20ﺍﻛﺘــﺒﺮ 2011
ﺍﺑﻠﻪﭘﺴــﻨﺪﺗﺮﻳﻦ ﺳــﻨﺎﺭﻳﻮﻫﺎﻯ ﻫﻮﻟﻴﻮﻭﺩ ﺑﺮ ﻣﺤــﻮﺭ »ﻧﺎﺑﻮﺩﻯ« ﺗﻤﺮﻛﺰ ﻳﺎﻓﺘﻪ ،ﺑــﻪ ﻭﻳﮋﻩ ﻧﺎﺑﻮﺩﻯ »ﺍﻧﺴــﺎﻥ« .ﺁﺭﺗﻴﺴــﺘﻪ ﺑﻪ ﺩﻻﺋﻞ ﻣﺨﺘﻠﻒ ﻣﻰﻛﻮﺷﺪ ﻳﻚ ﺍﻧﺴﺎﻥ ﺩﻳﮕﺮ ﺭﺍ ﻧﺎﺑﻮﺩ ﻛﻨﺪ .ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﻮﻧــﻪ ،ﺍﮔﺮ ﭘﺮﺳــﻮﻧﺎژ ﺍﺻﻠــﻰ ﺍﺯ ﻣﻘﺎﻣﺎﺕ ﺑﻠﻨﺪﭘﺎﻳﻪ ﻳﻨﮕﻪﺩﻧﻴﺎ ﺑﺎﺷــﺪ ﻭ ﻣﺮﺗﻜﺐ ﺧﻼﻑ ﺷــﻮﺩ، ﻣﻰﻛﻮﺷﺪ ﺷﺎﻫﺪ ﻭ ﺍﺳﻨﺎﺩ ﺩﺍﻝ ﺑﺮ ﻋﻤﻞ ﺧﻼﻑﺍﺵ ﺭﺍ ﻧﺎﺑﻮﺩ ﻛﻨﺪ .ﭘﺮﺳﻮﻧﺎژ ﻛﺬﺍ ﭘﺲ ﺍﺯ ﻣﻮﻓﻘﻴﺖ ﺩﺭ ﺟﻨﺎﻳﺖ ﻧﻴﺰ ﺑﺎ ﺑﺮﭘﺎﺋﻰ ﻣﺮﺍﺳــﻢ ﺳﻮﮔﻮﺍﺭﻯ ﺑﺎﺷــﻜﻮﻩ ،ﺑﺮﺍﻯ ﻣﻘﺘﻮﻝ ﭼﻨﺪ ﻟﻴﺘﺮ ﺍﺷﻚ ﺗﻤﺴﺎﺡ ﻣﻰﺭﻳﺰﺩ .ﺩﺭ ﭘﺎﻳﺎﻥ ﻓﻴﻠﻢ ﻣﻤﻜﻦ ﺍﺳــﺖ ﺭﺳــﻮﺍﺋﻰ ﭘﺮﺳــﻮﻧﺎژ ﺭﺍ ﺷــﺎﻫﺪ ﺑﺎﺷــﻴﻢ ،ﺷﺎﻳﺪ ﻫﻢ ﺑﻪ
ﺧﻮﺑﻰ ﻭ ﺧﻮﺷﻰ ﻣﺎﺟﺮﺍ ﺑﻪ ﻧﻔﻊ ﺟﻨﺎﻳﺘﻜﺎﺭ ﭘﺎﻳﺎﻥ ﮔﻴﺮﺩ .ﺳﻴﺎﺳﺖ ﻳﺎﻧﻜﻰﻫﺎ ﻭ ﻣﺘﺤﺪﺍﻥﺷــﺎﻥ ﺩﺭ ﻛﺸــﻮﺭﻫﺎﻯ ﺟﻬﺎﻥ ﺳﻮﻡ ﺩﻗﻴﻘﺎً ﺍﺯ ﻫﻤﻴﻦ ﺳــﻨﺎﺭﻳﻮ ﭘﻴــﺮﻭﻯ ﻣﻰﻛﻨﺪ ،ﺑﺎ ﺍﻳﻦ ﺗﻔــﺎﻭﺕ ﻛﻪ ﺻﺎﺣﺒﺎﻥ ﻃﻮﻳﻠﺔ ﻣﻚﻛﺎﺭﺗﻰ ﺟﻨﺎﻳﺎﺕ ﻓﺮﺍﻣﺮﺯﻯﺷﺎﻥ ﺭﺍ ﺩﺭ ﻗﺎﻟﺐ ﭘﻮچ »ﺩﻓﺎﻉ ﺍﺯ ﻣﺮﺩﻡ« ﺑــﻪ »ﺍﺭﺯﺵ« ﻣﻰﮔﺬﺍﺭﻧﺪ .ﺍﻳﻨــﺎﻥ ﺑﺮﺍﻯ ﺣﻔﻆ ﺗﺼﻮﻳﺮ ﻛﺎﺫﺏ ﺧــﻮﺩ ﺍﺯ ﻫﻴﭻ ﺟﻨﺎﻳﺘﻰ ﻓﺮﻭﮔﺬﺍﺭ ﻧﻤﻰﻛﻨﻨﺪ؛ ﺗﺮﻭﺭ ،ﻛﻮﺩﺗﺎ، ﺑــﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻦ ﻛﺎﺭﻭﺍﻥﻫﺎﻯ ﺧﺮﺩﺟــﺎﻝ ﻭ ﻧﻬﺎﻳﺖ ﺍﻣﺮ ،ﭘﺲ ﺍﺯ ﻓﺮﻭﭘﺎﺷﻰ ﺍﺗﺤﺎﺩﺷﻮﺭﻭﻯ ،ﺗﻬﺎﺟﻢ ﻧﻈﺎﻣﻰ!
ﺍﮔﺮ ﺍﻣــﺮﻭﺯ ﺗﻬﺎﺟﻢ ﻧﻈﺎﻣﻰ ﺑﻪ ﺑﻬﺎﻧﺔ ﻭﺍﻫﻰ »ﻣﺒﺎﺭﺯﻩ ﺑﺎ ﺗﺮﻭﺭﻳﺴــﻢ« ﻭ ﺟﻠﻮﮔﻴﺮﻯ ﺍﺯ »ﮔﺴــﺘﺮﺵ ﺳﻼﺡﻫﺎﻯ ﻛﺸــﺘﺎﺭ ﺟﻤﻌﻰ« ﺻﻮﺭﺕ ﻣﻰﮔﻴــﺮﺩ ،ﻃــﻰ ﺟﻨﮓ ﺩﻭﻡ ﺟﻬﺎﻧﻰ ﺷــﺎﻫﺪ ﺑﻮﺩﻳﻢ ﻛﻪ ﺷــﺮﻛﺖ ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﺟﻨﮓ ﻭ ﻛﺸــﺘﺎﺭ ﺑﻪ ﺑﻬﺎﻧﺔ ﻣﺨﺎﻟﻔﺖ ﺑﺎ ﻫﻴﺘﻠﺮ ﺍﻧﺠﺎﻡ ﺷﺪ؛ ﺣﺎﻝ ﺁﻧﻜﻪ ﺍﺭﺗﺶ ﺁﻟﻤﺎﻥ ﺩﺭ ﺧﺪﻣﺖ ﺳﺮﻣﺎﻳﻪﺩﺍﺭﻯ ﻏﺮﺏ ﻣﻰﺟﻨﮕﻴﺪ. ﭘﺲ ﺍﺯ ﺷﻜﺴــﺘﻪ ﺷﺪﻥ ﻣﺤﺎﺻﺮﺓ ﻟﻨﻴﻨﮕﺮﺍﺩ ،ﻳﻌﻨﻰ ﺯﻣﺎﻧﻴﻜﻪ ﺍﺭﺗﺶ ﺁﻟﻤﺎﻥ ﻧﺎﺯﻯ ﻧﻔﺲﻫﺎﻯ ﺁﺧﺮ ﺭﺍ ﻣﻰﻛﺸﻴﺪ ،ﺣﻀﺮﺍﺕ ﻣﺨﺎﻟﻒ ﻫﻴﺘﻠﺮ ﺍﺯ ﺁﺏ ﺩﺭﺁﻣﺪﻧــﺪ ﻭ ﺍﻳﻨﮕﻮﻧــﻪ ﺑﻮﺩ ﻛﻪ ﻫﻴﺘﻠﺮ »ﺧﻮﺩﻛﺸــﻰ« ﻛﺮﺩ ﻭ ﻧﻤﺎﻳﺶ »ﺩﺍﺩﮔﺎﻩ ﻧﻮﺭﻧﺒﺮگ« ﺭﺍ ﺷﺎﻫﺪ ﺑﻮﺩﻳﻢ ،ﻭ ...ﻭ ﺍﻳﻨﭽﻨﻴﻦ ﺑﻮﺩ
ﻛﻪ ﺍﺳــﻨﺎﺩ ﻭ ﺷﻮﺍﻫﺪ ﺍﺭﺗﺒﺎﻁ ﻏﺮﺏ ﻭ ﺣﻤﺎﻳﺖ ﺑﺮﺧﻰ ﻣﺤﺎﻓﻞ ﻳﻬﻮﺩﻯ ﺍﺯ ﻫﻴﺘﻠﺮ ﻧﺎﺑﻮﺩ ﺷﺪ ،ﻭ ﺳﻴﻪﻛﺎﺭﻯ ﻏﺮﺑﻰﻫﺎ ﺍﺯ ﭼﺸﻢ ﺟﻬﺎﻧﻴﺎﻥ ﭘﻨﻬﺎﻥ ﻣﺎﻧﺪ. ﻫﻤﻴﻦ ﺑﺮﻧﺎﻣﺔ ﭘﺎﻛﺴﺎﺯﻯ ﺩﻫﻪﻫﺎﺳﺖ ﻛﻪ ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ.
»ﺍﻟﻔﺎﻳــﺪ« ﺗﻌﻠﻖ ﺩﺍﺭﺩ؛ ﮔﻮﻳﺎ ﺗﻌﻤﻴﺮﺍﺕ ﺍﻳﻦ ﻫﺘﻞ »ﻣﻘﺪﺱ« ﺣﺪﻭﺩ ﺩﻭ ﺳــﺎﻝ ﻭ ﻧﻴﻢ ﺑﻪ ﺩﺭﺍﺯﺍ ﺧﻮﺍﻫﺪ ﻛﺸﻴﺪ ،ﺍﺯ ﺍﻳﻨﺮﻭ ﺗﻤﺎﻡ ﻛﺎﺭﻣﻨﺪﺍﻥ ﻭ ﻛﺎﺭﮔﺮﺍﻥﺍﺵ ﻫﻢ ﺍﺧﺮﺍﺝ ﺷﺪﻩﺍﻧﺪ.
ﺍﻳﺎﻻﺕ ﻣﺘﺤﺪ ﻭ ﻫﻢﭘﻴﻤﺎﻧﺎﻥ ﺁﺩﻣﺨﻮﺍﺭﺵ ﻣﻰﻛﻮﺷــﻨﺪ ﺟﺎﻯ ﭘﺎﻯﺷﺎﻥ ﺭﺍ ﺩﺭ ﺳﺮﻛﻮﺏﻫﺎ ،ﺗﺎﺭﺍﺝ ﻭ ﺟﻨﺎﻳﺎﺕ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﻣﺴﻠﻤﺎﻥﻧﺸﻴﻦ »ﭘﺎﻙ« ﻛﻨﻨﺪ .ﺍﻳﻦ »ﭘﺎﻙﺳــﺎﺯﻯ« ﻛﻪ ﺩﺭ ﺳــﺎﻝ 1979ﺍﺯ ﻛﺸﻮﺭ ﺍﻳﺮﺍﻥ ﺁﻏﺎﺯ ﺷــﺪ ﺍﻳﻨﻚ ﺑﻪ ﻟﻴﺒﻰ ﺭﺳــﻴﺪﻩ .ﺍﻟﺒﺘﻪ ﺍﻳﻦ ﺷﻴﻮﺓ ﻣﻘﺪﺱ ﺭﺍ ﻳﺎﻧﻜﻰﻫﺎ ﺍﺯ ﺑﺮﺍﺩﺭﺍﻥﺷــﺎﻥ ﺩﺭ ﺍﻳﻨﺴــﻮﻯ ﺁﺗﻼﻧﺘﻴﻚ ﺁﻣﻮﺧﺘﻪﺍﻧﺪ .ﮔﺎﻭﭼﺮﺍﻥﻫﺎ ﺑﺎ ﻧﻴﻢ ﻧﮕﺎﻫﻰ ﺑﻪ ﻭﻗﺎﻳﻊ ﺷــﻬﺮﻳﻮﺭ 1320ﺩﺭﻳﺎﻓﺘﻨﺪ ﻛﻪ ﻣﻰﺑﺎﻳﺪ ﺑﺮﺍﻯ ﺧﺮﻭﺝ ﺍﺯ ﺑﻦﺑﺴــﺖ ،ﻫﻢﭘﻴﻤﺎﻧﺎﻥ ﻗﺪﻳﻢ ﺭﺍ ﻧﻜﻮﻫﺶ ﻭ ﺳﭙﺲ ﻗﺮﺑﺎﻧﻰ ﻛﺮﺩ ،ﻭ ﻫﺮ ﮔﺎﻩ ﻻﺯﻡ ﺁﻣﺪ ،ﺑﺮﺍﻯﺷــﺎﻥ ﮔﻨﺒﺪ ﻭ ﺑﺎﺭﮔﺎﻩ ﻭ»ﺍﻣﺎﻣﺰﺍﺩﻩ« ﺳﺎﺧﺖ .ﺍﻳﻦ ﺍﺳــﺖ ﺩﻟﻴﻞ »ﻛﺸﻒ« ﺟﺴــﺪ ﻫﻴﺘﻠﺮ ﺩﺭ ﺁﻣﺮﻳﻜﺎﻯ ﻻﺗﻴﻦ! ﻳﺎﻧﻜﻰﻫﺎ ﺑﻪ ﺟﻨﺎﺯﺓ ﺍﻳﻦ ﺟﻨﺎﻳﺘﻜﺎﺭ ﻭﻓﺎﺩﺍﺭ ﻧﻴﺎﺯﻣﻨﺪ ﺷــﺪﻩﺍﻧﺪ ﻭ ﺍﺯ ﺍﻳﻨﺮﻭ »ﺑﻰﺑﻰﺳﻰ« ﺭﺍ ﻓﺮﻣﻮﺩﻧﺪ ،ﺩﺭ ﺍﻳﻦ ﺑﺎﺏ ﮔﺰﺍﺭﺷــﻰ ﻋﻠﻤﻰ ﻭ ﻣﺴﺘﺪﻝ ﺗﻬﻴﻪ ﻛﺮﺩﻩ ﻭ ﺑﻪ ﺷﻮﺕﻭﭘﺮﺕﻫﺎ ﺑﻔﺮﻭﺷﺪ.
ﻳﻜﻮﻗــﺖ ﻓﻜﺮ ﻧﻜﻨﻴــﺪ ،ﺗﻌﻄﻴﻠﻰ ﺍﻳﻦ »ﻛﺎﺭﻟﺘــﻮﻥ« ﺩﺭ ﮔﺮﺍﻥﺗﺮﻳﻦ ﻣﺤﻠــﺔ ﭘﺎﺭﻳﺲ ﺑﺎ ﺗﻌﻄﻴﻠﻰ ﺁﻥ ﻛﺎﺭﻟﺘﻮﻥ ﺩﺭ ﺷــﻬﺮ »ﻟﻴﻞ« ﺍﺭﺗﺒﺎﻃﻰ ﺩﺍﺭﺩ ،ﺑﻪ ﻫﻴﭻ ﻋﻨﻮﺍﻥ! ﻛﺎﺭﻟﺘﻮﻥ ﭘﺎﺭﻳﺲ ﺑﻪ ﺻﻮﺭﺕ »ﻣﺤﺘﺮﻣﺎﻧﻪ« ﻭ ﺩﺍﻭﻃﻠﺒﺎﻧــﻪ ﺑــﺮﺍﻯ »ﺗﻌﻤﻴــﺮﺍﺕ« ﺗﻌﻄﻴــﻞ ﻣﻰﺷــﻮﺩ ،ﭼﺮﺍ ﻛﻪ ﻣﺴــﺌﻮﻻﻥﺍﺵ ﺍﺯ »ﺷــﻬﺎﺩﺕ« ﻫﺘﻞ ﻛﺎﺭﻟﺘﻮﻥ ﺷﻬﺮ »ﻟﻴﻞ« ﻋﺒﺮﺕ ﮔﺮﻓﺘﻪﺍﻧــﺪ! ﺑﻠﻪ ،ﺭﻫﺒﺮﻯ ﺁﻥ ﺷــﺒﻜﺔ ﺗﺠﺎﺭﺕ ﺭﻭﺳــﭙﻰ ﻛﻪ ﺩﺭ ﻛﺸــﻮﺭﻫﺎﻯ ﻓﺮﺍﻧﺴﻪ ،ﺑﻠﮋﻳﻚ ﻭ ﺁﻣﺮﻳﻜﺎ ﺑﻪ ﭘﺎﺳﺪﺍﺭﻯ ﺍﺯ »ﺍﺭﺯﺵﻫﺎﻯ ﻏﻴﺮﻗﺎﺑﻞ ﺗﻐﻴﻴﺮ ﺍﺳﻼﻡ« ﺍﺷﺘﻐﺎﻝ ﺩﺍﺷﺖ ،ﭘﺲ ﺍﺯ ﺗﻬﺎﺟﻢ ﺳﭙﺎﻫﻴﺎﻥ »ﻛﻔــﺮ« ﺑﻪ ﻛﺎﺭﻟﺘﻮﻥ »ﻟﻴﻞ« ﺩﻭﺯﺍﺭﻯﺍﺵ ﺍﻓﺘﺎﺩ ﻭ ﻣﺘﻮﺟﻪ ﺷــﺪ ﻛﻪ ﺟﻨﺎﺡ ﭼﭗﻧﻤﺎﻯ ﺣﺰﺏ ﺳﻮﺳﻴﺎﻟﻴﺴــﺖ ﻓﺮﺍﻧﺴــﻪ ﺩﻳﮕــﺮ ﺁﻳﻨﺪﻩﺍﻯ ﻧﺨﻮﺍﻫﺪ ﺩﺍﺷــﺖ ﻭ ﺍﺣــﺰﺍﺏ ﺍﻳﻨﻜﺸــﻮﺭ ﻣﻰﺑﺎﻳــﺪ ﺍﺯ ﺻﻮﺭﺕﺑﻨﺪﻯ ﺩﻭﺭﺍﻥ ﺟﻨﮓ ﺳﺮﺩ ﺧﺎﺭﺝ ﺷﻮﻧﺪ .ﺩﺭ ﺍﻳﻦ ﺭﺍﺳﺘﺎ ﻻﺯﻡ ﺍﺳﺖ ﺣﺰﺏ ﺳﻮﺳﻴﺎﻟﻴﺴــﺖ ﺑﻪ ﺟﻨﺎﺡ »ﻣﻴﺎﻧﻪ« ﻧﺰﺩﻳﻚ ﺷﺪﻩ ،ﭼﭗﻧﻤﺎﻳﺎﻥﺍﺵ ﺭﺍ ﺑﺎ ﺣﺰﺏ ﻛﻤﻮﻧﻴﺴﺖ ﻭ ﺩﻳﮕﺮ ﺗﺸﻜﻞﻫﺎﻯ ﭼﭗ ﻓﺮﺍﻧﺴﻪ ﺟﺎﻳﮕﺰﻳﻦ ﻛﻨﺪ.
ﻣﮋﺩﻩ ﺑﻪ ﻗﻮﺍﺩﺍﻥ ﻭ ﻗﻠﺘﺒﺎﻧﺎﻥ ﻭ ﻫﻤﺔ ﭘﻴﺮﻭﺍﻥ »ﺧﻂ ﺍﻣﺎﻡ!« ﺁﻧﮕﻠﻮﺳﺎﻛﺴﻮﻥﻫﺎ ﺑﺮﺍﻯ »ﻫﻴﺘﻠﺮ« ﺭﻭﺷــﻦ ﺿﻤﻴﺮﺷﺎﻥ ﻳﻚ »ﺟﺴــﺪ« ﺍﺧﺘﺮﺍﻉ ﻛﺮﺩﻩﺍﻧﺪ ﺗﺎ ﺑﺘﻮﺍﻧﻨــﺪ ﺩﺭ ﺁﻣﺮﻳﻜﺎﻯ ﻻﺗﻴﻦ ﺑﺮﺍﻯ ﺍﻳﻦ ﺷــﻬﻴﺪ ﺭﺍﻩ ﺣﻖ ﻭ ﻋﺪﺍﻟﺖ ﻳﻚ »ﻣﺮﻗــﺪ ﻣﻄﻬﺮ« ﺑﻨﺎ ﻛــﺮﺩﻩ ،ﺍﻳﻦ ﻣﻨﻄﻘﻪ ﺭﺍ ﺑﻪ ﻳــﻚ »ﻣﻜﺔ ﻣﻜﺮﻣﻪ« ﻣﺠﻬــﺰ ﻧﻤﺎﻳﻨﺪ .ﻫﻤﺰﻣﺎﻥ ﺑﺎ ﺍﻧﺘﺸــﺎﺭ ﺍﻳﻦ ﺧﺒﺮ ﺑﻬﺠــﺖ ﺍﺛﺮ ،ﻫﻴﻼﺭﻯ ﻛﻠﻴﻨﺘﻦ ﭘﺲ ﺍﺯ ﻭﻋﺪﺓ ﻓﺮﻭﺵ ﺳــﻼﺡ ﺑﻪ ﺷــﻮﺭﺍﻯ ﻣﻠﻰ ﮔﺬﺍﺭ ﻟﻴﺒﻰ ،ﺍﺯ ﺍﻳﻦ ﻛﺸﻮﺭ ﻋﺎﺯﻡ ﺍﻓﻐﺎﻧﺴــﺘﺎﻥ ﺷﺪ ﺗﺎ ﺍﺯ »ﻣﺬﺍﻛﺮﻩ ﺑﺎ ﻃﺎﻟﺒﺎﻥ« ﭘﺸﺘﻴﺒﺎﻧﻰ ﺑــﻪ ﻋﻤﻞ ﺁﻭﺭﺩ .ﺍﻳﻦ ﺍﺳــﺖ ﭘﻴﺎﻣﺪ »ﻣﻨﻄﻘﻰ« ﺗﻌﻄﻴﻞ ﺷــﺪﻥ ﻳﻜﻰ ﺍﺯ ﺩﻛﻪﻫﺎﻯ ﺷﺒﻜﺔ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺗﺠﺎﺭﺕ ﺭﻭﺳﭙﻰ ﺩﺭ ﻣﻨﻄﻘﺔ ﺷﻤﺎﻝ ﻓﺮﺍﻧﺴﻪ: ﻓﺮﻭﭘﺎﺷــﻰ ﺣﺰﺏ ﺳﻮﺳﻴﺎﻟﻴﺴﺖ ﻓﺮﺍﻧﺴﻪ ﻭ ﺍﺳﺘﻘﺮﺍﺭ ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﺩﻭ ﺳﻨﮕﺮ ﻣﺘﻀــﺎﺩ ،ﻳﻌﻨﻰ ﻫﻤﺰﻣﺎﻥ ﻃﺮﻓﺪﺍﺭﻯ ﺍﺯ ﺗﺮﻭﺭﻳﺴــﻢ ﺩﺭ ﺍﻓﻐﺎﻧﺴــﺘﺎﻥ ،ﻭ ﺍﺩﻋﺎﻯ ﻣﺒﺎﺭﺯﻩ ﺑﺎ ﺁﻥ ﺩﺭ ﻛﺸــﻮﺭ ﺍﻳﺮﺍﻥ! ﻭ ﺑﺮﺍﻯ ﻧﺸﺴــﺘﻦ ﺩﺭ ﺍﻳﻦ ﺳﻨﮕﺮ ﺣﻤﺎﻗﺖ ﭼﻪ ﻛﺴﻰ ﺷﺎﻳﺴﺘﻪﺗﺮ ﺍﺯ ﻫﻴﻼﺭﻯ ﻛﻠﻴﻨﺘﻦ؟ ﺩﺭ ﭘــﻰ ﺗﻌﻄﻴﻠﻰ ﻫﺘﻞ ﻛﺎﺭﻟﺘﻮﻥ ﺷــﻬﺮ »ﻟﻴﻞ« ﺩﺭ ﺍﺭﺗﺒــﺎﻁ ﺑﺎ ﻓﻌﺎﻟﻴﺖ »ﺣﻼﻝ« ﺷــﺒﻜﺔ ﺑﻴﻦﺍﻟﻤﻠﻠــﻰ ﺧﺮﻳﺪ ﻭ ﻓﺮﻭﺵ ﺭﻭﺳــﭙﻰ ﻧﺎﮔﻬﺎﻥ ﻫﺘﻞ »ﺭﻳﺘﺰ ﻛﺎﺭﻟﺘﻮﻥ« ﭘﺎﺭﻳﺲ ،ﻭﺍﻗﻊ ﺩﺭ ﻣﻴﺪﺍﻥ ﻣﻌﺮﻭﻑ »ﻭﺍﻧﺪﻭﻡ« ﻧﻴﺎﺯﻣﻨﺪ »ﺗﻌﻤﻴﺮﺍﺕ« ﺷــﺪ! ﺍﻳﻦ ﻫﻤﺎﻥ ﻫﺘﻠﻰ ﺍﺳــﺖ ﻛﻪ ﻣﻰﮔﻮﻳﻨﺪ ﺑﻪ ﺧﺎﻧﻮﺍﺩﺓ
ﺭﻭﺷﻦﺗﺮ ﺑﮕﻮﺋﻴﻢ ،ﺣﺰﺏ ﺳﻮﺳﻴﺎﻟﻴﺴﺖ ﺩﻳﮕﺮ ﺍﻣﻜﺎﻥ ﺩﻭﺩﻭﺯﻩ ﺑﺎﺯﻯ ﻧﺨﻮﺍﻫﺪ ﺩﺍﺷــﺖ ،ﭼﺮﺍ ﻛﻪ ﺟﺎﻳﮕﺎﻩ »ﺷــﺘﺮﻣﺮﻏﻰ« ﺳــﻨﺘﻰﺍﺵ ﺭﺍ ﺍﺯ ﺩﺳــﺖ ﺩﺍﺩﻩ! ﻭ ﺍﻳﻨﮕﻮﻧﻪ ﺍﺳــﺖ ﻛﻪ ﭘﻴﺎﻣﺪ ﺗﻮﻗﻴﻒ »ﺍﺭﺯﺵﻫﺎﻯ ﺗﻐﻴﻴﺮ ﻧﺎﭘﺬﻳﺮ ﺍﺳــﻼﻡ« ﺩﺭ ﺑﻮﺷــﻬﺮ ،ﺟﻨﺠﺎﻝ ﺍﺑﻠﻬﺎﻧﺔ ﺗﺮﻭﺭﻳﺴﻢ ﺑﻪ ﻛﻨــﺎﺭ ،ﺑــﻪ ﺗﻐﻴﻴﺮﺍﺕ ﺳﻴﺎﺳــﻰ ﺩﺭ ﺍﺭﻭﭘﺎﻯ ﻏﺮﺑــﻰ ﻭ ﺑﻪ ﻭﻳﮋﻩ ﺩﺭ ﻓﺮﺍﻧﺴــﻪ ﻣﻨﺠﺮ ﻣﻰﺷﻮﺩ ﻭ ﻫﻤﺰﻣﺎﻥ ،ﻃﺮﺡ ﺳــﺎﺯﻣﺎﻥ ﺳﻴﺎ ،ﻳﻌﻨﻰ ﺗﺮﻭﺭ ﺳــﻔﻴﺮ ﻋﺮﺑﺴــﺘﺎﻥ ﺩﺭ ﺁﻣﺮﻳﻜﺎ ﻛﻪ ﭘﺲ ﺍﺯ ﻟﻮ ﺭﻓﺘﻦ ﺑﻪ ﺣﺴﺎﺏ »ﭘﺎﺳﺪﺍﺭﻩ« ﻭ »ﻛﺎﺳــﺒﻪ« ﻧﻮﺷﺘﻪ ﺷﺪ ﺍﺑﻌﺎﺩ ﮔﺴﺘﺮﺩﻩﺗﺮﻯ ﻣﻰﻳﺎﺑﺪ. ﺑﻠــﻪ» ،ﺗﺠﺎﺭﺕ ﺑﺮﺩﻩ« ﺭﺍ ﺩﺳــﺘﻜﻢ ﻧﮕﻴﺮﻳﻢ؛ ﺍﻳﻦ ﻛﺴــﺐ ﺣﻼﻝ، ﭘﺮﺩﺭﺁﻣﺪﺗﺮﻳــﻦ ﻓﻌﺎﻟﻴــﺖ ﺍﻗﺘﺼﺎﺩﻯ ﻳﺎﻧﻜﻰﻫﺎ ﻭ ﻣﺘﺤﺪﺍﻥﺷــﺎﻥ ﺩﺭ ﺳﺎﺯﻣﺎﻥ ﻧﺎﺗﻮ ﻭ ﻣﻜﻤﻞ ﻗﺎﭼﺎﻕ ﺳﻼﺡ ﻭ ﻣﻮﺍﺩ ﻣﺨﺪﺭ ﺍﺳﺖ. ﺑﻰﺩﻟﻴﻞ ﻧﻴﺴــﺖ ﻛﻪ ﺍﺑﺘﺮ ﺷــﺪﻥ ﻳﻚ ﺷــﺒﻜﺔ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺗﺠﺎﺭﺕ ﻣﻘﺪﺱ »ﺭﻭﺳﭙﻰ« ﺩﺭ ﻓﺮﺍﻧﺴﻪ ﺟﻴﻎ ﻭ ﻓﺮﻳﺎﺩ ﭘﺎﺩﻭﻫﺎﻯ »ﻣﺴﻠﻤﺎﻥ«
ﺷﺒﻜﺔ ﻣﺬﻛﻮﺭ ﻭ ﺩﺭ ﺭﺃﺱﺷﺎﻥ ﻋﻠﻰ ﺧﺎﻣﻨﻪﺍﻯ ﺭﺍ ﺩﺭ ﺭﺍﺩﻳﻮﻓﺮﺩﺍ ،ﺻﺪﺍﻯ ﺁﻣﺮﻳــﻜﺎ ﻭ ﺑﻪ ﻭﻳﮋﻩ ﺩﺭ ﻛﻴﻬﺎﻥ ﺑﻪ ﺁﺳــﻤﺎﻥ ﺑــﺮﺩﻩ .ﺭﻫﺒﺮ ﻗﻮﺍﺩﺍﻥ ﻓﺮﺯﺍﻧﻪ ﻭ ﭘﺎﻣﻨﺒﺮﻯﻫﺎﻯ ﺍﻳﺸــﺎﻥ ﺑﺎ ﭼﺮﻧﺪﺑﺎﻓﻰ ،ﻫﺘﺎﻛﻰ ﻭ ﺍﻟﺼﺎﻕ ﺑﺮﭼﺴﺐ ﻳﻚ ﺟﻨﮓ ﺯﺭﮔﺮﻯ ﺗﻤﺎﻡ ﻋﻴﺎﺭ ﺑﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻪﺍﻧﺪ ﺗﺎ ﺍﻓﻜﺎﺭ ﻋﻤﻮﻣﻰ ﺭﺍ ﺑﻪ ﺑﻴﺮﺍﻫﻪ ﻛﺸــﻴﺪﻩ ﻭ ﺑﺎﺯﮔﺸﺖ ﺑﻪ ﺩﻭﺭﺍﻥ ﻧﻮﺭﺍﻧﻰ ﺻﺪﺍﺭﺕ ﻣﻴﺮﺣﺴﻴﻦ ﺭﺍ ﺑﻪ ﺍﺭﺯﺵ ﺑﮕﺬﺍﺭﻧﺪ! ﺍﺭﺗﺒﺎﻁ ﺷــﺒﻜﺔ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺗﺠﺎﺭﺕ ﺭﻭﺳــﭙﻰ ﺑﺎ »ﺳــﺒﺰﺍﷲ« ﻭ »ﭘﻴــﺮﻭﺍﻥ ﺧﻂ ﺍﻣﺎﻡ« ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺭﺗﺒﺎﻃﻰ ﺍﺳــﺖ ﻣﺴــﺘﻘﻴﻢ .ﻣﻨﺘﻬﻰ ﺍﻳﻨﺎﻥ ﻧﻤﻰﺗﻮﺍﻧﻨﺪ ﺑﮕﻮﻳﻨﺪ ﻧﺎﻥﺷﺎﻥ ﺭﺍ ﺍﺯ ﺩﺳﺖﻫﺎﻯ ﻣﻘﺪﺱ ﺗﺠﺎﺭ ﻣﺤﺘﺮﻡ ﺭﻭﺳــﭙﻰ ﺩﺭﻳﺎﻓﺖ ﻣﻰﻛﻨﻨﺪ؛ ﺍﺳﻼﻡﺷﺎﻥ ﺧﺪﺷﻪﺩﺍﺭ ﻣﻰﺷﻮﺩ .ﭘﺲ ﺑﻪ ﻧﺎﭼــﺎﺭ ﺑﺮﺍﻯ ﭘﻨﻬﺎﻥ ﺩﺍﺷــﺘﻦ ﺍﺻﻞﻣﻄﻠﺐ ،ﺩﺭ ﻣﺨﺎﻟﻔــﺖ ﺑﺎ »ﺍﻧﺘﺨﺎﺏ« ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﻭ »ﺧﻮﺩﻓﺮﻭﺷﻰ« ﺟﻨﺠﺎﻝ ﻭ ﻫﻴﺎﻫﻮ ﺑﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻪﺍﻧﺪ. ﺭﻭﻧــﺪ ﻛﺎﺭ ﭼﻨﻴﻦ ﺍﺳــﺖ .ﺍﺑﺘﺪﺍ ﻋﻠﻰﺧﺎﻣﻨﻪﺍﻯ ﺑــﺎ ﺍﻇﻬﺎﺭﺍﺕ ﺍﺑﻠﻬﺎﻧﻪ ﺩﺭ ﻣــﻮﺭﺩ »ﺍﻧﺘﺨــﺎﺏ« ﺭﺋﻴﺲ ﺟﻤﻬﻮﺭ ﺗﻮﺳــﻂ ﻣﺠﻠﺲ ﺟﻤﻜــﺮﺍﻥ ﺟﺒﻬﺔ ﺣﻤﺎﻗــﺖ ﺭﺍ ﺑﺮﺍﻯ ﺍﻳﺠــﺎﺩ ﺟﻨﺠﺎﻝ ﻭ ﻫﻴﺎﻫﻮ ﺍﻓﺘﺘﺎﺡ ﻣﻰﻛﻨﺪ .ﺳــﭙﺲ ﻓﺮﺝﺍﷲ ﺳﻠﺤﺸﻮﺭ ﺑﺎ ﺍﻟﺼﺎﻕ ﺑﺮﭼﺴﺐ ﺑﻪ ﺯﻧﺎﻥ ﻫﻨﺮﭘﻴﺸﺔ ﺣﻜﻮﻣﺘﻰ ﺟﺒﻬﺔ ﺍﺑﺘﺬﺍﻝ ﺭﺍ ﻣﻰﮔﺸﺎﻳﺪ .ﺩﺭ ﻫﻤﻴﻦ ﺭﺍﺳﺘﺎ» ،ﭘﻴﺎﻡ« ﻛﺎﺭﺑﺮﺍﻥ ﺭﺍﺩﻳﻮﻓﺮﺩﺍ ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ ﻧﻔﺲﻛﺶﻃﻠﺒﻰﻫﺎﻯ »ﺳﻠﺤﺸﻮﺭ« ،ﺍﺯ ﺗﻘﺪﺱ ﻟﺒﺮﻳﺰ ﻣﻰﺷﻮﺩ؛ ﻭ ﺗﻌﺠﺒﻰ ﻫﻢ ﻧﺪﺍﺭﺩ! ﺗﻘﺪﺱ ﻭ ﺍﺑﺘﺬﺍﻝ ﺩﻭ ﺭﻭﻯ ﺳﻜﺔ ﺍﻧﺴﺎﻥﺳﺘﻴﺰﻯﺍﻧﺪ. ﻫﻤﺰﻣــﺎﻥ ﺑﺎ ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻣﻬﻮﻉ» ،ﺻﺪﺍﻯ ﺁﻣﺮﻳﻜﺎ« ،ﺑﻪ ﻧﻘﻞ ﺍﺯ ﻣﻌﺎﻭﻥ ﭘﻴﺸــﻴﻦ ﻭﺯﺍﺭﺕ ﻛﺸﻮﺭ ﺟﻤﻜﺮﺍﻥ ﻛﻪ ﻫﻤﻪ ﻓﻦ ﺣﺮﻳﻒ ﻭ »ﻃﻨﺎﺯ« ﺍﺯ ﺁﺏ ﺩﺭﺁﻣﺪﻩ ،ﭘﺎﺳــﺦ ﺩﻧﺪﺍﻥﺷــﻜﻨﻰ ﺑﻪ ﻓﺮﺝﺍﷲ »ﻋﻠﻒﺷــﻮﺭ« ﻣﻰﺩﻫﺪ ﺗﺎ »ﺳﻴﻨﻤﺎﻯ ﺗﻤﻴﺰ« ﺩﻭﺭﺍﻥ ﻣﻴﺮﺣﺴﻴﻦ ﺭﺍ ﺑﻪ ﻫﻤﮕﺎﻥ ﻣﻌﺮﻓﻰ ﻛﻨﺪ. ﺩﺭ ﺍﻳﻦ ﮔﻴﺮﻭﺩﺍﺭ ﺍﺳﺖ ﻛﻪ ﻳﻜﻰ ﺍﺯ ﺳﺎﻭﺍﻛﻰﻫﺎﻯ ﺟﻤﻜﺮﺍﻥ ﻛﻪ ﺩﺳﺖ ﺑﻪ ﻣﺨﺎﻟﻒﻧﻤﺎﺋﻰ ﺯﺩﻩ ،ﻓﺮﺻﺖ ﺭﺍ ﻣﻐﺘﻨﻢ ﺷــﻤﺮﺩﻩ ﻭ ﺿﻤﻦ ﺛﻨﺎﺧﻮﺍﻧﻰ ﺑﺮﺍﻯ »ﺯﻫﺮﺍ ﺧﺎﻧﻮﻡ« ﺍﺩﻋﺎ ﻣﻰﻛﻨﺪ ،ﻣﻴﺮﺣﺴــﻴﻦ ﻭ ﺷــﻴﺦ ﻛﺮﻭﺑﻰ ﺣﻜﻮﻣﺘﻰ ﻧﻴﺴــﺘﻨﺪ ﻭ »ﺣﺬﻑ ﻧﻈﺎﻡ« ﻧﻤﻰﺑﺎﻳﺪ ﺍﻳﻨﺎﻥ ﺭﺍ ﺷﺎﻣﻞ ﺷﻮﺩ .ﺍﻟﺒﺘﻪ ﻫﺪﻑ ﺍﻳﺸﺎﻥ ﺍﺯ ﭼﻨﻴﻦ ﻳﺎﻭﻩﺳﺮﺍﺋﻰﻫﺎ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﻣﺎ ﺑﻪ ﺑﻴﺮﺍﻫﻪ ﻧﺮﻭﻳﻢ» .ﺭﺍﻩ ﺭﺍﺳــﺖ« ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﻫﻤﭽﻮﻥ ﺳــﺎﻝ ،1979ﻫﻤﻪ ﺑﺮ »ﻳﻚ ﻧﻘﻄﻪ« ﻣﺘﻤﺮﻛﺰ ﺷﺪﻩ ﻭ ﺧﻮﺍﻫﺎﻥ ﺑﺮﺍﻧﺪﺍﺯﻯ ﺷﻮﻳﻢ: »] [...ﻣﺮﺍﻗــﺐ ﺑﺎﺷــﻴﻢ ﻛﻪ ﺭﺍﻩ ﺭﺍ ﺩﺭ ﻣﻴﺎﻥ ﺍﻳــﻦ ﻫﻴﺎﻫﻮ] [...ﮔﻢ ﻧﻜﻨﻴﻢ: ﺩﺍﺩﻥ ﺗﻤﺎﻣﻰ ﺗﻼﺵﻫﺎ ﺑﻪ ﺳــﻮﻯ ﺣــﺬﻑ ﺍﻳﻦ ﻧﻈﺎﻡ ] [...ﺑﺎ ﺗﻤﺎﻡ ﺟﻬﺖ ِ
ﻃﻠﺒــﺎﻥ ] [...ﻏﻴﺮ ﺟﻨــﺎﺡ ﺑﻨﺪﻯﻫﺎﻯ ﺩﺭﻭﻧــﻰ ﺁﻥ .ﻃﺒﻌﺎً ﺍﺻﻼﺡ ِ ﺣﻜﻮﻣﺘــﻰ ،ﻣﺜﻞ ﻣﻬﻨﺪﺱ ﻣﻮﺳــﻮﻯ ﻭ ﻛﺮﻭﺑﻰ ﺟــﺰء ﺍﻳﻦ ﺟﻨﺎﺡ ﺑﻨﺪﻯﻫــﺎ ﻧﻴﺴــﺘﻨﺪ .ﺯﻫﺮﺍ ﺭﻫﻨﻮﺭﺩ ﻫﻢ ﺍﺳﺎﺳــﺎً ﻫﺮﮔــﺰ ﺟﺰء ﺍﻳﻦ ﺣﻜﻮﻣﺖ ﻧﺒﻮﺩﻩ ] [...ﺍﻳﻦ ﺑﺎﻧﻮﻯ ﻓﺮﻫﻴﺨﺘﻪ ﺭﺍ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺍﻫﻞ ﻗﻠﻢ ـ ﺍﺯ ﺟﻤﻠﻪ ﺧﻮﺩ ﻣﻦ ] [...ﻣﻰﺷﻨﺎﺧﺘﻨﺪ]«[... ﺑﻠﻪ ﺣﻀﺮﺕ »ﺍﺻﻔﻬﺎﻧﻰ« ،ﻧﻮﻳﺴــﻨﺪﺓ ﺳــﻄﻮﺭ ﺑﺎﻻ ﻛﻪ ﻣﺨﺎﻃﺐ ﺭﺍ ﺍﺑﻠﻪ ﭘﻨﺪﺍﺷﺘﻪ ،ﺧﻮﺩ ﺭﺍ ﺍﻫﻞ ﻗﻠﻢ ﻣﻰﺩﺍﻧﺪ ،ﺑﻌﺪ ﻫﻢ ﺑﺮ ﻓﺮﻫﻴﺨﺘﮕﻰ ﺯﻫﺮﺍﺧﺎﻧــﻮﻡ ﺗﺄﻛﻴﺪ ﻣﻰﻛﻨﺪ ،ﻭ ﺍﻳﻦ ﺗﺤﻔﺔ ﻧﻄﻨﺰ ﺭﺍ ﺧﺎﺭﺝ ﺍﺯ ﻃﻴﻒ ﺣﺎﻛﻤﻴــﺖ ﻗــﺮﺍﺭ ﻣﻰﺩﻫﺪ ،ﭼﺮﺍ؟ ﭼﻮﻥ ﺍﻳﺸــﺎﻥ ﺑﻪ ﻋﻨﻮﺍﻥ »ﺍﻫﻞ ﻗﻠﻢ« ﺍﻳﻦ ﺑﺎﻧﻮﻯ ﻓﺮﻫﻴﺨﺘﻪ ﺭﺍ ﻣﻰﺷﻨﺎﺧﺘﻪﺍﻧﺪ! ﻗﻀﻴﺔ ﺭﻭﺑﺎﻫﻪ ﺍﺳﺖ ﻭ ﺩﻡﺍﺵ! ﺣﻀﻮﺭﺷــﺎﻥ ﺑﮕﻮﺋﻴــﻢ ،ﭘﻴــﺶ ﺍﺯ ﺍﻳﻨﻜــﻪ ﺯﻫﺮﺍ ﺧﺎﻧﻮﻡ ﻣﻴﻨﻰژﻭپﺍﺵ ﺭﺍ ﺑﺎ »ﭼﺎﺩﺭﺳــﻴﺎ« ﺗﺎﺧﺖ ﺑﺰﻧﺪ ،ﺧﻴﻠﻰﻫﺎﻯ ﺩﻳﮕﺮ ﻫﻢ ﺍﻳﻦ ﺑﺎﻧﻮﻯ »ﻓﺮﻫﻴﺨﺘﻪ« ﺭﺍ ﻣﻰﺷــﻨﺎﺧﺘﻨﺪ .ﺑﻬﺘﺮ ﺍﺳﺖ ﺳﺮﻛﺎﺭ ﺗﻨﺪ ﻧﺮﻭﻳﺪ؛ ﭼﺮﺍ ﻛﻪ ﺷــﻮﺍﻫﺪ ﻭ ﺍﺳﻨﺎﺩ ﺭﺍ ﺑﺎ »ﺁﺏ ژﺍﻭﻝ« ﻭ ﻭﻋﻆ ﻭ ﻣﺪﺡ ﻭ ﺛﻨﺎ ﻧﻤﻰﺗﻮﺍﻥ »ﭘﺎﻙ« ﻛﺮﺩ. ﺍﻭﻻً ﻫــﺪﻑ ﻣﺎ ﺑــﺮ ﺧﻼﻑ ﻛﻮﺩﺗﺎﭼﻴﺎﻥ 22ﺑﻬﻤــﻦ »ﺣﺬﻑ ﻧﻈﺎﻡ« ﻧﻴﺴــﺖ؛ ﻫﺪﻑ ﺍﺳــﺘﻘﺮﺍﺭ ﺩﻣﻜﺮﺍﺳــﻰ ﺍﺳــﺖ .ﻳﻌﻨﻰ ﺣﺎﻛﻤﻴﺖ ﻣﺠﻤﻮﻋﻪ ﻗﻮﺍﻧﻴﻦ ﺍﻧﺴــﺎﻥﻣﺤﻮﺭ ﺑﺠﺎﻯ ﺗﻮﺣﺶ ﺧﺪﺍﻣﺤﻮﺭﻯ .ﻫﻤﺎﻥ ﺗﻮﺣﺸــﻰ ﻛﻪ ﺳــﺎﺯﻣﺎﻥ ﺳــﻴﺎ ﺑﺮ ﻣﻠﺖ ﺍﻳﺮﺍﻥ ﺣﺎﻛﻢ ﻛــﺮﺩﻩ .ﺛﺎﻧﻴﺎً ﺟﻨﺎﻳﺎﺕ ﻣﻴﺮﺣﺴــﻴﻦ ﻣﻮﺳــﻮﻯ ﻭ ﺷــﻴﺦ ﻛﺮﻭﺑﻰ ﺍﺯ ﻳﺎﺩ ﻫﻴﭽﻜﺲ ﻧﺮﻓﺘﻪ ،ﺍﻳﻨﺎﻥ ﻣﻰﺑﺎﻳﺪ ﭘﺎﺳــﺨﮕﻮ ﺑﺎﺷﻨﺪ .ﻭ ﺍﺯ ﻫﻤﻪ ﻣﻬﻢﺗﺮ ،ﻣﻠﺖ ﺍﻳﺮﺍﻥ ﺑﻪ ﺭﺍﻫﻨﻤﺎﺋﻰ ﭘﺎﻣﻨﺒﺮﻯﻫﺎﻯ ﺑﻴﺸــﺮﻡ ﻣﺤﻔﻞ ﻛﻮﺩﺗﺎ ﻫﻴﭽﮕﻮﻧﻪ ﻧﻴﺎﺯﻯ ﻧﺪﺍﺭﺩ .ﻣﺸﺘﺎﻗﺎﻥ ﻣﻮﺳﻮﻯ ﻭ ﻛﺮﻭﺑﻰ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﺮﺍﻯ ﻣﻄﺎﻟﻌﺔ ﻣﻄﻠﺐ ﺳﺮﺷــﺎﺭ ﺍﺯ ﻭﻗﺎﺣــﺖ ﺣﻀﺮﺕ »ﺍﺻﻔﻬﺎﻧﻰ« ﺑــﻪ »ﻋﺼﺮﻧﻮ«، »ﺍﺧﺒﺎﺭ ﺭﻭﺯ« ﻭ ﺳﺎﻳﺖﻫﺎﻯ ﻫﻢﺳﻮ ﻣﺮﺍﺟﻌﻪ ﻛﻨﻨﺪ .ﻣﺎ ﻫﻢ ﻣﻰﺭﻭﻳﻢ ﺑﻪ ﺳﺮﺍﻍ »ﺻﺪﺍﻯ ﺁﻣﺮﻳﻜﺎ« ﻭ ﺩﺭﺍﻓﺸﺎﻧﻰﻫﺎﻯ ﺁﻥ ﺳﻴﺪ ﻃﻨﺎﺯ ﺩﺭ ﺑﺎﺏ »ﺳﻴﻨﻤﺎﻯ ﺗﻤﻴﺰ!« »ﺳﻴﺪ« ﺑﻪ ﻣﺎ »ﺗﻤﻴﺰﺗﺮﻳﻦ ﺳﻴﻨﻤﺎﻯ ﻛﺸﻮﺭ« ﺭﺍ ﻣﻌﺮﻓﻰ ﻣﻰﻛﻨﺪ .ﺳــﻴﻨﻤﺎﺋﻰ ﻛــﻪ »ﻋﺮﻓﺎﻥ« ﻭ »ﺩﻳﻦﺑﺎﻭﺭﻯ« ﺍﺯ ﺗﻮﻟﻴﺪﺍﺕ ﺁﻥ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺭﻭﺩ:
»] [...ﺗﻤﻴﺰﺗﺮﻳﻦ ﺳﻴﻨﻤﺎﻯ ﻛﺸﻮﺭ ،ﺯﻣﺎﻧﻰ ﺑﻮﺩ ﻛﻪ ﺳﻴﺪﻣﺤﻤﺪ ﺑﻬﺸﺘﻰ ﻣﺪﻳﺮﻋﺎﻣــﻞ ﻓﺎﺭﺍﺑﻰ ﺑــﻮﺩ ] [...ﺧﺎﺗﻤﻰ ﻭﺯﻳﺮ ﺑﻮﺩ ﻭ ﻓﻴﻠﻢﻫﺎﺋﻰ ﺑﻰﻧﻈﻴﺮ ﺗﻮﻟﻴﺪ ﻣﻰﺷﺪ ] [...ﻫﺮ ﭼﻪ ﻓﻴﻠﻢ ﺧﻮﺏ ﺩﺭﺑﺎﺭﻩ ﻋﺮﻓﺎﻥ ﻭ ﺩﻳﻦﺑﺎﻭﺭﻯ ﺑﻮﺩ، ﻛﺴــﺎﻧﻰ ﺳﺎﺧﺘﻨﺪ ﻛﻪ ﻣﺨﺎﻟﻒ ﺷﻤﺎ ﻫﺴــﺘﻨﺪ ] [...ﻫﺮ ﭼﻪ ﻓﻴﻠﻢ ﻣﺒﺘﺬﻝ ﻭ ﺳــﻄﺤﻰ ﻭ ﺍﺣﻤﻘﺎﻧﻪ ﻭ ﻋﻨﻴﻒ ﺑﻮﺩ ،ﺗﻮﺳــﻂ ﺣﺰﺏﺍﻟﻠﻬﻰﻫﺎ ﺳــﺎﺧﺘﻪ ﺷــﺪ ] [...ﭼﻨﺪ ﻃﻠﺒﻪ ﻭ ﺭﻭﺣﺎﻧﻰ ﻭﺍﺭﺩ ﺳﻴﻨﻤﺎ ﺷﺪﻧﺪ ﻭ ﺳﻴﻨﻤﺎ ﺭﺍ ﺑﻪ ﮔﻨﺪ ﻛﺸﻴﺪﻧﺪ ]«[... ﺍﻣﺮﻭﺯ ﻓﻬﻤﻴﺪﻳﻢ ﻛﻪ ﺳــﻴﻨﻤﺎ ﺑﺮ ﺩﻭ ﻧﻮﻉ ﺍﺳــﺖ؛ »ﺳﻴﻨﻤﺎﻯ ﻛﺜﻴﻒ« ﻭ »ﺳــﻴﻨﻤﺎﻯ ﺗﻤﻴﺰ«! ﻧﻮﻉ ﺗﻤﻴﺰ ﺁﻥ ﺗﺤﺖ ﻧﻈﺮ ﻭﺯﻳﺮ ﺍﺭﺷــﺎﺩﻯ ﻫﻤﭽﻮﻥ »ﻣﻤﺪﻳﻮﻧﺴــﻜﻮ« ﻗــﺮﺍﺭ ﺩﺍﺭﺩ ،ﻭ ﺭﻳﺎﺳــﺖ ﺑﻨﻴــﺎﺩ ﻓﺎﺭﺍﺑــﻰﺍﺵ ﺭﺍ ﻣﻤﺪ ﺑﻬﺸــﺘﻰ ،ﻧﻮﭼﺔ ﻣﻴﺮﺣﺴــﻴﻦ ،ﻋﻬﺪﻩﺩﺍﺭ ﺍﺳــﺖ .ﺍﻳﻦ ﺳﻴﻨﻤﺎ ﺍﺯ ﺳﺎﻝ » 1365ﺑﻬﺘﺮﻳــﻦ« ﻓﻴﻠﻢﻫﺎﻯ ﺗﺎﺭﻳﺦ ﺳــﻴﻨﻤﺎﻯ ﺍﻳــﺮﺍﻥ ﺭﺍ ﺗﻮﻟﻴﺪ ﻛﺮﺩﻩ. ﻣﻰﺑﻴﻨﻴﻢ ﻛﻪ ﻣﻌﺎﻭﻥ ﭘﻴﺸﻴﻦ ﻭﺯﺍﺭﺕ ﻛﺸﻮﺭ ﺣﻜﻮﻣﺖ ﺟﻤﻜﺮﺍﻥ ،ﻣﺎﻧﻨﺪ ﺩﻳﮕــﺮ ﻣﻘﺎﻣﺎﺕ ﺣﻜﻮﻣﺖ ﻛﻔﻦﻓﺮﻭﺷــﺎﻥ ﻫﻤﻪ ﻓﻦ ﺣﺮﻳﻒ ﺍﺳــﺖ ﻭ ﺩﺭ ﺷﺎﺭﻻﺗﺎﻧﻴﺴــﻢ ﺍﺯ ﻣﻤﺪﻳﻮﻧﺴــﻜﻮ ﻫﻴﭻ ﻛﻢ ﻧﺪﺍﺭﺩ؛ ﻓﻘﻂ ﻓﺮﺍﻣﻮﺵ ﻛﺮﺩﻩ ﻛﻪ ﻣﺎ ﻓﺮﺍﻣﻮﺷــﻜﺎﺭ ﻧﻴﺴﺘﻴﻢ ،ﻭ ﻧﻤﻰﺩﺍﻧﺪ ﻛﻪ ﻣﺎ ﻣﻰﺩﺍﻧﻴﻢ ﺩﻟﻴﻞ ﺑﻪ ﺭﺍﻩ ﺍﻓﺘﺎﺩﻥ ﺍﻳﻦ ﺟﻨﺠﺎﻝ ﺍﺑﺘﺬﺍﻝ ﭼﻴﺴﺖ. »ﻧﺒﻮﻯ« ،ﻳﺎ ﻫﻤﺎﻥ »ﺳــﻴﺪﻃﻨﺎﺯ« ﺩﺭ ﻣﺨﺎﻟﻔﺖ ﺑﺎ ﺍﻇﻬﺎﺭﻧﻈﺮ ﺯﻳﺮﺷﻜﻤﻰ »ﻋﻠﻒﺷــﻮﺭ« ﻣﻰﮔﻮﻳﺪ» ،ﻋﺎﺷﻖ« ﺍﻳﻦ ﺳﻴﻨﻤﺎﺳﺖ ﻭ »ﻣﻌﺘﻘﺪ« ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﺳــﻴﻨﻤﺎ ﻗــﺪﺭﺕ ﺟﺬﺏ ﻣﺨﺎﻃﺐ ﺭﺍ ﺩﺍﺭﺩ ﻭ »ﺯﻳﺒﺎﺋﻰﺷﻨﺎﺳــﻰ« ﻧﻮﻳﻨﻰ ﺑﻪ ﺟﻬﺎﻧﻴﺎﻥ ﻋﺮﺿﻪ ﻛﺮﺩﻩ: »] [...ﺍﻟﺒﺘﻪ ﻛﻪ ﻣﻦ ﻗﺒﻮﻝ ﻧﺪﺍﺭﻡ ﻛﻪ ﺳــﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ...ﺧﺎﻧﻪ ﺍﺳﺖ ][... ﻣﻦ ﻭ ﺑﺴــﻴﺎﺭﻯ ﺍﺯ ﺍﻳﺮﺍﻧﻴﺎﻥ ﻋﺎﺷﻖ ﺍﻳﻦ ﺳﻴﻨﻤﺎ ﻫﺴﺘﻴﻢ ﻭ ﻣﻌﺘﻘﺪﻳﻢ ﺍﻳﻦ ﺳﻴﻨﻤﺎ ﻫﻢ ﻗﺪﺭﺕ ﺟﺬﺏ ﻣﺨﺎﻃﺐ ﺭﺍ ﺩﺍﺷﺖ ،ﻫﻢ ﺯﻳﺒﺎﻳﻰﺷﻨﺎﺳﻰ ﻧﻮﻳﻦ ﻭ ﻫﻨﺮﻣﻨﺪﺍﻧــﻪﺍﻯ ﺭﺍ ﺑــﻪ ﺟﻬﺎﻥ ﻋﺮﺿﻪ ﻛﺮﺩ ﻭ ﻫﻢ ﻣﻮﻓﻖ ﺷــﺪ ﺑﻪ ﻃﺮﺡ ﻣﺴﺎﺋﻞ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺑﭙﺮﺩﺍﺯﺩ«. ﺑﺎﺭﻯ ﺟﻨﺎﺏ ﻧﺒﻮﻯ ﺩﻭﺭ ﺑﺮﺩﺍﺷﺘﻪ ،ﻫﻢ ﻭﺳﻂ ﺩﻋﻮﺍ ﻧﺮﺥ ﺗﻌﻴﻴﻦ ﻣﻰﻛﻨﺪ، ﻫــﻢ ﺍﺩﻋﺎﻯ ﻫﻨﺮﺷﻨﺎﺳــﻰ ﺩﺍﺭﺩ ﻭ ﺑﺮﺍﻯ »ﺍﻳﻦ ﺳــﻴﻨﻤﺎ« ﺑﺎﺯﺍﺭﮔﺮﻣﻰ ﻫﻢ
ﻣﻰﻛﻨﺪ ،ﭼﺮﺍ؟ ﭼﻮﻥ ﺍﻳﻦ ﺳــﻴﻨﻤﺎ ﺗﺤﺖ ﻧﻈﺎﺭﺕ ﻃﻮﻳﻠﺔ ﺍﺳﻼﻣﻰ ﻣﻚﻛﺎﺭﺗﻰ ﻓﻌﺎﻟﻴﺖ ﻣﻰﻛﻨﺪ ،ﻭ »ﺳــﻴﺪ« ﻫﻢ ﺳﺮ ﺩﺭ ﺁﺧﻮﺭ ﻫﻤﻴﻦ ﻃﻮﻳﻠﻪ ﺩﺍﺭﺩ .ﺳــﻠﻴﻘﻪﻫﺎ ﻣﺨﺘﻠﻒ ﺍﺳــﺖ ﻭﻟﻰ »ﻫﻨﺮ ﺳــﻴﻨﻤﺎ« ﺭﺍ ﺳــﻠﻴﻘﺔ ﺍﻓــﺮﺍﺩ ﻭ ﻣﻌﺘﻘﺪﺍﺕﺷــﺎﻥ ﺗﻌﺮﻳﻒ ﻧﻤﻰﻛﻨــﺪ! ﺩﺭ ﻛﻤﺎﻝ ﺗﺄﺳــﻒ »ﻫﻨﺮ« ﺳﻴﺎﺳﺖ ﻧﻴﺴﺖ ﻛﻪ ﻣﺸــﺘﻰ ﺟﻮﺟﻪ ﻓﺎﺷﻴﺴﺖ ﺍﺯ ﻃﺮﻳﻖ ﺟﻨﮓ ﺯﺭﮔﺮﻯ ﺑﺎ »ﺩﻳﺎﻧﺖﺷــﺎﻥ« ﺁﻥ ﺭﺍ ﺑﻪ ﻛﺜﺎﻓﺖ ﺑﻜﺸﻨﺪ. ﻣﺴﺌﻮﻻﻥ ﺑﺴﻴﺎﺭ ﻣﺤﺘﺮﻡ »ﺻﺪﺍﻯ ﺁﻣﺮﻳﻜﺎ« ﺑﺠﺎﻯ ﺍﻧﺘﺸﺎﺭ ﻣﺰﺧﺮﻓﺎﺕ »ﻓﺎﺷﻴﺴــﺖ ـ ﻣﺴﻠﻤﺎﻥﻫﺎ« ﻭ ﮔﺴــﺘﺮﺵ ﺍﺑﺘﺬﺍﻝ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺍﺯ ﺍﻫﻞ ﻓﻦ ﺑﺮﺍﻯ ﺍﻇﻬﺎﺭ ﻧﻈﺮ ﺩﺭ ﻣﻮﺭﺩ ﺳﻴﻨﻤﺎ ﺍﺳﺘﻔﺎﺩﻩ ﻛﻨﻨﺪ ﻭ ﺑﻪ ﻭﻳﮋﻩ ﺩﺭ ﻣﻮﺭﺩ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺍﺯ ﺻﺎﺣﺐﻧﻈﺮﺍﻥ ﺩﻋﻮﺕ ﺑﻪ ﻋﻤﻞ ﺁﻭﺭﻧﺪ ﺗﺎ ﺑﻪ ﺍﺭﺗﻘﺎء ﻓﺮﻫﻨﮓ ﻣﺨﺎﻃﺐ ﻛﻤﻜﻰ ﻛﺮﺩﻩ ﺑﺎﺷــﻨﺪ .ﻭﻟﻰ ﺧﻮﺏ ﻫﺪﻑ ﺍﻳﻦ ﻋﺰﻳﺰﺍﻥ ﮔﺴــﺘﺮﺵ ﺍﺑﺘﺬﺍﻝ ﺍﺳﺖ ﻧﻪ ﺷﻜﻮﻓﺎﺋﻰ ﻓﺮﻫﻨﮕﻰ؛ ﺭﻙ ﻭ ﭘﻮﺳﺖ ﻛﻨﺪﻩ ﺑﮕﻮﺋﻴﻢ ﺍﻳﻨﺎﻥ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺳﮓﻫﺎﺭ ﺍﺣﺘﻴﺎﺝ ﺩﺍﺭﻧﺪ، ﻧﻪ ﺑﻪ ﺍﻧﺴــﺎﻥ .ﺑﻰﺩﻟﻴﻞ ﻧﻴﺴﺖ ﻛﻪ ﻗﻼﺩﺓ ﺧﺎﻣﻨﻪﺍﻯ ﺭﺍ ﮔﺸﻮﺩﻩﺍﻧﺪ ﺗﺎ ﻫﻴﺎﻫــﻮ ﺑﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺯﺩ ،ﻭ ﻫﺮ ﭼﻪ ﺩﻝ ﺗﻨﮓ ﺍﺭﺑﺎﺏﺍﺵ ﻣﻰﺧﻮﺍﻫﺪ ﺑﺮ ﺯﺑﺎﻥ ﺁﻭﺭﺩ. ﺧﻮﺍﺳﺖ ﺍﺭﺑﺎﺏ ﭼﻴﺴﺖ؟ »ﺑﺮﺍﻧﺪﺍﺯﻯ« ،ﻳﺎ ﺑﻪ ﻗﻮﻝ ﻓﻌﻠﺔ ﻓﺎﺷﻴﺴﻢ »ﺣــﺬﻑ ﻧﻈﺎﻡ« ،ﺑــﺎ ﻫﺪﻑ ﻣﻤﺎﻧﻌــﺖ ﺍﺯ ﮔﺬﺍﺭ ﻗﺎﻧﻮﻧــﻰ ﺑﻪ ﻧﻈﺎﻡ ﺩﻣﻜﺮﺍﺗﻴﻚ ﺩﺭ ﻛﺸﻮﺭ ﺍﻳﺮﺍﻥ .ﺑﻪ ﻋﺒﺎﺭﺕ ﺩﻳﮕﺮ ،ﺑﺎﺯﺗﻮﻟﻴﺪ ﻛﻮﺩﺗﺎﻯ 22ﺑﻬﻤﻦ 57ﺍﺯ ﻃﺮﻳﻖ ﻫﺪﺍﻳﺖ ﺍﻓﻜﺎﺭ ﻋﻤﻮﻣﻰ ﺑﻪ ﻣﺴــﻴﺮ ﻣﻘﺪﺱ »ﺗﻤﺮﻛــﺰ ﺑﺮ ﻳــﻚ ﻧﻘﻄﻪ« .ﺑﺮﺍﻯ ﺗﺤﻘﻖ ﭼﻨﻴﻦ ﻫﺪﻑ ﻣﻘﺪﺳــﻰ، ﺍﻟﺒﺘﻪ ﺩﺭ ﺩﻭﺭﺍﻥ ﺟﻨﮓ ﺳــﺮﺩ ،ﻣﻰﺑﺎﻳﺴﺖ ﺍﻳﺮﺍﻥ ﺍﺑﺘﺪﺍ ﺑﻪ ﻛﺎﺭﻳﻜﺎﺗﻮﺭ ﺍﺗﺤﺎﺩ ﺷﻮﺭﻭﻯ ﺗﺒﺪﻳﻞ ﻣﻰﺷﺪ ﺗﺎ ﺩﺳﺖ ﺷﺒﻜﻪﻫﺎﻯ »ﺍﻧﺴﺎﻧﺪﻭﺳﺖ« ﺁﻣﺮﻳــﻜﺎ ﺑﺮﺍﻯ ﺍﻧﺘﻘﺎﺩ ﺑﺎﺯ ﺑﺎﺷــﺪ .ﺍﻳﺠﺎﺩ ﺣﺰﺏ ﺭﺳــﺘﺎﺧﻴﺰ ،ﻳﻌﻨﻰ ﺗﺤﻤﻴﻞ ﻧﻈﺎﻡ ﺗﻚ ﺣﺰﺑﻰ ﺑﺮ ﺍﻳﺮﺍﻥ ﺩﺭ ﺭﺍﺳــﺘﺎﻯ ﻫﻤﻴﻦ ﺳﻴﺎﺳــﺖ ﺧﺪﺍﭘﺴــﻨﺪﺍﻧﻪ ﺻﻮﺭﺕ ﭘﺬﻳﺮﻓﺖ .ﻭ ﺷــﺎﻫﺪ ﺑﻮﺩﻳﻢ ﻛﻪ ﭘﺲ ﺍﺯ ﭘﺎﻯ ﮔﺬﺍﺷــﺘﻦ ﺩﺭ ﻣﺴــﻴﺮ »ﺗﻚ ﺣﺰﺑﻰ« ،ﺭﻭﻧﺪ ﺳــﻘﻮﻁ ﭘﻬﻠﻮﻯ ﺩﻭﻡ ﺷــﺘﺎﺏ ﮔﺮﻓﺖ .ﺣــﺎﻝ ﻳﻚ ﭘﺮﺍﻧﺘﺰ ﺑﺎﺯ ﻣﻰﻛﻨﻴــﻢ ﻭ ﺧﻼﺻﻪﺍﻯ ﺍﺯ ﺷﺮﺍﻳﻂ »ﭘﺴﺎﺭﺳﺘﺎﺧﻴﺰﻯ« ﺍﺭﺍﺋﻪ ﻣﻰﺩﻫﻴﻢ.
»ﺧﺎﻧﻢ! ﻣﺮﻍ ﻧﻴﺴــﺖ ،ﭘﻴﺎﺯ ﮔﻴﺮ ﻧﻤﻴــﺎﺩ؛ ﻭ ...ﻭ ﺑﺮﻕ ﺭﻓﺖ!« ﺑﻪ ﺍﺿﺎﻓﺔ ﺩﺭﻭﺍﺯﻩﻫﺎﻯ ﺗﻤﺪﻥ ﺑﺰﺭگ ﺭﻭﺯﻣﺮﺓ ﻣﺎ ﺭﺍ ﺗﺸﻜﻴﻞ ﻣﻰﺩﺍﺩ! ﭘﻴﺎﺯ ﻭ ﺳﻴﺐ ﺯﻣﻴﻨﻰ ﺑﻪ ﻛﻴﻤﻴﺎ ﺗﺒﺪﻳﻞ ﺷــﺪﻩ ﺑﻮﺩ؛ ﺑﺮﺍﻯ ﺧﺮﻳﺪ ﺷﻴﺮ »ﭘﺎﻙ« ﻭ ﻛﺮﺓ ﭘﺎﺳــﺘﻮﺭﻳﺰﻩ ﻛﻪ ﻫﺮ ﺩﻭ ﻃﻌﻢ ﺯﻫﺮﻣﺎﺭ ﺩﺍﺷــﺖ ،ﻣﻰﺑﺎﻳﺴﺖ ﺳﺒﻴﻞ ﺑﻘﺎﻝ ﻣﺤﻞ ﺭﺍ ﺣﺴﺎﺑﻰ ﭼﺮﺏ ﻣﻰﻛﺮﺩﻧﺪ؛ ﻭ ﺩﺭ ﺍﻳﻦ ﻭﺍﻭﻳﻼ ﻣﺎﺟﺮﺍﻯ »ﺁﻟﺴﺘﻮﻡ« ﻧﻴﺰ ﭘﻴﺶ ﺁﻣﺪ ﻭ ﺩﺭ ﺷﻬﺮ ﺗﻬﺮﺍﻥ ﻫﺮ ﺭﻭﺯ ﭼﻨﺪ ﺳﺎﻋﺖ ﺑﺮﻕ ﻗﻄﻊ ﻣﻰﺷﺪ. ﻛﺎﺭ ﺑﺠﺎﺋﻰ ﺭﺳــﻴﺪ ﻛﻪ ﺳــﺮﻭﺻﺪﺍﻯ »ﻣﺮﺍﺩ .ﺻــﺎﺩ« ،ﺍﺯ ﺍﻗﻮﺍﻡ ﻧﺰﺩﻳﻚ ﺷﻬﺒﺎﻧﻮﻯ ﻫﻨﺮﭘﺮﻭﺭ ﻧﻴﺰ ﺩﺭ ﺁﻣﺪ. ﺍﻳﺸــﺎﻥ ﻛﻪ ﻳﻚ ﻫﻤﺴــﺮ ﺑﺮﻳﺘﺎﻧﻴﺎﺋﻰ ﺩﺍﺷــﺘﻨﺪ ،ﻭ ﺧﻮﺩﺷﺎﻥ ﻫﻢ ﺧﻴﻠﻰ ﺧﻴﻠﻰ ﻣﺒﺎﺩﻯ ﺁﺩﺍﺏ ﺑﻮﺩﻧﺪ ﻭ ﺣﺪﺍﻗﻞ ﻫﻔﺘﻪﺍﻯ ﻳﻜﺒﺎﺭ ﺑﺮ »ﭼﺎﺭﻡ ﻟﻨﺪﻥ« ﺗﺄﻛﻴﺪ ﻣﻰﻓﺮﻣﻮﺩﻧــﺪ ،ﻣﻰﮔﻔﺘﻨﺪ »ﺗﻤﺎﻡ ﻣﻮﺍﺩ ﻏﺬﺍﺋﻰ ﺩﺭ ﻓﺮﻳﺰﺭ ﺍﺯ ﺑﻴﻦ ﻣﻴﺮﻩ« ﻭ ﺣﻖ ﻫﻢ ﺩﺍﺷــﺘﻨﺪ! ﻭﻗﺘﻰ 8ﺳــﺎﻋﺖ ﺑﺮﻕ ﻗﻄﻊ ﺷﻮﺩ ،ﺁﻧﻬﻢ ﺩﺭ ﺗﺎﺑﺴــﺘﺎﻥ ﺗﻬﺮﺍﻥ ﻣﺤﺘﻮﻳﺎﺕ ﻓﺮﻳﺰﺭ ﺭﺍ ﻣﻰﺑﺎﻳﺴــﺖ ﺩﺭ ﺳــﻄﻞ ﺯﺑﺎﻟﻪ ﻣﻰﺭﻳﺨﺘﻴــﻢ .ﺍﻳﻨﺠــﺎ ﺑﻮﺩ ﻛﻪ ﺑــﺮﺍﻯ ﻗﻄﻊ ﺑﺮﻕ ﺑﻪ ﻣــﺎ ﺑﺮﻧﺎﻣﻪ ﺩﺍﺩﻧﺪ ﻭ ﻣﺸــﺨﺺ ﺷﺪ ﻫﺮ ﻣﺤﻠﻪ ﺭﻭﺯﻯ 4ﺳﺎﻋﺖ ﺧﺎﻣﻮﺷﻰ ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ .ﺍﺯ ﺷــﻤﺎ ﭼﻪ ﭘﻨﻬﺎﻥ ﺍﻳﻦ ﺑﺮﻧﺎﻣﺔ ﻣﻮﻟﻮﻛﺎﻧﻪ ﺧﻴﻠﻰﻫﺎ ﺭﺍ ﺧﻮﺷﺤﺎﻝ ﻛﺮﺩ؛ ﭼﺮﺍ ﻛﻪ ﻣﻌﻠﻮﻡ ﺷﺪ ﺁﺭﺍﻳﺸﮕﺎﻩﺷﺎﻥ ﭼﻪ ﺳﺎﻋﺎﺗﻰ ﻗﺎﺑﻞ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺳﺖ. ﺑﻠــﻪ ،ﺍﻳﻦ ﻣﺴــﺎﺋﻞ ﺧﻴﻠﻰ ﻣﻬﻢﺗﺮ ﺍﺯ ﻓﺮﻳﺰﺭ »ﻣــﺮﺍﺩ .ﺻﺎﺩ« ﺑﻮﺩ! ﺗﺼﻮﺭ ﻛﻨﻴﺪ ﻋﺮﻭﺳﻰ ﺧﻮﺍﻫﺮﺗﺎﻥ ﺍﺳﺖ ﻭ ﻫﻤﺔ ﻗﻮﻡ ﻭ ﻗﺒﻴﻠﺔ ﻋﺮﻭﺱ ﺑﻪ ﺁﺭﺍﻳﺸﮕﺎﻩ ﻫﺠﻮﻡ ﺁﻭﺭﺩﻩﺍﻧﺪ ﻛﻪ ﻧﺎﮔﻬﺎﻥ ﺑﺮﻕ ﻗﻄﻊ ﻣﻰﺷــﻮﺩ ﻭ ﻣﻌﻠﻮﻡ ﻧﻴﺴﺖ ﻗﻄﻊ ﺑــﺮﻕ ﭼﻪ ﻣﺪﺗﻰ ﺍﺩﺍﻣﻪ ﺧﻮﺍﻫﺪ ﻳﺎﻓــﺖ ﻭ ...ﻭ ﺍﻣﺎ ﻭﻗﺘﻰ ﺑﺮﻧﺎﻣﻪ ﺭﺍ ﺩﺍﺩﻧﺪ، ﻫﻤﻪ ﻣﻰﺗﻮﺍﻧﺴﺘﻨﺪ ﺗﺎﺭﻳﺦ ﺍﺯﺩﻭﺍﺝ ﺭﺍ ﻣﺸﺨﺺ ﻛﻨﻨﺪ ﻭ ﺍﻳﻨﮕﻮﻧﻪ ﺑﻮﺩ ﻛﻪ ﻣﺎ ﻫﻢ ﺍﺯ ﺷﺮ ﺧﻮﺍﻫﺮﻣﺎﻥ ﺁﺳﻮﺩﻩ ﺷﺪﻳﻢ .ﺍﻟﺒﺘﻪ ﺭﻫﺎﺋﻰ ﺍﺯ ﺷﺮ ﺍﻓﺮﺍﺩ ﺧﺎﻧﻮﺍﺩﻩ ﺑﻪ ﺳﺎﺩﮔﻰ »ﺑﺮﺍﻧﺪﺍﺯﻯ« ﻧﻴﺴــﺖ .ﺳﺎﺯﻣﺎﻥ ﺳﻴﺎ ﺗﻮﺍﻧﺴﺖ ﺧﻮﺩﺵ ﺭﺍ ﺑﻪ ﺳﺎﺩﮔﻰ ﺍﺯ ﺷﺮ ﭘﻬﻠﻮﻯﻫﺎ ﺧﻼﺹ ﻛﻨﺪ. ﺍﻳﻦ ﺳــﺎﺯﻣﺎﻥ ﺑﺎ ﻳﻚ ﺣﺮﻛﺖ ﺟﺎﺩﻭﺋﻰ ﺗﻮﺍﻧﺴــﺖ ﺣﺎﻛﻤﻴﺖ ﻓﺮﺳﻮﺩﻩ ﺭﺍ ﻗــﺪﺭ ﻗﺪﺭﺕ ﺟﻠﻮﻩ ﺩﻫــﺪ؛ ﺩﺭ ﺗﺎﺭﻳﺦ ﺩﻭﻡ ﻣﺎﻩ ﻣــﺎﺭﺱ ،1975ﺣﺰﺏ ﺭﺳــﺘﺎﺧﻴﺰ ﺍﺧﺘﺮﺍﻉ ﺷﺪ ﻭ ﺍﻋﻠﻴﺤﻀﺮﺕ ﻓﺮﻣﻮﺩﻧﺪ» ،ﻣﺎ ﻣﻰﺧﻮﺍﻫﻴﻢ ﺍﻳﺮﺍﻥ
ﺭﺍ ﺑﻪ ﺩﺭﻭﺍﺯﻩﻫﺎﻯ ﺗﻤﺪﻥ ﺑﺰﺭگ ﺑﺒﺮﻳﻢ ،ﻫﺮ ﻛﺲ ﻧﻤﻰﺧﻮﺍﻫﺪ ﻋﻀﻮ ﺣﺰﺏ ﺭﺳــﺘﺎﺧﻴﺮ ﺑﺎﺷﺪ ،ﺁﺯﺍﺩ ﺍﺳــﺖ ﻛﻪ ﺑﺮﻭﺩ!« ﻧﺘﻴﺠﻪ ﺍﻳﻦ ﺷﺪ ﻛﻪ ﺧﻮﺩ ﺍﻋﻠﻴﺤﻀﺮﺕ ﺍﺯ ﺍﻳﺮﺍﻥ ﺭﻓﺘﻨﺪ ،ﻭ ﺳﺎﺯﻣﺎﻥ ﺳﻴﺎ ﺩﺭﻭﺍﺯﻩﻫﺎﻯ ﺗﻮﺣﺶ ﺑﺰﺭگ ﺭﺍ ﺑﻪ ﺭﻭﻯ ﻣﺎ ﻣﻠﺖ ﮔﺸﻮﺩ. ﻋﻠﻴﺮﻏﻢ ﻓﺮﻭﭘﺎﺷــﻰ ﺍﺗﺤﺎﺩﺷــﻮﺭﻭﻯ ،ﺍﻳﻨﻚ ﭘﺲ ﺍﺯ ﮔﺬﺷــﺖ 46 ﺳــﺎﻝ ﺍﺯ ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻣﻬﻮﻉ ،ﺳﺎﺯﻣﺎﻥ ﺳــﻴﺎ ﻗﺼﺪ »ﺑﺎﺯﺗﻮﻟﻴﺪ« ﺁﻥ ﺭﺍ ﻛﺮﺩﻩ ﻭ ﻫﻤﺔ ﻟﻮﻃﻰ ﻭ ﻋﻨﺘﺮﻫﺎﻯﺍﺵ ﻛﻪ »ﻋﺎﺷــﻖ ﺍﻳﻦ ﺳــﻴﻨﻤﺎ« ﻫﺴﺘﻨﺪ» ،ﻣﻌﺘﻘﺪﺍﻧﺪ« ﻛﻪ ﺍﺭﺑﺎﺏ ﺩﺭ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﻣﻮﻓﻖ ﺧﻮﺍﻫﺪ ﺷﺪ! ﺟﺎﻯ ﺗﻌﺠﺐ ﻧﻴﺴﺖ ،ﻫﻤﺎﻧﻄﻮﺭ ﻛﻪ ﻧﻮﭼﻪﻫﺎ ﻫﻤﻴﺸﻪ »ﮔﻨﺪﻩﻻﺕ« ﺭﺍ ﻗﺪﺭﻗــﺪﺭﺕ ﺗﺼﻮﺭ ﻣﻰﻛﻨﻨﺪ ،ﻛﻮﺩﻛﺎﻥ ﻧﻴﺰ ﭘﺪﺭ ﺭﺍ ﻣﻰﺳــﺘﺎﻳﻨﺪ. ﺣﺘﻰ ﺍﮔﺮ ﺯﭘﺮﺗﻰ ﻭ ﻣﻔﻠﻮﻙ ﻭ ﺩﺭﻣﺎﻧﺪﻩ ﺑﺎﺷﺪ ﻭ ﻣﺜﻞ ﺑﻌﻀﻰﻫﺎ ﺿﻤﻦ ﺑﻤﺐﮔﺬﺍﺭﻯ ﺩﺭ ﻣﺸﺮﻭﺏﻓﺮﻭﺷــﻰﻫﺎﻯ ﻋﺮﺍﻕ ،ﺍﻳﻦ ﻋﻤﻞ ﻭﺣﺸﻴﺎﻧﻪ ﺭﺍ ﺑﻪ ﺣﺴــﺎﺏ ﺍﻓﺮﺍﻁﮔﺮﺍﻳﺎﻥ ﻣﺴﻠﻤﺎﻥ ﺑﻨﻮﻳﺴــﺪ ﻭ ﻫﻤﺰﻣﺎﻥ ﺟﻨﺎﺯﺓ ﻫﻴﺘﻠﺮ ﺭﺍ ﺩﺭ ﺁﺭژﺍﻧﺘﻴﻦ ﻛﺸﻒ ﻛﻨﺪ.