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Workshop Program"Colonial Provenance. Swiss museum collections in need of clarification"

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Workshop, June 11, 2022

Colonial Provenance. Swiss museum collections in need of clarification. Provenance research of material heritage in Swiss museum collections has so far mainly focused on collections with a potential connection to Nazi looted art. In the 2021-2022 funding period, the Federal Office of Culture (FOC) also supports provenance research projects at Swiss museums that are explicitly dedicated to researching the acquisition and ownership histories of objects collected in colonial contexts. The expansion of funding to include the according holdings is evidence of a changing awareness – at the federal level as well as at the level of individual institutions – regarding the role of Swiss museums and collectors in the context of Europe's colonial expansion. Based on the project ‘Traces of Colonial Provenance’1, which is one of the projects funded by the FOC, the workshop will present provenance research currently being carried out at Swiss museums on collections from colonial acquisition contexts. On the one hand, the focus will be on networking and the possibility of exchange between the researchers themselves. On the other hand, the method of provenance research and the relevance of material heritage for historiography as such will be critically reflected based on current theses of (post-)colonial Switzerland. Provenance research conducted at museums is thus deliberately exposed to a broader academic debate to discuss the role of museums as Switzerland’s colonial archives.

The official and full title of the project is in German and reads: «Spuren kolonialer Provenienz. Die Erforschung ethnografischer Sammlungsprovenienzen anhand des ‘Zeller-Archivs’ am Bernischen Historischen Museum»

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Workshop 1: The heritage of colonial Switzerland 9:15 – 12:15 Historical collections of non-European material heritage in Switzerland refer to numerous biographies of people and institutions that were active in various functions in colonies worldwide. The study of scientific collections (ethnographic, zoological, botanical, etc.) from colonized areas also provides insights into the contexts in which they were acquired and amassed. Furthermore, they can be used to explore a system of Eurocentric knowledge production that contributed significantly to the exercise of colonial rule and in which Switzerland was particularly involved. To what extent and in what potential way can museums be understood and used in this sense as colonial archives and their collections as testimonies of Switzerland's colonial entanglements?

Keynote by Ciraj Rassool, University of the Western Cape: Confronting colonialisms in South Africa and Germany: Some lessons for Swiss museums? 13:45 – 14:30 This presentation is interested to understand the varied ways in which the colonial, colonialism and coloniality has been understood in South Africa and Germany: as period and ‘context’ firmly set in the past; as legacy in the present; as classificatory system; and as enduring relations of power. In arguing that the museum is the fundamental site of empire and coloniality, it also explores the meanings of the post-colonial and the postcolonial, and what a postcolonial and anticolonial museum politics and practice could look like, in South Africa, Germany and in Switzerland.

Workshop 2: Researching, documenting, and communicating colonial provenances 14:45 – 17:30 The great unknowns of ethnographic museum collections and archives are the identities of original, indigenous owners, which in many cases have not been documented by the collectors. The concrete moments of acquisition on site also often remain unknown, which poses great challenges for provenance research today. Missing, blurred or incomplete information, the selective one-sidedness of the represented voices in museum archives, or Eurocentric and racist evaluations in the sources place high normative demands on the documentation and communication of colonial provenances in museums. What conditions and expectations must post-colonial provenance research consider today and what special challenges does it face?


Timetable 08:30

Registration

09:00

Welcome note: Thomas Pauli-Gabi, Director of Bernisches Historisches Museum

09:15

PRESENTATIONS: THE HERITAGE OF COLONIAL SWITZERLAND Samuel Bachmann, Bernisches Historisches Museum The museum as a colonial archive Priska Gisler, Luzia Huerzeler, Sarah Csernay, Hochschule der Künste Bern Long-distance relationships. Explorations of the ‘Tiere Afrikas’ in the Natural History Museum Bern Michaela Oberhofer, Museum Rietberg Zürich Questioning the (post)colonial archive of Hans Himmelheber on African art and artists Maria Randy Mwatondange, University of Basel, Julia Hohn, Museum der Kulturen Basel Collector and Object biographies at Museum der Kulturen in Basel (Namibian Collection) Aline Minder and Anna-Pierina Godenzi, Bernisches Historisches Museum The BHM LAB: Challenging exhibitions through a postcolonial lens

10:45

Coffee Break

11:15

DISCUSSION: THE HERITAGE OF COLONIAL SWITZERLAND Moderation: Thomas Laely

12:15

Lunch Break

13:45

Keynote: Ciraj Rassool, University of the Western Cape Confronting colonialisms in South Africa and Germany: Some lessons for Swiss museums?

14:30

Short Break

14:45

PRESENTATIONS: RESEARCHING, DOCUMENTING, AND COMMUNICATING COLONIAL PROVENANCES Alice Hertzog, Benin Initiative Switzerland Back and Forths: Collaborative Provenance research on the Benin Bronzes in Switzerland Kim Karlsson, Museum Rietberg Zürich From Suzhou to Zurich via Shanghai and Hong Kong: Dealing with Chinese Paintings. Karin Kaufmann, North America Native Museum Researching "sensitive objects" – considering and documenting traces of emotions in the archive Aila Özvegyi, Basil Bucher, Nadège Kittel, Museum der Kulturen Basel Actor-Based Provenance Research: Potential and Challenges? Marina Berazategui, Bernisches Historisches Museum Documenting Absences

16:15

Short Break

16:30

DISCUSSION: RESEARCHING, DOCUMENTING, AND COMMUNICATING COLONIAL PROVENANCES Moderation: Samuel Bachmann

17:30

Apéro


General information The event is free of charge. Registered workshop participants also receive free admission to the museum. Please register until Friday, June 10, via the following link: bit.ly/Workshop_Colonial_Provenance

The registration desk is located directly at the museum ticket office at the entrance.

During the workshop there will be coffee breaks, during which small snacks will also be offered. For the lunch break several restaurants are within walking distance.

Currently, there are no pandemic-related restrictions in effect in the Museum. Any changes in this regard would be communicated immediately. Nevertheless, we ask you to handle this issue with care, to follow hygiene recommendations and to stay at home with symptoms of illness.

Information about the venue Bernisches Historisches Museum Helvetiaplatz 5 CH-3000 Bern https://www.bhm.ch/en/

How to get there: The museum is in 15 minutes walking distance from Bern railway station. If you prefer to take public transport, your options from Bern station are as follows: -

tram no. 6 (direction Worb Dorf)

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tram no. 7 (direction Ostring)

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tram no. 8 (direction Saali)

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bus no. 19 (direction Elfenau) to Helvetiaplatz stop

Questions? If you still have questions, please feel free to contact us via the following address: Samuel.bachmann@bhm.ch (host)


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Workshop Program"Colonial Provenance. Swiss museum collections in need of clarification" by Bernisches Historisches Museum - Issuu