 small round faceted emeralds. $100/150 W 234. A 14 kt.

Yellow Gold and Faceted Amethyst Solitaire Ring. $150/250

231

238

236

235. A Fine English Victorian 15 kt. Yellow Gold, Amethyst and Diamond Pendant/Brooch, central cabochon amethyst inset with a star of old mine and rose cut diamonds, and surrounded by two borders of turquoise enamel beads, original removable brooch attachment.

235

230. A 14 kt. Yellow Gold, Garnet and Pearl Ring, set with a large oval faceted garnet and 8 small pearls, weight 13 dwts.

$100/150 236. An Antique-Style 14 kt. Yellow Gold and Diamond Stiff Band Bracelet, diamonds totalling approx. 2 cts. $200/400

$200/300 231. A Group of Gilt Metal and Banded Agate, including a vinaigrette, a ring, a knot design brooch, a dress set of cufflinks and studs, a pair of earrings, a rectangular brooch and a hornshaped brooch of moss agate. $300/500

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237. A Pair of Antique 10 kt. Yellow Gold, Citrine and Half Pearl Earrings, probably American, each set with an oval faceted citrine surrounded by half pearls. $100/200 238. A 14 kt. Yellow Gold and Mother-of-Pearl Snail Brooch, with ruby eyes. $150/250

239. A Yellow Gold and Jadeite Bangle Bracelet, unmarked, probably 14 kt. $250/350 240. An Antique Yellow Gold and Nephrite Flexible Bracelet, with Etruscan “granulated” decoration. $150/250 241. A Pair of Antique Yellow Gold, Persian Turquoise and Rose Diamond Drop Earrings, late 19th/early 20th c.

239

240

$100/200 242. An English Victorian 18 kt. Yellow Gold, Onyx and Rose Diamond Mourning Pin, oval with central monogram, in associated fitted case. $100/200

241

242

243. A Set of Three Antique Gold Bracelets, including an American Aesthetic 14 kt. tricolor gold bangle bracelet, an English 9 kt. yellow gold faux bamboo bracelet, and an American 9 kt. gold bracelet with bead decoration.

243

244. An Antique 14 kt.

Yellow Gold and Enamel Lady’s Watch, late 19th c., porcelain dial with blue Roman numerals, with 14 kt. yellow gold scroll design watch pin.

$100/200

$200/300

244

245 (2 of 3)

245. Three Georgian 18 kt.

Yellow Gold and Enamel Mourning Rings, dated 1791, 1814 and 1823, the latter with raised gold lettering. $150/250

W denotes the lot is illustrated at www.nealauction.com

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248. Two Parian Porcelain Figures, 19th c., one of William Shakespeare, probably Minton, by John Bell; the other of Johann Sebastian Bach, height 18 in. and 15 in. respectively. $400/600 246

247

249. A Dresden Porcelain Plaque of “The Penitent Magdalene”, c. 1870, oval plaque with impressed “K 1”, after the painting by Ludwig Sturm (German, 1834-1906), sight 5 1/4 in., x 7 1/4 in., framed. $300/500 250. A Pair of Italian Carved and Gilded Corner Brackets, late 19th c., serpentine shelf acanthus scrolled support, height 21 in., width 16 in., depth 15 in. $700/1000

248

249

250

246. An Antique Yellow Gold, Cobalt Enamel and Woven Hair Mourning Pendant, early 19th c., unmarked, probably 14 kt. $150/250 247. A Fine Group of Twelve Continental Polychrome and Gilt Porcelain Dinner Plates, 19th c., each well painted with various floral decoration, rosette and chain link borders in puce and gilt with scalloped rims, diameter 10 in. $400/600

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251

251. A Pair of Empire-Style Gilt Bronze-Mounted and Cut Crystal Lidded Urns, bud finial, swan handles, fluted socle base, height 15 1/2 in., width 10 in., depth 6 1/2 in. $1000/2000

252. A Pair of English Tôle Peinte Jardinières, early 19th c., square tapered form with a continuous scene of a city on a river, paw feet, plinth base, height 10 1/2 in., width 7 in., depth 7 in.

252

$400/600 253

253. An Antique French Doublé Plate Hot Water Urn, Firmin Hallot, 8 Rue de Touraine, Paris, mid-19th c., domed cover with melon finial, globular body, elongated legs with lion’s paw feet, incurvate plinth, flower, leaf and shell banding, retains burner, height 14 1/2 in. $1200/1800 W 254. A French

Needlepoint Valance, 19th c., blue, red, and gold scrolling acanthus leaves on black ground, wool with silk tassel fringe lower edge and rope braid upper edge, length 14 ft., depth 12 in.

255

$500/700 256 255. A William IV Mahogany Specimen or Apothecary Cabinet, c. 1830, in two parts, galleried top above a series of graduated drawers, medial pull out trays, molded base, height 54 in., width 47 1/2 in., depth 15 in.

256. A William IV Mahogany Étagère, early 19th c., four molded tiers, one fitted with drawer, turned supports, casters, height 45 1/2 in., width 24 in., depth 16 in. $800/1200

$1000/1500 257

257. A George III-Style Carved and Painted Armchair, rectangular padded back, serpentine crest, outscrolled arms, trapezoidal seat with cushion, acanthine cabriole legs, ball and claw feet. $600/800 W denotes the lot is illustrated at www.nealauction.com

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258

259

261

258. A Pair of Regency-Style Mahogany and Leather Armchairs, probably 19th c., scrolled crests, tufted seat, padded arms, curule legs. $2000/3000 259. A Continental Carved and Gilded Figural Mirror, 19th c., in the form of a crown over a double-headed eagle, height 33 1/2 in., width 24 in. $600/800 260. An Early George III Carved Giltwood Mirror, late 18th c., bowknot and urn crest with bellflower swags, molded oval surround, scrolled acanthine pendant centering a rosette, height 42 3/4 in., width 18 1/2 in. $1000/2000 261. An Italian Neoclassical Inlaid Fruitwood Commode, late 18th/early 19th c., banded inlaid top; the case fitted with three drawers, paneled sides, square tapered legs, height 34 1/2 in., width 49 in., depth 21 in. $2500/3500

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260

262

265

262. A Pair of Louis XV Carved Fruitwood Fauteuils, 18th c., each with scalloped crest, padded arms, cabriole legs. $2000/3000 263. A Louis XV/XVI Carved Walnut Salon Table, early 19th c., marble top, scalloped skirt fitted with two drawers, cabriole legs, hoof feet, height 30 in., width 59 in., depth 32 in. $2000/3000 264. An American Renaissance Carved, Ebonized, Gilt-Incised and Gilt BronzeMounted Sofa, c. 1865, Pottier & Stymus, New York, signed “P&S”, crest centering a bronze roundel, padded arms with distinctive putto terms, legs ending in hoof feet, height 37 in., width 71 in., depth 28 1/2 in.

263

$4000/6000 265. An American Renaissance Carved, Ebonized, Gilt-Incised and Gilt Bronze-Mounted Chair, c. 1865, Pottier & Stymus, New York, en suite with preceding lot, crest centering bronze roundel flanked by recumbent putti. $1000/1500

264 W denotes the lot is illustrated at www.nealauction.com

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266

266. A Very Fine American Renaissance Carved Oak Cabinet, mid-19th c., attributed to Alexander Roux, New York, upper case with molded crest, crocketed finials centered by a bust of George Washington, frieze with scrolling leaves, arched glazed doors, hunting figure stiles, shelf interior; lower case with two drawers over paneled doors with fish and game trophées, pendant fruit and nut stiles, blocked molded base, height 100 in., width 68 1/2 in., depth 24 in. $5000/7000 Note: Many elements on this cabinet relate to known examples by Alexander Roux. The high relief fish panels with a variety of eels, a turtle, crab, and other creatures are very similar to those on a walnut sideboard by Roux at the Metropolitan Museum of Art (acc. 1993.168), and those on the crest of a server at the Brooklyn Museum of Art (acc. 1995.15). The hunters on the stiles of the upper case complement the game and fish motif on the lower case and adhere to French Renaissance Revival traditions for dining furniture. The Founding Father bust at the crest is an American subject likely related to the 1876 Centennial.

The carved decoration on this cabinet is similar to that on pair of oak cabinets purchased from Roux by William and Margaret Astor c. 1856 (for Rokeby in Barrytown New York) and bearing the label from his 481 Broadway warerooms. Roux’s work in this period was in a variety of styles to satisfy the increasingly cosmopolitan and diverse tastes of his customers, and items of Renaissance influence, such as this cabinet, most often were items for the dining room. This cabinet displays the use of a brilliant maple interior with rosewood facing that strongly suggests the very best New York cabinetmaking in the middle 19th-century.

Reference: Hauserman. “Alexander Roux and his ‘Plain and Artistic Furniture’” Magazine Antiques (February 1968) p. 215, fig. 9.

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267. A Napoleon III Inlaid, Amboyna, Ebonized, Porcelain and Gilt BronzeMounted Bonheur du Jour, c. 1860-70, galleried superstructure with mirror back niche flanked by doors, frieze drawers, center fitted with writing surface, shaped shelf, plinth base, turned feet, height 59 1/2 in., width 53 1/2 in., depth 22 in. $3000/5000 268. A Regency Rosewood, Églomisé and Needlepoint Pole Screen, early 19th c., adjustable giltwood framed needlepoint on a brass rod, turned standard, incurvate triangular plinth, scroll feet, height 58 in., width 14 in. $1200/1800 267

269

268

270

269. A Pair of English Carved Mahogany Armchairs in the Hepplewhite Taste, 19th c., each molded shield back with reticulated splat, shaped arms, square tapered legs, H-stretcher. $800/1200 270. A Regency Mahogany Rent Table, early 19th c., inset tooled leather octagonal top, conforming frieze with four drawers and sham drawers, turned support, reeded legs, brass cuff casters, height 30 1/4 in., width 47 in., depth 37 in. $2500/4000 271. A Pair of Neoclassical-Style Bronze Tables, each with galleried marble top, paired columnar supports, incurvate triangular plinth, disc feet, height 27 1/2 in., diameter 20 1/2 in. $2000/3000 271 W denotes the lot is illustrated at www.nealauction.com

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273

272

272. An Antique Continental Bone and Mother-ofPearl Inlaid Oak Chest-on-Stand, probably 18th or 19th c., molded top, case with two over two paneled drawers, paneled sides, stand on barley-twist legs, box stretcher, height 36 1/2 in., width 34 in., depth 18 1/2 in. $2500/3500 273. A Pair of Antique Louis XV-Style Gilt and Crème Peinte Fauteuils, each with shaped crest, gilt and blue leather, scrolled arms, cabriole legs. $1000/1500 274. An Empire Carved Giltwood and Mahogany Center Table, 19th c., circular marble top with bronze molded edge, incurvate triangular standard and conforming plinth, paw feet, height 29 in., diameter 38 1/2 in.

274

$2000/3000 275. A “Raj” NeoclassicalStyle Argenté Bench, outscrolled uprights, seat rail with floral garlands, turned tapered legs, the frame overlaid with chased silvered metal, height 34 in., width 84 1/2 in., depth 28 in. $2500/3500

275

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276

278

279

277

276. A Régence Carved Walnut Side Table, early 18th c., St. Cyr stone top with molded edge, frieze drawer, shell-carved cabriole legs, hoof feet, height 28 in., width 34 in., depth 25 in. $1000/2000

277. An English Gilt Brass and Bronze Sinumbra Lamp, mid-19th c., probably Messenger and Sons, Birmingham, font with reticulated band, columnar standard, plinth base, cut and etched glass shade, overall height 32 in. Note: Retains traces of silvered surface. $1000/1500 278. A Pair of George III Brass Two-Light Adjustable Candelabra, c. 1810, rococo design, twisted shaft, on scrolled feet, height 16 1/2 in., width 10 3/4 in., depth 6 1/2 in. $800/1200

280

279. René Papa (French, late 19th/ mid-20th c.), “A Herculean Barge Hauler”, c. 1925, verdigris patinated bronze on marble base, artist name inscribed in marble, overall height 21 1/4 in. $2500/3500 280. A Carrara Marble Figure of The Crouching Venus, after Roman copies of the 3rd c. BCE Greek Antique, height 31 1/2 in. $1500/2500

W denotes the lot is illustrated at www.nealauction.com

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284

283. An Antique Italian RenaissanceStyle Carved Walnut Cupboard, probably early 19th c., top with blocked corners, conforming case with paneled doors flanked by stop-fluted pilasters, stepped molded plinth base, height 33 in., width 34 in., depth 12 1/2 in.

281

$800/1200

282

283

281. A Pair of Continental Carved and Polychromed Wood Angels, late 18th/early 19th c., each holding a large pricket candlestick in the form of a cornucopia, height 34 in.

284. A Pair of Continental RococoStyle Carved Walnut and Parcel Gilt Fauteuils, probably Venice, each with arched shell-carved back, flanking putti, volute arms, figural cabriole legs, stretcher, scrolled toes. $2000/3000

$2000/3000 282. A Pair of Large Continental Polychrome and Gilt Decorated Vases, late 19th c., celadon ground, the reserves painted with courting couples, cobalt border, height 23 1/4 in., diameter 8 1/2 in. $1500/2000

285. A Pair of Louis XVIStyle Gilt Bronze and Cut Crystal Covered Urns, bouquet finial, grotesque mask handles, mounted with beribboned floral swags, on quadripartite base, height 29 in., width 16 in., depth 12 in. $3000/4000

285

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290

286 (1 of 2)

291

W 288. An Edwardian

287

286. A Pair of Louis XVI-Style Bronze Doré and Crystal Ten-Light Chandeliers, tapered form, hung with crystal beads and prisms, the circlet mounted with urns and swags, height 44 in., diameter 35 in.

Mahogany and Marquetry Cabineton-Stand, late 19th/ early 20th c., upper case with arched crest, astragal glazed doors, shelf interior; stand fitted with two drawers, square tapered legs, height 70 in., width 28 1/2 in., depth 21 in.

$5000/7000

$500/750

$6000/8000 W 289. A French Empire Mahogany

$1500/2500

Commode, 19th c., molded top with turreted corners, five molded drawers over a deep drawer flanked by colonnettes, oak secondary wood, height 60 in., width 46 in., depth 23 in.

Provenance: An Uptown New Orleans house.

$700/1000

287. An American Renaissance Carved Walnut Mantel, late 19th c., serpentine shelf, frieze centered by a satyr mask, lion’s mask scrolled stiles, arched opening, blocked base.

290. José-Maria Cundin (Spanish/Louisiana, b. 1938), “The Odd Couple”, 1971, oil on canvas, signed and dated lower right, 30 in. x 34 in., framed, accompanied by a Bienville Gallery poster “José Maria Cundin, Paintings Done in the Winter, A Show from April 10 to 26, 1971”.

291. Will Henry Stevens (American/New Orleans, 18811949), “Forest Landscape, Rocky Outcropping along the River”, pastel on paper, signed lower right, sight 13 in. x 16 in., framed. $2500/3500

W denotes the lot is illustrated at www.nealauction.com

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295

292

294. Elliott Daingerfield (American, 1859-1932), “Sisters and Their Kitten in a Parlor”, 1883, oil on canvas, signed and dated lower left, “Sotheby’s, New York” label en verso, 16 in. x 24 in., framed.

292. Attributed to Louis Oscar Griffith (American/ Indiana, 18751956, active New Orleans, 1916-17), “Shanty Boat on the Mississippi”, oil on canvas affixed to masonite, unsigned, titled en verso, 18 in. x 24 in., framed.

$7000/10000 Provenance: New York collector Note: This fine painting of two sisters neglecting their music studies (preferring instead to play with their kitten) is a rare example of Daingerfield’s domestic interiors that combines the quiescent parlor settings of a Vermeer with the Impressionist style of Mary Cassatt, Berthe Morisot, even Édouard Manet’s portraits of the Bellelli family (1857-1860).

The leaded windows, convex wall mirror (which reflects the parlor setting in miniature), mandolin, arrangement of alchemy-like bottles, and placement of the oriental rug as a table covering are a reprise of 17th century Dutch interiors. On the other hand, the absence of pictorial depth, the decorative rendering of the rug, and brushwork are distinct attributes of Impressionist painting. Clearly, the young Daingerfield painted this work around the time he joined the prestigious Holbein Studios and began having his work exhibited at the National Academy of Design, where he met his greatest mentor, George Inness, with whom he would later study landscape painting.

$1000/1500 Note: A nocturnal scene by Griffith of a boat crossing the Mississippi River was sold in these rooms, October 6, 2007, lot 340. The work offered here bears similarities in palette and brushwork.

293

293. Alexander John Drysdale (American/New Orleans, 18701934), “Tonalist Louisiana Bayou Landscape”, 1911, oil on board, signed and dated lower right, 18 1/2 in. x 24 1/2 in., unframed. $3000/5000 Provenance: Private collection, New Orleans, LA.

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294

295. M. De Forest Bolmer (American, 1854-1910), “Marsh Lands”, oil on canvas, signed lower right, titled on brass frame plaque, 24 in. x 40 in., original frame liner. $1200/1800

296

296. Edward Stratton Holloway (American/Pennsylvania, 1859-1939), “Beach Scene with a Young Man and Child Picking Flowers”, probably 1885, oil on canvas, signed lower right, remnant of paper label with date en verso of stretcher, 30 in. x 50 in., framed. $5000/7500 Provenance: “Greenwood” broadly inscribed in pencil on lateral rail of stretcher.

Note: The most significant features of this atmospheric scene are the relative frequency of houses along its beachfront, the large driftwood tree on which the child is sitting, and the small ship on the horizon at the upper right. This last is clearly a coasting vessel, having only a single smokestack, as well as cargo derricks: it is shown (nearby) as steaming east or southeast toward more open water, with a dense plume of smoke blown back toward its recent port by a strong onshore wind. By the very nature of the American east coast, the ship’s near entry into the Atlantic, on this trajectory, the setting of this painting is either the New Jersey shore, northerly Atlantic beaches of Delaware, or the Virginia beach. The first of these options seems out of the question, when we consider which 19th-century towns the artist might have visited: the only spot this close to Sandy Hook, on the Jersey shore, was the fashionable watering-place of Long Branch, which Winslow Homer had very memorably shown, already in 1869 to possess very high dunes. Similarly our third option is hardly feasible, since Virginia Beach was so exiguously populated in 1885. On the chance that our ocean-going cargo ship might have left from Delaware Bay, this scene may be an 1885 ‘portrait’ of Rehoboth Beach, which in the 1880s was increasingly popular with patrons from Washington and Baltimore. Given the proximity to Holloway’s base in Philadelphia, this scene likely represents one of the smaller clusters of homes between Cape May and Atlantic City.

Edward Stratton Holloway was born in upstate New York. By age twenty-two he was already exhibiting regularly at the Pennsylvania Academy of Fine Arts, where he had also attended art classes. He showed pictures from 1888 at New York’s National Academy of Design, from 1897 at the Art Institute of Chicago, and in 1904 at the St. Louis World’s Fair, where he was awarded a medal. For forty-six years, he worked as an author and art director at the Philadelphia publishing house of J. B. Lippincott—which makes it all the more likely that his coastal excursions may have been limited to weekends. The unusually bold signature on this closely observed and beautifully painted scene, with its reminiscences of the Barbizon style that he would have mastered as a pupil, bespeaks both the energy and confidence of his age.

297

297. George Fuller (American, 1822-1884), “Castle Dinas Bran, Llangollen Wales”, 1882, oil on canvas, signed and dated lower right, artist title and identified on brass frame plaque, 25 1/2 in. x 21 1/2 in., period exhibition frame. $1500/2500 Provenance: Property Sold for the Benefit of a Private Institution.

References: Carr, James F.,ed.. Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers. New York, 1965, p.

173; Baedeker, Karl. The United States: a Handbook for Travellers. Leipzig and New York, 1971, p. 223-224, 225-226, 331.

W denotes the lot is illustrated at www.nealauction.com

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299. George Louis Viavant (American/Louisiana, 1872-1924), “Nature Morte: Snipe”, 1914, watercolor on paper, signed, dated and inscribed “N.O.” lower left, “E.G. Gagg Picture Framery, Knoxville, Tennessee” label en verso, sight 19 1/2 in. x 9 1/2 in., period frame. $4000/6000 300. American School, 19th c., “Portrait of Three Children”, 1861, oil on canvas, faintly and illegibly signed and dated lower right, 36 in. x 29 in., original oval frame.

298

$2000/3000 Provenance: Sold in these rooms December 2004, as lot 601.

301. Attributed to Ralph Albert Blakelock (American, 1847-1919), “Indian Encampment”, oil on wood panel, signed lower left, titled on old printed label en verso, “University of Nebraska Blakelock Inventory No. 720” label en verso, 12 in. x 16 in., period frame. $2500/3500 Provenance: Property sold for the benefit of a Private Institution (no. C2008-029).

300

299

298. William Aiken Walker (American/South Carolina, 1838-1921), “Cabin Scene”, oil on academy board, signed lower left, label “Bland Gallery, New York” label en verso, 6 1/8 in. x 12 1/4 in., framed. $8000/12000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

301

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302. Enoch Wood Perry Jr., N.A. (American, 18311915), “Woodland Brook near the Village of Seis in Tyrol”, 1911, oil on canvas, signed, titled and dated lower left, 16 1/8 in. x 20 1/8 in., framed. $800/1200 303. After Emanuel Gottlieb Leutze (German/American, 1816-1868), “George Washington Crossing the Delaware”, 1853, mezzotint and engraving by Paul Girardet, New York, Goupil & Co., pencil titled and inscribed “Subscriber’s Copy” and numbered “176” in lower margins, sight 25 in. x 39 1/4 in., gilt frame.

302

304

$400/600 Provenance: Property sold for the benefit of a Private Institution.

303

304. Karl Bodmer (Swiss, 1809-1893), “Mato-Tope, A Mandan Chief”, Tab. 13, engraving with aquatint, from Prince Maximilian zu Wied-Neuwied’s Travels in the Interior of North America, London, Paris and Coblenz, 1839-43, with Bodmer’s blindstamp, sheet 24 3/4 in. x 18 in.

305

$700/1000 Provenance: Property Sold for the Benefit of a Private Institution.

306. A Cabinet Card of Chief Big Tomahawk, albumen print, mount imprinted “Simes, 1892, Seneca, Mo.”, pencil titled and inscribed en verso, “Chief Big Tomahawk, Tribe Osage Quapaw, aged 64 years-6 ft. 4 inches high - The medal he has on was presented to his father in 1801

by President Jefferson. The badge on his left breast is a Grand Army...of 1861”, image 5 1/2 in. x 3 3/4 in., board 6 1/2 in. x 4 in., unframed.

305. Henry F. Farny (American, 18471916), “Indian Hunter”, 1903, lithograph, signed and dated in plate lower right, 7 in. x 5 in., shadow box gilt frame. $700/1000

$500/700 306

Provenance: Property sold for the benefit of a Private Institution.

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308. [Philadelphia Greys], “The Artillery Corps of Philadelphia Greys, (Company D).

Comd. By Capt. Geo. Cadwalader, First Regiment of Artillery, 1st Brigade, 1st Division, P.M.”, lithograph “Sketched on the Spot”

by Alfred Hoffy, Philadelphia: P.S. Duval, 1845, hand-colored, 12 3/4 in. x 16 1/2 in., sheet 15 1/4 in. x 18 in., framed.

308

$500/700 309. Carducius Plantagenet Ream (American, 18371917), “Still Life of Flowers”, oil on canvas, signed lower right, 12 in. x 15 7/8 in., framed.

307

$800/1200 310. American School, mid-to-late 19th c. “Portrait of a Young Girl Seated on the Banks of a Pond”, oil on canvas, unsigned, 30 in. x 25 1/8 in., framed.

309

307. After Thomas Sully (American, 1783-1872) “Andrew Jackson”, 1852, engraving, proof before letters, imprint would have read “Engraved by Thomas B. Welch from the original portrait by Thomas Sully in the Possession of Francis Preston Blair”, sheet 32 3/4 in. x 23 1/2 in., unframed. $400/600

310

$2000/3000 Provenance: Private Collection, Mobile, AL. 311. A Set of Six American Classical Carved Mahogany Side Chairs, early 19th c., attributed to the workshop of Duncan Phyfe, each with baluster-turned crest rail, scrolled stiles, pierced slat with lyres centering gilt-brass rosette, slip seat, saber legs with hairy shanks terminating in paw feet. $1200/1800 Note: Duncan Phyfe is known to have produced chairs and sofas decorated with a single, small giltbrass mount, including a sofa made (1810-1815) for New York merchant Thomas Cornell Pearsall and a side chair with a history of Philadelphia ownership, dated 1815-1820. Each stands on a curule base applied in the center with a gilt-brass lion’s mask.

The paw feet, hairy shanks, and round bosses with multiple rings on the chairs offered here are details found on chairs documented or attributed to Phyfe.

A Phyfe side chair bearing these features, as well as a pierced slat centering a carved rosette, is in the collections of the New York State Museum in Albany, NY. References: Kenny, Peter M. and Michael K. Brown. Duncan Phyfe: Master Cabinetmaker in New York, 2011, pp. 178-181, plate 15 and pp. 188-191, plate 21; Scherer, John L. New York Furniture at the New York State Museum, 1984, p. 41, fig. 38.

311

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312

312. A Fine American Carved Mahogany Full Tester Bed, c. 1850, probably New Orleans, beaded tester with turreted corners, pleated canopy, paneled headboard with scroll crest, tapering columnar posts, bracketed rails, height 118 in., length 80 in., width 63 in. $8000/12000

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313. An American Classical Carved Rosewood “Voltaire” Armchair, mid19th c., New York, school of Duncan Phyfe, arched crest with padded arms, S-scroll supports, straight seat rail, saber legs, casters. $1000/1500

313

314

314. A Fine American Rococo Carved and Laminated Rosewood Side Chair, mid-19th c., attributed to John Henry Belter, in the pattern commonly referred to as “Rosalie”, foliate and grape crest, padded back, circular seat, cabriole legs. $1000/1500 315. An American Renaissance Carved Mahogany Breakfront Bookcase, late 19th c., Philadelphia, likely Daniel Pabst or Allen & Bro., stepped molded cornice centering a lion’s mask flanked

by North Wind masks, three beveled glazed doors below, shelf interior, reeded pilasters, molded plinth base, “Shannon” locks, height 71 1/2 in., width 88 1/2 in., depth 19 in. $3000/5000 Provenance: Immaculata Law Library, Philadelphia.

315

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318

316. An American Rococo Carved Rosewood Armoire, mid-19th c., New Orleans, foliate carved crest with a central cabochon, turned and lobed finials, finely molded paneled doors, birdseye maple fitted interior, plinth drawer, height 108 1/2 in., width 65 3/8 in., depth 23 3/4 in. $5000/7000 Provenance: Descended in the Villere-Clark-Atkinson family, New Orleans, LA. 317. A Pair of American Federal Mahogany Games Tables, early 19th c., each shaped foldover top with reeded edge, conforming frieze, ring-turned and reeded legs, height 29 5/8 in., width 35 5/8 in., depth 18 in. $2500/3500 318. An American Classical Coin Silver Tea Service, William Miller, Charleston, c. 1820, marked “W.MILLER” in banner, comprised of a teapot, covered sugar, creamer and waste bowl, teapot height 11 in., combined weight 95.20 troy ozs. $2500/3500 Provenance: Estate of Steven Cabot Barnes Harvey; F. Gorevic & Son, Inc., 635 Madison Ave., NY, 1990.

316

317

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319. An Antique American Sterling Silver Pitcher, William Gale & Son, New York, 1853-1856, vase form with egg and dart and beaded borders, scroll handle, height 11 1/2 in., weight 24.85 troy ozs.

W 321. A Set of Thirteen Sterling Silver Small

$1000/1500

W 322. A Group of Tennessee Coin Silver

320. A Set of Ten American Sterling Silver Julep Cups, mid-20th c., Priesner Silver Co., Wallingford, CT, 1935 to present, tapered form with molded rims, monogrammed “G”, height 3 7/8 in., weight 45.10 troy ozs. $400/600

Julep Cups, mid-20th c., Fisher Silversmiths, Jersey City, NJ, tapered form with molded rims, monogrammed “GG”, height 2 7/8 in., weight 26.70 troy ozs. $300/500

Flatware, including a master butter knife, David Large Hope, Knoxville, wc. 1828-1869; a mustard ladle, Hope & Miller, Knoxville, 1869-1880s; a teaspoon, John M. Cayce, Franklin, 1850-1870; a master salt spoon, William Henry Calhoun, Nashville, wc. 1835-1865, marked “W.H.CALHOUN TY.” in rectangle; and a Wood & Hughes fork, ret. G.R. Calhoun & Co., Nashville, wc.

1847-1903; together with a dessert spoon marked “HOPE” incuse and a soup spoon marked “CAMPBELL” in rectangle and “STANDARD” in banner, total weight 6.90 troy ozs. $250/350 Provenance: Estate of Steven Cabot Barnes Harvey.

319

Reference: Caldwell, Benjamin Hubbard. Tennessee Silversmiths, pp. 47-52, 59-61, 110-112, Calhoun salt spoon and mark illustrated p. 49, fig. 47 and 47a.

W 323. A Group of New Orleans Fiddle Thread

Spoons, including 2 coin silver demitasse spoons, Hyde & Goodrich, 1821-1861; and a sterling silver soup spoon, Wood & Hughes, New York, 1845-1899, ret. A.B. Griswold, New Orleans, 1861-1906; together with 6 French silverplate dinner knives, blades marked “Paris/ ACIER FONDU”. $300/400 Provenance: Estate of Steven Cabot Barnes Harvey.

320

324. A Very Fine American Federal Inlaid Mahogany Sideboard, early 19th c., Maryland or Virginia, kidney shaped top, conforming case with a drawer over incurvate doors flanked by curved doors, one fitted with bottle drawer, square tapered legs, yellow pine secondary wood, original brasses, height 40 1/2 in., width 71 in., depth 25 1/2 in. $5000/7000 Note: The complex case form on this sideboard, lot 324, is apparently rare in southern furniture. Interestingly, an inlaid cherry and yellow pine sideboard originating in Natchez, MS from the collection of Felix H. Kuntz sold in these rooms as lot 657, February 19, 2005 for $102,000.

324

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325

325. An American Chippendale Carved Walnut Armchair, 18th c., probably Virginia, pierced vasiform splat, scrolled arms, trapezoidal slip seat, square legs, H stretcher, casters, found in old surface, slightly reduced in height, now with casters. $800/1200 326. An American Classical Carved Mahogany Four Post Bed early 19th c., paneled headboard with arched crest, acanthus and spiral turned posts, straight rails, height 97 1/2 in., length 77 1/2 in., width 66 in. $4000/6000 326 327. A Set of Eight American Classical PaintDecorated “Fancy” Chairs, early 19th c., probably New York, each with tablet crest centering a beehive, reticulated slats, rush seat, reeded legs, stretchers, turned feet. $2000/3000

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329. An American Classical Mahogany Secretary Bookcase, c. 1830, Baltimore, upper case with flared cornice, elliptical glazed doors, flanked by pilasters, lower case frieze fitted with a writing drawer, paneled doors flanked by S scroll supports, scrolled feet, height 88 1/2 in., width 49 1/2 in., depth 25 in. $2000/3000 Note: The distinctive upper case and scroll supports on this secretary are identical to those seen on a Baltimore secretary from the James M. Goode Collection and also to a desk sold in these rooms as lot 613 December 3, 1992.

328

Reference: Fitzgerald, Oscar. Three Centuries of American Furniture., 1982 p. 130, fig. VI-43.

329

330. An American Federal Carved Giltwood Mirror, c.

1790-1800, beaded frame surmounted by a spread-winged eagle on plinth, urns to sides, swagged ball and chains, height 42 in., width 20 1/4 in. $1000/2000 331. An American Federal Mahogany Tambour Desk, early 19th c., mid-Atlantic, superstructure with molded edge lift top, void interior, three false drawer fronts over tambour slides and central prospect door; lower case with foldover writing surface, four graduated drawers, reeded stiles, turned and reeded legs, pine and poplar secondary wood, height 56 1/2 in., width 43 in., depth 24 in.

330

328. An American Cherrywood Candlestand, early 19th c., probably Hartford, CT area, oval top, scrolled legs, height 27 1/2 in., width 20 in., depth 16 1/2 in.

$1200/1800

$400/600

331

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332. An American Classical Carved Mahogany Pier Table, early 19th c., rectangular marble top over frieze with rosette blocks, scrolled supports ending in paw feet, mirrored back, incurvate plinth base, height 34 in., width 36 in., depth 17 in. $1000/2000 333. An American Federal Cuban Mahogany Games Table, early 19th c., Haines-Connelly School, Philadelphia, shaped foldover top with reeded edge, conforming frieze with diamond inlaid blocks turned and reeded legs, height 29 3/4 in., width 34 3/4 in., depth 17 1/2 in.

334 (1 of 3)

332

$500/750 334. Edward S. Curtis (American, 18681952), Three photogravures including “Braided Squash Wichita” 1927, “Jukuk, Nunivak”, 1928 and “Hooper Bay Man”, 1928, artist, title and date printed in lower margins, plate 7 1/2 in. x 5 1/2 in., framed.

(3 pcs.)

333

$800/1200 335. [Cased Image] Southern School, mid19th c., “African American Woman holding a Child”, ambrotype enhanced with gold leaf, quarter plate, embossed leather case. $500/800 Provenance: Private Collection, Memphis, TN.

336 (2 of 7)

335

336. A Collection of Seven Vintage Photographs of the Tennessee Coal Creek War, c. 1892, including “Fort Anderson”, “Coal Creek Garrison, Fort Anderson Orchestra”, “Outpost No. 1 (soldiers identified)”, “Sergts. Forman & Gabriel”, seven albumen prints mounted on board, “W.E. Singleton Photographer, Knoxville, Tenn.” embossed or stamped lower margin of board or en verso, image 6 1/8 in. x 8 1/2 in., unframed. $1000/1500 Provenance: Property sold for the benefit of a Private Institution.

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337. An American Patinated Bronze, Blown and Cut Glass Hall Lantern, 19th c., now electrified, height 22 in., diameter 9 in. $500/800 338. A Pair of American Gilt Metal, Marble and Cut-Glass Oil Lamps, mid19th c., font with shield and star decoration, fluted shaft, foliate cut shades, height 20 3/4 in., diameter 6 in. $700/1000

337

339. Jacques Nicolas Bellin (French, 1703-1772), “Carte de la Louisiane et des Pays Voisins...”, 1755, engraved map, with outline color, sheet 21 1/4 in. x 26 1/2 in., framed; together with “A New Map of Louisiana”, 1857, by J.L Hazzard, published

by Charles Desilver, hand-colored; and “County Map of Florida”, 1872, by S. Augustus Mitchell, hand-colored, sights 13 1/2 in. x 16 1/2 in. and 11 in. x 14 in. respectively both framed (3 pcs.).

338

$600/900 340. An American Classical Carved and Gilt Mirror, early 19th c., split baluster frame with rosette blocks, divided mirror plate, height 50 in., width 25 in. $800/1200

339

340

341. An American Federal Carved Mahogany Drop-Leaf Dining Table, c.

1810, possibly the workshop of Thomas Seymour, Boston, incurvate frieze with turreted corners, beehive-turned standard, molded saber legs, brass cuffs, casters, height 29 in., width 46 1/2 in., depth 23 1/2 in. $1000/1500

Note: There is a small group of tables with “incurvate end rails” made by the Seymours.

341

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Reference: Mussey, Robert D., Jr. The Furniture Masterworks of John and Thomas Seymour, (2003), pp. 332-333, cat. 99; Stoneman, Vernon C., John and Thomas Seymour, Cabinetmakers in Boston 1794-1816, 1959, pp. 296297, fig. 193, 194.

342. An American Classical Carved Mahogany Pier Table, early 19th c., Philadelphia, original marble top, bolection molded frieze, Ionic columnar supports, incurvate plinth, gadrooned paw feet, height 38 in., width 40 in., depth 19 in. $1500/2500 342

343

343. A Rare American Gilt Lacquered Brass and Bronze Solar Lamp, mid19th c., Dietz Brother & Co., New York, labeled, identified as item No. 52 in the 1860 Dietz catalog, finely cut and etched Gothic shade, chimney, overall height 34 1/2 in. $800/1200 Note: Described as “the most ornate solar lamp produced by the Dietz Company”, an identical standard is illustrated in Gowitt.

Reference: Gowitt, Gerald T. 19th Century Elegant Lighting, 2002, pp. 119-120.

344

345

344. A Rare American Patinated Bronze Argand Lamp/Girandole, early 19th c., multifunctional design use as a wall light, carrying lantern and table lamp, height 13 1/2 in., width 5 1/2 in., depth 8 1/2 in. $800/1200

345. A Rare Pair of American Classical Mahogany Klismos Chairs, early 19th c., Philadelphia, each with tablet crest, trapezoidal seat, saber legs. $1500/2500 Note: The extended crest rail and the serpentine back supports on these chairs are typical of sophisticated Philadelphia examples of the early 19th-century, and adhere closely to ancient Greek prototypes. Other noted examples of Philadelphia klismos chairs, similar to those seen here, are conserved at the Metropolitan Museum of Art, Winterthur and the Philadelphia Museum of Art. Reference: Boor. Allison. Philadelphia Empire Furniture. 2006, p. 326., fig. 183 and p.

327, fig. 184; Fennimore, Donald. Three Centuries of American Art. 1976, pp. 266267.

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346

347

346. A Rare and Diminutive Carved Tropical Hardwood Campeche Chair, mid19th c., possibly Cuban, pierced foliate crest, black leather seat with brass nailhead trim, scrolled arms, curule base, turned stretchers. $2500/3500 Note: This lot is similar to chairs often sourced in Campeche, the Mexican port city on the Yucatan Peninsula. This form evolved in North America and through the Caribbean during Spanish rule of the late eighteenth century. The diminutive size of this example relates closely to the Yucatan butacas of Campeche and may be associated with Cuban examples.

Reference: Puig. “The Early Furniture of the Mississippi River Valley,” The American Craftsman and the European Tradition, p. 165; Gontar, “The Campeche Chair in the Metropolitan Museum of Art” Metropolitan Museum Journal, 2003, p. 202, p. 38; Gontar, The Louisiana ‘Campeche’ Chair: Origin, History, and Transference Parson’s School for Design Master of Art Thesis, 2000.

348

347. A Fine American Classical Carved Mahogany Dining Table, early 19th c., New York, drop leaves, frieze drawer, vasiform foliate supports, incurvate plinth, acanthine paw feet, casters, height 28 1/2 in., length 39 in., width 25 1/2 in. $1500/2500 348. Antonio Nicolo Gasparo Jacobsen (Danish/ American, 1850-1921), “The Steam Yacht Liberty”, 1912, oil on artist board, signed, dated, and inscribed “...Hoboken, NJ” lower right, titled on brass frame plaque, 17 1/2 in. x 29 5/8 in., in original oak frame. $4000/6000 Provenance: Property sold for the benefit of a Private Institution.

349. Henry Howard Bagg (American, 18521928), “Couple Strolling under a Live Oak along the Water’s Edge”, oil on canvas, signed lower right, 9 in. x 14 1/2 in., original frame.

349

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$1500/2500

350. A British West Indies Carved Mahogany Library Chair, 19th c., paneled backswept crest, boldly scrolled arms, deep seat rail, turned legs, casters. $500/1000 351. A Fine Empire Gilt and Patinated Bronze NineLight Chandelier, early 19th c., reticulated palmette corona, central tazza, foliate arms, bud pendant, height 32 in., diameter 21 in.

350

$3000/5000 Note: A nearly identical chandelier is part of the collection of The Kleinpeter House, Baton Rouge.

352. A Fine American Classical Mahogany Work Table, c.

1830, school of Duncan Phyfe, New York, case with fitted drawer over writing drawer and deep drawer, four octagonal supports, incurvate plinth, octagonal block feet, casters, height 30 in., width 20 in., depth 15 1/2 in. $1000/1500

351

352

353. After Gilbert Stuart (American, 17551828), “Lansdowne Portrait of George Washington”, probably 19th c., oil on canvas, signed “A. Q. Goguille” lower right, extensively inscribed en verso, 73 in. x 48 1/4 in., unframed. $4000/6000 Provenance: Dr. [George] Crozat Collection. Restored in 1971 after hurricane Camille by A.P. Trovaioli[sic], Grand Bay, AL, 1971.

Illustrated: Louisiana State Museum: Handbook of Information.

Cabildo, 1934, pp. 66 and 136.

353

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355

354. A Pair of George III Carved Giltwood Mirrors, early 19th c., oval mirror plate surmounted by vase cascading leaves and flower buds, height 52 in., width 21 in. $3000/5000 354 355. An American Gilt Brass and Bronze Hanging Solar Lamp, mid-19th c., probably H.N. Hooper & Co., Boston, font with circlet, scrolled arms, suspended by chains, chimney, height 28 1/2 in. $500/800 356. An American Cast Iron Garden Armchair, 19th c., probably William Adams, Philadelphia, lion mask crest, lyre splat, pierced seat, found in old white paint. $400/800

357 356

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357. A Cast Iron Hearth Plate and Fire Grate, dated 1697, probably English, arched plate with putti, box grate, scroll feet, height 29 in., width 17 1/2 in., depth 11 1/2 in. $1000/1500

358. Marcello Andrea Baccetti (Italian, 18501903), “Bust of Levi Parsons Morton (1825-1920)”, marble, inscribed “A. Bacc...” on reverse, height 30 in. $1200/1800 Provenance: The Price Collier Collection, Tuxedo Park, NY. Note: Morton was Ambassador to France (1881-85), Governor of New York (1895-96) and U.S. VicePresident in the administration of Benjamin Harrison (1889-1893). He was a close friend of Price Collier, with whom he attended many society functions in Tuxedo Park and elsewhere in New York State.

359. A Good Gilt Bronze Statue of Narcissus, cast after the Pompeiian antique in the Museum of Naples, height 24 1/2 in.

358

$1000/2000

359

360. A Fine American Classical Carved Mahogany Work Table, early 19th c., Anthony Quervelle, Philadelphia, labeled, lift top enclosing a fitted compartment with faux drawer front, two fitted bolection molded drawers below, paired dolphin supports, turned stretchers, arched legs, casters, height 31 in., width 24 in., depth 20 in. $5000/7000 Note: This rare labeled work table is nearly identical to a notable example by Quervelle from the Sorger collection; it is closely related to a table descended in the Hempwell family, believed to be part of the original furnishings for Strawberry Mansion, Philadelphia; and a third table sold in these rooms as lot 637, April 16, 2005.

The “looking glass” label on this table, with Quervelle’s workshop street number, “126,” was known to be in use c.

1825-1830.

Reference: Smith, Robert. “The Furniture of Anthony G. Quervelle, Part III, the Worktables,” Magazine Antiques (August 1973) p. 266, fig. 1; Boor, Allison. Philadelphia Empire Furniture., p. 266, Figure 131. Neal Auction Company lot 311, Sept 11, 2010; Smith, Robert. “Philadelphia Empire Furniture by Antoine Gabriel Quervelle,” Magazine Antiques (September 1964) p. 305, fig. 2. Smith notes that a well-known group of Quervelle work tables used paired dolphin supports in a trestle form. Quervelle may have been inspired by certain Regency designs, such as a dressing table seen in George Smith’s Collection of Designs for Household Furniture, pl. 73.

360 (detail label)

360

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361

361. An American Coin Silver Repoussé Coffee and Tea Service, S. Kirk & Sons, Baltimore, c. 1880-1890, including a coffee pot, teapot, kettle, and creamer, each of footed vase form, approx. weight 134.05 troy ozs. $3000/5000 362. An American Classical Gilt-Stenciled and Carved Mahogany Games Table, c.

1825, New York, foldover top with rounded corners, trestle support with hexagonal columns, acanthus scrolled legs, hairy paw feet, stretcher, brass casters, height 30 in., width 36 in., depth 18 in.

362

$2000/3000 Note: A table of similar design by Duncan Phyfe, which descended in the Astor family, is discussed by Nancy McClelland in Duncan Phyfe and the English Regency 1795-1830, 1939, ill. pl. 239 p.

252.

363. An American Federal Inlaid Mahogany Tallcase Clock, early 19th c., 364 scrolled pediment with brass finials, astragal-form glazed door enclosing painted dial with moon phase and calendar aperture, flanked by fluted columns, waisted case with arched door flanked by fluted quarter columns, paneled base, bracket feet, moon dial marked “Wilson”, height 95 in., width 18 3/4 in., depth 10 in. $2500/3500

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363

364. A Very Fine American Classical Carved Mahogany Center Table, 19th c., bookmatched radial veneer tilt top, columnar support, faceted circular plinth, paw feet, casters, height 28 1/2 in., diameter 54 in. $2000/3000

365. An American Classical Carved Mahogany Work Table, early 19th c., New York, drop-leaf top, two drawers, turned tapered legs, brass cuffs and casters, poplar secondary wood, height 30 in., width 22 in., depth 19 in. $500/750 366. An American Classical Carved Mahogany Work Table, early 19th c., New York, cross-banded foldover swivel top, with faux drawer fronts over drawer, chamfered pillar, plinth base, blocked feet, casters, poplar secondary wood, height 29 in., width 24 in., depth 14 in.

365

366

$500/750 367. Robert Lie (American, 1899-1980), “The Lightning at Full Sail”, 1962, oil on canvas board, signed and dated lower left, signed, dated inscribed “To Emma..” en verso, 17 3/4 in. x 23 3/4 in., framed.

367

$800/1200 368. Attributed to George Peter Alexander Healy (American/New Orleans, 1813-1894), “Portrait of a Seated Gentleman Holding a Book”, c.

1855-60, oil on canvas, unsigned, 36 in. x 29 in., framed. $1800/2500 Note: This spectacular portrait was painted either in Chicago – where Healy lived from 1855 to 1867–or in New Orleans (where the artist worked for two to three winters in the late 1850s and then from 1860-1861). Every hallmark of Healy’s well-known style is present in this painting.

Almost uniquely among American artists of the period, he favored the extended format of a three-quarter-length sitting figure. He was also partial to carefully-delineated chairs, of which a typical model is included here. The gentleman’s suit, with its wide lapels, velvet collar, multibuttoned silk waistcoat, wide cravat, and upturned collar points, is specific to the late 1850s. This portrait bears striking resemblance to an earlier portrait his brother Thomas Cantwell Healy painted of “F.A. Metcalfe” in 1853. In that painting, the carved chair and the (reversed) arrangement of hands holding the book are direct antecedents to the composition employed here. Most importantly, the gentleman’s physiognomy, detailed setting and costume in this portrait are a stylistic reprise of two 1860 masterworks by Healy: “Lewis Conner Jurey” and “Thomas Garten Blewett”.

G.P.A. Healy was able to combine diplomatic manners and great personal charm with obvious skill, making him a truly international celebrity, whose natural talents and affable character appealed equally to royalty, gentry, and patriots. He was encouraged by Thomas Sully and patronized by Mrs. Harrison Grey Otis to make the first of his thirty transatlantic crossings, to

368

study in Paris with Baron Gros (and later with Thomas Couture). He became one of the favorite painters of King Louis-Philippe of France, and the King and Queen of Romania; after long residences in Paris, London, and New York, he settled in Chicago, where he made a specialty of painting generals, statesmen, and presidents (his 1864 Seated Lincoln, at the Newberry Library is one of his most celebrated works). His fame only intensified over the remaining thirty years of his life, and it has aptly been remarked that his cosmopolitanism prefigured and rivaled that of John Singer Sargent in the next generation.

References: Mills, Sally. “Healy, G.P.A.”. Grove Dictionary of Art, Jane Turner, ed., vol.

14. London, 1996, pp. 277-278; Kelly, Franklin et al.. American Paintings of the 19th Century, National Gallery of Art. Washington, 1996, pp. 298-300; Colonial Dames.

Louisiana Portraits. New Orleans, 1975, pp. 146.

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370

371. George Rodrigue (American/Louisiana, 19442013), “The Yellow Robe of Texas”, 1991, oil and acrylic on canvas, signed lower left, signed, titled and dated in marker en verso, “The Rodrigue Gallery, Royal Street, New Orleans” stamp and Rodrigue Blue Dog wax seal on stretcher, 20 in. x 24 in., framed.

369

$25000/35000

371

369. Alexander John Drysdale (American/New Orleans, 1870-1934), “Three Live Oaks”, oil wash on board, signed lower right, sight 19 1/2 in. x 29 1/2 in., original frame. $2500/3500

370. Eudora Welty (American/ Mississippi, 1909-2001), “Rooster in a Hen House”, c. 1930-1939, printed in 1992, silver gelatin print, pencil signed and numbered “55/60”, “Diogenes Editions, Jackson, MS” embossed stamp lower left, image 10 in. x 17 1/2 in., sheet 16 in. x 20 in., framed. $4000/6000

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Note: As George Rodrigue’s career progressed, the subject matter and media he used evolved. As a young artist on a limited budget, Rodrigue often painted the dark, sweeping oak trees and landscapes of his beloved Cajun country in thinly applied oil. As his fame and commissions increased, he was able to afford painting in thicker impasto, layering paint over time with sprayed coats of varnish. However, in the 1980s, Rodrigue was made aware of health risks from spray varnish and transitioned to acrylic paint, a water soluble, flatter and faster drying medium. It was during these early years using acrylic that Rodrigue also found his new muse, the Blue Dog, a figure based on Cajun folklore and modeled after his family dog, Tiffany. The Yellow Robe of Texas, presented here, represents the early period of the Blue Dog series, as well as the artist’s use of acrylic. This dog, cloaked in yellow, stands out against a flat background, a starkly different scene than the mossy oaks and bayous of Rodrigue’s past. The Blue Dog would become the hallmark of Mr. Rodrigue’s oeuvre, a beloved figure, who traveled to many places and scenes in history.

Reference: Rodrigue, Wendy. “Oil Paint or Acrylic?” Musings of An Artist’s Wife. Last modified November 8, 2009. http://www.wendyrodrigue.com

372. Nelson Boren (American, b.

1952), “Cowboy”, watercolor on paper, signed lower left, sight 61 in. x 42 in., framed. $7000/10000 Note: Working from a studio in Sandpoint, Idaho, Nelson Boren creates highly realistic, textured western figure paintings.

Boren left a successful and award-winning architectural career to pursue a professional art career in 1990.

The stimulus to pursue his artistic interest came from a watercolor class he signed up for at Arizona State University, taught by the same teacher who had instructed him years before in architecture school.

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375. Robert Rucker (American/Louisiana, 19322001), “Steam Boat on the River”, oil on canvas, signed lower left, 24 in. x 30 in., framed. $2000/3000 Provenance: Purchased from the artist c. 1970.

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Drawn to watercolor because of its vivid and transparent colors, Boren’s work today reflects his informed appreciation of cowboys, which he experienced as a young boy working summers on Arizona ranches.

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373. Clementine Hunter (American/Louisiana, 1886-1988), “Pecan Pickin’”, c. 1955, oil on canvas board, initialed lower right, 18 in. x 24 in., framed. $3500/5500 Provenance: Estate of Charles and Elaine Pyle, Pauls Valley, OK; acquired from François Mignon.

Note: The Pyles were pecan brokers, who visited Melrose Plantation and had a close relationship with Clementine Hunter. According to family history, the Pyles specially commissioned this painting from the artist. While other Hunter paintings incorporate numerous views and activities around Melrose, this painting is unique in that its composition combines pecan picking with chickens and African-American architecture.

374. Clementine Hunter (American/Louisiana, 1886-1988), “Zinnias”, oil on board, monogrammed lower right, 24 in. x 16 in., framed. $3000/5000 Provenance: Estate of Charles and Elaine Pyle, Pauls Valley, OK, acquired from the artist.

W denotes the lot is illustrated at www.nealauction.com

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376

376. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Oak Trunk”, c. 1955-65, watercolor and pencil on paper, unsigned, Luise Ross Gallery, New York City labels with title and date en verso, 11 in. x 8 1/2 in., framed. $15000/25000 Provenance: Luise Ross Gallery, New York, NY. Exhibited: “Walter Anderson: Realizations of the Islander”, Pennsylvania Academy of Fine Arts, 1985.

Reference: Driscoll, John Paul. Walter Anderson, Realizations of the Islands, Walter Anderson Estate, 1985.

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377. Walter Inglis Anderson (American/Mississippi, 19031965), “Brown Dragon Fly”, c. 1960-65, watercolor and pencil on paper, estate stamp upper right, titled and dated on Luise Ross Gallery, New York City label en verso, 8 1/2 in. x 11 in., framed

379. Enrique Alferez (Mexican/New Orleans, 1901-1999), “Mother and Child”, ink and pencil on paper, unsigned, 13 1/4 in. x 16 1/2 in.

$8000/12000

Provenance: Acquired from the artist, descended in a New Orleans family.

Exhibited: “Walter Anderson’s Bog”, Luise Ross Gallery, New York City, October, 1993.

378. Enrique Alferez (Mexican/New Orleans, 1901-1999), “Standing Draped Woman”, graphite on paper, unsigned, 28 1/4 in. x 18 in., framed. $1500/2500

$1200/1800

380. Enrique Alferez (Mexican/New Orleans, 1901-1999), “Reclining Female Nude Torso”, bronze, light brown patina, unsigned, mounted on the original hand-hewn mahogany base, figure height 6 1/4 in. length 13 in. $8000/12000 Provenance: Acquired from the artist, descended in a New Orleans family.

Provenance: Acquired from the artist; descended in a New Orleans family.

W denotes the lot is illustrated at www.nealauction.com

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382. Enrique Alferez (Mexican/New Orleans, 19011999), “Reclining Nude”, ink on paper, signed middle right, 18 in. x 24 in., framed. $500/800 Provenance: Acquired from the artist, descended in a New Orleans family.

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384

383

383. Will Henry Stevens (American/New Orleans, 1881-1949), “Tree Trio”, pastel on paper, signed lower right, titled on exhibition label en verso, 16 in. x 14 in., framed. $3000/5000

385

384. A Shearwater Pottery Carved Floral Vase, c. 1946, carved by James “Mac” Anderson with a floral reticulated rim and border, thrown by Peter Anderson, double glaze of alkaline blue and antique green, impressed mark, signed and dated by Mac Anderson, height 5 1/2 in., diameter 7 3/4 in. $3000/5000 Illustrated: Dod Stewart, Shearwater Pottery, Bristol Pub., 2005, p. 108.

381. Enrique Alferez (Mexican/New Orleans, 19011999), “Figure with Bird in Flight”, 1967, Conté crayon on paper, signed and dated lower right, sight 39 1/8 in. x 47 3/4 in., framed. $1000/1500 Provenance: Acquired from the artist, descended in a New Orleans family.

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385. Two Shearwater Pottery Cast Mr. and Mrs. Aspirin Lamp Bases, c. 1930-35, designed by Walter Anderson, glazed by Peter Anderson in antique green, Mr. Aspirin with ink stamp, Mrs. Aspirin with impressed mark, height 9 in. and 7 in. respectively. $2500/3500

386. Walter Inglis Anderson (American/ Mississippi, 1903-1965), “Azaleas”, watercolor on paper affixed to board, unsigned, 11 1/4 in. x 8 1/4 in., framed; accompanied by Certificate of Authenticity from “The Family of Walter Anderson”, February 8, 2002. $8000/12000 387. A Newcomb College Art Pottery Vase, 1919, decorated

by Anna Frances Simpson with a Palm and Moon design, blue and green matte glaze, base marked with Newcomb cipher, decorator’s mark, reg. no. KL26, and shape no. 150, height 9 1/4 in.

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$8000/12000 388. A Newcomb College Art Pottery SemiMatte Glaze Vase, 1915, decorated by Anna Frances Simpson in a relief carved zephyr lily design, blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, “C” for buff clay body, shape no. 223, and reg. no. HL84, height 8 3/8 in. $3000/5000

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390. A Shearwater Pottery Coffee Cup with True Monkey Handle, c. 1940, with matching saucer by James “Mac” Anderson, shoal glaze, impressed mark, cup height 2 5/8 in., saucer diameter 5 7/8 in. $800/1200 391. A Shearwater Pottery Ashtray, c.

1935, decorated by Walter Anderson with three swimming fish amid waves and bubbles, black, white and brown applied slip, ink stamp, diameter 5 1/2 in. $800/1200 392. James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Making Turpentine”, 1991, oil on masonite, initialed and dated lower right, 48 in. x 24 in., framed.

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$4000/6000 Provenance: Acquired from the artist, Ocean Springs, MS.

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391

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389. A Newcomb College Art Pottery Vase, 1905, decorated by Marie de Hoa LeBlanc, with sweet laurel blossoms modeled in low relief, high glaze, with blue and green underglaze, base marked with Newcomb cypher, decorator’s mark, Joseph Meyer’s potter’ mark, reg. no. AL-79, height 6 3/4 in. $1500/2500

393. James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Magnolia”, 1983, oil on masonite, signed and dated lower right, 16 in. x 24 in., framed. $2000/3000

394. Tony Bass (American/ Texas, b. 1943), “Figurative Abstraction on Black Ground”, 2010, acrylic and mixed media on canvas, signed and dated en verso, 60 in. x 48 in., unframed.

395

395. Robert Helmer (American/New Orleans, 1922-1990), “The Acid Green Bottom”, 1963, oil and collage on masonite, signed and dated lower right, titled en verso, 35 3/4 in. x 31 3/4 in., framed.

$3000/5000 Provenance: Acquired from the artist.

394

$500/800 396. Ida Rittenberg Kohlmeyer (American/New Orleans, 19121997), “Cluster”, 1980, oil and mixed media on canvas, signed and dated lower right, 38 in. x 40 in., period frame. $8000/12000 Provenance: David Findlay Gallery, New York, 1980.

396 W denotes the lot is illustrated at www.nealauction.com

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397

398

398. Robert Gordy (American/New Orleans, 1933-1986), “Arcady #5”, 1972, acrylic on canvas, initialed and dated lower left, signed, titled and dated en verso, 57 in. x 44 in., period frame.

399

$1800/2400 Provenance: Collection of Artist Charles Fritchie.

399. Mildred “Millie” Wohl (American/New Orleans, 1906-1977), “No. 11”, oil and mixed media on masonite, signed and titled en verso, 21 in. x 26 in., period frame.

401

$1200/1800 Provenance: Collection of Ronald Bourgeois, A.S.A. and Chuck East, New Orleans, LA.

400

400. Paul Strisik (American, 1918-1998), “Island Cottage, Vinalhaven, ME”, 1970, oil on canvas, signed lower left, titled and dated on artist label en verso, 12 in. x 16 in., framed. $800/1200

397. Arthur Silverman (American/New Orleans, b. 1923), “Geo Clouds I”, 1995, matte aluminum and polychrome bas relief panel, titled and dated on “Galerie Simone Stern, New Orleans” label en verso, 37 in. x 21 in.

401. Caroline Durieux (American/Louisiana, 1896-1989), “Charlatan”, 1976, lithograph, pencil-signed, dated and titled, artist proof, edition of 10, sheet 17 3/4 in. x 15 1/2 in., unframed.

$1000/1500

$400/600

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W 402. William

Tolliver (American/ Louisiana, 1951-2000), “Woman Deep in Thought”, color serigraph on paper, pencilsigned lower right, titled lower center, numbered “219/250”, blind stamps “AM Editions” lower left and “Vargas & Associates Art Publishing, Boston, MA” lower right, image 34 1/2 in. x 21 1/2 in., sheet 41 3/4 in. x 28 in., unframed.

403

$500/700 Provenance: Maine Estate.

405 403. A Newcomb College Art Pottery Bowl, 1927, decorated by Anna Frances Simpson with a relief carved design of narcissus, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, shape no. 171, and reg. no.

QP83, height 4 1/2 in., diameter 10 5/8 in. Note: Condition.

404

$700/1000 404. A Newcomb College Art Pottery Pitcher, 1929, probably decorated by Sadie Irvine, in the Espagnol design, high glaze with blue and green underglaze, base marked with Newcomb cypher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RO-47, height 5 in. $700/1000

406

406. A Shearwater Pottery Vase, c. 1950s, thrown and glazed by Peter Anderson in bristol glaze, impressed mark, height 7 7/8 in.

407

$700/1000

405. Attributed to Alice Leigh Moise (American/New Orleans, 1905-1997, active Newcomb College, 1924-29), brass letter box, sloping lid, cut-out designs; the upper a stylized floral device and the lower spelling out “Letters”, height 10 in., width 6 1/4 in., depth 3 1/4 in. $800/1200

407. A Shearwater Pottery Cast Fish Mug, c. 1960, designed by Walter Anderson, seafoam and gold double glaze, height 4 1/4 in. $700/1000

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408

409

412 413. Clarence John Laughlin (American/New Orleans, 19051985), “Elegy for Moss Land: 1940”, printed 1981, silver gelatin print mounted on board, signed lower right, titled and dated lower left, signed, dated, and artist’s stamp en verso, image 15 1/4 in. x 19 1/4 in., board 20 in. x 28 in., unframed. $800/1200

413

414

408. A Shearwater Pottery Vase, c. 1930s, thrown and glazed by Peter Anderson in vivid alkaline blue, impressed mark, height 6 1/8 in.

W 411. A Shearwater Pottery Vase, c. 1950,

$600/900

$200/300

409. A Weller Art Pottery Vase, early 20th c., signed, two-handled amphora, in a matte green glaze, height 13 1/2 in.

412. Clarence John Laughlin (American/ New Orleans, 1905-1985), “A Haunting Gaze: 1941”, printed 1981, silver gelatin print mounted on board, signed lower right, titled and dated lower left, signed, titled, dated, inscribed and artist’s stamp en verso, image 19 1/4 in. x 15 1/2 in., board 28 in. x 20 in., unframed.

$500/700 W 410. Two Paul Cox Art Pottery Vases,

early 20th c., each impressed “The Paul E. Cox Pottery, New Orleans, Louisiana”, height 3 1/8 in., diameter 3 1/2 in. $200/300

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antique green glaze, impressed quarter-size mark, height 6 7/8 in. Note: Long hairline crack.

$800/1200 Provenance: Collection of Artist Charles Fritchie.

Provenance: Collection of Artist Charles Fritchie.

414. Clarence John Laughlin (American/New Orleans, 1905-1985), “The Flower of Life: 1953”, printed 1973, silver gelatin print mounted on board, signed lower right, titled and dated lower left, artist’s stamps and inscription en verso, image 14 in x 11 1/8 in., board 17 in. x 14 in., unframed. $500/800 Provenance: Collection of Artist Charles Fritchie.

415. Clarence John Laughlin (American/ New Orleans, 1905-1985), “The SelfCrucified: 1940”, printed 1981, silver gelatin print mounted on board, signed lower right, titled and dated lower left, signed, dated, and artist’s stamp en verso, image 13 3/4 in. x 10 3/4 in., broad 20 in. x 15 in., unframed. $400/600 Provenance: Collection of Artist Charles Fritchie.

416. Clarence John Laughlin (American/ New Orleans, 1905-1985), “Triumph of Black”, 1941, silver gelatin print, signed lower right, titled and dated lower left, artist’s stamp and numbered “12/53” en verso, image 13 1/2 in. x 10 1/4 in., unframed. $400/600 Provenance: Collection of Artist Charles Fritchie.

415

417

419

417. Jerry Uelsmann (American, b. 1934), “Portrait in an Allegorical Landscape”, 1963, silver gelatin print, initialed and dated lower right, titled lower left, titled, dated and artist’s label en verso, image 9 7/8 in. x 11 7/8 in., unframed.

419. Noel Rockmore (American/New Orleans, 1928-1995), “Billie and DeeDee Pierce, Preservation Hall”, 1963, oil on masonite, signed and dated lower right, “Upbeat for Old Jazz” article reprint from (Feb. 8, 1964) Businessweek affixed en verso, 12 in. x 19 3/4 in., period frame.

$500/800 Provenance: Collection of Artist Charles Fritchie.

$1500/2500

W 418. Debbie Fleming

Caffery (American/New Orleans, b. 1948), “Bessie”, 1981, silver gelatin print, signed, titled and dated en verso, image 20 in. x 16 in., unframed. $250/350 Provenance: Collection of Artist Charles Fritchie.

416

420

420. Rolland Harve Golden (American/ New Orleans, b.

1931), “View of Royal Street”, 1958, ink and watercolor on paper, signed and dated lower left, 17 3/4 in. x 22 3/4 in., framed. $800/1200 W denotes the lot is illustrated at www.nealauction.com

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421. William H. D. “Big Bill” Koerner (German/American, 1878-1938), “The Confrontation at Susquehanna”, oil on canvas, signed lower right, various labels en verso, illustrated in The Saturday Evening Post, June 10, 1933 in a short story titled “Derrick” by R.G. Kirk, 36 in. x 30 in., framed. $7000/9000 Note: [Hanging in my office is] a beautiful oil painting by W.H.D. Koerner entitled “A Charge to Keep”. The painting, inspired by the hymn, [pictures] a horseman determinedly charging up what appears to be a steep & rough trail. This is us…“A Charge to Keep” calls us to our highest and best.”- G.W. Bush

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“Big Bill” Koerner was an accomplished GermanAmerican artist, well known for his illustrations and paintings of the American West. As President Bush’s comment illustrates, Koerner’s works embody the “American Dream,” achieved through the Protestant-American work ethic of “picking one’s self up by the boot straps.” Koerner, a German immigrant himself, exemplifies the American values his works illustrated. Raised in Iowa after his parents immigrated to the U.S. in 1881, Koerner was the first in his family to receive a formal education; he studied at the Art Students League in New York City under Norman Rockwell’s mentor George Bridgman and later at Howard Pyle’s Illustration School in Wilmington, DE. From 1919 to 1935, he produced more than 1,800 illustrations and 600 paintings for major American journals such as The Saturday Evening Post, Harper’s and McClure’s. Like Rockwell and Maxfield Parrish, Koerner was a household name, whose works were formative in defining the America landscape during the post-World War Great Depression Era. Western frontier scenes were an artistic reprieve for Americans grappling with loss and economic hardships. Theodore Roosevelt, an early admirer of Koerner, considered his work to be a more realistic successor to Remington’s and Charles Russell’s. As two former presidents have noted, the strength of Koerner’s work lies in his ability to capture the plain-spoken, rugged honesty of the American frontier across all genres. A fine example of this is the painting offered here. “The Confrontation” captures the vigor of Croatian immigrants, who mine the ore of the Susquehanna Steel Company in Ironville, PA. “Derrick” is a tale about Charlie, an elderly miner, who rose from mill “rags to riches” by saving fourteen years of hard earned salary in a belt strapped beneath his clothes, only to be murdered by another miner, who squandered his pay on gambling and booze. “The Confrontation” illustrates the other miners confronting Kovac with his untucked trousers (a clear sign he had used the kama knife that miners carried inside their bootlegs to murder Charlie). In “The Confrontation”, the gritty realism, bold colors, and somber setting of a steel company (that closed during the Great Depression) is truly another ‘charge to keep’ in the annals of American history.

References: R.G. Kirk. Ibid.; Kammen, Michael. Mystic Chords of Memory: The Transformation of Tradition in American Culture. Toronto: Vintage Books, 1993; Diction, Bene. “A Myth to Keep – G.W. Bush and His Cowboy Painting.” Bene Diction Blogs On. 27 Jan. 2008. Web. 2 June 2014.

W 422. Irwin D. Hoffman (American, 1901-1989), “The Hills,

Cavendish, Vermont”, 1960, watercolor, signed and dated lower right, sight 15 in. x 22 in., framed. $400/600

423

423. Attributed to Walter Launt Palmer, N.A. (American, 18541932), “Trees in Winter”, watercolor on board, unsigned, 7 3/4 in. x 7 3/4 in., framed. $800/1200

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424. Roy Martell Mason (American, 1886-1972), “Patio on Royal St., New Orleans, LA”, 1939, watercolor, signed, dated and inscribed lower right, 21 3/4 in. x 15 in., framed. $800/1200 W 425. [John Muir/Editor], Picturesque California and the Region West of the Rocky Mountains, from Alaska to Mexico and Picturesque California: The Rocky Mountains and the Pacific Slope, 1887 & 1888, 2 vols., folio, 15 5/8 in. x 11 6/8 in.

Note: Cover condition.

$400/600 Provenance: Property sold for the benefit of a Private Institution.

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427

429

W 426. Joey Bonhage

(American/New Orleans, 19412008), “Narcissus and Wildflowers”, 1973, enameled metal sculpture, inscribed, dated and numbered “94/300”, height 18 in. $400/600 427. A Bronze of a Young Boy with Outstretched Arms and Raised Knee, 1967, inscribed “L.F. Hoffman III 1967” on base, height 31 1/2 in.

430

428. Gisela Korpiun (German, 19331980), “Valkyrie Aflight”, 1963, bronze on a stone base, inscribed “G. Korpiun” and dated on self-right foot, height 35 7/8 in.

428

$1500/2500 429. Gyula Maugsch (Hungarian, 1882-1942), “Awakening”, bronze, inscribed “Maugsch” on self-base, mounted on a gray and red variegated marble base, height 14 1/4 in.

430. An Art Nouveau Polychrome Decorated Bronze Dancer, standing in 4th position, inscribed “Pradier” on base, height 20 1/2 in. $250/500

$300/500

$1000/1500 W denotes the lot is illustrated at www.nealauction.com

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432. Eleftherios Karkadoulias (Greek/ American, b. 1936), “Leaping Dolphins”, 1969, bronze fountain, dated and inscribed “E. Karkadoulias/ Greece” on base, height 16 in. $400/600 Note: Eleftherios Karkadoulias is a master caster, sculptor and bronze restorer. Before coming to America in late 60s, Karkadoulias created and exhibited bronze works in Greece, and cast American and European bronzes at his foundry in Markopolo, just outside of Athens. Since 1968, he has been restoring bronze statues across the country, most notably the Gettysburg, PA monuments at Devil’s Den, the Tyler Davidson Fountain and Lyte Park statue of Lincoln in Cincinnati. Several articles have appeared in Cincinnati periodicals about his work and foundries in Ohio. The fountain offered here in lot 431 is an homage to both the bottlenose dolphins of Karkadoulias’ native Greece and the first public fountain he was commissioned to restore in the U.S..

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Reference: S.F. “Monumental Tasks,” Cincinnati Magazine (Nov. 1976): 9.

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433. Frank Albert Phillips (British, c.

1849-1913), “Portrait of a Young Girl in White”, 1875, oil on canvas, signed and dated lower right, inscribed in ink “This belongs to Mary J. Learles” en verso, 20 in. x 16 in., period gilt frame. $400/600 434. George Harris (British, 1855-1936), “Wickham Bridge, Stapleton”, oil on canvas, signed “G. Harris” lower left, “Frost & Reed Studios, London” label en verso, 20 in. x 31 in., framed. $800/1200 Provenance: Private Collection, Austria.

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431. An Art Deco-Style Bronze Doré Figure of a Dancer, marble base, height 27 1/2 in.. $700/900

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435. Daniel Sherrin (English, 1868-1915), “Coastal Landscape”, oil on canvas, signed lower left, 20 in. x 30 in., period gilt frame. $500/800

436. Frank Moss Bennett (British, 18741953), “Showing off the Birthday Gift”, oil on masonite, signed lower right, framed, 15 7/8 in. x 20 in. $1500/2500 437. English School, 19th c., “Pastoral Landscape: Shepherds Herding Cattle, Sheep and Goats”, oil on wood panel, unsigned, 12 1/2 in. x 15 3/4 in., framed.

436

438

437

439

$500/1000 Provenance: Collection of Dr. George Crozat, Houmas House, Burnside, LA. 438. Arthur Sheppard (British/ California, 1875-1954), “The Foul Blow”, c. 1930s, hand-colored lithograph, signed in plate, titled and signed in pencil in lower center margin, sight 23 1/4 in. x 29 3/4 in., framed. $400/600 439. A George III Lacquered Chinoiserie Tea Caddy, c. 1800, bail handles, reserves and incised pewter lining decorated with court scenes, height 8 in., width 13 1/2 in., depth 10 1/2 in. $800/1200 Provenance: Manheim Galleries, New Orleans, LA, 1977.

440. A Regency-Style Hall Lantern, bell-form shade, floral stamped band, three-branch fixture, electrified, height 21 in. $600/900 441. A French Brass and Tôle Peinte Bouillotte Lamp, 20th c., adjustable oval shade, scrolled candlearms, dished base, height 24 in., width 13 in., diameter 10 in.

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441

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443. Alfred Dubucand (French, 1828-1894), “Hunting Dog”, bronze, inscribed “A. Dubucand” and foundry mark “EV2359” on base, height 5 3/4 in. $800/1200 444. A Continental Patinated Bronze Figural Group, depicting a nude wood nymph making an offering of a libation and fur pelt to a Bacchus herm, attributed to W.K. August Sommer (German, 1839-1921) inscribed “A. Sommer” on self base, mounted on a black and red variegated marble base, overall height 19 3/8 in.

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$700/1000 442 445. Henri Vidal (French, 1864-1918), “Lion Rugissant”, c.

1900, bronze, inscribed “Vidal” and “France” on base, height 6 1/2 in.

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$500/800 446. Classical Bronze Sculpture of the Discus Thrower, 20th c., after the Greek Antique by Myron, mounted on a black variegated marble and white granite base, overall height 24 1/4 in. $600/900 Note: The original 5th century BCE bronze sculpture was lost, but a 1st century CE Roman copy of it, from which numerous copies in bronze and marble were made, was discovered in 1781, and is now at the National Museum of Rome.

W 447. Chinese School, “Pavilions

among Mountains”, ink and color on silk, inscribed and sealed upper right, sealed upper and lower left, 38 5/8 in. x 17 1/4 in., mounted as a hanging scroll. $200/400 444 W 448. Chinese School, “Ancestor

442. A Bichromatic Bronze Bust of Menelaus, late 19th/ early 20th c., after Stefano Ricci’s model of Menelaus from the Antique marble group Menelaus and Patroclus in the Loggia dei Lanzi, Florence, mounted on a wood base, height 19 1/2 in. $500/750

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Portrait”, ink and color on paper, sight 53 in. x 26 1/4 in, framed. $300/500

446

449. Chinese School, “Peonies and Birds on Rockwork”, ink and color on silk, inscribed and sealed upper left, sealed lower right 21 3/4 in. x 34 1/4 in., framed. $800/1200 W 450. Chinese School, “Peonies and Butterflies”, ink and color

on paper, inscribed and sealed lower right, 31 3/8 in. x 13 1/2 in., mounted as a hanging scroll. $100/200 451. A Late George III Inlaid Oak and Mahogany Tall Case Clock, c. 1820, scrolled crest, dial painted with a maiden and floral bouquets, case inlaid with fan and leaf motifs, height 89 in., width 20 1/2 in., depth 10 in. $1800/2500

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452

452. A Fine American Renaissance Carved, Gilt Incised Walnut and Burled Walnut Bedstead, late 19th c., attributed to Thomas Brooks, New York, crest centering a porcelain plaque, paneled headboard, conforming footboard, bracketed rails, height 91 in., length 77 in., width 48 in.

451

$2000/3000

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454. A Continental Cast Iron Figural Fountain, the figure holding a basket-form vessel, over octagonal basin, base cast with acanthus and cabochon, height 81 in., diameter 45 in. $2500/3500 455. A Rare Pair of George II-Style Carved Walnut and Parcel Gilt Demilune Console Tables, early 20th c., Westing, Evans & Egmore, Inc., Philadelphia, labeled, each with molded top over conforming frieze with Greek key and rosettes, acanthine cabriole legs terminating in claw and ball feet, height 34 1/2 in., width 44 in., depth 24 in.

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$2500/3500

453. A Fine American Aesthetic Carved, Incised and Ebonized Pedestal in the Egyptian Taste, late 19th c., square top over conforming standard with bead and reel and other moldings, band of reeding, stylized leaves and flowers, molded plinth, height 41 in., width 15 in., depth 15 in. $1200/1800 454

455

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Note: The firm of Westing, Evans & Egmore, founded in Philadelphia in 1916, manufactured and sold furniture, woodwork and interior decoration. One of its important commissions was the furnishing of the Folger Shakespeare Library, built 1929-1932 in Washington, D.C.

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459

456. A George III Inlaid Mahogany Sofa Table, late 18th/early 19th c., banded drop-leaf top, frieze drawers, sabre legs, cuffs, casters, height 28 in., width 33 in., depth 27 in. $1200/1800 457. A Set of Eight Georgian-Style Carved Mahogany Dining Chairs, early 20th c., comprised of two arms and six side chairs, each with pierced vasiform splat, trapezoidal slip seat, acanthine cabriole legs, claw and ball feet. $1500/2500 458. A William IV Carved Mahogany Table, the shaped tilt-top with burled veneers, molded edge, arched scrolled legs terminating in volute feet, casters, height 28 in., width 65 in., depth 45 in. $1500/2500 459. A Continental Inlaid and Figured Walnut Bombé Commode, late 18th/early 19th c., two short over two long drawers with banding and bookmatched veneers, flared feet, height 32 in., width 46 1/2 in., depth 25 in.

457

$3000/5000

458 W denotes the lot is illustrated at www.nealauction.com

101

460

461

463

462. A Georgian Inlaid Oak Welsh Dresser, 18th c. and later, molded cornice, open shelves, lower case with three frieze drawers over three graduated drawers flanked by doors, bracket feet, height 79 in., width 61 in., depth 19 in.

462

$1800/2500 460. A Rococo Carved Giltwood Console, late 18th c., probably Italian, serpentine faux marbre top, diapered frieze with foliate scrolls centering a shell, acanthine cabriole legs, hoof feet, height 35 1/2 in., width 43 in., depth 24 1/2 in.

461. A French Provincial Carved Fruitwood Side Table, 19th c., rectangular dished top with canted corners, scalloped frieze fitted with a drawer, cabriole legs, hoof feet, height 29 in., width 28 1/2 in., depth 20 1/2 in.

$3000/4000

$1000/1500

102

463. A George III Carved Mahogany Library Armchair, late 18th c., padded back and arms, scroll supports, serpentine seat rail, tapered fluted legs. $800/1200

464. A George III Mahogany Secretary Bookcase, 18th c. and later, the upper case with dentil molded cornice, astragal glazed doors, shelf interior; lower case with slant front, fitted interior with shell-inlaid door, two over three graduated drawers below, ogee bracket feet, height 90 in., width 42 in., depth 22 in.

465

$2000/3000 465. A George II Figured Walnut Dressing Table, 18th c., molded edge top, case fitted with three drawers, cabriole legs, pad feet, height 27 3/4 in., width 30 1/4 in., depth 19 1/2 in.

464

$2000/3000

466 467

466. A French Provincial Carved Walnut Buffet à Deux Corps, late 18th/early 19th c., upper case with molded cornice, arched paneled doors, fiche hinges; conforming lower case with three drawers over two doors, fluted stiles, scalloped skirt, whorl feet, height 90 in., width 60 in., depth 25 in.

467. A French Restauration Walnut Commode, 19th c., marble top, frieze drawer, three graduated drawers below, plinth base, molded hexagonal feet, height 39 1/2 in., width 51 in., depth 22 in. $1000/2000

$1500/2500

W denotes the lot is illustrated at www.nealauction.com

103

470 471

473

472

W 468. An American Carved and Gilded Mirror,

oval molded surround with foliate decoration, height 31 3/4 in., width 28 in. $200/300 W 469. A Regency Giltwood Convex Mirror, early

19th c., with guilloche and palm leaf borders, mounted with spherules, diameter 22 1/2 in.

470. An English Gilt and Polychrome Papier-Mâché Tray, mid-19th c., serpentine form, conforming later stand, height 19 in., width 32 1/2 in., depth 25 in. $500/750 471. A Set of Four Antique Continental Inlaid Hall Chairs, each with arched crest and seat centering compass star, foliate tapered legs. $1000/1500 472. An Antique Regence Carved Walnut Bergère, arched foliate crest, padded arms, serpentine seat rail, cabriole legs, scrolled toes. $1000/2000

$300/500 473. A Danish Neoclassical-Style Mahogany and Parcel Gilt Salon Table, 19th c., elongated octagonal top, frieze drawer, tapered standard, incurvate plinth base, gilt paw feet, height 29 in., width 57 in., depth 33 1/2 in. $1500/2500

104

474

475 (7 of 12)

474. A Venetian-Style Gilt and Paint-Decorated Bombé Commode, serpentine marble top, case fitted with two shaped drawers, conforming paneled sides, scalloped base, cabriole legs. $2500/3500 475. A Group of Twelve Antique Continental Porcelain Portrait Plates, various makers including Royal Munich, Royal Vienna, Rosenthal, and others, with raised gilt borders, diameters 9 3/4 in. and smaller. $500/700 476. A Continental Polychrome Porcelain Plaque of Parrots, c.

1900, depicting a cockatoo and another species, sight 12 in. x 10 in., gilt carved frame.

476

477

$1000/1500

477. A Louis XVI-Style Gilt Bronze and Cut Glass Five-Light Centerpiece Candelabrum, the cut glass urn flanked by cherubs playing horns, shaped base mounted with enameled cartouche, height 26 in., width 15 in., depth 9 in. $1200/1800 478. A Pair of French Empire Gilt and Patinated Bronze Urns, 19th c., beaded rim, loop handle, tall plinth base, mounted with musical trophée, height 14 1/8 in., diameter 6 in. $700/900

478 W denotes the lot is illustrated at www.nealauction.com

105

479

481

481. A Pair of Neo-Grec Gilt and Patinated Bronze Six-Light Candelabra, 19th c., faceted shaft, tripartite base with cherub terms, height 22 in., diameter 9 in.

480

$1000/1500 482. A Continental Patinated Bronze and Cloisonné Floor Lamp, early 20th c., vasiform standard cast with allover intricate designs, opaque glass shade, height 70 in., diameter 15 in. $800/1200 483. A Group of Four Louis XVI-Style Gilt and Patinated Bronze TwoLight Wall Sconces, backplate of a female term issuing foliate candlearms, height 14 in., width 12 in., depth 4 in.

483 (2 of 4)

479. A Pair of Continental Carved and Parcel Gilt Hardwood Figures of Swans, depicted in realistic poses, height 18 1/2 in., width 9 in., depth 26 in.

$2000/3000

$1000/1500 480. A Pair of Continental Patinated and Parcel Peinte Bronze Figural Jardinières, the putto figures draped in grapevines and floral garlands, basket-form vessels, on rocaille base, height 36 in., width 27 in., depth 22 in. $2500/3500

106

482

484

485

486

486. A Suite of Eight American Classical Inlaid Mahogany Dining Chairs, 19th c., each with shaped crest rail, lozenge and sunburst inlaid slats, slip seats, saber legs. $1000/1500

484. A Pair of Louis XV-Style Gilt Bronze and Porcelain ThreeLight Candelabra, scrolling foliate candlearms, with applied polychrome porcelain flowers, mounted with porcelain exotic birds, height 28 in., width 18 1/2 in., depth 11 in.

W 487. A Pair of French Restauration Fruitwood

$3000/4000

Provenance: Henry Stern, New Orleans, LA, purchased 1977.

485. A George III-Style Burl Walnut Bureau Bookcase, comprised of antique elements, broken pediment centering an eagle, molded frieze, arched paneled doors; lower case with slant front opening to fitted interior, four graduated long drawers below, bracket feet, height 97 in., width 39 1/2 in., depth 22 in.

W 488. A Georgian-Style Japanned and Carved

$2000/3000

Stools, early 19th c., square upholstered seats, conforming rail, sabre legs. $100/200

Walnut Cabinet-on-Stand, upper case with Chinoiserie decoration, two doors with pierced brass strapwork hinges; stand with molded edge, single frieze drawer, acanthine cabriole legs, pad feet, height 63 1/4 in., width 39 in., depth 21 in. $400/600

W denotes the lot is illustrated at www.nealauction.com

107

490. An American Federal Mahogany Bowfront Chest of Drawers, early 19th c., Philadelphia, reeded edge top, four graduated drawers, reeded stiles, turned ball feet, height 38 in., width 42 1/2 in., depth 22 1/2 in. $700/1000

489

490

491

492

491. An American or French Rosewood Dressing Chest, early 19th c., marble top with turreted corners, conforming case with frieze drawer over arched paneled doors enclosing maple linen drawers, plinth drawer, height 38 in., width 46 1/2 in., depth 23 in. $1000/1500 492. A British Colonial Hardwood Planter’s Chair, continuous caned seat with arched crest, shaped arms with boot extensions, turned and blocked legs, peg construction throughout.

493

$600/900

489. A George III Carved Mahogany Stand, late 18th c., octagonal banded top, vasiform stem, arched legs, spade feet, height 28 in., width 17 1/2 in., depth 17 1/2 in.

493. A Chinoiserie Paint-Decorated and Lacquered Wood Low Table, waisted rectangular top with phoenix and dragons, square legs, hoof feet, height 18 1/2 in., width 48 in., depth 24 in.

$600/800

$500/700

108

494. An American Federal Mahogany Bowfront Chest of Drawers, early 19th c., Massachusetts, four graduated drawers, turned reeded legs, height 39 1/2 in., width 42 in., depth 23 1/2 in. $1000/1500 495. An American Renaissance Carved and Burled Walnut Folding Chair, mid-to-late 19th c., arched crest centering a bust, padded arms, X-form base with lion mask terminals, turned stretchers.

494

495

$500/1000 496. A French Provincial Carved Oak Table, late 18th/ early 19th c., rouge royale marble top, shaped frieze, cabriole legs, height 27 in., width 29 1/2 in., depth 23 in.

496

$1200/1800 497. An American or English Carved Mahogany Bookcase, c. 1790, upper case with dentil molded cornice, arched glazed doors, shelf interior; lower case with two over three graduated drawers, bracket feet, height 77 1/2 in., width 42 in., depth 21 1/2 in.

497

$1200/1800 498. A Polychromed Terracotta Animalier Group, probably mid-20th c., cast as a primate family holding a coconut, height 16 1/2 in. $1000/1500 498 W denotes the lot is illustrated at www.nealauction.com

109

500. A Belle Époque Gilt Bronze Guéridon, c.

1900, inset charger cast with allegorical figures, frieze with lion masks and foliage, raised on winged griffin legs with paw feet, stretcher shelf with Gorgon masks, height 30 1/2 in., diameter 16 in. $1000/1500

499

500

501

503

501. A Pair of Meissen-Style Porcelain Urns, marked with crossed swords in underglaze blue, baluster form, with double-snake handles, fluted base, height 18 1/2 in., width 13 in., depth 8 1/2 in. $1000/1500 502. An Italian Neoclassical-Style Fruitwood and Olivewood Marquetry Miniature Bombé Commode, serpentine top, the case fitted with two drawers, cabriole legs, height 16 in., width 18 1/2 in., depth 11 in. $700/900 502

499. A Pair of Bagues-Style Rock Crystal Two-Light Sconces, backplate of opposing parrots on urns, floriform arms, height 27 in., width 21 in., depth 7 in. $2000/3000

110

503. A Pair of Renaissance-Style Gilt Bronze Figural Chenets, 19th c., opposing griffins over medallions of Classical portraits with enamel ground, height 14 1/2 in., width 11 in., depth 27 1/2 in. $1000/1500

504

506

506. A Pair of Decorative Rock Crystal Candlesticks, each faceted crystal with scalloped metal spacer, hexagonal bobêches and ball-footed base, height 12 in., width 4 1/4 in., depth 4 1/4 in. $1000/1500 507. An East Indian Inlaid Hardwood Low Table, square top centering a starburst, straight frieze, turned legs, extensively inlaid, height 17 1/2 in., width 29 in., depth 29 1/2 in.

508

$1000/1500

507

509

504. A Pair of French Cast-Iron “Double” Coal Hods, 19th c., oval form, lids cast with scroll and foliate design, lobed body, found in original green paint, height 14 1/2 in., width 21 1/2 in., depth 12 in.

508. An Italian Baroque-Style Carved Walnut Sofa, 19th c., shaped crest centered with foliate cartouche, scrolled arms, molded seat rail, acanthine cabriole legs, height 41 7/8 in., width 85 in., depth 27 in. $1000/1500

Pedestals, caryatid form with quadripartite shelf and base, height 45 1/2 in., width 12 in., depth 10 in.

509. A Napoleon III Inlaid, Ebonized, Amboyna and Gilt Bronze-Mounted Parlor Cabinet, c. 1860-70, blocked demilune top, conforming case with inlaid door centering Wedgwood jasperware plaque, flanked by glazed doors, columnar supports, turned feet, height 42 in., width 66 in., depth 18 3/4 in.

$600/900

$1000/1500

$700/1000 W 505. A Pair of Louis XVI-Style Gilt and Faux Marbre

W denotes the lot is illustrated at www.nealauction.com

111

510

512

511

514

512. A Continental Paint-Decorated Chest, 19th c., hinged lift top, interior till, base with four drawers, molded plinth, height 37 in., width 42 in., depth 15 1/2 in. $1000/1500 513. A Neoclassical-Style Crème Peinte and Gilt Overmantel Mirror, cavetto crest with spherules, frieze with chariot pulled by lions and interspersed by acanthus and rosettes, central oval mirror plate with anthemion corners, Classical columns flanking side mirror plates, height 42 in., width 60 in.

513

$800/1200 510. A Pair of Antique Louis XIII/XIV-Style Carved Walnut Fauteuils à la Reine, 19th c., each with arched crest, shaped volute arms, scrolled legs, finialed X-stretcher, height 41 1/2 in., width 30 1/2 in., depth 29 in. $1500/2500

511. An Italian Carved Walnut Refectory Table, 19th c., rectangular top with gadrooned edge, turned and blocked trestle supports, wrought iron stretcher, height 31 1/2 in., width 63 1/2 in., depth 35 1/2 in. $1200/1800

112

514. A French Provincial Carved Oak Bureau, 18th c., paneled fall front lid opening to fitted interior with stepped configuration of drawers, case with two over one drawers, molded stiles, cabriole legs, height 41 1/8 in., width 41 1/2 in., depth 20 5/8 in. $1500/2500

515. An Empire-Style Ebonized, Gilt and Wrought Iron Conservatory Table, molded top centered by specimen marble plaque of song birds, lyre supports terminating in swan heads, arched legs and stretcher, height 28 in., width 54 in., depth 22 in. $1200/1800 515

516

518. A Louis XV-Style Gilt Bronze-Mounted and Parquetry Commode, serpentine Breccia marble top, conforming case with two doors, shelf interior, cabriole legs, sabots, height 32 1/2 in., width 33 in., depth 16 in. $400/600 519. A Pair of Antique Georgian-Style Carved Mahogany Armchairs, 19th c., swagged back with Prince of Wales feather splat, shaped arms, serpentine shaped seat, tapered square molded legs ending in elongated spade feet.

518

$1000/1500

517

516. A Continental Patinated Bronze Figural Lamp, c. 1900, modeled as a Classical maiden, on black marble base, height of figure 14 in. $600/900 517. A Continental Carved Walnut Armchair, probably early 20th c., arched crest centering a cabochon, flanking lions, reticulated vasiform splat, acanthine scrolled arms, scrolled seat rail centering a mask, scrolled legs, H stretcher, height 54 in., width 24 1/2 in., depth 26 in. $800/1200

519 W denotes the lot is illustrated at www.nealauction.com

113

W 525. A

Painted Russian Lacquer Box, with painting of a lady working on needlepoint, signed, original label inside, height 2 in., width 6 in., depth 4 1/4 in.

520

$200/300 520. A Louis Philippe Elm Commode, early 19th c., marble top, ogee frieze drawer over three graduated drawers, plinth base, molded feet, height 37 1/2 in., width 48 in., depth 22 in.

521

$1000/1500 522

523

521. An Antique Louis XIV-Style Carved Beech and Needlepoint Fauteuil à la Reine, 19th c., arched back, acanthine scrolled arms, pierced medial stretcher, spiral-turned legs, conforming “H” stretcher, paw feet.

522. A Pair of French Neoclassical Bronze Chenets, 19th c., flaming urn finials, balustrade with rosette blocks and central masque, tapered legs, height 9 3/8 in., width 11 in., depth 18 in.

Painted Russian Lacquer Box, 20th c., with gentlewoman in carriage, original label inside, marked “Handpainted in U.S.S.R.”, height 2 1/4 in., width 6 1/4 in., depth 6 in.

$400/600

$200/300

523. A Pair of French Gilt and Enamel Glass Lustres, 19th c., with etched shades and spear point prisms, height 20 in., diameter 5 1/4 in.

Palm Tree Candlesticks, 20th c., base mounted with a sitting monkey, height 22 1/2 in., width 12 in., depth 12 in.

527. A Pair of Continental Carved Rock Crystal Tazzas, 20th c., each with round bowl, baluster standard, pedestal with stepped base, height 9 1/4 in., diameter 5 3/4 in.

$400/600

$1000/1500

$800/1200

$600/900 W 524. A Pair of Decorative Tôle Peinte

527

114

W 526. A

528. An Italian Rococo Carved Giltwood Mirror, 18th c., shield shape foliate frame, pendant base, later mirror plate, height 43 1/2 in., width 26 in. $800/1200 529. A Pair of Empire-Style Gilt BronzeMounted Marble Cassolettes, each of urn form, ram’s head mounts, floral swags, floriform finial, socle foot, square base, height 27 in., width 14 in., depth 11 in.

529

528

$3000/4000 530. A Pair of Italian Carved and Gilded Torchères, 19th c., fluted standard, tripartite base with urn and scrolls, on paw feet, fitted with brass candle nozzle and drip pan, height 61 in., width 15 in., depth 15 in. $2000/3000 W 531. A Large Aubusson

Carpet, central floral medallion, overall floral design in pink, green, and black, 11 ft.

10 in. x 17 ft. $800/1200 W 532. [Leather Bindings],

Anatole France (French, 18441924), The Novels and Short Stories of Anatole France, New York, the Versailles Edition, in 19 volumes, pictorial red morocco cover, interior with an Art Nouveau floral design on a moss green levant doublure onlays, moiré end sheets.

W 533. Dali, Salvador, The Secret

Life of Salvidor Dali, New York, 1942, Dial Press, second printing, translated

by Haakon M. Chevalier, signed “Salvador Dali/ 1943” on half-title page, no dust jacket. $600/900 W 534. [William Hogarth], The

Works of William Hogarth; containing One Hundred and Fifty-Nine Engravings...with a comment on their moral tendency by the Rev. John Trusler, 1821, J. Sharpe, London, two volumes, folio (16 1/2 in. x 11 in.), elaborate gilt tooled full morocco, with inside dentelles. $300/500 W 535. After Francisco Zuniga

(Mexican, 1912-1998), “Sleeping Nude”, “Reclining Nude” and “Crouching Nude with Blanket”, 1973-1974, three prints, signed and dated in plate, sight 18 ¼ in. x 24 in., each framed alike. (3 pcs.) $300/500

$300/500

530

W denotes the lot is illustrated at www.nealauction.com

115

538. A Persian Sultanabad Carpet, salmon ground with cream and green floral geometric designs, green stylized border, 12 ft. 9 in. x 18 ft. 5 in. $10000/15000 539. A Persian Sultanabad Carpet, teal green and salmon ground, allover stylized floral designs, salmon border, 13 ft. x 18 ft. 11 in. $10000/15000

538

536

W 540. A

Persian Tabriz Carpet, floral motifs on cream ground with orange ochre border, 6 ft. 3 in. x 10 ft. 6 in. $2500/3500 W 541. A

Persian Tabriz Carpet, light camel ground, central medallion, floral design and light turquoise stylized borders, 6 ft. 10 in. x 10 ft.

2 in. $2500/3500 W 542. A

539 537

536. A Fine Persian Kerman Carpet, blue, red and cream ground, central medallion, repeating border of floral motifs, 9 ft. 8 in. x 14 ft. $5000/7000

116

537. A Persian Serapi Carpet, navy ground with orange and green stylized geometric pattern, orange border, 9 ft. 11 in. x 13 ft. 1 in. $5000/7000

Persian Heriz Carpet, orange ochre and cream ground, central medallion serrated spandrels, navy blue stylized border, 8 ft. 1 in. x 10 ft. 4 in. $3000/4000

W 543. A Persian

Tabriz Carpet, cream ground with red and blue accents, allover floral design, 9 ft. 8 in. x 12 ft. 4 in. $4000/5000 544. A Persian Tabriz Carpet, red and blue ground central medallion, navy blue geometric floral border, 9 ft. 10 in. x 13 ft. 6 in. $5000/6000 545. A Persian Kashan Carpet, red ground with blue accented central medallion, navy blue border, overall floral motif, 9 ft. 6 in. x 13 ft.

2 in.

546

$4000/6000

544

546. A Japanese Bronze Censer, probably Meiji Period (1868-1912), lobed kabocha form body borne on leafy branch feet continuing on to removable flowering branch handles set over a kabocha lobed stemmed top, domed kabocha cover surmounted by cockerels, base marked, cover marked, height 18 in., width 18 in.

551

$700/1000

W 550. A Japanese Satsuma-Style Pottery

W 547. A Japanese

Figure of Hotei, probably 20th c., seated corpulent figure modeled wearing brocade robes and holding a fan, height 12 5/8 in.

Shigaraki Stoneware Box, square form with molded cross-form cover, height 1 7/8 in., width 2 1/8 in., depth 2 1/8 in.

$200/400 551. A Large Japanese Satsuma-Style Pottery Tripod Censer, probably Meiji Period (1868-1912), globular body with straight neck and wide everted rim mounted with shi-shi handles raised on three lion feet, domed cover with shi-shi finial, decorated throughout with figures in a landscape, height 24 in., width 20 in.

$100/200 W 548. A Japanese

Bizen Pottery Storage Jar, ovoid body with incised banding around the shoulder, height 11 in. $200/300

545

$500/750

W 549. Japanese School, “Erotic Scenes”, ink and

W 552. A Japanese Satsuma-Style Pottery

color on paper, inscribed and sealed, 8 1/2 in. x 165 1/2 in., mounted as a hand scroll.

Covered Bowl, probably Meiji Period (18681912), shallow U-form body with knobbed cover decorated with cranes and pine, height 2 3/4 in., diameter 5 3/4 in.

$200/400

$200/400 W denotes the lot is illustrated at www.nealauction.com

117

W 558. A Japanese Totai Cloisonné-

on-Porcelain Tripod Jardinière, Meiji Period (1868-1912), tapering cylindrical body on three scroll feet decorated with butterflies and flowers, base marked, height 7 1/2 in., diameter 5 1/8 in. $100/200 W 559. A Monumental Japanese

Polychrome Pottery Vase, 20th c., ovoid body with waisted splayed foot, flared neck and foliate handles, decorated with figures in a bamboo grove, height 24 in. $250/350 554

W 560. A Pair of Japanese

Polychrome Pottery Covered Bottle Vases, 20th c., each decorated with flowers and insects on a cream crackle ground, height 10 3/4 in., wood stand, overall height 12 in. $150/250

556

562

W 553. A Japanese Satsuma-Style Pottery Bowl,

late 19th/early 20th c., bulbous body with flared split rim, decorated with characters and leaves on a cream crackle ground, height 4 1/8 in., diameter 6 in. $300/500 554. A Japanese Abalone Inlaid Lacquer Hibachi, probably Meiji Period (1868-1912), rectangular form with lidded compartments and drawers, swing handle, height 6 1/8 in., width 8 1/2 in., depth 4 1/4 in. $500/800 W 555. A Japanese Gilt Decorated Black

Lacquered Iron Kettle, probably Meiji Period (18681912), U-form body with arched spout, loop handle and flat cover, decorated with floral and grass roundels, height 6 in., width 8 1/2 in.

564

W 561. Japanese School, “Egrets and Irises in Moonlight”, ink and color on

paper, inscribed and sealed middle left, sight 22 1/8 in. x 17 1/2 in., framed. $150/250 562. A Japanese Gilt Decorated Black Lacquer Square Box, probably Meiji Period (1868-1912), exterior decorated with chrysanthemums and foliage, interior of cover decorated with an ox pulling a cart in a landscape, height 3 3/4 in., width 9 1/2 in., depth 9 1/2 in. Note: Opening in base. $100/200

$200/400 W 563. A Japanese Imari Porcelain Chrysanthemum Dish, probably Meiji

556. Japanese School, “White Dove and Bamboo”, ink on paper, inscribed and sealed lower middle, 32 3/4 in. x 10 1/2 in., mounted as a hanging scroll.

Period (1868-1912), shallow bowl-form body with petal-lobed sides decorated with floral, landscape and brocade panels, height 1 3/4 in., diameter 12 1/4 in. $150/250

$100/150 W 557. Japanese School, “Flowering Grasses”, ink on

paper, 23 3/4 in. x 12 5/8 in., mounted as a hanging scroll. $100/200

118

564. A Pair of Japanese Imari Porcelain Planters, probably Meiji Period (1868-1912), faceted globular bodies decorated with phoenix, shi-shi, floral, and landscape panels, height 5 1/2 in., diameter 10 1/2 in. $600/800

565

566

565. A Chinese or Japanese Polished Wood Slab, probably 20th c., realistically rendered as the outline of tree trunk, height 1 in., width 30 3/4 in., depth 25 in. $600/800 566. A Pair of Chinese Carved Hardwood Brass-Mounted Horseshoeback Folding Armchairs, probably 20th c., each with curving crest rail, slatted seat, X-form base with footrest, height 41 in., width 30 in., depth 28 in. $1000/1500

569

567. A Chinese Dingware Porcelain Vase, probably Qing Dynasty (1644-1911), pear-form body carved with lotus and foliate bands, height 8 3/8 in. $1000/1500 W 568. A Chinese Brown Glazed

Pottery Storage Jar, probably 19th c., ovoid body with applied loops beneath a waisted splayed rim, height 13 1/4 in. $300/500

567

W 570. A Chinese Qingbai Pottery

Bowl, probably Song Dynasty (960-1279), conical body with creamy blue crackle glaze terminating beneath an unglazed rim, height 1 5/8 in., diameter 3 3/8 in., storage box. $150/250

569. A Chinese “Hare’s Fur” Glazed Pottery Tea Bowl, probably Song Dynasty (960-1279), slightly rounded sides with russet streaked black glaze terminating above an unglazed foot, height 2 5/8 in., diameter 4 1/2 in. $500/800

Provenance: Acquired Diane Genre, Oriental Art & Antiques, Royal Street, New Orleans, LA. 571 571. A Chinese Celadon Pottery Foliate Rim Dish, probably Ming Dynasty (1368-1644), shallow bowl-form body with flat barbed rim, carved with a central floral medallion encircled by radiating lobed bands, height 2 1/4 in., diameter 15 3/4 in. $800/1200

W 572. A Chinese Celadon Porcelain Rose

Water Vase, probably Qing Dynasty (16441911), ovoid body with molded cylindrical neck, overall pale green glaze, height 4 1/8 in. $800/1200

W denotes the lot is illustrated at www.nealauction.com

119

W 574. A Chinese Green Glazed

Pottery Pillow, probably Qing Dynasty (1644-1911), modeled as a crouching child figure holding an offering bowl, height 7 in., width 10 3/4 in. $400/600 W 575. A Large Pair of Chinese

Blue and White Porcelain Dice Bowls, probably 20th c., shallow U-form bodies decorated with figures in a garden setting, height 8 1/2 in., diameter 22 1/2 in. $1000/2000 576. A Chinese Carved Hardwood Vitrine, flared incurvate cornice, glazed door and conforming sides, arched scrolled legs, stretcher shelf, height 54 1/2 in., width 24 in., depth 11 3/4 in.

578

573

$400/600 577. A Chinese Carved Hardwood Dressing Mirror, rectangular mirror plate, trestle support with lion finials and reticulated crossbar, lion feet, height 20 3/4 in., width 21 in., depth 8 in. $150/250

577

573. A Chinese “Hare’s Fur” Glazed Porcelain Bottle Vase, probably 19th/20th c., bulbous body with tall tubular neck covered overall in a russet-streaked black glaze, base with blue and white seal mark, height 12 1/2 in. $400/600

576

$1800/2500 579. A Chinese Red Silk Embroidery Panel, probably late 18th/early 19th c., worked in satin and chain stitch and couched gold threads with nine lion-dogs amid seasonal grasses and plants, 30 in. x 182 in. $2000/3000

579

120

578. A Chinese Red Silk Embroidery Panel, probably 18th c., worked in satin stitch and couched gold threads with the figure of a elephant wearing an elaborate howdah, bearing a bowl of auspicious items, sight 29 7/8 in. x 26 1/8 in., framed.

580. A Good Chinese “Blanc-deChine” Figure of Guanyin, probably 17th/18th c., crisply potted serene figure modeled seated in the position of “royal ease” wearing long loose robes and hair tied high in a chignon with a bead necklace dangling from the right hand, impressed seal mark, height 12 1/2 in. $4000/6000 581. A Fine Chinese Blue and White Porcelain Brush Pot, probably 17th c., slightly waisted cylindrical body decorated with figures in a mountainous waterscape, height 6 1/2 in., diameter 7 3/4 in.

581

$6000/8000 582. A Chinese Soapstone Lotus Dish, probably 20th c., mottled brown stone carved as a furled lotus leaf with buds and seed pods, height 3 7/8 in., width 13 1/4 in., depth 11 1/4 in.

580

$100/200 W 583. A Chinese

Soapstone Figure of Budai, probably 20th c., happy corpulent figure carved standing beside five boys carrying a staff in one hand and a sack in the other, height 7 in.

582

$150/250 W 584. A

590

Chinese Soapstone Figure of a Fisherman, probably 20th c., male figure carved holding a fish standing beside a covered basket atop a rock outcropping, height 6 1/8 in. $100/150 W 585. A Chinese Carved

Soapstone Tripartite Vase, probably 20th c., intricately carved as three joined urns amid flowering branches with birds, height 6 1/4 in., width 6 3/4 in. $100/200

W 588. A Chinese Silver Box, probably 20th

c., squared oval form with overall hammered surface, height 1 1/2 in., width 5 in., depth 3 1/2 in. $100/150 W 589. A Chinese Brown Lacquer Bowl,

587

W 586. Two Chinese Soapstone Seals,

probably 20th c., columnar bodies similarly carved around the sides with dragons pursuing the flaming pearl, carved chops, height 4 3/4 in. $100/200 587. A Chinese Hardwood Tray, probably 19th/20th c., shaped oval form on conforming base, height 1 1/4 in., width 12 7/8 in., depth 8 3/4 in.

probably 20th c., U-form body carved around the rim with bamboo leaves, height 2 3/4 in., diameter 7 5/8 in. $150/200 590. A Chinese Bronze Incense Burner, probably 20th c., U-form body with upright loop handles raised on elephant head feet, base with Xuande mark, pierced wood cover with jade finial, height 7 5/8 in., fitted wood stand, overall height 10 3/4 in. $1000/1500

$500/700 W denotes the lot is illustrated at www.nealauction.com

121

592. A Chinese Bronze Figure of a Qilin, probably 20th c., modeled seated on its haunches with upturned removable head, curled mane and tail and gilt flame highlights, height 13 in. $1000/1500 W 593. A Chinese

Blue and White Porcelain Vase, probably 20th c., hexagonal body with waisted splayed foot and flared everted rim decorated with dragons amid flames above a band of crashing waves, base with Qianlong mark, height 15 1/2 in.

592

591

$800/1200 594. A Chinese “Peachbloom” Glazed Porcelain Amphora Vase, probably Qing Dynasty (1644-1911), mottled copper red glaze with green speckling, base with Kangxi mark, height 8 in., storage box. $800/1200 595. A Chinese “Peachbloom” Glazed Porcelain Vase, probably Qing Dynasty (1644-1911), apple-form body with mottled copper red and green glaze, base with Kangxi mark, height 3 5/8 in.

595

$400/600 596. A Chinese Blue and White Porcelain Vase, probably Qing Dynasty (1644-1911), decorated with a sage and an attendant in landscape, base with Kangxi mark, height 9 3/8 in. $1000/1500

594 W 597. A Chinese Flambé Glazed Porcelain Vase, probably Qing Dynasty (1644-1911), lobed bulbous body with tall neck and everted rim, overall blue-streaked copper red glaze, base with Qianlong mark, height 7 5/8 in.

591. A Pair of Chinese Bronze Vases, globular bodies relief modeled with alternating phoenix and dragon roundels and elephant heads, waisted tall necks with elephant head handles, height 13 3/4 in., now mounted as lamps, overall height 30 in.

$600/800 W 598. A Chinese Highly Carved Hardwood

Revolving Desk Chair, shaped crest rail, reticulated splat with a dragon, arms with dragon terms, pierced seat rail, shaped legs, X stretcher.

$700/1000

$400/600

596

122

599. A Chinese Highly Carved Hardwood Armchair, reticulated crest and splat with dragons, lotus blossoms and fruit, shaped arms with dragon terms, pierced seat rail, cabriole legs, ball and claw feet, incurvate box stretcher. $800/1200 W 600. A Chinese Carved

Hardwood Stand, circular inset marble top, reeded and pierced foliate frieze, vasiform stem, shaped legs, claw and ball feet, height 31 1/2 in., width 18 in., depth 18 in. $250/350 601. A Chinese Kesi Panel, probably 19th c., woven in slitweave technique with figures in a mountainous landscape, 70 3/4 in. x 33 in. $2800/3500 602. A Chinese Embroidered Beige Silk Brocade Frontal, probably 19th c., worked in satin and knot stitch with Buddhist figures in a garden setting, 40 in. x 100 1/2 in.

599

601

$5500/6500 W 603. A Chinese Blue and

White Porcelain “Nine Dragon” Jar and Cover, probably 19th c., tapering cylindrical body decorated with dragons amid clouds above a wave border, flat cover with knob finial, height 14 1/2 in. $500/700 604. A Chinese Carved Stone Inkstone and Case, probably 20th c., probably Songhua, green rectangular inkstone carved to the face with two deep wells shaped by phoenix heads flanking the larger shallow shield-form well, green and brown fitted case elaborately carved on the cover with archaistic motifs, case height 1 in., width 3 7/8 in., depth 5 1/4 in.

602

W 605. A Chinese Beige and Gray Silk

Kesi Panel, probably Qing Dynasty (16441911), worked in slit-weave technique with a central quatrefoil medallion enclosing figures in a landscape surrounded by Buddhist symbols, 19 1/2 in. x 20 1/2 in., framed. $400/600

$2000/3000

604 W denotes the lot is illustrated at www.nealauction.com

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609. A Chinese Famille Rose Porcelain “Mille Fleur” Bottle Vase, probably 20th c., globular body and tall cylindrical neck encircled by an applied iron red dragon, base with Qianlong mark, height 9 3/8 in.

609

606

$800/1200 W 610. A Pair of Miniature

Chinese Famille Rose Porcelain “Mille Fleur” Covered Vases, probably 20th c., thinly potted baluster bodies and domed finialed covers with overall mille fleur decoration, bases with Qianlong marks, height 4 1/2 in., wood stands, overall height 5 3/8 in., fitted storage box. $800/1200 608

607

606. A Chinese Embroidered Red Silk Bed Cover, probably late 19th c., worked in polychrome satin stitch with melons, vines and butterflies, 90 in. x 69 in. $3500/4500 607. A Chinese Hardstone Table Screen, probably 20th c., rectangular panel carved with dragons pursuing the flaming pearl on a dense cloud scroll ground, the reverse with carved inscription, sight 18 1/8 in. x 11 1/2 in., framed and mounted in a carved wood stand as a table screen, height 23 1/8 in., width 24 1/4 in., depth 10 in. $2500/3500 608. A Chinese Celadon and Russet Jade Figure of a Duck, probably 19th c., carved seated beside a lotus leaf with a flower head and a seed pod in its mouth, height 2 1/2 in., width 3 1/8 in., wood stand, overall height 3 in. $800/1200

124

611

611. A Pair of Chinese Famille Rose Porcelain Bowls, probably 20th c., each U-form body decorated with boys playing in a garden, base with Jiaqing mark, height 3 5/8 in., diameter 8 1/8 in. $1000/1500 W 612. A Large Chinese Famille Rose Porcelain Dish, probably

20th c., shallow bowl-form body decorated with five colorful dragons in pursuit of the flaming pearl amid cloud scrolls, base with Qianlong mark, height 3 3/4 in., diameter 15 7/8 in. $800/1200

W 613. A Pair of

Chinese Hardstone Trees, probably 20th c., naturalistically modeled as coral and soapstone flowers borne on fabric wrapped leafy branches set in cloisonné enamel jardinières, overall height 16 1/2 in. $600/800 614. A Pair of Chinese Carved Hardwood Pedestal Tables, each with inset marble top, pierced frieze, two stretcher shelves, height 32 in., width 16 1/2 in., depth 12 1/4 in.

614

615

$1000/2000 Provenance: Descended in a New Orleans family.

615. A Chinese Carved Hardwood Armchair, curved back in the form of dragon tails continuing to arms terminating in dragon heads with pearls, dragon head bracketed legs, scroll feet. $200/400 616

619

616. A Pair of Chinese BronzeMounted Cloisonné Enamel Covered Urns, probably 20th c., each double lobed body with elephant head handles raised on three splayed feet set on a circular base, slightly domed cover with Buddhist lion finial, height 19 in., now mounted as lamps.

619. A Chinese “Realgar” Glass Gu Vase, probably 20th c., variegate red, black and purple glass modeled in imitation of realgar, height 8 7/8 in.

$400/600

$1000/1500

617. A Pair of Chinese Cloisonné Enamel Figures of Horses, probably 20th c., each cantering figure modeled with removable saddle and applied harness embellishments, height 11 3/4 in., width 15 in., wood stands, overall height 14 in.

W 620. A Chinese

$1000/2000

c., worked in satin stitch with figural and floral groups, floral and avian border, 19 1/4 in. x 87 in.

Wood Figure, probably 20th c., carved standing on a rockwork plinth beside a tall rootwood table holding an open book and carrying a fly whisk on his back, height 12 in., mounted to a lamp stand.

$100/200

$200/400

617

W 618. A Chinese Embroidered Red Silk Panel, probably 20th

Provenance: Estate of Earle W. Newton II, Ponte Vedra, FL.

W denotes the lot is illustrated at www.nealauction.com

125

W 629. An Antique

Chinese Horn Brush Washer, carved as an incurved lotus leaf with ribbed veins and a monkey clambering over the edge, height 1 in., length 4 1/2 in. $300/500

633

W 630. An Antique

Chinese Horn Brush Rest, carved in the form of two lotus seed pods and a lotus bud atop a cluster of lotus stems, height 2 in., width 4 1/4 in. $300/500 W 631. A Chinese Yixing

Pottery Teapot, probably 20th c., pear form body with loop handle, scroll spout, and finialed cover, height 5 3/4 in., width 8 in. $200/400 634 W 632. A Chinese Carved W 624. A Chinese Famille Rose Porcelain Bottle

628

Vase, probably 20th c., bulbous body with tall flared neck decorated with children in a garden setting, base with Qianlong mark, height 15 7/8 in. $700/900

Hardwood Stand, hexagonal inset rouge marble top, pierced waisted frieze, scrolled legs with pierced foliate brackets, circular stretcher, height 31 1/2 in., width 17 1/2 in., depth 17 1/2 in. $250/350

W 621. A Chinese White Glazed

W 625. A Pair of Chinese Famille Rose Porcelain

Porcelain Figure of Guanyin, probably 20th c., modeled standing with clasped hands on a lotus base wearing long robes and a celestial scarf, height 16 3/8 in.

Vases, probably Republican Period (1911-1949), ovoid bodies with flared rims decorated with the legend of Mulan, height 10 7/8 in.

Covered Bowl, probably 20th c., domed cover decorated with the Eight Immortals on a yellow ground strewn with flower heads and scrolling foliage, height 8 1/2 in., diameter 15 1/4 in.

633. A Chinese Molded Biscuit Porcelain Scholar’s Desk Set, probably Republican Period (1911-1949), composed of brush pot, water pot, brush washer, brush rest and seal paste box, relief decorated with flowering plum branches, Qianlong marks, heights 1 1/2 in. to 4 3/4 in.

$800/1200

$600/800

W 627. A Chinese Bamboo Birdcage, probably 20th

634. A Chinese Black Glazed Porcelain Brush Rest, probably 20th c., modeled as a five peaked craggy mountain, base with Qianlong mark, height 5 in., width 8 1/2 in.

$700/900

$600/800 W 626. A Chinese Famille Jaune Porcelain W 622. A Chinese Polychrome

Porcelain Figure, probably 20th c., male figure modeled standing on a cloud base wearing scholarly robes and carrying a staff, height 8 3/4 in. $300/500 W 623. A Chinese Famille Rose

Porcelain Figural Group of the He He Erxian Twins, probably 20th c., each figure modeled wearing loose robes, one holding a lotus, the other holding a gift box, base with seal, height 9 3/4 in. $600/800

c., domed rectangular form with lift door and wood perches, height 14 in., width 16 1/4 in., depth 11 1/8 in. $600/800 628. A Chinese Embroidered Brown Silk Panel, probably 20th c., upper and lower panels worked in polychrome satin and brick stitch and couched metallic threads, with antiques, phoenix birds and flowers, 92 in. x 38 in. $1800/2500

126

$600/800

635. A Pair of Chinese Blue and White Porcelain Baluster Jars, probably 20th c., one decorated with Immortals in a landscape, the other with scholars in a garden, height 16 in. $1000/1500 W 636. A Chinese Blue and

White Porcelain Bottle Vase, probably 20th c., decorated with lotus, foliage, and plantain leaves, base with Kangxi mark, height 9 in. $300/500

635

637. A Chinese Famille Rose Decorated Turquoise Ground Porcelain Bottle Vase, probably Republican Period (1911-1944), bulbous body with tall cylindrical neck decorated with twelve figures, base with Jiaqing mark, height 13 in.

637

$800/1200 638. A Chinese Pale Blue Glazed Porcelain Vase, probably Qing Dynasty (1644-1911), stupaform body with tapered neck, base with Guangxu mark, height 7 1/2 in. $400/600 W 639. A Chinese Famille Rose Porcelain

Baluster Vase, probably late 19th c., faceted body with pairs of confronting lion-dog handles, decorated with antiques and auspicious emblems on a pink ground, height 17 5/8 in., wood stand, overall height 18 1/2 in. $500/800 W 640. A Chinese Famille Jaune and

Biscuit Glazed Pottery Teapot, probably Qing Dynasty (1644-1911), pear-form body with liondog handle and spout, decorated with peach-form figural reserves, height 6 3/4 in. Note: Lacking cover. $300/500 W 641. A Chinese Polychrome Porcelain

Covered Jar, probably 20th c., baluster body and domed cover decorated with birds and flowers on a cream crackle ground, height 18 in.

645

W 643. A Pair of Chinese Blue and

White Porcelain Vases, probably 20th c., decorated with mountainous landscapes and calligraphy, base marked, height 14 1/2 in.

638

$300/500 644. A Chinese Turquoise Glazed Porcelain Vase, probably Republican Period (1911-1949), ribbed bulbous body with dog head ring handles, incised with a dragon and a phoenix amid clouds, base with Hongzhi mark, height 14 1/8 in. $400/600

$200/400 W 642. A Chinese Famille Rose Porcelain

Circular Covered Box, probably 20th c., decorated with boys in a garden, fruit and antiques, height 1 3/8 in., diameter 2 1/2 in. $100/200

645. A Chinese Famille Rose Porcelain Hu Vase, probably 20th c., pear-form body with iron red deer head handles decorated with an eagle perched on a flowering branch with peonies, bearing seal of Pinqing Jin, base with seal, height 14 in. $800/1200

644 W denotes the lot is illustrated at www.nealauction.com

127

W 648. A Chinese Famille Rose Porcelain Panel, probably

20th c., rectangular form, decorated with figures in a mountainous landscape, inscribed and sealed upper left, 22 1/4 in. x 13 in., framed, overall 27 in. x 17 in. $400/600 W 649. A Chinese Cinnabar Lacquer Snuff Bottle, probably

20th c., flattened ovoid body carved with a qilin and a mountain scene, base with Qianlong mark, height 2 1/2 in. $600/800 W 650. A Chinese ‘Qian Jiang’ Porcelain Snuff Bottle,

probably 19th c., cylindrical body enameled with the “Seven Sages of the Bamboo Grove”, stopper, height 3 18 in. $300/500

646

W 651. A Chinese Famille Rose Green Ground Porcelain

Snuff Bottle, probably 19th/20th c., cylindrical body decorated with flower heads, stopper, height 3 1/8 in. $200/300 652. A Chinese Polychrome Porcelain Snuff Bottle, probably 19th/20th c., flattened spade-form body decorated on each side with a cricket, stopper, height 2 1/2 in. $300/500 653. A Chinese Inside Painted Clear Glass Snuff Bottle, probably 20th c., flattened rectangular body with rounded shoulders painted with boys and a fishbowl and beauties in a garden, stopper, height 3 1/8 in.

652

$400/600 W 654. A Chinese Inside Painted

Clear Glass Snuff Bottle, probably 20th c., flattened rectangular body with rounded shoulders, painted with a traveler on a donkey and a fisherman with his servant, stopper, height 2 7/8 in.

647

$400/600

646. A Large Pair of Chinese Famille Rose Porcelain Vases, probably 20th c., baluster bodies with elephant head handles decorated with figures in a garden, bases with Jurentang marks, height 19 1/4 in.

W 655. A Chinese Yellow Glass Snuff

$1000/1500

$300/500

Bottle, probably 20th c., carved as a “Buddha’s Hand” finger citron with peaches and pomegranate, coral stopper, length 3 3/4 in.

647. A Chinese Blue and White Porcelain Panel, probably 20th c., rectangular form decorated with a scholar and an attendant, inscribed and sealed upper left, bearing signature of Bu Wang lower right, height 14 1/8 in., width 9 3/4 in. $600/800

128

653

Session Two Sunday, June 29, 11 am 3923 Carondelet Street

W denotes the lot is illustrated at www.nealauction.com

129

656 (2 of 4)

660

657. Pietro Gabrini (Italian, 1856-1926), “Boat Ride”, watercolor on paper, signed and inscribed “Roma” lower left, sight 20 in. x 28 1/4 in., framed. $300/400 Provenance: A Missouri Estate.

657

659

658. Bernard Raoul Lachevre (French, 18851950), “S.S. West Kasson Leaving Le Havre”, watercolor, signed and monogrammed lower right, titled lower left, Farish Art Store label and inscribed “SS West Kasson, My first ship as Master, Nov. 21st, 1923, Sailing from Le Havre, France” en verso, 15 in. x 29 1/4 in., framed. $500/700 659. Leopold Reiser-Vaney (German, b. 1921), “Cefalu-Italien (Cefalu, Italy)”, 1972, oil on canvas, signed and dated lower right, signed, titled and dated en verso, 29 5/8 in. x 39 1/2 in., framed. $500/700 658

656. Edward Borein (American, 1872-1945), four “Cowboy Vignettes”, ink on paper, first: 3 1/4 in. x 2 3/4 in.; second: 3 1/2 in. x 3 in.; third: 4 1/2 in. x 3 3/8 in.; fourth: 3 1/4 in. x 2 3/4 in., framed together. $1500/2500 Provenance: Christie’s Sale 9458, Western Property from the Katherine H. Haley Trust, October 2000, Los Angeles, lot 201.

Exhibited: Oklahoma City, OK, National Cowboy Hall of Fame and Western Heritage Center, The West of Edward Borein, March-May 1979, no. 26, illustrated; Palm Springs, CA, Palm Springs Desert Museum, Edward Borein: Artist of the West from the Katherine H. Haley Collection, February-April 1991.

130

Provenance: With a New Orleans Collector, exhibited at New Orleans Gallery, 226 Decatur Street; purchased in Europe.

660. Jeanette Blackburn (New Zealand, b.

1940), “Little Spotted Kiwi”, c. 1960, acrylic and oil on board, signed lower right, 17 1/2 in. x 14 1/2 in., framed. $800/1200 Provenance: Acquired from the artist in New Zealand in the 1960s.

661. John Mansfield Crealock (Irish, 18711959), “Rue Del’ Anneau, Paris”, 1902, oil on board, signed lower right, signed, dated and titled en verso, “Duveneck House Inc, Covington, KY” label en verso, 13 1/4 in. x 9 1/4 in., framed. $800/1200

668

W 662. Theodore Kruse

(German/American, 18261900), a collection of 21 works on paper, including 14 pen/gouache and watercolor on cardboard fashion studies for Harper’s Weekly, 1880s1900s, 11 in. x 7 1/2 in. to 20 3/4 in. x 15 1/4 in.; 8 charcoal on paper academic model studies, signed and dated lower right, 19 3/4 in. x 12 1/2 in. to 24 in. x 18 1/2 in.; together with a wallet containing a photo of Kruse in his studio, late 19th c., 4 1/2 in. x 9 1/2 in., unframed, (22 pcs.)

661

669

$500/700 W 663. Jacques

Hnizdovsky (Ukrainian/ American, 1915-1985), “Eagle”, 1968, woodcut print, titled, signed, dated and numbered “95/150” lower center, typed artist label en verso, sight 20 in. x 11 1/2 in., framed. $500/800 Provenance: Collection of Artist Charles Fritchie.

W 664. Ernest Posey

667

W 665. Sergio Gonzalez-Tornero

(Chilean, b.1927), “Cool World”, 1966, artist’s proof color etching on paper, pencilsigned, titled and dated in lower margin, artist’s label en verso, sight 17 1/2 in. x 14 1/2 in., image 16 1/2 in. x 13 3/4 in., framed. $300/500 Provenance: Collection of Artist Charles Fritchie.

(Louisiana/California, 1937-2007), “Isotropic Expansion”, 1976, color screen print, signed, dated and titled in plate, “Source Gallery, San Francisco, CA” stamp en verso, sight 29 3/4 in. x 39 1/2 in., image 26 3/4 in. x 36 3/4 in., framed.

W 666. Three Sterling Silver Belt

$300/500

$300/500

Provenance: Collection of Artist Charles Fritchie.

Buckles, including a large filigree example with coaching scene, length 6 in.; a shaped rectangular one with molded scrolls, Unger Brothers, Newark, wc. 1872-1914; and a rectangular one with flat chased scrolls, La Pierre, New York and Newark, wc. 1888 to present, length 2 7/8 in., combined weight 4.45 troy ozs.

667. Five English and American Sterling Silver and Glass Vanity Jars, including a toothbrush case, Archibald Douglas, London, 1834, length 6 3/4 in., retaining some gilt surface; a large scroll repoussé jar, Alvin Manufacturing Co., Providence, RI, late 19th c., overall height 6 1/4 in., diameter 5 1/4 in.; an Art Nouveau poppy motif powder jar; a floral engraved powder jar; and a rouge jar, Webster Company, North Attleboro, MA, 1894 to present; combined weight (weighable) 7.5 troy ozs. $150/300 668. Two English Sterling Silver Cigarette Cases, probably Thomas Hayes, Birmingham, early 20th c., both with scroll chasing, monogrammed shield shaped cartouche and interior gilt surface; one engraved “Mon Amour Dolly. 1919”, 3 3/4 in. x 3 1/4 in.; the other engraved “April 22nd, 1920”, 4 5/8 in. x 3 1/4 in.; combined weight 8.7 troy ozs. $150/300 Provenance: Estate of Ursula Johns Gill, Ex-Collection of Dolly Johns.

669. A Group of American and English Dressing Table Accoutrements, late 19th/early 20th c., including a lidded powder jar, Mauser, NY, 1887-1903, height 4 3/4 in.; a pressed glass scent bottle with silver ferrule and cover, William Neale, Chester, 1903, mark registered 1882, height 5 1/4 in.; a cut glass and silver lidded jar, John Goode & Sons, Birmingham, 1915, mark registered 1890, height 3 3/8 in.; a cut glass and silver rouge jar, Unger Brothers, Newark, NJ, wc. 1872-1914; an English spectacles case with strapwork monogram, mark rubbed, length 5 in.; and an engraved vanity purse, length 4 1/2 in. $200/300 W denotes the lot is illustrated at www.nealauction.com

131

W 674. A Near Pair of

Antique English Silverplate Figural Oil Lamps, mid-19th c., marked HINKS & SONS/ PATENT”, lion standard, one with key marked “MAPLE/ HINKS/ PATENT/ LONDON”, with glass chimney and shade; the other with key marked “HINKS & SONS/ PATENT/ BIRMINm.”, electrified, height 15 1/4 in. $200/300 670 W 675. Three

Victorian Silver Frames, late 19th/early 20th c., unmarked, two with ornate scrolling foliage, flowers and rococo cartouches; larger rectangular silverplate frame with embossed and openwork crest of scrolling foliage, approx. 7 7 1/2 in. x 5 1/4 in. and 13 1/4 in. x 9 1/4 in.

672

671

$100/200 W 676. Two

English Sterling Silver Creamers, London 1903 and 1935, each baluster form with molded foot and cast scroll handle, height 3 1/2 in. and 4 in., combined weight 7.75 troy ozs. $200/300 673

678 W 677. A Pair of

670. A Continental Silver Miniature Coach, with coachmen and horses, height 3 in., length 4 3/4 in., weight 4.90 troy ozs.

672. An Antique English Silverplate Kettle-on-Stand in the Rococo Taste, height 15 in.

$100/200

$300/500

Regency-Style Bronze and Cut-Crystal Chandeliers, 20th c., tiered form, reticulated foliate circlet, height 27 in., diameter 15 in.

671. Three Continental Silver Miniature Chairs in the Gothic, Rococo and Elizabethan Styles, the Gothic example with English import marks for sponsoring firm, Cornelius Saunders and Francis Shephard, London, 1901, height 2 1/4 in., combined weight 1.35 troy ozs.

673. An Antique English Silverplate Hot Water Jug, marked “J MAYER/ SILVERSMITH/ LIVERPOOL”, teardrop shape, height 11 1/4 in.; together with an antique English silverplate claret jug, unmarked, height 11 in.

678. A Continental Gilt Metal FiveLight Chandelier, early 20th c., all over foliate standard and arms, petal-form candle cups, electrified, height 28 in., diameter 20 in.

$200/300

$600/900

$100/200

132

$500/1000

679. A Neoclassical-Style Gilt BronzeMounted Guéridon, marble top with molded bronze edge, three double columnar supports, spiral foliate mounts, incurvate triangular plinth, hoof feet, height 29 in., diameter 12 1/2 in. $500/750 680. A Louis XVI-Style Rosewood, Tulipwood and Gilt Bronze-Mounted Sécrétaire à Abattant, 19th c., marble top, molded frieze, fall front, fitted interior of birdseye maple, four drawers below, molded base, height 49 in., width 25 1/2 in., depth 13 1/4 in. $800/1200 W 681. A French Empire-Style Gilt

Bronze-Mounted Mahogany Pier Table, rectangular black slate top over conforming frieze with blind drawer, columnar supports, incurvate plinth, cylindrical feet, height 32 in., width 24 1/2 in., depth 14 in.

679

$300/500 680

682. A Continental Walnut Commode, 19th c., variegated marble top, case with three drawers, plinth base, blocked feet, height 31 1/2 in., width 38 1/2 in., depth 21 1/2 in.

W 685. Two Antique English Sterling Silver

Card Cases, one Sheffield, 1897, maker “WN” untraced, with flat chased decoration, shieldshaped cartouche with handsome strapwork monogram, fitted interior with mechanical pencil, 4 in. x 2 3/4 in.; the second with flat chased decoration and vacant shield-shaped cartouches, 3 3/4 in. x 2 1/2 in.; combined weight 5.2 troy ozs. $150/300

$700/1000 W 686. A Whiting Sterling Silver Soup

682

W 683. Marcel

Ladle, “Italian-J” pattern, pat. 1880, length 13 1/4 in.

Burtin (French, 1902-1979), “Abstract Composition”, gouache on paper, “Atelier M. Burtin” estate stamp lower right, 12 7/8 in. x 18 in., framed.

$150/250 W 687. Two Antique English Silverplate

Revolving Breakfast Tureens, oval footed forms with removable liners; one height 9 1/2 in., length 14 1/4 in., depth 9 7/8 in.; the other height 8 3/4 in., length 12 in., depth 9 in. $200/300

$400/600 688 W 684. Continental School, mid-20th c., “The Pantheon,

Paris”, 1947, oil on canvas, dated and inscribed “Paris” and pencil inscribed “Edouard Cortes” en verso, 12 in. x 16 in., framed. $400/600 Provenance: William E. Groves Collection, New Orleans, Louisiana.

688. A Group of English and American Sterling Silver Napkin Rings, including one belt form, William Gough, Birmingham, 1866; two with engraved decoration, E.J. Trevitt & Sons, Chester, 1919 and 1922; one with scroll decoration, Towle Silversmiths, Newburyport, MA, 1882 to present; two Gorham, 1876 and mid-20th c.; and one American silverplate engraved “1906”; total weight (weighable), 5.60 troy ozs. (7 pcs.) $100/200

W denotes the lot is illustrated at www.nealauction.com

133

691

689

689. A Good English Silverplate ShellShaped Folding Biscuit Box, Israel Freeman & Son, London, founded 1928, height 10 in.

693

$300/500

690

690. A Silverplate Revolving Supper Service, mid-20th c., with gadrooned borders, turned handles and hot water compartment, fitted with covered oval tureens and two sauce bowls, missing central tureen and salt and pepper castors, diameter 26 1/2 in.

692

$800/1200 691. An English Sterling Silver Teapot and Sugar Bowl in the Regency Taste, Birmingham, 1897-98, marked “T.H” in heart, gadroon rim, on bun feet, height 5 1/8 in., weight 23.85 troy ozs. $400/600 692. An English Sterling Silver Bowl, London, 1896, marked WC/JL, Goldsmiths/ Silversmiths Company/ 12 Regent St., circular footed bowl embossed and chased with flowers and scrolling foliage, height 4 5/8 in., diameter 7 1/8 in., weight 12.40 troy ozs.

694

$300/500 693. Three English Sterling Silver Master Salts, London, 1935, AP/ FP, pierced oval form, ball and claw feet, cobalt glass liners, height 2 1/8 in., width 3 5/8 in., depth 2 7/8 in., combined weight 6.10 troy ozs. $300/500

134

694. A George V Sterling Silver Bowl, Lionel Alfred Crichton, London, 1922, height 2 in., diameter 10 in., weight 27.95 troy ozs. $300/500

695. An English Gilt-Decorated and Mother-ofPearl Inlaid Papier-Mâché Tray, 19th c., eagle reserve, later bamboo turned stand, X stretcher, height 19 1/2 in., width 31 in., depth 23 1/2 in. $500/700 696. A Chippendale-Style Carved Walnut Bench, upholstered seat, acanthine cabriole legs, ball and claw feet, height 22 in., width 25 in., depth 22 in. $400/600 697. An American or Continental Carved Mahogany Tavern Table, 18th c. and later, possibly Dutch, rectangular top, frieze with drawers at each end, splayed turned legs, box stretcher, block feet. $700/1000 Provenance: Estate of James Fenimore Cooper IV. 695

697

696

698. A Large American Tôle Peinte Tea Bin, mid19th c., probably Henry Troemner, Philadelphia, bowed front, conforming lid labeled “Ex-Imperial”, floral borders, reserves with genre scenes, height 22 1/2 in., width 19 in., depth 17 3/4 in. $400/600 699. An American Coin Silver Pitcher, early 19th c., unmarked, with lobed body and applied die-rolled border, height 5 5/8 in., weight 13.15 troy ozs. $200/400

698

699

W denotes the lot is illustrated at www.nealauction.com

135

701. An American Sterling Silver Flatware Service, International Silver Co., “Richelieu” pattern, pat. 1935, including 8 dinner forks, 7 dinner knives, 6 salad forks, 8 soup spoons, 8 teaspoons, 8 iced teaspoons, 22 demitasse spoons, and 8 butter knives (fh), 75 pcs., combined weight (weighable) 80.80 troy ozs. $1200/1800 702. A Pair of Decorative Silverplate Trumpet Vases, marked “Royal Castle, Sheffield, EP”, wirework with floral swags, fitted with emerald glass liners, height 15 3/4 in.

700

$400/600 W 703. An

707

701

American Sterling Silver Dresser Set, c.

1900, R. Wallace & Sons Mfg. Co., Wallingford, CT, active from 1871; comprised of a hand mirror, hairbrush, pair of large clothes brushes, small clothesbrush, pin tray, nail buffer, nail file, shoe horn and button hook, all monogrammed “P”, mirror length 9 1/2 in. $350/500 W 704. An American 14 kt. Yellow

Gold Pendant, antique and later, now set with a later dyed “lapis” center stone, 7 small old mine cut diamonds and 4 oval Australian opals. $250/350 W 705. An Engraved Silver and

Faceted Amethyst Necklace, with figure-eight clasp. $150/250 W 706. An Antique American 10 kt.

709

Yellow Gold Ring, 19th c., set with a large oval faceted purple glass “jewel”. $150/250

702

700. A Set of Twelve American Sterling Silver Water Goblets, mid-20th c., F.B. Rogers Silver Co., Taunton, MA, 1883 to present, bellshaped with spreading foot, height 6 3/8 in., weight 63.70 troy ozs. $400/600

707. An Art Nouveau 14 kt. Yellow Gold Figural Bangle Bracelet, the lion with sapphire in mouth and diamond eye (second eye lacking diamond). $100/200 W 708. A 14 kt. Yellow Gold and Jadeite Stiff Band Bracelet .

$150/250 709. An Antique American 14 kt. Yellow Gold and Opal Bangle Bracelet, set with 23 round opals. $100/200

136

715

710

720

710. A Silver Cross and Chain, probably Continental. $150/250 W 711. Four

Antique English Yellow Gold Wedding Bands, ranging from 9 kt. to 22 kt.; together with a pair of 14 kt. yellow gold fluted ring guards, weight 22 dwts. $200/300 W 712. An American 14 kt.

Yellow Gold and Celadon Jade Ring . $150/250 W 713. A Pair of English

Victorian 15 kt. Yellow Gold, Lapis Lazuli and Pearl Pendant Earrings . $100/150

718

719

715. A Native American Silver and Turquoise Squash Blossom Necklace, with a double row of hand-wrought silver beads interspersed with ten blossom pendants, suspending a naja with conforming decoration and pendant figure, length 30 in.; together with two silver and turquoise cuff bracelets.

718. An Antique English Victorian Cameo Brooch, mid-19th c., revolving center depicting the Three Graces, setting possibly pinchbeck.

$300/500

$500/700

W 716. Two Strands of Chunky Red

720. A Mexican Sterling Silver Flat Link Necklace and Feather Motif Cuff Bracelet, Los Castillo, Taxco, c. 1942-1948, necklace “as is”, necklace length 17 1/4 in.; together with a Mexican sterling silver fish pin, combined weight approx. 8 ozs.

Coral Beads, each length approx. 15 1/2 in. $150/250

W 714. Two Baroque Pearl

Necklaces, each with 14 kt. yellow gold clasp.

W 717. Two Vermeil and Jadeite

$150/250

$250/350

Bangle Bracelets, probably Indian.

$200/300 719. A Persian Silver Belt, mesh links with silver filigree buckle.

$200/300 Reference: Morrill & Berk, Mexican Silver, pp. 82-98, identical necklace illustrated p. 85, fig. VI-11.

W denotes the lot is illustrated at www.nealauction.com

137

727. Two Art Glass Vases, one a small iridescent vase by Quexal, the other by Stevens & Williams, baluster form with self base, decorated with a Chinese landscape in raised gilt, height 5 in. and 8 1/4 in. $500/700 W 728. Six Higgins Art

723

Glass Trays, c. 1950, signed, 3 1/2 in. x 3 1/2 in.; together with 5 cranberry glass with feather glaze vases, heights 2 in. to 5 1/2 in. $300/500 W 729. Two Czech Art Glass

Vases, c. 1950, heavy, lobed form, height 9 3/4 in. and 8 in.

722

$300/500 W 721. A Group of Mexican

Silver Jewelry, 20th c., some unmarked, including 3 cuff bracelets, 2 bead necklaces and a pair of earrings, necklace lengths 17 1/2 in. and 22 1/2 in.

W 730. An American Bronze

$200/300 725

Figure of a Nude Female, 20th c., depicted bent over an urn in boots, inscribed “J.Roux” on selfbase, mounted on a marble base, height 11 1/2 in. $200/400

722. An Antique Silver, “Paste” Jewel and Portrait Miniature Brooch, mid19th c. $150/250 723. An American Art Nouveau Sterling Silver Belt Buckle, William B. Kerr & Co., Newark, NJ, wc. 1880 to 1927, height 2 1/2 in., length 5 1/8 in., weight 1.45 troy ozs. $150/250 W 724. Six Continental Art

Glass Pieces, including an Orrefors tapered base, an Orrefors oval vase with etched girl looking at the moon, a large vase decorated with a dancer, a carafe with cup, another vase and a faceted sumberso vase, tallest height 9 1/2 in. $600/900

727

725. Three Vicke Lindstrand Art Glass Pieces, 20th c., for Kosta Boda, signed, including two “Seaweed” vases, and a low bowl with line design, height of tallest vase 10 3/4 in. $600/900 W 726. Seven Scandinavian Art Glass Pieces, c.

1950, including a hexagonal vase by Strombergshyttan, an oval Kukka vase and 3 small dishes by Nuutajarvi, a bubble vase by Kastrup, and an oval vase by Gullaskruf, height of tallest vase 8 1/2 in. $500/700

138

731

731. Charles F. Bendzans (American/New Orleans, b.

1948), “Phtalocyanine Blues”, 1989, acrylic on canvas, unsigned, “Gasperi Gallery, Julia Street, New Orleans” label with artist, title and date en verso, 45 3/4 in. x 57 3/4 in., framed. $1000/1500 Provenance: Collection of Artist Charles Fritchie.

Note: A graduate of Cranbrook Academy of Art, Charles F. Bendzans works as a float painter for Blaine Kern’s Mardi Gras World.

W 732. Eric Albrecht (Maryland/New Orleans,

20th c.), “Six Portraits”, c. 1999, oil and mixed media on six boards, signed and dated either upper right, left or lower right, one with “Wyndy Morehead Fine Arts” label en verso, 9 1/2 in. x 7 in. to 16 1/2 in. x 7 in., framed alike. (6 pcs.) $600/900 733. Roger Shimomura (American, b. 1939), “Goro-Goro”, 1976, triptych of three acrylics on canvas, unsigned, each panel 72 in. x 48 in., partial frame. $1500/2500 733

Provenance: Collection of Artist Charles Fritchie.

738

738. A Chrome, Walnut and Leather Banquette, after the design by Mies van der Rohe, rectangular tufted leather seat with bolster, walnut frame with leather webbing, chrome legs, height 16 in., width 77 in., depth 38 in.

734

734. Robert Forbes (American, b. 1948), “Real Abstract #1”, acrylic on canvas, signed and titled en verso, 46 in. x 39 1/2 in., unframed. $1000/1500 Provenance: Collection of Artist Charles Fritchie.

W 735. Robert Joseph Warrens (American/

Louisiana, b. 1933), “Anteater, Snake and an Apple”, charcoal on paper, initialed “R.W.” lower right, sight 27 1/2 in. x 22 1/2 in., framed.

$800/1200 739

$300/500 Provenance: Collection of Artist Charles Fritchie.

W 736. Gino Mazzotta (Italian, 20th c.),

“Miss Azott’s Tentation for Mrs. Rose (La Tentation de Melle Azottt Devant La Rose)”, 1978, oil and mixed media on canvas, signed and dated lower right, signed, titled, dated, inscribed and artist’s stamp en verso, 35 3/8 in. x 27 1/2 in., unframed. $300/500

W 737. Gino Mazzotta (Italian, 20th c.),

“Mataztzo, Eldorado’s Bird”, 1977, oil and mixed media on canvas, signed lower right, titled lower left, signed, titled and dated in marker, artist’s stamp en verso, 27 1/2 in. x 19 3/4 in., unframed. $150/250 Provenance: With a New Orleans Collector, exhibited at New Orleans Gallery, 226 Decatur Street; purchased in Europe.

739. A Chrome and Leather “Barcelona” Chair and Ottoman, after the design by Mies van der Rohe, rectangular tufted leather back and seat, X-form chrome legs, conforming ottoman. $800/1200

Provenance: With a New Orleans Collector, exhibited at New Orleans Gallery, 226 Decatur Street; purchased in Europe.

W denotes the lot is illustrated at www.nealauction.com

139

740. A Florence Knoll Mid-Century Modern Walnut and Chrome Table, with Knoll International label, round walnut top with beveled edge, over a heavy chromed-steel pedestal base, height 28 in., diameter 54 in. $700/900 W 741. A Trio of Knoll International Modern Tiger Maple Side

Tables, c. 1980, Italy, each with waisted top, tapering legs, height 24 in., width 18 in., depth 14 in. $400/600 742. A Modern Italian White Leather Couch, by Nicoletti, “L” shape, adjustable back supports, loose top stitched pillows on chrome frame, height 26 in., width 114 in., depth 69 in.

740

$800/1200

742

745

743. A Chrome and Leather “Le Corbusier” “LC3”-Style Sofa with Ottoman, rectangular back and arms with chrome supports on chrome legs, conforming ottoman, sofa height 26 in., width 82 in., depth 29 in.; ottoman height 14 1/2 in., width 25 1/2 in., depth 25 1/2 in.

743

$800/1200 744. A Pair of Neoclassical-Style Crème Peinte Benches, each with X-form seat with lion masks and paw feet, height 20 in., width 17 1/2 in., depth 22 1/2 in. $600/900 745. An Edwardian Paint-Decorated Satinwood Armchair, in the Adam taste, tablet crest, reticulated splat, shaped arms on vasiform uprights, cane seat, square tapered legs. $600/900

744

140

746. A Pair of BiedermeierStyle Mahogany and Ebonized Vitrine Cabinets, each with pedimented cornice, plain frieze, palmettecarved, gilded and ebonized columns flanking glazed paneled doors, blocked feet, height 76 in., width 45 in., depth 19 in. $2500/3500 747. A Pair of Louis XVI-Style Gris Peinte Open Bookcases, 19th c., each with beribboned crest, flanking floral garlands, surround with egg and dart molding, three serpentine shelves, stepped plinth base, height 92 in., width 58 in., depth 15 in.

746

$1500/2500 748. A French Pale Green Painted Demilune Corner Cupboard, early 19th c., in two parts, upper case with cavetto cornice, paired paneled doors; conforming lower case fitted with paneled doors, plinth base, height 98 in., width 33 1/2 in., depth 24 in. $1000/1500 W 749. A Turkish-

Style Banquette, arched back and arms, tufted upholstery, layered fringe skirt, height 43 1/2 in., width 55 1/2 in., depth 28 1/2 in. $400/800

747 (1 of 2)

748

W denotes the lot is illustrated at www.nealauction.com

141

W 752. Sue Ferguson

Gussow (American/New Orleans, b. 1935), “Jehan d’Arc (Joan of Arc)”, 1964, aquatint, pencil-signed, titled and dated, image 18 in. x 18 in., framed. $150/250 757

W 753. A Large Vintage

French Advertising Poster, c. 1935, “Légères Comme une Gazelle”, by Robys (b. 1916), stone lithograph, published by Edition Avenir Publicité, printed by Imp. Reunies de Lyon, the three pairs of shoes springing out of a box, void retailers cartouche below, sheet 60 in. x 44 1/4 in. $300/500 W 754. A Framed Panel of Chinoiserie

Ceramic Tiles, probably 20th c., each tile painted with a polychrome figure on a cream crackle ground, sight 15 1/2 in. x 15 1/2 in., framed.

750

$200/400 W 755. An Antique Carved Wood

758

Boar’s Head Cane, 19th c., inlaid with ivory tusks and glass eyes. $150/250 756. A Pair of Chinese Famille Rose Porcelain Vases, probably 20th c., squared baluster bodies with lion’s head handles, with figural, landscape scenes and calligraphic decoration, height 22 3/8 in.

756

759

$500/700

750. A Louis Philippe Rosewood Bibliothèque, c.

1830, molded cornice, glazed and paneled doors, shelf interior, square tapered legs, brass cuffs, height 70 1/4 in., width 53 in., depth 15 1/2 in.

757. A Chinese “Ge” Style White Glazed Porcelain Tripod Censer, probably 20th c., waisted bombé body molded with the Eight Trigrams, base with Qianlong mark, height 3 1/8 in., diameter 6 in.

$1500/2500

$200/400

W 751. George Baxter (British, 1804-1867), “The

758. A Chinese Famille Rose Porcelain Rouleau Vase, probably 20th c., decorated with scholars and attendants in a spring garden, base with Xianfeng mark, height 16 3/4 in.

Faithful Messenger” and “Lion in Love” from Baxter’s Gems from the Great Exhibition (The Great Exhibition of the Works of Industry of all Nations), c. 1852-54, two oil color prints on paper, impressed seal “Printed in Oil Colors by G. Baxter, Inventor, Patented, 11 & 12 North Hampton Square, The Faithful Messenger” lower center, printed information on Baxter’s prints en verso, sheet 8 1/4 in. x 6 1/2 in., matching antique shadowbox frames (2 pcs.) $200/300

142

$200/300 759. A Chinese Polychrome Porcelain Fishbowl, probably 20th c., globular body vibrantly enameled around the exterior sides with exotic birds amid foliage, height 12 1/2 in., diameter 16 1/2 in. $1000/1500

W 760. A

Chinese Tileworks Glazed Pottery Figure of an Equestrian, probably Qing Dynasty, modeled as a warrior astride a galloping horse, height 11 1/2 in., width 10 1/4 in., mounted within a shadowbox frame.

Note: Condition. $100/150 763 W 761. A Pair of

Chinese Famille Rose Porcelain Cylinder Vases, probably 20th c., each decorated with a dignitary, servant and petitioners in a garden setting, height 11 3/8 in.

764

$200/300 W 762. A Pair of Chinese

Famille Rose Porcelain Cylinder Vases, probably 20th c., each decorated with ladies and children listening to music in a garden setting, height 10 7/8 in. $200/300 766 763. A Pair of Iron-Mounted Chinese Blue and White Porcelain Storage Jars, probably 20th c., ovoid bodies decorated with figural scenes, iron locking covers, height 24 in. $1500/2000 765 764. A Chinese Cloisonné Embellished Bronze Figure of a Bodhisattva, three-faced, eightarmed figure modeled seated on a waisted lotus base, height 23 in., width 15 in., depth 10 1/2 in.

767. An Indian or Southeast Asian Gilt Bronze Figure of a Bodhisattva, probably 19th c., modeled seated in dyhanasana wearing beaded robes and ornate jewelry, height 19 1/2 in.

$700/900

$500/700 765. A Chinese Cloisonné Enamel Covered Jar, probably 20th c., ovoid body with domed cover decorated with flowering prunus, height 10 1/4 in.

W 768. Asian School, “Phoenix Ruling

World of Birds”, ink and color on silk, 42 5/8 in. x 20 3/4 in., mounted as a hanging scroll.

767

$400/600

$100/200

766. A Chinese Cloisonné Enamel Jardinière, probably late 19th/early 20th c., compressed globular body with waisted splayed foot and everted rim decorated with a wide floral band, height 10 in., diameter 12 3/8 in. $150/300 W denotes the lot is illustrated at www.nealauction.com

143

W 776. A 14 kt. White Gold and Diamond

Cluster Ring, set with 17 full cut round diamonds. $200/300 W 777. An English Victorian 18 kt. Yellow Gold

Horseshoe Pin . $100/200 W 778. A Group of Silver and Turquoise

Jewelry, most Native American, including 5 cuff bracelets, 3 rings, link bracelet with large turquoise charm, pair of drop earrings, and 2 pendants marked “H. Fred Skaggs”.

769

$150/300 W 779. A Pair of Sterling

Silver Bangle Bracelets, diameter 2 7/8 in.; together with two silver cuff bracelets, unmarked, widths 2 1/4 in. and 1 1/4 in. $150/300 W 780. An English 9 kt.

Yellow Gold and Opal Band Ring, set with 7 round opals; together with an English 9 kt. yellow gold and opal cluster ring. $150/250 W 781. A 14 kt. Yellow

771

Gold and Green Enamel Serpent Pin, with opal eyes.

Note: Chip to enamel. $100/150

770 (1 of a pair)

769. A Pair of Chinese Carved Hardwood Low Tables, each with shaped inset marble top, waisted frieze, legs surmounted by lions masks terminating in paw feet, height 19 1/2 in., width 19 in., depth 19 in. $300/500 770. A Pair of Chinese Carved Hardwood Armchairs, each reticulated crest rail with dragon pierced splat, arms with dragon terms, pierced seat rail, shaped legs, ball and claw feet, H stretcher. $400/600

W 772. A Chinese Carved Hardwood Stand,

inset marble top, waisted frieze, shaped legs, stretcher shelf, ball and claw feet, height 33 in., width 18 in., depth 17 1/2 in.

W 782. A Pair of Yellow

$250/500

$75/150

W 773. A Chinese Carved Hardwood Stand,

W 783. A Yellow Gold and

octagonal inset marble top, pierced frieze, scrolled legs, stretcher, height 36 in., width 18 in., depth 18 in.

“Turquoise” Cross Pendant, set with 6 large cabochon dyed stones, gold unmarked, probably 14 kt.

$250/350

$100/200 W 774. Two Coral Bead Necklaces, including

a strand of mottled pink coral beads, length 22 1/2 in., and a strand of orange coral beads, length 63 in. $400/600

W 784. A Pair of English

Victorian 15 kt. Yellow Gold and Shell Cameo Pendant Earrings . $100/150

771. A Chinese Carved and Ebonized Armchair, pierced crest centering a tortoiseshell, conforming splat, arms with tortoise terms, shaped seat rail with stylized waves, cabriole legs with tortoiseshell knees, scrolled feet.

W 775. A Southeast Asian Silver Elephant

$200/400

$300/500

144

Gold and Mexican Alexandrite Earrings .

Necklace, together with filigree silver bead necklace.

W 785. A Yellow Gold

Ring, unmarked, probably 14 kt., set with 4 oval faceted rubies, possibly synthetic. $100/150 W 786. An American

Yellow Gold and Jadeite Ring, unmarked, probably 14 kt., mottled green and white oval jadeite cabochon. $100/150 W 787. An 18 kt.

Yellow Gold and Mabé Pearl Ring .

792 791

W 793. Four Small Silver Boxes, two embossed

oblong boxes, Birmingham, 1891, by H&A, and the other 1899, H & M; small rectangular patch box, Birmingham, A&LL, bright cut cover and engraved “Amy” in script; one Continental shell-shaped box with figural vignette on the bottom, 3 1/2 in., 3 3/4 in., 1 7/8 in., and 2 1/2 in., combined weight 5.10 ozs.

$100/200 W 788. A 14 kt. Yellow

Gold, Faceted Garnet and Pearl Band Ring; together with an 18 kt. yellow gold ring mounting.

$100/200 W 794. A Pair of English Sterling Silver

$100/200

Armorial Form Menu Holders, London, 1897, each on a rectangular weighted plinth.

W 789. A Steuben Glass

$100/200

Tazza, signed, quatrefoil scroll supports, height 4 3/4 in., diameter 10 3/8 in.

795. An English Victorian Silverplate Hot Water Urn, 19th c., in the Neo-Grec taste, two handle vase shape with flat chased decoration, circular pedestal base, removable heater sleeve, marked on foot rim, height 19 1/4 in.

$150/250 W 790. A Group of Silver

Overlay Objects, including two silver overlay clear glass perfume bottles with original stoppers, one engraved “Harriet”, height 6 in., diameter 6 in., the other with “HCV” monogram, height 4 1/2 in., diameter 4 in.; and a silver overlay clear glass covered jar bearing initial “M”, height 5 3/4 in., diameter 3 3/4 in. (3 pcs.)

$150/300 W 796. A Group of English and American

Sterling Silver Serving Pieces, 18th to 20th c., crested Old English serving spoon with strainer, London, 1795-96, 12 in.; bright cut engraved sugar tongs; London, 1810, RR, downturned fiddle sugar sifter; pair of berry spoons, reeded handle serving spoon, and a pair of Victorian silverplate and mother-of-pearl handle serving spoons, weight (weighable) 11.20 troy ozs, (8 pcs.)

795

$400/600

$300/500

791. A Pair of Italian Art Glass Vases, c. 1940, now mounted as lamps, decorated with illustrations of Roman figures, pottery and medallions, height 19 in.

W 797. An English Sterling Silver Castor, Atkin Brothers,

$500/700

$100/200

792. A Pair of Large Cut Crystal Vases, 20th c., with diamondpoint design, height 15 3/4 in., diameter 9 in.

W 798. An Edwardian Sterling Silver Coffee Pot, London,

$400/600

Sheffield, 1898, octagonal design modeled on the early 18th c. castors, height 6 1/2 in., weight 3.75 troy ozs.

1914-1915, Charles Stuart Harris, plain baluster form, slightly domed hinged cover, on molded spreading foot, with a fruitwood handle, height 7 1/2 in., weight 13.30 troy ozs. $200/400

W denotes the lot is illustrated at www.nealauction.com

145

799

802. A Decorative Silverplate Meat Dish and Cover, the domed cover with lion rampant finial and gadrooned border, meat dish with molded celluloid handles, gadroon and shell border, hot water compartment, scroll feet, height 13 1/2 in., width 26 in.

800

$500/750 W 803. An

801 804

Antique English Silverplate Partial Coffee Service, Barker Brothers, Birmingham, founded c. 1860, comprised of coffee pot, teapot and open sugar bowl, lobed body with floral chasing, shell feet, coffee pot height 8 1/8 in. $300/500

802

799. An Early Victorian Sterling Silver Basting Spoon, Joseph & Albert Savory, London, 1843, Queen’s pattern, with handsome strapwork monogram, length 12 in., weight 6 oz.

805

804. A Georgian-Style Silverplate Epergne, acanthus decorated frame with large cut glass centerbowl and four smaller conforming bowls on scrolled arms, height 13 1/4 in., width 21 in. $1000/1500

$100/200 800. An Early Victorian Sterling Silver Basting Spoon, Samuel Hayne & Dudley Carter, London, 1841; down turned fiddle with engraved crest, length 12 in., weight 5.05 troy ozs. $100/200

805. A Pair of Georgian-Style Silverplate Four-Light Candelabra, now with fittings for hurricane shades, height 24 in., width 13 1/2 in., depth 13 1/2 in. $500/750 W 806. An Antique English Silverplate Cruet Stand, 19th c., with pressed

glass and silverplate bottles, one associated (with sterling silver lid), height 9 in. $200/300

801. An American Sterling Silver Flatware Service, Reed & Barton, “Spanish Baroque” pattern, pat. 1965; including 10 dinner forks, 10 knives, 10 salad forks, 8 dessert spoons, 10 teaspoons, 2 tablespoons, 2 sugar shells, 2 gravy ladles, 2 pickle forks and 2 master butter knives (hh), 58 pcs., total weight (weighable) 72.55 troy ozs., in a fitted case. $1500/2500

146

W 807. A Napoleon III Porcelain and Bronze-Mounted Lamp, c. 1870,

rose Pompadour ground, portrait medallion reserves, scrolled handles, reticulated base, vase height 16 1/2 in. $300/500

810

808

811

809. A George III Mahogany Chest of Drawers, 19th c., two drawers over three graduated drawers, bracket feet, height 40 1/2 in., width 36 1/2 in., depth 17 1/2 in. $300/500 810. An English Carved Mahogany Wardrobe, c. 1840, possibly Scottish, central case with scrolled crest and five graduated drawers, flanking cupboards with arched and molded pediments, void interiors with hanging hooks, plinth base, height 80 in., width 96 in., depth 25 in.

809

808. A George III-Style Inlaid Mahogany Bookcase, cove molded cornice, plain frieze, glazed doors over patera paneled doors, bracket feet, height 84 1/2 in., width 45 1/2 in., depth 15 1/2 in.

$1500/2500 811. A Pair of Charles X-Style Carved Walnut Fauteuils, each with arched crest, scrolled arms, saber legs. $800/1200

$700/1000

W denotes the lot is illustrated at www.nealauction.com

147

812

813

815

814

812. A Regency Inlaid Rosewood Sofa Table, early 19th c., rectangular crossbanded drop-leaf top, conforming frieze fitted with two drawers, lyre-form standard, incurvate plinth, scrolled legs, height 28 1/4 in., width 35 in., depth 24 in. $500/700 813. A Set of Eight Antique Louis XIV-Style Carved Walnut Dining Chairs, 19th c., comprised of two armchairs and six side chairs, armchairs with arched crest, scrolled arms, shaped legs, conforming stretcher; side chairs with rectangular backs. $800/1200

816

148

Provenance: Lucullus, New Orleans, LA.

814. An Antique Continental Carved Mahogany Console Table in the Neoclassical Taste, 19th c., marble top, paneled frieze with drawer, caryatid supports, blocked base, height 40 in., width 42 in., depth 14 in. $1000/1500 815. A George III Mahogany Pedestal Dining Table, reeded edge top, turned support, reeded legs, casters, height 27 1/2 in., width 38 3/4 in., depth 58 in. $800/1200 816. An Italian NeoclassicalStyle Inlaid Fruitwood Center Table, late 19th c., circular top centering starburst inlay, turned standard, drum plinth, scrolled legs, height 27 1/2 in., diameter 42 in. $1200/1800

817. A Continental PaintDecorated Bombé Console, 19th c., rectangular top, molded frieze, shaped tapered body, plinth base, faux marbre and floral paint overall, height 39 in., width 75 in., depth 27 1/2 in. $3500/5500 818. A Napoleon III Gilt and Patinated Bronze Figural Mantel Clock, c.

1870, surmounted by an equestrian figure, rocaille base, incurvate plinth with shell form mounts and feet, inlaid rosewood base, clock height 18 in., width 13 1/2 in., depth 5 3/4 in. Note: Lacking movement. $700/1000

817

819 818

819. A Chinese Carved Hardwood Pedestal Desk, molded top, frieze fitted with drawers, each pedestal end with graduated drawers, blocked feet, the whole decorated with fruit and foliate panels, height 33 in., width 52 in., depth 28 in. $300/500 820. A George III-Style Carved Gilt Overmantel Mirror, late 19th c., based on the designs of Robert Adam, flaming urn crest with scrolled acanthus and bellflower swags, lamb’s tongue molded surround, patera corners, height 50 3/4 in., width 60 1/4 in. $2000/3000

820 W denotes the lot is illustrated at www.nealauction.com

149

822

823. A Louis XVI-Style Gilt Bronze-Mounted Mahogany Commode à Vantaux, in the manner of Guillaume Benneman, shaped marble top with outset corners and incurvate sides, conforming case with two frieze drawers, doors below, flanked by stop fluted columns, hairy paw feet, height 38 in., width 62 1/2 in., depth 20 1/4 in.

821

$2500/3500

821. A George III Giltwood Overmantel Mirror, broken pediment crest, urn finials, divided mirror plates, height 56 in., width 48 in.

824. A Fine Antique Louis XVIStyle Carved and Gilded Settee, late 19th c., oval guilloche carved back, padded acanthine arms, serpentine seat rail, tapered fluted legs, Aubusson upholstery, height 41 in., width 52 in., depth 19 in.

$700/1000

$1000/1500

822. A Pair of Cold Painted Bronze English Bulldogs, 20th c., in opposing stances, height 20 1/4 in.

825. A Fine Pair of Carved and Gilded Fauteuils, en suite with preceding lot, arched floral crests, oval backs, padded arms, serpentine seat rails with rosette blocks, tapered fluted legs, Aubusson upholstery.

$1000/2000

$1000/1500 823

824

150

825

826

827

826. A Pair of Louis XV-Style Patinated Bronze and Crystal Twelve-Light Chandeliers, each with urn support, foliate arms, extensively hung with cartouche and drop prisms, spherule pendant, height 36 in., diameter 26 in.

827. A Dutch Marquetry and Mahogany Center Table, early 19th c., circular top, straight frieze, triangular support, incurvate triangular plinth, scroll feet, height 29 in., diameter 43 1/2 in.

$4000/6000

$2000/3000

$1000/2000 828. An Antique George III-Style Mahogany Bookcase, dentil molded cornice, blind fretwork frieze, glazed doors, shelf interior, paneled doors below, bracket feet, height 97 1/2 in., width 65 in., depth 18 in.

828

W denotes the lot is illustrated at www.nealauction.com

151

830. A George III Mahogany Linen Press, late 18th c., dentil molded cornice, plain frieze, paired paneled doors enclosing linen trays, three graduated drawers below, shaped bracket feet, height 71 3/4 in., width 49 in., depth 22 1/4 in. $1200/2000

829

831. An Antique English PapierMâché Tray, scalloped lacquered tray, floral reserve, later bamboo turned stand, height 18 in., width 33 in., depth 25 1/2 in.

830

$400/600 832. An American Late Classical Mahogany Center Table, mid-19th c., probably Baltimore, marble top, molded frieze, paneled urn-form support, scrolled feet, casters, original surface, height 30 in., width 41 in., depth 41 in.

831

$800/1200

833

829. A Georgian Carved Mahogany Secretary Desk, early 19th c., ogee cornice, Gothic glazed doors, adjustable shelves, escritoire drawer with fitted interior, a pair of cabinet doors, bracket feet, height 89 in., width 46 in., depth 21 in. $1000/2000

832

152

833. A Continental PaintDecorated Bureau, 19th c., slant front centering floral reserve, fitted interior, three drawers below, molded plinth, height 46 in., width 38 in., depth 17 1/2 in. $1000/1500

834. An English Mahogany Bookcase, 19th c., upper case with molded cornice, arched glazed doors, adjustable shelf interior, pilasters with scrolled brackets; conforming lower case with molded frieze drawer over paneled doors, plinth base, height 94 1/2 in., width 54 in., depth 19 in. $1200/1800 835. An English Mahogany Breakfront Bookcase, c.

1840, molded cornice, glazed doors, three frieze drawers, arched paneled doors, plinth base, height 96 1/2 in., width 72 1/2 in., depth 24 in.

834

835

$1500/2500 836. An Italian NeoclassicalStyle Carved and Inlaid Mahogany Chairback Settee, tablet crest, interlaced splat, scrolled arms, shaped seat rail, tapered fluted legs, turned feet, height 35 in., width 41 in., depth 20 in. $600/900 837. William Samuel Howitt (English, 1765-1822), “Hunt Scene”, watercolor and graphite on paper, signed lower right, sight 8 1/4 in. x 12 1/4 in., framed. $800/1200

837

836

W 839. British School,

19th c., “The Reluctant Helper”, oil on canvas, unsigned, 10 in. x 8 1/2 in., framed. $400/800

838. English School, 19th c., “Ménage à Trois”, oil on canvas, unsigned, 27 3/4 in. x 36 in., framed. $500/1000

838

W denotes the lot is illustrated at www.nealauction.com

153

841. A NeoclassicalStyle Patinated Bronze Twelve-Light Chandelier, fluted columnar standard, scrolled support over acanthine bell, pineapple pendant, height 29 in., diameter 23 in. $800/1200 842. A Pair of Louis XVI-Style Gilt Bronze Two-Light Wall Sconces, torch and urn form standard, issuing foliate arms, height 19 in., width 11 in., depth 6 in.

841

$600/900 843. A NeoclassicalStyle Gilt BronzeMounted Porcelain Vase, 20th c., cobalt ground, ram’s head handles, issuing grape bunches, on plinth base, now mounted as a lamp, height 16 in., width 10 1/2 in., depth 7 1/2 in.

840

842

$600/900 844. An Italian Neoclassical-Style Tôle and Carved Giltwood SixLight Candelabrum, urnform standard issuing scrolling branches with leaves, electrified, height 37 1/6 in., width 23 in., depth 14 in. $500/700

843

840. An American Gilt Bronze and Glass Mounted Two-Light Chandelier, the standard with applied convolvulus blossoms, height 67 in. $800/1200 Provenance: Sold for the benefit of Hermann-Grima/Gallier Historic Houses.

844

154

845. Two Antique Italian Baroque-Style Carved Walnut Side Chairs, each with crest rail centered by burled panel, finialed stiles, plank seat, conforming stretcher.

846

$400/600 845

847 849

847. A French Provincial Oak and Fruitwood Table, early 19th c., three-board top with batten ends, frieze fitted with three drawers, scalloped apron, molded legs, height 31 in., length 76 in., width 29 in. $800/1200 848. A Suite of Four Louis XVI-Style Gilt Bronze-Mounted Mahogany Side Chairs, each with oval back, seat rail with rosette blocks, tapered fluted legs, paw feet. $700/1000

848

846. A Louis XVI-Style Kingwood Commode, 19th c., rouge marble top, blocked case with two drawers, cabriole legs, sabots, height 32 in., width 31 in., depth 16 in.

849. A Pair of Classical-Style BronzeMounted Gris Marble Pedestals, fluted column with inset bronze mounts, on square plinths, height 40 1/2 in., width 16 in., depth 16 in. $1200/1800

$1000/1500

W denotes the lot is illustrated at www.nealauction.com

155

855. A Paris Porcelain Tea Service, 19th c., polychromed floral sprays with gilt sprigs and banding, comprising a coffee pot, teapot, covered sugar bowl, creamer, 12 cups, 6 saucers, 12 saucer dishes, some marked with painted gold crown, coffee pot height 10 3/4 in., (34 pcs.).

850

$400/600

850. A Louis XVI-Style Bronze-Mounted Kingwood Commode, c. 1900, serpentine marble top, conforming case with three floral inlaid drawers, chamfered stiles, cabriole legs, height 35 in., width 48 in., depth 21 1/4 in. $500/700

851

855

854

W 852. A French Gilt Bronze-Mounted “Sèvres-Style” Porcelain

W 856. A Large

Garniture, c. 1900, oval centerpiece with reticulated rim and female term handles, conforming vases, now mounted as lamps, height of centerpiece 15 3/4 in., width 18 in., depth 9 1/4 in., height of vases 19 in.

Sèvres Porcelain Cabinet Plate, with underglaze blue mark, cobalt ground, gilt floral decoration, the reserves painted with floral sprays and a courting couple, diameter 12 1/4 in.

$400/600 851. A Pair of Louis XVI-Style Gilt Bronze-Mounted Pedestals, each with square top, winged female mounts below, waisted body with appliqués, stepped plinth base, acanthine scrolled mask feet, height 51 in., width 14 in., depth 14 in. $1200/1800

W 853. A Pair of Porcelain Covered Crocus Pots in the English

Taste, late 19th c., Italian, demilune form, hand painted polychromed fruit still life reserves with gilt surrounds, height 8 in., width 9 in., depth 2 3/4 in. $300/500 854. A Flambé Glaze Bottle Vase, compressed globular body issuing a tall cylindrical neck with slightly flared rim, covered overall in a red streaked pale blue glaze, height 18 3/8 in. $300/500

156

$200/300

857. A Continental Patinated Bronze Tazza, 19th c., foliate border, the well with relief of a Bacchanalian festival, tripartite griffin support, height 8 in., diameter 11 1/2 in.

857

$200/400

859

W 858. A Pair of French Gilt Metal-Mounted

Porcelain Vases, 20th c., the reserves painted with courting couples, height 13 1/2 in., width 5 1/2 in., depth 5 1/2 in. $300/500 859. A Monumental Highly Carved American Aesthetic Rosewood and Burled Maple Hall Stand, c.

1880-1890, flared cornice, inset frieze flanked by the central mirror above marble top, drawers and open shelf, mirrored and floral carved panels, with brass hooks and umbrella holders, bun feet, height 109 in., width 67 1/2 in., depth 17 in.

861

$2000/3000 860. An American Late Classical Carved Mahogany Banquet Table, 19th c., circular top opening to receive five leaves, cluster column support, plinth base, massive paw feet, 5 leaves with storage rack, height 28 1/2 in., extended length 144 in., diameter 60 in. $2500/5000 861. An American Renaissance Carved, Gilt-Incised and Ebonized Bedstead, late 19th c., New York, headboard centering porcelain plaque, bracketed sides, shell carved foot board, shaped conforming rails, height 103 in., length 79 in., width 58 in. Note: Lacks tester.

860

$4000/6000 W denotes the lot is illustrated at www.nealauction.com

157

862

863

863. A Continental Gilt BronzeMounted and PaintDecorated Fruitwood Center Table, circular top with floral reserve and bellflower bands, shaped frieze, turned support, shaped legs, height 32 in., diameter 47 in. $1200/1800 864

864. A Suite of Twelve American Renaissance Carved Oak 866 Dining Chairs, late 19th c., comprised of two armchairs and ten side chairs, each with arched foliate crest, scrolled padded arms, turned and faceted legs, casters. $1200/1800 865. A Suite of Eight American Renaissance Carved Oak Side Chairs, late 19th c., arched foliate crests, shaped seat rails, turned faceted legs, casters, en suite with previous lot. $800/1200

865

862. A Louis XVI-Style Gilt Bronze-Mounted and Marquetry Cabinet, marble top with molded edge, frieze fitted with two drawers, doors below centering flowering urns, canted corners, plinth base, height 42 in., width 50 in., depth 16 in. $2000/3000

158

866. A Louis XVI-Style Gilt Metal-Mounted and PaintDecorated Mahogany Vitrine Cabinet, galleried lift top, case with shaped glazed panels, single door opening to glass shelf, cabriole legs, height 43 in., width 23 in., depth 16 in. $700/1000

867

867. Attributed to Alfred de Dreux (French, 1810-1860), “Fox Hunting Scene”, oil on canvas, unsigned, 21 in. x 25 1/2 in., framed.

869

$3000/5000 868. A Pair of Louis XV-Style Gilt Bronze and Porcelain Wall Sconces, mounted with “Sèvres” plate depicting exotic birds, each cherub term issuing foliate candlearms, height 25 1/2 in., width 13 1/2 in., depth 5 1/2 in.

870. A Pair of Antique Louis XVI-Style Carved Giltwood Mirrors, each with beribboned crest, oval mirror plate, foliate surround, later gilt surface, height 29 1/2 in., width 25 in., depth 5 in.

868

$1000/1500

$1500/2000 869. An American or English Gothic Carved Mahogany Overmantel Mirror, of architectonic design, cove-molded cornice, paneled frieze, inset mirror, columnar supports to the front, bracketed pendants, medial shelf, stepped base, height 73 1/2 in., width 49 1/2 in., depth 20 in. $1000/1500

870

W denotes the lot is illustrated at www.nealauction.com

159

873. A Very Fine George III Inlaid Mahogany Pembroke Table, c.

1790, demilune drop leaves, frieze drawer, square tapered legs, cuff casters, height 28 in., width 33 in., depth 21 in. $2000/3000 874. A Pair of Louis XV-Style Carved Walnut Fauteuils, 19th c., each with arched crest, shaped arms, caned seat and back, serpentine seat rail, cabriole legs.

871

874

875

875. A Pair of Italian Rococo-Style Gilded Cast Iron Mirrors, pierced foliate framework with five scrolling candlearms at the base, height 40 in., width 26 in.

871. A Pair of Art Moderne Rock Crystal Lamps, graduated spheres, on plinth base, height 19 in., width 5 in., depth 5 in.

$1000/2000 876. A Pair of Continental Patinated and Polychrome Bronze Urns, in the Egyptian taste, with double-snake handles, cast allover with pharaoh busts, figures and hieroglyphics, height 33 in., width 25 in., depth 16 in.

$2000/3000 W 872. A Pair of

Waterford Crystal “Unity” Vases, 20th c., height 8 in., diameter 7 1/2 in. $300/500

160

$1000/2000

873

$2000/3000

876

878

W 877. A Pair of Neoclassical-Style

Gilt Bronze Pricket Candlesticks, each fluted shaft over tripod pedestal with saints and sacre-coeur depicted in recessed reserves, height 31 in., width 8 in., depth 8 in. $200/400 878. A Pair of Renaissance Revival Pewter Torchères, vasiform standard, on tripartite base, now mounted as floor lamps, height 75 in., width 13 in., depth 13 in. $1000/2000 879 879. An American Late Classical Carved Mahogany Tester Bed, c.

1840-1850, probably New Orleans, stepped ogee tester, scrolled headboard centered by a shell cartouche, tapered posts with gothicized panels, conforming shaped rails, height 116 in., interior length 78 in., interior width 61 in. $5000/7500 Provenance: Sold in these rooms on June 2012 as lot 77.

Note: The bed offered here is very similar in proportion and ornament to a tester bed at Rosalie, Natchez. The finely executed taffeta insert adorning this bed is an ideal juxtaposition to the rich mahogany veneers.

880

Reference: Otto, Cecile. American Furniture of the 19th c., Castle Books, 1965. fig. 365, p. 169.

880. An American Classical Giltwood Overmantel Mirror, early 19th c., cornice with pendant acorns, split baluster frame, rosette corner blocks, height 28 in., width 79 in. $800/1200 W denotes the lot is illustrated at www.nealauction.com

161

883. An American Mahogany Armoire, mid19th c., New Orleans, molded cornice, single mirrored door, interior with shelves and medial belt of drawers, concealed plinth drawer, bracket feet, height 97 1/2 in., width 54 1/4 in., depth 26 in. $2000/3000 Provenance: Estate of a New Orleans Lady.

881

884. A Chitimacha Double Weave Carba, natural, red and black cane, lid with worm tracks, body in the “Teche” pattern, height 5 in., length 7 in. $1200/1800

883

W 885. A Group

of New Orleans Carved Cypress Architectural Fragments, late 19th c., comprised of three scroll brackets, a window pediment, a very large scroll bracket, a spindled porch element and a turned porch post.

882

881. An American Federal Carved Mahogany Pembroke Table, early 19th c., New York, reeded drop-leaf top, frieze drawer, turned and reeded legs, casters, bears Florian Papp label, height 29 in., width 35 1/2 in., depth 23 1/2 in.

$200/300

884

$800/1200

882. An American Classical Carved Cherrywood and Maple Chest of Drawers, early 19th c., probably New York, outset drawer above three drawers flanked by foliate-carved stiles above tapered pilasters, blocked and turned feet, height 43 1/2 in., width 45 in., depth 20 1/2 in. $600/800 886

162

Provenance: Sold for the Benefit of Hermann-Grima/ Gallier Historic Houses, New Orleans.

886. An American Cast Iron Horsehead Hitching Post, 19th c., possibly J.W. Fiske & Co., New York, tapered fluted post with hitching rings, lion’s masks below, height 41 in. $800/1200

889. An American Patinated Bronze Alligator, 20th c., height 26 1/4 in., width 46 in. $800/1200 W 890. A Pair of

Patinated Cast Iron Garden Sculptures of Standing Egrets , height 30 in., width 11 in., depth 8 3/8 in. $250/500 W 891. A Pair of Cast

889

Iron Garden Urns, flared rim, stepped pedestal bases, found in gray paint, height 39 1/2 in., diameter 21 1/2 in.

887

$300/500 892. A Cast Iron Fence, possibly New Orleans, in multiple sections, comprised of 4 finialed posts and 5 fence sections with spiked finials, molded uprights, circular chair work bases, losses, overall post height 83 in., fence height 58 1/2 in., approx. length 200 in. $1000/1500 Provenance: Removed from a Garden District home, possibly off Prytania.

892 (detail)

888

887. An American Polychromed Cast Iron Jockey Hitching Post, late 19th c., marked on plinth base, “White Oak Foundry, Peapack, NJ”, depicted holding a lantern, height 46 1/2 in., width 19 in., depth 13 3/4 in. $800/1200 888. A Good Antique American Cast Bronze Bell, 19th c., marked on two sides “Cast by / A. Fulton / Pittsburgh”, the top with band of gothic tracery, scrolled yoke and upright, diameter 28 in. $1500/2500

893 (detail)

893. Two Sections of Antique American Cast Iron Fencing, c. 1870, “Lamb and Willow” pattern, spiked finials, oval foliate uprights, losses, height 37 1/2 in., width 71 in. $800/1200 W denotes the lot is illustrated at www.nealauction.com

163

W 894. A Pair of

Renaissance-Style Cast Iron Tabourets, reticulated, floral decorated top, tripartite scrolled legs, height 30 1/2 in., width 15 3/4in., depth 15 3/4 in. $300/500 W 895. An Antique

American Cast Iron Plant Stand, 19th c., twelve adjustable arms, splayed legs. $400/600

898

W 896. A Cast Iron Bird Bath, scalloped rim basin with figures of two doves, on reeded tapering columns, square base, found in green paint, height 35 3/8 in., diameter 22 in.

897

$300/500 897. A Patinated Bronze Garden Fountain of an Egret, depicted with fish in beak, height 26 3/4 in. $600/900 898. A Pair of Wrought Iron Jardinières on Stands, oval inset basins, scrolled framework, scroll legs, height 38 1/2 in., width 35 in., depth 23 1/2 in. $500/750

899

900

899. An American Rococo CastIron Centripetal Spring Chair, mid-19th c., designed by Thomas Warren, manufactured by American Chair Company, Troy, New York, padded head rest, cartouche-shaped back, downswept arms, steel springs, and ebonized wood base. $800/1200 900. An American Carved Walnut Clerk’s Desk, 19th c., three quarter gallery with crest, paneled fall front, fitted interior, frieze drawer, turned legs, height 59 1/2 in., width 34 in., depth 24 in. $700/900

901

164

901. An American Late Classical Carved Mahogany Sofa, 19th c., arched crest with rosettes, shaped arms, hipped saber legs, casters, height 36 in., width 94 in., depth 21 in. $1000/1500

902. George David Coulon (French/ Louisiana, 1822-1904), “Italian Capriccio”, 1895, oil on canvas, signed and dated lower left, “Morris Museum of Art” and “Coggins Collection” labels en verso, 34 in. x 60 3/4 in., gilt frame. $3000/5000 Provenance: David Knoke, Atlanta, GA; to Robert Powell Coggins Art Trust; to the Morris Museum of Art, sold to benefit future acquisitions.

902

Exhibited: “Wishful Thinking: Victorian Themes in Southern Painting”, The Fine Arts Center at Cheekwood, Nashville, TN, December 7, 1991 - February 2, 1992.

Literature: Pennington, Estill Curtis. A Southern Collection. Augusta: Morris Museum of Art, 1992, ill. pp.

88-89.

903. Clementine Hunter (American/Louisiana, 1886-1988), “Baptism”, c.

1950, oil on board, monogrammed lower right, 18 in. x 24 in., framed.

903

905

$2500/3500 Provenance: Estate of Pecan Broker, Charles and Elaine Pyle, Pauls Valley, OK; acquired from François Mignon.

904. John James Audubon (American, 1785-1851), “Mallard Duck”, Plate 221, collotype, from The Birds of America, Leipzig edition, sheet 25 in. x 38 in., attractively framed.

905. John James Audubon (American, 1785-1851), “Snowy Heron or White Egret”, Plate 242, collotype, from The Birds of America, Leipzig edition, sheet 37 in. x 25 in., attractively framed. $600/900

904

$600/900 W denotes the lot is illustrated at www.nealauction.com

165

907. Will Ousley (Georgia/Louisiana, 1866-1953), “West Fork of Calcasieu River, S.W. Louisiana”, 1939, oil on masonite, signed lower right, titled and inscribed “947” lower center, pencil signed, titled, dated and inscribed “May God bless all who buy my pictures” and artist’s biography en verso, 18 in. x 34 in., framed. $800/1200 Provenance: Descended in a Louisiana family.

908. Will Ousley (Georgia/Louisiana, 1866-1953), “Red Buds of Louisiana”, 1939, oil on masonite, signed lower right, signed, titled, inscribed “118 Belden St., Lake Charles, LA” and dated en verso, 14 in. x 29 in., framed. $700/900 Provenance: Descended in a Louisiana family.

906

907

909

908 906. Lloyd Hawthorne (American/Louisiana, 1924-2003), “View of the Louisiana State Capitol Building, Baton Rouge”, oil on canvas, signed lower right, sight 28 1/2 in. x 31 1/2 in., framed. $800/1200 Note: A native of Pineville, Louisiana, Hawthorne began his artistic career doing medical illustrations while serving in the Navy during World War II. After the war, he attended Louisiana College, receiving degrees in Fine Arts and Psychology. He worked for a number of years as a draftsman and artist for the Central Louisiana Electric Company, taking occasional breaks to go uranium prospecting and pursue graduate studies in art at L.S.U. In 1958, he left the company permanently to pursue a career as an artist.

Hawthorne is best known for his painting Captain Henry Miller Shreve Clearing the Great Raft from Red River, 1833-1838. He first proposed the topic of Shreve and the Raft as a mural for L.S.U., but the project fell through. In 1968, he received the commission for the work from the R.W. Norton Art Gallery in Shreveport where the painting remains on view today. Hawthorne’s works are also in the collections of the Louisiana Governor’s Mansion, Northwestern State University, and the Alexandria Museum of Art.

166

909. Victor Coleman Anderson (American/Texas, 1882-1937), “The Last Veteran”, oil on canvas, signed lower left, titled and inscribed “M.P. Howe Gallery” en verso, 18 in. x 14 in., period frame. $1500/2500 Provenance: Private Collection, Memphis, TN. Note: Well known painter and illustrator Victor C. Anderson studied at the Pratt Institute with landscape artist Birge Harrison in Woodstock, New York. His father Frank Anderson was a Hudson River painter, who passed away when his son was only eight years old. Anderson spent the early 1930s, living and working in Texas. As an illustrator he worked for the print publications Life, Woman’s Home Companion, Collier’s and The Ladies Home Journal.

910. Thomas Cantwell Healy (American, 18201899, active Mississippi/ Louisiana, 18431899), “Portrait of a Southern Lady”, 1863, oil on canvas, signed and dated lower left, 14 in. x 12 1/4 in., framed. $1200/1800 Note: When the Civil War began, T.C. Healy remained in the South where he was an established portrait painter among the Mississippi, Louisiana and Alabama planters. During the war years, he continued to earn portrait commissions and painted the Confederate blockade runner, “CSA Steamer Denhigh” in 1864.

The “Portrait of a Southern Lady”, painted in 1863, could either be a study for a larger portrait or a posthumous portrait, painted shortly after the death of the sitter.

910

911

911. Robert Rucker (American/Louisiana, 1932-2001), “Pirate’s Alley” and “French Quarter Street”, two watercolors on paper, each signed lower right, sight 14 in. x 5 in., matted and framed. $800/1200 912. Marshall D. Smith (American, 1874-1973), “Courtyard, New Orleans”, c.

1923, oil on board, signed lower right, titled on “Chicago Artists, Twenty Seventh Annual Exhibition, 1923” exhibition label en verso, 17 in. x 14 in., period frame.

912

913

$1000/1500

914. Roger C. Holt (American, 19051979), “Cajun Town”, c. 1950, oil on canvas, signed lower right, titled on Metropolitan Museum of Art Exhibition label en verso, 22 1/2 in. x 29 1/2 in., period frame.

913. Charles Oglesby Longabaugh (American/ New Orleans, 1885-1944), “New Orleans ‘Zoot Suit’”, 1943, watercolor on paper, initialed, dated and inscribed “C.O.L. 43 New Orleans” lower left, signed and titled on mat board, sight 7 in. x 6 in., framed.

$600/900 Exhibited: The Metropolitan Museum of Art, New York, “American Painting Today, 1950”.

$600/900

914 W denotes the lot is illustrated at www.nealauction.com

167

915

918. Alice Latimer Moseley (American/ Mississippi, 1909-2004), “Good Ole Lassies and Hot Biscuits”, 1978, oil on canvas board, signed lower right, signed, titled and dated en verso, 8 in. x 10 in., framed.

918

$800/1200 919. Colette Pope Heldner (American/New Orleans, 1902-1990), “Swamp Idyll”, c. 1950s, oil on canvas, signed lower left, titled and signed en verso, 24 in. x 30 in., wormwood frame, accompanied by a purchase letter dated 1956 from “The Little Gallery, New Orleans, LA”. $1200/1800 W 920. Will Ousley

917

(American/Louisiana, 1866-1953), “Old Cypress Tree at Ousley’s Landing at Bagdad”, signed lower right, pencil-signed, titled, inscribed and a “Self Portrait in a Palette” en verso, 24 1/2 in. x 15 1/4 in., framed. $500/800 Note: Will Ousley’s inscription en verso elaborates his thoughts on the painting,

916

“Sacred Memories: I was baptized at this place May 10th by Rev. J.A. Terry, Baptist minister, Baptist Church at Lakeview, LA., 56 years ago and still live to praise the Lord for his many blessings to me.”

915. Aaron Sopher (American/ Baltimore, 1905-1972), “View of the Washington Monument, Baltimore”, watercolor, and pen and ink on paper, signed and inscribed “Baltimore” lower left, sight 7 in. x 9 1/8 in., framed.

Sentiment of the Painter:

$150/250 916. Louis Oscar Griffith (American/Indiana, 1875-1956, active New Orleans, 19161917), “Allegorical Figure in Landscape”, watercolor on board, signed lower right, sight 13 3/4 in. x 6 3/4 in. $500/800

168

919 917. Robert Ellison Singleton (American/West Virginia, b.

1937), “Hill House”, 1967, oil and mixed media on canvas, pencilsigned and titled on label en verso, 34 in. x 50 in., framed. $700/1000

“The greatest thought that comes to me as I paint the things I see, is that it’s only God who can make a tree...

Take it from me, for this great and might tree was once a little mutt like me”.

921

922

921. Clementine Hunter (American/ Louisiana, 18861988), “Quan Quan Duck with Dock and Boat”, c. 1945-50, oil on paper, signed “Clemence” lower right, monogrammed in pencil lower left, sight 10 1/2 in. x 13 1/2 in., framed. $3000/5000 Provenance: Estate of Leo Gold, Alexandria, LA. Note: The history of Melrose Plantation, the home of Clementine Hunter, begins with Marie Therese CoinCoin, a slave born in 1742 into the household of Louis Juchereau de St. Denis, first commander of the French post at 923 Natchitoches. Notably, Marie Therese gained her freedom and became the matriarch of a Franco-American community of prominence and wealth. Her romantic involvement with the French settler Claude Thomas Pierre Metoyer produced ten children of mixed heritage. The Metoyer gens de coleur libre built an agricultural empire on Cane River. The center of the holdings was Yucca plantation, which Marie Therese acquired in 1796.

924

923. Clara Belle Owen (California/Florida, 18541955), “Nanny and Child”, oil on canvas, signed lower right, 18 in. x 13 1/4 in., period frame.

James Register was an early supporter and friend of Clementine Hunter who first met her in 1943. Almost thirty years later, in 1971, he wrote a storybook, The Joyous Coast, which was illustrated by Clementine Hunter with early works she created in the 1940s. The fable is about Cane River and its “Quan Quan ducks” and pays tribute to the legend of Melrose Plantation.

Marie Therese’s African name, Coincoin, was pronounced “quan-quan” and Register named the ducks as such to honor her legacy. Hunter’s paintings of the “Quan Quan ducks” are rare.

$500/800

References: Gilley, Shelby R., Painting by Heart: The Life and Art of Clementine Hunter, Louisiana Folk Artist, Baton Rouge: St. Emma Press, 2000. Wilson, James L., Clementine Hunter: American Folk Artist, Gretna: Pelican Publishing Co., 1988.

922. Clementine Hunter (American/Louisiana, 1886-1988), “Two Quan Quan Ducks with a Boat”, c. 1945-50, oil on paper, signed “Clemence” lower right, pencil monogrammed lower left, sight 10 1/2 in. x 13 1/2 in., framed. $3000/5000

924. American School, 19th c., “Portrait of a Boy and Girl”, 1839, oil on canvas, faintly and indistinctly signed and dated upper right, “The Gilcrease Museum, Tulsa, OK” exhibition label en verso, 39 in. x 30 in.

Exhibited: The Gilcrease Museum, Tulsa, OK, Feb. 16-April 15, 1990. $1500/2500 Note: A label affixed en verso by a conservator states an artist name and date of “C.G. Fanton 1839”.

Provenance: Estate of Leo Gold, Alexandria, LA. W denotes the lot is illustrated at www.nealauction.com

169

927. George Gardner Symons (American, 1861-1930), “Early Spring”, oil on artist’s board, initialed lower right, 8 in. x 10 in., framed. $1000/1500 928. Jerry Farnsworth (American, 1895-1982), “Remembrance of Things Past”, oil on canvas, signed upper left, titled inscribed in pen on stretcher, “Frank J. Oehlschlaeger Gallery” gallery label en verso, 24 in. x 16 in., framed. $1000/1500

925

929. Maude Schuyler Clay (American/Mississippi, b. 1953), “Dog in the Fog, Cassidy Bayou, Sumner, Tallahatchie County, Mississippi”, 1997, from Delta Land, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso, sight 11 1/2 in. x 10 1/2 in., framed.

928

$500/700 Illustrated: Cover Clay’s monograph Delta Land (Jackson: University Press of Mississippi, 1999).

926 929

930. Maude Schuyler Clay (American/ Mississippi, b. 1953), “Swamp Near Moore’s Landing, Leflore County, Mississippi”, 1997 from Delta Land, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso, sight 10 7/8 in. x 13 1/2 in., framed. $500/700 Illustrated: Clay’s monograph Delta Land (Jackson: University Press of Mississippi, 1999)

927

925. American School, 20th c., “Lighting the Way”, pastel on paper board, indistinctly signed and monogrammed with an “arrow” lower right, 11 in. x 14 1/2 in., in a Louis XVI-style carved giltwood frame. $1000/1500

930 926. Donald Deskey (American, 1894-1989), “Jersey Meadows”, 1925, oil on canvas, signed and dated lower right, titled and inscribed en verso, 13 in. x 16 1/8 in., framed. $1000/1500

170

931. Maude Schuyler Clay (American/ Mississippi, b.

1953), “Pigs, Savage, Tate County, Mississippi”, 1996, from Delta Land, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso of backing material, sight 10 1/2 in. x 13 3/8 in., framed.

936 (1 of 2)

931

$400/600 Illustrated: Clay’s monograph Delta Land (Jackson: University Press of Mississippi, 1999).

W 932. Morley Baer

(American/ California, 19161995), Group of two photographs: “Porch Detail”, 1972 and “Molera Barn, Big Sur”, 1969, silver gelatin prints, both pencil-signed lower right, titled, dated and artist’s stamp en verso, image 9 1/2 in. x 7 1/2 in; latter 7 1/2 in. x 9 1/2 in.; overall 16 in. x 14 in.; latter 14 in. x 16 in., unframed (2 pcs.) $300/500 Provenance: Collection of Artist Charles Fritchie.

933. Michael P. Smith (American/New Orleans, 19372008), “Cynthia”, 1970, silver gelatin print, titled lower left, pencilsigned and dated lower right, artist stamp en verso, image 14 in. x 11 in., unframed. $300/500 Provenance: Collection of Artist Charles Fritchie.

W 934. Timothy Cole (American,

1852-1931), “Abraham Lincoln”, 1919, wood engraving, signed in pencil and indicating “selected for Alfred H. Newburger, Esq.” lower right, sight 11 3/4 in. x 8 5/8 in., framed. $150/250 Provenance: Property Sold for the Benefit of a Private Institution.

939 933

W 937. Lamar Dodd (American/Georgia, 1909-

W 935. Manuel Joachim de

Franca (Portuguese/American, 1808-1865), “Portrait of Fannie T. Blow as a Child (1851-1885)”, 1853, oil on canvas, signed and dated lower left, sitter identified on period label affixed to stretcher and with inscription on canvas en verso, 24 in. x 20 in. oval, period frame.

Provenance: Estate of the artist; accompanied by letters of authenticity signed by Annie Laurie Dodd, widow of the artist, dated June 5, 2013.

1996), “Monhegan Island, Maine”, 1949, watercolor and ink on paper, signed and dated lower right, sheet 15 in. x 22 in.; and “Coastal Landscape”, ink and paper, unsigned, estate stamp en verso, sheet 19 in. x 24 in.; both unframed, (2 pcs.)

Provenance: Descended in the family of William Clark, Explorer and Governor of the Missouri Territories.

936. Lamar Dodd (American/ Georgia, 1909-1996), “Dry Dock, Monhegan Island, Maine”, 1947, charcoal and ink on paper, signed and dated lower left, 14 in. x 18 1/2 in.; and “Boat Landing with Palm Trees”, 1947, ink on paper, signed and dated lower right, 9 in. x 12 in., both unframed (2 pcs.)

Provenance: Estate of the artist; accompanied by letters of authenticity signed by Annie Laurie Dodd, widow of the artist, dated June 5, 2013.

$500/800

W 938. Lamar Dodd (American/Georgia, 1909-

$800/1200

$800/1200

1996), “Monhegan Island Inlet, Maine”, 1949, and “Shore, possibly Monhegan Island” 1948, ink and watercolor on paper, each signed and dated lower right, 12 1/4 in. x 19 in. and 15 in. x 22 in., framed (2 pcs.)

$300/500 Provenance: Estate of the artist; accompanied by letters of authenticity signed by Annie Laurie Dodd, widow of the artist, dated June 5, 2013.

939. Leo Meiersdorff (German/New Orleans, 1934-1994), “Patio Jazz Band”, 1982, watercolor, signed and dated lower right, “Liberty Gallery, Royal Street, New Orleans” labels en verso, sight 21 1/4 in. x 29 in., framed. $700/900 Provenance: Acquired from the Hyatt Hotel, New Orleans, LA.

W denotes the lot is illustrated at www.nealauction.com

171

942. Noel Rockmore (American/New Orleans, 19281995), “Mexican Woman”, 1963, oil on board, signed and dated lower right, “Vincent Price Collection, Sears, Roebuck and Co.” label en verso, 19 in. x 12 in., period frame: accompanied by original Sears, Roebuck and Co., Los Angeles, receipt, 942

940

943

$500/700 Provenance: Private Collector, Cocoa Beach, Florida.

943. Colette Pope Heldner (American/New Orleans, 19021990), “Patio Old Creole Courtyard, French Quarter: Series ‘Old New Orleans’, Paris of America”, oil on canvas board, signed lower right, titled on artist’s label en verso, 16 in. x 20 in., framed. $1000/1500

940. Noel Rockmore (American/New Orleans, 1928-1995), “The Intruder: The Table Series”, 1964, oil on canvas, signed, dated and inscribed “N.Y. For Antonia” upper left, 40 in. x 50 in., framed, accompanied by a January 26, 1973 letter from Larry Borenstein to Mr. and Mrs. B. B. Steiner and “The World of Rockmore” catalogue, 1967 by Alfred Werner. $2500/3500

941

941. Noel Rockmore (American/New Orleans, 1928-1995), “Antonia”, 1965, oil on canvas, signed, dated and titled lower left, 14 in. x 10 in., period frame. $1000/1500 Note: Antonia lived in New York and attracted the attention of the artist Noel Rockmore. He painted several paintings of the beautiful dark haired girl in the mid 1960s.

944

172

944. Brett James Smith (American/ Louisiana, b.

1958), “Bad Angle Buck”, 1986, oil on canvas affixed to masonite, signed and dated lower right, signed and dated en verso, 18 in. x 33 3/4 in., framed with artist plaque and title. $1000/2000

945. William Hudson (American, b.

1787), “Portrait of Susan Latham”, 1851, oil on canvas, signed, dated and sitter identified en verso, Boston canvas stamp, 27 in. x 22 in., framed. $600/900 946. Paul Bodin (American, 1910-1994), “Portrait of a Woman in a Red Dress”, c. 1940, oil on canvas, signed mid-left, 20 in. x 16 in., framed.

947

945

W 954. An English

Mahogany Medallion or Coin Cabinet, 19th c., molded top, fall-front opening to five trays, each holding ten objects, on toupie feet, height 5 in., width 16 1/2 in., depth 8 in.

$600/1000 947. Victor Dubreuil (American, 1846-1946), “Cracking the Whip”, oil on canvas, signed lower left, 16 in. x 20 in., framed.

$100/150 W 955. A Group of

$1200/1800 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. W 948. A Pair of

Engravings, “General Ulysses S. Grant (1822-1885)”, c. 1865, engraved and published by J.C. Buttre, New York, after an 1865 photograph by Frederick Gutekunst (1831-1917); and “President Abraham Lincoln (1809-1865) Surrounded by a Wreath of Oak Leaves and Acorns”, sight 7 in. x 5 in., matching frames. $300/500 W 949. A Pair of American Aesthetic

Gilt Frames, late 19th c., with ebonized and incised decoration containing lithograph portraits, sight 23 1/2 in. x 19 1/2 in., overall 32 1/2 in. x 28 1/2 in. $150/250 W 950. An Antique Copper Hot Water

Urn, spherical body with finialed cover, wire handles, tripod base, height 14 1/2 in.

946

952

W 951. A Pair of American Gilt Lacquered

Brass Girandoles, mid-19th c., probably Cornelius & Co., Philadelphia, each figural standard issuing three acanthus arms ending in candle cups, marble base, prism hung, height 18 7/8 in. $300/500 952. A Monumental Devonmoore Pottery Toby Jug, store advertising trade piece or window display, gilt and polychrome painted, height 22 in., width 15 in., depth 16 in. $800/1200

American Coin Silver Spoons, including 3 tablespoons, John Bernard Woltz (b. 1785), act. Hagerstown, MD 1806-1811, Shepherdstown (W)VA 1811-1850+; 4 teaspoons, J.W. Paxton & Son, Danville, VA wc. 1854-1865; tablespoon, probably Jehu Scott, Prince Edward Co., VA 1799-1800, Charlotte Co., VA 1800-1801, Hicksford, VA 1802-1806, Raleigh, NC 1806-1819; soup spoon, Arthur Johnston (1780-1846) act.

Hagerstown, MD 1804-1846; teaspoon, John Adam (1775-1848) Alexandria, VA, wc. 1796-1798 and 1801-1848; master salt spoon, Francois Sasseville (1797-1864) Quebec; and teaspoon marked “AB”; 12 pcs., total weight 12.30 troy ozs. $200/300

W 953. An English Ebonized and Gilt

Brass-Mounted Cigar Stand, 19th c., revolving centerpiece for matches and cigar holders, height 9 in., width 5 in., depth 5 in.

Reference: Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks, pp. 831-833, 591, 681-686, 420 and 4-10.

$100/200

$150/250 W denotes the lot is illustrated at www.nealauction.com

173

W 959. A Group of American

Coin Silver Spoons, including 3 tablespoons with twist handles, Mayer & Graffe, Fort Wayne, IN, c.

1870; 2 tablespoons, marked “Macauley”; a sugar tongs and a teaspoon, both with flower basket decoration, possibly Samuel Piggot, NY, c. 1820; a tablespoon, Cornelius Burr, Rochester, NY, wc. 1838-1863; a teaspoon, J.E. Caldwell, Philadelphia; a teaspoon marked “Holland”; teaspoon by William Wallace Willard, ret. Clark & Bro’s, Sterling, IL; teaspoon marked “Ramsey”; teaspoon marked “W.B. Hudson”; and 2 teaspoons, D.B. Hempstead wc.

New London, CT 1806-1821, Eatonton, GA 1821-1852; 14 pcs., weight 16.50 troy ozs. $150/250 W 960. A Group of Antique

961

962

$100/150

W 956. A Group of Southern Coin

Silver Spoons, including 3 variant olive teaspoons, John Mood (1792-1864), Charleston, SC wc. 1816-1864; fiddle thread sauce ladle and 2 fiddle master salt spoons, Moses Eastman (1794-1850) Savannah, wc. 1826-1850, successor to J. Penfield & Co.; fiddle thread tablespoon, Day & Maussenet, Macon, GA, c. 1850; and fiddle thread serving spoon with shellshaped bowl, Clark & Co., Augusta, GA wc.

1852-1860, successor to Clark, Rackett & Co.; together with a sterling silver fruit knife with orange and orange blossom handle, Greenleaf & Crosby Co., St. Augustine, FL wc. 1884 to present; and a sterling silver Palm Beach souvenir spoon, Dominick & Haff, New York, ret. Greenleaf & Crosby Co.; 10 pcs., total weight (weighable) 8.80 troy ozs.

961. An American Gilt Lacquered Brass and Bronze Solar Lamp, c. 1850, attributed to Starr, Fellows and Company, New York, identified as item No. 132 in the 1856 catalogue, font over baluster standard, double marble plinth, cut and etched glass shade, prism hung, electrified, overall height 18 1/2 in. $800/1200 Reference: Gowitt, Gerald 19th Century Elegant Lighting, 2002, p. 104.

$150/250 Reference: Burton, E. Milby. South Carolina Silversmiths, pp. 126131; Cutten, George Barton, The Silversmiths of Georgia, pp.

72-73 and 25-26.

963

W 957. A Group of American Coin

W 958. A Group of Small American

and Sterling Silver Flatware, all in variant “Olive” patterns, including 2 tablespoons marked “S.H. Johnson”, probably Samuel H. Johnson, Albany, NY; sauce ladle, John Cook, NY act 1869-1880, ret. Gustave Braune (1822-1898), Eutaw, AL; youth fork, George Doty wc. Buffalo, NY 1835 and Detroit, MI 1837-1880; fork, ret. Mckay, Spear & Brown, Boston, c. 18501860; a teaspoon marked “E. Smith”; 6 pcs., weight 8.65 troy ozs.

Sterling Silver Serving Pieces, early 20th c., including a bonbonniere, Roger Williams Silver Co., Providence, RI, 1900-1913, ret. J.E. Caldwell & Co., Philadelphia, 1848 to present, length 5 1/2 in.; a tea strainer, Baker-Manchester Co., Providence, RI, 1914-1930, length 4 7/8 in.; an Art Nouveau cream ladle, also Baker-Manchester Co., length 6 1/4 in.; and a candle snuffer, Webster, North Attleboro, MA, 1894 to present; total weight 3.30 troy ozs.

$150/250

174

Sheffield Plate, including a candelabrum, height 17 1/2 in., and a wirework cake basket, length 13 3/4 in.; together with a small reticulated silverplate basket, length 7 1/2 in., and a candlestick.

$150/250

962. A Pair of American or English Gilt Lacquered Brass Solar Lamps, mid-19th c., molded font with applied banding, columnar standard with Bacchic putto, plinth base, turned feet, period cut and etched glass shade, electrified, overall height 20 in. $800/1200 963. An American Glass Oil Lamp, by Hawkes, with etched floral design, now electrified, height 12 in., diameter 7 1/2 in. $400/600

964. An American Gothic Revival Gilt Metal Sinumbra Lamp, 19th c., tripartite base with knights standing in niches, electrified, height 29 in., diameter 11 in. $500/750 965. A Southern Carved Cherrywood Four Poster Bed, 19th c., the shaped headboard with a flame mahogany panel, with turned carved posts and legs, reduced in height, height 88 1/2 in., length 77 in., width 52 in. $1000/1500 966. An American Walnut Cupboard, late 19th c., Shenandoah Valley, VA, shaped backsplash, case with drawers over paneled doors, ball feet, height 41 in., width 39 in., depth 23 in.

964

965

$300/500 W 967. An

American Walnut and PaintDecorated Washstand, 19th c., Shenandoah Valley, VA, three quarter gallery, straight frieze, turned supports, stretcher shelf, “estate” condition, height 31 in., width 27 in., depth 19 in.

966

$300/500 968. An American Classical Mahogany Secretary Bookcase, c. 1830, upper case with triangular pediment, glazed doors, shelf interior; lower case with slant front, fitted interior, cupboard doors, bracket feet, casters, height 89 in., width 46 in., depth 20 in. $700/1000

968 W denotes the lot is illustrated at www.nealauction.com

175

969

970

972. A George III Carved Mahogany Tilt-Top Tea Table, late 18th c., piecrust-molded top, turned standard with a rope-twist urn, cabriole legs, “snake” feet, height 27 1/2 in., diameter 25 in. $800/1200 973. A GeorgianStyle Walnut Dining Table, 20th c., banded top, plain frieze, volute cabriole legs, paw feet, height 30 1/2 in., length 66 in., width 45 1/2 in.

971

$1500/2500

969. An American Chippendale-Style Carved Mahogany Bench, early 20th c., rectangular shell carved seat frame, shell carved cabriole legs, ball and claw feet, height 22 in., width 42 in., depth 18 in. $400/600

972

970. An American Classical Carved Mahogany Sideboard, c. 1830, backsplash flanked by cove molded pedestals with drawers and cupboards, swellfront with drawers over bottle drawers and cupboard, raised on massive paw feet, height 53 in., width 76 in., depth 27 1/2 in. $1200/1800 971. An American Classical Carved Mahogany Drop-Leaf Table, early 19th c., turned acanthine legs, casters, height 29 1/2 in., width 46 in., depth 20 1/2 in. $1000/1500

973

176

975

W 978. An

974

American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, foldover top, columnar support, incurvate plinth, acanthus paw feet, casters, height 29 in., width 36 in., depth 18 in.

974. A Set of Eight Queen Anne-Style Inlaid Walnut Dining Chairs, comprising two armchairs and six side chairs, each with shaped crest, vasiform splat, trapezoidal slip seats, cabriole legs, pad feet. $1000/1500 975. A George III-Style Inlaid Mahogany Sideboard, serpentine top, conforming case with two drawers flanked by doors, square tapered legs, spade feet, height 36 1/2 in., width 56 in., depth 21 1/2 in. $1000/1500

$500/750

977

W 979. An American Southern

Mahogany Plantation Desk, 19th c., paneled fall front with baize writing surface, interior fitted with cubbyholes, lower case with frieze drawer, turned legs, height 50 in., width 35 in., depth 19 in. Note: Condition. $300/500 980. An American Classical Carved Mahogany Sofa, early 19th c., New York, cylindrical crest rail terminating in acanthus volutes, scroll arms, shaped, blocked seat rail, outswept volute legs, paw feet, casters, height 35 in., width 94 in., depth 25 in.

980

$700/1000 W 976. An American Federal Mahogany

Secretary Desk, early 19th c., upper case with glazed doors enclosing compartments; lower case with foldover writing surface, three drawers below, turned legs. $500/750

977. An American Late Classical Mahogany Pier Table, c. 1840, shaped marble top, conforming frieze, scrolled supports, sarcophagusform plinth, scrolled feet, height 31 1/2 in., width 31 in., depth 18 1/4 in. $300/500

W 981. An American Late Victorian

Carved Walnut Davenport Desk, 19th c., pierced gallery, inset leather writing slant opening to well and compartments, four drawers on each side, trestle base, height 34 1/4 in., width 22 1/4 in., depth 24 in. $400/600

W denotes the lot is illustrated at www.nealauction.com

177

W 986. A Victorian

Parlor Dome, 19th c., with floral arrangements in Paris porcelain urn, glass dome, presented on marquetry base, height 26 1/2 in., diameter 10 1/4 in. $400/600 W 987. A Victorian

Parlor Dome, 19th c., with floral arrangements in a Paris porcelain urn, glass dome, presented on marquetry base, height 26 1/2 in., diameter 10 1/4 in.

984

$400/600 989 W 988. An American

or English Carved Mahogany Writing Chair, 19th c., spindled barrel back, scrolled arm with swivel writing surface over a drawer, saber legs. $300/500 989. An American Rococo Rosewood Grained Walnut Innovative Reclining Chair, mid19th c., stencil signed “Mitchell & Rammelsburg Sole Manufacturers of Holmes Patent Recliner Chair for the West and South, Cin. O.”, with floral carved molded crest and arms, ending in foliate carved cabriole legs, height 50 1/2 in., length 24 1/2 in., width 20 in. $700/900 991

Provenance: Neal Auction Company, December 2004, lot 946.

W 982. A William IV Mahogany Chest of

990. An English Walnut Étagère, mid-19th c., corner gallery shelf, bobbin-turned finials, conforming supports, four tiers, bottom fitted with drawer, turned feet, height 70 1/2 in., width 17 in., depth 17 in.

Drawers, c. 1840, molded top, two over three drawers, turned feet, height 41 1/2 in., width 42 1/4 in., depth 20 1/4 in. $300/500

$400/600

W 983. A Pair of American Cut Crystal

Girandoles, 19th c., panel cut prism ring, vasiform standard, with massive prisms, now mounted as table lamps, girandole height 12 1/2 in., diameter 6 1/2 in. $600/900 984. A Pair of Antique American Apothecary Jars with Stoppers, reverse painted glass labels with gilt borders, height 10 1/8 in. $300/500

178

American Apothecary Jars with Stoppers, reverse painted glass labels with gilt borders, height 8 3/4 in.

991. An English “Abolitionist” Cast Iron Table, c. 1880, circular marble top, cabriole legs with bust of Britannia and shield, circular stretcher shelf, paw feet, found in old green paint, height 29 1/2 in., diameter 27 1/2 in.

$300/500

$600/800

990

W 985. A Set of Three Antique

992. A Diminutive Antique West Indies Tropical Hardwood Armchair, in the Regency taste, tablet crest, scrolled arms, deep rounded seat rail, turned legs. $200/400 993. An Anglo-Colonial Carved Mahogany Bibliothèque, 19th c., in the Regency taste, reeded surround with lion’s mask corners, adjustable shelves, plinth with lift front compartment, turned feet, height 89 in., width 55 in., depth 13 in. $800/1200 992 994. Manner of Ernest Meissonier (French, 18151891), “French Officer, FrancoPrussian War”, oil on canvas, unsigned, “Heydenryck, New York” framer’s label en verso, 14 in. x 10 in., framed.

994

$1200/1800 Provenance: George Bastes Estate, Terrence Park, IL. 995. Manner of Ernest Meissonier (French, 18151891), “Cavalry Officer, Franco-Prussian War”, oil on canvas, unsigned, “Heydenryck, New York” framer’s label en verso, 13 7/8 in. x 10 in., framed. $1200/1800 Provenance: George Bastes Estate, Terrence Park, IL. 995

W 996. Continental School,

late 17th/18th c., “A Traveler Meeting Two Figures Before a Town”, depicting an effaced farmer upper right, oil on canvas, unsigned, 31 in. x 27 1/4 in., modern giltwood frame.

993

$250/350 997. Dutch School, 19th c., “Figures Beside a Millpond, on the Outskirts of a Village”, oil on canvas, unsigned, former owner label en verso, 21 1/2 in. x 27 1/8 in., antique gilt frame. $1200/1800 W 998. Continental School (Eastern European), possibly 19th c., “Last

Supper”, egg tempera on wood panel, 10 1/4 in. x 23 1/2 in. $400/600 997 W denotes the lot is illustrated at www.nealauction.com

179

1002

W 1003. A Group of Nine American School

Etchings, including: William Bicknell, “Afternoon Sun”, 1920; Ann Lea Merritt, “Portrait of the Artist Frank Duverneck”, 1879; Will Rowland Davis, “Untitled (Fisherman)”; George Taylor Plowman, “Untitled (Street Scene with Steeple)”; James Smillie, “Golden Gate from Telegraph Hill”, 1873; Marcel Vertes, “Nana (Emilie Zola)”; Melville Wire, “The West Shore”, 1948 and “The Deserted Barn”, 1947; Charles Woodbury, “Sea Pasture”, 1936; sight 6 in. x 9 in. to 9 in. x 11 in.; together with a signed copy of George T. Plowman, Manual of Etching.

999

999. An Aesthetic-Style Gilt Bronze and Alabaster Hall Lantern, foliate corona, scrolled chains, compressed globular shade, height 33 in., diameter 13 in. $600/900 1000. An Empire-Style Marble and Brass-Mounted Floor Lamp, fluted shaft, urn form base with coq term legs, ending in claw feet, incurvate triangular base, height 64 in., width 12 in.

$500/700 W 1004. A Group of Nine American School

Etchings, including: John Taylor Arms, “The Piazza, Venzone”, 1931, and “Untitled (Half Timber Building)”; Samuel Chamberlain, “Cour du Marche-Bruges”; Louis Conrad Rosenberg, “Dinkelsbuhl House”, 1928; Diane Thorne, “Pistache ans Munchen”, and “Even Money”; John C. Vondrous, “Bruges”, 1922, and “Malineo”, 1920; William Auerbach-Levy, “The Fur Cap”; together with an original pen and ink sketch for “The Fur Cap”, plate 7 in. x 5 in. to 11 in. x 9 in., unframed (10 pcs).

1000

$350/450 1001. A Pair of French Gilt Bronze and Champlevé Seven-Light Candelabra, vasiform standard, issuing foliate supports, the base cast with reserves of floral sprays, height 24 in., diameter 14 in. $800/1200

$500/700 1002. A Pair of Renaissance-Style Gilt Bronze Covered Urns, with a continuous frieze of a Bacchanalian parade, flanked by cherub handles, height 15 1/2 in., width 7 1/2 in., depth 6 in. $1000/1500

180

W 1005. Louisiana School,

1001

19th c., “Live Oak Tree”, oil on academy board, inscribed en verso, 9 1/4 in. x 11 1/4 in., framed. $400/600

W 1006. Charles de Wolf Brownwell

(American, 1822-1909), “A Louisiana ‘Pine Woods Cottage’, G.W. Compton’s Rapides Parish”, graphite on paper, initialed lower right and titled lower center, sheet 8 1/2 in. x 13 1/8 in., unframed. $250/350 W 1007. [Louisiana Books], three titles

including: Lemmon, Alfred; John Magill and Jason Wiese, Charting Louisiana, Five Hundred Years of Maps, New Orleans, The Historic New Orleans Collection, 2003, first edition, all edges gilt, silk bookmarks, with slipcase; Brady, Patricia, Louise Hoffman and Lynn Adams, Complementary Visions of Louisiana Art, The Laura Simon Nelson Collection..., New Orleans, The Historical New Orleans Collection, 1996, # 28 of 60 limited edition, with slipcase; and Lawrence, John and Patricia Brady, Haunter of Ruins, The Photography of Clarence John Laughlin, Little, Brown and Company, 1997, with slipcase.

1009

1015

W 1012. A Limoges Porcelain Partial

Luncheon Service, in the “Vase Etrusque” pattern, including 12 soup plates, 11 luncheon plates, 11 salad plates and 12 bread and butter plates, luncheon plate diameter 9 in.

$600/900

$500/700

W 1008. Northup,

Solomon, Twelve Years a Slave, Narrative of Solomon Northup, A Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1853, From a Common Plantation Near the Red River, in Louisiana, Auburn: Derby and Miller, 1853, third printing.

W 1013. Continental School, 20th c.,

“Expansive Mountain Landscape”, oil on masonite, unsigned, 12 in. x 20 in., framed. $300/500 W 1014. An Edwardian Carved Mahogany

and Marquetry Chaise Longue, c. 1900, padded back and arms on pierced supports with satinwood and ivory inlaid rosewood panels, cabriole legs, height 30 1/2 in., width 64 in., depth 21 1/2 in. Note: Lacking casters.

$600/900

$400/600

1009. Toole, John Kennedy, A Confederacy of Dunces, Baton Rouge and London, Louisiana State University Press, 1980, first edition, third printing, signed by Walker Percy, beige cloth, with dust jacket.

1015. A Chippendale-Style Carved Mahogany Tilt-Top Tea Table, 19th c., piecrust-molded top, vasiform support, arched legs, claw and ball feet, height 29 1/2 in., diameter 30 1/2 in.

$700/1000 W 1010. A Decorative Cast Stone

Figure of a Male Nude Torso, loosely styled after Antiquity models, mounted on a concrete base, overall height 18 1/4 in. $400/600

1016

W 1011. Jean-Louis Grégoire

(French, 1840-1890) “L’Innocence”, Sèvres polychrome bisque porcelain bust, after the young water carrier from Jean-Baptiste Greuze’s famous painting “La Cruche Cassée”, 1772-1773 later converted into a lamp, Sèvres mark and “Grégoire” inscribed on reverse truncation, mounted on a gray agate and wood pedestal height 18 5/8 in.

$400/600 1016. A French Provincial Carved Mahogany Armoire, 19th c., molded cornice, paneled frieze centering a heart, arched paneled doors, shelf interior, shaped apron, cabriole legs, scroll feet, height 101 in., width 71 1/2 in., depth 30 1/2 in. $1200/1800

$150/300 W denotes the lot is illustrated at www.nealauction.com

181

1024

W 1021. A French Stenciled

Red Tôle Peinte Student Lamp, urn font surmounted by pineapple finial, arm with cylindrical burner and shade, electrified, height 18 3/4 in.

1018

$200/300 1022. An American Brilliant Cut Glass Punchbowl on Stand, 19th c., with star and strawberry patterns, height 12 1/2 in., diameter 12 in. $500/700 1022 1023. A Pair of Cut Glass Photophores, baluster form shade with floral decoration, paneled shaft, stepped plinth base, height 16 1/2 in., diameter 7 1/2 in.

1025

$400/600 1024. An American Classical Carved Giltwood Overmantel Mirror, early 19th c., divided mirror plate, split baluster frame, rosette blocks, height 17 3/8 in., width 40 3/8 in.

W 1017. A George III Inlaid Mahogany Linen

Press, late 18th/early 19th c., broken arch pediment, dentil molded frieze, paired doors enclosing linen trays, two over two banded drawers, shaped bracket feet, height 92 in., width 48 in., depth 24 1/2 in. Note: Condition. $500/750 1018. An Antique Italian Renaissance-Style Carved Walnut Savonarola Armchair, early 19th c., arched crest rail, shaped seat, curule legs, shaped stretchers. $300/500 W 1019. A French Aubusson Silk and Wool

Tapestry Chair Seat Cover, 19th c., olive ground reserved with floral bouquet, overall length 21 in., width 21 in. $200/400

182

$400/600 1023

W 1020. A Louis XV Needlepoint

Chair Seat and Back, 19th c., beige silk ground with wool foliate swags and floral branches in shades of green, professionally backed, overall seat length 26 in., width 29 in., back length 19 in., width 16 in. $250/350

1025. An American Renaissance Carved Oak Mirror, late 19th c., arched crest centering an angelic bust, scrolled foliate surround with rosette blocks, height 49 in., width 54 1/4. $500/750

1026. A Louis XVIStyle Gilt Bronze and White Marble Mantel Clock, late 19th c., movement stamped “SH/Paris”, flower draped urn surmounting painted enamel dial centered by Corinthian columns, molded base, toupie feet, height 19 1/4 in., width 11 1/4 in., depth 5 1/4 in. $300/500 1027. A Pair of American Aesthetic 1026 Carved and Ebonized Side Chairs, attributed to Allen & Bro., Philadelphia, late 19th c., flaming urn finial, crest flanked by dragon brackets, octagonal padded back, seat rail with rosette blocks, square tapered legs, casters.

1027

$400/600 Provenance: Ex-Collection John W. Keefe, New Orleans.

W 1028. A Pair of American Late Classical

Carved Mahogany Side Chairs, early-to-mid 19th c., New York, each with gothic arch crest, vasiform splat, serpentine seat rail, saber legs.

Note: “Estate” condition. $200/300 1029. An American Late Classical Carved Mahogany Sofa, mid-19th c., paneled crest rail terminating in foliate scrolls, arms with volute acanthus, bracketed paw feet, casters, height 37 in., width 72 in., depth 21 1/2 in.

1029

$500/800 1030. An American Queen Anne-Style Maple Day Bed, early 20th c., in the Massachusetts manner, adjustable caned back with yoke crest rail over vasiform splat, stiles surmounted by ovoid finials, rectangular caned seat, turned legs terminating in square pad feet, vase and ring-turned stretcher, height 41 1/2 in., width 69 in., depth 24 in. $300/500

1030

1032

W 1031. An English Pine Chest

of Drawers, 19th c., two over three drawers, bracket feet, height 39 1/4 in., width 39 in., depth 20 in.

1032. A Good English Walnut Drop-Leaf Dining Table, 19th c., straight frieze, chamfered legs, height 28 1/2 in., open width 56 1/2 in., depth 43 1/2 in.

$200/300

$400/600 W denotes the lot is illustrated at www.nealauction.com

183

1036

1037

1036. A Louis XV-Style Carved Walnut Settee, 19th c., floral cartouche crest, padded arms, serpentine seat rail, cabriole legs, height 41 in., width 71 1/2 in., depth 23 1/2 in.

W 1033. A Pair of American

Queen Anne-Style Carved Mahogany Side Chairs, early 20th c., in the Massachusetts manner, yoke crest rail, vasiform splat, slip seat, cabriole legs, claw and ball feet, turned stretchers.

$400/600

$200/400

1037. A Pair of Louis XV-Style Carved Walnut Fauteuils, 19th c., en suite with preceding lot.

W 1034. A Pair of Louis XV-Style

Gilt Bronze-Mounted Kingwood Semainiers, early 20th c., marble top, five drawers, cabriole legs, height 40 in., width 16 in., depth 13 in.

$400/600 W 1038. A Pair of Louis XV-Style

Carved Walnut Chaises, 19th c., en suite with preceding lots.

$500/700

$250/500

1039

1039. A French Walnut Washstand, 19th c., galleried marble top, two over two drawers, plinth base, turned feet, height 35 in., width 34 3/4 in., depth 18 1/2 in. $600/900

1040

W 1035. A Pair of Louis XV-Style Carved, Crème Peinte and

Parcel Gilt Bergères, late 19th/early 20th c., shaped floral carved crest rail over padded back, channeled arms above downswept supports, serpentine seat rail, cabriole legs terminating in acanthus carved feet. Note: Later paint and gilding. $500/700

184

1041

1040. An American Renaissance Carved Mahogany Armchair, mid-19th c., New York, probably Gustave Herter, arched crest centered by a cabochon, padded arms, rosette blocks, toupie feet. $400/600

1041. An American Aesthetic Carved Cherrywood Sofa, late 19th c., openwork swan crest, spindled rail, beehive finials, ring turned stiles and legs, height 57 3/8 in., width 62 in., depth 27 in. $700/1000 Provenance: Removed from a lodge in North Carolina.

1045

W 1042. A Gilt Decorated Black Lacquered Coffee Table, of

Chinese inspiration, inset marble top, waisted frieze, square legs, scroll feet, height 19 in., diameter 36 in. $200/400 W 1043. Three American Aesthetic Gilded Bamboo-Turned

Side Chairs, late 19th/early 20th c., each with variously reticulated backs, shaped seats, conforming turned legs, stretchers. $200/300 1048

W 1044. An American Renaissance Rosewood Bedside

Commode, mid-19th c., marble top, single drawer over door, molded base, height 29 in., width 16 in., depth 19 in. $200/400 1045. A Renaissance Revival Carved Walnut Server, mid 19th c., two frieze drawers flanked by wolf heads, two doors below with trophée panels, height 41 in., width 53 in., depth 24 in. $500/750 Provenance: Sold for the Benefit of the Dominican Sisters of Peace.

W 1046. An American Bentwood and Wicker Rocking

Chair, late 19th/early 20th c., probably Heywood-Wakefield, MA, back with scrolls, caned trapezoidal seat, scrolling arms, turned bulbous legs. $200/400

W 1049. An American Rococo Carved Mahogany Child’s

Rocking Chair, mid-19th c., molded shaped back, scrolled arms, serpentine seat, turned legs, rockers. $400/600 W 1050. An American Classical Carved Mahogany

Bookcase, 19th c., upper case with molded cornice over glazed doors, lower case with a drawer over paneled doors, height 89 1/2 in., width 43 1/2 in., depth 13 in. Note: “As is”, heavily modified. $300/500 W 1051. A Pair of Diminutive American Walnut Faux Bois

Chairs, late 19th c., shaped splat, trapezoidal cane seat, turned legs, turned stretcher. $150/250

W 1047. An American Victorian Carved Walnut Dressing

Chest, late 19th c., shaped mirror, scrolling supports with candleshelves, white marble top over drawers, shaped bracket feet, height 83 in., width 41 3/4 in., depth 19 in. $500/800

W 1052. An American Rococo Carved Walnut Dressing

Chest, mid-19th c., arched mirror, scrolled supports, candleshelves, white marble top over three drawers, bracket feet, height 83 1/2 in., width 42 1/2 in., depth 18 1/2 in. $400/600

1048. An American Rococo Carved Walnut Tester Bed, mid19th c., flared tester on turned posts, headboard with arched foliate crest, broken arch footboard, shaped rails, height 93 in., length 74 in., width 56 in. $1200/1800

W 1053. An American Gothic Carved Mahogany Hall Chair,

late 19th c., arched tracery back, spool-turned uprights and legs.

Note: Lacks casters. $150/250

W denotes the lot is illustrated at www.nealauction.com

185

1054 (1 of 2)

1054. A Pair of American Renaissance Carved and Burled Walnut Sofas, c. 1875, shaped back centered by a cartouche, low rounded arms, conforming seat rail, turned feet, height 40 in., width 69 1/2 in., depth 24 in.

1055 (1 of 2 pieces)

1059. Anita BuchererGodeffroy (German/ French, b. 1902), “El Paradiso”, 1975, oil and ink on board, signed and dated lower right, sight 17 in. x 13 1/4 in., framed.

$800/1200 1055. An 1057 American Renaissance Carved and Burled Walnut Bedroom Suite, c. 1870, comprising a bedstead and mirrored dresser, arched paneled headboard flanked by columns, conforming footboard, paneled rails; the associated dresser with arched mirrored back, candle shelves, marble top above three drawers, molded base, blocked feet, bedstead height 89 in., length 76 1/2 in., width 58 in.; dresser height 86 1/2 in., width 46 in., depth 19 1/2 in.

$500/700 W 1060. A Kerman

$1000/1500

1059

Rug, central red ground with medallion and spandrels, stylized floral borders, 10 ft. 2 in. x 15 ft. 8 in. $800/1200

W 1056. An American Eastlake Incised Walnut Mirror, late

19th c., height 45 in., width 26 1/2 in.

W 1061. A Kirman Carpet, 20th c., with all-over stylized vining

$200/400

floral design, 4 ft. x 6 ft. 10 in. $400/600

1057. A Rococo-Style Carved and Gilt Mirror, reticulated foliate surround, beveled mirror plate, height 50 in., width 40 in.

W 1062. A Persian Mahal Carpet, large leafy patterns on dark

$600/900

blue ground with red borders, 10 ft. x 6 ft. $500/700

W 1058. Continental School, “Ode to a Grecian Urn”, oil on

canvas relined on burlap, inscribed “Jacques Lamy, Dallas” en verso, 48 in. x 32 in., unframed. $500/750

W 1063. A Pair of Louis XVI-Style Patinated and Gilt

Bronze Three-Light Sconces, backplates with flaming urns, stiff leaf decoration, bud pendants, electrified, height 28 in., width 10 1/2 in., depth 10 in. $500/700

186

1064. A Continental Bronze Figural Group, early 20th c., after Claude Michel Clodion’s “La Famille” (Joy), inscribed “Clodion” on selfbase, mounted on a red marble base, overall height 16 1/2 in., width 10 1/2 in., depth 8 1/2 in. $1000/2000 1065. A Pair of Louis XVIStyle Carved Giltwood Mirrors, floral crest, circular mirror plates, beaded laurel leaf surrounds, beribboned spray pendants, later gilt surface, height 54 in., width 34 in., depth 6 in. $2000/3000 1064

W 1066. A Chippendale-

Style Carved Mahogany Library Armchair, square back, padded arms, Marlborough legs, stretcher.

1065 (1 of a pair)

$250/500 1067. Colette Pope Heldner (American/New Orleans), “Swamp Idyll”, oil on canvas, 24 1/4 in. x 30 in., framed. $1000/1500 W 1068. Evelyn Ruth Ivey Peake

(American/Tennessee, 20th c.), “Bedouin Musician”, 1929, oil on canvas laid on board, signed and dated lower right, pencil-signed and Spivy-Johnson Art & Frame Co., Birmingham, Alabama label en verso, 21 1/2 in. x 20 1/4 in., framed. $300/500

1067

Note: Evelyn Ruth Ivey Peake was the daughter of Dr. B.P. Ivey, owner and founder of Ivey Medicine Company of Memphis, Tennessee.

W 1069. American School, 19th

c., “Portrait of Mother and Daughter”, oil on canvas, unsigned, 34 1/2 in. x 26 in., framed. $400/600 Provenance: A Louisiana Estate.

1071

W 1070. Billy Grout (American/

Louisiana, 1921-1996), “Old Acadian Home”, mixed media on paper, titled and signed lower left, artist stamp en verso, sheet 20 in. x 24 in., unframed. $400/600 Provenance: Collection of Artist Charles Fritchie.

1071. Colette Pope Heldner (American/New Orleans, 1902-1990), “Old Creole Patio, French Quarter, New Orleans”, oil on canvas, signed lower left, signed and titled with artist’s card en verso, 36 in. x 20 in., framed. $800/1200 Provenance: Private Collection in Port Neches, Texas.

W 1072. Nell Pomeroy O’Brien (American/New

Orleans), “Still Life with Flowers in Vase”, oil on canvas, unsigned, 14 in. x 9 1/2 in. $150/250

W denotes the lot is illustrated at www.nealauction.com

187

W 1078. Carlo Suares (France/

Egypt, 1892-1976), “Abstraction”, 1959, oil on canvas, signed and dated lower right, 25 1/2 in. x 19 3/4 in., framed. $200/300 Note: Born in Alexandria, Egypt, Suares studied in Paris at the École des Beaux Arts 1910-1914, served in the Italian army in World War I, and received a diploma in architecture in Paris in 1920. A practicing architect, Kabbalah author, and art theorist, Suares participated in international art exhibitions sponsored by the French government after World War II. 1079. Ira Upin (American, 20th c.), “No Escape”, 1973, acrylic on canvas, signed and dated lower right, signed, dated and label with title en verso, 77 in. x 77 in., framed.

1076

$800/1200 Provenance: Collection of Artist Charles Fritchie.

Note: Nationally acclaimed artist, Ira Upin participated in the 16th Annual “No Dead Artists National Juried Exhibition of Contemporary Art”, Jonathan Ferrara Gallery, New Orleans, 2012.

1077

W 1080. R. Scott

Baltz (American, b.

1961), “Movement in Moonlight”, 2005, oil on masonite, signed, titled and dated en verso, 20 in. x 24 in., artist painted frame.

1079

W 1073. Stig Marcussen (Mississippi/New

Orleans, b. 1960), “Box Cars, New Orleans”, 1991, acrylic on canvas, signed and dated lower right, signed, dated and inscribed “New Orleans” en verso, 20 in. x 30 in., framed. $300/500 Provenance: Collection of Artist Charles Fritchie.

W 1074. Stig Marcussen (American/New

Orleans, b. 1960), “Crow, Crabs and Sugar Cane”, pen and ink laid down on card, unsigned, 23 in. x 35 in., framed.

1081

$800/1200 1076. New Orleans School, 20th c., “Zulu Parade at St. Charles Ave and Canal Street”, oil on canvas, unsigned, 41 3/4 in. x 47 3/4 in., framed. $300/500 Provenance: Collection of Artist Charles Fritchie.

$300/500 Provenance: Collection of Artist Charles Fritchie.

W 1075. Stig Marcussen (Mississippi/New

Orleans, b. 1960), “Marsh and Shrimp Boats”, 1991, acrylic on canvas, signed and dated lower left, 24 in. x 18 in., framed. $250/400 Provenance: Collection of Artist Charles Fritchie.

188

1077. Charles Fritchie (American/ New Orleans, b.

1936), “Pensive, Standing Male Nude”, 2002, bronze, height 28 1/2 in. $700/900 Provenance: Collection of Artist Charles Fritchie.

1081. Gene Davis (American/ Washington D.C., 1920-1985), “Tarzan, Portfolio Series #1”, 1971, silk screen on linen, unsigned, “Henri Gallery, Washington, DC” label with title, edition “139/150”, date and media en verso, 24 in. x 30 in., framed. $800/1200 Provenance: Collection of Artist Charles Fritchie.

W 1082. S.A. Scott

(American, 20th c.), “Sundown”, 1974, acrylic on canvas, signed and dated lower left, signed, titled, dated and inscribed “Sterns #11” en verso, 24 in. x 22 in., artist embellished frame. $250/350 Provenance: Collection of Artist Charles Fritchie.

1083. Richard Childers (American/Texas, 20th c.), “Untitled: Abstraction”, 1973, acrylic on canvas, signed and dated en verso, partial “Galerie Simone Stern” label en verso, 66 in. x 63 in., unframed.

1083

$800/1200 Provenance: Collection of the Artist Charles Fritchie.

1088

1084. Richard Childers (American/Texas, 20th c.), “Abstraction in Red, Blue and Cream”, acrylic on canvas, signed en verso, 64 in. x 64 in., unframed.

W 1086. Bruce Davenport Jr. (American/

New Orleans, b. 1972), “L.E. Rabouin High School Falcons Marching Band, New Orleans, LA: The Game Has Changed, I See you Looking”, 2010, marker on paper, signed and dated lower right, initialed lower left, titled lower center, upper right and left, 19 in. x 25 in., unframed.

$800/1200 Provenance: Collection of Artist Charles Fritchie.

Note: In 1978, Richard Childers and fellow artist Will Hipps founded the 500 Exposition Gallery in the Deep Ellum area of downtown Dallas.

Located in an old tire factory, the gallery provided established and emerging artists a place to exhibit, and today is Dallas’ oldest artist run cooperative gallery.

$400/600 W 1087. Bruce Davenport Jr. (American/

1084

W 1085. Bruce Davenport, Jr. (American/New Orleans, b.

1972), “T.D.B.C. (Taurus Da Bull Creations) Presents ‘The Yellow Bull’ R.I.P. J.F.K. H.S; The Game has Changed, I See You Looking, Move Over Rover Series”, 2011, marker on paper, signed, dated and inscribed lower right, signed lower center, titled lower left and upper right and left, 19 3/4 in. x 27 1/2 in., unframed. $500/800 Note: Born at Charity Hospital, Bruce Davenport Jr. grew up in the Lafitte Housing project in the 6th Ward of New Orleans. As a student at Joseph S. Clark High School, Davenport became intrigued with the school’s marching band. In response to Hurricane Katrina, Davenport began a series of works that celebrated the marching bands of New Orleans’ schools, many of which never reopened after the storm. According to the artist, “The marching bands are a passion to me. I love the history and culture... My work serves as an illustrative reminder of an activity that not only encourages creative thought processing but also engages youth with the community and with each other...I recreate their vibrant pageantry...hopefully leaving behind a sacred reminder of a vibrant part of my hometown’s identity.”

Reference: “Bruce Davenport Jr.” Arthur Roger Gallery. Web. 15 May 2014.

New Orleans, b. 1972), “T.D.B.C. (Taurus Da Bull Creations) Presents The Blue R.I.P. Schools Closed After Katrina, 05, J.F. Kennedy, Lawless, A.J. Bell Jr. High, A Louisiana Icon; The Game Has Changed, I See You Looking, Move Over Rover Series”, 2011, marker on paper, signed and dated lower right, signed lower center, titled lower left and upper right, 6th Series, 19 3/4 in. x 27 1/2 in., unframed. $500/800 1088. Evert Witte (Dutch/New Orleans, b. 1951), “B. Extension”, oil on canvas, monogrammed lower right, titled on stretcher and on “Cole Pratt Gallery” label en verso, 68 in. x 48 in., unframed. $1800/2500 W 1089. Melba Dukes Gianelloni (American/New Orleans,

1914-2012), “French Quarter Courtyard” and “Flowers”, two oils on masonite, both signed lower left, 24 in. x 18 in., framed alike. $400/600 W 1090. Larry Connatser (American/Georgia, 1938-1996),

“Mountainous Landscape”, 1994, acrylic on wood, signed and dated lower right, 24 in. x 47 7/8 in., unframed. $300/500 Provenance: Gift of the Estate of the Artist. Sold to Benefit the Acquisition fund for the Morris Museum of Art, Augusta, Georgia W denotes the lot is illustrated at www.nealauction.com

189

W 1097. American School

(probably School of New York), mid-20th c., “Crouching Figure” and “Two Men”, two screen prints, each indistinctly signed and numbered 9/20, sight 15 1/4 in. x 12 1/2 in. framed alike (2 pcs.) $200/300 W 1098. A Group of Six

1095

1091. Larry Connatser (American/Georgia, 19381996), “A Couple”, acrylic on wood, unsigned, 80 in. x 28 in., framed.

Antique Parian Figures of Dogs, 19th c., including a pair of whippets, a pair of polychrome whippets, a dog holding a cornucopia, and a mastiff on rocaille base; mastiff height 7 in., width 12 in., depth 6 1/2 in. $400/600

$500/700 Provenance: Gift of the Estate of the Artist. Sold to Benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. W 1092. Larry Connatser (American/Georgia,

1938-1996), “Untitled: The Town (painting en verso)”, acrylic on masonite, unsigned, 48 in. x 48 1/2 in., unframed. $300/500 Provenance: Gift of the Estate of the Artist. Sold to Benefit the Acquisition Fund for the Morris Museum of Art, Augusta, Georgia 1091

W 1093. Michael Powers (American, late 20th

c.), “Dry Dock”, 1978 and “Gas Pump: Filling Station”, two watercolors on paper, the first dated and both signed lower right, sight 13 1/4 in. x 10 in., and 13 in. x 15 in., framed, (2 pcs.) $300/500 1094. Emil Eugen Holzhauer (Georgia/Florida, 1887-1986), “The Salvatore, Valparaiso”, 1965, oil on masonite, signed and dated lower left, 27 in. x 14 in., unframed. $500/750 Note: Emil Holzhauer continued to paint after he retired to Niceville, Fl in 1953.

W 1099. A Group of Five

Continental Porcelain Portrait Plates, early 20th c., marked “Silesia”, depicting men in uniform; together with another portrait plate in another pattern, also marked “Silesia”, diameter 9 3/4 in. $200/400 W 1100. A Group of Six

Porcelain and Brass Tie Backs, 19th c., one pair with double layer petals and gilt highlights, cast brass curtain hook with oak leaves and acorns, length 6 1/2 in.; second porcelain pair with gilt highlights, diameter 3 1/2 in.; other pair mounted on turned wood plaques, diameter 4 1/2 in. $200/400 W 1101. A Pair of American

Black Painted Carriage Lanterns, fitted with beveled glass, electrified, height 31 in., diameter 6 1/2 in. Note: Weathered surface. $300/500

1095. Emil Eugen Holzhauer (Georgia/Florida, 1887-1986), “Docks at Carrabelle, Florida”, oil on masonite, signed upper left, signed and titled en verso, 24 in. x 32 in., unframed. $300/500 W 1096. A Clover Leaf Shaped Upholstered

Ottoman, 20th, on casters, height 18 in., diameter 39 in. $300/500 1094

190

W 1102. Emil Eugen Holzhauer

(Ameircan/Florida, 1887-1986), “Zimpan, Mexico” and “Mexican Thatch Roof”, both 1950, two oils on masonite, both signed and dated lower right, 19 1/2 in. x 25 in. and 18 1/2 in. x 24 in. respectively, unframed. $250/350

1103. Emil Eugen Holzhauer (American/Florida, 18871986), “Boats Docked, Carabelle, Florida”, oil on masonite, signed lower right, titled and signed en verso, 24 in. x 34 in., unframed.

W 1111. An American

Renaissance Carved Walnut Doll’s Bedstead, late 19th/early 20th c., shaped headboard with foliate crest and central painted panel, shaped footboard, straight rails, headboard with incised “37” en verso, accompanied by bedding and doll.

$800/1200 1104. Emil Eugen Holzhauer (American/Florida, 18871986), “North American and Latin American Views”, c. 1965, a collection of 13 watercolors on paper, 4 painted en verso, all signed, some dated, 21 in. x 14 1/2 in. to 22 in. x 31 1/2 in., all unframed, (13 pcs.)

$150/250 W 1112. Josef Eidenberger

(Austrian, 1899-1991), “New Orleans Street Car”, color etching, pencil-signed lower right, sight 12 in. x 13 5/8 in., framed.

1103

$150/250

$600/800 W 1113. Harriette Prevatte W 1105. L.C.Y. Orgeron (American/

(American/New Orleans, b. 1947), “Royal Street Promenade”, 1977, handcolored lithograph, pencil-signed, titled, dated and numbered “60/1000” along bottom, signed and dated in plate lower left, sight 18 in. x 24 in., framed.

Louisiana, Contemporary), “New Orleans House in Moonlight” and “New Orleans House at Dusk”, 2000, two watercolors, both signed and dated lower right, sight 18 in. x 13 in., framed.

(2 pcs.)

$150/250

$200/400 W 1114. A Large Rare Antique W 1106. Brad Reynolds (American/

New Orleans, Contemporary), “Jazz Club”, 2002, oil on canvas, signed and dated lower left, 16 in. x 20 in., framed.

German Teddy Bear, early 20th c., possibly mohair, with orange glass eyes, dipped muzzle, black stitched nose and mouth, swivel head, growler, mechanical arms and legs, height 27 in.

$200/400

$600/900

W 1107. Polly M. (American/

W 1115. Philip Kappel (American/

Louisiana, 20th c.), “Washday” and “Picking Cotton”, two acrylics on canvas, signed lower right and left respectively, each signed en verso, 8 in. x 10 in., framed. (2 pcs.)

New Orleans, 1901-1981), “Secluded Patio, New Orleans”, lithograph, pencilsigned and titled, plate 9 1/2 in. x 9 1/2 in., unframed.

$400/600

$100/200

1104 (2 of 13)

W 1116. A Pair of American Cast W 1108. Ernest Brown (New

Orleans, Contemporary), “Second Line Parade”, 2008, charcoal on paper, initialed “EB” and dated lower right, sight 34 3/4 in. x 22 3/4 in., framed.

Iron Figural Andirons, 19th c., in the form of “Jolly Figures”, splayed leg stance, billet bars, height 18 1/2 in., width 12 in., depth 26 1/2 in. $150/250

$200/400 W 1117. An American Carved Mahogany Shaving Mirror, W 1109. A Vintage American Pinball Machine, mid-20th c.,

“Line Drive”, made by Williams Electronics, Chicago, IL, baseball game, the player touching a button to hit the ball at various targets, height 74 1/2 in., length 61 in., width 27 1/2 in. $400/600 W 1110. A Vintage American Pinball Machine, late 20th c.,

“Eight Ball Deluxe”, Bally Mfg. Corp., Bensenville, IL, the playing surface having a theme of cowboys and women in a pool hall, height 69 in., length 51 1/2 in., width 28 in.

19th c., arched mirror, turned uprights, molded plinth, shaped feet, height 22 in., width 18 in., depth 9 in. $150/250 W 1118. An American Patinated Metal Three Piece Clock

Garniture, c. 1890, Ansonia Clock Co., in the Renaissance style, the figures depicting a cavalier and men in armor, clock height 21 in., width 19 in., depth 8 1/2 in., figures height 22 in. $500/700

$400/600 W denotes the lot is illustrated at www.nealauction.com

191

W 1119. An American Ansonia

W 1126. A Chinese Export Canton

W 1130. A Chinese Export Famille

“Curfew” Clock, late 19th c., gilt metal and ebonized case, the movement striking bell suspended by an arch, brass repoussé dial, height 18 in., width 11 in., depth 4 1/2 in.

Famille Rose Porcelain Vase, 19th c., baluster body with applied dragons and lion-dog handles, decorated with alternating figural and floral panels on a floral ground, height 10 1/4 in.

$500/700

$150/250

Rose Porcelain Covered Creamer, 18th c., pear form body decorated with figural panels, conforming finialed cover, height 5 1/8 in.; together with a Chinese Export famille rose porcelain dish, 18th c., central figural medallion encircled around the rim with floral sprays, diameter 8 7/8 in. Note: Restoration; and two Chinese Export Porcelain serving dishes, 19th c., each of lobed lozenge form with splayed foot, one blue and white with landscape decoration; the other famille rose with floral decoration, height 2 5/8 in., width 10 5/8 in.

W 1120. An American

Carved Walnut Eight-Day Shelf Clock, c. 1850, by Eli Terry, CT, floral painted wood dial, over églomisé and foil backed panel, height 33 in., width 17 1/2 in., depth 4 1/2 in. $300/500

$300/500 W 1121. An American W 1131. A Group of

Carved and Inlaid Mahogany Shelf Clock, 19th c., dome form, with string and patera inlay, striking gong movement, height 12 in., width 8 3/4 in., depth 5 in. $200/300 W 1122. Two American Brass Ship’s

Clocks, including a Chelsea Ship’s Bell dial, diameter 5 1/4 in.; a Seth Thomas “Helmsman” model, diameter 4 in.; together with a brass and wood ship’s wheel, diameter 15 in. $300/500 W 1123. Three Chinese Carved

Hardwood Stands, 19th c., one hexagonal with mother-of-pearl inlay, low shelf; one in the form of a garden seat, inset marble “as is”; the third of square form, inset marble “as is”, height 21 in., width 19 in., depth 19 in; height 19 1/2 in., width 16 1/2 in., depth 15 in.; and height 18 in., width 14 in., depth 14 in., respectively. $250/500 W 1124. A Life-Size Asian Ebonized

Carved Wood Figure, standing male figure carved in full armor, height 72 1/2 in., width 30 1/2 in., depth 15 in. $600/800 W 1125. A Set of Seven Chinese

Export Famille Rose Porcelain Dishes, 19th c., each with a central bird and flower medallion surrounded by alternating figural and floral panels, height 1 in., diameter 9 3/4 in. $400/600

192

1132

W 1127. A Pair of Chinese Export

Famille Rose Porcelain Tankards, 19th c., cylindrical body, the first enameled with a figural reserve on a blue fish roe ground strewn with butterflies and flowers, height 4 7/8 in.; second decorated with a rocky landscape, height 4 1/2 in.

Chinese Famille Rose Porcelain Tea Cups, 18th c. and later, two with figural decoration, one with floral decoration and one with antique decoration, heights 1 1/2 - 2 in., diameter 2 3/4 - 3 1/2 in., together with a Rose Medallion cup and saucer, height 3 in., an armorial export cup, height 2 1/4 in. and an English Foley porcelain Victoria Jubilee tea cup, height 2 1/4 in. $150/250

$200/400 W 1128. Two Japanese Imari

Porcelain Bowls, Meiji Period (18681912), each with shaped rims, polychrome painted with naturalistic decoration, height 3 in. and 3 1/4 in., diameter 9 1/2 in.

1132. An American Carved Walnut Kneehole Desk, c. 1865, inset leather top, kneehole configuration of drawers with foliate pulls, paneled sides, molded base, height 30 1/2 in., width 51 in., depth 28 in. $500/750

$150/250 Provenance: Estate of Margaret Winling Gulotta, New Orleans, LA. W 1129. A Group of Three Japanese

Imari Porcelain Dishes, early 20th c., composed of a pair and a single, each with floral and figural decoration, diameter 6 in. and 7 in.; together with three Japanese Imari porcelain dishes, Meiji Period (18681912), one of lozenge form, two of circular form with shaped rims, each polychrome enameled with avian and floral decoration, width 7 in. and diameter 6 in.; and a pair of Japanese Nabeshima-Style dishes, 20th c., one decorated with morning glories, the other with roses and butterflies, height 1 1/2 in., diameter 12 1/4 in. $300/500 Provenance: Estate of Margaret Winling Gulotta, New Orleans, LA.

W 1133. An American Reticulated

Brass Fire Fender and A Pair of Brass Andirons, fender with beaded bands, raised on paw feet, height 8 1/4 in., width 47 in., depth 7 in.; bundled reed-and-ribbon andirons with flame finials and log stops on paw feet, each height 21 in., with 9 in., depth 17 1/2 in. $100/200 W 1134. A Group of Three American

Cast-Iron Decorative Objects, 19th c., including a top hat with traces of red, black and white paint; a reticulated compote; and a pot, hat height 7 1/8 in. $500/700 Provenance: Sold for the Benefit of HermannGrima/Gallier Historic Houses, New Orleans.

W 1135. Two Georgian-Style Inlaid Satinwood Tea Caddies,

W 1142. [Asian Art Reference Books], 40 vols. including: H.

each of octagonal form with contrasting banding and shield form escutcheons, divided interiors, brass bail handles, height 4 7/8 in., width 5 in., depth 4 in.

Frankfort, The Art and Architecture of the Ancient Orient, 1969; C. Hucker, China’s Imperial Past: An Introduction of Chinese History and Culture, 1975; H. Munsterberg, Symbolism in Ancient Chinese Art, 1986; J. Stevens, Sacred Calligraphy of the East, 1995; C. Deydier, Les Bronzes Chinois, 1980; Chinese Jade through the Ages, V&A exhibition catalogue 1975; J.R. Awson, Western Zhou Ritual Bronzes from the Arthur Sackler Collection, 2 vols in dust cover, 1990; RotondoMcCord and Bufton, Imari: Japanese Porcelain for European Palaces, New Orleans Museum of Art 1997; and others.

$200/400 W 1136. An English Rosewood Lap Desk,

19th c., hinged lid opening to writing surface and fitted interior, height 4 1/4 in., width 14 in., depth 9 in. $150/250

$300/500

W 1137. An English Papier-Mâché.

Mother-of-Pearl Inlaid and Gilt Lap Desk, c. 1850, stamped “Jennens & Bettridge/ Makers to the Queen”, with allover chinoiserie decoration, fitted interior with pen tray, ink bottles and fold-down writing surface, height 3 3/4 in., width 13 1/4 in., depth 11 in. $300/500

W 1143. [Art of England and Ireland

Reference Books], 40 books including: Kidson, George Romney; Redgrave, A Century of British Painters; Redgrave, Dictionary of Artists of the English School; National Gallery of Ireland, Irish Watercolors and Drawings; Sparrow, British Sporting Artists; Ten Sotheby’s Auction Catalogues, 1980-84; Royal Academy Pictures, 1895; British Contemporary Artists, 1899; Waters, Dictionary of British Artists; The Index of Paintings Sold in the British Isles during the 19th Century, part 2; and others.

1144

W 1138. Larry Rivers

(American, 1923-2002), “Dutch Masters”, c. 1991, color lithograph, titled lower left, signed lower right, sheet 25 in. x 31 in., unframed. $300/500 1147

$300/500

W 1139. Heinrich Claudius

(German/American, midto-late 19th c.), Collection of 46 signed Neo-Classical and Romantic prints and drawings that depict Classical subjects and studies from antiquity, nature and genre scenes, many of which were printed in Harper’s Weekly and German newspapers such as the UberLand Und Meer: Allgemeine Illustrirte Zeitung, ranging from 8 in. x 9 1/4 in. to 16 in. x 25 1/2 in.; 45 pencil drawings, 7 1/4 in. x 10 1/4 in. to 23 1/2 in. x 19 in.; 16 pen and ink, 8 in. x 9 in. to 18 1/2 in. x 2 1/2 in.; 6 charcoal, 9 in. x 12 1/2 in. to 20 1/4 in. x 16 in.; together with catalogue of engravings from Harper’s Weekly and Cladius’ 1865 diploma/certificate in engraving from Stuttgart, Germany, unframed. $600/900 W 1140. [Decorative Leather Bindings], 30 book including

Modern Eloquence, including After Dinner Speeches, Lectures, Occasional Addresses, Anecdotes, and Political Oratory, University Society, edited by Thomas Reed, 15 volumes, 1900; and John Stoddard’s Lectures, Norwood Press, 15 volumes, 1907, full leather, tooled and gilt. $500/700 W 1141. [Decorative Leather Bindings], 34 books including

Anglo-Saxon Classics: Norroena Embracing the History and Romance of Northern Europe, limited edition, 15 volumes, full leather, tooled and gilt; Oriental Series: China and Japan, Artists Edition #431 of 500, 12 vols., 1901; together with R.L. Stevenson, Stephenson’s Works, published by Scribner’s, in 7 volumes, 1/2 red leather with marbled boards.

1144. A Collection of Five Chinese Pale Celadon Jade Pendants, each of circular form with carved and pierced decoration, one banded in white metal, diameter 2 in. to 2 1/4 in. $300/500 W 1145. A Chinese Applied Blue Silk Surcoat, probably 20th

c., worked in couched metallic threads with applied dragon and phoenix roundels, length 36 in. $150/250 W 1146. A Chinese Cinnabar Lacquer Rectangular Box,

probably 20th c., hinged cover and sides carved with floral motifs, blue enamel interior, height 2 1/4 in., width 5 7/8 in., depth 4 in. $150/250 1147. A Chinese Glass Mounted Bamboo Opium Pipe, probably 20th c., tubular body with white brass mounts, glass mouthpiece and plug, length 21 1/8 in., white brass repoussé stand, overall height 4 in. $200/300 W 1148. A Chinese Bronze Oil Lamp Burner, three legged

stand supporting two oil bowls, the upper bowl with a pomegranate form wick holder, height 13 1/8 in. $150/250

$600/900 W denotes the lot is illustrated at www.nealauction.com

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194

W denotes the lot is illustrated at www.nealauction.com

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UPCOMING AUCTIONS Important Estates Auction September 13 & 14 Louisiana Purchase Auction™ November 22 & 23

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Invitation to Consign We are especially interested in 18th and 19th century American furniture and decorative arts; English and French antiques; Continental and English paintings; Southern coin silver; Newcomb pottery; American and Southern paintings, prints and photographs; historical documents and memorabilia; and Civil War artifacts. Extensive presale advertising and marketing is being scheduled for these sales. We would be delighted to consult with you.

Important Estates Auction This Important Auction will feature fine property from the Lindblom Estate, Orlando, FL, and from esteemed Antiquarian Philip Ambler, Pass Christian, MS/ Charleston, SC.

Louisiana Purchase Auction™ The Louisiana Purchase Auction™ is a much anticipated annual event, providing discerning consignors with a most attractive auction opportunity. Record prices have been achieved in many of our sales.

Charles Giroux (c.1828-1885) “Bayou Scene,” o/c, sd., 24 x 34 in., Prov.: W.E. Groves Collection, New Orleans.

Estimate 40,000/60,000

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street • New Orleans, Louisiana • 504-899-5329 • consignments@nealauction.com

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W denotes the lot is illustrated at www.nealauction.com

197

Important Bidding Information All Absentee/Telephone bids for the Saturday and Sunday auction sessions must be received by Friday, June 27 at 5 P.M. C.S.T. For a Telephone Bid each item must have a minimum low estimate of $500.

Visit www.nealauction.com

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability.

Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

198

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

WIRE TRANSFER INFORMATION: Capital One 313 Carondelet Street New Orleans, LA 70130 504-533-7223 ACCT# 026223628 ROUTING #065000090 International Swift #HIBKUS44

B

Marcello Baccetti, 358 Morley Baer, 932 Henry Howard Bagg, 349 Hendrik van Balen, 197 R. Scott Baltz, 1080 Tony Bass, 394 George Baxter, 751 Charles F. Bendzans, 731 Frank Moss Bennett, 436 Jean-Joseph-Xavier Bidauld (attr.), 128 Jeanette Blackburn, 660 Ralph Albert Blakelock (attr.), 301 Paul Bodin, 946 Karl Bodmer, 304 M. De Forest Bolmer, 295 Joey Bonhage, 426 Edward Borein, 656 Nelson Boren, 372 British School, 160, 437, 838, 839 Auguste Brouet, 40 Ernest Brown, 1108 Anita Bucherer-Godeffroy, 1059 Marcel Burtin, 683

C

Debbie Fleming Caffery, 418 Richard Childers, 1083, 1084 Chinese School, 12, 157, 158, 447, 448, 449, 450 Heinrich Claudius, 1139 Maude Schuyler Clay, 929, 930, 931 Timothy Cole, 934 Larry Connatser, 1090, 1091, 1092 Continental School, 44, 159, 359, 476, 684, 996, 998, 1058 George David Coulon, 902 John Mansfield Crealock, 661 José-Maria Cundin, 290 Edward S. Curtis, 334

D

Elliott Daingerfield, 294 Salvador Dali, 533

Bruce Davenport, Jr., 1085, 1086, 1087, Gene Davis, 1081 Donald Deskey, 926 Lamar Dodd, 936, 937, 938 Alfred de Dreux (attr.), 867 Alexander John Drysdale, 293, 369 Matthew Dubourg, 162 Victor Dubreuil, 947 Alfred Dubucand, 443 Caroline Durieux, 401 Dutch School, 997

E

Josef Eidenberger, 1112

F

Italian School, 35, 36, 134

J

Antonio Nicolo Gasparo Jacobsen, 348 Japanese School, 53, 54, 111, 112, 118, 155, 549, 556, 557, 561 Harry John Johnson, 124

K

Philip Kappel, 1115 Eleftherios Karkadoulias, 432 William H.D. “Big Bill” Koerner, 421 Ida Rittenberg Kohlmeyer, 396 Gisela Korpiun, 428 Theodore Kruse, 662

Jerry Farnsworth, 928 Henry F. Farny, 305 Robert Forbes, 734 Manuel Joachim de Franca, 935 French School, 134 Pedro Friedeberg, 3 Charles Fritchie, 1077 George Fuller, 297

L

G

M

Bernard Raoul Lachevre, 658 Clarence John Laughlin, 412, 413, 414, 415, 416 Emanuel Gottlieb Leutze (aft.), 303 Robert Lie, 367 Louisiana School, 1005 Albert Lynch, 122

Pietro Gabrini, 657 Melba Dukes Gianelloni, 1089 A.Q. Goguille, 353 Rolland Harve Golden, 420 Sergio Gonzalez-Tornero, 665 Robert Gordy, 398 Ferdinand Jules-Albert Gosselin, 123 Louis Oscar Griffith, (attr.) 292, 916 Marcel Gromaire, 125 Billy Grout, 1070 Sue Ferguson Gussow, 752 Frederick Gutekunst (aft.), 948

Polly M., 1107 Stig Marcussen, 1073, 1074, 1075 Roy Martell Mason, 424 Gyula Maugsch, 429 Gino Mazzotta, 736, 737 Leo Meiersdorff, 939 Ernest Meissonier (manner), 994, 995 Alice Latimer Moseley, 918

H

Nell Pomeroy O’Brien, 1072 Charles Oglesby, 913 L.C.Y. Orgeron, 1105 Will Ousley, 907, 908, 920 Clara Belle Owen, 923

George Harris, 434 Childe Hassam, 38 Lloyd Hawthorne, 906 George Peter Alexander Healy (attr.), 368 Thomas Cantwell Healy, 910 Colette Pope Heldner, 919, 943, 1067, 1071 Robert Helmer, 395 Jacques Hnizdovsky, 663 Irwin D. Hoffman, 422 Alfred Hoffy, 308 Edward Stratton Holloway, 296 Roger C. Holt, 914 Emil Eugen Holzhauer, 1094, 1095, 1102, 1103, 1104 William Samuel Howitt, 837 William Hudson, 945 Clementine Hunter, 373, 374, 903, 921, 922

I

Louis Icart, 2

N

Patrick Nasmyth, 135 New Orleans School, 1076

O

P

Walter Launt Palmer, 32, (attr.)

423, René Papa, 279 Evelyn Ruth Ivey Peake, 1068 Philip Pearlstein, 1 Enoch Wood Perry Jr., 302 Frank Albert Phillips, 433 Ernest Posey, 664 Michael Powers, 1093 Harriette Prevatte, 1113 George Balthasar Probst, 4

Larry Rivers, 1138 Noel Rockmore, 419, 940, 941, 942 George Rodrigue, 371 Robert Rucker, 375, 911

S

S.A. Scott, 1082 Daniel Seghers (cir.), 197 Arthur Sheppard, 438 Daniel Sherrin, 435 Roger Shimomura, 733 Arthur Silverman, 397 Robert Ellison Singleton, 917 W.E. Singleton, 336 Brett James Smith, 944 Marshall D. Smith, 912 Michael P. Smith, 933 Aaron Sopher, 915 Southern School, 335 Will Henry Stevens, 291, 383 Paul Strisik, 400 Gilbert Stuart (aft.), 353 Ludwig Sturm (aft.), 249 Carlo Suares, 1078 Thomas Sully (aft.), 307 George Gardner Symons, 33, 927

T

William Tolliver, 402

U

Jerry Uelsmann, 417 Ira Upin, 1079 Kitagawa Utamaro (attr.), 52

V

George Louis Viavant, 299 Henri Vidal, 445

W

William Aiken Walker, 298 Robert Joseph Warrens, 735 Eudora Welty, 370 James Abbott McNeill Whistler, 37 Evert Witte, 1088 Mildred “Millie” Wohl, 399 Charles de Wolf Brownwell, 1006

Z

Anders Zorn, 39 Francisco Zuniga (aft.), 535

✹

Eric Albrecht, 732 Enrique Alferez, 378, 379, 380, 381, 382 American School, 300, 310, 335, 730, 924, 925, 1003, 1004, 1069 James McConnell “Mac” Anderson, 392, 393 Victor Coleman Anderson, 909 Walter Inglis Anderson, 376, 377, 386 John James Audubon, 904, 905

June 28, & 29, 2014 ✹ artist index ✹ artist index ✹ artist index

A

R

Allan Ramsay (style), 160 Carducius Plantagenet Ream, 309 Leopold Reiser-Vaney, 659 Brad Reynolds, 1106 W denotes the lot is illustrated at www.nealauction.com

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6539 • www.nealauction.com

Auction Date: June 28, & 29, 2014

Condition Report Request Form Please Review Guidelines For Condition Report Requests:

1. Items must have a minimum low estimate of $500.

2. Condition Reports will not be given verbally.

3. The Condition Reports Department is available to take requests two weeks prior to every auction.

4. Photo requests will only be processed for items not illustrated in our catalogue or on our website at www.nealauction.com. Detail photos provided upon discretion.

5. Condition Report Requests should be submitted by facsimile to 504-897-3808 or via the online request form by Wednesday, 6/25/14.

6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

First Name: ______________________________________________ Last Name: __________________________________ Company: _____________________________ Address: ________________________________________________________ City: ___________________________________________ Prov/State__________________ Postal Code __________________ Home Ph.: (____)___________________ Work Ph.: (____)______________________ Fax:(____)_____________________ Email: ______________________________________________________

LOT #

DESCRIPTION

SPECIAL REQUESTS

SELECT:

All reports will be sent via Fax or email

❒ Fax

❒ Email

Fax this form to 504-897-3808 on or before Wednesday, 6/25/14.

200

Neal Auction Company

#

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6431 • www.nealauction.com

Confidential Absentee / Telephone Bid Form

14/06M

Please Review Guidelines For Absentee & Telephone Bidding: 1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more.

Absentee bids are gladly accepted for all items below $500.

2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

3. In the event identical bids are submitted, the earliest bid received will take precedence.

4. A 25% deposit must accompany all bids. A credit card number is required for securing your bids.

5. Auction addendum available prior to the auction on the website or via facsimile.

6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

7. In the event of discrepancies, lot number and not lot description will take precedence.

First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ City: _____________________________________________ Prov/State _______________________ Postal Code ________________ Home Ph.: (_____)___________________ Work Ph.: (_____)______________________ Fax: (_____)_____________________ Dealer Resale# ________________________________State __________Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE: Visa/MC/Discover/Amex_______________________________________ Exp: _______ Credit Card V-code:________

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MUST PROVIDE: Cash Payment Check Method: Wire

Credit Card

IF SUCCESSFUL, please bill my card.

Number To Call For Phone Bid: (1) (____)__________________________ (2) (____)__________________________

Lot#

Description

Bid Amount $ or Telephone No.

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required

Date

For Internal Use Only: Approved_ _____________Registered____________ Entered_ ____________ Clerks Initial________________ Account #_ _________________ Confirmed_______________________

Fax Form on or before Friday, 6/28/14 to 504-617-6431 or 504-617-9990

W denotes the lot is illustrated at www.nealauction.com

201

Neal Auction Company

#

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6431 • www.nealauction.com page 2 14/06M

Name: ________________________________________________________________________

Lot#

Description

Bid Amount $ or Telephone

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required For Internal Use Only: Approved________________________ Registered________________Entered_ ______________________ Clerks Initial_____________________ Account #______________ Confirmed_______________________

202

Date

Fax Form on or before Friday, 6/28/14 to 504-617-6431 or 504-617-9990

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%.

2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

3. Documentation of tax exemption must be provided upon registration.

4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

LIVE INTERNET BIDDING Live internet bidding is available through Live Auctioneers and Invaluable at a buyer’s premium in the amount of 25% of the hammer price. See www.liveauctioneers.com and www.Invaluable.com TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale.

W denotes the lot is illustrated at www.nealauction.com 203

Auction Results for April 2014 0003-$553 0004-$239 0005-$246 0007-$179 0008-$5535 0009-$478 0011-$123 0012-$59 0014-$522 0015-$358 0016-$676 0017-$537 0018-$1098 0020-$215 0021-$1586 0022-$119 0023-$209 0025-$73 0027-$369 0028-$307 0030-$179 0031-$3444 0035-$717 0036-$461 0038-$1195 0039-$239 0040-$492 0041-$246 0042-$239 0043-$676 0044-$239 0045-$239 0046-$59 0049-$246 0050-$123 0053-$123 0054-$478 0055-$896 0056-$836 0057-$9840 0059-$3444 0060-$2748 0061-$478 0063-$657 0064-$19520 0065-$615 0066-$615 0067-$369 0068-$239 0069-$239 0070-$119 0073-$793 0074-$2337 0075-$4780 0076-$3286 0078-$567 0079-$2748 0080-$1553 0081-$610 0082-$1195 0083-$119 0084-$597 0085-$597 0086-$676 0087-$1599 0088-$657 0089-$2214 0090-$369 0091-$239 0092-$8610 0093-$4481 0094-$2270 0095-$2583 0096-$1353 0097-$799 0098-$1353 0100-$3465 0101-$615

204

0102-$7072 0106-$2629 0108-$369 0109-$369 0110-$430 0111-$2091 0113-$836 0115-$2987 0116-$676 0117-$492 0118-$492 0119-$1912 0120-$676 0121-$3883 0122-$861 0123-$553 0124-$246 0127-$1673 0128-$2509 0129-$98587 0130-$2952 0131-$369 0132-$4026 0133-$358 0134-$597 0135-$5490 0136-$1553 0138-$732 0139-$549 0141-$553 0142-$861 0143-$1553 0144-$5185 0145-$209 0146-$488 0148-$956 0149-$358 0150-$610 0151-$507 0152-$119 0153-$246 0154-$1968 0155-$615 0156-$246 0157-$83 0160-$338 0161-$369 0162-$123 0163-$2390 0164-$1075 0166-$1434 0167-$732 0169-$478 0172-$676 0174-$1314 0176-$179 0177-$1168 0178-$1673 0180-$553 0181-$418 0182-$276 0183-$461 0184-$861 0186-$239 0190-$1045 0191-$537 0192-$1230 0195-$1434 0196-$276 0197-$31070 0198-$3965 0200-$3585 0201-$1792 0202-$676 0203-$1195 0204-$956 0205-$3585 0206-$1845

0209-$2688 0212-$956 0214-$1968 0215-$3883 0216-$976 0218-$1434 0219-$776 0221-$956 0222-$1553 0223-$1195 0224-$717 0225-$1434 0226-$1075 0227-$2091 0228-$1493 0229-$4270 0230-$2135 0231-$3286 0232-$3294 0233-$4182 0235-$4780 0236-$17327 0237-$2688 0238-$3286 0239-$1195 0240-$2270 0241-$2270 0243-$2091 0245-$956 0246-$1673 0247-$478 0248-$984 0249-$1599 0250-$1342 0251-$1792 0252-$1553 0255-$358 0258-$298 0259-$657 0260-$119 0261-$2952 0262-$3585 0263-$615 0265-$1553 0266-$2748 0267-$2509 0272-$2390 0273-$1464 0274-$1098 0275-$976 0277-$358 0278-$776 0279-$2031 0280-$896 0281-$3286 0282-$3883 0288-$1075 0289-$1434 0294-$478 0295-$537 0296-$418 0297-$1107 0299-$369 0300-$239 0301-$676 0303-$369 0304-$358 0305-$717 0306-$1015 0307-$1195 0308-$1135 0309-$298 0311-$246 0312-$1195 0313-$358 0315-$89 0316-$119 0317-$10755

0320-$3050 0322-$4481 0323-$1314 0324-$1015 0325-$657 0326-$1195 0328-$3286 0330-$717 0331-$427 0332-$119 0333-$179 0334-$4270 0335-$956 0336-$3965 0337-$13115 0338-$1314 0339-$836 0340-$738 0341-$1792 0342-$2583 0345-$478 0346-$418 0347-$478 0349-$1553 0350-$268 0351-$597 0352-$478 0353-$3704 0354-$358 0355-$657 0356-$4182 0357-$119 0358-$276 0359-$478 0360-$2210 0361-$1195 0363-$732 0364-$1792 0365-$3883 0366-$1220 0367-$1845 0368-$1553 0369-$14640 0370-$2337 0371-$8540 0372-$2390 0374-$6273 0377-$5490 0378-$2135 0379-$2091 0380-$5185 0381-$1075 0382-$1434 0383-$915 0384-$4270 0386-$1673 0387-$2091 0388-$2091 0389-$2987 0390-$1792 0392-$3198 0393-$2390 0394-$418 0395-$836 0396-$1230 0397-$4182 0399-$4481 0400-$358 0401-$2767 0402-$956 0403-$717 0404-$239 0405-$4481 0406-$1586 0407-$1195 0408-$52275 0410-$2688 0411-$9150

0412-$836 0413-$2091 0414-$956 0415-$1314 0416-$8365 0417-$305 0418-$41825 0419-$6572 0420-$976 0421A-$956 0422-$854 0423-$358 0424-$4575 0425-$6150 0426-$2928 0427-$358 0428-$956 0429-$478 0431-$5975 0432-$1230 0433-$3660 0434-$14340 0435-$184 0436-$3585 0437-$836 0438-$836 0439-$2987 0441-$1168 0442-$3883 0444-$2509 0446-$1912 0447-$1314 0449-$2509 0450-$537 0451-$3075 0452-$597 0453-$776 0454-$1434 0457-$6572 0458-$4270 0459-$2987 0461-$7170 0462-$4305 0465-$1075 0466-$836 0467-$717 0468-$1075 0469-$5975 0470-$2151 0471-$1464 0472-$3286 0473-$956 0474-$1314 0475-$6871 0476-$5377 0477-$4780 0478-$3075 0480-$2987 0482-$1434 0483-$17080 0485-$956 0486-$1792 0487-$3965 0489-$2509 0490-$3883 0491-$2460 0492-$2091 0493-$3965 0495-$6572 0496-$1098 0497-$2509 0498-$2987 0499-$2390 0500-$2390 0501-$13145 0505-$12547 0506-$1586 0508-$2390

0509-$6710 0598-$5078 0512-$2196 0599-$6871 0513-$537 0600-$7170 0515-$6871 0605-$1912 0516-$2031 0606-$2509 0518-$4182 0607-$7170 0519-$2688 0608-$4481 0521-$8235 0609-$6871 0522-$1553 0610-$537 0523-$2688 0611-$3660 0524-$4182 0612-$2987 0526-$8066 0613-$956 0527-$3660 0614-$6405 0528-$5078 0616-$1493 0617-$1195 0530-$717 0532-$20912 0618-$1673 0533-$3997 0619-$1476 0534-$1912 0620-$597 0621-$2460 0535-$537 0536-$1830 0624-$2509 0537-$2583 0625-$2509 0538-$4270 0626-$31070 0627-$1673 0539-$307 0540-$2390 0628-$732 0541-$6871 0629-$2390 0543-$101575 0630-$2583 0545-$19120 0631-$4182 0546-$22705 0632-$1673 0547-$7995 0633-$3704 0548-$9560 0634-$6572 0549-$11950 0635-$8962 0550-$13742 0636-$956 0551-$10157 0637-$239 0552-$6273 0638-$657 0553-$5975 0639-$2196 0554-$8365 0640-$1673 0555-$3883 0641-$1434 0556-$23900 0644-$2748 0557-$3382 0645-$5535 0558-$20315 0649-$1230 0559-$6273 0650-$1107 0560-$2440 0651-$358 0561-$6572 0652-$2460 0562-$3883 0653-$584 0563-$1845 0654-$615 0564-$3997 0655-$1230 0566-$6871 0656-$2337 0659-$1220 0567-$836 0660-$2440 0568-$836 0661-$478 0569-$717 0665-$717 0570-$366 0666-$1195 0571-$738 0668-$1075 0572-$956 0573-$2390 0669-$14937 0670-$5377 0574-$861 0671-$8962 0575-$427 0672-$3050 0576-$239 0577-$4182 0673-$2390 0578-$3355 0674-$26290 0676-$861 0579-$776 0580-$1586 0677-$1434 0581-$1195 0678-$1075 0582-$4575 0679-$615 0583-$1037 0680-$1075 0584-$8663 0681-$3660 0585-$1586 0682-$8917 0586-$1168 0683-$1075 0587-$976 0686-$5227 0588-$1708 0687-$2440 0589-$6150 0688-$1464 0590-$12547 0689-$836 0591-$896 0690-$7320 0592-$298 0692-$1673 0593-$358 0693-$2987 0594-$2509 0694-$915 0595-$2270 0696-$1792 0596-$1912 0697-$976 0597-$5078 0698-$3286

0699-$2987 0704-$956 0705-$2390 0706-$2868 0710-$2074 0711-$1792 0712-$984 0713-$4780 0714-$1075 0715-$717 0716-$3965 0720-$836 0721-$657 0723-$836 0724-$3883 0726-$717 0728-$2688 0730-$2390 0731-$6710 0737-$430 0739-$732 0743-$1553 0744-$1912 0745-$597 0746-$2031 0748-$1792 0749-$1195 0753-$4182 0754-$358 0755-$4880 0757-$1708 0758-$1434 0759-$298 0762-$1708 0763-$4541 0765-$1792 0768-$956 0769-$2829 0773-$597 0774-$478 0776-$1220 0777-$9560 0778-$7015 0780-$8365 0782-$10755 0784-$2390 0785-$478 0786-$3585 0787-$2706 0788-$1952 0789-$1708 0791-$1476 0793-$7995 0795-$369 0798-$2562 0799-$1434 0801-$3355 0802-$2629 0805-$1434 0807-$2684 0809-$1476 0810-$896 0811-$657 0812-$2091 0817-$358 0818-$2390 0819-$430 0820-$358 0821-$1195 0824-$2629 0825-$861 0826-$1586 0827-$1342 0828-$2151 0830-$3286 0831-$3286 0832-$676 0833-$717

0835-$1792 0836-$6871 0837-$717 0838-$430 0839-$956 0840-$239 0841-$239 0842-$1195 0843-$2440 0847-$836 0849-$1464 0853-$239 0854-$123 0855-$358 0858-$239 0859-$448 0861-$597 0862-$597 0863-$369 0864-$956 0865-$448 0866-$492 0867-$1792 0870-$537 0871-$123 0872-$1195 0873-$1015 0874-$478 0875-$597 0876-$1464 0877-$896 0878-$1553 0879-$239 0880-$732 0881-$615 0882-$597 0884-$836 0885-$1075 0886-$597 0887-$597 0888-$246 0889-$956 0890-$179 0891-$418 0892-$358 0893-$298 0894-$239 0895-$984 0896-$738 0897-$776 0898-$358 0899-$615 0900-$676 0901-$836 0902-$956 0903-$657 0904-$418 0905-$358 0906-$2390 0907-$418 0908-$478 0909-$239 0910-$461 0911-$418 0912-$1792 0913-$478 0914-$369 0917-$597 0918-$657 0919-$418 0920-$717 0921-$239 0922-$358 0923-$358 0925-$956 0926-$2583 0928-$1952 0931-$2031

0932-$1230 0935-$1830 0936-$179 0937-$597 0938-$984 0939-$717 0940-$2091 0941-$1195 0944-$1434 0946-$1476 0948-$2748 0949-$3883 0950-$615 0951-$956 0952-$1314 0954-$1553 0956-$478 0958-$1195 0959-$1673 0961-$717 0962-$369 0963-$430 0967-$1015 0968-$1434 0971-$492 0972-$1342 0974-$861 0975-$358 0979-$1015 0980-$1792 0983-$1015 0984-$676 0987-$183 0988-$244 0991-$1195 0992-$1912 0993-$358 0995-$1599 0996-$1342 0997-$915 0999-$2031 1002-$492 1003-$717 1004-$615 1005-$896 1006-$366 1007-$478 1008-$776 1009-$896 1012-$1792 1013-$4182 1014-$358 1018-$23370 1023-$956 1025-$676 1026-$657 1027-$2074 1028-$1464 1030-$553 1036-$183 1037-$3883 1039-$2987 1040-$298 1042-$1912 1045-$1195 1046-$358 1047-$597 1048-$732 1049-$2031 1050-$2460 1053-$1968 1054-$1553 1055-$298 1056-$836 1057-$358 1058-$305 1060-$610 1061-$732

1062-$1553 1063-$2952 1064-$478 1065-$4575 1066-$2688 1067-$3286 1068-$418 1069-$717 1070-$1230 1072-$1673 1073-$1230 1074-$854 1075-$1673 1076-$1230 1077-$956 1078-$717 1081-$671 1082-$1075 1083-$1952 1084-$358 1085-$717 1086-$430 1088-$1314 1089-$1314 1090-$2031 1091-$7468 1095-$3286 1096-$15535 1097-$5227 1098-$2987 1099-$1075 1101-$4481 1102-$2629 1103-$2031 1104-$717 1105-$1220 1106-$1015 1107-$492 1108-$922 1110-$3107 1111-$836 1114-$2390 1116-$358 1117-$478 1118-$478 1119-$246 1120-$369 1121-$492 1122-$717 1123-$717 1124-$2151 1125-$597 1126-$1673 1127-$836 1128-$615 1136-$239 1137-$1015 1138-$896 1139-$369 1140-$553 1141-$732 1142-$358 1143-$657 1146-$984 1147-$478 1150-$1845 1151-$676 1152-$896 1154-$854 1156-$2196 1159-$956 1161-$2745 1162-$1015 1163-$5078 1164-$1314 1165-$2868 1167-$4305 1168-$1314

1169-$1075 1170-$597 1171-$896 1172-$1135 1173-$1220 1174-$836 1175-$717 1176-$298 1177-$671 1178-$358 1179-$239 1183-$2509 1184-$1135 1185-$478 1186-$1037 1188-$2031 1191-$478 1193-$956 1194-$2031 1195-$1168 1196-$1434 1197-$2460 1199-$597 1200-$549 1202-$298 1204-$717 1205-$358 1207-$239 1209-$1195 1210-$717 1213-$717 1214-$1845 1215-$836 1216-$358 1217-$358 1218-$2270 1219-$478 1220-$478 1221-$244 1223-$298 1224-$1434 1227-$1912 1228-$366 1229-$836 1230-$239 1231-$239 1233-$1075 1234-$861 1235-$418 1236-$149 1237-$119 1238-$276 1242-$492 1245-$717 1247-$507 1248-$492 1249-$615 1254-$1195 1256-$2748 1257-$239 1258-$418 1259-$358 1260-$732 1261-$1015 1262-$956 1263-$298 1265-$1434 1266-$861 1268-$610 1272-$430 1273-$492 1274-$239 1276-$671 1277-$418 1279-$1075 1280-$956 1281-$1912 1286-$597

1287-$2509 1288-$597 1289-$597 1290-$492 1291-$836 1292-$984 1294-$537 1295-$537 1300-$984 1301-$179 1302A-$597 1303A-$597 1304-$358 1307-$478 1309-$183 1310-$418 1312-$366 1314-$793 1317-$358 1318-$984 1318A-$478 1320-$268 1321-$179 1322-$209 1323-$123 1326-$119 1327-$478 1328-$369 1329-$119 1330-$123 1331-$328 1334-$246 1335-$776 1336-$369 1337-$776 1339-$152 1340-$246 1342-$239 1343-$239 1346-$153 1348-$492 1350-$478 1351-$119 1353-$418 1357-$179 1358-$1314 1359-$246 1364-$119 1365-$478 1366-$597 1368-$209 1369-$239 1370-$597 1371-$836 1373-$358 1375-$239 1377-$358 1378-$239 1379-$2318 1381-$478 1382-$1230 1383-$418 1384-$597 1385-$122 1386-$123 1387-$122 1388-$122

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President

Michelle LeBlanc Leckert, CAI Vice President

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager/Assistant to Director

Jackie Hernandez Client Services

Johanna Darilek Database/Administrative Assistant

Lisa Weisdorffer

Director of Consignments Books, Maps & Natural History Prints

Marc Fagan Director of Furniture & Decorative Arts

Neal Alford; Steven G. Rutledge Director of Paintings, Prints & Photography

Rachel Weathers; Marney Robinson Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Sackey Research

Nicole Casi, Ph.D. Inventory Coordinator

Stephen Dewey Consigments Administrator

Claire Thriffiley

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director

Emory Nolan Catalogue Design

Carolyn Finnell Photography

Jason Leckert

Tom Simpson

Jason Kruppa

OPERATIONS Director of Operations

Charles Lee Operations Staff

Charlie Clay

Kelvin Gibson

Thomas Johnson

Jerry Majors

EXHIBITION STAFF

Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Sackey #1874

AUCTION SERVICES Director of Business Development

Bettine Field Sackey Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

CATALOGUE CONSULTANTS Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Fine & Decorative Arts

Linda Stubbs Asian Arts

Richerson Rhodes

4