Noa @ Design & Designing N° 81/2016

DESIGNER |人物

Establish nEtwork of architEcturE platform to brEak through thE old famous dEsignErs' camp

建立联合设计平台，突破老牌著名建筑师阵营 ——访意大利noa*建筑联合设计事务所创始人Lukas Rungger&Stefan Rier 采访：《设计家》

整理：王小静

Lukas Rungger（左） 1977 年出生于博尔扎诺，在意大利南蒂罗尔省布鲁尼科小镇长大。18 岁时到奥地 利留学，1999-2001 年在比利时布鲁塞尔拉坎布尔自由大学学习，2002-2003 年，在 纽约库伯联盟学院学习，2003 年从奥地利格拉茨理工大学毕业，2004 年获得建筑师专 业资格证书。之后，广泛参与各种项目的设计，主要包括城市规划、住宅、酒店、商店、 餐厅和酒吧的室内设计。他是英国皇家建筑学会的会员，也是博尔扎诺建筑学会成员。

Stefan Rier（右） 1979 年出生于博尔扎诺，在意大利南蒂罗尔省的休斯山村长大，1999-2001 年， 他在意大利维罗纳安德烈亚·帕拉第奥研究中心学习室内设计，2001-2003 年，在奥 地利因斯布鲁克科技大学学习，2007 年，从费拉拉理工大学获得建筑设计学位证书。 2008 年他获得建筑和室内设计职业资格证书，设计许多项目包括可持续住宅、酒店， 从室内、景观到定制家具设计都有涉及。现在，他是博尔扎诺建筑学会的成员。

“年轻建筑师正站在打破由老牌知名建筑

身的联合工作网为核心，围绕建筑创造，强化

师创立的旧方阵的前沿。”意大利青年建筑师

不同操作环节的知识转换，以提升每个项目的

Lukas Rungger 和 Stefan Rier 坚信“年轻的工

附加值。”Lukas 和 Stefan 认为整体远远大于各

以外部视角看清自己来处 《设计家》: 请分别简单介绍一下你们的学 习和成长经历。

作室只需相信自己，努力工作”，终将取代老

部分之和，打造一个全局性的方法策略是 noa*

牌建筑师在世界设计及规划领导者中占有一席

构思设计的核心。设计之初，他们会探究项目

之地。Lukas 和 Stefan 出生于意大利博尔扎诺，

地的气质特点 , 分析它的空间或环境特色 , 用

18 岁两人分别离开家乡各自在外求学工作，虽

设计扩大、丰富和增强项目的价值。目前 noa*

然有着十多年的不同人生经历，但两人因为

的主要项目类型是酒店和别墅设计， “一家好

与著名设计师 Matteo Thun 共同工作而结识。

的酒店应该与它所处的环境有最大程度的对

Matteo Thun 是米兰跨界设计大师，从宝格丽

话” ，它是反映社会、当前环境和当地传统的

到皇家大酒店，从西装到锅具，他的作品涵盖

一面镜子。作为青年建筑师，Lukas 和 Stefan

广泛，设计典雅又不失现代，Lukas 和 Stefan

看到了年轻一代设计师的强大力量，并且坚信

资格后，就开始广泛参与各种项目的设计，主

跟随他一起在众多领域负责了一系列极具挑战

老牌建筑师的时代终将被一批来自国际的青年

要包括城市规划、住宅、酒店、商店、餐厅和

性 的 项 目。2011 年，Lukas 和 Stefan 回 到 博

才俊们所取代，他们呼吁人们永远要相信年轻

酒吧的室内设计。我是英国皇家建筑学会的会

尔扎诺，共同创立 noa* 建筑联合设计事务所，

人的创造力。未来，noa* 会努力成长为一个创

员，现在又加入了博尔扎诺建筑学会。

为不同学科领域的专业人才提供创意合作的平

意非凡的国际知名工作室。

Lukas Rungger: 我 1977 年出生于博尔扎诺， 在意大利南蒂罗尔省布鲁尼科小镇长大。18 岁 时我到奥地利留学，从格拉茨理工大学建筑专 业毕业。在格拉茨时，我作为建筑师兼项目负 责人与 Hans Gangoly 教授合作。后来，我搬到 伦敦，在 Softroom 建筑设计事务所 工 作 了 五 年。最后，我来到意大利米兰，与著名设计师 Matteo Thun 一起工作。自从我获得建筑师专业

Stefan Rier: 我 1979 年 出 生 于 博 尔 扎 诺，

台。 “联合是我们工作的精髓，它诠释了我们

在意大利南蒂罗尔省的休斯山村长大，这里靠

思考、感悟、生活和工作的方式。”“noa* 以自

近著名的斯兹阿尔姆。我分别从意大利维罗纳 安德烈亚·帕拉第奥研究中心和费拉拉理工

008 [设计家]

大学获得室内设计学位和建筑设计学位证书。 起初，我作为建筑师兼项目负责人与建筑师 Demetz 合作，随后迁往贝加莫与 Massimiliano Mandarini 教授合作，最后我来到米兰与 Matteo Thun 一起工作。在我取得室内设计和建筑设计 的专业资格后，就开始致力于各种项目的设计， 从可持续住宅到酒店，从室内、景观设计到定 制家具设计。现在，我是博尔扎诺建筑学会的

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成员。 《设计家》：你们出生于意大利，意大利的 文化传统对你们的成长有怎样的影响？ Lukas Rungger&Stefan Rier: 我们都在南蒂 罗尔省长大，成长的文化环境几乎相同，南蒂 罗尔是一片很小的区域，那里是德国和意大利 两个国家的交叉地，两种不同的文化神奇的融 合在一起，所有的居民都能说两种语言。我们 都是 18 岁离开家乡，到外地求学，探索了大 约 15 年。外部的视角，让我们更清晰地认识 到自己实际从何处来，我们重新审视并转变自 己关于项目地特殊之处的看法 ：当我们在户外 工作时，强大的自然元素感染着我们。

建立联合设计平台，提升项 目的附加值 05 06

《设计家》：你们有怎样的机缘共同组建

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noa* - network of architecture ？事务所经历 过哪些发展历程？希望实现的目标是什么？ Lukas Rungger&Stefan Rier: 我们是在米兰 认识的，当时我们作为项目建筑师与 Matteo Thun 一 起 工 作， 我 们 在 旅 游 业、 现 代 家 居、 当代工作坊等领域负责了一系列极具挑战性 的 项 目。2011 年， 我 们 回 到 博 尔 扎 诺 建 立 了 noa* 工 作 室， 并 完 成 了 第 一 个 酒 店 项 目

01-04 Am Steinbruch立面图 05-08 Am Steinbruch实景图

“Valentinerhof”。我们将工作室命名为“建筑联 合”（network of architecture），联合是我们工 作的精髓，它诠释了我们思考、感悟、生活和 工作的方式。工作室开始只有 2 位联合创始人， 现在发展到有约 20 人的核心圈，延伸出的另 外 30 人形成 noa* 全球的创意网络，我们会定 期举行不同项目的交流活动。我们认为第一个 五年是“积累阶段”，现在我们特别强调工作

联合工作网为核心，围绕建筑创造的核心主题，

队的总指挥，就像一位音乐家指挥合奏一样。

强化了不同操作环节的知识转换，达到提升每

我们试图引导不同学科的专业设计人员与建筑

个项目的附加价值的目的。每个项目开始之初，

每个细节之间的互动质量。指挥音乐主要依靠

我们会挑选一些有创意的方案，并邀请多位在

听觉，我们用视觉、触觉、嗅觉、听觉等不同

社会、文化和方法论方面有影响力的人士加入，

感官的协作激发人们在复杂环境中的创造性。

从而加强项目的独创性。

作为建筑设计的总指挥，我们从开始就提出一

室的国际化，未来的目标是成为欧洲杰出设计 领域的一员。 《设计家》：noa* 为不同学科领域的专业人 才提供创意合作的平台，事务所工作的流程是 怎样的？

个概念，其后这一概念被精心挑选的专家进一 《设计家》：两位在 noa* 的主要工作分别是

步诠释与补充。内部预设的尺度和外部建筑的

什么？工作中如何相互合作？不同专业领域的

行为就像一个“脚本” ，为进一步设计奠定了

设计师如何相互协作？

基础。

Lukas Rungger&Stefan Rier: 在我们的方法 论中，我们将自己比作专业的总架构师，或乐

《设计家》：目前事务所的规模多大？主要

Lukas Rungger&Stefan Rier:noa* 以 自 身 的 [设计家] 009

DESIGNER |人物 18

入自然光，照亮房间的各个角落和浴室。床正 对着山谷，每位客人早上醒来都可以享受壮丽 的景观。客人感觉像睡在户外，因为床位于内 外空间的交界处。每间客房的休息区都有一个 大蒲团，是用传统亚麻布制成。水疗区有一个 主要的泳池和桑拿房，泳池采用建筑立面的木 质边框，跨越了建筑的整个西侧。家具、灯光、 室内、建筑和景观——每一种元素都是基于 noa* 的整体设计理念来构思，每一处设计都投 注了我们最大的热情，关注细节、传统和当地 手工艺。noa* 特别采用了诸如天然石材、 木材、 玻璃和亚麻之类的传统材料，不同木材、瓷砖、 面料、地毯和灯具都与色彩和材料的整体搭配 相关。 《设计家》：你们在设计中共同坚持的原则 有哪些？

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Lukas Rungger&Stefan Rier: 整体远远大于

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各部分之和，一个全局性的方法策略是 noa* 构 思设计方式的核心。noa* 从不把自己看作万能 的天才，而是依靠与团队内及联合关系网上的 专家的紧密合作。典型的设计方法是扩大、丰 富和增强项目的价值。探究项目地的气质特点 , 分析它的空间或环境特色 , 是构思整体设计理 念和方法的关键。对材料的选择，减少建筑中 的元素 , 有意识地融合当地环境 , 这些是 noa* 关注的重点。

09-11 Hotel Valentinerhof

《设计家》：近年，你们完成了巴伐利亚森 林酒店项目的设计，请简单介绍一下该项目的 的项目类型有哪些？

是葡萄园 , 葡萄生长在陡峭的山坡上，一行行

背景和设计亮点。

Lukas Rungger&Stefan Rier: 目前我们的核

由干燥的石墙支撑，形成一道文化景观。noa*

心团队由 20 名建筑师和室内设计师组成，他

用同样的方式运用葡萄园的石墙作为支撑元

像一个剧本，形成了整个度假酒店的叙事框架。

们来自意大利、希腊和西班牙。noa* 现阶段主

素。我们的目的是让建筑以最自然的方式融入

周围森林的特点也成为室内空间的重要设计原

要的项目类型是酒店和私人别墅，设计范畴包

周边环境，因此必须强调当地的建筑传统。两

则。同时，它也是寓言和童话故事的魔法舞台

括建筑、室内、产品、灯光和景观设计。从小

座简单的斜屋顶房子，可以眺望壮丽的山景，

的背景。设计师在森林和童话故事之间各种可

产品到大“酒店村” ，我们的项目遍布意大利、

房屋正面采用全玻璃外墙，使得室内能够向整

“触摸的点”上倾注了最大的关注和最严格的

奥地利、德国、克罗地亚和英国。

个景观完全打开。这一设计将建筑传统与当代

工艺要求，木板上的动物刻痕提供了看得见摸

建筑结合，同时寻求与周边环境的紧密联系。

得着的故事来源。通高的落地玻璃打开了向外

Valentinerhof 酒店位于 Kastelruth 村庄，紧

的视野。《孩子需要童话》是布鲁诺·贝特尔

邻著名的 Seiser Alm。业主希望新增一个水疗

海姆研究儿童心理的书，它激发了我们室内设

区，设计一个带酒吧和餐厅的大堂，以及增加

计的灵感。前台设计仿佛邀请客人进入魔幻森

14 间套房，新增总面积达 1100 平方米。设计

林，等待区模仿“豌豆公主”的故事，看看你

理念是在自然景观中加入经过仔细构思的建筑

是否能透过厚厚的沙发垫感受到一粒豌豆。孩

体量，从而强调周围壮丽的景观，因此，协调

子们可以攀上长发公主的辫子，这条辫子从塔

一 下 Am Steinbruch 别 墅 和 Valentinerhof 酒 店。

当地传统与无处不在的自然的关系是本次设计

楼 ( 或楼梯 ) 上垂下来。酒店的每个角落都在

Am Steinbruch 是由两个家庭共有的私宅，位于

的关键，全景视野仍是焦点。通过增设水疗区，

讲述不同的可以亲身体验的故事。酒店附属建

Soprabolzano 村庄的边缘，面朝多洛米蒂山，可

酒店获得了新的重要品质，水成为建筑、室内、

筑总体量为 3.5 万立方米，扩建区域与现有的

以看到山的全貌。项目地原本是个采石场，这

所有产品和家具的共同元素。套房的平面几乎

酒店和谷仓相连。建筑中心形成一个玻璃立方

也是我们设计的出发点。Renon 高原的较低处

都是正方形的，客房高大的窗面最大限度地引

全局性的方法策略是构思设 计的核心 《设计家》：请介绍一些你们近期的代表 作品。 Lukas Rungger&Stefan Rier: 这里主要介绍

010 [设计家]

Lukas Rungger&Stefan Rier: 巴伐利亚森林

体 , 是酒店的大堂和休息室，共有 3 层，占地 1200 平方米。新旧建筑通过一个长 40 米宽 6 米由玻璃和木头构成的走廊相连，穿过大厅， 可以到达邻近的一座四层高的建筑，建筑内有 31 间新标间和 10 间套房。水疗房占地 1800 平 方米，位于整个建筑的东面，与大堂相连，内 含三个泳池 ：一个室内泳池，一个室内兼室外 泳池和一个室外儿童泳池，父母们可以在 500 平方米的巨大桑拿区放松休息。建筑的核心材

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料是钢筋混凝土，立面主要采用玻璃和未经防

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腐处理的木材，它们与当地的传统和手工艺形 成了极强的联系，维护了当地的文化遗产和自 然环境。 《设计家》：请谈谈你们在管理团队和管控 项目质量方面的经验。 Lukas Rungger&Stefan Rier: 长期的目标是 尽可能早地让 noa* 的联合工作网及专家参与

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整体的设计过程，在设计的初始阶段就形成最

12-14 Hotel Valentinerhof

终的产品。技术领域的常见做法（防火工程或 地质报告必须在申请许可之前完成）, 我们正 不断尝试，在从草图到实际完工的整个设计过 程中，整合 noa* 的艺术和建筑标准。

好酒店是反映社会、环境和 传统的镜子 《设计家》：你们怎样看待酒店设计与当地 文化之间的关系？ Lukas Rungger&Stefan Rier: 每个项目都是 一次认真学习的过程，对“失与得”的全面分 析正成为设计质量各个方面的基本要求，也是 回顾并理解传统文化，探索现代方式提升当代 生活的尝试。设计之前，我们会调研项目地的 特殊之处，或者有什么事物是需要保存或着重 强调的。在我们看来，一家酒店应该与它所处 的环境有最大程度的对话，它应该成为反映社 会、当前环境和当地传统的一面镜子。 《设计家》：你们认为一家好的酒店设计需 要融入哪些因素？ Lukas Rungger&Stefan Rier: 去倾听，让故 事自然发展，并在建筑中重新书写。在你想要 建造房子的地方花费时间，感受气氛，融入当 地情境，然后开始思考和设计。 《设计家》：作为一家经营了多年的跨学科 的建筑和设计事务所，你们对事务所的设计与 经营策略有怎样的心得？

Lukas Rungger&Stefan Rier: 我们喜欢为独 特的地点、人物或项目定制解决方案。我们不

建筑师”的时代终将被一批来自国际的青年 才俊们所取代。

会选择标准的设计，而是认为每一个项目都是 独一无二的。整体解决方案是关键要素，设计 与商业策略的紧密联系，是实施我们优秀设计

成长为创意非凡的国际知名 工作室

的真正挑战。 《设计家》：noa* 在亚洲是否有项目？在亚 《 设 计 家 》：你 们 分 别 出 生 于 1979 年 和

洲的第一个项目是什么？

1977 年，作为青年建筑师，你们认为全球化

Lukas Rungger&Stefan Rier:noa* 在 亚 洲 为

和互联网背景下，青年建筑师需要坚持的是什

年轻的意大利高尔夫时尚品牌 Chervò 设计一

么？需要突破的是什么？

个新的旗舰店和品牌形象，广告语是“小心飞

Lukas Rungger&Stefan Rier: 我们相信，年

来的高尔夫球” 。基于对高尔夫和户外运动相

轻建筑师站在打破那些由老一辈知名建筑师创

关要素的全面分析，新的理念从室内高尔夫球

立的旧方阵的前沿。我们需要做的是努力工

场，转变为从家具、灯光和产品等基本要素去

作，努力工作，努力工作。去年我们参加新

推广品牌，该品牌在未来数年主要集中在亚洲

加坡世界建筑奖，遇到了 Ole Scheeren、Bjarke

市场。目前旗舰店还没有建造，但我们希望顾

Ingels 和其他一些人，他们向最优秀者如 Rem

客可以继续推行这个独特的概念。

Koolhaas, zaha Hadid 等学习，如今他们已经在 世界设计和规划领导者中占有一席之地。这正 显示出年轻一代的强大力量，天空是有限的， 也可能是无限的。

《设计家》：noa* 目前的运转情况如何？未 来的发展规划是怎样的？ Lukas Rungger&Stefan Rier: 目前我们正超 负荷工作，同时进行的项目约有 30 个。我们

《设计家》：你们认为未来青年建筑师的发 展前景是怎样的？

对未来的规划很简单，就是全面成长为一个创 意非凡的国际知名工作室。

Lukas Rungger&Stefan Rier: 就 像 前 面 所 说，年轻的工作室只需相信自己，努力工作， 为杰出的设计方案而奋斗。在我看来，“老牌

《设计家》：你们业余喜好做什么？你们认 为工作与生活的关系是怎样的？

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DESIGNER |人物 housing to hotels, extending to interiors,

is the spirit of our work, it expresses the way we

说， “平衡工作与生活”有时是十分困难的，

landscaping and bespoke furniture design. i am

think, feel, live, work. starting as a small practice

但幸运的是，我们从事着世界上最美妙的工作，

now a member of the architectural chamber of

with 2 co-founders, we have now grown to

它一次又一次回报了我们的努力。此外，我们

bozen/bolzano.

approx. 20 people that form the inner circle,

都已经有了第一个孩子，这是目前为止最好的

Designer&Designing:You were born in italy,

extending out to another 30 people that shape

作品。

what kind of impact do the culture and traditions

noa*s network of creatives around the globe

of your country have on your growth?

that interact periodically on different projects.

Lukas Rungger&Stefan Rier: 对于建筑师来

《设计家》：其他想与读者分享的。 Lukas Rungger&Stefan Rier: 永远要相信年 轻人的创造力。

Lukas Rungger&Stefan Rier:we both grew up

the first 5 years served as a “buildup phase”,

in south tyrol, south tyrol is a small region with

which now is concluded and we are pretty

pretty much 2 worlds fusioning together, german

much emphasizing our aim to internationalize

and italian, becoming a fantastic melting

our studio towards a Europe-wide player in the

both of 2 very different cultures, all inhabitants

field of design excellence.

leading a bilingual life.both of us left at the age

Designer&Designing:noa* serves as a stage

of 18 to study and explore the world for about

(or platform) for architects, designers of interiors,

15 years. the outside perspective gave us a

graphics or fashion, as far as musicians and

Designer&Designing:please introduce your

much sharper view of where we actually come

historians, what‘s the model management of

major learning and growth experience for us

from and we reconsidered and changed our

noa*?

briefly.

views of what’s special here: the very powerful

Lukas Rungger: i was born in 1977 in bolzano

Lukas Rungger&Stefan Rier:noa*, while

elements of nature that influenced us when we

forming the heart of its own network, reinforces

and grew up in the small town bruneck/brunico

worked abroad.

the transfer of knowledge from various operative

in south tyrol (italy). at the age of 18 i left the

Designer&Designing:for what reason, did you

sectors, by surrounding the core theme

country and moved to graz (austria), where i

set up noa* -network of architecture together?

of architectural creation, reaching out to

graduated in architecture from the technical

what stages of development had it gone

accelerate and intensify the added value for

university. there i worked first as architect and

through? what’s your target about noa*?

each project. right at the beginning of each

project leader with prof. hans gangoly and then

Lukas Rungger&Stefan Rier:we met while

project we aim to invite a selected series of

working as project architects with the renowned

creatives, we bring together a variety of social,

softroom in london (uk) and finally in milan (it)

architect and designer matteo thun in milan,

cultural and methodological influences to

with famous designer matteo thun. after having

being responsible for a series of challenging

enrich each project and underline the aim to

gained my diploma in brooklyn (nYc) and my

projects in the field of tourism, modern living

creat uniqueness.

professional qualification as architect from iuaV

and contemporar y workplaces.when we

Venezia (italy),i has been extensively involved

Designer&Designing:what’s the main work

came back to bolzano we founded the studio

about for each of you? and how do you work

in a variety of projects mainly in the field of

in 2011, to implement our first hotel project

together with each other? how do designers

urban planning, housing, hotels and interior

“Valentinerhof”. we have chosen the name

working in different fields cooperate?

architecture of bars, shops and restaurants. i

‘network of architecture’ because the network

Lukas Rungger&Stefan Rier:we compare

moved to london to work for about 5 years with

was a member of the royal institute of british architecture and am now a member of the architectural chamber of bozen/bolzano. stefan rier:i was born in 1979 in bozen/bolzano and grew up in the small village seis/siusi nearby the famous seiser alm in south tyrol (italy). i graduated in interior design from Centro Studi， andrea palladio Verona (italy) and in architecture from technical university ferrara (italy). i worked first as architect and project leader with arch. demetz, and then moved to bergamo to work with prof. massimiliano mandarini and finally in milan with matteo thun.i received my professional qualification as interior designer and architect from universita di genova. i has been focusing on a series of projects from sustainable 012 [设计家]

15-16 Hotel Ulrichshof 15 16

ourselves in our methodological approach to architecture with the profession or the appointment of an orchestral conductor. Just like an artistic or musical director of a playing ensemble with its task, we tr y to conduct interdisciplinary, focusing on the quality of the interaction between construction and design professionals to the last detail. what in music happens mainly auditive, we

17

steer through the visual, the tactile, the olfactory,

18

the auditory... a game of sensations generated the creation of complex atmospheres. as architectural conductors right from the beginning we present a concept that is interpreted and implemented in a further series of carefully selected specialists. the predetermined dimension of internal and external architecture acts like a "script" and serves as a fundamental issue for any further intervention. designer&designing:how many members are

19

17-19 Hotel Ulrichshof

there in your company ? what are the major types of projects at present?

Lukas Rungger&Stefan Rier:at the moment our core team consists of 20 architects/interior designers from italy, greece and spain. noa* at the moment is mainly designing hotels and private villas, spanning from architecture to interiors, object design, lighting design and landscaping. the projects range from smaller extensions to large “hotel villages”, placed in italy, austria, germany, croatia, united kingdom.

Designer & Designing:please introduce some of your representative projects at present.

Lukas Rungger&Stefan Rier:such as Villa am steinbruch and hotel Valentinerhof. the Villa “am steinbruch”, a private house hosting two families, is established in the outskirts of the village of oberbozen / soprabolzano (it) facing the great mountain panorama of the dolomites. the place is a former quarry, which was the starting point in the development of the concept.the lower parts of the high plateau of the ritten / renon area are lined with vineyards, which grow at the steep hillsides; the different rows are supported by dry stone walls, which form elements of the cultural landscape. noa* implements the stone wall in the same way as it is used in the vineyards - as a supporting element.the aim was to implement the architecture into the surrounding in the most natural way; therefore

it was important to underline and reinforce

point. the hotel achieves a significant attribute

local building traditions. two simple houses with

to its new identity through the establishment of

pitched roofs and covered all over with shingles

the new wellness area; the element of water

sit on the stone wall and are looking towards the

becomes integrative part of the concept

most impressive mountains scenery. the front

of architecture, interior design as well as all

facades are fully glazed and allow the interior to

products and furniture. in between the soft

totally open up to the landscape.the building

silhouettes of the mountainous landscape, the

combines building tradition with contemporary

earth becomes a main habitat that is softly

architecture while always looking for a strong

indicated by discrete wooden elements that are

connection to the surrounding landscape.

complementing the solid building by attaching

hotel Valentinerhof is located in the village of

themselves onto the main façade. the natural

kastelruth next to the well-known seiser alm at

stone cladding and wooden frames get

approx. 1200 meters above sealevel. the family

reflected inside the full height glass elements

establishment was enhanced and enlarged

and sink into pool, lake and seascape.

with a new wellness area and a new lobby with

the suites are characterized by almost square

attached bar and restaurant. 14 spacious suites

floor plans; the room-high window panels allow

were added to complement the new hotel,

a maximum of natural daylight illuminating all

increased by 1100 square meters.

backsides of the rooms and the bathrooms. the

the aim of the architectural concept was

bed faces towards the valley and every guest

to underline and reinforce the impressive

can enjoy the great views right in the morning

surrounding alpine scener y by inserting

while waking up. the guest is supposed to feel

thoroughly conceived built volumes into

like sleeping outdoors because of the bed’s

the natural landscape. in doing so the

position right at the border of exterior and interior

intermediation with the local tradition and the

space. the lounge area of each room contains

accordance with the omnipresent nature was

a big futon and is completed by the traditional

always crucial to the conceptual approach.

linen cloth; it is made out of fabric that is up to

at the same time the view, the panorama and

90 years old and was hand-weaved on a loom

the mountain silhouette remain the main focal

from 1901. the wellness area is composed [设计家] 013

DESIGNER |人物 a place, space or environment, is the recurrent theme that completes the holistic design philosophy and methodology. the choice of material, the reduction to the essentials in the building, the conscious contact with the landscape where we build are the leading points for noa*.

Designer & Designing:You had completed the family resort ulrichshof, please give a brief introduction to the background and design highlights of the project.

Lukas Rungger&Stefan Rier:the bavarian forest forms the narrative frame for the entire resort, it works as a script. the character of the 20

surrounding forest becomes also a design

20-21 Hotel Ulrichshof

principle for the internal spaces. at the same time it is the basis of a magical stage for fables and fairy-tales. Various “touching points” in between the forest and the fairy tales are implemented

of a main pool area and a sauna area. the

the connection between the new and the old

with maximum care and crafts. traces of

pool consists of an indoor element that forms

building – the rooms and the wellness area. the

animals carved into wooden panels become

the entrance area and is connected to the

different forms of the glass elements come from

physical and visual moments of storytelling. full

outdoor pool of approx. 70 square meters. the

natural stones that were found in the surrounding

height glazing panels open up the main views

pool is framed by the façade’s wooden work

areas and were used as negative forms.

towards the outside.

and spans over the entire western wing of the

noa* exclusively used traditional materials

“children need fairy-tales” is the title of bruno

building. the water sloshes over a fifteen-meter

such as natural stone cladding, wood, glass

bettelheim’s book about children’s psychology,

long infinity edge, plashing down onto the

or linen. crucial aim was the experimentation

which inspired the composition of the interiors.

generous sundeck. a finnish sauna, a herbal

with traditional working processes in the

the reception invites the guests into the magical

sauna, a steam bath and various relaxation and

manufacturing of the materials. Each space

forest. the waiting area is dedicated to the

sleeping rooms complete the eastern part of the

of the hotel was tested to reach intriguing

princess on the pea you can test if you can

building. the finnish sauna comes with a great

compositions by using 3d-and 4d based

feel the peas through the sofa made of a pile

270 degree panorama window. the herbal

software. the three dimensional display and

of matrasses. or children are invited to climb

sauna is located 1.5 meters below the rest of

visualisation was essential for the composition

rapunzel’s braid that is hanging from the tower

the wellness area, right on the level of the outer

of surfaces and materials. different prototypes

(or the staircase). Every corner of the hotel tells a

natural lake. Entering this lower sauna the guest

of wood, tiles, fabrics, carpets and lamps were

different story that can be experienced.

gets the sensation of a mirrored panoramic view

connected to a holistic assembly of colours and

the annex of the hotel covers a total volume of

repeating itself within the lake surface.

materials.

35.000 m3. the building volume extends on the

product design include furniture, lightning,

Designer & Designing:what design principles

whole area and connects the existing volumes

interior design, architecture and landscaping –

do you uphold?

of the hotel and the barn. the center of the

each element was conceived and designed

Lukas Rungger&Stefan Rier:by following the

ensemble is formed by a glass cube, which

by noa* with the idea of a holistic design

concept of “emergence”, where the whole is

hosts lobby and lounge of the hotel on 1.200

philosophy, produced with a maximum of

perceived as being far greater than the sum

m2 on 3 levels. the connection of the old and

passion, attention to detail, tradition and local

of its parts, a holistic approach and strategy

the new is created through a 40 m long and

craftsmanship. the most challenging internal

is central to noa*s way of conceiving design.

6 m wide passage made of glass and timber.

feature was the production of a lightning object

in doing so, noa* does not see itself as the

from the lobby you are able to reach the 4-story

that reflects the human soul. it was developed

universal genius but collaborates intensively with

adjoining building where 31 new standard

in collaboration with a roman glassblower

experts within the team and the network. the

rooms and 10 suites are located. the spa-

and a german designer. single mouth blown

classic designing is enlarged, enriched and

building is placed on a surface of 1.800 m2

glass beads were filled with water and dangle

intensified.

in the east of the ensemble and is connected

down from the ceiling of the staircase, which is

Exploring the “genius loci”, analysing the soul of

to the volume of the lobby. there three new

014 [设计家]

pools were realized: an indoor pool, an outdoor/

only then to start thinking and designing.

believe that young studios just need to believe

indoor pool and an outdoor pool for children.

Designer & Designing:did you have project in

themselves, work hard and fight for outstanding

the parents can relax in the all new 500 m2

asia? if so,please introduce your first project in

desing proposals…the era of the”old ones” in

large sauna area. the core of the building is

asia.

my view is about to be replaced by a fantastic

made of reinforced concrete, while the facades

Lukas Rungger&Stefan Rier:noa* designed

league of great young talents who operate on

are dominated by glass and untreated timber.

a new flagship store for the young italian golf

international grounds.

they form a strong link to regional traditions and

fashion brand “chervò” and their role-out in

Designer & Designing:does the company run

crafts, and stand for the cultural heritage of the

asia. the slogan is“watch out flying golf balls”.

smoothly at present? what’s your development

local and imminent environment.

starting from a thorough analysis of the main

plan for noa* in the future?

Designer & Designing:please introduce some

components surrounding golf and outdoor

Lukas Rungger&Stefan Rier: for now we

management experience in your team and

activities, the new concept consists of an indoor

are pretty muich overloaded with work, and

how do you control the project quality.

golf course, transformed into essential elements

manage to work on approx. 30 projects

Lukas Rungger&Stefan Rier:the long-term

of furniture, lighting and products to promote

simultaneously. our plan is ver y simple: a

aim must be the holistic involvement of our

the brand, focussing on the asian market, for the

thorough growth towards a well renowned

network and noa*s specialists as early as

years to come. the shop hasn’t been built so far,

international studio is specialized in creative

possible in the design process to model the final

but we hope the clients proceed to implement

uniqueness.

product already in its prototype phase so that

this unique concept.

Designer & Designing:what do you like to do

it makes the grade in the end. what is already

Designer & Designing:noa* had been set

in your spare time? in your opinion, what’s the

common practice in technical areas (a fire

up for many years, for the success of design

relationship between job and private life?

protection project or geology report must be

and business strategy, what experience do you

Lukas Rungger&Stefan Rier:the so called

created before the permit applications), we

have?

“work life balance” is sometimes a tough thing

are increasingly trying to integrate noa*s artistic

Lukas Rungger&Stefan Rier:we love to create

for architects but then again we are lucky to

and architectural standard in the whole design

a tailor made solution for a very specific place,

have the most wonderful profession of all, which

process from sketch to practical completion.

person or project. instead of picking standards,

again and again pays back all the efforts we

Designer & Designing: what do you think

we think of every project as truly unique. holistic

make…and then theres our first child on the

about the relationship between hotel design

solutions are the key ingredients, and the strong

way, which is by far the best project of all.

and local cultrue?

relation of design and business strategies to

Designer & Designing:any other you want to

Lukas Rungger&Stefan Rier:Each project

really implement our design excellence is the

share with readers.

is being approached as an intense learning

true challenge of our work.

Lukas Rungger&Stefan Rier:never stop

process, with a thorough analysis of the „lost

Designer & Designing:You were born in 1979

believing in young creative talents.

and found“ becoming essential to all facets

and 1977， as young architects，in your opinion,

of design quality, paired with the attempt of

what do young architects need to insist on

simultaneously looking back and understanding

and break through under the background of

traditional culture and looking forward at

globalization and the internet?

contemporary ways of enhancing modern

Lukas Rungger&Stefan Rier:we truly believe

life. before designing we dive into a search of

that young architects are on the verge to break

traces, researching what the specialities of a

the phalanx that has been built up by a series

specific place are, or whether something needs

of renowned older colleagues. what it takes is

to be conserved or accentuated. in our view a

hard work, hard work and hard work. looking at

hotel should have a strongest possible dialogue

guys like bjarke ingels, ole scheeren and others,

with its surroundings, it should pretty much

which we met at the waf award in singpore

become a mirror of the society, the immediate

last year, who impressively mamaged to learn

environment and its traditions.

from the best (such as rem koolhaas, zaha

Designer & Designing:in your opinion, what

hadid, ect…) and nowadays take on the role of

factors are needed for a good hotel design?

world wide leaders in design and planning, it just

Lukas Rungger&Stefan Rier:to listen, to

shows how powerful the young generation has

let the stories grow and to rewrite them in

become. the sky is the limit, or maybe it isnt…

the architecture. to take time for the place

Designer & Designing:what do you think of the

where you want to build, to experience the

prospect of young architect in the future?

atmosphere, to involve local circumstances and

Lukas Rungger&Stefan Rier:as said before, we

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