TH E SACR E D N E SS OF TR E E S F O R 4 - O R 3 - O CTAV E CA R I LLO N
Copyright © 2021 by Norsk Musikforlag a s , Oslo. www.musikkforlagene.no Materialet er vernet etter åndsverkloven. Uten uttrykkelig samtykke er eksemplarfremstilling, som utskrift og annen kopiering, bare tillatt når det er hjemlet i lov (kopiering til privat bruk, sitat o.l.) eller avtale med Kopinor (www.kopinor.no). Utnyttelse i strid med lov eller avtale kan medføre erstatningsog straffeansvar. n.m.o. 14836 i s m n 979-0-065-16767-1 Cover & title page design/calligraphy: Christopher Haanes, www.christopherhaanes.com Graphic production/print: Norsk Musikforlag a s . www.musikkforlagene.no
THE SACREDNESS OF TREES ’The Sacredness of Trees’ was commissioned by Nordic Music Days 2019 for Bodø Cathedral’s 4-octave carillon and the eminent Norwegian carillonneur Vegar Sandholt, to be performed on November 13, 2019 at the opening of the festival in Bodø, Norway. It was also performed each day of the festival (November 13-16), and was played simultaneously around the world, from 16 bell towers in Sweden, Denmark, usa, France, The Netherlands, Belgium and Australia! The Bodø Cathedral carillon is a beautiful instrument, built in 2012 with 50 bells (a bit more than 4 octaves) which were cast at the Royal Eijsbouts bell foundry in Asten, the Netherlands, one of the oldest and most respected bell foundries in the world. The commission from Nordic Music Days was based upon the festival theme of ’Truth’. Thinking about the bells themselves, the concept of Truth soon merged with my focus on the rich overtones of the bells. I came to think about the concept of overtones, and the fact that in English we sometimes use the word ’overtone’ to denote something which is present or felt, without being stated. I started to think about the overtones of a bell – some very present, some barely audible – as that which expresses the bell’s true character. Maybe our outward presence in the world can be expressed as our ’fundamental’, while our true, complex character is expressed by our own subtle, unique, felt-but-not-heard mix of natural harmonic and non-harmonic overtones? With these thoughts in mind, I built my new piece for Nordic Music Days upon the overtones of the deepest bell in the Bodø carillon. It is an exploration of the subtleties of inner truth (represented by the complex overtones of the Bodø carillon), and the interaction of that inner truth with the ’outer’ truth of the surrounding city and natural landscape. For me, the natural world is an enormous source of truth, both in the unfolding of its natural laws and rhythms, and in its sheer natural beauty. But the truth of the natural world is not only beautiful: it also encompasses the destruction of our natural world, through (for example) the felling of oldgrowth forests. ’The Sacredness of Trees’ has become a call to respect and protect the world’s oldest forests, which are rapidly disappearing. ’The Sacredness of Trees’ was commissioned with support from Det norske komponistfondet (The Norwegian Composers’ Fund), and was nominated for the edvard-Prize in 2020.
Performance Notes – Grace notes are always meant to be performed before the beat. – Tempi should be adjusted to each carillon. – after F, small noteheads indicate to continue with these pitches, adding the new pitch B (large notehead) . – Tempo: in general, the tempi at quarter note = 46 and 100 are as written, while sections marked quarter note = 60 (also reh. I at quarter note= 46) are much freer, and are marked ‘rhythm feels flexible, pliable’. (These sections move in an out of improvised rhythmic textures.) – m. 90, ’reduce bells gradually’: choose from the same pitches, but the textures becomes less and less dense, until it dies away completely in the measure before reh. J. – For carillons which do not have the highest D in the last two measures of the piece: simply remove the 8va markings in mm. 101-103. www.ellenlindquist.com
5
4-octave carillon
The Sacredness of Trees
Commissioned by Nordic Music Days 2019, for the Bodø Cathedral carillon and carillonneur Vegar Sandholt Created with support from Det norske komponistfondet (The Norwegian Composers' Fund)
q = ca. 46
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q = 60 rhythm feels flexible, pliable, moving gradually into improvisation
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Ellen Lindquist (2019)
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B
continue in this spirit, but with freer rhythm, slightly chaotic but restrained.
© 2019 Ellen Lindquist
all rights reserved Copyright © 2021 by Norsk Musikforlag A/S, Oslo. Apple Mountain ISMN 979-0-065-16767-1 N.M.O.Music 14836Press (ASCAP)
13 July 2020
The Sacredness of Trees • Lindquist
6
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21
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27
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rit.
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D
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q = ca. 100
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N.M.O. 14836
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q = 66
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The Sacredness of Trees • Lindquist
(√)
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q = 60 rhythm feels flexible, pliable, moving gradually into improvisation
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continue in this spirit, but with freer rhythm, slightly chaotic.
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Order of pitches may change.
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42
independent tempo, slightly slower: listen
wœ
b œ b œ b œ œ œ œ œ œ nœ œ bœ œ œ nœ bœ œ nœ œ bœ œ œ nœ bœ
(q = 60) rhythm feels flexible, pliable, moving gradually back into improvisation
bwœw œ & 42 (ƒ) ?
56
bœ
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5
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U intensifying: chaotic, no sense of pulse œ œ œ n œ b œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & (ƒ) w^ ^j ˙^ œ b œ^ U ? J ∑ œ ƒ Ï
58
3 N.M.O. 14836
The Sacredness of Trees • Lindquist 8
& 42 ..
61
?
>œ œ b b œ œ œ œ n œ œ b œ n œ b œ n œ œ b œ œ nœ œ bœ bœ œ œ œ œ œ œ ..
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5
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63
)
(x = e
(q = 50)
q = ca. 100
> œ œ nœ œ bœ 2 œ bœ œ nœ œ œ œ œ 1 &4 4 5 Sp (start slow) ? 41 2 ∑ ∑ 4
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65
68
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4 N.M.O. 14836
∑
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The Sacredness of Trees • Lindquist q = ca. 46
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81
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85
88
similar (or the same) gestures, becoming gently uneven, fragmented. Order of notes can change.
D
building, becoming increasingly chaotic, uneven and intense, more and more 2-note chords amongst bells
take your time...
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using the same pitch-classes, move gradually higher in register
density thins...
w ? 44 w F œ. & œ. P ?
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q = ca. 46 (in time, tolling evenly)
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The Sacredness of Trees • Lindquist
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N.M.O. 14836
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Fall 2019 Rissa, Norway for Anton
11
3-octave carillon
The Sacredness of Trees
Commissioned by Nordic Music Days 2019, for the Bodø Cathedral carillon and carillonneur Vegar Sandholt Created with support from Det norske komponistfondet (The Norwegian Composers' Fund)
q = ca. 46
4 &4 Fw ?4 w 4 4
4 &4
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a tempo
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..
∑
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..
free rep.
© 2019 Ellen Lindquist all rights reserved Apple Mountain Music Press (ASCAP)
N.M.O. 14836
≈ b œJ .
rlb œa
bœ
œ
U
w
œ
o n e.
n e gU j œ
4 4
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3 4
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quasi off-balance
œ b œ œ continue in this spirit, but with freer rhythm, slightly chaotic but restrained. n œ b œ œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 & 4 Order of pitches may change. f q = ca. 60 œ^ ^ . ˙ U b œ^ w ? UÓ Œ. J tempo, ƒ independent slightly slower: listen 16 bœ bœ œ nœ œ bœ œ nœ . œ Nœ œ œ œ œ œ œ . œ œ . . & ?
4 4
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12
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œ bœ
O M E œ
∑
3
q = 60 rhythm feels flexible, pliable, moving gradually into improvisation
œ 10 n œ & 43 π ?3 4
Ellen Lindquist (2019)
q = ca. 100
as written) b œ(rhythm œ nœ bœ bœ œ nœ .. b œ .. free rep. (f) w
∑
œ œ œ œ œ œ .œ Œ ≈J ∑
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13 July 2020
The Sacredness of Trees • Lindquist
12
œ œ œ œœ œ & ‰ .. RÔ
21
?
27
& ?
∑ U̇
C
(p) œ œ œ œ œ œ œ œ œ œ œ œ ^ œ œ œ œ œ^ ˙ œ œ œ œ b œ œ .. b œ^ œ .. p œ ˙ œ œ .. R ∑ Œ ‰ . œ œ .. R R P q = 66
rit.
q = 60
U ∑
O M E
rhythm feels flexible, pliable, moving gradually into improvisation
‰ œ œ œ- b œ œ œ œ b œ b œ P F n˙ ∑ 3
U
œ bœ
œ
œ
œ
5
(q = 60)
nœ
b œ-
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n e g
b œ œ b œ œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 . b œb -œ b œ œ œ . œ œ œ b œ & œ 4 . œ nœ . œ nœ n œ Order of pitches may change. (f) 5 f ^ . w^ ˙ w ^ q = ca. 60 œ U b œ^ w ? UÓ Œ. J tempo, ƒ independent slightly slower: listen (x = e)
30
D
(rhythm as written)
continue in this spirit, but with freer rhythm, slightly chaotic but restrained.
la r fo
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35
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D
q = ca. 100
∑
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39
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(q = 50)
∑
∑
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rit.
2 N.M.O. 14836
rit.
The Sacredness of Trees • Lindquist
45
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E Tempo I j bœ
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continue in this spirit, but with freer rhythm, slightly chaotic.
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Order of pitches may change.
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bœ
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accel.
q = 60 rhythm feels flexible, pliable, moving gradually into improvisation
F
53
q = ca. 46
13
42
independent tempo, slightly slower: listen
w
5 56 bœ bœ œ b œb œ- œ œ œ w œ œ œ nœ œ bœ œ œ nœ bœ œ Nœ œ bœ œ œ nœ bœ & 42 5 (ƒ) ? ∑ ∑ (q = 60) rhythm feels flexible, pliable, moving gradually back into improvisation
bœ
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58
3 N.M.O. 14836
The Sacredness of Trees • Lindquist
14
& 42 ..
61
?
>œ œ b b œ œ œ œ N œ œ b œ n œ b œ N œ œ b œ œ nœ œ bœ bœ œ œ œ œ œ œ ..
(q = 60) rhythm feels flexible, pliable
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5
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63
)
(x = e
(q = 50)
q = ca. 100
> œ œ nœ bœ 2 œ bœ œ nœ œ œ œ œ 1 œ &4 4 5 Sp (start slow) ? 41 2 ∑ ∑ 4
65
68
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D 5
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4
N.M.O. 14836
rit.
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∑
q = 66
73
o n e.
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4 4 44
The Sacredness of Trees • Lindquist
H Tempo I
& 44
78
j œ
b œ-
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p bœ
? 44
œ
q = ca. 46
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j œ
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15
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œ œ œ 42 œ ˙ 42
O M E q = ca. 46
I Hovering, dreamlike, tenderly
rhythm feels flexible, pliable, moving gradually into improvisation
b œ- b œ œ œ œ œ œ œ œ œ œ œ .. œ œ œ œ .. bUœ b œ œ œ œ & œ œ nœ nœ 5 π (start slow) ad lib. ? .. .. ∑ ∑ ∑ ∑ a tempo
rit.
81
D
similar (or the same) gestures, becoming gently uneven, fragmented. building, becoming increasingly Order of notes can change. chaotic, uneven and intense, more and more 2-note chords amongst bells
n e g
using the same pitch-classes, move gradually higher in register
rla
bœ bœ U bœ œ & b œ œ œ œ n œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ take your U receding... time... ƒ π ?
85
88
&
o f k
k i s u ~~~~~~~~~ ~~~~~~.~~m ~~~~~~~~~~~~~~~~w w w
density thins...
w ? 44 w F
bœ œ œ œ bœ nœ
reduce bells gradually
w w
w w
q = ca. 46 (in time, tolling evenly)
j œ ˙ œ ˙
J Tempo I
œ. & œ. P ?
95
∑
q = ca. 46
64 ˙ n˙ 46
3
3
w w
œ b œ œ œ œ n œj œ .. b œJ œ œ œ ˙ 5 N.M.O. 14836
o n e.
œ
œ nœ
~~~~~~~~~~~~~~~~~~~~~~~~ .. .. w .. w
U
a few last wisps of sound... niente
w .. w
may be repeated ad lib., if desired
b œ œ œ n œ 44 œj œ .. œj œ nœ œ œ 44
~~~~~~
∑
U w
w
œ œ
œ
16
98 œ b œ œ œ œ n œj œ .. b œJ & œ œ nœ œ ?
œ n œ œj œ
œ
nœ
œ œ .. œ b œ
œ œj b œ-
œ
nœ
œ
j j 5 & 4 œJ œ b œ œ œ . F Ó
nœ œ œ
D w
rall.
œ n œ œ- œ ..
F œ
œ
45
œ
45
O M E
poco rit.
a tempo
101
5 &4 Ó F ? 45 œ
The Sacredness of Trees • Lindquist
® b œJ .. b œ œ .. ‰ œj b œ . P
œ
œ
œ bœ
bœ
∑
6
j œ
œ
la r fo
k k i s u m . w w
N.M.O. 14836
j n œ .. œ ®J p
w
rit.
U œ
√ (8va if possible) - U ‰ b œ- Jœ- œ œ . œ J π U ∑
o n e.
n e g
Fall 2019 Rissa, Norway for Anton