Bjørn Kruse 2014
Chronotope
Part II
Bjørn Kruse 2014
Concerto for Bb clarinet and orchestra
Chronotope
(Part II of the three part concerto Chronotope)
Bjørn Kruse 2014
Commissioned by F r e d r i k F o r s for his performance with the Oslo Philharmonic Orchestra, 21 January 2016, with conductor Han-Na Chang
Chronotope
Concerto for Bb clarinet and orchestra
Financial support from Arts Council Norway
Concerto for Bb clarinet and orchestra
Commissioned by F r e d r i k F o r s for his performance with the Oslo Philharmonic Orchestra, 21 January 2016, with conductor Han-Na Chang
Commissioned by F r e d r i k F o r s for his performance with the Oslo Philharmonic Orchestra, 21 January 2016, with conductor Han-Na Chang
Financial support from Arts Council Norway
Financial support from Arts Council Norway
1 (2010),
Copyright © 2016 by Norsk Musikforlag A/S, Oslo. www.musikkforlagene.no
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N.M.O. 14021A
ISMN 979-0-065-14495-5
Cover Photo:
The Window (2014). Acrylic on canvas 90 x 90 cm by Bjørn Kruse
Graphic design/Print: Oslo Sats, Repro & Montasje A/S. www.osrm.dinstudio.no
Published in the following editions:
For sale and hire: Score (SRA3) (N.M.O. 14021A/ISMN 979-0-065-14495-5)
For hire: Orchestral parts (B4) (N.M.O. 14021B/ISMN 979-0-065-14496-2)

About the title
The term CHRONOTOPE literally means 'time-space' - mainly used in literary theory and philosophy of language by Mikhail Bakhtin* to describe how configurations of time and space are represented in language and discourse. I find that this naturally also applies to the awareness of temporal and spatial dimensions in musical "discourse" The title is also conceptually related to my last series of 15 paintings, called Shapes in Space. They were exhibited at Galleri Albin Upp, Oslo, in 2009 (Chaos and Order) and 2010 (Time and Space). Bakhtin's concepts of time and space, as well as those of 'carnival' and 'dialogue', constitute also the basis for my teaching, in lectures and writings. (For further reference please see bjornkruse.com)
* Russian philosopher, literary critic, semiotician and scholar (1895 - 1975)
This work is dedicated to my wife and Bakhtin aficionada, Karette Stensæth
Orchestra
Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
Clarinet in Bb 1
Clarinet in Bb 2
Clarinet in Bb 3 (alt. Bass Clarinet)
Horn in F 1
Horn in F 2
Horn in F 3
Horn in F 4
Trumpet in Bb 1
Trumpet in Bb 2
Trumpet in Bb 3
Tenor trombone 1
Tenor trombone 2
Bass trombone
Tuba
Timpani (5)
Percussion 1 (placed stage right)
Xylophone
Vibraphone
Marimba (kontra c)
Tubular bells
Glockenspiel
Percussion 2 (placed stage left)
Xylophone
Vibraphone ( lille c - ''''c )
Marimba (store a)
Percussion 3
Snare drum
Metal chimes
Triangle Gran Cassa
Cymbals (suspended)
Anvil
Egg maracas
Tambourine
Vibraslap
Bongos / toms
Temple blocks
Woodblocks (4)
Tuned gongs ('c# - ''c)
Almglocken ('f# - '''c)
Crotales ('f#/''c/'h/''d/''e/''h)
Percussion 4
Snare drum
Metal chimes
Triangle
Gran Cassa
Cymbals (suspended - + chinese/ride)
Anvil
Woodblocks
Glass chimes
Wood chimes
Vibraslap
Guiro (large + small)
Bongos / toms
Log drums (2)
Tam tams (s/m/l)
Tuned gongs (kontra c - 'c)
Almglocken (lille f# - 'f)
Crotales (''d/''c/'h/'d#)
Finger cymbals
Piano / Celesta
Solo Clarinet in Bb
Strings
Transposed score
Total duration: ca 45 minutes
Please ensure that percussion players are placed in relation to the orchestra as follows:



PERC 1


PERC 3 PERC 4 SOLOIST COND.


ORCHESTRA






PERC 2





























































