Nmo 14173 bach vibrations

Andrei Pushkarev

BACH VIBRATIONS 15 two part inventions for vibraphone solo

N.M.O. 14173

Copyright © 2017 by Norsk Musikforlag A/S, Oslo. www.musikkforlagene.no Det må ikke kopieres fra denne bok i strid med Åndsverkloven, eller i strid med avtaler om kopiering inngått med Kopinor, Interesseorganisasjon for rettighetshavere til åndsverk.

Kopiering i strid med lov eller avtale kan medføre erstatningskrav og inndragning, og kan straffes med bøter og fengsel.

N.M.O. 14173 ISMN 979-0-065-14726-0

Grafisk produksjon/trykk: Oslo Sats, Repro & Montasje A/S. www.osrm.dinstudio.no

PREFACE I don’t want to impose my own pedaling to any musician. It is always up to the performer.

Nevertheless, there are some exceptions. In certain fragments I would like to use a long pedal as a sound effect - such places are marked. You would also find the fragments that are marked “senza ped.” - during these bars the vibraphone should sound without a pedal.

Marking “ord.” indicates the end of the “senza ped.” fragment and return to pedaling ad libitum.

Mallet-damping is marked with “x” in bars where it is obligatory. The rest of the malletdamping is up to a performer.

Dear friends, dear colleagues, I am very happy to share with you my solo project “Bach Vibrations”, which I created some years ago. “Bach Vibrations” is a set of improvisations on fifteen two-part inventions of Johann Sebastian Bach.

The idea of this project came from the worldwide famous violinist Gidon Kremer whom I have had the pleasure to work closely with for almost twenty years. Maestro Kremer suggested that it would be interesting to recompose each invention in a different style to represent the personal performance characteristics of many famous jazz pianists and in so doing also maintain the understanding of what is a good polyphony.

The project is not a “crossover” as such but an all-inclusive homage through the music of J.S. Bach to so many great interpreters.

The CD “Bach Vibrations” released by the Austrian “Gramola” label in 2007 was recently mentioned by the Deutsche Schallplattenkritik Bestenliste, as one of the discoveries of the year.

I would like to explain a few things about the notation in these pieces. Please don’t be surprised about the lack of pedal markings. As for me, the use of the pedal is a very personal and

Since these compositions are jazz pieces, you would find an improvisation on a given harmonic pattern in most of them. In some pieces this pattern is written as a simple chord progression and in others there is a written accompaniment that needs to be followed. When you see the indication “The improvisation could be longer”, performer can make the improvisation two, three or even four times longer than it’s written. In places where there is no such indication you should follow the score as marked to keep the correct form of the piece.

The improvisational fragment is always marked with a double bar line. In each piece you will also find my own improvisation written out in smaller notes if you wish to perform it.

There are many differences between the CD recording and the score. Please don’t be surprised. I am playing these pieces differently every time. Although the CD was published ten years ago, the edition of the score was made in 2017. Naturally there are many corrections and additions in this publication.

Dear friends and colleagues! I wish you good luck with the “Bach Vibrations” and I hope you will enjoy this solo project.

If you have any questions or if you need any help please find me on Facebook or e-mail me at andrei.pushkarev@yahoo.com.

Yours sincerely Andrei Pushkarev

CONTENTS Invention #1 in C major . . . . . . . . . . . 5 Invention #2 in C minor . . . . . . . 9 Invention #3 in D major . . . . . . . 14 Invention #4 in D minor . . . . . . . 18 Invention #5 in E flat major . . . . . 21 Invention #6 in E major . . . . . . . 26 Invention #7 in F minor . . . . . . . 33 Invention #8 in F major . . . . . . . 37 Invention #9 in F minor . . . . . . . 39 Invention #10 in G major . . . . . . 45 Invention #11 in G minor . . . . . . 51 Invention #12 in A major . . . . . . . 58 Invention #13 in A minor. . . . . . . 65 Invention #14 in B flat major . . . . . 73 Invention #15 in B minor. . . . . . . 78

5

Invention #1 in C major inspired by Bill Evans

Tempo rubato

        

 





 





     

  



   

    

   

   



  

       

      

 

       











    



  

    



D

19

     

   

EM

      

13

  

      

25

  



          





Copyright © 2017 by Norsk Musikforlag A/S, Oslo.



  



             

    



 







        



O









   

      

7

   

   





A tempo 



   

N.M.O. 14173

  

    





   



      

   

    













   



     

31



   



   



 



37







                



3





    



     

 

49







cresc.

3



      

            

D

     

56

  



 





3      



  





  

         





      





3







       3

3

3



        





 3









    





  

        

  

N.M.O. 14173





EM

43



       

        3





   

  

O

6



  

3

   

 

             

Improvisation







    

  

  



   3

3

     3



     3

7 62



    

 3

 

3

3

    





 

 

       

3

3

 

3

    

 

3

3

  

  

3

3



D       

3

 3

3

3



  



3

3

  

3

3

          3

3

3   3                                     3

3

3

                     3

             3

  

 

           

     

3

3

    

3

3

(The improvisation could be longer. It is up to the performer)

        3

3

3

 

3

    

3

      



3

3

  



    

3

    

3

 

   3

3

    

3

    

3

        

78

3

EM

 

3

        

3

3



3

74



3      



3

O





   

               3

66

70

  

   

      

3

    

3

3

3

N.M.O. 14173

3

 

3



3

3



3

8 83











3 3 3 3  3  3  3                         

   

3

 

      

3

3





    3

              3 3 3  3 3 3 3 3 3 3 3  3  3                                



91





   





  









 

95

    



    

101

   



    

 

 





 

Meno mosso

     





rit.





 N.M.O. 14173



    

      

rit.

D

        





cresc.





EM



O

87

 

 

  



  

 

 

   















    



 

  

9

Invention #2 in C minor inspired by Michel Camilo

                                                            

  

         

             

                         cresc.                      

    

                                   



 

    

              

  

D

8

             

EM

5

         



O

3

        

               

                                  cresc.                    

11

N.M.O. 14173



                              

10

                                                                     

15

 mallets                                                                  

21

O

18

         mallets                                

      

EM

                      

24

      

  

  

D

27





           

30







   

   







   





 



  

        



  

                                                        





                   N.M.O. 14173

  

  

  

 

                                        

11

32

  

       

   

  

   



 

                                                     

37





                                

        

41

                                                

EM

 

O

35

cresc.

     

D

            

                                                                        cresc. poco a poco                                  

44

    

       

47



  

   





              

                                 N.M.O. 14173

12

                                    

 

50

    

    

53

 

                 



    

         





                                                                   



                         cresc.         



        

56

        

EM



O

 

cresc.

                             

59

Improvisation

                 

Cm

Fm

             

                G7

       

  





 



                                           

D

62

Cm

G7

Fm

           



              

65

 

       

     

 

 





    

 



N.M.O. 14173

  

                       

Cm

G7



Fm

Cm



Fm

 





 



                                                     

13

The improvisation could be longer. It is up to the performer.

67

 

G7



  



 



        

                        

70

  

 





                       

       

       

O

          

 



                                                              

EM

73

 

       

    

78





 







      

                           cresc.

D

76

            



                                           N.M.O. 14173

14

Invention #3 in D major inspired by Bill Evans

     3

 

3

   



7

        

22

  



        3     





               

    







                 

 

     3

   

D



       

3

         3

3

28

            





3

4









    4

      



    

 

    







  

3

 



   

3

3        

    

        

           

3

      

3

4

   



4



3



3

3

         

    

                   

     

      









3

3

EM

15

   

    

O

                  

  

3

 



           

                       N.M.O. 14173

3



 

        





 





        

          

     







3              



3

3

3

  3

       

3

    

cresc.

3

      3

3



      3

 3              4

3





     

3

       3

N.M.O. 14173

3 3

    



      3

3



       

          3

   

3

      

3

  

        

3

3

  

3

   

3

3

3



3

      







 

 

     

      3

3               

3

  



3

 

  



    

      

3

60



 

3



D





     



   

54



  



EM



  



                 

41

48

                 

  

O

35

15



 

       3

      3

3



   

16

              





3

    



3

     







  

3

3

EM

   3           

3

       3



3







  

   

     



   

88

3

 

3

  

  3

    





N.M.O. 14173



      3

3

3

    3

3

         3

3

      

      

          3  3



 

3

   

3

3

           3





3         



3

 

3

3

      

3

  



     



      



3

       



      



3

3

      

     



      

D





3



   

3

3

        3

         

  

         3 3              



3

   



 

              

   

83

 



78

3

3

    

73





3

      

O

    

66



    

3       

3

3





 





   3          100

 

106



111

  

 

 





    3 



 

3



 



3



     

  

  





4





Meno mosso 

              

 



3

3

       

  







rit.

  

         3  cresc.         

dim.







3

    

      

  

   

3

3



4

3

3

 

    

3



    

     

3

3

3

 

 3      

3             

           

   

   

3

   

     

3        3

D 

124

        

3         

3         

  

         3 3 3    



3

3

   

 



3

 

3

3         



3



 

       

3

3



3

3      

         

117

3

  

       

    

EM



 

 

O

94

17

   

   



    

         rit.                       

        







N.M.O. 14173





18

Invention #4 in D minor inspired by Oscar Peterson



                         

5

3

3

3

3

 

  

 

  

          

3



  

3

        3

    3

3 3   3  3  3 3 3 3        3                                         3 3 3  3   

3 3   3 3 3 3 3 3 3                                                                 (L.H. with swing, 3 3 3 quasi contrabass) 3 3 3 3     13   3 3 3                                                                     3 3 3 3 3    3 3 3 3  3

EM

O

9

          3                                                  3 3 3 3 3  3 3   3 3   3 3 3 3 3 3  3  21                                                  3  3 3  3                    25 3   3 3 3                                          3   3 3 3 3 3    3

3

3

3

3

3

3

3

3

3

3

3

D

17

3

  30  

3

    3

3

  

          3

3

  3        3 3     3                      3 3   3   3       3  3 3 3 3  N.M.O. 14173



38



41

O



34

19  3 3  3 3  3  3  3 3  3 3    3  3 3       3                                                         3 3 3 3 3 3 3 3 3  3   3 3    3 3 3       3           3    3                           3 3            3 3   3 3  3 3 3           3        3                                           3     3 3    3     3      3 3 3 

 45  3                                                       3 3

EM 3

3

3

3 3      3               

3

3

3

3

3

3

3    3              

3  3 3                                      3        3 3   3 3 3  3   3          53 3 3 3   3                                             3 3 3 3   3 3      3

    

3

3

D

49

     

57

 3 3  3   3           3  3 3  3  3                                                                     3  3

3

3

N.M.O. 14173

       3 

20

 61    

3

     

3

   

       3  3

   

      3  3

3 3  3                            3 3   3

3

3

                                                          

64

3

3

3

3

3

3

3

3

3

3

3

3

3

3

        

72

3        3 3 3 3       3 3                      3 3            3 3   3 3    3             

EM

3

 

O

 3             

68

3



3

   



3    3  3  3    3                                            3 3 3 3 dim. 

D

76

  

3

           3

3

3 3               3

3   3   3   3 3 3                                               3 3   

80

3

3

3

3

3

3

3

3

     3     3 3 3 3                                             3 3 3    3    

84

3

3

N.M.O. 14173

21

Invention #5 in E flat major inspired by Scott Joplin

   

    







      

 

     







  

6





  



 





  



  

        

 













D



 







  

                    













  







 



          



         

 

22



      

                                 

               

16





EM

11





O

Slow Ragtime

                      



  



 

      

 









N.M.O. 14173

   

          

 



    

 

      



 



 

22

         

28

     

 

     

 

      

  

                

33

    

      

                  

  





    

       

  

   

  

                      

EM

38

    

43

        

O

 



                                        

     

         

48

 



       

                                        

D

 







 

 

     

          

     

N.M.O. 14173

        



      

       

 

            

     

          

53

       

23

    

   

    

   

  

      

  

      

cantabile

 

 

                        

58

             

  

   





           

                              

69

 

 

EM

64



D

  



 

73

 

       

  

poco cresc.

       cresc.

   



  



O

 









                   



      

                            cresc.              N.M.O. 14173

24 77



 

                 

   

        

molto rit.

         



          

     





    

     

       

                                               

 

              

97

 

 





   

 

  

      

      

   





      

      

  

 

       



    

 

   N.M.O. 14173





accel.                                          

               

 

         

               

D

      



      

             

EM

87

92

        

O

82

           

  

rit.

               

 





  

   





       



 

      

       

 

  



      

  

  

 





   



    

       



 



   







                        dolce            

D

116

 

 



    

        

 



   

       

 

  









                            



 N.M.O. 14173

 

   







 

     

121

cresc.



       



EM

112

 

         

           

              

107

       



O

          

102

       

 



  

25

26

Invention #6 in E major                              

inspired by Chick Corea

                             cresc.                      

                                      

4



                    

O







      

EM

                                                                                       

7

              

D

10



13

 

  

           

                                            

    

 





                             

   

     

      N.M.O. 14173











27



                             

19



 

      25



















31

 



































  

















 

















                                       

      

     



                                    

 

















   





                                 

D







    28



 

EM

22



 



O

16











 







     



                                      

 

      N.M.O. 14173

 





34



                                    

    37

 

40



43

 

46



 











  

   

 









  

  

             

  



  









 



  



















    

D



 







 

  

   

 

    

                       

cresc.

 

   

  



cresc.

                





               

 

  

   

                

  

dim.

   

                    49                                                            

           



                       

EM







O

28

N.M.O. 14173

              

52









        

55









29

                                

61

 





 





             

D 



    

67

  



   

              

64

                                             

EM





O

                      58               

          

        













        

           

   

         

               

            

 N.M.O. 14173





         

          

30

    



70

   73

 

 

 

           

                              

 



              



 



                         

O

                                                                

EM

76

                                

79





            

D

82

   





cresc.





     

              

85

    







     



          





                           



     

                                 

          



N.M.O. 14173



88







  

    



        

         

 

 



    

31

      

                                                               



O

91



  

     

             



97



EM

           cresc.                                                  

94

      



                                 

                     100                                      

D



                                             

103

N.M.O. 14173

32 106

 



    



 



  

 



        cresc.  

       

                            







  

  

      

   

                           

     

    

115











Lento

             

118

              

  

    

D



  



  



EM





                

O

  

        

112





         

109

                   

          



            

 

 



 

 

N.M.O. 14173

rit.



                               

   

             

 

 

 

  

                 





 

 



33

Invention #7 in E minor inspired by Eroll Garner



          



 

         

   

 





   







         

3

3

           

D 

17

 



           

   



       





 

           

                  

      

G7



 

          3

    



Improvisation



 

3

N.M.O. 14173

           

      

3

3

 



  



     

              



   



C7

           3

   

3

       

3 3                    5

13

5

5

          





       



        

     

         

             

EM



  rit.

          

a tempo

10





  

  

   



O

7



3





          3

3

20

 

23

 

      







G7

        3



   







 

 



 





  

D7

               3

         

  





A7

3

3

 

 3

             



D7

3

  3



        

3

3                                 3 3



E7

               

3

   

       G7

EM

26

3

3

3

    

G7

3

3

3           

         





  

C7

3

3

     

     

3

O

34

3

3

  

                     

3                                             3                                                          

D

30

  

34





            

    

   

                          

      

dim.

        

N.M.O. 14173

     



35

              3 3 3 



41

 

 

Improvisation

E m7

  

  

       





D7



    

3

        

            

   

   

3

3

3

 



 



 

   

3

3



3

3

3

    



                     3



   



      3

        

 

3



    

3

3

          

3

3

3

F 7



3

3

                                

  



3

B7

                

50

3

3 3 3                     

3

D



3

A7

3

         

3

3

3

3

         

EM

3

G °

47



 

                                

44

           

         

O

38

 

      

     

                          N.M.O. 14173



 

3

   



                3

3

3

      

3

3

3



             3

cresc.

           



36

                       3                                 

        

    

            

lunga



      

58

             (‰=‰) 

Meno mosso 

 rit.                dim.       

69



          

D

  





     

a tempo

     





     

  

















EM

63



rubato ad libitum

O

54



 





rit.

N.M.O. 14173

 



 

 



37

Invention #8 in F major inspired by Oscar Peterson

                             4                                       cresc. 

                

                  

O

                                          11                                   

                  

EM

7

             

                                   3    

14



16

D

                                                                      19                                                                                           23                                                                         N.M.O. 14173

38

                                

27

 

                                 

                   

31



                             

                                                       

        

 

                        

EM

37

O

34

dolce

         

            

3                                                                    

41

                                              cresc. 

D

44

                                            

47

                             cresc.

51

                                    dim. 

N.M.O. 14173

39

Invention #9 in F minor inspired by Kenny Kirkland

                     

     

  

         



 

    

    

          

     

          

          

 

3

    

    

3

      

    

         

N.M.O. 14173

      



3

    



    

       

    

               

17

     

    

   

       

D          

     

         

    

Improvisation

           

14

    

     

    

    

EM

            10    

 

O

      6        

  





             

40

 



20

                

       



    



     

  





     

3                                            3                                        

O

23

                                          

EM

27

        



  

               

dim.

D

30











 

     



   

 

      

                            cresc.             

33

N.M.O. 14173

                  



 

                      

36

 

39





3







Improvisation

    

            



            

3

        

         





D           

       



        



            

3



    



3

     

                      

                    

49

3

3

    

      

        

    

           46



            

EM

42

3

  

O





3



 



 



 

              



41



 

          

                 N.M.O. 14173

        





               

 



               

     

          

  

42 53







 

              

                    



                  

 

                   

           3 

3

  

 

     

   

     

   

O

               



            

    

56

   

 



                                      cresc.                         

EM

59

                        dim.                              

D

62

65







      

        



        

      3

     N.M.O. 14173

   

3







 

             71





   

    

       

cresc. poco a poco

    















D

             78                                       

    

83







        3                               3                       

EM

   



                          

    

74

               



O

68

43

 

         

           

   

      

N.M.O. 14173

         



        



 



   

 

         

      



           

 



 

44

  

       







                  

89

            dim.

        

           



   

molto rit.



   

        



 

  

    





D

    



     



            

EM

92

     

accel.

  

 

  



N.M.O. 14173

       



cantabile

O

86



     





45

Invention #10 in G major inspired by Michel Camilo

                                                       







          

 



 



     

                









                                                                                       

 

D

10

   

           

EM

7







O

   

4



                                                                 

14

N.M.O. 14173

46

                                                                                                 

18

22







        







       





        

EM

25









     



                                                   

   

28

O

                                                            

 

poco cresc.

  

    



 

  

 



 



  

 



D

                   

31

              





              

         

 

N.M.O. 14173









        

47

                                 dolce                  

34







   

    



 



                





EM

41

          



O

                      

38



        

                                             

44

D

                                                   

47

                        

 

        

               

                                   cresc.   



N.M.O. 14173



48

Improvisation                                 G7                   

50

 

 

                     



  

  

       

EM



  

    3

           3









3



  

62







           

           

    

  

N.M.O. 14173







                         



      











       

D







                         

                          

56

59



O

53

       





    

          

 

             

65



49

The improvisation could be longer. It is up to the performer







  





cresc.

                              

                                                                        

O

68

                 



                       

EM

72

   



                                



                                                  



                                                          

                                                

82



cresc.

D

77

   

        

            

N.M.O. 14173

           

                     

50

 

90

 

93



                                         













  

             

 







        





D 

99

 

 

 



          

              

96

             

           





 







EM



 

O

87



  

      











        









N.M.O. 14173

 



   



       

                        

51

Invention #11 in G minor inspired by Chick Corea



   



      

  



3



3

   

  

3

3

      









4

  

 

3

D 3









3



3

3

3

3

        3

  

        3

N.M.O. 14173



    

         3

3



3



3

  



3

Improvisation

  

3

                      3 3 3 3 3 3 3 

     

   

          

3

                                      3 3 3 3 3 3

    

26

3

   

   

   



   

4

  

20

3

  

 

  

3

  

EM

13

    

            

3

3

3

3

 

                         3

      

O

8



       

  

3

 3        



        3

3

52



                          

       3

 

3

       3

  

      

38

4

 

44

       

  

3

3

3

       3

  

4

   

  

3

  

    

3

3    3  3               

 

3

56







3

   







3

3







 









  

      3



  







  

               3

3

        

 



3

       

3

4

3

 

3

3

3

D



      

3

3

4

3



3

  

                                  3 3 3

50

3

  

3 3                             3 3

  



3

EM







3

O

32





3

3





   

3  3     3 3                                          3

N.M.O. 14173

53 62







 











3 3  3 3                                    3





  



3

 

       



cresc.

3

3

       



3

  3             

 

   

     3    

3

3

3

3

    

3

        3

       3

  

   

   

3

3

       

3

          

      

D



    

    

3

 

   

3

  

      

3

3



       

  

3



3

3

3

       3

        

                

        

N.M.O. 14173



        

             3         

3 3              

85

3

           

                 3    3 3 3

78

3

     

    

EM

72

  

     

O

67



       

54

  3                                    3  3                    

92

 3      

 3      

3

       3

     3



      

3

3

     3



     

3

3

3

     3





O

   

98

Improvisation                             3   3  3  3 3  3                                     



3

3

3

3

EM

102

  

108





   3



    3

D

3 3     3                    

  

114

3             3

  3       

3



      3



3

3

3 3             



3

3               3



 

3

  



                      



      

3

3

N.M.O. 14173

3



3

       3

3

3



3

       3

3

3







   



  3        125



 

 



  

  

  

3

     

   





 



  

3

      

3

3

   

   3

3

  

3    3            

3



3

3       

3

3

3 3              



3

       3

3

3



3

3      

  



3

3

3



   3

3 3                  



   



3

                  

    



   

     3

N.M.O. 14173



      3

3

3

 

3  3 3                      

    



       3

3





3

    



3

3

  



  

3

D

 3       

  

  

    

3

3

3 3                

         3

3



3

EM 3

  3        

144

3

       

3

     

   3



3

 

      

        

3

132

3

3

3

3          

138

    



3

O

119

55

3



   3

3      





   3

3        

             



       3

3

3

3

     3

3

3



56



150



 

   





3 3             

          3



 



3















      

    

  



                               























                      





   







D

3             

  

180

 

  

3       



       3

    3





 



    

EM

166

173

                

O

158

 

 

a tempo, non ritenuto

       3

3            

  3

3

cresc.

  

3       

   N.M.O. 14173

3

3       

rit.

 



    3

  

        3

3            

3



3

3        

   

3       

3

  

57

rit.                                ad lib., quasi cadenza

185

        3              



  





D

EM

O

188

N.M.O. 14173





58

Invention #12 in A major inspired by Herbie Hancock

             

      



 

 

3

3



3

3  3  3  3   3  3                                             

poco dim.

      3                    3







            

EM

  

11

3         3            3 3   

3

                    

7

 

O

3

3

             





3

3

senza Ped.



3

3





    





3

3

senza Ped.



    







3

3 3 cresc.

3 3 3 3                                

D



16

 

 

             3

3

3



3

 

 3         

      

 

 

N.M.O. 14173



 

3

3

3

3

 







3

3

3

  3

3

   

59 3 3 3      3  3                                 

21





3

3

3

   

   

   

   



3 3 3                             3 3







37

 

 

3 3 3            

 



 

    

   



                3

3

 

  

  

3





3  3            3

  







 

 

 

3                 3

  

  

  



     3

      N.M.O. 14173

 











3

3

  

3

3

3             3

3

3

  

3

     





D



 

3

     34

 

O

31

 



3

EM





3

 



 3  3          



26

3

3

3

3

     3

     

 

3 3 3             3

  

  





60 40

 

 

        3 3  3

  3





                     

3

3

dim.

                                       3  3 3 3 3    







3

      3

 3

D

   3  3        

3

3

  

       3 

        3

3

3

3

                            3

3

    

3



  

3

3

            3

3



3

3

3

      



3

                 3 3 3  3 3  3  3                      

   3

3



EM

   

50

 

3

O

             

3



43

46

3

3

3

3 3 3                                     3 3 3 3 3  3 3   3  3  3  3                             

   

54

3

N.M.O. 14173

61

                       

         

58





3

3

3

3

3

3

3





3

3



                                                        

61



3

3

3

3



3

3

EM 3

3



3

3

3



3

3







 3 3   3  3   3

3





dim.

3

3



 

                                    

  

71

3





 

3

D





3

3



                                     

68

3





64



3

O



3

3

3

3



3

3

3

3

3





3 3 3 3 3 3 3   3                          

N.M.O. 14173

3

3

 

3

3

3

3

 3

3



           

62

 

77

 

81









3

3

3

3

3

3

3



3









3

3

3

3

3

3

 

 

 

3

3

  







3

3

3



   



 

      3

     

3

3

3





 





           3                                        3 3 3 3 3 3 3 3

3





3

G7

3

3

3





 



A m a j





3

   3    3 



3

 3      

       

D 

89

cresc.

3

3

3

Improvisation

                

85

3

                                3

3





           3

                                               3 3









EM





O

74







 







N.M.O. 14173









                   3 3 3

3





3

 



 

   3

3

3



  3     3 









 

               3



3



3



3



63

      3                                3 3 3 3

     



       



97





 3       

 

  



 







 

 







 



 3        3

  

3 3 3                     

 

 

 





 





3



3 3 3 3     3                              

   



  

3



(Improvisation could be longer, it's up to performer)

 

 



           3  3          3 3 3 3  senza Ped.

  

 

3 3 3                      3

D 111

 

poco dim.

3

       

    

   3 3 3 3 3                           3 3 3 3 3 3

       

     107

Am a j

3

O

102

3



     

EM





3

  

  

 3        3

93

   

 





N.M.O. 14173

 



 

3          3

 

 

 

             3

senza Ped.

3



3

3

64 3              

116

    

3

 





   

 3         



   



 







   

3

 

3

3

 



 

 3 3 3 3 3 3                                               3 3 3  3cresc. 3 3 3 3 3 3        

124

             3

3

3

3

  

EM





O

120





3

3

3



D





3

N.M.O. 14173



 

   

  





        

65

Invention #13 in A minor inspired by Jacques Loussier



                                        







 



 





   

29





  





D 









    

   



   

22







       

 





EM

15

   





O

 

        



8









   







    





 

   







       





    



     

   





    



   

N.M.O. 14173

 

  

     3



    



66 35











     



  

     

     

3

         



41



3

   

48



  





  

 

   







  

              

54

   



 



EM



 



     



D





60



 



       3

3





    

          3 





N.M.O. 14173







3



3





3

3                 

 



3

         3

 

 





                 3

 

3

     

O

        











   



           3

3

3

3

67 3                             3 3





 

71

 

     



 

        3

    

3





      



 



  

      

    

 



3







   



  

   





     

   



    

3

D 



       

3      

83

  



                          

EM

77

       

 

       







3

      

O







65





3



  

  

      

    

   

   

                   

  

 

 



89

  

  

N.M.O. 14173





68 95



                      

       







3

3

3

3

3

3

 



          

3



        3 3

3

    

      

3

3

EM 3

3

   108



   



3

      3

 

3

   

    

3

   

3

   

3

3

3     

3 3 3                        

112

3

  





 

3

3



3

3



3

3

N.M.O. 14173

3

  



3

3







          

 

3

         

3  3        

3

      

   

       

3

3      

3     

3

3

3

3

    

D



 

3

      

3

3 3 3                     3                 3 3 3

104

   

      3



3

3

3

O

  

  



3

3

 



  

Improvisation

3

3



                  

99

3



3

3

 

3

 

3

3



   3

       3

69

 3  3          



3

3

3

   





3

3

3

3

      

   



3

3

3

  



 

 3              

3

  



3

 

3



    



3









        3

 

 

3

         

       

3

   



3

3

3

  

3





3

3

N.M.O. 14173

3

3

3           



3

3

        3

3

3

3

3

    

           

3

                3 3 3 3

       3  3 3       

3

    

    



3

   

3

   

3

3

3

   

3

          

                      



3



     

3



3

D 

3

3

   



3 3 3              3



132

3

3  3  3               

 

      

3

                        3 3 3 3 3 3 3 

128

  

3

3

EM

124

3

3

     

3

 



         3 3 

           

120

3

 

O

117

3

      3



3

3   

70

           3

        3

136

3

  



140



3

3    







      

3



  

3

    

      

3

3





    



3

              3

3

3

    







D

                  3     3 3  3  3 3 

155

 

 3

3

 

       3

3

3

 

  

3

  

3

   

3

  

 

3

3

3

          

3

 N.M.O. 14173

  

3

3

   

     

 

3

  3

  



3

   

   

 



3

150

   3   



            



3



3

EM

 

3

   3



3

       3 3

     

     

    

3

3



3

   

3

   



O

3

146



3

3

   



3    



3

      

         

 

3

  

 

3

  



         3 3 3  



             3 3 3 3 

    



     3  3         3

3

3



3      

 

3     

 

3 3 3                  



3

3

   

      3

3

3

   

3

3

    

   

3

      

 3 3 3 3                  

3        

D 



 

 

179



         3

3

              3



3

      3

3

3

 

       

         





3

      

  

3 3 3 3 3                        

         

3

   

 

EM        3

   

173

3

                                          3 3 3 3 3 3 3 3 3         

  

3



168



   

   

164

  

O



159

71



N.M.O. 14173

3

         





  

  

72

    

   

   

   

   

   

 

 

 



191





  

  

rit.               













D

EM



   

 



    

N.M.O. 14173

 

     

O

185



73

Invention #14 in B flat major inspired by Dave Brubeck 

   

                                                                        













O

    

7





 



                                          

EM

                                      cresc.                  

12

   



D

16

   





        



                                            

 

 



                                             

21



















N.M.O. 14173







 



 

74

           



25

  

 

   

30







dim.



                                            



                       

         

                                       

EM

34

38



  

 





 

     

   

44





Improvisation



D





     

  



 

 

F7

 



       3

3



 









 



                 

 

N.M.O. 14173

 



       

                                3 3

       



      

O

            

   

 



      

3

 

    

  

     

75

                   

               

49





      

             

 





                                 A7

54





   

59











   

        









3

       

poco cresc.

  

  



   

       

       

 



 

          

      



         

      









     N.M.O. 14173



          

cresc.

 



      

                                                   

D 



 

3

  

                                       

               

  

68

 

   

EM



64

 

      

O





      

  

        

76

     

72









                                              

                                 

                                    



77





    

                  

           

                   

                     

EM

81

    

O



 







  





 

                                                                     

D

86

                 

91







  

   

 

 

             

N.M.O. 14173



 





 

77

                       

95







 



             

99

   











                           



EM



103



 

      

dim.

      

D

 



 

                    





  

   

N.M.O. 14173

 



   

  

 

 

        

O





 



  

78

Invention #15 in B minor inspired by George Shearing

                                                  

mallets                                                                          

O



                                                  

EM

6

mallets                                             

   



10



           





 

  

mallets                                                                               foot on a floor  highest sound on the vibraphone frame

mallets

D

15

                  

             

20

  



       



N.M.O. 14173 2017 © Andrei Pushkarev

       

               

                                    senza Ped.  left side of frame                                       

25

 

34



 

  

 

  

                                                   

 

          (ord.)               (ord.)

EM 

      

   



            

 

   

  





        

   

      



         

    

 





                                  

   



48



     

              

D

43

     

         

     

                                   38                                      

 (right hand)                   

O

30

foot on a floor

79

        

      

N.M.O. 14173

                        

80

               

                      

52





       

     

               



57

62



 

    

 3

      



      

   3





             





 3







    



67



   

very classical, in the style of Bach





EM



     

    





 

O





  







    

   







    

     



                                         3  senza Ped.                               

D

72

back to the Shearing's style

3

senza Ped.

     

77





                                

            

  

    

N.M.O. 14173

      

    

81

                                           

                

ord.

81



   

ord.

           

   

       

                                                             

85





                         

                  

 

     

   

  



 

                

D 

      

    

                    

         

  

99



 

EM

   

95



       

O



90

      

   

        

      

           

     3

           3

               

         

                          sounds of  different the vibraphone frame                     

103

N.M.O. 14173





   



          

82

   

            cresc.             

108

      



Solo ad lib.

  



foot on a floor

      



    

3

3

3

    

     



     

120

         

  

   

    

 

 

       

      

3

3



D

               

124

  

       

  



 

3

     









   

 





very classical, in the style of Bach







                       





 



129

  

    



 

  

      

EM





3



             

       

116



  

      

      



Solo ad lib.

O

111

Solo ad libitum on everything except bars

              

N.M.O. 14173







                

   

135

  

           



   

   



 





  

   

dim.





83





   



                                  

139





         143            





                   niente

a tempo, senza rit.



D

EM

  



O

  

poccissimo dim. al fine

N.M.O. 14173





O

EM

D