ارزش و اسکار

‫‪ 28‬ﻓـﻮﺭﻳـﻪ ‪2012‬‬

‫ﻳﻚ ﺍﻳﺮﺍﻧﻰ ﺟﺎﻳﺰﺓ ﺍﺳــﻜﺎﺭ ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩ ﻭ ﻫﻤﺔ ﻓﻌﻠﺔ ﻓﺎﺷﻴﺴﻢ »ﺍﻧﺎﺷﺮﻳﻚ«‬ ‫ﮔﻮﻳــﺎﻥ ﺑــﻪ ﺗﻐﺬﻳــﻪ ﺍﺯ ﺍﻳــﻦ ﺟﺎﻳﺰﻩ ﻣﺸــﻐﻮﻝ ﺷــﺪﻧﺪ ﺗﺎ »ﺳــﻨﮕﺮﺣﻖ« ﻭ‬ ‫»ﺣﻤﺎﻗﺖ« ﺭﺍ ﮔﺴــﺘﺮﺵ ﺩﻫﻨﺪ‪ .‬ﺑﻠﻪ‪ ،‬ﺍﻳﻦ ﺟﺎﻳﺰﻩ ﺑﻬﺘﺮﻳﻦ ﻣﻌﻴﺎﺭ ﺳﻨﺠﺶ‬ ‫ﺍﻧﺴﺎﻥﺳــﺘﻴﺰﻯ‪ ،‬ﺗﻮﺣﺶ‪ ،‬ﺣﻤﺎﻗﺖ ﻭ ﺗﺰﻭﻳﺮ ﺍﺳﻼﻡﮔﺮﺍﻳﺎﻥ ﻭ ﺍﺭﺑﺎﺑﺎﻥﺷﺎﻥ ﺩﺭ‬ ‫ﻏﺮﺏ‪ ،‬ﺑﻪ ﻭﻳﮋﻩ ﺩﺭ ﺍﻳﺎﻻﺕ ﻣﺘﺤﺪ ﺍﺳــﺖ! ﻓﺎﺷﻴﺴــﺖﻫﺎ ﻭ ﺗﻮﺩﻩﭘﺮﺳــﺘﺎﻥ ﺑﺎ‬

‫ﻓﻌﺎﻟﻴﺖ »ﻏﻴﺮﺍﻳﺪﺋﻮﻟﻮژﻳﻚ« ﻭ »ﺍﻧﺴــﺎﻥ ﺁﺯﺍﺩ« ﺳﺮﺳﺘﻴﺰ ﺩﺍﺭﻧﺪ‬ ‫ﭼﺮﺍ ﻛﻪ ﺍﻳﻨﺎﻥ ﻳﻚ »ﺳﻨﮕﺮﺣﻖ« ﺑﺮ ﭘﺎ ﻛﺮﺩﻩﺍﻧﺪ ﻭ ﻫﺮ ﻛﺲ ﺩﺭ‬ ‫ﺍﻳﻦ ﺳــﻨﮕﺮ ﺣﻤﺎﻗﺖ ﻭ ﺗﻮﺣﺶ ﻧﻨﺸــﻴﻨﺪ‪ ،‬ﺍﺯ »ﻋﺮﺵ ﺍﻋﻼﻯ«‬ ‫ﺁﻥﻫﺎ »ﺳﻘﻮﻁ« ﻛﺮﺩﻩ‪» ،‬ﺑﺎﻃﻞ« ﺷﻤﺮﺩﻩ ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﺩﺭ ﺳﺎﻝ ‪ ،1979‬ﺟﺒﻬﺔ ﻣﻠﻰ‪ ،‬ﻧﻬﻀﺖ ﻋﺎﻇﺎﺩﻯ ﻭ ﭼﭗﻧﻤﺎﻳﺎﻥ‬ ‫ﺩﺭ ﻫﻤﻴﻦ ﺳــﻨﮕﺮ ﺗﻮﺣﺶ ﻟﻨﮕﺮ ﺍﻧﺪﺍﺧﺘﻪ ﺑﻮﺩﻧﺪ ﻭ ﺭﻫﺒﺮﺷــﺎﻥ‬ ‫ﻫﻢ ﻛﺴــﻰ ﻧﺒــﻮﺩ ﺟﺰ ﺧﻤﻴﻨﻰ‪ .‬ﻫﻢﺍﻳﻨﺎﻥ‪ ،‬ﭘﺲ ﺍﺯ ﮔﺬﺷــﺖ‬ ‫‪ 3‬ﺩﻫﻪ ﻫﻤﺎﻥ »ﺳــﻨﮕﺮ ﺣﻖ« ﺭﺍ ﺑﻪ ﺭﻫﺒﺮﻯ ﺧﺎﺗﻤﻰ ﺷــﻴﺎﺩ ﻭ‬ ‫ﻣﻮﺳــﻮﻯ ﺟﻼﺩ ﺑﻪ ﭘﺎ ﻛﺮﺩﻩﺍﻧﺪ ﻭ ﭼﻨﻴﻦ ﻣﻰﭘﻨﺪﺍﺭﻧﺪ ﻛﻪ ﺍﻳﻨﺒﺎﺭ‬ ‫ﻫــﻢ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﺎ ﺗﻜﻴﻪ ﺑﺮ ﺍﺭﺑﺎﺏ‪ ،‬ﻛﻮﺩﺗﺎﻯ ‪ 22‬ﺑﻬﻤﻦ ‪1357‬‬ ‫ﺭﺍ »ﺑﺎﺯﺗﻮﻟﻴﺪ« ﻛﻨﻨﺪ‪ .‬ﺑﺮﺍﻯ ﺗﺤﻘﻖ ﺍﻳﻦ ﻫﺪﻑ ﻣﻘﺪﺱ ﺍﺳــﺖ‬ ‫ﻛﻪ »ﺣﻨﺎﺯﺭﭼﻮﺑــﻪ« ﺍﺯ ﺯﺑﺎﻥ ﺍﻟﻜﻦ ﻣﻼﻣﻤــﺪ ﺧﺎﺗﻤﻰ ﺩﺭﻳﺎﻓﺖ‬

‫ﺍﺳــﻜﺎﺭ ﺭﺍ ﺑﻪ »ﻓﺮﻫﺎﺩﻯ« ﺗﺒﺮﻳــﻚ ﻣﻰﮔﻮﻳﺪ؛ ﺗﻠﻮﻳﺰﻳﻮﻥ‬ ‫ﺍﺳــﺮﺍﺋﻴﻞ ﺩﺭ ﻛﻤﺎﻝ ﻭﻗﺎﺣﺖ ﺳﺨﻨﺎﻥ ﻓﺮﻫﺎﺩﻯ ﺭﺍ ﺗﺤﺮﻳﻒ‬ ‫ﻣﻰﻛﻨــﺪ؛ ﻭ »ﺩﻭﻳﭽﻪ ﻭﻟﻪ« ﺧﻮﺩ ﺭﺍ ﺑــﻪ ﻛﻮﺭﻯ ﻣﻰﺯﻧﺪ‬ ‫ﻭ ﻧﻬﺎﻳــﺖ ﺍﻣﺮ‪ ،‬ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ ﺧﺎﺭﺟــﺔ ﻳﺎﻧﻜﻰﻫﺎ ﺩﺭ ﻗﺎﻟﺐ‬ ‫»ﺗﺒﺮﻳــﻜﺎﺕ ﺻﻤﻴﻤﺎﻧــﻪ« ﺑﻪ ﻓﺮﻫــﺎﺩﻯ ﻣﻰﮔﻮﻳﺪ‪ ،‬ﻓﻴﻠﻢ‬ ‫»ﺍﺭﺯﺷﻰ«ﺳــﺎﺧﺘﻪ ﺑــﻮﺩﻯ! ﺩﺭ ﺍﻳﻦ ﻫﻴﻬﺎﺕ ﺍﺳــﺖ ﻛﻪ‬ ‫ﺭﺍﺩﻳﻮﻓﺮﺩﺍ »ﺍﺳﻼﻡ ﺧﻮﺏ« ﺭﺍ ﺟﻬﺖ ﻓﺮﻭﺵ ﺍﺭﺍﺋﻪ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺍﻛﺜﺮﻳﺖ ﻗﺮﻳﺐ ﺑﻪ ﺍﺗﻔــﺎﻕ ﺧﺒﺮﮔﺰﺍﺭﻯﻫﺎﻯ ﻏﺮﺏ ﺗﺼﺎﻭﻳﺮ‬ ‫»ﻏﻴﺮﺍﺳﻼﻣﻰ« ﻓﺮﻫﺎﺩﻯ ﺭﺍ ﺣﺬﻑ ﻛﺮﺩﻩﺍﻧﺪ ﻭ ‪ ...‬ﻭ ﻭﺯﺍﺭﺕ‬ ‫ﺍﻣﻮﺭ ﺧﺎﺭﺟﺔ ﻳﺎﻧﻜﻰﻫﺎ ﻫﻢ ﺩﺭ ﺗﺄﺋﻴﺪ ﻫﻤﻴﻦ ﻣﺴﻴﺮ ﭘﺎﻯ ﺑﻪ‬ ‫ﻣﻌﺮﻛﻪ ﮔﺬﺍﺷﺘﻪ ﻭ ﺑﻪ ﻓﺮﻫﺎﺩﻯ ﺗﺒﺮﻳﻚ ﻣﻰﮔﻮﻳﺪ! ﺧﻼﺻﻪ‬

‫ﻛﻨﻴﻢ‪ ،‬ﮔﺮ ﭼﻪ ﻭﺍﻛﻨﺶﻫﺎ ﺑﻪ »ﺍﺳــﻜﺎﺭ« ﻓﺮﻫﺎﺩﻯ‪ ،‬ﺩﺭ ﺩﺍﺧﻞ ﻭ‬ ‫ﺧﺎﺭﺝ ﺍﻳﺮﺍﻥ ﻇﺎﻫﺮﺍ ً »ﻣﺘﻔﺎﻭﺕ« ﺍﺳــﺖ‪» ،‬ﺍﻧﺴﺎﻥﺳــﺘﻴﺰﻯ«‪ ،‬ﺩﺭ‬ ‫ﻗﺎﻟــﺐ »ﺗﻤﻠﻖ«‪» ،‬ﺗﻮﻫﻴﻦ« ﻭ »ﺗﺤﺮﻳﻒ« ﭘﺎﻳﻪ ﻭ ﺍﺳــﺎﺱ ﻫﻤﺔ‬ ‫ﺍﻳﻦ ﺍﻇﻬﺎﺭﺍﺕ ﺭﺍ ﺗﺸﻜﻴﻞ ﺩﺍﺩﻩ‪.‬‬ ‫ﺑﺮﮔﺰﺍﺭﻯ ﺭﻓﺮﺍﻧﺪﻭﻡ ﻗﺎﻧﻮﻥ ﺍﺳﺎﺳﻰ ﺩﺭ ﺳﻮﺭﻳﻪ ﺑﺎﻋﺚ ﺷﺪ ﻛﻪ ﺍﻳﻨﺒﺎﺭ‬ ‫ﻧﺎﻣﺔ ﺟﻠﻴﻠﻰ ﺧﻴﻠﻰ ﺳــﺮﻳﻊ ﺑﻪ ﺩﻓﺘﺮ ﻛﺎﺗﺮﻳﻦ ﺍﺷــﺘﻮﻥ ﺑﺮﺳﺪ‪ ،‬ﻭ‬ ‫ﺳــﺮﺩﺍﺭ ﻭﺣﻴﺪﻯ ﺟﻬﺖ ﻣﺒﺎﺭﺯﻩ ﺑﺎ ﺁﻣﺮﻳﻜﺎ ﺍﻋﻼﻡ ﺁﻣﺎﺩﮔﻰ ﻛﻨﻨﺪ ﺗﺎ‬ ‫ﺍﺭﺗــﺶ ﺁﺩﻣﺨﻮﺍﺭ ﻧﺎﺗﻮ ﺑﺘﻮﺍﻧﺪ ﺩﺭ ﻛﻤــﺎﻝ ﺣﻤﺎﻗﺖ ﺍﻋﻼﻡ ﺩﺍﺭﺩ ﻛﻪ‪،‬‬ ‫»ﻧﺼﺐ ﺳﭙﺮ ﺩﻓﺎﻋﻰ ﺩﺭ ﺧﺎﻙ ﺗﺮﻛﻴﻪ ﺑﺮﺍﻯ ﻣﻘﺎﺑﻠﻪ ﺑﺎ ﺗﻬﺪﻳﺪ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺳــﺖ!« ﺩﺭ ﻫﻤﻴــﻦ ﮔﻴﺮﻭﺩﺍﺭ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺍﻓﻐﺎﻧﺴــﺘﺎﻥ ﺯﻳﺮ ﭘﺎﻯ‬ ‫ﻃﺎﻟﺒﺎﻥ ﭘﺎﻛﺴﺘﺎﻥ ﻭ ﺟﻤﻜﺮﺍﻥ ﺭﺍ ﻛﺸﻴﺪﻧﺪ‪ ،‬ﻭ ﻧﻬﺎﻳﺖ ﺍﻣﺮ‪ ،‬ﺑﺮﺍﻯ‬ ‫ﺗﺪﺍﻭﻡ ﺗﻮﻃﺌﻪ ﺩﺭ ﺳﻮﺭﻳﻪ‪ ،‬ﺻﺎﻟﺤﻰ ﻣﻨﻔﻮﺭ ﺑﻪ ﻛﻮﻓﻰﻋﻨﺎﻥ ﭘﻴﻮﺳﺖ‪.‬‬ ‫ﺩﺭ ﭘﻰ ﺗﺤﻮﻻﺕ ﺭﻭﺳﻴﻪ‪ ،‬ﻭ ﻫﻤﭽﻨﻴﻦ ﺑﻪ ﺩﻟﻴﻞ ﺷﻜﺴﺖ ﻳﺎﻧﻜﻰﻫﺎ‬ ‫ﺩﺭ ﺳﻮﺭﻳﻪ‪ ،‬ﺩﻭﻟﺖ ﺍﺳﻼﻡﮔﺮﺍﻯ ﺗﺮﻛﻴﻪ ﺗﻀﻌﻴﻒ ﺷﺪﻩ‪ .‬ﺍﺯ ﺳﻮﻯ‬ ‫ﺩﻳﮕــﺮ‪ ،‬ﺩﺭ ﭘﻰ »ﺗﻈﺎﻫﺮﺍﺕ« ﺑﺮ ﻋﻠﻴــﻪ »ﺗﻮﻫﻴﻦ ﺑﻪ ﻗﺮﺁﻥ« ﺩﺭ‬ ‫ﺍﻓﻐﺎﻧﺴﺘﺎﻥ‪ ،‬ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ ﭘﺎﻛﺴﺘﺎﻥ ﻭ ﻫﻤﭽﻨﻴﻦ ﻣﺮﺩﻩﺷﻮﻳﺎﻥ‬ ‫ﺳــﺨﺖ ﺑﻪ ﺍﻓﻼﺱ ﺍﻓﺘﺎﺩﻩﺍﻧﺪ‪ .‬ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺍﺳﺖ ﻛﻪ ﺑﻮﻕﻫﺎﻯ‬ ‫ﺟﻤﻜﺮﺍﻥ ﻣﻰﻛﻮﺷــﻨﺪ ﺗﺮﻛﻴﻪ ﻭ ﺣﻜﻮﻣﺖ ﺍﺳــﻼﻣﻰ ﭘﺎﻛﺴﺘﺎﻥ ﺭﺍ‬ ‫»ﺿﺪﺁﻣﺮﻳﻜﺎﺋﻰ« ﻣﻌﺮﻓﻰ ﻛﻨﻨﺪ! ﭘﺎﻛﺴﺘﺎﻥ ﻛﻪ ﻧﻴﺎﺯﻯ ﺑﻪ ﻣﻌﺮﻓﻰ‬ ‫ﻧﺪﺍﺭﺩ‪ ،‬ﻭﻟﻰ ﻫﻤﻪ ﺑﺪﺍﻧﻨﺪ ﻭ ﺁﮔﺎﻩ ﺑﺎﺷــﻨﺪ ﻛﻪ ﺗﺮﻛﻴﻪ‪ ،‬ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﻋﻀﻮ ﺭﺳــﻤﻰ ﻧﺎﺗﻮ‪ ،‬ﺩﻭﻟﺖ »ﻣﺴﺘﻘﻞ« ﻭ ﺿﺪﺁﻣﺮﻳﻜﺎﺋﻰ ﺩﺍﺭﺩ‪ ،‬ﻭ‬ ‫ﺣﻜﻮﻣــﺖ ﻛﻔﻦﻓﺮﻭﺵﻫﺎ ﻧﻴﺰ ﺑﺮﺍﻯ ﺍﺭﺑﺎﺑــﺎﻥ ﻏﺮﺑﻰﺍﺵ ﺗﻬﺪﻳﺪ ﺑﻪ‬ ‫ﺷــﻤﺎﺭ ﻣﻰﺭﻭﺩ! ﺍﺯ ﻫﻤﻪ ﻣﻬﻢﺗﺮ ﺍﻳﻨﻜﻪ ﺑﺮ ﺍﺳــﺎﺱ ﺍﻳﻦ ﺗﺮﻫﺎﺕ‪،‬‬ ‫ﺭﻭﺳــﻴﻪ ﻭ ﻫﻨﺪ ﻧﻴﺰ ﺧﻮﺍﻫﺎﻥ ﺣﻤﻠﺔ ﺍﺳــﺮﺍﺋﻴﻞ ﺑﻪ ﺍﻳﺮﺍﻥ ﻫﺴﺘﻨﺪ!‬ ‫ﺑﻠﻪ‪ ،‬ﺷﻜﺴــﺖ ﺗﻮﻃﺌﺔ »ﺑﻬﺎﺭﻋﺮﺑﻰ« ﺩﺭ ﻛﺸﻮﺭ ﺳﻮﺭﻳﻪ‪ ،‬ﺧﻴﻠﻰﻫﺎ‬ ‫ﺭﺍ ﺑﻪ ﻫﺬﻳﺎﻥﮔﻮﺋﻰ ﺍﻧﺪﺍﺧﺘﻪ‪» ،‬ﺍﺳﻜﺎﺭ« ﻓﺮﻫﺎﺩﻯ ﺑﻪ ﻛﻨﺎﺭ!‬ ‫ﺣﻨﺎﺯﺭﭼﻮﺑﻪ‪ ،‬ﺭﺳﺎﻧﺔ ﺭﺳــﻤﻰ ﺟﻤﻜﺮﺍﻥ ﺑﺎ ﺍﻧﻌﻜﺎﺱ »ﺗﺒﺮﻳﻜﺎﺕ«‬ ‫ﻣﺤﻤﺪ ﺧﺎﺗﻤﻰ‪ ،‬ﺳﺎﻧﺴﻮﺭﭼﻰ ﺍﻋﻈﻢ ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ ﻭ ﻣﺴﺌﻮﻝ‬ ‫ﺗﺒﻠﻴﻐﺎﺕ ﺟﻨﮓ ‪ 8‬ﺳــﺎﻟﻪ‪ ،‬ﻛﺎﺭ ﺭﺍ ﺑﻪ »ﺗﻮﻫﻴﻦ« ﻭ »ﭼﺮﻧﺪﺑﺎﻓﻰ«‬ ‫ﻣﺤﺪﻭﺩ ﻛﺮﺩﻩ! ﻛﻴﻬﺎﻥ ﺟﻤﻜﺮﺍﻥ ﺩﺭ ﺍﻳﻨﻤﻮﺭﺩ ﺧﻔﻘﺎﻥ ﮔﺮﻓﺘﻪ‪ ،‬ﺩﺭ‬ ‫ﺣﺎﻟﻴﻜﻪ ﻓﺎﺭﺱﻧﻴﻮﺯ‪ ،‬ﺟﺎﻳﺰﺓ ﺍﺳــﻜﺎﺭ ﺭﺍ ﺑﻪ ﺍﺑﺰﺍﺭﻯ ﺑﺮﺍﻯ ﺑﺎﺯﺗﻮﻟﻴﺪ‬

‫ﻣﻄﺎﻟﺒﺎﺕ ﺍﺭﺑﺎﺑﺎﻥ ﺍﺳﺮﺍﺋﻴﻞﭘﺮﺳﺖﺍﺵ ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩﻩ‪ .‬ﺑﻪ ﺍﺩﻋﺎﻯ‬ ‫»ﻓﺎﺭﺱﻧﻴﻮﺯ«‪ ،‬ﻓﺮﻫﺎﺩﻯ ﭘﺲ ﺍﺯ ﺩﺭﻳﺎﻓﺖ ﺍﺳﻜﺎﺭ‪ ،‬ﺍﺯ ﺣﻖ ﻫﺴﺘﻪﺍﻯ‬ ‫ﺣﻜﻮﻣﺖ ﻣﺮﺩﻩﺷﻮﻳﺎﻥ ﺩﻓﺎﻉ ﻣﻔﺼﻠﻰ ﺑﻪ ﻋﻤﻞ ﺁﻭﺭﺩﻩ! ﺩﺭ ﺍﻣﺘﺪﺍﺩ‬ ‫ﻫﻤﻴﻦ ﻣﺴــﻴﺮ ﻣﻘﺪﺱ ژﺍژﺧﺎﺋﻰ‪ ،‬ﮔﺰﺍﻓﻪﮔﻮﺋــﻰ ﻭ ﺩﺭﻭﻍﭘﺮﺩﺍﺯﻯ‪،‬‬ ‫»ﺷﻤﻘﺪﺭﻯ«‪ ،‬ﻣﻌﺎﻭﻥ ﺳﻴﻨﻤﺎﺋﻰ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﻫﻢ ﺩﺭ »ﺍﻳﺴﻨﺎ«‪،‬‬ ‫ﻣﻮﺭﺥ ‪ 8‬ﺍﺳﻔﻨﺪﻣﺎﻩ ﺳﺎﻟﺠﺎﺭﻯ ﺣﺴﺎﺑﻰ ﮔﺮﺩﻭﺧﺎﻙ ﺑﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻪ‪.‬‬ ‫ﺍﻳــﻦ ﻓﺮﺩ ﺩﺭ ﻛﻤﺎﻝ ﺑﻼﻫــﺖ ﻭ ﺣﻤﺎﻗﺖ‪» ،‬ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ« ﺭﺍ ﺩﺭ‬ ‫ﭼﺎﺭﭼــﻮﺏ ﻳــﻚ ﻓﻴﻠﻢ ﺭﻭﻳــﺖ ﻛــﺮﺩﻩ‪ ،‬ﻭ ﺭﺃﻯ ﺩﺍﻭﺭﺍﻥ ﺑﻪ ﻓﻴﻠﻢ‬ ‫ﻓﺮﻫﺎﺩﻯ ﺭﺍ ﻧﺸﺎﻥ ﭘﻴﺮﻭﺯﻯ ﺑﺮ ﺍﺳﺮﺍﺋﻴﻞ ﺩﺍﻧﺴﺘﻪ! ﺑﻠﻪ‪» ،‬ﻓﺮﻫﺎﺩﻯ«‬ ‫ﻳــﻚ ﻓﻴﻠﻢ ﻏﻴﺮﺍﻳﺪﺋﻮﻟﻮژﻳﻚ ﺳــﺎﺧﺘﻪ‪ ،‬ﻫﻴﺌﺖ ﺩﺍﻭﺭﺍﻥ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﺭﺍ ﺑﺮﺍﻯ ﺩﺭﻳﺎﻓﺖ ﺟﺎﻳﺰﻩ ﺍﺳــﻜﺎﺭ ﻣﻨﺎﺳــﺐ ﺗﺸﺨﻴﺺ ﺩﺍﺩﻩ‪ ،‬ﻭ ‪ ...‬ﻭ‬ ‫ﺍﻳﻦ ﻣﺨﺘﺼﺮ ﺷــﻤﻘﺪﺭﻯ ﺑﻴﻨﻮﺍ ﺭﺍ ﺩﺭ ﺑﺮﺍﺑﺮ ﺁﻣﺮﻳﻜﺎ ﻭ ﺍﺳــﺮﺍﺋﻴﻞ ﺑﻪ‬ ‫ﭘﻴﺮﻭﺯﻯ ﺭﺳﺎﻧﺪﻩ‪:‬‬ ‫»]‪ [...‬ﻓــﺮﻭﺩ ﺁﻣﺪﻥ ﺳــﺮ ﺗﻌﻈﻴﻢ ﻗﻀﺎﻭﺕ ﺁﻣﺮﻳﻜﺎﻳــﻰ ﺩﺭ ﻣﻘﺎﺑﻞ‬ ‫ﻓﺮﻫﻨــﮓ ﺍﻳﺮﺍﻧــﻰ ]‪ [...‬ﻭﺍﻛﻨــﺶ ]‪ [...‬ﺁﻛﺎﺩﻣﻰ ﺍﺳــﻜﺎﺭ ﺑﻪ ﻻﺑﻰ‬ ‫ﺻﻬﻴﻮﻧﻴﺴــﺘﻰ ]‪ [...‬ﺁﻏﺎﺯ ﻓﺮﻭﭘﺎﺷﻰ ﺍﺳﺘﻴﻼﻯ ﻻﺑﻰ ﺻﻬﻴﻮﻧﻴﺴﺘﻰ‬ ‫ﺑﺮ ﺟﺎﻣﻌﻪ ﻭ ﻧﻬﺎﺩﻫﺎﻯ ﺁﻣﺮﻳﻜﺎﻳﻰ ]‪«[...‬‬ ‫ﺍﻟﺒﺘﻪ ﺗﻌــﺪﺍﺩ ﺍﻧﮕﺸﺖﺷــﻤﺎﺭﻯ ﺍﺯ ﻣﻘﺎﻣﺎﺕ ﺣﻜﻮﻣــﺖ ﺟﻤﻜﺮﺍﻥ‬ ‫ﺑﻪ ﺍﺳــﻜﺎﺭ ﻓﺮﻫﺎﺩﻯ ﻭﺍﻛﻨﺸــﻰ ﻛﻤﺎﺑﻴﺶ »ﻣﻨﻄﻘﻰ« ﻧﺸﺎﻥ ﺩﺍﺩﻩ‬ ‫ﻭ ﺍﺯ ﺳﻴﺎﺳــﻰ ﻛــﺮﺩﻥ ﻣﻮﺿﻮﻉ ﺧــﻮﺩﺩﺍﺭﻯ ﻛﺮﺩﻩﺍﻧﺪ‪ .‬ﺩﺭ ﻋﻮﺽ‬ ‫ﭘﺎﻣﻨﺒﺮﻯﻫﺎﻯ ﻣﻮﺳــﻮﻯ ﻭ ﻣﺪﺍﻓﻌﺎﻥ ﺳﺮﺷــﻨﺎﺱ ﭼﺎﺩﺭﺳــﻴﺎ‪ ،‬ﺍﺯ‬ ‫ﺟﺎﻳﺰﺓ »ﺍﺳــﻜﺎﺭ« ﺍﺑﺰﺍﺭ ﺍﻣﺮ ﺑﻪ ﻣﻌﺮﻭﻑ ﻭ ﻧﻬﻰ ﺍﺯ ﻣﻨﻜﺮ ﺳﺎﺧﺘﻪﺍﻧﺪ‪.‬‬ ‫ﺍﻳﻨــﺎﻥ ﺑﺎ ﻟﺤﻦ ﻋﺎﻣﻴﺎﻧــﻪ‪ ،‬ﻭﻳﮋﺓ ﺍﻫﺎﻟﻰ »ﭘﻴﻚ ﻧﺖ«‪ ،‬ﻓﺮﻫﺎﺩﻯ ﺭﺍ‬ ‫ﺧﻄﺎﺏ ﻗﺮﺍﺭ ﺩﺍﺩﻩ ﻭ »ﻧﺼﻴﺤﺖ« ﻛﺮﺩﻩﺍﻧﺪ ﺗﺎ ﻣﺮﺍﻗﺐ ﺑﺎﺷﺪ ﺍﺯ »ﺭﺍﻩ‬ ‫ﺭﺍﺳــﺖ«‪ ،‬ﻳﻌﻨﻰ ﺍﺳﺘﻘﺮﺍﺭ ﺩﺭ ﺳﻨﮕﺮ ﺳﺮ ﺳﺒﺰ ﺣﻤﺎﻗﺖ ﻣﻨﺤﺮﻑ‬ ‫ﻧﺸــﻮﺩ ﻭ »ﺳــﻘﻮﻁ« ﻧﻜﻨﺪ! ﺑﻠﻪ‪ ،‬ﺑﺮ ﺍﺳــﺎﺱ ﻓﺘﻮﻯ ﺁﺧﻮﻧﺪﻫﺎﻯ‬ ‫ﺳــﺒﺰ‪ ،‬ﻫﺮ ﻛﺲ ﻃﺮﻓﺪﺍﺭ ﻣﻮﺳــﻮﻯ ﻭ ﻛﺮﻭﺑﻰ ﻧﺒﺎﺷﺪ ﺑﺎﻻﺧﺮﻩ ﺑﻪ‬ ‫»ﻣﻨﺠﻼﺏ ﻓﺴﺎﺩ« ﺳــﻘﻮﻁ ﺧﻮﺍﻫﺪ ﻛﺮﺩ ﻭ ‪ ...‬ﻭ ﺍﺯ ﺑﻬﺸﺖ »ﺍﷲ«‬ ‫ﻣﺤﺮﻭﻡ ﻣﻰﺷﻮﺩ‪ .‬ﺩﺭﺩﺳﺮﺗﺎﻥ ﻧﺪﻫﻢ‪ ،‬ﻫﻤﺔ ﻫﻮﭼﻰﻫﺎﻯ ﻃﻮﻳﻠﺔ‬ ‫ﻣﻚﻛﺎﺭﺗﻰ ﺑﻪ ﺍﻳﻦ ﺍﺳــﻜﺎﺭ ﺩﺧﻴﻞ ﺑﺴﺘﻪ ﻭ ﻣﻄﺎﻟﺒﺎﺕ ﻣﺤﻔﻠﻰﺷﺎﻥ‬ ‫ﺭﺍ ﺑــﻪ ﺁﻥ ﺁﻭﻳــﺰﺍﻥ ﻛﺮﺩﻩﺍﻧــﺪ‪ .‬ﻫﻤﺎﻧﻄﻮﺭ ﻛﻪ ﺩﺭ ﻣــﻮﺭﺩ ﺗﺼﺎﻭﻳﺮ‬

‫ﮔﻠﺸــﻴﻔﺘﻪ ﻓﺮﺍﻫﺎﻧﻰ ﻧﻴﺰ ﻫﻤﻴﻦ ﻧﻤﺎﻳــﺶ ﻣﻬﻮﻉ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ‬ ‫ﺁﻣﺪ‪.‬‬ ‫ﻓﻌﻠﺔ ﻓﺎﺷﻴﺴــﻢ‪ ،‬ﻓﻌﺎﻟﻴــﺖ »ﺍﻧﺴــﺎﻥ ﺁﺯﺍﺩ« ﺭﺍ ﺑﺮﻧﻤﻰﺗﺎﺑﺪ‪ .‬ﺑﻪ‬ ‫ﻫﻤﻴــﻦ ﺩﻟﻴﻞ ﻣﻰﻛﻮﺷــﺪ »ﺍﻧﺴــﺎﻥ« ﻭ »ﻫﻨــﺮ« ﺭﺍ ﺩﺭ ﺧﺪﻣﺖ‬ ‫»ﺳﻴﺎﺳــﺖ«‪» ،‬ﺍﻳﺪﺋﻮﻟــﻮژﻯ« ﻭ »ﻣﻘﺪﺳــﺎﺕ« ﻭ »ﻣــﺮﺩﻡ«‬ ‫ﻗــﺮﺍﺭ ﺩﻫﺪ‪ .‬ﺑﻪ ﻋﻨــﻮﺍﻥ ﻧﻤﻮﻧﻪ‪ ،‬ﻣﻰﺗﻮﺍﻥ ﺍﺯ ﺷــﻜﺮﺧﻮﺭﻯﻫﺎﻯ‬ ‫»ﺳﻠﺤﺸــﻮﺭ« ﻳﺎﺩ ﻛﺮﺩ ﻛﻪ ﺍﻫﺎﻟﻰ »ﺭﺍﺩﻳﻮﻓﺮﺩﺍ« ﺭﺍ ﻫﻢ ﺑﻪ ﺧﻨﺪﻩ‬ ‫ﺍﻧﺪﺍﺧﺘــﻪ‪» .‬ﺳﻠﺤﺸــﻮﺭ« ﻣﻰﮔﻮﻳﺪ‪ ،‬ﻓﻴﻠﻤﻰ ﻛﻪ »ﺍﺭﺯﺷــﻰ«‬ ‫ﻧﺒﺎﺷﺪ‪ ،‬ﻫﻴﭻ ﺍﺭﺯﺷﻰ ﻧﺪﺍﺭﺩ ﻭ ﺟﺎﻳﺰﺓ »ﺍﺳﻜﺎﺭ« ﻫﻢ ﺍﺻ ً‬ ‫ﻼ ﺑﻪ ﺩﺭﺩ‬ ‫ﻧﻤﻰﺧﻮﺭﺩ‪ ،‬ﭼﺮﺍ ﻛﻪ ﺑﻪ ﺭﻫﺒﺮﺍﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﻫﻢ ﺍﺳﻜﺎﺭ ﺩﺍﺩﻩﺍﻧﺪ!‬ ‫ﻳﺎﺩﺁﻭﺭ ﺷﻮﻳﻢ ﺳﻠﺤﺸــﻮﺭ »ﻛﺎﺭﮔﺮﺩﺍﻥ« ﻓﻴﻠﻢ »ﺍﺻﺤﺎﺏ ﻛﻬﻒ«‬ ‫ﻫﻤﭽﻮﻥ ﺍﻣﺎﻡﺍﺵ ﺧﻤﻴﻨﻰ‪» ،‬ﻏﺎﺭ ﭘﺮﺳﺖ« ﻭ »ﻓﺮﻫﻨﮓ ﺳﺘﻴﺰ«‬ ‫ﺍﺳﺖ ﻭ ﻣﺴﻠﻢ ﺑﺪﺍﻧﻴﻢ ﻛﻪ ﻫﺮﮔﺰ ﺍﺯ »ﺭﺍﻩ ﺭﺍﺳﺖ« ﻣﻨﺤﺮﻑ ﻧﺸﺪﻩ‪،‬‬ ‫»ﺳــﻘﻮﻁ« ﻧﺨﻮﺍﻫﺪ ﻛﺮﺩ؛ ﺗﻌﺠﺒﻰ ﻫﻢ ﻧﺪﺍﺭﺩ! ﻛﺴــﻰ ﻛﻪ ﺩﺭ‬ ‫ﺍﻋﻤﺎﻕ ﻟﺠﻨﺰﺍﺭ ﮔﺬﺷﺘﻪﭘﺮﺳــﺘﻰ ﻣﻰﻧﺸﻴﻨﺪ ﺩﻳﮕﺮ ﺑﻪ ﻛﺠﺎ ﺳﻘﻮﻁ‬ ‫ﻛﻨﺪ؟ ﺑﺎﺭﻯ »ﺍﺳﺘﺪﻻﻝ« ﺳﻠﺤﺸﻮﺭ ﺑﺮ ﻣﺰﺧﺮﻓﺎﺕ ﺧﻤﻴﻨﻰ ﺗﻜﻴﻪ‬ ‫ﺩﺍﺭﺩ‪ .‬ﻫﻤﺎﻥ ﻭﺣﺸﻰ ﺑﻴﺎﺑﺎﻧﻰ ﻛﻪ ﺑﺮﺍﻯ ﺗﺄﻣﻴﻦ ﻣﻨﺎﻓﻊ ﺍﺭﺑﺎﺑﺎﻥﺍﺵ‬ ‫ﺩﺭ ﻏﺮﺏ ﺑﻪ ﻃﺮﻓﺪﺍﺭﺍﻥ ﺩﻣﻜﺮﺍﺳــﻰ ﺑﺮﭼﺴﺐ »ﻣﺨﺎﻟﻒ ﺍﺳﻼﻡ«‬ ‫ﻣﻰﺯﺩ ﺗﺎ ﺯﻣﻴﻨﺔ ﺳﺮﻛﻮﺏﺷــﺎﻥ ﺭﺍ ﻓﺮﺍﻫــﻢ ﺁﻭﺭﺩ‪ .‬ﺟﺎﻟﺐ ﺍﻳﻨﻜﻪ‪،‬‬ ‫ﻫﻤﻴﻦ ﭘﺮﻭﭘﺎﮔﺎﻧﺪ ﺍﺳــﺘﻌﻤﺎﺭ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺫﻫﻦ ﻋﻠﻴﻞ ﺳﻠﺤﺸﻮﺭ‬ ‫ﻭ ﺷــﺮﻛﺎء ﺑﻪ »ﺍﺭﺯﺵ« ﺗﺒﺪﻳﻞ ﺷــﺪﻩ‪ .‬ﺑﺮﺍﻯ ﺍﻳﻨﺎﻥ ﺧﻤﻴﻨﻰ ﺩﺭ‬ ‫ﺳﻴﺎﺳﺖ ﻭ ﺍﻧﺪﻳﺸﻪ ﺻﺎﺣﺐﻧﻈﺮ ﺑﻮﺩﻩ ﻭ »ﺩﺷﻤﻦ« ﻣﻰﺧﻮﺍﻫﺪ ﺍﻭ‬ ‫ﺭﺍ ﺍﺯ ﺻﺤﻨﺔ »ﺗﻔﻜﺮ« ﺣﺬﻑ ﻛﻨﺪ‪:‬‬ ‫»]‪ [...‬ﻣﻰﺧﻮﺍﻫﻨﺪ ﺍﻣﺎﻡ ﺭﺍ ﺍﺯ ﻋﺮﺻﻪ ﺳﻴﺎﺳــﺖ ﻭ ﻓﻜﺮ ﻭ ﺍﻧﺪﻳﺸﻪ‬ ‫ﺣﺬﻑ ﻛﻨﻨﺪ]‪ [...‬ﺍﻣﺎﻡ ﺧﻤﻴﻨﻰ ﻣﻰﮔﻔﺘﻨﺪ ]‪ [...‬ﻭﻗﺘﻰ ﺧﺎﺭﺟﻰﻫﺎ‬ ‫ﺍﺯ ﺷــﻤﺎ ﺗﻌﺮﻳﻒ ﻣﻰﻛﻨﻨﺪ ﺑﻪ ﺧﻮﺩﺗﺎﻥ ﺷﻚ ﻛﻨﻴﺪ‪ .‬ﺭﻫﺒﺮﻯ ﻫﻢ‬ ‫ﺩﺭ ﺍﺩﺍﻣﻪ ﺭﺍﻩ ﺍﻣﺎﻡ ﺗﺄﻛﻴﺪ ﻛﺮﺩﻧﺪ ]‪ [...‬ﺟﻮﺍﻳﺰﻯ ﻛﻪ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ‬ ‫ﺧﺎﺭﺟﻰ ﻣﻰﺩﻫﻨﺪ ﺍﺭﺯﺷــﻰ ﻧﺪﺍﺭﻧﺪ ]‪ [...‬ﺟﺸــﻨﻮﺍﺭﻩﻫﺎﺋﻰ ﻣﺎﻧﻨﺪ‬ ‫ﺍﺳــﻜﺎﺭ ﻛﻪ ]‪ [...‬ﺑﻪ ﺭﻫﺒﺮﺍﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﺟﺎﻳــﺰﻩ ﺻﻠﺢ ﻣﻰﺩﻫﺪ‪،‬‬ ‫ﺍﺭﺯﺷﻰ ﻧﺪﺍﺭﺩ ]‪«[...‬‬ ‫ﺑﻠﻪ ﺟﺸــﻨﻮﺍﺭﺓ »ﺍﺳﻜﺎﺭ« ﺑﻪ ﺭﻫﺒﺮﺍﻥ ﺍﺳــﺮﺍﺋﻴﻞ »ﺟﺎﻳﺰﺓ ﺻﻠﺢ«‬ ‫ﺩﺍﺩﻩ! ﻫﻴﭽﻜﺲ ﺑﻪ ﺍﻳﻦ ﮔﻮﺳــﺎﻟﺔ ﻧﻨﻪﺣﺴﻦ ﻧﻤﻰﮔﻮﻳﺪ ﻛﻪ ﺍﮔﺮ‬

‫ﺑﺮﺧــﻮﺭﺩ ﺧﻤﻴﻨــﻰ ﺭﺍ ﺑﭙﺬﻳﺮﻳﻢ‪ ،‬ﺍﺯ ﺣﻖ ﻗﻀــﺎﻭﺕ ﺁﺯﺍﺩ ﻣﺤﺮﻭﻡ‬ ‫ﻣﻰﺷﻮﻳﻢ ﻭ ﻣﻰﺑﺎﻳﺪ »ﻗﻀﺎﻭﺕﻣﺎﻥ« ﺭﺍ ﻫﻤﭽﻮﻥ ﺧﻤﻴﻨﻰ ﺩﺭ ﮔﺮﻭ‬ ‫ﻣﻮﺍﺿﻊ »ﺧﺎﺭﺟﻰﻫﺎ« ﺑﮕﺬﺍﺭﻳﻢ! ﺑﻪ ﻋﺒﺎﺭﺕ ﺩﻳﮕﺮ‪ ،‬ﺍﻳﻦ ﺍﻇﻬﺎﺭﺍﺕ‬ ‫»ﺧﺎﺭﺟﻰ« ﺑﻮﺩ ﻛﻪ ﻣﺴــﻴﺮ ﺣﺎﺝ ﺭﻭﺡﺍﷲ ﺭﺍ ﻣﺸــﺨﺺ ﻣﻰﻛﺮﺩ‪.‬‬ ‫ﻭ ﺍﺯ ﻗﻀــﺎﻯ ﺭﻭﺯﮔﺎﺭ‪ ،‬ﺑــﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺑﻮﺩ ﻛﻪ ﺁﻣﺮﻳﻜﺎ ﺷــﻌﺎﺭ‬ ‫»ﺣﻘﻮﻕ ﺑﺸــﺮ« ﻣﻰﺩﺍﺩ ﺗــﺎ ﺧﻤﻴﻨﻰ ﺑﺘﻮﺍﻧﺪ ﺍﻳــﻦ ﺣﻘﻮﻕ ﺭﺍ ﻧﻔﻰ‬ ‫ﻛــﺮﺩﻩ‪ ،‬ﻣﺪﺍﻓﻌﺎﻥ ﺁﻥ ﺭﺍ ﺁﻣﺮﻳﻜﺎﺋﻰ ﻭ »ﺿﺪﺍﻧﻘﻼﺏ« ﺑﺨﻮﺍﻧﺪ! ﺩﺭ‬ ‫ﺻﻮﺭﺗﻴﻜﻪ ﺗﻬﺎﺟﻢ ﺑﻪ ﻋﺮﺍﻕ ﻭ ﻫﻤﭽﻨﻴﻦ »ﺑﻬﺎﺭﻋﺮﺏ« ﺑﻪ ﺻﺮﺍﺣﺖ‬ ‫ﻧﺸــﺎﻥ ﺩﺍﺩ‪ ،‬ﺍﻳﻦ ﺁﻣﺮﻳﻜﺎﺳــﺖ ﻛــﻪ ﺍﺯ ﺍﺳــﺘﻘﺮﺍﺭ ﺣﻜﻮﻣﺖﻫﺎﻯ‬ ‫ﺍﺳﻼﻣﻰ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﻣﺴﻠﻤﺎﻥﻧﺸﻴﻦ ﺣﻤﺎﻳﺖ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻫﺮ ﭼﻨﺪ ﺳﻠﺤﺸــﻮﺭ ﻭ ﺩﻳﮕﺮ ﺍﻻﻍﻫﺎﻯ ﻃﻮﻳﻠﺔ ﻣﻚﻛﺎﺭﺗﻰ ﺗﻼﺷﻰ‬ ‫ﭘﻴﮕﻴﺮ ﺩﺭ ﻭﺍژﮔﻮﻥﻧﻤﺎﺋﻰ ﺍﻳﻦ ﻭﺍﻗﻌﻴﺖ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ‪ ،‬ﺩﺭ ﻭﺍﻗﻌﻴﺖ‬ ‫ﺗﻐﻴﻴﺮﻯ ﺍﻳﺠﺎﺩ ﻧﻤﻰﺷــﻮﺩ؛ ﻭﺍژﮔﻮﻥﻧﻤﺎﺋﻰ ﺷــﻴﻮﺓ ﺷﻨﺎﺧﺘﻪ ﺷﺪﺓ‬ ‫ﻓﺎﺷﻴﺴﺖﻫﺎﺳﺖ‪ .‬ﺍﻇﻬﺎﺭﺍﺕ ﺳﺮﺷﺎﺭ ﺍﺯ ﺣﻤﺎﻗﺖ ﺳﻠﺤﺸﻮﺭ ﻛﻪ ﺩﺭ‬ ‫ﺳﺎﻳﺖ ﺭﺍﺩﻳﻮﻓﺮﺩﺍ‪ ،‬ﻣﻮﺭﺥ ‪ 8‬ﺍﺳﻔﻨﺪﻣﺎﻩ ﺳﺎﻟﺠﺎﺭﻯ ﻣﻨﻌﻜﺲ ﺷﺪﻩ‬ ‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﺩﺭ ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ ﺍﺭﺍﺫﻝ ﻭ ﺍﻭﺑﺎﺵ ﻫﺮ ﭼﻪ‬ ‫ﺍﺑﻠﻪﺗﺮ ﺟﺎﻳﮕﺎﻩﺷــﺎﻥ ﺑﺮﺗﺮ‪ ،‬ﺑﮕﺬﺭﻳﻢ‪ .‬ﺗﺤﺮﻳﻒ ﺳﺨﻨﺎﻥ ﻓﺮﻫﺎﺩﻯ ﻭ‬ ‫ﻟﻴﭽﺎﺭﮔﻮﺋﻰ ﺑﻪ ﺍﻭ‪ ،‬ﺍﺯ ﻣﻘﺎﻣﺎﺕ ﺟﻤﻜﺮﺍﻥ ﻭ ﺍﻭﺑﺎﺵ ﭘﻴﺮﻭ ﺧﻂ ﺍﻣﺎﻡ‪،‬‬ ‫ﻭ ﺷــﻌﺒﺔ ﺟﻤﻜﺮﺍﻧــﻰ »ﻓﺎﻛﺲ ﻧﻴﻮﺯ« ﺑﻪ ﻣﺮﺍﺗــﺐ ﻓﺮﺍﺗﺮ ﻣﻰﺭﻭﺩ‪.‬‬ ‫ﺳــﺎﻳﺖ ﻓﺎﺭﺳــﻰ »ﺩﻭﻳﭽﻪ ﻭﻟﻪ«‪ ،‬ﻣﻮﺭﺥ ‪ 8‬ﺍﺳﻔﻨﺪﻣﺎﻩ ﺳﺎﻟﺠﺎﺭﻯ‪،‬‬ ‫ﺑﻪ ﺑﻬﺎﻧﺔ ﺑﺮﺭﺳﻰ »ﻭﺍﻛﻨﺶ« ﻣﻘﺎﻣﺎﺕ ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ ﺑﻪ ﺟﺎﻳﺰﺓ‬ ‫ﻓﺮﻫﺎﺩﻯ‪ ،‬ﺗﺤﺮﻳﻒ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﺭﺍ ﭘﻨﻬﺎﻥ ﺩﺍﺷــﺘﻪ‪ .‬ﺑﻠﻪ‪،‬‬ ‫ﺭﺳﺎﻧﻪﻫﺎﻯ ﺑﺮﻭﻧﻤﺮﺯﻯ ﺩﺭ ﺍﻳﻦ ﻋﺮﺻﻪ »ﻣﻬﺎﺭﺕ« ﻓﺮﺍﻭﺍﻥ ﺩﺍﺭﻧﺪ‪.‬‬ ‫ﺍﺯ ﻗﻀﺎﻯ ﺭﻭﺯﮔﺎﺭ ﺩﺭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﺑﻮﺩ ﻛﻪ ﺍﺳﻜﺎﺭ ﻓﺮﻫﺎﺩﻯ‬ ‫ﺭﺍ ﺑﻪ »ﭘﻴﺮﻭﺯﻯ ﺑﺮ ﺍﺳــﺮﺍﺋﻴﻞ« ﭘﻴﻮﻧﺪ ﺯﺩﻩ ﺑﻮﺩﻧﺪ! ﺑﻪ ﺩﻻﻳﻠﻰ ﻛﻪ‬ ‫ﺑﺮ ﻫﻤﮕﺎﻥ ﺭﻭﺷﻦ ﻭ ﻭﺍﺿﺢ ﻭ ﻣﺒﺮﻫﻦ ﺍﺳﺖ‪ ،‬ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﺳﺮﺍﺋﻴﻞ‬ ‫ﺗﺮﺟﻴﺢ ﺩﺍﺩ‪ ،‬ﺩﺭ ﺍﺭﺗﺒﺎﻁ ﺑﺎ ﺍﺳــﻜﺎﺭ‪ ،‬ﻣﺰﺧﺮﻓﺎﺕ ﺷﻤﻘﺪﺭﻯ ﺭﺍ ﺩﺭ‬ ‫ﺑــﻮﻕ ﺑﮕﺬﺍﺭﺩ‪ .‬ﻭ ﺍﻟﺒﺘﻪ ﺭﺍﺑﻄﺔ ﻛﺬﺍ ﺩﻭﺳــﻮﻳﻪ ﺍﺳــﺖ‪ .‬ﺣﻜﻮﻣﺖ‬ ‫ﻣﺮﺩﻩﺷﻮﻳﺎﻥ ﻧﻴﺰ ﻣﻰﻛﻮﺷﺪ ﺍﺯ ﺯﺑﺎﻥ ﺑﻌﻀﻰﻫﺎ ﺩﺭ ﺁﻣﺮﻳﻜﺎ ﻭ ﺍﺳﺮﺍﺋﻴﻞ‬ ‫ﭘﻴﺸﺮﻓﺖﻫﺎﻯ ﻫﺴﺘﻪﺍﻯ ﺍﺳﻼﻡ ﻭ ﻣﺴﻠﻤﻴﻦ ﺭﺍ ﻧﻘﻞ ﻛﻨﺪ‪ .‬ﺭﻭﺷﻦﺗﺮ‬ ‫ﺑﮕﻮﺋﻴﻢ‪ ،‬ﺍﻳﻦ »ﮔﻔﺘﮕﻮ« ﺩﺭ ﻭﺍﻗﻊ ﺑﻴﻦ ﺭﻭﺳﻴﻪ ﻭ ﻣﺠﻤﻮﻋﺔ »ﺁﻣﺮﻳﻜﺎ‬ ‫ـ ﺍﺳﺮﺍﺋﻴﻞ« ﺩﺭ ﺟﺮﻳﺎﻥ ﺍﺳﺖ‪ .‬ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﻮﻧﻪ‪ ،‬ﻧﺨﺴﺖ ﻭﺯﻳﺮ‬ ‫ﺭﻭﺳﻴﻪ ﻣﻰﮔﻮﻳﺪ‪ ،‬ﺩﺭ ﻣﺮﺯﻫﺎﻯ ﻛﺸﻮﺭﺵ ﻗﺪﺭﺕ ﺍﺗﻤﻰ ﻧﻤﻰﭘﺬﻳﺮﺩ‬

‫ﻭ ﺍﺳﺮﺍﺋﻴﻞ ﻫﻢ ﭘﺎﺳﺦ ﻣﻰﺩﻫﺪ ﻛﻪ‪» ،‬ﻫﻴﭽﻜﺲ ﻧﻤﻰﺗﻮﺍﻧﺪ ﺑﺮﻧﺎﻣﺔ‬ ‫ﻫﺴﺘﻪﺍﻯ ﺍﻳﺮﺍﻥ ﺭﺍ ﻣﺘﻮﻗﻒ ﻛﻨﺪ!« ﻳﺎ ﺍﻳﻨﻜﻪ ﻳﻚ ﺍﻓﺴﺮ ﭘﻨﺘﺎﮔﻮﻥ‬ ‫ﻣﻰﻓﺮﻣﺎﻳﻨﺪ‪» ،‬ﺍﻳﺮﺍﻥ ﻫﺮ ﮔﺎﻩ ﺗﺼﻤﻴﻢ ﺑﮕﻴﺮﺩ‪ ،‬ﻣﻰﺗﻮﺍﻧﺪ ﺳــﻼﺡ‬ ‫ﻫﺴﺘﻪﺍﻯ ﺑﺴﺎﺯﺩ‪ «.‬ﺧﻼﺻﻪ ﺩﻋﻮﺍ ﺑﻴﻦ ﺭﻭﺳﻴﻪ ﻭ ﺟﻨﮓﻓﺮﻭﺷﺎﻥ‬ ‫ﺁﻣﺮﻳﻜﺎﺳــﺖ؛ ﺣﻜﻮﻣﺖ ﻣﻔﻠﻮﻙ ﺟﻤﻜــﺮﺍﻥ ﺩﺭ ﺍﻳﻦ ﻣﻴﺎﻧﻪ ﺟﺰ‬ ‫ﺗﺄﻣﻴﻦ ﻣﻨﺎﻓﻊ ﺍﺭﺑﺎﺑﺎﻥ ﻫﻴﭻ ﻧﻘﺶ ﺩﻳﮕﺮﻯ ﻧﺪﺍﺭﺩ ﻭ ﺍﻇﻬﺎﺭﺍﺕ ﺍﺧﻴﺮ‬ ‫ﺻﺎﻟﺤﻰ ﺩﺭ ژﻧﻮ ﺷﺎﻫﺪﻯ ﺍﺳﺖ ﺑﺮﺍﻳﻦ ﻣﺪﻋﺎ‪.‬‬ ‫ﻭﺯﻳﺮ ﺍﻣﻮﺭ ﺧﺎﺭﺟﺔ ﺟﻤﻜﺮﺍﻥ ﻛﻪ ﮔﻮﻳﺎ ﺑﺮﺍﻯ ﺷــﺮﻛﺖ ﺩﺭ ﻧﺸﺴﺖ‬ ‫»ﺣﻘﻮﻕ ﺑﺸــﺮ« ﺑﻪ ژﻧﻮ ﺭﻓﺘﻪ ﺑﻮﺩ‪ ،‬ﻓﺮﻳــﺎﺩ ﺑﺮﺁﻭﺭﺩﻩ ﻛﻪ »ﺁﻣﺮﻳﻜﺎ‬ ‫ﺳﻼﺡﻫﺎﻯ ﺍﺗﻤﻰﺍﺵ ﺭﺍ ﺑﺎﻳﺪ ﻧﺎﺑﻮﺩ ﻛﻨﺪ!« ﻭ ﻣﺨﺎﻃﺐ ﺍﻳﻦ ﺳﺨﻨﺎﻥ‬ ‫ﻫﻢ ﺭﻭﺳﻴﻪ ﺍﺳﺖ‪ ،‬ﻧﻪ ﺁﻣﺮﻳﻜﺎ! ﺳﺨﻨﺎﻥ ﻧﻐﺰ ﻭ ﭘﺮﻣﻐﺰ ﺻﺎﻟﺤﻰ ﺩﺭ‬ ‫ﻣﻬﺮﻧﻴﻮﺯ‪ ،‬ﻣﻮﺭﺥ ‪ 9‬ﺍﺳﻔﻨﺪﻣﺎﻩ ﺳﺎﻟﺠﺎﺭﻯ ﺩﺭ ﺩﺳﺘﺮﺱ ﻣﺸﺘﺎﻗﺎﻥ‬ ‫ﻗــﺮﺍﺭ ﮔﺮﻓﺘــﻪ‪ .‬ﭘﺲ ﻭﺯﻳﺮﺍﻣﻮﺭ ﺧﺎﺭﺟﺔ ﻣﻼﻳــﺎﻥ ﺭﺍ ﺭﻫﺎ ﻛﻨﻴﻢ ﻭ‬ ‫ﺑﭙﺮﺩﺍﺯﻳﻢ ﺑﻪ ﺍﺻﻞ ﻣﻄﻠﺐ‪ ،‬ﻳﻌﻨﻰ ﻻﭘﻮﺷﺎﻧﻰ »ﺩﻭﻳﭽﻪ ﻭﻟﻪ‪«.‬‬ ‫ﺳﺎﻳﺖ ﻓﺎﺭﺳــﻰ ﺻﺪﺍﻯ ﺁﻟﻤﺎﻥ‪ ،‬ﻣﻮﺭﺥ ‪ 8‬ﺍﺳﻔﻨﺪﻣﺎﻩ ﺳﺎﻟﺠﺎﺭﻯ‪،‬‬ ‫ﮔﺰﺍﺭﺷــﻰ ﺗﻬﻴﻪ ﻛﺮﺩﻩ ﻛﻪ ﺩﺭ ﺁﻥ ﺑﻪ ﺗﺤﺮﻳﻒ ﺳﺨﻨﺎﻥ ﻓﺮﻫﺎﺩﻯ‬ ‫ﺩﺭ »ﻓﺎﺭﺱﻧﻴــﻮﺯ« ﺍﺷــﺎﺭﻩ ﺷــﺪﻩ‪ ،‬ﻭﻟــﻰ ﺗﻴﺘﺮ ﺷــﮕﻔﺖﺍﻧﮕﻴﺰ‬ ‫ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﺩﺭ ﺑﺎﺏ ﺍﺳــﻜﺎﺭ ﻓﺮﻫــﺎﺩﻯ ﺍﺯ ﺩﻳﺪﮔﺎﻥﺍﺵ‬ ‫ﭘﻨﻬــﺎﻥ ﻣﺎﻧﺪﻩ! ﭼﻪ ﺩﻟﻴﻠﻰ ﺩﺍﺭﺩ ﻛﻪ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﺑﺠﺎﻯ‬ ‫ﺍﻧﻌﻜﺎﺱ ﻣﻔﻬﻮﻡ ﺳــﺨﻨﺎﻥ ﻓﺮﻫــﺎﺩﻯ‪ ،‬ﺑﺎﺯﺗﺎﺏ ﭼﺮﻧﺪﻳﺎﺕ ﺍﻣﺜﺎﻝ‬ ‫ﺳﻠﺤﺸــﻮﺭ ﻭ ﺷــﻤﻘﺪﺭﻯ ﺭﺍ ﺑﺮﮔﺰﻳﻨﺪ؟ ﻭ ﭼــﻪ ﺩﻟﻴﻠﻰ ﺩﺍﺭﺩ ﻛﻪ‬ ‫ﺻﺪﺍﻯ ﺁﻟﻤﺎﻥ ﺩﺭ ﺑﺮﺍﺑﺮ ﺍﻳﻦ ﺣﺮﻛﺖ ﻣﺰﻭﺭﺍﻧﻪ ﺳﻜﻮﺕ ﻛﻨﺪ؟ ﻣﮕﺮ‬ ‫»ﺗﺤﺮﻳــﻒ« ﻧﻴﻚ ﻭ ﺑــﺪ ﺩﺍﺭﺩ؟ ﺑﻪ ﻫﻴﭻ ﻋﻨــﻮﺍﻥ! ﺍﻣﺎ ﻧﺎﺩﻳﺪﻩ‬ ‫ﮔﺮﻓﺘﻦ »ﺗﺤﺮﻳﻒ« ﺭﺳــﺎﻧﺔ ﺟﻤﻌﻰ ﺍﺳــﺮﺍﺋﻴﻞ ﺍﺯ ﺩﻟﻴﻞ ﻣﻮﺟﻬﻰ‬ ‫ﺑﺮﺧﻮﺭﺩﺍﺭ ﺍﺳﺖ‪ .‬ﺩﺭ »ﺩﻭﻳﭽﻪ ﻭﻟﻪ«‪ ،‬ﻃﺮﻓﺪﺍﺭﻯ ﺑﻰﻗﻴﺪ ﻭ ﺷﺮﻁ‬ ‫ﺍﺯ ﺍﺳــﺮﺍﺋﻴﻞ‪ ،‬ﺑﺎ »ﮔﺮﺍﻳﺶ ﭼﭗ« ﺗﺮﺍﺩﻑ ﻳﺎﻓﺘﻪ! ﮔﻮﻳﺎ ﭼﭗﻫﺎﻯ‬ ‫ﺁﻟﻤﺎﻥ ﻳﻜﻰ ﺍﺯ ﺍﻋﻀﺎﻯ ﻗﺒﻴﻠﺔ ﺍﺳﺮﺍﺋﻴﻞﭘﺮﺳــﺖ »ﻛﻼﺭﺳﻔﻠﺪ« ﺭﺍ‬ ‫ﺑﺮﺍﻯ ﺭﻳﺎﺳﺖﺟﻤﻬﻮﺭﻯ ﺍﻳﻦ ﻛﺸﻮﺭ ﺑﺮﮔﺰﻳﺪﻩﺍﻧﺪ‪:‬‬ ‫»ﺣﺰﺏ ﭼﭗ ﺁﻟﻤﺎﻥ ﺧﺎﻧﻢ ﻛﻼﺭﺳﻔﻠﺪ ﺭﺍ ﻧﺎﻣﺰﺩ ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ‬ ‫ﻛﺮﺩ‪«.‬‬ ‫ﺍﻟﺒﺘــﻪ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﺳــﺮﺍﺋﻴﻞ ﭘﻴﺶ ﺍﺯ »ﺩﻭﻳﭽﻪ ﻭﻟــﻪ« ﺍﻳﻦ ﺧﺒﺮ‬ ‫ﺭﺍ ﭘﺨــﺶ ﻛﺮﺩﻩ ﺑــﻮﺩ‪ .‬ﺩﺭ ﻫﺮ ﺣﺎﻝ‪ ،‬ﮔﻮﻳﺎ ﺧﺎﻧﻢ ﻛﻼﺭﺳــﻔﻠﺪ‬

‫ﺷﻬﺮﺕﺷــﺎﻥ ﺭﺍ ﻣﺪﻳﻮﻥ »ﺍﻓﺸــﺎﮔﺮﻯ« ﻋﻠﻴــﻪ ﻧﺎﺯﻯﻫﺎﻯ ﺁﻟﻤﺎﻥ‬ ‫ﻫﺴــﺘﻨﺪ ﻭ ﻛﺎﺭﻯ ﺑﺎ ﻧﻘﺾ ﺣﻘﻮﻕ ﺍﻧﺴﺎﻧﻰ ﻭ ﺍﻳﻦ ﻣﺴﺎﺋﻞ ﻧﺪﺍﺭﻧﺪ‪.‬‬ ‫ﺍﻳﻦ ﻓﺮﺩ ﺩﺭ ﻭﺍﻗﻊ ﻭﻛﻴﻞ ﻣﺪﺍﻓﻊ ﻳﻬﻮﺩﻳﺎﻥ »ﻣﺘﻌﻬﺪ« ﻭ »ﻣﻜﺘﺒﻰ«‬ ‫ﺍﺳــﺖ ﻭ ﺑﻪ ﺍﻳﻦ ﺗﺮﺗﻴﺐ ﺍﮔﺮ ﺩﺭ ﺟﺎﻳﮕﺎﻩ ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﺁﻟﻤﺎﻥ‬ ‫ﺑﻨﺸﻴﻨﺪ »ﺗﻘﺪﺱ« ﻫﻢ ﺧﻮﺍﻫﺪ ﻳﺎﻓﺖ! ﺍﻳﻦ ﺍﺳﺖ ﺩﻟﻴﻞ ﺍﺭﺍﺩﺕ ﺑﻪ‬ ‫ﺍﺻﻄﻼﺡ »ﭼﭗﻫﺎﻯ« ﺁﻟﻤﺎﻥ ﺑﻪ ﺍﻳﺸﺎﻥ‪:‬‬ ‫»]‪ [...‬ﺗﻤﺎﻣﻰ ﺍﺣﺰﺍﺏ ﺳﻴﺎﺳــﻰ ﺁﻟﻤــﺎﻥ‪ ،‬ﺑﻪ ﻏﻴﺮ ﺍﺯ ﭼﭗﻫﺎ ]‪[...‬‬ ‫ﻳﻮﺍﺧﻴــﻢ ﮔﺎﻭﻙ ﺭﺍ ﺑــﻪ ﻋﻨــﻮﺍﻥ ﻧﺎﻣﺰﺩ ﺧﻮﺩ ﺑــﺮﺍﻯ ﺗﺼﺪﻯ ﻣﻘﺎﻡ‬ ‫ﺭﻳﺎﺳــﺖ ﺟﻤﻬﻮﺭﻯ ﻣﻌﺮﻓــﻰ ﻛﺮﺩﻧــﺪ]‪ [...‬ﮔﺎﻭﻙ ]‪ [...‬ﺍﺯ ﻓﻌﺎﻻﻥ‬ ‫ﻣﺸﻬﻮﺭ ﺣﻘﻮﻕ ﺷﻬﺮﻭﻧﺪﻯ ﺩﺭ ﺁﻟﻤﺎﻥ ﺷﺮﻗﻰ ﺳﺎﺑﻖ ﺍﺳﺖ]‪«[...‬‬ ‫ﭼﻪ ﺧﻮﺏ ﺷــﺪ ﻛﻪ ﺑﺎ ﭼﭗﻫﺎﻯ ﺁﻟﻤﺎﻥ ﺁﺷــﻨﺎ ﺷﺪﻳﻢ! ﺍﻳﻨﺎﻥ ﻧﻴﺰ‬ ‫ﺩﺭ ﻣﺴــﻴﺮ ﺗﻮﺣﺶ ﺑﺎﻭﺭﻫﺎ ﮔﺎﻡ ﺑﺮﻣﻰﺩﺍﺭﻧــﺪ ﻭ ﻣﻰﺧﻮﺍﻫﻨﺪ ﺑﺮﺍﻯ‬ ‫ﻣﺨﺎﻟﻔﺎﻥ ﻧﺎﺯﻳﺴــﻢ »ﺳــﻨﮕﺮﺣﻖ« ﺑﺴــﺎﺯﻧﺪ‪ .‬ﺣﺎﻝ ﺁﻧﻜﻪ ﺻﺮﻑ‬ ‫ﻣﺨﺎﻟﻔﺖ ﺑﺎ ﻧﺎﺯﻳﺴــﻢ ﻧﻤﻰﺗﻮﺍﻧﺪ ﺍﻣﺘﻴﺎﺯ ﻣﺤﺴﻮﺏ ﺷﻮﺩ؛ ﭼﺮﺍ ﻛﻪ‬ ‫ﺩﺭ ﺍﻳﻨﺼﻮﺭﺕ ﺍﺳﺘﺎﻟﻴﻨﻴﺴــﻢ ﻫﻢ ﺑﻪ ﺩﻟﻴﻞ ﺗﻀﺎﺩﺍﺵ ﺑﺎ ﻧﺎﺯﻳﺴﻢ ﺩﺭ‬ ‫ﺟﺎﻳﮕﺎﻩ »ﻣﻤﺘﺎﺯ« ﺧﻮﺍﻫﺪ ﻧﺸﺴﺖ‪ .‬ﺑﻠﻪ‪» ،‬ﺣﻜﻤﺖ« ﺍﻳﻦ ﻣﺴﺎﺋﻞ‬ ‫ﻣﺒﻬــﻢ ﺭﺍ ﻣﻰﺑﺎﻳﺪ ﺩﺭ ﻣﺤﻔﻞ ﻧﻮﺑﻞ ﺟﺴــﺘﺠﻮ ﻛﻨﻴﻢ ﻛﻪ ﺑﻪ ﺍﻣﺜﺎﻝ‬ ‫ﺟﻴﻤﻰﻛﺎﺭﺗــﺮ ﻭ ﺍﻭﺑﺎﻣﺎ ﻧﻮﺑﻞ ﺻﻠﺢ ﺍﻫﺪﺍء ﻣﻰﻛﻨﺪ ﻭ‪ ...‬ﻭ ﺍﻣﺴــﺎﻝ‬ ‫ﻫﻢ ﺍﺯ ﻗﺮﺍﺭ ﻣﻌﻠــﻮﻡ ﻧﺎﻡ ﻫﻠﻤﻮﺕﻛﻬﻞ‪ ،‬ﻛﺎﺭﮔﺰﺍﺭ ﻳﺎﻧﻜﻰﻫﺎ ﺩﺭ ﺍﻣﺮ‬ ‫ﻣﻘﺪﺱ ﺗﺠﺰﻳﺔ ﻳﻮﮔﺴﻼﻭﻯ ﺩﺭ ﻓﻬﺮﺳﺖ ﻧﺎﻣﺰﺩﻫﺎﻯ »ﻧﻮﺑﻞ ﺻﻠﺢ«‬ ‫ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ‪ ،‬ﺍﺯ ﻣﻄﻠﺐ ﺩﻭﺭ ﺍﻓﺘﺎﺩﻳﻢ! ﺑﺎﺯﮔﺮﺩﻳﻢ ﺑﻪ ﺑﻬﺮﻩ ﺑﺮﺩﺍﺭﻯ‬ ‫ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ ﺧﺎﺭﺟﺔ ﻳﺎﻧﻜﻰﻫﺎ ﺍﺯ »ﺍﺳﻜﺎﺭ!«‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺭﺍﺩﻳﻮﻓﺮﺩﺍ‪ ،‬ﻣﻮﺭﺥ ‪ 9‬ﺍﺳﻔﻨﺪﻣﺎﻩ ﺳﺎﻟﺠﺎﺭﻯ‪ ،‬ﻭﻳﻜﺘﻮﺭﻳﺎ‬ ‫ﻧﻮﻟﻨﺪ‪ ،‬ﺳــﺨﻨﮕﻮﻯ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭﺧﺎﺭﺟﻪ ﺁﻣﺮﻳﻜﺎ ﺩﺭﻳﺎﻓﺖ ﺍﺳﻜﺎﺭ ﺭﺍ‬ ‫ﺑﻪ ﺍﺻﻐﺮ ﻓﺮﻫﺎﺩﻯ »ﺗﺒﺮﻳﻚ« ﮔﻔﺘﻪ! ﺍﻳﺸــﺎﻥ »ﻋﻈﻤﺖ ﺗﺎﺭﻳﺨﻰ‬ ‫ﺻﻨﻌﺖ ﺳــﻴﻨﻤﺎﻯ ﻣﺴــﺘﻘﻞ ﺍﻳﺮﺍﻥ« ﺭﺍ ﺳــﺘﻮﺩﻩ ﻭ ﻣﻰﻓﺮﻣﺎﻳﻨﺪ‪،‬‬ ‫ﻓﺮﻫــﺎﺩﻯ ﺗﺼﻮﻳــﺮﻯ »ﺍﺭﺯﺷــﻤﻨﺪ« ﺍﺯ ﺯﻧﺪﮔــﻰ ﺩﺭ ﺍﻳــﺮﺍﻥ ﺍﺭﺍﺋﻪ‬ ‫ﻣﻰﺩﻫــﺪ! ﺑﻠــﻪ ﻓﺮﻫﺎﺩﻯ ﻫﺮ ﭼﻪ ﺍﺯ ﺳﻴﺎﺳــﺖ ﺑﮕﺮﻳﺰﺩ ﺑﻰﻓﺎﻳﺪﻩ‬ ‫ﺍﺳــﺖ؛ ﺳﻠﺤﺸﻮﺭ ﻭ ﺷﻤﻘﺪﺭﻯ ﻭ ﺩﻳﮕﺮ ﺍﻭﺑﺎﺵ ﭘﻴﺮﻭ ﺧﻂ ﺍﻣﺎﻡ ﺍﺯ‬ ‫ﻳﻚ ﺳــﻮ‪ ،‬ﻭ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭﺧﺎﺭﺟﺔﺁﻣﺮﻳﻜﺎ ﺍﺯ ﺳــﻮﻯ ﺩﻳﮕﺮ ﻳﻘﻪﺍﺵ‬

‫ﺭﺍ ﺧﻮﺍﻫﻨــﺪ ﮔﺮﻓﺖ‪ ،‬ﭼﺮﺍ؟ ﭼﻮﻥ ﺟﺴــﺎﺭﺕ ﻛﺮﺩﻩ ﻭ ﻳﻚ ﻓﻴﻠﻢ‬ ‫ﻏﻴﺮﺳﻴﺎﺳﻰ ﻭ ﻏﻴﺮﺍﺭﺯﺷﻰ ﺳﺎﺧﺘﻪ‪:‬‬ ‫»]‪ [...‬ﺍﻳﻦ ﻧﺨﺴﺘﻴﻦ ﻓﻴﻠﻢ ﺍﻳﺮﺍﻧﻰ ﺍﺳﺖ ﻛﻪ ﺑﺮﻧﺪﻩ ﺍﺳﻜﺎﺭ ﻣﻰﺷﻮﺩ‬ ‫ﻭ ﻣــﻦ ﺍﺯ ﺟﺎﻧﺐ ﻫﻤﻪ ﺑﻪ ﺍﺻﻐــﺮ ﻓﺮﻫﺎﺩﻯ ﺗﺒﺮﻳﻚ ﻣﻰﮔﻮﻳﻢ ]‪[...‬‬ ‫ﺍﻳﻦ ﻓﻴﻠﻤﻰ ﺍﺳــﺖ ﻛــﻪ ﻭﺍﻗﻌﺎً ﺑﻪ ﺟﻬﺎﻥ ﺗﺼﻮﻳﺮﻯ ﺍﺭﺯﺷــﻤﻨﺪ ﺍﺯ‬ ‫ﺯﻧﺪﮔــﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺭﺍﺋﻪ ﻣﻰﻛﻨــﺪ‪ .‬ﻣﺎ ]‪ [...‬ﭘﻮﻳﻨﺪﮔﻰ ﻭ ﻋﻈﻤﺖ‬ ‫ﺗﺎﺭﻳﺨﻰ ﺻﻨﻌﺖ ﺳــﻴﻨﻤﺎﻯ ﻣﺴﺘﻘﻞ ﺍﻳﺮﺍﻥ ﺭﺍ ﺗﺤﺴﻴﻦ ﻣﻰﻛﻨﻴﻢ‬ ‫]‪«[...‬‬ ‫ﺩﺭ ﺍﻳــﻦ ﺭﺍﺑﻄﻪ ﺣﺪﺍﻗﻞ ‪ 3‬ﭘﺮﺳــﺶ ﻣﻨﻄﻘﻰ ﻣﻄﺮﺡ ﻣﻰﺷــﻮﺩ‪.‬‬ ‫ﻧﺨﺴــﺖ ﺍﻳﻨﻜﻪ ﺳــﻴﻨﻤﺎﻯ »ﻣﺴــﺘﻘﻞ« ﺍﻳﺮﺍﻥ ﺍﺯ ﻛﺪﺍﻡ ﻋﻈﻤﺖ‬ ‫ﺗﺎﺭﻳﺨــﻰ ﺑﺮﺧﻮﺭﺩﺍﺭ ﺷــﺪﻩ؟ ﺩﻳﮕﺮ ﺁﻧﻜﻪ ﻓﻴﻠــﻢ ﺍﺻﻐﺮ ﻓﺮﻫﺎﺩﻯ‬ ‫ﺗﺼﻮﻳﺮﻯ »ﺍﺭﺯﺷــﻤﻨﺪ« ﺍﺯ ﺯﻧﺪﮔــﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺭﺍﺋﻪ ﻣﻰﺩﻫﺪ‪ ،‬ﻳﺎ‬ ‫ﺗﺼﻮﻳﺮﻯ »ﻏﻴﺮﺍﺭﺯﺷﻰ« ﺍﺯ ﺯﻧﺪﮔﻰ ﺍﻧﺴﺎﻥﻫﺎ ﺭﺍ ﺑﺎﺯﻣﻰﺗﺎﺑﺎﻧﺪ؟ ﻭ‬ ‫ﻧﻬﺎﻳــﺖ ﺍﻣﺮ ﺍﻳﻨﻜﻪ‪ ،‬ﺩﻟﻴﻞ ﺗﺒﺮﻳــﻚ ﮔﻔﺘﻦ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ ﺧﺎﺭﺟﺔ‬ ‫ﺁﻣﺮﻳﻜﺎ ﺑﻪ ﻳﻚ ﻓﻴﻠﻢﺳﺎﺯ ﭼﻴﺴﺖ؟ ﻣﮕﺮ ﻫﺮ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺧﺎﺭﺟﻰ‬ ‫ﻛﻪ ﺑﺮﺍﻯ ﻧﺨﺴــﺘﻴﻦ ﺑﺎﺭ ﺑﺮﻧﺪﺓ ﺍﺳــﻜﺎﺭ ﺷــﻮﺩ‪ ،‬ﺍﺯ ﺳﻮﻯ ﻭﺯﺍﺭﺕ‬ ‫ﺍﻣــﻮﺭ ﺧﺎﺭﺟﺔ ﺁﻣﺮﻳﻜﺎ ﺗﺒﺮﻳﻚﺑﺎﺭﺍﻥ ﻣﻰﺷــﻮﺩ؟ ﭘﺎﺳــﺦ ﺑﻪ ﺍﻳﻦ‬ ‫ﭘﺮﺳــﺶ ﻣﻨﻔﻰ ﺍﺳﺖ! ﺍﻳﻦ ﺗﺒﺮﻳﻜﺎﺕ ﺻﻤﻴﻤﺎﻧﻪ ﺩﺭ ﻭﺍﻗﻊ ﺗﺤﻘﻴﺮ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻧــﻰ ﺍﺳــﺖ ﻛﻪ ﭘــﺲ ﺍﺯ ﺩﺭﻳﺎﻓﺖ ﺍﺳــﻜﺎﺭ‪ ،‬ﺑﻪ ﺻﺮﺍﺣﺖ‬ ‫ﺧﺸــﻮﻧﺖ ﺭﺍ ﻧﻜﻮﻫــﺶ ﻛــﺮﺩﻩ ﻭ ﺍﺯ ﺁﻻﻳﺶ ﻓﺮﻫﻨــﮓ ﻭ ﺗﻤﺪﻥ‬ ‫ﻛﺸﻮﺭﺵ ﺑﻪ ﺳﻴﺎﺳﺖ ﮔﻼﻳﻪ ﺩﺍﺭﺩ‪:‬‬ ‫»]‪ [...‬ﺳﻼﻡ ﺑﻪ ﻣﺮﺩﻡ ﺧﻮﺏ ﺳﺮﺯﻣﻴﻦﺍﻡ‪ .‬ﺩﺭ ﺍﻳﻦ ﻟﺤﻈﻪ ﺑﺴﻴﺎﺭﻯ‬ ‫ﺍﻳﺮﺍﻧﻴــﺎﻥ ]‪ [...‬ﻣﺎ ﺭﺍ ﻧﮕﺎﻩ ﻣﻰﻛﻨﻨﺪ‪ .‬ﻓﻜﺮ ﻣﻰﻛﻨﻢ ﺁﻥﻫﺎ ﺑﺴــﻴﺎﺭ‬ ‫ﺧﻮﺷــﺤﺎﻝﺍﻧﺪ ]‪ [...‬ﭼﻮﻥ ﺩﺭ ﺍﻳﻦ ﺯﻣــﺎﻥ ﻛﻪ ﺻﺤﺒﺖ ﺟﻨﮓ ﻭ‬ ‫ﺗﻬﺪﻳﺪ ﻭ ﺣﻤﻠﻪ ﺑﻴﻦ ﺳﻴﺎﺳﺘﻤﺪﺍﺭﺍﻥ ﺭﺩ ﻭ ﺑﺪﻝ ﻣﻰﺷﻮﺩ‪ ،‬ﺍﻳﻨﺠﺎ‬ ‫ﺻﺤﺒﺖ ﺍﺯ ﻓﺮﻫﻨﮓ ﻏﻨﻰ ﻛﺸﻮﺭﺷﺎﻥ ﺍﻳﺮﺍﻥ ﺍﺳﺖ‪ .‬ﻳﻚ ﻓﺮﻫﻨﮓ‬ ‫ﻏﻨﻰ ﻭ ﻗﺪﻳﻤﻰ ﻛﻪ ﺯﻳﺮ ﮔﺮﺩ ﻭ ﻏﺒﺎﺭ ﺳﻴﺎﺳــﺖ ﭘﻨﻬﺎﻥ ﻣﺎﻧﺪﻩ ]‪[...‬‬ ‫ﻣﻦ ﺑﺎ ﺍﻓﺘﺨﺎﺭ ﺍﻳﻦ ﺟﺎﻳﺰﻩ ﺭﺍ ﺗﻘﺪﻳﻢ ﻣﺮﺩﻡ ﺳــﺮﺯﻣﻴﻦﺍﻡ ﻣﻰﻛﻨﻢ‪.‬‬ ‫ﻣﺮﺩﻣــﻰ ﻛﻪ ﺑﺮﺍﻯ ﻫﻤﻪ ﻓﺮﻫﻨﮓﻫﺎ ﻭ ﺗﻤﺪﻥﻫﺎ ﺍﺣﺘﺮﺍﻡ ﻗﺎﺋﻞﺍﻧﺪ ﻭ‬ ‫ﺑﺎ ﻧﻔﺮﺕ ﻭ ﺧﺸﻮﻧﺖ ﺳﺮ ﺳﺎﺯﮔﺎﺭﻯ ﻧﺪﺍﺭﻧﺪ‪«.‬‬

‫ﺁﻥﻫــﺎ ﻛﻪ »ﺩﻭﺳــﺖ« ﺩﺍﺭﻧــﺪ ﺩﺭ ﺍﻳــﻦ ﺍﻇﻬﺎﺭﺍﺕ »ﻣﺒــﺎﺭﺯﻩ ﺑﺎ‬ ‫ﺻﻬﻴﻮﻧﻴﺴﻢ« ﻭ ﺗﺄﻛﻴﺪ ﺑﺮ »ﺣﻖ ﻫﺴﺘﻪﺍﻯ« ﺑﺒﻴﻨﻨﺪ‪ ،‬ﺩﻳﮕﺮﺍﻥ ﻫﻢ‬ ‫ﻣﻰﺗﻮﺍﻧﻨــﺪ ﺩﺭ ﻓﻴﻠﻢ ﻓﺮﻫﺎﺩﻯ »ﺗﺼﻮﻳﺮ ﺍﺭﺯﺷــﻤﻨﺪ« ﻭ ﻃﺮﻓﺪﺍﺭﻯ‬ ‫ﺍﺯ ﺍﺻﻼﺣﺎﺕﭼﻰﻫﺎ ﻭ ﺑﻬﺎﺭﻋﺮﺏ ﻭ »ﺩﻭﺳــﺘﻰ ﺑﺎ ﻭﺍﺷــﻨﮕﺘﻦ« ﻭ‬ ‫ﻫــﺮ ﺁﻧﭽﻪ ﺩﻝﺗﻨﮓﺷــﺎﻥ ﻣﻰﺧﻮﺍﻫﺪ ﺑﺒﻴﻨﻨــﺪ! ﺭﺍﺩﻳﻮ ﻓﺮﺩﺍ ﻫﻢ‬ ‫ﻣﻰﺗﻮﺍﻧــﺪ ﺍﺯ ﺯﺑﺎﻥ »ﻓﺮﻫــﺎﺩﻯ« ﺑﻪ ﻣﺎ ﺑﮕﻮﻳــﺪ‪» ،‬ﺩﻭﻟﺖ ﺍﻳﺮﺍﻥ‬ ‫ﭼﻨﺪﺍﻥ ﻳﻜﺪﺳــﺖ ﻧﻴﺴــﺖ!« ﻣﺴــﻠﻢ ﺍﺳــﺖ ﻛﻪ ﺩﻭﻟــﺖ ﺍﻳﺮﺍﻥ‬ ‫ﻳﻜﺪﺳــﺖ ﻧﻴﺴﺖ؛ »ﺳﻼﻳﻖ« ﻭ »ﺑﺎﻭﺭﻫﺎﻯ« ﺍﻓﺮﺍﺩ ﺩﺭ ﻫﻤﺔ ﺩﻧﻴﺎ‬ ‫ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ! ﺁﻧﭽﻪ ﺍﻫﻤﻴﺖ ﺩﺍﺭﺩ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺣﺎﻛﻤﻴﺖ ﺩﺭ‬ ‫ﺍﻳﺮﺍﻥ ﺑﺮﺍﺳﺎﺱ »ﺑﺎﻭﺭﻫﺎﻯ ﻣﻘﺪﺱ« ﺑﻨﺎ ﺷﺪﻩ ﺗﺎ ﻫﺮ ﮔﺎﻩ ﻣﺼﻠﺤﺖ‬ ‫ﺗﺸﺨﻴﺺ ﺩﺍﺩﻩ ﺷﺪ‪ ،‬ﺑﻮﻕﻫﺎﻯ ﺳﺎﺯﻣﺎﻥ ﺳﻴﺎ »ﻳﻚ ﺑﺎﻭﺭ« ﺧﺎﺹ‬ ‫ﺭﺍ ﺑﻪ ﺍﺭﺯﺵ ﺑﮕﺬﺍﺭﻧﺪ ﻳﺎ ﺑﻪ ﻗﻮﻝ ﺧﺎﻧﻢ ﻭﻳﻜﺘﻮﺭﻳﺎ ﻧﻮﻟﻨﺪ‪» ،‬ﺗﺼﻮﻳﺮ‬ ‫ﺍﺭﺯﺷﻤﻨﺪ« ﺍﺯ ﺁﻥ ﺍﺭﺍﺋﻪ ﺩﻫﻨﺪ‪.‬‬